II 

117TH CONGRESS 

2D SESSION S. 3560 

To promote and support the local arts and creative economy in the United 

States. 

IN THE SENATE OF THE UNITED STATES 

FEBRUARY 2, 2022 

Mr. SCHATZ (for himself, Mrs. GILLIBRAND, Mrs. FEINSTEIN, Ms. KLOBUCHAR, and Mr. WHITEHOUSE) introduced the following bill; which was 

read twice and referred to the Committee on Finance 

A BILL 

To promote and support the local arts and creative economy 

in the United States. 

1 Be it enacted by the Senate and House of Representa2 tives of the United States of America in Congress assembled, 

3 SECTION 1. SHORT TITLE; TABLE OF CONTENTS. 

4 (a) SHORT TITLE.—This Act may be cited as the 

5 ‘‘Promoting Local Arts and Creative Economy Workforce 

6 Act of 2022’’ or the ‘‘PLACE Act’’. 

7 (b) TABLE OF CONTENTS.—The table of contents for 

8 this Act is as follows: 

Sec. 1. Short title; table of contents. 

TITLE I—FINDINGS AND DEFINITIONS 


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Sec. 101. Findings. 

Sec. 102. Definitions. 

TITLE II—CREATIVE WORKFORCE ADVANCEMENT 

Sec. 201. Department of Labor. 

Sec. 202. Department of Education. 

Sec. 203. Economic Development Administration programs. 

Sec. 204. Creative jobs training through Bureau of Prisons reentry and skills 

development programs. 

Sec. 205. Grants relating to the creative economy. 

Sec. 206. Promotion for veterans with service-connected disabilities of job training and resources in creative industries and occupations. 

Sec. 207. Disaster assistance for creative industry workers through FEMA. 

Sec. 208. Department of Health and Human Services. 

Sec. 209. Disaster unemployment assistance. 

TITLE III—TAX INCENTIVES 

Sec. 301. Tax incentives. 

TITLE IV—CULTURAL TRADE PROMOTION 

Sec. 401. Promotion by Export-Import Bank of the United States of exports 

by creative industries and occupations. 

Sec. 402. Promotion of exports from creative industries and occupations. 

Sec. 403. Collaboration to improve access to reliable international shipping 

services. 

Sec. 404. Demonstration program to promote use of creative industries and occupations in certain economic planning. 

Sec. 405. Trade and Development Agency. 

TITLE V—FEDERAL SUPPORT FOR THE CREATIVE ECONOMY 

Sec. 501. Collaboration. 

Sec. 502. Creative Economy Advisory Board. 

Sec. 503. Travel and Tourism Advisory Board. 

Sec. 504. Federal Council on the Arts and Humanities. 

Sec. 505. Art in Architecture program funding. 

Sec. 506. Office of Readiness, Recovery, and Resilience. 

1 TITLE I—FINDINGS AND 

2 DEFINITIONS 

3 SEC. 101. FINDINGS. 

4 Congress makes the following findings: 

5 (1) The United States economy has changed 

6 rapidly as automation, artificial intelligence, digital 

7 technologies, and modern information and commuVerDate Sep 11 2014 16:08 Feb 04, 2022 Jkt 029200 PO 00000 Frm 00002 Fmt 6652 Sfmt 6201 E:\BILLS\S3560.IS S3560

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1 nication systems have transformed the way people in 

2 the United States work, live, and interact. 

3 (2) The United States must establish policies 

4 and create programs capable of responding to chang5 ing economic realities. 

6 (3) The United States must develop strategies 

7 to maximize current assets and help grow a United 

8 States economy and workforce that can thrive in a 

9 challenging environment of constant change and re10 invention. 

11 (4) The Nation needs to strengthen and im12 prove Federal support for a Next Generation econ13 omy and workforce. 

14 (5) The United States must explore sustainable 

15 strategies to create jobs that will endure, will remain 

16 reliant on a local workforce, and are unlikely to 

17 move overseas. 

18 (6) There is great value and untapped potential 

19 in the Nation’s rich history, the creative freedoms 

20 enjoyed by its people, and the many cultures and 

21 traditions that make the United States so unique. 

22 (7) Promoting local arts and enhancing the cre23 ative economy of the United States would support 

24 the Nation’s diverse citizenry, rich traditions, and 

25 vast creative talents, including the unique history 


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1 and continuing vitality of Native American commu2 nities. 

3 (8) The United States must embrace the oppor4 tunities and challenges the country faces and re5 imagine the role of the Federal Government in pro6 viding support for local arts activity and expanding 

7 the creative economy. 

8 (9) The United States needs to engage workers 

9 from around the Nation to develop, hone, and share 

10 expressions of their cultural heritage, including lan11 guages, creative collaborations, and artistic skills. 

12 (10) The Nation needs to recognize that there 

13 is a broad range of undervalued and underutilized 

14 human potential in the United States, and the exist15 ence of that human potential has profound social, 

16 economic, and workforce ramifications. 

17 (11) Securing the future well-being of individ18 uals, families, communities, and the Nation will de19 pend in part on adopting Federal policies that will 

20 increase support for the creative economy. 

21 (12) The Nation needs to improve creative 

22 workforce readiness and develop an education and 

23 job training plan, including a plan for education and 

24 training through specialized vocational schools and 

25 apprenticeship programs, to ensure that individuals 


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1 of all ages in the United States can realize their full 

2 creative potential now and in the future. 

3 (13) Investing in a creative economy workforce 

4 would help showcase the Nation’s creative arts, 

5 strengthen its capacity for job growth, promote eco6 nomic inclusion, boost entrepreneurship, improve 

7 and revitalize rural, remote, and underserved areas, 

8 and empower communities to share their stories. 

9 SEC. 102. DEFINITIONS. 

10 In this Act: 

11 (1) CREATIVE INDUSTRY OR OCCUPATION.— 

12 The term ‘‘creative industry or occupation’’ means— 

13 (A) an industry that— 

14 (i) has a substantial current or poten15 tial impact (including through positions 

16 that lead to economic self-sufficiency and 

17 opportunities for advancement) on a State, 

18 regional, or local economy or a Native 

19 American community’s economy, as appro20 priate; and 

21 (ii) contributes to the growth of busi22 nesses or nonprofit organizations that have 

23 their origin in individual creativity, skill, 

24 and talent, including businesses or non25 profit organizations focused on design, 


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1 crafts, music, visual and media arts, per2 forming arts, language, literature, or ex3 pressions of Native cultures or regional or 

4 local heritage culture; and 

5 (B) an occupation that— 

6 (i) currently has or is projected to 

7 have a number of positions (including posi8 tions that lead to economic self-sufficiency 

9 and opportunities for advancement) in an 

10 industry sector so as to have a substantial 

11 potential impact on a State, regional, or 

12 local economy or a Native American com13 munity’s economy, as appropriate; and 

14 (ii) is comprised of— 

15 (I) businesses or nonprofit orga16 nizations described in subparagraph 

17 (A)(ii); or 

18 (II) individuals who are self-em19 ployed or sole proprietors and whose 

20 work has an origin in individual cre21 ativity, skill, and talent, including a 

22 focus on design, crafts, music, visual 

23 arts, media arts, performing arts, lan24 guage, literature, or expressions of 


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1 Native cultures or regional or local 

2 heritage culture. 

3 (2) NATIVE AMERICAN.—The term ‘‘Native 

4 American’’, used with respect to culture, means the 

5 culture of a Native American, as defined in section 

6 103 of the Native American Languages Act (25 

7 U.S.C. 2902). 

8 TITLE II—CREATIVE 

9 WORKFORCE ADVANCEMENT 

10 SEC. 201. DEPARTMENT OF LABOR. 

11 (a) WORKFORCE INNOVATION AND OPPORTUNITY

12 ACT.— 

13 (1) DEFINITION.—Section 3 of the Workforce 

14 Innovation and Opportunity Act (29 U.S.C. 3102) is 

15 amended by adding at the end the following: 

16 ‘‘(72) CREATIVE INDUSTRY OR OCCUPATION.— 

17 The term ‘creative industry or occupation’ has the 

18 meaning given the term in section 102 of the 

19 PLACE Act.’’. 

20 (2) UNIFIED STATE PLANS.—Section 

21 102(b)(1)(A) of such Act (29 U.S.C. 3112(b)(1)(A)) 

22 is amended— 

23 (A) in clause (i), by striking ‘‘occupa24 tions;’’ and inserting ‘‘occupations, and creative 

25 industries and occupations;’’; and 


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1 (B) in clause (ii), by striking ‘‘those indus2 tries and occupations’’ and ‘‘the sectors, indus3 tries, and occupations described in clause (i)’’. 

4 (3) REGIONAL COORDINATION.—Section 

5 106(c)(1)(C) of such Act (29 U.S.C. 3121(c)(1)(C)) 

6 is amended by striking ‘‘occupations’’ and inserting 

7 ‘‘occupations, and regional creative industries and 

8 occupations,’’. 

9 (4) LOCAL PLANS.—Section 108(b)(1)(B) of 

10 such Act (29 U.S.C. 3123(b)(1)(B)) is amended by 

11 striking ‘‘occupations;’’ and inserting ‘‘occupations, 

12 and creative industries and occupations;’’. 

13 (5) NATIVE AMERICAN PROGRAMS.—Section 

14 166(d)(2)(A)(i) of such Act (29 U.S.C. 

15 3221(d)(2)(A)(i)) is amended by inserting ‘‘develop16 ment of skills relating to creative industries or occu17 pations and’’ before ‘‘training on’’. 

18 (6) NATIONAL DISLOCATED WORKER

19 GRANTS.—Section 170 of the Workforce Innovation 

20 and Opportunity Act (29 U.S.C. 3225) is amend21 ed— 

22 (A) in subsection (a)— 

23 (i) in paragraph (1)— 

24 (I) in subparagraph (A), by strik25 ing ‘‘or’’ at the end; 


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1 (II) in subparagraph (B), by 

2 striking the period at the end and in3 serting ‘‘; or’’; and 

4 (III) by adding at the end the 

5 following: 

6 ‘‘(C) for purposes of assistance provided 

7 under subsection (b)(1)(E), an opioid crisis, as 

8 declared by the Secretary after consultation 

9 with the Secretary of Health and Human Serv10 ices.’’; and 

11 (ii) by adding at the end the fol12 lowing: 

13 ‘‘(3) DISLOCATED WORKER.— 

14 ‘‘(A) IN GENERAL.—The term ‘dislocated 

15 worker’ means— 

16 ‘‘(i) a dislocated worker, as defined in 

17 section 3; and 

18 ‘‘(ii) for purposes of assistance pro19 vided under subsection (b)(1)(E), a recov20 ering individual. 

21 ‘‘(B) RECOVERING INDIVIDUAL.—The term 

22 ‘recovering individual’ means an individual 

23 who— 


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1 ‘‘(i) left employment, or has never 

2 been employed, due mainly to opioid use; 

3 and 

4 ‘‘(ii)(I) has successfully completed a 

5 supervised drug rehabilitation program for 

6 opioid use and is no longer engaging in the 

7 illegal use of opioids, or has otherwise been 

8 rehabilitated successfully and is no longer 

9 engaging in such illegal use; 

10 ‘‘(II) is participating in a supervised 

11 rehabilitation program and is no longer en12 gaging in such illegal use; or 

13 ‘‘(III) is erroneously regarded as en14 gaging in such illegal use, but is not en15 gaging in such illegal use.’’; and 

16 (B) in subsection (b)(1)— 

17 (i) in subparagraph (C), by striking 

18 ‘‘and’’ at the end; 

19 (ii) in subparagraph (D), by striking 

20 the period at the end and inserting ‘‘; 

21 and’’; and 

22 (iii) by adding at the end the fol23 lowing: 

24 ‘‘(E) to provide employment and training 

25 assistance in a creative industry or occupation, 


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1 in an area where an opioid crisis has been de2 clared, as described in subsection (a)(1)(C).’’. 

3 (b) CREATIVE ECONOMY GRANT PROGRAM.— 

4 (1) IN GENERAL.—The Secretary of Labor, act5 ing through the Assistant Secretary for Employment 

6 and Training, shall make grants to eligible entities 

7 to enable those eligible entities to provide wage sub8 sidies for individuals in a creative industry or occu9 pation. 

10 (2) ELIGIBLE ENTITY.— 

11 (A) IN GENERAL.—To be eligible to receive 

12 such a grant, an entity shall be a business (in13 cluding a nonprofit organization) that— 

14 (i) is engaged in a creative industry or 

15 occupation and has its origin in individual 

16 creativity, skill, and talent, including focus17 ing on design, crafts, music, visual arts, 

18 media arts, performing arts, language, lit19 erature, or expressions of Native cultures 

20 or regional or local heritage culture; and 

21 (ii) has fewer than 500 full-time 

22 equivalent employees, as determined in ac23 cordance with subparagraph (B). 

24 (B) FULL-TIME EQUIVALENT BASIS.—For 

25 purposes of determining the number of full-time 


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1 equivalent employees under subparagraph 

2 (A)(ii)— 

3 (i) any employee working not fewer 

4 than 30 hours per week shall be considered 

5 a full-time employee; and 

6 (ii) any employee working not fewer 

7 than 10 hours and fewer than 30 hours 

8 per week shall be counted as one-half of a 

9 full-time employee. 

10 (3) APPLICATION.—To be eligible to receive 

11 such a grant, an entity shall submit an application 

12 to the Secretary of Labor at such time, in such man13 ner, and containing such information as the Sec14 retary may require. 

15 (4) USE OF FUNDS.—An entity that receives a 

16 grant under this section shall use the grant funds to 

17 provide wage subsidies for any individual who earns 

18 income through creative, cultural, or artistic-based 

19 pursuits to produce ideas, content, goods, or serv20 ices, without regard for the employment status of 

21 the individual. 

22 SEC. 202. DEPARTMENT OF EDUCATION. 

23 (a) CORRECTIONS EDUCATION.—Section 225(b) of 

24 the Workforce Innovation and Opportunity Act (29 U.S.C. 

25 3305(b)) is amended— 


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1 (1) by redesignating paragraphs (7) and (8) as 

2 paragraphs (8) and (9), respectively; and 

3 (2) by inserting after paragraph (6) the fol4 lowing: 

5 ‘‘(7) education that relates to a creative indus6 try or occupation (as defined in section 102 of the 

7 Promoting Local Arts and Creative Economy Work8 force Act of 2022);’’. 

9 (b) ADULT EDUCATION.—Section 203 of the Work10 force Innovation and Opportunity Act (29 U.S.C. 3272) 

11 is amended— 

12 (1) in paragraph (1)— 

13 (A) by redesignating subparagraphs (B) 

14 and (C) as subparagraphs (C) and (D), respec15 tively; and 

16 (B) by inserting after subparagraph (A) 

17 the following: 

18 ‘‘(B) gain education or skills relating to a 

19 creative industry or occupation (as defined in 

20 section 102 of the Promoting Local Arts and 

21 Creative Economy Workforce Act of 2022)’’; 

22 and 

23 (2) in paragraph (2), by inserting ‘‘skills relat24 ing to a creative industry or occupation (as defined 

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1 ative Economy Workforce Act of 2022)’’ before ‘‘or 

2 integrated education and training’’. 

3 (c) CAREER AND TECHNICAL EDUCATION.—Section 

4 3(5) of the Career and Technical Education Act of 2006 

5 (20 U.S.C. 2302(5)) is amended— 

6 (1) in subparagraph (C), by striking ‘‘and’’ 

7 after the semicolon; 

8 (2) in subparagraph (D), by striking the period 

9 at the end and inserting ‘‘; and’’; and 

10 (3) by adding at the end the following: 

11 ‘‘(E) may be related to a creative industry 

12 or occupation (as defined in section 102 of the 

13 Promoting Local Arts and Creative Economy 

14 Workforce Act of 2022).’’. 

15 (d) WORK STUDY.—Section 443 of the Higher Edu16 cation Act of 1965 (20 U.S.C. 1087–53) is amended by 

17 adding at the end the following: 

18 ‘‘(f) CREATIVE INDUSTRY OR OCCUPATION.— 

19 ‘‘(1) IN GENERAL.—Funds granted to an insti20 tution under this section may be used to compensate 

21 (including compensation for time spent in training 

22 and travel directly related to relevant activities) stu23 dents employed in projects that support a creative 

24 industry or occupation (as defined in section 102 of 


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1 the Promoting Local Arts and Creative Economy 

2 Workforce Act of 2022). 

3 ‘‘(2) FEDERAL SHARE.—The Federal share of 

4 the compensation of work-study students com5 pensated under this subsection may exceed 75 per6 cent.’’. 

7 (e) ELEMENTARY AND SECONDARY EDUCATION.— 

8 Section 4642(a)(1) of the Elementary and Secondary 

9 Education Act of 1965 (20 U.S.C. 7292(a)(1)) is amend10 ed— 

11 (1) by redesignating subparagraphs (B) and 

12 (C) as subparagraphs (C) and (D), respectively; and 

13 (2) by inserting after subparagraph (A) the fol14 lowing: 

15 ‘‘(B) workforce training for a creative in16 dustry or occupation (as defined in section 102 

17 of the Promoting Local Arts and Creative 

18 Economy Workforce Act of 2022);’’. 

19 SEC. 203. ECONOMIC DEVELOPMENT ADMINISTRATION 

20 PROGRAMS. 

21 (a) CREATIVE ECONOMY APPRENTICESHIP AND IN22 TERNSHIP GRANTS.—Title II of the Public Works and 

23 Economic Development Act of 1965 is amended by insert24 ing after section 207 (42 U.S.C. 3147) the following: 


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1 ‘‘SEC. 208. CREATIVE ECONOMY APPRENTICESHIP AND IN2 TERNSHIP GRANTS. 

3 ‘‘(a) DEFINITIONS.—In this section: 

4 ‘‘(1) APPRENTICESHIP PROGRAM.—The term 

5 ‘apprenticeship program’ means a program under 

6 the Act of August 16, 1937 (commonly known as 

7 the ‘National Apprenticeship Act’) (50 Stat. 664, 

8 chapter 663; 29 U.S.C. 50 et seq.), to provide work9 force training relating to a creative industry or occu10 pation. 

11 ‘‘(2) CREATIVE INDUSTRY OR OCCUPATION.— 

12 The term ‘creative industry or occupation’ has the 

13 meaning given the term in section 102 of the Pro14 moting Local Arts and Creative Economy Workforce 

15 Act of 2022. 

16 ‘‘(3) ELIGIBLE ENTITY.—The term ‘eligible en17 tity’ means an eligible entity as determined by the 

18 Secretary. 

19 ‘‘(4) INTERNSHIP PROGRAM.—The term ‘intern20 ship program’ means a paid internship program to 

21 provide workforce training relating to a creative in22 dustry or occupation that is conducted in accordance 

23 with such regulations and policies relating to paid 

24 internships as the Secretary of Labor may promul25 gate. 

26 ‘‘(b) APPRENTICESHIP PROGRAMS.— 


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1 ‘‘(1) ESTABLISHMENT.—The Secretary shall es2 tablish a program, to be known as the ‘Creative 

3 Economy Apprenticeship Grant Program’, under 

4 which the Secretary shall provide to eligible entities 

5 grants, on a competitive basis, for use in accordance 

6 with paragraph (3). 

7 ‘‘(2) APPLICATIONS.— 

8 ‘‘(A) IN GENERAL.—To be eligible to re9 ceive a grant under this subsection, an eligible 

10 entity shall submit to the Secretary an applica11 tion at such time, in such manner, and con12 taining such information as the Secretary may 

13 require. 

14 ‘‘(B) DETERMINATION BY SECRETARY.— 

15 ‘‘(i) IN GENERAL.—The Secretary 

16 shall determine whether to approve or dis17 approve an application submitted under 

18 subparagraph (A) by not later than 90 

19 days after the date of receipt of the appli20 cation. 

21 ‘‘(ii) ACTION ON APPROVAL.—On ap22 proval by the Secretary of an application 

23 under clause (i), the Secretary shall pro24 vide to the applicable eligible entity a grant 

25 in accordance with paragraph (4). 


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1 ‘‘(iii) ACTION ON DISAPPROVAL.—On 

2 disapproval by the Secretary of an applica3 tion under clause (i), the Secretary shall 

4 provide to the applicable eligible entity— 

5 ‘‘(I) a notice of the disapproval, 

6 including a description of the reasons 

7 for the disapproval; and 

8 ‘‘(II) an opportunity to remedy 

9 any deficiency identified by the Sec10 retary under subclause (I) by submit11 ting to the Secretary a revised appli12 cation by not later than 30 days after 

13 the date of the disapproval. 

14 ‘‘(3) USE OF FUNDS.—An eligible entity shall 

15 use a grant provided under this subsection to carry 

16 out an apprenticeship program. 

17 ‘‘(4) ALLOCATION.—Of the amounts made 

18 available to carry out this subsection for each fiscal 

19 year, the Secretary shall allocate to each eligible en20 tity the application of which is approved under para21 graph (2) during that fiscal year an amount based 

22 on the proportion that— 

23 ‘‘(A) the number of individuals served by 

24 the apprenticeship program of the eligible enti25 ty; bears to 


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1 ‘‘(B) the total number of individuals served 

2 by the apprenticeship programs of all eligible 

3 entities that receive assistance under this sub4 section for the fiscal year. 

5 ‘‘(c) INTERNSHIP PROGRAMS.— 

6 ‘‘(1) ESTABLISHMENT.—The Secretary shall es7 tablish a program, to be known as the ‘Creative 

8 Economy Internship Grant Program’, under which 

9 the Secretary shall provide to eligible entities grants, 

10 on a competitive basis, for use in accordance with 

11 paragraph (3). 

12 ‘‘(2) APPLICATIONS.— 

13 ‘‘(A) IN GENERAL.—To be eligible to re14 ceive a grant under this subsection, an eligible 

15 entity shall submit to the Secretary an applica16 tion at such time, in such manner, and con17 taining such information as the Secretary may 

18 require. 

19 ‘‘(B) DETERMINATION BY SECRETARY.— 

20 ‘‘(i) IN GENERAL.—The Secretary 

21 shall determine whether to approve or dis22 approve an application submitted under 

23 subparagraph (A) by not later than 90 

24 days after the date of receipt of the appli25 cation. 


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1 ‘‘(ii) ACTION ON APPROVAL.—On ap2 proval by the Secretary of an application 

3 under clause (i), the Secretary shall pro4 vide to the applicable eligible entity a grant 

5 in accordance with paragraph (4). 

6 ‘‘(iii) ACTION ON DISAPPROVAL.—On 

7 disapproval by the Secretary of an applica8 tion under clause (i), the Secretary shall 

9 provide to the applicable eligible entity— 

10 ‘‘(I) a notice of the disapproval, 

11 including a description of the reasons 

12 for the disapproval; and 

13 ‘‘(II) an opportunity to remedy 

14 any deficiency identified by the Sec15 retary under subclause (I) by submit16 ting to the Secretary a revised appli17 cation by not later than 30 days after 

18 the date of the disapproval. 

19 ‘‘(3) USE OF FUNDS.—An eligible entity shall 

20 use a grant provided under this subsection to carry 

21 out an internship program. 

22 ‘‘(4) ALLOCATION.—Of the amounts made 

23 available to carry out this subsection for each fiscal 

24 year, the Secretary shall allocate to each eligible en25 tity the application of which is approved under paraVerDate Sep 11 2014 16:08 Feb 04, 2022 Jkt 029200 PO 00000 Frm 00020 Fmt 6652 Sfmt 6201 E:\BILLS\S3560.IS S3560

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1 graph (2) during that fiscal year an amount based 

2 on the proportion that— 

3 ‘‘(A) the number of individuals served by 

4 the internship program of the eligible entity; 

5 bears to 

6 ‘‘(B) the total number of individuals served 

7 by the internship programs of all eligible enti8 ties that receive assistance under this sub9 section for the fiscal year. 

10 ‘‘(d) AUTHORIZATION OF APPROPRIATIONS.—There 

11 are authorized to be appropriated to the Secretary such 

12 sums as are necessary to carry out this section.’’. 

13 (b) GRANTS FOR ECONOMIC ADJUSTMENT.—Section 

14 209(c)(5) of the Public Works and Economic Development 

15 Act of 1965 (42 U.S.C. 3149(c)(5)) is amended by insert16 ing ‘‘, including through the promotion of creative indus17 tries and occupations (as defined in section 102 of the 

18 Promoting Local Arts and Creative Economy Workforce 

19 Act of 2022)’’ before the period at the end. 

20 SEC. 204. CREATIVE JOBS TRAINING THROUGH BUREAU OF 

21 PRISONS REENTRY AND SKILLS DEVELOP22 MENT PROGRAMS. 

23 Section 231(a) of the Second Chance Act of 2007 (34 

24 U.S.C. 60541(a)) is amended by adding at the end the 

25 following: 


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1 ‘‘(3) Ensuring that reentry and skills develop2 ment programs for prisoners include skills training 

3 for jobs in creative industries and occupations, as 

4 defined in section 102 of the Promoting Local Arts 

5 and Creative Economy Workforce Act of 2021.’’. 

6 SEC. 205. GRANTS RELATING TO THE CREATIVE ECONOMY. 

7 To the extent practicable, grant programs relating to 

8 economic development administered by the Department of 

9 Health and Human Services, Commissioner of the Admin10 istration for Native Americans, or the head of an agency 

11 with assets or resources relating to workforce develop12 ment, may be used to support efforts to provide workforce 

13 training related to the creative economy (as defined in sec14 tion 102 of the Promoting Local Arts and Creative Econ15 omy Workforce Act of 2022). 

16 SEC. 206. PROMOTION FOR VETERANS WITH SERVICE-CON17 NECTED DISABILITIES OF JOB TRAINING AND 

18 RESOURCES IN CREATIVE INDUSTRIES AND 

19 OCCUPATIONS. 

20 Section 3116 of title 38, United States Code, is 

21 amended by adding at the end the following new sub22 section: 

23 ‘‘(c) In carrying out this section, the Secretary shall 

24 assist in making available and promote job training and 

25 resources that— 


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1 ‘‘(1) are provided by nonprofit organizations, 

2 educational institutions, Native American (as de3 fined in section 3765 of this title) governments and 

4 organizations, and Federal, State, and local govern5 ments; and 

6 ‘‘(2) relate to creative industries and occupa7 tions, as defined in section 102 of the Promoting 

8 Local Arts and Creative Economy Workforce Act of 

9 2021.’’. 

10 SEC. 207. DISASTER ASSISTANCE FOR CREATIVE INDUSTRY 

11 WORKERS THROUGH FEMA. 

12 (a) IN GENERAL.—The President, acting through the 

13 Administrator of the Federal Emergency Management 

14 Agency, shall promulgate rules to ensure that expenses in15 curred, as a result of a major disaster or emergency, by 

16 a self-employed or freelance worker or worker in a creative 

17 microenterprise, including those workers whose work fo18 cuses on design, crafts, music, visual arts, media arts, per19 forming arts, language, literature, and expressions of Na20 tive American culture and local or regional heritage cul21 ture, to repair or replace tools needed by the self-employed 

22 or freelance worker or worker in a creative microenterprise 

23 are considered eligible expenses for assistance under sec24 tion 408 of the Robert T. Stafford Disaster Relief and 

25 Emergency Assistance Act (42 U.S.C. 5174). 


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1 (b) REQUIREMENT.—The rules promulgated under 

2 subsection (a) may not require, as a condition of receiving 

3 such assistance under section 408 of the Robert T. Staf4 ford Disaster Relief and Emergency Assistance Act (42 

5 U.S.C. 5174), an applicant— 

6 (1) to apply or be declined for assistance from 

7 the Small Business Administration; or 

8 (2) to demonstrate that assistance received 

9 from the Small Business Administration does not 

10 satisfy the total necessary expenses or serious needs 

11 arising out of a major disaster or emergency. 

12 SEC. 208. DEPARTMENT OF HEALTH AND HUMAN SERV13 ICES. 

14 The Administration for Native Americans of the De15 partment of Health and Human Services shall, in carrying 

16 out job training programs, including under the Native 

17 American Programs Act of 1974 (42 U.S.C. 2991 et seq.), 

18 include training for creative industries and occupations. 

19 SEC. 209. DISASTER UNEMPLOYMENT ASSISTANCE. 

20 The Administrator of the Federal Emergency Man21 agement Agency shall amend the regulations imple22 menting the disaster unemployment assistance program 

23 authorized under section 410 of the Robert T. Stafford 

24 Disaster Relief and Emergency Assistance Act (42 U.S.C. 

25 5177) to ensure that— 


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1 (1) the assistance amount for a self-employed 

2 worker is calculated based on the business receipts 

3 of the self-employed worker rather than net profit; 

4 and 

5 (2) the assistance amount is not calculated by 

6 counting gross receipts of a self-employed worker 

7 against the net profit of the self-employed worker. 

8 TITLE III—TAX INCENTIVES 

9 SEC. 301. TAX INCENTIVES. 

10 (a) NEW MARKETS TAX CREDIT AND GUIDELINES

11 FOR QUALIFIED COMMUNITY DEVELOPMENT ENTI12 TIES.—Not later than 1 year after the date of the enact13 ment of this Act, the Secretary of the Treasury shall issue 

14 guidelines for the creation and operation of community de15 velopment entities focused on the creative industries or oc16 cupations, which would allow such entities to be treated 

17 as qualified community development entities for purposes 

18 of section 45D(c) of the Internal Revenue Code of 1986. 

19 (b) WORK OPPORTUNITY CREDIT FOR HIRING CER20 TAIN DISPLACED WORKERS.— 

21 (1) IN GENERAL.—Paragraph (1) of section 

22 51(d) of the Internal Revenue Code of 1986 is 

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1 paragraph (J) and inserting ‘‘, or’’, and by adding 

2 at the end the following new subparagraph: 

3 ‘‘(K) a qualified displaced worker.’’. 

4 (2) QUALIFIED DISPLACED WORKER.—Sub5 section (d) of section 51 of such Code is amended 

6 by adding at the end the following new paragraph: 

7 ‘‘(16) QUALIFIED DISPLACED WORKER.—The 

8 term ‘qualified displaced worker’ means an indi9 vidual who, immediately before beginning work for 

10 the employer— 

11 ‘‘(A) is an eligible TAA recipient (as de12 fined in section 35(c)(2)), 

13 ‘‘(B) is an eligible alternative TAA recipi14 ent (as defined in section 35(c)(3)), or 

15 ‘‘(C) is eligible for employment and train16 ing activities for dislocated workers under chap17 ter 3 of subtitle B of title I of the Workforce 

18 Innovation and Opportunity Act (29 U.S.C. 

19 3171 et seq.) or assistance under section 170 of 

20 such Act (29 U.S.C. 3225).’’. 

21 (3) EFFECTIVE DATE.—The amendments made 

22 by this subsection shall apply to individuals begin23 ning work for the employer after the date of the en24 actment of this Act. 


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1 (c) ABOVE-THE-LINE DEDUCTION OF EXPENSES OF

2 PERFORMING ARTISTS.— 

3 (1) IN GENERAL.—Section 62(a)(2)(B) of the 

4 Internal Revenue Code of 1986 is amended— 

5 (A) by striking ‘‘PERFORMING ARTISTS.— 

6 The deductions’’ and inserting ‘‘PERFORMING

7 ARTISTS.— 

8 ‘‘(i) IN GENERAL.—The deductions’’, 

9 and 

10 (B) by adding at the end the following new 

11 clauses: 

12 ‘‘(ii) PHASEOUT.—The amount of ex13 penses taken into account under clause (i) 

14 shall be reduced (but not below zero) by 10 

15 percentage points for each $2,000 ($4,000 

16 in the case of a joint return), or fraction 

17 thereof, by which the taxpayer’s adjusted 

18 gross income (determined without regard 

19 to this subparagraph) for the taxable year 

20 exceeds $100,000 (200 percent of such 

21 amount in the case of a joint return). 

22 ‘‘(iii) COST-OF-LIVING ADJUST23 MENT.—In the case of any taxable year be24 ginning in a calendar year after 2021, the 


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1 $100,000 amount under clause (ii) shall be 

2 increased by an amount equal to— 

3 ‘‘(I) such dollar amount, multi4 plied by 

5 ‘‘(II) the cost-of-living adjust6 ment determined under section 1(f)(3) 

7 for the calendar year in which the tax8 able year begins, determined by sub9 stituting ‘calendar year 2020’ for ‘cal10 endar year 2016’ in subparagraph 

11 (A)(ii) thereof. 

12 If any amount after adjustment under the 

13 preceding sentence is not a multiple of 

14 $1,000, such amount shall be rounded to 

15 the nearest multiple of $1,000.’’. 

16 (2) CLARIFICATION REGARDING COMMISSION

17 PAID TO PERFORMING ARTIST’S MANAGER OR

18 AGENT.—Section 62(a)(2)(B)(i) of such Code, as 

19 amended by subsection (a), is amended by inserting 

20 before the period at the end the following: ‘‘, includ21 ing any commission paid to the performing artist’s 

22 manager or agent’’. 

23 (3) CONFORMING AMENDMENTS.— 

24 (A) Section 62(a)(2)(B)(i) of such Code, 

25 as amended by this subsection, is further 


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1 amended by striking ‘‘by him’’ and inserting 

2 ‘‘by the performing artist’’. 

3 (B) Section 62(b)(1) of such Code is 

4 amended by inserting ‘‘and’’ at the end of sub5 paragraph (A), by striking ‘‘, and’’ at the end 

6 of subparagraph (B) and inserting a period, 

7 and by striking subparagraph (C). 

8 (4) EFFECTIVE DATE.—The amendments made 

9 by this section shall apply to taxable years ending 

10 after the date of the enactment of this Act. 

11 (d) CHARITABLE CONTRIBUTIONS OF CERTAIN

12 ITEMS CREATED BY THE TAXPAYER.— 

13 (1) IN GENERAL.—Subsection (e) of section 

14 170 of the Internal Revenue Code of 1986 is amend15 ed by adding at the end the following new para16 graph: 

17 ‘‘(8) SPECIAL RULE FOR CERTAIN CONTRIBU18 TIONS OF LITERARY, MUSICAL, OR ARTISTIC COM19 POSITIONS.— 

20 ‘‘(A) IN GENERAL.—In the case of a quali21 fied artistic charitable contribution— 

22 ‘‘(i) the amount of such contribution 

23 shall be the fair market value of the prop24 erty contributed (determined at the time of 

25 such contribution), and 


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1 ‘‘(ii) no reduction in the amount of 

2 such contribution shall be made under 

3 paragraph (1). 

4 ‘‘(B) QUALIFIED ARTISTIC CHARITABLE

5 CONTRIBUTION.—For purposes of this para6 graph, the term ‘qualified artistic charitable 

7 contribution’ means a charitable contribution of 

8 any literary, musical, artistic, or scholarly com9 position, or similar property, or the copyright 

10 thereon (or both), but only if— 

11 ‘‘(i) such property was created by the 

12 personal efforts of the taxpayer making 

13 such contribution no less than 18 months 

14 prior to such contribution, 

15 ‘‘(ii) the taxpayer— 

16 ‘‘(I) has received a qualified ap17 praisal of the fair market value of 

18 such property in accordance with the 

19 regulations under this section, and 

20 ‘‘(II) attaches to the taxpayer’s 

21 income tax return for the taxable year 

22 in which such contribution was made 

23 a copy of such appraisal, 

24 ‘‘(iii) the donee is an organization de25 scribed in subsection (b)(1)(A), 


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1 ‘‘(iv) the use of such property by the 

2 donee is related to the purpose or function 

3 constituting the basis for the donee’s ex4 emption under section 501 (or, in the case 

5 of a governmental unit, to any purpose or 

6 function described under subsection (c)), 

7 ‘‘(v) the taxpayer receives from the 

8 donee a written statement representing 

9 that the donee’s use of the property will be 

10 in accordance with the provisions of clause 

11 (iv), and 

12 ‘‘(vi) the written appraisal referred to 

13 in clause (ii) includes evidence of the ex14 tent (if any) to which property created by 

15 the personal efforts of the taxpayer and of 

16 the same type as the donated property is 

17 or has been— 

18 ‘‘(I) owned, maintained, and dis19 played by organizations described in 

20 subsection (b)(1)(A), and 

21 ‘‘(II) sold to or exchanged by 

22 persons other than the taxpayer, 

23 donee, or any related person (as de24 fined in section 465(b)(3)(C)). 


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1 ‘‘(C) MAXIMUM DOLLAR LIMITATION; NO

2 CARRYOVER OF INCREASED DEDUCTION.—The 

3 increase in the deduction under this section by 

4 reason of this paragraph for any taxable year— 

5 ‘‘(i) shall not exceed the artistic ad6 justed gross income of the taxpayer for 

7 such taxable year, and 

8 ‘‘(ii) shall not be taken into account in 

9 determining the amount which may be car10 ried from such taxable year under sub11 section (d). 

12 ‘‘(D) ARTISTIC ADJUSTED GROSS IN13 COME.—For purposes of this paragraph, the 

14 term ‘artistic adjusted gross income’ means 

15 that portion of the adjusted gross income of the 

16 taxpayer for the taxable year attributable to— 

17 ‘‘(i) income from the sale or use of 

18 property created by the personal efforts of 

19 the taxpayer which is of the same type as 

20 the donated property, and 

21 ‘‘(ii) income from teaching, lecturing, 

22 performing, or similar activity with respect 

23 to property described in clause (i). 

24 ‘‘(E) PARAGRAPH NOT TO APPLY TO CER25 TAIN CONTRIBUTIONS.—Subparagraph (A) shall 


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1 not apply to any charitable contribution of any 

2 letter, memorandum, or similar property which 

3 was written, prepared, or produced by or for an 

4 individual while the individual is an officer or 

5 employee of any person (including any govern6 ment agency or instrumentality) unless such 

7 letter, memorandum, or similar property is en8 tirely personal. 

9 ‘‘(F) COPYRIGHT TREATED AS SEPARATE

10 PROPERTY FOR PARTIAL INTEREST RULE.—In 

11 the case of a qualified artistic charitable con12 tribution, the tangible literary, musical, artistic, 

13 or scholarly composition, or similar property 

14 and the copyright on such work shall be treated 

15 as separate properties for purposes of this para16 graph and subsection (f)(3).’’. 

17 (2) EFFECTIVE DATE.—The amendment made 

18 by this subsection shall apply to contributions made 

19 after the date of the enactment of this Act in tax20 able years ending after such date. 


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1 TITLE IV—CULTURAL TRADE 

2 PROMOTION 

3 SEC. 401. PROMOTION BY EXPORT-IMPORT BANK OF THE 

4 UNITED STATES OF EXPORTS BY CREATIVE 

5 INDUSTRIES AND OCCUPATIONS. 

6 Section 2(b)(1) of the Export-Import Bank Act of 

7 1945 (12 U.S.C. 635(b)(1)) is amended by adding at the 

8 end the following: 

9 ‘‘(N)(i) The Bank shall— 

10 ‘‘(I) undertake efforts to enhance the Bank’s 

11 capacity to provide information about the Bank’s 

12 programs to creative industries or occupations that 

13 have not previously participated in the Bank’s pro14 grams; and 

15 ‘‘(II) promote the export of goods produced and 

16 services provided by creative industries or occupa17 tions. 

18 ‘‘(ii) Not later than 1 year after the date of enact19 ment of this subparagraph, the President of the Bank 

20 shall submit to Congress a report on the activities under21 taken pursuant to this subparagraph. 

22 ‘‘(iii) In this subparagraph, the term ‘creative indus23 try or occupation’ has the meaning given that term in sec24 tion 102 of the Promoting Local Arts and Creative Econ25 omy Workforce Act of 2021.’’. 


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1 SEC. 402. PROMOTION OF EXPORTS FROM CREATIVE IN2 DUSTRIES AND OCCUPATIONS. 

3 (a) PROMOTION OF EXPORTS BY UNITED STATES

4 AND FOREIGN COMMERCIAL SERVICE.—Section 2301(b) 

5 of the Export Enhancement Act of 1988 (15 U.S.C. 

6 4721(b)) is amended, in the matter preceding paragraph 

7 (1), by inserting after ‘‘medium-sized businesses’’ the fol8 lowing: ‘‘and creative industries and occupations (as de9 fined in section 102 of the Promoting Local Arts and Cre10 ative Economy Workforce Act of 2022)’’. 

11 (b) STRATEGIC PLAN OF TRADE PROMOTION CO12 ORDINATING COMMITTEE.—Section 2312(c) of the Export 

13 Enhancement Act of 1988 (15 U.S.C. 4727(c)) is amend14 ed— 

15 (1) in paragraph (6), by striking ‘‘; and’’ and 

16 inserting a semicolon; 

17 (2) in paragraph (7), by striking the period at 

18 the end and inserting ‘‘; and’’; and 

19 (3) by adding at the end the following: 

20 ‘‘(8) consider how to promote exports of goods 

21 and services from creative industries and occupa22 tions (as defined in section 102 of the Promoting 

23 Local Arts and Creative Economy Workforce Act of 

24 2022).’’. 

25 (c) PROMOTION OF EXPORTS OF NATIVE HAWAIIAN

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1 IAN-OWNED BUSINESSES.—Section 2307 of the Export 

2 Enhancement Act of 1988 (15 U.S.C. 4726) is amended— 

3 (1) by inserting ‘‘or Native Hawaiian’’ after 

4 ‘‘American Indian’’ each place it appears; 

5 (2) in subsection (a)— 

6 (A) by inserting ‘‘or Native Hawaiian’’ 

7 after ‘‘include Indian’’; and 

8 (B) by inserting ‘‘or Native Hawaiian9 owned’’ after ‘‘Indian-owned’’; and 

10 (3) in subsection (e), by striking ‘‘hand made or 

11 hand crafted’’ and inserting ‘‘made’’. 

12 SEC. 403. COLLABORATION TO IMPROVE ACCESS TO RELI13 ABLE INTERNATIONAL SHIPPING SERVICES. 

14 The Under Secretary of Commerce for International 

15 Trade, the Assistant Secretary of Commerce and Director 

16 General of the United States and Foreign Commercial 

17 Service appointed under section 2301(a)(2) of the Export 

18 Enhancement Act of 1988 (15 U.S.C. 4721(a)(2)), and 

19 the Postmaster General shall consult and collaborate with 

20 respect to how to better connect microenterprises and 

21 small businesses to fast, reliable international shipping 

22 services that meet the expectations of the modern con23 sumer. 


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1 SEC. 404. DEMONSTRATION PROGRAM TO PROMOTE USE 

2 OF CREATIVE INDUSTRIES AND OCCUPA3 TIONS IN CERTAIN ECONOMIC PLANNING. 

4 Not later than 120 days after the date of enactment 

5 of this Act, the Secretary of Commerce shall establish a 

6 demonstration program to assess the feasibility and advis7 ability of providing support to local arts agencies and non8 profits through the Economic Development Administra9 tion Planning and Local Technical Assistance Program 

10 authorized under the Public Works and Economic Devel11 opment Act of 1965 (42 U.S.C. 3121 et seq.) to promote 

12 the use of creative industries and occupations in the eco13 nomic planning of local governments, including in com14 prehensive economic development strategies. 

15 SEC. 405. TRADE AND DEVELOPMENT AGENCY. 

16 Section 661(a) of the Foreign Assistance Act of 1961 

17 (22 U.S.C. 2421(a)) is amended— 

18 (1) by striking the subsection designation and 

19 heading and all that follows through ‘‘The Trade’’ in 

20 the first sentence, and inserting the following: 

21 ‘‘(a) TREATMENT; PURPOSE.— 

22 ‘‘(1) TREATMENT.—The Trade’’; 

23 (2) in the second sentence of paragraph (1) (as 

24 so designated), by striking ‘‘The purpose’’ and in25 serting the following: 

26 ‘‘(2) PURPOSE.—The purpose’’; and 


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1 (3) in paragraph (2) (as so designated), by 

2 striking ‘‘such as energy, transportation, tele3 communications, and environment.’’ and inserting 

4 the following: ‘‘such as— 

5 ‘‘(A) energy; 

6 ‘‘(B) transportation; 

7 ‘‘(C) telecommunications; 

8 ‘‘(D) the environment; and 

9 ‘‘(E) creative industries and occupations 

10 (as defined in section 102 of the Promoting 

11 Local Arts and Creative Economy Workforce 

12 Act of 2022).’’. 

13 TITLE V—FEDERAL SUPPORT 

14 FOR THE CREATIVE ECONOMY 

15 SEC. 501. COLLABORATION. 

16 In carrying out this Act, and the amendments made 

17 by this Act, the head of each relevant Federal agency 

18 shall, to the greatest extent practicable, collaborate with 

19 the Chairperson of the National Endowment for the Arts 

20 and the Chairperson of the National Endowment for the 

21 Humanities. 

22 SEC. 502. CREATIVE ECONOMY ADVISORY BOARD. 

23 (a) ESTABLISHMENT; RESOURCES.— 

24 (1) ESTABLISHMENT.—The Secretary of Com25 merce shall establish, pursuant to section 3 of the 


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1 Act of February 14, 1903 (15 U.S.C. 1512; 32 Stat. 

2 826, chapter 552; 95 Stat. 154), and the Federal 

3 Advisory Committee Act (5 U.S.C. App.), an advi4 sory board, to be known as the ‘‘Creative Economy 

5 Advisory Board’’ (referred to in this section as the 

6 ‘‘Advisory Board’’). 

7 (2) RESOURCES.—The Secretary of Commerce 

8 shall make available to the Advisory Board such per9 sonnel, funds, and other resources as may be appro10 priate to enable the Advisory Board to carry out the 

11 activities described in subsection (d). 

12 (b) MEMBERSHIP.— 

13 (1) IN GENERAL.—The Advisory Board shall be 

14 composed of 15 members, to be appointed by the 

15 Secretary of Commerce from among individuals with 

16 expertise relating to the issues described in sub17 section (d)(1). 

18 (2) DATE OF APPOINTMENT.—The appointment 

19 of the members of the Advisory Board shall be made 

20 not later than 120 days after the date of enactment 

21 of this Act. 

22 (c) TERM; VACANCIES.— 

23 (1) TERM.—A member shall be appointed to 

24 serve on the Advisory Board for a term of 2 years. 


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1 (2) VACANCIES.—A vacancy on the Advisory 

2 Board— 

3 (A) shall not affect the powers of the Advi4 sory Board; and 

5 (B) shall be filled in the same manner as 

6 the original appointment was made. 

7 (d) DUTIES.— 

8 (1) STUDIES.—Not less frequently than bian9 nually, the Advisory Board shall conduct a study of 

10 all matters relating to— 

11 (A) cultural tourism; 

12 (B) heritage tourism; 

13 (C) the creative economy (including cre14 ative industries and occupations); and 

15 (D) international cultural trade and activ16 ity. 

17 (2) RECOMMENDATIONS.—The Advisory Board 

18 shall develop recommendations regarding the mat19 ters described in paragraph (1). 

20 (3) REPORT.—Not later than 1 year after the 

21 date of enactment of this Act, and not less fre22 quently than once every 2 years thereafter, the Advi23 sory Board shall submit to the Secretary of Com24 merce a report that contains— 


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1 (A) a detailed statement of the findings 

2 and conclusions of the Advisory Board under 

3 the most recent study under paragraph (1); and 

4 (B) the recommendations of the Advisory 

5 Board for such administrative actions as the 

6 Advisory Board considers to be appropriate. 

7 (e) POWERS.— 

8 (1) HEARINGS.—The Advisory Board may hold 

9 such hearings, meet and act at such times and 

10 places, take such testimony, and receive such evi11 dence as the Advisory Board considers to be advis12 able to carry out this section. 

13 (2) INFORMATION FROM FEDERAL AGENCIES.— 

14 (A) IN GENERAL.—The Advisory Board 

15 may secure directly from a Federal agency such 

16 information as the Advisory Board considers to 

17 be necessary to carry out this section. 

18 (B) PROVISION OF INFORMATION.—On re19 quest of the Advisory Board, the head of a Fed20 eral agency shall provide the requested informa21 tion to the Advisory Board. 

22 (3) POSTAL SERVICES.—The Advisory Board 

23 may use the United States mails in the same man24 ner and under the same conditions as other agencies 

25 of the Federal Government. 


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1 (4) GIFTS.—The Advisory Board may accept, 

2 use, and dispose of gifts or donations of services or 

3 property. 

4 (f) PERSONNEL MATTERS.— 

5 (1) NO COMPENSATION OF MEMBERS.—Except 

6 as provided in paragraph (2), a member of the Advi7 sory Board shall serve without compensation. 

8 (2) TRAVEL EXPENSES.—A member of the Ad9 visory Board shall be allowed travel expenses, includ10 ing per diem in lieu of subsistence, at rates author11 ized for an employee of an agency under subchapter 

12 I of chapter 57 of title 5, United States Code, while 

13 away from the home or regular place of business of 

14 the member in the performance of the duties of the 

15 Advisory Board. 

16 SEC. 503. TRAVEL AND TOURISM ADVISORY BOARD. 

17 Notwithstanding any other provision of law (includ18 ing regulations), the Secretary of Commerce shall appoint 

19 to serve as a permanent member of the United States 

20 Travel and Tourism Advisory Board established pursuant 

21 to section 3 of the Act of February 14, 1903 (15 U.S.C. 

22 1512; 32 Stat. 826, chapter 552; 95 Stat. 154), and the 

23 Federal Advisory Committee Act (5 U.S.C. App.) a rep24 resentative of creative industries and occupations. 


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1 SEC. 504. FEDERAL COUNCIL ON THE ARTS AND THE HU2 MANITIES. 

3 Section 9 of the National Foundation on the Arts and 

4 the Humanities Act of 1965 (20 U.S.C. 958) is amend5 ed— 

6 (1) in subsection (b)— 

7 (A) by inserting ‘‘the Administrator of the 

8 Small Business Administration, the Secretary 

9 of the Treasury,’’ after ‘‘Assistant Secretary for 

10 Aging,’’; and 

11 (B) by striking ‘‘The President shall des12 ignate the presiding officer of the Council from 

13 among the members.’’ and inserting ‘‘The co14 Chairs of the Council shall be the Chairperson 

15 of the National Endowment for the Arts and 

16 the Chairperson of the National Endowment for 

17 the Humanities.’’; and 

18 (2) in subsection (c)— 

19 (A) in paragraph (6), by striking ‘‘and’’ 

20 after the semicolon; 

21 (B) in paragraph (7), by striking the pe22 riod at the end and inserting a semicolon; and 

23 (C) by adding at the end the following: 

24 ‘‘(8) coordinate the creative industry or occupa25 tion programs of the Federal agencies; 


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1 ‘‘(9) establish goals and priorities for the cre2 ative industries or occupations and their develop3 ment that will strengthen the creative economy of 

4 the United States; 

5 ‘‘(10) work with industry organizations, Federal 

6 agencies, and industry nonprofit organizations to 

7 identify and reduce regulatory, logistical, and fiscal 

8 barriers within the Federal Government and State 

9 governments that inhibit creative industry and occu10 pation growth; and 

11 ‘‘(11) identify technological, market, or business 

12 challenges that may best be addressed by public-pri13 vate partnerships, and are likely to attract both par14 ticipation and primary funding from industry, and 

15 encourage the formation of those public-private part16 nerships.’’. 

17 SEC. 505. ART IN ARCHITECTURE PROGRAM FUNDING. 

18 Notwithstanding any other provision of law (includ19 ing regulations), of the amounts made available for each 

20 fiscal year to the General Services Administration for con21 struction, the Administrator of General Services shall use 

22 not less than 1 percent to carry out the Art in Architec23 ture program of the General Services Administration 

24 under part 102–77 of title 41, Code of Federal Regula25 tions (or successor regulations). 


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1 SEC. 506. OFFICE OF READINESS, RECOVERY, AND RESIL2 IENCE. 

3 (a) OFFICE ESTABLISHED.—There shall be estab4 lished within the National Endowment for the Arts an Of5 fice of Readiness, Recovery, and Resilience (referred to in 

6 this section as the ‘‘Office’’). 

7 (b) PURPOSES.—The purposes of the Office are— 

8 (1) to build upon the work of the National En9 dowment for the Arts, as of the date of enactment 

10 of this Act, in support of the disaster and emergency 

11 management-related needs of artists and arts orga12 nizations in the recovery phase; 

13 (2) to improve the preparedness of artists and 

14 arts organizations, and to improve their resilience, in 

15 the face of the growing climate emergency; 

16 (3) to focus on and meet the range of prepared17 ness, response, and recovery needs of artists and 

18 arts organizations; and 

19 (4) to support the role artists and arts organi20 zations can play in community mitigation and recov21 ery through the arts. 

22 (c) AUTHORIZATION OF APPROPRIATIONS.—There 

23 are authorized to be appropriated such sums as are nec24 essary to carry out this section. 

Æ 


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