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Home>Yes No Maybe Introduction>Yes No Maybe Maybe>Yes No Maybe Steir

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Exhibition Introduction

Note to the ReaderAcknowledgments

IntroductionKeithJohnLeslieSelf-Portrait

IntroductionTouched RedGreenCombinationHigh Green Version 1

Introduction17 Drawings by ThoreauSeven Day Diary (Not Knowing)Changes and DisappearancesWhere R=RyoanjiFireThe Missing Stone 75 StonesEninkaStonesWhere There is Where There

IntroductionAnne ApplebyPia FriesDarren AlmondSusan MiddletonJoel FisherBrad BrownTom Marioni

IntroductionMamma AnderssonSol LeWittFred WilsonRobert BechtleKiki Smith

IntroductionJulie MehretuWayne ThiebaudJockum NordströmTomma AbtsNathan OliveiraChris Ofili

IntroductionPat SteirLaura OwensWayne ThiebaudAmy Sillman

# Pat Steir

Pat Steir, Kweilin Dreaming, 1989, 1998 
*Kweilin Dreaming 51*1989color woodcut with hand-painting on silk mounted topapersilk: 26 3⁄4 × 33 (67.9 × 83.8)sheet: 37 5⁄8 × 42 3⁄4 (95.6 × 108.6)Crown Point Press© Pat Steir

Pat Steir, Kweilin Dreaming, 1989, 1998 
*Kweilin Dreaming 88*1998color woodcut with hand-painting and pen-and-inkdrawing on silk mounted to papersilk: 26 1⁄4 × 32 5⁄8 (66.7 × 82.9)sheet: 37 1⁄2 × 42 1⁄2 (95.3 × 108)Crown Point Press© Pat Steir

In 1988, Steir traveled to Guilin (a region in China also called Kweilin). She drew a sketch of the area from memory, which printers in Beijing translated into a spare woodcut print made up of two clusters of watery blue dashes, two moons (one seen faintly behind a cluster of dashes), a light blue horizon line, and a dozen or so blue spatters. Over the next ten years, Steir used ninety of the woodcut prints, sometimes varying their orientation, as supports for unique watercolors. She describes the “infinite possibility” of using a single image in a variety of ways “irresistible.”

Pat Steir (right) in China, examining wood blocks used to print her*Kweilin Dreaming* series

Banner image: Detail, Pat Steir, *Kweilin Dreaming 88*, 1998, color woodcut with hand-painting and pen-and-ink drawing on silk mounted to paper, Crown Point Press, © Pat Steir

Next: Laura Owens

"Yes, No, Maybe: The Art of Making Decisions," lecture by exhibition curators Judith Brodie and Adam Greenhalgh (audio)Julie Mehretu, artist, in conversation with curator Judith Brodie, Diamonstein-Spielvogel lecture (audio)"An Insider's Perspective," lecture by Kathan Brown, founder of Crown Point Press (audio)

Exhibition tour by curators Judith Brodie and Adam Greenhalgh (audio)

Pat Steir in the collection of the National Gallery of Art

Crown Point Press prints in the collection of the National Gallery of Art

Press release

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