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Home>Exhibitions>2018>In the Library: The Richter Archive at 75>Bibliography of Works by George M. Richter*

# Bibliography of Works by George M. Richter*

Thorland, Georg [George Richter]. *Der Fasching: Szenen aus dem Münchner Leben*. Berlin: Schuster & Loeffler, 1903.

*Melchior Feselin, Ein Beitrag zur Geschichte der oberdeutschen Kunst im XVI. Jahrhundert*. Munich: KGL Hofbuchdruckerei Kastner & Callwey, 1908.

“Die Schuchs der Sammlung Herbst.” *Mitteilungen der Gallerie Helbing* 2 (Mar. 4, 1912): 9–12.

“Böcklins ‘Malerei und Dichtung’.” *Mitteilungen der Gallerie Helbing* 4 (Apr. 3, 1912): 30–32.

“Spitzweg und die Sammlung Meder.” *Mitteilungen der Gallerie Helbing* 6 (1912): 43–45.

“Die Gemäldesammlung Professor Fr. J. Meder.” *Mitteilungen der Gallerie Helbing* 7 (May 20, 1912): 51–55. (Also in *Sammlung von Ölgermälden moderner Meister aus dem Besitze des Herrn Professor Fr. J. Meder*, Munich Galerie Helbing, auction catalog, June 1, 1912, vii–xiv.

“Ein unbekanntes Gemälde des Francesco Bonsignori.” *Mitteilungen der Gallerie Helbing* 10 (July 4, 1912): 83.

“Münchner Secession.” *Mitteilungen der Gallerie Helbing* 11 (Aug. 19, 1912): 96.

“Gemäldesammlung Frau v. D. in B.” *Mitteilungen der Gallerie Helbing* 14 (Oct. 1, 1912): 121–123; and *Mitteilungen der Gallerie Helbing* 15 (Oct. 12, 1912): 129–132. (Also published as “Forward,” in *Sammlung Frau von D. in B. Ölgemälde moderner Meister*, Munich Galerie Helbing, auction catalog, May 21, 1913, v–viii.**

“The Crucifix of Guiliemus at Sarzana.” *Burlington Magazine* 51, no. 295 (Oct. 1927): 162–177.

“Simone Martini Problems: The Stoclet Madonna. *Burlington Magazine* 54, no. 313 (Apr. 1929): 164–173.

“Pisanello Studies I.” *Burlington Magazine* 55, no. 317 (Aug. 1929): 58–66.

“Pisanello Studies II.” *Burlington Magazine* 55, no. 318 (Sept. 1929): 128–139.

“The ‘Portrait’ of Isabelle d’Este by Cavazzola.” *Burlington Magazine* 54, no. 311 (Feb. 1929): 85–92.     

“Megliose di Jacopo and the Magdalen Master.” *Burlington Magazine* 57, no. 332 (Nov. 1930): 223–236.

“Two Titian Self-Portraits.” *Burlington Magazine* 58, no. 337 (Apr. 1931): 160–168.

 “Lotto’s Portrait of a Young Barberini.” *International Studio* 99 (May 1931): 26–27.

“Pisanello Again.” *Burlington Magazine* 58, no. 338 (May 1931): 235–241.

“The Three Different Types of Titian’s Self-Portraits.” *Apollo*13 (June 1931): 339–343.

“Titian’s Venus and the Lute Player.” *Burlington Magazine* 59, no. 341 (Aug. 1931): 52–59

“Review of *Pitture Italiane in America* by Lionello Venturi.” *Burlington Magazine* 59, no. 344 (Nov. 1931): 250–251.

“A Clue to Giorgione’s Late Style.” *Burlington Magazine* 60, no. 348 (Mar. 1932): 122–132.

“The Bridgewater Titians.” *Apollo*18 (July 1933): 3–7. (Reprinted *Apollo* 169 [Feb. 2009]: 3–7.)

“Conscious and Subconscious Elements in the Creation of Works of Art.” *Art Bulletin* 15, no. 3 (Sept. 1933): 279–289.

“Landscape Motifs in Giorgione’s *Venus*.” *Burlington Magazine* 63, no. 368 (Nov. 1933): 221–223.

“Limitations of the Gentle Art of Faking.” *Art News* (Nov. 25, 1933): 14.

“Italian Pictures in Scandinavian Collections.” *Apollo*19 (Mar. 1934): 128–132.

“G.M. Richter’s Comments in Lapses in Fakes.” *Art News* (June 2, 1934): 11.

“Unfinished Pictures by Giorgione.” *Art Bulletin* 16, no. 3 (Sept. 1934): 272–290.

“The Problem of the *Noli Me Tangere*.” *Burlington Magazine* 66, no. 382 (Jan. 1935): 46.

“The Peruzzi Madonna.” *Burlington Magazine* 67, no. 392 (Nov. 1935): 202–211.

“Frescoes by Giorgione?” *Apollo* 23 (1936): 141.

“Review of *La Pittura di paesaggio in Italia* by Rezio Buscaroli.” *Burlington Magazine* 68, no. 398 (Apr. 1936): 200.

“A Portrait of a Lady by Giovanni Bellini.” *Burlington Magazine* 69, no. 400 (July 1936): 2–5.

“A Portrait of Ferruccio by Sebastiano Veneziano.” *Burlington Magazine* 69, no. 401 (Aug. 1936): 88–89.

*Giorgio da Castelfranco, called Giorgione*. Chicago: University of Chicago Press, 1937.

“An Ideal Portrait of Lavinia by Titian.” *Apollo*26 (Oct. 1937): 222–223.

“Review of *Venetian Painters* by Frank Jewett Mather, Jr.” *Art Bulletin* 19, no. 4 (Dec. 1937): 602–603.

“Review of *Palma Vecchio*by György Gombosi.” *Art Bulletin* 19, no. 4 (Dec. 1937): 604–605.

“Four Giorgionesque Panels.” *Burlington Magazine* 72, no. 418 (Jan. 1938): 32–34.

“A Giorgionesque Panel at Frankfort.” *Burlington Magazine* 72, no. 421 (Apr. 1938): 184–189.

“An Early Portrait by Andrea del Sarto.” *Burlington Magazine* 73, no. 428 (Nov. 1938): 190–193.

“Note on Review by Frank Jewitt Mather, Jr. of *Giorgio da Castelfranco, Called Giorgione* by G. M. Richter.” *Art Bulletin* 20, no. 4 (Dec. 1938): 443–444.

“A Mantegna Problem: New Madonna and Child Discovered.” *Apollo*29 (Feb. 1939): 63–65.

“Christ Carrying the Cross by Giovanni Bellini.” *Burlington Magazine* 75, no. 438 (Sept. 1939): 94–97.

“Petrus Pictor and Alberto Sotio.” *Journal of the Walters Art Gallery* 3 (1940): 85–89.

“Four Giorgionesque Panels.” *Burlington Magazine* 77, no. 450 (Jan. 1940): 100.

“Rehabilitation of Fra Carnevale.” *The Art Quarterly* 3, no. 4 (Autumn 1940): 310–324.

“The New National Gallery of Art in Washington.” *Burlington Magazine* 78, no. 459 (June 1941): 174–183.

“Beginnings of Andrea del Castagno.” *Art in America*29 (Oct. 1941): 176–199.

“Giorgione’s Evolution in Light of Recent Discoveries.” In Georges de Batz, *Giorgione and His Circle*. Baltimore: Johns Hopkins University, 1942, 8–22.

“Unknown Portrait by Paolo Veronese: Venetian Procurator.” *Art in America* 30 (Jan. 1942): 36–39.

“Letters to the Editor: *Conrad Celtes and Kunz von der Rosen: Two Problems in Portrait Identification.*Response by Erwin Panofsky.” *Art Bulletin* 24, no. 2 (June 1942): 199–201.

“Lost and Rediscovered Works by Giorgione.” *Art in America* 30 (July 1942): 211.

*Andrea dal Castagno.*Chicago: University of Chicago Press, 1943.

“Architectural Phantasies by Bramante.” *Gazette des Beaux-Arts* 6, no. 23 (Jan. 1943): 5–20.

“An Unknown Portrait by Cavazzola.” *Burlington Magazine* 82, no. 482 (May 1943): 121–124.

“The ‘Portrait of a Falcon’ by Gentile Bellini.” *Burlington Magazine* 82, no. 483 (June 1943): 152–155. 

* Richter is sometimes indexed as Georg M. as well as George M. For a complete list of the published and unpublished writings of Richter, as well as volumes produced at his publishing house Phantasus Verlag, see Dirk Heisserer, *Thomas Manns “Villino” in Feldafing am Starnberger See 1919–1923* (Munich, 2001), 255–263.

In the Library: The Richter Archive at 75

                  - Giorgione
                  - Italian , 1477 - 1510

Image Collections Feature: The Richter Archive at 75

George M. Richter Archive of Illustrations on Art

                  - Giorgione
                  - The Adoration of the Shepherds
                  - 1505/1510

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