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# The Girl I Left Behind Me

Smithsonian American Art Museum and its Renwick Gallery

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                      - Print
                      -     DetailsRelatedObject Details- Artist
- Eastman Johnson, born Lovell, ME 1824-died New York City 1906
- Gallery Label
- A young girl stands on a promontory, her hair streaming in the wind. The path before her ends, so she must either retrace her steps or try to find a different way forward. Johnson called this painting The Girl I Left Behind Me, invoking an Irish ballad that was popular with both the Union and Confederate armies during the Civil War. In doing so, the artist opens the possibility that this young girl is doing more than waiting for the return of her husband. Her wedding ring, glinting in the light, speaks of commitment to her union, but is Johnson referring to her personal life or to the nation? The split-rail fence below her divides the landscape, and the fog surrounding her suggests a world fraught with ambivalence. She appears to wait for a sign of what will come next.
- Exhibition Label
- A girl stands on a promontory, her hair streaming in the wind. The path before her trails off, so she must either retrace her steps or try to find her way forward. Her wedding ring speaks to a commitment to her union and a husband who has gone to war. The split-rail fence below and the fog surrounding her speak to a world fraught with division and ambivalence. Johnson’s figure appears to be waiting for some sign of what will come next. The title comes from a Regimental song.
- The Civil War and American Art, 2012
- Publication Label
- The Civil War defined America and forever changed American art. American artists of this era could not depict the conflict using the conventions of European history painting, which glamorized the hero on the battlefield. Instead, America's finest painters captured the transformative impact of the war. Through landscapes and genre paintings, these artists gave voice to the nation's highest ideals and deepest concerns — illustrating a time that has been described as the second American Revolution.
- Smithsonian American Art Museum: Commemorative Guide. Nashville, TN: Beckon Books, 2015.
- Credit Line
- Smithsonian American Art Museum, Museum purchase made possible in part by Mrs. Alexander Hamilton Rice in memory of her husband and by Ralph Cross Johnson
- ca. 1872
- Object number
- 1986.79
- Restrictions & Rights
- CC0
- Type
- Painting
- Medium
- oil on canvas
- Dimensions
- 42 x 34 7/8 in. (106.7 x 88.7 cm.)
- See more items in
- Smithsonian American Art Museum Collection
- Department
- Painting and Sculpture
- On View
- Smithsonian American Art Museum, 2nd Floor, East Wing
- Smithsonian American Art Museum
- Topic
- Figure female\full length
- History\United States\Civil War
- Landscape\weather\wind
- Object\written matter\book
- Record ID
- saam_1986.79
- Metadata Usage (text)
- CC0
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/vk79afb63a7-32dc-438b-9721-c49d853058bc
Related Content-                    Open Access Highlights                 
  CC0Creative Commons - No Rights Reserved iconUsage Conditions Apply>download icon>          This image is in the public domain (free of copyright restrictions).  You can copy, modify, and distribute this work without contacting the Smithsonian.  For more information, visit the Smithsonian's Open Access page.        International media Interoperability FrameworkIIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.View manifestView in Mirador ViewerExpand to view image×                             Footer logo      
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