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Home>Research>Center for Advanced Study in the Visual Arts>Current Members>Former Members>Senior Fellows

# Senior Fellows

A list of former senior fellows at the Center and their research projects. Learn more about this fellowship program.

Jump to decade: 2010, 2000, 1990, 1980

2022–2023

**Morten Steen Hansen, Danish Academy in Rome**Ailsa Mellon Bruce Senior Fellow, fall 2022*Idol-Phobia in the Spanish Empire: Translating the Sacred at the Escorial*

**Marius B. Hauknes, University of Notre Dame**Ailsa Mellon Bruce Senior Fellow*The Medieval Image of Chaos*

**Angela Ho, George Mason University**Samuel H. Kress Senior Fellow*Defining Self and Other: The Dutch East India Company’s Encounters with Chinese Culture, 1602–1740*

**Christopher Lakey, Rhinebeck, NY**Ailsa Mellon Bruce Senior Fellow, spring 2023*The Materials of Anachronism: Gold Ground Painting during the Long Middle Ages (1200–1500)*

**Sarah Lopez, University of Pennsylvania**Paul Mellon Senior Fellow, spring 2023*Mexico’s Marble: Migrants’ Embodied Knowledge of Quarries, Carving, and Construction*

**Megan R. Luke, University of Southern California**William C. Seitz Senior Fellow*Sculpture in an Age of Mass Reproduction: Untimely Objects of Modern German Art and Media Theory*

**Rune Nyord, Emory University**Samuel H. Kress Senior Fellow*Genealogies of the Ancient Egyptian Afterlife in Modern Thought*

**Alessandra Raengo, Georgia State University**Paul Mellon Senior Fellow, fall 2022*Liquid Blackness in Contemporary Art: Black Study as Aesthetic Practice*

2021–2022

**Fabio Barry, Stanford University**Samuel H. Kress Senior Fellow*The Endless Revolution: The Dome, from Vault of Heaven to Hypersphere*

**Shira Brisman, University of Pennsylvania**Ailsa Mellon Bruce Senior Fellow, spring 2022*Insidious Silver: German Goldsmiths and Their Craft, 1568–1610*

**Kaira M. Cabañas, University of Florida**William C. Seitz Senior Fellow*Deviant Art Histories*

**Kathleen James-Chakraborty, University College Dublin**Ailsa Mellon Bruce Senior Fellow*Expanding Agency: Women and Modern American Architecture and Design, 1923–1972*

**Juliet Koss, Scripps College**Ailsa Mellon Bruce Senior Fellow*Model Soviets*

**Jeffrey Moser, Brown University**Paul Mellon Senior Fellow*Moral Depths: Making Antiquity in a Medieval Chinese Cemetery*

**Christopher J. Nygren, University of Pittsburgh**Samuel H. Kress Senior Fellow*Sedimentary Aesthetics: Painting on Stone and the Ecology of Early Modern Art*

2020–2021

**Elena M. Calvillo, University of Richmond**Samuel H. Kress Senior Fellow, fall 2020*Rome in Translation: Cultural Brokerage in 16th-Century Italy*

**Patrick R. Crowley, Stanford University**Samuel H. Kress Senior Fellow, spring 2021*Roman Portraiture: A Media Archaeology*

**Madhuri Desai, The Pennsylvania State University**Ailsa Mellon Bruce Senior Fellow*Creating the Mughal Temple: Architecture, Innovation, and Archaism (1590‒1700)*

**André Dombrowski, University of Pennsylvania**Paul Mellon Senior Fellow*Monet’s Minutes: Impressionism and the Industrialization of Time*

**Byron Ellsworth Hamann, The Ohio State University**William C. Seitz Senior Fellow*A History of Mexico through Histories of “the Conquest”: The*Lienzo de Tlaxcala*Remade, 1552–2012*

**Stuart Lingo, University of Washington**Samuel H. Kress Senior Fellow*Bronzino’s Bodies and Mannerism’s Masks*

**Oscar E. Vázquez, University of Illinois at Urbana-Champaign**Ailsa Mellon Bruce Senior Fellow*The Body of Work: The Practice and Politics of Life Drawing in Latin American Academies of Art*

2019–2020

**Carolina Mangone, Princeton University**Samuel H. Kress Senior Fellow*Imperfect Michelangelo:*Non finito*, Decorum, and the Limits of Marble Sculpture*

**Therese Martin, Consejo Superior de Investigaciones Científicas, Madrid**Samuel H. Kress Senior Fellow*Art-Making and Code-Switching in Medieval Iberia: Queens, Consorts, and Countesses, c. 950–1150*

**Elizabeth Otto, University at Buffalo, State University of New York**Ailsa Mellon Bruce Senior Fellow*Bauhaus Artists in Nazi Germany*

**Steffen Siegel, Folkwang University of the Arts, Essen**Ailsa Mellon Bruce Senior Fellow*From Photographies to Photography: Formation of a Medium, 1800–1850*

**Edward A. Vazquez, Middlebury College**William C. Seitz Senior Fellow*Phases of Happiness: Alfredo Jaar and Chilean Art and Culture, c. 1980*

**Ittai Weinryb, Bard Graduate Center**Paul Mellon Senior Fellow*Art and Frontier*

2018–2019

**Benjamin Anderson, Cornell University**Ailsa Mellon Bruce Senior Fellow, spring 2019*The Tragic Image: Fate and Form from Byzantium to the Baroque*

**Matthew Biro, University of Michigan**Ailsa Mellon Bruce Senior Fellow, fall 2018*Robert Heinecken: Gender, Sexuality, and Consumption through a Photographic Lens*

**C. Jean Campbell, Emory University**Samuel H. Kress Senior Fellow*Pisanello's Parerga: Knowledge and Imitative Practice in Fifteenth-Century Italy*

**Michelle Foa, Tulane University**Samuel H. Kress Senior Fellow*The Matter of Degas: Art and Materiality in Later Nineteenth-Century Paris*

**David O'Brien, University of Illinois at Urbana-Champaign**Paul Mellon Senior Fellow*The Cult of Napoleon in French Visual Culture, 1815–1848*

**J.P. Park, University of California, Riverside**Ailsa Mellon Bruce Senior Fellow*Presence in Absence: Documents, Forgeries, and Myth-Making in Early Modern Chinese Art*

**Jennifer Van Horn, University of Delaware**William C. Seitz Senior Fellow*Resisting the Art of Enslavement: Slavery and American Art, 1720–1890*

2017–2018

**Babette Bohn, Texas Christian University**Samuel H. Kress Senior Fellow*Women Artists, Their Patrons, and Their Publics in Early Modern Bologna***Anne Burkus-Chasson, University of Illinois, Urbana-Champaign**Ailsa Mellon Bruce Senior Fellow*Engaging Artifice: Chen Hongshou and the Illustrated Book***Manuel Castiñeiras, Universitat Autònoma de Barcelona**Samuel H. Kress Senior Fellow*Shifting Identities and Traveling Objects: Artistic Encounters with Byzantium during the Expansion of the Crown of Aragon***Nicola Courtright, Amherst College**Ailsa Mellon Bruce Senior Fellow, spring 2018*Art and Queenly Authority: The Creation of Spaces for Marie de' Medici*******

**Amy Freund, Southern Methodist University**Ailsa Mellon Bruce Senior Fellow*Hunting Landscapes and Political Contestation in Eighteenth-Century France***Megan Holmes, University of Michigan**Paul Mellon Senior Fellow*Scratching the Surface: The Marking and Transformation of Panel Paintings in Late Medieval and Early Modern Italy, 1250 – 1550*******Prita Meier, New York University**William C. Seitz Senior Fellow*The Surface of Things: A History of Photography from the Swahili Coast, 1860 to the Present*

2016–2017

**Claudia Bolgia, University of Edinburgh**Samuel H. Kress Senior Fellow*The “Long” Trecento: Rome Without the Popes, c. 1305 – 1420*******Lisa Claypool, University of Alberta**Ailsa Mellon Bruce Senior Fellow*Hearing Color: Yu Fei'an's Pigeon Paintings in Modern Beijing*

**Sarah Elizabeth Fraser, Heidelberg University**Ailsa Mellon Bruce Senior Fellow*Before the Fall of Chinoiserie*

**Hagi Kenaan, Tel Aviv University**William C. Seitz Senior Fellow*The Origins of Photography and the Future of the Image*******David Young Kim, University of Pennsylvania**Paul Mellon Senior Fellow*The Groundwork of Painting: Background, Materiality, and Composition in Italian Renaissance Art*******Giancarla Periti, University of Toronto**Samuel H. Kress Senior Fellow*Correggio: Borders, Frames, and the Center of Painting*

2015–2016

**Morten Steen Hansen, Independent Scholar**Samuel H. Kress Senior Fellow*The ''Low" Style of Giovanni da San Giovanni at the Medici Court***Angela Miller, Washington University in St. Louis**William C. Seitz Senior Fellow*Reason, Magic, and Eros in American Art at Mid-Twentieth Century: The Artists and Writers in the Circle of Lincoln Kirstein*******Mary Miller, Yale University**Paul Mellon Senior Fellow*The Gold Disks of the Sacred Cenote, Chichen Itza*

**Barbara E. Mundy, Fordham University**Ailsa Mellon Bruce Senior Fellow*The Embodiment of the Word: The Impact of European Books and Print Culture in the New World*****

**Mauro Mussolin, Scuola Normale Superiore di Pisa**Samuel H. Kress Senior Fellow*Michelangelo and Paper as Palimpsest*****

**Mabel O. Wilson, Columbia University**Ailsa Mellon Bruce Senior Fellow*Building Race and Nation: How Slavery Influenced the Civic Architecture of Antebellum America*

2014–2015

**Robert Bork, University of Iowa**Samuel H. Kress Senior Fellow*The Anti-Gothic Turn: Explaining the Architectural Revolution of circa 1500***Christopher P. Heuer, Princeton University**Samuel H. Kress Senior Fellow*Purgatories of Line: Time and the Printed Image in the Northern Renaissance***Stephen Houston, Brown University**Ailsa Mellon Bruce Senior Fellow*A Spendid Predicament: Young Men in Maya Imagery and Text*******

**Sarah Blake McHam, Rutgers, The State University of New Jersey**Ailsa Mellon Bruce Senior Fellow*Rejoice, Lucky Padua, in the Treasure that You Possess***Mary Roberts, University of Sydney****William C. Seitz Senior Fellow*Islamic Art, Museology, and Transcultural Artist-Dealer Networks, 1850–1910***Susan L. Siegfried, University of Michigan****Paul Mellon Senior Fellow*Temporalities of Fashion and Costume in Nineteenth-Century Art*

2013–2014

**Mahvash Alemi, Rome**Ailsa Mellon Bruce Senior Fellow, fall 2013*Safavid Gardens from a Persian Perspective*

**Louise Bourdua, University of Warwick**Ailsa Mellon Bruce Senior Fellow*What Petrarch Saw: Venice Revisited in the Later Middle Ages*

**Mario Carpo, Yale University / École nationale supérieure d’architecture de Paris-La Villette**Ailsa Mellon Bruce Senior Fellow, spring 2014*Leon Battista Alberti's*On Sculpture*: A Study in Early Modern Science and Art*

**Nina L. Dubin, University of Illinois at Chicago**Samuel H. Kress Senior Fellow*****Love, Trust, and Risk: Painting the "Papered Century"*

**Andreas Henning, Staatliche Kunstsammlungen Dresden**Samuel H. Kress Senior Fellow*Catalogue Raisonné of Bolognese Paintings at the Gemäldegalerie Alte Meister, Dresden*****

**David M. Lubin, Wake Forest University**William C. Seitz Senior Fellow*Grand Illusions*

**Andrés Mario Zervigón, Rutgers, The State University of New Jersey**Paul Mellon Senior FellowDie Arbeiter-Illustrierte Zeitung *(The Worker's Illustrated Magazine), 1921 – 1938: A History of Germany's Other Avant-Garde*

2012–2013

**Louise M. Burkhart, University at Albany, State University of New York**Paul Mellon Senior Fellow*Catechetical Pictography and the Art of Being Indian in Late-Colonial New Spain*

**Thierry de Duve, Université Lille 3, emeritus**William C. Seitz Senior Fellow*Duchamp's Message, Manet's Testatment, Broodthaers' Lesson*

**Anne Dunlop, Tulane University**Samuel H. Kress Senior Fellow*Castagno’s Crime: Andrea del Castagno and Quattrocento Painting*

**Cynthia Hahn, Hunter College and the Graduate Center of the City University of New York**Ailsa Mellon Bruce Senior Fellow*The Reliquary Effect*

**Stuart Lingo, University of Washington, Seattle**Samuel H. Kress Senior Fellow*Bronzino's Bodies: Fortunes of the Ideal Nude in an Age of Reform***Carlos Sambricio, Universidad Politécnica de Madrid**Ailsa Mellon Bruce Senior Fellow, spring 2013*A History of the History of Spanish Architecture*

2011–2012

**David E. James, University of Southern California**Ailsa Mellon Bruce Senior Fellow*Rock 'n' Film*

**Sonya S. Lee, University of Southern California**Paul Mellon Senior Fellow*Between Culture and Nature: Cave Temples of Sichuan*

**Estelle Lingo, University of Washington, Seattle**Samuel H. Kress Senior Fellow*Francesco Mochi and the Edge of Tradition*

**Amy Powell, University of California, Irvine**Samuel H. Kress Senior Fellow*The Whitewashed Image: Iconoclasm and Seventeenth-Century Dutch Landscapes*

**Jennifer Purtle, University of Toronto**Ailsa Mellon Bruce Senior Fellow*Forms of Cosmpolitanism in the Sino-Mogul City*

**Maria Cristina Wolff de Carvalho, Fundação Armando Álvares Penteado, São Paulo**Paul Mellon Senior Fellow*The Landscape Art of William John Burchell (1781–1863)*

2010–2011

**Sarah Betzer, University of Virginia**Ailsa Mellon Bruce Senior Fellow*Surface and Depth: Antiquity and the Body after Archaeology*

**Daniela Bohde, Goethe-Universität Frankfurt am Main**Samuel H. Kress Senior Fellow*Disarray on Calvary: Passion Scenes in Early Sixteenth-Century German Art*

**Cammy Brothers, University of Virginia**Samuel H. Kress Senior Fellow, spring 2011*Giuliano da Sangallo and the Ruins of Rome*

**Rachel Kousser, Brooklyn College**Ailsa Mellon Bruce Senior Fellow, fall 2010*Ancient Iconoclasm: Destroying the Power of Images in Greece, 480–31 BCE*

**Elizabeth Sears, University of Michigan, Ann Arbor**Paul Mellon Senior Fellow*Warburg Circles: Toward a Cultural-Historical History of Art, 1929–1964*

**John-Paul Stonard, London**Ailsa Mellon Bruce Senior Fellow*Against Henry Moore*

**Laura Weigert, Rutgers, The State University of New Jersey**Samuel H. Kress Senior Fellow, spring 2011*Images in Action: The Theatricality of Franco-Flemish Art in the Late Middle Ages*

2009–2010

**Suzanne Preston Blier, Harvard University**Paul Mellon Senior Fellow*Imaging Amazons: Dahomey Women Warriors In and Out of Africa*

**David J. Getsy, School of the Art Institute of Chicago**Ailsa Mellon Bruce Senior Fellow*Abstract Bodies, Postwar Sculpture, and Designating the “Human”*

**Jaime Lara, Yale University**Samuel H. Kress Senior Fellow*Flying Francis: Catastrophes, Insurrections, and Art in the Colonial Andes*

**Evonne Levy, University of Toronto**Samuel H. Kress Senior FellowBarock: *Art History and Politics from Burckhardt to Hitler, 1844–1945*

**Jonathan M. Reynolds, Barnard College**Ailsa Mellon Bruce Senior Fellow*Allegories of Time and Space: The Visualization of Japanese Identity in Architecture, Photography, and Popular Culture*

**Michael J. Schreffler, Virginia Commonwealth University**Ailsa Mellon Bruce Senior Fellow*Inca Baroque: Colonial Architecture and the Image of the State in Cuzco, Peru*

2008–2009

**Luisa Elena Alcalá, Universidad Autónoma de Madrid**Paul Mellon Senior Fellow*The Virgin of Loreto and the Jesuits in Colonial Mexico*

**Andrew Carrington Shelton, The Ohio State University**Ailsa Mellon Bruce Senior Fellow*Achille Devéria: Art, Identity, and Commerce in Early Nineteenth-Century Paris*

**Jonathan Unglaub, Brandeis University**Samuel H. Kress Senior Fellow*Painting as Parthenogenesis: Raphael’s*Sistine Madonna

**Heghnar Zeitlian Watenpaugh, University of California – Davis**Ailsa Mellon Bruce Senior Fellow*The City and Its Reverse: Performing Space and Gender in Islamic Urbanism*

**Nino Zchomelidse, Princeton University**Samuel H. Kress Senior Fellow*The Medieval Image and Concepts of Authenticity*

**Rebecca Zorach, University of Chicago**Ailsa Mellon Bruce Senior Fellow*Passionate Angles: The Triangle in Renaissance Culture*

2007–2008

**Beth L. Holman, New York, New York**Samuel H. Kress Senior Fellow*“Honest Envy”: Artists’ Competitions in Renaissance Italy*

**Stanko Kokole, University of Primorska, Slovenia**Ailsa Mellon Bruce Senior Fellow*Marbled Imagery of Humanists’ Imagination in the Tempio Malatestiano at Rimini*

**Marcia Kupfer, Washington, DC**Paul Mellon Senior Fellow*Medieval Cartographies: Imagining the*Orbis Terrarum *and the Christianization of Space*

**Felipe Pereda, Universidad Autónoma de Madrid**Samuel H. Kress Senior Fellow*Flemish Exports and Local Markets: The Religious and Ideological Conditions of Spanish Patronage*

**Alex Potts, University of Michigan – Ann Arbor**Ailsa Mellon Bruce Senior Fellow, fall 2007*Art and Non­-Art in the Mid­-Twentieth Century: Between Commitment and Consumerism*

**Dennis Romano, Syracuse University**Ailsa Mellon Bruce Senior Fellow*Markets and Marketplaces in Medieval Italy, c. 1100–c. 1350*

2006–2007

**David A. Binkley, Chevy Chase, Maryland**Frese Senior Fellow*Situating Kuba Arts in the Colonial and Postcolonial Worlds*

**Philippe Bordes, Université Lyon 2**Samuel H. Kress Senior Fellow*Family Portraiture in Europe from the Sixteenth to the Early Nineteenth Century*

**Thomas E. A. Dale, University of Wisconsin – Madison**Samuel H. Kress Senior Fellow*Romanesque Corporealities: The Body as Image and Dissimilitude in the Art of Western Europe, c. 1050–1215*

**Simon Swynfen Jervis, The Fitzwilliam Museum**Ailsa Mellon Bruce Senior Fellow, fall 2006*The Cabinet: Evolution of an Archetype*

**Branko Mitrović, School of Architecture and Landscape Architecture, Unitec Institute of Technology, New Zealand**Ailsa Mellon Bruce Senior Fellow, spring 2007*Leon Battista Alberti and Euclid*

**Charles O’Brien, Carleton University**Ailsa Mellon Bruce Senior Fellow*Film and Electric Sound: New Media across the North Transatlantic*

**Daniel J. Sherman, Center for Twenty-First-Century Studies, University of Wisconsin – Milwaukee**Paul Mellon Senior Fellow*Margins of Modernity: The Culture of French Primitivism, 1945–1975*

2005–2006

**Stephen J. Campbell, The Johns Hopkins University**Samuel H. Kress Senior Fellow*Beyond Translation: Mantegna, Humanism, and the Invention of the Past*

**Carol C. Mattusch, George Mason University**Paul Mellon Senior Fellow*Antiquities, Archaeology, Politics, and Eruptions in Eighteenth-Century Naples, with a New Translation and Annotation of J. J. Winckelmann’s “Critical Account of...Herculaneum, Pompeii, and Stabia,” 1771*

**Partha Mitter, University of Sussex**Ailsa Mellon Bruce Senior Fellow*Another Face of Modernism: Social Commitment, Expressionism, and Indian Art, c. 1940–1950*

**Paola Modesti, Venice International University**Samuel H. Kress Senior Fellow*The Architecture of Venetian Churches: Functions, Uses, and Public from the City’s Establishment to the Counter-Reformation*

**Lorenzo Pericolo, Université de Rennes 2 – Haute Bretagne**Ailsa Mellon Bruce Senior Fellow*Narrative in the Painting of Caravaggio and His Followers*

**Lucio Riccetti, Università degli Studi di Perugia**Frese Senior Fellow*The Duomo of Orvieto: From the “Anonymous Master” to the Death of Lorenzo Maitani, 1284–1330*

2004–2005

**Philip Benedict, Brown University**Frese Senior Fellow, fall 2004*History through Images in the Sixteenth Century: The*Wars, Massacres, and Troubles *of Tortorel and Perrissin*

**Betsy M. Bryan, The Johns Hopkins University**Paul Mellon Senior Fellow*Techniques and Organization of Ancient Egyptian Painting*

**H. Perry Chapman, University of Delaware**Samuel H. Kress Senior Fellow*The Painter’s Place in the Dutch Republic, 1604–1718*

**A. A. Donohue, Bryn Mawr College**Samuel H. Kress Senior Fellow*Historiographic Structures in the Study of Classical Art*

**Alden Gordon, Trinity College (Hartford)**Ailsa Mellon Bruce Senior Fellow, spring 2005*Madame de Pompadour: Art Patron in the Enlightenment*

**Susan Niles, Lafayette College**Samuel H. Kress Senior Fellow*Visualizing Inca Architecture*

2003–2004

**Anthony Alofsin, University of Texas at Austin**Ailsa Mellon Bruce Senior Fellow*Contemporary American Architecture: Taste, Value, and Identity*

**Caroline Bruzelius, Duke University**Paul Mellon Senior Fellow, spring 2004*A Tale of Three Cities: Lay Burial in the Churches of the Friars and the Episcopal Response*

**C. Jean Campbell, Emory University**Samuel H. Kress Senior Fellow*The New Life of the Artist and the Lives of Simone Martini*

**Eleanor Winsor Leach, Indiana University, Bloomington**Frese Senior Fellow, spring 2004*Textual Resculpting: Representations of Statues in Roman Literature*

**Sally M. Promey, University of Maryland**Ailsa Mellon Bruce Senior Fellow*The Public Display of Religion in the United States*

**Katherine Wentworth Rinne, independent scholar, Rome**Samuel H. Kress Senior Fellow*Written in Water: A Topographic History of Baroque Rome*

**Susana Torre, New York City**Ailsa Mellon Bruce Senior Fellow, fall 2003*The Modern Movement in Latin American Architecture and Urbanism — 1920s to 1980s*

**Danilo Udovički-Selb, University of Texas at Austin**Ailsa Mellon Bruce Senior Fellow, spring 2004*The Stalinization of Soviet Architecture in the Early Years of “Socialist Realism”: The Internal Debate*

2002–2003

**Alfred Acres, Princeton University**Samuel H. Kress Senior Fellow*Renaissance Invention and Christ’s Haunted Infancy*

**Hal Foster, Princeton University**Paul Mellon Senior Fellow, spring 2003*Primitive Scenes and Prosthetic Gods*

**Sheryl E. Reiss, Cornell University**Ailsa Mellon Bruce Senior Fellow*The Making of a Medici Maecenas: Giulio de’ Medici (Pope Clement VII) as Patron of Art*

**Cinzia M. Sicca, Università degli Studi di Pisa**Frese Senior Fellow*Fashioning the Tudor Court: Florentine Commerce and the Image of the Modern English Courtier*

**Joanna Woods-Marsden, University of California, Los Angeles**Samuel H. Kress Senior Fellow*Portrait of the Renaissance Lady*

**Carla Yanni, Rutgers, The State University of New Jersey**Ailsa Mellon Bruce Senior Fellow*The Architecture of American Insane Asylums: Victorian Psychiatry and the Environmental Cure*

2001–2002

**Casey N. Blake, Columbia University**Ailsa Mellon Bruce Senior Fellow, fall 2001*“What Is It Good For?”: Art Without a Public*

**Jaroslav Folda, University of North Carolina at Chapel Hill**Ailsa Mellon Bruce Senior Fellow, spring 2002*The Art of the Crusaders in the Holy Land, 1187 – 1281*

**Larry Silver, University of Pennsylvania**Samuel H. Kress Senior Fellow, spring 2002*Origins of Pictorial Species: The Rise of Visual Genres in the Antwerp Market*

**Marianna Shreve Simpson, Baltimore**Paul Mellon Senior Fellow*From Cover to Cover: The Arts of the Book in the Islamic World*

**Bette Talvacchia, University of Connecticut**Frese Senior Fellow, fall 2002*Sexual Imagery in Religious Art of the Renaissance*

2000–2001

**Matthew Biro, University of Michigan**Ailsa Mellon Bruce Senior Fellow*The New Human as Cyborg: Figures of Technology in German Dada Art*

**Finbarr Barry Flood, Edinburgh**Ailsa Mellon Bruce Senior Fellow*Translated Stones: Tradition and Transculturation in Early Indo-Muslim Architecture*

**Bruce Redford, Boston University**Samuel H. Kress Senior FellowMen of Virtù: *The Society of Dilettanti, 1734–1824*

**Louise Rice, Duke University**Frese Senior Fellow*Thesis Prints and the Culture of Learning in Seventeenth-Century Rome*

**Georges Roque, Centre National de la Recherche Scientifique, Paris**Paul Mellon Senior Fellow, fall 2001*The Genesis of Abstraction in Western Art*

**Joaneath Spicer, The Walters Art Museum**Samuel H. Kress Senior Fellow, fall 2001*The Significance of Drawing*naer het leven,*or “from life,” in Dutch Art of the Early Seventeenth Century*

**Z. S. Strother, University of California, Los Angeles**Ailsa Mellon Bruce Senior Fellow*“Does a Leopard Eat Leaves?”: The Relationship of Art to Power in Central Africa*

1999–2000

**Barbara Abou-El-Haj, Binghamton University, State University of New York**Paul Mellon Senior Fellow*Building and Decorating in Late Medieval Abbey and Cathedral Towns*

**Anthony Cutler, Pennsylvania State University**Paul Mellon Senior Fellow, spring 1999 / spring 2000*Objects of Desire: Gift Exchange between Byzantium and Islam*

**Stefan R. Hauser, Seminar für Vorderasiatische Altertumskunde der Freien Universität Berlin**Frese Senior Research Fellow, 2000*Status and Ritual: The Social Structure of Ashur in the Neo-Assyrian Period*

**Linda Elaine Neagley, Rice University**Samuel H. Kress Senior Fellow*French Flamboyant Architecture and the End of Gothic*

**Jonathan Reynolds, University of Southern California**Ailsa Mellon Bruce Senior Fellow*Constructing “Tradition”: Modern Japanese Architecture and the Formation of a Viable Past*

**Georges Roque, Centre National de la Recherche Scientifique, Paris**Ailsa Mellon Bruce Senior Fellow, fall 1999*The Genesis of Abstraction in Western Art*

1998–1999

**Sylvain Bellenger, Château de Blois**Samuel H. Kress Senior Fellow*Girodet: A Detailed Biography***Anthony Cutler, Pennsylvania State University**Paul Mellon Senior Fellow, spring 1999*Objects of Desire: Gift Exchange between Byzantium and Islam*

**Whitney Davis, Northwestern University**Ailsa Mellon Bruce Senior Fellow*The Transcendence of Imitation: Homoeroticism in the Visual Arts, 1750–1920*

**Hanns Hubach, Kunsthistorisches Institut der Universität Heidelberg**Frese Senior Research Fellow*Parnassus Palatinus: Studies of the Arts at the Palatine Court, 1400 – 1630*

**Andrew Morrogh, University of Oregon**Samuel H. Kress Senior Fellow*The Churches of Guarino Guarini: Inspiration and Development*

**Javier Urcid Serrano, Brandeis University**Ailsa Mellon Bruce Senior Fellow*Silent Voices on Tumbled Megaliths: Narratives of Power at Monte Alban*

1997–1998

**Thierry de Duve, Paris**Ailsa Mellon Bruce Senior Fellow, fall 1997*Modernism in Painting: Toward a Reinterpretation*

**Bernard Frischer, University of California, Los Angeles**Paul Mellon Senior Fellow, spring 1997 / fall 1997*Horace’s Sabine Villa*

**Michael Ann Holly, University of Rochester**Ailsa Mellon Bruce Senior Fellow, fall 1996 / spring 1998*The Melancholy Art*

**Deborah Howard, University of Cambridge**Samuel H. Kress Senior Fellow, fall 1997*Venice and the East: An Investigation into the Impact of the Eastern Mediterranean on Venetian Architecture*

**Thomas A. P. van Leeuwen, University of Leiden**Paul Mellon Senior Fellow, spring 1998*Columns of Fire*

1996–1997

**Alan Colquhoun, Princeton University**Samuel H. Kress Senior Fellow*Modern Architecture, 1890–1965*

**Bernard Frischer, University of California, Los Angeles**Paul Mellon Senior Fellow, spring 1997 / fall 1997*Horace’s Sabine Villa*

**Iris Gareis, Institut für Völkerkunde und Afrikanistik, Ludwig-Maximilians-Universität München**Frese Senior Research Fellow*The Inca and the Spanish King: Representations of Elite and Popular Cultures in Precolumbian and Colonial Peru*

**Michael Ann Holly, University of Rochester**Ailsa Mellon Bruce Senior Fellow, fall 1996 / spring 1998*The Melancholy Art*

**Jeffrey T. Schnapp, Stanford University**Ailsa Mellon Bruce Senior Fellow*E T. Marinetti, Futurist*

**Katherine Fischer Taylor, University of Chicago**Samuel H. Kress Senior Fellow*Architecture and Justice in Nineteenth-Century Paris: The Modernization of the Palais de Justice*

1995–1996

**Albert Ammerman, Colgate University; Università degli Studi di Trento**Samuel H. Kress Senior Fellow*Reconstructing the Ancient City*

**Beatriz Colomina, Princeton University**Samuel H. Kress Senior Fellow*War and Architecture: The Case Study Houses***William J. Conklin, Textile Museum, Washington; Instituto de Investigaciones Arqueológicas y Museo, San Pedro de Atacama, Chile**Ailsa Mellon Bruce Senior Fellow*A Study of the Textiles of the Ancient Andean Culture of Tiwanaku*

**Dario Gamboni, Université de Lyon II, Institut Universitaire de France**Ailsa Mellon Bruce Senior Fellow, spring 1996*The Use of Potential Images in the Graphic Arts and Painting of the Fin de Siècle*

**Frederick Lamp, Baltimore Museum of Art**Ailsa Mellon Bruce Senior Fellow*Art of the Baga: A Drama of Cultural Reinvention*

**Ira Mark, New York City**Paul Mellon Senior Fellow*Craft and Philosophical Aesthetics in Antiquity: The Case of Vitruvius*

1994–1995

**Barbara Gaehtgens, Technische Universität, Berlin**Frese Senior Research Fellow*The Queen’s Two Bodies*

**Richard L. Kagan, Johns Hopkins University**Member of the Center, NEH FellowUrbs *and* Civitas *in Spain and Spanish America, 1500–1750*

**Ann Kuttner, University of Pennsylvania**Paul Mellon Senior FellowMegalographia: *The Great Painted Rooms of the Roman Republic*

**Fernando Marías, Universidad Autónoma de Madrid**Samuel H. Kress Senior FellowUrbs *and* Civitas *in Spain and Spanish America, 1500–1750*

**James Naremore, Indiana University**Ailsa Mellon Bruce Senior FellowFilm Noir: *The History of an Idea*

**Yasser Tabbaa, University of Michigan, Ann Arbor**Ailsa Mellon Bruce Senior Fellow*The Medieval Islamic Hospital: Form, Function, and Significance*

**Patricia Waddy, Syracuse University**Samuel H. Kress Senior Fellow*Palazzo and Casa in Seventeenth-Century Rome*

1993–1994

**Andreas Beyer, Kunsthistorisches lnstitut, Rheinische Friedrich-Wilhelms-Universität Bonn**Frese Senior Research Fellow*Palazzo Carafa di Maddaloni at Naples: Palace-Culture and Greek Renewal in Aragonese Naples*

**Elizabeth Boone, Dumbarton Oaks**Paul Mellon Senior Fellow*Aztec Pictorial Histories*

**Yvonne Brunhammer, Union des Arts Décoratifs, Palais du Louvre**Ailsa Mellon Bruce Senior Fellow*Evolution of the Concept of “Decorative Art” in France between 1850 and 1990*

**A. A. Donohue, Bryn Mawr, Pennsylvania**Samuel H. Kress Senior Fellow*Studies in the Historiography of Classical Art*

**Sally Promey, University of Maryland at College Park**Ailsa Mellon Bruce Senior Fellow*To Cultivate the Spiritual: The Art of George Inness and the Religious Philosophy of Emanuel Swedenborg*

**David Smith, University of New Hampshire**Samuel H. Kress Senior Fellow*Privacy and Civilization in Dutch Art, 1650–1700*

1992–1993

**Clifford M. Brown, Carleton University**Ailsa Mellon Bruce Senior Fellow, spring 1993*Isabella d'Este — Documents for a Collection of Greco-Roman Art in Renaissance Italy*

**Peter Brunette, George Mason University**Samuel H. Kress Senior Fellow*Recent Critical Theory and the Films of Luchino Visconti*

**Richard Etlin, University of Maryland at College Park**Paul Mellon Senior Fellow*Angiolo Mazzoni and the Politics of Style in Fascist Italy*

**Virginia Roehrig Kaufmann, Herzog August Bibliothek, Wolfenbüttel**Ailsa Mellon Bruce Senior Fellow*Conception, Creation, and Reception of the Magdeburg Rider*****

**Claudia Lazzaro, Cornell University**Ailsa Mellon Bruce Senior Fellow, fall 1992*Gender and the Political Imagery of the Medici in the Sixteenth Century*

**Carol Mattusch, George Mason University**Samuel H. Kress Senior Fellow*Greek Bronze Statuary: The Fourth Century and the Hellenistic Period*

**Annabel Wharton, Duke University**Ailsa Mellon Bruce Senior Fellow*Ritual Rebirth: Baptism and the Christianization of the Late Antique City*

1991–1992

**Clifford M. Brown, Carleton University**Ailsa Mellon Bruce Senior Fellow, spring 1992*Isabella d’Este­—Documents for a Collection of Greco-Roman Art in Renaissance Italy*

**Anita Cook, Catholic University of America**Ailsa Mellon Bruce Senior Fellow*Expressions of Andean Ceremonialism: Architecture and Ceramics on the South Peruvian Coast from the Fourth to First Century B.C.*

**Michael Gullick, Oxford, England**Ailsa Mellon Bruce Senior Fellow, fall 1991*A Corpus of Portraits of Medieval Scribes and Artists*

**John Dixon Hunt, Oak Spring Garden Library, Upperville**Samuel H. Kress Senior Fellow, spring 1992*A History of Garden Design, Use, and Meaning in the City of Venice*

**Carolyn Kolb, University of New Orleans**Samuel H. Kress Senior Fellow*Studies in the Sources of Francesco di Giorgio's First Treatise*

**Debra Pincus, University of British Columbia**Paul Mellon Senior Fellow*Doge Andrea Dandolo and the Fourteenth-Century Development of the Baptistery of San Marco as a Civic Space*

**John Pinto, Princeton University**Ailsa Mellon Bruce Senior Fellow, fall 1991*The Drawings of Pietro Bracci*

**William Tronzo, Bibliotheca Hertziana**Samuel H. Kress Senior Fellow*The Fate of Old Saint Peter's*

1990–1991

**David B. Brownlee, University of Pennsylvania**Ailsa Mellon Bruce Senior Fellow*The Architecture of Louis I. Kahn*

**Laura Corti, Scuola Normale Superiore, Pisa; Villa I Tatti**Associate Appointment, spring 1991*Terminology Control of Art-Historical Databases*

**Dale Kent, University of California, Riverside**Samuel H. Kress Senior Fellow*Patrician Self-Definition in Historical and Urban Space: Cosimo de’ Medici's Palace and His Patronage of the Arts*

**Lothar Ledderose, Universität Heidelberg, Kunsthistorisches Institut**Paul Mellon Senior Fellow*Stone Inscriptions in the Buddhist Temple of Yunjusi near Peking*

**Jane Shelton Livingston, George Mason University**Samuel H. Kress Senior Fellow*The New York School: Photography, 1936–1963*

**Gloria Ferrari Pinney, Bryn Mawr College**Ailsa Mellon Bruce Senior Fellow*Interpretation of Greek Vases: Image and Function*

**John Tagg, State University of New York, Binghamton**Ailsa Mellon Bruce Senior Fellow*Maps of Modernity: Art Histories and Cultural Theories*

1989–1990

**David Bindman, University College London**Ailsa Mellon Bruce Senior Fellow, spring 1990*Sculpture, Politics, and Theology in Eighteenth-Century England: Louis Francois Roubiliac and His Public*

**Janet Cox-Rearick, City University of New York, Hunter College and Graduate School and University Center**Paul Mellon Senior Fellow, fall 1989*Studies in the Art of Agnolo Bronzino (1503–1572)*

**Robert W. Gaston, La Trobe University**Samuel H. Kress Senior Fellow, fall 1989*Aspects of the Art of Agnolo Bronzino*

**Kristian Knud Jeppesen, University of Århus**Ailsa Mellon Bruce Senior Fellow*Preparation of a Manuscript and Illustrations for Volume 4 of the Maussolleion Publication:*The Site of the Sepulchral Monument, Its Foundations, Tomb Chamber, and Superstructure

**Dale Kinney, Bryn Mawr College**Samuel H. Kress Senior Fellow and joint appointment as Distinguished Professor in the History of Art, George Washington University*Ivory Diptychs and Art-Historical Understanding in Late Antiquity***Patricia Leighten, University of Delaware**Samuel H. Kress Senior Fellow*Art and Social Radicalism in France, 1900–1914*

**Piotr Piotrowski, Adam Mickiewicz University**Ailsa Mellon Bruce Senior Fellow*The Poverty of the Avant-Garde*

1988–1989

**Caroline Bruzelius, Duke University**Samuel H. Kress Senior Fellow, fall 1988*The Angevin Churches of Southern Italy: From Charles of Anjou to Robert the Wise (1266–1343)*

**Allan Ceen, Cornell University in Rome; American Overseas School of Rome**Ailsa Mellon Bruce Senior Fellow*Urban Planning in Rome: 1500 to 1750*

**William Eisler, Art Gallery of New South Wales**Ailsa Mellon Bruce Senior Fellow*Charles V and the Visual Arts*

**Frederick Hartt, University of Virginia (emeritus)**Samuel H. Kress Senior Fellow*Michelangelo Studies*

**Joseph Levine, Syracuse University**Paul Mellon Senior Fellow*Ancients, Moderns, and History*

**Tod Marder, Rutgers, The State University of New Jersey**Ailsa Mellon Bruce Senior Fellow, spring 1989*The Architecture of Bernini*

1987–1988

**Barbara Goldberg Abou-El-Haj, State University of New York, Binghamton**Ailsa Mellon Bruce Senior Fellow, fall 1987*Late Medieval Church Building in Its Urban Setting*

**Colin Eisler, Institute of Fine Arts, New York University**Samuel H. Kress Senior Fellow*The Evangelist as Artist: Saint Luke, Painter of the Virgin*

**Meredith Parsons Lillich, Syracuse University**Ailsa Mellon Bruce Senior Fellow*The Stained Glass of Eastern France, 1250–1325*

**Ira S. Mark, University of Chicago**Samuel H. Kress Senior Fellow, spring 1988*Ideas of Beauty in Greek Art: Aesthetic Theory and the Origins of the Classical Style*

**Carl R. G. Nylander, Swedish Institute of Classical Studies, Rome**Paul Mellon Senior Fellow*Investigation of Near Eastern and Classical Evidence of Willful Mutilation of Art, in Particular Sculpture, for Political and Propagandistic Purposes*

**Gerald Silk, Tyler School of Art, Temple University**Ailsa Mellon Bruce Senior Fellow*Futurism: Its Past, Present, and Future*

1986–1987

**Jean-Louis Cohen, École d’architecture, Paris-Villemin; École nationale des ponts et chaussées, Paris**Ailsa Mellon Bruce Senior Fellow, spring 1987The American Ideal in Soviet Architecture, 1917–1954

**Cecelia F. Klein, University of California, Los Angeles**Ailsa Mellon Bruce Senior Fellow, fall 1986*Dressed to Kill: The Politics of Costume in Aztec Sacrificial Rites*

**Annette Michelson, New York University**Ailsa Mellon Bruce Senior Fellow*Dziga Vertov: Theory and Practice of the Documentary Film*

**Helen Searing, Smith College**Ailsa Mellon Bruce Senior Fellow, spring 1987*Architecture and Politics in Amsterdam, 1890 – 1940: The Art of the Possible*

**Martha A. McCrory, The Johns Hopkins University; The Fashion Institute of Technology, State University of New York**Samuel H. Kress Senior Fellow*Antique Coins and Cameos in the Florentine Cabinet: An Edition of Sixteenth-Century Grand-Ducal Letters Concerning Coins*

**Brunilde Sismondo Ridgway, Bryn Mawr College**Samuel H. Kress Senior Fellow, fall 1986, and joint appointment as Distinguished Visiting Professor in Art History, George Washington University*Hellenistic Sculpture I: The Styles of c. 331–200 BC*

**Larry Silver, Northwestern University**Samuel H. Kress Senior Fellow*Artistic Patronage and the Ideology of Emperor Maximilian I*

1985–1986

**Stephen Gardner, Harvard University (Mellon Faculty Fellowship Program)**Ailsa Mellon Bruce Senior Fellow*Paris and the Origins of Gothic Architecture*

**Louis Hawes, Indiana University**Samuel H. Kress Senior Fellow, fall 1985*The British Vision of Switzerland in the Early Romantic Era (1770–1810)*

**Lawrence Nees, University of Delaware**Samuel H. Kress Senior Fellow, spring 1986*Hercules and the Classical Tradition at the Carolingian Court*

**Patricia Netherly, University of Massachusetts, Amherst**Samuel H. Kress Senior Fellow*Dual Organization in Andean Art and Architecture*

**Jack J. Spector, Rutgers University**Ailsa Mellon Bruce Senior Fellow*Hegel, Trotsky, and Freud as Sources for Breton's Surrealism (1924–1932)*

**Fikret K. Yegül, University of California, Santa Barbara**Ailsa Mellon Bruce Senior Fellow*Bathing and Baths in Classical Antiquity*

**R. T. Zuidema, University of Illinois**Ailsa Mellon Bruce Senior Fellow, spring 1986*Inca and Huari Royal Tunics*

1984–1985

**Jonathan Alexander, University of Manchester**Samuel H. Kress Senior Fellow*Humanistic Book Illumination in Padua and Venice c. 1450–1530* and *The Patronage of the English Court c. 1200–1420*

**Elizabeth Cropper, Temple University**Samuel H. Kress Senior Fellow*The Crisis of Originality and Tradition in Seventeenth-Century Rome*

**Mojmir Svatopluk Frinta, State University of New York, Albany**Ailsa Mellon Bruce Senior Fellow*Punched Decoration of Gilded Surfaces on Panel Paintings of the Trecento and Quattrocento; The Confrontation of ltalo-Byzantine Paintings with the Procedures of Byzantine Icon Painting*

**Martin Powers, University of California, Los Angeles**Samuel H. Kress Senior Fellow*Immortals and Their Imagery in Han Pictorial Art***Edward A. Snow, Rice University**Samuel H. Kress Senior Fellow*Interpreting Bruegel*

**Richard C. Trexler, State University of New York, Binghamton**Ailsa Mellon Bruce Senior Fellow*The Journey of the Magi: The Social History of a Christian Iconologue*

1983–1984

**Anne Hagopian van Buren, Tufts University**Samuel H. Kress Senior Fellow*Hesdin Castle and Broederlam's Paintings of the Golden Fleece*

**John C. Irwin, Victoria and Albert Museum (emeritus)**Ailsa Mellon Bruce Senior Fellow*Origins of Monumental Art in Universal Myth*

**Elisabeth Kieven, Bibliotheca Hertziana**Samuel H. Kress Senior Fellow, spring 1984*Roman Architecture in the 1730s*

**V. A. Kolve, University of Virginia**Ailsa Mellon Bruce Senior Fellow, spring 1984*The God-denying Fool in Medieval Art and Literature*

**John A. Pinto, Smith College**Ailsa Mellon Bruce Senior Fellow, spring 1984*The Trevi Fountain in Rome*

**Thomas F. Reese, University of Texas, Austin**Samuel H. Kress Senior Fellow, fall 1983*Architecture and Reform Politics in the Age of Charles III*

**Charles S. Rhyne, Reed College**Samuel H. Kress Senior Fellow*The Drawings and Paintings of John Constable: Catalogue Raisonné*

**Richard E. Spear, Oberlin College**Ailsa Mellon Bruce Senior Fellow*Problems of Originality* and *Caravaggio Studies*

1982–1983

**Nicolai Cikovsky, Jr., University of New Mexico**Samuel H. Kress Senior Fellow*Meaning and Content in Winslow Homer’s Art*

**Beatrice Farwell, University of California, Santa Barbara**Samuel H. Kress Senior Fellow*Popular Imagery and High Art in Nineteenth-Century France*

**Alan Gowans, University of Victoria, British Columbia**Samuel H. Kress Senior Fellow*Studies in Social Functions of Art and Architecture***Hubert H. Damisch, École des Hautes Etudes en Sciences Sociales, Paris**Ailsa Mellon Bruce Senior Fellow, fall 1982*Perspective Story***Barbara Miller Lane, Bryn Mawr College**Ailsa Mellon Bruce Senior Fellow, spring 1983*The Uses of History in Modem Architecture: Government Buildings and Urbanism since 1870*

**Anne McGee Morganstern, Ohio State University**Samuel H. Kress Senior Fellow*The Genealogical Tomb: Thirteenth to Fifteenth Century*

**Amy L. Neff, University of Tennessee**Ailsa Mellon Bruce Senior Fellow*The* Supplications variae *as a Franciscan Manuscript*

**Doris M. Srinivasan, Fairfax, Virginia**Ailsa Mellon Bruce Senior Fellow*Origins of Divine Multiplicity in Indian Art: Meaning and Form***Gabriel P. Weisberg, University of Pittsburgh**Samuel H. Kress Senior Fellow, spring 1983*S. Bing and the Evolution of Art Nouveau*

1981–1982

**Christiane Andersson, Columbia University**Samuel H. Kress Senior Fellow*A Catalogue Raisonné of the Drawings of Urs Graf*

**Irene A. Bierman, University of California, Los Angeles**Ailsa Mellon Bruce Senior Fellow*The lconographic Significance of Interlocked Arabic Script: Lām/Alif, Alif/Lām*

**Yasushi Egami, Tokyo National Research Institute of Cultural Properties**Ailsa Mellon Bruce Senior Fellow*Works Related to the Imperial “Painters' Bureau” in Early Medieval Japan*

**Molly Faries, Indiana University**Ailsa Mellon Bruce Senior Fellow*Survey of Fifteenth- and Sixteenth-Century Northern European Panel Painting in the National Gallery with Infrared Reflectography*

**Alan Gowans, University of Victoria, British Columbia**Samuel H. Kress Senior Fellow*Interrelations of Form, Cultural Expression, and Social Function in North American Architectural Styles*

**Donald Preziosi, State University of New York, Binghamton**Ailsa Mellon Bruce Senior Fellow*Narrativity and Textuality in Palaeolithic art*

**Claire Richter Sherman, Washington, DC**Ailsa Mellon Bruce Senior Fellow*The Illustrations of Nicole Oresme's*Translations of Aristotle

**Barbara Maria Stafford, University of Chicago**Samuel H. Kress Senior Fellow*Voyage into Substance: Illustrated Travel Accounts, c. 1760–1840*

1980–1981

**Dora P. Crouch, Rensselaer Polytechnic Institute**Ailsa Mellon Bruce Senior Fellow*The Water System of Morgantina, Sicily*

**Sandra Hindman, Northwestern University**Ailsa Mellon Bruce Senior Fellow*Art and Politics in Christine de Pizan's* Epistre de Othéa

**Rosalind Krauss, Hunter College and the Graduate Center, CUNY**Samuel H. Kress Senior Fellow*Nineteenth-Century "Landscape" Photography* and *The Role of Photography within Surrealism*

**Keith Moxey, University of Virginia**Samuel H. Kress Senior Fellow*Peasant Imagery in German Graphics in the First Half of the Sixteenth Century*

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