1

 Pursuant to 5th Cir. R. 47.5, the Court has determined that this opinion should not be

published and is not precedent except under the limited circumstances set forth in 5th Cir. R.

47.5.4.

IN THE UNITED STATES COURT OF APPEALS

FOR THE FIFTH CIRCUIT

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No. 01-30083

Summary Calendar

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JOSEPH JOHNSON; WARDELL QUEZERGUE,

Plaintiffs-Appellants

v.

TUFF N RUMBLE MANAGEMENT, INC., doing business as Tuff City Records; VYSHONN

MILLER, also known as Silkk the Shocker; NO LIMIT OF NEW ORLEANS, LLC, doing

business as No Limit Records; NO LIMIT PRODUCTIONS, LLC, doing business as No Limit

Records; BIG P MUSIC, LLC, doing business as Big P Music; BOUTIT, INC., doing business as

No Limit Records, 

Defendants-Appellees.

__________________

Appeal from the United States District Court

for the Eastern District of Louisiana

99-CV-1374-R

__________________

September 18, 2002

Before REYNALDO G. GARZA, HIGGINBOTHAM, and STEWART, Circuit Judges.

REYNALDO G. GARZA, Circuit Judge:1

Appellants Joseph Johnson and Wardell Quezergue authored the song It Ain’t My Fault,
2

which Quezergue registered with the United States Copyright Office in 1964. Tuff-n-Rumble

Management, Inc., d/b/a Tuff City Records, invests in “forgotten songs” for use in films, thirdparty compilations, derivative works, and digital samples. Tuff City’s President, Aaron Fuchs,

approached Johnson at the 1997 New Orleans Jazz and Heritage Festival and inquired about

purchasing song rights. Tuff City subsequently sent Johnson a contract for the assignment of

50% of his copyrights along with an initial check for $100. The check stated that it was for the

“assignment of Johnson’s copyrights to Tuff City agreement dated June 17, 1997.” Though

Johnson never signed the contract, he did endorse the check and donate it to his church, which

subsequently deposited the check after it had cleared Tuff City’s account.

Quezergue entered into a similar agreement with Tuff City, under which Quezergue

agreed to assign to Tuff City a 50% interest in the copyrights of all his compositions written

between 1952 and 1955. The agreement expressly included It Ain’t My Fault. In return for the

assignment, Tuff City agreed to pay Quezergue $2,000, as well as a share of the income generated

from the copyrights. On February 2, 1999, Tuff City recorded the assignment from Quezergue of

It Ain’t My Fault with the United States Copyright Office.

Appellants brought this copyright infringement action against Tuff City and Joe Jones,

whom the district court later found to have infringed on Appellants’ copyright. Appellants then

amended the complaint to include as defendants Boutit, Inc., No Limit of New Orleans, LLC

d/b/a No Limit Records, Big P Music, and Vyshonn Miller p/k/a Silkk the Shocker (collectively

“No Limit”), alleging that these newly added defendants had used the melody of It Ain’t My Fault

in various musical works. Tuff City brought cross-claims for copyright infringement against No

Limit. 
3

Tuff City moved for summary judgment, asserting that Johnson and Quezergue each, on

separate occasions, transferred 50% of their respective copyright interests in It Ain’t My Fault to

Tuff City. Johnson and Quezergue also moved for summary judgment, claiming that neither of

them transferred ownership of their copyright interests to Tuff City. After the district court

granted Tuff City’s motion for summary judgment in an August 14, 2000 order, Johnson and

Quezergue moved for reconsideration. Appellants, for the first time, argued that Johnson’s

contract with Tuff City was valid but required rescission. The court ruled that this claim was

improperly brought and substantively meritless. 

Once the motion for reconsideration was denied, Tuff City and No Limit reached a

settlement on Tuff City’s cross claim. Because Tuff City was deemed a co-owner of the

copyright-in-suit following the August 14, 2000 order, Tuff City took advantage of its authority

to grant No Limit a non-exclusive license. This grant worked to Dismiss Appellants’ claim of

infringement against No Limit.

After the case was dismissed against No Limit, Appellants filed a second motion for

reconsideration. Appellants raised four grounds: (1) a co-owner of a copyright may not issue a

license to create a derivative work; (2) the moral rights laws of foreign jurisdictions required that

Johnson and Quezergue issue the license; (3) the license and settlement between No Limit and

Tuff City was invalid until Johnson and Quezergue received an accounting from Tuff City; and (4)

Tuff City could not issue a license because it did not sue one of the various No Limit companies. 

Again, each of these arguments was raised for the first time on reconsideration. On December 11,

2000, the district court issued an order finding that each of these arguments was improperly

brought and devoid of merit.
4

Appellants’ Notice of Appeal, dated January 5, 2001, referred only to the district court’s

denial of Appellants’ Motion for Reconsideration of the Order of Dismissal and/or Amendment of

Judgment pursuant to Rule 59. The sole focus of Appellants’ appeal, however, is the August 14,

2000 Order. After filing a motion for reconsideration of the August order, which was denied on

October 3, 2000, Appellants did not further challenge it. 

Initially, this court must determine whether Appellants’ appeal is jurisdictionally defective

under Federal Rule of Appellate Procedure 3(C). Under Rule 3(C), a notice of appeal “shall

specify the party or parties taking the appeal” and “shall designate the judgment, order or part

thereof appealed from.” Fed. R. App. P. 3(C). This court construes Rule 3© liberally, and when

the intent to appeal a mislabeled ruling is apparent and the adverse party is not prejudiced, an

appeal is not jurisdictionally defective. See Turnbull v. United States, 929 F.2d 173, 176-77 (5th

Cir. 1991). “Failure to properly designate the order appealed from is not a jurisdictional defect,

and may be cured by an indication of intent in the briefs or otherwise.” United States v.

Rochester, 898 F.2d 971, 976 n.1 (5th Cir. 1990) (citing Torres v. Oakland Scavenger, 487 U.S.

312 (1998). Appellants’ brief adequately designated the issue being appealed, namely the validity

of Johnson’s copyright transfer to Tuff City.

Appellants do not dispute the validity of Quezergue’s transfer of copyright interest in It

Ain’t My Fault to Tuff City; in fact, Appellants conveniently fail to address the effect of

Quezergue’s transfer on Johnson’s argument. The transfer from Quezergue, the validity of which

Appellants do not contest, makes Tuff City a co-owner of the copyright and, as such, Tuff City

may not be sued for copyright infringement. See Quintanilla v. Texas Television, Inc., 139 F.3d

494, 500 (5th Cir. 1998). 
5

Appellants contend that the district court erred in finding that, as a matter of law, Johnson

transferred a 25% interest in It Ain’t My Fault to Tuff City. The district court noted, however,

that even if “this result does not follow,” the transfer of Quezergue’s interest in It Ain’t My Fault

to Tuff City “independently necessitat[es] the dismissal of his claim.” R. 606.

Johnson does not now dispute that Tuff City has at least a 25% interest in It Ain’t My

Fault arising from the transfer of Quezergue’s interest. As such, it is of no consequence whether

Tuff City has a 25% interest or a 50% interest; as a co-owner of the copyright, it is immune from

suit for infringement. See Quintanilla, 139 F.3d at 498. This appeal is moot and will not be

further entertained.

AFFIRMED.