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Home>Yes No Maybe Introduction>Yes No Maybe Yes

# 

Exhibition Introduction

Note to the ReaderAcknowledgments

IntroductionKeithJohnLeslieSelf-Portrait

IntroductionTouched RedGreenCombinationHigh Green Version 1

Introduction17 Drawings by ThoreauSeven Day Diary (Not Knowing)Changes and DisappearancesWhere R=RyoanjiFireThe Missing Stone 75 StonesEninkaStonesWhere There is Where There

IntroductionAnne ApplebyPia FriesDarren AlmondSusan MiddletonJoel FisherBrad BrownTom Marioni

IntroductionMamma AnderssonSol LeWittFred WilsonRobert BechtleKiki Smith

IntroductionJulie MehretuWayne ThiebaudJockum NordströmTomma AbtsNathan OliveiraChris Ofili

IntroductionPat SteirLaura OwensWayne ThiebaudAmy Sillman

# Yes

Yes, No, Maybe: Yes
Mamma Andersson, *Room Under the Influence*, 2008; Sol LeWitt, *Curvy Brushstrokes*, 1997: installation view

Yes, No, Maybe: Yes
Mamma Andersson, *Room Under the Influence*, 2007, installation view

Yes, No, Maybe: Yes
Sol LeWitt, *Curvy Brushstrokes*, 1997, installation view

Yes, No, Maybe: Yes
Fred Wilson, *Arise!*, 2004; Robert Bechtle, *Texas and 20th Intersection*, 2004: installation view

Yes, No, Maybe: Yes
Fred Wilson, *Arise!*, 2004, installation view

Yes, No, Maybe: Yes
Robert Bechtle, *Texas and 20th Intersection*, 2004; Kiki Smith, *Home,*2006: installation view

Working proofs provide invaluable feedback during the creative process. Images made on the copperplate are often hard to see, and imagining their appearance when printed is even more difficult. By pulling proof impressions from the plate, an artist can assess a work’s progress: Does the design match expectations? Is it working? The final three galleries of the exhibition *Yes, No, Maybe*are structured around the notion that working proofs compel decisions: yes, no, maybe. This, the first of these sections, features print projects that advanced in a straightforward manner. The preliminary proofs testify, for the most part, to the logical development of an image and the successful execution of a well-formed vision.

Banner image: Detail, Mamma Andersson, *Room Under the Influence*, 2008, color spitbite aquatint, sugarlift aquatint, aquatint, and softground etching,  Gift of Kathan Brown, Crown Point Press, © Mamma Andersson

Next: Mamma Andersson

"Yes, No, Maybe: The Art of Making Decisions," lecture by exhibition curators Judith Brodie and Adam Greenhalgh (audio)Julie Mehretu, artist, in conversation with curator Judith Brodie, Diamonstein-Spielvogel lecture (audio)"An Insider's Perspective," lecture by Kathan Brown, founder of Crown Point Press (audio)

Exhibition tour by curators Judith Brodie and Adam Greenhalgh (audio)

Crown Point Press prints in the collection of the National Gallery of Art

Press release

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