*

Honorable Arthur L. Alarcon, U.S. Circuit Judge for the Ninth Circuit, sitting by designation. 

Gail BREWER-GIORGIO, Arctic Corporation, a Georgia Corporation, Plaintiffs-Appellants,

v.

PRODUCERS VIDEO, INC., Syd Vinnedge, et al., Defendants-Appellees.

No. 99-13515.

United States Court of Appeals,

Eleventh Circuit.

July 3, 2000.

Appeal from the United States District Court for the Northern District of Georgia. (No. 95-00147-CV-JOF-1),

J. Owen Forrester, Judge.

Before BIRCH, BARKETT and ALARCON*

, Circuit Judges.

BARKETT, Circuit Judge:

Gail Brewer-Giorgio and Arctic Corporation appeal the district court's denial of their motion, filed

pursuant to Federal Rule of Civil Procedure 15, to amend their complaint. We affirm.

Gail Brewer-Giorgio alleges that she is the nation's foremost expert on the theory that Elvis Presley

is still alive. In 1988, she published her first book titled The Most Incredible Elvis Presley Story Ever Told,

which was later renamed Is Elvis Alive? She published the sequel in 1990, which was titled The Elvis Files.

Both books were copyrighted and the copyrights were assigned to Arctic Corporation ("Arctic"), BrewerGiorgio's privately-held corporation. In 1991, Brewer-Giorgio filed a copyright application for an

unpublished third book about Elvis, titled Operation Fountain Pen.

On March 19, 1990, Arctic contracted with Producer's Video, Inc. ("PVI") to produce a home video

based on The Elvis Files, which was successfully completed. Thereafter, in November 1990, Arctic entered

into a second agreement with PVI in which Arctic granted to PVI the "sole, exclusive and perpetual right"

to use "any information in Arctic's or Brewer-Giorgio's possession" relating to Elvis in order to produce a

television special "dealing with Elvis from his death to the present time, and the exploitation and publication"
2

of the special. The agreement further provided that PVI could "produce any additional production relating

to the same subject matter" only after reaching a further agreement with Arctic.

In 1991, PVI produced and broadcast nationwide a television special titled "The Elvis Files." The

program was broadcast in the Atlanta, Georgia area by WGNX, Inc. Brewer-Giorgio wrote the script for the

special and appeared on the show as a live guest, in a taped interview, and in a dramatized "re-enactment"

of a telephone call she allegedly received from Elvis after his death. All of Brewer-Giorgio's rights in the

script and her appearances on the program had been transferred to PVI as part of the second agreement.

Because "The Elvis Files" was extremely successful, PVI, in conjunction with All American Television, Inc.

("All American"), decided to produce a sequel titled "The Elvis Conspiracy" ("the sequel"). They approached

Brewer-Giorgio, who spent the months preceding the broadcast assisting in developing the sequel's script.

Before the sequel was broadcast, a dispute arose over payments due to Brewer-Giorgio and Arctic

from the first television special, "The Elvis Files." Because the parties were unable to settle their dispute,

Brewer-Giorgio refused to sign the proffered written agreement regarding her participation in the sequel and

informed PVI and All American that she would not authorize the broadcast of it. Notwithstanding BrewerGiorgio's warnings, PVI and All American broadcast the show nationally on January 22, 1992. WGNX again

aired the show in the Atlanta area. During the show, Brewer-Giorgio's name was mentioned and a portion

of the dramatic re-enactment of the phone call from Elvis was replayed from the first show. At the conclusion

of the show, host Bill Bixby stated that he believed that Elvis had died on August 16, 1977.

On January 20, 1995, two days before the three-year statute of limitations on copyright infringements

had run on the sequel broadcast, Brewer-Giorgio and Arctic filed this suit for copyright infringement and

various state law torts, claiming that she was injured by the broadcast of the sequel because it suggested that

she had approved the content of the show, part of which denied the "plausibility" of her theory that Elvis is

alive. Brewer-Giorgio named a number of defendants, many of whom dropped out of the suit over the course
 1

Brewer-Giorgio alleges that Micki Guzman, who is a major stockholder of PVI, had a major role in the

production and distribution of the sequel. 

 2

Brewer-Giorgio alleges that Syd Vinnedge, who is an officer of All American, permitted the nationwide

broadcast of the sequel. 

3

of the proceedings. Four defendants remain: All American, WGNX, Micki Guzman,1 and Syd Vinnedge.2

The original complaint included twelve counts, half of which were dismissed by consent of the parties and

the district court. The remaining counts allege 1) United States copyright infringement, 2) foreign copyright

infringement, 3) invasion of privacy, 4) misappropriation of right of publicity, 5) constructive trust, and 6)

fraudulent conveyance.

The individual defendants, Micki Guzman and Syd Vinnedge, filed motions to dismiss for lack of

personal jurisdiction, which were denied on March 28, 1996. The court's scheduling order as to All American

and WGNX, which answered the complaint, was filed on March 10, 1995, and stated that the time for filing

amendments to the complaint would expire on June 9, 1995. Discovery ended on November 15, 1995. On

December 15, 1995, All American, WGNX, Guzman, and Vinnedge moved for summary judgment. On

February 6, 1996, Brewer-Giorgio filed a motion to amend the complaint in order to include additional

allegations of copyright infringement. While the original complaint had alleged that the broadcast of the

second Elvis special infringed the copyrights in her books, Brewer-Giorgio sought through amendment to add

allegations that the broadcast had also infringed copyrights in a draft script that she had been working on and

in the final script of the show.

 Brewer-Giorgio asserted that she was entitled as a matter of right to amend under Federal Rule of

Civil Procedure 15(a) as to the individual defendants, Guzman and Vinnedge, who had not yet filed an answer

to the complaint and sought leave of the court to likewise amend as to All American and WGNX. Although

the district court agreed that she had a right to amend as to Guzman and Vinnedge under Rule 15(a), the court

refused to allow the amendment because it found that the new claims were barred by the statute of limitations.

As to WGNX and All American, both of whom had answered the complaint, the district court refused to allow
4

the amendment, finding that such an amendment was filed after undue delay, would cause undue prejudice

to the defendants, and was futile because the statute of limitations had run. The court also granted the

motions of WGNX, All American, Vinnedge, and Guzman for summary judgment as to the copyright

infringement claims and dismissed the state law claims without prejudice. The fraudulent conveyance claim

was dismissed with consent of the parties. Brewer-Giorgio and Arctic appeal only the district court's denial

of their motion to amend the complaint. We review the district court's refusal to allow the proposed

amendment for abuse of discretion. Sosa v. Airprint Sys., Inc., 133 F.3d 1417, 1418 (11th Cir.1998).

DISCUSSION

 Where a plaintiff seeks to amend its complaint after the defendant has answered, it may do so "only

by leave of court or by written consent of the adverse party." Fed.R.Civ.P. 15(a). Although "[l]eave to

amend shall be freely given when justice so requires," a motion to amend may be denied on "numerous

grounds" such as "undue delay, undue prejudice to the defendants, and futility of the amendment." Abramson

v. Gonzalez, 949 F.2d 1567, 1581 (11th Cir.1992). As to the responding defendants in this case, All

American and WGNX, we find no abuse of discretion in the district court's refusal to allow Brewer-Giorgio

to amend her complaint. She moved to amend over a year after she filed her original complaint and eight

months after the time for filing amendments provided by the scheduling order had passed, and she has failed

to demonstrate good cause for that delay. The district court's determination that her delay was undue was not

an abuse of discretion, and we thus affirm its decision as to All American and WGNX. See Sosa, 133 F.3d

at 1419 (finding no abuse of discretion where plaintiff had filed amendment after time provided by court's

scheduling order and had failed to demonstrate good cause for the delay).

 Guzman and Vinnedge, however, had not yet answered the complaint at the time Brewer-Giorgio

moved to amend her complaint. Under Federal Rule of Civil Procedure 15(a), a party has the right to amend

a pleading without leave of the court so long as they do so before a responsive pleading is served. For the

purposes of this Rule, the term "responsive pleading" does not include such filings as a motion to dismiss or
 3

The district court also denied the motion to amend as to the non-answering defendants based on undue

delay and undue prejudice, in addition to futility. Such a decision is reviewed subject to an abuse of

discretion standard. Because we find that the motion to amend was properly denied as futile, we do not

address whether Brewer-Giorgio's conduct constituted undue delay or whether allowing the amendment

would have unduly prejudiced the answering defendants. 

 4

Under Federal Rule of Civil Procedure 15(c), "[a]n amendment of a pleading relates back to the date of

the original pleading when ... the claim ... asserted in the amended pleading arose out of the conduct,

transaction, or occurrence set forth or attempted to be set forth in the original pleading." 

5

a motion for summary judgment. Burns v. Lawther, 53 F.3d 1237, 1241 (11th Cir.1995). The court,

however, nonetheless denied Brewer-Giorgio's motion to amend as to Guzman and Vinnedge on the ground

that the amendment presented a new claim that was barred by the statute of limitations and, therefore,

permitting the amendment would be a futile act.3

 Brewer-Giorgio argued that the amendment did not

constitute a new claim, but rather related back to her original complaint,4

 and because the original claim was

filed before the expiration of the statute of limitations, the amended claim would not be barred. The district

court rejected this argument, concluding that the claims Brewer-Giorgio sought to add did not relate back to

the filing of the original complaint because an "infringement of a copyright on a script is an entirely new and

different claim than an infringement of a copyright on a book, and it does not arise out of the same conduct,

transaction, or occurrence."

 We review the district court's application of Rule 15(c) for an abuse of discretion. Powers v. Graff,

148 F.3d 1223, 1226 (11th Cir.1998). We find no error in the district court's decision that an amendment

would have been futile because Brewer-Giorgio's claim would be barred regardless of whether it related back

or not.

If the claims in the amendment do not relate back to the original claims, then the new claims are

indeed time-barred. The broadcast of the offending Elvis special aired on January 22, 1992. Thus, the

three-year copyright statute of limitation ran on January 22, 1995. The amendment was filed on February

6, 1996, over one year after the limitations period had run.
 5

This Court is bound by decisions of the Fifth Circuit that were handed down on or before September 30,

1981. Bonner v. Prichard, 661 F.2d 1206, 1209 (11th Cir.1981) (en banc). 

 6

Brewer-Giorgio argues that she filed applications to register her copyrights in the scripts at issue on

January 26, 1996, before she filed her amendment to the complaint. Thus, she argues that she met the

jurisdictional requirement of 17 U.S.C. § 411. Her argument, however, is misplaced. Although this argument

would have viability had the statute of limitations not expired, as we noted above, the statute of limitations

on copyrights infringements stemming from the broadcast had expired a year earlier. 

 7

During oral argument, counsel for Brewer-Giorgio, relying on Goldlawr, Inc. v. Heiman, 369 U.S. 463,

82 S.Ct. 913, 8 L.Ed.2d 39 (1962), suggested that the filing of a lawsuit tolls a statute of limitations even

where the court lacks jurisdiction to hear that suit. We find Goldlawr inapplicable to the instant situation.

Goldlawr concerned a suit that was filed within the statute of limitations, albeit in an improper venue. The

case was thereafter transferred from the court in which it had been filed to a court of proper venue, in

accordance with 28 U.S.C. § 1406(a). The Court reasoned that Congress clearly intended by enacting Section

6

 Even if the claims do relate back, we find no abuse of discretion. If the new claims relate back to

the original claims, we must consider the new claims as having been filed at the time of the original claims.

NLRB v. Atlanta Metallic Casket Co., 205 F.2d 931, 937 (5th Cir.1953).5

 In this case, had Brewer-Giorgio

filed a claim for the infringement of the scripts on January 20, 1995, when she originally brought this lawsuit,

the district court would not have had jurisdiction because before a plaintiff may institute a copyright

infringement suit, she must register the copyright. 17 U.S.C. § 411 ("no action for infringement of the

copyright in any work shall be instituted until registration of the copyright claim has been made"). At the

time the original suit was filed, Brewer-Giorgio had not registered copyrights in the scripts at issue. The

statute of limitations expired two days later, and the record is clear that, as of the expiration of the statute of

limitations, Brewer-Giorgio still had not registered her copyrights in the scripts, as is required for a court to

have jurisdiction. It is well settled in this Court that "[t]he registration requirement is a jurisdictional

prerequisite to an infringement suit." M.G.B. Homes, Inc. v. Ameron Homes, Inc., 903 F.2d 1486, 1488 (11th

Cir.1990). Although a copyright need not have been registered in all cases before it may be infringed, the

owner of that copyright must register the copyright before a federal court can entertain an infringement suit.6

Thus, even if the new claims relate back to the original claims, they may not be added because the district

court did not have jurisdiction to hear the new claims at the time the original claims were filed.7

 See Reynolds
1406(a) that a case filed in an improper venue should be transferred rather than dismissed, because dismissal

would have precluded re-filing when the statute of limitations had expired. Id. at 467, 82 S.Ct. 913. In this

case, the claim pertaining to the scripts had not been filed within the statute of limitations period in any court.

Thus, Goldlawr is not applicable where the plaintiff did not timely misfile in an improper venue but failed

to meet statutory jurisdictional prerequisites. Unlike in the case of venue, Congress has not enacted a statute

allowing courts to compensate for such a failure. 

7

v. United States, 748 F.2d 291, 293 (5th Cir.1984) (holding that it is proper to disallow an amendment which

was filed "on a date on which the court lacked jurisdiction" and "related back to a date on which the court also

lacked jurisdiction").

Because Brewer-Giorgio did not meet the jurisdictional prerequisite of registering her copyright in

the scripts before the expiration of the statute of limitations, she may not now add those claims because they

would be barred either by the jurisdictional requirements of 17 U.S.C. § 411 or by the statute of limitations

in 17 U.S.C. § 507(b).

AFFIRMED.