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Home>Yes No Maybe Introduction>Yes No Maybe No>Yes No Maybe Ofili

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Exhibition Introduction

Note to the ReaderAcknowledgments

IntroductionKeithJohnLeslieSelf-Portrait

IntroductionTouched RedGreenCombinationHigh Green Version 1

Introduction17 Drawings by ThoreauSeven Day Diary (Not Knowing)Changes and DisappearancesWhere R=RyoanjiFireThe Missing Stone 75 StonesEninkaStonesWhere There is Where There

IntroductionAnne ApplebyPia FriesDarren AlmondSusan MiddletonJoel FisherBrad BrownTom Marioni

IntroductionMamma AnderssonSol LeWittFred WilsonRobert BechtleKiki Smith

IntroductionJulie MehretuWayne ThiebaudJockum NordströmTomma AbtsNathan OliveiraChris Ofili

IntroductionPat SteirLaura OwensWayne ThiebaudAmy Sillman

# Chris Ofili

Chris Ofili, Habio Green, 2009
*Habio Green* (working proof 1)2009etching in yellow with colored pencil and graphiteadditionsplate: 23 1⁄2 × 14 3⁄4 (59.7 × 37.5)sheet: 29 7⁄8 × 22 1⁄2 (75.9 × 57.2)Crown Point Press© Chris Ofili, Courtesy David Zwirner, New York / London

Chris Ofili, Habio Green, 2009
*Habio Green* (working proof 3)2009color spitbite aquatintplate: 23 1⁄2 × 14 3⁄4 (59.7 × 37.5)sheet: 32 5⁄8 × 22 7⁄8 (82.9 × 58.1)Crown Point Press© Chris Ofili, Courtesy David Zwirner, New York / London

Chris Ofili, Habio Green, 2009
*Habio Green* (working proof 8)2009color spitbite aquatint with watercolor and graphiteadditionsplate: 23 1⁄2 × 14 3⁄4 (59.7 × 37.5)sheet: 32 1⁄4 × 22 3⁄4 (81.9 × 57.8)Crown Point Press© Chris Ofili, Courtesy David Zwirner, New York / London

Chris Ofili, Habio Green, 2009
*Habio Green*2009color spitbite aquatint, aquatint, and drypointplate: 23 1⁄2 × 14 3⁄4 (59.7 × 37.5)sheet: 32 3⁄4 × 22 3⁄4 (83.2 × 57.8)National Gallery of Art, Washington, Gift of Kathan Brown,2011© Chris Ofili, Courtesy David Zwirner, New York / London

Numerous changes occurred as Ofili worked on *Habio Green*. The most radical is a 180-degree shift in the print’s orientation. In the first two working proofs, the androgynous figure’s feet point upward, as if the person were diving into a pool of water. But in working proof 8, the figure, now fleshed out as a woman, is upright, hands raised high as water cascades downward (see slideshow, above). Habio Waterfall is in Trinidad, where Ofili lives.

Chris Ofili working at Crown Point Press, 2009, photograph by Kathan Brown, Courtesy Crown Point Press

Banner Image: Detail, Wayne Thiebaud, *River Edge* (working proof 26), 1997, color drypoint and spitbite aquatint, Crown Point Press, Art © Wayne Thiebaud / Licensed by VAGA, New York, NY

Next: Maybe

"Yes, No, Maybe: The Art of Making Decisions," lecture by exhibition curators Judith Brodie and Adam Greenhalgh (audio)Julie Mehretu, artist, in conversation with curator Judith Brodie, Diamonstein-Spielvogel lecture (audio)"An Insider's Perspective," lecture by Kathan Brown, founder of Crown Point Press (audio)

Exhibition tour by curators Judith Brodie and Adam Greenhalgh (audio)

Chris Ofili in the collection of the National Gallery of Art

Crown Point Press prints in the collection of the National Gallery of Art

Press release

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