Skip to Main Content

 Admission is always freeOpen today: 10:00  to 5:00  Directions             Play Artle            

                  -  Visit                      - Visit
                    - Getting Here
                    - Accessibility
                    - Tours, Guides & Maps
                    - Food & Drink
                    - Gallery Shops
                    - Visitor Policies 
                  -  Collection                      - Collection
                    - Highlights
                    - Search the Collection
                    - Artists Search
                    - Acquisition Highlights
                    - Stories
                    - Games 
                  -  Exhibitions                      - Exhibitions
                    - Current
                    - Special Installations
                    - Upcoming
                    - On Tour
                    - Past 
                  -  Calendar                      - Calendar
                    - Films
                    - Performances
                    - Talks
                    - Guided Tours
                    - After Hours
                    - Fun for Kids
                    - Festivals
                    - Workshops 
                  -  Learn                      - Learn
                    - Teachers
                    - Families
                    - Teens
                    - Adults
                    - Learning Resources
                    - Music Programs
                    - Film Programs 
                  -  Conservation                      - Conservation
                    - Projects
                    - Publications
                    - Resources 
                  -  Research                      - Research
                    - The Center
                    - Publications
                    - Make an Appointment
                    - Archives
                    - Library
                    - NGA Online Editions 
                  -  Support                      - Support
                    - Donate Now
                    - National Membership
                    - Circle Membership
                    - Leadership Groups
                    - Planned Giving
                    - Major Giving
                    - Gifts of Art 
                  -  Shop                      - Shop
                    - Books
                    - Jewelry
                    - Apparel & Accessories
                    - Kids
                    - NGA Custom Prints 
                  -  Play Artle

Home>Research>Center for Advanced Study in the Visual Arts>Research Projects>Members' Research Report Archive>Catherine Maumi, 2012–2013

About Fellowships

Senior Fellowships

Visiting Senior Fellowships

Postdoctoral Fellowships

Center/YCBA Postdoctoral Fellowships

Predoctoral Dissertation Fellowships

Center Members

Members’ Presentations

Former Members

Members’ Research Reports, 2011–2018

About Center Meetings

Recent & Upcoming Meetings

A. W. Mellon Lectures in the Fine Arts

Wyeth Foundation for American Art Programs

Sydney J. Freedberg Lectures on Italian Art

Research at the Center

The Index of American Design

History of Early American Landscape Design

The History of the Accademia di San Luca, c. 1590–1635

About the Center Publications

Recent & Upcoming Publications

Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art

Studies in the History of Art

Seminar Papers

*Center Report*

From the *Bulletin*

Research Publications

Special Publications

National Gallery of Art Shop

# Members' Research Report Archive

*Victor Gruen: A New Architecture for Our Urban Environment***Catherine Maumi**, École nationale supérieure d’architecture de GrenoblePaul Mellon Visiting Senior Fellow, June 15–August 15, 2012

In a lecture titled “Cityscape and Landscape,” given in Aspen, Colorado, in June 1955, Victor Gruen (1903–1980) explained that “architecture’s most urgent mission today is to convert chaos into order, change mechanization from a tyrant to a slave and thus make place for beauty where there is vulgarity and ugliness.” According to Gruen, architecture was not solely the design of buildings (“there is little value in the building of buildings alone,” he asserted); rather, it encompassed “all man-made elements which form our environment,” a definition of architecture not very different from that of Leon Battista Alberti (1404–1472). However, it seems that his main reference was not Alberti but Leonardo da Vinci and his drawings representing types of traffic separated on different levels, the streets being dedicated to the noble activities of the city and its inhabitants. Can we find, in those drawings, the foundations of the concept Gruen later characterized as three-dimensional planning? “One of the serious problems we encounter in the planning of our environment is that hundreds of specialists seem to approach it from varying points of departure over divergent avenues of procedure. The men of the Renaissance did not have this problem,” he asserted in his book *The Heart of Our Cities: The Urban Crisis, Diagnosis and Cure* (1964).

*Schematic Section through Transportation Center*, from “Revitalization Plan for the City Core of Cincinnati,” 1962, 17. Victor Gruen Papers, Library of Congress, Prints and Photographs Division

Gruen is now well documented as a pioneer in the design of shopping malls, that achievement having constituted the center of interest of most publications on him until recently. During my residence at CASVA I chose instead to investigate Gruen’s architectural thought in relation to the evolution of the American city and to relate it to contemporary debates. The visiting fellowship constituted an essential step in my research, most importantly by providing the opportunity for me to consult the Victor Gruen papers in the Library of Congress.Many times during his career Gruen exhorted planning authorities to “give the city back to the people.” In that interest he designed prototypes for the inhabitants of a better city to come. All of these projects questioned the radical changes experienced in the United States during the postwar period and attempted solutions at all architectural scales. New typologies and urban forms had to be invented to answer the new needs of a population using all the latest technologies, and the architect had a fundamental role: to reaffirm the mission of architecture, and of the architect, as opposed to the imperatives of omnipotent engineers. Consequently, what is often considered a paradox of Gruen’s career—that he worked simultaneously on the design of regional shopping centers and on revitalization projects for downtowns—was not paradoxical at all. As he explained in the mid-1950s, many American cities had already begun a process of transformation into “doughnuts”: depopulated cores ringed by suburbs. So the fight against chaotic suburban sprawl and the death of downtowns urgently called for comprehensive planning at the metropolitan scale as the only means of preventing simultaneous expansion of the “dough” and irremediable ruin of the “hole.”Gruen, who was born in Vienna, never forgot his European background and always kept in mind an idealized image of the European city. Sharing neither Frank Lloyd Wright’s idea of Broadacre City, first proposed in the 1930s, nor the underlying concept of Jean Gottmann’s *Megalopolis*(1961), he had more in common with Jaqueline Tyrwhitt, José Luis Sert, and Ernesto Nathan Rogers presenting the findings of the Eighth International Congress for Modern Architecture (CIAM) in *The Heart of the City: Towards the Humanization of Urban Life*(1952), or with Jane Jacobs opposing Robert Moses and defending her ideas in *The Death and Life of Great American Cities* (1961).Gruen liked presenting himself as an architect working with hard reality, as opposed to the dreamers of idealized cities. An opponent of the segregation imposed by urban planners, he believed in an approach that mixed uses and functions, that is, three-dimensional planning. Gruen defended his ideas in numerous lectures, articles, and books that had a fundamental influence on contemporary debate well beyond the American coasts. During the 1960s and 1970s he found a favorable audience in most European countries, where his commissions included, besides projects for shopping centers, consulting for numerous master plans for new towns and for revitalization of old town centers. His papers at the Library of Congress testify to the important projects he undertook in Europe from the 1960s until his death. This European chapter of his career still has to be written, and I will dedicate a large part of my future research to it.The last chapter of Gruen’s life is also the one in which, disenchanted, he realized that he had probably been a dreamer himself. During the 1970s, working on a new autobiographical work, he admitted: “What I feel I am today: A person, who—because he has learned the hard way what the realities are—is believing more than ever in the importance of ‘ideas,’ a person who hopes that, as a ‘dreaming realist’ or a ‘realistic dreamer,’ he can make a modest contribution to the progress of humanity, towards becoming more human.”

*Center 33*

### Stay connected

Learn more about our exhibitions, news, programs, and special offers.

About
          - About the National Gallery
          - Stories
          - Press
          - FAQs
          - Contact Us

Plan a Visit
          - Getting Here
          - Accessibility
          - Today's Tours
          - Food & Drink
          - Calendar
          - Downloadable Map

Get Involved
          - Donate
          - Membership
          - Volunteer
          - Opportunities
          - Shop Online

Resources
          - Search the Collection
          - Conservation
          - Library
          - Archives
          - The Center
          - Film Programs
          - Music Programs
          - Audio/Video
          - Open Access Images

Hours: 10:00 a.m. to 5:00 p.m. daily

**West Building**6th St and Constitution Ave NW*Enter or exit from Constitution Avenue, 4th Street, or 7th Street. The Madison Drive entrance is currently closed.*

**East Building**4th St and Constitution Ave NW*Enter and exit from 4th Street.*

**Sculpture Garden**7th St and Constitution Ave NW*Enter and exit from 7th Street, Constitution Avenue, or Madison Drive.*

We are closed on December 25 and January 1.

*The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity.*

          -  Twitter 
          -  Facebook 
          -  Instagram 
          -  Pinterest 
          -  YouTube 

© 2024 National Gallery of Art   Notices   Terms of Use   Privacy Policy