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  Home>Plan Your Visit>Tours, Guides, and Maps>Self-Guided Tours>Audio Stop 216
      

      
      Search Audio Stop 216 Select LanguageEnglishChineseKoreanSpanishJapanese
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 We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”
 Mary Cassatt *Woman with a Sunflower*, c. 1905 Read full audio transcript해설자:
미국인 화가 메리 커삿은 이 작품을 1905년경에 그렸습니다. 커삿은 여자와 아이 그림으로 유명하며 현대적 인상주의 기법과 정치 사회에 대한 페미니스트 시각 모두에서 급진적이었습니다.

니키 조자퓰러스:
저는 니키 조자퓰러스이고, 프랑스 회화 부문 앤드류 W. 멜론 박사후 큐레이터 펠로우입니다.

이 아이와 여인은 혈육 여부를 떠나서 아주 가깝고 친근한 관계입니다. 커삿은 미래에 관심을 두었으니까, 이렇게 볼 때 이 이미지를 교훈에 관련된 의미로 이해할 수 있습니다.

마리아 베리오:
제 이름은 마리아 베리오이고 저는 미술가입니다. 작은 거울을 보시면, 거기에 아이 얼굴이 보이는데 꼭 아이가 작은 동그라미에 갇힌 것 같습니다. 여기에서 커삿은, 사회가 널 가두려고 하겠지만 그런 기준에 얽매이지 않기 위해 자기 자신, 그리고 자신의 능력을 알아보는 것이 우리가 할 일이야, 그렇게 말합니다. 그래서 이 그림은 매우 아름답습니다. 어린 아이에게 자신을 보는 법을 가르치는 이 여인의 모습이 아름답게 그려 있습니다.

해설자:
거울뿐 아니라, 여인이 달고 있는 해바라기도 특히 중요합니다. 투표권을 획득하려는 여성의 투쟁을 가리킬 수도 있습니다.

니키 조자퓰러스
제가 알아낸 사실은, 커삿이 이 그림을 그린 1905년경에, 해바라기가 미국 참정권 운동의 주요 상징이었다는 겁니다. 자신의 더욱 급진적인 신념을, 여성 예술가로서 허용될 만한 이 소재 뒤에 숨겨두는 교묘한 방법을 썼습니다. 서관 투어: 특별 전시
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