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Home>Yes No Maybe Introduction>Yes No Maybe Cage Introduction>Yes No Maybe Cage WhereThere is Where There

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Exhibition Introduction

Note to the ReaderAcknowledgments

IntroductionKeithJohnLeslieSelf-Portrait

IntroductionTouched RedGreenCombinationHigh Green Version 1

Introduction17 Drawings by ThoreauSeven Day Diary (Not Knowing)Changes and DisappearancesWhere R=RyoanjiFireThe Missing Stone 75 StonesEninkaStonesWhere There is Where There

IntroductionAnne ApplebyPia FriesDarren AlmondSusan MiddletonJoel FisherBrad BrownTom Marioni

IntroductionMamma AnderssonSol LeWittFred WilsonRobert BechtleKiki Smith

IntroductionJulie MehretuWayne ThiebaudJockum NordströmTomma AbtsNathan OliveiraChris Ofili

IntroductionPat SteirLaura OwensWayne ThiebaudAmy Sillman

# John Cage, Where There Is Where There, 1987, 1989

John Cage, Where There is Where There, 1987, 1989
*Where There is Where There 5*1987uniquely inked color aquatint and flatbite etchingplate: 17 × 24 (43.2 × 61)sheet: 22 3⁄4 × 30 (57.8 × 76.2)Collection of Audrey Seo and Stephen Addiss© John Cage Trust

John Cage, Where There is Where There, 1987, 1989
*Where There is Where There 17 / Urban Landscape*1987, revised 1989uniquely inked color aquatint, flatbite etching, andetchingplate: 17 × 24 (43.2 × 61)sheet: 23 × 30 (58.4 × 76.2)National Gallery of Art, Washington, Gift of Crown PointPress, 1996© John Cage Trust

*Where There is Where There*is an edition of forty-eight unique prints published in 1987. Two years later, Cage decided that they looked too much like wallpaper, the end papers in a book, or even camouflage. Impressions from the edition that had already been distributed were recalled — the single exception being *Where There is Where There 5*, on display in the exhibition *Yes, No, Maybe*. The printers, per Cage’s instructions, then placed “buildings” (dark vertical bars), selected by chance, along the lower edge of each recalled impression and added “urban landscape” to the title, which now reads *Where There is Where There / Urban Landscape*.

Banner image: Detail, John Cage, *Eninka* 29, 1986, burned, smoked, and branded gampi mounted to paper, National Gallery of Art, Washington, Gift of Crown Point Press, 1996, © John Cage Trust

Next: Echoes

"Yes, No, Maybe: The Art of Making Decisions," lecture by exhibition curators Judith Brodie and Adam Greenhalgh (audio)Julie Mehretu, artist, in conversation with curator Judith Brodie, Diamonstein-Spielvogel lecture (audio)"An Insider's Perspective," lecture by Kathan Brown, founder of Crown Point Press (audio)

Exhibition tour by curators Judith Brodie and Adam Greenhalgh (audio)

John Cage in the collection of the National Gallery of Art

Crown Point Press prints in the collection of the National Gallery of Art

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