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Home>Yes No Maybe Introduction>Yes No Maybe No>Yes No Maybe Nordstrom

# 

Exhibition Introduction

Note to the ReaderAcknowledgments

IntroductionKeithJohnLeslieSelf-Portrait

IntroductionTouched RedGreenCombinationHigh Green Version 1

Introduction17 Drawings by ThoreauSeven Day Diary (Not Knowing)Changes and DisappearancesWhere R=RyoanjiFireThe Missing Stone 75 StonesEninkaStonesWhere There is Where There

IntroductionAnne ApplebyPia FriesDarren AlmondSusan MiddletonJoel FisherBrad BrownTom Marioni

IntroductionMamma AnderssonSol LeWittFred WilsonRobert BechtleKiki Smith

IntroductionJulie MehretuWayne ThiebaudJockum NordströmTomma AbtsNathan OliveiraChris Ofili

IntroductionPat SteirLaura OwensWayne ThiebaudAmy Sillman

# Jockum Nordström

Jockum Nordström, Back to the Land, 2008
*Back to the Land* (working proof)2008color spitbite aquatint, sugarlift aquatint, aquatint,and softground etchingsheet: 26 1⁄4 × 48 3⁄8 (66.7 × 122.9)Crown Point Press© 2013 Artists Rights Society (ARS), New York / BUS,Stockholm

Jockum Nordström, Back to the Land, 2008
*Back to the Land*2008color spitbite aquatint, sugarlift aquatint, aquatint,and softground etchingsheet: 26 × 48 1⁄4 (66 × 122.6)National Gallery of Art, Washington, Gift of Kathan Brown,2011© 2013 Artists Rights Society (ARS), New York / BUS,Stockholm

Jockum Nordström, Back to the Land, 2008
*Untitled*, installation viewcollage made of artist's cutouts201312 x 24National Gallery of Art, Gift of the Artist© 2013 Artists Rights Society (ARS), New York / BUS,Stockholm

Nordström working on a plate for *Back  to the Land*, 2008, photograph by KathanBrown, Courtesy Crown Point Press

The title of this print may refer to the back-to-the-land movement of the 1960s and 1970s or to present-day concerns about the environment. Nordström scraped out a major element in the working proof, removing a flowering bush and replacing it with a mutilated tree and a peculiar group of doll-like characters. The three figures are missing limbs, as are the trees that populate the now scorched and vaguely post-apocalyptic landscape. Nordström traced the figures and other elements in the composition from cutouts that he had made (see examples in slideshow).

Banner Image: Detail, Wayne Thiebaud, *River Edge* (working proof 26), 1997, color drypoint and spitbite aquatint, Crown Point Press, Art © Wayne Thiebaud / Licensed by VAGA, New York, NY

Next: Tomma Abts

"Yes, No, Maybe: The Art of Making Decisions," lecture by exhibition curators Judith Brodie and Adam Greenhalgh (audio)Julie Mehretu, artist, in conversation with curator Judith Brodie, Diamonstein-Spielvogel lecture (audio)"An Insider's Perspective," lecture by Kathan Brown, founder of Crown Point Press (audio)

Exhibition tour by curators Judith Brodie and Adam Greenhalgh (audio)

Jockum Nordström in the collection of the National Gallery of Art

Crown Point Press prints in the collection of the National Gallery of Art

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