Nat]onal 

Endowment 

for the Arts 
National Endowment for the Arts 

Washington, D.C. 

Dear Mr. President: 

I have the honor to submit to you the 

Annual Report of the National Endowment 

for the Arts and the National Council 

on the Arts for the Fiscal Year ended 

September 30, 1982. 

Respectfully, 

F. S. M. Hodsoll 

Chairman 

The President 

The White House 

Washington, D.C. 

March 1983 
 

 

Contents
 

Chairman’s Statement 3
 

The Agency and Its Functions 6
 

The National Council on the Arts 7
 

Programs 8
 

Dance 10
 

Design Arts 30
 

Expansion Arts 46
 

Folk Arts 70
 

Inter-Arts 82
 

International 96
 

Literature 98
 

Media Arts: Film/Radio/Television 114
 

Museum 132
 

Music 160
 

Opera-Musical Theater 200
 

Theater 210
 

Visual Arts 230
 

Policy, Planning and Research 252
 

Challenge Grants 254
 

Endowment Fellows 259
 

Research 261
 

Special Constituencies 262
 

Office for Partnership 264
 

Artists in Education 266
 

State Programs 272
 

Financial Summary 277
 

History of Authorizations and Appropriations 278
 
The descriptions of the 5,090 grants listed in this 

1982 Annual Report represent a rich variety of 

artistic creativity taking place throughout the 

country. These grants testify to the central importance of the arts in American life and to the 

fundamental fact that the arts ate alive and, in 

many cases, flourishing, 

The diversity of artistic activity in America is 

one of the great strengths of the American arts. 

Our support of this diversity includes the New 

York City Opera’s critically acclaimed, sold-out 

production of Candide and grants to relatively 

unknown choreographers, painters, and poets to 

collaborate on interdisciplinary work. 

Some of our most visible grants in 1982 were the 

National Heritage Awards in the Folk Arts--a 

new way of honoring 15 performing artists and 

craftsmen for a lifetime ofoutstanding folk art. We 

also support creative artists through new music 

centers that provide composers with sophisticated 

equipment and through feIlowships to writers to 

buy time for creative work. Recently, too, the 

Picasso retrospective caught the attention of the 

nation; but perhaps justas crucial in the Iong run 

were our less glamorous grants to help museums 

bring collections out of storage, install climate 

control systems, and shift to computerized cataloguing of their holdings, 

Public-Private Partnership 

The arts have from the beginning flourished in our 

country with littledirect help from thegovernment 

at any level--federal, state, of local. We did not 

make the direct government commitment to the 

arts that we did for, say, education, but we did from 

1913 on encourage private support, as for other 

philanthropy, through tax deductions, 

The National Endowment for the Arts was 

established in 1965 to give national recognition of, 

and national support to, the arts. Our purpose is to 

be catalytic, to spark other sources of support for 

excellence and access to that excellence. The mechanisms we use to achieve this catalytic role involve 

matching grants, advocacy, and information. In 

terms of public funding, we are complemented at 

the state and local levels by state and local arts 

agencies. 

TheEndowment’s1982budgetwas$143million. 

State appropriations from 50 states and six special 

jurisdictions aggregated $120 million--an 8.9 percent gain over state appropriations for FY 81. It is 

estimated that local public bodies appropriated in 

FY 82 in excess of $300 million for the arts. 

But this total pot of direct government funding is 

only 17 percent of total giving to cultural institutions. Although the 1982 numbers ate not yet 

available, the American Association of Fund Raising Counsel estimates that the private sector (individuals, corporations, and foundations)contributed 

in 1981 $3.35 billion--up roughly $400 million 

from 1980. This represents a nominal increase of 

13.2 percent anda real increase of 4.3 percent. 

Also, the share of culture in total giving increased 

slightly from 1981 to 1982. 

Private sector giving to the arts can be broken 

down as follows: 86 percent comes from individuals; 

9 percent from corporations; and 5 percent from 

foundations. We have reason to be optimistic with 

regard to the future: 

 ̄ New York’s Chemical Bank, in a study conducted by its Economic Research Department, 

projected a 100 percent increase in private 

giving to cultural activities in the 1979-84 time 

frame. 

 ̄ The Foundation Center, in Foundations 

Today--1982, reports a 20 percent dollar increase in grants for cultural activities (1981 

versus 1980). In 1981, 3,878 grants to culture 

aggregated $192.6 million, representing 15.3 

percent of total foundation dollars given for ali 

purposes; this compares with 13.5 percent in 

1980, when foundations gave 3,291 grants to 

culture aggregating $160.8 million. 

 ̄ The American Association of Fund Raising 

Counsel estimates that overall corporate giving 

increased 11.1 percent in 1981 compared to 
4 Chairman’s Statement 

1980. The Conference Board, in its recently 

published survey, reports that corporate giving 

to cultural activities (in 1980 versus 1979) showed 

the greatest rate of growth--33 percent--when 

compared to all other philanthropic sectors. 

 ̄ A study by Yankelovitch, Skelly and White 

for the National Council on Foundations has 

stated that six out of ten corporations surveyed 

indicated they would increase their giving generally; and three out of 10 indicated they would 

remain even. 

 ̄ Turningto individual donors, researchers at 

the American Association of Fund Raising Counsel estimate that individual giving to culture in 

1980 was in the $2.4 billion range; this increased 

to $2.7 billion in 1981. 

There also seems to be no necessary connection 

between the state of the economy in a particular 

locality and giving to the arts. Some cities in 

economic distress are doing well; others in the Sun 

Beltarenotdoingwell. The commoningredientfor 

those doing well is the presence of a dedicated 

group of leaders who want the arts--who want to 

improve the quality of life for themselves and their 

neighbors, 

The arts in our country have always depended on 

a pluralistic system of support in which no one 

sector dominates. Private giving, moreover, is in an 

important sense a partnership with government, 

The tax deductions involved represent forebearance on taxes that would otherwise have been due. 

And, unlike giving to the government through 

taxes, a private donor gives to the donee of bis 

choice. In fact, when one adds the government’s 

share of private contributions, the government’s 

stake in the arts could amount to more than $1.5 

billion per year--comparable in terms of per 

capita GDP to that in the United Kingdom and 

Sweden where they essentially lack tax incentives 

for this purpose, 

A National Perspective on the Arts 

I have been in office a little over a year. And I think 

it fair to say that my first real job was to re-build a 

sense of confidence about the Endowment. We ate 

here to stay, and to continue to assist the arts in 

America. This Administration is firmly committed 

to a federal presence in the arts. We are also 

committed to a national role. 

The President’s 1981 Task Force on the Arts and 

the Humanities examined the work of the Endowments for the Arts and Humanities. Based on the 

Task Force’s report, President Reagan stated his 

belief that the "Endowments have served an iraportant role in catalyzing additional private support, assisting excellence in arts and letters, and 

helping to ensure the availability of art and scholarship." 

The purpose of the National Endowment is: 

 ̄ To recognize the importance of the arts by 

conferring prestige and expressing advocacy at 

the highest level: 

 ̄ To ensure support--as in the sciences--for 

new and experimental ventures that might be 

too risky to elicit sufficient private investment; 

to foster a climate for the unpredictable; 

 ̄ To preserve art in danger of loss of deterioration; 

 ̄ To provide some cushion for the nation’s 

most excellent artistic institutions so that they 

do not stagnate; 

 ̄ To encourage the kaleidoscope of American 

culture; and 

 ̄ To increase access to the arts for American 

citizens everywhere. 

The Endowment laas two basic statutory goals: 

(1) stimulation and maintenance of the creation, 

production, and presentation of a diversity of 

excellence, and (2) assistance of access to that 

excellence. The techniques we use for achieving 

those goals involve grants and advocacy. More 

specifically, they include short-term program of 

project support, longer-term institutional support, 

and partnership. 

The majority of our funding is in short-term 

program of project support. It includes funding of 

creativity (through individual fellowships and the 

encouragement of institutions to create, produce, 

and present new American work); assisting the 

maintenance of the main body of our culture; 

preservation and conservation; audience development(through education and presentingartwhere 

it would not otherwise exist); professional training; 

and services to the fields. Our discipline programs 

ate involved in all of these. Longer-term institutional support is provided through our Challenge 

and Advancement programs to established and 

emergingorganizations, respectively. Partnership 

is achieved through matching requirements; the 

involvement of regional, state, and local art agencies; and Presidential and Endowment advocacy. 

New Directions 

The 1960s and 1970s wereyearsofrapid growth in 

the arts. Since 1965, the number of professional 

arts organizations has grown by almost 700 percent. Professional orchestras have increased from 

58 to 145; professional opera companies from 31 to 

109; professional dance companies from 35 to 250; 

and professional theater companies from 40 to 500. 

As the numbers of companies grew, so did 

audiences. In 1965, for example, about one million 

tickets were sold for dance performances, chiefly in 

New York City. Today there are about 16 million 

ticket buyers for dance performances, and 90 

percent of them live outside New York. Similarly, 
the audiences for orchestras have risen from 10 to 

23 million. Average annual attendance at art 

museums has soared from 22 million to more than 

43 million, 

This growth coincided with growing availability 

of private and public dollars to finance it. The 60s 

and 70s were also, until the late 70s, years of lower 

inflation and interest rates and smaller federal 

deficits. We are making progress: inflation and 

interest rates are down; the leading economic indicators are up. But we still have much work to do if 

long-term, stable growth is to replace short-term 

fixes, 

The"arts boom" of the 60s and 70s brought joy to 

millions. Our challenge in the 1980s is to maintain 

momentum for the best. But it will be more difficult. Most economists agree the 80s will be a period 

of slower growth. We also face changes in demographics anda dizzying pace of technological 

change. Our population is aging; the population 

over 65 will increase from 26.2 million today to 

31.8 million in 2000. The country’s population 

center--for the first time in history--has moved 

westofthe Mississippi. Our population is becoming 

better educated. Non-family and single parent 

households increased at a much greater rate than 

family households in the ten-year period from 1970 

to 1980. The computer and telecommunications 

revolution is upon us. 

There will likely be consolidation, and the management of arts institutions will have to learn to 

deal in new ways with the new realities. We have 

already detected a trend in this direction anda 

decline in the willingness to take risk. Film companies and publishinghouses have, in manycases, 

become adjuncts of conglomerates. Museums continue to turn to blockbuster exhibitions. Performing arts repertoires are in many cases becoming 

less adventuresome; even Time magazine now 

notes the narrowness of the repertoires of music 

festivals; dance companies rely more on the Nutcracker to sell tickets, 

These factors have caused the Endowment to 

move forward with a six-part strategy: 

1. Emphasizing longeroterm institutional support (through our Challenge and Advancement 

Programs) to assist the best of our arts organizat ions, big and, small, to achieve a finan c i al basis 

on which they can face the future with confidence. 

2. Encouraging projects that advance the art 

forms or bring a diversity of art to broader 

audiences. 

Chairman’s Statement 5 

3. Providing greater certainty regarding Endowment fundingandencouragingplanningby 

arts institutions--through improving the Endowment’s grants process and tying it more 

closely to the economic decision points of arts 

institutions, and through stimulating in arts 

institutions rolling three- and five-year planning 

processes (artistic and financial). 

4. Developing partnership among public sectot supporters of the arts (including our test 

initiative to assist local arts agencies; partnership in dealing with teuring and presenting 

issues and in arts education; encouragement of 

state arts agencies and regional organizations to 

apply to our discipline programs where they can 

assist the disciplines; and joint planning for the 

future). 

5. Encouraging greater private support (including efforts of the President’s Committee on 

the Arts and the Humanities; greater leverage 

from our grants; anda variety of specific projects designed to recognize, inform, assist, and 

advocate new private support for the arts). 

6. Initiating the development of a system of 

arts information systems which anyone concerned with the arts can tap (including the 

information systems of state arts agencies and 

discipline service organizations; the Endowment’s own application and grant process; and 

the use of telecommunications to link these 

systems). 

Our job at the Arts Endowment is to respond to 

new opportunities, as always takingthe bestadvice 

ofthoseinthefield.Wewillcontinuetobeguidedin 

all our efforts by the philosophy expressed by 

Eudora Welty, a great writer and former member 

of the National Council on the Arts: 

"We onlg work in order that the artists may
 

makenewthingsoftr~~th, thattheira~~diences,
 

ciewers, lear~~ more of what it is abo~~t by
 

ope~~ing minds a~zd feeli~~gs to ir, beS~g willing
 

to accept its bea~zty i~~ all the manifestatio~~s i~~
 

which it may a ppea r. So we shall all experience


i~~ a way of o~~r o~«n some of the joy of art’s
 

maki~~g."
 

F.S.M. Hodsoll 

Chairman 

National Endowment for the Arts 
6 

The Agency and
 

The National Foundation on the Arts zations. Rather, it acts asa partner with the artsand the Humanities support community, using federal resources to 

In 1965 Congress created the National Foundation develop and promote a broadly conceived national 

on the Arts and the Humanities as an independent policy of support for the arts. 

agency of the executive branch of federal government. The Foundation consists of the National Chairman of the Endowment 

Endowment for the Arts, the National Endowment The Chairman of the Arts Endowment is appointed 

for the Humanities, and the Federal Council on the by the President of the United States, with the 

Arts and the Humanities. The Foundation is a advice and consent of the Senate, for a term of four 

legislative umbrella concept; it has no admini- years. The Chairman provides overall direction to 

strative or programming identity separate from its the work of the Endowment. By law, the Chairman 

components, makes final decisions on policies, programs, procedures, and the awarding of all grants and contracts. 

National Council on the Arts 

Formed in 1964, the National Council on the Arts Endowment Panels 

preceded by one year the establishment of the The panels serve the individual Programs of the 

National Foundation on the Arts and the Human- Endowment muchas the National Councii on the 

ities. Arts serves the Endowment as a whole. Together 

The Council is composed of the Chairman of the the Council and panels provide a system of profesNational Endowment for the Arts, who serves as sional peer review to evaluate applications, identify 

Chairman of the Council, and 26 presidentially problems, and develop the policies and programs 

appointed citizens who are recognized for their through which the Endowment respondstochangknowledge of the arts, of for their expertise of ing conditions. 

profound interest in the arts. The Councii is man- More than 600 private citizens serve on these 

dated by law to advise the Chairman on policies, panels, whose membership rotates regularly. Panprograms, and procedures. Italsomustreviewand elists are appointed by the Chairman with the 

make recommendations on applications for grants, advice of the staff and Council members, as well as 

Council members serve six-year terms, stag- organizations and leaders in the field. 

gered so that roughly one-third of all the Council 

rotates every two years. Methods of Funding 

Grant money authorized by Congress comes to the 

National Endowment for the Arts Endowment in program funds, the Treasury Fund, 

The National Endowment for the Arts, an inde- and Challenge Grant funds. Most direct grants to 

pendent agency of the federal government, was organizations and individuals come from program 

created in 1965 to encourage and support Amer- funds. Program grants to arts institutions must be 

ican art and artists. Its major goals ate to foster matched at least dollar-for-dollar. 

artistic excellence by helping to develop the na- The Treasury Fund arrangementallows private 

tion’s finest creativetalent, to preserve our cultural donors to pledge gifts to specific Endowment 

heritage in all its diversity, to make the arts grantees. Each pledge frees an equal amount for 

available to wider, more informed audiences, and the grantee from the Treasury Fund, which is 

to promote the overall financial stability of Amer- maintained at the Treasury Department. Grantees 

ican arts organizations, must then match the combined total of the donor’s 

The Endowment serves asa catalyst to increase pledge plus the Treasury Fund disbursement. 

opportunities for artists and to spur involvement in Challenge Grants are awarded for projects that 

the arts by private eitizens, publie and private contribute to the long-term finaneial stability of 

organizations, and the states and eommunities. The grantee organizations and must be matehed on at 

ageney does not direet of interfere with the ere- least a three-to-one basis. 

ative aetivities of individual artists of arts organi­
 

National Council
 

ou the Arts
 

Francis S.M. Hodsoil 

Chairman 

Members with terms expiring in 1984: 

Thomas P. Bergin 

Educator 

Notre Dame, Indiana 

Norman B. Champ, Jr. 

Businessman/Trustee 

St. Louis. Missouri 

Maureene Dees 

Community Theater Director 

Montgomery, Alabama 

Martin Friedman 

Museum Director 

Minneapolis, Minnesota 

Jaeob Lawrence 

Painter 

Seattle, Washington 

Bernard Blas Lopez
 

State Arts Agency Director
 

Santa Fe, New Mexico
 

James Rosenquist
 

Painter
 

Aripeka, Florida
 

Robert Shaw
 

Conductor
 

Atlanta, Georgia
 

Jessie Woods
 

Arts Administrator
 

Chicago, Illinois
 

Rosalind Wiener Wyman
 

Arts Patron/Civie Leader
 

Los Angeles. California
 

Members with terms expiring in 1986: 

Kurt Herbert Adler
 

Opera Company Conductor
 

San Francisco, California
 

Margo Albert
 

Actress/Arts Administrator
 

Los Angeles. California
 

Arthur I. Jacobs
 

Lawyer/Arts Patron
 Fernandina Beach. Florida 

Robert Joffrey 

Choreographer/Artistic Director 

New York. New York 

Erich Leinsdorf
 

Conductor
 

Falmouth. Massachusetts
 

Toni Morrison 

Novelist/Editor 

Grand-View-on-Hudson. New York 

I.M. Pei
 

Architect
 

New York, New York
 

Lida Rogers
 

State Arts Agency Director
 

Jackson, Mississippi
 

Members with terms expiring in 1988: 

C. Douglas Dillon Financier/Arts Patron/Museum Trustee 

Far Hills. New Jersey 

Allen Drury
 

Author
 

Tiburon. California
 

Celeste Holm
 

Actress
 

New York, New York
 

Raymond J. Learsy 

Businessman/Arts Patron/Trustee 

New York, New York 

Samuel Lipman
 

Critic/Musician
 

New York. New York
 

George Sehaefer 

Film Producer/Director 

Beverly Hiils, California 

Robert Stack
 

Actor
 

Los Angeles. California
 

William L. Van Alen 

Architect 

Edgemont. Pennsylvania 
Pro~oms
 
Dance 

Desiga Arts 

Expansion Arts 

Folk Arts 

Inter-Arts 

International 

Literature 

Media Arts 

Museum 

Music 

Opera-Musical Theater 

Theater 

Visual Arts 
10 Dance 
11 

Dar/ce
 

Dance Advisory Panels
 

Robert Altman 

Dance consultant, manager 

Philadelphia, Pennsylvania 

Steven Ayres 

Dance company manager 

Akron, Ohio 

Ann Barzel 

Dancer, writer 

Chicago, Illinois 

Robert Berky 

Mime 

Washington, D.C. 

Virginia Brooks 

Teacher, dance filmmaker 

New York, New York 

Richard Contee 

Foundation executive 

Minneapolis, Minnesota 

Carolyn Evans 

Program director 

San Francisco, California 

Joel Garrick 

Dance presenter

Brooklyn, New York 

Nancy Mason Hauser 

Dance filmmaker 

Los Angeles, California 

Anne Hawley 

State arts agency director 

Boston, Massachusetts 

Mary Hinkson 

Teacher, former dancer 

New York, New York 

Millicent Hodson 

Choreographer, 

dance historian 

New York, New York 

Bruce Hoover 

Dance presenter 

New York, New York 

Ian Horvath 

Artistic director, 

choreographer 

Cleveland, Ohio 

Jane Koock 

State arts agency 

program associate 

Austin, Texas 

Sali Ann Kriegsman 

Dance writer, presenter

Washington, D.C. 

Harvey Lichtenstein 

Dance presenter

Brooklyn, New York 

Robert Lindgren 

Artistic director 

Winston-Salem, North Carolina 

Bruce Marks 

Artistic director 

Salt Lake City, Utah 

Donald McKayle 

Choreographer 

Los Angeles, Caliíornia 

William Moore 

Dance writer, critic 

New York, New York 

Shirley Mordine 

Choreographer, 

artistic director 

Chicago, Illinois 

Larry Phillips 

Dance presenter 

New York, New York 

Marcia Preiss 

Dance presenter 

Poughkeepsie, New York 

Mary Regan 

State arts agency director 

Raleigh, Nortb Carolina 

Francisco Reynders 

Mime 

Portland, Oregon 

Rena Shagan 

Dance management 

consultant 

New York, New York 

Laura Shapiro 

Dance writer, critic 

Seattle, Washington 

Allegra Fuller Snyder 

Educator 

Los Angeles, California 

Gus Solomons 

A_rtistic director, 

choreographer 

New York, New York 

Kent Stowell 

Artistic director, 

choreographer 

Seattle, Washington 

Ivan Sygoda 

Dance manager 

New York, New York 

David Vaughan 

Dance writer, performer 

New York, New York 

Edward Villella 

Artistic director, dancer 

New York, New York 

Brenda Way 

Artistic director, 

choreographer 

San Francisco, Calífornia 

David White 

Dance presenter 

New York, New York 

Jira Wockenfouss 

Dance presenter ’ 

Iowa City, Iowa 
12 Dance 

Dance Grants Program funds: $7,957,238 

Treasury funds: $ 500,000 

410 grants 

C, horeoo~’anhers’ To provide funds for any project or activity that will further a choreographer’s development. Fellowships’~’" ~’" ~"" 

Program funds: $444,000 

81 grants 

The following choreographers received $8,000 each: 

Boyce, Johanna D. Jones, William T. Ragir, Judith S. 

New York, New York New York, New York Chicago, Illinois 

Caniparoli, Val W. Lamhut, Phyllis Reitz, Dana F. 

San Francisco, California New York, New York New York, New York 

Conrad, Gail S. Maxwell, Carla Renzi, Marta 

New York, New York New York, New York New York, New York 

Dannenberg, Helen McCandless, Dee Riley, Deborah S. 

San Francisco, California Austin, Texas New York, New York 

Deal, Melvin E. Moulton, Charles D. Rinker, Kenneth 

Washington, D.C. New York, New York Brooklyn, New York 

Fenley, A. Nagrin, Daniel Self, James T. 

New York, New York New York, New York New York, New York 

Goldberg, Jane Padow, Judy I. Soll, Beth E. 

New York, New York New York, New York Cambridge, Massachusetts 

Hay, Deborah Perez, Rudolph Stein, Daniel A. 

Austin, Texas Los Angeles, California Paris, France 

Holm, Hanya Perron, Wendy B. Summers, Elaine 

New York, New York New York, New York New York, New York 

Jaroslow, Risa Pomare, Eleo Woodard, Stephanie A. 

New York, New York New York, New York Oberlin, Ohio 

The following choreographers received $3,000 each: 

Alum, Manuel Comfort, Jane C. Gordon, Lonny Joseph 

New York, New York New York, New York Madison, Wisconsin 

Bain, Thomas Douglas, Helen E. Harris, Marina 

Miami, Florida New York, New York Salt Lake City, Utah 

Barsness, Eric P. Dyde, Farrell L. Hong, Sin Cha 

New York, New York Houston, Texas Long Island City, New York 

Bettis, Valerie E. Farley, Alice P. Huston, Valeri 

New York, New York New York, New York Santa Barbara, California 

Beuchat, Carmen L. Fisher, Margaret Keeler, Kristine Kelly 

New York, New York Emeryvillle, California Cambridge, Massachusetts 

Boardman, Diane S. Gamso, Marjorie R. Keller, Emily R. 

Brooklyn, New York New York, New York San Francisco, California 

Bobrow, Carol A. Gladstein, Deborah L. Levine, Andrea 

Chicago, Illinois New York, New York New York, New York 

Bowers, Martha Goldston, Gregg O. Luft, Mary 

Hoboken, New Jersey Salt Lake City, Utah Miami, Florida 
Dance 13 

Morgan, Ernest T. 

Hilo, Hawaii 

Porter, Claire M. 

Grand Rapids, Michigan 

Streb, Elizabeth A. 

New York, New York 

Mukerjea, Ritha Devi Posia, Kathryn Tolbert, C. Alyo 

New York, New York New York, New York Chicago, Illinois 

Mussman, Marjorie S. Reigenborn, Garry D. Vaughan, Deborah B. 

New York, New York New York, New York Oakland, California 

Nash, Matthew Rethorst, Susan Vernon, Charles R. 

New York, New York New York, New York Chicago, Illinois 

Navarra, Gilda Roesch, Barbara J. Von Grona, Eugene 

San Juan, Puerto Rico San Francisco, California New York, New York 

Neeley, Lynn Slater, Deborah J. Woodard, Paula Clements 

Cambridge, Massachusetts San Francisco, California Oberlin, Ohio 

Osgood, Amy D. Slayton, Jeffrey C. Woodberry, David P. 

Chicago, Illinois Los Angeles, California New York, New York 

SohI-Donnell, Linda J. 

Los Angeles, California 

Charlip, Remy For a three-year choreographers’ fellowship. $24,000 

New York, New York 

Dunham, Katherine For a choreographers’ fellowship. 12,000 

East St. Louis, Illinois 

Primus, Pearl E. For a three-year choreographers’ fellowship. 24,000 

New Rochelle, New York 

Woodard, Stephanie For a collaborative project with Louise Steinman, Patricia Giovenco, 3,000 

Oberlin, Ohio Wendy Perron, Paula Clements, and Harry Sheppard. 

General Services To assist organizations or individuals who provide services to dance companies, dancers, and choreographers on a national or regional level, or who to the Field increase the visibility of dance in their communities or regions. 

Program funds: $489,279 

Treasury funds: $10,000 

34 grants 

American Dance Festival For the American Dance Festival critic’s conference. $7,500 

Durham, North Carolina 

American Dance Festival For the salary of the project director of the te¢hnical assistance 5,000 

Durham, North Carolina project. 

Association of Ohio Dance Companies For the newsletter and dance calendar. 5,000 

Shaker Heights, Ohio 

Contact Collaborations For publication of the Contact Quarterly. 4,000 

New York, New York 

Cunningham Dance Foundation For salaries, supplies, and materials for the operation of the Cun- 3,000 

New York, New York ningham Studio. TF 5,000 

Dance Notation Bureau To document the dances in the current repertories of American dance 10,000 

New York, New York companies. 

Dance Notation Bureau For the resident notator project. 17,500 

New York, New York 

Dance Theater Workshop To support DTW’s membership services. 24,000 

New York, New York 
14 Dance 

Design Coalition 

New York, New York 

Foundation for the Extension and 

Development of the American 

Professional Theater 

New York, New York 

Foundation for the Extension and 

Development of the American 

Professional Theater 

New York, New York 

Foundation for the Extension and 

Development of the American 

Professional Theater 

New York, New York 

Foundation for the Joffrey Ballet 

New York, New York 

Gottfried, Linda E. 

Fayetteville, New York 

Johns, Byron 

Washington, D.C. 

Los Angeles Atea Dance Alliance 

Los Angeles, California 

Mid-America Arts Alliance 

Kansas City, Missouri 

Minnesota Independent 

Choreographers Alliance 

Minneapolis, Minnesota 

Movement Research 

New York, New York 

Movement Research 

New York, New York 

Murray Spalding Movement Arts 

Washington, D.C. 

National Association for Regional 

Ballet 

New York, New York 

National Association for Regional 

Ballet 

New York, New York 

New York Public Library 

New York, New York 

North Carolina Arts Council 

Raleigh, North Carolina 

Pennsylvania, Trustees of the

University of 

Philadelphia, Pennsylvania 

Pentacle/Danceworks 

New York, New York
 

Performing Artservices
 

New York, New York
 

Philadelphia Dance Alliance
 

Philadelphia, Pennsylvania
 

Quinn, Tracy A.
 

Saratoga Springs, New York
 

For professional photographs, additional graphic design services, and

a publication program for Spacefor Dance: Ah Architectural Design 

Cuide for Dance and Performing Arts Facilities. 

To provide administrative and consultant services related to evaluation of professional dance companies, service organizations, and individual choreographers during fiscal 1982. 

15,600 

84,670 

To provide administrative and consultant services related to evaluation of professional dance companies, service organizations, and individual choreographers during fiscal 1983. 90,000 

To support FEDAPT’s management technical assistance program for 

professionally oriented dance companies. 

25,000 

To assist Dance/USA in developing its services for the dance field. 20,000 

To participate as a Fellow in the Dance Program. The Fellowship 

Program contributed an additional $1,000 to this award. 

2,520 

To amend a previous fellowship given by the Endowmeat’s Fellowship

Program. 

For the expansion of the administrative staff, the improvement of

membership services, and the development of a dance video center. 

For Dance Network activities, including newsletters, bulletins, 

regfional meetings, anda resource book of the region’s dance 

community. 

For choreographers’ and dancers’ fees for a series of concerts. 

1,100 

9,000 

3,000 

5,000 

For the studies project, a dance and discussions series. 2,000 

To support artist-led workshops and performances. 3,000 

For the presentation of modern dance companies in the Grace Church 

dance theater. 

To support the Craft of Choreography conferences. 

3,000 

15,000 

For the association’s 1982 projects for regional ballet companies. 25,000 

For administrative staíf positions for the Dance Collection of the Performing Arts Resource Center. 

To pay the company fees of participants in the North Carolina Dance 

Showcase. 

11,000 

5,000 

For publicity and marketing campaigns fora dance series. 3,000 

For the organization’s services to dance companies. 15,000 

For the continuation of the program of services. 17,000 

For publication and distribution of a monthly dance calendar for the 

Philadelphia dance community. 

To enable Tracy A. Quinn to participate in the Endowment’s 

Fellowship Program. 

3,500 

4,889 
Dance 15 

Roxanne Dance Foundation 

New York, New York 

For management services, part-time salaries and administrative expenses for this dance management service organization. 

5,000 

San Francisco Bay Area Dance 

Coalition 

For the information and advocacy services to the Bay Area dance 

community. 

15,000 

San Francisco, California 

San Francisco Dance Management For administrative services to Bay Area modern dance companies. 5,000 

San Francisco, California 

Theatre Development Fund 

New York, New York 

For the dance voucher program, the publication of New York Onstage, 

and the ticket subsidy program. 

25,000 

TF 5,000 

Grants to	 To promote artistic development, administrative and financial stability, 

and increased visibility and community support for professional dance Dance Companies	 companies. 

Program funds: $3,175,411 

Treasury funds: $ 460,000

188 grants 

Aims of Modzawe To amend a previous grant for the rehearsal and performance of $2,500 

Jamaica, New York Dinizulu Dancers, Drummers, and Singers. 

Airas of Modzawe For rehearsal salaries for Dinizulu Dancers, Drummers, and Singers. 8,510 

Jamaica, New York 

Aman Folk Ensemble For rehearsal salañes, production, and the costs of presenting a home 17,020 

Los Angeles, California season. 

Aman Folk Ensemble To add two new dance suites to the repertoire, to pay rehearsal 45,000 

Los Angeles, California salaries, and to hire a company manager. 

American Dance Asylum To support a self-produced home season. 3,900 

Binghamton, New York 

American Dance Foundation To pay rehearsal salaries and performance costs for U.S. Terpsichore. 7,500 

New York, New York 

American Deaf Dance Company For a new work for the company by guest choreographer David 5,760 

Austin, Texas Gordon. 

American Deaf Dance Company To amend a previous grant for dancers’ rehearsal salaries during the 5,000 

Austin, Texas setting of a new work. 

Arts Catalyst Allianee To pay rehearsal salaries fora home season and the previously un- 8,000 

New York, New York paid salaries of the general manager and the administrative assistant. 

Arts Catalyst Alliance For a rehearsal period and the salaries of an administrative assis- 6,810 

New York, New York tant for Nina Wiener and Dancers. 

Atlanta Ballet For new works, a full-time public relations staffer, and additional home 30,000 

Atlanta, Georgia performances. 

Atlanta Ballet For improved promotional materials and rehearsal time. 21,275 

Atlanta, Georgia 

Atlanta Contemporary Dance For rehearsal salañes, a home season, and touñng costs. 7,500 

Company

Atlanta, Georgia 

Ballet Foundation of Milwaukee To support a marketing/audience development campaign. 25,000 

Milwaukee, Wisconsin 

Ballet Foundation of Milwaukee Fora new work by Helen Douglas, the addition of Grosse Fugue by 12,765 

Milwaukee, Wisconsin II. van Manen and Les Patineurs by Frederick Ashton, and improved visual and graphic materials for the Milwaukee Ballet Company. 

Ballet Theatre Foundation To pay rehearsal salaries for dancers and artistic staff. 20,000 

New York, New York 
16 Dance 

Ballet West 

Salt Lake City, Utah 

Ballet West 

Salt Lake City, Utah 

Baltimore Ballet 

Baltimore, Maryland 

Bella Lewitzky Dance Foundation 

Los Angeles, California 

Bella Lewitzky Dance Foundation 

Los AngeIes, California 

Bert Houle/Sophie Wibaux Mime 

Theatre 

San Francisco, California 

Bert Houle/Sophie Wibaux Mime 

Theater 

San Francisco, California 

Black Dimensions Dance Theater 

Oakland, California 

Boston Ballet 

Boston, Massachusetts 

Boston Ballet 

Boston, Massachusetts 

Cassandra Dancefrheatre Corporation 

Brooklyn, New York 

Center for Positive Thought 

Buffalo, New York 

Chicago City Ballet 

Chicago, Illinois 

Choreographics 

Berkeley, California 

Chuck Davis Dance Company 

New York, New York 

Cincinnati Ballet Company 

Cincinnati, Ohio 

Cincinnatti Ballet Company 

Cincinnatti, Ohio 

Cirque Productions 

Portland, Oregon 

Changing Times Tap Dancing 

Company 

New York, New York 

Cleveland Ballet 

Cleveland, Ohio 

Cleveland Ballet 

Cleveland, Ohio 

Coming Together Festival of Dance 

and Music 

New Baltz, New York 

Concert Dance Company 

Watertown, Massachusetts 

Concert Dance Company 

Watertown, Massachusetts 

For the company’s home season, rehearsal salaries, anda new work 

by guest choreographer I4elen Douglas. 

63,820 

For the company’s home season, rehearsal salaries, anda new work 

by guest choreographer Daniel Levens. 

15,000 

For a rehearsal period for repertory maintenance. 5,000 

For a new work by artistic director Bella Lewitzky for the company. 12,765 

For a rehearsal period, the new position of development assistant, 

and the creation of a film to be used as a fund-raising tool. 

15,000 

For the creation of new mime work and rehearsal costs for the 

maintenance of repertory. 

2,500 

For the creation of new mime works, rehearsal costs for the 

maintenance of repertory, a home season, and costs of preserving two 

documentary mime films. 

For rehearsal salaries anda home season. 

10,640 

3,000 

To support the company’s 1982-83 home season. 25,530 

For a rehearsal period for repertory development. 10,000 

For a marketing and promotional campaign for a home season and 

national recognition for Rachel Lampert and Dancers. 

For the salary ofa company manager and the costs oía home season 

and regional tour for Kariama and Company. 

5,000 

5,000 

For dancers’ salaries during rehearsal. 10,000 

For the salary of artistic director Wendy Rogers of the Wendy Rogers 

Dance Company. 

6,810 

For costs relating to the creation and rehearsal of a new piece for 

the Chuck Davis Dance Company. 

For an extended rehearsal period, a series of performances in Cincinnati parks, and the staging of Jubilee by Joseph Duell. 

8,000 

35,000 

For a rehearsal period anda media campaign. 25,530 

For the rehearsal and production of the company’s home season. 9,000 

For a company administrator and performances and workshops of 

Old New Borrowed and Bluesy and By Word of Foot jazz tap shows. 

10,215 

For the creation of Vaudeville by Dennis Nahat and Ian Horvath, 

the restaging of Dark Elegies by Sally Wilson, anda new ballet by 

Dennis Nahat. 

51,055 

For the staging of Anthony Tudor’s Lilac Garden, an audience 

development campaign, and rehearsal for the fall season. 

To restage Michael Uthofffs production of Tom Dula for Vanaver 

Caravan. 

70,000 

5,000 

For additional home season performances anda work by guest 

choreographer Dan Wagoner. 7,500 

For a new work for the company by guest choreographer Annabelle 

Gamson. 

6,385 
Dance 17 

Crowsnest For new works by Martha Clarke in collaboration with Robert Barnett 6,000 

New York, New York and Felix Blaska, anda rehearsal period. 

Cunningham Dance Foundation For a 35mm film, a self-produced home season, and rehearsal salaries. 80,000 

New York, New York 

Cunningham Dance Foundation For a new work by artistic director Merce Cunningham, a broadcast­ 85,090 

New York, New York quality color film by artist Charles Atlas, an expanded home season, 

and rehearsal salaries. 

Dan Wagoner Dance Foundation 

New York, New York 

For a new work by artistic director Dan Wagoner, a rehearsal period

prior to the company’s home and touring season, and the development and execution of a national marketing effort to increase earned 

15,000 

income. 

Dan Wagoner Foundation For a new work by artistic director Dan Wagoner, a rehearsal period 12,765 

New York, New York prior to the company’s home and touring season, and the development and execution of a national marketing effort to increase earned 

income. 

Dance Collective/Mass Movement 

Lexington, Massachusetts 

To support a home season and hire an administrator to undertake 

a marketing and audience development project. 

5,110 

Dance CollectivefMass Movement To amend a previous grant for new works by the company’s resident 3,000 

Lexington, Massachusetts choreographers. 

Dance Solos For a home season at Carnegie Hall for Annabelle Gamson. 8,510 

New York, New York 

Dance Solos To support the art of solo dance by training artists in works of Isadora 10,000 

New York, New York Duncan, Mary Wigman, and Annabelle Gamson. 

Dance Theater Foundation 

New York, New York 

For a self-produced home season, rehearsal salaries, new works by

noted choreographers, and the hiring of a marketing consultant. 

70,000 

Dance Theater Foundation For a self-produced home season; rehearsal salaries; new works by 59,565 

New York, New York artistic director Alvin Ai]ey and guest choreographers Murray Louis, 

Billy Wilson, Donald McKayle, and Lar Lubovitch; and marketing 

and development activities of the Alvin Ailey American Dance 

Theater. 

Dance Theatre Seattle For a financial development program for the Bill Evans Dance 4,000 

Seattle, Washington Company. 

Dance Theatre of Harlem For a rehearsal period and the staging of Eugene Loring’s Billy the 97,855 

New York, New York K/d, Glen Tetley’s Voluntaries, and Arthur Mitchell’s Jazz Ballet. 

Dance Theatre of Harlem 

New York, New York 

For the staging ofA Streetcar Named Desire, Equus, and rehearsal 

salaries. 

15,000 

Dance Visions For a new work by artistic director Dianne McIntyre in collabora­ 4,255 

New York, New York tion with composer Eubie Blake for Sounds in Motion. 

Dance in Maine Foundation For a new program entitled The Laves and Adventures of Krishna: 8,510 

Brunswick, Maine Divine Flute Player and Hero by Sukanya, anda self-produced season 

in New York City for Indrani and Sukanya of Classical Dances of 

India. 

Dance in Maine Foundation For travel costs for Indrani and Sukanya, Classical Dances of India, 10,000 

Brunswick, Maine for the purpose of working with professional choreographers in the

four different styles of Indian classical dance. 

Dance Kalei~toscope For the creation ofa new work by guest choreographer Domy Reiter­ 3,000 

Indianapolis, Indiana Soffer for the company. 

Dances and Drums of Africa For a rehearsal period for repertory maintenance, and the previous­ 15,000 

Brooklyn, New York ly unpaid position of company manager. 

Dances and Drums of Africa For a rehearsal period for repertory maintenance, the artistic direc­ 12,765 

Brooklyn, New York tor’s fee, vídeo tapes of the repertory for booking purposes, and a 

consultant for audience development. 

Dayton Ballet Association To support the company’s 1981-82 home season. 5,000 

Dayton, Ohio 
18 Dance 

Dayton Contemporary Dance Company 

Dayton, Ohio 

Dayton Contemporary Dance Company 

Dayton, Ohio 

Dean Dance and Music Foundation 

New York, New York 

Dean Dance and Music Foundation 

New York, New York 

Don Redlich Dance Company 

New York, New York 

Don Redlich Dance Company 

New York, New York 

Eglevsky Ballet Company 

Huntington Station, New York 

Eglevsky Ballet Company of Long 

Island 

New Hyde Park, New York 

18th Street Dance Foundation 

New York, New York 

18th Street Dance Foundation 

New York, New York 

Foundation for Dance Promotion 

New York, New York 

Foundation for Independent Artists 

New York, New York 

Foundation for Independent Artists 

New York, New York 

Foundation for Modern Dance 

New York, New York 

Foundation for Modern Dance 

New York, New York 

Foundation for the Joffrey Ballet 

New York City, New York 

Foundation for the Joffrey Ballet 

New York, New York 

Harbinger 

Highland Park, Michigan 

ttarry’s Foundation 

New York, New York 

Harry’s Foundation 

New York, New York 

Hartford Ballet 

Hartford, Connecticut 

Harvest Dance Foundation 

New York, New York 

Itarvest Dance Foundation 

New York, New York 

To pay the salaries of the dancers and artistic staff during rehearsal 

and performance periods and to provide salary assistance for Kim 

Carteras the assistant to the artistic director/resident choreographer. 

5,000 

To pay rehearsal salaries for the dancers, to provide for management 

consultants, and to pay travel costs for artistic director Jeraldyne 

Blunden to attend regional ballet festivals. 

10,215 

For the creation of a new work by Laura Dean, and for dance and 

music specifically created for television under the supervision of Gary 

Halvorson. 

25,530 

For the creation of a new work by Laura Dean and for new administration positions. 8,000 

To support a co-produced New York City season with the Phyllis 

Lamhut Dance Company and Annabelle Gamson. 

8,510 

To amend a previous grant for the creation of a new work for the 

company. 

2,000 

For more performances during the regular subscription series. 30,000 

For more performances in a greater variety of locations. 21,275 

To amend a previous grant for the 1981-82 New York City season 

of the Sara Rudner Dance Ensemble. 

3,000 

For the creation of a new work by Sara Rudner for the 1982-83 season 

of the Sara Rudner Dance Ensemble. 

8,510 

For a new work by Bill T. Jones, a self-produced New York City 

season, outside choreography, and continued employment of a professional management firm. 

8,510 

For a self-produced "second-home" season for Eiko and Roma in Catskill, New York, and Baltimore, Maryland. 

6,200 

For the creation of a new work by Charles Moulton for Charles 

Moulton and Dancers. 

5,110 

For the creation of a new work by artistic director Erick Hawkins, 

and for an associate manager for the Erick Hawkins Dance Company. 

12,765 

For the creation of a new work by artistic director Erick Hawkins, 

the salary of a tour administrator, and the production of marketing 

and promotion materials. 

15,000 

For the 1982-83 home season, assistance for the company’s projected

move to Los Angeles, and fund-raising activities. 

100,000 

For a new work by artistic director Robert Joffrey, a home season, 

anda rehearsal period for the Joffrey Ballet. 

115,000 

To paya full-time technical director. 5,000 

For new works by artistic director Senta Driver, anda new work 

in collaboratíon with composer and music historian Neely Bruce. 

10,215 

For new works by artistic director Senta Driver, the salary of the 

full-time rehearsal assistant, and the completion costs for the video 

tape Sudden Death. 

12,000 

To support a rehearsal period for repertory maintenance. 5,000 

For the creation and rehearsal of a new work by artistic director 

Rosalind Newman, and the salary of a full-time company administrator 

for Rosalind Newman and Dancers. 

10,000 

For the creation of a new work by artistic director Rosalind Newman. 8,510 
Dance 19 

Hieronymus Foundation 

New York, New York 

For a self-produced home season in New York City and the creation 

of a new work by artistic director Bob Bowyer for the Bowyer and 

6,385 

Bruggeman Dance Company. 

Hieronymus Foundation 

New York, New York 

For a self-produced home season in New York City and the creation 

of a new work by artistic director Bob Bowyer for Bowyer and Brug7,500 

geman Dance Company. 

House Foundation for the Arts 

New York, New York 

For the rehearsal and production costs of Meredeth Monk’s new work, 

Specimen Days, and the vídeo documentation of the repertory of 

Meredeth Monk/The House. 

36,156 

House Foundation for the Arts For film documentation of either Education of the Girlchild or Paris 27,230 

New York, New York Chacon, a full-time development director, anda rehearsal period for 

Meredeth Monk/The House. 

Houston Ballet Foundation Fora new work by guest choreographer Farrell Dyde for the Houston 12,765 

Houston, Texas Ballet. 

Hubbard Street Dance Company 

Chicago, Illinois 

To pay for rehearsal periods, ah administrative assistant to the 

manager, dance-related travel, and a new work by guest choreographer Tony Stevens. 

10,000 

Itubbard Street Dance Company For paid rehearsal periods for dancers; the addition of two new 10,215 

Chicago, Illinois dancers; a full-time administrator of development and public relations; 

dance-related travel; anda new work by guest choreographers Tony 

Stevens, Lynn Taylor-Corbett, and David Anderson. 

I|e-Ife Black Humanitarian Center 

Philadelphia, Pennsylvania 

To amend a previous grant for the new positions of publicity coordinator and administrative director for the Authur Hall Afro-Ameñcan 

Dance Ensemble. 

2,500 

Jose Limon Dance Company 

New York, New York 

For the staging of Anna Sokolow’s Magritte anda rehearsal period prior to the company’s home and touring seasons. 

20,000 

Jose Limon Dance Foundation For a documentary film on the Jose Limon Dance Company, the ad­ 17,020 

New York, New York dition of four new dancers, anda rehearsal period prior to the company’s home and touring seasons. 

Kahn, Majors and Dancers For the part-time position of booking manager anda rehearsal period 6,810 

New York, New York for Hannah Kahn and Dancers. 

Kahn, Majors and Dancers To amend a previous grant for part-time management services for 3,000 

New York, New York the company. 

Kansas City Civic Ballet Foundation For the production of Kiss ofFateby artistic director Todd Bolender. 12,765 

Kansas City, Missouri 

Kathryn Posin Dance Foundation 

New York, New York 

For the creation of a new work by artistic director Kathryn Posin 

and fora full-time company manager for the company. 

6,000 

Kathryn Posin Dance Foundation For the creation and documentation of a new work by artistic direc­ 5,000 

New York, New York tor Kathryn Posin, and for a full-time company manager. 

Kei Takei’s Moving Earth For the creation and rehearsal of a new work. 8,510 

New York, New York 

Kinetikos Dance Foundation For an administrative development consultant and the pmmotion costs 5,000 

Los Angeles, California of a home season for Dance/LA. 

Kinetikos Dance Foundation For a membership and subscription campaign for Dance/LA’s home 4,000 

Los Angeles, California season and for the annual Choreographer’s Showcase. 

Kipnis Mime Theatre 

New York, New York 

For the completion of Claude Kipnis’ Skin by artistic director Edith Dina Kipnis. 

8,000 

Kipnis Mime Theatre For a creative rehearsal period and the revival of older works by 6,810 

New York, New York Claude Kipnis. 

Los Angeles Atea Dance A|iiance For the salary and related expenses of an administrative manager 8,000 

Los Angeles, California during the 1981-82 season for TNR: The New Repertory dance 

company. 

Los Angeles Area Dance Alliance For the salary and related expenses of an administrative manager 4,255 

Los Angeles, California during the 1982-83 season for TNR. 
20 Dance 

Lubovitch Dance Foundation 

New York, New York 

Lubovitch Dance Foundation 

New York, New York 

Lucinda Childs Dance Foundation 

New York, New York 

Lynn Dally Dance Company 

Los Angeles, California 

Lynn Dally Dance Foundation 

Los Angeles, California 

Margaret Jcnkins Dance Studio 

San Francisco, California 

Margaret Jenkins Dance Studio 

San Francisco, California 

Maria Benitez Spanish Dance 

Company 

New York, New York 

Maria Benitez Spanish Dance 

Company 

New York, New York 

Martha Graham Center of 

Contemporary Dance 

New York, New York 

Maryland Dance Theater 

College Park, Maryland 

Maryland Dance Theater 

College Park, Maryland 

May O’Donnell Concert Dance 

Company 

New York, New York 

Mel Wong Dance Foundation 

New York, New York 

Mid-Man Dance Foundation 

New York, New York 

Mid-Man Dance Foundation 

New York, New York 

Minnesota Dance Theatre and School 

Minneapolis, Minnesota 

Morca Foundation of the Spanish 

Dance 

Bellingham, Washington 

Morca Foundation of the Spanish 

Dance 

Bellingham, Washington 

Musical Traditions 

Emer)wille, California 

For new works by artistic director Lar Lubovitch. 18,720 

Fora rehearsal period, salaries of professional promotional consultants, anda broadcast-quality commercial for promotional purposes, 

and the vídeo documentation of the active repertory of Lar Lubovitch. 

25,000 

For the creation of a new work, the staging of two plays, and video

documentation. 

25,000 

For the continued position of a íull-time company manager, salaries 

for a rehearsal period, and the creation of new works for the Jazz 

Tap Ensemble by company members. 

12,765 

For a full-time company manager, salaries for a rehearsal period, and 

promotional materials for the Jazz Tap Ensemble. 

15,000 

For the creation and rehearsal of a new work by artistic director 

Margaret Jenkins and additional performances through regional

touring. 

8,510 

For the creation of a new work by artistic director Margaret Jenkins 

anda self-produced home season for the Margaret Jenkins Dance 

Company. 

18,750 

For a new work by María Benitez based on Garcia Lorca’s Blood Wedding and a self-produced home season. 12,765 

To amend a previous grant for the expansion of the company’s 

repertory. 

2,500 

For the creation of a new work by artistic director Martha Graham, 

a major revival of a previously existing work, a paid rehearsal period, 

and administrative staff positions. 

75,000 

For a self-produced New York City season, assistance from a management consultant firm, the establishment of a second home in North 

Carolina, and the creation of a new work by Larry Warren. 

6,385 

For the staging of Rachel Lampert’s Home and additional performances around Maryland. 7,500 

For a rehearsal period, the revival of previously existing repertory, 

the creation of a new work, and improved promotional materials. 

5,000 

For the creation of a new work by artistic director Mel Wong, a self 

or co-produced home season in New York City, and the new position 

of company manager. 

5,000 

For a new work by artistic director Milton Meyers, a video of the 

Lester Horton technique for archival records, a new work by guest 

choreographer Elisa Monte, anda self-produced home season for the 

Joyce Trisler Danscompany. 

8,510 

For a new work by artistic director Milton Meyers, a new work by 

guest choreographer Norman Walker, anda self-produced home

season for the Joyce Trisler Danscompany. 

10,000 

For the positions of public relations manager and contemporary ballet

mistress, rehearsal of a new work by artistic director Loyce Houlton, 

a marketing campaign for increasing national and local visibility, and

documentation of repertoire. 

35,000 

For the second hall of Anthology Flamenco, to be choreographed by 

artistic director Teo Morca. 

6,000 

For a concert, Anthology Flamenco, to be choreographed by artistic 

director Teo Morca. 

5,000 

For the salary of artistic director Nancy Harp and creation of a new 

dance and music work for Nancy Harp and Dancers. 

5,000 
Dance 21 

New York City Hispanic-American 

Dance Company 

New York, New York 

For a new work by guest choreographers Lynn Talor Corbett and 

Vincent Nebrada, the revival of Jose Limon’s La Malinche, a rehearsal 

period, anda self-produced season in New York City for Ballet 

21,275 

Hispanico. 

New York City Hispanic-American For a new work by guest choreographer Ta!ley Beatty, a chore­ 25,000 

Dance Company ographer’s workshop, a rehearsal period, anda self-produced season 

New York, New York in New York City for Ballet Hispanico. 

Nancy Spanier Dance Theatre For the creation and rehearsal of a new work to be choreographed 7,500 

Boulder, Colorado by artistic director Nancy Spanier. 

Navillus Foundation for the Arts For a new work choreographed by Phoebe Neville for the Phoebe 8,000 

New York, New York Neville Dance Company. 

Nevada Dance Theatre To expand the company’s rehearsal and performance season in Las 10,000 

Las Vegas, Nevada Vegas and to hire a company development director. 

New Dance Theatre 

Denver, Colorado 

For a new work by guest choreographer Taylor Corbett and for the

position of marketing director for the Cleo Parker Robinson Dance 

8,510 

Ensemble. 

New Hampshire Mime Company For a full-time booking manager for Pontine Movement Theatre, and 3,000 

Portsmouth, New Hampshire for the company’s participation in booking conferences. 

New Jersey Ballet Company To mount Stuart Hodes’ Abyss and George Balanchine’s Concerto 7,500 

West Orange, New Jersey Barocco. 

Nikolais/Louis Foundation for Dance 

New York, New York 

For a new work by Murray Louis anda rehearsal period for the Murray Louis Dance Company. 

10,000 

Nikolais/Louis Foundation for Dance 

New York, New York 

For a new work by Alwin Nikolals and a rehearsal period for the 

Nikolais Dance Theatre. 

7,500 

Nikolais/Louis Foundation for Dance 

New York, New York 

For a new work by Alwin Nikolais and a rehearsal period for the 

Nikolais Dance Theatre. 

8,510 

Nikolais/Louis Foundation for Dance For a new work by Murray Louis anda rehearsal period for the Mur­ 10,640 

New York, New York ray Louis Dance Company. 

North Carolina Dance Theater For a rehearsal period, a new ballet by associate director Salvatore 21,275 

Winston-Salem, North Carolina Aiello, anda home season. 

North Carolina Dance Theater For rehearsal salaries for the company’s dancers and production 29,000 

Winston-Salem, North Carolina staff, a new ballet by Charles Czarny, anda full-time director of 

development. 

Oakland Ballet Company For the rehearsal salaries of dancers and artistic personnel, and an 25,000 

Oakland, California audience development and subscription campaign. 

Oakland Ballet Company To restage Les Biches and Polovetsian Dances of Prince Fgor. 21,275 

Oakland, California 

Oberlin Dance Collective 

San Francisco, California 

For the creation of The Plan of Change by Brenda Way and Auto 

Mechanics by Kimi Okad, a home season, and the engagement of ballet 

10,215 

mistress Sue Loyd. 

Oberlin Dance Collective 

San Francisco, California 

For the creation ofnew works by the company’s co-artistic directors,

and an expanded local promotion and marketing eífort. 

12,000 

Ohio Chamber Ballet For establishing "second home seasons" in surrounding areas, and 17,020 

Akron, Ohio for the company’s regular home season. 

Orchestra of Our Time For a new work by artistic director Andrew deGroat for Andrew 6,810 

New York, New York deGroat and Dancers. 

Oregon Mime Theatre For a creative rehearsal period, a self-produced home season, and 5,000 

Lake Oswego, Oregon the production of two public service announcements. 

Original Ballets Foundation For a home season at the Joyce Theatre for the Feld Ballet Company. 21,275 

New York, New York 

Original Ballets Foundation For the creation of new ballets by artistic director Eliot Feld, a home 35,000 

New York, New York season at the Elgin Theatre, anda rehearsal period prior to the company’s home season for the Feld Ballet Company. 
22 Dance 

Pacific Northwest Ballet Association 

Seattle, Washington 

Pacific Northwest Ballet Association 

Seattle, Washington 

Paul Taylor Dance Company 

New York, New York 

Paul Taylor Dance Foundation 

New York, New York 

Pennsylvanía Ballet Association 

Philadelphia, Pennsylvania 

Pennsylvania Ballet Association 

Philadelphia, Pennsylvania 

Performing Artservices 

New York, New York 

Philadelphia Dance Company 

Philadelphia, Pennsylvania 

Pick-Up Performance Company 

New York, New York 

Pick-Up Performance Company 

New York, New York 

Pílobolus 

Washington, Connecticut 

Pittsburgh Ballet Theatre 

Pittsburgh, Pennsylvania 

Plexus 

Takoma Park, Maryland 

Primary Performance Group 

New York, New York 

Ram Island Dance Center 

Portland, Maine 

Raro Island Dance Center 

Portland, Maine 

Repertory Dance Theatre 

Salt Lake City, Utah 

Rinker/Cervetti Dance and Music 

Brooklyn, New York 

Rio Grande Uhion 

New York, New York 

Rio Grande Union 

New York, New York 

San Francisco Ballet Association 

San Francisco, California 

San Francisco Ballet Association 

San Francisco, California 

San Francisco Dance Theater 

San Francisco, California 

Solomons Company/I)ance 

New York, New York 

For production costs of George Balanchine’s Chaconne, to be shared 

with the San Francisco Ballet. 

25,530 

For a new work by artistic director Kent Stewell entitled Metamorphosis and for the new position of music director. 30,000 

For the creation of new works by artistic director Paul Taylor, a selfproduced home season, the revival of two works currently not active 

in the company’s repertoire, and the salary for a dance notator. 

90,000 

For artistic director Paul Taylor to create new works, for a selfproduced home season, and for the revival of two works currently 

not active in the company’s repertoire. 

76,580 

For dancers’ salaries, musicians for Nutcracker Suite, and administrative salaries. 

250,000 

For the staging of Paul Taylor’s CIoven Kingdora and rehearsal 

periods prior to performance. 

100,000 

For the creation of a new work by Lucinda Childs anda rehearsal

period for repertory maintenance. 

21,275 

To stage Deborah Zall’s Scriabin Preludes and Souvenirs. 12,765 

For the creation ofa new work by artistic director David Gordon and 

the exploration dance specifically designed for the cinema. 

28,750 

For the creation of a new work by artistic director David Gordon, 

a paid rehearsal period, anda home season. 

19,145 

For the creation of new works by the company’s co-artistic directors. 4,255 

To create opportunities for aspiring choreographers to present their 

works, to bring in visiting teachers to work with the dancers, and 

to expand the company’s home season performances by adding a 

Saturday matinee. 

15,000 

For a rehearsal period for repertory maintenance and the creation 

of new works for Plexus Mime Theatre. 

3,000 

For a home season for Jim Self and Dancers. 6,810 

For a home season, a rehearsal period, anda marketing and advertising campaign. 6,810 

For a subscription series in Portland and Lewiston, Maine, and a fulltime company manager. 7,500 

For more home performances by the company. 6,385 

For a company administrator anda new dance work by Kenneth

Rinker for the Kenneth Rinker Dance Company. 

6,810 

For the creation and rehearsal of a new work by Douglas Dunn for 

Douglas Dunn and Dancers. 

12,765 

For the creation and rehearsal of a new work by Douglas Dunn for 

Douglas Dunn and Dancers. 

15,000 

For a home season, a rehearsal period íor repertory maintenance, 

and production costs of George Balachine’s Kylian’s. 

75,680 

For an expanded home season anda rehearsal period for repertory 

maintenance. 

100,000 

For the costs of live music, theater rental, marketing and promotional 

materials, and rehearsal salaries. 

5,000 

For a rehearsal period and marketing effort. 4,000 
Dance 23 

7,000 Solomons Company/Dance For a rehearsal period for the company prior to the 1981-82 New York 

New York, New York City season anda full-time company administrator. 

6,810 Transmedia Kinetrics Coalition For the creation of new work, maintenance of existing repertory, and 

New York, New York development of a marketing campaign for Kenneth King and Dancers 

during the 1982-83 season. 

11,000 Transmedia Kinetrics Coalition For a collaboration bet~veen artistic director Kenneth King and comNew York, New York poser William Tuder, and for the editing costs of repertory already

on videotape during the 1981-82 season. 

25,820 Trisha Brown Company For the creation and premiere of a new work by artistic director Trisha 

New York, New York Brown, and for a fund-raising and development campaign during the 

1981-82 season. 

Trisha Brown Company	 For the creation of a new work by Trisha Brown in collaboration with 17,020 

New York, New York performance artist Laurie Anderson, and for a self-produced home

season during 1982-83. 

Tulsa Ballet Theatre For the position of marketing director during the 1981-82 season. 5,000 

Tulsa, Oklahoma 

Twyla Tharp Dance Foundation For the creation of new works by artistic director Twyla Tharp and 25,025 

Brooklyn, New York a rehearsal period during the 1982-83 season. 

Twyla Tharp Dance Foundation For the creation of new works by artistic director Twyla Tharp dur- 85,000 

New York, New York ing the 1981-82 season. 

5,500 United Mime Workers For a creative rehearsal period during the 1982-83 season. 

Champaign, Illinois 

2,000 Valerie Huston Dance Theater To amend a previous grant for the creation, rehearsal, and producSanta Barbara, California tion of a new work choreographed by the company’s resident choreographers for the 1981-82 season. 

Valerie Huston Dance Theater For the position of general manager anda rehearsal period prior to 10,215 

Santa Barbara, California the company’s 1982-83 home season. 

Washingtor, Ballet 5,000 For promotional costs of producing home and regional performances 

Washington, D.C. during the 1981-82 season. TF 7,500 

Washington 12,765 Ballet To support additional regional and home performances during the
 

Washington, D.C. 1982-83 season.
 

5,000 Zero Moving Dance Company For an administrative director for the company.
 

Philadelphia, Pennsylvania
 

5,000 Zivili Kolo Ensemble For an additional number of self-produced home performances.
 

Granville, Ohio
 

Dance/Film/Video	 To help individuals and organizations other than dance companies document major works or extend the art of dance through the use of film and 

videotape. 

Program funds: $192,500 

18 grants 

Alaska State Council on the Arts To videotape the King Island Eskimos’ presentation of the wolf dance. $2,500
 

Anchorage, Alaska
 

American Dance Festival For the Dance Festival’s graduate-level dance television workshops 10,000
 

Durham, North Carolina under the supervision of Emile Ardolino.
 

Arts Resources in Collaboration For a video dance project with choreographers Eiko and Koma. 4,000
 

New York, New York
 

10,000 Dance Theatre Workshop For the vídeo documentation of dance artists and companies produc-


New York, New York ed by Dance Theatre Workshop, including the Video/Choreographer
 

Collaboration project.
 

8,000 Educational Media Associates of For the production of a film of Bronislava Nijinska’s Les Noces, per-


America formed by the Oakland Ballet.
 

Berkeley, California
 
24 Dance 

Foundation for Dance Promotion 

New York, New York 

Haleakala 

New York, New York 

Heus, Richard G.
 

San Francisco, California
 

New York Public Library
 

New York, New York
 

Painted Bride Art Center 

Philadelphia, Pennsylvania 

Performing Artservices 

New York, New York 

Primus, Pearl
 

New York, New York
 

Rinzler, Lisa
 

New York, New York
 

Schwartz, Michael
 

New York, New York
 

Self, Jira
 

New York, New York
 

WGBH Educational Foundation
 

Boston, Massachusetts
 

Walker Arts Center 

Minneapolis, Minnesota 

Wormser, Richard L.
 

New York, New York
 

Grants to 

Dance Presenters 

American Dance Festival 

Durham, North Carolina 

Arizona State University 

Tempe, Arizona 

Arkansas, University of 

Little Rock, Arkansas 

Asta Society 

New York, New York 

Ballet West in Aspen 

Aspen, Colorado 

Brooklyn Academy of Music 

Brooklyn, New York 

California, University of 

Los Angeles, Caliíornia 

Clark Center for Performing Arts 

New York, New York 

College Community Services 

Brooklyn, New York 

For a dance-video project by choreog~apher Bill T. Jones incorporating 

autobiographical material. 7,500 

To document the work of 16 emerging choreographers presented by 

the "Dancing in the Kitchen" series. 7,000 

For a film that will show the technique used in creating dance with 

developmentally disabled persons. 5,000 

For Dance Collection’s documentation and preservation services. 43,000 

For the production ofA Citizen’s Footbook, a series of dance video 

filler spots choreographed by Terry Fox. 2,500 

To support a video project by David Gordon. 30,000 

To document the development of The Negro Speaks of Rivers, Dr. 

Primus’s dance dedicated to Langston Hughes. 8,000 

To documenta dance choreographed by Judy Padow. 4,000 

To produce a dance vídeo work with choreographer Trisha Brown. 5,000 

To film a work created by Jim Self for six dancers. 4,000 

For the dance project of the WGBH New Television Workshop. 25,000 

For a collaboration with PBS-affiliate KTCA in Minneapolis for the 

filming ofa broadcast-quality tape of Meredith Monk’s Plateau Series. 10,000 

To support the filming of Charles Weidman’s work, Lynchtown. 7,000 

To enable experienced sponsors to present professional dance events of the 

highest artistic quality. 

Program funds: $505,830 Treasury funds: $ 30,000 41 grants 

For artists’ fees for the Emerging Generation Project. $15,000 

For a residency by the Martha Grabara Dance Company. 20,000 

To amend a previous grant fora long-term residency of the Rachel 35,000 Lampert Dance Company.
 

For dance programs, lecture demonstrations, and classes by Asian
 5,000 artists residing in New York City.
 

For the engagement of Ballet West in a long-term residency.
 30,000 

For a ballet series and an international dance series. 15,000 

To present local dance companies on UCLA’s dance series. 15,500 

To present local New York companies at the Clark Center. 20,000 

To present local dance companies in the Performing Arts Dance Series. 9,000 
Colorado Chautauqua Association 

Boulder, Colorado 

Columbia College 

Chicago, Illinois 

Consortium for Pacific Arts and 

Cultures 

Honolulu, Hawaii 

Creative Time 

New York, New York 

Cultural Council Foundation 

New York, New York 

D.C. Wheei Productions 

Washington, D.C. 

Dance Theater Workshop 

New York, New York 

Dunham Fund for Research and 

Development 

Chicago, Illinois 

Haleakala 

New York, New York 

lllinois, Univcrsity of 

Champaign, Illinois 

Inter-Media Art Center 

Bayville, New York 

Iowa, University of 

Iowa City, Iowa 

Jacob’s Pillow Dance Festival 

Lee, Massachusetts 

Johnson State College 

Johnson, Vermont 

Joyce Theater 

New York, New York 

Los Angeles Atea Dance Alliance
 

Los Angeles, California
 

Mamaroneck Free Library 

New York, New York 

Margaret Jenkins Dance Studio 

San Francisco, California 

Maryland, University of 

College Park, Maryland 

Milwaukee County War Memorial
 

Milwaukee, Wisconsin
 

MoMing Dance and Arts Center 

Chicago, Illinois 

Oberlin Dance Collective 

San Francisco, California 

On the Boards 

Seattle, Washington 

Portland Center for the Visual Arts 

Portland, Oregon 

Dance 25 

5,000 For the Colorado Dance Festival. 

5,000 For artists’ fees and promotional expenses for the 1982-83 season. 

15,000 For a long-term residency by the Oregon Mime Theatre. 

5,000 To present dance performances by emerging dance companies at Art 

on the Beach during the summer of 1982. 

10,000 For artists’ fees and other costs for a series of dance concerts for 

the Thelma Hill Performing Arts Center. 

For artists’ fees and management services. 6,000 

38,000 For the dance production project. 

20,500 To produce a retrospective concert series of the choreography of 

Katherine Dunham. 

15,000 For "Dancing in the Kitchen," a series of 15 presentations of emerging choreographers and companies. 

5,000 For a residency by "Harry, dance, and other works" by Senta Driver. 

2,500 For a dance series presenting performances by contemporary dance

companies, accentuated by films, videotapes, and a photo exhibit. 

17,000 For a five-week residency by the Joffrey II dance company. 

TF 30,000 For artists’ fees and expenses. 

7,500 For a residency by the Vanaver Caravan at the Green Mountain Arts 

Festival. 

17,000 For the first season of the Joyce Theater, the first year-round performance facility designed for performances of mid-sized dance and

mime companies. 

15,000 For fees for artists participating in "Dance Kaleidoscope." 

2,000 For artists’ fees for the 1982-83 dance series of the Emelin Theater 

for the Performing Arts. 

For the Margaret Jenkins Community Dance Studio Performance 10,000 

Space. 

To sponsor the Joyce Trisler Danscompany in a long-term engage- 15,330 

ment at the university. 

7,500 For artists’ fees for an international festival of mime in 1982. 

15,000 To present local and touring companies. 

10,000 For staff salaries and production costs for the 1982-83 Performing 

Arts Forum series. 

9,000 For dancers’ fees. 

5,000 To present contemporary dance performances by emerging local 

performers. 
26 Dance 

Riverside Church in the City of New 

York 

New York, New York 

San Francisco Bay Arca Dance 

Coalition 

San Francisco, California 

Southern Arts Federation 

Atlanta, Georgia 

Spoleto Festival, U.S.A. 

Charleston, South Carolina 

St. Mark’s Church-in-the-Bowery 

New York, New York 

Walker Art Center 

Minneapolis, Minnesota 

Walker Art Center 

Minneapolis, Minnesota 

Washington Performing Arts Society 

Washington, D.C. 

Dance Touring 

D ,~.~ 1~ 11 lro~,am~oma,,

Companies 

Affiliated State Arts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

Arts Alaska 

Anchorage, Alaska 

California Arts Council 

Sacramento, Calffornia 

Delaware State Arts Council 

Wilmington, Delaware 

District of Columbia Commission on the 

Arts and Humanities 

Washington, D.C. 

(Florida) Division of Cultural Affairs 

Tallahassee, Florida 

Great Lakes Arts Alliance 

Cleveland, Oh4o 

To pay operational and administrative costs for the Riverside Dance 7,500 Festival. 

To produce the fffth annual choreographers concerts. 7,500 

To present Marsha Plevir in eight locations in the Southeast. 6,000 

For a contemporary dance event at a festival called "Spoleto’s 20,000 

Choice." 

For a series of works by emerging and experimental choreographers 6,000 

at St. Mark’s Church. 

For a residency by Meredith Monk/The House, and residences by post- 25,000 modern choreographers. 

For a two-week residency of Dan Wagoner and Dancers. 7,000 

For debuts of six American dance companies at the Kennedy Center. 5,000 

Grants are awarded to state of regional arts agencies which, in turn, gire 

grants to local sponsors of dance companies eligible for touring support for 

engagements of at least two-and-one-half days. 

Program funds: 

23 grants 

$65,265 

74,540 

185,474 

23,555 

67,306 

91,067 

205,401 

(Hawaii) State Foundation on the Culture and 

the Arts 

Honolulu, Hawaii 

51,450 

(Louisiana) Department of Culture, Recreation, 

and Tourism 

Baton Rouge, Louisiana 

1,900 

Maryland State Arts Council 

Baltimore, Maryland 

3,952 

Mid America Arts Alliance 

Kansas City, Missouri 217,827 

$1,750,218 

Mid America Arts Alliance 

Kansas City, Missouri 109,894 

Middlesex County Arts Council 

Highland Park, New Jersey 24,290 

New England Foundation for the Arts 

Cambñdge, Massachusetts 12,981 

New York State Council on the Arts 

New York, New York 

104,216 

North Carolina Arts Council 

Raleigh, North Carolina 

83,312 

Pennsylvania Council on the Arts, 

Commonwealth of 

Harrisburg, Pennsylvania 

34,645 

Puerto Rico, University of 

Rio Piedras, Puerto Rico 

1,035 

Southern Arts Federation 

Atlanta, Georgia 

16,305 

Texas Commission on the Arts 

Austin, Texas 

120,819 

Virginia Commission for the Arts 

Richmond, Virginia 39,420 

(West Virginia) Department of Culture 

and History 

Charleston, West Virginia 

4,500 

Western States Arts Foundation 

Santa Fe, New Mexico 

211,064 
Dance 27 

Dance Touring

Program/Large 

Companies 

Auditorium Theatre Council 

Chicago, Illinois 

Ballet Theatre Foundation 

New York, New York 

Ballet Theatre Foundation 

New York, New York 

Boston University 

Boston, Massachusetts 

Fort Worth Ballet Association 

Fort Worth, Texas 

Forth Worth Symphony 

Fort Worth, Texas 

Iowa, University of 

Iowa City, Iowa 

Joffrey Ballet 

New York, New York 

Kennedy (John F.) Center for the 

Performing Arts 

Washington, D.C. 

Kennedy (John F.) Center for the 

Performing Arts 

Washington, D.C. 

Lewis and Clark College 

Portland, Oregon 

Metropolitan Center 

Boston, Massachusetts 

Minnesota, University of 

Minneapolis, Minnesota 

Minnesota, University of 

Minneapolis, Minnesota 

New York City Ballet 

New York, New York 

Pittsburgh Dance Council 

Pittsburgh, Pennsylvania 

Rochester Philharmonic Orchestra 

Rochester, New York 

San Antonio Performing Arts 

Association 

San Antonio, Texas 

San Francisco Opera 

San Francisco, California 

San Francisco Symphony 

San Francisco, California 

Saratoga Performing Arts Center 

Saratoga Springs, New York 

Society for the Performing Arts 

Houston, Texas 

Grants to sponsors that wish to engage American Ballet Theatre, New York 

City Ballet, or the Joffrey Ballet. 

Program funds: $1,400,000 

25 grants 

For a ten-day residency of the Joffrey Ballet. $27,000 

For travel and transportation for the national touring of the American 292,600 

Ballet Theatre. 

For three residencies by the American Ballet Theatre. 126,000 

For a one-week residency of the Joffrey Ballet. 18,000 

For a half-week residency of the Joffrey Ballet. 9,000 

For a one-week residency by the New York City Ballet. 32,250 

For a half-week residency of the Joffrey Ballet. 9,000 

For travel and transportation for the national touring of the Joffrey 138,200 

Ballet.
 

For a one-week residency of the Joffrey Ballet. 27,000
 

For a four-week residency by the American Ballet Theatre. 84,000
 

For a one-week residency of the Joffrey Ballet. 18,000 

For a one-week residency by the American Ballet Theatre. 53,250 

For a one-week residency by the American Ballet Theater. 21,000 

For a half-week residency of the Joffrey Ballet. 9,000 

For travel and transportation for the national touring of the New 94,700 

York City Ballet. 

For a half-week residency by the Joffrey Ballet. 9,000 

For a one-week residency of the New York City Ballet. 48,375 

Fora one-week residency of the Joffrey Ballet. 15,000 

For a two-week residency by the American Ballet Theatre. 42,000 

For a one-week residency of the Joffrey Ballet. 36,000 

For a three-week residency of the New York City Ballet. 161,250 

For a one-week residency of the Joffrey Ballet. 18,000 
28 Dance 

Syracuse Symphony Orchestra For a one-week residency of the New York City Ballet. 48,375 

Syracuse, New York 

Temple Beth Shalom For a two-week reside~cy by the American Ballet Theatre. 42,000 

Miami Beach, Florida 

Theatre of the Stars For a one-week residency by the American Ballet Theatre. 21,000 

Atlanta, Georgia 

TF-Trea.sury Funds 

30 Design Arts 
 

 

 

31 

Design Arts
 

Design Arts Advisory Panels
 

Emilio Ambasz 

Architect, industrial 

designer 

New York, New York 

James Balsley 

Landscape architect 

New York, New York 

Michael Brill 

Architect, researcher 

Buffalo, New York 

Denise Scott Brown 

Architect, urban planner 

Philadelphia, Pennsylvania 

Hugh Burgess
 

Architect, educator
 

Tempe, Arizona
 

Hilario F. Candela
 

Planner
 

Coral Gables, Florida
 

Don Canty
 

Editor
 

Washington, D.C.
 

Adele Chatfield-Taylor 

Historic preservationist 

New York, New York 

Derry Noyes Craig
 

Graphic designer
 

Washington, D.C.
 

Lois Craig
 

Writer, editor
 

Boston, Massachusetts
 

Galen Cranz
 

Sociologist
 

Berkeley, California
 

Barbaralee Diamonstein
 

Writer, editor, producer,


television interviewer
 

New York, New York
 

Niels Diffrient
 

Architect, graphic and
 

industrial designer
 

Ridgefield, Connecticut
 

Mildred Friedman 

Editor, designer

Minneapolis, Minnesota 

M.J. Gladstone 

Publisher
 

New York, New York
 

Barbara Goldstein
 

Editor
 

Los Angeles, California
 

Anne Hawley
 

State arts agency director
 

Boston, Massachusetts
 

Sandra Howel! 

Psychologist 

Cambridge, Massachusetts 

Ronald Izumita
 

Landscape architect
 

Santa Ana, California
 

Carol Johnson 

Landscape architect

Cambridge, Massachusetts 

Wallace Jonason 

Interior designer 

San Francisco, California 

M. David Lee 

Architect, urban designer 

Boston, Massachusetts 

Tunney Lee 

Urban designer, researcher 

educator 

Cambridge, Massachusetts 

William Liskamm 

Architect 

San Francisco, California 

Weiming Lu 

Urban planner, designer 

St. Paul, Minnes0ta 

Aaron Marcus
 

Graphic designer,
 

consultant
 

Berkeley, California
 

Mary Means 

Urban designer

Washington, D.C. 

Sandra V. Moore 

Architect, educator, 

environmental designer 

Newark, New Jersey 

Yina Moore 

Administrator 

Washington, D.C. 

Michael Newman 

Architect 

Winston-Salem, North Carolina 

Laurie Olin Landscape architect 

Philadelphia, Pennsylvania 

Fred Papert
 

Developer
 

New York, New York
 

Sandra Lyn Ragan
 

Interior designer
 

Washington, D.C.
 

Charles Raison 

Theatrical director, 

arts administrator 

Cleveland, Ohio 

David Rice
 

Industrial designer
 

Washington, D.C.
 

Marvin J. Richman 

Real estate investor, 

developer 

Los Angeles, California 

Jaquelin Robertson 

Architect, planner, 

urban designer

Charlottesville, Virginia 

Larry Rosenblum 

Architect, cinematographer 

Boston, Massachusetts 
32 Design Arts 

Adele Santos
 

Architect
 

Philadelphia, Pennsylvania
 

Rita St. Clair 

Inteñor designer
 

Baltimore, Maryland
 

Robert G. Smith
 

Industrial and graphic
 

designer
 

New York, New York
 

Gary Stonebraker
 

Architect
 

Milwaukee, Wisconsin
 

Donald Stuli
 

Architect, urban designer,
 

planner
 

Boston, Massachusetts
 

Design Arts Grants 

Design Student Project Fellowships 

Boston Architectural Center 

Boston, Massaehusetts 

Cornell University 

Ithaca, New York 

E ntering Professional

Designer Project 

Fellowships 

Belville, Nicki
 

Atlanta, Georgia
 

Cooper, Lyle J.
 

Santa Fe, New Mexico
 

Giover, Raymond 

New Haven, Connecticut 

Hisaka, Miya 

Cleveland Heights, Ohio 

Hoglund, John David 

Champaign, Illinois 

International Design Education 

Foundation 

Los Angeles, Calffornia 

Lisa Taylor Louis Viramontes Museum director Architect New York, New York San Antonio, Texas 

Peter van Dijk Harry Weese Architect Architect
 

Cleveland, Ohio Chicago, Illinois
 

Francis Ventre Arnold Wolf Research architect Industrial designer, Washington, D.C. energy consultant 

Canoga Park, California Anne Vernez-Moudon 

Architect, urban designer Richard Saul Wurman Seattle, Washington Architect, writer, 

researcher 

Los Angeles, Calffornia 

Ervin H. Zube 

Landscape architect 

Tucson, Arizona 

Program funds: $4,839,257 273 grants 

To encourage the professional growth of outstanding design students by awarding accredited institutions with funds to provide scholarships to

selected design students in the final year of a graduate degree program. 

Program funds: $23,400 4 grants 

$8,000 New School (Parsons School of Design) 6,400 New York, New York 

5,000 Tennessee, University of 4,000 Knoxville, Tennessee 

To enable professional designers in the early stages of career development 

or designers returning to the field after a prolonged absence to carry out 

a specific design, research, or educational project. 

Program funds: $54,784 8 grants 

To participate as a Fellow in the Design Arts Program. The $2,034 Fellowship Program contributed ah additional $1,500 to this award. 

To research design techniques in experimental weaving methods. 4,800 

To study the effectiveness of daylighting in buildings. 3,000 

To participate as a Fellow in the Design Arts Program. The 1,950 Fellowship Program contributed ah additional $1,500 to this award. 

To research translating social and behavioral goals of the handicap­ 5,000 ped into housing design and management criteria. 

For fellowships for minority students to participate in the 1981 In­ 30,000 ternational Design Conference in Aspen, Colorado. 
Mtume, Adrienne Kamilli 

Newark, New Jersey 

Poodry, Deborah W. 

Boston, Massachusetts 

Individual Project

Fellowships 

Albrecht, Donald 

New York, New York 

Armstrong, Alma C. 

Boston, Massachusetts 

Clark, Donaid M.
 

Los Angeles, Calffornia
 

Cohen, Carla 

Washington, D.C. 

Curtis, Cathy
 

Berkeley, California
 

Dillon, Victoria Franklin 

Arroyo Seco, New Mexico 

Erskine, Maten S.
 

New York, New York
 

Firicano, Albert 

Malden, Massachusetts 

Freeman, John R.
 

Arlington, Massachusetts
 

Hanson, Robert L.
 

Colorado Springs, Colorado
 

Harwood, M. Buje
 

Denton, Texas
 

Hermanuz, Ghislaine 

New York, New York 

Holl, Steven Myron 

New York, New York 

Jacobson, Dorothy R.
 

Washington, D.C.
 

Johnson, Stephanie A. and 

John Rosenbaum
 

Berkeley, Caliíornia
 

Kay, Jane Holtz
 

Boston, Massachusetts
 

Klein, James R.
 

Portland, Oregon
 

Lalvani, Haresh 

Brooklyn, New York 

Lee, Camiile J.
 

Evanston, Illinois
 

Design Arts 33 

3,000 To study the synthesis of traditional Caribbean costume art forms 

with contemporary North American costumes as they relate to stage 

production. 

5,000 For a design and development program for the Boston Indian Council facility. 

To enable professional designers and other qualified individuals to carry

out specific design, research, or educational projects. 

Program funds: $340,890 

46 grants 

$10,000 To write a book on modern architecture in film. 

10,000 Fora study of black women in the planning profession. 

5,000 To research graphic systems at commercial air transportation facilities. 

5,000 For a pamphlet that will reduce conflict in the desigu/development 

process and budget allocation during design negotiations. 

4,000 For a series of articles based on the Western States Arts Foundation’s upcoming Arts Facility Planning Handbook.
 

7,000 To complete research and writing on appropriate landscape plant
 

materials for use in northern New Mexico.
 

9,000 To study and photograph the rapidly changing urban environment 

referred to as "Hell’s Kitchen" within Manhattan’s West Side. 

5,000 To develop a "seating posture device"--a device by which correct

suppor~ive seating posture can be determined, which can be translated 

into furniture desigued for those with abnormal posture. 

5,000 For a study to help architects create new building shapes from analysis 

of building structures. 

10,000 To create functional and elegant automotive designs which optimize
 

automobile shape and maximize interior space íor passengers.
 

10,000 To prepare a catalogue documenting decorative painting in historic
 

buildings in Texas from 1840 through 1940.
 

8,250 For a monograph and exhibit on the architecture of black desiguers. 

5,000 To produce a pamphlet on American house types as the second in 

a three-part series on American buildings. 

10,000 For a case study applying concepts from the Arts Edge Conference
 

to the needs of small towns.
 

10,000 For a collaboration between designer and physicist to explore artificial
 

and natural light as an artform, especially as related to stage lighting.
 

10,000 For a book analyzing historic preservation in New England. 

9,100 To study the design consequences of Oregon’s innovative state land 

use laws on small communities at the edges of expanding metropolitan 

areas. 

3,200 To study cross-cultural geometric patterns in architecture and selected 

artifacts in India, Nepal, and Tibet. 

4,000 To amend a previous grant for research and documentation of the
 

work of landscape architect Jens Jensen.
 
34 Design Arts 

Liebs, Chester H.
 

Burlington, Vermont
 

Lishka, Gerald R.
 

Louisville, Kentucky
 

Margolies, John
 

New York, New York
 

McGraw, Karen A.
 

Austin, Texas
 

Mevorah, Emanuel
 

Bowie, Maryland
 

Miller, Iris
 

Bethesda, Maryland
 

Morris, Ellen K.
 

Beverly Hills, California
 

Mullin, John R.
 

Amherst, Massachusetts
 

Muniak, Dennis C.
 

Watertown, Massachusetts
 

Novitski, Barbara-Jo
 

Eugene, Oregon
 

Paolini, Kenneth W.
 

Boston, Massachusetts
 

Parks, Louise A.
 

New York, New York
 

Plesums, Guntis
 

Eugene, Oregon
 

Preiser, Woifgang F.E.
 

Albuquerque, New Mexico
 

Prete, Barbara J.
 

New York, New York
 

Rediger, Shirley G.
 

Juneau, Alaska
 

Rosenblatt, Arthur I.
 

New York, New York
 

Samuels, Allen
 

Ann Arbor, Michigan
 

Sanders, Donald H.
 

New York, New York
 

Schimpeler, Suzanne M.
 

Louisville, Kentucky
 

Schoener, Allon 

Grafton, Vermont 

Sickels, Lauren B.
 

Rochester, Michigan
 

Slovic, David S. and Michael Webb 

Philadelphia, Pennsylvania 

Steinitz, Car! E. 

Cambridge, Massachusetts 

Way, Douglas S. 

Cambridge, Massachusetts 

To codify the work of the University of Vermont’s historic preservation program. 10,000 

To research the design and construction of a specialized music studio 2,500 environment for children.
 

To support documentation and analysis of American commercial, ver­ 10,000 nacular architecture.
 

To involve local artists in the planning and development of Austin’s
 5,000 downtown revitalization.
 

To compile and analyze maps from rapid rail transportation systems
 7,000 throughout the world.
 

For a design workshop to identify community needs for a six-block
 2,000 area in downtown Washington, D.C.
 

To produce a graphic analysis of three types of public buildings: town
 5,000 halls, public libraries, and municipal art museums.
 

To analyze Henry Ford’s Village Industries concept.
 7,200 

To explore the planning decisions concerning the location and building 9,600 of the State University of New York’s Buffalo campus.
 

To develop a methodology for analyzing climate in order to generate
 10,000 energy-conscious architectural design criteria.
 

To amend a previous grant to prepare a text defining the design roles
 5,000 of the.Office of Coastal Zone Management in Washington and similar


agencles on state levels.
 

To study the influence of traditional West African decorative arts 8,000 on fashion design in the U.S. from 1955.
 

To demonstrate how the Japanese folkhouse can serve asa model
 10,000 for contemporary high density housing.
 

To produce a prototype design fora nature trail with access for han­ 9,840 dicapped persons.
 

To write a book on Westbeth, a building in New York where artists
 

work and live.
 10,000

To develop a cultural facilities pre-planning and program model for
 10,000 rural communities.
 

For a book on major art museum construction and renovation in the
 

U.S. 10,000 and Western Europe.
 

For a text on industrial design education for use by students and
 5,000 faculty. 

To devise a new method for the analysis of ancient architecture in
 

ah effort to understand the function of specific buildings. 9,700
 

To research and develop a solution to design problems confronting
 2,500 the Children’s Studio. 

To prepare a book on international museum exhibition design in the 

20th century. 10,000 

For a study of mortar, especially its use in restoring old buildings, 10,000 as well as designing new ones.
 

For the collaboration of an architect and painter in the design oí a
 7,000 public plaza on Temple University campus. 

For experimentation with satellite photographic and computer 

analysis asa method for analyzing the visual impacts of urban develop- 5,000 

ment, agriculture, and forestry practices. 

To develop techniques of spatial data processing compatible with 5,000 satellite photographic imaging systems for application to land-use planning and site evaluation. 
Design Arts 35 

7,500

Webb, Michael F. To refine the facade decoration technique of sgraffito.

Bala-C~~wyd, Pennsylvania 

8,500 To research the influence of the avant-garde movements of Russia Windsor, Kenneth R. 

Warren, Michigan and Eastern Europe on the development of post-modern American

graphic design. 

To provide time for accomplished professional designers to explore areas Senior-Level of interest or new approaches to design. Sabbatical 

Program funds: $212,000 Fellowships 12 grants 

Kostellow, Rowena 15,000 American Academy in Rome	 $20,000 

New York, New York New York, New York
 

Litton, 12,000
 American Academy in Rome	 35,000 Jr., R. Burton

Berkeley, California New York, New York
 

15,000
 15,000 Rapoport, Amos Greene, Herb Milwaukee, Wisconsin Kensington, California
 

15,000
 15,000 Taylor, Crombie Hardy, Hugh G. Los Angeles, California New York, New York
 

15,000
 Tigerman, Stanley Harvard University	 25,000 Chicago, Illinois Cambridge, Massachusetts
 

15,000
 15,000 Tuttle, Paul Howeli, Sandra C. Santa Barbara, California Cambridge, Massachusetts 

Design Demonstration	 For planning and design activities that demonstrate the practical nature 

of good design, such as feasibility studies, conceptual and schematic design, 

and planning and studies for design projects of special merit. 

Program funds: $1,364,250 

77 grants 

$20,000

Alabama To plan and designa community arts facility. State Council on the Arts
 

and Humanities
 

Montgomery, Alabama
 

30,000
 Aifred University For designs and studies for the adaptation of historically significant

Alfred, New York
 Alumni Hall into a performance space.

30,000
 For a building program, concept drawings, and schematic design for American Dance Festival 

Durham, North Carolina a permanent home for the American Dance Festival.
 

25,000
 Arts Assembly For design of the restoration of a 1927 movie palace asa facility for of Jacksonville 

the performing arts. Jacksonville, Florida
 

10,000
 Association of Collegiate Schools of For a public design event in Knoxville, Tennessee on energy consideroArchitecture tions in the urban design process. 

Washington, D.C. 

20,000 To support studies, planning, and design consultation services for the Bardaron 1869 Opera House 

Poughkeepsie, New York	 second and third phases of renovation of the Bardavon 1869 Opera
 

House.
 

19,260 To support planning and landscape design of a public park adjacent Boston Children’s Museum 

to the museum. Boston, Massachusetts 

8,000 Boys Choir of Har|em For a feasibility study to enable the Boys Choir to consider alternatives for a permanent home within the Harlem community. New York, New York 

15,000 For technical assistance in acoustics, restomtion, and media technology Carnegie Hall Society for the design development stage of the hall’s restoration program. New York, New York 
36 Design Arts 

Center for Creative Studies
 

Detroit, Michigan
 

Center for Occupational Hazards 

New York, New York 

Cleveland Play House
 

Cleveland, Ohio
 

Colorado Chautauqua Association 

Boulder, Colorado 

Denver Civic Ventures
 

Denver, Colorado
 

Design Coalition
 

New York, New York
 

Downtown Development Authority
 

Miami, Florida
 

Drexel University
 

Philadelphia, Pennsylvania
 

East Tennessee Arts Pavilion
 

Knoxville, Tennessee
 

El Centro Campesina Cultural
 

San Juan Bautista, California
 

Fabric Workshop
 

Philadelphia, Pennsylvania
 

Federated Arts of Richmond
 

Richmond, Virginia
 

Field Museum of Natural History
 

Chicago, Illinois
 

Flynn Theatre for the Performing Arts 

Burlington, Vermont 

Fort Point Arts Community
 

Boston, Massachusetts
 

Friends of Landmarks Commission
 

Cleveland, Ohio
 

Friends of the Library
 

Thibodaux, Louisiana
 

Georgia Trust for Historic
 

Preservation
 

Atlanta, Georgia
 

(Guam) Insular Arts Councii 

Agana, Guam 

Historic Seattle Preservation and 

Development Authority 

Seattie, Washington 

Holocaust Remembrance Foundation 

Washington, D.C. 

Landscape Architecture Foundation 

Washington, D.C. 

Loon and Heron Theatre for Chiidren 

Boston, Massachusetts 

Los Angeles Actors’ Theatre 

Foundation 

Los Angeles, California 

For a study and design for the renovation of two buildings owned 5,000 by the College of Art and Design.
 

For design of simple, inexpensive ventilation systems for individual
 9,000 artists, art centers, and art schools.
 

To assist planning and design for the adaptation of a former Sears
 25,000 Roebuck department store for Play House usage.
 

To design the renovation of the 1898 Colorado Chautauqua
 7,560 Auditorium.
 

To amend a previous grant for the design of landscape linking the
 10,000 convention and performing arts facilities.
 

For Space for Dance: An Architectural Design C-uide for Dance and
 10,400 Performing Arts Facilities. 

For Isamu Noguchi to design the Miami Commons on the waterfront 20,000 in downtown Miami.
 

To amend a previous grant to encourage excellence in clothing design
 7,500 for people with disabilities.
 

For a design to adapt and reuse the United States Pavilion, con­ 15,000 structed for the 1982 World’s Fair in Knoxville, Tennessee.
 

For exterior and interior design for converting a warehouse into a
 15,000 civic and cultural center.
 

For a workshop inaugurating the Architect/Designer-in-Residence
 10,000 program.
 

For a consultant team to plan the adaptive reuse of structures within
 25,000 a defined arts district and the development of urban design guidelines
 

for the distñct.
 

For the design of an interior graphic and signage system to identify 10,000 public areas for the museum visitor.
 

To assist lighting and stage designs for the Flynn Theater as part
 16,040 of the renovation of an art deco movie house into a community performing arts hall.
 

To support design plans for the extensive arts íacilities in Fort Point. 27,000 

For preservation, restoration, and redevelopment activities in 20,000 Cleveland’s warehouse district.
 

For a week-long design charrette for the renovation of a building to
 5,388 be used asa community arts center.
 

For a consulting architect to furnish preservation design and technical
 25,000 assistance to projects throughout the state. 

For design and planning activities for a cultural facility in Guam. 20,000 

To adapt the Good Shepherd Center for use asa multi-purpose facili­ 24,080 ty for artists and residents of the community. 

For feasibility studies and planning workshops fora design competi­ 30,000 tion for a national museum of the Holocaust. 

For a development officer and related expenses. 30,000 

To assist the design development of a facility which addresses the 30,000 accessibility needs of blind performers and audiences. 

For planning, design, technical research, and working drawings for 20,000 a performing arts center in the historic Landmark Security Bank 

building. 
Design Arts 37 

Los Angeles Children’s Museum 

Los Angeles, California 

For the architectural design of the only performance space in Los 

Angeles devoted solely to children. 

15,200 

Maryland Hall for the Creative Arts 

Annapolis, Maryland 

To develop a master plan for the adaptive re-use of a former high 

school asa home for the arts. 

14,035 

Milwaukee County War Memorial 

Center 

For an urban design competition to develop proposals for the outdoor areas adjacent to the Milwaukee Performing Arts Center. 

22,000 

Milwaukee, Wisconsin 

Mutual Musicians Foundation For the design for the renovation of a group of buildings to house 20,000 

Kansas City, Missouñ the foundation and related visual and performing arts activities. 

National Trust for Historic Preserva- For design techniques for protecting historic structures in two rural 25,000 

tion in the United States communities. 

Washington, D.C. 

New York City Landmarks 

Preservation Foundation 

For a feasibility study anda master plan for the restoration of shopíronts on Montague Street in Brooklyn Heights. 

15,000 

New York, New York 

New York City Landmarks 

Preservation Foundation 

To train a volunteer research team to conducta survey that includes 

a fully computerized building-by-building architectural inventory of 

20,000 

New York, New York every historic property. 

New York Landmarks Conservancy 

New York, New York 

To designa multi-purpose stage facility for the church of St. Ann and 

the Holy Trinity. 

17,280 

New York Shakespeare Festival 

New York, New York 

For a design feasibility study and architectural design services for 

the Anspacher lobby at the Public Theatre. 

20,000 

Opera Company of Philadelphia 

Philadelphia, Pennsylvania 

To paya six-month fee for a design director who will design sets for 

three theatrical productions. 

11,400 

Oroville Community Center For the design of a center for the performing arts. 10,000 

Committee 

Oroville, California 

Painted Bridge Art Center 

Philadelphia, Pennsylvania 

For an architectural design study for the conversion of ah industrial 

space into the Home for the Living Arts. 

4,000 

Pioneer Square Performing Arts 

Association 

For architectural design for the re-use of an historic firehouse for 

activities of the Skid Road Theatre. 

10,000 

Seattle, Washington 

Playhouse Square Foundation 

Cleveland, Ohio 

For a feasibility study on the use oflight and other kinetic art forms 

as visual symbols to unify the Playhouse Square theater district. 

25,000 

Project Artaud 

San Francisco, California 

For the architectural planning and design of the Project Artaud 

Theatre. 

30,000 

Rancho Bernardo Recreation Council 

San Diego, California 

For a three-step planning and design study for the proposed Rancho

Bernardo Center for the Performing Arts. 

6,000 

Richmond-on-the-.lames For a revitalization plan for the Shockoe Slip area. 10,000 

Richmond, Virginia 

Roxbury Community Sehool 

Dorchester, Massachusetts 

For landscape design of a site adjacent to the Roxbury School asa

prototypical urban landscape and garden. 

26,310 

San Francisco Art Institute For a two-day workshop to develop a master plan for the use of Cñssy 5,000 

San Francisco, California Field asa location for site-specific sculpture. 

San Francisco Friends of the Urban 

Forest 

To assist in a streetscape design competition for San Francisco

neighborhoods. 

17,500 

San Francisco, California 

Sculpture in the Environment For design work for an urban dwelling for mixed income residents. 10,000 

New York, New York 

~econd ~tage Theatre For design of new theater space for Second Stage Theatre. 19,000 

New York, New York 

Shaker Barn Theatre For architectural design for the conversion of the Great Stone Barn 22,600 

New York, New York to a performing arts center. 
38 Design Arts 

Sheldon Jackson (Jol|ege
 

Sitka, Alaska
 

Skowhegan School of Painting and 

Sculpture 

New York, New York 

Somerville, City of
 

Somerville, Massachusetts
 

Southern Illinois University 

Carbondale, Illinois 

Symphony Space
 

New York, New York
 

TSB Music Hall Corporation
 

Troy, New York
 

Texas Historical Commission
 

Austin, Texas
 

Tharp (Twyla) Dance Foundation
 

New York, New York
 

Theatre Project Company
 

St. Louis, Missouri
 

Trinidad Junior Historical Society
 

Trinidad, Colorado
 

Triton Museum of Art
 

Santa Clara, California
 

Urban Homesteading Assistance
 

New York, New York
 

Virginia Opera Association 

Norfolk, Virginia 

Virginia Polytechnic Institute and
 

State University
 

Blacksburg, Virginia 

Walker Art Center 

Minneapolis, Minnesota 

Washington Trianglc Cultural 

Association 

St. Louis, Missouri 

Western States Arts Foundation 

Santa Fe, New Mexico 

Western States Arts Foundation 

Santa Fe, New Mexico 

Wolf Trap Foundation for the 

Performing Arts 

Vienna, Virginia 

Wolf Trap Foundation for the 

Performing Arts 

Vienna, Virginia 

Zuni, Pueblo of 

Zuni, New Mexico 

For design for renovation and expansion of the historic Sheldon 

Jackson Museum. 

To amend a previous grant fora five-day, on-site design competition 

to select an architect for the design ofnew arts complex in Skowhegan, 

Maine. 

For a design feasibility study for the restoration and adaptive reuse 

of the Somerville Theater asa community performing arts center. 

For a design feasibility study for improving the quality of elderly housing in urban areas. 

For the design of a logo anda broad range of graphics for the community center íor performing arts. 

For a master plan for the Troy Music Hall. 

16,812 

30,000 

10,000 

15,210 

1,500 

16,990 

To assist the Texas Main Street Center and its design program for 

rehabilitation projects in ten communities. 

For architectural design of a newly acquired space to house the dance 

foundation. 

For design of the adaptation of the 1600-seat Lyn Theatre and

necessary support facilities. 

For the design and development ofa children’s museum in ah historic 

tire house. 

For a design competition for the museum’s capital expansion program. 

28,000 

15,000 

20,000 

250 

27,500 

For a design feasibility study of living and workspace needs of artists in New York City. 

For the preparation of a schematic design for the renovation of the 

Norfolk Center Theatre. 

For a design study of the American Brewery Complex and the adjoining neighborhood in Baltimore, Maryland. 

30,000 

20,000 

28,935 

For the design of ah addition to the Walker Art Center by Edward 

Larrabee Barnes. 

To design the renovation of the interior of the historic Fox Theatre. 

20,000 

15,000 

For technical assistance for arts facility planning and design. 21,000 

To print and distribute the Arts Facility Planning Handbook. 29,000 

For consultant lees fora study concerning the reconstruction of the 

Filene Center. 2,000 

For a study developing options in the reconstruction of the Filene 

Center. 17,500 

For detailed design plans íor the Museum of the Zuni People. 30,000 
Design Arts 39 

Design For projects that inform the general public, designers, and decision-makers 

about the value and practice of design, the impact of design decisions, and Communication the relationship between design and human behavior. 

Program funds:

98 grants 

$1,817,229 

Academy for Educational Development 

New York, New York 

For a book documenting the design of exemplary outdoor performing arts pavilions in America. 

$10,000 

Alternative Energy Resources 

Organization 

Helena, Montana 

To tour a live performance on energy and design to rural Montana 

schools. 

7,500 

American Institute for Municipal 

Research, Education, and Training 

For a one-day workshop on how the arts can promote economic 

deve!opment and local prosperity. 

12,600 

Washington, D.C. 

American Council for the Arts For an exhibir entitled "Build Art, Built Arts" and an accompany­ 24,000 

New York, New York ing poster. 

American Institute of Graphic Arts For a guide of source materials on the history of graphic design. 6,831 

New York, New York 

American-Scandinavian Foundation To prepare and pñnt a catalogue, Scandinavian Modern 1880-1980. 30,000 

New York, New York 

Appalshop

Whitesburg, Kentucky 

To complete and edita documentary film that follows the planning,

design, construction, and dedication ofa church in Roanoak, Virginia. 

20,000 

Architectural Arts of 

Washington, D.C. 

To publish six issues of Design Action, a new architecture and design newsletter for Washington, Virginia, and Maryland. 

25,000 

Washington, D.C. 

Architectural Arts of For the continuation of Design Matters. 15,000 

Washington, D.C. 

Washington, D.C. 

Architectura| History Foundation 

New York, New York 

To publish the last of four volumes of sketchbooks by the architect 

Le Corbusier. 

10,000 

Arkansas, University of For a graphics workshop. 2,500 

Fayetteville, Arkansas 

Art Director’s Club of Boston For preparation of a planning study for a Museum of Design in Boston. 5,000 

Boston, Massachusetts 

Arts and Architecture Magazine 

Los Angeles, California 

To produce a special issue ofArts andArchitecture that features the 

planning and design of art museums. 

11,500 

Assist, Inc. To support State Street, a design communications handbook. 1,650 

Salt Lake City, Utah 

California Polytechnic State 

University Foundation 

For a book documenting the ninth annual National Design Village 

Conference for California community colleges and universities. 

5,000 

San Luis Obispo, California 

California State University To sponsor an internship research project in textile design. 10,000 

Foundation 

Northridge, California 

Catholic University of America 

Washington, D.C. 

To produce a traveling exhibition on covered pedestrian arcades and 

walkways. 

25,000 

Center Screen To produce a film that will examine an emerging trend in Japanese 35,000 

Boston, Massachusetts domestic architecture, the use of ballon-frame construction for houses. 

Center for Building Conservation 

New York, New York 

For an exhibition entitled "American Windows: Historic Prototypes 

and Contemporary Restoration Design." 

10,000 

Center for City Building Educational 

Programs 

To prepare four design guidebooks for public school teachers for use 

in planning assignments in design. 

17,500 

Santa Monica, California 
40 Design Arts 

Colorado Council on the Arts and 

IIumanities 

Denver, Colorado 

Columbia University in the City of 

New York, Trustees of 

New York, New York 

Columbia University in the City of 

New York, Trustees of 

New York, New York 

Committee fora National Museum of 

the Building Arts 

Washington, D.C. 

Community Design Center Directors 

Association 

Washington, D.C. 

Community Design Information
 

Center
 

Washington, D.C.
 

Community Design Information
 

Center
 

Washington, D.C.
 

Conservation Foundation
 

Washington, D.C.
 

Council for International Urban
 

Liaison
 

Washington, D.C.
 

Cranbrook Academy of Art
 

Bloomííeld Hills, Michigan
 

Cranbrook Academy of Art
 

Bloomfield Hills, Michigan
 

Cultural Alliance of Greater
 

Washington
 

Washington, D.C.
 

Cultural Council Foundation
 

New York, New York
 

Design Coalition
 

Madison, Wisconsin
 

Detroit Institute of Arts, Founders
 

Society
 

Detroit, Miehigan
 

Foundation for Preservation
 

Technology
 

Washington, D.C.
 

Friends of the Schindler House
 

Los Angeles, California
 

Georgia Department of Community 

Mfairs 

Atlanta, Georgia 

Growth through Art and Museum 

Experience 

New York, New York 

Gutman, Robert 

Princeton, New Jersey 

Harvard College, President and 

Fellows of 

Cambridge, Massachusetts 

To develop a design excellence awards program. 12,710 

For the production of"Ruins and Revivals," ah exhibir and catalogue 22,500 documenting America’s deteriorating urban areas. 

For the expansion of Columbia’s existing program in architectural 15,000 conservation. 

For the production of one issue of Blueprints, the National Building 10,000 Museum newsletter. 

For a two-day conference exploring issues surrounding participatory 18,500 design processes in low-income and minority communities. 

To produce, print, and disseminate three urban design publications 23,000 that provide information and guidelines íor the National League of 

Cities’ Urban Environmental Desigu Program. 

Further amendment of a contract to develop and distribute a booklet 8,525 on the awards process. 

Fora íeature-length film examining the evolution of the American 35,000 landscape. 

To publish the monthly flyer Urban lnnovation Abroad, which focuses 15,000 on cultural planning abroad. 

To support an industrial desigu information program for Michigan 7,500 manufacturers. 

To produce six handbooks to aid the Design Michigan Project. 9,000 

For a booklet documenting "Design Seminar: An Urban Site," a four­ 10,000 day design competition held in Washington, D.C. 

To organize and sponsor the fourth International Festival of Films 22,662 on Architecture and Urban Planning for FACT/USA. 

To prepare a 20-minute film and accompanying booklet documenting 30,200 a program in which householders desigued and constructed energyefficient townhouses. 

For an exhibition on the contributions of the Cranbrook Academy 30,000 of Art to American and European desigu. 

To plan a pilot program in arehiteetural eonservation at the Univer­ 15,000 sity of Florida’s Sehool of Arehiteeture. 

To adapt one-half of architect R. M. Schindler’s home into gallery 12,500 space for displaying photomurals, drawings, and architectural models. 

To presenta regional conference for design professionals on preser­ 4,000 vation issues.
 

For a design awareness program entitled "Art and Architecture: A
 24,800 Celebration of Life."
 

For monographs on architecture and urban design.
 42,874 

For the Graduate School of Design’s program on career discovery. 5,000 
Design Arts 41 

Henry Gallery Association For a publication entitled The Shaping oía Downtown: Seattle Plans. 7,500 

Seattle, Washington 

Historic Pullman Foundation For an audio-visual presentation, with related brochures and cassette 10,000 

Chicago, Illinois recordings in foreign languages, that tells the story of Pullman--the 

man, the company, and the town. 

Institute for Architecture and Urban For an exhibition and catalogue of contemporary American architec­ 21,000 

Studies ture entitled The New Symbolism: West Coast Architecture. 

New York, New York 

Institute for Architecture and Urban For a retrospective exhibition and symposium on the work of architect 15,000 

Studies William Lescaze. 

New York, New York 

Institute for Architecture and Urban 

Studies 

For an exhibition of ten Spanish architects of the 1970’s, part of ah

international architectural exchange series. 

22,500 

New York, New York 

Institute for Urban Design 

Purchase, New York 

For a conference and workshop that focuses on innovations between 

public and private sectors to finance downtown development. 

15,000 

Institute for Urban Design 

Purchase, New York 

For three publications: Zoning, an expanded issue of the journal Urban Design International; Jerusalem, a special issue of Urban Design 

International; and Cities for the ’8Os: Urban Design Issues in a 

20,000 

Decade of Change, a book. 

Katonah Gallery 

Katonah, New York 

For "Shelters," an exhibition of models of indigenous and vernacular 

dwellings still lived in. 

6,500 

Kingston Artists Group 

Kingston, New York 

To produce a special issue of Visions magazine documenting the contributions of minorities and women to architecture, graphic design,

and clothing design. 

17,000 

La Jo|ia Museum of Contemporary Art 

La Jolla, California 

For "Caliíornia Connections," an exhibition and catalogue exploring 

the recent changes in architecture in California. 

10,000 

Landscape Architecture Foundation To support a pilot film entitled "Landscape Architecture of the 80’s." 10,000 

Washington, D.C. 

Lautman, Andrew D. 

Potomac, Maryland 

To provide technical assistance to the Design Arts Program in implementing the Design Excellence project. 

15,000 

League of Historic American Theatres 

Washington, D.C. 

To support the cataloguing and dissemination of a national listing of

historic theatre buildings. 

9,450 

Los Angeles Museum of Modern Art For the exhibition "Louis I. Kahn: Artist, Architect, Visionary." 17,500 

Los Angeles, California 

Massachusetts College of Art 

Boston, Massachusetts 

To develop design courses for business school students and corporation executives on the use of design as a resource toward accomplishing corporate objectives. 

26,000 

Massachusetts, Commonwealth of 

Boston, Massachusetts 

For the Department of Community Affairs to prepare two slide shows 

promoting public awareness of the design traditions of the towns of 

Franklin and Winchester. 

3,000 

Michigan Architectural Foundation 

Detroit, Michigan 

For final draft and visual materials fora book that documents the 

early 20th-century arts and crafts movement in Detroit. 

10,000 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

For a conference focusing on relationships of sculpture, architecture, 

and urban design. 

15,370 

Mississippi State University 

Mississippi State, Mississippi 

To edit and print papers from the second Chautauqua Symposium 

on the American Small Town, and to re-print The Small Towm as ah 

Art Object. 

10,000 

Montana Arts Council To edit videotape footage documenting the Missoula urban design 2,870 

Missoula, Montana competition. 

Municipal Art Society To produce "At Home in the City," a two-part exhibition. 20,000 

New York, New York 

Municipal Art Society 

New York, New York 

To amend a previous grant to help build a broadened base of support 

for the society’s Urban Center. 

25,000 
42 Design Arts 

Museum of Modern Art
 

New York, New York
 

National Association for Olmstead
 

Parks
 

New York, New York
 

National Museum of the Building
 

Arts, Committee for a
 

Washington, D.C.
 

National Museum of the Building
 

Arts, Committee for a
 

Washington, D.C.
 

National Committee on United
 

States/China Relations
 

New York, New York
 

National Conference of State
 

Legislatures
 

Denver, Colorado
 

National Trust for Historic
 

Preservation in the United States
 

Washington, D.C.
 

National Trust for Historic
 

Preservation in the United States
 

Washington, D.C.
 

New Mexico, University of
 

Albuquerque, New Mexico
 

New York City Planning Department 

Fund 

New York, New York 

New York Foundation on the Arts
 

New York, New York
 

New York Landmarks Conservancy
 

New York, New York
 

New York Landmarks Preservation
 

Foundation
 

New York, New York
 

New York Landmarks Preservation 

Foundation 

New York, New York 

North Carolina State University 

Raleigh, North Carolina 

Ohio Arts Council 

Columbus, Ohio 

Otis Art Institute of Parsons School of 

Design 

Los Angeles, California 

Partners for Livable Places 

Washington, D.C. 

Partners for Livable Places 

Washington, D.C. 

Pennsylvania Academy of Fine Arts 

Philadelphia, Pennsylvania 

Pennsylvania State Univ¢rsity 

University Park, Pennsylvania 

For an exhibition: "The Architecture of Richard Neutra." 25,000 

To compile and computerize information from 37 states on the condition of parks planned by Frederick Law 01mstead and his firm from 

1857 to 1950. 

5,000 

For a three-part program of museum activities: a service to circulate 

architecture and design exhibitions, a service to distribute films on 

architecture and design, anda comprehensive mailing list and publication resource network. 

For the museum’s exhibition on its 30-year program on the design 

and construction of American embassy buildings. 

30,000 

30,000 

For the beginning of ah exchange program in urban neighborhoods 

and housing design. 30,000 

For a program that will illuminate the problems of facilities for the 

arts for state legislators. 36,000 

For audio-visual presentations on storefront design and rehabilitation and upper-story conversions for housing and office use. 34,700 

For a study to determine the strengths of the market fora larger 

monthly newspaper devoted to preservation. 5,000 

For a book entitled Pueblo Deco: Ah Architectural Style of the 

American Southwest. 15,000 

To develop a means of integrating the art of graphic design with the 

new technology of computer graphics. 26,500 

To complete Hell’s Kitchen Chronicle, a film that traces the physical 

and cultural evolution of New York City’s West Side neighborhood 

of Clinton. 

For an exhibition with accompanying catalogue on the history of New 

York City’s U.S. Custom House. 

To print Historic Districts Manual, which provides solutions íor 

restoration on New York’s 42 historic districts. 

30,000 

24,000 

25,000 

For a narrated slide presentation for use by community groups to

increase understanding of and participation in historic preservation. 6,730 

For a program of community participation in the planning of arts 

facilities throughout the state. 

For a design arts program entitled Human Values and the Built 

Environment. 

11,000 

30,000 

To produce a clothing design exhibition featuring Rene Bouche as 

part of a series of 20 prominent American designers from the 1950’s. 16,000 

For a municipal design improvement program patterned after the 

Endowment’s Federal Design Improvement Program. 

For an economics of amenity advocacy effort to arts organizations 

which involves maintaining and improving the national clearinghouse 

on design and national consultant’s network. 

For the film, A Special Place, a documentary on the restoration of 

the Academy Art Museum, ah example of high Victorian architecture. 

For a three-day conference, hosted by students of ah American school 

of landscape architecture. 

30,000 

210,000 

20,000 

10,000 
Design Arts 43 

30,000 Philadelphia Museum of Art To publish a booklet on Design Since 1945, a prqduct design exhibition. 

Philadelphia, Pennsylvania 

15,000 Sculpture in the Environment To document the rebirth of abandoned open spaces in an urban setting. 

New York, New York 

9,760 Society of Architectural Historians To support publication of the Journal of the Society of Architectural 

Philadelphia, Pennsylvania Historians. 

25,000 Southern Illinois Research Institute To generate and publish human figure computer graphics for use in 

Bellevue, Washington solving design problems. 

Texas Architectural History 15,000 Foundation For the photodocumentary sections of a book on the historical developAustin, Texas ment of Texas architecture and urban planning. 

45,000 Theatre Historical Society To create a documentary film on the design of the American picture 

Notre Dame, Indiana palace. 

18,642 Townscape Institute For a publication, On Common Ground: Caring for Shared Land from 

Cambridge, Massachusetts Village Green to Urban Park. 

4,825 U.S. National Committee for the	 For the organization’s publications and lecture program. 

International Council on Monuments 

and Sites 

Washington, D.C. 

4,000 Virginia Polytechnic Institute and For printing costs of Academy Street School, a booklet accompanyState University ing an exhibition on adaptive re-use possibilities of a vacated school 

Blacksburg, Virginia building. 

7,030 Virginia, University of To expand the student publication, "Modulus," the architectural 

Charlottesville, Virginia review. 

5,000 Volunteer Lawyers for the Arts	 To support a manual for artists and lawyers on the legal issues inNew York, New York volved in artists’ housing.

Washington, University 4,000 of For travel and related costs for "Streets as Public Property," a twoSeattle, Washington day conference. 

10,000 Western States Arts Foundation For design and printing of a cultural facilities technical assistance
 

Santa Fe, New Mexico
 handbook. 

Women in Design International 7,500 To support the first annual international compendium of work by
 

San Francisco, California women designers.
 

Design Exploration/ For experimental and innovative research on design that seeks to define or

resolve new or recurring design problems. Research 

Program funds: $302,494 

12 grants 

Georgia Institute of Technology To support research for design solutions for small community-based 29,750 

Atlanta, Georgia homes for the mentally retarded. 

9,000 Institute for the Development of To investigate the decision-making process designers use to create
 

Evolutive Architecture their works, asa method of inquiry that parallels and compliments
 

Syracuse, New York scientific research.
 

38,000 International Design Education To research and design office work station components that are adapFoundation tive to the physical and psychological needs of office workers. 

Los Angeles, Caliíornia 

18,472 Iowa State University To develop a method for testing a design process called the "tradeoff
 

Ames, Iowa technique," a method for predicting needs of people who use buildings.
 

27,370 Michigan, University of To devel0p design tools that will help laymen make better design deci-


Ann Arbor, Michigan sions about their office environments.
 

27,693 New Communities Services To explore the design issues, problems, and solutions related to "con-


Cambridge, Massachusetts gregate housing" for the elderly.
 
44 Design Arts 

New Jersey Institute of Technology 

Newark, New Jersey 

New York, Research Foundation of 

the City University of 

New York, Ne~v York 

Oregon, University of 

Eugene, Oregon 

Virginia Polytechnic Institute 

Blacksburg, Virginia 

Vision, Inc. 

Cambridge, Mssachusetts 

Wisconsin, University of 

Milwaukee, Wisconsin 

Design Excellence 

Buffalo Organization for Social and 

Technological Innovation 

Buffalo, New York 

Catholic University 

Washington, D.C. 

Catholic University of America 

Washington, D.C. 

Community Design Exchange 

Washington, D.C. 

Department of Energy 

Washington, D.C. 

Department of Transportation 

Washington, D.C. 

Howard University 

Washington, D.C. 

Municipal Art Society of New York 

New York, New York 

New York, City University of 

New York, New York 

Partners for Livable Places 

Washington, D.C. 

Partners for Livable Places 

Washington, D.C. 

Partners for Livable Places 

Washington, D.C. 

Partners for Livable Places 

Washington, D.C. 

Villecco, Marguerite 

Washington, D.C. 

For researching the relationships of light, fenestration, and energy 18,000
 in the design of multi-íamily housing.
 

To investigate a process by which children can come to understand 30,000
 the nature of environmental change.
 

To develop guidelines for the design of exterior spaces that use wind 36,191
 and sun as contributing design elements.
 

To evaluate ah addition to the Venturi and Rauch-designed Carol E. 27,122 Newman Library building on the campus.
 

To explore the use of video technology and cable television for design
 20,000 arts professionals. 

For research and tests on how buildings of contemporary design fit 20,896
 into surroundings with existing historic structures.
 

To provide federal and state agencies with professional guidanee for

upgrading publications and working environments through seminars,

workshops, and educational materials. 

Program funds: $701,488
 14 grants
 

For continuation of programs associated with the interagency agree­ $101,090 ment with the Department of Energy. 

To support an I.P.A. for Thomas Walton. 42,550 

For preparation of six issues of Federal Design Matters and other 50,000
 publications.
 

To draw up plans for executing the President’s Executive Order on 49,968 Design.
 

To support programs associated with the interagency agreement with
 10,003 the Department of Energy. 

For programs associated with the interagency agreement with the 5,856 Department of Transportation. 

To support an I.P.A. for Renee Kemp-Rotan. 39,370 

To amend a previous grant for additional publication costs and for 5,000 a distribution program for Design Arts II magazine. 

To support ah I.P.A. for Lance Brown. 12,233 

To evaluate, develop, and support design activities, projects, and 80,000 

processes.
 

For maintenance of a built environment clearinghouse; publication
 198,150 of post-conference procedings for the national conference on Settings 

for the Arts: A Competitive Edge in City Economics; for administrative costs for the conference; and for publications. 

For a seminar and workshops in the design arts and for costs incur­ 13,150 red by the design and planning clearinghouse for information concerning the Arts Edge Conference. 

For a design seminar in Charlottesville, Virginla, concerning the state 21,618 of the design disciplines.
 

To integrate energy-conscious design into Endowment programs.
 72,500 
Design Arts 45 

Interagency For projects that benefit the design field as a whole. 

Program funds: $22,722 

2 grants 

Government Printing Office Printing of Federal Design matters. $3,222 

Washington, D.C. 

Institute for Urban Design 

Purchase, New York 

To assist the private sector in selecting evaluators of candidates applying for federal government jobs in architecture, landscape architecture, and interior design. 

19,500 
46 Expansion Arts 
47 

Expansion Arts
 

Expansion Arts Advisory Panels 

Miguel Algarin Oliver Franklin Ralph Maradiga 

Poet, educator Museum director Gallery co-director 

New York, New York Philadelphia, Pennsylvania San Francisco, California 

Myrna Baez Barry Gaither Dianne McIntyre 

Visual artist, educator Museum Director Dancer, choreographer 

San Juan, Puerto Rico Boston, Massachusetts New York, New York 

Sandi Bagley Theodore Gilliam Zuri McKie 

Educator Actor, director Associate producer 

Dorchester, Massachusetts New Orleans, Louisiana New York, New York 

John Paul Batiste Jose Gonzales Jackie McLean 

City administrator Visual artist Educator, saxophonist 

Dallas, Texas Chicago, Illinois Hartford, Connecticut 

Joy Beaton Sam Grabarski Catherine Nelles 

Grants program officer State arts agency director, Foundation program ofíícer 

Chicago, Illinois musician Flint, Michigan 

Des Moines, Iowa 

Jessie Brown Elsa Robles 

Educator Grace Hampton Association director 

Hampton, Virginía Visual artist, educator New York, New York 

Jackson, Mississippi 

Maxine Brown Edmundo Rodriguez 

Foundation executive Angel Hernandez Arts administrator 

director Dancer, choreographer, San Francisco, California 

Louisville, Kentucky folklorist 

Tucson, Arizona Victoria Sharpley 

Peggy Cooper Cafritz Public relations director 

Arts commission chairman Richard Hill Newton, Massachusetts 

Washington, D.C. Museum program director 

Niagara, New York Lowery Sims 

Patricia Cruz Assistant museum curator 

A_rts administrator Richard Hunt New York, New York 

Chicago, Illinois Sculptor, visual artist 

Chicago, Illinois Patricia Votara 

Leann Davis Arts development coordinator 

Arts administrator Woodie King Columbia, South Carolina 

Yakima, Washington Director, producer, filmmaker 

New York, New York Alden C. Wilson 

Carmen Denovias State arts agency director 

Artists coalition director Naomi Kraft Larkin Augusta, Maine 

Mesa, Arizona Community arts director 

San Francisco, California Eleanor Yung 

Max Ferra Dancer, choreographer

Actor, artistic director Lynnell Lohr New York, New York 

New York, New York Arts administrator 

St. Paul, Minnesota 

Peari Lomax 

Poet, playwright, 

screenwriter 
48 Expansion Arts 

Expansion Arts Grants Program funds: $7,034,000 Treasury funds: $ 144,500 

Expansion Arts 

,_,rsan,za~,ons 

Abington Art Center 

Jenkintown, Pennsylvania 

Abraxas Foundation 

Pittsburgh, Pennsylvania 

Adelante 

Tucson, Arizona 

Adept Publications New American 

Folk Center 

Houston, Texas 

African Heritage Dancers and 

Drummers 

Washington, D.C. 

Afro American Total Theatre 

New York, New York 

Afro-American Friends of the Dance 

San Francisco, California 

Afro-American Studio for Acting and 

Speech 

New York, New York 

Aims of Modzawe 

Jamaica, New York 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

Alameda County Neighborhood Arts 

Program 

Oakland, California 

Alonzo Players 

New York, New York 

Alpha Omega Theatrical Dance 

Company 

New York, New York 

Alternative Roots 

Knoxville, Tennessee 

AIternate Center for International 

Arts 

New York, New York 

AMAS Repertory Theatre 

New York, New York 

487 grants 

To assist professionally directed community arts organizations that provide 

programs in the performing arts, visual arts, media, design, literary arts,

and interdisciplinary arts activities. 

Program funds: $5,238,475 

Treasury funds: $ 94,500 

438 grants 

For professionally led workshops in photography, printmaking, $4,000
 

ceramics, and dance for the community.
 

For a training program in ceramic and textile arts through classes 7,500
 

and exhibitions.
 

For performances of an original bilingual play and workshops to serve 7,500
 

the urban/rural Chicago community, sponsored by Teatro Libertad.
 

To support the year-round Folk Center with its training programs, 10,000
 

crafts, visual arts activities, and exhibitions.
 

To support the dance and music instruction program. 10,000
 

To support a theatre instruction program offering classes on the begin- 32,500
 

ning, intermediate, and advanced levels, as well as production and
 

master classes.
 

To support an active dance and theater touñng program for the crea- 5,000
 

tion of original works through workshops.
 

To support a professional-level theater training program of classes 12,500
 

and workshops.
 

For classes in African dance and music, as well as performances by 10,000
 

the Dinizulu Dance Company.
 

To support the performance and workshop program of the Wiregrass 10,000
 

Sacred Harp Singers.
 

To support the visual arts program. 17,500
 

For a professional theater training program based in the Brooklyn 5,000
 

community of New York.
 

For an intensive instruction program in dance, theater, and technical 10,000
 

aspects of the performing arts.
 

For regional touring, quarterly newsletters, workshops, and the third 15,000
 

"Roots" performance festival.
 

For five group exhibitions of contemporary ethnic visual artists and 30,000
 

two one-person exhibitions, 30 concerts of world music, and workshops
 

and lectures.
 

For the Eubie Blake Children’s Theatre, which provides professional 31,400
 

training in dance, music and acting for youths aged nine to sixteen;
 

and the Adult Workshop Program, which provides professional instruction to both the working and novice performer.
 
Expansion Arts 49 

AMAS Repertory Theatre For the Theatre Workshops Program. 25,000 

New York, New York 

American Authentic Jazz Dance For professional jazz dance workshops and the preservation of a 10,872 

Theatre vanishing dance heritage art form. 

New York, New York 

American Authentic Jazz Dance For a weekly jazz dance workshop, taught by Pepsi Bethel, with em­ 6,500 

Theatre phasis on developing performance skills. 

New York, New York 

American Deaf Dance Company 

Austin, Texas 

For workshops and dance training leading to incorporation of dancers 

into the Amerícan Deaf Dance Company. 

2,500 

American Festival Ballet For the Ballet Folk Summer Dance Workshop. 4,000 

Moscow, Idaho 

An Claidheamh Soluis 

New York, New York 

For professionally directed instruction programs in traditional Irish

music and folk dancing and for a concert series and productions of 

the Irish Rebel Theatre. 

7,500 

Appalshop To support a broad reaching program directed toward the expres­ 35,000 

Whitesburg, Kentucky sion of art forms particular to the Appalachian region. 

Arena Players

Baltimore, Maryland 

For an apprenticeship program and performance opportunities for 

talented youth. 

10,500 

Arkansas Arts Center For a program in the visual and performing arts. 15,000 

Little Rock, Arkansas 

Art Resources for Teachers and For training in theater based on Chinese and Puerto Rican forms, 22,500 

Students as well as training in graphic arts, murals, and folk crafts. 

New York, New York 

Artes Chicano For dance and theater performances, as well as residencies to do newly 22,500 

Denver, Colorado choreographed works. 

ArtiCulture For a performing arts training, employment, and referral program. 7,500 

Cambridge, Massachusetts 

Artists Collective For a comprehensive trainlng and instruction program in music, dance, 30,000 

Hartford, Connecticut drama, and visual arts with guest master artists. 

Artists Collective For instructional programs for the community in music, dance, drama, 22,500 

Hartford, Connecticut and the visual arts taught by master artists. 

Artists in Prison and Other Places For the theater workshop program ~~ith special emphasis on Hispanic 15,000 

Los Angeles, California and Afro-American themes. 

Arts on the More 

Juneau, Alaska 

For performances, workshops in music, visual arts, dance, theater

and creative writing serving isolated "bush communities" of Alaska. 

5,000 

Arts Resources in Collaboration For a divershíed cultural performance and workshop program in 5,000 

New York, New York dance, music, and theater. 

Ashtabula Arts Center For the center’s exhibits, performances, and instruction program in 7,000 

Ashtabula, Ohio the visual arts, dance, drama, and music. 

Asian American Study Center For the multi-media trainihg programs and community-access pro­ 5,000 

Los Angeles, California grams with media resources. 

Asian-American Dance Collective 

San Francisco, Cali~ornia 

For dance training instruction in both traditional Asian and contemporary American forms. 

7,500 

Asian Ameñcan Dance Theater For classes in traditional and modern dance for the Chinese communi­ 18,500 

New York, New York ty, performances in the New York City area, anda tour to isolated 

communities on the East Coast. 

Asian American Dance Theater For performances and instruction that encourage the preservation 23,500 

New York, New York of the Asian dance heritage and enhance cross-cultural exchanges. 

Asian Cine-Vision To support the fffth Asian-American Film Festival, which will 6,000 

New York, New York showcase over 30 films. 

Associacion Pro Zarzuela en America For a program of performances and workshops in traditional Spanish 5,000 

New York, New York dance, music, and theater. 
50 Expansion Arts 

Attic Theatre 

Detroit, Michigan 

Audubon Arts Center 

New Orleans, Louisiana 

Aunt Len’s Doll and Toy Museum 

New York, New York 

Avante Theatre Company 

Philadelphia, Pennsylvania 

Ballet Concerto Company 

Miami, Florida 

Ballet Theatre of the Virgin Islands 

St. Thomas, Virgin Islands 

Baitimore Theatre Project 

Baltimore, Maryland 

Baltimore Theatre Project 

Baltimore, Maryland 

Barter Foundation 

Abingdon, Virginia 

Basement Workshop 

New York, New York 

Ballet de Puerto Rico 

New York, New York 

Bayfront NATO 

Erie, Pennsylvania 

Bedford Stuyvesant Restoration 

Corporation 

Brooklyn, New York 

Before Columbus Foundation 

Berkeley, California 

Better Boys Foundation Chicago, Illinois 

Better Boys Foundation 

Chicago, Illinois 

Beyond Baroque Foundation 

Venice, California 

Bidwell Education Music and 

Recreation Center 

Pittsburgh, Pennsylvania 

Bilingual Foundation of the Arts 

Los Angeles, California 

Bilingual Theater Coml~any 

Kingsville, Texas 

Bilingual Theatre of Ripley House 

Houston, Texas 

Bilingual Foundation of the Arts 

Los Angeles, California 

Binghamton Community Music Center 

Binghamton, New York 

For the Attic Performing Arts Academy, the Oldsters Mime Theatre,

workshops and performances by senior citizens, Detroupe Mime Company, and New Playwright Forum. 

5,000 

For professionally led visual and performance arts classes for the 

residents of the Gert Town section of New Orleans. 

10,000 

For a program in doll-making for all age groups. 3,000 

For workshops and productions in community facilities throughout 

the city. 

5,000 

For a program of basic ballet instruction ~~4th scholarships for students 

of exceptional talent. 

3,500 

For a professional dance training and scholarship program using 

íormer school students to teach master classes. 

15,000 

For administrative costs. 17,500 

For the performing arts program offering training in the theater 

disciplines and presentations of internationally renowned artists in 

theater, dance, and music. 

28,000 

For the apprentice program with the Youth Theatre. 7,500 

For professionally directed workshops in the visual and performing 

arts, and performance series, gallery exhibits, lecture-demonstrations, 

media series, and publications by Asian artists. 

20,000 

For a program offering dance instruction for children and adults including performance experience. 5,000 

For a professionally directed program including instruction in visual

arts, dance, and music, as well as exhibits, performances, anda statewide dance touring program. 

12,000 

To support the art and culture center’s programs in the performing,

literary, and visual arts. 

10,000 

For the presentation of ethnic authors at a major poetry festival and 

book fair in Northern California. 

7,500 

For theater workshops and performances for the community with

original productions by the student company. 

12,000 

For professional training by La Mont Zeno Theatre in all facets of

theatrical production. 

17,000 

For the center’s programs providing free workshops in writing, 

poetry, music, visual and performing arts. 

17,500 

To support a diverse music and dance instruction pmgram for children. 10,000 

For the production of plays related to the Hispanic American experience, a playwright-in-residence program, workshops, and other 

productions for city residents. 

20,000 

For bilingual theater in the Corpus Christi area. 2,500 

For a Spanish bilingual performance program anda theater workshop 

component for adults and children. 

15,000 

For the production and performance of four plays: The House of Brerharda Alba, Uprooted, Montserrat, and the winning script of the 

1982 National Play Awards. 

30,000 

For a program offering instruction in the performing arts for innercity students including performance opportunities. 5,000 
Expansion Arts 51 

Birmingham Creative Dance Company 

Birmingham, Alabama 

For performances, movement classes, and workshops for the community, as well asa four-week residency program. 

7,500 

Black Box Theatre For a training program consisting of workshops and classes in move­ 5,000 

San Francisco, California ment and theater as well as performances for the community. 

Black Spectrum Theatre Company 

St. Albans, New York 

For the Theatre Demonstration Program, which features audience 

participation with theatre performances. 

12,500 

Black Spectrum Theatre Company For professional training in all facets of theatrical production. 18,000 

St. Albans, New York 

Black Theatre Troupe 

Phoenix, Arizona 

For a theater arts training program, expansion of the company repertoire, ah actor in residence, and workshops. 

25,000 

Bloomingdale House of Music For a community muslo training project. 5,000 

New York, New York 

Boy Scouts Theatre Dance 

St. Croix, Virgin Islands 

For classes anda program of instruction translating contemporary 

and classic folk stories into movement. 

6,000 

Boys Choir of Harlem For a music training program offering instruction in music theory, 40,000 

New York, New York piano, sight singing, voice, and handbells for musically gifted students. 

Boys Choir of Harlem For a music program offering instruct.ion and performing experience 10,000 

New York, New York for musically gifted children. 

Boys Harbor 

New York, New York 

For the Harbor Junior High School of the Performing Arts and the

Harbor Performing Arts Center, which provide instruction to the 

young people of East Harlem. 

30,000 

Brattleboro Music Center, For the Music Discovery Program, which provides music instruction, 7,250 

Friends of the training, and performances to the residents of rural Vermont. 

Brattleboro, Vermont 

Brockman Gallery Productions 

Los Angeles, Caliíornia 

For the professionally directed cultural activities of Brockman Gallery, 

all geared to increase the ability of the artist to be an effective selfemployed professional. 

12,500 

Brown University 

Providence, Rhode Island 

For performances by Rites and Reason, including two original works

developed in "research-to-performance" method workshops. 

25,000 

Buffalo Inner City Ballet Company 

Buffalo, New York 

For professional dancers and choreographers, lecture-demonstrations,

master classes, and touring. 

5,000 

CA-FAM III 

Washington, D.C. 

For ah exhibition and lecture program and the publication of Black 

Arts Review, a 24-page bimonthly publication. 

20,000 

CA-FAM III For publication of Black Arts Review. 20,000 

Washington, D.C. 

Cacho (Andrew) African Drummers 

and Dancers 

For workshops, performances, lectures, and classes offering proíessional training in Aírican traditional dance, percussion, drumming, 

20,000 

Washington, D.C. and singing. 

Cacho’s (Andrew) African Drummers

and Dancers 

For classes in traditional African and Caribbean rhythms, movement, 

dance, and drumming techniques. 

15,000 

Washington, D.C. 

Camera News For production-oriented film workshops geared toward career 10,000 

New York, New York development. 

Capitol Ballet Company For dance training and performances for students in the Anacostia 10,000 

Washington, D.C. area of Washington. 

Capitol Ballet Guild For performances using gifted dance students and members of the 10,000 

Washington, D.C. Junior Company as well as professional dancers. 

Caribbean Center for Understanding For a local media resource center with workshops in video production. 5,000 

Media 

St. Croix, Virgin Islands 

Caribbean Dance Company For ah instruction program in modern ballet and West Indian folk 5,000 

St. Croix, Virgin Islands dance. 
52 Expansion Arts 

Carpetbag Theatre 

Knoxville, Tennessee 

Carver Cultural Center 

San Antonio, Texas 

Casa Hispana de Bellas Artes 

San Francisco, California 

Center for Chamber Music at Apple 

Hill 

East Sullivan, New Hampshire 

Center for Puppetry Arts

Atlanta, Georgia 

Centro Cultural de la Raza 

San Diego, California 

Centro Cultural de la Raza 

San Diego, California 

Centro de Arte 

Washington, D.C. 

Centro de Artistas Chicanos 

Sacramento, California 

Changing Scene 

Denver, Colorado 

Chiang Ching Dance Company 

New York, New York 

Chiang Ching Dance Company 

New York, New York 

Chicago Black Ensemble Theater 

Chicago, Illinois 

Chicago Children’s Choir, 

Friends of the 

Chicago, Illinois 

Chicano Humanities and Arts Council 

Denver, Colorado 

Child Hearing League 

Mercer Island, Washington 

Children’s Art Carnival 

New York, New York 

Children’s Art Carnival 

New York, New York 

Chinatown Building and Education 

Foundation 

Philadelphia, Pennsylvania 

Chinese American Arts Couneil 

New York, New York 

Chinese Culture Foundation of 

San Francisco 

San Francisco, California 

Chinese Dance Company of New York 

New York, New York 

Chinese Music Ensemble of New York 

New York, New York 

Christina Community Center of OId 

Swedes 

Wilmington, Delaware 

For training for aspiring artists in acting, stagecraft, and arts 5,000 

management. 

For the educational program, the dance festival program, and the 15,000 

workshops/residencies of the annual jazz festival. 

For a series of major concerts by local and nationally acclaimed Latin 12,500 

music groups. 

For the Young Musicians Development Program. 7,500 

For the performance/workshop program for a variety of 5,000 

constituencies. 

For Chicano, Mexicano, and Indian arts programs at community 10,000 

centers. 

For instruction and training in Ballet Folklorico, music, and ceramics, 22,000 

and for exhibits featuring the works created. 

For a multi-cultural program including workshops in crafts and per- 10,000 

formances in music and theater. 

For the Barrio Arts Program with various Iearning arts experiences 10,000 

for al1 age groups. 

For this experimental theater to offer workshops, a modern dance 5,000 

school, a gallery space, and a theater lab. 

For performances with workshops in Chinese and Chinese-American 7,500 

dance-theater. 

For a lecture-performance program of classical and contemporary folk 17,500 

dances from the many regions of China. 

For a program providing professional training for actors. 5,000 

For a choral program enabling children to develop musical skills, 10,500 

discipline, and versatility to sing multi-cultural music. 

For ah extensive development, training, and production program of 10,000 

murals for the enhancement of Denver neighborhoods. 

For arts programs for hearing-impaired children. 12,000 

For a professionally directed multi-media arts school for children and 25,000 

the apprenticeship program. 

For a professionally directed arts program for children, including an 30,000 

apprenticeship program in communication. 

For workshops in authentic Chinese visual and performing arts as 10,000 

part of a total community cultural program. 

For Chinese-American dance troupes to reach a wider audience with 8,900 

a variety of community concerts, performances, and special events. 

For a program designed to showcase Chinese and Chinese-American 12,000 

arts and artists. 

To support a multi-ethnic festival, an authentic dance training pro- 2,500 

gram, anda variety of public performances. 

For public performances of a representative Chinese repertoire. 6,500 

For a guest artists series by renowned artists for residents of this 2,020 

multi-ethnic community. 
Expansion Arts 53 

Cioffi, Patricia For Ms. Cioffi to participate in the Endowment’s Fellowship Program. 3,418 

Montclair, New Jersey 

Circuir Playhouse For productions and workshops in the community for handicapped 2,500 

Memphis, Tennessee seniors and youth. 

Cityarts Wurkshops For community mural workshops in design and theme execution and 17,500 

New York, New York for the resource center, which serves for exhibition space, lecture/slide

presentations, and a library. 

Clark Center for the Performing Arts For a high quality, intensive dance training program which develops 15,000 

New York, New York new dance talent. 

Co-Real Artists 

Los Angeles, California 

For performances, lecture-demonstrations, and workshops in music,

dance, and theater under the Cultural Awareness Programs. 

12,500 

Commission to Secure a Westsidi For a dance program offering the community training and perfor­ 5,000 

Community Ccnter for the Performing mance opportunities in modern, ballet, creative movement, and jazz. 

Arts 

Eugene, Oregon 

Community .a.rts Services Hawaii 

Hilo, Hawaii 

For instruction in the performing arts, with a major emphasis on

dance. 

10,000 

Community Mural Project To support mural workshops for nonprofessionals, lectures, and mural 10,000 

Chicago, Illinois projects. 

Community Music Center For a series of programs providing music instruction and performance 15,000 

San Francisco, California opportunities for low-income students. 

Community School of the Arts For professionally directed classes in music training, theater, and 6,000 

Charlotte, North Carolina visual arts for youth. 

Concerned Musicians of Houston To support a jazz workshop program. 12,000 

Houston, Texas 

Cosaan Dance Company For dance workshops for beginning and advanced dancers, lecture­ 10,000 

St. Louis, Missouri demonstrations, and performances. 

Council on the Arts for Cortland For a visual, literary, and performing arts workshop program. 5,000 

Cortland, New York 

Creede Repertury Theatre For guest-artist residencies, a theater internship program, ah audience 15,000 

Creede, Colorado development program, an educational outreach program, and sponsorship of other art programs. 

Crossroads Community (the Farm) For classes, workshops, and performances in theater and visual arts 12,500 

San Francisco, California in an innovative urban environment. 

Crossroads, Inc. For workshops and classes for inner-city youth, technical assistance 20,000 

New Brunswick, New Jersey to nonprofit organizations, and the production of six plays. 

Crow Central Education Commission To support workshops, children’s classes, adult classes, and exhibí­ 6,000 

Crow Agency, Montana tions at the Wyola Art Center. 

Cultural Council Foundation For the scholarship program which offers instruction in the perfor­ 7,500 

New York, New York mance arts as well as performance opportunities for the Nat Horne 

Musical Theatre. 

Cultural Council Foundation For LUNARI’S series of performances and professionally led work­ 3,000 

New York, New York shops in dance and theater at the Lincoln Square Neighborhood 

Center. 

Cultural Council Foundation For Thelma Hill Performing Arts Center to showcase minoñty art­ 10,000 

New York, New York ists and for a three-part concert series: B.B. King, Ebony Opera of

Philadelphia, and Women in Music--Betty Carter and Melba Liston 

and Company. 

Cultural Council Foundation For performance-oriented theater workshops at the Bond Street 5,000 

New York, New York Theatre. 

Cultural Council Foundation For the silk screen program, which offers instruction, technical 2,500 

New York, New York assistance, and workshops by the Creative Women’s Collective. 

Cultural Council Foundation 

New York, New York 

For Charas’ New Assembly Performance Space Instruction Program,

which offers workshops and classes in theater arts. 

10,000 
54 Expansion Arts 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Culture in Black and White 

Mobile, Alabama 

Cumberland County Playhouse 

Crossville, Tennessee 

D.C. Music Center 

Washington, D.C. 

Dance Exchange 

Washington, D.C. 

Dance Theater Foundation 

New York, New York 

Dance Visions 

New York, New York 

Dances & Drums of Africa Studies 

Brooklyn, New York 

Dances We Dance 

Honolulu, Hawaii 

Dashiki Project Theatre 

New Orleans, Louisiana 

Dayton Contemporary Dance Company 

Dayton, Ohio 

DeCordova and Dana Museum and 

Park 

Lincoln, Massachusetts 

Detroit Community Music School 

Detroit, Michigan 

Detroit Jazz Center 

Detroit, Michigan 

Detroit Repertory Theatre 

Detroit, Michigan 

Dimensions Dance Theatre 

Oakland, Caliíornia 

District of Columbia, University of the 

Washington, D.C. 

Dixwell Children’s Creative Arts 

Center 

New Haven, Connecticut 

Douglass (Fredrick) Creative Arts 

Center 

New York, New York 

Downtown Community Television 

Center 

New York, New York 

Dume Spanish Theatre 

Sunnyside, New York 

Dunham Fund for Research and 

Development of Cultural Arts 

For intensive dance training at the Bronx Dance Theatre for Bronx

youth who seek the arts as a career. 

2,500 

For clo~m workshops for underserved communities of New York City, sponsored by Cumeezi Bozo Ensemble. 5,000 

For a free training program in the arts which supplements the class 

offerings of the public schools. 

17,500 

For theater performances, drama classes, and the development of 

a touring company. 

5,000 

For school assistance for classes and workshops, individual instruction, and public concerts. 2,500 

For classes throughout the city, training programs for special populations, and partial administrative costs of the intergenerational performances group. 10,000 

For a national workshop-performance program bringing the elements 

of dance to varied audiences. 

12,500 

For workshops and performances in beginning and intermediate 

modern dance given by members of the Sounds in Motion Company 

for the residents of Harlem. 

12,000 

For the scholarship instruction program in music and dance for promising young artists. 5,000 

For a dance training program offering instruction in modern, ballet, 

creative movement, jazz, and Hawaiian forms. 

3,500 

For a program offering professional training and performance opportunities in the theater arts, as well as the creation of new plays. 25,000 

For a residency program allowing top quality dancers, teachers, and 

choreographers from all over the country to work with the Dayton 

Contemporary Dance Company. 

10,000 

For artists’ fees for an instruction program in fine arts, crafts, and 

photography for the elderly. 

10,000 

For ah expanded instruction program with performance opportunities 

in music for children and adults. 

5,000 

For a program providing musicians in the Detroit area a comprehensive course in jazz instruction. 7,500 

For the company’s workshop and performance program for the 

community. 

11,000 

For lecture-demonstrations, performances for the community, and 

an intensive dance training program for beginning and advanced 

dancers. 

10,000 

For a film and lecture series on black-oriented films, as well asa mobile 

film program for other community centers. 

7,500 

For a program offering instruction in music and other performing 

arts, as well as performance opportunities. 

20,000 

For writing and acting workshops offering instruction on the intermediate levet, and for the television production workshops. 16,000 

For an arts training program including specialized classes in basic 

camera work, TV production and editing, advanced color production, 

and audio skills. 

12,500 

For workshops in dance and drama for teenagers, as well as play productions in Spanish. 

10,000 

For a multi-faceted cultural program of community art services. 50,000 
Expansion Arts 55 

East Bay Assoeiation for the Arts 

Bristol, Rhode Island 

Fora program of workshops and performances in various types of 

music for various East Bay, Rhode Island, communities. 

4,000 

East CIeveland Community Theater Fora professionally directed performance arts program. 12,500 

and Arts Center 

East Cleveland, Ohio 

East West Players 

Los Angeles, California 

For the tour program, the professional theater training program, and

productions that íeature professional Asian-American performers. 

30,000 

East West Players For workshop/classes in theater arts. 22,000 

Los Angeles, California 

EeoTheater, Inc. For workshops leading to the development of original plays. 10,000 

Hinton, West Virginia 

El Centro Cultural de Gente 

San Jose, California 

For a professionally directed arts program in visual arts, theater, and

music reflecting the cultures of the Mexicano, Chicano, and Latino 

populations. 

10,000 

El Neuvo Teatro Pobre de America 

Hato Rey, Fuerto Rico 

For workshops exploring the roots of Puerto Rican culture, and

resulting in the production of original plays. 

10,000 

El Puerto Rican Playwrights 

New York, New York 

Fora theater festival, "open room" presentations with playwrights 

and poets, a film series, gallery exhibitions, and concerts. 

10,000 

El Teatro Campesino For the development of two plays involving music and dance. 10,000 

San Juan Bautista, California 

El Teatro de la Esperanza 

Santa Barbara, Caliíornia 

For the workshop/performance program specializing in folkloric and

traditional music of Latin America. 

17,500 

El Teatro de la Esperanza 

Santa Barbara, California 

For dramatic workshops and musical presentations by groups 

specializing in folkloric and traditional music of Latin America. 

24,000 

Emanon Music Company 

Washington, D.C. 

For the "Tribute to Duke Ellington" concert series, featuring local 

professional musicians in the Washington, D.C. area. 

7,000 

Ethnic Folk Arts Center 

New York, New York 

For professionally d~rected folldife programs that feature workshops,

concerts, and classes by folk musicians. 

20,000 

Everybody’s Creative Arts Center 

Oakland, California 

For a multi-cultural arts program for the community in dance and 

music. 

5,000 

Facets Performance Ensemble For a model ~vorkshop program in the performing arts. 5,000 

Chicago, Illinois 

Fairmount Theatre of the Deaf 

Cleveland Heights, Ohio 

For classes in sign language theater, playwrighting for deaf artists,

improvisation for hearing-impaired actors, and touring workshop/productions to the deaf and hearing audiences. 

2,500 

Family, Ine. 

New York, New York 

For a 30-week workshop program operating at three locations and 

touring throughout New York, New Jersey, and Massachusetts. 

17,500 

Fantasia Ballet For a classical dance training program offeñng instruction in ballet, 4,000 

Poughkeepsie, New York and master classes in jazz and ethnic dance at low or free tuition. 

Feedback Productions For performances, workshops, and the sharing of oral histories by 5,000 

San Francisco, California Tail Spinners, a multi-cultural, seven-member performing ensemble. 

Festival Players 

Chattanooga, Tennessee 

For theater workshops and performances for rural areas, as well as

a summer program anda special theater-in-the-schools program. 

2,500 

Film in the Cities For an instructional program in filmmaking for low-income, ethnically 7,500 

St. Paul, Minnesota div’erse school populations. 

First All Children’s Theatre Fór a musical theater training program for young performers as well 12,500 

New York, New York as student productions. 

Florida Studio Theatre For theater productions with workshop discussions and symposia on 10,000 

Sarasota, Florida the plays throughout Florida. 

Folkdance Foundation 

New York, New York 

For instruction in traditional folk music and dance, as well as performances in schools and in public places by professional folk dancers. 

5,000 

Fondo del Sol For new exhibits in the gallery. 15,000 

Washington, D.C. 
56 Expansion Arts 

42nd Street Theatre Row
 

New York, New York
 

Foundation for the Vital Arts
 

New York, New York
 

Frankel (Gene)Theatre Workshop
 

New York, New York
 

Free Media
 

New York, New York
 

Free Street Theater
 

Chicago, Illinois
 

Friends Mime Theatre
 

Milwaukee, Wisconsin
 

Friends of Puerto Rico
 

Hato Rey, Puerto Rico
 

Friends of Puerto Rico
 

New York, New York
 

Frog Hollow Craft Association
 

Middlebury, Vermont
 

G.A.L.A.
 

Washington, D.C.
 

G.A.L.A.
 

Washington, D.C.
 

Galaxy
 

Boston, Massachusetts
 

Galeria Studio 24
 

San Francisco, California
 

Galveston Arts Center 

Galveston, Texas 

Gateway Dance Theatre 

Des Moines, Iowa 

Germantown Theatre Guild 

Philadelphia, Pennsylvania 

Global Village Vídeo Resource Center 

New York, New York 

Goddard Riverside Community Center 

New York, New York 

Grand Valley State Colleges 

Allendale, Michigan 

Great Leap 

Los Angeles, California 

Growth through Arts and Museum Experience (G.A.M.E.) 

New York, New York 

H.T. Dance Company 

New York, New York 

Haight-Ashbury Arts Workshop 

San Francisco, California 

Happiness Bag Players 

Terre Haute, Indiana 

For workshops, a special theater seminar program, anda professional 

touring company for the Harlom Children’s Theater Company. 

10,000 

For workshops in dance for talented youth, as well as rehearsal space 

for talented young choreographers. 

17,500 

For professional workshop training for actors, directors, and 

playwrights, culminating in showcase productions. 

2,500 

For the 12th annual film exhibition program "Movies in the Park," 

a mobile film event showcasing the work of young independent 

filmmakers. 

10,000 

For performances, professional workshops, and residencies for urbanand rural theater involvement. 

17,500 

For a theater arts program of performance/workshops for the community, including handicapped persons. 

12,500 

For theatrical performances, drama classes, and the development of 

a touring company. 5,000 

For a program of exhibition, cultural presentations, and workshops 

by Latin American visual artists, musicians, and filmmakers at the 

Cayman Gallery. 

10,000 

For crafts instruction, ah apprenticeship program, and an exhibition 

program for Vermont craftsmen. 11,050 

To support bilingual theater. 10,000 

For five bilingual theater productions for Groupo de Artistas LatinoAmericanos. 

20,000 

For bilingual theater touring with workshops for Spanish communlties

and a playwrights’ program. 3,500 

For a visual arts gallery and traveling exhibitions, expansion of the 

archives and resource center on Hispanic cultures, and artist-inresidence workshops. 

34,800 

For the center’s professionally directed performing arts program. TF 20,000 

For guest artists, classes, workshops, performances, and lectures, 

with a multi-ethnic dance program anda continuing residency 

program. 

8,000 

For a series of productions, workshops, and professional training. 7,500 

For the festival of works by minority video and filmmakers. 4,000 

For drama workshops and productions, as weI1 as training for teaching, 

audition preparation, and stage techniques. 

8,000 

For the Neighborhood Theater and the Celebration Performance 

Series. 

15,000 

For dance and music training for the Asian-American community, 

as well as productions based on the Asian experience. 10,000 

For workshops in photography, printmaking, bookbinding, weaving, 

and woodworking for youth; and adult workshops in film, clay, exhibit building, and photography. 

15,000 

For professional dance training aimed at producing new Asian art 

forms based on cultural heritage. 

5,000 

For professionally directed free or low-cost workshops in the visual

and performing arts for the Haight-Ashbury and Bay community. 12,500 

For a touring theater workshop/production program for all ages to 

reach the variety of special audiences in the rural community. 7,500 
Expansion Arts 5~ 

Harlem Cultural Council 

New York, New York 

For a series of concerts and dance performances, a newsletter, a film

series, and management assistance to community arts groups. 

5,000 

Harlem Schooi of the Arts For a professional career development program offering instruction TF 30,000 

New York, New York in the performing, musical, and visual arts. 

Henry Street Settlement 

New York, New York 

For New Federal Theatre’s workshops which train people for employment in the theatre. 

30,000 

Henry Street Settlement 

New York, New York 

For workshops, classes, and performances at the Music Center with 

the residency of the Frank Ashley Dance Company, sponsored by 

Arts for Living. 

15,000 

Highlander Research and Education 

Center 

New Market, Tennessee 

For workshops and training in music and culture indigenous to the 

Appalachian region and for recordings of contemporary songs of the 

coal mining communities. 

5,000 

Hill (Thelma) Performing Arts Center 

Brooklyn, New York 

For special performances, classes, ’anda festival in theater, dance, 

and music, giving professional training to youth. 

2,500 

Holder (Frank) Dance Company 

Greensboro, North Carolina 

For touring, workshops, and performances for rural communities in

the middle and upper Appalachian region. 

5,000 

Holiday (Billie) Theatre 

Brooklyn, New York 

For the Theatre Workshop Program for children and adults as well 

as workshop/performances by the Bubble Gum Players Children’s 

Theatre Company. 

12,000 

Horizon Concerts 

New York, New York 

For concerts, lecture-demonstrations for senior citizens, and presentations for other special audiences. 

5,000 

Hudson Valley Freedom Theatre 

Newburgh, New York 

For the Theatre’s 21st Century Lab, anda program for 30 trainees 

to learn the various stage crafts. 

20,000 

Independent Eye 

Lancaster, Pennsylvania 

For theater performances and workshops in a ten-county rural region 

in Pennsylvania. 

7,500 

Inner City Cultural Center 

Los Angeles, California 

For the center’s professional instruction programs in theater, dance, 

music, and special events; and for exhibits and festivals serving a

multi-ethnic community. 

50,000 

Inner City Ensemble 

Paterson, New Jersey 

To support a touring company featuring a repertoire of various dance 

and theater pieces and dance workshops. 

5,000 

Institute of Puerto Rican Culture 

San Juan, Puerto Rico 

For workshops, classes and performances in classical Spanish dance

and ballet by Grupo Pro Ballet Concierto de Puerto Rico. 

2,500 

International Art of Jazz To support a program of workshops in jazz, dance, and vocal studies, 15,000 

Stonybrook, New York culminating in student/teacher presentations. 

Internation’al Arts Relations To support the Playwrights in Residence Laboratory, which provides 15,000 

New York, New York opportunities for Hispanic playwrights. 

Intersection For presentations showcasing San Francisco’s emerging professional 15,000 

San Francisco, California artists in theater, dance, film, and poetry. 

Invisible Theatre 

Tucson, Arizona 

For workshops in theater, writing, traditional music, the Writers

Workshop, and other special programs. 

10,000 

Iowa Committee Arts for the For a professionally directed instructional program for special au­ 5,000 

Handicapped diences in music, dance, and visual arts. 

Dubuque, Iowa 

Island Center of St. Croix For professional community art and cultural events prepared and 2,500 

St. Croix, Virgin Islands presented at the center. 

Jamaica Arts Center For a multi-arts center offering a year-round series of workshops and TF 17,500 

Jamaica, New York classes in the performing and visual arts, as well as accessibility to 

special audiences. 

Japan Town Art Movement To support the Japan Town Art and Media Workshops which pro­ 7,500 

~an Francisco, Cal~ornia vide professional instruction by artists from the Asian community. 

Jazzmobile For performances and the musical workshop program in which 35,000 

New York, New York talented young musicians are instructed by professionals. 
58 Expansion Arts 

Jubilee Community Arts 

Knoxville, Tennessee 

Julian Company Theatre 

San Francisco, California 

Just Us Theater Company 

Atlanta, Georgia 

Justice, Department of 

Washington, D.C. 

Kaji Aso Studio 

Boston, Massachusetts 

Kalihi-Palama Culture and Arts 

Society 

Honolulu, Hawaii 

Karamu House 

Cleveland, Ohio 

Kenkeleba House 

New York, New York 

Kingston Artists Group 

Kingston, New York 

Kitani Foundation 

Columbia, South Carolina 

Kitani Foundation 

Columbia, South Carolina 

Kualoa-Heeia Ecumenical (KEY)

Project 

Kaneohe, Hawaii 

Kuumba Community Theatre 

Chicago, Illinois 

Kuumba Theatre 

Chicago, Illinois 

La Casa de la Raza 

Santa Barbara, California 

Le Compania de Teatro de 

AIbuquerque 

Albuquerque, New Mexico 

Le Pena Cultural Center 

Berkeley, California 

Labor Theater 

New York, New York 

Las Vegas Jazz Society 

Las Vegas, Nevada 

Latin American Theatre Ensemble 

New York, New York 

Latino Chicago Theatre Company 

Chicago, Illinois 

Lewis (EIma) School of Fine Arts 

Dorchester, Massachusetts 

Lewis (EIma) School of Fine Arts 

Dorchester, Massachusetts 

For a coordinated community arts program, including instruction and 

performance of traditional southern highland music, dance, crafts, 

sacred harp singing as well as tours of musicians to rural areas. 

17,500 

For the Third World Plays program, including readings and script 

development with minority American playwrights. 7,500 

For theater productions that involve local talent working with guest 

artists and directors at Theatre of the Stars. 2,500 

For the Bureau of Prisons artists-in-residence project. 25,000 

For artists’ lees for the studio’s classes in drawing, ceramics, and 

watercolor. 

5,000 

For a performance and training program in dance, theater, arts and 

crafts, emphasizing traditional Hawaiian expressions. 10,000 

For a multi-arts program in dance, music, theater, visual arts, and 

creative writing with the Urban Arts Neighborhood Project. 50,000 

For a training program and workshops in visual and literary arts, 

and for exhibits and readings in the Kenkeleba House galleries. 5,000 

For literary and visual arts workshops, poetry readings, and an exhibition gallery of local artists’ work. 5,000 

For professional lecture-demonstrations with nationally acclaimed local 

performing artists. 

12,500 

For administrative and general operational costs. 17,500 

For a workshop program in crafts, art, music, and dance, emphasizing traditional Hawaiian cultural expressions. 5,000 

For the theater arts workshops for the KCT Company and community 

members; and for productions, visual art exhibitions, poetry readings, 

and touring productions. 

25,000 

For the presentation of four plays, road productions, special performances, training in the theater arts, visual arts exhibits, and community forums. 

30,000 

For bilingual and bicultural professionally led workshops in music, 

drama, literature, and the visual arts. 

10,000 

For the development of the musical Nuevo Mexico, Si and for theater 

workshop-training programs. 2,500 

For a bilingual, multi-cultural arts program. 4,000 

For a touring performance program to isolated industñal communities 

with lecture-demonstrations. 

5,000 

For the "Tñbute to the Late Greats," as well as concerts, clinics, 

and workshops presented during Jazz Month. 10,000 

For workshops in acting, music, and the literary arts in the Hispanic 

community as well as lectures and recitals. 7,500 

For the production of ah oñginal play by an Hispanic author anda 

workshop/performance program. 2,500 

For the drama department of the School of Fine Arts, which offers 

professional instruction for its students, as well asa series of interdisciplinary performances and workshops. 

70,000 

For proíessional instruction in the theater arts for students of the 

School of Fine Arts. 60,000 
Expansion Arts 59 

Library Theatre 

Washington, D.C. 

To support the "Books Alive" program that trains artists in multimedia theatrical performances. 

10,000 

Lifeline Center for Child Developmint 

Queens Village, New York 

To support a model program in theater, arts instruction, and performance for emotionally disturbed children. 

5,000 

Liga Estudiantes de Arte de San Juan 

San Juan, Puerto Rico 

For Casa Aboy’s program of professionally directed photography 

workshops. 

5,000 

Liga Estudiantes de Arte de San Juan For a series of workshops in visual arts and photography. 15,000 

San Juan, Puerto Rico 

Liga Estudiantes de Arte de San Juan 

San Juan, Puerto Rico 

For the graphic workshop facilities, the sponsorship of shows for 

young artists, a scholarship program, and the performing arts 

15,000 

program. 

Liga Estudiantes de Arte de San Juan 

San Juan, Puerto Rico 

To support Casa Aboy, an interdisciplinary arts center with 

photographic workshops, exhibits, plays, concerts, and dance performances representing the arts of Puerto Rico. 

10,000 

Lilith Foundation 

~an Francisco, Cali£ornia 

For workshops in theater technique anda program of professional

theater productions for special audiences. 

2,500 

Limbora Slovak Folk Ensemble For workshops in Slovak traditional folk songs, and for touring and 5,000 

Astoria, New York festival performances. 

Little Flags Theatre Foundation For the mounting, production, and touring of six half-hour musical 5,000 

Roxbury, Massachusetts plays focusing on Third World contributions to the development of 

this country. 

Little Miami Theater Works For an original theater production program based on stories and styles 5,000 

London, Ohio of the rural region. 

Living Stage 

Washington, D.C. 

For an extensive improvisational theater workshop program for 

special audiences. 

12,500 

Los Angeles Actors’ Theatre 

Foundation 

For the training program, including bilingual theater workshops offering instruction at the beginning, intermediate, and advanced levels 

5,000 

Los Angeles, California for Hispanics. 

Lower East Side Community Music 

New York, New York 

For programs providing music instruction, instrumental trairáng with 

ethnic music, and performances for the community. 

2,500 

Lower East Side Printshop 

New York, New York 

For a program offering free or low-cost classes in all phases of silk 

screening and print-making. 

7,500 

M.A.R.S. For a series of exhibitions and workshops by Hispanic/Indian artists 5,000 

Phoenix, Arizona for the general public. 

Madison Community Access Center For a training program in videotape. 10,000 

Madison, Wisconsin 

Manchester Craftsmen’s Guild For professional training in photography, ceramic art, and textiles; 35,000 

Pittsburgh, Pennsylvania quarterly exhibitions; and seminars and workshops emphasizing 

career development in the visual arts. 

Manna House Workshop To support a professionally directed program in the performing arts. 17,500 

New York, New York 

Manning Avenue Free Studio For visual art classes, mobile exhibitions, staged performances and 10,000 

Sumter, South Carolina an arts and crafts festival. 

Martín Dancers For an intensive instruction program in dance, theater, and the 5,000 

Los Angeles, California technical aspects of the performing arts. 

Mattress Factory 

Pittsburgh, Pennsylvania 

For an arts facility providing studio space, a weaving workshop, a 

children’s theater workshop, as well as professionally led dance classes 

for all ages. 

5,000 

Mendocino Arts Center For a professional-level arts instruction and presentation program 5,000 

Mendocino, California in this rural California county. 

Merit Program 

Chicago, Illinois 

For a program providing students and professional musicians in the 

Chicago arca with a comprehensive course in all orchestral instruments, theory, and classical music history. 

5,000 
60 Expansion Arts 

Metro Theater Circus 

St. Louis, Missouri 

Metropolitan Cultural Arts Center 

Minneapolis, Minnesota 

Metropolitan School for the Arts 

Syracuse, New York 

Miller’s (Joan) Dance Players 

New York, New York 

Milwaukee Inner City Arts Council 

Milwaukee, Wisconsin 

Mind-Builders Creative Arts Company 

Bronx, New York 

Minority Photographers 

New York, New York 

Modern Times Theater 

New York, New York 

Monroe County Rural Heritage 

Alliance 

Union, West Virginia 

Moore, John L., III 

Winston-Salem, North Carolina 

Mount Vernon Fine Arts Cultural 

Center 

Mount Vernon, New York 

Museum of African American Art 

Santa Monica, California 

Museum of African American Art 

Santa Monica, California 

Museum of African American Art 

Santa Monica, California 

Museum of African American Art 

Santa Monica, California 

Music Lab 

Kingston, New Jersey 

Nashville, Academy Theatre 

Nashville, Tennessee 

National Black Theatre Workshop 

New York, New York 

National Black Theatre Workshop 

New York, New York 

National Center of 

Afro-American Artists 

Boston, Massachusetts 

National Center of Afro-American 

Artists 

Dorchester, Massachusetts 

National Conference of Artists 

Washington, D.C. 

Native Ameriean Arts and Culture 

San Francisco, California 

For workshops in children’s theater with inner city young people. 7,500 

For the multi-disciplined neighborhood art center. 15,000 

For a program of individual and group instruction on all musical instruments and in voice, music, drama, and dance. 

15,000 

For a series of performances, lecture-demonstrations, and workshops 

by members of the dance company fora variety of community groups 

in the Bronx. 

2,500 

For the Training Institution, which offers instruction in the visual 

and performance arts. 

12,000 

For a program of instruction in music, dance, and drama, as well as 

performance opportunities. 

5,000 

To support the gallery asa meeting place for learning photography 

skills through classes. 

3,500 

To tour the play, Bread and Roses, to small industrial cities. 2,500 

To support the Mountain Heritage School Artisans program. 10,000 

To participate asa Fellow in the Expansion Arts Program. The 

Fellowship Program contributed ah additional $935 to this award. 

2,749 

For a drama workshop through the Open Cage Theatre and for writing 

classes with Open Pen Writers. 

5,000 

For a four-phase exhibition program, including a national group show

of emerging artists, an exhibition featuring one outstanding emerging artist, and ah exhibition of works by black artist-teachers. 

25,000 

To document the work oí black sculptors and their contributions to

the American art scene in a special 100-page issue of Black Arts 

Quarterly. 

25,000 

To support an exhibition series of black art. 6,000 

For an exhibition, lectures, and films on black art for the general 

public. 

15,000 

To enable talented young minority musicians to work with seven 

leading jazz artists. 

2,500 

For a training program in theater arts for youth and adults, as well 

as workshops by Pedagogue Theater. 

15,000 

For classes and workshops for the black and Hispanic community in 

the theater arts, anda community performance program. 

30,000 

For a program offering instruction in theater arts, theater management, creative writing, and script development culminating in original 

productions. 

30,000 

To present exhibitions of the works of African and Afro-American 

artists. 

15,000 

For exhibitions in the Boston Gallery and performances such as poetry 

readings and concerts. 

32,592 

For instruction in creative writing, visual arts, art criticism and gospel 

singing; a career preparation workshop; anda children’s film festival. 

7,500 

For programs which are designed to preserve and expand the artistic 

expression of the Bay Area Indians. 

10,000 
Expansion Arts 61 

Native American Center for Living Arts For classes in traditional and contemporary American Indian Art con- 15,000 

Niagara Falls, New York ducted by Indian artists and craftspersons. 

Neighborhood Arts Center For professionally led workshops in the performance and visual arts. 20,000 

Atlanta, Georgia 

Neighborhood Arts Center 

Boston, Massachusetts 

To support the program of professionally led workshops in the visual 

arts focusing on Afro-American, Hispanic, Asian-American and Caucasian cultures. 

5,000 

Neighborhood Parents Club 

Baltimore, Maryland 

For workshops to explore new dance techniques for classical jazz music 

for the Baltimore Dance Theatre. 

10,500 

Neighborhood Parents Club 

Baltimore, Maryland 

For a residency program that will presenta series of concerts, as 

well as movement classes and workshops. 

5,000 

New Dance Theatre For two new works: one by a prominent guest choreographer and 36,231 

Denver, Colorado the other by Cleo Parker Robinson; the restaging of several successful 

old dances; professional training in modern jazz and ballet; and rehearsal time following the classes. 

New England Center for For ah exhibition program in visual arts with workshops for all ages. 4,000 

Contemporary Art 

Brooklyn, Connecticut 

New Freedom Theatre To support an intensive training program in acting and theater 20,000 

Philadelphia, Pennsylvania techniques. 

New Heritage Repertory Theatre 

New York, New York 

For performance/workshops developing a stronger audience within 

the Harlem community and providing professional development for

black and other ethnic artists. 

20,000 

New Jersey State Council 

on the Arts 

For professional productions with classes and workshops for the community, including internships with the Crossroads Theatre Company. 

2,500 

Trenton, New Jersey 

New Organization for the 

Visual Arts 

For lectures, workshops, and demonstrations by professional artists 

for community organizations. 

2,500 

Cleveland, Ohio 

New Playwrights’ Theatre 

of Washington 

For a comprehensive training program in the literary theater arts 

and a series of production stage readings of new plays. 

10,000 

Washington, D.C. 

New School for the Arts For a professional training center for the performing arts, with a 30,000 

Montclair, New Jersey scholarship program for talented students, and career development 

workshops for artists beginning professional careers. 

New School for the Arts For instruction in all of the performing arts, a work/study internship 10,000 

Montclair, New Jersey and scholarship program, and sponsorship of performances for the 

community. 

New Stage 

Jackson, Mississippi 

For performance/workshops reaching the elderly population of 

Jackson and seminars with theater professionals. 

5,000 

New Theater of Washington 

Washington, D.C. 

For workshops in music, theater, and dance; and for performance experiences which demonstrate the scope of the black contribution to 

American culture. 

12,500 

New York City American Dance 

Company 

New York, New York 

For the Dance Workshopfrraining Program; and for performances 

by the Apprentice Company serving the Hispanic and multi-ethnic 

upper West Side communities. 

25,000 

New York City Hispanic-American For the Ballet Hispanico School of Dance, which provides professional 35,000 

Dance Company 

New York, New York 

training in ballet, Spanish dance, modern, Dunham technique, and 

gymnastic dance. 

New York Foundatíon for the Arts To support a series of programs including performances, workshops, 7,500 

New York, New York and exhibitions by Hispanic artists. 

New York Street Theatre Caravan 

Jamaica, New York 

To support productions, touring, and workshops in the theater arts

as well asa new work based on the Sioux nation’s past. 

22,500 

Newark Community School of the Arts For a scholarship program offering professionally directed instruc- TF 17,500 

Newark, New Jersey tion and classes in the performing arts. 
62 Expansion Arts 

Nuestro Teatro
 

New York, New York
 

Oberlin Dance Collective
 

San Francisco, California
 

Oddfellows Playhouse
 

Middletown, Connecticut
 

Off Center Theatre
 

New York, New York
 

Olatunji Center of African Culture
 

New York, New York
 

Olatunji Center of African Culture
 

New York, New York
 

Old Creamery Theatre Company
 

Garrison, Iowa
 

Olivia Records
 

Oakland, California
 

One Reel Vaudeville Show
 

Seattle, Washington
 

Opera de Camara
 

Rio Piedras, Puerto Rico
 

Opus, Inc.
 

Hartford, Connecticut
 

Otrabanda Company
 

New York, New York
 

Pacific Art Center 

Arcata, Caliíornia 

Pacific Coast Performing 

Arts Foundation 

Santa Cruz, California 

Painted Bride Art Center 

Philadelphia, Pennsylvania 

Palisades Theatre of Florida 

St. Petersburg, Florida 

Pan Asian Repertory Theatre 

New York, New York 

Parker (Charlie) Memorial Foundation 

Kansas City, Missouri 

Pasaeat 

National City, Caliíornia 

Pateh, Ine. 

Atlanta, Georgia 

People’s Musie School 

Chicago, Illinois 

People’s Theatre Company 

Bethlehem, Pennsylvania 

Phelps Stokes Fund, Trustees of 

New York, New York 

For bilingual children’s theater in community settings throughout

the New York area. 10,000 

To support dance training at the Performance Gallery in the mission 

district. 

5,000 

For workshops in playwrighting, acting techniques, theater improvisation, mime, and movement leading to performance opportunities for 

youth. 

2,500 

For preparatory workshops in playwrighting, acting techniques,

theater improvisation, mime, and movement for youth, culminating 

in a touring street theater production. 

5,000 

For a training program in dance, music, drama, and Afñcan culture 

aimed at professional development, as well as performances and lecture/demonstrations. 

20,000 

To hire an administrator. 30,000 

To support a rural touring theater program offering workshops in 

mime, make-up and stagecraft to senior citizens, students, and handicapped persons. 

6,500 

For a tour of music concerts with workshops in women’s prisons. 4,000 

For the production and performance oran original touring vaudeville 

show, based on the music, myths, and history of the Paciííc Northwest. 9,000 

To support workshops and fully staged performances of chamber and 

short-length opera. 7,500 

For a program of instruction, performances, and exhibitions in the 

visual, performing, and literary arts serving primarily black and 

Hispanic elderly residents of the Greater Hartford area. 

5,000 

To support the production and performance of three original touring 

plays. 15,000 

For workshops in voice, movement, stage design, and acting as well 

as performance programs. 5,000 

For training programs, regional tours of original scripted plays produced by the company, and community performances with workshops. 5,000 

For ah exhibition and performance program, workshops for poets and 

playwrights, and administrative assistance to emerging arts

organizations. 

13,000 

For a program providing workshops, performances, and residencies 

by artists in the Southeastern United States. 4,000 

To support professionally led actors workshop programs. 7,250 

For professionally directed instruction in the visual and performing 

arts leading to performance possibilities in the Kansas City area. 15,500 

For Philippine/American vocal, music, and dance performances and 

for an artist training program. 2,500 

For workshops in ceramics, fabric crafts, and printmaking geared to 

professional development. 16,890 

For music classes for underserved populations of Chicago. 2,500 

For a theater arts workshop and performance program. 7,500 

To assist a move to a newly renovated facility for the Visual Arts 

Center/Caribbean. 

15,000 
Expansion Arts 63 

Philadelphia Dance Company 

Philadelphia, Pennsylvania 

For the dance training program with aspiring dancers performing 

to a wide audience. 

25,000 

Piccolo Spoleto For the expansion of Piccolo Spoleto’s seasonal activities. 15,000 

Charleston, South Carolina 

Piekle Family Circus 

San Francisco, California 

For a touring theater company teaching the traditional circus 

disciplines through music, drama, mime, and unique visual techniques. 

15,000 

Piedmont Citizens for Action For a public arts project in the visual and performing arts. 5,000 

Worcester, Massachusetts 

Piven Theatre Workshop 

Evanston, Illinois 

For classes in story theater, scene study, folk theater, body movement, and improvisation for children. 

5,000 

Play Group 

Knoxville, Tennessee 

To support touring productions with workshops in schools, community 

centers, and small towns. 

18,950 

Play Group For general operating and relocating costs resulting from tire damage. 17,500 

Knoxville, Tennessee 

Frintmaking Workshop 

New York, New York 

For community printmaking workshops in all the graphic arts for city residents. 

15,000 

Prisoners Accelerated Creative Exposure 

New York, New York 

For exhibitions of prisoners’ art and a series of weekly and bi-monthly 

workshops in the arts. 

4,000 

Providence, City of 

Providence, Rhode Island 

For the Department of Public Parks to sponsor a neighborhood arts 

program to result in an indigenous cultural festival. 

10,000 

Public Art Workshop 

Chicago, Illinois 

To support mural making workshops, studio arts classes, and 

photography classes. 

10,000 

Public Eye 

San Francisco, California 

To support the hands-on video program, "Video Performance and Production Workshop for Teens." 

5,000 

Puerto Rican Dance Theater For the dance training program in Manhattan and South Bronx. 17,500 

New York, New York 

Puerto Rican Traveling Theatre For a bilingual theater training program. 30,000 

Company 

New York, New York 

Puppet Workshop 

Providence, Rhode Island 

To support a touring program of puppetry with workshops and performances for all ages. 

10,000 

Queens Borough Public Library 

Jamaica, New York 

For an arts program offering training in dance, theater, music, literary

arts, and special visual arts projects for the Langston Hughes Community Library Action Committee. 

8,000 

Real Art Ways 

Hartford, Connecticut 

For a music series, film series, the poetry program, and arts 

workshops program. 

7,500 

Reichhold Center for the Arts For a professionally led performing arts repertory company for youth. 12,500 

St. Thomas, Virgin Islands 

Rep, Ine.

Washington, D.C. 

For workshops in theater techniques. 50,000 

Residents Arts and Humanities 

Consortium 

To support Experience Galleries, a hands-on participatory gallery with 

presentations in the visual arts. 

8,000 

Cincinnati, Ohio 

Road Company 

Johnson City, Tennessee 

For the development and touring of original plays that reflect the 

interests of Appalachian communities. 

15,000 

Roberson Memorial 

Binghamton, New York 

For workshop-demonstrations in the Native American crafts and traditions of the Otsiningo Indians. 

5,000 

Robeson (Paul) Community Theatre 

Group 

For theater classes, workshops, and performances to assist black artists in the Pacific northwest. 

7,500 

Renton, Washington 

Robeson (Paul) Players 

Compton, California 

For a season of productions, workshops, and classes in drama and 

dance, a Reader’s Theater, and development of a stronger managerial 

structure. 

12,800 
64 Expansion Arts 

Rodgers (Rod) Dance Company
 

New York, New York
 

Rodgers (Rod) Dance Company
 

New York, New York
 

Safari East Cultural Presentations 

New York, New York 

San Francisco Dance Spectrum
 

San Francisco, California
 

San Francisco Dancers’ Workshop 

San Francisco, California 

San Francisco Mime Troupe
 

San Francisco, California
 

School of the Hartford Ballet
 

Hartford, Connecticut
 

Scripps College
 

Claremont, California
 

Self-Help Graphics and Art
 

Los Angeles, Cali£orrLia
 

Settlement Music School
 

Philadelphia, Pennsylvania
 

Shadow Box Theatrc
 

New York, New York
 

Shakespeare and Company
 

Lenox, Massachusetts
 

Sign of the Times Cultural Workshop 

and Gallery 

Washington, D.C. 

Silvera (Frank) Writers Workshop 

Foundation 

New York, New York 

Sining Bayan
 

Oakland, Calffornia
 

Social and Public Art Resource Center 

Venice, Calit’ornia 

Social and Public Arts Resource Center 

Venice, Calffornia 

Society Hill Playhouse Center for the 

Performing Arts 

Philadelphia, Pennsylvania 

Southern Folk Cultural Revival Project 

Nashville, Tennessee 

Southern Folk Cultural Revival 

Nashville, Tennessee 

Southern Ohio Museum and Cultural 

Center 

Portsmouth, Ohio 

Spanish Theatre Repertory Company 

New York, New York 

St. EImo Village 

Los Angeles, California 

For concerts and lecture-demonstrations involving local artists, master 17,960 classes for dance students, anda spring season of productions.
 

For a touring program of performances, lecture-demonstrations, and
 12,500 classes in dance for beginners and advanced students.
 

For performances andjazz workshops for underserved communities
 2,500 of New York.
 

To support a scholarship program and internship study training pro­ 5,000 grams in modern, jazz, and ballet.
 

For the Reach Out Program which offers instruction in dance, as well
 22,500 asa scholarship program and an advanced program in teacher tralning.
 

For workshop/performances by this multi-cultural theater group.
 5,000 

For the scholarship program, which offers instruction in creative 7,500 movement, ballet, jazz, and modern dance.
 

For the Handicraft Studio to serve as a museum training program
 17,500 for minorities.
 

For the "Day of the Dead" celebration, which includes studio
 15,000 workshops for artists, and instruction in mask-making, poster design,


and altar objects.
 

For a music instruction program for the community, especially for 15,000 visually handicapped and physically disabled persons.
 

To support the multi-media shadow puppet theater workshop/per­ 4,000 formance program.
 

For a professional training program in classical theater for minority
 5,000 actors and actresses.
 

For year-round classes and workshops in silkscreening, photography,
 12,000 palnting, drawing, dance; anda gallery exhibiting prominent and aspiring artists’ works.
 

For the Saturday Reading Series, which presents the new work of 17,500 playwrights. 

For workshops in ethnic music as well as classes in dance, technical 8,000 production, graphic arts, and productions resulting from the
 

workshops and classes based on the Filipino experience.
 

For artists’ fees for the mural and workshop projects. 10,000 

For a series of fine art exhibitions with lectures anda film series on 17,500 the exhibited subjects.
 

For a 20-week tour of professional theater performances to libraries
 2,500 throughout the city of Philadelphia. 

For the Southern Grassroots Music Tour which presents traditional 12,000 regional performers in concerts.
 

To support the Southern Grassroots Music Tour.
 10,000 

For mini-residencies of performing arts touring groups that reach 3,000 hospitals, senior-citizen homes, and minority and blue-collar 

communities. 

For bilingual performances to Hispanic community centers, honoraria 20,000 for guest artists, anda national touring program. 

For an instruction pmgram in palnting, sculpture, photography, stitch­ 15,000 ery, and macrame; and an arts festival. 
Expansion Arts 65 

TF 9,500 To amend a previous grant for training and performances in music St. Louis Conservatory and Schools and visual arts, including a residency by ah American composer. for the Arts 

St. Louis, Missouri 

8,500 For an exhibit program of local and visiting artists, music prograras, St. Mary’s Creative Arts Forum 

Lexington Park, Maryland and instruction in ballet and music. 

7,500 For a program designed to preserve and expand the traditional Native St. Paul American Indian Center American art forros. St. Paul, Minnesota 

5,000 For a theater arts performance program with workshops for improv- Stage Hands 

Decatur, Georgia ing communication for hearing-impaired persons. 

25,000 Fora workshop/performance program of theater arts for youth, ah Street Theater 

White Plains, New York adult/youth professional company, and writing workshops.

12,500 For the cooperative school program which offers instruction in the Studio Museum in Harlem 

New York, New York visual arts for elementary and junior high school students by professional artists for 20-week periods. 

2,000 SUM Concerts	 For professional artists in the "Jazzmaster" program conducting perHouston, Texas formances and workshop/clinics.

12,500 For workshops, classes, residencies, performances and exhibits of- Sun Foundation for the Advancement fering participation and training in the visual, literary, and perform- in the Environmental S¢iences and Arts 

Washburn, Illinois ing arts for students and adults.

10,500 Symbrinck Associates Fora theater arts training program and for the "black theater on 

Williamsport, Pennsylvania tour" component. 

4,750 Syracuse University Fora guest artist’s lecture and exhibition program and for workshops
 

Syracuse, New York to develop professional gallery expeñence.
 

4,000 Teatro Cuatro	 For a collective production with experimental workshops, writing
 

New York, New York workshops, and a lecture series on theater in Latin America.


5,000 For a multi-cultural arts program for the community in dance and Theatre Flamenco of San Francisco music. San Francisco, California 

12,500 Theatre for the Forgotten	 For theater workshops in the New York City and New Jersey corNew York, New York rectional facilities.


8,500 Theatre Guild of San Francisco	 For a community-based workshop program to allow artists, writers,


technicians, designers, and business management personnel oppor-
 San Francisco, California tunities to improve theater skills. 

5,000 Theatre IV For a production of To Be Young, Gifled, and Black by Theater IV

Richmond, Virginia and the Black Theater Company.

7,500 Theatre Without Bars	 For acting and writing workshops and productions by the Touring


Company.
 Trenton, New Jersey 

12,500 For a mobile theater presentation program involving interaction Theatre in a Trunk 

New York, New York workshops based on issues facing inner city youth.

12,500 To support an instructional arts center. Third Street Music School Settlement,
 

Society of the
 

New York, New York 

5,000 To support a series of workshops in the traditional art forms and con- Three Affiliated Tribes Museum 

New Town, North Dakota temporary Native American arts.

5,160 Tomaquag Indian Memorial Museum For classes in Native American culture and art, and workshops with
 

Exeter, Rhode Island
 Native American artists. 

12,500 Tomorrow’s World Art Center For workshops in the visual arts and exhibitions of the students’ work
 

Washington, D.C. for the community.
 

15,000 Toneskolen School of Music For programs offering choral training in the schools. 

St. Thomas, Virgín Islands 

2,500 For workshop bands anda professional orchestra that give youth and Union Settlement Association adults training in Latin music. New York, New York 

17,500 United Projects For Workshops Especially for Teens, which offers specialized training and productions in dance, music, and drama. San Francisco, California 
66 Expansion Arts 

United Projects
 

San Francisco, California
 

University Circle 

Cleveland, 0hio 

Uptown Center Hull House Association 

Chicago, Illinois 

Urban Gateways


Chicago, Illinois
 

Verde Valley Art Association
 

Jerome, Arizona
 

Virgin Islands, College of the
 

St. Thomas, Virgin Islands
 

Visual Arts Research and Resource 

Center 

New York, New York 

Volcano Art Center
 

Volcano, Hawaii
 

Waianae Coast Culture and Arts 

Society 

Waianae, Hawaii 

Waianae Coast Culture and Arts
 

Society
 

Waianae, Hawaii
 

Weldon (James) Johnson Community 

Centers 

New York, New York 

West Alabama Community Based Arts

Program 

Eutaw, Alabama 

Whole Theatre Company
 

Montclair, New Jersey
 

Wilma Project
 

Philadelphia, Pennsylvania
 

Wilson (Warren) College
 

Swannanoa, North Carolina
 

Women Make Movies 

New York, New York 

Women’s Community 

Los Angeles, California 

Women’s Studio Workshop 

Rosendale, New York 

Workshops for Careers in the Arts 

Washington, D.C. 

Workshops for Careers in the Arts 

Washington, D.C. 

Xicanindio Artists Coalition 

Mesa, Arizona 

Xicanindio Artists Coalition 

Mesa, Arizona 

Young Filmmakers Foundation 

New York, New York 

For a theater arts training program giving job training experience 19,100 through a scholarship program.
 

To amend a previous grant for an artists-in-residence programat
 7,500 Cleveland’s Veterans Administration Medical Center.
 

For the Youth Dance Program, a modern and jazz dance training
 5,000 

program.
 

To support artists-in-residence for performances and workshops.
 44,768 

For exhibits of high quality at the Fine Arts Museum for the com­ 5,000 munities of the Verde Valley.
 

For theater productions and workshops that train artists in theater
 2,500 arts, design, acting, and playwriting.
 

For the centers’ program ofart exhibits, its annual film festival, and
 26,500 the Caribbean Expressions festival. 

To support artists-in-residencies in folk arts and crafts. 3,000 

For workshops in traditional dance, music, and crafts that perpetuate 25,000 the multi-ethnic cultures in the Hawaiian Islands. 

For workshops in traditional dance, crafts, and music that perpetuate 25,000 the multi-ethnic cultures in the Hawaiian Islands. 

For photography, clay sculpture, and ceramics workshops on the 7,500 beginning and intermediate levels. 

For workshops in music, dance, visual arts, creative writing, and a 5,000 summer festival. 

For training for artists who work with children with behavior of learn­ 10,000 ing problems.
 

For touring shows, guest workshops, and performances by two resi­ 5,000 dent theater companies: the Zizka Company and the People Energy
 

Company.
 

For a community rural arts instructional program in theater, dance, 5,000 music, and the visual arts.
 

To support a film and video training program.
 12,500 

For the New Moves program which offers instruction in the visual 10,000 arts to ex-offenders, ex-drug users, and disabled women, aimed at
 

career development.
 

For ah instructional program in printmaking, photography, graphic 10,000 design, drawing, painting, and collage. 

For the Duke Ellington School of the Arts. 18,500 

For work experiences and professional training for talented youth 22,315 from poor socio-economic backgrounds in thrée units: Street Theatre, 

Living Library, and Cityspace Magazine. 

For activities related to the production and dissemination of works 13,000 by contemporary Chicano composers.
 

For workshops and training programs to bring professional artists
 7,500 to work with the Chicano/Indian community.
 

For instruction in film and video through hands-on training in all
 15,000 phases of production. 
Expansion Arts 67 

20,000 Young Saints Scholarship Foundation For a community program offering instruction in arts and performance 

Los Angeles, Caliíornia events. 

Your Heritage House For the fine arts instructional program for children and youth. 20,750 

Detroit, Michigan 

15,000 Youth Development For productions, training programs, and creative writing workshops 

Birmingham, Alabama at Black Fire Company. 

10,000 Youth Theatre Interactions	 For a multi-faceted training and performance program. 

Yonkers, New York 

,~,~~ ~":~"ar~s	 To enable municipal arts agencies or private arts councils designated by a 

city to provide financial and technical assistance to neighborhood arts 

programs. 

Program funds: $910,300 

15 grants 

$50,000 Arts and Humanities Council of To provide $43,000 for the city’s sub-granting program ($21,500 each 

Greater Baton Rouge year) and $7,000 for technical assistance ($3,500 each year) to 

Baton Rouge, Louisiana community-based arts groups. 

40,000 Austin, City of To provide $40,000 for the city’s sub-granting program ($20,000 each 

Austin, Texas year) to community-based arts groups. 

Cambridge, City of To provide $50,000 for the city’s sub-granting program ($25,000 each 60,000 

Cambridge, Massachusetts year) and $10,000 for technical assistance ($5,000 each year) to 

community-based arts groups. 

Chicago, City of To provide $50,000 for the city’s sub-granting program. 50,000 

Chicago, Illinois 

100,000 Cultural Arts Council of Houston	 To provide $100,000 for the city’s sub-granting program ($50,000 each 

Houston, Texas	 year) to community-based arts groups. 

Jackson Arts Alliance To provide $40,000 for the city’s sub-granting program ($20,000 each 40,000 

Jackson, Mississippi year) to community-based arts groups. 

Madison, City of To provide $10,000 for the city’s sub-granting program and $2,500 12,500
 

Madison, Wisconsin for technical assistance to community-based arts groups.
 

Milwaukee Artists Foundation 100,000 To provide $82,500 for the city’s sub-granting program ($41,250 each
 

Milwaukee, Wisconsin year) and $17,500 for technical assistance ($8,750 each year) to


community-based arts groups.
 

40,000 Norman Arts and Humanities Council To provide $36,000 for the city’s sub-granting program ($18,000 each
 

Norman, Oklahoma year) and $4,000 for technical assistance ($2,000 each year) to


community-based arts groups.
 

Pontiac, City of To provide $19,430 for the city’s sub-granting program ($9,715 each 23,800
 

Pontiac, Michigan year) and $4,370 for technical assistance ($2,185 each year) to


community-based arts groups.
 

Portland, City of To provide $70,000 for the city’s sub-granting program ($35,000 each 80,000
 

Portland, Oregon year) and $10,000 for technical assistance ($5,000 each year) to


community-based arts groups.
 

Providence, City of To provide $30,000 for the city’s sub-granting program ($15,000 each 40,000
 

Providence, Rhode Island year) and $10,000 for technical assistance ($5,000 each year) to


community-based arts groups.
 

St. Louis, City of To provide $104,000 for the city’s sub-granting program ($52,000 each 104,000
 

St. Louis, Missouri year) to community-based arts groups.
 

San Juan, City of To provide $90,000 for the city’s sub-granting program ($45,000 each 100,000
 

San Juan, Puerto Rico year) and $10,000 for technical assistance ($5,000 each year) to


community-based arts groups.
 

70,000 Tucson, City of To provide $60,000 for the city’s sub-granting program ($30,000 each
 

Tucson, Arizona year) and $10,000 for technical assistance ($5,000 each year) to


community-based arts groups.
 
68 Expansion Arts 

Services to To enable organizations to offer technical assistance and services to comNeighborhood Arts


Organizations
 

Ariztlan 

Tempe, Arizona 

Arts Media Service 

Washington, D.C. 

Arts Media Service
 

Washington, D.C.
 

Association of Hispanic Arts
 

New York, New York
 

Cedar Arts Forum 

Waterloo, Iowa 

Chicano Humanities and Arts Council 

Denver, Colorado 

Community Art Resource 

San Francisco, California 

COMPAS 

St. Paul, Minnesota 

East Harlem Arts and Education 

Complex 

New York, New York 

East Hawaii Cultural Council 

Hilo, Hawaii 

Foundation Center 

New York, New York 

Graduate School for Urban Research 

and Social Policy 

San Diego, California 

Inquilinos Boricuas en Accion 

Boston, Massachusetts 

Intercultural Resources Development 

Washington, D.C. 

La Raza Silkscreen Center 

San Francisco, California 

Los Angeles Institute of Contemporary 

Art 

Los Angeles, California 

Museum of Temporary Art 

Washington, D.C. 

National Arts New York Consortium 

New York, New York 

munity arts groups. 

Program funds: 

33 grants 

$885,225 

For a regional technical assistance program to minority artists and 

arts groups. 

$10,000 

For continued research, publication, and distribution of the newsletter Grassroots and Pavements and other publications; the development of a network of local arts organizations in folk arts, jazz, and

the crafts fields; and for administration of up to 500 on-site evaluations of Expansion Arts applicants and grantees. 

260,000 

To support research, publication, and distribution of the newsletter 

Grassroots and Pavements and related information usefu! to the 

neighborhood arts field; production and distribution of a primer on 

effective media use; adding to and refining the current data base and 

disseminating information. 

205,000 

For technical assistance to Hispanic arts organizations. 45,000 

To provide administrative and technical services to artists and arts 

organizations. 5,000 

To identify and develop private funding resources, disseminate information, and provide assistance for organizations and individual 

artists. 

17,50C 

For question-and-answer seminars for community arts organizations. 17,500 

For management and technical assistance services that link artists 

and arts resources with people not usually served by arts 

organizations. 

30,000 

For the fund-raising, public programming, and public relations 

activities. 15,000 

For administrative and public relations services. 15,000 

To develop a data base of information regarding public and private 

support of community, minority, and multi-cultural arts activities. 

17,225 

For administrative development, multi-media art activities, and the 

formation of a multi-cultural museum. 17,500 

To provide technical assistance to the Hispanic community through 

cable television. 

7,500 

For management and technical assistance to the Hispanic arts 

community. 17,500 

For the graphic arts program, which provides graphic arts media services to community arts organizations. 12,000 

To provide the organization’s printing service and public relations 

consultant program to more than 200 community arts groups. 7,500 

For administrative costs of the Neighborhood Resource Center, maintaining and disseminating information on artists and organizations, 

and for a quarterly newspaper. 

5,000 

For technical assistance, legal services, and accounting services for 

neighborhood arts organizations. 17,500 
National Black Touring Circuit 

New York, New York 

New Dance Theatre 

Denver, Colorado 

North Carolina Cultural Arts 

Consortium 

Raleigh, North Carolina 

Northwest Artists Workshop 

Portland, Oregon 

Performing Arts for Community 

Education 

Miami, Florida 

St. Croix Arts Council 

Kingshill, Virgin Islands 

San Francisco Arts Commission 

San Francisco, California 

Seven Loaves 

New York, New York 

Support Center 

Kingshill, Virgin Islands 

Universal Jazz Coalition 

New York, New York 

Utah Rural Arts Consortium 

Salt Lake City, Utah 

Volunteer Urban Consulting Group 

New York, New York 

Watershed Foundation 

Washington, D.C. 

Xicanindio Artists Coalition 

Mesa, Arizona 

TF-Trea-su r)" Funds 

Expansion Arts 69 

For the development of a network of black theater in major cities; 25,000 

tours of plays that impact on black theater and black arts, and audience development. 

For marketing, promotion, and management services for community­ 15,000 

based dance companies. 

For workshops and individual consultations on planning, management, 11,000 

funds, grantsmanship, and promotion. 

For services to small organizations and individual artists. 8,000 

For a service program for southern Florida arts organizations, in­ 10,000 

cluding sponsorship of activities, technical and development aid, 

publicity, and promotion of arts events. 

For services to arts-producing organizations. 6,500 

For programs that provide administration, promotion, and technical TF 50,000 

assistance. 

For technical assistance services, including administration, program 20,000 

planning, grantsmanship, and public relations. 

For a management clinic series and other services to arts groups. 5,000 

To support fund-raising, program development, administration, and 17,500 

technical assistance. 

To provide aid in fund-raising development, technical assistance,

marketing, and promotion; and to provide use of portable technical 

15,000 

equipment to companies on tour. 

For a program of management projects in accounting, financial planning, marketing, advertising, and long-term management assistance. 

6,000 

To provide technical assistance in the audio media to more than 30 5,000 

community arts organizations. 

For ATLATL’s technical assistance programming dissemination of 12,000 

information for Native American artists, and cultural center. 
 

~IO Folk Arts 

The Queens Folklore Project 

wants to learn about You 

From a Chinese paper cut, ~~i~ ~-,~~, to a Jewish festival, ~-~~~;, from 

a street vendor’s musical cry, to a childten’s jump tope rhyme, 

the borough of Queens is a richly textuted patchwork of folk 

traditions. Ir you kn~ of a folk artist of a folk ttadition in 

your community call of write: Folk A~ C~dinat~ ..................... . .... Queens Councll on the Arts
 

........................ 291-~100 161"04 Jamaica Avenue
 ~~ ~ ~ ~~ ~~~~~/~~~,~¿~ ~~~ ..... Jamalca, N~ York 11432 
71
 

Folk Arts
 

Folk Arts Advisory Panel
 

Jay Anderson 

Folk!orist, crafts specialist 

Bowling Green, Kentucky 

Elizabeth Dear 

Museum director, photographer 

Santa Fe, New Mexico 

Worth Long 

Community organizer, folklorist, 

poet 

Knoxville, Tennessee 

Ellen McCulloch-Lovell 

Arts administrator, writer 

Nancy Sweezy 

Potter, crafts specialist 

Arlington, Massachusetts 

Jeff Titon 

Ethnomusicologist, educator 

Medford, Massachusetts 

Robert Garfias 

Plainfield, Vermont 

William Wiggins 

Ethnomusico!ogist, educator 

Seattle, Washington 

Michael Moloney 

Musician, folklorist 

Philadelphia, Pennsylvania 

Folklorist, educator 

Bloomington, Indiana 

Charlotte Heth William Wilson 

Director of Native American 

studies, ethnomusicologist 

Los Angeles, California 

Daniel Patterson 

Folklorist, educator, filmmaker 

Philadelphia, Pennsylvania 

Folklorist, editor 

Logan, Utah 

Folk Arts Grants Program funds: $2,545,585 

192 grants 

Folk Arts To enable nonprofit organizations to support art activities that include folk 

arts, such as local festivals, concerts, exhibits, and touring performances.

Grants are also awarded for documentation of traditional arts through radio, 

film, and recording; and for general assistance to the field. 

Program funds: $2,438,745 

165 grants 

Adams State College To present local traditional artists in the 1982 annual conference of $6,496 

Alamosa, Colorado the Associacion Nacional de Grupos Folkloricos. 

Akwesasne Museum For a 16mm film on Mohawk music and social dance. 20,000 

Hogansburg, New York 

Alabama State Council on the Arts To republish The Colared Sacred Harp, a traditional song book writ- 5,000 

and Humanities ten in shaped notes, a method of instruction dating back to the 17th 

Montgomery, Alabama century. 

Alabama State Council on the Arts For the exhibition, "Alabama Folk Pottery: 1820-1982" to open at 22,000 

and Humanities the Montgomery Museum of Fine Arts, then travel throughout 

Montgomery, Alabama Alabama and Mississippi. 

Alabama State Council on the Arts For a series of ten two-week Christian Harmony Singing Schools in 6,600 

and Humanities communities throughout central Alabama. 

Montgomery, Alabama 
~2 Folk Arts 

Alabama, University of 

University, Alabama 

Alaska State Council on the Arts 

Anchorage, Alaska 

Alternative Center for International 

Arts 

New York, New York 

Aiternative Center for International 

Arts 

New York, New York 

American Hungarian Educators 

Assoeiation 

Bogota, New Jersey 

American Hungarian Educators 

Association 

Botoga, New Jersey 

American Indian Women’s Service 

League 

Seattle, Washington 

Ameriean Society for Eastern Arts
 

San Diego, California
 

Appalshop 

Whitesburg, Kentucky 

Arizona Commission on the Arts 

Phoenix, Arizona 

Arkansas Arts Council 

Little Rock, Arkansas 

Arkansas College 

Batesville, Arkansas 

Artes del Valle 

Center, Colorado 

Atlanta, City of 

Atlanta, Georgia 

Berea College Appalachian Center 

Berea, Kentucky 

Bishop Museum 

Honolulu, Hawaii 

Blatch (Nora) Educational 

Communications Foundation 

New Orleans, Louisiana 

Boricua College 

New York, New York 

Boys Harbor 

New York, New York 

Brooklyn Arts and Cultural 

Association 

Brooklyn, New York 

Buddhist Churches of America 

New York, New York 

To amend a previous grant to cover increased production costs for 

ah LP record album on black a capella gospel qua~et singing. 

1,400 

To prepare the necessary costumes, to rehearse, to present and to 

videotape the Wolf Dance of the Eskimos of King Island in the Bering Straits. The Dance Program contributed $2,500 for this project. 

20,090 

Fora concert series of international folk and classical music. 5,000 

For a series of 12 concerts of traditional black muslo from the United 

States, Aírica, the Caribbean, and South America. 

4,500 

For an exhibition of beaded and embroidered Hungarian ceremonial 

headdresses by Mrs. Evelyn Domjan, master needleworker at Folklore Centrum. 

7,800 

For an exhibit of Hungarian regional embroidery at Folklore Centrum to be accompanied by a series of workshops and lectures by local 

Hungarian-American íolk artists. 

8,200 

For an exhibit of the work of selected American Indian traditional 

artists residing in the Seattle area. 

17,700 

For a concert series in Balboa Park as part of the Intercon ’82 festival. 3,000 

For the production of Headwaters, a local television series on traditional arts and culture native to Appalachia. 20,000 

Fora one-year intern position shared between the Arizona Commission on the Arts and the Southwest Folklore Center. 14,100 

For the position of state folk arts coordinator. 26,400 

For a traveling exhibition of photographs and quilting samples entitled "Quilting in North Central Arkansas." 10,910 

For a group of experienced local weavers to study advanced traditional Hispanic spinning, dyeing, and weaving with master artist 

Eppie Archuleta. 

14,600 

For the third annual Festival of Georgia Folklife. 11,000 

For artists’ íees for the annual Celebration of Traditional Music at 

Berea College. 2,000 

To amend a previous grant to include the translation of a newly 

discovered Japanese manuscript treating Micronesian traditional 

music. 

3,000 

For the production of four live concerts of the French music of 

southern Louisiana for broadcast through local stations. 5,000 

To complete a film on the cuatro, a string instrument traditional to 

Puerto Rico. 

15,000 

For a series of public presentations of traditional Afro-Cuban music

and dance anda series of master classes by musician Roberto Borrell and dancer Xiomara Rodriguez. 

20,540 

To amend a previous grant for post-production costs for It’s One 

Family--Knock on Wood. 8,800 

For a two-week series of intensive workshops and master classes in 

the performance of Japanese taiko (drum) music by master traditional 

musician, Seiichi Tanaka. 

2,600 
Folk Arts ~3 

Buffalo Bill Historical Society For the collection of archival recordings of music of the Gros Ven- 23,050 

Cody, Wyoming tres Indians, the production oía recorded survey of present-day traditional singers, and the preparation of means for their distribution. 

Buffalo, City of For the traditional celebration among Wyoming Basques instructing 5,336 

Buffalo, Wyoming the eommunity in traditional dances. 

Burk (Frederic) Foundation for For a 30-minute, 16mm documentary film eovering four decades of 34,703 

Education the art of the Navajo, with particular reference to silversmithing and 

San Francisco, California weaving. 

Burk (Frederic) Foundation for To amend a previous grant to support a 16mm film documenting Hopi 17,435 

Education artistic traditions and ceremonies. 

San Francisco, California 

California, Regents of the To amend a previous grant to accommodate cost increases in the 9,800 

University of publication Preserving American Indian Arts: A Technical Guide. 

Los Angeles, CaIifornia 

California, Regents of the To support live performances and craftmaking demonstrations by 9,323 

University of Native American traditional artists in conjunction with the first NaLos Angeles, California tional American Indian Arts Conference. 

12,000 

Solomons, Maryland workboats of the Chesapeake and their builders. 

Calvert Marine Museum	 For an exhibition and demonstrations on the traditional deadrise 

Catahoula Lake IIeritage Foundation For a folk arts component of the eighth annual Catahoula Lake 5,000 

Pineville, Louisiana Festival in central Louisiana. 

Center for Gulf South History and To complete a film documenting musical traditions of the Louisiana 6,400 

Culture Cajuns, including zydeco music, fiddle playing, dance bands, and Mardi 

New OrIeans, Louisiana	 Gras music. 

Center for Humanities and Adirondack For an apprenticeship program in the construction of traditional 8,500 

Studies Adirondack guideboats under the supervision of master craftsmen 

Saranac Lake, New York Carl Hathaway and Ralph Morrow. 

Center for Southern Folklore For a 30-minute documentary film on the music of Beale Street and 38,000 

Memphis, Tennessee the community from which it sprang. 

Center for Southern Folklore For a señes of community folk arts presentations on the musical styles 28,438 

Memphis, Tennessee associated with Beale Street. 

4,300 Centrum Foundation For the International Folk Dance and Music Festival, a one-week 

Port Townsend, Washington series of workshops, master classes, and performances. 

Chicago Council on Fine Arts For an exhibition of ecclesiastical needlework produced by Chicago 16,300 

Chicago, Illinois needleworkers for local ethnic churches and synogogues. 

Collective Black Artists For a touring program consisting of live performances by master jazz 9,500 

New York, New York tap dancers and the screening of the film No Maps on My Taps. 

Colorado Council on the Arts	 For a two-day festival of local traditional arts in Grand Junction, Col- 14,000 

Denver, Colorado	 orado anda six-month survey that identhíes artists from various ethnic

commuiüties and occupational arts produced by miners, ranchers, and 

sheepherders. 

Colorado Council on the Arts For the state folk arts coordinator position at the Colorado Council 20,000 

Denver, Colorado on the Arts and Humanities. 

Columbus Museum of Arts and For the Chattahoochee Folk Festival, featuring traditional artists from 12,000 

Sciences the lower Chattahoochee River Valley area. 

Columbus, Georgia 

12,000 

Cultures skills at the Pacific Basketry Exhibition, an exhibir that will tour the 

Honolulu, Hawaii Pacifíc coast, Hawaii, and the Pacific Trust Islands. 

Consortium for Paeific Arts and	 For artists’ fees for traditional basketmakers to demonstrate their 

Crooked Tree Arts Council For a one-month Native American festival featuring performances, 1,900 

Petoskey, Michigan demonstrations, and workshops in the traditional arts and crafts of 

the 0ttawa and Chippewa Indians. 

17,500 Detroit Institute of Arts For a series of craft demonstrations by Native American traditional
 

Detroit, Michigan artists to accompany a major exhibition of Great Lakes Native
 

American art, and for a touñng component of the exhibit.
 
74 Folk Arts 

El Grupo Morivivi 

New York, New York 

Eof Catskill Cultural Center 

Arkville, New York 

Ethnic Folk Arts Center 

New York, New York 

Ethnic Folk Arts Center 

New York, New York 

Ethnic Folk Arts Center 

New York, New York 

Ferrum College 

Ferrum, Virginia 

Ferrum College 

Ferrum, Virginia 

Ferrum Coilege 

Ferrum, Virginia 

Ferrum College 

Ferrum, Virginia 

Ferrum College 

Ferrum, Virginia 

Film Arts Foundation 

San Francisco, California 

Florida Department of State 

White Springs, Florida 

Folk Traditions 

New York, New York 

Folklore Yillage Farm 

Dodgeville, Wisconsin 

Fort Belknap Community Council 

Harlem, Montana 

Fort Mason Foundation 

San Francisco, California 

Georgia Sea Island Folklore and 

Revival Projects 

Brunswick, Georgia 

Georgia Sea Island Folklore and 

Revival Projects 

Brunswick, Georgia 

Gila River Indian Community 

Sacaton, Arizona 

Governor’s Heritage Affairs Advisory 

Commission 

Harrisburg, PennsyIvania 

Han Sheng Chinese Opera Institute 

Washington, D.C. 

Hoopa Valley Business Council 

Hoopa, California 

Idaho Commission on the Arts 

Boise, Idaho 

For a series of workshops in Puerto Rican santo carving by traditional santero, Jose Aviles. 6,300 

For a series of workshops on local square dance, quilting, and fiddling styles, and for two mini-festivals celebrating the traditional arts 

and crafts of the Catskill region. 

15,000 

For a tour of traditional Italian-American musicians to ten cities in 

the northeastern United States. 

36,400 

For a tour by traditional Greek-American performing artists. 30,000 

To support two ethnic folklife festivals, a monthly series of dance

workshops, and concerts of ethnic music. 

35,000 

To produce a master tape and accompanying booklet for a record on 

the blues performed by black and Anglo musicians in southwest 

Virginia. 

4,200 

For the production of slide/tape programs and accompanying booklets 

on the traditional arts of the Blue Ridge region for distribution to 

local schools and libraries. 

8,300 

For a folklife internship program at the Blue Ridge Institute. 11,200 

For a series of demonstrations by traditional craftspersons and musicians at the Blue Ridge Farm Museum. 

3,015 

For a series of workshops by local traditional artists at Franklin County Middle School in south central Virginia. 3,500 

For a 16mm film documenting the "world renewal" ceremony of the 

Karok Indians of northern California. 

23,000 

For the triumphant Gospel Singers, ah Afro-American a cappella 

gospel quartet and a concert featuring eight quartets from north 

Florida. 

14,215 

For a 16mm film documenting the gospel music tradition. 22,000 

To amend a previous grant to support a 16mm film documenting the 

Moros y Cristianos folk drama performed annually by the townspeople of Chimayo, New Mexico. 

9,261 

To create an archive of the musical traditions of the Assiniboine people by recording contemporary repertoire, added to historical material 

from the Library of Congress. 

24,300 

For the Western Regional Folklife Festival, held at the Golden Gate 

National Recreation Area in San Francisco. 

4,500 

For a series of presentations by local Afro-American traditional artists in schools in five coastal Georgia counties. 

5,500 

For the sixth annual Georgia Sea Islands festival. 10,000 

For demonstrations and workshops in Piman/Maricopa traditional 

crafts, including basketry, fabric arts, and pottery. 17,500 

For a director of state folklife programs within the commission. 25,000 

For visiting artists’ fees and the mounting of three major productions of Chinese Peking opera. 

15,000 

For a series of workshops by two master artists on traditional 

basketry of Northern California Indian Tribes. 

8,500 

For the position of state folk arts coordinator. 20,000 
Folk Arts 75 

|daho Commission on the Arts 

Boise, Idaho 

To present local traditional performing artists and craftsworkers at 

four conferences on Idaho history and traditions. 

25,550 

Illinois Arts Council For the position of state folk arts coordinator. 30,000 

Chicago, Illinois 

Indiana Arts Commission For the position of state folk arts coordinator. 26,000 

Indianapolis, Indiana 

Indiana Department of Natural For artists’ honoraria and travel expenses for the third season of the 2,245 

Resources 

Indianapolis, Indiana 

folk arts project of the Indiana Division of State Parks in Posey

County. 

Institute for Southern Studies 

Durham, North Carolina 

To amend a previous grant to allow for additional filmings, editing,

and research for the documentary on the Golden Echoes, a black 

gospel group in the North Carolina Piedmont region. 

25,000 

Institute for Southern Studies For seven half-hour radio programs featuring musical and narrative 18,630 

Chapel Hill, North Carolina traditions from North Carolina. 

Institute of Alaskan Native Arts For a five-day invitational workshop on traditional methods of cur­ 10,000 

Fairbanks, Alaska ing and dyeing grasses for use in the decorations of Alaskan woven

baskets. 

International House of Philadelphia For a community folklife project involving Philadelphia’s African­ 15,100 

Philadelphia, Pennsylvania American communities. 

International House of Philadelphia For a series of programs in Irish traditional arts, including films, lec­ 4,000 

Philadelphia, Pennsylvania tures, workshops, and performances. 

International House of Philadelphia 

Philadelphia, Pennsylvania 

For a pilot project bringing traditional black, Hispanic, Indo-Chinese 

and Italian artists for a series ofprograms in west Philadelphia schools. 

5,200 

International Institute of Los Angeles To enable dramatic Kan Nuon and classical ballet dancer Chandara 18,100 

Los Angeles, California Chhim to present Cambodian folk art and dance to the local 

Cambodian-American community, and to train a 16-person dance 

troupe. 

|owa Arts Council 

Des Moines, Iowa 

For the position of state folklorist, including support for exhibition 

anda catalog for a state-wide folk arts exhibition. 

26,700 

Japan Town Art Movement To support the traditional arts component of the Japanese Oshogat­ 3,000 

San Francisco, California su Matsuri (New Year’s festival) in San Francisco. 

Japanese American Cultural and 

Community Center 

For a series of performing arts events highlighting the traditional

arts associated with the Japanese Oshogatsu celebration. 

15,000 

Los Angeles, California 

KCTS/9 Public Television

Seattle, Washington 

For a half-hour program documenting the traditional arts practiced 

by three Native American women in Washington State: Maña Parker, 

23,300 

Makah dancer; Fran James, Lummi weaver and basketmaker; and 

Ahita Cheer, Colville storyteller. 

Kansas State Historical Society 

Topeka, Kansas 

To support a state folk arts coordinator position to supervíse a statewide multi-agency folk arts program. 

22,000 

Kansas State University For the Kansas Folklife Festival. 10,000 

Manhattan, Kansas 

Laguna Library, Pueblo of To assemble and disseminate a tape-recorded collection of hama ha 15,500 

Laguna, New Mexico stories of the Laguna tribe. 

Macon County School System For the 1982 mini-festival of demonstrations by traditional craftsmen 4,000 

Franklin, North Carolina and musicians. 

Mary College 

Bismark, North Dakota 

For documentation of traditional narratives of the Arikara tribe 

through audio recording and written transcription and for a series 

18,000 

of live presentations by the storytellers in local schools and~ community 

centers. 

Metropolitan Arts Commission To enable Sandra E. Serling to participate in the Endowment’s 4,190 

Salem, Oregon Fellowship Program. 

Mexican American Opportunity 

Foundation 

To amend a previous grant for travel expenses for a marachi ensemble and partial salary for a musician to organize and present programs 

12,000 

Monterey Park, California in schools. 
76 Folk Arts 

Michigan State University 

East Lansing, Michigan 

Michigan State University 

East Lansing, Michigan 

Milwaukee Public Museum 

Milwaukee, Wisconsin 

Mississippi Ar~s Commission 

Jackson, Mississippi 

Mississippi, University of 

Jackson, Mississippi 

Mississippi, University of 

Jackson, Mississippi 

Mount Rogers Community 

Improvement Club 

Whitetop, Virginia 

Museum of New Mexico 

Santa Fe, New Mexico 

Museum of New Mexico 

Santa Fe, New Mexico 

National Center for Urban Ethnic 

Affairs 

Baltimore, Maryland 

Nationai Council for the Traditional 

Arts 

Washington, D.C. 

National Council for the Traditional 

Arts 

Washington, D.C. 

National Council for the Traditional 

Arts 

Washington, D.C. 

National Council for the Traditional 

Arts 

Washington, D.C. 

National Foundation for Jewish 

Culture 

New York, New York 

National Foundation for Jewish 

Culture 

New York, New York 

National Public Radio 

Washington, D.C. 

New Hampshire Commission on the 

Arts 

Concord, New Hampshire 

New Hampshire Commission on the 

Arts 

Concord, New Hampshire 

New Mexico Arts Division 

Santa Fe, New Mexico 

North Carolina Department of 

Cultural Resources 

Raleigh, North Carolina 

For an exhibition of traditional textiles, jewelry, costumes, and instruments of the Hmong community in central Michigan; and for

related workshops, performances, and lectures. 

16,300 

For the position of folk arts specialists with the Michigan Cooperative 

Extension Service. 

33,252 

To continue the series of Euro-American folk arts demonstrations 

in the museum, begun in 1981, and to begin a parallel series of AfroAmerican folk arts demonstrations. 

17,500 

For the position of state folk arts coordinator. 19,300 

For artists’ honoraria and preparation of a booklet for two records 

documenting traditional black music of the 1960’s. 

4,000 

For artists’ fees, travel, and partial administrative costs for the second annual Oxford Folklife Festival. 

13,100 

For a series of advanced classes in Appalachian traditional music 

taught by master artists Albert Hash, Audrey Hash Miller, and Thornton and Emily Spencer. 

10,600 

For four demonstrations and performances by traditional New Mexican artists and craftspersons. 

8,440 

For basketmaking demonstrations, a symposium, a small traveling

exhibition, anda catalog to accompany a major exhibition ofbasketry 

by southwestern Indians. 

17,000 

For an exhibition of photos and artffacts from the Karpathian Greek 

Community in Baltimore and the home community of Olymbos on the 

island of Karpathos. 

27,500 

To amend a previous contract for continued technical assistance to 

Native American tribes, local ethnic associations, and rural community 

organizations in the development, support, and evaluation of on-going 

folk arts activities. 

140,000 

For a radio series to disseminate traditional music recorded during 

national ethnic music tours. 

14,100 

To support a contract for the Chairman’s seminar on folk arts. 18,500 

For the national Folk Festival at Wolf Trap Farm Park. 20,000 

For a 16mm film documenting the hazzan (Jewish cantor) within the 

context of traditional Jewish lffe in the United States. 

25,000 

For the Festival of American Jewish Arts. 10,000 

For a folk arts component in The Sunday Show, a five-hour, "arts 

magazine" radio series made available to NPR affiliate stations. 

25,000 

For the state folk arts program, including a variety of public presentations of New Hampshire’s folk arts and artists. 

19,000 

For the New Hampshire Folk Arts Directory and for an exhibit on 

the art of the traditional blacksmith in New Hampshire. 

15,360 

For a series of workshops and demonstrations of traditional Spanish 

and Native American arts and crafts. 

6,000 

To amend a previous grant to support a 16mm film documenting the 

restaging of ah old-fashioned medicine show. 

30,000 
Folk Arts 77 

North Carolina Department of 

Cultural Resources 

To amend a previous grant to extend the 1981 Folk Arts in the Schools

Program for an additional year. 

5,000 

Raleigh, North Carolina 

North Dakota Council on the Arts For a photo-documentary exhibition of the Eiserne Kreuze, the iron 24,835 

Fargo, North Dakota crosses erected on gravesites by North Dakota Germans from Russia,

and fora catalog and slide/tape presentation. 

North Dakota, University of For a festival of ethnic music and dance traditions. 16,500 

Grand Forks, North Dakota 

Northern Michigan University 

Marquette, Michigan 

To edit and produce a 30-minute 16mm color documentary on FinnishAmerican folk artists in Minnesota and Michigan. 

27,500 

Northwestern State University For the Nachitoches Folk Festival, featuring folk and traditional art­ 6,000 

Natchitoches, Louisiana ists from central and north Louisiana. 

Oboade Institute of Mrican Culture For advanced classes in traditional West African drumming and dance 6,900 

Washington, D.C. under the direction of master Chanaian drummer Yacub Addy. 

Ohio Arts Council 

Columbus, Ohio 

To support an internship with the Folklife Program of the Ohio

Foundation. 

15,050 

Oregon School of Arts and Crafts For the North Portland Citizens Committee to sponsor a series of 4,540 

Portland, Oregon classes for Hmong Americans in the performance of Kleng and 

associated traditions. 

Oregon School of Arts and Crafts For a class in traditional Laotian wood carving under the direction 6,400 

Portland, Oregon of Mr. Lang Rangsith. 

Phelps Stokes Fund, Trustees of the For presentations of Afro-Cuban, Puerto Rican, Trinidadian, Haitian, 18,000 

New York, New York and other Afro-Caribbean music and dance traditions at local centers 

in the New York City area. 

Philipino Cultural Resource Center For workshops in Philipino traditional arts, including bamboo and 17,000 

San Diego, California palm crafts, folk dance, and kali (ah ancient Philipino martial art). 

Providence, City of For a series of presentations by local traditional artists in seven dií­ 15,000 

Providence, Rhode Island ferent parks. 

Queens Council on the Arts For the folk arts coordinator position at the council. 28,000 

Jamaica, New York 

Ragamata For performances of music and dance from South Asia held concur­ 19,500 

Seattle, Washington rently with a series of lecture-demonstrations on South Asia performance style at the Center for South Asian Studies. 

Ray (Byard) Folk Festival Association For artists’ honoraria for the sixth Byard Ray Folk Festival. 2,500 

Hurdle Mills, North Carolina 

Rhode Island State Council on the For the program of multi-ethnic folk arts residencies in schools, senior 31,330 

Arts citizens centers, and community cultural centers. 

Providence, Rhode Island 

Samahan Philippine Dance Company For instruction in the music of the Pilipino rondala, a type of folk 6,000 

El Cajon, California string orchestra, anda series of public concerts by advanced performers of rondala music. 

Santa Monica Mountains and Seashore For the Southern California Folklife Festival, featuring artists and 14,500 

Foundation artisans of several ethnic groups in the Los Angeles basin. 

Woodland Hills, California 

Sealaska Heritage Foundation For the carving of totem poles by master Tlingit carver Nathan 28;200 

Juneau, Alaska Jackson. 

Skokomish Indian Tribe 

Shelton, Washington 

For a traveling exhibit and catalog of Native American basketry from 

the Puget Sound region. 

32,960 

Southern California, University of For a 60-minute film documenting the role of becar and tamburitza 25,000 

Los Angeles, California folk music in Serbian-American communities in Chicago. 

Southern Folk Cultural Revival For artists’ fees for fiddlers participating in Buddy Spicher’s Nashville 3,000 

Project Fiddle Festival, a bluegrass event. 

Nashville, Tennessee 
78 Folk Arts 

Southern Folk Cultural Revival 

Project 

Nashville, Tennessee 

Southwestern AIteruate Media 

Projects 

Houston, Texas 

Suffolk, New York, County of 

West Sayville, New York 

Tempe Historical Society 

Tempe, Arizona 

Tennessee Department of Conservation 

Cookeville, Tennessee 

Tennessee Folklore Society 

Murfreesboro, Tennessee 

Tennessee Folklore Society 

Murfreesboro, Tennessee 

Texas Commission on the Arts 

Austin, Texas 

Texas, University of 

Austin, Texas 

United Houma Nation 

Harvey, Louisiana 

Utah Arts Counneil 

Salt Lake City, Utah 

Utah Folklife Center 

Salt Lake City, Utah 

Utah Folklife Center 

Salt Lake City, Utah 

Vermont Public Radio 

Windsor, Vermont 

WGBH Educational Foundation 

Boston, Massachusetts 

WHYY 

Philadelphia, Pennsylvania 

West Indian-American Day Carnival 

Association 

Brooklyn, New York 

West Nebraska Arts Center 

Scottsblufí, Nebraska 

West Nebraska Arts Center 

Scottsbluff, Nebraska 

Western Carolina University 

Cullowhee, North Carolina 

Western Carolina University 

Cullowhee, North Carolina 

Western Kentucky University 

Bowling Green, Kentucky 

For the production of 26 radio programs featuring live performances

of blues, gospel, jazz, country, and bluegrass. 

11,100 

To amend a previous grant for a 16mm film documenting the Moros 

y Cristianos folk drama performed annually by the townspeople of 

Chimayo, New Mexico. 

7,525 

For the presentation of traditional Suffolk County farm-related arts 

and crafts as part of the Riverhead Fair. 

9,280 

For the Arizona Folk Fair, featuring traditional music, dance, and 

folk crafts. 

16,725 

For research and documentation of the traditional arts of the western 

Tennessee River Region, for use in exhibitions and performances at 

the Pilot Knob State Park Interpretive Center. 

13,200 

For a record documenting the verbal and musical traditions of Free 

Hill, Tennessee -- a small, rural black community in the upper 

Cumberland region. 

7,200 

For artists’ honoraria for the Tennessee state parks folklife project. 8,000 

For the position of a Texas state folk arts coordinator. 14,375 

To amend a previous grant to extend an Endowment Fellowship for 

Maria Margarita Navar to complete work within the Folk Arts Program and prepare audiovisual presentation of the heñtage nominees. 

1,525 

To identify and document traditional Houma Indian craftspersons and 

to present their works in a traveling exhibition. 

9,000 

To hire a full-time assistant to the state folk arts coordinator to help 

develop the newly created Utah Folklife Center. 

10,000 

To prepare two recordings documenting the musical traditions of four

immigrant families. 

11,760 

To support the Fife Conference on Westeru American folk culture. 4,950 

To amend a previous grant for additional benefits for participating 

artists. 

1,490 

For artists’ fees for traditional performers appearing in a major television series documenting Irish folk culture as found in the United 

States. 

40,000 

Fora radio series of traditional music from the collections of the archive of íolksong at the Library of Congress. 5,160 

For master artist Eroll Payne and others to conduct community 

workshops in the art of carnival costume-making and steel drum 

making. 

18,000 

For artist honoraria fora Greek-American traditional musical group 

to perform at the annual outdoor festival of the Assumption Greek 

Orthodox Church in Bayard, Nebraska. 

1,600 

To support presentations by local traditional artists at the Scotts Bluff 

County Fair in 1982 and to continue the folk artists-in-schools project developed by the Arts Center. 

18,620 

For artists’ honoraria and local travel for performances at Mountain 

Heritage Day, a celebration of the traditional music, dance, and crafts 

of southwestern North Carolina. 

6,400 

For three hometown mini-festivals that presént traditional artists írom 

three communities in western North CaroIina. 

12,700 

For an exhibition of the wood carvings and oil paintings of Unto Jarvi, 

a Finnish-born traditional carver. 

7,300 
Folk Arts 79 

Western New York Society for the For the "Scampagnata Focloristica," ah annual celebration of local 12,000 

Preservation of [talian Folklore Italian traditional arts. 

Buffalo, New York 

Wilson (Woodrow) International To amend a previous grant to include preparation of a recording 2,250 

Center documenting Afro-Cuban bata and rumba music. 

Washington, D.C. 

Wisconsin, Regents of the University of For a series of half-hour radio programs based on the Helene 12,600 

Madison, Wisconsin Stratman-Thomas collection of folk music. 

Women and Their Work For a touring exhibit of folk textiles created by women from four 10,000 

Austin, Texas ethnic communities in central Texas. 

Wyoming Council on the Arts For the position of state folk arts coordinator. 18,000 

Cheyenne, Wyoming 

Wyomíng Council on the Arts To support a series of noontime concerts of local traditional music 3,380 

Cheyenne, Wyoming to be held on the state capitol grounds. 

Wyoming Council on the Arts 

Cheyenne, Wyoming 

To support a pilot radio series highlighting the traditional arts of

Wyoming. 

8,511 

Zuni, Pueblo of For a traveling exhibit of Zuni ceramic arts. 20,000 

Zuni, New Mexico 

Folk Arts To enable performers or craftspersons to study with traditional masters in

Apprenticeships their fields.

Program funds: $22,340 

12 grants 

Cahan, Andrew To study the traditional fiddle and banjo music of south-central Ken- $2,000 

Galax, Virginia tucky with master artist Clyde Davenport. 

Carrasco, Louis To study Vera Cruz harp with master Mexican musician Artemio 1,500 

Pittsburg, California Posadas. 

Daly, Sabra J. To study the traditional Irish concertina with master artist Maureen 1,400 

San Francisco, California Murtagh. 

Denman, Todd A. To study Irish uilleann pipes with master piper Denis Brooks. 1,200 

Yellow Springs, Ohio 

Garcia, Laura A. To study traditional mariachi violin with master artist Esteban 2,000 

Santa Cruz, California Hernandez. 

Miller, Rebecca S. To study traditional Irish ñddling with master ñddler Paddy Reynolds. 1,150 

Bethesda, Maryland 

Miller, Sirila Quesada To study traditional Huastecan music -- violin, jarana, and song - 1,500 

Visalia, California with master artist Artemio Posadas. 

Munir, Khalil D. For an advanced apprenticeship in West African drumming under 1,500 

Washington, D.C. the tutelage of master Ghanaian musician Yacub Addy. 

Rygelis, E. Aldona To study Lithuanian weaving with master traditional weaver Anstazija 4,590 

Brooklyn, New York Tamosaitis. 

Salazar, Javier H. To study traditional dances of the Huastecan region of Mexico with 2,000 

San Jose, California master artist Artemio Posadas. 

Sancen, Mario N. To study traditional jarana performance and the dance style of the 1,500 

Oakley, California Northwestern Mexican Huastecan region with master traditional 

musician Artemio Posadas. 

Seeger, Mike To study the Merle Travis style of guitar picking with Kennedy Jones, 2,000 

Lexington, Virginia the senior living contributor to the development of this traditional 

performance practice. 
80 Folk Arts 

Heritage Awards To recognize, through a one-time-only grant award, the nation’s most exemplary master folk artists and artisans whose significant contributions 

to the health and happiness of the nation have gone largely unrecompensed. 

Balfa, Dewey 

Basile, Louisiana 

Heaney, Joe 

Brooklyn, New York 

Jarrell, Tommy 

Mt. Airy, North Carolina 

Jones, Bessie 

Brunswick, Georgia 

Lopez, George 

Cordova, New Mexico 

McGhee, Brownie 

Oakland, California 

McGraw, Hugh 

Bremen, Georgia 

Mendoza, Lydia 

Houston, Texas 

Monroe, Bill 

Nashville, Tennessee 

Pierce, Elijah 

Columbus, Ohio 

Popovich, Adam 

Dolton, Illinois 

Robinson, Georgeann 

Bartlesville, Oklahoma 

Severe, Duff L. 

Pendleton, Oregon 

Simmons, Philip 

Johns Island, South Carolina 

Terry, Sonny 

Holliswood, New York 

Program funds: 

15 grants 

$75,000 

For Mr. Balfa’s continuing contribution to excellence in the performance of Cajun music. 

$5,000 

For Mr. Heaney’s continuing contribution to excellence in the performance of Gaelic and Irish song. 

5,000 

For Mr. Jarrell’s continuing contribution to excellence in the performance of Appalachian Mountain music. 

5,000 

For Ms. Jones’s continuing contribution to excellence in the performance of black traditional song. 

5,000 

For Mr. Lopez’ continuing contribution to excellence in the art of santo 

carving. 

5,000 

For Mr. McGhee’s continuing contribution to excellence in the performance of the blues. 

5,000 

For Mr. McGraw’s continuing contribution to excellence in the performance of Sacred Harp music. 

5,000 

For Ms. Mendoza’s continuing contribution to excellence in the performance of Mexican music. 

5,000 

For Mr. Monroe’s continuing contribution to excellence in the creation and performance of bluegrass music. 

5,000 

For Mr. Pierce’s continuing contribution to excellence in the art of 

woodcarving and painting. 

5,000 

For Mr. Popovich’s continuing contribution to excellence in the performance of Serbian tamburitza music. 

5,000 

For Ms. Robinson’s continuing contribution to excellence in the art 

of Osage ribbonwork. 

5,000 

For Mr. Severe’s continuing contribution to excellence in the art of

leatherwork and saddle-making. 

5,000 

For Mr. Simmons’ on-going contribution to excellence in the art of

decorative wrought iron work. 

5,000 

For Mr. Terry’s continuing contribution to excellence in the performance of the blues and the technique of the harmonica. 

5,000 
82 Inter-Arts 

Brooklyn Academy of Music
 

dance
 

rnusic
 

drama
 
83 

Inter-Arts
 

Inter-Arts Advisory Panels 

Betty Allen 

Mezzo-soprano, educator 

New York, New York 

Nancy Englander 

Foundation executive 

Los Angeles, California 

Ann-Ellen Lesser 

Artists’ colony director 

Austerlitz, New York 

Robert Altman Barnet Fain Reynold Levy 

Dance company 

general manager 

Philadelphia, Pennsylvania 

T. J. Anderson 

Businessman 

Providence, Rhode Island 

Robert Fitzpatrick 

Educator 

Presenting organization 

director 

New York, New York 

Harvey Lichtenstein 

Composer, educator 

Medíord, Massachusetts 

Valencia, California 

Anne Focke 

Presenting organization

president 

Brooldyn, New York 

Judy Baca 

Visual artist 

Venice, Cali£ornia 

Arts center director 

Seattle, Washington 

Sara Garretson 

Brooke Mahoney 

Service organization director 

New York, New York 

Thomas Bacchetti Cultural foundation 

Symphony orchestra manager

Atlanta, Georgia 

director 

New York, New York 

Bruce Marks 

Choreographer, 

artistic director 

Sally Banes 

Dance historian 

Brendan Gitl 

Drama critic 

Salt Lake City, Utah 

New York, New York New York, New York John Mazzola 

Performing arts center 

Simon Michael Bessie Michael Harper president 

Publisher Poet New York, New York 

Lyme, Connecticut Providence, Rhode Island 

Carman Moore 

Edward Block David I~augland Composer, arts administrator 

Corporation executive 

New York, New York 

Regional arts 

organization director

Minneapolis, Minnesota 

Lenox, Massachusetts 

David Nelson 

John Bos State arts agency director 

Public broadcasting 

director 

Patrick tIayes 

Arts presenter 

Missoula, Montana 

Washington, D.C. 

James "Plunky" Branch 

Jazz musician, arts 

council executive 

Washington, D.C. 

Natalie Hinderas 

Pianist 

Elkins Park, Pennsylvania 

Al Nodai 

Artists’ space director

Washington, D.C. 

Richard Oldenburg 

Richmond, Virginia Olaive Jones 

Museum director 

New York, New York 

Lee Breuer Arts administrator 

Theater artistic director Washington, D.C. Michael Palmer 

New York, New York 

Joan LaBarbara 

Poet 

San Francisco, Cali£ornia 

Laura Dean Interdisciplinary 

Choreographer, composer, 

dance company director 

New York, New York 

artist-performer 

Pasadena, California 

Elizabeth Larsen 

Otro Piene 

Visual artist, educator 

Cambridge, Massachusetts 

Composer, artistic director 

St. Paul, Minnesota 
84 Inter-Arts 

E. Arthur Prieve 

Educator 

Madison, Wisconsin 

Nigel Redden 

Arts presenter 

Minneapolis, Minnesota 

Ralph Sandler 

Arts center director 

Madison, Wisconsin 

Hugh Southern 

Service organization director 

New York, New York 

Inter-Arts Grants 

Artists Colonies 

Albee (Edward) Foundation

New York, New York 

Cummington Schoo| of the Arts 

Cummington, Massachusetts 

Fine Arts Work Center in 

Provincetown 

Provincetown, Massachusetts 

Institute for Art and Urban Resources 

Long Island City, New York 

MacDowell Co|ony 

Peterborough, New Hampshire 

Millay Colony for the Arts 

Austerlitz, New York 

Nature Conservancy 

Temecula, California 

Ossabaw Foundation 

Savannah, Georgia 

Ragdale Foundation 

Lake Forest, Illinois 

Virginia Center for the Creative Arts 

Sweet Briar, Virginia 

Yaddo, Corporation of 

Saratoga Springs, New York 

Yaddo, Corporation of 

Saratoga Springs, New York 

Robert Stearns Albert Webster

Museum director Symphony orchestra 

Cincinnati, Ohio manager 

New York, New York 

David Stock 

Conductor, composer David White 

Pittsburgh, Pennsylvania Arts presenter 

New York, New York 

Theodore Striggles 

Attorney Jerry Willis 

New York, New York Arts presenter, educator 

Pasadena, California 

Anne Truitt 

Visual artist Jira Wockenfuss 

Washington, D.C. Arts presenter, educator 

Iowa City, Iowa 

Steina Vasulka 

Multi-media artist 

Santa Fe, New Mexico 

ProgTam funds: $4,938,866 

Treasury Funds: $ 480,000 

242 grants 

To enable artists’ colonies and other artists’ workspaces to provide opportunities for creative artists from various disciplines to pursue their work. 

Program funds: $105,000 

Treasury funds: $195,000 

14 grants 

For artist residencies at the William Flanagan Memorial Creative $5,000 

Persons Center in Montauk, New York. 

For the residency program that provides writers, composers, and 20,000 

visual artists with living and working facilities in a community 

atmosphere. 

To provide emerging artists with seven-month residencies. 10,000 

TF 20,000 

For the National Artist in Residence Studio program, which provides TF 15,000 

emerging artists with studio space and living stipends for six-month 

periods. 

To provide residency fellowships to writers, composers, and visual TF 45,000
 

artists.
 

For residencies for writers, composers, and visual artists. 9,000
 

TF 10,000
 

To support residencies for composers, writers, and visual artists at 5,000 

the Dorland Mountain Colony. TF 5,000 

For residencies at Ossabaw Island, a 25,000-acre wilderness off the TF 25,000 

Georgia coast. 

For residencies for writers, visual artists, and composers. 14,000 

For residencies for writers, visual artists, and composers. TF 20,000 

For residencies for professional w]’iters, visual artists, and composers. 7,000
 

TF 40,000
 

To implement a joint fund-raising program on behalf of five artist TF 15,000
 

colonies.
 
Inter-Arts 85 

Yaddo, Corporation of To amend a previous grant for support of residencies for professional 30,000 

Saratoga Springs, New York artists. 

Yard, Inc. For residencies to choreographers, composers, and musicians. 5,000 

Chilmark, Massachusetts 

Presenting	 To improve the ability of presenting organizations to present diverse, highquality arts programming in their communities by strengthening ad­

~, ~ . ~l’~r-an:za*:ons ministrative efforts of providing support for innovative programs. 

Program funds: $2,482,520 

Treasury funds: $ 170,000 

ll0 grants 

Mfiliate Artists To support the activities of the Community Artist Residency Train­ $28,000 

New York, New York ing Program (CART) in the East. 

Mfiliated State Arts Agencies of the To support a two-part project designed to increase communication 11,500 

Upper Midwest among presenters. 

Minneapolis, Minnesota 

Alternative Center for International For audience development activities associated with the multi­ 8,400 

Arts disciplinary presentations of the 1982-83 season. 

New York, New York 

Anchorage Concert Association For presentations in music, dance, and theater and for the employ­ 14,000 

Anchorage, Alaska ment of a development director. 

and/or service 

Seattle, Washington 

To support a program of development activities. 17,000 

Arts Alaska For a development effort designed to encourage the cooperative block­ 14,000 

Anchorage, Alaska booking of touring. 

Arvada Center for the Arts and To support the 1982-83 season of multi-disciplinary presentations at 24,000 

Humanities the Arvada Center. 

Arvada, Colorado 

Association of College, University, and To support the Technical Assistance Program for presenters. 19,500 

Community Arts Administrators 

Madison, Wisconsin 

Atlanta Arts Alliance For the 1982-83 fund-raising campaign, which will focus on securing 28,000 

Atlanta, Georgia matching corporate-employee gifts. 

Austin (Stephen F.) State University To support the Guest Artist Series at this university in east Texas. 8,400 

Nacogdoches, Texas 

Bardaron 1869 Opera House For the 1982-83 presentation series in music, dance, opera, and theater. 14,000 

Poughkeepsie, New York 

Brooklyn Academy of Music For a ballet series, a dance international series, the ninth season of 83,990 

Brooklyn, New York chamber music, four jazz concerts by Brooklyn artists, and the 

development of a management iníormation systems department. 

Brooklyn Academy of Music To support the Brooklyn Academy of Music’s 1983-84 season of presen­ 150,000 

Brooklyn, New York tations, including Next Wave III, a series of experimental dance,

music, theater, and interdisciplinary works. 

California Institute of Technology To support the 1982-83 season of multi-disciplinary presentations 21,000 

Pasadena, California through audience development and fund-raising campaign. 

California, University of To promote the first year of a chamber music festival "at the Los 14,000 

Los Angeles, California Angeles campus. 

Cambridge Arts Council To support the varied presentation activities, which include jazz, visual 10,000 

Cambridge, Massachusetts arts, literature, dance, and film. 

Centrum Foundation To support the summer arts season. 7,000 

Port Townsend, Washington 

Chautauqua Institution 

Chautauqua, New York 

To support the 1982 season of summer presentations through

assistance with a fund-raising campaign. 

16,800 
86 Inter-Arts 

Chemung County Performing Arts 

Elmira, New York 

Community Services 

Brooklyn, New York 

Consortium for Pacific Arts and 

Cultures 

Honolulu, Hawaii 

Contemporary Arts Center 

New Orleans, Louisiana 

Contemporary Arts Center 

Cincinnati, Ohio 

Contemporary Arts Center 

New Orleans, Louisiana 

Creative Time 

New York, New York 

Cultural Council Foundation 

New York, New York 

Dance Theater Workshop 

New York, New York 

Dance Theater Workshop 

New York, New York 

Dartmouth College 

Hanover, New Hampshire 

Denver Center for the Performing Arts 

Denver, Colorado 

80 Langton Street 

San Francisco, California 

80 Langton Street 

San Francisco, California 

Ethnic Folk Center 

New York, New York 

Film in the Cities 

St. Paul, Minnesota 

Flagstaff Festival of the Arts 

Flagstaff, Arizona 

Franklin Furnace Archive 

New York, New York 

Friends of the Arts 

Locust Valley, New York 

Grand Opera House 

Wilmington, Delaware 

Guild Hall of East Hampton 

New York, New York 

Haleakala 

New York, New York 

Haleakala 

New York, New York 

Helena Film Society 

Helena, Montana 

To hire a development director and consultants. 10,500 

For the Brooklyn Center’s 1982-83 presentation series in dance, 27,660 

theater, and music. 

To hire technical assistance consultants for presenters in American 6,200 

Samoa, Guam, and the Northern Mañana Islands. 

For an audience-development campaign. 34,500 

For the presentation and promotion of contemporary dance, music, 21,000 

film, and exhibitions in Cincinnati. 

For the 1983-1984 presenting season, including an audience develop- 35,000 

ment campaign and three collaborative projects for the festival ofnew 

works. 

For financial management and public relations efforts. 15,000 

For the 1982-83 season of dance and music presentations at the Thelma 12,000 

Hill Performing Arts Center. 

For efforts to provide performance opportunities and audiences for 15,000 

the contemporary arts. 

To support the 1983-84 season of multi-disciplinary presentations and 23,500 

technical and box office personnel. 

For audience development and promotion activities for the 1982-83 8,500 

season. 

For the 1982-83 season of presentations. TF 30,000 

To support a project designed to increase earned income and member- 10,500 

ship contributions. 

For an audience development and membership campaign, as well as 12,000 

a collaborative work by visual artist Jock Reynolds and choreographer 

Suzanne Hellmuth. 

For the Ethnic Folk Center to present ethnic dance and music 7,000 

activities. 

For a public relations director for this large interdisciplinary media 14,000 

center. 

For the 1982 Festival, which includes presentations in music, ballet, 7,000 

and theater. 

To support promotional activities for the 1982-83 season of multi- 17,500 

disciplinary presentations. 

To support an audience development/community relations program 14,000 

for presentations of ballet, modern dance, mime, chamber music, symphonic music, and solo recitals. 

To support the 1982-83 presentation series in dance, theater, and 12,200 

music. 

To support the John Drew Thee*.re of Guild Hall, which presents 5,000 

theater, dance, and music. 

For the presentation of dance, music, media, performance and visual 120,000 

arts at The Kitchen. 

For "Dancing in the Kitchen," 15 presentations of emerging 70,090 

choreographers; development programs; a national touring program; 

and the presentation of artists working in new music, jazz, solo performance, and mixed media. 

To support the seventh season by this geographically isolated 10,000 

presenter. 
Inter-Arts 87 

Illinois, University of 

Champaign, Illinois 

To support an audience development/group sales campaign for the

Krannert Center of the Performing Arts. 

16,640 

Institute for Art and Urban Resources To establish a revolving curators project anda nationwide member­ 70,000 

Long Island City, New York ship program to develop a stable private support base. 

Institute for Art and Urban Resources For a corporate and foundation membership program, a second year 35,000 

Long Island City, Ne~v York of multi-curator residencies, anda series of 20 exhibitions and 12 performances of new works. 

Inter-Media Art Center To support the 1982-83 season of this contemporary art center. 10,500 

Bayville, New York 

Inter-Media Art Center 

Bayville, New York 

To support the 1983-84 season of presentations and to assist a production by Bill and Mary Buchen. 

17,500 

Intersection For a membership program and development effort for this contem­ 7,000 

San Francisco, California porary arts presenter. 

Iowa, University of 

Iowa City, Iowa 

To support the 1982-83 season of presentations, including a five-week 

residency of the Joffrey II company, the presentation of chamber 

music ensembles and solo artists, and audience development activities. 

23,630 

Island Center of St. Croix To support the Island Center, St. Croix’s only cultural center presen­ 10,500 

St. Croix, Virgin Islands ting dance, music, and theater. 

Just Above Midtown For administrative and presentation costs for the 1983-84 season and 30,000 

New York, New York for a collaborative project involving Bill T. Jones, David Mammons,

and Phillip Mallory Jones. 

Kansas, University of For the 1982-83 season of opera, music, and dance. 10,145 

Lawrence, Kansas 

Kennedy (John F.) Center for the For a conference of performing arts center managers. 9,800 

Performing Arts 

Washington, D.C. 

Kitani Foundation For a subscription campalgn for the 1982-83 season of theater, musical 14,000 

Columbia, South Carolina theater, and dance. 

Lincoln Center for the Performing For Lincoln Center’s 1982-83 series of presentations. TF 90,000 

Arts 

New York, New York 

Los Angeles Institute of Contemporary 

Art 

For the 1983-84 season of presentations of new music, visual arts,

jazz, performance art, and media productions. 

17,500 

Los Angeles, California 

Los Angeles Institute of Contemporary 

Art 

For a project designed to extend better visibility to the artists 

presented at LAICA. 

10,500 

Los Angeles, California 

Lower Manhattan Cultural Council For an audience-development project directed at the more than 5,600 

New York, New York 500,000 people who work in Lower Manhattan. 

Lower Manhattan Cultural Council For a campaign to raise public awareness of contemporary arts 14,000 

New York, New York organizations in Manhattan. 

Madison, City of To hire a development and community relations director. 12,000 

Madison, Wisconsin 

McCarter Theatre Company For the 1982-83 presenting season in dance, music, jazz, and theater. 35,000 

Princeton, New Jersey 

Mid America Arts Alliance For the organization’s technical assistance programs, which include 17,850 

Kansas City, Missouri a presenter development workshop, a presenter exchange program, 

anda facilities directory. 

Missouri-Columbia, University of 

Columbia, Missouri 

For audience development and educational activities in connection 

with the 1982-83 series of presentations. 

14,000 

Music Hall Center for Performing Arts For the 1982-83 season of dance, music, and theater presentations. 35,000 

Detroit, Michigan 

Natural Heritage Trust 

Lewiston, New York 

For the 1982 festival of multi-disciplinary presentations including

ballet, modern dance, chamber and symphonic music, jazz, opera, and 

musical theater. 

42,000 
~~ Inter-Arts 

New York Shakespeare Festival 

New York, New York 

Nexus 

Atlanta, Georgia 

92nd Street YM-YWHA 

New York, New York 

North Dakota, University of 

Grand Forks, North Dakota 

On the Boards 

Seattle, Washington 

On the Boards 

Seattle, Washington 

Pacific Coast Performing Arts 

Foundation 

Santa Cruz, California 

Palace of Arts and Science Foundation 

San Francisco, California 

Paramount Theatre for the 

Performing Arts 

Austin, Texas 

People’s Theatre Coalition 

San Francisco, California 

Performing Arts Council of the Music 

Center 

Los Angeles, California 

Philadelphia ASF Series 

Philadelphia, Pennsylvania 

Pittsburgh Film-Makers 

Pittsburgh, Pennsylvania 

Portland Center for the Visual Arts 

Portland, Oregon 

Prescott Parks Arts Festival 

Portsmouth, New Hampshire 

Ravinia Festival 

Chicago, Illinois 

Real Art Ways Raw Ink 

Hartford, Connecticut 

Rising Sun 

Santa Fe, New Mexico 

Roehester Philharmonic Orchestra 

Rochester, New York 

Rockland Center for the Arts 

West Nyack, New York 

Rocky Mountains Arts Consortium 

Arvada, Colorado 

Sangre de Cristo Arts and Conference 

Center 

Pueblo, Colorado 

Society for the Performing Arts 

Houston, Texas 

For the festival’s 1982-83 presentations in classical, modern, musical,

and experimental theater and in dance, jazz, film, and poetry. 

15,000 

To support the 1983-84 season of presentations. 8,750 

For efforts designed to diversify and expand its audience and to increase earned and contributed income. 

50,000 

For an audience-development program for the College of Fine Arts

and the Chester Fritz Auditorium in conjunction with the 1982-83 

season of multi-disciplinary presentations. 

For the 1983-84 season of contemporary dance, theater, music, 

literature, and performance art presentations. 

For the 1982 season of presentations in contemporary dance, theater, 

music, performance art, and visual arts. 

For the 1982-83 visiting arts series. 

12,000 

30,000 

29,500 

3,500 

For the Exploratoñum’s artist-in-residence program and the 1983-84

presentation season of "Speaking of Music." 50,000 

To support a newly restored Texas landmark and to presenta festival

of deaf professional performing and visual artists in April 1982. 

7,000 

To support this umbrella organization of 12 arts presenting and producing organizations at the Fort Mason Center. 

To support the education division, founded in 1979 asa program of 

the Music Center Performing Arts Council. 

TF 

17,250 

50,000 

To support a development campaign for the 1982-83 series of music 

and dance presentations. 

14,000 

To encourage the production of new works by local artists and to

develop broader audiences for events. 

To develop a membership promotion packet for the performance series 

and for cooperative promotion efforts with other Portland cultural 

institutions. 

5,000 

18,000 

To support the 1982 festival of music, dance, theater, literature, media, 

and musical theater presentations. 

To support the 1982 festival of music, dance, and musical theater 

presentations. 

To assist the organization in hiring a full-time audience development 

staff member. 

7,000 

25,000 

12,000 

For administrative and presenting costs for the 1983-84 season. 10,000 

For the 1982-83 season of dance, theater, jazz, and solo recitalists. 11,950 

To support multi-disciplinary arts activities. 14,000 

For the costs of presenting the artists that have been cooperatively 

booked. 

16,490 

To support audience development activities and visual arts exhibitions. 14,000 

To support the 1982-83 season of music and dance presentations. 20,000 
Inter-Arts 89 

Southeast Arkansas Art and Science For the Art and Science Center, which serves the rural southeastern 7,000 

Center reg’ion of Arkansas with visual arts exhibitions and performing arts 

Pine Bluff, Arkansas programs. 

Southern Arts Federation 

Atlanta, Georgia 

To support several presenter assistance projects for sponsors in the

southern United States. 

14,000 

Spirit Square Arts Center For the 1982-83 señes in dance, theater, music, and visual arts. 25,000 

Charlotte, North Carolina 

Spoleto Festival, U.S.A. 

Charleston, New York 

For a new contemporary dance event, a series of chamber music and

jazz events, and development projects designed to increase income 

and attract a more divershíed audience. 

43,600 

St. Louis Conservatory and Schools 

for the Arts 

For the 1982-83 season of music and dance presentations, including

expenses for audience development anda subscription campalgn. 

7,000 

St. Louis, Missouri 

Stanford University 

Stanford, California 

To support the community outreach program, ah integral part of the 

Staníord Concert Series. 

10,280 

Symphony Space 

New York, New York 

To support the 1983~~4 season, including audience development, fundraising campaigns, and the "Wall-to-Wall" program. 

10,000 

Symphony Space 

New York, New York 

To support Symphony Space, a professionally equipped theater

available to performing artists in dance, music, theater, and musical 

theater. 

7,000 

Unity Institute 

Montclalr, New Jersey 

To support Unity Institute, which has presented major symphony 

orchestras, chamber music ensembles, dance groups, solo recitalists, 

and jazz artists since 1920. 

7,000 

Vermont Council for the Arts To support the activitiei of the Green Mountains Consortium for the 19,930 

Montpelier, Vermont Performing Arts. 

Walker Art Center To support a four-week residency by David Gordon and the Pick-up 90,050 

Minneapolis, Minnesota Company; three residencies by post-modern choreographers; more 

than 60 concerts in new music, chamber music and jazz; a festival 

celebrating the works of John Cage; and ah audience development 

campaign for the performing arts events. 

Walker Art Center For presentation costs, a publicity campalgn, and the language festival. 80,000 

Minneapolis, Minnesota 

Washington Performing Arts Society 

Washington, D.C. 

For the 1983-84 season of presentations and the third annual "9th 

Street Crossings" festival. 

100,000 

Washington Performing Arts Society 

Washington, D.C. 

To support the Kennedy Center debuts of six American dance companies, the presentation of more than 30 solo recitalists, the second 

annual multi-media arts festival, anda project to build audiences. 

96,340 

Washington Project for the Arts To support expeñmental dance, vídeo, theater, music, literature, per­ 23,800 

Washington, D.C. formance art, and exhibitions. 

Washington Project for the Arts For the 1983-84 season of multi-disciplinary arts presentations and 30,000 

Washington, D.C. for a three-week residency by Studio Re-Cher-Chez. 

Western Illinois University To support the professional presentations in a geographically isolated 7,000 

Macomb, Illinois area. 

Western States Arts Foundation To develop 10 interstate presenter networks for the purpose of more 24,125 

Santa Fe, New Mexico cost-effective, cooperative booking of arts events. 

Wolf Trap Foundation To support the 1982 festival presentations through audience develop­ 7,950 

Vienna, Virginia ment and public transportation projects. 

Women and Their Work For the 1982-83 arts activities of this organization, which exhibits, 10,500 

Austin, Texas publishes, and presents the work of women artists. 

Women’s Interart Center For the 1982-83 season of presentations and for audience develop­ 10,000 

New York, New York ment activities. 

YM-YWHA of North Jersey To support the 1982-83 interdisciplinary presentation series. 5,600 

Wayne, New Jersey 
90 Inter-Arts 

Interdisciplinary	 For projects of high artistic quality that involve two or more art forros, inArts Projects cludingcollaborations, specialarts events, orprojects that assist emerging

artists working in interdisciplinary forros. 

Affiliate Artists 

New York, New York 

American Dance Festival 

Durham, North Carolina 

Amigos del Museo del Barrio 

New York, New York 

Aspen Institute for Humanistic Studies 

Washington, D.C. 

Bend (Loris) Foundation 

New York, New York 

Byrd Hoffman Foundation 

New York, New York 

California, University of 

La Jolla, California 

Center for the Performing Arts 

Chester Springs, Pennsylvania 

Chinatown Planning Council 

New York, New York 

Cultural Council Foundation 

New York, New York 

El Museo Del Barrio 

New York, New York 

Exploratorium 

San Francisco, California 

Film in the Cities 

St. Paul, Minnesota 

Fog Store 

Bronx, New York 

Four Quarters 

Louisville, Kentucky 

Franklin Furnance Archive 

New York, New York 

Garrard (Mimi)Dance Theater 

New York, New York 

Guggenheim (Solomon R.) Museum 

New York, New York 

Haleakala 

New York, New York 

Haleakala 

New York, New York 

Hay (Deborah) Dance Company 

Austin, Texas 

Hippodrome Theatre Workshop 

Gainesville, Florida 

Program funds: 

58 grants 

$702,680 

For Affiliate Artists’ program of performing artists residencies. $44,000 

For the choreographers’ and composers’ workshop for young 

professionals. 

10,000 

To support the third annual "Latin American Theatre Festival." 12,000 

To support the participation of artists and arts administrators in the 

Aspen Institute’s Executive Seminar Program 

7,500 

For an interdisciplinary performance piece. 2,500 

To support the development of original work by Robert Wilson. 30,000 

For collaborative works produced in residence at the Center for Music 

Experiment on the San Diego campus. 

10,000 

For the Intern-Arts Project, a professional training program that

trains young artists in cross-disciplinary work. 

2,500 

For the Chinatown Outdoor Summer Festival, which features traditional and contemporary performing arts of Asia. 3,000 

For the National Deaf Arts Festival, a two-week event highlighting 

the contribution of deaf artists. 

15,000 

To develop a Fair of Popular Arts for touring to twelve towns with 

large Hispanic populations. 

4,000 

For ah artist-in-residence program in which artists will collaborate 

with scientists. 

30,000 

For a series of performance art programs. 6,000 

For a series of performances and exhibitions sponsored by Fashion 

Moda in ten locations across the country. 

6,000 

For the tenth annual Unity Day Festival, a five-day festival 

highlighting black artistic expression. 

12,000 

To support a two-part multi-media work. 12,500 

To support a collaborative project involving a visual artist, a 

choreographer, anda composer. 2,500 

For the world premiere of the historically accurate version of Vasily 

Kandinsky’s work, The Yellow Sound. 10,000 

For a collaborative piece and works by composers, choreographers, 

poets, and performance artists in collaboration with vídeo artist Joan

Logue at the Kitchen. 

27,100 

For the Kitchen’s training program for emerging artists. 10,000 

To support the development of three new works directed by Pauline 

Oliveros in collaboration with Deborah Hay, Elaine Summers, and 

Stuart Demster. 

7,500 

Fora month-long festival of original works by Florida artists. 5,000 
Inter-Arts 91 

Institute of Contemporary Art For the creation and presentation of a new collaborative work by 15,000 

Boston, Massachusetts Douglas Dunn, Jeffrey Schiff, and John Driscoll. 

Institute of Contemporary Art 

Boston, Massachusetts 

For the development and presentation of a collaboration between 

Karole Armitage and Rhys Chatham. 

2,500 

Intersection For the San Francisco International Performance Festival, featur­ 9,700 

San Francisco, California ing performing companies and artists noted for experimental, interdisciplinary, or multi-media work. 

Intersection For a collaborative performance work involving artists Carl Heyward, 3,000 

San Francisco, California Bart Ross, and Rene Yanez. 

Just Above Midtown For "The Cecil Taylor Dance," a collaboration involving Cecil C. 10,000 

New York, New York Taylor, Blondell Cummings, and Senga Nengudi. 

Los Angeles Contemporary For "L.A. Dialog," a series of performances by artists whose work 8,200 

Exhibitions crosses traditionally established artistic boundaries. 

Los Angeles, Ca!ifornia 

Mississippi, University of 

University, Mississippi 

For "The Time Has Come," a festival involving writers, musicians, 

and theater and visual artist from Greenville, Mississippi. 

12,500 

Motion: The Women’s Performing 

Collective 

For creation and presentation oía collaboration involving performance 

artist Nina Wise and visual artist Lauren Elder. 

7,500 

Oakland, California 

Museum of Contemporary Art For a series of multi-media events, performances, and installations 17,500 

Chicago, Illinois for the New Music America 1982 festival. 

Music-Theatre Performing Group 

New York, New York 

To support the creation of an original performance fusing music, text,

and light involving Carman Moore, Ishmael Reed, and William 

10,000 

Sebastian. 

National Public Radio For a weekly five-hour Sunday arts and performance magazine. 25,000 

Washington, D.C. 

New Ground Presentation For the 17th Avant Garde Festival, ah event that highlights the work 7,500 

New York, New York of hundreds of artists from the United States. 

New World Festival of the Arts For administrative costs for the New World Contemporary Festival 32,500 

Miami, Florida of the Arts. 

New York Art Theater Institute For "Joseph and His Brother," a collaborative piece undertaken in 5,000 

New York, New York cooperation with the Jewish Museum. 

New York Public Library 

New York, New York 

For administrative positions in the four branches of the Performing

Arts Research Center: the Music Division, Dance Division, Rogers 

and Hammerstein Archive of Recorded Sound and the Billy Rose

Theater Collection. 

65,000 

Newport Cultural Affairs Commission For "Refractions," ah original multi-media performance piece using 3,000 

Middletown, Rhode Island dance, film, video, slides, and music. 

Performing Artists Collective of

Chicago For a full-scale production of the multi-media piece by composer-author 9,980 

Chicago, Illinois Joseph Jarman. 

Performing Artservices For a six-week performance series of new dance and music, involv­ 15,000 

New York, New York ing performances by more than 30 artists. 

Performing Artservices For the New York premiere of Robert Ashley’s Perfect Lives (Privat~ 20,000 

New York, New York Parts). 

Performing Artservices For the John Cage 25/25 festival as well as Miss Atalanta and Her 25,000 

New York, New York Suitors by Robert Ashley. 

Public Eye 

San Francisco, California 

For a theater piece in which animated film and slide projections are

integrated with performing dancers and actors. 

7,500 

Re-Cher-Chez Theatre For operational and administrative costs of the studio environment 15,000 

New York, New York for emerging artists to create, develop, and realize new interdisciplinary work. 

Rising Sun 

Santa Fe, New Mexico 

Fora performance series inangurating the Warehouse, a new performing arts space. 

7,500 
92 Inter-Arts 

Rutgers, the State University of New 

Jersey 

New Brunswick, New Jersey 

St. Marks Church-in-the-Bowery 

New York, New York 

Santa Fe Council for the Arts 

Santa Fe, New Mexico 

Skinner Releasing 

Seattle, Washington 

Snake Theatre 

Sausalito, California 

Snake Theatre 

Sausalito, California 

Social and Public Arts Resource 

Center 

Venice, California 

Spaces 

Los Angeles, Calffornia 

SUM Concerts 

Houston, Texas 

Summers (Elaine)Summers

Experimental Intermedia Foundation 

New York, New York 

Theatre for the New City 

New York, New York 

Watershed Foundation 

Washington, D.C. 

Willow Mixed Media 

Willow, New York 

Services to the Field 

American Council for the Arts 

New York, New York 

Arts and Business Council of New 

York City 

New York, New York 

Association of College, University, and

Community Arts Administrators 

Madison, Wisconsin 

Association of College, University, and 

Community Arts Administrators 

Madison, Wisconsin 

Association of College, University, and 

Community Arts Administrators 

Madison, Wisconsin 

Association of Hispanic Arts 

New York, New York 

For "Hispanic-American Cultural Expression in New Jersey," a 5,000 

festival of visual arts exhibits and interdisciplinary performances. 

For performances and an exhibition about New York’s Lower East 5,000 

Side from 1845-1885. 

For the creation of a collaborative interdisciplinary performance piece 7,000 

to be presented in a number of locations. 

Fora one-week festival of improvised arts. 6,000 

For the creation and presentation of a performance piece to include 3,000 

dance, music, and theatrical elements for Nightfire Division. 

For the creation and presentation of a performance piece entitled 7,700 

"Alcratraz" for Antenna Division. 

For a theatre-musical work to be developed and presented by artists 10,000 

working on the "Great Wall of Los Angeles" mural project. 

For the identiíícation, documentation, and protection of naive art en- 20,000 

vironments, such as Simon Rodia’s Watts Tower. 

For "Sumfest," a ten-day arts festival highlighting the contemporary 7,500 

visual and performing arts. 

For a collaboration involving choreographer-filmmaker Elaine 7,500 

Summers. 

For the crea, tion ofan original street performance piece mixing music, 6,000 

dance, theater, mime, and acrobatics. 

To support the development and management staff of the Water- 10,000 

shed Foundation. 

For ah international exhibition of solar art for the 1982 World’s Fair. 5,000 

For activities that serve artists and arts organizations involved in more than 

one art forro on a national or regional level. 

Program funds: $564,596 

Treasury funds: $115,000 

39 grants 

For management training and information delivery through conferences, manuals, and publications. TF $40,000 

To continue development of Business Volunteers for the Arts’ programs throughout the country. TF 20,000 

To provide the means for qualifíed experts to perform artistic and 60,000 

administrative evaluations of applicants to the Inter-Arts Program. 

For partial tuition to participants attending the association’s 15,000 

workshops on marketing the arts. 

To provide evaluations of Inter-Arts Program grantees. 54,000 

For the audience development and funding research program. 15,000 
Inter-Arts 93 

California Confederation of the Arts 

Los Angeles, California 

For the confederation’s information and services program, including 

publications, coníerences, seminars, referrals, and technical assistance. 

10,000 

TF 5,000 

California Institute of the Arts To enable an outstanding arts administrator to work temporarily in 51,591 

Los Angeles, California the Inter-Arts Program. 

Center for Occupational Hazards 

New York, New York 

For research and provision of information on health hazards in the 

visual and performing arts. 

10,000 

Chicano Humanities and Arts Council To extend the council’s management assistance programs for the 10,000 

Denver, Colorado Hispanic arts community throughout the Rocky Mountain region. 

Clearinghouse for Arts Information For information services that include a library, reference and refer­ 20,000 

New York City, New York ral services, publications, and technical assistance. 

Cultural Alliance of Greater 

Washington 

For services to artists and arts organizations and 450 artists in the

Washington metropolitan area. TF 

10,000 

10,000 

Washington, D.C. 

Cultural Council Foundation For the New York City Department of Cultural Affairs’ Materials 10,000 

New York City, New York for the Arts program. 

Cultural Council Foundation 

New York, New York 

For financial management and consulting services provided to more 

than arts organizations in the New York area. 

20,000 

TF 10,000 

Cultural Education Collaborative To research and develop a model business brokerage program de­ 3,000 

Boston, Massachusetts signed to link businesses with arts groups. 

Fairfax County To enable an outstanding arts administrator to work temporarily in 26,440 

Fairfax, Virginia the Inter-Arts Program. 

Film in the Cities For a sound resources coordinator to provide management, program­ 10,000 

St. Paut, Minnesota ming, and technical assistance to artists and arts organizations. 

Graduate School for Community To replicate an arts marketing program originally developed in San 10,000 

Development Diego to two additional cities. 

San Diego, California 

Greater Philadelphia Cultural Alliance 

Philadelphia, Pennsylvania 

For services to members and for assistance to artists and arts 

organizations throughout the state of Pennsylvania. TF 

7,500 

7,500 

McMillen, Ronya 

Shaker Heights, Ohio 

To amend a previous grant and extend Ronya McMillan’s arts management fellowship. 

1,100 

Metropolitan Cultural Alliance 

Boston, Massachusetts 

For management services, including workshops, publications and

resource development programs. TF 

7,500 

7,500 

Moloney, Mary Anne To participate asa Fellow in the Inter-Arts Program. The Fellowship 2,670 

Chicago, Illinois Program contributed an additional $1,000 to this award. 

Museums Collaborative For the cultural voucher program, which brings community groups 6,000 

New York, New York into contact with cultural institutions. 

National Council on the Aging For the Center for Arts and Aging, a program providing informa­ 40,000 

Washington, D.C. tion and assistance on arts and aging programs. 

New York Foundation for the Arts To develop a revolving loan program to provide arts groups with ac­ 20,000 

New York, New York cess to low-interest, short-term loans. 

Opportunity Resources for the Arts To provide technical assistance and placemeñt services for senior­ 10,000 

New York, New York level administrators in arts institutions. 

Penjerdel Regional Foundation 

Philadelphia, Pennsylvania 

For the Business Volunteers for the Arts, which trains and places 

business executives with arts organizations in Philadelphia. 

5,000 

Performing Artservices For management and administrative aid to performing’ arts groups. 7,500 

New York, New York 

Publishing Center for Cultural For publication, planning, and distribution services. 20,000 

Resources 

New York, New York 

Quinn, Tracy A. 

Washington, D.C. 

To extend the participation of Tracy Quinn in the National Endowment Fellowship Program with Inter-Arts. 

3,300 
94 Inter-Arts 

St. Paul-Ramsey Arts and Science 

Council 

St. Paul, Minnesota 

Sangamon State University 

Springfield, Illinois 

Seattle Arts Commission 

Seattle, Washington 

Seattle, City of 

Seattle, Washington 

Theatre Development Fund 

New York, New York 

Twin Cities Metropolitan Arts AIliance 

Minneapolis, Minnesota 

Volunteer Lawyers for the Arts 

New York, New York 

Volunteer Urban Consulting Group 

New York, New York 

Woodbridge, Mark E. 

Washington, D.C. 

Special Projects 

Civil Rights Compliance Workshops 

Washington, D.C. 

Rodriquez, Joe Bastida 

Arlington, Virginia 

Regional 

Rel)resentatives 

Affiliated State Arts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

Affiliated State Arts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cultural Councii Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

For the resources and counseling program, which provide manage­ 10,000 

ment services to small arts organizations and artists in the

Minneapolis-St. Paul area. 

For fellowships to minority arts administrators attending the 1982 13,000 

Sangamon Institute in Arts Administration. 

To support the Chairman’s seminar on Inter Arts. 30,000 

For an outstanding arts administrator to work temporarily in the 2,695 

Inter-Arts Program. 

For the Development Services Program’s assistance to cities in the 15,000 

planning of collective marketing and audience development programs. 

To implement two collective marketing programs that target new 10,000 

arts audiences in the Twin Cities region. 

For services to the national arts and legal communities, including 7,500 

referrals, publications, and conferences. TF 7,500 

To provide assistance to arts organizations in the New York 7,500 

metropolitan area using volunteer businessmen as consultants. TF 7,500 

To participate in the Endowment Fellowship Program. 3,300 

For projects that are interdisciplinary and do not fit other Endowment 

categories. 

Program funds: $99,511 

2 grants 

To support travel and lodging expenses for state arts agency par- $43,887 

ticipants in the civil rights compliance workshops. 

To support services related to the Hispanic-American Task Force. 55,624 

To enable regional representatives to provide assistance and information 

to artists, arts organizations, and the Endowment. 

Program funds: $984,559 

18 grants 

To support Romalyn Tilghman’s services as regional representative $107,753 

from August 1982 through July 1983. 

For Romalyn Tilghman to serve as the North Plains States regional 27,585 

representative from November 16, 1980 through July 31, 1982. 

For John Wessel to serve as the Northeast States-Caribbean regional 125,280 

representative from August 1982 through July 1983. 

To support John Wessel as the New York-Caribbean regional 39,693 

representative from November 16, 1980 through July 31, 1982. 

To support Gerald Ness as the Mid-South states regional represen- 32,513 

tative from November 16, 1980 through July 31, 1982. 

To support Eduardo Garcia as the Mid-Atlantic regional represen- 31,655 

tative from November 16, 1980 through July 31, 1982. 
Inter-Arts 95 

First Women’s Bank of California For Virginia Torres to serve as the Southern California and Nevada 92,750 

Los Angeles, California regional representative from August 1982 through July 1983. 

First Women’s Bank of California For Virginia Torres to serve as the Southern California and Nevada .27,945 

Los Angeles, California regional representative from February 1980 through July 1982. 

Kansas City Association of Trusts and 

Foundations 

For Frances Poteet to serve as the South Plains regional representative from November 16, 1980 through July 31, 1982. 

35,111 

Kansas City, Missouri 

Kansas City Association of Trusts and 

Foundations 

For Bert Masor to serve as the Great Lakes states regional representative from November 16, 1980 through July 31, 1982. 

27,938 

Kansas City, Missouri 

Kansas City Assoeiation of Trusts and 

Foundations 

For Bert Masor to serve as the Great Lakes states regional representative from August 1982 through July 1983. 

82,350 

Kansas City, Missouri 

Metropolitan Cultural Alliance 

Boston, Massachusetts 

For Rudy Nashan to serve as the New England states regional 

representative from November 16, 1980 through July 31, 1982. 

31,292 

Oregon Arts Foundation 

Salero, Oregon 

For Dale Kobler to serve as the Northern Caliíornia and Pachíc 

Islands regional representative from November 16, 1980 through July 

29,217 

31, 1982. 

Southern Arts Federation For Robert Hollister to serve as the Gulf and Mid-South regional 103,022 

Atlanta, Georgia representative from August 1982 through July 1983. 

Southern Arts Federation 

Atlanta, Georgia 

For Robert Hollister to serve as the Gulf states regional representative from November 16, 1980 through July 31, 1982. 

29,665 

Western States Arts Foundation For Terry Melton to serve as the Northwest states regional represen­ 23,130 

Santa Fe, New Mexico tative from November 16, 1980 through July 31, 1982. 

Western States Arts Foundation For Louis Leroy to serve as the Southwestern states regional 30,582 

Santa Fe, New Mexico representative from November 16, 1980 through July 31, 1982. 

Western States Arts Foundation For Terry Melton to serve as Northwestern states regional represen­ 107,078 

Santa Fe, New Mexico tative from August 1982 through July 1983. 

TF-Tres-.ury Funds 
9~ International 

NORTHERN LIGHT
 

Realism and Symbolism in Scandinavian Painting, 1880-1910
 

Corcoran Gallery of Art The Br(x)klyn Museum The Minneapolis lnslilu[e of Arls Washíngton, D.C. Ncw ~l)rk Minne~)ta Septem[~,r 8-Oclo[~,r lE 1982
 Novcml~’r 10, 1982-Janua~, 6, 1983
 Fcbruary 4-April 10, 1983
 
97
 

In~emation~
 

Program funds: $133,478 International Grants 9 grants 

To broaden the exposure of American artists and audiences to international International arts activities and cooperate with other federal agencies in international Arts Activities activities highlighting American arts. 

Program funds: $4~,389 

6 grants 

Agency Agreements For International Inter-Agency activities, involving the U.S. Infor- $2,703 

Washington, D.C. mation Agency, Japan-U.S. Friendship Commission, the State Department, and other agencies. 

Daw, Deborah A. To work on projects in the International Office while serving as the 3,600 

Cambridge, Massachusetts International Fellow for the fall session. 

Huchel, Donna To amend a previous grant to extend Ms. Huchel’s NEA Arts Manage- 775 

Reston, Virginia ment Fellowship. 

5,000 Kratochvil, Beverly C. To extend the Endowment’s Fellowship for assistance with the 

McLean, Virginia U.S./Japan Fellowship Program and the Fellowship Program for Arts 

Management. 

20,000 Sundance Institute for Film and To develop and purchase rights for an independent film package 

Television distributed in this country and abroad. 

Salt Lake City, Utah 

Weinstein, Allen For the exhibits presented at the world-wide UNESCO Conference 17,311 

Washington, D.C. held in Mexico City from July 25 through August 5. 

Artist To provide American artists the opportunity to study and work in Japan.

This category is co-funded with the Japan-U.S. Friendship Commission. Fellowships 

Program funds: $84,089 

3 grants 

Japan-United States Friendship For the 1983 U.S./Japan Exchange Program, which enables five mid- $16,000
 

Commission career American artists to work and study in Japan.
 

Washington, D.C.
 

Japan-United States Friendship For the 1983 US/Japan Exchange Program, which enables five mid- 22,089
 

Commission career American artists to work and study in Japan.
 

Washington, D.C.
 

46,000 Japan-United States Friendship For an artist exchange program with Japan, which involves ten ar-


Commission tists each year for periods of six months to one year.
 

Washington, D.C.
 
98 Literature 

"Books... I love em!" 

3rd Annual 

Bay Area Small Press 

BOOKFAIR 

Bldg. C - Fort Mason 

Dee. 1~-1~, 1981 
99 

Literature Advisory Panels 

Janet Bailey 

Distribution and promotion 

specialist 

Joy Harjo 

Poet, teacher 

Tempe, Arizona 

Burton Raffel 

Translator 

Denver, Colorado 

Chicago, Illinois Michael Harper Jerome Rothenberg 

Frederick Barthelme Poet, educator, editor Poet, translator 

Fiction author, editor Providence, Rhode Island Encinitas, California 

Hattiesburg, Mississippi 

Ben Bilitt 

DeWitt Henry 

Editor, poet 

Thomas Sanchez 

Fiction author, essayist 

Translator, poet Boston, Massachusetts Providence, Rhode Island 

Bennington, Vermont Josephine Jacobsen Rosmarie Waldrop 

Magda Bogin Poet, fiction author, essayist Poet, translator 

Translator, poet Baltimore, Maryland Providence, Rhode Island 

New York, New York 

Beverly Lowry Dara Wier 

Jayne Cortez 

Poet 

Short story author, novelist 

Houston, Texas 

Poet, teacher 

Tuscaloosa, Alabama 

New York, New York Paul Metcalf Robley Wilson 

Peter Davison 

Editor, poet 

Poet, essayist, editor 

Chester, Massachusetts 

Editor, writer 

Cedar Rapids, Iowa 

Boston, Massachusetts Grace Paley Geoffrey Wolff 

William Fox Fiction author, teacher Fiction author, essayist, 

State arts agency director, 

editor, poet 

Reno, Nevada 

New York, New York 

Linda Pastan 

Poet 

critic 

Providence, Rhode Island 

Hilma Wolitzer 

William Gass Potomac, Maryland Novelist, teacher 

Fiction writer, essayist,

teacher 

Syosset, New York 

St. Louis, Missouri Al Young 

Fiction author, scriptwriter, 

Jonathan Green teacher 

Poet, publisher Seattle, Washington 

Frankfort, Kentucky 
100 Literature 

Literature Grants 

Fellowships for 

Creative Writers 

Program funds: $4,336,534 429 ffants 

To enable exceptionally talented published wñters of poetry, scripts, tiction, translations, and other creative prose to set aside time for writing, research, of travel in order to advance their carrers. 

Program funds: $1,243,750 

103 grants 

The following creative writers received $12,500 each: 

Lyons, Richard M. Myers, Walter M. 

Eugene, Oregon Jersey City, New Jersey 

Martin, Richard J. O’Rourke, William A. 

Avon, New York South Hadley, Massachusetts 

Mathews, Harry OIds, Sharon 

Paris, France New York, New York 

Maxwell, Jessica M. Ortiz, Simon J. 

Santa Barbara, California Pueblo of Acoma, New Mexico 

McAnally, Mary E. Osaki, Mark S. 

Tulsa, Oklahoma Berkeley, California 

McGrath, Thomas M. Pfeil, John F. 

Moorhead, Minnesota Corvallis, Oregon 

McHugh, Heather Pharr, Robert D. 

Eastport, Maine Richmond, Virginia 

McKain, David W. Phemster, Mari E. 

Norwich, Connecticut Indianapolis, Indiana 

Medina, Ruben Piore, Nancy K. 

Minneapolis, Minnesota Brookline, Massachusetts 

Miles, Sara Price, Richard J. 

Brooklyn, New York New York, New York 

Minot, Stephen Randail, Dudley F. 

Simsbury, Connecticut Detroit, Michigan 

Mitchell, Susan Randall, Julia V.N. 

Charlottesville, Virginia Glen Arre, Maryland 

Molinaro, Ursule Raskin, Barbara J. 

Blacksburg, Virginia Washington, D.C. 

Montoya, Jose F. Rhodes, Jewell P. 

Sacramento, California College Park, Maryland 

Mooney, Michael M. Rodriquez, Aleida M. 

Milwaukee, Wisconsin Los Angeles, California 

Moore, Honor Rogers, Pattiann 

New York, New York Stafford, Texas 

Morales, Alejandro Rogers, Thomas N.R. 

Santa Ana, California Iowa City, Iowa 

Morgan, Richard O. Romero, Leo 

Portland, Oregon Las Cruces, New Mexico 

Morgan, Robert R. Rose, Wendy E. 

Freeville, New York Richmond, California 

Myers, Jack E. Rower, Ann 

Dallas, Texas New York, New York 

Sadoff, Ira 

Wate~~ille, Maine 

St. John, Primus L., 

West Linn, 0regon 

Sanchez, Rosaura 

Leucadia, Caliíornia 

Santos, Bienvenido N. 

Wichita, Kansas 

Schul~z, Philip A. 

New York, New York 

Schulze, Michael P. 

Kalamazoo, Michigan 

Seale, Jan L. 

McAllen, Texas 

Segal, Lore 

New York, New York 

Shacoehis, Robert G. 

Lone Tree, Iowa 

Shange, Ntozake 

New York, New York 

Sheck, Laurie A. 

Portchester, New York 

Sherwin, Judith J. 

New York, New York 

Shields, David J. 

Iowa City, Iowa 

Sklarew, Myra W. 

Bethesda, Maryland 

Smith, David J. 

Gainsville, Florida 

Soto, Gary A. 

Berkeley, California 

Spatz, Ronald M. 

Anchorage, Alaska 

Spear, Roberta L. 

Winston-Salem, North Carolina 

Spires, Elizabeth K. 

Circle~illé, Ohio 

Stanford, Ann 

Northr4dge, California 
Literature 101 

Stanton, Maura Szerlip, Barbara L. Willis, Constance E. 

Tucson, Arizona North Miami Beach, Florida Woodland Park, Colorado 

Stedman, Arjyra J. 

Shreveport, Louisiana 

Thelwell, Michael M. 

Pelham, Massachusetts 

Witte, John C. 

Eugene, Oregon 

Stern, Gerald D. 

Easton, Pennsylvania 

Thompson, Charles W. 

Cabin John, Maryland Wojahn, David C. 

Mahtomedi, Minnesota 

Stevens, Alex 

Queen Anne, Maryland 

Valaoritis, Nanos J. 

Oakland, California 

Wong, Shawn H. 

Seattle, Washington 

Stewart, Susan A. Vasquez, Pedro O. Woods, John W. 

Philadelphia, Pennsylvania Escondido, California Portage, Michigan 

Strater, Mary Peterson Waniek, Marilyn R. Wright, Carolyn D. 

York, Maine Mansfield Center, Connecticut San Francisco, California 

Stryk, Dan M. 

SaIt Lake City, Utah 

Wanner, Irene E. 

Seattle, Washington 

Young, David P. 

Oberlin, Ohio 

Stuart, Dabney Waters, Frank Young, Gary E. 

Charlottesville, Virginia Tucson, Arizona Santa Cruz, California 

Swift, Joan A. Wetherell, Walter D. Zimmer, Paul J. 

Edmonds, Washington Garden City, New York Athens, Georgia 

Sze, Arthur C. Zoss, Joel R. 

Santa Fe, New Mexico Chilmark, Massachusetts 

Translators Fellowships 

Barko, Carol A. For the translation of "Inside," 1969 (Dedans), by contemporary $12,500 

New York, New York French writer Helene Cixous. 

Blichir, George M. 

New York, New York 

For the translation from Swedish of two short novels by contemporary 

Finnish author Henrik Tikkanen. 

6,250 

Clancy, Joseph P. 

New York, New York 

For the translation from Welsh of the poetry of R.M. (Bobi) Jones. 6,250 

Fitzsimmons, Thomas 

Union Lake, Minnesota 

For the translation of two modern Japanese poets. 6,250 

Friar, Kimon 

Oak Brook, Illinois 

For the translation of selected contemporary Greek poets. 12,500 

Guss, David M. For the translation of the origin myths of the Makiritare Indians, a 12,500 

Venice, California Carib-speaking tribe in Venezuela. 

ttonig, Edwin For the translation from Portuguese of the poetry and prose of Fer­ 6,250 

Middletown, Rhode Island nando Pessoa (1888-1935). 

Kerrigan, Anthony 

Notre Dame, Indiana 

For the translation from Spanish of the third volume in the series, 

The Selected Work of Ortega y Gasset. 6,250 

Markof-Belaeff, María Magdalena For the translation from Russian of a novel by Ivan Shmelev. 12,500 

San Francisco, California 

Obeyesekere, Ranjini D. For the translation from Sinhala of a two-volume novel, Suddilage 6,250 

Princeton, New Jersey Katawa (Suddi and Her World), by Simon Navagathagama. 

Poulin, Alfred M., Jr. 

Brockport, New York For the translation of R.M. Rilke’s French poems written between 

1922 and 1926. 

12,500 

Savory, Teo For the translation from French of poetas by Guillevic. 12,500 

Greensboro, North Carolina 

Taylor, Alexander D. For the translation from Danish of the poetry of Henrik Nordbrandt. 12,500 

Willimantic, Connecticut 

Venuti, Lawrence M. For the translation of a book-length selection of 25 short stoñes by 6,250 

New York, New York the modern Italian writer Dino Buzzati. 
102 Literature 

Professional 

t~eve~opmem 

Associated Writing Programs 

Norfolk, Virginia 

Blue Mountain Center 

Blue Mountain Lake, New York 

Burk (Frederic) Foundation for

Education 

San Francisco, California 

Columbia University of the City of 

New York, Trustees of 

New York, New York 

Coordinating Council of Literary 

Magazines 

New York, New York 

Cultural Council Foundation 

New York, New York 

Educationai Broadcasting Corporation 

New York, New York 

Fine Arts Council of Florida 

Tallahassee, Florida 

Generalist Association 

New York, New York 

Interarts 

Oklahoma City, Oklahoma 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

New Virginia Review 

Richmond, Virginia 

P.E.N. American Center 

New York, New York 

Poets and Writers 

New York, New York 

Squaw Valley Creative Arts Society 

Olympic Valley, Caliíornia 

Teachers and Writers Collaborative 

New York, New York 

Texas at Dallas, University of 

Richardson, Texas 

Virginia Alumni Association, 

University of 

Charlottesville, Virginia 

To support a limited number of national organizations that provide professional assistance to creative writers, and for unique literary projects not

eligible for support in other categories. 

Program funds: $487,891 

18 grants 

For the publications program and services to writers and university $49,000
 

creative writing departments.
 

To provide travel costs and stipends for creative writers to spend 10,000
 

up to six weeks at Blue Mountain Center, a writers’ colony.
 

For the Ameñcan Poetry Archive, a lending library of video and audio 26,966
 

tapes of contemporary American writers.
 

For the translation center’s program of services to translators and 36,500
 

publishers of translations.
 

To amend a previous grant to extend the project that provides sup- 24,767
 

port for literary magazines.
 

For the Writers’ Room, a communal work-space for creative writers 10,610
 

in downtown Manhattan near research and library facilities.
 

For the Script Development Unit at WNET, the only scripting unit 20,000
 

in public television.
 

For the script development of the production of an independent 5,000
 

feature produced and directed by Victor Nunez, based on John D.


MacDonald’s novel, A Flash of Green.
 

To distribute literary magazines and books to prison inmates 9,000
 

nationwide.
 

To amend a previous grant for Toby Thompson to conducta research 2,400
 

project on the funding history of the Endowment’s Residencies for
 

Writers category.
 

To enable an outstanding arts administrator to serve temporarily in 55,033
 

the Literature Program.
 

For sabbaticals for writers at the Virginia Center for the Creative 12,850
 

Arts.
 

For the United States representative service organization of Inter- 54,000
 

national P.E.N. and associated programs: the public information service, the writers fund, the Freedom-to-Write program, and the prison
 

writing program.
 

To provide information services for writers and the publication of the 102,750
 

bi-monthly newsletter Coda.
 

For the sixth annual Screenwriters Program at the Squaw Valley 3,000
 

Community of Writers.
 

To support the publication, distribution, and promotion of resource 43,750
 

materials for writers and teachers.
 

To provide essential services to literary translators. 17,265
 

For costs for the selection process of the PEN/Faulkner Award for 5,000
 

Fiction.
 
Literature 103 

Literary Publishing To provide assistance to noncommercial literary journals, to presses that 

publish contemporary creative writing and translations, to nonprofit projects for the distribution of contemporary creative literature, and to 

organizations that assist in improving the typography and design of creative 

literary publications. 

Program funds: 

126 grants 

$1,524,343 

Agni Review 

Cambridge, Massachusetts 

For future publications. $5,000 

AIabama, University of 

University, Alabama 

For Aura. 5,000 

Alameda County Neighborhood Arts 

Program 

Oakland, Calffornia 

For services provided by the West Coast Print Center. 80,000 

American Poetry Review 

Philadelphia, Pennsylvania 

For future publications. 7,500 

Any Art Burning Deck Press 

Providence, Rhode Island 

For future publications. 12,500 

Barkan, Stanley 

Merrick, New York 

For Cross Cultural Review. 5,000 

Barkan, Stanley 

Merrick, New York 

For Cross Cultural Communications. 12,500 

Barnwood Press Cooperative 

Daleville, Indiana 

For production of volumes. 12,500 

Beyond Baroque Foundation 

Venice, California 

For provision of facilities and services to non-commercial literary 

publishers and arts communication organizations. 

13,670 

Big River Association 

St. Louis, Missouri 

For River Styx. 6,700 

Bonifas (William) Fine Arts Center

Escanaba, Michigan 

For Passages North. 1,000 

Boston Critic 

Cambridge, Massachusetts 

For New Boston Review. 3,500 

Bowling Green State University 

Bowling Green, Ohio 

For Mid-American Review. 6,543 

Brandi, John 

Santa Fe, New Mexico 

For Tooth of Time Press to produce volumes. 9,000 

Breger, Brian 

New York, New York 

For #Magazine. 3,925 

Brown University 

Providence, Rhode Island 

For Copper Beech Press to produce volumes. 12,500 

Bruchac, Joseph 

Greeráíeld Center, New York 

For Greenfield Review Press to produce volumes. 12,500 

Bruchac, Joseph E. 

Greenñeld Center, New York 

For The Greenfield Review. 7,500 

Bulkin, Elly 

Brooklyn, New York 

For Conditions. 4,440 

California, University of 

Los Angeles, California 

For the American Indian Studies Center. 12,340 

Calyx 

Corvallis, Oregon 

For future publications. 7,080 
104 Literature 

Carnegie Mellon University 

Pittsburgh, Pennsylvania 

Carolina Wren Press 

Chapel Hill, North Carolina 

Carr, Dan 

Boston, Massachusetts 

Center for Book Arts 

New York, New York 

Centro Cultural de la Raza 

San Diego, California 

Centro Cultural de la Raza 

San Diego, California 

Chantikina, Kosropf 

San Francisco, Caliíornia 

Circle, Alison 

Madison, Wisconsin 

Columbia University in the City of 

New York, Trustees of 

New York, New York 

Columbia University in the City of 

New York, Trustees of 

New York, New York 

COMPAS 

St. Paul, Minnesota 

Coordinating Council of Literary 

Magazines 

New York, New York 

Coordinating Council of Literary 

Magazines 

New York, New York 

Croton Council on the Arts 

Croton-on-Hudson, New York 

Cultural Couneil Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cushman, Don 

Oakland, California 

Florida Junior College 

Jacksonville, Florida 

Four Seasons Foundation 

San Francisco, Caliíornia 

Four Seasons Foundation 

San Francisco, California 

Georgia, University of 

Athens, Georgia 

Gosciak, Josh 

New York, New York 

Graham, Michael R. 

Brooklyn, New York 

Gunderson, Joanna 

New York, New York 

For CMU Press to produce volumes. 7,500 

For production of volumes. 3,750 

For Four Zoas Press to produce volumes. 6,000 

For provision of facilities and services to non-commercial literary 5,000 

publishers and individual writers. 

For Maize Press to produce volumes. 8,500 

For Maize. 6,000 

For Kosmos. 4,970 

For Black Mesa Press to produce volumes. 5,820 

For Columbia. 3,500 

For projects of the Translation Center. 5,000 

For Bodeslinger. 47,500 

For sub-grants to literary magazines and related services. 240,000 

For promotion and services on behalf of literary magazines nationwide. 4,000 

For Croton Review. 4,000 

For provision of services and facilities of the Brooklyn Print Center 

to non-commercial literary publishers and individual writers. 

30,000 

For American Book Review. 12,000 

For Cloud Marauder Press. 8,300 

For Kalliope. 7,500 

For production of volumes. 6,000 

For Small Press Distribution. 30,250 

For University of Georgia Press to produce volumes. 7,500 

For Contact H. 3,850 

For Stardancer. 2,500 

For Red Dust’s publication of volumes. 7,000 
Literature 105 

Hailwalls For Top Stories. 7,500 

Buffalo, New York 

Halpern, Daniel For Antaeus. 7,500 

New York, New York 

Halpern, Daniel For Ecco Press’s production of volumes. 12,500 

New York, New York 

Hawaii Ethnic Resources Center For Bamboo Ridge Press’s production of volumes. 9,230 

Kaneohe, Hawaii 

Hawaii Ethnic Resources Center For Bamboo Ridge. 5,040 

Kaneohe, Hawaii 

Hershon, Robert For production of volumes by Hanging Loose Press. 12,500 

Brooklyn, New York 

Heyeck, Robin For production of volumes by Heyeck Press. 3,980 

Woodside, California 

Hollins Coilege For The Hollins Critic. 1,000 

Hollins, Virginia 

Hollow Spring Writers Guild For Hollow Spring Review. 4,545 

Chester, Massachusetts 

Houston, University of For production of volumes by Arte Publico Press. 12,500 

Houston, Texas 

Howard, Noni For production of volumes by New World Press. 1,000 

San Francisco, California 

Hudson Review For future publications. 7,347 

New York, New York 

Illinois, University of For production of volumes by Universtiy of Illinois Press. 10,000 

Urbana, Illinois 

India, Inc. Cafe Solo. 4,800 

Atascadero, Caliíornia 

Iowa Review For future publications. 7,070 

Iowa City, Iowa 

Johnson, Curtís 

Chicago, Illinois 

For December Magazine. 6,650 

Kansas Arts Commission For Little Balkans Review. 6,020 

Topeka, Kansas 

Kansas Arts Commission For distribution and promotion services by Midwest Distributors. 12,500 

Topeka, Kansas 

Kansas Quarterly For future publications. 3,500 

Manhattan, Kansas 

Kenyon Review For future publications. 5,500 

Gambier, Ohio 

Klopp, Karyl For production of volumes by Pomegranate Editions. 6,125 

Cambridge, Massachusetts 

Kornblum, Allan For production of volumes by the Toothpaste Press. 12,500 

West Branch, Iowa 

Latín American Literary Review For production of volumes by Latín American Literary Review. 12,500 

Pittsburgh, Pennsylvania 

Latin American Literary Review. 

Pittsburgh, Pennsylvania 

For Latin American Literary Re~,iew. 6,687 

Library of Congress To pay panelists for the Library of Congress’ special press books. 895 

Washington, D.C. 

Logbridge-Rhodes For production of volumes. 9,930 

Durango, Colorado 
106 Literature 

Lost Roads Publishing Company 

San Francisco, Caliíornia 

Louisiana State University 

Baton Rouge, Louisiana 

Maine Alliance of Writers and 

Publishers 

South Harpswell, Maine 

Maloney, Dennis 

Buífalo, New York 

Massachusetts Review 

Amherst, Massachusetts 

Massachusetts, University of 

Amherst, Massachusetts 

McCune, Catherine 

Seattle, Washington 

Messerli, Douglas 

College Park, Maryland 

Missouri-Kansas, University of 

Kansas City, Missouri 

Netzahaulcoyotl Historical Society 

Berkeley, Calffornia 

Netzahaulcoytl Historical Society 

Berkeley, Caliíornia 

New Mexico Institute of Mining and 

Technology 

Socorro, New Mexico 

New Sharon, Town of 

New Sharon, Maine 

New Wilderness Foundation 

New York, New York 

New York, City College of 

New York, New York 

Nikolic, Djordje 

Chicago, Illinois 

North Carolina at Chapel Hill, 

University of 

Chapel Hill, North Carolina 

Open Studio Print Shop 

Rhinebeck, New York 

Oregon Development Fund,

University of 

Eugene, Oregon 

Ortenberg, Neil 

Oak Park, Illinois 

Owen, Maureen 

Guilford, Connecticut 

Paradis, David 

San Francisco, California 

Performing Arts Journal Publications 

New York, New York 

Performing Arts Journal 

New York, New York 

For production of volumes. 10,500 

For production of volumes by Louisiana State University Press. 6,395 

For promotion and distribution services for regional small presses 4,500 

and literary magazines. 

For White Pine Press’s production of íuture publications. 3,650 

For future publications. 6,600 

For production of volumes by University of Massachusetts Press. 5,510 

For Seattle Review. 2,750 

For Sun and Moon. 5,000 

For New Letters. 6,200 

For services by McIntosh and Young Typographers. 11,700 

For production of volumes by Turt]e Island Press. 12,500 

For Swifl Lizard. 5,000 

For Stony Hills: The New England AIternative Press Review. 5,000 

For New Wilderness Letter.. 2,500 

For production of volumes by Fiction, Inc. 7,500 

For production of volumes by Elpenor Books. 10,000 

For Carolina Quarterly. 3,000 

For provision of facilities and services for non-commercial literary 38,000 

publishers and arts organizations. 

For Northwest Review. 6,000 

For Another Chicago Magazine. 5,000 

For Telephone Magazine. 5,000 

For Pequod. 6,000 

For production of volumes. 12,500 

For future publications. 7,500 
Literature 107 

Pittsburgh, University of For production of volumes by University of Pittsburgh Press. 7,500 

Pittsburgh, Pennsylvania 

PIoughshares For future publications. 7,500 

Watertown, Massachusetts 

Pro Arts For classes at the West Coast Print Center. 65,000 

Oaldand, California 

Pro Arts For Threepenny Review. 5,000 

Oaldand, California 

Quasha, George For production of volumes by Station Hill Presa. 12,500 

Barrytown, New York 

ReynoIds, Louise T. For The New Renaissance. 7,500 

Arlington, Massachusetts 

St. Paul-Ramsey Arts and Science For Sez. 5,000 

Council 

St. Paul, Minnesota 

S¢hapiro, Nancy For Webster Review. 3,000 

Webster Groves, Missouri 

Segue Foundation 

New York, New York 

For distribution and promotion services for small presses and literary

magazines. 

4,300 

Society for the Study of Native Arts For Io. 7,000 

and Sciences 

Richmond, California 

Society for the Study of Native Arts 

and Sciences 

For distribution and promotion services by Barbary Coast Distribution Company for small presses and literary magazine. 

16,511 

Richmond, California 

Southern Mississippi, University of For Mississippi Review. 7,500 

Hattiesburg, Mississippi 

Spirit That Mores Us For future publications. 5,520 

Iowa City, Iowa 

Story Presa For production of volumes. 6,000 

Chicago, Illinois 

Swanburg, Ingrid For production of volumes by Abraxas Press. 1,400 

Madison, Wisconsin 

Sykes, Michael For production of volumes by Floating Island Publications. 10,000 

Point Reyes Station, California 

Teachers and Writers Collaborative For production of volumes by Fiction Collective. 12,500 

New York, New York 

Tennessee at Chattanooga, University of For Poetry Miscellany. 1,000 

Chattanooga, Tennessee 

Texas Circuit For distribution and promotion services for small presses and literary 20,000 

Austin, Texaa magazines that focus on Texas. 

13th Moon For future publications. 7,500 

New York, New York 

Tompkins County Arts Council For distribution and promo~ion services by Crossing Press 10,000 

Ithaca, New York Distributors. 

Tuba, Arts and Humanities Council of For Nimrod. 7,500 

Tulsa, Oklahoma 

Unicorn Foundation for the Advance- For production of volumes by Unicorn Presa. 15,000 

ment of Modern Poetry 

Greensboro, North Carolina 

Utah, University of For Quarterly West. 7,450 

Salt Lake City, Utah 
108 Literature 

Vincent, Stephen 

San Francisco, California 

Visual Studies Workshop 

Rochester, New York 

Walker, Scott 

Port Townsend, Washington 

Watershed Foundation 

Washington, D.C. 

Watershed Foundation 

Washington, D.C. 

Writers and Books 

Rochester, New York 

Zavatsky, Bili 

New York, New York 

Audience 

~eve~opment 

Residencies for Writers 

Alabama, University of 

University, Alabama 

Alabama, University of 

University, Alabama 

Alaska, University of 

Fairbanks, Alaska 

Albany State College 

Albany, Georgia 

Allentown Community Center 

Buffalo, New York 

American University 

Washington, D.C. 

Appalshop 

Whitesburg, Kentucky 

Appalshop 

Whitesburg, Kentucky 

Arizona Commission on the Arts 

Phoenix, Arizona 

Arizona Commission on the Arts 

Phoenix, Arizona 

Arizona Commission on the Arts 

Phoenix, Arizona 

For production of volumes by Momo’s Press. 9,950 

For training in all aspects of production and consultation and design 10,000 

services to authors and independent publishers. 

For production of volumes by Graywolf Press. 12,500 

For Radio Alpha, including services and development of a plan for 15,000 

cable distribution. 

For production of volumes. 10,000 

For distribution and promotion services for small presses and literary 40,000 

magazines. 

For Sun. 12,500 

Includes two subcategories: Residencies for Writers grants are designed to 

develop audiences for published writers of poetry, fiction, and other creative 

prose. Literary Centers that offer a vañety of activities to the public receive 

support for audience development projects, such as touring literary exhibitions and regional bookfairs. 

Program funds: $1,080,550 

182 grants 

$7,500 

5,000 

3,635 

5,000 

5,000 

5,000 

5,000 

4,000 

5,000 

5,000 

5,000 

Arizona, University of 

Tucson, Arizona 

3,000 

Arkansas, University of 

Little Rock, Arkansas 

5,000 

Artists’ Resource Forum 

Columbia, South Carolina 

3,750 

Basement Workshop 

New York, New York 

5,000 

Basement Workshop 

New York, New York 

5,000 

Big River Association 

St. Louis, Missouri 

6,000 

Boise State University 

Boise, Idaho 

5,000 

Boise State University 

Boise, Idaho 

5,000 

Bonifas (William) Fine Arts Center 

Escanaba, Michigan 

1,000 

Bonifas (William) Fine Arts Center 

Escanaba, Michigan 

800 

Bowling Green State Univ¢rsity 

Bowling Green, Ohio 

4,000 

Arizona Commission on the Arts and Humanities 

Phoenix, Arizona 

5,000 Bradley University 

Peoría, Illinois 

3,600 

Arizona, University of 

Tucson, Arizona 

3,000 Brown University 

Providence, Rhode Island 

5,000 
Literature 109 

California, Los Angeles, Regents of the 5,000 Flaming Rainbow University 5,000 

University of Stilwell, Oregon 

Los Angeles, California Folger Shakespeare Library 2,100 

Case Western Reserve University 1,300 Washington, D.C. 

Cleveland, Ohio Foundation for Arts Resource Management 4,150 

Centrum Foundation 9,000 Minneapolis, Minnesota 

Port Townsend, Washington 

Franconia, Town of 1,525 

Centrum Foundation 7,500 Franconia, New Hampshire 

Port Townsend, Washington Fresno Free College Foundation 5,000 

Charleston, University of 5,000 Pasadena, California 

Charleston, West Virginia 

Generalist Association 8,000 

Cincinnati, University of 4,000 New York, New York 

Cincinnati, Ohio 

Hallwalls 6,600 

Cincinnati, University of 3,920 Buffalo, New York 

Cincinnati, Ohio Hamilton College Trustees 4,000 

Cleveland State University 

Cleveland, Ohio 

5,000 Clinton, New York 

Hampshire College 6,000 

Cochise Fine Arts Association 5,000 Amherst, Massachusetts 

Bisbee, Arizona 

Hampton Institute 5,000 

Cochise Fine Arts 5,000 Hampton, Virginia 

Bisbee, Arizona 

Hawaii Literary Arts Council 9,950 

Cooper Union for the Advancement of Science 10,000 Honolulu, Hawaii 

and Art 

New York, New York Houston, Universtiy of 4,350 

Houston, Texas 

Cornell University 3,090 

Ithaca, New York Houston, University of 5,000 

Houston, Texas 

Cultural Council Foundation 20,000 

New York, New York Illinois Arts Council 5,000 

Chicago, Illinois 

Deer Track 4,000 

South Bend, Indiana Illinois Arts Council 5,000 

Delaware, University of 5,000 

Chicago, Illinois 

Newark, Delaware India, Inc. 5,000 

Delaware, University of 5,000 

Atascadero, California 

Newark, Delaware Institution Programs 5,000 

Bartlesville, Oklahoma 

Detroit Institute of Arts, Founders Society 5,000 

Detroit, Michigan Intersection 5,000 

San Francisco, California 

Detroit Institute of Arts, Founders Society 5,000 

Detroit, Michigan Intersection 23,000 

Drake University 4,200 

San Francisco, California 

Des Moines, Iowa James (William) Association 5,000 

Drake University 

Des Moines, Iowa 

4,200 

Sacramento, California 

Jewish Community Center of Greater 

Kansas City 

5,000 

80 Langton Street Corporation 3,500 Kansas City, Missouri 

San Francisco, Calffornia 

Jewish Ys and Centers of Greater Philadelphia 5,000 

80 Langton Street Corporation 

San Francisco, Caliíornia 

4,000 Philadelphia, Pennsylvania 

Jewish Ys and Centers of Greater Philadelphla 5,000 

Film in the Cities 4,100 Philadelphia, Pennsylvania 

St. Paul, Minnesota Kansas State University 4,900 

Fine Arts Work Center in Provincetown 5,000 Manhattan, Kansas 

Provincetown, Massachusetts Kansas, University of 5,000 

Fine Arts Work Center in Provincetown 5,000 Lawrence, Kansas 

Provincetown, Massachusetts 
110 Literature 

Kentucky Arts Commission 

Frankfort, Kentucky 

Kentucky Arts Council 

Frankfort, Kentucky 

Kentucky Research Foundation, University of 

Lexington, Kentucky 

Kentucky Research Foundation, University of 

Lexington, Kentucky 

Lewis and Clark College 

Portland, Oregon 

Linfiled College 

McMinnville, Oregon 

Lion Walk Performing Arts Center 

Pittsburgh, Pennsylvania 

Lion Walk Performing Arts Center 

Pittsburgh, Pennsylvania 

Maine State Commission on the Arts and 

the Humanities 

Augusta, Maine 

Manhattan Theatre Club 

New York, New York 

Manhattan Theatre Club 

New York, New York 

Mason (George) University 

Fairfax, Virginia 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

Michigan, University of 

Ann Arbor, Michigan 

Michigan, University of 

Ann Arbor, Michigan 

Missouri, University of 

Columbia, Missouri 

Missouri-Columbia, University of 

Columbia, Missouri 

Montana, University of 

Missoula, Montana 

Netzahaulcoyotl Historical Soeiety 

Berkeley, California 

New College of California 

San Francisco, California 

New England Foundation for the Arts 

Cambridge, Massaehusetts 

New England Foundation for the Arts 

Cambridge, Massaehusetts 

New Orleans Poetry Forum 

New Orleans, Louisiana 

New Virginia Review 

Richmond, Virginia 

New Wave Corporation/KOPN 

Columbia, Missouri 

9,000 New York Center for Visual History 

New York, New York 

5,000 

8,500 New York State Literary Center 

Pittsford, New York 

3,000 

5,000 

5,000 

3,020 

1,350 

4,430 

4,315 

7,500 

New York, Research Foundation of the 

State University 

Albany, New York 

Northeast Missouri State University 

Kirksville, Missouri 

Northern Kentucky University 

Highland Heights, Kentucky 

Northern Kentucky University 

Highland Heights, Kentucky 

Northwest Education Arts and Therapy 

Juneau, Alaska 

Oklahoma State University 

Stillwater, Oklahoma 

Oregon Coast Council for the Arts 

Newport, Oregon 

5,000 

925 

5,700 

5,000 

6,000 

5,000 

4,000 

5,000 Painted Bride Art Center 

PhiladeIphia, Pennsylvania 

1,810 

5,000 Poetry Society of America 

New York, New York 

10,000 

8,000 Portland Poetry Festival 

Portland, Oregon 

5,000 

3,500 Portland Poetry Festival 

Portland, Oregon 

5,000 

4,050 Radford University 

Radford, Vir~inia 

2,400 

4,050 Radford University 

Radford, Virginia 

4,195 

5,000 Randolph Macon Women’s College 

Lynchburg, Virginia 

5,000 

5,000 Real Art Ways Raw Ink 

Hartford, Connecticut 

5,000 

5,000 Roekland Center for the Arts 

West Nyaek, New York 10,000 

12,500 Roekland Center for the Arts 

West Nyack, New York 

3,500 

5,000 St. Louis County Heritage and Arts Center 

Duluth, Minnesota 

5,000 

10,000 Salisbury State College 

Salisbury, Maryland 

2,000 

7,500 San Francisco Arts and Letters Foundation 

San Francisco, California 

7,500 

5,500 San Jose Poetry Center 

San Jose, California 

5,000 

5,000 San Jose Poetry Center 

San Jose, California 

5,000 

20,000 San Mateo, College of 

San Mateo, California 

4,700 
Literature 111 

Santa Fe Council for the Arts 

Santa Fe, New Mexico 

6,300 Washington College 

Chestertown, Maryland 

10,000 

Santa Fe Council for the Arts 

Santa Fe, New Mexico 

3,000 Washington College 

Chestertown, Maryland 

5,000 

Selfhelp Austin Street Senior Center 

Austin, New York 

2,400 Wayne State College 

Wayne, Nebraska 

5,000 

South Carolina Arts Commission 

Columbia, South Carolina 

5,000 Wayne State College 

Wayne, Nebraska 

5,000 

South Dakota Arts Council 

Sioux Falls, South Dakota 

5,600 Wells College 

Aurora, New York 

3,000 

South Dakota Arts Council 

Sioux Falls, South Dakota 

4,000 Western Illinois University 

Macomb, Illinois 

1,375 

Southern Mississippi, University of 

Hattiesburg, Mississippi 

7,500 Western Massachusetts Broadcasting Council 

Amherst, Massachusetts 

2,000 

State University of Iowa Foundation 

Iowa City, Iowa 

5,000 Western Massachusetts Broadcasting Council 

Amherst, Massachusetts 

2,000 

Stephens College 

Columbia, Missouri 

4,900 William and Mary, College of 

Williamsburg, Virginia 

5,000 

Stephens College 

Columbia, Missouri 

3,885 William and Mary, College of 

Williamsburg, Virginia 

4,980 

SUM Concerts 

Houston, Texas 

2,400 Wilson (Warren) College 

Swannanoa, North Carolina 

5,000 

Symbrick Associates 

Williamsport, Pennsylvania 

Syracuse University 

Syracuse, New York 

Syracuse University 

Syracuse, New York 

Talking Band 

New York, New York 

Talking Band 

New York, New York 

Tennessee Literary Arts Association 

Nashville, Tennessee 

Texas Institute for Educational Development 

San Antonio, Texas 

Tucson Public Library, Friends of the 

Tucson, Arizona 

Vermont Council on the Arts 

Montpelier, Vermont 

Vermont Council on the Arts 

Montpelier, Vermont 

Visual Studies Workshop 

Rochester, New York 

Walker Art Center 

Minneapolis, Minnesota 

Walker Arts Center 

Minneapolis, Minnesota 

4,800 

3,000 

3,000 

5,000 

3,000 

3,550 

20,000 

5,000 

4,615 

5,500 

6,000 

6,000 

5,000 

Wilson (Woodrow) National Fellowship 

Foundation 

Princeton, New Jersey 

Wilson (Woodrow) National Fellowship 

Foundation 

Princeton, New Jersey 

Wisconsin-Milwaukee, University of 

Mflwaukee, Wisconsin 

Wisconsin-Milwaukee, University of 

Milwaukee, Wisconsin 

Women’s Community 

Los Angeles, Caliíornia 

Women’s Community 

Los Angeles, California 

Woodland Pattern 

Milwaukee, Wisconsin 

Woods (William) College 

Fulton, Maryland 

Writers and Books 

Rochester, New York 

Writers and Books 

Rochester, New York 

Writers Community 

New York, New York 

Wyoming Council on the Arts 

Cheyenne, Wyoming 

10,000 

7,500 

6,000 

5,000 

5,000 

5,000 

34,605 

2,500 

5,000 

3,000 

5,000 

5,000 
112 Literature 

Literary Centers 

Allentown Community Center 

Buffalo, New York 

Beyond Baroque Foundation 

Venice, California 

Konglomerati Florida Foundation for 

Literature 

Gulfport, Florida 

Loft, Inc. 

Minneapolis, Minnesota 

14,925 Maryland Writers Council 

Baltimore, Maryland 

9,000 

23,100 St. Mark’s Church-in-the-Bowery 

New York, New York 

29,000 

9,500 Whitman (Walt) International Poetry Center 

Camden, New Jersey 

10,000 

5,200 

Writer’s Center 

Glen Echo, Maryland 

21,600 

114 Media Arts 

11te Doy Affer Tñnity 

laller of Sheep 

Model
 

Over-Under, Sideways-Down 

The Whole Shoofin’ Match 

Dreamland 

Gal Young Un ...........................
 

At the Prytania Theatre

February 5-11

5339 Prytania Street

New Orleans 

Call (504) 895-4513 for


further information. 

~-~,~,~ ......
 ~ ...... ,~o,~o~~ 

,~ o~~,~,,oo ~,.. ~~ 
115 

Media Arts:
 

Filrn/Rad io/Te lev ision
 

Media Arts Advisory Panels 

Isabel Alegria Robert Harris Richard Pena 

Radio producer Film distributor Film curator 

San Diego, California Marmaroneck, New York Chicago, Illinois 

Linda Artel Kathy Huffman George Pratt 

Film librañan Video curator Film archivist 

Berkeley, California Long Beach, Caliíornia Rochester, New York 

Mary Lea Bandy Avon Kirkland Al Pryor 

Media center director Television producer Radio program director 

New York, New York San Francisco, California Newark, New Jersey 

Linda Blackaby Toro Luddy John Ptak 

Film exhibitor Film studio executive Talent agent 

Philadelphia, Pennsylvania San Francisco, California Los Angeles, Calit’ornia 

John Bos Julia Reichert Pamela Michaelis 

Broadcasting executive Radio development Independent filmmaker 

New York, New York director Dayton, Ohio 

Minneapolis, Minnesota Ayoka Chenzira Barbara Schultz 

Filmmaker Charles Michener Television producer 

New York, New York News magazine Los Angeles, California 

senior editor 

Karen Cooper New York, New York Robert Sitton 

Film exhibitor Arts administrator
 

New York, New York John Minkowsky Portland, Oregon
 

Video curator
 

David Creagh Buffalo, New York Daniel Taradash
 

Radio station
 Screenwriter 

general manager Frank Nesbitt Los Angeles, California 

Long Beach, California Television development 

director Dave Taylor 

Blaine Dunlap Chicago, Illinois Radio producer, director 

Independent filmmaker Washington, D.C. 

Nashville, Tennessee Kathleen Nolan 

Actress Deborah Wadsworth
 

Louise Etra Los Angeles, Caliíornia Foundation
 

Video artist program officer
 

Oakland, California Christine Nygren New York, New York
 

State arts agency
 

William Greaves media coordinator Melinda Ward
 

Independent filmmaker Columbus, Ohio Film exhibitor, educator 

New York, New York Minneapolis, Minnesota 

Denise Oliver Morrie Warshawski
 

E¿ucator Arts administrator
 

J. Ronald Green Foundation director 

New York, New York 

Columbus, 0hio Portland, Oregon 

John Hanhardt Michael Webb
 

Museum curator Film programmer,


New York, New York producer


Los Angeles, California 
116 Media Arts 

Pamela C. Wintle 

Film archivist 

Washington, D.C. 

Media Arts Grants 

AFI Independent 

Filmmaker Program 

American Film Institute 

Washington, D.C. 

Film/Video

Production 

Regional Fellowships 

Alabama Filmmakers Co-op 

Huntsville, Alabama 

Appalshop 

Whitesburg, Kentucky 

Boston Film/Vadeo Foundation 

Boston, Massachusetts 

Center for New Television 

Chicago, Illinois 

Colorado, Regents of the University of 

Boulder, Colorado 

Film in the Cities 

St. Paul, Minnesota 

Film in the caries 

St. Paul, Minnesota 

Pittsburgh Film-Makers 

Pittsburgh, Pennsylvania 

Southwest AIternate Media Project 

Houston, Texas 

Southwest AIternate Media Project 

Houston, Texas 

Robert Wise Stan Woodward 

Film director, producer Independent filmmaker 

Hollywood, Caliíornia Columbia, South Carolina 

Program funds-" $9,200,450 Treasury funds: $ 878,000 

291 grants 

AFI administers for the Endowment a program of grants to media artists 

working in animated, documentary, experimental, and narrative film and

vadeo. 

Program funds: $400,000 

1 grant 

For a cooperative agreement for the Independent Filmmaker $400,000 

Program. 

Includes two subcategories: Regional Fellowships are awarded to media arts 

centers to administer fellowship programs for regional film and video artists. Production Grants support outstanding productions in film and video

that emphasize the use of these media as art forros. 

Program funds: $1,074,000 

51 grants 

For regional fellowships for media artists in ten southeastern states $30,000 

in 1982. 

For regional fellowships for media artists in ten southeastern states 30,000 

in 1983. 

For a regional fellowships program for media artists in the New 30,000 

England states. 

For a regional fellowships program for media artísts in central 30,000 

midwestern states. 

For a regional fellowships program for media artists in western states. 30,000 

For a regional fellowships program for media artists in upper mid- 30,000 

western states in 1982. 

For a regional fellowships program for media artists in upper mid- 30,000 

western states in 1983. 

For a regional fellowships program for media artists in mid-Atlantic 30,000 

states. 

For a regional fellowships program for media artists in southwestern 30,000 

states in 1982. 

For a regional fellowships program for media artists in southwestern 30,000 

states in 1983. 
Media Arts 117 

Production Grants 

Appalshop 

Whitesburg, Kentucky 

For three half-hour documentary videotapes about life in eastern 

Kentucky. 

$15,000 

Arts Council of Florida, Division of For a feature film by Victor Nunez based on John D. MacDonald’s novel, 25,000 

Cultural Affairs A Flash of Creen. 

Tallahassee, Florida 

Beams, Mary For Typing Pool, a 15-minute animated film. 15,000 

New York, New York 

Blumberg, Skip 

New York, New York 

Fora documentary examining the art of interviewing through interviews with some of today’s outstanding practitioners. 

15,000 

Boston Film/Video Foundation 

Boston, Massachusetts 

To amend a previous grant for a film portrait by Midge Mackenzie

of the noted documentary filmmaker Richard Leacock. 

20,000 

Breer, Robert S. For a short animated film designed for presentation on cable television. 15,000 

South Nyack, New York 

Broughton, James R. 

Mill Valley, California 

For an autobiographical film in the confessional tradition of Baudelaire, 

Rilke, and Whitman. 

15,000 

Cain, Nancy 

Woodstock, New York 

For a series of video programs featuring poets, musicians, actors, and 

dancers from Woodstock. 

7,500 

Cantow, Roberta 

New York, New York 

For a short experimental film using an optical printer and documentary sound effects. 

12,000 

Carey, Tobe J. To complete a vídeo documentary on a nuclear plant in Tennessee. 15,000 

Glenford, New York 

Center for New American Media To complete a video documentary by Andrew Kolker and Louis 17,000 

New Orleans, Louisiana Alvarez on the history of Plaquemines Parish, Louisiana. 

Cine Information For a 90-minute documentary film by Barbara Margolis about mass 35,000 

New York, New York media in the Cold War period. 

Film Arts Foundation For a documentary by Joan Churchill and Nick Broomfield that studies 30,000 

San Francisco, California the State of Nevada’s attempt to deal ~~ith the problem of prostitution. 

Gessner, Peter For a short dramatic film based on Thomas Farber’s Hazards to the 15,000 

San Francisco, California Human Heart. 

Gray, Rona|d K. For a 3~minute narrative film about an adolescent who loves to dance. 15,000 

Tappan, New York 

Guzzetti, Alfred F. 

Brookline, Massachusetts 

To complete a one-hour documentary film on the emergence of personality and understanding in children, ages two to four. 

15,000 

Haleakala For a videotape by Martine Barrat on boys training as boxers in New 15,000 

New York, New York York City. 

Haleakala For a series by Joan Logue of 60-second portraits of contemporary 5,000 

New York, New York performing artists for the Kitchen. 

Haleakala For Adelaide and the Food Chain, a 13-part señes of half-hour televi­ 19,000 

New York, New York sion shows by vídeo artist Ed Bowes for the Kitchen. 

Hills, Henry L. 

Atlanta, Georgia 

To complete 12 films exploring the relationship between sound and 

image, including performance by and discussions with contemporary 

artists. 

15,000 

Hock, Louis For a "cine-mural" in which large 8’ × 10’ film im.ages are projected 12,000 

Tucson, Arizona in a public place enabling audiences to become part of a "film

landscape." 

Kentucky Educational Television For several short works by Stan Vanderbeek, combining film, anima­ 10,000 

Foundation tion, video, and live performances. 

Lexington, Kentucky 

Klosky, Linda Ro 

Santa Fe, New Mexico 

For an experimental film using hard-tinted photographs of the 

southwestern landscape. 

15,000 
118 Media Arts 

Kriegman, Mitchell 

New York, New York 

Moore, Sandy 

Brooklyn, New York 

Morris, James W. 

San Francisco, Caliíornia 

National Academy of Design 

New York, New York 

New York Foundation for the Arts 

New York, New York 

New York, Research Foundation of 

the State University of 

Albany, New York 

New York, Research Foundation of 

the State University of 

Albany, New York 

New York, State University of 

Albany, New York 

Oblate College of the Southwest 

San Antonio, Texas 

Oxenberg, Jan 

Brooklyn, New York 

Performing Artservices 

New York, New York 

Portland Art Association 

Portland, Oregon 

Rice University 

Houston, Texas 

Southwest Alternate Media Project 

Houston, Texas 

Stein, Carol R. and 

Susan R. Wittenberg 

New York, New York 

Tharp (Twyla) Dance Foundation 

New York, New York 

WGBH Edacational Foundation 

Boston, Massachusetts 

Women’s Interart Center 

New York, New York 

American Film 

Institute 

American Film Institute 

Washington, D.C. 

For Local Color, a comic, half-hour video narrative that accen~s the 

camera’s--and thus the viewer’s--role asa participant in the work. 

15,000 

For a short animated film forming the tkird part of a trilogy based on 13,000 

Gertrude Stein’s Tender Buttons. 

For Rehearsal, a 30-minute documentary film on a struggling Ameri­ 10,500 

can rock and roll band. 

For Juan Downey’s The Making of Signs, a videotape about the 25,000 

history of man’s use of signs, symbols, and icons. 

To amend a previous grant for a 90-minute documentary film by Man­ 30,000 

ny Kirchheimer on the lives and memories of German-Jewish refugees

in New York’s Washington Heights. 

For the completion of The Sky Specialist, an experimental film by 14,000 

Kenneth Jacobs. 

For a one-hour videotape by Kit Fitzgerald and John Sanborn on the 30,000 

"Sounding" exhibition at the Neuberger Museum. 

For Earthworks Projects, an experimental videotape by Steina 20,000 

Vasulka using electra optical devices of the artist’s own design. 

For an emerging artist filngvideo grant program to assist promising 24,000 

film and videomakers. 

To complete Thank You and Goodnight, a film about the filmmaker 15,000 

and her grandmother. 

For the fwst episode ofMiss Atalanta and Her Suiters, a video opera 25,000 

by Robert Ashley. 

For a documentary film by Les Blank on three gifted and unusual 25,000 individuals living in New Orleans: musician James Booker and chefs 

Russel Estain and Paul Prudhomme. 

For a documentary film by Geoff Winningham on high school foot- 30,000 

ball in Texas. 

For a feature film by Eagle Pennell on the conflict between urban 25,000 

and rural values in Texas. 

For a film evocation of Rome, portraying the city and its inhabitants 15,000 

in an unconventional, non-linear format. 

For The Catherine Wheel, a television program by Twyla Tharp on 25,000 

her dance. 

For the production of a program in the Frames of Reference series, 25,000 which features original works for television by outstanding artists 

in dance, drama, music, and the visual arts. 

For Tongues, a two-part theatrical collaboration by Sam Shepard and 35,000 

Joseph Chaikin, adapted for television by Shirley Clarke. 

Support for the American Film Institute, founded in 1967 to preserve the 

nation’s artistic and cultural resources in film and television. 

Program funds: $1,640,000 Treasury funds: $ 60,000 1 grant 

For support of exhibition services, television and video services, train- $1,640,000 ing ofadvanced students at the AFI conservatory, library and scholar- TF $60,000 ly services, a directing workshop for women, and the AFI catalog 

of American films. 
Media Arts 119 

Services to the Field	 Includes six subcategories: Conferences and seminars on important issues in film, radio, and vídeo. Distribution of media works, including circulating

exhibitions. Informational Mateñals, such as newsletters or journals. Research into existing and new media, including technical research into

preservation. Facilities and Working Spaces for independent media artists to complete their projects. Combined Services grants are awarded for pro­ jects that provide a combination of the above. 

Program funds: $630,500 

72 grants 

Conferences 

$7,500 Film Society of Lincoln Center For the llth annual presentation of New Directors/New Films by 

New York, New York the society and the Museum of Modern Art. 

12,000 Film Society of Lincoln Center For the 1982 New York Film Festival. 

New York, New York 

24,000 For a seminar on the media arts. 

St. Paul, Minnesota 

5,000 

Film in the Cities 

International Film Seminars To bring selected filmmakers to the Flaherty Film Seminar. 

New York, New York 

5,000 For the ninth annual Telluride Film Festival. 

Telluride, Colorado 

10,000 

National Film Preserve 

Oblate College of the Southwest For the seventh annual International Hispanic Film Festival. 

San Antonio, Texas 

10,000 Public Eye For the San Francisco International Video Festival. 

San Francisco, Caliíornia 

8,000 Sinking Creek Film Celebration For a series of screenings, lectures, and conferences on the work of
 

Greenville, Tennessee independent film and video artists.
 

35,000 Sundance Institute for Film and For a conference for independent media artists to meet with represen-


Television tatives of the film industry to develop new feature film projects.
 

Salt Lake City, Utah
 

7,000
 For the 1982 United States Film and Video Festival.
 

Salt Lake City, Utah
 

United States Film and Video Festival 

Wisconsin, University of For a conference to explore the relationship between film theory and 7,500
 

Milwaukee, Wisconsin filmmaking.
 

Distribution 

$10,000 American Federation of Arts To circulate AFA’s film programs to media centers, museums, and
 

New York, New York
 universities. 

8,000 Artists’ Television Network For cable exhibitions of original arts programming not otherwise
 

New York, New York
 available to cable audiences. 

8,000 Cine Information For the Film Users Network, a computerized listing of film users
 

New York, New York designed to increase distribution opportunities for independent


filmmakers.
 

12,000 Cultural Council Foundation For Independent Cinema Artists and Producers to package, promote,
 

New York, New York and distribute works by media artists for cable television.
 

4,000 Georgia Council for the Arts and For "Southern Independents," a touring program of works by
 

Humanities
 southern filmmakers.
 

Atlanta, Georgia
 
120 Media Arts 

International House of Philadelphia 

Philadelphia, Pennsylvania 

Star Film Library 

Boston, Massachusetts 

Informational Materials 

Camera Obscura 

Berkeley, Calffornia 

New England New Media 

Norwich, Vermont 

Nordstrom, Kristina 

New York, New York 

Video Rainbow 

Hartsdale, New York 

Visual Studies Workshop 

Rochester, New York 

Western New York Public 

Broadcasting Association 

Buffalo, New York 

Research 

Buekner, Barbara 

New York, New York 

Cultural Council Foundation 

New York, New York 

Taubes, Tanaquil 

New York, New York 

Vasulka Corporation 

Santa Fe, New Mexico 

Facilities and Working Spaces 

and/or service 

Seattle, Washington 

and/or service

Seattle, Washington 

Archdiocesan Communications Center 

San Francisco, California 

Asian Cine Vision 

New York, New York 

Austin Community Television 

Austin, Texas 

Caribbean Center for Understanding Media 

St. Croix, Virgin Islands 

For the Film Share Program, enabling community groups to offer 

film presentations. 8,000 

For workshops, exhibitions, and distribution of films to community 5,000 

groups. 

To amend a previous grant for the publication of Camera Obscura. $1,000 

For coverage of independent film and video art in The Downtown 

Review. 4,000 

To research and write a book on new women feature film directors 

in the United States and abroad. 5,000 

To evaluate and distribute video art for children. 4,000 

For coverage of independent video and film in Aflerimage. 9,000 

For compilation and publication of Catalogue of Videotapes and Vídeo 

Installations, 1965-1981. 7,500 

For research into computer interactive video discs as an artistic tool. $6,500 

For the Holographic Film Foundation to experiment with color 

holography. 7,500 

To assemble texts and photographs by and about filmmaker Marcel

Hanoun. 3,500 

To develop computer software for use in the creation of an experimental film by Paul Sharits. 3,000 

The following organizations received grants to provide

equipment access to independent film- and videomakers. 

Chicago Filmmakers 

Chicago, Illinois 6,500 

Chicago Filmmakers 

Chicago, Illinois 5,400 

Community Film Workshop 

Chicago, Illinois 7,000 

Community Film Workshop 

Chicago, Illinois 5,400 

Creative Outlet 

Portland, Oregon 3,000 

Double Helix Corporation 

St. Louis, Missouri 9,000 

$5,400 

6,000 

6,000 

6,000 

4,500 

4,000 
Media Arts 121 

Electronic Arts Intermix 

New York, New York 

23,000 Real Art Ways Raw Ink 

Hartford, Connecticut 

5,000 

Experimental Television Center 

Owego, New York 

9,000 Rising Sun 

Santa Fe, New Mexico 

6,000 

Film Arts Foundation 

San Francisco, California 

9,000 Visual Communications 

Los Angeles, California 

9,000 

Media Bus 5,000 Women’s Interart Center 5,400 

Woodstock, New York New York, New York 

New Orleans Video Access Center 

New Orleans, Louisiana 

8,500 Women’s Interart Center 

New York, New York 

9,000 

New Orleans Video Aceess Center 

New Orleans, Louisiana 

5,400 Young Filmmakers Foundation 

New York, New York 

18,500 

Portable Channel 8,500 

Rochester, New York 

Combined Services 

Center for the Study of Filmed 

History 

New York, New York 

For the Media Network’s New Audience Project, designed to develop 

broader audiences for films and videotapes by independent media 

artists. 

$7,000 

Contemporary Arts Center 

New Orleans, Louisiana 

For the National Cable Arts Council, a consortium of cities interested 

in the deve!opment of arts channels for new cable telecommunications systems. 

5,000 

Educational Film Library Association For publication and distribution of critical reviews of new films and 16,000 

New York, New York videotapes, inclusion of video programming at the American Film

Festival, and publication of Sightlines. 

Film Art Fund To support the research collections at Anthology Film Archives. 9,000 

New York, New York 

Film Fund To provide information services and technical assistance to indepen­ 15,000 

New York, New York dent filmmakers. 

Film Fund For the Independent Feature Project, which includes screenings and 15,000 

New York, New York a monthly newsletter designed to assist the distribution of independently produced feature films. 

Foundation for Independent Video and 

Film 

For screenings, seminars, a newsletter, a handbook of independent 

producers, anda guide to international film festivals. 

13,000 

New York, New York 

Foundation for Independent Video and 

Film 

For the foundation’s Media Awareness Program, designed to serve 

asa liaison between independent media producers and PBS; CPB; 

11,000 

New York, New York and film, video, and cable industries. 

Grillo, Virgil 

Boulder, Colorado 

To coordinate the Endowment’s Regional Fellowship Program in the 

Media Arts. 

25,000 

Ithaca Video Projects 

Ithaca, New York 

For the eighth annual Ithaca Video Festival, a national touring exhibition, and the provision of production and post-production facilities. 

10,000 

Museum of the American Indian 

New York, New York 

To compile films and videotapes by or about Native Americans for

the second edition of the Native American Film and Video Catalog. 

5,000 

National Alliance of Media Arts For a national survey of independent film or vídeo activities, a con­ 18,000 

Centers ference for media art center representatives and distributors, and 

New York, New York a monthly newsletter. 

National Communications For Beyond Sound, a television production unir íor the deaf that 5,000 

Foundation employs deaf writers, actors, directors, producers, and technicians. 

Studio City, California 
122 Media Arts 

National Federation of Local Cable 

Programmers 

Kettering, Ohio 

New York Public Library 

New York, New York 

Northwest Media Project 

Portland, Oregon 

Washington Arca Filmmakers League 

Washington, D.C. 

Women Make Movies 

New York, New York 

Writers’ Guild of America East,
 

Foundation
 

New York, New York 

AFI/NEA Film

Preservation 

Program 

American Film Institute 

Washington, D.C. 

Film/Video


Exhibition
 

Film/Video Exhibitions 

and/or service 

Seattle, Washington 

Archdiocesan Communications 

Center 

San Francisco, California 

Asian Cine Vision 

New York, New York 

Baltimore Film Forum 

Baltimore, Maryland 

Berks Filmmakers 

Reading, Pennsylvania 

Center Screen 

Cambridge, Massachusetts 

Chicago Filmmakers 

Chicago, Illinois 

Collective for Living Cinema 

New York, New York 

For services to local cable programmers and independent film and 11,000
 video artists, including workshops, screenings, a newsletter, anda
 

touring collection of videotapes.
 

To hire a media assistant for the Vídeo/Film Study Center of the Film 8,000
 

Library.
 

For a quarterly newsletter, a film distribution program, anda catalog 10,000
 of regional independent films.
 

For a newsletter anda series of monthly programs and screenings. 5,000 

For the distribution and exhibition of film and vídeo works by women. 8,000 

For fellowships for scriptwriters. 8,000 

To help organizations locate, preserve, and catalog films of artistic value. 

Program funds: $500,000
 1 grant
 

$500,000
 

For services related to the AFI/NEA Film Preservation Program,


including subgrants for preservation, coordination, and administration.
 

Includes two subcategories: Film/Video Exhibitions grants assist organizations in exhibiting high quality film and video art that may not be available 

to the public through regular commercial channels. Circulating Exhibitions

grants help in the development of major circulating exhibitions. 

Program funds: $279,000
 

32 grants
 

For ah exhibition program of experimental and documentary video art. $4,000 

For a video exhibition program at Video Free America. 9,000 

For a film and vídeo exhibition pmgram, including the Asian American 4,000 Film Festival, Amerasia Cable Festival, and Asian American Video 

Festival. 

For a film exhibition program consisting of a festival, an indepen­ 4,000 dent filmmakers competition, and monthly programs of independent
 

feature films.
 

For an exhibition program of experimental and documentary films. 4,000 

For an exhibition program of independently produced film and video 17,500 with appearances by visiting artists. 

For an exhibition program of experimental, documentary, and 8,000 dramatic narrative works by independent filmmakers. 

For an exhibition program of independent, experimental, and nar- 9,000 rative films that include critical program notes and appearances by 

filmmakers and critics. 
Media Arts 123 

Craft and Folk Art Museum Incor- For an exhibition program of independently produced films with 8,000 

porating the Egg and the Eye visiting artists. 

Los Angeles, California 

District Curators For an exhibition program of independently produced films and vídeo­ 4,000 

Washington, D.C. tapes with visiting artists. 

Distñct of Columbia, University of the 

Washington, D.C. 

For the Black Film Institute’s exhibition program of feature and independently produced films by black and Third Worid filmmakers. 

6,500 

Facets Multimedia 

Chicago, Illinois 

For an exhibition program of narrative and documentary films with 

workshops, seminars, a Children’s Film Festival, anda film study 10,500 

program. 

Film Art Fund For an exhibition program of repertory and archival films and 16,000 

New York, New York videotapes with visiting artists. 

Foundation for Art in Cinema 

San Francisco, California 

For the Cinematheque’s film exhibition program and the publication

of the critical journal, Cinemanews. 

10,000 

Helena Film Society For an exhibition program of independently produced films. 4,000 

Helena, Montana 

Honolulu Academy of Arts 

Honolulu, Hawaii 

For a film and video exhibítion program with visiting filmmakers and 

vídeo artists. 

4,000 

International House of Philadelphia For a film exhibition program of documentary and narrative features, 15,000 

Philadelphia, Pennsylvanía independently produced shorts and features, and experimental films

with visiting filmmakers. 

International Museum of Photography For the film exhibition program at the Dryden Theater. 4,000 

at George Eastman House 

Rochester, New York 

Kent State University 

Kent, Ohio 

For the Filmworks and Tuesday Cinema exhibition program, and ten 

personal appearances by independent filmmakers. 

4,500 

Moving Image 

New York, New York 

For Film Forum’s exhibition program of documentary, animated, experimental, and dramatic narrative films. 

18,000 

Nebraska-Lineoln, University of 

Lincoln, Nebraska 

For the Sheldon Film Theater’s exhibition program of documentary

and narrative films with visiting filmmakers. 

10,000 

New Community Cinema For a film exhibition program of independently produced features 4,000 

Huntington, New York and shorts, with the filmmakers in attendance. 

Ohio State University 

Columbus, Ohio 

For a film and video exhibition program of international cinema, 

documentaries, and experimental films, with visiting filmmakers in 

attendance. 

6,500 

Pasadena Film Forum For an exhibition program of independent and experimental films, 9,000 

Pasadena, California with visiting filmmakers and program notes. 

Real Art Ways Raw Ink For a’film and video exhibition program, with visiting artists. 4,000 

Hartford, Connecticut 

Rising Sun 

Santa Fe, New Mexico 

For a film exhibition program of documentary, experimental, and narrative works, with visiting artists. 

4,000 

Southwestern Alternate Media Project 

El Paso, Texas 

For an exhibition program of independent and experimental films and 

videotapes with visiting artists. 

4,000 

Upstate Films 

Rhinebeck, New York 

For an exhibition program of independently produced features and

documentaries, international cinema, and short films, with visiting 

4,000 

artists and critics. 

Whitney Museum of American Art 

New York, New York 

For the New Ameñcan Filmmakers señes of short and feature-length

experimental, documentary, and narrative films and video in single18,000 

artist and group shows. 

Woodland Pattern For an exlfibition program that features independently produced films 4,000 

Milwaukee, Wisconsin and videotapes. 
124 Media Arts 

Circulating Exhibitions 

Media Study/Buffalo
 

Buffalo, New York
 

Whitney Museum of American Art
 

New York, New York
 

Programming
 

in the Arts
 

Television Grants 

Attic Theater 

Washington, D.C. 

Children’s Television Workshop
 

New York, New York
 

Contemporary Arts Center 

New Orleans, Louisiana 

ETV Endowment of South Carolina 

Spartanburg, South Carolina 

Educational Broadcasting Corporation 

New York, New York 

Educational Broadcasting Corporation 

New York, New York 

Educational Broadcasting Corporation 

New York, New York 

Educational Broadcasting Corporation 

New York, New York 

Film Company 

Washington, D.C. 

Haleakala 

New York, New York 

Kineholistic Foundation 

New York, New York 

Lincoln Center for the Performing 

Arts 

New York, New York 

Los Angeles Philharmonic Association 

Los Angeles, California 

Metropolitan Opera Association 

New York, New York 

Metropolitan Pittsburgh Public 

Broadcasting 

Pittsburgh, Pennsylvania 

New York Shakespeare Festival 

New York, Néw York 

For "A Generation Revisited: The American "New Wave" (1958-68)." 

a circulating six-part film series undertaken with the Walker Art 

$22,500 

Center. 

To circulate a major retrospective exhibition on the work of vídeo 25,000 

artist Nam June Paik. 

To develop series of programs on the arts for national broadcast on television and radio. 

Program funds: $3,357,000 

Treasury funds: $ 760,000 

36 grants 

For a documentary film by Aviva Slesin on film director William $50,000
 

Wyler.
 

For a television pilot fora musical theater señes for children. 250,000
 

To produce a documentary film by Stevenson Palfi on violinist Papa 50,000
 John Creach.
 

For production of a television concert observing Stravinsky’s 5,000
 centennial.
 

For the 1982-83 television season of Great Performances. 390,000 

TF 610,000 

For a film documentary by Peter Weinberg on Marian Anderson. 100,000 

For the work of the Script Development Unit at WNET. 25,000 

For the Independent Documentary Fund for Public Television. 350,000 

To produce a documentary film by Robert Squier on Robert 50,000 

Rauschenberg. 

For the television program, Street Dance/Street Music. 50,000 

For a film by Sheldon Rochlin on the Living Theater of Julian Beck 20,000 

and Judith Malina. 

For the 1983-84 television season of Live from Lincoln Center. 304,000 

For the 1983-84 season of The Giulini Concerts. 100,000 

For the 1983-84 season of Live from the Met. TF 150,000 

For the 1982-83 season of Kennedy Center Tonight. 250,000 

For a film of Days, Deborah Eisenberg’s performance journal. 50,000 
Media Arts 125 

Public Television Playhouse For the 1982-83 season of American Playhouse. 500,000 

New York, New York 

Southwest Public Communications For a television special celebrating the tenth anniversary season of 50,000 

Foundation the Santa Fe Chamber Music Festival. 

Fort Worth, Texas 

Sundance Institute for Film To initiate a production fund for independent feature filmmakers. 250,000 

and Television 

Salt Lake City, Utah 

Tennessee Arts Commission For two programs that feature Nashville’s famous Beale Street and 15,000 

Nashville, Termessee the music performed there. 

Walker Art Center 

Minneapolis, Minnesota 

For a half-hour television program based on Break, by choreographer Bill T. Jones. 

40,000 

WGBH Educational Foundation 

Boston, Massachusetts 

For the 1982-83 season of Evening at Symphony, featuñng the Boston Symphony Orchestra. 

150,000 

Radio Grants 

American University To initiate an Arts Reporting Unit for WAMU-FM. $8,000 

Washington, D.C. 

Association of California Public For arts featur¢s to be incorporated into a daily half-hour news ser­ 12,500 

Radio Stations vice for California’s public radio stations. 

San Francisco, California 

Haleakala 

New York, New York 

For People, a national weekly variety hour presenting the work of emerging audio artists. 

10,000 

KSOR Listener’s Guild For a 13-part science-ñction series based on scripts by leading science­ 10,000 

Ashland, Oregon fiction writers. 

Los Angeles Philharmonic Association 

Los Angeles, California 

For Music Under Fire, a documentary series examining sign]fícant 

musical works, the contemporax:­ critical response to them, and the

evolution of that response to the present. 

7,000 

Minnesota Public Radio For St. Paul Sunday Morning, a weekly live-on-tape 90-minute series 10,000 

St. Paul, Minnesota presenting chamber music with commentary. 

Minnesota Public Radio For live satellite bmadcasts of the tenth armiversary season of the Santa 8,000 

St. Paul, Minnesota Fe Chamber Music Festival. 

National Public Radio For a series of 13 two-hour choral music programs drawn from live 10,000 

Washington, D.C. concerts by 25 American professional choral organizations. 

National Public Radio For four special programs in the series Jazz Alive! 12,500 

Washington, D.C. 

National Public Radio For the Sunday Arts Performance Magazine, a weekly five-hour live 165,000 

Washington, D.C. blend of arts reporting, performance, comment, and news. 

One Act Theater Company 

San Francisco, California 

For Women’s Dreams, a series of 30 half-hour new one-act dramas 

by women playwrights, selected from a national playwriting

competition. 

15,000 

Watershed Foundation For the activities of Radio Alpha, including expansion of services to 15,000 

Washington, D.C. clients, development of a plan for cable distribution, and for additional

producers’ work to be distributed. 

WCL-W For 12 jazz concerts that feature solo artists and small ensembles 5,000 

Worcester, Massachusetts presented at the New England Repertory Theater. 

ZBS Foundation For ten half-hour dramas adapted from the works of Robert Bloch, 20,000 

Fort Edward, New York Roald Dahl, and Stephen King. 
 

126 Media Arts 

Short Film Showcase 

Foundation for Independent Film and 

Video 

New York, New York 

Radio Projects 

Radio Production 

Appalshop 

Whitesburg, Kentucky 

Banks, William A. 

New York, New York 

Blatch (Nota) Educational 

Communications Foundation 

New Orleans, Louisiana 

Boardman, William M. 

Woodstock, Vermont 

Children’s Radio Theater 

Washington, D.C. 

Community Information Network 

Oakland, California 

Diaz, Eduardo 

Albuquerque, New Mexico 

Dodge, Charles M. 

Brooklyn, New York 

Goldberg, Loretta 

New York, New York 

Green, James A. 

Boulder, Colorado 

Kostelanetz, Richard 

New York, New York 

Lundberg, Madeleine M. 

Chevy Chase, Maryland 

Maine Public Broadcasting Network 

Orono, Maine 

McPherson, Karen 

Fairbanks, Alaska 

The Foundation for Independent Video and Film administers for the Endowment a program to distribute selected short films by independent filmo 

makers to commercial movie theaters throughout the United States. 

Program funds: $100,000
 

1 grant
 

For the f’ffth year of the Short Film Showcase program. $100,000 

Includes two subcategories: Radio Production grants support outstanding

single productions and series for radio broadcast. Radio Services and
 

Workshops grants enable organizations to offer services to radio producers


or invite nationally recognized radio producers for workshops.
 

Program funds: $375,000
 41 grants
 

"’ 

For a series of eight documentaries on central Appalachian traditions. $8,000 

For a ten-hour portrait of jazz pianist and composer Thelonious Monk, 7,850
 

incorporating interviews, recorded music, and call-ins.
 

For 6 one-hour programs tracing the history of New Orleans jazz for 10,000
 WWOZ-FM.
 

For the second season of The Panther Program, a series of satire. 7,000 

For 13 new half-hour programs, plus the marketing and distribution 15,000 

of these programs and those previously produced. 

For production of Quiet Thunder, a radio drama based on the life and 5,000 

writings of Carlos Bulosan, a major Filipino novelist. 

For 30 ten-minute portraits of leading Latin musicians. 10,000 

For a musical dramatic work for radio, involving advanced computer 5,000 synthesis of voices. 

For Piano Parameters: USA, a series of documentaries on composers 7,000 Doris Hays, Paul Torok, Aaron Copland, LaMonte Young, and Ruther 

Anderson. 

For a series of sound portraits of unusual individuals and audio 7,500 documentation of the American carnival. 

For a polyphonic composition based on the Gospels anda series of 5,000 stories entitled Epiphanies. 

For Survivors, three half-hour documentaries concentrating on in- 5,000 

dividuals who survived intense transforming experiences, such as concentration camps, suicide attempts, or extreme poverty. 

Fora four-part documentary using the works of the Maine poets Con­ 950 

stance Hunting, May Sarton, David Walker, and Lee Sharkey. 

For three programs in a 13-part series dramatizing Alaskan oral 9,000 literature. 
Media Arts 127 

Moss, David M. 

Marlboro, Vermont 

For Vox Box, a señes of ten-ntinute audio art pieces exploring a variety of vocal techniques, such as drone, chart, and bel canto. 

5,500 

New Dimensions Foundation 

San Francisco, California 

For the children’s series Creation Stories from Around the World, three half-hour programs combining storytelling, sound effects, and 

theatrical transitions. 

10,000 

Ncw Wave Corporation 

Columbia, Missouri 

For the American Audio Prose Library, a series featuring American 

writers who read and discuss their own works. 

10,000 

Northern Iowa, Univcrsity of 

Cedar Falls, Iowa 

For station KUNI to produce the radio series Hello Blues... How 

You Feel Today? 

4,000 

Off Center Theatcr For Hidden Heroes, a series for youth of 52 half-hour documentaries 12,000 

New York, New York on overlooked American heroes. 

Pacífica Foundation 

Los Angeles, California 

For KPFK-FM’s 1982-83 season of the Los Angeles Theater of the 

Ear, live broadcasts of works by playwrights Nelly Sachs, Corrado 

Costa, and Stanislaw Mrozek. 

6,000 

Radio Foundation 

New York, New York 

For ah eight-part series of half-hour programs using classic and new

material by Bob and Ray. 

12,000 

Radio Foundation 

New York, New York 

For Making It: The Artist in America, a series of ten-minute modules 

exploring the practical problems and experiences of artists, produced by Jay Allison. 

12,000 

Rosenthal, Jane E. For the documentary, Adrienne Rich: Poet, Feminist, Visionary. 5,000 

San Francisco, Caliíornia 

Smith, Judith M. 

Temple Hills, Maryland 

For six half-hour programs on the relationship between the visual 

and performing arts in the Afro-Ameñcan tradition. 

9,000 

Sound and Print United For Tickle Me Pink, a daily half-hour series for children. 10,200 

Warrenton, North Carolina 

Stone, Carl J. 

Los Angeles, California 

For Bells, a live radio event originating from seven locations simultaneously, combining the music of Ives, Ruggles, Marais, and 

Bach with the art of campanology. 

5,000 

Thorington, Helen 

New York, New York 

For the in-st of 4 one-hour programs of stoñes, poetry, and songs by 

Native American, Asian, Latino, and black women. 

10,000 

Todd, Timothy 

Mendocino, California 

For The Todds’ Teddy Bear’s Picnic, a series of half-hour programs 

combining readings and stories for children. 

9,000 

Vermont Public Radio For Solitude’s Companions, a series exploring the lives of solitary 8,000 

Windsor, Vermont rural women, combining interviews and dramatic readings from 

diaries. 

Voices, Inc. 

Pasadena, California 

To commission several works for radio by artists David Antin, Morton S.obotnik, David Cloud, and Richard Kostelanetz. 

9,000 

Wisconsin Public Radio Association 

Madison, Wisconsin 

For A Canticle for Liebowitz, 15 half-hour programs based on the 

novel by Walter Miller, Jr. 

14,000 

WUHY-FM For 13 half-hour programs of rare material from the Library of Con­ 8,000 

Philadelphia, Pennsylvania gress Archive of Folksong. 

Radio Services and Workshops 

Audio Independents 

San Francisco, California 

For ACCESS III: The I~t Radio Producer’s Marketing, Promotion, and Distribution Handbook. 

$20,000 

Double Helix Corporation To provide access to audio production and post-production facilities. 8,000 

St. Louis, Missouri 

National Federation of Community 

Broadcasters 

To provide services to community radio stations, including consultations, workshops, conferences, publications, anda national distribu20,000 

Washington, D.C. tion service. 

New Mexico, University of 

Albuquerque, New Mexico 

For KUNM-FM to sponsor a conference/hands-on workshop in 

telecommunications for minority producers. 

5,000 
128 Media Arts 

New Wave Corporation 

Columbia, Maryland 

Radio Foundation 

New York, New York 

Voces Unidas Bilingual Broadcasting 

Foundation 

Salinas, California 

Western Public Radio 

San Francisco, California 

ZBS Foundation
 

Fort Edward, New York
 

Workshops
 

and Residencies
 

Archdiocesan Communications Center 

San Francisco, California 

Boston Film/Video Foundation 

Boston, Massachusetts 

Calliope Film Researeh 

Cambridge, Massachusetts 

Contemporary Arts Center 

New Orleans, Louisiana 

Institute for Media Arts
 

Lincoln Center, Massachusetts
 

International House of Philadelphia 

Philadelphia, Pennsylvania 

Iowa, University of 

Iowa City, Iowa 

Locus Communications 

New York, New York 

Minnesota Film Center 

Minneapolis, Minnesota 

Museum of Holography 

New York, New York 

Nebraska, University of 

Lincoln, Nebraska 

Squaw Valley Creative Arts Society 

Olympic Valley, California 

Women’s Interart Center 

New York, New York 

Young Filmmakers Foundation 

New York, New York 

For a three-day working conference to further live radio theater

production. 9,000 

For the fourth Airlie Seminar on the Art of Radio, during which producers, programming executives, sound engineers, and funders discuss 20,000 

the state of the art of radio. 

For KUBO-FM’s workshops on radio drama and feature documentary production, conducted by nationally known radio artists familiar 5,000 

with bilingual production. 

To provide production and post-production audio facilities for independent producers. 7,000 

For the ZBS/AIR Audio Art Program, providing production and postproduction facilities to audio artists. 20,000 

To enable organizations to invite renowned film- and video-makers and 

critics for lectures, workshops, or residencies. 

Program funds: $69,500 14 grants 

For a workshop and weekend screening by documentary video ar- $2,500 tist Keiko Tsuno for an exhibition series on documentaries for Video 

Free America. 

For a series of workshops at seven media centers by Bob Brodsky 5,500 and Toni Treadway on transferñng Super-8 film to videotape. 

For intensive filmmaking workshops led by visiting artists and critics. 5,000 

For a series of screenings, lectures, and workshops with six film and 4,500 vídeo artists in attendance.
 

For the 12th Summer Institute for the Media Arts’ workshops and
 7,500 seminars on film and vídeo.
 

For a series of workshops, screenings, and lectures at the
 6,000 Neighborhood Film Project.
 

For visiting video and performance artists to conduct workshops,
 3,000 screenings, and performance at the Corroborree Gallery. 

For a residency program on vídeo art on cable with six video artists. 4,000 

For visits by eight filmmakers and critics. 6,500 

For eight 30-day residencies at the Dennis Gabor Holography 4,000 Laboratory to include exhibitions and lectures.
 

For eight film and video artists to visit the Sheldon Theater for screen­ 6,000 ing and workshops.
 

For the sixth Screenwriters Program of workshops, discussions, and
 3,000 video production.
 

For a series of narrative film production workshops anda two-month
 4,000 residency by media artist Shirley Clarke.
 

For a series of film, video, and audio workshops on directing, editing,
 8,000 animation, and radio. 
 

Media Arts 129 

Media Arts Centers To assist media arts centers in a variety of projects that make the arts of 

film, video, and radio more widely appreciated and practiced. Centers may

be independent or associated with another organization, such as a museum, 

university, or state arts agency. 

Program funds: $775,450 

Treasury funds: $ 58,000 

38 grants 

Alabama Filmmakers Co-op 

Huntsville, Alabama 

For editing facilities, exhibitions, education programs, publication of 

The Reel World, and maintenance of a reference library in 1982. 

$17,500 

Alabama Filmmakers Co-op 

Huntsville, Alabama 

For editing facilities, exhibitions, education programs, publication of 

The Reel World, and maintenance of a reference library in 1983. 

13,000 

Appalshop 

Whitesburg, Kentucky 

For training programs, production and post-production facilities, film 

exhibitions, and distribution services in 1983. 

17,250 

Appalshop To amend a previous grant for media programs and services in 1982. 8,500 

Whitesburg, Kentucky 

Art Institute of Chicago 

Chicago, Illinois 

For the activities of the Film Center, including exhibitions, maintenance of the study collection, publications, and visits by film and 

video artists in 1982. 

28,000 

Art Institute of Chicago For the activities of the Film Center in 1983. 20,000 

Chicago, Illinois 

Asian CineoVision For a nightly cable television program, video workshops and exhibi­ 13,000 

New York, New York tions, and the Asian American International Film Festival in 1983. 

Bay Area Video Coalition 

San Francisco, California 

For media center activities, including provision of access to video production and post-production facilities, publication of Vídeo Networks, 

skills clinics, and consultation services to media artists in 1982. 

TF 21,000 

Bay Atea Video Coalition For media arts center activities in 1983. 20,000 

San Francisco, California 

Black Filmmakers Foundation For media arts center activities, including distñbution and marketing 18,500 

New York, New York services, film exhibitions with visiting artists, critical symposia, and

programming and information services in 1982. 

Black Filmmakers Foundation For media arts center activities in 1983. 15,050 

New York, New York 

Boston Film/Video Foundation 

Boston, Massachusetts 

For media arts center activities, including provision of access to film 

and video post-production facilities, exhibitions, workshops, and training programs in 1982. 

26,500 

Boston Film/Video Foundation

Boston, Massachusetts 

For media arts center activities in 1983. 19,000 

Califomia, Regents of the University of 

Berkeley, California 

For media center activities of the Paciííc Film Archive, including film 

and video exhibition, in-residence/workshop programs, access to 

research and study materials, and provision of post-production 

33,000 

facilities. 

Carnegie Institute 

Pittsburgh, Pennsylvania 

For media arts center activities, including film and video exhibitions, 

visits by media artists and critics, publication of the Film/Video 

Makers Travel Sheet, and maintenance of a film study collection in 

24,000 

1982. 

Carnegie Institute For media arts center activities in 1983. 17,300 

Pittsburg, Pennsylvania 

Center for New Television For media arts center activities, including video exhibitions, work­ 20,000 

Chicago, Illinois shops and residencies, provision of production and post-production 

facilities, information and distribution services, and maintenance of 

a video library in 1982. 

Center for New Television For media arts center activities in 1983. 14,550 

Chicago, Illinois 
130 Media Arts 

Colorado, Regents of the University of 

Boulder, Colorado 

Downtown Community Television 

Center 

New York, New York 

Downtown Community Television 

Center 

New York, New York 

Film Arts Foundation 

San Francisco, Calffornia 

Film in the Cities 

St. Paul, Minnesota 

Global Village Video Resource Center 

New York, New York 

Haleakala 

New York, New York 

Image, Inc. 

Atlanta, Georgia 

Inter-Media Art Center 

Bayville, New York 

Long Beach Museum of Art 

Long Beach, California 

Media Study/Buffalo 

Buffalo, New York 

Millennium Film Workshop 

New York, New York 

Museum of Modern Art 

New York, New York 

Northwest Film Study Center 

Portland, Oregon 

Ohio University 

Athens, Ohio 

Pittsburgh Film-Makers 

Pittsburgh, Pennsylvania 

South Carolina Arts Commission 

Columbia, South Carolina 

Southwestern AIternate Media Project 

Houston, Texas 

University Community Video 

Minneapolis, Minnesota 

Walker Art Center 

Minneapolis, Minnesota 

TF-Trea.su ry Funds 

For the media center’s activities, including short-term residencies, 

the International Film Series, ah avant-garde f’dm series, provision 

of facilitíes and services to area f’flmmakers, and film exhibition 

programs. 

For media arts center activities, including provision of access to vídeo

production and post-production facilities, workshops, vídeo exhibition, 

and distribution in 1982. 

For media arts center activities in 1983. 

For provision of production and post-production facilities for filmmakers, exhibitions, and workshops in 1983. 

For visiting filmmaker programs, workshops, exhibition series, 

maintenance of a photography gallery, provision of access to filmmaking and post-production equipment, and educational programs. 

For video workshops, internships, exhibitions, video documentary 

festival, and maintenance of a video resource library. 

For activities of the Kitchen, including installations, video exhibitions, 

cable programming, maintenance ofa video archive, operation of the 

Media Bureau, symposia, and workshops. 

For provision of film production and post-production equipment, 

maintenance of a library, technical workshops, the Atlanta Independent Film/Vídeo Festival, and exhibitions. 

For film and video exhibitions, video/television production services,
 

artists’ residencies, and workshops.
 

For provision of broadcast-quality video production and postproduction facilities, vídeo exhibitions and installations, workshops,
 

and artists’ residencies.
 

For provision of production and post-production equipment, exhibitions, installations, workshops, residencies, conferences, and

publications. 

For film exhibitions, seminars, workshops, provision of film postproduction facilities, and publication of the Millennium Film Journal. 

For the film department’s activities, including film and video exhibitions and installations, maintenance of a research and study collection, and publication of program notes. 

For film and video exhibitions, publication of The Animator, 

maintenance of a circulating film library, study programs, and the 

Northwest Film/Video Festival. 

For film and vídeo exhibitions, publication of Wide Angle, visits by
 

film and video artists, and the Athens International Film and Video
 

Festival.
 

For provision of film post-production facilities, exhibitions, publications, maintenance of a resource library, and distribution. 

For provision of video and film post-production facilities, workshops, 

publication of a newsletter, touñng film exhibition programs, a grants 

program, and visiting filmmakers programs. 

For exhibitions, production assistance, provision of film and video 

facilities, workshops, publications, and administration of film/vídeo 

artists in schools. 

For provision of video production and post-production facilities, video 

exhibitions, visiting artist programs, publications, and video 

distribution. 

For film and video exhibition, lectures and artist residencies, 

maintenance of a film study collection, and touring programs. 

28,000 

24,000 

17,300 

13,000 

30,000 

22,500 

33,000 

16,500 

21,000 

20,000 

33,000 

24,000 

33,000 

30,500 

16,500 

28,000 

28,000 

28,000 

TF 17,000 

24,000 

132 Museum 

Walker Art Center 31 January-28 March 1982
 
133 

Muse~¿m
 

Museum Advisory Panels 

Susan Badder 

Museum education director 

Baltimore, Maryland 

Mary Todd Glaser 

Conservator 

Andover, Massachusetts 

Franklin Robinson 

Museum director 

Providence, Rhode Island 

Marjorie Beebe 

Museum director 

Claremont, California 

Alain Goldrach 

Painting conservator 

Boston, Massachusetts 

Allen Rosenbaum 

Museum director 

Princeton, New Jersey 

Joel Bloom 

Museum director 

Philadelphia, Pennsylvania 

Carroll Ted Hartwell 

Curator, photographer 

Minneapolis, Minnesota 

Joan Rosenbaum 

Museum director 

New York, New York 

Jean Sutherland Boggs 

Museum director 

Philadelphia, Pennsylvania 

Henry Hopkins 

Museum director 

San Francisco, California 

Angelica Rudenstein 

Museum curator 

New York, New York 

Starmanda Bullock 

Museum director 

Washington, D.C. 

Robert Inger 

Museum curator 

Chicago, Illinois 

Alan Shestack 

Museum director 

New Haven, Connecticut 

Mary Campbell Arnold Jolles Kenneth Starr 

Museum director Museum director Museum director 

New York, New York Seattle, Washington Milwaukee, Wisconsin 

Luis Cancel Lynn Jorgenson Susan Stitt 

Museum director Museum director Museum director 

Bronx, New York San Francisco, California Stony Brook, New York 

Ralph T. Coe 

Museum director 

-Bernard Kester 

Professor of art and design 

Hollister Sturgis 

Museum curator 

Kansas City, Missouri Los Angeles, California Omaha, Nebraska 

James Czarniecki 

Museum director 

Jackson, Mississippi 

Thomas Lawton 

Museum director 

Washington, D.C. 

Robin Tryloff 

State arts agency director 

Omaha, Nebraska 

John Daniels Peter Marzio Marcia Tucker 

Museum associate director Museum director Museum director 

Sarasota, Florida Washington, D.C. New York, New York 

David Dudley Richard Mittenthal Eran Turner 

Conservation association 

director 

Minneapolis, Minnesota 

Community trust manager 

New York, New York 

Museum director 

Chapel Hill, North Carolina 

Anthony Frantz Richard Muhlberger 

Museum director 

John Walsh 

Curator of paintings 

Conservator Springiield, Massachusetts Boston, Massachusetts 

New York, New York 

John Neff David Warren 

Edmund B. Gaither Museum director Museum acting director 

Museum director Chicago, Illinois Houston, Texas 

Boston, Massachusetts 
134 Museum 

Edward Weeks 

Museum curator 

Birmingham, Alabama 

Gillian Wilson 

Museum curator 

Malibu, Caliíornia 

Museum Grants 

Fellowships for 

Museum Professionals 

Darr, Alan P. 

Detroit, Michigan 

Emerson, Julie A. 

Seattle, Washington 

Featherstone, David B. 

Carmel, Caliíornia 

Katz, Kenneth B. 

Oberlin, Ohio 

Lira, Lacy 

San Francisco, California 

Percy, Ann B. 

Philadelphia, Penasylvania 

Zentner, Barbara S. 

Eugene, Oregon 

Museum Training 

American Law Institute 

Philadelphia, Pennsylvania 

Boston University 

Boston, Massachus~tts 

Delaware, University of 

Newark, Delaware 

Detroit Institute of Arts 

Detroit, Michigan 

James Wood 

Museum d~rector 

Chicago, Illinois 

Charles Wyrick 

Museum director 

Charleston, South Carolina 

Robert Yassin 

Museum director 

Indianapolis, Indiana 

Program funds: $10,488,150 

Treasury funds: $ 968,000 547 grants 

To enable museum staff members to take leaves of absence of up to one year

for independent study, research, travel, or other activities that contribute to their professional development. 

Program funds: $43,730 

6 grants 

For travel to Europe for three months’ research on Pietro Torrigiano $15,000
 

and Italian Renaissance sculpture to result in a published monograph.
 

For travel to Europe to study public and private decorative arts col- 5,030
 

lections, especially 18th-century European porcelain.
 

For research and travel while in residence at the Helena Wurlitzer 4,300
 

Foundation in Taos, New Mexico.
 

For travel to Italy for four months of study at the Instituto Centrale 6,920
 

del Restauro on the methods and materials used in the conservation
 

of Italian and European paintings.
 

To travel and study for one month in the People’s Republic of China 5,050
 and prepare an article for publication.
 

To travel to Caliíornia museums to study individual works and con- 2,920 

sult with curators. 

To travel to American and Canadian museums that have costume col- 4,510 lections to investigate catalog terminology and storage systems. 

To assist museums and universities in training museum professionals and 

technicians through college-level programs, internships, and

apprenticeships. 

Program funds: $326,290 

23 grants 

For stipends for approximately 65 museum professionals to attend $23,400 

a three-day course of study on legal problems of museum administration at the Smithsonian Institution. 

For a collaborative museum training program for graduate students. 20,000 

For one doctorial fellowship in the study of American decorative arts 25,000 and material culture and one M.A. fellowship in the Winterthur 

Museum program in Early American Culture. 

For one internship in the arca of European sculpture and decorative 10,000 

arts. 
Museum 135 

4,000 Federation of Historical Services	 For a series of workshops and seminars designed to upgrade prolesOld Chatham, New York sional standards in small museums and historical societies in the upper Hudson region. 

10,000 Guggenheim (Solomon R.) Museum	 For a curatorial fellow to be trained in the preparation of a major

New York, New York loan exhibition.

5,000 Hudson River Museum For an apprentice in the area of installation, preparation, and design 

Yonkers, New York of exhibitions. 

12,000 Illinois, University of For the university’s four-semester graduate program in museum 

Urbana, Illinois studies, including stipends for two internships at the Krannert Art 

Museum. 

International Museum of Photography For the museum’s internship program. 16,000 

Rochester, New York 

Michigan, University 25,000 of For the university’s graduate program in museum practice. 

Ann Arbor, Michigan 

Museum Associates For the museum’s internship program for the Los Angeles County 10,000 

Los Angeles, California Museum of Art. 

Museum of Fine 20,000 Arts For the museum’s training program. 

Boston, Massachusetts 

Museums Collaborative For the Cultural Institutions Management Program. 8,000 

New York, New York 

New Mexico, University of For a one-year curatorial internship in photography at the Universi- 12,000 

Albuquerque, New Mexico ty’s Art Museum. 

New York, Research Foundation of For stipends, honoraria, and travel for City College’s Museum Studies 12,000 

the City University Program. 

New York, New York 

Oberlin Col|ege For a full-time post-graduate internship in the Allen Memorial Art 8,500 

Oberlin, Ohio Museum. 

Parsons School of Design To support a two-year graduate program in the History of the 15,000 

New York, New York Decorative Arts in cooperation with the Cooper-Hewitt Museum. 

Philadelphia Museum of Art For two internships in the museum’s Department of Prints, Draw- 16,890 

Philadelphia, Pennsylvania ings, and Photographs. 

Scripps College For an intensive ten-month, graduate level museum training intern- 9,000 

Claremont, California ship conducted at the galleries of Claremont Colleges. 

Smith College For an internship program at the Museum of Art. 10,000 

Northampton, Massachusetts 

Studio Museum in Harlem For an internship program in the Museum’s Education and Exhibi- 6,000 

New York, New York tion Departments. 

Walker Art Center For an intern position in the center’s training program with emphasis 8,500 

Minneapolis, Minnesota on education, administration, and curatorial functions. 

Western Association of Art Museums For the association’s Museum Management Institute, a program in 40,000 

San Francisco, California management theory and business practice for mid-career museum 

professionals. 

Museum Sabbaticals	 For museums to develop and implement programs of sabbatical leaves for 

professional staff members. 

Program funds: $40,000 

2 grants 

Corcoran Gallery $20,000 of Art	 For a sabbatical program for professional employees who have been 

Washington, D.C.	 at the Corcoran for a minimum of four years. 

Museum of Fine 20,000 Arts To implement a sabbatical program for professional staff in the earBoston, Massachusetts ly stages of their careers. 
136 Museum 

Catalogue To document collections or to publish catalogues or handbooks on 

Akwesasne Cultural Center 

Hogansburg, New York 

Arkansas Art Center 

Little Rock, Arkansas 

Asian Art Foundation of San Francisco 

San Francisco, California 

Baltimore Museum of Art 

Baltimore, Maryland 

Bowdoin College 

Brunswick, Maine 

Brooklyn Museum 

Brooklyn, New York 

Buffalo Fine Arts Academy 

Buffalo, New York 

California Academy of Sciences 

San Francisco, California 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Carnegie Mellon University 

Pittsburgh, Pennsylvania 

Cincinnati Museum of Natural History 

Cincinnati, Ohio 

Clark (Sterling and Francine) Art 

Institute 

Williamstown, Massachusetts 

Colgate University 

Hamilton, New York 

Cornell University 

Ithaca, New York 

Corning Museum of Glass 

Corning, New York 

Crocker Art Museum Association 

Sacramento, California 

Dallas Museum of Fine Arts 

Dallas, Texas 

Detroit Institute of Arts, Founders 

Society 

Detroit, Michigan 

Drexel University 

Philadelphia, Pennsylvania 

Essex Institute 

Salero, Massachusetts 

Friends of Olana 

Hudson, New York 

collections. 

Program funds: $1,032,310 

61 grants 

To document the museum’s permanent collection of Iroquois cultural $7,240 

objects. 

For photographic documentation of the center’s collection and com- 10,000 

pletion of a classification system. 

To publish a handbook of selective works from the museum’s Japanese 39,650 

collection. 

To publish a handbook of the museum’s Cone Collection. 35,000 

For the research and writing phase oía catalogue of pre-1800 draw- 16,390 

ings from the museum’s permanent collection. 

For the ninth volume in a series of monographs documenting the 40,000 

museum’s holdings of Egyptían and CIassical antiquities. 

To research and write a catalogue of new works acquired for the per- 35,000 

manent collection at the Albright-Knox Art Gallery. 

To research and document the museum’s Carl Austin Rietz collec- 18,000 

tion of Coptic and post Arabic Conquest textiles. 

To prepare a manuscript on the collection of American paintings at 25,000 

the museum. 

For a detailed, multiple-index catalogue of the Hunt Institute of 7,520 

Botanical Documentation’s holdings of original works of botanical art 

and illustration. 

For a catalogue of Oceania artifacts among the museum’s permanent 15,000 

ethnographic collections. 

For an updated and revised catalogue of the institute’s permanent 10,900 

collection of paintings. 

For the inventory and documentation of the Colgate University 13,500 

collections. 

For the photographic documentation of the Cornell costume collection. 15,000 

To research and write a catalogue on Venetian glass a,~d glass made 15,000 

in the Venetian style from the late 15th century to the end of the 

19th century. 

For photo documentation and research of Dutch and Flemish draw- 4,460 

ings from the museum’s permanent collection. 

For the documentation of Guatemalan textiles in the Museum’s per- 7,080 

manent collection. 

For maximum use of the Detroit Art Registration Iníormation 26,340 System, a computerized collections management research and information system. 

For documentation of the museum’s entire permanent collection. 8,000 

For an illlustrated booklet describing the highlights of the institute’s 6,300 silver collection. 

To support the research of a comprehensive catalogue of the work 23,270 of the landscape artist, Frederic Edwin Church. 
Museum 13"/ 

25,000 Guggenheim (Solomon R.) Foundation	 For a handbook of the Peggy Guggenheim Collection, designed and 

New York, New York written expressly for the general public.

15,310 Hunter Museum of Art For a definitive, scholarly, illustrated catalogue of the museum’s perChattanooga, Tennessee manent collection. 

5,520 Huntington (Henry E.) Library and For a catalogue devoted to the works of Edward Francis Burney in 

Art Gallery the Huntington collection. 

San Marino, California 

25,000 |ndianapolis Museum of Art For a catalogue of the Holliday Colleetion. 

Indianapolis, Indiana 

1,500 To res~earch and document works in the museum’s collection that were 

fashioned in Italy between the 17th and 20th centuries for use in Jewish Museum 

New York, New York Jewish ritual. 

25,000 Jewish Museum To catalogue the permanent collection of Semitic Art, using the new 

New York, New York international system developed by the museum. 

18,000 Kansas, University of To research and prepare a catalogue of the museum’s collection of 

Lawrence, Kansas surimono. 

Lincoln University For inventory and documentation of the University’s collection of 15,000 

Lincoln University, Pennsylvania African art and artifacts. 

Marquette University	 10,830 For a catalogue of major works in the university’s fine arts collecMilwaukee, Wisconsin tion for the opening of a new museum facility.

Maryland Historical Society 20,000 To prepare a manuscript leading to the publication of a scholarly 

Baltimore, Maryland catalogue on the society’s furniture collection. 

12,000 Miami, University of For a handbook containing a representative cross-section of objects
 

Coral Gables, Florida from every area of the Lowe Museum’s collection acquired during
 

the last three decades.
 

Milwaukee Art Museum 15,000 To support the research for a guide to the museum’s permanent 

Milwaukee, Wisconsin collection. 

Minneapolis Institute of Art To research the first extensive catalogue of the institute’s Chinese 20,000 

Minneapolis, Minnesota textile collection. 

Mus¢um Associates For the first in a set of catalogues of the European sculpture collec- 25,000 

Los Angeles, California tion at the Los Angeles County Museum of Art. 

20,000 Museum of Fine Arts For a catalogue of the Oldham Fan Collection. 

Boston, Massachusetts 

10,000 National Academy of Design To publish a catalogue to accompany an exhibition on Samuel F.B. 

New York, New York Morse, founder of the National Academy of Design. 

7,500 

Lincoin, Nebraska a collection of western art given to the university in the spring of 1980. Nebraska, University of	 For the Center for Great Plains Studies to research and document 

Newark Museum Association To revise and reprint one volume of the five-volume series documen- 15,000 

Newark, New Jersey ting the museum’s Tibetan Collection. 

15,000 North Carolina Museum of Art To amend a previous grant for publication of an illustrated handbook
 

Foundation of the permanent collection.
 

Raleigh, North Carolina
 

7,500 Northern Illinois University For photographic documentation of the university’s collection of opera
 

Dekalb, Illinois scenery from the American Opera Theatre.
 

Philadelphia Museum of Art For a catalogue of the museum’s collection of antique Oriental rugs 30,000 

Philadelphia, Pennsylvania and carpets. 

Philadelphia Museum of Art For research of the museum’s 16th- to 17th-century Dutch tiles. 10,000 

Philadelphia, Pennsylvania 

20,000 Phiilips Collection To research and document the permanent collection for publication
 

Washington, D.C. of a comprehensive catalogue.
 

25,000 Pierpont Morgan Library To research and write a manuscript for a catalogue of the library’s
 

New York, New York collection of Dutch and Flemish drawings.
 
138 Museum 

Princeton University 

Princeton, New Jersey 

Princeton University 

Princeton, New Jersey 

Princeton University, Trustees of 

Princeton, New Jersey 

Rhode Is|and School of Design 

Providence, Rhode Island 

St. Louis Art Museum 

St. Louis, Missouri 

San Francisco Museum of Modern Art 

San Francisco, California 

Santa Barbara Museum of Art 

Santa Barbara, California 

School of American Research 

Santa Fe, New Mexico 

Scripps College 

Claremont, Calffornia 

Seattle Art Museum 

Seattle, Washington 

Sheldon Jackson College 

Sitka, Alaska 

Society for the Preservation of New
 

England Antiquities
 

Boston, Massachusetts 

Vassar College 

Poughkeepsie, New York 

Visual Studies Workshop 

Rochester, New York 

Whitney Museum of American Art 

New York, New York 

Whitney Museum of American Art 

New York, New York 

Utilization of 

Museum Collections 

Atlanta Arts Alliance 

Atlanta, Georgia 

Baltimore Museum of Art 

Baltimore, Maryland 

Bronx Museum of the Arts 

Bronx, New York 

Carolina Arts Association 

Charleston, South Carolina 

Cedar Rapids Art Center 

Cedar Rapids, Iowa 

For a handbook to serve as an introduction to the Art Museum’s 26,000 

collections. 

To research and document the Doyle Collection of African Art. 5,000 

To document Princeton’s collections through substantial revisions of 19,000 

the catalogue card system. 

For a handbook to serve as an overview of the permanent collections. 10,000 

To develop a master card index of the museum’s collection of prints, 12,000 

drawings, and photographs. 

To document the museum’s painting and sculpture collection. 25,000 

For the third part ofa five-phase project to document the major col- 10,000 

lections of the museum and to establish a workable system of detailed curatoria! files. 

For a catalogue of the school’s collection of southwestern Indian 20,000 

textiles. 

For a catalogue of the American painting and drawing collections at 14,000 

the galleries of Claremont Colleges. 

For a catalogue of the Katherine White Collection of African Art. 20,000 

For photographic documentation of the museum’s permanent collec- 22,500 

tion of Alaskan Indian and Eskimo artifacts. 

To catalogue the decorative and fine arts collections. 20,000 

For a catalogue of pre-20th-century paintings. 10,000 

To catalogue prints and artists’ books in the Workshop’s permanent 10,000 

collection. 

For the first phase of research and expanded documentation of the 25,000 

museum’s permanent collection. 

For a handbook of highlights from the permanent collection of 20th- 12,000 century paintings and sculpture. 

To install collections formerly in storage or recently acquired, or to design

new displays for artifacts already on view. 

Program funds: $1,327,480 72 grants 

To install an orientation gallery and produce interpretive video and $15,000 

print materials to complement exhibitions of the permanent collection at the High Museum of Art. 

Fora program of in-service workshops, a newsletter, and curriculum 10,000 aids for teachers to encourage the use of the museum asa teaching 

resource. 

For the Satellite Gallery Program, which brings works from the 10,000 

museum’s collection into various community centers. 

For a major temporary exhibition at the Gibbes Art Gallery of the 16,350 works of the noted portrait miniaturist, Charles Fraser. 

To expand the museum’s education program. 6,000 
Museum 139 

Chester County Historical Society 

West Chester, Pennsylvania 

For an exhibition of wedding dresses, spanning the past three 

centuries. 

6,700 

Corcoran Gallery of Art For ah exhibition of drawings by John Singer Sargent (1856-1925). 6,450 

Washington, D.C. 

Corning Museum of Glass 

Corning, New York 

For the permanent installation and exhibition of the Rockwell

Museum’s collection in a renovated building. 

35,000 

Crocker Art Museum 

Sacramento, California 

For the museum’s "Art Ark," a mobile trailer which is the focal point for ah integrated visual arts program aimed primarily at children and 

adults who have never had museum of arts experience. 

15,000 

Currier Gallery of Art For the reinstallation of the museum’s collection. 50,000 

Manchester, New Hampshire 

Danforth Museum For the reinstallation of the museum’s German Expressionist 7,000 

Framingham, Massachusetts collection. 

Dartmouth College 

Hanover, New Hampshire 

For the outreach program in New Hampshire and Vermont schools, 

a program that íeatures teachers’ workshops and direct training. 

12,000 

DeYoung Museum Art School For Trip-Out Trucks, the mobile outreach program operated by the 15,000 

San Francisco, California school for the Fine Arts Museums of San Francisco. 

Denver Art Museum For a mobile art van and its traveling exhibitions of paintings, 15,000 

Denver, Colorado photographs, costumes, and video-visual presentations. 

Detroit Institute of Arts For the permanent installation of the institute’s collection of Asian art. 65,000 

Detroit, Michigan 

Edmundson Art Foundation For a program providing free transportation and tours of the Des 8,300 

Des Moines, Iowa Moines Art Center to students of public and parochial schools. 

Fine Art Museums of San Francisco For the Museum Ambassadors, a program which trains ten high school 12,600 

San Francisco, California students to help elementary school children interpret museum kits 

brought to the schools. 

Franklin Furnace Archive 

New York, New York 

To publish three special issues of Flue, a newsletter in which articles 

on Franldin Furnace’s permanent collection and bibliographies of this 

material appear. 

11,000 

Fuller Memorial For an exhibition on archaeology of the Sudan at the Brockton Art 18,000 

Brockton, Massachusetts Museum. 

Guggenheim (Solomon R.) Foundation For an exhibition of selected works from the Solomon R. Guggenheim 20,000 

New York, New York Museum’s holdings of 20th-century art, tracing the evolution of major movements in modern art from the turn of the century to the 

present. 

Haleakala For an exhibition of video art shown at the Kitchen during its first 6,000 

New York, New York three years of operation (1971-1973). 

Harvard University For installation of the Fogg Art Museum’s permanent collections of 60,000 

Cambridge, Massachusetts Oriental, ancient, and Islamic art. 

Harvard University 

Cambridge, Massachusetts 

For the Busch-Reisinger Museum’s project of exhibiting its large 

holdings of Bauhaus art and artifacts. 

2,640 

Heye Foundation For an exhibition of 70 paintings and drawings selected from the per­ 10,720 

New York, New York manent collection of the Museum of the Ameñcan Indian. 

Hickory Museum of Art To expand the education program to include training for docents, 3,000 

Hickory, North Carolina speakers for a lecture series, art classes, anda film series. 

Historical Society of Pennsylvania For an exhibition and education program based on the society’s per­ 40,000 

Philadelphia, Pennsylvania manent collection of works of art. 

Indian Pueblo Cultural Center To install new displays designed to provide a natural setting for the 4,330 

Albuquerque, New Mexico Pueblo story and use the center’s permanent collections now in 

storage. 

Indianapolis Museum of Art To expand the museum’s in-house video tape capabilities. 10,000 

Indianapolis, Indiana 
140 Museum 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

Jewish Museum 

New York, New York 

Long Beach Museum of Art 

Long Beach, California 

Marquette University 

Milwaukee, Wisconsin 

Metropolitan Museum of Art 

New York, New York 

Metropolitan Museum of Art 

New York, New York 

Metropolitan Museum of Art 

New York, New York 

Mississippi Museum of Art 

Jackson, Mississippi 

Missouri Historical Society 

St. Louis, Missouri 

Montclair Art Museum 

Montclair, New Jersey 

Munson-Williams-Proctor Institute
 

Utica, New York
 

Museum Associates 

Los Angeles, California 

Museum of American Folk Art 

New York, New York 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Fine Arts 

Houston, Texas 

Museum of Fine Arts 

Boston, Massachusetts 

Museum of Fine Arts 

Boston, Massachusetts 

Museum of Modern Art 

Boston, Massachusetts 

Museum of Modern Art 

New York, New York 

Nationa! Center of Afro-American 

Artists 

Dorchester, Massachusetts 

Nebraska Art Association 

Lincoln, Nebraska 

New Hampshire, University of 

Durham, New Hampshire 

New Orleans Museum of Art 

New Orleans, Louisiana 

New York Historical Society 

New York, New York 

For a major exhibition drawn from the museum’s collection of French 

calotypes. 

15,000 

For ah exhibition of paintings by James Tissot. 30,000 

For an exhibition of the Abraham Walkowitz collection. 14,000 

To prepare the university’s fine art collection for installation ínto a 

new campus museum facility. 

3,710 

For the design and development of a visitor information room and

orientation gallery. 

12,000 

To produce two packet curriculum guides based on the museum’s Far 

East and primitive art collections. 

10,000 

To install a comprehensive exhibition of the museum’s ancient Near 

East collection. 

65,000 

For a eooperative loan and internship program with Tougaloo College. 9,000 

For ah exhibition of the works of a group of 19th-century St. Louis 

artists. 

6,370 

For an exhibition and catalogue of the museum’s entire collection of 

Chinese snuff bottles dating from the early 18th century. 

22,000 

For an exhibition of western art from the Rockwell Museum’s permanent collection. 

4,690 

For an exhibition and catalogue of 18th-century costumes, textiles, 

and accessories ranging from English and French court dress to provincial costumes at the Los Angeles County Museum of Art. 

65,000 

For a comprehensive exhibition of foIk art drawn entirely from the 

museum’s permanent collection. 

19,000 

To support the museum’s outreach program. 10,000 

For "In Sequence," a photography exhibition and catalogue. 23,500 

To develop museum-wide interpretive materials to coincide with the 

reopening ofits collections following climate-control installation and 

renovation. 

18,800 

For guidebooks to the collection of prints, drawings and photographs. 16,500 

To expand the museum’s interpretive programs for the hearingimpaired to include more cultural events at the museum. 

17,500 

For the installation of the museum’s architecture and desigu collections in new galleries. 65,000 

For an exhibition of traditional Afñcan art and Afro-American works 

from the 18th century to the present. 15,000 

For an exhibition and catalogue of the collection of Nebraska artists 

at the Sheldon Memorial Art Gallery. 9,350 

For the galleries’ outreach program, which is designed to serve 

elementary schools in the region. 

10,000 

To install the permanent collection in ah addition to the museum. 68,000 

For ah exhibition and catalogue of the work of Robert L. Bracklow, 

an early 20th-century New York photographer. 

28,900 
Museum 141 

5,000 Oakland Museum Association For the Museum on Wheels program, which serves local schools, comOakland, California munity centers, children’s hospitals, and handicapped persons. 

8,000 Parrish Art Museum For an in-school program to introduce students to museums. 

Southhampton, New York 

10,120 Peabody Museum of Salero For an exhibition of approximately 50 photographs by Edward S. 

Salem, Massachusetts Curtis depicting native American life circa 1895-1915. 

Philadelphia Museum of Art For a program of intensive workshops for teachers so they can in- 15,000 

Philadelphia, Pennsylvania corporate visual arts in established curricula. 

15,000 Phillips Collection For research and documentation of the museum’s collection of 20thWashington, D.C. century prints. 

24,000 Portland Museum of Art To reinstall the museum’s collection of decorative arts in the new 

Portland, Maine Charles Shipman Payson Building. 

Princeton Uníversity For an exhibition and catalog of African art at the Art Museum. 25,000 

Princeton, New Jersey 

2,970 Queens College For a photography exhibition drawn from the Godwin-Ternbach 

Flushing, New York Museum’s collection of 20th-century prints. 

4,200 Rhode Island School of Design For an exhibition and catalogue of approximately 40 works from the 

Providence, Rhode Island Museum of Art’s collection of drawings by the 19th-century British 

artist, Edward Lear. 

Rutgers University For the installation of a major portion of the Art Gallery’s perma- 5,000 

New Brunswick, New Jersey nent collection. 

San Antonio Museum Association For an exhibition of textiles drawn from the museum’s permanent 33,000 

San Antonio, Texas collection. 

23,790 Seattle Art Museum For a project designed to improve the museum’s permanent installaSeattle, Washington tions of African art and decorative arts. 

Springfield Library and Museum To support the evaluation, reworking ir needed, and reproduction of 10,000 

Association museum kits for area schools. 

Spñngíield, Massachusetts 

Wadsworth Atheneum To organize an exhibition and catalogue of Italian and Spanish paint- 20,000 

Hartford, Connecticut ings from the permanent collection. 

Walker Art 15,000 Center For a program of exhibitions using the center’s permanent collection 

Minneapolis, Minnesota of 20th-century paintings, drawings, sculpture, prints, and

photographs. 

Walker Art Center For Dialogues and Directions, a program of artist lectures, gallery 13,600 

Minneapolis, Minnesota discussions, anda film series on themes and styles of the center’s 

collections. 

Walters Art Gallery For an exhibition and catalogue of the gallery’s ivory collection. 30,000 

Baltimore, Maryland 

Washington, University of For an exhibition, catalogue, and lecture!demonstration señes of North- 22,140 

Seattle, Washington west Coast Native American weaving at the Thomas Burke Memorial 

Museum. 

Whitney Museum of American Art For an exhibition and accompanying brochure of works selected from 31,550 

New York, New York the museum’s permanent collection of paintings and sculpture created

during the 1940’s. 

Worcester Art Museum To reinstall the museum’s Asian art collection covering nearly 4,000 24,700 

Worcester, Massachusetts years of Asian culture. 
142 Museum 

Visiting 

Snecialists 

Akwesasne Library and Cultural 

Center 

Hogansburg, New York 

Akwesasne Library and Cultural 

Center 

Hogansburg, New York 

Art Institute of Chicago 

Chicago, Illinois 

Art Institute of Chicago 

Chicago, Illinois 

Astoria Motion Picture and Television 

Foundation 

Astoria, New York 

Baltimore Museum of Art 

Baltimore, Maryland 

Capital Children’s Museum 

Washington, D.C. 

Danforth Museum Corporation 

Framingham, Massachusetts 

Denver Art Museum 

Denver, Colorado 

Detroit Institute of Arts 

Detroit, Michigan 

Museum of New Mexico 

Santa Fe, New Mexico 

Parrish Art Museum 

Southhampton, New York 

Staten Island Children’s Museum 

Staten Island, New York 

Walker Art Center 

Minneapolis, Minnesota 

Western Association of Art Museums 

San Francisco, Caliíornia 

Collection 

Maintenance 

Art Museum Association 

San Francisco, Caliíornia 

Asian Art Museum of San Francisco 

San Francisco, California 

To enable museums to engage outside consultants for such projects as fundraising, collection research, and public relations activities. 

Program funds: $71,990 

15 grants 

For a visiting media specialist to produce audioslide shows document- $5,250
 

ing the production of traditional Mohawk arts and crafts for the
 

Akwesasne Museum.
 

For two specialists to document and catalogue the Akwesasne 4,000
 

Museum’s collection of Mohawk art and artifacts, and to translate
 

the material into the Mohawk language.
 

For a visiting specialist to conducta workshop for the conservation 1,500
 

staff on alternative lining methods for paintings.
 

For a visiting specialist to research and catalogue the Institute’s 4,750
 

Islamic ceramics collection.
 

For visiting specialists to provide management and technical 10,000 

assistance as the museum develops its plans for expansion into a permanent íacility. 

For a visiting computer specialist to survey the present and future 4,700 

need for computerized services. 

For the services of a visiting specialist who will desigu ah overall 5,000 

graphics program for the museum. 

For the services of a visiting specialist in special needs programs in 4,400
 

the arts.
 

For the services of a visiting specialist in audience development. 3,750 

For a visiting specialist program to study and document the institute’s 3,800 

newly acquired Chandler-Pohrt collection of Great Lakes Native 

American art. 

For ah interpretation specialist to advise the education department 1,610 

on tour design and to presenta docent training workshop. 

For visiting specialists to study and assess the museum’s collection 4,600 

of American drawings, prints, and paintings from 1950 to the present. 

For a visiting specialist to produce a comprehensive desigu for all 5,000 

of the museum’s printed materials. 

For a visiting specialist to advise on appropriate remodeling and 1,630 

reorganization of the center’s research library. 

Fora visiting specialist program in which 20 to 25 specialists visit 12,000 

small and medium-sized art institutions. 

For consultation services to idcntify problems and recommend solutions concerning security, storage, and climate control or to assist with renovation 

projects after surveys have been completed. 

Program funds: $935,580 

Treasury funds: $447,000 

31 grants 

For a visiting speciaIist program in which 20 to 25 specialists visit $12,000 

small and medium-sized art institutions. 

For the renovation of the museum’s tire and security systems. 25,000 
Museum 143 

Baltimore Muscum of Art 

Baltimore, Maryland 

For the purchase and installation of equipment for the museum’s

study-storage vaults. 

30,000 

Buffalo Bill Memorial Association To upgrade the storage facility at the Buffalo Bill Historical Center 10,000 

Buffalo, Wyoming by installing a tire prevention system and improving storage cabinets 

and shelves. 

Corcoran Gallery of Art 

Washington, D.C. 

For a major renovation project to provide climate control in the 

musuem’s exhibition galleries and display atriums. 

TF 200,000 

Harvard University To upgrade the museum’s storage areas for pñmitive and prehistoric 25,000 

Cambridge, Massachusetts art. 

Hudson River Museum For the second phase of upgrading the museum’s permanent collec­ 10,000 

Yonkers, New York tion storage. 

Louisiana State Museum To purchase and install storage cabinets for the museum’s extensive 3,000 

New Orleans, Louisiana collection of glass plate negatives by turn-of-the-century New Orleans 

photographer Achille Simon. 

Missouri Historieal Society To upgrade the museum’s storage facility. 5,000 

St. Louis, Missouri 

Munson-Williams Proctor Institute To install ultraviolet-filtering plexiglass windows at Fountain Elms. 7,790 

Utica, New York 

Museum of American Indian Heye To support costs fora climate control system at the museum. 64,680 

Foundation 

New York, New York 

Museum of Contemporary Art To upgrade the museum’s storage, climate control, and security 6,000 

Chicago, Illinois systems. 

Museum of Fine Arts To renovate the museum’s storage areas for works on paper. 37,500 

Boston, Massachusetts 

Museum of Modern Art For the third phase of a comprehensive plan to upgrade the museum’s 250,000 

New York, New York climate control, security, and storage systems. 

Museum of New Mexico Foundation For the upgrading of the museum’s storage facilities for works on 3,500 

Santa Fe, New Mexico paper. 

National Academy of Design 

New York, New York 

To install a climate control system to be adapted to the museum’s 

existing heating and ventilating systems. 

28,650 

Ne|son Gallery Foundation For the renovation of two large storage areas. 33,580 

Kansas City, Missouri 

Old Salem For a survey of the climate control systems in Old Salem’s 13 ex­ 16,380 

Winston-Salem, North Carolina hibit buildings. 

Parrish Art Museum To renovate the museum’s storage facility. 7,000 

Southhampton, New York 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

.To support the upgrading of the Museum’s facility for storage and 

care of its collection of ancient Egyptian art. 

25,000 

Phillips Collection To install a motion-detection burglar alarm system. 10,000 

Washington, D.C. 

Portland Art Association To construct and install a series of custom-built storage units in the 9,000 

Portland, Oregon Portland Art Museum’s vault area. 

Portland Society of Art To renovate the climate control and security of the McLellan-Sweat TF 150,000 

Portland, Oregon House and the L.D.M. Sweat Galleries. 

San Diego Museum of Art To upgrade the museum’s security and storage systems. 25,000 

San Diego, California 

Santa Barbara Museum of Art To upgrade the climate control, security, and storage systems as part 75,000 

Santa Barbara, California of a major modernization of the museum’s existing facility. 

S¢ripps College 

Claremont, California 

To renovate two storage areas housing the collections of Scripps 

College. 

5,000 

Seattle Al-t Museum For the third stage of the museum’s program for the storage and con­ 3,500 

Seattle, Washington servation of its collections. 
144 Museum 

Studio Museum in Harlem 

New York, New York 

Walker Art Center 

Minneapolis, Minnesota 

Washington University 

St. Louis, Missouri 

Williams College 

Williamstown, Massachusetts 

Worcester Art Museum 

Worcester, Massachusetts 

Conservation 

Academy of Natural Sciences 

Philadelphia, Pennsylvania 

Akron Art Museum 

Akron, Ohio 

Arnot Art Museum 

Elmira, New York 

Asian Art Foundation of San 

Francisco 

San Francisco, California 

Asian Art Foundation of San 

Francisco 

San Francisco, Caliíornia 

Baltimore Museum of Art 

Baltimore, Maryland 

Bishop (Bernice P.) Museum 

Honolulu, Hawaii 

Bowdoin College 

Brunswick, Maine 

Buffalo Fine Arts Academy 

Buffalo, New York 

California Historical Society 

San Francisco, California 

Cathedral of St. John the Divine 

New York, New York 

Cathedral of St. John the Divine 

New York, New York 

Charleston, City of 

Charleston, South Carolina 

Columbia Museum of Art and Science 

Columbia, South Carolina 

Columbus Museum of Art 

Columbus, Ohio 

To install a climate control system. 35,000 

To renovate existing storage areas and convert adjacent spaces to 75,000
 

storage and preparation areas.
 

To renovate the Gallery of Art’s climate control, security, and storage 60,000
 

systems.
 

To renovate the climate control and security systems in the gallery 47,000
 

spaces of Lawrence Hall.
 

To modernize the climate control, secucity, and storage systems in 3,000
 

conjunction with the construction of a new wing. TF 97,000
 

To assist museums in the planning of conservation programs; implement 

conservation treatment for permanent collections; assist works~ops, training centers, and intern programs to train conservation professionals; and 

to forro or expand regional conservation |aboratories. 

Program funds: $1,223,370 

90 grants 

To treat a group of 19th-century American portraits from the $6,000 

Academy’s collections. 

To treat 19th- and early 20th-century American Impressionist and 8,000 

Romantic paintings form the Edwin C. Shaw collection. 

To support the treatment of 17th- and 19th-century European and 4,000 

19th-century American paintings from the collection. 

To treat Islamic ceramics from the museum’s collections. 10,000 

To purchase and install an x-ray tube and traverse, expanding the 14,300 

museum’s conservation capabilities. 

To purchase equipment, including a microscope and fumehood system 11,000 

for the museum’s paper conservation laboratory. 

For the treatment, including relining and coating with protective 5,020 

finishes, of several oil paintings from the museum’s collections. 

To treat drawings and paintings in urgent need of stabilization. 6,530 

To treat works from the collection to stabilize them for exhibition. 10,000 

To treat 19th-century prints, including rare lithographs, woodcuts, 19,000 

engravings, and etchings. 

For restoration and conservation treatment of a series of 17th-century 25,000 

Barberini tapestries. 

To support the apprenticeships of restorers and conservators work- 20,000 ing on the 17th-century Barberini tapestries. 

For the treatment of four early American oil portraits in the city hall. 10,000 

For the treatment, including rematting, of drawings and prints from 1,700 the collection. 

For the treatment of paintings, drawings, and watercolors as part 8,000 

of a three-year program to improve the condition of the permanent

collections. 
Museum 145 

Corcoran Gallery of Art 

Washington, D.C. 

For the treatment of paintings from the European and American 

collections. 

10,000 

Cornell University For the treatment of works on paper from the collections. 6,970 

Ithaca, New York 

Corning Museum of Glass 

Corning, New York 

For the treatment of paintings from this collection of works of the 

American West. 

10,000 

Dallas Museum of Fine Arts For the treatment of paintings, objects, and works on paper in 10,000 

Dalias, Texas preparation for installation in new facilities. 

Delaware Art Museum For the treatment of pre-Raphaelite paintings from the collection to 4,000 

Wilmington, Delaware stabilize them for travel in exhibitions. 

Delaware, University of 

Newark, Delaware 

For the graduate degree program for the conservation of art andartistic objects. 

100,000 

Denver Art Museum For the treatment of objects, paintings, and textiles. 15,000 

Denver, Colorado 

DuPont (Henry Francis)Winterthur 

Museum 

To support a lacquering program designed to prevent further 

deterioration of metalware from the decorative arts collections. 

11,320 

Winterthur, Delaware 

DuPont (Henry Francis) Winterthur 

Museum 

For the purchase of equipment for the lacquering program, including 

ventilation ducts, lacquer turntable, and spray guns. 

4,840 

Winterthur, Delaware 

Essex Institute For the treatment of New England portralts from the portrait gallery. 4,480 

Salem, Massachusetts 

Fine Arts Museums Foundation For the treatment of pre-Columbian mural fragments from 15,000 

San Francisco, California Tectihuacan, Mexico. 

Fine Arts Museums Foundation For the training of an intern in the area of textile conservation. 5,000 

San Francisco, California 

Haleakala 

New York, New York 

To support the duplication of videotapes and their transfer from reel

to cassette format at the Kitchen. 

4,000 

Harvard University 

Cambridge, Massachusetts 

For the treatment of objects from the permanent collection as part 

of an ongoing program to stabilize the collection for installation in 

new facilities. 

17,000 

Harvard University 

Cambridge, Massachusetts 

For the conservation internship programs of the Center for Conservation and Technical Studies, with an emphasis on practical experience

combined with academic studies. 

50,000 

Honolulu Academy of Arts For the treatment of several paintings anda rare Japanese handscmll. 5,500 

Honolulu, Hawañ 

Huntington Historical Society 

Huntington, New York 

For the t~:eatment of watercolors by regional 19th-century artist, 

Edward Lange. 

1,080 

Indianapolis Museum of Art For the services of a full-time post-graduate intern. 6,250 

Indianapolis, Indiana 

International Museum of Photography 

at George Eastman House 

For a comprehensive conservatíon study of the collections which will 

be used in the design of new exhibition and storage facilities. 

10,000 

Rochester, New York 

Iowa State Universit~ For the treatment of works from the decorative arts collection, in­ 610 

Ames, Iowa cluding dolls, ceramics, and giass objects. 

Jefferson County Historical Society To support the urgently needed treatment of 19th-century portralts 1,500 

Watertown, New York from the collection. 

Kansas, University of 

Lawrence, Kansas 

For the treatment of works on paper and photographs from a collection in the Spencer Museum of Art of original art from Esquire 

8,000 

magazine, from 1938-1978. 

Kimbell Art Museum For a master-apprentice internship in conservation supervised by the 7,000 

Fort Worth, Texas museum’s resident conservator. 

Madison Art Center For a survey of the collection of palntings, works on paper, sculpture, 1,500 

Madison, Wisconsin and decorative arts by conservators from the Upper Midwest Con° 

servation Association. 
146 Museum 

Maryland Historical Society

Baltimore, Maryland 

Metro Board of Parks and Recreation 

Nashville, Tennessee 

Metropolitan Museum of Art 

New York, New York 

Michigan, University of 

Ann Arbor, Michigan 

Milwaukee Art Center 

Milwaukee, Wisconsin 

Minnesota Historical Society 

St. Paul, Minnesota 

Minnesota Museum of Art 

St. Paul, Minnesota 

Mississippi Art Association 

Jackson, Mississippi 

Missouri Historical Society 

St. Louis, Missouri 

Municipal Museum of the City of 

Baltimore 

Baltimore, Maryland 

Munson-Williams-Proctor Institute 

Utica, New York 

Museum Associates 

Los Angeles, California 

Museum of American Folk Art 

New York, New York 

Museum of Fine Arts 

Boston, Massachusetts 

Museum of International Folk Art 

Santa Fe, New Mexico 

Museums at Stony Brook 

Stony Brook, New York 

National Academy of Design 

New York, New York 

Nelson Gallery Foundation 

Kansas City, Missouri 

New Hampshire, University of 

Durham, New Hampshire 

New Orleans Museum of Art 

New Orleans, Louisiana 

Ncw York Historical Association 

Cooperstown, New York 

New York University 

New York, New York 

New York University 

New York, New York 

New York Univcrsity 

New York, New York 

For the treatment of sculptures, paintings, drawings, and furniture

i~rom the collection. 

10,500 

For the treatment of paintings by late 19th- and early 20th-century 

American artists. 

6,500 

For the second year of a two-year internship program instructing 

three apprentices in all phases of conservation treatment. 

15,000 

For the treatment of works on paper, including watercolors by 

Whistler and drawings by Noguchi. 

4,000 

For the treatment of works from the Layton Collection. 20,000 

For the treatment of portrait and landscape paintings in the society’s permanent collection. 

6,000 

For the treatment of preparatory sculpture drawings from the Paul 

H. Manship Collection in preparation for future exhibition. 

8,000 

To support the treatment of paintings from the permanent collection 

of the Mississippi Museum of Art. 

8,000 

For the treatment ofoil paintings from the collection as well asa statue 

of Thomas Jefferson by Karl Bitter. 

8,960 

For a survey of the museum’s works on paper by conservator/consultants from the Conservation Center for Art and Histoñc Artifacts. 

2,960 

For the treatment of a mural sketch by Arthur B. Davies and an oil 

painting by William E. West. 

1,800 

For a training program for conservator apprentices in paintings, 

paper, textiles, objects, and analysis treatment. 50,000 

For the treatment of 18th- and 19th-century textiles. 4,500 

For an associate conservator to work on paintings from the collections in preparation for installations in the renovated Evans Wing 

of the museum. 

15,000 

To treat paintings and objects from the Hispanic New Mexico 

Collection. 

10,000 

To treat 19th- and 20th-century American paintings. 5,500 

To treat member artists’ portraits and self-portraits, in preparation 

for touring exhibitions. 

10,000 

For the services of American and Japanese conservators, who will 

treat oriental screens and handscrolls. 

21,500 

For the conservation treatment of works from the Lotte Jacobi 

photographic collection. 

8,000 

To clean and revarnish the emulsion layer of several large Clarence 

John Laughlin photographs and to purchase storage mateñals for 2,000 

prints and glass-plate negatives. 

7,820 

For the three-year graduate training program jointly sponsored by 

the New York State Historical Association and the State University 

of New York at Oneonta. 

89,500 

To purchase laboratory equipment for the conservation center’s expansion into new facilities. 

25,000 

For the costs of publishing Art and Archeology Technical Abstracts, 

a journal of annotated abstracts and bibliographies for use by scholars 

and professionals in the conservation and archival fields. 

25,000 

For the university’s four-year graduate degree program providing 

instruction in all phases of art conservation. 

100,000 
Museum 14 ~ 

7,000 Northeast Document Conservation For a one-year internship in paper conservation under the superviCenter sion of the senior conservator. 

Andover, Massachusetts 

2,850 Peabody Museum of Salem To purchase equipment for the treatment of Oriental and Pachíc Island 

Salem, Massachusetts artifacts and native art objects from the Ethnology Department 

collections. 

Philadelphia Museum of Art For the treatment of Dutch tiles from the Garvan Collection. 7,630 

Philadelphia, Pennsylvania 

Phillips Collection To treat works from the permanent collection as part ofa multi-year 14,500 

Washington, D.C. program to remedy deteriorated paintings. 

Portland Art Association For cleaning, restoration, and treatment of 17th- through early 20th- 5,000 

Portland, Oregon century French paintings and modern German paintings. 

12,000 Portland Museum of Art To treat paintings from the Hamilton Easter Field collection of Maine 

Portland, Maine artists who worked at the turn of the century. 

Princeton University To purchase equipment for the Art Museum’s conservation laboratory. 13,760 

Princeton, New Jersey 

Reed College 1,300 For a conservation survey which will establish treatment priorities 

Portland, Oregon for this collection of approximately 400 paintings, drawings, prints, 

and sculptures. 

Rhode Island School of Design To treat paintings from the collections, including landscapes, portraits, 11,800 

Providence, Rhode Island and abstract work. 

St. Louis Art Museum For the purchase of equipment for the museum’s new textiles and 12,500 

St. Louis, Missouri objects conservation laboratories. 

St. Louis Art Museum To treat metal sculptures in preparation for installation in the newly 12,500 

St. Louis, Missouri constructed Sculpture Terrace. 

San Diego Museum of Art To treat European Renaissance and Baroque paintings, and American 15,000 

San Diego, California works from the collections. 

San Francisco Museum of Art To support ah ongoing program of treatment for works in the 18,000 

San Francisco, California collections. 

Santa Barbara Museum of Art For the treatment of paintings from the collections. 15,000 

Santa Barbara, California 

Smith Coilege To support the treatment of works on paper. 6,000 

Northampton, Massachusetts 

8,000 State Historicai Society of Colorado For treatment of portraits and western landscape paintings, conserDenver, Colorado vation evaluations of several western paintings, and rematting of 

prints from the collection. 

Staten Island Institute of Arts and To treat several paintings from the collection in preparation for the 3,250 

Sciences exhibition on American art from the Centennial to the World’s 

Staten Island, New York Columbian Exposition. 

Toledo Museum of Art For the cleaning and structural strengthening of ah early 18th-century 6,000 

Toledo, Ohio French bookcase from the collection. 

Upper Midwest Conservation For ah apprentice internship in paper conservation emphasizing clean- 5,000 

Association ing and repair of Occidental and Oriental works. 

Minneapolis, Minnesota 

Valparaiso University To ta’eat approximately 300 paintings and drawings by Junius R. Sloan 20,000 

Valparaiso, Indiana in the university’s art galleries and collections. 

Wadsworth Atheneum To purchase conservation equipment. 12,000 

Hartford, Connecticut 

Walker Art Center For the treatment of Joseph Cornelrs "Andromeda (Sand Fountain)" 5,500 

Minneapolis, Minnesota and "Italian Landscape" by Ben Shahn. 

Washington University To treat several paintings, and to purchase several frames and 3,150 

St. Louis, Missouri solander boxes to ensure proper storage of works from the collection. 

Whitney Museum of American Art To treat works from the collection in most urgent need of attention. 20,000 

New York, New York 
148 Museum 

Williams College 

Williamstown, Massachusetts 

Wisconsin-Milwaukee, University of 

Milwaukee, Wisconsin 

Yale University 

New Haven, Connecticut 

Special Exhibitions 

Academy of Natural Sciences 

Philadelphia, Pennsylvania 

Akron Art Museum
 

Akron, Ohio
 

Albright College 

Reading, Pennsylvania 

Aldrich Museum of Contemporary Art 

Ridgefield, Connecticut 

Alternative Center for International
 

Arts
 

New York, New York 

American Federation of Arts 

New York, New York 

American Federation of Arts 

New York, New York 

American Federation of Arts 

New York, New York 

Amerindian Circle 

Washington, D.C. 

Art il,~titute of Chicago 

Chicago, Illinois 

Art Institute of Chicago 

Chicago, Illinois 

Art Institute of Chicago 

Chicago, Illinois 

Art Institute of Chicago 

Chicago, Illinois 

Art Institute of Chicago 

Chicago, Illinois 

Artists Space 

New York, New York 

Asia Society 

New York, New York 

Asia Society 

New York, New York 

To treat paintings from the collection in preparation for their installation in new museum facilities. 

16,000 

To restore works by American landscape photographer Timothy 17,500 

O’Sullivan. 

To treat three 20th-century paintings from the collections and several 21,000 

paintings by John Trumbull. 

To enable museums to organize special exnibitions or to borrow exhibitions 

organized by other museums. 

Program funds: $5,348,685 

Treasury funds: $ 461,000 

231 grants 

For an exhibition examining the paintings and drawings of Louis $8,690 

Agassiz Fuertes (1874-1927) and his role in the development of the 

American tradition of natural history painting. 

To support Dialogue, a series of small, flexible exhibitions, each com- 41,730 paring and contrasting two contemporary artists. 

For a joint installation exhibition. 3,480 

For an exhibition of postminimalist works. 6,960 

For an exhibition of contemporary portraits in all media. 10,430 

For an exhibition of the works of Hans Hofmann, one of the forerun- 8,690 ners of Abstract Expressionism, and drawings by his students. 

To organize a major exhibition of pre-Columbian Peruvian textiles. 80,000 

For an exhibition of Maori art dating from 1000 A.D. to 1880, the 94,660 

period prior to European settlement. 

To support the showing of the Loan Collection of the Amerindian Cir- 5,000 

cle at the Smithsonian’s Museum of Natural History. 

To support the showing in Chicago of the exhibition "Before 8,690 Photography," organized by the Museum of Modern Art. 

For the showing in Chicago of the exhibition "Joseph Cornell," organ- 8,690 ized by the Museum of Modern Art. 

For the showing in Chicago of the exhibition "Edward Hopper: The 8,690 Art and the Artist," organized by the Whitney Museum of American 

Art in New York. 

To amend a previous grant for a comparative exhibition of photographs 28,900 by Gustave LeGray and Roger Fenton. 

For an exhibition, organized by the Museum’s newly created Depart- 25,000 ment of Architecture, which examines the architectural interactions 

between New York and Chicago during the past century and their 

impact on the American cityscape. 

For an exhibition of Fluxus works by international multi-media artists. 10,900 

To support the showing in New York of the exhibition "Eight 5,220 

Dynasties of Chinese Paintings," co-organized by the Nelson-Akins

Museum in Kansas City and the Cleveland Museum of Art. 

5,000 For the sho~~ng in New York of "The Dyer’s Art in Indian Textiles," 

an exhibition organized by the Textile Museum in Washington, D.C. 
Museum 149 

13,350 Aspen Center for the Visual Art For a series of one-man and group shows of contemporary Southwest 

Aspen, Colorado artists. 

4,350 Atlanta Arts Alliance For the showing in Atlanta of "Art in our Time," an exhibition organAtlanta, Georgia ized by the Akron Art Institute. 

44,630 Atlanta Arts Alliance For an exhibition of French 19th-century academic paintings drawn 

Atlanta, Georgia from Southern collections. 

17,390 Baltimore Museum of Art For the museum’s traveling exhibition program, in which six exhibiBaltimore, Maryland tions from institutions in the Baltimore area are made available to 

schools, colleges, and art centers throughout the state. 

72,620 Baltimore Museum of Art For an exhibition of furniture by Maryland cabinetmaker John Shaw. 

Baltimore, Maryland 

51,220 Baltimore Museum of Art For an exhibition of works by the 19th-century printmaker Felix 

Baltimore, Maryland Buhot. 

Bard College For an exhibition of drawings and watercolors by artists of the Hud- 30,000 

Annandale-on-Hudson, New York son River School of the 19th century. 

For an exhibition of works by a family of early 20th-century women 13,000 Berkshire Museum, Trustees of the
 

Pittsfield, Massachusetts portraitists.
 

12,000 Boise Gallery of Art Association For an exhibition of contemporary trompe l’oeil painting and sculpture 

Boise, Idaho that will relate this genre to forms of contemporary realism and to 

19th-century antecedents. 

7,390 Brooklyn Institute of Arts and To amend a previous grant for the second Biennial Drawing National 

Seiences Exhibition. 

Brooklyn, New York 

Brooklyn Institute of Arts and For an exhibition of the work of fashion designer Charles James 26,080 

Sciences (1906-1978). 

Brooklyn, New York 

11,000 Brooklyn Museum To plan an exhibition exploring the arts of the Congo. 

Brooklyn, New York 

17,390 Brown University For an exhibition exploring military imagery in painting in France 

Providence, Rhode Island following the French Revolution. 

Buffalo Fine Arts Academy For a retrospective exhibition of the work of Robert Motherwell at 50,000 

Buffalo, New York the Albright-Knox Art Gallery. 

Buffalo Fine Arts Academy For an exhibition of the work of 20th-century French artist Fernand 75,000 

Buffalo, New York Leger. 

16,000 CSULB Foundation for the To support CENTRIC, a series of small-scale exhibitions and installaLong Beach, Caliíornia tions of contemporary art. 

California State College For an exhibition of the work and collection of Kate Steinitz, including 4,040 

San Bernardino, California paintings, drawings, watercolors and prints of German avant-garde 

artists in the 1920’s and 1930’s. 

California State University For a series of small-scale exhibitions of contemporary art. 14,560 

Long Beach, California 

California State University For an exhibition of the wood block prints of the 19th-century Osaka 15,650 

Long Beach, California printmaker Gosotei Hirosada. 8,665 

California State University For an exhibition of drawings, collages, lithographs, paintings, and 

Fullerton, California sculpture by Emerson Woelffer, ah American abstract surrealist. 

California University of For an exhibition examining the Italian influence on British and 10,430 

Santa Barbara, California American art between 1750 and 1820. 

California, University of For a retrospective survey of San Francisco multi-media artist, 17,390 

Berkeley, California Howard Fried. 

California-Berkeley, Univ¢rsity of 36,510 To support MATRIX]BERKELEY. 

Berkeley, California 

50,000 Carnegie Institute For an exhibition examining abstract painting and sculpture created 

Pittsburgh, Pennsylvania in America from 1927 to 1944. 
150 Museum 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Central Louisiana Art Association 

Alexandria, Louisiana 

Chicago, University of 

Chicago, Illinois 

Chinese Cultural Foundation of San 

Francisco 

San Francisco, California 

Chinese Culture Foundation of San 

Francisco 

San Francisco, Caliíornia 

Chrysler Museum 

Norfolk, Virginia 

Cincinnati Museum Association 

Cincinnati, Ohio 

Cleveland Museum of Art 

Cleveland, Ohio 

Colorado, University of 

Boulder, Colorado 

Colorado, University of 

Boulder, Colorado 

Contemporary Arts Center 

Cincinnati, Ohio 

Contemporary Arts Center 

Cincinnati, Ohio 

Contemporary Arts Center 

Cincinnati, Ohio 

Contemporary Arts Museum 

Houston, Texas 

Contemporary Arts Museum 

Houston, Texas 

Contemporary Arts Museum 

Houston, Texas 

Corcoran Gallery of Art 

Washington, D.C. 

Corcoran Gallery of Art 

Washington, D.C. 

Cornell University 

Ithaca, New York 

Crocker Art Museum 

Sacramento, California 

Cummer (DeEtte Holden) Museum

Foundation 

Jacksonville, Florida 

Currier Gallery of Art 

Manchester, New Hampshire 

Danforth Museum 

Framingham, Massachusetts 

Detroit Institute of Arts 

Detroit, Michigan 

To support the showing in Pittsburgh of "Real, Really Real, Super 

Real Directions in Contemporary Realism," ah exhibition organized

by the San Antonio Museum Association. 

8,690 

For the showing in Alexandria of "American Landscape Painting: 

Selections from the High Museum of Art." 

5,000 

For the showing in Chicago of "Kandinsky Watercolors: A Selection 

from the Solomon R. Guggenheim Museum and the Hilla Von Rebay 

Foundation." 

5,220 

For an exhibition of traditional ink-and-brush style scroll paintings 

by major and emerging contemporary artists from the People’s 

Republic of China. 

17,390 

For ah exhibition of contemporary Chinese-American graphic arts. 10,000 

For an exhibition of Virginia Eastern Shore raised-panel furniture 

produced between 1730 and 1830. 15,000 

To amend a previous grant for an arms and armour exhibition drawn 

from the Tower of London. 

30,000 

For planning an exhibition on realism in Japanese art. 8,690 

For a series of installations and performances by four contemporary 

artists. 

12,000 

For a series of four one-man exhibitions of work by contemporary 

artists in conjunction with the artists’ visits to the university. 

21,490 

For an exhibition examining the emergence of the full-scale tableau 

format in contemporary sculpture. 

47,300 

For an exhibition examining contemporary abstract works using nontraditional materials. 

15,650 

To support the showing in Cincinnati of "John Baldessari: A

Retrospective," ah exhibition organized by the New Museum in New 

York City. 

3,480 

For an exhibition surveying the use of still life by American artists 

since 1945. 35,000 

To continue support of "Perspectives," an ongoing señes of mediumsized exhibitions of contemporary art. 

50,000 

For an exhibition of works by Robert Morris, including sound installations, models for earthworks, and re-creations of recent installations. 

26,080 

For ah exhibition surveying traditional folk art by black Americans. 52,160 

For three exhibitions of works by individual contemporary 

photographers. 24,630 

For an exhibition of works by Tony Smith, including architectural 

drawings, models, photopanels, paintings, and sculpture. 50,000 

For an exhibition of ancient Greek art from the University of California collections. 17,390 

For an exhibition tracing the career of the German-born American 

painter, Herman Herzog, and concentrating on paintings he produced in Florida during the late 19th century. 

12,090 

For an exhibition of works by Al Loving, Frank Bowling, and Larry 

Mohr. 5,770 

For an exhibition of paintings by Americans who studied in Dusseldorf 

in the mid-19th century. 14,000 

To support an exhibition examining the Detroit industry frescoes by 

Diego Rivera. 60,850 
Museum l~l 

20,870 For a series of four exhibitions of drawings by little-known contem- Drawing Center porary American artists. New York, New York 

15,000 For an exhibition of installation centers at 80 Langton Street. 80 Langton Street Corporation 

San Francisco, California 

17,900 For an exhibition of the work of contemporary Puerto Rican painter El Museo del Barrio 

New York, New York and graphic artist Myrna Baez.

1,210 Foran exhibition of paintings, drawings, and painted dinnerware by Essex County Historical Society Rockwell Kent. Elizabethto~m, New York 

26,080 For an exhibition of paintings, water colors, and drawings by Abbot Everson Museum of Art Handerson Thayer, a painter of the 19th-century American Syracuse, New York Renaissance. 

8,690 For a retrospective exhibition of works by Robert Indiana. Farnsworth (William A.) Library and 

Art Museum 

Rockland, Maine 

6,893 For administrative costs for Museum Indemnity. Federal Council on the Arts and 

Humanities 

Washington, D.C. 

13,910 To plan an exhibition of the work of Francisco Oller. Ferre (Luis) Foundation 

San Juan, Puerto Rico 

15,460 For an exhibition of paintings and drawings by 17th-century masters Florida Foundation, University of 

Gainesville, Florida of the Roman Baroque. 

5,330 Fort Wayne Museum of Art	 For an exhibition of abstract paintings by Ron Gorchov, Sam Gilliam,


Louise Fishman, and Richard Hennessy.
 Fort Wayne, Indiana 

25,000 Fort Worth Art Association	 For an exhibition of furniture, decorative arts objects, preparatory

designs, and architectural renderings of 19th-century Viennese Fort Worth, Texas designer-architect Josef Hoffman. 

21,400 To support "Focus," a series of small-scale, one-artist exhibitions ex- Fort Worth Art Museum amining recent developments in contemporary art. Fort Worth, Texas 

20,240 Franklin Furnace Archive For an exhibition of Russian and East European artists’ books from

New York, New York the 1920’s to the 1970’s.

9,630 For an exhibition of artists’ books from Mexico. 

New York, New York 

10,000 

Franklin Furnace Archive 

Gallery Association of New York State	 For Art Transport Service, which provides transportation of special

exhibitions to member institutions throughout the state of New York. Hamilton, New York 

60,850 Guggenheim (Solomon R.) Museum For a major survey of contemporary Scandinavian art held in conNew York, New York junction with the nationwide program "Scandinavia Today."

50,000 Guggenheim For an exhibition of recent paintings by the American artist Jack (Solomon R.) Museum 

New York, New York Tworkov.

9,820 Hofstra University For an exhibition of works by the 19th-century American painter 

Hempstead, New York William Lathrop. 

4,350 Honolulu Academy of Arts	 For an exhibition of Chinese fan paintings of the 15th through 19th


Honolulu, Hawaii centuries selected from American collections.


9,900 Honolulu Academy of Arts	 For an exhibition of Chinese hardwood furniture from the Ming and
 

Honolulu, Hawaii Ch’ing dynasties drawn from Hawaiian collections.


8,070 Honolulu Academy of Arts	 For the showing in Honolulu of "Americans in Gláss," an exhibition
 

Honolulu, Hawaii organized by the Leigh Yawkey Woodson Art Museum in Wausau,


Wisconsin. 

12,970 Hudson River Museum	 For an exhibition and documentation of site sculpture by New York
 

Yonkers, New York artist Elyn Zimmerman.


20,000 For an exhibition of drawings and engravings by 19th-century ttudson River Museum 

Yonkers, New York American artist Asher Brown Durand.

8,420 Hudson River Mus¢um For an exhibition of works by six abstract artists, including Gregory

Yonkers, New York Amenoff, Jake Berthot, Howard Buchwald, and Louise Fishman.
152 Museum 

Independent Curators 

New York, New York 

Independent Curators 

New York, New York 

Independent Curators
 

New York, New York
 

Institute for Art and Urban Resources 

Long Island, New York 

Institute of Contemporary Art
 

Boston, Massachusetts
 

Institute of Contemporary Art
 

Boston, Massachusetts
 

[nstitute of Thomas Gilcrease
 

Tulsa, Oklahoma
 

International Center of Photography 

New York, New York 

International Exhibitions Foundation 

Washington, D.C. 

International Exhibitions Foundation 

Washington, D.C. 

International Museum of Photography 

Rochester, New York 

Iowa, University of
 

Iowa City, Iowa
 

Jefferson County Historical Society
 

Watertown, New York
 

Jewish Museum
 

New York, New York
 

Jewish Museum
 

New York, New York
 

Joslyn Liberal Arts Society 

Omaha, Nebraska 

Joslyn Liberal Arts Society 

Omaha, Nebraska 

Just Above Midtown 

New York, New York 

Kansas, University of 

Lawrence, Kansas 

Kansas, University of 

Lawrence, Kansas 

La Jolla Museum of Contemporary Art 

La Jolla, California 

Laguna Gloria Art Museum 

Austin, Texas 

Laguna Gloria Arts Museum 

Austin, Texas 

Laumeier International Sculpture 

Park 

St. Louis, Missouri 

For an exhibition of contemporary German sculpture. 23,200 

Foran exhibition of works fr0m the Fabric Workshop in Philadelphia. 14,860 

For an exhibition surveying major trends in constructivist art since 

1920. 15,000 

For an exhibition of works by Keith Sonnier. 24,340 

For "Issues," the first year of an ongoing series of exhibitions explaining current issues in contemporary art. 

For "Issues," the institute’s on-going series of thematic exhibitions 

on contemporary art. 

For an exhibition of drawings and water colors of the Yellowstone 

area by Thomas Moran and members of the Washburn and Langford 

expedition of 1870. 

34,780 

22,070 

8,400 

For an exhibition of the photographic work of Gyorgy Kepes from 

1928 to the present. 

For an exhibition of Dutch marine prints from Rijksmuseum in 

Amsterdam. 

8,690 

17,390 

For an exhibition of dra~~ings by the Italian Baroque artist Gianlorenzo Bernini. 26,080 

For an exhibition of the photographs of Robert Fichter, a contemporary artist whose work combines photography and drawing. 13,910 

For an exhibition of paintings and drawings by the 20th-century 

French artist Jean Metzinger. 43,500 

For ah exhibition of works by 19th-century American artist Abraham 

G.D. Tuthill. 2,610 

For an exkibition examining Israeli and American Jewish folk art from 

1620 to the present. 80,000 

For an exhibition examining the achievements of Anglo-Jewish artists of the 20th century. 34,780 

For a retrospective of the work of contemporary American sculptor 

George Sugarman. 70,000 

For an exhibition of oil sketches, drawings, and several large salon 

paintings by the 19th-century French painter Jules Breton. 25,000 

For two exhibitions, one of which will deal with artists who practice 

in more than on discipline. 25,000 

For an exhibition of the graphic art of Pat Steir. 12,170 

For an exhibition of the work of late 19th-century American artist 

Charles Walter Stetson. 15,650 

For the showing in La Jolla of "New Works on Paper," ah exhibition organized by the Museum of Modern Art. 5,220 

.For ah exhibition of tents, kayaks, mixed media constructions, paintmgs, and works on paper by Rafael Ferrer since 1973. 10,000 

For the showing in Austin of "The Sculpture of Robert Smithson," 

an exhibition organized by the Herbert F. Johnson Museum at Cornell University. 

4,350 

For the showing in St. Louis of "Kenneth Snelson," a retrospective 

exhibition, organized by the Albright-Knox Art Gallery in Buffalo, 

New York. 

4,350 
Los Angeles Institute of Contemporary 

Art 

Los Angeles, California 

Los Angeles Municipal Art Gallery 

Associates 

Los Angeles, California 

Madison Art Center 

Madison, Wisconsin 

Maryland Historical Society 

Baltimore, Maryland 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

Mattatuck Museum 

Waterbury, Connecticut 

Metropolitan Museum of Art 

New York, New York 

Metropolitan Museum of Art 

New York, New York 

Miami, University of
 

Coral Gables, Florida
 

Michigan, University of
 

Ann Arbor, Michigan
 

Michigan, University of
 

Ann Arbor, Michigan
 

Mid-America Arts Alliance
 

Kansas City, Missouri
 

Mid-America Arts Alliance
 

Kansas City, Missouri
 

Minneapolis Society of Fine Arts
 

Minneapolis, Minnesota
 

Minnesota Museum of Art
 

St. Paul, Minnesota
 

Minnesota Museum of Art
 

St. Paul, Minnesota
 

Mississippi Museum of Art
 

Jackson, Mississippi
 

Mississippi Museum of Art
 

Jackson, Mississippi
 

Mississippi, University of
 

University, Mississippi
 

Montana Foundation, University of 

Missoula, Montana 

Mount Holyoke College
 

South Hadley, Massachusetts
 

Munson-Williams-Proctor Institute 

Utica, New York 

Museum Associates
 

Los Angeles, California
 

Museum of Mrican American Art 

Paciííc Palisades, California 

Museum of Contemporary Art
 

Chicago, Illinois
 

Museum 1ó3 

31,500 For installations by Helen and Newton Harrison, Doug Hollis, Keiko 

Prince, Charles Ross, and Alan Sonfist. 

17,390 For three retrospective exhibits of work by Marvin Harden, Guy 

Williams, and Peter Alexander. 

8,000 For an exhibition of works from the Jones Road Print Shop. 

68,350 For an exhibition of Maryland silver and its influences. 

18,270 For an exhibition of works by Vernon Fisher, Paul Sharits, Myrel 

Chernick, and William Wegman. 

9,640 For ah exhibition of the work of Elijah, Ebenezer, and Joel Booth, 

a family of 18th-century Connecticut furniture makers. 

150,000 For an exhibition of paintings, drawings, and prints by Edouard Manet 

from the Louvre’s and the Metropolitan’s collections. 

17,390 For an exhibition of the complete engraved work of the 16th-century 

Italian artist Giorgio Ghisi. 

1,450 To amend a previous grant for an exhibition of prints and drawings 

by Utagawa Kuniyoshi. 

9,560 For an exhibition surveying the development of the art of glassmaking in the Roman Empire. 

15,650 For an exhibition of graphic works from 1967-1982 by American artist Frank Stella. 

12,170 To tour "Benton’s Bentons," an exhibition organized by the Spencer
 

Museum of Art, University of Kansas, at Lawrence.
 

4,850 For the Alternative Exhibits program which tours medium-sized exhibitions to member institutions.
 

44,977 To amend a previous grant for an exhibition exploring the principal
 

artistic movements in 19th-century Spain.
 

6,960 For the showing in St. Paul of "Next to Nature: 19th-Century


American Landscape Painting."
 

12,170 For an exhibition of American art from the late 19th century through 

the 1940’s drawn from Minnesota collections. 

20,000 For a series of one-man exhibitions by contemporary artists. 

26,080 For a series of cooperatively organized exhibitions of monumental
 

sculpture.
 

18,480 For an exhibition of quilts created by ten black women. 

8,690 For an exhibition of the ceramic sculptures of Rudy Autio. 

12,260 To exhibit an installation piece by black American artist Richard


Yarde based on the Savoy Ballroom of Harlem.
 

4,850 For an exhibition of North Country folk art. 

125,000 For an exhibition of sculpture by Expressionist artists. 

17,390 For an exhibition of 100 to 150 paintings in gouache, casein egg
 

tempera by Jacob Lawrence.
 

43,500 To support "Options" a series of exhibitions of new and experimental works by artists from the United States and abroad.
 
154 Museum 

Museum of Contemporary Art
 

Chicago, Illinois
 

Museum of Contemporary Art
 

Chicago, Illinois
 

Museum of Contemporary Art
 

Chicago, Illinois
 

Museum of Fine Arts
 

Boston, Massachusetts
 

Museum of Fine Arts
 

Boston, Massachusetts
 

Museum of Modern Art
 

New York, New York
 

Museum of Modern Art
 

New York, New York
 

Museum of Modern Art
 

New York, New York
 

Museum of Modern Art
 

New York, New York
 

Museum of New Mexico
 

Santa Fe, New Mexico
 

Museum of New Mexico
 

Sante Fe, New Mexico
 

Nassau County Museum of Fine Arts
 

Roslyn Harbor, New York
 

New England Foundation for the Arts 

Cambridge, Massachusetts 

New Gallery of Contemporary Art
 

Cleveland, Ohio
 

New Hampshire Historical Society
 

Concord, New Hampshire
 

New Jersey State Museum
 

Trenton, New Jersey
 

New Mexico, University of
 

Albuquerque, New Mexico
 

New Museum
 

New York, New York
 

New Museum 

New York, New York 

New York University 

New York, New York 

New York University 

New York, New York 

New York, Research Foundation of 

State University of 

Albany, New York 

New York, Research Foundation of 

the City University 

Flushing, New York 

New York, Research Foundation of 

the City University 

Flushing, New York 

For a retrospective of Polish fabñc sculptor, Magdalena Abakanowicz. 80,000 

For an exhibition of the work of Gordon Matta-Clark produced be­ 67,630 tween 1970 and 1978.
 

For an exhibition of the surrealist sculpture of Margaret Wharton.
 17,390 

For the showing in Boston of "August Sander: Photographs of an 3,480 Epoch."
 

For the showing in Boston of an exhibition of drawings by the Italian
 8,690 Baroque artist, Gianlorenzo Bernini.
 

For an exhibition of the work of Kurt Schwitters, known for bis
 90,710 assemblages and collages created from paint and found materials.
 

For a major retrospective of the work of Louise Bourgeois.
 30,000 

For an exhibition of drawings by younger and lesser known Euro­ 50,000 pean artists.
 

For an exhibition of paintings and drawings by the Italian surrealist
 69,550 Georgio de Chirico.
 

For an exhibition examining the architecture and urban design of the
 69,550 Indian pueblos of the American Southwest.
 

For ah exhibition of video art.
 69,550 

For an exhibition of works of Stephen Antonakos. 8,690 

For an exhibition and tour of paintings, prints, and drawings from 4,350 1947 to the present by New England artist George Tooker.
 

For an exhibition of paintings and watercolors produced by American
 9,160 artist Gary Bowers between 1971 and 1981.
 

For an exhibition of the work of 19th-century American artist Frank
 8,690 Henry Shapleigh.
 

For an exhibition of paintings, drawings, watercolors, and prints by
 20,870 artists living or working in the Delaware River Valley in the 19th
 

century.
 

For a series of one-man exhibitions examining a broad range of re­ 18,140 cent directions in contemporary sculpture, painting, conceptual and 

performance art. 

For an exhibition of works of visual humor. 24,000 

For "Events II," the second in an ongoing series of exhibitions of 17,210 work by artists in collaborative or cooperative groups. 

For an exhibition at the Grey Gallery of painting by Frida Kahlo and 18,980 photographs by Tina Modotti, both of whom worked extensively in 

Mexico. 

For ah exhibition surveying 19th-century artist]inventor Samuel F.B. 25,960 Morse’s career asa painter and his quest for the grand style. 

For ah exhibition at the Neuberger Museum of work by artists liv­ 12,170 ing and working in the region around Purchase, New York. 

For ah exhibition at the Godwin Ternbach Museum of 18th- and 19th­ 13,910 century architectural drawings. 

For an exhibition at the Godwin-Ternbach Museum of the work of 10,430 Latin American artists in the United States. 
Museum 155 

17,390 Newport Harbor Art Museum To support an exhibition of works by Alan Saret. 

Newport Beach, California 

32,530 Northwestern University	 For an exhibition which will examine genre painting as a major


development in late 18th- and early 19th-century French art.
  ̄ Evanston, Illinois 

25,920 Oakland Mus¢um For an exhibition surveying the development of sculpture in CaliforOakland, California nia from the ecole tradition in the late 19th century through the

present. 

4,350 Ohio Foundation on the Arts For ah exhibition of works in various media by eight young artists
 

Columbus, Ohio currently living in New York, Chicago, and Cincinnati.
 

17,390 OId Dartmouth Historicai Society	 For an exhibition which will examine the influence of the Dutch tradiNew Bedford, Massachusetts tion of marine art on American art by focusing on Albert Van Beest,


a Dutch painter who emigrated to the U.S. in the 19th century. 

19,800 Oregon Arts Commission To support the commission’s Visual Arts Resources service, which
 

Salero, Oregon makes approximately 20 small-scale exhibitions available to museums
 

and art centers in Oregon and the Northwest.
 

17,420 Oregon Arts Comm|ssion To support the Visual Arts Resources program of the University of
 

Salem, Oregon Oregon’s Museum of Art.
 

8,690 Parrish Art Museum To support the second of three exhibitions examining art produced 

Southampton, New York on Long Island. 

10,000 Parrish Art Museum For an exhibition of paintings created since 1940 by figurative ar-


Southampton, New York tists who emphasize physicality of surface and the process of painting in their work.
 

17,160 Pennsylvania Academy of Fine Arts To amend a previous grant for support of an exhibition of the work
 

Philadelphia, Pennsylvania of American sculptor William Rush (1756-1833).
 

55,040 Pennsylvania, University of To support ah exhibition of Maya art from Tikal, Guatemala. 

Philadelphia, Pennsylvania 

15,000 Pennsylvania, University of For ah exhibition at the Institute of Contemporary Art examining
 

Philadelphia, Pennsylvania the use of ladders, bridges, and staircases as signifícant elements in
 

contemporary art.
 

Pennsylvania, University of For the showing in Philadelphia of "Wayne Thiebaud Paintíngs," ah 4,350 

Philadelphia, Pennsylvania exhibition organized by the Walker Art Center in Minneapolis. 

4,350 Pennsylvania, University of For the showing in Philadelphia of the George Sugarman retrospec-


Philadelphia, Pennsylvania tive exhibition, organized by the Joslyn Art Museum in Omaha.
 

57,500 Philadelphia Museum of Art For an exhibition of the "golden age" of British photography 

Philadelphia, Pennsylvania (1839-1900). 

17,390 Philadelphia Museum of Art For the planning of an exhibition of 17th-century Dutch genre painting. 

Philadelphia, Pennsylvania 

105,000 Phillips Collection For an exhibition of French cubíst George Braque’s later paintings.
 

Washington, D.C.
 

26,080 Pierpont Morgan Library	 For an exhibition of 15th- and 16th-century French illuminated


New York, New York manuscripts.


Portland Center for the Visual Arts For a series of small exhibitions and special projects by contemporary 25,000 

Portland, Oregon artists. 

6,000 Portland Center for the Visual Arts For ah exhibition of recent work by New York artist Robert 

Portland, Oregon Moskowitz. 

5,000 Portland Center for the Visual Arts For an exhibition of Donald Lipski’s found sculptures. 

Portland, Oregon 

12,500 Portland Center for the Visual Arts For ah exhibition of works by Vito Acconci.
 

Portland, Oregon
 

62,210 Princeton University For ah exhíbition of drawings by the Italian Baroque artist GianlorenPñnceton, New Jersey zo Bernini. 

43,500 Princeton University For an exhibition of drawings from the Holy Roman Empire.
 

Princeton, New Jersey
 
156 Museum 

Princeton University
 

Princeton, New Jersey
 

Pueblo of Zuni
 

Zuni, New Mexico
 

Renaissance Society
 

Chicago, Illinois
 

Rhode [sland School of Design
 

Providence, Rhode Island
 

Rhode Island School of Design
 

Providence, Rhode Island
 

Rice (William Marsh) University
 

Houston, Texas
 

Ringling (John & Mable) Museum of 

Art Foundation 

Sarasota, Florida 

Rutgers, the State University of New 

Jersey 

New Brunswick, New Jersey 

Rutgers, the State University of New 

Jersey 

New Brunswick, New Jersey 

St. Louis Art Museum
 

St. Louis, Missouri
 

San Francisco Museum of Modern Art 

San Francisco, California 

San Francisco Museum of Modern Art 

San Francisco, California 

Seattle Art Museum
 

Seattle, Washington
 

Seattle Art Museum
 

Seattle, Washington
 

Seattle Art Museum
 

Seattle, Washington
 

Smith College Museum of Art 

Northampton, Massachusetts 

South Street Seaport Museum 

New York, New York 

Southern California, University of 

Los Angeles, California 

Southern Methodist University 

Dallas, Texas 

Springfield Library and Museum 

Association 

Springfield, Massachusetts 

Studio Museum in Harlem 

New York, New York 

Studio Museum in Harlem 

New York, New York 

For an exhibition of paintings in Spain from 1650-1700. 80,000 

For an exhibition of Zuni ceramics of the 19th and 20th centuries. 34,780 

For an exhibition of works in various media by younger New York 

artists whose art is concerned with mass media and its effects on 

society. 

For an exhibition which will address the history of architectural drawings for Rhode Island buildings from the Colonial period through 

World War II. 

5,000 

17,390 

For an exhibition in the Museum of Art of photographs by black 

American artists dating from the late 19th century to about 1960. 30,000 

For an exhibition of the work of Yves Klein at the Institute for the 

Arts co-organized by the Georges Pompidou Art and Culture 

Foundation. 

43,500 

For an exhibition of site/landscape works by five artists who will each 

do a project in a difíerent part of the state. 34,780 

For ah exhibition of paintings, prints, drawings, bronzes, and iilustrated books and journals by the Swiss/French artist TheophileAlexandre Steinlen. 

10,000 

For an exhibition which will focus on the contribution of the City of 

Harlem to the development of the Dutch Baroque aesthetics. 26,080 

To support "Currents," an on-going series of exhibitions examining 

recent developments in contemporary art. 26,080 

For the showing in San Francisco of "Edward Hopper: The Art and

the Artist," ah exhibition organized by the Whitney Museum of 

American Art. 

8,690 

To support "Resource Response," a series of approximately ten exhibitions exploring current issues and ideas being addressed by contemporary artists. 

26,500 

For the showing in Seattle of "Manifestations of Shiva," ah exhibition organized by the Philadelphia Museum of Art. 8,690 

For the showing in Seattle of "Arms and Armor," ah exhibition coorganized by the Metropolitan Museum and the American Federation of Arts. 

8,690 

For the showing in Seattle of "Arthur Dove and Duncan Phillips: Artist and Patron," an exhibition organized by the Phillips Collection 

in Washington, D.C. 

For ah exhibition of hall of the known works by a little-known artist 

of Western Massachusetts, Edwin Romanzo Elmer. 

4,350 

26,090 

For ah exhibition surveying nautical folk art of the 18th and 19th 

centuries. 17,390 

For ah exhibition of works by artists who incorporate the wall into 

their work. 18,030 

For a two-part exhibition of work by Francisco Goya and bis Spanish 

contemporaries in the Meadows Museum and Gallery. 17,540 

For ah exhibition depicting the Connecticut River Valley in an examination of the historical place of American landscape paintings. 12,170 

For ah exhibition of works by Sam Gilliam designed specially for the 

museum’s newly renovated spaces and outdoor arcas. 33,000 

For an exhibition surveying black American art by focusing on 

religion, ritual, and myth as unifying concepts and sources ofimagery. 39,630 
Museum 157 

26,080 To support an exhibition of 15th- through 18th-century Indian textiles. Textile Museum 

Washington, D.C. 

20,000 Textile Museum To support an exhibition of Turkish Yoruk weaving. 

Washington, D.C. 

160,000 For a major exhibition of works by El Greco (1540-1614). Toledo Museum of Art 

Toledo, Ohio 

8,600 Utah Arts Council To support the council’s traveling exhibition program.

Salt Lake City, Utah 

17,390 Utah Museum of Fine Arts For an exhibition of works by artists who use the book format asa

vehicle for their work. Salt Lake City, Utah 

16,000 Wadsworth Atheneum For an exhibition of French weaving, 1500-1800. 

Hartford, Connecticut 

38,250 Wadsworth Atheneum To support "Matrix," a series of exhibitions of contemporary art.

Hartford, Connecticut 

60,850 Walker Art Center For an exhibition of David Hockney’s stage designs.

Minneapolis, Minnesota 

52,160 Walker Art Center To support "Viewpoints," the center’s exhibition series. 

Minneapolis, Minnesota 

26,080 Walker Art Center For an exhibition of the works of William Wegman. 

Minneapolis, Minnesota 

15,600 Washington Projects for the Arts For an exhibition of imagist sculpture by younger and lesser-known 

Washington, D.C. artists from around the country. 

4,350 Washington University	 For an exhibition illustrating the development of 19th-century St.
 

Louis architecture.
 St. Louis, Missouri 

26,080 Wave Hill For an exhibition of site-specific sculpture on Wave Hill’s grounds
 

Bronx, New York and an indoor component consisting of plans, sketches, photographs,
 

and models.
 

5,220 Weilesley College For the showing in Wellesley of "Marcantonia, Renaissance
 

Wellesley, Massachusetts Engraver," an exhibition organized by the Spencer Museum of Art
 

at the University of Kansas.
 

43,500 Western Association oí Art Museums	 For Western Association of Art Museum’s traveling exhibition
 

service.
 San Francisco, California 

4,350 Whitney Museum of American Art	 For the showing in New York City of "Robert Smithson," an exhibíNew York, New York tion organized by the Herbert F. Johnson Museum of Art at Cornell


University. 

80,000 Whitney Museum of American Art For an exhibition of Ellsworth Kelly’s sculpture and related works
 

New York, New York
 on paper. 

26,080 Willow Mixed Media For an art-on-billboards project on clusters of six billboards in each
 

Willow, New York of 50 cities across the country.
 

13,050 For an exhibition of Worcester-born artist John Ritto Penniman 

Worcester, Massachusetts (1782-1847). 

14,150 

Woreester Art Museum 

Wright State University To support an exhibition of works by artists who explore the prin-


Dayton, Ohio cipal and cognitive aspects of seeing and problems of visual processing and representation.
 

70,470 Yale University For an exhibition of paintings and drawings by the American history
 

New Haven, Connecticut painter John Trumbull (1756-1803).
 

5,000 Yellowstone Art Center For an installation by Terry Allen in conjunction with an exhibition
 

Billings, Montana of historical Montana landscape paintings by artists working in the
 

region between 1820-1920.
 

11,170 Your Heritage House For an exhibition of paintings and drawings by Edwin Harleston

Detroit, Tennessee	 (1882-1931), a black portrait and landscape artist from Charleston,
 

South Carolina.
 
158 Museum 

Wider Availability	 To strengthen arts-related educational programs in three areas: interpretation and extension, museums and the schools, and media projects. of Museums 

Art Museum Association
 

San Francisco, California
 

Baltimore Museum of Art
 

Baltimore, Maryland
 

Children’s Museum 

Boston, Massachusetts 

Chinese Culture Foundation of
 

San Francisco
 

San Francisco, California 

Drawing Center 

New York, New York 

Henry Street Settlement 

New York, New York 

Institute of Contemporary Art
 

Boston, Massachusetts
 

Monterey Península Museum of Art 

Monterey, California 

Museum of Modern Art 

New York, New York 

New Museum 

New York, New York 

Omaha Children’s Museum 

Omaha, Nebraska 

Roberts, Miriam 

Berkeley, California 

Santa Barbara Contemporary Arts 

Forum 

Santa Barbara, California 

Tampa Museum Federation 

Tampa, Florida 

TF-Trea.su r) Funds 

Program funds:

14 grants $138,715 

To support site visíts to museums that have applied to the Endowment’s Challenge Program. 

For a seminar on special exhibitions and other museum activities. 

$6,650 

13,975 

For community resource demonstrators who will perform and produce art and crafts typifying ethnic and social groups of the Boston 

area. 

For the development ofan education outreach program introducing 

and interpreting Chinese Art. 

10,000 

7,000 

To produce a one-hour color videotape on the drawings of Richard 

Diebenkorn, Sam Francis, Ed Ruscha, and William Wiley. 

For arts education programs for school children and senior citizens. 

8,440 

14,000 

To develop weekend programs for general audiences and expand the 

school program for students interested in careers ín the arts. 

For the museum’s traveling mini-exhibition, "Art Boxes." 

15,000 

4,200 

For evaluation and decentralizing of the accessibility project for the 

hearing-impaired. 

For an education program for young children in the public schools 

and youth centers in New York City. 

For school outreach, including transporting children, training 

facilitators, and arranging activities for museum visits. 

For Ms. Roberts to participate in the Endowment’s Fellowship 

Program. 

To produce six 15-minute videotapes highlighting the exhibition, performance, or discussion of contemporary art. 

20,000 

5,000 

8,000 

7,450 

13,000 

For a series of slide-tape activity kits containing activities to integrate 

the museum’s exhibitions with classroom curricula. 6,000 

160 Music 
161 

Music Advisory .Panels 

Chamber Music Chorus	 Composers

Christopher Kenflali Richard Westenburg Jacob Druckman 

Co-Chairman Co-Chairman Co-Chairman 

Professional chorus Composer, educator 

artistic director conductor, educator New York, New York 

Washington, D.C. New York, New York 

Lutenist, chamber ensemble 

Morton Subotnick 

Julian Fifer Margaret Hawkins Co-Chairman 

Co-Chairman Co-Chairman Composer, educator 

Cellist, chamber ensemble Orchestra chorus conductor Santa Monica, California 

executive director	 Milwaukee, Wisconsin 

New York, New York Hector Campos-Parsi

Betty Baisch Composer, arts administrator 

Fred Goldstein Choral singer, union oíficer San Juan, Puerto Rico 

Cellist, audio Yonkers, New York 

equipment expert Charles Dodge 

Watertown, Massachusetts Robert DeCormier Composer, educator Choral director Brooklyn, New York 

Marta Istomin Belmont, Vermont 

Performing arts center Ulysses Kay 

artistic director Louis Magor Composer, educator 

Washington, D.C. Choral director Trenton, New Jersey San Francisco, California 

Robert Routch	 Tania Leon 

French horn player, educator Albert Morales-McNeil Composer, dance company 

San Diego, California Professional chorus music director 

conductor, educator Jackson Heights, New York 

Sheila Schonbrun Hermosa Beach, California 

Soprano, chamber ensemble Shulamit Ran 

co-founder Royce Saltzman Composer, educator 

Stony Point, New York Choral director, educator, Chicago, Illinois festival director 

Joyce Smar Eugene, Oregon David Stock 

Flutist, museum supervisor	 Composer, conductor 

of music programs	 Gregg Smith Pittsburgh, Pennsylvania Professional chorus Toledo, Ohio conductor	 Joan Tower 

Elizabeth Suderburg New York, New York Composer, educator, pianist, 

Soprano chamber ensemble founder 

Winston-Salem, North Carolina Dale Warland New York, New York 

Professional chorus 

Marcus Thompson conductor, educator 

Violist, educator St. Paul, Minnesota Jazz: Indivíduals 

Cambridge, Massachusetts Wendell Whalum	 James Jordan 

Choral director, educator, Co-Chairman 

Flutist historian State arts agency music Atlanta, Georgia program director, producer 

Carol Wincenc 

New York, New York New York, New York 
162 Music 

Donald Byrd 

Co-Chairman 

Trumpeter, educator, producer 

Durham, North Carolina 

Frank Foster 

Saxophonist, composer,
 

arranger, educator
 

New York, New York
 

Chico Freeman 

Saxophonist, band leader
 

New York, New York
 

Orrin Keepnews 

Independent record producer, 

jazz historian, critic 

San Francisco, California 

Jackie McLean 

Saxophonist, educator
 

Hartford, Connecticut
 

Archie Shcpp
 

Saxophonist, playwright,
 

educator
 

Amherst, Massachusetts
 

Jazz: Organizations 

James Jordan
 

Co-Chairman
 

State arts agency music
 

program director, producer
 

New York, New York
 

Georgia Ryder 

Co-Chairman 

Educator, pianist, composer 

Norfolk, Virginia 

AIvin Batiste 

Clarinettist, composer, 

educator 

Baton Rouge, Louisiana 

Ken Chaney 

Pianist, educator 

Chicago, Illinois 

Olaive Jones 

Pianist, composer, educator, 

consultant 

Washington, D.C. 

Ann Sneed 

Regional jazz organization 

director, wñter, lecturer 

Stony Brook, New York 

Michael Spearman 

Arts administrator, 

consultant 

New York, New York 

Patricia Willard 

Writer, oral historian, 

researcher, photographer

Los Angeles, California 

Music Festivals 

Ernest Fleischmann 

Co-Chairman
 

Symphony orchestra executive
 

director
 

Los Angeles, California
 

William Lockwood 

Co-Chairman 

Performing arts center
 

programming director
 

New York, New York
 

Martín Bookspan 

Union official, radio
 

commentator
 

New York, New York
 

Gordon Hardy
 

Educator, music festival
 

president
 

Aspen, Colorado
 

Carol Harford
 

Performing arts center
 

president and director
 

Arlington, Virginia
 

Helen Martín
 

Performing arts organization
 

director
 

Philadelphia, Pennsylvania
 

Robert Page
 

Symphony orchestra chorus
 

director
 

Cleveland, Ohio
 

David Stock
 

Composer, conductor
 

Pittsburgh, Pennsylvania
 

Richard Westenburg 

Professional chorus
 

conductor, educator
 

New York, New York
 

Music Professional Training 

Grant Beglarian
 

Co-Chairman
 

Foundation executive
 

Miami, Florida
 

Rise Stevens 

Co-Chairman
 

Mezzo-soprano, opera company
 

advisor
 

New York, New York
 

Samuel Adler 

Composer, educator 

Rochester, New York 

Eileen Cline 

Pianist, educator 

New Haven, Connecticut 

Dorothy DeLay 

Violinist, educator 

Nyack, New York 

Margaret Hawkins 

Choral director, educator 

Milwaukee, Wisconsin 

Lawrence Hurst 

Educator
 

Ann Arbor, Michigan
 

Grant Johannesen 

Concert pianist, educator
 

Cleveland, Ohio
 

Music Recording Section 

Martín Bookspan
 

Co-Chairman
 

Union official, radio
 

commentator
 

New York, New York
 

Victor Fuentealba
 

Co-Chairman
 

Union official
 

New York, New York
 

Thomas Frost 

Independent record producer, 

conductor 

New York, New York 

Orrin Keepnews 

Independent record producer, 

jazz historian, critic 

San Francisco, Caliíornia 

Elizabeth Larsen
 

Composer, artistic director
 

St. Paul, Minnesota
 

Harold Lawrence
 

Producer
 

Oakland, Caliíornia
 

Thomas Morris
 

Symphony orchestra
 

general manager
 

Boston, Massachusetts
 

Howard Scott 

Music publisher performance

division manager 

Montclair, New Jersey 

New Music Performance 

Dorrance Stalvey 

Co-Chairman 

Composer, performance 

organization director 

Los Angeles, California 

Elizabeth Larsen 

Co-Chairman 

Composer, artistic director 

St. Paul, Minnesota 

John Adams 

Composer, conductor, educator 

San Francisco, California 

James Dixon 

Conductor, educator 

Iowa City, Iowa 

Douglas Ewart 

Composer, performer, music 

alliance board member 

Chicago, Illinois 
Music 163 

Ralph Sandler Mary MacArthur Ernest Fleischmann 

Multi-media center director Symphony orchestra executive Theater program director 

director Madison, Wisconsin

Los Angeles, California New York, New York 

David Mahler Sheldon Soffer

Judy Rapanos	 Artists’ manager Composer, music service 

organization director State arts agency music New York, New York 

Seattle, Washington advisory panel chairman 

Midland, Michigan Solo Recitalists: Fellowships Neva Pilgrim 

Soprano Henry Shaw 

Syracuse, New York Symphony orchestra violinist, Leonard Rose 

music journal editor Co-Chairman 

David Stock Cincinnati, Ohio Cellist, educator, soloist 

New York, New York Composer, conductor 

Pittsburgh, Pennsylvania Ruth Spero 

Symphony orchestra manager Charles Treger 

Buffalo, New York Co-Chairman 

Orchestra Violinist, educator, soloist 

Beatrice Vradenburg Avon, Connecticut 

Thomas Morris Symphony orchestra manager 

Co-Chairman Colorado Springs, Colorado Clare Callahan 

Guitarist, educator, soloist Symphony orchestra Cincinatti, Ohio general manager 

Boston, Massachusetts Solo Recitalists: Presenters Felix Galimi~ 

Víolinist, educator, soloist Fred Zenone	 Betty Allen 

Co-Chairman Co-Chairman New York, New York

Cellist, union official Mezzo-soprano, educator 

Washington, D.C.	 New York, New York Heidi Lehwalder

Harpist, soloist 

New York, New York Thomas Briccetti Grant Johannesen 

Symphony orchestra music Co-Chairman Daniel Phillips director and conductor	 Pianist, educator 

Omaha, Nebraska	 Cleveland, Ohio Violinist, violist, soloist

New York, New York 

Arthur Cohn	 Patrick Hayes 

Music publisher executive,	 Arts presenter Larry Snitzler

Guitarist, educator symphony orchestra conductor Washington, D.C. Washington, D.C. New York, New York Grayson Hirst Bertram Turetzky James DePreíst	 Tenor Double bassist, educator, Symphony orchestra music	 New York, New York soloist director and conductor Del Mar, Caliíornia Portland, Oregon William Lockwood 

Performing arts center 

Karen Dobbs programming director Zvi Zeitlin 

Violinist, educator, soloist Symphony orchestra general	 New York, New York 

manager
 Rochester, New York

Louisville, Kentucky
 

Music Grants Program funds: $9,294,201

Treasury funds: $4,800,000 

821 grants 

Music Professional	 To foster the career development of committed, talented musicians through 

support of their training and education as artists. Grants are awarded only Training	 to secondary programs that provide outstanding advanced training for professional careers in music. 

Program funds: $290,500 

Treasury funds: $514,500 

33 grants 

TF $88,000 Boston Symphony Orchestra For the Berkshire Music Center at Tanglewood.
 

Boston, Massachusetts
 

7,500
 California Institute of the Arts Fora program of scholarship aid.
 

Valencia, California
 
164 Music 

Cleveland Institute of Music 

Cleveland, Ohio 

Colorado Philharmonic 

Evergreen, Colorado 

Florida Chamber Orchestra 

Association 

Fort Lauderdale, Florida 

Juiliard Sehool 

New York, New York 

Loma Linda University 

Loma Linda, California 

Los Angeles Philharmonic Association 

Los Angeles, California 

MCA Educational Aetivities 

Rockville, Maryland 

Manhattan Schoo! of Music 

New York, New York 

Mannes College of Music 

New York, New York 

Marlboro School of Music 

Marlboro, Vermont 

Miehigan, University of

Ann Arbor, Michigan 

Mozart on the Square 

Philadelphia, Pennsylvania 

Music Assistance Fund of the 

New York Community Trust 

New York, New York 

Music Associates of Aspen 

Aspen, Colorado 

National Symphony Orchestra 

Association of Washington 

Washington, D.C. 

New England Conservatory 

Boston, Massachusetts 

New School for the Arts 

Montclair, New Jersey 

New School of Music 

Philadelphia, Pennsylvania 

New York, Research Foundation of 

the City University of 

Flushing, New York 

92nd Street YM-YWHA 

New York, New York 

Oakland Symphony Orchestra 

Association 

Oakland, California 

Orchestral Association 

Chicago, Illinois 

Peabody Institute of the

Johns Hopkins University 

Baltimore, Maryland 

For a program of scholarship aid. 

For a program of scholarship aid. 

For a program of scholarship aid. 

For a program of scholarship aid. 

For lees for master teachers for the Herbert Blomstedt Institute of
 

Orchestral Conducting and Symphonic Performance.
 

For the orchestral training program for minority students.
 

For administrative activities, planning and operation of music critic 

institutes, publication and distribution of a newsletter, and development of a series of regional institutes and conferences. 

To support the program of scholarship aid. 

To support a program of scholarship aid. 

To support the program of scholarship aid. 

To support the program of fellowship aid. 

To enable four to six of the Exxon/Arts Endowment conductors to 

spend eight days in Philadelphia for special rehearsals and seminars 

with Max Rudolf and the Concerto Soloists of Philadelphia. 

To support the Music Assistance Fund Scholarships and the Orchestral 

Fellowship program. 

To support the training components of the Aspen Festival Orchestra
 

and the Opera Training Program.
 

To support the Music Training Program.
 

For the program of scholarship aid.
 

For the program of scholarship aid.
 

For the orchestra training-teaching fellowship program.
 

For the program of scholarship aid to the Aaron Copland School of
 

Music.
 

For the program of scholarship aid.
 

For the minority orchestral fellowship program.
 

For the program of scholarship aid for the Civic Orchestra of Chicago.
 

For the program of scholarship aid.
 

TF 35,200 

8,500 

1,500 

TF 48,400 

6,500 

26,500 

20,000 

TF 35,200 

TF 28,000 

37,000 

TF 17,600 

10,000 

53,000 

30,400 

TF 67,600 

9,400 

TF 39,600 

1,500 

TF 26,400 

5,600 

7,500 

6,500 

15,000 

TF 35,200 
Music 165 

Philadelphia College of the For the program of scholarship aid. 17,600 

Performing Arts 

Philadelphia, Pennsylvania 

Quartet Program For the program of scholarship aid. 1,500 

Rochester, New York 

Rochester, University of For a program of scholarship aid anda string apprenticeship program TF 31,600 

Rochester, New York at the Eastman School of Music. 

St. Louis Conservatory and School for For the program of scholarship aid. 10,000 

the Arts 

St. Louis, Missouri 

San Francisco Conservatory of Music For the program of scholarship aid. TF 35,200 

San Francisco, Caliíornia 

Southern California, University of To support a program of scholarship aid. TF 26,500 

Los Angeles, California 

Wisconsin Conservatory of Music To support a program of scholarship aid. 6,000 

Milwaukee, Wisconsin 

Yale University To support the program of scholarship aid. 9,000 

New Haven, Connecticut 

Chorus	 Includes three subcategories: Professional Choruses that pay all of their 

singers receive assistance for rehearsal and concert salaries; touring and

run-out concerts; fees for soloists, guest conductors, and master teachers; 

improving management; collaboration with other groups; or choral 

workshops and festivals. Other Independent and Orchestra Choruses that 

pay some or none of their singers receive support for salaries for a core of 

singers; fees for soloists, guest conductors, and master teachers; improved 

management; run-out concerts; or choral workshops or festivals. Service 

Organizations are given assistance to provide services to the field of choral 

music on a national or regional basis. 

Program funds: $473,200 

82 grants 

Professional Choruses 

Boston Orchestra and Chorale For lees for chorale singers, soloists, the artistic director, anda g~est $1,700 

Boston, Massachusetts conductor for performances during the 1982-83 season. 

Camerata of Los Angeles To improve management by hiring ah arts management consu|tant. 1,500 

Los Angeles, Caliíornia 

Dale Warland Singers For a performance of Bach’s Mass in b minor and improved 20,500 

St. Paul, Minnesota management. 

Gregg Smith Singers For salaries for singers, administrative staff and soloists’ fees. 20,500 

New York, New York 

Handel and Haydn Society For singers’ salaries for rehearsals and concerts during the 1982-83 20,500 

Boston, Massachusetts season. 

Kenneth Jewell Chorale For rehearsal and concert fees for singers and administrative costs 8,200 

Detroit, Michigan during the 1982-83 season. 

Los Angeles Master Choral For singers’ salaries for rehearsals and concerts and the musical 20,500 

Association outreach program in schools, hospitals, and senior centers. 

Los Angeles, California 

Music of the Baroque Concert Series For singers’ salaries during the 1982-83 season. 20,500 

Chicago, Illinois 

Musica Sacra For singers’ salaries and soloists’ fees for concerts during the 1982-83 20,500 

New York, New York season. 
166 Music 

New York Motet Choir 

New York, New York 

Philadelphia Singers 

Philadelphia, Pennsylvania 

For choral singers’ and soloists’ fees fora two-concert series at Alice

Tully Hall and fora part-time administrator’s salary. 

For salaries for singers and a full-time general manager. 

1,700 

8,200 

Other Independent and Orchestra Choruses 

Arvada Center for the Arts and 

Humanities 

Arvada, Colorado 

Atlanta Arts Alliance 

Atlanta, Georgia 

Bach Society of St. Louis 

St. Louis, Missouri 

Baltimore Choral Arts Society 

Baltimore, Maryland 

Baltimore Symphony Orchestra 

Chorus 

Baltimore, Maryland 

Boys Choir of Harlem 

New York, New York 

Brattleboro Music Center, 

Friends of the 

Brattleboro, Vermont 

Cantara Academy of Metropolitan 

Detroit 

Detroit, Michigan 

Cantara Singers 

Cambridge, Massachusetts 

Cecilia Society 

Brookline, Massachusetts 

Choral Arts Society of Washington 

Washington, D.C. 

Choral Guild of Atlanta 

Atlanta, Georgia 

Chorus Pro Musica 

Boston, Massachusetts 

Cincinnati Musical Festival 

Association 

Cincinnati, Ohio 

Collegiate Chorale 

New York, New York 

Colorado Chorale 

Denver, Colorado 

Columbia Pro Cantare 

Columbia, Maryland 

Columbus Symphony Orchestra 

Columbus, Ohio 

Community Chorus of Westerly 

Westerly, Rhode Island 

Community Music Center 

San Francisco, California 

To support a master teacher’s fee. $1,000 

For costs of master classes, including fees for master teachers and

salaries for conducting and teaching assistants for the Atlanta Symphony Chorus. 

For soloist lees for the 1982-83 season. 

12,300 

2,800 

For soloists’ lees, salaries for the administrative director anda parttime audience development/public relations employee and other promotional costs. 8,800 

For the costs of music and voice classes for members of the chorus, 

salaries for a core of singers, and rehearsal and performance costs 

of concerts. 

3,000 

For lees for a master teacher and a guest conductor. 1,000 

For soloists’ fees and an improved salary for the artistic director. 6,200 

For salaries for singers, the conductor, and the accompanist for concerts during the 1982-83 season. 2,000 

For costs of choral concerts as part of a festival of music. 3,000 

For improved salaries and soloists’ fees. 6,800 

For fees for soloists and expansion of the audience and fund development program. 

For preparation and performance costs for a concert conducted by 

a guest conductor during the 1982-83 season. 

12,300 

1,200 

For soloists’ lees and the salary of the accompanist/assistant 

conductor. 

1,500 

For salaries for the chorus director, assistant director, accompanist, 

and for soloists’ fees. 

3,900 

For soloists’ lees for concerts in Carnegie Hall, a part-time administrator, anda choral workshop in English diction. 

For salaries íor the conductor, accompanist, and development director. 

4,000 

1,700 

For the 1982-83 season, including soloists’ fees and improved salaries 

for the conducting staff. 

1,500 

For improved salaries for the chorus director and accompanist. 1,100 

For soloists’ fees, an improved salary for the musical director, and 

costs of improved management. 

3,500 

For soloists’ fees, an improved salary for the chorus director, fees 

for section leaders in the chorus, and costs ofimproved management. 

1,700 
El Paso Pro Musica 

El Paso, Texas 

Evanston Classic Chorale 

Evanston, Illinois 

Holland Community Chorale 

Holland, Michigan 

Honolulu Symphony Society 

Honolulu, Hawaii 

Long Beach Vocal Arts Ensemble 

Long Beach, California 

Master Singers of Worcester 

Lexington, Massachusetts 

Masterworks Chorale 

Boston, Massachusetts 

Mendelssohn Club 

Philadelphia, Pennsylvania 

Miami Choral Society 

Coconut Grove, Florida 

Midland-Odessa Symphony and 

Chorale 

Midland, Texas 

Milwaukee Symphony Orchestra 

Milwaukee, Wisconsin 

Minnesota Chorale 

Minneapolis, Minnesota 

Muse of EIoquence 

New York, New York 

Musical Arts Workshop 

Las Vegas, Nevada 

Nashua Symphony Association 

Nashua, New Hampshire 

National Choral Foundation 

Washington, D.C. 

Nebraska Choral Arts Society 

Omaha, Nebraska 

New Mexico Symphony Orchestra 

Albuquerque, New Mexico 

New York Choral Society 

New York, New York 

New York Latvian Concert Choir 

Hastings on .Hudson, New York 

Oakland Symphony Orchestra 

Association 

Oakland, California 

Oratorio Society of Washington 

Washington, D.C. 

Orchestral Association 

Chicago, Illinois 

Oregon Repertory Singers 

Portland, Oregon 

To increase compensation for choral singers. 

For the salary of a business manager and other administrative 

expenses. 

For fees fora guest conductor and soloists for performances during

the Music/Art Festival. 

For salaries for the chorus director, assistant director, accompanist, 

coordinator, and section leaders of the Symphony Chorus. 

For improved salaries for the musical director and rehearsal

accompanist. 

For salañes for the music director, accompanist, and manager for the 

1982-83 season. 

For soloists’ fees and salaries for the promotional director, assistant ~ conductor, and executive secretary. 

For costs of improved management, including salaries for the manager 

anda part-time secretary. 

To support salaries for a core of singers. 

For costs of a choral festival. 

To support administrative and artistic salaries, add an assistant conductor for sectional rehearsals, and perform with the Milwaukee Symphony Orchestra. 

For salaries for a core of singers. 

For lees for soloists and chorale singers and improved salaries for 

the conductor and manager. 

For salaries fora core of singers, resident conductor, accompanist, 

and executive director, and fees for guest artists. 

For salaries for a core of singers in the Nashua Symphony Choral 

Society, and fees for master teachers. 

For salaries for a core of singers in the Paul Hill Chorale, improved

management, and participation in the "Arts in the Marketplace" pro° 

ject in cooperation with the Rouse Corporation. 

For soloists’ fees, salaries for the music director, accompanist, and

business manager, and other administrative costs. 

For partial salary for the symphony chorus director. 

For fees for guest artists, an upgraded salary for the music director, 

choral workshops, and improved management. 

For a performance of the oratorio-opera Bannuta by Alfreds Kalnins, 

including fees for soloists and the conductor. 

For salaries for a core of singers in the Oakland Symphony Chorus 

and fees for the conductor and accompanist. 

For soloists’ fees and improved salaries for the music director and 

accompanist. 

For salaries for singers in the Chicago Symphony Chorus. 

For an improved salary for the director, fees for soloists anda guest 

conductor, salary for a part-time manager, and run-out concerts. 

Music 167 

4,100 

1,700 

1,200 

2,200 

1,700 

1,700 

4,100 

5,800 

2,000 

1,700 

7,400 

4,100 

1,200 

1,700 

3,000 

5,500 

2,000 

1,700 

6,000 

1,000 

5,200 

3,500 

20,500 

4,000 
168 Music 

Orpheon
 

New York, New York
 

Performing Arts Association of Orange 

County 

Ne~~port Beach, California 

Plymouth Music Series
 

Minneapolis, Minnesota
 

Portland Symphonic Choir 

Portland, Oregon 

Pro Arte Chamber Singers of 

Connecticut 

Westport, Connecticut 

Pro Arte Double Chorale 

Paramus, New Jersey 

Rhode Island Civic Chorale and 

Orchestra 

Providence, Rhode Island 

Rochester Civic Music 

Rochester, Minnesota 

St. Louis Chamber Orchestra and 

Chorus 

St. Louis, Missouri 

St. Louis Symphony Society and 

Chorus 

St. Louis, Missouri 

San Diego Master Chorale 

San Diego, California 

San Francisco Symphony Association 

San Francisco, California 

Sine Nomine Singers 

Flushing, New York 

Singing City 

Philadelphia, Pennsylvania 

Southern Maryland Choral Society 

Camp Springs, Maryland 

Spokane Symphony Society 

Spokane, Washington 

Springfield Symphony Chorus 

Springfield, Massachusetts 

Utah Chorale 

Salt Lake City, Utah 

Washington Bach Consort 

Arlington, Virginia 

William Hall Chorale 

Orange, California 

Service Organizations 

Affi[iated State Arts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

For lees for soloists, salaries for a core of singers, ah improved salary 

for the choral director, and costs of improved management. 

For salaries for a core of singers. 

1,500 

1,700 

For soloists’ fees and improved salaries for the artistic staff. 4,400 

For soloists’ fees for the 1982-&3 season and costs for a second performance of Bach’s Mass i~~ b minor. 1,000 

For salaries for a core of singers; improved salaries for the conductor, accompanist, and managers; and soloists’ fees. 1,200 

For soloists’ fees and salañes for the managing director and the administrative assistant. 6,100 

For improved salaries for the music director, accompanist, and ofrice manager. 

1,000 

For lees and salaries for soloists, section leaders, the chorale conductor, and accompanist. 

For salaries for a core of singers and improved salaries for the conductor/music director, accompanist, and executive director. 

2,400 

4,100 

For salaries for a core of singers, improved salaries for the chorus 

director, assistant director, and accompanist, additional rehearsal 

space, and for improved management of the symphony chorus. 

For soloists’ fees and improved salaries for the music director/conductor, assistant director, and accompanist. 

For salaries fora core of singers. 

6,400 

3,600 

8,200 

For performances costs for the 1982-83 season, an improved salary 

for the conductor, soloists’ fees, and administrative costs. 

To support a run-out concert. 

1,200 

3,000 

For salaries for a core of singers and improved honoraria for the conductor and accompanist. 

For costs of workshops for Spokane Chorale members, including a 

guest conductor’s lee. 

For improved salaries for the choral director and accompanist, costs 

of master classes and lectures íor chorus members, and a salary for 

a part-time manager. 

For soloists’ lees and to ímprove salaries for the conductor, assistant conductor, and accompanists. 

For the salary of a general manager and improved management. 

1,000 

1,500 

1,700 

2,600 

3,300 

For improved management, including the salary of a director of public 

relations and audience development. 3,300 

For a tour by the Dale Warland Singers. $11,500 
Music 169 

American Choral Directors Association	 For participation of the Dale Warland Singers in the American Choral 

Directors Association of Minnesota state convention in November 1,400

1982. Austin, Minnesota 

15,000 American Choral Foundation For a half-hour pilot television series featuring choral director 

New York, New York Margaret Hillis rehearsing and performing with a student orchestra 

and conducting master classes. 

Association of Professional Vocal 

Ensembles For expanding the newsletter by hiring a part-time writer/editor and 12,300 

Philadelphia, Pennsylvania an internship program for professional choral administration and 

management. 

Iowa Choral Directors Association For a guest conductor’s fee for the Iowa Choral Directors’ summer 1,700 

Waverly, Iowa convention and choral symposium. 

National Public Radio For performers’ fees for a series of programs on professional choral 45,500 

Washington, D.C. music in America. 

Southern Arts Federation For costs of a tour by the Gregg Smith Singers. 10,000 

Atlanta, Georgia 

Solo Recitalists	 Includes three subcategories: Recital Presenters are given grants to support performances and residencies by solo recitalists, recitalists with accompanist, and duos. Individuals who demonstrate potentiai for major 

careers as solo recitalists receive fellowships. During Fiscal 1982, fellowships 

were awarded to performers of stringed instruments. Career Development 

Organizations, other than presenting organizations and educational institutions, are given support to foster the professional career development of 

American solo recitalists. 

Program funds: $318,150 

53 grants 

Recital Presenters 

Art Museum of the Palm Beaches For artists’ fees for solo recitalists presented during the 1982-83 $2,600 

West Palm Beach, Florida season. 

Rrattleboro Music Center, Friends of For artists’ fees for four solo recitalists presented during the 1982-83 2,600 

the season. 

Brattleboro, California 

Candlelight Concert Society For artists’ fees for solo recitalists presented during the 1982-83 1,700 

Columbia, Maryland season. 

Colorado, Regents of the University of For artists’ fees for the presentation of recitalists on the 1982-83 art- 1,750 

Boulder, Colorado ist series. 

Community Series For artists’ fees for two soloists presented in recital and one in master 2,600 

Sherman, Texas classes in the community during the 1982-83 season. 

County College of Morris For artists’ fees for ajoint recital by Joseph Swenson and YefLm Bronf- 1,750 

Randolph, New Jersey man during the 1982-83 season. 

Dumbarton Concert Series For artists’ fees for solo and duo recitalists presented during the 2,000 

Washington, D.C. 1982-83 season. 

Foundation for the Creative For artists’ fees for American solo recitalists presented during 1982-83 1,400 

Community season. 

New York, New York 

Haleakala For the presentation of solo recitalists at the Í~itchen. 1,760 

New York, New York 

Illinois, University of For artists’ lees for five emerging solo recitalists presented during 3,660
 

Urbana, Illinois the 1982-83 season at the Krannert Center for the Performing Arts.
 
170 Music 

Iowa, University of 

Iowa City, Iowa 

Kansas, University of 

Lawrence, Missouri 

Lincoln Center for the Performing Arts 

New York, New York 

Loyola Marymount University 

Los Angeles, California 

LPL Plus APL 

Lewiston, Maine 

Mamaroneck Free Library 

Mamaroneck, New York 

McCarter Theatre Company 

Princeton, New Jersey 

Memorial Union Building Association 

Madison, Wisconsin 

Mid-America Arts Alliance 

Kansas City, Missouri 

New York, Research Foundation of 

the State University of 

Albany, New York 

92nd Stree YM-YWHA 

New York, New York 

North Dakota, University of 

Grand Forks, North Dakota 

Phiilips Collection

Washington, D.C. 

St. Louis Classical Guitar Society 

St. Louis, Missouri 

St. Louis Conservatory and Schools 

for the Arts 

St. Louis, Missouri 

Schubert Club 

St. Paul, Minnesota 

Southern California, University of 

Los Angeles, California 

Temple Beth El of Boca Raton 

Boca Raton, Florida 

University Community Concerts 

College Park, Maryland 

Valparaiso University Association 

Valparaiso, Indiana 

Visiting Artists 

Davenport, Iowa 

Washington Performing Arts Society 

Washington, D.C. 

Xavier Piano Series 

Cincinnati, Ohio 

Young Pianist Series 

Knoxville, Tennessee 

For the presentation of solo recitalists. 1,850 

For artists’ fees for five emerging solo recitalists presented during 4,500 

the 1982-83 season. 

For artists’ fees for emerging solo recitalists presented during the 5,900 

1982-83 season. 

For artists’ lees for emerging string recitalists presented in the 2,750 

1982-83 LMU Recital Series. 

For artists’ fees for a recital and workshop tour of south and central 3,000 Maine by cellist Sharon Robinson. 

For artists’ fees for emerging recitalists presented during the 1982-83 3,000 

season at the Emelin Theatre for the Performing Arts. 

For artists’ fees for emerging recitalists presented during 1982-83 1,400 season. 

For artists’ fees for emerging recitalists presented during the 1982-83 3,300 season. 

For artists’ fees for regional tours by emerging recitalists during the 2,200 

1982-83 season. 

For artists’ fees for the presentation of emerging recitalists during 2,700 

the 1982-83 season. 

For artists’ fees for emerging recitalists presented in the 1982-83 series 6,000 

of "bonus concerts." 

For artists’ fees for emerging solo recitalists presented during the 3,700 

1982-83 season. 

To increase artists’ fees to recitalists presented during the 1982-83 5,500 season. 

For artists’ fees for guitar recitals and master classes during the 2,400 

1982-83 season. 

For artists’ fees for emerging recitalists presented on the 1982-83 2,900 

Great Artist Series. 

For artists’ fees for emerging recitalists presented during the 1982-83 1,300 season. 

For artists’ fees for the presentation of emerging solo recitalists during 4,200 

the 1982-83 season. 

For artists’ fees for emerging American recitalists on the 1982-83 1,000 

"Sunday at Three" series. 

For artists’ fees for emerging solo recitalists presented during the 1,870 

1982-83 season. 

For artists’ fees for four emerging recitalists presented during the 2,500 1982-83 season. 

For artists’ fees for emerging recitalists presented in concerts and 3,200 

workshops during the 1982-83 season. 

For the presentation of more than 30 solo recitalists during the 1982-83 6,160 season. 

For artists’ fees for piano recitalists presented during the 1982-83 3,500 season. 

For artists’ fees for three piano recitalists presented during the 1,000 1982-83 season. 
Music 171 

Individuals 

Allen, Nancy To study new repertoire and research and transcribe new material $2,500 

New York, New York for solo harp recitals. 

Andriaccio, Michael L. For a concert tour, new management lees, travel, and advertising 4,500 

Buffalo, New York costs for the Andriaccio-Castellani Duo. 

Castellani, Joanne For a concert tour, new management fees, travel, and advertising 4,500 

Buffalo, New York costs for the Andriaccio-Castellani Duo. 

Fisk, Eliot H. For a series of recitals of original transcriptions by Mr. Fisk during 8,000 

New York, New York the 1982-83 season. 

Isbin, Sharon G. To continue study with Rosalyn Tureck and perform solo works by 10,000 

New York, New York three American composers. 

Kashkashian, Kim For the costs of a demonstration recording, including accompanist 7,000 

New York, New York fees, and engineering costs. 

Mgrdichian, George For preparation of a major concert at Alice Tully Hall to introduce 10,000 

Dobbs Ferry, New York the oud asa solo instrument. 

Neubauer, Paul A. For travel, management, and accompanist fees for a series of solo 9,500 

New York, New York performances. 

Perry, David P. For the preparation and recording of three demonstration guitar 10,000 

Washington, D.C. records and the costs of management and promotion fees. 

Segal, Peter E. For a series of national tour concert performances of the Ket- 7,500 

Philadelphia, Pennsylvania chum/Segal duo and to present works of contemporary American 

composers. 

Thompson, Marcus A. For costs of a rehearsal pianist, travel, promotional materials, and 5,000 

Cambridge, Massachusetts management. 

Tseitlin, Irina A. For a series of solo recitals at three major eastern concert halls, in- 10,000 

Del Mar, California cluding works of major Ameñcan composers. 

Valenti, Fernando For completion of recordings of baroque keyboard works and of a 9,000 

San Jose, California scholarly edition of Bach’s Partitas. 

Zukofsky, Paul For a period of study of works by American composers and costs of 5,000 

Port Jefferson, New York new promotional activities. 

Career Development Organizatiofis 

Affiliate Artists For artists’ lees for the recital and "informance" portion of the $16,700 

New York, New York Xerox]Affiliate Artists’ Pianists Program. 

Mfiliate Artists For musicians’ fees for the performing artist community residencies 44,000 

New York, New York program, which enables young professional artists to perform in informal settings.
 

Concert ~~-tists Guild To stengthen and expand the guild’s services to American solo 12,700
 

New York, New York recitalists, including management services, publicity materials, travel
 

expenses, and artists’ lees.
 

Pro Musicis Foundation For the foundation’s services to American solo recitalists, including 9,000 

New York, New York new recital series. 

Young Concert Al’tists For the organization’s services to American solo recitalists, induding 35,600 

New York, New York booking and management services, promotion and publicity materials, 

residency training, and artistic and career guidance. 
172 Music 

Orchestra	 Includes two subcategories: Artistic and Administrative Activities grants 

assist orchestras of the highest artistic level that have regional or national 

significance. Services to the Orchestra Field grants assist organizations that 

provide services to the whole orchestra field or to a sector of it. 

Program funds: $4,757,335 

Treasury funds: $4,118,000 

160 grants 

Artistic and Administrative Activities 

Albany Symphony Orchestra 

Albany, New York 

Amarillo Symphony 

Amarillo, Texas 

American Symphony Orchestra 

New York, New York 

Anchorage Symphony Orchestra 

Anchorage, Alaska 

Ann Arbor Chamber Orchestra Society 

Ann Arbor, Michigan 

Arkansas Orchestra Society 

Little Rock, Arkansas 

Atlanta Arts Alliance 

Atlanta, Georgia 

Austin Symphony Orchestra 

Austin, Texas 

Baltimore Symphony Orchestra 

Association 

Baltimore, Maryland 

Baton Rouge Symphony Association 

Baton Rouge, Louisiana 

Binghamton Symphony and Choral

Society 

Binghamton, New York 

Birmingham Symphony Association 

Birmingham, Alabama 

Boise Philharmonic Association 

Boise, Idaho 

Boston Symphony Orchestra 

Boston, Massachusetts 

Brooklyn Philharmonia 

Brooklyn, New York 

Buffalo Philharmonic Orchestra 

Society 

Buffalo, New York 

California Chamber Symphony Society 

Los Angeles, California 

Canton Symphony Orchestra 

Association 

Canton, Ohio 

To support run-out concerts.	 $28,000 

To support in-school concerts.	 12,000 

For the 1982-83 subscription series, including a world premiere of 50,000 

a work by Benjamin Lees. 

For a salary increase for a resident conductor and moving expenses. 2,000 

For additional string players and an administrative assistant position. 2,000 

For additional rehearsal time, the purchase of scores and parts, and 24,000 

the expansion of ensemble services. 

For a regional touring program and an education program for children 95,000 

through the 12th grade. TF 95,000 

For the performance of chamber music concerts and the engagement 30,000 

of a music director/conductor, guest artists, and principal string 

players. 

For a community outreach project, development activities, anda 85,000 

regional concert project. TF 55,000 

To engage a string quartet and program coordinator.	 20,000 

To fund guest conductors.	 2,000 

For tour concerts, run-out concerts, and free performances.	 28,000 

To engage ah additional principal player to aid in the formation of 15,000 

a core orchestra. 

For the 1982-83 subscription series.	 TF 280,000 

For the "Meet the Moderns" series, community concerts, in-school 38,000 

concerts with master classes and tutoring, and free summer parks 

concerts. 

For a children’s series, youth concerts held in Kleinhans Music Hall, 80,000 anda community outreach program. TF 80,000 

For the chamber music series, youth concerts, and the regular 12,000 subscription series. 

For ensemble programs and the Kinder Koncert programs.	 28,000 
Music 173 

Casper Civic Symphony Orchestra For the 1982-83 subscription series. 2,000 

Casper, Wyoming 

Catskill Symphony Orchestra For the orchestra’s youth concerts. 2,000 

Oneonta, New York 

Cedar Rapids S~Taphony Orchestra For the orchestra’s youth concerts. 20,000 

Cedar Rapids, Iowa 

Charleston Symphony For the run-out program anda resident string quartet. 15,000 

Char]eston, West Virginia 

Charlotte Symphony Orchestra Society For a series of small ensemble programs in schools. 58,000 

Charlotte, North Carolina 

Chattanooga Symphony Association For concerts of newly commissioned American works, engagement 16,000 

Chattanooga, Tennessee of guest artists, and increased salaries for musidans. 

Cincinnati Symphony Orchestra For the Area Artists Series, the Mini-Festival program, and youth 100,000 

Cincinnati, Ohio concerts. TF 100,000 

Colorado Sl~rings Symphony Orchestra To increase salaries for musicians, continue the ensemble programs, 38,000 

Association and engage master professional players to work with the musicians. 

Colorado Springs, Colorado 

Columbus Symphony Orchestra For a full-time education director, school concerts, the Young Peo­ 58,000 

Columbus, Ohio ple’s Series, and expansion of the ensembles program. 

Concerto Soloists of Philadelphia For a core orchestra; public relations and development programs; low­ 28,000 

PhiladeIphia, Pennsylvania cost tickets to students, senior citizens, handicapped and disadvantaged persons; the performance of compositions by local composers; 

anda Young Artists Winners Concert. 

Corpus Christi Symphony Society For free public performances of Handel’s Messiah in English and 18,000 

Corpus Christi, Texas Spanish, chamber concerts, the continued engagement of a bilingual 

administrator, and concerts in junior high schools. 

Dallas Symphony Association 

Dallas, Texas 

For school concerts, community services, a pops concert, anda 

regional development program. TF 

80,000 

80,000 

Dayton Philharmonic Orchestra To expand the in-school ensemble program and the Young People’s 24,000 

Dayton, Ohio Concert. 

Delaware Symphony Association For additional rehearsal time and additional personnel to perform 15,000 

Wilmington, Delaware contemporary American compositions. 

Denver Symphony Association 

Denver, Colorado 

For touring ah educational program, Christmas concerts in collaboration with other performing groups, and planning and management. TF 80,000 

80,000 

Des Moines Symphony For the engagement of artistic and management personnel, other per­ 16,000 

Des Moines, Iowa forming groups, collaborations with ensemble and chamber performances and tours, and bus transportation for senior citizens to Sunday matinees. 

Detroit Symphony Orchestra 

Detroit, Michigan 

For subscription performances of American music, a Festival of

Hollywood Composers, rehearsals, educational concerts, engagement 

of personnel, and an audience development project. 

TF 

80,000 

80,000 

Duluth Superior Symphony For additional rehearsals, the engagement of principal wind players, 20,000 

Duluth, Minnesota elementary school presentations, and a chamber series. 

Elkhart Symphony Society To increase salaries for core orchestra musicians, engage young 2,000 

Elkhart, Indiana American guest artists, and perform a special concertat a local church. 

Erie Philharmonic For the engagement of additional players, in-school performances, 18,000 

Erie, Pennsylvania chamber performances, and coaches for the youth orchestra. 

Eugene Symphony Association To engage a string quartet anda woodwind quintet to forro a core 16,000 

Eugene, Oregon of musicians for the orchestra and give ensemble performances in 

schools, libraries and senior citizens’ centers. 

Evansville Philharmonic Orchestra For a Sunday afternoon concert series, a pops concert series, and 15,000 

Evansville, Indiana young people’s concerts. 

Fairfax County Symphony Orchestra For "Hello, Symphony," ah in-school lecture demonstration señes, 2,000 

McLean, Virginia and the engagement of a development director. 
174 Music 

Fargo Moorhead Orchestral 

Association 

Fargo, North Dakota 

Festivals Casals 

Santurce, Puerto Rico 

Flint Institute of Music 

Flint, Michigan 

Florida Gulf Coast Symphony 

Tampa, Florida 

Florida Symphony Orchestra 

Orlando, Florida 

Fort Lauderdale Symphony Orchestra 

Fort Lauderdale, Florida 

Fort Wayne Philharmonic Orchestra 

Fort Wayne, Indiana 

Fort Worth Symphony Orchestra 

Association 

Fort Worth, Texas 

Fresno Philharmonic Association 

Fresno, California 

Glendale Symphony Orchestra 

Association 

Glendale, California 

Grand Rapids Symphony Society 

Grand Rapids, Michigan 

Greater Akron Musical Association 

Akron, Ohio 

Green Bay Symphony 

Green Bay, Wisconsin 

Greensboro Symphony Society 

Greensboro, North Carolina 

Haddonfield Symphony Society 

Haddonfield, New Jersey 

Honolulu Symphony Society 

Honolulu, Hawaii 

Houston Symphony Society 

Houston, Texas 

Hudson Valley Philharmonic Society 

Poughkeepsie, New York 

Indiana State Symphony Society 

Indianapolis, Indiana 

Jackson Symphony Orchestra 

Jackson, Mississippi 

Jacksonville Symphony Association 

Jacksonville, Florida 

Johnstown Municipal Symphony 

Orchestra 

Johnstown, Pennsylvania 

For a guest artist residency for four orchestras in North Dakota. 8,000 

To support the Puerto Rico Symphony’s engagement of a director 

of public relations, guest artists and conductors; park, educational, 

and pops concerts; a collaboration with an opera company; performance of contemporary works; and reduced ticket prices for the 

disadvantaged. 

32,000 

For educational and outreach activities. 24,000 

For youth concerts in the schools, young people’s concerts for 

elementary-age children and their families, and run-out concerts. 

30,000 

For the concert season, including youth concerts, the "Black America 

Concert," the "Sail with the Symphony" concert, and collaborations 

with various arts groups. 

50,000 

To expand the in-school string and ensemble program. 24,000 

For the symphony’s core group of 18 musicians which also forms a 

chamber orchestra and other ensembles. 

30,000 

For additional rehearsal time and to upgrade salaries for artistic

personnel. 

28,000 

For run-out concerts; repeated subscription concerts for students, 

senior citizens, and minority audiences; and the engagement ofa string 

trío. 

16,000 

For the school ensemble performance program. 6,000 

For the artist-in-residence program. 30,000 

For additional rehearsal time, engagement of string players, Concertsin-the-Parks, and Tiny Tots Concerts. 16,000 

To engage a string quartet. 3,000 

To support the education program. 15,000 

To engage the orchestra’s manager. 2,000 

For the Mozart Festival, the Starlight Series, the Gamut Series, touring and educational services, and the engagement ofguest artists and 

conductors. 

TF 

55,000 

60,000 

For the Young People’s Concerts, a special concert for the handicapped and free outdoor concerts. TF 70,000 

65,000 

For concerts in Bardavon Opera House, the you~h concerts in 

Kingston, free summer concerts, and the engagement of a small

ensemble, development assistant and marketing director. 

16,000 

To support the "Visions Concerts" for students in Clowes Memorial 

Hall, in-school concerts, and an audience development program. TF 

90,000 

90,000 

For the engagement of contractual players anda full-time development director, youth concerts, programs in nursing homes and 

museums, and the expansion of the touring program. 

38,000 

For the engagement of musicians and development director, youth 

concerts, outreach programs, and the touring program. 

24,000 

To engage professional players and add rehearsal time. 3,000 
Music 175 

Kalamazoo Symphony Society For the education series, the chamber orchestra concert series, and 28,000 

Kalamazoo, Michigan the engagement of ensembles to perform with the orchestra and provide civic services. 

Knoxville Symphony Orchestra To support additional rehearsals and the engagement of additional 12,000 

Knoxville, Tennessee musicians. 

Lansing Symphony Association For the subscription series, the chamber orchestra series, and the 6,000 

Lansing, Michigan Music in Our Schools program. 

Lawton Philharmonic Orchestra To support young people’s concerts. 2,000 

Lawton, Oklahoma 

Lexington Philharmonic Society

Lexington, Kentucky To engage a core of musicians, and forma string quartet, woodwindquintet, and brass quintet. 

15,000 

Long Beach Symphony Association 

Long Beach, California 

For additional rehearsal time, increased salaries for orchestra 

members, Kinderkonzerts, and the engagement of a marketing 

30,000 

director. 

Los Angeles Chamber Orchestra 

Society For the subscription series, additional rehearsal time, and the engagement of a development director and an assistant. 

58,000 

Los Angeles, California 

Los Angeles Philharmonic Association To support the winter subscription series. TF 280,000 

Los Angeles, California 

Louisville Orchestra To engage a core of musicians to perform with the orchestra and pro­ 58,000 

Louisville, Kentucky vide a variety of services. 

Marin Symphony Association For repeat performances of each of the subscription concerts. 16,000 

San Rafael, California 

Memphis Orchestral Society 

Memphis, Tennessee 

For in-school concerts by the Memphis Little Symphony and additional rehearsal time for the subscription concerts. 

18,000 

Midland-Odessa Symphony and Choral For run-out concerts, free outdoor summer concerts, anda pops con­ 12,000 

Midland, Texas cert series. 

Milwaukee Symphony Orchestra For the neighborhood concerts, state touring, educational programs, 87,000 

Milwaukee, Wisconsin a summer festival, the engagement of a director of development, and TF 88,000 

an American Composers’ Festival. 

Minnesota Orchestral Association For community and educational services, touring and run-out con­ 100,000 

Minneapolis, Minnesota certs, and the summer season. TF 135,000 

Monterey County Symphony To hire musicians to perform with the full orchestra and provide ser­ 15,000 

Association vices for the in-school demonstration program and youth concerts. 

Carme!, California 

Music for Long Island For educational concerts involving a variety of ensembles. 18,000 

North Massapequa, New York 

Musical Arts Association For the Cleveland Orchestra’s run-out concerts, educational concerts, TF 280,000 

Cleveland, Ohio and an early matinee series. 

Nashua Symphony Association 

Nashua, New Hampshire To support additional rehearsal time. 2,000 

Nashville Symphony Association To engage a core of musicians. 58,000 

Nashville, Tennessee 

National Symphony Orchestra To support the main subscription series. 100,000 

Association TF 120,000 

Washington, D.C. 

Nebraska Chamber Orchestra 

Lincoln, Nebraska 

For additional rehearsal time and promotion involved in the performance of a contemporary work during the subscription series. 

2,000 

New Hampshire Symphony To engage a core of musicians to perform with the orchestra and pro­ 2,000 

Manchester, New Hampshire vide ensemble services. 

New Haven Symphony Orchestra To support the Young People’s Concert Series. 30,000 

New Haven, Connecticut 

New Jersey Symphony Orchestra For promotion costs, musicians’ salaries for the subscription concerts, TF 30,000 

Newark, New Jersey and youth concerts. 
176 Music 

New Mexico Symphony Orchestra 

Albuquerque, New Mexico 

New Orleans Philharmonic Symphony 

Society 

New Orleans, Louisiana 

North Carolina Symphony 

Raleigh, North Carolina 

Northwest Chamber Orchestra 

Seattle, Washington 

Oakland Symphony Orchestra 

Oakland, Calil’ornia 

Oklahoma Symphony Orchestra 

Oklahoma City, Oklahoma 

Omaha Symphony Association 

Omaha, Nebraska 

Orchestra of Santa Fe 

Santa Fe, New Mexico 

Orchestral Association 

Chicago, Illinois 

Oregon Symph.ony Orchestra

Portland, Oregon 

Owensboro Symphony Orchestra 

Owensboro, Kentucky 

Pasadena Symphony Association 

Pasadena, California 

Philadelphia Orchestra Association 

Philadelphia, Pennsylvania 

Philharmonic Society of Northeastern

Pennsylvania 

Avoca, Pennsylvania 

Philharmonic Symphony Society of 

New York 

New York, New York 

Phoenix Symphony Association 

Phoenix, Arizona 

Piedmont Chamber Orchestra and 

Piedmont Chamber Players 

Winston-Salem, North Carolina 

Pittsburgh Symphony Society 

Pittsburgh, Pennsylvania 

Portland Symphony 

Portland, Oregon 

Pro Arts Chamber Orchestra of 

Boston 

Boston, Massachusetts 

Queens Symphony Orchestra 

Rego Park, New York 

Rhode Island Philharmonic Orchestra 

Providence, Rhode Island 

Richmond Symphony 

Richmond, Virginia 

Rochester Civic Music 

Rochester, New York 

For an educational program anda state-wide touring program, including concerts in Indian reservations. 

30,000 

For neighborhood concerts, the "Symphony in Black" concert that

features black choruses and soloists, touring, anda collaboration with 

the New Orleans Ballet. 

TF 

65,000 

60,000 

For educational concerts by the full orchestra, the Little Symphony, 

and other ensembles. 

60,000 

For additional rehearsal time and the engagement of American guest 

artists. 

18,000 

For the Castro Valley education program, run-out concerts, special 

performances, a pops series, and a concert version of Wagner’s 

Parsifal. 

58,000 

For run-out concerts and the touring program. 50,000 

To engage a core of musicians to provide services for school concerts, 

concerts in the Joslyn Art Museum, and run-out concerts. 

40,000 

To engage a guest artist anda development and information

administrator. 

2,000 

For the youth educational program and rehearsals for the Chicago 

Symphony Orchestra. 

TF 280,000 

For the engagement of full-service musicians, a conducting assistant, 

and administrative personnel; and the family concert series. TF 

50,000 

50,000 

For additional rehearsal time for the string section and the engagement of four principal players. 6,000 

To perform ah American composer’s work on each subscription 

program. 

28,000 

For the subscription concert series and student concerts. TF 280,000 

To engage a music director and perform Wagner’s Trista~~ a~~d Isolde 

on the 1982-83 subscription series. 

15,000 

For the subscription concerts and park concerts in New York City 

and on Long Island. 

TF 280,000 

For run-out concerts, collaboration xvith Ballet West, concerts in 

churches and synagogues,and a chamber orchestra concert series. 

50,000 

For additional rehearsal time, school concerts/workshops, and the 

engagement of a music director and guest artists. 

6,000 

For a one-week residency at Indiana University in Pennsylvania, a 

three-part summer program, and a young people’s concert progn’am. 

TF 245,000 

For the major subscl~ption concerts, a chamber series to be repeated 

in nearby communities, and youth activities. 

28,000 

To engage a general manager. 2,000 

For the Music BAG Program for school children and the promotional 

costs for a membership campaig~~. 

16,000 

For the educational program throughout Rhode IsIand and the Baroque Festival. 38,000 

For the Sinfonia, a chamber orchestra comprised of symphony 

members, ensemble touring, and run-out concerts. 

50,000 

For artistic and administrative services for the subscription series, 

pops and chamber concerts, and ensemble services. 

3,000 
Music 177 

Rochester Philharmonic Orchestra 

Rochester, New York 

For summer concerts, educational concerts, run-out concerts, and free 

public concerts. TF 

80,000 

85,000 

Sacramento Symphony Association For the run-out/tour program by the Chamber Players. 50,000 

Sacramento, California 

Saginaw Civic Symphony Association To engage a core of musicians. 3,000 

Saginaw, Michigan 

San Diego Symphony Orchestra To support young people’s concerts. 65,000 

Association 

San Diego, California 

San Francisco Symphony For youth activities, the direct mail campaign, and the audience TF 240,000 

San Francisco, California development program. 

San Jose Symphony Association For free young people’s concerts, the pops concert series, the engage­ 40,000 

San Jose, California ment of an assistant development director, and in-school ensemble 

concerts. 

Santa Barbara Symphony Orchestra 

Association 

For the Sunday matinee series. 16,000 

Santa Barbara, California 

Santa Rosa Symphony To engage a core of musicians. 7,500 

Santa Rosa, Catifornia 

Savannah Symphony Society For the educational program, the "Masterworks" subscription series, 24,000 

Savannah, Georgia and the "Pops Unlimited" series. 

Scottsdale Symphony Orchestra 

Association 

For the chamber orchestra performances anda full orchestra concert at South Mountain Community College. 

2,000 

Scottsdale, Arizona 

Seattle Symphony Orchestra 

Seattle, Washington 

For the engagement of additional staff and Ameñcan guest artists, 

a sacred music series in local churches, anda light classics series. TF 

75,000 

75,000 

Senior Concert Orchestra of New York For free concerts and additional rehearsal time. The Special Consti­ 4,000 

New York, New York tuencies Program contributed $2,000 towards this award. 

Shreveport Symp~ony For the engagement of a music director, a core of musicians, and 18,000 

Shreveport, Louisiana American guest artists, and for the performance of contemporary 

American works. 

Sioux City Symphony Orchestra For the in-school project and family concerts. 3,000 

Association 

Sioux City, Iowa 

South Bend Symphony Orchestra For special events pIanned for the 50th anniversary season. 12,000 

Association 

South Bend, Indiana 

South Dakota Symphony For the educational program and additional rehearsal time. 12,000 

Sioux Falls, South Dakota 

Spokane Symphony Orchestra Society To engage a core of musicians. 40,000 

Spokane, Washington 

Springfield Orchestra Association For the engagement of string and woodwind players, the "Classical 40,000 

Springfield, Massachusetts Roots" program featuring works by black classical composers, runout concerts, and the educational program. 

Springfield Symphony Orchestra For the engagement of a string trío. 3,000 

Association 

Springfield, Ohio 

St. Louis Symphony Society For the annual fund drive campaign, the concert series at Laumeier 100,000 

St. Louis, Missouri Sculpture Park, coIlaborations with the Missouri Concert Ballet and TF 135,000 

the Opera Theater, and the performance of more American works. 

St. Paul Chamber 0rchestra Society To support the main concert series. 50,000 

St. Paul, Minnesota TF 65,000 

Symphony Society of Greater Hartford For the Discovery Youth Concert series and community concerts. 28,000 

Hartford, Connecticut 
178 Music 

Symphony Society of San Antonio 

San Antonio, Texas 

Syracuse Symphony Orchestra 

Syracuse, New York 

Toldeo Orchestra Association 

Toledo, Ohio 

Tucson Symphony 

Tucson, Arizona 

Tulsa Philharmonic 

Tulsa, Oklahoma 

University-Fairbanks Symphony 

Association 

Fairbanks, Alaska 

Utah Symphony 

Salt Lake City, Utah 

Vermont Symphony Orchestra 

Burlington, Vermont 

Victoria Symphony Society 

Victoria, Texas 

Virginia Orchestra Group 

Norfolk, Virginia 

West Virginia University 

Morgantown, West Virginia 

Westmoreland Symphony Orchestra 

Greensburg, Pennsylvania 

Wheeling Symphony Society 

Wheeling, West Virginia 

White Plains Symphony Orchestra 

White Plains, New York 

Wichita Symphony Society 

Wichita, Kansas 

Winston Salcm Symphony Association 

Winston-Salem, North Carolina 

Young Men’s and Young Women’s 

Hebrew Association 

New York, New York 

Youngstown Symphony Society 

Youngstown, Ohio 

Services to the Orchestra Field 

Affi|iate Artists 

New York, New York 

American Symphony Orchestra League 

Vienna, Virginia 

American Symphony Orchestra League 

Vienna, Virginia 

For continuation of the annual Rio Grande Valley International Music

Festival; the educational program; and the engagement of American 

guest artists, conductors, and public relations and development 

directors. 

TF 

65,000 

65,000 

For concerts in outlying areas, school concerts, and family series. TF 

45,000 

50,000 

For concerts in public places and the educational program. 48,000 

For the engagement of a core of musicians anda development director, the education program, and run-out concerts. 

To engage additional string players anda director of education. 

24,000 

24,000 

To engage guest conductors. 6,000 

For a regional touring program, which includes collaborations with

Ballet West, Utah Opera, and the Utah Chorale. 

For rehearsal time, a summer festival, youth concerts, and the engagement of an American composer to conduct his or her own work. 

To support additional rehearsal time. 

TF 

80,000 

80,000 

15,000 

2,000 

To expand the subscription series and engage additional string players. 30,000 

To engage orchestra musicians and teachers for student conductors 

participating in the Conductors’ Guild Summer Institute. 

For a series of ensemble concerts at the Westmoreland County Community College. 

6,500 

3,000 

To support the engagement of a string quartet. 15,000 

To add rehearsal time for each of the Saturday evening concerts and 

the young people’s concerts. 

For the run-out and touring program, the Soirees Musicales Chamber 

Music Series, the engagement of a string quartet anda box office

manager, and the young people’s concert. 

To support the in-school education program, engage a core of musicians, and expand the management staff. 

To support the performance of Ameñcan works, additional rehearsal time, and the engagement of additional musicians. 

12,000 

40,000 

20,000 

18,000 

For the collaboration with an opera company, youth concerts, and 

the engagement of an American guest conductor. 

16,000 

For the conductors’ program and the conducting assistants’ program. TF $125,000 

To amend a previous grant to gather and computerize performance 

information concerning symphonic and chamber orchestra repertoire. 

For management seminars, workshops, on-site technical assistance 

services, training manuals, publications, and the development department’s activities for 1982-83. 

15,000 

150,000 
Music 179 

American Symphony Orchestra League For the Orchestra Management Fellowship program, which identiíies, 50,000 

Vienna, Virginia selects, and trains eight candidates to assume positions as managers 

of professional orchestras. 

American Symphony Orchestra League To support the Composers’ Showcase project, a pilot effort involv­ 37,500 

Vienna, Virginia ing readings of new works and performances by the Chicago Civic

Orchestra and by chamber ensembles at the annual conference. 

American Symphony Orchestra League For management seminars, regional workshops, on-site technical 100,000 

Vienna, Virginia assistance services, and the development office’s activities for 1983-84. 

American Symphony Orchestra League For a cooperative agreement to administer a music seminar for 15,660 

Vienna, Virginia representatives of the music disciplines and others to consider and 

recommend ways in which the music field might be better served by 

the Endowment and other public agencies. 

American Symphony Orchestra League To administer the scheduling of on-site artistic anda limited number 68,000 

Vienna, Virginia of administrative evaluations of symphony and chamber orchestras

and other music organizations by qualiííed experts in the field during the 1982-83 and 1983-84 seasons. 

Milwaukee Syml~hony Orchestra To increase accessibility for hearing and visually impaired audiences 11,175 

Milwaukee, Wisconsin to orchestral performances. 

Chamber Music	 Includes two subcategories: Ensembles and Presenting Organizations are 

provided support in order to improve the quality of chamber music performances and to make the art form widely available. Services to Chamber 

Music are grants awarded to organizations for projects that serve profeso

sional chamber music ensembles on a national or regional basis. 

Program funds: $486,780 

124 grants 

Ensembles and Presenting Organizations 

Alaska, University of For the 1982-83 String Chamber Music Symposium. $5,000 

Juneau, Alaska 

AIternative Center for International For artists’ fees for A.C.I.A.’s World Music Series. 1,300 

Arts 

New York, New York 

American Music Center For technical assistance programs, consulting services, and col- 2,500 

New York, New York laborative projects with regional and national service organizations. 

Appel Farm Arts and Music Center For a chamber music concert series. 2,800 

Elmer, New Jersey 

Ars Musica To develop a regional self-sponsored concert series during the 1982-83 5,000 Ann Arbor, Michigan season. 

Artists Series at the Pabst For the presentation of chamber ensembles for the 1982-83 season. 1,000 

Milwaukee, Wisconsin 

Associated Students of Sacramento For the costs of a Festival ofNew American Music at California State 2,200 State College University in Sacramento. 

Sacr~imento, Calffornia 

Atlanta Chamber Players Fora comprehensive marketing plan, including radio and television 4,600 Atlanta, Georgia broadcasts, advertising, and mailings. 

Atlantic Performing Arts Center For a performance tour and residencies in colleges and universities 1,000 

Wenonah, New Jersey by the Kapelle Woodwind Trío. 

Audubon Quartet For a chamber music seminal including master classes, performances, 7,500 

Blacksburg, Virginia rehearsals, and coaching. 

Aulos Ensemble To increase artists’ fees for ensemble members during the 1982-83 2,500 

New York, New York season. 
180 Music 

Austin Symphony Orchestra Society 

Austin, Texas 

Badinage 

New York, New York 

Boehm Quintette 

New York, New York 

Boston Camerata 

Boston, Massachusetts 

Brattleboro Music Center, Friends of 

the 

Brattleboro, Vermont 

Bronx Arts Ensemble 

Bronx, New York 

Brooklyn Academy of Music 

Brooklyn, New York 

Candlelight Concert Society 

Columbia, Maryland 

Capitol Chamber Artists 

Albany, New York 

Carlow College 

Pittsburgh, Pennsylvania 

Catskill Symphony Orchestra 

Oneonta, New York 

Center for Chamber Music at Apple 

Hill Farm 

East Sullivan, New Hampshire 

Center for Inter-American Relations 

New York, New York 

Center for the Performing Arts at

Yellow Springs 

Chester Springs, Pennsylvania 

Chamber Music America 

New York, New York 

Chamber Music Northwest 

Portland, Oregon 

Chamber Music Society of Baltimore 

Baltimore, Maryland 

Chamber Music Society of Lincoln 

Center 

New York, New York 

Chamber Music Society of Salt Lake

City 

Salt Lake City, Utah 

Chamber Music Society of Utica 

Clinton, New York 

Chestnut Hill Concerts 

Madison, Connecticut 

Chicago Ensemble 

Chicago, Illinois 

Coleman Chamber Music Association 

Pasadena, California 

Concert Artists Guild 

New York, New York 

For outdoor summer chamber music performances. 1,200  ̄ 

For the ensemble’s 1982-83 New York concert season. 1,000 

For artists’ fees and transportation, rehearsal, and administrative 

costs for concert and touring activities during the 1982-83 season. 

For the 1982-83 season and the maintenance of ah office. 

3,500 

4,200 

For artists’ fees and administrative expenses of the Green Mountain

Consortium of the Performing Arts. 

4,600 

For the ensemble’s residency at the Fordham University Rose Hill 

campus during the 1982-83 season. 

For the 1982 season of chamber music concerts. 

3,300 

6,160 

For artists’ fees for the 1982-83 chamber music series. 1,300 

For artists’ fees for rehearsals and concerts during the 1982-83 season. 1,900 

For activities of the Renaissance City Woodwind Quintet. 1,300 

For a series of mini-residencies by the Catskill Woodwind Quintet 

during the 1982-83 season. 

For concerts and workshops during the 1982-83 season. 

3,500 

2,300 

For a 1982-83 concert series by the Quintet of the Americas at the 

Center for Inter-American Relations. 

For a concert series performed by the Philadelphia Trio and guest

artists. 

1,000 

2,400 

To support the documentation of a residency by the Raphael Trio 

at the University of Vermont. 

For artists’ fees for the 1982 summer season. 

1,100 

3,800 

For costs of chamber music concerts during the 1982-83 season. 2,800 

For the 1982-83 concert series at Alice Tully Hall. 16,600 

For the 1982-83 series of chamber concerts by visiting and local artists. 1,700 

For the 1982-83 chamber music series. 1,600 

For the 1982-83 series of chamber music concerts. 1,400 

For administrative costs and increased rehearsal time. 1,300 

For artists’ fees and reIated expenses for the presentation of American 

ensembles during the 1982-83 season. 

For artists’ fees and travel costs for American chamber ensembles 

presented on the guild’s 1982-83 concert series. 

3,000 

6,200 
Music 181 

Concert Royal For rehearsal time for singers and instrumentalists during the 1982-83 2,800 

New York, New York concert season. 

Connoisseur Concerts Association For artists’ íees for the 1982-83 chamber music series. 1,600 

Spokane, Washington 

Cultural Council Foundation 

New York, New York 

To support the chamber ensemble, An die Musik, in a performing

and teaching residency at Southern Methodist University in Dallas. 

2,000 

Cultural Council Foundation For a series of concerts by the Sylvan Wind Quintet during the 1982-83 1,700 

New York, New York season. 

Da Capo Chamber Players For a touñng program and symposia on new music during the 1982-83 8,300 

New York, New York season. 

Dinosaur Annex Music Ensemble For a subscription series of four concerts of contemporary chamber 1,800 

Somerville, Massachusetts music during the 1982-83 season. 

Dorian Woodwind Quintet Foundation For a national tour of 40 performances during the 1982-83 season. 5,800 

New York, New York 

Early Music Foundation For concert tours by members of the Ensemble for Early Music dur­ 1,800 

New York, New York ing the 1982-83 season. 

Empire Brass Quintet For a series of free concerts in Boston, featuring the Empire Brass 5,200 

Boston, Massachusetts Quintet and guest artists írom the Boston area. 

Ensemble of Santa Fe For a subscription series of chamber music concerts and community 2,100 

Santa Fe, New Mexico outreach programs. 

Folger Shakespeare Library For guest artists’ fees, travel, and other expenses related to the 5,400 

Washington, D.C. 1982-83 season of the Folger Consort. 

Friends of the Arts 

Locust Valley, New York 

For artists’ fees for the two chamber music series presented by

Friends of the Arts during the 1982-83 season. 

2,600 

Grinnell Coilege For residencies by the Mirecourt Trio at colleges belonging to the 3,400 

Grinnell, Iowa consortium of the Associated Colleges of the Midwest. 

Hawaii, University of For artist fees for a chamber music residency during the 1982-83 5,200 

Honolulu, Hawaii season. 

Houston Friends of Music For the 1982-83 series of chamber music concerts at Rice University. 2,000 

Houston, Texas 

Interlochen Center for the Arts For a residency by the Concord String Quartet during the summer 2,100 

Interlochen, Michigan season of the Interlochen Arts Festival. 

International Brass Quintet Festival For the third annual International Brass Quintet Festival. 4,800 

Baltimore, Maryland 

Iowa State University For residencies by the Ames Quartet in communities in Iowa and 1,300 

Ames, Iowa neighboring states. 

Iowa, University of For the presentation of chamber music ensembles. 3,520 

Iowa City, Iowa 

Kronos Performing Arts Association For the 1982-83 contemporary chamber music series by the Kronos 10,200 

San Francisco, California Quartet. 

L’Ensemble du Musique 

Cambridge, New York For artists’ fees for self-produced programs of chamber music in NewYork City, upstate New York, and New England. 

1,800 

Lark Society for Chamber Music For the 1982-83 season of the Portland String Quartet. 3,600 

Portland, Maine 

Long Island Chamber Ensemble For the 1982-83 season of concerts on Long Island and at the Abraham 3,300 

Huntington Station, New York Goodman House in New York City. 

MSQ Enterprises 

Mount Kisco, New York 

For the 1982-83 regional touring program of the Manhattan String 

Quartet in New York and Connecticut. 

4,200 

Mamaroneck Free Library For artists’ fees for the 1982-83 chaamber music subscription series 2,000 

Mamaroneck, New York at the Emelin Theatre for the Performing Arts. 

Metropolitan Brass Quartet For the 1982-83 season of the Metropolitan Brass Quartet’s Wednes­ 1,400 

New York, New York day Evening Concert Series at Brooklyn’s St. James Cathedral. 
182 Music 

Midland-Odessa Symphony and 

Chorale 

Midland, Texas 

Minnesota Public Radio 

St. Paul, Minnesota 

Mohawk Trail Concerts 

Greenlíeld, Massachusetts 

Mostly Music 

Chicago, Illinois 

Music Advisory Council 

Seattle, Washington 

Music for a While 

Stony Point, New York 

Music at Gretna 

Mount Gretna, Pennsylvania 

Naumburg (Walter W.) Foundation 

New York, New York 

New College Music Festival 

Sarasota, Florida 

New England Foundation for the Arts 

Cambridge, Massachusetts 

New York Chamber Soloists 

New York, New York 

New York Consort of Viols 

New York, New York 

New York Philomusica 

New York, New York 

New York Renaissance Band 

New York, New York 

New York Vocal Arts Ensemble 

New York, New York 

92nd Street YM-YWHA 

New York, New York 

North Country Chamber Players 

Franconia, New Hampshire 

Orchestra of Our Time 

New York, New York 

Orpheus Chamber Ensemble 

New York, New York 

Pennsylvania State University 

University Park, Pennsylvania 

Performers’ Committee 

New York, New York 

Pittsburgh Chamber Music Society 

Pittsburgh, Pennsylvania 

Pomerium Musices 

New York, New York 

Primavera String Quartet 

New York, New York 

Pro Arte Chamber Orchestra of 

New York 

New York, New York 

For the 1982-83 performance season by the Thouvenel String Quartet 

of Midland. 

2,800 

For the chamber music series, St. Paul, Sunday Morning. 4,200 

For musicians’ fees and administrative costs for the community concerts program in Western Massachusetts. 

2,700 

For the 1982-83 season, including lunchtime concerts anda chamber

music series at Truman College campus. 

3,800 

For a regional festival of resident chamber music ensembles from colleges and universities in the Paciííc Northwest. 4,200 

For musicians’ fees for touring in April 1983. 2,200 

For administrative costs of chamber music presentations during the 

1982 summer season. 

3,600 

For the Alice Tully Hall appearances of the ensembles receiving the

Naumburg chamber music award. 

7,000 

For the New College Music Festival at the Florida West Coast Music 

Center. 

4,500 

For regional tours by chamber ensembles in New England during 

1982-83. 

16,600 

For the 1982-83 touring program and concerts at historic landmarks 

in New York, Vermont, Connecticut, and Rhode Island. 

3,300 

For rehearsal time for the preparation of a program of the works of 

John Jenkins presented during the 1982-83 season. 

2,100 

For artists’ fees for 1982-83 chamber music concerts. 2,900 

For the 1982-83 series of children’s concerts. 1,000 

For a subscription series of vocal chamber music at Lincoln Center, 

including commissioned works by American composers. 

3,300 

For chamber music concerts for the 1982-83 season. 7,700 

To increase musicians’ fees, hire a development officer, and add a 

pianist to the ensemble. 

3,300 

For performances during the 1982-83 season. 4,200 

For a tour in the eastern United States and in the South. 5,200 

For the chamber music portion of the 25th anniversary program of 

the university’s Artists’ Series. 

1,000 

For mini-residencies by Continuum at colleges and community 

organizations during the 1982-83 season. 

5,700 

To present both winners of the 1981 Walter W. Naumburg Foundation award for chamber music. 

2,100 

For an early music series at the Abraham Goodman House in New 

York City during the 1982-83 season. 

1,500 

For the costs of increased rehearsal time and mini-residencies by the 

quartet. 

5,000 

For a series of concerts by the Laurentian Chamber Players at the 

Dutchess shopping mall in Fishkill, New York. 

1,300 
Music 183 

Renaissance Band Calliope 

New York, New York 

For tour-residencies in several locations, including the Paciñc Coast, 

Midwest, and South, during the 1982-83 season. 

2,500 

Renaissance Ensemble of Baltimore For the 1982-83 subscription series of the ensemble. 1,100 

Baltimore, Maryland 

St. Luke’s Chamber Enscmble For an increase in artists’ fees for the 1982-83 season. 4,000 

New York, New York 

San Francisco Chamber Music Society For administrative and íund-raising costs of the 1982-83 season. 3,800 

San Francisco, California 

San Francisco Conservatory of Music 

San Francisco, California 

For performers’ fees for the annual Chamber Music/West Festival

held for three weeks in early summer. 

3,300 

San Francisco Early Music Society For fees for chamber musicians presented during the 1982-83 season. 4,000 

San Francisco, Caliíornia 

Santa Fe Chamber Music Foundation For the festival’s fourth annual residency in Seattle in August 1982 8,900 

Santa Fe, New Mexico and the expansion of the American Composer Program. 

Sea Cliff Chamber Players 

Sea Cliff, New York 

For the 1982-83 Great Ferformer Series, featuring the ensemble with 

guest artists. 

4,500 

Settlement Music School For the 1982-83 touring program of the New Arts Trío. 2,100 

Philadelphia, Pennsylvania 

Shriver Hall Concert Series For the presentation of chamber music on the 1982-83 series. 1,000 

Baltimore, Maryland 

Si-Yo Society Foundation 

New York, New York 

For the 1982-83 Si-Yo Chamber Music Concert Series at Pace University and additional concerts in other communities. 

2,300 

Society for Chamber Music in 

Rochester 

For the 1983 Baroque Festival in Rochester, including a residency 

by the Concert Royal Baroque Ensemble. 

2,600 

Rochester, New York 

Society of the Third Street Music For the 1982-83 chamber music series. 3,800 

School Settlement 

New York, New York 

South Dakota Symphony Orchestra 

Sioux Falls, South Dakota 

For touring by the Dakota String Quartet in South Dakota, Minnesota, 

and North Dakota. 

4,100 

Southern Arts Federation For musicians’ íees for residency tours by regional chamber 15,900 

Atlanta, Georgia ensembles. 

Spoleto Festival U.S.A. For a series of chamber music events at the 1982 summer festival. 4,400 

Charleston, South Carolina 

Stony Baroque Chamber Players 

New York, New York 

For the Janus Ensemble’s concert in New York City during the 

1982-83 season. 

1,000 

Strings for Schools 

Villanova, Pennsylvania 

For the 1982-83 program of free chamber music concerts in elementary and secondary schools, institutions for the handicapped or aged, 

and shopping malls or parks. 

6,200 

Sylmar Corporation For the Sylmar Chamber Ensemble’s 1982-83 concert series. 1,300 

Minneapolis, Minnesota 

Symphonic and Chamber Music For the 1982-83 season. 7,500 

Society of Las Vegas 

Las Vegas, Nevada 

Syracuse Friends of Chamber Music For the presentation of chamber music ensembles during the 1982-83 2,300 

Syracuse, New York season. 

Theater Chamber Players For fees for the music director and manager during the 1982-83 season. 7,300 

Washington, D.C. 

Twentieth Century Consort 

Washington, D.C. 

For the Emerson String Quartet’s 1982-83 touring program in the 

South and Midwest. 

5,000 

Twentieth Century Consort For the production of contemporary music concerts during the 1982-83 8,300 

Washington, D.C. season. 
184 Music 

University Community Concerts 

College Park, Maryland 

Vermont Mozart Festival 

Burlington, Vermont 

Voices of Change 

Dallas, Texas 

WNYC Foundation 

New York, New York 

Walker Art Center 

Minneapolis, Minnesota 

Waverly Consort 

New York, New York 

Westchester Chamber Chorus and 

Orchestra Foundation 

New York, New York 

Western Michigan University 

Kalamazoo, Michigan 

Western States Arts Foundation 

Santa Fe, New Mexico 

Western Wind Vocal Ensemble 

New York, New York 

Wilson (Warren) College 

Swannanoa, North Carolina 

Yellow Barn 

Putney, Vermont 

Young Audiences of Greater Cleveland 

Cleveland, Ohio 

Services to Chamber Music 

Chamber Music America 

New York, New York 

New Music 

Performance 

For artists’ fees for the 1982-83 season of chamber music concerts. 2,100 

For the Vermont Mozart Festival’s 1982-83 winter chamber music 1,300 series. 

For artists’ lees fora series of new music concerts and an ad­ 10,000 

ministrator’s salary. 

For artists’ fees and the music producer’s salary for the 1982-83 radio 9,100 broadcast season of the Chamber Music Society of Lincoln Center. 

To support chamber music concerts. 2,200 

For the expansion of the consort’s Alice Tully Hall concert series and 5,300 the continuation of national touring during the 1982-83 season. 

For added rehearsal time, guest artist fees, and administrative costs 2,500 

for the ensemble’s 1982-83 chamber music series. 

To continue and expand outreach activities throughout Michigan by 1,300 the Golden String Quartet. 

For regional tours by chamber ensembles throughout western states. 6,700 

For community concerts in the Harlem and downto~m Brooklyn areas 4,400 at community centers, churches, schools, hospitals, and nursing homes. 

For the summer chamber music festival in Swannanoa, Burnsville, 1,800 Hendersonville, and Spruce Pine, North Carolina. 

For a residency by the Primavera Quartet during the 1982 summer 2,000 chamber music festival. 

For chamber music performances for children during the 1982-83 2,200 season. 

For services to its membership of chamber music ensembles and $25,000 presenting organizations during 1982-83. 

Includestwosubcategories:EnsemblesandPresentingOrganizationsgrants

enable organizations that have demonstrated a strong commitment to new 

music to provide quality performances ofnew music and make the form more 

widely available. Services to the New Music Field ate grants awarded to 

organizations for projects that serve professional new music ensembles on 

a national or regional basis. 

Program funds: $357,650 

61 grants 

Ensembles and Presenting Organizations 

Albany Symphony Orchestra 

Albany, New York 

American Camerata for New Music 

Wheaton, Maryland 

American Composers Concerts 

New York, New York 

For a series ofnew music concerts at the Albany Palace Theatre and 

the Troy Savings Bank Music Hall. 

For increased paid rehearsal time, a part-time personnel manager, 

and ah educational program for young people. 

For artistic fees for a señes of programs of American symphonic music

in Alice Tully Hall. 

$2,700 

3,700 

25,000 
Music 185 

American Guild of Organists 

New York, New York 

For performance costs for works commissioned by the District of Columbia chapter of the guild for the 1982 convention. 

2,500 

and/or service 

Seattle, Washington 

To expand Soundwork’s presentation of contemporary music to a 

series of seven concerts. 

6,500 

Aurora Music Foundation For rehearsal and performance salaries for musicians anda sound 2,700 

New York, New York engineer for the Philip Glass Ensemble. 

Boston Musita Viva For the promotion, rehearsal, and performance of the subscription 6,800 

Boston, Massachusetts series of concerts. 

California Institute of the Arts For the 1983 Contemporary Music Festival. 3,200 

Valencia, Calffornia 

Chicago Society of Composers For the 1982-83 concert series of chamber programs. 1,500 

Wilmette, Illinois 

Collage, Inc. 

Brookline, Massachusetts 

For a series of contemporary chamber music concerts and lecturedemonstrations. 

5,700 

 ̄Composers’ Conference and Chamber 

Center To support artistic personnel and visiting composers for the 1982 8,500 

Hyde Park, Vermont season. 

Composers’ Forum To support the 1982-83 concert series. 5,600 

New York, New York 

Contemporary Arts Center For the new music concert series for the 1982-83 season. 5,200 

Cincinnati, Ohio 

Contemporary Concerts For the continuation of new music presentations. 3,700 

Carol Stream, Illinois 

Contemporary Music Forum 

Washington, D.C. 

Fora concert series at the Corcoran Gallery oí Art, the National 

Bureau of Standards, and a regional tour in Mid-Atlantic states. 

5,700 

Contrasts in Contemporary Music 

New York, New York 

For the 1982-83 season of Composer’s Showcase concerts at the 

Whitney Museum oí American Music. 

6,000 

Creative Music Foundation For artists’ lees íor performance and short-term residencies. 3,200 

Woodstock, New York 

Creative Time For "Art On The Beach 1982." 2,500 

New York, New York 

Cultural Council Foundation For concerts of the Washington Square Contemporary Music Señes. 2,000 

New York, New York 

Cunningham Dance Foundation 

New York, New York 

Fora series of a dance and new music performances by the Merce 

Cunningham Dance Company. 

3,200 

Dance Theatre Workshop 

New York, New York 

For the sixth season of "Tuesday Music," a contemporary composers’ 

performance series. 

1,500 

District Curators For the presentation of performances at the Gayety Theater and at 4,500 

Washington, D.C. d.c. space. 

80 Langton Street Corporation 

San Francisco, Caliíornia 

For artists’ honoraria for the 1982-83 new music performance series 

and composer-in-residence program. 

4,000 

Experimental Intermedia Foundation For the 1982-83 season of concerts by composers. 2,700 

New York, New York 

Gregg Smith Singers 

New York, New York 

For a series of concerts, seminars and workshops on contemporary 

American choral works integrated into national tours. 

8,000 

Group for Contemporary Music 

New York, New York 

For concerts at the Manhattan School of Music, at Symphony Space, 

and at the 92nd Street Y in New York City. 

6,900 

Guild of Composers 

New York, New York 

For the 1982-83 season of concerts of new repertory íor string quartet, 

conducted chamber ensemble, small ensemble, and solo piano. 

2,000 

Haleakala, Inc.frhe Kitchen For the presentation of artists specializing in new music. 13,200 

New York, New York 
186 Music 

Harvestworks
 

New York, New York
 

House Foundation for the Arts
 

New York, New York
 

Independent Composers Association 

Los Angeles, Calit’ornia 

Inter-Media Art Center 

Bayville, New York 

League of Composers International 

Society for Contemporary Music 

. New York, New York 

Lenox Arts Center 

New York, New York 

Media Study/Buffalo
 

New York, ~ew York
 

Meet the Composer 

New York, New York 

Minnesota Composers Forum 

St. Paul, Minnesota 

Museum of Contemporary Art
 

Chicago, Illinois
 

Music Alliance
 

Atlanta, Georgia
 

New Hampshire Symphony
 

Manchester, New Hampshire
 

New Music Circle
 

St. Louis, Missouri
 

New Music Consort
 

New York, New York
 

New Wave Corporation
 

Columbia, Missouri
 

New York New Music Ensemble
 

New York, New York
 

Outward Visions
 

New York, New York
 

Pacifica Foundation
 

North Hollywood, California
 

Parnassus Contemporary Music
 

Foundation
 

New York, New York
 

Pittsburgh New Music Ensemble
 

Pittsburgh, Pennsylvania
 

Portland Center for the Visual Arts 

Portland, Oregon 

Real Art Ways, Raw Ink
 

Hartford, Connecticut
 

Reich Music Foundation
 

New York, New York
 

Relache
 

Philadelphia, Pennsylvania
 

Rising Sun Media Arts Center
 

Santa Fe, New Mexico
 

For the 1982-83 season of the Electronic Art Ensemble. 2,700 

For evening retrospectives of the work of Meredith Monk and her 

ensemble. 

2,700 

For a season of American music concerts that feature the writings 

and compositions of John Cage. 

3,700 

To support the 1982 season of new music concerts. 1,500 

For the 1982-83 season of concerts of contemporary chamber music 

at Carnegie Recital Hall. 

3,200 

For new music performances for the center’s 12th summer season. 5,700 

For the 1982-83 season of new music performances. 2,000 

For resource and technical assistance for composers, presenters, and 

funding agencies. 

70,500 

For the 1982-83 season of new music presentations. 6,000 

For the programming of New Music America 1982, a one-week festival 

of new music held in conjunction with a meeting of the New Music 

Alliance. 

8,500 

To expand the Atlanta New Music Ensemble concert and touring 

program. 

For the inclusion of works by Charles Wuorinen and Christian Wolf 

in the Symphony’s 1982-83 season and for school concert programs. 

1,000 

2,500 

For the 1982-83 season of contemporary music concerts. 2,500 

For touring programs, a young American composers concert series, 

anda concert/lecture series. 

6,500 

For a series of concerts by composers and performers with originaldesign instruments. 

2,500 

For the 1982-83 season of concerts. 3,700 

To support the New Music for New Audiences series in disadvantaged environments in the New York City area. 

5,600 

To continue a series of workshop-residencies by significant new 

performers. 

For the ninth season of contemporary music performances, emphasizing American compositions. 

2,700 

4,200 

To increase paid rehearsal time and hire a part-time administrator. 10,000 

For the 1982-83 new music concert series. 2,500 

For artists’ lees and the recording of new music performances for 

broadcast over National Public Radio. 

5,700 

For a 1982-83 national tour of new works performed by Steve Reich 

and Musicians. 

4,500 

For the ensemble’s continuing series of public concerts of contemporary music. 2,500 

For a new music series in Santa Fe and Albuquerque. 2,000 
Music 187 

Roulette To support composers and/or performers of new music and provide 1,000 

New York, New York them with resources of adequate promotion, rehearsal, and 

documentation. 

San Francisco Contemporary Music For musicians’ fees for the 1982-83 season of contemporary music con­ 6,900 

Players certs and special events. 

San Francisco, California 

S.E.M. Ensemble For the presentation of major works written by John Cage between 1,000 

Buffalo, New York 1959 and 1970. 

Southern California Chamber Music For the Monday Evening Concerts Chamber Music series, concen­ 14,000 

Society trating on the presentations of 20th-century works by Americans. 

Los Angeles, Cali~ornia 

Speculum Musicae 

New York, New York 

For the 1982-83 season performance season of 20th-century music 

throughout the United States. 

6,900 

Syracuse Society for New Music 

Syracuse, New York 

For the expansion of programs presenting works of regional, national, 

and international composers. 

5,200 

Uwharrie Clarinet-Percussion Duo For a tour of seven concerts during the 1982-83 season. 2,000 

Altamahaw, North Carolina 

Walker Art Center To support new music concerts. 7,050 

Minneapolis, Minnesota 

Services to the New Music Performance 

Meet the Composer For resources and technical assistance for composers, presenters, and $70,500 

New York, New York funding agencies. 

Music Festivals To assist organizations that offer a series of high quality music events that 

are special in nature, coordinated within a specific period of time, and

presented at a centralized location. 

Program funds: $618,391 

Treasury funds: $167,500 

44 grants 

Aster, Lenox, and Tilden Foundation For staff positions in the Music Division of the library. $4,500 

New York, New York 

Baldwin-Wallace College For the 50th annual Bach Festival. 1,800 

Berea, Ohio 

Boston Symphony Orchestra For the 48th season of the Berkshire Festival at Tanglewood in sum- TF 36,500 

Boston, Massachusetts mer 1982. 

Bowdoin College For the Bowdoin Summer Music Festival in summer 1982. 3,700 

Brunswick, Maine 

Cabrillo Guild of Music To support the Cabrillo Festival in summer 1982 by increasing au- 10,800 

Aptos, California dience development and involving members of the community in all 

aspects of the American premiere of an opera. 

Caramoor Center for Music and the For the Caramoor Music Festival in summer 1982. 2,500 

Arts 

Katonah, New York 

Carmel Bach Festival For the 1982 Carmel Bach Festival. 3,600 

Carmel, California 

6,600 

Ipswich, Massachusetts 

Castle Hill Foundation For the Castle Hill Festival. 

Chautauqua Institution To support the 1982 festival series. 6,600 

Chautauqua, New York 
188 Music 

Colorado Music Festival 

Boulder, Colorado 

ETV Endowment of South Carolina 

Spartanburg, South Carolina 

Eastern Music Festival 

Greensboro, North Carolina 

Festival Casals 

Santurce, Puerto Rico 

Maher, Linda Jean 

Chicago, Illinois 

Mid-America Arts Alliance 

Kansas City, Missouri 

Minnesota Public Radio 

St. Paul, Minnesota 

Monadnock Music 

Peterborough, New Hampshire 

Mozart on the Square 

Philadelphia, Pennsylvania 

Music Associates of Aspen 

Aspen, Colorado 

Music From Bear Valley 

Fresno, California 

Musica Sacra 

New York, New York 

Musical Arts Association 

Cuyahoga Falls, Ohio 

Grand Teton Music Festival 

Teton Village, Wyoming 

Grapsy, Richelle A. 

Arlington, Virginia 

Gregg Smith Singers 

New York, New York 

Group for Contemporary Music 

New York, New York 

Guggenheim Concerts Band 

New York, New York 

Inter-American Music and Arts 

Festival Foundation 

Silver Spring, Maryland 

Jenoure, Theresa 

New York, New York 

Lincoln Center for the Performing 

Arts 

New York, New York 

Los Angeles Philharmonic Association Los Angeles, California 

National Public Radio 

Washington, D.C. 

New England Foundation for the Arts 

Cambridge, Massachusetts 

For the 1982 Colorado Music Festival. 6,000 

For production of Igor Stravinsky’s centennial celebration television 

concert. The Media Program has contributed $5,000 to this grant. 

For the Eastern Music Festival in summer 1982. 

5,000 

12,300 

For the Casals Festival in 1982. 1,000 

For Ms. Maher to participate in the Endowment’s Fellowship 

Program. 

Fora comprehensive pilot project of music touring and residency 

activities. 

3,648 

42,800 

For 13 live broadcasts, via satellite, from the tenth anniversary season 

of the Santa Fe Chamber Music Festival. 

8,000 

For the Monadnock Music Festival in summer 1982. 6,500 

For the 1982 Mozart on the Square festival on Rittenhouse Square

in Philadelphia. 

For the 1982 Aspen Music Festival. TF 

2,200 

48,800 

For the annual three-week festival in Bear ValIey. 2,300 

For the Basically Bach Festival in summer 1982. 24,100 

For the Blossom Music Center in summer 1982. TF 33,900 

For 20th-century music concerts by young American artists, and audience development activities for the summer 1982 festival. 

To participate asa Fellow in the Music Program. The Fellowship Program contributed an additional $500 to this award. 

For the Adirondack Festival of American Music in 1982. 

15,000 

2,968 

7,500 

For a festival of the music of Stefan Wolpe. 2,500 

For the 1982 season of the band’s 40 free outdoor summer concerts. 11,700 

For the 13th Inter-American Music Festival in Washington, D.C., 

in 1982. 

25,000 

To participate asa Fellow in the Music Program. The Fellowship Program contríbuted an additional $500 to this award. 

For the Mostly Mozart Festival in summer 1982. 

2,900 

TF 21,300 

For the 1982 season of the Hollywood Bowl Summer Festival. TF 27,000 

For arts coverage in the radio "magazine" known as the Sunday 

Show. 

25,000 

For a comprehensive pilot project of music touring and residency activities of orchestras, choral groups, jazz artists, chamber music 

groups, new musie ensembles, and eomposers. 

36,000 
Music 189 

1,300 New tlampshire Music Festival To support the New Hampshire Music Festival in its audience developCenter Harbor, New Hampshire ment activities. 

3,975 New York, City University of For Barry Brook, president of the International Music Council of 

New York, New York UNESCO, to travel to UNESCO meetings and conferences in Europe. 

Ojai Festivals For the 1982 Ojai Festival. 7,900 

Ojal, California 

Oregon, University of For the Oregon Bach Festival. 2,500 

Eugene, Oregon 

200,000 Public Broadcasting Service	 For a series of programs entitled "Music in America," highlighting 

Washington, D.C.	 American composers. 

For the summer 1982 season at the Mann Music Center. 28,100

Philadelphia, Penns.ylvania 

Robin Hood Dell Concerts 

17,500 

San Francisco, Catifornia 

San Francisco Symphony	 For the 1982 Beethoven Festival in summer 1982. 

45,000 Southern Arts Federation	 For a pilot project of orchestra touring and residency activities. 

Atlanta, Georgia 

Theater of the Performing Arts Fora series of coneerts emphasizing 20th-eentury music. 1,ó00 

Tucson, Arizona 

Theatre Development Fund For the music voucher program developed by the Theatre Develop- 25,000 

New York, New York ment Fund. 

For the Vermont Mozart Festival in summer 1982.
 3,100

Burlington, Vermont
 

Vermont Mozart Festival 

Music Recording	 To offer assistance to nonprofit organizations for the recording and distribu­ tion of American music. 

Program funds: $178,500 

21 grants 

Boston Symphony Orchestra For the recording of Earl Kim’s Violin Concerto and Robert Starer’s $20,000 

Boston, Massachusetts Co~~certo for Violin and Orchestra. 

Brooklyn Philharmonia For the recording of Lukas Foss’s Night Music for Joh~~ Le~~no~~. 7,000 

Brooklyn, New York 

Camerata of Los Angeles For the recording of Romancero Gitano by Mario Castelnuovo- 4,000 

Valencia, California Tedesco and Mary Triptych by Father John Schiavone. 

Chamber Music Society of Baltimore For the recording of Charles Ives’ Adagio Sostenuto, Ruth Crawford 3,500 

Baltimore, Maryland Seeger’s Three So~~gs, and Ralph Shapey’s @~artet. 

20,00~ Composers Recordings	 For continuation of the direct marketing program and for general 

New York, New York	 operating expenses. 

Consortium Recordings For the recording of David Baker Volume H on the Consortium 3,000 

Los Angeles, California Recordings label. 

Gregg Smith Singers For the recordings, The Choral Music of Ned Rorem and 5,000 

New York, New York Mademoiselle Modiste by Victo Herbert. 

Jazz Composers’ Orchestra Association For promotion projects of the New Music Distribution Service. 20,000 

New York, New York 

Koussevitzky Music Foundation For the organization of the American Music Recording Institute. 20,000 

New York, New York 

3,500 Leonarda Productions	 To record Ned Rorem’s Last Poetas of Wallace Stevens and Judith
 

New York, New York Lang Zaimont’s The Magic World.


For the recording of Karel Husa’s Apotheosis and Monodrama, 20,000 Louisville Orchestra 

Louisville, Kentucky	 Richard Rodney Bennett’s Concerto for Orchestra, William Kraft’s
 

Ocerture anda newly commissioned symphonic work by Claude Baker.
 
190 Music 

Midsummer Mozart 

Menlo Park, California 

Musical Arts Association
 

Cleveland, Ohio
 

New Music Consort
 

New York, New York
 

New World Records
 

New York, New York
 

New York Philomusica
 

New York, New York
 

Opus One Recordings
 

Greenville, Maine
 

Parnassus
 

New York, New York
 

Performers Committee (Continuum) 

New York, New York 

Recorded Anthology of American
 

Music
 

New York, New York
 

Sponsored Projects Office
 

Stanford, California
 

Zeitgeist 

St. Paul, Minnesota 

Composers 

Composers Fellowships 

Anderson, Adrian D. 

Somerville, Massachusetts 

Applebaum, Edward 

Santa Barbara, Calffornia 

Baur, John W. 

Memphis, Tennessee 

Berger, Jonathan J. 

Stanford, California 

Bolcom, William E. 

Ann Arbor, Michigan 

To record Ernst Bacon’s Concerto for Piano and Orchestra. 3,000 

To record Gardner Read’s Symphony No. 4 with the Cleveland 10,000
 

Orchestra.
 

To record John Cage’s Quartet, Mario Davidovsky’s String Quartet 4,000 

No. 3, Milton Babbitt’s String Quartet No. 4, anda new work by 

Harvey Sollberger with the New Music Consort. 

To provide support for general operating funds applied towards the 20,000 

production and distribution of six-to-eight discs. 

To record Jacob Druckman’s Divertimento, Delizie Cotttente Che 3,000 

l’Ame Beate, and Bo, with the New York Philomusica. 

To record works by Samuel Adler, Roger Bñggs, Ned Rorem, Ernst 1,000 Levy, David Froom and Lee Hyla. 

To provide support for the recording of Mario Davidovsky’s Scenes 3,500 

from Shir Ha Shirim with Parnassus and Jan De Gaetani. 

To provide support for the recording of Henry Cowell’s Set of Five, 5,000 

Songs, and piano music, and Leon Kirchner’s Piano Trío, Pia~to 

Sonata, Flutings, and Duo with members of Continuum on the Music 

Heritage Society label. 

For general operating funds applied towards the production and 20,000 distribution of six-to-eight discs. 

To record works by American composers produced at Stanford 1,000 

University’s Center for Computer Research in Music and Acoustics. 

To provide support for the recording of new American works by Con- 2,000 

rad Susa, F.J. Sacci, and Homer Lambrecht with Zeitgeist. 

Includes five subcategories: Composers Fellowships provide for the creation 

of completion of musical works or for research related to creative activity. 

Collaborative Fellowships ate available to composers and their collaborators, 

including librettists, video artists, filmmakers, poets, of choreographers for 

the creation or completion of new works. Centers for New Music Resources 

ate grants awarded to innovative music facilities, including electronic music 

studios and computer centers in order to encourage collaboration between 

composers and other creative artists. Services to Composers grants ate awarded to organizations for projects that serve composers on a national of 

regional basis. Consortium Commissioning grants enable consortia ofat least 

three performing or presenting organizations to commission and perform 

new works. 

Program funds: $487,640 65 grants 

$5,000	 Brooks, Richard J. 5,000 

New York, New York 

6,000	 Brooks, William F. 11,000 Orange, Connecticut 

7,000	 Chafe, Christopher D. 9,000 

Stanford, California 

6,000	 Chance, Nancy Laird 8,000 

New York, New York 

11,000	 Downey, John W. 9,000 

Shorewood, Wisconsin 
 

7,000 Fetler, Paul 

St. Paul, Minnesota 

10,000 

Bloomington, Indiana 

Fox, Frederick A. 

5,000 

Memphis, Tennessee 

Freund, Donald W. 

Goode, Daniel 5,000

Neshanic, New Jersey 

Hays, Doris E. 5,000 

New York, New York 

Hykes, David B. 9,000 

New York, New York 

5,000 Jaffe, David A.
 

West Orange, New Jersey
 

8,000 Jones, David E. 

Santa Cruz, Caliíornia 

Karchin, Louis S. 8,000

New York, New York 

Kreiger, Arthur V. 7,000

New York, New York 

Kurtz, Eugene A. 6,000 

75014 París, France 

Levinson, Gerald C. 5,000

Swarthmore, Pennsylvania 

Collaborative Fellowships 

Hopper, Gary C. $9,000 

Richmond, Virginia 

Centers for New Music Resources 

and/or service $5,000 

Seattle, Washington 

California-Los Angeles, University of 4,900 

Los Angeles, Caliíornia 

California-San Diego, University of 15,000 

LaJolla, Caliíornia 

Canyon Foundation: Advances Electronic Music 4,500 

Santa Fe, New Mexico 

Cincinnati, University of 3,875 

Cincinnati, Ohio 

Clark University 3,200 

Worchester, Massachusetts 

Georgia, University of 4,750 

Athens, Georgia 

Lewis and Clark College 4,300 

Portland, Oregon 

Massachusetts Institute of Technology 15,000 

Cambridge, Massachusetts 

Music 191 

6,000 Lundberg, Eric 

New York, New York 

5,000 

Denton, Texas 

Mailman, Martín 

McLean, Barton K. 5,000

Austin, Texas 

5,000 Peaslee, Richard C. 

New York, New York 

Rands, Bernard 11,000

Encinitas, California 

Schoenfield, Paul E. 9,000 

Toledo, Ohio 

6,000 Schubel, Max 

Greenville, Maine 

Walker, George T. 7,000 

Montclair, New Jersey 

Weidenaar, Reynold H. 5,000 

Willoughby, Ohio 

6,000 

New York, New York 

Widdoes, Lawrence L. 

Wright, Maurice W. 7,000 

Jenkintown, Pennsylvania 

Michigan, Regents of the University of 7,500 

Ann Arbor, Michigan 

Missouri, University of 4,400 

Columbia, Missouri 

New York, Research Foundation of 15,000 the 

City University 

Brooklyn, New York 

Northwestern University 3,000 

Evanston, Illinois 

Princeton University, Trustees of 6,400 

Princeton, New Jersey 

Real Art Ways, Raw Ink 3,500 

Hartford, Connecticut 

St. Olaf College 2,375 

Northfield, Minnesota 

Stanford University, Board of Trustees of the 16,200 

Leland 

Stanford, California 
192 Music 

Services to Composers 

American Academy in Rome 

New York, New York 

American Dance Festival 

Durham, North Carolina 

American Music Center 

New York, New York 

American Music Center 

New York, New York 

Composers’ Forum 

New York, New York 

Creative Music Foundation 

Woodstock, New York 

Crystal Musicworks
 

Sedro Wolley, Washington
 

Experimental Intermedia Foundation 

New York, New York 

Haleakala 

New York, New York 

Ives (Charles) Center for American


Music
 

Roxbury, Connecticut 

Meet the Composer 

New York, New York 

Minnesota Composers Forum 

St. Paul, Minnesota 

North Texas State University 

Denton, Texas 

Consortium Commissioning 

Atlanta Virtuosi Foundation 

Atlanta, Georgia 

Contemporary Music Forum 

Washington, D.C. 

For a one-year fellowship fora composer to live and work at the $12,000 academy.
 

For collaborations between two composers and two choreographers
 10,000 in the creation ofnew musical compositions for two new dance pieces.
 

For administration of the Endowment’s collection of works resulting
 22,500 from Composers Fellowships. 

For the American Music Center’s services to composers. 25,000 

For expansion of the New Music Calendar. 2,740 

To enable artists to use the foundation’s recording facilities. 2,480 

To support costs related to printing The An~~ual Con~position Direc. 4,270 tory of New Music. 

To increase the availability of the íoundation’s audio facilities. 2,300 

To expand and improve the present service of recording composers’ 4,900 concerts at The Kitchen. 

For the third annual summer program. 4,250 

To amend a previous grant for American composers to be in residence 

with American symphony orchestras. 15,000

For the activities of the íorum. 5,300 

To document the 1981 International Computer Music Conference. 5,000 

To commission Gunther Schuller, Karel Husa and Elliott Schwartz 15,000 to" compose piano quartets. The following consortium members have 

agreed to perform all three works at least twice during the 1983-84 

season: The Atlanta Virtuosi, The New England Piano Quartet, and 

The Rowe String Quartet. 

To commission Donald Sur, Anthony Stark and William Kraft to com­ 15,000 pose new chamber works. The following consortium members have 

agreed to perform all three works at least twice during the 1983-84 

season: Contemporary Music Forum, Speculum Musicae, and the San 

Francisco Contemporary Music Players. 
Music 193 

Jazz	 Includes eight subcategories: Performers who perform traditional, innovative, or extended forms of jazz are encouraged in their creative development

through support of rehearsals, performances, or related expenses. Composers 

are given support for the creation of new works, the completion of works 

in progress, or reproduction of their scores. Jazz Study grants enable aspiringjazz performers and composers to study privately with recognized masters

of jazz. Program Assistance grants help performing and presenting institutions improve performance quality and audience appreciation of jazz. Colleges and Universities are awarded grants for performance and presentation of jazz. Management Assistance is provided for improving management 

of jazz presenting of performing organizations. Jazz Special Projects covers 

specific projects not covered in other categories. Jazz Master Awards ate 

given to distinguished masters who have significantly altered the language 

of the art form in the Mro-American tradition. 

Program funds: $1,311,055 

176 grants 

Performers 

2,000 Abrams, Richard L. $15,000 Garvin, Thomas B.

Arleta, California New York, New York 

10,000 3,000 Harris, Barry D. Ackamoor, Idris New York, New York Oakland, Cali£ornia 

3,000 Albany, Joseph 4,000 Jones, Norris (Strone)

Lake Como, Pennsylvania New York, New York
 

7,000
 Anderson, 3,000 Land, Harold D. Ray R. Los Angeles, Caliíornia New York, New York
 

9,000
 5,000 Mobley, Henry E. Berger, Karl Ii. 

Woodstock, New York
 Philadelphia, Pennsylvania

4,000
 Bias, Gary 2,000 Monterose, Frank A.

Utica, New York Los Angeles, California
 

5,000 Montgomery, Ben 3,000
 Black, James N. Chicago, Illinois New Orleans, Louisiana
 

4,000
 8,000 Murray, Sonny J. Blake, John E. New York, New York Philadelphia, Pennsylvania 

5,000 Newman, David	 4,000 Brackeen, JoAnne Dallas, Texas New York, New York
 

3,000
 Clay, Omar 5,000 Robinson, Janice E.

New York, New York San Francisco, California
 

4,000
 Cyrille, Andrew 5,000 Rosewoman, Michele
 

Little Ferry, New Jersey New York, New York
 

3,000 Rouse, Charles	 15,000 Dawkins, Arthur C. 

Washington, D.C. New York, New York

3,000 Edwards, Karen S. 3,000 Saxton, William E.

Denton, Texas
 Bronx, New York

5,000
 6,500 Turrentine, Thomas W. Favors, Malachi Philadelphia, Pennsylvania Chicago, Illinois
 

7,000
 5,000 Wilber, Robert S. Fournier, Vernel A. New York, New York Brooklyn, New York
 

3,000
 4,000 Williams, Leroy Franklin, Henry C. New York, New York Los Angeles, California 

2,505 Friesen, David D.
 

Portland, Oregon
 
194 Music 

Composers 

Anderson, Christopher
 

New York, New York
 

Blake, Ran 

Boston, Massachusetts 

Callender, George 

Reseda, California 

Carter, Warrick L.
 

Park Forest, Illinois
 

Ector, Carl C.
 

New York, New York
 

Giuffre, Jimmy 

West Stockbridge, Massachusetts 

Greenlee, Charles M. 

Springfield, Massachusetts 

Haden, Charles
 

Paciñc Palisades, California
 

Lee, William
 

Brooklyn, New York
 

Liston, Melba 

New York, New York 

Jazz Study 

Bolsover, David B.
 

Birmingham, Alabama
 

Britt, Johnny
 

Chicago, Illinois
 

Brown, Dale A.
 

Mount Vernon, New York
 

Bufford, Gregory
 

Philadelphia, Pennsylvania
 

Coronara, Elizabeth
 

San Francisco, California
 

Eley, Val
 

New York, New York
 

Elkjer, Robert J.
 

Jamaica Plain, Massachusetts
 

Fauber, Stephanie J.
 

New York, New York
 

Frosythe, Jason
 

Brooklyn, New York
 

Grice, Janet
 

Middleton, Massachusetts
 

Grizzell, Renee
 

Fresno, Caliíornia
 

$8,000 

5,000 

5,000 

4,000 

4,000 

4,000 

5,000 

5,000 

5,000 

7,500 

$ 665 

1,750 

1,500 

1,500 

1,500 

1,500 

1,500 

1,500 

1,500 

1,500 

1,750 

Lopato, David P. 5,000 

New York, New York 

Lyons, Jimmy L. 5,000 

Bronx, New York 

Mathews, Ronald 

Brooklyn, New York 5,000 

Myers, Amina C. 

New York, New York 4,000 

Rivers, Sam 

Teaneck, New Jersey 10,000 

Ross, Candy 

Fort Lee, New Jersey 5,000 

Rudd, Roswell H. 

Richmond, Virginia 5,000 

Sanders, Samuel 

Detroit, Michigan 3,000 

Shaw, Woody 

New York, New York 10,000 

Smith, Sonelius 3,000 

New York, New York 

White, Christopher W. 5,000 

South Orange, New Jersey 

Haimsohn, Jana 1,500 

New York, New York 

Hayes, Louis 

Bronx, New York 5,000 

Hillis, Stephen L. 

Iowa City, Iowa 1,500 

House, Daniel 

Goleta, California 1,500 

Korsmeyer, Karen 

Urbana, Illinois 1,500 

Lawsha, Prince 

Santa Cruz, Caliíornia 2,000 

London, Frank C. 

Boston, Massachusetts 1,500 

Mitchell, J.R. 

New York, New York 4,000 

Pitts, Christopher 

Highland Park, Michigan 4,000 

Purcell, John R. 4,000 

New York, New York 

Royal, Gregory C. 

Washington, D.C. 1,500 
Music 195 

Taylor, Warren 

Washington, D.C. 

1,750 Wheeler, Tyrone 

Louisville, Kentucky 

1,500 

Tepper, Leslyn G. 

Panorama City, Caliíornia 

1,500 Wickliff, Karl 

Reseda, California 

1,500 

Vente, John M. 

Darien, Illinois 

1,750 Williams, Vea 

Brooklyn, New York 

3,000 

Program Assistance 

Alternative Center for International For a sedes of contemporary jazz concerts. $4,900 

Arts 

New York, New York 

Artists Collective For the jam session sedes and the annual Tdbute Concert sedes. 11,900 

Hartford, Connecticut 

Arts Festival of Atlanta For a jazz residency and the expansion of Jazz Day in the Park. 5,600 

Atlanta, Georgia 

Association for the Advancement of For workshops, concerts, and the musical training component. 17,200 

Creative Musicians 

Chicago, Illinois 

Atlanta, City of For the 1982 jazz festival. 14,000 

Atlanta, Georgia 

Bay Area Jazz Society For the fourth annual Bay Area Jazz Festival. 3,500 

San Francisco, California 

Brooklyn Academy of Music For jazz concerts by Brooklyn artists. 5,600 

Brooklyn, New York 

Centrum Foundation For the fourth annual Port Townsend Jazz Festival. 6,180 

Port Townsend, Washington 

Committee on Jazz For the components of the L.A. Jazz Awareness Program. 7,000 

Los Angeles, California 

Contemporary Arts Center For jazz workshop/clinics and performances. 14,000 

New Orleans, Louisiana 

Creative Arts Collective For contemporary jazz workshops and concerts. 9,100 

Detroit, Michigan 

Creative Music Foundation For residencies and concerts. 7,000 

Woodstock, New York 

Dance Visions To commission a jazz score by Cecil Taylor. 5,000 

New York, New York 

Detroit Institute of Arts, Founders For the expansion of Jazz at the Institute radio programs. 8,400 

Society

Detroit, Michigan 

For the Love of Jazz For presentations of local and nationally renowned jazz artists. 3,500 

Reno, Nevada 

G.I.N. (Get Involved Now) Foundation For jazz performances at senior centers and hospitals. 2,800 

Houston, Texas 

Haleakala To present jazz artists at the Kitchen. 5,600 

New York, New York 

Henry Street Settlement 

New York, New York 

For the music center’s jazz and Latin jazz workshops and the professional concert series. 

11,900 

Highlights in Jazz 

New York, New York 

For a sedes of jazz concerts with each concert emphasizing the contribution of a pivotal jazz performer or style. 

4,200 
196 Music 

India, Inc. 

Atascadero, California 

International Art of Jazz 

Stony Brook, New York 

Japantown Art Movement 

San Francisco, California 

Jazz Research Institute 

Detroit, Michigan 

Jazz in Arizona 

Phoenix, Arizona 

Jazzmobile 

New York, New York 

Kitani Foundation 

Columbia, South Carolina 

La Jolla Jazz Festival 

La Jolla, California 

Long Beach, City of 

Long Beach, California 

Mid-America Arts Alliance 

Kansas City, Missouri 

Mobile Jazz Festival 

Mobile, Alabama 

Monmouth County Library 

Freehold, New Jersey 

National Public Radio 

Washington, D.C. 

Natural Heritage Trust 

Lewiston, New York 

New Mexico Jazz Workshop 

Albuquerque, New Mexico 

New York Shakespeare Festival 

New York, New York 

Parker (Charles) Memorial Foundation 

Kansas City, Missouri 

Portland Center for Visual Arts 

Portland, Oregon 

Resident Arts and Humanities 

Consortium 

Cincinnati, Ohio 

St. Joseph’s Historic Foundation 

Durham, North Carolina 

Southern Art Federation 

Atlanta, Georgia 

Spoleto Festival USA 

Charleston, South Carolina 

Springfield Jazz Society 

Springfield, Massachusetts 

SUM Concerts 

Houston, Texas 

Universal Jazz Coalition 

New York, New York 

For a series of free jazz concerts in rural communities in San Luis 4,200 

Obispo County. 

To support IAJ’s Arts-in-Education Program, community concerts, 24,750 

anda state tour. 

To support a señes of jazz concerts in Japantown. 3,500 

For the Pioneer Jazz Orchestra, a concert series at the World Stage 17,500 

Cale, the Detroit Jazz Archive, the Detroit Jazz Center and the World 

Stage newsletter. 

For the artist-in-residence program of workshops and concerts. 5,600 

For the summer mobile concerts and the public school lecture series. 38,500 

For the presentation of the Count Basie Orchestra. 3,500 

For the fourth annual La Jolla Jazz Festival. 4,200 

For free jazz concerts and workshops by the Rene Blues Quintet in 

low-income and minority communities. 

3,500 

To sponsor a tour of the Clark Terry Quintet with Joe Williams. 10,500 

For the 1982 Mobile Jazz Festival. 8,400 

For a cooperative program of free jazz performances and demonstrations in libraries. 

5,600 

For production and distribution of four "Jazz Alive!" concerts. 17,500 

For the 1982 Artpark Jazz Festival. 4,200 

For the winter concert series. 3,510 

For the New Jazz at the Public series and an artist-in-residence 5,600 

program. 

For clinics for area students and public concerts. 7,000 

For two concerts by prominent jazz artists. 4,900 

For a series of concerts by nationally reno~med jazz artists. 4,200 

For artists’ fees for a jazz concert/workshop series. 5,600 

For a sponsored touring of two nationally recognized jazz ensembles 

throughout the Southeast. 11,900 

For a series of jazz events. 7,000 

For concerts anda series of jazz events at community centers and

public schools. 4,900 

For the third annual Houston Jazz Festival. 5,600 

For services to musicians, a concert series, and the young musicians’ 19,600 

program. 
Music 197 

Walker Art Center For jazz eoneerts. 6,~00 

Minneapolis, Minnesota 

Wiehita Jazz Festival For the llth annual jazz festival. 4,900 

Wiehita, Kansas 

Wilbur Ware lnstitute For workshops, semlnars, clinics, a concert series, and a residency 5,600 

Philadelphia, Pennsylvania on improvisation. 

Women’s Jazz Festival For the 1982 Women’s Jazz Festival. 17,500 

Kansas City, Missouri 

Colleges and Universities 

Capital University For the Cozy Cole Jazz Festival. $3,400 

Columbus, Ohio 

Carroll (John) University To support a women’s jazz festival. 4,250 

University Heights, Ohio 

Cornish Institute Fora eomposer resideney by Dave Holland. 2,000 

Seattle, Washington 

Cuyahoga Community College District For the third annual Jazz Fest. 4,250 

Cleveland, Ohio 

Dartmouth College For jazz performances of the John Coltrane Memorial World Musie 6,300 

Hanover, New Hampshire Series. 

Governors State University 

Park Forest South, Illinois 

For the artist-in-residence program of clinics, master classes, and concerts by professional jazz ensembles. 

8,780 

Haverford College, Corporation of For the Alternative Concert Series. 6,000 

Haverford, Pennsylvania 

ttoward University 

Washington, D.C. 

For research on the music of the Billy Eckstine band anda concert

performance of the original arrangements. 

5,100 

Hutchinson Community College For a concert that features Louis Bellson. 1,700 

Hutchinson, Kansas 

Jackson State University 

Jackson, Mississippi 

For a workshop that features guest musicians in rehearsals and performances with high school and college jazz ensembles. 

7,500 

Long Beach Community College 

District For a jazz artists concert series and workshops. 5,100 

Long Beach, California 

Louisiana State University For a residency with Ted Curson. 4,250 

Baton Rouge, Louisiana 

Miehigan, Regents of the University of For major concerts, improvisation workshops, artist residencies and 5,100 

Ann Arbor, Michigan the Bright Moments concert series by Eclipse Jazz. 

Naropa Institute For a jazz residency program anda community concert. 3,400 

Boulder, Colorado 

New England Conservatory For a series of residencies with prominent jazz artists. 3,400 

Boston, Massachusetts 

Rutgers, State University of New

Jersey 

For state-wide high school workshop/concerts, a series of concert/workshops in the state correctional system, and a jazz residen10,220 

New Brunswick, New Jersey cy program sponsored by Livingston College. 

St. Louis Conservatory and Schools For the jazz concert season and the Jazz at Midtown instructional 5,900 

for the Arts program. 

St. Louis, Missouri 

Virginia Commonwealth University For the fourth annual Classical Jazz Festival. 6,800 

Richmond, Virginia 

Wisconsin Conservatory of Music For jazz concerts and short-term residencies. 3,400 

Milwaukee, Wisconsin 
198 Music 

Management Assistance 

Artists Collective 

Hartford, Connecticut 

Association for the Advancement of 

Creative Musicians 

Chicago, Illinois 

Committee on Jazz 

Los Angeles, California 

Composers and Improvisors
 

Association
 

Seattle, Washington 

Contemporary Arts Center 

New Orleans, Louisiana 

District Curators 

Washington, D.C. 

International Art of Jazz 

Stony Brook, New York 

Jazzmobile 

New York, New York 

Mobile Jazz Festival 

Mobile, Alabama 

National Association of Jazz, 

Educators 

Manhattan, Kansas 

SUM Concerts 

Houston, Texas 

Universal Jazz Coalition 

New York, New York 

WBGO 

Newark, New Jersey 

Jazz Special Projects 

Clark College 

Atlanta, Georgia 

Heywood, Edward 

White Plains, New York 

ttorne, Aaron 

Evanston, Illinois 

Jackson, Carl 

Washington, D.C. 

Laneaster, William Byard 

Chevy Chase, Maryland 

Las Vegas Jazz Society 

Las Vegas, Nevada 

Michigan Council for the Arts 

Detroit, Michigan 

For the second-year engagement of a development specialist. $7,000 

For the third-year salary of the program administrator. 12,000 

For consultants in the areas of program coordination, public relations, 5,600 

bookkeeping, and legal services. 

For the first-year salary of a qualified manager. 2,800 

For the third-year salary of a jazz coordinator. 7,345 

For the salary of the jazz program director. 5,600 

For the third-year salary of a qualified development specialist. 9,600 

For the third-year salary of a development director. 0,000 

For the salary of a full-time festival coordinator. 5,600 

For the salary of a qualified director of development. 7,000 

For the first-year salary of the artistic director. 7,000 

For second-year salaries for the part-time positions of secretary, book­ 7,000 

keeper, and distributor-mailer. 

To engage a director of membership and promotion. 7,200 

For a jazz touring network among nine historically black colleges and 

the ~stablishment of a jazz music archives. $55,000 

For Mr. Heywood to transcribe the scores of "The Greatest Little 

Band" from original recordings. 5,000 

For a two-week jazz workshop and study program. 5,000 

For a series of concerts and performances for the benefit of senior 

citizens. 1,500 

For a series of workshops entitled "Crayons and Horns" at the Corcoran School of Art that explore the musical elements involved in 5,000 

the creative process of visual arts. 

For artistic and administrative expenses for a memorial concert in 

tribute to Monk Montgomery. 20,000 

To implement a regional information and service base for professionals 

in the jazz field. 50,000 
Music 199 

National Jazz Foundation To administer a three-part project to benefit the jazz field: to pro­ 70,335 

Bowie, Maryland vide technical assistance for selected jazz organizations, to administer 

on-site evaluations, and to monitor a program of grantee fund 

management. 

Outward Visions To provide management, booking, publicity, and consultation services 3,500 

New York, New York to avant-garde jazz musicians. 

Ridley, Larry 

New Brunswick, New Jersey 

To continue support of ah administrative assistant to assist the National Coordinator for the Music/Jazz component of the Artists-inEducation Program. 

7,500 

Rutgers, State University of New For the Jazz Oral History Project, which collects essential historical, 89,870 

Jersey cultural, and biographical data concerning the evolution and developNew Brunswick, New Jersey ment of jazz. 

Jazz Master Awards 

EIdridge, Roy 

Hollis, New York 

$20,000 Sun Ra 

Philadelphia, Pennsylvania 

20,000 

Gillespie, John Birks (Dizzy) 20,000 

Englewood, New Jersey 

TF-Tr~~ury Fund~ 
200 Opera-Musical Theater 
2O1
 

Opera-Musical Theater
 

Opera-Musical Theater Advisory Panels
 

H. Wesley Balk 

Stage director, educator

Minneapolis, Minnesota 

Michael Bronson 

Opera company media director 

New York, New York 

Hazel Bryant 

Theater producer, performer 

New York, New York 

Nash Cox 

State arts agency director

Frankfort, Kentucky 

Robert Darling 

Stage designer, director 

Washington, D.C. 

Bernard Gersten 

Producer 

New York, New York 

Ann Getty 

Opera service organization


executive, arts patron
 

San Francisco, California
 

Irene Gubrud 

Opera singer 

New York, New York 

Joan Harris 

Opera company president

Chicago, Illinois 

Robert Herman 

Opera company general manager 

Miami, Florida 

Robert Holton 

Music publisher 

New York, New York 

C. Bernard Jackson 

Arts administrator, 

educator, composer 

Los Angeles, California 

John Kander 

Composer, conductor, arranger 

New York, New York 

Rhoda Levine 

Stage director, author, 

choreographer 

New York, New York 

Frank Lewin 

Composer, educator 

Princeton, New Jersey 

Mike Malone 

Stage director, choreographer 

Cleveland, Ohio 

Richard Maltby 

Composer, lyricist, director 

New York, New York 

John Mauceri 

Conductor, 

musical consultant 

New York, New York 

Frank McGlinn 

Foundation executive 

Philadelphia, Pennsylvania 

Michael Price 

Producer 

East Haddam, Connecticut 

Edward Purrington 

Opera company general director 

Tulsa, Oklahoma 

Jane Remer 

Arts consultant, author 

New York, New York 

Domingo Rodriquez 

Artists’ union business 

representative 

New York, New York 

Gideon Schein 

Stage director 

New York, New York 

Alexis Smith 

Actress 

Los Angeles, Caliíornia 

Stephen Sondheim 

Composer, lyricist 

New York, New York 

Jane Weaver 

Opera company

managing director 

Houston, Texas 

Edward Weston 

Actors’ union executive 

Los Angeles, California 

Thomas Wolf 

Arts foundation director 

Cambridge, Massachusetts 

Carmen Zapata 

Actess, singer, 

arts administrator 

Los Angeles, California 
202 Opera-Musical Theater 

Opera-Musical Theater Grants Program funds: $2,~40,776 

New American 

Works 

A New Space 

New York, New York 

AMAS Repertory Theatre 

New York, New York 

American Place Theatre 

New York, New York 

Byrd-Hoffman Foundation 

New York, New York 

Cornish Institute 

Seattle, Washington 

District 1199 Cultural Center 

New York, New York 

First All Children’s Theatre 

New York, New York 

Haleakala 

New York, New York 

International Arts Relations 

New York, New York 

Intersection 

San Francisco, California 

Lehman Engel Musical Theater 

Workshop 

Los Angeles, California 

Minnesota Opera Company 

St. Paul, Minnesota 

Minnesota Opera Company 

St. Paul, Minnesota 

O’Neill (Eugene) Memorial Theatre 

Center 

Waterford, Connecticut 

Opera Theatre of St. Louis 

St. Louis, Missouri 

Pennsylvania Opera Theater 

Philadelphia, Pennsylvania 

Treasury funds: $2,800,000 

139 grants 

To create, develop, rehearse, and produce contemporary American operamusical theater works; encourage their introduction into the standard repertory; and make audiences more aware and appreciative of them. 

Program funds: $262,500
 18 grants
 

For the Chamber Opera Theatre of New York to sponsor the Com- $5,000
 

posers’ Forum, a series of opera readings and workshop performances
 

of new, revised, and rarely performed chamber opera and musical
 

theater works.
 

To support development anda showcase production of Sparrow in 15,000
 Flight, an original musical based on the life and works of Ethel Waters.
 

To develop and produce a tragicomic operetta performed by people 10,000
 and puppets.
 

For musical costs of a second development and rehearsal period of 5,000
 Robert Wilson’s production of Medea.
 

To rehearse and produce A’Agita, a ceremonial opera by composer 5,000
 Janice Giteck and librettist Ron Giteck based on the harvest festival
 

of the Pima-Papago Indians.
 

To rehearse and produce Take Care, Take Care, a new musical revue 15,000
 focusing on issues that affect workers.
 

For the development and workshop performances for an original 25,000 musical drama, The Children’s Crusade, composed by Richard 

Peaslee, with book and lyrics by Kenneth Cavander. 

For the Kitchen to commission a collaborative work between JoAnne 7,500 Akalaitis and Jon Gibson, including expenses of a workshop 

production. 

To commission a team of artists to develop the concept, libretto, and 15,000 music for a contemporary adaptation of Zorilla’s Don Juan Tenorio 

to be called The Latin Lover. 

For the creation of a new music theater piece by George Coates. 5,000 

For a series of musical works-in-progress readings. 5,000 

For development and workshop performances of ah opera by Calvin 20,000 Hampton. 

For rehearsal and production costs for the world premiere produc- 60,000 tion ofA Death in the Family, an opera by William Mayer based on 

the novel by James Agee and Tad Mosers play, All the Way Home. 

For the i’ffth annual Composer/Librettist Conference. 30,000 

To commission a one-act comic opera by composer Stephen Paulus 10,000 and librettist Terrence McNally. 

For rehearsal and pre-production costs for the world premiere, full- 10,000 scale production with orchestra of Margaret Garwood’s opera, Rappaccini’s Daughter. 
Opera-Musical Theater 203 

San Diego Opera Association To commission composer Leonardo Palada and librettists Gabriela 15,000 

San Diego, California Roepke and Tito Capobianco to create an opera based on the life of

Mexican leader Emiliano Zapata. 

Theater of the Performing Arts To commission composer Edward Garza and librettist Elizabeth Shaw 5,000 

Tucson, Arizona to create Clytemnestra, a full-length opera based on the tragedies of Euripides, Sophocles, and Aeschylus. 

Producers Grants	 To assist individual producers in the creation, completion, adaptation, and 

development of new music theater works. 

Program funds: $48,500 

5 grants 

Austin, Lyn To create a new music theater work about the life and music of Jelly $12,000 

New York, New York Roll Morton, in collaboration with composer Gunther Schuller and 

writer John Lahr. 

Falls, Robert and Jeffrey Ortmann To create and develop a new musical adaptation of Charles F. Fin- 7,500 

Chicago, Illinois ney’s novel, The Circus of Dr. Lao. 

Kalfin, Robert For an English-language adaptation of the Swedish musical theater 12,000 

New York, New York piece Animalen, by composer Lars Johan Werle and librettist Tage 

Danielson. 

Renz, Frederick For the pmduction ofa 12th-century liturgical music-drama, including 5,000 

New York, New York research, score, and libretto preparation. 

Stein, Meridee For the creation of a new musical play based on George Eliot’s Silas 12,000 

New York, New York Marner, with music by Bruce Coughlin and book by Anthony Stein. 

Professional	 For opera companies to improve their artistic quality and administrative 

skills, reach new audiences, and broaden their repertoire to include more Companies works by American artists. 

Program funds: $1,708,130 Treasury funds: 2,700,000 89 grants 

Allen (Richard) Center for	 To engage artistic personnel for the 1982-83 season of productions. $8,125 

Culture and Arts 

New York, New York 

AMAS Repertory Theater For the 1982-83 season of musical productions. 5,300 

New York, New York 

Anchorage Civic Opera Association To engage artistic, administrative, and production personnel. 10,625 

Anchorage, Alaska 

Annapolis Opera To enguge artistic and administrative persormel, including a fu]l-time 3,000 

Annapelis, Maryland managing director. 

Arizona Opera Company To engage the Phoenix Symphony and the Tucson Symphony for the 6,375 

Tucson, Arizona 1982-83 season. 

Arkansas Opera Theatre For administrative and production expenses for the 1982-83 season. 3,750 

Little Rock, Arkansas 

Atlanta Arts Alliance For musical productions during the 1982-83 season. 3,000 

Atlanta, Georgia 

Augusta Opera Asso~iation To engage a resident ensemble, a stage director, anda conductor- 7,500 

Augusta, Georgia coach for the 1982-83 season. 

Baltimore Opera Company To strengthen the company’s administrative, opera education, and 31,250
 

Baltimore, Maryland production departments, and continue activities of the Eastern Opera TF 50,000
 

Theatre.
 
204 Opera-Musical Theater 

Bronx Opera Company 

Bronx, New York 

Central Florida Cultural Endeavors 

Daytona Beach, Florida 

Charlotte Opera Association 

Charlotte, North Carolina 

Chattanooga Opera Association 

Chattanooga, Tennessee 

Chautauqua Opera Association 

Chautauqua, New York 

Chicago Opera Theater 

Chicago, Illinois 

Cincinnati Opera Association 

Cincinnati, Ohio 

Civic Light Opera Association of 

Greater Pittsburgh 

Pittsburgh, Pennsylvania 

Civic Opera of the Palm Beaches 

Palm Beach, Florida 

Columbus Symphony Orchestra 

Columbus, Ohio 

Connecticut Opera Association 

Hartford, Connecticut 

Dallas Civic Opera 

Dallas, Texas 

Des Moines Metro Opera 

Indianola, Indiana 

East-West PIayers 

Los Angeles, California 

Fargo-Moorhead Civic Opera Company 

Fargo, North Dakota 

First All Children’s Theatre 

New York, New York 

Fort Worth Opera Association 

Fort Worth, Texas 

Glimmerglass Opera Theater 

Cooperstown, New York 

Goodspeed Opera House 

East I4addam, Connecticut 

Hawaii Opera Theatre 

Honolulu, Hawaii 

Henry Street Settlement 

New York, New York 

Hinsdale Opera Theatre 

Hinsdale, Illinois 

Houston Grand Opera Association 

Houston, Texas 

International Arts Relations 

New York, New York 

For the 1982-83 season of productions in English. 3,000 

For the 1982 season of productions, including the engagement of ar- 3,000 

tistic and technical staff, guest designers, and directors. 

For the 1982-83 season. 10,000 

To engage a part-time marketing director. 7,125 

For the continued engugement of an artistic director anda 1982 season 11,480 

production directed by Frank Corsaro. TF 15,000 

To amend a previous grant for a new production during the 1982-83 9,000 

season. 

For the 1982-83 season of productions, including the education- 31,250 

outreach program and activities of the Ensemble Company of TF 75,000 

Cincinnati. 

To engage artistic and technical personnel, and for the design and 3,000 

construction of sets for the 1982-83 season of productions. TF 18,000 

To strengthen artistic and administrative staff. 2,000 

For the 1982-83 season of opera productions, including the engage- TF 15,000 

ment of a full-time manager for Opera/Columbus. 

To add a ffffth production to the 1982-83 season. 6,250 

To support the 1982-83 season of productions. 30,625 

TF 65,000 

To engage American singers, and for an Apprentice Artist Program. 7,875 

To develop an Asian-American musical theater production during the 3,000 

1982-83 season, including the engagement of musical director. 

For a production of Tosca and the engagement of a part-time box 3,750 office manager for the 1982-83 season. 

For the 1982-83 season of musical theater productions. 3,000 

For the 1982-83 season of productions, and the engagement ofa direc- 18,750 

tor of audience development and volunteer services. 

For a production of Cenerentola during the 1982-83 season. 6,000 

For the engagement of artistic and management personnel, expan- 40,000 sion of the music archives, and for the annual workshop of new TF 20,000 

American musicals. 

For the 1982-83 season of productions, including the engagement of 

artistic and management personnel, and fees and travel for guest 15,000 

artists. TF 15,000 

For the 1982-83 season of opera productions. 3,000 

For the 1982-83 season of productions, including the engagement of 3,000 

artistic and production personnel. 

To engage artistic personnel, expand development and marketing pro- 65,000 

grams, and establish a centralized computer department. TF 160,000 

For the 1982-83 season of two musical productions, including the 3,000 engagement of artistic and management personnel. 
Opera-Musical Theater 205 

Karamu House For the professional company’s 1982-83 season of musical productions. 3,000 

Cleveland, Ohio 

Kentucky Opera Association 

Louisville, Kentucky 

To add a fourth performance for each of the 1982-83 season 

productions. TF 

8,125 

15,000 

Los Angeles Opera Repertory Theatre For the 1982-83 season of three productions. 3,000 

Los Angeles, California 

Lyric Opera of Chicago 

Chicago, Illinois 

For the 1982-83 season of productions. 62,500 

TF 150,000 

Lyric Opera of Kansas City 

Kansas City, Missouri 

To engage artistic, production, and management personnel for the

1982-83 season. 

25,000 

TF 20,000 

Manhasset Bay Opera Association For the 1982-83 season of productions. 2,000 

Great Neck, New York 

Manhattan Theatre Club For the 1982-83 season of productions, including one fully produced TF 12,500 

New York, New York musical presentation. 

Metropolitan Opera Association 

New York, New York 

For artistic and technical preparation for the 1983-84 centennial season 

and two weeks of free parks concerts. 

423,100 

Metropolitan Opera Association 

New York, New York 

For artistic and technical preparation for the 1982-83 season and two

weeks of free parks concerts. 

20,000 

TF 805,000 

Michigan Opera Theatre 

Detroit, Michigan 

For the 1982-83 season of productions, including the expansion of the 

artist-intern program. TF 

30,000 

20,000 

Milwaukee Florentine Opera Company 

Milwaukee, Wisconsin 

For the engagement of administrative and artistic personnel, a production of Samson and Delilah, additional rehearsal time, and an in- TF 

6,250 

15,000 

tensified rehearsal period. 

Minnesota Opera Company 

St. Paul, Minnesota 

For the 1982-83 season of productions, including the engagement of 

guest artists anda resident artist program. TF 

30,000 

55,000 

Mississippi Opera Association For activities of the 1983 Opera Festival of the South, including main­ 8,000 

Jackson, Mississippi stage productions and the Young Artist Apprentice Program. 

Mobile Opera For the 1982-83 season of productions, including outreach and develop­ 6,375 

Mobile, Alabama ment activities. 

Music Theatre Performing Group 

New York, New York 

For the 1982-83 season of major music theater productions and 

workshops at the Lenox Arts Center. TF 

17,500 

20,000 

Natural Heritage Trust For the 1982 season of opera and musical theater productions at 10,625 

Lewiston, New York Artpark. 

Nevada Opera Assoeiation 

Reno, Nevada 

For the engagement of full-time management, artistic, and technical 

personnel. 

16,250 

New Cleveland Opera Company To amend a previous grant for production expenses for the 1982-83 9,000 

Cleveland, Ohio season. 

New Orleans Opera Association 

New Orleans, Louisiana 

For additional rehearsals with the New Orleans Philharmonic, the 

engagement of guest conductors and stage directors, anda student TF 

10,000 

20,000 

performance. 

New York City Opera 

New York, New York 

For the 1982-83 season of seven new productions. 

TF 

76,250 

180,000 

New York Shakespeare Festival Forthe 1982-83seasonofmusicalproductionsatthePublicTheater. TF 25,000 

New York, New York 

Opera Association of New Mexieo 

Santa Fe, New Mexico 

For the apprentice program for singers and technicians, and the 

engagement of American artists during the 1982-83 season of Santa TF 

68,750 

75,000 

Fe Opera. 

Opera Company of Boston To expand activities in marketing, promotion, and development. TF 50,000 

Boston, Massachusetts 

Opera Company of Philadelphia 

Philadelphia, Pennsylvania 

For the 1982-83 season of productions, outreach activities, and expenses of the Pavarotti International Voice Competition. TF 

23,750 

20,000 

Opera Theatre of Syracuse 

Syracuse, New York 

For the 1982-83 season of fully staged operas and the engagement 

of managerial staff. 

16,250 
206 Opera-Musical Theater 

Opera Ebony Philadelphia 

Philadelphia, Pennsylvania For the 1982-83 season of performances, community outreach programs and the engagement of personnel. 6,375 

Opera Festival Association 

Glens Falls, New York 

For the 1983 Lake George Opera Festival, including the engagement 

of American singers. 

20,000 

TF 20,000 

Opera Guild of Greater Miami 

Miami, Florida 

Opera Memphis 

Memphis, Tennessee 

Opera Theatre of St. Louis 

St. Louis, Missouri 

Opera/Omaha 

Omaha, Nebraska 

Pennsylvania Opera Theater 

Philadelphia, Pennsylvania 

Pittsburgh Opera 

Pittsburgh, Pennsylvania 

Playwrights Horizons 

New York, New York 

Portland Opera Association 

Portland, Oregon 

St. Luke’s Chamber Ensemble 

New York, New York 

San Antonio Symphony 

San Antonio, Texas 

San Diego Opera Association 

San Diego, Caliíornia 

San Francisco Opera Ass(miation 

San Francisco, California 

Scholar Opera 

Palo Alto, California 

Seattle Opera Asso~iation 

Seattle, Washington 

Skylight Comic Opera 

Milwaukee, Wisconsin 

Spoleto Festival, U.S.A. 

Charleston, South Carolina 

Tri-Cities Opera Company 

Binghamton, New York 

Tñnity Personna Company 

Providence, Rhode Island 

Tulsa Opera 

Tu]sa, Oklahoma 

Urban Arts Theatre 

New York, New York 

Utah Opera Company 

Salt Lake City, Utah 

Virginia Opera Asso¢iation 

Norfolk, Virginia 

Washington Drama Society 

Washington, D.C. 

To amend a previous grant for the engagement of artistic personnel

and set and costume construction for the 1982-83 season. 

To engage artistic personnel and upgrade the quality of sets, costumes, 

wigs, and make-up for the 1982-83 season. 

For administrative and artistic expenses of the 1982-83 season of productions, including the world premiere of a new American work. 

For ah audience deve~opment program and the engagement of Omaha 

Symphony Orchestra members for the 1982-83 season ofproductions. 

To perform fully staged operas in English in unusual performance 

spaces such as office buildings, factories, housing developments, and 

apartment complexes as an outreach program. 

For the 1982-83 season, including the engagement of artistic personnel, rental of costumes and scenery, and scenic design and construction for two shared productions. 

For the presentation of new works during the spring 1982 festival 

of musical theater. 

For the world premiere of Bernard Herrmann’s opera, Wuthering 

Heights. 

For the 1982-83 season of productions and outreach activities. 

For the 1982-83 season of opera productions, including the engagement of artistic personnel and the premiere oía new American work. 

For the 1982-83 season of productions, including the American 

premieres of Emmanuel ChabrieFs C:noen~line, and Carnflle Saint-Saens’ 

Henry VIII. 

For the 1982-83 fall and summer festival seasons of productions. 

For the 1982-83 season of pmductions, including the engagement of a 

company manager. 

To suppert the 1982-83 season of Opera-in-English and annual festival 

performances of Wagner’s The Ring of the Nibelung. 

For hiring stage directors for the 1982-83 season and acting workshops 

for company members and others in the community. 

To engage artistic personnel for the 1982 season. 

For artistic, technical, and administmtive expenses of the 1982~~3 season. 

For the pmduction ofa new musical, The Oi/s ofAraby, for the Trinity 

Square Repertory Company. 

To amend a previous grant for orchestral and stagehand services for

the 1982~3 season of productions. 

To engage artistic, management, and production personnel for the 1982~ 

season of four musical productions. 

For the expansion of development activities, including the engagement 

of a development officer and suppert staff. 

For the 19824~3 season of productions, induding the engagement of artistic and administrative statf and guest artists. 

For musical theater productions at Arena Stage during the 1982 season. 

42,500 

TF 75,000 

11,250 

TF 15,000 

25,000 

TF 40,000 

5,000 

TF 10,000 

3,000 

11,250 

TF 25,000 

3,000 

20,000 

TF 40,000 

3,000 

5,625 

TF 10,000 

25,000 

TF 50,000 

80,625 

TF 185,000 

3,000 

60,000 TF 140,000 

2,000 

11,500 

TF 26,000 

8,750 

TF 15,000 

3,000 

TF 13,000 

16;550 

TF 5,000 

5,300 

17,500 

TF 20,000 

3,000 

13200 
Opera-Musical Theater 207 

Washington Opera For the 1982-83 season of productions at the Kennedy Center Opera 45,000 

Washington, D.C. House, including the engagement of artistic and production personnel TF 90,000 

and outreach activities. 

West Michigan Opera Company For the 1982-83 season of productions, including the engogement of ar­ 3,000 

Grand Rapids, Michigan tistic and production personnel. 

Whitewater Opera Company For artist’s fees for the 1982-83 season of productions. 2,000 

Richmond, Indiana 

Wolf Trap Foundation for the To amend a previous grant for two productions duñng the 1982 season. 6,750 

Performing Arts TF 5,500 

Vienna, Virginia 

Woodstock Music Theatre Festival For musical productions during the 1983 Festival. 3,500 

Woodstock, Illinois 

Services to the Art	 To assist organizations that provide services to the opera-musical theater 

field as a whole or a sector of it. 

Program funds: $441,671 Treasury funds: $100,000 

12 grants 

American Music Center For a catalogued collection of opera scores, music-theater scores, audio- $3,000 

New York, New York tapes and video-tapes. 

Brenner, Janet To participate asa Fellow in the Opera-Musical Theater Program. 2,500 

New York, New York The Fellowship Program contributed an additional $1,000 to this 

award. 

Houston Grand Opera Association To amend a previous grant for operations of the Houston Opera 10,000 

Houston, Texas Studio. 

Jacobson, EIsa To serve as a Fellow in the Opera-Musical Theater Program. The 2,200 

Kansas City, Missouri Fellowship Program contributed an additional $3,598 to this award. 

Montana State University For an outstanding arts administrator to serve temporarily in the 8,136 

Bozeman, Montana Opera-Musical Theater Program. 

National Opera Institute To amend a previous grant to administer on-site evaluations to assess 101,000 

Washington, D.C. an opera or musical theater producing organization’s administrative 

and artistic activities 

National Opera Institute For fellowships to singers, information programs, and apprenticeships 170,000 

Washington, D.C. in administration and production. TF 100,000 

New England Foundation for the Arts For an on-site evaluation of service organizations supported by the 4,000 

Cambridge, Massachusetts Opera-Musical Theater Program. 

Opera America To organize the Opera-Musical Theater’s seminar examining current 25,000 

Washington, D.C. conditions that affect the music theater art forms. 

Opera America For operations of the national office, which provides programs of ser- 85,000 

Washington, D.C. vices to professional companies, including consultancies, seminars, 

and the annual meeting. 

Opera America For the Special Constituencies technical assistance program, which 14,825 

Washington, D.C. aids member companies in complying with 504 regulations. 

Southwest Minnesota Arts and For Endowment Fellow Paul R. Brown to complete an extensive 1,185 

Humanities Coun¢il research and statistical analysis of professional opera and musical 

Marshall, Minnesota theater companies funded by the Opera-Musical Theater Program. 
208 Opera-Musical Theater 

Special OperaMusical Theater 

Projects 

Berkeley Stage Company 

Berkeley, California 

Concert Royal 

New York, New York 

Kennedy, (John F.) Center for the 

Performing Arts 

Washington, D.C. 

Opera America 

Washington, D.C. 

Opera America 

Washington, D.C. 

Texas Opera Theater 

Houston, Texas 

Regional Touring 

(Pilot) 

Midwest Opera Theater and School 

St. Paul, Minnesota 

Opera Theater of Syracuse 

Syracuse, New York 

Opera de Camara 

Rio Piedras, Puerto Rico 

Opera Guild of Greater Miami 

Miami, Floñda 

Opera New England 

Boston, Massachusetts 

Texas Commission on the Arts 

Austin, Texas 

Texas Opera Theater 

Houston, Texas 

Virginia Opera Association 

Norfolk, Virginia 

Western Opera Theater 

San Francisco, California 

Western States Arts Foundation 

Santa Fe, New Mexico 

TF-T~’~a~ury Fund~~ 

For exemplary projects of national scope that respond to the needs and goals 

of the art; are innovative; and will enhance the development, appreciation,

and future of opera and musical theater. 

Program funds: $87,975 

6 grants 

For production of works combining music, art, and theatrical perfor- $13,000 

mance in unique ways at the second annual Theater Festival of New 

Music. 

For the production of a full-length work of Baroque opera-ballet in 15,000 

collaboration with the New York Baroque Dance Company. 

For Hans Spialek to recreate the full orchestral scores for signifi- 15,000 

cant American musicals as originally written and performed. 

For the second Composer/Librettist Showcase and Seminar at the 24,775 

13th annual conference in December 1982. 

For a meeting to discuss the use of shopping centers and malls for 4,200 

opera performance activities, including publication costs for a handbook for opera companies. 

For a marketing and development conference designed to broaden 16,000 

the expertise of current and potential sponsors of opera through lectures, seminars, and workshops. 

To enable professional, non-profit opera or musical theater companies to 

tour in multi-state regions. 

Program funds: $2,840,776 

Treasury funds: $2,800,000 

10 grants 

To support touring, including residency activities and performances $26,250 

throughout the upper Midwest. 

To support the 1982-83 touring season to historic opera houses and 2,000
 

theaters in New York and Delaware.
 

For the 1982-83 touring season of operas performed in Spanish 3,000 

throughout the island. 

To amend a previous grant for touring activities, including residen- 7,500 

cies, school performances, master classes, and seminars during the 

1982-83 season. 

To continue the 1982-83 touring season of fully staged productions 25,000 

presented throughout New England. 

To support, in cooperation with state and local arts organizations in 42,500 

Texas, Oklahoma and Louisiana, local organizations sponsoring residency-performance weeks of Texas Opera Theater. 

For "pre-tour" expenses for the 1982-83 season of productions, which 90,000 

includes performances and residencies serving 60-70 communities in 

a 15-state region. 

To support touring activities, including residencies, school perfor- 16,250 

mances, and workshops throughout the southeastern region. 

For the 1982-83 touñng season. 67,500 

To assist with fees to local sponsoring organizations for residencies 12,000
 

of Mother Lode Musical Theatre.
 


211 

Theater
 

Theater Advisory Panels 

Elsa Robles Billie Allen	 David Hawkanson 

Actress Managing director	 Association director

New York, New York Tuscon, Arizona	 New York, New York

Wayne Lawson	 Gideon Schein Josephine Ayers 

Theater board member	 State arts agency director Artistic director 

Anniston, Alabama Columbus, Ohio New York, New York

Arvin Brown	 Margo Lovelace Alan Schneider 

Artistic director	 Artistic director Educator

New Haven, Connecticut	 Pittsburgh, Pennsylvania San Diego, California 

Robert Brustein	 Judith Martin Michele Shay 

Artistic director Actress 

Cambridge, Massachusetts New York, New York New York, New York Artistic director 

Rene Buch	 Zuri McKie Howard Stein 

Artistic director Associate producer Educator 

New York, New York New York, New York Austin, Texas 

Steve Carter	 Mark Medoff Dan Sullivan

Drama critic Playwright Playwñght 

New York, New York Las Cruces, New Mexico Los Angeles, California 

M. Burke Walker 

Actress Managing director Artistic director Olivia Cole	 Sara O’Connor 

Seattle, Washington Los Angeles, California	 Milwaukee, Wisconsin 

Peter Culman	 Nancy Quinn Steve Warnick 

Managing director	 Associate producer Producing director

Baltimore, Maryland	 Washington, D.C. Boston, Massachusetts 

Arden Fingerhut	 Lloyd Richards Peg Yorkin 

Producer Lighting designer	 Artistic director 

New York, New York	 New Haven, Connecticut Los Angeles, California

David Frank Peter Zeisler

Artistic director Service organization
 

Buffalo, New York
 director 

New York, New York 
212 Theater 

Theater Grants Program funds: $fi,7ó5,721 

Treasury funds: 

409 grants 

$2,880,000 

Director/Fellows 

(Pilot) 

American Repertory Theatre Company 

Cambridge, Massachusetts 

Arizona Theatre Company 

Tucson, Arizona 

Associated YM-YWHAs of Greater 

New York 

New York, New York 

Chicago Theatre Group 

Chicago, Illinois 

Circle Repertory Theatre Company 

New York, New York 

Creation Production Company 

New York, New York 

Dallas Theater Center 

Dallas, Texas 

El Teatro Campesino 

San Juan Bautista, California 

Empty Space Association 

Seattle, Washington 

Los Angeles Actors’ Theatre 

Foundation 

Los Angeles, California 

Milwaukee Repertory Theater 

Milwaukee, Wisconsin 

Portland Stage Company 

Portland, Maine 

Seattle Repertory Theatre 

Seattle, Washington 

Shakespeare and Company 

Lenox, Massachusetts 

Professional 

Theater Training 

American Conservatory Theatre 

Foundation 

San Francisco, California 

League of Professional Theatre 

Training Programs 

New York, New York 

To assist the career development of directors who have demonstrated an ability and commitment to work in professional theater. 

Program funds: $113,933 

14 grants 

For Bill Foeller to serve as resident directing fellow to develop pro- $10,000 

jects for the Monday series of stage readings and special events, and 

to direct one full production for the new play series. 

For Jon Cranney to serve as director fellow for the 1982-83 season. 10,000 

To support Edward Cohen as director íellow to direct one full pro- 10,000 

duction and be responsible for new play reading, play selection, and 

assisting the artistic director at the Jewish Repertory Theatre. 

To support Michael Maggio as director for the Goodman Theatre’s 10,000 

1982-83 season and for related expenses. 

To support Bryna Wortman as director fellow to supervise the 10,000 

projects-in-progress series during the 1982-83 season. 

To support Mark Lutwak as director fellow daring the 1982-83 season. 5,000 

To support Johnny Simons as director fellow during the 1982-83 2,500 

season. 

To support Michael Griggs as director fellow to serve as director of 2,163 

the Cale ETCetera presentation. 

For John Kazanjian to serve as director fellow for the 1982-83 season. 9,890 

For Edmund Cambridge to serve as director fellow during the 1982-83 10,000 

season and for related theater expenses. 

For Nick Faust to serve as director fellow responsible for the Lab, 4,580 

a new experimental company. 

For Lynn Polan to serve as director fellow and for related theater 10,000 

expenses. 

For Roberta Levitow to serve as director fellow and to assist in the 10,000 

direction of three main-stage productions. 

For Charlene Bletson to serve as director fellow and to assist the 9,800 

artistic director during the 1982-83 season. 

To assist training projects that benefit the field as a whole. 

Program funds: $175,000 

3 grants 

To increase weekly stipends and to employ master teachers and a $30,000 

financial aid officer for the advanced training program. 

For actors’ presentations, design portfolios and apprenticeships, and 120,000 

consortia for master teachers. 
Theater 213 

Shakespeare and Company For actors’ workshops and apprenticeships and fora teacher- 25,000 

Lenox, Maine development project. 

Artistic To bring mature professional actors, playwrights, choreographers, composers, designers, directors, and dramaturgen into close association with :~ssociates theaters to help shape companies’ artistic growth. 

Program funds: $177,745 

20 grants 

Alaska Repertory Theatre For Walton Jones to serve as associate director during the 1982-83 $10,000 

Anchorage, Alaska season. 

American Place Theatre For Julie Taymor to serve as resident designer during the 1982-83 10,000 

New York, New York season. 

American Repertory Theatre Company For Andrei Serban to serve as artistic associate during the 1982-83 10,000 

Cambridge, Massachusetts season. 

Center Stage Associates For Hugh Landwehr to serve as resident designer for the 1982-83 10,000 

Baltimore, Maryland season. 

Circle Repertory Theatre Company For Marsha Norman to serve as playwright-in-residence during the 10,000 

New York, New York 1982-83 season. 

East-West Players For Shizuko Hoshi to serve as choreographer and to assist the ar- 3,500 

Los Angeles, California tistic director during the 1982-83 season. 

Guthrie Theater Foundation For stage designer Santo Loquasto to serve as artistic associate during 10,000 

Minneapolis, Minnesota the 1982-83 season. 

Hippodrome Theatre Workshop For resident director Lee Breuer to develop and produce a new work 10,000 

Gainesville, Florida during the 1982-83 season. 

Manhattan Theatre Club For artistic associate Christopher Hampton to translate and produce 10,000 

New York, New York a work not previously translated during the 1982-83 season. 

New York Shakespeare Festival For Emile Ardolino to serve as resident director during the 1982-83 10,000 

New York, New York season. 

Playwrights Horizons For Michael Starobin to serve as musical director during the 1982-83 10,000 

New York, New York season. 

Playwrights Horizons For Gerald Guttierez to direct and collaborate with the artistic director 10,000 

New York, New York on the evaluation and development of new scripts during the 1982-83 

season. 

Repertory Theatre of St. Louis For Rustom Barucha to serve as dramaturg during the 1982-83 season. 10,000 

St. Louis, Missouri 

Spanish Theatre Repertory Company For Crispin Larangeira to serve as resident playwright during the 10,000 

New York, New York 1982-83 season. 

Theater of the Stars For Phillip Hayes Dean to serve as resident playwright during the 2,500 

Atlanta, Georgia 1982-83 season. 

Theatre for the New City Foundation For María Irene Fornes to serve as resident playwright during the 4,000 

New York, New York 1982-83 season. 

Trinity Personna Company For James Reston, Jr., to serve as resident playwright during the 7,745 

Providence, Rhode Island 1982-83 season. 

Washington Drama Society For Tony Straiges to serve as resident designer at Arena Stage dur- 10,000 

Washington, D.C. íng the 1982-83 season. 

Wisdom Bridge For John Olive to serve as resident playwright and for related ex- 10,000 

Chicago, Illinois penses during the 1982-83 season at the Wisdom Bridge Theatre. 

Yale University For Charles Ludlam to serve as resident playwright during the 10,000 

New Haven, Connecticut 1982-83 season. 
214 Theater 

Fellowshins	 To assist exceptionally talented playwrights to set aide time for writing, 

research, or travel in order to advance their careers. for Plavwri~hts 

Program funds: $250,000 20 grants 

The following playwrights received $12,500 each: 

Auletta, Robert 

New York, New York 

Babe, Thomas 

Darien, Connecticut 

Breuer, Lee 

New York, New York 

Campbell, Gar 

Culver City, California 

Cizmar, Paula L. 

New York, New York 

Clubb, IV, Merrel Dare 

New Haven, Connecticut 

Edwards, Gus 

New York, New York 

Large Professional 

Theater  ̄ ~om~,ames 

A Contemporary Theatre 

Seattle, Washington 

Actors Theatre of Louisville 

Louisville, Kentucky 

Alaska Repertory Theatre 

Anchorage, Alaska 

Alley Theatre 

Houston, Texas 

American Conservatory Theatre 

Foundation 

San Francisco, California 

American Place Theatre 

New York, New York 

American Players Theatre 

Spring Green, Wisconsin 

Ameñcan Repertory Theatre Company 

Cambridge, Massachusetts 

Arizona Theatre Company 

Tucson, Arizona 

Asolo State Theater 

Sarasota, Florida 

Evans, Donald T. 

Trenton, New Jersey 

Finn, William A. 

New York, New York 

Foreman, Farrell J. 

La Jolla, California 

Goldstone, Patricia Eve 

Los Angeles, California 

Jenkin, Leonard 

New York, New York 

Jones, Jeffrey Mason 

New York, New York 

Kramer, Sharon Lynn 

Cambridge, Massachusetts 

Meagher, Robert Emmet 

Northampton, Massachusetts 

Miller, Susan 

Los Angeles, California 

Mueller, Lavonne 

DeKalb, Illinois 

Nassivera, John 

Dorset, Vermont 

Patricca, Nicholas A. 

Chicago, Illinois 

Sedlak, John 

New York, New York 

To assist in the development of artistic, administrative, and community service activities of theater companies with an annual operating budget exceeding $400,000. 

Program funds: $3,036,000 

Treasury funds: $2,877,500 

88 grants 

To support the 1982-83 season.	 TF $45,000 

To support the 1982-83 season.	 TF 169,000 

To support the 1982-83 season. 59,000 

TF 35,000 

For iacreased artistic staff, community programs, and audience TF 75,000 development activities during the 1982-83 season. 

To support the 1982-83 season.	 TF 175,000 

To support the 1982-83 season of productions.	 25,000 

For a major subscription and promotional campaign during the 1982-83 3,000 season. 

For salaries, new play production, and community-based training pro- TF 129,000 

grams during the 1982-83 season. 

To increase the size of the acting company and lengthen the produc- 89,000 

tion season during 1982-83. 

For the 1982-83 season of productions.	 TF 17,500 
Theater 

Atlanta Arts Alliance 

Atlanta, Georgia 

For the 1982-83 season of productions at the Alliance Theatre Company’s Atlanta Children’s Theatre. 

51,500 

Barrer Foundation For artistic and administrative salaries during the 1982-83 season. 2,500 

Abingdon, Virginia 

Berkeley Repertory Theatre For general theater development during the 1982-83 season. 32,500 

Berkeley, Calffornia 

Boston Theatre Projects To support the 1982-83 season. 12,000 

Boston, Massachusetts 

Center Stage Associates For the 1982-83 season of productions. TF 134,000 

Baltimore, Maryland 

Center Theatre Group of Los Angeles For the 1982-83 season of productions and related activities. TF 259,000 

Los Angeles, Cal[fornia 

Chicago Theatre Group For the 1982-83 season of productions. TF 95,000 

Chicago, Illinois 

Chicago, University of For the 1982-83 season of productions. 5,000 

Chicago, Illinois 

Children’s Theatre Company and For production expenses and related programs during the 1982-83 99,000 

School season. 

Minneapolis, Minnesota 

Cincinnati Playhouse in the Park To support the 1982-83 season. 100,000 

Cincinnati, Ohio 

Circle Repertory Theatre Company 

New York, New York 

To support the 1982-83 season. TF 

89,000 

30,000 

Circle in the Square To support the 1982-83 season. 30,000 

New York, New York 

Cleveland PlayHouse For general operation during the 1982-83 season. 52,000 

Cleveland, Ohio 

Connectieut Players Foundation 

New Haven, Connecticut 

For the 1982-83 season of productions at the Long Wharf Theatre. 116,500 

TF 77,500 

Cricket Theatre Corporation To support the 1982-83 season. 5,000 

Minneapolis, Minnesota 

CSC Repertory For production expenses during the 1982-83 season. 12,500 

New York, New York 

Dallas Theater Center For the 1982-83 season of productions, touring, outreach programs, 47,000 

Dallas, Texas and administrative development. 

Denver Center for the Performing Arts For the 1982-83 season of productions and related activities. TF 84,000 

Denver, Colorado 

El Teatro Campesino For the 1982-83 season of productions. 25,000 

San Juan Bautista, California 

Empty Space Association For operating expenses during the 1982-83 season. 50,000 

Seattle, Washington 

Folger Shakespeare Memorial Library For the Folger Theatre Group’s 1982-83 season of productions. TF 37,500 

Washington, D.C. 

Free Public Theatre Foundation For general operating expenses for the 1982-83 season. 5,000 

Los Angeles, California 

Genessee Vailey Arts Foundation For the 1982-83 season of productions. 35,000 

Rochester, New York 

George Street Playhouse 

New Brunswick, New Jersey 

To produce a new play and to improve methods for generating earned income during the 1982-83 season. 

18,500 

Great Lakes Shakespeare Association For marketing development during the 1982-83 season. 25,000 

Cleveland, Ohio 
216 Theater 

Group I Acting Company
 

New York, New York
 

Guthrie Theater Foundation
 

Minneapolis, Minnesota
 

Hartford Stage Company
 

Hartford, Connecticut
 

Hartman Regional Theatre
 

Stamford, Connecticut
 

Hippodrome Theatre
 

Gainesville, Florida
 

Honolulu Theatre for Youth
 

Honolulu, Hawaii
 

Indiana Repertory Theatre
 

Indianapolis, Indiana
 

Indiana Repertory Theatre 

Indianapolis, Indiana 

Inner City Cultural Center
 

Los Angeles, California
 

Intiman Theatre
 

Seattle, Washington
 

La Mama Experimental Theatre Club 

New York, New York 

Manhattan Theatre Club
 

New York, New York
 

McCarter Theatre Company
 

Princeton, New Jersey
 

Meadow Brook Performing Arts
 

Company
 

Rochester, Michigan
 

Milwaukee Repertory Theater
 

Milwaukee, Wisconsin
 

Missouri Repertory Theatre
 

Kansas City, Missouri
 

Negro Ensemble Company 

New York, New York 

New York Shakespeare Festival 

New York, New York 

New York, Research Foundation for 

the State University of 

Albany, New York 

North Carolina, University of 

Chapel Hill, North Carolina 

North Light Repert.ory Company 

Evanston, Illinois 

O’Neili (Eugene) Memorial 

Theater Center 

Waterford, Connecticut 

OId Globe Theatre 

San Diego, California 

Oregon Shakespearean Festival 

Association 

Ashland, Oregon 

For the 1982-83 season of productions. 170,000 

For the 1982-83 season of productions. TF 234,000 

To support the 1982-83 season. TF 165,000 

For the 1982-83 season of productions. 25,000 

To support the 1982-83 season. 25,000 

To support the 1982-83 season. 25,000 

For artistic salaries during the 1982-83 season. 60,000 

For production expenses during the 1982-83 season and expenses in- 17,500
 curred by fire.
 

For production costs during the 1982-83 season. 30,000
 

For artistic and administrative development during the 1982-83 30,000
 season.
 

For the 1982-83 season of productions.
 110,000 

For the 1982-83 season of productions. 75,000 

Forgeneraloperations, includinganincreaseinartisticsalariesdur- TF 84,000 ing the 1982-83 season. 

For artistic development during the 1982-83 season. 17,500 

To support the 1982-83 season. TF 109,000 

To support the 1982-83 season. 60,000 

To support the 1982-83 season. 219,000 

To support the 1982-83 season. TF 210,000 

For the 1982-83 season of productions by the Empire State Youth 15,000 Theatre Institute.
 

For salaries, production expenses, and touring during the 1982-83
 10,000 season of the Playmakers Repertory Company. 

For general operating expenses during the 1982-83 season. 12,500 

For the annual National Playwrights’ Conference and the National 145~000 

Critics’ Institute during the 1982-83 season. 

For the 1982-83 season of productions. TF 129,000 

For artistic salaries and production expenses during the 1982-83 TF 90,000 season. 
Theater 217 

Pennsylvania Stage Company For the 1982-83 season of productions. 4,000 

Allentown, Pennsylvania 

People’s Light and Theatre Company For the second annual New Plays Festival during 1982. 3,500 

Malvern, Pennsylvania 

Performing Arts Repertory For the 1982-83 season of productions. 22,500 

Theatre Foundation 

New York, New York 

Philadelphia Drama Guild For general operating and production expenses during the 1982-83 60,000 

Philadelphia, Pennsylvania season. 

Pittsburgh Public Theater Corporation For the 1982-83 season of productions. TF 60,000 

Pittsburgh, Pennsylvania 

Players’ State Theatre For the 1982-83 season of productions. 11,000 

Miami, Florida 

Playwrights’ Horizons For the 1982-83 season of readings and productions. 69,000 

New York, New York 

Puerto Rican Traveling Company To support the 1982-83 season. 22,500 

New York, New York 

Repertory Theatre of St. Louis For the 1982-83 season of productions. 80,000 

St. Louis, Missouri 

Syracuse University Theatre Corporation 

For the 1982-83 season of productions and related activities at 

Syracuse Stage. 

TF 50,000 

Syracuse, New York 

San Diego Repertory Theatre 

San Diego, California 

For increased artistic salaries anda new administrative position during the 1982-83 season. 

2,000 

Seattle Repertory Theatre To support the 1982-83 season. TF 179,000 

Seattle, Washington 

South Coast Repertory 

Costa Mesa, California 

To support the 1982-83 season, commission new plays, and lengthen 

the rehearsal period. 

TF 55,000 

Southeastern Academy of Theatre For theater activities during the 1982-83 season. 45,000 

and Music 

Atlanta, Georgia 

Spanish Theatre Repertory Company 

New York, New York 

For artistic salaries, fees, and other production costs during the 

1982-83 season. 

34,000 

Springfield Theatre Arts Association 

West Springfield, Massachusetts 

For theater activities and preparation fora move to a new facility 

during the 1982-83 season. 

2,500 

Studio Theatre School Corporation 

Buffalo, New York 

For artistic and administrative development at Studio Arena Theatre 

during the 1982-83 season. 

55,000 

Theatre Arts of West Virginia To support the 1982-83 season. 2,500 

Beckley, West Virginia 

Theatre by the Sea To support the 1982-83 season. 20,000 

Portsmouth, New Hampshire 

Theatre, Ine. To support the 1982-83 season. 64,000 

New York, New York 

Trinity Personna Company 

Providence, Rhode Island 

For the 1982-83 season of productions. TF 

119,000 

100,000 

Utah, University of To support the 1982-83 season at Pioneer Memorial Theatre. 5,000 

Salt Lake City, Utah 

Virginia Museum Foundation 

Richmond, Virginia 

For the main-stage series, studio series, and educational programs 

duñng the 1982-83 season. 

7,500 

Virginia Stage Company To support the 1982-83 season. 7,500 

Norfolk, Virginia 

Washington Drama Soeiety 

Washington, D.C. 

For the 1982-83 season of productions at the Arena Stage. 175,000 

TF 50,000 
218 Theater 

Whole Theatre Company 

Montclair, New Jersey 

Wisdom Bridge 

Chicago, Illinois 

Yale University 

New Haven, Connecticut 

Professional 

Theater Companies 

with Short Seasons 

Alabama Shakespeare Festival 

Anniston, Alabama 

American Shakespeare Theatre 

Stratford, Connecticut 

Arrow Rock Lyceum 

Arrow Rock, Missouri 

Berkshire Theatre Festival 

Stockbridge, Massachusetts 

Camden Shakespeare Company 

Camden, Maine 

Creede Repertory Theatre 

Creede, Colorado 

Horse Cave Theatre 76 

Horse Cave, Kentucky 

Kenyon Reperlory Theater and Festival 

Gambier, Ohio 

New York Shakespeare Festival 

New York, New York 

OntologicaI-Hysteric Theater 

New York, New York 

Other Theater 

New York, New York 

Peninsula Players Theatre Foundation 

Fish Creek, Wisconsin 

Peterborough Players 

Peterborough, New Hampshire 

Pilgrim Theater Company 

Aspen, Colorado 

Shakespeare and Company 

Lenox, Massachusetts 

Souhegan Theatre Council 

Milford, New Hampshire 

Theater at Monmouth 

Monmouth, Maine 

Theatre of the Stars 

Atlanta, Georgia 

Washington Drama Society 

Washington, D.C. 

To support the 1982-83 season. 10,000 

To support the 1982-83 season. 15,000 

For the 1982-83 season of productions. 154,000 

To assist professional theater companies with performance seasons of shorter 

than four months, such as summer theaters and festivals. 

Program funds: $259,650
 

Treasury funds: $ 2,500
 

19 grants
 

To support the 1982-83 season. $10,000
 

For the 1982-83 season of productions at the Connecticut Center for 20,000
 the Performing Arts.
 

For the 1982-83 season of productions, including the purchase of 1,500
 lighting and sound equipment.
 

For increased rehearsal time anda new administrative position dur- 3,150
 

ing the 1982-83 season.
 

For marketing development during the 1982-83 season. 2,000
 

For increased artistic and staff salaries during the 1982-83 season. 3,000
 

For artistic salaries and production costs during the 1982-83 season. 12,500
 

To support the 1982 summer season. TF 2,500
 

For Free Shakespeare in the Park and the Mobile Theatre during 75,000
 the 1982-83 season.
 

For the 1982-83 season of productions. 35,000
 

For the winter project production during the 1982-83 season. 15,000
 

For the 1982 season of productions. 2,000
 

For increased salaries and new staff positions during the 1982-83 1,500
 season.
 

For increased salaries for the Playwrights’ Conference during the 2,500
 1982-83 season.
 

For the 1982-83 performance program and school program. 15,000
 

To support the 1982-83 season. 16,000
 

For the new position of general manager during the 1982-83 season. 2,000
 

For the 1982-83 season of productions. 6,000
 

For a special three-week workshop during January 1982 in prepara- 10,000 tion for a production at Arena Stage. 
Theater ~19 

Williamstown Theatre Festival For the 1982-83 season of produetions for apprentiees and inereased 37,500 

Williamstown, Massachusetts rehearsal periods. 

Intermediate	 To assist in the development of artistic, administrative, and community service activities of theater companies with an annual operating budget be-
 Professional tween $100,000 and $400,000. Theater Companies 

Program funds: $1,240,500 

141 grants 

A Contemporary Theatre For two productions during the 1981-82 season. $11,000 

Seattle, Washington 

Actors’ Studios For the 1981-82 season of productions. 10,000 

New York, New York 

Actors’ Theatre of St. Paul For salaries and operating costs during the 1981-82 season. 4,000 

St. Paul, Minnesota 

Actors’ Theatre of St. Paul For operating expenses during the 1982-83 season. 5,000 

St. Paul, Minnesota 

Afro-American Total Theatre Arts To support the 1981-82 season. 5,000 

Foundation 

New York, New York 

AMAS Repertory Theatre For theater production and artistic salaries during the 1981-82 season. 7,500 

New York, New York 

Appalshop For administrative expenses during the 1982-83 seasom 7,000 

Whitesburg, Kentucky 

Arkansas Arts Center For general operating costs of the 1981-82 season. 1,500 

Little Rock, Arkansas 

Arkansas Repertory Theatre To support artistic development, salaries, touring, and outreach during 2,000 

Little Rock, Arkansas the 1981-82 season. 

Asian-American Theater Company For the 1981-82 season of productions. 2,000 

San Francisco, California 

Asian-American Theatre Workshop For production expenses during the 1982-83 season. 3,500 

San Francisco, California 

Asolo Touring Theatre To increase artistic saIaries and production programs during the 5,000 

Sarasota, Florida 1981-82 season. 

Association for Development of For increased artistic salaries at Jean Cocteau Reperto~, during the 6,000 

Dramatic Arts 1981-82 season. 

New York, New York 

Association for Development of For increased artistic salaries and production expenses during Jean 4,000 

Dramatic Arts Cocteau Repertory’s 1982-83 season. 

New York, New York 

At the Foot of the Mountain For production costs and outreach programs during the 1981-82 7,000 

Minneapolis, Minnesota season. 

Attic Theatre For the 1982 season of productions. 10,000 

Detroit, Michigan 

Bear Republic Theatre For artistic and production costs during the 1981-82 season. 1,500 Santa Cruz, California 

Berkeley Stage Company For the 1981-82 season of productions. 20,000 

Berkeley Stage Company 

Bilingual Foundation of the Arts For artistic and administrative development during the 1981-82 2,500 

Los Angeles, California season. 

BoarsHead Theater For increased salaries and production costs during the 1981-82 season. 4,000 

Lansing, Michigan 
220 Theater 

Body Politic Theatre 

Chicago, Illinois 

Boston Theatre Projects 

Boston, Massachusetts 

Camden Shakespeare Company 

Camden, Maine 

Carolina Regional Theatre 

Chapel Hill, North Carolina 

Center Stage Young People’s Theater 

Baltimore, Maryland 

Center Theatre Group of Los Ange|es 

Los Angeles, California 

Center Theatre Group of Los Angeles 

Los Angeles, California 

Center for Puppetry Arts 

Atlanta, Georgia 

Center for Puppetry Arts 

Atlanta, Georgia 

Chicago, University of 

Chicago, Illinois 

Children’s Musical Theatre 

Mobile, Alabama 

Circuir Playhouse 

Memphis, Tennessee 

Colonnades Theatre Lab 

New York, New York 

CSC Repertory 

New York, New York 

Dell’Arte Players Company 

Arcata, California 

East-West Players 

Los Angeles, California 

El Teatro de la Esperanza 

Santa Barbara, California 

Empty Space Association 

Seattle, Washington 

Ensemble Studio Theatre 

New York, New York 

Equity Library Theatre 

New York, New York 

Eureka Theatre Company 

San Francisco, California 

Ferndale Repe~tory Theatre 

Ferndale, California 

Florida Studio Theatre 

Sarasota, Florida 

Foundation for the Open Eye 

New York, New York 

Free Street Theater 

Chicago, Illinois 

For operating expenses during the 1981-82 season. 1,500 

For the 1981-82 season offive productions at the Next Move Theatre. 9,500 

For salaries during the 1981-82 season. 2,000 

For salaries for actors, designers, and technicians during the 1981-82 1,500 

season.
 

For the Young People’s Theater to tour elementary schools 5,000
 

throughout Maryland during the 1981-82 season.
 

For touring and production expenses for the Improvisational Theatre 24,000
 

Project during the 1981-82 season.
 

For operating expenses for the 1982-83 season. 20,000
 

For production expenses during the 1981-82 season. 1,500
 

For production of new plays for adult audiences. 3,000
 

To support a position of managing director for the 1981-82 season at 2,000
 

Court Theatre.
 

For the 1981-82 season of touring productions. 1,500
 

For the 1981-82 season. 4,000
 

For five workshops during the 1981-82 season. 10,000
 

For the 1981-82 season of productions. 15,000
 

For administrative salaries during the 1981-82 season. 5,000
 

For artistic salaries, production costs, and administrative expenses 6,000
 

during the 1981-82 season.
 

For the 1981-82 season of productions. 7,500
 

For increased artistic and administrative salaries during the 1981-82 

season. 30,000 

For the 1981-82 season ofproductions, workshops, and experimental 17,500 

projects.
 

For artistic and technical salaries, production expenses, and manage- 2,000
 

ment development during the 1981-82 season.
 

To support theater operations during the 1981-82 season. 4,000
 

For the 1981-82 season of productions. 2,000
 

To increase salaries and improve the technical and design elements 3,500
 

of productions.
 

For the 1981-82 season of productions. 7,500
 

For operating costs during the 1981-82 season and the Arts Partners 2,500 

Program. 
Theater 221 

Friends Mime Theatre 

Milwaukee, Wisconsin 

For staff salañes during the 1981-82 season of the London Theatre

Workshop. 

2,000 

Henry Street Settlement 

New York, New York 

For the 1981-82 season of New Federal Theatre. 45,000 

Henry Street Settlement 

New York, New York 

For the 1982-83 season of New Federal Theatre. 49,000 

Hoffman (Byrd) Foundation 

New York, New York 

For production costs during the 1981-82 season. 25,000 

Holiday (Billie) Theatre 

Brooklyn, New York 

For artistic fees and salaries during the 1981-82 season. 2,500 

Hudson Guild 

New York, New York 

For a five-play season during 1981-82. 5,000 

Hutchinson Repertory Company 

Hutchinson, Kansas 

For administrative staff salaries during the 1981-82 season. 1,500 

Illusion Theatre and School 

Minneapolis, Minnesota 

For artistic fees during the 1981-82 season. 3,000 

International Arts Relations 

New York, New York 

For production costs for three plays during the 1981-82 season. 7,500 

Intemational Arts Relations 

New York, New York 

For production expenses during the 1982-83 season. 9,000 

Julian Company Theatre 

San Francisco, California 

For artistic salaries and production costs during the 1981-82 season. 7,000 

Just Us Theatre 

Atlanta, Georgia 

For administrative salaries and production expenses during the 

1981-82 season. 

1,500 

L.A. Theatre Works 

Venice, Caliíornia 

For new play development, administrative staff increases, and community services during the 1981-82 season. 

7,500 

Labor Theater 

New York, New York 

For production costs and touring expenses during the 1981-82 season. 1,000 

League of Theatre Artists 

Albany, New York 

For the 1981-82 season of productions and to improve administrative 

salaries. 

3,000 

Lion Theatre Foundation 

New York, New York 

For the 1981-82 season of the Lion Theatre Company. 8,000 

Looking Glass Theatre 

Providence, Rhode Island 

For production costs and salaries during the 1981-82 season. 3,000 

Loon and Heron Theatre 

Boston, Massachusetts 

For rehearsal period salaries and production costs during the 1981-82 

season. 

2,000 

Los Angeles Actors’ Theatre 

Foundation 

Los Angeles, California 

For the 1981-82 season of productions. 15,000 

Louisville Children’s Theatre 

Louisville, Kentucky 

For increased artistic salaries, a new management position, and expanded community services during the 1981-82 season. 

5,000 

Mabou Mines Development 

Foundation 

New York, New York 

For the 1981-82 season of productions. 50,000 

Mabou Mines Development 

Foundation 

New York, New York 

For the 1982-83 season of productions. 54,000 

Magic Theatre 

San Francisco, California 

For the 1981-82 season of productions. 40,000 

Manhattan Punch Line Theatre 

New York, New York 

For the 1981-82 season of productions. 2,000 

Manhattan Punch Line Theatre 

New York, New York 

For Comedy ’83, the theater’s entire main-stage program of plays. 2,500 
222 Theater 

Marionette Theatre Arts Council
 

Pittsburgh, Pennsylvania
 

Meadows Playhouse
 

Las Vegas, Nevada
 

Medicine Show Theatre Ensemble 

New York, New York 

Metro Theater Circus 

St. Louis, Missouri 

Mixed Blood Theatre Company
 

Minneapolis, Minnesota
 

Mixed Blood Theatre Company 

Minneapolis, Minnesota 

Nashville Academy Theatre 

Nashville, Tennessee 

Nashville Academy Theatre 

Nashville, Tennessee 

National Black Theatre 

New York, New York 

Nebraska Arts Council 

Omaha, Nebraska 

New Dramatists
 

New York, New York
 

New Dramatists
 

New York, New York
 

New Globe Theatre
 

Fairfíeld, Connecticut
 

New Jersey Theatre Forum
 

Plainfield, New Jersey
 

New Playwrights’ Theatre of 

Washington 

Washington, D.C. 

92nd Street YM-YWHA
 

New York, New York
 

Oak Park Festival Theatre Company 

Oak Park, Illinois 

Odyssey Theatre Ensemble 

Los Angeles, California 

Old Creamery Theatre Company 

Garrison, Iowa 

One Aet Theatre Company of San 

Francisco 

San Francisco, California 

Ontological-Hysteric Theater 

New York, New York 

Oregon Repertory Theatre 

Eugene, Oregon 

Organic Theater Company 

Chicago, Illinois 

Organie Theater Company 

Chicago, Illinois 

Other Theatre 

New York, New York 

For a residency season, an eight-month touring program, and a series 12,000 of puppet theater seminars during the 1981-82 season. 

For artistic development and salaries during the 1981-82 season. 2,000 

For artistic salaries during the 1981-82 season. 2,000 

For production and touring expenses for two pieces for young peo- 3,000 

ple during the 1981-82 season. 

For operating expenses during the 1982-83 season. 3,500 

For the 1981-82 season of productions. 4,000 

To support the performance groups and training center during the 4,000 

1982-83 season. 

For new artistic and administrative positions and salary increases 3,000 

during the 1981-82 season. 

For fees and salaries for artists and other professional staff during 5,000 

the 1981-82 season. 

To increase rehearsal time, artistic salaries, touring, and services to 3,000 the community during the 1981-82 season of Nebraska Theatre 

Caravan. 

For staff salaries and expenses for readings of works-in-progress dur- 11,000 ing the 1981-82 season. 

For salaries and expenses to expand all services during the 1982-83 12,500 season. 

For rehearsal costs and administrative development during the 2,000 

1981-82 season. 

For production costs during the 1981-82 season. 1,500 

To increase artistic salaries during the 1981-82 season. 10,000 

For artistic and technical staff lees and production expenses during 1,500 the 1981-82 season. 

To increase staff positions and salaries during the 1981-82 season. 2,000 

For the 1981-82 season of productions. 10,000 

To increase salaries for artistic and technical personnel during the 5,000 

1981-82 season. 

For artists’ fees and management costs during the 1981-82 season. 3,000 

For production expenses for a new work during the 1981-82 season. 

For artistic and administrative salaries and production costs during 5,000 the 1981-82 season. 

For operating expenses during the 1982-83 season. 10,000 

To support production, administrative, and fund-raising costs dur- 15,000 ing the 1981-82 season. 

For production expenses during the 1981-82 season. 12,000 

500 
Theater 223 

Palisades Theatre of Florida For artistic salaries and production expenses during the 1981-82 1,500 

St. Petersburg, Florida season. 

Pan Asian Repertory Theatre For artists’ fees and actor training workshops during the 1981-82 3,000 

New York, New York season. 

Paper Bag Players 

New York, New York 

To increase administrative and artistic staff and to support the 1981-82 

season of productions. 

@,000 

Paper Bag Players For operating expenses during the 1982-83 season. 50,000 

New York, New York 

People’s Light and Theatre Company For the 1981-82 season of productions. 2,500 

Malvern, Pennsylvania 

Performance Community For production costs during the 1981-82 season. 3,500 

Chicago, Illinois 

Pickle Family Circus For the 1981-82 season of productions. 2,500 

San Francisco, California 

Pioneer Square Performing Arts For the activities of the 1981-82 season at Skid Row Theatre. 2,000 

Association 

Seattle, Washington 

Playwrights Unlimited 

San Anselmo, California 

For production expenses and related costs for the Bay Atea

Pla~~vrights Festival VI. 

5,000 

Poncho Theatre For the 1981-82 season of productions. 2,000 

Seattle, Washington 

Portland Stage Company To increase artistic salaries during the 1981-82 season. 3,000 

Portland, Oregon 

Production Company 

New York, New York 

For production expenses, additional administrative staff, and increased 

actors’ salaries during the 1981-82 season. 

2,500 

Provisional Theatre Foundation For the 1981-82 season of productions. 17,500 

Los Angeles, California 

Puerto Rican Traveling Theatre For the 1981-82 season of productions. 27,500 

Company 

New York, New York 

Pushcart Players For production costs for the 1981-82 season. 1,500 

Verona, New Jersey 

Repertorio Espanol For the 1981-82 season of productions. 15,000 

New York, New York 

Ridiculous Theatrical Company For the 1981-82 season of productions. 25,000 

New York, New York 

Road Company

Johnson City, Tennessee 

For production and touring costs for the 1981-82 season. 2,000 

Road Company For expenses associated with the 1982-83 home performance season. 3,500 

Johnson City, Tennessee 

Roadside Theater 

Whitesburg, Kentucky 

For staff salaries, productions, and touring expenses during the

1981-82 season. 

5,000 

San Diego Repertory Theatre 

San Diego, California 

To increase subscription efforts and marketing development during 

the 1981-82 season. 

4,000 

San Francisco Mime Troupe For production expenses of a new play to be presented in 1983. 5,000 

San Francisco, California 

Second Stage Theatre For the 1982-83 season of productions. 3,500 

New York, New York 

Second Stage Theatre For the 1981-82 season of productions. 2,500 

New York, New York 

Shadow Box Theatre For general operating expenses for the 1981-82 production season. 3,000 

New York, New York 
224 Theater 

Snake Theater 

Sausalito, California 

Snake Theater
 

Sausalito, Calffornia
 

Snake Theater 

Sausalito, Caliíornia 

Snake Theater 

Sausalito, California 

Spectrum Theatre
 

New York, New York
 

Squat Theatre
 

New York, New York
 

Starry Night Puppet Theatre
 

Vestal, New York
 

Steamboat Repertory Theatre 

Steamboat Springs, Colorado 

Storefront Actors Theatre 

Portland, Oregon 

Tears of Joy Theatre
 

Vancouver, Washington
 

Theatre Project Company
 

St. Louis, Missouri
 

Theatre X
 

Milwaukee, Wisconsin
 

Theatre for the New City
 

New York, New York
 

Victory Gardens Theatre 

Chicago, Illinois 

Washington Drama Society 

Washington, D.C. 

Wisdom Bridge 

Chicago, Illinois 

Women’s Interart Center 

New York, New York 

Wooster Group 

New York, New York 

Workshop of the Players Art
 

Foundation
 

New York, New York 

Zinoman (Soy) Studio 

Washington, D.C. 

Services to the Field/

Theater Resources 

California Theatre Council 

Los Angeles, California 

For a salaried administrative position, an audience development pro­ 4,500 ject, and use of video materials duñng the 1982-83 season of the

Nightfire Division. 

For development and expenses of a major production during the 3,250 1981-82 season of the Antenna Division. 

For a new work for the 1982-83 season of the Antenna Division. 4,500 

To produce a new work during the 1981-82 season of the Nightfire 3,250 Division. 

For salaries and production expenses during the 1981-82 season. 2,000 

For artistic fees during the 1981-82 season. 5,000 

For operating expenses during the 1981o82 season. 1,500 

For general operating costs during the 1981-82 season. 2,000 

For salaries and production costs during the 1981-82 season. 4,500 

For production and development expenses fora shadow puppet adap­ 1,500 tation of a Japanese folk tale during the 1982-83 season. 

To increase artistic and administrative salañes during the 1981-82 2,000 season. 

For the development ofnew plays and for artistic salaries during the 2,000 1981-82 season. 

For the 1981-82 season of productions. 30,000 

For artistic salaries and the 1981-82 season of productions. 10,000 

For operating costs of the Living Stage Theatre Company during the 40,000 1981-82 season. 

For rehearsal periods and production costs during the 1981-82 season. 9,000 

For the 1981-82 season of productions. 10,000 

For the 1981-82 season of productions and related activities. 42,000 

For the 1981-82 season of productions, readings, and development 9,000 work of WPA Theatre. 

For a managing producer and increased artistic salañes during the 2,000 1981-82 season. 

To assist organizations that provide services to the theater field on a national scale. 

Program funds: $709,127 18 grants 

For staff salaries and marketing research for West Coast Plays. $5,000 
Theater 225 

Foundation for the Extension and To provide management and technical assistance services to theater 45,000 

Development of the American and dance companies. 

Professional Theater 

New York, New York 

International Theatre Institute of the To provide general services, including a library, consultation services, 75,000 

United States publications, and representation. 

New York, New York 

New Dramatists To enable regional playwrights to develop associative programs with 10,000 

New York, New York theaters, and to support dramaturgical assistance to playwrights. 

New York Public Library For the operation, supervision, and growth of the Theatre on Film 45,000 

New York, New York and Tape collection. 

Off Off Broadway Alliance To provide a wide range of services, including research, referral, train­ 30,000 

New York, New York ing, advocacy, representation, and audience development. 

Performing Arts Journal For publication costs of the Performing Arts Journal. 27,500 

New York, New York 

Puppeteers of America To serve asa resource center for puppeteers, coordinate the 43rd 7,500 

Atlanta, Georgia annual National Puppetry Festival, conduct three-day regional 

festivals, and publish Puppetry Journal. 

Solomon, Tracy-Jake To enable Ms. Solomon to complete on-site evaluations for the Theater 2,660 

Washington, D.C. Program from July through August 1982. 

Solomon, Tracy-Jake For a National Endo~Tnent for the Arts Fellowship for Arts Managers 17,000 

Washington, D.C. grant. 

Theatre Communications Group 

New York, New York 

To compile evaluations of nonprofit professional theater companies

located throughout the country. 

75,000 

Theatre Communications Group For the 1981-82 programs and activities. 221,500 

New York, New York 

Theatre Communications Group 

New York, New York 

For publication of Plays in Progress, a project for collecting and cir­ culating new works. 

37,500 

Theatre Communications Group For a theater seminar in New York City in the rail of 1982. 25,000 

New York, New York 

Theatre Development Fund For the fund’s ticket subsidy program, voucher program, costume 10,000 

New York, New York collection, and theater access project. 

Turner, A. Knox To provide technical assistance to the Theater Program in response 16,800 

Washington, D.C. to initiatives from the theater field concerning playwrights. 

White, Pamela 

Horse Cave, Kentucky 

To participate asa Fellow in the Theater Program. The Fellowship

Program contñbuted an additional $1,000 to this award. 

2,564 

Yale University 

New Haven, Connecticut 

For an outstanding arts administrator to serve temporarily in the

Endowment’s Theater Program. 

56,103 

Small Professional To assist in the development of artistic, administrative and community service activities of theater companies with an annual operating budget less Theater ~

p ~’~om-an:es than $100,000 

Program funds: $311,500 

76 grants 

A Traveling Jewish Theatre For administrative costs and promotional activities during the 1981-82 $4,000 

Los Angeles, California season. 

Actors’ Ark Theatre For personnel development and increased actors’ fees during the 1,500 

San Francisco, California 1981-82 season. 

Archaesus Productions For the 1981-82 season of productions. 2,000 

Washington, D.C. 
226 Theater 

Associated Recreation Council 

Seattle, Washington 

Back Al[ey Theatre 

Van Nuys, California 

Bergenstage 

Paramus, New Jersey 

Black Spectrum Theatre Company 

St. Albans, New York 

Blake Street Hawkeyes 

Berkeley, California 

Blake Street Hawkeyes 

Berkeley, California 

Broom Street Theater 

Madison, Wisconsin 

Broom Street Theater 

Madison, Wisconsin 

Children’s Theatre Asso¢iation 

Baltimore, Maryland 

Children’s Theatre Place Company 

New York, New York 

Childsplay, [nc. 

Tempe, Arizona 

Community Chureh of New York 

New York, New York 

Creation Production Company 

New York, New York 

Cultural Council Foundation 

New York, New York 

Douglass (Frederick) Creative Arts 

Center 

New York, New York
 

Family, Inc.
 

New York, New York
 

Fiji Theater Company
 

New York, New York
 

Firebird Theatre Company
 

Hollywood, California
 

Free Public Laughs 

New York, New York 

G.A.L.A. Hispanic Theatre 

Washington, D.C. 

Germinal Stage 

Denver, Colorado 

Germinal Stage 

Denver, Colorado 

Green Mountain Guild 

White River Junction, Vermont 

H.B. Playwrights Foundation 

New York, New York 

Independent Eye 

Lancaster, Pennsylvania 

For production expenses during the 1981-82 season of the Bathhouse 2,000
 

Theatre.
 

For salaries of personnel needed to strengthen administrative and 2,500
 

management operations.
 

For artistic lees and production expenses during the 1981-82 season. 1,500
 

For the 1981-82 season of productions. 2,000
 

For salar~es duñng the 1981-82 season. 2,000
 

For general operating expenses and artists’ íees for the 1982-83 2,500
 season.
 

For production and salary expenses for the 1982-83 season. 2,500
 

For production expenses and staff salaries during the 1981-82 season. 2,500
 

For administrative and artistic salaries during the 1981-82 season. 2,000
 

For the 1981-82 season of productions. 1,500
 

To increase artistic salaries and hire the managing director full time 1,500
 

for the 1981-82 season.
 

For production costs and salaries during the 1981-82 season of Theatre 2,000
 

Off Park.
 

For two productions during the 1981-82 season. 1,500
 

For administrative development and production expenses for the 2,000 1981-82 season of the Early Childhood Puppet Theatre. 

To support the 1981-82 season. 5,000 

For increased artistic salaries anda new position of director of develop- 5,000 

ment during the 1981-82 season. 

For production expenses anda salar7 for a full-time manager. 5,000 

For a new administrative position for the 1981-82 season. 2,500 

For production expenses and artistic salaries of the Cumeezi Bozo 2,000 

Ensemble during the 1981-82 season. 

For the salary of the artistic director during the 1981-82 season. 4,000 

To support the 1981-82 season. 10,000 

For general operating costs during a relocation period. 7,500 

For artistic salaries and production expenses duñng the 1981-82 4,500 season.
 

To support the 1981-82 season. 5,500
 

For production costs and artistic salaries during the 1981-82 season.
 6,000 
Theater 227 

|ndependent Eye For production expenses and promotion costs during the 1981-82 6,000 

Lancaster, Pennsylvania season. 

Iowa Theatre Lab (Maryland) To support the 1981-82 season. 3,000 

Catskill, New York 

.Iewish Repertory Theatre For artistic salaries and production expenses during the 1981-82 1,500 

New York, New York season. 

Lilith Foundation For actors’ salaries and production expenses during the 1981-82 3,000 

San Francisco, California season. 

Lilith Foundation For artistic salaries during the 1981-82 season. 3,000 

San Francisco, California 

Little Flags Theatre Foundation To support the 1981-82 season. 7,500 

Roxbury, Massachusetts 

Magic Theatre Foundation For the development and touring of new American works during the 25,000 

Omaha, Nebraska 1981-82 season. 

Magic Theatre Foundation For production costs for the 1982-83 season. 26,000 

Omaha, Nebraska 

Mettawee Theatre Company For production costs for the 1982-83 season. 2,000 

Salero, New York 

Modern Times Theatre For operating expenses and artistic salaries during the 1981-82 season. 1,500 

New York, New York 

Morning Glory Theatre Foundation For salaries and production expenses during the 1981-82 season. 4,000 

San Anselmo, Caliíornia 

New American Theatre To support the 1981-82 season. 5,000 

Rockford, Illinois 

New York Art Theatre Institute For the 1981-82 season of performances. 1,500 

New York, New York 

New York Theatre Studio For artists’ fees for the 1982-83 season. 2,000 

New York, New York 

Open Spaee Theatre Experiment For production expenses during the 1981-82 season. 3,000 

New York, New York 

Otrabanda Company For artists’ fees and costs of a new production. 2,000 

New York, New York 

Palace Theatre Foundation For management, artistic services, and production expenses during 3,000 

Minneapolis, Minnesota the 1982-83 season. 

Palace Theatre Foundation For production expenses and salaries during the 1981-82 season. 2,000 

Minneapolis, Minnesota 

Periwinkle Productions For the 1981-82 season of productions and touring. 3,500 

Monticello, New York 

Pittsburgh Metropolitan Stage

Company 

For administrative development during the 1981-82 season. 1,500 

Pittsburgh, Pennsylvania 

Play Group For the development of a new work during the 1981-82 season. 2,000 

Knoxville, Tennessee 

Playwrights Unlimited For the Bay Area Playwrights’ Festival, artistic salaries, and develop­ 4,000 

San Anselmo, Caliíornia ment during the 1981-82 season. 

Present Stage To support the 1981-82 season. 2,500 

Northampton, Massachusetts 

Repertory Theatre of St. Louis For rehearsal periods, artistic services, and touring for the Imaginary 5,000 

St. Louis, Missouri Theatre Company during the 1981-82 season. 

Repertory Theatre of St. Louis 

St. Louis, Missouri 

For production costs of the Imaginary Theatre Company during the 

1982-83 season. 

5,000 
228 Theaier 

Salt Lake Acting Company 

Salt Lake City, Utah 

Salt Lake Acting Company 

Salt Lake City, Utah 

San Francisco Repertory 

San Francisco, California 

San Francisco Repertory 

San Francisco, California 

Shared Forms Theatre 

New York, New York 

Shared Forms Theatre 

New York, New York 

Shelter West Company 

New York, New York 

Silvera (Frank) Writers’ Workshop 

Foundation 

New York, New York 

Silvera (Frank) Writers’ Workshop 

Foundation 

New York, New York 

Soho Repertory Theatre 

New York, New York 

Spiderwoman Theater 

New York, New York 

Stage #1 

Dallas, Texas 

Talking Band 

New York, New York 

Talking Band 

New York, New York 

Theatre Research 

New York, New York 

Theatre Rhinoceros 

San Francisco, California 

Time and Space Limited Theatre 

Company 

New York, New York 

Tompkins County Arts Council 

Ithaca, New York 

Two Penny Theater 

Montpelier, Vermont 

Veterans Ensemble Theatre Company 

New York, New York 

Wilma Project 

Philadelphia, Pennsylvania 

Women’s Experimental Theatre 

New York, New York 

Women’s Experimental Theatre 

New York, New York 

For production costs for the 1982-83 season. 2,500 

To produce two plays during the 1981-82 season. 2,000 

For administrative salacies and artists’ fees duñng the 1981-82 season. 2,000 

For production costs and artists’ salaries for the 1982-83 season. 2,000 

For costs of an extended production season. 3,500 

For artistic salaries for an expanded season anda new administrative 3,000 

position for the 1981-82 season. 

To support the 1981-82 season. 1,500 

For the Writers/Directors Series during the 1982-83 season. 15,000 

For the Writers/Directors Series during the 1981-82 season. 20,000 

To support the 1981-82 season. 1,500 

For production expenses during the 1982-83 season. 2,000 

To create the position of a director of promotion and development 1,500
 

during the 1981-82 season.
 

For production costs of the 1982-83 season. 6,000
 

To support the 1981-82 season. 2,500
 

For salaries and production expenses during the 1981-82 season of 2,000
 

South Street Theatre.
 

For salaries and to promote the subscription series duñng the 1982-83 2,000
 

season.
 

For the 1982-83 season of productions. 3,000
 

For artistic and administrative expenses for the 1982-83 season of 2,000
 

Central Casting Theatre.
 

For artistic and administrative salaries and promotion expenses during 2,000
 

the 1981-82 season.
 

For artistic salaries and administrative development during the 4,000
 

1981-82 season.
 

For production expenses of three additional works during the 1981-82 1,500
 

season.
 

For the 1981-82 season of productions. 8,000
 

For the 1982-83 season of productions. 5,000
 
Theater 229 

Professional Theater 

Touring (Pilot) 

To bring high-quality professional theater to areas where it has not been available. 

Program funds: $482,266 

10 grants 

Alaska Repertory Theatre For a state~~de tour during the 1981-82 season. $44,000 

Anchorage, Alaska 

American Repertory Theatre Company For a tour of northern New England during the 1981-82 season. 66,000 

Cambridge, Massachusetts 

Group I Acting Company To support a nationwide tour during the 1981-82 season. 115,000 

New York, New York 

Guthñe Theatre Foundation For residencies and touring throughout the Midwest during the 70,000 

Minneapolis, Minnesota 1981-82 season. 

Indiana Arts Commission 

Indianapolis, Indiana 

For residencies of the Indiana Repertory Theatre in approximately 

50 communities in Indiana during the 1981-82 season. 

30,000 

Missouri Repertory Theatre For a five-week tour throughout Missouri during the 1981-82 season. 20,000 

Kansas City, Missouri 

Periwinkle Productions For a five-week tour throughout the Cleveland area and Michigan 9,266 

Monitcello, New York during the 1981-82 season. 

Southern Arts Federation For tours by the Negro Ensemble Company during the 1981-82 season. 60,000 

Atlanta, Georgia 

Spanish Theatre Repertory 

New York, New York 

For a tour of the Midwest, Southwest, Cal[fonda, and New York State

during the 1981-82 season. 

26,000 

Western States Arts Foundation For tours by the Montana Repertory Theatre and El Teatro de la 42,000 

Santa Fe, New Mexico Esperanza throughout the foundation’s ten-state region during the 

1981-82 season. 

TF-Tr~a~ury Fund~ 
230 Visual Arts 
231 

Vida/A~s
 

Visual A~ts Advisory Panels
 

Terry Allen Carl Chiarenza Kathy Halbreich 

Artist Photographer University gallery director 

Fresno, Calffornia Boston, Massachusetts Cambridge, Massachusetts 

Benny Andrews Dale Chihuly Maren Hassinger 

Artist Craftsperson Artist 

New York, New York Cranston, Rhode Island Los Angeles, California 

Richard Andrews Chuek Close Nancy Holt 

Art in public places Artist Artist 

coordinator 

Seattle, Washington 

New York, New York New York, New York 

Gylbert Coker Robert Irwin 

Siah Armajani Curator Artist 

Artist 

Minneapolis, Minnesota 

New York, New York Los Angeles, California 

Robert Colescott Diane Itter 

Richard Artschwager Artist Craftsperson 

Artist 

Charlottesville, New York 

Oakland, Calffornia Bloomington, Indiana 

Bing Davis Jun Kaneko 

Elmer Bischoff 

Artist 

Craftsperson 

Dayton, Ohio 

Craftsperson

Bloomfield Hills, Michigan 

Berkeley, California Douglas Davis Rosalind Krauss 

Lyn Blumenthal Artist, art writer Art writer 

Artist, visual artists 

organization director 

Chicago, Illinois 

New York, New York 

Roy Decarava 

Photographer 

New York, New York 

Marcia Lewis 

Craftsperson 

Deborah Butterfield Brooklyn, New York Vista, California 

Artist 

Bozeman, Montana Jennifer Dowley 

Art in public places 

Nathan Lyons 

Photographer, visual artists 

James Carpenter 

Craftsperson 

coordinator 

Sacramento, Caliíornia 

organization director 

Rochester, New York 

New York, New York David Driskell Robert Mangold 

Rolando Castellon Artist, art writer Artist 

Artist Hyattsville, Maryland Washingtonville, New York 

San Francisco, California 

Robert Fichter Anita O’Neill 

Linda Cathcart Photographer Visual artists 

Museum director Tallahassee, Florida organization director 

Houston, Texas Anne Focke 

New York, New York 

Gaii Centini Visual artists Bart Parker 

City visual arts 

coordinator 

organization director 

Seattle, Washington 

Photographer 

Providence, Rhode Island 

Atlanta, Georgia Andy Grundberg 

Art writer 

New York, New York 
232 Visual Arts 

Ray Pierotti	 llene Segalove Arthur Tsuchiya 

Craftsperson, visual artists Artist Artist
 

organization director Venice, California Hoboken, New Jersey
 

Winston-Salem, North Carolina
 

Rose Slivka Anne Tucker
 

Martin Puryear Art writer Museum curator
 

Artist New York, New York Houston, Texas
 

Chicago, Illinois
 Carlos Solana Marcia Tucker
 

Susan Rankaitis - Artist, arts
 Visual artists
 

Photographer administrator organization director
 _ Inglewood, California	 New York, New York New York, New York 

Martha Rosler - - Esther Sparks Steina Vasulka
 

Photographer Museum curator Artist
 

Brooklyn, New York Chicago, Illinois Santa Fe, New Mexico
 

Ed Ruscha Martha Strawn Martha Wilson
 

--Artist Photographer Artist, visual artists
 

-Los Angeles, California	 Newell, North Carolina organization director 

.~	 New York, New York 

Robert Strini 

Craftsperson 

Superior, Montana 

Visual Arts Grants	 Program funds: $6,526,826

608 grants 

Visual Artists’	 Fellowships are awarded to artists working in the areas of painting, 

sculpture, photography, crafts, printmaking, drawing, artists books, Fellowships conceptual-performance, new genres, and video. 

Program funds: $3,425,000 

337 grants 

Adams, Mac	 $25,000 Arcilesi, Vincent J. 5,000 

New York, New York	 New York, New York 

Albers, John E. 5,000 Arnoldi, Charles A. 25,000 

New York, New York Venice, California 

Albertson, James H. 25,000 Ayers, Philip	 25,000 

Oaldand, California	 New Haven, Connecticut 

Aldridge, Peter S. 25,000 Backstrand, Jay	 5,000 

Bath, New York	 Portland, Oregon 

Allen, Philip H.	 5,000 Baldessari, John A. 25,000 

New York, New York	 Los Angeles, California 

Almy, Max I. 5,000 Balken, Beckerman 5,000 

Oakland, California North Egremont, Massachusetts 

Andersen, S’tanley M. 5,000 Barasch, Donald M. 5,000 

Penland, North Carolina Miami, Florida 

Anderson, Mañlyn F. 5,000 Barke, Rande S. 5,000 

Rochester, New York Syracuse, New York 

Andrus, Damian B.	 5,000 Barnes, Robert M. 25,000 

Pasadena, California	 Bloomington, Indiana 

~ Angier, Rosweli P. 5,000 Barth, Frances D. 25,000 

Cambridge, Massachusetts Jersey City, New Jersey 

Antreasian, Garo Z. 25,000 Ba~lett, Barry T.	 5,000 

Albuquerque, New Mexico	 Birmingham, Michigan 
Visual Arts 233 

Beason, Donald R. 

Nacogdoches, Texas 

5,000 Byrne, James R. 

Minneapolis, Minnesota 

25,000 

Bechtle, Robert A. 

Emeryville, California 

25,000 Cagan, Stephen M. 

Cleveland Heights, Ohio 

5,000 

Beckett, Richard T. 

Brooklyn, New York 

5,000 Calaway, Loren D. 

New York, New York 

5,000 

Behrman, David A. 

New York, New York 

5,000 Caponigro, Paul 

Santa Fe, New Mexico 

25,000 

Bell, Scott G. 

Oakland, Cal~ornia 

5,000 Carlson, Lance R. 

Whittier, California 

5,000 

Bennett, Larry L. 

New York, New York 

5,000 Carpenter, Dennis 

Lexington, Kentucky 

5,000 

Berger, Eileen Kaye 

New York, New York 

5,000 Carpenter, Miles B. 

Waverly, Virginia 

5,000 

Berke, Allen 

Ferndale, Michigan 

5,000 Carson, Candice M. 

Concord, Georgia 

5,000 

Berkowitz, Michael J. 

East Rockaway, New York 

5,000 Carson, JoAnne X. 

Chicago, Illinois 

5,000 

Bezanson, Thomas 

Westwood, Massachusetts 

5,000 Carver, Craig L. 

Detroit, Michigan 

5,000 

Biederman, James M. 

New York, New York 

25,000 Casebere, James E. 

Livonia, Michigan 

5,000 

Birmelin, August Robert 

Leonia, New Jersey 

25,000 Caswell, James D. 

Santa Monica, California 

5,000 

Block, Ricardo A. 

St. Paul, Minnesota 

5,000 Cawood, Gary K. 

Ruston, Louisiana 

5,000 

Bode, Peer D. 

Owego, New York 

5,000 Chabot, Aurore M. 

Wilton, New Hampshire 

5,000 

Bower, Gary D. 

Charlotteville New York 

25,000 Charles, Peter E. 

Washington, D.C. 

5,000 

Bowers, Larry V. 

Masontown, Pennsylvania 

5,000 Chase, Louisa L. 

New York, New York 

25,000 

Boyd, Mable L. 

Compton, Cali£ornia 

5,000 Chavez, Humberto O. 

New York, New York 

5,000 

Brandes, Fred 

New York, New York 

5,000 Chen, Phillip 

Chicago, Illinois 

5,000 

Brill, Glenn F. 

Oakland, CaIifornia 

5,000 Cheng, Carl F.K. 

Santa Monica, California 

5,000 

Brock, Harry A. 

Watertown, Massachusetts 

5,000 Cheng, Emily 

New York, New York 

5,000 

Bronfman, Corinne M. 

New York, New York 

5,000 Choi, Younghee 

New York, New York 

5,000 

Brooks, Linda 

Minneapolis, Minnesota 

5,000 Chuma, Yoshiko 

New York, New York 

5,000 

Bryan, Lori B. 

Valley Center, Calffornia 

5,000 Clark, Edward 

New York, New York 

25,000 

Buitron, Robert C. 

Ternpe, Arizona 

5,000 Clark, James O. 

Brooklyn, New York 

5,000 

Burke, William 5I. 

Jamaica Plain, Massachusetts 

25,000 Clough, Charles S. 

New York, New York 

25,000 

Butter, Tom 

New York, New York 

5,000 Coats, Marvin S. 

Winston-Salem, North Carolina 

25,000 
234 Visual Arts 

Cochran, Malcolm H.
 

Bradford, New Hampshire
 

Cohen, Arthur M.
 

New York, New York
 

Colarusso, Corrine C.
 

Atlanta, Georgia
 

Coninck, Joseph O.
 

New York, New York
 

Conrad, Anthony S.
 

Buffalo, New York
 

Conwill, Houston E.
 

New York, New York
 

Coogan, Jay G.
 

New York, New York
 

Costa, Sam Clark 

Los Angeles, California
 

Cowin, Eileen
 

Venice, California
 

Crain, Joyce H.
 

New York, New York
 

Crawford, Garie W.
 

Cleveland Heights, Ohio
 

Crile, Susan
 

New York, New York
 

Crump, Iris
 

New York, New York
 

Cushing, Val M.
 

Alfred, New York
 

Darling, Lowell D.
 

Berkeley, Calffornia
 

Dascanio, Craig S.
 

West Springfield, Massachusetts
 

Davis, Virginia
 

New York, New York
 

Daw, Deirdre E.
 

Cleveland, Ohio
 

De Jong, Constance Ann
 

Albuquerque, New Mexico
 

DeFilipps-Brush, Gloria
 

Duluth, Minnesota
 

DeMauro, Don
 

Friendsville, Pennsylvania
 

Delaney, Janet C.
 

San Francisco, Calií’ornia
 

Denson, Roger
 

Buffalo, New York
 

Deschamps, Francois A.
 

New Paltz, New York
 

Dettmann, J.W.
 

Palm Beach Gardens, Florida
 

Di Meo, Dominick
 

New York, New York
 

25,000 

5,000 

5,000 

5,000 

25,000 

25,000 

25,000 

5,000 

25,000 

5,000 

5,000 

25,000 

5,000 

25,000 

25,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

Dill, Laddie John 

Venice, California 

25,000 

Dillingham, James R. 

Santa Fe, New Mexico 

25,000 

Dinhofer, Lisa B. 

New York, New York 

5,000 

Dreyer, Clarice A. 

Bozeman, Montana 

5,000 

DuBroff, Donald A. 

Chicago, Illinois 

5,000 

Dunkelman, Loretta 

New York, New York 

5,000 

Dwyer, Nancy 

New York, New York 

5,000 

Edge, Douglas B. 

Santa Barbara, California 

25,000 

Edwards, Stephen Dee 

Penland, North Carolina 

5,000 

Erlebacher, Martha Mayer 

Elkins Park, Pennsylvania 

25,000 

Ewing, Lauren 

New York, New York 

25,000 

Feelings, Thomas 

New York, New York 

5,000 

Fennelli, Maureen F. 

New York, New York 

5,000 

Fine, Jud B. 

Los Angeles, California 

25,000 

Fink, Aaron S. 

Boston, Massachusetts 

5,000 

Fisher, Vernon 

Fort Worth, Texas 

25,000 

Flick, Robert 

Inglewood, California 

5,000 

Forbes, Robert J. 

Philadelphia, Pennsylvania 

5,000 

Ford, John G. 

New York, New York 

5,000 

Frame, John F. 

Los Angeles, California 

5,000 

Franceschi, Edgar 

New York, New York 

5,000 

Freeman, Roland L. 

Washington, D.C. 

25,000 

Gall, Sally P. 

Houston, Texas 

5,000 

Garrett, John G. 

Los Angeles, California 

5,000 

Ghory-Goodman, Anne I. 

Cincinnati, Ohio 

5,000 

Gillingwater, Denis C. 

Scottsdale, Arizona 

5,000 
Visual Arts 235 

Girouard, Tina C.M. 

Cecilia, Louisiana 

25,000 Henes, Donna 

Brooklyn, New York 

5,000 

Glovsky, Alan M. 

New York, New York 

5,000 Henry, Dale 

Bullville, New York 

25,000 

GIowacki, Martha J. 

Madison, Wisonsin 

5,000 Herbert, James A. 

Athens, Georgia 

25,000 

Goin, Peter J. 

San Francisco, Caliíornia 

5,000 Herman, Alan~ 

New York, New York 

5,000 

Goldsleger, Cheryl 

Columbus, Ohio 

25,000 Herman, Roger R. 

Los Angeles, Caliíornia 

5,000 

Goldstein, Jack 

Brooklyn, New York 

25,000 Herrera, Frank P. 

Shenandoah Junction, West Virginia 

5,000 

Gonzalez, Arthur P. 

Sacramento, Calií’ornia 

5,000 Hill, James R. 

New York, New York 

25,000 

Gonzalez, María A. 

Indianapolis, Indiana 

5,000 Himmelfarb, John D. 

Chicago, Illinois 

5,000 

Goodell, Kathy S. 

San Francisco, California 

25,000 Hocking, Ralph I. 

Newark Valley, New York 

25,000 

Gordon, Richard G. 

San Francisco, Caliíornia 

5,000 Howe, Grabara L. 

Pasadena, Cali£ornia 

5,000 

Greenwald, Caroline M. 

Madison, Wisconsin 

5,000 Huchthausen, David R. 

Smithville, Tennessee 

5,000 

Greeves, Jackie A. 

Silver Spring, Maryland 

25,000 Hucker, Thomas R. 

Berwyn, Pennsylvania 

5,000 

Grucza, Leo V. 

Champaign, Illinois 

5,000 Hull, John M. 

Baltimore, Maryland 

5,000 

Guerra, Teresina B. 

Austin, Texas 

5,000 Ives, Ronn B. 

Norfolk, Virginia 

5,000 

Gummelt, Sam 

Dallas, Texas 

5,000 Jampol, Glenn D. 

Oakland, California 

5,000 

Hagin, Nancy J. 

New York, New York 

5,000 Janowitz, Joel A. 

Elmwood Park, New Jersey 

5,000 

Hahn, Betty 

Albuquerque, New Mexico 

25,000 Jansen, Catherine 

Wyncote, Pennsylvania 

5,000 

Haley, Nade C. 

Washington, D.C. 

5,000 Jenkins, Ulysses S. Jr. 

Los Angeles, Calil’ornia 

25,000 

Hammond, Mary S. 

Athens, Georgia 

5,000 Johnson, Don M. 

New City, New York 

5,000 

Hammons, David R. 

New York, New York 

25,000 Jones, Otis S. 

Dallas, Texas 

5,000 

Hare, Chauncey 

Point Richmond, California 

25,000 Kanemoto, Lisa Lore 

San Francisco, California 

5,000 

Hatch, Connie E. 

San Francisco, California 

5,000 Karpowicz, Terrence E. 

Chicago, Illinois 

5,000 

Hawthorne, John D. 

Richmond, Virginia 

5,000 Kasuba, Aleksandra 

New York, New York 

25,000 

Heaven, Jane 

Berkeley, California 5,000 Keech, Pamela C. Elyria, Ohio 

5,000 

Hedrick, Wally B. 

Ignacio, California 

5,000 Kelly, Mary Ann 

Snyder, New York 

5,000 

Hedstrom, Ana Lisa 

Emeryville, California 

5,000 Kennedy, Brigid M. 

New York, New York 

5,000 
236 Visual Arts 

King, Ray 

Philadelphia, Pennsylvania 

Kinsella, Patricia M. 

San Rafael, California 

Kizik, Roger M. 

Boston, Massachusetts 

Kleinbard, Alexa R.F. 

Havana, Florida 

Klett, Mark C. 

Delmar, New York 

Knutson, Michael C. 

Seattle, Washington 

Koch, John P. 

Albuquerque, New Mexico 

Koga, Mary H. 

Chicago, Illinois 

Komisar, Milton G. 

Boston, Massachusetts
 

Kos, Paul J.
 

San Francisco, California
 

Kosuge, Michihiro
 

Portland, Oregon
 

Kramer, Harry
 

New York, New York
 

Kramer, Margia C.
 

New York, New York
 

Kren, Margo
 

Manhattan, Kansas
 

Krizan, Harry Lynn
 

Clifton Heights, Pennsylvania
 

Kuehn, Frances T.
 

New York, New York
 

Labowitz, Leslie
 

Venice, California
 

Laderman, Gabriel
 

New York, New York
 

Land-Weber, Ellen E.
 

Arcata, Calffornia
 

Lapides, Beth A.
 

New York, New York
 

Lawson, Thomas
 

New York, New York
 

Lawton, Carol D.
 

Fremont, Caliíornia
 

Leinroth, Martha A.
 

Somerville, Massachusetts
 

Levy, Builder A.
 

New York, New York
 

Lewis, Joe
 

New York, New York
 

Light, Ken R. 

Vallejo, California 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

25,000 

5,000 

25,000 

5,000 

5,000 

5,000 

5,000 

5,000 

25,000 

25,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

5,000 

Little, Ken D. 

Norman, Oklahoma 

25,000 

Loberg, Robert W. 

Berkeley, California 

5,000 

Long, Randy J. 

Des Moines, Iowa 

5,000 

Longo, Robert V. 

New York, New York 

25,000 

Lonidier, Fred S. 

La Jolla, Cali£ornia 

5,000 

Loving, AIvin D. 

New York, New York 

25,000 

Lucero, Michael L. 

New York, New York 

5,000 

MacGaw, Wendy Ann 

Lathrup Village, Michigan 

5,000 

Mangus, Kirk S. 

Mercer, Pennsylvania 

25,000 

Mann, Sally M. 

Lexington, Virginia 

5,000 

Marcheschi, Cork L. 

Minneapolis, Minnesota 

25,000 

Maruyama, Wendy L. 

Smithville, Tennessee 

5,000 

Mason, George T. 

Walpole, Massachusetts 

5,000 

Massey, Charles W., Jr. 

Columbus, Ohio 

5,000 

Mayeri, Beverly 

Mill Valley, California 

5,000 

McCarthy, Paul D. 

Pasadena, California 

5,000 

McCauley, Robert N. 

Rockford, Illinois 

25,000 

McIlvane, Edward J. 

Riverside, Rhode Island 

5,000 

McKie, Judy K. 

Cambridge, Massachusetts 

25,000 

Melamid, Alexander and Vitaly Komar 

New York, New York 

25,000 

Mendieta, Ana M. 

New York, New York 

25,000 

Mesches, Arnold 

Los Angeles, California 

5,000 

Michalik, Chester J. 

Northampton, Massachusetts 

5,000 

Middlebrook, Willie R. 

Compton, California 

5,000 

Miller, Melissa W. 

Austin, Texas 

5,000 

Mitchel, Julio 

Brooklyn, New York 

25,000 
Visual Arts 237 

Mocarski, David P. 

Irvine, Calffornia 

5,000 Renteria, Philip L. 

Houston, Texas 

5,000 

Mock, Stanley J. 

Santa Monica, California 

5,000 Ressler, Susan R. 

Huntington Valley, Pennsylvania 

5,000 

Monafo, Janet K. 

Lexington, Ma~sachusetts 5,000 Richards, Eugene E. 

Dorchester, Massachusetts 

25,000 

Moore, Gordon E. 

New York, New York 

5,000 Ripley, Cynthia 

Richmond, Virginia 

5,000 

Moore, John J. 

Wyncote, Pennsylvania 

25,000 Robinson, Walter R. 

New York, New York 

5,000 

Morinaka, Dennis M. 

Oaldand, California 

5,000 Roche, James W. 

Tallahassee, Florida 

25,000 

Mus|er, Jay P. 

San Francisco, California 

25,000 Rog~rs, Bryan L. 

San Francisco, California 

5,000 

Neff, Thomas M. 

Lafayette, Colorado 

5,000 Rogovin, Janice 

Jamaica PIain, Massachusetts 

5,000 

Neimanas, Joyce S. 

Chicago, Illinois 

25,000 Rosenthal, Mel 

New York, New York 

5,000 

Noel, Francis J. 

Bozeman, Montana 

5,000 Ross, Ivy E. 

New York, New York 

5,000 

Nordman, Maria 

Santa Monica, Calffornia 

25,000 Rousseau, Ann Marie 

New York, New York 

5,000 

Norfleet, Barbara P. 

Cambridge, Massachusetts 

5,000 Rubenstein, Meridel 

Santa Fe, New Mexico 

5,000 

O’Banion, Nance R.G. 

Oakland, California 

5,000 Rubini, Gail 

New York, New York 

5,000 

Orr, Eric G. 

Venice, California 

25,000 Ruppersberg, Allen 

Santa Monica, Calffornia 

25,000 

Pagen, Geoffrey Dean 

Portland, Oregon 5,000 Sanborn, Jira 

Washington, D.C. 

5,000 

Pannucci, Cynthia Jean 

New York, New York 

5,000 Sasaki, Tomiyo 

New York, New York 

5,000 

Parada, Esther 

Oak Park, Illinois 

5,000 Savini, Richard 

Washington, D.C. 

5,000 

Parker, William E. 

Eastford, Connecticut 

25,000 Schade, William B. 

Albany, New York 

5,000 

Parsons, Ivy 

Baltimore, Maryland 

5,000 Schira, Cynthia J. 

Lawrence, Kansas 

25,000 

Paul, Kathryn E. 

Murphysboro, Illinois 

5,000 Schwebler, Yuri 

Easton, Maryland 

25,000 

Pearson, Nicholas B. 

North Bennington, Vermont 

5,000 Senner, Eileen G. 

Partridge, Kansas 

5,000 

Pijoan, Irene 

Roswell, New Mexico 

5,000 Shamsud-Din, Isaac S. 

Portland, Oregon 

5,000 

Pinkel, Sheila 

Santa Monica, California 

5,000 Shay, Edward H. 

Carbondale, Illinois 

5,000 

Piper, Adrian 

Ann Arbor, Michigan 

25,000 Shelton, Peter T. 

Los Angeles, California 

5,000 

Ravanesi, Bill 

Boston, Massachusetts 

5,000 Sherrod, Philip L. 

New York, New York 

5,000 

Reid, Dorothy V. 

San Francisco, California 

5,000 Shorr, Kenneth Cooper 

Chicago, Illinois 

5,000 
238 Visual Arts 

Siegel, Mamie S. 

Lake Hill, New York 

5,000 

Simone, Robert J. 

Atlanta, Georgia 

5,000 

Sleigh, Sylvia 

New York, New York 

25,000 

Slocum, Joan K. 

Baldwin, Wisconsin 

5,000 

Smith, Michael A. 

New York, New York 

5,000 

Snyder, Kit-Yin T. 

New York, New York 

5,000 

Soderquist, Ellen D. 

Richardson, Texas 

5,000 

Solomon, Elke M. 

New York, New York 

5,000 

Spector, Buzz 

Chicago, Illinois 

5,000 

Stack, Gael Z. 

Houston, Texas 

5,000 

Stanley, M. Louise 

El Cerrito, Caliíornia 

5,000 

Starr, Nicholas J. 

Syracuse, New York 

5,000 

Statom, Therman C. 

Washington, D.C. 

25,000 

Steinmetz, Philip A. 

San Diego, California 

5,000 

Stewart, Frank Lehman 

New York, New York 

5,000 

Stinsmuehlen, Susan D. 

Austin, Texas 

5,000 

Streetman, Evon 

Gainesville, Florida 

25,000 

Stromsten, Amy J. 

Rocky Hill, New Jersey 

5,000 

Strong, Charles R. 

Berkeley, California 

5,000 

Studstill, Pamela J. 

San Antonio, Texas 

5,000 

Sugimoto, Hiroshi 

New York, New York 

5,000 

Sullivan, Janet G. 

Chicago, Illinois 

5,000 

Sullivan, Jim 

New York, New York 

25,000 

Suzuki, Taro P. 

New York, New York 

5,000 

Tabor, Martha W. 

Washington, D.C. 

5,000 

Tannenbaum, Edward 

San Francisco, California 

5,000 

Tansey, Reesa 

Berkeley, California 

5,000 

Taussig, H. Arthur 

Costa Mesa, Caliíornia 

5,000 

Thielen, William H. 

Carbondale, Illinois 

5,000 

Thomas, Jayn L. 

Mount Desert, Maine 

5,000 

Thorne-Thomsen, Ruth 

Chicago, Illinois 

5,000 

Thorny¢roft, Ann C. 

Santa Monica, California 

5,000 

Tolstedt, Lowell 

Columbus, Ohio 

5,000 

Torreano, John F. 

New York, New York 

25,000 

Torres, Frances 

New York, New York 

25,000 

True, David F. 

New York, New York 

5,000 

Tuckerman, Jane B. 

Boston, Massachusetts 

5,000 

Tuttle, Elizabeth A. 

Eagle River, Wisconsin 

5,000 

Van Horn, Erica 

Chicago, Illinois 

5,000 

Vasulka, Woody B. 

Santa Fe, New Mexico 

25,000 

Volonakis, Michael C. 

New York, New York 

5,000 

Walker, Todd 

Tucson, Arisona 

25,000 

Wegman, William 

New York, New York 

25,000 

Wilson, Anne G. 

Chicago, I1]inois 

5,000 

Wilson, Mark G. 

West Cornwall, Connecticut 

5,000 

Witz, Daniel J. 

New York, New York 

5,000 

Wright, Boyd R. 

Moscow, Idaho 

25,000 

Wyffels, Ronald E. 

San Antonio, Texas 

5,000 

Yamagata, Mihoko 

San Juan Capistrano, Calffornia 

5,000 

Younger, Robert M. 

New York, New York 

5,000 

Zago, Agostino C. 

New York, New York 

5,000 

Zelevansky, Paul A. 

New York, New York 

5,000 
Visual Arts 239 

Zimmerman, Arnold P. 5,000 Zynsky, Mary Ann 5,000 

New York, New York Lynmíeld, Massachusetts 

Zimmerman, Elyn B. 25,000 

New York, New York 

Art in Public Places To enable city and state governments, educational institutions, and other 

organizations to commission or purchase works of art as permanent features

of such sites as parks, plazas, riverfronts, airports, subways, and public

buildings. Also funded are short-term installations of experimental works

that demonstrate further potential for art in public places. 

Program funds:

21 grants $481,650 

Brockman Gallery Productions To commission Betye Saar to execute a full-scale mural in a densely $6,350 

Los Angeles, California populated part of Los Angeles. 

Bryant Park Restoration Corporation For a temporary installation located in Bryant Park in midtown 5,000 

New York, New York Manhattan. 

Buffalo Arts Commission For a commission to Joyce Kozloff, Sharon Gold, and Milton Regovin 50,000 

Buffalo, New York for the Humboldt/Hospital Transit Stations. 

Buffalo Arts Commission 

Buffalo, New York 

For commissions to Scott Burton, Charles Clough, and Richard

Friedberg for the Allen-Hospital Transit Station. 

50,000 

Cambridge Arts Council To commission Jeffrey Schi£f for a site-specific work for a mass tran­ 22,500 

Cambridge, Massachusetts sit station. 

Dayton, City of For temporary installations by Krzysztop Wodiczko and Gary I0,000 

Dayton, Ohio Rieveschl in public areas in and around Dayton. 

Fashion Moda To commission John Ahearn to create lffecasts of neighborhood peo­ 18,000 

Bronx, New York ple engaged in daily activity for the edge of a park. 

Grand Rapids, City of To commission Alexis Smith for a work for De Vos Auditorium. 25,000 

Grand Rapids, Michigan 

Haleakala For the Kitchen to produce a series of video installations by Joan 4,500 

New York, New York Logue, placed in Soho store-fronts displaying "video portraits" of the 

resident merchants of each site. 

Manhattan, City of To commission Athena Tacha to create a sculpture in a revitalized 50,000 

Manhattan, Kansas downtown public plaza. 

Metropolitan Arts Council 

Omaha, Nebraska 

For temporary installations of three works by Alice Adams, Luis

Jimenez, and John Young for the city of Omaha. 

7,500 

Natural Heritage Trust For temporary installations by 12 artists in Artpark for summer 1982. 30,000 

Lewiston, New York 

Public Art Fund For a series of 12 innovative computer-generated art works to be con­ 5,000 

New York, New York veyed on the spectacolor lightboard located at Times Square. 

Sacramento, City of 

Sacramento, California 

For temporary installations by Jud Fine for a site on the California

State University campus and by Jody Pinto for a site at Land Park. 

5,000 

Seattle Arts Commission To commission Lauren Ewing to create a figurative/narrative 15,000 

Seattle, Washington sculpture on Seattle Center area or Green Lake Park. 

South Dakota State University 

Brookings, South Dakota For a temporary installation of six artists’ work: Lita Albuquerque,Siah Armajani, Donna Dennis, Toro Doyle, Andrew Leicester and 

24,000 

Elyn Zimmerman. 

Spokane Arts Commission To commission Judy Pfaff to create an art-work for the Spokane 20,000 

Spokane, Washington City Hall Gallery. 

Temple University To commission Richard Fleischer to create a sculpture at the Co­ 50,000 

Philadelphia, Pennsylvania lumbia Subway Plaza. 
240 Visual Arts 

Visiting Artists 

Davenport, Iowa 

Visiting Artists 

Davenport, Iowa 

York College 

Jamaica, New York 

Visual Artists 

Forums 

Aperture 

Millerton, New York 

Appalachian 	enter for Crafts 

Smithville, Indiana 

Arizona State University 

Tempe, Arizona 

Al’izona, University of 

Tuscon, Arizona 

Arkansas, University of 

Fayetteville, Arkansas 

Art Academy of Cincinnati 

Cincinnati, Ohio 

Atlanta Art Papers 

Atlanta, Georgia 

Beaver College 

Glenside, Pennsylvania 

Boston University 

Boston, Massachusetts 

Brookfield Craft Center 

Brookfield, Connecticut 

California State University 

Sacramento, California 

Calffornia, Regents of the University of 

Berkeley, California 

Center for Occupational Hazards 

New York, New York 

Chicago New Art Association 

Chicago, Illínois 

Chicago, University of 

Chicago, Illinois 

Clark (DanieD Foundation

Goffstown, New Hampshire 

Colorado Mountain College 

Glenwood Springs, Colorado 

Colorado, University of 

Boulder, Colorado 

For a planning grant for Dan Flavin to designa work for the transit 5,000 

center. 

To commission Sol Lewitt to create an artistic environment A¢tivities 50,000 

Center. 

To commission Martin Puryear to create a sculpture in conjunction

with new construction on the 50-acre college campus, the center of 

28,800 

an urban renewal plan for Jamaica. 

To enable artists to assemble with professional peers, teachers, students, 

and the public to debate issues, share information, and compare methods.

Grants support visiting artists series, seminars and symposia, short-term 

workshops and demonstrations, and publications that contribute to the national dialogue on contemporary art. 

Program funds: $485,246 

91 grants 

For a symposium on photography held in November 1982, at the $5,000 

Esalen Institute in California. 

For the summer workshop program in wood, fiber, glass, metal, and 5,000 

clay. 

For a series of activities concerning the effect of the environment 4,110 

on the visual arts. 

For a series of lectures and seminars with visiting artists and critics. 2,500 

For a program of visiting artists for the 1982-83 academic year. 5,000 

For a lecture series on the role of fantasy and invention in art. 2,162 

For Art Papers, a bimonthly tabloid that provides a critical forum 15,000 

for the work of visual artists in the Southeast. 

For artists Barry Le Va, Catherine Porter, and Shusaku Arakawa 2,500 

to visit the campus in conjunction with exhibitions of their work at 

the college gallery. 

For ah artist-in-residence series sponsored by the Program in 2,000 

Artisanry. 

For a series of workshops and seminars on the artistic direction of 1,500 

the crafts profession in this decade. 

For a visiting artists series that brought nationally known artists to 2,000 

the campus for lectures and workshops. 

For a visiting artists series and residency program. 5,000 

For the Art Hazards Project, which informs artists about the dangers 3,000 

of art materials through workshops, lectures, and publications. 

For the New Art Examiner, which provides coverage of exhibitions, 7,000 

issues, and events in the visual arts. 

For a series of lectures and seminars on the critical perspectives and 3,000 

artistic visions of contemporary visual artists. 

For the magazine Studio Potter, which conveys technical and aesthetic 8,000 

information to functional potters. 

For a four-day symposium on photography at the Breckem’idge ca:n- 5,000 

pus entitled "Series, Sequence, and Narrative." 

For a residency program involving visiting artists and critics. 5,000 
Visual Arts 241 

Columbus, 
ity of For a series of ñve workshops at the Cultural Arts Center, conducted 2,300 

Columbus, Ohio by master craftsmen with expertise in fiberart or jewelry construction. 

Committee for the Visual Arts For publication of Cover, a contemporary art magazine. 4,000 

New York, New York 

Committee for the Visual Arts 

New York, New York 

For Real Life Magazine, a quarterly publication concerned primari­ ly with representational artists. 

6,000 

Contemporary Arts Museum For a residency of Charles Simonds in conjunction with an exhibi­ 1,470 

Houston, Texas tion of his work. 

Corcoran Gallery of Art 

Washington, D.C. For continuation of the visiting arüsts program at the Corcoran School 

of Art. 

2,500 

Craft and Folk Art Museum For Crafl International, a quarterly focusing on the presentation of 13,000 

Los Angeles, California aesthetic and ethical values through handcrafts. 

Dayton, University of For a series of photography workshops. 2,865 

Dayton, Ohio 

District Curators For a series of events and panel discussions about performance art. 2,500 

Washington, D.C. 

Fine Arts Work Center For a continuing program of visiting artists and critics. 4,000 

Provincetown, Massachusetts 

Foundation for the Community of To publish Artworkers News, an artist-run newspaper. 6,000 

Artists 

New York, New York 

Friends of Photography To publish the book, Wright Morñs Photographs: My Life asa 15,000 

Carmel, California Photographer. 

Galeria de la Raza For Community Muralists magazine, which discusses aesthetic issues 8,541 

San Francisco, California pertinent to muralists. 

Georgia State University For a symposium on the work and influence of photographer and 3,000 

Atlanta, Georgia teacher Harry Callahan. 

Hampshire College For a visiting artists and critics program for students, faculty, and 2,500 

Amherst, Massachusetts the public in the five-college area of western Massachusetts. 

Hartford, University of For a year-round program of workshops, lectures, and long-term 2,500 

West Hartford, Connecticut residencies conducted by established visual artists. 

Heresies Collective For fees to contributors ofHeresies, a collectively published magazine 15,000 

New York, New York by writers, artists, performers, critics, and filmmakers. 

Hudson River Museum at Yonkers For Interactions, a continuing series of public seminars on various 2,700 

Yonkers, New York critical and theoretical issues in the visual arts. 

Illinois, University of For a visiting artists program at the School of Art and Design con­ 2,450 

Chicago, Illinois cerning art and the environment. 

Institute for Architecture and Urban 

Studies For the publishing of October, a critical art journal, concerning the theory of contemporary art. 

15,000 

New York, New York 

lntermountain Weavers Conference For workshops and symposia in conjunction with the Intermountain 5,000 

Tempe, Arizona Weaver’s Conference in Durango, Colorado. 

Intersection For a one-day forum and directory compiled by Bay Area Arts Ser­ 2,000 

San Francisco,California vices with information on new and existing services and opportunities 

for individual visual artists in the Bay Atea. 

Kent State University For the Blossom-Kent Art Summer Program of workshops in 2,000 

Kent, Ohio ceramics, giass, jewelry, painting, and sculpture. 

Lawrence (Sarah) College For a series of lectures and presentations by visiting artists and critics. ~ 3,000 

Br0nxville, New York 

Los Angeles Center for Photographic For publication of Obscura, a regional journal on photography, edited 5,000 

Studies and produced by artists. 

Los Angeles, California 
242 Visual Arts 

Los Angeles Contemporary

Exhibitions 

Los Angeles, California 

Los Angeles Institute for

Contemporary Art 

Los Angeles, California 

Luther College 

Decorah, Iowa 

Memphis Academy of Arts 

Memphis, Tennessee 

Middlebury College 

Middlebury, Vermont 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

Minnesota, University of 

St. Paul, Minnesota 

Mississippi, University of 

University, Mississippi 

Murray State University 

Murray, Kentucky 

National Conference of Artists 

Washington, D.C. 

National Public Radio 

Washington, D.C. 

New Mexico, University of 

Albuquerque, New Mexico 

New York Experimental Glass 

Workshop 

New York, New York 

New York, Research Foundation of 

the State University 

Purchase, New York 

New York, State University of 

Plattsburgh, New York 

North Dakota, University of 

Grand Forks, North Dakota 

Ohio Foundation on the Arts 

Columbus, Ohio 

Ohio State University Research 

Foundation 

Columbus, Ohio 

Ohio State University Research 

Foundation 

Columbus, Ohio 

Paterson (William) College of New 

Jersey 

Wayne, New Jersey 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

Performing Arts Journal 

New York, New York 

Peters Valley Craftsmen 

Layton, New Jersey 

To publish High Performance, a journal of performance art. 5,000 

To publish Journal: A Contemporary Art Magazine. 13,000 

For a visiting artists’ program of three-day residencies at the college. 2,550 

For a visiting artists’ program of public lectures. 5,000 

For a visiting artists’ program. 1,974 

For a two-day symposium for photographers, curators, and critics 

to examine issues relating to visual depictions of landscapes. 

For a series of short-term residencies at the Center for Art and Environment concerráng the role of visual artists in the design of public 

spaces. 

For a visiting artists’ program. 

5,000 

3,509 

5,000 

For four artists-in-residence to conduct workshops in ceramics, woodworking, and sculpture. 

For the 25th annual conference, including workshops and panel discussions on aesthetic concerns of black artists. 

For expanded coverage of visual arts subjects and issues on The Sunday Show, NPR’s weekly five-hour arts magazine. 

For a visiting artists’ program. 

2,500 

3,500 

10,000 

5,000 

For New York magazine, which focuses on architectural, experimental, and environmental uses of glass. 

7,000 

For a visiting artists program, including workshops in photography,

design, and printmaking. 

5,000 

For five visual artists to conduct residencies and workshops in 

sculpture, ceramics, photography, and mixed media. 

For a visiting artists’ program, including a regional symposium in 

ceramics and a lithography workshop. 

For Dialogue, a bimonthly journal serving regional artists. 

4,715 

5,000 

10,000 

For ah artists-in-residence program at Logan Elm Press and Paper 

Mill, a book-arts work facility. 

3,000 

For a lecture series by visiting photographers and critics. 2,000 

For a series of visual artists’ lectures in painting, sculpture, crafts, 

photography, and art criticism. 

3,000 

For Conversations, ah ongoing lecture series by artists and critics 

at the Institute of Contemporary Art. 

To publish Live magazine, concerning performance art. 

3,200 

7,000 

For a workshop to explore alternative methods employed by ceramic 

artists when using wood-fired kilns. 

2,500 
Visual Arts 243 

Portland State University For two artists-in-residenee to deliver public lectures and workshops. 2,000 

Portland, Oregon 

Pottery Northwest Fora combination kiln-building and auxiliary heat exchange workshop. 4,100 

Seattle, Washington 

Rutgers, The State University of New For six lecture-demonstrations on conservation. 4,700 

Jersey 

Newark, New Jersey 

Rutgers, The State University of New 

Jersey 

For a visiting artists and critics program in eonjunction with the

Philadelphia College of Art and Villanova University. 

5,000 

Camden, New Jersey 

San Jose State University Foundation 

San Jose, California 

For an artist-in-residence series featuring distinguished senior artists 

over 65 years of age. 

5,000 

Skowhegan School of Painting and For a program to bring nationally known artists to Skowhegan. 5,000 

Sculpture 

New York, New York 

Society for Photographic Education For Exposure, a quarterly publication on photogTaphy. 7,500 

New York, New York 

Society of North American Goldsmiths For Metalsmith magazine. 15,000 

Kendall, New York 

South Carolina Arts Commission For a visiting artists’ series in cooperation with three art museums 5,000 

Columbia, South Carolina in Charleston, Columbia, and Greenville. 

Southern California, University of For a visiting artists’ program. 4,000 

Los Angeles, Caliíornia 

Southern Illinois University 

Carbondale, Illinois 

For a lecture series on contemporary trends in color photography 

held in conjunction with exhibitions of the visiting artists’ work. 

5,000 

Sun Valley Center for the Arts and For the 1982 summer residency program for photographers. 1,500 

Humanities 

Sun Valley, Idaho 

Sun Valley Center for the Arts and 

Humanities 

For a four-week ceramic forum in which four artists collaborated 

through studio work, demonstrations, lectures, and exhibitions. 

4,000 

Sun Valley, Idaho 

Temple University To publish two issues of Quiver in a book format. 11,000 

Philadelphia, Pennsylvania 

Temple University 

Philadelphia, Pennsylvania 

For "Changing Perceptions," a lecture series at the Tyler School of

Art that will be video-taped for other audiences. 

3,650 

Texas Tech University 

Lubbock, Texas 

For a glass conference and workshop investigating forms of blo~aa 

and molded glass and glass engraving. 

3,570 

Texas, University of For a visiting artists’ program at the San Antonio campus. 1,250 

San Antonio, Texas 

Union of Independent Colleges of Art 

Bethesda, Maryland 

For the Visiting Artists Exchange Program of the eight-member consortium, which sponsors visits by more than 300 artists per year. 

24,000 

Virginia Commonwealth University For a visiting artists’ program in printmaking. 1,750 

Richmond, Virginia 

Visual Studies Workshop 

Rochester, New York 

To publish Artists’ Books -- a Critical and Historical Sourcebook, 

eontaining essays on the history and development of artists’ 

publishing. 

15,000 

Walker Art Center Fora visiting artists’ señes entitled "Dialogue," that brings eight 5,000 

Minneapolis, Minnesota Minnesota artists to the museum for lectures. 

Women’s Studio Workshol~ Fora program of artists’ residencies anda series of lectures focus­ 2,500 

Rosendale, New York ing on book-arts and other forms of multiple image-making. 

World Print Competition For Print News, a magazine for professional pñntmakers. 5,000 

San Francisco, California 

World Print Competition To publish the resouree book New Print (making) Technologies. 15,000 

San Francisco, California 
244 Visual Arts 

Wright State University 

Dayton, Ohio 

Writer’s Center 

Glen Echo, Maryland 

Interagency 

Paleologos, Stacy 

Washington, D.C. 

Veterans Administration and General 

Services Administration 

Washington, D.C. 

Visual Artists 

 ̄ ~,nr~an~za~~ons "-" ~

Advaita Society 

Berkeley, California 

Alternative Center for International 

Arts 

New York, New York 

American Indian Community House 

New York, New York 

and/or service 

Seattle, Washington 

and/or service 

Seattle, Washington 

Anderson Ranch Arts Center 

Aspen, Colorado 

Ann Arbor Art Association 

Ann Arbor, Michigan 

Art Institute of Chicago 

Chicago, Illinois 

Artemisia Fund 

Chicago, Illinois 

Artists, Residents of Chicago 

Chicago, Illinois 

Artists-in-Residence 

New York, New York 

Artlink 

Fort Wayne, Indiana 

For a visiting artists series in filmmaking and sculpture. 2,500 

To print visual art reproductions in Sun and Moon: A Journal of 1,500
 

Literature and Art.
 

To enable the Endowment to carry out its advisory role with the General 

Services Administration and the Veterans Administration in their Art-inArchitecture programs. 

Program funds: $74,030 

2 grants 

To coordinate and continue to develop the regional panel system for $47,500 

FY 1983 to be used for reviewing and selecting the visual artists for 

federal Art-in-Architecture programs, primarily for the General Services Administration and the Veterans Administration. 

For fees and travel expenses of panelists serving on selection panels 26,530 

for federal Art-in-Architecture programs. 

To enable organizations originated by or for artists to conduct a variety of

activities that encourage the artistic growth of individual artists, craflspersons, and photographers. 

Program funds: $2,060,900 

156 grants 

For workshops, exhibitions, anda lecture program for artists work- $5,000 

ing in the graphie arts at the Kala Institute. 

For the exhibition schedule for 1982-83, ineluding an exhibition of 16,000
 

southwestern artists.
 

For íour exhibitions that will presentan in-depth look at two artistic 7,500 

styles: the art of Eskimos and that of Sioux Indians. 

To maintain and develop the collections and to continue services of 15,000 

and/or’s contemporary arts library. 

For exhibitions and artists’ projects, small project grants for individual 30,000 

artists, a lecture demonstration series, Soar magazine, and administrative support for artists’ group projects. 

For workshops and residencies of artists in clay, fiber, wood, print- 15,000 

making, painting, and photography. 

To provide exhibition space for regional artists working in experimen- 3,000 

tal art forms. 

For the production and distribution of video documentation on art 15,000 

and artists, through the school’s vídeo data bank program. 

For 14 exhibitions of emerging artists’ work and the exhibition, "Art 8,500 

as Intervention" with accompanying panel discussions. 

For honoraria to exhibiting artists in the Rawspace Gallery and 5,000 

publication of a catalogue of the 1982-83 season. 

For honoraria to artists and panelists participating in the Monday 19,000 

Night lecture series and two invitational exhibits. 

For the exhibition gallery and residency program, which integrates 8,000 contemporary trends in performance, static, folk, and craft arts. 
Visual Arts 245 

Arts Council of Windham County For a program of services to local visual artists through the Windham 4,000 

Brattleboro, Vermont County Visual Artists Union. 

Atlanta, City of For a service program in which the Department of Cultural Affairs 6,000 

Atlanta, Georgia makes project grants available to visual artists in Atlanta. 

Bookspace 

Chicago, Illinois 

For exhibitions and workshops on book arts and the provision of press 

equipment to book artists. 

5,500 

Boston Visual Artists Union 

Boston, Massachusetts 

For the union’s artist-run services program, including insurance, housing, and legal and business assistance. 

15,000 

Boston Visual Artists Union For the Artists on Artists lecture program and exhibitions in the 3,000 

Boston, Massachusetts Boston area. 

Boulder Center for the Visual Arts For a program of exhibitions and residencies in the areas of perfor­ 5,000 

Boulder, Colorado mance art, photography, and ceramics. 

Brandywine Graphic Workshop To continue the visiting artists/intern project and to provide oppor­ 12,000 

Philadelphia, Pennsylvania tunities for established artists to work with new printmaking

technology. 

Catskill Center for Photography To continue a program of exhibitions, workshops, and lectures for 11,000 

Woodstock, New York established and emerging photographers. 

Catskill Center for Photography 

Woodstock, New York 

For publication and expansion of the Center Quarterly, which contains articles on photography. 

4,000 

Center for Book Arts For an exhibition and workshop program on artists books, papermak­ 15,000 

New York, New York ing, and conservation. 

Center for Exploratory and Perceptual For a program of artists’ residencies, projects, and exhibitions that 19,755 

Arts examine the use of photography with other visual arts media. 

Buffalo, New York 

Center for Puppetry Arts For two exhibitions examining the visual arts aspects of puppetry. 3,000 

Atlanta, Georgia 

Change For a service program that provides emergency grants for artists 15,000 

New York, New York who require assistance to meet basic expenses. 

Chicago Books 

Chicago, Illinois 

To publish artists’ books produced in collaboration with the technical

staff of Chicago Books. 

18,000 

Cincinnati Artists’ Group Effort 

Cincinnati, Ohio 

For a program of exhibitions, performances, installations, soundworks, and the publication of Artists Pulp. 

8,000 

Clay Studio For a working facility and exhibition space for ceramic artists. 5,000 

Philadelphia, Pennsylvania 

Clayworks Studio For a workshop providing facilities and technical assistance to artists 10,000 

New York, New York who have not previously worked in clay. 

Coleman (Alex) Foto Gallery To continue a series of exhibitions of the work of contemporary 4,000 

New York, New York photographers. 

Committee for the Visual Arts For the program of exhibitions and performances at Artists’ Space. 25,000 

New York, New York 

Committee for the Visual Arts For Collaborative Projects to sponsor ABC No Rio, a Lower East 17,000 

New York, New York Side art center; the Artists Direct Mail Catalog;, Potato Wolf, a weeldy 

cable series of live and pre-taped shows; and the Video Service Station, a rough-edit production facility open to artists. 

Committee for the Visual Arts For the emergency materials fund and the independent exhibition 15,000 

New York, New Yo.rk program, service projects that assist individual artists. 

Contemporary Arts Center For the visual arts programs, including exhibitions, performances, 30,000 

New Orleans, Louisiana workshops, and lecture series. 

Contemporary Arts Center 

New Orleans, Louisiana 

For the National Association of Artists Organizations based in 

Washington, D.C., which serves as an information clearinghouse and 

10,000 

service coordinator for member organizations. 

Contemporary Crafts Association For a series of crafts exhibitions, lectures, and workshops. 10,000 

Portland, Oregon 
246 Visual Arts 

Creative Time 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

D.C. Slide Registry of Artists 

Washington, D.C. 

Dado, Celeste 

Binghamton, New York 

Drawing Center 

New York, New York 

Drawing Center 

New York, New York 

80 Langton Street 

San Francisco, California 

80 Langton Street 

San Francisco, California 

Fabric Workshop 

Philadelphia, Pennsylvania 

Fashion Moda 

Bronx, New York 

Fiberworks 

Berkeley, California 

55 Mercer Street Artists 

New York, New York 

Film in the Cities 

St. Paul, Minnesota 

Film in the Cities 

St. Paul, Minnesota 

Fondo del Sol 

Washington, D.C. 

Foundation for Art Resources 

Los Angeles, California 

Foundation for Today’s Art 

Philadelphia, Pennsylvania 

Franklin Furnace Archive 

New York, New York 

Franklin Furnace Archive 

New York, New York 

Franklin Furnace Archive 

New York, New York 

Friends of Photography 

Carmel, California 

Friends of Puerto Rico 

New York, New York 

Haleakala 

New York, New York 

Haleakala 

New York, New York 

Hallwalls 

Buffalo, New York 

For fees and materials for artists and the acquisition of temporary 30,000 

sites for installations by artists. 

For an exhibition at the En Foco Gallery of the work of Latino 7,500 

photographers from the U.S. and the Caribbean. 

For a cooperative agreement to administer funds which will provide 50,000 

the means for experts in the visual arts field to evaluate applicants 

to the Visual Arts Program. 

For services to artists, including workshops, seminars, and the col- 3,500 

lection and dissemination of artists’ slides. 

To participate in the Endowment’s Fellowship Program. 7,890 

For honoraria to artists exhibiting in the Selections series. 4,800 

For services to artists who seek proíessional advice on exhibition op- 5,000 

portunities, conservation measures, and art resources. 

To publish the annual catalog of ephemeral projects. 2,000 

To continue site-specific installations and performances in the visual 30,000 

arts. 

For a residency program for artists and craftsmen who wish to ex- 15,000 

periment and work with printing of fabric. 

For a program of exhibitions and performances in and around the 19,000 

South Bronx. 

For artists’ honoraria, gallery exhibitions, studio facilities, and 12,000 

workshop activities. 

For a series of invitational exhibitions anda major anniversary ex- 8,000 

hibition of past and present members’ work. 

For the development and publication of Working Papers, a journal 1,500 

of articles by artists. 

For photography exhibitions, lectures, and workshops. 12,000 

For exhibitions and performances, featuring emerging and estab- 19,000 

lished black, hispanic, and Native American artists. 

For public art installations and performances of experimental works 

by local artists. 

For a conference on artists books and Gallery exhibitions, perfor- 20,000 

mances, workshops, and exchange shows for Nexus. 

For the installation of exhibitions in Gallery 406. 5,000 

For exhibitions of artists books, a weekly performance series, and 30,000 

publication of Flue. 

To support the artists book archive, the most complete holding of 15,000 

book works by artists. 

For a program of exhibitions, lectures, and workshops of emerging 30,000 

and established photographers. 

For solo and group exhibitions of the work of artists of Latin-American 11,000 

descent. 

For the Kitchen’s schedule of exhibitions, performances, vídeo installa- 30,000 

tions, and lectures. 

To publish the catalogue of the year’s exhibitions and performances, 14,540 

and to record all performance events on videotape. 

For programs of exhibitions, performances, film and video shows, lec- 30,000 

tures, and publications. 

17.900 
Visual Arts 247 

Henry Street Settlement 

New York, New York 

For a series of group exhibitions with lecture and workshop events 

at the Art for Living Center. 

5,000 

Heresies Collective For Group to sponsor a series of exhibitions and events concerning 5,000 

New York, New York social and political dimensions of visual arts practice. 

Historic New Harmony 

New Harmony, Indiana 

For the exhibitions schedule for artists from a tri-state region at the 

New Harmony Gallery of Contemporary Art. 

7,000 

Indiana University 

Bloomington, Indiana 

For exhibition and workshop programs at Herron Gallery concerning environmental installations at four sites in the Midwest. 

5,000 

Institute for Art and Urban Resources For programs for emerging American artists at the Clocktower and 25,000 

Long Island City, New York P.S.1. 

Institute of Alaska Native Arts For a series of "artists surviva! workshops" throughout Alaska. 8,000 

Fairbanks, Alaska 

International Art Relations For the exhibition program of emerging Latin-American artists at 5,000 

New York, New York INTAR Gallery. 

International Sculpture Center 

Washington, D.C. 

For installation and production of sited works, ephemeral and temporary sculpture, and performance pieces at the twelfth International 

Sculpture Conference. 

30,000 

Jackson Arts Alliance For the artists’ access program, which will make studío space available 3,000 

Jackson, Míssissippi to visual artists. 

Just Above Midtown For the information and skills program, "Business of Being ah Artist." 5,000 

New York, New York 

Just Above Midtown For the exhibition and production of experimental art work created 21,380 

New York, New York by emerging artists. 

Kentucky, University of To enable an outstanding arts administrator to work temporarily in 53,888 

Lexington, Kentucky the Visual Arts Program. 

La Mamelle 

San Francisco, California 

For gallery exhibitions, performances, vídeo and film screenings, and

services to artists. 

10,000 

La Mamelle For publishing activities of Contemporary Arts Press, including the 6,000 

San Francisco, California periodical Art-Com. 

Latin American Youth Center To support exhibitions at Galeria Inti of emerging Latino artists and 5,000 

Washington, D.C. other professional artists from the Washington area. 

League of New Hampshire Craftsmen For a four-day series of workshops in fiber, metal, and clay. 6,500 

Concord, New Hampshire 

Light Factory 

Charlotte, North Carolina 

For photography exhibitions, lectures, workshops, and provision of

working facilities. 

13,000 

Light Works For photography exhibitions, lectures, and publications. 16,000 

Syracuse, New York 

Lill Street Gallery 

Chicago, Illinois 

For a program of workshops, lectures, demonstrations, and ceramic 

exhibitions. 

6,000 

Line Association For artists’ publishing projects. 11,000 

New York, New York 

Los Angeles Center for Photographic 

Studies 

For a program of photography exhibitions by emerging and established artists, a lecture series, anda slide registry. 

18,000 

Los Angeles, California 

Los Angeles Contemporary 

Exhibitions 

For exhibition and performance programs that focus on contemporary 

trends and issues. 

24,000 

Los Angeles, Caliíornia 

Los Ang¢|es Institut¢ of Contemporary For the slide registry of California artists. 2,500 

Los Angeles, Caliíornia 

Los Angeles Institute of Contemporary For performances and exhibitions by emerging artists primarily from 10,000 

Art the southern California area. 

Los Angeles, California 
248 Visual Arts 

Lower Manhattan Cultural Council 

New York, New York 

Mayors Advisory Committee on Art 

and Culture 

Baltimore, Maryland 

Midmarch Associates 

New York, New York 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

Minority Photographers 

New York, New York 

MoMing Dance and Art Center 

Chicago, Illinois 

Museo de Arte de Ponce 

Ponce, Puerto Rico 

Museum of Contemporary Art 

Los Angeles, California 

NAME Gallery 

Chicago, Illinois 

Natural Heritage Trust 

Lewiston, New York 

New Gallery of Contemporary Art 

Cleveland, Ohio 

New Museum 

New York, New York 

New Museum 

New York, New York 

New Organization for the Visual Arts 

Cleveland, Ohio 

New Organization for the Visual Arts 

Cleveland, Ohio 

New York Feminist Art Institute 

New York, New York 

New York City, University of 

Flushing, New York 

Nexus 

Atlanta, Georgia 

Northwest Artists Workshop 

Portland, Oregon’ 

Ohio Foundation on the Arts 

Columbus, Ohio 

On the Boards 

Seattle, Washington 

Oregon Center for the Photographic 

Arts 

Portland, Oregon 

Oregon School of Arts and Crafts 

Portland, Oregon 

Pasadena Community Arts Center 

Los Angeles, California 

For artists’ honoraria, workshop facilities, a residency program, and 15,000 

exhibitions at the New York Experimental Glass Workshop. 

For Schoo133 Art Center with a series of exhibitions, visiting artists, 11,160 

and workshops. 

For services to artists and arts organizations, and for publication of 8,000 Women Artists’ News. 

For the Minnesota Artists’ Exhibition Programat the Minneapolis 8,500 Institute of Art, which give regional artists exposure in a museum 

setting. 

For a program of photography exhibitions, workshops, and informal 5,000 

dialogues for emerging artists. 

For exhibitions and performances of the work of emerging artists 10,000 

from the Chicago area. 

For support of the printmaking studio, a working facility for local 5,000 

artists. 

For the visual arts seminar held in Los Angeles in August 1982. 25,000 

For exhibitions, lectures, performances, and installations of contero- 19,000 

porary art. 

For catalogue documentation of temporary site works created dur- 2,000 ing the summer Artpark season. 

For a series of performances, an installation, and an exhibition. 6,000 

For curatorial travel, the resource center, and the slide collection. 5,000 

For installation costs and fees to exhibiting artists for three 20,000 exhibitions. 

For residencies and artists’ access to the Image Resource Center, 8,500 a working facility in photography and pñntmaking. 

For services for artists, including workshops, a resource library, slide 6,000 registry, group ex]u’bitions, and publication of NOVA News. 

For an exchange program that enables artists to produce collaborative 8,000 works and collective exhibitions. 

To enable an outstanding arts administrator to serve temporarily in 64,533 the Visual Arts Program. 

For artists’ fees, exhibitions, workshops, and the activities of Nexus 29,640 Press. 

For exhibitions, workshops, performances, publications, an arts h]~rary 10,000 and slide bank, and information programs for the artist community 

of Portland. 

For services for artists, including cooperative buying of materials, 7,000 group medical insurance, anda credit union. 

For. honoraria to participating artists in the visual arts performance 5,000 ser~es. 

For a program of photography exhibitions and visiting artists’ lec- 13,150 tures at Blue Sky Gallery. 

For the residency prvgram, providing studio space for artists for one- 15,000 year and group exhibitions. 

For photography exhibitions at the West Colorado Gallery. 3,060. 
Visual Arts 249 

Pewabic S~ciety For workshops and exhibitions at the Pewabic Pottery. 8,000 

Detroit, Michigan 

Photographic Resource Center For a series of photography exhibitions anda grants program for 15,000 

Boston, Massachusetts photographers in Massachusetts. 

Photographic Resource Center For services to New England photographers. 15,000 

Boston, Massachusetts 

Pilchuck School For a workshop and residency program in giass art. 22,712 

Stanwood, Washington 

Portland Center for the Visual Arts For exhibitions and performances by emerging artists. 5,000 

Portland, Oregon 

Printed Matter To catalogue and distribute artists’ books. 16,800 

New York, New York 

Printmaking Council of New Jersey For visiting artists and lectures. 2,000 

Somerville, New Jersey 

Printmaking Workshop For programs that further the dialogue between printmakers and 7,000 

New York, New York other artists on contemporary issues. 

Pro Arts For exhibitions and artists’ honoraria. 4,500 

Oaldand, California 

Public Art Fund For fees to artists participating in completion of publicly sited work. 5,000 

New York, New York 

Pyramid Arts Center For exhibitions and performances that emphasize experimental works 10,000 

Rochester, New York by emerging artists. 

Randolph Street Gallery For exhibitions and performances by midwest and national artists. 15,000 

Chicago, .~llinois 

Real Art Ways Raw Ink For exhibitions, technical assistance to artists, and studio workspace 7,700 

Hartíord, Connecticut and performance space for regional and national artists. 

Richmond Art Genter For an exhibition and workshops on wearable art. 7,000 

Richmond, California 

San Francisco Art Institute 

San Francisco, California 

For exhibitions, performances, and workshops concerning contemporary issues. 10,000 

San Francisco Camerawork 

San Francisco, Galifornia 

For a program of photography exhibitions that show the work of contemporary artists not usually seen in local museums or commercial 17,000 

galleries. 

San Jose Institute of Contemporary For exhibitions, performances, and lectures. 5,500 

San Jose, California 

Santa Barbara Contemporary Arts For honoraria and installations costs for artists’ exhibitions. 3,000 

Forum 

Santa Barbara, California 

Sculpture Center 

New York, New York 

For a mid-career retrospective of a contemporary sculptor; a regional 

show from the Southwest; and exhibitions by young, emerging 

5,000 

sculptors. 

Sculpture Space 

Utica, New York 

To support a w0rking facility for sculptors who use the steel 

fabricating equipment of the Utica Boiler Works facility. 

i0,000 

Self Help Graphics and Art For three master printer workshops in the Los Angeles area. 7,500 

Los Angeles, California 

1708 East Main 

Richmond, Virginia For exhibition and performance programs with an emphasis on collaborations with other artists’ galleries. 

14,000 

Sheboygan Arts Foundation For the documentation program and expansion of the resource center 15,000 

Sheboygan, Wisconsin at the John Michael Kohler Arts Center. 

Sheboygan Arts Foundation For exhibitions, related workshops, lectures, performances and the 30,000 

Sheboygan, Wisconsin arts/industry program at the John Michael Kohler Arts Center. 
250 Visual Arts 

Site, Cite, Sight 

San Francisco, Cali£ornia 

Social and Public Art Resource Center 

Venice, Calffornia 

Society for Photographic Education 

New York, New York 

Southeastern Center for Contemporary 

Winston-Salem, North Carolina 

Southeastern Center for Contemporary 

Art 

Winston-Salem, North Carolina 

Spaces 

Cleveland, Ohio 

Spark 

Denver, Colorado 

Textile Workshops 

Santa Fe, New Mexico 

Trinity Kitchen 

Austin, Texas 

Urban Institute for Contemporary Art 

Grand Rapids, Michigan 

Visual Arts Center of Alaska 

Anchorage, Alaska 

Visual Studies Workshop 

Rochester, New York 

Visual Studies Workshop 

Rochester, New York 

Washington Project for the Arts 

Washington, D.C. 

Washington Project for the Arts 

Washington, D.C. 

Washington Project for the Arts 

Washington, D.C. 

Western New York Artists Gallery 

Buffalo, New York 

White Columns 

New York, New York 

Women and Their Work 

Austin, Texas 

Women’s Community 

Los Angeles, California 

Women’s Interart Center 

New York, New York 

ZONE 

Spñngfield, Massachusetts 

For an exhibitions program for site-spechíc works. 13,000 

Fora program of performances, lectures, exhibitions, and access to 

working facilities for seriographers and muralists. 

18,000 

For artists’ lees at the society’s 1983 national conference. 5,000 

To continue the Southeastern Regional Artist Fellowship Program. 15,000 

For Awards in the Visual Arts program, which provides fellowships 

to ten artists anda traveling exhibition and catalogue of their work. 

78,992 

For exhibitions, performances, and multi-media works by emerging 

artists. 

8,500 

For an artist-curated exhibition schedule, featuring contemporary art 

from the Rocky Mountain region and urban art centers. 

5,300 

For a series of workshops in weaving, quilting, papermaking, embroidery, and natural dyeing techniques. 8,000 

For ah exhibition program featuring contemporary and innovative

work by emerging artists. 

5,500 

To include emerging artists in the programs at the institute. 7,000 

For exhibitions and workshops. 9,000 

For exhibitions, workshops, lectures, and press facilities that serve 

artists working in photography, printmaking, artists’ books, and video. 

30,000 

To continue publication of Aflerimage. 15,000 

To support the WPA bookstore, which features artists’ books and

specialized periodicals. 

10,000 

For exhibitions, performances, and public art projects by local and 

national artists. 

30,000 

To amend a previous grant for the Third National Conference on Artists’ Spaces and Interdisciplinary Organizations, held in June 1982

in Washington, D.C. 

9,000 

For the salary of the gallery manager and fees for exhibiting artists. 5,400 

For exhibitions, performances, and other innovative programs. 21,000 

For exchange exhibitions, artists’ fees, and cable-cast artists’

symposia. 

11,800 

For programs at the Women’s Graphic Center, including exhibitions, 

provision of working facilities, and lecture series. 

25,000 

For an exhibition program at the Interart Gallery, which emphasizes 

collaborative, environmental, and performance work. 

9,000 

For nine exhibitions, artists’ fees, and accompanying lecture series. 5,000 

Policy, P~ng 

and Research 
Challenge Grants 

Endowment Fellows 

Research 

Special Co~tituencies 
254 Challenge Grants 

" Collection
 
255
 

Challenge Grants
 

Challenge Grants Challenge funds: $11,829,500 

Treasury funds: $ 950,000 

68 grants 

Challenge Grants Challenge Grants are awarded to cultural institutions or groups of cultural 

institutions that have demonstrated a commitment to artistic quality and 

have arts program of recognized significance. The funds are used to broaden 

the base of contributed, private support and achieve financial stability. 

Challenge funds: $11,829,500 

55 grants 

American Composers Concerts To establish an endo~anent fund and increase the number of concerts $50,000 

New York, New York per season. 

American Film Institute To renovate the campus in Hollywood to include expansion of the 750,000 

Washington, D.C. Center for Advanced Film Studies. 

American Institute of Architects To help establish ah endowment. 119,500 

Foundation 

Washington, D.C. 

American Museum of Natural History 

New York, New York 

For capital improvements including modification of the auditorium 

and construction of additional galleries. 

250,000 

Asia Society To establish an endowment to broaden educational and cultural 200,000 

New York, New York programs. 

Asian Art Museum of San Francisco To augment an endowment and enable the museum to plan a capital 300,000 

San Francisco, California gifts program which will finance expansion of the facilities, services, 

and cultural program. 

Bardaron 1869 Opera House

Poughkeepsie, New York 

For expansion of artistic programming and community services, increases in technical staff, new management systems, and creation of 

a cash reserve. 

100,000 

Cedar Rapids Art Association To augment an endowment. 100,000 

Cedar Rapids, Iowa 

Cleveland Institute of Art To renovate and restore the Ford Motor Factory for use as an 500,000 

Clevetand, Ohio academic and creative artspace. 

Cleveland Museum of Art To augment ah endo~anent and to convert former library spaces in­ 500,000 

Cleveland, Ohio to conservation areas. 

Cleveland Music School Settlement To augment ah endowment, to expand the music therapy program, 100,000 

Cleveland, 0hio and to initiate new educational performing arts programs. 

Cranbrock Academy of Art To augment ah endowment. 200,000 

Bloomfield Hills, Michigan 

Dance Theatre of Harlem 

New York, New York 

To establish an endowment, to help eliminate an accumulated deficit, 

and to cover computerization and personnel development. 

800,000 
256 Challenge Grants 

Des Moines Symphony Orchestra
 

Association
 

Des Moines, Iowa
 

Drawing Center
 

New York, New York
 

Edmundson Art Foundation
 

Des Moines, Iowa
 

Eigin Theatre Foundation
 

New York, New York
 

Eugene Arts Foundation
 

Eugene, Oregon
 

Florida Symphony Orchestra 

Orlando, Florida 

Haleakala, Inc.
 

New York, New York
 

Hudson Valley Philharmonic Society 

Poughkeepsie, New York 

Huntington (Henry E.) Library and

Art Gallery 

San Marino, California 

Illinois, University of
 

Urbana, Illinois
 

Jewish Museum
 

New York, New York
 

Joslyn Liberal Arts Society
 

Omaha, Nebraska
 

KQED
 

San Francisco, California
 

Kentucky Center for the Arts
 

Endowment Fund
 

Louisville, Kentucky
 

Lewitzky, (Bella) Dance Foundation 

Los Angeles, California 

Los Angeles Chamber Orchestra 

Society 

Pasadena, California 

Metropolitan Pittsburgh Public 

Broadcasting 

Pittsburgh, Pennsylvania 

Mid-America Arts Alliance 

Kansas City, Missouri 

Montclair Art Museum 

Montclair, New Jersey 

New Dramatists 

New York, New York 

New Freedom Theatre 

Philadelphia, Pennsylvania 

New York Landmarks Preservation 

Foundation 

New York, New York 

To establish an endowment fund that will secure an annual base of 50,000 income for the orchestra. 

To establish a cash reserve, cover increased costs for development 75,000 services and an artists’ viewing program, and lease an adjoining 

building to increase space. 

To establish an endowment for new building and library space and 400,000 to install climate control systems. 

For increased operating costs and to provide for capital improvements. 250,000 

To help eliminate ah accumulated deficit, increase operating support, 100,000 complete a fund-raising campaign, and provide capital improvements. 

To establish a cash reserve; help eliminate an accumulated deficit; 100,000 and increase operating costs to cover artistic, management, and administrative personnel. 

To establish a cash reserve and to help eliminate an accumulated 100,000 deficit. 

To establish a cash reserve, augment an endowment, and help meet 75,000 increased costs associated with the development of new audiences 

via expanded programming. 

To support existing collections as well as provide maintenance and 200,000 security for the new Virginia Steele Scott Gallery for American Art. 

To establish an endowment and to foster development of the Krannert 250,000 Center’s professional presenting programs and artists’ residencies. 

To augment an endowment, increase operating support to cover in- 200,000 creased staff and salaries, hire additional administrative and development personnel, and meet increased fund-raising costs. 

To augment ah endowment drive. 150,000 

To establish ah arts programming endowment and expand the com- 200,000 pany’s local broadcasting activities and services. 

To augment an endowment which will help develop a Kentucky 200,000 folklore program. 

To help eliminate an accumulated deficit; increase operating support 300,000 for development staff, tools, and materials; and provide for capital 

improvements of the dance gallery complex. 

To augment a cash reserve and increase operating support to cover 100,000 the expansion of orchestra personnel and marketing. 

To increase operating support to cover programming, fund-raising, 250,000 and general operating costs. 

To augment a cash reserve and support national performing arts pro- 150,000 grams, regional touring programs, and visual arts programs. 

To augment ah endowment, help eliminate an accumulated deficit, 100,000 and support administrative and programming costs. 

To establish a cash reserve; help eliminate an accumulated deficit; 60,000 and cover national expansion, hiring a managing director, and expanded fund-raising. 

To renovate a building into a theater. 200,000 

For the preservation plan, the community curators program, the 150,000 publications program, and the Urban Cultural Resources Survey. 
Challenge Grants 257 

Newark Public Radio To help eliminate debt and to support increased programming. 150,000 

Newark, New Jersey 

Omaha Symphony Association To augment an endo~~aent which will then provide for new artistic 150,000 

Omaha, Nebraska programs. 

Opera Festival Association 

Glens Falls, New York 

To establish a cash reserve, help eliminate an accumulated deficit,

and support two summer seasons and.touring during 1983. 

100,000 

Pennsylvania Academy of the Fine 

Arts 

To augment ah endo~Tnent through a capital campalgn, and to upgrade 

program and management functions. 

200,000 

Philadelphia, Pennsylvania 

Pennsylvania, University of 

Philadelphia, Pennsylvania 

For collections, exhibitions, publications, public programs, administration, fund-raising, and upgrading of the security system. 

200,000 

Phillips Collection To initiate a capital endowment campaign. 500,000 

Washington, D.C. 

Playwrights Horizons 

New York, New York 

To augment a cash reserve and support additional programming for 

the mainstage and studio theatre season. 

50,000 

Portland Art Association To establish a cash reserve and augment an endowment. 200,000 

Portland, Oregon 

Pratt Institute To identify successful teaching strategies and disseminate informa­ 200,000 

Brooklyn, New York tion on methodology and materials, and to continue a capital improvements drive to complete a new Time Arts and Design Center. 

San Antonio Museum Association To establish an endo~~nent to broaden the goals of the museum. 500,000 

San Antonio, Texas 

Sangre de Cristo Arts and Conference To establish an endowment. 100,000 

Center 

Pueblo, Colorado 

Santa Barbara Museum of Art To augment an endo~Tnent. 400,000 

Santa Barbara, Caliíornia 

Shakespeare and Company 

Lenox, Massachusetts 

To establish a cash reserve, help eliminate an accumulated deficit, 

and develop long-range plans for expansion of the national residency 

100,000 

program. 

Soivang Theaterfest 

Santa María, Caliíornia 

To provide capital improvements for the 365-seat theater, to establish 

an apprenticeship program, and to broaden existing community 

services. 

100,000 

Spokane Symphony Society 

Spokane, Washington 

To establish a cash reserve; help eliminate an accumulated deficit; 

and increase operating support to cover a chamber orchestra, educational programs, regional services, concert attractions, and a new 

150,000 

subscription series. 

Texas Opera Theater 

Houston, Texas 

To establish a cash reserve; help eliminate an accumulated deficit; 

and support touring, development, administration, marketing, and 

publicity. 

175,000 

WHA Radio and Television For increased radio and television operations and expanded develop­ 200,000 

Madison, Wisconsin ment programs. 

WNYC Foundation To establish a cash reserve and to support program development, 200,000 

New York, New York radio and television programming, technical operations program information, general administration, and fund-raising. 

Wright (Frank Lloyd) Home and For restoration of the home and studio. 100,000 

Studio Foundation 

0ak Park, Illinois 

Yale University 

New Haven, Connecticut 

To augment an endowment and to support artistic and faculty salaries, 

development and promotion, and audience development. 

425,000 
25~ Challenge Grants 

Institutional 

Advancement Grants 

Amigos del Museo del Barrio 

New York, New York 

Ariists in Prison 

Los Angeles, California 

Balkan Arts Center 

New York, New York 

El Centro Campesino Cultural 

San Juan Bautista, California 

Jazzmobile 

New York, New York 

Negro Ensemble 

New York, New York 

Philadelphia Dance Company 

Philadelphia, Pennsylvania 

Road Company 

Johnson City, Tennessee 

Spanish Theatre Repertory Company 

New York, New York 

Studio Museum in Harlem 

New York, New York 

TF-Tre~.~ury Funds 

Advancement Grants are intended to help arts organizations strengthen their

long-term institutional capacity and enhance their artistic quality and diversity. Each award is tailored to meet the special needs of each grantee in 

terms of type and duration of planning and technical assistance, if any, and 

in terms of matching grant sizes and uses. 

Treasury funds: $950,000 10 grants 

To amend a previous grant for improvements in El Museo’s develop- TF $100,000
 ment efforts.
 

To amend a previous grant to shore up staff and internal functions, TF 80,000
 consolidate the new, expanded programming, and continue private


fundraising for L.A. Theatre Works.
 

To amend a previous grant to consolidate administrative functions, TF 65,000
 especially in board development, further staff and fund-raising skills,
 

and the development of earned income sources for the Ethnic Folk
 

Art Center.
 

To amend a previous grant for expansion of administrative andar- TF 115,000
 tistic staff, completion of capital improvements, restoration of programming delayed during renovation of the facility, and formation
 

of an operating endowment to cover future costs.
 

To amend a previous grant for increased development efforts to im- TF 115,000
 prove salaries and consolidate earned income generating sources.
 

To amend a previous grant to improve the range and quality of pro-
 TF 115,000 ductions and to move to a 500-seat theater in 1983. 

To amend a previous grant for improved internal functions, including TF 75,000 audience-development strategies, touring, and board development. 

To amend a previous grant to retire a debt, build an endowment, TF 65,000 secure more backing and a permanent site for a resident season, and 

expand unearned income. 

To amend a previous grant for improvement of artistic and ad- TF 95,000 ministrative staff, increased audience development, and completion 

of the formation of the acting ensemble. 

To amend a previous grant to stabilize budget staff and programs TF 125,000 as the new facility reaches peak use. 
259
 

Endavment 

Fellowship Program
 

Fellowship Grants Program funds: $112,961 38 grants 

To acquaint arts administrators or potential arts administrators with the 

policies, procedures, and operations of the Endowment, and to give them

ah overviiw of arts activities in this country. 

Bartolo, Rita E. 

Ann Arbor, Michigan 

To párticipate asa Fellow in the Budget Office during the spring 

session. $3,500 

Belville, Nicki L. 

Atlanta, Georgia To participate asa Fellow in the Design Arts Program for the fall 

session, which contributed an additional $3,450 to this award. 

1,500 

Brenner, Janet 

New York, New York To participate asa Fellow in the Opera-Musical Theater Program for 

the fall session, which contributed an additional $2,500 to this award. 

1,000 

Brooks, Charles David 

New York, New York To participate asa Fellow in the Expansion Arts Program during 

the summer session. 

3,400 

Cronin, H.C. 

Portland, Oregon 

To participate asa Fellow in the Office of Program Coordination during the fall session in 1981. 2,500 

Denton, Leslie L. 

Bloomington, Indiana To participate asa Fellow in the Endowments’ Office of the Deputy 

Chairman for Management during the fall session. 

3,648 

Eng, Sharon 

Washington, D.C. To participate asa Fellow in the Challenge Program during the summer session. 

3,300 

Glaser, Margaret A. 

Halleck, Nevada To participate asa Fellow in the Folk Arts Program during the fall 

session. 

3,725 

Gottfried, Linda 

Fayettville, New York 

To participate asa Fellow in the Dance Program for the fall session, 

which contributed an additional $2,520 to this award. 

1,000 

Grapsy, Richelle, A. 

Arlington, Virginia To participate asa Fellow in the Music Program for the fall session, 

which contributed an additional $3,468 to this award. 

500 

Harris, Jeffry Mack 

Eñe, Pennsylvania To participate as a Fellow in the Music Program during the summer 

session. 3,512 

Heckscher, Jurretta Jordan 

Wallingford, Pennsylvania To participate asa Fellow in the Office of Policy, Planning, andResearch duñng the summer session. 3,378 

Hirschhorn, Charles 

Cambridge, Massachusetts To participate asa Fellow in the Office of Public Affairs during the 

summer session. 3,526 

Hisaka, Miya 

Cleveland, Ohio 

To participate as a Fellow in the Design Arts Program for the fall 

session, which contributed an additional $3,534 to this award. 1,500 

Huchel, Donna 

Reston, Virginia To participate as a Fellow in the International Program during the 

summer session. 

3,300 
260 Endowment Fellows 

Huston, Carol A. 

St. Louis, Missouri 

Jacobson, Elsa M. 

Kansas City, Missouri 

Jenoure, Theresa 

Amherst, Massachusetts 

Johns, Byron 

Philadelphia, Pennsylvania 

Karney, Aliza 

Washington, D.C. 

Kratochvil, Beverly 

McLean, Virginia 

Lazerow, Abby K. 

Venice, California 

Lewis, Laura J. 

Bloomington, Indiana 

Luft, Mary K. 

Miami, Florida 

Maultsby, Sara 

Venice, California 

McMillen, Ronya J. 

Shaker Heights, Ohio 

Michel, George E. 

Boise, Idaho 

Moloney, Mary Anne 

Chicago, Illinois 

Moore, John L. III 

Winston-Salem, North Carolina 

Radich, Anthony J. 

Denver, Colorado 

Sandweiss, Ellen 

Asheville, North Carolina 

Steiner, Christine 

Tallahassee, Florida 

Stirn, Ellen E. 

Orange Village, Ohio 

Warshawski, Evy 

Portland, Oregon 

Wheelock, Leslie 

Ithaca, New York 

White, Pamela 

Horse Cave, Kentucky 

To participate asa Fellow in the Office of Civil Rights during the 3,570 

summer session. 

3,598 To participate asa Fellow in the Opera-Musical Theater Program during the summer session. 

500 To participate as a Fellow in the Music Program for the fall session, 

which contributed an additional $3,400 to this award. 

To participate as a Fellow during the summer session in the Dance 3,458 

Program, which transferred the full amount for this award. 

To participate as a Fellow in the National Endowment Fellowship 3,300 

Program. 

To participate asa Fellow in the U.S./Japan Fellowship Program and 12,025 

to provide evaluation, administration, and further development of the

Endowment’s Fellowship Program for Arts Managers. The U.S./Japan 

Fellowship Program contributed an additional $5,000 to this award. 

To participate asa Fellow in the Office for Special Constituencies 3,900 

during the fall session. 

To participate asa Fellow in the Challenge Program during the spring 3,618 

session. 

To participate as a Fellow in the Media Arts Program during the sum- 3,600 

roer session. 

To participate asa Fellow in the Theater Program during the sum- 3,800 

roer session. 

To participate asa Fellow in the Inter-Arts Program during the sum- 3,458 

mer session. 

To participate asa Fellow in State Programs during the fall session. 4,100 

To participate asa Fellow for the fall session in the Inter-Arts Pro- 1,000 

grato, which contributed ah additional $2,670 to this award. 

To participate asa Fellow for the fall session in the Expansion Arts 935 

Program, which contributed an additional $2,749 to this award. 

To participate asa Fellow in the Research Office duñng the fall 3,680 

session. 

To participate asa Fellow in the Office of Civil Rights during the 3,575 

spring session. 

To participate as a Fellow in State Programs during the summer 3,695 

session. 

To participate asa Fellow in State Programs during the spring session. 3,500 

To participate asa Fellow in the Dance Program during the summer 3,750 

session. 

To participate asa Fellow in the General Counsel’s Office during the 3,610 

summer session. 

To participate asa Fellow for the fall session in the Theater Program, 1,000 

which contributed an additional $2,564 to this award. 
261
 

Research Grants	 Program funds: $339,108 8 grants 

The Research Division assists the Endowment and the Council by developing new information on the needs and conditions of the arts field. The division consults with the Endowment programs, providing evaluations from

research and program analyses to assist in the development of policy and 

the improvement of guidelines for funding. The Research Division a|so aids 

local and national organizations, both public and private, by furnishing data 

conclusions and recommendations from research projects. The division continues to maintain communication with national and international organizations engaged in arts-related research. 

Data Use and Access Laboratories	 To amend a cooperative agreement for a study on changes in the U.S. $25,000 Arlington, Virginia	 artist population between 1970 and 1980. 

Donohue, Sean P.	 To participate asa Fellow in the Endowment’s Research Division. 3,588 Carbondale, Illinois 

Maryland, University of	 To amend a previous grant for a survey of public participation in the 92,045 College Park, Maryland	 arts. 

Publishing Center for Cultural	 To amend a previous grant for continued development of a pilot pro­ 49,770 Resources grato of viable nonprofit publication in the arts. New York, New York 

Sommerfeld, Richard	 For an analysis of the fund-raising and management capabilities of 125,000 Washington, D.C.	 Challenge Grant Program applicants. 

The following contracts have come from outside the Research Division, but 

are included in this division for accounting purposes. 

American Association of Museums	 To coordinate the research, writing, editing, design, and distñbution Washington, D.C.	 $20,000 of a publication of up to 25 case studies that illustrate cooperative

efforts betweeen Challenge Grant recipients and businesses. 

American Symphony Orchestra League	 To administer site-visits by panelists and final evaluation of the pilot Vienna, Virginia	 6205 Advancement Grant Program. 

Hazen, Don	 To publish brochures that demonstrate exemplary partnerships be­ 17,500 New York, New York	 tween corporations, individuals, foundations, and government on 

behalf of the arts in the City of Baltimore. 
262 Special Constituencies 

Art Museums and the Vision Impaired
 

Manhattan	 September 9-November 2, ’1982 Bellevue Hospítal Center
 

Queen$ November 5-January 4, 1983 Queens Li~]hthouse
 

Staten Island January 7-March I, ’1983 Newhouse Gallery, Snug Harbor
 

Bronx	 March 4-May 3, ’1983 Academy Senior Center 

Brooklyn	 May 6-Jun(~ 28, 1983 Maqnolia Tree Earth Center of 

Bedford Stuyv(~sant, Inc. 

For more information, call the re~corded m~ssac~e: (212) 879-5500, ext. 356’1 
263 

Special Const’~-uencies
 

Special Constituencies Grants Program funds: $36,350 2 grants 

President’s Committee on Employment of the Handicapped 

Washington, D.C. 

Southern Arts Federation 

Atlanta, Georgia 

Model Projects 

Drexel University 

Philadelphia, Pennsylvania 

Milwaukee Symphony Orchestra 

Milwaukee, Wisconsin 

Museum of Modern Art 

New York, New York 

National Council on Aging 

Washington, D.C. 

Opera America 

Washington, D.C. 

Senior Concerts of New York 

New York, New York 

For a handbook about careers in the arts involving disabled people, 

a publication resulting from an interagency agreement with the 

Endowment. 

$32,400 

For an exhibition at the 1982 World’s Fair in Knoxville of contemporary American artists’ work that included pieces by older and disabled artists. 

3,950 

The following model projects demonstrate ways to make the arts accessible

to handicapped, older Americans, and institutionalized populations both as

audiences and as participants. Organizations are encouraged to make special

constituencies part of their regular programming, rather than to develop

separate programs that segregate them. A total of $66,100 in program funds

supported the model projects and was transferred from the Office for Special

Constituencies to other Endowment programs as indicated. 

Transferred to the Design Arts Program under "Design $4,700 

Communication." 

Transferred to the Music Program under "Orchestra." 5,575 

Transferred to the Museum Program under "Wider Availability of 20,000 

Museums." 

Transferred to the Inter-Arts Program under "Services to the Field." 20,000 

Transferred to the Opera-Musical Theater Program under "Special 14,825 

Opera-Musical Theater Projects." 

Transferred to the Music Program under "Orchestra." 2,000 
Office for 

Partnership
 
Artists in Education 

State Programs 
266 Artists in Ed~cation 

MY lEYES ALL 

OUT OF BREATH 

CALIFORNIA POETS 

IN THE tñCHOOLS 

STATIEWIDE ANTHOLOGY 1981
 
267
 

 ̄	  ̄ 

~s m
 

Artists in Education Advisory Panel 

Maya Angelou Ruth Draper Vonnie Sanford 

Writer, filmmaker State arts agency director Artists in education 

0akland, California Salt Lake City, Utah coordinator 

Columbus, 0hio 

Hector Campos-Parsi Lorin Hollander 

Composer, arts administrator Pianist John Scarcelli 

San Juan, Puerto Rico New York, New York Educator, state arts 

agency chairman 

Juan M. Carrillo Alan Jabbour Farmington, Maine 

Artists in education coordinator Folkloñst, folklore 

for state arts agency center director Jack Stefany 

Sacramento, California Washington, D.C. Architect 

Tampa, Florida 

Charles Clark Janet League 

Poet Actress Richard Taylor 

Tulsa, Oklahoma New York, New York Poet 

Frankfort, Kentucky 

Shirley Trusty Corey Floretta Dukes McKenzie 

Arts educator, administrator	 Educator, administrator Robin Tryloff

New Orleans, Louisiana Washington, D.C.	 State arts agency director 

Omaha, Nebraska 

Chuck Davis Jock Reynolds 

Artistic director, Visual artist, professor Dennis Voss 

choreographer San Francisco, California Visual artist, educator 

New York, New York Missoula, Montana 

Artists in Education Grants	 Program funds: $4,823,000 

100 grants 

Artist Residency	 For a national state-based program that places professional artists in residencies in educational settings. Grants 

Program funds: $4,099,220 

56 grants 

Alabama State Counci| on the $75,370 Arizona Commission on the Arts and 86,010 

Arts and Humanities Humanities 

Montgome~’, Alabama Phoenix, Añzona 

Alaska State Council on the Arts 116,780 Arkansas Arts Council 92,780 

Anchorage, Alaska Little Rock, Arkansas 

American Samoa Council on Culture, 23,280 California Arts Council 134,220 

Arts, and Humanities Sacramento, California 

Pago Pago, American Samoa 
268 Artists in Education 

Colorado Council on the Arts and 

Humanities 

Denver, Colorado 

Connecticut Commission on the Arts 

Hartford, Connecticut 

Delaware State Arts Council 

Wilmington, Delaware 

District of Columbia Commission on the 

Arts and Humanities 

Washington, D.C. 

(Florida) Division of Cultural Affairs 

Tallahassee, Florida 

Georgia Council for the Arts and 

Humanities 

Atlanta, Georgia 

(Guam) Insular Arts Council

Agana, Guam 

(Hawaii) State Foundation on Culture and 

the Arts 

Honolulu, Hawaii 

Idaho Commission on the Arts 

Boise, Idaho 

Illinois Arts Council 

Chicago, Illinois 

Indiana Arts Commission 

Indianapolis, Indiana 

Iowa Arts Council 

Des Moines, Iowa 

Kansas Arts Commission 

Topeka, Kansas 

Kentucky Arts Council 

Frankfort, Kentucky 

(Louisiana) Department of Culture, 

Recreation, and Tourism 

Baton Rouge, Louisiana 

Maine State Commission on the Arts and 

Humanities 

Augusta, Maine 

Maryland State Arts Council 

Baltimore, Maryland 

Massachusetts Council on the Arts and 

Humanities 

Boston, Massachusetts 

Michigan Council for the Arts 

Detroit, Michigan 

Minnesota State Arts Board 

St. Paul, Minnesota 

Mississippi Arts Commission 

Jackson, Mississippi 

Missouri State Council on the Arts 

St. Louis, Missouri 

Montana Arts Council 

Missoula, Montana 

55,870 

73,330 

46,400 

20,790 

100,110 

63,050 

17,040 

65,180 

54,690 

80,000 

92,680 

107,030 

51,340 

76,330 

97,090 

90,000 

41,840 

80,000 

84,300 

100,350 

45,220 

31,560 

49,530 

Nebraska Arts Council 

Omaha, Nebraska 

134,000 

Nevada State Council on the Arts 

Reno, Nevada 

45,780 

New Hampshire Commission on the Arts 

Concord, New Hampshire 

64,770 

New Jersey State Council on the Arts 

Trenton, New Jersey 

88,290 

New Mexico Arts Division 

Santa Fe, New Mexico 

85,860 

New York State Council on the Arts 

New York, New York 

198,910 

North Carolina Arts Council 

Raleigh, North Carolina 

62,540 

(Northern Mariana Islands) Commonwealth 

Council for Arts and Culture 

Saipan, Northern Mariana Islands 

18,250 

North Dakota Council on the Arts 

Fargo, North Dakota 

42,710 

Ohio Arts Council 

Columbus, Ohio 

109,560 

Oklahoma, State Arts Council of 

Oklahoma City, Oklahoma 

90,000 

Oregon Arts Commission 

Salem, Oregon 

106,060 

Pennsylvania Council on the Arts, 

Commonwealth of 

Harñsburg, Pennsylvania 

79,650 

Puerto Rican Culture, Institute of 

San Juan, Puerto Rico 

18,630 

Rhode Island State Council on the Arts 

Providence, Rhode Island 

90,000 

South Carolina Arts Commission 

Columbia, South Carolina 

122,690 

South Dakota Arts Council 

Sioux Falls, South Dakota 

51,700 

Tennessee Arts Commission 

Nashville, Tennessee 

81,720 

Texas Commission on the Arts 

Austin, Texas 

100,000 

Utah Arts Council 

Salt Lake City, Utah 

70,190 

Vermont Council on the Arts 

Montpelier, Vermont 

45,130 

Virgin Islands Council on the Arts 

St. Croix, Virgin Islands 

23,750 

Virginia Commission for the Arts 

Richmond, Virginia 45,790 

Washington State Arts Commission 

Olympia, Washington 

95,990 

(West Virginia) Department of Culture 

and History 

Charleston, West Virginia 

62,210 
Artists in Education 269 

Wisconsin Arts Board 

Madison, Wisconsin 

66,960 Wyoming Council on the Arts

Cheyenne, Wyoming 

45,910 

Services to the Field For organizations to provide a system of services and information to state, 

regional, or local arts agency personnel; artists; educators; and administrators involved in the arts and education. 

Program funds: $591,426 

34 grants 

Affiliated State Arts Agencies of the 

Upper Midwest 

To develop and administer a technical assistance program for participants of the Artist Residency Grants Program. 

$6,845 

Minneapolis, Minnesota 

Arts, Education, and Americans 

New York, New York 

To support the fourth phase of AEA’s advocacy activities consisting 

of ah information center anda resource library. 

15,000 

Association of Ohio Dance Companies For a week-long workshop directed toward training Artists in Educa­ 11,000 

Shaker Heights, 0hio tion dance movement specialists. 

Burk (Frederic) Foundation for For ah Artist Residency Training Skills (ARTS) project to upgrade 15,000 

Education writers residency programs. 

San Francisco, Calffornia 

Consortium for Pacific Arts and To develop and administer a technical assistance program for par­ 14,000 

Cultures ticipants on the Artist Residency Grants Program. 

Honolulu, Hawaii 

Cultural Council of Santa Cruz For activities designed to make the Council’s artists in schools pro­ 7,500 

County gram more eííective. 

Aptos, California 

Cultural Education Collaborative For development of iníormation packages to help individual artists 15,000 

Boston, Massachusetts plan and execute effective educational programs. 

Dancers, Inc. For a conference involving artists, educators and state coordinators 5,250 

Atlanta, Georgia to develop a five-year plan for providing services to the field. 

Delaware, University of 

Newark, Delaware 

For the Delaware Institute for the Arts in Education to implement

demonstration workshops to introduce elementary and secondary 

school teachers to the structure, discipline and aesthetics of the per15,000 

forming, visual and literary arts. 

Durham Arts Council To hire a media specialist to develop a multi-media program on arts 4,000 

Durham, North Carolina in education. 

Great Lakes Arts Alliance To develop and administer a technical assistance program for par­ 5,150 

Cleveland, Ohio ticipants in the Artist Residency Grants Program. 

Indiana Arts Commission For an Arts Resource Team to promote the use of professional ar­ 15,000 

Indianapolis, Indiana tists in educational settings and improve area resources for ongoing 

planning and financing. 

International Council of Fine Arts For the International Council meeting in Los Angeles. 605 

Deans 

Los Angeles, Caliíornia 

Nebraska Assembly of Community To develop a state-wide advocacy system for the support of community 15,000 

Arts Council arts and arts in education in the state. 

Omaha, Nebraska 

New England Foundation for the Arts 

Cambridge, Massachusetts 

To develop and administer a technical assistance program for participants in the Artist Residency Grants Program. 

7,525 

New Orleans Public Schools To establish a specific delivery system for the use of artist resources. 12,500 

New 0rleans, Louisiana 

New York State Poets in the Schools To train poets to develop and adapt skills for new situations. 15,000 

Chappaqua, New York 

North Dakota Council on the Arts To develop a schooYcommunity art studio in Bismarck/Mandan, North 15,000 

Fargo, North Dakota Dakota. 
270 Artists in Education 

Performing Arts Council of the Music 

Center 

Los Angeles, California 

Performing Tree 

Los Angeles, California 

Ridley, Laurence 

Brooklyn, New York 

Massaehusetts Council on the Arts and 

Humanities 

Boston, Massachusetts 

Mid America Arts Alliance 

Kansas City, Missouri 

Mid-Atlantic States Arts Consortium 

Baltimore, Maryland 

Minnesota Alliance for Arts in 

Education 

Minneapolis, Minnesota 

Mississippi Arts Commission 

Jackson, Mississippi 

Museums Coilaborative 

New York, New York 

National Assembly of State Arts 

Agencies 

Washington, D.C. 

National Committee, Arts for the 

Handicapped 

Washington, D.C. 

Sculpture in the Environmint 

New York, New York 

Southern Arts Federation 

Atlanta, Georgia 

Southern Arts Federation 

Atlanta, Georgia 

Western States Arts Foundation 

Santa Fe, New Mexico 

Western States Arts Foundation 

Santa Fe, New Mexico 

Special Projects 

Bowling Green State University 

Bowling Green, Ohio 

California Arts Council 

Sacramento, California 

Compas 

St. Paul, Minnesota 

For the Education Division to plan and design a national network 15,000 

for secondary schools with specialized arts programs. 

To adapt the Artist Training Course to meet the needs of artists work- 15,000 

ing in statewide educational settings. 

For activities related to Mr. Ridley’s work as Project Coordinator 3,616 

for the pilot jazz component of the Artist Residency Grants Program. 

For documentation of several new efforts in the arts and education, 15,000 

such as the Institute for Children and the Arts, Cultural Resources 

Act, and touring activities. 

To develop and administer a technical assistance program for par- 76,550 

ticipants in the Artist Residency Grants Program. 

To develop and administer a technical assistance program for par- 9,010 

ticipants in the Artist Residency Grants Program. 

To unify a network of informed advocat¢s for arts-in-education 14,000 

programming. 

For the production of two audiovisual programs concerning the role 5,000 

of artists in education. 

To support the school voucher program. 15,000 

For development and administration of a national workshop/con- 117,265 

ference for the Artists in Education coordinators and other personnel, and for preparation of materials for use by conference participants. 

To develop a model plan for the increased delivery of quality arts 15,000 

experiences to disabled students. 

For a series of slide presentations on architecture as communication, 15,000 

for use in public high school arts education. 

To develop and administer a technical assistance program for par- 27,070 

ticipants in the Artist Residency Grants Program. 

To support services related to AIE program planning and review. 11,560 

To develop and administer a technical assistance program for par- 25,480 

ticipants in the Artist Residency Grants Program. 

To support services related to Artists in Education program planning. 17,500 

For projects that demonstrate the value of the arts and artists in the educational process. 

Program funds: $132,354 

10 grants 

To fund Arts Unlimited, a project to help make elementary and secon- $14,120 

dary school children more aesthetically aware of their environment. 

To strengthen advocacy for arts education at the local level. 15,000 

To enable visiting writers to present workshops and public readings 14,250 

for Minnesota teachers, to strengthen their ability to teach contemporary literature and creative writing. 

Montclair Board of Education For the creation of an interdisciplinary collaborative of artists and 14,730 

Montclair, New Jersey school teachers in the areas of the arts, foreign languages, and social 

studies. 
Artists in Education 271 

National Dance lnstitute To assist in expanding the efforts of the National Dance Institute. 11,000 

New York, New York 

Oklahoma Summer Arts Institute 

Oklahoma City, Oklahoma 

Fora pilot program designed to upgrade teaching skills of art and

drama teachers. 

15,000 

Performing Arts Council of the Music 

Center/Education 

Fora two-week summer program of artist-teacher interaction, with 

a year-long series of artist workshops for teachers. 

15,000 

Los Angeles, California 

Ririe-Woodbury Dance Foundation To fund a workshop for professional dancers, educators, dance 15,000 

Salt Lake City, Utah students, and children. 

Theatre Project Company 

St. Louis, Missouri 

For ten weeks of classes in various aspects of theater to assist lowincome, minority high school students in gaining personal and professional skills. 

3,254 

Urban Gateways For an artist-teacher-arts institution collaboration project designed 15,000 

Chicago, Illinois to incorporate the arts into regular classroom activities. 
272 ,’~’tate Programs 

June 1-July 14, 1982
 

Phenix Gallery, Concord, New Hampshire
 

This folk arts project is funded in part by grants from the National Endowment for the Arts. 

the New Hampshire Commission on the Arts and New England College 
273 

State Programs
 

State Programs Advisory Panel
 

Mildred E. Bautista Beatrice Covington Wallace A. Richardson 

State arts agency director 

Washington, D.C. 

State arts agency director 

Winston-Salem, North Carolina 

Attorney 

Lincoln, Nebraska 

Stephen J. Bostic 

State arts agency director 

St. Croix, Virgin Islands 

Wayne Lawson 

State arts agency director 

Columbus, Ohio 

E. Ray Scott 

State arts agency director 

Detroit, Michigan 

Robert Canon Laurence D. Miller Thomas Wolf 

Arts administrator Museum director Regional arts 

San Antonio, Texas Austin, Texas organization director

Cambridge, Massachusetts 

William B. Cook Maña Pearson 

State arts agency director 

Sacramento, California 

State arts agency director 

Marne, Iowa 

Gerald D. Yoshitomi 

Arts administrator 

Los Angeles, California 

Betryce Prosterman 

State arts agency director 

Chevy Chase, Maryland 

State Programs Grants ProgTam fu.ds: $21,337,835 77 grants 

Regional Arts For regional groups of two or more state arts agencies to support arts progratas planned and implemented on a multi-state basis. ProoTammin~ Grants 

Program funds: $2,638,120 

10 grants 

Affiliated State Arts Agencies of the For regional touring programs and support services in Iowa, Min- $284,500 

Upper Midwest nesota, North Dakota, South Dakota, and Wisconsin. 

Minneapolis, Minnesota 

Consortium for Pacific Arts and For regional arts programming and services for Alaska, American 218,300 

Cultures Samoa, California, Guam, Hawaii, and the North Marianas. 

Honolulu, Hawaii 

Consortium for Pacific Arts and To amend a previous grant for technical assistance for the American 24,500 

Cultures Samoa Council on Culture, Arts, and Humanities. 

Honolulu, Hawaii 

Great Lakes Arts Alliance For regional arts programs and services in Illinois, Indiana, Michigan, 145,500 

Cleveland, Ohio and Ohio. 
274 State Programs 

Mid Atlantic States Arts Consortium 

Baltimore, Maryland 

Mid-America Arts Alliance 

Kansas City, Missouñ 

New England Foundation for the Arts 

Cambridge, Massachusetts 

Southern Arts Federation 

Atlanta, Georgia 

Western States Arts Foundation 

Santa Fe, New Mexico 

Western States Arts Foundation 

Santa Fe, New Mexico 

Basic State Grants 

Alabama State Council on the Arts and 

Humanities 

Montgomery, Alabama 

Alaska State Council on the Arts 

Anchorage, Alaska 

American Samoa Council on Culture, Arts, and 

Humanities 

Pago Pago, American Samoa 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Arkansas Arts Council 

Little Rock, Arkansas 

California Arts Council 

Sacramento, Caliíornia 

Colorado Council on the Arts and 

Humanities 

Denver, Colorado 

Connecticut Commission on the Arts 

Hartford, Connecticut 

Delaware State Arts Council 

WiImington, Delaware 

District of Columbia Commission on the 

Arts and Humanities 

Washington, D.C. 

(Florida) Division of Cultural Affairs 

Tallahassee, Florida 

Georgia Council for the Arts and 

Humanities 

Tucker, Georgia 

(Guam) Insular Arts Council

Agana, Guam 

For regional programs, research, and operations in Delaware, the 

District of Columbia, Maryland, New Jersey, New York, Pennsylvania, Virginia, and West Virginia. 

298,200 

For regional programming and operations in Arkansas, Kansas, 

Missouri, Nebraska, and Oklahoma. 

420,200 

For regional arts projects in Connecticut, Maine, Massachusetts, New 

Hampshire, Rhode Island, and Vermont. 

286,300 

For regional programs and activities in Alabama, Florida, Georgia,

Kentucky, Louisiana, Mississippi, North Carolina, South Carolina; 

and Tennessee. 

391,900 

For regional programs and activities in Arizona, Colorado, Idaho, Montana, Nevada, New Mexico, Oregon, Utah, Washington, and Wyoming. 524,400 

To support regional programs and activities in Arizona, Colorado, 

Idaho, Montana, Nevada, New Mexico, Oregon, Utah, Washington, 

and Wyoming. 

44,320 

To provide basic support to state arts agencies. 

Program funds: $18,058,400 

57 grants 

$299,700 

415,800 

243,700 

282,700 

319,000 

468,200 

295,200 

315,100 

282,700 

282,700 

342,800 

314,100 

268,200 

(Hawaii) State Foundation on Culture and 

the Arts 

Honolulu, Hawaii 

359,700 

Idaho Commission on the Arts 

Boise, Idaho 

282,700 

Illinois Arts Council 

Chicago, Illinois 

363,400 

Indiana Arts Commission 

Indianapolis, Indiana 

321,100 

Institute of Puerto Rican Culture 

San Juan, Puerto Rico 

282,700 

Iowa Arts Council 

Des Moines, Iowa 

286,300 

Kansas Arts Commission 

Topeka, Kansas 

282,700 

Kentucky Arts Council 

Frankfort, Kentucky 

309,400 

(Louisiana) Department of Culture, 

Recreation, and Tourism 

Baton Rouge, Louisiana 

308,800 

Maine State Commission on the 

Arts and Humanities 

Augusta, Maine 

284,900 

Maryland State Arts Council 

Baltimore, Maryland 

316,500 

Massachusetts Council on the 

Arts and Humanities 

Boston, Massachusetts 

341,200 

Michigan Council for the Arts 

Detroit, Michigan 

390,300 

Minnesota State Arts Board 

St. Paul, Minnesota 

350,400 
 

 

 

 

 

State Programs 275 

Mississippi Arts Commission 

Jackson, Mississippi 

288,300 Oregon Arts Commission 

Salem, Oregon 

285,300 

Missouri State Council on the Arts 

St. Louis, Missouri 

361,200 Pennsylvania Council on the Arts, 

Commonwealth of 

Harrisburg, Pennsylvania 

373,500 

Montana Arts Council 

Missoula, Montana 

282,700 Rhode Island State Council on the Arts 

Providence, Rhode Island 

305,100 

Nebrask~ Arts Council 

Omaha, Nebraska 

291,500 South Carolina Arts Commission 

Columbia, South Carolina 

319,500 

Nevada State Council on the Arts 

Reno, Nevada 

282,700 South Dakota Arts Council 

Sioux Falls, South Dakota 

282,700 

New Hampshire Commission on the Arts 

Concord, New Hampshire 

282,700 

Nashville, Tennessee Tennessee Arts Commission 302,500 

New Jersey State Council on the Arts 

Trenton, New Jersey 

344,100 Texas Commission on the Arts 

Austin, Texas 

369,500 

New Mexico Arts Division 

Santa Fe, New Mexico 

282,700 Utah Arts Council 

Salt Lake Cit~, Utah 

377,100 

New York State Council on the Arts 

New York, New York 

609,200 Vermont Council on the Arts Montpelier, Vermont 283,200 

North Carolina Arts Council 

Raleigh, North Carolina 

327,400 Virgin Islands Council on the Arts St. Croix, Virgin Islands 268,200 

North Dakota Council on the Arts 

Fargo, North Dakota 

282,700 Yirginia Commission for the Arts Richmond, Virginia 319,200 

(Northern Mariana Islands) Commonwealth 

Council for Arts and Culture 

Saipan, Northern Mariana Islands 

200,000 Washington State Arts Commission 

Olympia, Washington 

297,800 

(Northern Mariana Islands) Commonwealth

Council for Arts and Culture 

Saipan, Northern Mariana Islands 

200,000 (West Virginia) Department of Culture and 

History 

Charleston, West Virginia 

362,600 

Ohio Arts Council 

Columbus, Ohio 

385,800 Wisconsin Arts Board 

Madison, Wisconsin 

305,700 

Oklahoma, State Arts Council of 

Oklahoma City, Oklahoma 

292,800 Wyoming Council on the Arts 

Cheyenne, Wyoming 

282,700 

To support costs of services provided on a national basis to state arts ageno State _ ~,~. ~~unnort cies and regional groups. Services 

Program funds: $641,315 

10 grants 

Arts Council of San Antonio To prepare a five-year plan for support of the arts in San Antonio. $17,300
 

San Antonio, Texas
 

National Assembly of Community Arts To amend a previous grant for general operations during fiscal year 25,000
 

Agencies 1982.
 

Washington, D.C.
 

National Assembly of Community Arts To amend a previous grant for the States, Regions, and Locals 25,000
 

Agencies Seminar.
 

Washington, D.C.
 

National Assembly of Community Arts To support headquarters staff, board, annual meeting, workshops, 175,000
 

Agencies and technical information services to local arts agencies during fiscal
 

Washington, D.C. year 1983.
 

National Assembly of Community Arts For additional costs incurred under a previous grant that supported
 

Agencies the National Partnership Meeting.
 

Washington, D.C.
 

270 
276 State Programs 

National Assembly of State Arts

Agencies 

Washington, D.C. 

National Assembly of State Arts 

Agencies 

Washington, D.C. 

National Conference of State 

Legislatures 

Denver, Colorado 

New England Foundation for the Arts 

Cambridge, Massachusetts 

Western States Arts Foundation 

Santa Fe, New Mexico 

To amend a previous grant for general operations and programming 

assistance for fiscal year 1982. 

73,745 

For general operations and programming assistance for fiscal year 

1983. 

270,000 

For activities to be supervised by the NCSL Arts Committee 

Legislators. 

40,000 

To amend a previous grant fora study of the labor market experiences 

of New England artists. 

5,000 

For a cooperative agreement for planning and implementing the Joint

National Assembly of State Arts Agencies-National Endowment for 

the Arts public information seminar, "Communications Strategies for 

the 1980’s," held in Denver, Colorado, October 27-28, 1982. 

10,000 
277 

Financial Su~
 

Fiscal 

Year 1982 

Summary of Funds Available 

Appropriation, Regular Program Funds $103,330,0001 

Appropriation, Treasury Funds (to match nonfederal gifts) 14,400,000 

Appropria~:ions, Challenge Grant Funds (to match noníederal gifts) 14,400,000 

Total, Federal Appropriations $132,130,000 

Nonfederal Gifts $ 30,635 

Recovery of Prior Year Obligations 98,133 

Unobligated Balance, Prior Year 1,155,462 

Total Funds Available $133,414,230 

1 Not less than 20 percent for support of state arts agencies and regional groups. 

Fiscal 1982 

Year Challenge 

Funds Obligated 1982 Grant 

(Commitments) 

Advancement $ 381,0002 0 

Artists in Education 4,823,000 0 

Dance 8,457,238 1,350,000 

Design Arts 4,835,100 569,500 

Expansion Arts 7,178,500 300,000 

Fellows 112,961 0 

Folk Arts 2,536,085 0 

Inter-Arts 4,434,307 850,000 

Regional Representatives 984,559 0 

International 133,478 0 

Literature 4,336,534 0 

Media Arts 10,078,450 1,750,000 

Museum 11,456,150 4,400,000 

Music 14,094,201 675,000 

Opera-Musical Theater 5,640,776 275,000 

Research 339,108 0 

Special Constituencies 36,350 0 

State Programs 21,337,835 150,000 

Theater 9,635,721 735,000 

Visual Arts 6,526,826 775,000 

Total Funds Obligated $117,358,179 $11,829,500~ 

2 Excludes $569,000 committed in FY 1982 and carried over for obligation in FY 1983. 

3 Includes $11,460,000 committed in FY 1982 and carried over for obligation in FY 1983. 
History o[ Authorizations and Appropriations 279 

Arts Arts Administrative 

Authorization Appropriation Funds 

Fiscal 1972 

Program Funds 

State Arts Agencies (block) 

(Subtotal--Program Funds) 

Treasury Funds** 

Total Funds for Programming 

$ 21,000,000 

5,500,000 

(26,500,000) 

3,500,000 

$ 30,000,000 

$ 20,750,000 

5,500,000 

(26,500,000) 

3,500,000 

$ 29,750,000 

$ 3,460,000* 

Fiscal 1973 

Program Funds 

State Arts Agencies (block) 

(Subtotal--Program Funds) 

Treasury Funds** 

Total Funds for Programming 

$ 28,625,000 

6,875,000 

(35,500,000) 

4,500,000 

$ 40,000,000 

$ 27,825,000 

6,875,000 

(34,700,000) 

3,500,000 

$ 38,200,000 

$ 5,314,000" 

Fiscal 1974 

Program Funds 

State Arts Agencies (block) 

(Subtotal--Program Funds) 

.Treasury Funds** 

Total Funds for Programming 

$ 54,000,000 

11,000,000 

(65,000,000) 

7,500,000 

$ 72,500,000 

$ 46,025,000 

8,250,000 

(54,275,000) 

6,500,000 

$ 60,775,000 

$ 6,500,000* 

Fiscal 1975 

Program Funds*** 

Treasury Funds** 

Total Funds for Programming 

$ 90,000,000 

10,000,000 

$100,000,000 

$ 67,250,000 

7,500,000 

$ 74,750,000 

$ 10,783,000" 

Fiscal 1976 

Program Funds*** 

Treasury Funds** 

Total Funds for Programming 

$113,500,000 

12,500,000 

$126,000,000 

$ 74,500,000 

7,500,000 

$ 82,000,000 

$ 10,910,000" 

Transition Quarter 

July 1, 1976-September 30, 1976 

Program Funds*** 

Treasury Funds** 

Total Funds for Programming 

-­

-­

-­

$ 33,437,000 

500,000 

$ 33,937,000 

$ 2,727,000* 

Fiscal 1977 

Program Funds*** 

Treasury Funds** 

Challenge Grants** 

Photo/Film Projects 

Total Funds for Programming 

$ 93,500,000 

10,000,000 

12,000,000 

4,000,000 

$119,500,000 

$ 77,500,000 

7,500,000 

9,000,000 -­

$ 94,000,000 

$ 11,743,000" 

Fiscal 1978 

Program Funds*** 

Treasury Funds** 

Challenge Grants** 

Photo/Film Project 

Administrative Funds 

$105,000,000 

12,500,000 

18,000,000 

2,000,000 

such sums as 

$ 89,100,000 

7,500,000 

18,000,000 

-

9,250,000 

Total Funds necessary 

$137,500,000 $123,850,000 
--

--

280 History of Authorizations and Appropriations 

Fiscal 1979 

Program Funds*** 

Treasury Funds** 

Challenge Grants** 

Administrative Funds 

Total Funds 

Fiscal 1980 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Administrative Funds
 

Total Funds 

Fiscal 1981 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Administrative
 

Total Funds
 

Fiscal 1982 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Administrative Funds
 

Total Funds
 

Fiscal 1983 

Program Funds***
 

Treasury Funds**
 

Challenge Grants**
 

Administrative Funds
 

Total Funds
 

Arts 

Authorization 

--_ 

_ 

such sums as 

necessary 

~ 

_ 

such sums as 

necessary 

$115,500,000 

18,500,000 

27,000,000 

14,000,000 

$175,000,000 

Arts 

Appropriation 

$102,160,000 

7,500,000 

30,000,000 

9,925,000 

$149,585,000 

$ 97,000,000 

18,500,000 

26,900,000 

12,210,000 

$154,610,000 

$113,960,000 

19,250,000 

13,450,000 

12,135,000 

$158,795,000 

$103,330,000 

_ 14,400,000 

_ 14,400,000 

_ 11,326,000 

$119,300,000 $143,456,000 

_ $101,675,000 

_ 11,200,000 

_ 18,400,000 

_ 12,600,000 

$119,300,000 $143,875,000 

*These funds were jointly provided to the National Endowment for the Arts and the National Endowment for 

the Humanities until the two agencies were administratively separated in 1978. **Federal funds appropriated by Congress to match nonfederal donations to the Endowment.

***Not less than 20 percent of Program Funds are required to go to state art agencies and regional arts groups. 
 

Published by the Division of Publications 

National Endowment for the Arts 

Washington, D.C. 20506 

Director: Marcia Sartwell 

Editor: Joan Bowersox 

Designer: Kathy Jun~johann 

Computer material submitted 

by the Grants Office: 

Director: Keith Stephens 

Staff: Rex Costa 

Andi Rosenstein -u.s. GO~ERNMZNT P~LINTING OFFICE : 1985 0-395-267/30 
278 

History of Authorizations
 

and Appro¡riotious
 

Fiscal 1966 

Program Funds 

Treasury Funds** 

Total Funds for Programmmg 

Fiscal 1967 

ProgramFunds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programmmg
 

Fiscal 1968 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programmmg
 

Fiscal 1969 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programmmg
 

Fiscal 1970 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal--Program Funds)
 

Treasury Funds**
 

Total Funds for Programmlng
 

Fiscal 1971 

Program Funds
 

State Arts Agencies (block)
 

(Subtotal-Program Funds)
 

Treasury Funds**
 

Total Funds for Programmmg
 

Arts 

Authorization 

$ 5,000,000 

2,250,000 

$ 7,250,000 

$ 5,000,000 

2,750,000 

(7,750,000) 

2,250,000 

$ 10,000,000 

$	 5,000,000 

2,750,000 

(7,750,000) 

2,250,000 

$ 10,000,000 

$ 6,000,000 

2,000,000 

(8,000,000) 

3,375,000 

$ 11,375,000 

$ 6,500,000 

2,500,000 

(9,000,000) 

3,375,000 

$ 12,375,000 

$ 12,875,000 

4,125,000 

(17,000,000) 

3,000,000 

$ 20,000,000 

Arts Administrative 

Appropriation Funds 

$ 2,500,000 $ 727,000" 

34,308 

2,534,308 

$ 4,000,000 $ 1,019,500" 

2,000,000
 

(6,000,000)
 

1,965,692
 

$	 7,965,692 

$	 4,500,000 $ 1,200,000" 

2,000,000 

(6,500,000) 

674,291
 

$ 7,174,291
 

$	 3,700,000 $ 1,400,000" 

1,700,000
 

(5,400,000)
 

2,356,875
 

$	 7,756,875 

$	 4,250,000 $ 1,610,000" 

2,000,000
 

(6,250,000)
 

2,000,000
 

$	 8,250,000 

$ 8,465,000 $ 2,660,000* 

4,125,000
 

(12,590,000)
 

2,500,000
 

$ 15,090,000