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Home>Yes No Maybe Introduction>Yes No Maybe No>Yes No Maybe Oliveira

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Exhibition Introduction

Note to the ReaderAcknowledgments

IntroductionKeithJohnLeslieSelf-Portrait

IntroductionTouched RedGreenCombinationHigh Green Version 1

Introduction17 Drawings by ThoreauSeven Day Diary (Not Knowing)Changes and DisappearancesWhere R=RyoanjiFireThe Missing Stone 75 StonesEninkaStonesWhere There is Where There

IntroductionAnne ApplebyPia FriesDarren AlmondSusan MiddletonJoel FisherBrad BrownTom Marioni

IntroductionMamma AnderssonSol LeWittFred WilsonRobert BechtleKiki Smith

IntroductionJulie MehretuWayne ThiebaudJockum NordströmTomma AbtsNathan OliveiraChris Ofili

IntroductionPat SteirLaura OwensWayne ThiebaudAmy Sillman

# Nathan Oliveira

Nathan Oliveira, Torso I, 2004
*Torso I* (working proof)2004color sugarlift aquatint and spitbite aquatint with ballpointpen, colored pencil, and fingerprint additionssheet: 31 5⁄8 × 23 5⁄8 (80.3 × 60)Crown Point Press© The Estate of Nathan and Mona Oliveira

Nathan Oliveira, Torso I, 2004
*Torso I*2004color sugarlift aquatint, spitbite aquatint, softgroundetching, and aquatintsheet: 31 3⁄8 × 23 3⁄4 (79.7 × 60.3)National Gallery of Art, Washington, Gift of Kathan Brown,2006© The Estate of Nathan and Mona Oliveira

Nathan Oliveira at work at Crown PointPress, photograph by Kathan Brown,Courtesy Crown Point Press

In Oliveira's****final print, the torso — supported from below — resembles an early Greek or Roman statue. But in the working proof, the torso is suspended from a common hanger that the artist drew onto the paper with a pen. Hanging, the form reads less like a substantial marble and more like a dancer’s gauzy leotard. Oliveira ultimately decided against adding the hanger — if, indeed, he ever seriously considered it — shifting the tone of the work from highly whimsical to highbrow.

Banner Image: Detail, Wayne Thiebaud, *River Edge* (working proof 26), 1997, color drypoint and spitbite aquatint, Crown Point Press, Art © Wayne Thiebaud / Licensed by VAGA, New York, NY

Next: Chris Ofili

"Yes, No, Maybe: The Art of Making Decisions," lecture by exhibition curators Judith Brodie and Adam Greenhalgh (audio)Julie Mehretu, artist, in conversation with curator Judith Brodie, Diamonstein-Spielvogel lecture (audio)"An Insider's Perspective," lecture by Kathan Brown, founder of Crown Point Press (audio)

Exhibition tour by curators Judith Brodie and Adam Greenhalgh (audio)

Nathan Oliveira in the collection of the National Gallery of Art

Crown Point Press prints in the collection of the National Gallery of Art

Press release

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