,.,,oo.,

~ndowm~nt 

for the Arts Annual 

21vent~etla 

Anniversary 

1965-1985 
National Endowment for the Arts 

Washington, D.C. 

Dear Mr. President: 

I have the honor to submit to you the 

Annual Report of the National Endowment 

for the Arts and the National Council 

on the Arts for the Fiscal Year ended 

September 30, 1984. 

Respectfully, 

Frank Hodsoll 

Chairman 

The President 

The White House 

Washington, D.C. 

March 1985 
Contents
 

Chairman’s Statement	 1 

4 The Agency and Its Functions 

5 The National Council on the Arts 

Programs 7

Dance 9

Design Arts 27

Expansion Arts 37

Folk Arts 

7 l Inter-Arts 

Literature 87

Media Arts: Film/Radio/Television 103

Museum 119 

Music 157 

Opera-Musical Theater 201

Theater 213

Visual Arts 229

247 Office for Public Partnership 

Artists in Education 249

Locals Test Program 255

259 State Programs 

263 Office for Private Partnership 

Challenge 265

Advancement 271

275 Office of Policy, Planning, and Research 

Fellowship Program for Arts Managers 277

279 International 

281 Research 

Special Constituencies 283 

Appendix 285

Statement of Mission 286

Advisory Panels 287

Financial Summary 303

History of Authorizations and
 304

Appropriations
 
Once again, the descriptions of the 5,110 grants 

listed in this Annual Report 1984 reflect the extraordinary diversity of artistic activity taking 

place throughout the country. We are fortunate, 

indeed, to have the variety of excellence that we 

do. 

Since our 1983 Annual Report, we have completed a Five-Year Planning Document (1986¢ 

1990}. While this effort represents justa first step 

in systematic planning at the Endowment, it has 

begun the process of providing a framework 

within which policy, program, and budget decisions can be made. In cross cut, the Planning 

Document discusses the arts {artists and arts institutions}, audiences (present and future}, support of the arts, and recognition of the arts and 

their supporters. Since its publication, the issue 

of art criticism has also arisen as a concern, 

It seems to me that it might be useful to summarize in this 1984 Annual Report some of the 

salient findings {problems and opportunities) and 

some of the Endowment’s efforts to deal with 

these, coupled with a look to the future, 

The Arts 

The artist labor force grew by 47 percent in the 

’70s, with the proportion of women and minorities increasing substantially in relation to the 

overall artist population. The artist labor force 

also shifted geographically, with the South (including Texas) rapidly becoming the region with 

the most artists living within it. At the same 

time, artist compensation declined 37% in real 

terms in the ’70s. This compares with a decline in 

real terms of only 8% for professional workers as 

a whole, 

The Planning Document cites an Endowment 

sponsored study to the effect that arts institutions generally ended the decade of the ’70s better off financially than they began it. But it also 

raises the potential problem of "artistic deficit:" 

it is possible that arts institutions may be achieving financial stability at the expense of the art 

forms and that there may be less adventureousness, skimpier productions, anda loss of diversity. (We have commissioned a preliminary study 

in this respect.) 

At the Endowment, we have in the past three 

years emphasized in our discipline Programs artistic excellence as the principal criterion for 

grantmaking. We have focused on grants and 

discussion which might in time effect "changes of 

state" in the arts. By "changes of state," I mean 

improvements of long-term duration which significantly enhance the capacities of {1) artists and 

arts institutions to create, produce, present/exhibit and preserve the best art, and of 

audiences and the general public to have access to 

and appreciate art. 

Thus, the Theater Program now has an Ongoing Ensembles category ¡to assist groups of 

theater artists working together over time}; the 

Challenge Program is emphasizing the balance 

sheet las opposed to the operating statement}; the 

Advancement Program {to improve the planning 

and development capacities of less established 

arts organizations} has been extended to all our 

programs; the Dance Program is supporting 

choreographer residencies; the Opera-Musical 

Theater Program now has a Producer Grants 

category; the Folk Arts Program assists state 

arts agencies to fund folk arts apprenticeships; 

the Media Program has helped the American 

Film Institute to establish a new National Center 

for Film and Television Preservation; and the 

Visual Arts Program has instituted regional 

fellowships for visual artists. We have also commissioned a study on how to develop group insurance rates for individual artists. 

We will continue these efforts in the future, by 

placing increasing emphasis on projects that 

have the potential to effect "changes of state." 

We will be looking to the fields for counsel on 

this. And, we will be looking to state and local 

arts agencies for advice as to where changes of 

state can be accomplished at the regional, state, 

and local levels. 

Audiences 

The Planning Document notes that attendance at 

nonprofit professional theaters increased from 1 

million in 1965 to 13 million in 1983; at symphony 

orchestra concerts from 10.5 million to almost 23 

million; at opera performances from 4.6 million (in 

the 1969-70 season) to 11 million (in the 1981-82 

season). Dance, which in 1965 had an audience of 

approximately 1 million 180% based in New York 

City), now claims attendance of 16 million in most 

parts of the country. 

But the Planning Document also notes that 
~hainnan’s 8tatement ~ 

61% of the adult population in 1982 did not at- tributions to cultural activities increased to $4.08 

tend a single jazz, classical music, opera, billion, an increase of 36% and $1 billion over 

musical/operetta, theatrical, or ballet perfor- 1981. Individuals continued in 1983 to provide 

mance; or visit an art museum or gallery, the bulk of this support. In addition, state arts 

Further, in terms of education, 53% of the adult agency support of the arts grew 45.7% from 

population have had no instruction in music; FY81 to $160.6 million in FY85. While our own 

76%, no visual arts; 91%, no theater; 93%, no budget remains constrained by current and proballet; and 82%, no creative writing And, the jected federal deficits, the Endowmentcontinues 

"arts experiences" of most people are dominated to enjoy bipartisan Presidential and Congresby the commerce of popular music, television, sional support. 

movies, and commercial publishing. Greater ap- Further, with the upturn in the economy, there 

preciation of a wider variety of cultural expres- is anecdotal evidence that ticket sales íor the 

sion is needed. But, opportunities for artistic ex- seasons oí performing arts institutions are also 

cellence outside the major artistic centers are picking up. In fact, ticket revenues for nonprofit 

limited, as is access generally to the electronic and performing arts institutions grew 9% in real 

publishing exhibition and distribution networks, dollars in 1983. The question, however, remains 

We have in this respect initiated new projects whether these increased resources are providing 

to encourage greater and more varied presenta- greater variety and greater artistic excellence, or 

tion of dance, to increase production and touring whether they are becoming increasingly concenof experimental work, to provide access to daily trated on more popular fare. 

newspapers for writers of short stories, to As noted, we have increased Endowment refacilitate discussion of the planning and preserva- sources available to the Challenge Program and 

tion problems of small towns ¡the Main Street extended the Advancement Program to all disProgram), and to encourage arts education IK-12) ciplines. And, in Expansion Arts, we have, in conasa basic in elementary and secondary schools, junction with the President’s Committee on the 

Our efforts in arts education are particularly Arts and the Humanities, initiated a new effort to 

important in that they entail an attempt to in- stimulate permanent funds in community foundacrease the comfort level and literacy of future tions to be made available to emerging arts inadult Americans in a variety of artistic expres- stitutions. The Local Arts Agencies Test Prosions. These efforts include a partnership with gram has gotten off to a good start, with $4 

the Getty Trust to develop television program- millon in federal funds being matched by $15.5 

ming in the arts for young people, and partner- million in new publicly appropriated funds. In adship efforts with the education community ¡in- dition, we have been able to develop new publiccluding the Chief State School Oíficers and the private partnerships on a variety of projects of 

College Board) to encourage systematic and se- national significance. 

quential arts education in the schools. We plan in the future to strengthen the comIn the future, we will be exploring how access munity foundation effort and continue our 

to a variety of art in less populated regions can be Challenge Program effort. We will be evaluating 

improved. We are also investigating how the ex- the Advancement program to see whether the 

cellent products of our Programming in the Arts current framework for this program is optimal; 

public television series can be made more broadly there are difficulties with administering technical 

available aíter their initial showings. We will be assistance to a variety of smaller arts organizalooking to see whether model school districts can tions. We will also begin an evaluation of the 

be encouraged to adopt arts education asa basic Local Arts Agencies Test Program to see where 

(K-12), with curricula and resources being struc- this program might go ir ir were to become pertured by grade levels to achieve tested competen- manent. Finally, we are exploring with the Nacies, the end result of which would be some degree tional Assembly of State Arts Agencies the conof literacy in the arts for young people graduating cept of stimulating or enhancing state-level 

from high school. We envision this effort asa part challenge programs; the object here will be to 

of basic education reform, with the arts joining stimulate new funding and assist the capacity of 

English, History, Math and Science as basics, states to effect "changes of state" at the regional, 

state, and local levels. Support 

Recognition and Criticism 

Support for the nonprofit arts continues to grow. 

Beginning in 1981, private support of the arts Recognition of the importance of the arts is growincreased in real terms for the first time since ing. Civic and business leaders, governors, and 

the mid-70s. The American Association of Fund- mayors are all increasingly aware that the arts 

raising Counsel reports that in 1983 private con- make a difference--both in terms of quality of life 
Chairman’s Statement B 

the legislation that established the Arts Endow- and in economic return. There are now about 40 

ment. The occasion provides an opportunity to economic impact studies on the arts, and all of look forward as well as back, to take stock as well these show a very positive correlation between as celebrate. The President will award the first the presence of artistic excellence and economic National Medals of Arts and the first Federal activity. Design Awards. We have entered into a partner- At the national level, President Reagan has ship with the states to develop a series of events signed legislation authorizing a new National across the country which will hopefully describe Medal of Arts, the first awards of which will be and celebrate, in all their variety, the artistic made in 1985. It is also interesting to note that developments in this country over the past 20 the entertainment industry itself is recognizing years. We have initiated a chronology/history of the importance of artistic excellence in the not- the Endowment itself, which we expect to publish for-profit sector; the 1984 Emmy awards in 1985. We hope, in sum, to make our 20th an- ceremony featured a segment on public broad­ niversary an opportunity to focus on the cultural casting and Wynton Marsalis, and the 1984 expressions of this great country, in all their Academy Awards featured Jacques d’Amboise’s diversity and excellence. He Makes Me Feel Like Dancing. Ir remains a privilege to serve as Chairman of In the past three years, we have initiated the the Endowment. I am indebted to the members of Heritage Fellowships to celebrate the extraor­ the National Council on the Arts for their dedica­ dinary artistic accomplishments of American folk tion, commitment and advice. I am also indebted artists, the Presidential Awards for Excellence in for the commitment and sacrifice of the many Federal Design, anda compendium and slideshow distinguished artists and arts administrators featuring the benefits of the arts to localities (and who compose our panels. Without their work, we the techniques for investing in them). We have could not operate. And, I am indebted to the very entered into a partnership with the U.S. Con­ fine staff of the Endowment for their hard work ference of Mayors in this area. and dedication. In the coming years, we will complete a study The sole purpose of all of us is to foster ex­ on newspaper art coverage designed to elucidate cellence, diversity and vitality in the arts, and the quality and quantity of arts reporting and help broaden the availability and appreciation of criticism in different parts of the country. It is them. Our progress--or lack of it--must be our hope that this study will provide a basis for measured only in these terms. As we look ahead Endowment policy-making in this area. We are to the coming years, it is my hope that we will also exploring the possibility of a television rededicate ourselves to these crucial ends. "Magazine on the Arts" perhaps in the 60 

Minutes format. And, we are exploring where the e ntertainment industry might find it in the ir in"’ . .~~d/J/~~~~ 

terest to recognize the variety of artistic expres­ ~/ sions that lies outside regular commercial fare. Frank Hodsoll 

* * * * * * Chairman 

National Endowment for the Arts 1985 marks the 20th anniversary of enactment of 
4 

The A gency and Its Functiom
 

The National Foundation on the Arts 

and the Humanities 

In 1965 Congress created the National Foundation on the Arts and the Humanities as an independent agency of the executive branchof 

federal government. The foundation consists of 

the National Endowment for the Arts, the National Endowment for the Humanities, and the 

Federal Council on the Arts and the Humanities. 

The Foundation is a legislative umbrella concept; 

ir has no administrative or programming identity 

separate from its components, 

National Council on the Arts 

Formed in 1964, the National Council on the Arts 

preceded by one year the establishment of the National Foundation on the Arts and the 

Humanities. 

The Council is composed of the Chairman of the 

National Endowment for the Arts, who serves as 

Chairman of the Council, and 26 presidentially 

appointed citizens who are recognized for their 

knowledge of the arts, or for their expertise or 

profound interest in the arts. The Council is mandated by law to advise the Chairman on policies, 

programs, and procedures. It also must review 

and make recommendations on applications for 

grants, 

Council members serve six-year terms, staggered so that roughly one-third of all the Council 

rotates every two years. 

National Endowment for the Arts 

The National Endowment for the Arts, an independent agency of the federal government, was 

created in 1965 to encourage and support 

American art and artists. Its major goals are to 

foster artistic excellence by helping to develop 

the nation’s finest creative talent, to preserve our 

cultural heritage in all its diversity, to make the 

arts available to wider, more informed audiencies, 

and to promote the overall financial stability of 

American arts organizations, 

The Endowment serves as a catalyst to increase opportunities for artists and to spur involvement in the arts by private citizens, public 

and private organizations, and the states and 

communities. The agency does not director interíere with the creative activities of individual 

artists or arts organizations. Rather, it acts asa 

partner with the arts-support community, using 

federal resources to develop and promote a 

broadly conceived national policy of support for 

the arts. 

Chairman of the Endowment 

The Chairman of the Arts Endowment is appointed by the President of the United States, 

with the advice añd consent of the Senate, for a 

term of four years. The Chairman provides overall 

direction to the work of the Endowment. By law, 

the Chairman makes final decisions on policies, 

programs, procedures, and the awarding oí all

grants and contracts. 

Endowment Panels 

The panels serve the individual Programs of the 

Endowment muchas the National Council on the 

Arts serves the Endowment asa whole. Together 

the council and panels provide a system of professional peer review to evaluate applications, identify problems, and develop the policies and programs through which the Endowment responds 

to changing condition~. 

More than 600 private citizens serve on these 

panels, whose membership rotates regularly. 

Panelists are appointed by the Chairman with the 

advice of the staff and Council members, as well 

as organizations and leaders in the field. 

Methods of Funding 

Grant money authorized by Congress comes to 

the Endowment in program funds, the Treasury 

Fund, and Challenge°Grant funds. Most direct 

grants to organizations and individuals come 

from program funds. Program grants to arts institutions must be matched at least dollar-fordollar. 

The Treasury Fund arrangement allows private 

donors to pledge gifts to specific Endowment 

grantees. Each pledge frees an equal amount for 

the grantee from the Treasury Fund, which is 

maintained at the Treasury ’Department. 

Grantees must then match the combined total of 

the donor’s pledge plus the Treasury Fund 

disbursement. 

Challenge Grants are awarded for projects that 

contribute to the long-term financial stability of 

grantee organizations and must be matched on at 

least a three-to-one basis. 
 

5 

The National (~ouncil on tlaeArt8
 

Frank Hodsoll 

Chairman 

Members with terms expiring 

in 1984: 

Members with terms expiring 

in 1986: 

Members with terms expiring 

in 1988: 

Thomas P. Bergin 

Dean of Continuing Education 

University of Notre Dame 

Kurt Herbert Adler 

Conductor/Opera Producer 

Ross, California 

C. Douglas Dillon 

Arts Patron/Trustee 

New York, New York 

Notre Dame, Indiana 

Norman B. Champ, Jr. 

Arts Patron/Trustee 

Margo Albert 

Performer/Arts Administrator 

Pacific Palisades, California 

Allen Drury 

Novelist 

Tiburon, California 

St. Louis, Missouri 

Arthur I. Jacobs Celeste Holm 

Martin Friedman 

Director 

Arts Patron/Trustee 

Fernandina Beach, Florida 

Actress 

New York, New York 

Walker Art Center 

Minneapolis, Minnesota Robert Joffrey 

Artistic Director 

Raymond J. Learsy 

Arts Patron/Trustee 

Jacob Lawrence The Joffrey Ballet New York, New York 

Painter 

Seattle, Washington 

New York, New York 

Erich Leinsdorf 

Samuel Lipman 

Critic/Publisher 

Bernard Blas Lopez 

Executive Director 

Conductor 

New York, New York 

The New Criterion 

New York, New York 

New Mexico Arts Division 

Santa Fe, New Mexico 

Maureene Rogers 

Toni Morrison 

Author 

Grand-View-on-Hudson, 

George Schaefer 

Film Director/Producer 

Beverly Hills, California 

Community Theater Director 

Montgomery, Alabama 

New York 

I.M. Pei 

Robert Stack 

.Actor 

James Rosenquist 

Painter 

Aripeka, Florida 

Architect 

New York, New York 

Lida Rogers 

Los Angeles, California 

William L. Van Alen 

Architect 

Robert Shaw Executive Director Wilmington, Delaware 

Music Director and Conductor Mississippi Arts Commission 

Atlanta Symphony Orchestra Jackson, Mississippi 

Atlanta, Georgia 

Jessie A. Woods 

Arts Administrator 

Chicago, Illinois 

Rosalind Wiener Wyman 

Arts Patron/Administrator 

Los Angeles, California 

Melissa Hale in Tulsa Ballet Theatre’s La Sylphide. Photo: Jira Mixon 
10 

Treasury funds: $250,000

403 grants 

Choreographer’s To provide funds for any project or activity that will further a 

Fellowships choreographer’s development. 

Program funds: $762,510 

122 grants 

The following choreographers received $5,000 each: 

Allen, Barbara 

New York, New York Daniel, T. 

Winnetka, Illinois Keefer, Kristine Kelly 

Berkeley, California 

Alum, Manuel 

New York, New York Deal, Melvin E. 

Washington, D.C. Keeler, Emily R. 

San Francisco, California 

Barsness, Eric P. 

New York, New York Dennis, Charles C. 

New York, New York Keen, Elizabeth J. 

New York, New York 

Berg, Henry 

San Francisco, California Douglas, Helen E. 

New York, New York Keuter, Cliff 

Menlo Park, California 

Berky, Robert 

New York, New York Duncan, Kathy 

New York, New York Kotoske, Tatuar 

New York, New York 

Bridgman, Arthur 

New York, New York Elgart, Sarah B. 

Los Angeles, California Kraus, Lisa 

Ardsley, New York 

Brumgart, Sarah 

Austin, Texas Erickson, Betsy J. 

San Francisco, California Lampert, Rachel 

New York, New York 

Buckley, Timothy R. 

New York, New York Farley, Alice P. 

New York, New York Leabhart, Thomas 

Claremont, California 

Bulitt, Patricia 

Berkeley, California Feigenheimer, Irene 

New York, New York 

Leo, Anna 

Brooklyn, New York 

Buntz, Gina E. 

New York, New York Fichter, Nina A. 

Berkeley, California Lerman, Elizabeth A. 

Washington, D.C. 

Caniparoli, Val W. 

San Francisco, CaIifornia Garver, Fred G. 

Colden, New York 

Lorca, Roberto 

New York, New York 

Carvajal, Carlos 

San Francisco, California Gibson, Albert 

New York, New York Luft, Mary K. 

Miami, Florida 

Chaplin, Tarin 

Montpelier, Vermont Gladstein, Deborah L. 

New York, New York McCall, Debra A. 

New York, New York 

Chen, Hsueh-Tung 

New York, New York Gray, Pamela Gail 

Berkeley, California McCusker, Daniel W. 

New York, New York 

Ching, Chiang 

New York, New York Hall, Julie G. 

Urbana, Ilñnois 

McMahon, Jeffrey 

New York, New York 

Chv, ma, Yoshiko 

New York, New York Harper, Meg A. 

New York, New York 

Meehan, Nancy 

New York, New York 

Cohen, Ze’eva 

New York, New York Holmes, David 

Washington, D.C. Miller, Tiro G. 

New York, New York 

Comfort, Jane C. 

New York, New York Houston-Jones, Ishmael 

New York, New York Monte, Elisa 

New York, New York 

Condos, Steve 

Pompano Beach, Florida Kagan, Elizabeth 

Berkeley, California Morca, Teodoro 

Bellingham, Washington 

Cratty, William A. 

New York, New York Karp, Nancy 

Emeryville, California Morgan, Victoria 

San Francisco, California 

Cummings, Blondell 

East Elmhurst, New York Kaye, Pooh 

New York, New York Morris, Wendy C. 

Minneapolis, Minnesota 
Dance 11 

Rose, Kathy L. Steinman, Louise Mukerjea, Ritha D. Seattle, Washington New York, New York New York, New York

Rose, Mitchell Stewart, Melanie Mussman, Marjorie S. New York, New York Philadelphia, Pennsylvania Brooklyn, New York 

Streb, Elizabeth A. Naharin, Ohad Salinger, Susan S. New York, New York New York, New York New York, New York

Turocy, Catherine Nealy, Frances E. Schick, Pamela 

Seattle, Washington New York, New York Los Angeles, California 

Self, James T. Vachon, Ann Okada, Kimi D. New York, New York Philadelphia, Pennsylvania San Francisco, California 

Shang, Ruby Vieira, Jelon Pennison, Marleen A. New York, New York New York, New York New York, New York 

Shapiro, Linda J. Wells, Bruce R. Pinnock, Thomas O. Minneapolis, Minnesota Boston, Massachusetts Brooklyn, New York
 

Wiener, Nina
 Simpson, Julie F. Posin, Kathryn O. New York, New York New York, New York New York, New York 

Skura, Stephanie Yung, Eleanor S. Predock, Jennifer New York, New York Albuquerque, New Mexico Brooklyn, New York 

Zane, Arnie M. Rethorst, Susan Small, Robert S.

New York, New York New York, New York New York, New York 

Richter, Mary C. Sokolow, Arma 

New York, New York New York, New York

Rodgers, Rod Audrian Soll, Beth E. 

New York, New York Cambridge, Massachusetts

The following choreographers received $8,000 each: 

Armitage, Karole Jaroslow, Risa Perez, Rudolph 

New York, New York Los Angeles, California New York, New York 

Stein, Daniel A. 

Milwaukee, Wisconsin Cheng, María Johnson, Louis 

Minneapolis, Minnesota New York, New York 

Vernon, Charles R. Fenley, A. Molissa Morris, Mark W. 

Hoboken, New Jersey Chicago, Illinois New York, New York
 

Moschen, Michael J. Wong, Yen Lu
 Frank, Diane New York, New York Los Angeles, California New York, New York 

Osgood, Amy D. Young, Martina L. Irwin, William M. Chicago, Illinois Los Angeles, California New York, New York 

The following choreographers received $12,000 each: 

Renzi, Marta Cook, Charles Conway Reitz, Dana F. 

New York, New York Upper Nyack, New York New York, New York 

Caldero, Joaquin 

Hogansburg, New York 

For a one-year choreographer’s
 

fellowship.
 

$9,510
 

The following choreographers received funds for 

a three-year fellowship ¡total of $24,000 for a
 

three-year period beginning in 1985}:
 

24,000 $24,000 Slyde, Jimmy Beals, Margaret Hanson, Massachusetts New York, New York 

24,000 Perron, Wendy
 

New York, New York
 
 

12 Dance 

The following choreographers received funds for 

a three-year fellowship beginning in fiscal 1983. 

These funds are the remainder of each grant: 

Fagan, Garth
 

Rochester, New York
 

Lamhut, Pbyllis 

New York, New York 

Dance Company Grants 

$8,000 Paxton, Steven 16,000 Charleston, Vermont 

16,000 

To help dance companies realize projects that best serve their artistic and

managerial needs both at home and on tour. 

Program funds: $5,669,894 

Treasury funds: $250,000 

124 grants 

The following grants support activities during the 1984-85 season: 

Acme Dance Company
 

New York, New York
 

Aims of Modzawe
 

Jamaica, New York
 

Aman Folk Ensemble
 

Los Angeles, California
 

American Deaf Dance Company 

Austin, Texas 

Art of Black Dance and Music 

West Sommerville, Massachusetts 

Arts Catalyst Alliance
 

New York, New York
 

Bailes Flamencos
 

San Francisco, California
 

Ballet Foundation of Milwaukee 

Milwaukee, Wisconsin 

Ballet Theatre Foundation
 

New York, New York
 

Ballet West
 

Salt Lake City, Utah
 

Bella Lewitzky Dance Foundation 

Los Angeles, California 

Bert Houle/Sophie Wibaux Mime 

Theatre 

San Francisco, California 

Boston Ballet 

Boston, Massachusetts 

Bucket Dance Theatre 

Rochester, New York 

Capoeira Foundation 

New York, New York 

Changing Times Tap Dancing 

Company 

New York, New York 

For the company’s 16th anniversary home season in January $9,520 1985, a new work by James Cunningham, and touring in schools.
 

For the salaries of artistic personnel of Dinizulu Dancers, Drum­ 9,510 mers, and Singers during rehearsal periods and performances in
 

the New York City and Tri-State arcas.
 

For a self-produced home season, a rehearsal period, the crea­ 60,540 tion of a new work, and the new position of Wardrobe TF 30,000 Conservationist.
 

For guest choreographer Margaret Jenkins to create a new work
 7,015 for the Sharir Dance Company.
 

For dancers’ salaries and production and performance costs for
 8,208 the company’s season.
 

For the home season and a full-time company manager/ad­ 14,265 ministrative director for Nina Wiener and Dancers.
 

For dancers’ salaries during the spring rehearsal and concert
 9,510 season and for the costs of a self-produced home season.
 

To sponsor a tour, including a New York debut in 1985.
 11,608 

TF 30,000 

To provide salaries for artistic and technical personnel for the 496,858 American Ballet Theatre’s tour. TF 50,000 

For the company’s home and touring season, including rehearsal 173,568 periods, performances, and the staging of August Bournonville’s 

Abdallah by company teacher Toni Lander Marks. 

For touring support, rehearsals, and the creation of a new work 47,552 by artistic director Bella Lewitzsky.
 

To amend a previous grant for the creation of new mime pieces
 2,500 by Bert Houle, rehearsals, promotional materials, production expenses, and salaries for the home and touring season. 

For the creation of one new work each by resident choreographer 59,161 Bruce Wells anda guest choreographer, and fora marketing TF 30,000 survey.
 

For the company home season and touring activities during the
 29,720 season, and community service performances.
 

For a festival of performances celebrating Brazilian dance and
 10,500 culture, choreographed by Jelon Vieira and performed by Dance 

Brazfl. 

To support a company administrator, the company’s New York 20,209 City season, a tour of tire major U.S. cities, and film editing and 

archiving activities. 
Chicago City Ballet

Chicago, Illinois 

Choreographics 

Berkeley, California 

Chuck Davis Dance Company 

Bronx, New York 

Cincinnati Ballet Company 

Cincinnati, Ohio 

Cleveland Ballet 

Cleveland, Ohio 

Coming Together Festival of
 

Dance and Music
 

New Paltz, New York
 

Concert Dance Company
 

Watertown, Massachusetts
 

Crowsnest
 

New York, New York
 

Cnnningham Dance Foundation 

New York, New York 

Dan Wagoner Dance Foundation 

New York, New York 

Dance Kaleidoscope
 

Indianapolis, Indiana
 

Dance Miami
 

Miami, Florida
 

Dance Solos
 

New York, New York
 

Dance Theatre Foundation
 

New York, New York
 

Dance Theatre Foundation
 

New York, New York
 

Dance Theater of Harlem
 

New York, New York
 

Dance Visions
 

New York, New York
 

Dances and Drums of Africa 

Brooklyn, New York 

Dayton Ballet
 

Dayton, Ohio
 

Dayton Contemporary Dance 

Company 

Dayton, Ohio 

Dean Dance and Music
 

Foundation
 

New York, New York
 

For 20 weeks of rehearsal for repertory maintenance and the 

creation of new work. 

For the creation of Standing By by artistic director Wendy 

Rogers for the Wendy Rogers Dance Company. 

To support the season, lecture-demonstrations, and the development of a 15-hour workshop by artistic director Chuck Davis. 

For three weeks of rehearsal, salaries, and transportation costs 

for a second home in New Orleans. 

For a rehearsal and an audience development campaign. 

To create a full evening work by artistic director Livia Vanaver
 

for The Vanaver Caravan.
 

To support the creation of a new work by guest choreographer
 

Murray Louis anda comprehensive audience development
 

project.
 

For a collaborative work by company members, the full-time
 

position of company manager/development director, and touring
 

and residencies.
 

For rehearsal of repertory, the creation of new works by artistic 

director Merce Cunningham, self-produced performances in New 

York City, a broadcast quality film/dance filmed by Charles 

Atlas, and domestic touring. 

For a new work by artistic director Dan Wagoner, a rehearsal 

period, and promotional and advertising materials for the home 

and touring season. 

For a residency by Lynn Taylor-Corbett during the 1984-85 

season, continued audience development through pre-concert

discussions, and touring throughout Indiana. 

To support rehearsal salaries during the fall of 1984. 

For production costs for Solo Performance/Annabelle Gamson, 

by filmmaker Anne Belle. 

For two self-produced home performance seasons in New York

City, ten weeks of touring and rehearsal periods for Alvin Ailey 

American Dance Theater. 

For home seasons in New York City, domestic touring, and 

rehearsal salaries for the Alvin Ailey American Repertory 

Ensemble. 

For performances of George Balanchine’s Apollo and Orpheus, 

staged by John Taras and Arthur Mitchell, a four-week New 

York City season, touring, rehearsals, and the expansion of 

development and fundraising activities. 

To amend a previous grant fora new work by Dianne McIntyre. 

For a new work choreographed by artistic director Charles 

Moore. 

To amend a previous grant for performances for elementary 

school students and documentation. 

For rehearsal salaries, performance lees, increased touring in the

Midwest, increased marketing, and the commissioning of a new 

work by Jon Rodriguez. 

For domestic touring, the addition of one administrative staff 

person, and rehearsal salaries for the dancers and musicians. 

l)ance la 

43,392 

8,520 

11,888 

65,385 

76,994 

TF 30,000
 

11,888
 

14,265 

21,398 

214,000 

30,314 

9,510 

9,510 

17,832 

295,000 

29,720 

326,926 

1,510 

26,154 

1,510 

29,720 

77,273 
14 Dance 

Des Moines Ballet Association 

Des Moines, Iowa 

Dimensions Dance Theater 

Oakland, California 

Don Redlich Dance Company
 

New York, New York
 

E. Monte Motion
 

New York, New York
 

Foundation for Dance Prom0tion 

New York, New York 

Foundation for the Joffery Ballet 

New York, New York 

Foundation for Independent Artists 

New York, New York 

Foundation for Independent Artists 

New York, New York 

Friends of Oiympia Station
 

Santa Cruz, California
 

Great American Mime Experiment 

Atlanta, Georgia 

Harry’s Foundation 

New York, New York 

Hartford Ballet
 

Hartford, Connecticut
 

Harvest Dance Foundation 

New York, New York 

Hieronymus Foundation 

New York, New York 

House Foundation for the Arts
 

New York, New York
 

Houston Ballet Foundation 

Houston, Texas 

Hubbard Street Dance Company
 Chicago, Illinois
 

Jose Limon Dance Foundation
 

New York, New York
 

Kentucky Dance Council


Louisville, Kentucky
 

Lola Montes Foundation for Dances 

Los Angeles, California 

Loremil Machado Afro-Brazilian 

Dance Company 

New York, New York 

Lubovitch Dance Foundation 

New York, New York 

Lucinda Childs Dance Foundation 

New York, New York 

To extend the dancer contraer period in 1985. 

For performance salaries for dancers anda new work by a guest 

choreographer. 

For notation of works by Hanya Holm, rehearsal of existing 

repertoire, performance and residency activities, and the creation of a new work by Don Redlich. 

For a new work by artistic director Elisa Monte, and management and development activities. 

For a home season, company touring, and the addition of a parttime development director. 

For home seasons in Los Angeles and New York City, anda nineweek national tour for Joffrey I. 

For Eiko and Koma’s home season in New York City, domestic 

touring, a film project, anda part-time administrator. 

For the creation and videotaping of a new group work by artistic 

director Billy Siegenfeld for Billy Siegenfeld and Dancers. 

For the creation and rehearsal of a new work by Tandy Beal for 

Tandy Beal and Company. 

For the creation, production, performance, and videotaping of a 

program of Native American "Image Making." 

For a new work by Senta Driver, touring, marketing, and promotional materials. 

To amend a previous grant for a tour and new works. 

For a new work by artistic director Rosalind Newman, rehearsals, a tour, a one-week home season, and the positions of administrative assistant and booking agent. 

For a national tour, the creation of new works by artistic director 

Bob Bowyer, anda full-time general manager. 

For the creation of Days of Wrath by artistic director Meredith 

Monk, administrative salaries for fundraising staff, a two-week

tour, and the film and video documentation of past works by Ms. 

Monk. 

For new works by Gilliam Lynne and Helgi Tomasson. 

For the addition of new dancers to the company. 

To amend a previous grant fora rehearsal period anda television
 

documentary.
 

To amend a previous grant for the New Works Program for the 

Louisville Ballet. 

For the California Heritage Program, a three-week tour, anda 

one-íveek rehearsal period. 

For the company’s home season of productions. 

For touring that includes the development of several ongoing 

performing bases, and expanding booking services. 

For production of a new work by Lucinda Childs anda rehearsal 

period. 

9,510 

9,510 

19,021 

14,265 

29,720 

301,926 

TF 25,000 

19,021 

9,510 

9,510 

9,510 

27,937 

2,832 

21,398 

23,776 

67,273 

TF 10,000 

41,608 

19,021 

3,776 

1,510 

7,370 

11,888 

61,682 

35,664 
Lynn Dally Dance Company 

Los Angeles, California 

Mandala Folk Dance Ensemble 

Cambridge, Massachusetts 

Margaret Jenkins Dance Studio 

San Francisco, California 

María Benitez Spanish Dance 

Company 

New York, New York 

Martha Graham Center of
 

Contemporary Dance
 

New York, New York
 

Maryland Dance Theater
 

College Park, Maryland
 

May O’Donnell Dance Company
 

New York, New York
 

Mid Man Dance Foundation 

New York, New York 

Minnesota Dance Theatre and School 

Minneapolis, Minnesota 

Mordine and Company 

Chicago, Illinois 

Moving Earth
 

New York, New York
 

New Arts Foundation
 

Emeryville, California
 

New Dance Ensemble
 

Minneapolis, Minnesota
 

New Dance Theatre
 

Denver, Colorado
 

New Hampshire Mime Theatre
 

Portsmouth, New Hampshire
 

New Life Dance
 

New York, New York
 

New York Baroque Dance Company 

New York, New York 

NewYorkCityBallet
 

New York, New York
 

New York City Hispanic-Ameriean

Ballet Company
 

New York, New York
 

Nikolais/Louis Foundation for Dance 

New York, New York 

NikolaislLouis Foundation for Dance 

New York, New York 

North Carolina Dance Theater 

Winston-Salem, North Carolina 

For rehearsal salaries, travel, and subsistence for rehearsal 

periods to create new works; salary for the company manager; 

and audiovisual promotional materials for the Jazz Tap 

Ensemble. 

To add new choreography from North Africa and promote a selfproduced home season. 

For a new work by Margaret Jenkins, dancers salaries and fees, 

anda development assistant. 

For artistic salaries, fees, and travel expenses fora home season 

and domestic tour; anda rehearsal period for the creation of new 

works. 

For artistic salaries during rehearsal and production support for 

the company’s self-produced 1985 season in New York City. 

For dancers’ salaries and two new choreographic works by
 

Daniel West and Richard Merrill.
 

To amend a previous grant for the creation of a new work anda
 

rehearsal period.
 

For touring, a New York City home season, a new work by artistic director Milton Myers, and two works choreographed by
 

Lester Horton and staged by Carmen de Lavallade.
 

For a 30-minute film/video documentary of the creation and performance of Wingborne and Knoxville: Summer of 1915, by 

Loyce Houlton. 

For a new work by guest choreographer Maria Cheng and 

dancers’ rehearsal salaries. 

For the creation and rehearsal of Light Part by Kei Takei. 

For the creation and production of a new work by artistic director Nancy Karp for Nancy Karp and Dancers. 

For the creation of new works by Leigh Dillard, Linda Shapiro,

Viola Farber, Douglas Dunn, and Charles Moulton. 

For the salary for an assistant artistic director, rehearsal 

salaries, and one work by a nationally known choreographer. 

For the creation of three new productions, including marketing 

and touring of these productions for the Pontine Movement 

Theatre. 

For the creation of a new colloborative work by co-artistic directors Sara and Jerry Pearson, the addition of two dancers anda 

musician, and domestic touring. 

For a new production of one of Handel’s opera-ballets, a

domestic tour, anda part-time administrative assistant. 

For rehearsal periods and touring costs to Saratoga, 

Washington, D.C., Phoenix, and Minneapolis. 

For a rehearsal period, a new work by-Talley Beatty or Vicente 

Nebrada, anda self-produced New York City season. 

For the creation of a new group work, a three-week rehearsal 

period, anda five-week tour for the Murray Louis Dance 

Company. 

For the creation and production of new works and promotional 

materials for the Nikolais Dance Theater. 

For a rehearsal period, the company’s home season, production 

costs of a major new work, and touring. 

Dance 15 

45,420 

9,510 

16,643 

37,447 

185,046 

14,265 

1,350 

29,126 

4,720 

TF 25,000 

7,000 

15,454 

6,500 

9,510 

17,832 

14,265 

9,510 

14,265 

350,000 

29,720 

21,398 

47,552 

51,329 

TF 20,000 
1~ Oance 

Oakland Ballet Association 

Oakland, California 

Oberlin Dance Collective
 

San Francisco, California
 

Ohio Ballet
 

Akron, Ohio
 

Original Ballets Foundation 

New York, New York 

Osgood Dances
 

Chicago, Illinois
 

Pacific Northwest Ballet Association 

Seattle, Washington 

Pantomime Circus Foundation 

New York, New York 

Paul Taylor Dance Foundation
 

New York, New York
 

Pearl Lang Dance Foundation 

New York, New York 

Pennsylvania Ballet Association 

Philadelphia, Pennsylvania 

Philadelphia Dance Company
 

Philadelphia, Pennsylvania
 

Pick Up Performance Company
 

New York, New York
 

Pilobolus
 

Washington, Connecticut
 

Pittsburgh Ballet Theater 

Pittsburgh, Pennsylvania 

Plexus
 

Takoma Park, Maryland
 

Raro Island Dance Company 

Portland, Maine 

Ramon de los Reyes Dance Company 

Boston, Massachusetts 

Repertory Dance Theatre 

Salt Lake City, Utah 

Rio Grande Union 

New York, New York 

Roxanne Dance Foundation 

New York, New York 

San Francisco Ballet Association 

San Francisco, California 

Sidewalk Dance Theatre 

Knoxville, Tennessee 

Solomons Company/Dance 

New York, New York 

Studebaker Mime Company 

Wollaston, Massachusetts 

To amend a previous grant for restaging works, touring, anda 

marketing plan. 

To amend a previous grant for new works, touring, and salary 

for ah assistant general manager. 

For audience development for two home seasons and the 

1984-85 school day performance program. 

For domestic touring by the Feld Ballet. 

To amend a previous grant for touring expenses for the 1984-85 

season. 

For the acquisition and production of Brahms-Schoenberg 

Quartet by George Balachine and rehearsal salaries. 

For six weeks of rehearsal, the video-taping of the work of Lotte 

Goslar, and fundraising. 

For the creation of new works, revival of older works, touring, 

and a self-produced home season. 

For the completion of the filming of Act I of The Possessed, 

directed by filmmaker Bob Rosen and choreographed by artistic 

director Pearl Lang. 

For artistic salaries for rehearsals and performances. 

For the mounting of two new works, a rehearsal period, guest 

teachers, two artists-in-residence, and salaries for the administrative staff. 

For the creation of a new work by artistic director David Gordon, rehearsal salaries, eight weeks of domestic touring and 

dancers’ salaries for a media project. 

For a choreographic project, the expansion of the company, 

guest designers and composers, and workshop performances in 

the region. 

To amend a previous grant for guest choreographers anda 

domestic tour. 

For one half-time administrative staff position rehearsals, production costs, an artistic consultant, the creation of new works,
 

and for repertory maintenance.
 

To expand a home season in Portland and for production costs. 

For salaries, fundraising, and the creation of Carmen by artistic
 

director Ramon de los Reyes.
 

For the development of a subscription chamber series, expansion
 

of community outreach performance services, and rehearsal support for a home season.
 

Fora new work by Douglas Dunn, a rehearsal period, and a
 

videodance collaboration with Charles Atlas.
 

For the creation of a new work by artistic director Dana Reitz
 

and administrative salaries for Dana Reitz and Dancers.
 

For home performances, domestic touring, a 24-week rehearsal 

period, and new productions by Michael Smuin and John McFall. 

To amend a previous grant fora touring project and a full-time 

manager. 

For the creation of a new work by artistic director Gus 

Solomons, which was recreated for vídeo and filmed by Michael 

Schwartz. 

For administrative staff salaries. 

3,776 

3,776 

47,552 

71,329 

1,132 

89,161 

19,021 

297,205 

29,720 

89,161 

29,720 

41,608 

29,720 

2,832 

7,900 

14,265 

9,510 

29,720 

23,776 

14,265 

208,044 

1,510 

13,125 

8,000 
Theatre Flamenco of San Francisco 

San Francisco, California 

Thought Movement Motor 

New York, New York 

Transmedia Kinetrics Coalition 

New York, New York 

Trisha Brown Company 

New York, New York 

Tulsa Ballet Theatre 

Tulsa, Oklahoma 

Twyla Tharp Dance Foundation 

Brooklyn, New York 

United Mime Workers 

Champaign, Illinois 

Valerie Huston Dance Theater 

Santa Barbara, California 

Wallflower Order Dance Collective 

Berkeley, California 

Washington Ballet
 

Washington, D.C.
 

Zero Moving Dance Company


Philadelphia, Pennsylvania
 

Zivili Kolo Ensemble
 

Granville, Ohio
 

Dance 17 

For a new major production and touring. 9,510 

For a home season in New York City, a part-time administrator,

and the creation of a new work by Charles Moulton. 

For a celebration marking the 20th anniversary season of the 

work of artistic director Kenneth King. 

For rehearsals for development and creation of new work and 

maintenance of repertoire, a home season in New York City, and 

four weeks of national touring during the 1984-85 season. 

To hire a full-time director of development. 

13,077 

9.510 

49,930 

13,550 

For the creation of new works and domestic touring. 178,323 

For a tour and a rehearsal period in preparation for the 1985 

touring season. 

For the creation, production, rehearsal, and performance of new 

works choreographed by Valerie Huston, Robin Ferry, and 

Marina Harris. 

12,000 

13,000 

For production costs, documentation, anda performance tour of 

Reunion 1985. 

9,510 

For salaries for a development officer anda development assistant, and for purchase of materials for the development office. 

For a rehearsal period, the creation of a new work íor the company by artistic director Helmut Gottschild, a home season, and 

sponsor development. 

For the creation of Domes Potpourñ and Chñstmas in the Croatian Village, new works by artistic director Pam Kelley. 

35,664 

19,021 

10,000 

The following grants support activities during the 1985-86 season: 

Bucket Dance Theater 

Rochester, New York 

Friends of Olympia Station 

Santa Cruz, California 

Lucinda Childs Dance Foundation 

New York, New York 

Osgood Dances 

Chicago, Illinois 

Pacific Northwest Ballet Association 

Seattle, Washington 

Philadelphia Dance Company 

Philadelphia, Pennsylvania 

Grants to 

Dance Presenters 

American Dance Festival 

Durham, North Carolina 

Anchorage Concert Association 

Anchorage, Alaska 

Arvada Center for the Arts 

and Humanities 

Arvada, Colorado 

$33,757 For a series of 12 performances in Rochester, domestic touring, 

and community service performances in upstate New York. 

9,645 To support a shared New York season at the Joyce Theater. 

50,000 For a rehearsal period and the creation and production of a new 

work by Lucinda Childs. 

8,000 For the salary and expenses fora full-time manager. 

96,449 For eight weeks of rehearsal, home season production expenses, 

and the acquisition of a new work. 

25,077 For domestic touring, choreography fees, and salaries for 

dancers anda full-time public relations director. 

To enable experienced sponsors to present professional dance events of the 

highest artistic quality. 

Program funds: $937,500 

64 grants 

$50,000 For the 50th anniversary celebration presentation of a festival of 

modern dance. 

12,500 For equipment and hall rental and stagehand lees for the 

1984-85 season. 

7,500 For the 1984-85 dance series. 
18 Dance 

Atlanta, City of
 

Atlanta, Georgia
 

Aud~torium Theater Council
 

Chicago, Illinois
 

Ballet Aspen
 

Aspen, Colorado
 

Baltimore Theatre Project
 

Baltimore, Maryland
 

Bardaron 1869 Opera tlouse
 

Poughkeepsie, New York
 

Brooklyn Academy of Music
 

Brooklyn, New York
 

California, Regents of the
 

University of


Berkeley, California
 

California, Regents of the
 

University of


Los Angeles, California
 

Chicago Theatre Group
 

Chicago, Illinois
 

Cleveland Modern Dance Association 

Cleveland, Olúo 

Colorado Springs Dance Theatre
 

Colorado Springs, Colorado
 

Columbia College
 

Chicago, Illinois
 

Community Services
 

Brooklyn, New York
 

Contemporary Dance Theatre
 

Cincinnati, Ohio
 

Creative Time
 

New York, New York
 

D.C. Wheel Productions
 

Washington, D.C.
 

Dance Theatre Workshop
 

New York, New York
 

Davis and Eikins College


Elkins, West Virginia
 

Emanu-el Midtown YM-YWHA
 

New York, New York
 

Flynn Theatre for the Performing 

Arts 

Burlington, Vermont 

Friends of the Arts
 

Locust Valley, New York
 

Grand Opera House 

Wilrnington, Delaware 

Haleakala 

New York, New York 

Hartford Ballet 

Hartford, Connecticut 

Hill IThelma) Performing Arts Center 

Brooklyn, New York 

For the presentation of dance performances, workshops, and 7,500 conferences throughout the 1984-85 season.
 

For artists’ fees for the 1984-85 season at the Auditorium
 15,000 Theatre Council.
 

For a two-week summer residency of Ballet West and residencies
 15,000 of additional compardes.
 

For artists’ lees and production and promotion costs for
 5,000 Dancefest during the summer of 1984.
 

For a series of dance events during the 1984-85 season at the
 5,000 Bardavon Opera House.
 

For Twyla Tharp’s New York Season, the Hoofer’s Tap Festival,
 75,000 Dance Africa, and a major ballet series during the 1984-85
 

season.
 

For a long-term residency of the Martha Graham Dance Com­ 20,000 pany during the 1984-85 season. 

For dance performances and workshops by several American 30,000 dance companies during the 1984-85 season. 

For the presentation of the Goodman Theatre’s 1984-85 dance 7,500 series.
 

For artists’ fees, production costs, and advertising for the
 12,000 1984-85 concert series.
 

For artists’ fees fora residency of the Houston Ballet.
 7,500 

For artists’ fees and promotional costs for the 1984-85 season at 8,500 the Dance Center.
 

For the presentation of national dance companies at Brooklyn
 17,500 Center for the Performing Arts during the 1984-85 season.
 

For artists’ lees and publicity expenses for a series of dance
 5,000 presentations during the 1984-85 season at the Dance Hall.
 

For the presentation of new dance performances by emerging
 7,500 dance companies at "Art on the Beach" during the summer of
 

1984.
 

For artists’ fees and management services for the 1984-85 per­ 10,000 formance series at the Dance Place.
 

For the Dance Production Project, through which dance artists
 50,000 and companies are presented throughout the 1984-85 season.
 

For the International Mime and Movement Festival sponsored
 10,000 by the School of Movement Research in the summer of 1984.
 

For artists’ fees and promotional production costs for the
 7,500 1984-85 season at the Dance Center.
 

For the dance series during the 1984-85 season at the Flynn
 12,000 Theatre. 

For the third annual "Dazzling Dance" subscription series 10,000 presented during the 1984-85 season.
 

For the presentation of several dance companies during the
 7,500 1984-85 season.
 

For "Dancing in the Kitchen," a series of performances by ex­ 12,000 perimental choreographers.
 

For the presentation of the Pittsburgh Ballet Theater during the
 10,000 1984-85 season.
 

For artists’ fees and other costs for a series of dance concerts
 15,000 presented at the Thelma Hill Performing Arts Center. 
Illinois, University of 

Urbana, Illinois 

Institute for Art and Urban 

Resources 

Long Island City, New York 

Intermedia Art Center 

Bayville, New York 

Iowa, University of 

Iowa City, Iowa 

Jacob’s Pillow Dance Festival 

Lee, Massachusetts 

KinetikosDanceFoundation 

Los Angeles, California 

Lake Placid Association lar
 

Music, Drama, and Art
 

Lake Placid, New York
 

Los Angeles Arca Dance Alliance
 

Los Angeles, California
 

Mamaroneck Free Library
 

Mamaroneck, New York
 

McCarter Theatre Company
 

Princeton, New Jersey
 

MaMing Dance and Arts Center
 

Chicago, lllinois
 

Music Hall Center lar the
 

Performing Arts
 

Detroit, Michigan
 

Natural Heritage Trust
 

Lewiston, New York
 

New Performance Gallery
 

of San Francisco
 

San Francisco, California
 

On the Boards
 

Seattle, Washington
 

Painted Bride Art Center
 

Philadelphia, Pennsylvania
 

Pennsylvania, Trustees of the


University of
 

Philadelphia, Pennsylvania
 

Pittsburgh Dance Council
 

Pittsburgh, Pennsylvania
 

Portland Center lar the
 

Visual Arts
 

Portland, Oregon
 

Ravinia Festival Association
 

Chicago, Illinois
 

Regional Arts Foundation
 

West Palm Beach, Florida
 

Ririe-Woodbury Dance Foundation 

Salt Lake City, Utah 

For artists’ lees for visiting dance eompanies during the 1984-85 

season at the Krannert Center íor the Performing Arts. 

For choreographers’ honoraria and promotion and documentation costs for the 1984 spring dance festival sponsored by P.S.1. 

For the presentation of contemporary choreographers and other

dance-related events, such as film and vídeo screenings, during 

the 1984 season. 

For a long-term residency of the Nikolais Dance Theatre during
 

the summer of 1984 at the Hancher Auditorium.
 

For artists’ lees and related expenses lar the 1984 Jacob’s Pillow
 

Dance Festival.
 

For artists’ lees for the Kinetikos Dance Foundation’s
 

Choreographers’ Showcase.
 

For artists’ fees lar long-term residencies of the Twyla Tharp
 

Dance Company and the Erick Hawkins Dance Company during
 

the summer of 1984.
 

For artists’ lees, technical support, and advertising for Dance

Kaleidoscope, the Ethnic Festival Series, the Dance Exchange, 

and the Established Artists Series. 

For artists’ fees for the 1984-85 dance series at the Emelin 

Theatre lar the Performing Arts. 

For artists’ lees lar the 1984-85 Dance-at-McCarter performance season. 

For the presentation of local and touring companies at MoMing 

during the 1984-85 season. 

For the 1984-85 dance series at the Music Hall Center lar the 

Performing Arts. 

For Artpark’s tenth anniversary performance season during the 

summer of 1984. 

For the presentarían of post-modern dance artists and companies during the 1984-85 season. 

For the sponsorship of performances and r.esidencies by dance

artists, comparües, and choreographers at the Washington Hall

Performance Gallery during the 1984 season. 

To present "Dance with the Bride" 1984-85, a season of performances by local choreographers and companies and selected outof-town performers. 

For the Contemporary Dance Series in 1984-85 at the Annenberg Center lar Communication Arts and Sciences. 

For the Pittsburgh Dance Council’s 1984-85 season of contemporary dance companies and avant-garde/post-modern dance 

companies. 

For a presentation of contemporary dance performances by 

emerging and local performers during the 1984-85 season. 

For the Festival of American Dance series in 1984, which in­ cludes a week of ballet and two weeks of contemporary dance. 

For artists’ fees, production costs, and advertising for the 

Regional Arts Foundation’s Dance Series in 1984-85. 

For the presentation of the Nikolais Dance Theatre during the 

1984-85 season. 

Dance 19 

15,000 

7,500 

5,000 

15,000 

60,000 

3,500 

5,000 

12,000 

3,500 

7,500 

12,500 

26,000 

25,000 

14,000 

7,500 

2,500 

12,000 

15,000 

10,000 

17,500 

15,000 

7,500 
20 Dance 

St. Mark’s Church-in-the-Bowery 

New York, New York 

San Antonio Performíng Arts 

San Antonio, Texas 

Society for the Performing Arts 

Houston, Texas 

Southern Ballet Theater 

Winter Park, Florida 

Spoleto Festival U.S.A.
 

Charleston, South Carolina
 

Stockton State College
 

Pomona, New Jersey
 

Temple Beth Sholom of Greater 

Miami 

Miami, Florida 

Theatre for the New City
 

New York, New York
 

Theatre of the Riverside Church 

New York, New York 

Wajumbe Cultural Institution 

San Francisco, Callfornia 

Walker Art Center
 

Minneapolis, Minnesota
 

Washington Performing Arts Society 

Washington, D.C. 

Washington Project for the Arts 

Washington, D.C. 

Wesleyan University 

Middletown, Connecticut 

Dance/Film/Video 

Alexander, Susan 

New York, New York 

American Dance Festival 

Durham, North Carolina 

Arts Resources in Collaboration 

New York, New York 

Beeson, Coni 

Belvedere, California 

Brodsky, Bob 

Somerville, Massachusetts 

Brown, Carolyn 

Millbrook, New York 

Buckley, Timothy 

New York, New York 

Chuma, Yoshiko 

New York, New York 

For the presentation of works by emerging and experimental 

choreographers at Danspace. 9,000 

For artists’ fees and production and promotional expenses for 

the 1984-85 new dance series. 15,000 

For the presentation of major dance residencies during the 

1984-85 performance season. 35,000 

Fora residency of the Joffrey Ballet as part of the theater’s 

1984-85 dance series. 5,000 

For artists’ lees and expenses related to the 1984 Spoleto 

Festival. 22,000 

For artists’ lees for the 1984-85 dance series at Stockton State 

College and Glassboro State College. 5,700 

For the fifth annual two-week residency of the American Ballet 

Theatre. 10,000 

For artists’ lees and promotional and production costs for the 3,000 1984-85 dance presentation season.
 

For artists’ lees and the salaries of management and technical
 8,500 staff for the presentation of the Riverside Dance Festival. 

For the seventh annual Black Dance Festival held in conjunction 6,300 with Black History Month in February 1985. 

For the presentation of visiting companies and choreographers 27,500 during the Walker Art Center’s 1984-85 season.
 

For artists’ fees, promotion, and presentation expenses for the
 30,000 1984-85 Washington Performing Arts Society dance series. 

For three-week dance residencies during the 1984-85 season. 5,000 

For three collaborations of post-modern dance artists with 5,000 visual, music, and theater artists during the 1984 season. 

To help individuals and organizations other than dance companies document major works or extend the art of dance through the use of film and 

videotape. 

Program funds: $258,750 

42 grants 

To continue a collaboration with filmmaker David Robinson that $2,500 combines dance with film in performance.
 

To document performances of the festival’s 50th anniversary.
 5,000 

For three choreographers to work with video equipment and 4,000 create a work specifically for vídeo.
 

For a mixed media documentation of Arma Halprin, using
 5,000 photographs, videotapes, and film in addition to a new developed 

theater piece. 

To aid in the development of a sponsor search for the film por­ 1,000 trait John Lindquist Photographer of the Dance. 

For additional support for Ms. Brown’s new "ballet for film." 6,000 

For the creation of a dance video work by Mr. Buckley with 4,000 vídeo artists Robert Sheff and Ken Beckman. 

For the production of a 30-minute film by Yoshiko Chuma, 6,000 employing diverse film techniques and dance performance. 
Dance 21 

Dance Theater Workshop 

New York, New York 

For the documentation of 32 artists/companies produced by 

DTW, and the Video/Choreographer collaboration project. 

9,000 

Fisher, Ellen 

New York, New York 

For the production of a film used in performance in collaboration 

with filmmaker Thomas Palazzolo. 

5,000 

Foundation for Independent Artists 

New York, New York 

For the production of the vídeo component for Tiro Miller’s 

Democracy in Arnerica, created in collaboration with vídeo artist 

8,000 

Greg Miller. 

Foundation for Independent Artists 

New York, New York 

For a multi-purpose video production involving video artist 

Michael Schwartz with Nina Wiener, Gus Solomons, and Church 

7,500 

Davis. 

Fox, Lisaand Curt Royston To complete post production on three short films by 1,500 

New York, New York choreographer Lisa Fox and filmmaker Curt Royston. 

Gardner, Elaine For collaboration with filmmaker Ken Rowe for the filming of 3,000 

Snyder, New York Ms. Gardner’s work: 9.2.5/Purnps 4-P/M.N.S.X. 

Greenfield, Amy For a film/dance by Ms. Greenfield based on Antigone. 5,000 

New York, New York 

Gross, Sally 

New York, New York 

For a film/dance by Ms. Gross made in collaboration with visual 

artist Joan Kurahara. 

2,000 

Haleakala For The Kitchen to document and preserve through film the re­ 8,000 

New York, New York cent reconstruction of Oskar Schlemmer’s Bauhaus dances. 

Haleakala For the documentation of choreographers presented in the "Dan­ 8,000 

New York, New York cing in The Kitchen" series in 1984. 

Heick, William R. and For the filming of sacred Javanese dance Bedoyo Ketawaug in 5,000 

Gordon Mueller Indonesia. 

San Francisco, California 

Hemmendinger, Lucy 

New York, New York 

For production of a dance/video piece by Ms. Hemmendinger in 

collaboration with dancer/choreographer Jeff McMahon. 

5,000 

Jacob’s Pillow Dance Festival For the creation of a one-hour program on the 50th anniversary 7,500 

Lee, Massachusetts oí the Pillow. 

Jaroslow, Risa To expand current work through the use of editing and playback 3,000 

New York, New York equipment for Ms. Jaroslow’s video/performance work. 

Kaye, Pooh and Liz Ross To complete the film, Eccentric Motions. 5,000 

New York, New York 

Levy, Monica For the production of a film used in a performance context. 3,000 

New York, New York 

Los Angeles Arca Dance Alliance

Los Angeles, California 

For the Dance/Video Center to provide recording, screening, and 

duplicating services at low cost to the dance commurúty. 

7,500 

Minnesota Independent For two choreographers to collaborate with a videographer to 3,500 

Choregrapher’s Alliance produce a short new dance/video work for each dance artist. 

Minneapolis, Minnesota 

National Council for the For a 16mm film documenting the Royal Khmer Classical Dance 5,000 

Traditional Arts Company of Cambodia, now in residence as refugees in the 

Washington, D.C. United States. 

New York Public Library For the Dance Collection at the Performing Arts Library at Lin­ 50,000 

New York, New York coln Center. 

On the Boards To document and archive established dance artists from the 3,000 

Seattle, Washington Seattle community, including some nationally known artists. 

Perron, Wendy 

New York, New York 

For a col]aborative dance/video project with video artist/dancer 

Cathy Weis. 

5,000 

Riverside Church in the To document artists performing during the 1984 season of the 7,000 

City of New York Riverside Dance Festival. 

New York, New York 

Rose, Kathy To create a 15-minute movement piece for video. 3,000 

New York, New York 
22 Dauce 

St. Mark’s Church-in-the-Bowery 

New York, New York 

Schwartz, Michael
 

New York, New York
 

Summers, Elaine
 

New York, New York
 

Tootikian, Karoun
 

Los Angeles, California
 

Twin Cities Public Television
 

Minneapolis, Minnesota
 

Vídeo Free America
 

San Francisco, California
 

Walker Art Center
 

Minneapolis, Minnesota
 

WGBH Educational Foundation
 

Boston, Massachusetts
 

Wyrrick, Sharon
 

Washington, D.C.
 

Yellow Springs Institute foi 

Contemporary Studies and the Arts 

Chester Springs, Pennsylvania 

General Services 

to the Field 

Affiliate Artists 

New York, New York 

American Dance Festival 

Durham, North Carolina 

Arts Resources in Coilaboration 

New York, New York 

Association of Ohio Companies 

Cleveland, Ohio 

Chicago Dance Arts Coalition 

Chicago, Illinois 

Chinese American Arts Council 

New York, New York 

Cleveland Modern Dance Association 

Cleveland, Ohio 

Cunningham Dance Foundation 

New York, New York 

Dance Notation Bureau 

New York, New York 

Dance Theatre Workshop 

New York, New York 

For the documentation of dance artists performing at the 2,250
 

Danspace Project during the 1984 season.
 

For the creation of a new video collaboration with choreographer 5,000
 

Elizabeth Streb.
 

For the creation of a half-hour vídeo program and installation of 2,000
 a new work by Ms. Summers.
 

To support the transfer of film footage on Ruth St. Denis. 4,500 

For the final edit of a 30-minute program documenting the 5,000
 

development of a new dance work by David Gordon and his
 

company.
 

For the documentation of performances and editing of booking 5,000
 

tapes through the Dance Video Access Program.
 

For a 30-minute video dance work by Eiko and Koma. 8,000 

For the activities of the Dance Project of the WGBH New 20,000
 

Television Workshop.
 

For the production of a video tape by Ms. Wyrrick and video ar- 2,000
 

tists Maurice Jacobsen and Carol Slatkin.
 

For a collaborative work by choreographer Melanie Stewart and 2,000
 

vídeo artist Alan Powell.
 

To assist organizations or individuals who provide services to dance companies, dancers, and choreographers on a national or regional level, or who 

increase the visibility of dance in their communities or regions. 

Program funds: $627,010
 

41 grants
 

For five six-week residencies of dancers and mime artists $18,000
 throughout the country.
 

For the American Dance Festival Critic’s Conference, which 5,000
 

serves to stimulate interest, expand knowledge, and develop
 

skills in the technique of dance criticism.
 

For Video Services for Dancers, a program that provides dancers 2,500 

with low-cost recording services, free consultation, and advice. 

For the newsletter, dance calendar, and the presentation of the 4,000
 

dance festival.
 

For the Chicago Dance Arts Coalition’s special projects for 1984. 2,000 

For the council’s dance membership services, which provide 2,000 

bookings, publicity in audio and print media, and space rental. 

For the Cleveland Modern Dance Association’s and the New 2,000 Gallery for Contemporary Art’s program of a dance critic’s lecture on modern and post-modern dance, anda program of new 

dance performance. 

For salaries, supplies, and materials for the operation of the Cun- 4,500 

ningham Studio asa low-cost performance facility for dance 

artists. 

For Dance Notation Bureau’s ongoing program of dance 25,500 

documentation vía Labanotation. 

For membership services, including advertising, grants design 35,000 

services, a promotion calendar, direct-mail assistance, and the 

Poor Dancer’s Almanac. 
Dance/USA 

Washington, D.C. 

Danceworks 

New York, New York 

Davis and Elkins College 

Elkins, West Virginia 

Ethnic Folk Arts Center 

New York, New York 

55th Street Dance 

Theatre Foundation 

New York, New York 

Foundation for the 

Extension and Development of 

the American Professional Theater 

New York, New York 

Foundation for the 

Extension and Development of 

the American Professional Theater 

New York, New York 

Foundation for the ¥ital Arts 

New York, New York 

Gottfried, Linda 

Washington, D.C. 

Joy of Movement Dance Umbrella 

Cambridge, Massachusetts 

Joyce Theatre 

New York, New York 

Lemmon, Jack 

Plüladelphia, Pennyslvania 

Los Angeles Area Dance Alliance 

Los Angeles, California 

Mid-America Arts Alliance 

Kansas City, Missouri 

Minnesota Independent 

Choreographers Alliance

Minneapolls, Minnesota 

MoMing Dance and Arts Center 

Chicago, Illinois 

Movement Research 

New York, New York 

Movement Research 

New York, New York 

National Associatlon for 

Regional Ballet 

New York, New York 

National Association for 

Regional Ballet 

New York, New York 

For services to the dance field, including provision of a 30,000
 

statistical data base, newsletter and the National Conference.
 

For Pentacle’s services to dance companies, including com- 30,000
 

prehensive fiscal and payroll management, administrative
 

representation, tour management, grant writing, a resource
 

center, and home-season public relations.
 

To support the National Mime Conference II during the Interna- 8,500"
 

tional Mime and Clown Festival held in July 1984 in Elkins,
 

West Virginia.
 

For the Ethnic Folk Arts Center to provide a low-cost perfor- 2,500
 

mance facility service includlng the use of sound and lighting
 

equipment, house management, a monthly calendar of events,
 

íull mailing list and reservation services.
 

For the 55th Street Dance Foundation’s Subscription Fulfill- 12,000
 

ment Program, a ticket subsidy program that serves dance companies performing at City Center.
 

For the Management Technical Assistance program, which 15,000
 

assists professional dance companies in management, board
 

development, and comprehensive planning.
 

For a cooperative agreement to provide a program of ad- 150,000
 

ministrative and consultant services related to artistic and administrative evaluation of professional dance companies, service
 

organizations and individual choreographers througbout the
 

United States.
 

5,000 For the Interaction Series, which provides studio and theatre

space for dance artists anda New York State directory of black 

dance companies on tour. 

25,870 To amend Ms. Gottfried’s fellowship in the Dance Program to include on-site evaluations of current and potential Dance Program grant appllcants. 

5,000 For the Dance Umbrella, which provides dance companies a lowcost package of production and promotional services. 

For the Production Support Services, which include technical 20,000 

assistance, box office services, and front-of-house services for 

dance companies and artists performing at the Joyce Theater. 

To participate as a Fellow in the Dance Program during the sum- 4,640" 

mer session. 

14,000 For the administrative staff, the impro’Jement of membership 

services, anda program of management training services. 

3,000 For the Dance Network, which includes a series of newsletters, 

information bulletins, a regional meeting, anda resource book on

the regional dance community. 

For a production assistance fund for choreographers anda series 7,500 

oí career-development workshops. 

7,500 For MoMing’s performance services to Chicago area

choreographers and dancers. 

For the Studies Project, consisting of dance and discussions by 2,500 

post-modern choreographers. 

For workshops and performances by members of the post- 2,000 

modern to encourage the development of an involved, critical audience for new dance. 

For the Craft of Choreography Conferences, which enable 15,000 

choreographers to develop new ideas and new works. 

For the National Choreography Plan, the Board Member Hand- 25,000 

book, the scenery and costume exchange, and the regional 

festivals. 
24 l)ance 

New Performance Gallery of 

San Francisco 

San Francisco, California 

New York Public Library 

New York, New York 

On theBoards 

Seattle, Washington 

Performance Space 122 

New York, New York 

Performing Artservices 

New York, New York 

Philadelphia Dance Alliance 

Philadelphia, Pennsylvania 

San Antonio Performing 

Arts Association 

San Antonio, Texas 

San Francisco Bay Atea 

Dance Coalition 

San Francisco, California 

Southern Arts Foundation 

Atlanta, Georgia 

State Dance Association 

of Florida 

Tallahassee, Florida 

Theatre Development Fund 

New York, New York 

Wells, Kathryn I. 

Honolulu, Hawaii 

~ "~~peclm Projects 

Dance/U.S.A.

Washington, D.C. 

Dance Theater Workshop 

New York, New York 

Dance Theatre of Harlem 

New York, New York 

Folly Theatre 

Kansas City, Missouri 

For the Performance Gallery, a performance and rehearsal space 10,000 

made available for dancer performances at a low cost. 

For staff salaries for the Dance Collection, which provides access 25,000 

to important materials and information in the collection’s Performing Arts Research Center. 

For "Choreography Etc.," a monthly forum in which 7,500 

choreographers, musicians, and performance artists present new 

work. 

For salaries, a bi-monthly calendar, advertising, and the opera- 5,000 

tion of P.S. 122 asa low-cost performance facility for dance 

artists. 

For Artservices’ program of managerial, administrative, and 13,000 

production services to the dance community. 

For the publication and distribution of a monthly dance calendar 2,000 

and presentation of a city-wide dance festival for the 

Philadelphia dance community. 

For the Jose Greco Dance Workshop, which includes lectures, 5,000 

media classes, and workshops. 

For information and advocacy services to the Bay Area dance 18,000 

community. 

For the second choreographic assistance project that will enable 12,000 

Southeastern dance companies to receive financial support for 

engaging a guest choreographer. 

For the presentation of the 1984 Summer Workshop in Miami. 2,000 

For the Dance Voucher Program, the publication of New York 37,500 

On-Stage, anda ticket subsidy program. 

To participate asa Fellow in the Dance Program during the sum- 4,500* 

mer session. 

For special initiatives not eligible under other grant categories. Included

are Dance/Inter-Arts/State Programs Presenting/Touring Initiative grants, 

awarded in conjunction with the Inter-Arts and State Programs to increase 

the quality and quantity of dance presentations throughout the nation. A 

partial list of these grants is included in this section; the remaining grants 

are included under the same category in the Inter-Arts Program. 

Program funds: $610,980 

10 grants 

To analyze the financial and operational characteristics of dance $18,600 

companies throughout the country to provide a comprehensive 

documentation of the scope, character, and functions of 

America’s dance community. 

For the dance component of Dance Theater Workshop’s Na- 100,000 

tional Performance Network, linking independent performing artists and small emerging companies with presenting organizations throughout the country. 

To assist the company in replacing vídeo tape equipment stolen 10,000" 

during the robbery of the company’s studio in September 1983. 

To support the Alvin Ailey American Dance Theater’s two-week 10,000 

residency in Kansas City, Missouri, during the 1983-84 season. 
Dance 25 

Martha Graham Center of 

Contemporary Dance 

New York, New York 

For an archival film project recording the technique, rehearsals, 

and performances of three of Ms. Graham’s ballets; voice-over

commentary by Ms. Graham to existing fflms of ten of her 

ballets; and collections of oral lüstories, interviews, and 

photographs from persons who have worked with Martha 

Graham. 

250,000 

Pentacle Management 

New York, New York 

To administer the National Choreography Project, which offers

grants to mid-sized-to-large repertory dance companies to assist . 

them in producing new dance works by choreographers with 

whom they have not previously worked. 

100,000 

Dance/Inter-Arts/State Programs Presenting/Touring Initiative 

Affiliated State Arts Agencies For artists’ lees to presenters of regional and national dance 

of the Upper Midwest companies. 

Minneapolis, Minnesota 

Alaska State Council on the Arts For artists’ lees to presenters for touring and residencies of outAnchorage, Alaska of-state dance companies. 

Delaware State Arts Council For artists’ lee support to presenters of out~f-state professional ’ 

Wilmington, Delaware dance/mime companies and artists during the 1984-85 season. 

North Carollna Arts Council For artists’ fees to presenters of nationally known block-booked 

Raleigh, North Carolina dance compalües, for a post-modern dance festival, and for individually booked, out-of-state dance companies. 

$66,380 

21,500 

4,500 

30,000 

* Chairman’s Action 

TF-Treasury Funds 
27 

DesignArts
 

Winning rendition from Escondido, California’s Civic Center Competition, submitted by Pacific Associates, San Diego, with DMJM, Los Angeles. 
28 

Desi~ Art8 grants Program funds: $4,737,319

1~9 grants 

Entering Professional 

~esi~ner Prniect 

Fellowships 

Arthur, Robert A. 

Somerville, Massachusetts 

Cathedral of St. John the Divine
 

New York, New York
 

Darden, J. Douglas 

Baltimore, Maryland 

Feldman, Melissa 

New York, New York 

International Design Education
 

Foundation
 

Los Angeles, California 

Konkel, Joan B. 

Washington, D.C. 

Ladewig, Christopher G. 

Providence, Rhode Island 

Todisco, Patrice 

Melrose, Massachusetts 

Wells-Bowie, LaVerne 

Oakland, California 

Individualrrojec~ 

Fellowships 

Bednar, Michael J. 

Charlottesville, Virginia 

Bletter, Rosemarie H. 

New York, New York 

Craig, Lois A. 

Urbana, Illinois 

Feiner, George Leopold 

North Hollywood, California
 

Gill, Susan P.
 

Boston, Massachusetts
 

To enable professional designers in the early stages of career development, 

designers returning to the field after a prolonged absence, or those changing careers within the design disciplines to carry out a specific design, 

research, or educational project. 

Program íunds: $105,000 

9 grants 

For travel and photo documentation of American art moderne $5,000 

bus terminals built during the 1930s and ’40s. 

For the Stoneyard Institute to develop and preserve the craft 40,000 

skills of stone cutting, carving, and setting through ah intern 

program for designers and craftsmen. 

To study American heavy industrial manufacturing facilities for 5,000 

a book on the changing relationship among American manufacturing processes, American work ideals, and industrial 

architecture. 

To designa publication on communication structures and ob­ 5,000 

jects in the street (i.e., murals, kiosks, billboards, bus stops). 

To support NEA/IDEF Fellowships that enable minority 30,000 

students to attend the International Design Conferences in

Aspen, Colorado. 

To explore the use of worked sheet metal and cast metal as integrated elements of clothing. 5,000 

For an industrial design exploration to test and refine design 5,000 

concepts for safety headgear that protect the head, eyes, ears,

and respiratory system of users. 

To begin research for a book on the relationship between 5,000 

American women writers (1830-1930) and the gardens they 

designed. 

For a study of the vernacular housing on Daufuskie Island, 5,000 

South Carolina. 

To enable professional designers and other qualified individuals to carry 

out specific design, research, of educational projects. 

Program funds: $299,340 

30 grants 

To analyze about 75 buildings to complete a comprehensive $7,100 

study on the design of buildings with atria. 

For a study of American architecture from 1945-85, observing 10,000 

design trends and issues. 

To research and prepare materials for articles and eventually a 10,000 

book depicting the design and development of the American 

suburb. 

To further develop the grantee’s previous work in inter- 10,000 

reflection light theory and to translate his earlier work into 

English. 

To complete the writing of Play Spaces, a book that explores 10,000 

how the spaces designed for play reflect our culture and transmit 

its values. 

Graeff, Robert F. 

Blacksburg, Virginia 

To research, design, and test a new bathtub design for elderly 

and disabled persons. 

10,000 

Haase, Ronald W. 

Gainesville, Florida 

To document Cracker architecture in Florida with photographs, 

drawings, and text. 

10,000 
Design Arts 9.9 

Heller, Steven and Louise Fili 

New York, New York 

To compile a monograph ~md bibliography on the work, theory, 

and philosophy of graphic designer William Addison Dwiggins 

10,000 

I1880-1956). 

Hoag, Richard 

Tallahassee, Florida 

To develop an annotated bibliography of architectural competitions in the United States. 

10,000 

Internatioual Design 

Education Foundation 

To sponsor mid-career professional fellows to attend the 1984 International Design Conference in Aspen. 

18,740 

New York, New York 

Karmi-Melamede, Ada 

New York, New York 

To document the major buildings constructed in Palestine from 

1920-40. 

9,500 

Kluesing, Cherie L. 

Belmont, Massachusetts 

To prepare a book of site documentation, descriptions, and 

analyses of contemporary American landscapes. 

10,000 

Lord, David 

Honolulu, Hawañ 

For final preparation of a manuscript showing how environmental control systems--lighting, heating, air conditioning, ventilation--can give shape to a building. 

10,000 

Margolies, John 

New York, New York 

To produce a photographic and design analysis of seaside resorts 

along the U.S. Atlantic coast. 

10,000 

Merwin, William S. To develop prose collections that explore the relationships be­ 10,000 

New York, New York tween people and architecture. 

Messenger, Pam-Anela 

San Francisco, California 

To prepare a biography and historical overview of the life and 

work of landscape architect Thomas Dolliver Church. 

10,000 

Miller, Myron 

Brookline, Massachusetts 

To develop a microcomputer system for architectural programming and designing. 

10,000 

Moore, Sandra aud Jerome Aumente 

Newark, New Jersey 

To organize the material for a documentary film profiñng

selected black female architects. 

4,000 

Nelson, Doreen 

Los Angeles, California 

To allow the applicant to work with directors and staff in the 

Design Education Department of Britain’s Royal College of 

10,000 

Nevins, Deborah F. To complete work on Natural Garden and Landscape Movement 10,000 

NewYork, NewYork in England and America from 1860-1914, a book that 

documents and analyzes the movement’s design methods. 

Parsons, Kermit C. To select and prepare for publication important letters and un­ 10,000 

Ithaca, New York published reports of architect and planner Clarence S. Stein. 

Pevnick, Stephen 

Milwaukee, Wisconsin 

To further develop and test Mr. Pevnick’s computer-run

light/water fountain. 

10,000 

Polyzoides, Stefanos D. 

San Marino, California 

To catalogue, evaluate, and build some reproductions of the furniture designs of architect Rudolph M. Schindler. 

10,000 

Riley, Robert B. 

Urbana, Illinois 

For ah analysis of contemporary and historical tarden design,

exploring the relationship between gardens and people’s desire 

to control natural environments. 

10,000 

Silvetti, Jorge 

Cambridge, Massachusetts 

For ah exploration of the current status of architecture as 

~elated to other design and visual arts. 

10,000 

Sky, Alison 

New York, New York 

To explore and experiment with ways of using interior items 

such as doors, windows, floors, moldings, and ceilings as en10,000 

vironmental artwork. 

Slayton, William L. To study examples of architect-selection procedures that have 10,000 

Washington, D.C. resulted in particularly good architecture and inform public

building clients about these architect-selection procedures and 

the importance of including public space in buildings. 

Vergara, Camilo J. 

New York, New York 

To prepare an exhibition of photographs, maps, and text analyzing and illustrating cemeteries and funerary monuments in 

10,000 

urban areas. 

Williams, Tod, Billie Tsien, For two architects anda sculptor to jointly produce the ma­ 10,000 

and Mary Miss quette fora prototypical entryway fora public building. 

New York, New York 

Woollett, William To complete a lithograph series on the Hoover Dam and prepare 10,000 

Santa Barbara, California the text for a limited-edition book. 
30 Design Arts 

Distinguished Designer 

Sabbatical Fellowships 

American Academy in Rome 

New York, New York 

Blake, Peter J. 

Washington, D.C. 

Harvard College, President and Fellows of 

Cambridge, Massachusetts
 

Knowles, Ralph L.
 

Los Angeles, California
 

Land, Peter D.
 

Chicago, Illinois
 

Design Demonstration 

American Institute of Architects 

Foundation 

Washington, D.C. 

American National Red Cross and Its 

Chapters, Branches, and Auxiliaries

Washington, D.C. 

Arizona State University 

Tempe, Arizona 

Association of Student Chapters of 

the American Institute of Architects 

Washington, D.C. 

Black Archives, History, 

and Research Foundation of 

South Florida 

Miami, Florida 

Burlington, City of 

Burlington, Vermont 

Cedar Rapids Art Association 

Cedar Rapids, Iowa 

Escondido, City of 

Escondido, California 

Florida, University of 

Gainesville, Florida 

Foundation for Architecture 

Philadelphia, Pennsylvania 

Framingham, Town of

Framingham, Massachusetts 

Gallery Theatre 

Ahoskie, North Carolina 

To provide time for accomplished professional designers to explore areas of 

interest or new approaches to design. 

Program funds: $190,000 

9 grants 

$60,000 Nagle, James L. 

Chicago, Illinois 

15,000 

15,000 Nelson, George 15,000 

New York, New York 

25,000 Pulos, Arthur 

Syracuse, New York 

15,000 

15,000 Schlesinger, B. Frank 

Washington, D.C. 

15,000 

15,000 

For planning and design activities that demonstrate the practical nature of 

good design, such as feasibility studies, conceptual and schematic design, 

and planning and studies for design projects of special merit. 

Program funds: $1,093,689 

37 grants 

For the development of innovative programs by the 275 local $50,000 

chapters of the American Institute of Architects in understanding, evaluating and participating in the preservation, enhancement, and future of local civic environments. 

To design and develop a model disaster services vehicle. 10,000 

To conduct a national architectural competition to develop a 100,000 

design for a fine-arts complex. 

To conduct Beaux Arts Planning--Revisited, a national student 42,300 

design competition fox: the downtown waterfront area of San 

Francisco. 

To develop a plan and design guidelines for the revitalization of 17,000 

Overtown, a historically significant black neighborhood in 

Miami. 

To assist in developing a plan for the revitalization of Bur- 20,000 

lington’s waterfront that encourages active participation by city 

residents. 

To develop ah adaptive re-use design to convert the 1903 Cedar 13,000 

Rapids Library into a facility for the Cedar Rapids Museum of 

Art. 

To conducta national two-stage urban design competition fora 84,930 

new civic center. 

To develop a plan to conducta national design competition fora 20,000 

museum of fine arts on the campus of the University of Florida. 

For a design competition for the facades of the United States 25,700 

Mint in Philadelphia. 

For ah interdisciplinary design team of architects, landscape ar- 10,000 

chitects, and town planners to produce plans for the adaptive re 

use of a surplus school. 

For the renovation of the Gallery Theatre, a small town 10,000 

vaudeville theater in rural northeastern North Carolina which 

has been in continuous use since 1906. 
Design Arts 31 

Hillside Trust To conducta national design competition to design hillside 30,000 

Cincinnati, Ohio housing. 

Irwin-Swieney-Miller Foundation For a design competition for a surface parking lot in downtown 30,000 

Columbus, Indiana Columbus. 

Jaekson Arts Allianee 

Jackson, Mississippi 

To prepare a plan to include arts activities and facilities in the

public spaces of a new downtown mixed-use development 

25,000 

project. 

Lipske, Mike

Washington, D.C. 

Fora cooperative agreement for the final preparation of the 

publication Space for Dance: Ah Architectural Design Guide. 

11,520 

Los Angeles Film Center

Studio City, California 

To create American Cinematheque, a permanent cultural center 

for the media arts in the Pan Pacific Auditorium. 

5,000 

Minority Arts Resource Coundl To assist in the planning and design of ah arts eenter to serve the 25,000 

Philadelphia, Pennsylvania needs of minority artists in the Philadelphia area. 

Mount Baker Theatre Committee To develop an architectural master plan for the 1927 Mount 20,000 

Bellingham, Washington Baker Theatre, listed on the National Register of Historic 

Places. 

Municipal Art Society 

New York, New York 

To conducta national design competition for the future of the

Times Tower site on Times Square in New York City. 

60,000 

Museum of Fine Arts To conducta national competition for the design of an addition 25,000 

Houston, Texas to the museum. 

National Assodation of Housing To conducta national student design competition on problems 30,000 

and Redevelopment Officials and opportunities associated with large-scale post-World War II 

Washington, D.C. housing. 

National Congress of Neighborhood For Women’s Schools of Planning and Architecture to imple­ 15,000 

Women menta design process involving citizens to improve the architecBrooklyn, New York rural quallty of buildings occupied by urban homesteaders. 

National Trust for Historic 

Preservation in the United States 

To expand the highly successful "Main Streets" program to

apply to the renovation and reuse of shopping centers in large 

20,000 

Washington, D.C. cities. 

New Haven Foundation For the Downtown Council of New Haven to develop design 15,000 

New Haven, Connecticut guidelines for public and private redevelopment for the Ninth 

Square area of downtown New Haven. 

New Orleans Museum of Art To amend a previous grant for a national architectural design 9,090 

New Orleans, Louisiana competition for the expansion of the museum’s gallery and SUl> 

port spaces. 

New York, Research Foundation 

of the City University of 

New York, New York 

For Brooklyn College to redesign LaGuardia Hall into a campus

and community arts center and a museum for the Borough of 

Brooklyn and the Brooklyn Dodgers’ Hall of Fame. 

20,000 

Otis Art Institute of Parsons To conduct a national urban design competition for the expan­ 50,000 

School of Design sion of the institute. 

Los Angeles, Callfornia 

Partners for Livable Places To establlsh ah annual urban design charrette program concern­ 5,000 

Washington, D.C. ing national design and urban development issues. 

Puerto Rican Workshop To design and develop the Hispanic Artists’ Resource and 22,925 

New York, New York Cultural Center, re-using a vacant five-story building in Spanish 

Harlem. 

Roger Williams College 

Bristol, Rhode Island 

To conducta national competition to selecta designer anda 

design for a new school of architecture on the main campus of 

58,299 

Roger Williams College. 

St. Paul, City of To conduct ah on-site charrette in the Lowertown neighborhood 21,425 

St. Paul, Minnesota to produce proposals for exhibition and performing arts spaces. 

ShenanArts To develop ah architectural master plan for the development of 17,500 

Staunton, Virginia an artists’ working and living environment in the Shenandoah 

Valley. 

Sugarloaf Regional Trials Dickerson, Maryland 

To document the activities leading to the preservation and

revitalization of great central city parks. 

30,000 
32 Design Arts 

Tuskegee Institute 

Tuskegee, Alabama 

Virginia Polytechnic Institute 

Blacksburg, Virginia 

Vision 

Cambridge, Massachusetts 

Design Communication 

American Academy in Rome 

New York, New York 

American Institnte of 

Graphic Arts 

New York, New York 

Architectural League of 

New York 

New York, New York 

Architectural League of 

New York 

New York, New York 

Art Center College of Design 

Pasadena, Califorrda 

Association for the Care of 

Children’s Hospitals 

Washington, D.C. 

Association of Collegiate 

Schools of Architecture 

Washington, D.C. 

Ball State University 

Muncie, Indiana 

California Institute of 

Technology 

Pasadena, California 

California, Regents of the 

University of 

Santa Barbara, California 

Central Park Conservancy 

New York, New York 

Classical America 

New York, New York 

Conference of Mayors Research 

and Education Foundation 

Washington, D.C. 

Cranbrook Educational Community 

Bloomfield Hills, Michigan 

Environmental Images 

Washington, D.C. 

To create design strategies for the revitalization of the Green- 15,000 

wood neighborhood of Tuskegee. 

To conducta national architecture competition for building the 100,000 

Center for Innovative Technology of the Commonwealth of 

Virginia, which will house research, industrial development, and 

educational activities for the development of new technology. 

To conducta regional design/build architectural competition for 30,000 

artists’ housing and work space in the Boston area. 

For projects that inform the general public, designers, and decision-makers 

about the value and practice of design, the impact of design decisions, and

the relationship between design and human behavior. 

Program funds: $1,791,754 

55 grants 

To produce a traveling exhibition anda catalog of previously in- 30,000 

accessible drawings produced by the academy’s architecture and 

landscape architecture fellows. 

To initiate graphic-design education projects for local chapters 10,000 

of the AIGA, to be coordinated by the national office of AIGA. 

For "Architectural Inquiries," a lecture series on architectural 50,000 

practice, theory, and criticism. 

To develop a major exhibition and publication entitled Design 50,000 

Competitions in France and the United States: A Ten Year 

Retrospect~ve. 

To publish an illustrated text entitled Space Frame Design: A 25,000 

Guide for Architects. 

To produce a documentary film on the design of child health care 50,000 

facilities. 

To amend a previous cooperative agreement to provide for the 14,400 

planning and execution of design seminars on "Media and 

Design for the ’80s" and "Quañty Housh~g for the ’80s." 

To initiate "Good Design/Good Business," a state-wide design 40,800 

program for Indiana. 

For the Baxter Art Gallery to produce two exhibitions docu- 20,000 

menting the work of California architects Myron Hunt and 

Wallace Neff. 

For the design and production of an illustrated monograph on ah 7,500 

architectural design competition recently held by the University 

Art Museum for the design of a new facility. 

To assist in the design and production of a public presentation of 10,000 

the master plan for the restoration, management, and financing 

of Central Park. 

To assist in the final production phase of a publication analyzing 7,500 

classical design and architecture in Washington, D.C. 

To support the graphic design and publication of a book on the 29,040 

methods and techniques of urban arts financing. 

For "Design Michigan," a state-wide design information and 50,000 

service program assisting Michigan businesses, industries, and 

state and local governments. 

To analyze the results of the Federal Graphics Improvement 50,000 

Program--in particular, the effectiveness of the graphic standards manuals. 
Oesign Arts 33 

Environmental Images 

Washington, D.C. 

For a preliminary draft treatment for a slide show on local 

government and the arts. 

1,323 

Film Arts Foundation 

San Francisco, California 

To produce The Quality Without a Name, a one-hour 16mm color 

film about architect Christopher Alexander. 

30,000 

Historic Seattle Freservation To publish Historic Preservation in Seattle, which documents 9,950 

and Developmeut Authority Seattle, Washington 

the results of highly successful efforts to preserve and reuse the

city’s historic resources. 

Institute for the Development 

of Evolutive Architecture 

To develop "Castles and Cottages," a traveling exhibition on the 

historic architecture of the Thousand Islands region of the St. 

20,000 

Syracuse, New York Lawrence River. 

Institute for Urban Design 

Purchase, New York 

For the publication of two issues of Urban Design Internationa~" 

"Urban Design Competitions at Home" and "Urban Design

Competitions Abroad." 

30,000 

International Design Education 

Foundation 

To produce a short audiovisual presentation on Walter Paepcke, 

founder of the Container Corporation of America. 

13,500 

New York, New York 

Landseape Architecture Foundation

Washington, D.C. 

To produce The Spatial Magic of Burle Marx, a one-hour 

documentary on Brazilian landscape architect Burle Marx. 

40,000 

Lipske, Mike 

Washington, D.C. 

For the writing and design of up to three publications to inform 

the design fields about current design issues and developments. 

34,000 

Maryland Association of Historic 

District Commissions 

To develop a design education program and materials for training historic district and landmark commission members. 

28,000 

Frederick, Maryland 

Maryland Institute 

Baltimore, Maryland 

For "Developing Design/Developing Designers," a national

graphic design symposium, sponsored by the College of Art. 

10,000 

Massachusetts Council on the 

Arts and Humanities 

To develop the Massachusetts Design Improvement Project, a state-wide design program. 

30,000 

Boston, Massachusetts 

Massachusetts Institute of For a series of public lectures, discussions, and debates at the 25,000 

Technology

Cambridge, Massachusetts 

School of Architecture and Planning on the forro and function of 

Boston’s downtown, sponsored by MIT and The Boston Globe. 

Massachusetts Institute of For MIT Press to assist in printing a paperback edition of The 10,000 

Technology 

Cambridge, Massachusetts 

Federal Presence Architecture, Politics, and Symbols in United 

States Government Buildings. 

Massachusetts Institute of For MIT Press to assist with publication costs for Ciáes of the 15,000 

Technology 

Cambridge, Massachusetts 

Dead, a book on the history and evolution of cemetery 

architecture. 

Midwest Institute for Design 

and Research 

To develop the Design Competiáon Handbook: A Technical 

Manual for Sponsors and Advisors. 

14,750 

Milwaukee, Wisconsin 

Milwaukee Inner City Arts Council 

Milwaukee, Wisconsin 

To produce Black Communiáes in the United States, a videotape 

documentary with accompanying pub[ication about historic 

black communities. 

36,056 

Municipal Art Soeiety 

New York, New York 

For an exhibition series at the Urban Center Galleries, focusing 

on state-of-the-art design solutions for proj ects and properties in

New York City. 

30,000 

Municipal Art Soeiety 

New York, New York 

To produce a prototypical exhibit of information about cultural 

activities and events within walking distance of the Fifth 

Avenue and 53rd Street subway station in New York City. 

15,000 

National Bnilding Museum To amend a previous grant for continuing a thre~part program 60,000 

Washington, D.C. of museum activities: a service to circulate architecture and 

design exhibitions, a service to distribute films on architecture 

and design, and a comprehensive mailing list and publication 

resource network. 

National Trust for Historic To amend a previous cooperative agreement for developing, pro­ 327,000 

Preservation in the United States ducing, and distributing a video program informing rural leaders 

Washington, D.C. about viable design and preservation strategies for revitalization projects in small towns. 
~4 Des~gn Arts 

New England Foundation 

for the Arts 

Cambridge, Massachusetts 

New Orleans Museum of Art 

New Orleans, Louisiana 

New York Foundation for the Arts 

New York, New York 

New York Landmarks Conservancy 

New York, New York 

New York, Research Foundation 

of the State University of

Albany, New York 

Otis Institute of the Parsons 

School of Design 

New York, New York 

Partners for Livable Places 

Washington, D.C. 

Partners for Livable Places 

Washington, D.C. 

Publishing Center for 

Cultural Resources 

New York, New York 

Restore 

New York, New York 

Rhode Island School of Design 

Providence Rhode lsland 

Rochester Institute of Technology 

Rochester, New York 

Sculpture in the Environment 

New York, New York 

Urban Homesteading Assistance 

New York, New York 

Urban Land Institute 

Washington, D.C. 

Walker Art Center 

Minneapolis, Minnesota 

Wave Hill 

Bronx, New York 

Whitney Museum of American Art 

New York, New York 

Wisconsin, University of 

Milwaukee, Wisconsin 

Design Exploration/

Research 

American Institute of 

Architects Foundation 

Washington, D.C. 

To continue the development of a regional information center 25,750 

and computerized data base on art8 facilities. 

To develop and publish a book documenting the recent 26,760 

Endowment-sponsored competition for the expansion of the New 

Orleans Museum of Art. 

To produce a 28-minute documentary film examining the image 30,000 

of the future in 20th-century film. 

To establish a data-base management center of religious proper­ 15,000 

ties of architectural and historic merit that have been abandoned 

or are currently threatened by redevelopment. 

For the University of Buffalo to produce Out of the Cold: Emerg­ 20,000 

ing Architectural Aesthetics, a book and vídeo-cassette on the 

New Architecture in cold climates. 

To develop a Design Research Institute within the new International Design Center, now under construction in Long Island 

20,000 

City. 

To produce a book on partners’ five-year-old Economics of 50,000 

Amenity Program. 

To produce a 15-minute audiovisual presentation on "City

Assets," the Partners’ Economics of Amenity Program. 

16,000 

To assist in selecting, printing, and distributing a limited 65,475 

number of exemplary publications resulting from Design Arts

Communications grants. 

To help launch the Restoration Skills Training Program, a series 20,000 

of four courses on state-of-the-art restoration and conservation 

technology for construction craftsman, contractors, architects, 

engineers and product manufacturers. 

To produce Textiles for the Eighties, an exhibition and illustrated catalog on textile design. 

11,500 

To publish proceedings of the first symposium on the hi~tory of 20,000 

graphic design. 

For a three-to-one-matching grant for SITE to establish an en­ 30,000 

dowment and undertake new works. 

To publish the booklet, Keeping Culture Alive: The Design and 7,000 

Development ofAffordable Housing. 

To assist in the publication of a book, Cultural Facilities in 25,250 

Mixed Use Development. 

To assist in the publication of one year’s issues of Design 40,000 

Quarterly the only design periodical regularly published by an 

American Museum of Art. 

To support the exhibir, "Gardens and Landscapes on Paper." 25,000 

To support the exhibir, "High Style: Eight Decades of American 40,000 

Vanguard Design." 

For the Environment-Behavior Research Institute to translate 30,000 

the results of basic design research into design guidelines for use 

by architects. 

For experimental and innovative research on design that seeks to define or

resolve new or recurring design problems. 

Program funds: $448,312 

16 grants 

To conducta study on the impact of developer-architect com- $30,000 

petitions on the built environment. 
Design Arts 35 

Asian Neighborhood Design 

San Francisco, California 

To research and develop design guidelines for affordable 

facilities in Chinatown, where low-income residents are 

being displaced by new developments and by condominium 

30,000 

conversions. 

Boston Redevelopment Authority 

Boston, Massachusetts 

To develop and test urban design and development controls to 

improve the micro-climate, wind and air circulation, and access 

to sunlight and daylight in and around buildings. 

40,000 

Carnegie-Mellon University 

Pittsburgh, Pennsylvania 

For research on how new building development can be designed 

to relate to the character and forro of historic neighborhoods. 

31,290 

Harvard College, President 

and Fellows of 

For an anthology exploring issues in landscape design to be produced by ten emerging and mid-career designers. 

8,814 

Cambridge, Massachusetts 

Harvard College, President 

and Fellows of 

For research into the problems and potential of vacant and 

derelict tand in American cities. 

39,570 

Cambridge, Massachusetts 

Michigan, University of 

Ann Arbor, Michigan 

For the School of Natural Resources to conduct research to iraprove the way large-scale planning decisions concerning natural

resources affect the quality of the American landscape. 

23,300 

Michigan, University of 

Ann Arbor, Michigan 

For research on how the process of growing older changes 

people’s perceptions and experience of their environment and to 

provide a basis for improving design environments for the

elderly. 

40,000 

Minnesota, University of For research about design for developmentally disabled people. 29,604 

St. Paul, Minnesota 

Mississippi State University 

Mississippi State, Mississippi 

To study the relationship of in-town housing to the vitality of 

downtown areas and to develop design models and guidelines for

relating new housing to small town centers. 

15,000 

New York, Research Foundation of 

the City University of 

For research to develop methods for ongoing evaluation and

modification of playgrounds by management staff. 

39,930 

New York, New York 

New York, Research Foundation of 

the State University of 

Albany, New York 

For the development of a computer-aided design system that 

facilitates the participation of user, community, and other 

groups in physical design projects, sponsored by SUNY at

Buffalo. 

35,025 

Pennsylvania, Trustees of 

the University of 

For research on the potential uses of open space in blighted 

inner-city neighborhoods. 

40,000 

Philadelphia, Pennsylvania 

Southern California, University of 

Los Angeles, California 

For a study by the School of Architecture about the increased 

use of homes as offices and about the-ways new technologies

have changed the image of the home. 

18,819 

Virginia Polytechnic Institute For research on international markets for U.S. design services. 12,500 

Blacksburg, Virginia 

Wisconsin, Board of Regents of the University of 

For research on the planning and design of children’s museums. 14,460 

Milwaukee, Wisconsin 

Design Excellence To provide federal and state agencies wíth professional guidance for 

upgrading publications and working environments through seminars,

workshops, and educational materials. 

Program funds: $786,684 

12 grants 

Catholic University of America 

Washington, D.C. 

For an outstanding senior-level designer to serve temporarily in 

the Design Arts Program under the Intergovernmental Personnel Act. 

$59,994 

Catholic University of America

Washington, D.C. 

For an outstanding arts administrator to serve temporarily in

the Design Arts Program under the Intergovernmental Personnel Act. 

9,739 
Community Design Exchange 

Washington, D.C. 

Environmental Images 

Washington, D.C. 

Environmental Images 

Washington, D.C. 

Miami, University of 

Coral Gables, Florida 

Michigan, Regents of the 

University of 

Ann Arbor, Michigan 

Mississippi State University 

Mississippi State, Mississippi 

National Academy of Sciences 

Washington, D.C. 

National Advisory Council on 

Historic Preservation 

Washington, D.C. 

Partners for Livable Places 

Washington, D.C. 

Speare, Sarah 

Washington, D.C. 

Interagency 

Institute for Urban Design 

Purchase, New York 

* Chairman’s Action 

For a cooperative agreement for planning and executing the 

Presidential Design Awards Program, to recognize exemplary 

achievements in federal design in architecture, engineering 

design, graphic design, interior design, landscape architecture, 

product/industrial design, and urban design/planning. 

146,394 

Fora cooperative agreement to develop a series of model programs for design activities that can be successfully applied on 

the state level, and to distribute information about these progratas so that states will be encouraged to undertake similar 

activities. 

50,000 

For a cooperative agreement to provide for up to 12 professional

advisors located in different regions of the country to carry out 

various on-site visits at the request of the Design Arts Program. 

90,000 

To develop the Design Competition Registry, a monthly publica­ tion that would provide a listing of all design competitions and 

publish competition results. 

22,000 

For a cooperative agreement to carry out Phase II of the Competitive Edge Initiative, which communicates information about 

the role of design in business to executives, designers, and the 

public. 

100,000 

For an outstanding junior-level professional designer to serve 

temporarily in the Design Arts Program under the Intergovernmental Personnel Act. 

39,500 

To support the work of the Federal Construction Council, which 

seeks to improve the design, construction, and operation of 

federal facilities. 

15,000 

For an outstanding arts administrator to serve temporarily in 

the Design Arts Program under the Intergovernmental Personnel Act. 

46,922 

For the continued operation and maintenance of the Livability 

Clearinghouse, which catalogs, archives, and disseminates a 

variety of design information including annotated descriptions 

of the final results of over 2,500 grants funded by the Design 

Arts Program. 

165,000 

To coordinate and manage the evaluation of the results of the 

Federal Graphics Improvement Program and provide liaison activities between the Endowment and other federal agencies. 

40,571 

2,014" 

For projects that benefit the design field as a whole. 

Program funds: $22,540 

1 grant 

To assist in the selection of evaluators for federal government 

job applicants’ portfolio reviews in the areas of photography, illustration, and graphic design. 

$22,540 
ExpansionArts
 

Sounds in Motion: Artistic Director Dianne Mclntyre with musician Ahmed Abdullah. Photo: ~lohan Elbers 
38 

Expamion Arts Grar~s Programfunds: $~,852,3~0

Treasury funds: $~5,000 

Expansion Arts
 

Organizations
 

Access to the Arts 

Dunkirk, New York 

Adelante 

Tucson, Arizona 

African-American Cultural Center 

Buffalo, New York 

African Heritage Dancers 

and Drummers 

Washington, D.C. 

Afrikan Poetry Theatre 

Jamaica, New York 

Afrikan Poetry Theatre 

Jamaica, New York 

Afro-American Museum of Detroit 

Detroit, Michigan 

Afro-American Studio for 

Acting and Speech 

New York, New York 

Airas of Modzawe 

Jamaica, New York 

Akwesasne Cultural Center 

Hogansburg, New York 

Alabama State Couucil on 

the Arts and Humanities 

Montgomery, Alabama 

Allen (Richard) Center for 

Culture and Art 

New York, New York 

Alonzo Players 

New York, New York 

Alpha Omega Theatrical 

Dance Company 

New York, New York 

AMAS Repertory Theatre 

New York, New York 

American Authentic Jazz 

Dance Theatre 

New York, New York 

American Black Artists 

Detroit, Michigan 

2~4 grants 

To assist professionally directed community arts organizations that provide programs in the performing arts, visual arts, media, design, literary 

arts, and interdisciplinary arts activities. 

Program funds: $5,953,439

Treasury funds: $65,000 

227 grants 

To provide administrative support for this rural arts organiza­ $5,270 

tion, which offers training in visual arts. 

To provide administrative support to Teatro Libertad to increase continuity in artistry and management. 7,000 

To support the artistic director for the Paul Robeson Theatre, 10,000 

which provides theatrical workshops and performances. 

For performances anda program that develops professional 15,000 

skills in African traditional dance, modern dance, jazz dance, 

ballet, traditional African percussion and vocals, and traditional 

string instrumentation. 

For two major poetry reading programs, including a musical 5,000 

presentation during the 1984-85 season. 

For two major poetry reading programs, including a musical 5,000 

presentation during the 1985-86 season. 

For administrative salaries and the development and mounting 8,500 

of a series of bimonthly African art exhibits. 

For a comprehensive theater training program. 12,500 

For a program of advanced African traditional dance, music, and 21,450
 

drama classes and workshops for the development of professional skills for select students from the community.
 

For a program designed to preserve the art forms of the Mohawk 12,300
 

through training sessions taught by elderly Mohawk artists for
 

the benefit of younger Mohawk people.
 

For a performance and workshop program by the Wireglass 10,000
 

Sacred Harp Singers, an ensemble that specializes in sacred harp


singing.
 

For the theater season of productions and professional theater 50,000
 

laboratories at Afro-American Total Theatre, which provide
 

training in musical theater.
 

For two ten-week workshops offering professional training in 7,500
 

costume and scenic design, speech and diction, acting and
 

stagecraft.
 

For the Young Adult Contemporary Dance Workshop, pro- 15,000
 

viding scholarships for professional dance training to inner-city
 

youth.
 

For two intensive professional training programs, the Eubie 31,400
 

Blake Children’s Theatre, and the Adult Workshop.
 

For professional jazz dance workshops that emphasize preserva- 15,104
 

tion of old jazz forms.
 

For an intensive residency workshop program that provides pro- 13,500
 

fessional training and career enhancement in creative writing,
 

drama, choreography, music, and photography, culminating in
 

the production of a play.
 
 

Expansion Arts 39 

American Dance Festival 

Durham, North Carolina 

To support the residency of the Chuck Davis Dance Company, 

providing professional training, dance demonstrations, and performances through the Community Service Program. 

15,000 

American Festival Ballet For the rural touring program providing residencies, demonstra­ 7,000 

Moscow, Idaho tion classes, and master classes to aspiring artists of the region. 

American Folk Theater For the performances and activities of the theater’s professional 5,000 

New York, New York company. 

American Indian Community House 

New York, New York 

To develop and produce new works by Native Americans in the 

Arts and promote the creative talents of Indian performing 

artists. ~~ 

10,000 

American Indian Theatre Company 

Tulsa, Oklahoma 

To develop and rehearse three plays written by Native

Americans, using Native American performers. 

5,000 

An Claidheamh Soluis For classes and workshops in Irish traditional music and dance, 15,550 

New York, New York ah ethnic musical theater touring program, folk dancing, anda

concert series. 

Appalshop 

Whitesburg, Kentucky 

For performances and exhibitions in the Appalshop Center, including productions by Roadside Theater, concerts sponsored by 

June Appal Recordings, a training program, and participatory 

63,000 

arts activities in mountain communities throughout central 

Appalachia. 

Arena Players 

Baltimore, Maryland 

For an apprentice program for students who have successfully

completed a two-year program in the performing~arts to further 

their skills. 

10,500 

Artists Collective For a comprehensive training program in music, dance, and 27,000 

Hartford, Connecticut visual arts. 

Arts Conncil 

Winston-Salem, North Carolina 

For Urban Arts’ advanced classes that offer professional training in the visual and performing arts to youth from low-income 

black and whíte neighborhoods, in cooperation with the 

15,222 

Sawtooth Center for Visual Design. 

Artists of Indian American 

Albuquerque, New Mexico 

For a multi-disciplined arts program for various Indian Communities throughout the Southwest. 

15,000 

Arts Resources for Teachers 

and Students 

For ah intensive professional training program in the visual and

performing arts of the Chinese and Hispanic cultures for youth 

36,000 

New York, New York of the Lower East Side. 

Asian American Dance Collective 

San Francisco, California 

For management assistance, fundraising, advance training, and 

choreography. 

7,500 

Asian American Dance Theatre For cross~ultural exchanges of dances among Asian and non­ 27,500 

New York, New York Asian communities through performances and instruction in

regional communities that have limited access to such activities. 

Asian Cine-Vision For the Asian American film and video exhibition series and bil­ 17,000 

New York, New York ingual video production workshops in color video techniques. 

Asian Multi Media Center For Northwest Asian American Theatre Company’s productions 10,000 

Seattle, Washington of three plays. 

Association for the Advancement For a music training program. 5,580 

of Creative Musicians 

Chicago, Illinois 

Ballet Theatre of the For the professional training scholarship program in ballet, 15,000 

Virgin Islands modern, and jazz. 

St. Thomas, Virgin Islands 

Basement Workshop 

New York, New York 

For classes and workshops in literature, visual arts, and performing arts for emerging artists, and for an exhibition and performance series of multi-media and interdisciplinary 

21,600 

collaborations. 

Bayfront Nato 

Erie, Pennsylvania 

For instruction in the visual arts and dance through workshops, 

classes, exhibits, and well-known artists. 

34,200 

Bedford Stuyvesant Restoration 

Corporation 

Brooklyn, New York 

For management and administrative support, visual arts exhibits and workshops, a training program for dance professionals, and an artist-in-residence programat the Center for Art 

and Culture. 

40,000 
40 Expansion Arts 

Before Columbus Foundation 

Berkeley, California 

Berkshire Public Theatre 

Pittsfield, Massachusetts 

Better Boys Foundation 

Chicago, Illinois 

Bidwell Education Music and
 

Recreation Center
 

Pittsburgh, Pennsylvania 

Bilingual Foundation of the Arts 

Los Angeles, California 

Bilingual Theater Company 

Kingsville, Texas 

Billie Holiday Theater


Brooklyn New York
 

Black Dimensions in Art
 

Schenectady, New York
 

Black Ensemble Theatre
 

Corporation
 

Chicago, Illinois 

Black Ghetto Theatre Company
 

Roxbury, Massachusetts
 

Black Spectrum Theater Company 

St. Albans, New York 

Black Spectrum Theater Company 

St. Albans, New York 

Black Theatre Troup
 

Phoenix, Arizona
 

Bondo
 

Santurce, Puerto Rico
 

Boys Choir of Harlem
 

NewYork, NewYork
 

Boys Harbor
 

New York, New York
 

Brandywine Graphic Workshop Philadelphia, Pennsylvania 

Brockman Gallery Productions

Los Angeles, California 

Bronx Dance Theatre 

Bronx, New York 

Bronx Museum of the Arts 

Bronx, New York 

Brooklyn Arts and Culture 

Association 

Brooklyn, New York 

Buffalo Arts and Music 

Buffalo, New York 

Buffalo Inner City Ballet Company 

Buffalo, New York 

For workshops for aspiring writers with published, multi- 21,100 cultural authors, the American Book Awards program, and 

resource services for writers and small presses. 

To provide instructors’ salaries for the theater’s master classes. 5,000 

For Lamont Zeno Theatre’s productions and professional train- 10,400 ing in the theater and literary arts. 

For an intensive music and dance instruction program for 15,000 children, incorporating performance opportunities and training 

from professional guest artists and staff. 

For the production of four plays, including two original works by 30,000 a Cuban playwright and a contemporary Latín American writer. 

For a professional bilingual theater for the Corpus Christi area. 15,000 

For the Resident Acting Company to present original plays by 35,000 notable black playwrights. 

For a major exhibition program featuring contemporary proles- 5,000 sional black artists, a catalogue, and si]de presentations. 

To support a four-play season. 5,000 

To support the Paige Academy, a professional theater arts 15,000 workshop program. 

For the theater’s season of three productions and professional 25,000 training program. 

For administrative costs for the theater to move to a new facility 15,000" in the Roy Wilkins Park of St. Albans in Queens. 

For administrative support, a training program, and production 30,000 

costs. 

For a filmmaking promotion program and professional training 6,850 workshops expressive of Puerto Rican culture. 

For a music training/workshop program for musically gifted 60,000 

students, a guest residency, and general management 

assistance. 

For support of the Harbor Junior High School of Performing 40,000 Arts and the Harbor Performing Arts Center, providing professional instruction to young people of East Harlem and the city at 

large in the performing arts. 

For two training programs in printmaking for young artists, and 15,250 mural production workshops for professional artists. 

For cultural programming for the community of south central 18,000 Los Angeles, including a concert of jazz and African-derived 

music, a film series, anda gallery exhibir featuring new works by 

select black California visual artists. 

For an intensive dance training program and choreography 15,000 

workshops for youth in the Bronx who seek careers in the arts. 

For workshop and seminar series on artists’ portfolio and 16,900 

marketing skills. 

For a multi-disciplined training program for exceptionally gifted 25,000 aspiring artists, including career enhancement workshops. 

Fora professional music instruction and performance program, 5,000 providing initial instruction in music for students desiring to be 

members of choirs. 

For a professional dance training program, including master 5,000 classes, Caribbean music instruction, and performances. 
Expansion Arts 41 

Cacho (Andrew) African Drummers

and Dancers 

For classes, workshops, performances, and lectures in African 

traditional dance, percussion, drumming and vocal singing con20,000 

Washington, D.C. ducted by guest artists and the professional instructors of the 

company. 

CA-FAM III 

Washington, D.C. 

For Black Film Institute’s exhibition program of films by emerging black artists. 

12,700 

Camera News For ah advanced film/vídeo workshop program of intensive 27,000 

New York, New York training for the development of professional filmmakers. 

Caribbean Center for Understanding For advanced training program in video production. 16,900 

Media 

St. Croix, Virgin Islands 

Caribbean Dance Company 

Frederiksted, St. Croix, 

For collecting and presenting dances of the West Indies and for 

ah instruction program. 

10,000 

Virgin Islands 

Carter Family Memorial Music 

Center 

For a concert and performance program that preserves and

perpetuates blue grass, traditional old-time, string band, and 

10,000 

Hiltons, Virginia other musical styles from the Appalachian region. 

Casa Aboy 

Miramar, Puerto Rico 

To support p~otography shows with coinciding conferences,

residencies, photography workshops, seminars, exhibits, concerts, dance performances, and theatrical productions that

reflect the arts and culture of Puerto Rico. 

18,000 

Catskill Center for Photography 

Woodstock, New York 

To support the photographer’s fund program, ah annual grant 

award program for emerging professional regional artists. 

3,775 

Cedar Arts Forum For visual arts presentation programs to rural communities, 15,000 

Waterloo, Iowa ah artist-in-residence program, and administrative support. 

Center for Positive Thought 

Buffalo, New York 

For advanced dance training through the School of Movement, 

Drama, and Music, which provides weekly classes in modern, 

jazz, ethnic, tap, and Mfundalai and Dunham dance techniques. 

58,780 

Central Pennsylvania Village Crafts 

State College, Pennsylvania 

For a master-apprentice program for advanced training in the 

art of quflt-making. 

5.150 

Centro de Arte 

Washington, D.C. 

To support the activities of Ruminsonko, Teatro Nuestro, and

Galeria Inti, which include instruction, productions, concerts, 

presentations, and exhibitions for the Adams Morgan and Mt. 

23,400 

Pleasant communities. 

Centro de Artistas For ah intensive workshop series for aspiring visual artists, a 24,950 

Sacramento, California touring exhibir program, professionally led dance workshops,

and the presentation of Los Corridos. 

Centro Cultural Azt!an 

San Antonio, Texas 

For artists’ fees for special programming throughout the city for

iiportant Hispanic cultural celebrations. 

5,000 

Centro Cultural de la Raza 

San Diego, California 

To offer training in music, dance, and the visual arts and present 

works that reflect the Mexican, Indian, and Chicago cultures 

native to this region. 

21,600. 

Chelsea Performing Arts Studio 

New York, New York 

For administrative costs associated with the apprentice program, resulting in music productions and performances of

classical jazz. 

10,000 

Chiang-Ching Dance Company 

New York, New York 

For a lecture-demonstration performance program of classical

and contemporary interpretations of folk dances from many 

regions of China. 

24,775 

Chicago Children’s Choir 

Chicago, Illinois 

For the advanced musical training and performance program to

enhance the development of professional choral skills. 

10,000 

Chicago Mural Group 

Community Mural Project 

Chicago, Illinois 

For the production of two large-scale outdoor sculptures and 

four murals throughout the Chicago area on exterior and interior 

surfaces. 

17,000 

Children’s Art Carnival 

New York, New York 

For an apprenticeship program in graphic design, offset printing, silkscreen, photography, vídeo, filmmaking, radio, and 

acting. 

50,000 
49~ Expansion Arts 

Chinese Affirmative Action
 

San Francisco, California
 

Chinese American Council
 

New York, New York
 

Chinese American Educational 

and Cultural Center of Michigan 

Detroit, Michigan 

Chinese Cultural Foundation
 

of San Francisco
 

San Francisco, California
 

Chinese Music Ensemble of
 

New York
 

New York, New York 

Chinese Music Society of
 

North America
 

Woodridge, Ill~nois
 

Christina Cultural Arts Center
 

Wilmington, Delaware
 

Chistina Cultural Arts Center
 

Wilmington, Delaware
 

Cinque Gallery
 

New York, New York
 

City Arts Workshop
 

New York, New York
 

City Without Walls 

Newark, New Jersey 

Clark Center for the 

Performing Arts 

New York, New York 

Community Arts Services Hawaii 

Hilo, Hawaii 

(~ommunity Film Workshop of 

Chicago 

Chicago, Illinois 

Community Music Center 

San Francisco, California 

Community Renewal Team of 

Greater Hartford 

Hartford, Connecticut 

Concerned Musicians of Houston 

Houston, Texas 

Co-Real Artists 

Los Angeles, California 

Council on the Arts for Cortland 

Cortland, New York 

Cresson Lake Playhouse Spangler, Pennsylvania 

For the Kearny Street Workshops in photography, silkscreen, 

music, and writing, including the presentation of Asian 

American writers, musicians, and photographers. 

18,000 

To present arts events reflective of the Asian American culture, 

and to provide services to emerging Asian American arts

organizations. 

20,720 

To identify, exhibir, and mount performances of the contemporary and traditional art reflective of the Chinese culture including workshops, classroom instruction, and exhibits. 

15,000 

For the fourth part of a series of exhibitions that features the 

works of Chinese American artists. 

17,000 

For a scholarship and residency program to enhance performances and musical training of traditional and contemporary 

Chinese music. 

7,000 

For the development of professional skiils related to traditional 

Chinese music. 

12,000 

For professional training in brass, percussion, bass, and woodwinds, and a Black History Month presentation of exhibits, performances, and workshops. 

12,500 

For a professional music training program anda black history 

program of exhibits, performances, and workshops that feature 

major artists. 

11,250 

For the exhibition program, dedicated to presenting the work of 

young and emerging minority artists. 

8,500 

For the production of eight murals, a three-month residency for 

a mosaic artist anda ceramic artist, training of artists and 

students in mural production, and the continuation of the 

Resource Center on Public Art. 

21,100 

For an exhibition program of three major group theme shows

and special programs that assist local artists in locating studio 

and exhibition space and promotion. 

8,100 

For a multi-ethnic dance program providing scholarships, vocational training in dance, and instruction in dance-related fields. 

40,000 

For a training program in dance, poetry, land music by international and local prominent artists; and performances by the touring company and local community groups for the ethnically diverse residents of the islands of Hawaii, Molokai, and Maui. 

15,750 

For the advanced 16mm film and video training program. 10,600 

For administrative costs anda scholarship program for advanced classes in classical and popular Chinese/Latin styles. 

30,000 

For two exhibits at the Craftery Gallery centered around the 

works of aspiring minority artists and for lectures and

workshops. 

12,900 

For the jazz performance program, including workshops and 

residencies. 

18,000 

For six concerts by the Leslie Drayton Orchestra in ethnically 

populated communities in the Los Angeles area. 

5,000 

For an exhibition and traveling performance-residency program 

for rural residents of the region, featuring professional artists 

from central New York. 

5,000 

For training and productions of new plays reflective of the 

culture of rural Appalachia. 

10,000 
Expansion Arts 43 

Crossroads For the production of six plays, including a special production 30,000 

New Brunswick, New Jersey for Black History Month, and an apprenticeship program. 

Crow Central Education Commission For workshops, classes, provision of studio time, and exhibits at 8,500 

Crow Agency, Montana the Wyola Art Center. 

Cultural Council Foundation For En Foco’s monthly newsletter and for Critical Mass, 12 7,700 

New York, New York seminars promoting the works of Hispanic photographers, including a critical evaluation program. 

Cultural Council Foundation 

New York, New York 

For four original theater productions, four dances, performances 

by Baile Boricua, anda weekly film/video program at Charas. 

17,500 

Cumberland County Playhouse To expand the intern/apprentice program. 5,000 

Crossville, Tennessee 

Dallas Black Dance Theatre 

Dallas, Texas 

For a regular performance schedule of dance concerts, a touring

program, and an artist-in-residence program. 

15,000 

Dance Exchange 

Washington, D.C. 

To support and expand the programs of The Dancers of the

Third Age, which offers classes and workshops in dance

throughout the metropolitan area. 

15,000" 

Dance Theater Foundation For an artists-in residence program. 20,000 

New York, New York 

Dance Theater of Harlem For an apprentice scholarship program, offering professional 50,000 

New York, New York training in dance, music and performance. 

Dance Visions 

New York, New York 

For instruction in modern, ballet, and Afro-BraziIian dance 

techniques and to present works of aspiring choreographers, 

musicians, and writers. 

30,000 

Dances and Drums of Africa 

Brooklyn, New York 

For instruction fees for professional class training in African 

ethnic dance and music, offering a national exchange of students 

and instructors. 

15,000 

Dashiki Project Theater 

New Orleans, Louisiana 

For productions; a community instruction program in theater; 

cable and public television projects; and the New Play Project, 

which develops, produces, and mounts original plays written by 

40,000 

and about blacks. 

Dayton Contemporary Dance 

Company 

For a residency program enabling aspiring young dancers to

work with master teachers, dancers, and choreographers. 

20,000 

Dayton, Ohio 

Detroit Repertory Theatre 

Detroit, Michigan 

To support the season of the Millan Theatre Company, including 

its development program. 

26,013 

Dimensions Dance Theater To hire a manager. 14,000 

Oakland, California 

Don Quixote Experimental 

Children’s Theatre 

For performances, touring, anda workshop series by the Repertory Company. 

6,000 

New York, New York 

Douglass (Frederick)Creative 

Arts Center 

Fora program of writing, acting, and media presentation 

workshops; three showcase productions; presentation of poets 

30,000 

New York, New York and writers; and administrative support. 

Downtown Ballet Company 

New York, New York 

For Downtown Ballet Company’s professional dance training

programs in communities in both San Juan and New York. 

25,000 

Downtown Community Television 

Center 

New York, New York 

For advanced television studio workshops, the community

television apprenticeship program, the Urban Media Unit for 

cable TV, the equipment bank, and other community media 

productions. 

12,750 

Dume Spanish Theatre 

Sunnyside, New York 

For four theatrical productions in Spanish performed in Queens,

and a drama workshop program providing professional instruo 

tion for talented young actors. 

20,000 
44 Expartsion Arts 

Dunham Fund for Research 

and Development of Cultural Arts 

East St. Louis, Illinois 

East Cleveland Community Theater and Arts Center 

East Cleveland, Ohio 

East St. Louis Community
 

Performance Ensemble
 

East St. Louis, Illinois
 

East West Players
 

Los Angeles, California
 

EcoTheater 

Hinton, West Virginia 

Eden Theatrical Workshop
 

Denver, Colorado
 

Ellington Fund
 

Washington, D.C.
 

Ensemble Espanol
 

Chicago, Illinois
 

E.T.A. Creative Arts Foundation
 

Chicago, Illinois
 

Eva Anderson Dancers
 

Columbia, Maryland
 

Everybody’s Creative Arts Center
 

Oakland, California
 

Ewajo Dance Workshop
 

Seattle, Washington
 

Family 

New York, New York 

Fondo del Sol 

Washington, D.C. 

Foundation for the 

Vital Arts 

Hogansburg, New York 

Friends of the Arts 

San Francisco, California 

Friends of Puerto Rico 

New York, New York 

Gala Hispanic Theatre 

Washington, D.C. 

Galería 

San Francisco, California 

For the activities and operation of the Institute of Intercultural 

Communications, including classes and workshops that

culminate in performances and exhibits, a monthly film series, 

an intensive Lraining program for teacher-trainees in the 

Dunham technique in preparation for an international workshop, 

a ten-day drum and dance workshop by a master percussiolUst, 

anda two-month residency of dancers for reconstruction of 

Dunham choreography. 

125,000 

For production costs, a workshop series, and general operating 

costs for this inner-city theater. 15,000 

For professional training in the performing arts of African 

culture. 7,500 

For a professional training program, the Total Ensemble tour,

and the company’s seasonal theatrical productions. 30,000 

For workshops and the production of the first two parts of a 

trilogy based on local history and stories, developed by persons 

of southern West Virginia. 

15,000 

For the presentation of four award-winning original plays: 

Enemies, Silent Octaves, Hard Up, and The Ballad of Charley 

Sweetlegs Vine. 

6,000 

For a program that provides professional training for exceptionally talented youth, particularly inner-city minorities, in 

dance, drama, music, and the visual arts. 

36,000 

For master classes and guest residencies in Spanish dance and 

culture for local artists. 

10,000 

For a multi-disciplined performance and training program for 

200 students. 

20,000 

For the Baltimore Dance Theater to train professional and apprentice dancers to present original ballets based on the black 

experience. 

10,000 

For a multi-cultural community performing arts center and the 

Carnival of Culture series, including master classes and 

workshops by recognized artists. 

15,000 

For an artist-in-residence program and master classes. 7,500 

Tó support the Theatre Arts Training Program, the Repertory 

Ensemble Company, the development of new plays, anda

theater touring program. 

45,000 

For five exhibits, featuring major and emerging artists and

craftmen, and "Caribbeana 85," an annual event of works by artists, poets, and musicians of Spanish, English, and French 

descent. 

12,700 

For advanced modern, jazz, and ballet classes for professional 

performing artists and the choreographers workshops program. 22,200 

For staff salaries and associated administrative costs to operate 

the Neighborhood Arts Consortium of four cultural 

centers--three that offer professional training and performance 

in dance, theater, and music; the other provides training and production in graphic design, video, painting, and sculpture. 

75,000 

For at least ten arts presentations, including folkloric and 

classical performances, the permanent exhibition of the Santos 

Collection, anda traveling exhibition. 

18,500 

For a season of four bilingual productions and a guest residency 

by a well-known Hispanic theater director. 

24,000 

For a visual arts gallery, traveling exhibitions, anda curatorial 

apprenticeship program at Studio 24. 

32,100 
Expansion Arts 45 

Gateway Dance Theatre 

Des Moines, Iowa 

For a dance-training program in multi-ethnic dance for minority 

and inner-city youth. 

10,000 

G.R.A.C.E. 

St. Johnsbury, Vermont 

For Catamount Arts’ workshops in the visual arts for elderly 

and special constituency artists, including exhibits of their 

works. 

4,230 

Great Leap 

Los Angeles, California 

For presentation of major or original works encompassing

music, dance, and theater; disseminating those works to wider 

audiences in the Asian American community through the use of 

20,250 

videotapes and audio recordings. 

Group Theater 

Seattle, Washington 

For a season of six productions of contemporary works for the 

community, focusing on social and ethnic minority issues. 

5,000 

Grupo Morivivi 

New York, New York 

For a literary project involving the presentation of prose and 

poetry readings; multi-media events integrating music, dance,

and the visual arts with poetry; anda series of exhibits on the 

7,500 

works of Puerto Rican artists. 

G.T.N.Y. Foundation 

New York, New York 

For two Greek language productions for the Greek-American

community and one-week touring performances of two bílingual 

theater productions. 

15,000 

Guadelupe Cultural Arts Center 

San Antonio, Texas 

For provision of technical assistance, exhibitions, and performance training for emerging Chicano artists. 

15,000 

Gumption Production Corporation For jazz performances and an artist-in-residence. 7,000 

Chicago, Illinois 

Haight-Ashbury Community 

Development Corporation 

San Francisco, California 

For the development of creative potential and salable skills 

through workshops, classes, and performances in the visual and

performing arts at the Haight-Ashbury Arts Workshop for community residents. 

6,750 

Harlem Cultural Council 

New York, New York 

For the production of Outdoor Summer DanceMobile Festival, a

series presented by six professional dance companies; the Indoor 

Winter DanceMobile, which presents 16 professional dance con25,000 

certs; and the annual Black Film Festival, a retrospective of 

maj of new and old black films. 

Hurlem Cultural Council For the Outdoor Summer DanceMobile Festival, the Indoor 22,500 

New York, New York Winter DanceMobile series, and the annual Black Film Festival. 

Harlem School of the Arts 

New York, New York 

For master classes offering training in the performing and visual 

arts, and for professional career development for ’giíted artists 

throughout the city. 

40,000 

Heury Street Settlement 

New York, New York 

For New Federal Theatre’s training workshop programs, preparing youth for college auditions and professional careers in the 

arts. 

56,000 

Heury Street Settlement 

New York, New York 

For professional workshops, classes, and performances in music 

and dance and performances by emerging musicians and

established dance companies. 

50,000 

Hill tThelma} Performing 

Arts Center 

For productions, including the Owen Dodson and Countee Cullen 

adaption of Euripede’s Medea. 

15,000 

Brooklyn, New York 

H.T. Dance Company 

New York, New York 

Fora proíessional dance training program, including workshops

and dance events committed to producing new Asian art forms. 

10,000 

Hudson Valley Freedom Theatre 

Newburgh, New York 

For the production of five plays, featuring local actors, directors,

and writers; 14 special jazz events; and eight gospel concerts 

featuring prominent artists. 

40,000 

Inner City Cultural Center 

Los Angeles, California 

For classes and workshops in performing and visual arts for 

career-oriented inner-city youth, professional theater productions by and for minority artists, the Readers Theatre and 

70,000 

Workshop programs, anda publications program for third world 

artists. 

20,000 For performing arts training programs, including touring Inner City Ensemble workshop programs. Paterson, New Jersey 

10,000 For programs and performances as part of a six-week Institutefor Intercultural 

Communications reconstruction project of Katherine Dunham’s dance-theater

Chicago, Illinois works.
4~ Expansion Arts 

Institute for the Presentation and 

Study of African American Writing 

Washington, D.C. 

International Art of Jazz
 

Stony Brook, New York
 

International Arts Relations 

New York, New York 

Jamaica Center for the Performing 

and Visual Arts 

Jamaica, New York 

Japanese American Cultural and 

Community Center
 

Los Angeles, California
 

Japantown Art and Media Workshop 

San Francisco, California 

Jazzmobile
 

New York, New York
 

Jomandi Productions 

East Point, Georgia 

Jubilee Community Arts 

Knoxville, Tennessee 

Junior Black Academy of 

Arts and Letters 

Eh]las, Texas 

Just Above Midtown 

New York, New York 

Just Us Theater 

Atlanta, Georgia 

Kalihi-Palama Culture and 

Arts Society 

Honolulu, Hawañ 

Kalihi-Palama Culture and 

Arts Society 

Honolulu, Hawaii 

Karamu House 

Cleveland, Ohio 

Kenkeleba House 

New York, New York 

Kentucky Cooperative Theatre 

Louisville, Kentucky 

Ko-Thi Dance Company 

Milwaukee, Wisconsin 

Kuumba Theatre 

Chicago, Illinois 

For a workshop series for intermediate and advanced writers 

and the African-American Writers Project. 6,850 

For an intensive jazz workshop program with professional training for intermediate and advanced students. 20,000 

For administrative support and the Hispanic Playwrights-inResidence Laboratory program, placing seven playwrights for a 

27-week residency with a noted playwright. 

50,000 

For a co-op for black artists, including eight museum loan shows 

and ten annual shows at the community gallery; provision of artists’ workspace and 12 public performance events in music, 

dance, and theater. 

30,080 

For monthly performing arts events presenting exceptionally

talented Japanese American artists who combine western and 

Asian forms, and for an artists-in-residence program. 

22,500 

For administrative support, exhibitions, graphic services,

classes and workshops, and other special events for Asian 

American artists. 

25,300 

For the advanced music workshop program for talented young 

musicians, instructed by professional jazz musicians. 

50,000 

For a season of five innovative theater productions that express 

the culture of the black community, and three artists-inresidence workshops in the theater arts. 

15,000 

Fora community arts program, including instruction and performance of traditional southern highland music, dance, and crafts;

sacred harp singing; and tours of musicians to rural arcas. 

32,500 

For three major theater productions; classes and workshops in 

the performing, literary, and visual arts by guest master artists; 

and art exhibits and one-person shows in the Cafe Theatre. 

12,000 

For the Nationwide Search program, which identifies artists outside of the tri-state arca for inclusion in its activities; the Black 

Art Fund, which provides financial support for black artists; the 

Black Currant quarterly forum for black visual artists, and three 

co]laborations among American, Caribbean, and British black 

artists. 

14,400 

For a guest residency program with a contemporary black

playwright who assisted in the development of a new work, an 

audience development program, and a subscription director. 

18,000 

For presentations and training in the visual and performance 

arts, including ethnic arts and crafts. 

12,500 

To support classes, training workshops, conferences, seminars, 

concerts, exhibits, lectures, and demonstrations in the visual 

and performance arts and ethnic arts and crafts. 

11,250 

To hire a full-time dance coordinator and youth theatre coordinator for the Community Arts Education and Services Department, which offers a multi-disciplinary arts program. 

45,000 

For a series of four visual arts exhibitions featuring the works of 

estab]lshed and emerging artists from the community administrative costs, and performances. 

9,000 

For a season of six dramatic contemporary theater productions 

for an inner city community, and the third annual Kentuckian 

Original Play Festival, featuring previously unproduced works 

by southern Indiana playwrights. 

5,000 

For performances and professional training in traditional 

AfricarYCaribbean music and dance for the preservation and 

documentation of these forros. 

3,000 

For the presentation of four plays, two road productions, and 

classes and workshops in the theater arts, drama, and dance. 

35,000 
Expansion Arts 47 

La Compania de Teatro de 

Albuquerque 

For the production and touring of an original bilingual work: 

Cuentos: Voces de Ayer y Hoy. 

14,000 

Albuquerque, New Mexico 

La Pena Cultural Center For a concert featuring authentic traditional and popular music 10,000 

Berkeley, California from Latín America. 

La Pena Cultural Center 

Berkeley, California 

For advanced and intermediate radio broadcasting workshops 

that produce programs with an emphasis on the Hispanic 

culture. 

8,550 

La Raza Bookstore For the annual poetry reading, featuring professional Chicano 13,419 

Sacramento, California and Native American poets and writers, and for the Galeria

Posada exhibition space, which presents Raza and Native 

American art. 

La Raza Silkscreen Center 

San Francisco, California 

To mount a traveling retrospective exhibition of silkscreen 

posters and prints produced at the center during the past 11

years by local professional and aspiring artists. 

23,790 

La Raza Silkscreen Center For silkscreen workshops for ten local artists, resulting in a 17,000 

San Francisco, California 20-print portfolio, "The History of Chicano/Latinos in the U.S.,"

for exhibition in a local gallery. 

Latín American Theatre Ensemble For professional theater productions for the Hispanic commun­ 20,440 

New York, New York ity, master workshops in the theater and performing arts for 

company members, and ]iterary workshops for the development 

of local writers, poets, and dramatists. 

Latin American Workshop 

New York, New York 

For film, vídeo, and slide presentations by independent artists 

from Latin and North America, concerts of folk music, a film 

editing workshop, and exhibits of works by Central American ar25,000 

tists at the Taller Art Gallery. 

Latino Chicago Theater Company For the salary of a managing director. 10,000 

Chicago, Illinois 

Lettumplay 

Washington, D.C. 

For transportation costs for the ensemble to perform at the 1984 

New Orleans Exposition. 

5,000* 

Liga Estudiantes de Arte 

San Juan, Puerto Rico 

For a series of visual arts exhibitions promoting artists from the 

community, a scholarship program, and the performing arts 

16,900 

program. 

Little Miami Theater Works For training, touring, and research and development of new 12,000 

West Liberty, Ohio scripts for play productions, radio shows, and slide-tape presentations from collections of oral histories from people in the 

community. 

Lower East Side Printshop 

New York, New York 

For the printmaking program, including workshops for arts 

organizations and an artists’ printmaking workspace program. 

13,600 

Lulu Washington Contemporary 

Dance Foundation 

To sponsor master dance classes with important dancers or 

choreographers for the mounting of new works. 

7,500 

Inglewood, California 

Maga Link 

Los Angeles, California 

For advanced training in video production for 20 apprenticelevel filmmakers. 

8,500 

Manchester Craftsmen’s Guild 

Pittsburgh, Pennsylvania 

For continued advanced training in photography and ceramics, 

with a workshop study program emphasizing career development in the visual arts. 

33,800 

Manna House Workshops 

New York, New York 

For professional music instruction and performance opportunites fora multi-ethnic constituency. 

20,000 

Metropolitan School for the Arts 

Syracuse, New York 

For the financial aid program, which provides individual instruction on all instruments and voice in various musical idioms, and 

group instruction in performing and visual arts. 

25,000 

Milwaukee Inner City Arts Council 

Milwaukee, Wisconsin 

For the inner city training institute, which provides career

development for select youth and adults in dance, theater, 

music, visual arts and photography; and for the annual perfor22,500 

mance/exhibition event, featuring a series of lectures and master 

classes on the visual and performing arts. 
48 Expansion Arts 

Mind-Builders Creative
 

Arts Company
 

Bronx, New York 

Minneapolis American Indian Center 

Minneapolis, Minnesota 

Mixed Blood Theatre Company
 

Minneapolis, Minnesota
 

Molly Oiga Neighborhood Art 

Classes 

Buffalo, New York 

Movimiento Artistico del Rio Salado 

Phoenix, Arizona 

Muntu Dance Theater 

Chicago, Illinois 

Museum of African American Art
 

Santa Monica, California
 

Museum of the National Center
 

of Afro-American Artists
 

Boston, Massachusetts
 

Nanette Bearden Contemporary
 

Dance Theatre
 

New York, New York 

Nat Horne Musical Theatre 

New York, New York 

National Black Theatre Workshop 

New York, New York 

National Black Touring Circuit 

New York, New York 

National Center of Afro-


American Artists
 

Boston Massachusetts 

Native American Center for
 

the Living Arts
 

Niagara Falls, New York 

Neighborhood Arts Alliance 

San Francisco, California 

NeighborhoodArtsCenter 

Boston, Massachusetts 

Neighborhood Arts Center 

Atlanta, Georgia 

Newark Community School 

of the Arts 

Newark, New Jersey 

Newark Community School 

of the Arts 

Newark, New Jersey 

Newark Media Works 

Newark, New Jersey 

New Dance Theatre 

Denver, Colorado 

For the expansion of the training program for intermediate and 

advanced students in music, dance and drama, including performance by students in the community. 

10,000 

To hire a director/curator for a program to develop, promote, and 

exhibit the visual arts of emerging Indian artists from the upper 

Midwest. 

5,000 

For general operating support. 15,695 

For advanced training in visual arts for the inner-citycommunity. 6,000 

For a training program for emerging professional artists anda 

series of visual arts exhibitions and workshops promoting 

regional Chicano artists. 

8,500 

For a professionally led African dance training program for the 

inner-city communities of Chicago. 7,500 

For ah exhibition program of African American artists, and The 

International Review of African American Arts. 58,900 

For an exhibition program of work from young and emerging 

New England artists and other special exhibitions of major and 

contemporary artists. 

32,500 

For an intensive dance training program for professional career

development. 16,000 

To support the scholarship program, offering professional instruction in the performing arts. 13,000 

For ah intensive theater arts training workshop and 16 performances of two productions. 35,000 

For a network of black theater in Chicago, Cleveland, 

Philadelphia, New York and Washington; tours of plays by black 

playwrights; and the presentation of two new productions. 

60,000 

To promote the black visual arts heritage through an exhibition 

program, including works by young and emerging regional 

artists. 

32,500 

For a season of performing arts activities, presenting local and

regional native American artists in dance, theatre, music, and 

literary arts; and for training workshops and performances by 

Indian Time Theatre. 

29,526 

For "Story, Song and Theater," a multi-cultural traveling performance festival presenting performances by Roadside Theater, 

Free Southern Theater, A Traveling Jewish Theatre, and El 

Teatro Campesino. 

10,000 

For six artists-in-residents to conduct intensive 12-week 

workshops in theater, visual arts, and filmmaking. 

9,530 

For the artist-in-residence training program, a career development program in the visual and perforrodng arts, and performances presenting new company members. 

27,000 

To support the Gifted Student Program, which provides intensive training in music, dance, drama, and the visual arts. 32,500 

For an intensive training program in music, voice, instrumentation, dance, and drama for talented students; administrative 

costs, and the annual symphony hall concert. 

29,250 

For the vídeo and radio production internship program. 8,550 

For the Cleo Parker Robinson Dance Ensemble to prepare for 

local performances and regional touring of new ballet productions, and the New Dance Theatre School of Dance, a scholarship 

program providing professional dance instruction and training. 

45,000 
New Freedom Theatre 

Philadelphia, Pennsylvania 

New Heritage Repertory Theatre 

New York, New York 

New School for the Arts 

Montclair, New Jersey 

New York City Hispanic-American Dance Company 

New York, New York 

New York Street Theatre Caravan 

Jamaica, New York 

Nguzo Saba Films 

San Francisco, California 

Nuestro Teatro 

New York, New York 

Nuevo Teatro Pobre de America 

Hato Rey, Puerto Rico 

Ododo Theatre Foundation 

Tucson, Arizona 

Olatunji Center of African Culture 

New York, New York 

Old Creamery Theatre Company 

Garrison, Iowa 

Ollantay Center for the Arts 

Sunnyside, New York 

Opera de Camara 

Rio Piedras, Puerto Rico 

Pan Asian Repertory Theater 

New York, New York 

Parker ICharlie} Memorial

Foundation Academy of the Arts 

Kansas City, Missouri 

Paul Robeson Players

Compton, California 

Paul Robeson Theatre Group 

Renton, Washington 

People’s Theatre 

Milwaukee, Wisconsin 

Perseverance Theater 

Douglas, Alaska 

Philadelphia Dance Company

Philadelphia, Pennsylvania 

Play Group 

Knoxille, Tennessee 

Plaza de la Raza 

Los Angeles, California 

F2cpansion Arts 4~ 

To present a season of plays and provide gifted inner-city 25,000 

residents with training and practical work experience in the 

theater arts. 

For the production of three new plays and two 12-week technical 27,464 

training laboratories. 

For a professional training center for the performing arts, including scholarships, and the development of a chamber opera 

35,000 

performance program. 

For the Ballet Hispanico School of Dance to provide professional

training in ballet, Spanish dance, modern and the Dunham _ 45,000 

technique; and to strevgthen management. 

For the national touring program, the development of new 25,000 

works, and workshops in the theater arts. 

For three new media projects for national exhihition composed 21,000 

of documentary films and dramatic works. 

For performances of the bilingual theater throughout the New 10,006 

York atea. 

For workshops and the production of works of folkloric origin 10,000 

that are relevant to the culture of the Puerto Rican people. 

For the Teen Theatre Workshop Program and master classes. 12,000 

For a touring performance and workshop by master drummer 27,000 

Baba Olatunji and the center’s company, incorporating elements 

of African culture, and for an artists-in-residence program. 

Fora rural touring theater program offering professional performances with workshops in fundamentals of stagecraft, and ad20,000 

ministrative support. 

To support the visual arts, theater, music, and literary programs 18,000 

of the center and the Ollantay Performing Company, which tours 

Latin American plays throughout the state of New York for

Hispanic audiences. 

To provide performance opportunities for local professionals in

Hispanic repertoire of operas and musical theater pieces. 

15,000 

For workshops and staged readings, the fourth annual produc­ 27,500 

tion for the Asian population in Queens, a touring program, and 

special performances for the Asian-American community. 

For the Jazz Studies and Performances Program. 20,000 

12,500 To provide administrative support. 

To provide administrative and general operating costs. 12,000 

For the season of four plays anda training program in music and 15,000 

theater. 

Fora professional training program and productions. 8,000 

40,000 For professional dance instruction and training leading to concert and in-house performances, anda residency by Katherine 

Dunham. 

18,950 For the touring of original works to rural communities region 

and for workshops. 

73,441 For the Professional Arts Training Program, which provides 

training in theater, dance, visual arts, music, and interdisciplinary arts for artists in the Hispanic community. 
ó0 Expansion Arts 

Plaza de la Raza
 

Los Angeles, California
 

Pontiac Art Center 

Pontiac, Michigan 

Printmakíng Workshop 

New York, New York 

Prints in Progress 

Philadelphia, Pennsylvania 

Pro Arte Grateli
 

Miami, Florida
 

Programs for Alternative 

Creative Education
 

Detroit, Michigan
 

Programs for Alternative
 

Creative Edncatiou
 

Detroit, Michigan
 

Puerto Rican Traveling Theatre
 

Compauy
 

New York, New York 

Puerto Rican Workshop
 

New York, New York
 

Rep 

Washington, D.C. 

Rhode Island Black Heritage Soeiety 

Providence, Rhode Island 

Road Company 

Johnson City, Tennessee 

Rod Rodgers Dance Company 

New York, New York 

St. Louis Black Repertory Company 

St. Louis, Missouri 

St. Louis Conservatory and 

Schools for the Arts 

St. Louis, Missouri 

Salmon Arts Cou~eil 

Salmon, Idaho 

Samahan Philippine Dance Company 

El Cajon, California 

San Francisco African American 

Historical and Cultural Soeiety 

San Francisco, California 

Self Help Graphics and Arts 

Los Angeles, California 

Settlement Music School 

Philadelphia, Pennsylvania 

Seven Stages 

Atlanta, Georgia 

To support the Professional Arts Training Program which pro- 66,096
 vides training in theater, dance, visual arts, music, and interdisciplinary arts for developing and professional artists in the
 

Hispanic community.
 

To support four exhibitions; four dance performances; three 7,474
 theater productions; and master classes in dance, painting,
 

drawing, sculpture and music using local minority artists.
 

For ten fellowships for emerging printmakers and mid-career ar- 19,000
 tists of Asian, African-American and Hispanic decent, and for
 

"In a Stream of Ink," a traveling exhibition of prints by minority artists.
 

For professional classes in visual arts and crafts, ah appren- 25,200
 

ticeship and scholarship program, and continuing exhibitions.
 

For the production of seven performances with Latin themes. 15,000
 

For workshops in painting, drawing, dance, architectural art, 17,000
 

sculpture, vocal and instrumental music.
 

For multi-arts workshops in painting, drawing, dance, architec- 12,000
 

rural art, photography, sculpture, vocal and instrumental music,


drama, and creative writing by professional and community
 

artists.
 

For the Theatre Training Unit, a professional training program 60,000 for Hispanic youth, and the season of the Puerto Rican Traveling Theatre. 

For training for six talented aspiring artists anda film workshop 8,500 including scriptwriting, editing, and other production skills. 

For workshops in acting, movement, dance, voice, and technical 50,000 theatrical skills; and three productions, involving at least one 

guest director. 

For the production of three plays that were developed through 30,000 the "research-to-performance" method created by Rites and 

Reason. 

For the season of three plays and administrative support for this 22,000 

rural theater. 

To provide professional training for young talented dancers to 20,000 forge the vital link between school and the professional 

company. 

For the production of six full-length plays and three maj or dance 12,000
 

concerts.
 

For the Midtown School to provide training in dance, theater, TF 45,000 music, and visual arts for gifted students; classes for professionals in modern dance; and a dance apprenticeship program. 

For advanced training workshops in visual arts. 5,000 

For the creation of new choreography based on the folklore, 7,200 legends, rituals, social life, and historical events of the tribes of 

the island of Mindanao. 

For a writers workshop program, including instruction, writers 6,850 forums, and critical analysis of black literature. 

For managerial and administrative support for an exhibition 17,800 program and classes in painting, drawing, and silkscreen for 

emerging community artists. 

For the advanced Study Project, professional instruction in 20,000 theory and chamber music for aspiring students with artistinstructors from the Philadelphia Orchestra. 

For the production of two new works centered around southern 10,000 themes. 
Expansion Arts 51 

Silvera (Frank) Writers’ Workshop 

New York, New York 

For the Saturday reading Critique Series, offering support and 

guidance to playwrights; the Wednesday Writers’ Seminar 

Series, master classes in playwrighting; and the Artistic

Technical Assistance Collective, offering training in technical 

25,000 

stagecraft. 

Social and Public Art For administrative support for design and production of work by 15,325 

Resource Center emerging professional muralists. 

Venice, Caliíornia 

° South Side Community Art Center For ah exhibition series featuring black artists and training pro­ 11’,000 

Chicago, Illinois gratas for exceptionally talented students. 

Southern Alleghenies Museum of Art 

Loretto, Pennsylvania 

For the exhibition calendars and activities of the museum’s two 

major extension facilities in the rural communities of Johnstown 

and Hollindaysburg. 

12,700 

Southern Folk Cultural Revival For the Southern Grassroots Music Tour, presenting traditional 15,000 

Project 

Nashville, Tennessee 

. regional performers in concert in isolated community centers

throughout the South. 

Spanish-English Ensimbli Thiatir 

New York, New York 

For administrative support and ah intensive training workshop 

series in musical theater. 

10,000 

Spanish Theatre Repertory Company 

New York, New York 

For performances of classic, modern, popular, and experimental 

Latin American Spanish plays for the local community and for 

administrative, artistic, and general operating costs. 

40,000 

Store Front Museum For various visual art exhibitions, featuring emerging artists 6,800 

Jamalca, New York from the community. 

Street Theater For a project combining theater and multi-media, using skills of 10,000 

White Plains, New York three major playwrights. 

Studio Museum in Harlem For the artists-in-residence program, offering fellowships for 42,100 

New York, New York studio space and art supplies to outstanding emerging artists; 

and an intern program that prepares minority professionals in 

museology. 

Teatro Bilingue de Houston 

Houston, Texas 

To provide adlninistrative support for the presentation of four

major Spanish and bilingual plays to Hispanic communities of 

Houston. 

14,000 

Teatro Campesino 

San Juan Bautista, California 

For mounting the production of Don Juan Tenorio, the Rogue of 

Seville, and for audience development and promotional costs. 

30,000 

Teatro de la Esperanza 

Santa Barbara, California 

For the Theater Workshop and Performance Project, providing 

dramatic presentations by top professional theatre groups to the 

community; and professional training in acting, directing, and 

24,000 

playwrighting. 

Teatro 4 

New York, New York 

For a project combining theater and multi-media, using skills of

three major playwrights. 

19,960 

Texas Institute for Educational For a multi-cultural interdisciplinary arts program, including 12,675 

Development 

Galveston, Texas 

workshops, presentations, and an artists-in-residence series at 

Energy Earth Communications. 

Theater Center Philadelphia

Philadelphia, Pennsylvania 

For a workshop that provides professional training and ex, 

perience through the collaboration of actors, directors, and 

playwrights. 

10,000 

Theater of Universal Images 

Newark, New Jersey 

For the touring series and the Showcase Theater season, consisting of four productions that feature local artists. 

30,000 

Theatre Dance For advanced jazz, modern, and composition classes. 9,000 

St. Croix, Virgin Islands 

Theatre of the Performing Arts 

Shreveport, Louisiana 

For theatrical productions of contemporary black classics and 

instruction programs. 

15,000 

Tokunaga Dance Ko. 

New York, New York 

For a scholarship program giving professional dance training 

from the vantage of Japanese heritage. 

7,960 

Tomorrow’s World Art Center For an artists-in-residence program for emerging graphic and 6,000 

Washington, D.C. film artists. 

Traveling Performing Arts Company 

Oaldand, Califorllia 

For New Traveling Voices’ Theater training program, presentation of musical works, and administrative support. 

7,500 

!. 
ó9~ Expansion Arts 

Union Settlement Association 

New York, New York 

United Projects 

San Francisco, California 

Universal Jazz Coalition 

New York, New York 

Uptowu Center Hull House 

Chicago, Illinois 

Urban Gateways 

Chicago, Illinois 

Urban League of Flint 

Flint, Michigan 

Urban League of Flint

Flint, Michigan 

Verde Valley Art Association 

Jerome, Arizona 

Virgin Islands Council on the Axts 

St. Croix, Virgin Islands 

Visual Arts Research and Research 

Center Relating to the Caribbean 

New York, New York 

Visual Communications 

Asian American Studies Central 

Los Angeles, California 

Voloshky Ukrainian Dance Ensemble 

Philadelphia, Pennsylvania 

Waianae Coast Culture and Arts 

Waianae, Hawaii 

Wajumbe Cultural Institution 

San Francisco, California 

"Where We~At " Blaek Women 

Artists 

Brooklyn, New York 

Women’s Studio Workshop 

Rosendale, New York 

Women and Their Work 

Austin, Texas 

Xicanindio 

Mesa, Arizona 

Young Filmmakers Foundation 

New York, New York 

Young Saints Seholarship 

Los Angeles, California 

For a professional orchestra, Tioico band, and string chamber 

music program at East Harlem Music. 

17,500 

For a professionally directed theater arts training program for 

gifted youth that culminates in full-scale productions. 

19,500 

For the Discovery Program, a music training program for aspiring artists, using professional jazz musicians. 10,000 

To support the folk artists-in-residence program at Beacon 

Street Gallery, which offers classes in the textile arts, dance, 

theater and the visual arts by artists of Indochinese, Cuban, 

Russian, American Indian, Laotian, and Korean descent, 

culminating in exhibitions and performances. 

13,500 

For administrative and artistic salaries for programming in 

dance, drama, music, visual and literary arts in performances, 

workshops, forums, and exhibitions in inner city Chicago. 

50,000 

For productions, a visiting artists series, and administrative 

support for the McCree Theatre and Performing Arts Center. 

20,000 

For the theater’s main stage productions, the visiting artists

series, and the repertory dance corps presentations of original 

works at the McCree Theatre and Performing Arts Center. 

18,000 

For 12 exhibitions at the Fine Arts Museum. 5,150 

For the advanced calypso training program at Calypso, Inc., providing professional development of this musical form 

throughout the island of St. Croix. 

10,000 

For administrative costs, a film festival and four exhibits at the 

Caribbean Cultural Center, including: "The Urban Caribbean 

Aesthethics and Creative Manifestations in New York," 

"African Continuities," "Trinidad-Tobago: Shango African 

Religions in the Caribbean," and Contemporary Caribbean Art." 

54,000 

For a fellowship program for 15 emerging Asian Pacific film and 

video makers, sponsored by Asian American Studies Central. 

13,150 

To expand the repertoire of dances representing various regions 

of the Ukraine, using recognized artists for professionally led 

training workshops. 

8,000 

For training in traditional dance, music, and crafts that 

perpetuate the multi-ethnic cultures in the Hawaiian Islands. 

20,000 

For a residency by Jean Leon Destine, and performances based 

on African-derived artistic and cultural tradition. 

10,000 

For a collaborative exhibition in Manhattan and Brooklyn, 

featuring works of members and guest artists. 

6,800 

For intensive workshops in printmaking, silkscreen, handmade 

paper, etching, offset, drawing and painting. 

8,500 

For the Artist Exchange Program, including performances,

workshops, and exhibitions by guest artists. 

9,785 

For 12 concerts of Hispanic music by the Xicanindio Musicians, 

administrative costs, and salaries for staff members. 

16,200 

For 20 full and 25 partial scholarships for Asian, Black, Latino, 

and Native Americans who are committed to a career in film or 

television. 

14,000 

For a community-based instruction program in performing arts, 

including concerts and other performance events. 

20,000 
Expansion Arts ó3 

Services To enable organizations to offer technical assistance and services to community arts groups. to the Field 

Program funds: $543,921 

30 grants 

African American Museums For three information programs for and about black museums; $22,000 

Association four newsletters providing information about funding resources, 

Washington, D.C. educational opportunities, and technical assistance; a brochure 

listing black museums and resource persons for each institution; 

anda calendar of activities. 

Alternate ROOTS 

Atlanta, Georgia 

For regional touring of solo artists and performing arts companies throughout Appalachia, artistic exchanges through minifestivals, artistic and administrative technical assistance 

20,000 

workshops; and the publication of a quarterly newsletter. 

Ariztlan For an information network, including the Ariztlan newsletter, 15,000 

Phoenix, Arizona arts workshops, and technical assistance to Hispanic arts

organizations throughout the region. 

Association of Hispanic Arts 

New York, New York 

For a technical assistance program to Hispalüc arts organizations throughout the nation, including a central information of64,400 

rice, a monthly calendar of events, newsletter, annual Hispanic 

arts festival and skill development workshops, audience development programs, and identification of private and public funding

opportunities. 

Association of Hispanic Arts 

New York, New York 

For a technical assistance program for Hispanic artists and arts

organizations throughout the nation. 

60,536 

Black Theatre Alliance of Chicago 

Chicago, Illinois 

Fora program of technical services, including a newsletter and

workshops. 

9,400 

Bodacious Buggerrilla 

Los Angeles, California 

To produce públic service videos for Expansion Arts organizations in southern California, Arizona, New Mexico, Colorado, 

and Nevada. 

8,500 

Chicano Humanities and Arts For provision of information on a regional level to Hispanic arts 27,000 

Council organizations, a newsletter, technical assistance to developing 

Denver, Colorado organizations, and promotional events and forums for these arts

organizations and individual artists. 

Chicano Humanities and Arts To provide information and technical assistance on a regional 24,000 

Council level to Hispanic arts organizations and individual artists. 

Denver, Colorado 

Chinese American Educational and To provide services for Chinese American arts organizations, in­ 14,100 

Cultural Center of Michigan 

Ann Arbor, Michigan 

cluding fundraising and technical assistance, advocacy, promotion, and archives collection. 

Community Artists’ Guild 

Detroit, Michigan 

For a program of technical and managerial assistance to arts 

organizations in the Detroit area, including a costume bank, 

light and sound equipment, and organizational and fundraising 

6,580 

assistance. 

Concilio de Arte Popular 

Los Angeles, California 

To support on a regional basis, Hispanic arts organizations and

artists through the publication of a newsletter, ah arts directory, 

and technical assistance workshops. 

7,332 

Concilio de Arte Popular 

Los Angeles, California 

For publication of a newsletter, ah arts directory, and technical 

assistance workshops íor regional Hispanic arts organizations. 

7,800 

Davis, Timothy 

Washington, D.C. 

To conduct a research project on the impact of the City Arts prograto on subgrantees and emerging arts organizations in cities

funded by the Expansion Arts Program. 

4,800 

East Hawaii Cultural Coundl 

Hilo, Hawaii 

For administrative and public relations services through a clearinghouse for arts and cultural activities, including a newsletter 

and calendar of events. 

18,850 

Friends of Support Services 

for the Arts 

Fora program providing arts services for nonprofit cultural 

organizations, including graphic and technical assistance, a 

14,100 

San Francisco, California costume bank, and a resource center which assists public mural 

projects. 
ó4 Expansion Arts 

Hispanic Organization of Latin
 

Actors
 

New York, New York 

Institute of Alaska Native Arts
 

Fairbanks, Alaska
 

Jackson State University 

Jackson, Mississippi 

Milwaukee Inuer City Arts Council 

Milwaukee, Wisconsin 

Milwaukee Inner City Arts Council 

Milwaukee, Wisconsin 

Mississippi Cultural Arts Coalition 

Jackson, Mississippi 

Mississippi Cultural Arts Coalition 

Jackson, Mississippi 

Montana Institute of the 

Arts Foundation 

Billings, Montana 

MultiCulturalArtsInstitute 

San Diego, California 

National Confereuce of Artists 

Washington, D.C. 

Teatros Nacionales de Aztlan 

Santa Barbara, California 

Teatros Nacionales de Aztlan 

Santa Barbara, Califorrda 

Xicanindio 

Mesa, Arizona 

Xicanindio 

Mesa, Arizona 

Cityarts 

Abilene Cultural Affairs Council 

Abilene, Texas 

Compas 

St. Paul, Minnesota 

For a monthly newsletter; referral and information services; and 5,000 

the Festival of Actors, which gives employment opportunities to

actors, directors, and technicians who ate not part of a permanent theater group. 

To support artists and arts organizations in the state through 10,000 

the publication of a bimonthly journal for and about Native artists of Alaska, offering information and examples of Alaskan 

Native art. 

For an outstanding arts administrator to serve temporarily in 51,943 

the Expansion Arts Program through the Intergovernmental

Persennel Act. 

For salaries, a newsletter, a promotional packet for the theater 6,768 

troupe, and resource guide for the announcement of regional arts

events and resources for the Midwest Black Theatre Alliance. 

For the salary of a coordinator for the Midwest Black Theater 7,200 

Alliance, a service organization serving black artists and arts 

groups in the Midwest. 

For technical assistance and artistic development workshops 14,000 

and conferences for regional arts and cultural organizations. 

To hire a communications specialist and support technical 13,160 

assistance workshops, artistic development workshops, and a 

monthly newsletter. 

To provide administrative support for the Montana Art Gallery 9,400 

Directors Association and the Montana Performing Arts Consortium, and support technical and administrative services fer

emerging arts orgardzations. 

For the Economic Development Workshop for Artists,

silkscreen and photography workshops, provision of gallery and 

17,500 

performing space, and administrative services for multi-ethnic 

artists and arts organizations. 

For support of technical assistance services, including regional 13,160 

conferences; consultation to state, local and member organizations; maintenance of an artists reference and referral bank; and 

publication of The Artary, a quarterly journal for AfricanAmerican artists. 

For administrative workshops during 1984 for member theater 6,800 

companies; staff salaries; Tenaz Talks Teatro, a quarterly service newsletter; anda library with materials relevant to Chicano 

theater. 

For administrative costs during 1985, development of a fund­ 6,392 

raising guide, workshops, conferences, the publication of Tenaz 

Talks Teatro, a newsletter on developments in Latín theater. 

For Atlatl to provide technical assistance programming, 30,000 

marketing development, and dissemination of information for 

Native American museums, artists and cultural centers during 

1984. 

For Atlatl’s technical assistance programming, marketing

development, and publications for Native American museums, 

28,200 

artists, and cultural centers during 1985. 

To enable municipal arts agencies of private arts councils designated by a 

city to provide financial and technical asisstance to neighborhood arts 

programs. 

Program funds: $355,000 

7 grants 

To provide $17,000 for sub-grants and $3,000 for administration. $20,000 

To provide $33,000 for sub-grants and $17,000 for 50,000 

administration. 
Corpus Christi, City of 

Corpus Christi, Texas 

Cultural Council of Santa Cruz 

County 

Aptos, California 

Dade County Council of Arts 

and Sciences 

Miami, Florida 

Norfolk, Cityof 

Norfolk, Virginia 

RiversideArtsFoundation 

Riverside, California 

* Chairman’s Action 

TF-Treasury Funds 

Expansion Arts ó5 

To provide $15,000 for sub-grants. 15,000 

To provide $17,500 for sub-grants and $7,500 for administration. 25,000 

To provide $50,000 for sub-grants. 50,000 

To provide $50,000 for sub-grants and $10,000 for 80,000 

administration. 

To provide $50,000 for sub-grants and $10,000 for 60,000 

administration. 
57 

FolkArts
 

Hands of National Heritage Fellowship recipient Burlon Craig from Vale, North Carolina. Photo: Glenn Hinson 
58 Folk Arts 

Folk Arts Granís
 

Folk Arts 

 ̄ ~-~,,..-, ~l~~n»:-a÷:ons 

Akwesasne Cultural Center 

Hogansburg, New York 

Akwesasne Cultural Center 

Hogansburg, New York 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

Alternative Center for International 

Arts 

New York, New York 

Amauan Workshop 

New York, New York 

American Indian Archaeological 

Institute 

Washington, Connecticut 

American In(flan Heritage 

Foundation 

Falls Church, Virginia 

American Society for Eastern Arts 

San Diego, California 

Anchorage, Municipality of 

Anchorage, Alaska 

An Claidheamh Soluis 

New York, New York 

Appalshop 

Whitesburg, Kentucky 

Apprenticeshop 

Rockport, Maine 

Apprenticeshop 

Rockport, Maine 

Arts and Humanities Council of 

Greater Baton Rouge 

Baton Rouge, Louisiana 

Atlanta Historical Society 

Atlanta, Georgia 

Programfunds:$3,273,712 

235 grants 

To enable nonprofit organizations to support such folk art activities as

local festivals, concerts, exhibits, and touring performances. Grants are 

also awarded for documentation of traditional arts through radio, film, and 

recording; and for general assistance to the field. 

Program funds: $2,842,112 

177 grants 

For a survey of Mohawk elders, documenting and translating $6,100 

traditional legends and cautionary tales and making them 

available in small, low-cost bilingual publications. 

For a series of seven slide-tape programs for museum visitors,

each program documenting a different Mohawk craft technique. 

6,100 

Fora 30-minute, 16mm film documenting the work, work place, 15,000 

and aesthetic tradition oí Jerry Brown, a sixth generation

utilitarian stoneware potter of Hamilton, Alabama. 

For "Vocal Traditions of Africa, Asia and Europe," a series of 12,000 

concerts presenting musicians living in the United States who 

perform minstrel, bardic, court and religious vocal music from 

Armenia, Laos, Ethiopia, Bengal, Turkey, and various west 

African cultures. 

For two workshop series to teach Filipino traditional music: a 14,200 

rondalla series taught by Michael Dadap, anda kulintang (gong 

orchestra) workshop taught by Usopay Cadar. 

For a symposinm that includes public demonstrations and work­ 3,600 

shops on traditional Eastern Woodland Indian basketry styles. 

To assist in bringing American Indian crafts workers to Wash- 5,000*
 

ington, D.C. for a Fourth of July celebration on the National
 

Mall.
 

For a series of 20 concerts in Balboa Park by local traditional 15,000
 

musicians and dancers, including performers of Samoan,
 

Hawaiian, Spanish, Japanese, Appalachian, and Senegalese
 

backgrounds.
 

For a four-day festival held in the Anchorage Historical and Fine 14,900
 

Arts Museum, featuring traditional crafts and music of the
 

state’s native peoples.
 

For a one-day festival of concerts, demonstrations, workshops, 6,000
 

and dances, presenting the several traditional singing and dancing styles of Ireland and Irish America.
 

For the salary of a program coordinator for Appalshop’s regional 17,800
 

cultural center in Whitesburg.
 

To publish the proceedings of a recent seminar on advocacy, 1,600
 

marketing, and other economic concerns among the traditional


wooden boat craftsmen of New England.
 

For the salary of master boatbuilder David Foster to research 20,000
 

the designs of traditional New England small insbore wooden
 

watercraft and offer advanced instruction in their construction
 

technique.
 

For the two-day River City Blues Festival of Baton Rouge, 8,000
 

featuring regional blues artists.
 

For "Tangible Traditions: Folk Crafts from Georgia and 29,900
 

Neighboring States," ah exhibition of works drawn from the collection of folklorist John Burrison, including demonstrations by
 

local potters.
 
Fol]~ Arts 59 

Balch Institute for Ethnic Arts For a two-day regional conference on public folk arts program­ 8,900 

Philadelphia, Pennsylvania ming for state folk arts coordinators and other professionals 

working in the public sector in the eastern United States. 

Bethel Broadcasting 

Bethel, Alaska 

For a 13-part series of 15-minute radio programs based on traditional Yupik legends and tales told in Yupik and English by local 

tale-tellers. 

24,300 

Bishop Museum To produce a cassette recording of selected songs of Yap, Palau, 13,100 

Honolulu, Hawaii and Ponape taken from the Muranushi cylinder project of 1936. 

Bowling Green Public Library 

Bowling Green, Kentucky 

For ah exhibition documenting and interpreting the utilitarian

functions of pieced quilts within the communities surrounding 

Bowling Green. 

4,200 

Boys Harbor 

New York, New York 

Fora series of concert demonstrations of traditional Afro-Cuban 

music and dance and two workshop series in Afro-Cuban music 

17,900 

and dance conducted by master artist Lazaro Galaraga. 

Brandywine Friends of Old Time 

Music 

To bring seven traditional Ozark string bands to the Brandywine Mountain Music Convention. 

6,400 

Greenville, Delaware 

California, Regents of the To prepare a catalogue of the Native American sound recordings 27,300 

University of in the Lowie Museum; and disseminate duplicate recordings and 

Berkeley, California other cultural materials to tribes, rancherias, and other Indian 

organizations in California. 

California, Regents of the 

University of 

Los Angeles, California 

To document and disseminate via audiotape and photographs 

the living music and dance of the Tuolumne band of Central 

Miwok Indians. 

12,500 

Caribbean Dance Company For a series of teaching workshops on the traditional dances of 4,500 

St. Croix, Virgin Islands St. Croix held in the public schools. 

Center for Southern Folklore For a professional folklorist to assist in programming, exhibi­ 18,300 

Memphis, Tennessee tions, and stage presentations at the Old Daisy Theatre on Beale 

Street. 

Champlain Folklore Cooperative For a one-day festival highlighting the traditional arts and 10,500 

Burlington, Vermont crafts of the Lake Champlain region of Vermont. 

Chinese American Arts Council For two series of workshops in the dance and movement styles of 4,600 

New York, New York Chinese Theater conducted by professional Chines~trained 

dancer Bibianna Shieh. 

Chinese Traditional Arts 

New York, New York 

For two series of workshops in traditional Chinese flute and p ’i

p’a, conducted by a renowned flutist from the Peking Academy 

4,700 

of Music and by the former conductor of the Central Song and

Dance Troupe of Peking. 

Colorado Council on the Arts For the position of state folk arts coordinator. 20,000 

and Humanities 

Denver, Colorado 

Columbus Museum of Arts and For the Chattahoochee Folk Festival, a two-day event featuring 19,400 

Sciences traditional artists from western Georgia and eastern Alabama. 

Columbus, Georgia 

Commonwealth Council for Arts and For local travel and artists’ honoraria for four traditional arts 34,000 

Culture festivals that are designed as preparatory to the South Pacific 

Saipan, Northern Mariana Islands Festival of the Arts in New Caledonia in December 1984. 

Commonwealth Coundl for Arts and For residencies by local traditional artists in schools on the 29,900 

Culture islands of Saipan, Tinian, and Rota; a series of special parent/ 

Saipan, Northern Mariana Islands student traditional crafts workshops with master artists; a longterm residency fora Tanapag Carolinian craftsman in the

Tanapag school in Saipan, anda one-month exhibir of photographs and objects documenting the school residencies. 

Davis and Elkins College For honoraria for local, senior traditional artists, including 8,000 

Elldns, West Virginia storytellers, musicians, and craftworkers participating in the 

"Living History: Old Masters" components of the Augusta 

Heritage Arts Workshop. 

Delaware County Historical For ah exhibition and accompanying performance series featur­ 16,000 

Assodation ing the folk arts and folk artists of Delaware County, New York. 

Delhi, New York 
60 Folk Arts 

Documentary Educational Resources 

Watertown, Massachusetts 

Documentary Research 

Buffalo, New York 

Ethnic Folk Arts Center 

New York, New York 

Ethnic Folk Arts Center 

New York, New York 

Ferrum College 

Ferrum, Virginia 

Ferrum College 

Ferrum, Virginia 

Festival at the Lake 

Oakland, California 

Film Arts Foundation 

San Francisco, California 

Film Arts Foundation 

San Francisco, California 

Film Arts Foundation 

San Francisco, California 

Film Arts Foundation 

San Francisco, California 

Film News Now Foundation 

New York, New York 

Fine Arts Council of Trumbull 

County 

Warren, Ohio 

Florida Department of State

White Springs, Florida 

Florida Department of State

White Springs, Florida 

Folklore Media Center 

Cerrillos, New Mexico 

Folklore Village Farm 

Dodgeville, Wisconsin 

Fort Belknap Community Council 

Harlem, Montana 

Foundation for the Promotion of the 

State Cultural Heritage 

Providence, Rhode Island 

Galería Studio 24 

San Francisco, California 

Georgia Folklife Society 

Atlanta, Georgia 

To complete a film project documenting New England fiddle 4,000
 

styles.
 

To document on 3/4" videotape the entire step repertory of nine 8,100
 

southern mountain "flat foot" style dancers.
 

For a third tour of Italian and Italian-American traditional per- 42,500
 

forming artists to ten cities in the northeastern U.S.
 

For a series of ten concerts featuring traditional performers from 12,000
 

the Irish, the Albanian, and the Span~sh-speaking Caribbean


ethnic communities in New York City.
 

For a series of crafts demonstrations and musical performances 2,900
 

by local traditional artists as part of the interpretation program


of the Blue Ridge Farm Museum.
 

For a survey to identify traditional artists and crafts-people in 9,400
 

Roanoke County, Virginia.
 

To develop a folk arts component in the Festival at the Lake, a 5,000
 

general arts festival held in the San Francisco East Bay area.
 

For a distribution campaign to acquaint Native Americans with 10,600
 

the Folk Arts funded film, Hopi: Songs of the Fourth Worl&
 

To complete a 16mm film documenting the traditional arts of the 9,500
 

Karuk Indians of northern California.
 

To complete a 16mm film documenting Cape Verdean miniature 7,000
 

boat carver Joaquim Miguel Almeida of New Bedford,


Massachusetts.
 

To complete a 16mm film documenting the role of music among 35,000
 

the Okie Dustbowlers of California’s Great Central Valley.
 

For a 16mm film documenting traditional Chinese storytelling in 31,300
 

the contexts of both Peking opera and everyday life situations.
 

For artists’ honoraria anda folklorist’s salary for the Trumbull 22,000
 

County folk-artists-in-the-schools projects.
 

For artists’ honoraria and the salary, travel, and related ex- 34,500
 

penses of the folklorist conducting a folk-artists-in-schools pro-


gramas a cooperative enterprise with the Duval County School
 

System.
 

19,000 For a survey to identify and document traditional artists and 

craftspeople from the St. Johns River basin in northeastern 

Florida and for presentation of these artists at the Florida Folk 

Festival. 

9,800 To continue the radio series "Traditional Music in Texas" and 

add 13 five-minute programs documenting music of various communities in Texas. 

15,000 For the documentation of contemporary German-American

traditional music in Wisconsin through an LP disc and accompanying interpretive booklet. 

31,300 To develop and distribute tapes and materials of Gros Ventre 

and Assiniboine music taken from Musical Heritage of the Fort 

Belknap Reservation, for use in local schools and communities. 

23,100 For a traveling exhibition, catalog, and demonstration series

featuring the folk arts of Rhode Island. 

11,200 For "New Mexico’s Woodcarvers of Animals," ah exhibir featuring the works of several traditional Hispanic New Mexican 

artists. 

43,000 For a three-day festival down-home blues musicians from 

throughout the United States, with a one-hour television program and five LP discs documenting the festival performances. 
FolÆ Arts 61 

Georgia Sea Island Folklore Revival

Projects 

For the 1984 Georgia Sea Island Festival. 10,000 

Brunswick, Georgia 

Governor’s Heritage Affairs For the position of state folk arts coordinator. 27,600 

Advisory Commission 

Harrisburg, Pennsylvania 

Governor’s Heritage Affairs 

Advisory Commission 

Fora regional survey of folk artists in southwestern Pennsylvania intended to make them known for the benefit of exist10,000 

Harrisburg, Pennsylvania ing festivals and other cultural events throughout the area. 

Grupo Morivivi 

New York, New York 

For two series of workshops in traditional Puerto Rican crafts, 

including santo de palo carving and the making of traditional 

6,000 

masks and carnival headdresses by master artists Jose Aviles 

and Siuko García. 

Guam, University of

Mangilao, Guam 

For a series of teaching workshops for local novice Palauan 

carvers by master Palauan "story-board" artists. 

29,000 

Guthrie tWoody} Foundation For transferring to more stable formats, the 1966 television 19,000 

New York, New York series Rainbow Quest, 38 programs that feature Pete Seeger and guest folk musi¢ performers of the period. 

Han Sheng Chinese Opera Institute 

Washington, D.C. 

For a series of workshops in Peking Chinese opera in singing, 

acting, and instrumental music. 

12,000 

IHawaii) State Foundation For the development of a Hawañan traditional arts delegation to 8,500 

on Culture and the Arts attend the fourth annual Festival of Pacific Arts in Noumea, 

Honolulu, Hawañ New Caledonia. 

tHawañ} State Foundation For a state-wide folk arts coordinator. 34,700 

on Culture and the Arts 

Honolulu, Hawañ 

Hispanic Institute for the 

Performing Arts 

For a concert of Afro-Puerto Rican music and dance, an exhibit 

of related crafts ~raditions accompanying the performance, and 

20,000 

Washington, D.C. a one-day workshop with local Hispanic performing artists. 

Hoopa Tribal Museum 

Hoopa, California 

For a series of teaching workshops in traditional singing of the 

Hoopa, Yurok, Karuk, and Tolowa northern Cañfornia tribes. 

2,400 

Idaho Commission on the Arts For a traveling exhibition, catalog, and series of demonstrations 48,500 

Boise, Idaho featuring the folk arts of Idaho. 

Illinois Arts Council To support the position of state folk arts coordinator. 31,500 

Chicago, Illinois 

Indiana Arts Commission For production of a series of 20-minute slid~tape programs 8,000 

Indianapolis, Indiana featuring traditional artists previously identified through the

local library and state park folk arts projects. 

Indiana, State of Division of 

State Parks 

For artists’ honoraria and local travel for the Indiana State 

Parks’ folk arts project. 

2,300 

Indianapolis, Indiana 

Institute for Italian Ameñcan For a narrated slide presentation documenting the creation and 6,300 

Studies 

Jamaica, New York 

use of outdoor altars, shrines, and grottos as ah expression of

Italian folk aesthetics in American urban settings. 

Institute for Southern Studies To produce two short films documenting the repertoire of tradi­ 17,700 

Durham, North Carolina tional Appalachian fiddler Thomas Jefferson Jarrell, a 1982

National Heritage Fellowship awardee. 

Institute for the Study of African For the sixth annual Intercultural Festival on Dance, Drum­ 15,000 

Culture ming, Music, and Cultural History, celebrating and teaching 

St. Louis, Missouri traditional African and Afro-American performing arts. 

Institute of Alaska Native Arts For the identification and documentation of Chilkat blanket 15,300 

Fairbanks, Alaska weavers, and for a workshop in Chilkat weaving. 

Institute o[ Alaska Native Arts For the second Athabascan Old Time Fiddling Festival. 23,000 

Fairbanks, Alaska 

Inter-American University of To amend a previous grant to transport artists participating in 2,100 

Puerto Rico the palm fiber hat weaving workshops. 

San Juan, Puerto Rico 
62 Folk Arts 

International House 

Philadelphia, Pennsylvania 

International House 

Philadelphia, Pennsylvania 

International House 

Philadelphia, Pennsylvania 

Jackson County Board of Education 

Glenville, North Carolina 

Japanese American Culture and 

Community Center 

Los Angeles, California 

Jubilee Community Arts 

Knoxville, Tennessee 

Kansas State Historical Society 

Topeka, Kansas 

Kansas State Historical Society 

Topeka, Kansas 

, 

Kansas State University 

Manhattan, Kansas 

Kentucky Center for the Arts 

Louisville, Kentucky 

Kentucky Center for the Arts 

Louisville, Kentucky 

Kenyon College 

Gambier, Ohio 

Kinnara 

Los Angeles, California 

Los Angeles, City of 

Los Angeles, California 

Macon County Board of Education 

Franklin, North Carolina 

Macon County Board of Education 

Topton, North Carolina 

Maine Festival of the Arts 

Brunswick, Maine 

Maine State Commission 

on the Arts and Humanities 

Augusta, Maine 

Massachusetts, University of 

Amherst, Massachusetts 

Mendo Lake Pomo Council 

Calpella, California 

To develop two archival resource centers in International House 17,000
 

and in the primary Hmong residential area to document and pr~
 

sent the traditional arts of Philadelphia’s Hmong community.
 

4,200 For a gala evening concert presenting 45 of the finest traditional 

artists from eight local ethnic communities. 

To support the "Folk Arts in Philadelphia Schools" program, 18,000 

featuring 300 traditional artists from six ethnic communities 

presenting demonstrations and workshops in 36 district schools. 

For honoraria and local travel expenses for traditional artists 4,200 

and a consulting folklorist participating in a on~day festival of 

Jackson County folk arts. 

For ah exhibir, performance series, and workshops celebrating 12,000 

and demonstrating the traditional arts associated with Oshoo 

gatsu, the Japanese New Year. 

For a series of ten concerts of outstanding regional traditional 23,900 

musicians. 

38,800 For the position of state folk arts coordinator and for program 

development, including a hands-on crafts workshop series anda 

special effort to locate and present German-Russian folk arts 

and artists. 

24,000 For a catalog and a series of seven public programs to accompany the exhibition, Marijana: Images ofStrawberry Hill, toured 

by the Kansas Arts Commission and Mid-America Arts

Alliance. 

6,000 For artists’ honoraria for the Kansas Folklife Festival. 

9,000 For artists’ fees and travel for the three-day Kentucky Folklife 

Celebration in June 1984. 

For the position of director of folk arts programming. 35,000 

For artists’ lees and travel expenses for the Gambier Folk 4,900 

Festival, featuring traditional performers and craftspeople from 

throughout Ohio. 

For a large-scate public performance of Japanese Horaku, 6,100 

musical and dramatic performing arts. 

To hire a professional folk arts coordinator whose duties include 25,000 

developing major folk arts programs within the Cultural Affairs

Department of the City of Los Angeles. 

For a comprehensive folk artists-in-schools program, offering a 30,600 

public festival, classroom presentations, school assemblies, and 

teacher workshops, featuring traditional performers and craftspeople from Macon and surrounding counties. 

For honoraria and local travel expenses for traditional artists 4,200 

anda consulting folklorist participating in a on~day festival of

folk artists in the Nantahala school district. 

For the folk arts section within the larger Maine Festival of the 10,000 

Arts. 

For the position of state folk arts coordinator and for augment- 30,500 

ing the traditional arts residency program already funded by the 

state. 

For the 1985 New England Neighborhoods Program, part of the 8,000 

eighth annual New England Arts Biennial, which this year

features traditional artists from the Greek communities of the 

region. 

For workshops in making traditional Pomo musical instruments, 28,500 

baskets, and woven items; and for video and film documentation 

of Pomo traditional arts and artists for viewing by visitors to the 

Lake Mendocino Interpretive Cultural Center. 
Folk Arts 6;3 

Michigan Council for the Arts 

Detroit, Michigan 

For a three-day celebration of Michigan traditional arts and

crafts and for the preliminary research necessdry to present it. 

25,000 

Michigan State University For the position of state folk arts coordinator. 35,800 

E. Lansing, Michigan 

Milwaukee County War Memorial 

Center 

To amend a previous grant to provide additional fees for artists

participating in the Traditional Family Band Busic Festival. 

3,300 

Milwaukee, Wisconsin 

Minneapolis Ameñcan Indian Center 

Minneapolis, Minnesota 

For a series of crafts demonstrations by Native American traditional artists from the Sioux and Chippewa tribes in Minnesota. 

8,600 

Minneapolis Institute of Arts 

Minneapolis, Minnesota 

For a series of demonstrations by local artists on the folk crafts 

of the upper Midwest held in conjunction with the touring exhibition, "American Folk Art." 

8,000 

Minnesota State Arts Board To complete a project to document Slovenian button accordian 5,000 

St. Paul, Minnesota players on the Mesabi and Vermillion Iron Ranges and to

organize into a referral system the information gathered through 

a recent inventory of folk arts organizations for distribution to 

state agencies, including libraries and museums. 

Minnesota, University of 

Minneapolis, Minnesota 

Fora state-wide survey of Minnesota folk artists in preparation 

fora major traveling exhibition and folk festival planned for 

34,600 

1987. 

Mississippi Arts Commission To support the position of state folk arts coordinator. 21,800 

Jackson, Mississippi 

Mississippi, University of 

University, Mississippi 

For the Oxford Folklife Festival, ah ongoing event featuring 

local traditional artists of Anglo-America, black, and Choctaw

origins. 

8,600 

Missouri Friends of the Folk Arts For the Frontier Folklife Festival at a St. Louis Historical park. 10,000 

Clayton, Missouri 

Missouri, Curators of the 

University of 

For the position of special folk arts projects coordinator for the 

Missouri Cultural Heritage Center. 

35,000 

Columhia, Missouri 

Mt. Rogers Community 

Improvements Club 

For a series of classes taught by local traditional musicians in

Appalachian instrumental music and dance. 

13,400 

Whitetop, Virginia 

National Council for the Traditional Fora series of traditional festivals and associated artistic 25,300 

Arts activities representing six-to-eight local folk and ethnic groups, 

Washington, D.C. emphasizing recently arrived immigrants such as Salvadorians, 

Afgans, and Ethiopians. 

National Council for the Traditional 

Arts 

For a 16mm film documenting the Royal Khmer Classical Dance

Company, comprised of Cambodian refugees in the U.S. 

41,700 

Washington, D.C. 

National Council for the Traditional Fora tour of nationally outstanding traditional cowboy perform­ 33,600 

Arts ing artists to at least five western states. 

Washington, D.C. 

National Council for the Traditional For the "Green Fields of America" tour of outstanding Irish­ 31,200 

Arts American musicians and dancers to at least 12 cities with large 

Washington, D.C. Irish-American populations. 

National Council for the Traditional For the 46th National Folk Festival held at the Cuyahoga Va]ley 20,000 

Arts National Recrcation Atea between Akron and Cleveland, Ohio. 

Washington, D.C. 

National Council for the Traditional 

Arts 

To organize and administer the 1984 assembly of National

Heritage fe]lows, including a series of public appearances and 

20,000 

Washington, D.C. public concerts by the artists. 

New Mexico Arts Commission For a series of demonstrations at Pecos National Monument of 6,000 

Santa Fe, New Mexico traditional basketmaking, breadmaking, weaving, and other 

crafts by local traditional Hispanic and Native American artists. 

New Mexico Arts Division Fora two-day festival of northern New Mexico traditional 16,500 

Santa Fe, New Mexico Hispanic music. 
64 1~ol~ Arts 

New Orleans, Arts Council of 

New Orleans, Louisiana 

North Carolina Arts Council 

Raleigh, North Carolina 

North Dakota Council on the Arts 

Fargo, North Dakota 

Oboade Institute of African Culture 

Washington, D.C. 

Onion River Arts Council 

Montpelier, Vermont 

Onondaga Community College 

Syracuse, New York 

Pensacola Arts Council 

Pensacola, Florida 

Plimoth Plantation 

Plymouth, Massachusetts 

Portable Channel 

Rochester, New York 

Public Communications 

Washington, D.C. 

Puerto Rican Culture, Institute of 

San Juan, Puerto Rico 

Queens Council on the Arts 

Jamaica, New York 

Ragamala 

Seattle, Washington 

Rhode Island State Council on 

the Arts 

Providence, Rhode Island 

Rio Grande Axts Center 

Alamosa, Colorado 

Roberson Center for the Axts 

Binghamton, New York 

Rockland Council on the Arts 

Pomona, New York 

Roeky Boy Health Board 

Box Elder, Montana 

Samish Community Preservation 

Fund 

Anacortes, Washington 

For honoraria for several teams of traditional boat builders to 

demonstrate at Louisiana Expo ’84 the construction of two 

traditional Louisiana boat types: the Pirogue and the skiff. 

38,600 

For honoraria, travel, and subsistence for American folk artists 

participating in the British American Festival in Durham, North 

Carolina in celebration of the 400th anniversary of English settlement in America. 

.30,000 

For a long-play record documenting the songs and tunes of the 

Metchif Indians of the Turtle Mountain Reservation. 

11,800 

To complete a half-hour 16mm film documenting the Odadaa 

Drumming and Dance Company from Ghana, now resident in 

Washington, D.C. 

10,200 

For the folk arts component of the Midsummer Festival, a major 

general arts event in Vermont. 

11,100 

For a one-week workshop taught by two master traditional 

blacksmiths and for an exhibition of traditional blacksmithing

and its history in central New York State. 

8,300 

For the presentation of regional traditional artists at the Great 

Gulf Coast Arts Festival and in a subsequent series of residencies in Escambia County Middle Schools. 

20,700 

For a series of traditional crafts workshops by staff members of 

the Wampanoag Indian Program for members of the Wampanoag community and other Native American populations in 

the Bay State area. 

16,500 

For a series of six ten-minute radio shows presenting the traditional music of the Iroquois. 

9,100 

For a videotape documentary on black traditional singer-guitarist John Jackson and other renowned Piedmont blues artists. 

17,600 

For a series oí workshops by traditional potter Alberto de Jesus

Martinez in ah ancient Puerto Rican pottery style that can be 

traced to the pre-European contact Igneri-Taino tribe. 

14,200 

For the Queens folk arts coordinator position. 32,000 

For a series of concerts in various styles of classical and folk 

music traditions of India, including lecture-demonstrations and

workshops. 

16,000 

To support the position of state folk arts coordinator and the 

state’s folk arts residency program, in which traditional artists 

ate placed in public facilities such as open-air museums, parks, 

and schools. 

38,000 

For a fieldwork survey followed by a two-day festival of local 

traditional arts, anda pilot program of folk arts presentations in 

San Luis Valley Schools. 

18,900 

For an exhibition and accompanying workshops, demonstrations, and films that feature six living traditional artists from 

New York State’s southern tier. 

14,800 

To expand and develop the council’s current Folk Arts Residency Program, offering a varied series of individual performances, workshops, and residencies to local school districts, 

libraries, and community organizations. 

4,700 

To document the traditional repertory of the Cree tribal members resident on the Rocky Boy Reservation, locate and

duplicate historic recordings of the Cree musical repertoire, and 

set up a culture bank of these materials for use in curriculum 

development in reservation schools and in the community. 

30,500 

For a series of workshops in traditional Samish totem carving. 19,900 
San Juan Pueblo 

San Juan Pueblo, New Mexico 

Saratoga County Historical Society 

Ballston Spa, New York 

Sharlot Hall Historical Society 

Prescott, Arizona 

Sheboygan Arts Foundation 

Sheboygan, Wisconsin 

Society for Asian Music 

New York, New York 

Society for the Study of Native Arts 

and Sciences 

Berkeley, California 

South Carolina, University of 

Columbia, South Carolina 

South Carolina, University of 

Columbia, South Carolina 

South Dakota Arts Council 

Sioux Falls, South Dakota 

Southeast Asian Refugei Fidiration 

Portland, Oregon 

Southern Development Foundation

Lafayette, Louisiana 

Southwest Museum 

Los Angeles, California 

Southwestern Art Center 

Tulsa, Oklahoma 

Staten Island Council on the Arts 

Staten Island, New York 

Sun Valley Center for the Arts and 

Humanities 

Sun Valley, Idaho 

Symphony Space 

New York, New York 

Taft, Ann C. 

Washington, D.C. 

Tennessee Arts Commission 

Nashville, Tennessee 

Tennessee Folklore Society 

Murfreesboro, Tennessee 

Folk Arts 6ó 

For a series of six workshops in moccasin making, traditional 7,500 

pottery, weaving, dance headdress construction, and related 

crafts offered by master craftsmen from San Juan Pueblo and 

the neighboring region. 

For a series of six concerts in the Saratoga County Museum, 3,100 

pairing outstanding traditional and revivalist musicians from 

the region. 

To identify outstanding local cowboy singers, poets, and story­ 13,600 

tellers, to present them in local schools and libraries, and to 

honor them in a special local music festival as a tribute to 

cowboy traditional arts. 

For an extensive exhibition and bilingual catalogue document­ 32,400 

ing the traditional arts of the Hmong, and for an invitational 

conference composed of 25 Hmong textfle artists, a group of

scholars, and interested representatives of museums and crafts 

co-ops concerned with perpetuating Hmong traditional art. 

For a concert series featuring outstanding Asian musicians resi­ 5,000 

dent in the United States. 

For 50 master classes in the traditional Brazilian dance, 10,500 

Capoeira, conducted by Capoeira master Bira Almeida, currently 

resident in the Bay Arca. 

For expansion of the "Quiltmaking Traditions in South 24,700 

Carolina," a documentation and presentation project of this 

needlework tradition within the state. 

For a traveling exhibition of the traditional Afro-American

coiled basketry of the South Carolina low country. 

24,900 

For a stat~wide folk arts survey and the development of a state 19,800 

folk arts coordinator position. 

For a series of classes in playing the kleng, a bamboo reed mouth 4,200 

organ taught by master Laotian Hmong musician Nhia Fue 

Vang. 

For the second annual southwest Louisiana Zydeco Festival. i0,000 

To produce a long-play album from Mexican-American songs 17,400 

recorded on cylinders by collector Charles Lummis in southern

California around the turn of the century. 

6,300 

Philbrook Art Center in conjunction with the exhibir, 

"Auspicious Spirits: Korean Folk Paintings and Related 

Objects." 

For two concerts of traditional Korean music and dance at the 

For the salary of a folklorist to coordinate a five-month tradi- 7,500 

tional artist residency program in Staten Island public elementary local schools and community organizations. 

For the development costs in organizing a two-and-a-half-day 31,400 

Cowboy Poetry Gathering in EIko, Nevada. 

For a series of performances by the Manteo Sicilian Marionette 4,700 

Theatre. 

To amend a previous grant to include a two-week extension on an 

internship to complete administrative work on National o_ 

Heritage Fellowships and the funding analysis of exhibitions 

supported by the Folk Arts Program. 

For the position of state folk arts coordinator. 30,000 

To amend a previous grant to provide copies of the recordings of 1,200 

local musicians for distribution to artists and neighborhood community facilities. 

550 
66 Folk Arts 

Texas Department of Agriculture 

Austin, Texas 

Tuskegee Institute 

Tuskegee, Alabama 

Ukrainian Studies Chair Fund 

Cambridge, Massachusetts 

Union CountyHistorical Society 

Laurelton, Pennsylvania 

Utah Arts Council 

Salt Lake City, Utah 

Utah Folklife Center 

Salt Lake City, Utah 

Vermont Council on the Arts 

Montpelier, Vermont 

Virgin Islands Council on the Arts 

St. Croix, Virgin Islands 

Visual Arts Research and Resource 

Center Relating to the Caribbean 

New York, New York 

Warren Wilson College 

Swannanoa, North Carolina 

Washington Atea Film/Vídeo League 

Washington, D.C. 

Washington State Arts Commission 

Olympia, Washington 

West Indian American Day Carnival 

Association 

New York, New York 

West Nebraska Arts Center 

Scottsbluff, Nebraska 

Western New York Society for 

the Preservation of Italian Folklore 

Buffalo, New York 

Whisnant, Susan Sink 

Baltimore, Maryland 

White Pine Community Broadcasting 

Rhinelander, Wisconsin 

Winston-Salem/Forsyth County 

School 

Winston-Salem, North Carolina 

Wisconsin Arts Board 

Madison, Wisconsin 

For a series of folk craft demonstrations and folk music presen- 19,000 

tations celebrating Texas’ traditional rural heritage at the Texas 

Department of Agriculture’s Food and Fiber Pavilion at the 

1984 Dallas State Fair. 

For "Home Mixed Media Assemblages," an interpretive photo- 14,900 

graphic exhibition of photographs and memorabilia found in 

homes of non-Catholic African-Americans in Alabama and 

Georgia. 

For a series of workshops by master traditional artists in 5,000 

Ukrainian embroidery techrdque and the bandura orchestral 

style. 

For an exhibition and catalog documenting present-day 15,700 

quiltmaking traditions of central Pennsylvania, including quilts 

of Scots-Irish, Welsh, and Pennsylvania-German traditional 

designs. 

For the position of assistant state folk arts coordinator. 10,000 

To survey and document Ute, Mountain Ute, Southern Paiute, 5,000 

Goshute, and Shoshone traditional artists in preparation for a 

traveling exhibition of contemporary Native American visual 

arts and artists of the region. 

To survey and identify traditional artists and craftspeople of the 16,400 

Lake Champlain region, and to coordinate the development of a 

slide/tape presentation, a teacher’s guide, anda series of school 

programs based on the field research. 

8,300 

dance, and crafts. 

For the Caribbean Folk Arts Festival of local traditional music,
 

To present a series of lecture-demonstrations and mini-concerts 16,300
 

of traditional music, dance, and narrative associated with
 

various Afro-Caribbean ceremonial observances.
 

For a series of 32 weekly radio programs in the series "Country 5,000
 

Roots," featuring live and taped performances and interviews


with traditional musicians and singers.
 

Fora 30-minute, 16mm color documentary film that explores the 35,000
 

tole played by members of the older generation as guardians and
 

teachers of traditional culture in their families and communities.
 

For a state-wide folk arts coordinator program. 25,000
 

For a series of 15 workshops in traditional arts of the Caribbean 15,000
 

carnival, concentrating especially on the arts of wire-bending,
 

traditional costume design, and mask-making.
 

For a coordinator at the West Nebraska Arts center to carry out 12,500
 

a folk-artists-in-the-schools program in Scottsbluff schools and
 

organize the Panhandle Festival of Traditional Arts.
 

For the annual festival of Italian-American traditional arts. 10,000

To extend a previous fellowship in the Folk Arts Program. 825* 

To locate, collect, and produce modern copies of early recordings 3,000 

of folk music from northeast Wisconsin for radio programming 

and use by cultural institutions throughout Wisconsin. 

6,737 For an eight-week series of folk arts workshop in upper grades of

the Winston-Salem/Forsyth County Schools, featuring 15 local 

traditional artists. 

38,500 For the Wisconsin state folk arts program, including funding for 

the position of state folk arts coordinator and for a folk-artistsin-schools program. 
Folk Arts 67 

Women and Their Work To tour an expanded version of "HandWork: Women’s Folk Tex- 5,500 

Austin, Texas tiles of Central Texas" to four smaller museums in rural communities in the region. 

World Music Foundation To bring a program of outstanding Afro-American traditional 1,500 

Portland, Oregon musicians to the 1984 World Festival in Portland. 

Yates County Arts Council For an exhibition and catalog documenting traditional arts of 9,500 

Penn Yan, New York the Danish-American communities in the Finger Lakes region of 

New York State. 

Yellowstone Western Heritage For a folk arts presentation in the 1984 "Heritage of the 12,700 

Center Foundation Yellowstone" Festival. 

Billings, Montana 

Folk Al-ts	 To enable performers or craftspersons to study with traditional masters in 

their fields. Apprenticeships 

Program funds: $78,800 

29 grants 

Aviles-Burgos, Ada To study the making of traditional Puerto Rican clay figures $2,800 

Orocovis, Puerto Rico with master artist Celestino Aviles. 

Bell, John K. To study North Indian classical music on the sitar with master 3,000 

Germantown, Maryland musician Rajeev Taranath. 

Bernstein, Ira G. To study traditional bhck tap dance with master dancer 2,300 

Baltimore, Maryland Howard "Sandman" Sims. 

Bonaparte, Sheree To study the art of traditional Mohawk fancy basketry under 1,500 

Hogansburg, New York the direction of Mary Leal a Mohawk master craftswoman of 

Akwesasne. 

Carter, John R.	 To study Ghanaian Ewe drumming with master Ewe drummer 1,600 

N. Plainfield, New Jersey	 Freeman Donkor. 

Delerme, Asher To study Afro-Cuban percussion and song with master musician 2,500 

West Haven, Connecticut Roberto Borrell. 

Durr, William F. To study North Indian classical music with master musician 3,000 

Baltimore, Maryland Rajeev Taranath. 

Edrington, James To study traditional blacksmithing with master folk artist Gus 1,500 

Ankeny, Iowa Gadow of Guttenberg, Iowa. 

Fernandez, Pedro, R. To study traditional Afro’-Cuban percussion with master musi- 1,800 

Jackson Heights, New York cian Roberto Borrell. 

Goldinger, Andras To study Ga drumming with master Ga musician Yacub Addy. 1,200 

Washington, D.C. 

Haddad, Jamey	 To study the mridangam, the south Indian classical drum, with 3,000 

S. Euclid, Ohio	 master artist Ramnad Raghavan. 

Hankla, Mel S. To study traditional long rifle gunsmithing with master artist 5,800 

Bowling Green, Kentucky Hershel House. 

Henry, Ronald To study traditional mokojumbie (the stilt dance of West Africa 3,000 

Washington, D.C. and the Caribbean) with master artist Billah Lambertis. 

Heron, Yury To study fiddle playing with master Irish fiddler Paddy 1,100 

New York, New York Reynolds. 

Johnson, Anissia To study traditional Choctaw Indian basket weaving with 2,800 

Jena, Louisiana master craftsman George Allen. 

Jones, Amanda To study traditional Choctaw Indian basket weaving with 2,800 

Trout, Louisiana master craftsman George Allen. 

Knudsen, Mark A. To study the "old" working methods of wood turning with 2,700 

Des Moines, Iowa master traditional artist Bert Thompson of Clarkson, Ontario. 

Lee, Phyllis To study fiddle and mando[in making with master craftsman C. 2,900 

Seattle, Washington ~. "Tex" Standefer. 
68 Folk Arts 

Leeper, Howard T. 

Bowling Green, Kentucky 

Martin, Margaret H. 

Raleigh, North Carolina 

Perez-Velez, Melquiades 

Utuado, Puerto Rico 

Rao, Sheila Y. 

Randallstown, Maryland 

Rogers, William 

Brooklyn, New York 

Rogers, William 

Brooklyn, New York 

Rygelis, Aldona 

Brooklyn, New York 

Sanabria, Felix D. 

Bronx, New York 

Stapleton, Kenneth L. 

Jena, Louisiana 

Valentin-Gonzales, Luis 

Utuado, Puerto Rico 

Varanka, Dalia E. 

Clarendon Hills, Illinois 

National Heritage 

Feliowsh~ns 

Chenier, Clifton 

Lafayette, Louisiana 

Cook, Bertlia 

Boone, North Carolina 

Cornder, Joe 

Waltham, Massachusetts 

Cotten, Elizabeth 

Syracuse, New York 

Craig, Burlon 

Vale, North Carolina 

Fahlbusch, Albert 

Scottsbluff, Nebraska 

Hunter, Janie 

Johns Island, South Carolina 

Manigault, Mary Jane 

Mt. Pleasant, South Carolina 

Mougin, Genevieve 

Bettendorf, Iowa 

Mulvihill, Martin 

Bronx, New York 

To study all aspects of stocking a southern iron mounted rifle 5,700 

from the 18th century with master traditional gunsmith Hershel 

House. 

To study the guitar technique and song repertory of master 2,000 

traditional musician Algia Mae Hinton. 

To study traditional wood carving with master Puerto Rican 3,500 

bird carver Emilio Rosado. 

To study classical North Indian music on the sitar with master 

musician Rajeev Taranath. 

3,000 

To study traditional Afro-Cuban chant with master singer Felix

Oviedo. 

1,600 

To study traditional Afro-Cuban drumming with master musi­ 2,200 

cian Roberto Borrell. 

To study traditional Lithuanian w~aving with master weaver

Anastaziji Tamosaitis. 

5,400 

To study traditional Afro-Cuban drumming with master musicían Roberto Borrell. 

1,500 

To study traditional Choctaw Indian basket weaving with 

master craftsman George Allen. 

2,800 

To study the decorative art of tin-smithing, especially the mak­ 2,800 

ing of the traditional Puerto Rican tin lamp, with master traditional Puerto Rican artist Rafael Valentin. 

To study traditional Lithuanian weaving with master artist 3,000 

Aldona Veselka. 

To recognize, through a one-time~nly grant award, a few of the nation’s 

exemplary master traditional folk artists and artisans whose significant 

contributions to the health and happiness of the nation have gone largely 

unrecompensed. 

Program funds: $85,000 

17 grants 

For Mr. Chenier’s continuing contribution to excellence in the $5,000 

performance of Louisiana Creole accordian music. 

For Mrs. Cook’s continuing contribution to excellence in the art 5,000 

of knotted bedspread making. 

For Mr. Cormier’s continuing contribution to excellence in the 5,000 

performance of New England fiddle music (Nova Scotia). 

For Mrs. Cotten’s continuing contribution to excellence asa 5,000 

black songster and song writer. 

For Mr. Craig’s continuing contribution to excellence in the art 5,000 

of Appalachian alkaline-glazed stoneware. 

For Mr. Fahlbusch’s continuing contribution to excellence in the 5,000 

art of constructing and playing the hammered dulcimer. 

For Ms. Hunter’s continuing contribution to excellence in the 5,000 

preservation of the Afro-American songs and stories of Johns 

Island. 

For Ms. Manigault’s continuing contribution to excellence in the 5,000 

art of Afro-American basket making peculiar to the South 

Carolina coastal region. 

For Ms. Mougin’s continuing contribution to excellence in the 5,000 

art of Lebanese-American lacemaking. 

For Mr. Mulvihill’s continuing contribution to excellence in the 5,000 

performance of Irish fiddle music. 
Sims, Howard (Sandman) 

New York, New York 

Stanley, Ralph 

Coeburn, Virginia 

Tafoya, Margaret

Espagnola, New Mexico 

Tarras, Dave 

Brooklyn, New York 

Tiulana, Paul 

Anchorage, Alaska 

Vigil, Cleofes 

San Cristobal, New Mexico 

Zuttermeister, Emily 

Kau’i Kaneohe, Hawaii 

State Arts Agency 

Apprenticeship 

Program (Pilot) 

Alabama State Council on the Arts
 

Montgomery, Alabama
 

Arkansas Arts Council 

Little Rock, Arkansas 

Florida Council for the Arts 

Tallahassee, Florida 

Guam Council on the Arts and Humanities 

Agana, Guam 

(Hawaü) State Foundation on 

Culture and the Arts 

Honolulu, Hawaii 

Iowa Arts Councii 

Des Moines, Iowa 

* Chairman’s Action 

For Mr. Sim’s continuing contribution to excellence in the per- 5,000 

formance in the black tap dance traditinn. 

5,000 For Mr. Stanley’s continuing contribution to excellence in the 

performance of old-time banjo and fiddle music. 

5,000 For Ms. Tafoya’s continuing contribution to excellence in the art 

of Santa Clara Pueblo pottery. 

5,000 For Mr. Tarras’ continuing contribution to excellence in the performance of Klezmer clarinet music. 

For Mr. Tiulana’s continuing contribution to excellence as an 5,000 

Inupiaq Eskimo mask maker/dancer/singer. 

5,000 For Mr. Vigil’s continuing contribution to excellence in the 

preservation of Hispanic songs and storytelling. 

For Ms. Zuttermeister’s continuing contribution to excellence as 5,000 

a hula master. 

Funds ate available to state arts agencies for the development of in-state 

apprenticeship programs. 

Program funds: $267,800 

12 grants 

$30,000 Kansas Arts Commission 

Topeka, Kansas 

25,400 

30,000 Missouñ State Council for the Arts 

St. Louis, Missouri 

10,000 

25,700 New York State Council on the Arts 

New York, New York 

30,000 

30,000 Ohio Arts Council 

Columbus, Ohio 

19,000 

18,400 Pennsylvania Council on the Arts 

Harrisburg, Pennsylvarda 

17,500 

9,000 

Wisconsin Arts Board 

Madison, Wisconsin 

22,800 
Clarence Fountain and the Five Blind Boys of Alabama in The Gospel at Colonus by Lee Breuer and Bob Telson, funded through the touring and commissioning initiative. Photo: Beatriz Schiller 
72 

Treasury funds: $268,000 

303 grants 

Presenting	 Includes three subcategories: Grants to Presenting Organizations ate designOrganizations ed to improve the abiHty of professional presenting organizations to present diverse, high-quality arts programming in their communities. Services 

to Presenting Organizations grants are awarded to state and regional arts 

agencies and serviee organizations to help presenters improve their professional skills. Dance/lnter-Arts/State Programs Presentin&ffouring Inifiative grants ate awarded in conjunction with the Dance and State Programs to increase the quality and quantity of dance presentations 

throughout the nation. A partial list of these grants is included in this section; the remalning grants are included under the same subcategory in the 

Dance Program. 

Program funds: $1,922,000 

Treasury funds: $268,000 

147 grants 

Grants to Presenting Organizations 

Adrian College For a "Hispanic Arts Awareness" program during the 1984-85 $3,000 

Adrian, Michigan season. 

Albany State College For the 1984-85 season of diverse arts presentations. 5,000 

Albany, Georgia 

Alternative Center for For audience development and fundraising activities for the 12,000 

International Arts 1984-85 presentation season. 

New York, New York 

Anchorage Concert Association For audience development and fundraising activities for the 20,000 Anchorage, Alaska 1984-85 season of music and dance presentations. 

and/or service For the 1984-85 contemporary arts presentation program. 20,000 Seattle, Washington 

Arvada Center for the Arts For audience development and contributor support programs 25,000 and Humanities during the 1984-85 season of multi-disciplinary presentations. Arvada, Colorado 

Baltimore Theatre Project To support the 1984-85 presentation season in a newly renovated 7,500 Baltimore, Maryland facility. 

Bardaron 1869 Opera House For the continuation of audience development efforts designed 15,000 Poughkeepsie, New York to increase the percentage of income from ticket sales. 

Beyond Baroque Foundation For audience outreach and development activities. 5,000 

Venice, California 

Branches of the Arts For the 1984-85 presentation season for this multi-disciplinary 5,000 Richmond, Virginia presenter of black arts programs in the Southeast. 

Brooklyn Academy of Music For the 1984 Next Wave Festival, and expansion of marketing TF 125,000 Brooklyn, New York efforts for the 1984-85 presenting season. 

Brooklyn Arts and Culture For artists’ lees and administrative support of the 1984-85 10,000 

Association season at the association’s Downtown Cultural Center. 

Brooklyn, New York 

California Institute of the Arts For artists’ fees, audience development, and administrative ex- 10,000 Valencia, California penses for "Explorations," a series of interdisciplinary arts 

presentations in the 1984-85 season. 

California, Regents of the For expansion of Cal Performances through the development of 20,000 University of a cornmunity services unir. 

Berkeley, California 

California, Regents of the To expand ah audience development program for the surround- 10,000 University of ing populations of Hispanics, migrant workers, and senior 

Davis, California citizens. 
Inter-Arts 73 

California, Regents of the

University of 

To include an artist residency program in the 1984-85 presentation season of multi-disciplinary events. 

15,000 

Santa Barbara, California 

California, Regents of the 

University of 

For artists’ lees in the 1984-85 presentation season in the newly

renovated Royce Hall. 

18,000 

Los Angeles, California 

California Institute of Technology 

Pasadena, California 

For expansion of corporate and private-sector fundraising 

efforts in support of the 1984-85 presentation season. 

15,000 

Centrum Foundation 

Port Townsend, Washington 

For audience development efforts in support of this 12-week,

multi-disciplinary sumrner festival. 

7,500 

Chemung County Performing Arts 

Elmira, New York 

For an audience developrnent program and staff support connected with the Elmira Great Artists Series at the Sarnuel L. 

12,000 

Clemens Performing Arts and Cornmunity Center. 

Cheyenne Civic Center 

Cheyenne, Wyoming 

For audience development efforts in support of the 1984-85 

presentation season. 

5,000 

Community Services 

Brooklyn, New York 

To aid in the development of minority audiences for Brooklyn 

College’s 1984-85 series of arts presentations at the Brooklyn

Center for the Performing Arts. 

20,000 

Contemporary Arts Center For artists’ fees and ah audience development project for the 5,000 

Cincinnati, Ohio 1984-85 presentation season. 

Contemporary Arts Center 

New Orleans, Louisiana 

For the continuation of audience development efforts in support 

of the 1984-85 season of contemporary presentations in theater, 

rnusic, film/video, visual and performance arts. 

20,000 

Creative Time For staff support in fundraising and audience developrnent. 15,000 

New York, New York 

Cultural Activities Center For artists’ lees for the 1984-85 presentation season. 7,500 

Ternple, Texas 

Dance Theatre Workshop For audience development and staff support for the 1984-85 20,000 

New York, New York season. 

Denver Center for the Performing 

Arts 

For ah audience developrnent outreach program during the 

1984-85 season of rnulti~iisciplinary presentations. 

10,000 

Denver, Colorado 

District Curators For rnarketing and presentation costs involved in a wide range of 5,000 

Washington, D.C. interdisciplinary perforrnance art events. 

80 Langton Street Corporation 

San Francisco, California 

For technical support of the presentations of this interdisciplinary arts organization. 

6,000 

Emelin Theatre for the Performing For artists’ lees for the 1984-85 season of presentations. 10,000 

Arts 

Mamaroneek, New York 

Ethnic Folk Arts Center For audience development and fundraising efforts during the 4,000 

New York, New York 1984-85 season. 

Exploratorium 

San Francisco, California 

For artists’ lees and expanded audience developrnent efforts for 

the 1984-85 season. 

15,000 

Filrn in the Cities For the 1984-85 season of performance art and media presenta­ 5,000 

St. Paul, Minnesota tions. 

Franklin Furnace Archives For staff and audience development activities in the 1984-85 5,000 

New York, New York season of exhibitions and perforrnance art presentations. 

Friends of the Arts For artists’ lees and audience development activities for the 10,000 

Locust Valley, New York 1984-85 season of presentations. 

Friends of the Davis Center For audience developrnent efforts involving community 5,000 

New York, New York outreach to special constituencies. 

Grand Opera House 

Wilmington, Delaware 

For the continuation oí ah audience developrnent program for

stimulating first-time attendance at events in the 1984-85 

$eason. 

8,900 
Haleakala 

New York, New York 

Hallwalls 

Buffalo, New York 

Helena Film Society 

Helena, Montana 

Hill (Thelma) Performing Arts 

Brooklyn, New York 

Humboldt State University 

Foundation 

Arcata, California 

Illinois, University of 

Urbana, Illinois 

Institute for Art and Urban 

Resources 

Long Island City, New York 

Institute of Contemporary Art 

Boston, Massachusetts 

Inter-Media Art Center 

Huntington, New York 

Intersection 

San Francisco, California 

Iowa, University of 

Iowa City, Iowa 

Island Center of St. Croix 

Christiansted, Virgin Islands 

Japanese American Cultural 

and Community Center 

Los Angeles, California 

Jewell (William)College 

Liberty, Missourí 

Just Above Midtown 

New York, New York 

Kahilu Theatre Foundation 

Kamuela, Hawañ 

Kansas, University of 

Lawrence, Kansas 

Lincoln Center for the Performing 

Arts 

New York, New York 

Los Angeles Contemporary 

Exhibitions 

Los Angeles, California 

Lower Manhattan Cultural Council 

New York, New York 

Maryland, University of 

College Park, Maryland 

Massachusetts, University of 

Amherst, Massachusetts 

McCarter Theatre Company 

Princeton, New Jersey 

MoMing Dance and Arts Center 

Chicago, Illinois 

For the 1984-85 series of presentations of more than lOO events 75,000 

at the Kitchen. 

For a full-time development staff person. 7,500 

For audience development efforts for the Helena Series for the 10,000 

Performing Arts. 

For the 1984-85 multi-disciplinary season of presentations in 6,000 

dance, music, and photography. 

For community outreach, audience development, workshops, 15,000 

and master classes. 

For artists’ lees for the 1984-85 presentation season at the Kran- 7,500 

nert Center for the Performing Arts. 

For artists’ lees for the 1984-85 multi-disciplinary presentation 15,000 

season at P.S. 1. 

For the 1984-85 series of inter-arts presentations. 10,000 

For salaries and audience development efforts during the 5,000 

1984-85 season. 

For audience development activities and staff salaries during the 10,000 

1984-85 presentation season. 

For audience development and artists’ lees for the 1984-85 35,000 

presentation season at Hancher Auditorium. 

For artists’ lees for the 1984-85 presentation season. 10,000 

For audience development projects for the 1984-85 series of con- 15,000 

certs and recitals of Japanese music and dance. 

For a fundraising campaign during the 1984-85 presentation 7,500 

season. 

For audience development and technical presentation expenses 7,500 

involved in the 1984-85 presentation season. 

For artists’ lees for the 1984-85 series of presentations. 5,000 

For artists’ lees and audience development during the 1984-85 5,000 

presentation season. 

For the Lincoln Center Out-of-Doors Festival. TF 60,000 

For production costs involved in the presentation of new, inter- 5,000 

disciplinary art during the 1984-85 season. 

For artists’ lees and audience development for the council’s 8,000 

1984-85 presentation season. 

For staff support for the 1984-85 presentation season of Arts at 7,500 

Maryland 

For artists’ lees for the 1984-85 presentation season at the Fine 10,000 

Arts Center. 

For artists’ lees, audience development, and staff support dur- 20,000 

ing the 1984-85 presentation season. 

For artists’ fees for the 1984-85 presentation season. 10,000 
Music Hall Center for the 

Performing Arts 

Detroit, Michigan 

Native American Center for the 

Living Arts 

Niagara Falls, New York 

Natural Heritage Trust 

Lewiston, New York 

Nebraska, University of 

Lincoln, Nebraska 

New Performance Gallery of 

San Francisco 

San Francisco, California 

New York Shakespeare Festival 

New York, New York 

Nexus 

Atlanta, Georgia 

92nd Street YM-YWHA 

New York, New York 

On the Boards 

Seattle, Washington 

Oregon Coast Council for the Arts 

Newport, Oregon 

Painted Bride Art Center 

Philadelphia, Pennsylvania 

Palm Beach Festival 

West Palm Beach, Florida 

Pennsylvania State University 

University Park, Pennsylvania 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

People’s Theatre Coalition 

San Francisco, California 

Performing Arts Council 

Los Angeles, California 

Performing Arts Foundation 

Kansas City, Missouri 

Performing Artists/Omaha 

Omaha, Nebraska 

Playhouse Square Foundation 

Cleveland, Ohio 

Portland Center for the Visual Arts 

Portland, Oregon 

Purdue University 

West Lafayette, Indiana 

Queens College Fund 

Flushing, New York 

Real Art Ways 

Hartford, Connecticut 

Inter-Arts 75 

20,000 For audience development and staff support for the 1984-85 

season of dance, music, and theater presentations. 

10,000 For staff support and artists’ lees during the 1984-85 presentation season. 

25,000 For audience development and fundraising aetivities for the 

1984 festival season of multi-disciplinary presentations at Artpark. 

15,000 For the 1984-85 multi-diseiplinary season of presentations. 

15,000 For audience development activities and artists’ lees for the 

1984-85 American Inroads series. 

10,000 For expansion of audience development efforts for the multidisciplinary presentations at the Public Theater. 

5,000 For artists’ lees and audience development for the 1984-85

presentation season. 

TF 60,000 For expansion of audience development and income-generating 

functions. 

25,000 For audience development and staff support in the presentation 

of local and regional performances at the Washington Hall Performance Gallery. 

3,000 For artists’ lees for the 1984-85 season of opera, theater, 

literature and visual arts presentations. 

10,000 For audience development, technical support, and programming
 

for the 1984-85 season.
 

15,000 For artists’ lees for the 1984 festival of music, dance, and theater 

presentations. 

4,000 For fundraising for the 1984-85 presentation season. 

10,000 For audience development activities in support of the 1984-85 

season of dance, theater, and media presentations at the Annenberg Center for Communication Arts and Sciences. 

5,000 For staff support for the 1984-85 presentation season. 

35,000 For audience development in support for Music Center on Tour, 

Holiday Festival, and the Very Special Arts Festival. 

5,000 For audience development efforts and programming at the Folly
 

Theatre.
 

10,000 For artists’ lees for performances and residencies during the
 

1984-85 season.
 

25,000 For audience development projects for the 1984-85 season of

multi-disciplinary presentations at the Ohio, the State, and the 

Palace Theatres. 

12,000 For artists’ lees, audience development, and fundraising efforts
 

during the 1984-85 season.
 

10,000 For audience development, an expansion of community-based
 

residency programs, and the development of a volunteer support
 

organization for the 1984-85 series of multi-disciplinary
 

presentations.
 

5,000 For expansion of audience development for the Colden Center for
 

the Performing Arts’ 1984-85 season.
 

15,000 For audience development efforts and for the continuation of the 

minority and women artists program. 
Real Art Ways 

Hartford, Connecticut 

Regional Arts Foundation 

West Palm Beach, Florida 

Rising Sun Media Arts Center 

Santa Fe, New Mexico 

Roadwork 

Washington, D.C. 

Rockbridge Concert-Theatre Series 

Lexington, Virginia 

Rockland Center for the Arts 

West Nyack, New York 

Rocky Mountain Arts Consortium 

Arvada, Colorado 

St. Benedict, College of 

St. Joseph, Minnesota 

St. Mark’s Church-in-the-Bowery 

New York, New York 

San Francisco International Theatre 

Festival 

San Francisco, California 

San Francisco Performances 

San Francisco, California 

Sangre de Cristo Arts and 

Conference Center 

Pueblo, Colorado 

Society for the Performing Arts 

Houston, Texas 

Spoleto Festival, U.S.A. 

Charleston, South Carolina 

Stanford University 

Stanford, California 

Stockton State College 

Pomona, New Jersey 

SumArts 

Houston, Texas 

Symphony Space 

New York, New York 

Tennessee Performing Arts Center 

Management Corporation 

Nashville, Tennessee 

Texarkana Regional Arts and 

Humanities Council 

Texarkana, Texas 

Texas, University of 

Austin, Texas 

Theatre Guild of San Francisco 

San Francisco, California 

University Musical Society 

Ann Arbor, Michigan 

For the sixth New Music America .Festival ’84. 15,000 

For artists’ fees for the 1984-85 presentation season. 10,000 

For artists’ fees for the 1984-85 presentation season. 10,000 

For audience development during the 1984-85 presentation 5,000 season. 

For audience development activities for the 1984-85 presenta- 2,000 tion season. 

For staff support and audience development activities for the 5,000 

1984-85 season. 

For audience development activities for the 1984-85 presenta- 9,500 tion season involving eight presenting organizations in the 

Rocky Mountain region. 

For the 1984-85 Lively Arts Series of presentations in dance, 5,000 music, and theater. 

For staff, audience development, and artists’ fees for The Arts 5,000 

Projects, St. Mark’s 1984-85 presentation program. 

For the fifth annual festival in 1984. 5,000 

For expansion of an audience development campaign for the 10,000 1984-85 presentation season. 

For expanded efforts in audience development and fundraising 10,000 through the development of a "friends" program with corporate 

foundations and the private sector. 

For expanded audience development activities for the 1984-85 12,500 

presentation season. 

For the 1984 festival season of more than 150 presentations. 50,000 

For artists’ lees for the 1984-85 presentation season. 5,000 

For an audience development/program enrichment project for 5,000 the 1984-85 presentation season. 

For two presentations: SumFest ’85, the fourth annual two-week 7,500 

interdisciplinary arts festival; and the 1984 Juneteenth Blues

Festival, the eighth annual presentation of leading blues artists. 

For audience development, fundraising, and programming sup- 10,000 

port of the 1984-85 season of music, theater, dance, and film 

presentations. 

For audience development efforts for the 1984-85 presentation 10,000 season. 

For audience development and fundraising projects for the 7,500 

1984-85 series of presentations. 

For a three-day interdiscipl~nary arts festival involving modern 10,000 

and post-modern performance works in music, theater, and 

dance. 

For audience development and technical support of the 1984-85 5,000 

presentation season at the Victoria Theatre. 

For the society’s participation in the 1984 Ann Arbor Summer 15,000 

Arts Festival. 
 

Inter-Arts 77 

3,000 Urban For artists’ lees and production support for the 1984-85 presen- Institute for Contemporary Arts 

Grand Rapids, Michigan tation season. 

5,000 For the 1984 Summerfare Festival. 

Noroton, Connecticut 

60,000 

ViceVersaVision 

Walker Art Center
 For the 1984-85 presentation season of more than 200 concerts,

Minneapolis, Minnesota events, and workshops.
 

10,000 Walnut Street Theatre
 For audience development programs for the 1984-85 presentaPhiladelphia, Pennsylvania tion season.
 

52,000 Washington Performing Arts Society For expansion of audience development activities and the TF 41,000 Washington, D.C.	 presentation of the Ninth Street Crossings Festival. 

15,000 Washington Project for the Arts For artists’ lees, technical assistance, and production expenses

Washington, D.C.	 for the 1984-85 presentation season. 

5,000 Western Illinois University For artists’ lees and technical expenses for the 1984-85 presentaMacomb, Illinois tion season. 

7,500 Wilma Project To expand ah audience development program for the 1984-85

presentation season. Philadelphia, Pennsylvania 

10,500 Women and Their Work For audience development projects and fundraising activities for

Austin, Texas the 1984-85 presentation season.

10,000 Women’s Inter-Art Center
 For audience development and fundraising.

New York, New York
 

10,000 Wooster Group For artists’ fees and technical support for the 1984-85 presenta-


New York, New York
 tion season. 

5,000 YM-YWHA of North Jersey For audience development activities and fundraising for the

Wayne, New Jersey 1984-85 presentation season.

Services to Presenting Organizations 

For block-booking coordination and technical assistance for pre- $10,000 Arts Alaska 

Anchorage, Alaska senters throughout Alaska.

For the Technical Assistance Program for Presenters and the 15,000 Association of College, University Basic Workshop for Presenters in 1984-85. and Community Arts Administrators 

Madison, Wisconsin 

5,000 Maine State Commission on the For the Maine Arts Sponsors Association’s networking

arrangements with New England presenters; tour coordination Arts and Humanities 

Augusta, Maine of artists; and presentation of training programs, conferences,

and workshops to improve management skills of presenters. 

20,000 Mid-America Arts Alliance For a Presenter Exchange Program for technical assistance,

sponsor development kits, presenter workshops, and presenter- Kansas City, Missouri consortia facilitation. 

8,000 Mid-Atlantic States Arts Consortium For the development of block-booking coonsortia and technical

Baltimore, Maryland assistance in ah effort to supplement programs offered by

member state arts agencies. 

For a three-day conference for presenters at Jacob’s Pillow 7,600 New England Foundation for Dance Festival. the Arts
 

Cambridge, Massachusetts
 

10,000 New York State Council on the Arts For a conference for state and regional presenters and nontraditional performing artists in 1984. New York, New York 

For development of ah audiovisual tape library of regional tour- 5,000 Oregon Arts Commission ing companies. Salem, Oregon 

15,000 For presenter service projects including workshops on residency Southern Arts Federation development, high-risk programming, and audience develop- Atlanta, Georgia ment techniques. 

Texas Arts Exchange	 To expand an annual presenting conference with technical 5,000 

assistance workshops, develop block-booking consortia, and Austin, Texas 	 raise funds from the private sector. 
78 Inter-Arís 

Utah Arts Council 

Salt Lake City, Utah 

Vermont Council on the Arts 

Montpelier, Vermont 

Washington State Arts Commission 

Olympia, Washington 

Western States Arts Foundation 

Santa Fe, New Mexico 

For the Utah Rural Arts Consortium, a state-wide touring pro­ 5,000 gram that assists presenters with technical assistance and 

block-booking. 

For the Green Mountain Consortium, a network of presenters 7,500 throughout New England.
 

For support of SWAP Northwest, a consortium of presenters
 10,000 serving 85 members in Washington, Oregon, Idaho, Montana, 

Alaska, and British Columbia. 

For extensive presenter networking activities. 20,000 

Dance/Inter-Arts/State Programs Presenting/Touring Initiative 

California Arts Council 

Sacramento, California 

D.C. Commission on the Arts and
 

Humanities
 

Washington, D.C. 

Florida Department of State 

Division of Cultural Affairs 

Tallahassee, Florida 

Guam Council on the Arts and 

Humanities 

Agana, Guam 

(Hawaü) State Foundation on Culture 

and the Arts 

Honolulu, Hawaii 

New England Foundation for 

the Arts 

Cambridge, Massachusetts 

New Jersey State Council on 

the Arts 

Trenton, New Jersey 

New York State Council on the Arts 

New York, New York 

Pennsylvania Council on the Arts 

Harrisburg, Pennsylvania 

South Carolina Arts Commission 

Columbia, South Carolina 

Southern Arts Federation 

Atlanta, Georgia 

Texas Commissíon on the Arts 

Austin, Texas 

(West Virginia) Department of 

Culture and History, Arts and 

Humanities Division 

Charleston, West Virginia 

For artists’ lee support to presenters of a variety of tours and $60,000 residencies involving dance companies such as Laura Dean,
 

Alvin Ailey, the Atlanta Ballet, Martha Graham, and the U-Zulu
 

African Dance.
 

For artists’ lee support to presenters of non-traditional, avant­ 10,000 garde, and ethnic dance companies in Washington, D.C. 

For artists’ lee support to presenters of nationally recognized 20,000 out~f-state dance companies during the 1984-85 season. 

For artists’ lee support to presenters for the touring of mime 10,000 Francisco Reynders, the Laura Dean Dancers and Musicians,


and the Theatre Flamenco during the 1984-85 season.
 

For artists’ fee support to presenters of three-to-four block­ 20,000 booked out-of-state dance companies that remained in the state
 

for residencies of up to five weeks during the 1984-85 season.
 

For artists’ fee support to presenters of nationally recognized 25,000 dance companies through three presenter consortia: New


England Presenters, the Green Mountain Consortium, and the
 

Maine Arts Sponsors Association.
 

For artists’ fee support to presenters of western and ethnic 5,000 dance companies, and block-booking support for small
 

presenters during the 1984-85 presentation season.
 

For artists’ lee support to presenters involved in the block­ 35,000 booking of touring dance companies by the New York Presenters
 

consortium.
 

For artists’ lee support to presenters of out-of-state dance com­ 60,000 panies for residencies during the 1984-85 presentation season. 

For artists’ lee support to presenters involved in an extended 25,000 residency by a nationally recognized, out~f-state dance company or solo artist during the 1984-85 season. 

For artists’ lee support to presenters of out-of-region dance com- 20,000 panies, block-booked by six of the federation’s member state 

arts agencies during the 1984-85 season. 

For artists’ lee support to presenters engaging national out-of- 50,000 state dance companies for the 1984-85 season. 

For artists’ lee support to presenters fora block-booked tour of a 10,000 nationally acclaimed out-of-state dance company. 
luter-Ar¢s 79 

Interdisciplinary For projects of high artistic quality that involve two or more art forms, including collaborations, special arts events, of projects that assist emerging Arts Projects artists working in interdisciplinary forms. 

Program funds: $1,326,514 

94 grants 

$5,000 Fora new interdisciplinary work developed by the East Coast Agape Dance Inter-Arts Collective, which includes choreographer Wendy Philadelphia, Pennsylvania Hammarstrom, sculptor Patricia McCabe, media artist Gary 

Robbins, sculptor Deborah D.W. Stanitz, and composer Joseph 

Waters. 

10,000 To support Black Wings, a new production incorporating dance, Allen (Richard) Center for Culture mime, and mask with black musical idiotas. and Art 

New York, New York 

12,500 For the 1984 Young Choreographers and Composers in AmericanDance Festival Residence Program, which pairs three emerging choreographers Durham, North Carolina with composers to develop new works of music and dance. 

5,000 For a collaboration involving composer Tina Marsh, glass Austin Contemporary Visual A~ts sculptor Kurt Madison, and ceramicist David Ellis to develop a Association 

Austin, Texas new performance work and installation for the Creative Opportunity Orchestra. 

12,500 For the creation and development of Social Amnesia, a new Baltimore Theater Project 

Baltimore, Maryland multi-media work by the Impossible Theater, incorporating

theater and music performance with visual art. 

3,500 For Fog, the third work in an on-going series of collaborations in- Basement Workshop tegrating text and dance by writer Mei-Mei Berssenbrugge and New York, New York choreographer Theodora Yoshikami. 

8,500 Fora new collaboration involving choreographer Blondell Cura- Basement Workshop mings, visual artist John Woo, and writer-performance artist New York, New York Jessica Hagedorn. 

7,500 For the United States premiere of the sky~)pera Icarus, a state- Boston Musica Viva of-the-art visual and media technological work by composer and Newton Centre, Massachusetts laser artist Paul Earls, sculptor-artistic director Otto Piene, and 

librettist-designer Ian Strasfogel. 

7,500 For a new collaborative work by sculptor-performer Mark Camp- Bricolage bell, sculptor Lydia Hunn, writer Daphne Nichols, composer Philadelphia, Pennsylvania Robert Younger and filmmaker Peter Rose. 

15,000 For The Voyage of the Beagle, a collaboration involving theater Brooklyn Academy of Music director JoAnne Akalaitis and composer Jon Gibson. Brooklyn, New York 

230,000 For eight new interdisciplinary productions for the 1984 Next Brooklyn Academy of Music Wave Festival at the Brooldyn Academy of Music, incinding Brooklyn, New York works by Remy Charlip, Philip Glass, Bill T. Jones, Tim Miller, 

Meredith Monk, Elisa Monte, Mark Morris, Steve Reich, and 

Robert Wilson; at least three of which will tour to cities 

throughout the United States. 

100,000 Brooklyn Academy of Music To amend a privious grant for the Next Wave Production and

Brooklyn, New York	 Touring Fund for presentation of large-scale interdisciplinary
 

works in several cities throughout the country.
 

5,000

California Institute of the Arts For Encinitas Good Music Foundation to present two theatrical

works by Samuel Beckett in conjunction with two musical works Valencia, California inspired by Beckett’s writing. 

10,000 California, Regents of the	 For "What’s Cookin’ VI," a series of performances sponsored by


University of the Center for Music Experiment involving experimental artists


in dance, music, theater, literature, and performance art. San Diego, California 

5,500 For a series of performances by interdisciplinary artists spon- Committee for the Visual Arts 

New York, New York sored by Artists Space as part of their tenth-anniversary

celebration in 1984. 
80 Inter-Arts 

Contemporary Arts Center 

New Orleans, Louisiana 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation
 

New York, New York
 

Cunningham Dance Foundation 

New York, New York 

Dance Theater Workshop
 

New York, New York
 

Deborah Hay Dance Company 

Austin, Texas 

Earthwatch Expeditions
 

Belmont, Massachusetts
 

East Bay Center for the
 

Performing Arts
 

Richmond, California
 

80 Langton Street Corporation
 

San Francisco, California
 

Exit Art
 

New York, New York
 

Experimental Intermedia Foundation 

New York, New York 

Exploratorium 

San Francisco, California 

Field Papers 

New York, New York 

Fiji Theater Company 

New York, New York 

Film in the Cities 

St. Paul, Minnesota 

Formation Dance Company 

Los Angeles, California 

Foundation for Independent Artists 

New York, New York 

Foundation for Independent Artists 

New York, New York 

Foundation for Modern Dance 

NewYork, NewYork 

For the creation and production of five new interdisciplinary 20,000 works presented during the center’s 1984-85 season. 

For BoneWorks Association to develop a new environmentally 9,000 interactive sound installation by visual artist Mary Buchen and
 

composer Bill Buchen.
 

For Space Between, an installation and performance work by 5,000 sculptor Beatriz Blanco, photographer Suzen, composer Laura
 

Clayton and choreographer Claire Porter, sponsored by Art for
 

the People.
 

For a series of interdisciplinary evenings to culminate the 30,000 longstanding collaboration between composer John Cage and 

choreographer Merce Cunningham, including the American 

premiere of Roaratoño. 

For the first phase of development for the National Performance 20,000 Network, a mechanism to formalize relationships among small
 

theaters and alternative performance spaces throughout the
 

United States.
 

For the creation of the second series in The Well, a three-part col­ 10,000 laboration by composer Pauline Oliveros and choreographer
 

Deborah Hay.
 

For a series of temporary environmental works by Joan 10,000 Brigham, Jose de Prada, Alvin Lucier, Shefla Pinkel, and Vera
 

Simons designed to integrate geological and environmental
 

characteristics of the American Southwest.
 

Fora new visual and kinetic performance work by choreographer 6,314 Margaret Fisher and composer Robert Hughes based on the
 

work of Ezra Pound.
 

For the creation of a new interdisciplinary work by emerging San 7,500 Francisco performance artists Mark Pauline and Matthew
 

Heckert.
 

To present Oracle, an outdoor performance event of poetry, 5,000 dance, music and visual art. 

For the creation of a five-part installation exhibition by 6,000 composer-filmmaker, Phfl Niblock. 

For six emerging artists to participate in the Exploratorium’s 35,000 artists-in-residence program, during which the artists will work


with scientists and technicians to create new works that explore
 

visual perception.
 

For the creation of a new interdisciplinary work by light sculptor 20,000 James Turrell and choreographer Dana Reitz. 

To support Folktale, a new interdisciplinary work by director 10,000 Ping Chong, composer-designer BiI1 Buchen, and the Fiji
 

Theater Company.
 

For a residency program in which a nationally known inter­ 10,000 disciplinary artist collaborated with teams of emerging local artists on the creation and production of new interdisciplinary
 

work.
 

For a new interdisciplinary collaboration by visual artist-writer 5,000 Jacki Apple, choreographer Mary Jane Eisenberg and composer
 

Bruce Fowler.
 

For a new collaborative work by visual artist Power Boothe, 6,000 composer A. Leroy, and choreographer Charles Moulton for the 

Charles Moulton Dance Company. 

For Dog Song Gone, written, composed, choreographed, and 8,500 directed by Tim Miller in collaboration with visual artist Kirk 

Winslow and photographer Donna McAdams. 

For OH AH, a new dance-music-visual art collaboration involv­ 10,000 ing choreographer Erick Hawkins, composer Lucia 

Dlugoszewski and painter Robert Motherwell. 
Inter-Arts 81 

George Coates Performance Works 

Oakland, California 

For the development of a new interdisciplinary work incorporating theater, mime, visual art, music, and opera. 

10,000 

Guggenheim (Solomon R.I Museum 

New York, New York 

For the premiere performance of SkyTirne, a collaboration involving choreographer Elaine Summers, sculptor-euvironmental 

artist Otro Piene, and composer Carman Moore. 

15,000 

Haleakala For The Kitchen Touring Program, which coordinates tours of 50,000 

New York, New York experimental and interdisciplinary artists to artists’ spaces, 

universities, galleries, festivals and theaters throughout the 

country. 

Haleakala To support 1984 in 1984, a multimedia work produced at The Kit­ 15,000 

New York, New York chen by Nam June Paik asa counterpart to his January 1, 1984 

satellite television transmission entitled Good Morning, Mr. 

Orwell. 

House Foundation for the Arts For the development of a new interdisciplinary work by 40,000 

New York, New York Meredith Monk as part of her 20th-season retrospective celebration. 

Installation Gallery For "Arts Week," a collective series of performances and exhibi­ 7,500 

San Diego, California tions involving 35 nonprofi~ dance companies, galleries, and

theaters in San Diego. 

Institute for Publishing Arts 

Barrytown, New York 

For sculptor-video artist Gary Hill, poet-sound text and video 

artist George Quasha and poet-sound text artist Charles Stein to

develop a performance and video work. 

8,000 

Institute of Contemporary Art 

Boston, Massachusetts 

For choreographer David Gordon, visual artist Power Boothe, 

and video artist Ed Steinberg to collaboratively develop new a

video, dance, and visual performance work. 

7,500 

Islip Arts Council 

East Islip, New York 

For "Preparation and Proposition," an exhibition and performance project at the Islip Art Museum examining the nature

and development of large-scale artists’ projects in different disci5,000 

plines. 

Just Above Midtown For a new collaborative work by writer Alexis DeVeaux, com­ 5,000 

New York, New York poser Nona Hendryx, visual artist Sandra Payne and choreographer Yoshiko Chuma. 

La Mamelle 

San Francisco, California 

For a one-time event of performance-theater higldighting the use

of gesture, implicit narrative, and storytelling by deaf artists; including exploring the work’s influence on contemporary culture 

7,500 

and art. 

Locus Communications For In the Planet of the Eye, an installation designed and 5,000 

New York, New York executed by video-visual artist Rita Meyers. 

Los Angeles Institute of 

Contemporary Art 

For a new interdisciplinary work by sculptor Richard Serra, 

architect Elyse Grinstein, and composer Phi]ip Glass. 

7,500 

Los Angeles, California 

Lower Manhattan Cultural Councii To support Cymbal, ah interactive sound installation by sound 10,000 

New York, New York innovator Liz Phillips. 

Lucinda Childs Dance Foundation For choreographer Lucinda Childs and visual artist-photog­ 4,000 

New York, New York rapher Robert Mapplethorpe to develop a new work. 

Mabou Mines Development 

Foundation 

To support Flow My Tears, Said the Policeman, a collaboration 

based on selected writings of Phi]ip K. Dick involving performer15,000 

New York, New York director Bill Raymond, filmmaker Jill Godmillow, and visual artist Linda Hartinian. 

Mabou Mines Development 

Foundation 

To present A Prelude to Death in Venice and Hajj, two interdisciplinary works that premiered in the U.S., at the Interna15,000" 

New York, New York tional Experimental Theater Festival in Toga-mura and in other 

locations in Japan. 

Mabou Mines Development 

Foundation 

To support Imagination Dead Imagine, a new interdisciplinary 

performance work conceived j ointly by visual artist Linda Harti15,000 

NewYork, NewYork nian and performer-director Ruth Maleczech that uses 

holographic technology. 

Maryland Art Place 

Baltimore, Maryland 

For a pilot residency program for national]y known interdisciplinary artists to direct new works by local emerging artists. 

5,000 
82 

Maryland Institute, College of Art 

Baltimore, Maryland 

Massachusetts Council on the Arts 

and Humanities 

Boston, Massachusetts 

Massachusetts Institute of 

Technology 

Cambridge, Massachusetts 

Mattress Factory 

Pittsburgh, Pennsylvania 

Mel Wong Dance Foundation 

New York, New York 

Minnesota Independent 

Choreographer’s Alliance 

Minneapolis, Minnesota 

Museum of Contemporary Art


Chicago, Illinois
 

New York Foundation for the Arts 

New York, New York 

New York School for the Circus 

Arts 

New York, New York 

New York Shakespeare Festival 

New York, New York 

North Texas State University 

Denton, Texas 

Odyssey Theater Foundation 

Los Angeles, California 

On the Boards
 

Seattle, Washington
 

185 Nassau Street Corporation 

Brooklyn, New York 

185 Nassau Street Corporation 

Brooklyn, New York 

People’s Communication Network 

New York, New York 

Performing Artservices 

New York, New York 

Performing Artservices 

New York, New York 

Performing Artservices 

New York, New York 

Portland Center for the Visual Arts 

Portland, Oregon 

To support "Performance Art: Modes and Themes," a four-part 

special event featuring performance artists Mary Beth Edelson, 

Eric Bogosian, Michael Myers and Claire Ferguson. 

4,000 

For a New Works Festival of original, experimental works that 

have been supported through the council’s New Works Program. 

15,000 

To support a collaborative work involving filmmaker Richard 

Leacock, composer Iannis Xenakis, classicist William Alfred, 

and director Peter Sellars based on Aristophanes’ Peace. 

5,000 

To support Steamshuffle, a new interdisciplinary work by sound 

artist Christopher Janney and steam sculptor Joan Brigham. 

5,000 

For a collaborative work created by choreographer-visual artist 

Mel Wong, architect Michael Janne, and visual artist Ron Rocco. 

5,000 

For "Studio X," a series of experimental collaborations involving dance and other arts disciplines. 

5,000 

To commission and produce new works by Ping Chong, Robert 

Ashley, and Squat Theater. 

50,000 

For Self Reflection, a 30-minute performance piece combining dance and animated film by choreographer-filmmaker Kathy 

Rose. 

5,000 

For continued development of an interdisciplinary clown troupe 

that incorporates mime, theater, dance and the circus arts. 

10,000 

For a new multi-media work by composer-performer Glenn 

Branca. 

7,500 

For The Cybernetic Arts Project, a pilot program for five interdisciplinary artists to collaborate on an original work using the 

resources of the Center for Experimental Music and Intermedia. 

5,000 

For the collaborative efforts of artists from seven different 

disciplines (theater, music, sculpture, film, conceptual art,

literature, and dance) to create a new multi-environmental performance work based on Voyage to Arcturus by David Linsay. 

10,000 

For a new dance-music-visual art work by composer Toro 

Schworer and multi-media artist Pamela Schick. 

3,000 

For choreographer-visual artist Pooh Kaye to collaborate with 

composer John Kilgore on a new work baæed on the concept of ah 

animated environment in which physical objectives are aurally 

responsive to manipulation. 

8,000 

For a project involving the Harmonic Arts Society under the 

direction of David Hykes and videographer-engineer Alex 

Roshuk to develop ah intensive image generation system based 

on the theories of Swiss physicist Hans Jenny. 

7,500 

For a multi-media installation under the direction of Bill 

Stephens examining the economic relationship between land 

monopoly and social control. 

15,000 

To support The Children’s Dialog, a new work by composerperformance artist Robert Ashley and video artist Mary Lucier. 16,200 

For an interdispllnary performance work by composer Alvin 

Lucier and performance artist Joan Jonas. 

10,000 

To support Birth of the Poet, a music theater-visual work conceived and directed by Richard Foreman in collaboration with 

composer Peter Gordon, librettist Kathy Acker, and artist 

David Salle. 

16,000 

For a 90-minute, two-act collaborative work by New York performance artist Eric Bogosian and Portland visual artist Tad 

Savinar. 

5,000 
Inter-Arts 83 

3,000 Princeton Uaivers~ty For composer-sculptor James Seawright to develop and conPrinceton, New Jersey struct an interactive kinetic sound-light sculptural installation. 

10,000 Fora collaboration involving sculptor Ann Slavit anda staff of Project for Publíe Spaces 

New York, New York	 urban designers, social scientists, and filmmakers. 

18,000 To support the studio program, which provides a structure for Re.Cher.Chez. Stud~o 

New York, New York interchange between experienced and emerging artists of a

variety of disciplines. 

25,000 Real Art Ways	 For the sixth New Music America Festival presented in July 

Hartford, Connecticut 1984.

3,000 Red Wing Performance Group	 For the creation of a performance work incorporating theater, 

New York, New York musie, and movement, under the direction of performance artist

Stephanie Skura. 

5,000 R|sing Sun	 For completion and production of The Conquest of Mexico, a 

new interdisciplinary work by composer Peter Garland, Santa Fe, New Mexico choreographer Alice Farley, and visual artist Francesc Torres. 

8,000 St. Mark’s Church-in-the-Bowery For Danspace Project’s series of four presentations that comNew York, New York bine elements of dance, video, performance, and electronic 

graphics. 

5,000 St. Paul-Ramsey United Arts Couneil	 To present Geography, ah original evening-length interdisciplinary performance work by Red Eye Collaboration, involving
 St. Paul, Minnesota composer Chris Abajian, visual artist Barbara Abramson, performance artists Leslie Busa and Miriam Must, and writer Steve 

Busa. 

8,500 Samaya Foundation	 For a new interdisciplinary performance work by visual-


New York, New York conceptual artist Barry Bryant, eomposer Pauline Oliveros, and


choreographer Lin Lerner, based on the ritual aspects of thanka 

painting, Tibetan ritual musie, and traditional Tibetan dance. 

10,000 San Francisco Bay Atea	 For Future Memories, a collaboration involving choreographer


Dance Coalition Deborah Slater, seulptor Regina Jepson and sound sculptor Bill


Fontana, sponsored by Circuir. San Francisco, California 

10,000 For the second element of a trilogy entitled, The Age of Inven- Skysaver Productions 

New York, New York tion, by theater artist Theodora Skipitares, composer Virgil

Moorefield, and writer Andrea Balis. 

8,500 For Motions, an interactive theater work loo" Antenna Division, 

designed for portable "walk-man" tape cassette machines. Snake Theater 

Sausalito, California 

7,500 Theater for the New City	 To support It’s Murder, an original street performance work


New York, New York developed under the direction of George Bartenieff and Crystal


Field. 

7,500 Transmedia Kinetrics Coalition	 For Critical Path, an interdisciplinary work by choreographer
 

New York, New York Kenneth King, composer William Tudor, and video artist


Timothy Purtell, based on the concepts and writings of R. 

Buckminster Fuller. 

10,000 Trisha Brown Company	 To support choreographer Trisha Brown, composer Peter ZumNew York, New York	 mo, and visual artists Nancy Graves and Beverly Emmons to
 

collaborate on a new work in which conventional stage apparatus will be programmed according to a predetermined visual
 

and rhythmic plan.
 

6,000 Ulster County Council for the Arts To support "Four Levels of Legend," an interdisciplinary series
 

Kingston, New York of residencies sponsored by Art in Action, a consortium of art
 

centers in upstate New York.
 

5,000 University Community Vídeo	 To support the development of an interactive computerized 

Minneapolis, Minnesota	 system in which dance, music, and video will be equally drawn
 

from by composer Scott Iverson Mycklebust, choreographer
 

Wendy Oliver, video artist Barbara Camm, and systems
 

designer Scott McEachron.
 

10,000 Vasulkas	 For an evening of interdisciplinary work and video translation


by choreographer Remy Charlip in collaboration with
 Santa Fe, New Mexieo choreographer Elizabeth Harris, composer Jack Breice, painter 

John Connell, and poets Anne Valley Fox and Donald Graybow. 
84 Inter-Arts 

Washington Project for the Arts 

Washington, D.C. 

Wooster Group 

New York, New York 

Yellow Springs Institute for
 

Contemporary Studies and Arts
 

Chester Springs, Pennsylvania
 

Artists’ Colonies 

Albee (Edward F.) Foundation
 

New York, New York
 

Cummíngton School of the Arts
 

Cummington, Massachusetts
 

Djerassi Foundation 

Woodside, California 

Dorland Mountain Colony
 

Temecula, California
 

Fine Arts Work Center
 

Provincetown, Massachusetts
 

Fund for Artists’ Colonies 

New York, New York 

Institute for Art and Urban
 

Resources
 

Long Island City, New York 

MacDowell Colony 

Peterborough, New Hampshire 

Millay Colony for the Arts 

Austerlitz, New York 

Ragdale Foundation 

Lake Forest, Illinois 

Ucross Foundation 

Clearmont, Wyoming 

Virginia Center for the Creative Arts 

Sweet Briar, Virginia 

YaddG 

Sara. =ga Sp~ings, New York 

Yellow Springs Institute 

Chester Springs, Pennsylvania 

For two new interdisciplinary works by performance artists 

Terry Allen and Jo Harvey Allen and two new collaborative 12,000 

works involving filmmaker Stephen Laub and poet Geoffrey 

Young. 

For filmmaker Lizzie Borden, writer Ann Rower, and the 

Wooster Group under the direction of Elizabeth LeCompte to

develop a full-length work combining live action, film, and multi25,000 

channel sound tracks. 

To support the Collaborative Arts Laboratory, in which teams of 

coIlaborating artists are invited to participate in a resideney prograto to develop new works. 

4,500 

To enable artists’ colonies and other artists’ workplaces to provide opportunities for creative artists from various disciplines to pursue their work 

free from distractions. 

Program funds: $196,000 

14 grants 

For artist residencies at the William Flanagan Memorial Center $2,000 on Long Island. 

For the residency program, which provides artists with living 10,000 and working facilities in a community setting. 

For residencies of visual artists, writers, and composers. 3,000 

To provide artist residencies at Dorland Mountain Colony, 8,000 located on a 300-acre nature preserve in southern California. 

For seven-month residencies of emerging writers and visual 20,000 artists. 

To expand joint publicity and fundraising efforts for five artists’ 5,000 colonies and disseminate information on the various colony and 

residency programs available nationwide to artists and artists’ 

colony managers. 

For the national artists-in-residence studio program, which pro- 12,000 vides artists with separate studio space and living stipends in ah 

urban setting. 

For residencies for composers, writers, visual and media artists 34,000 at the oldest continuously running artists’ colony in the United 

States. 

For one-month artist residencies on the estate of Edna St. Vin­ 19,000 cent Millay. 

For residencies for writers, visual artists, and composers. 14,000 

For residencies for writers, composers, and visual artists in this 5,000 new colony situated on an historic raneh near Sheridan, 

Wyoming. 

For residency assistance provided to composers, writers, and 20,000 visual artists. 

To support residencies for writers, composers, and visual artists. 39,000 

For six-one-week arts laboratories for performing artists during 5,000 1984-85. 
l~ter-Arts 85 

Services to the Arts	 For activities that serve professional artists and arts organizations involved in more than one art form on a national of regional level. 

Program funds: $565,941 

36 grants 

$10,000 American Council for the Arts To expand the distribution of current publications and deve]op 

New York, New York new books on arts management issues. 

Artists Foundation For the expansion of services to individual artists through the 10,000 

Boston, Massachusetts creation and development of the Artists’ Endowment Fund. 

Arts and Business Council To provide technical assistance in the development and evalua- 20,000 

New York, New York tion of Business Volunteers for the Arts program throughout 

the country. 

Arts for Everyone To expand marketing and audience development efforts on 2,000 

Houston, Texas behalf of Houston area performing and visual arts organization. 

Artspace Projects To expand services to artists in locating, developing, and main- 10,000 

Minneapolis, Minnesota taining artists’ studio and living spaces. 

Association for Resources and To support a series of workshops on fundraising for small and 5,000 

Technical Services developing minority arts groups and establish support for the 

Washington, D.C. arts from the Hispanic business sector. 

Association of College, Univ�rsity, To provide tuition aid for producing, presenting, and community 8,500 

and Community Arts Administrators, arts managers for workshops on marketing and development. 

Madison, Wisconsin 

Association of College, University, For the Inter-Arts Program’s fiscal 1984 cooperative agreement 60,000 

and Community Arts Administrators to provide the means for qualified experts in the field to perform 

Madison, Wisconsin artistic and administrative evaluations of applicants to the 

Inter-Arts Program. 

Association of Hispanic Arts For the corporate advisory program and efforts to involve the 7,500 

New York, New York Hispanic business community in the arts. 

California Confederation of the Arts For information and management services to artists and arts 9,000 

Los Angeles, California organizations within the state. 

California Institute of the Arts For an outstanding arts administrator to work temporarily in 57,171 

Valencia, California the Inter-Arts Program through the Intergovernmental Personnel Act. 

Center for Occupational Hazards For the Art Hazards Information Center’s work asa national 15,000 

New York, New York clearinghouse on hazards in museums and the performing arts. 

5,000 Chicano Humanities and Arts To conducta series of management workshops in the West and
 

Council Midwest.
 

Denver, Colorado
 

Clearinghouse for Arts For programs that collect, organize, and disseminate informa- 20,000 

Information tion on arts management and arts resources for artists and arts 

New York, New York organizations. 

Crossley, Ken To extend Mr. Crossley’s participation asa Fellow in the Inter-


Springfield, Utah Arts Program.
 

Cultural Alliance of Greater For services to artists and arts organizations in metropolitan 5,000 

Washington Washington. 

Washington, D.C. 

Cultural Council Foundation For financial management and consulting services to developing 25,000 

New York, New York arts groups in the New York area. 

Fairfax, County of For an outstanding arts administrator to work temporarily in 35,920 

Fairfax, Virginia the Inter-Arts Program through the Intergovernmental Personriel Act, 

Film in the Cities For the expansion of several artist fellowship programs within 5,000 

Minneapolis, Minnesota the upper Midwest to include photographers, screenwriters, film 

and video artists. 

450 
86 I~ter-Arts 

Haleakala 

New York, New York 

Institute of Alaska Native Arts 

Fairbanks, Alaska 

National Association of Artists’ 

Organizations 

Washington, D.C. 

National Council on the Aging 

Washington, D.C. 

National Guild of Community 

Schools of the Arts 

Teaneck, New Jersey 

New Performance Gallery 

San Francisco, California 

New York, City of, Department of 

Cultural Affairs 

New York, New York 

New York Foundation for the Arts 

New York, New York 

New York Public Library 

New York, New York 

Opportunity Resources for the Arts 

New York, New York 

Performing Artservices 

New York, New York 

Playwrights Horizons 

New York, New York 

Publishing Center for Cultural 

Resources 

New York, New York 

Reciproque, U.S.A. 

New York, New York 

St. Paul-Ramsey United Arts Fund 

St. Paul, Minnesota 

Sangamon State University 

Springfield, II[inois 

Saving and Preserving Arts 

and Cultural Environments 

Los Angeles, California 

Theatre Development Fund 

New York, New York 

Volunteer Consulting Group 

New York, New York 

Volunteer Lawyers for the Arts 

New York, New York 

* Chairman’s Action 

TF-Treasury Funds 

For artist management internships at The Kitchen. 8,000 

To expand information services to native and non-native artists 

throughout the state. 

5,000 

For an additional staff position to expand services to the artists’ 

organizations field. 

14,000 

To support the Center on Arts and Aging, which provides information, consultation, and technical assistance to professionals 

in the arts and aging field. 

30,000 

For partial staff support to expand the guild’s services to a 

broader arts constituency. 

8,400 

To plan and conducta conference on booking and touring of performing artists and new performance works on the West Coast. 7,500 

To develop and distribute guidelines for establishing programs 

similar to the Materials for the Arts Program. 

10,000 

To provide guidance to organizations interested in establishing 

revolving loan programs. 

10,000 

To expand the number of hours the Performing Arts Research 

Center will be available to the public. 

30,000 

To provide assistance and guidance for arts organizations seeking key management staff. 

15,000 

To support the management intern training program and provide individual counseling for artists on management problems. 

5,000 

For ticket services and training in box office management. 12,000 

For programs that provide guidance on planning, preparing, and 

distributing quality, low-cost publications. 

20,000 

To support the expansion of international artistic exchange 

between the United States and Europe. 

4,000 

To expand the fund’s resources and counseling program of 

technical assistance to artists and arts organizations 

throughout the state. 

5,000 

For fellowship assistance to arts managers attending the sixth 

Sangamon Institute in Arts Administration. 

13,000 

For staff support to provide services for identifying, documenting, and preserving 20th-century folk art environments. 

10,000 

To assist arts organizations in developing group marketing and 

audience development programs tailored to the needs of their 

comn~unities. 

15,000 

To provide managerñent guidance for arts organizations in the 

New York area and assist cities in other parts of the country to 

establish similar consulting programs. 

18,500 

To offer legal assistance to artists and disseminate information 

on arts-related legal issues throughout the country. 

15,000 
8T 

Literature
 
88 

348 grants 

Fellowships for	 Inchdes three subdivisions: Fellowships for Creative Writers enable exceptionally talented published writers of poetry, fiction, and other creative Creative Wñters prose to set aside time for writing, research, or travel in order to advance

their careers. In Fiscal 1984, all fellowships were awarded to poets. 

Fellowships for Translators allow for the translations into English of major 

literary works in other languages. Senior Fellowships honor creative writers 

and other literary professionals who have made an extraordinary contribution to American Iiterature but ate not widely known outside the literary 

field. 

Program funds: $1,640,500 

126 grants 

Fellowships for Creative Writers 

The following poets received $12,500 each: 

Aaron, Jonathan 

Cambridge, Massachusetts 

Collier, Michael R. 

Chevy Chase, Maryland 

Haskins, Lola B. 

LaCrosse, Florida 

Absher, Thomas D. 

Plainfield, Vermont 

Cramer, Steven A. 

Cambridge, Massachusetts 

Hasselstrom, Linda M. 

Hermosa, South Dakota 

Adcock, Elizabeth S. Crow, Mary F. Heyen, WilHam H. 

Raleigh, North Carolina Ft. Collins, Colorado Brockport, New York 

Allen, Dick S. Dixon, Melvin Hilberry, Conrad A. 

Trumbull, Connecticut New York, New York Kalamazoo, Michigan 

Allman, John R. Dodd, Wayne D. Hillman, Brenda L. 

Katonah, New York Athens, Ohio Kensington, California 

Anderson, Margaret lA. Duemer, Joseph M. Hinrichsen, Dennis 

Waynesburg, Pennsylvania San Diego, California Brookline, Massachusetts 

Bell, Marvin H. Emanuel, Lynn C. Hudson, Marcus A. 

Iowa City, Iowa Pittsburgh, Pennsylvania Nespelem, Washington 

Blumenthal, Michael C. Engels, John D. Huntington, Cynthia D. 

Washington, D.C. North Williston, Vermont Provincetown, Massachusetts 

Boruch, Marianne J. Evans, George E. Jackson, Richard P. 

Madison, Wisconsin San Francisco, California Chattanooga, Tennessee 

Brock-Broido, Lucie Finkelstein, Caroline Jarman, Mark F. 

Pittsburgh, Pennsylvania Rochester, Massachusetts Murray, Kentucky 

Brummels, James V. Forche, Carolyn L. Jones, Rodney G. 

Winside, Nebraska Charlottesville, Virginia Bristol, Virginia 

Brush, Thomas A. Gibbons, Reginald Joseph, Lawrence M. 

Issaquah, Washington Evanston, Illinois New York, New York 

Buckley, Christopher H. Glaser, Elton Karr, Mary M. 

Santa Barbara, California Akron, Ohio Groves, Texas 

Burns, Ralph M. Graham, Jorie Kates, James G. 

Bloomington, Indiana Iowa City, Iowa Jaffrey, New Hampshire 

Cadnum, Michael J. 

Albany, Callfornia 

Grapes, Marcus J. 

Los Angeles, California 

Kauffman, Janet 

Hudson, Michigan 

Callaway, Kathy J. 

Mankato, Minnesota 

Guernsey, Bruce 

Charleston, Illlnois 

Kinnell, Galway 

New York, New York 

Carpenter, William M. Hadas, Pamela W. Knauth, Stephen C. 

Stockton Springs, Maine St. Louis, Missouri Concord, North Carolina 

Chism-Peace, Yvonne Hartman, Charles O. Kooser, Theodore J. 

Riverdale (Bronx), New York Cambridge, Massachusetts Lincoln, Nebraska 
Literature 89 

LaPalma, Marina deB. 

La Jolla, California 

Ochester, Edwin F. 

Shelocta, Pennsylvania 

Simmerman, James D. 

Flagstaff, Arizona 

Lefcowitz, Barbara F. 

Bethesda, Maryland 

Pape, Greg L. 

Tuscaloosa, Alabama 

Smith, Arthur E. 

Houston, Texas 

Leithauser, Mary J. 

Kyoto, Japan 

Peseroff, Joyce E. 

Lexington, Massachusetts 

Smith, Bruce 

Andover, Massachusetts 

Levering, Donald W. 

Santa Fe, New Mexico 

Pijewski, John 

Brookline, Massachusetts 

Smith, Jordan F. 

Schenectady, New York 

Levis, Larry P. 

Columbia, Missouri 

Pinsky, Robert N.

Berkeley, California 

Snively, Susan R. 

Shutesbury, Massachusetts 

Lignell, Kathleen E. 

Stockton Springs, Maine 

Plumly, Stanley 

Houston, Texas 

Southwick, Marcia A. 

Iowa City, Iowa 

Legan, William 

Cambridge, England 

Pollitt, Katha S. 

New York, New York 

Staffard, Kim 

Portland, Oregon 

Ludvigson, Susan G. 

Charlotte, North Carollna 

Raab, Lawrence E. 

Williamstown, Massachusetts 

Standing, Sue 

Allston, Massachusetts 

Mariani, Paul L. 

Montague, Massachusetts 

Rattee, Michael D. 

Tucson, Arizona 

Steinman, Lisa 

Portland, Oregon 

Matthews, WilHam P. 

Seattle, Washington 

Ress, IAsa 

Ithaca, New York 

Still, Gloria J. 

Ft. Wayne, Indiana 

McCarriston, Linda J. 

Plainfield, Vermont 

Rigsbee, David E.

Baton Rouge, Louisiana 

Swiss, Thomas B. 

Des Moines, Iowa 

McCormick, Mairi MacInnes 

Princeton, New Jersey 

Roberts, Leonard R. 

Bethlehem, Pennsylvania 

Veinberg, Jon E. 

Fresno, California 

McDonald, Walter R. 

Lubbock, Texas 

Rosen, Michael J. 

Columbus, Ohio 

Wallace, Robert 

Cleveland, Ohio 

McQuilldn, Robert T. 

Simsbury, Connecticut 

Ruefle, Mary L. 

North Bennington, Vermont 

Warren, Larkin A. 

Barrington, New Hampshire 

Minczeski, John M. 

St. Paul, Minnesota 

St. John, Da-Ad M. 

Baltimore, Maryland 

Waters, Michael 

Salisbury, Maryland 

Moffett, Judith L. 

Media, Pennsylvania 

Schoenberger, Nancy J. 

New York, New York 

Weitzman, Sarah Brown 

New York, New York 

Moss, Howard I. 

New York, New York 

Scott, Herbert 

Kalamazoo, Michigan 

Wood, Susan M. 

Houston, Texas 

Muske, Carol A. 

Studio City, California 

Shapiro, Alan R. 

Evanston, Illinois 

Wright, Charles P., Jr. 

Laguna Beach, California 

Nimnicht, Nona V. 

Oakland, California 

Sheehan, Marc J. 

Grand Rapids, Michigan 

Wrigley, Robert A. 

Lewistown, Idaho 

Nurkse, Alan D. Sheridan, Michael J. 

Brooklyn, New York Geneseo, Illinois 

Fellowships for Translators 

Becker, Stephen 

Tortola, British Virgin Islands 

To translate from French, Entre les Eaux (Dieu, un pretre, la 

revolution), a novel of action and religious anguish written by 

Valentin Mudimbe of Zaire. 

$8,000 

Felstiner, John 

Stanford, California 

To translate from German, the poetry of Paul Celan, a 

Rumanian-born, German-speaking survivor of the Holocaust. 

16,000 

Frame, Donald M. To translate from French, the complete works of Francois 16,000 

New York, New York Rabelais. 

Hansen, KathrynG.

Albany, California 

To translate from Hindi, the novel Malla Anchal, by 

Phanishwarnath Renu. 

16,000 
90 Literature 

Leviant, Curt 

Edison, New Jersey 

Provost, Caterina F. 

Pittsburgh, Pennsylvania 

Rubenstein, Carol P. 

Taos, New Mexico 

Sanders, Ivan 

Stony Brook, New York 

Watson, Ellen 

Conway, Massachusetts 

Senior Feilowships 

Kunitz, Stanley 

New York, New York 

Meredith, William M. 

Washington, D.C. 

Professional 

~""e’ ~r~evelo’~ment 

Academy of American Poets 

New York, New York 

Amherst College, Trustees of 

Amherst, Massachusetts 

Associated Writing Programs 

Norfolk, Virginia 

Burk (Frederick) Foundation 

fur Education 

San Francisco, California 

California, University of 

Santa Cruz, California 

Center for Book Arts 

New York, New York 

Columbia University, Trustees of 

New York, New York 

Cultural Council Foundation 

New York, New York 

Massachusetts Institute of 

Technology 

Cambridge, Massachusetts 

To translate from Yiddish, the three-volume autobiography of 16,000 

Sholem Aleichem (1859-1916), one of the founding fathers of 

modern Yiddish literature and its leading humorist. 

To translate from Italian, the poetry of Giorgio Chiesura. 8,000 

To translate from Malay, The Flying SilverMessage Stick: Song 16,000 

Cycles and Epics of Sarawak Dayaks, a series of long poems 

from Dayak oral literature. 

To translate from Hungarian, Milan Fust’s novel, The Story of 16,000 

My Wife (A felesegem tortenete, 1942). 

To translate from Portuguese, the prose and poetry of Adelia 16,000 

Prado, a contemporary Brazilian writer whose work has not yet 

been translated into English. 

$25,000 Taylor, Peter 25,000 

Charlottesville, Virginia 

~ 25,000 Yates, Richard 25,000 

Boston, Massachusetts 

To support a limited number of national organizations that provide professional assistance to creative writers, and for unique literary projects not 

eligible for support in other categories. 

Program funds: $675,302
 

17 grants
 

For the sixth College Prize Anthology, a selection of prize- $33,000 

winning poems by America’s younger poets; the Lamont Poetry 

Selection, ah annual prize honoring a poet’s second volume of 

poetry; the Walt Whitman Award, an annual prize fora poet’s 

first volume of poetry; and the Tapes Project, a collaboration 

with Harvard University to establish a home for the academy’s 

extensive collection of audiotapes of poets reading from their 

own work. 

For an outstanding arts administrator to serve temporarily in 28,112 

the Endowment’s Literature Program through the Intergovernmental Personnel Act. 

For the expansion of services to writers, including j oh placement 40,000 

and advocacy, general information services, and publishing of 

fiction and poetry. 

To support ongoing archival and distribution programs at the 37,865 

American Poetry Archive. 

For ah outstanding arts administrator to serve temporarily in 6,576 

the Endowment’s Literature Program through the Intergovernmental Personnel Act. 

For comprehensive training and provision of workshop facilities 8,000 

in letterpress printing and book design. 

For the Translation Center’s services to creative writers and 49,000 

translators. 

For the continued operation of The Writer’s Room, a work space 16,000 

for writers. 

For an outstanding arts administrator to serve temporarily in 63,889 

the Endowment’s Literature Program through the Intergovernmental Personnel Act. 
~iterature ~1 

Open Studio 

Barrytown, New York 

For services in design, typography, prepress, printing, binding, 

and production management for individual writers, small press 

editors and publishers, and other arts organizations. 

30,000 

P. E. N. American Center 

New York, New York 

For services to American writers, including the Writer’s Fund,

which provides grants and loans to published writers who face 

acute financial emergencies; the Freedom to Write program, 

73,000 

which promotes freedom of expression in the U.S. and around 

the world; the Public Education program; the Prison Writing

program; and the Public Information Service. 

Poets and Writers For services and publications which provide practical informa­ 115,000 

New York, New York tion for creative writers on contemporary American writing, including publication of Coda. 

Poets and Writers For manuscript reading activity during fiscal 1984 for the 91,500 

New York, New York Literature Program’s Fellowships for Creative Writers category. 

Pro Arts 

Oakland, California 

To support high-quality typography, printing, and consulting

services and educational progTams at West Coast Print Center. 

65,000 

Visual Studies Workshop 

Rochester, New York 

For design, typographic, printing, and production services 

offered to independent publishers. 

13,000 

Votow, Marilyn To participate as Fellow in the Literature Program. 2,250* 

Farmington, Connecticut 

Yale University Press 

New Haven, Connecticut 

For the annual Yale Series of Younger Poets competition, including a cash advance against royalties for the winner of the 

competition. 

3,130 

Literary	 Includes three subcategories: Assistance to Literary Magazines grants help nonprofit literary magazines that regularly publish poetry, fiction, literary Publishing	 essays, and translations. Small Press Assistance grants support small, independent presses that publish contemporary creative writing. Distribution 

Projects grants fund nonprofit organizations for the distribution of contemporary creative literature. 

Program funds: $1,385,355 

123 grants 

Assistance to Literary Magazines 

$8,000 Agni Review For authors’ lees, printing, and typesetting costs for two issues 

Cambridge, Massachusetts of Agni Review. 

4,100 Alabama, Board of Trustees of the For a supplement devoted to the personal essay published in the 

University of Spring ’85 ~ssue of Black Warrior. 

University, Alabama 

10,000 American Poetry Review For authors’ lees anda direct mail campaign. 

Philadelphia, Pennsylvania 

5,000 Antioch College For authors’ fees and production costs for four issues of Antioch 

Yellow Springs, Ohio Review. 

2,000 Arizona, University of For authors’ fees, production costs, and advertising and promoTucson, Arizona tional costs for Sonora Review. 

8,000 Axts and Humanities Council of For authors’ fees and production costs for two issues of Nimrod. 

Tulsa 

Tulsa, Oldahoma 

3,000 Ascent For authors’ lees and production costs for three issues. 

Urbana, Illinois 

5,000 Asian Cine Vision For authors’ lees and production costs for four issues of Bridge

New York, New York Magazine.

4,820 Berkeley Poets Worksh~p and Press For authors’ lees, printing and distribution costs, anda partBerkeley, California time publicity coordinator and readings coordinator. 

7,000 Big River Association For authors’ fees and increased advertising for River Styx. 

St. Louis, Missouri 
~2 Literature 

Bonifas IWilliam} Fine Arts Center 

Escanaba, Michigan 

Boston Critic 

Cambridge, Massachusetts 

Bowling Green State University 

Bowling Green, Ohio 

Bruchac, Joseph, III 

Greenfield Center, New York 

Burns, Richard 

Nantucket, Massachusetts 

Calyx 

Corvallis, Oregon 

Chicago, University of

Chicago, Illinois 

Colorado State University 

Fort Collins, Colorado 

Cohimbia University, Trustees of 

New York, New York 

Coordinating Council of Literary 

Magazines 

New York, New York 

Cornell University 

Ithaca, New York 

Cuddihy, Michael 

Tucson, Arizona 

Cultural Council Foundation 

New York, New York 

Daniels, Kate 

Earlysville, Virginia 

Eastern Washington University Cheney, Washington 

Fairleigh Dickinson University 

Madison, New Jersey 

Friends of Books and Comics 

San Francisco, California 

Friends of the Washington Review 

of the Arts 

Washington, D.C. 

Gosciak, Josh 

New York, New York 

Grand Street Publications 

New York, New York 

Halpern, Daniel 

New York, New York 

Hawaii Ethnic Resources Center: 

Talk Story 

Honolulu, Hawan 

Helicon Nine: A Journal of Women’s 

Art and Letters 

Kansas City, Missouri 

For prizes and honoraria for writers, production costs, advertísing and promotion, anda direct mail campaign for Passages 

North. 

2,000 

For authors’ lees and advertising for Boston Review. 9,000 

For authors’ lees and efforts to improve distribution and increase the subscription base for the Mid American Review. 

5,670 

For the costs of publishing two double issues of The Greenfield 

Review. 

7,500 

For authors’ lees and production costs for Nantucket Review. 3,000 

For the publication of three issues of Calyx: A Northwest 

Feminist Review. 

10,000 

For authors’ lees, printing, and production costs for four issues 

during 1984-85 of Chicago Review. 

3,100 

For authors’ lees and production costs for two issues of Colorado 

State Review. 

4,260 

For authors’ lees and production costs for Translation. 8,500 

For services that provide information and assistance to literary 

magazine and small press publishers and editors, including an ad

brokering and subscription sales program, exhibits of literary 

magazines, a library of literary magazines, and a regional

meeting. 

85,500 

For authors’ lees anda direct mail promotion campaign for 

Epoch. 7,000 

For authors’ fees, printing and typesetting costs, and display 

ads in several national magazines for Ironwood. 

7,000 

For authors’ and special editors’ fees anda portion of the production, promotion, and distribution costs for American Book 

Review. 

10,000 

For authors’ lees and production costs for three issues of Poetry 

East. 

3,000 

For authors’ fees, production costs, anda part-time distribution 

manager for Willow Springs Magazine. 

4,930 

For authors’ fees, production costs, and efforts to improve 

distribution and increase the readership for The Literary 

Review. 

4,500 

For authors’ fees anda promotion and distribution campaign for 

the San Francisco Review of Books. 

6,500 

For authors’ fees and production costs for a special fiction issue 

of the Washington Review. 

4,850 

For authors’ lees and production costs for 1984-85 issues of Contact II Magazine. 

4,750 

For lees to authors and contributors and production, design and 

advertising costs for Grand Street. 

10,000 

To support three regular issues of Antaeus. 9,000 

For authors’ fees, production costs, and efforts to improve circulation and distribution of Bamboo Ridge: The Hawaii Wñters’ 

Quarterly. 

4,775 

For authors’ lees anda national marketing campaign. 8,000 
Literature 93 

Hershon, Robert For authors’ lees, production costs and promotional efforts for 6,480 

Brooldyn, New York Hanging Loose Magazine. 

Hollins College For authors’ lees and related printing and production costs for 2,000 

Hollins College, Virginia The Hollins Cñtic. 

Houston, University of For authors’ lees and printing costs for Revista Chicano­ 10,000 

Houston, Texas Riquena. 

Hudson Review 

New York, New York 

For an increase in authors’ lees and an extensive promotion caropaign. 10,000 

Hungarian Cultural and For authors’ fees and production and printing costs for Szemle 5,000 

Educational House (Rainbow). 

Chicago, Illinois 

Indiana University

Bloomington, Indiana 

For authors’ fees anda campaign to increase the subscription 

base for Indiana Review. 

5,850 

Iowa, University of For editors’ and authors’ fees and a campaign to increase library 8,000 

Iowa City, Iowa subscriptions for The Iowa Review. 

Kansas State University Writers For contributors’ payments, production costs, postal lees, and 2,980 

Society promotion for four issues of the Literary Magazine Review. 

Manhattan, Kansas 

Kenyon College For authors’ lees and production costs for four issues of Kenyon 4,875 

Gambier, Ohio Review. 

Kenyon Hill Publications For authors’ lees and production costs for one special issue in 3,520 

Hanover, New Hampshire 1984 of the New England Review and Bread Loar Quarterly. 

Latín American Literary Review For authors’ lees and production costs for two issues of Latin 10,000 

Press American Literary Review. 

Pittsburgh, Pennsylvania 

Lumen For increased authors’ and translators’ lees and production 3,000 

New York, New York costs for Sites. 

Memphis State University For authors’ lees and efforts to increase circulation for Memphis 9,900 

Memphis, Tennessee State Review. 

Missouri, Curators of the 

University of For authors’ lees, production, and promotion for a special issue 

of New Letters. 

7,090 

Kansas City, Missouri 

North Carolina, University of

Chapel Hill, North Carolina 

For the publication of three issues in 1984-85 of Carolina 

Quarterly. 

2,500 

New Mexico Institute of Mining For authors’ lees and production costs for three issues in 4,115 

and Technology 1984-85 of the New Mexico Humanities Review. 

Socorro, New Mexico 

New York, Research Foundation For authors’ fees, production costs, and promotion and advertis­ 9,215 

of the State University of ing for three issues of MSS Magazine. 

Albany, New York 

Northwestern University For authors’ lees anda special six-part direct mail campaign for 9,300 

Evanston, Illinois TriQuarterly. 

Oberlin College For an increase in authors’ lees and the press run for Field. 5,600 

Oberlin, Ohio 

Oregon, University of

Eugene, Oregon For authors’ lees and production costs for one special double 

issue of Northwest Review. 

7,500 

Ploughshares For authors’ lees, production costs, and promotion for two 10,000 

Watertown, Massachusetts issues. 

Poetry in Review Foundation For authors’ lees and production and promotional costs for Par­ 10,000 

New York, New York nassus: Poetry in Review. 

Review of Contemporary Fiction For authors’ lees and a portion of the production costs. 8,000 

Elmwood Park, Illinois 

Rudman, Mark For increased payments to authors, production costs, and 10,000 

New York, New York increased distribution for Pequod. 
94 Literature 

Society for the Study of Native Arts 

and Sciences 

Berkeley, California 

Southern Mississippi, University of 

Hattiesburg, Mississippi 

Stephens College 

Columbia, Missouri 

Stephens, Jack 

Baltimore, Maryland 

Tendril 

Green Harbor, Massachusetts 

Utah, University of 

Salt Lake City, Utah 

West Virginia Wesleyan College 

Buckhannon, West Virginia 

Western Kentucky University 

Bowling Green, Kentucky 

Wisconsin, University of 

Milwaukee, Wisconsin 

Washington Book Review 

Washington, D.C. 

Webster University 

Webster Groves, Missouri 

Small Press Assistance 

August House 

Little Rock, Arkansas 

Berkeley Poets Workshop and Press 

Berkeley, California 

BOA Editions 

Brockport, New York 

Brandi, John 

Santa Fe, New Mexico 

Bridwell, Toro 

Grenada, Mississippi 

Brown University 

Providence, Rhode Island 

Carnegie-Mellon University 

Pittsburgh, Pennsylvalüa 

Centro Cultural de la Raza 

Colorado Springs, Colorado 

Centrum Foundation 

Port Townsend, Washington 

Coordinating Council of Literary 

Magazines 

New York, New York 

da Silva, Rachel 

Seattle, Washington 

For authors’ fees and related production costs for two issues of 8,450 

Io. 

For authors’ lees, production costs, and promotion and advertis- 8,000
 

íng for the Mississippi Review.
 

For authors’ fees; design, printing, production costs; and promo- 10,000
 

tional brochures for one special double issue of Open Places.
 

For increased authors’ lees and promotion and marketing costs 10,000
 

for Telescope.
 

For increased authors’ fees, direct mail campaigns, a salary for 8,900
 

the managing editor, and the publication of ah additional issue
 

per year.
 

For authors’ and editors’ lees and production costs for two 9,900
 

special issues of Quarterly West.
 

For authors’ fees and costs related to expanding the Laurel 2,115
 

Review to include book reviews.
 

For authors’ lees and production costs for two issues of Plain- 5,630
 

song.
 

For authors’ and editors’ fees and typesetting for one special 2,595
 

issue of Creara City Review.
 

For contributors’ lees and production costs. 4,400
 

For authors’ lees and costs of production, distribution, and pro- 4,900
 

motion for the Webster Review.
 

For the publication of three literary titles planned for release in fall $9,930
 

1984 from the Center for Written Arts.
 

For the publication of four new poetry titles. 7,190
 

For the publication of three books of poetry and translations: 15,000
 

poems by Emmanuel di Pasquale; poetas by Jean Follain,
 

translated from the French by Anthony Sobin; and poems by
 

Bian Zhilin, translated from the Chinese by Anthony Piccione.
 

For Tooth of Time Books to publish four books of poetry. 12,000
 

For Salt-Works Press to publish five books of poetry. 7,500
 

For the publication of eight titles by Copper Beech Press. 12,500
 

For the publication of six new poetry titles as part of the Poetry 10,000
 

Series of Carnegie-Mellon University Press.
 

For Maize Press to publish a bilingual edition of an anthology of 12,000
 

contemporary short fiction by Hispanic writers, a bilingual edition oí a novel, and four poetry collections by contemporary
 

Hispanic writers.
 

For the publication of four books of poetry by Copper Canyon 12,800
 

Press.
 

For Thunder’s Mouth Press to publish five titles oí both íiction 15,000
 

and poetry in the fall of 1984.
 

For Seal Press to publish ah anthology of original short fiction 4,110
 

by contemporary women writers.
 
Literature fió 

Dryad Press 

San Francisco, California 

For the publication of seven titles: two collections of translations 

of Yugoslavian poets by American poets, one prose memoir, and 

8,000 

four poetry collections. 

Gay Sunshine Press 

San Francisco, California 

To publish three titles: a novel based on the life of Hadrian; an 

anthology of fiction and poetry by Russian authors, translated

into English; and a collection of short stories. 

15,000 

Georgia, University of

Athens, Georgia 

For University of Georgia Press to publish four volumes of 

poetry. 

7,500 

Gunderson, Joanna 

New York, New York 

For Red Dust to publish a biñngual edition of selected poems by

Peruvian poet Antonio Cisneros, the translation of a book of tiction by Robert Pinget, a long prose-poem by Emmanual Hoc15,000 

quard, a collection of poems by Agnes Stein, and the translation 

of the first novel by Mark Isingel. 

Halpern, Daniel 

New York, New York 

For Ecco Press to publish two volumes of poetry, a book of 

literary essays, anda novella. 

15,000 

Head, Gwen 

Port Townsend, Washington 

For Dragon Gate to publish two volumes of poetry and one collection of short stories. 

9,500 

Hershon, Robert For Hanging Loose Press to publish two collections of short fic­ 14,600 

Brooklyn, New York tion and five collections of poetry. 

Heyeck, Robin 

Woodside, California 

For the Heyeck Press to publish Bñef Lives, a collection of 

poetry by Wil[iam Dickey, based on the life of John Aubrey 

4,575 

{1625-1697L 

Houston, University of 

Houston, Texas 

For royalty payments and production costs for five of the eight 

titles scheduled for publication in 1984-85 by Arte Publico Press. 

15,000 

Illinois, Board of Trustees For University of Iliinois Press to publish four volumes of short 5,975 

of the University of fiction and two volumes of poetry. 

Champaign, Illinois 

James IAHce} Poetry Cooperative

Cambridge, Massachusetts 

For the publication of four new poetry titles. 6,000 

Kalechofski, Roberta For Micah Publications to produce Jewish Wr~ting From Down 6,200 

Marblehead, Massachusetts Under, an anthology of writing by Jews from Australia and New 

Zealand. 

Kornblum, Allan 

West Branch, Iowa 

For The Toothpaste Press to publish two novellas, two collections of short fiction, and one collection of poetry. 

15,000 

Lewis-Clark State College For a major promotion project for Confluence Press. 5,500 

Lewiston, Idaho 

Lost Roads Publishing Company For the publication of four volumes of poetry. 10,000 

Providence, Rhode Island 

Massachusetts, University of 

Amherst, Massachusetts 

For University of Massachusetts Press to publish the tenth 

annual Juniper Prize Book. 

3,520 

McPherson, Bruce R. 

New Paltz, New York 

For McPherson and Company to publish two titles and promote 

the press with advertisements and catalogs. 

8,000 

Messerli, Douglas

College Park, Maryland 

For Sun and Moon Press to publish a novel on American Indians 

by Johnny Stanton; Djuna Barne’s Interviews, previously un15,000 

collected literary interviews; a collection of stories by art critic 

and poet John Perreault; anda large collection of selected poems

of Clark Coolidge. 

Missouri, Curators of the 

University of 

For BkMk Press to publish six titles. 15,000 

Kansas City, Missouri 

Panjandrum Press 

Los Angeles, California 

For the publication of two bilingual editions of poetry, the first

English translation of an experimental surrealist collaboration 

10,000 

first published in Spalúsh in 1931, anda biography-of Alfred 

Jarry. 

Perlman, Jira For Holy Cow! Press to publish five books of poetry. 10,900 

Minneapolis, Minnesota 
96 Literature 

Pichaske, David R. 

Peoria, Illinois 

Pittsburgh, University of 

Pittsburgh, Pennsylvania 

Poets and Writers 

New York, New York 

Roberton, Kirk 

Fallon, Nevada 

Santa Barbara County Schools 

Santa Barbara, California 

Segue Foundation 

New York, New York 

Sheep Meadow Press 

New York, New York 

Stansberry, Domenic 

Amherst, Massachusetts 

Teachers and Writers Collaborative 

New York, New York 

Unicorn Foundation for the 

Advancement of Modern Poetry 

Greensboro, North Carolina 

Waldrop, Rosemarie 

Providence, Rhode Island 

Walker, Scott 

Port Townsend, Washington 

Warsh, Lewis 

New York, New York 

Watershed Foundation 

Washington, D.C. 

Young, Noel 

Santa Barbara, California 

Zavatsky, Bill 

New York, New York 

Distribution Projects 

Children’s Trust Foundation 

Paradise, California 

Compas 

St. Paul, Minnesota 

Kansas Arts Commission 

Topeka, Kansas 

Prison Writers Access 

San Francisco, California 

Segue Foundation 

New York, New York 

Watershed Foundation 

Washington, D.C. 

For Spoon River Poetry Press to publish three poetry chapbooks, three paperback poetry books, and two hardbound editions. 

10,000 

For University of Pittsburgh Press to publish four volumes of 

poetry in the Pitt Poetry Series. 

7,500 

For Persea Books to publish two books of poetry by Paul 

Blackburn. 

15,000 

For Duck Down Press to publish three volumes of poetry and an 

anthology of poetry, prose, and artwork exploring the western 

landscape and the American cowboy as metaphor. 

7,120 

For Black Sparrow Press to publish ah anthology representing 

the modernist and post-modernist tradition. 

15,000 

For Roof Books to publish three collections of poetry and two 

collections of essays and prose pieces. 

12,500 

For the publication of nine titles, two of which will be first books 

of poetry. 

15,000 

For Lynx House Press to publish five books of short fiction in a 

new short fiction series. 

7,500 

For the Fiction Collective to publish three volumes of the work 

of individual writers and one anthology of contemporary fiction. 

15,000 

For the publication of eight books, including collections of

poetry and short fiction, one experimental novel, and a poetry 

anthology. 

.15,000 

For Burning Deck to publish four books and six chapbooks of 

poetry and fiction. 

15,000 

For Graywolf Press to publish three original short story collections, a book of poetry, and two paperback reprints of short

story collections. 

15,000 

For United Artists Books to publish eight volumes of poetry and 

prose. 

10,700 

For the production of 18 titles in the foundation’s series of single 

author cassette tapes. 

14,600 

For Capra Press to publish two titles in a new literary series, 

"Capra Back-to-Back." 

10,000 

For Sun to publish the translation from French of Book I of 

Michel Leiris’ autobiographical tetrology, a first novel, a translation of short prose pieces by Ramon Gomez de la Serna, anda 

new collection of poems. 

15,000 

For Dustbooks to organize a two-year small press book club project to present readers with information about new releases at 

regular intervals, promote and support small press publishing, 

and cultivate a readership for small press books. 

$100,000 

For Bookslinger to distribute small press books and literary 

magazines nationwide. 

80,000 

For the distribution and promotion of small press books and 

literary magazines in the lower midwest by Midwest 

Distributors. 

7,500 

For Small Press Distribution to distribute small press books and 

literary magazines nationwide. 

54,250 

For the distribution and promotion of small press books and 

literary magazines with an emphasis on experimental writing. 

7,315 

For the Poets’ Audio Center tape cassette distribution project. 18,500 
Literature 97 

Writers and Books For the distribution and promotion of small press books and 65,000 

Rochester, New York literary magazines nationwide. 

Audience	 Includes three subcategories: Residenciesfor Writers grants are for developDevel-,~ment ing audiences for pubHshed writers of poetry, fiction, and other creative


prose. Audience Development Projects grants ate awarded to a small number 

of organizations for the promotion of literature through cooperative 

literary promotion projects, regional bookfairs, exhibits of Hterary works, 

and syndicated review networks. Literary Centers that offer a variety of 

activities receive grants for projects that benefit the Hterary community 

and its audience. 

Program funds: $690,041 

81 grants 

Residencies for Writers 

Academy of American Poets For 41 readings at the Donnell Library Center, the Solomon R. $10,000
 

New York, New York Guggenheim Museum, and the Museum of Natural History.
 

Alabama, University of	 For the Visiting Writers Series, which consists of residencies of 8,000 

University, Alabama	 up to five days during which the writers visit classes, meet in
 

conference with atea writers, and give public lectures and
 

readings.
 

Albany State College To support four writers-in-residence during the 1984-85 10,000 

Albany, Georgia academic year. 

Allentown Community Center For Niagara Erie Writers to sponsor a series of residencies at 10,000 

Buffalo, New York various locations in a six-county atea. 

American Black Artist For a literature lecture and writing clinic conducted by novelist 5,000 

Detroit, Michigan Alice Walker, held at Wayne State University. 

Amherst College, Trustees of For writing seminars given by poets reading at the Folger 4,394 

Washington, D.C. Shakespeare Library as part of its Evening Poetry Series. 

Arizona Commission on the Arts For a reading and workshop tour to four-to-six cites in Arizona 5,500 

Phoenix, Arizona by writer Denis Johnson. 

Arizona State University For a two-day literary festival on writing, editing, and 3,700 

Tempe, Arizona publishing fiction and poetry. 

Arizona, University of For ten writers-in-residence at the university’s Poetry Center as 3,000 

Tucson, Arizona part of an annual reading series. 

Basement Workshop For six one-month residencies and a reading series. 5,000 

New York, New York 

Berry College For two simultaneous two-day residencies by a poet anda fiction 3,215 

Mount Berry, Georgia writer. 

Big River Association For 13 literature-in-performance programs. 8,000 

St. Louis, Missouri 

Boise State University For six writers-in-residence as part of the Writers and Artists 5,000 

Boise, Idaho Series. 

CaHfornia, Regents of the To support 16 poets in a series of eight three-day residencies held 10,000 

University of on the UCLA campus. 

Los Angeles, California 

Case Western Reserve University For five or six readings by poets and fiction writers held in the 1,500 Cleveland, Ohio university campus’s Mather Art Gallery. 

Centrum Foundation To support extended residencies of approximately three months- 9,000 

Port Townsend, Washington for well-known writers who will give a series of readings in Port 

Townsend and other area communities. 

Cochise Fine Arts To support the seventh annual poetry festival. 5,000 

Bisbee, Arizona 
ti8 Literature 

Compas 

St. Paul, Minnesota 

Cornell University 

Ithaca, New York 

Depot Community Programming 

Duluth, Minnesota 

Detroit Institute of Arts, 

Founders Society 

Detroit, Michigan 

Eastern Illinois University 

Charleston, Illinois 

80 Langton Street Corporation 

San Francisco, California 

Fine Arts Work Center 

Provincetown, Massachusetts 

Franconia, Town of 

Franconia, New Hampshire 

Hampton Institute 

Hampton, Virginia 

Hawaii Literary Arts Council 

Honolulu, Hawañ 

Houston, University of 

Houston, Texas 

Howard County Poetry and 

Literature Society 

Columbia, Maryland 

Indiana University 

Bloomington, Indiana 

Institute of American Indian Arts 

Santa Fe, New Mexico 

Iowa Writers’ Workshop 

Iowa City, Iowa 

Jewish Y’s and Centers of 

Greater Philadelphia Philadelphia, Pennsylvania 

Kentucky Arts Council 

Frankfort, Kentucky 

Lion Walk Performing Arts Center 

Pittsburgh, Pennsylvar5a 

Lummi Community College 

Bellingham, Washington 

Maine State Commission on the 

Arts and Humanities 

Augusta, Maine 

Manhattan Theatre Club 

New York, New York 

Maryland Institute 

Baltimore, Maryland 

Minnesota Short Story Project 

St. Paul, Minnesota 

To support an 18-month residency for fiction writer and essayist 9,750 

Caroly Bly. 

To support six two-to-three-day residencies by nationally known 6,006 

writers. 

For four three-to-four-day residencies at the St. Louis County 6,000 

Heritage and Arts Center by well-known writers as part of the 

annual Lake Superior Contemporary Writers Series. 

For LINES National Writers Series, which consists of one public 10,000 

reading anda two-to-three-day residency each month by nationally recognized writers. 

To support five-day residencies by poet Heather McHugh and 4,050 

novelist John Yount in Charleston, Illinois. 

To support nine writers-in-residence at the new interdisciplinary 4,500 

art center. 

To continue the visiting writers program, which brings four 5,000 

writers each year for lengthy residencies and four writers for 

three days each. 

For an eight-week residency fora poet at The Frost Place. 2,150 

For four two-day residencies by nationally known m]nority and 8,520 

women writers. 

For 12 writers-in-residence to give readings and conduct writing 9,950 

workshops in outlying areas and major urban centers. 

To promote eight evening readings and four one-week residen- 9,900 

cies by 11 writers. 

To support four two-to-five-day residencies as part of an ongoing 5,000 

ten-year program by the society. 

For four residencies by writers of national stature who have 5,040 

agreed to conducta writing workshop, hold individual conferences with local writers, and give a reading. 

For two two-month residencies at the institute by nationally 5,000 

known writers. 

For brief residencies by six writers--three poets and three fiction 7,000 

writers. 

To support three four-day residencies by poets of national 5,015 

stature to conduct a daily workshop with various community 

groups. 

For three-to-five residencies during which each writer will visit 8,500 

one region of the state for public readings and writing 

workshops. 

To support four four-day residencies for poets at the Academy of 4,966 

Prison Arts. 

For five three-day residencies by Native American writers to 6,000 

presenta formal reading to the Lummi Tribal community and 

conducta writing workshop and lecture at the college. 

For an ongoing series of five writers-in-residence in the state 6,700 

library system. 

For several residencies during the 1984-85 Writers in Perfor- 5,500 

mance Series. 

For three two-day residencies anda symposium conducted by 5,000 

well-known Black Mountain poets. 

For three residencies by Minnesota writers who assisted in the 6,000 

preparation of a three-part one-hour film for PBS based on their 

short stories. 
Literature 99 

Montana, University 

Missoula, Montana 

For three one-week residencies by Donald Hall, Jayne Anne 

Phillips, and Derás Johnson, who gave public readings and lectures, and conducted creative writing workshops. 

6,600 

Nebraska, University of 

Omaha, Nebraska 

For up to ten readings by regional and national writers as part of 

the university’s Commurdty Writers’ Workshop. 

2,586 

New England Foundation for For the fifth year of the New England Live Literature Program. 10,000 

the Arts 

Cambridge, Massachusetts 

New York, Researeh Foundation of 

the State University of 

For seven three-day residencies as part of the Gardner Series of 

Visiting Writers. 

8,548 

Binghamton, New York 

New York, Research Foundation of For the Brockport Writers Forum--three three-day residencies 3,450 

the State University of on short fiction. 

Brockport, New York 

New York State Literary Center For three residency programs, serving a four country area. 4,300 

Pittsford, New York 

Northeast Missouri State University For one three-day residency by fiction writer Allen Wier. 1,050 

Kirksville, Missouri 

Northern Kentucky University 

Highland Heights, Kentucky 

To support four four-day residencies, shared with the neighboring University College and Nightwriters, a peer support group of 

community writers. 

8,700 

Northland College 

Ashland, Wisconsin 

For nine readings by writer John Haines in Ashland an~l the surrounding community. 

5,091 

Oberlin College 

Oberlin, Ohio 

To support two one-week residencies by poet Donald Justice and 

fiction writer Miroslav Holub. 

1,831 

Oklahoma State University 

Stillwater, Oklahoma 

To support two-week residencies by five writers--two poets, two 

fiction writers, anda screenwriter. 

9,194 

Peterborough Town Library 

Peterborough, New Hampshire 

For six residencies during a three-week program at the Peterborough Library. 

1,500 

Skidmore College To support 12 residencies by poets and fiction writers as part of 9,250 

Saratoga Springs, New York a reading series at Skidmore. 

South Carolina Arts Commission 

Columbia, South Carolina 

To support four three-day residencies as part of the Writers’

Forum series. 

7,000 

South Dakota Arts Council To support the state-wide "Writer Reads" program, in which one 4,800 

Sioux Falls, South Dakota writer will be in residence in various locations in the state for 12 

days. 

Southern Mississippi, University of 

Hattiesburg, Mississippi 

For up to 12 residencies at the Center for Writers during whieh 

eaeh writer gives publie readJngs, conducts writing workshops, 

and meets individually with local and student writers. 

7,500 

Stevens Institute of Teehnology For a one-week resideney by writer Alice Notley. 700 

Hoboken, New Jersey 

Sum Arts To support four three-day resideneies as part of the Contem­ 5,400 

Houston, Texas porary Writers Series of readings, leetures, and workshops. 

Syraeuse University For six three-day resideneies. 3,000 

Syracuse, New York 

Tueson Publie Library, Friends of 

Tueson, Arizona 

For four one-week residencies in Pima County as part of the 

library’s Poetry Project. 

7,500 

Vermont Council on the Arts For residencies for which six writers will each give a publie 6,115 

Montpelier, Vermont reading and conduct a workshop at four different locations 

across the state. 

Walker Art Center For 16 readings by 24 writers-in-residence during the 1984-85 9,000 

Minneapolis, Minnesota Writers’ Reading Series. 

Washington College For four residencies by writers and their respective editors. 5,000 

Chestertown, Maryland 

Washington Project for the Arts For five residencies lasting from one to three weeks each. 4,325 

Washington, D.C. 
100 Literature 

Washington State University 

Pullman, Washington 

Wayne State College 

Wayne, Nebraska 

Wisconsin, University of, 

Board of Regents 

Milwaukee, Wisconsin 

Writer’s Voice 

New York, New York 

Audience Development Projects 

Foundation for Arts Resource 

Management 

Minneapolis, Minnesota 

Intersection 

San Francisco, California 

Maine Writers and Publishers 

Alliance 

Portland, Maine 

New Virginia Review 

Richmond, Virginia 

Poetry Society of America 

New York, New York 

Woodland Pattern 

Milwaukee, Wisconsin 

Literary Centers 

Allentown Community Center 

Buffalo, New York 

Beyond Baroque Foundation 

Venice, California 

Konglomerati Florida Foundation 

Gulfport, Florida 

Loft 

Minneapolis, Minnesota 

St. Mark’s Church-in-the-Bowery 

New York, New York 

Whitman (Walt) Center for the Arts 

and Humanities 

Camden, New Jersey 

Writer’sCenter 

Bethesda, Maryland 

To support four one-week residencies by well-known writers to 

conduct readings and workshops and meet with students, facu]­

ty, and community members. 

10,000 

For the sixth annual Plains Writers Series. 5,000 

To support five residencies during which the writers conduct

public readings and seminars and meet with creative writing 

classes and individual students. 

4,500 

For two residencies at the West Side YMCA, one by Japanese 

essayist and poet Nanao Sakaki and the other by poet Gary 

Snyder. 

2,000 

For The Great Midwestern Bookshow, a bookfair of literary and 

alternative small press books, magazines, and journals held in 

April 1984 at the University of Minnesota in Minneapolis. 

$7,000 

For Small Press Traffic’s ongoing programs to build audiences 

for contemporary literature. 

25,000 

For a cooperative promotion and distribution program. 5,200 

For the Book and Author Tours, which include book displays

with related support materials and cooperative promotional 

literature. 

5,000 

For the book distribution and reading program, an outreach project that provides free distribution of books to underserved communities with little or no book buying budgets. 

12,545 

To support the ongoing activities of this literary book center. 35,200 

For Just Buffalo to sponsor workshops, master classes,

readings, residencies, production and distribution of vídeo 

material on poetics; and an in-house library resource center on 

contemporary literature. 

$24,200 

For technical assistance, writing workshops, lectures, readings,

a small press bookstore, a reference library, publications design 

classes, and pre-printing and consultation services for literary 

publishers. 

35,000 

For Literature and the Book Arts to provide readings and lectures series; exhibitions of literary publishing, especially from 

the South; the Florida Audio Archive; a free reference library; 

meeting space; and workshops. 

9,500 

For literary readings, workshops, classes, the Mentor Series, a 

story hour for children, and publicity and promotion for events. 

12,500 

For the Poetry Project, including literary readings; lecture 

series; video and audio recording for archives and broadcasts; 

and provision of meeting space for writers, publishers, residencies, workshops, and classes. 

50,000 

For readings, workshops, residencies, a literary symposium, an 

international poetry library, and expansion of use of the center. 30,850 

For writing and book production workshops, technical 

assistance to the field, publications, provision of space and 

equipment to writers and publishers, literary readings, meeting 

space, and classes. 

32,250 
Literature 101 

Special	 For projects that benefit the Literature Program as a whole and are not 

eligible under other categories. Projects 

Program funds: $55,000 

1 grant 

$55,000 To amend a previous cooperative agreement to include a second P.E.N. American Center 

New York, New York competition for the Syndicated Fiction Project.

* Chairman’s Action 
103 

Media Arts: 

Film/Ra d~o/7~le~ ~ 

Milo Crimpley (Ilan Mitchell-Smith) in "How To Be A Perfect Person In Just Three Days," a program from the 

Wonderworks series on PBS. 
104 

Media Arts grants Program funds:$8,769,483

Treasury funds: $713,432 

AFI lnupenuen~ Filmmaker Program 

American Film Institute 

Washington, D.C. 

Film/Video
 

Production
 

Regional Fellowships 

Boston Film/Video Foundation 

Boston, Massachusetts 

Center for New Television
 

Chicago, Illinois
 

Colorado, University of
 

Boulder, Colorado
 

Film in the Cities
 

St. Paul, Minnesota
 

Pittsbargh Film-Makers
 

Pittsburgh, Pennsylvania
 

Southwest Alternate Media Project 

Houston, Texas 

Production Grants 

Aaron, Jane
 

New York, New York
 

Asian Cine Vision 

New York, New York 

Barrios, Jaime 

New York, New York 

Berkeley Art Center 

Berkeley, California 

Blumberg, Skip 

New York, New York 

Borden, Lizzie 

New York, New York 

Buba, Anthony 

Braddock, Pennsylvania 

262 grants 

AFI administers for the Endowment a program of grants to media artists 

working in animated, documentary, experimental, and narrative film and 

video. 

Program funds: $400,000
 

1 grants
 

For a cooperative agreement to conduct the Independent Film- $400,000 maker Program, a national grant program for advanced film and 

video artists. 

Includes two subcategories: Regional Fellowships are awarded to media arts 

centers to administer fellowship programs for regional film and video artists. Production Grants support outstanding productions in film and video 

that emphasize the use of these media as art forms. 

Program funds: $1,071,000
 

41 grants
 

For regional fellowships for media artists in New England. $45,000 

For regional fellowships for media artists in the Great Lakes 45,000 region. 

For the Rocky Mountain Film Center to provide regional 45,000 fellowships to media artists in the West. 

For regional fellowships for media artists in the Upper Midwest 45,000 region. 

For regional fellowships for media artists in the rnid-Atlantic 45,000 region. 

For regional fellowships for media artists in the south central 45,000 region. 

For Traveling Lighg an animated film exploring light and $20,000 shadow. 

For Tse Yeh Toi (Our Generation~, a 90-minute narrative film 10,000 

about three Asian immigrants in New York City, by Peter Chow 

and Calvin Wong. 

For a film on the Chilean-American artist, Marta, who influenced 20,000 

the Abstract Expressionists as their ideas were forming in the 

1940s. 

For Ethnic Notions, ah hour video documentary by Marlon 30,000 Riggs, tracing the evolution of black stereotypes in American 

popular culture from colonial times to the present. 

For a documentary videotape about an elephant round-up and 25,000 festival held annually in Thafland. 

For a fiction film using script, improvisation, anda documentary 25,000 approach to the issues raised by illegal prostitution. 

For Lightning Over Braddock, a 90-minute narrative film about 20,000 a dying steel town in Pennsylvania. 
Media Arts 105 

30,000 Cumberland Mountain Educational For a 90-minute documentary film using archival footage about 

Cooperative historical problems and conflicts that arose during the urbanizaNew Market, Tennessee tion of several towns in the Appalachian region. 

25,000 Downey, Juan	 For an experimental videotape using advanced techniques of

New York, New York computer video production and interviews with artists and art

historians to explore the relationship between the mind and the 

signs, symbols, and icons ir creates. 

30,000 Film Arts Foundation For an experimental documentary film by Bruce Conner, about 

San Francisco, California the history of the soul Stirrers gospel quartet, which originated

in Texas in 1926. 

30,000 Film Fund For a documentary film by Ana Maria García, exploring the 

New York, New York music culture of the youth of Puerto Rico. 

40,000 Film Fund For a 60-minute narrative film, directed by Ayoka Chenzira, 

New York, New York written by Ayoka Chenzira and Alexis De Veaux, based on the 

experiences of a young, black girl as she passes through 

adolescence. 

10,000 Fischinger, Elfriede For Organic Fragmen~ an animated film based on a series of 

West Hollywood, California drawings by Oskar Fischinger. 

15,000 Fitzgerald, Kit To amend a previous grant for Video na Gaeltachta, a 30-minute, 

New York, New York experimental videotape portrait of a small town in Ireland. 

20,000 Foulkrod, Patrícia and For a half-hour documentary film exploring the late of children 

Stefan Moore whose mothers are incarcerated. 

New York, New York 

24,000 Haleakala For a videotape by Victor Acconci consisting of ten, threeNew York, New York minute sections that experiment with the narrative form. 

Haleakala	 For the completion of an experimental video work by Dara 25,000 

New York, New York Birnbaum.

10,000 Life, Theodore R.	 For a 90-minute narrative film about a black youth who leaves a 

New York, New York secure, suburban environment to begin his college education in

the late 1960s. 

35,000 Living Archives	 For Far from Poland, an experimental, narrative film by Jill GodNew York, New York millow that includes dramatic re-enactments of interviews 

published in Poland during Solidarity’s ascendent phase. 

10,000 Morrison, Jane	 For script development of a feature-length dramatic film explorNew York, New York	 ing the conflicts facing a young woman living in New York City. 

Moving Image	 For a 90-minute film by James Benning, combining documen- 20,000 

New York, New York tary, narrative and archival footage.

15,000 Nair, Mira	 For a one-hour documentary film on the import of Asian Indian 

New York, New York mail-order brides to the United States. 

20,000 New York, Research Foundation of	 For a 90-minute film for public television tracing the developthe State University of	 ment of black dance in America, produced by Donn Pennebaker 

Albany, New York	 and Christ Hegedus in association with the Brooklyn Academy 

of Music. 

Parry, David and Beverly For a 60-minute, autobiographical documentary film in the 20,000 

Hanover, New Hampshire cinema verite tradition, about a woman returning to work after 

raising a family. 

25,000 Rappaport, Mark To amend a previous grant for the production of Chain Letter, an
 

New York, New York experimental film during which all nine major characters receive


a chain letter that affects their lives.
 

20,000 Reeves, Daniel	 For three experimental videotapes focusing on concepts of creaInterlaken, New York	 tion, sustenance, and destruction. 

25,000 Segalove, Ilene	 For a half-hour vídeo program consisting of six short stories 

Venice, Califoraia	 based on the artist’s memory of her experiences asa student. 

15,000 Sokol, Lee	 For Libretto, an experimental film in which the spoken word is 

Atlanta, Georgia	 given a figurative, visual counterpart. 
106 Media Arts 

Southwest Alternate Media Project 

Houston, Texas 

Southwest Alternate Media Project 

Houston, Texas 

Sturgeon, John 

Troy, New York 

Sweeney, Skip
 

San Francisco, California
 

Wang, Wayne 

San Francisco, California 

Whitney Museum of American Art 

New York, New York 

Women’s Interart Center 

New York, New York 

American Film
 

Institute
 

American Film Institute 

Washington, D.C. 

Media Arts Centers 

Academy Foundation at the
 

Academy of Motion Picture
 

Arts and Sciences
 

Los Angeles, California
 

and/or service 

Seattle, Washington 

Appalshop 

Whitesburg, Kentucky 

Archdiocesan Communications 

Center 

San Francisco, California 

Art Institute of Chicago 

Chicago, Illinois 

Asian Cine-Vision 

New York, New York 

Astoria Motion Picture and 

Television Foundation 

Astoria, New York 

For a 90-minute documentary film by the photographer and filmmaker Danny Lyon, about Chicano youths in a small town in 40,000 

New Mexico. 

For Acadian Waltz, a narrative film by Glen Pitre set in 1859 in 

Louisiana’s Cajun country. 50,000 

For a half-hour, experimental videotape exploring concepts of 

self-image and self delusion. 20,000 

For Walking on Eggs, the third in a series of autobiographical videotapes, in which the artist combines documentary, nar­ 20,000 

rative, and experimental styles. 

For a narrative film based on researched case histories of eight 

different occupants of a Chinatown residential hotel room in San 25,000 

Francisco. 

For a half-hour documentary film about artist Milton Avery. 2,000* 

For Women Are Talking, a collaborative, narrative videotape by 

writer Constance de Jong, cameraperson Babette Mangolte, and 30,000 

director Tony Oursler. 

Support for the American Film Institute, founded in 1967 to preserve the 

nation’s artistic and cultural resources in film and television. 

Program funds: $1,540,000 

1 grant 

To support the exhibition, education, public service, and $1,540,000 academy internship programs; television and vídeo services; the 

Directing Workshop for Women; the Center for Advanced Film 

Studies; the Mayer Library; and CAFS Fellow Film 

Distribution. 

To assist media arts centers in a variety of projects that make the arts of 

film, video, and radio more widely appreciated and practiced. Centers may 

be independent or associated with another organization, such as a museum, 

university, or state arts agency. 

Program funds: $1,220,000 

82 grants 

For support of film exhihition anda study center with screen- $5,000 

ings, lectures, touring programs, a research library, anda

visiting filmmakers program. 

For Focal Point Media Center to conducta program of film and 16,500 vídeo exhibitions with visiting artists and provide access to film 

and vídeo facilities. 

For the media center to program film and video exhibitions and 29,000 maintain the Appalachian Motion Picture and Sound Archives. 

For Vídeo Free America to accommodate exhibitions, instaila- 14,000 

tions, performances, visiting artists, and offer access to video 

editing equipment. 

For film and vídeo exhibitions, visiting artists and critics, and 26,500 

maintenance of a film and script study collection. 

For film and video exhibitions, the Asian American Interna- 24,000 

tional Film Festival, access to video production and postproduction facilities, workshops, and Bridge magazine. 

For 60 evening screenings and lectures, 16 Saturday screenings 4,000 

for children, workshops, anda research collection. 
Baltimore Film Forum 

Baltimore, Maryland 

Bay Atea Video Coalition 

San Francisco, Caliíorn~a 

Berks Filmmakers 

Reading, Pennsylvan~a 

Black Filmmaker Foundation 

New York, New York 

Boston Film/Video Foundation 

Boston, Massachusetts 

California, Regents of the

University of 

Berkeley, California 

California, Regents of the 

University of 

Los Angeles, California 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Center for New Television 

Chicago, Illinois 

Center Screen 

Cambridge, Massachusetts 

ChicagoFilmmakers 

Chicago, Illinois 

Cincinnati Film Society 

Cincinnati, Otüo 

City Movie-Center 

Kansas City, Missouri 

Collective for Living Cinema 

New York, New York 

Colorado, Regents of the

University of 

Boulder, Colorado 

Community Film Workshop 

of Chicago Chicago, Illinois 

Contemporary Arts Center 

New Orleani, Louisiana 

Craft and Folk Art Museum
 

Los Angeles, California
 

Creat|ve Outlet 

Portland, Oregon 

District of Columbia, 

University of 

Washington, D.C. 

Downtown Community Television 

Center 

New York, New York 

Electronic Arts Intermix 

New York, New York’ 

Media Arts 10"7 

5,000 For ongoing screenings of independently produced and classic

narrative films and the Baltimore International Film Festival. 

27,000 To offer CMX computerized vídeo editing facilities, workshops, 

and the Vídeo Networks newsletter. 

5,000 For 32 exhibition programs of independent and experimental

films, with visiting artists. 

23,000 For distribution and marketing services, film exhibitions with 

visiting artists, critical symposia, and programming information

services. 

26,000 For workshops, exhibitions, and access to film and video 

facilities. 

34,000 For a film exhibition program with visiting artists and critics, 

anda research center and film study collection at the Pacific 

Film Archive. 

6,000 To support the UCLA Film Archives, a film archive and study 

center with an exhibition program of independently produced 

and classic narrative films. 

22,000 For film exhibitions with visiting artists, publication of the Film 

and Video Makers Travel Sheet and maintenance of a film-study 

collection. 

23,000 For a variety of distribution and marketing initiatives, provision 

of access to post-production facilities, and video exhibitions. 

6,500 For exhibition of independently produced features and shorts 

and ah annual animation festival. 

18,000 For exhibitions of independently produced experimental,

documentary and narrative film and provision of access to film 

editing equipment. 

4,000 For exhibitions of independently produced and classic narrative 

film with filmmakers present at the screenings. 

9,000 For exhibitions of independent and classic narrative features 

and short films with visiting filmmakers and program notes. 

18,000 For a film exhibition program of independent and classic narrative film, filmmaking workshops, and critical publications. 

27,000 For film exhibitions, visiting artists, touring packages, access to 

film equipment, and maintenance of a film study collection at the

Rocky Mountain Film Center. 

14,000 For an annual film festival, provision of access to film production and post-production facilities, and filmmaking workshops. 

5,000 For a regional showcase for film and video and workshops with
 

visiting media artists.
 

9,000 For Encounter Cinema, a showcase of independent and experimental film with visiting filmmakers and original program
 

notes.
 

5,000 To provide access to production and editing facilities, conduct
 

workshops, and offer production services to local arts groups.
 

7,000 To support the Black Film Institute, an exhibition center that 

offers weekly film exhibitions and lectures. 

For access to basic and CMX computerized editing facilities, 18,000 

technical workshops, production services, Community and Experimental Television Festivals, and distribution. 

22,000 For distribution of video art and provision of access to video 

editing facilities. 
108 Media Arts 

Experimental Television Center 

Owego, New York 

FacetsMultimedia 

Chicago, Illinois 

Film Art Fund 

New York, New York 

Film Arts Foundation 

San Francisco, Califorlüa 

Film in the Cities 

St. Paul, Minnesota 

Foundation for Art in Cinema 

San Francisco, California 

Global Village Vídeo Resource Center 

New York, New York 

Haleakala 

New York, New York 

Hallwalls 

Buffalo, New York 

Helena Film Society 

Helena, Montana 

Hippodrome Theatre 

Gainesville, Florida 

Independent Media Artists of 

Georgia, Etc. 

Atlanta, Georgia 

Institute of Contemporary Art 

Boston, Massachusetts 

Inter-Media Art Center 

Bayville, New York 

International House of Philadelphia 

Philadelphia, Pennsylvania 

International Museum of 

Photography at George Eastman 

House 

Rochester, New York 

La Mamelle 

San Francisco, California 

Locus Communications 

New York, New York 

Long Beach Museum of Art Alliance 

Long Beach, California 

Los Angeles Contemporary 

Exhibitions 

Los Angeles, California 

Media Bus 

Woodstock, New York 

Media Project 

Portland, Oregon 

Media Study 

Buffalo, New York 

For this post-production center to offer access to electronic 9,500 

image processing equipment and conduct an artists-in-residence 

program. 

For film exhibition programs, visiting filmmakers, the 14,000 

Children’s Film Festival, and monthly publications. 

For vídeo exhibitions, visiting artists, publications, anda film 5,000 

research coilection at Anthology Film Archives. 

For workshops, weekly work-in-progress screenings, access to 23,000 

filmmaking facilities, and the annual Bay Area Filmmakers 

Showcase. 

For access to film and audio facilities, education programs, 27,000 

workshops, and film exhibitions. 

For the Cinematheque’s exhibition program of independent and 16,000 

experimental film and the publication of ARC: International 

Film Journal of Ar~ Review and Criticism. 

For film and video exhibitions, an annual documentary festival, 20,000 

workshops, and access to video editing facilities. 

For video exhibitions, installations, and maintenance of a 15,000 

videotape library at The Kitchen. 

For video exhibitions with visiting artists anda video viewing 3,000 

room. 

For exhibition of independently produced and rarely seen 5,000 

American and foreign films. 

For a film and vídeo exhibition program featuring independently 6,000 

produced and classic narrative films, including visiting artists. 

For an annual film and video festival, technical workshops, ac- 20,000 

cess to film equipment, and film and vídeo exhibitions. 

For exhibition programs in film and video, with original program 11,500 

notes and visiting artists. 

For video produetion workshops and video exhibitions with 18,000 

visiting artists. 

For exhibition programs of the Neighborhood Film Project, in- 27,000 

cluding visiting filmmakers, touring programs, and the

Philadelphia Equipment Resource for Media Arts Project. 

For ah exhibition programat the Dryden Theater of titles drawn 5,000 

from the museum’s collection. 

For video exhibitions, installations, and maintenance of a 4,000 

videotape library. 

For access to field production equipment, technical workshops, 5,000 

and production services. 

For an access to video editing equipment, workshops, exhibition, 32,000 

and maintenance of a videotape library. 

For installations and performances, many with visiting artists. 7,000 

For access to production and editing facilities, local cable pro- 5,000 

gramming, and consultation services. 

For regional film and video services, including film and video 11,000 

center distribution, workshops, seminars, and exhibition. 

For film and video exhibitions; workshops; and access to film, 27,000 

video and audio facilities. 
Millennium Film Workshop 

New York, New York 

Minnesota Film Center 

Minneapolis, Minnesota 

Moving Image 

New York, New York 

Museum of Holography 

New York, New York 

Museum of Modern Art 

New York, New York 

Nebraska, University of 

Lincoln, Nebraska 

New Community Cinema

Huntington, New York 

New Orleans Video Access Center 

New Orleans, Louisiana 

Newark MediaWorks 

Newark, New Jersey 

Ohio State University 

Columbus, Ohio 

185 Nassau Street Corporation 

Brooklyn, New York 

Pasadena Film Forum 

Pasadena, California 

Pittsburgh Film-Makers 

Pittsburgh, Pennsylvania 

Portable Channel 

Rochester, New York 

Portland Art Association 

Portland, Oregon 

Real Art Ways 

Hartford, Connecticut 

Rising Sun 

Santa Fe, New Mexico 

Somerville Media Action Project 

Somerville, Massachusetts 

South Carolina Arts Commission 

Columbia, South Carolina 

Southern California Asian 

American Studies Central 

Los Angeles, California 

Southwest Alternate Media Project 

Houston, Texas 

University Community Vídeo 

Minneapolis, Minnesota 

Upstate Films 

Rhinebeck, New York 

Media Arts 109 

For experimental film exhibitions with visiting artists, access to 21,000 

equipment, and publication of Millennium Film Journal. 

For exhibition of more than 300 programs of independently pro- 11,000 

duced and international features, many with visiting filmmakers; and the Rivertown USA Film Festival. 

25,000 For Film Forum’s exhibition program of independently produced documentary, animated, and dramatic narrative films, 

with program notes. 

For the artist-in-residency program, which provides access for 5,000 

six artists to state-of-the-art holography facilities. 

For a film exhibition program with visiting artists, a research 32,000 

center that includes a film study collection, a film stills collection, video exhibition, installations, and distribution. 

For film exhibition program at the Sheldon Film Theater, 15,000 

visiting artists, program notes, and access to a film research 

library. 

11,000 For exhibitions of independently produced feature and short experimental, documentary, animated and narrative films, with 

visiting filmmakers. 

For access to vídeo facilities, production services, technical 18,000 

workshops, and promotion of cable access to videomakers. 

For production services and technical workshops in vídeo and 5,000 

film and video exhibitions. 

For weekly film/vídeo exhibitions of independent, experimental, 7,000 

narrative and foreign films with visiting artists and original program notes. 

2,000 For access to video facilities, grants management services, and

exhibitions. 

For 48 prominent and emerging visiting artist experimental film 9,000 

presentations and eight seminars, each with program notes. 

For a well-balanced program of exhibitions, access to film equip- 23,000 

ment, workshops, and distribution. 

For access to production and editing equipment, technical 8,000 

workshops, community production services, and exhibitions. 

28,000 For film and video festivals, production workshops, a circulating


film collection, and access to facilities at Northwest Film Study
 

Center.
 

For exhibitions and provision of access to video and audio 5,000
 

facilities.
 

For a program of exhibitions and access to film and vídeo 13,000
 

facilities.
 

For access to audio and video facilities, production services and 6,000
 

technical workshops.
 

For outreach with touring film packages, access to film and 28,000
 

video facilities, artists-in-residence, and filmmakers-in-schools.
 

For film and video production workshops, media management 14,000
 

services, a newsletter, and exhibitions by Visual
 

Communications.
 

For a program of exhibitions, workshops, and access to film and 29,000
 

video facilities, and publication of Southwest Review magazine.
 

For access to facilities, technical workihops, vídeo exhibitions, 23,000
 

and distribution.
 

For exhibition of 100 programs of independent and classie nar- 5,000
 

rative í~ocumentaries; and international, experimental, and
 

an]mated íeatures and shorts with visiting filmmakers, critics,
 

and scholars.
 
110 Media Arts 

Utah Media Center 

Salt Lake City, Utah 

Virginia Museum of Fine Arts 

Richmond, Virginia 

Walker Art Center 

Minneapolis, Minnesota 

Washington Project for the Arts 

Washington, D.C. 

Whitney Museum of American Art 

New York, New York 

Women’s Interart Center 

.New York, New York 

Young Filmmakers Foundation 

New York, New York 

AFI/NEA Film 

For exhibitions of film and vídeo, a festival, state-wide touring 

programs, and media workshops. 11,000 

For film and video exhibitions, lectures, installations, and the 

state-wide touring project, Artmobile. 14,000 

For exhibitions with visiting artists and critics, publication of 

commissioned critical monographs, and maintenance of a film 25,000 

study collection. 

To increase vídeo exhibitions of narrative, experimental, 

documentary, performance, and installation works. 5,000 

For the New American Filmmakers Series, an exhibition program of independent film and vídeo art; and the Whitney 29,000 

Biennial. 

For access to film and video production and editing equipment,

workshops, residencies, and seminars. 6,500 

For access to film, video, and audio equipment; workshops and 

seminars; and distribution of work produced at the facility. 18,000 

To help organizations locate, preserve, and catalog films of artistic value. 

Preservation ~rogram Prógram funds: $520,000 

American Film Institute 

Washington, D.C. 

Programming 

in the Arts 

Television Grants 

Chicago Educational Television 

Association 

Chicago, Illinois 

Cliofilm 

New York, New York 

Columbia University 

New York, New York 

Educational Broadcasting 

Corporation 

New York, New York 

Educational Broadcasting

Corporation 

New York, New York 

Labor Theater 

New York, New York 

Lincoln Center for the 

Performing Arts 

New York, New York 

Metropolitan Opera Association 

New York, New York 

Metropolitan Pittsburgh Public 

Broadcasting 

Pittsburgh, Pennsylvania 

1 grant 

For a cooperative agreement for the AFI/NEA Film Preserva- $520,000 

tion grant program for nitrate preservation efforts administered 

by the National Center for Film and Vídeo Preservation. 

To develop series of programs on the arts for national broadcast on televi­ sion and radio. 

Program funds: $2,984,458 

Treasury funds: $713,432 

32 grants 

To amend a previous grant for Arnerica by Design, a five-part $347,890 

television series. 

Fora series examinating the Bauhaus, the most influentia120th- 150,000 century school of architecture and design. 

For the completion of American Patchwork, a television series 175,000 celebrating America’s rich folk culture. 

For the 12th season of Great Performances. 361,568 

TF 338,432 

For a 60- to 90-minute documentary by David Heeley on the 50,000 history and legacy of The Group Theater. 

For Realiza tions, a drama series based on American short stories 100,000 about older people. 

For the tenth season of Live from Lincoln Center. 45,000 

TF 225,000 

For the eighth season of Live from the Met. 30,000 

TF 150,000 

For the second season of Wonderworks, a 26-part dramatic 100,000 series for children and family viewing. 
Media Arts 111 

150,000 Metropolitan Pittsburgh Publie For Notes from the New World, a series of four one-hour proBroadcasting gratas on new American music. 

Pittsburgh, Pennsylvania 

300,000 New York Center for For Voices and Visions, a 13-part series on American poetry. 

Visual History 

New York, New York 

50,000 New York Foundation for the Arts	 For a one-hour documentary film by Herbert Danska on 

New York, New York children’s illustrator and author Maurice Sendak.

50,000 New York Foundation for the Arts Fora one-hour film by Michael Blackwood on composer Colin 

New York, New York McPhee. 

New York Foundation for the Axts	 For a one-hour documentary film by Peter Rosen on conductor 50,000 

New York, New York Arturo Toscanini.

100,000 New York Foundation for the Arts For Hip Pocket Musicals, a four-part public television series of 

New York, New York original musical comedies. 

25,000 New York Foundation for the Arts For Balanchine’s Ballerinas, a documentary film by Anne Belle. 

New York, New York 

Nikolais/Louis Foundation for Dance	 For a one-hour documentary by Christian Blackwood on the 50,000 

New York, New York 30-year artistic collaboration of Alwin Nikolais and Murray

Louis. 

O’Neill (Eugene) Memorial For a one-hour documentary film by Rue Faris Drew on Stella 50,000 

Theater Center Adler. 

Waterford, Connecticut 

50,000 Performing Artservices	 To edit for broadcast Music with Roots in the Aether, the well-


New York, New York known series of documentary videotapes on seven prominent


American composers, produced and directed by composer 

Robert Ashley. 

500,000 Public Television Playhouse For the fourth season of American Playhouse. 

New York, New York 

Radio Grants 

$10,000 ETV Endowment of South Carolina For continued production of Backstage with Richard Mohr, an
 

Spartanburg, South Carolina intermission feature series of half-hour programs designed for
 

use on public radio stations during broadcasts of operas.
 

13,500 Louisiana Jazz Federation ForJazztowr~ a series of 18 one-hour programs of Louisiana jazz
 

New Orleans, Louisiana
 artists recorded live in clubs and theaters in New Orleans. 

45,000 Minnesota Public Radio For production and distribution oíA Prairie Home Companion, a
 

St. Paul, Minnesota weekly live two-hour variety program, featuring folk music, jazz,


light classical music, and comedy.
 

10,000 Minnesota Public Radio	 For productionand distribution of St. Paul Sunday Morning, a
 

weekly live-on-tape 90-minute program of chamber music perfor-
 St. Paul, Minnesota mance and conversation. 

15,000 National Public Radio For acquisition of new, independently produced dramatic works
 

Washington, D.C. for inclusion in the national series, NPR Playhouse.
 

15,000 National Radio Theater For development and production of "Of Thee I Sing," a pilot pro-


Chicago, Illinois gram in a proposed 13-part series presenting the American
 

musical theater in an historical perspective.
 

10,000 Nevada Public Radio/KNPR-FM For production and distribution of 13 one-hour jazz programs
 

Las Vegas, Nevada originating from the Four Queens Hotel in Las Vegas.
 

50,000 Newark Public Radio/WBGO-FM	 For continued support of the American Jazz Radio Festiva~ proNewark, New Jersey	 ducing weekly two-hour live or live-on-tape jazz programs for national broadcast, including intermission features that use the
 

resources of stations KLCC, KLON, WBFO, WBEZ, WGBH,
 

and WBGO.
 

10,000 Pennsylvania Public Radio For the second season of Totally Wired: Artists in Electronic
 

Associates Sound, a series of 13 half-hour programs chronicling major
 developments in the history of electronic music.
 Philadelphia, Pennsylvania 
112 Media Arts 

Radio Foundation 

New York, New York 

Real Art Ways 

Hartford, Connecticut 

Youth News 

Oakland, California 

Radio Projects 

Radio Production 

Alaska Public Radio Network 

Anchorage, Alaska 

Allison, Jay 

Accord, New York 

American Composers Orchestra 

New York, New York
 

Baker, Steven W.
 

San Francisco, California
 

Barnett, Bonnie M.
 

San Francisco, California
 

Boardman, William
 

Woodstock, Vermont
 

Bradley University 

Peoría, Illinois 

California State University 

Chico, California 

Carrier, Scott 

Salt Lake City, Utah 

Children’s Radio Theater 

Washington, D.C. 

Codrescu, Andrei 

Baltimore, Maryland 

Connie Goldman Productions 

Washington, D.C. 

Crafts, Daniel 

Berkeley, California 

For the second year of the Radio Comedy Theater, a series 58,000 

presenting the work of Bob and Ray, the Firesign Theater, and

younger performers such as the Duck’s Breath Mystery 

Theater, the American Farciological Society, and William 

Boardman. 

For American Music Now.t, a series of six programs on the New 8,000 

Music American-Festival, from which 13 additional one-hour 

programs will be derived. 

For production of reviews and features on youth perspectives on 5,500 

the arts and dramatizations of news stories about youth, to be

included in a nationally syndicated feature service for young 

people. 

Includes two subcategories: Radio Production grants support outstanding 

single productions and series for radio broadcast. Radio Serví�es and 

Worksbops grants enable organizations to offer services to radio producers 

or invite nationally recognized radio producers for workshops. 

Program funds: $495,000 

66 grants 

For Alaskanarts, a series of 15-minute programs on Alaskan art $18,000
 

and artists to air weekly on 15 Alaskan public radio stations.
 

For Sound Stories, a series of audio art pieces using multitrack 6,000
 

assemblage techniques.
 

For four concerts for national broadcast under the direction of 2,000
 

Dennis Russell Davies that feature works by composers Wolpe,
 

Thorne, and Wuorinen.
 

For 65 90-second comedy modules, combining parody, satire, 5,000
 

and recurring features, produced by members of the Duck’s
 

Breath Mystery Theater.
 

For Tunnel Hum, a vocal event originating in new York and San 2,000
 

Francisco, mixed at station KQED-FM in San Francisco and
 

distributed nationally vid satel]ite.
 

For continued production of The Panther Program, a weekly 13,000
 

half-hour of cabaret-style radio, combining songs, sketches,
 

satire, and improvisation.
 

For a series of 13 half-hour programs on the history of pipe 3,000
 

organs in central Illinois, produced in cooperation with the
 

American Guild of Organists, featuring performances on historic
 

instruments located in the region.
 

For one-hour plays based on classic works written and per- 12,000
 

formed in concentration camps and ghettos during the period of
 

the Holocaust.
 

For a three-part series on the relationship between people and 3,000
 

their cars.
 

For Children’s Playhouse, a series of 12 original half-hour radio 22,000
 

dramas produced from plays submitted by children ages six
 

through 17.
 

For a series of six half-hour programs on literary cafes, combined 3,000
 

with short modules that use the same narrative, interview, and
 

commentary materials.
 

For l’m Too busy to Talk Now, a series of five half-hour pro- 13,000
 

grams featuring extensive conversations with artists over the
 

age of seventy: John I-Iuston, Claudio Arrau, Martha Graham,
 

Lil]ian Gish, Mary Martin, and Garson Kanin.
 

For two one-hour performance pieces for radio, containing the 3,000
 

poetry of Adam Cornford combined with tape compositions and
 

original music.
 
Media Arts 113 

Detroit Institute of Arts, For Lines, a series of 39 half-hour programs on new American 6,500 

Founders Society 

Detroit, Michigan 

poetry, combining readings, performance, and discussion, of 

works by poets, including Robert Creeley, John Giorno, Gary 

Snyder, and Jim Carroll. 

Dodge, Charles and John Nesci 

Brooklyn, New York 

For completion of Lights from Below, a half-hour radio play that is the first episode of a proposed 13-part series that combines actors’ voices, computer synthesized music, and narrative in a 

1,500 

story set in the future. 

Etcom For the Texas Project, a series of ten audio portraits by audio ar­ 8,000 

E1 Paso, Texas tist Ginger Miles of old-time Texas, incorporating music, narrative, interviews, and on-location occurrences. 

Experimental Intermedia Foundation 

New York, New York 

For a series of 26 half-hour programs on new music, featuring

works by composers Ned Rothenberg, Robert Dick, Douglas 

8,000 

Ewart, and Yura Adams. 

Eyges, David and Steve Rathe 

New York, New York 

For Another Face of Jazz, eight half-hour programs featuring jazz artists in solo and duet settings. 

7,500 

Frank, Joseph

Washington, D.C. 

For production of A Tour of the City, an original dramatic work 

for radio. 

15,000 

Group for Contemporary Music 

New York, New York 

For eight two-hour programs on new music and American composers, featuring compositions by Lukas Foss, Ellen Zwilich, 

George Crumb, Donald Martino, and Yehudi Wyner. 

12,500 

Guild of Composers 

New York, New York 

For 13 one-hour programs drawing upon performances taped 

over a period of eight years featuring works by contemporary 

6,000 

American composers. 

Guzda, Jacqueline

Alexandria, Virginia 

For Child’s Play, a series of 13 programs adapting works of 

classic literature íor children. 

5,000 

Holy Roman Repertory Company 

St. Louis, Missouri 

For Lives and Opinions, a series of four 90-minute programs, each depicting the life and time of famous diarists or commentators: Casanova, Pepys, Sterne, and Froissart. 

1,500 

Jefferson, Darro V. For Here Comes the Sun, a weekly program combining folklore, ¿,000 

San Francisco, California music performance, and reviews. 

Luce, Jim For The Voices of Jazz, 13 one-hour programs incorporating in­ 8,000 

Newark, New Jersey terviews with such artists as Melba Liston, Charlie Persip, and

George Coleman. 

Mabou Mines Development 

Foundation 

For production and distribution of 3-to-12-minute English and 

German versions of Kafka’s parables. 

4,000 

New York, New York 

McMurray, Jose D. 

Washington, D.C. 

For three half-hour programs on Cuban-American, MexicanAmerican, and Puerto-Rican life and cultures, combining

documentary and radio drama techniques. 

10,000 

McPherson, Karen Michel 

Fairbanks, Alaska 

For Sounds Like, a series of 13 audio pieces exploring the differences in meanings of words that sound alike, using a variety 

of sound sources to create an audio stream-of-consciousness. 

6,000 

Moss, David M. 

Marlboro, Vermont 

For Sound Sculptors, a series of 26 five-minute modules exploring the work of artists who combine sculpture with acoustic 

elements. 

8,000 

National Foundation for For One People, Many Voices, a series of three 90-minute pro­ 5,000 

Jewish Culture grams narrated by David Amram and Theodore Bikel, featuring 

New York, New York music from around the world and explorations of the music’s 

cultural sources. 

Nelson, Daría and Nikki Silva For Route 66, an audio portrait of the legendary cross-country 5,000 

Watsonville, California highway, told in interviews, music, old radio, and archival sound. 

New Orleans Jazz and Heritage For The Golden Age ofNew Orleans Rhythm and Blues, a series 5,000 

Foundation of 13 15-minute programs, each structured around a particularly 

New Orleans, Louisiana influential composition and artist. 

New Radio and Performing Arts 

New York, New York 

For Liste~ a one-hour sound documentary on the acoustic environment of the modern world, incorporating industrial sounds, 

2,000 

sounds of nature, and the human voice. 
114 Media Arts 

New Wave Corporation 

Columbia, Missouri 

New Wilderness Foundation 

New York, New York 

New York Chinatown History Project 

NewYork, NewYork 

Onion River Arts Council 

Montpelier, Vermont 

Oppenheim, Irene and Paul 

Los Angeles, California 

Other Theater 

New York, New York 

Pacifica Foundation 

Berkeley, California 

Pearlman, Karen 

New York, New York 

Pennsylvania Public Radio 

Associates 

Philadelphia, Pennsylvania 

Perez-Luna, Elisabeth 

Philadelphia, Pennsylvania 

Reyes, Al E. 

Fresno, California 

San Francisco Museum of 

Modern Art, Trustees of the 

San Francisco, California 

Sound Foundation 

New York, New York 

Sublette, Ned 

New York, New York 

Thorington, Helen 

New York, New York 

Vreeland, Nancy 

New York, New York 

Walcutt, Judith 

Seattle, Washington 

WGBH Educational Foundation 

Boston, Massachusetts 

WHYY 

Philadelphia, Pennsylvania 

Wisconsin Public Radio Association 

Madison, Wisconsin 

ZBS Foundation 

Fort Edward, New York 

For six programs for the American Prose series, one-hour programs featuring American writers reading and discussing their 

work. 

15,000 

For Celebration Radio: 1984, two broadcasts combining traditional and 20th century solstice celebrations from around the 

world. 

5,000 

For the New York Chinatown Radio Series, four half-hour pro­ grams developed from documentary and oral historical 

materials. 

4,000 

For Judevine and Pulp Cutters’ Nativity, two half-hour drama 

plays-in-verse based on dramatic narrative poetas by David 

Budbill. 

5,000 

For Crossfade, a one-hour docu-drama in observance of the 40th 

anniversary of the bombing in Hiroshima. 

8,000 

For Speaking Music, three half-hour radio collages employing dramatic performance and improvisation. 

6,000 

For broadcast on KPFA-FM of American symphonic music, performed by the KPFA Radio Symphony. 

4,000 

For Lullaby, a series of three one-hour programs focusing on the 

concept of "lull music" in world cultures. 

2,000 

For A Door in the Air, 20 three-minute audio modules consisting 

of environmental soundscapes, poetry and music, and musique 

concrete constructions. 

5,000 

For production of four half-hour programs on Latino culture and 

the influence Latinos have had on American entertainment, 

sports, and business. 

10,000 

For two half-hour programs of original music and documentary 

that portray Chicano culture in the San Joaquin Valley. 

6,000 

For the radio broadcast component of Sound Sculpture with the 

Farallon Islands, an installation by audio artist Bill Fontana involving live broadcasts from eight locations on or near 

Southeast Farallon. 

3,500 

For Airworks, a series of 12 half-hour programs commissioned 

from artists in music, poetry, drama, and storytelling. 

7,500 

For Disappear Into the Cracklin’ Sound, a series of ten pieces 

presenting songs that fuse rock and roll, country and western,

and avantgarde contemporary music. 

9,000 

For Free Spirits of the Birds, a one-hour portrait of contem­ porary Spanish-speaking American women writers. 

6,000 

For DanceAmerica!, a series of half-hour programs about the 

dancers, choreographers, composers, and designers who make 

up the world of dance. 

2,000 

For The Otherworld Balloon Children ’s Radio Project, in which 

elementary school children collaborate with an artist to create 

four original half-hour programs for national broadcast. 

7,000 

For four radio dramas drawn from the repertory of current and 

previous productions of the American Repertory Theater. 

18,000 

For continued support of arts reporter Julie Burstein’s coverage 

of Pennsylvania arts events and work with independent producers throughout the state. 

9,000 

For Something Singing, a radio drama in four half-hour 

segments based on recollections of Louisa May Alcott. 

8,500 

For Audio Lit, a series of eight half-hour programs fusing South 

American audio art, drama, and literature. 

8,000 
Media Arts 115 

Radio Services and Workshops 

$8,000 Alaska Public Radio Network For a two-day workshop on the art of radio for Alaskan indepenAnchorage, Alaska dent, station-based, and network producers. 

Etcom For provision of facilities and services to independent radio pro­ 20,000 

El Paso, Texas ducers under the auspices of Etcom’s eight-track recording arts 

center. 

Film in the Cities For five residencies and workshops by independent radio pro­ 3,000 

St. Paul, Minnesota ducers who represent minority independent radio concerns. 

Harvestworks For ah artist-in-residence programat PASS, an advanced audio 4,000 

New York, New York production facility. 

National Federation of For services to public radio producers and programmers, in­ 23,000 

Community Broadcasters 

Washington, D.C. 

cluding Producers Classifieds (a quarterly listing of programs), 

workshops, publications, and conferences. 

New Wave Corporation 

Columbia, Missouri 

For KOPN-FM to conduct the fourth Midwest Radio Theater 

Workshop, a training project for independent producers consisting of a conference, a writers workshop, publication of a radio 

18,000 

drama newsletter, and technical workshops. 

Pacifica Foundation 

Los Angeles, California 

For the final phase of the Pacifica Radio Archives cataloguing

project. 

8,000 

Pennsylvania Public Radio 

Associates 

For a one-day conference on the relationship of independent 

radio producers to the public radio system in Pennsylvania. 

2,000 

Harrisburg, Pennsylvania 

Radio Bilingue 

Fresno, California 

For the second of two proposed workshops on radio drama and 

documentary production conducted by radio artist Elisabeth 

Perez-Luna. 

3,000 

Radio Foundation For the Center for Independent Radio’s provision of access to 5,000* 

New York, New York production and post-production facilities and related services to

independent producers. 

Sound Foundation 

New York, New York 

For provision of 45 days of studio facilities and an engineer at 

greatly reduced rates to independent radio producers. 

5,000 

Western PubHc Radio For provision of facilíties to independent radio producers; 15,000 

San Francisco, California workshops; and technical services to local, regional, and national 

radio organizations and producers. 

Short Film Showcase	 The Foundation for Independent Video and Film administers for the Endowment a program to distñbute selected short films by independent filmmakers to commercial movie theaters throughout the United States. 

Program funds: $44,525 

i grant 

$44,525 Foundation for Independent To administer the seventh year of the Short Film Showcase 

Vídeo and Film program. 

New York, New York 

National Services Includes five subcategories: Conferences ana Workshops of priority issues in

film and video. Distribution on a national of regional basis of artistically 

significant films and videotapes. Circulating Exhibitions to expand audiences for film and vídeo art. Publications on practical and aesthetic media 

arts issues. Combined Services for projects that provide a combination of the 

above. 

Program funds: $395,500 

30 grants 

Conferences and Workshops 

$6,000 Atlanta, City of For the fifth annual Atlanta Third World Film Festival, sponAtlanta, Georgia	 sored by the Atlanta Bureau of Cultural Affairs. 
116 Media Arts 

Black Filmmakers Hall of Fame 

Oakland, California 

Greater Washington Educational 

Television Association 

Washing*on, D.C. 

International Film Seminars 

New York, New York 

National Film Preserve 

Telluride, Colorado 

O’Neill {Eugene} Memorial 

Theater Center 

Waterford, Connecticut 

Performance Artists Group 

San Antonio, Texas 

San Francisco International 

Video Festival 

San Francisco, California 

Sinking Creek Film Celebration 

Greenville, Tennessee 

Squaw Valley Creative Arts Society 

Olympic Valley, California 

Snndance Institute 

Salt Lake City, Utah 

United States Film and 

Vídeo Festival 

Salt Lake City, Utah 

Distribution 

American Federation of Arts 

New York, New York 

Artists Television Network 

New York, New York 

Cultural Council Foundation 

New York, New York 

South Carolina Arts Commission 

Columbia, South Carolina 

Circulating Exhibitions 

American Federation of Arts 

New York, New York 

Collective for Living Cinema 

New York, New York 

Museum of Modern Art 

New York, New York 

For workshops for independent filmmakers on einematography, 

editing, directing, scriptwriting, scoring, production, and 

distribution. 

5,000 

For an independent minority Producers’ Laboratory, enabling 

vídeo artists to work with professional broadcasting personnel 

and have their work aired on publie television. 

25,000 

For the 30th annual Robert Flaherty seminar, bringing together 

artists and scholars for screenings and discussions in the tradition of the great film documentarian. 

5,000 

For the Telluride Film Festival, with programs ranging from 

historical to experimental films. 

5,000 

For the New Drama for Television Project, a four-week conference in which scriptwriters work with media and acting professionals in producing their work for television. 

9,000 

For the San Antonio CineFestival, including screenings and 

symposia on the art of Latino cinema, by the Guadalupe Cultural 

Arts Group. 

5,000 

For the San Francisco International Vídeo Festival, including 

more than 30 exhibitions at sites throughout the Bay Area. 

20,500 

For the Sinking Creek Film Celebration, including a festival, conference, workshops, lectures, screenings, anda film library. 

10,000 

For the Screenwriters Program at the Squaw Valley Community 

of Writers, including writing exercises, lectures, discussions,

evaluation of student and professional scripts, screenings, and 

working with actors. 

10,000 

To support the Sundance Institute for Film and Television, a

resource center fostering innovation and creativity in film by 

helping promising independent directors, writers, and producers

develop their skills and projects through intense collaboration 

with the best professional talent. 

25,000 

For the United States Film and Video Festival, an important 

showcase for independent work that brings together artists, industry representatives, and scholars. 

5,000 

For the Independent Film]Distribution Program, through which 

12 film exhibition programs with accompanying catalogs are 

toured to museums, media art centers, libraries, and 

universities. 

$10,000 

For the distribution of programs by independent video artists to 

two weekly cable television outlets, other cable systems, media 

centers, schools, universities, and museums throughout the 

country. 

7,500 

For distribution and information services by Independent 

Cinema Artists and Producers that provide works by independent producers to cable and public television. 

15,000 

For the Southern Circuir, a tour of eight independent film and 

video artists to six southeastern citieæ. 

15,000 

To circulate "Before Hollywood: American Films from American 

Archives," consisting of five 90-minute programs of prints

newly struck from rare films from the formative decades of the 

cinema. 

$20,000 

For a circulating exhibition program of experimental fflms derived from the tenth anniversary retrospective held at the 

Collective. 

7,500 

To add a major group of rare films from the George Eastman 

House to the museum’s Circulating Film Library. 

10,000 
Media Arts 117 

Publications 

Camera Obscura 

Los Angeles, California 

For a film journal of film theory, filmographies, distribution information, reviews of new films, and film analysis. $5,000 

Visual Studies Workshop For critical and news coverage of independent films and vídeo in 10,000 

Rochester, New York Afterimage, a monthly journal. 

Combined Services 

Educational Film Library For the American Film Festival and information services, in­ $20,000 

Association 

New York, New York 

cluding a research library collection, reference and advisory services, and publications. 

Ehler, Carol D. To amend a previous grant to continue Ms. Ehler’s participation 6,000 

Washington, D.C. as a fellow in the Media Arts Program. 4,000* 

Film Fund For services to independent filmmakers, including the distribu­ 15,000 

New York, New York tion of a fundraising kit, a quarterly newsletter, and technical 

assistance through telephone referrals and individual 

counseling. 

Film Society of IAncoln Center For the New Directors/New Films Festival, the inclusion of in­ 35,000 

New York, New York dependent films in the New York Film Festival, and Film 

Comment. 

Foundation for Independent 

Vídeo and Film 

For services to independent media artists and media arts

centers, including a magazine, a festivals bureau, two distribu35,000 

NewYork, NewYork tion guides, seminars, screenings, and an information 

clearinghouse. 

Independent Feature Project To encourage the production and distribution of artistically lm­ 15,000 

New York, New York portant feature films through vehicles such as the sixth annual

American Independent Feature Film Market, a national conference, and the publication American Independents Film 

Catalogue. 

Museum of the American Indian For a conference entitled "Native American and Broadcast: Ac­ 5,000 

New York, New York cess and Impact," a supplement to a catalog of Native American 

films and videotapes, and the distribution of films. 

National Alliance oí Media To serve media arts centers and artists through information 20,000 

Arts Centers 

New York, New York 

sharing, mutual assistance, and advocacy of the media arts field.

Projects include an expanded newsletter, a conference, funding 

seminars, and computerized information services. 

Writers Guild of America, East 

Foundation 

For television and screenwriting fellowships to professional

writers who provide support, criticism, and information. 

10,000 

New York, New York 

~pec~m rroje«s For projects that eoneern special artistic opportunities. 

Program funds: $99,000 

7 grants 

Appalshop To host the annual conference of the National Alliance of Media $10,000 

Whitesburg, Kentucky Arts Centers in October 1984. 4,000* 

Markle IJohn and M~ry} Foundation For Family Radio Programming to place New Waves, a young 5,000* 

New York, New York people’s radio news series, on additional commercial radio stations in major markets. 

Museum of Modern Art To increase distribution of MOMA’s Circulating Film Library 5,000* 

New York, New York Catalog, to include additional colleges, universities and media 

arts centers. 

National Alliance of Media To expand NAMAC’s program of technical assistance grants to 40,000 

Arts Centers media arts centers. 

New York, New York 

National Federation of Community For the first phase of the Radio Drama Publications Project, 20,000 

Broadcasters under which radio drama producers Yuri Rasovsky, David 

Washington, D.C. Ossman, and Everett Frost produced a series of three manuals in 

directing, producing, and performing radio drama. 
118 Media Arts 

University Commuaity Vídeo 

Minneapolis, Minnesota 

Western Public Radio 

San Francisco, California 

* Chairman’s Action 

TF-Treasury Funds 

For a consultant study to assess the feasibility of a shared facility to house three media arts centers: Film in the Cities, University Community Vídeo, and the University Film Society. 3,000" 

For the second annual national Public Radio Training Proj ect in 

Radio Drama. 

12,000 
119 

Painting conservator Kenneth Katz determining conservation needs of Duveneck’s Portrait ofMollie, at the Intermuseum 

Laboratory in Oberlin, Ohio. Photo: Marcy Nighswander 
120 

M~~~/l,~m ~/’a~s 

Fellowships for 

Museum Professionals 

Aiches, Alan Z. 

Wilmington, North Carolina 

Calinescu, Adriana G. 

Bloomington, Indiana 

Doty, Richard G. 

New York, New York 

Frankel, Dextra L. 

Laguna Beach, California 

Gauss, Kathleen 

Los Angeles, California 

Kallop, Jr., Edward L. 

Boston, Massachusetts 

Kass, Emily S. 

Albuquerque, New Mexico 

Lovette, Kendra D. 

Baltimore, Maryland 

Marandel, J. Patrice 

Detroit, Michigan 

Newton, Jr., H. Travers 

Williamstown, Massachusetts 

Osman, Randolph E. 

Greenvílle, North Carolina 

Palmer, Cheryl A. 

Charlotte, North Carolina 

Panczenko, Russell 

Williamstown, Massachusetts 

Stanley, Theodore 

Washington, D.C. 

Sussman, Elizabeth S. 

Boston, Massachusetts 

Program funds: $11,991,187 

Treasury funds: $8~0,000 

671 grants 

To enable museum staff members to take leaves of absence of up to one 

year for independent study, research, travel, of other activities that contribute to their professional development. 

Program funds: $87,670 

15 grants 

To travel in the U.S. and Europe to study collections, especially $5,000 

at small art museums, and to do research for an article on art and 

politics. 

To travel to Greece, southern Italy, and Sicily to study 4,860 

archaeological museums, monuments, and sites. 

To travel to England to research the coinage-manufacturing 5,630 

career of Matthew Boulton (1787-1802). 

To travel to European museums and architectural and design 7,500 

studios to study various contemporary European approaches to 

museum exhibition design. 

To travel to England and France for first-hand view and 5,900 

research of collections of 19th-century photography. 

To travel to France to locate, identify, and document the now 4,900 

dispersed working models and related metal castings of the 

Statue of Liberty, with emphasis on those associated with

sculptor Auguste Bartholdi during his creation of the present 

monument in New York harbor. 

To travel to various art centers in the Southwest to become 5,830 

familiar with public and private collections; establish contacts 

with other curators, directors, and collectors; and study works 

by contemporary artists in the region. 

To travel to England and France to investigate the problems of 5,900 

paper conservation and their relationship to the method of paper 

manufacture. 

To travel to Germany to study specific techniques of display and 4,500 

protection of works of art, and to view first-hand 17th- and 18thcentury French paintings in German museums. 

To travel to Amsterdam, Copenhagen, and Munich to conduct

research on and technical examinations of Gauguin paintings 

8,460 

and preparatory drawings from the years 1886-1888. 

To travel to various cities in the U.S. to visit artists’ studios, ex­ 5,000 

hibition spaces, and especially other university art galleries to 

exchange ideas, gather information about contemporary art exhibitions in a university context, and conduct research. 

To travel to Atlanta, Washington, D.C., and New York City to 4,030 

visit specific museums, to confer with museum educators, and

observe education programs in action. 

To travel to England, France, and Italy to visit museums and 7,510 

archives to conduct research on recreations of classical antiquity

in the art and llterature of the 19th century. 

To travel to France and Spain to study European methods of 10,000 

paper conservation and collection storage. 

To travel to Italy and Holland to visit various museums that ex­ 2,650 

hibit contemporary art to make contact with their directors and 

curators and to visit artists’ studios. 
Mu~eum 121 

Museum Training To assist museums and universities in training museum professionals and 

technicians through college-level programs, internships, and 

apprenticeships. 

Program funds: $435,390 

28 grants 

American Law Institute 

Philadelphia, Pennsylvania 

To provide stipends for 45 museum professionals to attend a

three-day course on legal problems of museum administration 

held at the High Museum of Art in Atlanta. 

$17,550 

Astoria Motion Picture and To enable curatorial staff to attend various professional training 1,750 

Television Foundation workshops that confront coiIections management issues. 

Astoria, New York 

BostonUniversity To support internships for two advanced graduate 13,000 

Boston, Massachusetts students--one at the Worcester Art Museum and the other at 

the Museum of Fine Arts, Boston. 

Delaware Art Museum For ah internship fora graduate student in either art history or 11,830 

Wilmington, Delaware museum studies. 

Delaware, University of To support a Ph.D. fellowship and summer internship for a stu­ 9,000 

Newark, Delaware dent in the university’s decorative arts program. 

Film in the Cities 

St. Paul, Minnesota 

To support two fu[l-time, one-year internships supervised by the

Directors of the Photography Gallery and the Film]Video/Perfor10,850 

mance Department. 

Fine Arts Museums of San Francisco For a one-year internship in the American paintings department. 14,500 

San Francisco, Ca[lf~)rnia 

Guggenheim (Solomon R.) 

Museum 

For a one-year full-time curatorial internship fora graduate student in art history. 14,000 

New York, New York 

Hampton Institute 

Hampton, Virginia 

For the institute’s Master of Arts Program in Museum Studies, 

which includes one-semester internships in museums. 

25,000 

Illinois, Board of Trustees of 

the University of 

To support internships under the University’s Graduate Program in Museum Studies. 

25,900 

Champaign, Illinois 

International Museum of For the museum’s post-graduate internship program, which pro­ 20,000 

Photography at George

EastmanHouse 

vides participants the opportunity to work in curatorial areas, 

conservation, education, computer cataloguing, or 

Rochester, New York administration. 

Joslyn Liberal Arts Society To support stipends for two post-graduate interns--one each in 13,740 

Omaha, Nebraska the American and European art departments of the Joslyn Art 

Museum. 

Kansas, University of 

Lawrence, Kansas 

To support half-time ll-month internships in the Spencer

Museum of Art in exhibition design and preparation, registra20,000 

tion, and curatorial departments. 

Madison Art Center 

Madison, Wisconsin 

For an internship in arts administration for a participant in the

University of Wisconsin’s Graduate School of Arts Administra3,000 

tion Program. 

Massachusetts, University of For ah internship program conducted jointly by the university 11,800 

Amherst, Massachusetts and the Wadsworth Atheneum in Hartford, Connecticut. 

Michigan, University of To support the university’s Graduate Program in Museum Prac­ 30,000 

Ann Arbor, Michigan tice, which includes three-to-four academic terms and an eightto-ten month internship in a museum. 

Museum of Fine Arts For one internship each in the Department of Paintings and the 20,000 

Boston, Massachusetts Department of Asiatic Art. 

Museums Collaborative To support the Cultural Institutions Management Program, 15,000 

New York, New York which consists of three courses in planning and management for 

senior museum personnel. 
122 Museum 

New Mexico, University of 

Albuquerque, New Mexico 

New York State Historical 

Association 

Cooperstown, New York 

New York University 

New York, New York 

NortheastDocument Conservation
 

Center
 

Andover, Massachusetts 

Oakland Museum 

Oakland, California 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Smith College 

Northampton, Massachusetts 

Southern CaHfornia, University of

Los Angeles, California 

Walker Art Center 

Minneapolis, Minnesota 

Whitney Museum of AmericanArt 

New York, New York 

Museum Sabbaticals 

Indianapolis Museum of Art 

Indianapolis, Indiana 

Smith College 

Northampton, Massachusetts 

Catalogue 

Akron Art Museum 

Akron, Ohio 

Arizona, University of 

Tucson, Arizona 

Art Institute of Chicago 

Chicago, Illinois 

Boston Athenaeum, Proprietors 

of the 

Boston, Massachusetts 

Bowdoin College 

Brunswick, Maine 

To support the University Art Museum’s post-graduate, one- 18,250
 

year, fu[l-time curatorial internship program in either graphic


arts or photography.
 

For a curatorial internship involving documentation of the 14,300
 

association’s folk art collection.
 

To support the Institute of Fine Arts’ graduate-level program in 25,000
 

Curatorial Studies, which includes a full-time, nine-month internship in a museum.
 

For a series of four-to-six workshops/seminars on new 7,950
 

developments in the conservation field for the center’s staff, conducted by outside conservators, scientists, and curators.
 

To provide stipends for participants in the museum’s post- 5,970
 

graduate internship program, developing expertise in exhibition
 

research, development, installation, and registration.
 

For the museum’s post-graduate internship program in the 20,000
 

Department of Prints, Drawings, and Photographs.
 

For stipends and travel for two general internships that encom- 20,000
 

pass the curatorial, administrative, educational and
 

maintenance activities of the Museum of Art.
 

To provide stipend support fora participant in the university’s 7,000 

Museum Studies Program. 

To support the center’s internship program, which emphasizes 20,000
 

curatorial and educational activities.
 

To support the museum’s Art History/Museum Studies 20,000 

Fellowship Program, based at the museum’s downtown branch. 

For museums to develop and implement programs of sabbatical leaves for 

professional staff members. 

Program funds: $45,000 

2 grants 

To establish a sabbatical program for the museum’s curatorial $20,000
 

staff.
 

To establish a sabbatical program for the Museum of Art’s staff. 25,000 

To document collections of to publish catalogues of handbooks on 

collections. 

Program funds: $1,437,960

76 grants 

To research the museum’s Edwin C. Shaw Co[lection. $20,000 

To publish a reference guide to the Center for Creative 12,500 Photography’s collection of more than 30,000 photographs. 

To document the institute’s lace collection, with pieces dating 21,790 

from the 16th century. 

To catalog the collections of works on paper, including 19th- 8,280 

century views of New England, portrait daguerreotypes, watercolors, and works by Boston architect Arthur Rotch (1850-1894). 

To publlsh a catalogue of the museum’s collection of old master 30,000 

drawings. 
Museum 123 

Brandeis University 

Waltham, Massachusetts 

For research on approximately 150 of the Rose Art Museum’s 

works of 20th-century American and European art, leading to 

the publication of a catalogue. 

20,000 

Caramoor Center for Music To document and catalog the center’s collection of Arnold 1,920 

and the Arts Genthe photographs. 

Katonah, New York 

Center for Puppetry Arts 

Atlanta, Georgia 

To document the center’s collection of approximately 200 puppets, posters, and prints. 

7,900 

Cincinnati Art Museum For the publication of a handbook to the collection, including ap­ 20,000 

Cincinnati, Ohio proximately 600 illustrations of works of art in 24 different 

categories. 

Cincinnati Institute of Fine Arts For research and documentation of the Taft Museum’s 20,000 

Cincinnati, Ohio collection. 

Colonial Williamsburg Foundation 

Williamsburg, Virginia 

For the publication of the second in a series of catalogues of the 

collections at the Abby Aldrich Rockefeller Folk Art Center. 

25,000 

Colorado Springs Fine Arts Center 

Colorado Springs, Colorado 

For the production of a catalogue documenting the center’s

history, art deco architecture, and approximately 200 major 

items from the Fine Arts Collection and the Taylor Museum of 

20,000 

Native American and Hispanic works. 

Columbia Museum of Art 

and Science 

For the publication of a catalogue of the museum’s South

Carolina Collection, consisting of works dating from the 19th 

17,000 

Columbia, South Carolina century by regionally and nationally known artists with ties to 

South Carolina. 

Committee for the Visual Arts For the publication of a catalogue documenting the collection of 15,000 

New York, New York installations, exhibitions, films, and performances that have 

been presented by Artists Space during its ten-year history. 

Cranbrook Academy of Art For the publication of a catalogue devoted to 27 recently 5,000 

Bloomfield Hills, Michigan discovered original drawings by Eliel Saarinen for Hillwood 

School. 

Detroit Institute of Art, 

Founders Society 

For research íor the publication of a catalogue of some 70 

masterworks in the African art collection. 

15,000 

Detroit, Michigan 

Detroit Institute of Art, 

Founders Society 

To publish the first volume of a catalogue of European drawings 

and watercolors in the institute’s collection. 

30,000 

Detroit, Michigan 

Everson Museum of Art For research on the museum’s 3,000-piece ceramics collection. 10,000 

Syracuse, New York 

Franklin Furnace Archive For the publication of a seven-year retrospective catalogue 22,000 

NewYork, NewYork documenting the exhibitions drawn from the permanent 

collection. 

Fresno Metropolitan Museum of 

Art, History, and Science 

To publish a catalogue of the museum’s collection of stiil life and 

trompe l’oeil paintings. 

4,970 

Fresno, California 

Guggenheim, (Solomon R.) Museum For the publication of a comprehensive, two-volume catalogue of 50,000 

New York, New York the Peggy Guggenheim Collection--approximately 260 20thcentury paintings, sculptures, and works on paper. 

Hamilton College 

Clinton, New York 

For the documentation and cataloguing of the Fred L. Emerson

Gallery’s art collection. 

10,000 

Hebrew Union College 

Los Angeles, California 

For the Jewish Institute of Religion to publish a comprehensive

catalogue of the Skirball Museum’s collection of approximately 

200 flluminated ketubbot (marriage contracts). 

25,000 

Hofstra University For the production of a catalogue highlighting major works in 10,300 

Hempstead, New York the Emily Lowe Gallery’s various collections. 

Huntington Library and

Art Gallery 

For the publication of a comprehensive catalogue of the gallery’s 

collection of works by William Blake. 

8,840 

San Marino, California 
124 Museum 

Indianapolis Museum of Art 

Indianapolis, Indiana 

International Museum of 

Photography at George 

Eastman House 

Rochester, New York 

Kansas, University of 

Lawrence, Kansas 

Key West Art and 

Historical Society

Key West, Florida 

Kosciuszko Foundation 

New York, New York 

Massachusetts, University of 

Amherst, Massachusetts 

Metropolitan Museum of Art 

New York, New York 

Milwaukee Art Museum 

Milwaukee, Wisconsin 

Milwaukee Public Museum 

Milwaukee, Wisconsin 

Minnesota Museum of Art 

St. Paul, Minnesota 

Minnesota, University of 

Minneapolis, Minnesota 

Mississippi Museum of Art 

Jackson, Mississippi 

Moore College of Art 

Philadelphia, Pennsylvania 

Morgan (Pierpont) Library 

New York, New York 

Morgan (Pierpont)Library 

New York, New York 

Museum Associates 

Los Angeles, California 

Museum of Broadcasting 

New York, New York 

Museum of Fine Arts 

Houston, Texas 

Museum of New Mexico 

Santa Fe, New Mexico 

Museums at Stony Brook 

Stony Brook, New York 

Museum of the American Indian 

New York, New York 

Nebraska, University of 

Lincoln, Nebraska 

For the publication of a revised edition of the museum’s 100 

Masterpieces catalogue of paintings from the European and 

American collections. 

10,000 

For the vídeo disc documentation of a significant portion of the 

museum’s collection of 350,000 images. 

12,180 

To research and document the Museum of Anthropology’s collections of African; prehistoric; and historic American, Oceanic, 

and Australian art. 

10,000 

To research and document the concrete and found-metal 

sculptures created by the late environmental naive and visionary 

artist, Stanley Papio. 

5,000 

To produce a catalogue of the foundation’s collection of 19th-and 

20th-century Polish paintings, previously unpublished. 

7,210 

To research and document the University Gallery’s permanent 

collection of 20th-century American art, leading to the publication of a handbook on the collection. 

3,700 

To publish a comprehensive, three-volume catalogue of the

museum’s collection of post-Medieval European tapestries and 

related hangings. 

50,000 

For research of the museum’s print, drawing, and photography 

collections, to result in a completely revised and updated card 

catalogue. 

7,000 

For the inventory, documentation, and storage of the museum’s 

extensive costume and textile collection. 

10,000 

For the research and cataloging of three aspects of the 

museum’s permanent collection: American drawings, American 

craft, and Paul Manship drawings and sculpture. 

10,000 

For the publication of a comprehensive catalogue of the University Art Museum’s American painting and sculpture collection. 

31,010 

For the inventory and photo-documentation of the museum’s 

collection of approximately 1,400 objects. 

9,300 

For the first phase of a comprehensive program to catalogue and 

publish the college’s art collection. 

10,000 

To organize and catalog about 1,300 theater drawings dating 

from the 16th century that comprise the Oenslager collection. 

12,000 

To continue the research and writing of a comprehensive 

catalogue of the library’s collection of some 760 Netherlandish 

drawings. 

37,900 

For research of the Los Angeles County Museum of Art’s collection of Renaissance costumes and textiles for publication of a 

catalogue. 

25,000 

To catalog the museum’s collection of more than 18,000 radio 

and television programs. 

30,000 

For research of the museum’s collection of Renaissance art, 

which consists of approximately 180 works. 

20,000 

For the production of a catalogue of the Museum of Indian Art’s

extensive Pueblo Indian pottery collection. 

40,000 

For the publication of a catalogue of the museums’ collection of 

works by American genre painter William Sidney Mount 

(1807-1868). 

20,000 

For the production of a catalogue of the museum’s collection of 

paintings by Earnest Spybuck, a turn-of-the-century Shawnee 

artist. 

5,000 

For the production of a catalogue of the Sheldon Memorial Art 

Gallery’s collection of 20th-century American paintings. 

25,000 
Museum 12ó 

Newark Museum 

Newark, New Jersey 

For the revision and reprinting of Volume III of the museum’s

five-volume catalogue of the Tibetan Collection. 

30,000 

New Mexico, University of 

Albuquerque, New Mexico 

To catalog the Maxwell Museum of Anthropology’s Mimbres 

Photographic Archive of approximately 7,000 photographs of 

paintings on pottery in publJc and private collections. 

14,130 

Parrish Art Museum 

Southampton, New York 

For research on the museum’s collection of 19th- and early 20thcentury American paintings and prints. 

15,000 

Peabody Museum of Salero 

Salem, Massachusetts 

For the inventory of the museum’s Asian art collection of folk 

art, decorative arts from the China Trade period, and fine art. 

35,000 

Pennsylvania Academy of the 

Fine Arts 

Philadelphia, Pennsylvania 

To document the academy’s watercolors, drawings, and prints,

approximately 5,000 works dating from the 18th century. 

25,000 

Philadelphia Museum of Art

Philadelphia, Pennsylvania To document and photograph the museum’s western paintings

and paintings in the John .G. Johnson Collection fora comprehensive illustrated checklist of the collection. 

45,000 

Portland Center for the 

Visual Arts 

Portland, Oregon 

For a publication documenting on-site installations that have 

been created by artists at PCVA since its founding in 1972. 

27,500 

Rhode Island School of Design 

Providence, Rhode Island 

For the publication of ah illustrated handbook of the Museum of 

Art’s collection. 

20,000 

Riverside County Art and 

Cultural Center 

Cherry Valley, California 

To research and document the collection of 16th through 19thcentury European and Far Eastern furniture at the EdwardDean Museum of Decorative Arts. 18,250 

St. Croix Landmarks Society 

St. Croix, U.S. Virgin Islands 

To research and document the society’s collection of decorative 

arts housed in the Whim Greathouse, which dates from 1794. 

10,000 

St. Louis Art Museum 

St. Louis, Missouri 

To document and research the museum’s five 18th and 19thcentury American period rooms in preparation for their 

reinstallation in the museum. 

30,000 

School of American Research 

Santa Fe, New Mexico 

To research the school’s collection of Southwestern Indian 

baskets. 

10,000 

Seattle Art Museum 

Seattle, Washington 

To research and document the museum’s collection of approximately 1,000 works by Pacific Northwest artists. 9,040 

Seattle Art Museum 

Seattle, Washington 

For the publication of monographs on two areas of the permanent collection: Greek coins and Ch’ing Dynasty textiles. 19,600 

Shaker Village 

Canterbury, New Hampshire 

To continue research on the Canterbury Shaker Village col]ections of woodenware, furniture, historic photographs, and 

paintings. 

15,000 

Southern Illinois University 

Carbondale, Illinois 

For research on the University Museum’s collection of approximately 500 art pieces from Huon Gulf-Astrolabe Bay, New 

Guinea. 

15,950 

Springfield Library and Museum 

Association 

Springfield, Massachusetts 

For the publication of a catalogue of the collection of approximately 80 South Italian Greek vases at the George Walter Vin- " 

cent Smith Art Museum. 

15,000 

Textile Museum 

Washington, D.C. 

To continue support of the Photo Archives Project, which is 

systematically producing photographic records of the muse.um’s 

entire collection. 

15,000 

Toledo Museum of Art 

Toledo, Ohio 

For the publication of a catalogue of the museum’s collection of 

pre-blown ancient glass. 

50,000 

Vermont, University of 

Burlington, Vermont 

For the photographic documentation of the approximately 1,400 

objects in the Robert Hull Fleming Museum’s African, Oceanic, 

Pre-Columbian and Native American collections. 

10,000 

Visual Studies Workshop 

Rochester, New York 

To catalog approximately 300 pieces of the illustrated book 

collection. 

6,000 

Visual Studies Workshop 

Rochester, New York 

To produce a catalogue surveying various aspects of the permanent collection, including contemporary photography and photoprintmaking from 1960 to the present. 4,000 
126 Mu~eum 

Washington State University

Pullman, Washington 

Wellesley College 

Wellesley, Massachusetts 

Wesleyan University 

Middletown, Connecticut 

Whitney Museum of American Art 

New York, New York 

Wisconsin, University of 

Madison, Wisconsin 

Yale University 

New Haven, Connecticut 

Yale University 

New Haven, Connecticut 

Special Exhibitions 

Abilene Cultural Affairs Council 

Abilene, Texas 

Abilene Cultural Affairs Council 

Abilene, Texas 

Affiliated State Arts Agencies 

of the Upper Midwest 

Minneapolis, Minnesota 

African-American Institute 

New York, New York 

Akron Art Museum 

Akron, Ohio 

Akron Art Museum 

Akron, Ohio 

Albany Institute of History and Art 

Albany, New York 

Albright College 

Reading, Pennsylvania 

Albuquerque Museum Foundation 

Albuquerque, New Mexico 

Allentown Art Museum 

Allentown, Pennsylvania 

Alternative Center for International 

Arts 

New York, New York 

14,000 To document and catalog the Museum of Art’s print col]ection, 

which consists of approximately 1,200 contemporary American 

and British lithographs, etchings, and screenprints. 

For the production of a catalogue of the Wellesley College 35,000 

Museum’s collection of American and European paintings, drawings, and sculpture from the 19th and 20th centuries. 

13,690 For the inventory and documentation of the Davison Art 

Center’s recently acquired collection of some 3,000 19th and 

20th-century photographs. 

30,000 For research of the museum’s paintings collection to update and 

prepare records for transferral to a computerized system. 

20,000 To document and catalog the Helen Allen Textile Collection of

approximately 600 Latin American textiles. 

35,000 To publish a catalogue of the Art Gallery’s 600-piece collection 

of Pre-Columbian art. 

30,000 For the production of a comprehensive checklist of the Center

for British Art’s collection of oil paintings. 

To enable museums to organize special exhibitions or to borrow exhibitions 

organized by other museums. 

Program funds: $5,793,617 

Treasury íunds: $150,000 

272 grants 

$8,110 For the Abilene Fine Arts Museum’s fourth annual outdoor 

sculpture exhibition, featuring the work of four contemporary

Texan sculptors. 

8,120 For the Abilene Fine Arts Museum’s fffth annual outdoor 

sculpture exhibition, featuring the work of four contemporary 

Texan sculptors. 

For the Visual Arts Touring Program, which tours exhibitions to 15,000 

small and medium-sized museums and galleries in Iowa, Minnesota, North Dakota, and Wisconsin. 

20,000 For an exhibition of approximately 130 pieces of African personal adornments in a wide variety of media and from a broad 

range of African cultures. 

20,000 For an exhibition of staged photography by Cindy Sherman and 

an exhibition of drawing and sculpture by Robert Longo. 

5,000 To amend a previous grant for the showing in Akron of "Louise 

Bourgeois," an exhibition organized by the Museum of Modern 

Art. 

27,360 For an exhibition of colonial arts in Dutch America (17th- and 

18th-century material culture in New York and New Jersey) including paintings, furnishings, artifacts, and architecture. 

15,840 For an exhibition at the Freedman Art Gallery examining contemporary public art projects in the United States. 

90,000 For an exhibition of more than 250 Mayan art objects spanning

the Formative, Classic, and Postclassic periods of that civilization, including sculpture, ceramics, jade carvings, gold work, 

and architectural embellishments. 

For an exhibition of the work of artists from the "New Hope 25,000 

School," painters who settled and worked in that Pennsylvania

artists’ colony at the turn of the century. 

10,000 To amend a previous grant an exhibition presenting contemporary works in various media by artists working on the West 

Coast. 
Museum 127 

American Craft Council For an exhibition of works by artists, craftsmen, and designers 10,000 

New York, New York that are animated by technological means. 

American Federation of Arts To organize and tour ah exhibition of approximately 200 draw­ 40,000 

New York, New York ings by Joan Miro, most of which have never been exhibited. 

Ames Society for the Arts 

Ames, Iowa 

For ah exhibition oí works at the Octagon Center for the Arts by

approximately eight potters over the age of sixty. 

10,000 

Arizona Commission on the Arts 

Phoenix, Arizona 

For the commission’s traveling exhibition program, including

approximately 24 exhibitions circulated to communities inside 

15,000 

and outside the state. 

Arizona, Universityof 

Tucson, Arizona 

For a traveling exhibition at the Center for Creative 

Photography of American photography 1925-1945, focusing on

indigenous cultures and folk traditions. 

10,000 

Arnot Art Museum 

Elmira, New York 

For an exhibition of bronze animalier sculpture from the 18th

through the early 20th century. 

5,000 

Art Iustitute of Chicago 

Chicago, Illinois 

For the showing in Chicago of the exhibition "The Pennsylvania 

Germans: A Celebration of their Arts, 1683-1850," organized by 

the Philadelphia Museum of Art and the Winterthur Museum. 

15,000 

Art Institute of Chicago To plan an exhibition of Art Deco carpets designed and produced 5,000 

Chicago, Illinois at the Studio Loja Saarinen, Cranbrook Academy of the Arts, 

from 1928 through the 1930s. 

Art Museum Association 

San Francisco, California 

For an exhibition of works by Figurative Expressionists, including works by Willem de Kooning, Grace Hartigan, and 

32,240 

Philip Guston. 

Art Museum of Santa Cruz County 

Soquel, California 

For ah exhibition of paintings, graphics, and reproductions of

WPA-sponsored murals by Henriette Shore (1880-1963). 

11,680 

Asia Society For the showing in New York of "Korean Folk Art," ah exhibi­ 5,000 

New York, New York tion organized by the International Exhibitions Foundation. 

Atlanta Arts Alliance 

Atlanta, Georg~a 

For a retrospective exhibition at the High Museum of Art of

works by glassmaker Harvey Littleton. 

10,000 

Baltimore Museum of Art To plan a retrospective exhibition of the work of German artist 10,000 

Baltimore, Maryland Oskar Schlemmer. 

Baltímore Museum of Art To amend a previous grant for ah exhibition of the work of con­ 10,000 

Baltimore, Maryland temporary English collaborative artists Gilbert and George. 

Bard College 

Annandale-on-Hudson, New York 

For ah exhibition at the Edith C. Blum Art Institute of drawings, plans, and models for site sculpture designed for the Bard 

10,000 

campus by contemporary artists, including Robert Morris, 

Nancy Holt, and Mary Miss. 

Berkshire Museum For an exhibition exploring the use of narrative in contemporary 11,300 

Pittsfield, Massachusetts painting, including works by Nicholas Africano, Roger Brown, 

and Charles Garabedian. 

Birmingham Museum of Art 

Birmingham, Alabama 

For the showing in Birmingham of "Painting in the South,

1564-1980," ah exhibition organized by the Virginia Museum of 

10,000 

Fine Arts. 

Birmingham Museum of Art 

Birmingham, Alabama 

For an exhibition of Nigerian sculpture, representing major 

sculpture-producing ethnic groups in Nigeria. 

14,400 

Boulder Center for the For an exhibition of some 800 photographs by a cross-section of 6,200 

Visual Arts American artists representing various stages in career 

Boulder, Colorado development. 

Brandeis University For an exhibition at the Rose Art Museum of works by Jennifer 15,000 

Waltham, Massachusetts Bartlett, Elizabeth Murray, and Susan Rothenberg--three 

abstract image painters who emerged in the 1970s. 

Bronx Museum of the Arts For an exhibition exploring artists’ experiments with a wide 15,000 

Bronx, New York range of computer equipment írom personal computers to 

sophisticated systems at the New York Institute of Technology 

and Pasadena’s Jet Propulsion Laboratory. 

Brooklyn Museum 

Brooklyn, New York 

For an exhibition of landscape and still life paintings by

American Pre-Raphaelite artists. 

58,720 
128 Museum 

Brooklyn Museum 

Brooklyn, New York 

Brooklyn Museum 

Brooklyn, New York 

Brown University 

Providence, Rhode Island 

Buffalo Fine Arts Academy 

Buffalo, New York 

Buffalo Fine Arts Academy 

Buffalo, New York 

Buffalo Fine Arts Academy 

Buffalo, New York 

Buffalo Fine Arts Academy 

Buífalo, New York 

Buffalo Fine Arts Academy 

Buffalo, New York 

Burchfield Center 

Buffalo, New York 

California Institute of Technology 

Pasadena, California 

California/International Arts 

Foundation 

Los Angeles, California 

California State University 

Fullerton, California 

California State University 

Long Beach, California 

California State University 

Long Beach, California 

California State University 

Los Angeles, California 

California, Regents of the

University of 

Berkeley, California 

California, Regents of the

University of 

Riverside, California 

California, Regents of the 

University of 

Santa Barbara, California 

California, Regents of the 

University of 

Santa Barbara, California 

Carnegie Institute

Pittsburgh, Pennsylvania 

For the showing in Brooklyn of "Malcolm Morley Paintings 

1965-1982," ah exhibition organized by the Whitechapel Art 

Gal]ery in London. 

10,000 

For the showing in Brooklyn of "Eva Zeisel: Designer for Industry," an exhibition organized by Le Chateau Dufresne, 

Musee des Arts Decoratifs de Montreal. 

5,000 

To amend a previous grant for an exhibition of printed books,

prints, drawings, and paintings that document and explore artistic education in the Renaissance. 

10,000 

For an exhibition at the Albright-Knox Art Gallery of the work 

of French artist Francois Morellet, examining his commitment 

to geometrically and mathematically oriented abstractions. 

35,000 

For the showing at the Albright-Knox Art Gallery of "American 

Still Life: 1945-1982," an exhibition organized by the Contemporary Arts Museum, Houston. 

5,000 

For an exhibition at the Albright-Knox Art Gallery of installations by Mario Merz in collaboration with Hallwalls and CEPA. 

10,000 

For an exhibition at the Albright-Knox Art Gallery of works by 

Hollis Frampton, consisting of still photography, photographic

collages, xerographs, small sculptures, strips of film leaders, and 

a computer sound piece. 

19,270 

For the showing at the Albright-Knox Art Gallery of "The 

Photo-Secession: The Golden Age of Pictorial Photography in 

America," an exhibition organized by the Currier Gallery of Art. 

3,500 

For an exhibition of works by Henry Varnum Poor, including 

paintings, works on paper, ceramics, and photographs of 

frescoes, and architectural projects. 

2,750 

For an exhibition at the Baxter Art Gallery jointly organized 

with the Parrish Art Museum, Southampton, New York, exploring the use of landscape images in contemporary American 

abstract painting. 

30,220 

For an exhibition at the Fisher Gallery of large-scale sculpture 

by 12 California artists, including Charles Arnoldi, Robert 

Arneson and Peter Voulkos. 

20,000 

For an exhibition at the’ Art Gallery and Visual Arts Center of 

recent work by George Herms, including collages, assemblages,

installations, and performance. 

20,600 

For an exhibition at the University Art Museum examining contemporary figurative sculpture. 

12,100 

For the University Art Museum’s Centric Program, a series of 

mini-exhibitions or installations by contemporary artists. 

17,000 

For an exhibition at the Fine Arts Gailery of recent landscape 

painting, including works by William Beckman, John Hull, and 

Mary Neumuth. 

10,000 

For "Matrix/Berkeley," an ongoing series of moderately scaled 

one-person exhibitions of contemporary art at the University 

Art Museum. 

39,880 

For an exhibition at the California Museum of Photography, 

dealing with the book as form in photography. 

13,290 

For the showing in Santa Barbara of "Nuremberg: A 

Renaissance City, 1500-1600," an exhibition organized by the 

Huntington Art Gallery at the University of Texas in Austin. 

10,000 

For an exhibition of recent paintings of views--landscape, 

cityscape, seascape and workscape--by artists such as Roger 

Brown, Rackstraw Downes, and Ellen Phelan. 

25,000 

For the showing at the Museum of Art of "Mark Rothko: Works 

on Paper 1925-1970," an exhibition organized by the Mark

Rothko Foundation. 

5,000 
Museum 129 

Carnegie Institute 

Pittsburgh, Pennsylvania 

For the showing at the Museum of Art of "Philip Pearlstein: A 

Retrospective," an exhibition organized by the Milwaukee Art 

Museum. 

5,000 

Carnegie Institute 

Pittsburgh, Pennsylvania 

For the showing at the Museum of Art of "Fairfield Porter 

1907-1975: Realist Painter in an Age of Abstraction," an exhibition organized by the Museum of Fine Arts, Boston. 

5,000 

Center for Inter-American Relations 

New York, New York 

For an exhibition of the work by the most significant landscape

artists traveling in Latin America before 1900. 

7,500 

Chicago Historical Soeiety 

Chicago, Illinois 

For an exhibition documenting the history of furniture design 

and production in Chicago. 

35,000 

Chicago, University of 

Chicago, Illinois 

For an exhibition at the David and Alfred Smart Gallery 

devoted to Chinese Blue and White porcelain and its influence on 

the ceramic tradition of the Near East and Western Europe from 

20,000 

the 14th to the 18th centuries. 

Chicago, University of 

Chicago, Illinois 

For an exhibition at the David and Alfred Smart Gallery on the 

influence of the Celtic Revival on American decorative arts. 

20,000 

Cl~veland Museum of Art For ah exhibition devoted to the work of Neapolitan Baroque 75,000 

Cleveland, Ohio painter Bernardo Cavallino (1616-1656). 

Cleveland Museum of Art For an exhibition of Gandhara and Mathura sculpture, two con­ 60,000 

Cleveland, Ohio current styles of Indian sculpture which flourished in different 

parts of the Kushan Empire during the first four centuries of the 

Christian era. 

Colonial Williamsburg Foundation 

Williamsburg, Virginia 

For an exhibition at the Rockefeller Folk Art Center of work by 

Eddie Arning, a folk artist from Austin County, Texas. 

7,500 

Columbia College For an exhibition at the Museum of Contemporary Photography 10,000 

Chicago, Illinois of approximately 250 photographs by Nathan Lerner. 

Columbus Museum of Art For the publication of a catalogue to accompany the touring ex­ 15,000 

Columbus, Ohio hibition "Henry Moore: The Reclining Figure." 

Committee for the Visual Arts For ah exhibition commemorating the tenth anniversary of Ar­ 25,000 

New York, New York tist’s Space, showing works by artists that have been exhibited 

during its years of operation. 

Committee for the Visual Arts Fora series of site specific installations at Artists Space by five 20,000 

New York, New York artists from abroad whose works have not been seen in the U.S. 

Connecticut, University of For an exhibition at the Willíam Benton Museum of Art on the 14,230 

Storrs, Connecticut American etching movement of the 1800s. 

Contemporary Arts Center 

Cincinnati, Ohio 

For the showing in Cincinnati of "Expressions: New Art from

Germany," ah exhibition organized by the St. Louis Art 

11,000 

Museum. 

Contemporary Arts Center For a site specific video installation by James Byrne. 15,000 

Cincinnati, Ohio 

Contemporary Arts Center 

Cincinnati, Ohio 

For a series of three exhibitions presenting solo and two-person 

shows by artists who have not yet gained wide recognition. 

20,000 

Contemporary Arts Museum 

Houston, Texas 

To amend a previous grant for the showing in Houston of ah exhibition of the work of Gilbert and George, organized by the 

2,500 

Baltimore Museum of Art. 

Contemporary Arts Museum 

Houston, Texas 

To amend a previous grant for ah exhibition of the work of 

abstract expressionist Milton Resnick. 

5,000 

Contemporary Arts Museum To amend a previous grant for "Perspectives," an exhibition 5,000 

Houston, Texas series devoted to mid-sized exhibitions of works by emerging 

artists. 

Corcoran Gallery of Art For three exhibitions, each devoted to works in a single medium 30,000 

Washington, D.C. by local artists as part of the gallery’s "Washington Series." 

Corcoran Gallery of Art 

Washington, D.C. 

For the showing in Washington of "Malcolm Morley Paintings 

1965-1982(’ ah exhibition organized by the Whitechapel Art 

Gallery in London. 

10,000 
130 Museum 

Corcoran Gallery of Art 

Washington, D.C. 

Corcoran Gallery of Art 

Washington, D.C. 

Corning Museum of Glass 

Corning, New York 

Craft and Folk Art Museum 

Los Angeles, California 

Cragsmoor Free Library 

Cragsmoor, New York 

Creative Time 

New York, New York 

Creative Time 

New York, New York 

Crocker Art Association 

Sacramento, California 

Currier Gallery of Art 

Manchester, New Hampshire 

Danforth Museum 

Framingham, Massachusetts 

Danforth Museum 

Framingham, Massachusetts 

Dayton Art Institute 

Dayton, Ohio 

Denver Art Museum 

Denver, Colorado 

Des Moines Art Center 

Des Moines, Iowa 

Detroit Institute of Arts, 

Founders Society 

Detroit, Michigan 

Drawing Center 

New York, New York 

Drawing Center 

New York, New York 

Drawing Center 

New York, New York 

Everson Museum of Art 

Syracuse, New York 

Everson Museum of Art 

Syracuse, NewYork 

Federal Council on the Arts 

and Humanities 

Washington, D.C. 

Fine Arts Museum Foundation 

San Francisco, California 

For an exhibition of surrealistic photography of the 1920s and 40,000
 

’30s.
 

Fora series of photography exhibitions, each devoted to recent 20,000
 

work by one person.
 

For ah exhibition of work by Art Noveau glassmaker Emile 35,000
 

Galle.
 

For an exhibition of traditional, historical, and contemporary 10,000
 

masks from approximately 150 countries.
 

For a retrospective exhibition of the work of Helen M. Turner 4,010
 

(1858-1958), including paintings, pastels, and drawings.
 

For a series of site specific collaborative works beteen visual ar- 20,000
 

tists, performance artists, and architects at the Battery Park


City Landfill on lower Manhattan.
 

Fora four-month rotating exhibition of works by artists who 20,000
 

have lived and worked in the South Street Seaport area of
 

Manhattan.
 

For ah exhibition at the Crocker Art Museum surveying wood 18,710
 

sculpture produced during past two decades.
 

Fora 50-year retrospective exhibition of figure paintings by Will 7,500
 

Barnet.
 

To amend a previous grant for an exhibition of the sculpture of 2,500
 

Meta Vaux Warrick Fuller.
 

For ah exhibition on the Arts and Crafts Movement in America 19,190
 

(1885-1916), including furniture, pottery, book illuminations,
 

metal work, and other decorative arts.
 

For an exhibition of Chinese gold and silver from the Tang 14,400
 

Dynasty (618-907 A.D.) drawn from American collections.
 

For a retrospective exhibition of the work of James Rosenquist 50,000
 

dating from the mid 1960s that has never been exhibited in a
 

museum context.
 

For an exhibition surveying the work of Robert Arneson from 35,000
 

1960 to the present, including sculptures and drawings.
 

For the planning of ah exhibition of work of the 15th-century 25,000
 

sculptor Donatello and his Florentine, Sienese, and Paduan mentors, colleagues, and followers.
 

For an exhibition of approximately 120 master drawings dating 35,000
 

from 1500 to 1850 from the Museo Correr in Venice.
 

For an exhibition of drawings from the Victoria and Albert 36,930
 

Museum, London, featuring more than 100 master drawings


from the 15th century to the present.
 

For a series of four exhibitions of works on paper on a variety of 10,000
 

media by emerging artists who have not had significant
 

exposure.
 

To plan an exhibition of the work of the Russian-American 10,000
 

painter Pavel Tchelitchew (1898-1957).
 

To amend a previous grant for a retrospective exhibition of 5,940
 

works by contemporary expressionist painter Robert
 

Beauchamp.
 

For the costs associated with the administration of Arts and 140,387
 

Artifacts Indemnity.
 

For ah exhibition at the Fine Arts Museums of San Francisco of 25,000
 

Leonardo horse drawings from the Royal Library at Wíndsor
 

Castle.
 
Museum 131 

Fine Arts Museums Foundation For an exhibition at the Fine Arts Museums of San Francisco of 40,000 

San Francisco, California works by American artists who found Venice to be a major 

painterly concern anda place of artistic pilgrimage during the 

latter hall of the 19th century. 

Fine Arts Museum of Long Island 

Hempstead, New York 

For ah exhibition of works dating since the early 1940s by Adja 

Yunkers, a post-World War II abstract expressionist. 

15,000 

Fondo del Sol Visual Art For ah exhibition of the photographs of Agustin Victor Casasola 7,500 

and Media Center that document Mexican life from 1900 to 1936. 

Washington, D.C. 

Fort Wayne Museum of Art For a two-part exhibition of works by artists who have lived and 10,000 

Fort Wayne, Indiana worked in Indiana. 

Franklin Furnace Archive For a three-part exhibition surveying artists books made in 33,730 

New York, New York Iceland from before World War II to the present. 

Franklin Furnace Archive For ah exhibition of contemporary artists books from Japan. 20,000 

New York, New York 

Franklin Furnace Archive For an exhibition of visual works that were created to influence 10,000 

New York, New York or alter the beliefs of the audience, such as propaganda posters 

and advertisements. 

Franklin Furnace Archive To publish a catalogue to accompany an exhibition of artists 10,000 

New York, New York books by cubist artists. 

Friends of the Graduate Fora series of contemporary one-person exhibitions, including 10,000 

Center Mall Muriel Costanis’ fiberglass sculpture, video art by Twin Art, 

New York, NewYork Betty Collings’ plastic sculpture, Steve Wood’s wooden 

sculpture, and Jeff Russell’s metalwork. 

Guggenheim ISolomon R.} Museum For presentation of "Picasso: The Last Years, 1963-73," 10,000" 

New York, New York organized by the Grey Art Gallery at New York University. 

Guggenheim ISolomon R.} Museum For an exhibition of Vasily Kandinsky’s work from 1915 to 1933 100,000 

New York, New York covering his participation in avant-garde movements during the 

time of the Russian Revolution and his return to Germany and 

the Bauhaus in 1921. 

Guggenheim (Solomon R.) Museum For an exhibition surveying the developments in sculpture dur­ 75,000 

New York, New York ing the past three decades, including works by David Smith, 

Giacometti, Carl Andre, John Chamberlain, Mary Miss, and 

Charles Simonds. 

Guild Hall of East Hampton To support an exhibition featuring items made by painters and 20,000 

East Hampton, New York sculptors for their own everyday use, including furniture, toys,

clothing, and household implements. 

Guild Hall of East Hampton For an exhibition co-organized with Hillwood Gallery at Long 17,000 

East Hampton, New York Island University of theater sets, costumes, and designs by contemporary visual artists. 

Haleakala 

New York, New York 

For two performance reconstruction programs at The Kitchen:

Performances oí An Evening of Constructivist Dance, Movement and Music by Mel Gordon and performances of Oskar 

17,000 

Schlemmer’s Bauhaus Dances of the 1920s by Debra McCall. 

Hallwalls For an exhibition of contemporary works by artists whose work 7,000 

Buffalo, New York is motivated by politcal and societal issues as part of an ongoing 

collaboration with the Albright-Knox Art Gallery and CEPA. 

Hampton Institute For an exhibition surveying the work of black American artis~s 25,000 

Hampton, Virgirda of the 1970s and ’80s. 

Hawaii at Manoa, For the second exhibition of small-scale sculpture at the Art 15,000 

University of Gallery by international artists who were invited to submit 

Honolulu, Hawañ works in a standard-sized shoebox. 

Heckseher Museum For an exhibition of paintings by Edward Steichen executed 15,000 

Hunting~on, New York before he switched to photography around 1919. 

Hofstra University 

Hempstead, NewYork 

For an exhibition at the Emily Lowe Gallery devoted to the 

Harlem Renaissance (1918-1935}, consisting of paintings, 

6,870 

sculpture, photography, and literary magazines produced by

Black artists in Harlem during this period. 
132 Museum 

Honolulu Aeademy of Arts 

Honolulu, Hawaii 

Honolulu Aeadimy of Arts 

Honolulu, Hawaii 

HonoluluAcademyofArts 

Honolulu, Hawaii 

Honolulu Academy of Arts 

Honolulu, Hawaii 

Honolulu Academy of Arts 

Honolulu, Hawaii 

Hudson River Museum 

Yonkers, New York 

Huntington Galleries

Huntington, West Virginia 

Illinois, Board of Trustees of 

the University of 

Champaign, Illinois 

Illinois, Board of Trustees 

of the University of 

Champaign, Illinois 

Illinois, Board of Trustees 

of the University of 

Champaigu, Illinois 

Independent Curators 

New York, New York 

Independent Curators 

New York, New York 

Indianapolis Museum of Art 

Indianapolis, Indiana 

Indianapolis Museum of Art 

Indianapolis, Indiana 

Installation 

San Diego, California 

Institute for Art and Urban 

Resources 

Long Island City, New York 

Institute for Art and 

Urban Resources 

Long Island City, New York 

Institute of Contemporary Art 

Boston, Massachusetts 

Institute of Contemporary Art 

Boston, Massachusetts 

Institute of Contemporary Art 

Boston, Massachusetts 

For the showing in Honolulu of "Robert Motherwell Graphics 

1943-1980," an exhibition organized by the American Federation of Arts. 

13,550 

For an exhibition of approximately 75 19th- and 20th-century 

photographs from Hawaiian collections, most of which have not 

been shown publicly in Hawaii. 

18,260 

For an exhibition of works by contemporary Hawaiian 

photographers to complement another scheduled exhibition of 

19th- and 20th-century photographs from Hawaiian collections. 

10,000 

For the showing in Honolulu of the exhibition, "Kanban: Shop 

Signs of Japan," organized by Japan House Gallery in New York 

City. 

7,500 

To support "Focus," an ongoing series of exhibitions of contemporary art. 10,000 

For a retrospective exhibition of photographer Rudolph

Eickemeyer, Jr. (1862-1932). 

20,000 

For a multifaceted project focusing on glass--the priority of this 

institution’s collecting policy and the dominant craft industry of 

the state. 

25,000 

For a retrospective exhibition at the Krannert Art Museum of 

the work of Seymour Rosofsky (1924-1981), a seminal figure in 

the development of Chicago’s Monster School, or Imagism, as it 

later came to be known. 

10,000 

To amend a previous grant for an exhibition at the Krannert Art 

Museum on the work of Raphael. 

6,900 

For an exhibition at the Krannert Art Museum of American 

photography that resulted from the experimentation and innovation at the New Bauhaus and School of Design in Chicago 

between 1937 and 1946. 

15,370 

For an exhibition of works in a variety of media from the collection for Sol Lewitt, including works by Jackie Ferrara, Dan 

Graham, and Robert Smithson. 

10,000 

For an exhibition of large drawings by approximately 35 contemporary artists; including works by Larry Bell, Agnes Denes, and 

Eric Fischl. 

17,000 

For an exhibition of approximately 100 pieces of Chinese celadon 

ware from the Shang Dynasty through the Yuan Dynasty (1766 

B.C.--1368 A.D.). 

50,000 

For the planning of an exhibition of French history painting 

from 1600 to 1900. 

19,990 

To bring artists Bruce Nauman, Judd Fine, and Michael 

McMillen to San Diego to create individual site-specific projects 

at Installation Gallery and other locations around the city. 

19,970 

For a retrospective exhibition of American artist Robert 

Grosvenor’s large-scale geometric sculpture. 

19,500 

To amend a previous grant for the showing in Long Island City 

of "Expressions: New Art from Germany," an exhibition 

organized by the St. Louis Art Museum. 

9,000 

To amend a previous grant for "Issues," an ongoing series of exhibitions of contemporary art. 

10,000 

For ah exhibition of site-specific installations in and around the 

Institute by Daniel Buren, Jannis Kounellis, Charles Simonds, 

and James Lee Byars. 

30,000 

For a series of exhibitions of new work in a variety of media by 

contemporary artists such as Elizabeth Murray, Neil Jenny and 

Brice Marden. 

30,000 
Museum 133 

Institute of Contemporary Art To support "Issues," an ongoing series of exhibitions of contero­ 10,000 

Boston, Massachusetts porary art. 

International Center of Photography 

New York, New York 

For an exhibition of photography in Africa from the invention of 

the medium to World War I. 

19,880 

International Exhibitions Foundation 

Washington, D.C. 

To amend a previous grant to circulate "Grand Prix de Rome

Paintings: 1797-1863," to eight American museums. 

9,250 

Jewish Museum For an exhibition of contemporary art based on Jewish themes. 15,000 

New York, New York 

Jewish Museum For the first public exhibition of Story ofMatzoh: History of the 10,000 

New York, New York Jews, a large-scale painting by Larry Rivers. 

Just Above Midtown For a series of contemporary one-person exhibitions, each 15,000 

New York, New York surveying a ten-year body of work. 

Laguna Beach Museum of Art 

Laguna Beach, California 

For an exhibition of staged directorial mode photography and 

multi-media tableaux sculpture. 

12,610 

Laguna Gloria Art Museum 

Austin, Texas 

For an exhibition of prints, drawings, and cast polyester and

acrylic sculpture created during the past ten years by Texas 

15,300 

artist Luis Jimenez. 

Long Island University 

Greenvale, New York 

For an exhibition of works at the Hillwood Art Gallery by approximately 35 futurist photographers, including Anton and Ar7,180 

turo Bragaglia, Taro, Fortunato Depero and Wanda Wulz. 

Long Island University 

Greenvale, New York 

For an exhibition at Hillwood Art Gallery of clay work presenting a critical point of view of the medium as art rather than

display its technical aspects. 

5,000 

Los Angeles Contemporary 

Exhibitions 

For an exhibition and catalogue of works commissioned from 

five emerging artists based on the artists’ experience of the 

12,550 

Los Angeles, California Olympics. 

Los Angeles Institute of 

Contemporary Art 

Los Angeles, California 

For a series of concurrent exhibitions at the Los Angeles Institute of Contemporary Art, the San Francisco Museum of 

Modern Art, and Installation in San Diego; each location exhibiting site-specific installations by Sian Armajani, Michael 

20,000 

Asher and Daniel Buren. 

Los Angeles Institute of 

Contemporary Art 

Los Angeles, California 

For ah exhibition examining the shift of much contemporary art 

from spiritual and aesthetic values toward attempts at creating 

relevant responses to social, political, and economic issues. 

15,700 

Los Angeles Municipal Art 

Gallery Associates 

LOs Angeles, California 

For an exhibition of works by Los Angeles artist Judd Fine, inchiding recent works, a site-specific installation, and drawings 

relating to the installation. 

10,000 

Los Angeles Municipal Art 

Gallery Associates 

For a retrospective exhibition of work by Southern California 

artist John Paul Jones. 

7,500 

LOs Angeles, California 

Los Angeles Municipal Art 

Gallery Associates 

LOs Angeles, California 

For ah exhibition of work by Carlos Almaraz, a contemporary

Mexican-born artist whose work combines Mayan and HispanicCatholic images. 

12,670 

Los Angeles Municipal Art 

Gallery Assodates 

For exhibition documenting the work of southern California 

ceramics artists over a period of 30 years (1950-1980). 

20,000 

Los Angeles, California 

Lyme Historical Society

Old Lyme, Connecticut 

For an exhibition at the Florence Griswold Museum of the work 

of landscape painter Bruce Crane (1857-1937). 

7,500 

Madison Art Center For an exhibition of the works of Owen Morrel, including draw­ 15,000 

Madison, Wisconsin ings, photo-collages, pbotographs, models, anda reconstruction 

of an environmental piece. 

Madison Art Center For ah ongoing exhibition program, "State Street Gallery," con­ 15,000 

Madison, Wisconsin centrating on large-scale, site specific works. 

Madison Art Center To amend a previous grant for ah exhibition examining the work 5,000 

Madison, Wisconsin of contemporary Chicago artist working in styles other than the 

"Hairy-Who" figurative tradition. 
134 Museum 

Maryland Institute 

Baltimore, Maryland 

Maryland, University of 

College Park, Maryland 

Massachusetts Institute of 

Technology 

Cambridge, Massachusetts 

Massachusetts Institute of 

Technology 

Cambridge, Massachusetts 

Massachusetts Institute of 

Technology 

Cambridge, Massachusetts 

Massachusetts, University of 

Amherst, Massachusetts 

Metropolitan Museum of Art 

New York, New York 

Metropolitan Museum of Art 

New York, New York 

Miami, University of 

Coral Gables, Florida 

Miami, University of 

Coral Gables, Florida 

Miami University 

Oxford, Ohio 

Milwaukee Art Museum 

Milwaukee, Wisconsin 

Minneapolis College of Art 

and Design 

Minneapolis, Minnesota 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

Mississippi Museum of Art 

Jackson, Mississippi 

Mississippi Museum of Art 

Jackson, Mississippi 

Mississippi Museum of Art 

Jackson, Mississippi 

Missouri Historical Society 

St. Louis, Missouri 

Montclair Art Museum 

Montclair, New Jersey 

Morgan (Pierpont) Library 

New York, New York 

Munson-Williams-Proctor Iastitute 

Utica, New York 

To amend a previous grant for an exhibition at the College of Art 

of recent monotype prints by contemporary American and 

British artists. 

10,000 

For an exhibition at the Art Gallery of 350 years of art and architecture in Maryland from 1634 to 1984. 

26,290 

For a site-specific exhibition of installations by James Surls, 

Viro Acconci, and Robert Irwin, organized by the Committee on 

the Visual Arts. 

21,500 

For an exhibition organized by the Committee on the Visual 

Arts of photographs of urban landscapes by Peter Campus and

painted visionary landscapes by David Deutsch. 

11,300 

To amend a previous grant for an exhibition juxtaposing the 

work of figurative sculptor Jackie Winsor with that of abstract 

sculptor Barry Ledoux. 

10,100 

For an exhibition at the University Gallery of work by Martin 

Puryear, including sculpture, wall reliefs, drawings, and 

documentation of outdoor projects. 

18,300 

For a retrospective exhibition of works by Balthus from the late 

1920s to 1980. 50,000 

For an exhibition of works from the Basilica of San Marco in 

Venice, consisting chiefly of Byzantine liturgical objects. 

50,000 

To amend a previous grant for an exhibition of works by A.E. 

Gallatin (1881-1952). 

5,340 

To amend a previous grant for ah exhibition of the work of "rural

regionalist" artist Paul Starett Sample (1896-1947}. 6,530 

For an exhibition at the Art Museum of the paintings and

graphics of George Bottirá (1874-1907), a lesser-known contemporary of Henri de Toulouse-Lautrec. 

21,490 

To produce, in collaboration with the Museum of the University 

of Wisconsin, a two-part national exhibition of fiber art. 

10,000 

To amend a previous grant for an exhibition of environmental 

installations. 

5,000 

For an exhibition at the Minneapolis Institute of Arts of approximately 40 17th-century Dutch and Flemish paintings from the 

Vienna Academy of Fine Arts. 

40,000 

For the showing at the Minneapolis Institute of Arts of the exhibition, "American Folk Art: Expressions of a New Spirit," 

organized by the Museum of American Folk Art and the American Federation of Arts. 

5,000 

For the showing in Jackson of the exhibition, "Painting in the 

South, 1564-1980," organized by the Virginia Museum of Fine 

Arts. 

10,000 

For the showing in Jackson of "Afro-American Abstraction," ah 

exhibition organized at P.S. 1 in New York. 10,000 

For the museum’s "Open Gallery" program, a series of exhibitions of works by contemporary artists. 10,000 

For an exhibition of major paintings by George Caleb Bingham. 25,000 

To amend a previous grant for ah exhibition that deals with the

garden picture as a genre in American painting. 10,000 

To amend a previous grant for an exhibition of 15th- and 16thcentury French, Italian, and Flemish illuminated manuscripts. 5,000 

For the exhibition oí both sets of Thomas Cole’s allegorical 

series, "Voyage of Life," including preliminary sketches and 

related works by Cole and paintings by other 19th-century

American artists influenced by the "Voyage of Life." 

20,000 
Museum 135 

Museum Associates 

Los Angeles, California 

For "A Day in the Country," an exhibition at the Los Angeles 

County Museum of Arts of French Impressionist paintings. 

75,000 

Museum Associates 

Los Angeles, California 

For ah exhibition at the Los Angeles County Museum of Art of 

approximately 130 works by photographer Thomas Barrow, 

drawn from all of his major series from 1965 to the present. 

15,000 

Museum of American Folk Art 

New York, New York 

For an exhibition of approximately 100 examples of ceremonial,

visionary, or documentary religious folk art from all over the 

U.S. 

15,000 

Museum of American Folk Art 

New York, New York 

For an exhibition of the work of Isaac Sheffield and his contemporaries, a group of 19th-century artists who chronicled the life

of the whaling ports of the eastern seaboard. 

10,000 

Museum of Arts and Sciences 

Macon, Georgia 

For an exhibition of paintings and lithographs by George Wesley

Bellows, with an emphasis on the works for which his family 

served as models. 

13,670 

Museum of Contemporary Art 

Chicago, Illinois 

For an exhibition of works by Chicago artists who emerged asa 

result of exposure through the city’s alternative spaces. 

25,000 

Museum of Contemporary Art 

Chicago, Illinois 

For the showing in Chicago of "Expressions: New Art from Germany," an exhibition organized by the St. Louis Art Museum. 

10,000 

Museum of Contemporary Art

Ctúcago, Illinois 

To amend a previous grant for the showing in Chicago of 

"Malcolm Morley Paintings, 1965-1982." 

5,000 

Museum of Contemporary Art 

Chicago, Illinois 

For the showing in Chicago of "Louise Bourgeois," an exhibition 

organized by the Museum of Modern Art. 

10,000 

Museum of Contemporary Art 

Chicago, Illinois 

For the ongoing series, "Options," exhibitions of new experimental work, special installations, or performances by one or more 

artists. 

25,000 

Museum of Contemporary Art 

Los Angeles, California 

For ah exhibition of fluorescent llght installations and related

drawings by sculptor Dan Flavin. 

20,000 

Museum of Contemporary Art 

Los Angeles, California 

For ah exhibition of the work of Robert Therrien, including 

paintings and sculptures. 

10,000 

Museum of Fine Arts 

Boston, Massachusetts 

For a comprehensive exhibition of Edgar Degas’ etchings and 

lithographs, including working proofs and developmental stage 

sequences. 

85,000 

Museum of Fine Arts 

Dallas, Texas 

To amend a previous grant for an exhibition concentrating on 

the later paintings of Pierre Bonnard, co-organized by the 

Phillips Collection and the Musee National d’Art Moderne, 

Paris. 

32,200 

Museum of Fine Arts 

Houston, Texas 

For the showing in Houston of "Italian Eighteenth Century 

Drawings from the Robert Lehman Collection," an exhibition

organized by the International Exhibitions Foundation in 

Washington, D.C. 

5,000 

Museum of Fine Arts 

Houston, Texas 

For the showing in Houston of the exhibition, "La Vie Modern:

19th-Century Painting From the Corcoran Gallery," organized 

by the Corcoran Gallery of Art in Washington, D.C. 

5,000 

Museum of Fine Arts 

Houston, Texas 

For the showing in Houston of the exhibition, "The Work of 

Atget: The Ancien Regime," organized by the Museum of 

Modern Art. 

7,500 

Museum of Fine Arts of 

St. Petersburg 

St. Petersburg, Florida 

For an exhibition of Picasso aquatints dating from 1933, when 

the artist first began working in medium. 

10,000 

Museum of Modern Art 

New York, New York 

For an exhibition dealing with the influence of third world tribal 

art forms on 20th-century art. 

TF 150,000 

Museumof ModernArt 

New York, New York 

For a retrospective survey exhibition of the work of 

photographer Irving Penn. 

25,000 

Museum of Modern Art of 

Latin America 

Washington, D.C. 

For the showing in Washington of the exhibition, "Francisco 

Oller," organized by the Museo de Arte de Ponce, Puerto Rico. 

5,000 
136 Museum 

New Hampshire, University of
 

Durham, New Hampshire
 

New Mexico, University of
 

Albuquerque, New Mexico
 

New Museum
 

New York, New York
 

New Museum 

New York, New York 

New Museum 

New York, New York 

New Museum 

New York, New York 

New Museum 

New York, New York 

New Museum 

New York, New York 

Newport Harbor Art Museum 

Newport Beach, California 

New York, Research Foundation 

of the State University of 

Purchase, New York 

New York, Research Foundation 

of the State University of 

Purchase, New York 

New York University 

NewYork, NewYork 

New York University 

New York, New York 

New York University 

New York, New York 

New York University 

New York, New York 

North Carolina Museum of 

Art Foundation 

Raleigh, North Carolina 

Norton Gallery and School of Art 

West Palm Beach, Florida 

Oakland Museum Association 

Oakland, California 

Oakland Museum Association 

Oakland, California 

Oklahoma Art Center 

Oklahoma City, Oklahoma 

Oregon Arts Commission

Salem, Oregon 

For an exhibition at the University Art Galleries of works by 25,000
 

artists who were part of the artist colonies at Cornish and Dublin
 

in Southwestern New Hampshire at the turn of the century.
 

To support "Alternatives," an ongoing series of exhibitions of 10,000
 

contemporary art at the University Art Museum.
 

For an exhibition examining recent art motivated by political 19,980
 

concerns, for which the artists were chosen by six critics
 

representing a wide range of ideologies.
 

For an exhibition tracing the development of several issues that 19,920
 

emerged in the visual arts since 1975, such as the use of written
 

language and the influence of mass media.
 

For the exhibition of a retrospective survey of paintings and 19,780
 

drawings by Leon Golub, dating from 1947 through 1984.
 

For a series of either solo or two person collaborative exhibitions 19,550
 

of work by emerging artists.
 

To amend a previous grant for an exhibition of work by contero- 9,700
 

porary artists who use the theme of cataclysmic disaster in their
 

art.
 

For the showing in New York of an exhibition of works by Allen 5,000
 

Ruppersberg, organized by the Museum of Contemporary Art in
 

Los Angeles.
 

For an exhibition surveying work from 1956 to 1959 by New 26,370
 

York artists who emerged in the ro_id ’50s and were known as second generation abstract expressionists.
 

For an exhibition at the Neuberger Museum dealing with artists’ 50,000
 

use of forms and rules of games in their work.
 

For the showing at the Neuberger Museum of "American Still 5,000
 

Life: 1945-1982," an exhibition organized by the Contemporary
 

Arts Museum, Houston.
 

For an exhibition at the Grey Art Gailery and Study Center of 35,000
 

the work of society portrait painter Giovanni Boldini
 

(1842-1931) and approximately 15 of his contemporaries.
 

For ah exhibition at the Grey Art Gallery and Study Center of 25,000
 

sculpture by Danish artist Bertel Thorvaldsen (1770-1844), who
 

worked during the high period of the Neoclassical style.
 

For the planning of ah exhibition at the Grey Art Gallery and 4,730
 

Study Center of the work of Raoul Dufy (1877-1953).
 

For an exhibition at the Grey Art Gallery and Study Center of 24,850
 

figurative works from the period 1955-1965 by northern California painters Elmer Bischoíf, Joan Brown, Richard Diebenkorn,
 

and David Park.
 

For a series of small-scale exhibitions of contemporary American 16,000
 

art and works by artists from other countries.
 

To amend a previous grant for an exhibition of Florida 2,500
 

photography from 1885 to 1983.
 

For ah exhibition surveying the work of contemporary Asian 15,000
 

American artists.
 

For ah exhibition of the work of architect John Galen Howard 10,000
 

and his family, all of whom were painters or sculptors.
 

For the showing in Oklahoma City of "Charles Burchfield," ah 10,000
 

exhibition organized by the Metropolitan Museum of Art in New
 

York.
 

For the organization and touring of several small exhibitions 15,000
 

produced by Visual Arts Resources, the traveling exhibition
 

department of the University of Oregon Museum of Art.
 
Museum 137 

Palm Springs Desert Museum 

Palm Springs, California 

For the showing in Palm Springs oí the exhibition, "Santos: The

Religious Folk Art of the Southwest," organized by the Taylor 

Museum of the Colorado Springs Fine Arts Center. 

7,500 

Parrish Art Museum 

Southampton, New York 

For an exhibition comparing and contrasting the work of John

Chamberlain, Alan Saret, and Tom Otterness, three sculptors 

who emerged in the successive decades of 1960, 1970, and 1980. 

15,000 

Peabody Museum of Salero 

Salem, Massachusetts 

For three exhibitions concentrating on the aesthetics of Chinese 

export art, tracing the influence of China’s artistic heritage on 

American taste. 

35,000 

Pennsylvania Academy of the 

Fine Arts 

Philadelphia, Pennsylvania 

For the showing in Philadelphia of "Philip Pearlstein: A

Retrospective," an exhibition organized by the Milwaukee Art 

Museum. 

10,000 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

For ah exhibition at the Institute of Contemporary Art of work 

by Philadelphia area artists, many of whom had never received 

museum exposure. 

10,000 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

For the showing at the Institute of Contemporary Art of "Expressions: New Art from Germany," an exhibition organized by 

the St. Louis Art Museum. 

10,000 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

For ah exhibition at the Institute of Contemporary Art of the 

work of architectural sculptor Siah Armajani. 

25,000 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

For the exhibition at the Institute of Contemporary Art of "Investigations," an ongoing series of small, exploratory exhibitions featuring emerging artists, new work by established 

artists, and current themes in the visual arts. 

15,000 

Philadelphia Arts Alliance 

Philadelphia, Pennsylvania 

To amend a previous grant for an exhibition of works of 

American sculptors who carne to prominence after 1945. 

3,220 

Philadelphia College of Art 

Philadelphia, Pennsylvania 

For an exhibition of contemporary Dutch fiber art. 5,000 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

For ah exhibition of the work of American artist Jonathan 

Borofsky. 

25,000 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

For an exhibition of approximately 250 works by photographer

W. Eugene Smith. 

20,000 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

For an exhibition devoted to Philadelphia and the China trade,

celebrating the 200th anniversary of America’s entry into the 

China trade, concentrating on Philadelphia’s position in that 

trade. 

60,000 

Phillips Collection 

Washington, D.C. 

For the showing in Washington of ah exhibition of paintings by 

Howard Hodgkin, organized and circulated by the British Arts 

Council in association with the Phillips Collections. 

5,000 

Phoenix Art Museum 

Phoenix, Arizona 

For ah exhibition of Chinese painting of the 18th century

specifically during the reign of the Ch’ienlung Emperor (r. 

1735-1795). 

20,000 

Portland Center for the 

Visual Arts 

Portland, Oregon 

For a series of exhibitions of the work of west coast artists of national stature and established and emerging regional artists. 

25,000 

Portland Center for the 

Visual Arts 

Portland, Oregon 

To amend a previous grant for the fabrication and installation of 

a sculptural environment by artist Peter Shelton. 

3,200 

Portland Center for the 

Visual Arts 

Portland, Oregon 

For an exhibition of recent geometric paintings by the Englishborn Southern California artist, Jeremy Gilbert-Rolfe. 

5,000 

Portland Center for the 

Visual Arts 

Portland, Oregon 

For an exhibition of three recent series of paintíngs by Leon 

Golub. 

6,250 

Princeton University 

Princeton, New Jersey 

For an exhibition at the Art Museum of Frank Stella’s three 

most recent print series, which include etching, engraving, and 

woodcut. 

10,000 
138 Museum 

Queens Museum 

Flushing, New York 

Rhode Island School of Design 

Providence, Rhode Island 

Ringling (John and Mable) 

Museum of Art Foundation 

Sarasota, Florida 

Ringling (John and Mable) 

Museum of Art 

Sarasota, Florida 

Rochester, University of 

Rochester, New York 

Rochester, University of 

Rochester, New York 

Rutgers, the State University 

New Jersey 

New Brunswick, New Jersey 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri 

St. Louis Art Museum 

St. Louis, Missouri 

San Francisco Museum of 

Modern Art 

San Francisco, California 

San Francisco Museum of 

Modern Art 

San Francisco, California 

San Francisco Museum of 

Modern Art 

San Francisco, California 

Seattle Art Museum 

Seattle, Washington 

Seattle Art Museum 

Seattle, Washington 

Sheboygan Arts Foundation

Sheboygan, Wisconsin 

Sheboygan Arts Foundation 

Sheboygan, Wisconsin 

For a retrospective of works by Hedda Sterne, a Romanian-born 15,000
 

abstract expressionist painter.
 

For an exhibition examining the role of furniture as subject and 18,000
 

form in recent sculpture.
 

For an exhibition of arms and armor from the John Woodman 25,000
 

Higgins Armory Museum in Worcester, Massachusetts, combined with medieval and renaissance works of art from the Ring-


ling Museum.
 

To amend a previous grant for ah exhibition of paste-ups pro- 5,000
 

duced since the early 1950s by American artist, Jess.
 

For an exhibition at the Memorial Art Gallery of the work of 20,000
 

Bonnard, Toulouse-Lautrec, Vallotton, and Vuillard using asa
 

focal point, La Revue Blanche, a Parisian journal of avant-garde
 

literature and art during the years 1891 to 1903.
 

For an exhibition at the Memorial Art Gallery of French 18th- 30,000
 

century history painting, including works by Jouvenet, Restont,
 

de Favanne, and Subleyras.
 

For an exhihition at the Jane Voorhees Zimmerli Art Museum of 10,000
 

sculpture, painting, and drawing produced by Dorothy Dehner
 

and David Smith.
 

For an exhibition of approximately 225 paintings, prints, and 100,000
 

drawings by Max Beckman, co-organized with the Bayerische


Staatsgemaldesammlungen in Munich.
 

For the showing in St. Louis of "Jim Dine: Five Themes," an ex- 5,000
 

hibition organized by the Walker Art Center, Minneapolis.
 

For "Currents," an ongoing exhibition series of contemporary 20,000
 

art.
 

For the showing in St. Louis of the exhibition, "The Work of 5,000
 

Atget: The Art of Old Paris," organized by the Museum of
 

Modern Art.
 

For the showing in St. Louis of the exhibition, "European and 5,000
 

American Pressed Glass 1825-1925," organized by the Corning
 

Museum of Glass.
 

For an exhibítion of American folk art from Missouri collections. 10,000
 

For the planning phase of an exhibition to investigate the 7,500
 

assimilation of Surrealism from Europe and New York into West
 

Coast art beginning in the 1930s.
 

For the museum’s "Resource/Response" program, exploring cur- 21,220
 

rent issues and ideas affecting the work of contemporary artists.
 

For an exhibition of mid-career work by ten photographers, com- 30,000
 

bined with examples of the work that brought them their initial


prominence.
 

For the showing in Seattle of "Morris Graves," a traveling ex- 5,000
 

hibition organized by the Phillips Collection in Washington, D.C.
 

For the first of an exhibition series entitled, "Document North- 19,900
 

west," featuring works by contemporary artists of the Pacific
 

Northwest.
 

For an exhibition at the John Michael Kohler Arts Center 15,000
 

devoted to a range of expressions in fiber by contemporary
 

craftsmen, painters, sculptors, and performance artists.
 

For ah exhibition at the John Michael Kohler Arts Center oí the 7,500
 

photographs, paintings, sculpture, and ceramics of visionary
 

artist Eugene von Bruenchenhein.
 
Museum 139 

Southeastern Center for For an exhibition of works by the recipients of the contemporary 20,000 

Contemporary Art 

Winston-Salem, North Carolina 

Artists Program fellowships, part of the Awards in the Visual 

Arts Program. 

Southern California, University of 

Los Angeles, California 

For an exhibition at the University Art Galleries of Californiabased artists who either worked in a surrealist manner in the 

World War II period or work in a surrealist manner today. 

15,000 

Southern California, University of 

Los Angeles, California 

For ah exhibition at the University Art Galleries examining the 

work of contemporary Latin American artists living and working in the United States. 

27,960 

Southwestern Louisiana, 

University of 

For an exhibition of photography produced in Louisiana from 

1884 to the present. 

10,000 

Lafayette, Louisiana 

Southwestern Art Association For an exhibition at the Philbrook Art Center dealing with the 50,000 

Tulsa, Oldahoma studio craft movement in the context of 20th-century American 

art. 

Speed (J.B.) Art Museum 

Louisville, Kentucky 

For an exhibition of the work of J.A.D. Ingres, exploring several 

versions of the artist’s favorite subjects, especially the more 

private examples as opposed to the major salon paintings or

commissions. 

60,000 

Spirit Square Arts Center

Charlotte, North Carolina 

For an exhibition at the Knight Gallery of works by contemporary American painter Robert Colescott. 

4,000 

Spirit Square Arts Center 

Charlotte, North Carolina 

For an exhibition at the Knight Gallery of work by Jenny

Holzer, Barbara Kruger, and Richard Prince. 

6,000 

Springfield Library and 

Museum Association 

For an exhibition at the Museum of Fine Arts of approximately 

80 works by 19th-century folk painter Erastus Salisbury Field 

45,000 

Springfield, Massachusetts (1805-1900). 

Springfield Library and 

Museum Association 

For an exhibition at the Museum of Fine Arts of the metal work 

and drawings of American artist and designer Albert Paley. 

20,000 

Springfield, Massachusetts 

Springfield Library and 

Museum Association 

For the showing at the Museum of Fine Arts of the exhibition, 

"Francisco Oller," organized by the Museo de Arte de Ponce, 

5,000 

Springfield, Massachusetts Puerto Rico. 

Studio Museum in Harlem For ah exhibition on black American art of the 1960s, a decade of 45,000 

New York, New York heightened activity by black artists responding to social,

political, and cultural upheavals of the period. 

Studio Museum in Harlem 

New York, New York 

For an exhibition of works, including quilt-making and soft

sculpture, by Faith Ringgold. 

20,000 

Studio Museum in Harlem For an exhibition of work by Jack Whitten, including large 15,000 

New York, New York acrylic paintings and drawings. 

Tennessee State Museum 

Nashville, Tennessee 

To establish a complete archive of the works of folk artist Enoch

Tanner Wickham; store ten sculptures from the artist’s outdoor 

sculpture gallery at Palmyra, Tennessee; and exhibit about 15 of 

10,000 

the sculptures. 

Textile Museum For an exhibition of approximately 40 American artist/designer 12,000 

Washington, D.C. rugs produced between 1947 and 1984. 

Triton Museum of Art For an exhibition examining the range of imagery, aesthetics, 20,000 

Santa Clara, California technique, and media in use by 50-to-70 artists as they describe, 

explore, and interpret crime and punishment in urban America. 

TritonMuseum of Art For an exhibition of traditional handwoven textiles and 10,000 

Santa Clara, California costumes from the Himalayan regions of Tibet and Nepal. 

Utah Arts Council 

Salt Lake City, Utah 

For the council’s traveling exhibition program in 1983-84, which

provides a variety of visual arts exhibitions to museums, colleges, public galleriei, community centers, schools, and libraries

throughout the state. 

5,000 

Utah Arts Council For the councfl’s traveling exhibition program in 1984-85. 5,000 

Salt Lake City, Utah 
140 Museum 

Virginia Commonwealth University 

Richmond, Virginia 

Virginia Commonwealth University 

Richmond, Virginia 

Virginia Museum of Fine Arts 

Richmond, Virginia 

Visual Arts Center of Alaska 

Anchorage, Alaska 

Visual StudiesWorkshop 

Rochester, New York 

Wadsworth Atheneum 

Hartford, Connecticut 

Wadsworth Atheneum 

Hartford, Connecticut 

Wadsworth Atheneum 

Hartford, Connecticut 

Walker Art Center 

Minneapolis, Minnesota 

Walker Art Center 

Minneapolis, Minnesota 

Walker Art Center 

Minneapolis, Minnesota 

Washington State Universit-­

Pullman, Washington 

Welcome, Patricia 

Washington, D.C. 

Wellesley College Museum 

Wellesley, Massachusetts 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

William and Mary, College of 

Williamsburg, Virginia 

Williams College 

Williamstown, Massachusetts 

Worcester Art Museum 

Worcester, Massachusetts 

To amend a previous grant for a series of five one-person drawing exhibitions at Anderson Gallery. 

7,300 

To amend a previous grant for an exhibition at Anderson Gallery 

of works by contemporary Russian emigre artists Komar and 

Melimid. 

5,310 

For the showing in Richmond of the exhibition, "Grand Prix de 

Rome Paintings: 1797-1863," organized by the International

Exhibitions Foundation in Washington, D.C. 

5,000 

To amend a previous grant for the showing in Anchorage of 

"Magdalena Abakanowicz." 

4,500 

For ah exhibition documenting relationships between 

photography, graphic design, and artists’ books produced in 

Czechoslovakia from 1900 to the outbreak of World War II. 

5,000 

For an exhibition of French textiles dating from the 12th century to about 1870. 

60,000 

For an exhibition of works by William Adolphe Bouguereau 

(1825-1905). 

50,000 

To support "Matrix," an ongoing series of changing exhibitions 

of contemporary art. 

45,000 

For ah exhibition presenting work by ten young artists for whom 

printmaking is ah integral component of their creative process. 

25,000 

For an exhibition of Jennifer Bartlett’s work dating from the 

late 1960s. 

20,000 

For ah exhibition of works by Jan Dibbets, a Dutch artist whose 

photographic pieces encompass elements of painting, sculpture, 

and conceptual art. 

30,000 

For an exhibition at the Museum of Art of traditional 19th- and 

20th-century Indonesian textiles--ikats, plangi, batiks, and 

weavings--írom private and public collections in the Northwest. 

7,000 

To extend Patricia Welcome’s fellowship in the Museum 

Program. 

1,500" 

For an exhibition at Jewett Arts Center of the work of Laszlo 

Moholy-Nagy. 

25,000 

For an exhibition devoted to the flower genre in American art 

during the last three centuries. 

30,000 

For an exhibition of approximately 125 watercolors by Edward 

Hopper. 

25,000 

For the showing in New York of the exhibition, "Abstract Painting and Sculpture in America 1927-1944," organized by the 

Carnegie Institute Museum of Art. 

5,000 

For an exhibition of the work of precisionist artist Ralston 

Crawford. 

35,000 

For a six-decade retrospective exhibition of painting and 

sculpture by Willem de Kooning. 

60,000 

For the showing in New York of "Fairfield Porter 1907-1975: 

Realist Painter in ah Age of Abstraction," an exhibition organized by the Museum of Fine Arts, Boston. 

5,000 

For an exhibition at Muscarelle Museum of Art based on four national architectural competitions for buildings at Wheaton College in Massachusetts, Goucher College in Maryland, the College 

of William and Mary, and the Smithsonian Institution in the

period 1937-1940. 

20,000 

To amend a previous grant for ah exhibition at the Museum of

Art of bronze sculpture by six contemporary artists. 

10,000 

For an exhibition of approximately 60 paintings and 35 drawings 

by landscape painter John Frederick Kensett (1816-1872). 

100,000 
Museum 141 

15,000 Yale University For a comprehensive exhibition at the Art Gallery on the image 

New Haven, Connecticut of the flowering plum in Chinese painting. 

Special Projects	 For innovative and exemplary projects that will have a large impact on the 

museum field as a whole. 

Program funds: $105,000 

3 grants 

$50,000 Art Museum Association For the design, writing, and testing of a computer software 

San Francisco, California system for art museums in accounting, membership development, and collections inventory management. 

35,000 New York University	 For the Conservation Center of the Institute of Fine Arts to 

New York, New York	 assess the state of knowledge of air pollution-induced damage to 

artifacts in museums, libraries, and archives; review air pollution

control strategies; and make the information accessible to those 

making decisions on the installation of air purification systems 

in museums. 

20,000 Westeru Michigan University	 For Timothy Barrett to investigate the production of early EuroKalamazoo, Michigan	 pean (1450-1750} handmade papers that are known for their permanence and durability, resulting in a publication on how these 

methods might be adapted to produce contemporary papers for 

conservation purposes. 

Conservation	 To assist museums in the planning of conservation programs; implement 

conservation treatment for permanent collections; assist workshops, training centers, and intern programs to train conservation professionals; and to 

purchase conservation equipment. 

Program funds: $1,560,610 

Treasury funds: $100,000 

127 grants 

$3,700 Academy of Natural Sciences For conservation treatment of five portraits by American artists 

of Philadelphia in the permanent collection. 

Philadelphia, Pennsylvania 

6,500 Akron Art Museum For the conservation of 11 turn-of-the-century American paint-


Akron, Ohio ings donated to the museum by one of its founders, Edwin C.
 

Shaw.
 

25,000 Americau Museum of Natural For the conservation of archaeological metals from the Andean
 

History regions of South America for display in the new Hall of South


New York, New York American Peoples.


10,000 American Museum of Natural To purchase conservation laboratory equipment to upgrade the 

History quality and abilities of the museum’s conservation facilities. 

New York, New York 

15,000 Art Iustitute of Chicago To consolidate and repair pieces of ancient glass in most urgent
 

Chicago, Illinois need of conservation from a collection that dates from the 18th
 

dynasty in Egypt to the Islamic period of glassmaking.
 

4,000 Art Institute of Chicago To purchase x-ray and photographic equipment for the conserva-


Chicago, Illinois tion department to allow technical photographic examinations of
 

works of art.
 

2,220 Beloit College For continuation of the Theodore Lyman Wright Art Center’s
 

Beloit, Wisconsin project to properly mat and store its collection of some 800


works of art on paper.
 

8,000 Berkshire Museum For conservation of four European paintings, determined by a
 

Pittsfield, Massachusetts recent survey of the collection to be in most urgent need of
 

treatment.
 

24,320 Bishop IBernice P3 Museum To support the purchase of conservation laboratory equipment
 

Honolulu, Hawaii to enable the Pacific Regional Conservation Center to undertake
 

more analytical work.
 
Boston Athenaeum,
 

Proprietors of the
 

Boston, Massachusetts 

Bowdoin College
 

Brunswick, Maine
 

Brooklyn Museum
 

Brooklyn, New York
 

Brooklyn Museum
 

Brooklyn, New York
 

Buffalo Fine Arts Academy
 

Buffalo, New York
 

Butler Institute of American Art 

Youngstown, Ohio 

Carnegie Institute
 

Pittsburgh, Pennsylvania
 

CarolinaArt Association 

Charleston, South Carolina 

Center for Occupational Hazards 

New York, New York 

Center for Positive Thought 

Buffalo, New York 

Charleston, City of 

Charleston, South Carolina 

Cincinnati Institute of Fine Arts 

Cincinnati, Ohio 

Columbus Museum of Art 

Columbus, Ohio 

Corcoran Gallery of Art 

Washington, D.C. 

Crocker Art Museum Association 

Sacramento, California 

Dartmouth College, Trustees of 

Hanover, New Hampshire 

Davenport Art Gallery 

Davenport, Iowa 

Delaware, University of 

Winterthur, Delaware 

Detroit Institute of Art, 

Founders Society 

Detroit, Michigan 

Detroit Institute of Art, 

Founders Society 

Detroit, Michigan 

Duke University 

Durham, North Carolina 

For conservation of two of the most important European paintings in the Athenaeum’s collection: Apollo Flaying Marsyas by 

Luca Giordano and Flowers and Fruit by Peter Boel. 

4,000 

For conservation treatment of drawings in urgent need of 

stabilization at the Bowdoin College Museum of Art. 

4,310 

To purchase conservation laboratory equipment which, when 

added to existing instruments, will allow the laboratory to pursue fundamental scientific analysis of works of art. 

25,000 

To conducta comprehensive survey of conservation needs of the

works on paper in the collection and plan for the establishment 

of a suitable paper conservation laboratory within the museum. 

10,000 

For the conservation treatment of 14 significant works from the 

collection of the Albright-Knox Art Gallery. 17,400 

For conservation treatment of a number of principal paintings in 

the institute’s permanent collection in urgent need of 

restoration. 

12,000 

To conserve a selection of significant works in the Museum of 

Art’s permanent collection, including paintings and works of art 

on paper. 

25,000 

For conservation treatment of the Gibbes Art Gallery’s

miniature portrait collection dating írom the 18th to the 20th 

centuries. 

6,700 

To conduct five-day courses on conservation hazards in five

reginns around the country. 10,000 

For the development of short-term and long-range conservation 

planning for the Museum of African and African-American Art 

and Antiquities, in cooperation with the Cooperstown Graduate 

Program in Conservation. 

2,000 

To conserve the city’s historic statue of William Pitt commissioned in 1766 from sculptor, Joseph Wilton. 4,000 

To conservation treatment of approximately 17 paintings in the 

Taft Museum’s permanent collection, representing the English, 

Dutch and French schools. 

25,000 

To complete the third phase of a comprehensive conservation 

program for the museum’s entire collection. 15,500 

To purchase additional equipment for the gallery’s conservation 

studio, including a stereomicroscope and x-ray unit. 13,500 

For the conservation treatment of works in two areas of the 

museum’s permanent collection--19th-century American and 

19th-century German painting. 

10,000 

To conserve a set of six Assyrian reliefs that for 127 years have 

been a central focus of the collections of the Hood Museum of 

Art. 

25,000 

For conservation treatment of the gallery’s Mexican Colonial 

Collection. 10,000 

To support the graduate degree program for the Conservation of 

Artistic and Historic Objects, jointly sponsored by the Winterthur Museum and the University of Delaware. 

100,000 

To conserve a number of pieces of furniture in the institute’s permanent collection. 10,000 

For the purchase of ah infrared spectrophotometer for the institute’s Conservation Services Laboratory. 20,040 

To conserve the Museum of Art’s collections of textiles and 

ceramics, most of which are Pre-Coinmbian. 

2,250 
Museum 143 

Ferre (Luis A.) Foundation 

Ponce, Puerto Rico 

For the third year of a three-year program for the training of 

three Puerto Rican students in the conservation of works of art 

at the Museo de Arte de Ponce. 

40,000 

Fine Arts Museum Foundation 

San Francisco, California 

To purchase photographic equipment for use in the Fine Arts

Museums of San Francisco paper conservation laboratory. 

3,480 

Flint Institute of Arts For conservation treatment of paintings in the institute’s perma­ 7,520 

Flint, Michigan nent collection. 

Forbes Library 

Northampton, Massachusetts 

For conservation treatment of several paintings in the library’s 

permanent collection. 

2,000 

Franklin and Marshall College 

Lancaster, Pennsylvania 

For the first phase of the college’s program to conserve its collection of approximately 400 Pennsylvania German frakturs, a caLligraphic art forro. 

15,000 

Friends Foundation of Memphis 

Memphis, Tennessee 

For conservation treatment of approximately 15 paintings and 

one sculpture in the Brooks Museum of Art’s permanent 

collection. 

10,000 

Greater Lafayette Museum of Art 

Lafayette, Indiana 

For conservation treatment of several of the museum’s most 

significant paintings. 

3,000 

Guggenheim (Solomon R.) 

Foundation 

To purchase equipment for the scientific examination and 

restoration of works of art in the Solomon R. Guggenheim 

25,000 

New York, New York Museum. 

Harvard College, President 

and Fellows of 

For conservation treatment of a number of European and 

American paintings from the permanent collections of the Fogg 

25,000 

Cambridge, Mi, ssachusetts Art Museum. 

Harvard College, President 

and Fellows of 

For the advanced-level conservation intern program at the Fogg 

Art Museum’s Center for Conservation and Technical Studies. 

96,640 

Cambridge, Massachusetts 

Heckscher Museum To initiate conservation treatment programs for the museum’s 9,500 

Huntington, New York works on paper and sculpture in the permanent collection. 

Historic Denver For the restoration of the gown and accessories from Denver’s 2,130 

Denver, Colorado 1901 "Festival of Mountains and Plains," from the collection of 

the Molly Brown House Museum. 

Honolulu Academy of Arts 

Honolulu, Hawaii 

For conservation treatment of an 18th-century Queen Anne 

highboy anda sixth-century mosaic from Antioch-on-the20,000 

Orontes. 

Hudson River Museum To conserve a number of paintings, works on paper, and pieces of 10,000 

Yonkers, New York 19th century American furniture in the museum’s permanent 

collection. 

Huntington Historical Society 

Huntington, New York 

To conserve a portion of the society’s collection of domestic textfles, notably samplers, coverlets and quilts. 

2,060 

Illinois, Board of Trustees To plan a comprehensive conservation program for the collection 9,300 

of the University of 

Champaign, Illinois 

of works on paper in the Krannert Art Museum. 

Indianapolis Museum of Art 

Indianapolis, Indiana 

To purchase examination and treatment equipment for the

museum’s paper conservation laboratory. 

18,000 

Intermuseum Conservation For a Master-Apprentice Internship Program in painting 10,000 

Association conservation. 

Oberlin, Ohio 

Intermuseum Conservation To purchase additional conservation laboratory equipment 6,950 

Association adaptable to existing pieces to enhance the laboratory’s capabilOberlin, Ohio ity to treat both works on paper and paintings. 

Iowa, University of

Iowa City, Iowa 

For conservation treatment of the Museum of Art’s collection of 

silver objects. 

18,830 

Jamestown-Yorktown Foundation For the services of textile conservation consultants to evaluate 1,710 

Williamsburg, Virginia the condition of and recommend the best treatment íor 

tapestries on the history of America. 
144 Museum 

Jewish Museum 

New York, New York 

Kendall Whaling Museum Trust 

Sharon, Massachusetts 

Kentucky Historical Society 

Frankfort, Kentucky 

Laguna Beach Museum of Art 

Laguna Beach, California 

Long Island Historical Foundation 

Brooklyn, New York 

Los Angeles County Museum of 

Natural History Foundation 

Los Angeles, California 

Madison Art Center 

Madison, Wisconsin 

Magnes, IJudah L.) Memorial 

Museum 

Berkeley, California 

Marquette University . 

Milwaukee, Wisconsin 

Mary Washington College 

Fredericksburg, Virginia 

Maymont Foundation 

Richmond, Virginia 

McNay IMarion Koogler) Art 

Museum 

San Antonio, Texas 

Metropolitan Museum of Art 

New York, New York 

Metropolitan Museum of Art 

New York, New York 

Michigan, University of 

Ann Arbor, Michigan 

Michigan, University of 

Dearborn, Michigan 

Mills College 

Oakland, California 

Milwaukee Art Museum 

Milwaukee, Wisconsin 

Missouri Historical Society 

St. Louis, Missouri 

Montana Historical Society 

Helena, Montana 

For conservation and restoration of a 15th-century Torah Ark 

from Urbino, Italy. 

14,830 

For conservation treatment of the museum’s collection of 16thto 18th-century European prints. 

8,500 

For conservation treatment of several landscape watercolors by 

Kentucky artist Paul Sawyer. 

990 

For conservation treatment of several paintings in the museum’s 

permanent collection identified as most urgently in need of 

attention. 

2,680 

For a survey of the collection of paintings and works on paper to 

assess their conservation needs and to formulate a conservation 

plan íor their future care. 

6,000 

To preserve the museum’s collection of nitrate film and glass 

plate negatives by making duplicate negatives on safety-base 

film. 

25,000 

For a comprehensive survey of works in the permanent collection to set priorities in conservation prior to moving into a new

building. 

3,450 

For conservation treatment of a selected group of prints and 

drawings from the museum’s graphic art collection, including, 

among others, works by Bernard Picart, Hermann Struck, 

Chaim Gross, and Jack Levine. 

6,250 

For the conservation treatment of one tapestry and several 

paintings, dating from the 17th through the 19th centuries, by 

Peter Baumgartner, August Schenk, and Abraham Celesti. 

5,000 

For conservation treatment of a selected group of paintings and

drawings in the Gari Melchers Memorial Gailery. 

3,220 

To contract a conservator to treat selected paintings and works 

of art on paper that are in unstable condition in the foundation’s 

permanent coilection. 

6,170 

For conservation treatment of selected paintings in the 

museum’s permanent collection, including works by Edouard 

Manet, Ernst Ludwig Kirchner, Diego Rivera, and Pierre 

Bonnard. 

5,380 

For a research internship in the research laboratories of the 

museum’s Paintings Conservation Center. 

10,000 

For the conservation and restoration of the remaining 16 

grissaille and stained glass panels in the museum’s collection of 

30 panels from the Great Cloister of the Carthusian Convent at 

Louvain, Belgium. 

12,000 

For conservation treatment of a selected group of paintings in 

the Museum of Art’s permanent collection. 

5,000 

For the development of a specific treatment plan for conservation of grounds and gardens of the Henry Ford estate, Fair Lane, 

designed in 1915 by Jens Jensen, one of America’s foremost 

landscape artists. 

2,000 

For conservation treatment of the Art Gallery’s collection of 

Japanese fukusa, ornamental textiles that were used as gift 

covers by the Japanese aristocracy in the 17th through 19th 

centuries. 

4,000 

To purchase additional equipment necessary for in-house conservation work. 

3,170 

For conservation treatment of selected paintings in the society’s 

permanent collection that have immediate conservation needs. 

5,200 

Fora survey of works in the Poindexter Collection of Abstract 

Expressionist American Art to provide condition reports and 

recommend proper conservation treatment. 

3,000 
Museum 145 

Montana, University of 

Missoula, Montana 

For conservation treatment of a selected group of paintings by 

J.H. Sharp and Alfred Maurer in the School of Fine Arts’ permanent collection. 

7,000 

Morgan {Pierpont} Library 

New York, New York 

To purchase a new microscope system for the library’s conservation department. 

3,560 

Mount Holyoke College 

South Hadley, Massachusetts 

For conservation treatment of the Art Museum’s collection of 

ancient Greek ceramics and Chinese ceramic sculptures. 

8,820 

Museum Associates For the advanced conservation training programat the Los 10,000 

Los Angeles, California Angeles County Museum of Art. 

Museum of Fine Arts For the purchase of new x-ray equipment for the museum’s con­ 25,000 

Boston, Massachusetts servation laboratory. 

Museum of Fine Axts For conservation treatment of some of the museum’s major 25,000 

Houston, Texas pieces of sculpture in preparation for their installation in the new 

outdoor sculpture garden. 

Museum of Modern Art 

New York, New York 

For the purchase of metallurgical, stereo, and polarizing

microscopes to enable the museum’s new conservation laboratories to conduct the treatment analyses demanded by the 

25,000 

museum’s diverse collections. 

Museum of New Mexico 

Santa Fe, New Mexico 

For a survey to assess needs, set priorities for treatment, and

recommend comprehensive conservation and storage provisions 

for the collection of ethnographic art objects at the Museum of 

10,000 

Indian Arts. 

National Trust for Historic To conserve approximately 17 plaster works by Daniel Chester 9,520 

Preservation in the United States French in the sculpture collection located at Chesterwood, the 

Washington, D.C. artist’s former summer home and studio. 

Nebraska, University of 

Lincoln, Nebraska 

For conservation treatment of selected paintings and works on 

paper in the Sheldon Memorial Art Gallery’s permanent 

collection. 

18,820 

New Hampshire Historical Society 

Concord, New Hampshire 

For conservation treatment of a Joseph Blackburn portrait of 

Lieutenant-Governor John Wentworth, the official who first 

opened the New Hampshire frontier for settlement in the 1720s. 

6,150 

New Mexico, University of 

Albuquerque, New Mexico 

For a conservation survey of the Maxwell Museum of Anthropology’s collection of Hopi Kachina dolls concerning future

conservation and storage of the collection. 

4070 

New Mexico, University of 

Albuquerque, New Mexico 

For a comprehensive survey of the University Art Museum’s collection of works of art on paper to determine conservation 

priorities, storage practices, and an overall collection 

2,920 

maintenance policy. 

New Orleans Museum of Axt For conservation treatment of selected paintings from the 12,000 

New Orleans, Louisiana museum’s permanent collection of Dutch baroque, 17th- to 19thcentury French and Italian renaissance works. 

New York University 

New York, New York 

For the university’s conservation training programs, including 

the four-year graduate degree program providing instruction in

all phases of art conservation. 

TF 100,000 

New York, Research Fouudation 

of the State University of Albany, New York 

To support the three-year graduate training program in conservation at SUNY College-Buffalo, formerly the Cooperstown 

Graduate Program in the Conservation of Historic and Artistic 

Works. 

100,000 

North Carolina Museum of Art To begin a series of conservation treatments on works of art on 20,000 

Raleigh, North Carolina paper in the museum’s permanent collection. 

North Country Museum of Arts 

Park Rapids, Minnesota 

For conservation treatment of a selection of paintings anda 

number of wooden Nigerian objects in the museum’s permanent 

collection. 

8,260 

Northeast Document Conservation 

Center 

For the purchase of a suction table for use in the center’s paper

conservation laboratory. 

5,050 

Andover, Massachusetts 
 

146 Museum 

Northeast Document Conservation 

Center 

Andover, Massachusetts 

Notre Dame, University of 

Notre Dame, Indiana 

Oklahoma Historical Society 

Oklahoma City, Oklahoma 

Oswego County Historical Society 

Oswego, New York 

Parrish Art Museum 

Southampton, New York 

Parrish Art Museum 

Southampton, New York 

Pennsylvania Academy of the 

Fine Arts 

Philadelphia, Pennsylvania 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Phillips Collection 

Washington, D.C. 

Remington (Frederic) Art Museum 

Ogdensburg, New York 

Rhode Island School of Design 

Providence, Rhode Island 

Roberson Memorial Center 

Binghamton, New York 

Rochester, University of 

Rochester, New York 

St. Louis Art Museum 

St. Louis, Missouri 

San Diego Museum of Art 

San Diego, California 

Santa Barbara Museum of Art 

Santa Barbara, California 

Shelburne Museum 

Shelburne, Vermont 

Shelburne Museum 

Shelburne, Vermont 

Sheldon Art Museum 

Middlebury, Vermont 

Sioux City Art Center 

Sioux City, Iowa 

For a one-year internship program in paper conservation. 10,000 

For conservation treatment of selected paintings in the Snite 

Museum of Art’s permanent collection that are now in very

fragile condition, including works by Francois Boucher, Jean 

Baptiste Dudry, Noel Coypel, and Giambattista Tiepolo. 

12,500 

For conservation treatment of a bison-hide tipi in the State 

Museum that contains 125 painted mural scenes. 

21,420 

For a conservation survey of paintings in most urgent need of 

treatment in the Richardson-Bates House Museum. 

3,950 

For conservation treatment of selected works on paper in the 

museum’s permanent collection. 

7,000 

To initiate long-range conservation planning for a collection of 

more than 450 19th-century American etchings that were given 

to the museum in 1976. 

3,000 

For the restoration of frames in the academy’s collection. 3,000 

For the conservation treatment of the University Museum’s collection of Greek and Greek-related pottery. 

25,000 

For a survey of the condition of late 18th- and early 19th-century 

costumes in the textile collection, asa complement to concurrently documenting the collection. 

5,000 

For the final phase of a four-year program to provide conservation treatment of all major paintings in the collection. 

5,000 

For conservation of selected paintings and works on paper in the 

collection that are in most immediate need of treatment. 

5,020 

For the conservation treatment of works in the Museum of Art’s 

permanent collection, which is surveyed annually to identify and

monitor condition problems. 

10,740 

For a survey of the condition of works in five categories of the 

permanent collection, as part of a five-year major re-cataloguing 

project and upgrading of storage conditions. 

8,000 

For the restoration of a 13th-century stained-glass window from 

Clermont-Ferrand and the treatment of selected paintings in the 

Memorial Art Gallery. 

10,000 

For conservation treatment of some of the most important 

pieces in the museum’s collection of American and European furniture ranging from the 16th through the 19th centuries. 

25,000 

For the conservation treatment of selected paintings in the 

museum’s permanent collection that ate in urgent need of 

attention. ~ 

18,170 

For conservation treatment of selected paintings in the 

museum’s American and European collections, including works 

by Rembrandt Peale and Roelandt Savery. 

25,000 

For a conservation summer work project to include the conservation treatment of the museum’s collection of approximately 540 

antique circus posters. 

3,000 

To purchase a stereo microscope and a polarizing microscope for 

the museum’s conservation laboratory. 

3,190 

For conservation treatment of two paintings by Vermont artists 

in the museum’s collection. 

1,350 

For conservation work on a recently discovered Grant Wood 

mural that is now a part of the center’s permanent collection. 

7,830 
Museum 147 

Smith College 

Northampton, Massachusetts 

For conservation treatment of approximately 58 English master 

drawings in the Museum of Art’s permanent collection. 

4,410 

Springfield Library and 

Museums Association 

To purchase conservation laboratory equipment to upgrade the

lab facility of the George Walter Vincent Smith Art MuseulIL 

12,230 

Springfield, Massachusetts allowing the museum to care for its collections in-house. 

Star Spangled Banner Flag House

Baltimore, Maryland 

To plan a thorough survey of works of art from the Federalist 

period in the permanent collection. 

3,750 

Textile Conservation Workshop To purchase a stereomicroscope and vacuum hot table to 8,230 

South Salem, New York enhance the workshop’s ability to treat fragile textiles. 

Textile Conservation Workshop To support a one-year master-apprentice internship program in 8,000 

South Salem, New York textile conservation. 

Textile Museum To establish a resource center in the museum’s conservation 3,500 

Washington, D.C. laboratory to determine appropriate conservation treatment for 

its collections. 

Timken Art Gallery

San Diego, CalJfornia 

For the conservation treatment of several of the museum’s most 

important paintings, including works by Bartolome Esteban 

6,000 

Murillo, I1 Guercino, and George Inness. 

Toledo Museum of Art For the restoration of a French console table, an example of 12,000 

Toledo, Ohio French gilt wood furniture from the 18th century. 

Vermont, University of To conserve a number of paintings in the Fleming Museum’s per­ 8,000 

Burlington, Vermont manent collection that were identified by an earlier survey as requiring major treatment. 

Wellesley CollegeMuseum For conservation treatment of selected paintings in the 10,000 

Wellesley, Massachusetts museum’s permanent collection, including works by Narcisse 

Diaz, George Inness, John La Farge, and Pierre-Auguste Renoir. 

Wheelwright Museum of the For a survey of the collection of American Indian art to effect­ 3,000 

Ameriean Indian ively plan for increased storage and exhibition space. 

Santa Fe, New Mexico 

Williams College For the third stage of a comprehensive program, concentrating 13,900 

Williamstown, Massachusetts on the Museum of Art’s work on paper and several paintings not 

yet in condition for display. 

Williamstown Regional Art

Conservation Laboratory 

To purchase new x-ray equipment to enable the conservation 

laboratory to provide more detailed documentation. 

8,000 

Williamstown, Massachusetts 

Winterthur (Henry Francis duPont) 

Museum 

For the museum’s continuing effort to clean, treat, and lacquer 

its more than 10,000 metal objects. 

8,000 

Winterthur, Delaware 

Yale University To restore several works in the Art Gallery’s permanent collec­ 11,500 

New Haven, Connecticut tion, including a marble sculpture group by Hezekiah Augur, a 

work by Dadaist artist Francis Picabia, and paintings by 

Ellsworth Kelly and Richard Diebenkorn. 

Yale University To assist the Yale Center for British Art in purchasing a polariz­ 7,350 

New Haven, Connecticut ing light microscope, a vacuum suction table, anda large formar 

photographic copy stand for its paper conservation laboratory. 

Utilization of	 To help organizations make greater use of museum collections and other arMuseum Resources tistic resources through reinstallations, collection sharing, or education

programs. 

Program funds: $1,506,830 

81 grants 

Akwesasne Cultural Center To tour an exhibition of black ash splint and sweet grass $9,190 

Hogansburg, New York basketry by living Mohawk basketmakers of the Akwesasne 

community. 

Allentown Art Museum For ah exhibition of modern and contemporary sculpture from 20,000 

Allentown, Pennsylvania the Solomon R. Guggenheim Museum as part of the museum’s 

program to decentralize the coLlection. 
148 Museum 

Arizona, University of 

Tucson, Arizona 

Asian Art Museum of San Francisco 

San Francisco, California 

Baltimore Museum of Art 

Baltimore, Maryland 

Berkshire Museum 

Pittsfield, Massachusetts 

Brooklyn Museum 

Brooklyn, New York 

Brooklyn Museum 

New York, New York 

Brooklyn Museum 

Brooklyn, New York 

Buffalo Fine Arts Academy 

Buffalo, New York 

Capital Children’s Museum 

Washington, D.C. 

Carolina Arts Association 

Charleston, South Carolina 

Center for Positive Thought 

Buffalo, New York 

Corcoran Gallery of Art 

Washington, D.C. 

Corcoran Gallery of Art 

Washington, D.C. 

Cornell University 

Ithaca, New York 

Cranbrook Academy of Axt Museum 

Bloomfield Hills, Michigan 

Denver Art Museum 

Denver, Colorado 

Everson Museum of Art 

Syracuse, New York 

Film in the Cities 

St. Paul, Minnesota 

Fine Arts Museums Foundation 

San Francisco, California 

FrankHn Furnace Archive 

New York, New York 

Fuller Memorial 

Brockton, Massachusetts 

Guggenheim ISolomon R.} Museum 

New York, New York 

For a survey exhibition and catalogue of the Center for Creative 

Photography’s collection in honor of the center’s tenth

armiversary. 

40,000 

For a series of thematic exhibitions drawn from the museum’s 

permanent collection of medieval stone sculpture from India, 

wood sculptures, and selections from the Avery Brundage 

collection. 

30,000 

For the museum’s Teacher Services Program, designed to increase teachers’ effectiveness in using the museum’s collection 

in classroom teaching. 

17,500 

To restore two of the museum’s galleries to their original 1910 

configuration and install the museum’s collection of ancient art 

in the restored galleries. 

15,000 

To install in its entirety the Egyptian decorative wall reliefs of 

the tomb of Nesipekashuty 1760-525 B.C.}. 

45,000 

For an exhibition of Mingei (Japanese folk art) from the 

museum’s permanent collection, including painting, sculpture,

ceramics, lacquer and furniture. 

35,000 

For a five-part program designed to increase public understanding of the museum’s period rooms. 

24,930 

To produce a series of six visitor guides to the Albright-Knox 

Art Gallery keyed to different parts of the permanent collection. 

7,300 

For a program of artists’ projects conceived for and installed at 

the museum. 

12,000 

For the reinstallation of the Gibbes Art Gallery’s miniature portrait collection, wbich includes English, French, and American 

examples from 1750-1920. 

15,000 

For educational]outreach programs at the Museum of African 

and African American Art and Antiquities. 

10,000 

For ah exbibition of the po]itical cartoons of Clifford Kennedy

Berryman (1869-1949}. 

4,000 

For ah exhibition examining American artist Robert Henri’s 

circle of influence, including works by bis teachers, students, and 

colleagues drawn entirely from the gallery’s collection. 

10,000 

To research and publish 20 gallery guides for the Herbert F. 

Johnson Museum of Art. 

4,500 

For an exhibition of designs for leaded glass windows by Eliel 

Saarinen. 

2,000 

For ah educational program designed to make the museum’s permanent collection more accessible to Denver’s Hispanic 

community. 

10,000 

For research and production of an educational presentation on 

American art for elementary school cbildren in Syracuse. 

3,600 

Fora series of five lectures by prominent photographers asa 

supplement to a photography exbibition program. 

8,000 

To restore, exhibir, and catalogue the Fine Arts Museums of San 

Francisco’s large collection of pre-Columbian painted mural 

fragments from the ancient ceremonial site of Teotihuacan. 

24,290 

For an exbibition of selections from Franklin Furnace’s permanent collection, mounted in honor of the centenary of the Grolier 

Club, a rare book collector’s society in New York. 

12,000 

For a three-year installation at the Brockton Art Museum oí late 

classical Greek sculpture, vases, bronzes, and jewelry from the 

collection of the Museum of Fine Arts, Boston. 

39,000 

To develop a new program allowing qualified graduate students 

in art history to present free gallery lectures to the public. 

15,000 
Museum 149 

Harvard College, President To refurbish the Fogg Art Museum’s galleries and reinstall 35,000 

and Fellows of paintings, drawings, prints, photographs, and sculpture from 

Cambridge, Massachusetts the permanent collection. 

Heckscher Museum 

Huntington, New York 

To develop materials to augment the museum’s educational programs, including slide packets, pre-visit/post-visit teacher’s 

packets, and collections guides. 

12,500 

Henry Street Settlement 

New York, New York 

For an educational program, including workshops and gallery 

visits for school children and films, lectures, and gallery visits 

for senior citizens. 

20,000 

International Center of 

Photography 

New York, New York 

To circulate a series of exhibitions selected from the center’s collection, including contemporary color photography, 19thcentury photography, contemporary American landscapes, and 

one-person shows. 

49,770 

International Museum of 

Photography at George 

Eastman House 

Rochester, New York 

To rotate the museum’s permanently installed historical survey 

of photography and upgrade lighting, labeling and display. 

15,000 

International Museum of 

Photography at George 

Eastman House 

Rochester, New York 

For a traveling exhibition surveying the history of photography

drawn entirely from the museum’s permanent collection. 

35,000 

Jewish Museum 

New York, New York 

For a stylistic survey exhibition of Jewish ceremonial art from 

the museum’s permanent collection. 

50,000 

Jewish Museum 

New York, New York 

To reinstall a 16th-century faience mosaic wall from a synagogue 

in Persia. 

12,000 

Kansas, University of 

Lawrence, Kansas 

For a traveling exhibition and catalogue organized by the 

Spencer Museum of Art of photographs made for Esquire magazine between 1960 and 1976. 

20,000 

Long Beach Museum of Art 

Long Beach, California 

For ah exhibition and catalogue that reviews the museum’s involvement with video art over the past decade. 

18,000 

Long Island Historical Society 

Brooklyn Heights, New York 

For ah exhibition of 17th- through 19th-century paintings, 

watercolors, drawings, and photographs of old Dutch homesteads in Brooklyn. 

5,000 

Marquette University 

Milwaukee, Wisconsin 

For the services of a specialist on installation and design techniques to assist in developing a design plan for the permanent collection and special exhibition galleries in the university’s new 

museum facility. 

8,720 

Michigan, University of 

Ann Arbor, Michigan 

For an exhibition at the Museum of Art examining the influence 

of surrealism on American art with works selected from the 

Solomon R. Guggenheim Museum as part of the museum’s prograto to decentralize its collections. 

20,000 

Mills College 

Oakland, California 

For a traveiing exhibition of the Art Gallery’s collection of 

Japanese fukusa, ornamental textiles that were used as gift 

covers by the aristocracy during Japan’s Edo period (17th-19th 

centuries). 

10,820 

Milwaukee Art Museum 

Milwaukee, Wisconsin 

To reinstall the Bradley Collection, a collection of approximately 

375 European and American modern artworks. 

10,600 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

For a traveling exhibition of old master and 19th-century European paintings from the permanent collection of the Tweed 

Museum of Art in Duluth, organized with the Minneapolis Institute of Arts. 

25,000 

Minnesota Museum of Art 

St. Paul, Minnesota 

To prepare the museum’s collection of Minnesota artist Paul H. 

Manship’s (1885-1966) drawings for exhibition and travel to 

other museums throughout the country. 

6,000 

Mississippi Museum of Art 

Jackson, Mississippi 

For a three-part education project to augment classroom curricula, gallery tours, artists’ workshops for families, and progratas for senior citizens. 10,000 

Montclair Art Museum 

Montclair, New Jersey 

For comprehensive cataloging and reinstallation of the Rand 

Collection of American Indian art. 

20,000 
1~0 Museum 

Monterey Peninsula Museum of Art 

Monterey, California 

Morgan IPierpont} Library 

New York, New York 

Munson-Williams-Proctor Institute 

Utica, New York 

Museum Associates 

Los Angeles, California 

Museum Associates 

Los Angeles, California 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Fine Arts 

Houston, Texas 

Museum of Fine Arts 

Houston, Texas 

MuseumofModernArt 

New York, New York 

Museum of Modern Art 

New York, New York 

New Museum 

New York, New York 

New York, Regents of the 

State University of 

Albany, New York 

Newark Museum Association 

Newark, New Jersey 

Peabody Museum of Salero 

Salero, Massachusetts 

Pennsylvania Academy of the 

Fine Arts 

Philadelphia, Pennsylvania 

Plains Art Museum 

Moorehead, Minnesota 

St. Louis Art Museum 

St. Louis, Missouri 

San Antonio Museum Association 

San Antonio, Texas 

San Francisco Museum of 

Modern Art 

San Francisco, California 

For an outreach project consisting of a series of portable boxes 8,000
 

containing selected artifacts from the museum’s international
 

folk art collection available for use in schools, libraries, and other
 

community agencies.
 

For an exhibition of French drawings dating from 1600-1850 20,000
 

that are a part of the library’s collection, including works by


Poussin, Watteau, Delacroix, and Ingres.
 

For the institute’s competitive bus fellowship program for 3,230
 

schools in districts and commurúties surrounding the Utica
 

metropolitan area that cannot afford to take children to the
 

museum.
 

For printing and production costs of gallery information sheets 12,000
 

for five areas of the European permanent collection at the Los


Angeles County Museum of Art.
 

To develop a variety of programs for the Los Angeles County 17,600
 

Museum of Art to expand the accessibility of the permanent collections to disabled visitors.
 

For an exhibition and catalogue of the approximately 1,000 40,000
 

works of 20th-century art in all media collected by the museum
 

during the past ten years.
 

To develop an outreach program for schools in the Chicago area, 7,000
 

including teachers’ workshops, instructional packets, and
 

museum tours.
 

For an exhibition with accompanying educational programs 8,000
 

primarily for young audiences of North American Indian art
 

drawn from the museum’s collection.
 

For an art education program for local 5th-grade students. 10,000
 

For the reinstallation of the museum’s drawings and 35,000
 

photography collections in newly refurbished galleries, doubling
 

the number of works on public display.
 

For a daily lecture-discussion program focussing on works in the 15,000
 

permanent collection, conducted by graduate students and


designed for the general public.
 

For a pilot program offering selected high school students a concentrated course in art criticism.
 

For ah exhibition surveying the diversity of art in the collections 19,750
 

of university museums and galleries within the SUNY system.
 

For ah exhibition and catalogue of the museum’s collection of 40,000
 

American-made pottery.
 

For an exhibition and catalogue of the muieum’s collection of 13,460
 

African art and artifacts that have never been fully exhibited or


published.
 

To support the academy’s Museum Learning Program for area 15,000
 

public schools; including pre-visit slide-lectures, lessons in the


museum, and follow-up projects.
 

For the installation of the museum’s collection of 19th-century 11,180
 

Plains Indian art, with concentration on the Chippewa {Ojibwa}
 

and Sioux (Dakota} tribes.
 

To develop and publish a children’s guide to the museum’s per- 15,000
 

manent collection.
 

For the installation and catalogue oí the Museum of Art’s collec- 20,000
 

tion of pre-Columbian art.
 

For ah exhibition and catalogue of the permanent collection of 40,000
 

painting, sculpture, and photography in celebration of the
 

museum’s 50th anniversary.
 

820 
Museum 151 

San Francisco Museum of For a four-part educational project, including a young person’s 20,000 

Modern Art 

San Francisco, California 

guide to the collection, an educational packet for schools and

libraries, published gallery guides, anda lecture series. 

Santa Barbara Contemporary To produce four video tapes for local cable television of sculptors 16,800 

Arts Forum Kim Adams, Brian Rogers and Carl Chenz, ten Santa Barbara 

Santa Barbara, California artists, anda performance by Lyon Balliett. 

Santa Barbara Museum of Art For the reinstallation of the museum’s permanent collection into 50,000 

Santa Barbara, California a newly expanded and renovated facility, which has increased

the exhibition space by 50 percent. 

Schubert Club For ah exhibition of the club’s collection of musical instruments, 15,000 

St. Paul, Minnesota which includes works by craftsmen such as Broadwood, Pleyel, 

Jonas Chickering, and an Italian harpsichord from 1542 by A. de 

Rossi. 

Seattle Art Museum For a traveling exhibition and catalogue of the Katherine White 50,000 

Seattle, Washington collection of African Art, including 16th- through 20th-century

works in wood, ivory, and terracotta. 

Southwestern Art Association For a traveling exhibition and catalogue of 250 pieces of Native 25,000 

Tulsa, Oklahoma American art drawn from the Philbrook Art Center’s collection 

as well as from several other Oklahoma institutions. 

Syracuse University For ah exhibition and catalogue of the collection of works by 5,000 

Syracuse, New York sculptor Ivan Mestrovic at the Joe and Emily Lowe Art Gallery. 

Tennessee State Museum To install the Thurston Collection of American Indian anti­ 20,000 

Nashville, Tennessee quities from Vanderbilt University. 

Tulane University For an exhibition and catalogue of the university’s collection of 30,000 

New Orleans, Louisiana pottery produced between 1885-1940 by women graduates of 

Newcomb College as part of a program sponsored by the college 

asa commercial enterprise. 

Utah Museum of F[ne Arts For an outreach program to area elementary schools that in­ 10,000 

Salt Lake City, Utah cludes classroom presentations and museum visits. 

Virginia Museum of Fine Arts To tour four exhibitions drawn from the museum’s collections of 10,000 

Richmond, Virginia Coptic and Byzantine art, art nouveau, and portraits to affiliate

organizations of the Virginia Museum. 

Walker Art Center For three exhibitions based on the Tyler Graphics print archive 40,000 

Minneapolis, Minnesota recently acquired by the Center. 

Waterloo Municipal Galleries 

Waterloo, Iowa 

To tour selections from the Des Mo[nes Art Center to six

galleries throughout the state while the Art Center is closed for 

10,000 

construction. 

Whitney Museum of American Art For ah education project that sends art [nstructors to elemen­ 10,000 

New York, New York tary and secondary schools with lectures and discussions illustrated by slides of works from the museum’s collection. 

Worcester Art Museum For ah exhibition of works by Paul Klee from the collection of 15,000 

Worcester, Massachusetts the Solomon R. Guggenheim Museum. 

Worcester Art Museum For ah outreach program in which selected senior citizens will 12,270 

Worcester, Massachusetts receive training in the museum’s col]ection; and they, in turn,

wfll provide lectures and museum tours to other senior citizens 

in the area. 

Yale University 

New Haven, Connecticut 

For ah exhibition and catalogue of American-made musical instruments from 1775 through 1925, including 89 instruments 20,000 

from the university’s Collection of Musical Instruments. 

Visiting Specialists	 To enable museums to engage outside consultants for such projects as 

fundraising, collection research, and public relations activities. 

Program funds: $109,330 

27 grants 

Amherst College, Trustees of For a visiting specialist to make recommendations for the im- $4,000 

Washington, D.C. proved design of the Great Hall, the main exhibition atea of the 

Folger Shakespeare Library. 
1ó2 Museum 

Art Museum Association of America 

San Francisco, California 

Astoria Motion Picture and 

Television Foundation 

Astoria, New York 

Astoria Motion Picture and 

Television Foundation 

Astoria, New York 

Bellevue Art Museum 

Bellevue, Washington 

B|shop (Bernice P.} Museum 

Honolulu, Hawaii 

Brooklyn Museum 

Brooklyn, New York 

Denver Art Museum 

Denver, Colorado 

Drawing Center 

New York, New York 

Fresno Metropolitan Museum of Art, 

Science, and History 

Fresno, California 

Hawaii at Manoa, University of 

Honolulu, Hawaii 

Illinois, Board of Trustees 

of the University of 

Champaign, Illinois 

Marquette University 

Milwaukee, Wisconsin 

Montana, University of 

Missoula, Montana 

Museum of American Folk Art 

New York, New York 

Museum of the Marshall Islands 

Majuro, Marshall Islands 

New Museum 

New York, New York 

New Museum 

New York, New York 

New York, Researeh Foundation of 

the State University of 

Potsdam, New York 

Parrish Art Museum 

Southampton, New York 

For the association to sponsor and administer a program sending 20-25 specialists to small and medium-sized art museums to

provide technical assistance and advise on a number of problems 

and issues. 

4,500 

For the services of consultants to conduct research to identify 

the museum’s anticipated audiences, the type of membership 

programs that would best serve them, and an appropriate inventory for the museum shop. 

10,000 

For visiting specialists to advise on the use of the museum’s 

ov~.rall telecommunications system, the design of video displays 

and use of audiovisual material in displays, and the design of 

moving image "text" to replace traditional printed labels. 

8,350 

For a visiting specialist to advise the museum on developing

methods of increasing earned income. 

1,200 

To support the services of a visiting specialist in the conservation of Far Eastern scrolls and screens at the Pacific Regional 

Conservation Center. 

1,890 

For visiting specialists to plan the reorganization of the 

museum’s Wilbour Library (Egyptology} and Art Reference 

Library to eliminate duplication of staff and services and maximize accessibility for scholars and the public. 

6,500 

For a visiting specialist to advise the museum on the use of vídeo

disc information systems. 

1,450 

For a visiting specialist to review the center’s present membership program and make recommendations for its improvement 

and expansion. 

5,000 

For a visiting exhibition design specialist to provide the museum 

with a comprehensive plan for installation of its permanent collection and special exhibitions. 

3,500 

For a visiting specialist to develop long-range plans for the storing and handling of the Hamilton Library’s collection of works 

by artist and writer Jean Charlot {1898-1979}. 

1,600 

For the services of a materials scientist/conservator to work 

with the Krannert Art Museum and the university’s Ancient 

Technologies and Archaeological Materials Program in analyzing composition and properties of problematic art objects in the 

collection. 

8,200 

For the services of a visiting specialist to establish a membership program for the university’s new Museum of Art. 1,600 

For visiting specialists to assess the School of Fine Arts’ Native 

American and Oriental collections. 

4,380 

For a visiting specialist to advise the museum on ways in which 

to improve the organization, use, and accessibility of its

5,000-volume library of folk art material. 

4,800 

For visiting specialists to advise the museum on the proper 

storage and preservation methods concerning its collection of 

photographs by Joachim de Brum. 

5,000 

For the services of a visiting specialist in contemporary film to 

research, plan, and produce a written program of innovative or 

experimental film to be thematically related to the museum’s exhibitions schedule. 

2,000 

For a visiting specialist to advise the museum on the planning,

establishment, and organization of a new library and archive of 

contemporary art at the museum’s new location. 

3,000 

For the services of a visiting specialist who will advise the 

Brainerd Art Gallery on its financial structure and fundraising 

efíorts to stabilize and increase its program funds. 

600 

For the services of art library specialists to examine the library 

collections and make recommendations for improving the 

facility. 

1,000 
Museum 153 

Parrish Art Museum For a visiting lighting specialist to assess existing lighting 2,170 

Southampton, New York conditions at the museum and make recommendations for 

improvernents. 

Rochester Museum and Science 

Center 

For the services of visiting specialists to evaluate the museum’s

collections of decorative and ethnographic arts. 

7,220 

Rochester, New York 

Sornerville Historical Museurn 

Somerville, Massachusetts 

For a visiting specialist to conducta pre-cataloguing evaluation

of the museum’s collections of photographs, paintings, books, 

3,500 

glass, and furniture. 

Studio Museum in Harlern For visiting specialists to advise the museum on fundraising and 6,750 

New York, New York the establishrnent of an endowrnent fund. 

Walker Art Center For the services of visiting specialists to advise on the use of in­ 3,550 

Minneapolis, Minnesota teractive videodisc in the center’s education and outreach 

programs. 

Walters Art Gallery 

Baltirnore, Maryland 

For design consultants to provide a "needs analysis" of the 

gallery’s graphic requirements. 

5,000 

Worcester Art Museum For a visiting specialist to conduct an evaluation of the 2,570 

Worcester, Massachusetts museum’s pre-Colurnbian collection in preparation for its

reinstallation in two newly renovated galleries. 

Collection	 For consultation se~vices to identífy problems and recommend solutions 

Maintenance concerning security, storage, and cHmate control of to assist with renovation projects after su~veys have been completed. 

Program funds: $909,780 

Treasury funds: $250,000 

41 grants 

Akwesasne Cultural Center For storage cabinets for the collection and ultraviolet filters for $2,140 

Hogansburg, New York the Akwesasne Museum’s windows. 

American Museurn oí Natural For major improvements in the museum’s security systems, in- 75,000 

History cluding sound system modifications, closed circuir television irnNew York, New York provernents, expansion of electronic detection systems, and tire 

alarm equipment. 

Asian Art Museum Foundation For special heavy duty storage shelving for the collection of 6,000 

San Francisco, California Asian stone sculpture and extra large cases for the collection of 

Tibetan tankas at the Asian Art Museurn of San Francisco. 

Astoria Motinn Picture and To purchase archival storage materials for the collection of 6,000 

Television Foundatlon works on paper and photographs. 

Astoria, New York 

Brooklyn Museum To refurbish the technical work, study, and storage spaces of the 50,000 

Brooldyn, New York Prints and Drawings Department. 

Brooklyn Museurn For special storage shelving for the collection of Coptic textiles. 15,000 

Brooklyn, New York 

California, Regents of the For the purchase of a high density mobfle storage system, 16,790 

University of storage enclosures, and solander boxes for the California 

Riverside, California Museurn of Photography. 

Crocker Art Museum Association For the purchase of metal storage shelving for the rnuseurn’s col- 2,850 

Sacrarnento, California lection of old master prints. 

Heckscher Museurn To prepare for storage the museum’s works on paper, including 5,600 

Huntington, New York rnatting, boxing and framing. 

Heckscher Museum For a consultant to conducta survey of the museurn’s storage 3,600 

Huntington, New York facilities and make recommendations concerning the existing 

storage systern. 

Holyoke Public Library Corporation To insulate the Holyoke Museurn’s work and storage area and to 12,570 

Holyoke, Massachusetts install a heating, ventilating, and air-conditioning system with 

humidity control. 
1ó4 Museum 

Hudson River Museum 

Yonkers, New York 

Huntington Library and

Art Gallery 

San Marino, California 

Jefferson County Historical Society 

Watertown, New York 

Jewish Museum 

New York, New York 

Metropolitan Dade County 

Miami, Florida 

Metropolitan Museum of Art 

New York, New York 

Metropolitan Museum of Art 

New York, New York 

Milwaukee Public Museum 

Milwaukee, Wisconsin 

Missouri Historical Society 

St. Louis, Missouri 

Montclair Art Museum 

Montclair, New Jersey 

Morris Museum of Arts and Sciences 

Convent, New Jersey 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of New Mexico 

Santa Fe, New Mexico 

Nebraska, University of 

Lincoln, Nebraska 

Pennsylvania Academy of the 

Fine Arts 

Philadelphia, Pennsylvania 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

Phillips Collection 

Washington, D.C. 

Plains Axt Museum 

Moorhead, Minnesota 

Princeton University 

Princeton, New Jersey 

Queens College Foundation 

Flushing, New York 

St. Croix Landmarks Society 

St. Croix, U.S. Virgin Islands 

For a survey of the museum’s present climate control problems 

to identify needed changes in the system. 

7,200 

To rehabilitate the art gallery’s climate control systems, parts of

which are 30 to 60 years old, by adding climate controlled space 

for storage and conservation. 

76,500 

For the renovation and installation of a climate control system 

for the society’s third-floor storage area. 

30,000 

To purchase and install metal shelving in the museum’s six-room 

storage area for metal objects. 

15,000 

For the second phase of a major renovation project to climatize 

the Vizcaya Museum and upgrade its fire/security systems. 

50,000 

To install new temperature and humidity control equipment in 

the museum’s musical instrument galleries. 

TF 100,000 

To expand the electronic security protection system at the

Cloisters by adding alarm devices and zones to the new computerized security system. 

15,000 

For the design and planning of mezzanines to be constructed in 

the museum’s current building. 

14,700 

To purchase and install a climate control system in the society’s 

gallery and storage areas. 

50,000 

To purchase and install of a climate control system for the 

museum’s storage and gallery areas. 

TF 50,000 

To install a new electronic security system in areas where the 

museum’s collections are stored and on exhibition. 

14,540 

To purchase and install an exhaust and ventilation system in the

preparator’s shop area. 

14,500 

To purchase and install custom-made storage units for the 

Museum of International Folk Art’s collection of Hispanic New 

Mexican folk art and the costume, textile, and basketry 

collections. 

35,000 

To expand the Sheldon Memorial Art Gallery’s security system 

to include closed-circuit television, improve lighting in the 

sculpture garden, and sensitized magnetic tape for each work on 

exhibition. 

12,270 

For the final phase of a project designed to renovate the 

academy’s storage area for works on paper. 

5,000 

To purchase shelving, cabinets, and other equipment for the 

storage of the University Museum’s Near Eastern art and archaeological collections. 

25,000 

For the second phase of installation of comprehensive climate

control and security systems throughout the galleries, storage 

areas, and conservation room. 

50,000 

To purchase and install climate control equipment in the

museum, housed in the 70-year-old Federal Post Office Building. 

35,000 

To upgrade the museum’s security system to include the installation of closed-circuit television monitoring and burglar 

alarms. 

50,250 

To purchase and install in-wall security cases, air conditioning 

and climate control monitoring units in the galleries and storage 

areas, anda three-camera television security system for the 

Godwin-Ternbach Museum. 

20,000 

To purchase and install a security alarm system in the Whim 

Greathouse, which dates from 1794. 

5,500 
Museum 155 

Sioux City Art Center 

Sioux City, Iowa 

To upgrade and expand the center’s painting and print storage 

area through the installation of shelving, racks, drawer space, 

and tire prevention and security systems. 

16,000 

Spertus Museum of Judaica 

Clücago, Illinois 

To purchase and install storage units, climate control, and 

security equipment for the museum’s 350-piece textile collectiorL 

17,520 

Springfield Library and 

Museum Association 

Springfield, Massachusetts 

To consolidate the George Walter Vincent Smith Art Museum’s 

scattered storage areas into one area adjacent to the conservation department. 

40,000 

Toledo Museum of Art 

Toledo, Ohio 

For a survey of the museum’s American and European paintings 

and decorative arts galleries to design necessary improvements 

in climate control and security. 

50,000 

Vermont, University of 

Burlington, Vermont 

Fora survey to plan for the conversion of a library/meeting room 

in the Robert Hull Fleming Museum into a print room. 

6,250 

Wadsworth Atheneum 

Hartford, Connecticut 

To install climate control equipment in the Atheneum’s Samuel 

P. Avery Memorial Building. 

TF 100,000 

Walker Art Center 

Minneapolis, Minnesota To purchase and install storage bins, cabinets, and shelves for

the center’s expanding storage areas. 

35,000 

Washington University 

St. Louis, Missouri 

To purchase storage sqreens for the Gallery of Art’s painting 

collection. 

12,000 

Ypsilanti Historical Museum 

and Archives 

Ypsilanti, Michigan 

To install climate control equipment, including heating, air conditioning, humidity control, and filtration systems. 12,000 

* Chairman’s Action 

TF-Treasury Funds 
157 

Stanislaw Skrowaczewski giving tips to conducting fellow Gisele Buka Ben-Dor at the Los Angeles Philharmonic Institute. Photo: Robert Millard 
158 

Treasury funds: $2,800,000 

954 grants 

Music Professional	 To ~oster the career development oí committed, talented musicians through 

support o~ their training and education as artists. Grants are awarded to Training post-secondary programs that provide outstanding advanced training for 

professional careers in music. 

Program funds: $450,000 

Treasury ~unds: $100,000 

40 grants 

Association of Professional For a choral conductors’ workshop t~hat features master conduc- 87,600 

Vocal Ensembles tots from the professional choral field. 

Phitadelphia, Pennsylvania 

Boston Symphony Orchestra For the fellowship programat the Berkshire Music Center at 20,200 

Boston, Massachusetts Tanglewood. TF 41,100 

Boston University For the scholarship aid program for the Honors Ensembles 3,200 

Boston, Massachusetts Program. 

Bowdoin College . For the scholarship aid programat the Bowdoin Summer Music 1,400 

Brunswick, Maine School. 

Brigham Young University For a residency program by the BYU Philharmonic Woodwind TF 3«700 

Provo, Utah Quintet in American Fork, Utah. 

California Institute of For the program of scholarship aid to members of the 20th- TF 8,300 

Valencia, California Century Players, a contemporary music ensemble. 

Cleveland Institute of Music For the program of scholarship aid and fora residency of the TF 22,500 

Cleveland, Ohio New Cleveland Chamber Players at the Beachwood Place Mall. 

Colorado Philharmonic Orchestra For the progTam of scholarship aid. 6,400 

Evergreen, Colorado 

Hartford, University of For the program of scholarship aid to students enrolled in the 10,400 

West Hartford, Connecticut Hartt School of Music. 

Juilliard School For the program of scholarship aid. 28,500 

New York, New York 

Loma Linda University For master teachers’ fees at the Blomstedt Institute of Or- 5,000 

Riverside, California chestral Conducting and Symphonic Performance. 

Los Angeles Philharmonic For the Orchestral Training Program, which provides oppor- 20,800 

Association tunities for advanced instrumental students to study orchestral 

Los Angeles, California techniques with members of the Los Angeles Philharmonic. 

Manhattan School of Music For the program of scholarship aid. 20,300 

New York, New York 

Mannes College of Music For the program of scholarship aid and the seminar program, 20,600 

New York, New York Preparation for Professional Life. 

Marlboro School of Music For the program of scholarship aid for young professional ar- 26,900 

Marlboro, Vermont tists, many of whom have recently completed their formal conservatory training. 

Michigan, Regents of the For the program of fellowship aid to students enrolled in pro- 16,300 

University of gratas leading to the degree of Doctor of Musical Arts in music 

Ann Arbor, Mich~gan composition, conducting, and performance. 

Monteux (Pierre) Memorial For the program of scholarship aid. 1,700 

Foundation 

Hancock, Maine 

Music Academy of the West For the program of scholarship aid to students enrolled in the 12,200 

Santa Barbara, California academy’s summer program. 
Music 159 

Music Assistance Fund of For the Music Assistance Fund Scholarships and the Orchestra 28,900 

the PhilharmonioSymphony Society of New York 

Fellowship program. 

New York, New York 

Music Associates of Aspen For the training components of the Aspen Festival Orchestra 61,800 

Aspen, Colorado and the Aspen Chamber Symphony, the Training Program for 

Young Conductors, and the Opera Training Program. 

National Symphony Orchestra For the Youth Fellowship Program. 9,800 

Washington, D.C. 

New England Conservatory For the program of scholarship aid. 26,000 

of Music 

Boston, Massachusetts 

New School for the Arts For the program of scholarship aid. 1,900 

Montclair, New Jersey 

New School of Music For the Orchestral Training-Teaching Fellowship Program. 7,900 

Philadelphia, Pennsylvania 

New York, City University of Flushing, New York 

For the prorrata of scholarship aid at the Aaron Copland School 

of Musicat Queens College. 

3,100 

92nd Street YM-YWHA For the program of scholarship aid. 6,500 

New York, New York 

Oakland Symphony Orchestra For the Minority Orchestral Fellowship Program. 4,600 

Association 

Oakland, California 

Oberlin College For the program of scholarship aid for students in the Conser­ 6,500 

Oberlin, Ohio vatory of Music. 

Orchestral Association For the scholarship aid program of the Civic Orchestra of 13,200 

Chicago, Illinois Chicago. 

Peabody Institute of 

Johns Hopkins University 

For the program of scholarship aid and fora residency by the 

Brass Menagerie at Harborplace, a shopping mall in downtown 

TF 24,400 

Baltimore, Maryland Baltimore. 

Philadelphia College of the Performing Arts 

For the program of scholarship aid. 4,500 

Philadelphia, Pennsylvania 

Quartet Program For the program of scholarship aid. 2,600 

Rochester, New York 

Rochester, University of For the program of scholarship aid to students enrolled in the 16,300 

Rochester, New York Eastman School of Music. 

St. Louis Conservatory and For the program of scholarship aid. 6,500 

Schools for the Arts 

St. Louis, Missouri 

San Francisco Conservatory For the program of scholarship aid. 10,600 

of Music 

San Francisco, California 

Southern California, University of For the program of scholarship aid. 19,000 

Los Angeles, California 

West Virginia University, For master teachers’ lees at the Conductors’ Guild Summer 3,900 

Board of Regents Institute. 

Morgantown, West Virginia 

Wisconsin, Board of Regents For the program of scholarship aid to students enrolled in the In­ 4,400 

of the University of stitute of Chamber Music. 

Milwaukee, Wisconsin 

Yale University 

New Haven, Connecticut 

For the program of scholarship aid to graduate students enrolled 

in the performance, composition, and conducting programs in 

7,700 

the Yale School of Music. 

Yellow Barn Music Festival For the program of scholarship aid. 2,800 

Putney, Vermont 
160 Music 

Composers 

Composers Fellowships 

Allen, Judith S.
 

Charlottesville, Virginia
 

Ashley, Robert
 

New York, New York
 

Bubalo, Rudolph D.
 

Cleveland, Ohio
 

Bulow, Harry T.
 

Santa Barbara, California
 

Chambers, Wendy M.
 

Brooklyn, New York
 

Clayton, Laura
 

Hancock, New Hampshire
 

Consoli, Marc-Antonio
 

Rego Park, New York
 

Curran, Alvin S.
 

Providence, Rhode Island
 

Del Tredici, David
 

New York, New York
 

Dello Joio, Justin N.
 

New York, New York
 

Erb, Donald J.
 

Bloomington, Indiana
 

Fennelly, Brian L.
 

Kingston, New York
 

Kernis, Aaron J.
 

Cornwell Heights, Pennsylvania
 

Kolb, Barbara
 

New York, New York
 

Kramer, Jonathan D.
 

Cincinnati, Ohio
 

Lindroth, Scott A.
 

Albany, New York
 

Logan, Wendell Morris
 

Oberlin, Ohio
 

Lucier, Alvin A.
 

Middletown, Connecticut
 

Includes four subcategories: Composers Fellowships provide for the creation 

or completion of musical works. Collaborative Fellowships are available to 

composers and their collaborators, including librettists, vídeo artists, filmmakers, poets, or choreographers for the creation or completion of new 

works. Centers for New Music Resources ate grants awarded to innovative 

music facilities, including electronic music studios and computer centers in 

order to encourage collaboration between composers and other creative artists. Services to Composers grants ate awarded to organizations for projects 

that serve composers on a national or regional basis. 

Program funds: $496,000 

68 grants 

$5,000 Mayer, William R. 

New York, New York 

9,000 

8,000 McNabb, Michael D. 

Menlo Park, California 

10,000 

8,000 Mitchell, Roscoe E. 

Hollandale, Wisconsin 

5,500 

8,000 Morrill, Dexter G. 

Hamilton, New York 

5,500 

6,500 Nurock, Kirk 

New York, New York 

7,500 

9,500 Oliverio, James Charles 

Winterville, Georgia 

8,500 

7,000 Oliveros, Pauline 

 ̄ Mt. Tremper, New York 

8,000 

10,000 Powell, Morgan E. 

Urbana, Illinois 

6,500 

8,000 Rands, Bernard 

Encinitas, California 

12,000 

6,000 Reise, Jay 

Swarthmore, Pennsylvania 

5,000 

9,000 Rouse, Christopher C. 

Penfield, New York 

11,000 

5,500 Schurmann, Gerard 

Los Angeles, California 

10,000 

6,000 Scott, Stephen A. 

Colorado Springs, Colorado 

5,500 

11,500 Smith, Stuart S. 

Baltimore, Maryland 

11,000 

6,000 Snow, David J. 

Silver Spring, Maryland 

5,000 

11,000 Sokolov, Elliot B. 

New York, New York 

8,500 

7,500 Suderburg, Robert C. 

Winston-Salem, North Carolina 

5,000 

8,500 Trimble, Lester 

New York, New York 

5,000 
Music 161 

Collaborative Fellowships 

Guidi, Ronn 

Oakland, California 

$5,500 Samuel, Gerhard 

Cincinnati, Ohio 

5,500 

Kondek, Charles 

New York, New York 

5,500 

Centers for New Music Resources 

Arizona State University To purchase a professional tape deck to replace the existing non- $5,000 

Tempe, Arizona functioning, out-of-date equipment. 

Brooklyn College To improve the Center for Computer Music through equipment 14,000 

Brooklyn, New York purchase to update the software system and expand the system 

of storing sound files. 

California Institute of the Arts For residencies for composers and their collaborating artists to 10,000 

Valencia, California pursue their creative activities at the Electro-Acoustic Music 

Studios. 

Cleveland Institute of Music To expand the Electronic Music Studio through equipment 5,000 

Cleveland, Ohio purchase. 

Colorado, Regents of the To purchase equipment for the Rocky Mountain Center for 4,000 

University of Digital Synthesis, which makes computer facilities available to 

Boulder, Colorado composers of that region. 

Film in the Cities To purchase sound studio equipment, which is made accessible 7,000 

St. Paul, Minnesota to composers and períormers of new music; and film, vídeo, and

performance artists. 

Harvestworks For a no-lee Composer-in-Residence program at the Public Ac- 2,000 

New York, New York cess Synthesizer Studio, which offers the assistance of professional technicians. 

Illinois, Board of Trustees To purchase equipment for the existing computer music 9,000 

of the University of facilities to allow for analog to digital conversion. 

Champaign, Illinois 

Massachusetts Institute of To develop a real-time performance system through equipment 2,750 

Technology purchase. 

Cambridge, Massachusetts 

Michigan, Regents of the To purchase equipment to incorporate recent advancements in 7,000 

University of digital applications to sound synthesis for the existing facilities. 

Ann Arbor, Michigan 

Mills College For honoraria for guest composers and performers to participate 2,750 

Oakland, California in a series of seminars on various topics in electrordc music, instrument design, artificial intelligence, experimental aesthetics, 

and technological innovation in the arts. 

New York, Research Foundation To expand the present Synclavier II eight-voice system to pro- 2,000 

of the State University of vide stereo and additional voice capability. 

Potsdam, New York 

North Texas State University To update the facilities of the Electronic Music Center through 6,000 

Denton, Texas equipment purchase. 

Northern Colorado, University of To purchase a digital programmable synthesizer for the ElecGreeley, Colorado tronic Music Studio, a facility available to regional composers. 

Princeton University To improve the Godfrey Winham Laboratory by updating the 8,000 

Princeton, New Jersey present facilities through equipment purchase. 

Real Art Ways To upgrade the audio studio through equipment purchase and 5,000 

Hartford, Connecticut increa~e access to a broader range of composers. 

Rensselaer Polytechnic Uníversity To purchase a Synclavier II Digital Synthesizer System. 6,000 

Troy, New York 

Soundwork Studio For the public access electronic and tape studio, made available 4,000 

Seattle, Washington to local and regional composers. 

950 
162 Music 

Stanford University 

Stanford, California 

Services to Composers 

American Academy in Rome 

New York, New York 

American Music Center 

New York, New York 

American Society of Universlty 

Composers 

New York, New York 

Composers Conference and 

Chamber Music Center 

Wellesley, Massachusetts 

Composers’ Forum 

New York, New York 

Ives (Charles) Center for

for American Music 

Roxbury, Connecticut 

Meet the Composer/Texas 

Austin, Texas 

Minnesota Composers Forum 

St. Paul, Minnesota 

New Wilderness Foundation 

New York, New York 

Ohio State University 

Columbus, Ohio 

Chamber Music 

To upgrade the master rnixing console and add high-quality 5,800 

audio to existing computer terminals at the Center for Computer 

Research in Music and Acoustics. 

Fora one-year fellowship íor a composer to live and work at the $7,300 

American Academy in Rome. 

For continued support of library and information services and 40,000 

maintenance of the NEA Archive of works resulting from Composers Fellowships. 

To hire a Program Coordinator to be responsible for coordina- 8,000 

tion, planrLing, correspondence, and bookkeeping of ASUC’s current programming and publication. 

For the 1984 Composers Conference held in August 1984 at 8,000 

Wellesley College. 

For publication of the quarterly newsletter, Network News and 3,700 

the Composers’ Forum’s annual membership directory. 

For the activities of the fifth annual summer program of the 4,800 

Center for American Music. 

For the activities of Meet the Composer/Texas, including provi- 5,000 

sion of techrfical assistance and networks to composers, their 

potential sponsor organizations, and to non-profit organizations 

wishing to commission new works. 

For a monthly newsletter, workshop and seminars for composers 8,000 

and performers on grantsmanship and publishing, anda guest 

artist/speaker series. 

For development, marketing, and promotion expenses to ex- 2,700 

ecute a major distribution campaign to make Ear Magazine a 

self-supporting project. 

For the 19th annual national conference of the American Society 6,250 

of University Composers held in April 1984. 

Includes two subcategories: Ensembles ana Presenting Organizations are provided support in order to improve the quality of chamber music performances and to make the art form widely available. Services to Chamber 

Music are grants awarded to organizations for projects that serve professional chamber music ensembles on a national of regional basis. 

Program funds: $538,700 

128 grants 

Ensembles and Presenting Organizations 

Alternative Center for 

International Arts 

New York, New York 

Appel Farm Arts and Music Center 

Elmer, New Jersey 

Ars Musica 

Ann Arbor, Michigan 

Associated Students 

Sacramento, California 

Aston Magna Foundation for Music 

New York, New York 

For the presentation of the World Music Series during the $2,400 

1984-85 season. 

For artist lees, administrative costs, publicity, advertising, and 4,400 

related expenses for chamber music concerts presented during 

the 1984-85 season. 

For the continuation and development of the ensemble’s self- 9,000 

sponsored concert series in the Midwest during the 1984-85 

season. 

For the seventh Festival of New American Muslo during 3,500 

1984-85 at California State University. 

For the twelfth Aston Magna Summer Festival in June 1984. 2,900 
Music 163 

Atlanta Chamber Players 

Atlanta, Georgia 

For salaries for the six members of the ensemble during the 

1984-85 season. 

2,100 

Atlanta Virtuosi Foundation 

Atlanta, Georgia 

For performances of the Atlanta Virtuosi during the 1984-85 

season, including a subscription series in Atlanta and performances at Perimeter Mall. 

4,200 

Aulos Ensemble 

New York, New York 

For artists’ fees for the ensemble’s performances during the 

1984-85 season. 

5,600 

Bach Aria Group Association 

New York, New York 

For tour engagements during the 1984-85 season. 4,100 

Baltimore Consort 

Baltimore, Maryland 

For the 1984-85 subscription series of the Baltimore Consort. 2,300 

Bardavon 1869 Opera House 

Poughkeepsie, New York 

For the presentation of emerging American chamber ensembles 

during the 1984-85 season. 

2,600 

Bargemusic 

Brooldyn, New York 

For public chamber music concerts during the 1984-85 season. 1,900 

Boehm Quintette 

New York, New York 

For artists’ lees, rehearsal time, travel costs, publicity, and 

related costs for the Quintette’s 1984-85 performance season. 

2,100 

Boston Artists’ Ensemble 

Boston, Massachusetts 

For costs of the ensemble’s 1984-85 subscription concert series. 1,900 

Boston Chamber Soloists 

Boston, Massachusetts 

For artists’ lees, administrative salaries, and other related costs 

of vocal chamber music concerts during the 1984-85 season. 

1,000 

Bronx Arts Ensemble 

Bronx, New York 

To continue the ensemble’s residency at Fordham University’s 

Rose Hill campus during 1984-85. 

6,900 

Brooklyn Academy of Music 

Brooklyn, New York 

For the academy’s 1984-85 Chamber Music Señes. 10,800 

California, Regents of the 

University of 

Berkeley, California 

For a three-day residency by a new music ensemble on each of 

four University of California campuses: Berkeley, Davis, Los 

Angeles, and Santa Barbara. 

10,000 

California, Regents of the 

University of 

Los Angeles, California 

To present emerging American string quartets during the 

1984-85 season at the UCLA Center for the Performing Arts. 

2,800 

Cambridge Chamber Players 

New York, New York 

For the eighth annual Marblehead Summer Music Festival held 

during the summer of 1984. 

1,400 

Candlelight Concert Society 

Columbia, Maryland 

For the presentation of emerging American ensembles during 

the 1984-85 season. 

3,200 

Cape and Islands Chamber 

Music Festival 

Yarmouth Port, Massachusetts 

For the 1984 summer festival. 2,400 

Capitol Chamber Artists 

Albany, New York 

For the ensemble’s 1984-85 performance season, including eight

subscription concerts in the Albany area and three morning 

family programs. 

2,000 

Catskill Symphony Orchestra 

Oneonta, New York 

For tour-residencies by the Catskill Brass and Woodwind 

Quintets during the 1984-85 season. 

1,600 

Center for Chamber Music 

at Apple Hill 

East Sullivan, New Hampshire 

For the continuation and expansion of self-sponsored concert 

series in New Hampshire and Massachusetts during the 1984-85 

season. 

5,200 

Centrum Foundation 

Port Townsend, Washington 

For the 1984 Port Townsend Chamber Music Festival. 2,400 

Chamber Music America 

New York, New York 

For performances by the Borealis Wind Quintet and increased 

rehearsal time during the 1984-85 season. 

2,000 

Chamber Music Northwest 

Portland, Oregon 

For the 1984 surnmer festival. 7,300 

Chamber Music Society of 

Central Kentucky

Lexington, Kentucky 

For a Festival of American Artists presented during the 

1984-85 season. 

2,000 
164 Music 

Chamber Music Society of Logan

Logan, Utah 

Chamber Music Society of Utica 

Clinton, New York 

Chamber Soloists of San Francisco 

San Francisco, California 

Chestnut Hill Concerts 

Guilford, Connecticut 

Clücago Ensemble 

Chicago, Illinois 

Concert Artists Guild 

New York, New York 

Connoisseur Concerts Association 

Spokane, Washington 

Contemporary Music Forum 

Washington, D.C. 

Corcoran Gallery of Art 

Washington, D.C. 

Cultural Council Foundation 

New York, New York 

Dakota String Quartet 

Sioux Falls, South Dakota 

Dorian Woodwind Quintet 

Foundation 

New York, New York 

Dumbarton Avenue Concert Series 

Washington, D.C. 

Early Music Foundation 

New York, New York 

East Carolina University 

Greenville, North Carolina 

Emelin Theatre for the 

Performing Arts 

Mamaroneck, New York 

Ensemble of Santa Fe 

Santa Fe, New Mexico 

Folger Consort 

Washington, D.C. 

Fontana Concert Society 

Shelbyville, Michigan 

Free Public Library of Lewiston 

Lewiston, Maine 

Friends of the Arts 

Locust Valley, New York 

Friends of the Brattleboro 

Musie Center 

Brattleboro, Vermont 

To present emerging American chamber ensembles during the 1,000 

1984-85 season. 

To present emerging American ensembles during the 1984-85 2,000 

season. 

To expand the ensemble’s series during the 1984-85 season. 2,000 

To present the 1984 summer concert festival, celebrating the 3,400 

organization’s 15th anniversary. 

For activities of the ensemble during the 1984-85 season, in- 3,000 

cluding: workshops in Chicago-area schools, the hiring of a 

public relations firm, and the services of the Great Lakes Performing Artist Associates in booking tour concerts. 

To present emerging American chamber ensembles during the 5,200 

1984-85 season. 

To present guest ensembles during the 1984-85 season and pro- 3,000 

vide a base-level monthly income for local chamber musicians. 

To continue and expand the ensemble’s annual concert series 4,500 

during the 1984-85 season. 

For a series of concerts by the Millennium Ensemble during the 5,000 

1984-85 season. 

For Wind Artists Foundation to sponsor performances by the 3,400 

New York Woodwind Quintet during the 1984-85 season. 

For concerts and workshops by the quartet during the 1984-85 7,000 

season. 

For a national tour of up to 25 chamber music performances dur- 5,500 

ing the 1984-85 season. 

For artists’ lees, the hiring of an artistic director, and related ex- 2,000 

penses for the presentation oí emerging American ensembles

during the 1984-85 season. 

For chamber music performances by the Ensemble for Early 2,900 

Music during the 1984-85 season. 

For the presentation of emerging American chamber ensembles 3,000 

during the 1984-85 season. 

For artists’ lees and related expenses for the presentation of 2,900 

emerging American chamber ensembles at the Mamaroneck 

Free Library during the 1984-85 season. 

For the 1984-85 series of chamber music concerts and commun- 3,800 

ity outreach programs to schools, senior citizen centers, nursing

homes, and institutions for the disabled. 

For artists’ lees for the core instrumentalists and the principal 7,300 

vocal artist of the ensemble during the 1984-85 season. 

For a series of chamber music concerts during the summer of 2,500 

1984. 

For a block-booked state-wide tour by an emerging American 2,900 

string quartet during the 1984-85 season spsonsored by LPL 

Plus APL. 

To present emerging American chamber ensembles during the 1,600 

1984-85 season. 

For artists’ fees aud administrative costs of block-booked tours 7,900 

by emerging American chamber ensembles. 
Music 165 

Friends of Chamber Music For the presentation of emerging Ahaerican chamber ensembles 1,000 

Stockton, California during the 1984-85 season. 

Friends of Chamber Music For promotional efforts, the hiring of a personal representative 1,000 

New York, New York and establishment of a harpsichord rental fund for the 

Lucarel]i/Norell/Sieber t Trio. 

Gruber Foundation To present emerging American chamber ensembles during the 2,700 

Goffstown, New Hampshire 1984-85 season. 

Hampden-Sydney College 

Hampden-Sydney, Virginia 

For guest artists’ fees and recruiting concerts in connection with 

the Hampden-Sydney Music Festival. 

1,400 

Harmonie Ensemble For a concert celebrating the centenary of the birth of Alban 2,000 

New York, New York Berg anda concert of new music for brass and percussion during 

the 1984-85 season. 

Hawaii, University of 

Honolulu, Hawaii 

To presentan emerging American chamber ensemble in a 14-day 

residency throughout the state of Hawaii. 

7,000 

Hesperus To increase performers’ fees for the 1984-85 concert season. 1,000 

Washington, D.C. 

Houston Friends of Music To present emerging American chamber ensembles during the 4,000 

Houston, Texas 1984-85 season.. 

Iowa, University of 

Iowa City, Iowa 

For the presentation of emerging American chamber ensembles 

during the 1984-85 season. 

3,800 

Kapelle Woodwind Trio 

Wenonah, New Jersey 

For the hiring of a manager and the costs of tour performances 

during the 1984-85 season. 

1,000 

Kronos Performing Arts Association 

San Francisco, California 

To expand the Kronos String Quartet’s fourth annual contemporary chamber music series during the 1984-85 season. 

12,500 

Lark Society for Chamber Music 

Portland, Maine 

For concerts throughout the state of Maine by the Portland 

String Quartet during the 1984-85 season. 

3,400 

Long Island Baroque Ensemble 

Roslyn Harbor, New York 

For a series of concerts on the South Shore of Long Island and 

the continuation of a series of programs for young people during 

the 1984-85 season. 

2,900 

Market Square Concerts 

Harrisburg, Pennsylvania 

To present emerging American chamber ensembles during the 

1984-85 season. 

1,500 

Marland Chamber Music Festival For the fourth annual Marland Chamber Music Festival held in 3,000 

Ponca City, Oklahoma June 1984, featuring the Osage Chamber Ensemble. 

Maumee Valley Musical 

Arts Society 

For a four-week residency by the Tower Brass Quintet at the 

Franklin Park Mal] in Toledo during July 1984. 

2,500 

Bowling Green, Ohio 

Mendelssohn Club For Chestnut Brass Company to rehearse and perform the music 2,000 

Philadelphia, Pennsylvania of 19th-century black Philadelphia composers during the 

1984-85 season. 

Minnesota Public Radio 

St. Paul, Minnesota 

For artists’ fees for the broadcast of performances by emerging

American chamber ensembles over MPR’s "St. Paul Sunday 

Morning." 

20,000 

Mohawk Trail Concerts For community concerts in western Massachusetts anda series 3,900 

Greenfield, Massachusetts of pre-concert seminar demonstrations during the 1984-85 

season. 

Mostly Music 

Chicago, Illinois 

To present emerging American chamber ensembles during the

1984-85 season. 

5,900 

Music at Gretna For the salary of an executive director during the 1984-85 4,800 

Mt. Gretna, Pennsylvania season. 

Music Before 1800 For artists’ lees and related costs for up to ten emerging 1,400 

New York, New York American early music ensembles presented on the 1984-85 

series. 

Mayhew {Nathan} Seminar of 

Martha’s Vineyard 

Vineyard Haven, Massachusetts 

To present the Millennium Ensemble, a cooperative association 

of American chamber music groups, during the 1984 Martha’s 

Vineyard Music Festival. 

2,100 
166 Music 

Naumburg (Walter W.) Foundation 

New York, New York 

New England Piano Quartette 

Foundation 

Kezar Falls, Maine 

New Jersey Chamber Music 

Society 

Montclair, New Jersey 

New York Chamber Soloists 

New York, New York 

New York Consort of Viols 

New York New York 

New York Cornet aud Sacbut 

Ensemble 

New York, New York 

New York Philomusica 

New York, New York 

92nd Street YM-YWHA 

New York, New York 

North Country Chamber Players 

Franconia New Hampshire 

Odyssey Chamber Players 

New York, New York 

Omega Ensemble 

New York, New York 

Oregon State University 

Corvallis, Oregon 

Orpheus Chamber Ensemble 

New York, New York 

Papageno Society 

New York, New York 

Philadelphia String Quartet, 

Friends of the 

Seattle, Washington 

Pittsburgh Chamber Music Society 

Pittsburgh, Pennsylvania 

Pomerium Musices 

New York, New York 

Portland Chamber Music Society 

Portland, Maine 

Puerto Rican Culture, 

Institute of 

San Juan, Puerto Rico 

Quintet of the Americas 

New York, New York 

Renaissance Band CalHope 

New York, New York 

Renaissance Concerts 

West Bloomfield, Micldgan 

Rochester, University of 

Rochester, New York 

For the Alice Tully Hall appearances of the ensembles receiving 4,500 

the 1984 Naumburg Foundation Award. 

For the preparation and performance of the New England 2,500 

premieres of American works for string quartet during the 

1984-85 season. 

For the society’s 1984-85 performance season. 3,100 

For performances of contemporary chamber music during the 1,000 

1984-85 season. 

For artists’ fees, administrative costs, and promotional expenses 2,400 

for a three-concert series during the 1984-85 season. 

For new programs during the 1984-85 performance season. 2,400 

To support self-produced regional concert series and tour con- 2,600 

certs during the 1984-85 season. 

For the presentation costs of up to five emerging American 2,800 

ensembles during the 1984-85 season. 

To support the activities of the North Country Chamber Players 5,700 

during the 1984-85 season. 

For the ensemble’s subscription series and youth concert pro- 2,600 

grams during the 1984-85 season. 

For the ensemble’s subscription series in New York City and its 1,000 

Sea Cliff Chamber Music Series during the 1984-85 performance 

season. 

To support the presentation of emerging American chamber 3,000 

ensembles on the 1984-85 series of the Friends of Chamber 

Music at Oregon State University. 

For the ensemble’s residency at the Leonard Davis Center for 12,000 

the Perforndng arts and its national touring program during the 

1984-85 season. 

For increased artists’ fees for the Raphael Trio, guest artists’ 2,900 

fees, and the hiring of a press representative during the 1984-85 

season. 

To expand the quartet’s touring and residency program 2,500 

throughout the Northwest during the 1984-85 season. 

For the presentation of emerging American chamber ensembles 4,300 

during the 1984-85 season. 

For a subscription series of up to four concerts in New York City 2,500 

during the 1984-85 season. 

For a residency by the New York Woodwind Quintet during the 1,500 

1984-85 season. 

For a series of concerts by the Figueroa Quintet during the 2,200 

1984-85 season. 

For a concert series at the Center for Inter-American Relations 2,400 

in New York anda series of new music symposia during the 

1984-85 season. 

For a series of tour-residencies during the 1984-85 season. 4,000 

For increased artists’ fees during the 1984-85 season. 2,300 

For two tours of up to ten concerts each by the New Arts Trio 4,500 

during the 1984-85 season. 
San Francisco Conservatory 

of Music 

San Francisco, California 

Santa Fe Chamber Music Festival 

Santa Fe, New Mexico 

Sea Cliff Chamber Players 

Sea Cliff, New York 

Sequoia String Quartet 

Los Angeles, California 

Society for Chamber Music 

in Rochester 

Rochester, New York 

New York, Research Foundation of 

the State University of 

Albany, New York 

St. Luke’s Chamber Ensemble 

New York, New York 

Strings for Schools 

Malvern, Pennsylvania 

Sylmar Corporation 

Minneapolis, Minnesota 

Sylvan Winds 

New York, New York 

Symphony Space 

New York, New York 

Syracuse Friends of Chamber Music 

Syracuse, New York 

Theater Chamber Players 

Washington, D.C. 

Tidewater Music Festival 

St. Mary’s City, Maryland 

University Community Concerts 

College Park, Maryland 

Van Cliburn Foundation 

Fort Worth, Texas 

Vanderbilt University 

Nashville, Tennessee 

Vermont Mozart Festival 

Burlington, Vermont 

Virginia Polytechnic Institute 

and State University 

Blacksburg, Virginia 

Voices of Change 

Dallas, Texas 

Walker Art Center 

Minneapolis, Minnesota 

Warren Wilson College 

Swannanoa, North Carolina 

Wave Hill 

Bronx, New York 

5,600 For the eighth annual summer season oí the Chamber 

Music/West festival held in June 1984. 

9,100 For the presentation of chamber music during the 12th season oí 

the Santa Fe Chamber Music Festival during the summer of 

1984. 

7,300 For the 1984-85 season of the ensemble’s Great Performer 

Series. 

3,700 For artists’ lees for the 1984-85 season of the Sequoia String 

Quartet and Friends series. 

3,500 For the seventh Baroque Festival in Rochester in May 1985. 

1,000 For tour concerts by the Tremont String Quartet during the 

1984-85 season. 

6,600 For chamber music performances during the 1984-85 season. 

5,700 For chamber music performances in elementary and secondary

schools, institutions for the disabled or elderly, and shopping

centers during the 1984-85 season. 

2,200 For the 1984-85 subscription series of the Sylmar Chamber 

Ensemble. 

2,500 For a series of concerts by the Sylvan Wind Quintet during the 

1984-85 season. 

3,300 For the Wall-to-Wall Charles Ives concert in March 1984; artists’ 

lees and administrative costs of the Bach Mondays series; and 

the continuation of promotional, advertising, and publicity 

assistance to contemporary music ensembles during the 1984-85 

season. 

3,500 For the presentation of emerging American chamber ensembles

during the 1984-85 season. 

8,100 For artists’ fees for the preparation, rehearsal, and presentation

of new works during the 1984-85 season. 

For chamber music performances during the 13th season of the 2,000 

Tidewater Music Festival held in June 1984. 

4,100 To present emerging American chamber ensembles during the 

1984-85 season. 

2,000 For the presentation of emerging American chamber ensembles 

during the 1984-85 season. 

1,000 For tour concerts by the Nashvflle Contemporary Brass Quintet 

during the 1984-85 season. 

1,800 For the presentation of emerging American chamber ensembles

during the 1984-85 winter season. 

For a series of concerts and lecture-demonstration by the 2,000 

Audubon String Quartet during the 1984-85 season. 

For the ensemble’s performance series during the 1984-85 7,900 

season. 

For the presentation of emerging American chamber music and 4,500 

new music ensembles during the 1984-85 season. 

3,000 To support the 1984 Swannanoa Chamber Festival. 

4,000 For the presentation of emerging American chamber and new 

music ensembles during the 1984-85 season. 
Waverly Consort 

New York, New York 

Westchester Chamber Chorus and 

Orchestra Foundation 

New York, New York 

WYNC Foundation 

New York, New York 

Yellow Barn 

Putney, Vermont 

Yellow Springs Institute for
 

Contemporary Studies and the Arts
 

Chester Springs, Pennsylvania
 

Young Audiences of Connecticut
 

Bridgeport, Connecticut
 

Young Concert Artists 

New York, New York 

Services to Chamber Music 

Chamber Music America 

New York, New York 

Chorus 

Professional Choruses 

Concert Chorale of Houston 

Houston, Texas 

Dale Warland Singers 

St. Paul, Minnesota 

Gregg Smith Singers 

New York, New York 

Handel and Haydn Society 

Boston, Massachusetts 

Kenneth Jewell Chorale 

Rochester, Michigan 

Los Angeles Master Chorale 

Association 

Los Angeles, California 

Music of the Baroque 

Concert Series 

Chicago, Illinois 

For musicians’ lees for tour concerts during the 1984-85 season. 6,000 

For a series of chamber music concerts and radio broadcasts during the 1984-85 season. 

2,000 

For artists’ and producers’ lees and related production costs of a 19,400 

52-week chamber music broadcast series. 

For the continuation of the organization’s residency program for 2,700 emerging American chamber ensembles during the summer of 

1984. 

For the presentation of emerging American chamber and new 2,500 music ensembles during the 1984-85 season. 

To present chamber music performances, demonstrations, and 12,500 workshops in schools throughout Connecticut. 

For a residency by the Mendelssohn String Quartet at the 1,900 University of Maine anda regional tour of the South during the 

1984-85 season. 

For the organization’s services to its membership during the $40,000 

1984-85 season, and the continuation of information collection 

and dissemination programs. 

Includes three subcategories: Professional Choruses that pay all of their 

singers receive assistance for rehearsal and concert salaries; touring and 

run-out concerts; íees for soloists, guest conductors, and master teachers; 

improving management; collaboration with other groups; or choral 

workshops and festivals. Independent and Orchestra Choruse~ that pay some 

or none of their singers receive snpport for salaries fora core of singers; 

lees for soloists, guest conduetors, and master teachers; improved management; run-out concerts; or choral workshops of festivals. Service Organizations are given assistance to provide services to the field of choral music on 

a national or regional basis. 

Program funds: $449,450 

76 grants 

For artists’ salaries, and soloists’ lees during the 1984-85 season $2,500 

of four concerts. 

For salaries for the singers, music director, assistant conductor, 25,000 

the general manager, and the assistant manager. 

For singers’ salaries during the 1984-85 season. 27,500 

For singers’ salaries for rehearsals and concerts during the 23,000 

1984-85 season. 

For publicity and for increases in singers’ lees and salaries for 9,000 the music director, accompanist, and business manager. 

For the 1984-85 season of 12 performances at the Music Center 23,500 anda series of chamber performances in the Musical Outreach 

program. 

For singers’ lees, salaries of the music director and ad- 25,000 

ministrative staff, publicity, and management expenses during 

the 1984-85 concert season. 
Music 169 

Musica Sacra 

New York, New York 

For singers’ and soloists’ lees for rehearsals and performances 

during the 1984-85 subscription series of five concerts at Lincoln Center’s Avery Fisher Hall. 

27,500 

Pennsylvania Pro Musica 

Philadelphia, Pennsylvania 

For increases in singers’ fees; salaries for the accompanist, concert manager, conductor, and administrative staff; and improved marketing and development strategies, fundraising, and

promotional techniques. 

2,500 

Philadelphia Singers 

Philadelphia, Pennsylvania 

For increased salaries for singers and for concert hall rental at 

the Academy of Music. 

6,000 

St. Louis Chamber Chorus 

St. Louis, Missouri 

For singers’ salaries for rehearsals and concerts for the 1984-85 

season and increases in lees and salaries for the music director/conductor, the executive director, and the rehearsal

accompanist. 

2,500 

San Francisco Chanticleer 

San Francisco, California 

For singers’ salaries for two months of rehearsals for two

separate tours and three home season concerts during 1984-85. 

10,000 

Vocal Arts Ensemble 

Cincinnati, Ohio 

For improved salaries of the singers, accompanist, and conductor for the 1984-85 performing season. 

5,000 

Independent and Orchestra Choruses 

Atlanta Arts Alliance 

Atlanta, Georgia 

For master teachers’ íees and related expenses of the Atlanta 

Symphony Orchestra Chorus and for choral workshops by 

visiting vocal soloists and choral specialists during the performance weekends oí the 1984-85 season. 

$12,000 

Bach Society of St. Louis 

St. Louis, Missouri 

Baltimore Choral Axts Society 

Baltimore, Maryland 

For soloists’ lees, and increases in the salaries of the conductor 

and accompanist. 

For salaries and lees for choral section leaders, guest soloists, 

and the assistant conductor. 

2,000 

6,500 

Baltimore Symphony Chorus 

Baltimore, Maryland 

For increases in the number of paid singers to 20, the teaching 

hours for private voice and class sight-singing lessons for nonpaid singers, and the salaries of the director and accompanist. 

4,000 

Boys Choir of Harlem 

New York, New York 

For costs associated with the choir’s June 1984 Bach Concert, including lees for the conductor, accompanist, soloist, and other 

artistic and administrative staff. 

3,000 

Cantata Singers

Cambridge, Massachusetts 

For lees for the soloists, conductor, and manager, and for the 

first U.S. performance of a newly reconstructed version of 

Mozart’s Requiem. 

3,000 

Charleston Symphony Singers’ Guild 

Charleston, South Carolina 

For fees for soloists and master teachers, and continued 

managerial and promotional assistance. 

1,400 

Choral Arts Society of Washington 

Washington, D.C. 

For soloists’ lees for the 1984-85 season subscription series, and 

for the expansion of the audience and fund development 

program. 

10,000 

Choral Guild of Atlanta 

Atlanta, Georgia 

To employ a core of 12 singers to íunction as section leaders and 

incidental and understudy soloists. 

2,000 

Chorale Acadienne 

Lafayette, Louisiana 

To increase the salaries of the music director and accomparásts. 1,000 

Cincinnati Musical Festival 

Association 

Cincinnati, Ohio 

For lees paid to the conductor, assistant conductor, accompanist, and four soloists. 

1,500 

Classic Chorales 

Evanston, Illinois 

For salaries for the business manager and singers and for other 

administrative costs. 

1,600 

Collegiate Chorale 

New York, New York 

To pay soloists for the Carnegie Hall concert series and increase 

the salaries of the conductor and administrator. 

4,000 

Colorado Chorale 

Denver, Colorado 

To improve the salaries of the musical director/conductor, assistant conductor, and accompanists. 

1,250 

Columbia Pro Cantare 

Columbia, Maryland 

For improved management and for salaries for the soloists, conductor, and accompanist. 

2,000 
170 Music 

Columbus Symphony Orchestra 

Columbus, Ohio 

Community Chorus of Westerly 

Westerly, Rhode Island 

Community Music Center
 

San Francisco, California
 

El Paso Pro-Musica
 

El Paso, Texas
 

Friends of the Brattleboro
 

Music Center
 

Brattleboro, Vermont
 

Honolulu Symphony Society
 

Symphony Chorus
 

Honolulu, Hawañ
 

Jane Hardester Singers
 

Torrance, California
 

Master Singers
 

Brookline, Massachusetts
 

Masterworks Chorale
 

Boston, Massachusetts
 

Mendelssohn Choir of Pittsburgh 

Pittsburgh, Pennsylvania 

Mendelssohn Club
 

Philadelphia, Pennsylvan~a
 

Midland-Odessa Symphony
 

and Chorale
 

Midland, Texas
 

Milwaukee Symphony Orchestra 

Milwaukee, Wisconsin 

Minnesota Chorale 

Minneapolis, Minnesota 

Montana Chorale 

Great Falls, Montana 

Muse of Eloquence 

New York, New York 

Musical Arts Association 

Cleveland, Ohio 

Nashua Symphony Association 

Nashua, New Hampshire 

National Choral Foundation 

Bethesda, Maryland 

Nebraska Choral Arts Society 

Omaha, Nebraska 

For expenses related to the Central Ohio Bach/Handel Festival 

and ah increased salary for the chorus director during the 

1984-85 season. 

1,500 

For the salary of the music director and for expenses to improve 

management. 

4,000 

For soloists’ and section leaders’ lees, and increased management expenses of fundraising, public relations, and concert 

arrangements. 

1,600 

To increase the lees of the conductor and accompanist, hire ah 

assistant conductor, and support the El Paso Pro-Musica’s annual choral workshop. 

6,500 

To pay soloists’ lees in the center’s 1985 Bach Tercentenary

Year production of the St. Matthew Passior~ 5,000 

For salaries for the chorus director, accompanist, four section 

leaders, and assistant chorus director. 

1,500 

For salaries for the director and accompanist, and for improved 

management in audience development, fundraising, and board 

development. 

2,000 

For soloists’ lees for the 1984-85 concert series, increased 

salaries of the conductor and accompanist; and improved 

management in public relations, fundraising, and board 

development. 

2,000 

For soloists’ lees and salaries for the music director, assistant 

director, and accompanist; and for improved management

through promotional technical assistance. 

3,300 

For salaries fora core of singers, soloists’ lees and support fora 

full-time arts administrator. 

10,000 

For management expenses and for salaries for the general 

manager, director of development, and clerical support. 

1,500 

For salaries and fees for soloists, a choral assistant, anda fulltime technical assistant in education]audience development and 

coordination, and for the engagement of a guest conductor to 

participate with the symphony choral members in a three-day 

workshop with performances. 

1,500 

To increase the core of paid singers to nine during the 1984-85 

season; and improve the salaries of the chorus director, assistant 

conductors, rehearsal accompanist, and choral manager and 

assistant manager. 

10,000 

For salaries for a core of singers and for increases in the conductor’s and assistant conductor’s salaries. 

3,000 

For singers’ and the conductor’s salaries. 1,750 

For improved salaries for a core of singers, the conductor, and 

the accompanist for performances of works by contemporary 

American composers. 

1,750 

For salaries of the chorus director, assistant chorus director and 

the chorus accompanist; and voice coaching sessions and master 

classes by visiting professional teachers and coaches. 

10,000 

To increase the core of professional singers to seven and the 

number of master teachers to two. 

2,500 

To increase the number of paid rehearsal hours for singers in the 

Paul Hill Chorale and Washington Singers, increase the music 

director’s salary, and maintain the salary of a full-time public 

relations/development administrator. 

9,000 

For salaries for soloists, the music director, and accompanists. 1,000 
Music 171 

New Amsterdam Singers 

New York, New York 

For improved salaries for the conductor, assistant conductor, accompanist, and vocal soloists; and for technical assistance to im1,250 

prove management. 

New Mexico Symphony Orchestra 

Albuquerque, New Mexico 

For Choral Fest II, a program of all 20th-century choral music, 

and the salary for an assistant accompanist. 

2,500 

New York Choral Society 

New York, New York 

For an improved salary for the associate conductor, soloists’ and

a guest conductor’s fees, a choral workshop, and improved 

management lees. 

2,750 

Oakland Symphony Orchestra 

Association 

To pay salaries fora core of seven professional singers to perform in eight choral concerts with the symphony in 1984-85. 

5,000 

Oakland, California 

Occasional Music Society 

New York, New York 

For increases in the salaries of the accompanist and music director, soloists’ lees, and publicity expenses. 

3,000 

Oratorio Society of Washington 

Washington, D.C. 

For improved salaries for the music director and accompanist, 

soloists’ lees, and administrative support services. 

3,000 

Orchestra and Chorus of St. Louis For soloists’ fees and for singers’ salaries for rehearsals and con­ 1,000 

St. Louis, Missouri certs during the 1984-85 season. 

Orchestra Association To pay salaries to the approximately 105 paid chorus members 26,000 

Chicago, Illinois to prepare and present six programs during the 1984-85 season. 

Oregon Repertory Singers

Portland, Oregon 

For improved salaries, fees for soloists, a guest conductor’s lee, 

costs associated with four run-out concerts, and improved 

4,000 

management expenses. 

Oriana Singers 

Chicago, Illinois 

For salaries of the artistic director, accompanist, anda core of 

eight singers; and expenses for management technical 

assistance in audience development and fundraising. 

2,000 

Orpheon: Metropolitan Singers 

New York, New York 

For salaries to expand the core of professional singers in The 

Greek Choral Society’s "Artists in Choral Residence" program,

soloists’ lees, improvement in the choral director’s salary, and 

2,000 

administrative and management staff salaries. 

Performing Axts Association of 

Orange County 

Santa Ana, California 

To pay salaries for a core of 40 professional singers for rehearsals and concerts during the 1984-85 performing season of four 

concerts. 

1,500 

Plymouth Music Series 

Minneapolis, Minnesota 

For soloists’ lees and improved management to aid in audience 

development. 

6,000 

Pro Arte Chamber Singers of

Connecticut 

For salaries and fees for singers, soloists, and the conductor. 1,250 

Westport, Connecticut 

Pro Arte Double Chorale For improved management through technical assistance and 3,500 

Paramus, New Jersey lees for ten soloists. 

Rochester Civic Music To hire section leaders/soloists and an assistant conduc­ 2,500 

Rochester Symphony Chorale tor/chorus master. 

Rochester, Minnesota 

St. Louis Symphony Chorus 

St. Louis, Missouri 

To increase the salaries of the director, assistant director, the 

core of 26 professional sipgers, the accompanist, and the 

10,000 

manager. 

San Diego Master Chorale

San Diego, California 

For increases in salaries for the conductor, associate conductor, 

and accompanist. 

2,500 

San Francisco Symphony 

San Francisco, California 

For salaries for a core of 30 professional singers and the chorus 

director. 

9,000 

Schola Cantorum 

Palo Alto, California 

For an improved salary for the accompanist; lees for guest

soloists, and improved technical assistance support. 

3,000 

Singing City 

Philadelphia, Pennsylvania 

For a guest conductor’s and soloists’ lees, an eight-week series of 

choral workshops, and expenses associated with a run-out concert in Hartford. 

4,500 

Spokane Symphony Society 

Spokane, Washington 

For increased salaries for the conductor and accompanist and 

costs associated with two run-out concerts of the chorale. 

1,800 
172 Mu~ic 

Turtle Creek Chorale 

Dallas, Texas 

Utah Chorale 

Salt Lake City, Utah 

Washington Bach Consort 

Arlington, Virginia 

William Hall Chorale 

Pasadena, California 

Service Organizations 

Association of Professional 

Vocal Ensembles 

Philadelphia, Pennsylvania 

Iowa Choral Directors 

Association 

Waverly, Iowa 

New Music 

Performance 

For the salary of the musical director during the 1984-85 season. 1,500 

To improve the salaries of the conductor, assistant conductor, 

and accompanists; paya core of 24 singers; and hire soloists. 1,000 

For an increase in the salary of the music director and increased 4,500 

technical assistance. 

To paya core of 20 singers within the 120-voice chorale. 3,250 

For the activities of the national service organization, including $15,000 

the fourth national choral survey and expansion of the 

newsletter. 

For costs associated with the 1984 summer convention and 2,500 

choral symphosium. 

Includes two subcategories: Ensembles and Presenting Organizations grants 

enable organizations that have demonstrated a strong commitment to new 

music to provide quality performances of new music and make the form 

more widely available. Services to the New Alusic Field are grants awarded to 

organizations for projects that serve professional new music ensembles on 

a national or regional basis. 

Program funds: $387,400 

66 grants 

Ensembles and Presenting Organizations 

Albany Symphony Orchestra 

Albany, NewYork 

Alea III 

Boston, Massachusetts 

American Camerata for New Music 

Wheaton, Maryland 

American Composers Orchestra 

New York, New York 

and/or service

Seattle, Washington 

Association for the Advancement 

of Creative Musicians 

Chicago, Illinois 

Berkeley Symphony Orchestra 

Berkeley, California 

Boston Musica Viva 

Newton Centre, Massachusetts 

Brooklyn Academy of Music 

Brooklyn, New York 

Brooklyn Philharmonic Symphony 

Orchestra 

Brooklyn, New York 

For the presentation of a series of concerts to include works from 

the consortium comm5ssioning project, a Pulitzer Prize 

Retrospective, and an American Musical Heritage Series. 

$4,000 

For a one-week composers workshop at Boston University during the 1984-85 concert season. 

4,000 

For a three-concert series and the continuation of the New 

Sounds for Young Ears outreach program. 3,500 

For a five-concert series featuring exclusively the music of 

American composers. 20,000 

For concerts of works by contemporary composer/performers. 5,000 

For a series of new music works performed by A.A.C.M. 

members as well as non-members. 5,000 

For a series of summer concerts devoted entirely to new music 

for symphony orchestra broadcast live once per week for up to 

six weeks during July and August. 

5,000 

For the promotion, rehearsal, and performance of a four-concert 

series in the greater Boston area. 7,000 

For a series of new music concerts as part of the academy’s 

festival of new dance, music, and theater. 

3,000 

For the costs of extra rehearsals for the major subscription and 

Meet the Moderns series, the hiring of soloists and specialized 

personnel, and costs of royalties, licensing lees, and copying incurred by the presentation of new music. 

7,500 
173 

California Institute of the Arts For the 1985 Contemporary Music Festival. 7,800 

Valencia, California 

Collage 

Brookline, Massachusetts 

For a series of contemporary chamber music concerts during the 

1984-85 season. 

5,900 

Colorado Springs Symphony 

Orchestra 

For new music concerts by the Da Vinci Quartet highlighting recent works by American composers. 

1,600 

Colorado Springs, Colorado 

Composers Forum 

New York, New York 

For the 1984-85 concert series, including a weekend festival of 

new music, a series of performances by composer/performers, 

anda performance highlighting emerging composers. 

8,000 

Contemporary Arts Center For the 1984-85 season of concerts by composer-performers. 4,600 

Cincinnati, Ohio 

Contrasts in Contemporary Music 

New York, New York 

For the 28th year of the Composers Showcase concert series at 

the Whitney Museum of American Art. 

3,600 

Creative Music Foun~ation For artists’ lees for the 1984-85 season and short-term residen­ 5,100 

Woodstock, New York cies by guest artists and ensembles. 

Creative Time 

New York, New York 

For the presentation of new music performances throughout

New York City. 

2,900 

Cultural Council Foundation For the presentation of concerts of works by American com­ 1,000 

New York, New York posers at the NYU University Theatre. 

Cunningham Dance Foundation For musicians’ lees for a series of performances. 3,800 

New York, New York 

District Curators 

Washington, D.C. 

For a series of new music concerts in the metropolitan

Washington area and a two-day festival that features new music 

artists who reside in D.C. 

5,000 

80 Langton Street Corporation 

San Francisco, California 

For artists’ lees for the ongoing series of new music presentations by composer-performers. 

3,000 

Experimental Intermedia Foundation 

New York, New York 

For the 12th season of concerts by composers, each concert of 

which concentrates on the works of one composer. 

4,700 

Fairbanks Symphony Association 

Fairbanks, Alaska 

For artists’ expenses and subsistence for members of the Arctic 

Chamber Orchestra which premiered a new work by John Adams 

and then toured Alaska performing this new piece. 

2,000 

Film in the Cities 

St. Paul, Minnesota 

For a new music series of performances by established and

emerging artists of national and regional stature. 

3,600 

Foundation for Modern Dance For musicians’ lees for works performed in New York City and 5,400 

New York, New York on tour. 

Gemlan Son of Lion For the preparation and presentation of the fourth concert 1,000 

Stonypoint, New York season of "American Composers for Gamelan." 

Gregg Smith Singers 

New York, New York 

For the costs of extra rehearsals necessary to program and perform new music. 

3,000 

Group for Contemporary Music 

New York, New York 

For performers’ fees and costs related to presenting a series of 

contemporary music. 

6,700 

Honolulu Academy of Arts For presentations of works by Robert Ashley and Don Buchla. 3,000 

Honolulu, Hawaii 

Independent Composers Association For the ninth season of contemporary music concerts. 3,500 

Los Angeles, California 

Inter-Media Arts Center For the 1984-85 season of new music concerts. 3,600 

Bayville, New York 

Ives ¡Charles} Center íor 

Araerican Music 

For artists’ lees for the fifth annual summer program, featuring 

Milton Babbitt and the Pittsburgh New Music Ensemble. 

4,000 

Roxbury, Connecticut 

League of Composers 

New York, New York 

Fora series of concerts of new chamber music at Carnegie 

Recital Hall. 

3,000 
 

1 ? 4 M~ic 

Lenox Arts Center
 

New York, New York
 

Los Angeles Philharmonic 

Association 

Los Angeles, Cal]fornia 

Minnesota Composers Forum
 

St. Paul, Minnesota
 

Musical Elements
 

New York, New York
 

New Music Circle
 

St. Louis, Missouri
 

New Music Consort
 

New York, New York
 

New York New Music Ensemble 

New York, New York 

New Wilderness Foundation
 

New York, New York
 

Newband
 

New York, New York
 

Outward Visions
 

New York, New York
 

Parnassus Contemporary Music 

Fouudation 

New York, New York 

Performers’ Committee 

New York, New York 

Pittsburgh New Music Ensemble 

Pittsburgh, Pennsylvania 

Pone Ensemble for New Music 

New Paltz, New York 

Portland Center for the 

Visual Arts 

Portland, Oregon 

Pro Arte Chamber Orchestra 

of Boston 

Boston, Massachusetts 

Real Art Ways 

Hartford, Connecticut 

Relache 

Philadelphia, Pennsylvania 

Res Musica Baltimore 

Baltimore, Maryland 

Rising Sun Media Arts Center 

Santa Fe, New Mexico 

Roulette Extra Media Resources 

New York, New York 

St. Paul Chamber Orchestra 

St. Paul, Minnesota 

To support the annual series of new music performances asa 

major component of the center’s 14th summer season. 

For a subscription concert series of performances by the orchestra’s New Music Group. 

3,800 

4,000 

For the 12th season of concerts presenting recent works by

American composers. 

For musicians’ fees for the 1984-85 concert season of Daniel 

Asia. 

8,500 

2,900 

For the 1984-85 season of concerts of contemporary music. 3,300 

For touring programs of American music in academic institutions and cultural arts centers, a New York City concert series of 

20th-century music; and the ninth season of contemporary concerts and lectures at York College. 

For a series of concerts, seminars, and regional tours. 

7,200 

5,600 

To support lees, rehearsal expenses, administration, preproduction and technical services for live broadcas~~ of new 

music radio compositions with interviews. 

For artists’ fees and costs of recording concerts in New York 

City. 

For New Music for New Audiences, a series that introduces contemporary music, particularly by black American composerperformers, to young people and those living in disadvantaged 

areas throughout New York City. 

For the llth season of concerts presented in New York’s 

Abraham Goodman House. 

2,300 

1,200 

4,900 

5,200 

For a series of mini-residencies in 20th-century music by Continuum during the 1984-85 season. 

To broaden repertoire and add more nationally and internationally known soloists for the series of five concerts. 

For the rehearsal and performance of concerts of contemporary 

music with ah emphasis on works by living American composers. 

For two new music performances and one sound installation project for the 1984-85 season. 

8,000 

9,000 

1,100 

5,000 

For musicians’ lees for the rehearsal and performance of the 

premieres of works by American composers. 

1,600 

For the sixth annual New Music America Festival. 12,000 

For the 1984-85 season of concerts in the Philadelphia area. 4,000 

For lees for artists and technical personnel for the 1984-85 concert season, including two outreach concerts in distant locations 

in Maryland. 

For the 1984-85 season of new music concerts. 

1,500 

3,700 

To suport lees for artistic, production, and administrative personnel for the Roulette Performance Series and the Roulette 

Broadcast Series. 

3,600 

For artists’ lees for the performance of new American works during the 1984-85 concert season. 2,700 
Music 175 

San Francisco Contemporary 

Music Players 

San Francisco, California 

San Francisco Symphony 

San Francisco, California 

Southern California Chamber 

Music Society 

Los Angeles, California 

Speculum Musicae 

New York, New York 

New York, Research Foundation 

of the State University of

Albany, New York 

New York, Research Foundation 

of the State University of 

New Paltz, New York 

Syracuse Society for New Music 

Syracuse, New York 

20th Century Consort 

Washington, D.C. 

Urban Institute for 

Contemporary Arts 

Grand Rapids, Michigan 

Services to New Music 

Meet the Composer 

New York, New York 

Orchestra 

7,000 For musicians fees for the 1984-85 concert season. 

"’ 7,500 For artists’ lees for the 1984-85 season of the symphony’s "New 

and Unusual Music" series. 

13,000 For the continuation of the Monday Evening Concerts series

during the 1984-85 season. 

3,400 For artists’ lees, publicity costs, and administration of the 

1984-85 New York concert season. 

2,900 For the North American New Music Festival at SUNY-Buffalo, 

a concert series that highlights the works of living American 

composers. 

For Music in the Mountains, a contemporary music series 1,200 

celebrating the contributions of American musicians and com­

.posers in the 20th century. 

5,000 For the 1984-85 concert season highlighting works Dy contemporary American composers, particularly those of the central 

New York region. 

4,300 For the 1984-85 concert season. 

2,200 For the presentation of performances of new music for the 

1984-85 season. 

For composer lees, completion of MTC’s network of regional al- $80,000
 

filiates, expansion of support to jazz composers, collaboration
 

projects, anda commission handbook project designed to
 

facilitate a marketplace for composers by encouraging the commissioning of new works.
 

Includes three subcategories: Arti~tic and Administrative Activities grants 

assist orchestras of the highest artistic level that have national of regional 

significance. Services to the Orchextra Field grants assist organizations that 

provide services to the whole orchestra field of to a sector of it. Creatiue 

Projectx grants assist exemplary of innovative projects such as educational 

activities or the performance, promotion, or preparation of music of our

~ime, especially American works. 

Program funds: $6,854,000 

Treasury funds: $2,600,000 

165 grants 

Artistic and Administrative Activities 

Albany Symphony Orchestra

Albany, New York 

Amarillo Symphony Orchestra 

Amarillo, Texas 

American Composers Orchestra 

New York, New York 

American SymphonyOrchestra 

New York, New York 

Ann Arbar Chamber Orchestra 

Ann Arbor, Michigan 

$26,000 For the 1984-85 classical series and the repeat performance of 

those concerts in Troy, New York. 

15,000 For the in-school concerts and the engagement of guest 

conductors. 

For the 1984-85 subscription series of five concerts in Alice 5,000 

Tully Hall and Symphony Space. 

For the 1984-85 Sunday afternoon subscription series in 50,000 

Carnegie Hall. 

5,000 For the engagement of a core of musicians, expansion of audience development through run-out concerts, and the engagement of young American artists. 
176 Music 

Arkansas Orchestra Society 

Little Rock, Arkansas 

Atlanta Symphony Orchestra 

Atlanta, Georgia 

Austin Symphony Orchestra 

Austin, Texas 

Baltimore Symphony Orchestra 

Baltimore, Maryland 

Baton Rouge Symphony Associatlon 

Baton Rouge, Louisiana 

Berkeley Symphony Orchestra

Berkeley, California 

Binghamton Symphony Orchestra 

Binghamton, New York 

Birmingham Symphony As~ociation 

Birmingham, Alabama 

Bismarck-Manden Orchestra 

As~ociation 

Bismarck, North Dakota 

Beise Philharmonic Association 

Boise, Idaho 

Boston Symphony Orchestra 

Boston, Massachusetts 

Brooklyn Philharmonic Symphony 

Orchestra 

Brooklyn, New York 

Buffalo Philharmonic Society 

Buffalo, New York 

California Chamber Symphony 

Society 

Los Angeles, California 

Canton Symphony Orchestra 

Canton, Ohio 

Cedar Rapids Symphony 

Cedar Rapids, Iowa 

Charle~ton Symphony Orche~tra 

Charleston, South Carolina 

Charleston Symphony Orchestra 

Charleston, West Virginia 

Charlotte Symphony Orchestra 

Society 

Charlotte, North Carolina 

Chattanooga Symplmny Association 

Chattanooga, Tennessee 

Cincinnati Symphony Orchestra 

Cincinnati, Ohio 

Colorado Springs Symphony 

Orchestra Association 

Colorado Springs, Colorado 

Columbus Symphony Orchestra 

Columbus, Ohio 

For the engagement of a string quintet, rehearsal time, and the 

printing of concert programs in braille. 

18,500 

For the touring series and the educational program of concerts 

for children. 

95,000 

TF 100,000 

For the engagement of guest artists and the expansion of the 

subscription series. 

35,000 

For the run-out concerts in Maryland, the Community Development Project that features talented minority artists, and the

development department’s activities. 

90,000 

TF 100,000 

For development of the core orchestra, which performs with the 

full orchestra, provides ensemble services and coaches the Louisiana Youth Orchestra. 

25,000 

For the engagement of administrative staff. 5,000 

For the expansion of the subscription series and the performance 

of contemporary American music. 

5,000 

To engage public relations personnel; perform run-out concerts, 

free concerts, school concerts, and an all American music prograto; and engage a minority artist. 

40,000 

For a residency involving four North Dakota orchestras. 8,000 

To hire principal players and perform contemporary music. 14,000 

For the 1984-85 subscription series. 190,000 

TF 100,000 

For the continuation of the Meet the Moderns Series, the educational program, and the free summer concerts in the parks. 

45,000 

For a pre-concert lecture series and youth concerts. 100,000 

TF 25,000 

For the 1984-85 main subscription series, the engagement of 

American guest artists, the performance of contemporary 

American works, and the educational and outreach programs. 

12,000 

For the ensemble program involving a string quartet, brass

quintet, and woodwind quintet. 

26,000 

For the engagement of a string quartet and an educational coordinator to supervise the scheduling of these ensembles in the 

schools. 

16,000 

For the engagement of a full-time arts admirUstrator. 3,000 

For the young people’s concerts, a free outdoor concert, and an 

audience development campaign. 

12,000 

For the educational program, community concerts, ensembles 

services, collaboration with area performing groups, and run-out 

concerts in North and South Carolina. 

50,000 

To engage sectional musicians. 16,000 

For the 1984-85 subscription series. 95,000 

TF 100,000 

For the increased salaries of orchestra musicians, continued 

engagement of key principals and ensembles, and expansion of 

the winter season. 

40,000 

For young people’s and students’ concerts by the full orchestra 

and chamher ensembles. 

50,000 
3lusic 177 

Concerto Soloists of Philadelphia Philadelphia, Pennsylvania 

To engage a core orchestra. 15,000 

Corpus Christi Symphony Society 

Corpus Christi, Texas 

For the free performance of Handel’s Messiah in Spanish and English, a free chamber concert, community concerts, the 

engagement of a bilingual administrator, and school concerts. 

13,000 

Dallas Symphony Association 

Dallas, Texas 

For the 1984-85 main subscription series, pops concerts, youth 

concerts, run-out concerts, and community services that are programmed for minority audiences and handicapped children. 

95,000 

TF 100,000 

Dayton Philharmonic Orchestra 

Dayton, Ohio 

For the educational and outreach activities of the full orchestra 

and its five ensembles, including young people’s concerts, íree

community concerts, and more than 500 ensemble performances. 

30,000 

Delaware Symphony Association 

Wilmington, Delaware 

For the engagement of additional string players and the young 

people’s concerts. 

25,000 

Denver Symphony Association 

Denver, Colorado 

For state touring, ensemble services, and free concerts that 

feature young artists. 

100,000 

TF 80,000 

Des Moines Symphony 

Des Moines, Iowa 

For the engagement of a young artist, summer pops concerts, 

en~emble and chamber orches~ra performances, run-out concerts, the engagement of a management intern, bus transporta18,500 

tion for senior citizens, and the collaboration with other 

midwestern orchestras for booking guest artists. 

Detroit Symphony Orchestra 

Detroit, Michigan 

For the 1984-85 subscription series and educational program. 100,000 

TF 80,000 

Duluth-Superior Symphony 

Duluth, Minnesota 

For additional rehearsal time, the engagement of five principal 

players and school concerts. 

16,000 

El Paso Symphony Orchestra For the engagement of a string quartet. 20,000 

El Paso, Texas 

Elgin Symphony Orchestra 

Elgin, Illinois 

To engage additional musicians and increase th~ salaries of 

existing players. 

3,000 

Erie Philharmonic 

Erie, Pennsylvania 

For audience development and fundraising programs, additional

rehearsal time to prepare contemporary music, and run-out 

concerts. 

18,500 

Eugene Symphony Association For the engagement of principal players and section musicians. 30,000 

Eugene, Oregon 

Evansville Philharmonic For the engagement of a woodwind quintet, additional rehearsal 8,000 

Orchestral Corporation 

Evansville, Indiana 

time to prepare a world premiere, and youth concerts presented

by the full orchestra. 

Fairbanks Symphony Association 

Fairbanks, Alaska 

For the production of a concert opera and the television and tour 

performance of Forest Without Leaves, a commissioned work by 

John Adams. 

10,000 

Fairfax Symphony Orchestra 

McLean, Virginia 

For "Hello Symphony," an in-school program; chamber orchestra performances; free family concerts in the parks; community outreach by ensembles to institutions for the handicap8,000 

ped and senior citizens; and the engagement of ah education 

director. 

Flint Institute of Music For the youth concert activity and the engagement of marketíng 18,500 

Flint, Michigan and development personnel for the Flint Symphony Orchestra. 

Florida Chamber Orchestra For free community concerts and the engagement of ad­ 5,000 

Association ministrative staff and musicians. 

Fort Lauderdale, Florida 

Florida Gulf Coast Symphony Tampa, Florida 

For youth concerts and free park concerts. 30,000 

Florida Symphony Orchestra For student concerts, a chamber orchestra series, and the expan­ 50,000 

Orlando, Florida sion of the subscription season. 

Fort Lauderdale Symphony 

Orchestra Association 

For the continuation of the in-school program. "~ ! 

/ 

25,000 

Fort Lauderdale, Florida 
178 Music 

Fort Way~e Philharmonic 

Fort Wayne, Indiana 

Fort Worth Symphony Orchestra 

Associat~on 

Fort Worth, Texas 

Fresno Philharmonic Association 

Fresno, California 

Glendale Symphony Orchestra 

Glendale, California 

Grand Rapids Symphony Society 

Grand Rapids, Michigan 

Greater Akron Musical Association 

Akron, Ohio 

Greensboro Symphony Society 

Greensboro, North Carolina 

Harrisburg Symphony Association 

Harrisburg, Pennsylvania 

Honolulu Symphony Society 

Honolulu, Hawaii 

Housing Symphony Orchestra 

New York, New York 

Houston Symphony Society 

Houston, Texas 

Hudson Valley Philharmonic 

Poughkeepsie, New York 

Indiana State Symphony Society 

Indianapo[is, Indiana 

Island Philharmonic Society 

Huntington, New York 

Jackson Symphony Orchestra 

Jackson, Mississippi 

Jacksonville Symphony Association 

Jacksonville, Florida 

Lawton Philharmonic Orchestra 

Lawton, Oklahoma 

Lexington Philharmonic Society 

Lexington, Kentucky 

Lincoln Symphony Orchestra 

Association 

Lincoln, Nebraska 

Long Beach Symphony Association

Long Beach, Ca[ifornia 

Los Angeles Philharmonic 

Los Angeles, Ca[ifornia 

For the continued engagement of a core of musicians to perform

with the full and chamber orchestras and provide ensemble 

services. 

For additional rehearsal time, expansion of the season, the 

engágement of young artists and American conductors, and free 

and low-cost outdoor concerts to reach special constituents. 

For run-out concerts to communities in the San Joaquin Valley 

and for the employment of a string trio to perform with the orchestra and provide lecture and concert demonstrations in the 

Fresno schools. 

For the school ensemble program, the engagement of an administrative assistant and additional string musicians, and increased rehearsal time. 

For the artist-in-residence program that involves a core orchestra performing in schools and colleges and for various adult 

groups, and for the expansion of the services provided by the orchestra for the state. 

For the engagement of five string principals, rehearsal time, 

engagement of a music director, summer park concerts, and tiny 

tots and young people’s concerts. 

For the education program and the engagement of an operations 

manager. 

For the young people’s concerts. 

For the Star[ight Festival, subscription series, and the statewide touring and ,educational programs. 

For additional rehearsals and full orchestra concerts performed 

in five boroughs of New York. 

For the 1984-85 main subscription series and the free concert 

series at the Miller Outdoor Theatre. 

For the chamber orchestra series, featuring American works and

artists; young people’s concerts; in-school programs; and the 

engagement of guest artists. 

For the Visions Concerts at Circle Theater and ah audience 

development program for the Indianapolis Symphony 

Orchestra. 

For the 1984-85 subscription series of 16 concerts. 

For the Jackson Symphony string program. 

For the educational program that involves school concerts, 

young people’s concerts in the Civic Auditorium, and ensembles; 

a chamber series at Jacksonville University; anda run-out concert to Gainesville. 

To engage a string quartet and perform school concerts. 

For the engagement of principal musicians to form two string 

quartets; a woodwind and brass quintet; anda flute, vio[in, cello 

trio. 

For the engagement of a string quartet and student concerts by 

the quartet and full orchestra. 

For the 1984-85 subscription series and the engagement of a 

marketing director anda development officer. 

For the expansion of the 1984-85 subscription series of the Los 

Angeles Chamber Orchestra and the Baroque series at Ambassador Auditorium. 

30,000 

40,000 

16,000 

8,000 

45,000 

16,000 

12,000 

5,000 

35,000 

TF 15,000 

5,000 

100,000 

TF 80,000 

25,000 

100,000 

TF75,000 

15,000 

30,000 

40,000 

3,000 

18,500 

5,000 

30,000 

50,000 

TF 20,000 
Los Angeles Philharmonic 

Los Angeles, California 

Louisville Orchestra 

Louisville. Kentucky 

Marin Symphony Association 

San Rafael, California 

Memphis Orchestral Society 

Memphis, Tennessee 

Midland-Odessa Symphony 

and Chorale 

Midland, Texas 

Milwaukee Symphony Orchestra 

Milwaukee, Wisconsin 

Minnesota Orchestral Association 

Minneapolis, Minnesota 

Monterey Country Symphony 

Carmel, California 

Musical Arts Association 

Cleveland, Olüo 

Nashville Symphony Association 

Nashville, Tennessee 

National Symphony Orchestra 

Association 

Washington, D.C. 

New Hampshire Symphony

Orchestra 

Manchester, New Hampshire 

New Haven Symphony Orchestra 

New Haven, Connecticut 

New Jersey Symphony 

Orchestra 

Newark, New Jersey 

New Mexico Symphony 

Orchestra 

Albuquerque, New Mexico 

New Orleans Philharmonic 

Symphony Society 

New Orleans, Louisiana 

92nd Street YM-YWHA 

New York, New York 

North Carolina Symphony 

Raleigh, North Carolina 

Northwest Chamber Orchestra 

Seattle, Washington 

Oakland Symphony Orchestra 

Oakland, Califorr~a 

Ohio Chamber Orchestra Society 

Cleveland, Ohio 

For the 1984-85 winter season activities. 

To perform American contemporary music on the subscription 

series and provide discount tickets for students, senior citizens, 

and the handicapped. 

For the activities associated with a commissioned work by

Grant Beglarian, including two performances, additional rehearsal time, master classes, anda pre-concert discussion. 

For the continuation of the Little Symphony concerts in the 

schools and the engagement of a marketing director. 

For the engagement of a full-time development director, additional rehearsal time, and the continuation of the ensemble and 

chamber orchestra school program. 

To expand the subscription series by two performances; perform 

neighborhood, educational, and run-out concerts, and collaborate with the Florentine Opera and the Bel Canto Chorus. 

For community and educational services, including youth concerts in schools, free park concerts, and noon concerts for the 

elderly; run-out concerts; a new series in St. Paul; and partial 

support of the 1984-85 subscription series. 

For the engagement of guest conductors anda core of musicians, 

in-school demonstrations, anda free pops concert. 

For the Cleveland Orchestra’s outreach concerts in neighboring 

communities, educational concerts at Severance Hall, anda 

matinee series for adult audiences in Severance Hall. 

For the salaries of the core orchestra and expansion of the 

subscription series. 

For the 1984-85 classical subscription concert series. 

For the expansion of the 1984-85 subscription series. 

For the young people’s concerts and a chamber music series by 

the chamber orchestra. 

For young people’s concerts throughout the state and collaborations with a network of performing organizations. 

For the educational program involving ensembles in performance and classroom demonstrations, and the statewide touring 

program. 

For the educational program; outreach concerts presented in 

parks, schools, and churches; and collaborations with other performing groups. 

For the engagement of guest artists and conductors, performances of new repertoire, and run-out/tour concerts. 

For the educational program, which involves ensemble, chamber 

orchestra, and full orchestra concerts. 

For the engagement of emerging American artisti and the promotion, presentation, and performance of contemporary 

American music. 

For concerts in outlying communities and the lecture/dress 

rehearsal series. 

For the anniversary celebration concert involving guest artists. 

190,000 

TF 100,000 

55,000 

TF 20,000 

18,500 

25,000 

20,000 

100,000 

TF 75,000 

160,000 

TF 100,000 

16,000 

90,000 

TF 200,000 

40,000 

145,000 

TF 100,000 

16,000 

40,000 

45,000 

45,000 

100,000 

TF 25,000 

30,000 

40,000 

TF 15,000 

16,000 

40,000 

TF 15,000 

5,000 
180 Music 

Oklahoma Symphony Orchestra 

Oklahoma City, Oklahoma 

Omaha Symphony Association 

Omaha, Nebraska 

Orange County Pacific Symphony 

Fullerton, California 

Orchestra of Santa Fe 

Santa Fe, New Mexico 

Orchestral Association 

Chicago, Illinois 

Oregon Symphony Association 

Portland, Oregon 

Orpheon: The Little Orchestra 

Society of New York 

New York, New York 

Owensboro Symphony Orchestra 

Owensboro, Kentucky 

Pasadena Symphony Association 

Pasadena, California 

Performing Artists Cultural 

Endeavors 

White Plains, New York 

Philadelphia Orchestra 

Association 

Philadelphia, Pennsylvania 

Philharmonic Society of 

Northeastern Pennsylvania 

Avoca, Pennsylvania 

Philharmonic-Symphony Society 

of New York 

New York, New York 

Phoenix Symphony Association 

Phoenix, Arizona 

Pittsburgh Symphony Society 

Pittsburgh, Pennsylvania 

Portland Symphony Orchestra 

Portland, Maine 

Pro Arte Chamber Orchestra 

of Boston 

Boston, Massachusetts 

Pro Musica Chamber Orchestra 

of Columbus 

Columbus, Ohio 

Puerto Rico Symphony Orchestra 

San Juan, Puerto Rico 

Queens Symphony Orchestra 

Rego Park, New York 

Rhode Island Philharmonic 

Orchestra 

Providence, Rhode Island 

For the continuation of the run-out concerts program and the 45,000 

Tinker AFB subscription series. 

For educational concerts and workshops by the fui] orchestra 45,000 

and Nebraska Sinfonia. 

For the engagement of a core orchestra to perform asa chamber 5,000 

orchestra. 

For in-school performances and the engagement of an American 5,000 

guest artist and administrative personnel. 

For the Chicago Symphony Orchestra’s rehearsals conducted by 190,000 

the music director; and the educational programs, including the TF 100,000 

Kaleidoscope concerts, youth concerts, university night concerts, and free ensemble-lecture programs. 

For the orchestra musicians’ increased salaries. 100,000 

TF 45,000 

For increased rehearsal time and fees for musicians. 5,000 

For the engagement of four musicians to serve as section prin- 5,000 

cipals and for rehearsal time. 

For the 1984-85 major subscription series, the performance of 20,000 

contemporary American music, and the Sunday Sampler Series. 

For additional rehearsals and the expansion of the run-out 5,000 

concerts. 

For the 1984-85 subscription series and concerts for students 190,000 

and children. TF 100,000 

For the ai]-American program scheduled for the classical series, 16,000 

the collaboration with a Pennsylvania chorus to perform a major 

choral work, and run-out concerts. 

For the 1984-85 subscription series of the New York Philhar- 190,000 

monic and for the park concerts in New York City, Long Island, TF 100,000 

and Westchester County. 

For run-out concerts by the chamber and fui] orchestras and for 35,000 

the continued collaboration with Ballet West and Arizona Opera. TF 15,000 

For a summer program in western Pennsylvania that consists of 160,000 

open air concerts at Point State Park and free concerts in TF 100,000 

Allegheny County; anda young people’s concert program. 

For the chamber orchestra series and youth programs. 25,000 

To engage a full-time general manager and guest artists for the 6,000 

1984-85 season. 

For the engagement of a guest conductor and artist, and for ad- 5,000 

ditional rehearsal time. 

To present Puerto Rican and American soloists and conductors 40,000 

with the orchestra; perform student and run-out concerts; and 

issue half-price tickets to students, senior, and disabled citizens. 

For the expansion of the Music BAG (Music for Boys and Girls) 15,000 

educational program to include an additional week of performances, a docent program, and the engagement of a coordinator 

for the program. 

For the educational program. 30,000 
.~/ust’c 181 

Richmond Symphony For state-wide touring and run-out concerts by the symphony, 45,000 

Richmond, Virginia Sinfonia, and ensembles; the Sinfonia/Serenade series; community concerts; engagement of full-time principal winds; and additional rehearsal time for the three ensembles. 

Roanoke Symphony Society For the engagement of a full-time manager and additional 3,000 

Roanoke, Virgin~a rehearsal time. 

Rochester Civic Muslo For the engagement of a string quartet and educational director. 9,000 

Rochester, Minnesota 

Rochester Philharmonic For summer concerts, student concerts, run-out concerts to 100,000 

Rochester, New York upstate New York, and free concerts in parks and shopping TF 70,000 

malls. 

Sacramento Symphony Association For the engagement of a core of musicians to provide ensemble 50,000 

Sacramento, California services and perform with the orchestra, and for the festival of

contemporary American music. 

Saginaw Symphony Orchestra For the engagement of principal players and the in-school 12,000 

Saginaw, Michigan performances. 

St. Louis Symphony Society 

St. Louis, Missouri 

To expand the development and group sales offices, establish an 

educational program for high school students, and expand the 

145,000 

TF 100,000 

performances of American music on the subscription series, 

St. Paul Chamber Orchestra 

St. Paul, Minnesota 

To expand the Capital Series in the Ordway Music Theatre, and

continue the Baroque series and the Friday morning concert 

100,000 

TF 45,000 

series. 

San Diego Symphony Orchestra

San Diego, California 

To engage development and research staff, implement audience 

development programs for special constituencies, and perform 

90,000 

TF 15,000 

young people’s concerts. 

San Francisco Symphony 

San Francisco, California 

For the performance of contemporary and American music, 

young people’s concerts, and an audience development

campaign. 

190,000 

TF 100,000 

San Jose Symphony Association For the in-school music program. 45,000 

San Jose, California 

Santa Barbara Symphony For the Sunday matinee series, designed to make orchestra con­ 16,000 

Orchestra certs available to families, students, senior residents, and handiSanta Barbara, California capped persons. 

Santa Rosa Symphony For the engagement of a development director, concertmaster, 5,000 

Santa Rosa, California and core musicians. 

Savannah Symphony Society For the engagement of a core orchestra to perform concerts that 30,000 

Savannah, Georgia include the Masterworks, Sunday Series, Armstrong College 

Series, Cathedral concerts, young people’s concerts, Fort 

Jaekson outdoor concerts, anda pops concert. 

Seattle Symphony Orchestra To engage a music director and associate conductor, perform ah 100,000 

Seattle, Washington International Series and free lunch-time concerts, and imple- TF 45,000 

ment estate planning programs. 

Senior Musicians Association For the 1984-85 series of concerts by the Senior Musicians Or­ 5,000 

New York, New York chestra in senior citizen centers and community auditoriums in

the boroughs of New York and Long Island. 

Shreveport Symphony

Shreveport, Louisiana 

For the engagement of additional core musicians to perform 

ensembles and chamber orchestra services, and for the free sum25,000 

roer concerts in Expo Hall. 

Sioux City Symphony Association For in-school concerts and two family concerts. 5,000 

Sioux City, Iowa 

South Bend Symphony Orchestra For the increased remuneration for musicians, two family 16,000 

South Bend, Indiana festival concerts, and in-school ensembles. 

South Dakota Symphony For the educational program, community services, and increased 20,000 

Sioux Falls, South Dakota remuneration for the musicians. 
182 ~lusic 

Spokane Symphony Orchestra 

Society 

Spokane, Washington 

Springfield Orchestra Association 

Springfield, Massachusetts 

Springfield Symphony Orchestra 

Springfield, Illinois 

Springfield Symphony Orchestra 

Springfield, Ohio 

Symphony and Choral Society 

of Cheyenne 

Cheyenne, Wyoming 

Symphony Society of Greater 

Hartford 

Hartford, Connecticut 

Symphony Society of San Antonio 

San Antonio, Texas 

Syracuse Symphony Orehestra 

Syracuse, New York 

Texas Chamber Orchestra 

Houston, Texas 

Toledo Symphony Orchestra 

Toledo, Ohio 

Tucson Symphony Society 

Tucson, Arizona 

Tulsa Philharmonic 

Tulsa, Oklahoma 

Utah Symphony 

Salt Lake City, Utah 

Ventura County Symphony 

Ventura, California 

Vermont Symphony Orehestra 

Burlington, Vermont 

Virginia Orchestra Group 

Norfolk, Virginia 

Wheeling Symphony Society 

Wheeling, West Virginia 

Wichita Symphony Society 

Wichita, Kansas 

Winston-Salem Symphony 

Association 

Winston-Salem, North Carolina 

Youngstown Symphony Society 

Youngstown, Ohio 

For the engagement of a core orchestra to perform a subscription series in Spokane, family concerts, and school concerts. 

For the engagement of string and woodwind players; expansion 

of the run-out concerts; "Classical Roots," a local outreach prograto focusing on works by black classical composers; and inschool concert programs. 

For children’s concerts. 

For additional rehearsal time and three Sunday afternoon repeat

performances in Memorial Hall. 

For the engagement of a fu[l-time administrative assistant. 

For the engagement of guest conductors and the performances 

of two new American works. 

To computerize the ticket, development and accounting office; 

increase the marketing and development staffs; present 

American artists; perform American compositions; develop 

telemarketing, endowment and direct mail eampaigns; and continue participation in the Rio Grande Valley International Music 

Festival. 

For the concert series in outlying communities, school concerts, 

expansion of the family series, engagement of young artists, the 

residency of an American composer, and summer park concerts. 

For the 1984-85 subscription series and chamber ensemble runout performances. 

For ensemble services and young people’s concerts. 

For the engagement of additional core musicians and the continuation of the ensemble program in the schools. 

To engage musicians fora full-time core orchestra. 

For the regional community concerts, choral concerts, family 

concerts and the collaborative performances with Ballet West 

and Utah Opera. 

To expand the subscription series to pairs of concerts and perform the "Concerts in the Barrio," free concerts for low-income 

persons. 

For additional rehearsal time and youth concerts in the state. 

For the subscription series of 21 concerts and the expansion of 

ensemble activities. 

For the engagement of the Appalachian String Quartet to perforro with the orchestra, serve as teachers, and provide ensemble 

services. 

For run-out concerts, the engagement of the Graduate String

Quartet, and young people’s concerts. 

For the in-school program, the engagement of principal players, 

and Concerts for Kids. 

For the orchestra costs to perform Verdi’s Aida, youth concerts, and a marketing research lee. 

30,000 

35,000 

3,000 

3,000 

3,000 

40,000 

90,000 

TF 15,000 

100,000 

TF 25,000 

5,000 

35,000 

30,000 

45,000 

100,000 

TF 70,000 

5,000 

14,000 

20,000 

8,000 

45,000 

18,500 

16,000 
Music 183 

Services to the Orchestra Field 

TF $30,000 Affiliate Artists	 For the continuation of the Exxon/Arts Endowment Conductors 

New York, New York	 Program and the Affiliate Artists Assistantship ProgTam, which 

involves residencies of conductors with American orchestras to 

develop and advance their careers. 

70,000 Affiliate Artists	 For the first two years of a pilot project designed to provide canNew York, New York	 didates with the full spectrum of training and experience 

necessary to become a maj or orchestra conductor through study 

with master teachers and performance experience with an orchestra under the guidance of a master conductor. 

American Symphony Orchestra	 For management seminars; regional workshops; education 187,500 

League	 manuals, guides, and publications; services and publications 

Washington, D.C.	 designed to address artistic policy issues, performance of contemporary and American music, and concerns of artistic personnel; and general information and technical assistance services to
 

orchestras.
 

American Symphony Orchestra	 For the Orchestra Management Fellowship Program, which in- 50,000 

League	 volves the identification, selection, and training of candidates 

Washington, D.C.	 who show potential as professional managers of symphony 

orchestras. 

American Symphony Orchestra	 For a cooperative agreement to administer the on-site artistic 65,000 

League	 and administrative evaluations of symphony and chamber orWashington, D.C.	 chestras and other music organizations by qualified experts in

the field during the 1984-85 season. 

Creative Projects 

Brooklyn Philharmonic Symphony	 For open rehearsals of new works or works-in-progress by emerg- $10,000 

Orchestra	 ing composers with a critique and discussion following the perBrooklyn, New York	 formance and ah introduction provided by the composer. 

Detroit Symphony Orchestra	 For the collaboration with the University of Michigan on the 2,500 

Detroit, Michigan	 Black American Muiic Symposium, involving lectures on black
 

music anda performance by the full orchestra of composer


Undine Smith Moore’s Scen~s from the Life oía Martyr.
 

Los Angeles Philharmonic	 For the educational project involving the preparation and perfor- 5,000 

Los Angeles, California	 mance of Luciano Berio’s Due~ which pairs Philharmonic
 violinists with students of the instrument on a sequential set of
 

duets.
 

San Francisco Symphony For a one-week composer festival concentrating on one living 7,500
 

San Francisco, California composer, involving premieres, performances, symposia, open
 

rehearsals, and collaborations with atea orchestras and
 

presenters.
 

Jazz	 Includes eight subcategories: Performers who perform traditional, innovative, of extended forros of jazz are encouraged in their creative 

development through support of rehearsals, performances, or related expenses. Composers are given support for the creation of new works, the completion of works in progress, of reproduction of their scores. Jazz Study 

grants enable aspiring jazz performers and composers to study privately 

with recognized masters of jazz. Program .4s~i~tance grants help professional ensembles and presenting institutions improve performance quality 

and increase audience awareness and appreciation of jazz. Colleges 

U~iversitie~ ate awarded grants for the presentation of jazz. 

.4~sistat~ce is provided for improving management capabilities of jazz 

presenting or performing organizations. Jazz Special Project$ are innovative 

projects of national or regional significance that benefit the jazz field. Jazz 

Mastcr Awards are given to distinguished masters who have significantly 

altered the language of the art form in the Afro-American tradition. 

Program funds: $1,777,295 

236 grants 
Performers 

Aarons, Albert N.
 

Los Angeles, California
 

Abrams, Richard
 

New York, New York
 

Ashby, Harold
 

New York, New York
 

Barefield, A. Spencer 

Detroit, Michigan
 

Bluiett, Hamiet, Jr.
 

New York, New York
 

Boukas, Richard A.
 

Flushing, New York
 

Brown, Richard A.
 

Chicago, Illinois
 

Carrington, Terri Lynne
 

West Medford, Massachusetts
 

Clayton, Jay
 

Seattle, Washington
 

Cochrane, Michael D.
 

New York, New York
 

Coleman, George
 

New York, New York
 

Collins, Joyce L.
 

Studio City, California
 

Contos, Paul D.
 

Santa Cruz, California
 

Cooper, James C.


Chicago, Iilinois
 

Crayton, JoAnne
 

New Orleans, Louisiana
 

Criner, Clyde
 

New York, New York
 

Dagradi, Anthony A.
 

New Orleans, Louisiana
 

Di Geronimo, Nicholas M.
 

Rutherford, New Jersey
 

Dreyer, Laura 

Brooklyn, New York 

Dudziak-Urbaniak, Ursula 

New York, New York
 

Edwards, Theodore
 

Los Angeles, California
 

Eley, Valerie K.
 

New York, New York
 

Emery, James P.
 

New York, New York
 

Fortune, Cornelius Sonny 

New York, New York 

Haddad, Jamey 

South Euclid, Ohio 

$2,500 

10,000 

3,500 

10,000 

5,000 

6,700 

10,000 

7,000 

7,500 

5,000 

10,000 

5,000 

8,000 

4,000 

5,000 

10,000 

5,000 

3,800 

2,500 

10,000 

5,000 

1,600 

8,000 

10,000 

8,000 

Harris, Barry 

New York, New York 

12,000 

Harris, Harold 

Long Island City, New York 

4,000 

Helias, Mark 

New York, New York 

6,000 

Hill, Roger 

Laurel, Maryland 

8,000 

Jenkins, Leroy 

New York, New York 

6,000 

Jenoure, Terry 

New York, New York 

4,000 

Johnson, Marc 

New York, New York 

9,000 

Jones, Etta 

Washington, D.C. 

9,000 

Jones, Rodney 

New York, New York 

4,000 

Joyce, Melba 

Altadena, California 

5,000 

Krimm, Daniel J. 

New York, New York 

5,000 

LaVerne, Andrew 

New York, New York 

8,000 

Lewis, Mel 

New York, New York 

9,000 

Lichterman, Douglas D. 

New York, New York 

3,000 

Lincoln, Abby 

New York, New York 

10,000 

Locke, Joseph P. 

New York, New York 

5,000 

Mabern, Harold 

Brooklyn, New York 

10,000 

Mackay, Dave 

Van Nuys, California 

5,000 

Markowitz, Phillip 

New York, New York 

8,000 

Metzger, Jon F. 

Greensboro, North Carolina 

6,600 

Miranda, Roberto M. 

Santa Monica, California 

10,000 

Nicholas, George W. 

Washington, D.C. 

5,000 

Pitts, Christopher B.

Highland Park, Michigan 

2,800 

Powell, Benny G. 

New York, New York 

8,000 

Previte, Robert 

New York, New York 

1,700 
185 

Redd, Vi G. 

Inglewood, California 

5,000 Taylor, Arthur S. 

New York, New York 

8,000 

Redfield, Marilyn 

New York, New York 

7,000 Urbaniak, Michal 

New York, New York 

10,000 

Remler, Emily S. 

Englewood Cliffs, New Jersey 

8,000 Warren, James 

El Paso, Texas 

5,000 

Richmond, Danny 

Greensboro, North Carolina 

12,000 Werner, Kenneth 

Brooklyn, New York 

8,000 

Saxton, William E. 

Bronx, New York 

7,000 Wilkins, Jack S. 

New York, New York 

5,000 

Spaulding, James 

New York, New York 

8,000 Wood, Elise 

New York, New York 

4,000 

Swartz, Harvie J. 

Hastings-on-Hudson, New York 

7,000 Zano, Anthony J. 

Wilmington, Massachusetts 

4,000 

Composers 

Brookmeyer, Robert 

Brooklyn, New York 

$8,000 Knox, Gary S. 

New York, New York 

4,000 

Gratz, Reed 

La Verne, California 

7,000 Masakowski, Stephen 

New Orleans, Louisiana 

5,000 

Haden, Charles 

Pacific Palisades, California 

8,000 McKinley, Thomas 

Reading, Massachusetts 

8,000 

Hollenbeck, Patrick 

Boston, Massachusetts 

7,000 

Jazz Study 

Baum, Jameson 

Fairfield, Connecticut 

$3,000 Eisen, Jonathan V. 

Malibu, California 

4,600 

Berger, Steve M. 

New York, New York 

2,500 Fielder, Dale V. 

Brooklyn, New York 

1,500 

Blackman, Mark A. 

Paramus, New Jersey 

1,500 Ford, James 

New Brunswick, New Jersey 

2,500 

Blackstone, Jane 

New York, New York 

2,500 Fuchs, Jessica M. 

New York, New York 

4,000 

Botti, Christopher S. 

Corvallis, Oregon 

4,500 Grice, Janet 

Middleton, Massachusetts 

3,400 

Bowie, Michael A. 

Hillcrest Heights, Maryland 

3,700 Hale, Michael T. 

Greeley, Colorado 

830 

Briggs, Toro F. 

New York, New York 

4,700 Halperin, James D. 

Woodbury, New York 

3,300 

Church, Clare V. 

Chicago, Illinois 

3,000 Haq, Barry M. 

North Dartmouth, Massachusett.~ 

4,800 

Cobb, Arthur F. 

Washington, D.C. 

Curtis, Jual C., Jr. 

New York, New York 

Dawkin~, Ernest 

Chicago, II[inois 

Ebers, Jeffrey G. 

Spring Valley, New York 

4,900 

4,000 

5,000 

2,500 

Harper, Hiram W.

Washington, D.C. 

Johnson, Mark E. 

New York, New York 

Kendrick, Rodney L. 

Brooklyn, New York 

Knust, Jonathan 

Rochester, New York 

4,000 

3,500 

4,000 

4,000 
186 Music 

Kopplin, David F. 

Boulder, Colorado 

Mapp, Antonio 

New York, New York 

Marsalis, Delfeayo F. 

New Orleans, Louisiana 

Monson, Ingrid T. 

Brighton, Massachusetts 

Morrow, Geoffrey 

Buffalo, New York 

Morrow, Geoffrey 

Buffalo, New York 

Murphy, Gregory L. 

Chicago, Illinois 

Owen, Stephen W. 

Greeley, Colorado 

Pollack, Anne H. 

New York, New York 

Pope, Robert B. 

Woodside, New York 

Program Assistance 

Afro-American Historical and 

Cultural Museum
 

Philadelphia, Pennsylvania
 

Alternative Center for 

International Arts 

New York, New York 

Artists Collective 

Hartford, Connecticut 

Arts Festival Association 

of Atlanta 

Atlanta, Georgia 

Association for the Advancement 

of Creative Musicians 

Chicago, Illinois 

Atlanta, City of 

Atlanta, Georgia 

Brooklyn Academy of Music 

Brooklyn, New York 

Centrum Foundation 

Port Townsend, Washington 

Chinese for Affirmative Action 

San Francisco, California 

Coalition to Save South 

Shore Country Club Park 

Chicago, Illinois 

Committee on Jazz 

Los Angeles, California 

2,500 

4,000 

5,000 

2,400 

1,500 

1,800 

3,100 

2,400 

1,100 

3,000 

4,000 

New York, New York 

Rohlehr, James 2,500 

New York, New York 

Rosenberg, Marlene R. 3,000 

Chicago, Ilfinois 

Shapiro, Libby F. 3,000 

West Caldwell, New Jersey 

Stewart, Genevieve S. 

Purcell, Yvonne 

1,500 

New York, New York 

Strange, Phillip M. 1,800 

Tempe, Arizona 

Yente, John Marshall 4,000

Darien, Illinois 

Wilson, Matthew E. 2,600 

Knoxville, Illinois 

Zeltsman, Nancy 4,000 

Jamaica Plain, Massachusetts 

Zomtakos, Stanley P. 2,000 

New York, New York 

$5,500 For artists’ fees for the concert series featuring Dexter Gordon, 

Horace Sflver, George Russell, Sun Ra, David Murray, and Betty Carter. 

8,000 For jazz presentations in the World Music concert series. 

23,465 For the Tribute Concert honoring song stylist Betty Carter, and

for the Jazz Session Series featuring Billy Taylor and the World 

Saxophone Quartet in performances with local musicians. 

6,800 For the guest artist’s lee for Cecil Bridgewater’s residency, 

master workshop, and performances at the 31st annual arts 

festival. 

23,000 For the jazz concert and workshop series, including lectures and 

concert demonstrations at elementary schools, workshops for 

amateur and professional musicians, and concerts at businesses

that employ minority workers. 

25,000 For national and local jazz artists’ lees for the 1984 Atlanta Free 

Jazz Festival and the 1984 World Music Series, sponsored by the

city’s Bureau oí Cultural Affairs. 

3,600 For artists’ performance lees for the 1984-85 concert series 

"Jazz on a Winter’s Nite." 

6,000 For jazz artists’ lees and regional promotional expenses for the 

sixth annual Jazz Port Townsend and third annual Hot Jazz 

Port Townsend festivals. 

3,800 For professional jazz artists’ lees for the 1984 Asian American

Jazz Festival. 

5,700 For national and local jazz artists’ fees for the fourth annual
 

"Jazz Comes Home" festival.
 

5,700 For artists’ performance lees for the Jazz Masters Concert 

Series. 
Music 187 

Composers and Improvisors To support musicians’ salaries, guest artists’ fees and travel ex­ 5,700 

Association penses for the Composers and Improvisors Orchestra’s 1984-85 

Seattle, Washington concert season. 

Contemporary Arts Center For commissions and performance fees for the Jazz Composers 14,200 

New Orleans, Louisiana Series, which premiered new compositions by local composers, 

and for rehearsals for schools/groups and concerts led by artists 

George coleman, Muhal Richard Abrams, Marian McPartland, 

Eddie Daniels, and Max Roach. 

Creative Axts Collective For artists’ lees and promotional expenses for the concert series 17,000 

Detroit, Michigan of original compositions and premiere works by established, professional musicians from Michigan in collaboration with guest 

artists. 

Creative Music Foundation For the 1984-85 series of jazz concerts and residencies. 7,500 

Woodstock, New York 

Dance Visions For jazz musicians’ lees for the dance company’s 1984 season, in­ 5,965 

New York, New York cluding a new collaborative work anda performance with guest 

jazz artists. 

District Curators 

Washington, D.C. For artists’ lees for the 1984-85 season of monthly concerts, the 

fifth annual D.C. Loft Jazz Festival, and the D.C. Jazz 

Workshop Orchestra, directed by artist-in-residence Sam Rivers. 

7,000 

Film in the Cities For jazz artists’ lees and related travel expenses fora series of 4,100 

St. Paul, Minnesota summer concerts. 

For the Love of Jazz For performances by the Sonny Rollins Quartet, the Gary Bur­ 5,600 

Reno, Nevada ton Quintet, and professional local jazz musicians. 

G.I.N. [Get Involved Now} 

Foundation 

For jazz performances at convalescent homes, senior centers,

and hospitals. 

4,400 

Houston, Texas 

G. de Haas and Associates For artists’ fees for the three-day summer jazz festival presenta­ 5,700 

Productions 

Chicago, Illinois 

tions of the Count Basie Orchestra, Joe Williams, and local artists and ensembles. 

Garden Arca Neighborhood Council For jazz artists’ fees for a series of free, outdoor concerts by local 4,500 

Hartford, Connecticut professional musicians and guest artists, including Slide Hampton’s Trombone Orchestra, George Coleman, Horace Silver, Milt 

Jackson, and Philly Joe Jones. 

Henry Street Settlement For guest artists’ lees for the Professional Concert Series and 18,600 

New York, New York workshops in jazz and Latin jazz designed for students preparing for professional careers. 

Highlights in Jazz For artists’ lees for the 1984-85 jazz concert series. 2,000 

New York, New York 

International Art of Jazz For artists’ lees for jazz workshops conducted by master jazz 30,000 

Stony Brook, New York musicians for school-aged children and festivals presented on

Long Island and in Westport, New York. 

Jazz Arts Group of Columbus To support guest jazz artists’ lees for the 1984-85 subscription 7,975 

Columbus, Ohio concert season. 

Jazz Heritage Foundation

Los Angeles, California For jazz musicians’ performance and lecture lees fora series ofpresentations in the Los Angeles schools and for physically or 

3,000 

educationally handicapped audiences. 

Jazz in Arizona For guest artists’ and local musicians’ lees for clinics and con­ 3,400 

Phoenix, Arizona certs under the jazz artist-in-residence programat participating 

public schools and colleges. 

Jazz Research Institute For the Detroit Jazz Center’s 1984-85 concert season, featuring 25,000 

Detroit, Michigan nationally known guest artists and professional local musicians 

in performances for audiences that include the mentally ill, the 

elderly, and the handicapped. 

Jazz Society of Philadelphia For jazz musicians’ performance lees for the fourth annual jazz 2,400 

Philadelphia, Pennsylvania and arts festival. 
Jazzmobile 

New York, New York 

Kuumbwa Jazz Society 

Santa Cruz, California 

Las Vegas Jazz Society 

Las Vegas, Nevada 

Manna House Workshops 

New York, New York 

Minnesota Orchestral Association 

Minneapolis, Minnesota 

Mobile Jazz Festival 

Mobile, Alabama 

Monmouth County Library

Freehold, New Jersey 

National Association of Jazz 

Educators 

Manhattan, Kansas 

Natural Heritage Trust 

Lewiston, New York 

New Mexico Jazz Workshop 

Albuquerque, New Mexico 

New York Shakespeare Festival 

New York, New York 

Outward Visians 

New York, New York 

Pacífica Foundation 

Washington, D.C. 

Painted Bride Art Center 

Philadelphia, Pennsylvania 

Parker, (Charlie) Memorial 

Foundation 

Kansas City, Missouri 

Portland Center lar the 

Visual Arts 

Portland, Oregon 

Real Art Ways 

Hartford, Connecticut 

Rod Rodgers Dance Company 

New York, New York 

San Diego Jazz Festival 

La Jolla, California 

Spoleto Festival, U.S.A. 

Charleston, South Carolina 

SumArts 

Houston, Texas 

For the summer mobile concerts in the mid-Atlantic region and 

the school lecture-concerts lar young audiences in the public

schools of New York City and Westchester County. 

50,000 

For artists’ lees for the 1984-85 concert series, featuring national jazz artists Arthur Blythe, the Heath Brothers, Betty 

Carter, Richie Cole, Les McCann, Flora Purim and Airto, Tito 

Puente, Sonny Rollins, and Cedar Walton. 

6,000 

For a series of jazz performances. 11,000 

For jazz artists’ lees for the American music concert series with 

emphasis on works by new composers. 

3,000 

For jazz artists’ lees lar a series of jazz concerts during the 

1984-85 season. 

2,000 

For jazz artists’ clinician and performance fees lar the annual 

festival for high school bands. 

3,500 

For the 1984-85 series of jazz concerts and workshops presented 

on a collaborative basis by three publlc libraries. 

2,900 

For lees lar guest artists, clinics, workshops, and performances 

lar the annual national convention in 1985. 

5,300 

For engaging regional and national jazz artists’ fees for the 1984 

jazz concert series at Artpark. 

4,300 

For the workshop and concert series during the 1984-85 season. 6,550 

For jazz artists’ fees for the 1984-85 New Jazz at the Publlc concert series. 

5,400 

For an educational workshop-performance program designed lar 

the intermediate-level musician, with master artists Oliver Lake, 

Leroy Jenkins, Roscoe Mitchell, Jack De Johnette, Craig Harris, 

and Andrew Cyrille. 

4,700 

For artists’ fees lar live broadcasts on WPFW-FM of Capital 

Jazz, a limited series that focuses on the careers and musical contributions of nationally prominent local artists and The Master’s 

Class, a series of workshops and performances. 

10,000 

For artists’ performance fees for the 1984-85 concert series 

featuring established and emerging jazz artists. 

4,500 

For clinics and concerts featuring the Harold Land Quintet, and 

Art Blakey and the Jazz Messengers. 

12,500 

For artists’ residency and performance lees lar contemporary 

jazz presentations during the 1984-85 season. 

3,200 

For artists’ lees for composer-musician Leo Smith to rehearse 

his new jazz opera and lar the 1984-85 jazz concert series. 

6,500 

To support artists’ fees lar composer-musician Jimmy Owens 

and accompanying jazz musicians in a collaborative commission

for a new work honoring third-world heroes, also marking the 

20th anniversary of the Rod Rodgers Dance Company. 

6,000 

For artists’ lees and related travel expenses for the second year 

of "New Talent/Artists of the ’80s." 

3,000 

For jazz artists’ lees for the 1984 festival. 10,400 

For presentations at the fifth annual Houston Jazz Festival, including one performance specifically lar senior citizens and

handicapped audiences; and lar the 1984-85 Jazzmasters Concert Series. 

25,000 
M~sic 189 

Toledo Jazz Society For orchestra wages and guest jazz artists’ fees for the Toledo 2,900 

Toledo, Ohio Jazz Orchestra’s subscription concert series. 

Tucson Jazz Society For the free Jazz Sundae festival, featuring Joe Williams and his 3,900 

Tucson, Arizona trio. 

Tucson Moving Center 

Tucson, Arizona 

For artists’ fees and travel expenses for Eneke’s series of concerts by Douglas Ewart and Inventions, and the Ethnic Heritage Ensemble, along with local musicians. 

2,500 

Universal Jazz Coalition For the 1984-85 concert season, including a series of major 30,000 

New York, New York presentations honoring several master jazz composers, the 

seventh annual New York Women’s Jazz Festival, and for the 

memberstüp services to aspiring jazz artists. 

Walker Art Center For the 1984-85 series of jazz concerts, workshops, and lecture­ 3,800 

Minneapolis, Minnesota demonstrations. 

(West Virginia) Department of

Cultuxe and History 

For guest artists’ fees for the seventh annual jazz festival. 1,300 

Charleston, West Virginia 

Wichita Jazz Festival For the 13th annual Wichita Jazz Festival of clinics, workshops, 4,300 

Wichita, Kansas and concerts, featuring Clark Terry and the Jazz All Stars. 

YM-YWHA of Metropolitan For artists’ lees fora series of concert performances by Betty 6,600 

New Jersey Carter, Teddy Wilson, Joanne Brackeen, and the Phil Woods 

West Orange, New Jersey Quartet. 

Colleges and Universities 

Bismarck Junior College For guest artists’ lees for clinics, lectures, rehearsals, and public $3,000 

Bismarck, North Dakota performances with the BJC Jazz Ensemble. 

California Institute of the Arts For artists’ workshop and performance lees for the CalArts Jazz 1,700 

Valencia, Califorrüa Series. 

Clark College 

Atlanta, Georgia For artists’ lees fora subscription series of jazz concerts by nationally prominent performers and local ensembles. 

10,000 

Concord College 

Athens, West Virginia For guest artists’ lees for an artist-lecture series and publicworkshops and concerts for college jazz ensembles and high 

1,600 

school bands. 

Cornish Institute For guest artists’ lees and travel expenses for performances and 5,000 

Seattle, Washington residencies by Wayne Shorter, Joe Henderson, and Herbie 

Hancock. 

Cuyahoga Community College For guest artists’ performance and clinician lees for JazzFest 5,900 

Cleveland, Ohio ’84. 

Governors State University For the jazz residency program of clinics, master classes, and 12,000 

Park Forest, Illinois concerts by ensemble leaders Max Roach, Bobby Hutchinson, 

Johnny Griffin, and Steve Gadd. 

Hartford, University of For lecture-presentations on the history of jazz; master classes; 11,800 

Hartford, Connecticut a workshop-concert and master class by Muhal Richard Abrams; 

and concerts featuring Jaki Byard, Walter Bishop, Jr., and

Micky Bass. 

Howard University For artists’ lees and travel expenses involved in the recreation of 5,000 

Washington, D.C. significant repertory by Thelonious Monk, including a concert of 

the quartet repertory and concerts of the compositions for large 

instrumentation. 

Idaho, University of For guest artists’ performance lees for the annual jazz festival. 3,500 

Moscow, Idaho 

Illinois, University of For guest artists’ lees and related travel expenses for the 1984 2,500 

Chicago, Illinois jazz festival. 

Iowa, University of For workshops, residencies, and performances for the 1984 jazz 3,000 

Iowa City, Iowa festival. 

Jackson State University For artists’ lees and related travel expenses for workshops, open 5,000 

Jackson, Mississippi rehearsals, anda concert. 
190 ~lusic 

Long Beach Community 

College District

Long Beach, Ca]Jfornia 

Marshall University Foundation 

Huntington, West Virginia 

Massachusetts, University of 

Amherst, Massachusetts 

Michigan, University of 

Ann Arbor, Michigan 

Minnesota, University of 

Morris, Minnesota 

New York, Research Foundation 

of the State University of 

Albany, New York 

Paterson (William) College 

Wayne, New Jersey 

Roosevelt University 

Chicago, Illinois 

Rutgers, the State University 

of New Jersey 

New Brunswick, New Jersey 

St. Louis Conservatoryand 

Schools for the Arts 

St. Louis, Missouri 

Virginia Commonwealth University 

Richmond, Virginia 

Western Illinois University 

Macomb, Illinois 

Management Assistance 

Association for the Advancement 

of Creative Musicians 

Chicago, Illinois 

Composers and Improvisors Association 

Seattle, Washington 

District Curators 

Washington, D.C. 

Jazz Heritage Foundation 

Los Angeles, California 

Jazz Research Institute 

Detroit, Michigan 

Jazzmobile 

Washington, D.C. 

Kuumbwa Jazz Society 

Santa Cruz, California 

Las Vegas Jazz Society 

Las Vegas, Nevada 

For the Visiting Artists Program of clinics and concerts by the 7,200 

Benny Carter Quartet, Dizzy Gillespie, and Hubert Laws. 

2,500 For the concert performance by Count Basie, and for public 

clinics and festival performances by professional regional jazz 

ensembles. 

5,000 For artists’ lees for "Jazz in July," a summer workshop program 

with components in vocal and instrumental jazz. 

11,000 For the 1984-85 season of presentations by Eclipse Jazz, including a commissioned work from Carla Bley; and concerts by 

Roland Hanna, Jaki Byard, Dave Holland, Jon Hendricks, and 

Chico Freeman. 

For guest artists’ fees and related travel expenses for the sixth 3,200 

annual jazz festival of clinics and performances. 

3,400 For concert performances by Donald Byrd and for film presentations by David Chertok on the history of jazz music and master 

jazz artists. 

4,700 For the 1984-85 Sunday Jazz Room Series of concerts, featuring 

Freddie Waits, Rufus Reid, John Blake, Horace Arnold, Billy 

Hart, Clifford Jordan, John Hicks, and Bill Kirchner. 

2,000 For the guest appearance by Ira Sullivan at the university’s 

festival for high school jazz ensembles. 

3,000 For guest artists’ performance fees for open rehearsals and 

public concerts with the Rutgers Jazz Ensemble. 

3,000 For concert presentations by Chuck Mangione, Marian

McPartland (including a workshop), and the Preservation Hall 

Jazz Band. 

For guest artists’ performance lees for the 1984 jazz festival. 3,500 

For a concert presentation of artists from the Association for the 2,000 

Advancement of Creative Musicians. 

$10,000 To retain for a second year the services of a development 

specialist to conduct fundraising and strengthen patron 

support. 

2,000 For third-year salary of the manager for the Composers and Improvisors Orchestra. 

5,000 For the third-year salary for the jazz program director. 

3,000 For the second-year of a fundraiser’s salary. 

For the first-year salary for an administator to manage the 6,900 

Detroit Jazz Center’s programs. 

The National Jazz Service Organization to hire for its first year 50,000 

an executive director to implement operations and policies of the 

board, oversee technical assistance and referral services to jazz 

orga~Szations and individuals, mount a fundraising campaign, 

and administer day-to-day operations. 

6,000 To establish a salary for the executive director. 

To support the first-year salary for the executive director. 18,000 
Music 191 

Manna House Workshops 

New York, New York 

For the second-year salary for the management assistant, whose

duties include fiscal monitoring, public relations, and program 

4,000 

development. 

Mobile Jazz Festival For the third-year salary for the executive director. 3,500 

Mobile, Alabama 

National Association of For the third-year position of development director. 3,500 

Jazz Educators 

Manhattan, Kansas 

SumArts For the third-year salary for the artistic director. 4,000 

Houston, Texas 

Universal Jazz Coalition For the second year salary for the professional fundraiser, and 20,000 

New York, New York for the first-year salary for the executive director. 

Jazz Special Projects 

Barker, Thurman For jazz performances and lectures as part of the "Art in the $9,000 

Chicago, Illinois Marketplace" program at Randhurst Shopping Center. 

Clark College For the Black College Jazz Network Tour through which master 40,000 

Atlanta, Georgia jazz artists are block-booked by the consortium for workshops 

and public concerts at ten participating colleges and 

universities. 

Covington, Charles For jazz performances and lectures as part of the "Art in the 9,000 

Baltimore, Maryland Marketplace" programat Harborplace Mall. 

Dailey, Gary For jazz performances and lectures as part of the "Art in the 9,000 

Columbia, Maryland Marketplace" programat Columbia Mall. 

Davis, Richard For jazz performances and lectures as part of the "Art in the 5,885 

Barnveld, Wisconsin Marketplace" programat the Grand Avenue Mall in Milwaukee 

for 1984. 

Davis, Richard For jazz performances and lectures as part of the "Art in the 6,000 

Barnveld, Wisconsin Marketplace" program at Grand Avenue Mall in Milwaukee for 

1985. 

Great Lakes Arts Alliance 

Cleveland, Ohio 

For the jazz coordinator’s salary and travel expenses in the continued development of regional information and services for professional jazz artists and organizations. 23,000 

Harris, Samuel 

Louisville, Kentucky 

For jazz performances and lectures as part of the "Art in the 

Marketplace" programat the Mall in St. Matthews. 

5,000 

Howard University For the introduction of jazz oral histories into the collections at 25,000 

Washington, D.C. the Center for Ethnic Music and the Moorland-Spingarn 

Research Center, coordinated by the Department of Music’s jazz 

studies program. 

Jazzmobile For the implementation phase of the National Jazz Service 50,000 

Washington, D.C. Organization, including board development, support staff, 

travel expenses, a four-issue newsletter, and the establishment 

of a jazz information data base. 

Jazz Research Center For the Detroit Jazz Center’s development of a full-time, proles­ 10,000 

Detroit, Michigan sional jazz orchestra, including rehearsals and local 

performances. 

Johnson Foundation To facilitate a planning meeting fora national jazz service 15,925" 

Racine, Wisconsin organization at the Wingspread Conference Center, including 

followup activities related to this meeting. 

National Public Radio For jazz artists’ performance and rebroadcast lees for approx­ 30,000 

Washington, D.C. imately 13 new programs in the 1984-85 Jazz Alive! series. 

Newark Public Radio For jazz artists’ lees for WBGO-FM to produce a national jazz 23,300 

Newark, New Jersey performance series in cooperation with a national consortium of 

public radio stations. 

Reid, Rufus 

Teaneck, New Jersey 

For jazz performances and lectures as part of the "Art in the

Marketplace" program at the Willowbrook Mall. 

10,000 
192 M~ic 

Sankovich, Dennis 

Toledo, Ohio 

Sharpe, Avery G.

Belchertown, Massachusetts 

Southern Arts Federation 

Atlanta, Georgia 

Thomas, William 

Houston, Texas 

Toney, Kevin 

Oxon Hill, Maryland 

Jazz Master Awards 

Coleman, Ornette 

New York, New York 

Davis, Jr., Miles Dewey 

New York, New York 

Roach, Maxwell 

Amherst, Massachusetts 

Solo Recitalists 

Recital Presenters 

Alternative Center for 

International Arts 

New York, New York 

Ambassador International 

Cultural Foundation 

Pasadena, California 

American Harp Society 

Hollywood, California 

Artist Series at the Pabst 

Milwaukee, Wisconsin 

Associated Students of San 

Diego State University 

San Diego, California 

Beethoven Society 

New York, New York 

California Institute of 

Technology 

Pasadena, Ca[ifornia 

Candlelight Concert Society 

Columbia, Maryland 

Chamber Music Northwest 

Portland, Oregon 

For jazz performances and lectures as part of the "Art in the 8,000 

Marketplace" programat Franklin Park Mall. 

9,000 For jazz performances and lectures as part of the "Art in the 

Marketplace" program at Eastfield Mall in Springfield. 

8,000 For the second Regional Jazz Forum for the southeastern jazz

network, including sessions on artistic development, marketing 

and audience development, touring management, and building 

networks. 

9,000 For jazz performances and lectures as part of the "Art in the 

Marketplace" program at the Carillon Center. 

9,000 For jazz performances and lectures as part of the "Art in the 

Marketplace" program at Mondawmin Mall in Baltimore. 

$20,000 

20,000 

20,000 

Includes three subcategories: Recital Presenters ate given grants to support 

performances and residencies by solo recitalists, recitalists with accompanists and duos. Individuals who demonstrate potential for major careers 

as solo recitalists receive fellowships. Career Development Organizations, not 

including presenting organizations and educational institutions, ate given 

support to foster the professional career development of American solo 

recitalists. 

Program funds: $560,100 

91 grants 

For artists’ fees for emerging American recitalists presented $1,500 

during the 1984-85 season. 

2,000 For artists’ lees for emerging American recitalists presented

during the 1984-85 season. 

3,000 For artists’ fees for emerging American harp recitalists 

presented during the 1984-85 season. 

For artists’ fees for the presentation of emerging American 1,000 

recitalists: violinist Miriam Fried and pianist Ralph Votapek. 

For artists’ fees for presenting emerging American recitalists in 3,000 

the Wednesday Evening Concert Series. 

For a series of three recitals presenting emerging American 1,000 

recitalists in an all Beethoven series at Alice Tully Hall in New 

York during the 1984-85 season. 

For artists’ lees for presenting emerging regional American 1,750 

recitalists, pianist Andrea Anderson and soprano Ruth Golden 

during the 1984-85 season. 

For artists’ fees for emerging American recitalists presented 1,700 

during the 1984-85 season. 

For artists’ lees for presenting emerging American recitalists in 2,000 

four joint recitals during the 1984-85 season. 
Music 193 

Charles River Concerts For increased artists’ fees for emerging American recitalists 2,000 

Boston, Massachusetts presented during the 1984-85 season. 

Cliburn ¡Van} Foundation For artists’ lees for presenting emerging American recitalists for 4,500 

Fort Worth, Texas the 1984-85 season. 

Community Services For artists’ lees for BCBC to present emerging American 5,000 

Brooklyn, New York recitalists during the 1984-85 season. 

County College of Morris For artists’ lees for presenting emerging American recitalists 1,000 

Randolph, New Jersey during the 1984-85 season. 

Dumbarton Avenue Concert For artists’ lees for presenting two American recitalists during 1,500 

Series the 1984-85 season: soprano Judith Raskin and trumpeter ArWashington, D.C. mando Ghitalla. 

Emelin Theatre for the For artists’ lees for emerging American recitalists presented 4,000 

Performing Arts during the 1984-85 season. 

Mamaroneck, New York 

Fontana Concert Society 

Shelbyville, Michigan 

For artists’ lees for presenting emerging American recitalists in 

a series of seven recitals during the 1984-85 season. 

2,000 

Fresno Free College Foundation For artists’ fees for emerging American recitalists presented on 1,300 

Fresno, California the 1984-85 Keyboard Concert Series. 

Friends of the Brattleboro For artists’ lees fora series of four recital programs presenting 2,000 

Music Center emerging American recitalists during the 1984-85 season. 

Brattleboro, Vermont 

Gregg Smith Singers For artists’ lees for the "Art Songs At Five" series, presenting 2,000 

New York, New York emerging American recitalists during the 1984-85 season. 

Haleakala For artists’ lees for emerging American recitalists presented 4,500 

New York, New York during the 1984-85 season at The Kitchen. 

Illinois, Board of Trustees For artists’ lees íor the presentation of emerging American 3,000 

of the University of recitalists in a series of four recitals during the 1984-85 season 

Champaign, Illinois at the Krannert Center for the Performing Arts. 

Iowa, University of For artists’ lees for emerging America recitalists presented dur­ 2,500 

Iowa City, Iowa ing the 1984-85 season at Hancher Auditorium. 

Las Vegas Symphon|c and 

Chamber Music Society Las Vegas, Nevada 

For artists’ lees for a series of ten recitals presenting emerging 

American recitalists during the 1984-85 season. 

1,000 

Loyola Marymount University 

Los Angeles, California 

For artists’ lees for emerging American recitalists presented 

during the 1984-85 season. 

1,700 

LPL Plus APL For artists’ lees for an emerging American recitalist presented in 4,000 

Lewiston, Maine a week-long tour of Maine, sponsored by Free Public Library of 

Lewiston. 

Metropolitan Museum of Art For artists’ lees for presenting five emerging American 1,250 

New York, New York recitalists in the "Introduction Series" during the 1984-85 

season. 

92nd Street YM-YWHA For artists’ lees for emerging American recitalists presented on 6,500 

New York, New York the 1984-85 "Bonus Concert" series. 

North Dakota, University of For artists’ lees for emerging American recitalists presented 2,500 

Grand Forks, North Dakota during the 1984-85 season. 

Norton Gallery and For artists’ lees for presenting emerging American recitalists 2,775 

School of Art during the 1984-85 season. 

West Palm Beach, Florida 

Phillips Collection For increased artist fees for emerging American recitalists dur­ 7,500 

Washington, D.C. ing the 1984-85 season of the "Sunday Afternoon Concert" 

series. 

Real Art Ways For artists’ fees for emerging American recitalists presented 3,000 

Hartford, Connecticut during the 1984-85 season in the "Strange Strings" series of six 

recitals. 

Regional Arts Foundation 

West Palm Beach, Florida 

For artists’ lees for emerging American recitalists presented 

during the 1984-85 season. 

1,000 
Rhode Island Arts Foundation 

Newport, Rhode Island 

St. Louis Classical Guitar 

Society 

St. Louis, Missouri 

St. Louis Conservatory and 

Schools for the Arts 

St. Louis, Missouri 

Schubert Club 

St. Paul, Minnesota 

Southern California, University of 

Los Angeles, California 

Temple Beth El of Boca Raton 

Boca Raton, Florida 

University Community Concerts 

College Park, Maryland 

Valparaiso University Association 

Valparaiso, Indiana 

Visiting Artists 

Davenport, Iowa 

Washington Performing Arts 

Society 

Washington, D.C. 

Western Illinois University 

Macomb, Illinois 

Xavier University Piano and 

Guitar Series 

Cincinnati, Ohio 

Young Pianists Series 

Knoxville, Tennessee 

Individuals 

Boriskin, Michael 

Long Beach, New York 

Cassat, Georganne

Iowa City, Iowa 

Chodos, Gabriel 

Waban, Massachusetts 

Coleman, Donna J. 

Ambler, Pennsylvania 

Deane, Allison S. 

New York, New York 

Di Martino, Vincent A. 

Lexington, Kentucky 

Dreyfus, Laurence 

Fairfield, Connecticut 

Epstein, Daniel 

New York, New York 

Fierro, Charles 

Los Angeles, California 

Gruber, Lucille P. 

Cleveland Heights, Ohio 

For artists’ fees for presenting emerging American recitalists 2,000 

during the 1984-85 season at "Festival ’84". 

For artists’ fees for presenting emerging American guitar 4,000 

recitalists during the 1984-85 season. 

For artists’ fees for emerging American recitalists presented 5,000 

during the 1984-85 season. 

For artists’ lees for emerging American recitalists presented 2,000 

during the 1984-85 season. 

For artists’ fees for emerging American recita[ists presented in 6,000 

recitals and mini-residencies during the 1984-85 season at the

Arnold Schoenberg Institute. 

For artists’ fees for emerging American recitalists presented 3,000 

during the 1984-85 "Sunday at Three" series. 

For artists’ fees for emerging American recitalists presented 3,250 

during the 1984-85 season. 

For artists’ fees for emerging American recitalists presented 2,500 

during the 1984-85 season. 

For artists’ lees for presenting emerging American recitalists for 5,000 

the 1984-85 season. 

For artists’ fees for emerging American recitalJsts presented 3,875 

during the 1984-85 season. 

For artists’ lees for emerging American recitalists presented in 3,750 

concerts, master classes, and related residency activities during 

the 1984-85 season. 

For artists’ lees for emerging American recitalists presented 7,000 

during the 1984-85 season. 

For artists’ lees for emerging American recitalists presented 1,750 

during the 1984-85 season. 

To prepare a demonstration recording of piano works by $5,000 

previously unrecorded American composers. 

For the study, performance, and preparation of a demonstration 10,000 

recording of Images, four harp suites by Marcel Tournier. 

To present two solo piano recitals in New York during the 7,500 

1984-85 season. 

To present a series of piano lecture recitals throughout the coun- 7,500 

try during the 1984-85 season. 

To presenta solo piano recital at Alice Tully Hall during the 7,500 

1984-85 season and produce a demonstration recording. 

For ten recitals performed throughout the country by the 3,750 

Robinson-Di martino organ/trumpet duo. ~. ,~ 

For performance of viola da gamba recitals ín five major 10,000 

American cities. 

For a series of piano recitals, featuring works of American com- 2,500 

poser Carlton Gamer. 

For a series of piano recitals, featuring the works of American 2,500 

composer Edward MacDowell. 

To prepare a demonstration recording featuring the Cleveland 3,750 

Harpsichord Duo. 
Music 195 

Hannigan, Barry T. 

Lewisburg, Pennsylvania 

To prepare fora national tour featuring the piano works of living 

American composers. 

7,500 

Karis, Aleck D. 

New York, New York 

To prepare two world premieres of piano works by American 

composers, presented in New York City and elsewhere during 

the 1984-85 season. 

7,500 

Klibonoff, Jonathan 

Monsey, New York 

To present a series of solo piano recitals in new York City, 

Boston, and Washington, D.C. 

9,000 

Kuzma, Janina 

Cleveland Heights, Ohio 

To prepare a demonstration recording featuring the Cleveland 

Harpsichord Duo. 

3,750 

La Barbara, Joan 

Garrison, New York 

To prepare a three-concert series in New York City entitled "The 

contemporary Voice," featuring premieres of vocal works by

American composers. 

5,000 

La Brecque, Rebecca O. 

New York, New York 

To presenta concert at Alice Tully Hall in New York City,

featuring piano works by American composers. 

10,000 

Lewin, Michael 

New York, New York 

To presenta New York piano recital at Alice Tully Hall during 

the 1984-85 season. 

7,500 

Maillet, Paul A. 

Baltimore, Maryland 

To present piano recitals at local colleges and universities. 2,500 

Matushevski, Voytek 

Hartsville, South Carolina 

To presenta series of piano recitals featuring works of American 

composers. 

5,000 

Maurice, Glenda A. 

Newark, Delaware 

To support coaching, preparation, and presentation costs fora 

vocal recital in New York City. 

7,500 

Maxwell, Linn A. 

New York, New York 

To present recitals of American vocal music in a series 

throughout the southeastern United States. 

7,500 

Maynor, Kevin E. 

Mount Vernon, New York 

For costs of preparation of new vocal recital repertoire and 

management lees. 

2,500 

Moore, Barbara P. 

Dallas, Texas 

For costs of preparation for vocal recitals of American music, including accompanist and coaching lees. 5,000 

Morgan, Beverly

Brooklyn, New York For costs of a vocal recital in New York City. 2,500 

Moyer, W. Frederick 

Wayland, Massachusetts 

To prepare, promote, and presenta piano recital in New York 

City, featuring a work by American composer George Walker. 

5,000 

Myers, Myron B. 

DeKalb, Illinois 

For a vocal recital in New York City during the 1984-85 season. 2,500 

Nall, Nan L. 

New York, New York 

For the preparation of a song recital program entitled, "Music of 

the Americas." 

2,500 

Neihart, Carlene R. 

Kansas City, Missouri 

To support the premieres of organ works by American women 

composers. 

2,500 

Norell, Judith R. 

New York, New York 

For a series of three harpsichord recital programs at Merkin 

Hall, New York City. 

7,500 

Pittel, Harvey 

Austin, Texas 

For travel, advertising and publicity costs, and concert production for "The Golden Age of Saxophone," a series of recitals. 10,000 

Ponce, Walter 

Binghamton, New York 

For a piano recital in New York City during the 1984-85 season. 5,000 

Robinson, Schuyler W. 

Lexington, Kentucky 

For ten recitals performed throughout the country by the 

Robinson-Di Martino orgargtrumpet duo. 

3,750 

Robinson, Stephen A. 

Deland, Florida 

To prepare and presenta program and a demonstration recording of 19th- and 20th-century guitar musicat Merkin Hall. 10,000 

8helton, Lucy Alden 

New York, New York 

For a major vocal recital in New York City. 10,000 

Taka’cs, Peter A. 

Oberlin, Ohio 

To prepare for performance piano repertoire by contemporary 

American composers. 

5,000 

Tan, Margaret Leng 

Brooklyn, New York 

To perform and create a demonstration recording that features 

piano works by contemporary American composers. 

7,500 
196 Music 

Tanenbaum, David F. 

Oakland, Callfornia 

Thornburgh, Elaine M. 

San Francisco, California 

Tocco, James 

Bloomington, Indiana 

Wytko, Joseph R. 

Chandler, Arizona 

Zimdars, Richard L. 

Warrensburg, Missouri 

For a series of recitals in up to ten American cities. 10,000 

7,500 To develop repertoire for fortepiano for performance and

demonstration recordings. 

For a series of piano recitals in New York City, featuring the 10,000 

works of major contemporary American composers. 

To prepare and presenta series of saxophone recitals throughout 10,000 

the United States. 

Fora series of piano recitals in six major concert halls in various 5,000 

American cities. 

Career Development Organizations 

Affiliate Artists 

New York, New York 

Affiliate Artists 

New York, New York 

Concert Artists Guild 

New York, New York 

Pro Musicis Foundation 

New York, New York 

Young Concert Artists 

New York, New York 

Music Festivals 

Basically Bach Festival 

of Philadelphia 

Philadelphia, Pennsylvania 

Bedford Springs Festival 

Pittsburgh, Pennsylvania 

Billlngs IWilHam} Institute of 

American Music 

New London, Connecticut 

Boston Symphony Orchestra 

Boston, Massachusetts 

Bowdoin College 

Brunswick, Maine 

Brattleboro Musie Center, 

Friends of the 

Brattleboro, Vermont 

Britt, IPeter~ Gardens Music 

and Arts Festival Association 

Medford, Oregon 

Cabrillo Guild of Music 

Aptos, Califorráa 

For artists’ fees for the continuation of the recital and "infor­ $20,000 

mance" portions of the Xerox Pianists Program during the 

1984-85 season. 

For artists’ lees for emerging American recitalists to participate 56,000 

in six-week residencies during the 1984-85 season. 

For the guild’s services to American solo recitalists during the 15,000 

1984-85 season, including management services, artists’ lees,

and travel expenses. 

To expand the foundation’s career development services to

American solo recitalists during the 1984-85 season. 

20,000 

For the organization’s services to American solo recitalists, in­ 60,000 

cluding booking and management services, promotion and

publicity materials, residency training, and artistic and career 

guidance. 

To assist organizations that offer a series of high-quality music events that 

ate special in nature, coordinated within a specific period of time, and 

presented at a centralized location. 

Program funds: $438,900 

Treasury funds: $100,000 

44 grants 

For artists’ fees for the 1984 Basically Bach Festival. $1,500 

For the Bedford Springs Festival in summer 1984. 2,000 

To support the fourth annual AH American Music Festival in 1,800 

summer 1984. 

10,000 

Tanglewood. TF 15,200 

For artists’ lees for the 50th season of the Berkshire Festival at 

2,900 

roer 1984. 

For artists’ lees for the Bowdoin Summer Music Festival in sumFor the 1984 New England Bach Festival. 5,000 

To support the Peter Britt Festival in summer 1984. 2,900 

For Stephen Scott, Henry Kaiser, and Ralph Towner to present 10,750 

their own works at the Cabrillo Music Festival in summer 1984. 
Mu~c 197 

Caramoor Center for Music For artists’ fees, rehearsals, and production costs for the 39th 5,000 

and the Arts season of the Caramoor Music Festival. 

Katonah, New York 

Carmel Bach Festival For the Carmel Bach Festival in summer 1984. 1,800 

Carmel, California 

Castle Hill Foundation For audience development activities for the Castle Hi[l Festival 5,500 

Ipswich, Massachusetts in summer 1984. 

Chautauqua Institution For additional orchestra rehearsals for the 1984 festival series. 5,200 

Chautauqua, New York 

Eastern Music Festival For the Eastern Music Festival in summer 1984. 10,000 

Greensboro, North Carolina 

Friends of the Arts For artists’ lees for the fifth annual Beethoven Festival. 1,100 

Locust Va[ley, New York 

Grand Teton Music Festival To support chamber music concerts for the 1984 Grand Teton 12,500 

Teton Village, Wyoming Music Festival. 

Grant Park Concerts, Chicago 

Park District 

For the 50th season of Grant Park Concerts, which are free concerts in downtown Chicago. 

17,800 

Chicago, Illinois 

Gregg Smith Singers 

New York, New York 

For the Adirondack Festival of American Music in summer 

1984, a festival devoted to American music. 

5,600 

Haydn Festival Association To support the Haydn Festival in summer 1984. 3,100 

Bend, Oregon 

Lincoln Center for the For artists’ lees for the Mostly Mozart Festival in summer 1984. TF 18,700 

Performing Arts 

New York, New York 

Los Angeles Philharmonic 

Association 

For artists’ lees and additional rehearsals for the 1984 season of 

the Hollywood Bowl Summer Festival. 

TF 26,800 

Los Angeles, California 

Midsummer Mozart Festival For artists’ lees for the 1984 Midsummer Mozart Festival. 2,500 

San Francisco, California 

MinnesotaOrchestral For the 1984 summer festival, known as the Viennese 11,300 

Association Sommerfest. 

Minneapolis, Minnesota 

Monadnock Music For the 20th season of the Monadnock Music Festival. 12,800 

Peterborough, New Hampshire 

Mozart on the Square 

Philadelphia, Pennsylvania 

To support the 1984 Mozart on the Square Festival on Rittenhouse Square in Philadelphia. 

5,000 

Music Associates of Aspen 

Aspen, Colorado 

For artists’ lees for the 1984 Aspen Music Festival 12,200 

TF 21,500 

Muslo from Bear Valley

Bear Va[ley, California 

To support Music from Bear Va[ley, ah annual festival in Bear 

Va[ley, California. 

2,250 

Musica Sacra To support the Basically Bach Festival in October 1984. 15,600 

New York, New York 

Musical Arts Association For audience development activities for the Blossom Musie TF 17,800 

Cleveland, Ohio Center in summer 1984. 

New Hampshire Musie Festival 

Center Harbor, New Hampshire 

To support the New Hampshire Music Festival in summer 1984. 4,000 

Oakland University 

Rochester, Michigan 

For artists’ lees for the 21st season of the Meadow Brook Music 

Festival. 

5,000 

Ojal Festivals To support the 1984 Ojai Festival. 10,000 

Ojal, California 

Oregon, University of To support the Oregon Bach Festival in summer 1984. 10,900 

Eugene, Oregon 
198 Music 

Philharmonic-Symphony Society 

of New York 

New York, New York 

Pittsburgh Symphony Society 

Pittsburgh, Pennsylvania 

Ravinia Festival Association 

Chicago, Illinois 

Robin Hood Dell Concerts 

Philadelphia, Pennsylvania 

San Francisco Symphony 

San Francisco, Califorrüa 

San Luis Obispo Mozart 

Festival Association 

San Luis Obispo, California 

Santa Cruz Festival of 

Living Music 

Santa Cruz, California 

Shreveport Summer Music Festival, 

Friends of the 

Shreveport, Louisiana 

Spoleto Festival U.S.A. 

Charleston, South Carolina 

Sunriver Music Festival 

Sunriver, Oregon 

Verrnout Mozart Festival 

Burlington, Vermont 

Victoria Bach Festival 

Association 

Victoria, Texas 

Music Recording 

Albany Symphony Orchestra 

Albany, New York 

American Composers Orchestra 

New York, New York 

Appalshop 

Whitesburg, Kentucky 

Boston Symphony Orchestra 

Boston, Massachusetts 

Brass Chamber Music Society 

of Annapolis

Arnold, Maryland 

Brooklyn Academy of Music 

Brooklyn, New York 

For the New York Philharmonic’s Horizons Festival, a ten-day 150,000 

event devoted to contemporary music, including orchestra and 

chamber music concerts, recitals, and symposia. 

For artists’ lees for Festival Americana, held in May 1984. 14,000 

To support the 1984 Ravinia Festival, the summer home of the 20,600 

Chicago Symphony Orchestra. 

For artists’ lees for the summer 1984 season at the Mann Music 15,000
 

Center.
 

To support the sixth season of the Beethoven Festival in 1984. 17,600 

To support the San Luis Obispo Mozart Festival Association. 2,300 

To support the Santa Cruz Festival of Living Music. 2,300 

For the Shreveport Summer Music Festival in 1984. 3,500 

For artists’ lees for chamber music, choral performances, and 10,000 

solo recital activities at the 1984 Spoleto Festival. 

To support the 1984 Sunriver Music Festival. 3,000 

For the llth annual Vermont Mozart Festival in summer 1984. 2,400 

To support the Texas Bach Festival in 1984. 2,200 

To offer assistance to nonprofit organizations for the recording and 

distribution of American music. 

Program funds: $238,450

27 grants 

For the recording of John Alden Carpenter’s Sea Drift, Daniel $17,000
 

Gregory Mason’s Chanticleer: A Festival Overture, Philip
 

James; Station WGZBX-A Satirical Nonsense Poern for Orches­ tra and Quincy Porter’s Dance in Three Time with the Albany
 

Symphony Orchestra; Julius Hegyi, conductor.
 

For the recording of Fire and Earth and Water and Air by 6,000
 

Nicolas Roussakis and Syrnphony by David Olan with the
 

American Composers Orchestra; Dennis Russell Davies,
 

conductor.
 

To support an educational project for three June Appal Record- 4,100
 

ings: Buell Kazee by Buell Kazee, Been a Long Time Traveling
 

by Addie Grabara, and Red Wing by I.D. Stamper.
 

For the recording of John Harbison’s Symphony No. 1 anda 20,000
 

composition by Olly Wilson with the Boston Symphony Orchestra; Seiji Ozawa, conductor.
 

For the recording of Seven Songs by Elam Sprenkle, Annapolis 5,900
 

Suite by Robert Starer, Aesop Suite by Jerzy Sapieyevski,
 

Night and Morning Music by Douglas Allanbrook, and
 Ensembles for Brass Quintet by George Heussenstamm with the
 

Annapolis Brass Quintet and guest artists Elaine Bonazzi,
 

mezzo-soprano, and Heidi Lehwalder, harp.
 

For the recording of Steve Reich’s Desert Music with the 12,500
 

Brooklyn Philharmonic Symphony Orchestra and Chorus;
 

Michael Tilson Thomas, conductor.
 
Music 199 

Brooklyn Philharmonic Symphony 

Orchestra 

For the recording of Tobias Picker’s Keys to the City, Gerald 

Plain’s And Left Old Joe a Bone, excerpts from Duke Ellington’s 

10,000 

Brooklyn, New York Queenie Pie, anda new work by Ornette Coleman with the 

Brooklyn Philharmonic Symphony Orchestra; Lukas Foss, conductor. 

Composers Recordings 

New York, New York 

For the general marketing program, including expanding direct 

mail program, restructuring the CRI catalogue, and expanding

advertising and promotion to stimulate sales. 

15,000 

Gregg Smith Singers 

New York, New York 

For the recording of Corona Songs, Psalm 84, Let Touch the Sky, 

and Cantara for Peace by Louise Talma; Everyone Song by Elizabeth Larsen; Spherical Madrigals by Ross Lee Finney; Six 

7,300 

Love Songs by Mel Powell, and Alleluia Stellam Vidimus by Ann Callaway. 

Group for Contemporary Music 

New York, New York 

For the recording of music by Milton Babbitt: Elizabethan Sextette and Group-Wise with the Group for Contemporary Music 

and Partitions, Minute Waltz, My Compliments to Roger, Play2,400 

ing for Time, and About Time with Alan Feinberg, piano. 

Guild of Composers 

New York, New York 

For the recording of Sheila Silver’s String Quartet with the 

Atlantic String Quartet. 

2,500 

Jazz Composer’s Orchestra 

Association 

To support the New Muslo Distribution service, a division of the 

Jazz Composer’s Orchestra Association, which distributes and 

20,000 

New York, New York promotes independently made recordings of new music, new

jazz, and other American music. 

John Oliver Chorale For the recording of Charles Martin Loeffler’s Psalm LXXXVII, 2,250 

Cambridge, Massachusetts By the Rivers of Babylon, with the John Oliver Chorale and 

Orchestra. 

Leonarda Productions For the recording of Landscapes of the Mind II by Marga 2,300 

New York, New York Richter and Triomusic by Don Freund. 

Louisville Orchestra For the recording of contemporary American music with the 20,000 

Louisville, Kentucky Louisville Orchestra; Lawrence Leighton Smith, conductor, on 

the First Edition Records labeL 

Newband For the recording of Dean Drummond’s Columbus and 4,400 

New York, New York Mysteries, Joan LaBarbara’s Silent ScrolL" An Image of Entropy, and John Cage’s First Construction. 

Northeastern Records 

Boston, Massachusetts 

For the recording of the complete music for string quartet of

George Chadwick with the Portland String Quartet and VirgiIUa 

Eskin, piano. 

6,200 

Outward Visions For the recording of the music of George Russell and Roscoe 9,200 

New York, New York Mitchell with George Russell, Roscoe Mitchell, and assisting 

artists. 

Performing Artservices 

New York, New York 

For the recording of John Cage’s 30 Pieces for String Quarte~ 

Pauline Oliveros’ The Wheel of Time, Terry Riley’s Sunrise o f the 

Planetary Dream Collector and new works by David Behrman 

3,800 

and A1vin Lucier with the Kronos Quartet. 

Plymouth Music Series 

Minneapolis, Mirmesota 

For the recording of Stephen Paulus’ cantara So Hallow ’d Is the 

Time with the Plymouth Festival Choir; Philip Brunelle, 

conductor. 

9,000 

Rebirth 

Detroit, Michigan 

For the recording of the music of Phil Ranelin, Pamela Wise, and

Wendell Harrison. 

1,900 

Recorded Anthology of 

American Music 

To support marketing and advertising projects, increased 

catalogue sales, and adrninistrative staff salaries for New World 

20,000 

New York, New York Records. 

Rochester, University of 

Rochester, New York 

For the recording at the Eastman School of Music of Allan 

Blank’s Duo for bassoon and piano, Akmal Parwez’s Tantra for 

Bassoon and Harp, Alec Wilder’s Sonata No. 3 for bassoon and 

1,800 

piano. 

St. Louis Symphony Society 

St. Louis, Miiiouri 

For the recording of Prismatic Variations by Donald Erb, Sequoia by Joan Tower, and The Infernal Machine by Christopher 

Rouse with the St. Louis Symphony; Leonard Slatkin, conduc20,000 

tor. 
200 Music 

Speculum Musicae 

New York, New York 

Stanford University 

Stanford, California 

Western Wind Vocal Ensemble 

New York, New York 

Special Projects 

Affiliate Artists 

NewYork, NewYork 

Affiliated State Arts Agencies 

of the Upper Midwest

Minneapolis, Minnesota 

Carnegie Hall Society 

New York, New York 

Chamber Mus|c Society 

oí Lincoln Center 

New York, New York 

Ernstoff, Jeffrey 

New York, New York 

Guggenheim Concerts Band 

New York, New York 

Kne|sel Hall 

Blue Hill, Maine 

Mid-America Arts Alliance 

Kansas City, Missouri 

New England Foundation 

on the Arts 

Cambridge, Massachusetts 

Real Art Ways 

Hartford, Connecticut 

Theater Chamber Players 

Washington, D.C. 

Theatre Development Fund 

New York, New York 

Western States A~ts Foundation 

Santa Fe, New Mexico 

* Chairman’s Action
 

TF-Treasury Funds
 

For the recording of Spin-Off by Charles Wuorinen, Lalita 7,200 

(Chamber Vañations) by Peter Lieberson, and In the Nick of 

72me by Seymour Shifrin. 

For the recording of Colony by Bi]l Schottstaedt, Silicon Valley 2,900 

Breakdown by David Jaffe, In a Word by Chris Chafe, and 

Soleta by Chris Chafe. 

For the recording of Transformation Songs: Vocal Music of 4,800
 

Charlie Morrow with The Western Wind Vocal Ensemble.
 

the 

music field but ate not eligible under the other íunding categories. 

To find innovative and exemplary projects that have a broad impact on

Program funds: $228,630 

13 grants 

To support a symposium and two concerts to celebrate the tenth $20,000
 

anniversary of the Exxon/Arts Endowment Conductors
 

Program.
 

For touring activities in Iowa, Minnesota, South Dakota, North 25,000
 

Dakota, and Wisconsin by the Dakota String Quartet, Zeitgeist,
 

St. Paul Chamber Orchestra, Dale Warland Sing.ers, Juilliard
 

String Quartet, and Steve Reich during the 1984-85 season.
 

To support the presentation of 53 concerts by emerging 35,000
 

American artists in Carnegie Recital Hall during the 1984-85
 

season.
 

To support the "Together With Chamber Music" series of con- 15,200
 

certs and lecture-demonstrations for junior and senior high


school students.
 

To extend Jeffrey Ernstoff’s fellowship in the Music Program. 1,980"
 

For the 1984 season of the Guggenheim Concerts Band of free, 13,500
 

outdoor summer concerts.
 

For the presentation oí a series of chamber music concerts in 2,500
 

July and August of 1984.
 

For touring activities in Arkansas, Kansas, Missouri, Nebraska, 25,000
 

and Oklahoma by 14 musical ensembles and/or performing


artists during the 1984-85 season.
 

For touring and residency activities in Connecticut, Maine, 35,000
 

Massachusetts, New Hampshire, Rhode Island, and Vermont by
 

orchestras, choral groups, jazz artists, chamber and new music
 

ensembles, and composers from the New England region.
 

For the jazz component of the New Music America ’84 Festival 4,000
 

held in July 1984.
 

For the performance of the 20th-century chamber opera Edgar 4,050
 

and Emily, with music by Ernest Touch and libretto by Christian Morgenstern.
 

To support the Music Voucher Program and the Ticket 27,400
 

Assistance Program developed by the Theatre Development
 

Fund providing professional music groups with additional


publicity and new and increased audiences.
 

For touring activities by 18 musical ensembles and soloists in 20,000
 

Arizona, Colorado, Idaho, Montana, Nevada, New Mexico,
 

Oregon, Utah and Washington during the 1984-85 season.
 
201 

@era-Musical Tlaeater
 

John Davies as Papageno and Sylvia McNair as Pamina in Opera Theatre of St. Louis’s production of Mozart’s 

The Magic Flute. Photo: Ken Howard 
2O2
 

Treasury funds: $1,515,000

Private giíts: $2,000 

197 grants 

New American	 To create, develop, rehearse, and produce contemporary American operaWorks musical theater works; encourage their introduction into the standard

repertory; and make audiences more aware and appreciative of them. 

Program funds: $518,000 

40 grants 

California Civic Light For Musical Theater Workshop to conduct and stage a series of $5,000 

Opera Assodation 

Los Angeles, California 

ten musical works-in-progress, script-in-hand rehearsals, and

readings. 

California Institute of the Arts To rehearse and produce the world premiere of The Double Life 15,000 

Valencia, California of Amphibians, an opera by composer Morton Subotnick and director Lee Breuer, for the Olympics Arts Festival. 

Center Theater Group of 

Los Angeles 

Los Angeles, California 

For Mark Taper Forum to commission a new work composed by 

Hiroshima, entitled Sansei, a work about third-generation 

Japanese. 

5,000 

Center Theater Group of To commission Hugh Wheeler, Conrad Susa, and Richard 5,000 

Los Angeles 

Los Angeles, California 

Pearlman to create a full-scale musical theatre work for Mark 

Taper Forum, based on the life of Jacques Offenbach. 

Des Moines Metro Opera 

Indianola, Iowa 

To commission Lee Hoiby to write a grand opera based upon 

Shakespeare’s The Tempest. 

10,000 

Ensemble Studio Theater For two workshop productions of new musical works selected 2,500 

New York, New York and commissioned from projects given staged readings during 

1983-84. 

First All Children’s Theater For a workshop production of Tanglewood Tales, written by 10,000 

New York, New York Kenneth Cavander and composed by Richard Peaslee, adapted 

from the Nathaniel Hawthorne work of the same name. 

Fort Worth Opera Association 

Fort Worth, Texas 

To cover partial production and rehearsal costs for a second production of Steven Paulus and Colin Graham’s adaption of James 

35,000 

M. Cain’s novel, The Postman Always Rings Twice. 

Haleakala 

New York, New York 

For the creation and workshop production at The Kitchen of X,

ah opera by Anthony Davis and Thulani Davis based on the life 

30,000 

of Malcolm X. 

Haleakala For the creation and workshop performance at The Kitchen of 5,000 

New York, New York Shopper’s Opera, composed by Pauline Oliveros and Anthony 

Martín. 

Haleakala For The Kitchen to commission a team of artists for creation and 9,450 

New York, New York production of two Long Evenings of Short Operas during the 

spring of 1984. 

House Foundation for the Arts 

New York, New York 

For partial support of a music theater production scheeduled for

premiere in the fall of 1984. 

25,000 

Houston Grand Opera Association 

Houston, Texas 

To partially cover rehearsal and original production costs of the 

American premiere of Akhnater~ an opera by Philip Glass, coproduced with the New York City Opera. 

40,000 

International Performance Network For the development of The Bride Stripped Bare, a full-length, 12,000 

Berkeley, California three-act opera by Charles Shere. 

International Arts Relatíons To support INTAR’s Hispanic Music Theatre Laboratory, 30,000 

New York, New York dedicated to encouraging Hispanic composers, playwrights, and 

lyricists. 

Lehman Engel Musical Theatre

Workshop 

To conduct a series of musical works-in-progress rehearsals and 

readings. 

1,500 

Los Angeles, California 

Manhattan Theatre Club For a musical theater workshop series of staged musical 7,500 

New York, New York readings. 
Opera-Musical Theater 20B 

Minnesota Opera Company 

St. Paul, Minnesota 

For the development of a new work through a four-week 

workshop with rehearsals, modification of the work, and 

performance. 

3,000 

Minnesota Opera Company 

St. Paul, Minnesota 

To rehearse and produce the world premiere of Casanova’s 

Homecoming, a full-length opera by Domitück Argento. 

35,000 

Mixed Blood Theatre Company

Minneapolis, Minnesota 

To commission a team of artists to collaborate with a director for 

the creation of ah original musical. 

4,000 

Music Theatre Performing Group 

New York, New York 

For the creation of The Garden ofEarthly Delights, a new work 

conceived and directed by Martha Clark for the Lenox Arts 

Center. 

5,000 

Music Theatre Performing Group 

New York, New York 

For artists’ lees for a new work conceived and composed by 

Stanley Silverman for the Lenox Arts Center. 

5,000 

New Dramatists For workshop development of musical theater works for the 7,500 

New York, New York stage. 

New York Shakespeare Festival 

New York, New York 

For musical workshops of six works rehearsed and produced for 

public appearances. 

15,000 

New York Shakespeare Festival 

New York, New York 

To commission Toni Morrison and Leroy Jenkins to create new 

musicals. 

3,750 

O’Neill, IEugene) Memorial 

Theater Center 

For the seventh annual Opera/Music Theater Conference, a program to develop new music-theater works through a process of 

25,000 

Waterford, Connecticut rehearsal, revision, public presentation, and follow-up 

discussion. 

On the Boards For development and pre-production of performance costs of 15,000 

Seattle, Washington Oxymoro, a musical theater work by composer/librettist Norman 

Durker. 

Opera Association of New Mexico 

Santa Fe, New Mexico 

For the creation of The Tempest, a three-act opera by composer 

John Eaton and librettist Andrew Porter, based on the play by

William Shakespeare. 

13,000 

Opera de Camara 

Rio Piedras, Puerto Rico 

To commission a new work by a local composer and librettist 

with emphasis on expanding the Hispanic repertoire. 

9,500 

Opera Festival Association 

Glens Falls, New York 

For continued development through a workshop process of

Amarantha, a new work by Roger Ames. 

10,000 

Ostrow (Stuart)Foundation

Pound Ridge, New York 

For artistic lees and travel for the Musical Theater Lab, a 

workshop in which composers and librettists of new works collaborate with directors, choreographers, and actors to develop 

10,000 

and rework their projects. 

Playwrights Unlimited

Mill Valley, California 

For a librettist workshop to provide playwrights the opportunity to write and direct short scenes, arias, and ensembles, whose

text is set to improvised scores, created by a quartet of profes5,000 

sional singer-actors. 

Pro Arts For rehearsal and pre-performance of the premiere of See Hear. 20,000 

Oakland, California 

San Francisco Mime Troupe 

San Francisco, California 

To commission the creation of a full-length opera musical production based on the highly successful Factowino plays. 

7,300 

San Francisco Opera 

San Francisco, Califor~ia 

For rehearsal and pre-performance of the one-act opera, The 

Love of Don Perlimplin, by Conrad Susa. 

20,000 

Spanish Theatre Repertory Company 

New York, New York 

To commission Joaquin Nin-Culmell íor a new work based on 

Calderon de la Barca’s The Phantom Lady. 

5,000 

Texas Opera Theater 

Houston, Texas 

For One Aria Opera, a program to develop new music-theater 

works through a process of rehearsal, revision, public presentation, and follow-up discussion. 

23,000 

Virginia Opera Association 

Norfolk, Virginia 

For the development of a new American work based on Harriet 

Tubman and her heroic escape from slavery on the Underground 

Railroad. 

15,000 

Washington Project for the Arts 

Washington, D.C. 

For the development of a musical theater work by Impossible 

Theater tentatively titled Whiz Bang, A History of Soun& 

10,000 
204 Opera-Musical Theater 

WGBH Radio 

Boston, Massachusetts 

Producers 

Grants 

Amacher, Maryanne 

Kingston, New York 

Ashley, Robert 

New York, New York 

Crawford, Cheryl 

New York, New York 

Galas, Diamanda 

San Diego, California 

Hannon, Joseph M. 

New York, New York 

Kroesen, Jill 

New York, New York 

Kuller, Richard 

Encino, California 

Lorwin, Liza 

New York, New York 

Schottenfeld, Barbara 

New York, New York 

Sung, Fu Yuan 

New York, New York 

Wasilewski, Valeria and 

Ruth Maleczech 

New York, New York 

Professional 

C.om,~~,~~es 

Allen (Richard) Center for 

Culture and Art 

New York, New York 

AMAS Repertory Theater 

New York, New York 

American Repertory Theatre 

Company 

Cambridge, Massachusetts 

Anchorage Civic Opera 

Association 

Anchorage, Alaska 

For composer Donald Harris and librettist Dori Katz to create a 4,000 

one-hour opera for radio based on Marguerite Yourcenar’s play,

The Little Mermaid. 

To assist individual producers in the creation, completion, adaptation, and 

development of new music theater works. 

Program funds: $150,000 

11 grants 

For the creation of a new American Musical For Television, to be $15,000 

written, designed, and produced for interactive digital sound and 

video discs, and presented as a 30-minute feature story in

broadcast. 

For the creation and development of Now, Eleanor’s Idea, an 35,000 

opera for stage and television in four 60-minute episodes. 

For rehearsal, script development, and testing of the new 20,000 

musical Hurrah Boys, Hurrah, by Willy Holtzman, with original 

folk music performed by the Red Clay Ramblers. 

To create a 50-minute electroacoustic opera for solo performer, 13,000 

entitled Medea. 

For a collaborative creation of Speer, a new opera by composer 10,000 

Joseph Hannon and visual artist Robert Longo, based on the life 

of architect Albert Speer. 

For development and workshop performances of ah opera- 10,000 

musical ballet entitled, The Oñginal Lou and Walter Story. 

For the completion of the musical play, The Royal Me, an adap- 3,500 

tation of Shakespeare’s Measure for Measure. 

For the collaborative creation of a new music theater piece, in- 7,500 

cluding a commission to a composer and librettist. 

For the collaborative creation of a new music theater piece, in- 5,000 

cluding a commission to a composer, librettist, and lyricist. 

For continued development of a new music theater piece en- 21,000 

titled, Tao Yuan, an American work written in English. 

For the collaborative creation of a new music theater work, in- 10,000 

cluding a commission to a composer and librettist. 

For opera companies to improve their artistic quality and administrative 

skills, reach new audiences, and broaden their repertoire to include more 

works by American artists. 

Program íunds: $2,731,175 

Treasury funds: $1,515,000 

95 grants 

For the development of three musical theater productions dur- $7,100 

ing the 1984-85 season of the Afro-American Total Theater in 

collaboration with the Rockefeller Center. 

For the 1984-85 season of original musical theater. 10,475 

For the 1984 season of productions. 3,000 

To strengthen the musical aspects of main-stage productions. 14,700 
Opera-Musical Theater 20ó 

Annapolis Opera

Annapolis, Maryland 

For the Reaching-Out Program to include audiences in 

Baltimore, Washington, and on the Eastern Shore. 

3,000 

Arizona Opera Company 

Tucson, Arizona 

For the 1984-85 season of performances and community 

outreach programs. 

7,200 

Arkansas Opera Theatre 

Little Rock, Arkansas 

For the engagement of a set designer, coach/accompanist, 

costume designer, and makeup designer during the 1984-85 

5,475 

season. 

Atlanta Arts Alliance 

Atlanta, Georgia 

For partial support of two musical productions during the

1984-85 season of the Alliance Theater Company. 

3,000 

Augusta Opera Association

Augusta, Georgia 

To engage a resident ensemble, stage director, anda conductor/coach for the 1984-85 season. 

6,475 

Baltimore Opera Company 

Baltimore, Maryland 

For strengthening the company’s administrative, production, 

and educational activities and for a newly established apprentice 

artists’ program. 

35,875 

TF 25,000 

Central City Opera ,’!~use 

Association 

For the 1984 Summer Festival season of three productions, including the engagement of performers and support personnel for 

23,700 

TF 10,000 

Denver, Colorado the Apprentice Program. 

Charlotte Opera Association 

Charlotte, North Carolina 

For activities of the development department and the 1984-85 

season of productions. 

10,475 

Chattanooga Opera 

Chattanooga, Tennessee 

To expand the audience to achieve a wider geographical range 

and to develop a broader subscriber base. 

5,300 

Chautauqua Institution 

Chautauqua, New York 

For the 1984 season of productions by the Chautauqua Opera 

Company, including artists’ salaries. 

15,000 

TF 15,000 

Chicago Opera Theater

Chicago, Illinois 

For the premiere production of Offenbach’s The Grand Duchess 

during the 1984-85 season of productions. 

20,700 

Cincinnati Opera Association 

Cincinnati, Ohio 

For the Young American Artist’s Program; rehearsals, student 

matinees; reinstatement of revival works; engagement of 

singers, stage directors, conductors, designers, and ad55,875 

TF30,000 

ministrators; and for the Ensemble Company of Cincinnati 

Opera (ECCO). 

Cleveland Opera For the 1984-85 season of productions, including artists’ lees. 24,400 

Cleveland, Ohio 

Connecticut Opera Association To add a fifth production to the 1984-85 season. 15,875 

Hartford, Connecticut 

Dallas Civic Opera 

Dallas, Texas 

For expenses during the 1984-85 season of productions, including marketing and fundraising activities; design and construction of sets; the engagement of artistic personnel; and the 

51,025 

TF 50,000 

Student Performance, High Noon Opera, and education 

programs. 

Dayton Opera Association 

Dayton, Ohio 

To add a second-night performance to the 1984-85 season, including the engagement of a marketing and public relations 

coordinator. 

3,000 

Des Moines Metro Opera

Indianola, Iowa 

For a singer’s salary to provide performance opportunities fora 

greatly gifted and well-trained young American artist. 

10,475 

East West Players 

Los Angeles, CaliforrUa 

To develop an Asian-American musical theater production during the 1984-85 season. 

6,600 

Eugene Opera 

Eugene, Oregon 

To improve the calibre of the opera orchestra by hiring more experienced players and enlarging the string section. 

3,000 

First AII Children’s Theatre To sup~port operating cost for the 1984-85 season to remount 6,975 

New York, New York thre~ productions. 

Florentine Opera Company 

Milwaukee, Wisconsin 

~ , For the engagement of administrative and artistic personnel, a

marketing campaign, and additional rehearsal time. 

20,700 

Fort Worth Opera Association 

Fort Worth, Texas 

To engage artistic, production, and management personnel for

the 1984-85 season, which includes an extensive marketing and 

advertising campaign and a new shared production of Verdi’s 

14,700 

Aida, co-produced with Michigan Opera Theater and the Opera 

Theater of Syracuse. 
9~0~ Opera«~Iusical ~eater 

Glimmerglass Opera Theatre 

Cooperstown, New York 

Goodspeed Opera House 

East Haddam, Connecticut 

Hawaii Opera Theatre 

Honolulu, Hawaii 

Henry Street Settlement 

New York, New York 

Hinsdale Opera 

Hinsdale, Illinois 

Houston GrandOperaAssociation 

Houston, Texas 

Inner City Cultural Center 

Los Angeles, California 

International Arts Relations 

NewYork, NewYork 

Kentucky Opera 

Louisville, Kentucky 

Knoxville Opera Company 

Knoxville, Tennessee 

Little Flags Theatre Foundation
 

Roxbury, Massachusetts
 

Long Beaeh Grand Opera 

Terrace Theater 

Long Beach, California 

Los Angeles Opera Theater 

Los Angeles, Califorrda 

Lyric Opera of Chicago 

Chicago, Illinois 

Lyric Opera of Kansas City 

Kansas City, Missouri 

Metropolitan Opera Association 

New York, New York 

Michigan Opera Theatre 

Detroit, Michigan 

Minnesota Opera Company 

St. Paul, Minnesota 

Mississippi Opera Association 

Jackson, Mississippi 

Mobile Opera 

Mobile, Alabama 

Muslo Theater Performing Group 

New York, New York 

For the production of five performances in English of Smetana’s 

The Bartered Bride. 

To support production of three 1984 mainstage revivals: Anyone 

Can Whistle; Oh, Kay; Seventy Girls Seventy; the archivist and 

special archival raaterials for the Library of the Arnerican 

Musical Theatre; and the engagement of artistic and administrative personnel. 

For the 1984-85 season of productions, including development 

activities; design and construction of sets and costumes; increased rehearsal time; and the engagement of artistic production, and management personnel. 

For the 1984-85 season of opera productions. 

For the engagement of artistic, management, and production 

personnel for the Opera Theater of Illinois during the 1984-85 

season. 

To engage artistic personnel, expand development and 

marketing programs, and establish a centralized computer 

department. 

For performance of two musical theater works during the 

1984-85 season, including the engagement of artistic and 

technical personnel. 

To support a musical production during the 1984-85 season, for 

which composers, music directors, and librettists are 

commissioned. 

For increased marketing activities for the 1984-85 season of 

productions. 

For the engagement of a director of development during the 

1984-85 season. 

For the 1984-85 season of productions, including pre-season 

rehearsal, mounting costs, and tour expenses; and the engagement of artistic, technical, and management personnel. 

For the 1984-85 season of productions, including the engagement of artistic and technJcal personnel.
 

For the 1984-85 season of 13 performances of three operas. 

For the 1984-85 season of productions, including cost of preseason rehearsal and staging; student matinee performances; 

and engagement of the Chicago City Ballet, a lighting designer, 

campaign staff, apprentice artists, and guest conductors. 

For the engagement of artistic, production, and management 

personnel for the 1984-85 season. 

For the artistic and technical preparation of the 1984-85 opera
 

season and the Free Parks Concerts.
 

For the 1984-85 season of productions, including the continuation of the artist intern program. 

For the 1984-85 season of productions. 

For a third production during the 1984-85 40th-anniversary 

season. 

For the 1984-85 season of productions, including outreach and

educational activities. 

For the 1984-85 season of major music theater productions and 

workshops at the Lenox Arts Center. 

8,875 

63,875 

TF 20,000 

28,475 

3,000 

3,000 

157,250 

TF 100,000 

3,000 

7,100 

25,875 

3,000 

3,000 

3,000 

10,700 

141,500 

TF 100,000 

30,700 

TF 10,000 

486,750 

TF 390,000 

40,875 

TF 10,000 

45,700 

TF 25,000 

8,475 

5,800 

80,475 

TF 10,000 
Opera-Musical Theater 207 

Natural Heritage Trust 

Lewiston, New York 

For the 1984 season of opera and musical theater productions at 

Artpark, including the engagement of young American singers

and promotion activities. 

12,700 

Nevada Opera Association 

Reno, Nevada 

For the expenses of the administrative staff. 11,475 

New Orleans Opera Association 

New Orleans, Louisiana 

For the 1984-85 season of productions, including additional

rehearsal time with the New Orleans Philharmonic, the engagement of guest conductors and stage directors, a student performance, anda third series of performances. 

21,700 

New York City Opera 

New York, New York 

For the 1984-85 season of seven new productions. 151,500 

TF 50,000 

New York Gilbert and 

Sullivan Players 

New York, New York 

To hire additional artistic and managerial services for the 

company. 

3,000 

New York Shakespeare Festival 

New York, New York 

For the production of up to four musical theater projects during 

the 1984-85 season. 

41,000 

TF 25,000 

Odyssey Theatre Ensemble

Los Angeles, California 

For the 1984-85 season of two major musical theater productions, including the engagement of artistic, managerial, and

technical personnel. 

3,000 

Opera Association of Central Ohio 

Columbus, Ohio 

For expenses during the 1984-85 season of productions for 

Opera Columbus. 

10,475 

Opera Association of New Mexico 

Santa Fe, New Mexico 

For the apprentice program for singers and technicians and the

engagement of American artists during the 1984-85 season of 

Santa Fe Opera. 

71,025 

TF 85,000 

Opera Company of Boston 

Boston, Massachusetts 

For the 1984-85 season of productions, including expanded

marketing; audience development promotion; and Lunch at the 

Opera, a program for the Boston atea public school system. 

35,000 

Opera Company of Philadelphia

Philadelphia, Pennsylvanía 

For the 1984-85 season of five original productions. 50,875 

TF 20,000 

Opera Ebony/Philadelphia 

Philadelphia, Pennsylvania 

For the 1984-85 season of productions and community-outreach 

programs, including the engagement of artistic and administrative personnel. 

7,300 

Opera Festival Association 

Glens Falls, New York 

For the 1985 Lake George Opera Festival, including the engagement of artistic and management personnel. 

24,700 

TF 10,000 

Opera Grand Rapids 

Grand Rapids, Michigan 

Opera Guild of Greater Miami 

Miami, Florida 

For the 1984-85 season of productions, including the engagement of artistic, technical, and management personnel. 

For the 1984-85 season of four productions. 

5,475 

71,025 

TF 70,000 

Opera Memphis 

Memplüs, Tennessee 

To engage artistic and administrative personnel, improve the

quality of sets and custumes, increase rehearsal time, and improve marketing and promotion activities. 

16,475 

Opera/Omaha 

Omaha, Nebraska 

For the 1984-85 season of productions, including audiencedevelopment and outreach programs. 

16,475 

Opera Theater of Rochester 

Rochester, New York 

For the 1984-85 season of productions, including the engagement of an artistic director. 

5,475 

Opera Theater of Syraeuse 

Syracuse, New york 

For the 1984-85 season of four fully staged productions. 11,475 

Opera Theatre of St. Louis 

St. Louis, Missouri 

For the 1984-85 season of productions, informal concerts by 

young artists, touring productions, anda fall/winter season at

the American Theatre. 

50,875 

TF 40,000 

Orlando Opera Company 

Orlando, Florida 

Pennsylvania Opera Theater 

Philadelphia, Pennsylvania 

l 

For t~he engagement of young singers, conductors, directors, and 

desig~¢e~s~ 

For the engagement of a development and marketing director. 

3,000 

8,475 
208 Opera-Musical Theater 

Pennsylvania Stage Company

Allentown, Pennsylvania 

Pittsburgh Opera 

Pittsburgh, Pennsylvania 

Playwright’s Horizon 

New York, New York 

Portland Opera Association 

Portland, Oregon 

Revels 

Cambridge, Massachusetts 

St. Luke’s Chamber Ensemble 

New York, New York 

San Diego Opera Association 

San Diego, California 

San Francisco Opera 

San Francisco, California 

Sarasota Opera Association 

Sarasota, Florida 

Seattle Opera Association

Seattle, Washington 

Shadow Box Theatre 

New York, New York 

Skylight Comic Opera 

Milwaukee, Wisconsin 

Snake Theater 

Sausalito, California 

Spanish Theatre Repertory Company 

New York, New York 

Spoleto Festival, USA 

Charleston, South Carolina 

Theatre Under the Stars 

Houston, Texas 

Tri-Cities Opera Company 

Binghamton, New York 

Trinity Personna Company 

Providence, Rhode Island 

TulsaOpera 

Tulsa, Oklahoma 

Urban Arts Theater 

New York, New York 

Utah Opera Company 

Salt Lake City, Utah 

Virginia Opera Association 

Norfolk, Virginia 

Washington Drttma Society 

Washington, D.C. 

For the 1984-85 season of productions. 3,000 

For the 1984-85 season of productions, including the engagement of artistic and production personnel. 28,875 

For expenses for the 1984-85 musical theater program, including staged readings, one main-stage production, and the 

engagement of a Musical Theatre Program Director and staff 

support. 

13,100 

For artistic, technical, and administrative expenses for the 

1984-85 season, including a fully staged production of Verdi’s 

Un Ballo in Maschera. 

30,875 

TF 15,000 

For artistic, technical, and administrative costs of the 1984-85 

season of three fully staged productions. 

3,000 

For a geographical outreach program on behalf of Children’s 

Free Opera. 

3,000 

For the 1984-85 season of productions, including the West 

Coast prerniere of Verdi’s first opera, Oberto. 

41,025 

TF 50,000 

For administrative and artistic expenses for the 1984-85 fall and 

summer season of productions, including travel, rental 

materials, and development of a marketing brochure. 

101,500 

TF200,000 

For expansion of the management staff, improvement of the accounting system, co-production of the 1984-85 season, and 

engagement of an apprentice program director. 

3,000 

For the 1984-85 season of Opera-in-English, Wagner Festival, 

and the National Series. 

56,025 

TF 95,000 

For outreach performances of four works from the regular repertoire and for bringing a new musical piece to production. 

5,000 

For orchestral services during the 1984-85 season production of 

Lukas Foss’ Griffelkin. 

8,475 

For the production of a major new musical work for Nightíire 

Division. 

3,000 

For the 1984 season of performances of a full-length Spanish zarzuela, including the engagement of artistic and production 

personnel. 

7,100 

For the engagement of artistic personnel and related artistic and 

production expenses for the 1984 season. 

27,975 

TF 5,000 

For a professional telemarketing campaign. 3,000 

For the 1984-85 season of productions. 20,475 

For the production of two musicals during the 1984-85 season at

Trinity Square Repertory Company. 

8,100 

For orchestral services, conductors’ lees, and technical 

assistance for the 1984-85 season of productions. 

43,200 

TF 10,000. 

To engage artistic, management, and production personnel for

the 1984-85 season of musical productions. 

21,800 

For the engagement of professionally trained, experienced, and 

talented American stage directors, conductors, and singers. 

9,700 

For artistic, technical, and administrative expenses for the 

1984-85 tenth anniversary season of four productions in Norfolk 

and Richmond, including the world premiere of a full-length 

opera by Thea Musgrave. 

30,700 

TF 10,000 

For the production of Bertolt Brecht’s and Kurt Weill’s Happy 

End at Arena Stage. 

18,200 
@era-Musical Theater 20D 

Washington Opera To support repertory performing experiences for young 101,025 

Washington, D.C. American artists, rehearsal time for orchestra and chorus, and TF 35,000 

support for the marketing department. 

Wolf Trap Foundation For an apprenticeship program that provides career develop- 10,000 

Vienna, Virginia ment through master classes. 

Yeh Yu Chinese Opera For the 1984-85 season of performances, including the engage- 3,000 

New York, New York ment of artistic and management personnel. 

Special Opera-Musical	 For exemplary projects of national scope that respond to the needs and 

goals of the art; ate innovative; and will enhance the development, apprecia- Theater ~rvjec~s tion, and future of opera and musical theater. 

Program funds: $210,001 

Private gifts: $2,000 

17 grants 

Boston Concert Opera For the 1984-85 season of performances of Leos Janacek’s $6,000 

Boston, Massachusetts Katya Kabanova. 

Boston Early Music Festival For a fully staged production of Handel’s opera Ariodante in a 25,000 

Boston, Massachusetts style faithful to baroque musical and stage performance 

practice. 

CarnegieHallSociety For the production of three rarely produced Handel 5,000 

New York, New York works--Orlando, Ariodante, and Semele--in celebration of the 

composer’s tricentennial. 

Concert Royal For the production of a full-length baroque opera in collaboration 5,000 

New York, New York with the New York Baroque Dance Company. 

Durham Arts Council For five performances of a semi-staged version of Carmen, using 3,000 

Durham, North Carolina local talent in the streets of downtown Durham. 

Lyric Opera Center for To establish a new three-year composer-in-residence program, 16,000 

American Artists providing a talented young composer the opportunity to live and 

Chicago, Illinois work with the opera company on a daily basís. 

Michigan Opera Theater For Careers in the Arts, a pilot project designed to stimulate the 9,784 

Detroit, Michigan black community’s interest in opera throughout the Detroit 

Public School System as part of the black outreach program. 

Minnesota Opera Company For the Minnesota Opera Showboat’s embarkment on a 15,000 

St. Paul, Minnesota Mississippi River voyage, featuring showboat performances in 

37 cities in nine states, culminating in appearances at the 1984

Louisiana World Exposition. 

Mississippi Opera Association For the rehearsal and first production in the United States in 30 7,500 

Jackson, Mississippi years of Raffaello de Banfield’s adaptation of Tennessee

Wfll~am’s Lord Byron’s Love Letter. 

PG 2,000 National Institute of Music Theater For the preservation of the American musical 

Washington, D.C. catalogue--Raissonne. 

New Mexico Opera Guild To promote opera in the tri-cultural community by offering pro- 3,500 

Santa Fe, New Mexico fessional performances of highñghts from celebrated operas. 

New Music Settings Ensemble To present in English, two contrasting contemporary music 5,500 

Santa Monica, California theater works: Hearings, a chamber opera by Ned Rorem, and 

The Juggler of Notre Dame, a non-American music theater piece 

by Peter Maxwell Davies, based on a medieval French legend. 

Northern Kentucky University To enable ah outstanding arts administrator to serve temporar- 8,717" 

Higb.land Heights, Kentucky ily in the Opera-Musical Theater Program through the Intergovernmental Personnel Act. 

Opera America For the Opera for the ’80s and Beyond program, including hiring 20,000 

Washington, D.C. a project director to collect and disseminate information of innovative projects in the performing and visual arts to professional opera company directors. 

Opera America To support a showcase and symposium for semi-staged concert 15,000 

Washington, D.C. readings of works-in-progress at the Opera America Annual Conference as part of the Opera for the ’80s and Beyond program. 
9.10 Opera-Musical Tbeater 

Opera Orchestra of New York 

New York, New York 

Opera Theatre of St. Lonis 

St. Louis, Missouri 

State Foundation on Culture 

and the Arts 

Honolulu, Hawañ 

Texas Opera Theater 

Houston, Texas 

 ̄ teglonm lounng 

Affiliated State Axts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

Early Music Foundation 

New York, New York 

Inner City Cultural Center 

Los Angeles, California 

Michigan Opera Theatre 

Detroit, Michigan 

Mid-America Arts Alliance 

Kansas City, Missouri 

Midwest Opera Theater and School 

St. Paul, Minnesota 

Mother Lode Musical 

Theatre and Seminars 

Kentfield, California 

New England Foundation 

for the Arts 

Cambridge, Massachusetts 

New York City Opera 

New York, New York 

Opera de Camara 

Puerto Rico, Puerto Rico 

Opera Guild of Greater Miami 

Miami, Florida 

Opera New England 

Boston, Massachusetts 

Opera/Omaha 

Omaha, Nebraska 

Opera Theatre of St. Louis 

St. Louis, Missouri 

Pro Arts 

Oakland, California 

Southern Arts Federation 

Atlanta, Georgia 

For the Young Artists’ Training Program, increased lees and 5,000 

wages for artistic personnel, and for adequate rehearsal time. 

To co-produce with the San Antonio Performing Arts Associa- 25,000 

tion, performances of John Gay’s The Beggar’s Opera. 

For SFCA to produce, in cooperation with the Hawañ Associa- 20,000 

tion of Music Societies, nine performances of Rossini’s La 

Cenerentola, by the Western Opera Theatre. 

To present "shadowed" performances for the hearing impaired 15,000 

of Seymour Barab’s one-act children’s opera, The Toy Shop and 

Puccini’s Madame Butterfly. 

To enable professional, non-proíit opera or musical theater companies to 

tour in multi-state regions. 

Program funds: $371,269 

22 grants 

For touring of productions with workshops, master classes, and $5,000
 

lecture demonstrations by the Midwest Opera Theater in Iowa,
 

Minnesota, North Dakota, South Dakota, and Wisconsin.
 

For the 1984-85 touring season of productions, including ad- 5,000
 

ministrative expenses, musicians’ fees, and travel.
 

For the 1984-85 touring season. 5,000
 

For the 1984-85 touring season of the Opera-in-Residence pro- 3,000
 

gram of fully staged productions to a multi-state region.
 

For a tour by the Lyric Opera of Kansas City and the Texas 10,000
 

Opera Theater in conjunction with the state arts agencies of
 

Arkansas, Kansas, Missouri, Nebraska, and Oklahoma.
 

For touring, including residency activities, performances, and 20,000
 

workshops throughout the upper Midwest.
 

For touring in 14 western states during a six-week period. 7,000
 

For the 1984-85 touring season, including artists’ lees. 5,000
 

For a five-week, 30-performance tour of Verdi’s Rigoletto, in- 12,000
 

cluding travel expenses and the engagement of artistic and production personnel.
 

To provide performances fora variety of sponsors around the 4,000
 

island, and to provide workshops and seminars íor the administrative staff.
 

For touring activities, including residencies, school perfor- 27,500
 

mances, master classes, seminars, and workshops during the
 

1984-85 season.
 

For the 1984-85 touring season of fully staged productions 18,000
 

presented throughout New England.
 

For the touring by Nebraska Opera Theater of a contemporary 5,000
 

American opera production, residencies, and workshops.
 

For touring The Beggar’s Opera throughout the Midwest in the 10,000
 

spring of 1985.
 

For touring and residencies in Washington, Oregon, Minnesota, 5,000
 

Baltimore, and Boston.
 

To assist with lees to local sponsoring organizations for residen- 10,000
 

cies of Texas Opera Theater in Alabama, Florida, Georgia, Kentucky, Mississippi, North and South Carolina, and Tennessee.
 
 

 

Opera-Musical Deater 211 

Texas Commission on the Arts To assist in cooperation with state and local arts organizations 30,000 

Austin, Texas in Texas, Oklahoma, and Louisiana, sponsorship of resideneyperformance weeks of Texas Opera Theater. 

Texas Opera Theater 

Houston, Texas 

For "pre-tour" expenses for the 1984-85 season of produetions,

which includes performances and residencies serving communities in a 20-state region. 

110,000 

Virginia Opera Assoeiation 

Norfolk, Virginia 

For touring during the 1984-85 tenth anniversary season of 

produetions. 

16,250 

Waverly Consort 

New York, New York 

For touring The Christmas Story during the month of Deeember 

to the Northeast, Middle Atlantie States, and Midwest. 

5,000 

Western Opera Theater 

San Francisco, California 

For the 1984-85 tour of performances in English to 40-50 communities in up to 20 states, including the engagement of artistic

and produetion personnel, travel expenses, and educational and 

57,500 

promotional materials. 

Western States Arts Foundation For touring of the Western Opera Theater for nine weeks in ten 1,019 

Santa Fe, New Mexico western states. 

Services to the Art	 To assist organizations that provide services to the opera-musical theater 

field asa whole or a sector of it. 

Program funds: $569,533 

12 grants 

$10,000 For artists’ fees for the residencies and "informance" services of 

New York, New York the Affiliate Artists Corporate Sponsored Residency Program. 

Affiliate Artists 

4,434 American Music Center	 For expenses fora catalogued collection of published and unNew York, New York published opera and musical theater scores and audio and vídeo

tapes. 

4,410 Fotis, Linda To coordinate on-site activities for the Opera-Musical Theater 

Bethesda, Maryland Program and the National Institute for Music Theater relating 

to current and potential Endowment grant applicants. 

25,000 Houston Grand Opera Association For continued operations of the Houston Opera Studio, an adHouston, Texas vanced music theater training program using the resources of 

the University of Houston and the Houston Grand Opera. 

25,000 Lyric Opera Center for For the 1984-85 season of training and performing experíence 

American Artists for young singers. 

Chicago, Illinois 

25,000 Metropolitan Opera Assoeiation	 To support coaching and training fees and stipends for the fifth 

New York, New York year of the Metropolitan Opera’s Young Artist Development

Program. 

190,000 National Institute for Musie Theater To support assistance to singers and internships in production 

Washington, D.C. and administration. 

100,000 National Institute for Musie Theater Fora cooperative agreement to administer a program of evaluaWashington, D.C. tions by qualified observers of opera and musical theater producing organizations throughout the country. 

27,439 Office of Public Construction For an outstanding arts administrator to work temporarily in 

Helena, Montana the Opera-Musical Theater Program through the Intergovernmental Personnel Act. 

28,250 Opera America For the Special Constituencies technical assistance program, 

Washington, D.C. which aids member companies in complying with Section 504 

regulations. 

105,000 Opera America	 To offer service programs to professional opera companies, inWashington, D.C.	 cluding public information, education, an annual conference, 

board and committee meetings, consultancies, a newsletter, 

surveys, and a profile book. 

25,000 For the expenses of engaging musical, language, and movement San Francisco Opera Center 

San Francisco, California	 coaches; and for partial salary for the center’s administrator. 

* Chairman’s Action
 

TF-Treasury Funds ~
 
213 

Tbeater
 

Michael Jeter and Richard Bauer in Arena Stage’s production of Accidental Death ofan Anarchist. Photo: Joan Marcus 
214 

Treasury funds: $1,600,000 

320 grants 

Director Fellows To assist the career development of directors who have demonstrated an 

ability and commitment to work in professional theater. 

Program funds: $100,000 

8 grants 

Center Theater Group of 

Los Angeles

Los Angeles, California 

For Jody McAuliffe to serve as director fellow during the 

1984-85 season. 

$12,500 

Chicago, University of For Susan Dafoe to serve as director fellow during the 1984-85 12,500 

Chicago, Illinois season of Court Theatre. 

Eureka Theatre Company For Susan Marsden to serve as director fellow during the 12,500 

San Francisco, California 1984-85 season. 

Julian Company Theater For Salaedo Maredi to serve as director fellow during the 12,500 

San Francisco, California 1984-85 season. 

L. A. Theatre Works For John Steppling to serve as director fellow during the 1984-85 12,500 

Venice, California season. 

New Dramatists Committee For Alma Becker to serve as director fellow during the 1984-85 12,500 

New York, New York season. 

Portland Stage Company For Wendy Chaplin to serve as director fellow during the 12,500 

Portland, Maine 1984-85 season. 

Seattle Repertory Company For Kevin Tighe to serve as director fellow during the 1984-85 12,500 

Seattle, Washington, season. 

Professional To encourage ongoing efforts to raise professional standards by assisting

Training professional training of theater artists at the highest level. Theater 

Program funds: $150,000 

6 grants 

American Conservatory Theater For master teachers’ salaries during the 1984-85 season. $30,000 

Foundation 

San Francisco, California 

California, University of For master teacher’s salaries and for the cooperative activity 15,000 

San Diego, California between the training program and professional theater 

companies. 

Juilliard School For master teachers’ and directors’ lees during the 1984-85 40,000 

New York, New York acadernic year. 

League of Professional Theater For the 1985 Design Portfolio Review during which professional 10,000 

Training Programs designers and directors meet with students to critique their 

New York, New York work. 

New York University For artistic directors of regional theaters to serve as master 5,000 

New York, New York teachers for third-year students in the theater program of the 

Tisch School of the Arts during the 1984-85 academic year. 

Yale University For master teachers’ salaries at the School of Drama during the 50,000 

New Haven, Connecticut 1984-85 academic year. 

Artistic Associates To bring mature professional actors, playwrights, choreographers, composers, designers, directors, and dramaturgen into close association with 

theaters to help shape companies’ artistic growth. 

Program funds: $95,070 

13 grants 
Tbeater 215 

Alabama Shakespeare Festival For Allen R. Belknap to serve as artistic associate to direct dur- $9,700 

Anniston, Alabama ing the 1984-85 season. 

American Repertory Theater For Jennifer Tipton to serve as resident design advisor during 4,900 

Company the 1984-85 season. 

Cambridge, Massachusetts 

Arizona Theater Company For Ken Ruta to serve as associate artistic director during the 9,700 

Tucson, Arizona 1984-85 season. 

Center Theater Group For Jose Quintero to serve as artistic associate during the 9,700 

Los Angeles, California 1984-85 season. 

International Arts Relations For Dolores Prida to serve as literary manager for INTAR dur- 7,770 

New York, New York ing the 1984-85 season. 

Julian Company Theater For director/educator John Doyle to serve as artistic associate 8,550 

San Francisco, California during the 1984-85 season. 

Mabou Mines Development For Tom Lopez to serve as artistic associate in sound design for 4,850 

Foundation the 1984-85 season. 

New York, New York 

Magic Theater For director Albert Takazauckas to serve as artistic associate 5,450 

San Francisco, California working on script development in the 1984-85 season. 

New Dramatists To engage producer/director Robert Woodruff as a dramaturg/ 9,700 

New York, New York teacher during the 1984-85 season. 

Ragabash Puppet Theater For sculptor Jay Coogan to serve as artistic associate in the 4,850 

New York, New York 1984-85 season. 

Theater for the New City For Anthony Johnopolous to serve as designer-in-residence dur- 3,900 

New York, New York ing the 1984-85 season. 

Woodstock Guild of Craftsmen For playwright/director Len Jenkin to serve as artistic associate 6,300 

New York, New York during the 1984-85 season of River Arts Repertory. 

Wooster Group For writer/director/producer Richard Foreman to serve as 9,700 

New York, New York artistic associate during the 1984-85 season. 

Professional	 To assist in the development of Theater artistic, administrative, and comCompanies munity service activities of professional theater companies.

Program funds: $5,701,500 

Treasury funds: $1,600,000 

194 grants 

A Contemporary Theater

Seattle, Washington 

For expansion of the main-stage and Young ACT programs, the 

engagement of directors and additional actors, and for produc­

$35,000 

tion expenses in the 1984-85 season. 

Actor’s Studio For salary support of the membership coordinator for the 3,500 

New York, New York 1984-85 season. 

Actor’s Studio For administrative and rehearsal expenses resulting from exten­ 15,000" 

New York, New York sive structural renovation to the building. 

Actors Theatre of Louisville For the 1984-85 season. \\ TF 175,000 

Louisville, Kentucky 

Actors Theatre of St. Paul For the 1984-85 season. 10,000 

St. Paul, Minnesota 

Alabama Shakespeare Festival For artists’ salaries during the 1984-85 season. 7,500 

Anniston, Alabama 

Alabama Shakespeare Festival For materials and labor costs for restructuring the costume shop 10,000" 

Anniston, Alabama that was destroyed by tire. 

Alaska Repertory Theatre For the 1984-85 season. 60,000 

Anchorage, Alaska 

Alley Theatre For artists’ salaries during the 1984-85 season. 35,000 

Houston, Texas 
216 7heater 

Alliance Theatre 

Atlanta, Georgia 

American Conservatory Theatre 

San Francisco, California 

American Place Theatre 

New York, New York 

American Players Theatre 

Spring Green, Wisconsin 

American Repertory Theatre 

Company 

Cambridge, Massachusetts 

American Repertory Theatre of 

Cincinnati 

Cincinnati, Ohio 

American Theatre Company 

Tulsa, Oklahoma 

Amherst College, Trustees of 

Washington, D.C. 

Arizona Theatre Company 

Tucson, Arizona 

Ark Theatre Company 

New York, New York 

Arkansas Arts Center 

Little Rock, Arkansas 

Asian American Theatre Company 

San Francisco, California 

Asolo State Theater 

Sarasota, Florida 

At the Foot of the Mountain 

Minneapolis, Minnesota 

Available Potential Entirprises 

Northampton, Massachusetts 

Bathhousi Theatre 

Seattle, Washington 

Berkeley Repertory Theatre 

Berkeley, California 

Berkshire Theatre Festival 

Stockbridge, Massachusetts 

Billie Holiday Theatre 

Brooklyn, New York 

Blake Street Hawkeyes 

Berkeley, California 

Boston Shakespeare Company 

Boston, Massachusetts 

Brass Tacks Theatre 

Minneapolis, Minnesota 

Broom Street Theatre 

Madison, Wisconsin 

Budapest-New York Theatre Arts 

Foundation 

New York, New York 

For the 1984-85 season of productions at the Atlanta Children’s 25,000 

Theatre. 

For the 1984-85 season, new play development, and touring 145,000 

activities. 

32,500 For the 1984-85 season. 

3,500 For production expenses in the 1984-85 season. 

200,000 For expansion of the company, expenses of new works, touring 

activities, and the strenghtening of the training programs in the 

1984-85 season. 

3,500 For improved salaries for artistic personnel during the 1984-85 

season. 

3,500 For salaries, íringe benefits, and travel costs for the guest artist 

program during the 1984-85 season. 

For the 1984-85 season of the Folger Theatre. 3,500 

For continued development of the acting and artistic staff dur- TF 90,000 

ing the 1984-85 season. 

For the 1984-85 season. 3,500

For expenses related to the engagement of four guest artists 3,500 

during the 1984-85 season. 

For production expenses during the 1984-85 season. 3,500 

For the 1984-85 season. 10,000

For the 1984-85 season of productions. 3,500 

For the 1984-85 season of the No Theatre. 3,500

For artists’ compensation in the 1984-85 season. 3,500 

For the 1984-85 season. 32,500

For support of the 1984-85 season. 3,500 

3,500 For rehearsal costs associated with a new work for the 1984-85 

season. 

For development of a collaborative work in the 1984-85 season. 3,500 

For the 1984-85 season. 5,000

For the 1984-85 season. 3,500

For production expenses for staff salaries during the 1984-85 5,000 

season. 

For artists’ lees and production expenses during the 1984-85 10,000 

season ofthe Squat Theatre Company. 
7heater 217 

Center for Puppetry Arts For increased salaries and production expenses during the 30,000 

Atlanta, Georgia 1984-85 season. 

Center Stage Associates For the 1984-85 season of productions. TF 165,000 

Baltimore, Maryland 

Center Threatre Group of For the 1984-85 season of the Mark Taper Forum and the Ira- TF 300,000 

Los Angeles provisational Theatre Project. 

Los Angeles, California 

Chicago Theatre Group For increased actors’ salaries and expenses related to incareased 175,000 

Chicago, Illinois rehearsal time for the 1984-85 season of the Goodman Theatre. 

Children’s Theatre Company and For the 1984-85 season. TF 170,000 

School 

Minneapolis, Minnesota 

Childsplay For increased artistic salaries in the 1984-85 season. 3,500 

Tempe, Arizona 

Child’s Play Touring Theatre 

Chicago, Illinois 

For the 1984-85 season. 3,500 

Cineinnati Playhouse For the 1984-85 season. 45,000 

Cincinnati, Ohio 

Circle in the Square For the 1984-85 season of productions. 50,000 

New York, New York 

Circle Repertory Company For expenses related to the 1984-85 season of productions. 135,000 

New York, New York 

Cleveland Play House For the 1984-85 season. 20,000 

Cleveland, Ohio 

Coconut Grove Playhouse For the 1984-85 season. 15,000 

Miami, Florida 

Commonwealth Players For the 1984-85 season of productions and programs of the 3,500 

Richmond, Virginia Virginia Museum Theatre. 

Community Arts Foundation For artistic lees and salaries in the 1984-85 season of the Body 5,000 

Chicago, Illinois Politic Theatre. 

Conservatory Theatre Company For artists’ salaries during the 1984-85 season of the New City 3,500 

Seattle, Washington Theatre. 

Court Theatre For the 1984-85 season of productions. 5,000 

Chicago, Illinos 

Cricket Theatre For the main-stage sea~n and works-in-progress program dur­ 5,000 

Minneapolis, Minnesota ing the 1984-85 season. ­

Crossroads For the 1984-85 season of productions. 15,000 

New Brunswick, New Jersey 

CSC Repertury For the 1984-85 season. 3,500 

New York, New York 

Cultural Council Foundation For the 1984-85 season of the American Stage Company. 3,500 

New York, New York 

Dakota Theatre Caravan For an administrative position during the 1984-85 season. 3,500 

Sioux Falls, South Dakota 

Dallas Theater Center For the 1984-85 season. 75,000 

Dallas, Texas 

Das Puppenspiel Puppet Theater 

Westfield, New York 

For the 1984-85 season of productions and workshops. 3,500 

Delaware Theatre Company For the 1984-85 season. 3,500 

Wilmington, Delaware 

Dell ’Arte Players Company For artistic salary support and production expenses in the 5,000 

Blue Lake, California 1984-85 season. 
218 ~eater 

Denver Center Theatre Company 

Denver, Colorado 

East West Players 

Los Angeles, California 

Empty Space Theatre Association 

Seattle, Washington 

Ensemble Studio Theatre 

New York, New York 

Eureka Theatre Company 

San Francisco, California 

Facets Performance Ensemble 

Chicago, Illinois 

Fiji Theatre Company 

New York, New York 

First All Children’s Theatre 

New York, New York 

Florida Studio Theatre 

Sarasota, Florida 

Foundation for the Open Eye 

New York, New York 

Free Public Theatre Foundation 

Los Angeles, California 

Genesee Valley Arts Foundation 

Rochester, New York 

George Street Playhouse 

New Brunswick, New Jersey 

Germinal Stage 

Denver, Colorado 

Great Lakes Shakespeare Festival 

Cleveland, Ohio 

Group I Acting Company 

New York, New York 

Guthrie Theater Foundation 

Minneapolis, Minnesota 

Hartford Stage Company 

Hartford, Connecticut 

Hartman Regional Theatre 

Stamford, Connecticut 

Henry Street Settlement 

New York, New York 

Hippodrome Theatre 

Gainsville, Florida 

Honolulu Theatre for Youth 

Honolulu, Hawaii 

Horse Cave Theatre 

Horse Cave, Kentucky 

Hudson Guild 

New York, New York 

Independent Eye 

Lancaster, Pennsylvania 

Indiana Repertory Theatre 

Indianapolis, Indiana 

For the 1984-85 season. TF 70,000 

For the 1984-85 season. 3,500 

For the 1984-85 season. 55,000 

For the 1984-85 season. 15,000 

For the 1984-85 season. 15,000 

For the 1984-85 season. 3,500 

For artistic lees and production expenses for the 1984-85 season. 15,000 

For production expenses for a dramatic work during the 1984-85 5,000 

season. 

For the 1984-85 season. 3,500 

For the 1984-85 season. 3,500 

For the 1984-85 season of the L.A. Public Theatre. 3,500 

For the 1984-85 season of the GeVa Theatre. 3,500 

For the 1984-85 season of productions. 3,500 

For the 1984-85 season. 3,500 

For actors’ salaries in the 1984-85 season. 40,000 

For production, rehearsal, and touring expenses during the 235,000 

1984-85 season of the Acting Company.
 

For the main-stage and touring programs during the 1984-85 TF 300,000
 season.
 

For the 1984-85 season. 175,000
 

For the 1984-85 season. 12,500
 

For the 1984-85 season of the New Federal Theatre.
 50,000 

For increased artistic salaries in the 1984-85 season. 20,000 

For the 1984-85 season, including the Neighbor Island Touring 12,500 

program. 

For the 1984 season of productions. 3,500 

For artists’ lees and salaries and production expenses during the 3,500 

1984-85 season. 

For the production expenses of the 1984-85 season. 5,000 

For production expenses in the 1984-85 season. 27,500 
Tbeater 219 

International Arts Relations For production expenses anda staged reading series for INTAR 15,000 

New York, New York during the 1984-85 season. 

Interart Theatre For the 1984-85 season of productions. 15,000 

New York, New York 

Intiman Theatre Company For artistic and administrative development during the 1984-85 20,000 

Seattle, Washington season. 

Jomandi Productions For the 1984-85 main-stage season. 3,500 

East Point, Georgia 

Julian Company Theatre For increased artists’ fees and for production expenses during 5,000 

San Francisco, California the 1984-85 season. 

La Mama Experimental Theatre Club 

New York, New York For the 1984-85 season of productions and related expe.nses. 155,000 

L. A. Theatre Works For artistic salaries and production expenses during the 1984-85 15,000 

Venice, California season. 

Little Flags Theatre Foundation

Roxbury, Massachusetts 

For the 1984-85 season. 3,500 

Long Wharf Theatre For the 1984-85 season. 185,000 

New Haven, Connecticut 

Looking Glass Theatre For increased artists’ salaries and production expenses during 3,500 

Providence, Rhode Island the 1984-85 season. 

Los Angeles Actors Theatre For the 1984-85 season. 25,000 

Los Angeles, California 

Louisville Children’s Theatre 

Louisviile, Kentucky 

For the 1984-85 season. 3,500 

Mabou Mines Development 

Foundation 

For the development, rehearsal, and presentation of the New 

York City season. 85,000 

New York, New York 

Magic Theatre Foundation 

Omaha, Nebraska 

For the 1984-85 season. 30,000 

Magic Theatre 

San Francisco, California 

For the 1984-85 season. 45,000 

Manhattan Theatre Club 

New York, New York 

For the 1984-85 season. 85,000 

McCarter Theatre Company 

Princeton, New Jersey 

For the 1984-85 season. 75,000 

Meadow Brook Theatre 

Rochester, Michigan 

For guest directors’ fees, extended rehearsal time, and production expenses during the 1984-85 season. 3,500 

Metro Theater Circus 

St. Louis, Missouri 

For development of two new productions during the 1984-85 

season. 7,500 

Mettawee Theatre Company 

Salem, New York 

For the 1984 summer season. 10,500 

Michigan Public Theater 

Lansing, Michigan 

For the 1984-85 season of the Boarshead Theater. 3,500 

Milwaukee Repertory Theatre 

Milwaukee, Wisconsin For artistic salaries and production expenses during the 1984-85 

season. 150,000 

Missouri Repertory Theatre 

Kansas City, Missouri For increased artistic lees and production and technical expenses during the 1984-85 season. 15,000 

Mixed Blood Theatre Company 

Minneapolis, Minne~ota 

For the 1984-85 season. 7,500 

Modern Times Theater For actors’ salaries and production expenses during the 1984-85 5,000 

New York, New York season. 

National Theatre of the Deaf For the 1984-85 season. 15,000 

Chester, Connecticut 
220 ~eater 

Negro Ensemble Company 

New York, New York 

New Dramatists 

New York, New York 

New Playwrights’ Theatre 

Washington, D.C. 

New York Shakespeare Festival 

New York, New York 

North Carolina, University of 

Chapel Hill, North Carolina 

North Light Repertory Company

Evanston, Illinois 

Odyssey Theatre Ensemble 

Los Angeles, California 

Old Globe Theatre 

San Diego, California 

O’Neill (Eugene) Memorial Theater 

Center 

Waterford, Connecticut 

Ontological-Hysteric Theater 

New York, New York 

Oregon Coatemporary Theatre 

Portland, Oregon 

Oregon Shakespearean Festival 

Association 

Ashland, Oregon 

Organic Theater Company 

Chicago, Illinois 

Other Theater 

New York, New York 

Otrabanda Compaay 

New York, New York 

Padua Hills Playwrights’ Workshop 

and Festival 

Claremont, California 

Palace Theater 

Minneapolis, Minnesota 

Pan Asian Repertory Theatre 

New York, New York 

Paper Bag Players 

New York, New York 

Pennsylvania Stage Company 

Allentown, Pennsylvania 

People’s Light and Theatre Company 

Malvern, Pennsylvania 

Philadelphia Company 

Philadelphia, Pennsylvania 

Philadelphia Drama Guild 

Philadelphia, Pennsylvania 

Philadelphia Festival Theatre for 

New Plays 

Philadelphia, Pennsylvania 

Pickle Family Circus
 

San Francisco, California
 

For the 1984-85 season. 200,000 

For the 1984-85 season. 15,000 

To cover expenses of rebuilding the facility and restructuring 17,500’ 

the production in progress at the time of a fire. 

For the 1984-85 season. 300,000 

For artistic salaries and production expenses during the 1984-85 5,000 

season of the Playmakers Repertory Company. 

For artistic salaries and production expenses during the 1984-85 3,500 

season. 

For the 1984-85 season. 30,000 

For improved artistic compensation during the 1984-85 season. 150,000 

For expenses related to the National Playwrights Conference 145,000 

during the 1984-85 season. 

For rehearsal and production expenses for Miss Universal Happiness, written and directed by Richard Foreman. 

40,000 

For the 1984-85 season of productions. 3,500 

For support of actors’ salaries during the 1984-85 season. 125,000 

For the 1984-85 season of productions. 10,000 

For a new project during the 1984-85 season. 50,000 

For rehearsal costs for a new play during the 1984-85 season. 3,500 

For the activities of the summer 1984 festival. 3,500 

For the 1984-85 season. 3,500 

For artists’ salaries during the 1984-85 season. 3,500 

For the 1984-85 season. 45,000 

For artists’ salaries and the residency program. 3,500 

For the 1984-85 season. 5,000 

For actors’ salaries during the 1984-85 season. 3,500 

For expanded production time during the 1984-85 season. 22,500 

For the 1984-85 season. 3,500 

For the 1984-85 season. 30,000 
~eater 221 

Pittsburgh Public Theater

Pittsburgh, Pennsylvania 

For the 1984-85 season of productions. 55,000 

Playwrights’ Center

Minneapolis, Minnesota 

For laboratory activities during the 1984-85 season. 5,000 

PIaywrights Horizons For the 1984-85 season of productions. 115,000 

New York, New York 

Playwrights Unlimited For the works-in-progress performance series during 1985. 7,500 

Mili Va[ley, California 

Portland Stage Company For the 1984-85 season. 7,500 

Portland, Maine 

Pro Femina Theatre For salaries and production expenses for the 1984-85 season of 3,500 

Washington, D.C. Horizons. 

Puerto Rican Traveling Theatre For the 1984-85 season of productions. 30,000 

Company 

New York, New York 

Ragabash Puppet Theater 

New York, New York 

For salary support for ah audience development and tour 

management position. 

3,500 

Repertory Theatre of St. Louis For the 1984-85 season, including artists’ salaries. 15,000 

St. Louis, Missouri 

Ridiculous Theatrical Company For the 1984-85 season. 40,000 

New York, New York 

Road Company

Johnson City, Tennessee 

For the 1984-85 season. 7,500 

Roadside Attractions For the 1984-85 season of the Attic Theatre. 3,500 

Detroit, Michigan 

Roadside Theater 

Whitesburg, Kentucky 

For production and touring expenses during the 1984-85 season. 27,500 

Roundabout Theatre Company For the 1984-85 season. 10,000 

New York, New York 

Salt Lake Acting Company 

Salt Lake City, Utah 

For the 1984-85 season. 3,500 

San Diego Repertory Theatre For artists’ salaries during the 1984-85 season. 3,500 

San Diego, California 

San Francisco Mime Troupe 

San Francisco, California 

For artistic salaries associated with a new production during the 

1984-85 season. 

30,000 

Seattle Children’s Theatre For the 1984-85 season. 3,500 

Association 

Seattle, Washington 

Seattle Repertory Theatre For the 1984-85 season. 175,000 

Seattle, Washington 

Second Stage Theatre For artistic lees and salaries, and for production expenses during 7,500 

New York, New York the 1984-85 season. 

Sew Productions For partial salary support for set designers and direetors during 3,500 

San Francisco, California the 1984-85 season of the Lorraine Hansberry Theatre. 

Shakespeare and Company For performance and training expenses during the 1984-85 3,500 

Lenox, Massachusetts season. 

Silvera (Frank) Writers’ Workshop For the writers/directors series of staged productions during the 3,500 

Foundation 1984-85 season. 

New York, New York 

Snake Theatre 

Sausalito, California 

For artistic fees and salaries, and for production expenses for the

production of Radio Interference during the 1984-85 season of 

17,500 

Antenna Division 

Snake Theatre For the production expenses of Baseball Voodoo during the 12,500 

Sausalito, California 1984-84 season of Nightfire Division. 
222 Tbeater 

Soho Repertory Theatre 

New York, New York 

Solvang Theaterfest 

Santa Maria, California 

South Coast Repertory 

Costa Mesa, California 

Spanish Theatre Repertory 

New York, New York 

Springfield Theatre Arts Assoeiation 

Springfield, Massachusetts 

Steppenwolf Theatre Company 

Chicago, Illinois 

Studio Theatre Sehool 

Buffalo, New York 

Southeastern Aeademy of Theatre 

and Music 

Atlanta, Georgia 

Syracuse Stage 

Syracuse, New York 

Tacoma Actors Guild 

Tacoma, Washington 

Talking Band 

New York, New York 

Tears of Joy Theatre 

Vancouver, Washington 

Teatro Campesino 

San Juan Bautista, California 

Teatro de la Esperanza 

Santa Barbara, California 

Theater at Monmouth 

Monmouth, Maine 

Theatre by the Sea 

Portsmouth, New Hampshire 

Theatre de la Jeune Lune 

Minneapolis, Minnesota 

Theater for the New City 

New York, New York 

Theatre IV 

Richmond, Virginia 

Theatre Three 

Dallas, Texas 

Theatre X 

Milwaukee, Wisconsin 

Time nnd Space Limited 

New York, New York 

T. P.C.
 

New York, New York
 

Traveling Jewish Theater 

San Francisco, California 

Trinity Square Repertory Company 

Providence, Rhode Island 

Victory Gardens Theater 

Chicago, Illinois 

For the 1984-85 season. 3,500 

For the 1984-85 season, including increased employment for ar- 15,000 

tists and craftsmen. 

For production expenses, including increased artistic salaries TF 65,000 

and new play commissions during the 1984-85 season. 

For artistic salaries during the 1984-85 season. 70,000 

For the 1984-85 season of expanded productions at Stage West. 3,500 

For the 1984-85 season of productions. 7,500 

For the 1984-85 season of Studio Arena Theatre. 50,000 

For production expenses during the 1984-85 season of Academy 10,000 

Theater. 

For the 1984-85 season. 25,000 

For the fees of guest directors and designers and production ex- 3,500 

penses for the 1984-85 season. 

For rehearsal and production expenses during the 1984-85 15,000 

season. 

For production expenses during the 1984-85 season. 3,500 

For the 1984-85 season of productions. 35,000 

For artistic salaries, rehearsals, touring, and production ex- 3,500 

penses during the 1984-85 season. 

For the touring program in the 1984-85 season. 3,500 

For the 1984-85 season of productions. 9,000* 

For artistic salaries and lees during the 1984-85 season. 5,000 

For artistic salaries and lees, including playwrights’ commis- 35,000 

sions and production expenses in the 1984-85 season. 

For the 1984-85 season of children’s theater productions. 3,500 

For the salaries of the artistic staff during the 1984-85 season. 3,500 

For artistic salaries during the 1984-85 season. 7,500 

For production expenses and artistic salaries during the 1984-85 3,500 

season. 

For artists’ compensation during the 1984-85 season. 7,500 

For the 1984-85 season. 12,500 

For the 1984-85 season. 230,000

For artistic development during the 1984-85 season. 15,000 
Tbeater 223 

Virginia Stage Company For artistic salaries and production expenses during the 1984-85 5,000 

Norfolk, Virginia season. 

Washington Drama Society Washington, D.C. 

For the support of the 1984-85 season of Arena Stage. TF 265,000 

Whole Theatre Company For the 1984-85 season. 10,000 

Montclair, New Jersey 

Williamstown Theatre Foundation For the 1984 summer season of the Williamstown Theatre 25,000 

Williamstown, Massachusetts Festival. 

Wisdom Bridge Theatre For the 1984-85 season. 32,500 

Chicago, Illinois 

Wooster Group For the 1984-85 season of productions and related expenses. 47,500 

New York, New York 

Workshop of the Players Art 

Foundation 

For the 1984-85 season of the WPA Theatre. 5,000 

New York, New York 

Yale Repertory Theatre For the 1984-85 season. 175,000 

New Haven, Connecticut 

Professional	 For presenters, consortia of presenters, state arts agencies, and regional 

arts organizations to sponsor presentations by professional theater com- Theater ~O.~~.~~ panies that ate current grantees of the Theater Program. 

Program funds: $300,000 

12 grants 

Affiliated State Arts Agencies For presentations of the Actors Theater of St. Paul, Friends $25,000 

of the Upper Midwest Mime Theater, the Guthrie Theater, and Theatre X throughout 

Minneapolis, Minnesota Iowa, Minnesota, North Dakota, South Dakota, and Wisconsin. 

Alternate ROOTS For presentations of the Road Company and Roadside Theater 25,000 

Atlanta, Georgia throughout the Southeast. 

Georgia Council for the Arts For Center for Puppetry Arts to present Hansel and Gretel in 7,500 

Tucker, Georgia communities throughout the state. 

Great Lakes Arts AIHance For presentation of the Acting Company and the Guthrie 20,000 

Cleveland, Ohio Theater in IlIinois, Indiana, Michigan and Ohio. 

Kentucky Arts Council For Roadside Theater’s two-week presentation in eight rural 5,000 

Frankfurt, Kentucky Kentucky communities. 

Metropolitan Arts Council For Omaha Magic Theater’s presentations in communities 10,000 

Omaha, Nebraska throughout Nebraska and Iowa. 

Mid-America Arts Alliance For presentations of the Acting Company and the Guthrie 40,000 

KansasCity, Missouri Theater in communities throughout Arkansas, Kansas, 

Missouri, Nebraska, and Oklahoma. 

Mid-Atlantic States Arts Consortium	 For presentations of the Acting Company, Mabou Mines, the 30,000 

Baltimore, Maryland	 Negro Ensemble Company, and the Puerto Rican Traveling 

Theater throughout Maryland, New York, New Jersey, Pennsylvania, Virginia, West Virginia, and the District of Columbia. 

New England Foundation for For three-to-five-week presentations by A Traveling Jewish 22,500 

the Arts Theater, El Teatro Campesino, Mabou Mines, and Roadside Cambridge, Massachusetts Theater throughout communities in New England. 

Southern Arts Federation For presentation lees for the Acting Company and Mabou Mines 50,000 

Atlanta, Georgia throughout the Southeast. 

Virginia Commission for the Arts For Roadside Theater’s presentations throughout the state. 12,400 

Richmond, Virginia 
224 Tbeater 

Western States Arts Foundation 

Santa Fe, New Mexico 

Ongoing Ensembles 

Appalshop 

Whitesburg, Kentucky 

Circle Repertory Company 

New York, New York 

Milwaukee Repertory Theater 

Milwaukee, Wisconsin 

San Francisco Mime Troupe 

San Francisco, California 

Spanish Theater Repertory Company 

New York, New York 

Trinity Personna Company 

Providence, Rhode Island 

Washington Drama Society 

Washington, D.C. 

Wooster Group 

New York, New York 

National Resources 

Acosta-Colon, Maria 

San Francisco, California 

52,600 For presentations by the Acting Company, Dallas Theater 

Center, Denver Center Theater, Piclde Family Circus, and Tears 

of Joy Theater throughout Arizona, Colorado, Idaho, Montana,

Nevada, New Mexico, Oregon, Utah, Washington, and Wyoming. 

To help existing theater companies create or strengthen relationships with 

artists in order to work in ways not otherwise possible. 

Program funds: $1,295,000 

8 grants 

$60,000 To strengthen the existing ensemble of Roadside Theater in the 

1986 season by increasing artistic salaries and the amount of 

time that ensemble members can spend on development of projects; and supporting training programs for ensemble artists

and younger artists, a program of guest artist residencies, and 

artistic exchanges with other ensembles. 

260,000 For the establishment of a full-time company of 30 artists for 30 

weeks during the 1985-86 season, permitting extended rehearsal 

period, for main-stage and developmental projects, and allowing 

for the inauguration of rotating repertory on the main stage. 

65,000 To strengthen the existing ensemble in the 1985-86 season by increasing the size of the resident acting company, adding employment weeks for ensemble members, engaging a resident vocal 

coach and artists of international stature to work with company 

members, and providing training opportunities for resident 

artists. 

90,000 To strengthen the existing ensemble in the 1986 season by increasing artists’ salaries and fringe benefits, adding a
 

playwright to the ensemble, and providing artists with a month
 

of advanced professional training.
 

120,000 To strengthen the existing ensemble in the 1985-86 season by 

adding actors anda playwright to the company and increasing

compensation to company members, thus allowing the theater to 

increase the range of their repertory and the quality of their 

performances. 

220,000 To strengthen the existing ensemble in the 1985-86 season of the 

Trinity Square Repertory Company by providing annual 

employment contracts for ah increased number of artists, instituting a fellowship program for talented young artists to join the 

ensemble, and by further development of the Conservatory. 

310,000 To strengthen the ensemble of Arena Stage in the 1985-86
 

season by providing annual employment contracts for ensemble
 

members; increasing the size of the company; adding directors,
 

designers, composers, and other artists to the ensemble; adding
 

actors anda musician to the ensemble of Living Stage; and increasing compensation for ensemble artists.
 

170,000 To strengthen the existing ensemble in the 1985-86 season by increasing compensation to ensemble members; adding actors, apprentice actors, assistant directors, and designers to the ensemble; laying the groundwork for future company development;

and by increasing fringe benefits for ensemble members. 

To assist organizations that provide services to the theater field on a national scale. 

Program funds: $1,015,836 

68 grants 

$3,575 To serve as an independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 
Theater 225 

Anthony, Vincent To amend a previous contract to serve as an independent 2,275 

Atlanta, Georgia evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

Astor, Lenox and Tilden Foundations To document live theatrical performances on videotape and con­ 57,500 

New York, New York serve delicate paper material containing records of theater 

history at the New York Public Library. 

Benson, Martín To amend a previous contract to serve as an independent 150 

Costa Mesa, California evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

Berson, Misha To serve as an independent evaluator for the Theater Program’s 2,275 

San Francisco, California on-site activities for the 1984-85 season. 

Bly, Mark 

MinneapoIis, Minnesota To serve as ah independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

4,875 

Bos, John Fora contract to conduct on-site evaluations of national service 6,000 

Alexandria, Virginia organizations applying under the National Resources category. 

Boyd, Greg To serve as an independent evaluator for the Theater Program’s 2,925 

Chapel Hill, North Carolina on-site activities for the 1984-85 season. 

Burgwin, George C. To amend a previous fellowship in the Theater Program. 13,500" 

Owings Mills, Maryland 

Burgwin, George C. For coordination and management of on-site evaluations for pro­ 8,000 

Owings Mills, Maryland fessional theater companies, training institutions, and service 

organizations. 

CaHfornia Theatre Council 

Los Angeles, California For publishing, promotion, and distribution of West Coast 

Plays, a semi-annual anthology of recently produced works by 

5,000 

contemporary American writers. 

Carter, Steve To amend a previous contract to serve as an independent 2,600 

Corona, New York evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

Cattaneo, Anne To serve as an independent evaluator for the Theater Program’s 3,550 

New York, New York on-site activities for the 1984-85 season. 

Copelin, David To serve as an independent evaluator for the Theater Program’s 7,125 

New York, New York on-site activities for the 1984-85 season. 

Copelin, David For a contract to conduct on-site evaluations of applicant 2,129 

New York, New York organizations under the Professional Theater Training category. 

Copelin, David To amend a previous contract to serve as an independent 6,500 

New York, New York evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

Dunn, Tom To amend a previous contract to serve as an independent 4,700 

New York, New York evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

Ferra, Max To amend a previous contract to serve as an independent 516 

New York, New York evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

Foundation for the Extension and For one-to-one consultancies and management workshops. 33,000 

Development of the American 

Professional Theatri 

Niw York, New York 

Foundation for the Extension and 

Development of American 

For the Project Theatre Program, the Provisional Project Prograto, and the General Technical Assistance to the Field Pro30,000 

Professional Theatre gram components for theaters during 1983-84. 

New York, New York 

Frisch, Norman To serve as an independent evaluator for the Theater Program’s 4,000 

New York, New York on-site activities for the 1984-85 season. 

Gisselman, Gary To serve as ah independent evaluator for the Theater Program’s 1,950 

Tucson, Arizona on-site activities for the 1984-85 season. 
226 7beater 

Gisselman, Gary 

Tucson, Arizona 

Glore, John 

Los Angeles, California 

Hausch, Mary 

Gainsville, Florida 

Hicks, Israel 

Brookline, Massachusetts 

Huerta, Jorge 

La Jolla, California 

Hwang, David Henry 

New York, New York 

International Theatre Institute 

of the United States 

New York, New York 

International Theatre Institute 

of the United States 

New York, New York 

Jones, Jeff 

New York, New York 

Maggio, Michael 

Evanston, Illinois 

Marriott, Rod 

New York, New York 

Marx, Robert 

New York, New York 

Miles, Julia 

New York, New York 

New Dramatists 

New York, New York 

O’Neill (Eugene) Memorial Theater 

Center 

Waterford, Connecticut 

Partlan, Bill 

New York, New York 

Partlan, Bill 

New York, New York 

Paton, Angela 

Berkeley, California 

Performing Arts Journal 

New York, New York 

Performing Arts Journal 

New York, New York 

Pottlitzer, Joanne 

New York, New York 

Robman, Steve 

New York, New York 

Rosoff, Barbara 

Portland, Maine 

To amend a previous contract to serve as ah independent 1,450 

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

To serve as ah independent evaluator for the Theater Program’s 4,800 

on-site activities for the 1984-85 season. 

To amend a previous contract to serve as an independent 3,375 

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

To serve as an independent evaluator for the Theater Program’s 1,600 

on-site activities for the 1984-85 season. 

To serve as an independent evaluator for the Theater l=’rogram’s 3,575 

on-site activities for the 1984-85 season. 

To serve as ah independent evaluator for the Theater Program’s 2,725 

on-site activities for the 1984-85 season. 

For the library and reference service, visitor service, publica- 30,000 

tions, theater forums, consultation services, American participation at international theater meetings, and the international exchange program during 1984-85. 

For the library, visitor and consultation service, publications, 37,500 

and representation program during 1983-84. 

To serve as ah independent evaluator for the Theater Program’s 3,675 

on-site activities for the 1984-85 season. 

To serve as an independent evaluator for the Theater Program’s 3,575 

on-site activities for the 1984-85 season. 

To serve as an independent evaluator for the Theater Program’s 3,900 

on-site activities for the 1984-85 season. 

For a cooperative agreement to conduct on-site evaluation visits 9,000 

of professional theater companies. 

To serve as ah independent evaluator for the Theater Program’s 3,100 

on-site activities for the 1984-85 season. 

To expand the literary services program and the artist’s services 5,000 

program in 1983-84. 

For representatives from the theater to attend the International 4,500* 

Playwrights Conference in Bellagio, Italy. 

To serve as ah independent evaluator for the Theater Program’s 1,975 

on-site activities for the 1984-85 season. 

To amend a previous contract to serve as an independent 4,075 

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

To amend a previous contract to serve as an independent 1,800 

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

For publication and dissemination of Performing Arts Journal 28,000 

and books of plays and topics related to the dramatic and 

theatrical arts. 

For publication expenses during 1983-84. 20,000 

To amend a previous contract to serve as an independent 1,950 

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

To serve as an independent evaluator for the Theater Program’s 5,200 

on-site activities for the 1984-85 season. 

1,800 To amend a previous contract to serve as an independent 

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 
Ttoeater 227 

Salerni, Lou 

Minneapolis, Minnesota 

To amend a previous contract to serve as ah independent 

evaluator for the Theater Program’s on-site activities for the 

1,825 

1983-84 season. 

Schein, Gideon 

New York, New York 

To amend a previous contract to serve as ah independent

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

3,025 

Schein, Gideon 

New York, New York 

To serve as ah independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

4,550 

Shaktman, Ben 

New York, New York 

To serve as an independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

5,450 

Shaktman, Ben 

New York, New York 

To amend a previous contract to serve as an independent 

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

1,467 

Steitzer, Jess 

Seattle, Washington 

To amend a previous contract to serve as ah independent 

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

2,050 

Syer, Fontaine 

St. Louis, Missouri 

To serve as an independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

1,950 

Taymor, Julie 

New York, New York 

To serve as ah independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

1,075 

Theatre Communications Group 

New York, New York 

To support sales; marketing; distribution of Theater Profiles, Theatre Directory, Subscribe Now!, American Set Design, and 

other new projects; management services, including Theatre 

FactsiTCG Survey, ArtSearch, Managers Bulletin; conferences; 

a national computer project; information, research, and advisory

services; artists’ services; and literary services during fiscal 

1983. 

200,000 

Theatre Communications Group 

New York, New York 

For expenses related to American Theatre, a monthly magazine 

of features, opinions, and news; and for play publishing activities 

including Plays in Progress and New Plays USA. 

40,000 

Theater Communications Group 

New York, New York 

To amend a previous contract to obtain evaluations of

playwrights’ manuscripts and play translation projects and conduct surveys of the Artistic Associates category and the Director Fellows category. 

20,000 

Theatre Communications Group 

New York, New York 

For artists’, literary, and management services; ArtSearch; and 

the publication of Theatre Communications, Theatre Profiles, Theatre Director, Plays in Progress, and New Plays USA during 

fiscal 1984. 

231,500 

Theatre Communications Group 

New York, New York 

For a cooperative agreement to process payments for personnel 

chosen to conduct site visits to theater companies and professional theater training institutions, evaluate play manuscripts

and translation projects, and conduct studies of items requested 

by the panel of the Theater Program. 

22,500 

Tovatt, Patrick 

Russellville, Kentucky 

To serve as an independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

4,550 

Towers, Charles 

Norfolk, Virginia 

To serve as ah independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

3,250 

Wager, Doug 

Falls Church, Virginia 

To serve as an independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

2,600 

Wallace, Peter 

New York, New York 

To amend a previous contract to serve as an independent 

evaluator for the Theater Program’s on-site activities for the 

1983-84 season. 

3,350 

Wallace, Peter 

Brooklyn, New York 

To serve as an independent evaluator for the Theater Program’s 

on-site activities f0r the 1984-85 season. 

6,975 

Weidner, Paul 

New York, New York 

To serve as an independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

2,450 

Woodman, William 

New York, New York 

To serve as an independent evaluator for the Theater Program’s 

on-site activities for the 1984-85 season. 

3,750 
228 Tbeater 

Yale University 

New Haven, Connecticut 

Yale University 

New Haven, Connecticut 

Yale University 

New Haven, Connecticut 

Special Projects 

Actors Theatre of Louisville 

Louisville, Kentucky 

American Repertory Theatre 

Company 

Cambridge, Massachusetts 

Center Stage Associates 

Baltimore, Maryland 

Hartford Stage Company 

Hartford, Connecticut 

Honolulu Theatre for Youth 

Honolulu, Hawaii 

International Arts Relations 

New York, New York 

New York School for Circus Arts 

New York, New York 

O’Neill (Eugene) Memorial Theater 

Center 

Waterford, Connecticut 

UCI Foundation 

Irvine, California 

University Players 

Washington, D.C. 

Virginia Polytechnic Institute 

Educational Foundation 

Blacksburg, Virginia 

* Chairman’s Action
 

TF-Treasury Funds
 

To amend a previous IPA to include a cost of living increase. 817 

For an outstanding arts administrator to serve temporarily in 

the Endowment’s Theater Program through the Intergovernmental Personnel Act. 

65,482 

For Theater, an educational magazine published three times per 

year, featuring essays, interviews, and full-length plays. 

2,500 

For unusually meritorious creative projects that provide or disseminate examples of outstanding artistic achievement, and that would not be accomplished without Endowment assistance. 

Program funds: $440,270 

11 grants 

For the Ensemble Agrarian Theatre, a production concerning $65,000
 

social, geographical, and economic issues that face the American
 

family farmer.
 

For Sam Shepard and Joseph Chaiken to collaborate on the 15,000"
 

development of a new work.
 

For the collaboration among Anthony Burgess, Paul Berman, 67,000
 

and the artistic staff at Center Stage on a production of Blooms
 

ofDublin, an adaptation of James Joyce’s Ulysses.
 

For a two-part developmental project involving the Hartford 98,275
 

Stage artistic staff.
 

For research, development, production, and touring of an 40,695
 

original dramatic work based on myths and legends of
 

Micronesia.
 

For INTAR to commission a trilogy of plays from three Latin 21,800
 

American writers--Jose Donoso, Manuel Puig and Mario Vargas
 

Llosa--about women in unusual circumstances.
 

To enable the artistic director to develop a collaborative core com- 15,000"
 

pany for the 1984-85 season of the Big Apple Circus.
 

For the 20th-anniversary Playwrights Conference. 40,000
 

For the Objective Drama Program conducted by Jerzy 60,000
 

Grotowski in association with the Professional Theater Training
 

Program in the Drama Department at the University of California at Irvine.
 

For artists’ fees and production expenses fora national tour of 10,000"
 

Tom Stoppard’s Rosencrantz and Guildenstern Ate Dead and
 

William Shakespeare’s As You Like Ir.
 

For a symposium on the role of nonprofit theater in the South. 7,500*
 
229 

VisualArts
 

Conceptual artist David Ireland’s treatment of a room at 500 Capp Street, San Francisco. Photo by artist 
230 

V/s~Arts Gra~s
 

Visual Artists 

]~el]owsh~r~s 

Visual Artists Fellowships 

~~o.~~ funds: $6,559,173 

552 grants 

Includes three subcategories: Visual Artists Fellowships were awarded this 

year to artists working in photography, sculpture, and crafts. Critical 

Writing fellowships were awarded to writers specializing in the contemporary visual arts. Regional Fellowships were awarded to regional arts 

organizations for subgrants to artists working in photography, sculpture, 

and crafts, culminating in a regional touring exhibition of recipients’ 

works. 

Program funds: $3,130,000 

290 grants 

The following visual artists received $25,000 each: 

Baum, Don 

Chicago, Illinois 

Friedlander, Lee 

New City, New York 

Kaneko, Jun 

Bloomfield Hills, Michigan 

Lyons, Nathan 

Rochester, New York 

Maloof, Samuel 

Alta Loma, California 

Marioni, Toro 

Berkeley, California 

The following visual artists received $15,000 each: 

Adams, Alice 

New York, New York 

Aebersold, Jane 

Shaftsbury, Vermont 

Anderson, Harry 

Philadelphia, Pennsylvania 

Baden, Mowry 

Victoria, British Columbia 

Bassler, James 

San Pedro, CaIifornia 

Ben Tre, Howard 

Providence, Rhode Island 

Ben-Haim, Zigi 

New York, New York 

Bennett, Garry 

Alameda, California 

Benson, James 

Baltiraore, Maryland 

Billian, Cathey 

Peekskill, New York 

Blix, Weltzin 

Eugene, Oregon 

Brejcha, Vernon 

Lawrence, Kansas 

Brewster, Michael 

Venice, California 

Bridges, Marilyn 

Rochester, New York 

Burnley, Gary 

Staten Island, New York 

Callis, Jo Ann 

Culver City, California 

Carpenter, Edward 

Portland, Oregon 

Cash, Sydney 

Marlboro, New York 

Castoro, Rosemarie 

New York, New York 

Chappell, Walter 

Santa Fe, New Mexico 

Charlesworth, Bruce 

Minneapolis, Minnesota 

Cohen, Ronald 

Chicago, Illinois 

Cohn, Michael 

Emeryvil]e, CaIifornia 

Colette 

New York, New York 

Connell, Julie 

San Francisco, California 

Cornelius, Philip 

Pasadena, California 

Cotton, Paul 

Oakland, California 

Cutforth, Roger 

New York, New York 

Paley, Albert 

Rochester, New York 

Saar, Betye 

Los Angeles, California 

Winsor, Jacqueline 

New York, New York 

Davison, David 

Dunstable, Massachusetts 

Dickson, John 

Alexandria, Virginia 

Donhauser, Paul 

Oshkosh, Wisconsin 

Edwards, Melvin 

Plainfield, New Jersey 

Ellsworth, John 

Quakertown, Pennsylvania 

Feigenbaum, Harriet 

New York, New York 

Fichter, Robert 

Tallahassee, Florida 

Fisher, Joel 

New York, New York 

Flick, Robbert 

Inglewood, California 

Fox, Terry 

Minneapolis, Minnesota 

Gilden, Bruce 

New York, New York 

Gill, Andrea 

Kent, Ohio 

Goldes, David 

Minneapolis, Minnesota 

Grossman, Maurice 

Tucson, Arizona 
Visual Arts 231 

Grossman, Nancy 

New York, New York 

Locks, Seymour 

San Francisco, California 

Rivers, Victoria 

Sacramento, California 

Grosvenor, Robert 

New York. New York 

Lucero, Michael 

New York. New York 

Rodan, Don 

New York, New York 

Gutkin, Peter 

San Francisco, California 

Lutz, Winifred 

Huntingdon Valley, Pennsylvania 

Rothman, Jerry 

Laguna Beach, California 

Hacklin, Allan 

Houston, Texas 

Lyon, Danny 

New Suffolk, New York 

Rupp, Christina 

New York, New York 

Hassinger, Mm’en 

Los Angeles, California 

Mapplethorpe, Robert 

New York, New York 

Seccombe, David 

New York, New York 

Hellebrand, Nancy 

Phfladelphia, Pennsylvania 

Marks, Graham 

Scottsville, New York 

Seelig, Warren 

Elldns Park, Pennsylvania 

Henselmann, Caspar 

New York, New York 

Mattia, Alphonse 

Boston. Massachusetts 

Serra, Rudolph 

New York, New York 

Hepburn, Tony 

Alfred, New York 

McCloud, Mark 

San Francisco, California 

Sestok, Robert 

Detroit, Michigan 

Herms, George 

Venice, California 

McFarland, Lawrence 

Tucson, Arizona 

Shelton, Peter 

Los Angeles, California 

Hernandez, Sam 

San Jose, California 

McMillan, Jerry 

Los Angeles, California 

Shook, Melissa 

Brookline, Massachusetts 

Highstein, Jene 

New York, New York 

Meiselas, Susan 

New York, New York 

Shorr, Kenneth 

Chicago, Illinois 

Hollls, Douglas 

San Francisco, California 

Misrach, Richard 

Pinole, California 

Smith, Steve 

Avon, Connecticut 

Hu, Mary Lee 

Seattle, Washington 

Miss, Mary 

New York, New York 

Sonenberg, Jack 

New York, New York 

Huntington, Jim 

Brooldyn, New York 

Morinaka, Dennis 

Oakland, California 

Sperry, Robert 

Seattle, Washington 

Itter, Diane 

Bloomington, Indiana 

Murrill, Gwynn 

Agoura, California 

Sproat, Christopher 

New York, New York 

Izu, Kenro 

Woodstock, New York 

Myers, Joel 

Bloomington, Illinois 

Stewart, Frank 

New York, New York 

Keller, Germaine 

New York, New York 

Nagatani, Patrick 

Los Angeles, California 

Szabo, Joseph

Amityville, New York 

King, Ray 

Philadelphia, Pennsylvania 

Norfleet, Barbara 

Cambridge, Massachusetts 

Tanner, James 

Janesville, Minnesota 

Klein, Jody 

Waban, Massachusetts 

Pachner, Ann 

New York, New York 

Underhill, Linn 

Rochester, New York 

Klett, Mark 

Tempe, Arizona 

Page, Ann 

Los Angeles, California 

Wade, Robert 

Dallas, Texas 

Kumata, Carol 

Pittsburgh, Pennsylvania 

Pavlik, Michail 

Delhi. New York 

Watson-Abbott, Lynda 

Santa Cruz, California 

Lawler, Louise 

New York, New York 

Peress, Gilles 

New York, New York 

Weideman, Ryan 

New York, New York 

Lechtzin, Stanley 

Melrose Park, Pennsylvania 

Phillips, Mary 

New York, New York 

Weinberg, Steven 

Pawtucket, Rhode Island 

Ledoux, Barry 

New York, New York 

Prince, Richard 

New York, New York 

Winokur, Neil 

New York, New York 

Lipski, Donald 

New York, New York 

Reginato, Peter 

New York, New York 

Wood, Brian 

New York, New York 

Lobe, Robert 

New York, New York 

Ritter, Richard 

Bakersville, North Carolina 

Youngerman, Jack 

New York, New York 
232 Visual Arts
 

The following visual artists received $5,000 each:
 

Abramson, Charles
 

Brooklyn, New York
 

Adams, Dennis
 

New York, New York
 

Adams, Peter
 

Penland, North Carolina
 

Babula, Mary
 

Allston, Massachusetts
 

Bach, Carolyn
 

Newport, Rhode Island
 

Balkus, Meila
 

Alexandria, Virginia
 

Bamberger, Thomas 

Mflwaukee, Wisconsin 

Banks, Diane
 

Syracuse, New York
 

Bartscherer, Joseph 

Seattle, Washington 

Bates, Gary 

Manhattan, Montana 

Belmonte, Sinibaldo
 

Detroit, Michigan
 

Birch, Willie 

New York, New York 

Blair Nicholas 

San Francisco, California 

Boyle, Alice 

McClellanville, South Carolina 

Bravo, Oiga 

Baltimore, Maryland 

Brito-Avellana, Maria 

Miami, Florida 

Brown, Carol 

Miami Beach, Florida 

Brunner, Helen 

Washington, D.C. 

Cabrera-Vega, Yvette 

New York, New York 

Calvin, Jane 

Chicago, Illinois 

Calvo, Robert 

Tampa, Florida 

Carey, Ellen 

New York, New York 

Chirchirillo, Joseph 

Jersey City, New Jersey 

Coleman, Judy 

Los Angeles, California 

Coles, Thelma 

Austin, Texas 

Cruser, Dirck 

Asheville, North Carolina 

De Palma, Linda 

Baltimore, Maryland 

DeArcangelis, Gloria 

Nashville, Tennessee 

DeVine, Mary 

Tarzana, California 

DeWitt, Rita 

Hattiesburg, Mississippi 

Deutsch, Richard 

Santa Cruz, California 

Dreyer, Clarice 

Bozeman, Montana 

Driscoll, Ellen 

New York, New York 

DuBois, Emily 

Oakland, California 

Eckhardt, Barbara 

Cambridge, Massachusetts 

Edwards, Stephen 

Green Mountain, North Carolina 

Elgot, Shirley 

Westborough, Massachusetts 

Fanelli, Deborah 

Winston-Salem, North Carolina 

Fenicchia, Concetta 

Brooldyn, New York 

Fitch, Claudia 

New York, New York 

Flynn, Pat 

New Paltz, New York 

Fujita, Kenji 

Brooklyn, New York 

Gates, Jeffrey 

Glendale, California 

Gatewood, Grover 

Sag Harbor, New York 

Giegeñch, Jill 

Culver City, California 

Gillen, John 

Santa Monica, California 

GitHn, Michael 

New York, New York 

Glovsky, Alan 

New York, New York 

Goldsmith, Layne 

Seattle, Washington 

Gonzalez," Arthur 

Brooklyn, New York 

Graham, David 

Richboro, Pennsylvania 

Green, Phyllis 

Los Angeles, California 

Gunn, Anthony 

Suitland, Maryland 

Harper, Mark 

Philadelphia, Pennyslvania 

Hatch, Tom 

New York, New York 

Henrich, Biff 

Buffalo, New York 

Hoberman, Perry 

Brooklyn, New York 

Holmgren, Robert 

San Francisco, California 

Holtzman, Chuck 

Boston, Massachusetts 

Horn, Roni 

Hamüton, New York 

Imes, Birney 

Columbus, Mississippi 

Isermann, Jim 

Hollywood, California 

Janeiro, Jan 

Oaldand, California 

Jones, Robert 

Emeryville, California 

Justis, Gary

Chicago, Illinois 

Kagan, Roderick 

Ketchum, Idaho 

Kalish, Howard 

New York, New York 

Kallenberger, Kreg 

Tulsa, Oklahoma 

Kennedy, Gene 

Oakland, California 

Kessler, Jon 

Brooldyn, New York 

Kim, Jin Soo 

Chicago, Illinois 

Lackey, Jane 

Kansas City, Missouri 

Laszuk, Dennis 

Chicago, Illinois 

Lattanzi, Barbara 

Buffalo, New York 

Lawton, James 

Penland, North Carolina 
 

Visual Arts 233 

Leach, James 

New York, New York 

Meunier, Brian 

Swarthmore, Pennsylvania 

Seniuk, Jake 

Seattle, Washington 

Leatherdale, Marcus 

New York, New York 

Milloff, Mark 

Stockbridge, Massachusetts 

Shea, Judith 

New York, New York 

Lee, Baldwin 

Knoxville, Tennessee 

Monaco, Patricia 

Oakland, California 

Simmons, Laurie 

New York, New York 

Lere, Mark 

Los Angeles, California 

O’Hara, Carol 

Sacramento, California 

Simqu, M. K. 

Cedar Hi]l, Texas 

Leupp, LesHe 

Lubbock, Texas 

Osterhout, Michael 

New York, New York 

Sisco, Elizabeth 

Cardiff, California 

Levin, Wayne 

Honolulu, Hawaü 

Pappas, Harriet 

Nashville, Tennessee 

Somerson, Rosanne 

Roslindale, Massachusetts 

Lewenz, Lisa 

Chicago, Illinois 

Peed, Michael 

Bozeman, Montana 

Stahlecker, Karen 

Chicago, Illinois 

Lewis, Cynthia 

Tucson, Arizona 

Peer, Linda 

Brooldyn, New York 

Stanitz, Deborah 

Philadelphia, Pennsylvania 

Lewis, Roy 

Hyattsville, Maryland 

Poeppelmeyer, Marilyn 

Tallahassee, Florida 

Starobin, Leslie 

Watertown, Massachusetts 

Loeser, Thomas 

Cambridge, Massachusetts 

Reiss, Peter 

Los Angeles, California 

Taylor, Michael 

Rochester, New York 

Long, Randy 

Bloornington, Indiana 

Rezac, Suzan 

Providence, Rhode Island 

Theide, Billie Jean 

Des Moines, Iowa 

Lopez, FeHx 

Espanola, New Mexico 

Richter, Scott 

New York, New York 

ThreadgilI, Linda 

East Troy, Wisconsin 

Lyon, Robert

Baton Rouge, Louisiana 

Roots, Garrison 

Lafayette, Colorado Thunder, Rolling 

Thunder Mountain, Nevada 

MacNeil, Linda 

Amesbury, Massachusetts 

Rudans, Eriks 

Tucson, Arizona 

Trotman, Robert 

Casar, North Carolina 

Maksymowicz, Virginia 

Brooldyn, New York 

Saar, Alison 

New York, New York Tsiaras, Philip 

New York, New York 

Manley, Roger 

Durham, North Carolina 

Sauer, Jane 

St. Louis, Missouri Valenta, Barbara 

Montclair, New Jersey 

Marano, Lizbeth 

New York, New York 

Savinar, Tad 

Portland, Oregon Velez, Tony

Brooklyn, New York 

Marinaro, Louis 

Ann Arbor, Michigan 

Schade, Arthur 

New York, New York Weil, Brian 

New York, New York 

Marston, Michael 

Brooklyn, New York 

Scheer, Lisa 

St. Mary’s City, Maryland 

Whisler, Stephen 

New York, New York 

Maruyama, Wendy 

Smithville, Tennessee 

Schiff, Jeffrey 

Boston, Massachusetts 

Winterberger, Suzanne 

Vestal, New York 

McAuley, Skeet 

Dallas, Texas 

Schmidt, Jack 

Toledo, Ohio 

Yager, Jan 

Philadelphia, Pennsylvania 

McDaniel, Joyce 

Newton, Massachusetts 

Sedman, Vickie 

Jenkintown, Pennsylvania 

Zwillinger, Rhonda

Brooklyn, New York 

Critical Writing Fellowships 

The following critics received $15,000 each: 

Buchloh, Benjamin 

New York, New York 

Gever, Martha 

Rochester, New York 

Sorkin, Michael 

New York, New York 

Crimp, Douglas 

New York, New York 

Kozloff, Max 

New York, New York 

Foster, Harold 

New York, New York 

Rayen, Arlene 

New York, New York 
234 Visual Arts
 

The following critics received $5,000 each:
 

Andre, Linda 

New York, New York 

Beardsley, John 

Bethesda, Maryland 

Fischer, Hal
 

San Francisco, California
 

Grover, Jan
 

Chicago, Illinois
 

Regional Fellowships 

Affiliated State Arts Agencies of
 

the Upper Midwest
 

Minneapolis, Minnesota
 

Great Lakes Arts Alliance
 

Cleveland, Ohio
 

Mid-America Arts Alliance
 

Kansas City, Missouri
 

Southern Arts Federation
 

Atlanta, Georgia
 

Visual Artists 

Organizations 

ABC No Rio 

New York, New York 

Alternative Center for International 

Arts 

New York, New York 

American Craít Council 

New York, New York 

and/or service 

Seattle, Washington 

Anderson Ranch Arts Center 

Aspen, Colorado 

A. R.E.
 

San Francisco, California
 

Art Awareness 

Lexington, New York 

Artemisia Fund 

Chicago, Illinois 

Artists Alliance 

Tampa, Florida 

Artists in Residence 

New York, New York 

Artists, Residents of Chicago 

Chicago, Illinois 

Heit, Janet 

New York, New York 

Jacobs, David 

Ann Arbor, Michigan 

Knight, Christopher 

N. Hollywood, California 

Lebow, Ed 

Brooklyn, New York 

McEvilley. Thomas 

New York, New York 

*Shields, Kathleen 

Rio Rancho, New Mexico 

~f1984 feliowship funded 

during fiscal 1985. 

For a cooperative agreement for a regional fellowship and exhibition program for craft artists who live in Iowa, Minnesota, North $50,000 

Dakota, South Dakota, and Wisconsin. 

For a cooperative ag~eement fora regional fellowship and 

exhibition program for artists working in photography who live 50,000 

in Illinois, Indiana, Michigan, and Ohio. 

For a cooperative agreement for a regional fellowship and exhibition program for craft artists and sculptors living in Arkansas, 100,000 

Kansas, Missouri, Nebraska, and Oklahoma. 

Fora cooperative agreement fora regional fellowship and exhibítion program for craft artists who live in Alabama, Florida, 50,000 

Georgia, Kentucky, Louisiana, Mississippi, North Carolina, 

South Carolina, or Tennessee. 

To enable organizations originated by or for artists to conduct a variety of 

activities that encourage the artistic growth of individual visual artists. 

Program funds: $1,938,640 

131 grants 

For a program of exhibitions, performance events, vídeo screen- $8,000
 

ings, artists’ projects, and lees to artists.
 

For solo and group exhibitions of emerging and mid~areer 16,000
 

artists at Alternative Museum, including payment of artists’
 

lees.
 

For a visiting artists lecture and demonstration series and 8,000
 

artists’ lees for participating artists.
 

For a full range of services, including a contemporary arts 50,000
 

resource center and exhibition space, a monthly series of lectures
 

and presentations by artists, and the Artists’ Independent Projects program.
 

To invite established and emerging artists from around the coun- 5,000
 try to undertake special collaborative projects.
 

To develop and expand the exhibition program and pay 10,000
 honoraria to artists.
 

For a program of exhibitions, performance events, artists’ 5,000
 

residencies, and lees to artists.
 

For exhibitions of works by women and emerging artists, in- 13,000
 cluding lees to artists.
 

For a program of exhibitions, lectures, artists’ projects, lees to 8,000
 artists, a slide registry, anda newsletter.
 

For a program of exhibitions, the "Current Issues" lecture 10,000
 

series, services, and lees to artists.
 

To provide installation and performance artists the opportunity 7,500
 

to create and present work in ARC’s Raw Space.
 
Visual Arts 235 

Baltimore, City of 

Baltimore, Maryland 

For the School #33 Art Center to present visual arts exhibitions, 

documentation of the exhibitions, a series of slide lectures, anda 

12,000 

resource center. 

Basement Workshop 

New York, New York 

For exhibitions and residencies, including lees to artists, at the 

Catherine Street Artists Gatlery. 

5,000 

Bookspace 

Chicago, Illinois 

For publication, distribution, and exhibition of artists’ books 

and related materials. 

7,500 

Boston Visual Artists Union For information, resource, and advisory services and workshops 5,000 

Boston, Massachusetts for artists in the Boston area. 

Boulder Center for the Visual Arts For exhibitions and artists’ lees, primarily for Colorado artists 10,000 

Boulder, Colorado working in all media. 

Brandywine Graphic Workshop 

Philadelphia, Pennsylvania 

To support a visiting artists program and organize a traveling 

exhibition of prints produced at the workshop. 

18,000 

Brookfield Craft Center For a series of crafts exhibitions by guest curators. 5,000 

Brookfield, Connecticut 

Catskill Center for Photography 

Woodstock, New York 

Fora program of exhibitions, lees to artists, visiting artists’ lectutes, summer workshops, and the critical journal Center 

Quarterly. 

12,000 

Center for Book Arts For ah exhibition program of contemporary bookworks and 20,000 

New York, New York workshops in the book arts. 

Center for Contemporary Arts of 

Santa Fe 

For visual arts exhibition programs including a series of 

photography exhibitions and a series of installations by 

7,000 

Santa Fe, New Mexico established artists. 

Center for Exploratory and 

Perceptual Art 

Buffalo, New York 

For various exhibition programs for photography and other

media, and for artists’ lectures, project residencies, and artists’ 

fees. 

29,000 

Center for Idea Art For a series of artists’ residencies resulting in static exhibitions, 7,500 

Denver, Colorado installations, and performances. 

Center for Occupational Hazards 

New York, New York 

For the Art Hazards Project, a national clearinghouse for 

research and education on the hazards of visual arts materials. 

20,000 

Change 

New York, New York 

For a service program that provides emergency grants and/or 

medical assistance to artists. 

15,000 

Chicago Artists Coalition

Chicago, Illinois 

For service programs for artists living in Illinois. 5,000 

Chicago Books 

New York, New York 

For a working and service facility for artists to publish work using the offset printing medium. 

15,000 

Cincinnati Artists’ Group Effort 

Cincinnati, Ohio 

For exhibitions, installations, and performances, including lees 

to participating artists. 

10,000 

Clay Studio 

Philadelphia, Pennsylvania 

For exhibitions for the 1984-85 year anda workshop by Andrea 

Gill. 

5,000 

Clayworks Studio Workshop 

New York, New York 

For working facilities, technical assistance, and lees to artists 

for experimentation in the medium of clay. 

7,500 

Cochise Fine Arts For exhibitions, lectures, and services for visual artists, in­ 5,000 

Bisbee, Arizona cluding lees to artists. 

Collaborative Projects 

New York, New York 

For the presentation of short-term and traveling exhibitions; a 

poster and print series; and "Colab TV," a video service station. 

20,000 

Committee for the Visual Arts For the exhibition program at Artists Space and services to 50,000 

New York, New York artists through the Emergency Materials Fund and the Independent Exhibitions Program. 

Contemporary Arts Center 

New Orleans, Louisiana 

For exhibitions for 1984-85, including honoraria to presenting 

artists. 

45,000 

Contemporary Crafts Gallery For an exhibition and lecture program by craft artists. 10,000 

Portland, Oregon 
236 Visual Arts 

Craft Alliance Education Center 

St. Louis, Missouri 

Creative Time 

New York, New York 

Cultural Council Foundation 

New York, New York 

Detroit Focus 

Detroit, Michigan 

Diverse Works 

Houston, Texas 

Drawing Center 

New York, New York 

80 Langton Street Corporation 

San Francisco, California 

Emanu-El Midtown YM-YWHA 

New York, New York 

Fabric Workshop 

Philadelphia, Pennsylvania 

Fiberworks 

Berkeley, California 

55 Mercer Artists 

New York, New York 

Film in the Citics 

St. Paul, Minnesota 

Fog Store 

Bronx, New York 

Fondo del Sol 

Washington, D.C. 

Foundation for Art Resources 

Los Angeles, California 

Foundation for Today’s Art 

Philadelphia, Pennsylvania 

Franklin Furnace Archive 

New York, New York 

Franklin Furnace Archive 

New York, New York 

Franklin Furnace Archive 

New York, New York 

Friends of Puerto Rico 

New York, New York 

Galeria de la Raza 

San Francisco, California 

Galeria Posada 

Sacramento, California 

Glass Art Society 

Corning, New York 

Group Material 

New York, New York 

For one-person and curated group exhibitions and public 

lectures. 

5,000 

For the public presentation of work in temporary sites 

throughout New York City and for the payment of artists’ lees. 

35,000 

For En Foco’s exhibitions and the quarterly review Nueva Luz, 

presenting the photography of Hispanic and other minority 

artists. 

5,000 

For temporary sited installations in two public spaces, including 

lees to participating artists. 

7,500 

For a series of exhibitions and workshops, including lees to artists and lecturers. 

7,500 

For artists’ services and lees to artists exhibiting in the "Selections" series. 

15,000 

For a series of exhibitions and performances, including lees to 

artists. 

37,000 

For the photography exhibitions programat Midtown Y 

Gallery, including fees to artists and a photography lecture 

series. 

5,000 

To provide artists’ lees for participants at the workshop during 

1984-85. 

18,000 

For a series of exhibitions entitled "Exhibitions Projects III." 5,000 

For a series of invitational exhibitions by artists who have not 

had one-person shows in New York City. 

9,240 

For the photography program including exhibitions, a lecture 

series, summer workshops, darkroom facilities, and services. 

20,000 

For Fashion Moda’s experimental exhibitions, installations, 

artists’ fees, and events in the gallery space and in various sites 

around the country. 

19,000 

For exhibitions and lees for artists representing a diversity of 

cultural and ethnic backgrounds who ate producing experimental work in all visual arts media. 

12,000 

For public forums and exhibitions at various sites in Los

Angeles. 10,000 

For a program of exhibitions, performances, and artists’ 

projects for Nexus. 

13,000 

For Exit Art’s diverse program of exhibitions, artists’ projects, 

symposia, and publications exploring various issues in contemporary art. 

7,500 

For exhibitions and presentations at Painting Space 122. 5,000 

For installations and window works by individual artists, a performance series, and for artists’ lees. 

30,000 

For exhibition opportunities and services for contemporary 

visual artists. 

5,000 

For three exhibitions at Studio 24: "Contemporary Chicano 

Sculptors," "Frida Kahlo: Artist Feminist," and "In Progress 

II." 

15,000 

For an exhibition of silkscreen posters produced during the past 

ten years by the artists known as the Royal Chicano Air Force. 5,000 

For the annual conference of the Glass Art Society held at the 

Corning Glass Center. 5,000 

For a series of group exhibitions designed to stimulate discourse 

about issues of contemporary culture. 

10,000 
Visual Arts 237 

Haleakala 

New York, New York 

For exhibitions, presentation of performance pieces, payment of 

honoraria to participating artists, and documentation of these 

activities at The Kitchen. 

35,000 

Hallwalls 

Buffalo, New York 

For exhibitions, a performance series, a visiting artists’ program, services for artists, and artists’ lees. 

40,000 

Haystack Mountain School of Crafts 

Deer Isle, Maine 

For a three-week workshop and conference for young American 

crafts artists and masters from the crafts field. 

10,000 

Horizons Gallery 

Fort Collins, Colorado 

For exhibition opportunities for visual artists and the payment 

of artists’ lees. 

5,000 

Houston Center for Photography 

Houston, Texas 

For a program of exhibitions, lectures, workshops, publication of 

the quarterly Image, and lees to artists. 

10,000 

Institute for Art and Urban For exhibitions of early-career artists at The Clocktower, the 25,000 

Resources Special Projects Program at P.S. 1, and for fees to artists. 

Long Island City, New York 

International Arts Relations For INTAR’s program of exhibitions at the Latin American 5,000 

New York, New York Galiery, a lecture series, and fees to artists. 

Just Above Midtown 

New York, New York 

For an exhibition and performance program, a visiting artists

lecture series, skills development program on the business of being an artist, and payment of artists’ lees. 

18,000 

Kala Institute For working facilities, exhibitions, lectures, performance events, 7,500 

Berkeley, California and installations for artists working in printmaking and papermaking. 

Kansas City Artist Coalition 

Kansas City, Missouri 

For exhibition activities, a speaker and workshop program, and 

a monthly publication. 

5,000 

Light Factory 

Charlotte, North Carolina 

For a program of photography exhibitions by early-career and

established artists, lectures, workshops, and lees to artists. 

10,000 

Light Work 

Syracuse, New York 

For project residencies, exhibitions, and lectures for artists 

working in photography, including fees to artists. 

25,000 

Lill Street Gallery 

Chicago, Illinois 

For exhibition opportunities for ceramic artists and workshops 

and lectures for the public. 

10,000 

Line II Association For a program run by artists to assist in the publishing of artists 15,000 

New York, New York books. 

Los Angeles Center for Photographic 

Studies 

For photography exhibitions, a visiting artists program, publication of a monthly calendar, catalogues for selected exhibitions, 

20,000 

Los Angeles, California the quarterly journal Obscura, and fees to artists. 

Los Angeles Contemporary 

Exhibitions 

For a series of exhibitions, performances, and installations, and 

to provide lees to participating artists. 

40,000 

Los Angeles, California 

Los Angeles Institute of 

Contemporary Art 

For a program of exhibitions, performances, sited projects, and 

vídeo screenings, including lees to artists. 

35,000 

Los Angeles, California 

Maryland Art Place 

Baltimore, Maryland 

For a program of static exhibitions in the gallery, a performance 

series, special presentations and artists’ projects around the

state, including lees to artists. 

7,500 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

For a program of exhibitions, public events, and publications 

presenting the experimental work of Minnesota artists. 

12,000 

Movimiento Artístico del Rio Salado For exhibitions, a visiting artists program, workshops, and lees 10,000 

Phoenix, Arizona to artists. 

N.A.M.E. Gallery 

Chicago, Illinois 

For a series of exhibitions of innovative and experimental works 

by emerging and established artists, including artists’ lees. 

25,000 

National Association of Artists’ For services to artists including a conference, publishing of a na­ 20,000 

Organizations 

Washington, D.C. 

tional directory of artists spaces, a nationally distributed journal, and an information clearinghouse. 

National Council on Education for To expand and enhance the publication of the national newslet­ 7,500 

the Ceramic Arts ter and journal, including documentation of exhibitions. 

Bandon, Oregon 
238 VisuaI Arts 

New Harmony Gallery of 

Contemporary Art 

New Harmony, Indiana 

New Organization for the Visual 

Arts 

Cleveland, Ohio 

New York Experimental Glass 

Workshop 

New York, New York 

Nexus 

Atlanta, Georgia 

Northwest Artists Workshop 

Portland, Oregon 

185 Nassau Street Corporation 

Brooklyn, New York 

Oregon Center for the Photographic 

Arts 

Portland, Oregon 

Pewabic Society 

Detroit, Michigan 

Photographic Rcsource Center 

Boston, Massachusetts 

Pilchuck School 

Seattle, Washington 

Pittsburgh Center for the Arts 

Pittsburgh, Pennsylvania 

Portland Center for the Visual Arts 

Portland, Oregon 

Pottery Northwest 

Seattle, Washington 

Printed Matter 

New York, New York 

Printmaking Workshop 

New York, New York 

Pro Arts 

Oakland, California 

Public Art Fund 

New York, New York 

Pyramid Art Center 

Rochester, New York 

Pyramid Prints and Paperworks 

Baltimore, Maryland 

Randolph Street Gallery 

Chicago, Illinois 

Real Art Ways 

Hartford, Connecticut 

Richmond Printmaking Workshop 

Richmond, Virginia 

San Francisco Camerawork 

San Francisco, California 

For exhibition opportunities and artists’ lees for contemporary 

artists. 

7,000 

For services and working facilities for contemporary visual 

artists in the Cleveland arca. 

5,000 

For working facilities, exhibitions, an artist-in-residence program, seminars, and artists’ lees. 27,000 

For exhibitions in Nexus Gallery, the production of artists’ 

books by Nexus Press, and fees to artists. 

45,000 

~ 

For one-month exhibitions of regional artists’ work, including

artists’ lees. 

20,000 

For temporary exhibitions, installations, performances, and for 

visual artists’ services. 

5,000 

For a program of photography exhibitions at Blue Sky Gallery, a 

lecture series, publication of a monograph by an early-career 

artist, and artists’ lees. 

18,000 

For a visiting artists series and the payment of honoraria to participating artists. 5,000 

For lectures, workshops, and exhibitions, publication of the PRC 

Newsletter and the quarterly journal Views, services to artists, 

and sponsorship of grants to writers and visual book artists. 

20,000 

To support glass artists involved in directing workshops andartists invited to participate in the visiting artists program. 25,000 

For a series of programs entitled "Shifts to Post-Modernism: 

Embellishment in the Arts." 

6,900 

To support exhibitions, per~formance art, visiting artists programs, and lees to artists. 10,000 

For a series of visiting artists workshops and lectures. 5,000 

For monthly window installations of book works and for the 

distribution of artists books, periodicals, and sound works. 

27,000 

To support working facilities for artists, an editioning service, 

anda visiting artists program. 

12,000 

~or a diverse range of exhibition activities during 1984-85. 12,000 

To provide fees to artists for the realization of public art 

projects. 

5,000 

For exhibitions, performances, services, and the payment of 

artists’ lees. 

9,000 

For an open access working facility stressing experimentation in 

handmade paper and printmaking, a visiting artists program, 

and exhibitions. 

7,500 

For exhibitions, performances, and the payment of artists’ lees. 27,000 

For exhibitions, installations, performance art programs, and 

lees to artists. 

7,500 

For working faciIities, lectures, and services for the artist community of Richmond. 

5,000 

To support photography exhibitions and lees for visiting artists, 

guest curators, newsletter contributors, and exhibiting artists. 

25,000 
Visual Arts 239 

Santa Barbara Contemporary Arts For an exhibition series and the payment of artists’ lees. 7,500 

Forum 

Santa Barbara, California 

Sculpture Space 

Utica, New York 

To support a working facility for artists to develop and present

three-dimensional work, and for an artist-in-residence program. 

10,000 

Second Street Gallery 

Charlottesvflle, Virginia 

To support the work of contemporary artists through an exhibition and performance series. 5,000 

Self-Help Graphics and Art 

Los Angeles, California 

For the provision of working facilities in printmaking for atea 

artists. 

11,100 

1708 East Maln For artists’ fees anda series of exhibitions, performances, and 20,000 

Richmond, Virginia services. 

Sheboygan Arts Foundation For exhibitions and related documentation, workshops, lectures, 50,000 

Sheboygan, Wisconsin and the Arts/Industry Programat the John Michael Kohler Arts 

Center. 

Social and Public Art Resource For a one-year program of exhibitions, performances, and lec­ 20,000 

Center tures, including lees to participating artists. 

Venice, California 

Society for Photographic Education 

New York, New York 

For a national conference and other service programs for artists 

working in photography. 

10,000 

Society of North American For membership services, including ah annual conference, a na­ 10,000 

Goldsmiths tional competition and exhibition, an international symposium, 

Green Bay, Wisconsin and enhancement of audiovisual and data-base services. 

Southern Exposure Gallery To support exhibitions for emerging visual artists, including 5,000 

San Francisco, California artists’ lees. 

Spaces For a series of exhibitions and performances, including artists’ 15,000 

Cleveland, Ohio fees. 

Spark Gallery For a series of exhibitions, lees to artists, and publication of Col­ 5,000 

Denver, Colorado orado Art Newspaper. 

Sun Valley Center for the Arts 

Sun Valley, Idaho 

To support artists’ lees and cost of materials for visiting artists

participating in the center’s visual art program. 

10,000 

Sushi For the second annual "Festival of New Arts," held in May 1984. 6,900 

San Diego, California 

Video Data Bank 

Chicago, Illinois 

For the production and distribution of video documentation on

contemporary art, artists, and original video works. 

35,000 

Visual Arts Center of Alaska To support exhibitions, working facilities, visiting artists, and 9,000 

Anchorage, Alaska services. 

Visual Studies Workshop To support the VSW Press, the exhibition program, a lecture 50,000 

Rochester, New York series, an artist-in-residence program, and artists’ lees. 

Washington Project for the Arts For exhibitions, an artists’ bookstore, public forums, publica­ 50,000 

Washington, D.C. tions, an artist-in-residence program, and the payment of artists’ 

fees. 

White Columns For a series of exhibitions, performances, and public lectures; 12,500 

New York, New York and the payment of artists’ lees. 

Women and Their Work For an exhibition exchange program, outdoor installations in 17,000 

Austin, Texas public places, a video/performance collaborative project, and 

artists’ lees. 

Women’s Art Registry of Minnesota 

Minneapolis, Minnesota 

For a program of exhibitions for established and emerging 

women artists, artists’ lees, and publication of WARMJournal. 

5,000 

Women’s Community To support an expanded exhibitions program, the working 20,000 

Los Angeles, California facilities of the Women’s Graphic Center Studio, and lees to 

artists. 

Women’s Interart Center Fora program of exhibitions by women artists at the Interart 7,000 

New York, New York Gallery, including artists’ lees. 
Women’s Studio Workshop 

Rosendale, New York 

Worcester Employment Society 

Worcester, Massachusetts 

Zone 

Springfield, Massachusetts 

Visual 

Artists
 

Forums
 

Alabama, University of 

Birmingham, Alabama 

Aperture 

Millerton, New York 

Aperture 

Millerton, New York 

Arizona, University of 

Tucson, Arizona 

Arizona, University of 

Tucson, Arizona 

Arizona State University 

Tempe, Arizona 

Arkansas, University of 

Fayetteville, Arkansas 

Art Academy of Cincinnati 

Cincinnati, Ohio 

Art Center Association 

Louisville, Kentucky 

Artists Talk on Art 

New York, New York 

Artspace 

Albuquerque, New Mexico 

Astro Artz 

Los Angeles, California 

Astro Artz 

Los Angeles, California 

Atlanta Art Papers 

Atlanta, Georgia 

Beaver College 

Glenside, Pennsylvania 

Berkeley Art Center Association 

Berkeley, California 

Boston University, Trustees of 

Boston, Massachusetts 

For working facilities open to all artists, exhibitions, an artist-inresidence program, installation of a commissioned sculpture, a 10,000 

lecture series, and lees to artists. 

For ah exhibition and workshop/lecture program presented in 

1984-85 at the Worcester Craft Center. 

5,000 

For a series of exhibitions highlighting the talents of artists living in western Massachusetts. 7,500 

To enable artists to assemble with professional peers, teachers, students, 

and the public to debate issues, share information, and compare methods. 

Grants support visiting artists series, seminars and symposia, short-term 

workshops and demonstrations, and pubHcations that contribute to the national dialogue on contemporary art. 

Program funds: $540,444 

91 grants 

For a two-week visiting artists program for six photographers to $5,000 work with a 20 x 24 camera and present lectures on their work. 

For publication of critical writing on photography and the 15,000 presentation of artists’ work in the quarterly journal Aperture. 

For a second symposium on photography at Esalen Institute in 5,000 Big Sur, California. 

For The Archive, a serial publication about 20th-century photog- 15,000 raphy, issued by the Center for Creative Photography. 

For a lecture series concentrating on nationally and interna- 2,700 tionally known artists and critics involved in the investigation of 

issues concerning the spiritual and rituals in art. 

For two-week residencies for seven artists at the Visual Arts 4,957 Research Institute. 

For a residency program for six artists to participate in cri- 5,000 tiques, discussions, workshops, and public slide lectures. 

For a six-part lecture series exploring the topic "Realism and 3,265 Abstraction: Aspects and Correlations." 

To support "Collaborative Effort," a residency, public seminar, 5,000 and exhibition project involving five local artists collaborating 

with artists of their choice from around the country. 

For 18 public lectures and panel discussions conceived and 4,000 organized by artists. 

For publication of Artspace, a quarterly journal devoted to con- 12,000 temporary art activity in the Southwest. 

For publication of Shamanism and Performance Art (working ti- 10,000 tle} by Thomas McEvilley, a book examining contemporary performance art from the historical perspective of ancient 

philosophy and shamanism. 

For publication of High Performance, a quarterly journal about 12,000 performance art. 

For publication of Art Papers, a bimonthly journal of critical 15,000 writing and information about art activity in the Southeast. 

For a visiting artists program for two artists to present public 2,000 lectures in conjunction with an exhibition of their work. 

For ah artist-in-residence project in August 1984 by sound 1,000 sculptor Bill Fontana. 

To support the Program in Artisanry, part of ah artists-in­ 5,000 residence series that discusses critical issues in the crafts. 
Burk {Fredericl Foundation 

San Francisco, California 

California, Regints of the 

University of 

Riverside, California 

Center for New Art Activities 

New York, New York 

Chicago New Art Association 

Chicago, Illinois 

Chicago New Art Association 

Chicago, Iliinois 

Chicago, University of 

Chicago, IRinois 

Colorado, Regents of the 

University of 

Boulder, Colorado 

Committee for the Visual Arts 

New York, New York 

Committee forthe Visual Arts 

New York, New York 

Craft International 

New York, New York 

East Carolina University 

Greenville, North Carolina 

Fine Arts Work Center 

Provincetown, Massachusetts 

Florida, University of 

Gainesville, Florida 

Foundation for the Community of 

Artists 

New York, New York 

Friends of Photography 

Carmel, California 

Galería de la Raza 

San Francisco, California 

Hampshire College 

Amherst, Massachusetts 

Heresies Collective 

New York, New York 

Institute for Architecture and 

Urban Studies 

New York, New York 

Institute of Contemporary Art 

Boston, Massachusetts 

Intermountain Weavers Conference 

Albuquerque, New Mexico 

Iowa, University of 

Iowa City, Iowa 

Iowa, University of 

Iowa City, Iowa 

Visual Arts 241 

For publication of critical and theoretical writing by visual ar­ 15,000 

tists in the journal, Leonardo. 

For a project residency at the California Museum of 8,000 

Photography, by artists Jim Pomeroy and Kenneth Shorr and 

the publication and distribution of visual books produced by the 

artists. 

For publication of Bomb, a periodical that presents original writing and artwork by, and interviews with, visual artists. 

10,000 

For publication of New Art Examiner, a visual arts journal that 7,000 

appears in one edition for the East Coast and Midwest. 

To amend a previous grant for publication of New Art Examiner. 2,000 

For a series of 14 lectures and public forums examining critical 4,000 

issues and artistic visions of contemporary artists. 

Fora visiting artists program. 5,000 

To support publication of Real Life Magazine, which presents 8,000 

texts and images related to contemporary currents in the visual 

arts. 

For publication of ZG, a critical journal that examines 10,000 

developments in contemporary art in the context of other 

cultural activity. 

For publication of Craft International, a jo~zrnal that presents 12,000 

critical writing and information about crafts and craft artists. 

For an artists-in-residence program for five artists during the 2,800 

1984-85 academic year. 

For a visiting artists and critics programat this internationally 5,000 

known artists colony. 

For a lecture series entitled "Contemporary Narrative Art: Re- 5,000 

cent Viewpoints of Forro and Content." 

For publication of the artist-run journal, Art and Artists. 6,000 

For production and distribution of an artist’s book presenting 6,000 

new work by photographer Todd Walker. 

For publication of Community Murals Magazine, a journal of 5,000 

criticism and information about mural art and artists. 

To assist with the payment of artists’ lees and travel expenses 2,000 

for artists and critics participating in a residency and lecture 

program. 

For publication of Heresies, a collectively edited and published 15,000 

journal of work by women artists. 

For publication of four future issues of October, a journal of 15,000 

theory and practice in contemporary art. 

For a lecture and discussion program that tan concurrently with 5,000 

the 1984-85 exhibition season. 

For a 
onference offering hands~n workshops and evening 5,000 

seminars to fiber artists living in the Rocky Mountain states. 

To support "Fluxus: A Workshop Series" at Alternative Tradi- 3,500 

tions in the Contemporary Arts. 

For a symposium entitled, "Women, Art and Politics," spon- 2,500 

sored by the School of Art’s Corroboree: Gallery of New 

Concepts. 
242 Visual Arts 

Long Island University 

Greenvale, New York 

Long Island University 

Southhampton, New York 

Los Angeles Institute of 

Contemporary Art 

Los Angeles, California 

Mankato State University 

Mankato, Minnesota 

Maryland Institute 

Baltimore, Maryland 

Middlebury College 

Middlebury, Vermont 

Mint Museum 

Charlotte, North Carolina 

Muhlenberg College 

Allentown, Pennsylvania 

Murray State University 

Murray, Kentucky 

New Mexico State University 

Las Cruces, New Mexico 

New Mexico, University of 

Albuquerque, New Mexico 

New Orleans, University of 

New Orleans, Louisiana 

New York Experimental Glass 

Workshop 

New York, New York 

New York, Research Foundation of 

the City College of 

Flushing, New York 

New York, Research Foundation of 

the State University of 

Binghamton, New York 

New York, Research Foundation of 

the State University of 

Plattsburgh, New York 

New York, Research Foundation of 

the State University of 

Purchase, New York 

92nd Street YM-YWHA 

New York, New York 

North Dakota, University of 

Grand Fork, North Dakota 

Notre Dame, University of 

Notre Dame, Indiana 

Ohio Foundation on the Arts 

Columbus, Ohio 

Oklahoma State University 

Stillwater, Oklahoma 

Ox Bow 

Saugatuck, Michigan 

For visiting artists to participate in a lecture series at C.W. Post 

Center. 

1,500 

To assist with artists’ lees for a lecture series at Southhampton

College. 

1,500 

For publication of the quarterly, Journal: A Contemporary Art 

Magazine. 

7,500 

To presenta series of seven visiting artists during the 1984-85 

academic year. 

5,000 

For "Point of View: Five Photographers," a series of pubLic lectures and critiques. 5,000 

For a visiting artists program that includes artists’ lectures, 

critiques of students’ work, and workshops demonstrating 

techniques and methods of working with materials. 

4,800 

For an experimental printmaking workshop with glass artist 

Harvey Littleton. 

5,000 

For a sculpture workshop in bronze casting anda lecture series. 2,200 

To provide fees for three artists participating in the visiting artists series. 2,890 

For a coordinated one-year visiting artists program servicing 

individual artists in southern New Mexico and western Texas. 

4,700 

For a visiting artists series that brought five artists and critics 

to campus. 

5,000 

For "The Painting and the Photography," a lecture series exploring the creative rapport between these two visual arts 

disciplines. 

2,900 

For publication of New Work, a quarterly journal of critical 

writing about the glass arts. 

7,000 

For a series of lectures by visual artists, critics, and curators at 

Queens College. 

2,000 

For a lecture series by visiting artists for the university community and interested members from the local community. 

1,300 

For a visiting series that brought outstanding visual arts professionals to campus. 2,000 

For a series of public lectures and workshops in the visual arts 

during the 1984-85 academic year. 

4,000 

For two one-week residencies, a series of slide lectures, and oneday workshops entitled, "The Art of the Craftsman." 

5,000 

For a visiting artists lecture series conducted by seven artists 

during the 1984-85 academic year. 

5,000 

For a visiting artists series of lectures and workshops with local 

artists, art teachers, and students. 

5,000 

For publication of the bimonthly journal, Dialogue. 10,000 

For a visiting artists eries of workshops and public lectures,

accompanied by radio interviews with each artist. 

5,000 

To support "Western Bookmaking: Traditional and Conteroporary Approaches," a three-week artists’ forum devoted to the 

design and construction of handmade books. 

5,000 
Visual Arts 243 

Pennsylvania, University of For "Conversations," a visiting artists series of lectures by 5,000 

Philadelphia, Pennsylvania visual artists and critics, held in conjunction with exhibitions at 

the Institute of Contemporary Art. 

Public Eye For publication of the quarterly journal, SEND (formerly Vídeo 8,000 

San Francisco, California 80). 

Real Art Ways For a symposium on the importante of sound to installation and 3,500 

Hartford, Connecticut performance art, held during the New Music America Festival in 

July 1984. 

Rochester Institute of Technology To support artists’ lees for three artists-in-residence who com­ 1,300 

Rochester, New York bine photography, sculpture, and theater in their work. 

Rutgers, the State University of

New Jersey 

Fora visiting artists and critics program jointly organized by 

Rutgers University, Philadelphia College of Art, and Tyler 

5,000 

Camden, New Jersey School of Art. 

San Antonio Art Institute For a visiting artists program that brought five nationally 5,000 

San Antonio, Texas known artists to southern Texas. 

Sarah Lawrence College For a lecture series of visiting artists, art historians, and art 1,500 

Bronxville, New York critics in painting, sculpture, photography, and performance art. 

School of the Art Institute of For a visiting artists series by 12 nationally known artists, art 5,000 

Chicago historians, and critics considering the topic, "Sexuality in Art 

Chicago, Illinois and the Media." 

Skowhegan School of Painting and Fora visiting artists program for painters and sculptors. 5,000 

Sculpture 

Skowhegan, Maine 

Society for Photographie Education To support four issues of the quarterly journal Exposure, which 10,000 

New York, New York presents critical and theoretical writing on photography. 

Society of North American 

Goldsmiths 

To support publication of Metalsmith, a quarterly journal about 

the metal arts. 

15,000 

Green Bay, Wisconsin 

South Carolina Arts Commission For seven visual artists to participate in a visiting artists pro­ 5,000 

Columbia, South Carolina gram throughout the state. 

Southern California, University of For the residencies of two visiting artists during the 1984-85 5,000 

Los Angeles, California academic year. 

Southern Illinois University, For a lecture series on photography entitled, "Examining 4,500 

Board of Trustees of Representation." 

Carbondale, Illinois 

Swain School of Design For a series of five lectures and performances during the 1984-85 2,000 

New Bedford, Massachusetts academic year. 

Syracuse University For a guest artist lecture and workshop series at the Community 3,000 

Syracuse, New York Folk Art Gallery. 

Texas, University of

Arlington, Texas 

Fora series of six two-day residencies by art critics who represent an array of perspectives on today’s art and its role in our 5,000 

culture. 

Utah Arts Council Fora two-day symposium on the integration of crafts into ar­ 5,000 

Salt Lake City, Utah chitecture and interior design. 

Virginia Commonwealth University 

Richmond, Virginia 

To bring six emerging artists from various regions of the country to work with students in completing an edition of prints. 4,000 

Visual Studies Workshop For publication of critical and theoretical writing about 15,000 

Rochester, New York photography and visual books in the journal, Afterimage. 

Visual Studies Workshop For publication of a collection of critical essays entitled, Vídeo 15,000 

Rochester, New York Culture: A Critical Investigation. 

Wadsworth Atheneum 

Hartford, Connecticut 

For a residency and public forums by Vito Acconci at the Lions

Gallery of the Senses. 

3,000 

Walker Art Center For a six-part series on contemporary paperworks entitled, "One 5,000 

Minneapolis, Minnesota of a Kind." 
244 Visual Arts 

Washington State University 

Pullman, Washington 

Weber State College 

Ogden, Utah 

Wendell Castle Workshop 

Scottsville, New York 

Wilkes College 

Wilkes-Barre, Pennsylvania 

Woman’s Art 

Knoxville, Tennessee 

Art in Public Places 

Arts Festival Association of 

Atlanta 

Atlanta, Georgia 

Burk (Frederic) Foundation 

San Francisco, California 

Contemporary Arts Center 

Cincinnati, Ohio 

Dayton, City of 

Dayton, Ohio 

Film in the Cities 

St. Paul, Minnesota 

George Mason University 

Fairfax, Virginia 

Hammarskjold Plaza Sculpture 

Garden 

New York, New York 

Livonia Cultural League 

Livonia, Michigan 

Long Island University 

Greenvale, New York 

Louisiana World Exposition 

New Orleans, Louisiana 

National Heritage Trust 

Lewiston, New York 

Ottawa Silica Company Foundation 

Ottawa, Illinois 

Public Axt Fund 

New York, New York 

For a coordinated visiting artists and critics programat 

Washington State University, the University of Idaho, Spokane 

Falls Community College, and Cheney Cowles Memorial 

Museum. 

5,000 

For a visiting artists program bringing nationally recognized 

artists to this geographically isolated area. 

4,932 

For publication of The Workshop, a critical journal devoted to 

discussion of technical and aesthetic issues in fine woodworking. 

5,000 

For a series of four workshops by visiting artists in photography, painting, printmaking, and sculpture. 1,700 

For publication of Woman’s Art Journal, a forum for debate on 

women’s art issues. 

8,000 

To enable city and state governments, educational institutions, and other 

organizations to commission works of art as permanent features of such 

sites as parks, plazas, waterfronts, airports, subways, and public buildings, 

Also funded are short-term installations of experimental works that 

demonstrate further potential for art in public places. 

Program funds: $485,000 

20 grants 

To commission seven artists for site-specific works in Piedmont $21,000 

Park at the 32nd annual arts festival in May 1985. 

To commission one permanent and five temporary installations 35,000 

by seven artists at San Francisco’s Bayshore Candlestick Point 

State Recreational Area. 

To commission artist Lee Quinones to design and paint the ex- 10,600 

terior of a local metro bus to be driven on Cincinnati’s major bus 

routes for one year. 

To íund two artists during the planning phase for permanent, 4,000 

sited works in Dayton neighborhoods. 

To commission six American photographers to design billboards 18,600 

for six downtown Minneapolis sites during the summer of 1985. 

To commission artists Nancy Holt and Siah Armajani for two 32,750 

contrasting theme sculptures on the campus grounds. 

To continue a series of temporary public sculpture installations, 13,000 

which provides ah opportunity for American artists to create 

monumental projects in a specific urban setting. 

To commission artist Andrea Blum for the community’s first art 34,200 

in public places effort on the city’s municipal campus. 

For the planning phases of an innovative attempt by artists Viro 3,750 

Acconci, Nancy Holt, and Marisol Escobar to relate contemporary American sculpture to landscape in a manner paralleling 

eras of the past. 

To commission seven sculptures to celebrate the World Exposi- 50,000 

tion with its theme, "Rivers of the World--Fresh Water as a 

Source of Life." 

For temporary installations by 13 artists for site-specific works 40,000 

in Artpark during the summer of 1984. 

For an environmental work by artist Michael Heizer, who helped 25,000 

plan and implement a major coal strip mine reclamation project 

along the Illinois River. 

For an environmental installation by Lynn Hershman using film 5,500 projections, fog machines, and video digital transfers. 
Rochester Sesquicentennial 

Rochester, New York 

Seattle Arts Commission 

Seattle, Washington 

Southern California, University of 

Los Angeles, California 

Stuart Foundation 

Rancho Santa Fe, California 

Sun Valley Center for the Arts 

and Humanities 

Sun Va[ley, Idaho 

Visiting Artists 

Davenport, Iowa 

Washington Project for the Arts 

Washington, D.C. 

Special Projects 

Artspace Projects 

Minneapolis, Minnesota 

Atlanta Art Papers 

Atlanta, Georgia 

Center for Contemporary Arts of 

Santa Fe 

Santa Fe, New Mexico 

Contemporary Crafts Association 

Portland, Oregon 

Cultural Council Foundation 

New York, New York 

Fort Point Arts Community 

Boston, Massachusetts 

Interagency 

Washington, D.C. 

Katzive, David 

Boston, Massachusetts 

Levine, Ruth 

Bethesda, Maryland 

Mid-America Arts Alliance 

Kansas City, Missouri 

Minneapolis College of Art 

and Design 

Minneapo[ls, Minnesota 

Visual Arts 245 

To commission artist Richard Fleischner to create a major work 50,000
 on a public plaza along the banks of the Genesee River in the
 

city’s historic downtown atea.
 

To commission artist Buster Simpson to create public artwork in 10,000
 

a variety of urban sites: streets, sidewalks, pub[lc seating,
 

shelter, and light areas.
 

To commission sculptor Charles Simonds fora major public art 50,000
 

project on the campus.
 

For "Trees," a permanent work on the campus of the University 35,600
 

of California at San Diego by artist Terry Allen that combines


sound and sculpture.
 

For a wind sculpture by Douglas Hol[ls on the campus of the Sun 2,500
 Valley Center.
 

To commission Stephen Antonakos for a public art project as 40,000
 

part of the city’s downtown redevelopment plan.
 

For the planning phase of a project allowing sculptor Martín 3,500 

Puryear to research and selecta site fora major public art piece 

in downtown Washington. 

To support a very limited number of model projects that assist artists in innovative ways and are not eligible under the other categories. 

Program funds: $465,089


21 grants
 

To assist individual artists in locating and renovating spaces to $15,000 

suit their working needs. 

For the planning and presentation of a symposium focusing on 15,000 the criticism of experimental art, and for the development and 

promotion of the Southern Distribution Service. 

To continue development of the Graphics Engine Laboratory to 30,000 make advanced computer graphics hardware and software 

available to visual artists. 

For production and distribution of a half-hour video documen- 12,000 tary, exploring the concept of "nonchalance" in ceramic art and 

the importance of the anagama kiln to this principle. 

For a cooperative agreement to administer funds to enable 50,000 

qualified experts in the visual arts field to perform artistic 

evaluations of approximately 350 applicants to the Visual Arts 

Program. 

To provide direct services to artists in the Fort Point atea of 15,000 

Boston by acting as a resource and advocate for artists’ studio 

and living spaces. 

To provide fora panel system for reviewing and selecting visual 9,296 

artists for federal art-in-architecture programs, primarily for the 

General Services Administration. 

For a cooperative agreement to survey pub[lc art programs at 39,860 

the federal, state, and local levels to determine the current state 

of the field. 

To extend a fellowship in the office of the Associate Deputy 4,000* 

Chairman for Programs. 

To organize and tour an exhibition of work by recipients of 1983 25,000 

and 1984 M-AAA/NEA Regional Fellowship Awards. 

To develop the visual arts componen~ of the Center for Arts 40,000 

Criticism. 
246 Visual Art÷ 

National Association of Artists 

Organizations

Washington, D.C. 

Ohio Foundation for the Arts 

Columbus, Ohio 

Partners for Livable Places 

Washington, D.C. 

Sobe, Carrie L. 

Takoma Park, Maryland 

Social and Public Art Resource 

Center 

Venice, California 

Southeastern Center for 

Contemporary Act 

Winston-Salem, North Carolina 

Spencer, Debra S. 

Washington, D.C. 

Sullivan, Linda 

Washington, D.C. 

University City Science Center 

Philadelphia, Pennsylvania 

Washington Project for the Axts 

Washington, D.C. 

* Chairman’s Action 

For a cooperative agreement fora national survey to provide a 18,000 

statistical profile of visual artists organizations. 

For three touring exhibitions of emerging artists’ works, 23,883 

developed, organized, and presented collaboratively by a consortium of artists spaces in the Great Lakes region. 

7,000 For a cooperative agreement for the publication and distribution 

of essays on public art. 

4,000" To extend a fellowship in the office of the Associate Deputy

Chairman for Programs. 

24,850 For implementation of the second phase of the California 

Chicano Mural Documentation Project. 

80,000 To amend a previous grant for the third year of the Awards in 

the Visual Arts program. 

1,000" For the research and preparation phase for a commission project 

to create a bust of Dr. Martin Luther King, Jr. for the United 

States Capitol. 

1,200" To extend a fellowship in the Visual Arts Program. 

For the creation and presentation of site-specific work of visual 25,000 

artists selected by guest artist-curators. 

For collaboration on a permanent installation by sculptors 25,000 

David Ireland and Robert Willhite that also serves asa functional living space for visiting artists. 

249 

Artists in F_,ducation
 

Barbara Gregson works with children in Lewes, Delaware, as part of Delaware State Arts Council’s Artists in Education Program. Photo: Jon McDowell 
 

250 

,~o.~~ funds: $5,284,591 Artists in Ed~ Grar~s 115 grants

Artist Residency For a national state-based program that places professional artists in 

residencies in educational settings. Grants 

Program funds: $4,377,945 

56 grants 

Alabama State Council on the Arts and 

Humanities 

Montgomery, Alabama 

Alaska State Council on the Arts 

Anchorage, Alaska 

American Samoa Council on Culture, Arts, 

and Humanities 

Pago Pago, American Samoa 

Arizona Commission on the Arts 

and Humanities 

Phoenix, Arizona 

Arkansas Arts Council 

Little Rock, Arkansas 

Californía Arts Council 

Sacramento, California 

Colorado Council on the Arts and Humanities 

Denver, Colorado 

Connecticut Commission on the Arts 

Hartford, Connecticut 

Delaware State Arts Council 

Wilmington, Delaware 

District of Columbia Commission 

on the Arts and Humanities 

Washington, D.C. 

Florida, Arts Councii of 

Tallahassee, Florida 

Georgia Council for the Arts and Humanities 

Tucker, Georgia 

Guam Council on the Arts and Humanities 

Agana, Guam 

(Hawañ) State Foundation on Culture 

and the Arts 

Honolulu, Hawaii 

Idaho Commission on the Arts 

Boise, Idaho 

Illinois Arts Council 

Chicago, Illinois 

Indiana Arts Commission 

Indianapolis, Indiana 

Iowa Arts Council 

Des Moines, Iowa 

Kansas Arts Commission 

Topeka, Kansas 

Kentucky Arts Council 

Frankfort, Kentucky 

$75,600 

122,300 

24,500 

106,100 

90,000 

181,700 

58,000 

75,000 

39,080 

15,450 

90,400 

83,800 

30,600 

67,800 

52,000 

90,000 

105,400 

110,000 

77,500 

84,850 

(Louisiana) Department of Culture, 90,000 

Recreation, and Tourism, 

Division of the Arts 

Baton Rouge, Louisiana 

Maine State Commission on the 95,500 

Arts and the Humanities 

Augusta, Maine 

Maryland State Arts Council 36,795 

Baltimore, Maryland 

Massachusetts Council on the 88,500 

Arts and Humanities 

Boston, Massachusetts 

Michigan Council for the Arts 103,400 

Detroit, Michigan 

Minnesota State Arts Board 113,100 

St. Paul, Minnesota 

Mississippi Arts Commission 37,655 

Jackson, Mississippi 

Missouri State Council on the Arts 48,400 

St. Louis, Missouri 

Montana Arts Council 49,600 

Helena, Montana 

Nebraska Arts Council 148,900 

Omaha, Nebraska 

Nevada State Council on the Arts 42,230 

Reno, Nevada 

New Hampshire Commission on the Arts 62,300 

Concord, New Hampshire 

New Jersey State Council on the Arts 100,700 

Trenton, New Jersey 

New Mexico Arts Division 108,200 

Santa Fe, New Mexico 

New York State Council on the Arts 223,100 

New York, New York 

North Carolina Arts Council 64,300 

Raleigh, North Carolina 

North Dakota Council on the Arts 41,600 

Fargo, North Dakota 

(Northern Mariana Islands) Commonwealth 20,800 

Council for Arts and Culture 

Saipan, Northern Mariana Islands 

Ohio Arts Council 151,700 

Columbus, Ohio 

Oklahoma, State Arts Councii of 90,000 

Oklahoma City, Oklahoma 
Artists In Education 2ó l 

Oregon Arts Commission 110,700 Utah Arts Council 81,100 

Salem, Oregon Salt Lake City, Utah 

Pennsylvania Council on the Arts, 72,610 Vermont Council on the Arts 42,100 

Commonwealth of Montpelier, Vermont 

Harrisburg, Pennsylvania Virgin Islands Council on the Arts 13,250 

Puerto Rican Culture, 20,000 St. Croix, Virgin Islands 

Institute of 

San Juan, Puerto Rico	 Virginia Commission for the Arts 33,320 

Riehmond, Virginia 

Rhode Island State Council on the Arts 98,000 

Providence, Rhode Island Washington StateArts Commission 87,700 

Olympia, Washington 

South Carolina Arts Commission 117,000 

Columbia, South Carolina (West Virginia) Department of Culture and 43,555 

History, Arts and Humanities Division 

South Dakota Arts Council 57,800 Charleston, West Virginia 

Sioux Falls, South Dakota 

Wisconsin Arts Board 87,500 

Tennessee Arts Commission 90,000 Madison, Wisconsin 

Nashville, Tennessee Wyoming Council on the Arts 41,850 

Texas Commission on the Arts 84,600 Cheyenne, Wyoming 

Austin, Texas 

Special Projects	 For projects that demonstrate and further knowledge of the arts and 

artists in the educational process, or that provide assistance and services 

on a regional or national level to local, state, or regional arts agency personnel, artists, educators, and administrators involved in the arts and education. 

Program funds: $906,646 

59 grants 

Alliance of Independent For a national advocacy conference on K-12 art education held at $22,500 

Colleges of Art the Aspen Institute in Wye, Maryland, and for development of 

Washington, D.C. art education support networks, involving interaction among art 

education leaders, artists, corporations, foundations, local and 

state government agencies, museums, art patrons, the media, 

schools of art, elementary and secondary schools, and the 

private sector. 

Arizona State University	 To produce and edit a one-hour videotape illustrating four 8,100 

Tempe, Arizona	 methods of teaching drama to kindergarten children, and to

write and print accompanying curriculum materials for teachers 

and students. 

Arts, Education, and Americans To expand the automated data base of the Library of Congress’s 18,750 

New York, New York National Referral Center concerning arts in education, and to 

publish the Directory of American Arts in Education Programs 

and Resources. 

Artists Foundation To amend a previous grant for a second year fora master artists’ 6,500 

Boston, Massachusetts team to conducta two-week teacher training program. 

Bowling Green State University	 For Arts Unlimited, a program transposing the Lincoln Center 5,950 

Bowling Green, Ohio	 Institute model to a rural agricultural setting, which includes 

outreach into adjacent counties, advocacy work with teachers, 

and training for Bowling Green State University student 

teachers. 

Burk (Frederick) Foundation For the Regional Arts and Education Skills Project, a training 12,400 

San Francisco, California program of the California Poets in the Schools for poets, community artists, and teachers. 

College Entrance Examination For a project in collaboration with Rufus King High School in 4,000 

Board Milwaukee to analyze and revise the curriculum of Rufus King to 

New York, New York reflect the knowledge and skills needed by all college entrants as 

identified by the College Board in Academic Preparation for 

College. 

Community Child Care Council To develop a basic pre-school arts curriculum and provide train- 15,000 

Santa Rosa, California ing sessions for childcare professionals. 
Artists In Education 259. 

Compas 

St. Paul, Minnesota 

Cooper Union for the Advancement 

of Science and Art 

New York, New York 

Council of Chief State School 

Officers 

Washington, D.C. 

Exploratorium 

San Francisco, California 

Fairbanks Arts Association 

Fairbanks, Alaska 

Festival of Music 

Tenafly, New Jersey 

Film in the Cities 

St. Paul, Minnesota 

Fowler, Charles B. 

Washington, D.C. 

G.A.M.E.
 

New York, New York
 

Group Material 

New York, New York 

Houston Institute for Arts 

in Education 

Houston, Texas 

International Council of 

Fine Arts Deans 

Columbus, Ohio 

Jackson Arts Alliance 

Jackson, Mississippi 

Jefferson County School District 

Lakewood, Colorado 

Learning About Learning 

San Antonio, Texas 

Learning Through Education in 

the Arts Project 

San Francisco, California 

Lignelli, Ronald 

Washington, D.C. 

Lincoln Center for the 

Performing Arts 

New York, New York 

Louisiana Division of the Arts
 

Baton Rouge, Louisiana
 

For a series of intensive teacher training activities, including a 9,700 

two-day institute led by a team of published professional writers 

and workshops with teachers in each participating school during 

the school year. 

17,500" To support a four-month planning phase fora three-year

aesthetic education program in the visual arts. 

Fora cooperative agreement to provide a national assessment of 124,971 

current state policies in arts education, a compilation of exemplary programs in the arts, anda national meeting of chief 

state school officers on arts and the schools. 

To support the School-in-the-Exploratorium learning laboratory 22,500 

and teacher-training program. 

11,100 

programs. 

To train Fairbank teachers in the use of arts in their education 

To develop a model program in which musicians, educators, and 14,600 

parents work together to help students derive maximum benefit

from live musical performances. 

To amend a previous grant for "Media Arts: Teaching 8,700 

Humanistic Technology," media workshops for teachers conducted by artists. 

To amend a cooperative agreement to provide necessary services 8,225 

in connection with printing a compendium of material supportive of arts education. 

For a city-wide teacher training institute to develop a 14,700 

metropolitan network of arts educators, design new arts curricula, set up a centralized training facility for future conference 

and in-service activities, and create a model for restructuring 

arts education policies in large urban centers. 

3,600 For the Art and Knowledge Workshop, including seminars on

teaching artistically gifted minority students with special learning problems, an intern program for graduate students, anda 

curriculum publication to be distributed nation wide. 

For a three-week summer teacher training session in performing 15,000 

and visual arts. 

17,500" For "New Directions in the Arts--An International 

Perspective," including pre-conference planning meetings and 

post-conference publication of a report on the international invitational conference held in Amsterdam in October 1984. 

9,000 To provide in-service training for teachers and administrators on

how to integrate the arts into the curriculum in the Jackson 

Public Schools. 

9,000 To produce a film guiding viewers on a journey through the art 

of drawing. 

To develop a comprehensive training program to infuse the arts 25,000 

into the total educational program of a major urban school 

district. 

6,400 For specialized training for artists in design and presentation of
 

more effective teacher and parent workshops, and provision of
 

resource materials related to arts and education.
 

1,750" To extend Ronald Lignelli’s fellowship in the Artists in Education Program. 

To help ten communities around the country replicate the Lin- 18,750 

coln Center Institute aesthetic education program for making 

the arts an integral part of the school experienee. 

To sponsor and host a four-day national symposium on arts in 11,300 

education. 
Artists In Education 2ó~ 

Maine State Commission on 

the Arts and the Humanities 

For two summer arts institutes--one at Governor Baxter School 

for the Deaf and one at Haystack Mountain School of 15,000 

Augusta, Maine Crafts--for artists, students and teachers. 

Maine State Commission on 

the Arts and the Humanities 

Augusta, Maine 

To amend a previous grant for a second year for three 

artist/teacher institutes to facilitate collaborations between

Maine artists and teachers and strengthen arts presentations. 

15,000 

Massachusetts Higher Education 

Assistance Corporation 

For "A Seminar of Exploration" held in August 1984, which 

brought together 30 elementary and secondary teachers com­ 15,000" 

Boston, Massachusetts mended by the Rockefeller Brothers Fund arts education awards 

commáttee for their outstanding work with students. 

Metropolitan Opera Association For development and dissemination of a teacher training model 15,600 

New York, New York concentrating on the creative process. 

Mississippi State University To develop resource packets of arts-related information and ac­ 11,200 

Mississippi State, Mississippi tivities for use with educationally diiadvantaged rural youth. 

Music Educators National To establish a model program of four-week summer institutes to 50,000 

Conference 

Reston, Virginia provide intensive work in music skills development for elementary classroom teachers and elementary music specialists. 

National Assembly of State 

Arts Agencies 

Washington, D.C. 

To amend a previous cooperative agreement to pay for additional costs in connection with developing and convening five 

regional meetings to identify and disseminate techniques and 

9,950 

strategies for improving and promoting arts education nation 

wide. 

National Council on the Aging 

Washington, D.C. To develop and test materials and methodology to train older 

professional visual and performing artists to adapt their skills, 

22,500 

disciplines, and experience for working with community arts and 

residency programs. 

National Dance Institute 

New York, New York 

For training workshops in New York City for professional 

dancers interested in replicating National Dance Institute’s 

6,000 

performance-oriented philosophy of teaching dance to children. 

National Guild of Community 

Schools of the Arts 

For "Arts Literacy Program in the Schools," a cooperative prograto with Newark Community School of the Arts, Newark 15,000 

Teaneck, New Jersey Board of Education, and the National Guild for expanding 

technical arts skills of educators and increasing their knowledge 

of the arts. 

New Hampshire Alliance for For an all-state visual arts seminar about the working relation­ 8,100 

Arts Education ship among professional artists, professional teachers, and 

Concord, New Hampshire students. 

New York, Research Foundation For a multi-disciplinary aesthetic education training program 18,800 

of the State University of for elementary and secondary educators, based on the Lincoln 

Albany, New York Center Institute model. 

New York State Poets in To publish and disseminate Field Guide to Writing Workshops 11,700 

the Schools in Schools and Community nationally, establish a seminar series 

New York, New York to increase awareness of the basic need for the arts, develop curricula for a poet peer supervision group, and expand poet training for residencies. 

North Carolina State Department To implement the Arts Education Leadership Institute to pro­ 15,000 

of Public Instruction 

Raleigh, North Carolina vide a series of workshops, seminars and in-service training sessions for arts educators and artists. 

Oklahoma State Department To forro teams of master artists and master teachers to design 19,400 

of Education 

Oklahoma City, Oklahoma and implement activities using the arts asa tool to introduce andreinforce basic learning concepts. 

Opera America 

Washington, D.C. 

To establish a regional education training program for producers 

of opera, artists, and educators to develop opera education pro18,750 

grams. 

Oregon Arts Commission 

Salero, Oregon 

To amend a previous grant to provide for two additional 

workshops for the "Oregon Arts Education Development Pro4,000 

ject," which implemented three components of a statewide arts 

education plan. 

Oregon Arts Foundation For the Oregon Arts Development Project, which includes plan­ 12,100 

Salem,’Oregon ning and training activities to field test curriculum-linked 

residency models and a written guide for linking artist activities 

to curriculum areas other than fine arts. 
Artists In Education 2ó4 

Orleans Parish School Board 

New Orleans, Louisiana 

Performing Arts Council 

of the Music Center 

Los Angeles, California 

Performing Arts Council 

of the Music Center 

Los Angeles, California 

Performing Tree 

Los Angeles, California 

Rural California Broadcasting 

Corporation 

Rohnert Park, California 

South Dakota Arts Council 

Sioux Falls, South Dakota 

Studio in a School Association 

Brooklyn, New York 

Urban Gateways 

Chicago, Illinois 

Utah Arts Council 

Salt Lake City, Utah 

Vermont Council on the Arts 

Montpelier, Vermont 

Walker Art Center 

Minneapolis, Minnesota 

Washington Project for 

the Arts 

Washington, D.C. 

Washington, University of 

Seattle, Washington 

Wisconsin, University of, 

Board of Regents 

Madison, Wisconsin 

* Chairman’s Action 

For Project Arts Connection, a program that sends artist teams 9,000
 

to work with classroom teachers to improve arts education in the
 

public schools.
 

For a cooperative program among the Los Angeles Unified 15,000
 

School District, the Office of the Superintendent of Los Angeles
 

County Schools, and the Performing Arts Council to develop
 

programs in the arts for classroom teachers through a summer
 

institute for educators and workshops for teachers throughout
 

the academic year.
 

To amend a previous grant for a second year of the Summer In- 15,000
 

stitute for Educators for educators and artists in dance, drama,
 

music, and visual arts.
 

For a ten-week staíf development package for 400 elementary 18,000
 

classroom teachers on dance and movement instruction via
 

television and workshops.
 

For a 30-minute documentary and multi-media package on poets 10,300
 

working with children at all grade levels, produced by KRCBTV.
 

For ARTSLAB, a five-day summer arts institute íor artists, 2,900
 

teachers, administrators, and students.
 

To develop and evaluate the effectiveness of a packet of visually 10,600
 

exciting resource materials to assist 3rd, 4th, and 5th grade
 

teachers in implementing visual arts programs in their
 

classrooms.
 

For Teacher/Artist Collaborative Training (TACT), which pro- 25,000
 

vides services to three classrooms each in 50 schools in the
 

Chicago area.
 

5,800 To amend a previous grant for a second state-wide conference for

artists, arts educators, administrators from the State Department of Education, and representatives from the community

and arts organizations. 

To amend a previous grant for a second year of the Vermont 15,000 

Governor’s Institute on the Arts, a four-week summer arts 

residency program for junior and senior high-school students. 

To conduct two three-week institutes for elementary and secon- 12,000 

dary schoolteachers to study how visual, performing, and media

arts apply to language arts, social studies and fine arts curricula. 

6,600 For an evening forum series of its educational program--three

public forums that examine the underlying connections between 

the arts and the social and natural sciences. 

For an instructional television series of ten 15-minute programs 17,100 

to introduce the visual arts to children, ages six to nine, produced by KCTS/9-TV. 

For Jazz Class, a one-hour television documentary that 18,750 

demonstrates the impact a performing artist can have in an

educational setting, produced by WHA-TV. 
255 

¿ocals Test Program
 

Cartoon: Charles Brooks, Birmingham News 
256 

~~0~ ~ P~o(~am ~a~8 

Purpose Of 

Locals Test Program 

Direct Grants to 

Local Arts Agencies 

Commission on Cultural Affairs
 

Denver, Colorado
 

Council for the Arts in 

Westchester 

White Plains, New York 

Durham Arts Council 

Durham, North Carolina 

Fulton County Arts Council 

Atlanta, Georgia 

New York City Department 

of Cultural Affairs 

New York, New York 

State-Local 

Partnership Grants 

11Pr°gramgrantsfunds: $2,000,000 

The Locals Test Program is a new initiative established in 1984 to test ways 

in which the Endowment might provide funds to local arts agencies to 

serve asa catalyst íor increased support for the arts by local governments. 

The goals of the Program are to promote increased and sustained public 

funding for the arts at the state and local levels; to encourage joint plano 

ning among state and local arts agencies, artists, arts organizations, and 

sources of support; and to elicit a variety of imaginative proposals that 

might serve as models for others. 

The Program funds a limited number of projects that have been carefully 

developed through a planning process to respond to local needs. Funds may 

be used for (a) regranting to professional artists and arts organizations of 

high quality, particularly those with limited access to other funding 

sources; (b) developing capital resources for local arts organizations; (c) 

presenting performers, exhibitions and residencies; (d) building audiences; 

and (e) providing technical assistance and services. 

It is estimated that the projects funded in 1984 will reach 76 local arts 

agencies in ten states serving 725 communities and will assist 3,700 arts 

organizations. 

Grants are awarded to local arts councils or commissions and must be 

matched at least 2:1 with new local public dollars over a three-year period. 

Program funds: $800,000 

5 grants 

$300,000 in matching funds have been committed to begin a $150,000 

comprehensive arts support program for the City and County of

Denver, including provision of grants to nonprofit arts organizations, technical assistance, arts events to enliven the city center, 

an artists forum, a business and arts coalition, and information 

services. 

Westchester County will contribute $300,000 in matching funds 150,000 

for an institutional development program designed to substantially improve the managerial and artistic caliber and leadership 

in 16 county arts organizations. 

The City and County of Durham will each contribute $1.25 150,000 

million in matching funds to strengthen local arts organizations 

through subgrants, audience development, enhanced programming, and commissions to artists for the new Durham Community Arts Center, for which two historic buildings are currently 

being renovated as part of this project. 

Fulton County will provide $301,901 in matching funds for an 150,000 

audience development project that includes grants to arts 

organizations for facilities and equipment improvement and 

leasing, marketing, and promotion; coordination of techn]cal 

assistance for marketing and promotion; and participation in a 

computerized information service for visitors. 

The City of New York will establish the Greater New York Arts 150,000 

Development Fund and will allocate an additional $900,000 for 

augmentation of subgrants to arts organizations and artists 

through the borough arts councils to reach arts organizations 

with limited access to other funding sources. 

Grants are awarded to state arts agencies on behalf of a state-wide consortium of local arts agencies. These grants must be matched at 3:1 with new 

state and local public dollars over a three-year period. 

Program íunds: $1,200,000 

6 grants 
Locals Test Program 2ó7 

Alabama State Council on the A total of $450,000 in new state and local funds will be raised for $150,000 

Arts and Humanities regranting, expanding of existing programs and services, 

Montgomery, Alabama technical assistance, planning, and audience development projects that involve these participating agencies: Greater Birmingham Arts Alliance, Arts Council (Huntsville), Mobile Arts 

Council, Arts Council of Montgomery, and the Arts and 

Humanities Council of Tuscaloosa. 

ILouisiana~ Department of Culture 

Recreation, and Tourism, 

A total of $2,648,625 in new state and local public funds will be

raised fora regional decentralization program designed to serve 

400,000 

Division of the Arts 

Baton Rouge, Louisiana 

both small and large local arts agencies. Funds will be used for

implementation and expansion of regrant programs, technical 

assistance, staff support, formulation of n~ew grant categories of

support, development of capital resources, and data collection 

and communication services. The participating agencies ate: 

Acadiana Arts Councfl {Lafayette}, Arts and Humanities Council of Greater Baton Rouge, Calcasieu Arts and Humanities 

Council {Lake Charles}, Shreveport Regional Arts Council, Arts 

and Humanities Council of Avoyelles {Marksville} Arts Councfl 

of New Orleans, Northeast Louisiana Arts Council {Monroe), and

the Mayor’s Commission on the Arts {Slidell}. 

Nebraska Arts Council New state and local public funds in the amount of $450,000 will 150,000 

Omaha, Nebraska be raised to provide technical assistan~e to enhance administrative capabilities and long-range planning efforts, audience development, expansion of artists residencies, and 

marketing assistance to minority arts groups. The participating 

agencies are: Kearney Area Arts Council, Norfolk Arts Center, 

West Nebraska Arts Center {Scottsbluff}, Metropolitan Arts 

Council (Omaha}, Regional Arts Alliance (Gordon, Sheridan 

County), Atkinson-Stuart Arts Council, Brown County Arts 

Council, CARP, Inc. {Grand Island}, Community Arts Council of 

Lincoln, Geneva Arts Councfl, Loupe Valley Arts Councfl, 

Schuyler Arts Council, Village Players-Council for the Cultural 

Arts {Hyannis), Bridgeport Arts Councfl, Butler County Arts 

Council, Columbus Area Arts Council, Cozad Area Arts Council, 

Harlan County Arts Councfl, and Lexington Arts Council. 

Ohio Arts Council A total of $673,249 in new state and local public funds will be ap­ 200,000 

Columbus, Ohio propriated for expanding programming, presenting lectures and 

workshops in the arts, developing audiences, and for special 

projects that would integrate the arts into urban planning, the 

school curriculum and community programs. The participating 

agencies ate: Arts Council of Greater Toledo, Council for the 

Arts of Greater Lima, Fine Arts Association {Willoughby}, 

Xenia Area Living Arts Council, Ashtabula Arts Center, East 

Cleveland Community Theater and Arts Center, Greater Columbus Arts Council, North Central Ohio Arts Councfl {Sandusky}, 

and the Lorain County Arts Councfl. 

Oregon Arts Commission A total of $450,000 in new state and local public funds will be ap­ 150,000 

Salem, Oregon propriated to establish local regrant programs, establish new 

local government arts councfls where needed and provide 

technical assistance. The participating agencies are: Arts Councfl of Pendleton, Clackamas County Arts Council, Crossroads 

Creative and Performing Arts Center (Baker}, Grants Pass 

Museum of Art, Lane Regional Arts Councfl {Eugene}, MidValley Arts Councfl (Salem}, Monmouth-Independence Community Arts Association (Roseburg} Arts Councfl of Southern 

Oregon {Medford}, Dalles Art Association, Eastern Oregon 

Regional Arts Councfl (La Grande} Metropolitan Arts Commission {Portland} Oregon Coast Council for the Arts {Newport}, 

Rogue Va[ley Arts Association, Wallowa Valley Arts Councfl 

IEnterprise). 

Wisconsin Arts Board To establish a challenge grant program using public and private 150,000 

Madison, Wisconsin funds in cooperation with these local arts agencies: Fox Cities 

Arts Alliance IAppleton}, Mflwaukee Artists Foundation, 

Monroe Arts and Activities Center, Racine Arts Councfl, Performing Arts Foundation {Wausau), Eau Claire Area Arts Councfl, Arts Councfl of South Wood County {Wisconsin Rapids), 

Western Wisconsin Regional Arts (La Crosse}, Madison Area 

Arts Coalition, Northern Arts Councfl (Rhinelander} and the Northeastern Wisconsin Arts Council {Greenbay}. 
259
 

StatePrograrns
 

Photo: Toby Kinnahan 
260 

Regional Arts 

Programming Grants 

Affiliated State Arts Agencies 

of the Upper Midwest 

Minneapolis, Minnesota 

Consortium for Pacific Arts 

and Cultures 

Agana, Guam 

Great Lakes Arts Alliance 

Cleveland, Ohio 

Mid-America Arts Alliance 

Kansas City, Missouri 

Mid-Atlantic States Arts 

Consortium 

Baltimore, Maryland 

New England Foundation for the Arts 

Cambridge, Massachusetts 

Southern Arts Federation 

Atlanta, Georgia 

Western States Arts Foundation 

Santa Fe, New Mexico 

Basic State 

Grants 

Alabama State Council on the Arts and 

Humanities 

Montgomery, Alabama 

Alaska State Council on the Arts 

Anchorage, Alaska 

American Samoa Council on Culture, Arts, 

and Humanities 

Pago Pago, American Samoa 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Arkansas Arts Council 

Little Rock, Arkansas 

California Arts Council 

Sacramento, California 

For regional groups of two or more state arts agencies to support arts programs planned and implemented on a multi-state basis. 

Program funds: $2,973,100 

8 grants 

$291,500 

For regional programs and activities in North Dakota, Minnesota, South Dakota, Wisconsin and Iowa. 

For regional programs and activities in American Samoa, Guam 174,900
 

and the Northern Marianas.
 

For regional arts programs and services in Illinois, Indiana, 233,200
 

Michigan, and Ohio.
 

For regional programming and operations in Arkansas, Kansas, 349,800
 

Missouri, Nebraska, and Oklahoma.
 

For regional programs, research, and operations in Delaware, the 466,400
 

District of Columbia, Maryland, New Jersey, New York, Pennsylvania, Virginia, and West Virginia.
 

For regional arts projects in Connecticut, Maine, 349,800
 

Massachusetts, New .Hampshire, Rhode Island, and Vermont.
 

For regional programs and activities in Alabama, Florida, 524,600
 

Georgia, Kentucky, Louisiana, Mississippi, North Carolina,
 

South Carolina, and Tennessee.
 

For regional programs and activities in Arizona, Colorado, 582,900
 

Idaho, Montana, Nevada, New Mexico, Oregon, Utah,
 

Washington and Wyoming.
 

To provide basic support to state arts agencies. 

Program funds: $20,856,600 

59 grants 

$377,500 Delaware State Arts Council 

Wilmington, Delaware 

335,200 

333,100 

District of Columbia Commission 

on the Arts and Humanities 

Washington, D.C. 

335,600 

200,400 Florida, Arts Council of 

Tallahassee, Florida 

459,300 

363,800 

Georgia Council for the Arts and 

Humanities 

Tucker, Georgia 

398,900 

356,600 

Guam Council on the Arts and Humanities 

Agana, Guam 

201,300 

640,300 

IHawai} State Foundation on Culture 

and the Arts 

Honolulu, Hawañ 

340,200 

Colorado Council on the Arts and Humanities 

Denver, Colorado 

366,100 Idaho Commission on the Arts 

Boise, Idaho 

339,800 

Connecticut Commission on the Arts 

Hartford, Connecticut 

367,500 Illinois Arts Council 

Chicago, Illinois 

472,400 
State Programs ~~1 

Indiana Arts Commission 396,800 North Dakota Council on the Axts 336,100 

Indianapolis, Indiana Fargo, North Dakota 

Iowa Arts Council 364,300 (Northern Mariana Islands) Commonwealth 200,200 

Des Moines, Iowa Council for Arts and Culture 

Saipan, Northern Mariana Islands 

Kansas Arts Commission 

Topeka, Kansas 

358,100 -

Ohio Arts Council 

Columbus, Ohio 

464,100 

Kentucky Arts Council 

Frankfort, Kentucky 

374,000 Oklahoma, State Arts Council of 

Oklahoma City, Oklahoma 

367,800 

ILouisiana} Department of Cultttre, 

Recreation, and Tourism, 

Division of the Arts 

382,800 

Oregon Arts Commission 

Salem, Oregon 

361,100 

Baton Rouge, Louisiana Pennsylvania Council on the Arts, 477,700 

Maine State Commission on the 341,900 Commonwealth of 

Arts and the Humanities Harrisburg, Pennsylvania 

Augusta, Maine 

Puerto Rican Culture, 368,100 

Maryland State Arts Council 381,500 Institute of 

Baltimore, Maryland San Juan, Puerto Rico 

Massachusetts Council on the 400,700 Rhode Island State Council on the Arts 339,700 

Arts and Humanities Providence, Rhode Island 

Boston, Massachusetts 

South Carolina Arts Commission 368,100 

Michigan Council for the Arts 442,800 Columbia, South Carolina 

Detroit, Michigan South Dakota Arts Council 336,300 

Minnesota State Axts Board 379,900 Sioux Falls, South Dakota 

St. Paul, Minnesota 

Tennessee Arts Commission 386,400 

Mississippi Arts Commission 359,900 Nashville, Tennessee 

Jackson, Mississippi Texas Commission on the Arts 520,800 

Missouri State Council on the Arts 390,200 Austin, Texas 

St. Louis, Missouri 

Utah Arts Council 347,300 

Montana Arts Council 337,700 Salt Lake City, Utah 

Missoula, Montana 

Vermont Council on the Arts 334,100 

Nebraska Arts Council 347,700 Montpelier, Vermont 

Omaha, Nebraska Virgin Islands Council on the Arts 201,300 

Nevada State Council on the Arts 338,700 St. Croix, Virgin Islands 

Reno, Nevada 

Virginia Commission for the Arts 397,000 

New Hampshire Commission on the Arts

Concord, New Hampshire 

339,600 Richmond, Virginia 

Washington State Arts Commission 381,300 

New Jersey State Council on the Arts 421,700 Olympia, Washington 

Trenton, New Jersey IWest Virginia) Department of Culture and 352,200 

New Mexico Arts Division 344,800 History, Arts and Humanities Division 

Santa Fe, New Mexico Charleston, West Virginia 

New York State Council on the Arts 

New York, New York 

550,900 Wisconsin Arts Board 

Madison, Wisconsin 

387,900 

North Carolina Arts Council 

Raleigh, North Carolina 

403,700 Wyoming Council on the Arts 

Cheyenne, Wyoming 

333,900 

(Louisiana) Department of Culture To amend a previous grant to continue funding a state folk arts 17,500" 

Recreation, and Tourism, coordinator position during 1983- 84. 

Division of the Arts 

Baton Rouge, Louisiana 

North Dakota Council on the To amend a previous grant to assist the State Department of 15,000 

Arts Education to develop the first comprehensive curriculum for 

Fargo, North Dakota arts education (K-12} in North Dakota. 

Virgin Islands Council To amend a previous grant to provide technical assistance for 17,000 

on the Arts the council to upgrade its planning and programming policies 

St. Croix, Virgin Inlands and procedures. 
9~~9. State Programs 

State Support	 To support costs of services provided on a national basis to state arts agencies and regional groups. Services 

Arts Council of San Antonio 

San Antonio, Texas 

Great Lakes Arts Alliance 

Cleveland, Ohio 

Mid-America Arts Alliance 

Kansas City, Missouri 

National Assembly oí State 

Arts Agencies 

Washington, D.C. 

National Assembly of Local 

ArtsAgencies 

Washington, D.C. 

National Assembly of Local 

Arts Agencies 

Washington, D.C. 

National Assembly of Local 

Arts Agencies 

Washington, D.C. 

National Assembly of Local 

Arts Agencies 

Washington, D.C. 

National Assembly of State

Arts Agencies 

Washington, D.C. 

New Mexico Arts Division 

Santa Fe, New Mexico 

Oregon Arts Commission 

Salero, Oregon 

WesternStatesArtsFoundation 

Santa Fe, New Mexico 

* Chairman’s Action 

Program funds: $722,116 

12 grants 

To enable an outstanding arts administrator to serve temporarily in the Locals Test Program through the Intergovernmental 

Personnel Act. 

$73,889 

To amend a previous grant fora series of meetings to study the 

feasibility of merging the Great Lakes Arts Alliance and the Affiliated State Arts Agencies of the Upper Midwest. 

8,000 

For a three-year test program in touring and presenting in 

cooperation with state arts agencies in Arkansas, Kansas, 

Missouri, Nebraska, and Oklahoma. 

100,000 

To support general operations and activities with state arts 

agencies, including arts policy development, training and skills

development, information services, and an annual meeting. 

270,000 

For the National Arts Information Project for Local Arts Agencies, a project to increase the information management

capabilities of local arts agencies; ensure the optimum level of 

compatibility of federal, state, and local information systems; 

and develop a national data base of activities, support bases, and 

information capabilities of local arts agencies. 

39,600 

To support the National Assembly of Local Arts Agencies operations and activities that assist, strengthen, and service local arts 

agencies through provision of information services, training, annual meeting, planning and policy forums, advocacy, membership development, fund raising and research. 

175,000 

To amend a previous grant to cover additional costs for completion of study initiated on arts pol~cy developments at the federal 

level. 

2,500* 

To amend a previous grant to include rental of video equipment 

for ah arts advocacy meeting. 

910 

For a cooperative agreement for on-site consultant visits to state 

arts agencies and regional organizations to enhance panel 

evaluations of state arts agencies. 

16,000 

To enable an outstanding arts administrator to serve temporarily in the Budget Office through the Intergovernmental Personnel Act. 

12,030 

For a regional conference on how computers can be used in administration; information exchange; and artistic methods in 

weaving, visual arts, and music. 

12,500 

For a cooperative agreement to administer the third 

NASAA/NEA joint seminar for public information oíficers oí 

state arts agencies. 

11,688 

’ Scene from New York Shakespeare Festival’s production of Henry V. Photo: Martha Swope 
266 

Challenge Grants aro awarded to cultural institutio.s or groupsO~cultural ~í~/í~],~,~e institutions that have demonstrated a commitment to artistic quality and 

~Tí~~í~~S have arts programs of recognized significance. The funds ate used to 

broaden the base of contributed, private support and achieve financial 

stability. 

Program funds: $18,769,000 

80 grants 

Round Six Challenge Grants: The following grants 

were committed during Fiscal 1983 for obligation during Fiscal 1984. Descriptions of these grants are listed 

in Annual Report 1983. 

Atlanta Arts Alliance 

~I-Iigh Museum of ArO 

Atlanta, Georgia 

Art Institute of Chicago 

Chicago, Illinois 

Baltimore Museum of Art 

Baltimore, Maryland 

Boys Choir of Harlem 

New York, New York 

Brooklyn Academy of Music

Brooklyn, New York 

Chicago Theatre Group 

Chicago, Illinois 

Cunningham Dance Foundation 

New York, New York 

Dance Theater Foundation 

New York, New York 

Dance Theater Workshop 

New York, New York 

Iowa, University of, 

Hancher Auditorium 

Iowa City, Iowa 

International Museum 

of Photography at George 

Eastman House 

Rochester, New York 

Milwaukee Repertory Theatre 

Milwaukee, Wisconsin 

Minnesota Opera Company 

St. Paul, Minnesota 

Minnesota Orchestral Association 

Minneapolis, Minnesota 

Minnesota Public Radio 

St. Paul, Minnesota 

Museum of Modern Art 

New York, New York 

Music of the Baroque 

Chicago, Illinois 

Musical Arts Association 

(Cleveland Orchestra) 

Cleveland, Ohio 

$400,000 

1,000,000 

800,000 

150,000 

600,000 

500,000 

275,000 

400,000 

130,000 

250,000 

19,000 

200,000 

125,000 

750,000 

600,000 

1,000,000 

100,000 

1,000,000 

National Trust for Historic Preservation 750,000 in the United States
 

Washington, D.C.
 

New York City Ballet 1,000,000 New York, New York
 

New York Shakespeare Festival
 1,000,000 New York, New York
 

Newark Museum Association
 750,000 Newark, New Jersey
 

92nd Street Young Men’s and Young
 500,000 Women’s Hebrew Association
 

New York, New York
 

Opera Theater of St. Louis 400,000 St. Louis, Missouri 

Orchestral Association 419,500 IChicago Symphony Orchestra)


Chicago, Illinois
 

Paul Taylor Dance Foundation 250,000 

New York, New York 

Performing Arts Council of the 1,000,000 Music Center of Los Angeles County 

ICenter Theater Group/Mark Taper Foruml 

Los Angeles, California 

Performing Arts Council of the 500,000 Music Center of Los Angeles County 

(Joffrey Ballet) 

Los Angeles, California 

Philharmonic-Symphony Society 500,000 of New York 

New York, New York 

Plaza de la Raza 650,000 Los Angeles, California 

WGBH Educational Foundation 600,000 Boston, Massachusetts 

Washington Drama Society 750,000 Washington, D.C. 

Washington Performing Arts Society 400,000 Washington, D.C. 
Challenge 

Round Seven Challenge Grants: The following grants 

were committed during Fiscal 1984 for obligation during Fiscal 1985. One grantee, though, obligated funds 

during Fiscal 1984 and is indicated with a dagger(?t. 

Actors Theatre of Louisville To augment ah endowment. $450,000 

Louisville, Kentucky 

Boston Symphony Orchestra To augment ah endowment. 1,000,000 

Boston, Massachusetts 

California Institute of the Arts For ah endowment and to purchase equipment. 825,000 

Valencia, California 

Carnegie Hall Society 

New York, New York 

To augment an endowment and renovate outdated basic 

building systems, lobbies, and historic interiors of the main hall 

800,000 

and recital hall. 

Center Stage Associates To augment an endowment. 500,000 

Baltimore, Maryland 

Children’s Art Carnival To renovate three contiguous buildings into a single art center. 250,000 

New York, New York 

Cultural Education Collaborative To create a cash reserve and develop new programs related to 100,000 

Boston, Massachusetts the goals and objectives of the new Institute for the Arts. 

First AII Children’s Theatre To eliminate notes payable and an accumulated deficit, and 100,000 

New York, New York create the American Musical Theatre Center for Young People. 

Gilcrease (Thomas) Museum

Association 

To renovate the museum. 400,000 

Tulsa, Oklahoma 

Grabara (Martha) Center of

Contemporary Dance 

To establish a cash reserve and an endowment. 500,000 

New York, New York 

Grand Rapids Symphony Society 

Grand Rapids, Michigan 

To augment an endowment and eliminate an accumulated 

deficit. 

100,000 

Guggenheim (Solomon R.) Museum To augment an endowment. 750,000 

New York, New York 

Huntington Galleries To augment an endowment. 100,000 

Huntington, West Virginia 

International Arts Relations To establlsh ah endowment and cash reserve, and eliminate an 100,000 

New York, New York accumulated deficit for INTAR. 

Intiman Theatre Company To eliminate an accumulated deficit and to renovate its new 100,000 

Seattle, Washington space. 

IPBN Association To construc~ a new television facility for Iowa Publlc Television. 600,000 

Des Moines, Iowa 

Japanese American Cultural 

and Community Center 

Los Angeles, California 

To establish an endowment and cash reserve, ellminate notes 

payable, and purchase equipment to upgrade the technical 

facilities and presentation capabilities in the Japan American

Theater. 

250,000 

Japan Society To establish ah endowment and to purchase equipment. 250,000 

New York, New York 

Los Angeles Actors’ Theatre To establish an endowment and purchase equipment. 200,000 

Los Angeles, California 

Lyric Opera of Chicago To augment ah endowment. 1,000,000 

Chicago, Illinois 

Manchester Craftsmen’s Guild To construct a new facility. 250,000 

Pittsburgh, Pennsylvania 
268 Challenge 

Manhattan Theatre Club
 

New York, New York
 

Maryland Institute, College of Art

Baltimore, Maryland 

Metropolitan Museum of Art
 

New York, New York
 

Municipal Art Society of New York 

New York, New York 

National Symphony Orchestra
 

Washington, D.C.
 

New York City Hispanie-


American Dance Company
 

New York, New York
 

New York City Opera
 

New York, New York
 

Opera Guild of Greater Miami
 

Miami, Florida
 

Oregon Symphony Orchestra
 

Portland, Oregon
 

Original Ballets Fonndation
 

New York, New York
 

Painted Bride Art Center
 

Philadelphia, Pennsylvania
 

Performing Arts Council of 

the Music Center
 

of Los Angeles County
 

Los Angeles, California 

Pierpont Morgan Library
 

New York, New York
 

Pilchuck School 

Seattle, Washington 

Princeton University 

Princeton, New Jersey 

Rochester, University of 

Rochester, New York 

St. Louis Art Museum 

St. Louis, Missouri 

San Francisco Symphony Orchestra 

San Francisco, California 

School of American Ballet 

New York, New York 

Skowhegan School of Painting 

and Sculpture 

Skowhegan, Maine 

Trinity Personna Company 

Providence, Rhode Island 

Twyla Tharp Dance Foundation 

Brooklyn, New York 

Washington Opera 

Washington, D.C. 

To augment a cash reserve. 

To augment an endowment and to renovate the Mount Royal 

Station which is the site for all sculpture studios, a printmaking 

facility, an exhibition gallery, a library, and a 250-seat 

auditorium. 

To augment the endowment. 

To augment an endowment. 

To augment an endowment and eliminate an accumulated 

deficit. 

To establish a cash reserve, eliminate notes payable, and complete the expansion and renovation of two adjoining carriage 

houses for a permanent home for Ballet Hispanico. 

To eliminate an accumulated deficit. 

To augment an endowment. 

To establish the orchestra into a full-time ensemble as ir moves 

into the new Arlene Schnitzer Concert Hall for the 1984-85 

season. 

To augment a cash reserve, eliminate ah accumulated deficit, 

purchase equipment for the Eliot Feld Ballet, and set upa school 

apprenticeship program. 

To improve the current space, convert a second space into a 

theater/gallery, and install air conditioning. 

To augment an endowment for the Los Angeles Philharmonic. 

To augment an endowment. 

To construct three buildings: a dormitory, a central location for 

equipment, anda facility with proper working conditions for artists working in stained glass. 

To establish an endowment for the Art Museum. 

To augment ah endowment and eliminate an accumulated deficit 

for the Memorial Art Gallery. 

To renovate the west wing of the museum and construct new 

conservation laboratories. 

To augment an endowment. 

To augment an endowment. 

To augment an endowment and construct additional indoor 

studios for painters and sculptors. 

To estabLish an endowment anda cash reserve, eliminate ah accumulated deficit, and renovate the company’s current facility. 

To establish a cash reserve and eliminate an accumulated deficit. 

To establish a cash reserve and eliminate an accumulated deficit. 

200,000 

450,000 

1,000,000~ 

450,000 

900,000 

200,000 

700,000 

350,000 

400,000 

175,000 

100,000 

1,000,000 

500,000 

100,000 

250,000 

375,000 

600,000 

1,000,000 

750,000 

100,000 

350,000 

175,000 

500,000 
Ct~allenge 269 

Webster University 

St. Louis, Missouri 

To renovate the Loretto-Hilton Center by improving the production shops, rehearsal studios, and dressing rooms; adding an experimental theater and recital hall; expanding the costume shop; 

600,000 

and consolidating its performing arts instruction programs into

one building. 

WNET/Educational Broadcasting To establish a cash reserve. 1,000,000 

Corporation 

New York, New York 

WTTW/Chicago Educational To establish a cash reserve. 250,000 

Television Assocíation 

Chicago, Illinois 
271 

Advamzmoat
 

"Red Raw Steel Drum," a solo concert presented by Fast Forward at New Langton Arts, San Francisco. Photo: John Grau 
272 

Advamement Advaneement grants ate intended to help art~ organizations strengthen

long-term institutional capacity and enhance their artistic quality and 

~Tra~¿s	 diversity. Each award is tailored to meet the special needs of each grantee 

and is preceded by a preparation stage of up to one year, during which 

technical assistance services, as well as preparatory grant funds, are 

provided. 

Program funds: $108,000 

Treasury funds: $939,085 

74 grants 

The following organizations in the literature, media Writer’s Center TF 7,000 

arts, opera-musical theater, and visual arts fields Bethesda, Maryland 

received support for the Preparatory Stage of an Advancement Grant: 

The following organizations from the dance, folk arts, 

Amas RepertoryTheatre 

New York, New York 

TF$7,000 music, or theater fields received support for the 

Preparatory Stage of an Advancement Grant: 

Academy of Media and Theatre Arts TF 2,600 At the Foot of the Mountain $3,000 

San Francisco, California Minneapolis, Minnesota 

and/or service TF 7,000 Blue Ridge Institute 3,000 

Seattle, Washington Ferrum, Virginia 

Asian Cine-Vision TF 6,100 Body Politic Theater 3,000 

New York, New York Chicago, Illinois 

Boston Film/Video Foundation TF 7,000 Brown tTrisha) Dance Company 3,000 

Boston, Massachusetts New York, New York 

Center for Contemporary Arts 

Santa Fe, New Mexico 

TF 3,700 Cabrillo Music Festival 

Aptos, California 

3,000 

Center for New Television 

Chicago, Illinois 

TF 5,500 Canton Symphony Orchestra 

Canton, Ohio 

3,000 

Centrum Foundation IGraywolf Press) 

Port Townsend, Washington 

TF 7,000 Chamber Music Northwest 

Portland, Oregon 3,000 

Chicago Opera Theatre

Chicago, Illinois 

TF 7,000 Colorado Philharmonic Orchestra 

Evergreen, Colorado 3,000 

Coordinating Council of Literary TF 7,000 Danceworks IPentacle} 3,000 

Magazines IEcco Press) New York, New York 

New York, New York 

Ensemble Studio Theater 3,000 

Creative Time TF ¿,000 New York, New York 

New York, New York 

Eureka Theatre Company 3,000 

Film Art Fund {Anthology Film Archives} TF 7,000 San Francisco, California 

New York, New York 

Foundation for Dance Promotion 3,000 

Franklin Furnace Archives TF 7,000 New York, New York 

New York, New York 

House Foundation for the Arts 3,000 

Kentucky Opera Association TF 5,800 New York, New York 

Louisville, Kentucky 

Independent Eye 3,000 

Los Angeles Contemporary Exhibitions

Los Angeles, California 

TF 3,200 Lancaster, Pennsylvania 

Lyric Opera of Kansas City 

Kansas City, Missouri 

TF 6,800 

Institute of the American West 

Sun Valley, Idaho 

3,000 

Pennsylvania Opera Theatre 

Philadelphia, Pennsylvania 

TF 1,000 

International Art of Jazz 

Stony Brook, New York 

3,000 

Social avd Public Arts Resource Center TF 3,000 

Jenkins (Margaret} Dance Company 

San Francisco, Ca[ifornia 

3,000 

Venice, California 

Teachers and Writers (Sun Press) TF 7,000 

Long Island Philharmonic Society 

Huntington, New York 

3,000 

New York, New York 

Washington Project for the Arts TF 7,000 

Mabou Mines Development Fund 

New York, New York 

3,000 

Washington, D.C. 
Advancement 278 

MinnesotaComposers Forum 

St. Paul, Minnesota 

Monadnock Music 

Peterborough, New Hampshire 

3,000 

3,000 

The following Advancement participants were 

awarded either full or partial installment of funds for 

carrying out their multi-year plan as submitted to the 

Endowment at the end of their Preparatory Stage: 

Academy of Media and Theatre Arts TF $49,061 National Council for the Traditional Arts 3,000 San Francisco, California Washington, D.C. 

and/or services TF 15,489 New Performance Gallery	 3,000 Seattle, Washington San Francisco, California 

Arte Public Press IUniversity of Houston, TF 25,755 Oberlin Dance Collective	 3,000 Central Campus) San Francisco, California Houston, Texas 

Portland Stage Company	 3,000 Asian Cine-Vision	 TF 22,189 Portland, Maine New York, New York 

Portland Symphony Orchestra	 3,000 Boston Film/Video Foundation	 TF 31,518 Portland, Maine Boston, Massachusetts 

Recorded Anthology of American Music 3,000 Chicago Opera Theatre	 TF 75,000 {New World Records) Chicago, Illinois New York, New York 

Contemporary Arts Educational Project TF 14,015 

St. Luke’s Chamber Ensemble 3,000 College Park, Maryland New York, New York 

80 Langton Street Corporation TF 37,369 St. Mark’s Church-in-the-Bowery (Danspace) 3,000 San Francisco, California New York, New York 

Film Arts Fund (Anthology Film Archives) TF 75,000 Smith (Gregg} Singers	 3,000 New York, New York New York, New York 

Film Arts Foundation TF 65,000 South Dakota Symphony Orchestra	 3,000 San Francisco, California Sioux Falls, South Dakota 

Kentucky Opera Association TF 75,000 Speculum Musicae	 3,000 Louisville, Kentucky New York, New York 

Lyric Opera of Kansas City TF 75,000 Theatre de la Jeune Lune	 3,000 Kansas City, Missouri Minneapolis, Minnesota 

Music Theatre Group ILenox Arts Center) TF 60,000 Traveling Jewish Theater	 3,000 New York, New York San Francisco, California 

Pennsylvania Opera Theatre TF 60,000 Victory Gardens Theater	 3,000 Philadelphia, Pennsylvania Chicago, Illinois 

Poets and Writers (Persea Books} TF 25,000 Wagoner ¡Dan} Dance Foundation	 3,000 New York, New York New York, New York 

Social and Public Arts Resource Center TF 41,089 

Venice, C-alifornia 

Washington Project for the Arts TF 74,900 

Washington, D.C. 

Program funds: $650,000 

2 grants 

Sommerfeld {Richard) Associates	 To provide up to 272 Advancement evaluation reports for fiscal $187,000 

Washington, D.C.	 1984 applicants in the fields of dance, folk arts, music and

theater and to continue coordinating and monitoring the work of 

the Advancement field consultants working with the 29 fiscal 

1983 Advancement participants in the field of literature, media 

arts, opera-musical theater, and visual arts. 

Sommerfeld {Richard) Associates	 To coordinate and monitor the work of Advancement field con- 463,000 

Washington, D.C.	 sultants in connection with Preparatory Stage activities for 36 

fiscal 1984 Advancement participants in the fields of dance, folk 

arts, music and theater. 

TF-Treasury Funds 

277 

Fellowsh~p Program for Arts Managers
 

National Endowment 

h;-,- sPro"ram 

for Arts Managers 

l- ,, l.~~,~enows

Abele, Elizabeth 

Brooklyn, New York 

Aldrich, Alexander 

New Haven, Connecticut 

Amhaus, Dean R. 

Cudahy, Wisconsin 

Baez, Griselle 

Carolina, Puerto Rico 

Caploe, Andrew 

Tenafly, New Jersey 

Carter, Julie D. 

Lafayette, Louisiana 

Celsor, Sharon 

Cincinnati, Ohio 

Cestello, Christine 

Washington, D.C. 

Crossley, Kenneth V. 

Springville, Utah 

"Davis, JuliaA. 

Asheboro, North Carolina 

Davis, Timothy 

Urbana, Illinois 

Drummond, Robin 

Washington, D.C. 

Ernstoff, Jeffrey N. 

New York, New York 

Foley, Johanna C. 

New York, New York 

Foltz-Gray, Dorothy 

Knoxville, Tennessee 

Ford, Patricia 

Allston, Massachusetts 

Fotis, Linda D. 

Bethesda, Maryland 

Hendricks, Joan 

Billings, Montana 

Humphrey, Steven 

Seattle, Washington 

Levine, Ruth 

Bethesda, Maryland 

To provide promising arts managers with a national overview of arts activities, acquaint participants with Endowment policies, and encourage 

them to bring fresh insights to the Endowment. Due to the timing of 

fellowship sessions, all grants under this Program are awarded as Chairman’s Actions. 

Program funds: $131,428 

34 grants 

To participate asa Fellow in the Dance Program during the fall $3,370 

session. 

To participate asa Fellow in the Office of Public Affairs during 3,575 

the summer session. 

To extend an Arts Management Fellowship to complete projects 1,950 

for the Fellowship Program. 

To participate as a Fellow in the Office for Special Constituen­ 3,902 

cies during the fall session. 

To participate asa Fellow in the Office of Public Affairs during 3,500 

the fall session. 

To participate as a Fellow in the Office of Policy and Planning

during the summer session. 

3,700 

To participate asa Fellow in the Folk Arts Program during the

fall session. 

3,450 

To participate asa Fellow in the Design Arts Program during 3,300 

the fall session. 

To participate asa Fellow in the Inter-Arts Program during the 3,956 

summer session. 

To extend Ms. Davis’s fellowship in the Endowment’s

Fellowship Program for Arts Managers. 

14,619 

To participate asa Fellow in the Expansion Arts Program during the summer session. 

3,550 

To participate as a Fellow in the Inter-Arts Program during the 3,300 

fal] session. 

To extend Mr. Ernstoff’s fellowship in the Office of Policy, Plan­ 1,320 

ning, and Research. 

To participate asa Fellow in the Dance Program during the sum­ 3,500 

mer session. 

To participate as a Fellow in State Programs during the summer 3,680 

session. 

To participate asa Fellow in the Office for Private Partnership 3,625 

during the fall session. 

To participate asa Fellow in the Opera-Musical Theater Pro­ 3,300 

grato during the summer session. 

To participate asa Fellow in the Office for Public Partnership 4,020 

during the fall session. 

To participate asa Fellow in the Opera-Musical Theater Pro­ 4,000 

grato during the fall session. 

To participate as a Fellow in the Office of the Deputy Chairman 3,300 

for Programs during the summer session. 
278 Fellowsbips 

Lignelli, Ronald
 

Alexandria, Virginia
 

McLaughlin, Michael
 

Charleston, South Carolina
 

Miller, Maureen
 

Sacramento, California
 

Moore, Michael
 

Spokane, Washington
 

Rhodes, Noel
 

Davidson, North Carolina
 

Richards, Martha S.
 

Minneapolis, Minnesota
 

Ripple, Kate
 

Madison, Wisconsin
 

Romo, Terezita
 

Sacramento, California
 

Sapora, Rebecca
 

Takoma Park, Maryland
 

Sobe, Carrie L.
 

Takoma Park, Maryland
 

Sullivan, Linda
 

New York, New York
 

Swartzberg, Ann
 

Culver City, California
 

Taft, Ann C.
 

Bowling Green, Kentucky
 

Yancey, Patty A.
 

Homer, Alaska
 

To participate asa Fellow in the Artists in Education Program

during the summer session. 

3,300 

To participate asa Fellow in the Locals Test Program during the 

fall session. 

3,650 

To participate asa Fellow in the Literature Program during the 

fall session. 

4,150 

To participate asa Fellow in the Visual Arts Program during the 

fall session. 

4,150 

To participate asa Fellow in the Office of Policy and Planning 

during the fall session. 

3,495 

To participate asa Fellow in the Office for Private Partnership

during the summer session. 

3,800 

To participate asa Fellow in the Research Program during the 

fall session. 

3,500 

To participate asa Fellow in the Expansion Arts Program during the fall session. 

4,194 

To participate as a Fellow in the International Program during 

the fall session. 

3,300 

To participate asa Fellow in the Music Program during the summer session. 

3,300 

To participate asa Fellow in the Visual Arts Program during the 

summer session. 

3,390 

To participate asa Fellow in the Music Program during the fall 

session. 

4,060 

To participate as a Fellow in the Folk Arts Program during the

summer session. 

3,700 

To participate asa Fellow in the Design Arts Program during 

the summer session. 

4,522 
279 

International
 

"The poet Ghalib" (Mughal), a painting on loan from Delhi’s Red Fort Museum, displayed at the Metropolitan Museum of Art as 

part of Festival of India, a nationwide celebration of India’s performing and visual arts. Photo: Sheldan Collins 
280 

Internati~nal ~ants
 

International
 

Arts Activities
 

Asian Cultural Council 

New York, New York 

Institute for Art and Urban 

Resources (P.S. 1} i 

Long Island City, New York 

Interagency Activities 

Washington, D.C. 

Japan-United States Friindship 

Commission 

Washington, D.C. 

Japan-United States Friendship 

Commission 

Washington, D.C. 

Kulchur Foundation 

New York, New Y~rk 

Petersen, Robert 

Washington, D.C. 

* Chairman’s Action 

To broaden the exposure of American artists and audiences to international 

~ts activities and cooperate with other federal agencies in international activities highlighting American arts. 

Program funds: $178,194 

7 grants 

For the Festival of India 1985-86, including a series of exhibi- $15,000 

tions, performances, symposia, and other events to familiarize 

the American public with the art, culture, and history of India,

organized by the Indo-U.S. Subcommission on Education and 

Culture. 

25,000 For preparation in the U.S. for the American exhibition shown at

the Paris Biennale in the spring of 1985. 

For support of international interagency activities in coopera- 3,279 

tion with the United States Information Agency and the JapanU.S. Friendship Commission. 

For the 1984 U.S./Japan Exchange Program, which enabled tire 63,000 

mid-career American artists to work and study in Japan. 

44,500 For the 1985 U.S./Japan Exchange Program, whch enabled five 

mid-career American artists to work and study in Japan. 

5,000 For the participation of American and French poets in a poetry 

festival at the Museum of Modern Art in New York. 

To extend Mr Petersen’s fellowship in the International 16,015

6,400* Program. 
Research Grants 

Davis, Julie A. 

Asheboro, North Carolina 

Evaluation Technologies 

Arlington, Virginia 

Evaluation Technologies

Arlington, Virginia 

Maryland, University of 

College Park, Maryland 

Publishing Center for

Cultural Resources 

New York, New York 

Rio, Janice A. 

Park Ridge, Illinois 

Young IArthur) and Company 

Washington, D.C. 

~pec~m rrojec~s 

American Association of Museums 

Washington, D.C. 

Arts Assembly of Jacksonville 

Jacksonville, Florida 

Business Volunteers for the Arts 

San Francisco, California 

Chernikoff and Company 

Washington, D.C. 

Cultural Arts Council of Houston 

Houston, Texas 

Georgetown University 

Washington, D.C. 

To assist the Endowment, artists, arts organizations, and the public by 

developing, analyzing, and disseminating new information on the needs

and conditions of the arts field. 

Program funds: $538,568 

7 grants 

To extend Ms. Davis’s fellowship in the Research Division. $4,100" 

To continue evaluation studies in the Endowment’s Design Arts, 66,000 

Inter-Arts, and Literature Programs. 

To amend a previous contract for pflot studies of program 17,485 

evaluation concerning the Design Arts, Inter-Arts, and 

Literature Programs. 

For the Survey Research Center at the University of Maryland 282,569 

to begin the second Survey of Public Participation in the Arts, to 

take place in 1985 as follow up to survey taken in 1982. 

To amend a previous grant for continued development of a pilot 29,946 

program of viable nonprofit publishing in the arts. 

To extend Ms. Rio’s fellowship in the Office of Policy, Planning, 4,468*
 

and Research.
 

For a contract to evaluate and assess the fundraising capacity, 200,000 

management, board strength, financial position, and potential 

impact of a grant for 171 Challenge Grant applicant institutions 

during 1984 and to assess the fundraising potential and general 

fundraising climate for 15 communities. 

To support innovative and exemplary projects relating to cross~iscipline 

and/or arts information needs that have broad impact on arts fields but ate 

not eligible under other categories. 

Program funds: $193,903 

12 grants 

To amend a previous cooperative agreement to provide for final $2,925 

writing, editing, typesetting, distribution, and promotion of $17,125" 

Business and the Arts: How They Meet the Challenge. 

To research and write a publication to demonstrate how the arts 7,500 

enhance Jacksonville, both economically and in terms of livabflity, to stimulate new and increased private sector support for 

the arts in the city. 

To research, write, distribute, and promote a publication for 15,000 

tourists on arts in the Bay Area, an arts and business publication to highlight private sector support of the arts, anda slide

presentation to encourage businesses of all levels to support the 

arts. 

To undertake a study of the economic environment of the major 23,665 

private arts and cultural groups in the nation’s capital region. 

To write and edit the text fora city arts publication and the 7,500 

script for an accompanying slide presentation. 

For an outstanding arts administrator to complete projects in 28,098 

the Office for Private Partnership. 
282 Researcb 

40,000 Marx, Robert Kirk ’ To support a cooperative agreement for the production of a wellNew York, New York documented exploratory study on the economic, historic,

aesthetic, and organizational issues that affect musical theater 

and its future production prospeets. 

23,000

Metropolitan Arts Commission To support a cooperative agreement for the production of a

publication on the arts and their support in Portland, 0regon, as of Portland the second in a series begun with the booklet, Baltimore: The Portland, Oregon Arts in a Proud City. 

10,650" For the People’s School of Dramatic Arts, a performing arts pro­ People’s Theater Coalition fessional training program for low-income and minority in- San Francisco, Cali’forrda dividuals provided through this consortium of professional 

theater companies. 

7,500 To support the writing, editing, and photography fora brochure Philadelphia, City of, 

Council for Progress to identify private sector arts support strategies that make

Philadelphia, Pennsylvania	 Philadelphia a unique model of partnership to encourage other


cities to create similar programs.
 

3,440 Rodriquez, Joe Bastida To amend a previous cooperative agreement to complete proWashington, D.C. jects for the Natlonal Endowment s D~wsm of Civil Rights. 

7,500* For the writing and editing of a chronological history of the En- Steis, Drew dowment in conjunction with the twentieth anniversary of the Great Falls, Virginia agency. 

Regional	 To enable Regional Representatives to provide assistance and information
 

Representatives to artists, arts organizations, and the Endowment.


Program funds: $769,952 

7 Regional Representatives 

$104,389 Affiliated State Arts Agencies For a cooperative agreement for Romalyn Tilghman to serve as

Regional Representative for the Plains States from August 1984 of the Upper Midwest 

Minneapolis, Minriesota through July 1985.

120,590 Cultural Council Foundation For a cooperative agreement for John Wessel to serve as

New York, New York Regional Representative for the Northeast States and Caribbean

Region from August 1984 until December 1, 1984, at which date 

,Ellen Thurston assumed the position through July 1985. 

89,036 Kansas City Association of For a cooperative agreement for Bertha Masor to serve as

Trusts and Foundations Regional Representative for the Great Lakes States from

Kansas City, Missouri August 1984 through July 1985.

55,422 Mid-Atlantic To amend a previous cooperative agreement for Adrian King to States Arts serve as Regional Representative of the Mid-Atlantic and Mid- Consortium 

Baltimore, Maryland South states from October 1983 through September 1984.

86,858 Mid-Atlantic States Arts For a cooperative agreement for Adrian King to serve as

Regional Representative of the Mid-Atlantic and Mid-South Consortium 

Baltimore, Maryland	 states from August 1984 through July 1985. 

103,446 For a cooperative agreement for Robert Hollister to serve as Southern Arts Federation Regional Representative of the Southern and Gulf States from Atlanta, Georgia . August 1984 until October 22, 1984, at which date E. Henry 

Willett, III assumed the position through July 1985. 

102,027

Western States Axts Foundation For a cooperative agreement for Virginia Torres to serve as

Regional Represen, tative of CaliforrLia, Alaska, and the Pacific Santa Fe, New Mexico Islands from August 1984 through July 1985. 

108,184 Western States Arts Foundation For a cooperative agreement for Terry Melton to serve as

Regional Representative of the Western States from August Santa Fe, New M~xico 1984 through July 1985. 

* Chairman’s Action 
283 

Special Constitmmies
 

Bonsai, performed by the Dancers of the Third Age, a company from The Dance Exchange, Washington, D.C. 

Photo: Dennis Deloria 
284 

For technical assistance projects by artists and arts organizations to make ~~~¢~ec~, the arts more accessible to disabled people; older adults; veterans; and

people in hospitals, mental institutions, and correctional facilities. ~onstitu~ies Prog~om fond~: ~~~,0~~ 

American Institute of Architects 

Washington, D.C. 

Barrier Free Environments 

Raleigh, North Carolina 

Institution Programs

Washington, D.C. 

Interagency Activities 

NewYork, NewYork 

Landscape Architecture Foundation 

Washington, D.C. 

Model Projects 

National Council on the Aging

Washington, D.C. 

Opera America

Washington, D.C. 

For the printing costs of a design guide to educate and assist 

architects and other designers in the development of effective 

design for older people. 

$19,803 

To amend a previous contract to provide a program evaluation 

workbook to serve asa companion piece to the The Arts and 504 

handbook. 

11,990 

For a contract to organize and establish two artist-in-residence 

(AIR) programs by October 1, 1984 in federal correctional institutions, including training seminars for participating artists. 

4,500 

To support interagency activities of the Office for Special Constituencies, including an Arts Advisory Panel at the 

Metropolitan Museum of Art as part of an effort with the President’s Committee on Employment of the Handicapped. 

2,779 

To amend a previous contract to support the increased costs of 

convening the Symposium on Access to Cultural Programs. 

4,000 

The following model projects assist and demonstrate ways for arts groups 

to make the arts more available to disabled, older, and institutionalized 

populations. Model projects are documented and disseminated to the field 

through the Office for Special Constituencies. Organizations ate encouraged to include special constituencies in their regular programming, rather 

than develop separate programs that segregate them. A total of $58,250 in 

program funds supported the model projects. 

Listed with the Inter-Arts grants under "Services to the Field." $30,000 

Listed with the Opera-Musical Theater grants under "Services 28,250 

to the Arts." 

286 

~ovombo~ 1988 Sta~ ~Mi~sion 

Preamble 

Throughout the ages, man has striven to go beyond 

the limits of the immediate physical world to create 

that which was not there before and thus nourish the 

human spir.it. 0ur first record of man’s perception 

of the world around him was through art scratched 

on cave walls, carved in stone, or modeled in clay. 

Man’s need to make, experience, and comprehend art 

is as profound as his need to speak. It is through art 

that we can understand ourselves and our potential. 

And it is through art that we will be understood and 

remembered by those who will come after us. 

This nation’s governance is based on our people’s 

commitment to freedom of imagination, thought, and 

expression. 0ur many aesthetic and cultural traditions are precioUs to us--for the rich variety of their 

beauty and asa’ symbol of the diverse nature of the 

United States. 

Primary support for the arts has always come 

directly from the people of this nation: artists in 

localities all across the country who create and sustain the arts, and contributors who support the arts 

out of conviction andas a matter of civic and regional 

pride, 

It was in this context that the National Foundatíon on the Arts and the Humanities Act was enacted 

in 1965. The C0ngress found that "the encouragement and support of national progress and scholarship in the humanities and the arts, while primarily 

a matter of private and local initiative, is also an appropriate matter of concern to the Federal Government..." 

The Congress also found that "while no government can calla great artist or scholar into existence, 

it is necessary and appropriate for the Federal 

Government to help create and sustain not only a 

climate encouraging freedom of thought, imagination, 

and inquiry, but also the material conditions 

facilitating the release of this creative talent..." 

Mission 

The mission of the National Endowment for the 

Arts is: 

 ̄ to foster the excellence, diversity, and vitality 

of the arts in the United States; and 

 ̄ to help broaden the availability and appreciation of such excellence, diversity, and vitality, 

In implementing its mission, the Endowment must 

exercise care to preserve and improve the environment in which the arts have flourished. It must not, 

under any circumstance, impose a single aesthetic 

standard or attempt to direct artistic content, 

Implementation 

Who: The Endowment assists individual artists, 

those who act on behalf of artists or audiences, 

organizations whose primary intention is artistic or 

educational, and state and local arts agencies. 

Demonstrated or potential excellence and capacity 

to conceive, develop, or presenta work of art are 

primary criteria. 

What: Endowment activities: 

 ̄ Demonstrate national recognition of the importance of artistic excellence; 

 ̄ Provide opportunities for artists to develop 

their talents; 

° Assist in the creation, production, presentation/exhibition of innovative and diverse work that 

has potential to affect the art form and directly or 

indirectly result over time in new art of permanent 

value; 

° Assure the preservation of our cultural heritage; 

 ̄ Increase the performance, exhibition, and 

transmission of art to all people throughout the 

nation; 

 ̄ Deepen understanding and appreciation of the 

arts among all people nationwide; 

° Encourage serious and meaningful art programs as part of basic education; 

 ̄ Stimulate increasing levels of non-federal support of the arts; 

 ̄ Improve the institutional capacity of the best 

of our arts organizations to develop, produce, present, and exhibit bold and varied fare; and 

° Provide information about the arts, their artistic and financial health, and the state of their 

audiences. 

How: The Endowment, in conjunction with private 

and public partners, carries out its mission through 

grants programs anda wide range of leadership and 

advocacy activities. The Endowment also serves as 

a national forum to assist in the exchange of ideas 

andas a catalyst to promote the best developments 

in the arts and education about them. The Endowment’s grants programs include individual, project, 

and longer-term institutional support. 

Endowment decision-making is guided by peer 

panel review and the National Council on the Arts 

and by additional advice from the artistic fields and 

their public and private supporters. The Endowment 

works closely with its public partners (the state and 

local arts agencies) to reflect regional, state, and local 

perspectives and assist cooperation in implementation of government arts support programs. The Endowment’s programs are aimed at benefitting all people of this nation,regardless of sex, race, creed, national origin, handicap, age, or habitat. 
287 

Artists in Education 

T.J. Anderson William Fox Vonnie Sanford 

Professor of Music Writer, editor, poet Artists in Education 

Tufts University Executive Director Coordinator 

Winchester, Massachusetts Nevada State Council on Ohio Arts Council 

Hector Campos-Parsi 

the Arts 

Reno, Nevada Columbus, Ohio 

Composer John Scarcelli 

Executive Director Bonnie Pitman Gelles Professor of Fine Arts 

Department of Music

Documentation 

Director of Education 

Seattle Art Museum University of Maine 

Chairman 

University of Puerto Rico 

Cayey, Puerto Rico Seattle, Washington Maine State Commission on the 

Arts and Humanities 

Charles Clark 

Robert Huffman 

Recent Chairman Farmington, Maine 

Media artist, poet 

Sapulpa, Oklahoma 

Tennessee Arts Commission 

and Southern Arts Federation 

Jack Stefany

Architect 

Shirley Trusty Corey 

Supervisor 

Arts in Education 

Personnel Manager 

Proctor and Gamble 

Jackson, Tennessee 

McLevy, Jennewein, 

Stefany, and Howard 

Tampa, Florida 

New Orleans Public Schools 

New Orleans, Louisiana 

Jock Reynolds 

Visual artist 

Robin Tryloff 

Executive Director 

Executive Director Nebraska Arts Council 

Amina Dickerson 

Assistant Executive Director Washington Project 

for the Arts 

Omaha, Nebraska 

Afro-American Historical 

and Cultural Museum 

Philadelphia, Pennsylvania 

Washington, D.C. Joan Woodbury 

Dancer and Choreographer 

Ririe-Woodbury Dance Company 

Professor of Modern Dance 

University of Utah 

Salt Lake City, Utah 

Dance 

Anne Alexander 

Vice President for 

Educational Programs 

AT&T Foundation 

New York, New York 

Sage Cowles 

Dancer, choreographer

Trustee of Cowles Foundation 

Minneapolis, Minnesota 

Camille Hardy 

Dance critic and writer 

Chicago, Illinois 

Nancy Mason Hauser 

Lynn Dally Filmrnaker, dance critic 

Robert Altman 

General Manager of WHYY 

Philadelphia, Pennsylvania 

Artistic Director 

Lynn Dally Dance Company 

Los Angeles, Callfornia 

Los Angeles, Callfornia 

Ken Hertz 

Executive Director 

Charles Atlas Laura Dean Atlanta Ballet 

Filmmaker 

New York, New York 

Choreographer, composer 

Artistic Director of Dean Atlanta, Georgia 

Mary K. Bailey 

Arts consultant 

Los Angeles, California 

Dance and Music Foundation 

New York, New York 

Steve Dennin 

Barbara Horgan 

Director of Special Projects 

New York City Ballet 

New York, New York 

Executive Director 

Art Becofsky 

Executive Director Twyla Tharp Dance Foundation 

New York, New York 

Ian Horvath 

Artistic Director 

Cunningham Dance Foundation Cleveland Ballet 

New York, New York Carolyn Evans 

Dance consultant 

Cleveland, Ohio 

Trisha Brown San Francisco, California Bert Houle 

Artistic Director Artistic Director 

Trisha Brown Dance Company 

New York, New York 

Garth Fagan 

Artistic Director Bert Houle Mime Company 

San Francisco, Callfornia 

Bucket Dance Company 

Lucinda Childs Rochiiter, New York Bill T. Jones 

Artistic Director Artistic Director 

Lucinda Childs Dance Company 

New York, New York 

Joel Garrick 

Consultant 

Foundation for Dance Promotion 

New York, New York 

New York, New York 

Martha Clarke Jane Koock 

Artistic Director Arthur Hall Dance consultant 

Crowsnest Artistic Director Austin, Texas 

Milford, Connecticut Afro American Dance Company 

Philadelphia, Pennsylvania 
288 Advisory Panels 

Phyllis Levine 

Executive Director 

Association of Ohio Dance 

Companies 

Cleveland, Ohio 

Murray Louis 

Artistic Director 

Murray Louis Dance Company 

New York, New York 

Hoyt T. Mattox 

General Manager 

Society for Performing Arts 

Houston, Texas 

Arthur Mitchell 

Artistic Director 

Dance Theatre of Harlem 

New York, New York 

Meredith Monk 

Artistic Director 

House Foundation 

New York, New York 

Richard O. Moore 

General Manager of KTCA-TV 

St. Paul, Minnesota 

Design Arts 

Kent Abraham 

Architect 

Principal 

A÷B+S+ Architects Group

Washington, D.C. 

Pamela Baldwin 

Interior Designer 

Principal 

Baldwin/Clarke Associates 

San Francisco, California 

Alan Balfour 

Professor and Director 

Graduate Programs in

Architecture 

Georgia Institute of 

Technology 

Atlanta, Georgia 

Saul Bass 

Filmmaker 

President 

Saul Bass/Herb Yager 

Association 

Los Angeles, California 

Peter Blake 

Architectural critic 

Chairman of Department of 

Architecture and Planning 

Catholic University of America 

Washington, D.C. 

Daralice D. Boles 

Associate Editor 

Progressive Architecture 

Stamford, Connecticut 

Judith Peabody 

Chairman of the Board 

Dance Theater of Harlem 

New York, New York 

Tina Ramirez 

Artistic Director 

Ballet Hispanico of New York 

New York, New York 

Philip Semark 

General Manager 

Spoleto Festival USA 

Charleston, South Carolina 

Allegra Fuller Snyder 

Chairwoman and Professor 

Department of Dance 

UCLA 

Los Angeles, California 

Gus Solomons 

Artistic Director 

Solomons Company/Dance 

New York, New York 

Kent Stowell 

Artistic Director 

Pacific Northwest Ballet 

Seattle, Washington 

Juan Bonta 

Architect, researcher 

Professor of Housing and 

Design 

Affiliate Professor of 

Architecture 

College of Human Ecology 

University of Maryland 

College Park, Maryland 

Harold Borkin 

Architect, computer expert 

Professor 

College of Architecture and 

Urban Planning 

University of Michigan 

Ann Arbor, Michigan 

Michael Brill 

Architect, researcher 

Professor of Environmental 

Design 

SUNY at Buffalo 

Buffalo, New York 

Robert Campbell 

Architect and Architecture 

Critic 

Boston Globe 

Boston, Massachusetts 

Donald Canty 

Editor of Architecture 

American Institute of 

Architects 

Washington, D.C. 

Morison Cousins 

Industrial/graphic designer 

President of Morison S. 

Cousins and Associates 

New York, New York 

Ivan Sygoda 

Director 

Pentaclo 

New York, New Y~rk 

Liz Thompson 

Executive Director 

Jacobs Pillow Dance Festival 

Lee, Massachusetts 

Violette Verdy 

Ballet consultant~ and teacher 

New York, New York 

Dan Wagoner 

Artistic Director 

Dan Wagoner and Dancers 

New York, New York 

Suzanne Weil 

Senior Vice President 

of Programming for PBS

Washington, D.C. 

Roland Wilson 

Producing Director and 

General Manager 

Musical Hall for the 

Performing Arts 

Detroit, Michigan 

Stuart O. Dawson 

Landscape Architect, 

Urban designer 

Principal of Sasaki Associates 

Watertown, Massachusetts 

Barbaralee Diamonstein 

Writer, editor, TV interviewer 

President of Manifestations 

New York, New York 

Ronald Druker 

Developer 

President of Druker Company 

Boston, Massachusetts 

Susan R. Eason 

Graphic Designer

Preæident 

Eason Associates, Inc. 

Washington, D.C. 

Paul Friedberg 

Landscape architect

Principal of M. Paul Friedberg 

and Partners 

New York, New York 

Murray Grigor 

Independent filmmaker 

New York, New York 

Hugh Hardy 

Architect 

Partner of Hardy, Holzman, 

Pfeiffer Associates 

New York, New York 

Anne Hawley 

Executive Director 

Massachusetts Council on the 

Arts and Humanities 

Boston, Massachusetts 
Advisory Panels 289 

Don Hisaka John Morning Dale D. Smith 

President of Don M. Hisaka 

and Associates, Architects 

Graphic designer 

President 

Architect, interior designer

President 

Cambridge, Massachusetts John Morning Design, Inc. Dale D. Smith Associates 

Karen Hobson 

New York, New York Architecture, Planning, 

Interior Design 

Real estate developer Nicholas Negroponte Dayton, Ohio 

Associate of First Boston 

Real Estate and Development Director of Media Laboratory 

and Professor of Media Donald J. Stastny 

Corporation

New York, New York Technology 

Masachusetts Institute of 

Architect, urban designer 

Principal and Director 

Dennis Jones 

Architect, computer expert

Associate professor of 

Technology 

Cambridge, Massachusetts 

Michael Newman 

of Design 

Stastny Architects 

Portland, Oregon 

Architecture Architect Susanna Torre 

Mississippi State University 

Mississippi State, Mississippi Principal 

Newman and Jones, PA 

Chairman 

Architect, urban designer 

Partner 

The Architectural Studio 

Michael Kwartler 

Architect, urban designer 

Associate Professor 

North Carolina Arts Council 

Winston-Salem, North Carolina 

New York, New York 

Joan Truckenbrod 

School of Architecture 

Rensselaer Polytechnic George Notter 

President and Director 

Computer graphic designer 

Associate Professor and Head 

Institute 

Troy, New York of Design 

Notter Finegold 

of Art and Technology Area 

School of the Art Institute 

M. David Lee 

Architect, urban designer, 

educator 

Vice President 

Stull and Lee Incorporated 

& Alexander, Inc. 

President 

American Institute of 

Architects 

Washington, D.C. 

of Chicago 

Chicago, Illinois 

Michael Van Valkenburgh 

Landscape architect 

Assistant Professor 

Boston, Massachusetts Neil H. Porterfield Department of Landscape 

Noel Mayo 

Industrial, interior, graphics 

and exhibit designer 

President 

Noel Mayo Associates, Inc. 

Philadelphia, Pennsylvania 

Landscape architect 

Corporate Director 

HOK Planning Group

Senior Vice President 

Hellmuth, Obata, & 

Kassabaum Inc. 

St. Louis, Missouri 

Architecture 

Harvard Graduate School of 

Design 

Cambridge, Massachusetts 

Harry M. Weese 

Architect 

Katherine McCoy 

Graphic/industrial designer 

Co-Chairman 

Design Department

Cranbrook Academy of Art 

Bloomfield Hills, Michigan 

Robert W. Ross 

Chief Landscape Architect 

U.S. Forest Service 

Washington, D.C. 

Adele Santos 

Chairman of the Board 

Harry Weese and Associates 

Chicago, Illinois 

Michael Weinberger 

Architect 

President 

Mary McFadden 

Fashion designer 

President of Mary 

McFadden, Inc. 

New York, New York 

Architect, educator 

Chairman 

Department of Architecture 

University of Pennsylvania

Philadelphia, Pennsylvania 

Vermont Council on the Arts 

Woodstock, Vermont 

Richard S. Weinstein 

Architect, urban designer 

President 

Mary Means 

Historic preservationist 

Vice President 

Program Development 

National Trust for Historic 

Preservation in the 

United States 

Washington, D.C. 

Hideo Sasaki 

Landscape architect 

President 

H. Sasaki, Inc. 

Berkeley, California 

Martha Schwartz 

Landscape architect

Principal of Martha 

Richard S. Weinstein 

Associates 

New York, New York 

Larry Witzling 

Urban planner, architect

Associate Dean 

School of Architecture and 

Urban Planning 

Michael Milligan 

Graphic designer 

Schwartz, Inc. 

San Francisco, California 

University of Wisconsin 

Milwaukee, Wisconsin 

Design Arts Coordinator 

Ohio Arts Council 

Columbus, Ohio 

David Slovic 

Architect 

Owner of David Slovic 

Richard S. Wurman 

Graphic designer, architect, 

communicator 

Roger Morgan 

Theater Design Consultant 

Roger Morgan Studio 

New York, New York 

Architecture and Urban 

Design 

Philadelphia, Pennsylvania 

General Partner and Creative 

Director 

Access Press 

Los Angeles, California 
290 Adt~4sory Panels 

Expansion Arts 

Betty Allen 

Mezzo-soprano
 

Executive Director
 

Harlem School of the Arts
 

New York, New York
 

John Paul Batiste 

Poet 

Assistant Director for Programs 

Texas Commission on the Arts 

Austin, Texas 

Joy Beaton 

Senior Staff Associate 

Chicago Community Trust

Chicago, Ilfinois 

Jessie Brown 

Professor Emeritus 

Hampton Institute 

Past Chairman for Virginia 

Commission for the Arts 

Hampton, Virginia 

Maxine Brown 

Director of Sponsor Programs 

Kentucky State University

Frankfurt, Kentucky 

Mary Schmidt Campbell 

Executive Director 

Studio Museum of Harlem 

New York, New York 

Juan Carillo 

Program Coordinator 

California Arts Council 

Sacramento, California 

Fay Chiang 

Poet 

Director of Basement Workshop 

New York, New York 

Alan Chow 

Actor, dancer 

Director 

Chinese American Arts Council 

New York, New York 

Pearl Cleage 

Poet, playwright

Atlanta, Georgia 

Edward Coleman 

Professor of English 

University of Oregon 

Eugene, Oregon 

Peggy Cooper Cafritz 

Chairman of D.C. Commission 

on the Arts and Humanities 

Washington, D.C. 

William Daniels 

Director of Jubilee Community 

Arts Center 

Knoxville, Tennessee 

Carmen de Novais 

Director 

Xicanindio Artists Coalition 

Mesa, Arizona 

Miriam Colon Edgar 

Actress 

Director 

Puerto Rican Traveling Theater 

New York, New York 

Maryo Ewell 

Director of Community Programs 

Colorado Council on the Arts 

and Humanities 

Denver, Colorado 

Edmund Barry Gaither 

Director 

Museum of the National Center 

of Afro-American Artists 

Boston, Massachusetts 

Anthony Gittens 

Director of Black Film 

Institute 

University of the District 

of Columbia 

Washington, D.C. 

Sam Grabarski 

Musician 

Executive Director 

Minnesota State Arts Board 

St. Paul, Minnesota 

Wanda Harding 

Actress 

Director of Greater Knoxville 

Council on the Arts 

Knoxville, Tennessee 

James Hart 

Grants Officer
 

Detroit Council on the Arts
 

Detroit, Michigan
 

Richard Hill
 

Visual artist, painter,
 

photographer 

Manager 

Indian Art Center 

Ontario, Canada 

Makota Iwamatsu 

Actor, producer 

Artistic Director 

East West Players 

Los Angeles, California 

Woodie King 

Director, producer, filmmaker 

Director 

National Black Touring Circuir 

New York, New York 

John Kreidler 

Program Executive 

San Francisco Foundation 

San Francisco, Caliíornia 

Lewis R. LeRoy 

Painter 

Executive Director 

San Antonio Arts Council 

San Antonio, Texas 

Ruby M. Lerner 

Executive Director 

Alternate ROOTS 

Atlanta, Georgia 

Worth Long

Director 

Radio Documentary for 

Southern Regional Project 

Atlanta, Georgia 

Ralph Maradiaga
 

Filmmaker
 

Co-Director
 

Galeria de la Raza/Studio 24
 

San Francisco, California
 

Dollie McLean 

Executive Director
 

Artists Collective
 

Hartford, Connecticut
 

Diane McIntyre 

Dancer, choreographer
 

Director
 

Sounds in Motion
 

New York, New York
 

Catherine Nelles 

Assistant to the President 

and Program Officer 

C.S. Mott Foundation 

Flint, Michigan 

Katharine Pearson 

President 

Appalshop 

Whitesburg, Kentucky 

Cynthia Pitts 

Board Member 

Inner City Arts Council 

Director of Training 

Community Relations Social 

Development Commission 

Milwaukee, Wisconsin 

Tina Ramirez 

Artistic Director 

Ballet Hispanico of New York 

New York, New York 

Edmundo Rodriguez 

Executive Director 

Plaza de la Raza 

Los Angeles, California 

E’Vonne Coleman Rorie 

Management Services Director 

Greater Philadelphia Cultural 

Arts Alliance 

Philadelphia, Pennsylvania 

Victoria Sharpley 

President 

VISHINC 

Newton, Massachusetts 

George Shirley 

Tenor 

Artistic Director 

New School for the Arts 

Montclair, New Jersey 

Jack Skuce 

Skuce and Associates 

Washington, D.C. 
Advisory Panels 291 

Lenwood Sloan Eleanor Traylor Burt Woolf 

Dancer, choreographer 

Artist in Residence 

Brooklyn Academy of Music 

New York, New York 

Critic 

Professor of English 

Montgomery College 

Washington, D.C. 

President 

Burt Woolf Management 

Brookline, Massachusetts 

Carmen Zapata 

William Strickland, Jr. 

Director 

Manchester Craftsmen’s Guild 

Pittsburgh, Pennsylvania 

Lorenzo Trujillo

Dancer, choreographer 

Assistant Superintendent 

of Schools 

Jefferson County 

Actress 

Executive Director 

Bilingual Foundation 

Los Angeles, California 

Lakewood, Colorado 

Marvin Weaver 

Executive Director 

Wisconsin Arts Board 

Madison, Wisconsiu 

Folk Arts 

George Abrams 

Anthropologist

Director of Seneca-Iroquois 

National Museum 

Salamanca, New York 

Michael Moloney 

Musician, folklorist 

Philadelphia, Pennsylvania 

Carl Petrick 

Hector Vega

Ethnomusicologist 

Professor 

University of Puerto Rico 

San Juan, Puerto Rico 

Jay Anderson 

Museum specialist, folklorist 

Professor 

Department of Modern Languages 

Western Kentucky University 

Executive Secretary 

Seattle Arts Commission 

Seattle, Washington 

Ralph Samuelson 

Ethnomusicologist 

John Vlach 

Crafts specialist, folklorist

Director of Folklore Program 

George Washington University 

Washington, D.C. 

Bowling Green, Kentucky Associate Director 

Asian Cultural Council William Wilson 

Jacqueline DjeDje

Ethnomusicologist 

University of California 

Los Angeles, California 

William Ivey 

Folklorist 

New York, New York 

Adriennc Seward 

Folklorist 

Professor of English

Colorado College 

Colorado Springs, Colorado 

Folldorist, editor 

Professor of English and 

History 

Utah State University 

Logan, Utah 

Gloria Young 

Executive Director Exhibitions and Publications 

Country Music Foundation 

Nashville, Tennessee 

Nancy Sweezey 

Potter, crafts specialist 

Jugtown Pottery 

Researcher 

Philbrook Art Center 

Tulsa, Oklahoma 

Seagrove, North Carolina 

Inter-Arts 

Grant Beglarian 

Pianist 

President 

Laura Dean 

Choreographer, composer 

Artistic Director 

Linda Goode-Bryant 

Executive Director 

Just Above Midtown 

National Foundation for Dean Dance and Music New York, New York 

Advancement in the Arts Foundation 

Miami, Florida New York, New York Susan Hardy 

Director 

Theodore Berger 

Executive Director 

New York Foundation 

Terrance Demas 

Director 

George Bishop Lane Series 

Cal Performances 

University of California 

Berkeley, California 

for the Arts 

New York, New York 

University of Vermont 

Burlington, Vermont Elizabeth Hopklns 

Manager 

Willard {Sandy) Boyd 

Director 

Field Museum of 

Betty Freeman 

Arts patron

Beverly Hills, California 

Corporate Support for Programs 

and Consumer Affairs 

Philip Morris 

Natural History 

Chicago, Illinois Dianne Gallert 

Executive Director 

New York, New York 

William Jamison 

Lee Breuer League of Chicago Theatres Executive Director 

Co-Artistic Director Chicago, Illinois Western States Arts Foundation 

Mabou Mines Santa Fe, New Mexico 

New York, New York Brendan Gill 

Drama Critic Bill T. Jones 

Carolyn Brown 

Choreographer 

Millbrooke, New York 

The New Yorker 

New York, New York 

John Gingrich 

Choreographer 

Artistic Director 

Foundation for Dance Promotion 

New York, New York 

Earle Brown President 

Composer, recording engineer 

Rye, New York 

John Gingrich Management 

New York, New York 
292 Adt~~sory Panels 

Allan Kaprow 

Interdisciplinary artist 

Professor 

University of California 

San Diego, California 

Jonathan Katz 

Executive Director 

Children’s Museum 

Denver, Colorado 

Howard KIein 

Director 

Arts and HumanJties Division 

Rockefeller Foundation 

New York, New York 

Philip Larson 

Composer 

Center for Music Experiment

University of California 

San Diego, California 

Ann-Ellen Lesser 

Executive Director 

Millay Colony 

Austerlitz, New York 

Ronald Levy 

President 

AT&T Foundation 

New York, New York 

Cecil Lytle 

Chairman 

Department of Music 

University of California 

San Diego, California 

Brooke Mahoney 

Executive Director 

Volunteer Consulting Group 

New York, New York 

Robert Martín 

Musician 

Sequoia String Quartet 

Los Angeles, California 

Literature 

Alice Adams 

Fiction author 

San Francisco, California 

Michael Arlen 

Critic, writer 

New York, New York 

John Balaban 

Poet 

Translator 

Pennsylvania State University 

University Park, Pennsylvania 

John Biguenet 

Translator, educator 

Associate Professor 

Loyola University 

New Orleans, Louisiana 

Richard Bjornsen 

Translator, poet, educator 

Professor of French and 

Comparative Literature 

Ohio State University 

Columbus, Ohio 

Mary MacArthur 

Arts consultant
 

New York, New York
 

Hoyt (Toby) Mattox
 

General Manager
 

Society for the


Performing Arts
 

Houston, Texas
 

Sid McQueen 

Managing Director

Tulsa Performing Arts Center 

Tulsa, Oklahoma 

Laurence D. Miller, III 

Director 

Laguna Gloria Art Museum 

Austin, Texas 

David Nelson . 

Executive Director
 

Montana Arts Council
 

Missoula, Montana
 

Otto Piene 

Visual artist 

Director 

Center for Advanced 

Visual Studies 

Massachusetts Institute 

of Technology 

Cambridge, Massachusetts 

Jock Reynolds 

Conceptual artist 

Executive Director 

Washington Project 

for the Arts
 

Washington, D.C.
 

Robert Stearns 

Director of Performing Arts 

Walker Art Center 

Minneapolis, Minnesota 

David Bradley 

Novelist 

Associate Professor of English 

Temple University

Philadelphia, Pennsylvania 

David Damrosch 

Translator, educator 

Faculty Member 

Columbia University 

New York, New York 

Clayton Eshleman 

Poet 

Los Angeles, California 

William Fox 

Writer, editor, poet 

Executive Director 

Nevada State Council 

on the Arts 

Reno, Nevada 

William Gass 

Fiction writer, essayist 

Professor of Philosóphy 

Washington University 

St. Louis, Missouri 

Anne Truitt 

Sculptor, painter 

Professor of Art 

University of Maryland 

Washington, D.C. 

Steina Vasulka 

Multi-media artist 

Santa Fe, New Mexico 

David White 

Director 

Dance Theater Workshop 

New York, New York 

Earl Williams 

General Manager 

Emens Auditorium 

Ball State University 

Muncie. Indiana 

Jan Williams 

Percussionist, conductor, 

composer 

Chairman of Music Department 

State University of New York 

Buffalo, New York 

James Wockenfuss 

Director 

Hancher Auditorium 

University of Iowa 

Iowa City, Iowa 

Margaret Wurtele 

Manager

Corporate Contributions 

Dayton-Hudson Foundation 

Minneapolis, Minnesota 

Gerald Yoshitomi 

Executive Director 

Japanese American Cultural

and Community Center 

Los Angeles, California 

David Godine 

President 

Godine Publishing Company 

Boston, Massachusetts 

Donald Hall 

Poet, editor, educator 

Danbury, New Hampshire 

DeWitt Henry 

Editor, fiction writer, 

teacher 

Writer in Residence 

Emerson College 

Boston, Massachusetts 

Donald Justice 

Poet, educator 

Gainesville, Florida 

Philip Levine 

Poet, teacher 

California State University 

Fresno, California 
Advisory Panels 293 

Cynthia Macdonald 

Poet, Librettist 

Director 

Creative Writing Faculty 

University of Houston 

Linda Pastan 

Poet 

Professor 

American University 

Potomac, Maryland 

Gary Soto 

Poet 

Professor 

University of California 

Berkeley, California 

Houston, Texas 

Heather McHugh 

Poet, translator 

Director 

Creative Writing Program 

State University of New York 

in Binghamton

Eastport, Maine 

Lynn Nesbit 

Senior agent 

Senior Vice President 

ICM 

Margaret Peden 

Translator 

Professor of Spanish

University of Missouri 

Columbia, Missouri 

Gjertrud Schnackenberg 

Poet 

Cambridge, Massachusetts 

Irene Skolnik 

Director of Subsidiary Rights 

Harcourt Brace Jovanovich 

Primus St. John 

Poet 

West Linn, Oregon 

EHzabeth Tallent 

Fiction author 

Santa Fe, New Mexico 

Data Wier 

Poet 

Director of Graduate Studies 

University of Alabama 

Tuscaloosa, Alabama 

New York, New York New York, New York Geoffrey Wolff 

Tiro O’Brien 

Fiction author 

Cathy Song 

Poet 

Editor, fiction writer, critic 

Providence, Rhode Island 

Cambridge, Massachusetts Honolulu, Hawaii Hilma Wolitzer 

Grace Paley 

Fiction author 

Novelist 

Syosset, New York 

Professor of English 

Sarah Lawrence College 

New York, New York 

Locals Test Program 

David Speedie, Chairman

Locals Test Program 

Advisory Panel 

Senior Consultant 

Consuelo Santos Killins 

Chairman 

California Arts Council 

Sacramento, California 

William Stewart 

Managing Director 

Hartford Stage Company 

Hartford, Connecticut 

Ampersand, Inc. 

Winston-Salem, North Carolina Wayne P. Lawson 

Executive Director 

Nicholaas Van Hevelingen 

Executive Director 

Toro Boozer Ohio Arts Council St. Louis Commission for the 

Executive Director 

Acadiana Arts Council 

Lafayette, Louisiana 

Maxine Brandenburg 

Executive Director 

Chairman 

National Assembly of 

State Arts Agencies 

Columbus, Ohio 

John Lottes 

Arts and Humanities 

President 

National Assembly of 

Local Arts Agencies 

St. Louis, Missouri 

Colorado Alliance of Business 

Denver, Colorado 

President 

Minneapolis Society of 

Fine Arts 

Vivian Warfield 

Supervisor

Corporate Communication 

Henry Geldzahler 

Writer, lecturer, 

arts administrator 

Minneapolis, Minnesota 

Selina Roberts 

Chesebrough-Pond’s, Inc. 

Greenwich, Connecticut 

New York, New York 

Richard Huff 

Executive Director 

Texas Commission on the Arts 

Executive Director 

Metropolitan Arts Commission 

Portland, Oregon 

Cheryl Yuen 

Director 

Community Development 

Illinois Arts Council 

Chicago, Illinoii 

Austin, Texas 

Media Arts 

Victor Ancona 

Vídeo Art Critic 

Videography 

New York, New York 

Lyn Blumenthal 

Video artist 

Director 

Video Data Bank 

Art Institute oí Chicago 

John Carillo 

Audio engineer, independent 

producer 

San Antonio, Texas 

Jeanine Basinger 

Film historian, author 

Professor oí Film 

Wesleyan University 

Middleton, Connecticut 

Chicago, Illinois 

Skip Blumberg 

Vídeo artist 

New York, New York 

Michelle Citron 

Filmmaker, film critic 

Assistant Professor of Radio, 

Television, and Film 

Northwestern University 

Chicago, Illinois 

Peter Bergman 

Radio Producer 

Firesign Theatre 

Santa Monica, California 

Joyce Campbell 

Station Manager/Vice President 

of Programming 

WETA-TV 

Washington, D.C. 

Kathleen Collins 

Independent filmmaker 

Professor of Film History 

City College of New York 

New York, New York 
 

294 Ad~isory t’anels 

Karen Cooper 

Film exhibitor, critic
 

Director
 

Film Forum
 

New York, New York
 

Christine Downing 

Media Coordinator
 

Ohio Arts Council
 

Film Editor
 

Ohio Folklore Journal
 

Columbus, Ohio
 

Louise Etra 

Video artist
 

Associate Director
 

Etra Technology Research
 

Associates
 

Oakland, California
 

Michael Fleischman 

Filmmaker 

Director 

Media Arts Center 

South Carolina Arts Commission 

Columbia, South Carolina 

Douglas Gomery
 

Associate Professor of Film
 

University of Maryland
 

College Park, Maryland
 

J. Ronald Green
 

Professor
 

Department of Photography
 

and Cinema
 

Ohio State University
 

Columbus, Ohio
 

David Griffiths 

Television producer 

Vice President 

ITTC/Unitel/Beta Film 

New York, New York 

Thomas Hardy 

Project Director 

Corporation for Public

Broadcasting 

Washington, D.C. 

Al Hulsen 

General Manager 

KHPR-FM 

Honolulu, Hawan 

Linda Klosky 

Experimental filmmaker 

Santa Fe, New Mexico 

Bill Kobin 

President and Chief 

Executive Officer 

KCET-TV 

Los Angeles, California 

Museum 

Ross Anderson 

Director 

Montgomery Museum of Fine Arts 

Montgomery, Alabama 

James Balllnger 

Director 

Phoenix Art Museum 

Phoenix, Arizona 

Jonathan Korty 

Film director, writer,
 

producer
 

Mili Valley, California
 

Susan Leonard 

Exhibition Coordinator 

Media Arts Center 

South Carolina Arts Commission 

Columbia, South Carolina 

James Limbacher
 

Film historian, author
 

Dearborn, Michigan
 

Louise Lo 

Filmmaker 

Project Director 

National Asian-American 

Telecommunications 

Association 

San Francisco, California 

Tom Luddy 

Director of Special Projects 

Zoetrope Studios 

San Francisco, California 

Marge Myers 

Director of Media and 

Special Projects 

Pennsylvania Council 

on the Arts 

Harrisburg, Pennsylvania 

Pamela Michaelis 

Director of Development 

Minnesota Public Radio 

St. Paul, Minnesota 

Charles Michener 

Critic, author
 

New York, New York
 

Richard O. Moore
 

General Manager
 

KTCA-TV
 

St. Paul, Minnesota 

Robert Ottenhoff 

General Manager
 

WGBO-FM
 

Newark, New Jersey
 

Stevenson Palfi 

Video artist
 

New Orleans, Louisiana
 

John Ptak
 

Talent agent
 

Vice President of Motion
 

Pictures
 

William Morris Agency
 

Los Angeles, Caiifornia
 

Milton Bloch 

Director 

Mint Museum of Art 

Charleston, South Carolina 

Luis Cancel 

Director 

Bromx Museum of the Arts 

Bronx, New York 

David Ross 

Director 

Institute of Contemporary Art 

Boston, Massachusetts 

Tony Safford 

Film Programmer
 

Exhibition Division
 

American Film Institute
 

Washington, D.C.
 

Christopher Sarson 

Television producer
 

Englewood, New Jersey
 

Helen Secondari
 

Television producer
 

New York, New York
 

Daniel Selznick 

Film and television producer
 

President
 

Louis B. Mayer Foundation
 

Beverly Hills, California
 

Tom Sherman
 

Vídeo artist
 

Media Officer
 

Canada Council on the Arts
 

Ottawa, Ontario, Canada
 

Joan Shikegawa 

Television producer 

Co-Executive Director 

Tuscany Productions 

New York, New York 

Robert Sitton 

Arts administrator, educator 

Portland, Oregon 

John Sonneborn 

President 

Reel Images 

Easton, Connecticut 

Daniel Taradash 

Screenwriter 

Beverly Hills, Californía 

Cicely Tyson 

Actress 

New York, New York 

Melinda Ward 

Film exhibitor, educator, 

television producer 

Minneapolis, Minnesota 

Robert Wisdom 

Radio producer 

Washington, D.C. 

Charles Chetham 

Director 

Museum of Art 

Smith College 

Northampton, Massachusetts 

Michael Conforti 

Curator 

Minneapolis Institute of Arts 

Minneapolis, Minnesota 
Advisory Panels 295 

Hugh M. Davies 

Director 

La Jolla Museum of 

Contemporary Art 

La Jolla, California 

Jan Fontein 

Director 

Museum of Fine Arts 

Eric S. McCready 

Director 

Huntington Art Gallery 

Professor of Art 

University of Texas 

Austin, Texas 

Ward Mintz 

Director of Art Museums 

David Saltonstall 

Program Director

Andrew W. Mellon Foundation 

New York, New York 

Thomas Schorgl 

Executíve Director 

Indiana Arts Commission 

Indianapolis, Indiana 

Boston, Massachusetts New York State Council 

on the Arts John R. Spencer 

Barbara K. Gibbs 

Director 

Crocker Art Museum 

Sacramento, California 

Alarma Heiss 

New York, New York 

John Hallmark Neff 

Art Advisor 

First National Bank of Chicago 

Chicago, Illinois 

Director 

Duke University Art Museum 

Chairman 

Department of Art 

Duke University 

Durham, North Carolina 

Director of P.S.1 

Institute of Art and 

Urban Resources 

New York, New York 

Nancy Padnos 

Member 

Massachusetts Council 

on the Arts 

Kenneth Starr 

Director 

Milwaukee Public Museum 

Milwaukee, Wisconsin 

Richard Hill 

Visual artist, painter,

photographer 

Director 

Atlatl, Inc. 

Sanborn, New York 

Boston, Massachusetts 

Earl A. Powell, III 

Director 

Los Angeles County Museum of Art 

Los Angeles, California 

Ida Talalla 

Program Analyst 

New York State Arts Council 

New York, New York 

David Travis 

Janet Kardon 

Director 

Institute of Contemporary Art

University of Pennsylvanía 

Philadelphia, Pennsylvania 

Stephen Prokopoff 

Director 

Krannert Art Museum 

University of Illinois 

Champaign, Illinois 

Curator of Photography 

Art Institute of Chicago 

Chicago, Illinois 

Bret Waller 

Director 

Solomon Katz 

Member 

Board of Trustees 

Oiga Raggio 

Curator 

Metropolitan Museum of Art 

Memorial Art Gallery

University of Rochester 

Rochester, New York 

Seattle Art Museum 

Seattle, Washington 

Lyndel King 

Director 

New York, New York 

Brenda Richardson 

Assistant Director for Art 

Baltimore Museum of Art 

Peter Waters 

Restoration Officer 

Library of Congress 

Washington, D.C. 

University Art Museum 

University of Minneapolis

Minneapolis, Minnesota 

Baltimore, Maryland 

Franklin Robinson 

Director 

Richard V. West 

Director 

Santa Barbara Museum of Art 

Mary Lee 

Chairman 

Pacific Regional Conservation 

Center 

Honolulu, Hawaii 

Museum of Art 

Rhode Island School of Design 

Providence, Rhode Island 

Allen Rosenbaum 

Director 

Santa Barbara, California 

Michael Whitenack 

Director 

Visual Arts Resources 

Oregon State Arts Council 

Arnold Lehman Art Museum Eugene, Oregon 

Director 

Baltimore Museum of Art 

Baltimore, Maryland 

Princeton University 

Princeton, New Jersey 

Joan Rosenbaum 

Sylvia Williams 

Director 

National Museum of African Art 

Timothy Lennon 

Head Conservator 

Art Institute of Chicago 

Chicago, Illinois 

Cheryl McClinney 

Assistant Director 

Philadelphia Museum of Art 

Director 

Jewish Museum 

New York, New York 

Samuel Sachs, II 

Director 

Minneapolis Institute of Arts

Minneapolis, Minnesota 

Washington, D.C. 

Marc Wilson 

Director 

Nelson-Atkins Museum of Art 

Kansas City, Missouri 

Philadelphia, Pennsylvania 

Music 

Samuel Adler 

Composer 

Cha[rman 

Composition Department 

Eastman School of Music 

Rochester, New York 

Arma Arñngton 

Program Officer 

Atlantic Richfield Foundation 

Los Angeles, California 

Larry Austin 

Director of Electronic Studio 

Francisco Aybar 

Pianist 

Associate Professor of Music 

Lamont School of Music 

University of Denver 

Denver, Colorado 

North Texas State University 

Denton, Texas 
296 Ad~~sory Panels 

James Backas
 

Executive Director
 

D.C. Commission on the 

Arts and Humanities
 

Washington, D.C.
 

S. David Bailey 

Executive Director 

Jazzmobile, Inc. 

New York, New York 

Grant Beglarian 

Piarüst 

President 

National Foundation for 

Advancement in the Arts 

Miami, Florida 

James Bolle 

Composer 

Music Director 

Monadnock Music 

Music Director 

New Hampshire Symphony 

Peterborough, New Hampshire 

Martin Bookspan 

Director 

Artists and Repertoire 

Moss Music Group 

Critic 

Stereo Review Magazine 

New York, New York 

Joan Briccetti 

General Manager 

St. Louis Symphony 

St. Louis, Missouri 

Earle Brown 

Composer, recording engineer 

Rye, New York 

Garnett Brown 

Trombonist, composer 

Board Member 

National Academy of Recording 

Arts and Sciences 

Los Angeles, California 

Neely Bruce 

Pianist, composer, educator 

Middletown, Connecticut 

Philip Brunelle 

Music Director 

Plymouth Music Series 

Music Director 

Minnesota Opera 

Minneapolis, Minnesota 

Wesley Brustad 

Executive Director 

Spokane Symphony 

Spokane, Washington 

Jerome Bunke 

President 

Boosey and Hawkes, Inc. 

Clarinetist 

New York, New York 

David Bury 

President 

Green Mountain Consortium 

for the Performing Arts 

Brattleboro, Vermont 

Clare Callahan 

Guitarist 

Chairman 

Classical Guitar Department 

University of Cincinnati 

Cincinnati, Ohio 

John Ca~ter 

Clarineti,~t, composer 

Culver C~ty, California 

Warrick Carter 

Dean of Faculty 

Berklee College of Music 

President 

National Asscciation of 

Jazz Educators 

Boston, Massachusetts 

Joe Chadabe 

Composer 

Faculty Member 

SUNY at Albany

Albany, New York 

Schuyler Chapin 

Dean 

School of the Arts 

Columbia University 

New York, New York 

Richard M. Cisek 

President and Managing Director 

Minnesota Orchestra 

Minneapolis, Minnesota 

William "Buddy" Collette 

Reed player, composer 

Los Angeles, California 

John Corigliano 

Composer 

New York, New York 

Joanne Cossa 

Executive Director 

Chamber Music Society of 

Lincoln Center 

New York, New York 

Kenneth Cox 

Composer, pianis~ 

Artistic Director 

Detroit Jazz Center 

Detroit, Michigan 

Edwin Daniels 

Vice President 

Rouse Company

Columbia, Maryland 

Peter Davison 

Composer

Faculty Member 

East Los Angeles College 

Santa Mcnica, California 

Geraldine De Haas 

Associate Director for 

Performing Arts 

Illinois State Arts Council 

Chicago, Illinois 

Dorothy De Lay 

Violinist 

Faculty Member 

Juilliard School 

Nyack, New York 

Stuart Dempster

Composer, trombonist
 

Faculty Member


University of Washington
 

Seattle, Washington
 

Leonard DePaur 

Conductor, composer 

Director 

Community Relations 

Lincoln Center for the 

Performing Arts 

New York, New York 

John Edwards 

[Deceased: 8/10/84] 

Executive Vice President and 

General Manager 

Orchest~al Association 

(Chicago Symphony) 

Chicago, Illinois 

Douglas Ewart 

Performer, co~nposer 

President 

Association for the Advancement 

of Creative Musicians 

Chicago, Illinois 

Ernest Fleischmann 

Executive Director 

Los Angeles Philharmonic 

Orchestra 

Los Angeles, California 

Sharon Freeman 

Pianist, French horn 

player, composer 

New York, New York 

Erick Friedman 

Violinist 

Director 

String Program 

Southern Methodist University 

Dallas, Texas 

Victor Fuentealba 

President 

American Federation of Musician~ 

New York, New York 

Felix Galimir 

Violinist 

Faculty Member 

Mannes College of Music 

New York, New York 

Margaret Garwood 

Pianist, composer 

Philadelphia, Pennsylvania 

Bradford Gowen 

Pianist, composer 

Professor of Music 

University of Maryland

College Park, Maryland 

Gary Graífman 

Pianist 

New York, New York 

Joanne Grauer 

Pianist, composer 

Studio City, California 
Ad~i~or~ Panels 297 

Nancy Griffin 

Bassist" 

Seattle Symphony Orchestra 

Secretary 

William Kraft 

Composer-in-Residence 

Los Angeles Philharmonic 

Association 

Lucille Ollendorff 

President and General Manager 

Music of the Baroque 

Chicago, Illinois 

ICSOM 

Seattle, Washington 

Robert Gross 

Los Angeles, California 

James Kreger 

Cellist 

Robert Page 

Assistant Conductor/Director 

oí Choruses 

Trombonist 

Executive Director 

Phoenix Symphony 

Phoenix, Arizona 

Faculty Member 

Juilliard School 

New York, New York 

Cleveland Orchestra 

Music Director 

Mendelssohn Choir of Pittsburgh 

Pittsburgh, Pennsylvania 

Kenneth Haas 

General Manager 

Cleveland Orchestra 

Cleveland, Ohio 

Helen Laird 

Soprano 

Dean 

College of Music 

Temple University 

Peter Pastreich 

Executive Director 

San Francisco Symphony Orchestra 

San Francisco, California 

Michael Hardy 

Executive Director 

Snug Harbor Cultural Center 

Staten Island, New York 

Philadelphia, Pennsylvania 

Oliver Lake 

_ Saxophonist, composer

New York, New York 

Gary Peacock 

Basist, composer 

Seattle, Washington 

Jacqueline Pierce 

Billy Harper

Saxophonist, composer 

New York, New York 

Frank Little 

Principal Tenor 

Metropolitan Opera 

Chairman 

Mezzo soprano 

Contractor 

New York Choral Artists 

New York, New York 

Hollis Headrick 

Percussionist 

Executive Director 

Composers Recordings, Inc. 

New York, New York 

Music Department

Furman University 

Greenville, South Carolina 

Edwin London 

Composer 

Walter Pierce 

Managing Director 

Boston University Celebrity 

Series 

Boston, Massachusetts 

Adrienne Hirsch 

Executive Director 

Illinois Arts Council 

Chicago, Illinois 

Chairman 

Music Department 

~leveland State University 

Shaker Heights, Ohio 

Shirliy Potter 

Communications advisor 

to artists 

New York, New York 

Lawrence Hurst 

Associate Dean 

School of Music 

University of Michigan 

Linda Magee 

Executive Director 

Chamber Music Northwest 

Portland, Oregon 

Paul Price 

Percussionist 

Teaneck, New Jersey 

Ann Arbor, Michigan 

Lila Jacob 

Louis Magor 

Conductor 

Carol Rea 

Executive Director 

Executive Director Director LPL Plus APL 

Minnesota Composers Forum 

St. Paul, Minnesota 

Schola Cantorum 

San Francisco, California 

Lewiston, Maine 

Sheldon Rich 

Michael Jaffe 

Artistic Director 

Waverly Consort 

Ellls Marsalis 

Pianist, composer, educator 

New Orleans, Louisiana 

Executive Director 

Santa Fe Chamber Music Festival 

Santa Fe, New Mexico 

New York, New York 

Leroy Jenkins 

Composer, violinist 

New York, New York 

Robert Willoughby Jones 

Ann Monoyios 

Soprano 

Folger Consort 

Concert Royal 

New York, New York 

Ronald Roseman 

Oboist, composer 

Faculty Member 

Juilliard School 

Yale University 

New York, New York 

Executive Director 

LOs Angeles Master Chorale

Association 

LOs Angeles, California 

Gayle Morgan

Consultant 

Brooklyn, New York 

Carman Moore 

Seymour Rosen 

Artistic Director 

Carnegie Hall 

New York, New York 

James Jordan Composer, critic 

Director 

Music Program 

New York State Council 

on the Arts 

New York, New York 

New York, New York 

Marceau Myers 

Dean 

School of Music 

North Texas State University 

Kalamu Ya Salaam 

President/Executive Director 

New Orleans Jazz and 

Heritage Foundation 

New Orleans, Louisiana 

Lilian Kallir Denton, Texas Frank Salomon 

Pianist 

New York, New York Anthony Newman 

Organist, harpsichordist, 

composer, conductor 

Presenter 

Administrator 

Marlboro School of Music 

New York, New York 

New York, New York 
298 Advisory Panels 

Royce Saltzman
 

Professor of Choral Music
 

University of Oregon
 

Founder-Director
 

Oregon Bach Festival
 

Eugene, Oregon
 

Joseph Schwantner
 

Composer-in-Residence
 

St. Louis Symphony Orchestra
 

Chesterfield, Missouri
 

Howard Scott
 

Manager
 

Performance Division
 

G. Schirmer, Inc.
 

Montclair, New Jersey
 

Stephen Sell
 

Executive Director
 

Philadelphia Orchestra


Philadelphia, Pennsylvania
 

Daria Semegen 

Composer 

Assistant Professor of Music 

SUNY at Stony Brook 

East Setauket, New York 

Maurice Sharp 

Flutist 

Faculty Member

Cleveland Institute of Music 

Cleveland, Ohio 

Robert Sherman 

Executive Producer 

WQXR 

New York, New York 

Gregg Smith 

Music Director 

Gregg Smith Singers 

New York, New York 

Peter Smith 

Managing Director 

Fort Wayne Philharmonic 

Fort Wayne, Indiana 

Opera-Musical Theater 

Lee Adams 

Lyricist 

Adjunct Professor of Theater

Columbia University 

New York, New York 

Richard Adler 

Composer, lyricist 

New York, New York 

Anna Arrington 

Program Officer 

Atlantic Richfield Foundation 

Los Angeles, California 

Etta Moten Baraett 

Former singer 

Board member 

Chicago, Illinois 

Andre Bishop 

Artistic Director 

Playwrights Horizons 

New York, New York 

Sheldon Soffer
 

Pianist
 

President
 

Sheldon Soffer Artists
 

Management
 

New York, New York
 

Paul Sperry 

Tenor
 

Faculty Member
 

Juilliard School
 

New York, New York
 

Dorrance Stalvey 

Composer


Los Angeles, CaIifornia
 

Rise Stevens
 

Mezzo soprano
 

Advisor
 

Young Artist Development
 

Metropolitan Opera
 

New York, New York
 

Marcus Thompson 

Violist
 

Associate Professor of Music
 

Massachusetts Institute of
 

Technology
 

Cambridge, Massachusetts
 

Frederick Tillis
 

Director
 

Fine Arts Center
 

Afro-American Music and
 

Jazz Studies
 

University of Massachusetts
 

Amherst, Massachusetts
 

Vincent Wagner

Artists manager
 

Vice President
 

Hillyer International, Inc.
 

New York, New York
 

Lewis Waldeck 

Administrator 

Symphonic Department 

American Federation of Musicians 

New York, New York 

Gene Boucher 

Baritone 

Metropolitan Opera 

National Executive Secretary 

American Guild of Musical 

Artists 

New York, New York 

Michael Bronson 

Director of Media 

Metropolitan Opera Association 

New York, New York 

George Coates 

Artistic Director 

George Coates Performance 

Works 

Artistic Director 

San Francisco International 

Theater Festival 

San Francisco, California 

Elizabeth Crittenden 

Artists Manager 

Columbia Artists Management 

New York, New York 

Stewart Warkow
 

Arts consultant
 

New York, New York
 

Dale Warland
 

Music Director
 

Dale War]and Singers
 

Professor of Music
 

Macalester College
 

St. Paul, Minnesota
 

Richard Westenburg 

Director
 

Musica Sacra
 

New York, New York
 

Douglas Wheeler
 

Managing Director
 

Washington Performing


Arts Society
 

Washington, D.C.
 

Andrew White
 

Saxophonist, composer
 

Washington, D.C.
 

Daniel Windham 

Director 

Educational Activities 

New York Philharmonic 

Administrator 

New York Community Trust 

New York, New York 

William Winstead
 

Bassoonist
 

Professor of Bassoon
 

Florida State University
 

Tallahassee, Florida
 

Robert Woods
 

Executive Vice President
 

Telarc Corporation
 

Cleveland, Ohio
 

Yehudi Wyner
 

Composer
 

Professor of Music
 

SUNY at Purchase
 

New York, New York
 

John Crosby
 

General Director
 

Santa Fe Opera Company
 

Santa Fe, New Mexico
 

David DiChiera 

General Director 

Michigan Opera Theater 

Detroit, Michigan 

Joann Menashe Forman 

Education Director 

Metropolitan Opera 

New York, New York 

John Frohnmayer 

Chairman 

Oregon Arts Commission 

Portland, Oregon 

Richard Gaddes 

General Director 

Opera Theatre of St. Louis 

St. Louis, Missouri 
Advisory Panels 299 

Bernard Gersten 

Freelance producer 

New York, New York 

Mary MacArthur 

Arts consultant 

New York, New York 

Beverly Sills 

Soprano 

General Director 

New York City Opera 

Joan Harris John Mauceri New York, New York 

President of the Board 

Chicago Opera Theater

Chicago, Illinois 

Paulette Haupt-Nolen 

General Director 

Lake George Opera Festival 

Glens Falls, New York 

Conductor 

Director 

Yale Symphony 

New York, New York 

Terence McEwen 

General Director 

San Francisco Opera 

San Francisco, California 

Willie Waters 

Artistic Director 

Greater Miami Opera 

Association 

Miami, Florida 

M. Jane Weaver 

General Manager 

Christine Hunter 

Chairman 

Board of Trustees 

Washington Opera 

Easton, Maryland 

C. Bernard Jackson 

Executive Director 

Inner City Cultural Center 

Composer 

Los Angeles, California 

Michael Price 

Executive Director 

Goodspeed Opera House 

East Haddam, Connecticut 

Jane Remer 

Arts consultant 

New York, New York 

Sarah Richards 

Executive Director 

Texas Opera Theater 

Houston, Texas 

Hugo Weisgall

Composer, conductor 

Great Neck, New Jersey 

Franklin Williams 

Member 

Board of Trustees 

New York City Opera 

President 

Ardis Krainik 

General Manager

Chicago Lyric Opera 

Chicago, Illinois 

(Hawaii) State Foundation 

on Culture and the Arts 

Honolulu, Hawaii 

Gregory Sandow 

Phelps-Stokes Fund 

New York, New York 

Thomas Wolf 

President 

Rhoda Levine 

Stage Director 

New York, New York 

Music Critic 

The Village Voice 

New York, New York 

Wolf Foundation 

Cambridge, Massachusetts 

Frank Lewin 

Composer 

Associate Professor of 

Composition and 

Orchestration 

Gideon Schein 

Stage director 

Artistic Director 

GeVa Theater 

New York, New York 

Yale University 

Princeton, New Jersey 

State Programs 

Juan Carillo Adrienne Hirsch Clement Price 

Program Coordinator 

California Arts Council 

Sacramento, California 

Executive Director 

Illinois Arts Council 

Chicago, Illinois 

Chairman 

New Jersey Arts Council

East Orange, New Jersey 

Beatrice Covington

Member 

Bill Jamison 

Executive Director 

John K. Urice 

Dean 

North Carolina Arts Council Western States Arts Foundations College of Fine Arts 

Winston-Salem, North Carolina Santa Fe, New Mexico Ball State University 

Muncie, Indiana 

Joann Freed Wayne P. Lawson 

Member 

Utah Arts Council 

Salt Lake City, Utah 

Susan Freeman 

Chairman 

North Dakota Council 

on the Arts 

Fargo, North Dakota 

Executive Director 

Ohio Arts Council 

Chairman 

National Assembly 

of State Arts Agencies 

Columbus, Ohio 

Laurence D. Miller, III 

Director 

Nicholaas Van Hevelingen 

Executive Director 

St. Louis Commission for the 

Arts and Humanities 

President 

National Assembly of Local 

Arts Agencies 

St. Louis, Missouri 

Robert Herman 

General Manager 

Greater Miami Opera 

Association 

Miami, Florida 

Laguna Gloria Art Museum 

Austin, Texas Gerald Yoshitomi 

Executive Director 

Japanese American Cultural 

and Community Center 

Los Angeles, California 

Theater 

Vince Anthony 

Founder and Executive Director 

Center for Puppetry Arts 

Atlanta, Georgia 

Andre Bishop 

Artistic Director 

Playwrights Horizons 

New York, New York 

Robert Brustein 

Artistic Director 

American Repertory Theatre 

Cambridge, Massachusetts 
 

300 Ad~qsory Panels 

Ed Bullins
 

Playwright
 

Oaldand, California
 

Ellen Burstyn 

Actress 

President 

Actors’ Equity Association 

New York, New York 

Richard Christiansen
 

Drama Critic
 

Chicago Tribune 

Chicago, Illinois 

Maria Acosta Colon 

Business Manager 

San Francisco Mime Troupe 

San Francisco, California 

Robert Falls
 

Artistic Director
 

Wisdom Bridge Theater
 

Chicago, Illinois
 

Max Ferra 

Artistic Director and Founder 

INTAR 

New York, New York 

Gloria Foster
 

Actress
 

New York, New York
 

Ralph Funicello
 

Scerüc designer
 

San Francisco, California
 

Amlin Gray 

Resident Playwright 

Milwaukee Repertory Theater 

Milwaukee, Wisconsin 

Laura Hardman
 

Trustee
 

Alliance Theater
 

Atlanta, Georgia
 

Da,cid Hawkanson
 

Managing Director
 

Arizona Theatre Company
 

Tucson, Arizona
 

Jorge Huerta 

Educator 

University of Southern 

California 

Cardiff, California 

David Henry Hwang 

Playwright 

New York, New York 

Visual Arts 

Jerry Allen 

Sculptor

Director 

Dallas City Arts Department 

Dallas, Texas 

Edith Altman 

Conceptual artist 

Chicago, Illinois 

Woodie King
 

Director, filmmaker
 

Producer
 

New Federal Theatre
 

New York, New York
 

Michael Langham
 

Director of Drama Division
 

Juilliard School
 

New York, New York
 

David Le Vine 

Executive Director
 

The Dramatists Guild
 

New York, New York
 

Ruby M. Lerner
 

Executive Director
 

Alternate ROOTS
 

Atlanta, Georgia
 

Robert Manion 

Trustee 

Repertory Theatre of St. Louis 

St. Louis, Missouri 

Marshall Mason
 

Founding Artistic Director
 

Circle Repertory Company
 

New York, New York
 

Frank McGlinn
 

Executive Vice President
 

Barra Foundation
 

Member
 

Pennsylvania Council
 

on the Arts
 

Philadelphia, Pennsylvania
 

Gregory Mosher
 

Artistic Director
 

Goodman Theatre
 

Chicago, Illinois
 

Sara O’Connor
 

Managing Director
 

Milwaukee Repertory Theatre
 

Milwaukee, Wisconsin
 

Angela Paton 

Actress 

Artistic Director 

Berkeley Stage Company 

Berkeley, California 

Robin Reiter 

Executive Director 

Southeast Banking Corporation 

Foundation 

Miami, Florida 

Richard Andrews 

Sculptor 

Art in Public Places 

Coordinator 

Seattle Arts Commission 

Seattle, Washington 

Frederico Armijo 

Wood artist 

Albuquerque, New Mexico 

Barbara Rosoff 

Artistic Director 

Portland Stage Company 

Portland, Maine 

Lou Salerni 

Artistic Director 

Cricket Theatre 

Minneapolis, Minnesota 

E. Ray Scott 

Executive Director 

Michigan Council for the Arts 

Detroit, Michigan 

Ben Shaktman 

Director 

New York, New York 

Ron Sossi 

Artistic Director 

Odyssey Theatre Ensemble 

Los Angeles, California 

Howard Stein 

Chairman of Theater Studles 

Columbia University 

New York, New York 

William Stewart 

Managing Director

Hartford Stage Company 

Hartford, Connecticut 

Daniel Sullivan 

Artistic Director 

Seattle Repertory Company 

Seattle, Washington 

Megan Terry 

Playwright-in-Residence 

Magic Theater Foundation 

Omaha, Nebraska 

George Thorn 

Theater consultant 

Blacksburg, Virginia 

Jennifer Tipton 

Lighting designer 

New York, New York 

George White 

President 

Eugene O’Neill Theater Center 

Co-Chairman 

Theater Administration Program 

Yale School of Drama New York, New York 

William Wingate

Managing Director 

Center Theatre Group 

Los Angeles, California 

Penny Bach 

Artist, curator, educator 

Phlladelphia, Pennsylvania 

Paul Berger 

Photographer 

Faculty Member 

Unlversity of Washington 

Seattle, Washington 
Advisory Panels 301 

Alan Bunce 

Arts Editor 

Christian Science Monitor 

Boston, Massachusetts 

Helen Ferrulli 

Director of Education 

Indianapolis Museum of Art 

Indianapolis, Indiana 

Elaine Mayes 

Photographer 

Faculty Member 

Bard College 

New York, New York 

Frances Butler Roland Freeman 

Book artist Photographer Ruth Meyer 

Faculty Member

University of California 

Davis, California 

Mary Schmidt Campbell 

Executive Director 

Studio Museum of Harlem 

Washington, D.C. 

Vida Freeman 

Photographer 

Faculty Member 

California State University

Northridge, California 

Director 

Taft Museum 

Cincinnati, Ohio 

Mineo Mizuno 

Ceramist 

Los Angeles, California 

New York, New York Cynthia Gehrig Betty Moody 

Dale Chihuly 

Glass artist 

Executive Director 

Jerome Foundation 

Art dealer 

Houston, Texas 

Stanwood, Washington St. Paul, Minnesota 

John Moore 

Garth Clark 

Art critic, art dealer 

Los Angeles, California 

Chuck Close 

Kathy Halbreich 

Director of Exhibitions 

Massachusetts Institute 

of Technology

Cambridge, Massachusetts 

Sculptor 

Assistant Curator 

Cleveland Museum of Art 

Cleveland, Ohio 

Painter 

New York, New York 

Houston Conwill 

Sculptor, critic 

New York, New York 

Patricia Cruz 

Development Director 

Studio Museum of Harlem 

New York, New York 

David Ireland 

Sculptor

Faculty Member 

San Francisco State University 

San Francisco, California 

Mary Jane Jacob 

Curator 

Museum of Contemporary Art 

Chicago, Illinois 

Lois Moran 

Editor 

American Craft Magazine 

New York, New York 

Charlotte Moser 

Art writer, critic 

Chicago, Illinois 

Eleanor Moty 

Metal artist 

Faculty Member 

Bing Davis 

Ceramist 

Faculty Member

Central State University 

Dayton, Ohio 

April Kingsley Gallery Director 

Sculpture Center 

New York, New York 

Rosalind Krauss 

University of Wisconsin 

Madison, Wisconsin 

Al Nodal 

Director 

Otis Parsons Exhibition Center 

Douglas Davis 

Vídeo artist, critic 

New York, New York 

Edit de Ak 

Art Writer, Co-Editor 

October Magazine 

Faculty Member 

Wellesley College 

New York, New York 

Los Angeles, California 

Marc Pally 

Painter, sculptor 

Los Angeles, California 

Critic, curator 

New York, New York 

Charles Desmarais 

Director 

California Museum of 

Photography 

Los Angeles, California 

Donald Kuspit 

Art historian, critic 

Faculty Member

SUNY at Stony Brook 

New York, New York 

Louis LeRoy 

Painter 

Li Chung Pei 

Architect 

New York, New York 

Sande Percival 

Visual Arts Coordinator 

Washington State Arts 

Commission 

Jira Dozier 

Director 

Photography Programs 

Film in the Cities 

St. Paul, Minnesota 

Executive Director 

San Antonio Arts Council 

San Antonio, Texas 

Harvey Littleton 

Glass artist 

Olympia, Washington 

Judy Pfaff 

Sculptor 

New York, New York 

Jonathan Fairbanks 

Curator 

American Decorative Arts 

Museum of Fine Arts 

Boston, Massachusetts 

Spruce Pine, North CarolJna 

Sarah Lutman 

Executive Director 

Pro Arts 

Berkeley, California 

Adrian Piper 

Conceptual/per formance artist 

Critic 

Stanford, California 

Susan Rankaitis 

Ronald Feldman 

Art dealer 

New York, New York 

Edeen Martin 

Director 

Visual Arts Program 

Photographer

Faculty Member 

Chapman College 

Inglewood, California 

Jackie Ferrara 

Sculptor 

New York: New York 

Mid-America Arts Alliance 

Kansas City, Missouri Roland Reiss 

Sculptor 

Los Angeles, California 
302 Advisory Panels 

Jock Reynolds 

Conceptual artist 

Executive Director 

Washington Project

for the Arts 

Washington, D.C. 

Nancy Rosen 

Arts consultant 

New York, New York 

Irving Sandler 

Art critic, historian 

Faculty Member 

SUNY at Purchase 

New York, New York 

Italo Scanga 

Sculptor 

Faculty Member 

University of San Diego 

La Jolla, Califorlúa 

Bill Schinsky 

Director 

Visual Arts Program 

Southern Arts Federation 

Atlanta, Georgia 

Cynthia Schira 

Fiber artist 

Faculty Member

University of Kansas 

Lawrence, Kansas 

Allan Sekula 

Art critic, photographer

Faculty Member 

Ohio State University 

Columbus, Ohio 

Linda Shearer 

Director 

Artists Space 

New York, New York 

Carol Squiers 

Curator, critic 

New York, New York 

Gary Super 

Photographer 

Co-Director 

Nexus Press 

Atlanta, Georgia 

Ursula Von Rydingsvard 

Sculptor 

Faculty Member

Yale University 

New York, New York 

Jeff Weiss 

Photographer 

Chicago, Illinois 

Chester Williams 

Sculptor 

Faculty Member 

Florida A & M University 

Tallahassee, Florida 

Richard Yelle 

Glass artist 

Arts administrator 

New York, New York 
--

--

--

--

--

--

--

303 

Financial Summary
 

Fiscal 

Year 

1984 

Summary of Funds Available~ 

Appropriation, Regular Program Funds $119,000,0002 

Appropriation, Treasury Funds (to match nonfederal gifts) 9,000,000 

Appropriations, Challenge Grant Funds {to match nonfederal gifts) 21,000,000 

Total, Federal Appropriations $149,000,000 

Nonfederal Gifts 

Interagency Transferst 

$ 8,855 

390,000 

Recovery of Prior Year Obligations 867,945 

Unobligated Balance, Prior Year 19,672,989 

Total Funds Available $169,939,789 

~ Excludes administrative íunds. 

2 Not less than 20 percent for support of state arts agencies and regional groups. 

Funds Obligated 

Dance 

Design Arts 

Expansion Arts 

Folk Arts 

Inter-Arts 

Literature 

Media Arts 

Museum 

Music 

Opera-Musical Theater 

Theater 

Visual Arts 

Artists in Education 

Locals Test Program 

State Programs 

Advancement 

Challenge 

Policy, Planning, and Research 

Regional Representatives 

Total Funds Obligated 

3 Shown in Challenge Grant Column. 

Fiscal 

Year 

1984 

Obligations 

$ 9,116,644 

4,737,319 

6,917,360 

3,273,712 

4,278,455 

4,446,198 

9,482,915 

12,491,187 

15,218,925 

6,066,978 

10,697,676 

6,559,173 

5,284,591 

2,000,000 

24,551,816 

1,697,085

_3 

1,085,165 

769,952 

$128,675,151 

Challenge
 

Grant
 

Commitments! 

Obligations4 

$ 4,155,000 

1,200,000 

1,850,000 

3,525,000 

3,050,000 

7,925,000 

7,969,500 

3,175,000 

5,250,500 

669,000 

500,000 

_ 

$39,269,000 

4 Of the $39,269,000 committed, $18,769,000 was obligated in Fiscal Year 1984. 
304 

Hiatory of Auttaorizationa

and ~ppropr~ations 

Fiscal 1966 

Program Funds 

Treasury Funds** 

Total Funds for Programming 

Fiscal 1967 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds}
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1968 

Program Funds
 

State Arts Agencies (block}
 

{Subtotal--Program Funds}
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1969 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1970 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming
 

Fiscal 1971 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programming "
 

Arts 

Authorization 

$ 5,000,000 

2,250,000 

$ 7,250,000 

$ 5,000,000 

2,750,000 

17,750,000} 

2,250,000 

$10,000,000 

$ 5,000,000 

2,750,000 

!7,750,000) 

2,250,000 

$10,000,000 

$ 6,000,000 

2,000,000 

(8,000,000) 

3,375,000 

$11,375,000 

$ 6,500,000 

2,500,000 

(9,000,000) 

3,375,000 

$12,375,000 

$12,875,000 

4,125,000 

(17,000,000) 

3,000,000 

$ 20,000,000 

Arts Administrative 

Appropriation Funds 

$ 2,500,000 $ 727,000* 

34,308 

$ 2,534,308 

$ 4,000,000 $ 1,019,500" 

2,000,000 

(6,000,000} 

1,965,692 

$ 7,965,692 

$ 4,500,000 $ 1,200,000" 

2,000,000 

(6,500,000} 

674,291 

$ 7,174,291 

$ 3,700,000 $ 1,400,000" 

1,700,000 

(5,400,000) 

2,356,875 

$ 7,756,875 

$ 4,250,000 $ 1,610,000" 

2,000,000 

(6,250,000) 

2,000,000 

$ 8,250,000 

$ 8,465,000 $ 2,660,000* 

4,125,000 

(12,590,000) 

2,500,000 

$15,090,000 
History of Authorizations and Appropr~tions 30ó 

Arts 

Authorization 

Arts 

Appropriation 

Administrative 

Funds 

Fiscal 1972 

Program Funds 

State Arts Agencies Iblock} 

{Subtotal--Program Funds} 

Treasury Funds** 

Total Funds for Programming 

$21,000,000 

5,500,000 

{26,500,000} 

3,500,000 

$30,000,000 

$20,750,000 

5,500,000 

!26,500,000} 

3,500,000 

$29,750,000 

$ 3,460,000" 

Fiscal 1973 

Program Funds 

State Arts Agencies {block) 

ISubtotal--Program Funds} 

Treasury Funds** 

Total Funds for Programming 

$28,625,000 

6,875,000 

(35,500,000) 

4,500,000 

$40,000,000 

$27,825,000 

6,875,000 

{34,700,000} 

3,500,000 

$38,200,000 

$ 5,314,000" 

Fiscal 1974 

Program Funds 

State Arts Agencies Iblock} 

(Subtotal--Program Funds) 

Treasury Funds** 

Total Funds íor Programming 

$54,000,000 

11,000,000 

(65,000,000} 

7,500,000 

$72,500,000 

$46,025,000 

8,250,000 

!54,275,000} 

6,500,000 

$60,775,000 

$ 6,500,000" 

Fiscal 1975 

Program Funds*** 

Treasury Funds** 

Total Funds for Programming 

$90,000,000 

10,000,000 

$100,000,000 

$67,250,000 

7,500,000 

$74,750,000 

$10,783,000" 

Fiscal 1976 

Program Funds*** 

Treasury Funds** 

Total Funds for Programming 

$113,500,000 

12,500,000 

$126,000,000 

$ 74,500,000 

7,500,000 

$82,000,000 

$10,910,000" 

Transition Quarter 

July 1, 1976,-September 30, 1976 

Program Funds*** 

Treasury Funds** 

Total Funds for Programming 

-­

-­

-­

$33,437,000 

500,000 

$33,937,000 

$ 2,727,000" 

Fiscal 1977 

Program Funds*** 

Treasury Funds** 

Challenge Grants** 

Photo/Film Projects 

Total Funds for Programming 

$93,500,000 

10,000,000 

12,000,000 

4,000,000 

$119,500,000 

$77,500,000 

7,500,000 

9,000,000 

-­

$94,000,000 

$11,743,000" 
30~ IIistory of Autho~zations and Appropmtions 

Fiscal 1978
 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Photo/Film Project
 

Administrative Funds
 

Total Funds
 

Fiscal 1979
 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Administrative Funds
 

Total Funds
 

Fiscal 1980
 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Administrtive Funds
 

Total Funds
 

Fiscal 1981
 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Administrative Funds
 

Total Funds
 

Fiscal 1982
 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Administrative Funds
 

Total Funds
 

Arts Arts 

Authorization Appropriation 

$105,000,000 $89,100,000 

12,500,000 7,500,000 

18,000,000 18,000,000 

2,000,000 -­

such sums as 9,250,000 

necessary 

$137,500,000 $123,850,000 

-- $102,160,000 

-- 7,500,000 

-- 30,000,000 

-- 9,925,000 

such sums as $149,585,000 

necessary 

-- $ 97,000,000 

-- 18,500,000 

-- 26,900,000 

-- 12,210,000 

such sums as $154,610,000 

necessary 

$115,500,000 $113,960,000 

18,500,000 19,250,000 

27,000,000 13,450,000 

14,000,000 12,135,000 

$175,000,000 $158,795,000 

-- $103,330,000 

-- 14,400,000 

-- 14,400,000 

-- 11,326,000 

$119,300,000 $143,456,000 
History of Authorizations and Appropr~tions 30~ 

Arts Arts 

Authorization Appropriation 

Fiscal 1983 

Program Funds*** -­ $101,675,000 

Treasury Funds** -­ 11,200,000 

Challenge Grants** -­ 18,400,000 

Administrative Funds -­ 12,600,000 

Total Funds $119,300,000 $143,875,000 

Fiscal 1984 

Program Funds*** -­ $119,000,000 

Treasury Funds** -­ 9,000,000 

Challenge Grants** -­ 21,000,000 

Administrative Funds -­ 13,223,000 

Total Funds $119,300,000 $162,223,000 

Fiscal 1985 

Program Funds*** -­ $118,678,000 

Treasury Funds** -­ 8,820,000 

Challenge Grants** -­ 20,580,000 

Administrative Funds -­ 15,582,000 

Total Funds $167,500,000 $163,660,000 

*These funds were jointly provided to the National Endowment for the Arts and the National Endowment for the Humanities until the two agencies were administratively separated in 1978. 

**Federal funds appropriated by Congress to match nonfederal donations to the Endowment. 

***Not less than 20 percent of Program Funds are required to go to state arts agencies and regional arts 

groups. 
308
 

Credits 

Published by the 

Office of Communications 

National Endowment for the Arts 

Washington, D.C. 20506 

Director: Dodie Kazanjian 

Editor: Joan Bowersox 

Designer: Bill Duffy 

Printing Officer: Murray Welsh 

Cover: Facade and interior views of 

the Nancy Hanks Center, headquarters of the National Endowment 

for the Arts, Washington, D.C. 

Photos(c): F. Harlan Hambright