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# Pocahontas

National Portrait Gallery

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                      -     DetailsRelatedObject Details- Artist
- Unidentified Artist
- Copy after
- Simon van de Passe, 1595 - 1647
- Sitter
- Pocahontas, c. 1595 - Mar 1617
- Exhibition Label
- Born near present-day Richmond, Virginia
- Matoaka, also known as Pocahontas, grew up in coastal Virginia among a confederacy of Algonquian-speaking Powhatan people overseen by her father. After John Smith and other representatives of the Virginia Company of London established a settlement at Jamestown, she promoted their peaceful relations with her people. Yet in 1613, an English sea captain kidnapped and ransomed her for corn, guns, and prisoners. While in captivity, Pocahontas was converted to Christianity, took the name Rebecca, and married the tobacco farmer John Rolfe. Their son, Thomas, was born in 1615.
- Eager to publicize Pocahontas’s apparent assimilation as a means of attracting investors, the Virginia Company transported her to England, where she arrived in June 1616. This painting, based on an engraving from that time, depicts Pocahontas as an affluent Englishwoman. Inscriptions proclaim her elite lineage, Christian religion, and marital status (confusing her son’s name with her husband’s). Pocahontas took ill and died nine months after arriving in England. Over the next four hundred years, her brief life inspired tributes and legends, including a fictitious romance with John Smith.
- Nacida cerca de la actual Richmond, Virginia
- Matoaka, conocida como Pocahontas, creció en el área costera de Virginia entre una confederación de pueblos powhatan hablantes de algonquino, dirigida por su padre. Cuando John Smith y otros agente de la Virginia Company de Londres establecieron un asentamiento en Jamestown, ella promovió las relaciones pacíficas de estos con su pueblo. Sin embargo, en 1613, un capitán de barco inglés la secuestró, pidiendo un rescate de maíz, armas y prisioneros. En cautiverio, Pocahontas fue convertida al cristianismo, adoptó el nombre de Rebecca y se casó con el tabacalero John Rolfe. El hijo de ambos, Thomas, nació en 1615.
- Deseosa de publicar la aparente asimilación de Pocahontas para atraer inversores, la Virginia Company la llevó a Inglaterra, adonde llegó en junio de 1616. Esta pintura, basada en un grabado de la época, la presenta como una inglesa adinerada. La inscripción proclama su linaje privilegiado, su religión cristiana y su estado civil (trocando el nombre de su hijo con el de su esposo). Pocahontas enfermó y murió a los nueve meses de llegar a Inglaterra. En los 400 años siguientes, su breve vida inspiró tributos y leyendas, incluido un romance ficticio con John Smith.
- Provenance
- Peter Elwin [1718-1798], Booton Hall, Norfolk, England; by descent to Fountain Peter Elwin in 1900; purchased by Francis Burton Harrison 1926; bought by Andrew W. Mellon 1932; transferred to The A. W. Mellon Educational and Charitable Trust; gift to NGA 1942; transferred 1965 to NPG.
- Credit Line
- National Portrait Gallery, Smithsonian Institution; transfer from the National Gallery of Art; gift of the A.W. Mellon Educational and Charitable Trust, 1942
- after 1616
- Object number
- NPG.65.61
- Restrictions & Rights
- CC0
- Type
- Painting
- Medium
- Oil on canvas
- Dimensions
- Stretcher: 77.5 x 64.8 x 2.5cm (30 1/2 x 25 1/2 x 1")
- Frame: 92.7 x 80 x 6.4cm (36 1/2 x 31 1/2 x 2 1/2")
- See more items in
- National Portrait Gallery Collection
- Exhibition
- Out of Many: Portraits from 1600 to 1900
- On View
- NPG, East Gallery 150a
- National Portrait Gallery
- Topic
- Costume\Jewelry\Earring
- Costume\Dress Accessory\Fan
- Pocahontas: Female
- Pocahontas: Native American\Native American cultural intermediary
- Portrait
- Record ID
- npg_NPG.65.61
- Metadata Usage (text)
- CC0
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/sm47b045769-55c0-4291-b4cd-648a495c13ce
Related Content-                    Featured Portraits                Portrait Gallery 
  CC0Creative Commons - No Rights Reserved iconUsage Conditions Apply>download icon>          This image is in the public domain (free of copyright restrictions).  You can copy, modify, and distribute this work without contacting the Smithsonian.  For more information, visit the Smithsonian's Open Access page.        International media Interoperability FrameworkIIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.View manifestView in Mirador ViewerExpand to view image×                             Footer logo      
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