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Home>Yes No Maybe Introduction>Yes No Maybe Yes>Yes No Maybe Bechtle

# 

Exhibition Introduction

Note to the ReaderAcknowledgments

IntroductionKeithJohnLeslieSelf-Portrait

IntroductionTouched RedGreenCombinationHigh Green Version 1

Introduction17 Drawings by ThoreauSeven Day Diary (Not Knowing)Changes and DisappearancesWhere R=RyoanjiFireThe Missing Stone 75 StonesEninkaStonesWhere There is Where There

IntroductionAnne ApplebyPia FriesDarren AlmondSusan MiddletonJoel FisherBrad BrownTom Marioni

IntroductionMamma AnderssonSol LeWittFred WilsonRobert BechtleKiki Smith

IntroductionJulie MehretuWayne ThiebaudJockum NordströmTomma AbtsNathan OliveiraChris Ofili

IntroductionPat SteirLaura OwensWayne ThiebaudAmy Sillman

# Robert Bechtle

Robert Bechtle, Texas and 20th Intersection, 2004
*Texas and 20th Intersection* (lift drawing)2004colored pencil on tracing paper (masking tape on edge)image: 22 3⁄16 × 31 1⁄8 (56.4 × 79.1)sheet: 26 1⁄4 × 36 3⁄8 (66.7 × 92.4)Crown Point Press

Robert Bechtle, Texas and 20th Intersection, 2004
Detail, lower right, *Texas and 20th Intersection* (lift drawing)2004colored pencil on tracing paper (masking tape on edge)image: 22 3⁄16 × 31 1⁄8 (56.4 × 79.1)sheet: 26 1⁄4 × 36 3⁄8 (66.7 × 92.4)Crown Point Press

Robert Bechtle, Texas and 20th Intersection, 2004
*Texas and 20th Intersection*2004color softground etching and aquatintplate: 22 × 30 3⁄4 (55.9 × 78.1)sheet: 30 7⁄8 × 39 (78.5 × 99.1)National Gallery of Art, Washington, Gift of Kathan Brown,2006

Because reversal is inherent to the etching process, Bechtle’s print is a mirror image of the lift (preparatory) drawing. In the drawing’s lower margin, Bechtle wrote, “This is not a finished work of Art!” Indeed, the drawing was no more than a tool for him. Laid on top of the various copperplates, it facilitated the tracing of the print’s design and the mapping out of its colors.

Robert Bechtle working at Crown Point Press, photograph by Kathan Brown, Courtesy Crown Point Press

Banner image: Detail, Mamma Andersson, *Room Under the Influence*, 2008, color spitbite aquatint, sugarlift aquatint, aquatint, and softground etching,  Gift of Kathan Brown, Crown Point Press, © Mamma Andersson

Next: Kiki Smith

"Yes, No, Maybe: The Art of Making Decisions," lecture by exhibition curators Judith Brodie and Adam Greenhalgh (audio)Julie Mehretu, artist, in conversation with curator Judith Brodie, Diamonstein-Spielvogel lecture (audio)"An Insider's Perspective," lecture by Kathan Brown, founder of Crown Point Press (audio)

Exhibition tour by curators Judith Brodie and Adam Greenhalgh (audio)

Robert Bechtle in the collection of the National Gallery of Art

Crown Point Press prints in the collection of the National Gallery of Art

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