Filed 12/21/ 23 Switzer v. Big Ticket Pictures CA2/2

NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS

California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

SECOND APPELLATE DISTRICT

DIVISION TWO

KAYE SWITZER et al.

,

Plaintiff s and Appellants

,

v.

BIG TICKET PICTURES INC.
et al

. ,

Defendant s and Respondents

. B320513

(Los Angeles County Super. Ct. No. BC690564 )

APPEAL fro m a judgment of the Superior Court of Los Angeles County, Kristin S. Escalante , Judge

. Affirmed.

Cozen O’Connor, Erik L. Jackson

, Thomas W. Casparian ; Chesnoff & Schonfeld and Richard A. Schonfeld for Plaintiffs and Appellant s

.2 Loeb & Loeb, James A. Curry and Daniel J. Friedman for
Defendants and Respondent s

.

* * * * * * In this contract dispute, developers o n the first season of
the Judge Judy television show sued on the ground that a recent sale of the library of episodes triggered their right to a lump sum
cash

- out payment of $4.95 million (rather than continuing to receive an income stream of residuals). On summary judgment, the trial court assumed that there was a sale of the library but ruled that the undisputed facts did not establish that the developers were contractuall y entitled to a cash

- out. This was correct, so we affirm.

FACTS AND PROCEDURAL BACKGROUND
I. Facts
A. The Judge Judy s how Big Ticket Pictures Inc. (Big Ticket) produced the Judge Judy television show since its inception in 1995. Kaye Switzer (Switzer) and Sandi Spreckman (Spreckman) helped develop the show, 1 which aired for 25 seasons. Judith She i ndlin (She i ndlin)
is the titular “ Judge Judy

. ”
B. Rights of developers to share the show’s
residuals

1. 1995 Agreement
In August 1995, Big Ticket entered into a contract with Switzer and Spreckman to compensate them for their role in developing the Judge Judy show. Big Ticket agreed to pay them

1 Doug Llewelyn was a third developer, but is not a party to this lawsuit and is therefore not mentioned further.3

$25,000 for the one

- hour pilot episode, and to give them a “supervising producer” credit on all episodes in the show’s first

season. Big Ticket had the option to retain Switzer and Spreckman as producers for each of the next five seasons. Big Ticket promised to pay Switzer and Spreckman 1 0 per cent of the show’s “defined proceeds . . . in perpetuity” for any seasons in which they were retained as producers, and 5 percent of the
show’s “define d proceeds ” for any seasons in which they were not retained as producers but “ for the life of the series .”

2. 1999 Settlement In 1996, Big Ticket opted not to retain Switzer and Spreckman as producers on the show. In response to a lawsuit Switzer and Spreckman filed against Big Ticket and Spelling Entertainment Group

, Inc. ( with which Big Ticket was then affiliated), the parties to that litigation entered into a settlement agreement in April 1999 (the 1999 Settlement). Pursuant to th e settlement, Big Ticket agreed (1) to pay Switzer and Spreckman $500,000 ; and (2) to amend the 19 95 Agreement to add “ Exhibit

1 ,” which defines the residual payments Switzer and Spreckman
will receive for the Judge Judy show on a going

- forward basis.
The 1999 S ettlement also affirm ed that “[a]ll terms and conditions of this Settlement Agreement shall be binding upon and inure to the parties hereto and their respect ive heirs, successors and assigns.” As pertinent to this case, Exhibit 1 to the 1999 S ettlement :

● Defines “Producer” as Big Ticket, and defines “Producer Company” as “Producer and any subsidiary of Spelling Entertainment Group , Inc. (other than Virgin Interactive Entertainment, Inc. )” that engages in distribution of Judge Judy episodes

.4 ● Defines “Participants” as Switze r and Spreckman,
and entitles them to a percentage of the “Defined Proceeds,”
which is the amount left over after “ D istribution F ees, ”
“D istribution E xpenses, ” and “C ost of P roduction” are deducted from “Gross Receipts.” “Gross Receipts,” in turn, are def ined as “all monies actually received by a ‘ Producer C ompany ’ as consideration for the right to exhibit Episodes.”

● Obligates the Producer to give Switzer and Spreckman written statements regarding their defined proceeds
as well as to allow inspection of its books upon demand.

● Regulates the Producer’s right to sell or dispose of the rights in the episodes of the Judge Judy show. More specifically, Exhibit 1 grants the “Producer” “the sole right and discretion to
sell or otherwise d ispose of any or all of its rights in the Episode s to any Person.” Further, Exhibit 1 delineates that any sale of those rights must be either (1) “subject to the rights of [ the ] Participant [s] ,” which means the buyer must continue paying Switzer and Sprec kman the income stream comprised of the
above

- delineated percentage of defined proceeds ; or (2) “including any or all rights of [ the ] Participant [ s ] ,” which means the
Producer must pay Switzer and Spreckman a lump sum cash

- out constituting their percentage (between the two of them

— 5 percent) of the sale price. Helpfully, Exhibit 1 also spells out how to distinguish a sale “subject to” the Participants’ rights from a sale “including” them

— namely, a sale is “subject to” the Participants ’ rights if the buyer “assumes the executory obligations of Producer to Participant ” (that is, if the buyer agrees to continue paying the income stream).5 C. Right of She i ndlin to share the show’s residuals

1. 1996 Agreement
In June 1996, Big Ticket entered into a contract with
She i ndlin regarding her salary for appearing as Judge Judy in
the show (the 1996 Agreement)

.

2. 1999 Amendment In April 1999, Big Ticket and She i ndlin amended the 1996 Agreement (the 1999 Amendment). Under this amendment,
She i ndlin was to be compensated in part by a salary and in part by a percentage of the show’s “ D efined P roceeds.”

3. 2015 Amendment In February 2015, Big Ticket

— which by that time was a subsidiary of CBS Studios Inc. (CBS)

— and She i ndlin

— who by that time was negot iati ng through a company called Her Honor, Inc. (Her Hono r )

— signed a further amendment to the 1996 Agreement (the 2015 Amendment). In that amendment,
She i ndlin agreed to forego an increase in her salary for three upcoming seasons in exchange for Big Ticke t “agree[ing] to transfer ownership of [ the ] existing [ Judge Judy ] episodes” and the corresponding copyrights (“the L ibrary” ). The transfer was not to occur until September 1, 2017, and could occur only after
the documents “reasonabl y necessary to effectuate such [ a ] transfer” were “execute[d]” by the parties. However, that future
transfer of the Library would be “subject to all financial obligations to third

- party p articipants” such as Switzer and Spreckman.
D. Status of the Library

1. She i ndlin tries to sell the Library
She i ndlin then sought to monetize her right to acquire the Library in September 2017 by finding a buyer.6 a. She i ndlin secures an amendment to expedite the possible sale In anticipation of a possible sale, Big Ticket and She i ndlin signed a letter in January 2017 that amended the 1996 Agreement to facilitate “accelerat[ing] the ownership trans f er” of the Library . In that amendment, Big Ticket promised to take “commercially reasonable efforts to have th e copyright assignment paperwork” attendant to a future transfer of the Library “prepared to submit to the copyright office” once a “binding agreement” between She i ndlin and a buyer was “sign [ ed ]

. ”
b. Big Ticket sends August 2, 2017 letter By mid

- 2017, Sheindlin located a possible buyer

— Lionsgate. On August 2, 2017, Big Ticket sent a letter “in connection” with the upcoming “assignment, transfer and sale by [ Sheindlin ] of all of her rights in the [Library] to a buyer to be designated by [Sheindlin] .” In the letter, Big Ticket “hereby transfer[red] and assign[ed]” to Sheindlin and Sheindlin “ hereby transfer[red] and assign[ed] to ” the unidentified b uyer all rights to the Library

— although each transfer was “in each case effective at Closing.” Once effective, however, both transfers would be “free and clear of any liens, encumbrances or obligations of any kind to third parties or to [Big Ticket]”

— “ other than

. . . participation obl igations to each person or entity entitled to a participation in the receipts of the Judge Judy Show .” (Italics added.) Switzer and Spreckman were listed as persons whose “obligations” would continue to bind the buyer after the sale. Big Ticket also pro mised to “provide each Participant with participation statements,” even after the sale.
Shei n dlin did not execute the August 2, 2017 letter.7 2. Sheindlin ultimately decides not to sell the Library, and instead to allow Big Ticket to keep the Library In an agreement signed on August 4, 2017, Big Ticket and Sheindlin agreed to take three actions (the August 4, 2017 Agreement) . First, Big Ticket paid Sheindlin approximately $99 million in exchange for Sheindlin’s agree ment that the 2015
Amendme nt be modified to delete the paragraph that would have
transferr ed the Library to her effective September 1, 2017 ; Big Ticket would “continue to own the copyright” and have the “sole and exclusive right to exploit” the Library. Second, Big Ticket and Sheindlin agreed that the August 2, 2017 letter was “revoked
and of no force or effect” because no sale to a third

- party buyer
was ever consummated. Third , Sheindlin agreed to “negotiate in good faith” to return as the talent for th e 25 th ( and final ) season of Judge Judy

. E. Status of Payments Switzer and Spreckman continued to receiv e their income

stream of residuals from the Judge Judy episodes. They were

never paid a lump sum cash

- out payment.
II. Procedural Background
A. Pleadings
On January 19, 2018 , Switzer and the trustee of T he Sandi Sp r eckman Trust (collectively, plaintiffs) filed suit. In the operative first amended complaint, plaintiffs sued Big Ticket, CBS, Sheindlin, and Her Honor (collectively, defendants) 2 for (1)

2 Plaintiffs assert that the trial court “incorrectly meld[ed]” various CBS entities involved in the Library transactions, but it appears that it is plaintiffs who are creating confusion over CBS’s corporate structure. In any event, plaintiffs’ assertion is irrelevant because they did not name any CBS entity as a8

breach of contract, (2) breach of the implied covenant of good
faith and fair dealing, (3) intentional interference with contractual relations, (4) unjust enrichment, (5) accounting, (6) declaratory relief, and (7) constructive trust. Plaintiffs sought a lump sum payment of at least $4.95 million on the theory that the Library was sold twice ( first from Big Ticket to Sheindlin,
and then from Sheindlin to Big Ticket as a CBS subsidiary ), and the second sale triggered their right to a lump sum cash

- out payment.
B. Summary judgment In August 2021, defendants filed a motion for summa ry judgment on two grounds

— namely, (1) the Library was never sold, so there was no event triggering plaintiffs’ right to a lump
sum cash

- out payment ; and (2) even if the Library had been sold,
the sale was “subject to” plaintiffs’ rights to continue receiving an income stream, so they were still not entitled to a lump sum cas h

out payment. After responsive briefing

, a hearing, and a post

hearing brief by plaintiffs

, the trial court issued a 21

- page order

g ranting summary judgment in favor of defendants. The trial court sidestepped the first proffered ground for summary judgment, electing to “assume [ ] without deciding” that the Library had twice been sold. The court nonetheless granted summary judgment on the second proffered ground after concluding that “ the undisputed evidence establishes that any sale . . . was ‘subject to the rights of the Participant ’ ”

— that is, that the sale contemplated that plaintiffs would continue to

defendant in their opera tive complaint other than CBS and its subsidiary Big Ticket (which executed all of the contracts at issue ) and therefore it is only those defendants’ liability that is at issue in this case.9

receive an income stream rather than a lump sum cash

- out payment . More specifically, the court pointed to the terms of the 2015 Amendment (which contemplated the transfer of the Library from Big Ticket to Sheindlin) and the August 2, 2017 letter (which, based on the court’s assumption

, transferred the Library from Big Ticket to Sheindlin, and then from Sheindlin to
the as

- yet

- unnamed buyer)

— and how both documents explicitly stated that the sales were subject to plaintiffs’ right to a
continued income stream. The trial court rejected pl aintiffs’ primary counter

- argument s

— namely, that (1) the 1999
Settlement only allowed the “Producer” to sell the Library subject to their income stream; (2) the 1999 Settlement defined “Producer” only as Big Ticket; and (3) the sale from Sheindlin
back to Big Ticket , as a subsidiary of CBS

, was not a sale by a “Producer,” and thus triggered plaintiffs’ right to a lump sum
cash

- out payment . The court reasoned that whoever buys the Library must “step [] into the role of ‘Producer’ under the” 1999
Settlement because plaintiffs’ view that “Producer” only ever
denotes Big Ticket would mean that whoever buys the Library would not be required to pay plaintiffs any income stream because the income stream itself is defined in part by the revenue
the “Producer” earn s (and if the buyer were not a producer, the “Producer” would be earning nothing). The court noted that no
extrinsic evidence contradicted its reading of the plain language
of the contract.
C. Appeal Following the entry of judgment, plaintiffs filed thi s timely appeal

.10 DISCUSSION Plaintiffs argue that the trial court erred in granting summary judgment. “A defendant is entitled to summary judgment if it can ‘show that there is no triable issue as to any material fact.’ (Code Civ. Proc., § 437c, su bd. (c).) The defendant bears the initial burden of establishing that the plaintiff [ s ’] cause [s] of action
ha [ve] ‘no merit’ by showing that the plaintiff[s] cannot establish ‘[o]ne or more elements of [their] cause[s] of action.’ ( Code Civ. Proc., § 437c , subds. (o) & (p)(2).) If this burden is met, the ‘burden shifts’ to the plaintiff[s] ‘ to show that a triable i ssue of one or more material facts exists as to [those] cause[s] of action

. .

. .’ ( Id. , subd. (p)(2); see Aguilar v. Atlantic Richfield Co. (2001) 25 Cal.4th 826, 849 [citation].)” ( Issakhani v. Shadow Glen Homeowners Assn., Inc. (2021) 63 Cal.App.5th 917, 924.) We independently review the trial court’s grant of summary judgment

, considering all the evidence set forth in the mov ing and opposing papers except that to which evidentiary objections were sustained and not challenged on appeal, and construin g the evidence in the light most favorable to the party opposing summary judgment. ( Hartford Casualty Ins. Co. v. Swift Distribution, Inc. (2014) 59 Cal.4th 277, 286 ( Hartford ) ; Reid v. Google , Inc. (2010) 50 Cal.4th 512, 534

- 535.) We review de novo

ques tions of contractual interpretation. ( Yahoo Inc. v. National
Union Fire Ins. Co. etc. (2022) 14 Cal.5th 58, 67. ) To that end, we are not bound by the trial court’s construction of the contract and instead must make an independent interpretation of the contract. ( U.S. Bank N

ational A ssn . v. Yashouafar (2014) 232 Cal.App.4th 639, 646; see generally Atalla v. Rite Aid Corp. (2023) 89 Cal.App.5th 294, 307 [reviewing court is “ ‘ not bound by the trial11

court’s stated reasons or rationale s ’ ” for granting summary judgment].) We independently agree with the trial court’s grant of summary judgment for defendants because, even if we assume that the Library was sold twice (from Big Ticket to Sheindlin and
from Sheindlin back to Big Ticket) , the undisputed evidence establishes that each of those sales was “subject to” plaintiffs’ rights to continue receiving an income stream (rather than a sale that “included” plainti ffs’ rights and thus entitle d them to a lump
sum cash

- out payment ). At most

, three documents effectuated the sales of the Library that we are assuming occurred

— namely, (1) the 2015 Amendment that granted Sheindlin the right to acquire the Library on Septe mber 1, 2017 , (2) the August 2, 2017 letter in which Big Ticket agreed to transfer the Library to Sheindlin, and Sheindlin agreed to transfer her rights to an unnamed “Buyer,” 3 and (3) the August 4, 2017 Agreement in which Big Ticket and Sheindlin agreed that Big Ticket would re

acquire its rights in the Library. All three documents explicitly

— and undisputedly

— contemplate that each sale of the Library would be “subject to” plaintiffs’ rights because such a sale is
defined in the 1999 Settlement as being “ subject to” plaintiffs’ rights when the buyer “assumes the executory obligations” of continuing to pay the income stream, and because all three documents contemplate that the buyer will assume those obligations. (Civ. Code, § 1636 [contract must be interpreted “to give effect to the mutual intention of the parties as it existed at

3 Because we are assuming, for purposes of our analysis, that the Library was twice sold, we need not respond to defendants’ argument that the August 2, 2017 letter was never executed by Sheindlin and therefore cannot constitute a valid contract.12

the time of contracting”] ; Hartford

, supra , 59 Cal.4th at p. 288 [contract must be interpreted “‘in context [and] with regard to its intended function’”]. ) The 2015 Amendm en t specifies that Big Ticket’s sale to Sheindlin shall vest Sheindlin with rights in the Library “subject to all financial obligations to third

- party participants” (like plaintiffs); the August 2, 2017 letter specifies that the sales from Big Ticket to Sh eindlin and from Sheindlin to the unnamed buyer will be “free and clear” of “obligations” “other
than . . . participation obligations to each person . . . entitled” to participa te in the show’s receipts; and the August 4, 2017
A greement effectively identif ies the unnamed buyer as Big Ticket, but does so by eliminating the pertinent provisions of the 2015 Amendment and August 2, 2017 letter

— thereby placing plaintiffs in precisely the position they were in prior to any sale, which is as recipients of an incom e stream. Plaintiffs resist this conclusion with what we view as four categories of arguments. First and foremost, plaintiffs argue that the 1999
Settlement prohibits anyone but Big Ticket from selling the Library “subject to” their rights because that agreement (1) defines “Producer” as Big Ticket, and (2) grants only the “Producer” “the sole right and discretion to sell” the Library

— either through a sale “subject to” plaintiffs’ income stream or a sale that “includ[es]” a lump sum cash

- out payment for plaintiffs. Like the trial court, we reject this construction of the 1999
Settlement as unreasonable for two reasons. To begin, if we were to accept plaintiffs’ argument that only Big Ticket is a “Producer,” then once Big Ticket sold the Lib rary to Sheindlin “subject to” plaintiffs’ income stream, Sheindlin would have been free not to pay plaintiffs anything because their income stream is13

a calculation of a proportion of “ G ross R eceipts,” which is the money that the “Producer” receives

— yet it would be Sheindlin (and not Big Ticket) receiving that money; if “ Producer ” were limited to Big Ticket, then the gross receipts would be zero, and a
fraction of zero is still zero. Along similar lines, if “Producer” could only mean Big Ticket, Sheindlin would have also been free not to give plaintiffs a written statement of the gross receipts and to ignore their demands for inspecting the company records pertinent to those receipts . These are absurd results, and yet they flow inexorably from plaintiffs’ construction of the word
“Producer”

— a definition we must apply consistently across the entirety of the 1999 Amendment. ( Civ. Code, § 1638 [language of contract must be interpreted to avoid “absurdity”]; Eith v.
Ketelhut (2018) 31 Cal.App.5th 1, 19 [cou r ts must construe contract to avoid an interpretation which would result in absurdity ]; Civ. Code, § 165 3 [“inconsistent” interpretation of the same word must be rejected].) Further, if we were to accept plaintiffs’ construction of “Producer” and limit the right to sell the Library “subject to” plaintiffs’ income stream solely to Big Ticket, we would be chipping away at the rights that Big Ticket’s assigned buyer would have to sell the Library

— in derogation of
the 1999 Settlement’s mandate that the contract is to “inure [] to the benefit” of Big Ticket’s “assigns” to the same extent as Big
Ticket itself. (Civ. Code, § 1641 [“ T he whole of a contract is to be taken together, so as to give effect to every part, if reasonably practicable, each clause helping to interpret the other”];
Brandwein v. Butler (2013) 218 Cal.App.4th 1485, 1507 [courts “give effect to all of a contract’s terms, and . . . avoid interpretations that render any portion superfluous, void or inexplicable”].)14 Plaintiffs respond with two fu rther points. They assert that a buyer of the Library may “assume the Producer’s executory obligations” without itself becoming the “Producer

, ” which means
that Scheindlin could buy the Library from Big Ticket but

— because she is not the “Producer”

— could not sell it to anyone else without paying plaintiffs a lump sum cash

- out. We reject this assertion. For starters, it leads to a result that cuts against the result plaintiffs want. If, as plaintiffs urge, Sheindlin is not a “Producer,” then she could not sell the Library at all because the
1999 Settlement vests the “sole” power to sell in the “Producer”; and if there can be no second sale, plaintiffs are left receiving an
income str eam from the first sale until the end of time. 4 To the extent plaintiffs are suggesting that Sheindlin is the “Producer” for purposes of a sale of the Library a second time

— but only a

4 For the first time at oral argument, plaintiffs arg ued that Sheindlin breached her contract by selling the Library at all

. Plaintiffs have waived this newly minted theory by raising it for the first time during rebuttal at oral argument on appeal; it is nowhere in the operative complaint, and cannot be us ed to evade summary judgment (which, by definition, is framed by the operative pleadings). ( People v. Crow (1993) 6 Cal.4th 952, 960, fn. 7 [argument raised for the first time at oral argument waived]; Heritage Marketing & Ins. Service s , Inc. v. Chrustawka (2008) 160 Cal.App.4th 754, 764 [“[t]he pleadings frame the issues on a motion for summary judgment”].) But even if we were
to excuse plaintiffs’ waiver, this new theory is wholly i rreconcilable with plaintiffs’ position elsewhere in the litigation

, which is predicated upon Sheindlin’s valid sale of the Library

. What is more, plaintiffs ’ new theory is also irrelevant because their decision to try to plead multiple, inconsistent theories about the meaning of the 1999 Settlement in no wa y affects our independent examination of what it must mean as a matter of law for purposes of summary judgment.15

sale “including” a cash

- out to plaintiffs

— then plaintiffs are saying t hat Sheindlin is a “Producer” when it comes to effecting a
sale that “includes” a cash

- out but not a “Producer” when it comes
to effecti ng a sale “ subject to ” a continuation of plaintiffs’ income stream. In other words, Sheindlin would have to be a produc er and not a producer at the same time. ( E.M.M.I. Inc. v. Zurich
American Ins. Co. (2004) 32 Cal.4th 465, 475 [contract must be interpreted so that “same word” is given the “same meaning” throughout the contract] ; but see Mirpad, LLC v. California Ins.
Guarantee Assn. (2005) 132 Cal.App.4th 1058, 1071 [“same meaning” rule does not apply where same words are used separately and distinctly]

. ) Sheindlin is a talented actor, but she is not Schrödinger’s cat. 5 Plaintiffs further assert that the fact
that the 1999 Settlement grants Big Ticket a release (which plaintiffs characterize as a “novation” without any citation to authority) if Big Ticket sells the Library “subject to” their income stream (but not if Big Ticket pays out a lump sum) so mehow “confirms that the [buyer] does not implicitly become the
Producer

, ” but the provision releasing Big Ticket from “any further obligation to” plaintiffs reflects nothing more than the fact that a sale “subject to” a contin uing duty to pay an income
stream would necessitate identifying who is on the hook for that

stream

— whereas a sale that had a continuing duty would not.
We do not see how the release oth erwise supports plaintiffs’
assertion.

5 In 1935, Austrian physicist Erwin Schr ö dinger hypothesized that a cat placed in an opaque box that would, in the future, poison the cat half the time was ( until the box was

open ed and it was observed whether the poison was triggered ) both alive and dead.16 Second, plaintiffs argue that the August 4, 2017 A greement constitutes extrinsic evidence of what the parties were thinking when they drafted the 1999 Settlement

— specifically, the August 4, 2017 A greement is proof th at the parties were trying to erase
their earlier transactions that would have triggered a duty to pay plaintiffs a lump sum cash

- out. This argument lacks merit for a number of reasons. To begin, the trial court ruled that plaintiffs did not offer up the August 4, 2017 A greement as extrinsic evidence at any point during the summary judgment proceedings. Plaintiffs challenge that ruling on appeal by collaterally attacking the trial court’s settled statement

— but this is beyond our purview to review. ( Mark s v. Superior Court (2002) 27 Cal.4th 176, 195 [trial court has “‘full and complete power’” to
make a final determination of the content o f th e settlement statement, absent a showing the court acted arbitrarily]; Sidebotham v. Superior Court (1958) 161 Cal .App.2d 624, 628 [appellate court has “no familiarity with the oral proceedings”
from the trial court and therefore has no basis to “measure the adequacy or inadequacy” of the settled statement]

. ) This argument also fails on its merits. Plaintiffs ’ chain of logic seems to be that Big Ticket and Sheindlin schemed to deprive plaintiffs of their lump sum cash

- out payment , which plaintiffs argue is shown by the August 4, 2017 A greement ’s rescission of the transfer provisions in the 2015 Amend ment and the August 2, 2017 letter, which thus raises questions of fact about whether Big Ticket and Sheindlin engaged in the scheme because they knew their prior actions required a lump sum cash

- out payment . But this chain of logic assumes its own conclu sion

— namely, that Big
Ticket and Sheindlin concocted a scheme . What is more, the parties to the August 4, 2017 A greement are not the same as the17

parties to the 1999 Settlement , so their actions have no bearing
on the intent of the 1999 Settlement.
Th ird, plaintiffs argue that there are questions of fact regarding whether the Library was sold. Yet we have assumed for purposes

— and the benefit

— of plaintiffs’ claim to a lump sum
cash

- out payment that the Library was sol d , so any questions of
fact are immaterial and hence not a bar to summary judgment. Fourth and lastly, plaintiffs argue that they are third

- party beneficiaries of the contracts between Big Ticket and Sheindlin effectuating sales of the Librar y , and hence have a right to insist
that the sale s require a lump sum cash

- out or a right to stop the purported rescission of the transfer provisions in the 2015 Amendment and August 2, 2017 letter effectuated by the August 4, 2017 Agreement

. 6 This argume nt lacks merit. The 1999
Settlement makes crystal clear that the “Producer” has “the sole right and discretion to sell or otherwise dispose of any or all of its rights in the Episode to any Person.” (Italics added.) This language unambiguously refutes any notion that plaintiffs have

an y input

— let alone a veto power

— on the terms of any future sale. And plaintiffs’ asserted right to object to any rescission effected by the August 4, 2017 Agreement would, in the end,
leave the two

- step sale of the Library intact, yet the undisputed facts show that plaintiffs are not entitled to any lump sum cas h

6 I t is not entirely clear what plaintiffs are arguing because they raise this issue in passing without any citation to the record

or an y legal authority ; we therefore have done our best to articulate what plaintiffs may be attempting to argue

.18

out by virtue of that sale

, so a right to object

— even if it exists

— does them no good. 7
DISPOSITION The judgment is affirmed. Defendants are entitled to their costs on appeal.
NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS

.

______________________, J.
HOFFSTADT
We concur:

_________________________, P. J.
LUI

_________________________, J.
CHAVEZ

7 For the same reason, plaintiffs’ argument that the August 2, 2017 letter, which we have assumed effectuated sale s of the Library from Big Ticket to Sheindlin and from Sheindlin to an unnamed buyer , also states that those sales could not be “rescind[ed], cancel[led] or terminate[d]” fares no better.