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Exhibitions

# Park Chan-kyong: Gathering

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“Belated Bonsal,” Park Chan-kyong, 2019, HD film, 5.1 channel sound, 55 min, Credit: Copyright Park Chan-kyong /National Museum of Modern and Contemporary Art, Korean KCH9852-HDR

Arthur M. Sackler Gallery							1050 Independence Ave., SWWashington, DC						
													B2, Gallery 28							
									See on Map								Floor Plan

Seoul-based artist Park Chan-kyong has gained international recognition for his use of photography and film to examine the complex history of modern Korea. *Park Chan-kyong: Gathering* is the first solo presentation of his work in a major U.S. museum. The exhibition features a range of works that highlight Park’s masterful use of the photographic medium to explore the enduring traces of tradition, history, and disaster in contemporary society.

Park’s multi-channel video, *Citizen’s Forest*, anchors this exhibition of five recent works. A panoramic video presented in the format of a monumental landscape scroll painting, *Citizen’s Forest*draws on the poetry of Kim Su-yeong (1921–68), Minjung painting, and folk culture to reflect on major tragedies in South Korea’s history from the late 19th century to the present. In*Belated Bosal* and *Fukushima: Autoradiography*, inverted images and the natural landscape convey the inescapable sense of ecological disaster. Another installment in Park’s study of the history of North and South Koreas, a series of still and moving image portraits titled *Child Soldier* reimagines the presence of a lonely North Korean soldier.
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