//EX10-2_10854.CEC
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                                                                    EXHIBIT 10.2


Confidential portions omitted and filed separately with the Commission. 
Deleted text (represented by XXXX in the text and an asterisk (*) in the 
margin) indicates such omissions.


                                 August 7, 1996


Imprint Records
209 10th Ave. S.
Suite 500
Nashville, Tennessee
37203-4101

Gentlepersons:

     When signed by Imprint Records ("you", "your", etc.), and by BMG Music
Canada Inc. ("BMG"), 150 John Street, 6th Floor, Toronto, Ontario, M5V 3C3, the
following shall constitute an agreement between you and BMG.

1. Grant of Rights

     (a) During the Term (as hereinafter defined), you shall, in accordance with
the terms and conditions hereof, deliver to BMG the Licensed Masters contained
on the Licensed LPs, as both terms are hereinafter defined, embodying the
performances of the each Artist as hereinafter defined.

     (b) (i) You hereby grant to BMG, its subsidiaries, affiliates, licensees
and assigns the sole, exclusive and unlimited right throughout Canada (the
"Territory") and for the Term as hereinafter defined (which may be suspended or
extended as provided for herein) to:

          (A) manufacture Records during the Term by any methods now or
     hereafter known, embodying any portions or all of the performances embodied
     in the Licensed Masters and publicly perform and permit public performance
     of such records subject to any rights granted by the writers to public
     performing rights societies; and

          (B) advertise, sell, transfer, deal in, exploit or otherwise dispose
     of such Records during the Term and during the Sell-Off Period (as
     hereinafter defined) at such times and places and in any and all media and
     manner as shall be determined by BMG, in its sole and exclusive discretion
     under any trademarks, trade names or labels designated by BMG, provided all
     releases will be on one of your then current top-line labels, or,
     notwithstanding any provisions hereof, BMG and/or its subsidiaries,
     affiliates, licensees and assigns may, at their election, reasonably delay
     from doing any one (1) or more of the foregoing.

          (ii) Subject to your prior approval, not to be unreasonably withheld,
     you hereby grant to BMG the non-exclusive right to exploit the Licensed
     Masters for synchronization in motion picture, television and other
     audiovisual soundtracks, background music and other similar purposes (other
     than commercials) for exploitation in Canada only. If you receive income
     from any third party for synchronization, as described above, of Licensed
    *Masters in the territory, you agree to pay BMG XXXXXXXXXXXXXXX of the net 
     amount (as defined in paragraph 9(b)(vi)) of such income so received by 
     you.

          (iii) Subject to your prior approval, not to be unreasonably withheld,
     BMG may compile and exploit a "Greatest Hits" album for any Artist during
     the Term.

     (c) Subject to paragraph 2(d) below, BMG shall be the sole and exclusive
owner of all tangible duplicates and derivatives made by BMG from the Licensed
Masters and of all 

*Confidential portions omitted and filed separately with the Commission


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Records made by BMG from such Licensed Masters, duplicates and derivatives. You 
shall be the sole and exclusive owner of the Licensed Masters and the underlying
sound recordings contained thereon.

     (d) Promptly following BMG's request, you shall execute and deliver to BMG
(at BMG's expense) any documents requested which are necessary for BMG to secure
copyright protection in the Licensed Masters and the sound recordings made from
the Masters and you hereby appoint BMG as your agent and attorney-in-fact to
sign any such documents in your name and to make appropriate disposition of them
provided they are consistent with this agreement. BMG agrees to promptly provide
you with copies of any such documents signed on your behalf. BMG shall have the
right to bring, prosecute, defend, and appear in suits, actions and proceedings
involving any of said copyrights insofar as the same pertain to Records
embodying the Licensed Masters, at its own expense, in its own name, and, in the
event that you shall elect not to appear in such proceedings, in your name as
your attorney-in-fact for these purposes.

     (e) If you are in the final stages of negotiation with a major U.S. label
and one of the outstanding issues in that negotiation is that you must provide
worldwide distribution rights to that major U.S. label, BMG agrees to enter into
good faith negotiations with you regarding your buying back the rights you have
granted to BMG hereunder. BMG further agrees that, subject to the circumstances
described in this subparagraph and upon receipt of timely written notice from
you, BMG shall refrain from exercising any option to extend this agreement for
an additional contract period.

2. Term; Sell-Off Period

     (a) The term of this agreement ("Term") shall commence on the date hereof
and shall consist of the Initial Period and Option Periods.

     (b) The "Initial Period" of the Term shall mean:

          (i) for all types of exploitation of the Licensed Masters other than
     those referred to in subparagraph 2 (b)(ii) below, the period commencing on
     the date hereof and, unless terminated or otherwise provided herein, ending
     three (3) years from the date first written above.

          (ii) in perpetuity in the case of any Licensed Masters embodied on
     Records sold or distributed as contemplated in subparagraphs 9(b)(iv) or
     (v).

     (c) The Initial Period and the Option Periods of the Term are each
sometimes herein referred to as a "Contract Period" or "Period."

     (d) (i) You hereby grant to BMG two (2) separate and consecutive options to
extend the Term for additional two (2) year periods on the same terms and
conditions applicable to the Initial Period except as otherwise set forth herein
(the "First Option Period" and the "Second Option Period" respectively). BMG may
exercise its options by sending you notice no later than six (6) months prior to
the expiration of the current Contract Period. If BMG fails to give such notice,
the Term shall automatically expire at the end of the current Contract Period.

          (ii) Notwithstanding anything contained herein to the contrary and
    *assuming timely delivery to BMG of a minimum of XXXXXXXXXXX Licensed LPs
     during the current Contract Period, as a condition precedent to BMG having
     the right to exercise its option to extend the Term for an additional
     Contract Period, BMG must have attained in the current Contract Period
     cumulative gross sales of all Licensed LPs delivered equal to or greater
    *than XXXXXXXXXXXXXXXX units inclusive of all configurations, subject to a
    *XXXXXXXXXX percent reserve. If BMG fails to attain this sales plateau, BMG
     may exercise its option for an 

*-Confidential portions omitted and filed separately with the Commission.

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     additional Contract Period only upon receipt of your approval. Should you 
    *deliver fewer than XXXXXXXXXX Licensed LPs to BMG during the current 
     Contract Period, the sales plateau to be attained shall be pro-rated 
     accordingly for the purposes of this calculation.
     

          (iii) Notwithstanding anything contained herein to the contrary, if
     BMG attains in the current Contract Period cumulative sales of all Licensed
    *LPs delivered in excess of XXXXXXXXXXX units inclusive of all 
     configurations, BMG shall be deemed to have exercised its option for the 
     next Contract Period.

     (e) The exploitation period for each Licensed LP delivered hereunder shall
be the longer of the Term or three (3) years from the date of first commercial
release of the applicable Licensed LP in the Territory (the "Exploitation
Period") and all of the rights granted to BMG by you herein regarding the
exploitation of Licensed Masters shall survive until the expiration of the
Exploitation Period on an album by album basis.

     (f) Upon expiration of the Exploitation Period, BMG shall have the rights
described in subparagraph 1(b)(i)(B) above for a period of six (6) months
thereafter ("Sell-Off Period"), with respect to the inventory of any Record in
its possession which contains the Licensed Masters manufactured by BMG prior to
the expiration or termination of the Term. BMG shall not increase manufacturing
in anticipation of the Sell-Off Period during the period three (3) months prior
to expiration or termination of the Term, other than as required to fill actual
order received by BMG. BMG shall provide you with an accounting of all
outstanding inventory one (1) month prior to commencement of the Sell-Off
Period; you agree to instruct BMG by the date of commencement of the Sell-Off
Period as to whether you wish to purchase the inventory, if any, remaining upon
expiration of the Sell-Off Period. Upon the expiration of the Sell-Off Period,
BMG shall either sell to you at the cost of manufacture or promptly destroy all
inventory, if any, then remaining. BMG shall submit to you an affidavit of
destruction signed by an authorized signatory of BMG upon your written request.
Upon the expiration of the Sell-Off Period, all parts, masters, film, etc.
shall, at your written direction, be either returned to you or destroyed as
evidenced by an affidavit.


3.      Advances

    *(a) (i) BMG agrees to pay you an initial recoupable advance of XXXXXXXX 
U.S. Dollars upon execution of this agreement (the "Contract Advance").

          (ii) BMG agrees to pay you an additional recoupable Contract Advance
    *of XXXXXXXX U.S. Dollars upon exercise of each option to extend the Term.

          (iii) Recoupment of the Contract Advance(s) shall be
     cross-collateralized against sales of all Licensed LPs.

    *(b) (i) BMG further agrees to pay you a recoupable advance of XXXXXXXXX 
U.S. Dollars for each Licensed LP delivered pursuant to paragraph 4 herein (the
"Album Advance"). Each Album Advance shall be paid within fifteen days from
delivery of the applicable Licensed LP.

          (ii) In the event a particular Licensed LP attains a net sales level 
    *of XXXXX units prior to release of the next consecutive album by the same
     Artist, then BMG agrees to pay you an additional recoupable Album Advance
    *of XXXXXXXXX U.S. Dollars.

          (iii) In the event a particular Licensed LP attains a net sales level
    *of XXXXX units prior to release of the next consecutive album by the same
     Artist, then BMG agrees to pay you an additional recoupable Album Advance
    *of XXXXXX U.S. Dollars.

*-Confidential portions omitted and filed separately with the Commission.

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          (vi) BMG shall recoup the Album Advance(s) against sales by the
     applicable Artist.

     (c) (i) In the event a particular Licensed LP attains a net sales level 
*of XXXXXXX units prior to release of the next consecutive album by the same 
*Artist, then BMG shall pay you a recoupable Album Advance of XXXXXXXX U.S. 
 Dollars (the  "Subsequent Album Advance") within fifteen days after release 
 of the next  subsequent Licensed LP by the same artist.

          (ii) In the event a particular Licensed LP fails to attain a net sales
    *level of XXXXX units prior to release of the next consecutive album by the
     same Artist, then BMG shall pay the recoupable Artist Advance(s) set out in
     subparagraph 3(b) based on attainment of sales levels by the subsequent
     Licensed LP.

     (d) You acknowledge that records sold to or through a Record club shall not
be included in the calculation of net sales levels attained herein.

4. Delivery Schedule

     You shall deliver the Licensed Masters contained on the Licensed LPs set
out in Schedule A, attached hereto, on or before ____________, 1996.
Furthermore, you agree to deliver to BMG a copy of each album recorded by any of
your artists during the Term within one (1) month from such album's delivery to
you. BMG shall have thirty (30) days to elect to commercially release such
delivered album in the Territory, then such album shall be a Licensed LP
hereunder and such artist shall be deemed to be an Artist hereunder. Should you
provide BMG in a timely manner with advance samples of master recordings prior
to delivery of a particular album, BMG agrees to make its election as to whether
to commercially release such delivered album in the Territory within ten (10) 
business days of delivery of the applicable album. If BMG elects not to release 
an album by a particular artist, then BMG shall have no further rights hereunder
to recordings by that particular artist during the Term, except at your sole 
discretion. BMG agrees to commercially release in the Territory, all Licensed 
LPs by each Artist within one hundred and twenty (120) days from delivery to BMG
of the applicable Licensed LP(s) and to make best efforts to co-ordinate its 
release schedule with your U.S. release schedule. Notwithstanding anything 
contained in this paragraph 4 to the contrary, unless BMG approves delivery of 
a greater number of albums, you agree to provide BMG with no more than eight (8)
albums each year of the Term from which BMG may elect to exercise its option as 
set out above.

5. Delivery Guidelines

     (a) Contemporaneously with the delivery of the Licensed Masters hereunder,
you shall furnish BMG in writing with the following:

          (i) the label copy (including song titles and any subtitles), names of
     composers, any show or movie credits, affiliate (SOCAN, BMI, ASCAP et al.),
     timings, indication whether recording is track, sweetening or vocal
     overdub, notation whether for LP or single, producer and/or production
     company credits;

          (ii) the liner credits;

          (iii) a technically satisfactory Sony PCM 1610/30 U-matic tape master,
     the equivalent or a digital audio tape ("DAT") accompanied by the
     appropriate tracking information. BMG shall have the right to require, at
     BMG's sole cost, that Licensed Masters be re-mixed to BMG's specifications;
     provided your consent shall be required for any remixes, re-editing, re-

*-Confidential portions omitted and filed separately with the Commission.

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     mastering, re-sequencing or re-compiling of songs. Following such approval,
     you shall prepare and deliver to BMG the master tape and two (2) equalized
     copies thereof and, with respect to CDs (as hereinafter defined), two
     technically satisfactory Sony PCM 1610/30 U-matic tape masters, or the
     equivalent thereof, accompanied by the appropriate digital tracking
     information.

          (iv) the final timings in connection with the Sony PCM 1610/30 U-matic
     tape master and/or digital audio tapes and master tapes furnished in
     accordance with subparagraph 5(a)(iii) above.

     (b) All items submitted under subparagraph 5(a) above shall be subject to
the approval of BMG's President or his designee as technically satisfactory for
the manufacture and sale of records and in respect of the advocacy of illegal
activity, patent, offensiveness, rights of privacy and publicity and defamation
or other violation of law or infringement of any rights of other persons or
entities.

     (c) No Licensed Masters delivered hereunder shall be in contravention of
public morals or taste, contain libelous or obscene matters, violate rights of
privacy or any other rights of third persons.

     (d) Unless indicated to the contrary herein, all deliveries shall be
made f.o.b. to BMG's office at 150 John Street, 6th Floor, Toronto, Ontario, M5V
3C3 or at such other location as BMG shall designate from time to time.

     (e) Notwithstanding anything to the contrary contained herein, upon
delivery of the Artwork, should the cost per unit of the Artwork at such
delivery date, as calculated by BMG or any of its affiliates or licensees,
exceed BMG's (or such affiliates' or licensees') standard unit packaging cost
limitation, BMG shall so notify you. You shall then have the option of (i)
notifying BMG, within three (3) business days, that you shall revise and
re-submit the Artwork to BMG within thirty (30) days so that the cost per unit
does not exceed the applicable standard unit packaging cost limitation (and in
the event you give such notice and fail to so revise and resubmit the Artwork
with such thirty (30) day period, BMG shall have the right to prepare the
packaging for the Licensed LP concerned, which packaging shall be subject to
your approval, not to be unreasonably withheld, at your sole cost) or (ii)
notifying BMG, within three (3) business days, that BMG has the Offset Right
with respect to all such costs in excess of the applicable standard unit
packaging cost limitation. In the event you fail to so notify BMG, BMG shall
have the option of preparing the packaging for the record concerned at your sole
cost or having the Offset Right with respect to all such costs in excess of the
applicable standard unit packaging cost limitation. The current applicable
standard unit packaging cost for CDs is the cost of a 4-panel, 4-colour insert
and 4-colour tray card; for cassettes, it is the cost of a 4-colour U-card.

6. Costs

     You hereby warrant and represent that you shall be responsible for, and
have paid and shall pay when due and owing, all costs and expenses whatsoever in
connection with the Licensed Masters, including, without limitation, all
transportation, hotel and living expenses incurred by you, each Artist and each
producer in connection with the Licensed Masters and for all costs of furnishing
BMG with such fully-edited Master recordings and other items which you are
required to so deliver hereunder. Without limiting the generality of the
foregoing, you shall be solely responsible for the payment of (i) all costs for
arrangements, orchestrations and copying; (ii) all union scale payments, fees,
royalties and other payments due to each Artist, each producer, any other third
party (including without limitation advances or fees payable to third parties
for "sample" clearances but excluding union special payments) and all other
persons who render performances or services in connection with recording
sessions, as well as payroll taxes and any other taxes required to be paid
thereon; (iii) all cartage, instrument rental, studio and 

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engineering fees; (iv) all mixing, re-mixing, editing, re-editing, mastering and
re-mastering costs (which mastering and re-mastering costs shall not include the
costs of "cutting the master lacquers" or manufacturing metal parts); and 
(v) all amounts payable pursuant to any applicable collective bargaining 
agreements based upon or calculated by reference to union scale payments. You 
warrant, represent and agree that all costs, charges and expenses referred to 
in this Paragraph 6 will be paid for by you when they are due. If, however, BMG 
is required to pay any such costs for which you are responsible, then, without 
limiting BMG's rights, BMG shall have the Offset Right (as hereinafter defined).
Should BMG choose to re-mix or re-edit or engage in any of the activities 
described in subparagraph 6(iv), then BMG shall be responsible for any costs so 
incurred and same shall not be recoupable. BMG shall be the owner of the 
re-mixed, re-edited, re-mastered, etc. Master recording.

7. Artwork

     (a) (i) You shall prepare and deliver the album artwork ("Artwork") for use
in connection with the Licensed LPs.


          (ii) BMG shall order, at BMG's sole expense, all film negatives
     required for manufacture of printed inserts.

     (b) All Artwork and all rights therein (including the copyright and any
renewal and/or extension of such copyright and the right to secure such
copyright therein), will be exclusively your property free of any claim
whatsoever by BMG.

     (c) All matters relating to BMG's trademarks, legal obligations or other
requirements shall be determined in BMG's sole discretion.

     (d) All costs of Artwork for use in connection with the Licensed LPs paid
for by BMG shall be recoupable by BMG against royalties payable hereunder.

8. Masters/Artwork -- Warranties

     (a) You hereby warrant and represent:

          (i) that you are and will be the sole owner in the Territory of the
     Licensed Masters and Artwork as well as the sole owner and holder in the
     Territory of all right, title and interest, tangible and intangible,
     therein, together with the copyright in the Licensed Masters and Artwork
     (including any renewal and/or extension of such copyright);

          (ii) that there are no (nor will there be any) liens or other
     encumbrances against the Licensed Masters, Artwork, or any part thereof and
     that you shall at all times keep and hold the Licensed Masters and Artwork
     free and clear therefrom;

          (iii) that you have the right, on your behalf and on behalf of all
     other persons who participated in or in connection with the Licensed
     Masters and Artwork, to grant to BMG the rights to use same for Records and
     other purposes described in this agreement;

          (iv) that no Records derived from any particular Licensed Masters have
     been manufactured, distributed or sold in the Territory prior to the
     delivery to BMG of such respective Licensed Masters other than as set forth
     in subparagraph 21(a)(iv) hereof;

          (v) that you are not currently a party to any agreement pursuant to
     which you have granted to any third party any right in and to any of the
     Licensed Masters for Record 

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                                       7

     purposes in the Territory in derogation of the rights granted to BMG 
     pursuant to this agreement; and

     (b) If you are in breach or alleged breach of any warranty and/or
representation made by you under subparagraph 8(a) above, then, without
limitation of BMG's rights, Paragraph 21 shall apply and to the extent
applicable, BMG shall have the Offset Right.


9. Royalties

     (a) (i) Provided you have performed in accordance with the terms hereof, 
 with respect to Records sold which embody one or more Licensed Masters, BMG  
 shall accrue hereunder a royalty at the rate (sometimes hereinafter referred 
*to as the "Basic Rate") of XXXXXXXX percent computed on a royalty base of 
 the "published price to dealers" (PPD) of Records (less Container deductions 
 and any  taxes, if any) in the Territory.

          (ii) If BMG's Top Line net sales hereunder through Normal Trade
    *Channels in the Territory of any Licensed LP exceed XXXXXXXX units (as
     determined in accordance with BMG's standard accounting procedures and as
     reflected on statements rendered hereunder), then, in lieu of anything to
     the contrary contained in subparagraph 9(a)(i) above, the royalty which
     shall accrue hereunder on any such excess sales of such respective Licensed
    *LPs shall be at the Basic Rate plus XXXXXXX; and if BMG's net sales
     hereunder through Normal Trade Channels on its Top Line of any Licensed LPs
    *exceed XXXXXXXX units (determined as aforesaid), then, in lieu of anything
     to the contrary contained in subparagraph 9(a)(i) above, the royalty which
     shall accrue hereunder on any such excess sales of such respective Licensed
    *LPs shall be at the Basic Rate plus XXXXXX; and if BMG's net sales
     hereunder through Normal Trade Channels on its Top Line of any Licensed LPs
    *exceed XXXXXXX units (determined as aforesaid), then, in lieu of anything
     to the contrary contained in subparagraph 9(a)(i) above, the royalty which
     shall accrue hereunder on any such excess sales of such respective Licensed
    *LPs shall be at the Basic Rate plus XXXXXX percent.

        (b) The following, however, shall apply with respect to the computation
of royalties:

          (i) (A) With respect to Records sold to or through a Record club
     (including without limitation a Record club affiliated with BMG) or any
     other direct-to-consumer mail- fulfillment sales operation or through a
     sales operation of the type commonly known as "TV/key outlet merchandising"
     wherein BMG is a licensor and with respect to Masters licensed by BMG to
     others for their distribution of Records (other than as described in
     subparagraph 9(b)(i)(B) below) or if such Records are released by a third
     party, the royalty shall be an amount equal to Your Fraction (as
    *hereinafter defined) of XXXXXXXX of all net receipts received by BMG in
     Canada from its licensees arising out of the foregoing sales or other
     distribution of Records embodying the Licensed Masters, after deduction of
     all applicable copyright payments, union payments, or other mutually agreed
     upon third party payments; provided you shall have prior approval, not to
     be unreasonably withheld, over any of the above-described sales methods.

          (B) With respect to Records sold to or through a direct-to-consumer
     mail-fulfillment sales operation other than a Record Club and with respect
     to Records sold through TV/key outlet merchandising wherein BMG is not a
    *licensor, royalties shall be at XXXXXXX the rate otherwise applicable and
     the royalty base shall be the actual selling price less Container
     deductions and any taxes; provided you shall have prior approval, not to be
     unreasonably withheld, over any of the above-described sales methods.

          (C) For the purposes of this Agreement, "Your Fraction" means a
     fraction the numerator of which is your Basic Rate and the denominator of
     which is the aggregate of your Basic Rate and the basic rates accrued to
     any other royalty participants.

*-Confidential portions omitted and filed separately with the Commission.

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     (ii) (A) Intentionally Deleted.

     (iii) (A) With respect to Records sold on a Mid-price line, royalties shall
*be at XXXXXXX of the rate otherwise applicable; provided you shall have prior
 approval, not to be unreasonably withheld, over any Mid-price line sales
 program(s).

     (B) With respect to Records sold on a Budget-price line, royalties shall be
*at XXXXXX of the rate otherwise applicable; provided you shall have prior
 approval, not to be unreasonably withheld, over any Budget-price line sales
 program(s).

     (C) With respect to Records sold on a Super-Budget-price line, royalties
*shall be at XXXXXXX of the rate otherwise applicable; provided you shall have
 prior approval, not to be unreasonably withheld, over any Super-Budget-price
 line sales program(s).

     (D) You are deemed to grant approval to BMG to sell Records on a reduced-
price line, should you authorize sales on that same reduced-price line in the
territory of the United States.

     (iv) With respect to Records sold to a commercial purchaser for use as a
 premium, promotional item, sales incentive or for a similar purpose ("premium
*record(s)"), royalties shall be XXXXXXXX of the rate otherwise applicable and
 the royalty base shall be BMG's actual selling price of such premium Record
 (less Container deductions and any taxes); provided you shall have prior
 approval, not to be unreasonably withheld, over any premium sales program(s).

     (v) With respect to Records ("coupled records(s)") sold embodying Licensed
Masters coupled with Master recordings not delivered hereunder, royalties shall
be at that proportion of the rate otherwise applicable which the number of
Licensed Masters included on such coupled Record bears to the total number of
sides comprising such coupled record; provided no Licensed Master shall be
coupled with other Master recordings not delivered hereunder without your prior
approval, not to be unreasonably withheld. Notwithstanding the foregoing, you
hereby grant to BMG the right to couple one Licensed Master from each unrecouped
Licensed LP with other Master recordings without seeking your prior approval.

     (vi) If BMG receives income from the Licensed Masters in synchronization
 with motion picture or television soundtracks or in Videograms (as
 hereinafter  defined) thereof, BMG shall accrue an additional royalty
*hereunder of Your  Fraction of XXXXXXX of the net amount of such income so
 received by BMG. For  purposes of this subparagraph, "net amount" shall mean
 the gross amounts  received by BMG or you, as applicable, in connection with
 the subject matter  hereof, less duplication costs and less BMG's
 out-of-pocket costs and any  amounts which BMG or you are obligated to pay to
 third parties (such as, without  limitation, mechanical copyright payments,
 AFM and other union fund payments).  Notwithstanding anything to the
 contrary, no synchronization license shall be  granted with respect to any
 motion picture or television soundtrack or videogram  without the express
 written consent of you.

     (vii) No royalties whatsoever shall accrue hereunder with respect to: 
 (A) Records distributed to any person primarily for purposes of promotion or 
 critique; (B) Records sold as "scrap", "overstock" or "surplus," which terms 
 shall mean excess inventory of a particular Record which is listed in the 
*BMG catalog and sold at less than XXXXXXX of BMG's then current PPD; and (C) 
 Records cut out of the BMG catalog and sold as discontinued merchandise 
 ("CutOuts"); provided you shall have prior approval, not to be unreasonably 
 withheld, over any of the sales methods contempleted in (B) and (C) herein.

*-Confidential portions omitted and filed separately with the Commission.

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                                       9

     (viii) With respect to Multiple LP Albums, and with respect to Records sold
 to any government or its subdivisions, departments or agencies, or to military
 exchanges, or to educational institutions or libraries, royalties shall be at
*XXXXXXX the rate otherwise applicable; provided you shall have prior approval,
 not to be unreasonably withheld, over any of the above-described sales methods.

     (ix) To the extent possible, BMG shall honour any restrictions regarding
methods of exploitation contemplated herein which are contained in agreements
between you and your artists and of which you make BMG aware.

     (c) If legislation requiring the payment of royalties for the public
performance of Records is enacted in Canada and BMG receives such royalties
solely attributable to Master recordings licensed hereunder and Artist is not
entitled to receive similar royalties in Canada from a collective society or
entity other than BMG, then, with respect to performances in Canada, BMG shall
accrue to the relevant Artist's royalty account that portion of such royalties
as is required by law. If no such agreement and/or law applies, BMG shall pay an
amount equal to fifty (50%) percent of the net amount directly allocable to
Master recordings licensed hereunder and so received by BMG less all payments to
third parties (and you shall be responsible in any event for all required
payments to producers or other parties engaged by you in connection with
recording of the Master recordings hereunder).

     (d) (i) As used in this Paragraph 9, the words "any taxes" shall mean any
taxes which are stated as part of, rather than separately from, the applicable
price upon which royalties are computed.

    (ii) As used in subparagraph 9(b) above, the words "the rate otherwise
applicable", when applied to each particular type of Record (e.g., Singles
record, EP, LP, etc.) sold in the Territory, shall mean the rate under
subparagraph 9(a) or (b) above (as applicable) corresponding to the first unit
of each such particular type of Record sold in the Territory.

10. Royalty Payments

     (a) Royalties earned hereunder will be accrued quarterly and paid, less all
advances and any other charges, during February for the quarterly period ending
in December, during May for the quarterly period ending in March, during August
for the quarterly period ending in June and during November for the quarterly
period ending in September, in accordance with BMG's regular accounting
practices. BMG shall, however, have the right to establish reasonable reserves
for returns and exchanges. The reserve so established respecting each particular
Licensed LP hereunder shall not exceed the following percentages of the total
number of units of such Licensed LP shipped:

         *(i) XXXXXX percent for the first, second and third quarters after
     release of the Licensed LP

         *(ii) XXXXXX percent for the fourth and fifth quarters after release of
     the Licensed LP

          (iii) full liquidation of reserve during the sixth quarter after
     release of the Licensed LP


BMG shall have the right to establish reasonable reserves in excess of the
percentage limitations set out herein if actual returns exceed the
above-referenced reserve limitations. If BMG makes any overpayment of royalties
(e.g., by reason of an accounting error or by paying royalties on Records
returned later), BMG shall have the Offset Right in connection therewith.

     (b) (i) Each royalty payment hereunder shall be accompanied by a detailed
statement in accordance with BMG's regular accounting practices. Each statement
shall become binding on 

*-Confidential portions omitted and filed separately with the Commission.

<PAGE>
                                       10

you and you shall neither have nor make any claim against BMG with respect to 
such statement, unless you shall advise BMG, in writing, of the specific basis 
of such claim within eighteen months after the date that you receive such 
statement. BMG shall have no obligation to furnish statements after the 
expiration of the Term except: (A) in connection with royalties payable 
hereunder; or (B) upon your written request received by BMG during a 
particular quarterly accounting period for the applicable statement which 
would otherwise have been rendered to you respecting the quarterly period
preceding such particular quarterly period.

          (ii) You will not have the right to sue BMG in connection with any
     royalty accounting, or to sue BMG for royalties accrued by BMG during the
     period a royalty accounting covers, unless you commence the suit within two
     (2) years after the date when the statement in question is rendered to you.
     If you commence suit on any controversy or claim concerning royalty
     accountings rendered to you under this agreement, the scope of the
     proceeding will be limited to determination of the amount of the royalties
     or monies due for the accounting periods concerned, and the court will have
     no authority to consider any other issues or award any relief except
     recovery of royalties found owing. Your recovery of any such royalties will
     be the sole remedy available to you or any Artist by reason of any claim
     related to BMG's royalty accountings. Without limiting the generality of
     the preceding sentence, neither you nor an Artist will have any right to
     seek termination of this agreement or avoid the performance of your
     obligations under it by reason of any controversy or claim concerning
     royalty accountings rendered to you under this agreement; provided that
     nothing contained in this sentence shall prevent you from seeking
     termination of this agreement where fraud has been demonstrated to have
     occurred.

     (c) Royalties accruing hereunder shall be less whatever taxes the laws of
any applicable jurisdiction require be withheld in connection with such
royalties.

     (d) If, on any date, the performances borne on any Master recording
hereunder become property of the public domain in any territory of the world so
that persons may reproduce and/or exploit in such territory Records of such
performances without license from and payment to BMG, then, notwithstanding
anything herein to the contrary, no monies whatsoever shall accrue hereunder in
connection with Records sold hereunder in such territory on and after said date
insofar as such performances are concerned.

     (e) BMG agrees that you may, not more than once during any calendar year,
but only once with respect to any statement rendered hereunder, audit its books
and Records for the purpose of determining the accuracy of BMG's statements to
you. If you wish to perform any such audit, you will be required to notify BMG
at least thirty (30) days before the date when you plan to begin it. BMG may
postpone the commencement of your audit by notice given to you not later than
ten (10) business days before the commencement date specified in your notice; if
BMG does so, the running of the time within which the audit may be made will be
suspended during the postponement. If your audit has not been completed within
one (1) month from the time you begin it, BMG may require you to terminate it on
seven (7) days' notice to you at any time; BMG will not be required to permit
you to continue the examination after the end of that seven (7) day period. You
shall not be entitled to examine any manufacturing records or any other Records
which do not specifically report sales of Records or calculation of net receipts
on which royalties are accruable hereunder. All audits shall be made during
regular business hours upon reasonable notice, and shall be conducted on your
behalf by an independent Chartered Accountant or Certified Public Accountant,
but not if he or his firm has begun an examination of BMG's books and Records
for any person (except you), unless the examination has been concluded and any
applicable audit issues have been resolved. Each examination shall be made at
your own expense at BMG's regular place of business in Canada where the books
and Records are maintained.

<PAGE>
                                       11

11. Mechanical Royalties

     (a) As used herein:

          (i) "Controlled Composition" means a work which is written in whole or
     in part by an Artist and/or producer(s) or which is owned or controlled by
     you and/or an Artist and/or producer(s) or in which you and/or an Artist
     and/or producer(s) have (has) a direct or indirect interest in the
     publishing income to be derived therefrom or from the copyright thereof.

          (ii) "Statutory Rate" means, with respect to each musical work
     recorded and embodied in a Master Recording hereunder, the minimum fixed
     (without regard to playing time) mechanical royalty rate in effect pursuant
     to the Canadian Copyright Act or the rate agreed upon by the Canadian music
     publishing industry or its mechanical collection representative pursuant to
     industry-wide agreement (as the context so requires) in effect at the time
     of the execution of this Agreement or the rate determined by law, as the
     case may be.

     (b) If any contracts with the Artist or producer or any composer or author
of Controlled Compositions provide or shall at any time during the Term provide
that a royalty in an amount less than the Statutory Rate shall apply with
respect to Records sold in Canada and containing Controlled Compositions or that
reduced mechanical royalties shall apply with respect to "free" Records or that
reduced royalties shall apply with respect to Cut-Outs, then you agree to
provide BMG with copies of the relevant contracts and afford to BMG the benefit
thereof. BMG shall have the right to charge any and all mechanical royalties
which shall so become payable to any third party against and/or deduct same from
any and all sums accruing to your credit or becoming payable hereunder.

     (c) You agree that each Controlled Composition recorded hereunder is hereby
licensed to BMG, for Canada, at the rates set forth in this paragraph 11(d)
below. With respect to Controlled Compositions so licensed hereunder, BMG shall
render quarterly statements and payments therefor of all mechanical copyright
royalties payable as set forth herein, within sixty (60) days after the end of
the applicable quarters ending in March, June, September and December (in
accordance with BMG's regular accounting practices), for each quarter for which
such royalties accrue pursuant to the terms hereof. BMG shall have the right to
withhold a portion of such royalties as a reasonable reserve in accordance with
normal company policies. The provisions of paragraph 10(b), (c) and (e) shall be
applicable to accountings rendered pursuant to this paragraph 11.

     (d) (i) With respect to Records sold in Canada through normal trade
channels on BMG's Top Line or Mid-Price Line, the rates referred to in
subparagraph 11(c) above shall be the Statutory Rate, except as set forth in
subparagraph 11(b) above.

          (ii) With respect to records sold in Canada on a Budget-Price or
     Super-Budget- Price Line or as premium Records or pursuant to subparagraph
     9(b)(i) above, the rates referred to in subparagraph 11(c) above shall be
     one-half (1/2) of the Statutory Rate.

     (e) Without limiting subparagraph 11(d) above, it is agreed that the
maximum copyright royalty which BMG shall be required to pay in respect of a
Record embodying Master recordings recorded hereunder shall be the aggregate of
(i) the number of Controlled Compositions on such Record times the applicable
rate described in subparagraph 11(d) above, and (ii) the number of works on such
Record which are not Controlled Compositions times the Statutory Rate; provided,
however, that in no event shall the aforesaid maximum copyright royalty exceed
an overall limit of (iii) twelve (12) times the Statutory Rate for an LP, (iv)
two (2) times the Statutory Rate for a seven (7") inch Singles record, (v) three
(3) times the Statutory Rate for a twelve (12") inch Singles record or (vi) six
(6) times the Statutory Rate for an EP. 

<PAGE>
                                       12

Notwithstanding the foregoing, in the event BMG is required to make aggregate 
mechanical payments hereunder in excess of the above-mentioned limits, then BMG 
agrees not to reduce any sums, monies or royalties otherwise payable to you 
hereunder by the amount of such excess mechanical payments.

     (f) No mechanical royalty whatsoever shall be payable for (i) Records cut
out of the BMG catalog and sold as discontinued merchandise; (ii) any work which
is non-musical; (iii) Records distributed by BMG which are not "Records sold" as
defined in paragraph 24 below; or (iv) any work which consists of an arrangement
of a work in the public domain.

     (g) Notwithstanding the foregoing, if on any date any work becomes property
of the public domain in any territory, no mechanical royalties whatsoever shall
become payable in connection with Records hereunder manufactured, distributed,
sold or otherwise exploited in such territory on and after said date insofar as
such work is concerned.

     (h) Intentionally deleted.

     (i) Any assignment or other disposition of the rights in any Controlled
Composition shall be specifically made subject to BMG's rights hereunder.

     (j) BMG is hereby granted the right to reprint the lyrics of Controlled
Compositions on the jackets, sleeves or other packaging of Records derived from
the Licensed Masters. BMG shall provide appropriate copyright notices and writer
and publisher credits with respect to such reprinted lyrics.

     (k) BMG shall be responsible for the payment of mechanical royalties
directly to the copyright proprietors of the musical works embodied on the
Master Recordings hereunder. You, Artist and producer(s) agree to assist BMG in
entering into mechanical licenses with such copyright proprietors, which
licenses shall be consistent with the terms and conditions hereof but which
shall otherwise be in the general form utilized by the CMRRA or the Harry Fox
Agency, Inc. or in a form otherwise acceptable to BMG.

        (l) You hereby warrant and represent that the "Schedule of Publishers"
appended to this agreement is a complete list of the music publishers in which
you and/or Artist and/or procuder(s) have a direct or indirect interest, and/or
with which you and/or Artist and/or producer(s) have an agreement entitling such
music publisher to administer Controlled Compositions. You agree to promptly
notify BMG, in writing, of each additional music publisher in which you and/or
Artist and/or producer(s) acquire any such interest and of each other change
required to keep the list currently accurate.

        (m) Any assignment or other disposition of the rights in any Controlled
Composition shall be specifically made subject to BMG's rights hereunder.

12.     Audiovisual Works

        (a)  As used herein:

        (i) "Audiovisual work" means a work consisting of a series of related
images which are intrinsically intended to be shown by the use of a machine
and/or device (including, without limitation, projectors, viewers and electronic
equipment) together with accompanying sounds, if any, regardless of the nature
of the material object, such as film, disc or tape, in which a work is embodied.

<PAGE>
                                       13

        (ii) "Video Clip" means an audiovisual work produced during the Term
embodying a Master Recording of one (1) or more musical works in synchronization
with a visual rendition of Artist's performances and/or other performances
and/or images.

        (iii) "Program" means a compilation, collective work or derivative work
which embodies a Video Clip(s) and/or other audiovisual works.

        (iv) "Video Clip(s) and Program(s)" shall hereinafter sometimes be
referred to collectively as "Video(s)".

        (v) "Videogram" means a material object, including, without limitation,
tape, disc or film, embodying a Video or a compilation, collective work or
derivative work which embodies a Video together with other Video(s) and/or other
work(s) intended for home use, including, without limitation, videocassettes and
videodiscs.

        (vi) "Exhibition Copy" means a copy of a Video in any material form,
including, without limitation, tape, disc or film, intended for non-home use,
including, without limitation, all video, jukebox, television, theatrical and
non-theatrical distribution.

        (vii) "Production Costs" means all costs incurred or expended in
connection with the production and delivery of the final master tape or film of
Videos, including, without limitation, flat fee payments to the publishers of
musical works; unreimbursed costs and expenses incurred in the duplication and
delivery of copies of Videos (including, without limitation, Exhibition Copies)
for licensees; and all other costs and expenses incurred with respect to Videos.

     (b) You shall deliver to BMG promptly after the execution hereof, any Video
Clip heretofore or hereinafter produced containing a Licensed Master or Licensed
Masters.


     (c) (i) You agree that with respect to any musical composition embodied in
Videos you will secure and deliver to BMG a license, effective as of the date of
this Agreement for synchronization and other uses on a non-exclusive perpetual
basis for the Territory free of charge or royalty, for the purpose of
reproducing such musical composition embodied in Videos and Exhibition Copies
and exhibiting, duplicating, manufacturing and distributing copies of such
Videos and Exhibition Copies for promotional purposes.

          (ii) Without limiting BMG's rights, if, for any reason, BMG is
     required to pay with respect to such musical composition any sums, then BMG
     shall have the Offset Right.

     (d) Each Video, including, but not limited to, all copyrights of any nature
whatsoever in and to each Video and each element or component part thereof,
excepting only the copyrights in the underlying musical works, shall be your
sole, exclusive and perpetual property. However, BMG, its affiliates,
subsidiaries, licensees and assigns shall have the sole, exclusive and right in
the Territory during the Term and the Sell-Off Period for promotional purposes
to: (i) exhibit, duplicate, manufacture, distribute and exploit by sale, lease,
license, rental or any other manner each Video (or any portion(s) thereof) and
copies thereof for such purposes, at such times and places, and in any and all
media and manner, including, but not limited to, "free", "pay", "public",
"cable" and "subscription" television, theatrical and non-theatrical
distribution, as shall be determined by BMG and (iii) allow others to exercise
any or all of the aforesaid rights. BMG shall 

<PAGE>
                                       14

have the right to cut and edit each Video (if necessary) for the exploitation of
such Video in different media.

     (e) You and Artist agree that, during the Term, Artist shall not render and
shall not have the right to render any performance (excluding solely non-musical
dramatic performances) for any person other than BMG in connection with the
creation and/or exploitation of Videos in the Territory. You and Artist shall
not have the right (and you and Artist shall not have the right to authorize,
permit or grant to any person other than BMG the right) to manufacture and/or
distribute Videograms embodying such performances in the Territory.

13. Names, Voices, Likenesses and Biographies

     You warrant and represent that BMG shall have the non-exclusive right,
during the Term and the Sell-off Period and in the Territory, without any
liability to any person, to use and to authorize other persons to use the names
(including any professional names), facsimile signatures, voices, any likenesses
and biographical material of each Artist collectively and individually, and
producer(s) for purposes of exploitation of the Licensed Masters and Records
hereunder; provided you shall have prior approval, not to be unreasonably 
withheld, over any such likenesses and biographical material. Material provided
to BMG by you is deemed approved by you. You warrant and represent that you, 
the Artist(s), and/or the producer(s) own the exclusive respective rights to 
use Artist(s)'s and producer(s)'s names, respectively, in connection with the 
manufacture and exploitation of Master recordings and Records; provided that 
no such use will be or imply an endorsement of or merchandising tie-in with 
any goods, wares, services or institutions.

14. Negative Covenants

     (a) During the Term, with respect to the Licensed Masters, you shall not
use, or authorize or permit any person other than BMG to use in the Territory,
Artist's name(s) (including any professional names), facsimile signatures,
voices, likenesses or biographies in connection with the manufacture and/or
exploitation of Master recordings or Records.

     (b) Neither you nor Artist nor producer(s) nor any person deriving any
rights from you and/or Artist and/or producer(s) shall at any time do, or
authorize any person to do, anything inconsistent with, or which might diminish
or impair, any of BMG's rights hereunder.

15. Your Relationship to BMG

     (a) You are an independent contractor hereunder, and nothing herein
contained shall in any way constitute you as the agent or employee of BMG. You
do not intend Artist or any other person to be a third party beneficiary of this
agreement.

     (b) You shall cooperate fully with BMG in connection with:

          (i) any controversy or litigation which involves BMG's rights under
     this agreement. Without limiting BMG's rights and your obligations
     hereunder, BMG may, to protect its rights hereunder, act (including taking
     legal action) in the name(s) of you and BMG.

          (ii) BMG's promotional and publicity efforts involving Artist and
     Artist's recordings hereunder, including personal appearances by Artist for
     press interviews and photographs. Any costs incurred in connection
     therewith by Artist and approved by BMG prior to their incurrence shall be
     reimbursed to Artist and shall not be recoupable hereunder. BMG 

<PAGE>
                                       15

     
     shall also have the right at its reasonable request to record Artist's 
     personal appearances visually on film, tape or other devices, subject to 
     the provisions of any applicable collective bargaining agreement to which 
     BMG is a party, for use in promoting Records embodying Artist's 
     performances.

16. Your Contract with Artists and Producer

        You warrant and represent that you have a binding contract with each
Artist and producer(s) of the Licensed Masters (collectively the "Contracts")
which shall grant to you all rights necessary for you to fulfill all of your
obligations hereunder which relate directly or indirectly to each Artist and
producer(s). If you do not enforce any of your rights under the Contracts, BMG
may, without limitation of BMG's rights, enforce such rights in your name and/or
the name of BMG. No breach by you of Artist's Contract shall be sufficient cause
for Artist's failure to perform fully for BMG pursuant to said Contract and this
agreement. If you should breach either of the Contracts, then BMG may, without
limitation of BMG's rights, cure such breach on your behalf and at your expense.
No modification of or amendment to the Contracts will be made which would
directly or indirectly diminish any of BMG's rights hereunder. You shall be 
responsible for prompt payment to Artist and/or producer(s) as a result of the 
services performed by Artist and producer(s) in connection with this agreement.

17.     BMG's Rights and Remedies

     (a) In the event that you shall file a petition of bankruptcy or
insolvency, or shall be adjudicated as or become bankrupt or insolvent, or shall
file any petition or answer seeking reorganization, readjustment, composition,
moratorium or arrangement of your business under any law relating to bankruptcy
or insolvency, or if there shall be appointed a receiver of all or substantially
all of your property or if you shall make any assignment or attempted assignment
for the benefit of creditors, or if any proceedings shall be instituted for the
bankruptcy, liquidation or winding up of your business or for the termination of
its corporate charter then, BMG shall have the right, by giving written notice
to you, to terminate the Term effective as of the date such notice of
termination is given.

     (b) If, for any reason other than BMG's hindrance without cause or force
majeure (as hereinafter defined), you materially breach this agreement or any of
the Licensed Masters are not timely delivered in accordance with paragraph 4
above, then, without limiting BMG's rights, BMG may, at its election, by written
notice to you, suspend its obligations to you hereunder for a period of time
equal to the duration of such failure provided BMG shall give you written notice
of any such breach and you shall have a period of thirty (30) days to cure such
breach. During any such suspension, BMG shall have the right to terminate the
Term by written notice to you, in which case all of BMG's obligations to you
under this agreement shall be extinguished, other than BMG's continuing
obligation to render statements and payments, if any, without affecting BMG's
rights which would have survived the Term and any rights BMG may have had by
reason of your failure to perform.

     (c) Except as otherwise may specifically be indicated herein to the
contrary, the rights and remedies of BMG and you as specified herein are not to
the exclusion of each other or of any other rights or remedies of BMG or you,
BMG and you may exercise or decline to exercise any one (1) or more of BMG's or
your rights and remedies, as applicable, as BMG or you may deem fit, without
jeopardizing any other rights and remedies of BMG or you; and all of BMG's and
your rights and remedies in connection with this agreement shall survive the
expiration of the Term.

<PAGE>
                                       16

18. Force Majeure

     If by reason of act of God or force majeure, such as war, fire, earthquake,
labour controversy, civil commotion, acts of any government, or the
unavailability of or delays in the delivery of materials and supplies, or
similar or dissimilar matters beyond BMG's control, BMG is prevented from or
materially hampered in the recording, manufacture, distribution or sale of
Records, BMG shall have the right, by written notice to you and without
liability, to suspend BMG's obligations hereunder and, if such occurs during the
Term, to extend the Term, by written notice to you, for a period of time equal
to the period of such suspension. However, if any of the foregoing contingencies
shall affect BMG only (rather than the Record industry generally), and if BMG
suspends its obligations for a period in excess of six (6) months, then, at any 
time after such six (6) month period, you may request BMG in writing to 
terminate such suspension. If BMG shall not within thirty (30) days following 
its receipt of such request notify you in writing of its termination of such 
suspension, you may at any time during the continuance of such suspension 
terminate the Term. If you so terminate the Term, only those obligations of the 
parties which would have continued after the Term shall survive such 
termination. However, during any such suspension, BMG shall be obligated to 
continue to pay royalties to you pursuant to this agreement unless the cause of 
such suspension shall affect BMG's ability to make such payments.

19.  Union Agreements

     (a) You hereby warrant and represent that, if Artist's and/or producer(s)'s
services come within the scope of any agreement between any union and BMG, you
shall cause Artist and/or producer(s) (if Artist and/or producer(s) are not
already members of any such union) to join such union within thirty (30) days
after Artist and/or producer(s) first renders services hereunder that are
subject to such agreement(s). You further warrant and represent that Artist
and/or producer(s) shall remain a member in good standing of such union so long
as Artist's and/or producer(s)'s services hereunder are within the scope of such
agreement.

     (b) BMG shall be solely responsible for and shall make full and timely
payment of any and all sums which may become due and payable, on account of the
manufacture and sale of Records by BMG hereunder, to the Music Performance Trust
Fund, the Special Payments Fund and any other union or union trust fund having
rights in the premises. Such sums paid by BMG shall not be chargeable against or
recoupable by BMG from royalties accruing hereunder.

20. Promotion of Records

     (a) Any promotional efforts or expenditures made by you or on your behalf
in connection with any Records hereunder shall be in accordance with applicable
legal standards. In the event you are in breach of the preceding sentence, BMG
may, without limiting its rights, terminate the Term forthwith by sending you
written notice of such termination.

     (b) You agree to provide BMG with copies of all marketing, promotional and
advertising materials (including, but not limited to, photographs and marketing
plans) developed for or by you at no cost to BMG. BMG agrees to pay for the cost
of duplicating and shipping these materials.

     (c) BMG agrees to consult with you regarding the creation of and to provide
you with copies of all marketing, promotional and advertising materials
(including, but not limited to, photographs and marketing plans) developed for
or by BMG at no cost to you. You agree to pay for the cost of duplicating and
shipping these materials.

<PAGE>
                                       17

21. Warranties and Representations; Indemnity

     (a) You hereby warrant and represent that:

          (i) You are possessed of the full right to enter into this agreement,
     that you are and shall at all times remain possessed of all rights
     necessary for you to completely fulfill all of your 
     obligations hereunder, and that your entering into this agreement and
     fulfilling such obligations does not and shall not infringe upon the rights
     of any person whatsoever.

          (ii) None of the Masters recordings hereunder nor the performances
     embodied therein, nor any other Materials (as hereinafter defined) nor any
     authorized use thereof by BMG or its affiliates or licensees will violate
     or infringe upon the rights of any third party. As used herein, "Materials"
     mean any musical, dramatic, artistic and literary materials, ideas and
     other intellectual properties furnished or selected by you, Artist or
     producer(s) and contained in or used in connection with Masters recordings
     hereunder or the packaging, sale, distribution, advertising, publicity or
     other exploitation thereof.

          (iii) The royalties and other payments specified herein shall be
     comprehensive. Except as expressly provided herein to the contrary, BMG
     shall have no monetary obligation whatsoever to you, Artist, producer(s) or
     any other party for or in connection with this agreement or services
     performed hereunder by you, Artist or producer(s), or BMG's exercise of its
     rights hereunder.

          (iv) The Licensed Masters have never been previously released in the
     Territory save as follows (collectively the "Previously Released Masters"):

       Title         Release Date          Catalogue Number            Label
       -----         ------------          ----------------            -----





     (b) You hereby indemnify BMG and hold BMG harmless against any and all
losses and damages (including reasonable attorneys' fees) arising out of any
claim by any one (1) or more third parties or any act or conduct by you which is
inconsistent with any warranty, representation, promise or covenant herein made
by you. You shall pay BMG on demand any sums for which you are liable hereunder
and if you fail to do so, BMG shall have the Offset Right. Without limiting the
generality of the foregoing, if any claim, action or proceeding is made or
brought against BMG which is inconsistent with any warranty or representation
herein made by you or which alleges matters which if proven would constitute a
breach by you of this agreement or any warranty, representation, promise or
covenant herein made by you, then: (i) BMG shall give you prompt written notice
thereof and you shall have the right to participate in the defense thereof at
your expense; and (ii) BMG shall have the right: (A) to suspend its obligations
hereunder (and, if such occurs during the Term, to extend the Term, by written
notice to you) for a period of time equal to the time which elapses from the
making or bringing of such claim, action or proceeding until the resolution
thereof; and/or (B) to withhold and reserve, from any sums otherwise payable to
you hereunder, sums reasonably sufficient to secure BMG for your liabilities
hereunder; provided, however, that if you shall deliver to BMG an indemnity or
surety bond, in a form and with a company acceptable to BMG, which in respect of
such claim, action or proceeding shall cover the amount of such claim, action or
proceeding and BMG's estimated legal fees and legal costs in connection
therewith, then BMG shall not withhold payment of monies otherwise payable to 
you hereunder in respect of such claim, action or proceeding; and provided 
further that BMG shall liquidate any such withheld amounts if, within 

<PAGE>

                                      18

twelve (12) months, no lawsuit has been commenced and active settlement 
discussions are not then taking place.

     (c) BMG hereby warrants and represents that:

          (i) BMG is able to execute this agreement.

          (ii) BMG shall not make any use of the Master recordings other than as
     set forth in this agreement.

22. Miscellaneous

     (a) This agreement sets forth the entire understanding between you and BMG
with respect to the subject matter hereof, and no amendment to or modification,
waiver, termination or discharge of this agreement or any provision hereof shall
be binding upon you or BMG unless confirmed by a written instrument signed by
your authorized signatory and BMG's authorized signatory. Any process in any
action, suit or proceeding arising out of or relating to this agreement may,
among other methods, be served upon you by delivering it or mailing it in
accordance with paragraph 23 below. Any such process may, among other methods,
be served upon Artist by delivering the process or mailing it to Artist in the
manner prescribed in paragraph 23 below. No waiver of any provision of or
default under this agreement shall affect your or BMG's right, as the case may
be, thereafter to enforce such provision or to exercise any right or remedy in
the event of any other default, whether or not similar. This agreement shall be
construed under the internal laws of the Province of Ontario applicable to
agreements to be performed wholly therein, and both parties agree that only the
Ontario courts shall have jurisdiction over this agreement and any controversies
arising out of this agreement shall be brought by the parties to the Ontario
Court (General Division) of the Province of Ontario and the venue shall be
Toronto, and they hereby grant jurisdiction to such court(s) and to any
appellate courts having jurisdiction over appeals from such court(s).

     (b) If any part of this agreement shall be determined to be invalid or
unenforceable by a court of competent jurisdiction or by any other legally
constituted body having the jurisdiction to make such determination, the
remainder of this agreement shall remain in full force and effect provided that
the part of this agreement thus invalidated or declared unenforceable is not
essential to the intended operation of this agreement.

     (c) (i) BMG may assign this agreement or any of its rights or obligations
hereunder to a parent, subsidiary or affiliated company or any person acquiring
all or substantially all of its assets, or with whom BMG may merge. The
foregoing shall in no way limit BMG's right to assign or license (e.g.
synchronization licensing) in the ordinary course of business.

          (ii) You may assign this agreement or any of its rights or obligations
     hereunder to a parent, subsidiary or affiliated company or any person
     acquiring all or substantially all of your assets, or with whom you may
     merge. You have the unfettered right to assign your rights to income,
     advances or royalties to third parties.

     (d) The captions preceding the text of the various provisions of this
agreement are inserted solely for reference and shall not constitute a part of
this agreement nor affect its meaning, construction or effect. Every word or
phrase defined herein shall, unless herein specified to the contrary, have the 
same meaning throughout. As used herein, wherever applicable, the singular 
shall include the plural and the plural shall include the singular, the 
masculine shall include the feminine and the feminine shall include the 
masculine.

<PAGE>
                                       19

     (e) BMG shall have no obligation whatsoever to make any investigation of
the facts relevant to any warranty or representation herein made by you.

23. Notices

     All notices and other items from one party to the other hereunder will,
unless herein indicated to the contrary, be addressed as follows:

     To you: At your address as set forth on the first page hereof

     To BMG: At BMG's address as set forth on the first page hereof, directed to
the attention of the Manager, Business Affairs & Business Development;

or to such other address as the addressee may designate in writing. Any notice
shall be sent either by certified or registered mail, return receipt requested
(and in the case of notices sent to or from a location outside Canada, by air
mail), or by personal delivery or air express, and shall be deemed complete when
same (containing whatever information may be required hereunder) is deposited in
any mail box addressed as aforesaid, except that (a) all materials personally
delivered shall be deemed served when received by the party to whom addressed,
(b) air express materials shall be deemed served one (1) day after delivery to
the air express company, (c) notices of change of address shall be effective
only from the date of its receipt, (d) royalty statements shall be sent by
regular mail and shall be deemed rendered when deposited in any mail box.

24. Definitions.


     (a) "Master recording" and "Master Recording" means the original material
object in which sounds, with or without visual images, are fixed by any method
now known or later developed and from which sounds, with or without visual
images, can be perceived, reproduced or otherwise communicated, either directly
or with the aid of a machine, device or process.

     (b) "Record" and "record" means any reproduction of a Master recording in
any form now known or later developed in which sounds, with or without visual
images, are fixed by any method now known or later developed, manufactured or
exploited primarily for home, school or jukebox use or use in means of
transportation.

     (c) "Material" means any work or series of sounds capable of fixation on a
Record.

     (d) "Side" means one (1) continuous performance of material, not exceeding
five (5) minutes of playing time.

     (e) "Delivery" and "deliver", as used with respect to Master recordings
delivered hereunder mean the thorough and complete performance by you with
respect to such Master recordings of all of the requirements of paragraph 5, and
the approval by BMG of such Master recordings as technically satisfactory as set
out in paragraph 5. Delivery of such Master recordings and all related elements
shall be made f.o.b. BMG's offices at 150 John St., 6th Floor, Toronto, Ontario,
M5V 3C3 (or such other office as BMG shall specify in writing).

     (f) "Singles record" means a Record with a playing time of less than
twenty-two (22) minutes.

     (g) "EP" means a Record containing not fewer than three (3) nor more than
seven (7) sides thereon and totaling not less than twenty-two (22) minutes of
playing time (unless BMG, in 

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                                       20

its discretion, agrees in writing that fewer than twenty-two (22) minutes of 
playing time for a particular EP is acceptable).

     (h) "LP" means a Record containing not fewer than eight (8) sides thereon
and totaling not less than thirty-five (35) minutes of playing time (unless BMG,
in its discretion, agrees in writing that fewer than thirty-five (35) minutes of
playing time for a particular LP is acceptable).

     (i) Intentionally Deleted.

     (j) "Album" means one (1) or more LPs packaged together by BMG for
marketing as a single unit.

   *(k) "Container deduction" means XXXXXXX percent of either the "published 
 price to dealers", "constructed price" or "actual selling price" of such 
 Record, whichever is the applicable price in computing the royalty on such 
*Record, except for analogue cassettes the percentage shall be XXXXXXXX 
 percent.

    *(l) "Records sold", "record sales" and "sales" mean XXXXXXX percent of
those Records shipped by BMG hereunder for which BMG is paid and which are
neither returned to nor exchanged by BMG. For the purpose of this subparagraph
24(l):

          (i) If Records are shipped subject to a discount or merchandise plan,
     the number of such Records deemed to have been shipped shall be determined
     by reducing the number of Records shipped by the percentage of discount
     granted.

          (ii) If a discount is granted in the form of "free" or "bonus"
     Records, such "free" or "bonus" Records shall not be deemed included in the
     number of Records sold.

          (iii) If Records which are shipped subject to a discount or
     merchandising plan, or respecting which a discount was granted in the form
     of "free" or "bonus" Records, are returned to BMG, the number of such
     Records deemed to have been returned shall be determined by reducing the
     number of Records returned by the percentage of discount in effect under
     the BMG discount or merchandising plan applicable to returns at the time of
     such returns.

          (iv) In no event shall the aggregate number of LP Records on BMG's Top
     Line deemed not shipped and not sold under sub-paragraphs 24(l)(i) and (ii)
    *above XXXXXXX percent of the aggregate of gross Records shipped in all 
     configurations of the applicable Record or BMG shall accrue royalties 
     hereunder with respect to any such excess.

     (m) "Person" and "party" mean any individual, corporation, partnership,
association or other organized group or combination of any or all of the
foregoing, and their legal successors or representatives.

     (n) "Offset Right" means BMG's right, with respect to certain monies to
which the Offset Right applies hereunder, to demand reimbursement from you of
such monies (and you shall immediately make such reimbursement) and/or the right
to charge such monies against and/or deduct same from any sums accruing or
becoming payable hereunder.

     (o) "Sales through normal trade channels" and "sold through normal trade
channels" mean all sales or uses hereunder, but excluding all other sales or
uses set forth in subparagraph 9(b) above.

*-Confidential portions omitted and filed separately with the Commission.

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                                       21

     (p) "Top Line" means BMG's top "price line" of Records of a particular
type. By way of example only as prices are subject to change, the current
average PPD for a regular CD is approximately $12.87 and for a regular Cassette
is approximately $7.54. "Mid-price line" means (with respect to Records of a
particular type for which BMG has established a PPD) a "price line" which is
equal to or greater than sixty-five (65%) percent and less than eighty-six (86%)
percent of BMG's Top Line for Records of such particular type and (with respect
to Records of a particular type for which BMG has not established a PPD) a
"price line" which is BMG's secondary "price line" for Records of such
particular type. "Budget line" means (with respect to Records of a particular
type for which BMG has established a PPD) a "price line" which is equal to or
greater than fifty-one (51%) percent and less than sixty-five (65%) percent of
BMG's Top Line for Records of such particular type and (with respect to Records
of a particular type for which BMG has not established a PPD) a "price line"
which is BMG's tertiary "price line" for Records of such particular type.
"Super-Budget line" means (with respect to Records of a particular type for
which BMG has established a PPD) a "price line" which is less than fifty-one
(51%) percent of BMG's Top Line for Records of such particular type and (with
respect to Records of a particular type for which BMG has not established a PPD)
a "price line" which is BMG's lower "price line" for Records of such particular
type.

     (q) "Licensed LPs" means the albums set out in Schedule "A" and any other
albums delivered pursuant to paragraph 4 for which BMG has exercised its option
therein.

     (r) "Licensed Masters" means the Master recordings contained on the
Licensed LPs.

     (s) "Artists" means those recording artists, individually and collectively,
whose performances are contained on Licensed LPs.

     25. Trademark

     (a) You grant to BMG the sole and exclusive right during the Term and any
extensions thereof to use your Trademark "Imprint Records" or any other
trademarks hereafter used by you in the United States (hereinafter collectively 
referred to as "Trademarks" and individually as a "Trademark") or any of them, 
only within the Territory, only on or in relation to the Licensed LPs 
manufactured or marketed by BMG as provided herein and only for so long as the 
Licensed LPs continue to be manufactured or sold by BMG in accordance with each 
and all of the terms and conditions hereof. BMG shall use the Trademark only so 
long as the Licensed LPs hereunder are made in accordance with specifications, 
standards and quality approved by you, acting reasonably and in conformity with
the quality standards embodied in samples approved by you, acting reasonably. 
BMG shall provide you, promptly after your request therefor, samples of any and 
all Licensed LPs and other reproductions manufactured or sold in the Territory 
and shall permit you or its representatives to observe the manufacture thereof.

     (b) If any adverse claim is asserted by any third party with respect to the
Trademarks, BMG shall have the right to manufacture, sell and advertise the
Licensed LPs hereunder under any other trademark selected by you with BMG's
approval (or if no such trademark is selected by you, under a trademark selected
by BMG) until such claim shall have been defeated or withdrawn, or until you
shall have granted to BMG the right to use under this agreement another
trademark upon the same terms and conditions as set forth in this Paragraph 25.

     (c) In the event of any adverse or unauthorized use of the Trademarks or
any of them and of any use of any kind whatsoever of any marks similar to the
Trademarks, BMG shall give you prompt notice thereof and shall cooperate with
you, at your expense, in the appropriate claims or protests and in any
litigation such use.

<PAGE>
                                       22

     (d) Subject to the foregoing, the Licensed LPs manufactured by BMG under
this agreement shall be released under the Trademarks, and all records
manufactured hereunder and all album covers, labels, sleeves and other packaging
and all advertising and promotional materials relating thereto shall bear the
Trademarks (and no other trademarks save those owned or controlled by BMG) as
same appear on the Licensed LPs, Album covers, sleeves and other packaging and
advertising and promotional materials released or distributed by you outside the
Territory (except in the event you prepare the packaging in accordance with
subparagraph 5(e) above). BMG shall comply with all label copy instructions
received from you and all label copy shall bear appropriate notice under the
Rome Convention.

     (e) BMG shall have the right to identify itself as the manufacturer and
distributor of the Licensed LPs hereunder in the Territory on Records embodying
Master recordings hereunder and on the packaging thereof in a type size not
larger than the industry standard.

     (f) BMG's use of the Trademarks shall not vest in BMG any right, title or
interest in the Trademarks. Upon termination of the Term, BMG shall assign to
you all rights that BMG may have acquired in the Trademarks.





     IN WITNESS WHEREOF the parties hereto have executed this agreement.

                                        BMG MUSIC CANADA INC.



                                        Per: /s/ PAUL ALOF
                                             -----------------------------------
                                               An Authorized Signatory

     Agreement with the foregoing is hereby acknowledged this 7th day of
                                                              ---
August, 1996.
------

IMPRINT RECORDS INC.



Per ROY W. WUNSCH
---------------------------
    An Authorized Signatory

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                                             23



                                    SCHEDULE OF PUBLISHERS

<PAGE>

                                             24


                                         SCHEDULE "A"