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Home>Research>Center for Advanced Study in the Visual Arts>Research Projects>Members' Research Report Archive>Mattia Biffis, 2016–2017

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# Members' Research Report Archive

*From Venice to Bologna: Art and Artists in Late Renaissance Italy*

**Mattia Biffis**, Research Associate, 2016–2017

Johann Jakob Frey the Elder after Guido Reni, *Dispute over the Immaculate Conception*. The Metropolitan Museum of Art, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962

This year I completed three articles on Guido Reni that were inspired by my current collaboration with the Malvasia research project, published respectively in *The Burlington Magazine*, *Journal of the History of Collections*, and *Studi Secenteschi*. These contributions center on different aspects of Guido’s artistic production and early reception and focus on such masterpieces as the lost*Bacchus and Ariadne*for Queen Henrietta Maria of England and *Dispute over the Immaculate Conception*, now at the State Hermitage Museum. They show how fruitful research on a fundamental primary source such as Carlo Cesare Malvasia’s *Felsina pittrice* can be. Also forthcoming is a more substantial study on Venetian mannerist artists. Two other projects on the mobility of paintings and the forensic use of images in the baroque are in progress.

*Center 37*

*Expatriating the*Maniera:*Rome, Florence, and Venetian Mannerism, 1540–1575***Mattia Biffis**, Research Associate, 2015–2016

*The Artist as*Cittadino*: Giuseppe Salviati and Venetian Mannerism, 1540–1575** *******Mattia Biffis**, Research Associate, 2014–2015

*The Artist as Intellectual: Giuseppe Salviati and Venetian Mannerism, 1540–1575***Mattia Biffis**, Research Associate, 2013–2014

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