National 

Endowment 

for the Arts 
National Endowment for the Arts 

Washington, D.C. 

Dear Mr. President: 

I have the honor to submit to you the 

Annual Report of the National Endowment 

for the Arts and the National Council 

on the Arts for the Fiscal Year ended 

September 30, 1983. 

Respectfully, 

Frank Hodsoll 

Chairman 

The President 

The White House 

Washington, D.C. 

March 1984 
 

 

 

 

 

 

 

 

Contents
 

Chairman’s Statement 2
 

The Agency and Its Functions 6
 

The National Council on the Arts 7


Programs 8
 

Dance 10
 

Design Arts 36
 

Expansion Arts 52
 

Folk Arts
 72
 

Inter-Arts 86
 

Literature 100
 

Media Arts: Film/Radio/Television
 116


Museum 134
 

Music 166
 

Opera-Musical Theater 214
 

Theater 224
 

Visual Arts 248
 

Office for Public Partnership 266
 

Artists in Education 268
 

State Programs 274
 

Office for Private Partnership 278
 

Challenge 280
 

Advancement 286
 

Office of Policy, Planning, and Research 290
 

Fellowship Program ~for Arts Managers 293
 

International 296
 

Research 299
 

Special Constituencies 302
 

Appendix 306
 

Statement of Mission 309
 

Touring and Presenting Policy Statement 311
 

Financial Summary 314
 

History of Authorizations and Appropriations 315
 
Chairman’s
 

Statement
 

The descriptions of the 5,247 grants listed in this Annual Report 1983 represent the rich variety of artistic creativity taking place throughout the country. 

They are testimony to the central importance of the 

arts in American life and to the fundamental fact that 

the arts are not only alive, but in many cases,
 

flourishing.
 

Let me reaffn’m certain basic principles:
 

 ̄ Support of the arts is "primarily a matter for 

private and local initiative." This felicitous phrase 

from the declaration of purpose in our enabling 

statute underscores Congressional recognition that 

arts support has historically been and should remain largely a matter of private, local concern. Our 

unique American system has drawn thousands of 

our citizens into the role of patron. No single voice 

or set of tastes dominates. The vitality and pluralism of the arts in America would be undermined 

if this broad nature of support tilted too far in one 

direction or was left ~n the hands of too few decision makers. 

 ̄ There is, nonetheless, an appropriate role for 

the Federal Government. We should, through the 

Endowment, continue our role of enhancing and 

strengthening excellence in, access to, and appreciation of the arts. In performing our mission, 

we will continue our efforts to encourage new and 

increased non-federal support--public and private. 

 ̄ The Endowment’s decision making is based 

primarily on the principle of peer panel review and 

advice from the National Council on the Arts. This 

system has served the public interest, creating 

both the fact and the appearance of due process. 

We aff’n~n again the importance of this review 

system. 

Let me also affn’m this administration’s commitment to the work of the Endowment. President 

Reagan remarked last May: "... We support the 

work of the National Endowment for the Arts to 

stimulate excellence and make art more available to 

more of our people... The Endowment also encourages private support. We owe a great deal of 

thanks to the members of the National Council on 

the Arts..." More recently, Vice President Bush 

said in an address to the Business Council on the Arts 

that the National Endowment has "been a strong 

catalyst in providing matching grants, advocacy, and 

information." 

Based on the advice of the National Council on the 

Arts, we have recently adopted a Mission Statement 

(see Appendix) that defines our role as a partner in 

support of the arts in this country. The Mission Statement summarizes the purpose of the Endowment in 

two simple phrases: 

 ̄ To foster the excellence, diversity, and vitality 

of the arts in the United States; and 

 ̄ To help broaden the availability and appreciation of such excellence, diversity, and vitality. 

The first of these goals is simpler to achieve: to 

identify the best of our nation’s artists and arts 

organizations and provide them with some level of 

support and federal recognition based on peer 

review. This is done directly through our single- and 

multiple-discipline programs in order to assist the 

creation, production, presentation/exhibition, and 

preservation of art of the highest level and of national 

or regional significance. 

The second goal, availability and appreciation, requires a strategy that over time will reach all 

Americans. What is at stake here is nothing less than 

the completeness of the American spirit. Understanding and appreciation of art in our society is an essential part of understanding what it is to be an 

American. In both of these efforts, we will need to 

work closely with our public partners: the state and 

local arts agencies. 

Let me now turn to some of the specific efforts we 

are undertaking to achieve our mission. 

Recognition 

We believe the Endowment must continue to exercise leadership in recognizing excellence wherever 

we find it, particularly in those areas where recognition is not so easily attained. I speak specifically of 

the experimental, seldom performed or exhibited, 

ethnic, and longer-term. 

In May 1983, the President and Mrs. Reagan recognized six artists and six patrons of the arts at the 

White House. During a luncheon organized by the 

President’s Committee on the Arts and Humanities, 
the President asked me to explore with the Congress 

the possibility of creating a national medal in the arts. 

We have been working with the Congress to establish such a medal, which would be presented by 

Presidents to outstanding artists and patrons for 

their contributions to artistic excellence. The National Council on the Arts, the Endowment’s principal advisory body would recommend the artists and 

patrons to be honored. 

Programs 

In the disciplines, we have been looking for longerterm opportunities that can help the various fields 

to move forward. We have completed nine meetings 

with experts in dance, design, media, music, operamusical theater, state and local arts support, theater, 

touring and presenting, and visual arts. Based on 

these meetings and advice from both our panels and 

the National Council on the Arts, I would note the 

following: 

 ̄ Our Design Arts Program has been revised to 

concentrate more on advocacy, particularly with 

regard to the economic benefits that accrue from 

good design and cultural facilities, development of 

design competitions, and adaptive reuse of abandoned public buildings (e.g., schools, railway stations, etc.). 

 ̄ We have increased emphasis on the Challenge 

and Advancement Programs to assist capital formation to permit arts institutions to achieve a 

greater capacity to take risks and produce their 

general repertoire with excellence. These programs are coordinated by our Deputy for Private 

Partnership. 

 ̄ We are continuing to provide funding to assist 

the independent production of feature films and 

programming in the arts by public television. With 

the American Film Institute, we have started a 

new and comprehensive initiative to deal with the 

problem of film preservation. We are exploring a 

similar effort in the area of video preservation. 

 ̄ We have begun an effort to supplement our 

national fellowship programs (in Visual Arts and 

Media Arts) with regional fellowships to provide 

recognition and support of artists in all parts of the 

country. 

 ̄ To assist connections between artists and commercially controlled distribution and exhibition 

systems, we have instituted a program to publish 

short stories in ten daily newspapers. We hope to 

supplement this with the best of the nonprofit list 

this year. We are also exploring relationships between the commercial and nonprofit world in the 

areas of music, theater, media, and visual arts. 

 ̄ We have recently adopted, on the advice of the 

National Council on the Arts, a new touring and 

presenting policy statement, recognizing the 

market place in which touring and presenting take 

Chairman’s Statement 3 

place and the different interests of the different 

parties (see Appendix). 

 ̄ In Dance, we are beginning (in partnership 

with the Rockefeller Foundation and Exxon) a new 

project to provide dance company residencies for 

new choreographers. This is particularly needed 

in the field of ballet. 

 ̄ In Theater, we are undertaking a new initiative to strengthen the use of ongoing ensembles. 

The artistic benefits of a repertory company 

system, like the Royal Shakespeare Company, are 

recognized. While this effort will not be appropriate 

for all theaters, it will enable some theaters to expand the potential of theater artists (actors, actresses, directors, set designers, etc.) to work 

together over time on different artistic 

productions. 

Partnership 

We have strengthened, and will continue to 

strengthen, our public and private partnership efforts. Some of these are reflected in my description 

of program initiatives:

The Local Arts Agencies Initiative: At the Endowment’s last reauthorization, Congress emphasized the need for the Endowment to address in some 

concrete way the local nature of the arts. This issue 

had already been the subject of extensive discussion 

with our partners, the state and local agencies, and 

the National Council on the Arts. We have made a 

beginning by establishing the Test Program of Support for Local Arts Agencies (approved in November 

1982). The Test Program is designed to test the ability of the Endowment to leverage sustainable increases in local government support for the arts, improve the processes for administering these monies 

at the local level, and improve planning (both among 

state and local public agencies and among arts institutions and their private supporters). 

In June, this program received 43 applications involving 212 local arts agencies from 27 states. The 

Local Test Program Advisory Panel met in September and recommended for funding six State-Local 

Partnership Grant applications and five Direct 

Grants to local arts agencies. These 11 Fiscal 1984 

grants were recommended at the November 1983 

meeting of the National Council on the Arts. 

Efforts in Arts Education: The need for improved 

arts education (kindergarten through twelfth grade) 

has emerged as a priority in virtually every artistic 

discipline area. It has also become a priority for state 

and local arts agencies and the National Council on 

the Arts. Building on the Artists in Education experience, we will seek to engage educators and 

schools, as well as artists and arts institutions, in an 

attempt to make the arts more a part of the lives and 

experiences of all Americans. 

Let me now describe some of the efforts we are 
4 Chairman’s Statement 

either undertaking or exploring: 

 ̄ Members of the arts community and arts educaters attended Education Secretary Terrel Bell’s 

National Forum on Excellence in Education in Indianapolis in December 1983. With the consent of 

the Department of Education, we have urged state 

arts agencies and artists in education coordinators 

to make sure that the chief state school officers in 

each of their states are aware of the importance 

of arts education, as rec.ognized indirectly by the 

National Commission on Excellence in Education 

and directly by the College Board’s Academic 

Preparation for College: What Students Need to 

Know and Be Able to Do. 

 ̄ We have undertaken a study to identify and 

assess arts education programs in New England 

and New York, and to examine the public and private support systems that sustain these programs. 

 ̄ We are exploring ways to use the unique capacities of television in the area of arts education. A 

research and development phase and two test programs for a television series exploring the arts is 

being considered in cooperation with the National 

Endowment for the Humanities, the J. Paul Getty 

Trust, and the Children’s Television Workshop. 

 ̄ We are looking at possible ways to assist the 

education efforts of our arts institutions. Arts 

organizations all over the country, particularly 

museums and performing arts groups, have extensive outreach and educational activities. 

The quality of teaching is of tremendous importance in determining educational success or failure. 

The program of summer seminars for secondary 

school teachers initiated by the Humanities Endowment was remarkably successful and we are 

considering a similar approach in the arts for both 

arts teachers and regular classroom teachers. 

 ̄ Finally, we are exploring a variety of possible 

approaches to bring increased and improved arts 

education to local school districts. We plan four 

regional meetings to explore these possibilities. 

Public Sector Support: We are continuing our efforts to develop closer and more effective cooperation among the public sector supporters of the arts 

at the national, state, and local levels. We regularly 

consult with other federal arts supporters--such as 

the National Endowment for the Humanities, the Institute for Museum Services, the Smithsonian Institution, the United State Information Agency-to 

coordinate our respective programs and avoid 

duplication of funding. Our Office of State Programs, 

which administers the Endowment funds set aside 

for state arts agencies, has helped the state and 

regional arts agencies support thousands of arts projects each year. These projects represent state and 

regional responses to local needs and demonstrate 

our conviction that the states and regions should 

determine their own program choices and priorities 

for the block funding provided by the Endowment. 

The health of public support for the arts at the 

state level is indicated be the continued steady 

growth in annual state appropriations to state arts 

agencies. State appropriations for FY 84 have increased by 9.5% to a new high of $135,423,900. The 

appropriations of 44 state arts agencies now exceed 

the annual basic grants they receive from the Endowment. Also worth noting is increasing commitment to the arts by states other than New York. 

Whereas in Fiscal 1977, New York accounted for 52% 

of all state arts appropriations, in Fiscal 1984, it accounts for 26%--exactly half of the earlier percentage. Since the establishment of State Programs in 

1966, state arts agencies have received appropriations totalling over $1 billion. 

Private Sector Support: In the private partnership area, we also have reason for optimism. The 

President has established a Committee on the Arts 

and the Humanities to encourage additional private 

support. At the Arts Endowment, we have established an Office for Private Partnership to coordinate 

the many efforts that our agency has always made 

to stimulate additional private funding for the arts. 

The record of our Challenge Program is well 

known. $110 million in federal funds have generated 

over $800 million in new and increased private funding with many of the efforts still underway. We expect the private side of the Challenge Program to 

exceed $1 billion as the Challenge Grants we announced a few months ago are matched. We have also 

doubled the size of our Advancement Program and 

]?roadened it so as to strengthen smaller institutions 

in all fields. 

We are also working on a variety of specific projects to link the private sector in areas of national 

importance where private funding has been less evident. Examples include our partnership with the 

Rockefeller Foundation, A T & T, Warner Communications, and the New York State Council on the 

Humanities to assist the Brooklyn Academy of 

Music’s Next Wave Touring and Production Fund. 

Last summer, we encouraged Continental Telecom 

to assist the second annual National Heritage 

Fellowship Awards. I have already mentioned the 

partnership with the Rockefeller Foundation and Exxon on choreography residencies. We are looking for 

partners to replace A T & T regarding the Bell Orchestra Tour and to secure additional funding for 

public television programming in the arts. (I should 

note that it was the Getty Foundation which approached us for using television in arts education.) 

Of great encouragement is the fact that 1981 and 

1982 witnessed real increases in giving to cultural 

institutions for the first time since 1976; this was so, 

notwithstanding the 1981 Economic Recovery Tax 

Act. Private funding, as recorded by the American 

Association of Fundraising Council, went from $2.96 
billion in 1980 to $3.35 billion in 1981 to $3.67 billion 

in 1982 (excluding the capital portion of the Getty 

bequest). The most recent figures from the Business 

Committee on the Arts show that in 1982, corporations contributed $506 million to the arts--an increase 

of 32% over 1981, notwithstanding a 45% increase 

in corporate earnings. These figures, while not 

precise, show a continuing and growing commitment 

on the part of the private sector to our nation’s 

culture. 

In conclusion, there remains a steady bipartisan 

support for the work of the Endowment. There is 

an ever growing recognition of the catalytic nature 

Chairman’s Statement 5 

of the Endowment’s support and of its ability to exercise leadership in support of the arts. More importantly, the private local sources of support for the 

arts remain healthy and continue to grow. With inflation and interest rates now down, our prospects 

for the future are looking good. Our art and artists, 

like all our citizens, depend on it. 

Frank Hodsoll 

Chairman 

National Endowment for the Arts 
The Agency and
 

Its Functions
 

The National Foundation on the Arts and 

the Humanities 

In 1965 Congress created the National Foundation 

on the Arts and the Humanities as an independent 

agency of the executive branch of federal government. The Foundation consists of the National Endowment for the Arts, the National Endowment for 

the Humanities, and the Federal Council on the Arts 

and the Humanities. The Foundation is a legislative 

umbrella concept; it has no administrative or programming identity separate from its components. 

National Council on the Arts 

Formed in 1964, the National Council on the Arts 

preceded by one year the establishment of the National Foundation on the Arts and the Humanities. 

The Council is composed of the Chairman of the 

National Endowment for the Arts, who serves as 

Chairman of the Council, and 26 presidentially appointed citizens who are recognized for their knowledge of the arts, or for their expertise or profound 

interest in the arts. The Council is mandated by law 

to advise the Chairman on policies, programs, and 

procedures. It also must review and make recommendations on applications for grants. 

Council members serve six-year terms, staggered 

so that roughly one-third of all the Council rotates 

every two years. 

National Endowment for the Arts 

The National Endowment for the Arts, an independent agency of the federal government, was created 

in 1965 to encourage and support American art and 

artists. Its major goals are to foster artistic excellence by helping to develop the nation’s finest 

creative talent, to preserve our cultural heritage in 

all its diversity, to make the arts available to wider, 

more informed audiences, and to promote the overall 

financial stability of American arts organizations. 

The Endowment serves as a catalyst to increase 

opportunities for artists and to spur involvement in 

the arts by private citizens, public and private 

organizations, and the states and communities. The 

agency does not direct or interfere with the creative 

activities of individual artists or arts organizations. 

Rather, it acts as a partner with the arts-support 

community, using federal resources to develop and 

promote a broadly conceived national policy of support for the arts. 

Chairman of the Endowment 

The Chairman of the Arts Endowment is appointed 

by the President of the United States, with the advice and consent of the Senate, for a term of four 

years. The Chairman provides overall direction to the 

work of the Endowment. By law, the Chairman 

makes final decisions on policies, programs, procedures, and the awarding of all grants and contracts. 

Endowment Panels 

The panels serve the individual Programs of the Endowment much as the National Council on the Arts 

serves the Endowment as a whole. Together the 

Council and panels provide a system of professional 

peer review to evaluate applications, identify problems, and develop the policies and programs 

through which the Endowment responds to changing conditions. 

More than 600 private citizens serve on these 

panels, whose membership rotates regularly. 

Panelists are appointed by the Chairman with the 

advice of the staff and Council members, as well as 

organizations and leaders in the field. 

Methods of Funding 

Grant money authorized by Congress comes to the 

Endowment in program funds, the Treasury Fund, 

and Challenge Grant funds. Most direct grants to 

organizations and individuals come from program 

funds. Program grants to arts institutions must be 

matched at least dollar-for-dollar. 

The Treasury Fund arrangement allows private 

donors to pledge gifts to specific Endowment 

grantees. Each pledge frees an equal amount for the 

grantee from the Treasury Fund, which is maintained at the Treasury Department. Grantees must 

then match the combined total of the donor’s pledge 

plus the Treasury Fund disbursement. 

Challenge Grants are awarded for projects that 

contribute to the long-term financial stability of 

grantee organizations and must be matched on at 

least a three-to-one basis. 
National Council 

on the Arts 

Frank Hodsoll 

Chairman 

Members with terms expiring 

in 1984: 

Thomas P. Bergin 

Educator 

Notre Dame, Indiana 

Norman B. Champ, Jr. 

Arts Patron/Trustee 

St. Louis, Missouri 

Martin Friedman 

Museum Director 

Minneapolis, Minnesota 

Jacob Lawrence 

Painter 

Seattle, Washington 

Bernard Bias Lopez 

State Arts Agency Director 

Santa Fe, New Mexico 

Maureene Rogers 

Community Theater Director 

Montgomery, Alabama 

James Rosenquist 

Painter 

Aripeka, Florida 

Robert Shaw 

Conductor 

Atlanta, Georgia 

Jessie A. Woods 

Arts Administrator 

Chicago, Illinois 

Rosalind Wiener Wyman 

Arts Patron/Administrator 

Los Angeles, California 

Members with terms expiring 

in 1986: 

Kurt Herbert Adler 

Conductor/Opera Producer 

Ross, California 

Margo Albert 

Performer/Arts Administrator 

Los Angeles, California 

Arthur I. Jacobs 

Arts Patron/Trustee 

Fernandina Beach, Florida 

Robert Joffrey 

Choreographer/Artistic Director 

New York, New York 

Erich Leinsdorf 

Conductor
 

New York, New York
 

Toni Morrison 

Author/Editor
 

Grand-View-on-Hudson,
 

New York
 

I.M. Pei 

Architect
 

New York, New York
 

Lida Rogers 

State Arts Agency Director
 

Jackson, Mississippi
 

Members with terms expiring 

in 1988: 

C. Douglas Dillon 

Arts Patron/Trustee 

New York, New York 

Allen Drury 

Novelist 

Tiburon, California 

Celeste Holm 

Actress 

New York, New York 

Raymond J. Learsy 

Arts Patron/Trustee
 

New York, New York
 

Samuel Lipman 

Critic/Publisher
 

New York, New York
 

George Schaefer 

Producer/Director
 

Beverly Hills, California
 

Robert Stack 

Actor
 

Los Angeles, California
 

William L. Van Alen 

Architect
 

Wilmington, Delaware
 
Programs
 
Dance 

Design Arts 

Expansion Arts 

Folk Arts 

Inter-Arts 

Literature 

Media Arts: 

Film/Radio/Tele vision 

Museum 

Music 

Opera.Musical Theater 

Theater 

Visual Arts 

11 

Dance
 

Dance Advisory Panels
 

Bob Altman
 

General Manager of WHYY

Philadelphia, Pennsylvania 

Charles Atlas 

Filmmaker 

New York, New York 

Mary K. Bailey 

General Manager 

Aman Folk Ensemble 

Los Angeles, California 

Art Becofsky 

Executive Director 

Cunningharn Dance Foundation 

New York, New York 

Trisha Brown 

Artistic Director 

Trisha Brown Dance Company 

New York, New York 

Martha Clarke
 

Artistic Director
 

Crewsnest
 

New Milford, Connecticut
 

Richard Contee 

Executive Director 

Dayton-Hudson Foundation
 

Minneapolis, Minnesota
 

Senta Driver
 

Artistic Director
 

Harry’s Foundation
 

New York, New York
 

Betty Empey 

Executive Director 

Los Angeles Area Dance
 

Alliance
 

Los Angeles, California
 

Carolyn Evans 

Director of Performing Arts/

Touring and Presenting
 

California Arts Council
 

Sacramento, California
 

Joel Garrick
 

President
 

Boston Ballet
 

Boston, Massachusetts
 

Robert Gladstein
 

Assistant Director and
 

Ballet Master
 

San Francisco Ballet
 

San Francisco, California
 

Camille Hardy 

Dance critic and writer 

Chicago, Illinois 

Nancy Mason Hauser 

Filmmaker, dance critic 

Los Angeles, California 

Anne Hawley 

Exechtive Director 

Massachusetts Council on the 

Arts and Humanities 

Boston, Massachusetts 

Mary Hinkson 

Dance teacher, former dancer
 

New York, New York
 

Ken Hope 

Director of Fellows Program
 

MacArthur Foundation
 

Chicago, Illinois
 

Ian Horvath 

Artistic Director
 

Cleveland Ballet
 

Cleveland, Ohio
 

Bert Houle 

Artistic Director
 

Bert Houle Mime Theater
 

San Francisco, California
 

Bill T. Jones 

Co-Artistic Director 

Foundation for Dance Promotion 

New York, New York 

Jane Koock 

Grants Coordinator 

Texas Commission on the Arts 

Austin, Texas 

SaliAnn Kriegsman
 

Dance Writer and Consultant
 

Smithsonian Institution
 

Washington, D.C. 

Robert Lindgren 

Artistic Director 

North Carolina Dance Theater 

Winston-Salem, North Carolina 

Murray Louis
 

Artistic Director
 

Murray Louis Dance Company
 

New York, New York
 

Donald McKayle 

Choreographer 

Sherman Oaks, California 

John Mueller 

Director 

Dance Film Archive 

Rochester, New York 

Marcia Preiss 

Artists’ representative

Poughkeepsie, New York 

Jackie Radis 

Choreogr~her, Program Director, 

MoMing Dance and Art Center 

Chicago, Illinois 

Tina Ramirez 

Artistic Director
 

Ballet Hispanico of New York
 

New York, New York
 

Rena Shagan
 

Dance management consultant
 

New York, New York
 

Suzanne Shelton 

Dance critic
 

Dance History Professor


University of Texas
 

Austin, Texas
 

Mikki Sheperd 

Director of Community Services 

Brooklyn Academy of Music 

Brooklyn, New York 

Allegra Fuller Snyder
 

Filmmaker, dance historian
 

Professor of Dance
 

University of California
 

Los Angeles, California
 
12 Dance 

Gus Solomons 

Artistic Director 

Solomons Company/Dance 

New York, New York 

Kent Stowell 

Artistic Director 

Pacific Northwest Ballet 

Seattle, Washington 

Ivan Sygoda 

Associate Director 

Pentacle Management 

New York, New York 

Dance Grants
 

Choreographers’

Fellowships 

Paul Taylor 

Artistic Director 

Paul Taylor Dance Company 

New York, New York 

Liz Thompson 

Executive Director 

Jacob’s Pillow Dance Festival 

Lee, Massachusetts 

Brenda Way 

Choreographer and Founder 

Oberlin Dance Collective 

San Francisco, California 

Sue Weil 

Senior Vice President of 

Programming

Public Broadcasting Service 

Washington, D.C. 

Roland Wilson 

Producing Director

and General Manager 

Musical Hall Center for 

the Performing Arts

Detroit, Michigan 

Program funds: $8,805,566 Treasury funds: $ 300,000 

547 grants 

To provide funds for any project or activity that will further a choreographer’s development. 

Program funds: $422,000 104 grants 

The following choreographers received $8,000 each: 

Anastos, Peter G. 

New York, New York 

Armitage, Karole 

New York, New York 

Carvajal, Carlos K. 

San Francisco, California 

Cunningham, James H.M. 

New York, New York 

Deal, Melvin E.

Washington, D.C. 

Douglas, Helen, E. 

New York, New York 

Goslar, Lotte

West Cornwall, Connecticut 

Griffin, Rodney 

Philadelphia, Pennsylvania 

Houlton, Loyce 

Minneapolis, Minnesota 

Jaroslow, Risa 

New York, New York 

Keefer, Kristine Kelly 

Cambridge, Massachusetts 

Meehan, Nancy C. 

New York, New York 

Monte, Elisa 

New York, New York 

The following choreographers received $3,000 each: 

Alum, Manuel A. 

New York, New York 

Anderson, Deborah 

Columbus, Ohio 

Attix, Karen L. 

San Francisco, California 

Babcock, Craig 

Rockaway, New Jersey 

Bahr, Jill Eathorne 

Memphis, Tennessee 

Barsness, Eric P. 

New York, New York 

Becker, Jill M. 

New York, New York 

Bergmann, Elizabeth H. 

Cypress, California 

Nagrin, Daniel 

New York, New York 

Perez, Rudolph 

Los Angeles, California 

Stein, Daniel A. 

Milwaukee, Wisconsin 

Summers, Elaine L. 

New York, New York 

Tolbert, Alyo Clem 

Chicago, Illinois 

Wilde, Marc

Ojai, California 

Bernson, Kathryn and Stormy Mullis 

New York, New York 

Bobrow, Carol A. 

Chicago, Illinois 

Buckley, Timothy R. 

New York, New York 

Buntz, Gina E. 

New York, New York 
Burham, Rika 

New York, New York 

Byrd, Donald 

Valencia, California 

Caniparoli, Val W. 

San Francisco, California 

Cheng, Maria 

Minneapolis, Minnesota 

Chmelar, Robin D. 

Salt Lake City, Utah 

Dannenberg, Helen 

San Francisco, California 

Dickinson, Theresa 

San Francisco, California 

Erkert, Jan K.

Chicago, Illinois 

Farley, Alice P. 

New York, New York 

Feniey, A. Molissa
 

New York, New York
 

Fisher, Ellen M. 

New York, New York 

Fleming, Libby Komaiko 

Chicago, Illinois 

Frank, Diane
 

New York, New York
 

Gibson, Albert
 

Bronx, New York
 

Guggenheim, Isadora 

Chicago, Illinois 

Hamby, Douglas J. 

New York, New York 

Harling, Pamela Katherine 

New York, New York 

Harms, Rachel A.
 

New York, New York
 

Hon, Jan Huei

Seattle, Washington 

Irwin, William M. 

San Francisco, California 

Jones, John F.

Teaneck, New Jersey 

Kantor, Paul B. 

Cleveland Heights, Ohio 

Kaye, N. Pooh 

New York, New York 

Keeler, Emily R. 

San Francisco, California 

Kessler, Michael P. 

New York, New York 

Keuter, Cliff 

Menlo Park, California 

Lorea, Roberto 

New York, New York 

Lund, Gary L.
 

New York, New York
 

Martyn, Rhonda K.
 

San Francisco, California
 

Matthews, Virginia G.
 

San Francisco, California
 

McCusker, Daniel W.
 

New York, New York
 

Miller, Timothy G. 

New York, New York 

Montoya, Rosa 

San Francisco, California 

Morris, Mark W.

Hoboken, Ne~ Jersey 

Mosohen, Michael J.
 

New York, New York
 

Moss, Judith H. 

New York, New York 

Nash, Matthew D. 

New York, New York 

Nielsen, Douglas R. 

New York, New York
 

Nireuska, Pola


Washington, D.C. 

Okada, Kimi D.
 

San Francisco, California
 

Osgood, Amy D.
 

Chicago, Illinois
 

Packer, Myrna
 

New York, New York
 

Padow, Judy I.


New York, New York
 

Pearson, Sara
 

New York, New York
 

Perrnn, Wendy B.
 

New York, New York
 

Plevin, Marcia 

W’mston-Salem, North Carolina 

Porter, Claire M. 

Teaneck, New Jersey 

Radis, Jackie S. 

Chicago, Illinois 

Ragir, Judith S. 

Chicago, Illinois 

Salinger, Susan S. 

New York, New York 

Scheibman, Bonnie S. 

New York, New York 

Schick, Pamela 

Seattle, Washington 

Shang, Ruby 

New York, New York 

Shapiro, Linda J. 

Minneapolis, Minnesota 

Siebert, Beth

Iowa City, Iowa 

Siegenfeld, William 

Scarsdale, New York 

Slater, Deborah 

San Francisco, California 

Small, Robert S. 

New York, New York 

Sohl.Donnell, Linda J. 

Los Angeles, California 

Soil, Beth E.

Cambridge, Massachusetts 

Sparling, Peter
 

New York, New York
 

Stewart, Melanie 

Philadelphia, Pennsylvania 

Streb, Elizabeth A. 

New York, New York 

Taylor-Corbett, Lynne E. 

Rockvflle Centre, New York 

Turocy, Catherine M.
 

New York, New York
 

Vernon, Charles R. 

Woodberry, David P. 

Lexington, Massachusetts 

Young, Martina L. 

Los Angeles, California 

Zane, Arnold M. 

New York, New York 

Zompakos, Stanley S.
 

Atlanta, Georgia
 
14 Dance 

Fagan, Garth 

Rochester, New York 

Lamhut, Phyllis 

New York, New York 

Paxton, Steve 

East Charleston, Vermont 

For one year of a three-year choreographer’s fellowship. 

For one year of a three-year choreographer’s fellowship. 

For one year of a three-year choreographer’s fellowship. 

$8,000 

Grants to 

Dance Companies 

Aims of Modzawe 

Jamaica, New York 

Aman Folk Ensemble 

Los Angeles, California 

Arts Catalyst Alliance 

New York, New York 

Atlanta Ballet 

Atlanta, Georgia 

Ballet Foundation of Milwaukee 

Milwaukee, Wisconsin 

Ballet Theatre Foundation 

New York, New York 

Ballet West 

Salt Lake City, Utah 

Bella Lewitzky Dance Foundation 

Los Angeles, California 

Bert Houle/Sophie Wibaux Mime

Theatre 

San Francisco, California 

Boston Ballet 

Boston, Massachusetts 

Changing Times Tap Dancing Company 

New York, New York 

Chicago City Ballet 

Chicago, Illinois 

Choreographics 

Berkeley, California 

Cincinnati Ballet Company 

Cincinnati, Ohio 

Cleveland Ballet 

Cleveland, Ohio 

To promote artistic development, administrative and financial stability, and

increased visibility and community support for professional dance companies

during the 1982-83 season. For budgetary reasons, Dance/Inter-Arts/State

Programs Presenting/Touring Initiative grants were also funded in this 

category. These grants are combined with identical amounts in the InterArts Program to increase the quality and quantity of dance presentations 

throughout the nation. 

Program funds: $767,857
 Treasury funds: $300,000
 117 grants
 

To amend a previous grant for rehearsal support for Dinizulu Dancers, $1,302 Drummers, and Singers.. 

To amend a previous grant for rehearsal salaries and production costs. 2,604 

To amend a previous grant for Nina Wiener and Dancers. 1,042 

To amend a previous grant for promotional materials and a rehearsal period.
 

To amend a previous grant for administrative and artistic costs for 1,953 the Milwaukee Ballet Company. 

For rehearsal salaries for dancers and artistic staff of the American 13,019 Ballet Theatre. 

To amend a previous grant for the home season, rehearsal costs, and 9,765 a new work by Helen Douglas. 

To amend a previous grant for a new work by Bella Lewitzky for 1,953 the company. 

To amend a previous grant for the creation of new works and other 1,628 artistic costs. 

To amend a previous grant for the 1982-83 season. 

To amend a previous grant for performances and workshops. 

For dancers’ salaries during rehearsals. 2,604 

17,020 

To amend a previous grant for the salary of the artistic director. 1,042 

To amend a previous grant for rehearsals and a media campaign. 3,906 

To amend a previous grant for new ballets and restaging of one work. 7,812 

3255 
Coming Together Festival of Dance 

and Music 

New Paitz, New York 

Concert Dance Company 

Watertown, Massachusetts 

Crowsnest 

New York, New York 

Cunningham Dance Foundation 

New York, New York 

Dan Wagoner Foundation

New York, New York 

Dance Collective/Mass Movement

Lexington, Massachusetts 

Dance Kaleidoscope 

Indianapolis, Indiana 

Dance Solos 

New York, New York
 

Dance Theatre Foundation
 

New York, New York
 

Dance Theatre Seattle 

Seattle, Washington 

Dance Theatre of Harlem
 

New York, New York
 

Dance Visions
 

New York, New York
 

Dance in Maine Foundation 

Brunswick, Maine
 

Dances and Drums of Africa 

Brooklyn, New York 

Danceteller
 

Chambersburg, Pennsylvania
 

Dayton Contemporary Dance Guild 

Dayton, Ohio 

Dean Dance and Music Foundation 

New York, New York 

Dimensions Dance Theatre 

Oakland, California 

Don Redlich Dance Company
 

New York, New York
 

Eglevsky Ballet Company


of Long Island


New Hyde Park, New York
 

18th Street Dance Foundation
 

New York, New York
 

Foundation for Dance Promotion 

New York, New York 

Foundation for Independent Artists

New York, New York 

Foundation for Independent Artists 

New York, New York 

Foundation for Modern Dance
 

New York, New York
 

Dance 15 

765 To amend a previous grant for the restaging of one work for Vanaver 

Caravan. 

977 To amend a previous grant for a new work for the company. 

918 To amend a previous grant for the creation of new works and a rehearsal period. 

13,019 To amend a previous grant for artistic costs for the Merce Cunningham
 

Dance Company.
 

1,953 To amend a previous grant for artistic costs and a marketing campaign. 

782 To amend a previous grant for artistic costs and a marketing project. 

459 To amend a previous grant for the creation of a new work for the
 

company.
 

1,302 To amend a previous grant for support of a home season. 

To amend a previous grant for artistic and marketing costs for the 9,114 

Alvin Alley American Dance Theater. 

612 To amend a previous grant for a development program for the Bill


Evans Dance Company.
 

14,972 To amend a previous grant for a rehearsal period and staging of works. 

651 To amend a previous grant for a new work. 

1,302 To amend a previous grant for a self-produced season in New York

City. 

1,953 To amend a previous grant for a rehearsal period and administrative 

costs.
 

5,765 For a new work by artistic director Trina Collins and the salary of
 

the director of development.
 

1,563 To amend a previous grant for rehearsals, consultants, and travel. 

3,906 To amend a previous grant for a new work for television. 

459 To amend a previous grant for rehearsals and a home season. 

1,302 To amend a previous grant for a co-produced season with Phyllis


Lamhut Dance Company and Annabelle Gamson.
 

3255 To amend a previous grant for expansion of the number of


performances.
 

1,302 To amend a previous grant for the creation of a new work. 

1,302 To amend a previous grant for artistic and management costs. 

949 To amend a previous grant for a second home season. 

782 To amend a previous grant for the creation of a new work. 

1,953 To amend a previous grant for the creation of a new work and administrative costs.
 
16 Dance 

Harry’s Foundation 

New York, New York 

Hartford Ballet 

Hartford, Connecticut 

Harvest Dance Foundation 

New York, New York 

Hieronymus Foundation 

New York, New York 

House Foundation for the Arts 

New York, New York 

Houston Ballet Foundation 

Houston, Texas 

Hubbard Street Dance Company 

Chicago, Illinois 

Joffrey Ballet, Foundation for the
 

New York, New York
 

Jose Limon Dance Foundation 

New York, New York 

Kahn, Majors and Dancers 

New York, New York 

Kansas City Civic Ballet Association 

Kansas City, Missouri 

Kathryn Posin Dance Foundation

New York, New York 

Kei Takei’s Moving Earth 

New York, New York 

Kinetikos Dance Foundation 

Los Angeles, California 

Kipnis Mime Theatre 

Brooklyn, New York 

Los Angeles Area Dance Alliance 

Los Angeles, California 

Luboviteh Dance Foundation 

New York, New York 

Lucinda Childs Dance Foundation 

New York, New York 

Lynn Dally Dance Company 

Los Angeles, California 

Margaret Jenkins Dance Studio 

San Francisco, California 

Maria Benitez Spanish Dance

Company 

New York, New York 

Martha Graham Center 

of Contemporary Dance 

New York, New York 

Maryland Dance Theatre

College Park, Maryland 

May O’Donnell Concert Dance

Company 

New York, New York 

To amend a previous grant for new works. 1,563 

For two new ballets by guest choreographers Peter Martins and 1,953 

Rodney Griffin. 12,765 

To amend a previous grant for the creation of a new work by Rosalind 1,302

Newman. 

To amend a previous grant for a self-produced home season and the 977 

creation of a new work. 

To amend a previous grant for film documentation and a rehearsal 4,167 

period. 

To amend a previous grant for creation of a new work by Farren Dyde. 1,953 

To amend a previous grant for rehearsals, a commissioned work, and 1,563 

administrative costs. 

For a new work by Laura Dean, a revival of John Cranko’s Jeu de 10,416 

Cartes, rehearsals, and research into tour posm%ilities and use of cable 68,075 

television. 

To amend a previous grant for a documentary film, the addition of 2,604 new dancers, and a rehearsal period. 

To amend a previous grant for hiring a booking manager and 1,042 

rehearsals. 

To amend a previous grant for production of Kiss of Fate by Todd 1,953 

Bolender. 

To amend a previous grant for the creation of a new work and the 918 

engagement of a company manager. 

To amend a previous grant for the creation and rehearsal of a new 1,302 

work. 

To amend a previous grant for activities for Dance/L.A. 612 

To amend a previous grant for a creative rehearsal period and revivals 1,042 

of older works. 

To amend a previous grant to TNR: The New Repertory for ad- 651 

ministrative expenses. 

To amend a previous grant for the creation of new works and costume 2,865 

costs. 

To amend a previous grant for the creation of a new work and a rehear- 3;255 sal period. 

To amend a previous grant for the administrative expenses and ar- 1,953 

tistic costs for the Jazz Tap Ensemble. 

To amend a previous grant for the creation of a new work and addi- 1,302 tional performances. 

To amend a previous grant for the creation of a new work and a self- 1,953 produced home season. 

For a rehearsal period for repertory maintenance, two revivals, and 7,161 

a new work by Martha Graham. 46,800 

To amend a previous grant for administrative costs and the creation 977 

of a second home season in North Carolina. 

To amend a previous grant for rehearsals and promotional materials. 765 
Dance 17 

Mid-Man Dance Foundation 

New York, New York 

New Dance Theatre 

Denver, Colorado 

New Hampshire Mime Company

Dance Theatre 

Portsmouth, New Hampshire 

New York City Ballet 

New York, New York 

New York City Hispanic-American 

Dance Company 

New York, New York 

NikolaisfLouis Foundation for Dance 

New York, New York 

Nikolais/Louis Foundation for Dance 

New York, New York 

Nikolais/Louis Foundation for Dance 

New York, New York 

Nikolais/Louis Foundation for Dance 

New York, New York 

North Carolina Dance Theatre 

Winston-Salem, North Carolina 

Oakland Ballet Company and Guild 

Oakland, California 

Oberlin Dance Collection 

San Francisco, California 

Ohio Chamber Ballet 

Akron, Ohio 

Orchestra of Our Time 

New York, New York 

Original Ballets Foundation 

New York, New York 

Pacific Northwest Ballet Association 

Seattle, Washington 

Paul Taylor Dance Foundation 

New York, New York 

Pennsylvania Ballet Association 

Philadelphia, Pennsylvania 

Philadelphia Dance Company 

Philadelphia, Pennsylvania 

Pick-Up Performance Company 

New York, New York 

Pilobolus 

Washington, Connecticut 

Plexus 

Takoma Park, Maryland 

Primary Performance Group 

New York, New York 

Ram Island Dance Center 

Portland, Oregon 

Red River Dance and Performing

Company 

Fargo, North Dakota 

To amend a previous grant for new works, archival videotapes, and 

a self-produced home season. 

To amend a previous grant for a new work and marketing costs for 

the Cleo Parker Robinson Dance Ensemble. 

To amend a previous grant for booking expenses. 

For a creative rehearsal period to maintain works by George Balanchine, Jerome Robbins, and Peter Martins. 

To amend a previous grant for a new work, a revival, a rehearsal 

period, and a self-produced home season. 

To amend a previous grant for a new work and a rehearsal period 

for the Nikolais Dance Theatre. 

To amend a previous grant for a new work and a rehearsal period 

for the Murray Louis Dance Company. 

To amend a previous grant for Murray Louis Dance Company’s 

1981-82 home season. 

To amend a previous grant for support of Nikolais Dance Theatre’s 

1981-82 home season. 

To amend a previous grant for rehearsals, a new ballet, and a home 

season. 

To amend a previous grant for the restaging of two works. 

To amend a previous grant for creation of works, a home season, and 

the engagement of a ballet mistress. 

To amend a previous grant to establish a second home season. 

To amend a previous grant for a new work. 

To amend a previous grant for a home season for the Eliot Feld Ballet

Company. 

To amend a previous grant for production costs and the salary of the 

comptroller. 

To amend a previous grant for the creation of new works, revivals 

of two works, and a serf-produced home season. 

For dancers’ salaries for the 1982-83 season prior to performances

of Tschaikovsky’s Nutcracker. 

To amend a previous grant for the staging of a work. 

To amend a previous grant for the creation of a new work, a paid 

rehearsal period, and a home season. 

To amend a previous grant for the creation of new works. 

To amend a previous grant for rehearsal and creation of new works. 

To amend a previous grant for a home season and publicity costs. 

To amend a previous grant for a home season and publicity costs. 

For the creation of a new work by artistic director Kathy Gasper and 

home and regional performances. 

1,302 

1,302 

459 

107,199 

TF 39,965 

3255 

1,302 

1,628 

2,500 

2,000 

32.55 

3255 

1,563 

2,604 

1,042 

3255 

3,906 

11,717 

83,397 

1,953 

2,930 

651 

459 

1,042 

1,042 

3,459 
18 Dance 

Repertory Dance Theatre 

Salt Lake City, Utah 

Rinker Cervetti Dance and Music 

Brooklyn, New York 

Rio Grande Union 

New York, New York 

San Francisco Ballet Association 

San Francisco, California 

Solomons Company-Dance 

New York, New York 

Transmedia Kinetrics Coalition 

New York, New York 

Trisha Brown Dance Company 

New York, New York 

Twyla Tharp Dance Foundation 

Brooklyn, New York 

United Mime Workers 

Champaign, Illinois 

Valerie Huston Dance Theatre 

Santa Barbara, California 

Washington Ballet 

Washington, D.C. 

Zero Moving Dance Company 

Philadelphia, Pennsylvania 

Zivili Kolo Ensemble 

Granville, Ohio 

To amend a previous grant to increase the number of home 

performances. 

To amend a prewous grant for a new dance work and the position 

of a company administrator. 

To amend a prewous grant for the creation and rehearsal of a new 

work. 

To amend a prewous grant for a home season, rehearsals, and production costs. 

To amend a prewous grant for a rehearsal period and marketing. 

977 

1,042 

1,953 

11,580 

612 

To amend a prewous grant for a rehearsal period, the creation of a 

new work, and marketing costs for Kenneth King and Dancers. 

To amend a prewous grant for the creation of a new work and a selfproduced home season. 

To amend a prewous grant for the creation of new works, a rehearsal period, and audience development. 

To amend a prewous grant for a creative rehearsal period. 

1,042 

2,604 

8,463 

30285 

1,000 

To amend a prewous grant for the general manager’s salary and a

rehearsal period. 

To amend a prewous grant for additional performances. 

1,563 

1,953 

For a rehearsal period. 4,906 

To amend a previous grant for an additional self-produced season. 765 

Dance/Inter-Arts/State Programs Presenting/Touring Initiative 

Affiliated State Arts Agencies 

of the Upper Midwest 

Minneapolis, Minnesota 

Alaska State Council on the Arts 

Anchorage, Alaska 

California Arts Council 

Sacramento, California 

D.C. Commission on the Arts 

and Humanities 

Washington, D.C. 

Great Lakes Arts Alliance 

Cleveland, Ohio 

(Hawaii) State Foundation on

Culture and the Arts 

H~nolulu, Hawaii 

Mid-America Arts Alliance 

Kansas City, Missouri 

New England Foundation for the Arts 

Cambridge, Massachusetts 

New York State Council on the Arts 

New York, New York 

For dance presentation fees for Iowa, Minnesota, North Dakota, and 

South Dakota. 

$31,000 

For the dance component of the council’s touring program and fees 

for dance presenters in the state. 10,750 

For artists’ fees for a dance touring and presentation project to encourage presenters to be more creative in their programming. 

24,750 

For a grant program that provides artistic fees to out-of-town dance 

companies that specialize in ethnic or avant-garde dance forms. 5,000 

To present residencies by nationally recognized dance companies in 

Illinois, Indiana, Michigan, and Ohio. 27,500 

For presenters to program up to five dance companies for the 1983-84 

season. 

7,500 

For 20 companies to be in residency presentations for 15 weeks within 

a five-state region. 

For regional presenters to present nationally known dance companies, 

and for a contemporary dance presentation with the Jacob’s Pillow

Dance Festival. 

32,500 

17,500 

For upstate New York presenters to program non-traditional ethnic, 

or out-of-state dance companies. 25,000 
Dance 19 

Pennsylvania Council on the Arts, 

Commonwealth of 

Harrisburg, PennsylvarLia 

Southern Arts Federation 

Atlanta, Georgia 

Texas Commission on the Arts 

Austin, Texas 

Virgin Islands Council on the Ar~ 

St. Croix, Virgin Islands 

Western States A~ts Foundation 

Santa Fe, New Mexico 

Wisconsin Arts Board 

Madison, Wisconsin 

Dance Company 

Grants 

Performance 

Aims of Modzawe 

Jamaica, New York
 

Aman Folk Ensemble 

Los Angeles, California
 

Art of Black Dance and Music 

Sommerville, Massachusetts 

Atlanta Ballet 

Atlanta, Georgia 

Ballet Foundation of Milwaukee 

Milwaukee, Wisconsin 

Ballet Theatre Foundation 

New York, New York 

Ballet West 

Salt Lake City, Utah 

Bella Lewitzky Dance Foundation 

Los Angeles, California 

Bert Houle/sophie WHmux Mime Theatre

San Francisco, California 

Boston Ballet 

Boston, Massachusetts 

CDS Dance 

New York, New York 

Changing Times Tap Dancing Company 

New York, New York 

Cincinnati Ballet Company 

Cincinnati, Ohio 

For artists’ fees for out-of-state dance companies programmed by 

presenting organizations in Pennsylvania. 

For artists’ fees to presenters in the Southeast for dance company 30,000 

To assist presenters in Texas with artists’ fees for engaging out-of- 25,000 

state dance companies. 

For a one-week residency by the Dance Theatre of Harlem. 7,500 

For the presentation of dance companies by consortia in the founda- 25,000 

tion’s ten-state region. 

For 13 weeks of residencies by nationally known dance companies 6,000 

presented by the Wisconsin Performing Arts Network. 

Includes two subcategories: Performance grants help companies improve

and expand their performance activities at home and on tour, increase earned

income, and improve the cost-effectiveness of all performance-related activities during the 1983-84 season. Creative and Management grants help

companies with projects during the 1983-84 season that best serve their artistic and management needs. 

Program funds: $4,958,089 193 grants 

For dancers’ salaries for performances during the home and touring $5,765 

season of the Dinizulu African Dancers, Drummers, and Singers. 

For two weeks of performances at home and on tour. 28,825 

For home and regional performances throughout New England. 5,765 

For a residency at the Brooklyn Center for the Performing Arts. 10,377 

For residencies and tearing throughout Wisconsin and the upper 28,060 

Midwest. 

For salaries for dancers and other personnel for the 20-week season 

of the American Ballet Theatre. 

For additional home seasons; a second home in Ogden, Utah; a summer residency in Aspen, Colorado; and expanded touring. 

For the 1983-84 touring season. 20,754 

For promotion, production, and presentation of the home season and 5,765 

six weeks of touring. 

For a one-week regional fall tour in 1983. 17~95 

For five weeks of tearing, mostly in the mid-Atiantic region. 5,765 

For a one-week performance workshop devoted to tap improvisation 

and composition. 

For artistic and marketing costs of a six-week tour for the 1983-84 

season. 

92240 
20 Dance 

Cleveland Ballet 

Cleveland, Ohio 

Crowsnest 

New York, New York 

Cunningham Dance Foundation 

New York, New York 

Dallas Civic Ballet Society 

Dallas, Texas 

Dan Wagoner Dance Foundation 

New York, New York 

Dance in Maine Foundation 

Brunswick, Maine 

Dance Kaleidoscope

Indianapolis, Indiana 

Dance Solos 

New York, New York 

Dance Theater Foundation 

New York, New York 

Dance Theater Foundation 

New York, New York 

Dance Theatre of Harlem 

New York, New York 

Dances and Drums of Africa 

Brooklyn, New York 

Daniel Nagrin Theatre and Film 

Dance Foundation 

New York, New York 

Dayton Ballet Association 

Dayton, Ohio 

Dayton Contemporary Dance Company 

Dayton, Ohio 

Dean Dance and Music Foundation 

New York, New York 

Don Redlich Dance Company 

New York, New York 

Eglevsky Ballet Company of

Long Island

New York, New York 

Foundation for Dance Promotion 

New York, New York 

Foundation for Independent Artists 

New York, New York 

Foundation for Independent Artists 

New York, New York 

Foundation for Modern Dance 

New York, New York 

Foundation for the Joffrey Ballet 

New York, New York 

For a home audience development plan and the ad~tion of a full-time 23,060 

group sales coordinator. 

For three weeks of residencies and touring, including publicity for 7,740 

the 1983-84 season. 

For the company’s 1983-84 touring and home season. 44,967 

For an additional week of performances in Santa Fe, during the 11,530 

1983-84 season. 

For participation at national booking conferences, expanded promo- 12,000 

tion and booking, a home season in New York City, and self-promotion 

of touring performances. 

For travel, production costs, dancers’ and manager’s salaries and per 5,765 

diem, and publicity costs for the 1983~4 performances by Indrani and 

Sukanya: Classical Dances of India. 

To increase home performances by the company during the 1983-84 5,765 

season. 

For a one-week performance series in New York City for Annabelle 5,765 

Gamson. 

For two self-produced home seasons at City Center and a nine-week 172,950 

U.S. tour by the Alvin Ailey American Dance Theater. 

For a 13-week U.S. tour by the Alvin Alley Repertory Ensemble. 

For the company’s domestic performances during the 198384 season. 145~278 

For self-produced performances in New York City, an elght-week 11,530 

U.S. tour, and promotion and beoldng costs. 

For a three-week home season and promotional and videotape 5,765 

expenses. 

For a second home performance season in Youngstown, Ohio during 5,765 

1983-84. 

For the company’s 15th anniversary home season, featuring promi- 11,530 

nent black choreographers. 

For touring and promotional costs for the Laura Dean Dancers and 23,825 

Musicians. 

To support three weeks of the spring 1984 touring season. 5,765 

For additional performances in Long Island and Queens. 23,060 

For a two-week domestic tour and marketing of a New York season 11,530 

for the company of Bill T. Jones/Arnie Zane. 

For four weeks of touring, a home season, and publicity costs for Eiko 6,636 

and Korea. 

For costs of a New York season and domestic touring for Charles 8,071 

Moulton and Dancers. 

For a home season at the Joyce Theatre and touring in the U.S. for 28,825 

the Erick Hawkins Dance Company. 

For a four-week home season at City Center, spring and summer 172,950 

tours, two self-produced seasons in Los Angeles, and self-produced 

seasons in other cities. 

Foundation for the Vital Arts For a two-week season and a promotional campaign for the Eleo 9,305 

New York, New York Pomare Dance Company. 
Harry’s Foundation

New York, New York 

Hartford Ballet 

Hartford, Connecticut 

Harvest Dance Foundation 

New York, New York 

Hieronymus Foundation 

New York, New York 

House Foundation for the Arts 

New York, New York 

Hubbard Street Dance Company 

Champaign, Illinois 

Jose Limon Dance Foundation 

New York, New York 

Kansas City Civic Ballet Association 

Kansas City, Missou~ 

Kentucky Dance Council 

Louisville, Kentucky 

Louis Falco Dance Company 

New York, New York 

Lubovitch Dance Foundation 

New York, New York 

Lucinda Childs Dance Foundation 

New York, New York 

Lynn Dally Dance Company 

Los Angeles, Caiiforuia 

Margaret Jenkins Dance Studio

San Francisco, California 

Maria Benitez Spanish Dance

Company 

New York, New York 

Martha Graham Center of 

Contemporary Dance 

New York, New York 

May O’Donnell Concert Dance Company 

New York, New York 

Mid-Man Dance Foundation 

New York, New York 

New Dance Theatre 

Boulder, Colorado 

New York City Ballet 

New York, New York 

Nikolais/Louis Foundation for Dance 

New York, New York 

Nikolals/Louis Foundation for Dance 

New York, New York 

North Carolina Dance Theatre 

Winston-Salem, North Carolina 

Oakland Ballet Company and Guild 

Oakland, California 

For three months of national touring, promotional costs, and a twoweek tour by the booldng manager to survey potential touring sites. 

For promotional materials and a field representative to work with

regional presenters to determine new touring sites. 

For a seven-week tour of the U.S. and a self-produced home season 

for Rosalind Newman and Dancers. 

For rmtional touring for Bowyer and Burggeman American Comedie. 

For the 1983-84 touring of Meredith Monk/The House and the 

Meredith Monk’s Repertory Touring Company. 

For 16 weeks of touring during the 1983-84 season. 

For touring during the 1983-84 season. 

For a direct-mailing project to increase subscriptions and financial

support from individuals. 

To hire a marketing director and develop and distribute new promotional materials for the Louisville Ballet. 

For the company’s 1983-84 domestic touring and the creation of

videotaped promotional materials. 

For seven weeks of touring and the investigation of new marketing 

approaches by the booking agent. 

For the home season at the Brooklyn Academy of Music. 

For the production of new promotional materials and the 1983-84 home 

and touring season for the Jazz Tap Ensemble. 

For promotional materials, travel, and salaries during the performing season for the Margaret Jenkins Dance Company. 

For six weeks of national touring and a one-week home season. 

For a three-week home season and ten weeks of domestic touring 

for the Martha Graham Dance Company. 

For touring and a home season. 

For a one-week self-produced home season; six co-sponsored concerts 

in six cities; and promotion, marketing and sales costs for the Joyce 

Trisler Danscompany. 

For a six-week national tour and a two-week home season with the 

Denver Symphony Association for the Cleo Parker Robinson Dance 

Ensemble. 

For a portion of the company’s travel expenses and per diem costs

to the Saratoga Performing Arts Center, the Kennedy Center, Miami 

Beach, and Chicago. 

For a six-week domestic tour and promotional support for the home 

season of Murray Louis Dance Company. 

For the Nikolais Dance Theatre’s ll-week domestic tour. 

For the costs of the company’s home seasons in Winston-Salem and

Greensboro during the 1983-84 season. 

For the company’s touring activities and promotional programs. 

Dance 21 

11,530 

17~°95 

11,530 

6,918 

5,765 

17~295 

11,530 

10,000 

34,950 

5,635 

13,836 

6,918 

17~95 

103,770 

5,765 

12,683 

5,765 

200,000 

17~95 

34,590 

29,793 

13,836 
22 Dance 

Oberlin Dance Collective 

San Francisco, California 

Ohio Chamber Ballet 

Akron, Ohio 

Original Ballets Foundation 

New York, New York 

Pacific Northwest Ballet Association 

Seattle, Washington 

Paul Taylor Dance Foundation 

New York, New York 

Pennsylvania Ballet 

Philadelphia, Pennsylvania 

Pick-Up Performance Company 

New York, New York 

Pilobolus 

Washington, Connecticut 

Pittsburgh Ballet Theatre 

Pittsburgh, Pennsylvania 

Ram Island Dance Center 

Portland, Maine 

Rio Grande Union 

New York, New York 

San Francisco Ballet Association 

San Francisco, California 

Theatre Flamenco of San Francisco 

San Francisco, California 

Trisha Brown Dance Company 

New York, New York 

Twyla Tharp Dance Foundation 

New York, New York 

United Mime Workers 

Champaign, Illinois 

Valerie Huston Dance Theatre 

Santa Barbara, California 

Washington Ballet 

Washington, D.C. 

Zero Moving Dance Company 

Philadelphia, Pennsylvania 

Creativity and Management 

Acme Dance Company 

New York, New York 

Aman Folk Ensemble 

Los Angeles, California 

American Authentic Jazz Dance Theatre 

New York, New York 

Ballet Theatre Foundation 

New York, New York 

For a marketing campaign. 8,071 

For the company’s home seasons in Akron and Cleveland, and the 

addition of a third home season in another city in Ohio. 

For five weeks of domestic touring, home seasons at the Joyce Theatre 

in New York City, and the development of additional marketing aids. 

For performances in Portland, Oregon, and the purchase of a portable stage-lighting system for home and touring performances. 

For a four-week self-produced home season at City Center and partial support for 12 weeks of domestic touring. 

For home performances during the company’s 1983-84 season. 

20,000 

80,710 

34,590 

115,300 

138,360 

For New York City performance seasons and touring costs. 11,530 

For a three-week tour in the midwest during March 1984. 10,320 

For artistic salaries, transportation, and promotional costs for the 

company’s 1983-84 performances. 

For the Ram Island Dance Company’s home season, regional and national tour, and for a marketing campaign in consultation with 

FEDAPT. 

17,295 

8,648 

For a home season for Douglas Dunn and Dancers. 8,000 

For three home seasons, a week’s residency in Hawaii, and regional 

touring throughout southern California. 

For three weeks of regional touring and production of videotape promotion materials. 

For the company’s 1983-84 home season and preparation expenses 

for touring. 

For Twyla Tharp Dance Company’s domestic tour and three-week 

New York City performance. 

For the 1983-84 season of performances and residency activities.. 

145,278 

5,765 

11,530 

69,180 

5,765 

For performances of the "New Choreographers Season." 4,500 

To improve marketing techniques to increase earned income. 5,765 

For performances throughout the northeastern U.S. 5,765 

For .artistic director Jamie Cunningham to create a new work. $5,765 

For a rehearsal period, the new position of marketing coordinator, 

and new works by resident choreographers Richard Crum and Leona 

Wood. 

28,825 

For the revival of Pepsi Bethel’s The Blues and The Minstrel. 5,765 

For a rehearsal period for the dancers and artistic staff of the 

American Ballet Theatre. 

98,005 
Dance 23 

Ballet West 

Salt Lake City, Utah 

Bella Lewitzky Dance Foundation 

Los Angeles, California 

Bert Houle/Sophie Wibaux Mime 

Theatre 

San Francisco, California 

Bert Houle/Sophie Wibaux Mime 

Theatre 

San Francisco, California 

Black Dimensions Dance Theatre 

Oakland, California 

Boston Ballet 

Boston, Massachusetts 

CDS Dance 

New York, New York 

Chicago City Ballet 

Chicago, Illinois 

Choreographics 

Berkeley, California 

Chuck Davis Dance Company 

Bronx, New York 

Cincinnati Ballet Company 

Cincinnati, Ohio 

Cleveland Ballet 

Cleveland, Ohio 

Coming Together Festival of Music

and Dance 

New Palt~, New York 

Concert Dance Company of Boston

Watertown, Massachusetts 

Crowsnest 

New York, New York 

Cunningham Dance Foundation 

New York, New York 

Dan Wagoner Dance Foundation 

New York, New York 

Dance Base 

New York, New York 

Dance in Maine Foundation 

Brunswick, Maine 

Dance Miami 

Miami, Florida 

Dance Theater Foundation 

New York, New York 

For a rehearsal period, the restaging of Bouranville Divertissement, 

and the presentation of a new work selected from the 1982-83 

choreography workshop. 

74,945 

For a rehearsal period for repertory maintenance and a new work

created by artistic director Bella Lewitzky. 

13,836 

For the creation of new mime pieces by Bert Houle, a rehearsal period, 

salaries, promotional materials, and production expenses during the 

1984-85 season. 

15,000 

For the creation of new works, a rehearsal period, and a video 

documentary of the creative process and development of the performance style of the Mime Theatre. 

11,530 

For hiring a full-time manager and a part-time administrative assistant, an audience development and fund-raising campaign, a residency 

andnew work by guest choreographer Fred Benjamin, and a rehearsal period. 

5,765 

For a new ballet created by artistic director Violette Verdy, and

engaging guest choreographer Choo San Goh and an additional teacher 

and coach. 

28,825 

For a new work created by resident choreographer Anna Sokolow 

and the hiring of a manager for Daniel Lewis Dance -- A Repertory 

Company. 

5,765 

For a creative rehearsal period for the company. 23,060 

For a new work by artistic director Wendy Rogers for the Wendy 

Rogers Dance Company. 

6,750 

To support the positions of assistant director, director of academies, 

and booking manager. 

11,530 

For a rehearsal period and a new work created by guest 

choreographer Joseph Duell. 

28,060 

To support paid rehearsal periods during the 1983-84 season. 57,650 

For rehearsal periods, a videotape for documentation and promotion 

of the company, and the position of business manager/concert

promotion. 

5,765 

For the acquisition of a work by guest choreographer Murray Louis 

for the Concert Dance Company and preparation of a television 

documentary. 

6,918 

For the position of director of development. 6,918 

For the creation of new works by Artistic Director Merce Cunningham 

and the continued collaboration between Mr. Cunningham and film 

director Charles Atlas in the creation of film]dances. 

98,005 

For the creation of a new work by Artistic Director Dan Wagoner, 

a rehearsal period, an additional administrator, and a fund-raising 

consultant. 

9224 

To hire a creative sales and marketing consultant for Laura Glenn 

and Gary Ltmd]Two’s Company. 

5,765 

For a rehearsal period for repertory maintenance for Indrani and 

Sukanya: Classical Dances of India. 

5,765 

To hire a full-time development director. 5,765 

For rehearsals; a new work created by Artistic Director Alvin Alley; 

and new works by guest choreographers Donald Mckayle, Murray 

Louis, and Louis Falco for the Alvin Alley American Dance Theater. 

69,180 
24 Dance 

Dance Theater Foundation 

New York, New York 

Dance Theatre of Harlem 

New York, New York 

Dance Visions 

New York, New York 

Dance Visions 

New York, New York 

Dances and Drums of Africa 

Brooklyn, New York 

Dances We Dance 

Honolulu, Hawaii 

Danceteller 

Chambersburg, Pennsylvania 

Daniel Nagrin Theatre and Film 

Dance Foundation 

New York, New York 

Dayton Ballet Association 

Dayton, Ohio 

Dayton Ballet Association 

Dayton, Ohio 

Dayton Contemporary Dance Company

Dayton, Ohio 

Dean Dance and Music Foundation 

New York, New York 

Eglevsky Ballet Company of Long 

Island 

New Hyde Park, New York 

Foundation for Dance Promotion 

New York, New York 

Foundation for Independent Artists

New York, New York 

Foundation for Independent Artists 

New York, New York 

Foundation for Modern Dance 

New York, New York 

Foundation for Modern Dance 

New York, New York 

Foundation for the Joffrey Ballet 

New York, New York 

Foundation for the Vital Arts 

New York, New York 

Harm’s Way 

New York, New York 

Harry’s Foundation

New York, New York 

For rehearsals and the creation of new works by guest choreographers 11,530 

Louis Johnson, Diane Grey, Aria Marie Forsythe and Bill T. Jones 

for the Alvin Alley Repertory Ensemble. 

For the staging of Marius Petipa’s Giselle by Frederic Franklin, an 104,923 

eight-week rehearsal period for repertory maintenance, and the l~ring of an assistant director of development. 

For dancers’ rehearsal salaries, additional management personnel, 8,648 

and a new work by artistic director Dianne McIntyre for Sounds in 

Motions. 

For the preparation, rehearsal, and performance of a new dance work

by artistic director Dianne Mclntyre, with music composed and performed by a well-known jazz artist during the 1984-85 season. 

For choreographers’ fees, and videotaping of the company’s reper- 5,000 

toire for use in a publicity campaign. 

To restage Doris Humphrey’s Invention by artistic director Betty 5,765 

Jones. 

For a full-length dance work created by artistic director Trina Collins. 5,765 

For the re-editing and maintenance of Daniel Nagrin’s films and 11,530 

videotapes converting them into cassette format. 

For performances for elementary school students during the 1984-85 8,000 

season. 

For the services of development consultant. 5,765 

For increased rehearsal periods for repertory maintenance and the 5,765 

creation of new works. 

For hiring a development director and for the creation and rehear- 28,825 

sal of a new work by artistic director Laura Dean. 

For a new work created by guest choreographer Joseph Duell. 10,000 

For new promotional materials, booking costs, rehearsal period for 11,530 

the creation of new works, and a feasibility study for computerizing 

financial and mailing information for the company of Bill T. Jones]Arhie Zane. 

For a rehearsal period for repertory maintenance and the creation 5,765 

of a new work by artistic director Billy Siegenfeld, with jazz score 

composed by Charles Blenzig for Billy Siegenfeld and Dancers. 

To support Eiko and Korea in reconceiving their 1977 work Fur Seal 5,765 

as a 30-minute videotape program. 

For a new work created by artistic director Erick Hawkins, a 17~95 

30-minute film documenting some of Mr. Hawkins’ choreography by 

film producer Lee Caplin, and a consultant to work with the management concerning fund-raising. 

For the 1984-85 home and touring season, a part-time publicist, and 48,130 

other promotion costs for the Erick Hawkins Dance Company. 

For new ballets by guest choreographers Jh-i Kyllan and Laura Dean 80,710 

and a ten-week rehearsal period. 

For salaries for dancers and artistic personnel during rehearsals and 5,765 

salaries for administrative staff of the Eleo Pomare Dance Company. 

For Rachel Harms to create a new work and rehearsal salaries for 9,000 

dancers for the 1984-85 season. 

For the creation of two new works. 5,765 
Hartford Ballet 

Hartford, Connecticut 

Hartford Ballet 

Hartford, Connecticut 

Harvest Dance Foundation 

New York, New York 

Hieronymus Foundation 

New York, New York 

House Foundation for the Arts 

New York, New York 

Houston Ballet Foundation 

Houston, Texas 

Hubbard Street Dance Company 

Chicago, Illinois 

Ile-Ife Black Humanitarian and 

Culture Center 

Philadelphia, Pennsylvania 

Jose Limon Dance Foundation 

New York, New York 

Jose Limon Dance Foundation 

New York, New York 

Kahn, M~iors and Dancers 

New York, New York 

Kahn, Majors and Dancers 

New York, New York 

Kentucky Dance Council 

Louisville, Kentucky 

Louis Falco Dance Company 

New York, New York 

Lubovitch Dance Foundation 

New York, New York 

Lucinda Childs Dance Foundation 

New York, New York 

Lynn Dally Dance Company 

Los Angeles, California 

Margaret Jenkins Dance Studio 

San Francisco, California 

Maria Benitez Spanish Dance

Company 

New York, New York 

Martha Graham Center of 

Contemporary Dance 

New York, New York 

Maryland Dance Theater 

College Park, Maryland 

May O’Donnell Concert Dance Company 

New York, New York 

May O’Donnell Concert Dance Company 

New York, New York 

For a rehearsal period for repertory maintenance, a new work by

artistic director Michail Uthoff, and the restaging of works by Paul 

Taylor and Jose Limon. 

For new works by guest choreographer Rodney Griffin during the 

1984~5 season. 

For the creation of a new work by artistic director Rosalind Newman 

for Rosalind Newman and Dancers. 

For a series of new works by artistic director Bob Bowyer and the 

engagement of a company manager for Bowyer and Bruggeman 

American Ballet Comedie. 

For the positions of an artistic director and development]membership director and video documentation. 

For producing the Choreographers’ Workshop, which provides opportunities for emerging choreographers to present works during the 

company’s 1983-84 performance season. 

For a rehearsal period for repertory maintenance and the positions

of company manager and production stage manager. 

To restage three works for the Arthur Hall Afro-American Dance 

Ensemble for the 1983-84 season. 

For a rehearsal period for repertory maintenance and a new work 

created by artistic director Carla Maxwell for the Jose Limon Dance 

Company. 

For moving tour booking to an in-house operation during the 1984-85 

season. 

For the creation and rehearsal of a new work by artistic director Hannah Kalm, and the position of company administrator for the Hannah Kahn Dance Company. 

For a rehearsal period for repertory maintenance, the creation of a 

new work by Hannah Kahn, and the restaging of an earlier work during the 1984-85 season. 

For the New Works Program during the 1984-85 season, including

three new ballets choreographed to commissioned scores. 

To begin paying the executive producer. 

For a new work by artistic director Lar Lubovitch, the addition of 

a work by a guest choreographer, and hiring a booking agent. 

For a new work created by artistic director Lucinda Childs and a 

six-week rehearsal period for repertory maintenance. 

For rehearsal periods, the creation of new work, and a full-time company manager for the Jazz Tap Ensemble. 

For a new work by artistic director Margaret Jenkins and a fundraising cousuitant for the Margaret Jenkins Dance Company. 

For a five-week rehearsal period for repertory maintenance and a 

new work by guest choreographer Milton Meyers. 

For a rehearsal period for repertory maintenance, the revival of old

repertoire, and the creation of new works by artistic ~lirector Martha Graham for the Martha Graham Dance Company. 

To stage Victoria Uris’ Sea Dreams, and add a female dancer to the 

Maryland Dance Theater. 

For a new work created by artistic director May O’Donnell. 

For the creation of a new work by May O’Donnell and a two-week

rehearsal period during the 1984-85 season. 

Dance 25 

13,836 

15,000 

11,530 

17,295 

17,295 

5,765 

11,530 

20,000 

9,950 

8,000 

8,000 

10,000 

17~95 

16,142 

6,918 

13,836 

51,885 

5,765 

5,000 

8,000 

9224 
9224 

26 Dance 

Mid-Man Dance Foundation 

New York, New York 

Morca Foundation of the Spanish Dance Seattle, Washington 

Moving Earth 

New York, New York 

New Dance Theatre 

Boulder, Colorado 

New Jersey Ballet Company 

West Orange, New Jersey 

New Life Dance 

New York, New York 

New York City Ballet 

New York, New York 

New York City Hispanic-American

Dance Company 

New York, New York 

Nikolais/Louis Foundation for Dance 

New York, New York 

North Carolina Dance Theater 

Winston-Salem, North Carolina 

Nova Dance Foundation 

New York, New York 

Oakland Ballet Company and Guild 

Oakland, California 

Oakland Ballet Company and Guild 

Oakland, California 

Oberlin Dance Collective 

San Francisco, California 

Oberlin Dance Collective 

San Francisco, California 

Ohio Chamber Ballet 

Akron, Ohio 

Original Ballets Foundation 

New York, New York 

Osgood Dancers 

Chicago, Illinois 

Pacific Northwest Ballet Association 

Seattle, Washington 

Pantomime Circus Foundation 

New York, New York 

Paul Taylor Dance Foundation 

New York, New York 

Philadelphia Dance Company 

Philadelphia, Pennsylvania 

For a full-time administrative associate and new works by guest 

choreographer Annabelle Gamson and artistic director Milton Meyers 

for the Joyce Trisler Danscompany. 

For the reconstruction of six major dance styles from the 19th-century 6,000 

Spanish classical Bolero era by artistic director Teo Morca for the 

Morca Dance Theatre. 

For the creation of a new work by artistic director Kei Takei. 

For a new work for the Cleo Parker Robinson Dance Ensemble by 

a guest choreographer, a new work by artistic director Cleo Parker 

Robinson, and the paid position of general manager. 

For a full-time administrative position. 5,765 

For a collaborative new work created by Sara and Jerry Pearson for 5,765 

six dancers. 

For a creative rehearsal period for repertory maintenance and 144,125 

reconstruction. 

For dancers’ salaries during rehearsals and the staging of a dance 23,060 

by a guest choreographer. 

For new works for the Nikolais Dance Theatre created by artistic 

director Alwin Nikolais, and a rehearsal period for repertory 

maintenance. 

For a rehearsal period, and a new work by associate director Salvatom

Aiello. 

For hiring full-time administrative personnel and commissioning a 

new work by guest choreographer Lynne Taylor-Corbett for Joan

Lombardi Dance Company for the 1984-85 season. 

For the restaging of works by Ruthanna Boris and Agnes deMille, 11,530 

an improved fund-raising program, and rehearsal periods. 

For a marketing and audience development plan, domestic touring, 

the revival by Patrico Whiteside of Eugene Loring’s Time Unto Time, 

and the restaging of Le Beau Danube and Green Table daring the 

1984-85 season. 

For new works and the position of executive director. 8,071 

For one work each by 0DC choreographers Brenda Way, Kind 20,000
 

O’Kada, Pare Quinn, and Katie Nelson; a national tour in May 1985;
 

and the salary of a full-time assistant to the general manager.
 

For a new work by artistic director Heinz Poll and a part-time develop- 17~95 

ment coordinator. 

For artistic director Eliot Feld to create new ballets and for rehear- 23,060 

sal periods for repertory maintenance prior to the Feld Ballet’s home 

and touring performances. 

For touring expenses for the 1984-85 season. 6,000 

For nine weeks of rehearsal for dancers, and for hiring a develop- 23,825 

ment associate and development secretary. 

For four weeks of rehearsal and engagement of a development 6,918 director. 

For the creation of new works and the revival of old ones by artistic 69,180 

director Paul Taylor for the Paul Taylor Dance Company. 

To hire an adminstrative assistant, touring agent, and a management 13,836 consultant to monitor Philadanco’s overall operations. 
Dance 27 

Pick-Up Performance Company 

New York, New York 

Pilobolus 

Washington, Connecticut 

Pittsburgh Ballet Theatre 

Pittsburgh, Pennsylvania 

Pittsburgh Ballet Theatre 

Pittsburgh, Pennsylvania
 

Repertory Dance Theater 

Salt Lake City, Utah 

Rinker/Cervetti Dance and Music

New York, New York 

Rio Grande Union 

New York, New York 

San Francisco Ballet Association 

San Francisco, California 

Sidewalk Dance Theatre 

Knoxville, Tennessee 

Sidewalk Dance Theatre 

Knoxville, Tennessee 

Small Dance Company 

New York, New York 

Solomous Company/Dance 

New York, New York 

Transmedia Kinetric Coalition 

New York, New York 

Trisha Brown Dance Company 

New York, New York 

Tulsa Ballet Theatre 

Tulsa, Oklahoma 

Twyla Tharp Dance Foundation 

New York, New York 

United Mime Workers 

Champaign, Illinois 

Valerie Huston Dance Theater 

Santa Barbara, California 

Washington Ballet 

Washington, D.C. 

Zero Moving Dance Company

Philadelphia, Pennsylvania 

Zivili Kolo Ensemble 

Granville, Ohio 

To support the creation of new works by artistic director David Gor- 23,060 

don, four weeks of rehearsal, and the continued experimentation with 

videotapes to be used as part of the live performance. 

For a new work by artistic director Moses Pendleton. 11,530 

For domestic touring and guest choreographers to coach the dancers 15,000 

and stage new ballets during the 1984-85 season. 

For rehearsal periods and guest teachers to coach the dancers. 11,530 

For a new work by guest choreographer Remy Charlip, hiring guest 17,295 

teachers, and a four-week rehearsal period. 

For a creative period for artistic director Kenneth Rinker and the 5,765 

creation of a new work. 

For a new work by artistic director Douglas Dunn and a four-week 5,765 

rehearsal period for Douglas Dunn and Dancers. 

For a rehearsal period for repertory maintenance, the commission- 87,628 

ing of new works by resident choreographers, and the addition of an 

existing ballet by George Balanchine. 

For a seven-week touring project and hiring a full-time manager dur- 8,000 

ing the 1984~% season. 

For rehearsal salaries for dancers and the artistic director for the 5,765 

1984-85 season. 

For a full-time booking manager and the creation of a new work by 5,765 

artistic director Robert Small. 

To videotape the company’s lecture/demonstration, "The Wide Wide 11,530 

World of Sports and Dance." 

For a collaborative work by artistic director Kenneth King, composer 8,071 

W’flliam-John Tudor, and video maker Tim Purtell for Kenneth King 

and Dancers.
 

For a rehearsal period for repertory maintenance and the creation 23,060 

of a new work by artistic director Trisha Brown. 

To stage La Sylphide for the 1983-84 season. 15,000 

For a rehearsal period for repertory maintenance and the creation 63,415 

of new works. 

For a rehearsal period for repertory maintenance and the creation 5,000 

of new mime works for the 1983-84 season. 

For four emerging choreographers to create new works and have them 5,765 

presented by the Valerie Huston Dance Theater. 

For a full-time development officer and a part-time assistant. 13,836 

For a rehearsal period. 8,071 

For two new works by resident choreographer Pamela Lacko Kelley. 5,765 
28 Dance 

Dance/Film/Video To help individuals and organizations other than dance companies document major works or extend the art of dance through the use of film and 

Archdiocesan Communications Center 

San Francisco, California 

Armitage, Karole 

New York, New York 

Barsness, Eric 

New York, New York 

Brown, Carolyn 

New York, New York 

California State University 

Foundation 

Chico, California 

Center for Southwestern Folklore 

Santa Fe, New Mexico 

Charlip, Remy 

New York, New York 

Contact Collaborations 

New York, New York 

Dance Theatre Workshop 

New York, New York 

Dunn, Douglas 

New York, New York 

Educational Media Associates 

of America 

Berkeley, California 

Folk Traditions 

New York, New York 

Foundation for Dance Promotion 

New York, New York 

Haleakala 

New York, New York 

Haleakala 

New York, New York 

Horn, Andrew 

New York, New York 

Jaroslow, Risa 

New York, New York 

Los Angeles Area Dance Alliance 

Los Angeles, California 

Minnesota Independent

Choreographers Alliance 

Minneapolis, Minnesota 

videotape. 

Program funds:

29 grants 

$195,000 

For Video Free America to document five dance companies in the

San Francisco Bay area. 

$2,500 

To produce a video dance with video-maker Charles Atlas. 5,000 

To produce a video dance with video-maker Bruce Pavlow. 2,000 

To produce a film dance. 5,000 

To produce a video program on the achievements in modern dance 

of choreographer Hanya Holm. 

10,000 

For Bruce E. Lane to produce a film on the concheros, MexicanAmerican dance groups in southern California. 10,000 

For the salaries and expenses for Mr. Charlip and five dancers during the production of an experimental video dance. 

5,000 

To complete the editing of archival videotapes of workshops and performances on the development of contact improvisation since its inception in 1972. 

1,500 

To document the work of 31 artists and companies and to continue

the video choreographer collaboration project. 

10,000 

To videotape Mr. Dunn’s Pulcinella, premiered.~in spring 1983. 3,000 

For the reconstruction and documentation of Massine’s Bastien and 

Bastienne with the Marin Ballet. 

5,000 

To complete a film on three tap stylists in performance with historical

footage and interviews. 

7,500 

For the post-production and distribution of Mr. William T. Jone’s new 

videowork I Thought I Saw That, a collaboration with Mr. Thomas 

Bowes. 

3,000 

To document the work of 16 choreographers presented on the "Dancing in the Kitchen" series. 5,000 

To produce a program on the work of five young post-modem 

choreographers. 

6,000 

For a film collaboration between filmmaker Andrew Horn and 

choreographer Daniel Nagrin. 

2,500 

To produce a video dance in collaboration with John Burris, video 

artist. 

5,000 

For activities of the Dance/Video Center, including documentation 

of area performances, making low-cost videotapes for area

choreographers, and working with local choreographers to create new 

dances for television. 

7,500 

For the documentation of the 1983 season of performances by area 

choreographers. 

3,000 
Dance 29 

New York Public Library, Astor,

Lenox, and Tilden Foundation 

New York, New York 

New York, Research Foundation of

the State University of 

Albany, New York 

On the Boards 

Seattle, Washington 

Riverside Church in the City 

of New York 

New York, New York 

Ross, Mary 

Binghamton, New York 

Schwartz, Michael 

New York, New York 

Schwartz, Michael 

New York, New York 

Skye Pictures

Washington, D.C. 

WGBH Educational Foundation 

Boston, Massachusetts 

Wormser, Richard 

New York, New York 

Grants to 

Dance Presenters 

American Dance Festival 

Durham, North Carolina 

Anchorage Concert Association 

Anchorage, Alaska 

Asia Society 

New York, New York 

Ballet Aspen

Aspen, Colorado 

Brooklyn Academy of Music

Brooklyn, New York 

Brooklyn Academy of Music

Brooklyn, New York 

California Institute for the Arts 

Valencia, California
 

Centerspace Dance Foundation 

San Francisco, California 

Chinese American Arts Council 

New York, New York 

College Community Sc~vices

Brooklyn, New York 

To continue the Dance Collection’s archival and preservation services. 40,000 

To film activities at the Black Dance in America festival in spring 1983. 10,000 

To document 12 dance performances during the 1983 performance 

season. 

To document more than 60 artists and companies presented by the 

Riverside Dance Festival in 1983. 

For a performance that integrates synthesized video images, slides, 3,000 

dance and music produced in collaboration with Lois Welk. 

For a video collaboration with choreographer Elizabeth Streb. 2,000 

For the video archival projects of Danspace and YM-YWHA. 3,000 

To produce a bilingual fdm featuring Ballet Hispanico of New York 15,000 

City. 

To create a program on American avant garde dance, produce a pro- 10,000 

gram of works by a single choreographer, videotape local choreographers and provide copies to them, make available the dance archives and screening facilities free of charge. 

To videotape interviews with six women choreographers of the 1930s. 3,000 

To enable experienced sponsors to present professional dance events of the

highest artistic quality. 

Program funds: $583,100 46 grants 

For "Festival/Africa," a celebration focusing on African and Afro- $35,000 

American dance styles; and "Commissions," a project to help young 

choreographers gain wide public exposure and create new works. 

For equipment rental, stagehand fees, and hall rental foes for the
 

Anchorage Concert Association’s 1983-84 season.
 

To present dance programs, lecture demonstrations, and classes by 

Asian artists residing in New York. 

For a two-week summer residency of Ballet West and week-long 

residencies of two additional companies. 

For the Black Dance Festival that was presented in conjunction with

State University of New York and Street and Social Dance II. 

To present the Twyla Tharp Dance Company, Pacific Northwest

Ballet, and Dance Africa. 

For an informal series of post-modem dance artists, including lectares on the process and development of new dance art forms.
 

For two performance series by three local dance companies. 

To present five Chinese-American dance companies to the New York 

dance community. 

For the presentation of national dance companies on the Brooklyn 

Center for the Performing Arts dance series. 
30 Dance 

Colorado Chatauqua Association 

Boulder, Colorado 

Columbia College 

Chicago, Illinois 

Creative Time 

New York, New York 

Cultural Council Foundation 

Brooklyn, New York 

D.C. Wheel Productions 

Washington, D.C. 

Dance St. Louis 

St. Louis, Missouri 

Dance Theatre Workshop 

New York, New York 

Dances We Dance 

Honolulu, Hawaii 

Friends of the Arts 

Locust Valley, New York 

Haleakala 

New York, New York 

Hartford Ballet 

Hartford, Connecticut 

Institute for Art and Urban Resources 

Long Island City, New York 

Iowa, University of

Iowa City, Iowa 

Jacob’s Pillow Dance Festival 

Lee, Massachusetts 

Jacob’s Pillow Dance Festival 

Lee, Massachusetts 

Kinetikos Dance Foundation 

Los Angeles, California 

Los Angeles Area Dance Alliance 

Los Angeles, California 

MoMing Dance and Arts Center 

Chicago, Illinois 

Oberlin Dance Collective 

San Francisco, California 

On the Boards 

Seattle, Washington 

Painted Bride Art Center 

Philadelphia, Pennsylvania 

Pittsburgh Dance Council 

Pittsburgh, Pennsylvania 

Portland Center for the Visual Arts 

Portland, Oregon 

For the Colorado Dance Festival, featuring performances, classes,

lecture demonstrations, and panel discussions by visiting artists. 

To premiere works involving collaborations between choreographers 

and composers, presented during Columbia’s 1983 fall performance 

series. 

To present new dance performances by emerging dance companies 5,000 

at Art On the Beach. 

For a series of dance concerts presented at the Thelma Hill Perform- 10,000 

ing Arts Center. 

For artists’ fees and management services for the 1983-84 performance 7,500 

series at the Dance Place. 

For a five-week residency of the Joffrey II dancers and a series of 10,000 

two performances by three smaller dance companies. 

For the dance production project, which sponsors and presents dance 38,000 

artists and companies from New York and around the country. 

To present modern and ethnic dancers, dance companies, and visiting 2,000 

guest artists at the Jones-Ludin Dance Center. 

For artists’ fees and promotional expenses for the second annual 5,000 

"Dazzling Dance" subscription series. 

For "Dancing in the Kitchen," a series of performances by experimen- 12,500 

tal choreographers. 

To present two guest companies as a part of its major dance series. 15,000 

For the collaboration of choreographers and visual artists during the 5,000 

1983-84 performance season. 

For a long-term residency of the Joffrey II dancers in summer 1983. 15,000 

For artists’ fees and expenses related to the 1983 Jacob’s Pillow 25,000 

Dance. 

For a two-week residency of the Paul Taylor Dance Company; an 20,000 

eight-week residency by Michael Moshen; and an outdoor platform 

series called "Inside Out," which presents new dance with lecturedemonstrations. 

For artists’ fees for the choreographer’s showcase for Dance/L.A. 2,600 

For artists’ fees, salaries, technical support, and advertising for 10,000 

"Dance Kaleidoscope," an annual festival of California dance

companies. 

To present local and touring companies. 10,000 

For a contemporary dance series of new and experimental dance 12,500 

works. 

To sponsor performances and teaching residencies by dance artists, 5,000 

companies, and choreographers at the Washington Hall Performance 

Gallery or Meany Hall during the 1983 season. 

For "Dance With the Bride," a season of dance performances featuring 2,500 

local artists and companies. 

For a series of work by contemporary and avant-garde choreo- 15,000 

graphers, a series of works by Pittsburgh choreographers, and a longterm residency by a visiting choreographer. 

To present contemporary dance performances by emerging and local 10,000 

performers, including a lecture by a dance critic during the 1983-84 

season. 
Dance 31 

Ravinia Festival Association 

Chicago, Illinois 

Regional Arts Foundation 

West Palm Beach, Florida 

Riverside Church in the City 

of New York 

New York, New York 

San Antonio, City of 

San Antonio, Texas 

San Francisco Bay Area Dance

Coalition 

San Francisco, California 

Society for the Performing Arts 

Houston, Texas 

Spoleto Festival U.S.A. 

Charleston, South Carolina 

St. Mark’s Church-in-the-Bowery 

New York, New York 

Stockton State College 

Pomona, New Jersey 

Virgin Islands Council on the Arts 

St. Croix, Virgin Islands 

Wajumbe Cultural Institute 

San Francisco, California 

Walker Art Center 

Minneapolis, Minnesota 

Washington Performing Arts Society 

Washington, D.C. 

Dance Touring

Program/Large

Companies 

Ballet Theatre Foundation 

New York, New York 

Ballet Theatre Foundation 

New York, New York 

Joffrey Ballet, Foundation for the 

New York, New York 

Joffrey Ballet, Foundation for the 

New York, New York 

Kennedy (John F.) Center for the 

Performing Arts 

Washington, D.C. 

Kennedy (John F.) Center for 

the Performing Arts 

Washington, D.C. 

Kennedy (John F.) Center for

the Performing Arts 

Washington, D.C. 

For the Festival of American Dance series in 1983. 15,000 

For artists’ fees, production costs, and advertising for the dance series 12,500 

in 1983~1. 

For artists’ fees and the salaries of management and technical staff 7,500 

for the presentation of the Riverside Dance Festival. 

For artists’ fees for the 1983-84 season at the Carver Community 

Cultural Center. 

For the San Frandsco Ethnic Dance Festival and the New Dance 

Series planned in conjunction wth New Performance Gallery and CAL 

Performances. 

For the 1983-84 post-modem dance series, involving three post~medern 10,000 

companies in performances and lecture-demonstrations. 

For the Spoleto Festival U.S.A., which includes a residency of the 20,000 

Joffrey Ballet, the North Carolina Dance Theatre, and two smaller 

dance companies. 

5,000 To present works by emerging and experimental choreographers at 

Danspace. 

For artists’ fees for the presentation of three major dance companies 5,000 

at Stockton State College and Glassboro State College. 

For a residency of the Nikolais Dance Theatre, including lecture 4,000 

demonstrations and master classes at the Island Center of St. Croix. 

For the Black Dance Festival held during black history month in 2,000 

February, 1984. 

To present dance residencies during the 1983-84 season. 25,000 

To support artists’ fees, promotion, and presentation expenses for 35,000 

the society’s 1983-84 dance series. 

Grants to sponsors that wish to engage American Ballet Theatre, New York

City Ballet, or the Joffrey Ballet. 

Program funds: $1,399,990 

19 grants 

For travel and transportation for national touring of the American $299,590 

Ballet Theatre. 

For residencies by the American Ballet Theatre in Boston, Detroit, 171,600 

Chicago, and Los Angeles. 

For the self-presentation of a three-week residency of the Joffrey 117,000 

Ballet in Los Angeles. 

For travel and transportation for national touring of the Joffrey Ballet. 158,000 

For a one-week residency of the Joffrey Ballet. 19,500 

For a two-week residency by the American Ballet Theatre. 28,600 

For a two-week residency by the New York City Ballet. 
32 Dance 

Lewis and Clark College 

Portland, Oregon 

Minnesota, University of 

Minneapolis, Minnesota 

New York City Ballet 

New York, New York 

Robin Hood Dell Concerts 

Philadelphia, Pennsylvania 

Rochester Philharmonic Orchestra 

Rochester, New York 

San Francisco Opera Association 

San Francisco, California 

San Francisco Symphony Association 

San Francisco, California 

Saratoga Springs Performing Arts 

Center 

Saratoga Springs, New York 

Seattle, City of 

Seattle, Washington 

Shea’s O’Connell Preservation Guild 

Buffalo, New York 

Syracuse Symphony Orchestra 

Syracuse, New York 

Temple Beth Sholom of Greater Miami 

Miami Beach, Florida 

General Services 

to the Field 

American Dance Festival 

Durham, North Carolina 

Association of Ohio Dance Companies 

Cleveland, Ohio 

Caldwell, Kiah 

Aspen, Colorado 

Changing Times Tap Dancing 

Company 

New York, New York 

Chicago Dance Arts Coalition 

Chicago, Illinois 

Cunningham Dance Foundation 

New York, New York 

Dance Notation Bureau 

New York, New York 

Dance Theatre Workshop 

New York, New York 

For a one-week residency of the Joffrey Ballet. 13,500 

For a one-week residency of the American Ballet Theatre. 28,600 

For travel and transportation for national touring of the New York 

City Ballet. 

For a two-week residency of the American Ballet Theatre. 572O0 

For a half-week residency of the Joffrey Ballet. 9,500 

For a two-week residency of the American Ballet Theatre. 57200 

For a two-week residency of the Joffrey Ballet. 36,000 

For a three-week residency of the New York City Ballet. 177,500 

For a one-week residency of the Joffrey Ballet sponsored by Dance 19,500 

Advisory Council. 

For a half-week residency of the Joffrey Ballet. 9,000 

For a one-week residency of the Joffrey Ballet. 18,000 

For a two-week residency of the American Ballet Theatre. 57200 

To assist organizations or individuals who provide services to dance companies, dancers, and choreographers on a national or regional level, or who

increase the visibility of dance in their communities or regions. 

Program funds: $479,530 

39 grants 

For the critic’s conference on the techniques of dance criticism. $5,000 

For the newsletter, dance calendar, and video project, which serve 4,000 

dance companies and organizations in Ohio. 

For Ms. Caldwell to participate as a Fellow in the Dance Program. 3,800 

For by Word of Foot, a bimonthly newsletter that serves the needs 5,000 

of the tap dancing community. 

To support membership services to presenters and sponsors of dance, 2,000 

an annual festival showcase of performing members, and development 

of a marketing campaign. 

For salaries and materials for the operation of the Cunningham Studio 

as a low cost performance facility available to dance artists. 

To document dances of a wide variety of distinguished choreographers

by using Labanotation. 

For membership services, including advertising, graphic design services, a promotion calendar, direct-mail assistance, and the Poor 

Dancer’s Almanac. 
Dance/USA

Washington, D.C. 

Dance Works 

New York, New York 

Davis and Elkins College 

Elkins, West Virginia 

Footpath Dance Company 

Cleveland, Ohio 

Foundation for the Extension and 

Development of the American

Professional Theatre 

New York, New York 

Foundation for the Extension and 

Development of the American 

Professional Theatre 

New York, New York 

Foundation for the Extension and 

Development of the American 

Professional Theatre 

New York, New York 

Foundation for the Vital Arts 

New York, New York 

Gottfried, Linda 

Fayetteville, New York 

Gotffried, Linda

Fayetteville, New York 

Haleakala 

New York, New York 

Jacob’s Pillow Dance Festival 

Lee, Massachusetts 

Joy of Movement Foundation

Cambridge, Massachusetts 

Los Angeles Area Dance Alliance 

Los Angeles, California 

Mid-America Arts Alliance 

Kansas City, Missouri 

Minnesota Independent Choreographers

Alliance 

Minneapolis, Minnesota 

Movement Research 

New York, New York 

Movement Research 

New York, New York 

National Association for Regional Ballet


New York, New York
 

National Association for Regional Ballet 

New York, New York 

New York Public Library, Astor, 

Lenox, and Tilden Foundation 

New York, New York 

20,000 To assist this national service organization for dance in developing
 

services such as communications systems to provide news and
 

technical information, and a statistical data base for the dance field.
 

To support Pentacle’s services to dance companies, including com- 20,000 

prehensive fiscal and payroll management, administrative representation, tour management, grant writing, a resource center, and home 

season public relations. 

For the Mime Assessment Conference to assess the present condi- 10,000 

tion, development, and needs of mime. 

2,000 For administrative and promotional costs for Dance/Lab, a free rental facility that provides space and promotional services to small companies seeking performance opportunities.
 

For a management technical assistance program for professional dance 10,000
 

companies.
 

To conduct a dance management career program with Opportunity 3,000
 

Resources for the Arts and Dance Theatre Workshop, designed to
 

introduce dancers and former dancers to dance management as an
 

option for a second career.
 

For a program of administrative and consultant services related to 101,330
 

artistic and administrative evaluation of professional dance companies,
 

service organizations, and individual choreographers throughout the
 

country°
 

4,000 For promotion and space rental for the Interaction Series, which provides studio and theater space for dance artists to perform. 

For a cooperative agreement to assist with the organization and ad- 16,900 

ministration of the Dance Program’s site visit system. 

4,000 To extend Linda Gottfried’s Fellowship in the Dance Program. 

For artists’ fees, publicity, and administrative services for the Kit­ 10,000

chen’s national touring program, which promotes the careers of young


choreographers and dancers. 

For the Dance Program seminar held at Jacob’s Pillow for discus- 25,000 

sion concerning the state of the dance field.
 

For a marketing campaign for a series of dance performances held 2,500 

at the Joy of Movement StudiofI"neatre. 

12,000 For administrative staff, salaries, the improvement of membership 

services, and a new program of management training services. 

2,500 For the Dance Network, which includes a series of newsletters, information bulletins, regional meetings, and a resource book of the 

region’s dance community. 

To support a production assistance fund for independent 5,000 

choreographers in producing concerts and rehearsing new works. 

2,000 For the studies project, consisting of dance and discussions by postmodern choreographers. 

For workshops and performances by members of the post-modern 2,000 

dance community. 

For the Craft of Choreography conferences, which enable 15,000 

choreographers to develop new ideas and gain wider exposure for 

new works. 

For projects such as a national choreography plan, a board member 20,000 

handbook, a set and costume exchange, and regional festivals. 

To hire staff to provide better access to materials in the Dance Col- 13,000 

lection of the Performing Arts Research Center. 
Dame 

Oberlin Dance Collective 

San Francisco, California 

On the Boards 

Seattle, Washington 

Performing Artservices 

New York, New York 

Philadelphia Dance Alliance 

Philadelphia, Pennsylvania 

Red Wing Performing Group 

New York, New York 

Rochon, Valerie J. 

New York, New York 

San Francisco Bay Area Dance 

Coalition 

San Francisco, California 

Southern Arts Federation 

Atlanta, Georgia 

Theatre Development Fund 

New York, New York 

Washington Project for the Arts 

Washington, D.C. 

To hire a manager for the Performance Gallery, a performance space 

available for dance performances at low cost. 

To support Choreography, etc., a monthly forum in which 

choreographers, musicians, and performance artists present new 

works. 

To continue a program of services, including management, intern training program, and a manager trainee program. 

15,000 

To publish and distribute a monthly dance calendar for the 

Philadelphia dance community. 

2,000 

For salaries, a bimonthly calendar, advertising, and other services 

for the operation of P.S. 122 as a low-cost performance facility for 

dance artists. 

2,000 

For a national directory of African-American dance companies and 

ensembles distributed to arts agencies, presenters, universities, and 

participating dance companies. 

2,000 

For information and advocacy services to the Bay Area dance community, including operation of a dance resource center and the publication of a monthly dance calendar. 17,500 

For a choreographic assistance project that will enable southeastern 

dance companies to receive financial support for engaging guest 

choreographers. 

9,500 

For a dance voucher program, the publication of New York Onstage, 

and a ticket subsidy program. 

35,000 

For a monthly calendar, advertising, and a network of local and outof-town performers for WPA. 5,000 

Design Arts
 

Design Arts Advisory Panels
 

Gary Hack 

Associate Professor of Urban 

Design, Massachusetts 

Institute of Technology 

Cambridge, Massachusetts 

Hugh Hardy 

Partner 

Hardy, Holzman,, Pfeiffer

Associates
 

New York, New York
 

Anne Hawley 

Executive Director, 

Massachusetts Council on the 

Arts and Humanities 

Boston, Massachusetts 

Dolores Hayden 

Associate Professor of Urban
 

Planning, University of
 

California
 

Los Angeles, California
 

Susan Jackson Keig 

Principal, Susan Jackson 

Keig Design 

Chicago, Illinois 

Carol Soucek King 

Editor-in-Chief, Desigrwrs 

West Magazine LOs Angeles, California 

M. David Lee
 

Principal-in-Charge of
 

Urban Design
 

Stull Associates, Inc.
 

Boston, Massachusetts
 

Alan Levy 

Director, Center for
 

Environmental Design
 

and Planning
 

University of Pennsylvania 

Philadelphia, Pennsylvania 

William H. Liskamm
 

President, William H.
 

Liskanun, Inc.
 

San Francisco, California
 

Michael Ainslie 

President, National Trust

for Historic Preservation 

Washington, D.C. 

Emilio Ambasz 

President, Emilio Ambasz 

and Associates, Inc. 

New York, New York 

Pamela Baldwin 

Principal, Baldwin/Clarke
 

Associates, Inc.
 

San Francisco, California
 

Ellen Perry Berkeley 

Writer on architecture
 

Shaftsbury, Vermont
 

Peter Blake 

Chairman, Department of 

Architecture 

Catholic University 

Washington, D.C. 

Michael Brill 

Professor of Environmental 

Design State University of New York 

at Buffalo 

Buffalo, New York 

Catherine Brown 

Principal, CITYWEST 

Beverly Hills, California 

Jean Paul Carlhian 

Principal
 

Shepley, Bulfinch, Richardson,
 

and Abbott, Inc.
 

Boston, Massachusetts
 

Patricia Carlisle 

Prhcipal
 

Royston, Hanarnoto,


Alley and Abey
 

Mill Valley, California
 

Adele Chatfield-Taylor 

Executive Director, Landmarks 

Preservation Foundation 

New York, New York 

Muriel Cooper
 

Director, Visible Language
 

Workshop, Massachusetts
 

Institute of Technology
 

Cambridge, Massachusetts
 

Sheila de Bretteville 

Director, Women’s Graphic 

Center 

Los Angeles, California 

Barbaralee Diamonstein 

President, Manifestations 

New York, New York 

Niels Diffrient 

Industrial designer 

Ridgefield, Connecticut 

Ronald Druker 

President, Druker Company
 

Boston, Massachusetts
 

Barry Elbasani 

Principal 

Elbasani, Logan, Severin, 

Freeman Architects 

Berkeley, California 

Paul Farmer
 

Assistant Director of
 

Comprehensive Planning,
 

Development and Research
 

Department of City Planning
 

Pittsburgh, Pennsylvania
 

M. Paul Friedberg 

Principal, M. Paul Friedberg
 

and Partners
 

New York, New York
 

Karen Gates
 

Management consultant
 

Seattle, Washington
 

M.J. Gladstone 

Founder/Director, The

Publishing Center
 

New York, New York
 

Reginald Griffith 

Executive Director, National 

Capital Planning Commission 

Washington, D.C. 
38 Design Arts 

Weiming Lu 

Executive Director 

Lowertown Redevelopment 

Corporation 

St. Paul, Minnesota 

Aaron Marcus 

Principal, Aaron Marcus 

and Associates 

Berkeley, California 

Scott Matthews 

Principal, Van der Ryn, 

Calthorpe and Partners 

Sausalito, California 

Margaret McCurry 

Partner, Tigerman, Fugman, 

McCurry 

Chicago, Illinois 

Mary McFadden 

President, Mary McFadden, Inc. 

New York, New York 

William McMinn 

Dean, School of Architecture 

Mississippi State University

Starkville, Mississippi 

Mary Means 

Vice President of 

Program Development 

National Trust for Historic 

Preservation 

Washington, D.C. 

Michael Milligan 

Design Arts Coordinator 

Ohio Arts Council 

Columbus, Ohio 

Charles Moore 

Professor of Architecture 

and Urban Design, University 

of California 

Los Angeles, California 

Sandra V. Moore 

Associate Professor 

School of Architecture 

New Jersey Institute of 

Technology 

Newark, New Jersey 

Grover Mouton 

Artist-architect 

New Orleans, Louisiana 

Michael Newman 

Chairman, North Carolina 

Arts Council 

Winston-Salem, North Carolina 

Laurie Olin 

Principal, Hanna/Olin

Philadelphia, Pennsylvania 

Joe Akinori Ouye 

Vice-President, Design 

Logic, Inc. 

Berkeley, California 

John Pastier 

Architectural editor, writer 

Los Angeles, California 

Marvin Richman 

President, Olympia and 

York Equities Corporation 

Los Angeles, California 

Jaquelin Robertson 

Dean, School of Architecture

University of Virginia 

Charlottesville, Virginia 

Michael Robinson 

Vice-President 

Vision, Inc. 

Cambridge, Massachusetts 

Lawrence Rosenblum 

President, URBANIMAGE, Inc. 

Boston, Massachusetts 

Adele Santos 

Chairman, Department 

of Architecture 

University of Pennsylvania 

Philadelphia, Pennsylvania 

Sally Schauman 

Chairman, Department of 

Landscape Architecture 

University of Washington 

Seattle, Washington 

Paul D. Spreiregen 

Architect, planner, author 

Washington, D.C. 

Bernard Spring 

President 

Boston Architectural Center 

Boston, Massachusetts 

Donald Stastny 

Principal

StastnyfrCP Architects, PC
 

Portland, Oregon
 

Gary Stonebraker
 

Associate Dean, School of
 

Architecture and Urban
 

Planning
 

University of Wisconsin
 

Milwaukee, Wisconsin
 

Donald Stull 

Principal Architect
 

Stull Associates, Inc.
 

Boston, Massachusetts
 

John Arthur Templer 

Regents Professor, College of

Architecture 

Georgia Institute of Technology 

Atlanta, Georgia 

Louis Viramontes 

President, Plaza de Armas, Inc. 

San Antonio, Texas 

Harry Weese 

Principal, Harry Weese 

and Associates 

Chicago, Illinois 

Michael Weinberger 

President, Vermont Council

on the Arts 

Woodstock, Vermont 

Margot Wellington 

Urban design consultant 

New York, New York 

Larry Witzling 

Acting Associate Dean 

School of Architecture 

and Urban Planning 

University of Wisconsin 

Milwaukee, Wisconsin 

Richard S. Wurman 

Chairman, School of

Environmental Design 

Otis Parsons Institute 

of Design 

Los Angeles, California 

John Zeisel 

Principal, Building 

Diagnostics, Inc. 

Cambridge, Massachusetts 
Design Arts 39 

Program funds: $4,596,626 Design Arts Grants 222 grants

Entering Professional 

Designer Project

Fellowships 

Barbero, Cynthia
 

Amherst, Massachusetts
 

Belviile, Nicki

Washington, D.C. 

Innovative Design Fund 

New York, New York 

International Design Education 

Foundation 

New York, New York 

International Design Education 

Foundation 

Los Angeles, California 

McClelland-Lesser, Ellen 

Northampton, Massachusetts
 

Murphy, Mark E. 

Pasadena, California 

Rodriquez, Roland 

San Antonio, Texas 

Rosen, Deborah 

Woodbury, New York
 

Schwartz, Frederic D. 

New York, New York 

Speare, Sarah 

Washington, D.C. 

Thomas, Mark 

Baton Rouge, Louisiana 

Individual Project

Fellowships 

Barton, Cheryl 

Nashville, Tennessee
 

Bigus, Richard L. 

Athens, Ohio 

Bloomfield, Julia M. 

New York, New York 

Calthorpe, Peter 

Sausalito, California 

To enable professional designers in the early stages of career development

or designers returning to the field after a prolonged absence to carry out 

a specific design, research, or educational project. 

Program funds: $116,889 

12 grants 

$4,400 For a study for the reuse for recreational purposes of abandoned canals 

in New England. 

2200 To amend a previous grant to complete projects in the Design Arts 

Program. 

3{),000 For the Innovative Design]National Endowment for the Arts 

Fellowship program for young designers. 

16,160 To enable promising young practicing professional designers to attend the 1984 International Design Conference in Aspen. 

30,000 To amend a previous grant to provide fellowships for minority


students to attend the 1983 International Design Conference.
 

5,000 For a study of plant materials used in formal gardens between 1890
 

and 1930.
 

5,000 For design construction and testing of a lightweight, three-wheeled
 

cycle-car.
 

5,000 For Urban Fact and Fancy: The City Observed and Imagined, an
 

exhibition and publication of 100 drawings with explanatory text.
 

5,000 To prepare The Young Designer’s Notebook, an introductory text
 

about the design field for elementary school children.
 

5,000 For research on and the design of dramatic outdoor lighting for civic
 

spaces, historic structures, and skyscrapers.
 

4,129 To complete a research project in the Design Arts Program. 

5,000 To research and document art deco architecture in Louisiana. 

To enable professional designers and other qualified individuals to carry


out specific design, research, or educational projects.
 

Program funds: $375,940
 

38 grants
 

$10,000 To support design and planning for the reclamation of an abandoned


quarry in Gainesboro, Tennessee, for use as a community park ~nd
 

facility for the arts.
 

I0,000
 To explore the use of typography as a formal problem of two-


dimensional composition and as an art form.
 

I0,000
 To produce the initial graphic design and mock-up for a new architectural magazine.
 

10,000
 To support research for one chapter of Sustainable Communities,
 

a book concerning community and town planning.
 
40 Design Arts 

Carpenter, James 

New York, New York 

Comp, T. Allan

Seattle, Washington 

Corcoran, Anne M. 

Charlotte, Vermont 

Costonis, John J. 

New York, New York 

Crowell, Susan E. 

Ann Arbor, Michigan 

diDomenico, John 

New York, New York 

Dole, Philip H. 

Eugene, Oregon 

Doxtater, Dennis 

Tucson, Arizona 

Gill, Brendan 

New York, New York 

Goldstein, Barbara S.

Los Angeles, California 

Grese, Robert

Madison, Wisconsin 

Hejduk, John 

New York, New York 

Hirshorn, Paul and John Blatteau 

Philadelphia, Pennsylvania 

Jackson, Dakota
 

Long Island City, New York
 

James, Vanessa

New York, New York 

Kaiser, Harvey H. 

Syracuse, New York 

Knight, Carleton, III 

Washington, D.C. 

Levin, Edward 

Beverly Hills, California 

Libeskind, Daniel 

Bloomfield Hills, Michigan
 

Means, Mary C. 

Alexandria, Virginia 

Moore, Steven A. 

Brunswick, Maine
 

Polister, Richard 

St. Paul, Minnesota 

Prince, Keiko
 

Cambridge, Massachusetts
 

Schumacher, Thomas L. 

Charlottesville, Virginia 

For research and evaluation of the decorative, interior-design and 10,000 energy-conserving properties of new types of glass for use in building 

construction. 

To complete work on a preservation study of Virginia City, a Na- 9,160 

tional Historic Landmark, to serve as a prototype for historic preservation in other western states. 

To write a book on landscape architect Dan Kiley. 10,000 

To write The Aesthetics of Place, Law, and Social Imagery in 10,000 

America, a book about public policymaking on aesthetic issues. 

To investigate the use of ceramics in housing and building design. 10,000 

To identify alternative design possibilities for an abandoned elevated 9,500 rail spur on the West Side. 

To complete research on "Building in a Pioneer Landscape," a pro- 10,000 

ject concerning vernacular building in 19th-century Oregon. 

To investigate the emergence and roles of formal design processes 10,000 in developing societies. 

To research and write copy for a photo publication on New York 10,000 City’s 700 designated landmark structures. 

To develop criteria for a new case study house program and design 5,000 competition demonstrating current innovations in multiple-family 

housing design in America. 

To analyze the work of pioneer landscape designer Jens Jenson. 5,000 

For the final drawings, sketches, and support material for Rural 10,000

Masque. 

For an analysis and publication on rowhouse building types. 10,000 

For an innovative design of a compact desk dubbed by the artist as 10,000 

a "self-cleaning desk." 

To experiment with unusual, inexpensive, and impermanent materials 10,000 for costume and set design. 

To research and prepare a manuscript on architectural historic land- 10,000 

marks located in national parks in the West. 

To investigate the relationship between architects and their clients. 10,000 

To research and document examples of impermanent architecture. 10,000 

To research and prepare a manuscript on the crisis of values in con- 10,000 temporary architecture.
 

To write a book on how the preservation movement will be affected 10,000 in the coming decade by major shifts in demographics and the financial markets. 

For an architectural design study for a facility that will house per- 10,000 forming arts groups and visual artists. 

To complete the film, Townscape: An Urban Ecology, a documen­ 10,000 tary about architect, planner, and author Gordon Cullen. 

For research and site design for Harbor Theatre, an environmental 10,000 art project in Boston Harbor. 

For a comparative study of building facades, including an analysis 10,000 of their formal composition. 
Sculpture in the Environment 

New York, New York 

Shanor, Rebecca 

New York, New York 

Shapiro, Carol B. 

Washington, D.C. 

Shibley, Robert G. 

Blacksburg, Virginia 

Spears, Beverly B. 

Santa Fe, New Mexico 

Stephenson, Thomas E. 

Del Mar, California 

Sutton, David

Arlington, Virginia 

Vergara, Camilo J. 

New York, New York 

Wellington, Margot 

New York, New York 

Wood, Marilyn 

New York, New York 

Senior-Level 

Sabbatical 

Fellowships 

American Academy in Rome 

New York, New York 

Bakanowsky, Louis 

Lexington, Massachusetts 

Eames, Ray 

Venice, California 

Feiss, Carl

Gainesville, Florida 

Frampton, Kenneth 

New York, New York 

Olsen, Shirley 

Columbus, Ohio 

30,000 For the NEA/SITE Visiting Artists Program. 

10,000 To complete research on the book, The City That Never Was. 

9,000 To examine arts facilities and arts districts and their roles in downtown 

revitalization. 

5,000 To explore the efficacy of standardized design guidelines. 

9,730 For an architectural study of old metal-roofed adobe houses in northem New Mexico. 

5,000 To organize and disseminate information on innovative wheelchair 

designs. 

8,550 For an analysis of the federal government’s graphic design and printing activities as they relate to the Endowment’s Federal Graphics 

Improvement Program. 

10,000 For an exhibit and catalogue entitled, "Ruins and Revivals: The Architecture of America’s Deteriorated Inner Cities." 

10,000 For a study of the role of urban centers and how they enhance environmental design awareness in urban areas. 

10,000 To develop the publication Cities in Celebration, and to document 

the work of celebration artists and specialists in related fields. 

To provide time for accomplished professional designers to explore areas 

of interest or new approaches to design. 

Program funds: $225,000
 

12 grants
 

$60,000	 Rossant, James 15,000 

New York, New York 

15,000	 Rudofsky, Bernard 15,000 

New York, New York 

15,000	 Stern, Robert A.M. 15,000 

New York, New York 

15,000	 Wines, James 15,000 

New York, New York 

15,000	 Zeisel, Eva 15,000 

Rockland County, New York 

15,000	 Zube, Ervin H. 15,000 

Tucson, Arizona 
42 Ve nA 

Design Demonstration	 For planning and design activities that demonstrate the practical nature 

of good design, such as feasibility studies, conceptual and schematic design, 

American Institute of Architects 

Foundation 

Washington, D.C. 

Atlanta Arts Alliance 

Atlanta, Georgia 

Boston Redevelopment Authority

Boston, Massachusetts 

Brooklyn Institute of Arts and 

Sciences 

Brooldyn, New York 

Califomh, Regents of the University of

Berkeley, California 

California, University of 

Santa Barbara, California 

City Planning, Department of

New York, New York 

Chandler, City of 

Chandler, Arizona 

Cleveland Tenants Organization 

Cleveland, Ohio 

Denver Civic Ventures 

Denver, Colorado 

Federated Arts Council of Richmond 

Richmond, Virginia 

Franklin, City of

Fr~dh, 

Friends of the Timberline 

Government Camp, Oregon 

Genesee Valley Arts Foundation 

Rochester, New York 

Hawaii Loa College 

Kaneohe, Hawaii 

Indiana State Symphony Society 

Indianapolis, Indiana 

Institute for Urban Design 

Purchase, New York 

Intiman Theatre 

Seattle, Washington 

Jacob’s Pillow Dance Festival 

Lee, Massachusetts 

and planning and studies for design projects of special merit. 

Program funds: $1,145,070 46 grants 

For a national design competition for grammar school children to in- $25,000
 troduce them to the art of the design process.
 

For the High Museum of Art to design a multi-sensory maze-like en- 6,908 vironment to complement "Sensation," a participatory exhibition 

about the five senses. 

For a national design competition for Boston’s Copley Square. 

For architectural design necessary to convert the museum’s 1907 

McKim Mead and White designed boiler plant into a school of art. 

For a design competition for the National Mathematical Sciences 15,000 

Research Institute on Berkeley’s campus. 

For the University Art Museum to sponsor an on-site national design 30,000 competition for the design of an art museum in Santa Barbara. 

For a designer to create a comprehensive plan for the future develop- 15,000 

ment of property along the East River in Manhattan. 

For an urban design competition concerning the adaptive re-use of 29,700 

Chandler’s historic town plaza built during the turn~)f-the-century 

City Beautiful Movement. 

For landscape design technical assistance concerning use of vacant 14,437 

and abandoned land in six neighborhoods in Cleveland. 

For a national urban design competition to design a new park above 15,000 

an underground garage on a site adjacent to Denver’s Civic Center. 

For urban design and planning activities to prepare a design program 17,070 for a new museum with a district-wide management plan to integrate 

the museum’s activities into a proposed development project in 

downtown Richmond. 

For evaluation and design strategies for the city’s major highway 4,625 

access route and downtown entranceway. 

For the architectural design of a museum located within the 12,000 

Timberline Lodge. 

For architectural fees for the development of schematic designs for 30,000 

a small theater. 

For a unique design-build competition for a new media and performing arts facility for the college and community. 

For the architectural design phase for restoration of the Landmark 5,000 Circle Theatre as a permanent home for the Indianapolis Symphony 

Orchestra. 

For a Cleveland dvic design charette to identify design proposals that 20,000 

will transform a former industrial area in the Cleveland Flats into 

a cultural arts district. 

For design fees to convert an old movie house into a new resident 25,000 theater facility for the Intiman Theatre Company. 

For a competition for developing designs to landscape the site, reuse 30,000 existing structures, and create new facilities at Jacob’s Pillow. 
Des/fin Arts 43 

Kansas State Historical Society 

Topeka, Kansas 

Los Angeles Museum of Modern Art 

Los Angeles, California 

Marquette University

Milwaukee, Wisconsin 

Memphis State University 

Memphis, Tennessee 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

Mississippi State University 

Mississippi State, Mississippi 

New Orleans Museum of Art 

New Orleans, Louisiana 

New York Landmarks Preservation 

Foundation 

New York, New York 

New York Shakespeare Festival

New York, New York 

Newport News, City of 

Newport News, Virginia 

Otis Art Institute of Parsons 

School of Design 

Los Angeles, California 

Parks Council 

New York, New York 

Pilobolus 

Washington, Connecticut 

Preservation Alliance of New Orleans 

New Orleans, Louisiana 

Providence Foundation 

Providence, Rhode Island
 

Richmond Foundation for the Arts 

Richmond, Virginia 

Savannah Landmark Rehabilitation 

Project

Savannah, Georgia 

Save the Tivoli 

Washington, D.C. 

Suffolk County Public Works 

Hauppauge, New York 

Temple- University 

Philadelphia, Pennsylvania 

Theater for the New City Foundation 

New York, New York 

Thomasville, City of 

Thomasville, Georgia 

30,000 For a preservation study of Nicodemus, Kansas, a National Historic

Landmark District. 

7,500 For a collaborative design and theatrical presentation combining the

talents of choreographer Lucinda Childs and architect Frank Gehry. 

10,000 For the Committee on Fine Arts to commission the design for a new 

art museum to house the university’s permanent collection and exhibition program. 

15,000 For the Graduate Department of Planning to conduct a feasibility

study to reestablish a trolley system in downtown Memphis. 

30,000 For the Minneapolis College of Art and Design to sponsor a national 

architecture competRion to design a model for "New Housing for NonTraditional Households." 

29,880 For the Center for Small Town Research and Design to develop design
 

options for Madison, Mississippi.
 

30,000 For a national design competition for the expansion of the BeauxArts styled museum facility. 

15,000 For a graphic design artist to develop a dear graphics system to coordinate all information materials for the commission. 

For the Broadway Theatre District Study and to support the de- 45,000 

tailed technical analysis required to produce a plan for the area’s 

preservation, development, and management. 

100,000 For a design competition for the Newport Centre Cultural Arts 

Pavilion. 

5,000 For the preliminary planning of International Student Design 01ympics, a new international design competition to coincide with the 1984 

Summer Olympics. 

13,500 To design a coordinated series of model street improvements and open 

space amenities along Third Avenue. 

25,000 For the design of a new dance center for use as a performance arts

laboratory, rehearsal studios, and dance workshops. 

20,000 For the architectural design of historic streets, building facades, and

new contemporary inffll buildings on vacant lots along streets in six 

different locations in historic sections of New Orleans. 

27,500 For a design study and implementation plan for the Providence waterfront’s redevelopment. 

30,000 For a public art and design competition to select works for 15 public 

sites to enrich and celebrate the Richmond Arts District. 

10,000 For the Savannah Neighborhood Action Conference concerning the 

role of design quality and historic preservation in inner city

neighborhoods. 

For an architectural feasibility study for the restoration of the historic 13,800 

Tivoli Theatre. 

For the Public Works/Building Division to sponsor a national design 10,000 

competition for the creation of a new multi-million dollar county court 

complex. 

30,000 For a programming and schematic design feasibility study for the

adaptive reuse of a Romanesque-styled Baptist temple into a concert 

hall and performing arts center. 

For an architectural feasibility study and schematic drawings for the 20,470 

adaptation and renovation of an underused public market into a complex of three theaters. 

15,000 For a feasibility and conceptual design study for the reuse of the 

Thomasvllle railroad depot. 
44 Design Arts 

Townscape Institute 

Cambridge, Massachusetts 

Vera Institute of Justice 

New York, New York 

Vision 

Cambridge, Massachusetts 

Yosemite Natural History Association 

Yosemite National Park, California 

Yuma Crossing Park Council 

Yuma, Arizona 

Design 

Communication 

Academy for Educational Development 

New York, New York 

American Institute of Graphic Arts 

New York, New York 

American Institute of Graphic Arts 

New York, New York 

American Society of Interior Designers

Educational Foundation 

New York, New York 

Architects Community Design Center 

of New Jersey

Newark, New Jersey 

Architectural History Foundation 

New York, New York 

Architectural Research Centers 

Consortium 

Washington, D.C. 

Arts and Architecture Magazine 

Los Angeles, California 

Asian Neighborhood Design 

San Francisco, California 

Association of Neighborhood Housing

Developers 

Bronx, New York 

Brattleboro Museum and Art Center 

Brattieboro, Vermont 

Buffalo Organization for Social

and Technological Innovation 

Buffalo, New York 

Center for Building Conservation 

New York, New York 

To conduct the Phonebook Placemakers Competition, in which the 

phone company will solicit cover design for the 1984 Cambridge phone

directory. 

29,970 

To create model designs for single-room occupancy facilities for low­ 27,740 

income rental levels. 

For the technical development of the design competitions initiative. 25,000 

For a landscape architecture study to evaluate the landscape design

implications of the general park management plan, goals, and policies. 

29,970 

To devise a master plan for the future development of Yuma Crossing Park, a National Historic Landmark. 

30,000 

For projects that inform the general public, designers, and decision-makers

about the value and practice of design, the impact of design decisions, and

the relationship between design and human behavior. 

Program funds: $1,429,569 71 grants 

For Educational Facih’ties Laboratories Division to develop a publica- $140,000 

tion on how to reuse redundant public school buildings to benefit 

neighborhoods and communities. 

For the planning phase of the first forum on the past, present, and 

future of graphic design in America. 

To provide first-year funding to publish a quarterly journal on graphic 18~200 

design. 

To extend to several other cities the Historic American Interiors 

Survey based on the pilot project in New York City. 

For a model marketing strategy and a services information kit to help 8,000 

nonprofit community design centers sell design services to small architectural firms and other design clients. 

To prepare illustrations for a text for a publication entitled Campus: 6,000 

The Design of the American College. 

To establish a designers’ computer software exchange program and 18,815 

a means for communicating the collected results. 

To produce a special issue of the magazine Arts and Architecture on 6,500 

utopias and futurism. 

To produce a series of educational materials, pamphlets, audiovisual 20,000 

presentations, exhibits, and a handbook to inform the residential 

population of San Francisco’s Chinatown about design options for improving small living spaces. 

To produce a documentary film on the history of physical change to 20,755 

one South Bronx tenement and the land it stands on, exploring the 

reasons neighborhoods change physically and socially. 

For a plan for a traveling exh~ition on the design of the small garden, 21,700 "Built Landscapes: Four Landscape Architects Designing Small 

Spaces." 

To expand the text of a book entitled Do Buildings Really Matter? 20,000 

To complete a preliminary inventory of the archives at the New York

Architectural Terra Cotta Company in preparation for a publication 

distributed to design professionals. 
Design Arts 45 

Central Park Conservancy 

New York, New York 

Colorado, Regents of the University of 

Boulder, Colorado 

Columbia University, Trustees of 

New York, New York 

Columbus, City of 

Columbus, Ohio 

Committee on the Visual Arts 

Cambridge, Massachusetts 

Craft and Folk Art Museum 

Los Angeles, California 

Cranbrook Educational Community 

Bloomfield Hills, Michigan 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Department of Housing and Urban
 

Development
 

Washington, D.C. 

Educational Broadcasting
 

Corporation
 

New York, New York
 

Focus Productions 

Oaldand, California 

Friends of the Bluffs
 

Chelsea, Massachusetts
 

Friends of the Schindler House 

Los Angeles, California 

Friends of the School of Architecture 

Gate (MargareO Institute


Huntington, New York
 

Greater Washington Educational


Telecommunications Association
 

Washington, D.C. 

Group for Environmental Education 

Philaddphia, Pennsylvania 

Hampton Institute 

Hampton, V’n-ginia 

Heritage Foundation of Arizona 

Tempe, Arizona 

Historic Albany Foundation
 

Albany, New York
 

Illinois, University of 

Chicago, Illinois 

20,000 To initiate a Central Park library and index of all planning and historic
 

materials relating to the park.
 

10,000 To create and disseminate an information planning kit to provide rural

communities with innovative design alternatives for mobile home site 

development. 

17,500 For "American Architecture: In Search of Traditions," an exhibition 

accompanied by a publication and symposium prepared by the 

Graduate School of Architecture and Planning. 

9,000 For the Department of Development for the Greater Hilltop Area 

Commission to produce a design workbook that includes guidelines

for how to design and initiate neighborhood improvements in the 

Greater Hilltop area. 

15,000 To plan and produce "The Aesthetics of Progress," a major exhibition to describe design as a means of defining progress in the United 

States during the 20th century. 

15,000 For an exhibition on American vernacular architecture, accompanied


by symposia, catalog, and short documentary film.
 

20,000 For Cranbrook Academy of Art’s "Design Michigan" program. 

7,500 To produce American Arch~re Now, Part II, a series of videotape
 

interviews with a cross-section of contemporary American architects.
 

7,500 To produce Fashion: The Inside Story, a series of videotape interviews with major figures in recent fashion design history.
 

2,347 For programs associated with an interagency agreement with the
 

Department of Housing and Urban Development.
 

16,610 To expand and update a film portrait on American architect Philip
 

Johnson, as part of WNET-TV’s American Masters Series.
 

8,575 To produce a documentary film of the renovation of Oakland’s grand


old movie palace, the Fox Theatre.
 

10,000 To produce a half-hour videotape documentary of the design alternatives proposed to improve barrier beaches in Massachusetts.
 

9,000 To prepare an exhibition to explore the past and future of plywood


furniture design.
 

2,940 To produce the second volume of Threshold, the journal of the School
 

of Architecture at the University of Illinois in Chicago.
 

8,000 For graphic design, printing, and dissemination of the institute’s
 

design guidelines on color systems for institutional environment.
 

30,000 To produce a half-hour documentary film exploring the conflict between artistic processes and popular demands as illustrated in the


design and construction of the Vietnam Veterans Memorial in
 

Washington, D.C.
 

I0,000
 For the graphic design and production of a manuscript for a book entitled The Notebooks and Drawing of Louis I. Kahn.
 

I0,000
 For a two-day conference concerning black women in design
 

professions.
 

I0,000
 To conduct a conference and publish a report on the preservation of
 

historic adobe buildings.
 

5,450
 To conduct a seminar for administrators and building maintenance
 

supervisors of historic buildings of colleges, universities, and independent schools concerning maintenance and management needs of older
 

buildings.
 

15,000
 For the publication and promotion of the first two editions of Design
 

Issues, a journal of design history, theory and criticism on current
 

topics in industrial and graphic design.
 
46 Design Arts 

Institute for Urban Design 

Purchase, New York 

Landscape Architecture Foundation

Washington, D.C. 

Landscape Architecture Foundation

Washington, D.C. 

Lautman, Andrew 

Potomac, Maryland 

Maryland Institute 

Baltimore, Maryland 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

Massachusetts Institute of Technology

Cambridge, Massachusetts 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

Municipal Art Society 

New York, New York 

National Conference of State 

Legislatures 

Denver, Colorado 

National Trust for Historic 

Preservation in the United States 

Washington, D.C. 

National Trust for Historic 

Preservation in the United States 

Washington, D.C. 

Neighborhood Housing Services of

Baltimore 

Baltimore, Maryland 

Neighborhood Housing Services of

New Haven 

New Haven, Connecticut 

New York Foundation for the Arts 

New York, New York 

Ohio Arts Council 

Columbus, Ohio 

Otis Arts Institute of Parsons School 

of Design 

Los Angeles, California 

Partners for Livable Places 

Washington, D.C. 

Phoenix Art Museum 

Phoenix, Arizona 

To begin the research phase of"City Buildings," a project to collect 25,000 

and disseminate information on ways in which the arts can be included in large scale commerical development projects in cities across the 

couutry. 

To support a landscape architecture information clearinghouse. 18,000 

To assist in the completion and distribution of a short film by land- 12,000
 scape architect Lawrence Halprin concerning design for all people
 

with accessibility for the disabled.
 

For a contract to provide audiovisual documentation, production, and 20,794
 

maintenance services for the advocacy initiative of the Design Arts
 

For the College of Art to produce "Graphic Design: Idea to Image", 8,000
 

an exhibition revealing the decision-making process used by graphic


designers.
 

For the Committee on the Visual Arts to plan and produce "The 15,000
 Aesthetics of Progress," an exhibition describing design as a means
 

of describing progress in the United States during the 20th century.
 

For the Film]Video Section of M.I.T. to produce a one-hour documen- 47,857
 tary film on the planning and urban design process used in New
 

Orleans, to prepare for the 1984 World’s Fair.
 

For the Laboratory of Architecture and Planning to produce a case 20,000
 study handbook on an effective means of managing the art and
 

business of design.
 

For the first year of a three-year series of urban design exhibits, in- 25,000
 cluding prevision of audiovisual and printed materials.
 

To broaden the awareness and response of state legislatures to the 20,000
 value and practice of design in America.
 

To prepare and publish The Conserve Neighborhood Manual, a com- 5,000
 munity assistance handbook to help citizens’ associations improve and
 

preserve their own neighborhoods.
 

To develop, produce, and disseminate an information and video 250,000
 outreach program to inform rural leaders about viable design and
 

preservation strategies in rural economic downtown revitalization
 

projects.
 

To produce The Banner Neighborhood Journal, a neighborhood 3,500
 newsletter that provides information about local design and planning issues.
 

To prepare a brochure documenting the restoration of a small 1866 4,120
 frame house in New Haven’s Neighborhood Housing Services District,
 

which serves as a model for other rehabilitation and preservation
 

groups.
 

To complete the production of The Greening of New York City, a one- 25,000
 

hour film showing the transformation of vacant rubble-strewn spaces
 

into gardens, parks, and city farms.
 

For the Values and the Built Environment project, a joint effort by 21,720
 

the Ohio Arts Council and the Ohio Humanities Council that fosters
 

communication between the design fields and the public.
 

For "Graphics in Motion," a traveling exhibition on the design of 15,000
 title sequences for motion pictures and television.
 

For the first of a three-year public education program on design alter- 30,000
 natives for parking structures.
 

For the Arizona Costume Institute to produce an exhibit on the work 23,158
 of outstanding Japanese designers of textiles and ldmonos.
 
Design Arts 47 

Portland Public Schools 

Portland, Oregon 

Project for Public Spaces 

New York, New York 

Publishing Center for Cultural 

Resources 

New York, New York 

Purdue University

West Lafayette, Indiana 

Queens County Arts and Cultural
 

Center
 

Flushing, New York 

Rhode Island School of Design 

Providence, Rhode Island 

San Francisco Planning and Urban 

Research Association 

San Francisco, California 

Society of Illustrators 

New York, New York 

Tennessee, University of 

Knoxville, Tennessee 

Townscape Institute 

Cambridge, Massachusetts 

Utah Arts Council 

Salt Lake City, Utah 

Vision 

Cambridge, Massachusetts 

Walker Arts Center 

Minneapolis, Minnesota 

Washington State University 

Pullman, Washington 

Waterfront Center 

Washington, D.C. 

Waterfront Center 

Washington, D.C. 

Wave Hill 

Bronx, New York 

Design Exploration

Research 

For the "Architecture Alive"program, an alternative public school 

learning experience that gives children an understanding of the built 

environment and a critical eye toward architecture. 

For a three-part communication program on downtown public space 

design and management. 

To reprint and distribute publications originally supported by grants

from the Design Arts Program. 

To help support the 1983 LABASH Conference, a three-day national 

student assembly. 

To produce "Streamline Design: How the Future Was", an exhibition that examines the formal and functional properties of the 

streamline style popular in the ’30s and ’40s. 

To present an exhibition and catalogue on bentwoods and lamination 

techniques for designing and manufacturing furniture. 

For a 20-minute film on design possibilities of San Francisco’s rooftops. 

For Graphic Artists Guild National to prepare guidelines and a manual 

for organizing graphic design competitions. 

To produce a traveling exhibition and catalog of the architectural and

design projects undertaken by the Tennessee Valley Authority. 

For a communication kit of design and planning alternatives to the 

development of commercial franchise strips along entrance highways 

to towns and cities. 

To produce an exhibition of model houses collaboratively designed 

by designers and craftspeople. 

To produce a pilot video magazine of the design arts for general

audiences. 

To plan "The 20th Century Poster," a comprehensive exhibition of 

the art of poster design by significant graphic designers of our era. 

For the initial planning of an illustrated survey of outstanding state 

park designs that can be used as a design sourcebook by professionals,

students of landscape architecture, and public officials. 

To publish the proceedings of an urban waterfront conference in 

Washington, D.C. 

To produce Caution: Working Waterfront, a publication about selected creative design solutions to waterfront revitalization efforts. 

For an exhibit of photographs of American landscape architecture 

designs by photographer Mattie Edwards Hewitt. 

6,000 

30,000 

49,975 

15,000 

20,000 

10,000 

7,000 

14,000 

17,050 

27,004 

20,000 

25,000 

7,000 

5,000 

6,000 

7,000 

20,000 

For experimental and innovative research on design that seeks to define or

resolve new or recurring design problems. 

Program funds: $431,922 

21 grants 

Better Bellevue Association To develop architectural design guidelines and rules for improving $11,920 

New York, New York the design of obstetric units in hospitals. 

Buffalo Organization for Social and

Technological Innovation 

To research the effect proximity to windows has on the productivity 

and health of office workers. 

15,000 

Buffalo, New York 

Capitol Children’s Museum 

Washington, D.C. 

For research on design alternatives to improve the graphic presentation of information displayed on computer terminals. 

5,000 
48 Design Arts 

Colorado, University of 

Denver, Colorado 

Georgia Tech Research Institute, 

Georgia Institute of Technology

Atlanta, Georgia 

Illinois, University of 

Urbana, Illinois 

Illinois, University of 

Urbana, Illinois 

Institute for the Development of 

Evolutive Architecture 

Syracuse, New York 

Maryland, University of

Baltimore, Maryland 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

New York Landmarks Conservancy

New York, New York 

New York, Research Foundation of

the State University of

Albany, New York 

Pennsylvania, Trustees of the

University of

Philadelphia, Pennsylvania 

Pittsburgh Presbytery 

Pittsburgh, Pennsylvania 

Rensselaer Polytechnic Institute

Troy, New York 

Southern California, University of 

Los Angeles, California 

Texas Tech University 

Lubbock, Texas 

Urban Innovations Group 

Los Angeles, California 

Washington, University of 

Seattle, Washington 

Wisconsin, University of 

Milwaukee, Wisconsin 

Wisconsin, University of 

Milwaukee, Wisconsin 

For the Center for Community Development and Design to develop 

methods that facilitate communication between designers and the 

visually handicapped. 

19,762 

For a study to determine the role architectural fixtures play in controlling how people use and experience public open spaces. 30,390 

For an ongoing study of residents’ preferences concerning the design 

of multi-family housing. 

39,975 

For research on the landscape design of homes in residential 

neighborhoods for the developmentally disabled. 

18,700 

For the research of case studies that explore the synthetic process 

used by designers to explore, educate, or inquire about environmental problems. 

15,000 

For research that analyzes the often conflicting viewpoints of residents

living in tourist neighborhoods versus visitors who travel to these 

neighborhoods for leisure activities. 

40,000 

For the Laboratory of Architecture and Planning to research the processes designers use to draw and develop projects, through an analysis 

of case studies from architecture, urban design, and landscape 

architecture. 

38,480 

For the study and dissemination of information concerning new and 

existing methods for repairing and replacing masonry facade 

ornamentation. 

19,790 

For the State University of New York at Buffalo to research the relationship between urban infrastructure and urban development. 10,000 

For research that identifies economical alternatives for conserving 

or replacing ornamental metal trim on architecturally and historically significant buildings. 

37245 

For the Committee on Aging to research design alternatives for housing for the elderly. 10,000 

To continue the development of an architectural thesaurus. 15,000 

For research on the use of outdoor spaces on housing sites for the 

elderly. 

39,132 

For research in passive solar design and the contribution made by

interior design elements. 

5,000 

To develop graphic diagrams illustrating design concepts described 

by architects in their own writings. 

9,830 

For the College of Architecture and Urban Planning to research 

means of increasing the density of housing developments without 

adversely affecting quality of neighborhood environments. 

5,000 

For research that compares the two dominant and competing theories 

in the psychology of perception--the Gestalt and the Ecological--as 

they apply to visual perception in architectural terms. 

13,592 

For the School of Architecture and Urban Planning to conduct a study 

concerning planning and design competitions in the U.S. 33,106 
Design Arts 49 

Design Excellence To provide federal and state agencies with professional guidance for

upgrading publications and working environments through seminars,

workshops, and educational materials. 

Catholic University of America 

Washington, D.C. 

Department of Energy 

Washington, D.C. 

Department of Transportation 

Washington, D.C. 

Institute for Urban Design 

Purchase, New York 

Michigan, University of 

Ann Arbor, Michigan
 

Mississippi State University

Mississippi State, Mississippi 

National Academy of Sciences 

Washington, D.C. 

Partners for Livable Places 

Washington, D.C. 

Smith, Peter

Washington, D.C. 

Interagency 

American Institute of Graphic Arts 

New York, New York 

Institute for Urban Design 

Purchase, New York 

Program funds: $691,360 

9 grants 

For arts administrator Margurite Villecco to serve temporarily in $55,415 

the Design Arts Program. 

For programs associated with interagency agreements with the 585 

Department of Energy. 

For programs associated with interagency agreements with the 3230 

Department of Transportation. 

For a cooperative agreement to support the Design Excellence Project in public service, design theory, and design competition programs. 

For a cooperative agreement for a Design Arts Program leadership 200,000 

initiative to educate corporate clients about design to enable them 

to make responsible design decisions to assure excellence, cost effectiveness, and efficiency. 

For arts administrator Allen Payne to serve temporarily in the Design 35,725 

Arts Program. 

To support the Advisory Board on the Built Environment and sup- 10,000 

pert cooperation and collaboration between the Design Working Group 

and the Federal Construction Council. 

308,570 For a cooperative agreement to continue the National Design Information Clearinghouse and Economics of Amenity Program, investigate and disseminate information about model projects that 

reveal successful cooperation among public and private organizations 

to improve the quality of design in America, and administer a national 

network of design professionals who provide technical assistance and 

related services to the design field. 

For arts administrator Peter Smith to serve temporar~y in the Design 14,834 

Arts Program. 

For projects that benefit the design field as a whole. 

Program funds: $17,079 

9 grants 

To amend a previous grant to assist the private sector in selecting $4,124 

evaluators of candidates applying for federal government design jobs. 

To amend a previous grant to assist the private sector in selecting 8,090 

evaluators of candidates applying for federal government design jobs. 

The following persons received amounts to cover interagency expenses: 

Anderson, Elaine $500 Hampshire, Gifford 1,115 

Los Angeles, California Falrfax, Virginia 

Brown, Catherine 100 Lozano, Henry 

Beverly Hills, California Los Angeles, California 

530 
50 Desfiyn Arts 

Odcn, Dick

Laguna Beach, California 

Rowan, Dick 

Monterey, California 

Services to the Field
 

American Institute of Architects 

Foundation 

Washington, D.C. 

Association of Collegiate Schools 

of Architecture 

Washington, D.C. 

Environmental Images 

Washington, D.C. 

United States Conference of Mayors 

Washington, D.C. 

805 Sanders, Marilyn

Los Angeles, California 

1,165 

To assist professional organizations, nonprofit groups, and coalitions that

advance the cause of design excellence. 

Program funds: $163,796 

4 grants 

To amend a previous grant to provide for additional expenses for $1,796 

assistance in the selection of evaluaters for federal government job 

applicants in architecture and landscape architecture. 

To amend a previous contract to provide additional workshops, a sym- 12,000 

pesium, and other activities in support of design initiatives. 

For a cooperative agreement to develop, produce, and disseminate 

public information materials on design issues. 

To develop, publish, and disseminate Innovations in Arts Funding, 

a comprehensive technical assistance guide for funding local arts 

activities. 
52 Expansion Arts 
Exp ans ion Arts
 

Expansion Arts Advisory Panels
 

Betty Allen 

Singer, Executive Director 

Harlem School of the Arts 

New York, New York 

Myrna Baez
 

Visual artist, educator,
 

painter
 

San Juan, Puerto Rico
 

Sandi Bagley 

Prindpal
 

Elma Lewis School of Fine Arts
 

Dorchester, Massachusetts
 

John Paul Batiste 

Poet, Financial Director

City of Dallas Arts Division 

Dallas, Texas
 

Joy Beaton 

Senior Staff Associate 

Chicago Community Trust 

Chicago, Illinois 

Jessie Brown 

Professor Emeritus 

Hampton Institute
 

Hampton, Virginia 

Maxine Brown 

Executive Director 

Louisville Foundation 

Louisville, Kentucky 

Peggy Cooper Cafritz 

Chairman 

District of Columbia Commission 

on the Arts and Humanities 

Washington, D.C. 

Juan Carillo
 

Artists in Education
 

Coordinator
 

California Arts Council
 

Sacramento, Cal£fornia
 

Allen Chow 

Actor, dancer 

Director 

Chinese American Arts Council
 

New York, New York
 

William Daniels 

Director 

Jubilee Community Arts Center

and Laurel Theater 

Knoxville, Tennessee 

Carmen De Novias
 

Director
 

Xicanindio Artists Coalition
 

Mesa, Arizona
 

Max Ferrar
 

Art Director and Founder
 

International Arts Relations
 

New York, New York
 

Oliver Franklin 

Filmmaker, Film Consultant 

Afr~American Historical 

Cultural Museum 

Philadelphia, Pennsylvania 

Edmund Barry Gaither
 

Director
 

Museum of the National Center
 

of Afro-American Artists
 

Boston, Massachusetts
 

Karen Gates
 

Director
 

Seattle Arts Commission
 

Seattle, Washington
 

Sam Grabarski 

Musician, Executive Director 

Iowa State Arts Council 

Des Moines, Iowa 

Wanda Cody Harding 

Actress, Director 

Knoxville Arts Council 

Knoxville, Tennessee 

James Hart 

Grants Officer 

Detroit Council on the Arts 

Detroit, Michigan 

Angel Hernandez 

Professor of Folklore
 

Pima College
 

Director
 

Pima College Dance Company
 

Tucson, Arizona
 

Richard Hill 

Visual Artist 

Director of Museum Program 

Native American Center 

for the Living Arts 

Niagara Falls, New York 

Richard Hunt 

Sculptor, visual artist 

Chicago, Illinois 

Mako Iwamatsu 

Actor, Artistic Director

East West Players 

Los Angeles, California 

Bill Jamison 

Executive Director 

Western States Arts Foundation 

Santa Fe, New Mexico 

Woodie King 

Director, producer, fflmmaker 

Director 

National Black Touring Circuit 

New York, New York 

John Kreidler 

Program Executive 

San Francisco Foundation
 

San Francisco, California
 

Naomi Larkin 

Director 

Community Art Resources 

San Francisco, California 

Ruby M. Lerner 

Executive Director 

Alternate Roots 

Atlanta, Georgia 

Pearl C. Lomax 

Playwright
 

Senior Staff Writer
 

A. Brown Olmstead Associates 

Atlanta, Georgia 

Ralph Maradiaga
 

Fllmmaker, Co-Director


Galeria de la Raza/Studio 24
 

San Francisco, California
 
54 Expansion Arts 

Dianne McIntyre 

Dancer, choreographer 

Director 

Sounds in Motion 

New York, New York 

Catherine Nelles 

Assistant to the President 

and Program Officer 

C.S. Mort Foundation 

Flint, Michigan 

Cynthia Pitts 

Board Member 

Inner City Arts Council 

Milwaukee, Wisconsin 

Edmundo Rodriguez 

Executive Director 

Plaza de la Raza 

Los Angeles, California 

John Saul 

Writer, Vice President 

Chester Woodruff Foundation 

Bellevue, Washington 

Victo~a Sharpley 

President 

VishInc 

Newton, Massachusetts 

George Shirley 

Singer, Artistic Director 

New School for the Arts 

Montclalr, New Jersey 

Jack Skuce 

Consultant 

Washington, D.C. 

Lenwood Sloan 

Dancer, choreographer 

Director of Interagency Program 

California Arts Council 

Sacramento, California 

Expansion Arts Grants
 

Expansion Arts

Organizations 

Adelante 

Tucson, Arizona 

African-American Cultural Center 

of Buffalo 

Buffalo, New York 

African Heritage Dancers and Drummers 

Washington, D.C. 

Afrikan Poetry Theatre 

Jamaica, New York 

Afro-American Museum of Detroit 

Detroit, Michigan 

Afro-American Total Theatre Arts 

Foundation 

New York, New York 

Aims of Modzawe 

Jamaica, New York 

Akwesasne Cultural Center 

Hogansburg, New York 

Akwesasne Library and Cultural 

Center 

Hogansburg, New York 

Eleanor Traylor 

Critic, Professor of English 

Montgomery College 

Washington, D.C. 

Lorenzo Trujillo 

Dancer, choreographer 

Assistant Superintendent 

Schools of Jefferson County 

Lakewood, Colorado 

Carmen Zapata 

Actress 

President and Managing 

Producer 

Bilingual Foundation 

for the Arts 

Los Angeles, California 

Program funds: $7,276,630 Treasury funds: $ 165,000 361 grants 

To assist professionally directed community arts organizations that provide 

programs in the performing arts, visual arts, media, design, literary arts,

and interdisciplinary arts activities. 

Program funds: $6,277,070 

Treasury funds: $ 165,000 

326 grants 

For a theater workshop and performance program at Teatro Liber- $10,000 

tad of an original bilingual play for the Chicano community. 

For the artist-in-residency program of the Paul Robeson Theatre 7,500 

Workshop. 

For performances and a program that develop professional skills in 15,000 

African traditional dance, percussion, and vocals. 

For two major poetry reading programs for the community of Queens. 6,000 

For an exhibition and lecture series on African-American traditional 10,000 

and contemporary art. 

For productions and theater instruction program offering classes on 50,000 all levels at the Afro-American Total Theatre. 

To support the Dinizulu Dancers, Singers, and Drummers; master 15,000 

classes in African art forms; and guest lecturers and artists. 

For a program at the Akwesasne Museum designed to preserve the 14,552 

art forms of the Mohawks, consisting of seven training sessions in 

Mohawk art disciplines and exhibitions. 

To support the Akwesasne Museum and a training program for preser- 10,000 

ving art forms of the Iroquois. 
Expansion Ar~s 55 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

Alpha Omega 1-7 Theatrical

Dance Company 

New York, New York 

Alternative Center for International Arts 

New York, New York 

American Black Artist 

Detroit, Michigan 

American Black Artist 

Detroit, Michigan 

American Dance Festival 

Durham, North Carolina 

American Indian Community House 

New York, New York 

American Indian Community House 

New York, New York 

American Lake-Veterans Administration 

Medical Center 

Tacoma, Washington 

Amigos del Museo del Barrio 

New York, New York 

An Claidheamh Soluis 

New York, New York 

Appalshop 

Whitesburg, Kentucky 

Appalshop 

Whitesburg, Kentucky 

Arena Players

Baltimore, Maryland 

Art Resourc~ for Teachers and Students 

New York, New York 

Artists Collective 

Hartford, Connecticut 

Artists of Indian America 

Albuquerque, New Mexico 

Arts Council 

Winsten-Salem, North Carolina 

Arts Council 

Winston-Salem, North Carolina 

Asian American Dance Collective 

San Francisco, California 

Asian Cine-Vision 

New York, New York 

Asian Cine-Vision 

New York, New York 

For the performance and workshop program of the Wh-egrass Sacred 10,000 

Harp Singers, including performances, workshops, and training sessions in and around the community. 

To support the Young Adult Contemporary Dance Workshop, which 12,500 

provides professional arts training to inner-city youth. 

For five major exhibitions and a series of 30 concerts, workshops, 30,000 

and lectures. 

To support the Cultural Opportunity for Detroit Exchange (CODE), 20,000 

including exhibitions and seminars by local black artists. 

For an intensive residency workshop program that provides profes- 15,000 

sional training and career enhancement. 

For local North Carolina dance companies to work with the Chuck 10,000 

Davis Dance Company. 

For exh1%itions of new and experimental Native American art forms. 26,610 

To develop and produce a new work based on the oral histories col- 10,000 

lected on experiences of the American Indian. 

For an artist-in-residence project at Veterans Medical Center. 15,000 

For a year-round series of painting, sculpture, and photography ex- ~s20o 

hibitions at the School of Fine Arts. 

For workshops and performances in music, dance, and theater reflec- 10,500 

tive of the Irish culture. 

For Roadside Theater, Appalshop Print and Photography, and Ap- 55,000 

palshop Radio to provide instruction and participatory arts activities 

in mountain communities throughout central Appalachia. 

For a program of performances and exhibitions in the Appalshop 70,000 

Center. 

For an apprentice program for advanced students in the performing 10,500 

arts. 

For intensive professional training for youth in the visual and per- 35,000 

forming arts of Hispanic and Chinese cultures. 

For a comprehensive training and instruction program with guest 30,000 

master artists. 

For arts workshops for various Indian communities throughout the 15,000 

Southwest, culminating in a concert program. 

For Urban Arts’ professional instruction program in visual and per- 16,914 

forming arts for children from low-income neighborhoods in cooperation with the Sawtooth Center for Visual Design and the North 

Carolina School of the Arts. 

For a professional instruction program in visual and performing arts 15,208 

for children from low-income neighborhoods, in cooperation with the 

Arts and Crafts Association, the Little Theatre, and the North 

Carolina School of the Arts. 

To support the Performing Ensemble and a workshop and perfor- 7,500 

mance program in Asian dance. 

For the Asian American film and video exhibition series of films made 16,295 

by Asian American filmmakers, and an Amer-Asia cable exhibition 

that features video works and films programmed on Chinese Cable 

Television in New York City. 

For the Asian American Film and Video Exhibition series and the 20,000 

advanced Asian American video production workshop. 
Asian Multi-Media Center 

Seattle, Washington 

Ballet de Puerto Rico 

New York, New York 

Ballet Folklorico de San Antonio 

San Antonio, Texas 

Ballet Theatre of the Virgin Islands 

St. Thomas, Virgin Isiands 

Baltimore Theatre Project 

Baltimore, Maryland 

Basement Workshop 

New York, New York 

Basement Workshop 

New York, New York 

Bayfront Nato 

EHe, Pennsylvania 

Bayfront Nato 

Erie, Pennsylvania 

Bedford Stuyvesant Restoration 

Corporation 

Brooklyn, New York 

Before Columbus Foundation 

Berkeley, California 

Bilingual Theater Company 

Kingsville, Texas 

Black Dimensions in Art 

Schenectady, New York 

Black Ghetto Theater Company 

Roxbury, Massachusetts 

Black Repertory Group 

Berkeley, California 

Black Spectrum Theatre Company 

St. Albans, New York 

Black Theatre Troupe 

Phoenix, Arizona 

Boys Harbor 

New York, New York 

Brandywine Graphic Workshop 

Philadelphia, Pennsylvania 

Brandywine Graphic Workshop 

Philadelphia, Pennsylvania 

Brockman Gallery Productions 

Los Angeles, California 

Bronx Museum of the Arts 

Bronx, New York 

To support the professional theater component: Asian Exclusion Act. 10,000 

For professional dance training in classical ballet, Spanish dance, and 

folk dance of the Americas. 

20,000 

For the folklore dance program of classes and workshops in Mexican 

and Spanish techniques. 

7,500 

To support professional training in ballet, modern dance, jazz, tap, 

and creative movement for children and adults, including performance 

workshops and a scholarship program. 

15,000 

For presenting guest performing groups and several special events,

a summer music series in conjunction with the Maryland Institute 

of Art, and administrative support during the transition period of 

renovating their building. 

For classes and workshops for emerging artists, poetry readings, 

gallery and performance series of interdisciplinary eollaboratious, and 

dance concerts by Morita, the resident dance company. 

20,000 

For classes and workshops for emerging artists. 

For training in visual arts, dance, music, theater, and poetry; exhibits 

and performances; a state-wide dance touring program; a traveling 

concert series; and services to local artists. 

For classes, lecture demonstrations, and the engagement of guest 

choreographers. 

For an outdoor art exhibition program and a performing arts series 

for outstanding professional, regional, and local artists. 

For a series of workshops for aspiring writers, a poetry festival, and 

book exhibition to assist communication between small press 

publishers and would-be authors. 

25,000 

To support a professional bilingual theater for the Corpus Christi area 

with performances in both English and Spanish. 

15,000 

For a major exhibition featuring black women artists, including production of a catalogue, poster, and other special events related to the

exhibition. 

5,000 

For the professional theater arts workshop program and increased 

musical productions. 

10,000 

For professional training in drama, production, dance, and creative 

writing. 

5,900 

For professional training in all facets of theatrical production, audience 

development techniques, and performing experience. 

18,000 

For the actors-in-residence program and master workshops in dance,

vocal music, and technical skills for producing theater. 

29,000 

For support of the Harbor Junior High School of the Performing Arts 

and the Harbor Performing Arts Center, providing professional instruction and an apprentice program in the performing arts to youth 

in East Harlem and surrounding areas. 

40,000 

To operate three community art workshops in the visual arts. 18,000 

To operate two training programs in printmaking for young artists

and a mural production workshop for professional artists. 

18,000 

For cultural programming for communities in south central Los

Angeles. 

20,000 

To operate the museum’s six satellite galleries that serve predominately blue-collar, minority, and elderly residents of Bronx. 

10,000 
Expansion Arts 57 

Bronx Museum of the Arts 

Bronx, New York 

CA-FAM IlI 

Washington, D.C. 

CA-FAM III 

Washington, D.C. 

Camera News 

New York, New York 

Caribbean Center for Understanding 

Media 

St. Croix, Virgin Islands 

Caribbean Center for Understanding

Media 

St. Croix, Virgin Islands 

Caribbean Dance Company 

St. Croix, Virgin Islands 

Casa de Amigos Community Center 

Houston, Texas 

Casa Hispana de Bellas Artes 

San Francisco, California 

Center for Positive Thought 

Buffalo, New York 

Center for Puppetry Arts 

Atlanta, Georgia 

Central Pennsylvania Village Crafts

State College, Pennsylvania 

Central Pennsylvania Village Crafts

State College, Pennsylvania 

Centro Cultural de la Raza 

San Diego, California 

Centro de Arte 

Washington, D.C. 

Centro de Artistas Chicanos 

Sacramento, California 

Chamber Dance Group 

New York, New York 

Chicago Black Ensemble Theater

Corporation 

Chicago, Illinois 

Chicago Mural Group 

Chicago, Illinois 

Chicano Humanities and Arts Council 

Denver, Colorado 

Chinatown Building and 

Education Foundation 

Philadelphia, Pennsylvania 

Chinese Culture Foundation of 

San Francisco 

San Francisco, California 

20,000 For a 15-week workshop and seminar series on aspects of business

for the professional visual artist. 

20,0~0 For an exhibition and lecture program, and publication of Black Arts 

Review - Palarra. 

15,000 For the Black Film Institute to continue its film exhibition series of 

the work of emerging black filmmakers. 

32,015 For production-oriented film skills workshops providing hands-on use 

of film production equipment. 

20,000 For administrative costs for media training courses that provide vocational training in video production for community residents. 

For a local media resource center to provide training workshops for 15,000 

artists in video production. 

For a professional dance instruction program, including preserving 

folk dances of the West Indies, classes, performances, demonstrations, 

and lecture presentations. 

10,000 To hire a professional guest dancer to offer professional instruction 

in Folklorico dance. 

For four m~jor concerts by Latin musicians and a series of perfor- 10,000 

mances of new poetry by Bay Area bilingual poets. 

50,000 For programming in the performing and visual arts involving the

School of Movement, Drama, and Music; Kariamu and Company; and 

the Museum of African and African-American Arts and Antiquities. 

15,000 For workshops, performances, and instruction given by nationally

renowned artists contributing to the development of the company’s 

skills. 

10,000 For workshops and classes offering training in traditional and contemporary Pennsylvania rural crafts. 

For a master-apprentice training program in the art of quiltmaking. 10,000 

24,000 For instructions in music and the visual arts resulting in presentations that reflect Mexican, Indian, and Chicano cultures. 

26,000 For training, productions, concerts, presentations, and exhibitions

by Ruminsonko, Teatro Nuestro, and Galeria. 

20,000 For a barrio art program to include hands-on expe~ence and advanced

workshops for artists. 

For a dance training program, including professional instruction for 15,000 

minority students. 

5,000 For a season of 120 performances of four plays. 

20,000 To support the Community Mural Project, for which three murals 

were crea~ed by local professional argsts on exterior and interior surfaces in Chicago. 

To support bilingual theater development of Chicano performers, 7,500 

writers, and theater artists through workshops conducted by Ahora 

Teatro Hispano. 

For workshops, classes, and exhibits in authentic Chinese visual and 10,000 

performing arts. 

For visual arts exhibitions, workshops, a film and lecture series, and 20,000 

storytelling sessions on Chinese folklore and customs in Cantonese. 
58 Expansion Ar~s 

Chinese Culture Foundation of 

San Francisco 

San Francisco, California 

Chinese Music Ensemble of New York 

New York, New York 

Chinese Music Society of 

North America 

Woodbridge, Illinois 

Christina Cultural Arts Center 

Wilmington, Delaware 

Cinque Gallery 

New York, New York 

City Without Walls: An Urban Artists 

Collective 

Newark, New Jersey 

Cityarts Workshop 

New York, New York 

Cityarts Workshop 

New York, New York 

Clark Center for the Performing Arts 

New York, New York 

Co-Real Artists 

Los Angeles, California 

Community Art Services Hawaii 

Hi]o, Hawaii 

Community Film Workshop of

Chicago 

Chicago, Illinois 

Community Film Workshop of Chicago 

Chicago, Illinois 

Community Music Center 

San Francisco, California 

Community Renewal Team of Greater 

Hartford 

Hartford, Connecticut 

Community Renewal Team of Greater 

Hartford 

Hartford, Connecticut 

Community TV Network 

Chicago, Illinois 

Compania de Teatro de Albuquerque 

Albuquerque, New Mexico 

Compania Folklorica Puertorriquena 

San Juan, Puerto Rico 

Concerned Musicians of Houston 

Houston, Texas 

Creative Growth 

Oakland, California 

Cresson Lake Playhouse 

Spangler, Pennsylvania 

For a four-part exhibition series presenting Chinese-American art 

forms. 

20,000 

For a music trahing program, including scholarships and a musicianin-residence to enhance performances. 

10,000 

For the development of professional percussion skills, technique of 

the bamboo flute, and ensemble playing related to traditional Chinese 

music. 

10,000 

For professional music training and celebration of Black History 

Month with exhibits, performances, and workshops. 

17,530 

For an exhibition program presenting the work of young and emerging minority artists. 10,000 

For group shows of three or four artists and special exhibitions of 

solo shows. 

9,500 

To design eight murals and support the Resource Center, which provides exhibition space, lectures and slide presentations, a h~rary, and 

other arts services. 

25,300 

To plan and produce eight murals in the community and support the 

Resource Center, which provides exbXbition space, lectures, and other 

arts services. 

20,000 

For a multiethnic dance program, providing scholarships, vocational

training in dance, and instruction in dance-related fields. 

31~200 

For classes for young artists that culminate in performances. 11,990 

For dance ~truction and performances by Generations, and the livein dance workshop program with recognized artists. 

17,500 

For an intensive training program in 16ram film production, an internship program, and a weekly film and lecture program open to 

the public. 

For vocational training in film and video production for artists and 

technicians. 

25,000 

For artists’ fees for the music training program in western, Chinese, 

and Latin instrumental and vocal styles. 

30,000 

For two exhibits of works by aspiring minority artists at the Craftery

Gallery, and workshops and lectures for artists, educators, and the 

general public. 

14,716 

For exhibitions of minority artists at the Craftery Gallery and 

workshops and lectures for the community. 

14,150 

For a series of professional training programs resulting in the production of video programs for the community. 

For six major bilingual repertory productions by the theater touring company, the commission of new works by local playwrights 

through competitions, and performances of local writers’ works. 

To support seminars on Spanish dance and other traditional folklore, 

and a performance program for rural communities throughout

Puerto Rico. 

9,427 

For jazz performances, workshops, and residencies offering music

instruction. 

18,000 

To establish a residency for Patrick Farley, a promising disabled 

sculptor at the only art gallery in the country whose primary function is to exhibit professional quality art-work by the handicapped. 

12,500 

For professional theater performances in the southern Alleghenies, 

training of young artists in theater, and production of new plays reflective of the culture of rural Appalachia. 

10,000 
E~pan~ion A~s 59 

Cultural Council Fdundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Dallas Black Dance Theatre 

Dallas, Texas 

Dance Exchange 

Washington, D.C. 

Dance Theatre of Harlem 

New York, New York 

Dance Visions 

New York, New York 

Dancers’ Workshop Company 

of California 

San Francisco, California 

Dances and Drums of Africa 

Brooklyn, New York 

Dances We Dance Company

Honolulu, Hawaii 

Dashiki Project Theatre 

New Orleans, Louisiana 

Dayton Contemporary Dance Guild 

Dayton, Ohio 

Dimensions Dance Theatre 

Oakland, California 

District of Columbia, University of 

Washington, D.C. 

Dixwell Children’s Creative Arts Center 

New Haven, Connecticut 

Dixwell Children’s Creative Arts Center 

New Haven, Connecticut 

Don Quixote Experimental Children’s

Theatre 

New York, New York 

Double Image Theater 

New York, New York 

Douglass (Frederick) Creative Arts 

Center 

New York, New York 

Downtown Community Television Center 

New York, New York 

Downtown Community Television Center 

New York, New York 

For presentations in theater, dance, music, and video, including four 17243 

theater productions and ten performances for Charas. 

For an intensive dance training program by the Bronx Dance Theater 

and performance opportunities for youth in the Bronx who seek

careers in the arts. 

For a scholarship program at the Nat Home Music Theatre, including 15,000 

professional instruction in the performing arts and public 

performances. 

For Lnnari’s workshops and professional music, dance, and theater 5,900 

training programs° 

For the regular performance schedule, the mim’-performance program, 10,000 

the touring of the company, and lecture-demonstrations throughout

metropolitan Dallas. 

For a dance program of workshops, classes, and performances for 15,000 

all ages. 

For the scholarship apprentice program offering trainin4~ in dance, 50,000 

music, and stage-craft; and a lecture demonstration program for special

audiences. 

For workshops and performances in moderu dance by members of 17200 

the Sounds in Motion Company for the residents of Harlem. 

For the Reach Out Program, including advanced instruction for 

developing eareer-level dance skills and performance opportunities. 

For hiring a school administrator, teacher’s fees, and a community 10,000 

visibility campaign. 

For a dance training program and lecture-demonstrations. 3,700 

For professional training in theater skills, touring, and the new play 40,000 

project, which develops scripts by professional playwrights and persons indigenous to the New Orleans region. 

For a residency program that enables recognized dance artists to work 11260 

with the company. 

To provide administrative support for a program of intensive dance 10,000 

training and performance in African-derived dance. 

For an intensive screenplay writing workshop program and a film 15,000 

lecture series on black~riented films at the Black Film Institute. 

For a program of professional training in music, dance, and the visual 31,000 

arts for talented youth working towards careers in the arts. 

For career training in music, dance, and the visual arts for talented 31,000 

youth. 

For 30 performances of a bilingual musical play based on New York 10,590 

City life, featuring children in various roles. 

For workshops and classes in theater arts, dance, and music for the 10,000 

inner-city community. 

For writing workshops on the intermediate and advanced levels; and 30,000 

workshops in acting and television production for aspiring television 

writers, directors, actors, and technicians. 

For an intensive media service and television arts training program 12,000 

for New York City residents, a year-round apprentice program for 

youth in community television, a video equipment bank, and a street 

workshop mobile unit. 

15,000 For media services, including training workshops and apprenticeships, 

productions created for cable network, and an equipment bank. 
60 Expansion Arts 

Dume Spanish Theater 

Sunnyside, New York 

Dunham Fund for Research and 

Development of Cultural Arts 

East St. Louis, Illinois 

EcoTheater 

Hinton, West Virginia 

Ellington Fund 

Washington, D.C. 

Ethnic Folk Arts Center 

New York, New York 

Ethnic Folk Arts Center 

New York, New York 

Everybody’s Creative Arts Center 

Oakland, California 

Ewajo Dance Workshop 

Seattle, Washington 

Exceptional Children’s Foundation 

Los Angeles, California 

Fairmont Theatre of the Deaf 

Cleveland, Ohio 

Family 

New York, New York 

Fantasia Ballet 

Poughkeepsie, New York 

Fifth Street Studio Theater 

Los Angeles, California 

Film News Now Foundation 

New York, New York 

Fondo del Sol 

Washington, D.C. 

Fondo del Sol 

Washington, D.C. 

Friends of Puerto Rico 

New York, New York 

Friends of Mission Cultural Center 

San Francisco, California 

Friends of the Arts 

San Francisco, California 

Galeria/Studio 24 

San Francisco, California 

Gateway Dance Theatre 

Des Moines, Iowa 

Grand Rapids Inter-Tribal Council 

Grand Rapids, Michigan 

For professional dance and drama workshops for the Borough of 

Queens and four theatrical productions performed in Spanish. 

For the Institute of Intercultural Communications to offer classes, 

workshops, performances, and exhibits in the visual and performing 

arts; a ten-day drum and dance workshop by a master percussionist; 

a two-month dance residency for reconstruction of Dunham 

choreography; and master classes resulting in performances. 

To produce original indigenous plays performed by local residents. 

For a professional training program especially for exceptionally 

talented inner-city minority youth. 

For a folklffe festival featuring workshops in traditional dance and 

song;, and a concert series using musicians, singers, and dancers from 

different ethnic communities. 

For administrative support for the production of two folklffe festivals, 

a series of three classes, and four concerts of ethnic music and dance. 

To support a multi-cultural performing arts center for the community in dance and music, and the "Prominent Dancers in Workshop" 

series. 

For the dance choreography residency program. 

For making animated frims using art work, animation, and 

photography skills, involving participants with a wide range of

disabilities who are gifted in various art mediums. 

For production costs for sets, costumes, lights, and props; audience 

development; four main-stage productions; and touring pieces in voice 

and sign language. 

For inner-city theater arts workshops in New York and New Jersey 

and the company’s theater touring program. 

For a program of low-cost or free professional training in classical 

dance for minority and economically disadvantaged youth. 

For a weekly, multi-lingual poetry reading series, which includes

translations and discussions. 

For career development workshops in fflmmaking and production. 

For activities reflective of several ethnic traditions in American 

culture. 

For monthly exhibits with lectures, poetry reading, music performances, and videotapes that reveal the contributions to American 

culture of Hispanic, Native American, Caribbean, and black artistic 

traditions. 

For the permanent exhibition of the Santos Collection and artists’ 

honoraria for presentations. 

For exhibitions of artists traditionally excluded from mainstream 

galleries; and technical and professional assistance to developing artists, curators, graphic designers, and public relations persons. 

For four cultural centers to offer professional training and productions. 

For a visual arts gallery, traveling exhibitions, and a curatorial apprenticeship program. 

For a dance training program to develop professional sldlls in multiethnic dance. 

For intensive training of four young Native American artists by

master artists. 

20,000 

125,000 

15,000 

40,000 

35,000 

35,000 

10,000 

5,000 

10,000 

15,000 

35,000 

10,000 

12,000 

20,000 

15,000 

15,000 

15,000 

14,011 

TF	 50,000 

38,186 

10,000 

14,400 
Expansion Arts 61 

Great Leap 

Los Angeles, California 

Great Leap 

Los Angeles, California 

Greek Theater of New York 

New York, New York 

Green Mountain Guild 

White River Junction, Vermont 

Group 

Seattle, Washington 

Haight-Ashbury Arts Workshop 

San Francisco, California 

Halght-Ashbury Arts Workshop 

San Francisco, California 

Harlem School of the Arts 

New York, New York 

Henry Street Settlement 

New York, New York 

HemT Street Settlement 

New York, New York 

Highlander Research and Education

Center 

New Market, Tennessee 

Holiday (Billie) Theatre

Brooklyn, New York 

H.T. Dance Company 

New York, New York 

Hudson Valley Freedom Theatre

Newburgh, New York 

Hull House Association, Uptown Center 

Chicago, Illinois 

Hull House Association, Uptown Center 

Chicago, Illinois 

lbero..American Action League 

Rochester, New York 

Ibero-American Action League

Rochester, New York 

Pittsburgh, Pennsylvania 

Inner City Cultural Center 

Los Angeles, California 

Inner City Ensemble 

Patemon, New Jersey 

Institute for Contemporary Culture

Washington, D.C. 

For multi-disdplinary productions and presentations, including efforts 

te increase the audience within the Asian American community. 

For multi-disdplinary arts activities related to the production and 

presentation of major works, and the dissemination of those works 

with videotape and audio recordings to audiences in the AsianAmerican community. 

For two Greek language productions for the Greek-American community, and a one-week tour of two bilingual theater productions. 

To bring children’s theater to rural regions of Vermont and northern

New England. 

For an artist-in-residence, seminars, theater workshops, and the production of a new play. 

For career development workshops, classes, and performances. 

For the development of creative potential and saleable skills through 

workshops, classes, and performances in the visual and performing

arts for residents of the Haight-Ashbury community. 

For professional training programs in performing and visual arts for 

the youth of the Harlem community. 

For New Federal Theatre’s training workshop program, including

the black theater workshop, the Hispanic theater workshop, the teen 

drama workshops, and a technical workshop focusing on self-disdpline, 

speech, and communication skills. 

For professional workshops, classes, and performances at the music 

center with a residency of the Frank Ashley Dance Company, providing instruction and performance experience. 

For workshops and training for Appalachian and southern musicians. 

To support the Resident Acting Company in presenting origh~al plays 

by notable black playwrights. 

For a professional dance training program including workshops and 

dance events committed to producing new Asian art forms. 

For three m~ior productions and five special events in a newly

renovated theater. 

For a series of residencies in photography, dance, and music that 

culminates in performances and exhibitions. 

For the folk arts project, including presentations of ethnic art forms

such as Cambodian dance, Laotian Hmong embroidery, Thai music, 

and Ethiopian basket-weaving. 

For support of individual professional training in music, drawing, painting, dance, and photography; the Borinquen Dance Company and productions; and exhibitions by Hispanic artists. 

For professional training by the Borinquen Dance Company, and 

presentations and exhibitions by local artists. 

For nine series of four interdisdplinary arts classes taught by recognized black, Hispanic, Oriental, Slavic, or Native American artists. 

For professional instruction in the performing and visual arts for

children and adults, and performances in theater, dance, and music. 

For performing arts training programs in dance and theater techniques and a touring program. 

For activities of Ruminsonko, Teatro Nuestro, and Gaieria Inti. 

26,190 

10,000 

2,500 

7,500 

7,500 

17,120 

’IF 40,000 

46,000 

50,000 

6,000 

30,000 

15,000 

40,000 

10,000 

10,000 

162o0 

15,000 

70,000 

15,000 

25,000 
Institute for the Study of African 

Culture 

St. Louis, Missouri 

Inter-Tribal Indian Dancers 

Tucson, Arizona 

International Art of Jazz 

Stony Brook, New York 

International Arts Relations 

New York, New York 

Jamaica Center for the Performing 

and Visual Arts 

Jamaica, New York 

Japan Town Art Movement 

San Francisco, California 

Japan Town Art Movement 

San Francisco, California 

Japanese American Cultural and 

Community Center 

Los Angeles, California 

Japanese American Cultural and 

Community Center 

Los Angeles, California 

Jazzmobile 

New York, New York 

Joan Miller’s Dance Players 

New York, New York 

Jubilee Community Arts 

Knoxville, Tennessee 

Just Above Midtown 

New York, New York 

Just Us Theater Company

Atlanta, Georgia 

Kalihi-Palama Culture and Arts Society 

Honolulu, Hawaii 

Karamu House 

Cleveland, Ohio 

Karamu House 

Cleveland, Ohio 

Kenkeleba House 

New York, New York 

Kentuckiana Metroversity 

Louisville, Kentucky 

Kitani Foundation 

Columbia, South Carolina 

Ko-Thi Dance Company 

Milwaukee, Wisconsin 

L.A. Theatre Workshop 

Venice, California 

For classes in African music, culture, and dance; performances

throughout the area; and administrative development. 

For the presentation of traditional Native American dance, and 

demonstrations and exhibitions of Native American traditional art 

forms. 

For an intensive jazz workshop training program culminating in 

performances. 

To support the performing company and its presentation of three major productions, and the Hispanic playwrights-in-residence laboratory 

program. 

For workshops, residencies, exhibitions, and performances in the 

visual and performing arts. 

For administrative expenses, exhibitions, and graphic services for 

nonprofit arts organizations throughout the Bay area. 

For 20 art exhibitions for San Francisco Bay Area Asian communities 

and graphic services to Asian arts organizations throughout the nation. 

For monthly performing arts presentations of Japanese American artists and training in Asian instruments. 

For training in Asian performing arts, dance performances using 

Japanese and modern dance techniques, and three artists-in-residence 

to train and incorporate Japanese-American artists into the 

community. 

For performances and a musical workshop program for talented young 

musicians. 

For a short-term residency at Queens College and performances. 

For a community arts program, including instruction and performance 

of traditional southern higbJand music, dance, crafts, sacred harp singing;, and tours of musicians to rural areas. 

To support the Black Art Fund, workshops, and exhibitions. 

For four major productions, master workshops, classes, and audience 

development for Theater of the Stars. 

For classes, conferences, seminars, concerts, festivals, exhibits, lectures, and demonstrations in the visual, performing, and ethnic arts 

and crafts. 

For an extensive visual arts ceramics program, including lecturedemonstrations, a recruitment campaign, exhibitions, and three 

master classes. 

For theater workshops, concerts, and exhibitions with slide lectures 

and master classes. 

For a series of visual arts exhibitions of aspiring artists from the 

community. 

For workshops in dance, music, and theater, and a model project enabling artists to work with the handicapped through the production 

of special television programs for cable networks. 

For a community arts workshop series and artists-in-residence programs for children and adults, including mini-matinee concert series 

of professional performances. 

For concerts, master classes, and workshops offering professional 

training in traditional African music and dance. 

For the production of four new plays, and training by guest directors, designers, playwrights, and choreographers. 

7,500 

2,500 

20,000 

30,000 

TF 35,000 

30,000 

30,000 

25,000 

25,000 

50,000 

5,000 

32,500 

17,200 

13,200 

12,500 

50,000 

50,000 

10,000 

10,000 

20,000 

11;210 

15,000 
Expansion Arts 63 

La Raza Bookstore 

San Francisco, California 

La Raza Bookstore 

Sacramento, California 

La Raza Silkscreen Center 

San Francisco, California 

La Raza Silkscreen Center 

San Francisco, California 

Laroque Bey School of Dance Theatre 

New York, New York 

Latin American Development Services 

Chicago, Illinois 

Latin American Theatre Ensemble 

New York, New York 

Latin-American Workshop 

New York, New York 

League of United Chicano Artists 

Austin, Texas 

League of United Chicano Artists 

Austin, Texas 

Lewis (Elma) School of Fine Arts 

Dorchester, Massachusetts 

Ligu Estudiantes de Arte de San Juan 

San Juan, Puerto Rico 

Liga Estudiantes de Arte de San Juan 

San Juan, Puerto Rico 

Little Miami Theater Works 

London, Ohio 

Los Angeles Actors’ Theatre Foundation 

Los Angeles, California 

Lower East Side Community 

Music Workshop 

New York, New York 

Lower East Side Printshop 

New York, New York 

Manchester Craftmen’s Guild 

Pittsburgh, Pennsylvania 

Mandala Folk Dance Ensemble 

Cambridge, Massachusetts 

Manna House Workshops 

New York, New York 

Merit Program 

Chicago, Illinois 

Metropolitan School for the Arts 

Syracuse, New York 

Mexican American Cultural Center 

San Antonio, Texas 

Millan Theatre Company 

Detroit, Michigan 

For exhibition space and the annual poetry reading, featuring 

recognized Chicano poets and writers. 

14,910 

For Galeria Posada’s annual poetry reading festival featuring wellknown Raza poets and musicians, and community cultural events. 

10,000 

For an extensive workshop training program for local professional 

and aspiring artists in the techniques needed in silkscreen. 

9,570 

For a traveling exhibition featuring silkscreen posters and prints produced during the past 11 years at the center. 

23,790 

For training in drumming and dance techniques, with an emphasis 

on African traditions. 

5,000 

For programs serving the Hispanic communities of Chicago. 15,000 

For the development of performing artists through professional instruction and showcase touring productions for the Hispanic 

community. 

16,180 

For a series of children’s programs, including concerts, a bilingual

puppet show, a summer graphics workshop, and on-going art exhibits. 

12,000 

For the Baleria Tonatzins traveling visual arts exhibitions, and "Poppuri Cultural," a professional production highh’ghting traditional 

dances of various Hispanic cultures. 

14,050 

For three musical presentations in city parks and community centers, 

two bilingual theater productions, two three-month residency programs, and support of Galeria Tonantzin. 

20,000 

For the teaching program of professional training, including administrative support. 

75,000 

For a series of visual arts exhibitions of works by local artists, sponsorship of shows for young artists, a scholarship program, and a performing arts program. 

20,000 

For photography workshops, residencies, seminars, exhibitions, and

20 photography shows that coincide with conferences. 

20,000 

For training and for development of new scripts for plays, radio shows 

and slide/tape presentations of oral histories from the community. 

12,000 

For the operation of E1 Teatro de la Unidad, a bilingual performance

troupe that provides training in bilingual performance techniques that 

culminates in national radio broadcasts in Spanish and English. 

6,000 

For a musical workshop program leading toward public presentations

throughout the community. 

10,000 

For the printmaking program and the Keyholders program, which 

assists artists with career development. 

15,000 

For advanced training in photography and ceramics, the Silver Eye 

Photo Seminars, and career development workshops in the visual arts. 

40,000 

For performances and workshops of international folk dances and 

music for low-income elderly in Boston’s ethnic neighborhoods. 

9,820 

For a music program for a multi-ethnic constituency, including instruction and concerts. 

20,000 

For a scholarship training program for gifted students and professional musicians, including performances. 10,000 

For professional individual music instruction and group instruction 

in music, visual arts, drama, and dance. 

25,000 

For 26 theater productions by the Mexican American Cultural Center 

National Ballet. 

10,000 

To support the season of the Millan Theatre Company and a development program. 

23,394 
64 Expansion Arts 

Milwaukee Inner City Arts Council 

Milwaukee, Wisconsin 

Milwaukee Inner City Arts Council 

Milwaukee, Wisconsin 

Mind-Builders Creative Arts Company

Bronx, New York 

Minneapolis American Indian Center 

Minneapolis, Minnesota 

Minority Arts Resource Council 

Philadelphia, Pennsylvania 

Mixed Blood Theatre Company 

Minneapolis, Minnesota 

Moore, III, John L. 

Chillum, Maryland 

Mt. Vernon Fine Arts Cultural Center 

Mt. Vernon, New York 

Movimiento Artistico del Rio Salado 

Phoenix, Arizona 

Movimiento Artistico del Rio Salado 

Phoenix, Arizona 

Museo del Barrio 

New York, New York 

Museum of African American Art 

Los Angeles, California 

Museum of African American Art 

Los Angeles, California 

Music Lab 

Kingston, New Jersey 

National Center of Afro-American 

Artists 

Boston, Massachusetts 

National Center on Institutions 

and Alternatives 

Washington, D.C. 

Native American Arts and Culture 

San Francisco, California 

Native American Center for the Living 

Arts 

Niagara Falls, New York 

Neighborhood Arts Center 

Atlanta, Georgia 

Neighborhood Arts Center 

Atlanta, Georgia 

Neighborhood Arts Center 

Boston, Massachusetts 

Netzahaulcoyotl Historical Society 

Berkeley, California 

For professional training for inner~ity youth in the visual and per°

forming arts, two dance performances-demonstration projects, and 

two exhibits featuring works created by the students. 

25,000 

For an exhibition combining visual and performing arts, conducted 

by midwestern artists. 

25,000 

For workshops and performances in violin, piano, African dance, ballet, 

modern dance, and drama. 

10,000 

For the development, promotion, and exhibition of visual art works 

by emerging Indian artists from Minnesota; and education on Indian 

culture for community residents. 

15,000 

To provide exhibition opportunities for Afro-American and Hispanic

American artists in Philadelphia, and assist in the education of these 

communities in the worth of the art forms indigenous to their heritage. 

15,000 

For professional training and eight mainstage productions using

minority actors. 11,875 

To amend a previous grant for Mr. Moore to participate as a Fellow 

in the Expansion Arts Program. 

7,300 

For quality professional training through the Open Cage Theatre 

drama and dance workshop, the Open Pen writers workshop, and 

guest artists for monthly seminars. 

10,000 

For a training program for emerging artists and a series of visual 

arts exhibitions of works by artists from the inner city and Chicano 

communities of Phoenix. 

10,000 

For a series of visual arts exhibitions presenting works by artists 

from Chicano and inner-city communities in Phoenix. 

6,000 

For a year-round series of painting, sculpture, and photography exhibition activities of the School of Fine Arts. 40,000 

For a four-phase exhibition program introducing African American

art history to new audiences. 

41,460 

For the documentation of the contribution to the American art scene 

of black printmakers in a special issue of Black Art Quarterly. 

29,864 

For an intensive course of jazz studies for talented young musicians 

to work with seven leading jazz artists and give showcase

performances. 

10,000 

For two programs promoting black visual arts. 38,500 

To enable the Firebird Gallery to exhibit and sell quality art works 

produced by institutionalized and handicapped artists, who then 

receive the proceeds of sales. 

10,000 

For Native American crafts workshops, art exhibitions, oral history 

classes, and media documentations for the Bay Area Indian 

community. 

18,000 

For interdisciplinary arts presentations using Indian artists and 

craftspeople. 

32,807 

For an artist-in-residence training program and master classes in 

music conducted by nationally known artists. 

30,000 

For workshops and professionally led master classes in the visual, 

performing, and literary arts. 

35,000 

For Project Four Worlds, a formal after-school arts training program 

in clay, wood, printmaking, and textiles. 

10,000 

For writers workshops with multi-cultural authors, a poetry festival, 

and a book exhibition. 

15,000 
Expansion Arts 65 

New England Center for 

Contemporary Arts 

Brooklyn, Connecticut 

New Freedom Theatre 

Philadelphia, Pennsylvania 

New Heritage Repertory Theatre

New York, New York 

New York Street Theater Caravan 

New York, New York 

Newark Community School of the Arts 

Newark, New Jersey 

Newark Media Works 

Newark, New Jersey 

Nguzo Saba Films 

San Francisco, California 

Nuestro Teatro 

New York, New York 

Nuevo Teatro Pobre de America 

New York, New York 

Ododo Theatre Foundation 

Tucson, Arizona
 

Off Center Theatre
 

New York, New York
 

Olatunji Center of African Culture 

New York, New York 

Old Creamery Theatre Company

Garrison, Iowa 

Ollantay Center for the Arts

Smmyside, New York 

Ollantay Center for the Arts
 

Sunnyside, New York
 

Opera de Camara
 

Rio ~edras, Puerto Rico
 

Painted Bride Art Center
 

Philadelphia, Pennsylvania
 

Painted Bride Art Center
 

Philadelphia, Pennsylvania
 

Pan Asian Repertory Theater 

New York, New York 

Parker (Charlie) Memorial Foundation 

Academy

Kansas City, Missouri 

People’s Music School 

Chicago, Illinois 

People’s Place of Greater Harrisburg 

Harrisburg, Pennsylvania 

Performance Artists Nucleus 

San Antonio, Texas 

Phelps Stokes Fund 

New York, New York 

For a community exhibition and workshop program. 7,000 

For training and practical work experience in theater arts for gifted 20,000. 

inner-city residents, and a season of four major productions and 60 

special performances. 

For the production of three new plays and two 12-week training ses- 23,560 

sions in theater arts. 

For the national touring program, workshops, and the development 20,000 

of new works to renew the touring repertory. 

For an extensive scholarship music training program and the gifted 25,000 

student program, offering instruction to students with professional 

aspirations. 

For apprenticeships for five aspiring media artists. 10,000 

To hire about 50 media artists to produce two films for television. 25,000 

For performances of the bilingual theater throughout New York City. 12,000 

For research and development of performances based on Puerto Rican 10,000 

humorist traditions and performance training workshops in Spanish. 

For administrative support, production costs for seven works, and 12,000 

touring. 

For a training program for developing artists in the performing, visual, 9,520 

and literary arts, and classes in technical skills for gaining employment. 

For administrative and artistic salaries for presenters of African 30,000
 

dance, music, drama, and culture.
 

For a rural theater touring program of performances and workshops 14,330
 

in several states in the Midwest.
 

To support the performing company that tours Latin American pro- 20,000
 

ductions to Hispanic audiences in New York; and the visual arts,


theater, and literary programs.
 

For the center’s literature and visual arts programs. 10,000
 

To develop media artists and works through workshops that express 8,000 

Puerto Rican culture. 

For artists’ fees for a season of multi-discipline events. 15,000 

For an interracial exhibition/performance, workshops for poets and 18,000 

playwrights, and admires" trative assistance to emerging arts organizations and individual artists. 

For actors’ workshops, three staged readings, and the production of 21,400 

four plays. 

For an inter-cultural professional instruction program in performing 30,000 

arts, music, theater, and dance leading to performances in the Kansas City area. 

For a music training program. 13,365 

For artists’ fees for monthly poetry readings and two multidisciplinary 6,000 

presentations of poetry, dance, and music. 

To establish the facility as a program in Mariachi]Conjunto music, 15,000 

visual arts, and theater. 

For an exhibition program and a film festival in coopei’ation with the 60,000 

Metropolitan Museum of Art and the Museum of Natural History. 
66 Expansion Arts 

Philadelphia Dance Company 

Philadelphia, Pennsylvania 

Pickle Family Circus 

San Francisco, California 

Play Group 

Knoxville, Tennessee 

Plaza de la Raza 

Los Angeles, California 

Pontiac Art Center 

Pontiac, Michigan 

Printmaking Workshop 

New York, New York 

Printmaking Workshop 

New York, New York 

Prints in Progress
 

Philadelphia, Pennsylvania
 

Prints in Progress
 

Philadelphia, Pennsylvania
 

Pro Arts 

Oakland, California 

Producciones Estrella Roja 

Pueblo, Colorado 

Programs for Alternative Creative
 

Education
 

Detroit, Michigan 

Public Art Workshop 

Chicago, Illinois 

Puerto Rican Dance Theatre 

New York, New York 

Puerto Rican Playwrights/Actors

Workshop 

New York, New York 

Puerto Rican Traveling Theatre
 

Company
 

New York, New York 

R’Wanda Lewis Afro-American Dance 

Company 

Los Angeles, California 

Reecuentro Cubano 

Miami, Florida 

Rep, Inc. 

Washington, D.C. 

Rhode Island Black Heritage Society 

Providence, Rhode Island 

Road Company

Johnson City, Tennessee 

Robeson (Paul) Community Theater
 

Group
 

Renton, Washington 

St. Louis Black Repertory Company 

St. Louis, Missouri 

For professional dance training, performances, and lecture 

demonstrations. 

30,000 

For a tour and workshop program of the performing theater company in rural areas and urban neighborhoods along the Pacific coast. 

15,000 

For touring productions with workshops, and original theater presentations for rural communities throughout the region. 

18,950 

For the professional arts training program in theater, dance, visual 

arts, music, and interdisciplinary studies for the Hispanic community. 

35,160 

For extu~itions of works by black and Puerto Rican artists, and master

classes for career-oriented students. 

8,305 

For an outreach program offering workshops in visual arts that

culminate in exhibitions. 

16,000 

For ten fellowships for emerging and mid-career artists of Asian, 

African-American, or Hispanic descent; and a traveling exhibition of 

works by minority artists. 

22,000 

For neighborhood fine arts workshops, student apprenticeships and

scholarships, and exhibitions. 

For professional training in visual arts, an apprenticeship and scholarship program, and exhibitions. 

For a visual arts program, including workshops in exhibition preparation, pre-production graphic techniques, and an artist-in-residence 

program. 

For the production of murals in selected cities in Colorado using local 

artists. 

15,000 

For a multi-disciplined arts training program. 10,000 

For mural-making workshops and studio art and photography classes. 10,000 

For a dance training program that includes workshops with professional choreographers, and community outreach programs. 

20,000 

For a theater festival presenting new works by noted playwrights, 

a film series, a gallery exhibition program, and special concerts at 

the Actors Workshop. 

For the theater training unit for Hispanic youth, and for the season 

of productions. 

20,000 

50,000 

To present free or low-cost professional concert performances in innercity Los Angeles and surrounding states. 

10,000 

For support of two major art exhibitions of Cuban art, four seminars 

on Bata music, poetry recitals, and one original theater production

based on the history and culture of Cuba. 

15,000 

For workshops in theater techniques leading to three productions, 

a children’s production, and Reader’s Theatre presentations. 

50,000 

For artists-in-residence, a season of new black theater productions, 

and visual exhibits for Rites and Reasons. 

30,000 

To develop and tour company-derived original plays and workshop 

presentations that reflect the heritage of Appalachian communities. 

17,500 

For classes, workshops, and performances to develop black artists 

in the Pacific Northwest. 

12,000 

For acting and dance workshops leading to regional touring 

productions. 

10,000 
St. Louis Conservatory

School for the Arts 

St. Louis, Missouri 

Samahan Philippine Dance Company 

E1 Cajon, California 

School of the Garden State Ballet 

Newark, New Jersey 

Self-Help Graphics 

Los Angeles, California 

Sign of the Times Cultural Workshop 

and Gallery 

Washington, D.C. 

Sign of the Times Cultural Workshop

and Gallery 

Washington, D.C. 

Silvera (Frank) Writers’ Workshop 

Foundation 

New York, New York 

Social and Public Art Resource Center 

Venice, California 

Society of the Third Street Music

School Settlement 

New York, New York 

Society of the Third Street Music

School Settlement 

New York, New York 

South Side Community Art Center 

Chicago, Illinois 

South Side Community Art Center 

Chicago, Illinois 

Southern Alleghenies Museum of Art 

Lorctto, Pennsylvania 

Spanish-English Ensemble Theater 

New York, New York 

Spanish Theatre Repertory Company 

New York, New York 

Stage Hands 

Decatur, Georgia 

Studio Museum in Harlem 

New York, New York 

Studio Museum in Harlem 

New York, New York 

Teatro Bilingue de Houston 

Houston, Texas 

Teatro Campesino 

San Juan Bantista, California 

Teatro Cuatro 

New York, New York 

Theater of Universal Images 

Newark, New Jersey 

Theater Without Bars 

Trenton, New Jersey 

For instruction and performance in dance, theater, music, and the

visual arts at the Casa Midtown School for the Arts, including master 

classes. 

For rehearsals and presentations of new repertoire of Philippine 

dance. 

For an instruction program for the Newark Dance Theatre, a company composed of talented minority youth. 

For managerial and administrative support to estabish a new gallery, 

an exhibition program, and classes in visual arts. 

For artiste’ fees for the artist apprentice program in which four

recognized local artists work with twelve apprentices selected from 

Region D Schools. 

For the visual arts training program and exhibitions. 

For the Monday/Saturday Reading and Critique Series for 

playwrights; the Larry Neal Writers’ Seminar Series, providing 

master classes in playwrighting; and the Artistic Technical Assistance 

Collective, offering training in technical stagecraft. 

To produce, exhibit, distribute, and conserve public art works that 

articulate American history or concerns. 

For classes, recitals by faculty and students, and the production of

an original musical. 

To support an arts center with instruction in dance, theater, and music; 

and for the Music Downtown concert series. 

For ten exhibitions in the exhibit gallery of the art center. 

For ten exhibitions featuring major black artiste, fine arts classes, 

gallery tours, and jazz concerts. 

For the exhibition calendar and activities at the museum’s two major extension facilities located in Altoona and Johnstown. 

For professional training related to four dramatized readings 

culminating in one full production of a selected play. 

For performance of Latin-American or Spanish plays and a national 

touring program. 

For interpreting performances for the deaf using the technique of 

"shadowing," and for workshops on improving communications of live 

theater for the hearing-impaired. 

For an artist-in-residence program for emerging artists and an intern program in museology for minority professionals. 

For an artist~in-residence program offering studio and exl~ition space 

for visual artists. 

For children’s workshops, training for adulte, and theatrical 

productions. 

For the production of a passion play using and training community 

non-professionals to participate in all aspects of production. 

For workshops, an in-residence artistic director, and theater productions of original works from writer’s workshop. 

For the Showcase Theater season consisting of four productions that 

showcase and enhance the professional sldlls of local artiste. 

For an acting and creative writing workshop program and productions of original works. 

TF 40,000 

6,400 

20,000 

21,690 

15,000 

15,000 

20,000 

18,000 

20,000 

25,612 

14,000 

14,000 

17,500 

10,000 

40,000 

10,000 

50,000 

32,000 

20,000 

20,931 

10,000 

20,000 

13,000 
68 Expansion Arts 

Theatre Dance 

Christiansted, Virgin Islands 

Theatre Guild of San Francisco 

San Francisco, California 

Theatre of the Performing Arts 

Shreveport, Louisiana 

Theatre Unlimited 

San Francisco, California 

Tokunaga Dance Ko. 

New York, New York 

Tomorrow’s World Center 

Washington, D.C. 

Tucson Commission of the Arts 

and Culture 

Tucson, Arizona 

Union Settlement Association 

New York, New York 

Urban Gateways 

Chicago, Illinois 

Urban League of Flint 

Flint, Michigan 

Verde Valley Art Association 

Jerome, Arizona 

Verde Valley Art Association 

Jerome, Arizona 

Virgin Islands Council on the Arts 

St. Croix, Virgin Islands 

Virgin Islands Council on the Arts 

St. Croix, Virgin Islands 

Visual Arts Research and Resource 

Center 

New York, New York 

Waianae Coast Culture and Arts 

Waianae, Hawaii 

Where We at Black Women Artists 

Brooklyn, New York 

Women’s Studio Workshop 

Rosendale, New York 

Workshops for Careers in the Arts 

Washington, D.C. 

Writers in Residence 

Great Neck, New York 

Xicanindio Artists Coalition 

Mesa, Arizona 

Young Filmmakers Foundation 

New York, New York 

Young Filmmakers Foundation 

New York, New York 

Young Saints Scholarship Foundation 

Los Angeles, California 

For dance instruction, lecture demonstrations by guest artists, and 

the "Dance Me a Story" project. 

For three theater productions, a playwright’s forum, a dance concert series, training for minority artists and other community 

members, and development of an alternate theater company. 

For a series of theatrical productions of contemporary black classics 12,000 

and instruction in various art disciplines. 

For performance training, public presentation, and community 7,875 

workshop activities for the ensemble company composed partly of 

developmentally disabled artists. 

For professional training in ballet and modern dance. 7,025 

For career development services for emerging young artists, including 7,000 exhibitions, workshops, and sponsorship of three artists-in-residence. 

For the Southwest regional Indian Pow-Wow and craft show, presen- 12,500 

tation of cultural dances; and demonstration seminars in Indian crafts 

and culture. 

For East Harlem Music’s professional orchestra program, with 15,000 

musical training in the Latin style, including performances. 

For performances and workshops by artists-in-residence in Chicago’s 50,000 

irmer~ity schools, featuring various ethnic traditions in theater, music, 

and dance. 

For classes, workshops, and performances in art, dance, and drama 15,062 

at the McCree Theatre and Performing Arts Center. 

For 12 exhibitions of visual artists at the Fine Arts Museum of the 5,000 

Verde Valley Art Association. 

For 12 visual arts exhibitions. 6,000 

For an artists-in-residence theater program for local artists at the 12,500
 

Island Center of St. Croix.
 

For professional training to advanced students in calypso at the Island 5,000
 

Center of St. Croix.
 

For exhibitions, a festival in cooperation with the Metropolitan 36,800
 

Museum of Natural History, and the annual Caribbean Expressions
 

Festival.
 

For workshops in traditional arts to perpetuate the multi-ethnic 35,000
 

cultures in the Hawaiian Islands.
 

For an exhibition that commemorates the organization’s 13-year 8,000
 

history to circulate among the boroughs of New York City.
 

For workshops in printmaklng, silkscreen, handmade paper, etching, 10,000
 

offset drawing, and painting.
 

For work experience and professional training for exceptionally 2,685
 

talented youth from poor socioeconomic backgrounds in three units:
 

Street Theater, Living Library, and CityScape-Magazine.
 

For comprehensive performing arts workshops for Nassau County 12,500
 

youth, and traveling tours to other communities.
 

For a workshop on the traditional Mexican folk art ofpapel picado, 18,000
 

a concert series, and administrative support.
 

For scholarship assistance for minority artists interested in film and 16,480
 

television careers.
 

To provide 30 full and 15 partial scholarships for black, Latin, Asian, 18,000 and Native Americans interested in film and television careers. 

For a community training program in theater and music, concerts, 20,000 

and other performance events. 
69 

Your Heritage House 

Detroit, Michigan 

Your Heritage House 

Detroit, Michigan 

Cityarts 

Abilene Cultural Affairs Council 

Abilene, Texas 

Brookhaven Council on the Arts, 

Town of 

Patchogue, New York 

COMPAS 

St. Paul, Minnesota 

Corpus Christi, City of 

Corpus Christi, Texas 

Cultural Council of Santa Cruz County 

Aptos, California 

Dade County Council on Arts and 

Sciences 

Miami, Florida 

Milwaukee Artists Foundation 

Milwaukee, Wisconsin 

Norfolk, City of 

Norfolk, Virginia 

Riverside Arts Foundation 

Riverside, California 

Services to the Field 

African American Museums Association 

Washington, D.C. 

Alternate ROOTS 

Atlanta, Georgia 

Arts Media Service 

Washington, D.C. 

Association of Hispanic Arts 

New York, New York 

30,000 For a fine arts training program in the performing, visual, literary,

and media arts, which provides exhibition and performance 

opportunities. 

For administrative salaries, a training program, and a national touring exhibition. 

To enable municipal arts agencies or private arts councils designated by a 

city to provide financial and technical assistance to neighborhood arts 

programs. 

Program funds: $314,960 

9 grants 

To provide $17,000 for the city’s sub-granting program and $3,000 

for admirListration. 

To provide $10,000 for the town’s sub-granting program and $4,960 

for administration. 

To provide $33,000 for the city’s sub-granting program and $17,000 

for administration. 

To provide $15,000 for the city’s sub-granting program. 

To provide $17,500 for the sub-granting program and $7,500 for 

administration. 

To provide $50,000 for the city’s sub-granting program. 

To amend a previous grant for support of the Cityarts Program. 

To provide $50,000 for the city’s sub-granting program and $10,000
 

for administration.
 

To provide $50,000 for the city’s sub-granting program and $10,000
 

for administration.
 

To enable organizations to offer technical assistance and services to community arts groups. 

Program funds: $684,600 

26 grants 

For three information programs concerning black museums, four in- $10,120
 

formation newsletters listing black museums and resource persons
 

for each institution, and a promotional slide presentation.
 

For regional touring of professional artists and performing arts com- 15,000
 

panies throughout Appalachian communities, artistic exchanges, artistic and administrative technical assistance workshops, and the


publication of a quarterly newsletter.
 

For research, publication, and distribution of Grassroots and 260,000 

Pavements; other media service publications; and development of a 

network of local arts organizations. 

For a technical assistance program and central information office for 50,000 

Hispanic arts organizations throughout the nation. 
70 Expansion Arts 

Black Theater Alliance of Chicago 

Chicago, Illinois 

Bodacious Buggerrilla

Los Angeles, California 

Chicano Humanities and Arts Council 

Denver, Colorado 

Chinese American Arts Council 

New York, New York 

Community Art Resource 

San Francisco, California 

E Incorporated 

Washington, D.C. 

Ebony Talent Associates Creative 

Arts Foundation 

Chicago, Illinois 

Graduate School for Urban Resources
 

and Social Policy
 

Harlem Cultural Council 

New York, New York 

Hispanic Organization of Latin Actors 

New York, New York 

Hispanic Organization of Latin Actors 

New York, New York 

Jackson State University 

Jackson, Mississippi 

Jones, Kellie E. 

New York, New York 

Lower East Side Printshop 

New York, New York 

Mi Raza Arts Consortium 

Chicago, Illinois 

Mi Raza Arts Consortium 

Chicago, Illinois 

National Black Touring Circuit 

New York, New York 

National Conference of Artists 

Washington, D.C. 

North Carolina Cultural Arts Coalition 

Raleigh, North Carolina 

People’s Theater Coalition 

San Francisco, California 

Spencer, Debra 

New York, New York 

Xicanindio Artists Coalition 

Mesa, Arizona 

For a program of technical assistance workshops, a monthly newslet- 10,000 

ter and calendar of events, and development activites for 20 multidisciplined member arts groups. 

For the production of public service video for Expansion Arts 19,635
 organizations in Southern California, Arizona, New Mexico, Colorado,
 

and Nevada.
 

For provision of information on a regional level to Hispanic arts 20,000 

organizations, a bi-monthly newsletter, workshops, promotional 

events, and forums. 

To provide technical assistance and services to emerging Chinese 14,950 

American arts organizations throughout the nation. 

For a technical assistance program of minority artists and arts groups 17,500 throughout the region. 

For an evaluation workshop for 48 Expansion Arts Program panelists. 30,020 

For workshops, technical assistance services, a monthly newsletter 9,500
 

and calendar, and development activities for members.
 

For a variety of services for neighborhood artists, including provi- 17,500
 sion of technical equipment, publicity, organizational development,
 

and fiscal planning to culminate in a series of visual, performing, and
 

literary events throughout the San Diego area.
 

To provide management and technical assistance to artists and arts 25,000
 

organizations associated with the production of the Outdoor Summer
 

Dance Mobile Festival, and for the Harlem Cultural Review.
 

To support a monthly newsletter. 5,000 

For a monthly newsletter, theater training, and the Festival of Actors. 5,000 

To enable an outstanding arts administrator to serve temporarily in 53,445 the Expansion Arts Program. 

For Mr. Jones to participate as a Fellow in the Expansion Arts 3,430 Program. 

For a fine arts printmaking program, including classes that train 18,000 groups in all aspects of silkscreen production; and the Keyholder’s 

Program, which recognizes outstanding artists by assisting in their 

careers. 

To provide services to midwestern Hispanic arts organizations and 9,000 

individuals, including workshops, conferences, seminars, and a bilingual newsletter. 

For a technical assistance program for Latino arts organizations and 15,000 individuals. 

For technical assistance and audience development for touring of pro- 25,000 fessional black theater, poetry festivals, and film photography exhibits. 

For technical assistance services to more than 500 member artists 15,000 

and arts organizations. 

For a series of workshops in literature, music, theater, dance, and 12,000 the visual arts. 

For the coalition’s theater training program of classes, performances, 15,000 forums, and festivals for theater professionals. 

To amend a previous grant to enable completion of a Fellowship in 4,500 the Expansion Arts Program. 

To amend a previous grant for Atlatl to provide technical assistance 5,000 programming; marketing development; and dissemination of information for Native American museums, artists, and cultural centers. 
 

Folk Arts 

1983 OF 

GEORGIA 

A Celebration of 

Saturday and sunday ~ 

September 24-25 

Music, Food, Dance 

12p.m. to 6 p.m., ’ ~ 

Piedmont Pa,~. A 

Outdoor E are 
Folk Arts
 

Folk Arts Advisory Panels
 

George Abrams 

Director 

Seneca Iroquois 

National Museum 

Salamanca, New York 

Jay Anderson
 

Professor
 

Department of Modem Languages
 

and Intercultural Studies
 

Western Kentucky University
 

Bowling Green, Kentucky
 

Jacqueline C. DjeDje 

Department of Music

University of California 

Los Angeles, California 

Robert Garfias 

Dean of Fine Arts 

University of California 

Irvine, California 

William Ivey 

Executive Director 

Country Music Foundation 

Nashville, Tennessee 

Ellen McCulloch-Lovell 

Executive Director 

Vermont Council on the Arts 

Montpelier, Vermont 

Michael Moloney
 

Musician, singer
 

Philadelphia, Pennsylvania
 

Daniel Patterson 

Professor of Folklore 

University of North Carolina 

Chapel Hill, North Carolina 

Ralph Samuelson
 

Associate Director
 

Asian Cultural Center
 

New York, New York
 

Nancy Sweezy
 

Potter, craftswoman
 

Seagrove, North Carolina
 

Jeff T. Titon 

Associate Professor of English

Tufts University 

Medford, Massachusetts 

Folk Arts Grants
 

William Wiggins, Jr. 

Department of Afro-American 

Studies 

Indiana University 

Bloomington, Indiana 

William Wilson 

Director 

Fife Folklore Center 

Utah State University 

Logan, Utah 

Gloria Young 

Exhibition and Publications 

Researcher 

Native American Art 

Department 

Philbrick Art Center 

Tulsa, Oklahoma 

Program funds: $2,804,650 

228 grants 

To enable nonprofit organizations to support such folk art activities as local Folk Arts festival, concerts, exhibits, and touring performances. Grants are also awarded for documentation of traditional arts through radio, film, and recording;, 

and for general assistance to the field. 

Program funds: $2,675,150 

188 grants 

Akwesasne Cultural Center For a 30-minute,16mm film documenting the uses of white kernel corn $20,000 

Hogansburg, New York in Mohawk traditional arts and ceremonies. 

Akwesasne Cultural Center 

Hogansburg, New York 

For field research and photo documentation of historic and contemporary Mohawk basketry to result in a photographic exhibit and an 

accompanying catalogue. 

14,500 
74 Folk Arts 

Alabama, University of
 

University, Alabama
 

Alaska Foundation, University of 

Fairbanks, Alaska 

Alternative Center for International 

Arts 

New York, New York 

American-Hungarian Educator’s
 

Association
 

Bogota, New Jersey 

American Indian Women’s Service 

League

Seattle, Washington 

American Place Theatre 

New York, New York 

American Society for Eastern Arts
 

San Diego, California
 

American Society for Eastern Arts 

San Diego, California 

An Claidheamh Soluis 

New York, New York 

Appalshop 

Whitesburg, Kentucky 

Appalshop 

Whitesburg, Kentucky 

Appalshop 

Whitesburg, Kentucky 

Apprenticeshop 

Rockport, Maine 

Arizona, University of 

Tucson, Arizona 

Arkansas Arts Council 

Little Rock, Arkansas 

Arts and Humanities Council of 

Greater Baton Rouge

Baton Rouge, Louisiana 

Association of Cambodian Refugees in 

Minnesota 

St. Paul, Minnesota 

Atlanta, City of 

Atlanta, Georgia 

Berea College 

Berea, Kentucky 

For a series of radio programs that feature live and recorded presen- 13,600
 

tations of black sacred music in the State of Alabama.
 

For the Festival of Native Arts, bringing together traditional Native 10,000
 

Alaskan storytellers, dancers, and musicians for a week of public
 

events.
 

For a series of 13 concerts by a magam ("mode or mood") ensemble, 12,000
 an important type of musical organization nearly universal in near-


eastern musical traditions.
 

To provide artists’ fees for a one-week series of workshops celebrating 7,000
 traditional Hungarian music, dance, and embroidery.
 

For fees and travel costs for artists demonstrating traditional 1,000
 

Northwest coast Indian art forms in conjunction with the Contemporary Western Native American Art Exhibit in Seattle.
 

For salaries and travel expenses of artists participating in a two-week 39,100
 series of presentations of a traditional medicine show at the American
 

Place Theatre, and for additional related programs at New York
 

University.
 

For a series of six concerts of traditional music from in and around 7,500
 

San Diego presenting local artists of Portuguese, Mexican, Southeast
 

Asian, Philippine, Guatemalan, and African origins.
 

For a one-year series of teaching workshops in the local Southeast 22,000
 Asian community by traditional Laotian Hmong musicians, dancers,
 

and pa ndau embroiderers.
 

For a festival at Staten Island’s Snug Harbor Cultural Center, featur- 7,600
 ing Irish-American traditional performing arts, and for two local ceili
 

dances preceding the festival.
 

For five members of Roadside Theatre to collect material from local 5,000
 

traditional Appalachian storytellers to incorporate into their touring
 

repertory.
 

For a 16mm film documenting the life and music of traditional Ap- 27,000
 palachian singer and songwriter Sarah 0gan Gunning.
 

To complete a 16mm film documenting the history, songs, and the con- 14,000
 

tinulng aesthetic influence on American country music of the A.P.
 

Carter family of southwest Virginia.
 

For master boat builder David Foster to supervise hands-on learn- 20,000
 

ing of the traditional construction of plank-on-frame heritage small
 

crafts from the North American Seaboard.
 

To organize several Yaqui traditional events called, "Yo Owen 17,000 

Etehome (When the Elders Talk)," during which legends and traditional orations are recounted and ceremonial behavior and dress 

discussed and documented for tribal archives. 

For a series of workshops to familiarize educators with the curriculum 9,000 developed by the state folk arts program and for a field work assistant to help establish additional liaison with the state’s folk artists. 

For artists fees and production expenses involved in the 1984 River 8,000 City Blues Festival. 

To produce a cassette tape with a brochure of traditional Khmer(Cam- 2,400 bodian) vocal and instrumental music performed by refugee Khmer 

musicians now living in St. Paul 

For the fourth annual Festival of Georgia Folklife, expanded into a 19,000 

state-wide event in honor of Georgia’s 250th anniversary. 

For the Celebration of Traditional Music, a festival featuring outstan- 1,500 cling Appalachian musicians. 
Folk Arts 75 

Boston Children’s Museum 

Boston, Massachusetts 

Boys Harbor 

New York, New York 

Buffalo, City of 

Buffalo, Wyoming 

California Academy of Sciences 

San Francisco, California 

California, Regents of the University of 

Berkeley, California 

Cambodian Association of America 

Chicago, Illinois 

Carroll County Historical Society 

Berrysville, Arkansas 

Carter Family Memorial Center
 

Hfltons, Virginia
 

Center for Southern Folklore 

Memphis, Tennessee 

Center for Southwestern Folklore 

Cerrillos, Minnesota 

Channel 5 Public Broadcasting
 

Reno, Nevada
 

Chinatown Planning Council 

New York, New York 

Chinatown Planning Council 

New York, New York 

Colorado Council on the Arts and 

Humanities 

Denver, Colorado 

Colorado Council on the Arts and
 

Humanities
 

Denver, Colorado 

Columbus Museum of Arts and
 

Sciences
 

Columbus, Georgia 

Commonwealth Council for Arts and
 

Culture
 

Saipan, Northern Mariana Islands
 

Community Music Center 

San Francisco, California 

COMPAS 

St. Paul, Minnesota 

Consortium for Pacific Arts and
 

Cultures
 

Honolulu, Hawaii
 

Cowee Elementary School 

Franklin, North Carolina 

8,500 For a series of workshops and demonstrations by Japanese-American 

traditional artists in the craf~ of Ningyo (rice paper dolls), Zad (tradi­ tional woven sandals), Veriage (handbuilt colored clay objects), and 

Roketsu-Zome (wax dye resist on paper or fabric). 

19,900 For a series of performances of traditional Afro-Cuban music and 

dance at public performance sites and three series of workshops in

Afro-Cuban dance, music, and drum-making. 

4,900 To bring traditional Basque dance and language instructors from Idaho 

and Nevada to the Big Horn Basque Club’s annual Assumption Day 

Festival. 

15,000 For a 50-week series of programs in the Wattis Hall of Man, featuring traditional artists from various ethnic communities in the San 

Francisco Bay area. 

24,800 To prepare a catalogue with sound recording of the Lowie Museum’s 

collection of traditional songs and narratives of California Indian 

groups, and for distribution of the materials among more than 83 

tribes, rancherias, and Indian orgaaizations in the state. 

For a series of workshops in traditional Cambodian dance held at the 7,500 

Cambodian Craft Center. 

To produce a half-hour videotape documentary on the art and life of 15,600 

traditional Ozark ballad singer Almeda Riddle. 

15,000 For a weekly concert series of Appalachian traditional music and an 

annual three-day festival by local traditional artists. 

For a series of weekend performances at Beale Street’s Old Daisy
 36,0(D

Theater that features traditional music and old-time musicians
 

associated with Beale Street and with the mid-South.
 

35,700 For a 3~minute 16ram film documenting traditional Texas-style rid°


dling, featuring the dean of Texas fiddlers, Benny Thomasson.
 

26,000 For a 30-minute videotape on Lige Langston, rawhide worker and

traditional cowboy singer. 

For a series of workshops in the performing and visual arts associated 5,700 

with Peking-style Chinese opera. 

5,700 For a series of advanced workshops in the performance of orchestral
 

music accompanying Chinese Peking opera.
 

11,000 For a 13-part series of short radio programs documenting the performing arts of Colorado’s traditional folk artists.
 

20,000 To continue the position of the Colorado state folk arts coordinator


for a third year.
 

12,000 For the Chattahoochee Folk Festival, which features the traditional
 

arts of the lower Chattahoochee Valley region of Georgia and
 

Alabama.
 

2920o For a series of presentations in schools by local Chamorran and Carolinean traditional craftsworkers, musicians, and dancers; several interisland exchanges of traditional artists; and a one-month exhibit of local
 

traditional visual arts in the CCAC Gallery.
 

For a series of master classes and two concert performances in traditional Chinese music.
 

For a performance of traditional classical Cambodian music and dance
 

by a seven-piece mahori orchestra and a group of trained dancers


on the Cambodian New Year’s Day.
 

12,500 To tour a company of traditional Hawaiian hula dancers and musicians to performances on Guam, Saipan, Tinian, and Rota.
 

For a folk festival featuring traditional artists from the Macon County
 

area.
 
76 Folk Arts 

Cultural Council Foundation 

New York, New York 

Dallas Community Chest Trust Fund 

Dallas, Texas 

Dances We Dance 

Honolulu, Hawaii 

Documentary Educational Resources 

Watertown, Massachusetts 

Duquesne University Tamburitzans 

Pittsburgh, Pennsylvania 

Eastern Illinois University 

Charleston, Illinois 

Fenway Community Development 

Corporation 

Boston, Massachusetts 

Ferrnm College 

Ferrum, Virginia 

Ferrum College 

Ferrum, Virginia 

Film Arts Foundation 

San Francisco, California 

Film Arts Foundation 

San Francisco, California 

Film Arts Foundation 

San Francisco, California 

Film Arts Foundation 

San Francisco, California 

Florida, Arts Council of 

Tallahassee, Florida 

Florida Folklife Center 

White Springs, Florida 

Fort Mason Foundation 

San Francisco, California 

Friends of the Indiana Dunes 

Valparaiso, Indiana 

Georgia Sea Island Folklore Revival 

Projects 

Brunswick, Georgia 

Glaser, Margaret 

Washington, D.C. 

Governor’s Heritage Affairs Advisory 

Commission 

Harrisburg, Pennsylvania 

Governor’s Heritage Affairs Advisory 

Commission 

Harrisburg, Pennsylvania 

For ten concerts presenting lullabies and infants songs traditional

to diverse ethnic groups of the Brooklyn area. 

5,000 

For a downtown folk festival, featuring the traditional music and crafts 

of Afro-American, American Indians, and black and Anglo cowboys 

in and around Dallas. 

15,900 

For a series of nine performances of various dance traditions of ethnic 

groups resident in Hawaii. 6,000 

For a series of short films on fiddle styles of the northeastern states, 

featuring local virtuosos in New England, Nova Scotian, and French 

Acadian repertoire and techniques. 

26,300 

To complete cataloging the folk costume collection of the Tamburitzan National Folk Arts Center and mount an exhibition of traditional 

central European costumes in conjunction with the Pittsburgh Folk 

Festival. 

20,000 

For field research, documentation activities, and the development of 

an exhibition focusing on the traditional arts of east central and 

southeastern Illinois. 

28,100 

For a neighborhood festival featuring renowned blues artist Howard 

Armstrong. 

5,700 

For a survey to identify and document traditional artists in Bedford 

County to facilitate their participation in regional and local festivals 

and educational programs. 

7,300 

For a master tape and interpretive booklet on black a capella quartet 

singing from the Hampton Roads area of Virginia. 

10,500 

To complete Les Blues de Balfa, a 16mm film documenting Louisiana 

Cajun music. 5,000 

For a 16mm film on the importance of corn as a symbol in Hopi art, 

with particular focus on ceremonial and religious activities. 27,900 

To produce a 30-minute, 16mm film documenting the hand-carved 

replicas of 19th-century whaling ships and sailing packets of Cape 

Verdean-American artist Juaquin Miguel Almeida. 

23,700 

To produce a 16mm film documenting the life and music of blues artist Howard Armstrong. 

27,900 

For a pilot state-based apprenticeship program, offering grants to

four Florida folk artists and qualified apprentices. 

22,600 

For a series of ten one-week folk arts demonstrations by Florida traditional artists and craftspeople in the newly renovated Stephen Foster 

State Folk Culture Center. 

11,700 

For the Western Regional Folklife Festival. 3,000 

To provide artists’ honoraria for the Duneland Folk Festival, a twoday event featuring traditional artists from northwestern Indiana. 3,000 

For the Georgia Sea Island Festival of local traditional arts and artists. 10,000 

To participate as an Arts Management Fellow in the Folk Arts 

Program. 

1,650 

For the position of director of state folklife programs. 26,000 

For two evening concerts and an afternoon crafts demonstration by 

traditional artists of south central Pennsylvania held in conjunction 

with a conference on folklore and oral history of the area’s ethnic 

groups. 

6,700 
Graham County Public Schools 

Robbinsville, North Carolina 

Guam Council on the Arts and 

Humanities 

Agana, Guam 

Historical Society of Rockland County 

New York, New York 

Hotevilla Bacavi Community School 

Board of Education 

Hotevilla, Arizona 

Idaho Commission on the Arts 

Boise, Idaho 

Idaho Commission on the Arts 

Boise, Idaho 

Illinois Arts Council 

Chicago, Illinois 

Indiana Arts Commission 

Indianapolis, Indiana 

Institute for the Study of African
 

Culture
 

St. Louis, Missouri 

Institute of Alaska Native Arts 

Fairbanks, Alaska 

Inter-American University of Puerto
 

Rico
 

San Juan, Puerto Rico 

International Arts Relations 

New York, New York 

International House of Philadelphia 

Philadelphia, Pennsylvania 

International House of Philadelphia

Philadelphia, Pennsylvania 

Intersection for the Arts 

Santa Ana, California 

Interstate Firehouse Cultural Center 

Portland, Oregon 

Iowa State Arts Council 

Des Moines, Iowa 

Irish Festivals 

Milwaukee, Wisconsin 

Japan Town Art Movement 

San Francisco, California
 

Japanese-American Cultural and

Community Center 

Los Angeles, California 

Folk Arts 77 

4,000 For a series of in-school workshops and a festival of traditional music 

and crafts from the Stecoah and Robb~nsville communities in western 

North Carolina. 

20,300 For a folk arts coordinator position at the Guam Council on the Arts 

and Humanities. 

10,300 For a ten-week exhibition on the artistic traditions and customs of 

the Eastern Orthodox celebration of Easter as practiced in the Russian, ~an, and Greek communities of Rockland County. 

For workshops in spinning, dyeing, and weaving of traditional Hopi

blankets and tapestries conducted by master Hopi textile artist 

Percy Lomaguahu. 

15,000 To amend a previous grant to include preliminary field work for a 

major traveling exhibition of the folk arts of Idaho. 

21,100 For the position of state folk arts coordinator. 

30,000 For the position of state folk arts coordinator. 

12,400 For a series of one-week folk arts programs, featuring local artists
 

and artisans presented in local h~raries in six communities throughout


Indiana.
 

25,000 For a festival of African performing arts and a series of performance
 

workshops.
 

15,200 For an exhibition of traditional native basketry from seven major


cultural groups in Alaska, with accompanying workshops and
 

demonstrations.
 

7,700 For a series of workshops in the Puerto Rican art of fine palmetto


hat weaving followed by a one-day straw festival celebrating Puerto
 

Rican fiber crafts.
 

For a major concert of Afro-Cuban music in honor of senior Cuban
 

music scholar Lydia Cabrera.
 

For an intern to plan and present a series of traditional arts presentations in Hispanic, Black, Irish, and Italian Philadelphia communities,
 

and to reorganize the Folklife Center’s slide and tape archives to allow
 

greater community access to these materials.
 

For artists’ fees and fieldwork expenses for "Folk Arts in Philadelphia
 

Schools," in which local traditional arts are demonstrated in classrooms
 

throughout the city.
 

For the traditional arts component of the 1984 Kmhmu New Year’s
 

celebration in Stockton, California.
 

For a series of performances and workshops by five groups of traditional artists from Portland and San Francisco, including Japanese-


American taiko dojo drummers, a Chinese-American lion dance group,
 

master Ghanaian drummer Obbo Addy, and an Irish American instrumental ensemble.
 

22,000 For the position of Iowa state folk arts coordinator. 

5,600 To bring the "Green Fields of America" tour group of traditional Irish-


American musicians to Milwaukee’s 1983 Irish Fest.
 

2,000 For a traditional arts component of the San Francisco Oshogatsu, a
 

festival celebrating Japanese New Year.
 

7,000 For festival performances and workshops presenting Japanese traditional arts associated with Oshogatsu, the Japanese New Year’s
 

celebration.
 
78 Folk Arts 

Japanese-American Cultural and


Community Center
 

Los Angeles, California 

Jefferson National Expansion
 

Historical Association
 

St. Louis, Missouri 

Jefferson National Expansion
 

Historical Association
 

St. Louis, Missouri 

Jubilee Community Arts 

Knoxville, Tennessee 

Kansas State Historical Society 

Topeka, Kansas 

Kansas State University 

Manhattan, Kansas 

Kentucky Arts Council 

Frankfort, Kentucky 

Kentucky Arts Council 

Frankfort, Kentucky 

Kentucky Center for the Arts 

Louisville, Kentucky 

Kenyon College 

Gambier, Ohio 

Kenyon College 

Gambier, Ohio 

Laredo Council for the Arts 

Laredo, Texas 

Lesley College Graduate School 

Cambridge, Massachusetts 

Loneman School Corporation 

Oglala, South Dakota 

Louisiana Folklife Program 

Baton Rouge, Louisiana 

Louisiana Museum Foundation 

New Orleans, Louisiana 

Loyola University of Chicago 

Chicago, Illinois 

Maine Festival of the Arts 

Brunswick, Maine 

Maine Maritime Museum 

Bath, Maine 

Massachusetts Council on the Arts and 

Humanities 

Boston, Massachusetts 

Memphis State University 

Memphis, Tennessee 

For a series of six concerts of classical Asian music and dance traditions native to the Philippines, Japan, China, Korea, and Southeast 

Asia. 

22,000 

For a short-term internship with responsibilities in management and 

production. 4,200 

For artists’ fees for the eighth Frontier Folklife Festival. 10,000 

For a one-year concert series of local traditional music in two Knoxville theaters and in local schools. 

26,900 

For the position of state folk arts coordinator. 22,300 

For the fifth annual state-wide Kansas Folklife Festival. 9,000 

To expand the program of folk arts residencies in rural libraries to 

an additional library district. 15,000 

For the Folk Arts in Rural Libraries program, identifying and presenting traditional artists and craftsworkers in the Lincoln Trail Regional 

Library district of Kentucky. 

9,200 

To hire a director of folklore programming to identify and present

traditional arts and artists from Kentucky at the center and in 

outreach programs throughout the state. 

35,000 

For a long-playing record documenting a number of exceptional traditional Ohio fiddlers, most of whom have never been recorded. 

6,000 

For the 12th annual Gambier Folk Festival, featuring traditional artists from the central Ohio area. 4,500 

For a folk arts component in the 1983 Borderfest to feature quilting, 

pinata-making, woodcarving, needlework, and other arts traditional 

to the region. 

5,500 

For fieldwork to identify and document traditional New England

storytellers to be presented in public and recorded on cassette tape 

for study purposes. 

10,800 

For a series of workshops in the making of traditional dance regalia

conducted by a group of elder Lakota Sioux craftspeople. 5,000 

For the Florida Parishes Folldife Project, a conference and field 

survey in the panhandle parishes, resulting in an exhibit and catalogue 

of local folk art. 

21,000 

For a folk arts coordinator at the Louisiana State Museum to survey 

and evaluate local museum resources in the folk arts in Louisiana for 

eventual joint exhibitions and study projects. 

For a series of mini-festivals at appropriate locations in Chicago that 

features various aspects of the Chicago blues tradition. 

15,000 

To expand the festival’s folk arts program by providing additional 

artists fees and upgrading display and performance facilities. 7,400 

To document and disseminate information and detailed drawings on 

the rigging of workboats traditional to the Maine coast. 

20,000 

To hire a state folk arts coordinator to collect data on existing folk 

arts activities in the state, bolster the f’mancial base of support for 

these activities, and provide technical assistance to strengthen existing programs. 

35,000 

For a concert and reunion of Memphis-based old-time black gospel 

quartets and an LP disc documenting their music, especially for local 

distribution. 

9,500 

Michigan State University For three-months support for the position of state folk arts 6,000 

East Lansing, Michigan coordinator. 
Folk Arts 79 

Milwaukee County War Memorial

Center 

Milwaukee, Wisconsin 

Milwaukee Public Museum 

Milwaukee, Wisconsin 

Minneapolis American Indian Center 

Minneapolis, Minnesota 

Minnesota State Arts Board 

St. Patti, Minnesota 

Mississippi Arts Commission 

Jackson, Mississippi 

Mississippi Band of Choctaw Indians

Philadelphia, Pennsylvania 

Mississippi, University of

University, Mississippi 

Missouri, University of 

Columbia, Missouri 

Museum of American Folk Art 

New York, New York 

National Council for the Traditional 

Arts 

Washington, D.C. 

National Council for the Traditional 

Arts 

Washington, D.C. 

National Council for the Traditional 

Arts
 

Washington, D.C.
 

Nebraska Educational Television
 

Network
 

Lincoln, Nebraska 

New Jersey Public Broadcasting

Authority 

Trenton, New Jersey 

New Mexico Arts Division 

Santa Fe, New Mexico 

New Mexico Arts Division 

Santa Fe, New Mexico 

New York, Research Foundation of
 

the City University of
 

New York, New York 

New York State Council on the Arts 

New York, New York 

Nooksack Indian United Methodist 

Church 

Bellingham, Washington 

Northern Mariana Islands, 

Commonwealth of the 

Saipan, Northern Mariana Islands 

Northern College 

Ashland, Wisconsin 

10,000 For a festival that features traditional family bands from various 

ethnic and regional groups in the upper Midwest. 

For a series of workshops, a concert, and a cassette recording featur- 17,500 

ing traditional musicians from southeastern Wisconsin. 

For a series of public demonstrations in schools and other public

facilities by traditional Chippewa and Sioux craftsworkers. 

For the position of state folk arts coordinator. 

To set up a pilot state-based apprenticeship program. 

For a reservation-based program of instruction in needlework,

basketry, beadwork, and drum making by traditional Choctaw artists, and for exhibits and demonstrations at two annual Choctaw Indian fairs. 

10,000 For artists’ fees and local travel costs for the third annual Oxford 

Folklife Festival. 

43,300 To hire a special projects coordinator for the Missouri Cultural 

Heritage Center. 

11,700 For 11 events of traditional performances held in conjunction with 

a symposium and exhibition on religious folk art in America. 

15,000 For the National Folk Festival held in the Cuyahoga National Park 

in Ohio. 

34,500 For a tour to present old-time uncommercialized cowboy music, dance, 

and storytelling at approximately 15 major western concert sites. 

30,700 For a tour by the Khmer classical dance troupe to six California cities 

that have the largest concentrations of Cambodians in this country. 

3,800 To amend a previous grant to include additional costs for seriptwriting,

narration, and editing for the series, Hand Me Downs. 

17,900 For the production of a 30-minute film documenting the traditional

narratives, songs, and boat building techniques of New Jersey 

oystermen. 

3,800 For a series of crafts demonstrations at Pecos National Monument 

by Hispanic and Native American traditional artisans of the surrouncling region. 

For a 28-minute, 16mm film documenting the senior Hispanic folk 38,000 

musicians of New Mexico and Colorado previously recorded for the 

radio series La Musica de dos Viefitos. 

For the Center for Puerto Rican Studies to produce a film documen- 35,000 

ting the Puerto Rican plena, a traditional music and dance form. 

For a pilot state-based folk arts apprenticeship program to involve 

12 or more master artists and up to 20 apprentices. 

To train young carvers in the construction of the traditional Nooksack river canoe. 

For a series of workshops in coconut frond weaving by master artist 9,100 

Balbina Norita Kintaro. 

For two sets of LP discs that document traditional music of the Finns 

and several other ethnic groups from the south shore region of Lake 

Superior. 
9200 

80 Folk Arts 

Ohio Arts Council 

Columbus, Ohio 

Onion River Arts Council 

Montpelier, Vermont 

Oregon School of Arts and Crafts 

Portland, Oregon 

Our Lady of Sorrows Church 

Santa Fe, New Mexico 

Pacifica Foundation 

New York, New York 

Pacifica Foundation 

New York, New York 

Peoples and Cultures 

Cleveland, Ohio 

Phelps Stokes Fund 

New York, New York 

Philipino Cultural Resource Center 

San Diego, California 

Plaza de la Raza 

Los Angeles, California 

Plumas County Arts Commission 

Quincy, California 

Positive Productions 

Washington, D.C. 

Progressive League 

Prichard, Alabama 

Progressive League 

Prichard, Alabama 

Providence Department of State Parks 

Providence, Rhode Island 

Public Art Films 

New York, New York 

Public Communication Foundation for 

North Texas 

Dallas, Texas 

Rhode Island State Council on the Arts 

Providence, Rhode Island 

Roberson Center for the Arts and 

Sciences 

Binghamton, New York 

Rocky Boy Health Board 

Box Elder, Michigan 

Sacred Harp Publishing Company 

Temple, Georgia 

For honoraria, travel, and supply costs of a project to research, docu- 6,700 

ment, and present traditional craft methodology, storytelling, and 

other verbal and non-verbal arts found in the western Lake Erie 

maritime region. 

For a folk arts component in a festival of Vermont traditional music 

and crafts. 

For a series of classes for master artist Bua Sua Mua to teach the 

performance and traditional repertory associated with the Hmong 

kleng, a mouth-blown reed pipe organ. 

For the reconstruction and painting of the reredos (altar screen) in 

the Arroyo Hondo church by local traditional artist, Marie Romero 

Cash. 

To produce a series of half-hour radio programs on traditional musi- 11,400 

cians in Mississippi. 

For 13 radio programs in the series, Music in the World, featuring 22,900 

traditional music of immigrant communities in the U.S. 

For field work expenses and artists’ honoraria necessary to identify 18,700 

and incorporate traditional artists and craftspeople in an ongoing 

ethnic neighborhood touring program. 

For a series of 20 workshops in various Afro-Caribbean traditional 15,900 

arts, including storytelling, drumming, vocal chants, and costuming 

skills. 

For a series of workshops, a community festival, and several slide 10,000 

and tape presentations of local traditional Philipino arts and artists. 

For a Mexican Folklife Project to locate previously unidentified tradi- 19,000 

tional Mexican-American artists resident in the Los Angeles area to 

be followed by workshops and a two-day major festival. 

To sponsor several apprenticeships in Maldu traditional basketry con- 3,500 

struction and to document the technique for a subsequent educational 

exhibit. 

To complete a 16mm film documenting the life and music of tradi- 6,900 

tional bluesmaker Flora Molton. 

For the traditional arts component of the 1983 Africatown Folk 16,000 

Festival. 

For the traditional arts component of the 1984 Africatown Folk 18,000 

Festival. 

For a one-year series of presentations in city parks by traditional ar- 26,500 tists of local ethnic groups, including Hispanics, Southeast Asians, 

Portuguese-Americans, and various Indian tribes. 

For a 16mm film documenting newly developing folk arts of"break- 26,500 

ing," a dance form; and mural painting in subway cars originated and 

practiced by adolescents in New York City. 

For a series of short radio programs that document traditional ar- 7,800 

tists of the Dallas-Fort Worth area for broadcast on NPR’s Morning 

Edition. 

For the state folk arts coordinator position. 3420o 

For "A Family Quilt Collection," an exhibit on a traditional art of 10,000 

south central New York, including demonstrations and film showings. 

To retrieve, document, and disseminate the traditional music of the 27,900 

Cree tribe resident on the Rocky Boy Reservation. 

For a series of 33 one-week singing schools in Sacred Harp choral 5,000 

traditions in communities in Alabama, Florida, Georgia, and 

Mississippi. 
Folk Arts 81 

Salisbury State College 

Salisbury, Maryland 

Salisbury State College 

Salisbury, Maryland 

San Antonio Museum Association 

San Antonio, Texas 

San Jose State University Foundation 

San Jose, California 

Saratoga County Historical Society 

Ballston Spa, New York 

Sealaska Heritage Foundation 

Juneau, Alaska 

Seattle Arts Museum 

Seattle, Washington 

Seattle Cherry Blossom and Japanese 

Cultural Festival Committee 

Seattle, Washington 

Self-Help Graphics and Art 

Los Angeles, California 

Sino-American Cultural Society 

Bethesda, Maryland 

Society for the Study of Native

American Arts and Sciences 

Berkeley, California 

South Carolina, University of 

Columbia, South Carolina 

South East Asian Design 

Seattle, Washington 

South Florida, University of 

Tampa, Florida 

Southern Development Fund 

Lafayette, Louisiana 

Southern Illinois University 

Carbondale, Illinois 

Southwest Parks and Monuments 

Association 

Globe, Arizona 

Southwestern Alternate Media Project 

Houston, Texas 

Sun Valley Center for the Arts and

Humanities 

Sun Valley, Idaho 

Symphony Space 

New York, New York 

Theater Workshop of Boston 

Jamaica Plain, Massachusetts 

15,000
 For a major exhibition showing the changes brought about in the folk 

art form of wildfowl carving by the work of master carvers Stephen 

and Lemuel Ward. 

For a two-day festival featuring traditional arts and crafts from the 8,000 

Delmarva Peninsula. 

25,000 To research, interpret, and install an extensive exhibition of MexicanAmerican folk arts from the greater San Antonio area. 

2,400 For videotape documentation of the construction of a ceremonial canoe 

in the Micronesian Republic of Belau (Palau). 

4,900 For a series of performances in approximately 40 county schools by

Sara Cleveland, blind traditional Anglo-American ballad singer and 

storyteller. 

30,000 To document and disseminate through tape cassettes and songbooks 

the traditional songs of the Tlingit, Haida, and Tsimshian tribal 

nations. 

25,500 For a series of dance performances and narrative presentations by

Native American tribal groups from the Northwest Coast, held in 

conjunction with the exhibit, "Arts of the Northwest Coast: From 

Salish to Tlingit." 

5,000 For a production of buyo (traditional Japanese folk dance) at the 1983 

festival. 

8,000 To expand the Pico Rivera School District’s arts-in-education program to include a series of workshops and demonstrations by four 

local Mexican-American folk artists. 

11,000 For four performances of Chinese Peking Opera and workshops in 

five Chinese-American afternoon cultural schools in the greater

Washington area. 

10,500 For a series of master classes in the Brazilian art of capoeira, a highly 

elaborated improvised style of dance and music in a martial arts 

tradition. 

20,400 For McKissick Museum to document traditional quilting practices, 

aesthetics, and products in three regions of South Carolina; and for 

a traveling exhibition of quilts identified through this research. 

9,700 For a three-month exhibition of traditional Laotian textiles at the 

Thomas Burke Memorial Museum at the University of Washington. 

19,500 For a 16mm film documenting "Diamond Teeth Mary" McClain, an 

early gospel and blues artist. 

20,000 To survey, document, and present local Afro-American folk artists

in small community events in order te design a long-term folk cultural 

program to meet community needs. 

15,000 For the exhibition, "From Mother to Daughter. Ethnic Patterns in 

Handwork," a display of traditional women’s crafts from various ethnic 

communities in southern Illinois. 

16,500 For the Santa Monica Mountains Folklife Festival, featuring traditional artists from folk and ethnic groups of the southern California 

region. 

32,000 For a 29-minute, 16mm color film documenting the folk arts, music, 

and ritual customs included in Hispanic wedding traditions in 

northern New Mexico. 

For a series of workshops on regional folk arts of Idaho at the Nor- 420O 

them Rockies Folk Festival. 

5,700 For 12 performances of traditional Sicilian marionette theater by

master puppeteer Mike Manteo and his family company. 

12,000 For a n~or concert celebrating the Puerto Rican cuatro and the traditional music associated with the instrument.
 
82 Fo/k Arts
 

Utah Folklife Center 

Salt Lake City, Utah 

Utah Folklife Center 

Salt Lake City, Utah 

Vermont Council on the Arts 

Montpelier, Vermont 

Virgin Islands Council on the A_rts 

St. Croix, Virgin Islands 

Virgin Islands Council on the Arts 

St. Croix, Virgin Islands 

Washington, University of 

Seattle, Washington 

West Indian American Day Carnival 

Association 

Brooklyn, New York 

West Nebraska Arts Center 

Scottsbluff, Nebraska 

West Philadelphia Educational

Broadcasting Corporation 

Philadelphia, Pennsylvania 

Western Carolina University 

Cullowhee, North Carolina 

Western Carolina University 

Cullowhee, North Carolina 

Western Carolina University 

Cullowhee, North Carolina 

Western New York Society for the

Preservation of Italian Folklore 

Buffalo, New York 

Western New York Society for the 

Preservation of Italian Folklore 

Buffalo, New York 

Western States Arts Foundation 

Santa Fe, New Mexico 

Whisnant, Susan S. 

Baltimore, Maryland 

Wilson (Warren) College 

Swannanoa, North Carolina 

Winston-Salem/Forsyth County S~hools 

Winston-Salem, North Carolina 

Wisconsin Arts Board 

Madison, Wisconsin 

To bring western folk arts coordinates and other professional personnel to the Fife Conference on Western Folklore and Arts for 

cooperative planning and discussion of possibilities for regional program development. 

For the position of assistant folk arts coordinator. 

For the folk arts program of the Vermont Council on the Arts and 

the position of state folk arts coordinator. 

For a festival of Virgin Island quadrille dancing and demonstrations of traditional crafts from the Virgin Islands and Puerto Rico, sponsored by the Island Center of St. Croix. 

For a series of weekly one-hour radio programs that features tradi- 7,500 

tional music and musicians of the Virgin Islands. 

For a nine-month residency by traditional Irish ballad singer Joe 10,000 

Heaney in schools and colleges of the Puget Sound area. 

To sponsor a series of 15 workshops in the traditional Caribbean arts 34,000 

of mask and costume construction for carnival celebrations, and provide start-up costs for a materials bank for costume makers. 

For the Scottsbluff folk-artists-in-schools program and a series of coun- 14,600 

ty fair folklffe presentations coordinated by the arts center’s resident 

folklorist. 

For ten performances by local traditional musicians, dancers, and 2,900 

storytellers, from various ethnic communities in the Spruce Hill 

neighborhood of Philadelphia. 

For a series of folk-artists-in-schools programs involving short-term

residencies by ten local traditional artists in five schools in the surrounding mountain region. 

For a two-day workshop at the Mountain Heritage Center on southern 10,900 

Appalachian and Irish traditional music and dance, held in conjunction with the opening of an exhibit, "The Migration of the ScotchIrish People." 

For the annual Mountain Heritage Day Celebration, sponsored by 4,000 

the Mountain Heritage Center. 

For a concert of traditional Italian music and dance performed by 13,500 

artists from local Italian-American communities.
 

For a festival of Italian-American traditional arts at Artpark. 11,000
 

For a two-day meeting of a committee to plan a gathering of cowboy 1,500
 

poets in a western state in 1984.
 

To amend a previous grant to extend Ms. Whisnant’s participation 3,300
 

as a Fellow in the Folk Arts Program.
 

For a 32-week local radio program featuring live and recorded per- 5,000
 

formances of traditional Appalachian music.
 

For a one-week program of folk arts activities held in conjunction 8,500
 

with North Carolina Heritage Week, and for one-day festivals in two


junior high schools in the area.
 

For a state folk arts coordination program, including introducing a 42,900
 

folk arts component into the Wisconsin artist-in-residency program,


developing state-based folk arts apprenticeships, and encouraging a
 

series of pilot folk arts projects around the state.
 

Wyoming Council on the Arts To amend a previous grant to hire a professional radio producer for 

Cheyenne, Wyoming a ten-program series on Wyoming traditional music and story-telling. 

8200 
Folk Arts 

Apprenticeships 

Burke, Robert L.

Alexandria, Virginia 

Clark, Jonathan D. 

San Jose, California 

Cockerham, Ann O. 

Terre Haute, Indiana 

Cook, Dennis G. 

Hyrum, Utah 

Dornfeld, Barry 

Philadelphia, Pennsylvania 

Engler, Elizabeth 

Berkeley, California 

Hansel, Steve L.

Guttenberg, Iowa 

Hayashi, Arawana 

Cambridge, Massachusetts 

Heck, Vernon

Guttenberg, Iowa 

Kann, Gregory D. 

Guttenberg, Iowa 

Keogh, Valeri 

San Francisco, California 

Kikuchi-Yngojo, Robert E. 

San Francisco, California 

Marley, Danny 

Seagrove, North Carolina 

Marley, Danny 

Seagrove, North Carolina 

Medina, Lazaro R. 

Tacoma Park, Maryland 

Miller, Bradley 

Guttenberg, Iowa 

Pruitt, Dwain E. 

Ringgold, Georgia 

Reilly, Michael J. 

San Francisco, California 

Schwarz, Peter H. 

Brodbeck, Pennsylvania 

Shrader, Erin M. 

Seattle, Washington 

Singleton, Jon 

Takoma Park, Maryland 

Van Nest, Peter J.

Brigantine, New Jersey 

Folk Arts 83 

To enable performers or craftspersons to study with traditional masters in 

their fields. 

Program funds: $39,500 

23 grants 

$1,500 To study West African traditional drumming with master Ga drummer Yacub Addy. 

1,500 To study the Mexican guitarron with master guitarroncro Natividad 

Santiago. 

2,600 To study traditional coverlet weaving with master artist A. David

Xenakis. 

To study saddlemaking and fancy leatherwork with master saddlemaker Glen Thompson. 

1,500 To study the art of West African drumming with master Ga drummer Yacub Addy. 

1,600 To study Irish fiddling with master musician Joe Murtaugh. 

1,500 To study traditional blacksmithing with master artist Gus Gadow. 

2,800 To study bugaku dance with former Japanese court master Suenobu
 Togi.
 

1,500 To study traditional blacksmithing with master artist Gus Gadow. 

1,500 To study traditional blacksmithing with master artist Gus Gadow. 

1,700 To study traditional Irish accordion techniques with master musician
 

Maureen Murtagh.
 

2,100 To study the techniques and repertory of the Philippine Kulintang


(gong row) ensemble with master artists Danongan Kalanduyan and
 

Usopay Cadar.
 

2,900 To study traditional Westmoore pottery with master potters David 

and Mary Farrell. 

1,500 To study advanced pottery techniques with master potters David and 

Mary Farrell. 

1,400 To study the singing style of Afro-Cuban religious music with master


Afro-Cuban musician Hector Tavio.
 

1,500 To study traditional blacksmithing with master artist Gus Gadow. 

1,500 To study ornamental and architectural blacksmithing at John C. Campbell Folk School with Francis Whitaker, and tool making with Jud
 

Nelson.
 

1,100 To study traditional Irish music on tenor banjo and mandolin with

master artist Miliosa Lundy. 

1,500 To study Cajun fiddle playing with master musician Dewey Balfa. 

To study traditional New England dance style fiddling with master 2,100 

fiddler Rodney Miller. 

1,000 To study Appalachian fiddling with master musician Franklin George. 

1,500 To study construction of the traditional Barnegat Bay sneakbox with 

master artist Edward Conldin. 

2200 
84 Follc Arts 

Wilpers, Michael W. To study traditional West African music with master Ga musician 1,500 

Rockville, Maryland Yacub Addy. 

National Heritage To recognize, through a one-time-only grant award, the nation’s most exemplary master folk artists and artisans whose significant contributions Fellowships to the health and happiness of the nation have gone largely unrecompensed. 

Barker, Sister R. Mildred

Poland Springs, Maine 

Cepeda, Rafael 

Santurce, Puerto Rico 

Hicks, Ray 

Banner Elk, North Carolina 

Hicks, Stanley 

Vilas, North Carolina 

Hooker, John Lee 

San Carlos, California 

Manteo, Miguel (Papa) 

New York, New York 

Martinez, Narciso 

San Benito, Texas 

Meaders, Lanier 

Cleveland, Georgia 

Riddle, Almeda James

Greers Ferry, Arkansas 

St. Pierre, Simon 

Smyrna Mill, Maine 

Shannon, Joe 

Chicago, Illinois 

Stewart, Alex 

Sneedville, Tennessee 

Thomas, Ada 

Charenton, Louisiana 

Toomer, Lucinda 

Columbus, Georgia 

Ward, Lem 

Crisfield, Maryland 

Williams, Dewey P. 

Ozark, Alabama 

Program funds: 

17 grants 

$90,000 

For Sister Barker’s continuing contribution to excellence in the performance of Shaker hymns. $5,000 

For Mr. Cepeda’s continuing contribution to excellence in the performance of Bomba and Plena music and dance. 5,000 

For Mr. Hick’s continuing contribution to excellence in the art of Appalachian storytelling. 

5,000 

For Mr. Hicks’ continuing contribution to excellence in the art of 

storytelling, music, and instrument-making. 

5,000 

For Mr. Hooker’s continuing contribution to excellence in the performance of blues guitar and songs. 5,000 

For Mr. Manteo’s continuing contribution to excellence as a performer 

in the Sicilian marionette theater tradition. 

5,000 

For Mr. Martinez’ continuing contribution to excellence as an accordionist and composer in the Texas-Mexican musical tradition. 5,000 

For Mr. Meaders’ continuing contribution to excellence in the art of 

traditional pottery. 

5,000 

For Mr. Riddle’s continuing contribution to excellence in the performance of traditional ballads. 5,000 

For Mr. St. Pierre’s continuing contribution to excellence in the per° 

formance of French-American and New England fiddle music. 

5,000 

For Mr. Shannon’s continuing contribution to excellence in the performance of the Irish pipes. 5,000 

For Mr. Stewart’s continuing contribution to excellence in the art 

of woodworking and coopering. 

5,000 

For Ms. Thomas’s continuing contribution to excellence in the art of 

Chitimacha basketmaking. 

5,000 

For Ms. Toomer’s continuing contribution to excellence in the art of 

qufltmaking. 

5,000 

For Mr. Ward’s continuing contribution to excellence in the art of 

carving and painting bird decoys. 

5,000 

For Mr. William’s continuing contribution to excellence in the preservation and performance of shaped-note songs. 

5,000 

Interagency Activities For travel and related expenses to enable the 16 National Heritage $10,000 Washington, D.C. Fellowship recipients to attend the awards ceremony in Washington, 

D.C. 
86 In te~’-A 

o 
87 

Inter-Arts
 

Inter-Arts Advisory Panels
 

Betty Allen 

Soprano 

Executive Director 

Harlem School of the Arts 

New York, New York 

Judy Baca 

Visual artist 

Director 

Social and Public Art 

Resource Center 

Venice, California 

Edward Block 

Vice President 

Public Relations 

AT&T 

New York, New York 

Henry Bowers 

Associate Vice Chancellor 

of Student Affairs 

North Carolina State University

Raleigh, North Carolina 

James "Plunky" Branch 

Executive Director 

Richmond Foundation for 

the Arts 

Richmond, Virginia 

Lee Breuer 

Artistic Director 

Mabou Mines Theatre 

New York, New York 

Nash Cox 

Executive Director 

Kentucky Arts Council 

Frankfort, Kentucky 

Barnet Fain 

Businessman 

Fain’s, Inc. 

Providence, Rhode Island 

Robert Fitzpatrick 

President 

California Institute of the Arts 

Valencia, California 

Dianne Gallert 

Executive Director 

League of Chicago Theatres 

Chicago, Illinois 

Michael Hardy 

Director 

Krannert Center for 

the Performing Arts 

University of Illinois 

Urbana, Illinois 

David Haugland 

Director 

Affiliated State Arts Agencies 

of the Upper Midwest 

Minneapolis, Minnesota 

Patrick Hayes 

Executive Director Emeritus 

Washington Performing Arts 

Society Washington, D.C. 

Alan Kaprow 

Interdisciplinary artist 

Rancho Santa Fe, California 

James Kearney 

General Manager 

Spoleto Festival, U.S.A. 

Charleston, South Carolina 

Eric Larrabee 

Writer 

Board member of service 

organizations 

New York, New York 

Ann.Ellen Lesser 

Director 

Millay Colony 

Austerlitz, New York 

Reynold Levy 

Executive Director 

92nd Street YM-YWHA 

New York, New York 

Harvey Lichtenstein 

President 

Brooklyn Academy of Music 

New York, New York 

Cecil Lytle 

Chairman of Music Department 

University of California 

San Diego, California 

Bruce Marks 

Artistic Director 

Ballet West 

Salt Lake City, Utah 

John Mazzola 

President 

Lincoln Center for 

the Performing Arts 

New York, New York 

Lawrence Miller 

Director 

Laguna Gloria Art Museum 

Austin, Texas 

Carman Moore 

Composer 

Program Analyst 

New York State Council 

on the Arts 

New York, New York 

David Nelson 

Executive Director 

Montana Arts Council 

Missoula, Montana 

Al Nodal 

Executive Director 

Washington Project 

for the Arts 

Washington, D.C. 

Jan Oetinger 

Director
 

Arts and Lectures Program
 

University of California
 

Santa Barbara, California
 

Richard Oldenburg 

Director
 

Museum of Modern Art
 

New York, New York
 

Michael Palmer 

Poet, choreographer
 

San Francisco, California
 
88 Inter-Arts 

Gaff Rector 

President 

University Musical Society 

University of Michigan 

Ann Arbor, Michigan 

Ellen Thurston 

Executive Director 

Center for Arts I~formation 

New York, New York 

Steina Vasulka 

Video artist 

Santa Fe, New Mexico 

Inter-Arts Grants
 

David White 

Executive Director 

Dance Theatre Workshop 

New York, New York 

Program funds:

Treasury funds: 

228 grants 

$3,243,828 

$225,000 

Includes three subcategories: Grants to Presenting Organizations improve Presenting their ability to present diverse, high-quality arts programming in their com- Organizations	 munities. Services to Presenting Organizations grants are awarded to state 

and regional arts agencies and service organizations to help presenters imo 

prove their skills. Dance/Inter-Arts/State Programs Presenting/Touring Initiative grants are combined with identical amounts in the Dance Program 

to increase the quality and quantity of dance presentations throughout the 

nation. 

Program funds: $1,734,680 

Treasury funds: $ 180,000 

120 grants 

Grants to Presenting Organizations 

Alternative Center for 

International Arts 

New York, New York 

Anchorage Concert Association 

Anchorage, Alaska 

and/or service 

Seattle, Washington 

Arts Council of Orange County 

Middletown, New York 

Arvada Center for the Arts and 

Humanities 

Arvada, Colorado 

Atlanta Arts Alliance 

Atlanta, Georgia 

Atlanta, City of 

Atlanta, Georgia 

Bardavon 1869 Opera House 

Poughkeepsie, New York 

Brooklyn Arts and Cultural Association 

Brooklyn, New York 

California Institute of Technology 

Pasadena, California 

California Institute of the Arts 

Valencia, California 

To continue an audience development program, improve earned and $12,000 

contributed income, and improve the technical quality of the presentations at Alternative Museum. 

For a marketing campaign and fund-raising efforts for the Discover 20,000 

Dance series and the celebrity series of music concerts. 

For audience development and to strengthen presentation abilities 20,000 

for the 1983-84 season. 

To hire a marketing and audience development director and a fund- 10,000 

raising director for the Paramount Theatre. 

To aid in marketing and audience development efforts to increase 25,000 

ticket sales, attendance, and membership contn%utions for the 1983~1 

season. 

For education programs, an audience development campaign, and in- 25,000 

creased fund-raising activities. 

For media advertising for the 1983-84 season of programming by the 6,000 

Department of Cultural Affairs. 

To hire a consultant to assist with audience development and fund- 15,000 

raising by designing an automated system of data collection and 

retrieval. 

To hire a development director and purchase paid advertising to in- 10,000 

crease the audience for the Downtown Cultural Center, which provides multi-media presentations. 

For the second phase of an audience development campaign for the 20,000 

1983-84 season of multi-disciplinary presentations. 

For the 1983-84 contemporary arts presentation season, including per- 25,000 

formances by American artists in music, film, dance, and theater. 
California, University of 

Berkeley, California 

California, University of 

Los Angeles, California 

California, University of 

Santa Barbara, California 

Cambridge Arts Council 

Cambridge, Massachusetts 

Centrum Foundation 

Port Townsend, Washington 

Chemung County Performing Arts 

Elmira, New York 

Conununity Services 

Brooklyn, New York 

Creative Time 

New York, New York 

Crooked Tree Arts Council 

Petoskey, Michigan 

Cultural Activities Center 

Temple, Texas 

Dartmouth College, Trustees of

Hanover, New Hampshire 

DeCordova and Dana Museum and Park 

Lincoln, Massachusetts 

Denver Center for the Performing Arts

Denver, Colorado 

District Curators 

Washington, D.C. 

Emelin Theatre for the Performing Arts 

Mamaroneck, New York 

Ethnic Folk Arts Center 

New York, New York 

Film in the Cities 

St. Paul, Minnesota 

Franklin Furnace Archive 

New York, New York 

Friends of the Arts 

Locust Valley, New York 

Grand Opera House

Wilmington, Delaware 

Hallwalls 

Buffalo, New York 

Helena Film Society 

Helena, Montana 

Hill (Thelma) Performing Axis Center 

New York, New York 

Hippodrome Theatre Workshop 

Gainesville, Florida 

For a comprehensive marketing audit to establish a framework for

directing and distributing programming, marketing, and promotional 

resources for presentations in dance, theater, and music. 

To expand marketing efforts to include mass media advertising for 

presentations at Royce Hall. 

For an audience development residency program involving professional artists and ensembles presented during the 1983-84 season. 

To form a friends organization to intensify public relations efforts,

and sponsor the artist-in-residence program. 

For the Festival of American Fiddle Tunes, the Poetry Symposium, 

the Chamber Music Festival, Jazz Port Townsend, and the International Folk Dance and Music Festival. 

To hire a director of development to implement campaigns to increase

earned and contributed income for presentations at Clemens Performing Arts Center. 

For an audience education]outreach program, a corporate employee

ticket program, and a group sales campaign for presentations at 

Brooklyn Center for the Performing Arts. 

To hire a financial management consultant and director of public 

relations. 

For staff positions to assist in the expansion of the 1983-84 

multidisciplinary presentations program. 

To program outstanding emerging artists for the 1983-84 season. 

For outreach activities, including workshops related to the 1983-84 

season of presentations at the Hopkins Center. 

To present performers from the Boston area in a new opera by Otto

Peine and initiate an exchange program with Jacob’s Pillow in order 

to bring more dance to the museum. 

For the presentation program of the center, including the Festival 

Caravan that tours locally and the Black American Film Series. 

For artists’ fees, staff salaries, and advertising for the 1983-84 season. 

For presentation costs for the 1983-84 series of chamber music, film, 

jazz music, dance, and children’s presentations. 

For an audience development and fund-raising project. 

To improve public relations, audience development, and outreach for 

the 1983-84 season of multi-media presentations. 

For the Sunday Night at the Performances series, which presents 

approximately 40 artists. 

To hire a full-time director of development for the 1983-84 season. 

To help the center shift from a major concern with selling subscriptions to a new campaign aimed at single-ticket purchases. 

To hire a development director to carry out projects, including the 

printing of an annual report and brochures for development purposes. 

For audience development activities for the 1983-84 season. 

For the 1983-84 season of solo and duo dance, gospel concerts, and 

theater presentations. 

For an expanded media campaign and development of audienceinformation materials. 

Inter-Arts 89 

20,000 

18,000 

15,000 

10,000 

10,000 

15,000 

27,500 

18,200 

5,000 

7,500 

13,000 

10,000 

30,000 

5,000 

10,000 

7,000 

20,000 

5,000 

11,000 

12,000 

10,000 

10,000 

7,500 
90 Inter-Arts 

Illinois, University of 

Urbana, Illinois 

Interlochen Center for the Arts 

Interlochen, Michigan 

Intersection 

San Francisco, California 

Intersection 

San Francisco, California 

Iowa, University of 

Iowa City, Iowa 

Japanese American Cultural and

Community Center 

Los Angeles, California 

Jeweli (William) College 

Liberty, Missouri 

Kansas State University 

Manhattan, Kansas 

Kansas, University of 

Lawrence, Kansas 

Kenyon College 

Gambier, Ohio 

Lehman College 

Bronx, New York 

Lincoln Center for the Performing

Arts 

New York, New York 

Lower Manhattan Cultural Council 

New York, New York 

Madison, City of 

Madison, Wisconsin 

Maryland, University of 

College Park, Maryland 

McCarter Theatre Company 

Princeton, New Jersey 

Missouri, University of 

Columbia, Missouri 

MoMing Dance and Arts Center 

Chicago, Illinois 

Music Hall Center for the 

Performing Arts 

Detroit, Michigan 

Native American Center 

Niagara Falls, New York 

Natural Heritage Trust 

Lewiston, New York 

Nebraska, University of 

Lincoln, Nebraska 

New York Shakespeare Festival 

New York, New York 

For the 1983-84 season at the Krannert Center for the Performing 

Arts. 

For ticket marketing for the 1983-84 season of presentations. 

For the 1983-84 season of more than 300 presentations. 

For the San Francisco International Theatre Festival, including more 

than 150 performances of theater, dance, and music presentations. 

To assist with marketing, audience development, and fees for nontraditional programs at Hancher Auditorium. 

For the 1983-84 season of presentations. 

To develop larger audiences through the use of an extensive direct 

mail campaign for the 1983-84 season. 

For an audience-development earned-income study to enable McCain 

Auditorium to plan more effectively for future seasons. 

For improved marketing for the presentations of music and dance. 

To hire a presenting program admires" trator responsible for marketing

and fundraising activities for the Kenyon Festival. 

For an audience development marketing campaign for the 1983-84 

season of music and dance presentations at the Center for the Performing Arts. 

For the 1983-84 season, including the Lincoln Center Out-of-Doors, 

the Community Holiday Festival, and the Great Performers series. 

To intensify public relations and audience development efforts and 

promote alternative spaces in lower Manhattan. 

For outreach programs and for the 1983-84 season of presentations 

at the Madison Civic Center. 

For mail campaigns and local advertising for the 1983-84 presentation series. 

For audience development, fund-raising activities, and programming

for young people for the 1983-84 season of performances of dance, 

theater, and music. 

To hire an audience development and education coordinator for the 

1983-84 season of dance and music presentations. 

To introduce new audiences to MoMing, increase earned income potential, and continue offering a performance space for contemporary 

choreographers, new music composers, and other experimental artists in the Chicago area. 

To hire a marketing consultant and assist with staff positions in audience development. 

For the 1983-84 season of multi-disciplinary presentations in theater, 

music, film, and the visual arts. 

For audience development and fund-raising activities for Artpark. 

For development of private sources of funding through expansion of 

a support organization to obtain private grants and stimulate additional endowment sources. 

For an audience development campaign for the multi-disciplinary 

presentations at the Public Theatre. 

10,000 

10,000 

12,000 

7,500 

35,000 

10,000 

7,500 

10,000 

7,500 

5,000 

7,500 

TF 90,000 

10,000 

13,500 

10,000 

35,000 

10,000 

10,000 

30,500 

5,000 

40,000 

15,000 

15,000 
92nd Street YM-YWHA 

New York, New York 

Norris (Dellora, A.) Cultural

Art~ Center 

St. Charles, Illinois 

North Carolina State University 

Raleigh, North Carolina 

North Dakota, University of 

Grand Forks, North Dakota 

Oberlin Dance Collective 

San Francisco, California 

Ohio University 

Athens, Ohio 

Painted Bride Art Center 

Philadelphia, Pennsylvania 

Palm Beach Festival 

West Palm Beach, Florida 

Paramount Theatre for the 

Performing Arts 

Austin, Texas 

Pennsylvania, Trustees of the

University of 

Philadelphia, Pennsylvania 

People’s Theater Coalition 

San Francisco, California 

Performing Artists/Omaha 

Omaha, Nebraska 

Performing A~s Council of the

Los Angeles Music Center 

Los Angeles, California 

Philadelphia All-Star Forum Series 

Philadelphia, Pennsylvania 

Portland Center for the Visual Arts 

Portland, Oregon 

Ravinia Festival Association 

Chicago, Illinois 

Real Art Ways Raw Ink 

Hartford, Connecticut 

Regional Arts Foundation

West Palm Beach, Florida 

Rochester Philharmonic Orchestra 

Rochester, New York 

San Francisco Performances 

San Francisco, California
 

Sangre de Cristo Arts and 

Conference Center 

Pueblo, Colorado 

Schubert Club 

St. Paul, Minnesota 

Inter-Arts 91 

For the 1983-84 season of presentations in music, theater, literature, TF 90,000 

and the visual arts. 

To aid with audience development efforts for the 1983-84 season. 10,000 

To hire a manager for development to increase contn~vutions through 14,900 

a fund-raising campaign for the Stewart Theatre. 

To hire a director of audience development and implement audience 8,000 

development strategies based on surveys. 

For artists’ fees, staff salaries, and expanded regional marketing for 10,000 

the Performing Arts Forum. 

For artists’ fees for residencies by performers in community centers, 2,500 

public schools, and senior citizen centers. 

For audience development efforts to coincide with a move to a per° 6,580 

manent home accommodating larger audiences and requiring greater
 

promotional efforts.
 

For artists’ fees for the 1983~4 series of presentations of dance, music, 18,500 

and visual arts. 

For a multidisciplinary festival of theater, music, and dance 7,000 

presentations. 

For the Annenberg Center’s presentations of various theater and 10,000 

dance attractions during the 1983-84 season. 

For an audience and fiscal development program for the 1983-84 10,000 

season. 

To increase the audience, enhance the organization’s image, and 10,000 

develop a larger and more effective support group of volunteers. 

For increased artistic activities of the Education Division in the Los 50,000 

Angeles Music Center. 

For audience development and fund-raising campaigns, and a plan 15,000 

for increased solicitation of corporate, individual, and local foundation assistance. 

For artists’ fees, audience development, and program development. 14,000 

For audience development efforts to increase earned income for the 25,000 

1983 festival. 

To hire a publicity, marketing, and education coordinator to identify 12,000 

new audiences, promote programs for particular interest groups, and 

develop cooperative education endeavors with local and regional 

schools. 

For an audience-development project, the expansion of Young Folk 10,000 

Concerts, and an increase in the number of dance residencies.
 

For increased audience development and artists’ fees. 15,000 

For an expanded marketing campaign, the use of a marketing con- 15,000 

sultant, an enlarged subscription mailing, and a membership campaign 

for the 1983-84 season. 

For an extensive marketing campaign using mass media and print 13,000 

advertising. 

To increase fund-raising and marketing efforts through hiring of a 10,000 

bookkeeper, reorganizing staff, and expanding programming. 
92 Inter-Arts 

Society for the Performing Arts 

Houston, Texas 

Spirit Square Arts Center 

Charlotte, North Carolina 

Spoleto Festival, U.S.A. 

Charleston, South Carolina 

Stanford University, Trustees of 

Stanford, California 

Stockton State College 

Pomona, New Jersey 

Summers (Elaine) Experimental 

Intermedia Foundation 

New York, New York 

Unity Institute 

Montclair, New Jersey 

Urban Institute for Contemporary Arts 

Grand Rapids, Michigan 

Virgin Islands, College of the 

St. Thomas, Virgin Islands 

Western Illinois University 

Macomb, Illinois 

Wilma Project 

Philadelphia, Pennsylvania 

Women and Their Work
 

Austin, Texas
 

Young Men’s and Young Women’s 

Hebrew Association 

Wayne, New Jersey 

15,000 For automation of the collection of subscriber information and major

contributor data for presentations at Jones Hall. 

To hire a director of development to build membership support and 25,000 

other contributed income and to present the Festival of New Art. 

For the 1983 presentation schedule of Spoleto U.S.A. 50,000 

6,000 To expand the fund-raising program for Lively Arts at Stanford into 

the business and corporate community, and for the program’s outreach

efforts at schools, senior citizen centers, and community organizations. 

5,000 For audience development, fund-raising, and program enrichment to

serve as a catalyst for raising additional revenue for the 1983-84 

presentation series. 

For the 1983-84 season of presentations, including premieres of new 14,600 

works. 

For fund-raising for the 1983-84 series of music, dance, and film 5,000 

presentations. 

3,000 For the 1983-84 season of presentations. 

For two staff positions in audience and fund-raising for the Reich.hold 10,000 

Center for the Arts. 

For the development of a friends of the arts organization to solicit 7,000 

funds from the private sector for the multi-disciplinary series of 

presentations. 

To hire an audience development director.
 14,000

For development efforts, including increased communication with 

foundations to promote support for innovative, cross-cultural 10,500 

programs. 

For an audience development plan for the 1983-84 season. 5,000 

Services to Presenting Organizations 

Affiliate Artists 

New York, New York 

Affiliated State Arts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

Arizona Commission on the Arts 

Phoenix, Arizona 

Association of College, University, 

and Community Arts Administrators 

Madison, Wisconsin 

Maine State Commission on the 

Arts and Humanities 

Augusta, Maine 

Mid-America Arts Alliance 

Kansas City, Missouri 

To expand the Community Artists Residency Training Program 

(CART) and continue training new presenting organizations in the 

South and Midwest. 

$25,000 

To develop a network for presenters within the five-state member

region. 

17,000 

For "Programming Risks and How to Market Them," a series of 

workshops to aid in the presentation of art forms not commonly 

presented in Arizona. 

7,700 

For tuition assistance for participants attending four workshops in 

1983 to provide presenters with additional knowledge and sldlls. 

16,800 

For Maine State Art Sponsors Association to conduct management 

training programs and establish a touring, block-booldng, and

resource-sharing network with several other organizations in the New 

England and eastern Canada region. 

7,000 

For the development of presentation sldlls within a five-state region 

through the use of a consulting pool, a presenters’ exchange program, 

workshops, resource materials, and publications. 

20,000 
Inter-Art~ 93 

New England Foundation for the Arts

Cambridge, Massachusetts 

Southern Arts Federation 

Atlanta, Georgia 

Stanford University, Trustees of 

Stanford, California 

Vermont Council on the Arts 

Montpelier, Vermont 

Washington State Arts Commission 

Olympia, Washington 

Western States Arts Foundation 

Santa Fe, New Mexico 

For a pilot bi-national performance arts showcase and conference in 

the fall of 1983 with Canada. 

7,500 

For eight workshops concerning the management and administrative 

needs of southeastern presenters and producing arts groups. 

15,000 

To develop and test the replication of the computerized forecasting 

and budgeting program used for Lively Arts at Stanford, and to 

distribute the program to 250 presenters nationwide. 

6,900 

For the Green Mountain Consortium to provide aid to regional presenting organizations in developing management skills through

workshops and technical assistance. 

15,000 

For State of Washington Arts Presenters to develop a network with 

northwestern presenters for block-booking performers, increasing performance opportunities for regional artists, and providing management assistance. 

10,000 

To develop a regional network of presenters by strengthening state 

presenting systems that facilitate regional block-booking and providing

information on management, booking, and marketing skills. 

Dance/Inter-Arts/State Programs Presenting/Touring Initiative
 

Affiliated State Arts Agencies

of the Upper Midwest 

Minneapolis, Minnesota 

Alaska State Council on the Arts 

Anchorage, Alaska 

California Arts Council 

Sacramento, California 

D.C. Commission on the Arts and 

Humanities 

Washington, D.C. 

Great Lakes Arts Alliance 

Cleveland, Ohio 

(Hawaii) State Foundation on

Culture and the Arts 

Honolulu, Hawaii 

Mid-America Arts Alliance 

Kansas City, Missouri 

New England Foundation for the Arts 

Cambridge, Massachusetts 

New York State Council on the Arts 

New York, New York 

Pennsylvania Council on the Arts, 

Commonwealth of 

Harrisburg, Pennsylvania 

Southern Arts Federation 

Atlanta, Georgia 

Texas Commission on the Arts 

Austin, Texas 

Virgin Islands Council on the Arts 

St. Creix, Virgin Islands 

For dance presentation fees in the four-state region of Iowa, Minnesota, North Dakota, and South Dakota. 

$31,000 

For the dance component of the council’s touring program and fees

for the Anchorage Concert Association and other presenters in the 

state. 

10,750 

For artists’ fees for a dance touring and presentation project to encourage presenters to take greater risks in dance programming. 24,750 

For a grant program that provides artists’ fees to out-of-town dance 

companies that emphasize ethnic, avant-garde, or nontraditionai 

performance. 

5,000 

For residencies by nationally recognized dance companies in the fourstate region of Illinois, Indiana, Michigan, and Ohio. 27,500 

For Hawaiian presenters to sponsor up to five dance companies during the 1983-84 season. 7,500 

For at least 15 weeks of residencies in the five-state region of Arkansas, Kansas, Missouri, Nebraska, and Oklahoma by 20 dance companies from outside the region. 32,500 

For the presentation of national dance companies by regional 

presenters and a contemporary dance presentation component in conjunction with the Jacob’s Pillow Dance Festival. 

17,500 

For the presentation of nontraditional, ethnic, and touring dance companies by new dance presenters in upstate New York by presenters 

who had previously discontinued or reduced their dance presentation activity. 

25,000 

For artists’ fees for touring dance companies presented by Pennsylvania presenting organizations. 25,000 

For artists’ fees to presenters of dance company tours in the 

Southeast. 

30,000 

To enable presenters in Texas to engage nationally known dance companies from all over the country. 

25,000 

For a one-week residency by the Dance Theatre of Harlem on St.

Thomas and St. Croix. 

7,500 
94 Inter-Arts 

Western States Arts Foundation For the presentation of dance performances by consortia in the ten­ 25,000 

Santa Fe, New Mexico state membership region. 

Wisconsin Arts Board 

Madison, Wisconsin 

To present residencies for 13 weeks by dance companies within the

Wisconsin Performing Arts Network. 

6,000 

Interdisciplinary

Arts Projects 

American Center for Students 

and Artists 

Paris, France 

American Dance Festival 

Durham, North Carolina 

Art Series Program 

Kutztown, Pennsylvania 

Artmusic 

Brooklyn, New York 

Birmingham Southern College 

Birmingham, Alabama 

Brooklyn Academy of Music 

Brooklyn, New York 

Budapest-New York Theatre Foundation 

New York, New York 

Byrd Hoffman Foundation 

New York, New York 

Creative Time 

New York, New York 

Dance Theatre Workshop 

New York, New York 

Fiji Theater Company 

New York, New York 

Film in the Cities 

St. Paul, Minnesota 

Foundation for Independent Artists 

New York, New York 

Haleakala 

New York, New York 

Haleakala 

New York, New York 

Hippodrome Theatre Workshop 

Galnesville, Florida 

Institute of Contemporary Art 

Philadelphia, Pennsylvania 

For projects of high artistic quality that involve two or more art forms, including collaborations, special arts events, or projects that assist emerging 

artists working in interdisciplinary forms. 

Program funds: $819,590 

57 grants 

For 360 Degrees in Between Time, a collaborative work by video artist Joan Logue, choreographer Simone Forti, and composer Tod 

Machover. 

For Young Composers and Choreographers in Residence, a training 

project in which three choreographers collaborate with three composers to explore the relationship between music and dance. 

For the 1983-84 residency program, which provides performance opportunities for experimental and interdisciplinary artists. 

For composer Wendy Chambers to create and present large-scale contemporary and video installations. 

For a four-day gathering of artists from the South, highlighting the

regional heritage of narrative and storytelling and its impact on the 

contemporary performing arts. 

To establish the Next Wave Production and Touring Fund for largescale interdisciplinary works that are created by major artists for 

presentation in several cities throughout the nation. 

For Dreamland Burns, a multimedia performance work by Squat Theater Company. 

For The Civil Wars: A Tree is Best Measured When It’s Down, a 

five-act, 12-hour work incorporating a musical score, post modern 

choreography, video and film by director-designer Robert Wilson. 

For a collaboration between Hugh Levick, composer and saxophonist; 

Tony Ramos, video artist; Jeff Beer, composer; and Barbara Held, 

flutist. 

For Post Modern Times, a collaboration between video artist Dennis Diamond and circus artists Bill Irwin and Michael Moschen. 

For Nosferatu, a collaborative piece by Ping Chong and Meredith 

Monk. 

For a residency project matching three established performance artists with three emerging interdisciplinary artists. 

For Next President, a performance piece involving Tim Miller, 

choreographer and performance artist; and Kirk Winslow and Mike 

Glier, visual artists. 

For a three-day symposium on performance art held at the Kitchen

in September 1983. 

To continue an eight-month residency program for emerging artists 

of various disciplines at the Kitchen. 

For "Caribbean Visual and Performing Arts," a one-week festival. 

For a performance work by visual artist-composer John Dowell. 

$9,000 

15,000 

7,500 

5,000 

10,000 

100,000 

13,000 

75,000 

10,000 

11,500 

9,000 

5,000 

7,500 

4200 

8,000 

2,500 
Inter-Arts 95 

Institute of Contemporary Art 

Philadelphia, Pennsylvania 

International Arts Relations 

New York, New York 

Islip Art Museum and Arts Council 

East Islip, New York 

Jacob’s Pillow Dance Festival 

Lee, Massachusetts 

Lenox Arts Center 

Stockbridge, Massachusetts 

Los Angeles Contemporary Exhibitions 

Los Angeles, California 

Lost and Foundation for the Arts 

New York, New York 

Lower Manhattan Cultural Council 

New York, New York 

Lucinda Childs Dance Foundation 

New York, New York 

Mabou Mines Development 

Foundation 

New York, New York 

Minnesota Opera Company 

St. Paul, Minnesota 

Motion: The Women’s Performing 

Collective 

Berkeley, California 

Museum of Contemporary Art 

Los Angeles, California 

Neighborhood Arts Alliance 

San Francisco, California 

New Arts Foundation 

Emeryville, California 

New York Foundation for the Arts 

New York, New York 

New York Public Library, Astor, 

Lenox, and Tilden Foundation 

New York, New York 

New York School for Circus Arts 

New York, New York 

185 Nassau Street Corporation 

Brooklyn, New York 

Performing Artservices 

New York, New York 

Pro Arts 

Oakland, California 

Pro Arts 

Oakland, California 

To commission a new multi-media work by Laurie Anderson. 5,000 

For "Caribbean Expressions," including an Afro-Cuban musical

theater piece by Jose Fernandez and Galt MacDermot, a retrospective by Puerto Rican artist Rafael Ferrer, a new work by Venezuelan

choreographer Vincent Nebrada, and choreographer Talley Beatty’s 

Mexican work, Tres Cantos. 

20,000 

For Projects and Performances, a series of commissioned installations and performances designed for the museum space. 

5,000 

For a collaboration between David Van Tieghem, composer and percussionist; Michael Moschen, circus artist; and David Wells, sculptor. 

7,500 

For a theatrical presentation of Les Fleurs du Mal, translated by 

Richard Howard. 

10,000 

For the 1984 Inter-Arts Performance Festival, featuring established and emerging artists in the field of multi-media performance. 15,000 

For the collaborative work, Sou/s, by choreographer Jennifer Muller, 

composer Stan Getz, writer Christopher Adler, and visual artist 

George Segal. 

5,000 

For "Brooklyn Bridge Sound Sculpture," by Bill Fontana, and 

"Celestial Auspicious Occasions," a series of four public works by 

Donna Henes. 

15,000 

For Formal Abandon, a collaboration between Lucinda Childs, 

choreographer; Power Boothe, visual artist; and Michael Reisman, 

composer. 

9,000 

For completion costs for Hajj, an interdisciplinary synthesis of video, theater, and music by Lee Breuer. 

17,500 

For a series of musical and dramatic productions that complement 

Hockney Paints the Stage. 

17,500 

For Singing My Mother to Sleep, a collaboration between Nina Wise, 

performance artist; Lauren Elder, visual artist; and Nina Holmgren, 

playwright. 

10,000 

For Theatrical Territories, a collaboration between Lucinda Childs, 

choreographer; Frank Gehry, architect; and John Adams, composer. 

33,000 

To support, "Stories, Songs, and Theatre: An Interdisciplinary Gathering on Performance and Culture." 

5,000 

For a new collaborative work by choreographer Nancy Karp, composer Charles Amirkhanian, and visual artist Carol Law. 

5,000 

For Touch Sanitation Show, a public performance event produced 

by Mierle Laderman Ukeles. 

10,(D0 

For administative positions in four branches of the Performing Arts 

Research Center: the Music Division, Dance Division, Rodgers and 

Hammerstein ArcbSve of Recorded Sound, and the Billy Rose Theatre 

Collection. 

30,000 

To develop a multi-faceted circus arts troupe to exchange and expand 

their skills in mime, dance, and traditional circus arts. 

10,000 

For presentation of Lou’s Dream, a new performance work that indudes choreography by Eric Barsness with original compositions by 

Robert Sheff, Peter Gordon, Tim Schellenbaum, and Joseph Hannan. 

5,000 

For Return of the Native, a piece involving video, music, and performance, drawing from the use of language in Thomas Hardy’s novel. 15,000 

For George Coates Performance Works to create a new work. 15,000 

For a series of four interdisdplinary performances at the 1983 Oakland 

Festival of the Arts. 

10,000 
 

96 Inter-Arts 

Re.Cher.Chez. Theatre 

New York, New York 

Real Art Ways Raw Ink 

Hartford, Connecticut 

Redwing Performing Group 

New York, New York 

Santa Fe Council for the Arts 

Santa Fe, New Mexico 

Snake Theater 

Sausalito, California 

Snake Theater 

Sausalito, California 

Studio Eremos 

San Francisco, California 

SumArts 

Houston, Texas 

Summers (Elaine) Experimental 

Intermedia Foundation 

New York, New York 

Summers (Elaine) Experimental 

Intermedia Foundation 

New York, New York 

Theatre for the New City Foundation 

New York, New York 

Trisha Brown Dance Company 

New York, New York 

Twyla Tharp Dance Foundation 

Brooklyn, New York 

Ulster County Council for the Arts 

Kingston, New York 

Universal Jazz Coalition 

New York, New York 

Walker Art Center 

Minneapolis, Minnesota 

Washington Performing Arts Society 

Washington, D.C. 

Wooster Group 

New York, New York 

For administration and artists’ fees for the development of inter-~ 

disciplinary works. " 

15,000 

To commission six permanent sound installations by national and 

regional artists. 

10,000 

For a series of performances incorporating theater, dance, video, and 

music. 

5,000 

For Intersections/Interchange, a series of multi-disciplinary events 

that promote experimental contemporary work. 

10,000 

For Dance of Machines, a collaboration between theater director 

Laura Farabough, composer Nick Urbaniak, video artist Ron Blanchette, and civil engineer Stephen A. Kambol for Nightfire Division. 

6,900 

For Russia, a new interdisciplinary work by Antenna Division, involving the experimental use of Sony Walkman cassette players as 

a device for audience interaction with performers on stage. 

7,750 

For the production of As One, a collaborative work by composer Idris 

Ackamoor, visual artist Jon Green, and choreographer Rhodessa 

Jones. 

3,000 

For the third annual "Sumfest," a multi-disciplinary arts festival that 

features dance, theater, media, visual arts, architecture, music, and 

contemporary jazz. 

7,500 

To complete Theater Piece far Chairs and Ladders, a collaboration 

by composer Pauline Oliveros, choreographer Elaine Summers, 

dramatist Herbert Shore, and Little Flags Theatre Company. 

For a sound sculpture created for a large indoor environment by visual

artist Sari Dienes and composer Pauline Oliveros. 

For Self." A Self-Centered Musical, a new work based on the concept 

of public street performance. 

6,000 

For Set and Re-Set, a collaboration between choreographer Trisha 

Brown, visual artist Robert Rauchenberg, and composer Laurie 

Anderson. 

31,500 

For Re-Moves 1983, a theatrical re-enactment of the controversial 

1966 premiere of Re-Moves. 

10,000 

For Twelve Invitations to Six Events, a collaboration between six 

pairs of artists. 

20,000 

To commission eight new collaborative works. 15,000 

For Gospel at Colonus, an interdisciplinary collaboration between 

composer Bob Telson and theater director Lee Breuer. 

18,700 

For a series of collaborative, multi-media sound installations and 

events included in New Music America 1983. 

25,000 

For a new collaborative performance work incorporating film, theater, 

video, and contemporary literature. 

21,040 

Artists Colonies To enable artists colonies and other artists’ workspaces to provide opportunities for creative artists from various disciplines to pursue their work. 

Program funds:

Treasury funds:

10 grants 

$173,000 

$ 25,000 

Cummington School of the Arts 

Cummington, Massachusetts 

For a residency program that enables 80 artists to live and work in 

Cummington’s community atmosphere. 

$10,000 
Inter-Arts 97 

Dorland Mountain Colony 

Temecuia, California 

.Fine Arts Work Center 

Provincetown, Massachusetts
 

Institute for Art and Urban Resources 

Long Island City, New York 

MacDowell Colony 

Petorborough, New Hampshire 

Millay Colony for the Arts 

Austorlitz, New York 

Ragdale Foundation 

Lake Forest, Illinois 

Virginia Center for the Creative Arts 

Sweet Briar, Virginia 

Yaddo, Corporation of 

Saratoga Springs, New York 

Yaddo, Corporation of 

Saratoga Springs, New York 

Services to the Field 

American Council for the Arts 

New York, New York 

Arts and Business Council 

New York, New York 

Arts International 

Washington, D.C. 

Association for Resources and 

Technical Services 

Bethesda, Maryland 

Association for Resources and 

Technical Services 

Bethesda, Maryland 

Association of College, University, and

Community Arts Administrators 

Madison, Wisconsin 

Association of Hispanic Arts 

New York, New York 

California Confederation of the Arts 

Los Angeles, California 

California Institute for the Arts 

Los Angeles, California 

Center for Occupational Hazards 

New York, New York 

For artists’ residencies that include living and working spaces at 10,000 

Dorland Mountain Ranch. 

To provide seven-month residencies to 20 emerging artists. 25,000 

For the national artists-in-residence studio program, which provides 10,000 

20 artists with separate studio space and living stipends in an urban 

setting. 

For residency fellowships for 200 writers, composers, and media and 35,000 

visual artists. 

For 60 one-month residencies for writers, visual artists, and 19,000 

composers. 

For 130 residencies for writers, visual artists, and composers. 14,000 

For residency assistance for 240 writers, visual artists, and composers. 25,000 

For residencies for 140 writers, composers, and visual artists. 20,000 

TF 25,O00 

For the Fund for Artists’ Colonies to expand the joint publicity and

fund-raising efforts of five artists’ colonies, including Fine Arts Work 5,000 

Center, Millay Colony, Rag~e, V’n-ginia Center for the Creative Arts, 

and Yaddo. 

For activities that serve artists and arts organizations involved in more than

one art form on a national or regional level. 

Program funds: $516,558 

Treasury funds: $ 20,000 

41 grants 

To expand the publications program to include books and periodicals $18,000 

on arts management. 

To develop new and evaluate current Business Volunteer for the Arts TF 20,000 

Programs throughout the country. 

For information services concerning international exchange oppor- 25,000 

tunities for artists. 

For management, information, and resource programs for Hispanic 20,000 

arts organizations. 

To provide management assistance and information services and main- 9,000 

tain communication networks among Hispanic artists in 1984. 

For tuition aid to enable producing, presenting, and community arts 15,000 

managers to attend workshops on marketing the arts. 

For the funding research program, which introduces corporate exo 9,000 

ecutives to Hispanic arts groups. 

For expanded information services and management-related seminars. 9,000 

For an outstanding arts administrator to serve temporarily in the 57,171 

Intor-Arts Program. 

To research and distribute health hazards information to perform- 10,000 

ing artists and museum managers through the Arts Hazards 

Clearinghouse. 
Inter-Arts 

Chinese American Arts Council 

New York, New York 

Clearinghouse for Arts Information 

New York, New York 

Cultural Alliance of Greater Washington 

Washington, D.C. 

Cultural Council Foundation 

New York, New York 

Film in the Cities 

St. Paul, Minnesota 

Foundation for the Extension and 

Development of the American

Professional Theatre 

New York, New York 

Graduate School for Community

Development

San Diego, California 

Greater Philadelphia Cultural Alliance 

Philadelphia, Pennsylvania 

Jahns, Laurence 

Washington, D.C. 

Japanese American Cultural and

Community Center 

Los Angeles, California 

Martin, Robert 

Santa Cruz, California 

Massachusetts Cultural Alliance 

Boston, Massachusetts 

Metropolitan Council of the Twin

Cities Area 

St. Paul, Minnesota 

Moloney, Mary Anne 

Chicago, Illinois 

Museums Collaborative 

New York, New York 

National Association of Artists 

Organizations 

Washington, D.C. 

National Council on the Aging 

Washington, D.C. 

National Guild of Community Schools

of the Arts 

Teaneck, New Jersey 

New York Foundation for the Arts 

New York, New York 

Opportunity Resources for the Arts 

New York, New York 

Penjerdel Foundation 

Philadelphia, Pennsylvania 

Publishing Center for Cultural

Resources 

New York, New York 

Richards, Suzanne 

Washington, D.C. 

To expand management services to Chinese-American art groups in, 4,500 

the Mid-Atlantic region. 

For expanded information and referral services for artists and arts 27,000 

organizations, and for a national conference of arts information centers. 

For services designed to increase earned income and reduce expenses 14,100 

of arts organizations and artists in the Washington area. 

For finanacial management and consulting services provided to more 18,000 

than 150 developing arts groups in the New York area. 

To expand the sound resource program, which provides sound equip- 10,000 

ment to artists in the upper Midwest. 

To create, produce, and distribute new publications about marketing 13,500 

the performing arts, dance company management problems, and

strategic planning for arts organizations. 

To expand and document marketing programs for visual, literary, 9,000 

and performing artists in southern California. 

For programs that serve the arts community, including collective ser- 9,000 

vices, promotions, management consultations, and workshops. 

To extend Mr. Jahn’s participation as a Fellow in the Inter-Arts 700 

To plan and convene a national conference of Asian American arts 12,000 

organizations in 1984. 

To participate as a Fellow in the Inter-Arts Program during the fall 3,950 

of 1983. 

To expand the volunteer development and corporate services 9,000 

programs. 

To produce and distribute a handbook based on the fund-raising and 5,000 

audience development project, "Minnesota Jam." 

To extend Ms. Moloney’s participation as a Fellow in the Inter-Arts 3,300 

Program. 

To publish and distribute a handbook on starting programs similar 4,500 

to the cultural voucher model program. 

To publish a comprehensive directory of interdisciplinary artists’ 4,000 

spaces and develop a communications network of the artists managing these organizations. 

To broaden consultant services to artists and aging professionals who

develop and maintain quality arts programs for older persons. 

To expand and improve management, consultation, and resource services to a broader arts constituency. 

To assist groups in other cities in developing short-term revolving 15,000 

loan programs similar to the Foundation’s model, and to aid in the 

expansion of the organization’s funding base. 

For staff-search assistance to arts organizations in need of arts 10,000 

managers. 

For the Business Volunteers for the Arts/Philadelphia program, which 3,000 

matches trained business executives with local arts organizations. 

For programs that provide guidance on planning, preparing, and 15,000 

distributing quality, low-cost arts publications. 

To extend Ms. Richard’s participation as a Fellow in the Inter-Arts 2200 

Program. 
Intet-A~ 99 

Roddguez, Joe Bastida

Arlington, Virginia 

St. Paul-Ramsey United Arts Funds 

St. Paul, ~mesota 

Sangamon State University 

Springfield, l~nois 

Southern Arts Foundation 

Atlanta, Georgia 

Theatre Development Fund 

New York, New York 

Volunteer Lawyers for the 

New York, New York 

Volunteer Urban Consulting Group 

New York, New York 

Western States Arts Foundation 

Santa Fe, New Mexico 

To amend a previous cooperative agreement concerning projects with 

the Endowment’s Division of Civil Rights. 

9~237 

For the resources and counseling program, which provides guidance

to artists in developing their business skills. 

9,000 

For fellowship assistance to arts administrators attending the 1983

Sangamon Institute in Arts Administration. 

13,000 

For audience development end public relations workshops, and for

consultancies with minority and emerging arts groups. 

20,000 

For assistance to arts groups in developing marketing and audience

development programs. 

For national activities that help artists and arts groups resolve legal 

problems, and create an increased awareness of the laws affecting 

art~ts’ creative efforts. 

15,000 

To provide management services to local arts organizations and assist

cities in developing similar consulting programs. 

13,500 

To establish a management skills support network for emerging performing artists in the foundation’s ten-state region. 

13,500 
Literature 

+ 
lOl 

Literature
 

Literature Advisory Panels
 

William Gass, Chairman 

Fiction author, essayist 

Professor of Philosophy 

Washington University 

St. Louis, Missouri 

Walter Arndt 

Translator, educator 

Hanover, New Hampshire 

Daphne Athas 

Fiction author 

Chapel Hill, North Carolina 

Frederick Barthelme 

Fiction author 

Director, Creative 

Writing Programs 

University of Southern 

Mississippi 

Hattiesburg, Mississippi 

John Biguenet 

Translator, educator 

Associate Professor 

Loyola University 

New Orleans, Louisiana 

Richard Bjornsen 

Translator, poet, educator 

Professor of French and 

Comparative Literature 

Ohio State University 

Columbus, Ohio 

Alan Cheuse 

Fiction author 

Knoxville, Tennessee 

David Damrosch 

Translator, educator 

Faculty member 

Columbia University 

New York, New York 

Peter Davison 

Editor, poet 

Boston, Massachusetts 

William Fox 

Editor, poet 

Deputy Director 

Nevada Council on the Arts 

Reno, Nevada 

David Godine 

President 

Godine Publishing Company 

Boston, Massachusetts 

Joy Harjo 

Poet, teacher 

Santa Fe, New Mexico 

John L’Heureux 

Fiction author 

Stanford, Caiffornia 

DeWitt Henry 

Editor, fiction author, teacher 

Writer-in-residence 

Emerson College 

Boston, Massachusetts 

Josephine Jacobsen 

Poet, fiction author, critic 

Baitimore, Maryland 

Donald Justice 

Poet, educator 

Gainesville, Florida 

Philip Levine 

Poet, teacher 

California State University 

Fresno, California 

Beverly Lowry 

Short story author 

San Marcos, Texas 

Paul Metcalf 

Fiction author 

Chester, Massachusetts 

Lynn Nesbit 

Senior Vice President, ICM 

Literary agent 

New York, New York 

Linda Pastan 

Poet, professor 

American University 

Potomac, Maryland 

Margaret Peden 

Translator 

Professor of Spanish 

University of Missouri 

Columbia, Missouri 

Walker Percy 

Fiction and nonfiction author 

Covington, Louisiana 

Carlene Polite 

Fiction author 

Buffalo, New York 

Gjertrud Sehnackenberg 

Poet 

Cambridge, Massachusetts 

Mary Lee Settle 

Fiction author 

Norfolk, Virginia 

Roger Straus 

President 

Farrar, Straus, Giroux 

New York, New York 

Sara Vogan 

Fiction author 

Milwaukee, Wisconsin 

James Welch 

Fiction author 

Missoula, Montana 

Dara Wier 

Poet 

Director of Graduate Studies 

Tuscaloosa, Alabama 

Geoffrey Wolff 

Editor, fiction author, critic 

Providence, Rhode Island 

Helen Wolff 

Editor, publisher 

Hanover, New Hampshire 

Jose Yglesias 

Fiction author 

North Brooklin, Maine 

AI Young 

Fiction author, scriptwriter, 

teacher 

Palo Alto, California 
102 Litzrature 

Program funds: $4,325,137 Literature Grants	 360 grants 

Fellowships for	 To enable exceptionally talented published writers of poetry, fiction, translations, and other creative prose to set aside time for writing, research, or Creative Writers travel in order to advance their careers. 

Program funds: $1,507,500 

114 grants 

The following creative writers received $12,500 each: 

Armas, Jose DeMarinis, Rick M. Inness-Brown, Elizabeth 

Albuquerque, New Mexico Missoula, Montana Ogdensburg, New York 

Arthur, Elizabeth A. 

Waterville, Maine 

Doerr, Harriet H. 

Pasadena, California 

Jackson-Opoku, Sandra J.

Chicago, Illinois 

Bambara, Toni Cade Drake, Albert D. Jaffe, Harold 

Atlanta, Georgia Okemos, Michigan San Diego, California 

Banks, Russell E. Dukore, Margaret M. Kennelly, Tamara J. 

Concord, New Hampshire Honolulu, Hawaii Chicago, Illinois 

Bausch, Richard C. 

Fairfax, Virginia 

Engh, Mary J. 

Pullman, Washington 

Kenney, Susan M. 

China, Maine 

Baxter, Charles M. 

Ann Arbor, Michigan Eprile, Phillip Anthony 

Del Mar, California 

Kerr, Baine P. 

Boulder, Colorado 

Beckham, Barry E. 

Providence, Rhode Island Erbe, Pamela M. 

Kalamazoo, Michigan 

Kotlowitz, Robert 

New York, New York 

Bernstein, Jane 

Westfield, New Jersey Erdrich, Louise K. 

Cornish, New Hampshire 

Kuhlken, Kenneth W. 

Chico, California 

Bliss, Corrine D. 

South Hadley, Massachusetts Farber, Thomas D. 

Berkeley, California 

Leach, Peter 

St. Louis, Missouri 

Boyle, Thomas C. 

Tujunga, California Fetler, Andrew 

Amherst, Massachusetts 

Lefer, Diane 

New York, New York 

Brinnin, John Malcolm 

Cambridge, Massachusetts Files, James L. 

Glenwood Springs, Colorado 

Lueders, Edward G. 

Salt Lake City, Utah 

Brown, Claude 

Newark, New Jersey Fleshier, Daniel E. 

Kalamazoo, Michigan 

MacDonald, David R. 

Palo Alto, California 

Carkeet, David C. 

St. Louis, Missouri Gleason, Judith I. 

New York, New York 

Maiolo, Joseph C. 

Duluth, Minnesota 

Casey, John D. 

Charlottesville, Virginia Goodwin, Stephen 

Washington, D.C. 

Malone, Michael Patrick 

Chicago, Illinois 

Christgau, John F. 

Belmont, California Gordon, Jaimy M. 

Edwardsburg, Michigan 

Manfred, Frederick F. 

Luverne, Minnesota 

Cliff, Michelle C. 

Montague, Massachusetts Gunn, Stephanie C. 

North Palm Beach, Florida 

Merchant, Mary E. 

Hamlin, New York 

Cole, Lewis 

New York, New York tIannay, Allen B. 

Austin, Texas 

Marello, Laura A. 

Reseda, California 

Crowell, Douglas E. 

Lubbock, Texas Hearon, Shelby 

North White Plains, New York 

Martone, Michael A. 

Ames, Iowa 

Day, Robert 

Hays, Kansas 

Henley, Charles 

Hattiesburg, Mississippi 

Mason, Bobble A. 

Mayfield, Kentucky 

Delbanco, Nicholas F. 

Bennington, Vermont 

Hoagland, Edward 

New York, New York 

Mathis, Dennis L. 

Petersburg, Illinois 
Literature 103 

McConnell, Patricia E. 

Moab, Utah 

McCord, Howard L.

Bowling Green, Ohio 

McIlvoy, Kevin 

Las Cruces, New Mexico 

Mclnerny, Ralph M. 

South Bend, Indiana 

Mebane, Mary E. 

Shorewood, Wisconsin 

Meredith, Don C. 

New York, New York 

Mungai, Jacqueline Pierce 

Philadelphia, Pennsylvania 

O’Brien, Daniel H.

Whitewood, ~outh Dakota 

O’Brien, John C. 

Oswego, New York 

Packer, Nancy H. 

Stanford, California 

Penner, Jonathan 

Tucson, Arizona 

Perkins, David H.

Kansas City, Missouri 

Petroski, Catherine G.

Durham, North Carolina 

Barnstone, Willis 

Bloomington, Indiana
 

Birnbaum, Phyllis 

Watertown, Massachusetts 

Chabran, Myrtha O. 

Brooklyn, New York 

Cottreil, Jane E. 

Columbus, Ohio
 

Dalven, Rae 

New York, New York 

Goldstein, Sanford M. 

West Lafayette, Indiana 

Lyngstad, Sverre 

New York, New York
 

Padgett, Ron
 

New York, New York
 

Roberts, Moss P. 

New York, New York 

Rubin, David G.

New York, New York 

Pierce, Constance M. 

Brookville, Indiana 

Potok, Andrew 

Plainfield, Vermont 

Pritchard, Melissa B. 

Evanston, Illinois 

Ray, David E.
 

Kansas City, Missouri
 

Reid, Jan C. 

Austin, Texas
 

Richards, Susan N.

Sadieville, Kentucky 

Sanders, Scott R. 

Bloomington, Indiana 

Sender, Ramon, Jr. 

San Francisco, California
 

Sotterburg, Fred S.
 

Oakland, California 

Shreve, Susan R.

Washington, D.C. 

Shulman, Alix Kates 

New York, New York 

Silman, Roberta

Ardsley, New York 

Silvis, Randall G. 

San Diego, California 

Smith, Dinitia E.R. 

New York, New York 

Sorrentino, Gilbert 

New York, New York 

Spencer, Elizabeth 

Montreal, Canada 

Spike, Maureen F. 

E1 Paso, Texas 

Steiner, Robert 

Boulder, Colorado 

Stone, Robert A.

Westport, Connecticut 

Tallent, Elizabeth A. 

Eaton, Colorado 

Targan, Barry D. 

Schuylerville, New York 

Thacker, Julia 

Cambridge, Massachusetts 

Thomas, James W. 

Salt Lake City, Utah 

Thomas, Lorenzo 

Houston, Texas 

Treister, Bernard W. 

New York, New York 

Welt, Elinor H.

Fort Thomas, Kentucky 

Yates, Richard 

Boston, Massachusetts 

$12,500 

12,500 

12,500 

625O 

625O 

62.5O 

12,500 

12,500 

12,500 

To translate from Spanish the selected poems of Francisco de Quevedo

(1580-1645). 

To translate from Japanese Uno Chiyo’s novel, Irozange (Amorous 

Confessions, 1935), considered Uno’s most distinguished work. 

To translate from Spanish Rosario Ferre’s Papeles de Pandora, a collection of 14 short stories and six poems. 

To translate from Romanian the novel Vinatoarea regala (The Royal 

Hunt, 1973) by Dumitri Radu Popescu. 

To translate from Greek representative selections of the poetry of 

15 contemporary women poets who are widely published and acclaimed in Greece. 

To translate from Japanese Shakko (Red Lights, 1913), a volume of 

734 tanka poems by famous tankaist Mokichi Saito. 

To translate from Norwegian two novels by Sigm’d Hoel, Veien til verdens ende {The Road to the Ends of the Earth, 1933) and Trollringen (The Troll Circle, 1958). 

To translate from French 31 stories by Guillaume Apollinaire, written between 1903 and 1918. 

To translate from Chinese the novel San Guo Yan Yi, (Three 

Kingdoms), by Lo Guanzhong. 

To translate from Hindi the novel Nirmala by Premchand. 
104 Literature 

Schomer, Karine 

Berkeley, California 

Tripi, Cecelia Liang 

Woodland Hills, California 

Vo-Dinh, Mai 

Burklttsville, Maryland 

P.E.N. American Center 

New York, New York 

Professional 

Development 

Associated Writings Programs 

Norfolk, Virginia 

Buck, Karen 

Brooklyn, New York 

Burk (Frederic) Foundation 

for Education 

San Francisco, California 

California, University of 

Santa Cruz, California 

Columbia University, Trustees of 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Folger Shakespeare Library

Washington, D.C. 

Generalist Association 

New York, New York 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

P.E.N. American Center 

New York, New York 

Poets and Writers 

New York, New York 

Poets and Writers 

New York, New York 

To translate from Rajasthani (a cognate of Hindi) 100 folk tales from 

the state of Rajasthan in western India. 

12,500 

To translate from Chinese the complete works of Liu Yung, an llth 

century poet regarded as the most important poet of his time. 

12,500 

To translate from Vietnamese up to 30 short stories published in south 

Vietnam between 1954 and 1973. 

6,250 

For the Syndicated Fiction Project, in which a panel of distin- $120,000 

guished writers select previously unpublished short stories to be published in ten participating newspapers throughout the nation. 

To support a limited number of national organizations that provide professional assistance to creative writers, and for unique literary projects not

eligible for support in other categories. 

Program funds: $643,236 

18 grants 

For services to writers concerning job placement, general informa- $45,000
 

tion services, and publishing outlets for fiction and poetry.
 

For an Arts Management Fellowship to work in the Literature 3,300
 

Program.
 

To support the American Poetry Archive, which maintains a valuable 43,115
 archive of 420 videotapes and 1,670 audiotapes of contemporary poets
 

reading from their own work, and which operates a lending library
 

of these tapes.
 

For an outstanding arts administrator to work temporariily in the 29,929
 

Literature Program.
 

For the Translation Center’s services to creative writers and 53,000
 

translators and its work to encourage and promote the art of literary
 

translating.
 

To operate the Writers Room, a work space for writers. 7,500
 

For the Print Center’s production and printing services provided to 33,000
 

the noncommercial literary community.
 

To hire a full-time coordinator. 10,000
 

For the Prison Project, which provides donated literary magazines 12,000
 

and small press publications to prison inmates and prison writing programs throughout the country.
 

For an outstanding arts administrator to work temporarily in the 61,707
 

Literature Program.
 

To support the programs of P.E.N. American Center, including the 75,000
 Writer’s Fund, providing grants and loans to published writers facing acute financial emergencies; the Freedom to Write Committee,
 

promoting freedom of expression in the U.S. and around the world;
 

the Public Education Committee sponsoring ethnic and foreign
 

literature; the Prison Writing Program; and public information.
 

To support the manuscript reading activity in Fiscal 1983 for 53,000
 fellowships awarded through the Literature Program.
 

For fees paid to manuscript readers for the Literature Program during 17,500
 

Fiscal 1984.
 
Literature 105 

Poets and Writers 

New York, New York 

Teachers and Writers Collaborative 

New York, New York 

Texas, University of 

Richardson, Texas 

Volunteer Lawyers for the Arts 

New York, New York 

Votaw, Marilyn E. 

Farmington, Connecticut 

Literary Publishing 

115,355 For services and publications that provide practical information for 

creative writers, including publication of Coda. 

35,000 For publication programs on topics concerning writers. 

29,180 For the American Literary Translators Association to provide services to literary translators. 

15,500 For a series of workshops concerning nonprofit incorporation and taxexemption for small presses held in cooperation with the Coordm" ating 

Council of Literary Magazines. 

3,650 To participate as a Fellow in the Literature Program during the fall 

1983 session. 

Includes four subcategories: Assistance to Literary Magazines grants help 

nonprofit literary magazines that regularly publish poetry, fiction, plays,

or literary criticism. Small Press Assistance grants support small, independent presses that publish contemporary creative writing. Distribution Projects grants fund nonprofit organizations for the distribution of contemporary creative literature. Design Centers grants are awarded to organizations that assist in improving the typography and design of creative literary 

publications. 

Program funds: $1,350,751 

127 grants 

Assistance to Literary Magazines 

Abraxas Press 

Madison, Wisconsin 

Agni Review 

Cambridge, Massachusetts 

Ahem, Tom 

Providence, Rhode Island 

Alabama, University of 

University, Alabama 

American Poetry Review 

Philadelphia, Pennsylvania 

American Scandinavian Foundation 

New York, New York 

Antioch College 

Yellow Springs, Ohio 

Arkansas at Little Rock Alumni 

Association, University of 

Little Rock, Arkansas 

Arts and Humanities Council of Tulsa 

Tulsa, Oklahoma 

Auer, Thomas 

Denver, Colorado 

Big River Association 

St. Louis, Missouri
 

California Institute of Technology 

Pasadena, California 

California, University of 

Santa Cruz, California 

$3,300 For publication of two issues of Abraxas. 

5,500 For publication of two issues of Agni Review. 

3,550 For publication and distribution of the fourth of the "Almanac" series 

of Diana’s Bi-Manthly. 

3,000 For the tenth anniversary issue of Black Warrior Review. 

8,000 For honoraria to contributors. 

2,400 For honoraria to American translators for the Scandinavian Review. 

8,000 For publication of The Antioch Review. 

3,600 For publication of Crazyhorse, the literary magazine of the Univer­ sity of Arkansas. 

8,000 For publication of Nimrod. 

4,000 For publication of Bloomsbury Review, featuring reviews of noncommercial, small books. 

6,000 For publication of River Styx. 

8,000 For production of the magazine, Sulfur. 

3,500 For publication of Quarry West. 
106 Literature 

Calyx
 

Corvallis, Oregon
 

Carnegie-Mellon University
 

Pittsburgh, Pennsylvania
 

Center for Inter-American Relations
 

New York, New York
 

Chelsea Associates
 

New York, New York
 

Chouteau Arts
 

Kansas City, Missouri
 

Clemson University
 

Clemson, South Carolina
 

Columbia University, Trustees for
 

New York, New York
 

Confluence Press 

Lewiston, Idaho 

Coordinating Council of
 

Literary Magazines
 

New York, New York
 

Coordinating Council of 

Literary Magazines 

New York, New York 

Cuddihy, Michael 

Tucson, Arizona 

Cultural Council Foundation 

New York, New York 

Generalist Association 

New York, New York 

Giorno Poetry Systems Institute 

New York, New York 

Grand Street Publications 

New York, New York 

Great River Review 

Minneapolis, Minnesota 

Halpern, Daniel 

New York, New York 

Hollins College 

Hollins, Virginia 

Houston, University of

Houston, Texas 

Indiana University 

Bloomington, Indiana 

Johnson, Curtis

Highland Park, Illinois 

Kansas State University Writers Society 

Manhattan, Kansas 

Kentucky, University of 

Lexington, Kentucky 

Kenyon College

Gambier, Ohio 

For publication of Calyx: A Northwest Feminist Review. 8,000 

For the tenth anniversary issue of Three Rivers Poetry Journal. 3,000 

For publication of Latin American Literature and Arts Review, wlfich presents Hispanic literature in translation. 8,000 

For publication of Chelsea. 8,000 

For publication of Chouteau Review. 4,000 

For publication of South Carolina Review. 3,105 

For publication of Translation. 7,000 

For publication of a special issue of The Slackwater Review. 2,300 

For publication of Paris Review. 8,000 

For services that provide information and assistance to literary 

magazines and small press publishers and editors, including promo68,500 

tion, exhibits of literary magazines at regional and national book exhibits and trade conventions, regional meetings of editors and writers, 

and maintenance of an archival library of literary magazines. 

For publication of two issues of Ironwood. 7,500 

For bi-monthiy publication of American Book Review. 8,000 

For publication of Pulpsmith. 8,000 

For production of a two-record set entitled, The 15 Year Anniver­ 8,000 

sary of Dial-a-Poem LP’s. 

For a promotional direct mailing to 20,000 names on the Reader’s 

Subscription List for the New York Review of Books. 

7,800 

For production of two issues of fiction from writers in the Midwest. 3,930 

For publication of two issues of Antaeus. 8,000 

For publication of the Hollins Critic. 1,500 

For publication of Revista Chicano-Riquena. 8,000 

For publication of Indiana Review. 7,260 

For publication of December Magazine. 3,000 

For publication of Literary Magazine Review. 2,190 

For publication of Callaloo, a magazine of works by and about black 

literary artists. 8,000 

For publication of The Kenyon Review. 3,850 
Literature 107 

Kenyon Hill Publications 

Hanover, New Hampshire 

Lambert, Ann 

Seattle, Washington 

Liddy James 

Milwaukee, ~mco~in 

Matsueda, Patricia 

Honolulu, Hawaii 

McBride, John 

San Francisco, California 

Mississippi Mud 

Portland, Oregon 

Missouri, University of 

Columbia, Ohio 

Missouri, University of 

Kansas City, Missouri 

Modem Poetry Association 

Chicago, Illinois 

Nethula Enterprises 

Washington, D.C. 

New England Foundation for the Arts 

Cambridge, Massachusetts 

New Mexico Institute of Mining

and Technology 

Secorro, New Mexico 

New Wilderness Foundation 

New York, New York 

North Carolina, University of 

Chapel Hill, North Carolina 

Northwestern University 

Evanston, Illinois 

O’Brien, John 

Elmwood Park, Illinois 

Partisan Review 

Boston, Massachusetts 

Pig Iron Literary and Artworks 

Youngstown, Ohio 

Ploughshares 

Watertown, Massachusetts 

Poetry Society of America 

New York, New York 

Oaldand, California 

Reed, Ishmael

Berkeley, California 

Reynolds, Louise 

Arlington, Massachusetts
 

Rival-d, David
 

Tucson, Arizona
 

Self-Help Graphics and Art 

Los Angeles, California 

For publication of New Eng/and Review.
 

For publication of The Seattle Review.
 

For publication of Cream City Revit~w.
 

For publication of four issues of The Paper.
 

For publication of Invisible City.
 

For production of four issues of the magazine and one retrospective
 

issue.
 

For publication of Missouri Review.
 

For the publication of the summer prize fiction series in New Letters.
 

For publication of Poetry.
 

For publication of three issues of Nethula.
 

For a comprehensive technical assistance program for small presses
 

in the six-state region, including workshops; site visits by consultants;
 

and telephone advice concerning financial management, fund-raising, 

legal issues, use of microcomputers, and distribution. 

For publication of New Mexico Humanities Review. 

For publication of New Wilderness Letter. 

For publication of Carolina Quarterly. 

For publication of Triquarterly. 

For publication of Review of Contemporary Literature. 

For publication of Partisan Review. 

For production of one issue of Pig Iron. 

For publication of Ploughshares. 

For publication of Bulletin. 

For publication of Threepenny Review. 

For publication of Quilt. 

For publication of the New Renaissance.
 

For publication of Sonora Review.
 

For publication of two issues of Chismearte, a Latino literary
 magazine.
 

3,000 

3,000 

2,595 

2,800 

3,750 

4,000 

8,000 

6,550 

6,000 

7,300 

4,195 

6,000 

3,500 

7,800 

6,000 

8,000 

4,000 

8,000 

3,500 

7,000 

4,000 

8,000 

2,000 

8,000 
108 Literature 

Silver, Barry David 

Los Angeles, California 

Sobin, Anthony 

Wichita, Kansas 

Society for the Study of Native Arts 

and Sciences 

Richmond, California 

South, University of the 

Sewanee, Tennessee 

Southern Mississippi, University of 

Hattiesburg, Mississippi 

Spirit That Moves Us 

Iowa City, Iowa 

Stephens College 

Columbia, Missouri 

Stephens, Jack 

Baltimore, Maryland 

Tennessee, University of 

Chattanooga, Tennessee 

Webster, Lee 

Chicago, Illinois 

West Virginia Wesleyan College 

Buckhannon, West Virginia 

Western Kentucky, University of 

Bowling Green, Kentucky 

Western Washington University 

Bellingham, Washington 

Small Press Assistance 

Acoma, Pueblo of 

Acoma, New Mexico 

Bridwell, Tom 

Graneda, Mississippi 

Brown, Steven 

Houston, Texas 

Carnegie-Mellon University 

Pittsburgh, Pennsylvania 

Carolina Wren Press 

Chapel Hill, North Carolina 

Centrum Foundation 

Port Townsend, Washington 

Crawford, John 

Minneapolis, Minnesota 

Dayton, David 

Plainfield, Indiana 

Ellis, Donald 

Berkeley, California 

Georgia, University of 

Athens, Georgia 

For publication of Malini. 2,000 

For publication of Ark River Review. 3,500 

For publication of two issues of Io. 8,000 

For publication of The Sewanee Review. 2,930 

For publication of Mississippi Review. 8,000 

For Editor’s Choice, a survey of noncommercial literary activity. 8,000 

For publication of two issues of Open Places. 8,000 

For publication of Telescope. 3,300 

For publication of Poetry Miscellany. 1,000 

For publication of Another Chicago Magazine. 6,500 

For publication of Laurel Review. 1,740 

For publication of two issues of Plainsong. 3,990 

For publication of one issue of Concerning Poetry. 3,900 

For Pueblo of Acoma Press to produce books for the Indian and non­ $5,000 

Indian markets. 

For Salt Works Press to produce five volumes. 7,500 

For Thunder City Press to continue the American Poets Profile Series. 6,875 

For CMU Press to produce six books of poetry. 10,000 

For production of five volumes. 7,000 

For Copper Canyon Press to produce four volumes of poetry. 14,100 

For West End Press to produce two volumes of poetry. 4,525 

For Alembic Press to produce four volumes of poetry. 7,500 

For Creative Arts Book Company to publish three novels. 15,000 

For University of Georgia Press to continue its poetry publication 

series. 7,500 
 

Halpern, Daniel 

New York, New York 

Houston, University of 

Houston, Texas 

Illinois, University of 

Urbana, Illinois 

Institute for Publishing Arts 

Barrytown, New York 

Lange, Gerald 

St. Paul, Minnesota 

Latin American Literary Review 

Pittsburgh, Pennsylvania 

Logbridge-Rhodes 

Durango, Colorado 

Marylhurst College 

Marylhurst, Oregon 

McClellan, Leigh 

San Francisco, California 

McDaniel, Judith 

Argyle, New York 

McPherson, Bruce 

New Paltz, New York 

Messerli, Douglas 

College Park, Maryland 

Missouri, University of 

Columbia, Missouri 

Nikolic, Djordje 

Chicago, Illinois 

Oakland University 

Rochester, Minnesota 

Ortenberg, Neii 

New York, New York 

Performing Arts Journal 

New York, New York 

Petrosky, Patricia 

Pittsburgh, Pennsylvania 

Pittsburgh, University of 

Pittsburgh, Pennsylvania 

Pushcart Foundation 

New York, New York 

Pym-Randall Poetry and


Arts Foundation
 

Roslyndale, Massachusetts
 

Reed, Ishmael 

Berkeley, California 

Rice, Felicia 

Santa Cruz, California 

Society for the Study of Native Arts 

and Sciences 

Richmond, California 

Literature 109 

15,000 For Ecco Press to publish two volumes of poetry and two short story 

collections. 

15,000 For Arte Publico Press to publish five volumes of Hispanic literature. 

5,400 For the University of Illinois Press to publish four volumes in the 

Illinois Short Fiction Series. 

15,000 For Station Hill Press to produce eight volumes. 

9,450 For Bieler Press to publish four volumes of poetry. 

15,000 For publication of four plays by Severo Sarduy and selected works 

by Francisco Matos Paoli. 

6,950 For publication of a volume of poetry by Octavio Armand and a volume 

of prose by Jean Follain. 

6,000 For Breitenbush Publications to produce Autobiography of Clyde
 

Rice.
 

6,090 For Meadow Press to publish a volume of prose. 

12,500 For Spinsters Ink to publish two volumes. 

12,500 For McPherson and Company to publish an anthology of experimental writings and a novel by Robert Kelley.
 

12,000 For production of volumes by Sun and Moon Press. 

For production of volumes by University of Missouri Press. 

10,000 For publication of five volumes by Elpenor Press. 

9,000 To continue publishing bilingual editions of major Japanese poets in
 

translations.
 

15,000 For production of volumes by Thunder’s Mouth Press. 

15,000 For publication of eight plays. 

7,500 For Slow Loris Press to publish two books of fiction and one book
 

of poems.
 

6,000 For University of Pittsburgh Press to publish four volumes of poetry. 

239,000 For a cooperative agreement for which small presses are invited on
 

a monthly basis to submit their best books to be judged by a contractual panel of well-known writers. Those books chosen by the panel
 

will be promoted in book review sections of Sunday papers and in
 

two influential trade journals for libraries and bookstores.
 

7,500 For Pym-Randall Press to produce volumes. 

15,000 For publication of volumes containing literature by minorities by Reed
 

and Cannon Company.
 

7,000 For Moving Parts Press to produce two volumes of poetry. 

15,000 For North Atlantic Books to publish five volumes by unknown and
 

virtually unpublished writers.
 
110 Literature 

Sykes, Michael 

Point Reyes Station, California 

Teachers and Writers Collaborative 

New York, New York 

Truesdale, C.W.
 

St. Paul, Minnesota
 

Vincent, Stephen 

San Francisco, California 

Walker, Scott 

Port Townsend, Washington 

Watershed Foundation 

Washington, D.C. 

Young, Noel 

Santa Barbara, California 

Zavatsky, Bill 

New York, New York 

Distribution Projects 

COMPAS
 

St. Paul, Minnesota
 

Four Seasons Foundation 

San Francisco, California 

Kansas Arts Commission 

Topeka, Kansas 

Maine Alliance of Writem and Publishers 

South Harpswell, Maine 

New Mexico Institute of Mining 

and Technology 

Socorro, New Mexico 

Scgue Foundation 

New York, New York 

Tompkins County Arts Council 

Ithaca, New York 

Watershed Foundation 

Washington, D.C. 

Writers and Books 

Rochester, New York 

Design Centers 

Open Studio 

Barrytown, New York 

For Floating Island to publish five volumes of experimental prose 

and poetry. 

8,500 

For Fiction Collective to publish volumes of fiction. 12,500 

For New Rivers Press to publish selected titles under the New Rivers 

Abroad series. 

15,000 

For Momo’s Press to publish four volumes. 15,000 

For Graywolf Press to publish two trade editions of poetry collections. 12,500 

For Watershed Foundation to issue 16 cassette volumes of writers 

reading their own works. 12,500 

For Capra Press to publish two volumes of fiction. 9,000 

For Sun to publish four titles of poetry, fiction, essays, and short 

stories. 

15,000 

For Bookslinger to distribute and promote small press and literary 

magazines nationwide, mainly through bookstores. 

$40,000 

To expand Small Press Distribution’s individual title selection option 

and for a comprehensive mailing to libraries, bookstores, and 

individuals. 

40,000 

For Midwest Distributors to distribute and promote small presses 

and literary magazines in the lower Midwest. 

5,000 

For distribution service that currently markets more than 300 books, 

periodicals, broadsides, cassette tapes, and postcards through the mail, 

at bookstores, festivals, readings, and libraries. 

4,500 

For Swift Lizard to distribute and promote small press and literary 

magazines in the region through quarterly visits to bookstores

throughout Texas, New Mexico, Arizona, and Colorado. 

5,000 

For Segue Distribution to distribute and promote small presses and 

literary magazines of new experimental writing. 

~3,900 

For Crossing Press Distributors to use nationwide sales representatives for distribution and promotion of small press and literary

magazines. 

10,800 

To continue support for the Poets Audio Center, a cassette distribution series of work currently in fashion, work of most third world 

writers, and sound-text and other avant-garde poetry. 

To distribute and promote literary magazines and small press titles 

and to enable the distributor to increase cooperative efforts with

publishers. 

11,400 

40,000 

For services in design, typography, pre-press, printing, and binding 

to individual writers, small presses, and other arts service 

organizations. 

$30,376 
Audience 

Development 

Residencies for Writers 

Academy of American Poets 

New York, New York 

Alabama, University of 

University, Alabama 

Albany State College 

Albany, Georgia 

Allentown Community Center 

Buffalo, New York 

Appalshop 

Whitesburg, Kentucky 

Arizona, University of 

Tucson, Arizona 

Arkansas, University of 

Little Rock, Arkansas 

Arts and Humanities Council 

of Greater Baton Rouge 

Baton Rouge, Louisiana 

Basement Workshop 

New York, New York 

Big River Association 

St. Louis, Missouri 

Boise State University 

Boise, Idaho 

Bonifas (William) Fine Arts Center 

Escanaha, Missouri 

Bradley University 

Peoria, Illinois 

Bucknell University 

Lewisburg, Pennsylvania 

Butler University 

Indianapolis, Indiana 

California, University of 

Los Angeles, California 

Literature 111 

Includes three subcategories: Residencies for Writers grants are for developing audiences for published writers of poetry, fiction, and other creative 

prose. Audience Development Projects grants are awarded to a small number 

of organizations for the promotion of literature through cooperative literary 

promotion projects, regional bookfairs, exhibits of literary works, and syndicated review networks. Literary Centers that offer a variety of activities 

receive grants for projects that benefit the literary community and its 

audience. 

Program funds: $823,650 

101 grants 

For three lectures on American poetry at the Pierpont Morgan $9,800
 

Library and 25 readings at the Donnell Library and Guggenheim
 

Museum in New York City, the Harvard Poetry Room in Cambridge,


and the Huntington Library in California.
 

For the visiting writers series, which consists of one-week residen- 8,000 

cies for writers. 

To support the four writers-in-residence during the 1983-84 academic 10,000 

year. 

For a series of residencies sponsored by Niagara-Erie Writers at 10,000 

various locations in a six-county area, including readings and writing 

workshops at neighborhood and community centers. 

For four writers-in-residence to give a public reading and conduct 5,500 

a writing workshop. 

To support eight writers-in-residence at the Poetry Center as part 3,000 

of an annual reading series. 

For five one-week residencies by distinguished poets and fiction 7,500 

writers to include a public reading, lecture, and writing workshop 

for the community. 

For three one-week residencies by three nationally prominent writers 7,490 

who give public readings, conduct writing workshops, and participate 

in discussions and conferences with local writers. 

For nine one-month residencies and a readings series. 5,000 

For 13 literature-in-performance programs. 8,000 

For six residencies as part of the Writers and Artists Series. 5,000 

For a one-week residency at the Bay Arts Writers Guild. 1,000 

For three residencies during which writers lecture, give a public 5,050 

reading, conduct writing workshops, and visit writing and literature 

classes. 

For one nine-week residency by a major poet. 5,000 

For one 16-week poet-in-residence program designed to provide the 

poet an opportunity to pursue personal writing projects and help 

develop new audiences within the community. 

For three residencies during which writers give public readings and 5,000 

conduct writing workshops. 
112 Literuture 

Centrum Foundation 

Port Townsend, Washington 

Cochise Fine Arts 

Bisbee, Arizona 

Cooper Union for the Advancement

of Science and Art 

New York, New York 

Detroit Institute of Arts, 

Founders Society 

Detroit, Michigan 

Drake University 

Des Moines, Iowa 

80 Langston Street Corporation 

San Francisco, California 

Film in the Cities 

St. Paul, Minnesota 

Fine ArtsWorkCenter 

Provincetown, Massachusetts 

Folger Shakespeare Library 

Washington, D.C. 

Franconia, Town of 

Franconia, New Hampshire 

Guadalupe Cultural Arts Center 

San Antonio, Texas 

Hamilton College 

Clinton, New York 

Hampshire College 

Amherst, Massachusetts 

Hawaii Literary Arts Council 

Honolulu, Hawaii 

Houston, University of 

Houston, Texas 

Illinois Arts Council 

Chicago, Illinois 

India, Inc. 

Atascadero, California 

Institute for the Preservation and 

Study of African American Writing 

Washington, D.C. 

Iowa, University of 

Iowa City, Iowa 

Kansas State University 

Manhattan, Kansas 

Kansas, University of 

Lawrence, Kansas 

Kentucky Arts Commission 

Frankfort, Kentucky 

Kentucky Research Foundation, 

University of 

Lexington, Kentucky 

Latin American Literary Review 

Pittsburgh, Pennsylvania 

For three three-month residencies, a series of community readings, 

a poetry symposium and fiction seminars. 

For the sixth annual poetry festival. 

9,000 

5,000 

For four three-week residencies during which each writer gives a

public reading on the Cooper Union Forum. 

9,000 

For "Lines: New American Writing," a program of one public reading 

and a two or three day residency each month by 12 nationally recognized writers. 

5,000 

To invite eight published poets and fiction writers to the campus for 

brief residencies. 

4,200 

To host six contemporary writers-in-residence. 4,500 

For a one-month residency by a fiction writer who has adapted published works into screenplays. 4,700 

For a visiting writers program during which writers-in-residence give 

readings to the public. 

5,000 

To support writing seminars given by poets reading at the Folger 

as part of its Evening Poetry Series. 

2,335 

For an eight-week residency for a poet at The Frost Place. 2,150 

For eight two-week residencies during which each writer conducts 

two creative writing workshops; gives three public readings; and lectures at local colleges, universities, and public schools. 

5,000 

To support nine writers-in-residence, one writer for a one-month 

residency and eight writers for two days each. 

4,500 

For four three-day residencies, including creative writing workshops. 3,000 

To support the only state-~vide literary arts program in Hawaii. 9,950 

For three five-day residencies, including a public reading at the 

Museum of Fine Arts, writing workshops, and training to teachers

of creative writing in the Houston schools. 

4,800 

For the Readings and Residencies Program, which provides funds 

for nonprofit organizations to host residencies by Illinois writers. 

5,000 

For residencies by seven writers, including public readings and conferences with local creative writing students. 5,000 

For two ten-week residencies, including public readings and writing 

workshops. 

3,100 

For six residencies by three fiction writers and three poets. 5,000 

For five short-term residencies for three poets and two fiction writers. 4,020 

For seven residencies of essayists, fiction writers, and poets. 5,000 

For three three-week residencies during which participants conduct 

public readings and writing workshops. 

8,500 

For four residencies of women writers held in conjunction with the 

sixth Women’s Writers Conference. 

5,185 

For one three-week residency, including public readings, lectures, 

and creative writing workshops. 

2,500 
Literature 113 

Lion Walk Performing Arts Center 

Pittsburgh, Pennsylvania 

Maine State Commission on the 

Arts and Humanities 

Augusta, Maine 

Manhattan Theatre Club 

New York, New York 

Massachusetts, University of 

Amherst, Massachusetts 

Metropolitan Learning Community 

Columbus, Ohio 

Michigan, University of 

Ann Arbor, Michigan 

Missouri, University of 

Columbia, Missouri 

Montana, University of 

Missoula, Montana 

New England Foundation for the Arts 

Cambridge, Massachusetts 

New York, Research Foundation of 

the State University of 

Albany, New York 

New York State Literary Center 

Pittsford, New York 

Northeast Missouri State University 

Kirksville, Missouri 

Northern Iowa, University of 

Cedar Falls, Iowa 

Northern Kentucky University 

Highland Heights, Kentucky 

Oberlin College 

Oberlin, Ohio 

Poetry Society of America 

New York, New York 

Portland Poetry Festival 

Portland, Oregon 

Radford University 

Radford, Virginia 

Rockland Center for the Arts 

West Nyack, New York 

St. Louis County Heritage and 

Arts Center 

Duluth, Minnesota 

Salisbury State College 

Salisbury, Maryland 

San Jose Poetry Center 

San Jose, California 

South Carolina Arts Commission 

Columbia, South Carolina 

South Dakota Arts Council 

Sioux Falls, South Dakota 

Southern Mississippi, University of 

Hattiesburg, Mississippi 

To support four four-day residencies for poets at the Academy of 

Prison Arts. 

4,825 

For a series of five writers-in-residence in the state library system. 7,000 

To support 29 writers-in-residence during the 1983-84 writers-inresidence series. 

For Poems to a Listener, a program of readings and interviews on 

WFCRo 

5,000 

2,450 

For the James Thurber Writer-in-Residence project held at the 

Thurber House. 

10,000 

For three five-day residencies, including public readings and student

seminars. 

4,875 

To support four residencies including public readings and writing 

workshops. 

For four one-week residencies, including a public reading, lectures, 

and creative writing workshops. 

To support the fourth year of the New England Live Literature

Program. 

For two four-week residencies. 

5,000 

5,000 

10,000 

5,000 

For three residency programs for a four-county area. 3,850 

To support one three-day residency by a writer. 925 

For one two-week writer’s residency. 1,500 

To support four four-day residencies during which the writers give 

public readings and conduct writing workshops. 

For three one-week residencies by one poet and two fiction writers. 

6,155 

2,550 

For three five-day residencies by poets who are also translators. 2,000 

To support nine three-day residencies. 5,000 

For one two-week residency and one two-day residency held in conjunction with the Highland Summer Writing Conference. 

To support two four-month residencies and the Writers’ Roundtable 

Series. 

2,600 

10,000 

To support four three-day residencies for the Lake Superior Contemporary Writers Series. 5,000 

To support two one-week residencies and four two-day residencies. 2,000 

For two four-day residencies by nationally prominant poets. 5,000 

To support two eight-week residencies in two maximum-security and 

two medium-security South Carolina prisons. 

To support the statewide "Writer Reads" program. 

5,000 

4,000 

To support up to 11 short-term residencies during which writers give 

public readings and conduct writing workshops. 

7,500 
114 Literature 

Stephens College 

Columbia, Missouri 

SUM Concerts 

Houston, Texas 

Syracuse University 

Syracuse, New York 

Vermont Council on the Arts 

Montpelier, Vermont 

Walker Art Center 

Minneapolis, Minesota 

Washington College 

Chestertown, Maryland 

Wayne State College 

Wayne, Nebraska 

Wells College 

Aurora, New York 

Western Illinois University 

Macomb, Illinois 

William and Mary, College of 

Williamsburg, Virginia 

Wilson (Warren) College 

Swannanoa, North Carolina 

Wilson (Woodrow) National 

Fellowship Foundation

Princeton, New Jersey 

Writers and Books 

Rochester, New York 

Writers Community 

New York, New York 

Young Men’s and Young Women’s 

Hebrew Association 

Wayne, New Jersey 

To support four three-day residencies during the 1983-84 academic 4,910 

year. 

To support five three-day residencies as part of the Contemporary 4,400 

Writers Series. 

To support six three-day residencies. 3,000 

To support six three-day residencies and three five-day residencies. 6,430 

For 16 readings by 23 writers during the 1983-84 season. 8,000 

To support four five-day residencies by poets and fiction writers who 5,000 

are also non-fiction prose writers and essayists. 

For the fifth annual Plains Writers Series. 5,000 

To support two one-week residencies. 3,000 

To support two two-day residencies involving a fiction writer and a 1,500 

poet. 

For the eighth annual Spring literary festival. 4,980 

To support six two-day residencies. 5,000 

For five two-week residencies at colleges participating in the Foun­ 10,000 

dation’s Visiting Fellows Program. 

For ten readings and six workshops given by nationally prominent 7,500 

writers and ten workshops taught by local published writers. 

For a four-month residency with a poet. 5,000 

For five readings by prominent writers and three writing workshops 3,475 

taught by local professional writers. 

Audience Development Projects 

Fairbanks Arts Association 

Fairbanks, Alaska 

Foundation for Arts Resource 

Management 

Minneapolis, Minnesota 

Generalist Association 

New York, New York 

Houston, University of 

Houston, Texas 

Institute for the Preservation and 

Study of African American Writing 

Washington, D.C. 

Intersection 

San Francisco, California 

Netzahaulcoyotl Historical Society 

Berkeley, California 

To expand Envoy to include reviews of books by and interviews with 

Alaskan writers and features on literary activities in Alaska. 

$5,000 

For the Great Midwestern Bookshow, a bookfair of literary and small 

press books and journals held in May 1983 at the University of Mino 

nesota in Minneapolis. 

6,100 

To support the Spring 1984 New York Book Fair, which is the tenth

annual alternative press exhibition and sale of books and magazines. 

12,000 

For Revista Chicano-Riquena to sponsor a series of 10 mini-book fairs 

in small cities and towns in Texas that are Mexican-American population centers. 

11,960 

To support the Heritage Documentation Project for researching and 

documenting the black literary history of Washington, D.C. 

11,660 

For audience development activities of Small Press Traffic. ~,000 

To support the activities of Before Columbus Foundation which promotes and distributes high-quality literature published by America’s 

multi-cultural presses. 

10,000 
Literature 115 

New Virginia Review 

Richmond, Virginia 

New Wave Corporation 

Columbia, Missouri 

New Wave Corporation 

Columbia, Missouri 

Pacifica Foundation 

Berkeley, California 

Santa Fe Public Library 

Santa Fe, New Mexico 

SUM Concerts 

Houston, Texas 

Western States Arts Foundation 

Santa Fe, New Mexico 

Woodland Pattern 

Milwaukee, Wisconsin 

Literary Centers 

Allentown Community Center 

Buffalo, New York 

Beyond Baroque Foundation 

Venice, California 

Loft 

Minneapolis, Minnesota 

St. Mark’s Church-in-the-Bowery 

New York, New York 

Whitman (Wal0 Center for the Arts 

and Humanities 

Camden, New Jersey 

Writer’s Center 

Glen Echo, Maryland 

To support the NVR Book and Author Tour, a traveling exhibit of 

small press volumes and literary magazines along with public readings 

by creative writers, writing and publishing workshops, and panel 

discussions. 

10,000 

To support The American Audio Prose Library, an audio library of 

American prose writers reading and discussing their works. 

25,000 

For KOPN Radio’s American Audio Prose Library of American 

prose artists reading and discussing their works. 

28,750 

For KPFA-FM to sponsor Bay Area Radio Drama, a project involving exchange of radio drama between West German Radio and 

American writers. 

10,000 

To exin%it, promote, and market books by regional writers to readers

in small towns and rural areas of New Mexico that do not have easy 

access to books and bookstores. 

10,000 

For Adriana Productions to record readings by local writers for 

broadcast. 

1,840 

For the Western State Book Awards, designed to recognize and encourage the efforts of publishers in the West to produce and market 

significant literary works by western writers. 

40,000 

To support activites of Woodland Pattern, a literary book center founded by writers. 

25,000 

For Just Buffalo to sponsor workshops, master classes, readings, 

residencies, production and distribution of video material on poetics, 

and an in-house library resource center on contemporary literature. 

$19,925 

For technical assistance, writing workshops, lectures, readings, a small 

press bookstore, a reference library, publications design classes, and 

pre-printing and consultation services for literary publishers. 

37,900 

For literary readings, workshops, classes, the Mentor Series, a storyhour for children, and publicity and promotion for events. 

10,000 

For the Poetry Project, including literary readings, lecture series, 

recordings, and video and audio tapings for archives, radio broadcasts, 

and cable TV; and a meeting space for writers and literary publishers, 

residencies, workshops, and classes. 

40,000 

For readings, workshops, residencies, a literary symposium, an international poetry library, and expansion of use of the center. 

22,000 

For writing and book production workshops, technical assistance to 

the field, publications, provision of space and equipment to writers

and publishers, literary readings, meeting space and transition into 

a larger facility. 

40,310 
116 Media Ar~s 
117 

Media Arts: 

Film/Radio/Television 

Media Arts Advisory Panels
 

Jay Allison 

Radio producer 

Accord, New York 

Catherine Anderson 

Director of Development 

WQED-TV

Pittsburgh, Pennsylvania 

Linda Artel 

Media Coordinator 

Pacific Film Archive 

Berkeley, California 

Jeanine Basinger 

Professor of Film 

Wesleyan University 

Middletown, Connecticut 

Peter Bergman 

Radio producer 

Beverly Hills, California 

Lyn Blumenthal 

Director 

Video Data Bank 

Art Institute of Chicago 

Chicago, Illinois 

Barbara Buckner 

Video artist 

Owego, New York 

Peter Chow 

Filmmaker 

Executive Director 

Asian CLue-Vision 

New York, New York 

Karen Cooper 

Executive Director 

Film Forum 

New York, New York 

Nash Cox 

Executive Director 

Kentucky Arts Commission 

Frankfort, Kentucky 

Louise Etra 

Video artist 

Oakland, California 

Jean Firstenberg 

Director 

American Film Institute 

Washington, D.C.
 

Lois Fortune
 

Resident Producer
 

Children’s Television Workshop
 

New York, New York
 

Robert Geller 

President 

Learning in Focus, Inc. 

New York, New York 

J. Ronald Green
 

Professor of Film
 

Ohio State University
 

Columbus, Ohio
 

David Griffiths 

Producer 

David Griffiths Associates 

New York, New York 

David Haugland
 

Executive Director
 

Affiliated State Arts Agencies
 

of the Upper Midwest
 

Minneapolis, Minnesota
 

Charles Hobson 

Vice President 

of Special Projects 

WETA-TV 

Washington, D.C. 

Frank Hoffman 

Radio producer 

Windsor, Vermont 

Warrington Hudlin 

Filmmaker 

New York, New York 

Bill Jamison 

Executive Director 

Western States Arts Foundation 

Santa Fe, New Mexico 

Lillian Jimenez 

Film Consultant
 

Retrospective
 

New York, New York
 

Larry Josephson 

President 

The Radio Foundation 

New York, New York 

William Judson 

Curator of Film 

Museum of Art 

Carnegie Institute 

Pittsburgh, Pennsylvania 

James Limbacher 

Author, librarian

Dearborn, Michigan 

Tom Luddy
 

Director of
 

Special Projects
 

Zoetrope Studios
 

San Francisco, California
 

Suzanne Manriquez 

Radio producer 

Salinas, California 

John Minkowsky 

Video/Electronic

Arts Curator 

Media Study, Inc. 

Buffalo, New York 

Frank Nesbitt 

Vice President 

WT1TC-TV 

Chicago, Illinois 

KathleenNolan 

Actress
 

Los Angeles, California
 

Christine Nygren 

Media Coordinator 

Ohio Arts Council 

Columbus, Ohio
 

Stevenson Palfl 

Video artist 

New Orleans, Louisiana 

John Ptak 

Vice President 

William Morris Agency 

Beverly Hills, California 
118 Media A~s 

Robert Rosen 

Archivist 

UCLA Film Archive 

Los Angeles, California 

Daniel Selznick 

President 

Louis B. Mayer Foundation 

Los Angeles, California 

Robert Sitton 

Arts administrator 

Portland, Oregon 

Robert Summers 

Film Researcher 

John E. Allen Laboratory 

Parkridge, New Jersey 

Daniel Taradash 

Screenwriter 

Beverly Hills, California 

Toni Treadway 

Filmmaker 

Boston, Massachusetts 

Carmen Vigil 

Film Programmer

Canyon Cinematheque 

Berkeley, California 

Amos Vogel 

Educator 

Film Critic 

Film Comment 

New York, New York 

Media Arts Grants
 

AFI Independent

Filmmaker Program 

American Film Institute 

Washington, D.C. 

Film/Video

Producton 

Regional Fellowships 

Appalshop 

Whitesburg, Kentucky 

Boston Film/Video Foundation 

Boston, Massachusetts 

Center for New Television 

Chicago, Illinois 

Colorado, University of 

Boulder, Colorado 

Film in the Cities 

St. Paul, Minnesota 

Pittsburgh Film-Makers 

Pittsburgh, Pennsylvania 

Nancy Vreeland 

Radio producer 

Maplewood, New Jersey 

Richard Weise 

Executive Director 

Film in the Cities 

St. Paul, Minnesota 

Robert Wise 

Film director 

Hollywood, California 

Program funds: 

Treasury funds: 

290 grants 

$8,344,000 

$ 975,000 

AFI administers for the Endowment a program of grants to media artists 

working in animated, documentary, experimental, and narrative film and 

video. 

Program funds: $400,000 1 grant 

For a cooperative agreement for the Independent Filmmaker Program, a national grant program for advanced fdm and video artists. 

Includes two subcategories: Regional Fellowships are awarded to media arts 

centers to administer fellowship programs for regional film and video artists. Production Grants support outstanding productions in film and video 

that emphasize the use of these media as art forms. 

Program funds: $1,022,500 53 grants 

For regional fellowships for media artists in the Southeast. $40,000 

For regional fellowships for media artists in New England. 40,000 

For regional fellowships for media artists in the central Midwest. 40,000 

For the Rocky Mountain Film Center to provide regional fellowships 40,000 

to media artists in the West. 

For regional fellowships for media artists in the upper Midwest. 40,000 

For regional fellowships for media artists in the mid-Atlantic region. 40,000 
Med~ Ar~s 

Southwest Alternate Media Project

Houston, Texas 

Production Grants 

Adkins, Gary
 

Chicago, Illinois
 

Barnett, Daniel 

Allston, Massachusetts 

Black Maria
 

New York, New York
 

Brakhage, Start 

Rollinsville, Colorado 

Burnett, Charles

Los Angeles, California 

Cabin Creek for Work and
 

Environmental Studies
 

New York, New York
 

Cinema Events Group
 

New York, New York
 

Clarity Educational Productions 

Emeryville, California 

Clarke, Wendy 

New York, New York 

Community Film Association 

Columbus, Ohio 

Condit, Cecelia 

Mayfield Heights, Ohio 

Cultural Council Foundation 

New York, New York 

Dash, Julie

Los Angeles, California 

Davidson, Carol 

West Hartford, Connecticut 

Film in the Cities 

St. Paul, Minnesota 

Fitzgerald, Kit 

New York, New York 

Holt, Nancy 

New York, New York 

Hubley, Emily 

Hoboken, New Jersey 

Hurwitz, Leo 

New York, New York 

Lipzin, Janis 

San Francisco, California 

For regional fellowships for media artists in the Southwest. 

For an experimental film entitled The Early Apparitions of Ulysses 

S. Grant. 

For a feature-length film exploring the function of language. 

For a one-hour film by Grahame Weinbren to be transferred to 

computer-controlled, interactive video disc, allowing the viewer to 

manipulate the image. 

For an autobiographical film project by a pioneer in experimental 

films. 

To amend a previous grant for completion of a feature-length narrative film, My Brother’s Wedding. 

For a 90-minute documentary film by Barbara Kopple exploring the 

effect on a medium-sized community of a manufacturing plant shutting down. 

For the "Floating Cinema" by Jon Rubin, in which films are projected 

simultaneously from two boats to an audience on the shore. 

For Heading to Houston, a one-hour docu-drama by Connie Fields 

on the fate of a family from the Northeast moving to Houston. 

For "Video Soapbox," a public video event on Times Square. 

To complete Migrant Family, a 90-minute documentary film by 

Homero de la Cruz about farm workers who travel from Texas to 

Ohio to harvest the cucumber and tomato crops. 

For The Seventh, an experimental video drama exploring the lurking fear of violence, cannibalism, and contemporary phobias in the 

minds of two suburban women. 

For The Best Generation--Now and Then, a 90-minute documentary 

film by Janet Forman. 

For the first in a series of short films about black women in the United 

States. 

For post-production of Borneo Story, a 6~minute documentary 

videotape about a small community’s transition into the twentieth 

century. 

For a half-hour narrative film directed by Rick Weise, from a 

screenplay by a Minnesota screenwriter. 

For a half-hour videotape on life in rural Ireland. 

For a 3(~minute film documenting the creation of a sculpture and landscaping project in northern Virginia by sculptor/filmmaker Nancy 

Holt. 

For Man on a Plane, a ten-minute animated film exploring the pro­ cess of painting. 

For the script for a feature-length narrative film on the life of John 

Brown. 

For a 25-minute, experimental film entitled Other Reckless Things. 

$14,0~0 

15,000 

25,000 

15,000 

15,000 

25,000 

13,000 

25,000 

15,000 

15,000 

15,000 

20,000 

15,000 

15,000 

25,000 

15,000 

15,000 

15,000 

7,500 

15,000 
120 Media Arts 

Lucier, Mary 

New York, New York 

McDowell, Curt 

San Francisco, California 

Media Study/Buffalo 

Buffalo, New York 

Media Study/Buffalo 

Buffalo, New York 

Mondell, Cynthia 

Dallas, Texas 

Moving Image 

New York, New York 

Myers, Richard 

Kent, Ohio 

New York Foundation on the Arts 

New York, New York 

Niblock, Phili 

New York, New York 

O’Neill, Patrick R. 

Los Angeles, California 

185 Nassau Street Corporation 

New York, New York 

Performing Artse~ices 

New York, New York 

Public Art Films 

New York, New York 

Rappaport, Mark 

New York, New York 

Sanborn, John 

New York, New York 

Schaetzel, Ann H.
 

Brooklyn, New York
 

Sharits, Paul 

Buffalo, New York 

Skoller, Jerry
 

San Francisco, California
 

Smith, Jack 

New York, New York 

Summers (Elaine) Experimental
 

Intermedia Foundation
 

New York, New York 

Tsuchiya, Arthur
 

Hoboken, New Jersey
 

Ungerer, Walter M. 

Montpelier, Vermont 

Vasulka Corporation 

Santa Fe, New Mexico 

Viola, Bill 

Long Beach, California 

Walker Art Center 

Minneapolis, Minnesota 

15,000 For Wilderness, a 30-minute videotape exploring the sources of 19th century American landscape painters of the Hudson River School. 

11,000 For an experimental film combining documentary and narrative 

footage. 

10,000 For a fellowship program for media artists in New York State. 

For George Griffin, Pooh Kaye, Laurie Anderson, and Mitchell 45,000 

Kriegman to produce works expressly conceived and created for the 

interactive video disc system. 

For a 15-minute documentary film about a group of children in Dallas. 10,000 

For Around the Block, a feature-length dramatic film by Marisa Silver 20,000 

about the lives of two adolescent girls in New York City. 

For an autobiographical narrative film. 9,000 

For a narrative film about a Caribbean immigrant’s experience in 30,000 

America, by St. Clair Bourne. 

For a series of films on people engaged mostly in marine and agrarian 14,000 

labor. 

To complete an experimental film that explores patterns of human 12,500 

behavior in public places. 

For an experimental film by Erica Beckman. 12,500 

For The Man Who Envied Women, a feature-length narrative film 15,000 

by Yvonne Rainer. 

For a one-hour documentary film by Tony Silver on New York graffiti. 20,000 

For a 90-minute experimental, narrative film by Mark Rappaport. 15,000 

For a 30-minute experimental videotape. 15,000 

To complete an autobiographical documentary film. 15,000 

15,000 To complete several experimental films using a recently developed

electronic color generator. 

For an experimental film exploring the nature of literary and visual 6,500 

literacy. 

To amend a previous grant for completion of Sinbad in a Ren~ed 

World. 

For Storms at Sea, an experimental videotape by Davidson Gigliotti. 15,000 

To complete a 20-minute experimental videotape using multi-track 7,500 

audio techniques. 

For a feature-length narrative film loosely based on the protagonists’s 15,000 

journey from Long Island to Montreal. 

For a 30-minute, experimental videotape by Steina and Woody 15,000 

Vasulka exploring the nature of remembering. 

To produce three videotape programs for an interactive videotape disc. 15,000 

To co-produce with KTCA-TV a television version by Mark Lowry 30,000 

of Lee Breuer’s award-winning production of Samuel Beckett’s The 

Lost Ones, with music by Philip Glass. 
Media Arts 121 

American Film 

Institute 

American Film Institute 

Washington, D.C. 

Media Arts Centers 

Alabama Filmmakers Co-op 

Huntsville, Alabama 

Appalshop 

Whitesburg, Kentucky 

Art Institute of Chicago 

Chicago, Illinois 

Asian Cine-Vision 

New York, New York 

Bay Area Video Coalition 

San Francisco, California 

Black Filmmaker Foundation 

New York, New York 

Boston Film/Video Foundation 

Boston, Massachusetts 

California, University of 

Berkeley, California 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Center for New Television 

Chicago, Illinois 

Colorado, University of 

Boulder, Colorado 

Downtown Community Television Center 

New York, New York 

Film Arts Foundation 

San Francisco, California 

Film in the Cities 

St. Paul, Minnesota 

Haleakala 

New York, New York 

Support for the American Film Institute, founded in 1967 to preserve the 

nation’s artistic and cultural resources in film and television. 

Program funds: $1,600,000 

1 grant 

For support of exhibition services, television and videotape services, $1,600,000 

training of advanced students at the AFI conservatory, library and 

scholarly services, a directing workshop for women, and the AFI 

catalog of American films. 

To assist media arts centers in a variety of projects that make the arts of 

film, video, and radio more widely appreciated and practiced. Centers may 

be independent or associated with another organization, such as a museum,

university, or state arts agency. 

Program funds: $549,450 

29 grants 

To amend a previous grant for media center activities. $4,350 

To amend a prewous grant for media center activities. 6,175 

To amend a previous grant for media center activities. 7,175 

To amend a previous grant for media center activities. 4,350 

To amend a previous grant for media center activities. 3,425 

To amend a prewous grant for media center activities. 5,075 

To amend a prewous grant for media center activities. 6,750 

For a film exhibition program with visiting artists, critics, and original 36,600 

program notes; a research center; and a film study collection at the 

Pacific Film Archive. 

To amend a previous grant for media center activities. 6,125 

To amend a previous grant for media center activities. 5,125 

For film exhibitions, visiting artists, touring packages, access to film 29,050 

equipment, and maintenance of a film study collection at the Rocky 

Mountain Film Center. 

To amend a previous grant for media center activities. 6,125 

To amend a previous grant for media center activities. 4,350 

For access to film and audio facilities, education workshops, seminars, 31,925 

and the publication of commissioned critical monographs. 

For video exhibitions, distribution, and maintenance of a videotape 33,800 

library at The Kitchen. 
122 Media Arts 

Independent Media Artists of Georgia 

Atlanta, Georgia 

Inter-Media Art Center 

Bayville, New York 

Long Beach Museum of Art Alliance 

Long Beach, California 

Media Study/Buffalo 

Buffalo, New York 

Millennium Film Workshop 

New York, New York 

Museum of Modern Art 

New York, New York 

Ohio University 

Athens, Ohio 

Pittsburgh Film-Makers 

Pittsburgh, Pennsylvania 

Portland Art Association 

Portland, Oregon 

South Carolina Arts Commission 

Columbia, South Carolina 

Southwest Alternate Media Project


Houston, Texas
 

University Community Video

Minneapolis, Minnesota 

Walker Art Center 

Minneapolis, Minnesota 

Young Fiimmakers Foundation 

New York, New York 

AFI/NEA Film

Preservation Program 

American Film Institute 

Washington, D.C. 

American Film Institute 

Washington, D.C. 

For an annual film and video festival, technical° workshops, and ac- 16,400 

cess to film equipment. 

19,675 For video production workshops, exhibitions, and visiting artists. 

23,425 For access to video facilities, workshops, exhibitions, and maintenance 

of a videotape l~brary. 

33,800 For workshops; access to film, video and audio facilities; and film and 

video exhibitions. 

For access to film facilities, exhibitions with visiting artists, and 22,525 

publication of Millenium Film Journal. 

33,800 For a film exhibition program, visiting artists, origimd program notes,

a research center, and a circulating film collection. 

18,250 For the Athens Center for Film and Video to provide access to 

facilities, publish Wide Angle, and host the Athens International Film 

and Video Festival. 

29,050 For a program of exhibitions; access to film equipment, workshops, 

and distribution; and publication of Field of Vie4zn magazine. 

31,400 For provision of access to facilities, exhibitions, education, and

outreach, film and video festivals, production workshops, and a circulating film collection at the Northwest Film Study Center. 

30,950 For outreach programs, including artists-in-residence, filmmakersin-schools, touring film packages, and provision of access to film and 

video facilities. 

29,050 For exhibitions, workshops, access to film and video facilities, and 

publication of Southwest Review magazine. 

19,675 For access to facilities, technical workshops, video exhibitions, and

distribution. 

For film and video exhibitions, visiting artists and critics, publica- 25,300 

tion of commissioned critical monographs, and maintenance of a film 

study collection. 

25,750 For provision of access to film, video and audio equipment; workshops

and seminars; and distribution of work produced at the facility. 

To help organizations locate, preserve, and catalog films of artistic value. 

Program funds: $730,000 

2 grants 

$500,000 For a cooperative agreement to provide services related to the

AFI/NEA Film Preservation Program, including subgrants for 

preservation, coordination, and administration. 

230,000 For a cooperative agreement for the National Center for Film and 

Video Preservation. 
Aid to 

Film/Video

Exhibition 

Film/Video Exhibition 

and/or service 

Seattle, Washington 

Archdiocesan Communications Center 

San Francisco, California 

Amigos del Museo del Barrio 

New York, New York 

Astoria Motion Picture and Television 

Foundation 

Astoria, New York 

Berks Filmmakers 

Reading, Pennsylvania 

Center Screen 

Cambridge, Massachusetts 

Chicago Filmmakers 

Chicago, Illinois
 

City Movie-Center


Kansas City, Missouri
 

Collective for Living Cinema 

New York, New York 

Craft and Folk Art Museum 

Los Angeles, California 

District of Columbia, University of 

Washington, D.C. 

Facets Multimedia 

Chicago, Illinois 

Film A~ Fund 

New York, New York 

Foundation for Art in Cinema 

San Francisco, California 

Helena Film Society

Helena, Montana 

Honolulu Academy of Affts 

Honolulu, Hawaii 

Institute of Contemporary Art

Boston, Massachusetts 

International House of Philadelphia

Philadelphia, Pennsylvania 

International Museum of Photography 

at George Eastman House

Rochester, New York 

Media Arts 123 

Includes two subcategories: Film/Vhfeo Exhibition grants assist organizao

tions in exhibiting high-quality film and video art that may not be available

to the public through regular commercial channels. Circulating Exhibition grants help in the development of major circulating exhibitions. 

Program funds: $267,250 34 grants 

For film and video exhibitions with visiting artists at Focal Point $5,000 

Media Center. 

For Video Free America’s weekly video exh~itions, installations and 5,000 

performances with visiting artists. 

For film and video exhibitions, program notes, visiting artists, and 3,000 

the National Latino Film and Video Festival. 

For a film exhibition program of screenings and lectures. 4,000 

For 32 programs of independently produced and experimental films. 4,000 

For exhfbition of independently produced features and shorts, visiting 15,000 

artists, and an animation festival. 

For twice-weekly exhibitions of independently produced experimen- 10,000
 

tal, documentary, and narrative films with visiting artists.
 

For the exhibition of independently produced and classic narrative 7,000
 

features, animated short films, and foreign films; program notes;
 

visiting filmmakers; and workshops.
 

For 100 programs of independently produced and classic narrative 11,000
 

films, a tenth anniversary retrospective, visiting filmmakers and
 

critics, and program notes.
 

For 20 programs of independently produced films; a summer showcase 8,000
 

series; and a seven-part seminar on experimental film.
 

For the Black Film Iustitute’s weekly film exh%ition and lectures 5,000 

program. 

For repertory and axchival screenings of film art, video exhibitions 10,000 

and installations, visiting artists and critics, and program notes. 

For repertory and archival screenings of film art, video exhibitions 9,000 and installations, visiting artists and critics, and program notes. 

For the Cinernateque’s exh~ition program of independently produced 12,000 and expermental films; visiting fllmmakers; and Cinemanews, a critical 

journal. 

For a program of independently produced films and classic narrative films. 

For an exhibition program of independently produced films, video 

installations, visiting axtists and seminars. 

For film and video exhibitions, video performances, and video 7,500 installations. 

For the Neighborhood F~m Project: 100 programs of classic narrative 18,000 

features; independently produced shorts and features; and documentaries, animation, and experimental films with visiting filmmakers. 

For the exhibition program of the Dryden Theater, including silent 4,000 

films with musical accompaniment. 
124 Media Arts 

Los Angeles Contemporary

Exhibitions 

Los Angeles, California 

Media Study/Buffalo 

Buffalo, New York 

Moving Image 

New York, New York 

Nebraska, University of 

Lincoln, Nebraska 

Neighborhood Media Project 

Minneapolis, Minnesota 

New Community Cinema Club 

Huntington, New York 

Ohio State University Research
 

Foundation
 

Columbus, Ohio 

Pasadena Film Forum 

Pasadena, California 

Public Eye 

San Francisco, California 

Real Art Ways Raw Ink
 

Hartford, Connecticut
 

Rising Sun 

Santa Fe, New Mexico 

Upstate Films 

Rhinebeck, New York 

Utah Media Center 

Salt Lake City, Utah 

Whitney Museum of American Art 

New York, New York 

Circulating Exhibitions 

American Federation of Arts
 

New York, New York
 

In Residence/

Workshop Program 

Brodsky and Treadway Foundation 

Somerville, Massachusetts 

Collective for Living Cinema 

New York, New York 

5,000 For video exhibitions, installations, and performances; visiting artists; 

a lecture series; and a periodicals library. 

6,000 To amend a previous grant for the touring film exhibition program, 

"The American New Wave (1958-67)." 

20,000 For Film Forum’s daily program of independently produced documentary, animated and dramatic narrative film. 

10,000 For the exhibition program of the Sheldon Film Theater; and for 

visiting artists, program notes, and a research library. 

5,000 For film and video exhibitions of independently produced documentaries and dramatic narrative film. 

4,000 For 22 programs of independently produced features and short experimental documentary, animated and narrative films. 

6,500 For weekly film and video exhibitions with visiting filmmakers and 

video artists. 

8,000 For 56 programs of experimental film: 48 prominent and emerging


visiting artist presentations and eight workshops/seminars.
 

4,000 For bimonthly thematic video exhibitions with visiting artists. 

3,000 For an exlffoition program of 20 film screenings and two video festivals 

with visiting artists. 

5,000 For 100 film and video programs of independently produced, experimental, documentary, animation, and classic narrative films.
 

5,000 For 100 programs of independently produced and classic narrative
 

films with visiting filmmakers, critics, and scholars.
 

4,000 For a four-part film and video exhibition program and three regional


film]video festivals.
 

20,000 For the New American Filmmakers series, 40 programs of independent film and video art; and for New Technologies and the Arts, a
 

one-week lecture series.
 

$18,500 

For the planning and organization of Before Hollywood: Turn of the
 

Century Films from American Archives, a circulating exhibition program of rare films from the first two decades of production, 1896-1916.
 

To enable organizations to invite renowned film- and video-makers and

critics for lectures, workshops, or residencies. 

Program funds: $55,000
 

11 grants
 

$5,500 For "Super 8 in the Video Age," a series of workshops at ten media
 

arts centers by Bob Brodsky and Toni Treadway.
 

5,000 For intensive filmmaklng workshops; mini-courses in scriptwriting,
 

sound recording, animation and optical printing; and technical and
 

theoretical seminars with visiting filmmakers and critics.
 
Media Arts 125 

Community Film Workshop of

Chicago 

Chicago, Illinois 

Corroborree Gallery for New Concepts

Iowa City, Iowa 

Fondo del Sol 

Washington, D.C. 

Indiana University 

Bloomington, Indiana 

Minnesota Film Center 

Minneapolis, Minnesota 

Museum of Holography

New York, New York 

Nebraska, University of 

Lincoln, Nebraska 

Squaw Valley Creative Arts Society 

Olympic Valley, California 

Utah Media Center 

Salt Lake City, Utah 

Programming

in the Arts 

Television Grants 

American Film Foundation 

Santa Monica, California 

Educational Broadcasting Corporation 

New York, New York 

Educational Broadcasting Corporation 

New York, New York 

Educational Broadcasting Corporation

New York, New York 

Educational Broadcasting Corporation 

New York, New York 

FilmAmerica 

New York, New York 

Film Workshop of Westchester 

Irvingten-on-Hudson, New York 

Film Company 

Washington, D.C. 

Handicapped Information Services for 

the Motion Picture and Television 

Industry 

Boulder, Colorado 

Lincoln Center for the Performing Arts 

New York, New York 

For a series of screenings, lectures, and workshops with filmmakers. 6,000 

For a series of workshops with video artists.	 3,000 

For a series of residencies with video artists Shigeko Kubota, Vibeke 4,500 

Sorenson, and Antonio Muntados. 

For a series of screenings, lectures, and workshops with black indepen- 4,000 

dent filmmakers. 

For visits by 12 filmmakers and critics for screenings, lectures, and 5,000 

workshops. 

For eight 30-day residencies at the Dennis Gahor Holography 5,000 

Laboratory. 

For visits by eight film and video artists for screenings, lectures, and 3,500 

workshops, including appearances on Nebraska public television. 

For a two-week screenwriters workshop by Tom Rickman and Gill 10,000 

Dennis. 

For a three-part residency program with a filmmaker, video artist, 3,500 

and critic. 

To develop series of programs on the arts for national broadcast on television and radio. 

Program funds: $2,476,500 Treasury funds: $ 975,000 

27 grants 

For a one-hour documentary film by Terry Sanders and Freida Lee $50,000 

Mock on the life and work of actress Lillian Gish. 

For a one-hour documentary film by Peter Welnberg on modem dance 50,000 

pioneer Martha Graham. 

For the Independent Documentary Fund’s seventh season of "Non- 320,000 

Fiction Television." 

To film interviews with surviving members of the Group Theater, 15,000
 

predecessor of the famed Actor’s Studio, founded by Lee Strasberg,


Harold Clurman, and Cheryl Crawford.
 

For the eleventh season of Great Performances.	 150,000 

750,000 

For a one-hour documentary performance program by John Huszar 35,000 

on the life and music of Louis Moreau Gottschalk. 

To complete a documentary film by Joanne Burke on jazz pianist and 25,0~) 

composer Mary Lou Williams. 

For a one-hour documentary film by Robert Squler on Robert Penn 25,000 

Warren. 

For a documentary film by Jerry Aronson on Allen Ginsberg. 35,000 

For the eighth season of Live from Lincoln Center.	 300,000 
126 Media Arts 

Metropolitan Opera Association 

New York, New York 

Metropolitan Pittsburgh Public 

Broadcasting 

Pittsburgh, Pennsylvania 

Music Project for Television 

New York, New York 

New York Foundation for the Arts 

New York, New York 

Northeastern Pennsylvania 

Educational Television Association 

Pittston, Pennsylvania 

PTV Productions 

New York, New York 

Public Television Playhouse 

New York, New York 

Twin Cities Public Television 

St. Paul, Minnesota 

WGBH Educational Foundation 

Boston, Massachusetts 

WGBH Educational Foundation 

Boston, Massachusetts 

Radio Grants 

Composers Recordings 

New York, New York 

Minnesota Public Radio 

St. Paul, Minnesota 

Minnesota Public Radio 

St. Paul, Minnesota 

National Public Radio 

Washington, D.C. 

Pacifica Foundation 

Berkeley, California 

Radio Foundation 

New York, New York 

Virginia Opera Association 

Norfolk, Virginia 

For the seventh season of Live from the Met. 

For the premiere season of Wanderworks, a 26-part television drama 

series for family viewing. 

For a one-hour documentary film by Allan Miller on composer John 

Cage. 

For a script of the pilot program of a dramatic series on the Vanderbilt family, emphasizing their influence on the cultural life in America. 

For the national broadcast of the July Fourth concert with Mstislav 

Rostropovich conducting the National Symphony Orchestra. 

For the development of a television series about artists’ colonies in 

America, including a script for the pilot program on Croton-on-Hudson. 

For the third season of American Playhouse. 

For an arts series that presents experimental drama and video 

performance. 

For one program of The Writer’s Wor/d, a 13-part television documentary series on contemporary American writers. 

For the continuation of Sounding, a series that brings new music and 

its composers to a television audience. 

For a series of two-hour portraits of composers Elliott Carter, Ned 

Rorem, Gunther Schuller, and Ralph Shapey. 

For the 1983-84 season of "A Prairie Home Companion," a weekly 

two-hour variety program. 

For the 1983-84 season of "St. Paul Sunday Morning," a weekly 

90-minute program of chamber music and discussion. 

For the 1982 New Year’s Eve special inserts for "Jazz Alive!" a weekly two-hour series. 

For KPFA-FM to develop an exchange of radio drama between West


German and American writers, enabling writers from both countries
 

to assist in production of translations for radio broadcasts in America 

and West Germany. 

For a series of 26 one-hour programs in the series "The Radio Comedy Theater," featuring Bob and Ray, Jean Shepherd, and others. 

For production of the American premiere of Thea Musgrave’s opera, 

Occurence at Owl Creek Bridge, a work created specifically for radio. 

TF	 225,000 

250,000 

25,000 

35,000 

17,500 

15,000 

500,000 

250,000 

50,000 

145,000 

$12,000 

40,000 

7,000 

15,000 

10,000 

90,000 

10,000 

The Foundation for Independent Video and Film administers for the En- Short Film Showcase dowment a program to distribute selected short films by independent filmo

makers to commercial movie theaters throughout the United States. 

Program funds: $80,000 

1 grant 

Foundation for Independent Video and To administer the sixth year of the Short Film Showcase program. $80,000 

Film 

New York, New York 
Radio Projects 

Radio Production 

Academy of Media and Theatre Arts 

San Francisco, Caiffon~ia 

African News Service 

Durham, North Carolina 

American Radio Theater 

Glendale, California 

Boardman, William 

Woodstock, Vermont 

California State University

Long Beach Foundation 

Long Beach, California 

Case, Barbara 

Short Hills, New Jersey 

Children’s Radio Theater 

Washington, D.C. 

Community Information Network 

Oakland, California 

Cromwell, Arthur 

Falls Church, Virginia 

Diaz, Eduardo 

Albuquerque, New Mexico 

Educational Media Associates 

Berkeley, California 

Ellington (Duke) School of the Arts 

Washington, D.C. 

Frank, Joseph 

Washington, D.C. 

Goldman, Connie J. 

Washington, D.C. 

Greater Washington Educational 

Telecommunications Association 

Washington, D.C. 

Hagen, Carlos 

Malibu, California 

KQED 

San Francisco, California 

Malagodi, Stephen 

Hollywood, Florida 

Massett, Lawrence 

Chevy Chase, Maryland 

Media Arts 127 

Includes two subcategories: Radio Production grants support outstanding

single productions and series for radio broadcast. Radio Services and 

Workshops grants enable organizations to offer services to radio producers

or invite nationally recognized radio producers for workshops. 

Program funds: $431,500 

57 grants 

For "Have You Ever...?" a drama project for young people involv- $10,000 

ing a collaboration among writers, radio drama producers, and 

performers. 

For a series of three-to-six-minute arts modules dealing with African 

art and its influence on contemporary American culture. 

For "A.R.T. Presents," an anthology radio drama series produced 

from scripts submitted under a nationwide solicitation process. 

For continued production of "The Panther Program," a satirical

cabaret theater for radio. 

For local broadcast and national distribution of a series of six 2V~-hour 

live concerts of jazz and blues music on KLON-FM, featuring musicians from the West Coast. 

For "Women of the World," a series of 15-minute programs that 3,000 

feature prdfiles of prominent women artists. 

For "Amazing Grace," an original seven-part children’s adventure 18,000 

series chronicling the exploits of a mother-daughter detective team. 

For "Peek-a-Boo," an original musical-dramatic production explor- 5,500 

ing the relationship between a black man and a Chinese woman. 

For "Jazz Meccas," a series of haft-hour programs on selected cities 3,000 

important to the development of Afro-American music. 

For a series of ten-minute modular portraits of selected Latino 3,000 

communities. 

For a series of 13 one-hour programs on Leopold Stokowski. 8,000 

For a series of dramatic workshops and productions based on the 4,000 

writings of Black-American poets and playwrights. 

For three one-hour programs: a satire on the history of music; a series 13,000 

of vignettes on night life; and "Old Man," a comic drama. 

For three pilot programs for the proposed interview-documentary 12,000 

series, I’m Too Busy to Talk Now: Artists Over 70. 

For six programs that feature artists in the L~rary of Congress Sum- 3,000 

mer Chamber Music Festival. 

For a series of half-hour docmentaries on the music and stories of 5,000 

the Old American West. 

For a series of 15 two-hour chamber music concerts, using artists of 4,000 

the San Francisco Symphony. 

For a series of programs that features new music composers Alvin 3,000 

Lucier, Roscoe Mitchell, Alvin Curran, J.B. Floyd, and Russel Fehling. 

For I.fife on the Mississippi, a docu-drama based on the work of Mark 7,000 

Twain, featuring original music. 
128 Media Ar~s 

Miles, Ginger 

New York, New York 

Miller, Gregory 

New York, New York 

Missouri, Curators of the University 

of Missouri 

Kansas City, Missouri 

Museum of Contemporary Art 

Los Angeles, California 

National Federation of Community 

Broadcasters 

Washington, D.C. 

National Radio Theater of Chicago 

Chicago, Illinois 

Nevada Public Radio Association 

Las Vegas, Nevada 

New Wave Corporation 

Columbia, Missouri 

New Wilderness Foundation 

New York, New York 

Pacifica Foundation 

Los Angeles, California 

Perez-Luna, Elisabeth 

Philadelphia, Pennsylvania 

Poole, Jeannie 

North Hollywood, California 

Radio Bilingue 

Fresno, California 

Radio Foundation 

New York, New York 

Real Art Ways Raw Ink 

Hartford, Connecticut 

Snake Theater 

Sausalito, California
 

Sound Design Assistance 

New York, New York 

South Central Educational 

Broadcasting Commission 

Harrisburg, Pennsylvania 

Stubblefield (Nathan B.) Foundation 

Tampa, Florida 

Summers (Elaine) Experimental 

Intermedia Foundation 

New York, New York 

Thorington, Helen 

New York, New York 

Voices 

Chelsea, Massachusetts 

Walker Art Center 

Minneapolis, Minnesota 

For six portraits of courtship among various age groups, mixing nar- 8,000 

rative, drama, and interviews. 

For "Robot Empire," the second program in the series "Radio Ar- 4,000 

cade," set in a mythical video arcade of the future. 

For "New Letters on the Air," a weekly half-hour series featuring 7,000 

contemporary literature and music. 

For the second program in the series "The Territory of Art," focusing on major museum exhibitions and related programs. 

For a variety of services to community radio stations and independent producers, including distribution and publications. 

For dramatic productions drawn from classic literature, literature 15,000 

on Black-American life, and science fiction. 

For a series of jazz concerts taped by KNPR-FM at the Four Queens 4,000 

Hotel and distributed nationally over National Public Radio. 

For the remaining six programs in the continuing series "American 12,000 

Audio Prose L~rary," presenting writers reading and discussing their 

works. 

For one broadcast each of "Celebration Radio" and "International 2,500 

Radio Solstice." 

For the fifth season of the "Los Angeles Theater of the Ear" on 5,000 

KPFK-FM, presenting live drama for local and satellite Broadcast. 

For "Latino Voices," a series often-minute programs on the develop- 5,000 

ment of Latino culture in America. 

For "Up from the Footnotes: American Women Composers," a series 5,000 

of one-hour programs for national distribution. 

For a series of programs on the music of Latin-America and Spain, 5,000 

focusing on flamenco guitarist Juan Serrano and harpist Alfredo Ortiz. 

For production of"Bloomsday on Broadway II," a live 20-hour satellite 3,000 

broadcast of Joyce’s Ulysses, featuring major American actors. 

For a series of new and experimental American music broadcasts 5,000 

distributed to public radio stations via satellite. 

For a series of"inter-active" radio plays to be produced by the Anten- 3,000 

na Theater division of the Snake Theater. Listeners will be encouraged 

to become characters in the drama in effort to expand the concept 

of experimental radio drama. 

For "Airworks," a series of eight half-hour programs that feature 

new works commissioned from artists in music, poetry, and drama. 

For "A Private Space: Personal Diaries of Women," a series of six 

half-hour programs dramatizing the diaries of notable women. 

For production of "Dry Smoke and Whispers," an anthology drama 

series produced at station WMNF-FM. 

For a series of 13 one-hour broadcasts of new music drawn from live 

concerts. 

For a one-hour program on the poetry and song of Asian-American 5,000 

women, the second in a series of portraits of women poets. 

For five one-hour residencies by producer Everett Frost at five 7,000 

centers around the country. 

For a series of eight works commissioned from new music composers, 6,000 

audio artists, writers, and performance artists. 
Media Arts 129 

Watershed Foundation 

Washington, D.C. 

WHYY 

Philadelphia, Pennsylvania 

Wisconsin Public Radio Association 

Madison, Wisconsin 

Youth New 

Oakland, California 

ZBS Foundation 

Fort Edward, New York 

10,000 For continuation of Radio Alpha, a distribution service; New American 

Stories; and a poetry series. 

For a full-time arts reporter/producer at WUHY-FM. 5,000 

8,500 For five half-hour episodes in the serialized radio drama "Happiness," 

by Anne Leaton, for national distribution. 

5,000 For arts reports and features produced by young people, to be included in a weekly 15-minute national radio service for youth. 

For "Ruby, Part II," a 13-week daily radio drama combining music 12,000 

and audio art. 

Radio Services and Workshops 

Audio Independents 

San Francisco, California 

Double Helix Corporation 

St. Louis, Missouri 

Etcom 

E1 Paso, Texas 

National Federation of 

Community Broadcasters 

Washington, D.C. 

New Wave Corporation 

Columbia, Missouri 

New York, Research Foundation 

of the City University of 

Brooklyn, New York 

Pacifica Foundation 

Los Angeles, California 

Radio Bilingue 

Fresno, California 

Radio Foundation 

New York, New York 

Voces Unidas Bilingual

Broadcasting Foundation 

Salinas, California 

Western Public Radio 

San Francisco, California 

$18,000 For services to independent radio producers, including publication 

of Airwaves, conferences, and distribution projects. 

To amend a previous grant for an audio access facility. 10,000 

For an audio access facility providing eight-track studio production 10,000 

and post-production equipment to southwest producers. 

For services to community radio stations and independent producers, 22,000 

including distribution and publications. 

For the 1983 Midwest Radio Theater Workshop, an intensive five- 14,000 

day conference on writing, performing, and producing radio drama. 

For artist residencies at the Center for Computer Music at Brooklyn 

College, providing radio producers and audio artists with studio time. 

For data processing costs associated with the completion of the 8,000 

cataloguing of the Pa¢ifica Tape Library. 

For a series of radio production workshops held at KSJV-FM, focus- 3,500 

ing on docu-drama and live music recording. 

21,000 For the fifth annual Airlie Seminar on the Art of Radio bringing

together radio artists, funders, and programming executives. 

For a series of production workshops at station KUBO-FM, conducted 5,000 

by radio artists Ignacio Acosta, Kim Aubry, and Norman Jayo. 

For a ten-day working seminar on writing, editing, casting, directing, 10,000 

and engineering for radio theatrical productions. 
130 Media Arts 

Services 

to the 

Field 

Conferences 

Atlanta, City of 

Atlanta, Georgia 

Atlantic Productions 

Tampa, Florida 

Film Society of Lincoln Center 

New York, New York 

Film Society of Lincoln Center 

New York, New York 

Institute for Media Arts 

Boston, Massachusetts 

International Film Seminars 

New York, New York 

Ithaca Video Projects 

Ithaca, New York 

Museum of the American Indian 

Heye Foundation 

New York, New York 

National Black Programming 

Consortium 

Columbus, Ohio 

National Film Preserve 

Telluride, Colorado 

O’Neill (Eugene) Memorial 

Theater Center 

Waterford, Connecticut 

Performance Artists Nucleus 

San Antonio, Texas 

Public Eye 

San Francisco, California 

Sinking Creek Film Celebration 

Greenville, Tennessee 

Includes six subcategories: Conferences and seminars on important issues 

in film, radio, and video. Distribution of media works, including circulating 

exhibitions. Publications, such as newsletters or journals. Research into 

existing and new media, including technical research into preservation.

Facilities and Working Spaces for independent media artists to complete 

their projects. Combined Services grants are awarded for projects that provide a combination of the above. 

Program funds: $463,000 64 grants 

For the fourth annual Atlanta Third World Film Festival, consisting 

of a four-week series of film screenings and lectures and a one-day 

symposium. 

For the sixth annual Chinsegut Film/Video Conference. 

$4,000 

3,000 

For the inclusion of films by independent media artists in the New 

York Film Festival. 

6,500 

For the twelfth season of New Directors/New Films presented by 

the Film Society and the Museum of Modern Art. 

For workshops, screenings, and seminars using a nationally recognized 

faculty. 

For the annual Flaherty Film Seminar. 

11,000 

7,000 

5,000 

For the ninth annual Ithaca Video Festival, which tours nationwide 

the best of independent video. 

For a festival of outstanding films and videotapes by and about Native 

peoples of North, Central, and South America. 

7,000 

5,000 

To bring together independent and station-based producers, programmers, and managers for screenings and workshops concerning 

marketing of television programming reflective of the black

experience. 

For the tenth annual Telluride Film Festival. 

For the New Drama for Television Project, to help playwrights adapt 

to the special requirement of television drama. 

For the eighth annual International Hispanic Film Festival. 9,000 

For the San Francisco International Video Festival. 9,000 

For lectures, screenings, workshops, and access to a collection of films 

and videotapes by independent artists. 

7,000 

Distribution 

American Federation of Arts 

New York, New York 

To organize and circulate film programs to museums and media arts 

centers. 

$9,(}00 

Artists Television Network 

New York, New York 

For "Soho Television," a series of artists’ programs exhibited over 

cable television in Manhattan. 

5,000 
Cine Information 

New York, New York 

Colorado, University of 

Boulder, Colorado 

Cultural Council Foundation 

New York, New York 

Front Range Educational Media 

Corporation 

Broom.field, Colorado 

Georgia Council for the Arts 

and Humanities 

Atlanta, Georgia 

International House of Philadelphia 

Philadelphia, Pennsylvania 

South Carolina Arts Commission 

Columbia, South Carolina 

Star Film Library 

Boston, Massachusetts 

Publications 

Camera Obscura 

Berkeley, California 

New England News Media 

Norwich, Vermont 

Visual Studies Workshop 

Rochester, New York 

Research 

Cultural Council Foundation 

New York, New York 

Frampton, Hollis 

Buffalo, New York 

Media Arts 131 

4,000 For the Film Users Network, a computerized listing of independent

filmmakers. 

5,000 For the Colorado film network to assist small Colorado communities 

in the exhibition of artistically significant films. 

11,000 For Independent Cinema Artists and Producers to provide information services and marketing assistance to independent film and 

videomakers interested in distributing their work to cable television. 

For a feasibility study by John Schwartz on a proposed cooperative 

pay-TV network that would showcase independent film and video 

programs. 

3,000 For Southern Independents, a touring program of works by southern

filmmakers, including lectures and discussions. 

For Neighborhood Film Projects, which assists community and 

cultural groups in organ~ing their own film programs, and links 

regional filmmakers with groups interested in showing their films. 

For Southern Circuit, a touring program coordinated by the commission’s media arts center, which brings eight nationally recognized
 

film]video artists to six southeastern cities for screenings and
 

discussion.
 

5,000 For workshops, exhibitions, and distribution of films to community 

groups throughout New England. 

$4,000 For Camera Obscura, a journal on film and film theory. 

3,000 For The Downtown Review, a journal examining the relationship of


independent film and video to the other arts.
 

For Afterimage, a monthly publication on independent film and video. 8,000 

$6,500 For research in color holography, by the Holographic Film 

Foundation. 

To support research in computer-generated and processed video. 5,000 

Facilities and Working Spaces 

The following organizations received grants to provide

equipment access to independent film- and videomakers: 

and/or service 

Seattle, Washington 

Archdiocesan Communications Center 

San Francisco, California 

$3,600 Austin Community Television 

Austin, Texas 

7,000 Caribbean Center for Understanding Media 

St. Croix, Virgin Islands 
132 Media Arts 

Chicago Filmmakers 

Chicago, Illinois 

Community Film Workshop of Chicago 

Chicago, Illinois 

Creative Outlet 

Portland, Oregon 

Double Helix Corporation 

St. Louis, Missouri 

Electronic Arts Intermix 

New York, New York 

Experimental Television Center 

Owego, New York 

Fondo del Sol 

Washington, D.C. 

Combined Services 

Center for the Study of

Filmed History 

New York, New York 

Educational Film Library Association 

New York, New York 

Ehler, Carol 

New York, New York 

Film Art Fund 

New York, New York 

Film Fund 

New York, New York 

Foundation for Independent Video 

and Film 

New York, New York 

Independent Feature Project 

New York, New York 

Media Center for Children 

New York, New York 

Media Project 

Portland, Oregon 

National Alliance of 

Media Arts Centers 

Columbus, Ohio 

National Federation of 

Local Cable Programmers 

Kettering, Ohio 

New York Public Library, Astor, 

Lenox, and Tilden Foundation 

New York, New York 

New York University 

New York, New York 

3,600	 Locus Communications 4,000 

New York, New York 

3,600	 Media Bus 4,000 

Woodstock, New York 

5,000	 New Orleans Video Access Center 3,600 

New Orleans, Louisiana 

10,000	 Portable Channel 10,000 

Rochester, New York 

24,000	 Rising Sun 6,000 

Santa Fe, New Mexico 

11,000	 Southern California Asian American 10,000 

Studies Central 

Los Angeles, California
 

5,000
 Women’s Interart Center 

New York, New York 

For an information clearinghouse on the availability and use of quality $7,000 

independent i’tim and video for community groups, public libraries 

and schools. 

For publication and distribution of critical reviews of new i’rims and 14,000 

videotapes, Sightlines magazine, and the American Film Festival. 

To extend Ms. Ehler’s participation as a Fellow in the Media Arts 10,000 

Program. 

For access to print and film research collections at Anthology Film 8,000 

Archives and provision of screening facilities to scholars and artists. 

To assist independent filmmakers in fund-raising, production, and 14,000 

distribution; for publication of New From the Film Fund, a quarterly newsletter; and distribution of a catalog of films by independent 

media artists. 

For a national service organization dedicated to the promotion of in- 22,000 

dependent f’tim and video art. 

For the distribution of independent feature-length films of high quality, 14,000 

screenings for buyers, and for a monthly newsletter. 

For a book entitled, On the Nature of Moving Pictures for Children, 7,000 

publication of the quarterly journal, Young Viewers, and distribution 

to children in hospitals of films avd videotapes by independent media 

artists. 

For publication of Printed Matter, f’flm distribution, and a catalog of 9,000 

regional independent i’rims. 

To provide national support and coordination for media arts centers 16,000 

through services, including conferences, a newsletter, a membership 

survey, and efforts in fund-raising and exhibition. 

For services to local cable programmers and independent t’tim and 10,000 video artists, including screenings, a newsletter, and a touring collection of videotapes. 

To enable the library to hire a media assistant in the Video/Film Study 4,000 Center. 

For film- and video-makers to explore the artistic uses of interactive 7,000 

video-text, a new medium for computer-generated graphics and text 

delivered by two-way cable or telephone wire. 
Pittsburgh Film-Makers 

Pittsburgh, Pennsylvania 

Virginia Museum of Fine Arts 

Richmond, Virginia 

Washington Area Film/Video League 

Washington, D.C. 

Special Projects 

American Film Institute 

Washington, D.C. 

American Film Institute 

Washington, D.C. 

Minnesota Foundation, University of 

Minneapolis, Minnesota 

Museum of Broadcasting 

New York, New York 

Museum of Modem Art
 

New York, New York
 

Museum of Modem Art
 

New York, New York
 

National Alliance of Media Arts
 

Centers
 

New York, New York 

National Federation of Community 

Broadcasters 

Washington, D.C. 

National Radio Theater 

Chicago, Illinois 

WGBO-FM 

Newark, New Jersey 

To support noncommercial media arts through conferences, newsletters, screenings, distribution, information sharing, and coordination. 

For exhibitions of American video art as part of "Illusion: Art and 

the Moving Image," an artmobile installation and community program circulated throughout the state. 

4,000 For a newsletter and a series of monthly programs on various aspects 

of video and filmmaking. 

For meritorious projects that engender special participation in a previously unexplored area of media art, includng distribution and preservation. 

Program funds: $268,800 

Treasury funds: $ 25,000 

10 grants 

$12,000 For a study of computer software for the AFI Catalog of Feature
 

Films.
 

25,000 For a film about film preservation. TF 

25,000 To create a new operatic work combining film, puppetry, music, and
 

computer graphics for sfz Ensemble.
 

13,000 For a position paper on video preservation. 

7,300 For a conference on computerized film cataloguing. 

17,500 To m~ke available rare archival films from the George Eastman House 

through the museum’s circulating film library. 

30,000 For a pilot program of technical assistance grants to media arts
 

centers.
 

14,000 For a delegation of 50 American producers and community radio
 

organizers to attend the First World Conference of Community Radio
 

Broadcasters held in Montreal.
 

75,000 For the development of Listening Arts, an audio magazine featuring
 drama, humor, storytelling, interviews, audio art, and other features
 

in the arts.
 

For development of the Jazz Radio Consortium, under which a core
 

group of producing stations produces and markets a weekly two-hour
 

live jazz performance series to noncommercial radio stations.
 
134 Museum 
135 

Museum Advisory Panels
 

Andrea Miller-Keller 

Curator of MATRIX 

Wadsworth Atheneum 

Hartford, Connecticut 

Dewey Mosby 

Director 

Picker Art Gallery 

Colgate University 

Hamilton, New York 

Sheila Muccio 

Director of Development

Corcoran Gallery of Art 

Washington, D.C. 

Richard Muhlberger 

Director 

Museum of Fine Arts 

Springfield, Massachusetts 

Weston Naef 

Curator of Prints 

and Photographs Metropolitan Museum of Art 

New York, New York 

John Neff 

Director 

Museum of Contemporary Art 

Chicago, Illinois 

Harry S. Parker III 

Director 

Dallas Museum of Fine Arts 

Dallas, Texas 

Marilyn Perry 

Executive Vice President 

Samuel H. Kress Foundation 

New York, New York 

Earl A. Powell III 

Director 

Los Angeles County 

Museum of Art 

Los Angeles, California 

Ann Radice 

Curator for the Architect 

of the U.S. Capitol 

U.S. Capitol Washington, D.C. 

Tracy Atkinson 

Director 

Wadsworth Atheneum 

Hartford, Connecticut 

Stephanie Barton 

Curator of Modern Art 

Los Angeles County Museum 

of Art 

Los Angeles, California 

Robert Bergman 

Director 

Walters Art Gallery 

Baltimore, Maryland 

Susan Bertram 

Executive Director 

Museums Collaborative 

New York, New York 

Edgar Peters Bowron 

Director 

North Carolina Museum 

of Art 

Raleigh, North Carolina 

Luis Cancel 

Director 

Bronx Museum 

Bronx, New York 

Dennis Care 

Director 

Jane Voorhees Zimmerli 

Art Museum 

Rutgers University

New Brunswick, New Jersey 

Ralph Ted Coe 

Senior Scholarship 

Research Fellow 

National Museum of American Art 

Washington, D.C. 

Anne D’Harnoncourt 

Director
 

Philadelphia Museum of Art
 

Philadelphia, Pennsylvania 

Colin Eisler 

Professor 

Institute of Fine Arts 

New York University 

New York, New York 

Ross Farrar 

Associate Director 

Museum of Fine Arts 

Boston, Massachusetts 

Edmund B. Gaither 

Director 

Museum of the National Center 

for Afro-American Artists 

Boston, Massachusetts 

Thomas Garver 

Director 

Madison Art Center 

Madison, Wisconsin 

Paula Hancock 

Consultant for Department 

of Education 

High Museum of Art 

Atlanta, Georgia 

John Holverson 

Director 

Portland Museum of Art 

Portland, Maine 

Henry Hopkins 

Director 

San Francisco Museum 

of Modern Art 

San Francisco, California 

Mary Jane Jacob 

Curator 

Museum of Contemporary Art 

Chicago, Illinois 

Lynn Jorgenson 

Director 

Art Museum Association 

San Francisco, California 

Mitchell Kahan 

Curator 

North Carolina Museum 

of Art 

Raleigh, North Carolina 

Dwight Lanmon 

Director 

Coming Museum of Glass

Coming Glass Center 

Coming, New York 
Franklin Robinson 

Director 

Rhode Island School of Design 

Providence, Rhode Island 

Joan Rosenbaum 

Director 

Jewish Museum 

New York, New York 

William Schinsky 

Director 

Visual Arts Program 

Southern Arts Federation 

Atlanta, Georgia 

Janet Schneider 

Director 

Queens Museum 

Flushing, New York 

Kenneth Starr 

Director 

Milwaukee Public Museum 

Milwaukee, Wisconsin 

Robin Tryloff 

Director 

Nebraska State Arts Council 

Omaha, Nebraska 

Roslyn Walker 

Curator 

National Museum of African Art 

Washington, D.C. 

Museum Grants
 

Fellowships for

Museum Professionals 

Berrin, Kathleen 

San Francisco, California 

Briggs, Peter S. 

Albuquerque, New Mexico 

Cornu, Elisabeth I. 

San Francisco, California 

DeYoung, James N. 

Milwaukee, Wisconsin 

Fusco, Peter R. 

Los Angeles, California 

Huffman, Kathy R. and 

Constance Fitzsimons 

Long Beach, California 

Keller, Steven R. 

Chicago, Illinois 

Knight, Michael J. 

Seattle, Washington 

Lester, Joan A. 

Boston, Massachusetts 

McCafferty, Michael R. 

Seattle, Washington 

Metzger, Catherine A. 

Bloomington, Indiana 

John Walsh, Jr. 

Director 

J. Paul Getty Museum 

Malibu, California 

Michael Whiteneck 

Executive Director
 

Visual Arts Resources
 

Eugene, Oregon
 

Jesse G. Wright 

Director 

Phi]brook Art Center 

Tulsa, Oklahoma 

Program funds: $9,074,070 

Treasury funds: $ 805,500 

602 grants 

To enable museum staff members to take leaves of absence of up to one year 

for independent study, research, travel, or other activities that contribute 

to their professional development. 

Program funds: $68,650 

15 grants 

For travel to New England, Australia, and New Guinea to study major $5,000 

collections of Oceanic art. 

For travel to Honduras to study 19th- and 20th-century print and 4,070 

photography collections. 

For travel to Germany to study the conservation of European 3,400 

polychromed wood sculpture. 

To study paper conservation techniques at the Upper Midwest Con- 5,000 

servatlon Association, the Institute of Paper Chemistry, and the Dard 

Hunter Paper Museum. 

For travel to Europe to study major decorative arts collections. 

For travel to Europe to visit video and media arts centers, distribution outlets, and galleries and museums that support and maintain 

collections of video art. 

For travel to various American museums to investigate alarm monitor- 1,480 

ing, fire detection, and fire suppression systems. 

For travel to Taiwan and Japan to study major public and private 8,810 

collections of Chinese and Japanese art. 

For travel to Maine to inventory, document, and interpret the work 

of folk artist Tomah Joseph. 

For travel to several American and European museums to study and 6,230 

compare various installation techniques. 

For a technical and historical evaluation of an altar piece painted by 3,500 

the late 15th-century Cologne painter, the Master of the Holy Kinship. 

720 
Mosby, Dewey F. 

Hamilton, New York 

Myers, Thomas P. 

Lincoln, Nebraska 

Pitts, Terence R. 

Tucson, Arizona 

Riggs, Timothy A. 

Worchester, Massachusetts 

Museum Training 

Akwesasne Cultural Center 

Hogansburg, New York 

Akwesasne Cultural Center 

Hogansburg, New York 

American Law Institute 

Philadelphia, Pennsylvania 

Asian Art Museum of San Francisco 

San Francisco, California 

Boston Children’s Museum 

Boston, Massachusetts 

Boston University, Trustees of 

Boston, Massachusetts 

Colorado, University of 

Colorado Springs, Colorado 

Denver, University of 

Denver, Colorado 

Drexel University 

Philadelphia, Pennsylvania 

Fine Arts Museums Foundation 

San Francisco, California 

Guggenheim (Solomon R.) Foundation 

New York, New York 

Hampton Institute 

Hampton, Virginia 

Hudson River Museum at Yonkers 

Yonkers, New York 

Huntsville Museum Association 

Huntsville, Alabama 

Illinois, University of 

Urbana, Illinois 

Indianapolis Museum of Art 

Indianapolis, Indiana 

For travel to Paris to research the works of various followers of artist Alexandre-Gabriel Decamps (1803-1860), and to prepare a 

manuscript on the subject. 

For travel and study of South American ethnographic collections at 

East Coast American museums and various European museums. 

For a one-month leave of absence to travel to Paris to concentrate 

on a critical study of early French photographer Hippolyte Bayard 

(1801-1887). 

For travel to Europe to study major print collections. 

To assist museums and universities in training museum professionals

and technicians through college-level programs, internships, and

apprenticeships. 

Program funds: $397,250 

45 grants 

Museum 137 

4,500 

4,000 

4,400 

5,040 

To provide stipends for interns participating in the Akwesasne

Museum’s ten-week summer training program. 

For one intern to conduct historical research on the Akwesasne 

Museum’s collection at the New York State Museum at Albany. 

To enable approximately 65 museum professionals to attend a threeday course of study on legal problems of museum administration at 

the National Museum of Natural History. 

To provide apprenticeships for technicians in the museum’s conservation department. 

For an internship for a disabled person to be trained in museum 

outreach. 

For a stipend to enable a graduate student from the university’s Art 

History or American and New England Studies Department to intern at an art museum in the Boston area. 

To provide stipends for student interns working in the Gallery of Contemporary Art. 

For stipends for graduate students in the university’s museum studies 

program. 

To provide a stipend for an internship in the university’s museum. 

To provide a stipend for one intern in the American Art Department. 

For a one-year, full-time curatorial fellow to be trained in the preparation and organization of a m~jor loan exhibition at the Solomon R. 

Guggenheim Museum. 

For the institute’s Master of Arts Program in Museum Studies, including internships in museums. 

To provide stipends for students participating in the museum’s collaborative internship program with Elizabeth Seton College. 

To provide stipends for three one-semester internships in general 

museum practices at the Huntsville Museum of Art. 

For internship stipends for participants in the university’s graduate 

program in museum studies. 

To hire and train a disabled person from the deaf community as a 

textile technician. 

$5,000 

1,810 

15,000 

8,000 

10,000 

5,0~0 

5,000 

5,000 

5,000 

5,000 

5,000 

30,000 

5,000 

2,700 

5,000 

10,000 
138 Museum 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

Kansas, University of 

Lawrence, Kansas 

Madison Art Center 

Madison, Wisconsin 

Metropolitan Museum of Art 

New York, New York 

Michigan, University of

Ann Arbor, Michigan 

Milwaukee Public Museum 

Milwaukee, Wisconsin 

Minneapolis Institute of Arts 

Minneapolis, Minnesota 

Missouri Historical Society 

St. Louis, Missouri 

Missouri Historical Society 

St. Louis, Missouri 

Museum of Fine Arts 

Boston, Massachusetts 

Museums Collaborative 

New York, New York 

New Mexico, University of 

Albuquerque, New Mexico 

New York, Research Foundation of 

the State University of 

Purchase, New York 

New York University 

New York, New York 

Oberlin College 

Oberlin, Ohio 

Palace of Arts and Sciences Foundation 

San Francisco, California 

Parrish Art Museum 

Southampton, New York 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

St Louis Art Museum 

St. Louis, Missouri 

Smith College 

Northampton, Massachusetts 

South Florida, University of 

Tampa, Florida 

Southern Arts Federation 

Atlanta, Georgia 

Southern California, University of 

Los Angeles, California 

For the museum’s internship program. 10,000 

To provide stipends for two interns at the Spencer Museum of Art. 7,500 

For the center’s cooperative internship program with the University of Wisconsin’s Graduate School of Business. 3,000 

To provide an internship for a disabled person to work in either a 

curatorial or administrative department at the museum. 

6,000 

For the university’s graduate program in museum practice. 10,000 

To train a mobility and speech-impaired person as a museum educator. 10,000 

To provide an internship stipend for a handicapped person in the

education or publicity department. 

10,000 

To provide a stipend for a handicapped intern in the registrar’s office. 7,000 

To provide stipends for interns working with the fine and decorative 

arts collections. 

5,000 

To provide a stipend for a deaf person to work in the Education 

Department for designing and administering programs for deaf audiences, conducting staff training workshops, and developing educational materials. 

10,000 

To support the Cultural Institutions Management Program, three

courses designed to strengthen the management skills of senior 

museum personnel. 

38,000 

For a 12-month, full-time curatorial internship in the Art Museum’s 

Photography Department. 

To provide a stipend for an apprentice in exhibition preparation and 

installation at the Neuberger Museum. 

To provide stipends for students in the Curatorial Studies Program 

at the Institute of Fine Arts. 

10,000 

For a stipend for one full-time curatorial intern for nine months at 

the Allen Memorial Art Museum. 

5,000 

For internships for disabled persons in the electronic and machine 

shops at the Exploratorium. 

7,000 

To allow the museum’s assistant building manager to apprentice under 

the Hudson River Museum’s senior internship technician. 3,240 

To provide stipends for two interns in the Department of Prints, 

Drawings, and Photographs. 10,000 

To enable the superintendent of the building department, chief installation technician, and chief cabinet maker to travel to various 

museums to examine and share concepts in the design and installation of exhibitions. 

5,000 

To provide a stipend for a general internship that encompasses the 

curatorial, administrative, educational, and maintenance activities of 

the museum. 

5,000 

For the collaborative graduate internship program in museum education with the Tampa Museum. 9,000 

To enable the federation to bring four of the Smithsonian’s training 

workshops for museum personnel to various locations in the Southeast. 

4,000 

To provide a stipend for a museum internship for a participant in the

Museum Studies Program. 7,000 
Museum 139 

Staten Island Children’s Museum 

Staten Island, New York 

Texas, University of 

San Antonio, Texas 

Walker Art Center 

Minneapolis, Minnesota 

Wayne State University 

Detroit, Michigan 

Western Association of Art Museums 

San Francisco, California 

Whitney Museum of American Art 

New York, New York 

Museum Sabbaticals 

Detroit Institute of Arts,

Founders Society 

Detroit, Michigan 

New Museum 

New York, New York 

Rhode Island School of Design 

Providence, Rhode Island 

Ringling (John and Mable) Museum of 

Art Foundation 

Sarasota, Florida 

Catalogue 

Akwesasne Cultural Center 

Hogansburg, New York 

Arizona, University of 

Tucson, Arizona 

Arkansas Arts Center Foundation 

Little Rock, Arkansas 

Aunt Len’s Doll and Toy Museum 

New York, New York 

Berkshire Museum, Trustees of the 

Pittsfield, Massachusetts 

Boston Athenaeum 

Boston, Massachusetts 

To provide a stipend for a hearing-impaired intern in the Education

Department. 

To provide a stipend for a one-year internship for a disabled person 

to work in the exhibits department under the direction of the curator 

of the Institute of Texas Cultures. 

7,500 To support the center’s internship program. 

For the internship component of the graduate level Museum Prac- 5,000 

tices Program. 

50,000 To support the Museum Management Institute, a four-week course

in management theory and business practice for mid-level and executive professional museum personnel. 

7,000 To support the Art History/Museum Studies Fellowship Program,
 

based at the museum’s downtown branch.
 

For museums to develop and implement programs of sabbatical leaves for

professional staff members. 

Program funds: $59,970
 

4 grants
 

To initiate a sabbatical program for professional staff on the junior
 

and senior levels.
 

15,000 To initiate an on-going program of ten-week museum sabbaticals for


staff who have demonstrated a commitment to scholarship in art
 

history, museum education, or museum management.
 

For a sabbatical program for curators at the Museum of Art. 

16,720 To develop a sabbatical program for curatorial staff. 

To document collections or to publish catalogues or handbooks on collections. 

Program funds: $899,830
 

52 grants
 

For research on the Akwesasne Museum’s collection in preparation $10,000 

for future publication of several pamphlets on different aspects of the

collection. 

To research and catalogue the collections of four m~jor photographers 31,840 

that have recently been donated to the Center for Creative

Photography. 

5,000 To publish a selective catalogue of the center’s collection of 2600 drawings, paintings, and sculptures.
 

To research and document the museum’s extensive collection of dolls 9,010 

and toys that are of artistic, cultural, and historical importance. 

5,000 For comprehensive documentation of the museum’s varied collection
 

to create accurate and complete files for each object and to update


and cross-reference existing records and inventories.
 

15,360 To publish an illustrated handbook of the 350 pre-20th-century
 

American and European painting and sculptures in the collection.
 

8250 
140 Museum 

Brooklyn Institute of Arts and Sciences 

Brooklyn, New York 

Brooklyn Institute of Arts and Sciences 

Brooklyn, New York 

California Academy of Sciences 

San Francisco, California 

Cleveland Museum of Art 

Cleveland, Ohio 

Colorado Springs Fine Arts Center 

Colorado Springs, Colorado 

Coming Museum of Glass 

Coming, New York 

Detroit Institute of Arts, 

Founders Society 

Detroit, Michigan 

Emory University 

Atlanta, Georgia 

Essex Institute 

Salem, Massachusetts 

Fine Arts Museums Foundation 

San Francisco, California 

Franklin Furnace Archive 

New York, New York 

Guggenheim (Solomon R.) Foundation 

New York, New York 

Harvard University 

Cambridge, Massachusetts 

Hudson River Museum at Yonkers 

Yonkers, New York 

Illinois, University of 

Urbana, Illinois 

Illinois, University of 

Urbana, Illinois 

International Center of Photography 

New York, New York 

Jewish Museum 

New York, New York 

Joslyn Liberal Arts Society 

Omaha, Nebraska 

La Salle College in the City 

of Philadelphia 

Philadelphia, Pennsylvania 

Los Angeles County Museum of Art 

Los Angeles, California 

Madison Art Center 

Madison, Wisconsin 

To publish a checklist of the museum’s collection of American works 

on paper. 

22,600 

For research on the museum’s extensive collection of 257 Indian paintings from the 16th through the 19th centuries. 20,000 

To write and publish a catalogue of the academy’s collection of Coptic textiles. 

25,000 

To research and catalogue the museum’s collection of 17th- and 18thcentury European sculpture. 

29,600 

For the research of the Taylor Museum’s collection of Pueblo pottery produced from 1880 to 1940. 

12,500 

To research and write a catalogue of the museum’s extensive collection of Anglo-Irish glass, which dates fi’om the 16th through the 19th 

centuries. 

14,050 

To research and prepare catalogue entries on the institute’s collection of Italian sculpture. 50,000 

To register and photo-document the Museum of Art and Archaeology’s

collection of Ancient Egyptian and Near Eastern archaeology, 

medieval Japanese armor, Korean Celadon ware, pre-Columbian art, 

and early American Indian artifacts. 

5,000 

To write and publish a booklet describing the highlights of the institute’s ceramics and glass collection. 

6,820 

For the photographic documentation and research of the H. McCoy 

Jones collection of tribal rugs and related textiles, which was recently donated to the Fine Arts Museums of San Francisco. 

18,500 

To publish a catalogue of the archive’s extensive collection of artists’ 

books, magazines, pamphlets, records, and cassette tapes produced 

since 1960. 

40,000 

For research of 175 works on paper and 50 sculptures from the collection of the Solomon R. Guggenheim Museum. 

25,000 

To publish a handbook on the Fogg Art Museum’s Hofer collection 

of about 200 drawings. 

15,000 

To document and catalog the museum’s collections of fme and 

decorative arts. 

30,000 

For research of the World Heritage Museum’s collection of ancient 

vases of the Mediterranean Basin, which range in date from 200 B.C. 

to 50 A.D. 

7,730 

For research and photographic documentation of approximately twothirds of the Krannert Art Museum’s collection in preparation for 

the publication of a handbook. 

15,000 

To catalog the center’s collection acquired before 1979. 11,000 

For the museum’s extensive inventory and documentation of the collections of approximately 20,000 objects. 15,000 

For the publication of the Joslyn Art Museum’s 56-piece collection 

of ancient pottery. 

18,000 

For the publication of an illustrated handbook]guide to the college’s 

collection of paintings, works on paper, and rare books that date from 

the 15th to the 20th century. 

8,000 

To research and catalogue the Quattlebaum Collection of American

glass from the 18th through mid-19th centuries at the Los Angeles 

County Museum of Art. 

3,020 

To document the center’s collection. 5,100 
Maryland Historical Society 

Baltimore, Maryland 

Menil Foundation 

Houston, Texas 

Milwaukee Art Museum 

Milwaukee, Wisconsin 

Munson-Williams-Proctor Institute 

Utica, New York 

National Academy of Design 

New York, New York 

New Mexico, University of 

Albuquerque, New Mexico 

New York State Historical Association 

Cooperstown, New York 

Oakland Museum Association 

Oakland, California 

Philadelphia Museum of A~t 

Philadelphia, Pennsylvania 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Princeton University, Trustees of 

Princeton, New Jersey 

Reynolda House 

Winston-Salem, North Carolina 

Riverside County Parks Deparment 

Cherry Valley, California 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri 

Shaker Village 

Canterbury, New Hampshire 

Smith College 

Northampton, Massachusetts 

Society for the Preservation of 

New England Antiquities 

Boston, Massachusetts 

Textile Museum 

Washington, D.C. 

Vermont, University of 

Burlington, Vermont 

Virginia Museum Foundation 

Richmond, Virginia 

Whitney Museum of American Art 

New York, New York 

Yale University 

New Haven, Connecticut 

Museum 141 

35,000 For the publication of a scholarly catalogue of about 250 pieces in the

society’s collection of Maryland furniture. 

7,000 To publish a catalogue of a selection of about 150 works from the foundation’s print collection, dating from the 16th to the 19th centuries. 

20,000 For the publication of an illustrated handbook of the museum’s 

collection. 

5,000 For the publication of an updated checklist of the collection. 

15,000 To research and document the academy’s collection of works on paper. 

For research and documentation of the University Art Museum’s col- 13,600 

lection of more than 2,000 19th-century photographs. 

13,700 To document the association’s folk art collection in preparation for

publication of a collection catalogue. 

For research of the museum’s collection of works by California art- 9,000 

ists, in preparation for publication of an illustrated handbook. 

50,000 For the publication of a scholarly catalogue of the museum’s collection of 131 English paintings dating before 1900. 

20,000 To produce a complete visual card file of the museum’s collection of 

about 6,000 Oriental prints. 

49220 For the publication of a complete catalogue of the pre-20th-century

Dutch, Flemish, and German paintings in the museum’s collection. 

12,090 For the publication of a catalogue of approximately 1900 Roman coins

in the University Library collection. 

For research and preparation of materials for a revised catalogue of 

the painting collection. 

10,000 For the research and documentation of the Edward-Dean Museum 

of Decorative Arts’ collection of more than 1600 European, Oriental,

and American objects. 

10,000 To publish a catalogue of the museum’s African Art collection. 

16200 To publish a catalogue of 75 to 100 pieces from the museum’s extensive collection of pre-classic Mexican ceramics, dating from 1500 to 

1200 B.C. 

18,870 For research and preparation of a catalogue of Canterbury Shaker 

Village’s collection of about 2100 artifacts. 

18,020 To publish a catalogue of the museum’s collection of 19th- and early 

20th-century European prints. 

3,490 For the photographic documentation of the decorative art and painting collection at Codman House in Lincoln. 

15,000 For the Photo Archives Project, which is systematically producing

records of the museum’s entire collection, thus reducing the need to 

handle the fragile historic textiles. 

For research on the Robert Hull Fleming Museum’s African, Oceanic, 

Pre-Columbian, and Native American holdings. 

For the publication of a catalogue of the collection of Oriental carpets 

at the Virginia Museum of Fine Arts. 

For the researching, re-cataloguing and documenting of the museum’s 

collection of works on paper. 

To publish a comprehensive catalogue of the Collection of Musical 

Instruments, which is comprised of more than 800 objects from around 

the world. 
142 Museum 

Utilization of	 To install collections formerly in storage or recently acquired, or to design

Museum Collections new displays for artifacts already on view.

Albany Institute of History and Art 

Albany, New York 

Amherst College, Trustees of 

Amherst, Massachusetts 

and/or service 

Seattle, Washington 

Art Institute of Chicago
 

Chicago, Illinois
 

Art Institute of Chicago
 

Chicago, Illinois
 

Art Institute of Chicago
 

Chicago, Illinois
 

Atlanta Arts Alliance 

Atlanta, Georgia 

Baltimore Museum of Art
 

Baltimore, Maryland
 

Baltimore Museum of Art
 

Baltimore, Maryland
 

Berkshire Museum, Trustees of the 

Pittsfield, Massachusetts 

Birmingham Museum of Art
 

Birmingham, Alabama
 

Bishop Museum 

Honolulu, Hawaii 

Boise Gallery of Art Association 

Boise, Idaho 

Bronx Museum of the Arts 

Bronx, New York 

Brooks Memorial Art Gallery, Friends 

Foundation of 

Memphis, Tennessee 

California State University 

Long Beach, California 

California, University of 

Santa Barbara, California 

Colgate University 

Hamilton, New York 

Corcoran Gallery of Art, Trustees of the 

Washington, D.C. 

Dartmouth College, Trustees of 

Hanover, New Hampshire 

Program funds: $1,240,350 

77 grants 

For the installation of a long-term exhibition accompanied by a 

catalogue of highlights of the institute’s permanent collection. 

For the construction of three semi-permanent, self-lighted display 

cases, designed for rotating exhibitions of the Museum of Art’s collections of silver, glass, ceramics, and small sculpture. 

For a temporary exhibition in the Annex’s new exhibition space of 

artist’s books from the permanent collection. 

For the first in a planned series of exhibitions of works in all media 

from the institute’s collections of 19th-century French art. 

For the reinstallation of the institute’s collection of primitive art from 

Africa, Oceania, and the Americas. 

For the reinstallation of the institute’s Oriental art collection in a more 

logical and chronologically correct sequence. 

For the design, production, and installation of educational wall texts

for the permanent collection installation in the High Museum of Art’s 

new building. 

For an outreach program of six exhibitions of works from the permanent collection that circulate to public schools, colleges, and community art centers thrdughout the state. 

For the museum’s Teacher Services Program for increasing teachers’ 

effectiveness in using the museum’s collection in classroom teaching. 

For the reinstallation in a refurbished gallery of the museum’s collection of 19th-century American portraits. 

For a long-term loan of postwar European painting and sculpture from 

the collections of the Solomon R. Guggenheim Museum. 

To prepare for the reinstallation of the museum’s collection of 

Hawaiian art, much of which has never been exhibited. 

For an exhibition and catalogue of contemporary arranged image 

photography from the gallery’s collection. 

For a loan of primitive works from the collection of the Metropolitan 

Museum of Art. 

To organize and prepare the gallery’s collection of American, European and Japanese prints for exhibition. 

To create a multi-media outreach program to explain and publicize 

the activities at the Art Museum and Galleries. 

For an exhibition of the Henry Eichheim Collection of Oriental musical 

instruments, a collection never before publicly exhibited. 

For the loan of twelve 17th-century Dutch paintings from the 

Metropolitan Museum of Art to fill a void in the Picker Art Gallery’s 

collection. 

For an exhibition and catalogue of photographs by Eadweard 

Muybridge. 

For the installation of the Hood Museum of Art’s permanent collections in a new facility. 

$25,000 

3,600 

3,200 

25,000 

25,000 

30,000 

15,000 

18,000 

17,500 

15,000 

20,000 

15,000 

4,500 

20,000 

10,000 

11,400 

26,560 

5,850 

8,000 

25,000 
Museum 143 

DeCordova and Dana Museum and 

Park 

Lincoln, Massachusetts 

Denver Art Museum 

Denver, Colorado 

Detroit Institute of Arts,

Founders Society 

Detroit, Michigan 

Detroit Institute of Arts,

Founders Society 

Detroit, Michigan 

DuPont (Henry Francis) Winterthur 

Museum 

Winterthur, Delaware 

Everhart Museum of Natural History, 

Science, and Art 

Scranton, Pennsylvania 

Fine Arts Museums Foundation 

San Francisco, California 

Franklin Furnace Archive 

New York, New York 

Franklin Furnace Archive 

New York, New York 

Fuller Memorial, Trustees of the 

Brockton, Massachusetts 

Guggenheim (Solomon R.) Foundation 

New York, New York 

Haleakala 

New York, New York 

Indianapolis Museum of Art 

Indianapolis, Indiana 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

Jewish Museum 

New York, New York 

Kansas, University of 

Lawrence, Kansas 

Laumeier International Sculpture Park 

St. Louis, Missouri 

Marquette University 

Milwaukee, Wisconsin 

For an arts orientation and outreach program for low-income senior 

citizens. 

6,500 

For an outreach program, which each year takes a portable exhibition highlighting part of the permanent collection to remote communities throughout Colorado. 

20,000 

For a traveling exhibition of Native American art from the 

ChandlerfPohrt Collection, a recently acquired collection of Plains and 

Prairie Indian arts. 

7,500 

To reinstall the institute’s collections of European decorative arts 

and English art, which have been closed to the public for the past 

two years. 

50,000 

To upgrade the lighting and labeling of the museum’s Sewell C. Biggs

collection of American painting, furniture, and silver located in Odessa, 

Delaware. 

To refurbish existing gallery space and reinstall the museum’s collections of pre-Columbian art and primitive art from New Guinea and 

10,000 

For an exhibition and catalogue of master drawings and watercolors 

from the Achenbach Foundation for Graphic Arts, the prints and drawings department of the Fine Arts Museums of San Francisco. 

10,000 

For a two-part exhibition examining the use of language in contemporary art. 

10,000 

For an exhibition of Latin American artists’ books from the collection. 27,390 

For an exhibition at the Brockton Art Museum of classical Greek art 

from the Museum of Fine Arts in Boston. 

10,000 

For an exhibition and catalogue surveying postwar European painting from the permanent collection of the Solomon R. Guggenheim 

Museum. 

18,000 

For a video distribution program that makes video tapes from the 

Kitchen’s collection available to arts centers, universities, and broadcast centers throughout the country. 

15,780 

For a series of exhibitions celebrating the museum’s centennial. 20,000 

For an exhibition taken from the museum’s collection of photography 

of the 1890s, a period of transition from the Naturalistic movement 

to Pictorialism. 

15,000 

For an exhibition of British photography of the 1850s by amateurs

who evolved into professional photographers. 

15,000 

To rotate works in the museum’s permanently installed historical 

survey of photography and upgrade lighting, labeling, and display. 

15,000 

For an exhibition of the Museum’s Benguiat Collection of Jewish 

ceremonial art from Turkey, a rarely exhibited collection. 

12,000 

For a long-term exhibition at the Spencer Museum of Art of 20thcentury European and American works from the Solomon R. Guggenheim Museum’s permanent collection. 

20,000 

For a collection-sharing project in which Laumeier presented an exhibition and catalogue of the University of Chicago’s Alfred Smart 

Gallery’s collection of contemporary sculpture. 

For the installation of the university’s collection of paintings,

sculpture, works on paper, tapestries, illuminated books and 

manuscripts, and decorative arts in a newly constructed museum 

facility. 

12,000 
144 Museum 

Merrimack Valley Textile Museum 

North Andover, Massachusetts 

Metropolitan Museum of Art 

New York, New York 

Mexican Museum 

San Francisco, California 

Michigan, Regents of the University of 

Ann Arbor, Michigan 

Milwaukee Art Museum 

Milwaukee, Wisconsin 

Mingei International 

La Jolla, California 

Minnesota Museum of Art 

St. Paul, Minnesota 

Mississippi Museum of Art 

Jackson, Mississippi 

Monterey Peninsula Museum of Art 

Association 

Monterey, California 

Museum of American Folk Art 

New York, New York 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Modern Art 

New York, New York 

Museum of Modern Art 

New York, New York 

National Academy of Design 

New York, New York 

Palace of Arts and Sciences Foundation 

San Francisco, California 

Pennsylvania, Trustees of the

University of 

Philadelphia, Pennsylvania 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Phillips Collection 

Washington, D.C. 

Pierpont Morgan Library 

New York, New York 

Plains Art Museum 

Moorhead, Minnesota 

Portland Art Association 

Portland, Oregon 

Red Cloud Indian School Board 

Pine Ridge, South Dakota 

For an exhibition and catalogue of printed textiles made during the 10,000 

1980s at the Cocheco Print Works in New Hampshire. 

31,300 To plan for the reinstallation of the museum’s collection of European, 

Islamic, and Japanese arms and armor. 

15,000 To develop and implement new museum workshops and lectures, and

develop a slide bank and artifact kits for use in or out of the museum. 

For an exhibition surveying American prints from 1910 through 1940, 7,000 

drawn from the museum’s collection. 

To re-light, re-label, frame, and install the museum’s permanent 10,000 

collections. 

10,000 

Ethiopian folk art. 

For an exhibition of the Museum of World Folk Art’s collection of 

9,000 To up-grade the museum’s matting and framing capabilities to prepare
 

the collection for installation and exhibition.
 

For the museum’s program of increased use of its own permanent 10,000
 

collection in conjunction with long-term loans from the Tougaloo College Collection.
 

For an outreach project consisting of a series of portable boxes con- 5,900
 

taining selected artifacts form the museum’s international folk art
 

collection available for use in schools, libraries, and other community agencies.
 

For an exhibition of midwestern Amish quilts from the museum’s 5,000
 

collection.
 

For a series of exhibitions highlighting six aspects of the museum’s 20,000
 

permanent collection.
 

For a daily lecture-discussion program concerning works in the per- 15,000
 

manent collection, conducted by graduate students.
 

To reinstall the museum’s collection in newly expanded and refur- 60,000
 

bished galleries that double the available space for the permanent
 

collection.
 

For a traveling exhibition and catalogue of the academy’s collection 25,000
 

of artists’ portraits and seif-protraits by members of the academy,
 

dating from 1809 to the present.
 

For a project designed to improve the exhibit graphics, labels, and 20,000
 

guidesheets to present more clearly the connections between art and


science in the Exploratorium’s exhibits.
 

For a program in conjunction with Internation~l Classroom that brings 10,000
 

students from Philadelphia’s public schools to the University Museum
 

for gallery tours and discussions.
 

For a two-year teacher training project designed to enable elemen- 38,190
 

tary and secondary school educators of traditional disciplines to incorporate works of art into their teaching curriculum.
 

For an exhibition of the museum’s entire collection of works by 40,000
 

Cezanne.
 

For a project that allows the collection to remain on view while the 25,000
 

museum’s galleries are being renovated.
 

For an exhibition of opera stage designs and other works to com- 18,000
 

memorate the 100th anniversary of the Metropolitan Opera Company.
 

For an exhibition of the museum’s collection of African art. 5,000

For an exhibition of recently acquired Japanese folk art and a selec- 10,000 

tion of related prints. 

To expand and reinstall the school’s exhibitions of paintings, bead 3,000 

and porcupine quill work, and quilts. 
Ringling (John and Mable) Museum of 

Art Foundation 

Sarasota, Florida 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri 

San Antonio Museum of Art 

San Antonio, Texas 

San Antonio Museum of Art 

San Antonio, Texas 

Southern Arts Federation 

Atlanta, Georgia 

Studio Museum in Harlem 

New York, New York 

Syracuse University 

Syracuse, New York 

Texas, University of 

Austin, Texas 

Textile Museum 

Washington, D.C. 

Waiters Art Gallery, Trustees of 

Baltimore, Maryland 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

Williams College 

Williamstown, Massachusetts 

Visiting

Specialists 

Art Institute of Chicago 

Chicago, Illinois 

Art Museum Association 

San Francisco, California 

Capital Children’s Museum 

Washington, D.C. 

Cincinnati Art Museum 

Cincinnati, Ohio 

Museum 145 

For an exhibition of twelve works by Marcel Duchamps from the 5,000 

museum’s collection to travel throughout Florida. 

To convert a storage space into a gallery for rotating exhibitions of 9,400 

the museum’s collections of African, Oceanic, and American Indian art. 

To reinstall the museum’s pre-Columbian collections. 6,000 

For a long-term loan exhibition of contemporary Latin American art 20,000 

from the Solomon R. Guggenheim Museum. 

To evaluate and prepare for installation the museum’s collection of

pre-Columbian art of Mesoamerica, and Central and South America. 

10,000 

To support five southern museums in organizing exh%itions from their 25,000 

permanent exhibitions to become elements of the federation’s Visual 

Arts Touring Program. 

For two exhibitions in the museum’s new facility of recent acquisi­ 25,000 

tions and a selection of African art. 

For an exhibition of the works of Rico Lebrun at the Joe and Emily 5,000 

Lowe Art Gallery. 

For an exhibition and catalogue of the Archer M. Huntington Art

Gallery’s rarely exhibited collection of British photography, dating 

25,620 

from 1840 through 1900. 

For an exhibition and catalogue of Greek Island embroidery, one of 10,000 

the museum’s collections not previously catalogued nor exhibited. 

For an exhibition and catalogue of the gallery’s ivory collection, in­ 20,000 

cluding works from antiquity through the 20th century. 

For an education project that sends art instructors to elementary and

secondary schools with slide lectures and discussions concerning the 

12,500 

museum’s collections. 

To present a six-week series of short and feature-length films on contemporary American artists represented in the museum’s collection 

10,000 

and on contemporary visual arts movements. 

To reinstall the Museum of Art’s permanent collection in recently

refurbished gallery space. 

25,000 

To enable museums to engage outside consultants for such projects as fundraising, collection research, and public relations activities. 

Program funds: $131,020 23 grants 

To hire a visiting specialist to assist in the coordination of teacher $6250 

workshops presented by the institute’s Education Department. 

For a visiting specialist program sponsored and administered by the 12,500 

association, consisting of up to 25 specialists’ visits to small and 

medium-sized art museums to provide technical assistance and advice. 

For a visiting specialist to add significant art content to the museum’s 

projects and events and train museum personnel to run such 

programs. 

For a visiting specialist to review the collection of Japanese ukiyo-e 

prints and recommend a format for cataloguing them, including 

priorities for their conservation and publication. 

Cultural Council Foundation For Museum Mile to hire a visiting specialist to plan a fund-raising 5,400 

New York, New York campaign for ten museums located on upper Fifth Avenue. 
146 Museum 

Dartmouth College, Trustees of 

Hanover, New Hampshire 

Denver Art Museum 

Denver, Colorado 

Detroit Institute of Arts,

Founders Society 

Detroit, Michigan 

Detroit Institute of Arts 

Founders Society 

Detroit, Michigan 

Duke University 

Durham, North Carolina 

Hebrew Union College 

Los Angeles, California 

Honolulu Academy of Arts 

Honolulu, Hawaii 

Hunterdon Art Center 

Clinton, New Jersey 

Institute for Art and Urban Resources 

Long Island, New York 

New Museum 

New York, New York 

New Museum 

New York, New York 

New Museum 

New York, New York 

New York Public Library 

New York, New York 

Northeast Document Conservation 

Center 

Andover, Massachusetts 

Parrish Art Museum 

Southampton, New York 

Riverside County Parks Department 

Cherry Valley, California 

Upper Midwest Conservation Association 

Minneapolis, Minnesota 

Wadsworth Atheneum 

Hartford, Connecticut
 

For a visiting specialist to develop an inclusive system of signage and 5,430 

related graphics for the Hood Museum of Art’s new facility, scheduled to open in the fall of 1984.
 

3,500 For a visiting specialist to conduct a study of the museum’s audience 

in order to encourage an increase in visits by local residents. 

7,010 For two visiting textile specialists to research and study two aspects 

of the institute’s European textile collection. 

For two visiting specialists to work with the Department of Educa- 11,300 

tion to improve the institute’s educational and public service programs. 

For the Museum of Art to hire three visiting specialists with exper- 324o 

tise in African Art, to assess the quality of the museum’s African 

holdings for determining future exhibitions, storage, and deaccession 

policies. 

For the services of a visiting specialist in registration at the Skirball 4,000 

Museum. 

For two visiting specialists to survey the academy and its collections 

and make recommendations for exhibition procedures and climate 

control. 

For the services of a visiting specialist to conduct a feasibility study 4,600 

for a major fund drive. 

For the services of a visiting specialist in registration. 1,500 

For a visiting specialist to devise a capital funds campaign for the 6,700 

museum and advise the staff on development activities. 

For a visiting specialist to advise the museum on its membership 1,750 

program. 

For a public relations firm to advise the museum, aasisting with special 3,500 

activities related to its relocation in a new building. 

For the services of a visiting exhibit design specialist. 6,000 

For a public relations specialist to develop plans for the center’s 7,000 

publicity and marketing programs. 

For two visiting specialists to study the museum’s physical plant and 3,080 

advise staff on architectural and engineering planning for the future. 

For visiting art historians representing several specialized areas of 5,400 

expertise to assist the curator of the Edward-Dean Museum of 

Decorative Arts in a complete curatorial review of the collection. 

For visiting specialists of Oriental art to conduct a three-day seminar 7,800 

for museum curators, offering technological information on conservation problems associated with Oriental objects. 

For a specialist in Native American baskets to prepare an annotated 425O 

inventory of the Atheneum’s basket collection. 
Museum 147 

Collection For consultation services to identify problems and recommend solutions conMaintenance cerning security, storage, and climate control or to assist with renovation

projects after surveys have been completed. 

Akwesasne Cultural Center 

Hogansburg, New York 

Boston Athenaeum 

Boston, Massachusetts 

Butler Institute of American Art 

Youngstown, Ohio 

Cincinnati Museum A~sociation 

Cincinnati, Ohio 

Ciaremont University Center 

Claremont, California 

Colgate University 

Hamilton, New York 

Dartmouth College, Trustees of 

Hanover, New Hampshire 

Emory University 

Atlanta, Georgia 

Field Museum of Natural History 

Chicago, Illinois 

Franklin Furnace Archive 

New York, New York 

Haleakala 

New York, New York 

Hudson River Museum at Yonkers 

Yonkers, New York 

Jewish Museum 

New York, New York 

Metropolitan Dade County 

Miami, Florida 

Milwaukee Public Museum 

Milwaukee, Wisconsin 

Mingei International 

La Jolla, California 

Museum of Contemporary Art 

Chicago, II~nois 

Museum of Modern Art 

New York, New York 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Phillips Collection 

Washington, D.C. 

Program funds: $511,650 Treasury funds: $505,500 

27 grants 

To upgrade the Akwesasne Museum’s storage, security, and climate 

control systems. 

For a renovation project to consolidate the entire print and photograph 

collection for storage under optimum environmental conditions. 

To install a complete climate control system in the museum, only a 

portion of which is now currently air conditioned. 

To modify the Cincinnati Art Museum’s climate control system, currently operated manually, by installing automatic controls on each 

of the 13 heating and air conditioning units. 

For renovation of three basement storage areas housing the art and 

artifact collections of the Claromont University Center and the Claremont Graduate School. 

To renovate several existing storage areas by installing custom-built 

cabinets and shelves at the Picker Art Gallery. 

To renovate Clement Hall, converting the office building into a collection storage facility for the Hood Museum. 

For renovation of the building presently housing the Museum of Art 

and Archaeology. 

To upgrade the storage system for about 4,000 objects in the museum’s 

textile collection. 

To upgrade the archive’s storage area, including the installation of
 

climate control, and improving the fire protection and security systerm 

To survey the storage, climate control, and security needs of the collection at the Kitchen. 

To implement the third phase of the museum’s collection maintenance 

plan, concentrating on works on paper, photography, costumes, and

personal accessories. 

To upgrade security, storage, and climate control in specific sections 

of the museum. 

For the first phase of a major renovation project to climatize the 

Viscaya Museum and upgrade its fire and security systems. 

To renovate and equip two unused rooms in the museum for storing, 

handling, and preserving the museum’s works of art on paper. 

To build additional custom-designed cabinets for storage of the growing permanent collection of the Museum of World Folk Art. 

To upgrade the museum’s storage, security, and climate control 

systems. 

For the final phase of upgrading the museum’s climate control and 

fire and security systems in conjunction with a major expansion 

program. 

To upgrade the storage system for the museum’s collections of 0riental rugs. 

To upgrade the museum’s climate control, security, and storage 

systems as part of a major renovation of the original Phillips Collection building. 

$950 

50,000 

100,000 

18,000 

4,500 

5,000 

60,000 

40,000 

15,000 

9,000 

2,500 

20,000 

20,000 

100,000 

10,310 

4,530 

18,000 

200,000 

20,000 

4,500 145,500 
148 Museum 

Rhode Island School of Design 

Providence, Rhode Island 

St. Louis Art Museum 

St. Louis, Missouri 

Studio Museum in Harlem 

New York, New York 

Textile Museum 

Washington, D.C. 

Walker Art Center 

Minneapolis, Minnesota 

Whitney Museum of American Art 

New York, New York 

Ypsilanti Historical Society 

Ypsilanti, Michigan 

Conservation 

Akron Art Museum 

Akron, Ohio 

American Museum of Natural History 

New York, New York 

Arizona, University of 

Tucson, Arizona 

Arnot Art Museum 

Elmira, New York 

Asian Art Foundation of San Francisco 

San Francisco, California 

Astoria Motion Picture 

and Television Foundation 

Astoria, New York 

Atlanta Arts Alliance 

Atlanta, Georgia 

Berkshire Museum, Trustees of the 

Pittsfield, Massachusetts 

Bowdoin College 

Brunswick, Maine 

Brooks Memorial Art Gallery,
 

Friends Foundation of
 

Memphis, Tennessee 

Buffalo Fine Arts Academy 

Buffalo, New York 

Butler Institute of American Art 

Youngstown, Ohio 

Carolina Art Association 

Charleston, South Carolina 

75,000 To install a new fire and security system for the Museum of Art. 

14,040 For the purchase and installation of specialized storage equipment 

for metal objects. 

12,000 To purchase essential cabinets, racks, panels, and other equipment

to upgrade the museum’s storage facilities. 

5,000 To conduct a structural and mechanical systems evaluation for 

developing renovation plans for storage and conservation areas. 

23,800 To convert the museum’s sprinkler fire protection system in art 

storage areas to a Halon gas system. 

29,000 To survey the museum’s present facilities with respect to acoustics,

climate control, security, and storage. 

For a storage and climate control survey to determine the feasibility 

of using the museum’s basement for storage. 

To assist museums in the planning of conservation programs; implement

conservation treatment for permanent collections; assist workshops, training centers, and intern programs to train conservation professionals; and 

to purchase conservation equipment. 

Program funds: $1,194,685 

103 grants 

For the conservation treatment of paintings from the Edwin C. Shaw $5,000 

collection of turn-of-the-century American paintings. 

11,000 For the conservation of artistically significant works from the permanent collection. 

1,300 For the conservation of "St. Jude," a painting in the Museum of Art,
 attributed to the 17th-century Italian artist Giovanni Baglione.
 

For the conservation treatment of selections from the museum’s per- 2,000 

manent collection. 

For the restoration and conservation of a major portion of the Asian 25,000 

Art Museum’s rare Tibetan tanka collection. 

To engage a variety of consultants to assist in planning conservation 5,000 

programs and specialized treatments for the foundation’s collections. 

To complete a conservation survey of the High Museum of Art’s works 1,940 

on paper. 

For the conservation of five works from the museum’s collection. 5,500 

For the conservation of drawings from the Museum of Art’s perma- 2,000
 

nent collection.
 

For the conservation of a number of paintings and one important 8,000
 

sculpture from the museum’s permanent collection.
 

For the conservation of major paintings in most urgent need of treat- 8,000
 

ment from the permanent collection of the Albright-Knox Art Gallery.
 

For the treatment of a number of paintings from the museum’s per- 9,000
 

manent collection that need immediate attention.
 

For a conservation survey of the Gibbes Art Gallery’s collection of 3,000
 

400 miniature portraits.
 

520 
Museum 149 

Cathedral Church of St. John 

the Divine 

New York, New York 

Cincinnati Museum Association 

Cincinnati, Ohio 

Corcoran Gallery of Art,
 

Trustees of the
 

Washington, D.C. 

Coruell University 

Ithaca, New York 

Coruing Museum of Glass
 

Coming, New York
 

Dayton Art Institute
 

Dayton, Ohio
 

Delaware, University of 

Newark, Delaware 

Denver Art Museum 

Denver, Colorado 

Detroit Institute of Arts, 

Founders Society 

Detroit, Michigan 

Emory University 

Atlanta, Georgia 

Emory University 

Atlanta, Georgia 

Ferre (Louis A.) Foundation 

Ponce, Puerto Rico 

Ferris State College 

Big Rapids, Michigan 

Fine Arts Museums Foundation 

San Francisco, California 

Fine Arts Museums Foundation 

San Francisco, California 

Fine Arts Museums Foundation 

San Francisco, California 

Guggenheim (Solomon R.) Foundation 

New York, New York 

Haleakala 

New York, New York 

Harvard University

Cambridge, Massachusetts 

Harvard University 

Cambridge, Massachusetts 

Harvard University

Cambridge, Massachusetts 

Higgins (John Woodman) Armory 

Museum 

Worcester, Massachusetts 

Hudson River Museum at Yonkers 

Yonkers, New York 

Huntington Historical Society 

Huntington, New York 

For a conservation apprenticeship training program at the Cathedral 5,000 

Museum. 

For the conservation of textiles in the Cincinnati Art Museum’s permanent collection most in need of treatment. 

For the conservation treatment of paintings from the museum’s

American and European collections. 

For the conservation of selected paintings in the Herbert F. Johnson 2,600 

Museum permanent collection. 

For the repair and restoration of the museum’s collection of about 12,000 

2,400 drinking vessels dating back to 1300 B.C. 

For the conservation of works from the permanent collection. 5,000 

For the graduate degree program for the conservation of artistic and 100,000 

historic objects, jointly sponsored by the Winterthur Museum and

the University of Delaware. 

For the conservation treatment of works from all seven of the 15,000 museum’s curatorial departments. 

For the conservation of a selection of American and European pieces 9,000 

of furniture in crucial need of treatment. 

To purchase major equipment for a conservation workshop in the 5,000 

university’s newly renovated Museum of Art and Archaeology. 

For the conservation of objects in the Museum of Art and Archaelogy’s 6,820 

collections. 

For the second year of a three-year apprenticeship program at the 35,000 

Museo de Arte de Ponce. 

For the conservation of paintings received in a recent bequest. 3,000 

For a second year of the Master-Apprentice Internship in conserva- 5,000 

tion at the Fine Arts Museums of San Francisco. 

For the conservation of a selected group of drawings from the Achen- 21,740 

bach Foundation for Graphic Art, part of the California Palace of the 

Legion of Honor. 

To purchase equipment for use in the Fine Arts Museum of San Fran- 225O 

cisco’s paper conservation laboratory. 

For the purchase of equipment to modernize and upgrade the Gug- 25,000 

genheim Museum’s conservation laboratory. 

For duplication of video tapes in the Kitchen’s archive to preserve 5,000 

the originals from further deterioration through frequent use. 

To complete the conservation of pieces installed in the new Fogg 10,000 

Museum extensibn. 

For a formal advanced-level conservation intern program at the Fogg 83,110

Art Museum. 

For conservation of the most important works in the Busch-Reisinger 3,000 

Museum’s Gropius Archive. 

For conservation of items from the museum’s permanent collection 4,000 

of rare Greek and Roman bronze artifacts that have been on display 

since 1931. 

For the conservation treatment of selected paintings and works on 3,000 

paper in the museum’s permanent collection. 

For conservation of three watercolors by local artist Edward Lange, 

who lived in Huntington during the last quarter of the 19th century. 

910 
150 Museum 

Indiana University 

Bloomington, Indiana 

Indiana University 

Bloomington, Indiana 

Indiana University 

Bloomington, Indiana 

Indianapolis Museum of Art 

Indianapolis, Indiana 

Indianapolis Museum of Art 

Indianapolis, Indiana 

Intermuseum Conservation Association 

Oberlin, Ohio 

International Museum of Photography 

at George Eastman House Rochester, New York 

Iowa, University of 

Iowa City, Iowa 

Jersey City Library Museum 

Jersey City, New Jersey 

Jewish Museum 

New York, New York 

Joslyn Liberal Arts Society 

Omaha, Nebraska 

Kansas, University of 

Lawrence, Kansas 

Kansas, University of 

Lawrence, Kansas 

Kentucky Historical Society 

Frankfort, Kentucky 

Lafayette Art Association 

Lafayette, Indiana 

Marquette University 

Milwaukee, Wisconsin 

Maymont Foundation 

Richmond, Virginia 

McNay (Marion Koogler) Art Institute 

San Antonio, Texas 

Metropolitan Museum of Art 

New York, New York 

Metropolitan Museum of Art 

New York, New York 

Michigan, Regents of the University of 

Ann Arbor, Mic~gan 

Minnesota, University of 

Minneapolis, Minnesota 

Montana, University of 

Missoula, Montana 

Montgomery Museum of Fine Arts 

Association 

Montgomery, Alabama 

20,000 

the university’s Woodburn Hall. 

For the restoration of two Thomas Hart Benton murals located in 

11,000 To purchase a hot table and X-ray unit to complete the new paintings conservation lab in the Art Museum’s new building, and for 

hygrothermographs to monitor the climate-controlled exhibition and 

storage areas. 

For the conservation of the Art Museum’s photographic archive of 2,000 

landscape photographer Art Sinasbaugh. 

For the treatment of the most important works from the museum’s 5,000 

textile collection. 

To purchase an additional stereomicroscope for the museum’s con- 5,250 

servation laboratory. 

2,000 To purchase a Wild M8 Microscope and other related equipment to

upgrade the association’s conservation laboratory. 

For the conservation of photographic works included in the reinstalla- 9,000 

tion of the museum’s 300-print survey exhibition of the history of 

photography. 

For the conservation of paintings from the Museum of Art’s perma- 7,500 

nent collection. 

For the conservation treatment of a large number of works on paper 1,000 

by Jersey City artist August Will. 

For the restoration of a selection of Ketubbot, Jewish marriage 4,000 

contracts. 

For the restoration of works from the museum’s permanent collec- 10,600 

tion of ancient pottery. 

For the conservation of the Spencer Art Museum’s most significant 5,000 

works. 

To complete a survey of the conservation needs of the G.W. Reed 8,000 

collection of Northwest Coast Indian material at the Museum of 

Anthropology. 

For the conservation treatment of two paintings by Kentucky por- 2,000 

traitist Patrick Henry Davenport. 

For the treatment of a number of the most important paintings from 1,300 

the permanent collection of the Greater Lafayette Museum of Art. 

For the conservation of selected paintings to be installed in the univer- 3,000 

sity’s new museum facility, currently under construction. 

For the conservation treatment of objects chosen for treatment by 4,000 

a survey project in 1981. 

For a conservation survey of about 300 paintings in the museum’s 2,000 

permanent collection. 

For a third-year program of advanceddevel training in the museum’s 10,000 

Painting Conservation Department. 

For scholarship stipends for the fellows, interns, and guest conser- 15,000 

vators in the museum’s conservation training program. 

For the conservation of an important group of architectural elements 16,180 

and decorative ornaments designed by Louis Comfort Tiffany. 

For the conservation treatment of those paintings in the permanent 4,000 

collection most urgently in need of attention. 

2,000 

Fine Art’s permanent collection and the purchase of steel cabinets 

for the storage of prints. 

For the conservation treatment of selected works in the School of 

For the conservation treatment of approximately 26 works from the 14,000 

1930s and 1940s, owned by Auburn University and placed on longterm loan at the Montgomery Museum. 
Museum 151 

Munson-Williams-Proctor Institute For the conservation treatment of seven paintings from the institute’s Utica, New York permament collection. 

Museum Associates For an apprenticeship-internship program at the Los Angeles Coun- Los Angeles, California ty Museum of Art. 

Museum of Fine Arts For a one-year master-apprentice internship in painting conservation. Boston, Massachusetts 

Museum of Fine Art For the conservation treatment of the museum’s collection of 32 

Boston, Massachusetts pastels by Jean-Francois Millet. 

Museum of Modern Art To purchase X-ray and related equipment for the museum’s newly New York, New York expanded conservation laboratories. 

Museum of the American Indian For an examination of the museum’s paintings and drawings on hide, New York, New York canvas, and muslin to be protected on acid-free racks. 

Museums at Stony Brook For the conservation of approximately 15 of the museum’s 19th­ Stony Brook, New York century American paintings. 

National Academy of Design For the conservation treatment of works from the academy’s per- New York, New York manent collection, determined by a 1979 survey to be in greatest need 

of treatment. 

New Mexico, University of For a comprehensive survey of the conservation needs of the Univer- Albuquerque, New Mexico sity Art Museum’s collection of photographs. 

New York, Research Foundation of For the first stage of the Neuberger Museum’s conservation collec­ the State University of tion care program.
 

Purchase, New York
 

New York State Historical Association ~/l~or the three-year Cooperstown graduate training program, jointly Cooperstown, New York sponsored by the New York State Historical Association and the State 

University of New York at Oneonta. 

New York State Historical Association For the ninth annual Arts Conservation Training Programs Con- Cooperstown, New York ference held in Cooperstown in May 1983. 

New York University For the Institute of Fine Arts to publish Art and Archaeology New York, New York Technical Abstracts, a journal of annotated abstracts and 

b~liographies for professionals in the conservation and archival fields. 

New York University ~l~or the Institute of Fine Arts’ four-year graduate degree program New York, New York providing instruction in all phases of art conservation. 

New York University To equip and furnish new laboratories, classrooms, and r~l~ated 

New York, New York facilities for the conservation center in the Institute of Fine Arts. 

Northeast Document Conservation For a one-year internship in conservation. Center 

Andover, Massachusetts 

Oakland Museum Association For the conservation treatment of the most significant and endangered Oakland, California works in the museum’s graphic collection. 

Pennsylvania Academy For the conservation treatment of approximately 100 works from the of the Fine Arts academy’s collection of American works on paper. Philadelphia, Pennsylvania 

Princeton University, Trustees of For the treatment of approximately 60 drawings, one woodcut, and Princeton, New Jersey one sketchbook from the Art Museum’s collection of works on paper. 

Rhode Island School of Design For the conservation treatment of a selection of paintings and Providence, Rhode Island sculpture from the Museum of Art’s permanent collection. 

Ringling (John and Mable) Museum of To purchase additional equipment for the museum’s newly created of Art Foundation conservation laboratory. Sarasota, Florida 

Roberson Memorial Center For the conservation of selected paintings in the center’s permanent Binghamton, New York collection, including painted ceiling panels in the 1906 Roberson 

Mansion. 

3,005 

10,000 

10,000 

22,410 

5,380 

10,700 

5,000 

13,000 

1,390 

5,650 

97,000 

7,120 

25,000 

100,000 

25,000 

10,000 

7,770 

18,000 

25,000 

6,000 

15,000 

2,000 

Rochester, University of For the conservation treatment of selected works from the Memorial 5,000 Rochester, New York Art Gallery’s collection. 
152 Museum 

San Francisco Museum of 

Modern Art 

San Francisco, California 

Santa Barbara Museum of Art 

Santa Barbara, California 

Smith College 

Northampton, Massachusetts 

Society for the Preservation of 

New England Antiquities 

Boston, Massachusetts 

Southern California, University of 

Los Angeles, California 

Southwestern Art Association 

Tulsa, Oklahoma 

State Historical Society of Colorado 

Denver, Colorado 

State Historical Society of Colorado 

Denver, Colorado 

Staten Island Institute of Arts 

and Sciences 

Staten Island, New York 

Tennessee Botanical Gardens and 

Fine Arts Center 

Nashville, Tennessee 

Texas, University of 

San Antonio, Texas 

Textile Conservation Workshop 

South Salem, New York 

Textile Museum 

Washington, D.C. 

Upper Midwest Conservation 

Association 

Minneapolis, Minnesota 

Virginia Museum of Fine Arts 

Richmond, Virginia 

Wellesley College 

Wellesley, Massachusetts 

Williams College 

Williamstown, Massachusetts 

Worcester Art Museum 

Worcester, Massachusetts 

Ypsilanti Historical Society 

Ypsilanti, Michigan 

15,OO0 For the conservation treatment of works in the museum’s collection. 

10,000 For the conservation of approximately 43 American and European 

works on paper. 

6,500 Fro the treatment of approximately 68 drawings from the Museum 

of Art’s permanent collection. 

2,310 For the conservation of the furniture collections at two of the society’s properties: the Rundlet-May House in Portsmouth, New Hampshire, and the Codman House in Lincoln, Massachusetts. 

12,500 For the conservation of approximately 14 paintings in the University Art Galleries. 

5,000 For the conservation of approximately 50 works from the Philbrook 

Art Center’s collection of 20th-century Native American paintings. 

22OO To prepare a handbook concerning proper storage, handling and 

restoration of the society’s photographic collection. 

10,000 To conserve works from the society’s extensive photographic collection of Western portraits and landscapes. 

1,000 For the conservation of a small number of paintings from the institute’s permanent collection. 

To purchase equipment necessary for in-house preparation of objects

for display or storage. 

5,0OO For the conservation of the Institute of Texas Culture’s photographic
 

collection.
 

10,000 For a one-year master-apprentice internship in textile conservation. 

8,660 To redesign the existing conservation facility at the museum. 

10,000 For an internship in paintings conservation at the Minneapolis Institute of Art.
 

10,500 For the conservation treatment of a selection of works on paper from 

the museum’s collection. 

2,500 For the conservation of the more important drawings in the Jewett
 

Art Center’s permanent collection.
 

4,500 For the conservation treatment of the Museum of Art’s works on
 

paper that need prompt attention.
 

19,590 To purchase modem equipment for the museum’s new conservation
 

laboratories and renovated photographic studio.
 

2,000 To restore several portraits in the society’s collection. 

To enable museums to organize special exhibitions or to borrow exhibitions Special Exhibitions organized by other museums. 

Program funds: $4,610,920 Treasury funds: $ 300,000 

249 grants 

$5,000 Akron Art Museum For the showing in Akron of "Louise Bourgeois," an exhibition 

Akron, Ohio organized by the Museum of Modern Art. 
Akron Art Museum 

Akron, Ohio 

Akron Art Museum 

Akron, Ohio 

Albright College 

Reading, Pennsylvania 

Albuquerque Museum Foundation 

Albuquerque, New Mexico 

Aldrich Museum of Contemporary Art 

Ridgefield, Connecticut 

Allentown Art Museum 

Allentown, Pennsylvania 

Alternative Center for International Arts 

New York, New York 

Alternative Center for International Arts 

New York, New York 

Amarillo Art Center 

Amarillo, Texas 

American Federation of Arts 

New York, New York 

American Federation of Arts 

New York, New York 

Amon Carter Museum of Western Art 

Fort Worth, Texas 

Arkansas Arts Center 

Little Rock, Arkansas 

Arkansas Arts Center 

Little Rock, Arkansas 

Arkansas Arts Center 

Little Rock, Arkansas 

Arnot Art Museum 

Elmira, New York 

Art Institute of Chicago 

Chicago, Illinois 

Art Institute of Chicago 

Chicago, Illinois 

Art Institute of Chicago 

Chicago, Illinois 

Arts Club of Chicago 

Chicago, Illinois 

Asia Society 

New York, New York 

Asia Society 

New York, New York 

For an exhibition of paintings completed since 1970 by Robert 30,000 

Mangold. 

For "Dialogue," a series of small flexible exhibitions that compare 15,000 the work of two or more contemporary artists. 

For a series of 30-minute videotapes to accompany the four exhibi- 5,930 tions in the Freedman Gallery’s 1982-83 exhibition schedule. 

To plan an exhibition surveying 3,000 years of ancient Mayan art, 20,000 

with emphasis on sculpture, ceramics, jade carvings, gold work, and 

architectural embellishment. 

For an exhibition examining developments and changes since 1960 20,000 

in the work of 15 influential American artists. 

For an exhibition examining the artist’s studio as a subject in 19,500 

American painting during the past 200 years. 

For an exhibition of works by emerging artists from California, I0,000 

Oregon, and Washington. 

For an exhibition presenting contemporary works in various media 10,000 by artists working in the American Southwest. 

To produce videotapes to accompany two exhibitions at the center: 6,000 

"Early French Moderns" and "Ancient Egypt." 

For an exhibition of approximately 150 ancient Eskimo ivory carv- 20,000 

ings dating from the 4th century B.C. to about 1000 A.D. 

For an exh~ition of painted pottery produced by the Mimbres, a little- 43,050 known ancient American culture that flourished from about 900 A.D. 

to 1175 A.D. near what is now southwestern New Mexico. 

For an exhibition of the 19th-century photographs of the American 20,000 

West by Carleton E. Watkins. 

For the showing in Little Rock of the exhibition "Twentieth Cen- 10,000 tury American Drawings - The Figure in Context," organized by the 

International Exhibitions Foundation. 

For the showing in Little Rock of "Jerome Witkin: Paintings and 4,000 

Drawings - A decade of Work," organized by the Museum of Art at 

Pennsylvania State University. 

For the showing in Little Rock of the exhibition "Art Nouveau, Art 

Deco, and Modern: A Guide to the Styles 1890-1940," organized by 

Mississippi Museum of Art. 

For a retrospective exhibition of the work of Douglas Arthur Teed, 7,720 

a turn-or-the-century artist from upstate New York. 

For the showing in Chicago of "Alfred Stieglitz," an extffbitlon organiz- 5,000 

ed by the National Gallery of Art. 

For an exhibition of photography in Paris during the 1920s and ’30s, 20,000 including the works of Andre Kertesz. 

For the showing in Chicago of "Paper and Light: The Calotype In 15,000 Great Britain and France, 1839-1870," an exhibition organized by the

Museum of Fine Arts in Houston. 

For an exhibition examining the interior space design by Mies van 2,500
 

der Robe, including drawings, collages, and plans from the Mies archive at the Museum of Modern Art.
 

For an exhibition of about 35 Japanese emaki--long, horizontal, nar- 20,000
 rative scrolls illustrating various types of stories from classic tales
 

of court life to miraculous religious accounts to heroic battle sagas.
 

For the showing in New York of "The Silk Route and The Diamond 5,000
 

Path: Esoteric BuddbSst Art on the Trans-Himalayan Trade Routes,"
 

an exhibition organized by the Wight Gallery at the University of


California at Los Angeles.
 
154 Museum 

Atlanta Arts Alliance 

Atlanta, Georgia 

Atlanta Arts Alliance 

Atlanta, Georgia 

Baltimore Museum of Art 

Baltimore, Maryland 

Baltimore Museum of Art 

Baltimore, Maryland 

Bard College 

Annandale-on-Hudson, New York 

Bard College 

Annandale-on-Hudson, New York 

Bellevue Art Museum 

Bellevue, Washington 

Berkshire Museum, Trustee of the 

Pittsfield, Massachusetts 

Birmingham Museum of Art
 

Birmingham, Alabama
 

Boise Gallery of Art Association 

Boise, Idaho 

Bronx Museum of the Arts 

Bronx, New York 

Brooklyn Institute of Arts and Sciences 

New York, New York 

Brooklyn Institute of Arts and Sciences 

New York, New York 

Brooks Fine Arts Foundation 

Memphis, Tennessee 

Brown University 

Providence, Rhode Island
 

Brown University 

Providence, Rhode Island 

Buffalo Fine Arts Academy 

Buffalo, New York 

Buffalo Fine Arts Academy 

Buffalo, New York 

California Institute of Technology 

Pasadena, California 

California State University 

Fullerton, California 

California, University of 

Berkeley, California 

California, University of 

Berkeley, California 

For an exhibition at the High Museum of Art surveying the development and impact of conceptual art in which ideas are the focus of expressive content. 

For an exhibition at the High Museum of Art of works by Robert 

Zakanitch, Patsy Norvell, Bill Jensen, and Mia Westerlund, contemporary painters and sculptors whose imagery is drawn from nature. 

For an exhibition of contemporary English collaborative artists Gilbert 

Proersch and George Passmore. 

For an exhibition, jointly organized with the Minneapolis Institute 

of Arts, surveying French printmaking and illustrated books from 

1715 to 1814, including works by Watteau, Fragonard, Prud’hon, and 

Boucher. 

For an exhibition at the Edith C. Blum Art Institute of all of the 

known prints by Paul Klee. 

For an exhibition at the Edith C. Blum Art Institute of recently 

discovered photographic work by Japanese-American artist Yasuo 

Kunioshi (1893-1953). 

For a retrospective exhibition of Dale Chihuly’s work from 1964 to
 

1984.
 

For a group exhibition exploring the emergence of decoration in contemporary painting and sculpture, including works by Frank Stella, 

Joyce Kozloff, and Lynda Benglis. 

For the showing in Birmingham of the exhibition "Black Folk Art
 

in America, 1930-1980," organized by the Corcoran Gallery of Art.
 

For an exhibition exploring ten years of aesthetic and technical

development of contemporary glass. 

For an exhibition surveying the photomontages produced by Laszlo


Moholy-Nagy during his years at the German Bauhaus in the 1920s.
 

To plan for a survey exhibition of art for children’s books, beginning

with examples from 17th-century primers. 

For the showing in Brooklyn of "The Heritage of Islam," an exhibition organized by the Islam Centennial Fourteen. 

For an exhibition at the Brooks Memorial Art Gallery of works in 

various media by Alan Shields, accompanied by an artist-in-residence 

program. 

For an exhibition of printed books, prints, drawings, and paintings 

that document and explore artistic education in the Renaissance. 

For an exhibition of ancient jewelry from the Greco-Roman world,
 

jointly organized with the Institute d’Archeologie et d’Histoire de
 

l’Art, Universite Catholique, Louvain, Belgium.
 

To amend a previous grant for a retrospective exhibition of the work 

of Robert Motherwell at the Albright-Knox Art Gallery. 

For the showing at the Albright-Knox Art Gallery of the Milton Avery 

retrospective organized by the Whitney Museum of American Art 

in New York City. 

For a retrospective exhibition at the Baxter Art Gallery of the work 

of American artist Dennis Oppenheim. 

For an exhibition of works at the Art Gallery by artists who use vernacular architecture references in their work. 

For a retrospective exhibition at the University Art Museum of the 

work of Juan Gris; works representing all aspects of Gris’s 

achievements will be borrowed from collections in the U.S. and abroad. 

For "Matrix Berkeley," an on-going series of moderately scaled, oneperson exhibitions at the University Art Museum examining recent 

developments in the visual arts. 

20,810 

13,230 

25,000 

70,000 

15,000 

10,000 

7,500 

11,000 

3,500 

7,000 

20,000 

5,000 

5,000 

20,000 

5,000 

21,000 

45,950 

10,000 

20,000 

25,560 

TF 150,000 

35,000 
Museum 155 

California, University of 

Riverside, California 

California, University of 

Santa Barbara, California 

Carnegie Institute

Pittsburgh, Pennsylvania 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Center for Inter-American Relations 

New York, New Yorkk 

Cleveland Museum of Art 

Cleveland, Ohio 

Colorado, University of 

Boulder, Colorado 

Columbia College 

Contemporary Arts Center 

Cincinnati, Ohio 

Contemporary Arts Center 

Cincinnati, Ohio 

Contemporary Arts Museum

Houston, Texas 

Contemporary Arts Museum

Houston, Texas 

Contemporary Arts Museum 

Houston, Texas 

Contemporary Arts Museum 

Houston, Texas 

Contemporary Arts Museum

Houston, Texas 

Coreoran Gallery of Art, Trustees of the 

Washington, D.C. 

Coming Museum of Glass 

Coming, New York 

Cranbrook Academy of Art Museum 

Bloomfield Hills, Michigan 

Creative Time 

New York, New York 

Currier Gallery of Art 

Manchester, New Hampshire 

Dallas Museum of Fine Arts 

Dallas, Texas 

Danforth Museum 

Framingham, Massachusetts 

Dayton Art Institute 

Dayton, Ohio 

To plan an exhibition at the California Museum of Photography,

surveying American photography before 1861. 

For an exhibition of old master drawings from the Feitelson Foundation collection, most of which had not been exhibited or published

before. 

For the showing in Pittsburgh of the Milton Avery retrospective

organized by the Whitney Museum of American Art in New York 

City. 

To amend a previous grant for an exh~ition examinin4~ abstract painting and sculpture created in America from 1927 to 1944. 20,610 

For an exhibition of works in various media by three contemporary 

Latin American artists: Waltercio Caldas, Leandro Katz, and Bernardo Salcedo. 

15,000 

For an exhibition examining realism in Japanese art since the 4th

Century A.D., including material from Japanese cinema. 40,000 

To amend a previous grant for a series of installations and performances by four contemporary artists. 7,980 

For a retrospective exhibition of approximately 100 prints by

photographer Anne Noggle. 

7,000 

For an exhibition, organized with the Fort Worth Art Museum, of 

works by contemporary American artist Scott Burton. 

25,000 

For the showing in Cincinnati of William Wegman, an exhibition 

organized by the Walker Art Center in Minneapolis. 

8,500 

For a 20-year retrospective of the work of abstract expressionist 

Milton Resnick. 

20,000 

For the exhibition series, "Perspectives," devoted to mid-sized exhibitions of works by emerging area and national artists. 25,000 

For the showing in Houston of an exin~ition of the work of Gilbert 

and George, organized by the Baltimore Museum of Art. 

5,000 

To amend a previous grant for an exlu~ition surveying the use of still 

life by American artists since 1945. 

7,000 

For "Perspectives," an ongoing series of medium-sized exhibitions 

of contemporary art. 

20,000 

For a retrospective of works in various media by William

Christenberry. 

10,000 

For an exhibition tracing the development of American pressed glass

from its inception in 1825 to the advent of the fully automatic press 

in the 1920s. 

15,000 

For an exhibition of contemporary paintings not done on square or 

rectangular canvases. 

7,500 

For an outdoor exhibition of new site-oriented works by 12 artists 

from around the country for the Battery Park landfill on lower 

Manhattan. 

20,000 

For an exhibition examining the contributions of Photo-Succession, 

a movement founded by Alfred Stieglitz in 1902 that included

photographers Steichen, Coburn, Kasebier, White, and Eugene. 

15,000 

For an exhibition organized with the Phillips Collection and the Muse

National d’Arte Moderne in Paris, concentrating on the later paintings of Pierre Bonnard. 

For an exhibition of the sculpture of Meta Vaux Warrick Fuller 

(1877-1968). 

5,000 

For an exhibition of Art Nouveau furniture, glass, ceramics, and textiles designed by Edward Colonna (1862-1949). 20,000 
156 Museum 

DeCordova and Dana Museum and Park 

Lincoln, Massachusetts 

Denver Art Museum 

Denver, Colorado 

Detroit Institute of Arts, 

Founders Society 

Detroit, Michigan 

District 1199 Cultural Center 

New York, New York 

Drawing Center 

New York, New York 

Drawing Center 

New York, New York 

DuPont (Henry Francis) Winterthur

Museum 

Wilmington, Delaware 

80 Langton Street Corporation 

San Francisco, California 

80 Langton Street Corporation 

San Francisco, California 

Everson Museum of Art
 

Syracuse, New York
 

Everson Museum of Art 

Syracuse, New York 

Federal Council on the Arts and
 

Humanities
 

Washington, D.C. 

Ferre (Luis A.) Foundation 

San Juan, Puerto Rico 

Film in the Cities 

St. Paul, Minnesota 

Fine Arts Museums Foundation 

San Francisco, California 

Fine Arts Museums Foundation 

San Francisco, California 

Florida International University 

Miami, Florida 

Fort Wayne Museum of Art 

Fort Wayne, Indiana 

Fort Worth Art Association 

Fort Worth, Texas 

Franklin Furnace Archive 

New York, New York 

Franklin Furnace Archive 

New York, New York 

Franklin Furnace Archive 

New York, New York 

25,000 For an exhibition of works of art that were inspired by the writings

of Henry David Thoreau. 

10,000 For the showing in Denver of the Milton Avery retrospective organized by the Whitney Museum of American Art in New York City. 

10,000 To plan an exhibition examining the arts in China during the late Song

Dynasty (1100-1270). 

10,000 For an exhibition of contemporary works in a variety of media that 

portray images of nuclear destruction. 

42,950 For an exhibition of architectural drawings from the Royal Institute 

of British Architects, including works since the late 15th century from 

England, France, Italy, and the U.S. 

10,000 For four group exhibitions of drawings by emerging artists. 

50,000 For an exhibition of the arts and crafts produced by Pennsylvanians 

of mid-European origin from the time of their first settlement in Pennsylvania in 1683 to around 1850. 

7,500 For an exhibition of documentation art; photographs that document 

the performance art genre of the past twenty years. 

15,000 For an exhibition of site-specific works, with four installations and
 

two performances at various locations around San Francisco and


documentation of the works in the gallery.
 

For an exhibition of watercolors and etchings by Winslow Homer. 12,000 

15,000 For a retropsective exhibition of works by contemporary expressionist
 

painter Robert Beauchamp.
 

For administrative cost for Arts and Artifacts Indemnity. 3,740 

85,000 For a retrospective exhibition at the Museo de Arte de Ponce of works
 

by 19th-century Puerto Rican painter Francisco Oller, who worked
 

in Paris and participated in the development of Impressionism.
 

For an exhibition surveying the development of a photographic community in Minnesota, including works by Frank Gohlke, James
 

Henkel, and Gary Hallman.
 

For the showing in San Francisco of "Henri Fantin-Latour: A 20,000 

Retrospective Exhibition, orgamzed by t Reunion des Musees Na­ .... " " he

tionaux in Paris in conjunction with the National Gallery of Canada
 

in Ottawa.
 

20,000 For the showing in San Francisco of "Braque: The Late Years," an
 

exhibition organized by the Phillips Collection in Washington, D.C..
 

7,500 For the showing at the Visual Arts Gallery of an exhibition of paintings, drawings, and lithographs by Marsden Hartley.
 

4,920 For an exhibition surveying early Indiana art from the pioneer artists in the year of Indiana’s statehood (1816) to the formation of the
 

"The Hoosier Group," in 1916.
 

6,150 To amend a previous grant for an exhibition of furniture, decorative


arts objects, preparatory designs, and architectural renderings by
 

19th-century Viennese designer-architect Josef Hoffman.
 

For the production of a catalogue to accompany an exhibition examin- 10,000 

ing mallart, an aspect of the artists’ publishing movement. 

For an exhibition examining mailart, an aspect of the artists’ 10,000 

publishing movement. 

For an exhibition surveying the artists’ books created from 1910 to 12,000 

1930 by cubist artists, often in collaboration with writers of the period. 
Museum 157 

French American Foundation 

New York, New York 

Friends of the Graduate Center Mall 

New York, New York 

Fuller Memorial, Trustees of the 

Brockton, Massachusetts 

Fuller Memorial, Trustees of the 

Brockton, Massachusetts 

Grand Rapids Art Museum
 

Grand Rapids, Michigan
 

Guggenheim (Solomon R.) Foundation 

New York, New York 

Harvard University 

Cambridge, Massachusetts 

Harvard University 

Cambridge, Massachusetts 

Hofstra University 

Hempstead, New York 

Honolulu Academy of Arts 

Honolulu, Hawaii 

Hope College 

Holland, Michigan 

Hudson River Museum at Yonkers 

Yonkers, New York 

Hudson River Museum at Yonkers 

Yonkers, New York 

Illinois, University of 

Champaign, Illinois 

Independent Curators 

New York, New York 

Independent Curators 

New York, New York 

Indiana University 

Bloomington, Indiana 

Indiana University 

Bloomington, Indiana 

Institute for Art and Urban Resources 

Long Island City, New York 

Institute of Contemporary Art

Boston, Massachusetts 

Institute of Contemporary Art 

Boston, Massachusetts 

Institute of Contemporary Art 

Boston, Massachusetts 

International Center of Photography 

New York, New York 

For an exhibition of paintings, drawings, photographs, and other objects by Jean Cocteau and other artists associated with him and the 

French avant-garde of the period 1914-1963. 

For an exhibition of reconstructed furniture and props designed for 

the 1922 Russian production of The Death of Tarelkin, by Russian 

constructivist artist Barvara Stepanova. 

For a retrospective exhibition at the Brockton Art Museum of the 

work of metalsmith Vincent Ferrini. 

For an exh%ition at the Brockton Art Museum of paintings, sculpture, 

and drawings by 19th-century artist and physician, William Rimmer. 

For an exhibition of contemporary architecture, presenting one completed structure and one planned for the future by each of 12

architects. 

For a retrospective exh~ition at the Guggen_heim Museum of the work 

of Spanish sculptor Julio Gonzaies (1896-1942). 

To plan an exhibition at the Busch-Reisinger Museum of drawings

by German artists of the 1920s who belonged to the Neue Sacldichkeit 

(New Objectivity) movement. 

To publish a catalogue to accompany an exhibition at the Peabody 

Museum surveying the arts of West and Central Africa. 

For a site-specific exterior/interior installation by Nene Humphrey 

at the Emily Lowe Gallery, with an accompanying video installation 

made in collaboration with Warner Wada. 

For the showing in Honolulu of "Manuel Neri: Drawings and 

Bronzes," an exhibition organized by the Art Museum Association 

in San Francisco. 

For an exhibition surveying the major artists and movements in 

modern Dutch art. 

For an exhibition of drawings by Frederic Edwin Church. 

For an exhibition of the work of the 11 recipients of the 1981-82 CAPS 

sculpture fellowships. 

For an exhibition at the Krannert Art Museum that presents the art 

of Raphael through an exploration of the critical standards of art 

developed during the artist’s own time. 

For an exhibition of drawings by artists since the ’60s who have 

used images from advertising, magazines, film, and television in their

work. 

To amend a previous grant for an exhibition surveying major trends 

in constructivist art since 1920. 

For a showing in Indianapolis of an exhibition of work by Christo, 

organized by the Arts Museum of Santa Cruz. 

For an exhibition of Italian portrait drawings (1400-1800) from North 

American collections at the University Art Museum. 

For the showing in Long Island City of "Expressions: New Art from 

Germany," an exhibition organized by the St. Louis Art Museum. 

For "Issues," an ongoing series of exhibitions of contemporary art. 

For an exhibition demonstrating the relationship between the visual 

arts and dance during the past 90 years. 

For the showing in Boston of"Lucas Samaras: The Pastels," an exhibition organized by the Denver Art Museum. 

For an exhibition of the work of photographer Arnold Genthe. 

50,000 

10,000 

27,000 

20,000 

TF 150,000 

10,000 

5,000 

3,300 

9,960 

10,000 

20,000 

5,000 

10,000 

19,340 

7,350 

1,000 

25,000 

5,000 

25,000 

60,000 

5,000 

15,000 
158 Museum 

International Center of Photography 

New York, New York 

International Exhibitions Foundation 

Washington, D.C. 

International Exhibitions Foundation 

Washington, D.C. 

International Exhibitions Foundation 

Washington, D.C. 

International Exhibitions Foundation 

Washington, D.C. 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

Japan Society 

New York, New York 

Jefferson County Historical Society 

Watertown, New York 

Jewish Museum 

New York, New York 

Joslyn Liberal Arts Society 

Omaha, Nebraska 

Just Above Midtown 

New York, New York 

Kansas City Art Institute 

Kansas City, Missouri 

Kansas, University of 

Lawrence, Kansas 

Kansas, University of 

Lawrence, Kansas 

Kansas, University of 

Lawrence, Kansas 

Kansas, University of 

Lawrence, Kansas 

La Jolla Museum of Contemporary Art 

La Jolla, California 

La Jolla Museum of Contemporary Art 

La Jolla, California 

Laguna Gloria Art Museum 

Austin, Texas 

Laumeier International Sculpture Park 

St. Louis, Missouri 

Long Beach Museum of Art Foundation 

Long Beach, California 

Los Angeles Contemporary 

Exhibitions 

Los Angeles, California 

15,190 For an exhibition of Scandinavian photography, a project organized

with the Walker Art Center in Minneapolis. 

10,000 For an exhibition at four American museums of 18th-century Italian 

drawings from the Robert Lehman collection at the Metropolitan 

Museum of Art. 

To circulate "Grand Prix de Rome Paintings: 1797-1863," to eight 30,000 

American museums. 

37,190 For an exhibition of Italian still life painting from 1500 to 1800, organized with the National Academy of Design. 

For an exhibition of works by turn-of-the-century painter and il- 43,010
 

lustrator Jean-Louis Foraln, including approximately 125 paintings,
 

watercolors, prints, and drawings.
 

10,000 For a retrospective exhibition of up to 250 photographs by Paul 

Caponigro that date from the 1950s. 

45,000 For an exhibition surveying the art of Japanese calligraphy. 

3,000 For an exhibition of New York State coverlets, produced by master 

weavers from the 1820s to the Civil War. 

60,000 For an exhibition of works by Jewish artists living in Paris during 

the early 20th century. 

2,927 For a symposium to accompany the Joslyn Art Museum’s exhibition, 

"Jules Breton and the French Rural Tradition." 

8,200 For an exhibition investigating private performance art, including 

works by Vito Acconci, Yves Klein, and Lucas Samaras. 

9,000 For an exhibition of work by approximately 12 ceramic artists, who

graduated from Kansas City Art Institute. 

10,000 For the showing at the Spencer Museum of Art of "Nuremberg: A 

Renaissance City, 1500-1600," organized by the Huntington Art 

Gallery at the University of Texas at Austin. 

10,000 For an exhibition at the Spencer Museum of Art of 17th-century Dutch 

prints drawn from American museums. 

10,000 For an exhibition at the Spencer Museum of Art of Diane Arbus’s 

magazine photography published in Esquire, Harper’s Bazaar, and 

other magazines from 1960 to 1971. 

30,000 For an exhibition at the Spencer Museum of Art of paintings, tapestries, manuscripts, and Gothic art that recreate medieval gardens -an 

exhibition organized with Dumbarton Oaks in Washington, D.C.. 

For an exhibition of the work of Stephen Antonakos for the early 15,000 

1960s to the present. 

For an exhibition of art by multimedia]performance/visual artist Terry 15,000 

Allen. 

For the showing in Austin of "Printed Art of the Seventies," an ex- 5,000 

hibition organized by the Museum of Modern Art. 

For the showing in St. Louis of "Henry Moore Tapestries," an ex- 3,000 

hibition organized by the International Exhibitions Foundation. 

10,000 For an exhibition of new works by Jennifer Bartlett: 20 conte crayon

drawings and enamel paintings on glass, mirror, roiled steel plates, 

and canvas, specifically created for this exhibition. 

For an exchange exhibition of work by emerging artists with Artists 10,000 

Space in New York. 
Los Angeles Institute of Contemporary 

Art 

Los Angeles, Catifornia 

Los Angeles Institute of 

Contemporary Art 

Los Angeles, California 

Madison Art Center 

Madison, Wisconsin 

Madison Art Center 

Madison, Wisconsin 

Madison Art Center 

Madison, Wisconsin 

Maryland Institute 

Baltimore, Maryland 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

Metropolitan Museum of Art 

New York, New York 

Metropolitan Museum of Art 

New York, New York 

Miami, University of 

Coral Gables, Florida 

Miami, University of 

Coral Gables, Florida 

Mid-America Arts Alliance 

Kansas City, Missouri 

Mid-America Arts Alliance 

Kansas City, Missouri 

Minneapolis College of Art and Design 

Minneapolis, Minnesota 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

Minnesota Museum of Art 

Saint Paul, Minnesota 

Minnesota Museum of Art 

Saint Paul, Minnesota 

Mississippi Museum of Art

Jackson, Mississippi 

Montclair Art Museum 

Montclair, New Jersey 

Montgomery Museum of Fine Arts 

Association 

Montgomery, Alabama 

Morgan (Pierpont) Library 

New York, New York 

Museum 159 

For an exhibition of work by 11 contemporary Italian artists who

traveled to Los Angeles to do concurrent projects at 11 separate art 

40,000 

institutions. 

For an exhibition of collaborative works. 20,000 

For the Center’s State Street Gallery program of one-person exhibi- 10,000 

tions, installations, and site-specific projects in a newly renovated show 

window space on State Street in downtown Madison. 

For an exhibition examinig the work of contemporary Chicago ar- 10,000 

tists working in styles other than the "Hairy-Who" figurative tradition that has long been associated with the art of Chicago. 

For an exhibition of the work of Sylvia Plimack Mangold, dating from 10,050 

1965. 

For an exhibition at the College of Art of recent monotype prints 10,000 

by contemporary American and British artists who are developing 

new approaches to one-of-a-kind prints. 

For the Committee on the Visual Arts to sponsor an exhibition jux- 10,000 

taposing the work of figurative sculptor Jackie Winsor with that of 

abstract sculptor Barry Ledoux. 

For the Committee on the Visual Arts to sponsor an installation by 12,140 

James Tnrrell at the Hayden Gallery. 

To amend a previous grant for an exhibition of paintings, drawings, 50,000 

and prints by Edouard Manet from the Louvre’s and the

Metropolitan’s collections. 

For an exhibition of Leonardo da Vinci’s anatomical drawings from 60,000 

the Royal Library of Windsor Castle. 

For an exhibition of works by A.E. Gallatin (1881-1952). 8,000 

For an exhibition of the work of"rural regionalist" artist Paul Starett 8,000 

Sample (1896-1947). 

For the organization and touring of an exhibition of drawings by 14,710 

George Caleb Bingham. 

For the touring of five exhibitions throughout the alliance’s region. 10,510 

For an exhibition of environmental installations located throughout 15,000 

the city by visual artists whose work involves written words. 

For an exhibition at the Minneapolis Institute of Arts, surveying the 50,000 

entire spectrum of Grant Wood’s career. 

For an exhibition surveying the career of American artist Reginald 25,000 

Marsh (1898-1954). 

For the showing in St. Paul of "Scandinavian Modern: 1880-1980," 10,000 

an exhibition of Scandinavian design organized by the Cooper-Hewitt 

Museum. 

For the Open Gallery program, an exhibition and artist-in-residence 15,000 series geared to artists whose work is conceptual, performance, and/or 

tecimolbgical in nature. 

For an exhibition of approximately 100 paintings that deals with the 15,000 

garden picture as a genre in American painting. 

For an exhibition of works included in the 1946-47 Art Show that was 26,790 

organized by the State Department for travel in post-war Europe 

and Latin America. 

For an exhibition of 15th- and 16th-century French, Italian, and 20,000 

Flemish illuminated manuscripts from the British Library that have 

never been shown in the United States. 
160 Museum 

Morris Museum of Arts and Sciences 

Convent, New Jersey 

Munson-Williams-Proctor Institute 

Utica, New York 

Museo del Barrio 

New York, New York 

Museo del Barrio 

New York, New York 

Museo dei Barrio 

New York, New York 

Museum Associates 

Los Angeles, California 

Museum Associates 

Los Angeles, California 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Contemporary Art 

Los Angeles, California 

Museum of Fine Arts 

Boston, Massachusetts 

Museum of Fine Arts 

Houston, Texas 

Museum of Fine Arts 

St. Petersburg, Florida 

Museum of Modern Art 

New York, New York 

Museum of New Mexico 

Santa Fe, New Mexico 

National Academy of Design 

New York, New York 

National Academy of Design 

New York, New York 

Nebraska Art Association 

Lincoln, Nebraska 

Nebraska Art Association 

Lincoln, Nebraska 

New Gallery of Contemporary Art 

Cleveland, Ohio 

New Jersey Department of Education 

Trenton, New Jersey 

9,000 For an exhibition of the landscape and genre paintings of Charles 

Lanman (1819-1895). 

10,000 For an exhibition of American art between the two world wars from 

the collections of six major upstate New York museums. 

7,500 For an exhibition of up to 60 watercolor paintings of birds by Louis 

Agassiz Fuertes (1874-1927) from the collections of the U.S. Fish and 

Wildlife Services. 

21,620 For an exh"oition of the work of Rafael Ferrer from the past ten years, 

including tents, maps, masks, kayaks, pieces incorporating neon, and 

constructions and paintings. 

10,000 For several exhibitions of work by Hispanic photographers in the

Museo’s f:Stop Gallery. 

20,000 To support "Gallery Six," a series of moderately scaled, one-person

exhibitions at the Los Angeles County Museum of Art examinm" g recent developments in contemporary art. 

188,150 For an exhibition at the Los Angeles County Museum of Art of Asian 

art depicting Buddha Sakyamuni. 

5,000 For the showing in Chicago of "Malcolm Morley Paintings, 1965-1982," 

an exhibition organized by the Whitechapel Art Gallery in London. 

19~230 For the planning of an exhibition that dealt with the role played by 

mystical and occult sources in the development of modern art. 

For an exhibition of Dada and Surrealist art from varons important
 

Chicago collections.
 

10,541 To amend a previous grant for "Options," a series of small shows
 

of new, experimental works; special installations; or performances
 

by one or more artists.
 

10,000 For the showing in Chicago of the Nam June Paik retrospective,


organized by the Whitney Museum of American Art.
 

10,000 For an exhibition of sculpture by Michael Heizer. 

15,000 To plan a comprehensive exhibition of the prints of Edgar Degas. 

50,000 For a retrospective exhibition of the work of Lee Krasner. 

11,942 For an exhibition of French art of the second half of the 18th century. 

125,000 For a survey exhibition of recent painting and sculpture by younger,
 

less established artists from the U.S. and abroad.
 

20,000 For an exhibition of the work of Georgia O’Keeffe, including approximately 40 paintings representing more than 50 years of her career.
 

20,000 For an exhibition of Italian still-life painting from the 16th through
 

the 19th centuries in collaboration with the International Exhibitions
 

Foundation.
 

30,000 For an exhibition surveying the art of portraiture in Spain during
 

the 16th and 17th centuries.
 

3,500 For the showing in Lincoln of "Chicago: Some Other Traditions," an
 

exhibition organized by the Madison Art Center.
 

9,120 For the showing at the Sheldon Memorial Art Gallery of an exhibition of works by minimalist artist Larry Bell.
 

6,630 For an exhibition of works by contemporary artist David Saunders. 

23,840 For an exhibition at the New Jersey State Museum of painted constructions created during the 1930s and 40s by Charles Biederman,
 

Alexander Calder, and Burgoyne Diller.
 
New Mexico, University of 

Albuquerque, New Mexico 

New Mexico, University of 

Albuquerque, New Mexico 

New Museum 

New York, New York 

New Museum 

New York, New York 

New Orleans Museum of Art 

New Orleans, Louisiana 

New York Historical Society 

New York, New York 

New York, Research Foundation of

the State University of

Albany, New York 

New York, Research Foundation of

the City University of 

Flushing, New York 

New York University 

New York, New York 

Newport Harbor Art Museum 

Newport Beach, California 

Norton Gallery and School of Art 

West Palm Beach, Florida 

Oakland Museum Association 

Oakland, California 

Ohio Foundation on the Arts 

Columbus, Ohio 

Ohio State University Research 

Foundation 

Columbus, Ohio 

Oklahoma State University 

Stillwater, Oklahoma 

Pennsylvania Academy of the Fine 

Arts 

Philadelphia, Pennsylvania 

Pennsylvania, Trustees of the
 

University of
 

Philadelphia, Pennsylvania 

Pennsylvania, Trustees of the

University of 

Philadelphia, Pennsylvania 

Pennsylvania, Trustees of the

University of 

Philadelphia, Pennsylvania 

Pennsylvania, Trustees of the 

University of 

Philadelphia, Pennsylvania 

Philadelphia Arts Alliance 

Philadelphia, Pennsylvania 

Museum 161 

10,000 For an exhibition at the Fine Arts Center of contemporary 

photography by artists whose work is autobiographical. 

10,680 For an exhibition of recent ceramic non-utilitarian sculpture by 

younger artists. 

10,000 For an exhibition of work by contemporary artists who use the theme

of cataclysmic disaster in their art. 

16,100 For Workspace, a series of highly experimental non-object-oriented 

environmental situations created by artists Jose Maria Bustos, 

Ondyne Herschelle, Paul Kos, Paul Lammare, and others. 

10,000 For an exhibition of 10~ prints of still life and portrait photographs 

by American photographer Leslie Gill. 

10,000 To present Thomas Cole’s Voyage of Life series from the MunsonWilliams-Proctor Institute. 

For an exhibition at the Neuberger Museum of photographs by Jan 10,000 

Groover. 

For an exhibition of watercolors by Hercules Brabazon-Brabazon at 4,540 

the Queens College Godwin-Ternbach Museum. 

For an exhibition at the Grey Art Gallery of Picasso’s work executed 

during the last ten years of his life. 

For "California: East Coast-West Coast," which will explore works 

by artists who have lived and worked in California during part or 

their careers. 

12,500 For an exhibition of Florida photography from 1885 to 1983. 

8,490 For an exhibition examining the relationship between photography 

and painting in the work of artists in California and the West from 

1900 to 1955. 

9,500 For Statewide Arts Service to produce a catalogue to accompany a

circulating exhibition, organized with the Creative Arts Exhibits 

Center at the University of Colorado. 

25,000 For an exhibition at the Gallery of Fine Art of color documentary 

photographs from the Farm Security Administration archives, most 

of which had never been exhibited. 

7,500 For an exhibition of and symposium on contemporary Native 

American art by approximately 25 young artists from around the country who were not trained in the tradition of the Southwest. 

For a retrospective exhibition of the work of Arthur B. Carles 

(1882-1952). 

For an exhibition at the Institute of Contemporary Art of works by 20,000 

Laurie Anderson. 

10,000 For an exhibition at the Institute of Contemporary Art of works by 

painters whose imagery has been borrowed from or inspired by massmedia. 

10,000 For an exhibition at the Institute of Contemporary Art of works by 

young photographers whose imagery is derived from television, film, 

newspapers, magazines, and advertising. 

For Investigations, a series of four to six small exhibitions at the 15,000 

Institute of Contemporary Art devoted to emerging artists and current provocative themes in the visual arts. 

10,000 For an exhibition of the works of American sculptors who came to 

prominence after 1945, and whose work was generally eclipsed by 

the Minimalist and Pop artists of the early 1960s. 
162 Museum 

Philadelphia College of Art 

Philadelphia, Pennsylvania 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Portland Center for the Visual Arts 

Portland, Oregon 

Portland Center for the Visual Arts 

Portland, Oregon 

Renaissance Society at the University 

of Chicago 

Chicago, Illinois 

Renaissance Society at the University 

of Chicago 

Chicago, Illinois 

Rice University 

Houston, Texas 

Ringling (John and Mable) Museum 

of Art 

Sarasota, Florida 

Ringling (John and Mable) Museum 

of Art 

Sarasota, Florida 

Ringling (John and Mable) Museum 

of Art 

Sarasota, Florida 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri
 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri 

San Francisco Museum of Modern Art 

San Francisco, California 

San Francisco Museum of Modem Art
 

San Francisco, California
 

Saving and Preserving Arts and 

Cultural Environments 

Los Angeles, California 

Seattle Art Museum 

Seattle, Washington 

Seattle Art Museum 

Seattle, Washington
 

Social and Public Arts Resource Center 

Venice, California 

Southeastern Center for 

Contemporary Art 

Winston-Salem, North Carolina 

For Projects For PCA, an annual exhibition project in which an artist or group of artists is invited to create a site-specific work for the 

college’s main gallery or other sites on campus. 

5,700 

For an exhibition of up to 100 17th-century Dutch genre paintings. 150,000 

For the fabrication and installation of a sculptural environment by 

artist Peter Shelton. 

8,000 

For an exhibition of the work of contemporary American painter 

Elizabeth Murray. 

8,100 

For the showing of "Eva Hesse: A Retrospective of the Drawings," 

organized by the Allen Memorial Art Museum at Oberlin College. 

5,500 

For an exhibition of work by American artist John Knight. 3,000 

For an exhibition at the Institute for the Arts of the works of William 

Christenberry. 

20,000 

For an exhibition of paste-ups produced since the early 1950s by 

American artist, Jess. 

20,000 

For an exhibition of Italian Baroque portraiture in various media, 

including painting, sculpture, drawing, prints, and medals. 

38,330 

For an exhibition of John Chamberlain’s sculpture, particularly wall reliefs produced since 1974. 

30,000 

For the showing in St. Louis of "Ellsworth Kelly: Sculpture and 

Related Works on Paper," organized by the Whitney Museum of 

American Art. 

5,000 

For the showing in St. Louis of"Carleton E. Watldns: Photographer 

of the American West," organized by the Amon Carter Museum in 

Fort Worth. 

5,000 

For "Currents," the museum’s on-going series of moderately scaled exhibitions examining recent developments in the visual arts. 

15,000 

For a survey exhibition of new German painting, sculpture, and 

drawing. 

For the showing in St. Louis of "Precisionist Painting and American 

Photography," organized by the San Francisco Museum of Modern 

Art. 

50,000 

20,000 

For an exhibition surveying 25 years of Nathan Oliveira’s work, including paintings, prints, watercolors, and monotypes. 

30,000 

For an exhibition of approximately 130 Edward Westen photographs

from the years the artist spent in Mexico. 

10,000 

For an exhibition of monumental sculptures and environments on six

California sites. 

5,000 

For the showing in Seattle of"Robert Motherwell," a retrospective 

exhibition organized by the Albright-Knox Art Gallery. 

5,000 

For an exhibition of Japanese folk art in various media dating from 

the 15th to the early 20th centuries. 

20,000 

For an exhibition of portable murals created for specific sites in Los 

Angeles by ten contemporary Los Angeles muralists. 

19,300 

For an exhibition of works by the recipients of the Contemporary 

Artists Program fellowships. 

20,000 
Museum 1~ 

Southern Alleghenies Museum of Art 

Loretto, Pennsylvania 

Springfield Library and Museum 

Association 

Springfield, Massachusetts 

Staten Island Children’s Museum 

Staten Island, New York 

Summit A~ Center 

Summit, New Jersey 

Texas, University of 

San Antonio, Texas 

Tuskegse Institute 

Tuskegee, Alabama 

Virginia Commonwealth University 

Richmond, V’L, winia 

Virginia Commonwealth University 

Richmond, Virginia
 

Visual Arts Center of Alaska
 

Wadsworth Atheneum
 

Hartford, Connecticut
 

Walker Art Center
 

Minneapolis, Minnesota
 

Walker Art Center
 

Minneapolis, Minnesota
 

Walker Art Center 

Minneapolis, Minnesota 

Walker Art Center 

Minneapolis, Minnesota 

Washington Project for the Arts 

Washington, D.C. 

Washington University 

St. Louis, Missouri 

Welcome, Patricia

Washington, D.C. 

Western Association of Art Museums 

San Francisco, California 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

For an exhibition of paintings of the Pennsylvania landscape by contemporary artists, including Nell Welliver, Elizabeth Osbourn, and
 

Andrew Wyeth.
 

For the showing at the Museum of Fine Arts of"Jean Louis Forain: 10,500
 

Artist, Realist, Humanist," an exhibition organized by the International Exln~itions Foundation.
 

For educational programs based on the museum’s major 1982-83 ex- 10,000
 

hibition, "Once Upon an Island," which explores the arts, crafts,
 

myths, and music of four important Staten Island ethnic groups.
 

For an exhibition of sculpture and drawings by William Zorach 7,570
 

(lS8°~1966).
 

For an exhibition of work of Hermann Lnngkwitz (1813-1891), an im- 9,920
 

migrant German artist who spent forty years painting the frontier
 

towns, landscape, and developing communities of the American
 

Southwest.
 

For an exhibition at the School of Veterinary Medicine of the work 5,000
 

of Tuskegee photographer P.H. Polk.
 

For a series of five one-person drawing exhibitions at Anderson 7,500 

Gallery by artists for whom drawing is a major or sole artistic concerto 

For an exhibition at Anderson Gallery of works by contemporary 7,500 

Russian emigre artists Komar and Melimid. 

For the showing in Anchorage of"Magdalena Abakanowicz," an ex- 7,500 

hibition organized by the Museum of Contemporary Art, in Chicago. 

For Matrix, an ongoing series of moderately scaled, one-person ex- 30,000 

hibitions examining recent developments in the visual arts. 

For a collaborative exhibition of traditional and contemporary 10,000
 

Japanese urban culture, involving artists and designers from the U.S.
 

and Japan.
 

For "Viewpoints," an exhibition series featuring work by regional 30,000 

and national emerging and established artists. 

For an exhibition of Jim Dine’s paintings, sculptures, and works on 43,600 

paper made between 1964 and 1984. 

For "Viewpoints," an ongoing series of on,and-two-artist exh~itions 20,000 

and a large thematic exhibition of experimental works By young artists throughout the country. 

For an exhibition of works by a group of artists, including Hans 10,000 

Haacke, Terry Braunstein, Nan Becker, and others, whose work involves the process of gathering, organizing, and adapting various 

forms of information. 

For the showing at the Gallery of Art of "Speaking a New Classicism: 6,170 

American Architecture Now,"organized by the Smith College 

Museum of Art and circulated by the National Building Museum. 

To amend a previous grant to extend Ms. Welcome’s participation 5,300 

as a Fellow in the Museum Program. 

For the exhibition and touring of three exhibitions that comprise 20,000 

works from California museums. 

For an exlffbition of the formative work of several artists who became 30,000 

major figures of pop art and mirdmalism, including Rosenquist, Dine,

Judd, Lichtenstein, Noland, Oldenburg and Warhol. 

For a mid~-~xeer retrospective exh~ition of the work of Joel Shapiro. 30,000 

For the Whitney’s "1983 Biennial Exhibition," a comprehensive view 30,000 

of work produced over the past two years by American artists of all 

ages and stages of development. 

For an exhibition of Willem de Koouing’s drawings consisting of up 20,000 

to 120 works that span his career. 
164 Museum 

Williams College 

Williamstown, Massachusetts 

Worcester Art Museum 

Worcester, Massachusetts 

Yale University 

New Haven, Connecticut 

Wider Availability 

of Museums 

Appalachian State University 

Boone, North Carolina 

Danforth Museum 

Framingham, Massachusetts 

Danforth Museum 

Framingham, Massachusetts 

Henry Street Settlement 

New York, New York 

Learning to Read Through the Arts

Program 

New York, New York 

New Museum 

New York, New York 

Portland Center for the Visual Arts 

Portland, Oregon 

TF Treasury Funds 

For an exhibition at the Museum of Art of bronze sculpture by six 10,000 

contemporary artists. 

For the showing in Worcester of an exhibition organized by Dickson 20,000 

Gallery and Gardens in Memphis, devoted to an analysis of the influence that Jean-Francois Millet and Claude Monet l~d upon the style 

of American artists who studied with them in France. 

To produce a catalogue to accompany an exhibition at the Art Gallery 73,580 

of folding screens produced by artists in the 19th and 20th centuries. 

To help museums without permanent collections to develop or strengthen 

arts-related educational programs. 

Program funds: $93,900 

7 grants 

For a series of art-education activity packets to accompany the univer- $17,570 

sity’s exhibitions program that circulates to schools and community

organizations in surrounding rural areas. 

For an education program developed with the Framingham Head 7240 

Start project, designed to involve the Head Start children and their 

parents in museum activities. 

For an educational outreach program to the Framingham area elemen- 9,570 

tary schools for which museum-trained instructors give classroom 

lessens using slides and original art work. 

For an educational project that provides classroom talks and gallery 25,020 

visits for area school children; and provides films, slide-shows, lectures, and gallery tours to senior citizens. 

For a cooperative project of classroom sessions and museum visits 20,000 

designed for underprivileged inner-city junior high school students. 

For a series of videotaped gallery tours and discussions of contemporary art for use in elementary schools. 

For a program of slide presentations and lectures, and a student intern program. 
166 Mu,s4,e 

CABR 
167 

Music
 

Music Advisory Panels
 

Music Training 

Frank Salomon 

Co-Chairman 

Administrator, Presenter 

Marlboro School of Music 

New York, New York 

Rise Stevens 

Co-Chairman 

Mezzo-soprano 

Advisor 

Young Artist Development 

Metropolitan Opera 

New York, New York 

Samuel Adler 

Composer, Chairman 

Composition Department 

Eastman School of Music 

Rochester, New York 

Composers 

Ulysses Kay 

Co-Chairman 

Composer 

Professor of Music 

Herbert H. Lehman College

City University of New York 

Teaneck, New Jersey 

Edwin London 

Co-Chairman 

Composer 

Chairman, Music Department

Cleveland State University 

Shaker Heights, Ohio 

Chamber Music 

Anna Arrington 

Co-Chairman 

Program Officer 

Atlantic Richfield Foundation 

Los Angeles, California 

Grant Beglarian 

President 

National Foundation for 

Advancement in the Arts 

Miami, Florida 

Margaret Hawkins 

Director of Choral Activities 

Wisconsin Conservatory of Music 

Milwaukee, Wisconsin 

Leonard Hurst 

Associate Dean 

School of Music 

University of Michigan 

Ann Arbor, Michigan 

Samuel Adler 

Composer, Chairman 

Composition Department 

Eastman School of Music 

Rochester, New York 

Stuart Dempster 

Composer, trombonist 

Faculty Member 

University of Washington 

Seattle, Washington 

John Duffy 

Composer 

President and Director 

Meet the Composer 

New York, New York 

Julian Filer 

Co-Chairman 

Cellist 

Founder and Executive Director 

Orpheus Chamber Ensemble 

New York, New York 

Michael Steinberg 

Artistic Advisor 

San Francisco Symphony 

San Francisco, California 

Aube Tzerko 

Pianist, Professor 

University of California 

Los Angeles, California 

Daniel Windham 

Director 

Educational Activities 

New York Philharmonic 

Administrator 

New York Community Trust 

New York, New York 

Margaret Garwood 

Composer 

Philadelphia, Pennsylvania 

Joseph Schwanter 

Composer 

Composer-in-Residence 

St. Louis Symphony Orchestra 

Chesterfield, Missouri 

Daria Semegen 

Composer 

Professor of Music 

State University of New York 

at Stonybrook 

East Setauket, New York 

James Backus 

Clarinetist 

Executive Director 

Southern Arts Federation 

Atlanta, Georgia 
David Cran 

Founder and First Trumpet

Annapolis Brass Quintet 

Artistic Director 

International Brass 

Quintet Festival 

Arnold, Maryland 

Charles Hamlen 

Founder and Co-Director 

Hamlen-Landau Management 

New York, New York 

Chorus 

Margaret Hawkins 

Co-Chairman 

Director of Choral Activities 

Wisconsin Conservatory of Music 

Milwaukee, Wisconsin 

Richard Westenburg 

Co-Chairman 

Director of Musica Sacra 

of New York 

Director of Music at Cathedral 

of St. John the Divine 

Head of Choral Department 

Juilliard School 

New York, New York 

New Music Performance 

John Adams 

Co-Chairman 

Conductor 

Composer-in-Residence 

San Francisco Symphony 

San Francisco, California 

Hollis Headrick 

Co-Chairman 

Percussionist 

Executive Director 

Composers Forum 

New York, New York 

Orchestra 

Kenneth Haas 

Co-Chairman 

Manager 

Cleveland Orchestra 

Cleveland, Ohio 

Frederick Zenone 

Co-Chairman 

Manager 

National Symphony Orchestra 

Vienna, Virginia 

Susan Bush 

General Manager 

Albany Symphony Orchestra 

Albany, New York 

George Heussenstam 

Composer, educator 

Manager 

Coleman Chamber Music 

Association 

Pasadena, California 

Ann Monoyios 

Soprano 

Folger Consort, Concert 

Royal, Pomerium Musices 

New York, New York 

Leonard DePaur 

Conductor, composer 

Director of Community Relations 

Lincoln Center for the Performing Arts 

New York, New York 

Robert Willoughby Jones 

Executive Director 

Los Angeles Master Chorale 

Los Angeles, California 

Louis Magor 

Conductor of Louis Magor Singers 

Director of Schola Cantorum 

San Francisco, California 

Jacqueline Pierce 

Mezzo-soprano, choral contractor 

New York, New York 

Stuart Dempster 

Composer, trombonist 

Faculty Member

University of Washington 

Seattle, Washington 

Douglas Ewart 

Composer, performer 

President 

Association for the 

Advancement 

of Creative Musicians 

Chicago, Illinois 

Arthur Cohn 

Director of Serious Music 

Carl Fischer, Inc. 

Music Director 

Haddonfield Symphony Orchestra 

New York, New York 

John Corigliano 

Composer
 

New York, New York
 

Nancy Griffin 

Bassist
 

Seattle Symphony Orchestra
 

Secretary of ICSOM
 

Seattle, Washington
 

Robert Gross 

Manager


Florida Symphony Orchestra
 

Orlando, Florida
 

Ronald Roseman 

Oboist
 

New York Woodwind Quintet
 

Faculty Member
 

Yale University, SUNY
 

Juilliard School
 

New York, New York
 

Hiroko Yajima 

Violinist
 

New York Philomusica
 

New York, New York
 

Royce Saltzman 

Professor of Music 

University of Oregon 

Founder-Director 

Oregon Bach Festival 

Eugene, Oregon 

Gregg Smith 

Director 

Gregg Smith Singers 

New York, New York 

Dale Warland 

Director of Dale Warland Singers 

Professor of Music 

Macalester College 

St. Paul, Minnesota 

Elizabeth Larsen 

Composer-in-Residence 

Minnesota Symphony Orchestra 

Artistic Director/Concert 

Manager 

Minnesota Composers Forum 

St. Paul, Minnesota 

Miller Sigmon 

Saxophonist 

Music and Dance Director 

North Carolina Arts Council 

Raleigh, North Carolina 

Adrienne Hirsch 

Executive Director 

Arizona Arts Commission 

Phoenix, Arizona 

Peter Pastreich 

Executive Director 

San Francisco Symphony 

Orchestra 

San Francisco, California 

Gerard Schwarz 

Music Director 

Los Angeles Chamber Orchestra 

92nd Street Y Chamber 

Orchestra 

Newark, New Jersey 
Music 

Jazz Organizations 

Warrick Carter 

Co-Chairman 

Percussionist, composer, 

educator 

President 

National Association 

of Jazz Educators 

Chicago, Illinois 

Marceau Myers 

Co-Chairman 

Dean of School of Music 

North Texas State University 

Denton, Texas 

Jaequeline Belmont 

Executive Director 

Nevada State Council 

on the Arts 

Reno, Nevada 

Jazz Fellowships 

Warrick Carter 

Co-Chairman 

Percussionist, composer, 

educator 

President 

National Association 

of Jazz Educators 

Chicago, Illinois 

John Carter 

Co-Chairman 

Clarinetist, composer, educator 

San Francisco, California 

Toshiko Akiyoshi 

Pianist, composer 

New York, New York 

Solo Recitalists 

Sheldon Soffer
 

Chairman
 

President 

Sheldon Softer Management 

New York, New York 

Music Festivals 

Ernest Fleischmann 

Co-Chairman 

Executive Director 

Los Angeles Philharmonic 

Orchestra 

Los Angeles, California 

Michael Steinberg 

Co-Chairman 

Artistic Advisor 

San Francisco Symphony 

San Francisco, California 

Martin Bookspan 

Critic 

Stereo Review Magazine 

Coordinator for Symphonic 

and Concert Activities 

ASCAP 

New York, New York 

Kenneth Cox 

Pianist, composer 

Artistic Director 

Detroit Jazz Center 

Detroit, Michigan 

Douglas Ewart 

Clarinetist, flutist, composer 

President 

Association for the Advancement 

of Creative Musicians 

Chicago, Illinois 

Rebecca Hannum 

Coordinator 

Art in the Marketplace 

Rouse Company 

Baltimore, Maryland 

Joanne Brackeen 

Pianist, composer 

New York, New York 

Frank Foster 

Saxophonist, composer 

Assistant Professor of Music 

State University of New York 

at Buffalo 

Scarsdale, New York 

Chico Freeman 

Saxophonist, band leader, 

composer 

New York, New York 

James Backas 

Clarinetist 

Executive Director 

Southern Arts Federation 

Atlanta, Georgia 

Dorothy DeLay 

Violinist 

Faculty Member 

Juilliard School 

Nyack, New York 

Helen Laird 

Dean, Professor of Voice

College of Music 

Temple University 

Philadelphia, Pennsylvania 

Carman Moore 

Composer 

Program Analyst 

New York State Council 

on the Arts 

New York, New York 

Clifford Jordan 

Saxophonist, pianist 

New York, New York 

Jackie McLean 

Saxophonist 

Chairman, African-American 

Music Department 

Hartt College

University of Hartford 

Hartford, Connecticut 

Nobuke Cobi Narita 

Executive Director 

Universal Jazz Coalition 

New York, New York 

David Friesen 

Bassist, composer 

Portland, Oregon 

Ellis Marsalis 

Pianist, composer, educator 

New Orleans, Louisiana 

Cedar Walton 

Pianist, composer 

New York, New York 

Anthony Newman 

Organist, harpsichordist
 

composer, conductor
 

South Salem, New York
 

Royce Saltzman 

Professor of Music 

University of Oregon 

Music Director and Founder 

Oregon Bach Festival 

Eugene, Oregon 

Yehudi Wyner 

Composer 

Professor of Music 

State University of New York 

at Purchase 

New York, New York 
170 Mus~ 

Music Recording 

Martin Bookspan
 

Co-Chairman
 

Critic 

Stereo Review Magazine 

Coordinator for Symphonic 

and Concert Activities
 

ASCAP
 

New York, New York
 

Donald Byrd 

Trumpeter, recording artist, 

independent record producer 

New York, New York 

David Cran 

Founder and First Trumpet

Annapolis Brass Quintet 

Artistic Director 

International Brass 

Quintet Festival
 

Arnold, Maryland
 

Overview Meeting 

Julian Fifer 

Co-Chairman 

Cellist 

Executive Director 

Orpheus Chamber Ensemble 

New York, New York 

Ernest Fleischmann 

Co-Chairman 

Executive Director 

Los Angeles Philharmonic 

Orchestra 

Los Angeles, California 

Samuel Adler 

Composer

Chairman of Composition 

Department 

Eastman School of Music 

Rochester, New York 

James Backas 

Clarinetist 

Executive Director 

Southern Arts Federation 

Atlanta, Georgia 

Victor Fuentealba 

President 

American Federation 

of Musicians 

New York, New York 

Howard Scott 

Manager of Performance Division 

G. Schirmer, Inc. 

Montclair, New Jersey 

Daria Semegen 

Composer 

Professor of Music 

State University of New York 

at Stonybrook 

East Setauket, New York 

Grant Beglarian 

Pianist 

President 

National Foundation for 

Advancement in the Arts 

Miami, Florida 

Warrick Carter 

Percussionist, composer, 

educator 

President 

National Association 

of Jazz Educators 

Chicago, Illinois 

Leonard Fleischer 

Senior Advisor 

Arts Program 

Exxon Corporation 

New York, New York 

Michael Steinberg 

Artistic Advisor 

San Francisco Symphony 

San Francisco, California 

Dale Warland 

Director of Dale Warland Singers 

Professor of Music 

Macalester College 

St. Paul, Minnesota 

Robert Gross 

Trombonist 

General Manager 

Florida Symphony Orchestra 

Orlando, Florida 

Kenneth Haas 

General Manager 

Cleveland Orchestra 

Cleveland, Ohio 

Adrienne Hirsch 

Executive Director 

Arizona Commission on the Arts 

Mesa, Arizona 

Gregg Smith 

Director 

Gregg Smith Singers 

New York, New York 
Music 171 

Music Grants
 

Music Professional 

Training 

Association of Professional Vocal 

Ensembles 

Philadelphia, Pennsylvania 

Boston Symphony Orchestra 

Boston, Massachusetts 

California Institute of the Arts 

Valencia, California 

Cleveland Institute of Music 

Cleveland, Ohio 

Colorado Philharmonic 

Evergreen, Colorado 

Congress of Strings Scholarship Fund 

New York, New York 

Conservatory of Music of Puerto Rico 

Santurce, Puerto Rico 

Florida Chamber Orchestra Association 

Fort Lauderdale, Florida 

Hartford, University of 

West Hartford, Connecticut 

Illinois, University of 

Urbana, Illinois 

Ithaca College 

Ithaca, New York 

Juillard School 

New York, New York 

Kennedy (John F.) Center for the 

Performing Arts 

Washington, D.C. 

Kent State University 

Kent, Ohio 

Loma Linda University 

Riverside, California 

Los Angeles Philharmonic Association 

Los Angeles, California 

Mannes College of Music 

New York, New York 

Marlboro School of Music 

Marlboro, Vermont 

Program funds: $9,340,169 

Treasury funds: $3,600,000 

917 grants 

To foster the career development of committed, talented musicians through

support of their training and education as artists. Grants are awarded only

to secondary programs that provide outstanding advanced training for professional careers in music. 

Program funds: $337,800 

Treasury funds: $376,200 

36 grants 

For a choral conductors’ workshop featuring master conductors of 

the professional choral field, giving talented conductors an opportunity 

to work with the master conductors and a professional chorus and

orchestra. 

For the fellowship program at the Berkshire Music Center at 

Tanglewood. 

For the program of scholarship aid. 

For the program of scholarship aid for undergraduate and graduate 

students. 

For the program of scholarship aid providing career development opportunities for young musicians. 

For the American Federation of Musicians’ Congress of Strings training program. 

For technical assistance to improve the quality of teaching at the 

conservatory. 

For the program of scholarship aid for the Advanced Conductors 

Symposium. 

For the program of scholarship aid for outstanding undergraduate 

students enrolled in the Hartt School of Music. 

For orchestral musicians, primarily from the Chicago Symphony and 

the St. Louis Symphony Orchestras to conduct master classes. 

For the program of scholarship aid. 

For the programs of scholarship aid for undergraduate and graduate 

students. 

For the National S~nphony Orchestra’s music training program. 

For the program of scholarship aid at the Blossom Festival School. 

For master teachers’ fees at the Blomstedt Institute of Orchestral 

Conducting and Symphonic Performance. 

For the orchestral training program and the summer institute. 

For the program of scholarship aid and the program of Preparation 

For Professional Life. 

For the program of scholarship aid for outstanding young professional 

artists. 

$15,000 

TF 81,500 

7,800 

TF	 33,000 

10,000 

12,400 

2,000 

1,400 

16,000 

4,100 

6,600 

TF 45,400 

14,900 

16,500 

8,300 

31,400 

TF	 28,500 

40,100 
172 Music 

Michigan, University of 

Ann Arbor, Michigan 

Music Assistance Fund of the 

New York Community Trust 

New York, New York 

Music Associates of Aspen 

Aspen, Colorado 

New England Conservatory of Music 

Boston, Massachusetts 

New School for the Arts 

Montclair, New Jersey 

New School of Music 

Philadelphia, Pennsylvania 

New York, City University of 

Flushing, New York 

New York, City University of 

New York, New York 

92nd Street Young Men’s and Young 

Women’s Hebrew Association 

New York, New York 

Oberlin College 

Oberlin, Ohio 

Orchestral Association 

Chicago, Illinois 

Peabody Institute of the 

Johns Hopkins University 

Baltimore, Maryland 

Philadelphia College of the 

Performing Arts 

Philadelphia, Pennsylvania 

Quartet Program 

Rochester, New York 

St. Louis Conservatory and School 

for the Arts 

St. Louis, Missouri 

Wisconsin, University of 

Milwaukee, Wisconsin 

Yale University 

New Haven, Connecticut 

Yellow Barn Music Festival 

Putney, Vermont 

For the program of fellowship aid for students enrolled in programs 

leading to the degree of Doctor of Musical Arts in music composition, conducting, and performance. 

For the Music Assistance Fund scholarships and the orchestral 

fellowship program, a career development program for minority instrumental musicians. 

For the training components of the Aspen Festival Orchestra and 

the Aspen Chamber Symphony, the Training Program for Young Conductors, and the Opera Training Program. 

For the program of scholarship aid for talented undergraduate and 

graduate students. 

For the program of scholarship aid for students enrolled in the vocal 

training program. 

For the New School of Music orchestra training fellowship program. 

For the program of scholarship aid at the Aaron Copland School of 

Music of Queens College. 

For the program of scholarship aid for Brooklyn College students. 

For the program of scholarship aid. 

For the program of scholarship aid for the Conservatory of Music. 

For the scholarship aid program and the conductors workshop for 

the civic Orchestra of Chicago, the training orchestra for the Chicago

Symphony Orchestra. 

For the program of scholarship aid. 

For the program of scholarship aid. 

For the program of scholarship aid for students enrolled in the summer program. 

For the program of scholarship aid. 

For the program of scholarship aid for students enrolled in the Institute of Chamber Music. 

For the program of scholarship aid for students enrolled in the Yale 

School of Music. 

For the program of scholarship aid. 

24,800 

47,900 

TF 94,100 

TF 37,100 

4,000 

TF 23,600 

5,900 

3,300 

8,300 

12,000 

15,900 

TF 16,500 

TF 16,500 

2,600 

9,900 

4,100 

9,600 

3,000 
Composers
 

Composers Fellowships 

Berger, Robin O. 

East Setauket, New York 

Beynon, Jared 

New York, New York 

Blank, Allan 

Richmond, Virginia 

Boykan, Martin 

Newton Centre, Massachusetts 

Brody, Martin 

Wellesley, Massachusetts 

Burton, Stephen Douglas 

New York, New York 

Chasalow, Eric 

New York, New York 

Hackbarth, Glenn 

Tempe, Arizona 

Hall, Charles 

Berrien Springs, Michigan 

Harris, Matthew 

New York, New York 

Hodkinson, Sydney 

Fairport, New York 

Ivey, Jean Eichelberger 

New York, New York 

Karchin, Louis 

New York, New York 

Kim, Earl 

Cambridge, Massachusetts 

Koblitz, David 

New York, New York 

Music 173 

Includes five subcategories: Composers Fellowships provide for the creation 

or completion of musical works or for research related to creative activity. 

Collaborative Fellowships are available to composers and their collaborators, 

including librettists, video artists, filmmakers, poets, or choreographers for 

the creation or completion of new works. Centers for New Music Resources 

are grants awarded to innovative music facilities, including electronic music 

studios and computer centers in order to encourage collaboration between 

composers and other creative artists. Services to Composers grants are awarded to organizations for projects that serve composers on a national or 

regional basis. Consortium Commissioning grants enable consortia of at least 

three performing or presenting organizations to commission and perform 

new works. 

Program funds: $667,000 

73 grants 

$12,000	 Larsen, Libby 7,200 

St. Paul, Minnesota 

5,400	 Lee, Thomas O. 6,600 

Somerville, Massachusetts 

8,400	 Lieberman, Glenn 6,000 

New York, New York 

7,200	 MacBride, David 5,000 

New York, New York 

6,600	 McKinley, William 5,400 

Reading, Massachusetts 

5,400	 Milburn, Ellsworth 5,400 

Houston, Texas 

7,200	 Neil, G. William 6,000 

Belmont, North Carolina 

10,800	 Parris, Robert 6,600 

Chevy Chase, Maryland 

5,000	 Perle, George 9,000 

New York, New York 

7,200	 Riley, Dennis 7,800 

New York, New York 

9,000	 Rorem, Ned 10,800 

New York, New York 

5,400	 Sampson, David 6,600 

Morristown, New Jersey 

6,000	 Schindler, Allen 6,600 

Fairport, New York 

10,800	 Stock, David 7,200 

Pittsburgh, Pennsylvania 

5,400	 Taxin, Ira 5,400 

New York, New York 

Collaborative Fellowships 

Carruth, Hayden	 5,000 Briggs, Roger	 $5,000 

Syracuse, New York South Bend, Indiana 
174 Music 

Dibbern, Daniel 

Richardson, Texas 

Duckworth, William 

Lewisburg, Pennsylvania 

5,400 

5,000 

Hendricks, William 

Brookline, Massachusetts 

Henry, Karen 

Medford, Massachusetts 

Gilbert, Janet 

Northfield, Minnesota 

Grantham, Donald 

Austin, Texas 

9,000 

5,400 

Leff, Thomas 

South Bend, Indiana 

Rodriquez, Robert Xavier 

Richardson, Texas 

Centers for New Music Resources 

California Institute of the Arts 

Valencia, California 

Canyon Foundation 

Santa Fe, New Mexico 

Dartmouth College, Trustees of 

Hanover, New Hampshire 

Film in the Cities 

St. Paul, Minnesota 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

New York, Research Foundation of 

the City University of 

Brooklyn, New York 

New York, Research Foundation 

of the State University of 

Albany, New York 

North Texas State University 

Denton, Texas 

Renssalaer Polytechnic Institute 

Troy, New York 

Rochester, University of 

Rochester, New York 

Soundwork Studio 

Seattle, Washington 

Stanford University 

Stanford, California 

Services to Composers 

American Academy in Rome 

New York, New York 

American Music Center 

New York, New York 

American Music Center 

New York, New York 

American Music Center 

New York, New York 

To expand the existing electronic music facilities through equipment 

purchase and fund residencies for composers and their collaborators. 

To hire a full-time administrative and development director. 

To upgrade the Bregman Electronic Music Studio through equipment 

purchase. 

For equipment purchase for the sound studio to allow access to composers and new music performers. 

For equipment purchase for the Experimental Music Studio to allow 

digital sound to be performed alive. 

To purchase equipment to upgrade the Computer Music Studio at 

Brooklyn College. 

For purchase of equipment to upgrade the electronic music studio 

at the Crane School of Music. 

For the research and development costs for the design and fabrication of a communications netwoi-k of nficro-computers and an expanded 

digital synthesis system for the Electron Music Center School of 

Music. 

For equipment purchase of a digital-to-analog conversion system for 

the electronic music facility. 

For costs related to the 1983 International Computer Music conference 

hosted by the Eastman School of Music. 

For the activities of the public-access electronic music studio, including 

equipment purchase, administration, staffing, maintenance and 

workshops. 

For the Center for Computer Research in Music and Acoustics to 

purchase equipment to upgrade the master mixing console, improve 

audio quality, and add a printer-plotter for computer-generated music 

manuscripts. 

For a one-year fellowship for a composer to live and work at the 

American Academy in Rome. 

To establish American Music Week, a one-week celebration of performances and broadcasts of American music. 

To hire an assistant director for the American Music Center, a national service organization for composers. 

For the administration of the Endowment’s collection of works 

resulting from Composers Fellowships, and for services to composers. 

9,600 

9,600 

5,000 

5,400 

$4,500 

5,000 

5,000 

5,000 

9,000 

14,000 

2,000 

2,000 

2,000 

6,000 

4,000 

13,000 

$7,500 

49,700 

30,000 

26,000 
Composers’ Conferences and Chamber 

Music Center 

Hyde Park, Vermont 

Experimental Intermedia Foundation 

New York, New York 

Haleakala 

New York, New York 

Ives (Charles) Center for 

American Music 

Roxbury, Connecticut 

Meet the Composer 

New York, New York 

Minnesota Composers Forum 

St. Paul, Minnesota 

New England Foundation for the Arts 

Cambridge, Massachusetts 

New Wilderness Foundation 

New York, New York 

Consortium Commissioning 

Albany Symphony Orchestra 

Albany, New York 

California, University of 

La Jolla, California 

Cincinnati Composers Guild 

Cincinnati, Ohio 

Cultural Council Foundation 

New York, New York 

Great Lakes Performing Artists 

Associates 

Ann Arbor, Michigan 

International Chamber Artists Series 

New Haven, Connecticut 

Musical Elements 

New York, New York 

7,000 For the 1983 summer session. 

2,500 To expand the availability of the audio facilities. 

2,500 To continue the present service of recording composers’ concerts at 

the Kitchen. 

4,000 For the activities of the fourth annual summer program. 

15,000 To continue the Meet the Composer Orchestra Residencies Project 

in which seven composers serve in-residence with seven orchestras 

across the country. 

5,000 For a monthly newsletter, business workshops, performances of works 

by composer members, and technical assistance. 

6,000 To expand the composer residency program and increase live performances by living composers. 

2,500 For publication of Ear Magazine East, a periodical on new music and 

the contemporary arts. 

$24,000 To commission Tobias Picker, Charles Wuorinen, Earl Kim, Robert 

Starer, John Harbison, and Ned Rorem to write new works for orchestra. The following consortium members have agreed to perform 

all six works at least t~vice during the 1984-85 season: Albany Symphony Orchestra, Hartford Symphony Orchestra, Hudson Valley 

Philharmonic, New Haven Symphony, and Springfield Symphony 

Orchestra. 

21,000 To commission Michael Gandolfi, Olly Wilson, and Robert Erickson 

to compose works for small ensemble. The following consortium 

members have agreed to perform all three works at least twice during the 1984-85 season: San Francisco Contemporary Music Players, 

Speculum Musicae, and Sonor. 

16,000 To commission Charles Hoag, James Marshall, Robert Rollin, and


Peter Ware to write works for flute and piano. The following consortium members have agreed to perform all three works at least twice
 

during the 1984-85 season: Cincinnati Composers Guild, First
 

Unitarian Church in Youngstown, Whitman College, and the University of Kansas.
 

To commission William Doppmann, Thomas Svoboda, and Noel Zahler 9,000
 

to write piano trios. The following consortium members have agreed
 

to perform all three works at least twice during the 1984-85 season:
 

Arden Trio, the Aspen Soloists, and the Florestan Trio.
 

12,000 To commission David Diamond, William Bolcom, and William Albright
 

to write duos for saxaphone and piano. The following consortium
 

members have agreed to perform all three works at least twice during the 1984-85 season: Donald Sinta!Ellen Weckler, Laura


Hunter/Brian Connelly, and Joseph Wytko/Walter Cosand.
 

21,000 To commission Paul Chihara, John Harbison, and Andre Previn to 

write works for small ensemble. The follo~ving consortium members 

have agreed to perform all three works at least twice during the 

1984-85 season: International Chamber Artists Series, New College 

Music Festival, Chamber Music Northwest, and Toledo Symphony 

Chamber Series. 

24,000 To commission Lukas Foss, Robert Ashley, Shulamit Ran, and Fred

Lerdahl to v, Tite works for chamber ensemble. The following consortium members have agreed to perform all four works at least twice 

during the 1984-85 season: Musical Elements, the Contemporary 

Chamber Players of the University of Chicago, the Arch Ensemble, 

and Alea III. 
176 Music 

Pittsburgh New Music Ensemble

Pittsburgh, Pennsylvania 

Shuler, David C. 

New York, New York 

Chamber Music 

To commission Ellen Zwilich, Wil Ogden, and Mario Davidovsky to 15,000 

compose works for small ensemble. The following consortium members 

have agreed to perform all three works at least twice during the

1984-85 season: Pittsburgh New Music Ensemble, Collage, and Sonor. 

To commission Ralph Shapey, Gunther Schuller, and Charles 

Wuorinen to write works for solo organ. The following consortium 

members have agreed to perform all three works at least twice during the 1984-85 season: David C. Shuler, Donald Sutherland, and David 

Craighead. 

Includes two subcategories: Ensembles and Presenting Organizations are 

provided support in order to improve the quality of chamber music performances and to make the art form widely available. Services to Chamber 

Music are grants awarded to organizations for projects that serve professional chamber music ensembles on a national or regional basis. 

Program funds: $482,475 130 grants 

Ensembles and Presenting Organizations 

Alaska, University of 

Juneau, Alaska 

Alternative Center for International 

Arts 

New York, New York 

American Brass Chamber Music 

Association 

New York, New York 

Amherst College, Trustees of 

Washington, D.C. 

Appel Farm Arts and Music Center 

Elmer, New Jersey 

Ars Musica 

Ann Arbor, Michigan 

Artist Series at the Pabst 

Milwaukee, Wisconsin 

Associated Students of Sacramento 

State College 

Sacramento, California 

Atlanta Chamber Players 

Atlanta, Georgia 

Atlanta Virtuosi Foundation 

Atlanta, Georgia 

Aulos Ensemble 

New York, New York 

Bach Aria Group Association 

New York, New York 

Badinage 

New York, New York 

Beethoven Society 

New York, New York 

Boehm Quintette 

New York, New York 

To expand the annual Chamber Music Symposium for the 1983-84 $4,300 

season to include guest woodwind and brass musicians. 

For the center’s 1983-84 world chamber music program, including 1,800 

non-Western chamber music and new music concerts. 

For a series of chamber music performances by the American Brass 3,200 

Quintet during the 1983-84 season. 

To increase artists’ fees for members of the core ensemble during 5,700 

the 1983-84 season of the Folger Consort. 

For artists’ fees and related expenses for chamber music concerts 3,500 

during the 1983-84 season. 

For the 1983-84 concert series in the upper Midwest. 6,800 

For artists’ fees and related expenses for the presentation of emerg- 2,500 

ing American chamber ensembles during the 1983-84 season. 

For the sixth Festival of New American Music during the 1983-84 2,800 

season. 

For regional touring throughout the Southeast, a marketing campaign, 6,100 

and artistic development of its members through coaching. 

For public lecture-concerts during the 1983-84 season. 5,800 

For artists’ fees for tour concerts during the 1983-84 series. 4,500 

For travel costs and per diem for tour concerts during the 1983-84 3,400 

season. 

For the ensemble’s 1983-84 touring program. 1,300 

For a series of chamber music concerts presented during the 1983-84 1,600 

season. 

For artists’ fees, travel costs, and related expenses for the Quintette’s 2,400 

1983-84 performance season. 
Boston Camerata 

Boston, Massachusetts 

Brassplays 

Chicago, Illinois 

Brattleboro Music Center, 

Friends of the 

Brattleboro, Vermont 

Bronx Arts Ensemble 

Bronx, New York 

Brooklyn Academy of Music 

Brooklyn, New York 

Candlelight Concert Society 

Columbia, Maryland 

Capitol Chamber Artists 

Albany, New York 

Carlow College 

Pittsburgh, Pennsylvania 

Catskill Symphony Orchestra 

Oneonta, New York 

Center for Chamber Music at Apple Hill 

East Sullivan, New Hampshire 

Centrum Foundation 

Port Townsend, Washington 

Chamber Music Northwest 

Portland, Oregon 

Chamber Music Society of Baltimore 

Baltimore, Maryland 

Chamber Music Society of Lincoln 

Center 

New York, New York 

Chamber Music Society of Utica 

Clinton, New York 

Chamber Soloists of San Francisco 

San Francisco, California 

Charles River Concerts 

Boston, Massachusetts 

Chestnut Hill Concerts 

Guilford, Connecticut 

Chicago Ensemble 

Chicago, Illinois 

Cincinnati Chamber Music Society 

Cincinnati, Ohio 

Connoisseur Concerts Association 

Spokane, Washington 

Coreoran Gallery of Art 

Washington, D.C. 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Music 177 

For increased performers’ fees and administrative salaries and production costs of a 16th-century madrigal comedy presented during 

the 1983-84 season. 

For community residency programs by the Chicago Chamber Brass 

during the 1983-84 season. 

3,000 

For artists’ fees, travel costs, and administrative expenses of the 

Green Mountain Consortium for the Performing Arts. 

7,200 

To continue the ensemble’s residency at the Fordham University Rose 

Hill campus during 1983-84. 

5,300 

To support emerging American chamber music ensembles during the 

1983-84 season. 

9,100 

To present emerging American chamber music ensembles during the 

1983-84 season. 

1,500 

To increase rehearsal time during the 1983-84 season. 2,000 

For activities of the Renaissance City Woodwind Quintet during the 

1983-84 season. 

1,600 

For a series of mini-residencies by the Catskill Woodwind and Brass 

Quintets. 

3,000 

To present a self-sponsored concert series in Massachusetts and New 

Hampshire during the 1983-84 season. 

4,600 

For the 1983 Port Townsend Chamber Music Festival. 3,100 

For artists’ fees for the 1983 season of Chamber Music Northwest. 4,900 

For costs of chamber music presentation during the 1983-84 season. 2,225 

For the 15th anniversary season of the society’s Alice Tully Hall 

subscription series in 1983-84. 

5,600 

For artists’ fees and related expenses for the presentation of the 

1983-84 chamber concert series. 

2,000 

For a series of pre-concert lectures for the 1983-84 chamber music 

series. 

1,600 

For artists’ fees for emerging American chamber ensembles presented 

during the 1983-84 season. 

1,400 

For the 1983 summer series of chamber music concerts in Clinton. 3,200 

For regional touring, the presentation of new American works, and 

workshops for students during the 1983-84 season. 

1,900 

To present emerging American chamber music ensembles during the 

1983-84 season. 

1,600 

For artists’ fees and related expenses for the presentation of emerging American ensembles during the 1983-84 season. 

2,900 

For artists’ fees for the 1983-84 season of the Contemporary Music 

Forum. 

3,800 

For Borealis Woodwind Quintet to present two concert series during the 1983-84 season. 

1,000 

For the New York City Brass to present a series of concerts in New 

York City during the 1983-84 season. 

1,200 
1"/8 Music 

Da Capo Chamber Players 

New York, New York 

Dinosaur Annex Music Ensemble 

Boston, Massachusetts 

Dorian Woodwind Foundation 

New York, New York 

Dumbarton Avenue Concert Series 

Washington, D.C. 

Early Music Foundation 

New York, New York 

Ensemble of Santa Fe 

Santa Fe, New Mexico 

Friends of the Arts 

Locust Valley, New York 

Greater Washington Educational 

Telecommunications Association 

Washington, D.C. 

Gruber Foundation 

Goffstown, New Hampshire 

Hawaii, University of 

Honolulu, Hawaii 

Houston Friends of Music 

Houston, Texas 

Hudson River Museum at Yonkers 

Yonkers, New York 

Interlochen Center for the Arts 

Interlochen, Michigan 

International Brass Quintet Festival 

Baltimore, Maryland 

Iowa, University of 

Iowa City, Iowa 

Jewish Museum 

New York, New York 

Kneisel Hall 

Blue Hill, Maine 

Kronos Performing Arts Association 

San Francisco, California 

L’Ensemble du Musique 

Cambridge, New York 

Lark Society for Chamber Music 

Portland, Maine 

Laurentian Chamber Players 

Yonkers, New York 

Long Island Baroque Ensemble 

Roslyn Harbor, New York 

Long Island Chamber Ensemble 

Huntington Station, New York 

Mamaroneck Free Library 

Mamaroneck, New York 

For a series of concerts and workshops around the country during 8,700 

the 1983-84 season. 

For a subscription series of contemporary chamber music during the 2,200 

1983-84 season. 

For a national tour of up to 40 chamber music performances during 4,500 

the 1983-84 season of the Dorian Woodwind Quintet. 

For artists’ fees, administrative salaries, promotion, and publicity for 1,600 

chamber music concerts on the 1983-84 series. 

For performances by the Ensemble for Early Music during the 1983-84 2,500 

season. 

For the 1983-84 series of chamber music concerts and community 3,650 

programs. 

For artists’ fees and related expenses for the two chamber music 1,900 

series presented by Friends of the Arts during the 1983-84 season. 

For the 1983 Summer Chamber Music Festival at the Library of 1,800 

Congress. 

For artists’ fees, publicity, and administrative costs of two 1983-84 1,600 

chamber music series: Chamber Music in the Homes and the Summer Serenades. 

For artists’ fees for a two-week chamber music residency jointly spon- 6,600 

sored with the Hawaii Association of Music Societies. 

For the 1983-84 series of chamber music concerts by visiting ensembles 3,000 

at Rice University. 

For the 1983-84 season of the Museum Chamber Concerts series. 1,600 

For residencies by emerging American chamber ensembles during 2,400 

the 1983 summer season. 

For the fourth annual International Brass Quintet Festival. 6,000

To present emerging American ensembles on the 1983-84 chamber 4,900 

music series. 

To present emerging American ensembles on the Jewish Composers 2,000 

Series during the 1983-84 season. 

For the 1983 summer chamber music series at Kneisel Hall. 2,900 

For the 1983-84 subscription series of contemporary chamber music 10,500 

concerts. 

To develop a concert series entitled, "The Performer as Composer." 1,400 

For the 1983-84 season of the Portland String Quartet. 2,500 

For a series of concerts and residencies during the 1983-84 season. 1,100 

For artists’ fees for the 1983-84 subscription series and young peo- 2,100 

ple’s concerts. 

For the 1983-84 season of concerts on Long Island and at the Abraham 3,600 

Goodman House in New York City. 

To support artist fees and related expenses for the presentation of 2,000 

emerging American chamber music ensembles during the 1983-84 

season at the Emelin Theatre for the Performing Arts. 

Maumee Valley Musical Arts Society For a two-week residency by the Tower Brass Quintet at the Franklin 2,100 

Bowling Green, Ohio Park Mall in Toledo. 
Mayhew (Nathan) Seminars of

Martha’s Vineyard 

Vineyard Haven, Massachusetts 

Metropolitan Brass Quintet 

Bedford, Ohio 

Mohawk Trail Concerts 

Greenfield, Massachusetts 

Mostly Music 

Chicago, Illinois 

Mozartean Players 

Bronx, New York 

MSQ Enterprises 

Mr. Kisco, New York 

Music at Gretna 

Mr. Gretna, Pennsylvania 

Music for a While 

Stony Point, New York 

Naumberg (Walter W.) Foundation 

New York, New York 

New College Music Festival 

Sarasota, Florida 

New England Piano Quartette 

Foundation 

Kezar Falls, Maine 

New Jersey Chamber Music Society 

Montclair, New Jersey 

New York Chamber Soloists 

New York, New York 

New York Consort of Viols 

New York, New York 

New York Philharmusica Chamber 

Ensemble 

New York, New York 

New York Renaissance Band 

New York, New York 

New York, Research Foundation of 

the State University of 

Albany, New York 

New York Vocal Arts Ensemble 

New York, New York 

92nd Street Young Men’s and Young 

Women’s Hebrew Association 

New York, New York 

North Country Chamber Players 

Franconia, New Hampshire 

North Dakota, University of 

Grand Forks, North Dakota 

Norton Gallery and School of Art 

West Palm Beach, Florida 

Orpheus Chamber Ensemble 

New York, New York 

Papageno Society 

New York, New York 

For artists’ fees for the presentation of the Millennium Ensemble during the 1983 summer season. 

For a residency by the Metropolitan Brass Quintet at Beachwood 

Place shopping center in Beachwood, Ohio.
 

To continue the community concerts program in northwestern
 

Massachusetts.
 

For the 1983-84 series of chamber music concerts throughout the


Chicago area.
 

For a chamber series at the 92nd Street YM-YWHA in 1983-84.
 

For performances by the Manhattan String Quartet during the 1983-84
 

season.
 

For administrative costs of chamber music presentations during the
 

1983 summer season.
 

For the 1983-84 series of early music concerts.
 

For the Alice Tully Hall appearances of ensembles receiving the
 

Naumburg chamber music award.
 

For the festival’s 1983 summer season.
 

For a residency by the Quartette at the Portland Museum of Art.
 

For the 1983-84 chamber music subscription series.
 

For the 1983-84 touring program.
 

For the 1983-84 touring program.
 

For a concert series featuring the works of living American composers.
 

For national tours by the band during the 1983-84 season.
 

For a tour by the Tremon String Quartet during the 1983-84 season.
 

For the ensemble’s eleventh annual national concert tour.
 

To present emerging American ensembles during the 1983-84 season.
 

To continue a residency in northern New Hampshire.
 

To expand and upgrade the university’s chamber music presentations


during the 1983-84 season.
 

To present emerging American ensembles during the 1983-84 season.
 

For tour concerts by Orpheus during the 1983-84 season.
 

For the Raphael Trio’s 1983-84 series at Carnegie Hall.
 

Music 179 

1,500 

1,400 

3,500 

4,900 

1,600 

4,400 

4,300 

1,500 

8,500 

2,000 

2,200 

2,000 

1,000 

2,000 

4,900 

2,100 

2,100 

2,600 

3,900 

4,900 

1,700 

1,200 

9,600 

1,900 
180 Music 

Performers’ Committee 

New York, New York 

Philadelphia String Quartet, 

Friends of the 

Seattle, Washington 

Pittsburgh Chamber Music Society 

Pittsburgh, Pennsylvania 

Ponca City, City of 

Ponca City, Oklahoma 

Puerto Rican Culture, Institute of 

San Juan, Puerto Rico 

Quintet of the Americas 

New York, New York 

Renaissance Band Calliope 

New York, New York 

Renaissance Ensemble of Baltimore 

Baltimore, Maryland 

Rochester, University of 

Rochester, New York 

Rockland Center for the Arts 

West Nyack, New York 

St. Luke’s Chamber Ensemble 

New York, New York 

San Francisco Conservatory of Music 

San Francisco, California 

San Francisco Early Music Society 

San Francisco, California 

Santa Fe Chamber Music Festival 

Santa Fe, New Mexico 

Sea Cliff Chamber Players 

Sea Cliff, New York 

Sequoia String Quartet Foundation 

Los Angeles, California 

Shriver Hall Concert Series 

Baltimore, Maryland 

Si-Yo Music Society Foundation 

New York, New York 

Society for Chamber Music in 

Rochester 

Rochester, New York 

South Dakota Symphony Orchestra 

Sioux Falls, South Dakota 

Strings for Schools 

Malvern, Pennsylvania 

Sylmar Corporation

Minneapolis, Minnesota 

Sylvan Winds 

New York, New York 

Symphony Space 

New York, New York 

6,200 For Continuum’s series of mini-residencies in 20th-century music at

colleges and community organizations throughout the country in 

1983-84. 

2,400 For tours to educational institutions in Washington and Oregon during the 1983-84 season. 

2,500 To present emerging American chamber ensembles on the 1983-84 

concert series. 

2,200 To expand the Marland Chamber Music Festival in Ponca City and 

in surrounding areas. 

3,500 For a series of chamber music concerts by the Figuerca Quintet during the 1983-84 season. 

1,900 For the 1983-84 concert series at the Center for Inter-American 

Relations. 

For tour-residencies in several locations, including the Pacific Coast, 3,000 

Midwest, and South, during the 1983-84 season. 

For the 1983-84 subscription series. 1,500 

3,800 For a tour by the New Arts Trio during the 1983-84 season. 

1,900 For a series of chamber music concerts for young audiences during 

the 1983-84 season. 

5,100 For artists’ fees for the 1983-84 season. 

5,000 For artists’ fees for the seventh annual Chamber Music]West Festival 

in June 1983. 

For artists’ fees for the society’s 1983-84 series. 3,400 

8,200 For the festival’s llth season. 

For the 1983-84 Great Performer Series, featuring the ensemble with 6,000 

guest performers. 

2,600 To hire a professional administrator for the the 1983-84 season. 

To present emerging American ensembles on the 1983-84 concert 2,500 

series. 

2,500 For the 1983-84 Si-Yo Chamber Music concert series at Pace University and additional concerts in other communities in Ohio, Illinois, 

Michigan, and Washington, D.C. 

For the 1984 Baroque Festival, featuring a residency of the Concert 3,200 

Royal Baroque Ensemble. 

5,100 For performances during the 1983-84 season of the Dakota String 

Quartet. 

For the 1983-84 program of free chamber music concerts in schools 3,200 

and in the community. 

For the 1983-84 concert series of the Sylmar Ensemble. 3,100 

For a series of concerts by the Sylvan Wind Quintet during the 1983-84 1,600 

season. 

For an audience development project for contemporary music presen- 1,200 

tations at Symphony Space. 
Music 181 

Syracuse Friends of Chamber Music 

Syracuse, New York 

Theater Chamber Players 

Washington, D.C. 

Third Street Music School Settlement, 

Society of the 

New York, New York 

University Community Concerts 

College Park, Maryland 

Vanderbilt University 

Nashville, Tennessee 

Vermont Mozart Festival 

Burlington, Vermont 

Voices of Change 

Dallas, Texas 

Walker Arts Center 

Minneapolis, Minnesota 

Waverly Consort 

New York, New York 

Westchester Chamber Chorus 

and Orchestra Foundation 

New York, New York 

Western Wind Vocal Ensemble 

New York, New York 

Wilson (Warren) College 

Swannanoa, North Carolina 

WYNC Foundation 

New York, New York 

Yellow Barn 

Putney, Vermont 

Young Audiences of Connecticut 

Bridgeport, Connecticut 

Services to Chamber Music 

Chamber Music America 

New York, New York 

Concert Artists Guild 

New York, New York 

To present emerging American ensembles on the 1983-84 chamber 2,900 

music series. 

For performers’ fees for the preparation, rehearsal and presentation 7,000 

of new work. 

To present guest artists in the school’s 1983-84 chamber music series. 4,300 

To present emerging American chamber music ensembles during the 3,000 

1983-84 season. 

For Blair School of Music to sponsor tour performances by the 1,000 

Nashville Contemporary Brass Quintet in 1983-84. 

For the festival’s 1983-84 winter chamber music series. 1,600 

For the 1983-84 season, including a subscription series at the Meadows 7,100 

School of the Arts, Dallas Public Library, and tour concerts

throughout the state. 

To present new music ensembles and emerging chamber ensembles 11,000 

during the 1983-84 season. 

For the consort’s nationwide touring program for 1983-84. 5,700 

To expand the ensemble’s series to include concerts for inner-city au- 2,000 

diences and the aged. 

For artists’ fees for the ensemble’s performance of Light Opera by 5,100 

Charlie Morrow. 

For the 1983 Summer Chamber Music Festival in Swannanoa, Burns- 2,900 

ville/Spruce Pine, and Hendersonville. 

For artist and ensemble fees for the national radio broadcasts of con- 9,100 

certs by the Chamber Music Society of Lincoln Center. 

For a residency by the ensemble, An die Musik during the 1983 sum- 3,000 

mer season. 

To present chamber music performances, demonstrations, and 2,000 

workshops in schools throughout the state during the 1983-84 season. 

For membership services during the 1983-84 season. $32,500 

For artists’ fees and travel costs of emerging American chamber 5,200 

ensembles presented on the guild’s 1983-84 concert series. 
182 Music 

Chorus 

Professional Choruses 

Dale Warland Singers 

St. Paul, Minnesota 

Gloria Musieae 

Longboat Key, Florida 

Gregg Smith Singers 

New York, New York 

Handel and Haydn Society 

Boston, Massachusetts 

Kenneth Jewell Chorale 

Southfield, Michigan 

Music of the Baroque Concert Series 

Chicago, Illinois 

Musica Sacra 

New York, New York 

Orpheon 

New York, New York 

Philadelphia Singers 

Philadelphia, Pennsylvania 

San Francisco Chanticleer 

San Francisco, California 

Includes three subcategories: Professional Choruses that pay all of their 

singers receive assistance for rehearsal and concert salaries; touring and 

run-out concerts; fees for soloists, guest conductors, and master teachers; 

improving management; collaboration with other groups; or choral 

workshops and festivals. Independent and Orchestra Choruses that pay some 

or none of their singers receive support for salaries for a core of singers; 

fees for soloists, guest conductors, and master teachers; improved management; run-out concerts; or choral workshops or festivals. Service Organizations are given assistance to provide services to the field of choral music 

on a national or regional basis. 

Program funds: $398,000 

86 grants 

For salaries of the singers, conductor, assistant conductor, general $21,000 

manager, and assistant manager. 

For performances of choral music by black American composers. 1,500 

For singers’ salaries during the 1983-84 season. 21,000 

For singers’ salaries for rehearsals and concerts during the 1983-84 21,000 

season. 

For singers’ salaries and increases in fees for the music director, ac- 7,800 

companist, and buisness manager. 

For singers’ salaries for the 1983-84 series. 21,000 

For singers’ salaries and soloists’feesfor rehearses and concerts 21,000 

during the 1983-84season. 

For salaries of artistic and administrative personnel of the Orpheon 5,500 

Chorale. 

For salaries for singers, an assistant conductor, and an audience 13,500 

development director; and for concert hall rental. 

For singers’ salaries for rehearsals and concerts during the spring 7,000 

of 1984. 

Independent and Orchestra Choruses 

Atlanta Symphony Orchestra Chorus 

Atlanta, Georgia 

Bach Society of St. Louis 

St. Louis, Missouri 

Baltimore Choral Arts Society 

Baltimore, Maryland 

Baltimore Symphony Orchestra 

Association 

Baltimore, Maryland 

Boise Master Chorale 

Boise, Idaho 

Boys Choir of Harlem 

New York, New York 

Brattleboro Music Center, 

Friends of the 

Brattleboro, Vermont 

For salaries of teaching and conducting assistants, and for master 

classes by choral specialists and vocal soloists. 

$9,000 

For salaries of the conductor and two assistants. 1,500 

For salaries and fees for the assistant conductor, the administrative 

director, and soloists; and for audience development. 

For salaries, sight singing and ear training classes, and private voice 

lessons for the Baltimore Symphony Chorus. 

6,200 

3,000 

For choral workshops and salaries for a core of singers, the music 

director, and the accompanist. 

For the choir’s Mozart concert. 

1,900 

2,000 

For soloists’ fees for two festivals. 4,500 
Music 183 

Brooklyn Philharmonia 

Brooklyn, New York 

Cantata Academy of Metropolitan 

Detroit 

Dearborn, Michigan 

Cantata Singers 

Cambridge, Massachusetts 

Canticum Novum Singers

Flushing, New York 

Cathedral Choral Society of 

Washington, D.C. 

Washington, D.C. 

Cecilia Society 

Brookline, Massachusetts 

Charleston Symphony Singers’ Guild 

Charleston, South Carolina 

Chicago Chamber Choir 

Chicago, Illinois 

Choral Arts Society of Washington 

Washington, D.C. 

Chorale Acadienne 

Lafayette, Louisiana 

Cincinnati Musical Festival Association 

Cincinnati, Ohio 

Classic Chorales 

New York, New York 

Collegiate Chorale 

New York, New York 

Colorado Chorale 

Denver, Colorado 

Columbia Pro Cantare 

Columbia, Maryland 

Community Chorus of Westerly 

Westerly, Rhode Island 

Community Music Center 

San Francisco, California 

El Paso Pro Musica 

E1 Paso, Texas 

Grand Rapids Symphony Choir 

Grand Rapids, Michigan 

Holland Community Chorale 

Holland, Michigan 

Honolulu Symphony Chorus 

Honolulu, Hawaii 

Jane ttardester Singers 

Torrance, California 

Long Beach Bach Festival 

and Vocal Arts Ensemble 

Long Beach, California 

Long Island Symphonic Choral 

Association 

Port Jefferson, New York 

For soloists’ fees; salaries for the conductor, assistant conductor, and 1,300 

accompanist; and concert management and administration for the 

Brooklyn Philharmonia Chorus. 

For salaries for singers, the conductor, and the accompanist; and for 1,400 

costs of music scores. 

For artists’ fees, production, publicity, and administrative costs. 2,700 

For soloists’ fees for a performance of Bach’s St. John Passion. 1,700 

For performance costs of the Washington premier of Menotti’s Missa 3,500 

"0 Pulchritudo," including open rehearsals, a workshop, and a master 

class. 

To improve salaries and management concerning audience develop- 2,000 

ment and publicity, and for soloists’ fees. 

For fees for soloists, a special events coordinator, the assistant con- 1,400 

ductor, and a special events accompanist. 

For the salary of a professional manager. 1,000 

For soloists’ fees for the 1983-84 season and the audience and fund 8,700 

development program. 

For salaries of the musical director and accompanists. 1,400 

For fees for the chorus director, assistant chorus director, accom- 3,000 

panist, soloists, and vocal instructors. 

For salaries and administrative costs. 1,700 

For fees for soloists, the assistant conductor, accompanist, and 3,800 

administrator. 

For salaries of the choral’s musical staff. 1,000 

For soloists’ fees and travel, and for salaries for the director, 1,500 

accompanist-conductors and the administrative assistant. 

For soloists’ fees; salaries for the music director, business manager, 3,200 

bookkeeper; and adminstrative costs. 

For artists’ fees and administrative salaries. 1,400 

For salaries for the manager and secretary and other administrative 3,500 

costs. 

For salaries for a core of singers and the choir director. 1,000 

For costs of the March Festival ’84. 1,200 

For salaries for the chorus director, assistant director, accompanist, 1,500 

and chorus coordinator; and fees for chorus section leaders. 

For salaries and for an arts administrator’s consultant fee. 1,800 

For soloists’ fees and a manager’s salary. 1,500 

For costs of improved management and a salary for the executive 1,100 

director. 
Los Angeles Master Chorale Association 

Los Angeles, California 

Master Singers 

Brookline, Massachusetts 

Masterworks Chorale 

Boston, Massachusetts 

Mendelssohn Choir of Pittsburgh 

Pittsburgh, Pennsylvania 

Mendelssohn Club 

Philadelphia, Pennsylvania 

Midland-Odessa Symphony and Chorale 

Midland, Texas 

Milwaukee Symphony Orchestra 

Milwaukee, Wisconsin 

Minnesota Chorale 

Minneapolis, Minnesota 

Montgomery Civic Chorale 

Montgomery, Alabama 

Muse of Eloquence 

New York, New York 

Musical Arts Workshop 

Las Vegas, Nevada 

Nashua Symphony Association 

Nashua, New Hampshire 

National Choral Foundation 

Washington, D.C. 

Nebraska Choral Arts Society 

Omaha, Nebraska 

New Amsterdam Singers 

New York, New York 

New Mexico Symphony Orchestra 

Chorus 

Albuquerque, New Mexico 

New York Choral Society 

New York, New York 

New York Latvian Concert Choir 

Hudson, New York 

Oakland Symphony Orchestra 

Association 

Oakland, California 

Occasional Music Society 

New York, New York 

Oratorio Society of Washington 

Washington, D.C. 

Orchestral Association 

Chicago, Illinois 

Oregon Repertory Singers 

Portland, Oregon 

Orpheon 

New York, New York 

Plymouth Music Series 

Minneapolis, Minnesota 

21,000 For singers’ salaries for concerts during the 1983-84 season. 

1,500 For salaries for the music director, manager, and accompanist. 

3,200 For soloists’ fees and salaries for the musical director, assistant conductor, accompanist, and public relations director. 

5,000 For salaries for a core of singers. 

4,000 For costs of improved management. 

1,500 For salaries, soloists’ fees, and training seminars for the chorale 

director. 

8,000 For salaries for the staff of the Wisconsin Conservatory Symphony 

Chorus. 

2,500 For salaries for a core of singers, a guest conductor’s fee, and a master 

class. 

1,000 For salaries of the director and accompanist costs for a performance

of Brahms’ German Requiem. 

1,600 For fees for a solo quartet for performances of contemporary American


works.
 

1,500 For salaries and soloists’ fees. 

2,000 For salaries for a core of singers and fees for master teachers for 

the Nashua Symphony Choral Society. 

6,000 For administrative and artistic salaries for the Paul Hill Chorale and 

Arts in the Marketplace project. 

2,500 For soloists’ fees and salaries for the director, accompanists, and
 

clerical staff.
 

1,000 For salaries for the musical director, accompanist, and administrative
 

manager.
 

2,500 For the salary of the choral director. 

6,300 For salaries, costs of improved management, soloists’ fees, and for
 

choral workshops.
 

1,000 For performance costs of the oratorio-opera Banuta in Milwaukee,
 

Wisconsin, including fees for the conductor and soloists.
 

6,600 For salaries for a core of singers in the Oakland Symphony Orchestra
 

Chorus.
 

1,200 For salaries of the music director and accompanist, costs of new music
 

workshops, and costs of improved management.
 

3,700 For salaries for the music director and accompanist and for soloists’ 

fees.
 

21,000 For singers’ salaries for concerts by the Chicago Symphony Chorus
 

during the 1983-84 season.
 

3,300 For salaries, fees for guest artists, and run-out concerts in Oregon
 

and Washington.
 

1,900 For salaries, soloists’ fees, and the costs of improved management
 

for the Metropolitan Singers/The Greek Choral Society.
 

3,000 For soloists’ fees and salaries for the artistic staff.
 
Music 185 

Prairie Arts Chorale 

Marshall, Minnesota 

Pro Arte Chamber Singers of 

Connecticut 

Westport, Connecticut 

Pro Arte Double Chorale 

Paramus, New Jersey 

Pro Musica 

Salt Lake City, Utah 

Rochester Civic Music 

Rochester, Minnesota 

Rochester Oratorio Society 

Fairport, New York 

St. Louis Chamber Chorus and 

Orchestra 

St. Louis, Missouri 

St. Louis Symphony Society 

St. Louis, Missouri 

San Diego Master Chorale 

San Diego, California 

San Francisco Symphony Association 

San Francisco, California 

Schola Cantorum 

Cupertino, California 

Sine Nomine Singers 

New York, New York 

Singing City 

Philadelphia, Pennsylvania 

Southern Maryland Choral Society 

Ft. Washington, Maryland 

Spokane Symphony Orchestra Society 

Spokane, Washington 

Utah Chorale 

Salt Lake City, Utah 

Vocal Arts Ensemble 

Cincinnati, Ohio 

Washington Bach Consort 

Washington, D.C. 

William Hall Chorale 

Pasadena, California 

Service Organizations 

Association of Professional 

Vocal Ensembles 

Philadelphia, Pennsylvania 

For salaries for singers, the music director and accompanist. 

For salaries for a core of singers and the conductor, and for soloists’ 

fees. 

For soloists’ fees and improved management, including salaries for 

the managing director and assistant manager. 

For soloists’ fees for performances of Bach’s Mass in B Minor. 

6,200 

1,000 

For salaries for the music director, chorus master, and section leaders

of the chorus. 

For a salary for the general manager and other administrative costs. 

2,000 

1,000 

For salaries for musicians and administrative personnel. 3,700 

For salaries and additional rehearsal space for the St. Louis Symphony Chorus. 

For soloists’ fees and the salary of the music director. 

6,900 

3,000 

For salaries for a core of singers during the 1983-84 season of the 

San Francisco Symphony Chorus. 

For salaries for the accompanist and administrative assistant, and 

for soloists’ fees. 

For salaries of the conductor and the singers, soloists’ fees, and administrative and musical costs for performances of Handel’s oratorios. 

For artists’ fees and for run-out concerts in rural communities in New 

Jersey. 

For salaries for singers, the choral director and accompanist; and for 

soloists’ fees. 

For salaries and performance costs for the Spokane Chorale. 

6,800 

2,100 

1,000 

4,000 

1,000 

1,100 

For salaries for the conductor, assistant conductor, and accompanists; 

and for soloists’ fees. 

For salaries for the conductor and the manager for the 1983-84 season. 

2,000 

2,300 

For costs of improved management, including the general manager’s 

salary. 

For salaries for a core of singers during the 1983-84 season. 

2,700 

2,700 

For the national service organization to expand the newsletter, hire 

a national executive secretary, and conduct the administrative internship program and symposia on concerns of professional choruses. 

$13,000 
18~ Mu.s~ 

New Music 

Performance 

Includes two subcategories: Ensembles and Presenting Organizations grants enable organizations that have demonstrated a strong commitment to new 

music to provide quality performances of new music and make the form more 

widely available. Services to the New Music Field are grants awarded to 

organizations for projects that serve professional new music ensembles on 

a national or regional basis. 

Program funds: $401,000 

73 grants 

Ensembles and Presenting Organizations 

Albany Symphony Orchestra 

Albany, New York 

Alea IIl 

Somerville, Massachusetts 

American Camerata for New Music 

Wheaton, Maryland 

American Composers Concerts 

New York, New York 

and/or service 

Seattle, Washington 

Association for the Advancement 

of Creative Musicians 

Chicago, Illinois 

Berkeley Symphony Orchestra 

Berkeley, California 

Boston Musica Viva 

Newton Centre, Massachusetts 

Boston University, Trustees of 

Boston, Massachusetts 

Brooklyn Philharmonia 

Brooklyn, New York 

California Institute of the Arts 

Valencia, California 

California, University of 

Los Angeles, California 

Cincinnati Composers Guild 

Cincinnati, Ohio 

Collage


Brooldine, Massachusetts
 

Composers’ Forum 

New York, New York 

Contemporary Arts Center 

Cincinnati, Ohio 

Contrasts In Contemporary Music 

New York, New York 

Cornish Institute 

Seattle, Washington 

Creative Arts Collective 

Detroit, Michigan 

$2,000 For presentation of a series of eight concerts that include 20th-century 

compositions taped for radio broadcast. 

3,500 For a one-week composer’s workshop in which 15 American composers 

participate in the 1983-84 season. 

3,500 For concert series, a touring program, and educational concerts. 

25,000 For three concerts of American symphonic music in Alice Tully Hall 

and a fourth concert at Symphony Space in New York City. 

4,500 For a series of ten concerts by composer/performers and ensembles. 

4,000 To present three two-day concerts in Chicago. 

2,000 For improved management of the orchestra through hiring additional
 

administrative staff and for artists’ fees.
 

6,000 To promote, rehearse, and perform a subscription series of four concerts in the Boston area.
 

3,000 For premier performances of newly commissioned works by Alea III, 

the Empire Brass Quintet, and the Boston University Symphony Orchestra, recorded for distribution through National Public Radio. 

4,000 For extra rehearsals for two new works and the Meet the Moderns 

series. 

5,000 For the Contemporary Music Festival ’84, a celebration of contemporary music that includes seminars and performances. 

2,000 To present the Los Angeles Chamber Orchestra in a series of three

concerts during the 1983-84 season. 

7,500 For an exchange series of concerts between the Percussion Group
 

of Cincinnati, the Contemporary Music Forum of Washington, D.C.,
 

and the Pittsburgh New Music Ensemble.
 

6,000 For a series of six concerts of contemporary chamber music and three
 

lecture-discussions.
 

6,500 For the 1983-84 concert series, inlcuding a one-week festival of new
 

music, a celebration of the 70th birthday of composer Verna Fine,
 

and open readings of works by young composers.
 

2,000 For the 1983-84 concert season. 

7,000 For the 1983-84 season of composers showcase concerts at the Whitney 

Museum of American Art, broadcast over National Public Radio. 

1,000 For performances, tours, and engaging guest artists for the New Performance Group.
 

1,000 For a series of 12 concerts presented at the Detroit Institute of Arts 

Recital Hall, broadcast by National Public Radio. 
Music 187 

Creative Music Foundation 

Woodstock, New York 

Creative Time 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cunningham Dance Foundation 

New York, New York 

Dance Theatre Workshop 

New York, New York 

District Curators 

Washington, D.C. 

80 Langton Street Corporation 

San Francisco, California 

Experimental Intermedia Foundation 

New York, New York 

Film in the Cities 

St. Paul, Minnesota 

Foundation for Modern Dance 

New York, New York 

Group for Contemporary Music 

New York, New York 

Guild of Composers 

New York, New York 

Haleakala 

New York, New York 

House Foundation for the Arts 

New York, New York 

Independent Composers Association 

Los Angeles, California 

Inter-Media Arts Center 

Bayville, New York 

Interfuse 

Baltimore, Maryland 

Ives (Charles) Center for American

Music 

Roxbury, Connecticut 

League of Composers International 

Society for Contemporary Music 

New York, New York 

Lenox Arts Center 

Lenox, Massachusetts 

Los Angeles Philharmonic Association 

Los Angeles, California 

Media Study/Buffalo 

Buffalo, New York 

Mills College 

Oakland, California 

Minnesota Composers Forum 

St. Paul, Minnesota 

For artists’ fees and touring costs for the foundation’s resident 

ensemble. 

For the 1983-84 season of 15 new music performances. 

To present the Washington Square Contemporary Music Series. 

For music costs associated with a two-week series of dance and new 

music performances. 

For the seventh season of Dance Theatre Workshop’s Tuesday Music

Contemporary Composers/Performance Series consisting of 12 

concerts. 

For "New Music in the Afternoon," a monthly concert series including 5,000 

workshops conducted by the performers. 

For artists’ fees for composers and performers presented during the 5,000 

1983-84 season. 

For the llth season of Concerts by Composers. 5,000 

For a series of ten new music performances. 2,000 

For musicians’ costs associated with performances by the Erick 4,000 

Hawkins Dance Company. 

To present a minimum of five contemporary music performances at 7,500 

the 92nd Street Y, Symphony Space, and Manhattan School of Music. 

For the 1983-84 season of new music concerts broadcast over radio 1,500 

station WNYC-FM. 

For the 12th year of the Kitchen’s new music series. 15,000 

For a series of concerts in New York City by Meredith Monk and 3,000 

Vocal Ensemble. 

For a series of nine concerts of recently composed American music. 4,500 

For the New Music Program, a series of concerts featuring com- 3,500 

poser/performers. 

For New Music Baltimore’s fifth season of eight concerts, including 2,000 

a four-evening festival of new music. 

For artists’ fees for performances at the center during the summer. 2,000 

To present a series of six concerts of new chamber music at Carnegie 4,500 

Hall and Northeastern University in Boston. 

For the annual series of new music performances during the center’s 5,000 

13th summer season. 

For five concerts of the Philharmonic’s New Music Group. 2,000 

For new music presentations during the 1983-84 season. 4,000 

For the presentation of eight concerts, four of which included short- 2,500 

term residencies by new music performers. 

To present concerts of new works by 80 contemporary American com- 7,000 

posers, five performances of which were aired over Minnesota Public 

Radio’s Live from Landmark program. 
Music Alliance 

Atlanta, Georgia 

Music from Japan 

New York, New York 

Musical Elements 

New York, New York 

New Music Circle 

St. Louis, Missouri 

New Music Consort 

New York, New York 

New Wilderness Foundation 

New York, New York 

New York New Music Ensemble 

New York, New York 

Outward Visions 

New York, New York 

Pacifica Foundation 

North Hollywood, California 

Palace of Arts and Sciences Foundation 

San Francisco, California 

Parnassus Contemporary Music
 

Foundation
 

New York, New York 

Pittsburgh New Music Ensemble 

Pittsburgh, Pennsylvania 

Portland Center for the Visual Arts
 

Portland, Oregon
 

Real Art Ways Raw Ink
 

Hartford, Connecticut
 

Reconnaissance 

Cleveland, Ohio 

Reich Music Foundation 

New York, New York 

Relache 

Philadelphia, Pennsylvania 

Rising Sun Media Arts Center 

Santa re, New Mexico 

Roulette Extra Media Resources 

New York, New York 

St. Paul Chamber Orchestra 

St. Paul, Minnesota 

San Francisco Contemporary
 

Music Players
 

San Francisco, California 

San Francisco Symphony Association 

San Francisco, California 

Society for New Music 

Syracuse, New York 

Southern California Chamber
 

Music Society
 

Los Angeles, California 

2,000 To present three programs of contemporary music by the Atlanta 

New Music Ensemble. 

1,000 To present four new music concerts of contemporary American and 

Japanese works. 

2,000 For fees for Musical Element’s co-directors and performers. 

3,500 To present four concerts during the 1983-84 season. 

6,500 For a touring program, a series of concerts of works by young 

American composers and 20th-century masters, and a series of concerts and lectures at City University of New York’s York College. 

1,000 For the 11th annual New Wilderness Summer Solstice Celebration 

of concerts by eight new music ensembles. 

4,250 For a series of concert/workshops and a regional tour. 

3,000 For a series of twelve concerts to introduce those living in disadvantaged New York City areas to new music. 

3,500 For a series of nine workshop-residencies by new music performers,


including concerts recorded for future radio broadcasts on KPFK.
 

3,000 For artists’ fees for the "Speaking of Music" series at the
 

Exploratorium.
 

5,000 For concerts in New York’s Abraham Goodman House and concerts
 

in the Northeast.
 

9,000 For increased paid rehearsal time and the expansion of the administrator’s activities.
 

4,000 To present five concerts by composer/performers during the 1983-84
 

season.
 

6,000 To present and produce 30 new music performances broadcast over
 

National Public Radio.
 

1,000 For the 1983-84 season of five concerts of new chamber music. 

5,000 For performances of new works by Steve Reich and Musicians during the 1983-84 season.
 

3,000 For four programs during the 1983-84 season and administrative salary
 

support.
 

2,500 To present a series of six concerts of new music by American
 

composers.
 

2,000 For artists’ fees for the Roulette Performance Series. 

1,000 For the "Perspective" series, concerts of 20th-century music with
 

an emphasis on works by living American composers.
 

7,000 For the 1983-84 season costs of artistic and administrative personnel. 

For the 1983-84 season of the New and Unusual Music Series. 5,000

4,750 For the 1983-84 concert season. 

14,000 For continued support of the new music series. 
Mu,sie 189 

Speculum Musicae 

New York, New York 

Texas Tech University 

Lubbock, Texas 

20th Century Consort 

Washington, D.C. 

Washington Performing Arts Society 

Washington, D.C. 

For concerts of 20th-century music in New York City and throughout 

the United States. 

7,500 

For the 1983-84 Leading Edge Music Series and the 33rd annual Symposium of Contemporary Music. 1,000 

For four contemporary music subscription concerts, four museum 

special events, and two weeks of touring. 

8,500 

For the fifth annual New Music America Festival. 10,000 

Services to the New Music Field
 

Haleakala For the Kitchen’s national touring program, which promotes the $3,500 

New York, New York careers of young new music composer/performers. 

Meet the Composer 

New York, New York 

For resource and technical assistance for composers, presenters, and 

funding agencies. 

75,000 

Orchestra Includes three subcategories: Artistic and Administrative Activities grants

assist orchestras of the highest artistic level that have national or regional 

significance. Services to the Orchestra Field grants assist organizations that 

provide services to the whole orchestra field or to a sector of it. Model Projects that demonstrate ways to make the arts accessible to handicapped, 

older Americans, and institutionalized populations both as audiences and 

participants, are funded in this category with money transferred from the 

Special Constituencies Program. 

Program funds: $4,538,800 Treasury funds: $3,080,200 162 grants 

Artistic and Administrative Services 

Albany Symphony Orchestra 

Albany, New York 

Amarillo Symphony Orchestra 

Amarillo, Texas 

American Symphony Orchestra 

New York, New York 

Anchorage Symphony Orchestra 

Anchorage, Alaska 

Ann Arbor Chamber Orchestra 

Ann Arbor, Michigan 

Arkansas Orchestra Society 

Little Rock, Arkansas 

Atlanta Symphony Orchestra 

Atlanta, Georgia 

Austin Symphony Orchestra Society 

Austin, Texas 

Baltimore Symphony Orchestra 

Association 

Baltimore, Maryland 

For the 1983 subscription series and run-out concerts. 

For the continuation of the in-school concerts. 

For the Sunday afternoon subscription series in Carnegie Hall and 

the engagement of young American artists and conductors. 

To tour, engage a resident string quartet to provide outreach services to the community, and provide technical assistance and private 

instruction to the orchestra’s string players. 

For the engagement of core musicians and other music staff, and promotion and production costs for the 1983-84 subscription season. 

To expand the activities of the string ensembles and the Arkansas 

Youth Symphony, increase rehearsal time, and enlarge the orchestra’s 

music library. 

For the regional touring series and the educational program of concerts for pre-school through high school children. 

To engage a music director/conductor, string principals, and guest 

artists; and to produce chamber orchestra performances. 

For an optional series of concerts in Meyerhoff Hall, performances 

by young artists from the community, recitals or symphony concerts, 

and the development department’s activities. 

$18,000 

12,000 

20,000

TF 16,000 

4,000 

2,000 

16,000 

80,000 

TF 80,000 

20,000 

TF 16,000 

70,000 

TF 70,000 
190 Music 

Baton Rouge Symphony Association 

Baton Rouge, Louisiana 

Binghamton Symphony and Choral 

Society 

Binghamton, New York 

Birmingham Symphony and Choral 

Society 

Birmingham, Alabama 

Boise Philharmonic Association 

Boise, Idaho 

Boston Symphony Orchestra 

Boston, Massachusetts 

Brooklyn Philharmonic 

Symphony Orchestra 

Brooklyn, New York 

Buffalo Philharmonic Orchestra Society 

Buffalo, New York 

California Chamber Symphony Society 

Los Angeles, California 

Canton Symphony Orchestra
 

Association
 

Canton, Ohio 

Casper Civic Symphony Orchestra 

Casper, Wyoming 

Catskill Symphony Orchestra 

Oneonta, New York 

Cedar Rapids Symphony Orchestra 

Cedar Rapids, Iowa 

Charleston Symphony Orchestra 

Charleston, West Virginia 

Charlotte Symphony Orchestra Society 

Charlotte, North Carolina 

Chattanooga Symphony Association 

Chattanooga, Tennessee 

Cincinnati Symphony Orchestra


Cincinnati, Ohio
 

Colorado Springs Symphony Orchestra 

Association 

Colorado Springs, Colorado 

Columbus Symphony Orchestra 

Columbus, Ohio 

Concerto Soloists of Philadelphia 

Philadelphia, Pennsylvania 

Corpus Christi Symphony Society 

Corpus Christi, Texas 

To continue development of the core orchestra by creating four string 

and five woodwind positions to provide ensemble services in the 

schools and outreach to rural areas. 

For additional string players. 

For touring and run-out concerts in the state, audience development 

and promotion activities, and free summer concerts. 

To engage three principal players during the 1983-84 season. 

For the 1983-84 subscription season. 

For the Meet the Modern series, free children’s concerts, free summer park concerts, and the engagement of an audience development 

director. 

For the Fisher-Price children’s series; student concerts in Kleinhans 

Music Hall; and community concerts in schools, parks, malls, churches, and colleges. 

For the 1983-84 subscription series, free concerts for special audiences,
 

and family concerts.
 

For the outreach and educational services by members of the string
 

quartet, brass quintet, and woodwind quintet.
 

For the engagement of two string players. 

For youth concerts presented to elementary and high school students. 

To engage a string quartet to serve as the orchestra’s principal string 

players and provide ensemble service. 

For young people’s concerts, the Sunday music festival, and collaboration with the West Virginia Dance Theatre. 

To continue the educational program of full orchestra and ensemble

lecture-demonstrations in the schools; expand the orchestra’s services 

to reach new audiences, including minority groups; provide the

ensembles for collaborations with other performing arts groups; and 

perform run-out concerts in communities throughout North and South 

Carolina. 

To increase salaries and performance opportunities for musicians, perform a commissioned American work during the 1983-84 season, and 

engage young American artists. 

For the 1983-84 subscription season. 

To increase the orchestra musicians’ salaries; expand the season; present small ensembles; and import key professionals for section rehearsals, performances, and private instruction. 

To continue the young people’s series and student concerts and expand the full-time ensembles. 

For a core orchestra; discount tickets for students, senior citizens, 

handicapped, and disadvantaged people; the performance of contemporary works on the subscription series; the young artists concert;

and the engagement of public relations and development staff. 

For free performances of Handel’s Messiah in Spanish and English, 

free chamber concerts, the engagement of a bilingual administrator, 

and student concerts. 

20,000 

4,000 

22,000 

TF 20,000 

12,000 

120,000 

TF 120,000 

22,000 

TF 14,000 

70,000 

TF 70,000 

9,000 

22,000 

2,000 

4,000 

14,000 

12,000 

22,000 

TF 20,000 

16,000 

80,000 

TF 80,000 

35,000 

22,000 

TF 20,000 

24,000 

10,000 
Dallas Symphony Association 

Dallas, Texas 

Dayton Philharmonic Orchestra 

Association 

Dayton, Ohio 

Delaware Symphony Association 

Wilmington, Delaware 

Denver Symphony Association 

Denver, Colorado 

Des Moines Symphony Association 

Des Moines, Iowa 

Detroit Symphony Orchestra 

Detroit, Michigan 

Duluth-Superior Symphony Association 

Duluth, Michigan 

El Paso Symphony Orchestra 

Association 

E1 Paso, Texas 

Elgin Symphony Orchestra Association 

Elgin, Illinois 

Erie Philharmonic 

Erie, Pennsylvania 

Eugene Symphony Association 

Eugene, Oregon 

Evansville Philharmonic Orchestral 

Corporation 

Evansville, Indiana 

Fairbanks Symphony Association 

Fairbanks, Alaska 

Fairfax County Symphony Orchestra 

McLean, Virginia 

Fargo-Moorhead Symphony Orchestral 

Association 

Fargo, North Dakota 

Flint Institute of Music 

Flint, Michigan 

Florida Gulf Coast Symphony 

Orchestra 

Tampa, Florida 

Florida Symphony Orchestra 

Winter Park, Florida 

Fort Lauderdale Symphony Orchestra 

Association 

Fort Lauderdale, Florida 

Fort Wayne Philharmonic Orchestra 

Fort Wayne, Indiana 

Fort Worth Symphony Orchestra 

Association 

Fort Worth, Texas 

For run-out concerts; youth concerts; pops concerts; free programs 

in city parks; and community services, featuring summer classical 

concerts, the July Fourth concert and concerts for handicapped 

children. 

For additional rehearsal time to prepare five new American works, 

the in-school ensemble program, and the Sunday chamber concerts 

in Victory Theatre. 

To increase musicians’ salaries, perform run-out concerts, and provide discount tickets to students. 

For state touring, ensemble concerts, and free concerts that feature 

National Young Artist Competition winners. 

For the engagement of a string quartet and additional string players, 

collaboration with the Des Moines Choral Society, run-out concerts, 

school and community ensemble concerts, the engagement of a 

management intern, bus transportation for senior citizens, and the

cooperation with other midwest orchestras for booking guest artists. 

For the 1983-84 subscription series and educational programs. 

For additional rehearsal time, engagement of five principal players, 

in-school lecture demonstrations, and a chamber series. 

For the performance of pops concerts. 

To engage a full-time executive director. 

For additional rehearsal time, engagement of guest artists for the 

young people’s concerts, and run-out concerts. 

For additional rehearsal time, increased salaries for musicians, and 

the engagement of four additional string players. 

To engage principal players, import musicians, and perform youth 

concerts. 

For the engagement of a guest organist to perform in recitals and 

concerts with the orchestra, and present master classes. 

To expand "Hello Symphony" a lecture-demonstration series, and 

engage a full-time development director. 

For the residency of an artist with each of the four North Dakota 

orchestras. 

For the Flint Symphony Orchestra’s educational and outreach activities including youth concerts and family rug concerts, and ensemble 

services in schools. 

For youth concerts, ensemble presentations in the schools, and runout concerts in the state. 

For the engagement of additional full-time musicians, statewide touring, and run-out concerts. 

For the expansion of the in-school program. 

To engage a core of musicians as principal players of the orchestra 

and chamber orchestra, and provide emsemble services in the 

community. 

For the engagement of American guest conductors, touring the cities 

along the Mexican border, free public concerts, and the expansion 

of the concert season. 

Music 191 

80,000 

TF 80,000 

20,000 

16,000 

75,000 

TF 75,000 

18,000 

70,000 

TF 70,000 

14,000 

10,000 

2,000 

16,000 

12,000 

10,000 

2,000 

8,000 

8,000 

20,000 

26,000 

20,000 

TF 12,000 

24,000 

24,000 

32,000 
192 Music 

Fresno Philharmonic Association 

Fresno, California 

Glendale Symphony Orchestra 

Association 

Glendale, California 

Grand Rapids Symphony Society 

Grand Rapids, Michigan 

Greater Akron Musical Association 

Akron, Ohio 

Greensboro Symphony Society 

Greensboro, North Carolina 

Haddonfield Symphony Society 

Haddonfield, New Jersey 

Honolulu Symphony Society 

Honolulu, Hawaii 

Housing Authority Symphony Orchestra 

New York, New York 

Houston Symphony Society 

Houston, Texas 

Hudson Valley Philharmonic 

Poughkeepsie, New York 

Indiana State Symphony Society 

Indianapolis, Indiana 

Island Philharmonic Society 

Huntington, New York 

Jackson Symphony Orchestra 

Association 

Jackson, Mississippi 

Jacksonville Symphony Association 

Jacksonville, Florida 

Johnstown Municipal Symphony 

Orchestra 

Johnstown, Pennsylvania 

Kalamazoo Symphony Society 

Kalamazoo, Michigan 

Knoxville Symphony Society 

Knoxville, Tennessee 

Lansing Symphony Association 

Lansing, Michigan 

Lexington Philharmonic Society 

Lexington, Kentucky 

Lima Symphony Orchestra Association 

Lima, Ohio 

Los Angeles Chamber Orchestra Society 

Pasadena, California 

Los Angeles Philharmonic Association 

Los Angeles, California 

For run-out concerts. 

For the continuation of the school ensemble program, open rehearsals for physically handicapped and senior citizens, and public relations and audience development programs. 

For the engagement of a core orchestra to provide ensemble services 

and performances with the ballet and opera. 

For the educational and outreach programs, the engagement of three

string principals, and additional rehearsal time for the Akron Symphony Orchestra. 

For the continuation of the music education program. 

For the engagement of a manager for the Haddonfield Symphony 

Orchestra. 

For the Starlight Festival, the subscription series, and a statewide

touring and education program. 

For rehearsals and five performances in the five boroughs of New 

York. 

For the 1983-84 subscription series, the free concerts series at the 

Miller Outdoor Theatre that feature winners of the Ima Hogg Young 

Artist Competition, and Contemporary Trends, a workshop series 

devoted to the performance of new American works. 

For a chamber orchestra series, in-school concerts, repeat concerts 

in Orange and Ulster counties, and the engagement of an assistant 

conductor. 

For an audience outreach program, including the Visions Concerts 

in Clowes Hall for students, a summer outdoor series at the Conner 

Prairie Pioneer Settlement, and family park concerts. 

For the 1983-84 subscription series, including a series of 16 pre-concert 

lectures by the music director and guests soloists. 

For a string program that provides instruction for children throughout 

the state. 

For in-school concerts by a chamber orchestra and small ensembles,

and young people’s concerts in the concert hall. 

For the engagement of additional musicians. 

For the chamber orchestra concerts and the engagement of a brass 

and woodwind quintet and a string quartet. 

For young people’s concerts in the Knoxville Civic Auditorium;

lecture-demonstrations by string, woodwind, and brass ensembles in 

area schools; string coaches for the youth orchestra; and the engagement of a part-time education director. 

To continue the educational program and increase the number of 

subscription concerts and rehearsals. 

To engage 14 musicians to serve as a nucleus for orchestral services 

and perform ensemble programs. 

For the engagement of a string quartet to perform with the orchestra 

and provide ensemble services. 

For a major subscription series and expansion of the Baroque series. 

For the 1983-84 winter season concert activities. 

12,000 

10,000 

20,000 

TF	 16,000 

16,000 

12,000 

2,000 

TF 25,000 

2,000 

80,000 

TF 80,000 

24,000 

75,000 

TF 75,000 

2,000 

25,000 

32,000 

2,000 

20,000 

16,000 

6,000 

16,000 

1,000 

34,000 

TF 

120,000 

TF 120,000 
Music 193 

Louisville Orchestra 

Louisville, Kentucky 

Marin Symphony Association 

San Rafael, California 

Memphis Orchestral Society 

Memphis, Tennessee 

Midland-Odessa Symphony and Chorale 

Midland, Texas 

Milwaukee Symphony Orchestra 

Mihvaukee, Wisconsin 

Minnesota Orchestral Association 

Minneapolis, Minnesota 

Monterey County Symphony Association 

Carmel, California 

Music for Westchester 

White Plains, New York 

Musical Arts Association 

Cleveland, Ohio 

Nashua Symphony Association 

Nashua, New Hampshire 

Nashville Symphony Association 

Nashville, Tennessee 

National Symphony Orchestra 

Washington, D.C. 

Nebraska Chamber Orchestra 

Lincoln, Nebraska 

New Hampshire Symphony 

Manchester, New Hampshire 

New Haven Symphony Orchestra 

New Haven, Connecticut 

New Jersey Symphony Orchestra 

Newark, New Jersey 

New Mexico Symphony Orchestra 

Albuquerque, New Mexico 

New Orleans Philharmonic Symphony Society 

New Orleans, Louisiana 

92nd Street Young Men’s and Young 

Women’s Hebrew Association 

New York, New York 

North Carolina Symphony Society 

Raleigh, North Carolina 

Northeastern Pennsylvania 

Philharmonic 

Avoca, Pennsylvania 

Northwest Chamber Orchestra 

Seattle, Washington 

Northwest Indiana Symphony Society 

Gary, Indiana 

For an open rehearsal series, educational programs, and collaborations with local opera and ballet companies. 

For the performance and additional rehearsal time to prepare a commissioned work by Grant Beglarian. 

For in-school concerts by the Memphis Little Symphony. 

To engage additional administrative staff. 

For the American Composers Festival, educational programs,

neighborhood concerts, touring to rural Wisconsin areas, and a summer series at the Milwaukee County Zoo. 

For touring and run-out activities, community and educational services, and the expansion of the Viennese Sommerfest. 

To engage professional musicians to perform with the orchestra, participate in the in-school demonstrations and youth concerts, and perform programs for senior citizens and handicapped persons at community centers. 

For additional rehearsal time for the White Plains Symphony 

Orchestra. 

For the Cleveland Orchestra’s outreach concerts in neighboring communities, educational concerts at Severance Hall, and matinee series 

for adult audiences in Severence Hall. 

To engage a full-time general manager and other administrative staff. 

To continue and expand the size of the core orchestra to provide 

ensemble services in the schools and run-out concerts. 

For the 1983-84 subscription concert series. 

For the performance of contemporary American works in four of the 

subscription concerts. 

For the 1983-84 subscription series, run-out concerts, in-school performances and weekly radio broadcasts. 

For the young people’s concerts. 

For the engagement of a marketing coordinator and free in-school 

concerts. 

For an educational program that involves ensemble demonstrations 

and orchestra concerts, and for the statewide touring program. 

For audience development concerts, concerts featuring black artists 

and choruses, regional touring, and the presentation of American 

artists. 

To engage orchestra members, guest conductors, and young soloists

for the Y Chamber Orchestra’s core series and Baroque series; perform run-out concerts; and produce the YCS Goes Baroque series. 

For educational concerts involving the full orchestra, chamber orchestra and ensembles. 

To prepare and perform the premiere of a commissioned work, and 

engage young American soloists. 

For the engagement of an American guest conductor and soloists, 

and additional rehearsal time. 

To engage a string quartet. 

34,000 

TF 22,000 

14,000 

20,000 

16,000 

70,000 

TF 70,000 

100,000 

TF 100,000 

16,000 

4,000 

120,000 

TF 120,000 

2,000 

22,000 

TF 20,000 

100,000 

TF 100,000 

4,000 

12,000 

26,000 

TF 26,000 

22,000 

TF 20,000 

55,000 

TF 50,000 

18,000 

40,000 

TF 25,000 

12,000 

10,000 

2,000 
1~1 Music 

Oakland Symphony Orchestra

Association 

To present contemporary and American works on the subscription 

series, provide run-out concerts to nearby communities, and present 

22,000 

TF 20,000 

Oakland, California free educational lectures and performances in East Bay public schools. 

Oklahoma Symphony Orchestra 

Oklahoma City, Oklahoma 

Omaha Symphony Orchestra 

Omaha, Nebraska 

Orchestra of Santa Fe 

Santa Fe, New Mexico 

Orchestral Association 

Chicago, Illinois 

Oregon Symphony Association 

Portland, Oregon 

Owensboro Symphony Orchestra 

0wensboro, Kentucky 

Pasadena Symphony Association 

Pasadena, California 

Philadelphia Orchestra Association 

Philadelphia, Pennsylvania 

Philharmonic-Symphony Society 

of New York 

New York, New York 

Phoenix Symphony Association 

Phoenix, Arizona 

Pittsburgh Symphony Society 

Pittsburgh, Pennsylvania 

Portland Symphony Orchestra 

Portland, Maine 

Pro Arte Chamber Orchestra of Boston 

Boston, Massachusetts 

Pro Musica Chamber Orchestra of 

Columbus 

Columbus, Ohio 

Puerto Rico Symphony Orchestra 

Santurce, Puerto Rico 

Queens Symphony Orchestra 

Rego Park, New York 

Rhode Island Philharmonic Orchestra 

Providence, Rhode Island 

Richmond Symphony 

Richmond, Virginia 

Rochester, City of 

Rochester, Minnesota 

Rochester Philharmonic Orchestra 

Rochester, New York 

For run-out concert performances. 

For the expansion of the symphony series to pairs of concerts and 

the touring and educational program of the Sinfonia. 

For the engagement of guest artists and administrative staff. 

For the Chicago Symphony Orchestra’s rehearsals conducted by the 

music director; and educational programs, including the Kaleidoscope

concerts in the schools and in Orchestra Hall, University Night concerts, and free ensemble-lecture programs. 

For the engagement of two musicians, the conducting assistantship 

program, additional rehearsal time, the third annual Marathon concert, and a contributor’s concert by the Oregon Symphony Orchestra. 

For additional rehearsal time, the engagement of six principal and 

two section players, the world premiere performances of Charles

Hall’s Symphony No. 1, and the engagement of a management 

development consultant. 

For Saturday concerts, presentation of contemporary works by 

American composers, and Sunday afternoon repeat concerts. 

For the 1983-84 subscription series and student and children’s 

concerts. 

For the New York Philharmonic’s 1983-84 subscription series and 

the parks concerts in New York City, Long Island, and Westchester

County. 

For run-out concerts, a collaboration with Ballet West and concerts 

by the Phoenix Symphony Chamber Orchestra. 

For a summer program in western Pennsylvania consisting of open 

air concerts at Point State Park and free concerts in Allegheny County, and for a young people’s concert program. 

For a classical series, a chamber series, and educational concerts. 

For the continued engagement of a manager. 

For the establishment of a series of free concerts during the summer. 

To present Puerto Rican and American soloists and conductors; perform educational and run-out concerts; and provide discount tickets 

for students, senior citizens, and disabled citizens. 

For the Music for Boys and Girls Program and an outreach program 

featuring ensemble concerts at senior citizen and community centers, 

schools, and neighborhood concert programs. 

For the educational program. 

For chamber and ensemble performances, expansion of the community 

concert series, and the engagement of full-time principal wind players. 

To engage a core group of full-time professional string players for 

the Rochester Symphony Orchestra. 

For summer concerts, student concerts, run-out concerts to upstate 

New York and free public concerts. 

20,000
 

TF 16,000
 

20,000
 

TF 16,000
 

2,000 

120,000 

TF 120,000 

55,000 

TF 55,000 

6,000 

24,000 

120,000 

TF 120,000 

120,000 

TF 120,000 

22,000

TF 20,000 

1~,000 

TF 1~,000 

20,000 

6,000 

2,000 

32,000 

14,000 

20,000 

TF 12,000 

70,000 

TF 70,000 
Sacramento Symphony Association 

Sacramento, California 

Saginaw Symphony Orchestra 

Saginaw, Michigan 

St. Louis Symphony Society 

St. Louis, Missouri 

St. Paul Chamber Orchestra Society 

St. Paul, Minnesota 

San Diego Symphony Orchestra

Association 

San Diego, California 

San Francisco Symphony Association 

San Francisco, California 

San Jose Symphony Association 

San Jose, California 

Santa Barbara Symphony Orchestra

Association 

Santa Barbara, California 

Savannah Symphony Society 

Savannah, Georgia 

Seattle Symphony Orchestra 

Seattle, Washington 

Shreveport Symphony Society 

Shreveport, Louisiana 

Sioux City Symphony Orchestra 

Association 

Sioux City, Iowa 

South Bend Symphony Orchestra

Association 

South Bend, Indiana 

South Dakota Symphony Orchestra 

Sioux Falls, South Dakota 

Spokane Symphony Orchestra Society 

Spokane, Washington 

Springfield Symphony Orchestra 

Association 

Springfield, Massachusetts 

Springfield Symphony Orchestra 

Association 

Springfield, Ohio 

Symphony Society of Greater Hartford 

Hartford, Connecticut 

Symphony Society of San Antonio 

San Antonio, Texas 

To engage a full-time core of 40 musicians to provide run-out and tour 

concerts and serve as orchestra players for opera and ballet 

performances. 

To hire principal players for the orchestra and continue in-school 

performances. 

To expand the annual fund drive, formalize an education and group 

sales department, and expand the performance of American music

on the subscription series. 

For the expansion of the capital series, the chamber series, and the 

Baroque series. 

For the expansion of the winter season. 

For the performance of contemporary and American works, young 

people’s concerts, and an audience development campaign. 

For additional rehearsal time and promotional costs necessary to perform full symphonic American works on the subscription series, the 

in-school ensembles program, and free young people’s concerts by 

the full orchestra in the concert hall. 

To continue the Sunday matinee series, which makes symphony concerts available to families, students, senior residents, and handicapped persons. 

For the masterworks series and the pops series. 

For the expansion of the subscription series and the pops series, the 

Romantic Festival, and the engagement of a concertmaster. 

For the development of the chamber orchestra, including the engagement of American guest artists and the performance of three new 

compositions on a chamber series, and for the in-school ensembles 

program. 

For the in-school program and family concerts. 

For the continuation of the youth education program and the coilaboration with the Michiana Opera Guild to produce an opera. 

To increase the musicians’ salaries and provide for the educational 

program and other community services. 

To engage a core of musicians for the Washington Chamber Orchestra, 

perform children’s concerts and in-school performances, and establish 

a mini-series in Coeur d’Alene, Idaho. 

For the engagement of principal string and woodwind players; 

Classical Roots III, an outreach program focusing on works by black 

classical composers; the educational program involving full orchestra 

and ensemble concerts; and the expansion of run-out concerts 

throughout western Massachusetts. 

For in-school ensembles and young people’s concerts in the Memorial 

Hall. 

For "New Directions," a program of American music that includes 

a commissioned work and features an American artist with the Hartford Symphony. 

For the engagement of additional players, American guest artists and 

conductors, full-time public relations and development directors; the 

continuation of the Rio Grande tour; and educational concerts by the 

San Antonio Symphony. 

Music 195 

22,000 

TF 20,000 

12,000 

100,000 

TF 100,000 

54,800 

TF 60,200 

40,000 

TF 25,000 

120,000 

TF 120,000 

32,000 

12,000 

20,000 

65,000 

TF 65,000 

32,000 

4,000 

12,000 

8,000 

18,000 

TF 10,000 

32,000 

2,000 

20,000 

TF 16,000 

55,000 

TF 50,OOO 
Syracuse Symphony Orchestra

Syracuse, New York 

Toledo Symphony Orchestra Association 

Toledo, Ohio 

Tucson Symphony Society 

Tucson, Arizona 

Tulsa Philharmonic Society 

Tulsa, Oklahoma 

Utah Symphony 

Salt Lake City, Utah 

Vermont Symphony Orchestra 

Burlington, Vermont 

Virginia Orchestra Group 

Norfolk, Virginia 

Westmoreland Symphony Orchestra 

Greensburg, Pennsylvania 

Wheeling Symphony Society 

Wheeling, West Virginia 

Wichita Symphony Society 

Wichita, Kansas 

Winston-Salem Symphony Association 

Winston-Salem, North Carolina 

Youngstown Symphony Orchestra 

Youngstown, Ohio 

To continue the series of concerts in outlying communities, the school

concerts, and the family series. 

For regional development involving small ensembles that perform 

in nursing homes, mental health centers, and schools; and for young 

people’s concerts. 

To engage additional salaried musicians, expand the chamber orchestra’s outreach program, perform in-school concerts, and provide 

additional rehearsal time for performance of contemporary American 

music. 

For the continued expansion of the core orchestra. 

For regional community concerts, choral concerts, family concerts, 

and collaborative performances with Ballet West and Utah Opera. 

For additional rehearsal time, youth concerts, and a summer festival. 

For the 1983-84 subscription season, run-out concerts, and educational 

concerts. 

To present ensemble concerts at Westmoreland County Community 

College and engage five string players. 

For the Appalchian String Quartet residency project of performances 

and string instruction. 

For a run-out and tour program throughout Kansas, the Soirees 

Musicales Chamber Music Series, the engagement of the Graduate 

String Quartet, and young people’s concerts. 

For the in-school education program and the engagement of an operations manager and musicians to serve as a core group. 

For orchestra costs for an opera production and youth concerts. 

Services to the Orchestra Field 

Affiliate Artists 

New York, New York 

American Symphony Orchestra League 

Washington, D.C. 

Meet the Composer 

New York, New York 

Model Demonstration Projects 

Buffalo Philharmonic Orchestra Society 

Buffalo, New York 

Charlotte Symphony Orchestra Society 

Charlotte, North Carolina 

El Paso Symphony Orchestra 

Association 

E1 Paso, Texas 

For the continuation of the Exxon/Arts Endowment Conductors Program and the Affiliate Artists’ Assistantship Program, which involves 

residencies of conductors with American orchestras to develop their 

careers. 

To amend a previous grant for management seminars, regional 

workshops, and development activities. 

For the Meet the Composer orchestra residencies project placing 

seven composers with seven American major orchestras for a twoyear period to create a new work to be premiered and recorded by 

the host orchestra, advise the music director on new scores, and assist

in preparing a new music series. 

To develop and implement a model program designed to bring 

together children handicapped by chronic heart disease, nonhandicapped children, and senior citizens to concerts and rehearsals 

by the Buffalo Philharmonic. 

To produce three concerts especially deisgned for ambulatory and 

semi-informed senior citizens in both North and South Carolina. 

To arrange, publicize, and transport children with mobility problems 

to a series of children’s concerts. 

55,000 

TF 50,000 

26,000 

TF 20,000 

14,000 

TF 10,000 

20,000 

TF 16,000 

65,000 

TF 65,000 

14,000 

32,000 

4,000 

8,000 

22,000 

TF 20,000 

16,000 

16,000 

TF 110,000 

50,000 

28,000 

$7,500 

7,000 

5,400 
Honolulu Symphony Society 

Honolulu, Hawaii 

Milwaukee Symphony Orchestra 

Milwaukee, Wisconsin 

Minot Symphony Association 

Minot, North Dakota 

Orchestral Association 

Chicago, Illinois 

Pasadena Symphony Orchestra 

Pasadena, California 

Phoenix Symphony Association 

Phoenix, Arizona 

Santa Barbara Symphony Orchestra 

Association 

Santa Barbara, California 

Savannah Symphony Society 

Savannah, Georgia 

Senior Concert Orchestra 

New York, New York 

Jazz 

Performers 

Belgrave, Marcus 

Detroit, Michigan 

Boukas, Richard 

Kew Garden Hills, New York 

Brown, Tyrone 

Abington, Pennsylvania 

Criner, Clyde 

East Greenbush, New York 

Davis, Charles 

New York, New York 

Davis, Richard 

Barneveld, Wisconsin 

Music 197 

4,000 To develop and implement a program to make symphonic music more

accessible to Hawaii’s senior citizen population. 

10,000 To expand the Musicap program to meet the needs of all handicapped persons, including students with learning disabilities and hearing impairments. 

4,000 To provide music for handicapped clients from the Minot Vocational 

Workshop and public schools through a docent program. 

For the Chicago Symphony Orchestra to develop a series of workshops 10,000 

to increase learning skills for perceptually impaired children and their 

teachers. 

For the Sunday afternoon "Sampler Series" of three concerts, pro- 7,000 

viding alternative times and dates to serve the needs of special groups, 

such as senior citizens, students, the underprivilieged, and handicapped persons. 

To institute a pilot program to research, develop, and implement an 8,000 

educational service audience development program for older adults. 

To develop a pre-concert preview project to inform and educate senior 3,100 

citizens and the physically disabled. 

To expand current programs to meet the needs of senior citizens and 10,000 

the disabled. 

To engage senior citizen musicians to perform free public concerts 4,000 

at various borough community auditoriums in New York City and

Long Island. 

Includes eight subcategories: Performers who perform traditional, innovative, or extended forms of jazz are encouraged in their creative development through support of rehearsals, performances, or related expenses. Composers are given support for the creation of new works, the completion of 

works in progress, or reproduction of their scores. Jazz Study grants enable 

aspiring jazz performers and composers to study privately with recognized 

masters of jazz. Program Assistance grants help performing and presenting institutions improve performance quality and audience appreciation of 

jazz. Colleges and Universities are awarded grants for performance and 

presentation of jazz. Management Assistance is provided for improving 

management of jazz presenting or performing organizations. Jazz Special 

Projects covers specific projects not covered in other categories. Jazz Master 

Awards are given to distinguished masters who have significantly altered

the language of the art form in the Afro-American tradition. 

Program funds: $1,284,000 197 grants 

$10,000	 Davis, Walter, Jr. 9,000 

New York, New York 

6,000	 Donelian, Armen H. 4,000 

New York, New York 

4,000	 Heard, J.C. 8,000 

Troy, Michigan 

8,000	 Jones, Joseph R. 10,000 

Philadelphia, Pennsylvania 

8,000	 Jordan, Clifford L. 10,000 

New York, New York 

9,000	 Lumelsky, Shay A. 2,100 

New York, New York 
198 Music 

Mafia, Kasuku 

Detroit, Michigan 

Masakowski, Stephen A. 

New Orleans, Louisiana 

Morris, J. Byron 

Wheaton, Maryland 

Parian, Horace L. 

Copenhagen, Denmark 

Pratt, Dean R. 

New York, New York 

Pullen, Don G. 

New York, New York 

Ridley, Laurence H. 

Brooklyn, New York 

Roney, Antoine 

Washington, D.C. 

Sanabria, Robert D. 

Sunnyside, New York 

Santoro, David N. 

Torrington, Connecticut 

Scott, David A. 

Springfield, Missouri 

Composers 

Abrams, Richard L. 

New York, New York 

Albam, Manny 

Croton, New York 

Bias, Gary 

Los Angeles, California 

Hill, Roger W. 

Laurel, Maryland 

Houston, Clint J. 

New York, New York 

Jazz Study 

Baum, Jameson L. 

Fairfield, Connecticut 

Bayak, Nicholas 

Plainfield, New Jersey 

Berger, Steve M. 

Brooklyn, New York 

Burditt, Mark Allen 

Greeley, Colorado 

Busch, Jay E. 

East Lansing, Michigan 

Canino, Frank P. 

New York, New York 

6,000 

7,000 

7,000 

9,000 

9,200 

10,000 

10,000 

4,000 

4,000 

3,000 

4,000 

$9,000 

6,000 

2,000 

10,000 

4,000 

$3,000 

55O 

2,000 

72O 

3,000 

2,000 

Scott, Shirley 

Philadelphia, Pennsylvania 

Sharpe, Avery G. 

Belchertown, Massachusetts 

Simmons, Frederick 

Philadelphia, Pennsylvania 

Spindler, Beth V. 

Springfield, Missouri 

Sweetney, Bernard 

Lanham-Seabrook, Maryland 

Turbinton, Earle J. 

New Orleans, Louisiana 

Tyson, Cynthia M. 

Elizabethtown, North Carolina 

Vincenza, Susanne D. 

Fairfax, California 

Vogt, Roy C. 

Nashville, Tennessee 

Williams, Claude G. 

Kansas City, Missouri 

Mackrel, Dennis 

St. Albans, New York 

Peacock, Gary 

Seattle, Washington 

Pierce, Nat 

Los Angeles, California 

Wharton, Dianaruthe 

Brooklyn, New York 

Chapman, Stephanie J. 

New York, New York 

Clemmons, Rose E. 

Cheverly, Maryland 

Cope, La Forrest 

Jackson Heights, New York 

Cope, Richard 

Jackson Heights, New York 

Dancz, Steve L. 

Greeley, Colorado 

Darriau, Matt J. 

Allston, Massachusetts 

9,000 

9,000 

8,000 

3,120 

7,000 

8,000 

75O 

5,000 

4,400 

9,000 

9,000 

3,500 

9,000 

6,000 

3,000 

3,500 

4,000 

3,500 

1,300 

4,000 
Music 199 

DeArteaga, Aida J. 

Petaluma, California 

Early, Karen 

Silver Spring, Maryland 

Ginsberg, Ned 

North Hollywood, California 

Hickey, Joan B. 

Chicago, Illinois 

House, Daniel S. 

Goleta, California 

Kagey, Joseph L. 

Denton, Texas 

Lopez, Luis 

New York, New York 

Morgan, J. Thomas 

Greeley, Colorado 

Program Assistance 

Alternative Center for 

International Arts 

New York, New York 

Creative Music Foundation 

Woodstock, New York 

Creative Musicians Improvisors Forum 

New Haven, Connecticut 

Cultural Council Foundation 

New York, New York 

Dance Visions 

New York, New York 

Detroit Institute of Arts, 

Founders Society 

Detroit, Michigan 

District Curators 

Washington, D.C. 

For the Love of Jazz 

Reno, Nevada 

G.I.N. (Get Involved Now) Foundation 

Houston, Texas 

Haleakala 

New York, New York 

Henry Street Settlement 

New York, New York 

Highlights in Jazz 

New York, New York 

2,000 Purcell, John R. 

New York, New York 

3,000 

3,000 Purcell, Yvonne 

New York, New York 

3,500 

1,500 Rashied, Ameen 

Jackson, Mississippi 

1,300 

2,500 Reznik, Sharon Lee 

New York, New York 

4,500 

4,500 Seiter, Christopher S. 

Lubbock, Texas 

4,100 

1,200 Shaw, George W. 

Long Beach, California 

3,000 

1,500 Turk, Michael 

Oceanside, New York 

2,300 

1,0o0 Widenhofer, Stephen B. 

Greeley, Colorado 

455 

For artists’ fees and promotional expenses for the 1983-84 jazz concert series culminating in the symposium, "New Influences in Jazz." 

$2,000 

For artists’ fees and promotional expenses for the jazz concert and 

residency program. 

6,000 

For compositions by guest jazz artists, and open rehearsals and concerts combining the Creative Improvisors Orchestra with several 

world music ensembles. 

2,000 

For Latin American Music in Alternate Spaces (LAMAS) to present 

a series of concerts featuring Latin American composers and musicians performing in the jazz idiom. 

1,000 

For jazz artists’ fees and related administrative expenses for the compositions, rehearsals, and production of a collaborative jazz music and 

dance concert by Cecil Taylor and Dianne McIntyre. 

9,800 

For fees and royalties for guest artists for the 52-week, one-hour radio 

series, Jazz at the Institute. 

5,000 

For jazz artists’ fees for a series of concerts and for the third annual 

jazz workshop led by Jaki Byard. 

2,000 

For a series of concerts featuring nationally recognized jazz artists, 

professional local musicians, emerging jazz musicians, and local innovative jazz ensembles. 

3,000 

For jazz performances at convalescent homes, senior centers, and 

hospitals. 

3,000 

For jazz artists’ fees for the new music performance series at the 

Kitchen. 

5,000 

For a professional jazz concert series at the Music School and 

workshops in jazz and Latin jazz designed for students preparing for 

professional careers. 

11,000 

For performances by established and emerging jazz artists featuring the varied eras of jazz music, with the performers discussing their 

music. 

4,000 
20O Music 

Hudson River Museum at Yonkers 

Yonkers, New York 

Institution Programs 

Bartlesville, Oklahoma 

Inter-Media Arts Center 

Bayville, New York 

International Art of Jazz 

Stony Brook, New York 

Jazz Heritage Foundation 

Los Angeles, California 

Jazz in Arizona 

Phoenix, Arizona 

Jazz Research Institute 

Detroit, Michigan 

Jazzmobile 

New York, New York 

Jefferson-Chalmers Citizens District 

Council 

Detroit, Michigan 

Kitani Foundation 

Columbia, South Carolina 

Kuumbwa Jazz Society 

Santa Cruz, Ca!ifornia 

Manna House Workshop 

New York, New York 

Mid-America Arts Alliance 

Kansas City, Missouri 

Minnesota Orchestral Association 

Minneapolis, Minnesota 

Mobile Jazz Festival 

Mobile, Alabama 

Monmouth County Library 

Freehold, New Jersey 

Mount Vernon Brass Players Society 

Baltimore, Maryland 

Musicians for Music 

New Orleans, Louisiana 

National Public Radio 

Washington, D.C. 

Natural Heritage Trust 

Lewiston, New York 

Neoclassical Jazz Orchestra 

Lincoln, Nebraska 

New Center Community Mental 

Health Services 

Detroit, Michigan 

For artists’ fees for the summer jazz concert series featuring the Paquito d’Rivera ensemble, Marilyn Crispell and her quartet, and Andrew Cyrille performing original works. 

For support of fees and travel costs for master jazz guitarist B.B. 

King in a performance and workshop for incarcerated musicians. 

2,000 

For jazz artists’ fees and related promotional costs for the jazz concert series. 

3,000 

For the free jazz education workshops conducted by master jazz artists for local secondary and college students. 

24,000 

For a concert series that highlights the history and milestones of jazz 

music and the particular contributions of native Los Angeles jazz 

artists. 

3,000 

For jazz ensemble residencies at area schools and colleges, and public 

concerts featuring major jazz artists. 

2,000 

For a spring and summer concert series featuring professional local 

musicians and prominent guest artists. 

17,000 

For summer mobile concerts in New York State, New Jersey, 

Baltimore, Philadelphia and Washington, D.C., and for public school 

lecture concerts. 

38,000 

For jazz artists’ fees for the free "Concerts by the River," featuring 

local artists and well-known former Detroit artists. 

2,500 

For artists’ fees and related promotional expenses for a statewide

tour of Dizzy Gillespie. 

3,000 

For a year-round concert series featuring prominent jazz artists. 5,000 

For the jazz concert series featuring major jazz artists and emerging composers. 

3,000 

For artists’ fees for the regional tour of Jay McShann and his trio. 3,000 

For artists’ fees for the association’s jazz concert series. 2,000 

For the 12th annual festival during which high school music students 

live and study with professional musician/educators and attend master 

classes, ensemble clinics, and jam sessions, culminating in public evening performances. 

5,000 

For artists’ fees for jazz concerts and workshops at area libraries. 1,500 

For jazz performances at inner-city schools by the Just Bones Jazz

Ensemble; clinics and concerts for college students by the ensemble, 

with guest artists Curtis Fuller and Slide Hampton; and a public concert series. 

3,000 

For artists’ fees, transportation, and promotional costs for contemporary New Orleans jazz groups to perform with New York artists

at the New York Shakespeare Festival Theater. 

2,000 

For artists’ fees for varied segments of the Jazz Alive series with 

Jon Hendricks, Betty Carter, Jay McShann, Teddy Edwards, and Les 

McCann. 

16,000 

For jazz artists’ fees for the seventh annual summer festival at 

Artpark. 

3,000 

For rehearsal and performance expenses for the orchestra’s concert

subscription series. 

1,000 

For guest artists’ fees for free jazz concert performances for mentally ill adults in central Detroit. 1,000 
Mu.sic 201 

New Mexico Jazz Workshop 

Albuquerque, New Mexico 

New York Shakespeare Festival 

New York, New York 

Painted Bride Art Center 

Philadelphia, Pennsylvania 

Parker (Charlie) Memorial Foundation 

Kansas City, Missouri 

Performing Arts for Community 

and Education 

Miami, Florida 

Portland Center for the Visual Arts 

Portland, Oregon 

Real Art Ways Raw Ink 

Hartford, Connecticut 

Safari East Cultural Presentations 

New York, New York 

San Diego Jazz Festival 

La Jolla, California 

South Street Seaport Museum 

New York, New York 

Spokane Jazz Society 

Spokane, Washington 

Spoleto Festival U.S.A. 

Charleston, South Carolina 

Springfield Jazz Society 

Springfield, Massachusetts 

SUM Concerts 

Houston, Texas 

Texas Jazz Festival Society 

Corpus Christi, Texas 

Tucson Jazz Society 

Tucson, Arizona 

Universal Jazz Coalition 

New York, New York 

Universal Jazz Coalition 

New York, New York 

Walker Art Center 

Minneapolis, Minnesota 

Wichita Jazz Festival 

Wichita, Kansas 

Women’s Jazz Festival 

Kansas City, Missouri 

For statewide concerts by professional local jazz musicians and public 

jazz workshops. 

4,080 

For artists’ fees for "New Jazz at the Public," and a free jazz concert in Central Park. 

3,000 

For a jazz concert series. 1,000 

For a public concert series and clinics for area students conducted 

by master artists Max Roach, Dizzy Gillespie, and Clark Terry. 

7,000 

For jazz artists’ fees for both ticketed and free public concerts, featuring local jazz ensembles and prominent jazz artists. 

2,000 

For a series of contemporary jazz performances. 4,000 

For an artist residency fee and related administrative expenses for

Anthony Braxton to conduct a one-week professional composers 

workshop. 

2,000 

For performances, lecture-demonstrations, and workshops by Vishnu 

Wood and the Safari East Ensemble in four boroughs of New York. 

2,000 

For the concert series, "Jazz Piano: Three Approaches," featuring 

Horace Tapscott, Dorothy Donnegan, and Art Lande. 

1,000 

For jazz artists’ fees and promotional expenses of weekly noon concerts during the spring and summer months. 

3,000 

For guest artists’ fees for performances with the Jazz Society 

Orchestra. 

5,000 

For jazz artists’ fees, commissions, and promotional expenses for the 

festival’s jazz series. 

5,000 

For a series of concerts, educational presentation at community 

centers and schools, and a local artists jazz festival. 

4,000 

For the fourth annual free jazz festival and the "Jazz at the Annex"

concert series. 

7,000 

For the 23rd annual Texas Jazz Festival, free to the public. 2,000 

For the annual jazz workshop and concert, free to the public, featuring Louis Bellson, Bob Florence, and Pete Hand. 

3,000 

For a year-round concert series that features established and emerging jazz artists, technical and promotional services to musicians, and 

the Young Musicians Institute of workshops and critiques by professional musicians. 

26,500 

For artists’ fees and related production expenses for the New York 

Women’s Jazz Festival. 

3,000 

For artists’ fees for a contemporary jazz concert series. 3,000 

For the 12th annual jazz festival of public concerts by Ella Fitzgerald, 

Oscar Peterson, and Joe Pass; and clinics for university and high school 

jazz students. 

4,000 

For concert performances, a lecture series by Leonard Feather, and 

community outreach activities of the sixth annual festival. 

9,000 

Colleges and Universities 

Bismarck Junior College For guest artists’ fees and related administrative expenses for free, $3,000 

Bismarck, North Dakota public residencies that include clinics, lectures, rehearsals and performances with the BJC Jazz Ensemble. 
202 Music 

Cornish Institute 

Seattle, Washington 

Cuyahoga Community College District 

Cleveland, Ohio 

Georgia State University 

Atlanta, Georgia 

Glassboro State College 

Glassboro, New Jersey 

Governors State University 

Park Forest South, Illinois 

Hartford, University of 

West Hartford, Connecticut 

Haverford College, Corporation of 

Haverford, Pennsylvania 

Howard University 

Washington, D.C. 

Idaho, University of 

Moscow, Idaho 

Long Beach Community College District 

Long Beach, California 

Mansfield State College 

Mansfield, Pennsylvania 

Massachusetts, University of 

Amherst, Massachusetts 

Michigan, University of 

Ann Arbor, Michigan 

Minnesota, Regents of the University of 

Morris, Minnesota 

New York, Research Foundation of 

the State University of 

Albany, New York 

Norfolk State University 

Norfolk, Virginia 

Paterson (William) State College 

Wayne, New Jersey 

Rutgers, the State University of

New Jersey 

New Brunswick, New Jersey 

St Louis Conservatory and School 

for the Arts 

St. Louis, Missouri 

Sandburg (Carl) College 

Galesburg, Illinois 

South Florida, University of 

Tampa, Florida 

For the guest artist’s fee, related travel, and promotional expenses 2,000 

for a residency with Jim McNeely, including the commissioning of 

new works; performances with the Composers and Improvisors Orchestra; and classes and workshops in composition, piano, and 

improvisation. 

For guest artists’ and clinicians’ fees for the fourth annual jazz festival, 4,000 

featuring Sonny Rollins and the New York Jazz Quartet. 

For artists’ fees for residencies and free public concerts at area univer- 2,000 

sities and high schools. 

5,000 For a series of on-campus lectures and performers by master jazz 

artists. 

10,000 For artists’ fees for a series of residencies, clinics, master classes, 

performances with students, and public concerts by guest ensembles

led by Max Roach, Woody Shaw, Bobby Hutcherson, Richie Cole, 

and Johnny Griffin; and for pianist Ken Chaney to serve as jazz artistin-residence. 

For artists’ fees for expansion of the Jazz Master Series at the Hartt 10,000 

School of Music. 

For jazz artists’ fees for the student association’s "Alternative Con- 5,000 

cert Series," featuring contemporary artists. 

For a series of workshops, clinics, and free public concerts, with 2,000 

audiovisual taping of some activities for use by the Jazz Studies 

Program. 

For artists’ performance fees for the annual jazz festival. 3,500 

For guest artists’ fees and related travel and promotional expenses 5,000 

for the visiting artists program. 

For artists’ fees for a clinic, rehearsals, and a public concert by the 1,000 

Phil Woods Quartet with Mansfield College students. 

For artists’ residency and performance fees for vocal and instrumental 4,000 

workshops on improvisation, and concerts by Max Roach, Slide Hampton, Leone Thomas, and Ted Dunbar. 

For Eclipse Jazz’s major concerts, improvisation workshops, and 10,000 

residencies in the Ann Arbor-Detroit area. 

For guest artists’ fees and travel expenses concerning clinics and per- 2,200 

formances with the university’s jazz ensemble. 

For performances by Dizzy Gillespie and Billy Taylor, and a guest 3,000 

artist lecture series at the college at Old Westbury. 

For a series of presentations including a concert with Etta Jones and 8,450 

Houston Person, and mini-residencies by the Mitchell-Ruff Duo and 

Donald Byrd. 

For artists’ performance fees and promotion expenses for the free 

public "Jazz Room" concert series. 

For guest artists’ fees for on-campus and touring residencies, 

workshops, and public concerts for undergraduates and high school 

students at the Mason Cross School of the Arts. 

For artists’ fees for on-campus and public performances by the Preservation Hall Jazz Band. 

For artists’ fees for guest artist Dizzy Gillespie to conduct a clinicworkshop and concert performance with the Northern Illinois Jazz 

Ensemble. 

For a series of residencies; campus and community performances; 7,000 

and children’s concerts. 
Tennessee, University of 

Chattanooga, Tennessee 

Texas, University of 

Austin, Texas 

Wesleyan University 

Middletown, Connecticut 

Western Illinois University 

Macomb, Illinois 

Management Assistance 

Artists Collective 

Hartford, Connecticut 

Association for the Advancement of 

Creative Musicians 

Chicago, Illinois 

Committee on Jazz 

Los Angeles, California 

Composers and Improvisors Association 

Seattle, Washington 

District Curators 

Washington, D.C. 

Jazz Heritage Foundation 

Los Angeles, California 

Jazz Research Institute 

Detroit, Michigan 

Manna House Workshop 

New York, New York 

Mobile Jazz Festival 

Mobile, Alabama 

National Association of Jazz Educators 

Manhattan, Kansas 

Pacifica Foundation 

Washington, D.C. 

SUM Concerts 

Houston, Texas 

Universal Jazz Coalition 

New York, New York 

Jazz Special Projects 

Cho, Renee 

Santa Monica, California 

Clark College 

Atlanta, Georgia 

E Incorporated 

Washington, D.C. 

Film and Video Workshop 

Irving-on-Hudson, New York 

For artists’ residency fees for the Billy Taylor Trio to conduct master 

classes, after-school workshops, and public performances. 

For artists’ fees for performances, workshops, and master classes 

by Sonny Rollins, Gary Burton, and the Heath Brothers. 

For artists’ fees for performances by Billy Taylor and Johnny Griffin. 

For the presentation of the St. Louis Jazz Quartet with Jeanne Trevor, 

including performances for senior citizens, the handicapped, and 

children. 

For the third-year engagement of the development specialist to continue cooperative programming with the University of Hartford. 

For the first-year salary of a development specialist. 

For fees for consultants for a fund-raising event and development 

activities. 

For the second-year salary of a part-time manager for the orchestra. 

For the second-year salary of the jazz program director. 

For the In-st-year salary of a part-time fund-raiser. 

For first-year support of consulting services in management, promotion, marketing, and fundraising. 

For the first-year salary of a management assistant to stengthen the 

organization’s capabilities in audience development, increasing the 

base of volunteer support, and public relations. 

For the second-year salary of the executive director. 

For the second-year salary of the director of development. 

For the salary of the full-time music director for WPFW-FM. 

For the second-year salary of the artistic director. 

For the third-year support of three part-time positions and first-year 

salary of a fund-raiser/development specialist. 

For artists’ fees for the production of Toshiko Akiyoshi: The Woman 

and Her Music, a one-hour documentary film. 

For collaboration among nine historically black colleges for a touring network to present master jazz artists to college campuses, and 

to develop a central black college jazz archives. 

For a contract to administer the Endowment’s jazz program on-site 

evaluation activity during the 1984-85 season. 

To complete a documentary film on jazz pianist and composer Mary 

Lou Williams. 

Music 203 

1,000 

4,000 

2,000 

1,000 

$5,000 

12,000 

3,000 

2,000 

2,500 

3,000 

5,000 

5,000 

4,000 

5,000 

5,000 

5,000 

20,000 

$7,500 

45,000 

50,000 

10,000 
204 Music 

Grubbs, Carl 

Baltimore, Maryland 

Jazz Research Institute 

Detroit, Michigan 

Land, Harold 

Los Angeles, California 

Lawn, Richard 

Austin, Texas 

Mugwana, Oshun 

Chicago, Illinois 

National Jazz Foundation 

0denton, Maryland 

Northern Colorado, University of 

Greeley, Colorado 

Parker, Gene 

Perrysburg, Ohio 

Rutgers, the State University 

of New Jersey 

New Brunswick, New Jersey 

Sharpe, Avery 

Belchertown, Massachusetts 

Sinclair, Leni 

Detroit, Michigan 

Southern Arts Federation 

Atlanta, Georgia 

Yahya, Abdu-Raschid 

Baltimore, Maryland 

Jazz Master Awards 

Basie, William (Count) 

Kansas City, Missouri 

Clarke, Kenneth 

Philadelphia, Pennsylvania 

For jazz performances and workshops as part of the Arts in the 

Marketplace program at Harbor Place Mall in Baltimore. 

For the development of a full-time, professional jazz orchestra, including rehearsals and local performances. 

For jazz performances and lectures as part of the Art in the 

Marketplace program at Santa Monica Place Mall. 

For jazz performances and lectures as part of the Art in the

Marketplace program at Highland Mall in Austin. 

For artists’ fees for a series of performances by local jazz artists at 

the annual Neighborhood Festival of Music at the Du Sable Museum

of Black History in Chicago. 

For a contract to continue administering special projects that benefit 

the jazz field, including organizational, managerial, and financial 

technical assistance to selected jazz presenting organizations; the 

1983-84 On-Site Evaluation Program; and liaison activities between 

the Endowment and the jazz field. 

For touring residencies in colleges and high schools by the faculty

jazz quintet to cities in Wyoming, Montana, and Nebraska. 

For jazz performances and lectures as part of the Art in the 

Marketplace program at Franklin Park Mall in Toledo. 

For a cooperative agreement with the Institute of Jazz Studies to 

continue development and administration of the Jazz Oral History 

Project. 

For jazz performances and lectures as part of the Art in the

Marketplace program at Eastfield Mall in Springfield. 

To catalog Ms. Sinclair’s photographic collection of Detroit jazz artists in performance. 

For residency fees for performances, clinics, and workshops by the 

New Nat Adderiy Quintet, featuring Sonny Fortune. 

For a series of jazz performances and lectures as part of the Art in 

the Marketplace program at Mondawmin Mall in Baltimore. 

$20,000 

20,000 

Rollins, Theodore (Sonny) 

New York, New York 

9,230 

10,000 

4,000 

1,870 

7,500 

95,000 

4,000 

5,775 

30,000 

8,200 

4,000 

10,000 

8,900 

20,000 
Solo Recitalists
 

Recital Presenters 

Ambassador International 

Cultural Foundation 

Pasadena, California 

American Harp Society 

Cortland, New York 

Artist Series at the Pabst 

Milwaukee, Wisconsin 

Brattleboro Music Center, 

Friends of the 

Brattleboro, Vermont 

California Institute of Technology 

Pasadena, California 

California Polytechnic State 

University Foundation 

San L~s Obispo, California 

Candlelight Concert Society 

Columbia, Maryland 

Chamber Music Northwest 

Portland, Oregon 

Charles River Concerts 

Boston, Massachusetts 

Dallas Society for the Classic Guitar 

Dallas, Texas 

Dumbarton Avenue Concert Series 

Washington, D.C. 

East Carolina University 

Greenville, North Carolina 

Fresno Free College Foundation 

Fresno, California 

Haleakala 

New York, New York 

Illinois, University of 

Urbana, Illinois 

Iowa, University of 

I0wa City, Iowa 

Kansas, University of 

Lawrence, Kansas 

Key Biscayne Music Festival 

Key Biscayne, Florida 

Music 205 

Includes three subcategories: Recital Presenters are given grants to support performances and residencies by solo recitalists, recitalists with accompanist, and duos. Individuals who demonstrate potential for major 

careers as solo recitalists receive fellowships. During Fiscal 1983, fellowships 

were awarded to performers of woodwinds, brass, percussion, and keyboard 

instruments (not including piano). Career Development Organizations, other 

than presenting organizations and educational institutions, are given support to foster the professional career development of American solo 

recitalists. 

Program funds: $414,260 

71 grants 

For artists’ fees for emerging American recitalists presented during $3,400 

the 1983-84 season. 

To increase artists’ fees for emerging American harp recitalists 2,800 

presented during the 1983-84 season. 

For artists’ fees for the presentation of emerging American recitalists 1,500 

during the 1983-84 season. 

For artists’ fees for emerging American solo and duo recitalists 2,000 

presented during the 1983-84 season. 

For artists’ fees for emerging recitalists presented during the 1983-84 1,750 

season. 

For artists’ fees for emerging American recitalists presented during 1,900 

the 1983-84 season. 

For artists’ fees for emerging American recitalists presented during 1,700 

the 1983-84 season. 

For artists’ fees for emerging American recitalists presented during 1,000 

the 1983-84 season. 

For artists’ fees for emerging American recitalists presented during 1,900 

the 1983-84 season. 

For artists’ fees for emerging American guitar recitalists presented 2,150 

during the 1983-84 season. 

For arti .sts’ fees for emerging American recitalists presented during 2,000 

the 1983-84 season. 

For artists’ fees for emerging American recitalists presented during 1,700 

the 1983-84 season. 

For artists’ fees for emerging American recitalists presented on the 1,400 

1983-84 keyboard concert series. 

For artists’ fees for emerging American recitalists presented during 3,000 

the 1983-84 season at the Kitchen. 

For artists’ fees for emerging American recitalists presented on the 2,800 

1983-84 Showcase Series at the Krannert Center for the Performing 

Arts. 

For artists’ fees for emerging American recitalists presented during 2,200 

the 1983-84 season at the Hancher Auditorium. 

For artists’ fees for emerging American recitalists presented during 2,500 

the 1983-84 season. 

For artists’ fees for the presentation of emerging recitalists during 1,200 

the 1983-84 season. 
206 Music 

Loyola Marymount University 

Los Angeles, California 

LPL Plus APL 

Lewiston, Maine 

Mamaroneck Free Library 

Mamaroneck, New York 

92nd Street Young Men’s and Young 

Women’s Hebrew Association 

New York, New York 

North Dakota, University of 

Grand Forks, North Dakota 

Norton Gallery and School of Art 

West Palm Beach, Florida 

St. Louis Classical Guitar Society 

St. Louis, Missouri 

St. Louis Conservatory and School 

for the Arts 

St. Louis, Missouri 

Schubert Club 

St. Paul, Minnesota 

Southern California, University of 

Los Angeles, California 

Spelman College 

Atlanta, Georgia 

Spoleto Festival U.S.A. 

Charleston, South Carolina 

Temple Beth El of Boca Raton 

Boca Raton, Florida 

Tri-County Concerts Association 

Wayne, Pennsylvania 

University Community Concerts 

College Park, Maryland 

Valparaiso University Association 

Valparaiso, Indiana 

Visiting Artists 

Davenport, Iowa 

Washington Performing Arts Society 

Washington, D.C. 

Western Illinois University 

Macomb, Illinois 

Wisconsin, University of 

Eau Claire, Wisconsin 

Wisconsin, University of 

Stevens Point, Wisconsin 

Xavier University 

Cincinnati, Ohio 

Young Pianist Series 

Knoxville, Tennessee 

For artists’ fees for emerging American recitalists presented on the 

1983-84 University Recital Series. 

2,000 

For artists’ fees for an emerging American recitalist presented in 

a one-week tour of Maine. 

3,750 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season at the Emelin Theatre for the Performing Arts. 

2,400 

For artists’ fees for emerging American recitalists presented on the 

1983-84 "bonus concert" series. 

6,000 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

4,470 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

2,350 

For artists’ fees for emerging American guitarists presented in recitals 

and master classes during the 1983-84 season. 

3,650 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

3,000 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

1,500 

For artists’ fees for emerging American recitalists presented at the 

Arnold Schoenberg Institute in recitals and mini-residencies during 

the 1983-84 season. 

3,750 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

3,000 

For artists’ fees for emerging American recitalists presented during 

the 1983 Spoleto Festival. 

5,900 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 "Sunday at Three" series. 

2,650 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

1,700 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

2,120 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

2,500 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

3,900 

For artists’ fees for emer~ng American recitalists presented during 

the 1983-84 season. 

3,400 

For artists’ fees for emerging American recitalists presented in concerts, master classes, and related residency activities during the 

1983-84 season. 

2,750 

For artists’ fees for emerging American recitalists presented in concerts and residencies during the 1983-84 season. 3,700 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

1,500 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

6,450 

For artists’ fees for emerging American recitalists presented during 

the 1983-84 season. 

1,300 
Music 207 

Individuals 

Anderson, Miles H. 

Encinitas, California 

Chesis, Linda D. 

New York, New York 

Comparone, Elaine 

New York, New York 

Dick, Robert J. 

New York, New York 

Duer, Susan 

Las Vegas, Nevada 

Hickman, David R. 

Tempe, Arizona 

Hill, Robert S. 

Cambridge, Massachusetts 

Hunter, Laura E. 

Houston, Texas
 

Jolley, David C.
 

New York, New York
 

Jordan, Paul 

Binghamton, New York 

Jutt, Stephanie A. 

New York, New York 

Kahn, Sue Ann 

New York, New York
 

Kraber, Karl F.
 

New York, New York
 

Kroll, Mark R.
 

Brookline, Massachusetts
 

Lindorff, Joyce Z.
 

New York, New York
 

Louwenaar, Karyl J.
 

Tallahassee, Florida
 

Mendenhall, Judith C. 

New York, New York 

Ostryniec, James P. 

Baltimore, Maryland 

Rose, John L., Jr. 

Hartford, Connecticut 

Routch, Robert E. 

Allentown, Pennsylvania 

Shifrin, David Alan 

Pasadena, California 

Smedvig, Rolf T. 

Boston, Massachusetts 

To book trombone recitals of contemporary music throughout the 

United States at libraries, museums, and places of work. 

$8,000 

To prepare flute programs of American contemporary music, a lecture/demonstration video tape, and a recital at Alice Tully Hall. 2,500 

To present harpsichord concerts in Washington, New York,

Philadelphia, and Boston. 

2,500 

For bookings, travel, and promotion costs to present flute recitals 

in several cities in the United States. 

7,500 

For a demonstration tape of the pianoforte sent to libraries, radio 

stations, and recital presenters. 

5,000 

To present three trumpet recitals in New York, Washington, and 

Philadelphia. 

2,500 

To engage a manager and design and produce promotional literature

for harpsichord recitals. 

7,500 

To present recitals of 20th-century American compositions for the 

saxophone. 

5,000 

To present a French horn recital at Alice Tully Hall in New York. 10,000 

To study, memorize, and prepare the entire Art of the Fugue by J.S. 

Bach for organ recitals and lecture-recitals. 

2,500 

To design and print promotional materials for flute recitals and to

record a promotional tape. 

7,500 

To rehearse and present a ten-day residency at six universities in 

the Kansas City area, present a flute recital in New York and make 

a demonstration tape. 

10,000 

For rehearsals, engineering, studio and editing costs of a demonstration tape of American, French, and Italian flute works. 10,000 

To prepare three harpsichord recitals in New York, Boston, and

Washington. 

2,500 

For innovative harpsichord recital programs performed in communities where new music is rarely played and for a demonstration 

tape. 

2,500 

To present a series of solo harpsichord recitals of American works. 7,000 

For flute recitals in New York and Washington. 5,000 

To present oboe recitals of 20th-century American music in several 

cities throughout the United States. 

2,500 

For promotion and advertising of two or three organ recitals devoted 

to rarely performed literature of the French romantic era. 

2,500 

To present recitals of the standard French horn repertoire and jazz 

in New York, Washington, Chicago, and Los Angeles. 

5,000 

For a program of major clarinet repertoire performed several times 

during the 1983-84 season. 

7,500 

For rental, travel, advertising, and accompanist costs for a trumpet 

concert in Boston, at Sanders Theatre, and in New York at Alice Tully 

Hall. 

9,220 

Stallman, Robert For a flute recital in Alice Tully Hall. 5,000 

New York, New York 
208 Music 

Thompson, Robert K., Jr. To distribute copies of demonstration tapes of performances on the 2,500 

Milwaukee, Wisconsin bassoon to presenters and classic radio stations. 

Wolf, R. Peter To present a solo harpsichord recital in New York’s Merkin Concert 2,500 

New Brunswick, New York Hall in celebration of the 300th anniversary of the birth of JeanPhilippe Rameau. 

Career Development Organizations 

Affiliate Artists 

New York, New York 

Affiliate Artists 

New York, New York 

Concert Artists Guild 

New York, New York 

Pro Musicis Foundation 

New York, New York 

Young Concert Artists 

New York, New York 

Music Festivals 

Boston Symphony Orchestra 

Boston, Massachusetts 

Bowdoin College 

Brunswick, Maine 

Britt (Peter) Music Festival

Medford, Oregon 

Cabrillo Guild of Music 

Aptos, California 

Caramoor Center for Music 

and the Arts 

Katonah, New York 

Carmel Bach Festival 

Carmel, California 

Carnegie Hall Society 

New York, New York 

Castle Hill Foundation 

Ipswich, Massachusetts 

Center City Commission 

Memphis, Tennessee 

Chautauqua Institution 

Chautauqua, New York 

Chicago Park District 

Chicago, Illinois 

For artists’ fees for the recital and "informance" portions of the Xerox $15,000 

Pianists Program, during the 1983-84 season. 

For artists’ fees for up to 40 performing artist community residen- 88,000 

cies throughout the U.S. in 1983-84. 

For the guild’s services to American solo recitalists during the 1983-84 12,000 

season, including management services, artists’ fees, and travel 

expenses. 

To expand the foundation’s career development services to include 15,000 

American solo recitalists during the 1983-84 season. 

For services to American solo recitalists, including booking and 39,400 

management services, promotion and publicity materials, residency 

training, and artistic and career guidance. 

To assist organizations that offer a series of high-quality music events that 

are special in nature, coordinated within a specific period of time, and 

presented at a centralized location. 

Program funds: $297,800 

Treasury funds: $143,600 

45 grants 

For artists’ fees for the 49th season of the Berkshire Festival at
 

Tanglewood in summer 1983.
 

For the Bowdoin Summer Music Festival in summer 1983.
 

For the Peter Britt Music Festival in summer 1983.
 

For the Cabrillo Music Festival in summer 1983.
 

For the Caramoor Music Festival in summer 1983.
 

For the Carmel Bach Festival in summer 1983.
 

For the 1983 Serenades at Carnegie Hall.
 

For the Castle Hill Festival in summer 1983.
 

For the Memphis Music Heritage Festival in 1983.
 

For the 1983 festival series.
 

For the 49th season of Grant Park Concerts.
 

TF 25,200 

2,400 

1,000 

9,200 

4,000 

2,200 

5,200 

7,600 

1,700 

5,300 

16,700 
Colorado Music Festival 

Boulder, Colorado 

Eastern Music Festival 

Greensboro, North Carolina 

Florida Chamber Orchestra Association 

Fort Lauderdale, Florida 

Foundation for Baroque Music 

Wilmette, Illinois 

Goldman Band Concerts 

New York, New York 

Grand Teton Music Festival 

Teton Village, Wyoming 

Gregg Smith Singers 

New York, New York 

Inter-American Music and Arts 

Festival Foundation 

Silver Spring, Maryland 

Lincoln Center for the Performing Arts 

New York, New York 

Los Angeles Philharmonic Association 

Los Angeles, California 

Minnesota Orchestral Association 

Minneapolis, Minnesota 

Minnesota Public Radio 

St. Paul, Minnesota 

Monadnock Music 

Peterborough, New Hampshire 

Mozart on the Square 

Philadelphia, Pennsylvania 

Music Associates of Aspen 

Aspen, Colorado 

Music Festival of Rhode Island 

Providence, Rhode Island 

Music from Bear Valley 

Fresno, California 

Musica Sacra 

New York, New York 

Musical Arts Association 

Cleveland, Ohio 

New Hampshire Music Festival 

Center Harbor, New Hampshire 

Oakland University 

Rochester, Michigan 

Ojai Festivals 

Ojal, California 

Oregon, University of 

Eugene, Oregon 

Pacifica Foundation 

New York, New York 

Philharmonic-Symphony Society of 

New York 

New York, New York 

For the 1983 Colorado Music Festival. 

For the Eastern Music Festival in summer 1983. 

For the 1983 Florida Music Festival. 

For the 21st Festival of Baroque Music in Greenfield Center and


Saratoga Springs, New York, in summer 1983.
 

For the 1983 season of the Guggenheim Concert Bands summer
 

concerts.
 

For young American artists, 20th-century music concerts, chamber
 

music activities, and all administrative positions.
 

For the Adirondack Festival of American Music in summer 1983.
 

For the Inter-American Music Festival in 1983.
 

For the Mostly Mozart Festival in summer 1983.
 

For the 1983 season of the Hollywood Bowl Summer Festival.
 

For the 1983 summer festival known as the Viennese Sommerfest.
 

For artists’ fees for American chamber ensembles featured on St.
 

Paul Sunday Morning during the 1983-84 broadcast year. 

For the Monadnock Music Festival in summer 1983. 

For the 1983 Mozart on the Square Festival on Rittenhouse Square
 

in Philadelphia.
 

For artists’ fees for the 1983 Aspen Music Festival.
 

For the 1983 summer concert series.
 

For the annual three-week festival in Bear Valley.
 

For the 1983 Basically Bach Festival of concerts in Avery Fisher Hall
 

and the Central Presbyterian Church in New York.
 

For concerts at the Blossom Music Center in summer 1983.
 

For the New Hampshire Music Festival in summer 1983.
 

For the 20th season of the Meadow Brook Music Festival.
 

For the 1983 Ojai Festival.
 

For the Oregon Bach Festival in summer 1983.
 

For a festival of music presented on radio station WBAI in New York.
 

For "Horizons ’83," a two-week festival of contemporary music, with
 

special emphasis on American composers.
 

Music 209 

6,300 

8,600 

1,000 

1,800 

13,300 

15,000 

8,300 

19,200 

TF	 17,900 

TF	 25,100 

11,500 

10,000 

10,700 

4,100 

TF 40,800 

1,400 

2,400 

20,400 

TF 14,900 

2,000 

6,700 

8,100 

7,700 

2,000 

25,000 
210 Music 

Robin Hood Dell Concerts 

Philadelphia, Pennsylvania 

Rochester Philharmonic Orchestra 

Rochester, New York 

San Francisco Symphony Association 

San Francisco, California 

San Luis Obispo Mozart Festival 

Association 

San Luis Obispo, California 

Santa Cruz Festival of Living Music 

Santa Cruz, California 

Shreveport Summer Music Festival, 

Friends of the 

Shreveport, Louisiana 

Spoleto Festival U.S.A. 

Charleston, South Carolina 

Theatre Development Fund 

New York, New York 

Vermont Mozart Festival 

Burlington, Vermont 

Music Recording 

American Music Recording Institute 

New York, New York 

Amherst Saxophone Society 

Buffalo, New York 

Boston Musica Viva 

Newton Centre, Massachusetts 

Boston Symphony Orchestra 

Boston, Massachusetts 

Boys Choir of Harlem 

New York, New York 

Cantata Singers 

Cambridge, Massachusetts 

Collage 

Brookline, Massachusetts 

Composers Recordings 

New York, New York 

Empire Brass Quintet 

Boston, Massachusetts 

For the summer 1983 season at the Mann Music Center.
 

For a festival of American music in 1983 in collaboration with the
 

Eastman School of Music.
 

For the 1983 Beethoven Festival.
 

For the San Luis Obispo Mozart Festival in summer 1983.
 

For the Santa Cruz Festival of Living Music in 1983.
 

For the Shreveport Summer Music Festival in 1983.
 

For the chamber music and solo recital activities at the 1983 Spoleto 

Festival U.S.A. 

For the music voucher program and the ticket assistance program 

developed by the Theater Development Fund. 

For the Vermont Mozart Festival in summer 1983. 

To offer assistance to nonprofit organizatons for the recording and distribution of American music. 

Program funds: $293,100 

32 grants 

17,200 

4,900 

TF 19,700 

1,000 

1,800 

1,300 

8,000 

20,900 

1,900 

For promotional activities to assist in the distribution of the recordings funded by the Endowment. 

For the recording of Alec Wilder’s Quartet for Saxophones, Paul 

Creston’s Suite for Saxophone Quartet, Robert Mols’ Enchantment, 

and Stephen Parisi’s Introduction and Capriccio with Amherst Saxophone Quartet. 

To record Ann Silsbee’s Spirals and Elizabeth Vercoe’s Herstory H 

with the Boston Musica Viva. 

To record Peter Lieberson’s Piano Concerto with pianist Peter Serkin, 

and the Boston Symphony Orchestra, Seiji Ozawa conducting. 

To record Albert Glinsky’s Mass for Peace and George Walker’s Cantara with the Boys Choir of Harlem. 

To record Seymour Shifrin’s Cantata on Sophoclean Texts with the 

Cantata Singers Ensemble. 

To record David Koblitz’s Delayed Departures, Marc Antonio Consoli’s Fantasia Celeste, Donald Sur’s The Unicorn and the Lady, 

Charles Wuorinen’s Bassoon Variations, Richard Busch’s Drci NebelLieder, Roger Bourland’s Seven Pollock Paintings, and a new work 

by Joan Tower with Collage. 

For the Direct Marketing Program of CRI. 

To record John Huggler’s Quintet #$, Gunther Schuller’s Little Brass 

Music, Stanley Silverman’s Variation on a Theme by Kurt Weill, and 

Ira Taxin’s Fanfare and Brass Quintet with the Empire Brass 

Quintet. 

$11,400 

1,300 

2,600 

20,000 

5,000 

7,500 

4,100 

20,000 

2,500 
Music 211 

Gregg Smith Singers 

New York, New York 

Jazz Composer’s Orchestra Association 

New York, New York 

Leonarda Productions 

New York, New York 

Louisville Orchestra 

Louisville, Kentucky 

Meet the Composer 

New York, New York 

New Music Consort 

New York, New York 

New World Records 

New York, New York 

New York Philomusica Chamber 

Ensemble 

New York, New York 

Northeastern University 

Boston, Massachusetts 

Owl Recording 

Boulder, Colorado 

Performers’ Committee 

New York, New York 

Philharmonic-Symphony Society 

of New York 

New York, New York 

Plymouth Music Series 

Minneapolis, Minnesota 

Portland Symphony Orchestra 

Portland, Maine 

Rochester, University of 

Rochester, New York 

St. Louis Symphony Society 

St. Louis, Missouri 

San Francisco Contemporary 

Chamber Players 

San Francisco, California 

San Francisco Symphony Association 

San Francisco, California 

Society for New Music 

Syracuse, New York 

To record William Schuman’s Cantata a Free Song, Carols of Death, 7,400 

Perceptions, and Esses; Michael Hennagin’s Meditation and By the 

Roadside; and Dennis Riley’s Cantata IV and Cantata H with the 

Gregg Smith Singers. 

For promotion projects of the New Music Distribution Service. 8,100 

To record music by Rebecca Clarke, Paul Hindemith, Lee Hoiby, 2,900 

Katherine Hoover, Gunther Schuller, and Elizabeth Taaffe Swilich 

on the Leonarda label. 

To record music by Dominick Argento, John Corigliano, Mario 20,000 

Davidovsky, Morton Gould, Paul Hindemith, Douglas Moore, Walter 

Piston, Leo Sowerby, and Richard Wernick. 

To record seven new American works performed by seven American 20,000 

orchestras as part of the Meet the Composer Orchestra Residencies 

Program. 

To record David Olan’s Prism, Harvey Sollberger’s The Two and the 5,000 

One, Joan Tower’s Brimset, and a work by Ann Le Baron for violin 

and percussion. 

For general operating funds to assist with administrative staff salaries 20,000 

for project supervision, operations, marketing activities, and project 

costs for the Recorded Anthology of American Music. 

To record Ezra Laderman’s Meditation on Isaiah, Monet, and Octet 4,500 

with the New York Philomusica. 

To record Walter Piston’s String Quartet No. 1 and String Quartet 7,000 

No. ~ with the Portland String Quartet on the Northeastern Records 

label. 

To record music by Morton Subotnick, Edward Miller, Richard Toen- 1,000 

sing, and Willson Osborne with clarinetist Dr. Ramon Kireilis on the 

Owl Recording label. 

To record music by Henry Cowell and selected piano music with 5,100
 

members of Continuum.
 

To record the New York Philharmonic performing William Schuman’s 20,000 

Three Colloquiesfor Horn and Orchestra and a new work by George 

Crumb. 

To record Elizabeth Larsen’s In a Winter Garden with the Plymouth 6,300 

Festival Choir. 

To record David Amram’s Concerto for Saxaphone and Orchestra 3,800 

(Ode to Lord Buckley) and Karel Husa’s Elegie for Rondeau and Or­ chestra with Kenneth Radnofsky and the Portland Symphony 

Orchestra. 

To record Joseph Schwantner’s In Memoriam: Martin l.mther King 8,800 (New Morning for the World) narrated by Willie Stargell with the 

Eastman Philharmonia. 

To record William Schuman’s Symphony No. 10 and American Hymn 20,000 

and Joseph Schwantner’s Four Poems of Agueda Pizarro with 

Leonard Slatkin conducting. 

To record Conrad Cummings’ Seven Songs; Edwin Dugger’s Septet; 7,800 

Peter Dicksen Lopez’s Lorinn; and Lawrence Moss’s Loves. 

To record John Adams’ Harmonium with the San Francisco Sym- 15,000 

phony and the San Francisco Symphony Chorus, Edo de Waart 

conducting. 

To record Daniel Breedon’s Sextet with the Minnesota Composers 5,100 

Forum; Lou Coyner’s A Whorl of Time with the Pittsburgh New 

Music Ensemble; Donald Erb’s The Devil’s Quickstep with the Voices 

of Change; and Steven Stucky’s Sappho Fragments with the Society for New Music. 
212 

Virginia Opera Association 

Norfolk, Virginia 

Washington, University of 

Seattle, Washington 

Western Wind Vocal Ensemble 

New York, New York 

Special Projects 

Affiliated State Arts Agencies 

of the Upper Midwest 

Minneapolis, Minnesota 

American Academy in Rome 

New York, New York 

Carnegie Hall Society 

New York, New York 

Carnegie Hall Society 

New York, New York 

Consortium for Pacific Arts 

and Cultures 

Honolulu, Hawaii 

McManus, Betty 

San Diego, California 

Michigan, Regents of the University of 

Ann Arbor, Michigan 

Mid-America Arts Alliance 

Kansas City, Missouri 

New England Foundation for the Arts 

Cambridge, Massachusetts 

Seuffert Band 

New York, New York 

Southern Arts Federation 

Atlanta, Georgia 

Western States Arts Foundation 

Santa Fe, New Mexico 

TF--Tre~ury Funds 

To record Then Musgraves’s An Occurrence at Owl Creek Bridge and 10,600 

Orfeo H with the Virginia Opera Association. 

To record William Bergsma’s Changes for Seven, Alvin Etler’s Quintet 4,400 

No. 2, Joseph Goodman’s Quartet and Luigi Zaninelli’s Burla and 

Variations with the Soni Ventorum Wind Quintet. 

To record 20 selections from the Revolutionary to the Civil War en- 4,800 

titled Wondrous Love: Historical American Vocal Music. 

To fund innovative and exemplary projects that have a broad impact on the

music field but are not eligible under the other funding categories. 

Program funds: $225,934 

12 grants 

For a comprehensive program of regional music touring and residency $18,000 

activities during 1983-84. 

1,200 To compile an archive of the tapes of the music of American Academy 

in Rome fellowship recipients. 

For artists’ fees and audience development costs for 34 concerts 44,250 

presented in Carnegie Recital Hall during the 1983-84 season, featuring 20th-century American music and emerging American artists. 

For artists’ fees, hall costs, promotional costs, and general and ad- 43,600
 

ministrative expenses associated with concerts by mid-career
 

American artists in the Main Hall.
 

6,400 For a regional touring project in the Pacific Islands during 1983-84. 

4,084 To participate as a Fellow in the Music Program during the fall session. 

For a symposium for high school and pre-professional black students 8,700
 

seeking professional careers in music.
 

For a comprehensive program of regional music touring and residency 15,700
 

activities during 1983-84.
 

For a comprehensive program of regional music touring and residency 23,300
 

activities during 1983-84.
 

17,500 For a series of free public concerts presented in the Borough of 

Queens. 

For a two-part project including a regional tour of the Albert McNeil 26,700
 

Singers and a program to develop the marketing and promotional skills
 

of chamber music ensembles and presenters.
 

For a comprehensive program of music touring and residency activi- 16,500
 

ty during the 1983-84 season.
 
214 Operu-Mu.sica/Theater 

HANSEL
 

GRETEL
 
215 

Opera-Musical 

Theater 

Opera-Musical TheaterAdvisory Panels
 

Michael Bronson 

Media Director 

Metropolitan Opera 

Association 

New York, New York 

John Frohnmayer 

Chairman 

Oregon Arts Commission 

Salem, Oregon 

Richard Gaddes 

General Director 

Opera Theatre of St. Louis 

St. Louis, Missouri 

Bernard Gersten 

Executive Producer 

Radio City Music Hall 

New York, New York 

Ann Getty 

Board of Trustees 

National Opera Institute 

San Francisco, California 

Joan Harris 

President 

Chicago Opera Theatre 

Chicago, Illinois 

Robert Herman 

General Manager 

Greater Miami Opera 

Association 

Miami, Florida 

Christine Hunter 

Chairman 

Washington Opera 

Washington, D.C. 

C. Bernard Jackson 

Executive Director 

Inner City Culture Center 

Los Angeles, California 

Rhoda Levine 

Opera stage director 

New York, New York 

Frank Lewin 

Composer, professor 

Yale University

Princeton, New Jersey 

Mary MacArthur 

Director 

The Kitchen 

New York, New York 

John Mauceri 

Conductor
 

New York, New York
 

Frank McGlinn 

Vice President 

Barra Foundation 

Philadelphia, Pennsylvania 

Thea Musgrave 

Composer 

Norfolk, Virginia 

Michael Price
 

Executive Director
 

Goodspeed Opera House
 

East Haddam, Connecticut
 

Edward Purrington 

General Director 

Tulsa Opera 

Tulsa, Oklahoma 

Jane Remer 

Arts consultant, writer
 

New York, New York
 

Domingo Rodriquez 

Business Representative 

United Scenic Artists 

New York, New York 

Beverly Sills 

General Director 

New York City Opera 

New York, New York 

Stanley Silverman 

Composer 

New York, New York 

Alexis Smith 

Actress 

Los Angeles, California 

Charles Strouse 

Composer 

New York, New York 

Jane Weaver 

Managing Director
 

Texas Opera Theater
 

Houston, Texas
 

Thomas Wolf 

Executive Director 

New England Foundation 

for the Arts 

Cambridge, Massachusetts
 
216 Operu-Musica! Theater 

Program funds: $2,954,885 

Treasury funds: $2,100,000 

160 grants Opera-Musical Theater 

Grants 

New American 

Works 

Amas Repertory Theatre 

New York, New York 

Byrd Hoffman Foundation 

New York, New York 

First All Children’s Theatre 

New York, New York 

Haleakala 

New York, New York 

Houston Grand Opera Association 

Houston, Texas 

Houston Grand Opera Association 

Houston, Texas 

International Arts Relations 

New York, New York 

Kennedy (John F.) Center for the

Performing Arts 

Washington, D.C. 

Lehman Engel Musical Theatre

Workshop 

Los Angeles, California 

Lenox Art Center 

New York, New York 

Medicine Show Theatre Ensemble 

New York, New York 

Minnesota Opera Company 

St. Paul, Minnesota 

Minnesota Opera Company 

St. Paul, Minnesota 

Music For Many 

Millwood, New York 

New York Shakespeare Festival

New York, New York 

O’Neill (Eugene) Memorial Theater 

Center 

Waterford, Connecticut 

Opera Memphis

Memphis, Tennessee 

To create, develop, rehearse, and produce contemporary American operamusical theater works; encourage their introduction into the standard repertory; and make audiences more aware and appreciative of them. 

Program funds: $355,500 

23 grants 

For the rehearsal and original production of a new musical biography
 

of Harry S. Truman, with music and lyrics by Richard Lippman.
 

For music expenses of Robert Wilson’s production of The Civil Wars: 

A Tree Is Best Measured When It’s Down, presented as an opening event at the 1984 Los Angeles Olympic Games. 

For the testing and revising of Games, a contemporary musical for 

family audiences, with book and music by Robby Merkin. 

For a workshop production at the Kitchen of a collaborative work 

by JoAnne Akalaitis and Jon Gibson, inspired by Darwin’s Voyage 

of the Beagle. 

For rehearsal and production ofA Quie~ Place, composed by Leonard 

Bernstein, with text by Stephen Wadsworth. 

For a workshop production of Maria Laveau, a new full-length opera 

by composer Hiram Titus and librettist Kate Pogue. 

For the creation and development of Natale, a new musical with book

by Maria Irene Fornes and music by Paul Radelat. 

For a series of authentic productions of great American musicals. 

To conduct a series of musical works-in-progress, including rehearsals and readings. 

To develop The Juniper Tree: A Tragic Household Tale, a new work 

based on a fairy tale by Grimm. 

For the creation and development of a new American musical theater 

work loosely based on "boys books" by Oliver Optic and Horatio 

Alger. 

To commission Casanova’s Homecoming, a new work by composerlibrettist Dominick Argento produced during the company’s inaugural 

season at the Ordway Music Theater. 

To rehearse and produce the world premiere of The Abduction of 

Figaro, a full-length opera by Peter Schickele. 

To commission composer-librettist Roselyn W’molcer to create a work 

about the early life of Benjamin Franklin. 

To commission a new musical based on the story of the Mikado, with 

words and music by August Darnell of Kid Creole and the Coconuts. 

For the sixth annual composer librettist conference, a program

developing new music-theater works through rehearsals, revision and 

rewriting, public presentation, and follow-up discussion. 

For the creation of an opera by Libby Larsen based on Holy Ghost~, a play by Romulus Linney. 

$12,500 

50,000 

15,000 

20,000 

20,000 

15,000 

15,000 

40,000 

10,000 

7,500 

15,000 

15,000 

30,000 

1,500 

1,500 

30,000 
Ostrow (Stuart) Foundation 

Pound Ridge, New York 

Playwrights’ Horizons 

New York, New York 

Pro At~s
 

Oakland, California
 

Texas Opera Theater 

Houston, Texas 

Vice Versa Vision Company 

Noroton, Connecticut 

Virginia Opera Association 

Norfolk, Virginia 

Producers Grants 

Ellington, Mercer 

New York, New York 

Kirck, Robin

Berkeley, California 

Kroesen, Jill 

New York, New York 

Renz, Frederick 

New York, New York 

Stein, Meridee 

New York, New York 

Professional 

Companies 

Allen (Richard) Center for Culture

and Art 

New York, New York 

Amus Repertory Theatre 

New York, New York 

Anchorage Civic Opera Association 

Anchorage, Alaska 

Arizona Opera Company 

Tucson, Arizona 

For artistic fees and travel for the Musical Theater Lab, a workshop 

in wldch composers and librettists of new works collaborate with directors, choreographers, and actors to develop and rework their 

For the creation and development of The All American Girls, an 

original musical about a professional softball league that played during World War II. 

7,500 

For artists’ and production expenses for a new music-theater piece 5,000 

created through a process of group collaboration at George Coates

Performance Works. 

For the rehearsal and production of Lucky Lady, a new American 

one-act opera for children by librettist Kate Pogue and composer 

Hiram Titus. 

15,000 

To commission composer Conrad Susa and librettist Richard Street 5,000 

to create a new opera based on Garcia Lorca’s The Love of Don 

Perlimplin. 

To collaborate with London’s Royal Opera House to create a new 

American work on the life and work of Han-iet Tubman. 

To assist individual producers in the creation, completion, adaptation, and

development of new music theater works. 

Program funds: $49,500 

5 grants 

To complete Queenie Pie, an opera by composer Duke Ellington. $7,500 

For the collaborative creation of a new music-theater piece, including I0,000 

commissions to a composer and stage director. 

To develop The Original Lou and Walter Story, an opera-musical 7,500 

ballet. 

To produce a 12th-century liturgical music-drama. 9,500 

For the creation of a new musical entitled Nezha, based on an an- 15,000 

dent Chinese legend; with book, music, and lyrics by Edward Barnes. 

For opera companies to improve their artistic quality and adminsitrative

skills, reach new audiences, and broaden their repertoire to include more

works by American artists. 

Program funds: $1,543,600 Treasury funds: $2,100,000 94 grants 

To engage artistic personnel for the 1983-84 season of productions $8,125 

at the Afro-American Total Theatre. 

For the Areas Musical Theater Program and the productions of the 9,000 

Eubie Blake Children’s Theater. 

To develop marketing and fund-raising programs. 12,000 

For the 1983-84 season of performances, community outreach pro- 6,375 

grams, and the young artists program. 
218 Opera-MusicaITheater 

Arkansas Opera Theatre

Little Rock, Arkansas 

Atlanta Arts Alliance 

Atlanta, Georgia 

Augusta Opera Association 

Augusta, Georgia 

Baltimore Opera Company

Baltimore, Maryland 

Bronx Opera Company 

Bronx, New York 

Central City Opera House 

Association 

Denver, Colorado 

Chamber Opera Theatre of New York 

New York, New York 

Charlotte Opera Association 

Charlotte, North Carolina 

Chattanooga Opera Association 

Chattanooga, Tennessee 

Chautauqua Institution 

Chautauqua, New York 

Chicago Opera Theater 

Chicago, Illinois 

Cincinnati Opera Association 

Cincinnati, Ohio 

Cincinnati Playhouse in the Park 

Cincinnati, Ohio 

Connecticut Opera Association 

Hartford, Connecticut 

Dallas Civic Opera 

Dallas, Texas 

Des Moines Metro Opera

Indianola, Iowa 

East-West Players 

Los Angeles, California 

Fargo-Moorhead Civic Opera Company 

Fargo, North Dakota 

First All Children’s Theatre 

New York, New York 

Florentine Opera Company of 

Milwaukee 

Milwaukee, Wisconsin 

Fort Worth Opera Association 

Fort Worth, Texas 

Glimmerglass Opera Theatre 

Cooperstown, New York 

Goodspeed Opera House Foundation 

East Haddam, Connecticut 

Hawaii Opera Theatre 

Honolulu, Hawaii 

To engage a professional set designer for three productions during

the 1983-84 season. 

For two musical productions during the 1983-84 season of the Alliance 

Theatre Company. 

To engage a resident ensemble, a conductor~oach, and a stage director 

for the 1983-84 season. 

To support the company’s administration, production, and educational 

departments, including activities of Eastern Opera Theater. 

For the 1983-84 season of productions in English. 

To continue the Apprentice Artist Program. 

For the 1983-84 season of productions and related activities. 

For activities of the development and public relations department 

and the 1983-84 season of productions. 

To support the 1983-84 subscription series. 

For the 1983-84 season of productions of the Chautauqua Opera 

Company. 

For a revival of Virgil Thomson’s The Mother of Us All, including 

the eng3gement of an American artist to design a new set for the 

production. 

For the 1983-84 season of productions, outreach programs, and activities of the Ensemble Company of Cincinnati Opera. 

For the 1983 Summer Cabaret musical theater production. 

To add a second matinee performance to the 1983~1 production 

season. 

For the 1983-84 season of productions, including marketing and 

development activities, engagement of artistic personnel, and High 

Opera programs. 

To engage American singers for the 1983 summer season of 

productions. 

To develop an Asian-American musical theater production during the 

1983-84 season. 

For the 1983-84 season of productions. 

For the 1983-84 season of musical productions revived from the company’s repertory of original works. 

To support the engagement of administrative and artistic personnel. 

For the engagement of artistic and technical personnel. 

For a production of Otto Nicolal’s The Merry Wives of Windsor during the 1983-84 season. 

For archival materials for the I.a~rary of Musical Theater, the engagement of administrative and artistic staff, and two workshops of new 

American musicals. 

For the 1983~4 season of productions, including fees for guest artists. 

3,750 

3,000 

6,000 

3,000 

17,000 

3,000 

10,000 

6,000 

7,500 

15,000 

25,000 

60,000 

3,000 

12,500 

30,000 

TF 60,000 

7,875 

6,000 

3,750 

5,000 

17,000 

14,000 

6,000 

45,000 

TF 

TF 15,0~0 
Operu-Musical Theater 219 

Henry Street Settlement 

New York, New York 

Houston Grand Opera Association 

Houston, Texas 

Indiana Repertory Theatre 

Indianapolis, Indiana 

International Arts Relations 

New York, New York 

Kentucky Opera Association 

Louisville, Kentucky 

La Mama, E.T.C. 

New York, New York 

Little Flags Theatre Foundation 

Roxbury, Massachusetts 

Los Angeles Opera Repertory Theater 

Los Angeles, California 

Lyric Opera of Chicago 

Chicago, Illinois 

Lyric Opera of Kansas City 

Kansas City, Missouri 

Manhattan Theatre Club 

New York, New York 

Metropolitan Opera Association 

New York, New York 

Michigan Opera Theatre 

Detroit, Michigan 

Minnesota Opera Company 

St. Paul, Minnesota 

Mississippi Opera 

Jackson, Mississippi 

Mobile Opera 

Mobile, Alabama 

Music Theater Performing Group 

New York, New York 

Natural Heritage Trust 

Lewiston, New York 

Nevada Opera Association 

Reno, Nevada 

New Cleveland Opera Company 

Cleveland, Ohio 

New Orleans Opera Association 

New Orleans, Louisiana 

New York City Opera 

New York, New York 

New York Shakespeare Festival 

New York, New York 

Opera Association of Central Ohio 

Columbus, Ohio 

For the 1983-84 season of opera productions. 

For the engagement of artistic personnel, including the Houston Symphony and guest artists for the Light Opera Series, the expansion 

of development programs, and a computerized marketing campaign 

and centralized computer department. 

For an original musical production based on Ray Bradburfs Farvnh~ 

~51 during the 1983-84 season. 

For a musical production during the 1983-84 season. 

To increase marketing activities for the expanded 1983-84 season, including expenses for a computerized marketing campaign. 

For a production of Light Opera by composer Charlie Morrow and h~rettist Jerome Rothenberg, performed with the Western Wind 

Vocal Ensemble. 

For the 1983-84 season of productions. 

For the 1983-84 season of three productions. 

For the 1983-84 season of productions, including pre-season costs, the 

engagement of apprentice artists, student matinee performances, and 

the spring season productions of light opera. 

To hire artistic, production, and ~ment personnel for the 1983-84 

season. 

For the 1983-84 season of musical theater activity, including one full 

musical production and workshop activities. 

To amend a previous grant for artistic and technical preparation for

the 1983-84 centennial season and two weeks of free parks concerts. 

To support the 1983-84 season of productions, including the continuation of the artist-intern program. 

For the 1983~4 season of productions, including the engagement of 

a resident group of young American singers. 

For activities of the 1984 Mississippi Opera Festival of the South. 

For the 1983-84 season of productions, including outreach and educational activities. 

For the 1983-84 season of major music theater productions and

workshops at the Lenox Arts Center. 

For the 1983 season of opera and musical theater productions at

Artpark. 

To hire administrative staff, including a part~time publicity director. 

To construct scenery for the 1983-84 season of productions. 

For the 1983-84 season of productions, including a third series of 

performances. 

To support the 1983-84 season of six new productions. 

For the 1983-84 season of musical productions at the Public Theater. 

To support the 1983~4 season of productions and hire a part~time 

director of development. 

3,000
 

13,125 

TF 10,000 

7,500 

62,500 

TF 155,000 

15,000 

TF 25,000 

211,900 

TF 215,000 

30,000 

TF 20,000 

20,000 

TF 60,000 

6,375 

20,000 

TF 20,000 

10,625 

13,700 

TF 10,000 

11,000 

TF 10,000 

18,000 

TF 32,000 
220 Opera-Musica/Theater 

Opera Association of New Mexico 

Santa Fe, New Mexico 

Opera Company of Boston 

Boston, Massachusetts 

Opera Company of Philadelphia 

Philadelphia, Pennsylvania 

Opera Ebony/Philadelphia 

Philadelphia, Pennsylvania 

Opera Festival Association 

Glens Falls, New York 

Opera Grand Rapids 

Grand Rapids, Michigan 

Opera Guild of Greater Miami 

Miami, Florida 

Opera Memphis 

Memphis, Tennessee 

Opera/Omaha 

Omaha, Nebraska 

Opera Orchestra of New York 

New York, New York 

Opera Orchestra of New York 

New York, New York 

Opera Theater of Rochester 

Rochester, New York 

Opera Theater of Syracuse 

Syracuse, New York 

Opera Theatre of St. Louis 

St. Louis, Missouri 

Pennsylvania Opera Theater 

Philadelphia, Pennsylvania 

Pennsylvania Stage Company 

Allentown, Pennsylvania 

Pittsburgh Civic Light Opera 

Pittsburgh, Pennsylvania 

Pittsburgh Opera 

Pittsburgh, Pennsylvania 

Playwright’s Horizons 

New York, New York 

Portland Opera Association 

Portland, Oregon 

St. Luke’s Chamber Ensemble 

New York, New York 

San Diego Opera Association 

San Diego, California 

San Francisco Opera Association 

San Francisco, California 

For the apprentice program for singers and technicians, and the 

engagement of American artists for the 1983-84 season of Santa Fe 

Opera. 

To support an audience development program, including activities 

in marketing, promotion, and fund-raising. 

For the 1983-84 season of five productions at the Academy of Music. 

For the 1983-84 season of performances and community outreach programs, including the engagement of artistic and administrative 

personnel. 

For the 1984 summer season of productions at the Lake George Opera 

Festival. 

To hire artistic, management, and production personnel during the 

1983-84 season. 

To support four productions for the 1983-84 season. 

To engage artistic and administrative personnel, upgrade the quality of sets and costumes, increase rehearsal time, and improve 

marketing and promotion activities. 

For the 25th anniversary season of productions, including audience 

development programs. 

For the 1982-83 performance season, including fees and wages for 

artistic personnel, the young artists’ training program, and performances in local colleges and community theaters. 

For activities of the young artists’ training program and performances

in local colleges and community theaters. 

For the 1983-84 season of productions, including the engagement of 

a full-time artistic director. 

For the 1983-84 season, including the engagement of directors of 

development and promotion. 

For artistic and administrative expenses for the 1983-84 season of 

productions, outreach and educational programs, and the production 

of an operetta in cooperation with Washington University. 

For expenses for a major subscription campaign, inducting computerized mailings and the engagement of a professional consultant. 

For production expenses for a new musical during the 1983-84 season. 

To engage artistic and technical personnel, and design and construct 

sets for the 1983-84 season of productions. 

For the 1983-84 season. 

For the 1983-84 musical theater program, including staged readings 

and one main-stage production. 

For artistic, technical, and administrative expenses of the 1983-84 

season. 

For the 1983-84 season of opera productions for children by Children’s

Free Opera. 

For the 1983-84 season of productions, including the West Coast 

premiere of Wagner’s Lohengrin. 

For administrative and artistic expenses for the 1983-84 fall and summer season of productions, including expanded marketing and development programs and the engagement of a merchandising associate to 

develop the Opera Shop. 

58,750 

TF 85,000 

TF 45,000 

25,000 

TF 50,000 

7,000 

14,000 

TF 20,000 

3,000 

40,000 

TF 100,000 

11,000 

TF 10,000 

13,000 

6,000 

6,000 

3,000 

11,000 

20,000 

TF 60,000 

6,000 

3,000 

7,000 

TF 18,000 

16,250 

TF 20,000 

1(),000 

18,000 

TF 35,000 

3,000 

30,000 

TF 60,000 

75,000 

TF 200,000 
221 

Scholar Opera 

Palo Alto, California 

Seattle Opera Association 

Seattle, Washington 

Shadow Box Theatre 

New York, New York 

Skylight Comic Opera 

Milwaukee, Wisconsin 

Snake Theater 

Sausalito, California 

Snake Theater 

Sansalito, California 

Spanish Theatre Reperto~T Company

New York, New York 

Spoleto Festival, U.S.A

Charleston, South Carolina 

Tri-Cities Opera Company

Binghamton, New York 

Trinity Personna Company 

Providence, Rhode Island 

Tulsa Opera 

Tulsa, Oklahoma 

Urban Arts Theatre 

New York, New York 

Utah Opera Company

Salt Lake City, Utah 

Virginia Opera Association 

Norfolk, V’L~inia
 

Washington Drama Society 

Washington, D.C. 

Washington Opera 

Washington, D.C. 

Whitewater Opera Company

Richmond, Indiana 

Wolf Trap Foundation 

Vienna, Virginia 

Yeh Yu Chinese Opera

New York, New York 

For the 1983-84 season of productions, including the engagement of
 

a production coordinator.
 

For the 1983-84 season of Opera-h-English, the annual Wagner 

Festival performances of The Ring of the Nibdung, and a special holi­ day production of Amahl and the Night V’ud2ors. 

For outreach performances of Ring Around a Rainbow, an o "r~m~ 

musical theater piece for children. 

For orchestral services for all of the company’s regular productions

during the 1983-84 season. 

For a musical theater project by Antenna Division experimenting 

with portable cassette players to create ’~valk-through" participatory 

theater. 

For a production of a new musical work by Nightfire Division in collaboration with composer Nick Urbaniak. 

For the 1983-84 season of performances of a full-length Spanish zarzue/a~ including the engagement of artistic and production personnel.
 

For the engagement of artistic personnel and related artistic and production expenses for the 1983 season.
 

For the 1983-84 season of productions, including artistic, technical,

and administrative expenses. 

For the production of Burlesque, a new musical adapted by Denny 

Martin Flinn from the original play by Arthur Hopkins and George

M. Waters at the Trinity Square Repertory Company. 

For orchestral services, conductors’ fees, and technical supervision 

for the 1983-84 season of productions. 

To engage artistic, management, and production personnel for the 

1983-84 season of four musical productions. 

For the development of a professional chorus and costuming expenses 

for the 1983-84 season of productions. 

For the 1983-84 season of productions, including the engagement of

artistic and administrative staff and guest artists. 

For a production at Arena Stage of Leonard Bernstein’s Candide during the 1983-84 season. 

For the 1983-84 season of productions at the Kennedy Center Opera 

House. 

For artists’ fees for the 1983-84 season of productions. 

For two Wolf Trap Opera Company productions designed and staged 

specifically for the new 350-seat theater in The Barns. 

For the 1983-84 season of productions, including the engagement of 

artistic personnel. 

3,000 

115,000 

3,000 

2,000 

12,500

20,000 

10,000 

10,000 

6,000 

15,000 

TF 35,000 

16,500 

TF 5,000 

5,000 

15,000 

TF 25,000 

3,000 

16,500 

Special Opera- For exemplary projects of national scope that respond to the needs and goals

of the art; are innovative; and will enhance the development, appreciation, Musical Theater and future of opera and musical theater.

Projects Program funds: $175,205 

9 grants 

Berkeley Stage Company To program works that combine music, art, and theater in a unique $11,000 

Berkeley, California way for the third annual Theater Festival of New Music. 

Concert Royal To produce a full-length work of a baroque opera-ballet in collabora- 16,000 

New York, New York tion with the New York Baroque Dance Company. 
222 Opera-Musica/Theater 

Kennedy (John F.) Center for 

the Performing Arts 

Washington, D.C. 

Michigan Opera Theatre

Detroit, Michigan 

Minnesota Foundation, University of 

Minneapolis, Minnesota 

National Institute for Music Theater 

Washington, D.C. 

New Mexico Opera Guild 

Los Alamos, New Mexico 

Opera America 

Washington, D.C. 

Opera America 

Washington, D.C. 

Regional Touring 

Early Music Foundation 

New York, New York 

Michigan Opera Theatre 

Detroit, Michigan 

Mid-America Arts Alliance 

Kansas City, Missouri 

Midwest Opera Theater and School 

St. Paul, Minnesota 

Mother Lode Musical Theatre 

and Seminars 

Kentsfield, California 

New York City Opera 

New York, New York 

Opera de Camara 

Rio Peidras, Puerto Rico 

Opera Guild of Greater Miami 

Miami, Florida 

Opera .Memphis 

Memphis, Tennessee 

Opera New England 

Boston, Massachusetts 

Opera/Omaha 

Omaha, Nebraska 

For Hans Spialek to re-create full orchestral scores for significant 15,000 

American musicals as they were originally written and performed. 

To tour a production of Music Tells It Ldke It Is throughout the Detroit 

Public School System as part of the black outreach program. 

15,730 

For sfz Ensemble to commission an opera by composer Eric Stokes 25,000 

combining music, puppetry, cinematography, and computer graphics 

into an operatic work for film. 

To create and distribute a catalogue listing performance materials 

for the American musical theater. 

To promote opera in an Indian pueblo community where little professional musical theater exists by offering professional performances 

of highlights from celebrated operas. 

For a three-day Design Shop to explore aspects of the commissioning and presentation of new American music-theater pieces such as 20,475 

opera, American musical theater, and emerging forms. 

To present new works at the 14th annual conference of Opera America. !5,000 

To enable professional, non-profit opera or musical theater companies to

tour in multi-state regions. 

Program funds: $351,000 

18 grants 

To support the 1983-84 touring season of productions. $5,000 

For the 1983-84 touring season through several states of the opera- 5,000 

in-residencies program of fully staged productions. 

For a tour of the Texas Opera Theater and the Lyric Opera of Kan- 15,000 

sas City, sponsored by state arts agencies in Arkansas, Kansas, 

Missouri, Nebraska, and Oklahoma. 

For touring throughout the upper Midwest, including residencies and 26,250 

performances. 

For 1983-84 touring and residency activities throughout the West. 5,000 

For a four-week tour of 24 performances of Puccini’s La Boheme, in- 10,000 

cluding travel expenses and the engagement of artistic and production personnel. 

For the 1983-84 touring season of Spanish opera productions 3,000 

throughout the island. 

For touring activities, including residencies, school performances, 32,500 

master classes, and seminars during the 1983-84 season. 

For the 1983-84 touring season of Southern Opera Theater. 5,000 

To continue the 1983-84 touring season throughout New England of 25,000 

fully staged productions. 

For Nebraska Opera Theater’s four-week tour of Hansel and Gretel 5,000 

in the Spring of 1984 to sponsoring communities in Iowa, South 

Dakota, Kansas, and Nebraska. 

Snake Theater To extend Nightfh-e Division’s tour of a new musical work produced 3,000 

Sausalito, California in collaboration with composer Nick Urbaniak called Gnat Music. 
Southern Arts Federation 

Atlanta, Georgia 

Teatro Campesino 

San Juan Bautista, California 

Texas Commission on the Arts 

Austin, Texas 

Texas Opera Theater

Houston, Texas 

Virginia Opera Association 

Norfolk, Virginia 

Western Opera Theater 

San Francisco, California 

Services to the Art 

American Music Center 

New York, New York 

Brenner, Janet 

New York, New York 

Ernstoff, Jeffrey

New York, New York 

Houston Grand Opera Association 

Houston, Texas 

Jacobson, Elsa

Washington, D.C. 

Kiely, Joyce 

Cincinnati, Ohio 

Lyric Opera Center for American

Artists 

Chicago, Illinois 

Metropolitan Opera Association 

New York, New York 

National Institute of Music Theatre 

Washington, D.C. 

National Opera Institute 

Washington, D.C. 

Opera America 

Washington, D.C. 

Opera-Musical Theater 

To assist local sponsoring organizations in Alabama, Florida, Georgia,

Kentucky, Mississippi, North Carolina, South Carolina, and Tennessee 

with fees for residencies by Texas Opera Theater. 

For a tour of Bandido, an original musical play by Luis Valdez. 5,000 

30,000 To assist local sponsoring organizations with expenses for residencies and performances of Texas Opera Theater in Texas, Oklahoma, 

and Louisiana. 

100,000 To support pre-tour expenses for the tenth anniversary season of productions, including performances and residencies for 100 communities

in 15 states. 

For touring of residencies and performances in Maryland, North

Carolina, and Virginia during the 1983-84 season. 

For the 1983-84 tour of performances in English to more than 40 communities in 14 western states. 

To assist organizations that provide services to the opera-musical theater

field as a whole or a sector of it. 

Program funds: $480,080 

11 grants 

$3,100 For a catalogued collection of published and unpublished opera and

musical-theater scores and audiovisual tapes. 

1,650 To amend a previous grant for an Arts Management Fellowship for 

Janet Brenner to carry out projects. 

3,430 To participate as a Fellow in the Opera-Musical Theater Program during the fall session of 1983. 

35,000 To continue operations of the Houston Opera Studio, an advanced 

music-theater training program. 

12,000 To amend a previous grant for an Arts Management Fellowship for 

Elsa Jacobson to carry out projects, including on-site coordination. 

4,900 To amend a previous grant to extend her term as a Fellow in the 

Opera-Musical Theater Program. 

25,000 For the 1983-84 season of extensive classroom training and performing experience for young American singers. 

30,0~0 For coacldng and training fees and stipends for the fourth year of 

the Metropolitan Opera’s Young Artist Development Program. 

100,000 For a program of evaluations by qualified observers of opera and

musical theater-producing organizations throughout the country. 

170,000 For fellowships to singers and apprenticeships in admires" txation and

production. 

95,000 For the national office to provide programs of services to professional

companies, including consuitancies, seminars, and the annual meeting. 

Theater
 

Theater Advisory Panels
 

Howard Stein 

Educator 

Columbia University 

New York, New York 

Dan Sullivan 

Critic 

Los Angeles Times 

Los Angeles, California 

Dan Sullivan 

Artistic Director 

Seattle Repertory Theatre 

Seattle, Washington 

Megan Terry 

Playwright-in-Residence
 

Omaha Magic Theatre
 

Omaha, Nebraska
 

Jennifer Tipton 

Lighting designer 

New York, New York 

Jerry Turner 

Artistic Director 

Oregon Shakespearean

Festival 

Ashland, Oregon 

George White 

President 

O’Neill Theatre Center 

New York, New York 

Peter Zeisler 

Director of Theatre 

Communications Group 

New York, New York 

Vince Anthony 

Executive Director 

Center for Puppetry Arts

Atlanta, Georgia 

Robert Brustein 

Artistic Director 

American Repertory Theatre 

Cambridge, Massachusetts 

Rene Buch 

Artistic Director 

Repertorio Espanol 

New York, New York 

Ellen Burstyn 

Actress
 

President of Actors’
 

Equity Association 

New York, New York 

Steve Carter 

Playwright 

Rego Park, New York 

Olivia Cole 

Actress 

Los Angeles, California 

Peter Culman 

Managing Director 

Center Stage 

Baltimore, Maryland 

Miriam Colon Edgar 

Member of New York State 

Council on the Arts 

New York, New York 

Linda Fisher 

Costume designer 

New York, New York 

Maria Irene Fornes 

Playwright 

New York, New York 

David Frank 

Artistic Director 

Studio Arena Theatre 

Buffalo, New York 

David Hawkanson 

Managing Director 

Arizona Theatre Company 

Tucson, Arizona 

Michael Langham 

Educator 

Juilliard School 

New York, New York 

Frank McGlinn 

Member of Permsylvania 

Council on the Arts 

Harrisburg, Pennsylvania 

Zuri McKie 

Producer 

New York, New York 

Mark Medoff 

Playwright 

Las Cruces, New Mexico 

Ron Sossi 

Artistic Director 

Odyssey Theatre Ensemble 

Los Angeles, California 
226 Theater 

Theater Grants
 

Director/Fellows
 

American Place Theatre 

New York, New York 

Center Theatre Group of Los Angeles 

Los Angeles, California 

L.A. Theatre Works 

Venice, California 

Odyssey Theatre Foundation 

Los Angeles, California 

People’s Light and Theatre Company 

Malvern, Pennsylvania 

Playwrights Horizons 

New York, New York 

Shakespeare and Company 

Lenox, Massachusetts 

Williamstown Theatre Festival 

Williamstown, Massachusetts 

Professional 

Theater Training 

American Conservatory Theatre 

Foundation 

San Francisco, California 

Dell ’Arte School of Mime and Comedy 

Blue Lake, California 

Juilliard School 

New York, New York 

League of Professional Theatre 

Training Programs 

New York, New York 

League of Professional Theatre

Training Programs 

New York, New York 

Yale University 

New Haven, Connecticut 

Program funds: $7,405,539 

Treasury funds: $2,135,000 

471 grants 

To assist the career development of directors who have demonstrated an ability and commitment to work in professional theater. 

Program funds: $60,601 

8 grants 

For Billie Allen to serve as director fellow during the 1983-84 season. $5,000 

For Robert Berlinger to serve as director fellow during the 1983-84 10,000 

season. 

For Tony Abetemarco to serve as director fellow during the 1983-84 10,000 

season. 

For Frank Condon to serve as director fellow during the 1983-84 7,500 

season.
 

For Murphy Guyer to serve as director fellow during the 1983-84 7,500 

season. 

For Jennifer McCray to serve as director fellow during the 1983-84 5,475 

season. 

For Merry Conway to serve as director fellow during the 1983-84 925o 

season.
 

For Kay Matschullat to serve as director fellow during the 1983-84 5,876 

season. 

To assist training projects that benefit the field as a whole. 

Program funds: $230,000 

6 grants 

For salaries of master teachers during the 1983-84 season. $42,000 

For guest teacher salaries and for an artistic director for a second- 7,400 

year student’s projects. 

To hire master teachers and directors during the 1983-84 year. 40,000 

For actor presentations, design portfolio review, the sharing of master 80,000 

teachers among training programs, and other services to students 

in training programs within the league’s membership. 

For expenses related to design portfolio review and the design ap- 15,000 

prenticeship program. 

For salaries for master teachers at the Yale School of Drama during 45,600 

the 1983-84 year. 
Them~ 227 

Artistic Associates
 

Actors Theatre of St. Paul 

St. Patti, Minnesota 

American Place Theatre 

New York, New York 

Circle Repertory Company 

New York, New York 

Cricket Theatre 

Minneapolis, Minnesota 

East West Players 

Los Angeles, California
 

Empty Space Theatre
 

Seattle, Washington
 

Folger Theatre


Washington, D.C. 

L.A. Theatre Works 

Venice, California 

Playwrights Horizons 

New York, New York 

Portland Stage Company 

Portland, Maine 

Shakespeare and Company 

Lenox, Massachusetts
 

Fellowships

for Playwrights 

To bring mature professional actors, playwrights, choreographers, composers, designers, directors, and dramaturgen into close association with 

theaters to help shape companies’ artistic growth. 

Program funds: $86,280 

11 grants 

For artistic associate Jeffrey Steitzer to direct during the 1983-84 $10,000 

season.
 

For Elinor Renfield to serve as artistic associate during the 1983-84 5,000 

season. 

For artistic associate Toby Robertson to direct during the 1983-84 10,000 season. 

For David Henry Hwang to serve as artistic associate during the 3,000 1983-84 season. 

For playwright Frank Chin to work on developing plays-in-progress 5,000 during the 1983-84 season. 

For Emily Mann to serve as artistic associate during the 1983-84 10,000 

season. 

For Eugenie Barton to serve as resident dmmaturg during the 1983-84 10,000 

season. 

For writer, director, and performer Steven Berkoff to serve as ar- 7,000 tistic associate during the 1983-84 season. 

For scenic designer Andrew Jackness to serve as artistic associate 

during the 1983-84 season. 

For Arden Fingerhut to serve as design consultant and dramaturg 7,000 during the 1983-84 season. 

For Neil Freeman to serve as artistic associate, performing text 10,000 analyses and conducting in-depth workshops with members of the 

company. 

To assist exceptionally talented playwrights to set aside time for writing,

research, or travel in order to advance their careers. 

Program funds: $300,000 24 grants 

The following playwrights received $12,500 each: 

Blessing, Lee 

Minneapolis, Minnesota 

Bozzone, William J. 

Hopewell Junction, New York 

Carter, Lonnie 

West Cornwall, Connecticut 

Cloud, Darrah 

New York, New York 

Collins, Kathleen C. 

Piermont, New York 

Davis, Russell Jackson, Elaine 

New York, New York New York, New York 

Dean, Phillip Hayes Johnson, Kitty

New York, New York Los Angeles, California 

DiMiceli, Joseph P. Libman, David 

Bronxvflle, New York New York, New York 

Friedman, Steven Jay Machado, Eduardo 

New York, New York South Pasadena, California 

Hertz, Eric A. Maguire, Matthew 

Accord, New York New York, New York 

9280 
228 Theater 

McIntyre, Dennis 

New York, New York 

Metcalfe, Stephen 

Cheshire, Connecticut 

Paetow, Janet R. 

Bogota, New Jersey 

Parnell, Peter 

New York, New York 

Sutton, Robert C.

Alexandria, Virginia 

Tally, William T. 

New York, New York 

Thomas, Lee 

Reseda, California 

Wasserstein, Wendy Joy 

New York, New York 

Wright, Michael 

New York, New York 

Fellowships 

for Translators 

To enable translators of plays to set aside time for specific translation projects from other languages into English. 

Program funds: $25,000 4 grants 

The following translators received $6,250 each: 

Grossman, Suzanne 

New York, New York 

Honegger, Gitta 

New York, New York 

Intermediate 

Professional 

Theater Companies 

Actors Studio 

New York, New York 

Amas Repertory Theatre 

New York, New York 

American Theatre Company 

Tulsa, Oklahoma 

Appalshop 

Whitesburg, Kentucky 

Arkansas Arts Center Foundation 

Little Rock, Arkansas 

Arkansas Repertory Theatre Company 

Little Rock, Arkansas 

Associated YM-YWHAs of Greater 

New York 

New York, New York 

Associated YM-YWHAs of Greater 

New York 

New York, New York 

Asolo Touring Theater 

Sarasota, Florida 

At the Foot of the Mountain 

Minneapolis, Minnesota 

Berkeley Shakespeare Festival 

Berkeley, California 

Sandrow, Nahma 

New York, New York 

Slayton, Ralph E. 

Herkimer, New York 

To assist in the development of artistic, administrative, and community service activites of theater companies with an annual operating budget between $100,000 and $400,000.
 

Program funds: $524,500
 

91 grants
 

To continue the studio production program during the 1982-83 season. $5,000 

For production expenses during the 1982-83 season. 5,000 

To hire part-time actors for the 1982-83 season. 8,500 

To amend a previous grant for staff salaries, productions, and tour- 5O0 

ing expenses during the 1981-82 season of the Roadside Theater. 

To engage guest artists during the 1982-83 season. 1,500 

For acting company salaries during the 1982-83 season. 1,500 

For the 1982-83 season of productions by the Jewish Repertory 1,500 

Theatre and the Writers’ Lab. 

For costs of audience and artistic development for the 1982-83 season 1,000 

of the American Jewish Theatre. 

For production expenses for three new plays and artists salaries for 4,000 

the 1982-83 season. 

For salaries during the 1982-83 season. 5,000 

For salaries for new positions. 2,O00 
Berkeley Stage Company

Berkeley, California 

Bilingual Foundation of the Arts

Los Angeles, California 

BoarsHead Theater 

Lansing, Michigan 

Byrd Hoffman Foundation

New York, New York 

Center Theatre Group of Los Angeles

Los Angeles, California 

Children’s Musical Theatre 

Mobile, Alabama 

Circuit Playhouse

Memphis, Tennessee 

Community Arts Foundation 

Delaware Theatre Company

Wilmington, Delaware 

Dell’Arte Players Company 

Blue Lake, California 

East West Players

Los Angeles, California 

Ensemble Studio Theatre 

New York, New York 

Eureka Theatre Company 

San Francisco, California 

Ferndale Repertory Theatre 

Ferndale, California 

First All Children’s Theatre 

New York, New York 

Florida Studio Theatre 

Sarasota, Florida 

Foundation for the Open Eye

New York, New York 

Friends Mime Theatre 

Milwaukee, Wisconsin 

Henry Street Settlement 

New York, New York 

Holiday (Billie) Theatre

Brooldyn, New York 

Hudson Guild 

New York, New York 

Illusion Theater and School 

Minneapolis, Minnesota 

International Arts Relations 

New York, New York 

Jomandi Productions 

East Point, Georgia 

Julian Company Theatre 

San Francisco, California 

L.A. Theatre Works 

Veulce, California 

For operating expenses during the 1982-83 season. 

For salaries for artistic personnel. 

For staff positions and salaries during the 1982-83 season. 

For production costs of a new work. 

To amend a previous grant for operating expenses for the 1982-83
 

season.
 

For touring expenses of the 1982~3 season.
 

For the 1982-83 season of productions.
 

To strengthen the artistic work of the Body Politic Theatre during
 

the 1982-83 season.
 

For salaries and a promotion program for the 1982-83 season.
 

For salaries for artists and a fnnd-ralsing consultant.
 

For artists’ compensation, production costs, and administrative expenses for the 1982-83 season.
 

For the 1982-83 season of productions.
 

For audience development and a rent increase due to a move to a
 

new space.
 

For the salary of a full-time development officer for marketing and
 

fund-raising.
 

For artists’ salaries and the hiring of a marketing audience development director.
 

For program expansion and improvement for the 1982-83 season.
 

For the 1982-83 season of productions.
 

For salaries and fees during the 1982~3 season of the London Theatre
 

Workshop.
 

To amend a previous grant for the 1982-83 season of New Federal
 

Theatre.
 

For increased rehearsal time for new productions.
 

For artists’ fees and salaries and marketing costs for the 1982-83
 

season.
 

For the 1982-83 season of productions and workshop readings.
 

To amend a previous grant for production expenses during the 1982-83
 

season.
 

For operating expenses during the 1982-83 season.
 

For production expenses during the 1982-83 season.
 

For production costs for new plays during the 1982-83 season.
 

Theater 229 

15,000 

2,500 

3,500 

20,000 

4,000 

1,000 

3,500 

1,500 

3,000 

5,000 

6,000 

17,500 

3,500 

2,000 

2,000 

3,000 

5,000 

1,500 

6,000 

2,500 

5,000 

1,500 

1,000 

1,500 

5,000 

7,500 
230 Theater 

League of Theatre Artists 

Albany, New York 

Lion Theatre Foundation 

New York, New York 

Little Flags Theatre Foundation 

Roxbury, Massachusetts 

Loon and Heron Theatre for Children 

Jamaica Plain, Massachusetts 

Los Angeles Actors Theatre Foundation 

Los Angeles, California 

Louisville Children’s Theatre 

Louisville, Kentucky 

Mabou Mines Development 

Foundation 

New York, New York 

Magic Theatre Foundation 

San Francisco, California 

Meadows Playhouse 

Las Vegas, Nevada 

Mixed Blood Theatre Company 

Minneapolis, Minnesota 

Montana, University of 

Missouia, Montana 

Nebraska Arts Council 

Omaha, Nebraska 

New American Theater 

Rockford, Ilimois 

New Dramatists 

New York, New York 

New Playwrights Theatre of Washington Washington, D.C. 

New Stage 

Jackson, Mississippi 

Oak Park Festival Theatre 

Oak Park, Illinois 

Odyssey Theatre Foundation 

Los Angeles, California 

Old Creamery Theatre Company 

Garrison, Iowa 

One Act Theatre Company 

San Francisco, California 

Oregon Repertory Theatre 

Eugene, Oregon 

Palisades Theatre Company of Florida 

St. Petersburg, Florida 

Paper Bag Players 

New York, New York 

Performance Community 

Chicago, Illinois 

Periwinkle Productions 

Monticello, New York 

For artistic and managerial salaries for the Capital Repertory 2,500 

Company. 

For the 1982-83 ensemble company and repertory season. 6,000 

For services and production costs during the 1982-83 season. 7,500 

For touring and residencies for the 1982-83 season. 1,000 

For the 1982-83 season. 15,000 

For increased actors’ salaries, additional technical staff, and new play 4,500 

production during the 1982-83 season. 

To amend a previous grant for the 1982-83 season of productions. 6,000 

For general operating expenses for the 1982-83 season. 40,000 

For artistic and administrative salaries during the 1982-83 season. 1,000 

To amend a previous graht for operating expenses during the 1982-83 5OO 

season.
 

For actors’ salaries and production expenses during the 1982-83 season 6,000
 

of the Montana Repertory Theatre.
 

For increased rehearsals, workshop development time, and salaries; 2,500 

development of residencies; and the mounting of a new work by the 

Nebraska Theatre Caravan. 

For artistic salaries, audience development, and marketing programs 4,500 

during the 1982-83 season.
 

To amend a previous grant for salaries and expenses during the 2,500
 

1982-83 season.
 

For artistic salaries during the 1982-83 season. 8,000
 

To increase artistic salaries and fees during the 1982-83 season. 1,500
 

For managerial salaries during the 1982-83 production season. 1,000
 

For operating expenses during the 1982-83 season of the Odyssey 10,000
 

Theatre Ensemble.
 

To increase salaries for performers and technicians. 4,500
 

For fund development campaigns and improving the professionalism 2,500
 

of the company.
 

For salaries for artists and staff for the 1982-83 season. 4,500
 

For artists’ salaries and fees for the 1982-83 season. 1,500
 

To amend a previous grant for operating expenses during the 1982-83 10,000
 

season.
 

For production expenses during the 1982-83 season. 3,000
 

For artists’ salaries and production costs during the 1982-83 season. 1,500
 
Theoler 231 

Pickle Family Circus 

San Francisco, California 

Pittsburgh Metropolitan Stage 

Pittsburgh, Pennsylvania 

Portland Stage Company 

Portland, Maine 

Provisional Theatre Foundation 

Los Angeles, California 

Pushcart Players 

Verona, New Jersey 

Ridiculous Theatrical Company 

New York, New York 

Roadside Attractions 

Detroit, Michigan 

Shadow Box Theatre 

New York, New York 

Snake Theater 

Sausalito, California 

Snake Theater 

Sausalito, California 

Spectrum Theatre 

New York, New York 

Starry Night Puppet Theatre 

Vestal, New York 

Tears of Joy Theatre 

Vancouver, Washington 

Teatro de la Esperanza 

Santa Barbara, California 

Theater for the New City Foundation 

New York, New York 

Theater of Universal Images 

Newark, New Jersey 

Theatre Research 

New York, New York 

Theatre X 

Milwaukee, Wisconsin 

T.P.C. Enterprises 

New York, New York 

Traveling Jewish Theatre 

Los Angeles, California 

Two Penny Circus 

Montpelier, Vermont 

Urban Arts Theatre 

New York, New York 

Veterans Ensemble Theatre Company 

New York, New York 

Victory Gardens Theater 

Chicago, Illinois 

Washington Drama Society 

Washington, D.C. 

Wilma Project 

Philadelphia, Pennsylvania 

For the 1982-83 season of productions. 2,500 

For salaries during the 1982-83 season. 2,000 

For increased artistic salaries during the 1982-83 season. 3,000 

To develop and produce a new work to tour nationally during the 15,000 

1982-83 season. 

For production expenses during the 1982-83 season. 1,500 

For production expenses during the 1982-83 season. 27,000 

For main-stage productions, the Midnight Series, intern program, and 7,500 

ensemble training during the 1982-83 season of the Attic Theatre. 

For operating expenses during the 1982-83 season of productions. 3,000 

To amend a previous grant for the 1982-83 season of the Nightfire 

Division. 

To amend a previous grant for a new work for the 1982-83 season 

of the Antenna Division. 

For the 1982-83 season of productions. 1,000 

For the 1982-83 season of productions. 1,500 

To amend a previous grant for production and development expenses 

during the 1982-83 season. 

For the 1982-83 touring season and the development of new works. 7,500 

For production expenses during the 1982-83 season. 30,000 

To increase artistic salaries and marketing during the 1982-83 season. 1,500 

For the 1982-83 season of productions by South Street Theatre. 1,500 

To increase artistic salaries during the 1982-83 season. 2,000 

For the 1982-83 season of productions. 2,000 

For operating expenses during the 1982-83 season. 1,500 

To increase artistic salaries during the 1982-83 season. 1,500 

For production expenses during the 1982-83 season. 1,500 

For the 1982-83 season of productions, workshop readings, and 2,000 

touring. 

For production expenses, including planning, rehearsal, and promo­ 7,500 

tion during the 1982-83 season. 

For the 1982-83 season of the Living Stage Theatre Company. 30,000 

For the 1982-83 season of productions. 1,000 
Women’s Interart Center 

New York, New York 

For the 1982-83 season of productions and workshop readings by Interart Theatre. 

Wooster Group 

New York, New York 

For the 1982-83 season of productions. 

Workshop of the Players Art 

Foundation 

New York, New York 

For production expenses and the Phase One Reading Series during 

the 1982-83 season of the WPA Theatre. 

7,500 

Small Professional 

Theater Companies 

American Repertory Theatre of 

Cincinnati 

Cincinnati, Ohio 

Archaesus Productions 

Washington, D.C. 

Ark Theatre Company 

New York, New York 

Available Potential Enterprises Limited 

Northampton, Massachusetts 

Bricolage 

Philadelphia, Pennsylvania 

Center Stage Associates 

Baltimore, Maryland 

Century City Educational Arts Project 

Los Angeles, California 

Chicago Project-New York 

New York, New York 

Childsplay 

Tempe, Arizona 

City Stage Company 

Boston, Massachusetts 

Community Church of New York 

New York, New York 

Creation Production Company 

New York, New York 

Crosswalk 

Boston, Massachusetts 

Cultural Council Foundation 

New York, New York 

Double Image Theatre 

New York, New York 

Dume Spanish Theatre 

Sunnyside, New York 

Facets Multimedia 

Chicago, Illinois 

Family 

New York, New York 

To assist in the development of artistic, administrative, and community service activites of theater companies with an annual operating budget less 

than $100,000. 

Program funds: $82,500 

48 grants 

For artists’ salaries during the 1982-83 season. $1,500 

For production expenses during the 1982-83 season. 1,500 

For operating expenses during the 1982-83 season. 1,500 

For salaries for the 1982-83 season of the No Theater. 1,500 

For costs of additional services and increased artists’ salaries. 1,500 

For a 12-week tour of the Young People’s Theater. 2,500 

To support salary increases and hire a publicity director. 1,500 

For production costs for the 1982-83 season at the New York Art 1,500 

Theatre Institute. 

To increase artists’ salaries during the 1982-83 season. 1,500 

For operating expenses during the 1982-83 season. 1,500 

For production costs for the 1982-83 season of Theatre Off Park. 1,500 

For operating expenses for the 1982-83 season. 1,500 

To support salaries for new administrative and management staff. 1,500 

For full-time management efforts to coordinate fund-raising for the 1,500 

Early Childhood Puppet Theatre. 

For production costs, artists’ salaries, and audience development. 1,500 

For salaries for the 1982-83 season. 1,500 

For operating expenses during the 1982-83 season of the Facets Per° 1,500 

formance Ensemble. 

For salaries for performing artists during the 1982-83 season. 4,000 
Theater 233 

Firebird Theatre Company 

Hollywood, California 

Free Public Laughs 

New York, New York 

G.A.L.A. Hispanic Theatre 

Washington, D.C. 

HB Playwrights Foundation 

New York, New York 

Heart of the Beast Puppet and 

Mask Theatre 

Minneapolis, Minnesota 

International Arts Relations 

New York, New York 

Invisible Theatre 

Tucson, Arizona 

Labor Theater 

New York, New York 

Latino Chicago Theatre Company 

Chicago, Illinois 

Looking Glass Theatre Corporation 

Providence, Rhode Island 

Mass Transit Street Theater 

Bronx, New York 

Modern Times Theater 

New York, New York 

Morning Glory Theatre Foundation 

San Anselmo, California 

New Cycle Theater 

Brooklyn, New York 

New Theatre 

Los Angeles, California 

Open Space Theatre Experiment 

New York, New York 

Pan Asian Repertory Theatre 

New York, New York 

Present Stage 

Northampton, Massachusetts 

Pro Femina Theatre 

Falls Church, Virginia 

Protestant Episcopal Church in the 

Diocese of New York 

New York, New York 

Public Works Improvisational Theatre 

Santa Monica, California 

Puppenspiel Puppet Theatre 

Westfield, New York 

Quaigh Theatre 

New York~ New York 

Riverside Shakespeare Company of 

New York City 

New York, New York 

Scott (Zachery) Theatre Center 

Austin, Texas 

To support a development director during the 1982-83 season. 2,500 

To support a full-time administrative position. 2,000 

To support a full-time artistic director for the 1982-83 season. 1,500 

For production costs for the 1982-83 season. 2,500 

For salary increases for the artistic director and managing director. 1,500 

For production costs and artistic salaries for the 1982-83 season of 1,500 

the Spanish-English Ensemble Theatre. 

For artists’ salaries for the 1982-83 season. 1,500 

For a two-week tour and production expenses for the 1982-83 season. 1,500 

For operating expenses during the 1982-83 season. 1,500 

For the trimester series and promotional material for a six-week 2,500 

residency. 

For actors’ salaries and production costs for the 1982-83 season. 1,500 

For administrative salaries. 1,500 

For artists’ salaries for the 1982-83 season. 2,500 

For production costs for the 1982-83 season. 2,000 

For production costs for the 1982-83 season. 1,500 

For production costs and salaries for the 1982-83 season. 2,000 

For artists’ fees and production costs for the 1982-83 season. 2,500 

For rehearsals and artists’ salaries during the 1982-83 season. 2,000 

For artists’ salaries for the fall production. 1,500 

For the 1982-83 season of productions at Theatre at St. Clement’s. 1,500 

For artistic development and tour expenses during the 1982-83 season. 1,500 

For costs of new productions and salaries for artists. 1,500 

For evening and lunch-time series of productions during the 1982-83 1,500 

season. 

For artists’ fees during the 1982-83 season. 1,500 

To support Project InterAct, a professional children’s theater com- 1,500 

pany, and their 1982-83 season of productions. 
234 Theater 

Soho Repertory Theatre 

New York, New York 

Symbrinck Associates 

Wflliamsport, Pennsylvania 

Theater Center Philadelphia 

Philadelphia, Pennsylvania 

Theatre Picaro 

Seattle, Washington 

Woodstock Guild of Craftsmen 

New York, New York 

Professional 

Theater Companies 

Actors Studio 

New York, New York 

Actor’s Theatre of Louisville 

Louisville, Kentucky 

Actors Theatre of St. Paul 

St. Paul, Minnesota 

Alabama Shakespeare Festival 

Annisten, Alabama 

Alaska Repertory Theatre 

Anchorage, Alaska 

Alley Theatre 

Houston, Texas 

American Conservatory Theatre 

Foundation 

San Francisco, California 

American Place Theatre 

New York, New York 

American Players Theatre 

Spring Green, Wisconsin 

American Repertory Theatre Company

Cambridge, Massachusetts 

American Theatre Company 

Tulsa, Oklahoma 

Amherst College, Trustees of 

Washington, D.C. 

Appalshop 

Whitesburg, Kentucky 

Arizona Theatre Company 

Tucson, Arizona 

Ark Theatre Company 

New York, New York 

For production costs for the 1982-83 season. 1,500 

For salaries of guest artiests for the 1982-83 season. 1,500 

For the 1982-83 season of productions and a playwrights’ workshop. 1,500 

To develop and perform new productions during the 1983 season. 1,500 

For production costs for River Arts Productions during the 1982-83 1,500 

season. 

To assist in the development of artistic, administrative, and community service activities of theater companies with an annual operating budget exceeding $400,000. 

Program funds: $4,590,050 Treasury funds: $2,135,000 

220 grants 

To stabilize nmnagement and administrative capabilities of the theater


during the 1983-84 season.
 

For the 1983-84 season.
 

For the 1983-84 season.
 

For the 1983-84 season, an extended season in 1984-85, and a move
 

to a new space.
 

For the 1983-84 season.
 

For the 1983-84 season of productions, including the commission of
 

a new work by an American playwright.
 

For the 1983-84 repertory season, new play development programs,
 

and an actor training program.
 

For the 1983-84 season.
 

For the 1983-84 season.
 

To maintain a resident company, strengthen the commitment to new
 

works, and improve the touring and training programs during the
 

1983-84 season.
 

For guest artists’ salaries during the 1983-84 season.
 

For the 1983-84 production season of the Folger Theatre, including


fund-raising.
 

For the 1983-84 season of Roadside Theater, including artists’ salaries.
 

To expand the acting company and the general artistic staff.
 

For the 1983-84 season of productions.
 

$5,000 

TF 160,000 

5,000 

10,000 

80,000 

50,000 

145,000 

32,500 

5,000 

172,500 

2,500 

17,500 

12,500 

85,000 

2,500 
Theat~ 235 

Asian American Theatre Company 

San Francisco, California 

Asolo State Theater 

Sarasota, Florida 

Association for Development of 

Dramatic Arts 

New York, New York 

At the Foot of the Mountain 

Minneapolis, Minnesota 

Atlanta Arts Alliance 

Atlanta, Georgia 

Back Alley Theatre 

Van Nuys, California 

Berkeley Repertory Company

Berkeley, California 

Berkeley Shakespeare Festival 

Berkeley, California 

Berkeley Stage Company 

Berkeley, California 

Berkshire Theatre Festival 

Stockbridge, Massachusetts 

Bilingual Foundation of the Arts 

Los Angeles, California 

Blake Street Hawkeyes 

Berkeley, California 

Boston Theatre Projects

Boston, Massachusetts 

Broom Street Theatre 

Madison, Wisconsin 

Byrd Hoffman Foundation 

New York, New York 

Center for Puppetry Arts 

Atlanta, Georgia 

Center Stage Associates 

Baltimore, Maryland 

Center Theatre Group of Los Angeles 

Los Angeles, California 

Chicago Theatre Group 

Chicago, Illinois 

Chicago, University of 

Chicago, Illinois 

Children’s Theai~ Company and School 

Minneapolis, Minnesota 

Childsplay 

Tempo, Arizona 

Cincinnati Playhouse in the Park 

Cincinnati, Ohio 

Circle in the Square 

New York, New York 

Circle Repertory Company 

New York, New York 

For the 1983-84 season. 

For artistic fees for Asolo State Theater ahd the Asolo Touring 

Theater during the 1983-84 season. 

For production support, improved artists’ compensation, and increased

subscriptions for Jean Cocteau Repertory. 

For the 1983-84 season, including salary and production expenses. 

For the 1983-84 season, including the main-stage subscription series, 

children’s series, studio subscription series, and the new plays program at the Alliance Theatre Company. 

For performances, development of new American plays, and ado 

ministrative support. 

For main-stage productions, audience development, actor training,

and administrative activities during the 1983-84 season. 

For actors’ compensation during the 1983-84 season. 

For the 1983-84 season. 

For the 1983-84 season, including actors’ salaries, a director of development, and a playwrights-in-residence program. 

For salaries for the artistic director and the technical director. 

For artistic and technical salaries and production costs for the 1983-84 

season. 

For the 1983-84 season of productions at Next Move Theatre. 

For the 1983-84 season of productions. 

For the production steering team involved with the new opera, The 

Civil War. 

For the 1983-84 season, including increased salaries, a new business 

manager, and three original puppetry productions. 

For the 1983-84 season’s main-stage and youth component. 

For the 1983-84 season of the Mark Taper Forum and the Improvisational Theatre Project. 

For the 1983-84 season of the Goodman Theatre, including increased
 

rehearsal and actors’ salaries.
 

For the classic main-stage series and the high school matinee program by Court Theatre. 

For the 1983-84 season, including educational, performing, community,
 

and regional outreach activities.
 

For the 1983-84 season, including increased company salaries and
 

rehearsal time.
 

For the 1983-84 season of productions and salaries for artists. 

For the 1983-84 season of productions. 

For the main-stage season, play development programs, and the Circle 

Lab of classes and workshops. 

2,500 

15,000 

2,500 

2,500 

35,000 

2,500 

32,500 

2,500 

10,000 

2,500 

2,500 

2,500 

10,000 

2,500 

25,000 

10,000 

2,500 

TF 140,000 

165,000 

TF 110,000 

20,000 

5,000 

140,000 

2,500 

70,000 

35,000 

TF 75,000 
Circuit Playhouse 

Memphis, Tennessee 

Cleveland Play House 

Cleveland, Ohio 

Community Arts Foundation 

Chicago, Illinois 

Contemporary Theatre 

Seattle, Washington 

Creation Production Company 

New York, New York 

Creede Repertory Theatre 

Creede, Colorado 

Cricket Theatre 

Minneapolis, Minnesota 

Crossroads Theatre Company 

New Brunswick, New Jersey 

CSC Repertory 

New York, New York 

Dallas Theatre Center 

Dallas, Texas 

Delaware Theatre Company 

Wilmington, Delaware 

Dell’Arte Players Company 

Blue Lake, California 

Denver Center for the Performing Arts 

Denver, Colorado 

Double Image Theatre 

New York, New York 

East West Players 

Los Angeles, California 

Empty Space Association 

Seattle, Washington 

Ensemble Studio Theatre 

New York, New York 

Eureka Theatre 

San Francisco, California 

Facets Performance Ensemble 

Chicago, Illinois 

Fairmont Theatre for the Deaf 

Cleveland, Ohio 

Family 

New York, New York 

Fiji Theater Company 

New York, New York 

Firebird Theatre Company 

Hollywood, California 

First All Children’s Theatre 

New York, New York 

Florida Studio Theatre 

Sarasota, Florida 

Foundation for the Open Eye 

New York, New York 

For artists’ salaries during the 1983-84 season. 2,500 

For the 1983-84 season of productions. 30,000 

For the development of a resident company during the 1983-84 season 2,500 

of the Body Politic Theatre. 

For artists’ salaries and expansion of the Young ACT’S season. 37,500 

For the 1983-84 season, including touring and developing original ex­ 2,500 

perimental theater works. 

For increased artistic salaries during the 1983-84 season. 2,500 

For the 1983-84 season, including the main-stage season and the worksin-progress program. 

5,000 

For the 1983-84 season. 2,500 

For the 1983-84 season. 5,000 

For major productions, strengthening administration, community service projects, and educational programs. 

25,000 

For increased actors’ salaries, one additional Equity actor per pro­ 5,000 

duction, and additional rehearsal time. 

For artists’ salaries during the rehearsal of original company works 5,000 

during the 1983-84 season. 

For the 1983-84 season of the Denver Center Theatre Company. 70,000 

For fees associated with the annual Off Off Broadway Original Short 2,500 

Play Festival. 

For actors’ compensation, production costs, and administrative expenses during the 1983-84 season. 

5,000 

For the 1983-84 season of productions, including a director of new 50,000 

play development. 

For the 1983-84 season. 15,000 

For production salaries and fees during the 1983-84 season. 5,000 

For the company’s national tour during the 1983-84 season. 2,500 

For production costs, audience development, and touring pieces. 15,000 

For new plays and touring during the 1983-84 season. 2,500 

For the 1983-84 season. 7,500 

For the mounting of an original play based on the Warsaw Ghetto 2,500 

Uprising of 1943. 

For actors’ salaries during the 1983-84 season. 2,500 

For the 1983-84season of productions. 2,500 

For the 1983-84 season. 2,500 
Theater 237 

Free Public Theater Foundation 

Los Angeles, California 

Friends Mime Theatre 

l~Alwaukee, Wisconsin 

Genesee Valley Arts Foundation 

Rochester, New York 

George Street Playhouse 

New Brunswick, New Jersey 

Germinal Stage 

Denver, Colorado 

Great Lakes Shakespeare Association 

Cleveland, Ohio 

Group I Acting Company 

New York, New York 

Guthrie Theater Foundation 

Minneapolis, Minnesota 

Hartford Stage Company 

Hartford, Connecticut 

Hartman Regional Theatre 

Stamford, Connecticut 

HB Playwrights Foundation 

New York, New York 

Henry Street Settlement 

New York, New York 

Hippodrome Theatre Workshop 

Gainesville, Florida 

Holiday (Bfllie) Theatre 

Brooklyn, New York 

Honolulu Theatre For Youth 

Honolulu, Hawaii 

Horse Cave Theatre 76 

Horse Cave, Kentucky 

Hudson Guild 

New York, New York 

Independent Eye 

Lancaster, Pennsylvania 

Indiana Repertory Theatre Indianapolis, Indiana 

Interart Theatre 

New York, New York 

International Arts Relations 

New York, New York 

Intiman Theatre Company 

Seattle, Washington 

Jomandi Productions 

East Point, Georgia 

Julian Theatre 

San Francisco, California 

Julian Theatre 

San Francisco, California 

For the 1983-84 season.
 

For artists’ salaries during the 1983-84 season of the London Theatre


Workshop.
 

For the 1983-84 season of productions at GeVa Theatre.
 

To improve artists’ salaries during the 1983-84 season.
 

To increase artists’ honoraria during the 1983-84 season.
 

For the 1983-84 season, including the development of the acting corn-


pony and the addition of voice, diction, and movement coaches.
 

For production costs for the 1983-84 season’s touring repertory and
 

administrative expenses.
 

For the 1983-84 season of productions.
 

For the 1983-84 season of productions.
 

For an expanded 1983-84 season.
 

For the 1983-84 season.
 

For the 1983-84 season of productions at New Federal Theatre.
 

For the 1983-84 season, including increasing salaries and hiring a resident scene designer.
 

For increased rehearsal time for two new productions.
 

For the 1983-84 season, including salaries for actors, a musician, and
 

a production stage manager.
 

For three productions during 1983-84 season.
 

For artists’ fees and salaries during the 1983-84 season of productions.
 

For the 1983-84 season, including production of one new work.
 

For the 1983-84 season, including increasing the resident company
 

from six to seven actors.
 

For the 1983-84 season of four main-stage productions.
 

For the 1983-84 season of four main-stage productions.
 

For the 1983-84 season of productions.
 

For the 1983-84 season.
 

For the 1983-84 season.
 

For the Third World Plays Program, including readings and script
 

development with minority American playwrights and the production of two new plays.
 

5,000 

2,500 

10,000 

7,500 

2,500 

35,000 

225,000 

57,500 

TF 200,000 

12,500 

2,500 

20,000 

2,500 

17,500 

5,000 

5,000 

5,000 

5,000 

20,000 

2,500 

5,000 

5,000 
238 Theater 

Just Us Theater Company 

Atlanta, Georgia 

L.A. Theatre Works 

Venice, California 

La Mama Experimental Theatre Club 

New York, New York 

League of Theatre Artists 

Albany, New York 

Lilith Foundation 

San Francisco, California 

Lion Theatre Foundation 

New York, New York 

Little Flags Theatre Foundation 

Roxbury, Massachusetts 

Long Wharf Theatre 

New Haven, Connecticut 

Looking Glass Theatre Corporation 

Providence, Rhode Island 

Los Angeles Actors’ Theatre Foundation 

Los Angeles, California 

Los Angeles Cultural Center 

Los Angeles, California 

Louisville Children’s Theatre 

Louisville, Kentucky 

Mabou Mines Development 

Foundation 

New York, New York 

Magic Theatre Foundation 

Omaha, Nebraska 

Magic Theatre Foundation 

San Francisco, California 

Manhattan Clearing House 

Dallas, Texas 

Manhattan Punch Line Theatre 

New York, New York 

Manhattan Theatre Club 

New York, New York 

McCarter Theatre 

Princeton, New Jersey 

Meadow Brook Theatre 

Rochester, Michigan 

Metro Theatre Circus 

St. Louis, Missouri 

Mettawee Theatre Company 

Salem, New York 

Michigan Public Theatre 

Lansing, Michigan 

Milwaukee Repertory Theatre 

Milwaukee, Wisconsin 

For the 1983-84 season of Theater of the Stars.
 

For producing works by emerging and established playwrights during the 1983-84 performance season.
 

For the 1983-84 season of productions.
 

For artists’ salaries during the 1983-84 season.
 

For the 1983-84 season of productions.
 

For the 1983-84 season.
 

For the 1983-84 season, including rehearsal and production expenses.
 

For the 1983-84 season of productions.
 

For the 1983-84 production season, including in-school touring
 

activities.
 

For increased artists’ fees during the 1983-84 season.
 

For the 1983-84 season.
 

For costs for a move to the new Kentucky Center for the Arts, increased actors’ salaries and technical staff, and the commissioning
 

of a new work.
 

For development, rehearsal, and presentation of the New York season.
 

For activities of the 1983-84 season, including development and touring
 

of new works.
 

For the 1983-84 season.
 

For the 1983-84 season of productions.
 

For the 1983-84 season of productions and increased artists’ salaries.
 

For the 1983-84 season of productions.
 

For the 1983-84 season, including a tele-marketing campaign, two major productions, and a second stage production.
 

For the 1983-84 season, including artistic development and the position of production manager.
 

For production and tom-ing of three original theater pieces during
 

the 1983-84 season.
 

For the season of outdoor performances during the summer of 1983.
 

For the 1983-84 season of productions at BoarsHead Theater.
 

For salaries and fees for directors; playwrights; actors; designers;
 

composers; scenic, properties, and costume artists; and technical support staff.
 

2,500 

5,000 

150,000 

2,500 

2,500 

2,500 

7,500 

TF 185,000 

2,500 

20,000 

2,500 

2,500 

70,000 

25,000 

40,000 

2,500 

2,500 

2,500 

TF 80,000 

TF 85,000 

15,000 

5,000 

2,500 

2,500 

TF 120,000 

Missouri Repertory Theatre For the 1983-84 season, including increased salaries and marketing. 40,000 

Kansas City, Missouri 
Theab~r 239 

Mixed Blood Theatre Company 

Minneapolis, Minnesota 

Modern Times Theater 

New York, New York 

Montana Repertory Theatre 

Missoula, Montana 

National Theatre for the Deaf 

Waterford, Connecticut 

Nebraska Theatre Caravan 

Omaha, Nebraska 

Negro Ensemble Company 

New York, New York 

New Dramatists 

New York, New York 

New Playwrights Theater of 

Washington 

Washington, D.C. 

New Stage 

Jackson, Mississippi 

New York, Research Foundation of 

the State University of 

Albany, New York 

New York Shakespeare Festival 

New York, New York 

North Carolina, University of 

Chapel Hill, North Carolina 

North Light Repertory Company 

Evanston, Illinois 

O’Neill (Eugene) Theater Center 

Waterford, Connecticut 

Odyssey Theatre Ensemble 

Los Angeles, California 

Old Globe Theatre 

San Diego, California 

Ontological Hysteric Theatre 

New York, New York 

Oregon Repertory Theatre 

Eugene, Oregon 

Oregon Shakespearean Festival 

Association 

Ashland, Oregon 

Organic Theatre Company 

Chicago, Illinois 

Other Theater 

New York, New York 

Otrabanda Company 

New York, New York 

Palace Theatre Foundation 

Minneapolis, Minnesota 

Pan Asian Repertory Theatre 

New York, New York 

For the 1983-84 season. 

For artistic salaries during the 1983-84 season. 

For fees and other expenses for a designer to create sets for a touring production. 

For additional rehearsal time and the development of a new work 

during the 1983-84 season. 

For the 1983-84 season, including the addition of a full-time artistic 

director and increased artistic salaries. 

For the 1983-84 season. 

For the 1983-84 season, including increased fees for actors and
 

directors. 

For the 1983-84 season, including increased artistic salaries and housing and transportation for playwrights. 

For the 1983-84 season. 

For the 1983-84 season of the Empire State Youth Theatre Institute. 

For the 1983-84 production season of the festival’s Public Theater, 

Delacorte Theater, and touring activities. 

For the 1983-84 season of the Playmakers Repertory Company, including actors’ salaries, sets, and costumes. 

For the 1983-84 season. 

For salaries, fees, and housing for directors, dramaturgs, critics, 

designers, playwrights, actors, lecturers, and staff for the National

Playwrights Conference. 

For the 1983-84 season of productions. 

For artistic, administrative, and development activities during the 

1983-84 season. 

For the development, rehearsal, and production of a new work during the 1983-84 season. 

For the 1983-84 season. 

For the 1983-84 season, including actors’ salaries.
 

For the 1983-84 season of new works. 

For rehearsal and production costs of a new collaborative theater piece 

for the 1983-84 season. 

For the creation of two new productions for the 1983-84 season. 

For company members’ salaries during the 1983-84 season. 

For artists’ fees for main-stage productions during the 1983-84 season. 

5,000 

2,500 

2,500 

2,500 

2,500 

100,000 

TF 100,000 

2,500 

2,500 

2,500 

275,000 

5,0(}0 

5,000 

145,000 

20,000 

TF 125,000 

35,000 

2,500 

105,000 

15,000 

17,500 

2,500 

2,500 

2,500 
Paper Bag Players 

New York, New York 

Pennsylvania Stage Company

Allentown, Pennsylvania 

People’s Light and Theatre Company 

Malvern, Pennsylvania 

Performing Arts Repertory Theatre

Foundation 

New York, New York 

Peterborough Players 

Peterborough, New Hampshire 

Philadelphia Drama Guild 

Philadelphia, Pennsylvania 

Pickle Family Circus 

San Francisco, California 

Pickle Family Circus 

San Francisco, California 

Pioneer Memorial Theatre 

Salt Lake City, Utah 

Pittsburgh Public Theatre 

Pittsburgh, Pennsylvania 

Players State Theatre 

Miami, Florida 

Playwrights Center

Minneapolis, Minnesota 

Playwrights Horizons 

New York, New York 

Playwrights Unlimited 

Mill Valley, California 

Portland Stage Company 

Portland, Maine 

Pro Arts 

Oakland, California 

Protestant Episcopal Church in the 

Diocese of New York 

New York, New York 

Puerto Rican Traveling Theatre

Company 

New York, New York 

Puppet Showplace 

Brooldine, Massachusetts 

Ragabash Puppet Theatre

New York, New York 

Repertory Theatre of St. Louis

St. Louis, Missouri 

Ridiculous Theatrical Company 

New York, New York 

Road Company

Johnson City, Tennessee 

Roadside Attractions 

Detroit, Michigan 

For the 1983-84 season. 50,000 

For increased salaries for actors, directors, designers, and ad- 2,500 

ministrative personnel. 

For the New Play Festival during the 1983-84 season. 5,000 

For the 1983-84 season. 2,500 

For artists’ salaries during the 1983-84 season. 2,500 

For development of new playwrights and new scripts through the 35,000 

playwrights’ project, increased rehearsal time, and the addition of 

three performances. 

For the creation of a new stage production and extension of the per- 10,000 

formance season. 

20,000 For touring of productions throughout the Northwest.
 

For salaries of artistic personnel during the 1983-84 season. 2,500
 

For the 1983-84 season, including establishing a corps of non-resident 60,000 

actors and broadening the repertory. 

For the 1983-84 season. 7,500 

For services to playwrights during the 1983-84 season. 2,500 

For the 1983~4 season. 70,000 

7,500 For artists’ salaries, honoraria, and production expenses for the 1983 

Bay Area Playwrights Festival. 

For the 1983-84 season of productions. 2,500 

For artists’ fees and production expenses during the 1983-84 season 5,000 

of George Coates Performance Works. 

For the 1983-84 season of productions at Theatre at St. Clement’s. 2,500 

For artistic development, community service projects, and 35,000 

administration. 

For production expenses during the 1983-84 season. 2,500 

For the 1983-84 season. 2,500 

For the main-stage season, the Studio Theatre Festival, and the tour- 40,000 

ing of Imaginary Theatre Company. 

For the 1983-84 season. 35,000 

For new plays development during the 1983-84 season. 5,000 

For the 1983-84 season of Attic Theatre. 5,000 
Salt Lake Acting Company 

Salt Lake City, Utah 

San Diego Repertory Theatre

San Diego, California
 

San Francisco Mime Troupe
 

San Francisco, California
 

Scott (Zachary) Theatre Center
 

Austin, Texas
 

Seattle Repertory Theatre 

Seattle, Washington 

Second Stage Theatre 

New York, New York 

Shakespeare and Company 

Lenox, Massachusetts 

Shared Forms Theatre 

New York, New York 

Silvera (Frank) Writers’ Workshop 

New York, New York 

Snake Theater 

Sausalito, Cal£fornia 

Soho Repertory Theatre 

New York, New York 

Solvang Theaterfest 

Santa Maria, California 

SOON 3 

San Francisco, California 

Souhegan Theatre Council 

Milford, New Hampshire 

South Coast Repertory 

Costa Mesa, CaRfornia 

Southeastern Academy of Theatre 

and Music 

Atlanta, Georgia 

Spanish Theatre Repertory Company 

New York, New York 

Spiderwoman Theatre Workshop 

New York, New York 

Springfield Theatre Arts Association 

West Springfield, Massachusetts 

Stage Hands 

Atlanta, Georgia 

Starry Night Puppet Theatre 

Vestal, New York 

Storefront Actors Theatre 

Portland, Oregon 

Studio Arena Theatre 

Buffalo, New York 

Syracuse Unive~ity Theatre Corporation 

Syracuse, New York 

Tacoma Actors Guild 

Tacoma, Washington 

For development of new plays and a works-in-progress series during the 1983-84 season. 

For the 1983-84 season.
 

For salaries for artists involved with a new play produced during the
 

1983-84 season.
 

For actors’ salaries for Project Interact, a professional children’s
 

theater company.
 

For the 1983-84 season.
 

For the 1983-84 season.
 

For production costs of The Comedy of Errors and expenses for
 

master teachers.
 

For salaries for artists and administrator~ during the 1983-84 season.
 

For the writers/directors series of staged productions.
 

For two original productions during the 1983-84 season.
 

For the 1983-84 season of productions.
 

For the 1983-84 season of productions.
 

For salaries and general production expenses.
 

For the 1983-84 season of the American Stage Festival.
 

For the 1983-84 season of productions.
 

For the 1983-84 season of productions at Academy Theatre.
 

For salaries for the acting company and associate director, and for 

production costs for the 1983-84 season. 

For the 1983-84 season of productions. 

For increased artists’ salaries, production of at least one new work, 

and expenses for a move to a new facility for Stage West. 

For the interpretation of performances for the deaf in sign-language 

and for workshops. 

For the 1983-84 season of productions.
 

For the 1983-84 season of productions.
 

For the 1983-84 season of productions.
 

Fort he 1983-84season of Syracuse Stage.
 

For the 1983-84season.
 

2,500 

2,500 

10,000 

2,500 

TF 165,000 

5,000 

12,500 

2,500 

10,000 

17,500 

2,500 

2,500 

2,500 

2,500 

30,000 

35,000
 

5,000 

2,500 

10,050 

2,500 

2,500 

50,000 

40,000 

2,500 
Talking Band 

New York, New York 

Tears of Joy Theatre 

Vancouver, Washington 

Teatro Campesino 

San Juan Bantista, California 

Teatro de la Esperanza 

Santa Barbara, California 

Thalla Spanish Theatre 

Sunnyside, New York 

Theater for the New City Foundation 

New York, New York 

Theater X 

Milwaukee, Wisconsin 

Theatre Arts of West Virginia 

Becldey, West Virginia 

Theatre By the Sea 

Portsmouth, New Hampshire 

Theatre de la Jeune Lune 

St. Paul, Minnesota 

Theatre IV 

Richmond, Virginia 

Theatre Off Park 

New York, New York 

Theatre Three 

Dallas, Texas 

Theatre of Yugen 

Portola Valley, California 

Time and Space Limited Theatre 

Company 

New York, New York 

T.P.C. Enterprises
 

New York, New York
 

Traveling Jewish Theatre 

San Francisco, California 

Trinity Personna Company 

Providence, Rhode Island 

Victory Gardens Theater 

Chicago, Illinois 

Virginia Museum Theater 

Richmond, Virginia 

Virginia Stage Company 

Norfolk, Virginia 

Washington Drama Society 

Washington, D.C. 

Whole Theatre Company 

Montclalr, New Jersey 

Williamstown Theatre Festival 

Williamstown, Massachusetts 

Wilma Project 

Philadelphia, Pennsylvania 

For the 1983-84 season, including production of a piece by Samuel


Beckett.
 

For salaries and production expenses during the 1983-84 season.
 

For administrative development during the 1983-84 season.
 

For production and touring costs for the 1983-84 season.
 

For the 1983-84 season.
 

For the 1983-84 season, including production support, artists’ salaries
 

and fees, and a new management position.
 

To increase salaries of company personnel during the 1983-84 season.
 

For the 1983-84 season of productions.
 

For artists’ salaries and fees, administrative expenses, and audience
 

development programs for the 19834M season.
 

For the 1983-84 season of productions.
 

For the 1983-84 season.
 

For the 1983-84 season of productions.
 

For the 1983-84 season of productions.
 

For the 1983~4 season of productions.
 

For the 19834~4 season.
 

For the 1983-84 season of productions.
 

For the 1983-84 season.
 

For the 1983-84 season of the Trinity Square Repertory Company.
 

For the main~tage series of five plays.
 

For the 1983-84 season, including the main-stage series, studio season, 

student matinee series, play readings, and apprentice and intern 

program. 

For the 1983-84 season of productions.
 

For the 1983-84 season for Arena Stage and Living Stage.
 

For the 1983-84 season of productions.
 

For artistic development for the 1983-84 main-stage season.
 

For the 1983-84 season of productions of Wilma Theatre.
 

10,000 

2,500 

30,000 

5,000 

2,500 

30,000 

7,500 

2,500 

2,500 

2,500 

2,500 

2,500 

2,500 

2,500 

2,500 

100,000 

TF 125,000 

7,500 

5,000 

5,000 

55,000 

TF 200,000 

10,000 

30,000 

2,500 
Wisdom Bridge Theatre 

Chicago, Illinois 

Women’s Experimental Theatre 

New York, New York 

Woodstock Guild of Craftsmen 

New York, New York 

Wooster Group

New York, New York 

Workshop of the Players Art Foundation 

New York, New York 

Yale Repertory Theatre 

New Haven, Connecticut 

Professional 

Theater Touring 

Appalshop 

Whitesburg, Kentucky 

Appalshop 

Whitesburg, Kentucky 

Group I Acting Company 

New York, New York 

Guthrie Theater Foundation 

Minneapolis, Minnesota 

Guthrie Theater Foundation 

Minneapolis, Minnesota 

Honolulu Theatre for Youth 

Honolulu, Hawaii 

Little Flags Theatre Foundation

Roxbury, Massachusetts 

Little Flags Theatre Foundation 

Roxbury, Massachusetts
 

Los Angeles Theatre Works 

Venice, California 

Mid-America Arts Alliance 

Kansas City, Missouri
 

Mid-America Arts Alliance 

Kansas City, Missouri 

People’s Theater Festival 

San Francisco, California 

Project InterAct 

Austin, Texas
 

Pushcart Players 

Verona, New Jersey 

Road Company 

Johnson City, Tennessee 

For the 1983-84 season of productions, workshops, and new script
 

evaluations.
 

For artistic personnel and programming expenses during the 1983-84
 

season.
 

For the 1983-84 season of productions.
 

For the 1983-84 season.
 

For the 1983-84 season of WPA Theater.
 

For the 1983-84 season of productions.
 

To bring high-quality professional theater to areas where it has not been

available. 

Program funds: $572,000 

29 grants 

Theater 243 

15,000 

2,500 

2,500 

45,000 

5,000 

150,000 

For Roadside Theater to tour through Kentucky to strengthen the 

arts sponsorship network and introduce new audiences to high-quality 

theater. 

For two weeks of residendes by Roadside Theater in six rural Virginia 

communities. 

For a 34-week season of m~jor and minor residencies throughout the
 

country. 

To support a tour throughout the Midwest. 

For a tour in 1984-85 of residencies and single performances 

throughout the Midwest and to areas not perviously visited. 

For a tour of Chicken Skin during the 1983-84 season throughout the 

Hawaiian Islands. 

For a six-week tour through the Midwest and South of full-length 

shows, short shows, and workshops. 

For touring of the industrial Northeast and Appalachia by the Little 

Flags Theatre. 

For a tour of Greek during the 1983-84 season throughout the West. 

For a midwestem tour of Missouri Roportory Theatre and a two-week 

tour of American Repertory Theatre in 1984-85 with School far 

Scandal. 

For touring of Missouri Repertory, Nebraska Theatre Caravan,

Arkansas Repertory Theatre, and the Actor’s Theatre of Louisville. 

For a touring performance festival involving Roadside Theater, A

Traveling Jewish Theater, and E1 Teatro Campesino throughout the 

Southeast. 

For the Zachary Scott Theater Center to sponsor a tour for young 

people during the 1983-84 season. 

For a four-week tour of Pennsylvania schools. 

For a tour in the Appalachian states of Tennessee, V’L, Whda, West 

Virginia, Maryland, and Pennsylvania. 

$4,000 

3,600 

75,000 

55,000 

45,000 

17,500 

10,000 

8,000 

10,000 

30,000 

29,000 

10,000 

7,500 

4,000 

10,000 
244 T~ 

San Francisco Mime Troupe 

San Francisco, California 

Snake Theater 

Sausalito, California 

Snake Theater 

Sausalito, California 

Snake Theater 

Sansalito, California 

Southern Arts Federation 

Atlanta, Georgia 

Spanish Theatre Repertory Company 

New York, New York 

Spanish Theatre Repertory Company 

New York, New York 

Theatre Association of Pennsylvania 

York, Pennsylvania 

Theatre Association of Pennsylvania 

York, Pennsylvania 

Western States Arts Foundation 

Santa Fe, New Mexico 

Western States Arts Foundation 

Santa Fe, New Mexico 

Wisconsin Arts Board 

Madison, Wisconsin 

Wisconsin Arts Board 

Madison, Wisconsin 

Wooster Group 

New York, New York 

Services to the Field 

Anthony, Vincent 

Atlanta, Georgia 

Benson, Martin 

Costa Mesa, California 

Burgwin, George Collinson 

Portland, Oregon 

California Theatre Council 

Los Angeles, California 

California Theatre Council 

Los Angeles, California 

Carter, Steve 

Corona, New York 

Children’s Theatre Company and School 

Minneapolis, Minnesota 

For an eight-week tour throughout the East Coast during the fall 

of 1984. 

22,500 

For advance booking costs, promotional materials and cross-country 

transport for a nationwide tour of Antenna Division. 

4,000 

For a nine-week tour of six cities in 1984 by Antenna Division of a 

new work entitled Russia. 

8,000 

For a tour of the East Coast by Nightf~re Division. 3,000 

For a six-week tour throughout the federation’s nine-state region of 

works from the Actor’s Theatre of Louisville’s new play project. 

45,000 

For a four-week tour of the Midwest, Southwest, California, and the 

East Coast. 

20,000 

For a three-week tour in the Southwest, up-state New York, New 

Jersey, and Connecticut during the 1983-84 season. 

20,000 

For a ten-week tour by the Independent Eye of Pennsylvania. 7,400 

For touring and residencies by the Independent Eye. 4,000 

For touring and residencies of the Montana Repertory Theatre and 

E1 Teatro de la Esperanza throughout the ten-state region. 

21,000 

For tours by the Acting Company, Childsplay, Denver Center 

Theater, E1 Teatro de la Esperanza, Montana Repertory Theatre, 

Roadside Theater, Salt Lake Acting Company, and Tears of Joy 

Theatre throughout the ten-state region. 

30,000 

For a four-week tour of the Milwaukee Repertory Theatre with their 

production of Miss Dulu Bert. 

25,000 

For touring of the Milwaukee Repertory Theatre in 1983. 35,000 

For a three-week tour of California in July 1984. 8,500 

To assist organizations that provide services to the theater field on a national scale. 

Program funds: $677,108 

24 grants 

To serve as an independent evaluator for the Theater Program’s on- $2575 

site, screening, and reading activities. 

To serve as an independent evaluator for the Theater Program’s on- 3,425 

site, screening, and reading activities. 

To extend a National Endowment Arts Management Fellowship for 4,000 

the completion of projects in the Theater Program. 

For production and promotion expenses for West Coast Plays. 5,000 

For administrative costs, promotion expenses, and partial salary for 2,500 

the staff of West Coast Plays. 

To serve as an independent egaluator for the Theater Program’s on- 3,025 

site, screening, and reading activities. 

For a project to enable the Children’s Theatre Company to integrate 9,050 

the visually handicapped as audience and participants into existing

performing and educational programs during the 1983-84 season. 
Theater 245 

Copelin, David 

New York, New York 

Durra, Tom 

New York, New York 

Ferra, Max 

New York, New York 

Foundation for the Extension and 

Development of American Professional 

Theatre 

New York, New York 

Gisselman, Gary 

Tucson, Arizona 

Hansch, Mary 

Gainesville, Florida 

International Theatre Institute 

of the United States 

New York, New York 

Living Stage Theatre Company 

Washington, D.C. 

Looking Glass Theatre 

Providence, Rhode Island 

Miner, Michael 

St. Paul, Minnesota 

New Dramatists 

New York, New York 

New York Public Library 

New York, New York 

New York University 

New York, New York 

Next Move Unlimited 

Boston, Massachusetts 

Off Off Broadway Alliance 

New York, New York 

Partlan, William 

New York, New York 

Paton, Angela 

Berkeley, California 

Performing Arts Journal 

New York, New York 

Performing Arts Journal 

New York, New York 

Pottlitzer, Joanne 

New York, New York 

Rosoff, Barbara 

Portland, Maine 

Salerni, Lou 

Minneapolis, Minnesota 

Schein, Gideon 

New York, New York 

Shaktman, Ben 

New York, New York 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 

6,000 

To serve as an independent evaluater for the Theater Program’s onsite, screening, and reading activities. 3,425 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 

1,500 

For management technical assistance to theater projects in all aspects 

of administration. 

30,000 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 1,800 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 

5,400 

For the institute’s service programs, including the reference library,

visitor and consultation service, publications, and representation. 

37,500 

To develop a model professional theater project to increase the accessibility of theater for physically disabled youth, ages 14-18. 19,0(}0 

For a program that provides children with severe learning disabilities 

with the artistic experience of rehearsing for ten weeks with children

without disabilities. 

4,500 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 

For salaries, travel, and supplies for service programs that include 

the library and archives, dramaturgical network, and consultancy 

services. 

To videotape live theatrical performances for the Theatre on Film 

and Tape Project during 1983-84. 

45,000 

For expenses for publication of four issues of Drama Review. 6,000 

For Next Move Theatre to establish an educational forum for young 

people, using workshops and productions that also include the disabled. 

20,000 

For services in marketing, management, and public outreach for the

Alliance of Resident Theatres. 

10,000 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 3,300 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 4,000 

For publication and distribution costs for Performing Arts Journal. 20,000 

For publication costs of Performing Arts Journal. 8,000 

To se.rve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 

1,525 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 2,000 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 5,000 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 6,000 

To serve as an independent evaluator for the Theater Program’s onsite, screening, and reading activities. 3,0~0 
246 Theater 

Sossi, Ron

Los Angeles, California 

Steitzer, Jess 

Seattle, Washington 

Tears of Joy Theatre 

Vancouver, Washington 

Theatre Communications Group 

New York, New York 

Theatre Communications Group 

New York, New York 

Theatre Communications Group 

New York, New York 

Theatre Communications Group 

New York, New York 

Two Penny Theatre 

Montpelier, Vermont 

Wallace, Peter 

New York, New York 

Yale University 

New Haven, Connecticut 

Yale University 

New Haven, Connecticut 

Special Projects 

American Repertory Theatre 

Cambridge, Massachusetts 

Broom Street Theatre 

Madison, Wisconsin 

Center for Puppetry Arts 

Atlanta, Georgia 

Center Theatre Group of 

Los Angeles 

Los Angeles, California 

Second State Theatre 

New York, New York 

Theatre Communications Group 

New York, New York 

To serve as an independent evaluator for the Theater Program’s on- 325O 

site, screening, and reading activities. 

To serve as an independent evaluator for the Theater Program’s on- 3,375 

site, screening, and reading activities. 

To provide an opportunity to re-introduce senior citizens to theater 2,000 

by involving them in puppetry performances. 

For the Artist and Writer Observership program during 1983-84. 12,000 

For administrative and program costs for the artistic and personnel 195,000 

services, literary services, management services, publications, and 

general programs. 

For independent evaluations for the Theater Program on-site screening, and reading activities. 

To amend a previous contract to allow for more comprehensive and 

frequent on-site evaluation visits of theater companies and theater 

training institutions. 

To develop and present Almanac, a theatrical anthology of Vermont 7,950 

folklore, collected by senior citizens. 

To serve as an independent evaluator for the Theater Program’s on- 3,700 

site, screening, and reading activities. 

For an outstanding arts adminstrator to serve temporarily in the En- 50,108 

dowment’s Theater Program. 

For publication expenses of Theater Magazine. 2,500 

For unusually meritorious creative projects that provide or disseminate examples of outstanding artistic achievement, and that would not be accomplished without Endowment assistance. 

Program funds: $257,500 

6 grants 

For a production of King Lear directed by Jonathan Miller during $100,000 

1984-85. 

For a production about author Jean Toomer’s attempts to found a 6,000 

Gurdjieff-inspired religious group in Portage, Wisconsin in 1931-32. 

For a co-production with the American Place Theatre of a new play 25,000 

by puppeteer Bruce D. Schwartz. 

For "Car Plays," a collaborative project between the Mark Taper 60,500 

Forum and the Los Angeles New Museum of Contemporary Arts. 

For production and rehearsal expenses of All Night Long by John 26,000 

O’Keefe, directed by Andre Gregory. 

For a Hispanic translation project, including identifying Hispanic plays 40,000 

for translation, commissioning translations, offering information 

service to theaters, providing commissioning grants to theaters for 

production, and offering a means for distribution of produced trm~slations through existing programs. 

TF--Treasury Funds 
248 Visual Arts 
249 

Visual Arts
 

Visual Arts Advisory Panels
 

Richard Andrews 

Coordinator of 

Art in Public Places 

Seattle Arts Commission 

Seattle, Washington 

Garo Antreasian 

Printmaker 

Chairman of Department of Art

University of New Mexico 

Albuquerque, New Mexico 

Siah Armajani 

Artist 

Minneapolis, Minnesota 

John Baldesarri 

Artist, Professor of Art 

California Institute 

of the Arts 

Los Angeles, California 

Lyn Blumenthal 

Artist 

Director of Video Data Bank 

Chicago, Illinois 

John Brumfield 

Photography Program Director 

School of Art and Design 

California Institute 

of the Arts 

Valencia, California 

Bill Buchen 

Artist, composer, musician 

New York, New York 

Cynthia Carlson 

Artist 

New York, New York 

Gail Centini 

Visual Arts Supervisor

Bureau of Cultural Affairs 

Atlanta, Georgia 

Gylbert Coker 

Freelance curator, art critic

New York, New York 

Bing Davis 

Artist 

Dayton, Ohio 

Douglas Davis 

Artist, art critic 

New York, New York 

Allan Edmunds 

Artist, Director of 

Brandywine Graphic Workshop 

Philadelphia, Pennsylvania 

Lauren Ewing 

Artist 

New York, New York 

Anne Focke 

Director 

and]or service 

Seattle, Washington 

Howard Fox 

Associate Curator 

Hirshhorn Museum and 

Sculpture Garden 

Washington, D.C. 

Tina Girouard 

Artist 

Cecilia, Louisiana 

Katherine Halbreich 

Director of Exhibitions 

Committee on the Visual Arts 

Massachusetts Institute 

of Technology

Cambridge, Massachusetts 

Bill Jensen 

Artist 

New York, New York 

Andrew Keating 

Painter 

Seattle, Washington 

Ruth Kohler 

Director of John Michael 

Kohler Arts Center 

Sheboygan, Wisconsin 

Donald Kuspit 

Critic, art historian

Chairman of Art Department 

State University of New York 

at Stony Brook 

New York, New York 

Susanne Lacy 

Artist, educator 

Los Angeles, California 

Gabriel Laderman 

Painter, educator 

New York, New York 

Laura Lieberman 

Editor of Art Papers 

Atlanta, Georgia 

Willie Longshore

Chairman of Photography, 

Cinema, and Video 

Department 

Ohio State University 

Columbus, Ohio 

Greer Markle 

Executive Director 

Sun Valley Center 

Sun Valley, Idaho 

Jean McLaughlin 

Visual]Literary Arts 

Coordinator 

North Carolina Arts Council 

Raleigh, North Carolina 

Andrea Miller-Keller 

Curator of Contemporary Art 

Wadsworth Atheneum 

Hartford, Connecticut 

Anne Ogden 

Director of Arts Programs 

Kentucky Arts Council 

Franiffort, Kentucky 

Margit Omar 

Artist, Professor 

University of Southern 

California 

Los Angeles, California 

Marc Pally 

Artist, Director of Los Angeles 

Contemporary Exhibitions 

Los Angeles, California 
250 Visual Arts 

Li Chung Pei 

Architect 

I.M. Pei and Partners 

New York, New York 

Norie Sato 

Artist 

Seattle, Washington 

Bill Schade 

Bob Stearns 

Director of Performing Arts 

Walker Art Center 

Minneapolis, Minnesota 

Adrian Piper 

Artist, critic, philosopher 

Ann Arbor, Michigan 

Artist 

Albany, New York 

Joan Semmel 

Gary Super 

Artist, Co-Director of 

Nexus Press 

Atlanta, Georgia 

Peter Plagens 

Artist, critic 

Chairman of Art Department

University of North Carolina 

Chapel Hill, North Carolina 

Martin Puryear 

Artist 

Chicago, Illinois 

Susan Rankaitis 

Photographer 

Inglewood, California 

Artist 

New York, New York 

Linda Shearer 

Director 

Artists Space 

New York, New York 

Lowery Sims 

Associate Curator of 

20th-Century Art 

Metropolitan Museum of Art 

New York, New York 

Warner Wada 

Artist 

New York, New York 

Berta Walker 

Associate Director 

Marisa del Re Gallery 

New York, New York 

Bill Wegman 

Artist 

Richmond, Virginia 

Jock Reynolds 

Artist 

San Francisco, California 

Ingrid Sischy 

Editor of Artform 

New York, New York 

Rene Yanez 

Artist, Co-Director 

Galeria de la Raza]Studio 24 

San Francisco, California 

Carrie Rickey 

Critic 

Rose Slivka 

Editor of Craft International New York, New York New York, New York 

Program funds: $5,754,972 Visual Arts Grants 485 grants 

Visual Artists Fellowships are awarded this year to artists working in the areas of painting, printmaking, drawing, artists books, conceptual-performance, new Fellowships genres, and video. 

Program funds: $2,320,000 

218 grants 

The following visual artists received $25,000 each: 

Attic, Dotty Delap, Tony Loving, Richard

Chicago, Illinois New York, New York Corona del Mar, California 

Berthot, Jake Finkelstein, Louis Neel, Alice 

New York, New York Stillwater, New Jersey New York, New York 

Chong, Ping Helman, Phoebe Schneemann, Carolee 

New York, New York New York, New York New Paltz, New York

Colescott, Warrington Ireland, David White, John 

Hollandale, Wisconsin San Francisco, California Venice, California 

The following visual artists received $15,000 each: 

Abrams, Jane 

Albuquerque, New Mexico 

Alpuy, Julio 

New York, New York 

Ausby, Ellsworth 

Brooklyn, New York 

Acconci, Vito

Brooklyn, New York 

Amos, Emma 

New York, New York 

Bandy, Gary 

New York, New York 
Barth, Jack 

New York, New York 

Bear, Liza 

New York, New York 

Beery, Gene 

Sutter Creek, California 

Benjamin, Karl 

Claremont, California 

Berg, Peter 

New York, New York 

Bochner, Mel 

New York, New York 

Bohary, James 

New York, New York 

Bramson, Phyllis 

Glenview, IRinois 

Brauntuch, Troy 

New York, New York 

Brickhouse, Farrell 

New York, New York 

Brodsky, Eugene 

New York, New York 

Brown, Paul 

New York, New York 

Brush, Leif 

Duluth, Minnesota 

Buchanan, Nancy 

Madison, Wisconsin 

Burden, Chris 

Los Angeles, California 

Charlesworth, Sarah

New York, New York 

Childress, William 

New York, New York 

Chiriani, Richard 

Middieburg, New York 

Cohen, Maxi 

New York, New York 

Cole, Max 

New York, New York 

Colescott, Robert

Oakland, California 

Colo, Papo 

New York, New York 

Cumming, Robert 

West Suffield, Connecticut 

Davidovich, Jaime 

New York, New York 

DeLottie, William 

Eastford, Connecticut 

DeMarinis, Paul 

New York, New York 

Diamond, Martha 

New York, New York 

Doremus, Susanne 

DeKaib, Illinois 

Farley, William 

Oakland, California 

Ferrer, Rafael

Philadelphia, Pennsylvania 

Fishman, Louise 

Brooklyn, New York 

Floeter, Kent 

New York, New York 

Fried, Howard 

San Francisco, California 

Gaulke, Cheri 

Los Angeles, California 

Gillespie, Frances 

Northampton, Massachusetts 

Gorewitz, Shalom 

New York, New York 

Green, Vanalyne 

New York, New York 

Grieger, W. Scott 

Los Angeles, California 

Grucza, Leo 

Champaign, Illinois 

Haber, Ira 

New York, New York 

Hammond, Harmony 

New York, New York 

Hanson, Philip 

Chicago, Illinois 

Heinemann, Peter 

New York, New York 

Henderson, Victor 

Venice, California 

Huebler, C. Douglas 

Newhall, California 

New York, New York 

Jones, Fay 

Seattle, Washington 

Karnas, Mark 

Baltimore, Maryland 

Kazlov, Brian 

New York, New York 

Kriegman, Mitchell 

New York, New York 

Kroesen, Jill 

New York, New York 

Kruger, Barbara 

New York, New York 

LaNoue, Terence 

New York, New York 

Lather, Johannes 

Los Angeles, California 

Longe, Brian 

Oakland, California
 

Machida, Margo 

New York, New York 

McDonald, Laurie 

Houston, Texas 

McPherson, S. Craig 

New York, New York 

Miller, David 

Gansevoort, New York 

Mulligan, Matt 

New York, New York 

Murray, Judith 

New York, New York 

Newton, Gordon 

Mason, Michigan
 

Nicandro, Glugio
 

Los Angeles, California
 

Oursler, Tony
 

New York, New York
 

Passuntino, Peter
 

New York, New York
 

PindelI, Howardena
 

New York, New York
 

Pomeroy, James 

San Francisco, California 

Pozzi, Lucio 

New York, New York 

Quaytman, Harvey 

New York, New York 

Ramberg, Christina 

Chicago, Illinois
 

Rosenthal, Rachel
 

LOs Angeles, California
 

Rosier, Martha
 

Brooklyn, New York
 

Santlofer, Jonathan
 

New York, New York
 

Saunders, Raymond
 

Oakland, California 

Schilling, Alfons 

Brooklyn, New York 

Scgalove, Ilena 

Venice, California 

Skipitares, Theodore 

New York, New York 

Smith, Michael 

New York, New York 
Visual Arts 

Sonfist, Alan 

New York, New York 

Stackhouse, Robert 

New York, New York 

Steckel, Anita 

New York, New York 

Stevens, May 

New York, New York 

Sultan, Altoon 

New York, New York 

Thorne, Joan 

New York, New York 

Ukeles, Mierle 

Bronx, New York 

Viola, Bill 

Long Beach, California 

Waite, Peter 

Hartford, Connecticut 

WalkingStick, Kay 

Englewood, New Jersey 

The following visual artists received $5,000each: 

Alderette, Bob 

Sunset Beach, California 

Alfonzo, Carlos 

Miami Beach, Florida 

Allen, Jo Harvey 

Fresno, California 

Allen, Lisa 

Portland, Maine 

Almaguer, Michael 

Berkeley, California 

Avadenka, Lynne 

Birmingham, Michigan 

Bard, Katherine 

San Francisco, California 

Baribeau, Robert

Bangall, New York 

Beckett, Richard 

New York, New York 

Bell, Scott 

Oakland, California 

Belville, Scott 

Spartanburg, South Carolina 

Bogosian, Eric 

New York, New York 

Bower, Vivian 

New York, New York 

Brock, Harry 

Charlestown, Massachusetts 

Burch-Brown, Carol 

Blacksburg, Virginia 

Burney, Grace 

Brooklyn, New York 

Bustinza, Alfredo 

Brownsville, Texas 

Butler, Kenneth

Portland, Oregon 

Cabouli, Diana 

Forest Hills, New York 

Capps, Kenneth 

Carlsbad, California 

Chase, Benjamin 

Los Angeles, California 

Clark, James

Brooklyn, New York 

Connally, Danny 

Sacramento, California 

Crimmins, Gerard 

Glenside, Pennsylvania 

Crockett, Alan 

Columbus, Ohio 

Cypis, Dorit 

Los Angeles, California 

David, Michael 

New York, New York 

Dean, Mark 

Philadelphia, Pennsylvania 

DiSalvo, David 

Long Island City, New York 

Drumheller, Grant 

Brookline, Massachusetts 

Duval, Jeanne

Jaffrey, New Hampshire 

Feinberg, Jean 

New York, New York 

Fendrich, Laurie 

Durham, North Carolina
 

Finch, Richard 

Bloomington, Illinois
 

Finley, Karen 

Chicago, Illinois
 

Frank, Stephanie 

New York, New York 

Gallagher, Cynthia 

New York, New York 

Ganong, Robert 

Boston, Massachusetts 

Walling, Michael 

Kansas City, Missouri 

Wilson, Helen Miranda 

Wellfleet, Massachusetts 

Wilson, Martha 

Brooklyn, New York 

Wirsum, Karl 

Chicago, Illinois 

Yonemoto, Bruce 

Venice, California 

Garrett, Dana 

New York, New York 

Gash, Gail 

Santa Fe, New Mexico 

Geichman, Judy 

Chicago, Illinois 

Ghirardo, Raymond and

Megan Roberts 

Laramie, Wyoming 

Gompertz, Jeff 

New York, New York 

Goodell, Larry 

Placitas, New Mexico 

Gorton, Jennie 

Greenville, Mississippi 

Hayes, David 

Salt Lake City, Utah 

Heasley, Charles 

Cortland, New York 

Hettmansperger, Sue 

New York, New York 

Hill-Montgomery, Candace 

New York, New York 

Hudson 

Chicago, Illinois 

Hull, John

Baltimore, Maryland 

Hull, Shelly 

Baltimore, Maryland
 

Humphrey, Margo 

Oakland, California 

Humphrey, Nene 

New York, New York 

Ingraham, Kim 

Binghamton, New York 

Jacobson, Susana 

Salt Lake City, Utah 
Visual Arts 253 

Jones, Ronald 

Sewanee, Tennessee 

Julien, Susan 

Chicago, Illinois 

Kamler, Richard
 

San Anselmo, California
 

Keppel, Deans
 

New York, New York
 

Kessler, Charles 

Venice, California 

Koss, Jim 

Westchester, Illinois 

Kozol, Melanie 

Cohasset, Massachusetts 

Labat, Tony 

San Francisco, California 

Laufer, Susan 

New York, New York 

Lemieux, Annette 

New York, New York 

Leslie, Kenneth 

Granville, New York 

Lombardo, William 

New York, New York 

Lowe, David 

New York, New York 

Lundin, Norman

Seattle, Washington 

Magill, Mark 

New York, New York 

Maxwell, William 

Helotes, Texas 

Meyer, Melissa 

New York, New York 

Visual Artists 

Organizations 

Advaita Society 

Berkeley, California 

Alternative Center for International 

Arts 

New York, New York 

American Craft Council 

New York, New York 

and/or service 

Seattle, Washington 

Milani, Richard 

New York, New York 

Morgan, Kenneth 

Conventry, Connecticut 

Naponic, Anthony 

Kansas City, Missouri 

Nichols, Daphne 

Philadelphia, Pennsylvania 

Northerner, Will 

Chicago, Illinois
 

O’Grady, Lorraine
 

New York, New York
 

Ornstein, Judith 

Brooklyn, New York 

Osborn, Kevin 

Arlington, Virginia 

Owings, Michele 

New York, New York 

Peacock, Cliffton 

Boston, Massachusetts 

Perry, Lincoln 

Moody, Maine 

Peters, Robert 

Lake Forest, Illinois 

Phillips, John 

Chicago, Illinois 

Phillips, Liz 

New York, New York 

Polansky, Lois 

Roslyn, New York 

Pridgeon, James 

Seattle, Washington 

Quin, Langdon 

Cambridge, Massachusetts 

Reeds, Scott 

Los Angeles, California 

Rice, Dan 

Provincetown, Massachusetts 

Ripling, Earl 

New York, New York 

Rosbotham, Lyle 

Arlington, Virginia 

Rose, Peter 

Philadelphia, Pennsylvania 

Saltz, Mark 

New York, New York 

Sanchez, Juan 

Brooklyn, New York 

Schnabel, Bruce 

Richmond, Virginia 

Scully, Scan 

New York, New York 

Serrano, Raul 

Brooklyn, New York 

Sisto, Elena 

Brooklyn, New York 

Templeton, Fiona 

New York, New York 

Vereano, David 

Boston, Massachusetts 

Webb, Patrick 

Ithaca, New York 

Wong, AI 

San Francisco, California 

Wong, Tony 

New York, New York 

Yarber, Robert 

Oakland, California 

To enable organizations originated by or for artists to conduct a variety of activities that encourage the artistic growth of individuals artists, craftspersons, and photographers. 

Program funds: $1,837,159

132 grants 

To support working facilities at the Kala Institute for artists in in- $4,000 

taglio, lithography, photography, silkscreen, papermaking, and letter press. 

For honoraria to exhibiting artists and the production of exhibition 16,000 catalogues. 

To update and expand the portfolio files of living craftspersons at 3,000 

the council’s library. 

For service activities provided to the visual arts community of Seattle. 45,000 
254 Visual Arts 

Appalachian Center for Crafts 

Cookeville, Tennessee 

A.R.E. 

San Francisco, California 

Art Institute of Chicago 

Chicago, Illinois 

Art Place 

Madison, Wisconsin 

Artemisia Fund 

Chicago, Illinois 

Artists Alliance 

Tampa, Florida 

Artists in Residence 

New York, New York 

Artists, Residents of Chicago 

Chicago, Illinois 

Artlink 

Fort Wayne, Indiana 

Arts Council of Windham County 

Brattleboro, Vermont 

Bookspace 

Chicago, Illinois 

Boston Visual Artists Union 

Boston, Massachusettes 

Boulder Arts Center 

Boulder, Colorado 

Brandywine Graphic Workshop 

Philadelphia, Pennsylvania 

Brookfield Craft Center 

Brooldield, Connecticut 

Cameravision 

Los Angeles, California 

Catskill Center for Photography 

Woodstock, New York 

Center for Book Arts 

New York, New York 

Center for Exploratory and Perceptual 

Arts 

Buffalo, New York 

Center for Occupational Hazards 

New York, New York 

Change 

New York, New York 

Chicago Artists’ Coalition 

Chicago, Illinois 

Chicago Books 

New York, New York 

Cincinnati Artists’ Group Effort 

Cincinnati, Ohio 

Clay Studio 

Philadelphia, Pennsylvania 

For three exhibitions and a visiting artists series. 7,500 

For exhibitions by young artists, especially those working in video 6,000 

and audio formats. 

For the Video Data Bank’s production and distribution of video 30,000 

documentation on contemporary art, artists, and original video work. 

For a program that focuses on local artists and provides them with 3,000 

a professional exhibition space. 

12,000 For an exhibition program for increasing public awareness of women

and emerging artists. 

For a program of exhibitions and services for Florida artists. 6,000 

For the "Current Issues" lecture series and the "One-on-One" critics 15,000 

review process. 

For installation artists to work in Raw Space, ARC’s unfinished base- 5,000 

ment exhibition area. 

For opportunities for local and regional artists working in all media 6,000 

to exhibit and receive honoraria. 

For a program of residencies, collaborative projects, and exhibitions 4,000 

that benefit artists. 

5,500 To publish four books by artists and maintain a distribution point for

artists’ books in Chicago. 

For the information, resource, and advisory services and workshops 16,000 

that the union offers to the artist community in the Boston area. 

For exhibition programming and artists’ honoraria for emerging 10,000 

regional artists. 

To support working facilities and honoraria for artists who wish to 

experiment with various arts processes. 

For a catalogue to document the exhibition, "Tools of the 2,000 

Woodworker." 

3,000 For a series of photography exhibitions of the work of established

and emerging photographers. 

For a comprehensive program of exh3~itions, lectures, artists’ residen- 10,000 

cies, working facilities, and services. 

For an exhibition program of contemporary book-works and 15,000 

workshops for artists in the book arts. 

For an exhibition program, a lecture series, a visiting artists program, 24,279 

an artists projects program, and bus shows. 

To support a national service organization that educates artists and 15,000 

the public on the hazards of visual artists’ materials. 

For a service program to artists that provides emergency grants and 15,000 

medical assistance through participating hospitals. 

For a job referral service for Chicago artists. 1,000 

For the publication of six artists books and broadsides. 20,000 

To support art events by local and national artists in different loca- 9,000 

tions around Cincinnati. 

For exhibitions and a lecture-workshop program for 1983-84. 3,000 
Visual Arts 255 

Claywork Studio Workshop 

New York, New York 

Committee for the Visual Arts 

New York, New York 

Committee for the Visual Arts 

New York, New York 

Community Educational Exhibitions 

Washington, D.C. 

Connecticut Commission on the Arts 

Hartford, Connecticut 

Contemporary Arts Center 

New Orleans, Louisiana 

Contemporary Arts Center 

New Orleans, Louisiana 

Contemporary Crafts Association 

Portland, Oregon 

Creative Time 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

D.C. Slide Registry of Women Artists 

Washington, D.C. 

Denver Free University 

Denver, Colorado 

Dinnerware Artists Cooperative 

Tuscon, Arizona 

Drawing Center 

New York, New York 

80 Langton Street Corporation 

San Francisco, California 

Fabric Workshop 

Philadelphia, Pennsylvania 

Fiberworks 

Berkeley, California 

55 Mercer Artists 

New York, New York 

Film in the Cities 

St. Paul, Minnesota 

Fog Store 

Bronx, New York 

Fondo del Sol 

Washington, D.C. 

Foundation for Art Resources 

Los Angeles, California 

Foundation for Today’s Art 

Philadelphia, Pennsylvania 

For artists’ fees, facilities, and technical assistance to artists for experimentation in the medium of clay. 

6,000 

For the exhibition program at Artists Space and services to artists 

through the Emergency Materials Fund and the Independent Exhibitions Program. 

50,000 

For Collaborative Projects’ short-term exhibitions, video editing service, traveling exhibitions, and the Artists’ Direct Mail Catalogue. 19,000 

For small group thematic exhibitions at Local 1734 Gallery, featuring artists in the Washington area. 2,000 

For the National Crafts Planning Board to establish a national craft 

data bank. 

20,000 

For the visual arts program of this multi-discipline cultural center. 45,000 

To support the National Association of Artists’ Organizations, a national service organization for visual artists’ organizations. 

20,000 

To enable artists to lecture and exhibit their work in the Pacific 

Northwest. 

15,000 

For the installation of works of art by living artists in public temporary sites around New York City. 30,000 

For the exhibition of work by emerging artists through group shows 

and window exhibitions at Public Image. 

3,000 

To support ABC No Rio, an exhibition center and workshop on 

Manhattan’s lower east side that serves as a site for interaction among 

artists. 

6,000 

For En Foco’s program of exhibitions, working facilities, and project support to Hispanic photographers. 8,500 

For a program of services to Washington area artists. 3,500 

For Spark’s exhibition of Rocky Mountain regional artists in a 

schedule with artists from major urban centers. 

7,500 

For exhibition opportunities for visual artists of the Southwest. 8,000 

For services, workshops, and the payment of artists’ fees to artists 

exhibiting in the "Selections" series. 

15,000 

For installation and performance works by nationally known and Bay 

area artists, and for catalogue documentation of the year’s exhibition. 

32,000 

For a residency program for artists and craftspeople to experiment

with fine art silkscreen printing on fabric. 

18,000 

For an opportunity for east and west coast artists to exhibit their 

work in an exchange program between Fiberworks and the 

Philadelphia College of Art. 

12,000 

For a series of group and one-person invitational exhibitions and 

special curated group sculpture exhibitions. 

10,000 

For a photography program that includes exhibitions, lectures, and

visiting artists; and the publication Working Papers. 15,000 

For the exhibition of experimental and cross-cultural work in and 

around Fashion Moda in the south Bronx. 

19,000 

For an exhibition program that presents the work of Hispanic, Native 

American, Caribbean, and black American artists. 

12,000 

To produce and present new art and ideas in Los Angeles that are 

not easily accomodated by other organizations. 

12,000 

To support the exhibition program for Nexus. 13,000 
Foundation for the Community of

Artists 

New York, New York 

Franklin Furnace Archive 

New York, New York 

Friends of Puerto Rico 

New York, New York 

Galeria Studio 24 

San Francisco, California 

Glass Art Society 

Penland, North Carolina 

Grupo Morivivi 

New York, New York 

Haleakala 

New York, New York 

Hallwalls 

Buffalo, New York 

Henry Street Settlement 

New York, New York 

Historic New Harmony 

New Harmony, Indiana 

Indiana University

Indianapolis, Indiana 

Institute for Art and Urban Resources 

Long Island City, New York 

Institute of Alaska Native Arts 

Falrbanks, Alaska 

International Arts Relations 

New York, New York 

Just Above Midtown 

New York, New York 

La Mamelle 

San Francisco, California 

Light Factory 

Charlotte, North Carolina 

Light Work Visual Studies 

Syracuse, New York 

Lill Street Gallery 

Chicago, Illinois 

Line Association 

New York, New York 

Los Angeles Center for Photographic 

Studies 

Los Angeles, California 

Los Angeles Contemporary 

Exhibitions 

Los Angeles, California 

Los Institute of Contemporary Art 

Los Angeles, California 

Mattress Factory 

Pittsburgh, Pennsylvania 

For publication of Art and Artists, an artist-run newspaper. 6,000 

For honoraria to artists participating in exhibitions and performance 

programs and for the at­hiving of artists books. 

25,000 

For the exhibition program at Cayman Gallery. 14,000 

For exhibitions of carved wooden religious statues and works by thirdgeneration Hispanic artists. 

15,000 

For photographic documentation of glass art made by members of 

the Glass Art Society for presentation at their 1983 annual conference. 

3,000 

For the exhibition program at Galeria Morivivi. 2,000 

To support exhibitions, present a schedule of performance works, pay 

honoraria to participating artists, and document these activities. 

30,000 

For nine major exhibitions that feature works by artists prominent 

in the national scene and 48 exhibits that present the work of western 

New York artists. 

35,000 

For a series of visual arts exhibitions, performances, lectures, and 

workshops at the Louis Abrons Arts for Living Center. 

10,000 

For artists’ fees and exhibition opportunities to contemporary artists 

exhibiting their work in historic New Harmony. 

7,000 

For a series of exhibitions, public lectures, and an environmental art 

workshop at Herron Gallery. 

7,500 

For exhibitions at the Clocktower in Manhattan and in the project 

rooms of P.S.I., provision of worldng studios for artists, and honoraria 

to artists. 

25,000 

For fees to artists participating in an exhibition of contemporary

Alaskan native sculpture. 

2,000 

For a program of 12 exhibitions of Latin American artists living in 

the U.S. 

8,000 

For an exhibition and performance program, a visiting artists lecture series, and a program on the business of being an artist. 

28,000 

For video and performance programming and the publishing activity of the Contemporary Arts Press. 

10,000 

For a program of photography exhibitions, lectures, and workshops, 

and provision of working facilities. 

13,000 

For stipends for an artists’ projects program, and photography exhibitions and lectures by visiting artists. 

20,000 

For artists’ fees, exhi’oitions, and workshops for the ceramic community of Chicago. 

8,500 

For a project run by artists to assist in the publication of artists books. 15,000 

For a program of exhibitions, lectures, services to artists, and for 

publication of the critical journal, Obscura. 

24,000 

For visual arts programming in static and non-static forms, an arts 

periodical library, studio tours, and a forum on the park as art in a 

public place. 

35,000 

For publication of The Journal and exhibitions. 

For a series of exhibitions by installation artists. 
Visual Arts 257 

Mayor’s Advisory Committee on Art 

and Culture 

Baltimore, Maryland 

Midmarch Associates 

New York, New York 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

Minority Photographers 

New York, New York 

MoMing Dance and Arts Center 

Chicago, Illinois 

Mudflat Pottery School 

Cambridge, Massachusetts 

Name Gallery 

Chicago, Illinois 

New Museum 

New York, New York 

New Organization for the Visual Arts 

Cleveland, Ohio 

New York Experimental Glass 

Workshop 

New York, New York 

Nexus 

Atlanta, Georgia 

Northwest Artists Workshop 

Portland, Oregon 

Ohio Foundation on the Arts 

Columbis, Ohio 

On the Boards 

Seattle, Washington 

112 Workshops 

New York, New York 

Oregon Center for the Photographic 

Arts 

Portland, Oregon 

Photographic Resource Center 

Boston, Massachusettes 

Photographic Resource Center 

Boston, Massachusettes 

Pilehuek School 

Seattle, Washington 

Pittsburgh Center for the Arts 

Pittsburgh, Pennsylvania 

Portland Center for the Visual Arts 

Portland, Oregon 

Printed Matter 

New York, New York 

Printmaking Workshop 

New York, New York 

Pro Arts 

Oakland, California 

Public Art Fund 

New York, New York 

For School #33 to present exhibitions and a visiting artists and 

curators series for 1983-84. 

11,000 

For the publication of Women Artists News. 2,000 

For the Minnesota Artists Exhibition Program. 12,000 

For a program of one-month exhibitions of works by emerging 

photographers. 

For artists’ fees, exhibitions, and performances that are part of MoMing’s visual arts programming. 

5,500 

8,0OO 

For artists’ fees for ceramic artists who presented workshops at 

Mudflat during 1983-84. 

3,000 

For artists’ fees, exhibitions, lectures, performances, and installations 

of contemporary art. 

25,000 

For artists’ honoraria and a curatorial travel program. 30,000 

For services and programs that promote and develop the contemporary visual arts field in the Cleveland area. 

12,000 

For artists’ fees, a residency program for glass artists, exhibitions, 

and the publication of New Work. 

22,000 

For the artists book production programs of Nexus Press and exhibitions at the Nexus Galleries. 

0,000 

For exhibitions, performances, a workshop and publications for the 

artists of the Northwest. 

15,000 

For publication of Dialogue, a bimonthly journal. 10,000 

For honoraria to visual artists. 4,000 

For artists honoraria, exhibition and installation costs, and performance presentations at White Columns. 

For an exhibition program at Blue Sky Gallery, lectures and 

workshops, and a new publications program. 

12,000 

18,000 

For a grant program in 1984 for new writing on photography. 82OO 

For a program of services, exhibitions, and lectures; grants to artists and critics; and publication of Views. 

15,000 

To support glass artists involved in directing workshops and artists 

invited to participate in the visiting artists program. 

20,000 

For an installation by video and performance artist Michael Smith 

in the center’s gallery. 

3,000 

For honoraria to artists extn~iting, lecturing, or performing in 1983-84. 10,0OO 

For the distribution of artists’ books, periodicals, and sound works

through a mail-order catalogue and storefront. 

21,800 

For access to working facilities for minimal cost to emerging and 

established artists 

12,000 

For exhibitions at the Pro Arts Gallery and display of site-oriented 

sculptures in urban settings in Oakland. 

7,000 

For continued develpment and expansion of the Public Arts Fund 

Newsletter. 

2,000 
258 Visual Arts 

Public Art Fund 

New York, New York 

Pyramid Arts Center 

Rochester, New York 

Randolph Street Gallery 

Chicago, Illinois 

Real Art Ways Raw Ink 

Hartford, Connecticut 

Richmond Printmaldng Workshop 

Richmond, Virginia 

Rising Sun 

Santa Fe, New Mexico 

San Francisco Art Institute 

San Francisco, California 

San Francisco Camerawork 

San Francisco, California 

Sculpture Space 

Utica, New York 

Self-Help Graphics and Art 

Los Angeles, California 

1708 East Main 

Richmond, Virginia 

Sheboygan Arts Foundation 

Sheboygan, Wisconsin 

Social and Public Art Resource Center 

Venice, California 

Society for Photographic Education 

New York, New York 

Society of North American Goldsmiths 

Carmel Valley, California 

Spaces 

Cleveland, Ohio 

Sun Valley Center for the Arts and 

Humanities 

Sun Valley, California 

Surface Design Association 

Athens, Georgia 

Upstairs 

Tryon, North Carolina 

Urban Institute for Contemporary Art 

Grand Rapids, Michigan 

Visual Arts Center of Alaska 

Anchorage, Alaska 

Visual Studies Workshop 

Rochester, New York 

Washington Project for the Arts 

Washington, D.C. 

Woman’s Community

Los Angeles, California 

Women and Their Work 

Austin, Texas 

For fees to artists for the realization of public art projects and for 

support of the resource center. 

For exhibitions, performances, and the payments of artists’ fees. 

5,000 

4,000 

For a series of exhibitions, performances, and lectures. 22,000 

For the visual arts coordinator’s position and honoraria to visual

artists. 

5,000 

To provide workshops, printmaking facilities, and services to the artist community of Richmond. 

For "Recontext," a traveling photography exhibition. 

3,000 

7,000 

For honoraria to artists exhibiting or performing at the institute. 7,000 

For exhibitions, artists’ services, short-term workshops, a lecture 

series, a bookstore, and a quarterly newsletter. 

For access to facilities for sculptors made possible through a collaboration with the Utica Boiler Works. 

20,000 

7,500 

For exhibitions and services for artists working in east Los Angeles. 10,000 

For artists’ fees, exhibition and performance programs, and publications that document these programs. 

17,080 

For exhibitions with related documentation, workshops, lectures, and 

performances; and the Arts/Industry Program at the John Michael

Kohler Arts Center. 

50,000 

To support four exhibitions. 20,000 

For a program of regional and national conferences, a newsletter, a 

national directory and publication of Exposure. 

15,000 

For an annual conference and publication of a newsletter and 

Metalsmith magazine. 

For artists’ fees, exhibitions, and performances. 

18,000 

11,000 

For artists’ fees to visiting artists who were in residence at the Center 

during the past year. 

4,800 

For fees to exhibiting artists included in a show at the annual conference, and for publication of Surface Design Journal. 

3,000 

For exhibitions, performances, and lectures on contemporary art. 3,000 

For a lecture series and visual arts exhibitions and installations by

local and regional artists at Race Street Gallery. 

8,000 

For exhibitions and visiting artist workshops. 9,000 

For working facilities, exhibition programs, a lecture series, artist 

project residencies, and publication of Afterimage. 

49,000 

For a schedule of major exhibitions of contemporary art, group shows 

of local artists, performances, and the artists’ bookstore. 

50,000 

For a graphic arts working facility, artist project residencies, exhibitions, and slide documentation and distribution. 

25,000 

To originate two exhibitions, coordinate the exchange of exhibitions 

around Texas, present two sited environments and performances, and 

conduct workshops for artists. 

12,000 
Visual Arts 259 

Women’s Art Registry of Minnesota 

Minneapolis, Minnesota 

Women’s Interart Center 

New York, New York 

Women’s Studio Workshop 

Rosendale, New York 

Zone 

Springfield, Massachusetts 

Visual Artists 

Forums 

Albright College 

Reading, Pennsylvania 

Aperture 

Millerton, New York 

Arkansas, University of 

Fayetteville, Arkansas 

Art Academy of Cincinnati 

Cincinnati, Ohio 

Art Institute of Chicago 

Chicago, Illinois 

Artists Alliance of San Antonio 

San Antonio, Texas 

Artists Talk on Art 

New York, New York 

Atlanta Art Papers 

Atlanta, Georgia 

Beaver College 

Glenside, Pennsylvania 

Birmingham-Southern College 

Birmingham, Alabama 

Boise Gallery of Art Association 

Boise, Idaho 

Boston University, Trustees of 

Boston, Massachusettes 

Brockman Gallery Productions 

Los Angeles, California 

Burk (Frederic) Foundation for
 

Education
 

San Francisco, California 

California, Regents of the University 

of 

Berkeley, California 

California, Regents of the University 

of 

Irvine, California 

For an exhibition program featuring the work of established and 

emerging women artists. 

6,000 

For a visual arts exhibition program at Interart Gallery. 7,000 

To provide access to working facilities for graphic arts and papermaking, for exhibitions, and a visiting artists program. 

5,000 

For artists’ services and exhibition opportunities for the community 

of artists in western Massachusetts. 

1,000 

To enable artists to assemble with professional peers, teachers, students,

and the public to debate issues, share information, and compare methods.

Grants support visiting artists series, seminars and symposia, short-term

workshops and demonstrations, and publications that contribute to the national dialogue on contemporary art. 

Program funds: $477,301 

85 grants 

For a one-day symposium on public arts during the spring of 1984. $5,000 

For publication of four issues of the periodical, Aperture. 15,000 

For a residency program involving demonstrations, critiques, lectures, 5,000 

discussions, and exhibitions of the artists work. 

For a six-part lecture series developing the topic of "celebration." 3,392 

For a series of lecture-discussions by ten nationally known artists, 4,500 

art historians, and critics concerning the subject of "art under stress." 

For "Tradition and Change in the Work of Contemporary American 1,000 

Women Artists," a conference in September 1983. 

For artist-initiated lectures and panel discussions. 2,250 

For publication of criti¢~ writing on the visual arts in Art Papers. 15,000 

For two residencies of artists during the 1983-84 academic year. 2,000 

For "Southern Rim II: The Narrative Tradition in the Arts," a con- 5,000 

ference held in the fall of 1983. 

For five photographers to assemble and discuss issues related to the 1,800 

scheduled Boise Gallery exhibition, "Arranged Image." 

For the Program in Artisanry, including a visiting artists series and 3,590 

a panel discussion on economics and aesthetics in crafts. 

For a two-day symposium in May 1984 on public art. 3~250 

To publish Leonardo and increase the availability of the journal to 14,871 

visual artists. 

For an artists’ residency and lecture program jointly sponsored by 5,000 

the Art Department, and the University Art Museum, and the College of Environmental Design. 

For participation of visual artists in a two-day conference during the 4,750 

spring of 1984 on trends and innovations in the black art. 
260 Visual Arts 

Cambridge Arts Council Fund 

Cambridge, Massachusettes 

Center for New Art Activities 

New York, New York 

Chicago New Art Association 

Chicago, Illinois 

Chicago, University of 

Chicago, Illinois 

Colorado, Regents of the University of 

Boulder, Colorado 

Colorado Mountain College 

Glenwood Springs, Colorado 

Committee for the Visual Arts 

New York, New York 

Clark (Daniel) Foundation 

Goffstown, New Hampshire 

Craft and Folk Art Museum 

Los Angeles, California 

Drake University 

Des Moines, Iowa 

Fine Arts Work Center 

Provincetown, Massachusetts 

Friends of Photography 

Carmel, California 

Franklin Furnace Archive 

New York, New York 

Galeria de la Raza 

San Francisco, California 

Hampshire College 

Amherst, Massachusetts 

Heresies Collective 

New York, New York 

Hudson River Museum at Yonkers 

Yonkers, New York 

Illinois, University of 

Chicago, Illinois 

Indianapolis Museum of Art 

Indianapolis, Indiana 

Institute for Architecture and Urban 

Studies 

New York, New York 

Institute of Contemporary Art 

Boston, Massachusetts 

Kansas City Art Institute

Kansas City, Missouri 

Kutztown State College 

Kut~town, Pennsylvania 

Lawrence (Sarah) College 

Bronxville, New York 

Long Island University 

Greenvale, New York 

For a fall 1983 forum on public art issues, followed by series of 

workshops that resulted in the award of public art commissions. 

5,000 

To publish Bomb, a periodical that presents the work and ideas of 

emerging artists. 

10,000 

To publish New Art Examiner, a tabloid-format magazine of the visual 

arts that appears in East Coast and Midwest editions. 

3,000 

For a series of lectures and seminars examining critical issues and 

artistic visions of contemporary artists. 

5,000 

For the visiting artist program, in which professional artists and critics 

are brought to the university community for extended periods of time. 

5,000 

For the sixth annual Fourth of July Photography Symposium at the 

Breckenridge campus. 

5,000 

For publication and expansion of Real Life Magazine. 14,900 

To publish Studio Potter, and enable the magazine to become more 

self-sufficient by developing computer software. 

15,000 

For publication of Craft International, a magazine that presents 

critical writing on all crafts media. 

15,000 

For "Women in the Visual Arts," a symposium in the spring of 1984. 5,000 

For a continuing program of visiting artists and critics. 5,000 

For publication of a book of ten critical essays on the role of documentary work in contemporary photography. 5,000 

For Exit Art to publish Marginal Artiets, a book/exhibit project presenting the works of artists Tehching Hsieh, Ana Mendieta, Pape 

Colo, David Hammons, and Vito Acconci. 

11,075 

For publication of Community Murals Magazine, a journal of criticism 

and information for mural artists. 

8,000 

For the payment of artists’ fees to visual artists and critics participating in a residency and lecture program. 

5,000 

For publication of four issues of Heresies, including expanded page 

art and dialogue sections. 

15,000 

For "Interactions," a series of seminars in which artists and critics 

discuss contemporary visual arts issues in a public forum. 

5,000 

For the School of Art and Design’s visiting artists series. 2,525 

For a one-day conference to explore the impact critics have had on 

artists and their work. 

4,500 

For publication of four issues of October, a journal of theory and practice in contemporary art. 

15,000 

For production costs of This Was Corporate America, an artist’s book 

by Chauncey Hare. 

10,000 

For a visiting artists series of public lectures and workshops. 5,000 

To support visual artists involved with the art series program. 5,000 

For a program of visiting artists, historians, and critics involved with 

sculpture, architecture, painting, photography, and performance. 

2,500 

For visiting artists to participate in a lecture series at the C.W. Post 

Center. 

2,500 
Visual Arts 261 

Los Angeles Contemporary 

Exhibitions 

Los Angeles, California 

Los Angeles Contemporary 

Exhibitions 

Los Angeles, California 

Luther College 

Decorah, Iowa 

Maryland Institute, College of Art 

Baltimore, Maryland 

Middlebury College 

Middlebury, Vermont 

Milwaukee Center for Photography 

Milwaukee, Wisconsin 

Mississippi, University of 

University, Mississippi 

Murray State University 

Murray, Kentucky 

Nantucket Island School of Design 

and the Arts 

Nantucket Island, Massachusetts 

National Council on Education for the 

Ceramic Arts 

Bandon, Oregon 

Nebraska, University of 

Omaha, Nebraska 

New Mexico State University, 

Regents of 

Las Cruces, New Mexico 

New Mexico, University of 

Albuquerque, New Mexico 

New York, Research Foundation of

the City University of 

Flushing, New York 

New York, Research Foundation of 

the State University of 

Albany, New York 

New York, Research Foundation of 

the State University of 

Albany, New York 

New York, Research Foundation of 

the State University of 

Albany, New York 

92nd Street YM-YWHA 

New York, New York 

North Dakota, University of 

Grand Forks, North Dakota 

Oklahoma State University 

Stillwater, Oklahoma 

Ox Bow 

Saugatuck, Michigan 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

For Arstro Artz to publish The Amazing Decade/Women and Per- 10,000 

formance Art, 1970-1980, edited by Moira Roth. 

For Arstro Artz to publish High Performance, an ~ternational journal 15,000 

about performance art. 

For two one-week residencies by visual artists. 2,000 

For extended residencies with sculptors Richard Van Buren and 5,000 

Ursula von Rydingsvard. 

For a visiting artists program, bringing visual artists to the college 2,500 

to present lectures on their work. 

For weekend workshops and a series of lectures by nationally pro- 5,000 

minent photographers. 

For nationally known visual artists and critics to come to the cam- 5,000 

pus as part of a visiting artists program. 

For artists’ fees, transportation, and per diem expenses for a visiting 2,500 

artists program. 

For Artists’ Environmental Forum, bringing four visual artists to 5,000 

Nantucket to produce environmental artworks. 

For the annual conference in April 1984. 5,000 

For three nationally known artists to visit Omaha as part of a visiting 2,983 

artist series. 

For ten visual artists to come to Las Cruces as part of a one-year 5,000 

visiting artists program. 

For a visiting artist series, bringing five artists to the Art Depart- 5,000 

ment of the University. 

For a series of lectures by professional artists speaking about their

own work. 

For a visiting artists series at SUNY-Purchase of events exploring 

the topic of time and its implications in the visual arts. 

For a visiting artists series for the 1983-84 academic year at SUNY- 2,000 

Plattsburgh. 

For the payment of fees, supplies, and travel costs necessary to sup- 3,000 

port the residency of David Wells at SUNY-Potsdam. 

For "The Art of the Craftsman," a series of residencies, workshops, 5,000 

and lectures. 

For the payment of artists’ fees and transportation expenses for a 5,000 

visiting artists program. 

For a visiting artists series on the topic of ethnic diversity and con- 3,775 

temporary aesthetic excellence. 

For a visiting artists series and an artists-in-residence program. 5,000 

For a visiting artists series that features lectures by exhibiting 5,000 

artists and critics, held in conjunction with exh~itions at the Institute 

of Contemporary Art. 

1500 
262 Visual Arts 

Philadelphia College of Art 

Philadelphia, Pennsylvania 

Portland School of Art 

Portland, Maine 

Public Eye 

San Francisco, California 

Rutgers, the State University of 

New Jersey 

Camden, New Jersey 

Rutgers, the State University of 

New Jersey 

Newark, New Jersey 

Skowhegan School of Painting 

and Sculpture 

New York, New York 

South Alabama, University of 

Mobile, Alabama 

South Carolina Arts Commission 

Columbia, South Carolina 

Southern California, University of 

Los Angeles, California 

Southern Illinois University, 

Board of Trustees 

Carbondale, Illinois 

Texas, University of 

San Antonio, Texas 

Tucson Visiting Artist Consortium 

Tucson, Arizona 

Virginia Commonwealth University 

Richmond, Virginia 

Virginia Polytechnic Institute 

and State University 

Blacksburg, Virginia 

Visual Studies Workshop 

Rochester, New York 

Walker Art Center 

Minneapolis, Minnesota 

Washington State University 

Pullman, Washington 

Weber State College 

Ogden, Utah 

White Columns 

New York, New York 

Woodstock School of Art 

Woodstock, New York 

World Print Council 

San Francisco, California 

Wright State University 

Dayton, Ohio 

For the "Mediaworks" program, an integrated lecture series presenting established and emerging visual artists. 5,000 

For a four-part lecture and visiting artists series for the 1983-84 

academic year. 

2,000 

For publication of Video 80, a quarterly journal. 5,000 

For a visiting artists and critics program, bringing nationally known 

figures to three Philadelphia area schools. 

5,000 

For "Recycling the Past: Artists Who Use the Old Masters," a series 

of lecture-meetings with contemporary artists who quote, paraphase, 

or rework the old and modem masters of art. 

2,350 

For a visiting artists program for painters and sculptors. 5,000 

For a residency program, bringing two artists to campus for one-week 

residencies. 

3,000 

To support six nationally known visual artists who visited South 

Carolina between September 1983 and August 1984. 

5,000 

For the residencies of two visiting artists during the 1983-84 academic 

year. 

5,000 

For the lecture series, "Documentary Photography as an Element 

of Contemporary History." 

5,000 

For a visiting artists series, bringing nationally recognized artists 

for seminars and critiques. 

3,800 

For artists and arts scholars to give lectures that are supplemented 

with workshops, demonstrations, and seminars. 

3,100 

For a visiting artists program on printmaking. 1,950 

For "Artist and Media: Imagery and Issues," a symposium in 

October 1983. 

4,650 

For the production of Seattle Subtext, an artist’s book by Paul Berger. 6,780 

For a five-part lecture series on the recent history of and 

developments in contemporary performance art. 

5,000 

For a program that brings artists and critics to the Pacific Northwest 

for residencies at Washington State University, the University of 

Idaho, and Eastern Washington University. 

4,200 

For a visiting artists program involving nationally recognized artists. 5,000 

For publication of ZG, a journal of critical writing on the meaning 

of contemporary visual artwork within our culture. 

10,240 

For artists’ fees for artists participating in a lecture series. 1,000 

For programs accompanying the international exhibition, "World 

Print Four," in fall 1983. 

5,000 

For "Contemporary Figuration: Alternative Approaches," a two-day 

symposium in spring 1984. 

3,300 
Art in Public Places 

Allegheny County, Port Authority of 

Pittsburgh, Pennsylvania 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Arts Festival Association of Atlanta 

Atlanta, Georgia 

Boulder, City of 

Boulder, Colorado 

Brockman Gallery Productions 

Los Angeles, California 

California, University of 

La Jolla, California 

Coast Community Colleges 

Costa Mesa, California 

Film in the Cities 

St. Paul, Minnesota 

Grand Center Association 

St. Louis, Missouri 

Hammarskjold Plaza Sculpture 

Garden 

New York, New York 

Jersey City Tenant Affairs Board 

Jersey City, New Jersey 

King County Arts Commission 

Seattle, Washington 

Livonia Cultural League 

Livonia, Michigan 

Maryland Institute, College of Art 

Baltimore, Maryland 

Maryland State Arts Council 

Baltimore, Maryland 

Mason (George) University 

Fairfax, Virginia 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

Mitchell Area Arts Council 

Mitchell, South Dakota 

Natural Heritage Trust 

Le~ston, New York 

New Jersey State Council on the Arts 

Trenton, New Jersey 

New Mexico, University of 

Albuquerque, New Mexico 

Visual Arts 263 

To enable city and state governments, educational institutions, and other 

organizations to commission or purchase works of art as permanent features 

of such sites as parks, plazas, riverfronts, airports, subways, and public 

buildings. Also funded are short-term installations of experimental works 

that demonstrate further potential for art in public places. 

Program funds: $487,505 26 grants 

To commission Romare Bearden for a mural at the Gateway Station $15,000 

of the new ten-mile Light Rail Transit System. 

For a joint planning project in which an artist plans siting of artworks 10,000 

in the Central Phoenix Redevelopment area. 

For temporary installations by six artists as part of the 31st annual 18,000
 

Festival in Piedmont Park.
 

For a permanent installation by Andrea Blum in a newly designed 30,000 

city park in downtown Boulder. 

For a mural project in downtown Los Angeles by Kent Twitchell. 10,000 

For a major installation by James Turrell on a bluff overlooking the 10,000 

ocean on the University campus. 

To commission Lita Albuquerque for a sculpture within the Fine Arts 15,000 

complex of the Orange Coast College. 

To commmission six photographers to design pre-selected billboards 22,800 

in Minneapolis and St. Paul. 

For the planning phase of a multi-year public art plan for Grand 10,000 

Center, an eight-block national historic district. 

For temporary installations by four artists in Hammarskjold Plaza 13,000 

Sculpture Garden for the 1983-84 season. 

To commission Melvin Edwards for a sculpture for Lafayette Gardens 10,000 

housing development. 

To commission an artwork by Martha Schwartz for the plaza area 50,000 

of the new King County jail being constructed in downtown Seattle. 

For the planning phase of an environmental art project for the 76-acre 10,000 

City of Livonia civic center. 

For a planning grant for Richard Fleischner, Mary Miss, and Jeffrey 10,000 

Schiff. 

To commission an artist for a large wall site at Baltimore/Washington 15,000 

International Airport. 

For the planning of two major works on the university’s campus. 5,000 

To commission a series of photographic installations by Suzanne 8,000 

Hellmuth and Jock Reynolds. 

To commission Siah Armajani for a permanent structure to serve as 10,000 

a bandshell for the Oscar Howe Art Center. 

For temporary installations by 25 artists for sites in Artpark during 35,000 

the summer of 1983. 

To commission an artwork by Charles Simonds in Liberty State Park, 15,000 

New Jersey’s first urban state park. 

To commission Bruce Nauman for the central plaza of the university. 50,000 
264 Visual Arts 

North Carolina Department of Commerce 

Raleigh, North Carolina 

North Central Ohio Arts Council 

Sandusky, Ohio 

Rapid City Fine Arts Council 

Rapid City, South Dakota 

Seattle Arts Commission 

Seattle, Washington 

Skystone Foundation 

Flagstaff, Arizona 

Special Projects 

Atlanta, City of 

Atlanta, Georgia 

Bailey, Jackie 

Richmond, Virginia 

Creative Time 

New York, New York 

Cultural Council Foundation 

New York, New York 

Gonchar, Nancy 

Rochester, New York 

Mid-America Arts Alliance 

Kansas City, Missouri 

Mid-America Arts Alliance 

Kansas City, Missouri 

National Association of Artists’ 

Organizations 

Washington, D.C. 

National Oceanic and Atmospheric

Adminstration 

Washington, D.C. 

New York, City University of 

Flushing, New York 

Newman, Amy 

New York, New York 

Oregon Arts Foundation

Salem, Oregon 

Otis Art Institute of Parsons 

School of Design 

Los Angeles, California 

Partners for Livable Places 

Washington, D.C. 

To integrate works by Cynthia Bringle, Bob Kopf, Jan Loyd, and 40,000 

Susan Kowlczyk into a welcome center to be built on 1-77 South on 

the North Carolina and South Carolina border. 

For the planning stage of a major sculpture project to include eight 6,000 

permanent public works in eight communities throughout north central Ohio. 

For an environmental sculpture by Andrew Leicester, constructed 11,830 

atop "Smelter Hill," located on the School of Mines campus. 

For a planning project to encourage imaginative exploration of ur- 7,875 

ban sites by nine artists. 

For a major work of art by James Turrell sited within a prehistoric 50,000 

volcano located on the western edge of the Painted Desert in 

northern Arizona. 

To support a very limited number of model projects that assist artists in

innovative ways and are not eligible under the other categories. 

Program funds: $633,007 

24 grants 

For a continuing program of grants that aid Atlanta visual artists $6,000 

to exhibit or present their work. 

To amend a previous grant for Ms. Bailey to participate as a Fellow 6,500 

in the Visual Arts Program. 

For a promotional effort to demonstrate Creative Time’s success in 15,000 

attracting substantial private sector support, therby serving as a 

model for other visual artists organizations. 

To amend a previous cooperative agreement for qualified experts to 25,000 

provide artistic and administrative evaluations of applicants to the 

Visual Arts Program. 

To extend Ms. Gonchar’s participation as a Fellow in the Visual Arts 5,200 

Program. 

For a pilot regional fellowship program for emerging visual artists. 48,000 

For the second year of a regional fellowship program for emerging 60,000 

visual artists. 

For a cooperative agreement to conduct a comprehensive survey of 50,000 

organizations that serve visual artists. 

For a documentary catalogue of a major public art project at the 10,000 

NOAA Western Regional Center in Seattle. 

For an outstanding arts administrator to serve temporarily in the 65,155 

Visual Arts Program. 

To conduct a seminar on critical writing in the visual arts field. 19,000 

To support the second annual meeting of visual arts coordinators of 10,000 

state and local arts agencies. 

For an exhibition and catalogue of drawings, sculpture, and video work 10,000 

by Robert Wilson at the Exhibition Center. 

To publish and distribute a publication documenting exemplary public

art projects funded by the Endowment during the past three years. 
Visual Arts 265 

Rising Sun 

Santa Fe, New Mexico 

Social and Public Arts Resource Center 

Venice, California 

Southeastern Center for Contemporary 

Art 

Winston-Salem, North Carolina 

Southeastern Center for Contemporary 

Art 

Winston-Salem, North Carolina 

Veterans’ Administration and General 

Services Administration 

Washington, D.C. 

To research and develop computer graphics systems, render them 

more accessible and compatible to artists, and produce new works 

of art. 

45,430 

To repair the Great Wall of Los Angeles mural project damaged by 

a flood. 

For the third year of the fellowship program, Awards in the Visual 

Arts. 

To continue support of a regional artists’ fellowship program. 15,000 

To coordinate and continue to develop a regional panel system for 

reviewing and selecting visual artists for Federal Art-in-Architecture 

programs, primarily for the General Services Administration and the 

Veterans’ Administration. 

16,722 

The following grants were funded under the Visual Arts Program on behalf of the Museum Program: 

and]or service 

Seattle, Washington 

Committee for the Visual Arts 

New York, New York 

Franklin Furnace Archive 

New York, New York 

New Museum 

New York, New York 

Portland Center for the Visual Arts 

Portland, Oregon 

For exhibitions at the Center on Contemporary Art of contemporary 

works in various media that express a sense of irony, humor, or satire. 

$20,000 

For an exchange exhibition between Los Angeles Contemporary Exhibitions and Artists Space in New York, presenting works by emerging artists. 10,000 

For a series of performances and multi-media works by eight artists 

from Great Britain. 

10,000 

For an exhibition of works by Earl Staley. 15,000 

For a series of up to six mid-sized exhibitions lasting four or five weeks 

each, featuring individual emerging or regionally underexposed artists, primarily from the Northwest. 

10,000 
Office for 

Public 

Partnership
 
Artists in Education 

State Programs 
268 Artists i~ Ed~catia~ 
269 

Artists in Education
 

Artists in Education Advisory Panels
 

Jack Stefany, Chairman 

Architect 

McElvy, Jennewein, Stefany, 

and Howard 

Tampa, Florida 

T.J. Anderson 

Music Educator 

Tufts University 

Winchester, Massachusetts 

Hector Campos Parsi 

Composer, Arts Administrator

Development of Arts and Culture 

Cayey, Puerto Rico 

Juan Carrillo 

Arts Program Manager 

California Arts Council 

Sacramento, California 

Charles Clark 

Television Producer 

Native American Poet 

Sapulpa, Oklahoma 

Chuck Davis 

Artistic Director 

Chuck Davis Dance Company 

New York, New York 

Amina Dickerson 

Program Director 

National Museum of African Art 

Washington, D.C. 

Ruth Draper 

Executive Director 

Utah Arts Council 

Salt Lake City, Utah 

Eric Eversley 

Principal 

Smoky Hill High School 

Aurora, Colorado 

Bonnie Pitman Gelles 

Museum Educator 

Seattle Museum 

Seattle, Washington 

Robert Huffman 

Corporate Executive 

Proctor and Gamble 

Jackson, Tennessee 

Alan Jabbour 

Director of Folklife 

Library of Congress 

Washington, D.C. 

Peggy Long 

Program Director 

Western States Arts Foundation 

Santa Fe, New Mexico 

Jock Reynolds 

Visual Artist Faculty 

San Francisco State University 

San Francisco, California 

Artists in Education Grants
 

David Rockefeller, Jr. 

Arts Administrator 

Arts, Education, and Americans 

New York, New York 

Vonnie Sanford 

AIE Coordinator 

Ohio Arts Council 

Columbus, Ohio 

John Scarcelli 

Chairman 

Maine State Commission on the 

Arts and the Humanities 

Farmington, Maine 

Michele Shay 

Actress 

New York, New York 

Richard Taylor 

Poet, Professor

Kentucky State University 

Frankfort, Kentucky 

Robin Tryloff 

Executive Director 

Nebraska Arts Council 

Omaha, Nebraska 

Joan Woodbury 

Dancer/Choreographer 

Ririe-Woodbury Dance Company 

Salt Lake City, Utah 

Program funds: $4,700,810 105 grants 

Artist Residency	 For a national state-based program that places professional artists in residenGrants cies in educational settings.

Program funds: $4,069,060 

54 grants 

Alabama State Council on the $ 73,665 Alaska State Council on the Arts 120,670 

Arts and Humanities Anchorage, Alaska 

Montgomery, Alabama 
270 Artists in Education 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Arkansas Arts Council 

Little Rock, Arkansas 

California Arts Council 

Sacramento, California 

Colorado Council on the Arts and 

Humanities 

Denver, Colorado 

Connecticut Commisson on the Arts 

Hartford, Connecticut 

Delaware State Arts Council 

Wilmington, Delaware 

District of Columbia Commission on the 

Arts and Humanities 

Washington, D.C. 

Florida, Arts Council of 

Tallahassee, Florida 

Georgia Council for the Arts and 

Humanities 

Tucker, Georgia 

Guam Council on the Arts and 

Humanities 

Agana, Guam 

(Hawaii) State Foundation on Culture and 

the Arts 

Honolulu, Hawaii 

Idaho Commission on the Arts 

Boise, Idaho 

Illinois Arts Council 

Chicago, Illinois 

Indiana Arts Commission 

Indianapolis, Indiana 

Iowa Arts Council 

Des Moines, Iowa 

Kansas Arts Commission 

Topeka, Kansas 

Kentucky Arts Council 

Frankfort, Kentucky 

(Louisiana) Department of Culture, 

Recreation, and Tourism 

Baton Rouge, Louisiana 

Maine State Commission on the Arts and the 

Humanities 

Augusta, Maine 

Maryland State Arts Council 

Baltimore, Maryland 

Massachusetts Council on the Arts and 

Humanities 

Boston, Massachusetts 

Michigan Council for the Arts 

Detroit, Michigan 

Minnesota State Arts Board 

St. Paul, Minnesota 

96,665 

85,800 

165,160 

54,805 

72,895 

39,080 

15,450 

85,525 

76,020 

30,000 

65,180 

48,355 

90,000 

93,705 

107,030 

64,495 

80,035 

93,040 

90,000 

36,795 

80,100 

90,790 

104,705 

Mississippi Arts Commission 

Jackson, Mississippi 

Missouri State Council on the Arts 

St. Louis, Missouri 

Montana Arts Council 

Missoula, Montana 

Nebraska Arts Council 

Omaha, Nebraska 

Nevada State Council on the Arts 

Reno, Nevada 

New Hampshire Commission on the Arts 

Concord, New Hampshire 

New Jersey State Council on the Arts 

Trenton, New Jersey 

New Mexico Arts Division 

Santa Fe, New Mexico 

New York State Council on the Arts 

New York, New York 

North Carolina Arts Council 

Raleigh, North Carolina 

North Dakota Council on the Arts 

Fargo, North Dakota 

(Northern Mariana Islands) Commonwealth 

Council for Arts and Culture 

Saipan, Northern Mariana Islands 

Ohio Arts Council 

Columbus, Ohio 

Oklahoma, State Arts Council of 

Oklahoma City, Oklahoma 

Oregon Arts Commission 

Salem, Oregon 

Pennsylvania Council on the Arts, 

Commonwealth of 

Harrisburg, Pennsylvania 

Puerto Rican Culture, Institute of 

San Juan, Puerto Rico 

Rhode Island State Council on the Arts 

Providence, Rhode Island 

South Carolina Arts Commission 

Columbia, South Carolina 

South Dakota Arts Council 

Sioux Falls, South Dakota 

Tennessee Arts Commission 

Nashville, Tennessee 

Texas Commission on the Arts 

Austin, Texas 

Utah Arts Council 

Salt Lake City, Utah 

Vermont Council on the Arts 

Montpelier, Vermont 

Virginia Commission for the Arts 

Richmond, Virginia 

37,655 

25,040 

48,285 

134,000 

42,230 

62,300 

91,910 

95,220 

211,420 

63,285 

40,620 

20,800 

128,370 

90,000 

109,120 

72,610 

20,000 

92,500 

113,755 

48,055 

81,235 

82,000 

71,400 

39,790 

33,320 
Artists in Education 271 

Washington State Arts Commission 

Olympia, Washington 

(West Virginia) Department of Culture 

and History 

Charleston, West Virginia 

Special Projects 

American Samoa Council on Culture, 

Arts, and Humanities 

Pago Pago, American Samoa 

Artists Foundation 

Boston, Massachusetts 

Arts Connection 

New York, New York 

ASSITEJ/USA 

New York, New York 

Bowling Green State University 

Bowling Green, Ohio 

Burk (Frederic) Foundation for
 

Education
 

San Francisco, California 

Center for City Building 

Educational Programs 

Santa Monica, California 

Center for Environmental Education 

Washington, D.C. 

Children’s Dance Theatre, 

Division of Continuing Education 

Salt Lake City, Utah 

COMPAS 

St. Paul, Minnesota 

Cultural Council of Santa Cruz County 

Aptos, California 

Cultural Education Collaborative 

Boston, Massachusetts 

Film in the Cities 

St. Paul, Minnesota 

Ford, Carol R. 

Alexandria, Virginia 

Fowler, Charles B. 

Washington, D.C. 

Friends of the Junior Arts Center 

Los Angeles, California 

84,760 Wisconsin Arts Board 

Madison, Wisconsin 

84,010 

43,555 Wyoming Council on the Arts 

Cheyenne, Wyoming 

41,850 

For projects that demonstrate and further knowledge of the arts and artists in the educational process, or that provide assistance and services on 

a regional or national level to local, state, or regional arts agency personnel, artists, educators, and administrators involved in the arts and education. 

Program funds: $631,750 

51 grants 

For technical assistance relating to projects funded through the Artist Residency Grants category. 

For a master artists’ team to conduct a two-week teacher training 

program. 

To support "Artists Teaching Teachers," an artist-teacher collaboration introducing performing arts skills to teachers, including provision of filmed materials. 

For "A World Festival of Theatre for Young People," at the World’s 

Fair in New Orleans. 

For the second year of Arts Unlimited, a model program for developing aesthetic perception in teachers and students. 

To expand the CPITS model affirmative action program, which 

recruits and trains minority poets to respond to the needs of the state 

Artists in Education Program. 

To coordinate the design and implementation of the City Building

Project in the ABC school district, and to catalogue and coordinate 

graphic and written documentation of the project. 

To develop an eight-part television series with South Carolina Educational Television, distributed to elementary schools through PBS. 

For a summer teacher training workshop using the Virginia Tanner 

Creative Dance Program and dancers/movement specialists. 

For Dialogue II, a teacher/writer workshop project, including public 

readings by visiting and local writers. 

For teacher workshops in the arts and teacher in-services with artists at schools. 

For ten regional workshops involving artists and educators, 

highlighting various art forms and their value to education. 

For "Media Arts: Teaching Humanistic Technology," four artist-led 

intensive one-week media workshops for teachers. 

To serve as Project Coordinator to develop several major projects 

for the Artists in Education Program. 

To prepare a compendium of arts education advocacy materials to 

provide guidance and information to benefit regional, state, and local 

arts agencies. 

For nine seminars led by three professional artists for grades four 

through nine at the Los Angeles Unified School District’s Conservatory of Fine Arts. 

$5,000 

7,300 

13,500 

12,500 

12,100 

11,000 

10,000 

12,500 

3,700 

10,500 

9,750 

10,000 

11,800 

22,400 

3,000 

2,000 
272 Artists in Education 

Group Material 

New York, New York 

Indiana Arts Commission 

Indianapolis, Indiana 

Learning Through Education in the Arts 

San Francisco, California 

Lennox School District 

Lennox, California 

Louisville Foundation, University of 

Louisville, Kentucky 

Maine State Commission on the Arts 

and the Humanities 

Augusta, Maine 

Metropolitan Opera Association 

New York, New York 

Minnesota Alliance for Arts 

in Education 

Minneapolis, Minnesota 

Mitchell, Patricia E. 

Washington, D.C. 

Museums Collaborative 

New York, New York 

National Assembly of State Arts 

Agencies 

Washington, D.C. 

National Assembly of State Arts

Agencies 

Washington, D.C. 

New Mexico, University of 

Albuquerque, New Mexico 

New Orleans Public Schools 

New Orleans, Louisiana 

New York State Poets in the Schools 

Chappaqua, New York 

Opera America 

Washington, D.C. 

Oregon Arts Commission 

Salem, Oregon 

Pasadena Unified School District 

Pasadena, California 

Performing Arts Council of the 

Music Center 

Los Angeles, California 

Programs for Alternative Creative 

Education 

Detroit, Michigan 

Rising Sun 

Santa Fe, New Mexico 

For Art and Knowledge Workshop to conduct a studio project for 

inner-city teenagers on producing collaborative artworks, thereby improving their problem-solving skills for academic subjects. 

9,000 

For an artist and a coordinator-educator-artist to develop and evaluate 

seven new sites for artists in education in Indiana. 

6,000 

To develop a master-apprentice program to provide professional artists with techniques that improve their effectiveness in educational

settings, and to present introductory programs in new school sites. 

11,500 

For a series of artist/teacher collaborations, classroom arts activities, 

and field-trips to museums and galleries. 

5,600 

For the Kentucky Institute for the Arts in Education’s program to 

provide training, support services, and cooperative planning for the 

development of quality arts in education throughout Kentucky. 

11,250 

For three artist/teacher institutes to facilitate collaborations between 

Maine artists and teachers and strengthen arts presentations. 

15,000 

To develop and implement a course on the creative process, providing 

teachers from ten elementary schools with the skills to create and

produce original music-theater works in their schools. 

9,000 

For the first year of "Public Awareness and Action for the Arts in 

Education," a three-year information and advocacy project about arts 

in education. 

To amend a previous grant for research, analysis, and writing on arts 

education. 

3,300 

For the School Voucher Program, involving public schools, cultural 

institutions, and individual artists to encourage teachers to participate 

in creating programs for school children. 

9,500 

To amend a previous grant for technical assistance and support services in connection with the national conference/workshop for the Artist Residency Grants. 20,000 

For technical assistance and support services in connection with 

developing and convening four regional meetings relating to arts 

education. 

60,000 

For the Mentorship Program, which increases environmental design

awareness through collaboration among public school teachers, advanced design students, and a master artist. 

15,200 

To identify five of the most effective models of artist/teacher collaborations and provide a means for dissemination of information about these 

projects. 

10,500 

To expand the community outreach program and evaluate different 

environments in which poets can be trained to work in schools. 

9,250 

For phase two of "Kids Invent Opera," a cooperative project with 

the Learning About Learning Educational Foundation. 

12,500 

For the "Oregon Arts Education Development Project," which implemented three components of a statewide arts education plan. 15,000 

To enable artistically talented high school students to work individually with professional artists. 

6,000 

For the 1983 Summer Institute for Educators for educators ar, d artists in dance, drama, music, film, and visual arts. 

15,000 

For a pilot program for 28 schools to enhance the interaction among 

artists, students, teachers, and communities. 

7,500 

To plan, monitor, and analyze a pilot version of a new, accredited learning program for the arts in the Southwest. 

9,000 
Artists in Education 273 

St. Paul Public Schools 

St. Paul, Minnesota 

Santa Fe Council for the Arts 

Santa Fe, New Mexico 

Social and Public Art Resource Center 

Venice, California 

South Carolina Arts Commission 

Columbia, South Carolina 

Symphony Space 

New York, New York 

Teachem and Writers Collaborative 

New York, New York 

Urban Gateways 

Chicago, Illinois 

Utah Arts Council 

Salt Lake City, Utah 

Vermont Council on the Arts 

Montpelier, Vermont 

Wake County Public School System 

Raleigh, North Carolina 

Walsh and Associates 

Berkeley, California 

Washington State University 

Pullman, Washington 

Washington, University of 

Seattle, Washington 

Wisconsin Alliance for Arts Education 

Madison, Wisconsin 

For 18 bi-weekly workshops by artists and educators for elementary 

school teachers. 

10,000 

For a series for four after-school workshops and two special workshops 

conducted by professional artists. 

9,500 

For "Mural Taller," a series of workshops and technical assistance

consultations with artists for professional muralists to upgrade their 

skills and train students in the technical, aesthetic, historical, and 

business aspects of this medium. 

10,750 

For a five-minute promotional videotape about the Artists in Education Program. 

7,500 

For "Curriculum Arts Projects," using music and visual arts to 

enhance classroom study of American history. 

12,000 

For a series of writing and art seminars for teachers and parents of 

New York City area school children. 

7,000 

For an intensified Arts for Learning Program for upper-grade

students in schools selected for their diversity of ethnic, socioeconomic, 

and geographic makeup. 

15,000 

For a statewide conference for artists, arts educators, administrators 

from the Department of Education, and representatives from the community and arts organizations. 

4,000 

For the Vermont Governor’s Institute on the Arts, a four-week summer arts residency program for junior and senior high-school students. 

15,000 

For "Echoes and Choices: The Contemporary American Artist and

His Cultural Past," focusing on African, Asian, and Latin-American 

cultures represented in the school population. 

14,000 

For technical assistance and support services concerning evaluations 

of applicant organizations for the Special Projects category. 

75,000 

For "The Many Faces of Survival: Coping in a Changing World," 

designed to demonstrate how the arts can promote a greater 

understanding of sociological phenomena. 

8,750 

For KCTS/9 Public Television to develop the pilot program for a visual 

arts education series for primary grades. 

6,000 

For a comprehensive arts project involving artists, arts educators, 

and community arts advocates. 

11,100 
274 State Prog~ms 
275 

State Programs
 

State Programs Advisory Panels
 

Mildred E. Bautista 

Executive Director 

D.C. Commission on the Arts 

and Humanities 

Washington, D.C. 

Beatrice Covington 

Arts council member 

Winston-Salem, North Carolina 

Joann Freed 

Chairman 

Utah Arts Council 

Salt Lake City, Utah 

Bill Jamison 

President 

Western States Arts Foundation 

Santa Fe, New Mexico 

Wayne P. Lawson 

Chairman 

National Association of State 

Arts Agencies 

Executive Director 

Ohio Arts Council 

Columbus, Ohio 

Ellen Loveli 

Executive Director 

Vermont Council on the Arts 

Montpelier Vermont 

Laurence Miller 

Director 

Laguna Gloria Art Museum 

Austin, Texas 

Mafia Pearson 

Native American affairs 

consultant 

Member of Iowa Arts Council 

Marne, Iowa 

Betryce Prosterman 

Past Chairman 

Maryland Arts Council 

Chevy Chase, Maryland 

E. Ray Scott 

Executive Director 

Michigan Council for the Arts 

Detroit, Michigan 

State Programs Grants
 

John K. Urice 

Director 

Center for the Arts 

Binghamton, New York 

Nicholaas Van Hevelingen 

President 

National Association of 

Local Arts Agencies 

Executive Director 

St. Louis Arts and Humanities 

Commission 

St. Louis, Missouri 

Gerald Yoshitomi 

Director 

Japanese American Cultural 

Center 

Los Angeles, California 

Program funds: $21,142,412 

71 grants 

Regional Arts 

Programming Grants 

Affiliated State Arts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

Consortium for Pacific Arts and 

Cultures 

Honolulu, Hawaii 

For regional groups of two or more state arts agencies to support arts programs planned and implemented on a multi-state basis. 

Program funds: $2,574,200 

8 grants 

For regional touring programs and support services in Iowa, Minnesota, North Dakota, South Dakota, and Wisconsin. 

$283,200 

To amend a previous grant for travel and technical assistance. 70,000 

Great Lakes Arts Alliance For regional arts programs and services in Illinois, Indiana, Michigan, 180,200 

Cleveland, Ohio and Ohio. 
276 State Programs 

Mid-America Arts Alliance 

Kansas City, Missouri 

Mid-Atlantic States Arts Consortium 

Baltimore, Maryland 

New England Foundation for the Arts 

Cambridge, Massachusetts 

Southern Arts Federation 

Atlanta, Georgia 

Western States Arts Foundation 

Santa Fe, New Mexico 

Basic State Grants 

Alabama State Council on the Arts and 

Humanties 

Montgomery, Alabama 

Alaska State Council on the Arts 

Anchorage, Alaska 

For regional programming and operations in Arkansas, Kansas, 

Missouri, Nebraska, and Oklahoma, 

For regional programs, research, and operations in Delaware, District

of Columbia, Maryland, New Jersey, New York, Pennsylvania, 

Virginia, and West Virginia. 

For regional arts projects in Connecticut, Maine, Massachusetts, New 

Hampshire, Rhode Island, and Vermont. 

For regional programs and activities in Alabama, Florida, Georgia, 

Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, 

and Tennessee. 

For regional programs and activities in Arizona, Colorado, Idaho, Montana, Nevada, New Mexico, Oregon, Utah, Washington, and Wyoming. 

To provide basic support to state arts agencies. 

Program funds: 

56 grants 

American Samoa Council on Culture, Arts, and

Humanities 

Pago Pago, American Samoa 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Arkansas Arts Council 

Little Rock, Arkansas 

California Arts Council 

Sacramento, California 

Colorado Council on the Arts and 

Humanities 

Denver, Colorado 

Connecticut Commission on the Arts 

Hartford, Connecticut 

Delaware State Arts Council 

Wilmington, Delaware 

District of Columbia Commission 

on the Arts and Humanities 

Washington, D.C. 

Florida, Arts Council of 

Tallahassee, Florida 

Georgia Council for the Arts and 

Humanities 

Tucker, Georgia 

Guam Council on the Arts 

and Humanities 

Agana, Guam 

(Hawaii) State Foundation on Culture and

the Arts 

Honolulu, Hawaii 

$310,800 

372,600 

220,600 

295,500 

315,100 

502,300 

303,400 

315,700 

285,100 

285,300 

363,700 

326,600 

245,900 

337,300 

$17,994,400 

Idaho Commission on the Arts 

Boise, Idaho 

Illinois Arts Council 

Chicago, Illinois 

Indiana Arts Commission 

Indianapolis, Indiana 

Iowa Arts Council 

Des Moines, Iowa 

Kansas Arts Commission 

Topeka, Kansas 

Kentucky Arts Council 

Frankfort, Kentucky 

(Louisiana) Department of Culture, 

Recreation, and Tourism, Division 

of the Arts 

Baton Rouge, Louisiana 

Maine State Commission on the 

Arts and the Humanities 

Augusta, Maine 

Maryland State Arts Council 

Baltimore, Maryland 

Massachusetts Council on the 

Arts and Humanities 

Boston, Massachusetts 

Michigan Council for the Arts 

Detroit, Michigan 

Minnesota State Arts Board 

St. Paul, Minnesota 

Mississippi Arts Commission 

Jackson, Mississippi 

Missouri State Council on the Arts 

St. Louis, Missouri 

Montana Arts Council 

Missoula, Montana 

384,500 

364,400 

308,700 

441,900 

286,800 

383,500 

330,700 

298,500 

293,800 

315,200 

317,500 

289,000 

388,600 

342,700 

297,700 

353,000 

286,100 
Nebraska Arts Council 

Omaha, Nebraska 

Nevada State Council on the Arts 

Reno, Nevada 

New Hampshire Commission on the Arts 

Concord, New Hampshire 

New Jersey State Council on the Arts 

Trenton, New Jersey 

New Mexico Arts Division 

Santa Fe, New Mexico 

New York State Council on the Arts 

New York, Ne~v York 

North Carolina Arts Council 

Raleigh, North Carolina 

North Dakota Council on the Arts 

Fargo, North Dakota 

(Northern Mariana Islands) Commonwealth 

Council for Arts and Culture 

Saipan, Northern Mariana Islands 

Ohio Arts Council 

Columbus, Ohio 

Oklahoma, State Arts Council of 

Oklahoma City, Oklahoma 

Oregon Arts Commission 

Salem, Oregon 

Pennsylvania Council on the Arts, 

Commonwealth of 

Harrisburg, Pennsylvania 

Puerto Rican Culture, 

Institute of 

San Juan, Puerto Rico 

State Support

Services 

Arts Council of San Antonio 

San Antonio, Texas 

Behar, Diane S. 

Pompano Beach, Florida 

Kobler, Dale 

San Francisco, California 

Landscape Architecture Foundation 

Washington, D.C. 

National Assembly of Local Arts

Agencies 

Washington, D.C. 

National Assembly of State Arts 

Agencies 

Washington, D.C. 

Western States Arts Foundation 

Santa Fe, New Mexico 

277 

294,900 Rhode Island State Council on the Arts 

Providence, Rhode Island 

300,800 

286,100 South Carolina Arts Commission 

Columbia, South Carolina 

318,500 

286,700 South Dakota Arts Council 

Sioux Falls, South Dakota 

285,600 

352,8OO Tennessee Arts Commission 315,800 

Nashville, Tennessee 

288,600 Texas Commission on the Arts 400,600 

Austin, Texas 

565,500 Utah Arts Council 350,700 

Salt Lake City, Utah 

336,100 Vermont Council on the Arts 285,000 

Montpelier, Vermont 

285,400 Virgin Islands Council on the Arts 245,800 

St. Croix, Virgin Islands 

200,100 Virginia Commission for the Arts 328,900 

Richmond, Virginia 

Washington State Arts Commission 310,900 

393,100 Olympia, Washington 

(West Virginia) Department of Culture and 342,900 

302,700 History, Arts and Humanities Division 

Charleston, West Virginia 

296,500 Wisconsin Arts Board 318,200 

Madison, Wisconsin 

391,300 Wyoming Council on the Arts 

Cheyenne, Wyoming 

284,500 

298,300 

To support costs of services provided on a national basis to state arts agencies and regional groups. 

Program funds: $573,812 

7 grants 

$39,812 To enable an outstanding arts administrator to work temporarily in

the Office for Public Partnership. 

3,600 To participate as a Fellow in State Programs during the fall session. 

To provide technical assistance to the American Samoa Council on 25,000 

Culture, Arts, and Humanities. 

For a seminar on access to cultural programs for arts service organiza- 50,000 

tions, state arts agencies, and local arts agencies. 

To support general operations and activities, including arts policy 175,000 

development, information services, training, and an annual meeting 

for member local arts agencies. 

270,400 To support general operations and activities, including arts policy

development, training and skills development, information services, 

and an annual meeting for member state arts agencies. 

10,000 For the second NASAAJNEA seminar for public information officers

of state arts agencies. 
Office for 

Private 

Partnership 
Challenge 

Advancement 
280 Challenge 

E 

U N
 

D A E
 

C 0 Y
 

~,. 
281 

Challenge
 

Challenge Grants
 

Challenge Grants	 Challenge Grants are awarded to cultural institutions or groups of cultural 

institutions that have demonstrated a commitment to artistic quality and 

have arts programs of recognized significance. The funds are used to broaden 

the base of contributed, private support and achieve financial stability. 

Challenge funds: $32,430,500 

88 grants 

Round Five Challenge Grants: The following grants 

were committed during Fiscal 1982 for obligation during Fiscal 1983. Descriptions of these grants are listed 

in Annual Report 1982. 

American Composers Conce~ts 

New York, New York 

$50,000 Des Moines Symphony Orchestra 

Association 

50,000 

Des Moines, Iowa 

American Film Institute 740,000 

Washington, D.C. Drawing Center 

New York, New York 

75,000 

American Museum of Natural History 250,000 

New York, New York Edmundson Art Foundation 400,000 

Asia Society 200,000 

Des Moines, Iowa 

New York, New York Eugene Arts Foundation 

Eugene, Oregon 

100,000 

Asian Art Museum of San Francisco 300,000 

San Francisco, California Florida Symphony Orchestra 

Orlando, Florida 

100,000 

Bardavon 1869 Opera House 100,000 

Poughkeepsie, New York 

Cedar Rapids Art Association 100,000 

Haleakala 

New York, New York 

100,000 

Cedar Rapids, Iowa Hudson Valley Philharmonic Society

Poughkeepsie, New York 75,0(}0 

Cleveland Institute of Art 500,000 

Cleveland, Ohio Huntington (Henry E.) Library and

Art Gallery 200,000 

Cleveland Museum of A~t 500,000 San Marino, California 

Cleveland, Ohio 

Cleveland Music School Settlement 

Cleveland, Ohio 

100,000 

Illinois, University of 

Urbana, Illinois 

250,000 

Cranbrook Academy of Art 

Bloomfield Hills, Michigan 

200,000 

Jewish Museum 

New York, New York 

200,000 

Dance Theatre of Harlem 800,000 

Joslyn Liberal Arts Society 

Omaha, Nebraska 

150,000 

New York, New York 

KQED 200,000 

San Francisco, California 
282 Challenge 

Kentucky Center for the Arts 

Endowment Fund 

Louisville, Kentucky 

Lewitzky (Bella) Dance Foundation 

Los Angeles, California 

Los Angeles Chamber Orchestra Society 

Pasadena, California 

Metropolitan Pittsburgh Public 

Broadcasting 

Pittsburgh, Pennsylvania 

Mid-America Arts Alliance 

Kansas City, Missouri 

Montclair Art Museum
 

Montclair, New Jersey
 

New Dramatists
 

New York, New York
 

New Freedom Theatre
 

Philadelphia, Pennsylvania
 

New York Landmarks Preservation
 

Foundation
 

New York, New York 

Newark Public Radio 

Newark, New Jersey 

Omaha Symphony Association
 

Omaha, Nebraska
 

Opera Festival Association
 

Glens Falls, New York
 

Pennsylvania Academy of the Fine Arts 

Philadelphia, Pennsylvania 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

Phillips Collection
 

Washington, D.C.
 

Art Institute of Chicago 

Chicago, Illinois 

Arts Connection 

New York, New York 

Atlanta Arts Alliance 

Atlanta, Georgia 

Baltimore Museum of Art 

Baltimore, Maryland 

Boys Choir of Harlem 

New York, New York 

Brooklyn Academy of Music 

Brooklyn, New York 

200,000 Playwrights Horizons 

New York, New York 

50,000 

Portland Art Association 200,000 

300,000 Portland, Oregon 

Pratt Institute 200,000 

100,000 Brooklyn, New York 

San Antonio Museum Association 500,000 

250,000 San Antonio, Texas 

Sangre de Cristo Arts and 100,000 

Conference Center 

150,000 

Pueblo, Colorado 

Santa Barbara Museum of Art 400,000 

100,000 

Santa Barbara, California 

Shakespeare and Company 100,000 

60,000 Lenox, Massachusetts 

Solvang Theaterfest 100,000 

Santa Maria, California 

200,000 

Spokane Symphony Society 150,000 

150,000 Spokane, Washington 

Texas Opera Theater 175,000 

Houston, Texas 

150,000 WHA Radio and Television 200,000 

Madison, Wisconsin 

150,000 WNYC Foundation 200,000 

New York, New York 

100,000 Wright (Frank Lloyd) Home and 100,000 

Studio Foundation 

Oak Park, Illinois 

200,000 

Yale University 425,000 

New Haven, Connecticut 

200,000 

500,000 

Round Six Challenge Grants: The following grants were committed during

Fiscal 1983 for obligation during Fiscal 1984. A few grantees, though, received funds during Fiscal 1983 and are indicated with an asterisk(*). 

$1,000,000 To augment the general endowment fund and establish endowed 

curatorial chairs. 

400,000 To establish an endowment. 

400,000 To augment an endowment for the High Museum. 

800,000 To augment an endowment. 

250,000 To establish a cash reserve. 

600,000 To establish a cash reserve and eliminate accumulated deficits. 
Chicago Theatre Group 

Chicago, Illinois 

Cunningham Dance Foundation 

New York, New York 

Dance Theater Foundation 

New York, New York 

Dance Theater Workshop 

New York, New York 

Hancher Auditorium 

Iowa City, Iowa 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

Metropolitan Opera Association 

New York, New York 

Milwaukee Repertory Theatre 

Milwaukee, Wisconsin 

Minnesota Opera Company 

St. Paul, Minnesota 

Minnesota Orchestral Association 

Minneapolis, Minnesota 

Minnesota Public Radio 

St. Paul, Minnesota 

Museum of Modern Art 

New York, New York 

Music of the Baroque 

Chicago, Illinois 

Musical Arts Association 

Cleveland, Ohio 

National Trust for Historic 

Preservation 

Washington, D.C. 

New York City Ballet 

New York, New York 

New York Shakespeare Festival 

New York, New York 

Newark Museum Association 

Newark, New Jersey 

92nd Street Young Men’s and 

Young Women’s Hebrew Association 

New York, New York 

Opera Theater of St. Louis 

St. Louis, Missouri 

Orchestral Association 

Chicago, Illinois 

Paul Taylor Dance Foundation 

New York, New York 

To establish an endowment and a cash reserve, and create a resident 

company to collaborate on productions of new works written by resident playwrights. 

To augment a cash reserve, increase the number of home performances by adding a third week to the season, and form an understudy 

group. 

To establish an endowment and cash reserve, eliminate accumulated 

deficits, and support production of new works for the Alvin Ailey 

American Dance Theater and the American Dance Center. 

To establish an endowment and cash reserve, purchase a complete 

in-house lighting system, and co-produce four American dance companies at the Avignon Festival in France. 

To establish an endowment. 

To assist with expanded programming and development throughout 

the country. 

To help achieve and exceed the $100 million endowment goal. 

To augment a cash reserve. 

To establish three festival seasons and eliminate notes payable and 

an accumulated deficit. 

For the second phase of "New Dimensions II," a major endowment
 

fund program.
 

To establish an endowment. 

To support a $75 million endowment campaign. 

To establish a cash reserve and initiate new programs. 

To augment an endowment for the Cleveland Orchestra. 

To augment the National Trust Historic Properties Endowment. 

To augment a cash reserve and establish an artistic venture fund and 

emergency fund to enable the company to experiment with new

choreography and new technologies. 

To augment an endowment. 

For renovation of a former YWCA building that adjoins the museum, 

to be used for offices, workshops, lectures, and exhibitions. 

To augment an endowment. 

To augment an endo~ment and support the addition of a fall-winter 

season of classic American theater. 

To provide support for "Fund of the Future," a fund-raising campaign designed to raise $25 million in endowment funds for the Chicago 

Symphony Orchestra. 

To establish an endo~nent and augment a cash reserve. 

500,000 

275,000 

400,000 

130,000 

250,000 

150,000 

1,500,000" 

200,000 

125,000 

750,000 

600,000 

1,000,000 

100,000 

1,000,000 

750,000 

1,000,000 

750,000 

500,000 

400,000 

580,500* 

419,500 

250,000 
284 Challenge 

Performing Arts Council of the Music 

Center of Los Angeles County 

Los Angeles, California 

Performing Arts Council of the Music 

Center of Los Angeles County 

Los Angeles, California 

Philharmonic-Symphony Society of 

New York 

New York, New York 

Plaza de la Raza 

Los Angeles, California 

WGBH Educational Foundation 

Boston, Massachusetts 

Washington Drama Society 

Washington, D.C. 

Washington Performing Arts Society 

Washington, D.C. 

To augment an endovanent for the Center Theater Group/Mark Taper 

Forum to enable the theater to develop a full-time repertory company of actors specializing in ensemble acting. 

To establish a cash reserve for the Joffrey Ballet to facilitate the creation of a bi-coastal company. 

To augment an endowment for the New York Philharmonic Orchestra. 

To establish an endowment and a cash reserve, and assist with equipment purchases. 

To assist in achieving a $5 million programming fund goal to meet

the need for additional discretionary programming resources during 

the next several years. 

To establish an endowment for Arena Stage. 

To establish an endowment and augment a cash reserve. 

1,000,000 

500,000 

500,000* 

500,000 

650,000 

600,000 

750,000 

400,000 
286 Advancement 

ETHNIC FOLK ARTS CENTEK~  ̄ 

East 69~ Strc*t l~ween LeyJngton and Park Avenues 
287 

Advancement
 

Program funds: $544,967 Advancement Grants
 Treasury funds: $569,000

44 grants 

Advancement Grants Advancement grants are intended to help arts organizations strengthen longterm institutional capacity and enhance their artistic quality and diversity. Each award is tailored to meet the special needs of each grantee and 

is preceded by a preparation stage of up to one year, during which technical 

assistance services, as well as preparatory grant funds, are provided. 

Program funds: $ 82,800 

Treasury funds: $569,000 

39 grants 

The ,following organizations received support for the Preparatory Stage of an Advancement Grant: 

AMAS Repertory Theatre $3,000 Creative Time 3,000 

New York, New York New York, New York 

Academy of Media and Theatre Arts 

San Francisco, California 

3,000 80 Langton Street Corporation 

San Francisco, California 

2,000 

Anchorage Civic Opera Association 2,200 Film Art Fund (Anthology 3,000 

Anchorage, Alaska Film Archives) 

New York, New York 

and/or service 

Seattle, Washington 

3,000 

Film Arts Foundation 2,000 

San Francisco, California 

Arte Public Press 2,000 

(Revista Chicano-Riquena) Franklin Furnace Archives 3,000 

Houston, Texas New York, New York 

Asian Cine-Vision 3,000 Kentucky Opera Association 3,000 

New York, New York Louisville, Kentucky 

Boston Film/Video Foundation 

Boston, Massachusetts 

3,000 Los Angeles Contemporary Exhibition 

Los Angeles, California 

3,000 

Center for New Television 3,000 Lyric Opera of Kansas City 3,000 

Chicago, Illinois Kansas City, Missouri 

Centrum Foundation (Graywolf Press) 3,000 Music Theatre Group/Lenox Arts Center 3,000 

Port Townsend, Washington New York, New York 

Chicago Opera Theatre 3,000 Opera/Omaha 3,100 

Chicago, Illinois Omaha, Nebraska 

Coordinating Council of Literary 3,000 Pennsylvania Opera Theatre 3,000 

Magazines (Ecco Press) Philadelphia, Pennsylvania 

New York, New York 

Coordinating Council of Literary 3,000 

Rising Sun Media Arts Center 

Santa Fe, New Mexico 

3,000 

Magazines (Persea Books) 

New York, New York Social and Public Arts Resource Center 3,000 

Venice, California 
Teachers and Writers (Sun Press) 3,000 Writer’s Center	 3,000 

New York, New York	 Bethesda, Maryland 

Washington Project for the Arts	 3,000 Writer’s Center (Sun and Moon Press) 2,500 

Washington, D.C.	 Bethesda, Maryland 

The following Advancement grantees were awarded the final installment of funds for purposes described in 

Annual Report 1981: 

Amigos del Museo del Barrio 

New York, New York 

TF $100,000 Negro Ensemble 

New York, New York 

TF 77,000 

Artists in Prison 

Los Angeles, California 

TF 57,589 Philadelphia Dance Company 

Philadelphia, Pennsylvania 

TF 50,000 

Balkan Arts Center TF 43,000 Road Company TF 2,411 

New York, New York Johnson City, Tennessee 

Centro Campesino Cultural 

San Juan Bautista, California 

TF 39,000 Spanish Theatre Repertory Company 

New York, New York 

TF 63,000 

Jazzmobile TF 77,000 Studio Museum in Harlem TF 60,000 

New York, New York New York, New York 

Program funds: $462,167 

5 grants 

Copley, Claire S. To evaluate the fund-raising prospects and management structures $10,070 

New York, New York of up to 12 Advancement/Visual Arts applicants. 

Martin, Candyce To evaluate the fund-raising prospects and management structures 10,650 

Washington, D.C. of up to 12 Advancement/Media Arts applicants. 

60,000 

Washington, D.C.	 sultants, including designing and executing a nationwide competition

for up to five individual consulting team members, and assist staff 

in designing a preliminary technical assistance and planning process

for use by consultants. 

Sommerfeld, Richard	 To coordinate and monitor the work of Advancement team conSommerfeld, Richard	 To support Advancement team consultants and local consultants who 360,000 

Washington, D.C.	 provide direct planning and technical assistance to 29 Advancement 

grantees in literature, media arts, opera-musical theater, and visual 

arts. 

Walker, Pamela P. To evaluate the fund-raising prospects and management structures 21,447 

Washington, D.C. of up to 12 Advancement/Literature applicants and up to 12 Advancement/Opera-Musical Theater applicants. 

TF--Treasury Funds 
Office of Policy,
 

Planning, and 

Research 
Fellowship Program 

for Arts Managers 

International 

Research 

Special Constituencies 
293
 

Fellowship Program 

for Arts Managers 

Fellowship Grants 

National Endowment 

Fellowship Program

for Arts Managers 

Bailey, Jackie

Richmond, Virginia 

Buck, Karen D. 

Brooklyn, New York 

Caldicott, Catherine V. 

Philadelphia, Pennsylvania 

Clark, Lois Gardiner 

West Chester, Pennsylvania 

Coley, Cornell W.
 

Santa Monica, California
 

Dixon, Michael B. 

Costa Mesa, California 

Ehler, Carol D. 

Wallingford, Connecticut 

Fennessy, Marsha S. 

New Haven, Connecticut 

Field, Juliana 

Miami, Florida 

Glass, Susan 

New York, New York 

Gonchar, Nancy J. 

Kingston, Pennsylvania 

Harlan, Roger G. 

Tucson, Arizona 

Haywood, Robert E.
 

Salisbury, North Carolina
 

Jahns, Laurence G. 

Madison, Wisconsin 

Kiely, Joyce 

Cincinnati, Ohio 

To provide promising a~ts managers with a national overview of arts activities, acquaint participants with Endowment policies, and encourage them 

to bring fresh insights to the Endowment. 

Program funds: $106,687 

29 grants 

$3,350 To participate as a Fellow in the Visual Arts Program during the

spring session. 

3,375 To participate as a Fellow in the Literature Program during the spring 

session. 

3,472 To participate as a Fellow in the Opera-Musical Theater Program during the summer session. 

3,360 To participate as a Fellow in the Challenge Grant Program during 

the spring session. 

3,916 To participate as a Fellow in the Dance Program during the spring 

session. 

3,700 To participate as a Fellow in the Theater Program during the summer session. 

3,500 To participate as a Fellow in the Media Arts Program during the summer session. 

3,458 To participate as a Fellow in the Dance Program during the summer


session.
 

3,600 To participate as a Fellow in the Theater Program during the spring
 

session.
 

3,450 To participate as a Fellow in the Challenge Grant Program during
 

the fall session.
 

3,530 To participate as a Fellow in the Visual Arts Program during the
 

summer session.
 

4,036 To .participate as a Fellow in the Office of Administration during the

spr~ng session. 

3,675 To participate as a Fellow in the Policy and Planning Division during the summer session. 

3,672 To participate as a Fellow in the Inter-Arts Program during the summer session. 

3,536 To participate as a Fellow m the Deputy Chmrman for Management s 

Office during the summer session. 
294 Fellowship 

Kratochvil, Beverly 

McLean, Virginia 

McCullough, Sheila M.

Cambridge, Massachusetts 

Mitchell, Patricia E. 

Washington, D.C. 

New Jersey State Council on the Arts 

Trenton, New Jersey 

Perry, Renee D. 

New York, New York 

Pridgen, E.R. McPhail 

Upper Marlboro, Maryland 

Richards, M. Suzanne 

Overland Park, Kansas 

Schwoeffermann, Catherine 

Margaretville, New York 

Shaman, Sanford Sivitz 

Pullman, Washington 

Speare, Sarah D. 

Newport, Rhode Island 

Spencer, Debra S. 

New York, New York 

Welcome, B. Patricia 

St. Croix, Virgin Islands 

Whisnant, Susan S. 

Baltimore, Maryland 

Williams, Daphne B. 

Troy, Michigan 

To complete projects in the International and Fellowship Programs. 7,325 

To .particip.ate as a Fellow in the Design Arts Program during the

spnng session. 3,450 

To participate as a Fellow in the Artists in Education Program dur.

ing the summer session. 3,300 

For Ann Marie Makoski to participate as a Fellow in State Programs

during the summer session. 3,350 

To participate as a Fellow in the Office for Private Partnership during the summer session. 3,480 

To participate as a Fellow in the Division of Civil Rights during the

fall session. 3,300 

To participate as a Fellow in the Inter-Arts Program during the spring

session. 3,600 

To participate as a Fellow in the Folk Arts Program during the spring 

session. 3,550 

To participate as a Fellow in the Deputy Chairman for Programs’ 

Office during the spring session. 3,978 

To participate as a Fellow in the Design Arts Program during the

summer session. 3,500 

To participate as a Fellow in the Expansion Arts Program during 

the spring session. 

3,500 

To participate as a Fellow in the Museum Program during the summer session. 3,550 

To participate as a Fellow in the Folk Arts Program during the summer session. 3,300 

To participate as a Fellow in the Division of Civil Rights during the 

summer session. 3,824 

297 

International
 

International Grants
 

International 

Arts Activities 

Burgwin, George C. 

Portland, Oregon 

Huston, Carol 

St. Louis, Missouri 

Interagency Activities 

Washington, D.C. 

Japan-United States Friendship

Commission 

Washington, D.C. 

Japan-United States Friendship 

Commission 

Washington, D.C. 

Kohring, Dagmar L. 

Cambridge, Massachusetts 

Kratochvil, Beverly C. 

McLean, Virginia 

To broaden the exposure of American artists and audiences to international 

arts activites and cooperate with other federal agencies in international activities highlighting American arts. 

Program funds: $53,892 

7 grants 

To participate as a Fellow in the International and Fellowship Pro- $7,400 

grams during the spring session. 

To amend a previous grant to complete projects as a Fellow in the 

Division of Civil Rights. 

For support of interagency agreements with the United States Information Agency and the Japan-United States Friendship 3,344 

Commission. 

For the U.S./Japan Exchange Program, which enables five mid-career 22,000 

artists to work and study in Japan. 

For continued support of the U.S.Hapan Exchange Program. 12,000 

To participate as a Fellow in the International and Fellowship Pro- 3,398 

grams during the summer session. 

To amend a previous grant to complete projects as a Fellow in the 5,000 

International and Fellowship Programs. 

750 
 esearch
 

Research Grants
 

Research Grants 

Akron, University of 

Akron, Ohio 

Balukonis, Cheryl A. 

Brighton, Massachusetts 

Davis, Julie A. 

Austin, Texas 

Evaluation Technologies 

Arlington, Virginia 

Maryland, University of 

College Park, Maryland 

Rio, Janice A. 

Park Ridge, Illinois 

Smythe, Roberta L. 

Eugene, Oregon 

Amhaus, Dean R. 

Cudahy, Wisconsin 

Petersen, Robert M. 

New York, New York 

To assist the Endowment, artists, arts organizations, and the public by

developing, analyzing, and disseminating new information on the needs and 

conditions of the arts field. 

Program funds: $264,603 

9 grants 

For the third conference held in May 1984 of the Association for $25,000 

Cultural Economics. 

3,405 To participate as a Fellow in the Office of Policy, Planning, and

Research during the spring session. 

To participate as a Fellow in the Research Division during the fall 3,800 

session. 

58,000 For a pilot evaluation project to demonstrate the validity of reestablishing evaluation studies as a regular activity. 

For the Survey Research Center to manage the Endowment’s 1982 159,000 

survey of public participation in the arts. 

To participate as a Fellow in the Office of Policy, Planning, and 3,860 

Research during the fall session. 

To participate as a Fellow in the Research Division during the sum- 4,030 

mer session. 

The following contracts and grants relate to activities outside the Research 

Division, but are included in this division for accounting purposes. 

$3,508 To participate as a Fellow in the Office for Private Partnership during the fall session. 

To participate as a Fellow in the International and Fellowship Pro- 4,000 

grams during the fall session. 
Special Projects To support innovative and exemplary projects relating to cross-discipline

and/or arts information needs that have broad impact on arts fields but are 

Clark, Lois Gardiner 

West Chester, Pennsylvania 

VanDevanter, Ann C. 

Washington, D.C. 

E Incorporated 

Washington, D.C. 

Georgetown University 

Washington, D.C. 

Harlan, Roger G. 

Tucson, Arizona 

Krakora, Joseph 

Washington, D.C. 

Kratochvil, Beverly 

McLean, Virginia 

Partners for Livable Places 

Washington, D.C. 

Rodriguez, Joe 

Washington, D.C. 

Washington Performing Arts Society 

Washington, D.C. 

Wolf Organization 

Cambridge, Massachusetts 

Young (Arthur) and Company 

Washington, D.C. 

Regional

Representatives 

Affiliated State Arts Agencies 

of the Upper Midwest 

Minneapolis, Minnesota 

Cultural Council Foundation 

New York, New York 

Kansas City Association of Trusts 

and Foundations 

Kansas City, Missouri 

not eligible under other categories. 

Program funds: $440,521 

12 grants 

To amend a previous grant for completion of projects begun as a $ 3,850 

Fellow in the Challenge Grant Program. 

For a study to determine opportunities for incremental financial sup- 27,833 

port for the arts from non-federal sources. 

To support the In-st National Symposium in the Performing and Fine 38,476 

Arts for Historically Black Colleges and Universities, jointly funded 

with the Johnson Foundation. 

For an outstanding arts administrator to complete projects in the Of- 17,306 

fice for Private Partnership. 

To amend a previous grant to complete projects begun as a Fellow 2,000 

in the Office of Administration. 

To support planning and development of projects for the private 3,500 

sector. 

To amend a previous grant to complete projects begun as a Fellow 2,500 

in the International and Fellowship Programs. 

To conduct a study and prepare a report on the feasibility of 9,227 

establishing and operating the Nancy Hanks Foundation, jointly funded with Evans Development Corporation. 

To complete projects for the National Endowment’s Division of Civil 17,500 

Rights. 

For a symposium on the needs of the performing arts concerning tour- 13,404 

ing and presenting activities. 

To assess the state of arts education in the U.S. and examine poten- 130,000 

tial policies and actions of the Endowment, in collaboration with other 

federal agencies, to meet determined needs. 

To design and test a revised management and fund-raising assess- 174,925 

ment method and evaluate the fund-raising capacity of up to 350 

Challenge Grant applicants. 

To enable regional representatives to provide assistance and information 

to artists, arts organizations, and the Endowment. 

Program funds: $658,938 

7 cooperative agreements 

For a cooperative agreement for Romalyn Tilghman to serve as $105,321 

Regional Representative for the Plains States from August 1983 

through July 1984. 

For a cooperative agreement for John Wessel to serve as Regional 122,005 

Representative for the Northeast States and Caribbean Region from 

August 1983 through July 1984. 

For a cooperative agreement for Bertha Masor to serve as Regional 87,573 

Representative for the Great Lakes States from August 1983 through 

July 1984. 
Mid-Atlantic States Arts Consortium 

Baltimore, Maryland 

Southern Arts Federation 

Atlanta, Georgia 

Western States Arts Foundation 

Santa Fe, New Mexico 

Western States Arts Foundation 

Santa Fe, New Mexico 

For a cooperative agreement for Adrian King to serve as Regional

Representative of the Mid-Atlantic and Mid-South States from October 1983 through September 1984. 

For a cooperative agreement for Robert Hollister to serve as Regional 

Representative of the Southern and Gulf States from August 1983 

through July 1984. 

For a cooperative agreement for Virginia Torres to serve as Regional 

Representative of California, Alaska, and the Pacific Islands from 

August 1983 through July 1984. 

For a cooperative agreement for Terry Melton to serve as Regional

Representative of the Western States from August 1983 through July 

1984. 

Research 301 

30,708 

105,677 

101,018 

106,636 
302 Special Constit~mcies 
Special Constituencies
 

Special Constituencies Grants 

For technical assistance projects by artists and arts organizations to make 

the arts more accessible to disabled people; older adults; veterans; and people in hospitals, mental institutions, and prisons. 

Program funds: $48,144 

4 grants 

Barrier Free Environment For an inter-disciplinary technical publication that offers guidance $25,449 

Raleigh, North Carolina to Endowment grantees in complying with federal 504 regulations. 

Department of Justice For two artist-in-residence programs jointly funded with the Federal 10,000 

Washington, D.C. Bureau of Prisons, providing comprehensive arts programs for inmates, and opportunities for the artists to further their artwork. 

Institution Programs To organize and set up two artist-in-residence programs in federal 4,500 

Bartlesville, Oklahoma correctional institutions. 

Landscape Architecture Foundation For a symposium on gaining wider access to cultural programs, con- 8,915 

Washington, D.C. vened for arts service organizations, state arts agencies, and local 

arts agencies. (Also funded by State Programs.) 

Model Projects	 The following model projects assist and demonstrate ways for arts groups 

to make the arts more available to disabled, older, and institutionalized 

populations. Model projects are documented and disseminated to the field

through the Office for Special Constituencies. Organizations are encouraged 

to make special constituencies part of their regular programming, rather 

than develop separate programs that segregate them. A total of $266,000 in

program funds support the model projects, of which $128,500 was transferred to Endowment Programs. In most cases, funds were matched by the 

Programs. 

Boston Children’s Museum Listed with the Museum Program grants under "Museum Training." $10,000 

Boston, Massachusetts 

Buffalo Philharmonic Orchestra Listed with the Music Program grants under "Orchestra." 7,500 

Buffalo, New York 

Charlotte Symphony Orchestra Listed with the Music Program grants under "Orchestra." 7,000 

Charlotte, North Carolina 

Children’s Theatre Company Listed with the Theater Program grants under "Services to the 9,050 

Minneapolis, Minnesota Field." 

E! Paso Symphony Orchestra Listed with the Music Program grants under "Orchestra." 5,400 

Association 

El Paso, Texas 
304 Special Constituencies 

Exploratorium 

San Francisco, California 

Honolulu Symphony Society 

Honolulu, Hawaii 

Indianapolis Museum of Art 

Indianapolis, Indiana 

Living Stage Theatre 

Washington, D.C. 

Looking Glass Theatre 

Providence, Rhode Island 

Metropolitan Museum of Art 

New York, New York 

Milwaukee Public Museum 

Milwaukee, Wisconsin 

Milwaukee Symphony Orchestra 

Milwaukee, Wisconsin 

Minneapolis Institute of Arts 

Minneapolis, Minnesota 

Minor Symphony Association 

Minot, North Dakota 

Missouri Historical Society 

St. Louis, Missouri 

Museum of Fine Arts 

Boston, Massachusetts 

National Council on Aging 

Washington, D.C. 

Next Move Unlimited 

Boston, Massachusetts 

Orchestral Association 

(Chicago Symphony Orchestra) 

Chicago, Illinois 

Pasadena S)anphony Orchestra 

Pasadena, California 

Phoenix Symphony Association 

Phoenix, Arizona 

Santa Barbara Symphony 

Santa Barbara, California 

Savannah Symphony Society 

Savannah, Georgia 

Senior Musicians Associates 

Local 802 

New York, New York 

Staten Island Children’s Museum 

Staten Island, New York 

Tears of Joy Theatre 

Vancouver, Washington 

Texas, University of 

(Institute of Texas Cultures) 

San Antonio, Texas 

Two Penny Theatre 

Montpelier, Vermont 

Listed with the Museum Program grants under "Museum Training." 7,000 

Listed with the Music Program grants under "Orchestra." 4,000 

Listed with the Museum Program grants under "Museum Training." 10,000 

Listed with the Theater Program grants under "Services to the 19,000 

Field." 

Listed with the Theater Program grants under "Services to the 4,500 

Field." 

Listed with the Museum Program grants under "Museum Training." 6,000 

Listed with the Museum Program grants under "Museum Training." 10,000 

Listed with the Music Program grants under "Orchestra." 10,000 

Listed with the Museum Program grants under "Museum Training." 10,000 

Listed with the Music Program grants under "Orchestra." 4,000 

Listed with the Museum Program grants under "Museum Training." 7,000 

Listed with the Museum Program grants under "Museum Training." 10,000 

Listed with the Inter-Arts Program grants under "Services to the 

Field." 

40,000 

Listed with the Theater Program grants under "Services to the 20,000 

Field." 

Listed with the Music Program grants under "Orchestra." 10,000 

Listed with the Music Program grants under "Orchestra." 7,000 

Listed with the Music Program grants under "Orchestra." 8,000 

Listed with the Music Program grants under "Orchestra." 3,100 

Listed with the Music Program grants under "Orchestra." 10,000 

Listed with the Music Program grants under "Orchestra." 4,000 

Listed with the Museum Program grants under "Museum Training." 6,500 

Listed with the Theater Program grants under "Services to the 2,000 

Field." 

Listed with the Museum Program grants under "Museum Training." 7,000 

Listed with the Theater Program grants under "Services to the 7,950 

Field." 
Appendix
 
Statement of Mission 

Touring and Presenting 

Policy Statement 

Financial Summary 

History of Authorizations 

and Appropriations 
Statement of Mission
 

Preamble 

Throughout the ages, man has striven to go beyond 

the limits of the immediate physical world to create 

that which was not there before and thus nourish the 

human spirit. Our first record of man’s perception 

of the world around him was through art scratched 

on cave walls, carved in stone, or modeled in clay. 

Man’s need to make, experience, and comprehend art 

is as profound as his need to speak. It is through art 

that we can understand ourselves and our potential. 

And it is through art that we will be understood and 

remembered by those who will come after us. 

This nation’s governance is based on our people’s 

commitment to freedom of imagination, thought, and 

expression. Our many aesthetic and cultural traditions are precious to us--for the rich variety of their 

beauty and as a symbol of the diverse nature of the 

United States. 

Primary support for the arts has always come 

directly from the people of this nation: artists in 

localities all across the country who create and sustain the arts, and contributors who support the arts 

out of conviction and as a matter of civic and regional 

pride. 

It was in this context that the National Foundation on the Arts and the Humanities Act was enacted 

in 1965. The Congress found that "the encouragement and support of national proffress and scholarship in the humanities and the arts, while primarily 

a matter of private and local initiative, is also an appropriate matter of concern to the Federal Government..." 

The Congress also found that "while no government can call a great artist or scholar into existence, 

it is necessary and appropriate for the Federal 

Government to help create and sustain not only a 

climate encouraging freedom of thought, imagination, 

and inquiry, but also the material conditions 

facilitating the release of this creative talent..." 

Mission 

The mission of the National Endowment for the 

Arts is: 

 ̄ to foster the excellence, diversity, and vitality 

of the arts in the United States; and 

 ̄ to help broaden the availability and appreciation of such excellence, diversity, and vitality. 

In implementing its mission, the Endowment must 

exercise care to preserve and improve the environmerit in which the arts have flourished. It must not, 

under any circumstance, impose a single aesthetic 

standard or attempt to direct artistic content. 

Implementation 

Who: The Endowment assists individual artists, 

those who act on behalf of artists or audiences, 

organizations whose primary intention is artistic or 

educational, and state and local arts agencies. 

Demonstrated or potential excellence and capacity 

to conceive, develop, or present a work of art are 

primary criteria. 

What: Endowment activities: 

 ̄ Demonstrate national recognition of the importance of artistic excellence; 

 ̄ Provide opportunities for artists to develop 

their talents; 

 ̄ Assist in the creation, production, presentation/exhibition of innovative and diverse work that 

has potential to affect the art form and directly or 

indirectly result over time in new art of permanent 

value; 

 ̄ Assure the preservation of our cultural heritage; 

 ̄ Increase the performance, exhibition, and 

transmission of art to all people throughout the 

nation; 

 ̄ Deepen understanding and appreciation of the 

arts among all people nationwide; 

 ̄ Encourage serious and meaningful art programs as part of basic education; 

 ̄ Stimulate increasing levels of non-federal support of the arts; 

 ̄ Improve the institutional capacity of the best 

of our arts organizations to develop, produce, present, and exhibit bold and varied fare; and 

 ̄ Provide information about the arts, their artistic and financial health, and the state of their 

audiences. 

How: The Endowment, in conjunction with private 

and public partners, carries out its mission through 

grants programs and a wide range of leadership and 
310 Stateme~ of Miss~m 

advocacy activities. The Endowment also serves as 

a national forum to assist in the exchange of ideas 

and as a catalyst to promote the best developments 

in the arts and education about them. The Endowment’s grants programs include individual, project, 

and longer-term institutional support. 

Endowment decision-making is guided by peer 

panel review and the National Council on the Arts 

and by additional advice from the artistic fields and 

their public and private supporters. The Endowment 

works closely with its public partners (the state and 

local arts agencies) to reflect regional, state, and local 

perspectives and assist cooperation in implementation of government arts support programs. The Endowment’s programs are aimed at benefitting all people of this nation,regardless of sex, race, creed, national origin, handicap, age, or habitat. 

November 1983 
311 

Touring and Presenting 

Policy Statement 

Introduction 

This policy statement is to clarify the purposes of the 

National Endowment for the Arts in supporting touring and presenting of the performing, visual, and 

literary arts so that Federal funds may be focused 

as consistently and effectively as possible. 

The Endowment, which began its support for touring and presenting in 1965, provides its support from 

a national perspective. State arts agencies, regional 

organizations, local arts agencies, and private sources 

support touring and presenting according to their 

own priorities and perspectives. Consultation with 

artists and arts organizations (producers and 

presenters), with state and local arts agencies, and 

with regional arts organizations has been a key factor in developing this policy statement and will continue to be an essential element of planning in this 

area. 

Touring and presenting involve a complex marketplace of artists and art organizations, presenters, and 

audiences. This marketplace would contract substantially were it not for public and private subsidies. 

Each party involved in this marketplace has different priorities, but overlapping interests. 

Generally, 

 ̄ The principal priorities of artists and artsproducing organizations include improving their 

work, lengthening their seasons, augmenting their 

income, reaching audiences to broaden their experience, and developing their reputations--e.g., 

receiving critical media attention. 

 ̄ The principal priorities of arts presenting organizations include providing the arts to their communities, expanding and developing their audiences, breaking even overall in the course of a 

season, and developing a reputation for the presentation of imaginative and varied seasons. 

 ̄ The principal priorities of audiences are to 

have available a range of art experiences they can 

appreciate and prices they can afford. 

Those who subsidize touring and presenting have 

different perspectives: 

 ̄ Generally, the largest subsidy comes from 

private sources: the artists, trustees, and donors 

of the arts-producing and presenting organizations. 

While there are no accurate statistics to measure, 

the largest portion of this private subsidy appears 

to come from the organization’s home. Local supporters are interested in enhancing the quality of 

life in their communities and in enjoying the 

satisfaction of participating in and supporting the 

arts. Often, home support helps to subsidize touring outside the community, as when the fixed costs 

of the touring company are not incorporated into 

the performance fee. At the same time, such subsidy helps to extend the employment of the home 

community’s artists and to enhance the vitality and 

reputation of its arts organizations. Further, 

presentation of touring companies often stimulates 

local artists and increases interest of audiences in 

their work. 

 ̄ The National Endowment has an interest in 

the health of the arts nationally and supports artistic excellence wherever it may occur in the nation. The Endowment also has an interest in developing an audience for artistic excellence throughout the nation. Regional organizations, state arts 

agencies, and local arts agencies have similar interests in their respective areas. The perception 

of specific audience preferences, it should be noted, 

becomes sharper the closer to the audience the 

public agency is. The possible gap between present 

estimations of audience preferences and their potential capacity to appreciate a greater range of 

work is an area of interest to arts agencies at all 

levels. 

Touring and presenting of the performing, visual, 

and literary arts is a mechanism for meeting the interests of artists, arts organizations, presenters, and 

audiences. There are also other mechanisms: indigenous arts organizations, second homes for arts 

organizations, longer residencies on tour, and cooperative museum programming. In addition, there is 

the possibility of media presentation. This is different, but not always second best, and may in some 

cases be much more economical. The policies of those 

who provide subsidies need to weigh all relevant factors in deciding whether, and at what level, to provide them. 
312 Touring and Presenting Policy Statement 

Policy 

The National Endowment for the Arts is committed 

to touring and presenting: 

 ̄ To assist artists and arts organizations to 

create, produce, and present more and better work; 

 ̄ To make the best of the arts more widely 

available to the American people; 

 ̄ To develop understanding and appreciation 

of a wide variety of art in communities across the 

country; and 

 ̄ To enhance appreciation of artists and art 

forms deserving greater attention: experimental 

and seldom-performed work, and art forms and 

traditions whose continuity would be strengthened through touring. 

Endowment support to these ends is provided 

through two complementary approaches: 

A. Assistance to Artists and Arts-Producing 

Organizations: Grants through Endowment Programs to artists and arts organizations are intended to enhance their capacity to create and produce 

art of the highest quality and of national or regional 

significance. These grants include support for artists’ fees, touring and audience development. The 

structure of funding categories which provide support for touring to artists and arts-producing 

organizations varies by art field. The differences 

in Program approaches reflect the different role 

touring plays in the life of different art forms. 

B. Assistance to Arts-Presenting Organizations: Grants through Endowment Programs to 

presenting organizations are intended to encourage 

the advancement of artistic vision of presenters, 

to provide them with the support and incentive to 

present high-quality and varied work, reach new 

audiences, and expand their understanding and appreciation. Presenters receive grants--whether 

directly or through grants to state arts agencies, 

regional organizations, or service organizations-­

for artist fees, technical assistance, or other 

specified purposes to help them accomplish the 

above objectives. 

The National Endowment for the Arts can provide 

only a portion of the total costs of touring and presenting and encourages additional support for these 

activities from its public and private partners on the 

regional, state, and local levels. 

The following general principles govern Endowment support to artists, arts organizations, and 

presenters for touring and presenting: 

1. Endowment support for touring and presenting should be based on both artistic excellence and facilitation of access. All applications for Endowment Program support for touring 

and presenting of the performing, visual, and 

literary arts must compete on the basis of excellence of programming as well as effectiveness 

in assuring access. 

2. Endowment support for touring and presenting should encourage broad geographic access to artistic excellence. Endowment grant support is based on artistic excellence wherever it may 

occur in the nation. Aware that arts resources are 

not equally distributed, the Endowment should 

seek to identify opportunities for encouraging touring in areas with limited access to arts 

programming. 

3. Endowment support should be flexible and 

open to opportunities in the touring marketplace. In order to respond to the great diversity 

or touring groups, potential audiences, and special 

opportunities, the Endowment encourages a variety of approaches to touring and presenting support. 

4. Changes in Endowment support leading to 

major shifts in the touring and presenting 

marketplace should be undertaken only with as 

full an understanding as possible of the impacts 

of such actions, and with reasonable assurance 

that the results will be beneficial for all of the 

parties. Subsidy to one or another party in the 

touring and presenting marketplace increases the 

economic power of the party subsidized. Artists 

and arts organizations formally negotiate their fees 

with presenters or with presenter consortia. 

Presenters less formally negotiate their ticket 

prices with potential audiences through marketing. 

Subsidy to artists or arts organizations increases 

their ability to tour where they want and how, or, 

as the case may be, not to tour. Subsidy to presenters increases their ability to select those artists or arts organizations they wish to present and 

which audiences they will serve. Subsidy to 

regional organizations, state arts agencies, and 

local arts agencies increases their influence in the 

touring and presenting marketplace in specific 

geographic areas. The Endowment’s objectives are 

to assist art, presentation, and broad geographic 

access to art. To these ends, Endowment Programs 

provide, as appropriate, various touring and/or 

presenting incentives. 

In this context, the Endowment is today providing greater encouragement to presenters 

through its Programs. This emphasis reflects the 

importance of presenters to the economic health 

of arts organizations and to audiences. Subsidy to 

presenters is important in helping to improve and 

increase touring and presenting. 

5. Endowment support of touring and presenting should encourage programming that might 

otherwise not be possible. Both producing companies and presenters should be in a position to 

take risks -- to produce and present artists and art 

forms deserving of greater attention, new and experimental work, seldom-performed work, and art 

forms and traditions whose continuity would be 

strengthened through touring. 
Touring and Presenting Policy Statement 313 

6. Endowment support of touring and presenting should encourage efficient use of available 

artistic and financial resources. The Endowment 

needs to assist the development of improved information systems on touring and on the basis of such 

information, encourage, where appropriate, such 

mechanisms as block-booking and improved coordination of marketing by arts organizations and 

presenters. 

To assist planning the field, the Endowment will 

move to make greater lead time available between 

grant notification and season subsidized. In 1984, 

virtually all presenters will be able to apply in May 

and June for funds to support the 1985-86 performing season. 

7. The Endowment should make its involvement in touring and presenting as consistent as 

possible, and base this involvement on a full 

understanding of the touring and presenting 

marketplace and on evaluation of the achievements of those who participate in that marketplace. The Endowment plans to develop greater 

familiarity with the mechanics, plans, problems, 

and opportunities of touring and presenting systems. New guidelines affecting touring and presenting will be reviewed by the Deputy Chairman 

for Programs to assure that the approaches are 

common where they can be. 

The Endowment will continue to strengthen 

its efforts to foster communication among the 

various participants as a means of improving 

delivery of services and information, and will work, 

where appropriate, with regional consortia in this 

respect. 

Finally, the Endowment will continue its evaluations of current touring and presenting support to 

assure maximum effectiveness of federal grant 

dollars. 

August 1983 
 

314 

Financial Summary
 

Summary of Funds Available1 

Appropriation, Regular Program Funds
 

Appropriation, Treasury Funds (to match nonfederal gifts)
 

Appropriations, Challenge Grant Funds (to match nonfederal gifts)
 

Total, Federal Appropriations
 

Nonfederal Gifts
 

Interagency Transfers
 

Recovery of Prior Year Obligations
 

Unobligated Balance, Prior Year
 

Total Funds Available 

Excludes administrative funds
 

Not less than 20 percent for support of state arts agencies and regional groups.
 

Funds Obligated 

Dance 

Design Arts 

Expansion Arts 

Folk Arts 

Inter-Arts 

Literature 

Media Arts 

Museum 

Music 

Opera-Musical Theater 

Theater
 

Visual Arts
 

Artists in Education
 

State Programs
 

Advancement
 

Challenge
 

Policy, Planning, and Research
 

Regional Representatives
 

Total Funds Obligated 

Shown in Challenge Grant Column.
 

Of the $32,430,000 committed, $14,030,500 was obligated in Fiscal Year 1983.
 

Fiscal
 

Year
 

1983 

Obligations 

9,105,566 

4,596,623 

7,441,630 

2,804,650 

3,468,828 

4,325,137 

9,344,000 

10,013,680 

12,940,169 

5,054,885 

9,540,539 

5,754,972 

4,700,810 

21,142,412 

1,113,967 

3 

913,847 

658,938 

$112,920,653 

Fiscal 

Year 

1983 

$101,675,0002 

11,200,000 

18,400,000 

$131,275,000 

$ 25,517 

350,000 

426,746 

15,425,445 

$147,502,708 

Challenge 

Grant
 

Commitments/
 

Obligations4
 

3,655,000 

1,200,000 

1,200,000 

0 

2,600,000 

0 

2,940,000 

8,350,000 

4,525,000 

2,300,000 

4,185,000 

925,000 

400,000 

150,000 

0 

0 

0 

$32,430,000 
 

 

 

 

315 

History of Authorizations
 

Appropriations
 

Fiscal 1966 

Program Funds 

Treasury Funds** 

Total Funds for Programming 

Fiscal 1967 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1968 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1969 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1970 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1971 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Arts 

Authorization 

$ 5,000,000 

2,250,000 

$ 7,250,000 

$	 5,000,000 

2,750,000 

(7,750,000) 

2,250,000 

$ 10,000,000 

$	 5,000,000 

2,750,000 

(7,750,000) 

2,250,000 

$ 10,000,000 

$	 6,000,000 

2,000,000 

(8,000,000) 

3,375,000 

$ 11,375,000 

$	 6,500,000 

2,500,000 

(9,000,000) 

3,375,000 

$ 12,375,000 

$ 12,875,000 

4,125,000 

(17,000,000) 

3,000,000 

$ 20,000,000 

Arts 

Appropriation 

$ 2,500,000
 

34,308
 

2,534,308
 

$ 4,000,000 

2,000,000 

(6,000,000) 

1,965,692 

$ 7,965,692 

$ 4,500,000 

2,000,000 

(6,500,000) 

674,291 

$ 7,174,291 

$ 3,700,000 

1,700,000 

(5,400,000) 

2,356,875 

$ 7,756,875 

$ 4,250,000 

2,000,000 

(6,250,000) 

2,000,000 

$ 8,250,000 

$ 8,465,000 

4,125,000 

(12,590,000) 

2,500,000 

$ 15,090,000 

Administrative
 

Funds
 

$ 727,000* 

$ 1,019,500’ 

$ 1,200,000" 

$ 1,400,000" 

$ 1,610,000" 

$ 2,660,000*
 
316 His~y of Authorizations and Apprapria~ions 

Fiscal 1972 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1973 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1974 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1975 

Program Funds***
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1976 

Program Funds***
 

Treasury Funds**
 

Total Funds for Programming
 

Transition Quarter 

July 1, 1976-September 30, 1976 

Program Funds***
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1977 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Photo/Film Projects
 

Total Funds for Programming
 

Fiscal 1978 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Photo/Film Project
 

Administrative Funds
 

Total Funds
 

Arts 

Authorization 

$ 21,000,000 

5,500,000 

(26,500,000) 

3,500,000 

$ 30,000,000 

$ 28,625,000 

6,875,000 

(35,500,000) 

4,500,000 

$ 4O,OOO,OOO 

$ 54,000,000 

11,000,000 

(65,OOO,OOO) 

7,500,000 

$ 72,500,000 

$ 90,000,000 

10,000,000 

$100,000,000 

$113,500,000 

12,500,000 

$126,000,000 

$ 93,500,000 

10,000,000 

12,000,000 

4,000,000 

$119,500,000 

$105,000,000 

12,500,000 

18,000,000 

2,000,000 

such sums as 

necessary 

$137,500,000 

Arts 

Appropriation 

$ 20,750,000 

5,500,000 

(26,500,000) 

3,500,000 

$ 29,750,000 

$ 27,825,000 

6,875,000 

(34,700,000) 

3,500,000 

$ 38,200,000 

$ 46,025,000 

8,250,000 

(54,275,000) 

6,500,000 

$ 60,775,000 

$ 67,250,000 

7,500,000 

$ 74,750,000 

$ 74,500,000 

7,500,000 

$ 82,OOO,OOO 

$ 33,437,000 

500,000 

$ 33,937,000 

$ 77,500,000 

7,500,000 

9,000,000 

$ 94,000,000 

$ 89,100,000 

7,500,000 

18,000,000 

9,250,000 

$123,850,000 

Administrative
 

Funds
 

$ 3,460,000* 

$ 5,314,000" 

$ 6,500,000* 

$ 10,783,000" 

$ 10,910,000" 

$ 2,727,000* 

$ 11,743,000" 
History of Authorizations and Appropriations 317 

Arts Arts 

Authorization Appropriation 

Fiscal 1979 

Program Funds*** $102,160,000 

Treasury Funds** 7,500,000 

Challenge Grants** 30,000,000 

Administrative Funds 9,925,000 

Total Funds such sums as $149,585,000 

necessary 

Fiscal 1980 

Program Funds*** $ 97,000,000 

Treasury Funds** 18,500,000 

Challenge Grants** 26,900,000 

Administrative Funds 12,210,000 

Total Funds such sums as $154,610,000 

necessary 

Fiscal 1981 

Program Funds*** $115,500,000 $113,960,000 

Treasury Funds** 18,500,000 19,250,000 

Challenge Grants** 27,000,000 13,450,000 

Administrative Funds 14,000,000 12,135,000 

Total Funds $175,000,000 $158,795,000 

Fiscal 1982 

Program Funds*** -­ $103,330,000 

Treasury Funds** -­ 14,400,000 

Challenge Grants** -­ 14,400,000 

Administrative Funds -­ 11,326,000 

Total Funds $119,300,000 $143,456,000 

Fiscal 1983 

Program Funds*** -­ $101,675,000 

Treasury Funds** -­ 11,200,000 

Challenge Grants** -­ 18,400,000 

Administrative Funds -­ 12,600,000 

Total Funds $119,300,000 $143,875,000 

Fiscal 1984 

Program Funds*** -­ $118,900,000 

Treasury Funds** -­ 9,000,000 

Challenge Grants** -­ 21,000,000 

Administrative Funds -­ 13,100,000 

Total Funds $119,300,000 $162,000,000 

*These funds were jointly provided to the National Endowment for the Arts and the National Endowment for 

the Humanities until the two agencies were administratively separated in 1978. 

**Federal funds appropriated by Congress to match nonfederal donations to the Endowment. 

***Not less than 20 percent of Program Funds are required to go to state art agencies and regional arts groups. 
Published by the Office of Public Affairs
 

National Endowment for the Arts
 

Washington, D.C. 20506
 

Director: Marvin Liebman 

Editor: Joan Bowersox 

Designer: Kathy Jungjohann ~U.S. GOVERNMENT PRINTING OFFICE 1984 432-025
 

Printing Officer: Joan Shantz