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Home>Yes No Maybe Introduction>Yes No Maybe Diebenkorn Introduction>Yes No Maybe Diebenkorn High Green Version I

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Exhibition Introduction

Note to the ReaderAcknowledgments

IntroductionKeithJohnLeslieSelf-Portrait

IntroductionTouched RedGreenCombinationHigh Green Version 1

Introduction17 Drawings by ThoreauSeven Day Diary (Not Knowing)Changes and DisappearancesWhere R=RyoanjiFireThe Missing Stone 75 StonesEninkaStonesWhere There is Where There

IntroductionAnne ApplebyPia FriesDarren AlmondSusan MiddletonJoel FisherBrad BrownTom Marioni

IntroductionMamma AnderssonSol LeWittFred WilsonRobert BechtleKiki Smith

IntroductionJulie MehretuWayne ThiebaudJockum NordströmTomma AbtsNathan OliveiraChris Ofili

IntroductionPat SteirLaura OwensWayne ThiebaudAmy Sillman

# Richard Diebenkorn, High Green Version I, 1992

Richard Diebenkorn, High Green Version 1, 1992
*High Green Version I* (working proof 8)1992soapground aquatint, softground etching, and etchingin blackplate: 39 3⁄4 × 22 3⁄4 (101 × 57.8)sheet: 53 3⁄4 × 32 (136.5 × 81.3)National Gallery of Art, Washington, Gift of Crown PointPress, 1996© The Estate of Richard Diebenkorn

Richard Diebenkorn, High Green Version 1, 1992
*High Green Version I*1992color spitbite aquatint, soapground aquatint, softgroundetching, and etching with pasted-down elementplate: 39 3⁄4 × 22 3⁄4 (101 × 57.8)sheet: 52 3⁄4 × 33 5⁄8 (134 × 85.4)National Gallery of Art, Washington, Eugene L. andMarie-Louise Garbáty Fund and Patrons’ PermanentFund, 1996© The Estate of Richard Diebenkorn

*High Green Version I*may be traced back to Diebenkorn’s experience of looking out the window of an airplane and being struck by the landscape’s abstract structure, which, he later said, “had so many things I wanted in my [art].” In the print’s “high” region, a bright-green form is adjoined by a dark *V*, which acts like a visual retaining wall, keeping the upper region from eroding and seeping into the expanse of blue below.

Banner image: Detail, Richard Diebenkorn, *Green* (working proof 7), 1986, color spitbite aquatint, soapground aquatint, and drypoint with pasted-down elements, Kathan Brown, © The Estate of Richard Diebenkorn

Next: John Cage

"Yes, No, Maybe: The Art of Making Decisions," lecture by exhibition curators Judith Brodie and Adam Greenhalgh (audio)Julie Mehretu, artist, in conversation with curator Judith Brodie, Diamonstein-Spielvogel lecture (audio)"An Insider's Perspective," lecture by Kathan Brown, founder of Crown Point Press (audio)

Exhibition tour by curators Judith Brodie and Adam Greenhalgh (audio)

Richard Diebenkorn in the collection of the National Gallery of Art

Crown Point Press prints in the collection of the National Gallery of Art

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