National Endowment for the Arts 

Washington, D.C. 20506 

Dear Mr. President: 

I have the honor to submit to you the 

Annual Report of the National Endowment 

íor the Arts and the National Council on 

the Arts for the Fiscal Year ended 

September 30, 1978. 

Respectfully, 

Livingston L. Biddle, Jr. 

Chairman 

The President 

The White House 

Washington, D.C. 

September 1979 
Contents
 

Chairman’s Statement 2
 

The Agency and Its Functions 5
 

The Year in Review 7
 

Members, National Council on the Arts 16
 

Advisory Panel Members and Consultants 17
 

Grants by Programs 40
 

Architecture, Planning, and Design 40
 

Challenge Grants 56
 

Dance 69
 

Education 81
 

Expansion Arts 85
 

Federal-State Partnership 115
 

Folk Arts 125
 

Literature 134
 

Media Arts : Film/Radio/Television 151
 

~useums 166
 

Music 193
 

Special Projects 216
 

Theater 228
 

Visual Arts 239
 

Financial Summary 268
 

History of Authorizations and Appropriations 269
 
 

2 

Chairman’s Statement
 

Unity... 

Quality... 

Aecess 

~ t my nomination hearing, I spoke 

A nership" on behalf of the arts be- of a "lasting and developing part- tween the federal government and 

the state and local governments. 

I have watched very closely over many 

years and with great delight the steady 

growth and maturation of the state agencies since I first had the opportunity to 

draít the language that established the 

basis for a partnership, in the legislation 

we began preparing in the Senate in the 

early 1960s. Today, the state governments 

are providing close to $70 million to support the arts through their state agencies, 

compared with $4 million in the early days 

of the Endowment. 

Our relations--those of the Endowment 

and the states--throughout that period 

have sometimes had more valleys than 

peaks .... But now we are beginning a 

new chapter to develop a newly-constituted Federal-State Program carefully 

worked out with you over many months, 

I look forward so much to a program 

aimed at strengthening our partnership, 

andat sharing the decision-making process .... That, and the recommendation of 

NASAA, prompted me to establish a special committee of the National Council on 

the Arts to work directly with the state 

leadership on our goals and on the prob­

]ems we face together in reaching them. 

In our search for unity, we are exploring new possibilities for cooperation with 

state, community, and neighborhood arts 

groups. Just a week ago, a meeting was 

held in Washington with representatives 

oí the national associations oí community 

and neighborhood arts organizations. The 

discussion was frank and, as it usually is 

in the arts world, passionate. At times it 

might have appeared that the simultaneously occurring negotiations at Camp 

David were easier. But agreement finally 

emerged on a steering committee or task 

force to put together over the next six 

months a program that would bring us all 

into better harmony and would assign 

responsible roles for all concerned. 

The quest for unity has led us into new 

initiatives with other federal agencies that 

do have, or should have, programs that 

involve the arts. Take the newly proposed 

"Livable Cities" program in the Department of Housing and Urban Development, 

íor example. We know from our past programs that the arts can galvanize a community, that they can provide a sudden 

surge of electricity, a symbol of communal 

pride or ethnic identity that can make the 

difference between success or failure of 

a community or neighborhood rehabilitation project. We also know that community revitalization is not, strictly speaking, 

our primary business. It’s not that we 

don’t care. We care deeply. But with the 

resources we have and are likely to have, 

we can’t minister properly to the needs of 

the arts, let alone the wider needs of the 

city or its neighborhoods. In short, it’s an 

instance where the problem is beyond our 

power to solve but not beyond our ability 

to provide intelligent help. 

So we worked very hard on legislation 

to establish HUD’s "Livable Cities" program. I personally did a lot of ambulance 

chasing, of putting out tires, of re-cementing coalitions to help achieve what was, 

after all, a relatively miniscule $5 million 
Chairman’s Statement 3 

speck on the elephant-sized $10 billion	 decisions by the panels is being threatened 

HUD budget. That small speck is really by the mounting application workload;

that too many applicants have not been a seed, however--one that can take root viewed by panelists; that some panels and become a permanent part of the development of our cities. Ir is also the first have become unwieldy; and that there is

acknowledgment in law of the fact that	 confusion in the minds of some panelists 

about their duties and responsibilities. the Endowment’s consultative role with 

another federal agency is to be of value. The study recommended specific changes 

in panel structure and operations which Ir sets, I believe, a major and important we are in the process of assessing and then precedent, effectuating. Most of these are of a tech­ .Understanding is the first step toward 

unity, and unity is a message I have tried nical nature, yet they should have a major 

to convey in my travels to arts constitu- impact on improving the quality and fairencies around the country and in meetings ness of decision-making by the panels. In 

with arts groups at the Endowment. Ir is the coming year we are committed to making every effort to get panelists and con- a message I hope will not be misunderstood. By unity, I do not mean uniformity,	 sultants to make on-site visits to all appliwhich is the death of art. I mean a unified cants. Judgments must not be made in the

dark or based solely on hearsay. expression of priority for the arts. Un- Now, somewhere in the past ten months, less we "get our act together"--as artists, I recall reading an article that suggested administrators, patrons, and appreciators I was given to spreading jam too thinly on --we will rail by a long distance to fulfill rñy toast, or something to that effect. I our potential strength--and ir is immense 

ir ir is accomplished by uni~.	 think I understand what the writer was
 

Among the first actions I took on be- trying to say: namely that federal funds


for the arts are too limited to be spread coming Chairman oí the Endowment was very lar without being wasted. Actually, to remove the ceilings on grants in all I preferred what Congressman Clarence the programs, leaving the matter in the Long of Maryland once told me at a hear- hands of the program panels. The test all 

applicants for Endowment support must ing. "I never met a farmer," said Long,
 

meet thus becomes the test of quality. Ir "who didn’t know that if you want to make
 

the crops grow you’ve got to spread the a project of extraordinary merit is in need fertilizer over the whole field and not just of funding, is it reasonable to dilute quality asa standard by imposing an arbitrary pile ir in one corner."
 

What I’ve had great difficulty in ac­ limit on support? cepting is a íormulation that suggests an Because the judgment of quality is so inverse ratio between quality and avail- difficult, and doubly so in the arts, as you ability in the arts. I would think it is just know, we rely on our panels of acknowl­ the other way around. The more talented edged experts in the field for basic review artists there are producing, the greater of applications and íor guidance in policy, the likelihood that something of merit will The panel system is at the center of the be created. The larger the pool from whic.h Endowment’s operations, and that is why they are drawn, the greater the chance a I decided early on that we should take an superior talent will emerge. in-depth look at the way our panels are
 

functioning. Under the direction of Mary In any event, we are engaged in a major
 

Ann Tighe, Deputy Chairman for Pro- effort to expand availability of the arts,

and to begin by broadening access to the grams, a lengthy study of the Endowment’s panel operations is nearing com­ Endowment. That effort began by seeking

pletion. Thus lar, the study has found, and then winning--with the invaluable

assistance of Mrs. Mondale---the largest among other things, that the quality of 
4 Chairman’s Statement 

budget increase in the history of the Endowment, 

This was followed by a major reorganization of the Endowment under a management team of three deputy chairmen and 

myself. David Searles was named senior 

Deputy Chairman in charge of Policy and 

Planning, and later of general administration as well. The Endowment’s grow~h 

had rendered the old management structure outmoded, creating potential bottlenecks in the steady flow of needed decisions. The new system is designed to 

make ir easier to reach someone in authority at the Endowment. Ir still has a few 

kinks, but they are being ironed out. There 

is no question that ir has enabled us to 

move more swiftly and with a greater 

sharing of new ideas, 

Shortly after the reorganization, I ahnounced a policy of rotation for senior 

program directors. There were those who 

insisted on going behind the scenes, or 

looking behind the arras as ir were, to find 

some hidden motivation for the policy, 

But there was norte, 

I said at the time that I believe in a 

concept of renewal from the fields of the 

arts we serve. "We area federal agency," 

I said. "We have immense responsibilities 

to keep the arts evolving. Perhaps of all 

areas of federal involvement, our agency 

is among the most sensitive, for we deal 

with freedom of expression, with qualities 

of imagination, awareness, and the evolution of new insights and perceptions." 

Because of this, ir seemed so very important that the leadership of the Endowment 

should not be static or based on concepts 

of irreplaceability. It, too, should be refreshed from time to time by change. The 

policy is that simple. Ir is not intended to 

reflect poorly on those who have served so 

well. Itis a matter closely related to access. The rotation will be completed by the 

end of the year. 

Accessibility is also the governing principle in a score or more of other changes 

at the Endowment. They include installation of a new computer, enlarging our 

capacity to store vital information and 

retrieve ir quickly for applicants, gran~ees, 

panels, for state agencies, the National 

Council, Congress, and the publicat 

large. 

In the midst of this activity ~o improve 

the mechanics of our operation and 

thereby make the agency more accessible, 

we have not lost sight of some long overdue needs in the realm of uniquely American art forms. We are strengthening our 

jazz program at long last. And we have 

established a new program--Opera-Musical Theater--which will provide support 

for that art forro which has a lasting luster 

in the history of American art. 

I should point out as well that the activities of the National Council have also 

been reorganized to permit the Council 

to realize more fully its advisory and policy-making role. In addition to the special 

committee on Federal-State relations, I 

have appointed two standing committees 

on policy and planning and on the budget. 

As one Council member remarked, "We 

now have the kind of meetings where you 

don’t know what the outcome will be until 

the meeting is over." 

These rem~rks are excerpted from a 

speech delivered on September 15, 1978, 

at the annual meeting of the National 

Assembly of State Arts Agencies. 
The _Agency

and lts Functions 

The Nationai Foundation on the Arts and 

the Humanities 

In 1965, Congress created the National 

Foundation on the Arts and the Humanities as an independent agency of the Executive Branch of the Federal Government. 

The Act, Public Law 89-209, was last 

amended by Public Law 94-462 in October 

1976. The Foundation is composed of the 

National Endowment for the Arts, the 

National Endowment for the Humanities, 

anda coordinating council of federal officials called the Federal Council on the 

Arts and the Humanities. The Foundation 

has no administrative or programming 

identity separate from its components, 

Each of the two Endowments is served by 

its respective advisory body, the National 

Council on the Arts or the National Council on the Humanities. 

Federal Council on the Arts and the Humanities 

The Federal Council on the Arts and the 

Humanities is composed of the chairmen 

of the two Endowments (the Arts and the

Humanities), the Secretary of the Smithsonian Institution, the Director of the 

National Science Foundation, the Librarian of Congress, the Director of the National Gallery of Art, the Chairman of the 

Commission of Fine Arts, the Archivist oí 

the United States, the Director of the 

National Park Service, the Director of 

[he International Communication Agency, 

the Administrator of the General Services 

Administration, the executive secretary 

of the Senate Commission on Arts and 

Antiquities, anda member of the House of 

Representatives. 

The Federal Council promotes coordination between the programs of the two 

Endowments and those of other federal 

agencies which support the arts and the 

humanities. Ir also undertakes research 

related to these programs. In 1978, President Carter reactivated the Federal Council after several years of dormancy and 

requested that/it carry out a broad policy 

review of th’e cultural activities of the 

federal government. Joan Mondale serves 

as the Federal Councfl’s honorary chairman. 

The National Council on the Arts 

Formed in 1964, the National Council on 

the Arts preceded by one year the establishment of the National Foundation on 

the Arts and the Humanities. 

The Council is composed of the Chairman of the National Endowment for the 

Arts, who serves as Chairman of the 

Council, and 26 presidentially appointed 

citizens who are recognized for their 

knowledge of the arts, or for their expertise or profound interest in the arts. The 

Council is mandated by law to advise the 

Chairman on policies, programs, and procedures. Ir also must review and make 

recommendations on applications for 

grants. 

The National Endowment for the Arts 

The National Endowment for the Arts is,

in effect, an independent federal agency, 

with its own Chairman, National Council, 

staff, programs, and budget. 

Both legislatively and by Council policy, 

the Arts Endowment was conceived asa 

catalyst to increase opportunities for artists and to spur involvement in the arts 

on the part of private citizens, public 

and private organizations, and the states 

and communities. The Endowment’s relationship to the primarily private and local 

cultural community is one of partnership, 

in which the federal role is to respond to 

the needs of the field rather than direct 

or interfere in the creative activities of 

individual artists or cultural organizations. 

Endowment Panels 

The panels serve the individual programs 

of the Endowment much as the National 

Council on the Arts serves the Endowment 

asa whole. Together the council and 

panels provide a system of professional 

peer review to evaluate applications, identify problems, and develop the policies and 

programs through which the Endowment 

responds to changing conditions. 

Panels vary with each field. Usually they 

are composed of artists, arts administrators, board members, critics, and others 

who have a wide range of knowledge and 

experience in the field. Each panel reflects 

diverse geographic areas anda variety 
6 Agency and Its Functions 

of aesthetic and cultural viewpoints, 

More than 500 private citizens serve on 

these panels, whose membership rotates 

regularly. Panelists are appointed by the 

chairman with the advice of the council 

and staff as well as other organizations 

and leaders in the field, 

Program Areas 

In fiscal year 1978, the Endowment had 

13 major program areas. Eight programs 

correspond to individual art disciplines: 

Architecture, Planning, and Design (previously Architecture ÷ Environmental 

Arts) ; Dance; Literature; Media Arts: 

Film/Radio/Television; Museums; Music;

Theater; and Visual Arts. Five programs 

are interdisciplinary: Education, Expansion Arts, Federal-State Partnership, Folk 

Arts, and Special Projects. 

Methods of Funding 

Grant money authorized by Congress 

comes to the Endowment in three purses: 

program funds, the Treasury Fund, and 

ChallengeGrantfunds. 

Program Funds 

By law, not less than 20 percent of the 

Endowment’s program funds must be allocated among state and regional arts 

agencies. ~[’he remainder is used for direct 

grants to organizations and individuals, 

Endowment grants to organizations 

usually must be matched dollar-for-dollar 

by non-íederal funds. When applying for 

grants, organizations must show evidence 

that they will meet at least hall the cost 

of the project and must identify the 

sources of those matchíng funds, 

Treasury Fund 

When Congress created the Endowment, 

the legislation included a unique source 

of money called the Treasury Fund. This 

fund, maintained at the Treasury Department for the Endowment, in effect allows 

private citizens and organizations to share 

in the grant-making process. 

To receive money from the Treasury 

Fund, an applicant must qualify for a 

grant under the guidelines of the appropriate Endowment program and must also 

secure a pledge from an outside donor to 

make a gift to the Endowment. This contribution, usually restricted for use by 

the designated grantee, frees an equal 

amount írom the Treasury Fund to be 

given to the grantee. 

Thus, when the Endowment awards a 

Treasury Fund grant, hall the money has 

been contributed by a private donor and 

hall has been appropriated by the federal 

government. This total then must be 

matched by the grantee. For example: 

$30,000--Donor’s restricted gift to the 

Endowment 

÷$30,000--Amount released from the Treasury Fund 

$60,000--Total Endowment grant 

÷$60,000--Matching funds obtained by 

applicant from other sources 

$120,00~J--Total cost of project 

The Endowment may accept gifts or bequests of money or property. Generally, 

these are tax deductible. To simplify procedures, donors do not have to send their 

gifts directly to the Endowment. Following approval of the grant, the grantee may 

receive the donation directly and report 

payment to the Endowment. 

To apply fora Treasury Fund grant, ah 

organization indicates on the application 

form ob*.ained from the appropriate Endowment program that ít is interested in 

Treasury Funds and lists in the budget 

request section the amounts and sources 

of income. The Endowment reviews the 

application in the same way it reviews 

any other grant application. 
7 

The Year in Review
 

Fiscal 1978 was a year of transition for the ment’s first chairman, Roger Stevens, and, 

Arts Endowment. In October 1977 (the in 1975, as director of the Endowment’s 

congressional liaison office. first month of the new fiscal year), President Carter appointed Livingston Biddle In January 1978 Biddle announced his 

chairman of the Endowment. Biddle re- choices íor the three positions as deputy 

placed Nancy Hanks, who had served for chairmen of the Endowment. They were: 

the previous eight years. In his remarks at P. David Searles, formerly the Endowhis Senate confirmation hearings, Biddle ment assistant chairman, in charge of 

said : policy and planning ; 

"We find words like ’elitism’ and ’popu- L. James Edgy, Jr., previously executive 

lism’ being used to support a polarization director of the Ohio Arts Council, responof the arts .... sible for intergovernmental activities ; 

"I am convinced a very different ap- Mary Ann Tighe, formerly arts adviser 

proach is needed, a different means of to Vice President and Mrs. Mondale, to 

defining our cultural goals. Ir seems to me oversee the Endowment’s program offices, 

that ’elitism’ can indeed mean quality, which support arts disciplines. 

can indeed mean ’the best’--that is a Biddle said that the three deputies (in 

proper dictionary definition for the word. place oí the previous one) were needed 

And ’populism’ I would suggest can mean because "the Endowment has reached a 

’access.’ Access to the arts all across the mature stage where it requires more management resources at the top to deal with land. 

"Why not bridge these two words . . . the issues facing the arts community toand simply say that together they can day." The new management team, he said, 

mean ’access to the best’? I believe that’s would "make the Endowment more flexwhat the arts and humanities legislation ible and responsive to new ideas." 

intended to convey from the very begin- Broad management changes continued 

ning--the encouragement of the best, the in the next echelon as well. In April Biddle 

development of quality, and the availa- announced a rotation policy íor program 

bility of that quality to the greatest pos- directors, suggesting five years as a 

sible numbers of our people." "benchmark" for the appropriate term of 

The year 1978 can be seen as an En- service. In a memorandum to the staff, 

dowment-wide effort to put these ideals Biddle declared the change part of his 

into practice, plan "to make the Endowment as responsive as possible . . . to the changing and 

New Leadership mounting needs of the arts and the growTo his job as chairman, Biddle brought ing demands on the Endowment. I bebroad and appropriate experience. In the lleve in a concept of renewal from the fields 

early 1960s as special assistant to Senator of the arts we serve." A rotation policy, 

Claiborne Pell (D.-R.I.), Biddle drafted he pointed out, always has been in effect

the legislation that set up the Arts and for the National Council on the Arts (sixHumanities Endowments. In 1966-67 he year terms) and Endowment advisory 

helped Pell write the two Endowments’ panels (generally three- or four-year 

reauthorization bill, which increased their terms). By the end of 1978, all Endowscope and funding. In 1976, as staff di- ment program directors who had been in 

rector of the Senate Subcommittee on their positions five or more years had 

Education, Arts, and Humanities, he moved to other positions either within the 

drafted another reauthorization bill, again Endowment or outside the agency. 

increasing federal support and establishing By the end of 1978, two new program 

the Challenge Grant Program. Biddle also directors had joined the Endowment staff: 

served in 1966-67 as deputy to the Endow- Michael Pittas, associate professor and 
 

 

8 Year in Review 

deputy director oí the Urban Design Prograto at Harvard’s Graduate School of 

Design, became director of the Architecture, Planning, and Design Program. 

Toro Freudenheim, former director of 

the Baltimore Museum of Art, became director of the Museum Program. Two members of the Endowment staff were selected 

to head program areas: A. B. Spellman, 

former assistant director of the Expansion 

Ar~s Program, became director of that 

Program. James Ireland, acting director 

of the Opera-Musical Theater Program 

since its creation in July, was named the 

new Program’s director. 

Other new program directors (who 

joined the staff in 1979) include: Arthur 

Ballet, professor oí theater at the University of Minnesota, director of the 

Theater Program; Ezra Laderman, composer and former professor of composition 

at the State University of New York, 

Binghamton, director of the Music Program; David Wilk, poet and former editor 

of Tr~ck magazine and publisher of Truck 

Press in St. Paul, Minnesota, director of 

the Literature Program ; and Esther Novak, former director of Rutgers University’s Hispanic Arts Program, director of 

the Special Projects Office. 

New Ventures 

New Programs 

Opera-Musical Theater: At its May meeting, the National Council on the Arts 

recommended that a new program be 

created to support both opera and musical 

theater. First proposed by the opera section of the Music Program in September 

1976, the Opera-Musical Theater Program 

took shape ata series of meetings that 

brought together luminaries from the 

Addressing these mutual problems and 

exchanging ideas can bring new insights 

and more creativity into the field. As 

Deputy Chairman Mary Ann Tighe said, 

"One important function of the Endowment is to be a catalyst, bringing people 

together to inspire one another. This kind 

of interaction occurred when the opera 

and musical theater world met here." 

A newly íormed panel, representing 

both opera and musical theater, accepted 

the following policy statement as a guide 

for the development of programs: 

"The National Endowment for the Arts, 

through its Opera-Musical Theater Program, is committed to broadening the 

concept of music theater and to making 

this art form available to ah expanding 

audience. 

"Whether comic or serious, earthy or 

elevated, music theater, from the time ir 

moved from the courts to the public arena 

over two centuries ago, has been part of a 

tradition oí people’s art at its best. Ir has 

flourished most when it has been an integral part of the f.abric of public liíe. The 

Opera-Musical Theater Program hopes to 

eliminate the barriers which separate the 

various forms of music theater, and to 

help create an atmosphere of mutual respect and appreciation. 

"Funding both the traditional and the 

innovative, the Program seeks to raise 

artistic standards, strengthen the administrative and financial stability of organizations, and stimulate employment for 

American artists and artisans. The Program emphasizes the creation, development, and production of new American 

works, as well as experimentation with 

new forms and techniques." 

field. Although there will be no substantial 

Although opera and musical theater 

often are viewed in this country as distinct art forms, the Council’s discussion 

soon led to the recognition that each field 

faces similar problems: lack of adequate 

funding for these complicated and expensive art forms, Ioss of creative personnel 

to television and movies, and little opportunity to "try out" or develop new works, 

funding for the musical theater component of the new program until at least 

fiscal 1980, a few pilot grants were made 

in 1979. Musical theater productions usually are mounted as profit-making ventures, which the Endowment does not 

fund. Ideas for assistance have centered 

on the nonprofit sector, including musical 

theater productions by opera companies 
Year in Review 9 

awarded for the 1979-80 performance and regional theaters, and experimental 

workshops that help develop both new season.

works and collaboration among composers, librettists, períormers, choreogra­ City Arts: The Expansion Arts Program launched a pilot category to increase its phers, and directors, effectiveness in inner-city neighborhoods. 

Selected city governments and city-desig- Folk Arts: The Endowment has had a nated arts councils were invited to apply Folk Arts Division as part of the Special for funds for technical assistance pro- Projects Office since 1974. In fiscal 1978 grams or sub-grants for developing neigh- the National Council on the Arts created borhood programs. Stimulated by City a separate Folk Arts Program. The new Arts grants, local funding is expec~ed ~o Program supports organizations and grow enough in three years to support groups that sponsor or assist traditional these projects without federal money. arts: those arts, according to the guidelines, "that have grown through time Professional Theater Touring: The The- within the many groups that make up any ater Program already supports touring nation--groups that identiíy themselves through grants to the state arts agencies. as sharing the same ethnic heritage, lan- The new category makes other sponsoring guage, occupation, religion, or geographic networks, such as consortia of colleges or area." Folk Arts embraces music, dance, universities, eligible for Endowment sup- song, poetry, tales, oratory, crafts, and port. rituals. The folk music section of the 

Music Program was transferred into the New Federal-State Partnership new Program during the year. In August the National Council on the The Program will fund the same kinds Arts approved a major revision in the oí projects ir has supported in past years way the Federal-State Partnership Pro­ --presentations of traditional arts and gram works with state arts agencies. artists, documentation of traditional arts, The law that established the Endow- services to the field, and apprenticeships. ment requires that 20 percent of the En- The Program expects to remain flexible dowment’s congressional appropriations and invites "inventive and imaginative go to the states and that three quarters 

proposals." of this portion be divided among the 

states in basic grants. (In 1978 these GrantCategories "basic state agency grants" amounted to In 1978 several Programs set up new grant $243,000 per state.) categories to serve the various disciplines. The changes affect the method by which 

the remaining quarter of the Fed-State New Music Performance: The Music Pro- budget will be allotted. In the past, grants gram established a category to support had been awarded on a competitive, proj­ organizations that perform or present ect-by-project basis to state arts agencies 20th century music. The category is de- and to regional arts organizations. States signed to encourage the performance of now will receive funding on the basis of new music, increase audience awareness their total state plan anda funding for- of contemporary music, and give Amer­ mula that takes account of a state’s need ican composers more opportunities to have (based on population) and effort (based their works performed. The first grants, on the state legislature’s arts appropria­ ranging from $5,000 to $25,000, will be 
10 Year in Review 

tion factored by the state’s per capita 

income), 

In addition, the Program’s guidelines 

draw a distinction between Fed-State 

funding and that of all other Endowment 

Programs: "While the Arts Endowment 

is ultimately responsible to Congress to 

examine state arts agencies activities 

and to recommend whether or not to 

grant federal funds, our primary goal is 

not to withhold funds, but to work with

the states and assist them in utilizing 

those funds effectively." 

Revised Panel Structure 

By 1978 the number of applications for 

grants had grown to nearly 20,000. "It 

was clear that the tremendous increase in 

applications since the Endowment began 

had severely strained the existing panel 

structure," says Deputy Chairman Mary 

Ann Tighe, under whose direction a fullscale study of the panel system began. 

The study called for a better division 

of labor, not only to distribute the workload, but to accommodate the conflicting 

demands made on the system: more time 

for policy discussion without jeopardizing 

the quality of application review; more 

people involved in the panel process without impairing efficiency or disrupting 

program stability, 

Recognizing that panel needs were different in the different programs; the panel 

study made some general recommendations, which then were adapted to the requirements of individual fields. Generally, the study recommended that panel 

responsibilities in each program be divided 

between a policy panel anda number of 

grant panels, with linkage between them. 

The responsibilities of grant panelists 

would be limited to application review 

and specific policy recommendations arising from that process. In most cases, grant 

panelists would prepare for and attend 

only one meeting ayear. Each member of 

the policy panel (which would meet at 

least once ayear to review and revise program guidelines, and advise on policy 

matters) would also be active on at least 

one grant panel, whose recommendations 

he or she would bring to the policy panel. 

Panel restructuring has been in progress since the beginning of 1979, and is 

being studied to see if further modifications are needed. 

Joint Enterprises 

Livc~ble Cities: A new Endowment partnership was created when Congress authorized a Livable Cities program to be 

administered by the Department of Housing and Urban Development (HUD) in 

cooperation with the Arts Endowment. 

The new program seeks to use the arts 

asa tool for neighborhood revitalization; 

it marks the first time the Endowment 

has been legislatively joined to another 

federal agency in a cooperative endeavor 

(although the Endowment has worked 

with other agencies under interagency 

arrangements not established in law). 

Livable Cities was originally proposed 

to Congress in late Mayas part of President Carter’s urban policy. Under this 

program, nonprofit groups, particularly 

on the neighborhood level, will be encouraged to apply to HUD ir their projects: (1) have "substantial artistic, cultural, historical, or design merit"; and (2) 

represent community initiatives having "a 

significant potential for conserving or revitalizing communities or neighborhoods, 

and for enhancing community or neighborhood identityandpride." 
Year in Review 11 

Congress authorized $5 million to be ing concerts, poetry readings, films, panel 

administered by HUD for Livable Cities discussions, dance performances, exhibitions of arts and photography, Mexico in fiscal 1979 and $10 million in fiscal 

1980. HUD and the Endowment jointly Today drew over 450,000 people to 44 

will draft guidelines, select experts to events in nine American cities. In addition 

judge the projects, and select the projects to the Endowments, the symposium was 

sponsored by Meridian House Interna­ to befunded, tional, the Smithsonian Resident AssoInternational Activities: In 1978 the Arts ciate Program, and the Center for InterEndowment, in partnership with other American Relations. 

federal agencies, expanded its international activities. Extending the Boundaries 

The Endowment and its panels will advise the International Communication Minorities

Agency (ICA) on international cultural In August the National Council on the

Arts reaffirmed its commitment to the exhibitions and events. In a memorandum 

of understanding, the White House out- Endowment’s Expansion Arts Program 

and to its priorities. The Program’s basic lines how the cooperative venture works, 

ICA--which was created in 1977 by merg- role, as described in a policy paper preing the State Department’s Bureau of Cul- sented to the Council, is "to extend the 

tural Affairs, the United States Informa- boundaries of the arts world and to assure 

tion Agency, and the Voice of America-- that no American will be denied the opwill present the Endowment chairmen portunity to reach his or her artistic 

with "comprehensive lists of overseas op- potential because of geographic, economic, 

portunities for art exhibitions, performing or other social or cultural restraints." As 

then-assistant director A. B. Spellman puf arts events, speakers, and other types of it: "The Expansion Arts Program is cultural activities." ICA also will submit a geared to low and moderate income groups list of organizations, artists, and scholars and to people living in rural communities, interested in traveling or in sending works towns, and inner city neighborhoods. We abroad. The Endowments’ advisory panels 

will then review the lists and select and want to ensure that the arts delivered to

them are of high quality." rank final choices. Final decisions on spe- The Program’s policy paper went on to cific exchange activities and participants 

will rest with the director of the ICA. outline its future agenda: to solidify

The Endowments will also provide ICA assistance to emerging institutions, to 

with lists of their grantees and cultural encourage its grantees in training proactivities around the United States and fessional artists, to extend more adminiswill welcome ICA staff and foreign cul- trative aid to its grantees, and to 

rural officials to panel and Council meet- strengthen the interchange between Exings. Asa result, ICA will be continuously pansion Arts and the discipline programs 

posted on arts events in this country. "Ir, of the Endowment. 

for example, we support an art exhibir in In an effort to broaden minority particiChicago," said Deputy Chairman Mary pation in the arts, Biddle established 

Ann Tighe, "the ICA will be able to de­ within the Office of the Chairman a minorities office in September 1978, naming termine, before it is too late, ir ir wants to Gordon Braithwaite, previously head of send the exhibition overseas. By marrying Special Projects, special assistant for mi- our programs--ICA tells us what ir needs, nority affairs. In this post, Braithwaite the Endowment tells ICA what we know works with the chairman, the deputies, --we should improve the quality of inter- and all the Endowment’s programs, acting national cultural exchange." as liaison between the agency and minority In their first major joint venture, the 

Arts Endowment and the Humanities En- groups and individuals.

dowment in October presented Mexico Among the Endowment’s goals for miToday, norities, Biddle said, are these: "to bring a month-long symposium. Featur­
12 Year in Review 

arts groups, as they qualify, from the Expansion Arts Program into those Endowment programs which more directly serve 

their artistic needs and encourage their 

continued development, such as Dance, 

Theater, or Music . . . and to strengthen 

those ethnic cultural institutions of proven 

excellence so they can attain ñnancial 

independence and stability." 

Biddle also pledged more technical assistance for developing arts groups and 

greater minority representation on regular Endowment program panels, 

In the spring and summer of 1978 Endowment leaders and representatives of 

black groups (the congressional Black 

Caucus and the National Ad Hoc Committee on African-American Contributions to the Arts) held a series of meetings concerning the number of Endowment grants to blacks, 

Exactly how much Endowment funding 

currently goes to minority arts groups ? As 

Biddle explained: "It was difficult at first 

to determine the number of minority 

grants because our application forms do 

not identify applicants in this way." 

However, an internal Endowment study 

by the Policy Development Division found 

that in 1977 minority organizations, individuals, and projects received at least 

$8.9 million. (In 1978 the total had risen 

to $10.8 million, a 40.1 percent increase 

over 1976.)* 

*(The study’s deñnition oí "minority" includes 

black, Hispanic, native American, multi-ethnic, 

Polynesian, Oriental, and Caucasian ethnic íolk 

groups. Grants to "mainstream" institutions that 

employ minorities or put on events geared to 

minority audiences were not counted, nor were 

block grants to states. In such states as New 

Mexico, for example, a sizable portion of the 

money goes to Hispanic projects. The study also 

revealed that in 1977 the percentage of minorities on Endowment panels was 14 percent. By 

mid-1979 the percentage of minorities on panels 

has nearly doubled. 

Special Constituencies 

At its November meeting, the National 

Council on the Arts broadened the Arts 

Endowment’s efforts to reach special constituencies: handicapped children and 

adults, the aging, and those institutionalized in hospitals, nursing homes, of prisons. 

The action reaffirmed an earlier Council 

resolution (1973) which states that "the 

arts area right, nota privilege, and no 

citizen should be deprived of the beauty 

and insight into human experience that 

only the arts can impart." The Council 

called for pilot programs showing how the 

arts can reach special constituencies. The 

Council’s new resolution also requests that 

the Endowment "work closely with all its 

grantees to implement Seetion 504 of the 

Rehabilitation Act of 1973" and that Endowment programs "review their guidelines to encourage grantees to support activities for special constituencies." 

In the Federal Register of April 13, 

1978, the En~owment published draft regulations that would prohibir discrimination against the handicapped by Endowment grantees and contractors. The rules 

are the first step toward implementing 

Section 504 of the 1973 Rehabilitation 

Act, which requires that "no otherwise 

qualified handicapped individual in the 

United States . . . shall, solely by reason 

of his or her handicap, be excluded from 

participating in, be denied the benefits of, 

or be subjected to discrimination under 

any program or activity receiving federal 

financial assistance." 

The draft rules (final regulations were 

scheduled to become effective in April 

1979) were written by a 20-member task 

force that included artists, arts administrators, consultants, representatives from 

the Endowment’s major programs, and 

representatives from such service organizations as the National Assembly of State 

Arts Agencies. 

The regulations require equal access for 
Year in Review 13 

 ̄ The Arts Endowment should increase its the handicapped to programs and equal fellowships, internships, apprenticeships, opportunity for jobs in federally supported and residencies for beginning artists. programs. The regulations define as handi­  ̄ The Office of Education bears the major capped "any person who has a physical or 

mental impairment that substantially lim­ responsibility for arts education in the

nation’s schools, with cooperation and sup- its one or more major life activities, has a port from the Arts Endowment. record of such impairment, or is regarded  ̄ Grant applications from educational and as having such impairment." The regula- training institutions should be judged on tions will apply to all Endowment grantees 

--state and local governments and arts the basis of quality, not origin. 

organizations that receive funding directly  ̄ Research in the arts and arts education 

should be a concern of the federal gov­ or indirectly, ernment. Research is needed in such areas 

Planning for the Future as the nature of learning in the arts and

During the year various groups met to the processes for identifying and developingartistictalent. discuss the Endowment’s policies. Task 

forces studied specific problems and rec-  ̄ The Endowment and the Office of Eduommended steps to resolve them. Commit- cation should make a joint appointment of 

tees worked to chart directions for the a senior staff member to coordinate arts 

education policy between the two agencies. future. Among the studies with the greatest potential for affecting the Endowment’s Hispanic American Arts: In November futurearethese: 1977 the National Council on the Arts 

Task ForceReports established a 23-member task force to 

Education, Training, and Development of determine the needs of the Hispanic arts

community in this country and to recom- Professional Artists and Arts Educators: 

The task force was formed in August 1977 mend ways to strengthen their arts. The

when then-chairman Nancy Hanks, con- task force, headed by Jacinto Quirarte,

director oí the Research Center for the cerned that no systematic review of the 

Endowment’s role in artists’ training ex- Arts at the University of Texas, San

Antonio, and comprised of Hispanics who isted, named Council members Willard 

Boyd, president of the University of Iowa, are prominent in the arts, is scheduled to

make its final report in August 1979. The and Martina Arroyo, opera singer, co­ task force has met as a body six times chairmen of a 30-member committee to and has held open meetings around the study the problem. At five public meetings country aimed at increasing communica­ around the country between October 1977 tion between Endowment staff and His- and June 1978, the task force heard more panic artists. It also has sent out ques­ than 70 presentations, commissioned pa­ tionnaires to gather information on the pers from experts in various fields, and 

met with arts students. Its final report was extent and variety of Hispanic arts.

Thus lar, the primary concerns of the endorsed, in two separate resolutions, by task force have been: the National Council on the Arts in De­  ̄ To see that Hispanics are adequately cember 1978. 

Primarily, the report emphasizes that	 represented on both the Endowment’s staff 

and its panels. the National Endowment for the Arts has  ̄ To ensure that Hispanic artists and arts a vital interest in the identification, train- groups receive fair consideration from all ing, career entry, and development of the Endowment’s programs. artists, 

Among the report’s recommendations:  ̄ To educate the Endowment and other

agencies about the special nature oí His- The emphasis for federal assistance panic arts. should be aid for the individual artists and  ̄ To plan a symposium on the "Hispanic­ arts teachers in training and careers. 
14 Year in Review 

American Aesthetic: Its Origin, Manifestations, and Meaning," to be held in April 

1979. 

 ̄ To strengthen Hispanic arts organizations through increased technical and administrative assistance. 

Community Program Policy: In December 

1978, the Endowment’s Office of Intergovernmental Affairs assembled the Task 

Force on Community Program Policy, a 

14-member panel whose job is to: 

 ̄ Examine the relationships among the 

Endowment, state arts agencies, and local 

arts agencies and organizationso 

 ̄ Clarify the basic differences in function 

and scope among local arts agencies, 

 ̄ Recommend an overall policy for the 

Endowment’s relationship with local arts 

agencies. 

 ̄ Recommend to the Endowment programs consistent with the new community 

arts policy, 

The task force is led by Eduardo Garcia, 

a playwright and former executive director of the Monmouth County Arts Council in New Jersey. Since December, the 

task force has met once a month; in addition, its members have sought advice from 

the field in nine public meetings around 

the country. The task force will deliver 

its final report to the National Council on 

the Arts in August 1979. 

Council Committees 

Members of the National Council on the 

Arts became deeply involved in policymaking during 1978 through work in 

smaller committees established for the 

first time. A new Budget Committee, under the chairmanship of William Eels, 

was formed. A new Policy and Planning 

Committee, under Chairman J. C. Dickinson, worked closely with the Endowment’s new Po]icy Development Division 

to outline goals and directions for the 

future. A full five-year plan is scheduled 

for presentation to Congress in 1979. A 

preliminary statement, drawn up by the 

committee and approved by the Council, 

captures the vision of the Endowment’s 

future shared by th~ leadership within the 

agency and by the National Council on the 

Arts: 

Statement of Go~Is and Policies 

Preamble 

This statement of the goal of the National 

Endowment for the. Arts, its role and responsibilities in the artistic life of the 

nation, is rooted in certain fundamental 

convictions. 

These include the belief that there is a 

response to the world which may be 

termed aesthetic awareness, a distinctive 

perception of the aesthetic dimension of 

our physical and social environment. 

This perception is’ unique to humankind 

and has existed asa fundamental part of 

all human societie~s from the earliest 

times. Ir is through! the various arts that 

this perception of the world is sharpened, 

enlivened, expressed, and developed asa 

celebration of life in all its forms. 

Cultivation of thi~ awareness is a societal good as ir quic~ens the experience of 

life and enhances its quality. Thus, the 

condition of the a~ts is ah appropriate 

concern of the people, and hence a proper 

concern of government. In recognition of 

this fact, the National Endowment for the 

Arts was created. 

Ir is not the inten:tion of this statement 

to define "art." The~ term is to be understood in its broadest sense; that is, with 

full cognizance of the pluralistic na*ure of 

the arts in America, with a deliberate 

decision to disclaim any endorsement of an 

"official" art, and with a full commitment 

to artisticfreedom. 

Statement of Purpose 

The goal of the Endowment is the fostering of professional excellence of the arts 

in America, to nurture and sustain them, 

and equally to help create a climate in 

which they may flourish so they may be 

experienced and enjoyed byI the widest 

possiblepublic. 
 

Year in Review 15 

Policies (c) inadequate education 

(d) physical or mental handicaps 

Individual Creativitg and Excellence: (e) social or cultural patterns unresponTo foster creative effort by individual art- sive to diverse ethnic group needs. 

ists : Leadershfp in the Arts: With responsive­ (a) through support for individuals, in- ness to the needs of the field, to provide cluding noninstitutional ensembles, of leadership on behalf of the arts : high artistic talent and demonstrated commitment.to their field within the arts; (a) through advocacy and cooperation 

with other governmental agencies on all (b) through support of training and de- matters relating to the arts ; velopment of individual artists, (b) through advocacy with private institutions to stimulate increasing support Institutional Creativity and Excellence: 

To foster creative effort and the develop­ for the arts from the private sector;

ment of excellence in the arts in America: (c) through exploration of effective ways 

in which the arts may be used to achieve (a) through support of institutions for 

projects and productions of substantial desirablesocialends; 

artistic significance, originality, and imag- (d) through enlargement of the public’s 

knowledge, understanding, and apprecia­ ination; tionofthearts. (b) through development of staff resources and through support of service
 Implementation: In carrying out these organizations that provide technical and policies, reliance on the tested principle of informational assistance to artists and review by peer panels is critical. To draw institutions for the pursuit and achieve- upon the judgment and experience of in­ ment of standards of professional excel- dividual artists and other professionals in 

lenceinthe arts. the arts--particularly those on the National Council, its committees, and the The Living Heritage: To preserve the ar- Endowment panels--is essential to estab­ tistic birthright of present and future lishing policies and making informed de­ generations of Americans by supporting cisions in support of the arts. survival of the best of all art forms which 

reflect the American heritage in its full The principle that financial support from

the Endowment be matched by non-fed­ range of cultural and ethnic diversity, eral monies is also central to the manner 

in which these policies are carried out. Making the ArtsAvailab[e: To insurethat While strongly affirming the value of the all Americans have a true opportunity to matching principle, the Endowment should make an informed, an educated choice to give careful attention to the needs of de- have the arts of high quality touch their veloping arts groups of special merit which lives so that no person is deprived of access may not be able initially to adhere fully to to the arts by reason of: the matching principle but are otherwise (a) geography deemed worthy of support. (b) inadequate income 
16 

National Council
 

on the Arts
 

Members with terms expiring in 1978:
 

Richard F. Brown
 

Museum Director
 

Henry J. Cauthen
 

Educational Television Executive
 

Clint Eastwood
 

Actor, Director, Producer
 

James D. Robertson
 

Investment Banker
 

Billy Taylor
 

Jazz Musician
 

Eudora Welty
 

Author
 

Anne Potter Wilson
 

Arts Patron
 

James Wyeth
 

Painter
 

Members with terms expiring in 1980:
 

Angus Bowmer*
 

Educator, Theatrical Director
 

Van Cliburn
 

Concert Pianist
 

Jerome Robbins**
 

Choreographer
 

Gunther Schuller
 

Composer, Educator, Conductor
 

George C. Seybolt
 

Corporate Executive
 

Museum Official
 

Harry M. Weese 

Architect 

Dolores Wharton 

Arts Patron, Author 

Members with terms expiring in 1982: 

Martina Arroyo
 

Concert and Opera Singer
 

Theodore Bikel
 

Actor, Singer
 

Willard Boyd
 

University President
 

Hal C. Davis*
 

Musician, Union Official
 

J.C. Dickinson, Jr. 

Museum Director 

William H. EeIls 

Corporate Executive 

Harold Prince 

Director, Producer 

Franklin J. Schaffner 

Film Director 

Geraldine Stutz 

Corporate Executive 

Fashion Leader 

*deceased 

**resigned 
17 

Advisory Panel Members 

and Consultants 

William Allen 

Alexandria, Virginia 

Ann Bartley 

Little Rock, Arkansas 

Charles Blessing 

Detroit, Michigan 

Stephen J. Bostic 

Christiansted, U.S. 

Virgin Islands 

James Campbell 

Monroe, Connecticut 

Jot D. Carpenter 

Columbus, Ohio 

Jacqueline Casey 

Brookline, Massachusetts 

Bonnie Cashin 

New York, New York 

Monica R. Cipnic 

New York, New York 

Morris B. Coffey 

New York, New York 

Jeff Cornell 

Fairfield, Connecticut 

Mary Nash Cox 

Frankfort, Kentucky 

Ranice Crosby 

Baltimore, Maryland 

Richard Cummings 

New York, New York 

Elizabeth Darr 

Winchester, Virginia 

Neils Diffrient 

New York, New York 

Hortense Dixon 

Houston, Texas 

Senior Illustrations Editor 

National Geographic Society 

Director 

Department oí Arkansas 

Natural and Cultural Heritage 

Proíessor of Architecture 

University oí Detroit 

Executive Director 

Virgin Islands Council on the Arts 

Illustrator 

Landscape Architect 

Professor 

Ohio State University 

Graphic Designer 

Director, MIT Design Services 

Fashion Designer 

Associate Picture Editor 

Popular Photography 

Architect 

Art Instructor 

Executive Director
 

Kentucky Arts Council
 

Associate Professor 

Johns Hopkins School of Medicine 

Graphic Designer 

Theater Producer, Educator 

Industrial Designer 

Vice President for University
 

Relations
 

Texas Southern University
 

Architecture, Planning, 

and Design Consultants 
18 Advisory Panels 

Arthur Drexler 

New York, New York 

Joseph Esherick 

Berkeley, California 

Marjorie Evans 

San Francisco, California 

Norman Fagan 

Red House, West Virginia 

James Fitch 

New York, New York 

Mildred S. Friedman 

Minneapolis, Minnesota 

Kenneth A. Gifford 

Charleston, South Carolina 

James Goode 

Washington, D.C. 

Ronald Gourley 

Tucson, Arizona 

Hugh Hardy 

New York, New York 

Caroline Hightower 

New York, New York 

William Houseman 

Spring Valley, Wisconsin 

Sue Yung Li Ikeda 

San Francisco, California 

Ralph Knowles 

Los Angeles, California 

Luisa Kreisberg 

White Plains, New York 

Jerome Lindsey 

Washington, D.C. 

Barbara Lukermann 

St. Paul, Minnesota 

William Marlin 

New York, New York 

Gerald McCue 

Boston, Massachusetts 

Director
 

Department of Architecture and
 

Design
 

Museum of Modern Art
 

University of California
 

Professor
 

Attorney, Scientist 

Adviser, Bank of America 

Commissioner
 

Department of Cultural History
 

State of West Virginia
 

Professor
 

Columbia University
 

Editor 

Design Quarterly 

Design Coordinator 

Walker Art Center 

Executive Director 

Central Business District Revitalization Office 

Curator 

Smithsonian Institut[on 

Dean 

College of Architecture 

University of Arizona 

Architect 

Executive Director 

American Institute of Graphic Arts 

Writer, Environmentalist 

Landscape Architect 

Professor 

University of Southern California 

Writer, Editor 

Dean 

School of Architecture 

Howard University 

City Planner 

Architecture Critic 

Associate Editor 

The Architec~ural Record 

Professor 

Harvard University 
 

Advisory Panels 19 

Mary S. McNulty Architect 

Lincoln, Massachusetts 

Mary Means Director, Midwest Regional Office

Chicago, Illinois National Trust for Historic 

Preservation 

Architect 

New York, New York 

Richard Meier 

Roger Scharmer Landscape Architect

Mill Valley, California 

Roger Schluntz Executive Director

Washington, D.C. Association of Collegiate 

Schools of Architecture 

Industrial Designer John Schwarz 

West Bloomfield, Michigan 

Paul Sedway Regional and City Planner

San Francisco, California 

Thomas Sgouros	 Department Chairman 

Providence, Rhode Island Rhode Island School of Design

James Shipp	 Vice President 

Brooklyn, New York Bedford-Stuyvesant Restoration

Corporation 

Managing Director Iris Siff 

Houston, Texas ’ Alley Theatre

Mary Simms Artist 

New York, New York 

Roy Slade President

Cranbrook Academy of Art Bloomfield Hills, Michigan 

Industrial Designer Grant Smith Graphics Consultant Pittsburgh, Pennsylvania 

Tyler Smith
 Architect

Hartford, Connecticut
 

Martin Snipper Executive Director

San Francisco Arts Commission San Francisco, California 

Chairman John Spencer 

Hampton, Virginia 	 Hampton Institute Department of Architecture

Interior Designer Jeffrey Miller
 

Alexandria, Virginia
 

Director Sandra Moore New York City Department New York, New York of Housing Preservation and 

Development 

Lecturer, Writer Bradley Morison 

Minneapolis, Minnesota Arts Consultant

Editor, Writer John Morris
 

New York, New York
 
20 Advisory Panels 

Paul Muldawer 

Atlanta, Georgia 

Ruth Murphy 

Minneapolis, Minnesota 

Michael Newton 

New York, New York 

George Notter 

Boston, Massachusetts 

Sara O’Connor 

Milwaukee, Wisconsin 

Joe Ouye 

Berkeley, California 

Robert Parker 

Washington, Connecticut 

Neal Peirce 

Washington, D.C. 

Sandra Ragan 

Washington, D.C. 

Richard Ridley 

Washington, D.C. 

William Steuart 

Hartíord, Connecticut 

Ann P. Taylor 

Corrales, New Mexico 

Lisa M. Taylor 

New York, New York 

Massimo Vignelli 

New York, New York 

David Wallace 

Philadelphia, Pennsylvania 

Frederick Ward 

Bethesda, Maryland 

Harry Weese 

Chicago, Illinois 

Beverly Willis 

San Francisco, California 

Robert Wilson 

Stamford, Connecticut 

Dance Jack Anderson 

Advisory Panel New York, New York 

Maria Benitez 

Taos, New Mexico 

Merrill Brockway 

New York, New York 

Architect 

Executive Director 

Community Design Center 

President 

American Council for the Arts 

Architect 

Managing Director 

Milwaukee Reperatory Theatre 

Industrial Designer 

Artist 

Graphic Artist 

Syndicated Columnist 

National Journal 

Interior Designer 

Urban Designer 

Theater Managing Director 

Associate Professor 

University of New Mexico 

Director 

Cooper-Hewitt Museum 

Industrial Designer 

Graphic Designer 

Architect, Urban Planner 

Photographer 

Architect, Planner 

Architect 

Architect 

Critic, Free-lance Writer 

Dance Magazine 

Artistic Director 

María Benitez Estampa Flamenca 

Producer, "Dance in America" 

WNET-TV 
Advisory Panels 21 

Maurice Coats Executive Director

Austin, Texas Texas Commission on the Arts

and Humanities 

Ron Colton Artistic Director

Augusta, Georgia Augusta Ballet

Arlene Croce Editor, Ballet Review

Brooklyn, New York	 Dance Critic, New Yorker 

Carmen de Lavallade Dancer, Teacher

New Haven, Connecticut Professor

Yale School of Drama 

David Gordon Dancer, Choreographer

David Gordon/Pick-Up Company New York, New York 

Chairman Sandra Hale 

Minneapolis, Minnesota Minnesota State Arts Board 

Margaret Jenkins Artistic Director 

Margaret Jenkins Dance Studio San Francisco, California 

Robert :Ioffrey (Chairman)	 Director 

New York, New York City Center Joffrey Ballet

Administrative Manager Lewis Lloyd 

Boston, Massachusetts WGBH-TV

Attorney Charles McWhorter American Telephone and Telegraph New York, New York Company 

President 

Ballet Theatre Foundation, Inc. 

Former Member 

National Council on the Arts 

Arthur Mitchell Artistic Director

New York, New York
 Dance Theatre of Harlem

Manager
 Darlene Neel 

Los Angeles, California
 Bella Lewitzky Dance Company

Manager
 Marcus Overton 

Chicago, Illinois
 Ravinia Festival Association

Francisco Reynders Artistic Director


Oregon Mime Theatre Portland, Oregon
 

Program Director
 David Saltonstall Andrew W. Mellon Foundation New York, New York
 

Artistic Advisor
 Josephine Schwarz 

Dayton, Ohio
 Dayton Ballet Company

Board Member
 Ann Smith Cleveland Ballet Pepper Pike, Ohio
 

Michael Smuin Director


San Francisco Ballet Association San Francisco, California
 

Director
 Barbara Weisberger (Vice-chairman) 

Philadelphia, Pen~~ylvania Pennsylvania Ballet Association
22 Advisory Panels 

Joanne Woodward 

Beverly Hills, California 

Education Program: Donald Aldrich 

’ Artists-In-Schools East Greenwich, Rhode Island 

Advisory Panel 

Dewey Balfa 

Basile, Louisiana 

Alvin Batiste 

Baton Rouge, Louisiana 

Thomas P. Bergin (Chairman) 

South Bend, Indiana 

Shirley Trusty Corey 

New Orleans, Louisiana 

Chuck Davis 

Bronx, New York 

Ruth Draper 

Salt Lake City, Utah 

Robert Kiley 

Missoula, Montana 

Molly LaBerge 

St. Paul, Minnesota 

Ruth Asawa Lanier 

San Francisco, California 

Gigi Ledkovski 

Augusta, Maine 

Ron Libertus 

Minneapolis, Minnesota 

Donald Redlich 

New York, New York 

Jack Stefany 

Tampa, Florida 

Toshiko Takaezu 

Quakertown, New Jersey 

DeLloyd Tibbs 

New York, New York 

Melinda Ward 

Minneapolis, Minnesota 

Arne Zaslove 

Seattle, Washington 

Actress
 

Chairman of the Board
 

Dancers
 

Chairman
 

Rhode Island State
 

Council on the Arts
 

Coordinator
 

Acadiana School Project
 

Director
 

Jazz Institute
 

Southern University
 

Dean 

Center for Continuing Education 

University of Notre Dame 

Supervisor
 

Cultural Resources
 

New Orleans Public Schools
 

Artistic Director
 

Chuck Davis Dance Company
 

Executive Director 

Utah State Division of Fine Arts 

Dean
 

School of Fine Arts
 

University of Montana
 

Director
 

COMPAS
 

Sculptor 

Artists-In-Schools Coordinator 

Maine State Arts Commission on 

the Arts and Humanities 

Administrator 

University of Minnesota 

Dancer, Teacher, Choreographer 

Artistic Director 

Don Redlich Dance Company 

Architect, Educator 

Artist, Teacher 

National Executive Secretary 

American Guild of Musical Artists 

Film Coordinator 

Walker Art Center 

Assistant Artistic Director 

Seattle Repertory Theatre 
Advisory Panels 23 

Kenneth Billups 

St. Louis, Missouri 

Musician, Educator Expansion Arts 

Advisory Panel 

William G. Daniels 

Knoxville, Tennessee 

Director 

Knoxville Urban Ministry-Epworth 

Ivan Dixon (Chairman) Actor, Director, Producer 

Altadena, California 

Katherine Dunham (Vice-Chairman) 

East St. Louis, Missouri 

Dancer 

Anthropologist 

Southern Illinois University 

Richard Hill Painter, Photographer 

Grand Island, New York 

Ellida Kirk Arts Administrator 

Tacoma, Washington 

Alfred Liu 

Washington, D.C. 

Architect, Artist 

President 

Asian Benevolent Corps 

Eunice Lockhart-Moss Management Consultant 

Milwaukee, Wisconsin 

Arnold Mercado Arts Administrator, Consultant 

Houston, Texas 

Merle P. Minda 

Minneapolis, Minnesota 

Director of Public Relations 

Minnesota Public Radio 

Tina Ramirez 

New York, New York 

Artistic Director 

Ballet Hispanico of New York 

Rose W. Robinson 

Washington, D.C. 

Program Officer 

Phelps-Stokes Foundation 

E. Ray Scott 

Detroit, Michigan 

Executive Director 

Michigan Council for the Arts 

Brendan Sexton Labor Educator 

Manhattan, New York 

Elaine F. Thomas 

Tuskegee, Alabama 

Director, Curator 

George Washington Carver Museum 

Tuskegee Institute 

Isabelle Watkins 

Atlanta, Georgia 

Chairman 

Georgia Council for the Arts 

:Iack Wright 

Whitesburg, Kentucky 

Media Artist 

Appalshop, Inc. 

Jessie L. Brown 

Hampton, Virginia 

Old Dominion Professor of the 

Humanities 

Hampton Institute 

Federal-State 

Partnership 

Advisory Panel 

Dunbar Carpenter (Chairman) 

Medford, Oregon 

Former Chairman 

0regon Arts Commission 

Ann F. Darling 

Washington, D.C. 

Executive Director 

OPERA America 
24 Advisory Panels 

Barnet Fain 

Barrington, Rhode Island 

Rick George 

Columbia, South Carolina 

Philip Isaacson 

Lewiston, Maine 

Philip S. Jessup 

Brooklyn, New York 

Ronald J. Knouse 

Lenoir, North Carolina 

Michael Lomax 

Atlanta, Georgia 

Robert Mayer 

New York, New York 

Henry Moran 

Kansas City, Missouri 

Marvin Oliver 

Seattle, Washington 

Milton Rhodes 

Winston-Salem, 

North Carolina 

Stephen Sell 

Minneapolis, Minnesota 

Folk Arts Dr. Roger Abrahams 

Advisory Panel Austin, Texas 

Dr. Henry Glassie 

Philadelphia, Pennsylvania 

Dr. Edward Ives 

Orono, Maine 

Dr. Fred Lieberman 

Seattle, Washington 

Former Chairman
 

Rhode Island State Council on
 

the Arts
 

Executive Director
 

South Carolina Arts Commission
 

Chairman 

Maine State Commission on 

the Arts and the Humanities 

Program Director 

William H. Donner Foundation 

Member 

North Carolina Arts Council 

Commissioner 

Parks, Libraries, and 

Cultural Affairs 

Atlanta 

Executive Director 

New York State Council on 

the Arts 

Executive Director 

Mid-America Arts Alliance 

Professor 

Department of Art and 

American Indian Studies Program 

University of Washington 

Executive Director 

Arts Council of WinstonSalem, Inc. 

Chairman 

National Assembly of State 

Arts Agencies 

Executive Director 

Minnesota State Arts Board 

Professor 

Department of English 

University of Texas 

Chairman 

Department of Folklore and Folklife 

University of Pennsylvania 

Director 

Northeast Archives of Folklore 

and Oral History 

Department of Anthropology 

University of Maine 

Ethnomusicologist 

Department of Music 

University of Washington 
Advisory Panels 25 

Clydia Nahwooksy 

Washington, D.C. 

Special Assistant to the 

Assistant Secretary 

Bureau of Indian Affairs 

U.S. Department of Interior 

David Nelson Executive Director 

Missoula, Montana Montana Arts Council 

Dr. Barre Toelken (Chairman) 

Eugene, Oregon 

President 

American Folklore Society 

Professor 

Department of English 

University of Oregon 

Chloe Aaron 

Washington, D.C. 

Critic 

Senior Vice President 

Public Broadcasting System 

Literature 

Advisory Panel 

Doris Betts Fiction Writer, Teacher 

Sanford, North Carolina 

Rita Mae Brown Novelist 

Los Angeles, California 

Peter Coyote 

Sacramento, California 

Chairman 

California Arts Council 

Len Fulton Editor, Novelist 

Paradise, California 

Ernest Gaines Novelist 

San Francisco, California 

Barbara Garson Playwright 

New York, New York 

Albert Goldbarth Poet 

Austin, Texas 

Lyn Hejinian Small Press Editor, Poet 

Berkeley, California 

Robert Kotlowitz 

New York, New York 

Novelist, Director, 

WNET Educational Broadcasting 

Romulus Linney Playwright, Novelist 

New York, New York 

Bernard Blas Lopez 

Santa Fe, New Mexico 

Executive Director 

New Mexico Arts Commission 

Mary MacArthur 

Arlington, Virginia 

Editor 

James Alan MacPherson Fiction Writer 

Charlottesville, Virginia 

William P. Matthews (Co-chairman) Editor, Poet, Critic 

Boulder, Colorado 

Howard McCord Poet 

Bowling Green, Ohio 
26 Advisory Panels 

Frances McCullough 

New York, New York 

William Meredith (Co-chairman) 

New London, Connecticut 

Speer Morgan 

San Francisco, California 

Michael Palmer 

San Francisco, California 

Ann Pride 

Pittsburgh, Pennsylvania 

Charles Rowell 

Lexington, Kentucky 

Muriel Rukeyser 

New York, New York 

James Welch 

Missoula, Montana 

Ted Wilentz 

New Haven, Connecticut 

Museum William Agee 

Advisory Panel Houston, Texas 

Harold G. Blatt 

St. Louis, Missouri 

Joel N. Bloom 

Philadelphia, Pennsylvania 

Ralph T. Coe 

Kansas City, Missouri 

Anne d’Harnoncourt 

Philadelphia, Pennsylvania 

Martín Friedman (Co-chairman) 

Minneapolis, Mínnesota 

George H. Hamilton 

Williamstown, Massachusetts 

Edward R. Hudson, Jr. 

Fort Worth, Texas 

Ruth Kohler 

Sheboygan, Wisconsin 

George E. Lindsay 

San Francisco, California 

Jane Livingston 

Washington, D.C. 

Editor 

Harper & Row 

Poet, Professor 

Connecticut College 

Fiction Writer 

Poet, Critic 

Small Press Editor, Poet 

Editor, Writer 

Poet, Critic 

Poet, Novelist 

Bookstore Manager 

Yale University 

Director 

The Museum of Fine Arts 

Attorney 

Trustee 

The St. Louis Art Museum 

Vice President and Director 

The Franklin Institute Science 

Museum and Planetarium 

Director 

William RockhilI Nelson Gallery 

and Atkins Museum of Fine Arts 

Curator 

Twentieth Century Art 

Philadelphia Museum of Art 

Director 

Walker Art Center 

Director Emeritus 

Sterling and Francine Clark 

Art Institute 

Attorney 

Trustee 

The Fort Worth Art Museum 

Director 

John Michael Kohler Art Center 

Director 

California Academy of Sciences 

Associate Director 

Corcoran Gallery of Art 
Advisory Panels 27 

Thomas N. Maytham Director 

Denver, Colorado The Denver Art Museum 

Dewey F. Mosby 

Detroit, Michigan 

Curator 

Detroit Institute of Arts 

Jan K. Muhlert 

Iowa City, Iowa 

Director 

University of Iowa Museum of Art 

Richard E. Oldenburg 

New York, New York 

Director 

The Museum of Modern Art 

Harry S. Parker, III 

Dallas, Texas 

Director 

Dallas Museum of Fine Arts 

Russell I. Peithman Director 

Charlotte, North Carolina The Charlotte Nature Museum 

Peter Rodriguez 

San Francisco, California 

Executive Director 

The Mexican Museum 

Clement M. Silvestro Director 

Lexington, Massachusetts Scottish Rite Masonic Museum 

of Our National Heritage 

Thomas J. Vaughan (Co-chairman) 

Portland, Oregon 

Director 

Oregon Historical Society 

E. Leland Webber 

Chicago, Illinois 

Director 

Field Museum of Natural ttistory 

Former Member 

National Council on the Arts 

M. J. Zakrzewski 

Montgomery, Alabama 

Executive Director 

Alabama State Council on the 

Arts and ttumanities 

Planning Section: 

James B. Andrews Director 

Music 

Advisory Panel 

Hurricane, West Virginia Arts and Humanities Division 

West Virginia Department of Culture 

and History 

Jacob Avshalomov (Co-chairman) 

Portland, Oregon 

Composer 

Conductor 

Portland Junior Symphony 

James Barnett Arts Patron 

Atlanta, Georgia 

James Boyle 

Laramie, Wyoming 

Chairman 

Wyoming Council on the Ar~s 

Joan Briccetti 

Richmond, Virginia 

General Manager 

The Richmond Symphony 

Jess Casey 

Rock Hill, South Carolina 

Dean 

School of Music 

Winthrop College 
28 Advisory Panels 

John Crosby 

New York, New York 

iIames de Blasis 

New York, New York 

Rafael Druian 

La Jolla, California 

Donald Erb 

Cleveland Heights, Ohio 

Bill Fertik 

New York, New York 

Carlisle Floyd 

Houston, Texas 

Eugene Frey 

Hamilton, Ohio 

Elliott Galkin 

Timonium, Maryland 

Gordon Hardy 

Aspen, Colorado 

Natalie Hinderas 

Elkins Park, Pennsylvania 

William Ivey 

Nashville, Tennessee 

Ezra Laderman 

Teaneck, New Jersey 

Vera Brodsky Lawrence 

New York, New York 

Leonard Nelson 

Portland, Maine 

Robert Page 

Pittsburgh, Pennsylvania 

Larry Ridley 

Englishtown, New Jersey 

President 

Manhattan School of Music 

President 

OPERA America 

General Director 

Cincinntai Opera Company 

Violinist 

Professor of Music 

University of California at 

San Diego 

Composer 

Faculty Member 

Cleveland Institute of Music 

Motion Picture Director 

and Producer 

Composer 

M.D. Anderson Professor 

University of Houston 

President, Local-1 

American Federation of iVIusicians 

Director
 

Peabody Institute of the Johns
 

Hopkins University
 

President and Dean
 

Aspen Music Festival and School
 

Pianist
 

Professor of Music
 

Temple University
 

Director
 

Country Music Foundation
 

Composer-in-Residence
 

State University of New York at
 

Binghamton
 

Member
 

Advisory Board, ASCAP
 

Music Historian 

Attorney 

Director of Choruses
 

The Cleveland Orchestra
 

Chairman
 

Music Department
 

Carnegie-Mellon University
 

Jazz Artist 

Chairman
 

Music Department
 

Livingston College of Rutgers
 

University 
Roger Ruggeri 

Shorewood, Wisconsin 

Milton Salkind 

San Francisco, California 

Albert K. Webster (Co-chairman) 

New York, New York 

Choral Section: 

Elaine Brown 

Philadelphia, Pennsylvania 

Thomas Dunn 

Boston, Massachusetts 

Robert Fountain 

Madison, Wisconsin 

Morris Hayes 

Eau Claire, Wisconsin 

Margaret Hillis (Co-chairman) 

Wilmette, Illinois 

Joseph Liebling 

Oakland, California 

Robert Page (Co-chairman) 

Pittsburgh, Pennsylvania 

Roger Wagner 

Los Angeles, California 

Evelyn White
 

Washington, D.C.
 

Composer/Librettist Section: 

Dominick Argento 

Minneapolis, Minnesota 

Jan DeGaetani 

Rochester, New York 

Donald Erb (Chairman) 

Cleveland Heights, Ohio 

Vivian Fine 

North Bennington, Vermont 

Sheldon Harnick 

New York, New York 

Composer 

Principal Bass 

Milwaukee Symphony Orchestra 

President 

San Francisco Gonservatory 

of Music 

Managing Director 

New York Philharmonic 

Director 

Singing City 

Music Director 

Handel and Haydn Society 

Professor of Music
 

Director of Choral Organizations
 

University of Wisconsin
 

Vice President
 

American Choral Directors
 

Association
 

Director 

Chicago Symphony Orchestra Chorus 

Director
 

Oakland Symphony Chorus
 

Director of Choruses
 

The Cleveland Orchestra
 

Chairman
 

Music Department
 

Carnegie-Mellon University
 

Director
 

Los Angeles Master Chorale
 

Professor of Choral Music and
 

Theory
 

Howard University
 

Composer 

Mezzo-Soprano
 

Professor of Voice
 

Eastman School of Music
 

Compo.ser
 

Faculty Member
 

Cleveland Institute of Music
 

Composer
 

Professor of Music
 

Benningt0n College
 

Lyricist, Librettist 

Advisory Panels 29 
30 Advisory Panels 

John Hollander 

New York, New York 

Karel Husa 

Ithaca, New York 

Pauline Oliveros 

Leucadia, California 

Vincent Persichetti 

Philadelphia, Pennsylvania 

Matthew Raimondi 

New York, New York 

Loren Rush 

Richmond, California 

Hale Smith 

Freeport, New York 

Robert Suderburg 

Winston-Salem, 

North Carolina 

Joel Thome 

Philadelphia, Pennsylvania 

Hugo Weisgall 

Great Neck, New York 

Folk Section:
 

William Ivey (Chairman)
 

Nashville, Tennessee 

Richard Long 

Atlanta, Georgia 

Rene Lopez 

New York, New York 

Ethel Raim 

New York, New York 

Bernice Reagon 

Washington, D.C. 

Ralph Rinzler 

Washington, D.C. 

Don Roberts 

Evanston, Illinois 

Poet, Librettist 

Composer, Conductor 

Kappa Alpha Frofessor of Music 

Cornell University 

Composer 

Faculty Member 

University of California at 

San Diego 

Composer 

Violinist 

Composers String Quartet 

Composer 

Co-Director 

Center for Computer Research in 

Music and Acoustics 

Stanford University 

Composer 

Professor of Music 

University of Connecticut 

Composer 

Chancellor 

North Carolina School of the Arts 

Music Director and Conductor 

Philadelphia Composers’ Forum 

Orchestra of Our Time 

Composer
 

Professor of Music
 

Queens College
 

Director
 

Country Music Foundation
 

Director
 

Center for African and African-


American Studies
 

Atlanta University
 

Record Producer 

Co-Director
 

Balkan Arts Center
 

Folklore Specialist
 

African Diaspora Program
 

Smithsonian Institution
 

Director
 

Folklife Programs
 

Smithsonian Insti~ution
 

Head Music Librarian
 

Northwestern University
 
Advisory Panels 31 

President 

Berkeley, California Arhoolie Records 

Chris Strachwitz 

Anthropologist, Folklorist John F. Szwed 

Philadelphia, Pennsylvania 

Charles K. Wolfe	 Folklorist 

Murfreesboro, Tennessee Associate Professor of English

Middle Tennessee State University 

Jazz Section: 

Richard Abrams Pianist, Composer, Arranger

New York, New York 

S. David Bailey	 Jazz Artist 

White Plains, New York Executive Director

Jazzmobile, Inc. 

Benny Carter Composer, Instrumentalist, 

Los Angeles, California Conductor 

Toro Ferguson President 

Tempe, Arizona National Association of Jazz 

Educators 

Director of Jazz Studies 

Arizona State Universi~y 

Phyllis Garland	 Contributing Editor, Ebony 

New York, New York	 Assistant Professor of Journalism
 

Graduate School of Journalism
 

Columbia University
 

James Jordan Program Analyst 

New York, New York New York State Council on the Arts 

Ken A. McIntyre Composer, Multi-Instrumentalist, 

Wheatley Heights, New York Educator 

Monk Montgomery Jazz Artist
 

Las Vegas, Nevada President
 

Las Vegas Jazz Society 

Gil Noble	 Producer and Host 

New York, New York	 "Like It Is"--WABC-TV 

Member 

New York State Council on the Arts 

Coleridge-Taylor Perkinson Composer, Pianist
 

New York, New York
 

Benny Powell Musician, Lecturer
 

Los Angeles, California
 

Vi Redd Musician, Educator
 

Inglewood, California
 

Larry Ridley (Chairman)	 Jazz Artist 

Englishtown, New Jersey	 Chairman
 

Music Department
 

Livingston College of Rutgers
 

University 

Vishnu Wood Bassist

Amherst, Massachusetts Assistant Professor of Music

Hampshire College 
32 Advisory Panels 

Opera Section: 

Kurt Herbert Adler 

San Francisco, Ca]ifornia 

Carmen Balthrop 

Washington, D.C. 

Michael Bronson 

New York, New York 

Sarah Caldwell 

Weston, Massachusetts 

Justino Diaz 

New York, New York 

Carlisle Floyd (Chairman) 

Houston, Texas 

Carol Fox 

Chicago, Illinois 

Christopher Keene 

New Yor.k, New York 

William Matthews 

Omaha, Nebraska 

Glynn Ross 

Seattle, Washington 

Robert L. B. Tobin 

San Antonio, Texas 

Evan Whallon 

Columbus, Ohio 

Orchestra Section: 

Ben Barkin 

Milwaukee, Wisconsin 

Joan Briccetti (Chairman) 

Richmond, Virginia 

Dennis Russell Davies 

St. Paul, Minnesota 

Lanham Deal 

Seattle, Washington 

E. Atwill Gilman 

Denver, Colorado 

Thomas A. Greene 

New Orleans, Louisiana 

General Director 

San Francisco Opera Association 

Soprano 

Business Director and Technical 

Administrator 

Metropolitan Opera Association 

Artistic Director 

Opera Company of Boston 

Bass 

Metropolitan Opera 

Composer 

M.D. Anderson Professor 

University of Houston 

General Manager 

Lyric Opera of Chicago 

Music Director 

Syracuse Symphony 

Vice-President 

Omaha Opera Company 

General Director 

Seattle Opera Association 

Arts Consultant 

Music Director 

Columbus Symphony Orchestra 

Music Director 

Chautauqua Opera Festival 

President and Chief Executive 

Barkin, Herman, Solochek 

and Paulsen, Inc. 

General Manager 

The Richmond Symphony 

Music Director 

St. Paul Chamber Orchestra 

General Manager 

Seattle Symphony Orchestra 

Chairman of the Board 

American Symphony Orchestra League 

President and Chairman of
 

the Board
 

Denver Symphony Orchestra
 

Assistant to the President 

New Orleans Philharmonic Symphony 
Advisory Panels 33 

Oleg Lobanov 

Washington, D.C. 

Managing Director 

National SymphonyOrchestra 

Association 

Martha Ellen Maxwell 

Memphis, Tennessee 

President 

Memphis 0rchestral Society 

Eve Queler 

New York, New York 

Music Director 

Opera Orchestra of New York 

Ann Schein Concert Pianist 

Scarsdale, New York 

Irving J. Segall 

Philadelphia, Pennsylvania 

Chairman 

International Conference of 

Symphony and Opera Musicians 

Violinist 

Philadelphia Orchestra 

Samuel Baron 

Great Neck, New York 

Flutist, Bach Aria Group 

Faculty Member, State University of 

New York at Stony Brook 

Music 

Consultants 

Phyllis Bryn-Julson 

Potomac, Maryland 

Soprano 

Richard C. Clark 

New York, New York 

President 

Affiliate Artists, Inc. 

Edward Com 

Philadelphia, Pennsylvania 

Manager 

Opera Company of Philadelphia 

Robert Mann 

New York, New York 

First Violinist 

Juilliard String Quartet 

Dan Morgenstern 

New York, New York 

Free-lance Writer 

Jazz Consultant 

Jimmy Owens Jazz Artist 

New York, New York 

Judith Raskin Soprano 

New York, New York 

Seymour Rosen 

Pittsburgh, Pennsylvania 

Managing Director 

Pittsburgh Symphony 

Mike Seeger Musician, Singer 

Garret Park, Maryland 

William Thomson 

Buffalo, New York 

Chairman, Music Department 

State University of New York at Buffalo 

Robert Ward Composer 

Winston-Salem, North Carolina 
34 Advisory Panels 

Theater Arthur Ballet (Vice-chairman) 

Advisory Panel Minneapolis, Minnesota 

Kenneth R. Brown 

Columbiao South Carolina 

Richard Christiansen 

Chicago, Illinois 

Gordon Davidson 

Los Angeles, California 

David Frank 

St. Louis, Missouri 

Earle Gister 

New York, New York 

Adrian Hall 

Providence, Rhode Island 

Peter Hero 

Salem, Oregon 

Jon Jory 

Louisville, Kentucky 

Woodie King 

New York, New York 

James McKenzie 

San Francisco, California 

Lynne Meadow 

New York, New York 

Alan Schneider (Chairman) 

New York, New York 

William F. Storke 

New York, New York 

Megan Terry 

Omaha, Nebraska 

 ̄Nina Vance 

Houston, Texas 

Douglas Turner Ward 

New York, New York 

Lanford Wilson 

New York, New York 

Literary Adviser 

O’Neill Theater Center 

P]aywrights’ Conference 

Professor 

Theater Department 

University of Minnesota 

Chairman 

South Carolina Arts Commission 

Drama Critic 

Chicago Daily News 

Artistic Director 

Center Theater Group 

Mark Taper Forum 

Managing Director 

Loretto-Hilton Repertory Theater 

Director 

Leonard Davis Center for the 

Performing Arts 

City College of New York 

Artistic Director 

Trinity Square Repertory Company 

Executive Director 

Oregon Arts Commission 

Artistic Director 

Actors’ Theater of Louisville 

Director 

New Federal Theater 

Executive Director 

American Conservatory Theater 

Artistic and Executive Director 

Manhattan Theater Club 

Stage Director 

Director 

Drama Division 

The Juilliard School 

Vice President 

Special Programs 

NBC Television Network 

Playwr.ight 

Producing Director 

Alley Theater 

Ar~istic Director and Producer 

Negro Ensemble Company 

Playwright 
Advisory Panels 35 

Policy Panel Visual Arts 

Advisory Panel 

Benny Andrews Artist 

New York, New York 

Anne d’Harnoncourt 

Philadelphia, Pennsylvania 

Curator, Twentieth Century Art 

Philadelphia Museum of Art 

Newton Harrison (Chairman) Artist 

Del Mar, California 

James Haseltine 

Olympia, Washington 

Executive Director 

Washington State Arts Commission 

Carole Kismaric 

New York, New York 

Managing Editor 

Aperture 

George Lakoff 

Berkeley, California 

Proíessor of Linguistics 

University of California 

Edward Levine (Vice-Chairman)

Minneapolis, Minnesota 

Chairman 

University Art Department 

Minneapolis College of Art 

and Design 

Nathan Lyons 

Rochester, New York 

Director 

Visual Studies Workshop 

Professor 

State University of New York at Buffalo 

Warren MacKenzie Potter 

Stillwater, Minnesota 

Eudorah Moore 

Pasadena, California 

Director 

California Design 

Master Craftsmen Apprenticeships Panel 

Edwina Bringle Weaver 

Charlotte, North Carolina 

Dale Chihuly 

Providence, Rhode Island 

Glassblower 

Chairman of Glass Department 

Rhode Island School of Design 

John Glick Potter 

Farmington, Michigan 

Works of Art in Publie Plaees Panel 

James Demetrion Director 

Des Moines, Iowa Des Moines Art Center 

James Elliott 

Berkeley, California 

Director 

University of California-Berkeley 

Museum 

Sylvia Stone Artist 

New York, New York 

Dianne Vanderlip

Philadelphia, Pennsylvania 

Director 

Moore College of Art Gallery 

Workshops/Alternative Spaces Panel 

Richard Fleischner Artist 

Providence, Rhode Island 
36 Advisory Panels 

Tina Girouard 

New York, New York 

Jira Pomeroy 

San Francisco, California 

Helene Winer 

New York, New York 

Crafts Exhibition Aid & Workshops Panel 

Robert Gray 

Asheville, North Carolina 

Mary Lee Hu 

Okemos, Michigan 

Dan Overly 

Jackson, Mississippi 

Edith Wyle 

Los Angeles, California 

Video Subpanel 

George Bolling 

Berkeley, California 

Peter Campus 

New York, New York 

Ann Focke 

Seattle, Washington 

Barbara London 

New York, New York 

Conceptual/Performance Subpanel 

Roselee Goldberg 

New York, New York 

Robert Irwin 

Los Angeles, California 

Robert Watts 

Bangor, Pennsylvania 

Printmaking Subpanel 

Kathan Brown 

Berkeley, California 

John Dowell 

Philadelphia, Pennsylvania 

Roland Ginzel 

Chicago, Illinois 

Artists Fellowships Panel 

Rafael Ferrer 

Philadelphia, Pennsylvania 

Nancy Graves 

New York, New York 

Artist 

Artist 

Director 

Committee for the Visual Arts 

Director 

Southern Highlands Handicraft Guild 

Metalsmith 

President 

Society of North American Goldsmiths 

Director 

Craftsmen’s Guild of Mississippi 

Founder and Program Director 

Craft and Folk Art Museum 

Artist 

Artist 

Director 

and/or service 

Assistant Curator 

Vídeo Exhibition Department 

Museum of Modern Art 

Curator of Performance 

The Kitchen Center 

Artist 

Artist 

Director 

Crown Point Press 

Artist 

Artist 

Artist 

Artist 
Advisory Panels 37 

Artist 

Pasadena, California 

Brenda Richardson Assistant Curator of Exhibitions 

Baltimore, Maryland Baltimore Museum of Art 

Paul Sarkisian 

Bruce Nauman 

Artist 

Cerillos, New Mexico 

Roger Brown Artist 

Chicago, Illinois 

Crafts Services to the Field Subpanel 

La Mar Harrington	 Curator 

Seattle, Washington	 Archives of Northwest Art 

University of Washington 

Ted Potter Director 

Winston-Salem, North Carolina Southeastern Center íor 

Contemporary Art 

Daniel Rhodes Potter ~ Davenp0rt, California 

Photography Exhibition Aid, Publications and Surveys Panel 

Professor of Photography Joseph Deal University of California, Riversidi Riverside, California 

Michael Hoffman Editor

Millerton, New York Aperture

Coordinator of Printshop Joan Lyons Visual Studies Workshop Rochester, New York 

John Upton	 Chairman of Photography Department
 

Costa Mesa, California Orange Coast College


Craftsmen’s Fellowships Panel 

Dale Chihuly	 Glassblower 

Providence, Rhode Island Chairman of Glass Department

Rhode Island School of Design 

Ken Ferguson Potter
 

Kansas City, Missouri
 

Arline Fisch Metalsmith
 

San Diego, California
 

Ruth Kohler Director

Sheboygan, Wisconsin	 John Michael Kohler Art Center
 

Claire Zeisler Fiber Artist


Chicago, Illinois 

Visual Arts in the Performing Arts Panel 

Curator Constance Glenn Long Beach Art Gallery Long Beach, California University of California 

Curator :Ianet Kardon Philadelphia College of Art Philadelphia, Pennsylvania
 

Don McDonagh Dance Critic


New York Times New York, New York 
38 Advisory Panels 

Services to the Field Panel 

Richard Artschwager 

New York, New York 

Patricia Fuller 

Seattle, Washington 

Helen Harrison 

La Jolla, California 

Ted Potter 

Winston-Salem, North Carolina 

Photography Fellowships Panel 

Lewis Baltz 

Sausalito, California 

Linda Connor 

San Francisco, California 

Van Deren Coke 

Albuquerque, New Mexico 

Evelyn Hofer 

New York, New York 

William Jenkins 

Rochester, New York 

Art Critics Panel 

Jack Barnham 

Chicago, Illinois 

, May Stevens 

New York, New York 

Emmett Williams 

Allston, Massachusetts 

Research Division Consultants 

David G. Berger 

Philadelphia, Pennsylvania 

John Bonin 

Middletown, Connecticut 

Yale M. Braunstein 

Waltham, Massachusetts 

Muriel G. Cantor 

Washington, D.C. 

Philip Ennis 

Middletown, Connecticut 

Michael D. Hurd 

Stanford, California 

Artist 

Coordinator 

Art in Public Places 

Seattle Arts Commission 

Artist 

Director 

Southeastern Center 

for Contemporary Art 

Photographer 

Photographer 

Instructor 

San Francisco Art Institute 

Director 

University of New Mexico Art Museum 

Photographer 

Associate Curator 

International Museum of Photography 

at George Eastman House 

Critic 

Artist 

Artist, Critic 

Professor of Sociology
 

Temple University
 

Professor of Sociology
 

Wesleyan University
 

Professor of Economics
 

Brandeis University
 

Professor of Sociology
 

American University
 

Professor of Sociology
 

Wesleyan University
 

Economist 

Stanford University 
Advisory Panels 39 

Albert Madansky 

Chicago, lllinois 

Proíessor of Business 

Administration 

University of Chicago 

Richard A. Peterson Professor of Sociology 

Nashville, Tennessee Vanderbilt University 

Donald R. Ploch Professor of Sociology 

Nashville, Tennessee University of Tennessee 
40 

Architecture, Planning,
 

Program funds : $3,955,682 and Design Treasury funds : $62,275

Private gifts: $50,000 

Cultural Facilities 

Research and Design 

To help ¢ommunities plan and

design cultural fa¢ilities; to 

encourage the commitment

of local publicand private 

money to carry out pro]ects,

Program funds: $640,105 

Akron Art Institute 

Akron, Ohio 

American Conservatory Theatre 

Foundation 

San Francisco, California 

Appalshop, Inc. 

Whitesburg, Kentucky 

Arts Council, Inc. 

Phoenix, Arizona 

Baldwin (Mary) College 

Staunton, Virginia 

Beale Street Repertory Company, Inc. 

Memphis, Tennessee 

Black Economic Union of Greater 

Kansas City 

Kansas City, Missouri 

Bowling Green-Warren Couuty Arts 

Commission 

Bowling Green, Kentucky 

Brooklyn Academy of Muslo, Inc. 

Brooklyn, New York 

Cambridge Arts Council Fund 

Cambridge, Massachusetts 

Capitol South Association 

Columbus, Ohio 

Chelsea Theater Center, Inc. 

Brooklyn, New York 

Chemung County Performing Arts 

Elmira, New York 

Children’s Museum, Inc. 

Pawtucket, Rhode Island 

Cooperative Arts Council of Clark 

County 

Vancouver, Washington 

Cornish School of Allied Arts 

Seattle, Washington 

For initial architeetural studies for the $12,500 

relocation of the museum. 

For design and planning studies for renova- 15,000 

tion of the historie Geary Theater and for 

design of a new five-story building and 

experimental theatre. 

To designa training and production center 12,500 

for the Appalachian region. 

To assist in the development of the aban- 6,000 

doned Monroe School as an arts center. 

For a feasibility study to adapt the historic 17,500 

Staunton Military Academy into a per]orming arts center for the community and Mary 

Baldwin College. 

To prepare a feasibility study and design 6,820 

concept for restoration of Daisy Theater 

as a theater for the performing arts. 

To study the rehabilitation of a forme~ 13,000 

theater building for use asa performing 

arts center. 

For the planning and design of the renova- 10,000 

tion of a former vaudeville house in downtown Bowling Green ]of use as a multipurpose arts eenter. 

To prepare a master plan for improve­ 12,500 ments to the academy’s building. 

For planning and research fora community 14,000 

arts center. 

To design a performing and visual arts 10,000 

center in downtown Columbus, Ohio. 

For feasibility study of the proposed re­ 17,000 

location of the Chelsea Theater Center to 

the Westside Airlines Terminal Building. 

To support the design, technical, public re­ 13,500 

lations, and audience development assistance 

for the Samuel L. Clemens Performing Arts 

Center. 

To plan for the adaptive reuse of the 6,465 

Pitcher-Goff mansion and grounds as a 

"hands-on" learning center for children. 

For assistance in the collection of data and 15,000 

fora design plan fora cultural facility. 

To prepare a study of the problems, poten- 10,000 

tial, and alternative pIans for the growth 

and development of the Cornish lnstitute. 

TF refers to Treasury Funds; PG refers to private gifts. 
Architecture, Planning, and Design 41 

Council for the Arts in Westchester 

White Plains, New York 

For the renovation of the White Plains 

Armory as ah urban arte center. 

$9,500 

Festival Theatre of California 

Carmel, California 

To prepare Íeasibility studies related to the 

design oí a professional repe~’tory thea$er

in Monterey County, CaliÍornia. 

5,000 

Florence, Alabama, City of 

Florence, Alabama 

To designan adaptation of a brick Georgian 

home and auxiliary buildings to serve the 

Florence City Arts Commission. 

10,000 

Fort Lauderdale, Florida, City of To design and plan a cultural facility. 4,000 

Fort Lauderdale, Florida 

Frog Hollow Craft Association 

Middlebury, Vermont 

For design studies related to use of available water power to meet the energy needs 

of the craft association. 

1,000 

Greater Providence Community 

Foundation 

To design the adaptation of the Ocean State 

Theater asa performing arts center. 

5,000 

Providence, Rhode Island 

Grove House, Inc. 

Coconut Grove, Florida 

To provide architectural aseistanee for the 

renovation and reuse of space. 

8,000 

Indiana Repertory Theáter, Inc. 

Indianapolis, Indiana 

To complete research and design work of 

the Indiana Theater. 

15,000 

Magic House To designa museum for children. 5,000 

St. Louis, Missouri 

Martha Grabara School of 

Contemporary Dance, Inc. 

New York, New York 

For investigation of the optimum use of the 

existing buildings and examination of opportunities to construct additional space on 

the present site. 

12,000 

Mayaguez, Municipality of 

Mayaguez, Puerto Rico 

To plan for the restoration of the Yaguez 

theater for continued operation asa theater and for use asa cultural center. 

14,000 

Metropolitan Center, Inc. 

Boston, Massachusetts 

For architectural design work for the refurbishing and expansion of the music hall. 

15,000 

Minneapolis, Minnesota, City of 

Minneapolis, Minnesota 

To designa conversion of the Masonic 

Temple as ah art center housing the 

Cricket Theater, the Minnesota Dance 

20,000 

Theater and School, studio residences 

artists, and ground floor commercial use. 

Missouri-Kansas City, University of 

Kansas City, Missouri 

To plan a new facility to house the Missouri 

Repertory Theatre. 

7,500 

Museum of Contemporary Art 

Chicago, Illinois 

To design ah "alternative space kit" that 

could be used in any number of temporary 

spaces as well as in permanent installations 

4,820 

]of the presentation of arts events. 

Narragansett, Rhode Island, Town of To designa band shell. 3,000 

Narragansett, Rhode Island 

New York State Council on the Arts 

New York, New York 

To study and report on the state of cultural 

facilities within New York State. 

5,000 

Northcoast Arts, Inc. 

Arcata, California 

For the Pacific Arts Center’s feasibility 

study to restore and convert two barns for 

use asa cultural center. 

15,000 

Oakland Ensemble Theatre, Inc. 

Oakland, California 

To plan and designa complete renovation of 

the historic Ginn House asa theater. 

15,000 

Pensacola, Florida, City of 

Pensacola, Florida 

To design the stage area of the Saenger 

Theater. 

10,000 

Performing Arts Center at Bath 

Bath, Maine 

To design a renovation of an 1846 Gothic 

revival church into a 400-seat theater. 

15,000 
42 Architecture, Planning and Design 

Performing Arts Foundation of Long 

Island 

Huntington Station, New York 

Pioneer Patrons Foundation, Inc. 

Platteville, Wisconsin 

Playhouse Square Foundation 

Cleveland, Ohio 

Provincetown Playhouse on the 

Wharf, Inc. 

Provincetown, Massachusetts 

Puerto Rican Traveling Theater 

Company, Inc. 

New York, New York 

St. Louis Conservatory and Schools 

for the Arts 

St. Louis, Missouri 

St. Louis County Department of Parks 

and Recreation 

Clayton, Missouri 

San Antonio, Inc., Arts Council of 

San Antonio, Texas 

Settlement Music School of 

Philadelphia 

Philadelphia, Pennsylvania 

Sierra Arts Foundation 

Reno, Nevada 

Strand Theater of Shreveport 

Corporation 

Shreveport, Louisiana 

Sun Foundation for Advancement in 

the Environmental Sciences and Arts 

Washburn, II]inois 

Texarkana, Texas, City of 

Texarkana, Texas 

Waterloo Foundation for the Arts 

Stanhope, New Jersey 

West Virginia Arts and Humanities 

Commission 

Charleston, West Virginia 

York, Pennsylvania, City of 

York, Pennsylvania 

Zuni Pueblo 

Zuni, New Mexico 

To designa low cost 500-seat theater. $15,000 

To design a university/community arts 6,000 facility to house both the visual arts and 

the performing arts. 

Fora feasibility study on the use of a com- 30,000 

ple~ of historic and arehitecturally significant vaudeville and legi~imate theaters in 

Cleveland as a performing arts center. 

For feasibility studies ¿o prepare a program 20,000 

for designan, d to establish a designer sele¢­

tion process for the replacement of the 

burned playhouse. 

To design the conversion of a firehouse built 25,000 

in 1887 by Napoleon Lebrun into a 199­

seat theater. 

For architectural planning for renovation 10,0~)0 

of the Shaare Emeth Temple building. 

To evaluate a park site for use as ah out- 7,500 

door museum. 

Fora feasibility and design study of the 20,000 

reuse of a group of historically significant 

theaters in downtown San Antonio for a 

performing arts districL 

To design the conversion of the German- 20,000 

town branch of the school to allow physically disabled children and young adults to 

study in a medicaIly supervised program. 

To design a cultural center including a 10,000 

theater, an art museum, classrooms anda 

rehearsal space in Reno, Nevada. 

To prepare acoustic guidelines and 8pecifica- 3,000 

tions for the adaptation of the Strand 

Theater asa multiple-use hall for the performing arts. 

To designan environmental arts resource 3,000 

center. 

To design the necessary improvemen~s to 15,000 

restore the Paramount Theater for use as 

a performing arts center. 

For feasibility studies for ¢onstruction of 10,000 

a music shed for performances during the su~nmer festival at Waterloo Village. 

For feasibility and design studi~s for ~_he 30,000 

adap~ation of old buildings for arts programming. 

For a planning and design study to deter­ 10,000 mine lighting, acoustic, and stage requirements for the proposed York Performing 

Arts Center. 

For assistance in determining the seope 15,000 

and feasibility and to find funding sources 

fora museum to house the artifacts of ten 

centuries oÍ Zuni cultural heritage. 
Architecture, Planning and Design 43 

AIA Research Corporation 

Washington, D.C. 

Allied Arts Foundation, Inc. 

Seattle, Washington 

To publish a handbook to be distributed 

nationally to city planners and other community groups involved in urban development explaining in laynmn’s terms solar 

energy technology and its relationship to 

good design, 

Fora film on the architectural and historical significanee of the Pike Place Market. 

$60,000 Design and 

Communication 

To develop and disseminate

information about good

design for the public and for 

the design professions.

Program funds : $967,412 

8,800 Treasury funds: $50,000 

Private gifts : $50,000 

American Institute of Architects To catalogue, stabilize, and conserve archi­ 25,780 

Foundation, Inc. tectural archives. 

Washington, D.C. 

American Institute of Graphic Arts 

New York, New York 

For an exhibir of excellence in federal 

design entitled "The Federal Design Respo~tse." 

7,500 

American Society of Interior 

Designers Educational Foundation 

New York, New York 

For a photographic e~hibition of the interior 

of Radio City Music Hall as an effort to 

gain support for saving the building. 

14,900 

Association of Collegiate Schools of For ¿he Journal of Architectural Education. 10,000 

Architecture, Inc. 

Washington, D.C. 

Association of Collegiate Schools of 

Architecture, Inc. 

Washington, D.C. 

For continued public~tion of the Journal of 

Architectural Education. 

9,320 

Brooks Memorial Art Gallery 

Memphis, Tennessee 

For an exhibir on the architectural heritagc 

of Me~nphis, Tennessee. 

2,930 

California Tomorrow 

San Francisco, California 

To develop an cnvironmental intern prograto in California. 

TF 50,000 

PG 50,000 

California-Berkeley, University of 

Berkeley, California 

To develop learning ~naterials for the 

campus course, a program to introduce 

prineiples of design in the environment to 

22,890 

a broad spectrum of university students and 

com~nunity citizens. 

Cape May, New Jersey, City of 

Cape May, New Jersey 

For preservation workshops focusing on 

wooden indigenous architccture. 

3,770 

Columbia University in the City of 

New York, Trustees of 

To develop an information center for preservation planning. 

15,000 

New York, New York 

Committee for a National Museum of 

the Building Arts 

Washington, D.C. 

For continued support to establish a national center for the building arts in 

America. 

17,000 

Cosanti Foundation 

Scottsdale, Arizona 

Fora national touring lecture-exhibit prograto based on the concept of ecologically 

sound architecture in urban design. 

3,000 

Council of Education in Landscape 

Architecture 

East Lansing, Michigan 

For further research fora uniform national 

e~amination and associated procedures for 

registration of landscapc architects. 

20,000 

Delaware Valley Regional Information 

Corporation 

For research fora series in Region Magazine entitled "Reviving Our Cities." 

26,445 

Philadelphia, Pennsylvania 

Design Foundation 

Chicago, Illinois 

To support student participation and conference proceedings at the Inte~’national 

Council of Graphic Design Associate8 

15,000 

Conference. 

Federated Arts of Manchester, Inc. For a dcsign ¿nfor~nation center. 30,000 

Manchester, New Hampshire 
44 Architecture, Planning and Design 

Foundation for Preservation 

Technology 

Washington, D.C. 

Gerontological Society, Inc. 

Washington, D.C. 

Historic Salero, Inc. 

Salem, Massachusetts 

Idaho, University of 

Moscow, Idaho 

IDSA Walter Dorwin Teague Research 

Washington, D.C. 

Illinois Arts Council 

Chicago, Illinois 

Institute for Architecture and Urban 

Studies 

New York, New York 

Institute for Art and Urban 

Resources, Inc. 

New York, New York 

Institute for Environmental Action 

New York, New York 

Institute for Local Self-Reliance, Inc. 

Washington, D.C. 

Institute of Public Services 

Performance, Inc. 

New York, New York 

Iowa State University of Science and 

Technology 

Ames, Iowa 

Jacksonville University 

Jacksonville, Florida 

Lower Manhattan Cultural Council 

New York, New York 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

Massachusetts, Amherst Campus,

University of 

Amherst, Massachusetts 

Minneapolis, Minnesota, City of 

Minneapolis, Minesota 

Minnesota at Minneapolis-St. Paul, 

University of 

híinneapolis, Minnesota 

Minnesota, University of 

Minneapolis, Minnesota 

To support the follow-up activities for task 

force meetings and site visits for the Report of the Study Committee on Architecrural Conservation. 

$9,090 

For a speeial issue of the Journal of 

Architectural Education on design and the 

elderly. 

6,840 

To develop a sign system ident¿fying the 

significant ethnic architeeture of Salero, 

Massachusetts. 

9,775 

For the Cart-O-Graphics Laboratory to research communication e~ciency through 

maps and graphies. 

6,310 

To produce a film on Raymond Lowey, the 

industrial designer. 17,500 

For a theatrical production, The Night of 

January 16th, a courtroom drama in 25 

courtrooms throughout Illinois, to heighten 

citizens’ awareness of and interest in courtroom renovation pro]ects. 

5,115 

For a lecture forum series on architecture 

and design to be accompanied by s[~de 

shows, an exhibir, and catalogue. 

20,000 

To amend a previous grant which supports 

a major exhibition entitled "20th Century 

Ruins : The Rebuilt Environment" which 

calls for the rehabilitation of tire adjacent 

8torefronts by tire artists. 

3,000 

To transfer the More Streets for People 

presentation to 16mm film. 

5,000 

To develop a decentralized solar energy use 

scenario for the urban context. 

30,000 

To develop a decentralized solar energy use 

scenario for the suburban community. 

30,000 

For curriculum development at the newly 

established College of Design. 

29,990 

For research on aboriginal American architecture in the United States. 

15,000 

Fora film on the TriBeCa Triangle area, 

adjacent to the Sollo district. 

30,000 

For continued researeh on the trends in 

urban zoning regulations. 

17,805 

To develop a decentralized solar energy use 

scenario in a rural, small town community. 

30,000 

Fora national conference by the Minne. 

apolis Arts Commission for people interested in developing the concept of art as 

ah important potential factor in center city 

development and stability. 

20,000 

For ah international conference to focus 

on making a more livabIe winter city of 

Minneapolis, Minnesota. 

7,710 

For a statewide conferenee on Minnesota’s 

built environment. 

14,540 
Architecture, Planning and Design 45 

MSA Foundation for Environmental For the Minnesota Society American In­ $13,600 

Computer Design, Inc. 

Minneapolis, Minnesota 

stitute of Architects to plan a center for 

public education and design. 

National Trust for Historic 

Preservation in t~e U.S. 

Washington, D.C. 

For the preservation press to research and 

write a Whole Preservation Catalogue, a 

composite of historical preservation technique, s and general in]ormation. 

10,000 

National Trust for ttistori¢ 

Preservationinthe U.S. 

For Main Street Project: Phase II, a conservation handbook Íor central business 

26,425 

Washington, D.C. districts. 

National Trust for Historic 

Preservation in the U.S. 

For a national conference on design compatibility between old and new buildings. 

15,000 

Washington, D.C. 

Neighborhood Housing Services of 

Albuquerque, Inc. 

Albuquerque, New Mexico 

To enhance the historic character and design potential of downtown Albuquerque 

through preservation brochures, slide presentations and work shops. 

10,000 

New Orleans, City of 

New Orleans, Louisiana 

To plan and organize a eonference on Latin 

influences in the built environment of the 

American South and Southwest. 

9,265 

New York Chapter, American Institute 

of Architects Foundation 

New York, New York 

To develop a major segment of an instructional program designed to encourage lay 

people to view their environment with improved perceptual skills. 

28,600 

New York, Research Foundation of the 

City University of 

To develop a guidebook to New York City’s 

open spaces. 

24,020 

New York, New York 

Nickel (Richard)Committee

Chicago, Illinois 

To compile material for a eomprehensive 

book about Adler and Sullivan. 

20,000 

North Carolina Agricultural and

Technical State University 

To establish an environmental design program at the university. 

15,000 

Greensboro, North Carolina 

Off-Off Broadway Alliance, Inc. 

New York, New York 

To develop guidebooks and seminars on

space and building code requirements Íor 

theater groups. 

22,900 

Pennsylvania State University, 

Main Campus 

University Park, Pennsylvania 

To develop design guidelines for incorporating metal extraction and recycling plants 

into Pennsylvania communities. 

11,520 

Pennsylvania, Trustees of the 

University of 

Philadelphia, Pennsylvania 

To establish a program to conduct research 

coneerning the relationship among architectural character, building technology, and 

human values. 

30,000 

Project for Public Spaces, Inc. 

New York, New York 

To develop a program on the effects of behavioral research and design. 

15,000 

Saratoga County Board of Supervisors 

Ballston Spa, New York 

To support research for a publication of 

historically significant buildings in Saratoga County. 

4,100 

Savannah Landmark Rehabilitation To support follow-up proceedings of the 5,087 

Project, Inc. Urban Conservation Conferenee. 

Savannah, Georgia 

South Platte River Greenway 

Foundation, Inc. 

Denver, Colorado 

To design a graphie and interpre~ive information system for the Platte River 

Greenway. 

1,350 

Southern California, University of 

Los Angeles, California .’ 

To investigate the architectural and urban 

design imptications oí "$un Bights." 

16,997 

Tennessee, University of 

Knoxville, Tennessee 

To support research on the deveIopmen~ of 

the scale-model design process so that architecas and planne~’s may use the technique 

15,000 

more ef~ ectively. 
46 Architecture, Planning and Design 

Trust for Public Land, Inc. 

San Francisco, California 

Virginia Polytechnic Institute and 

State University 

Blacksburg, Virginia 

Western Dakota Vocational Technical 

School 

Sturgis, South Dakota 

WETV/Atlanta Board of Education 

Atlanta, Georgia 

Zibart, Eve 

Washington, D.C. 

Professional Fellowships

in Design 

To enable established 

professionals and those just 

entering of returning to a

design career to take time

from their practice for 

personal career development.

Program funds: $156,390 

American Academy in Rome 

New York, New York 

Damora, Robert 

Bedford, New York 

Freudenheim, Leslie M. 

Baltimore, Maryland 

Halpern, Kenneth S. 

New York, New York 

Harkness, Sarah P. 

Cambridge, Massachusetts 

Ketchum, Morris, .Ir. 

New York New York 

Knoll, Isabel Giampietro 

Purchase, New York 

Lewis, Philip H., .Ir. 

Madison, Wisconsin 

Morgan, William N. 

Jacksonville, Florida 

Rudofsky, Bernard 

New York, New York 

Ryan, Beatriee Farrah 

Seattle, Washington 

Sauer, Louis 

Philadelphia, Pennsylvania 

Skolnik, Arthur M. 

Seattle, Washington 

Thoresen, A. Robert 

Portsmouth, New Hampshire 

Wiebenson, $ohn 

Washington, D.C. 

For seminars and workbooks on recycling 

vacant lando 

To develop innovative uses of film as a 

method for teaching design concepts to 

children. 

To develop a preservation program in th6 

curriculum. 

To support research for a film on conservation and displacement, using the work of 

Savannah Landmark Rehabilitation, lnc. 

asa case study. 

To prepare an annotated bibliography of 

resources resulting from grant and advocacy activities of the National Endowment for the Art’s Architecture, Planning, 

and Design Program. 

To support four six-mon~h fellowships for 

mid-career professionals in design. 

For independent research. 

For independent research. 

For independent research. 

For independent research. 

For independen~ research. 

For independent research. 

For independent research. 

For independent research. 

For independent researeh. 

For independent study. 

For independent study. 

For independent research. 

For independent researeh. 

For independent research. 

$15,000 

5,000 

17,093 

29,145 

2,300 

40,000 

10,000 

9,400 

7,000 

5,000 

5,000 

5,000 

10,000 

10,000 

10,000 

4,990 

10,000 

10,000 

10,000 

10,000 
Architecture, Planning and Design 47 

Adler, Gail 

Window Rock, Arizona 

Attoe, Wayne O. 

Milwaukee, Wisconsin 

Bacon, Karin 

New York, New York 

For an analysis of Navaho preferences and 

needs in Che design of housing. 

To research, write, and illustrate two studies of the implications of energy-conscious 

design for architectural aesthetics, 

To develop a multimedia presentation on 

urban design related Co the way in which 

Americans use public spaces for their 

$10,000 Design Project Fellowships 

To support professional 

5,000 designers who want to work 

on specific projects, do 

researeh on new design 

¢oncepts, of develop ways of edueating the publi¢ about 10,000 design. 

Program funds: $320,523 

eelebrations. 

Bayless, Charles N. 

Charleston, South Carolina 

To complete a comprehensive collection of 

photographs of South Carolina low country 

arehitecture. 

10,000 

Bender, Stephen O. 

Houston, Texas 

For field studies of present-day squatter 

settlements in the American Southwest; to 

define and document issues concerning 

10,000 

squatter settlement development and design 

projeets which can contribute to their 

resolution. 

Carlrian, Jean P. 

Boston, Massachusetts 

To complete a book entitled The Architecture of the Ecole Des Beaux Arts. 10,000 

Cook, Robert S., Jr. 

New York, New York 

To research and write a book on the functional qualities of downtown pedestrian environments with a discussion of how legal 

10,000 

procedures can be used creatively to shape 

Che design of downtowns. 

Craig, Lois A. 

Washington, D.C. 

For a series of essays on Che relation between the design of public spaces and 

changing ideas of public life. 

10,000 

Deasy, Cornelius M. 

North Hollywood, California 

To develop a catalog of human behavior in 

public places. 

10,000 

Dueno, Lina M. 

Guaynabo, Puerto Rico 

To test the applicability of HUD’s property 

standards to local building practices. 

10,000 

Fain, William H., ,Ir. 

Washington, D.C. 

To investigate the uses of real property 

taxation in several cities as an incentive 

for the saving o] landmar]c buildings and 

6,000 

districts. 

Ferebee, Ann E. 

New York, New York 

To prepare a handboolc that will ezplain the 

fledgling field of urban design to developers, politicians, and design professionals. 

10,000 

Gowan, Albert ii. 

Cambridge, Massachusetts 

To write, publish and distribute a manual 

presenting case histories of the urban design programs by Che Cambridge Arts 

Council and selected programs in other 

10,000 

cities. 

Greenbie, Barrie B. 

Amherst, Massachusetts 

Fora book of environmental essays in 

words and photographs entitled Fences and 

Neighbors. 

5,000 

Gutheim, Frederick 

Washington, D.C. 

To prepare a reference book which explains 

the planning and design eoncepts of neighborhood revitalization and historic preserva10,000 

tion Co a diverse audience of professionals 

and lay people. 

Gutman, Robert 

Princeton, New Jersey 

For a study Co identify the sources of the 

formal, spatial, and visual qualities of the 

suburban house interiors and ezteriors. 

9,850 

Hardy, Hugh For the study of the reuse of movie palaces. 10,000 

New York, New York 

Heinz, Thomas A. 

Oak Park, Illinois 

To study Che art glass used in a residencial 

context by American architects and builders of the late 19th and early 20th cen5,000 

turies. 
48 Architecture, Planning and Design 

Hollerith, Richard, .Ir.
 

Upper Montclair, New Jersey
 

Kaiser, Harvey H.
 

Syracuse, New York
 

Koncelik, Joseph A. 

Worthington, Ohio 

Marcus, Aaron 

Princeton, New Jersey 

Margolies, John 

New York, New York 

McHenry, Paul G., Jr. 

Corrales, New Mexico 

Mouris, Frank P. 

Los Angeles, California 

O’Keefe, Suzanne 

New York, New York 

Renfro, Nancy W. 

Austin,’Texas 

Scardino, Albert J. 

Savannah, Georgia 

Shaw, Leland G. 

Micanopy, Florida 

Southcott, Marvin A. 

Bellingham, Washington 

Spencer, Brian A. 

Wauwatosa, Wisconsin 

Taylor, Crombie 

Los Angeles, California 

Van Dresser, Peter 

Santa Fe, New Mexico 

Verman, Marvin 

Philadelphia, Pennsylvania 

Walker, Peter 

Cambridge, Massachusetts 

Wilson, H. Weber 

Chambersburg, Pennsylvania 

To study and review the standard produets 

in our normal daily lives using the American national standards fora barrier-free 

environment. 

$10,000 

To research and prepare materials for use 

by public agencies and private groups in 

determining policies for the preservation of 

the historically and architecturally significant camps of the Adirondack Mountains. 

10,000 

For the researck and development of a 

resource eompendium of information on 

architectural and building products for use 

where elderly people reside. 

9,760 

To write an article on mass transit graphics 

to complementan exhibition being prepared 

by the American Institute of Graphic Arts. 

3,100 

For a research and documentation project 

exploring commercial, vernacular arehiteetute and design in the ¿ri-state New York 

City region. 

9,765 

To prepare a guide for the construetion oÍ 

simple housing in arid lands. 

9,645 

To complete a trilogy of animated films 

about urban design in amusement parks on 

Coney Island. 

10,000 

To support research o/ prominen~ older 

architects and related professionals. 5,953 

To prepare primary and secondary 8ehool 

art curricula, ineorporating arehite¢’~ure 

and environmental design. 

5,000 

To produce a film describing the history of 

the South as seen through the evolution

of the construction oÍ its chimneys. 

7,750 

To prepare a manuscript on a guideline for 

planning more responsive environments íor 

handicapped ehildren. 

10,000 

To develop a eompilation of plans and dimensioned drawings whieh will enable 

handicapped persons and their friends and 

relatives to build for themselves equipment 

and therapeutic devices. 

8,200 

For a comprehensive survey and review oÍ 

professional practices and existing arehitectural archives. 

10,000 

To assist preparation of a ¿hree-screen 

multimedia program, London Termini, asa 

part of the series Architecture: Reason and 

Environment. 

5,000 

To eontinue work to incorporate prineiples 

of solar energy in rollo architeeture. 9,000 

To evaIuate Philadelphia’s existing neighborhood squares, ereate a prototypical restoration plan and prepare reeommendations 

for renovation of remaining neighborhood 

8quares. 

10,000 

To prepare a critical evaluation of modern 

landscape architecture for use by design 

students, practitioners and the public. 

5,000 

To produce a comprehensive reference of 

residential stained glass during the period 

1860-1920. 

5,000 
Woife, Myer 

Seattle, Washington 

Yeh, Raymond W.H. 

Norman, Oklahoma 

Akron, Ohio, City of 

Akron, Ohio 

Alaska, State of 

Juneau, Alaska 

America the Beautiful Fund 

Washington, D.C. 

Atea XV Regional Planning 

Commissio~t 

Ottumwa, Iowa 

Arts and Humanities Council of the
 

Lake Region
 

Devils Lake, North Dakota
 

Association of Collegiate Schools of
 

Architecture, Inc.
 

Washington, D.C.
 

Atlanta Great Park Planning, Inc.
 

Atlanta, Georgia
 

Baldwin, Pamela
 

Great Falls, Virginia
 

Blue Grass Land and Nature Trust
 

Lexington, Kentucky
 

Boston Educational Marine Exchange 

Boston, Massachusetts 

Bronx River Restoration Project
 

Bronx, New York
 

Buffalo Neighborhood Housing
 

Services, Inc.
 

Buffalo, New York
 

Cambridge Arts Council Fund
 

Cambridge, Massachusetts
 

Cave Spring, Georgia, City of
 

Cave Spring, Georgia
 

Center for Design Planning
 

Washington, D.C.
 

To create and test development prototypes 

to exemplily the ways in which urban design may be used to enhance the natural

setting oÍ shoreline towns. 

To study subterranean structures in the 

midwestern United States to gather data on 

construction methods, energy conservation 

aspects, and tornado shelter implications. 

For ah urban design plan as part of the 

comprehensive planning process concerning 

sensory relationships between people and

their surroundings, 

’ For research by the Alaska division of lands 

in urban development for state-wide land 

planning programs. 

To develop the concept of conservation area 

zoning asa land-use management technique 

]of a mile-wide corridor along the Potomac 

River. 

To redesign four small towns along the
 

Des Moines River.
 

For planning and design assistance for the
 

redevelopment of business districts.
 

For midwest workshop on neighborhoods 

in Lincoln, Nebraska. 

For the preliminary design planning for the
 

redevelopment of an abandoned 220-acre
 

right-of-way.
 

To prepare and publish Representative
 

Reuss’ Congressional hearings on "Livability" using two National Endowment
 

for the Arts’ grantees as case studies.
 

For a survey to assist planning the most
 

efficient use of Fayette County’s landscape.
 

To study the feasibility of a multi-use
 

facility for marine research and education,
 

a natural history and interpretive eenter,
 

museum, inn, and conference center.
 

For the design of a master plan for the development of a linear park along the Bronx
 

River in South Bronx.
 

To establish a storefront office to design
 

and implement rehabilitation and revitalization projects on Bailey Avenue.
 

To support artists in the planning, design,
 

and execution of improvement for urban
 

open spaees.
 

To develop an overall plan to preserve outstanding community visual qualities.
 

For the Miami Design Preservation
 

League’s comprehensive design study leading to the establishment of an art deco
 

restoration district on old Miami Beach.
 

Architecture, Planning and Design 49 

$6,500 

10,000 

20,000	 Livable Cities 

To encourage our rural,

suburban, andurbaneommunities to introduce design 

as ah integral part of their 

planning processes. 15,000 Program funds: $972,290 

12,500 

20,000 

10,000 

7,683 

10,000 

3,251 

1,000 

23,000 

18,000 

15,000 

20,000 

10,000 

15,000 
50 Architecture, Planning and Design 

Chermayeff, Ivan 

New York, New York 

Chinatown Neighborhood Improvement Resource Center 

San Francisco, California 

Cleveland, Tennessee, City of 

Cleveland, Tennessee 

Comprehensive Planning Organization 

San Diego, California 

Dallas, Texas, City of 

Dallas, Texas 

Du Art Film Laboratories, Inc. 

New York, New York 

Eastport, Maine, City of 

Eastport, Maine 

Environmental Education, Inc. 

Tampa, Florida 

Friars Point, Mississippi, Town of 

Friars Point, Mississippi 

Greater Southwest Development 

Corporation 

Chicago, Illinois 

Greenville, South Carolina, City of 

Greenville, South Carolina 

Hartford Architecture Conservancy 

Hartford, Connecticut 

Historic Centerville, Inc. 

Centerville, Indiana 

Historic Walker’s Point, Inc. 

Milwaukee, Wisconsin 

Institute for Enivronmental Action 

New York, New York 

Knoxville, Tennessee, City of 

Knoxville, Tennessee 

Leadville, Colorado, City of 

Leadville, Colorado 

Lowell, Massachusetts, City of 

Lowell, Massachusetts 

~ Manitou Springs, Colorado, City of

Manitou Springs, Colorado 

Marysville, Ohio, City of 

Marysville, Ohio 

For the design, production and distribution 

of a poster on "Livability." 

To develop a master plan for open space 

alleyways. 

For architectural services for íacade iraprovement and landscaping for a downtown 

revitalization program. 

To analyze the visual quality of the region, 

define areas of significance, and develop 

policies and guidelines for growth management, preservation, and enhancement. 

To support the city’s efforts in the deve~opment of a comprehensive arts plan. 

To produce 90 optical sound release prints 

of Neighbors. 

To plan for the revitalization of the historic 

downtown waterfront. 

For the Tampa Community Design Cente~"s 

design of a prototype mobile park for ¿he 

central business district of Tampa. 

To develop a comprehensive design and 

management plan to guide the creative development of the community. 

To develop an "idea bank" to provide planning assistance to downtown merehants. 

To redesign storefronts as a component of 

the downtown revitalization program. 

For the design portion of a larger pro]ect 

to enhance the neighborhood of Frog 

Hollow. 

To research and publish information to 

improve understanding and acceptance of 

preservation for the town of Centerville. 

To develop a specific and comprehensive 

neighborhood revitalization program. 

For the design, publication, and distribution 

of a series of booklets featuring selected 

national theme projects. 

For a study of the Market St~’eet atea by 

the Knoxville-Knox County Metropolitan 

Planning Commission, to identify the potential ]of urban living. 

For studies for the rehabilitation of his.
 

toric structures along Harrison Avenue.
 

For design work in the adaptation of existing hydropower systems to current needs. 

For a comprehensive community identity 

program to demonstrate the economic value 

of use of existing downtown structures and 

to develop design controls in order to insure 

that standards ate maintained. 

For a community identity program to demonstrate the economic value of imaginative 

use of existing downtown structu~’es, and 

to develop design controls in order to insure 

that standards ate maintained. 

$5,700 

15,000 

6,200 

19,275 

17,000 

6,869 

10,000 

2,849 

15,000 

15,000 

10,000 

12,000 

10,000 

20,000 

20,637 

20,000 

20,000 

25,000 

17,600 

7,500 
Architecture, Planning and Design 51 

Middlesex, New Jersey, County of 

New Brunswick, New Jersey 

For the Department of Solid Waste Management’s program’s design concept and 

economic feasibility study of a plant for the 

$14,910 

recovery of resources from residential 

refuse. 

Minneapolis, Minnesota, City of 

Minneapolis, Minnesota 

For economic and design feasibility studies 

conducted by the Minneapolis Industrial Development Commission for adaptive reuse 

5,000 

of the Grain Belt Brewery. 

Municipal Art Society 

New York, New York 

For pilot design pro~ects to demonstrate 

the possibilities for rehabilitation of New 

York’ s subway stations. 

30,000 

Museum of Afro-American History 

Boston, Massachusetts 

To prepare a design study and archeological 

survey for restoration of Smith Court and 

its connecting alleyways. 

14,200 

Neighborhood Housing Services of 

Cleveland, Inc. 

To prepare 

homeowners. 

a preservation manual for 5,000 

Cleveland, Ohio 

New Jersey Conservation Foundation 

Morristown, New Jersey 

For ah inventory of existing abandoned 

"railroad rights-of-way" to determine those 

suitable for recreation and open space areas. 

18,630 

New York Urban Coalition, Inc. 

New York, New York 

For the People’s Development Corporation 

to establish a design and planning unir in 

order to teach community residents skills 

15,000 

and concepts. 

Newark Preservation and Landmarks 

Committee 

Newark, New Jersey 

For a design and market study of the 

Central Railroad of New Jersey Broad 

Street Station and surrounding atea. 

10,000 

Oakland, City of 

Oakland, California 

To designa development program for the 

old Oakland area. 

10,000 

Oklahoma City Arts Council, Inc. 

Oklahoma City, Oklahoma 

For the Assembly of Community Arts Councils of Oklahoma’s training of local professionals in townscape processes to aid 

10,000 

small-town Oklahomans. 

Oysterville Restoration Foundation 

Oysterville, Washington 

To develop a master preservation plan and 

guidelines for new construction in the historic district of Oysterville, and to publish 

4,500 

the results. 

Parks Council, Inc. 

New York, New York 

To develop urban waterfront parks from 

abandoned open space. 

20,000 

Partners for Livable Places For the design, planning, and impIementa­ 150,000 

Washington, D.C. tion of a national livability test. 

Pittsburgh Architects’ Workshop, Inc. 

Pittsburgh, Pennsylvania 

For the design of play facilities for mentally 

and physically handicapped children. 

5,970 

Preservation of Wildlife and Natural For the Boston Natural Areas Fund’.~ re­ 20,000 

Areas, Fund for search to protect threatened local sites. 

Boston, Massachusetts 

Project for Public Spaces, Inc. 

New York, New York 

For the design of a program for pedestrian 

and vehicular traffic, uses of retail frontage, 

and orientation mechanisms for communíty 

5,000 

participation by West $6th Street. 

Rapid Recovery, Inc. 

Cleveland, Ohio 

To develop an environmental education prograto for the beautification of rapid transit 

rig h t-o f zway. 

10,000 

Regional Conference of Historical 

Agencies 

Manlius, New York 

To provide technical expertise on historic 

preservation to ~’ural communities in ~he 

Southern Tier/Finger Lake region of central New York. 

15,000 
 

52 Architecture, Planning and Design 

Excellence in Federal 

Design 

To provide federal and state 

agencieswithprofessional

guidanee for upgrading

publications and working

environments through seminars, workshops, and educational materials. 

Program funds: $482,482 

Richmond Hill High School 

Richmond Hill, New York 

St. Nicholas Neighborhood

Preservation and Housing 

Rehabilitation Corporation 

Brooklyn, New York 

San Mateo, California, County of
 

Redwood City, California
 

Savannah Landmark Rehabilitation
 

Project, Inc.
 

Savannah, Georgia
 

Sisk, Nancy
 

Arlington, Virginia
 

West Bridgewater, Massachusetts,
 

Town of
 

West Bridgewater, Massachusetts
 

Wilmington, Delaware, City of
 

Wilmington, Delaware
 

Wisconsin-Milwaukee, University of
 

Milwaukee, Wisconsin
 

Yonkers, New York, City of
 

Yonkers, New York
 

Agriculture, U.S. Department of
 

Washington, D.C.
 

American Instituteof Architects
 

Foundation, Inc.
 

Washington, D.C.
 

Brandsten, Howard 

New York, New York 

Bruce, Michael C. 

Alexandria, Virginia 

Bruce, Michael C. 

Alexandria, Virginia 

Chaparos, Nicholas 

Washington, D.C. 

Chaparos, Nicholas 

Washington, D.C. 

For the beautification of a subway station $1,590 

and other neighborhood improvements. 

To conducta feasibility study for the con- 23,000 

version of local vacant and underutilized industrial struetures into coopera~ive apartments for working-class residents. 

To develop a historical preservation plan 20,815 

for the coastal zone in conjunction with the 

formation of San Mateo County’s local 

coastal program. 

For design serviees to renovate the remain­ 20,000 ing units of ongoing, low-income projects, 

and to develop site plans for neighborhood 

improvements. 

To prepare and publish a booklet designed 9,611 to serve as a guide to the utiliza~ion of 

design disciplines and the availability of
 

small federal grants aimed at making communities more livable.
 

To design for reconstruction of a eolonial 3,000 waterwheel and for site improv.ement by
 

the West Bridgewater Historical Commission.
 

To research and formulate a design plan 15,000 to create a complementary and productive
 

environment in the vicinity of Wilmington’s
 

historic railroad station.
 

For the development by the Park West Re­ 25,000 development Task Force, Inc., of a 145-acre
 

site of cleared land in the heart of Milwaukee’ s" urban neighborhoods. 

To improve the commercial subeenters 15,000 through the development and implementation of a design plan for various local 

shopping arcas. 

To produce a poster for the Federal Design 550 

Improvement Program. 

For additions and the redesign of the 42,500 "Streets of Washington" exhibition modules. 

To provide consultation services on ¿m- 700 

provements to be made to the Commerce 

Department’s main building. 

For technical assistance for implementa- 7,857 

tion of the Federal Design Improvement 

Program. 

For technical assistance for implementa- 22,950 

tion of the Federal Design Improvement 

Program. 

For continued administrative support for 3,600 

the implementation of the Federal Design 

Improvement Program, a government-wide 

project to improve visual communication 

throughout the federal government. 

For eontinued administrative support for 33,733 

the implementation of the Federal Design 

Improvement Program, a gavernment-wide 

project to improve visual communication 

throughout the federal government. 
Architecture, Planning and Design 53 

Cook, William H. 

Tucson, Arizona 

To develop design concepts fora prototype 

border station to be used by the Immigration and Naturalization Service. 

$350 

Craig, Lois A. 

Washington, D.C. 

For editing and production supervision of 

a book on federal architecture to be published by M.I.T. Press. 

7,000 

De Harak, Rudolph 

New York, New York 

To provide consultation services on improvements to be mude to the public spaces of 

¿he Commerce Department’s main building. 

700 

Dinsmore, Phillip 

Tucson, Arizona 

To develop design eoncepts for a prototype 

border station to be used by the Immigration and Naturalization Service. 

350 

District of Columbia, University of 

Washington, D.C. 

To amend a previous grant which supports 

the development and implementation of a 

graphic design system for the University 

20,000 

of the Distriet of Columbia. 

Farbstein, Jay 

San Luis Obispo, California 

To develop design concepts for a prototype 

border station to be used by the Immigration and Naturalization Service. 

718 

Faul, Roberta 

Washington, D.C. 

For the preparation and publieation of 

theme publications on selected National 

Endowment for the Arts’ grants; and, pub29,550 

lication of a two-year supplement for By 

Design. 

George, Catherine F. 

Bethesda, Maryland 

For assistance in coordinating the National 

Endowment for the Arts’ Federal Design 

Improvement Program. 

27,500 

Graf, Barbara

Washington, D.C. 

To provide consultation services on iraprovements for the public spaces of the 

Commerce Department’ s main building. 

300 

Gresham, James A. 

Tucson, Arizona 

To develop design concepts for a prototype border station to be used by the Immigration and Naturalization Serviee. 

350 

Hardy, Hugh 

New York, New York 

To provide eonsultation services on iraprovements for the public spaees of the 

Commerce Department’s main building. 

700 

Hickes, Andy 

Washington, D.C. 

For the design and production of architecrural drawings using recommendations 

suggested by consultants on ways to im4,200 

prove the publie spaces of the Commeree 

Department’ s main building. 

Institute of Puerto Rican Culture 

San Juan, Puerto Rico 

For the design and plan for reuse of three 

historic buildings us goveímment offices and 

civic culture centers in San Juan. 

30,000 

Lautman, Kay 

Washington, D.C. 

To organize, coordinate and execute the 

logistics of the Fourth Federal Design Assembly. 

205,000 

Lawson, Simpson 

Bethesda, Maryland 

For continued support of publication, 

preparation and distribution costs for four 

issues of Federal Design Matters. 

16,000 

Marquis, Robert 

San Francisco, California 

To develop design concepts fora prototype 

border station to be used by the Immigration 

and Naturalization Service. 

694 

Meyer, David 

Jacksonville, Florida 

To provide photographic documentation of 

signage systems in use by 12 of the General 

Services Administration’s regional demon2,050 

stration office spaces. 

Reid, Elizabeth 

Washington, D.C. 

To develop recommendations for a design 

component for programs in mayor federal 

agencies. 

22,481 
54 Architecture, Planning and Design 

General Programs 

To assist and contract for 

projects not included in other 

grant categories.

Program funds : $416,480 

Treasury funds: $12,275 

Schoell, Donald
 

San Diego, California
 

Smith, Robert 

New York, New York 

Torre, Susana 

New York, New York 

Vignelli, Lela 

New York, New York 

AIP Foundation 

Washington, D.C. 

AIP Foundation 

Washington, D.C. 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

American Societyof Interior Designers Educational Foundation, Inc. 

New York, New York 

Arkansas State Arts and Humanities, 

The Office of 

Little Rock, Arkansas 

Arkansas, State of 

Little Rock, Arkansas 

Colorado Council on the Arts and 

Humanities 

Denver, Colorado 

Educational Futures, Inc.
 

Philadelphia, Pennsylvania
 

Educational Futures, Inc.
 

Philadelphia, Pennsylvania
 

Fishman, Lois R.
 

Washington, D.C.
 

Gray, Hope M.
 

Oxon Hill, Maryland
 

Harlem Institute of Fashion
 

New York, New York
 

Harney, Andy Leon
 

Bethesda, Maryland
 

Hoover, Deborah
 

Cambridge, Massachusetts
 

To develop design concepts for a proCotype 

border station to be used by the Immigration and NaturalizaCion Service. 

To provide consultaCion services on iraprovements for the public spaces of the 

Commerce Department’s main building. 

To provide consultation services on i~nprove­

~nents Co be made to the public spaces of 

the Commerce Department’s main building. 

To provide consultation ser~ices on iraprovements for the public spaces of the 

Commerce Department’ s main building. 

For negotiations with the American Society 

of Planning Officials for purposes of ]orming a single national planning organization. 

For Che work leading to the establishment 

of minimum standards for certification of 

pro f essional planners. 

For the expansion of the presenC arch~tectute and design program within the state 

by increasing the services of the design 

coordinator. 

To establish a national interior design 

internship program. 

To plan and implement phase two of the 

Design Arkansas Program. 

For the DeparCment of Arkansas Natural 

and Cultural Heritage’s designing of Interstate Highway 1-630 with consideration of 

the historical, cultural, and general existing character of the affected areas. 

Fora graphic designer to administer statewide implementation of graphics standards 

established by the state panel evaluation. 

For the documentation and evaluation of
 

the architects..in-schools program.
 

To develop an architects-in-communities
 

program, including developmenC of program
 

guidelines and pilot programs.
 

To prepare a reporC on the status and needs
 

of design pro~essionals.
 

For research Co idenCify groups who ate 

concerned with the livability of America’s 

urban centers and the quality of Che built 

environment. 

To establish a fashion museum and sponsor 

seminars and workshops. 

To support research for arts policy recommendations for the Department of Housing 

and Urban development. 

For a study of the current status and needs 

of the fashion and design professions in 

the United StaCes. 

$549 

700 

700 

700 

14,000 

29,710 

15,300 

28,000 

15,000 

30,000 

17,130 

22,060 

15,810 

4,400 

2,400 

20,000 

TF 7,500 

TF 5,225 
Architecture, Plannin~ and Design 55 

IDSA Walter Dorwin Teague Research 

McLean, Virginia 

For ongoing activities including surveys 

and studies of barrier-free design, consumer design awareness, transportation, 

$4,000 

and consumer product safety. 

Massachusetts Institute of Technology 

Cambridge, Massachussets 

To complete a publication on the history of 

architecture for the U.S. Federal Government by M.I.T. Press. 

16,420 

Michigan Council for the Arts 

Detroit, Michigan 

To suport the coordinator for "Design 

Michigan Phase Three." 

15,000 

National Center for Preservation Law For feasibility studies for the o’eation oí 7,000 

New York, New York a National Center ~or Píeservation Law. 

New York State Council on the Arts For consultants’ lees for the architectural 5,250 

New York, New York technical assistance program to nonprofit 

organizations. 

Partners for Livable Places For a built environment clearinghouse for 100,000 

Washington, D.C. information related to grants awarded by 

the National Endowment for the Arts’ 

Architecture, Planning, and Design Prograto. 

Passonneau, Joseph R. 

Washington, D.C. 

To convert the principal module of the 

"Streets of Washington" exhibition, "Ir 

You Wan$ to Change Your City," to film. 

17,500 

Satterthwaite, Ann 

Washington, D.C. 

To support ~’esearch aimed at identifying 

new constituencies for advocacy work on 

livability in the built environment and ad8,500 

vancement of the design discipline. 

Vermont Council on the Arts, Inc. 

Montpelier, Vermont 

To support a statewide architecture awareness process, including visual materials, 

workshops, citizen participation, and dis14,000 

tribution of materials to various audiences. 

Virginia Commission of the Arts and 

Humanities 

Richmond, Virginia 

To support planning and implementation 

by the Virginia Commonwealth University 

School of the Arts of Virginia’s f!vst state 

design assembly. 

15,000 
Challenge Grants
 

The Challenge Grant Program, established by and fiscal year 1978 budgets. Although the second Congress in 1976, encourages cultural organiza- round will be paid out of fiscal year 1979 funds tions to achieve financial stability, the grantees were chosen by the National Council 

Funds for the first round of Challenge Grants on the Arts in August 1978. Lists of both first 

carne out of the Endowment’s fiscal year 1977 and second round grantees therefore appear in

Challenge Grants,
 

Fiscal ’77 and ’78
 

American Conservatory Theatre 

Foundation 

San Francisco, California 

Art Institute of Chicago 

Chicago, Illinois 

The Arts Council, Inc. 

(Winston-Salem Arts Council) 

Winston-Salem, North Carolina 

Atlanta Arts Alliance, Inc. 

Atlanta, Georgia 

Atlanta Landmarks, Inc./Fox Theatre

Atlanta, Georgia 

Baltimore Museum of Art, Inc. 

Baltimore, Maryland 

Baltimore Symphony Orchestra 

Association, Inc. 

Baltimore, Maryland 

this report. 

To meet increased operating costs associ­ $400,000 ated with re-instituting the complete acting 

company, to eliminate a long..term mortgage 

debt, and to renovate the Geary Theatre. 

To launch a five year comprehensive fund- 500,000 raising campaign to eliminate annual def!­

cits and achieve financial stability. 

To coordinate the fundraising campaigns 700,000 

for: 

The Arts Council of Winston-Salem--to 

renovate the Community Center. 

The Moravian Music Foundation--to establish an endowment and increase
 

services.
 

North Carolina School of the Arts
 

Foundation on behalf of:
 

Carolina Theatre--renovation and
 

restoration;
 

North Carolina Dance Theater--for
 

increased expenses, operating costs,
 

and purchase of equipment;
 

Piedmont Chamber Orchestra--for
 

increased operating costs associated with extending the service
 

atea to mayor population centers
 

of the southeast.
 

Old Salero, Inc.--to meet increased
 

operating costs associated with the
 

development of educationaI services and other programs of OId
 

Salem and the Museum of Early
 

Southern Decorative Arts, and to
 

augment the endowment.
 

To raise funds to augment the endowment 500,000 and for increased operating costs associated 

with production and performance for the 

Atlanta Symphony, Alliance Theatre Company, and the High Museum of Art. 

To launch a mayor compaign to retire the 300,000 mortgage on the Fox Theatre, a national 

historic landmark that has been operating 

asa performing arts center. 

To meet the costs of renovating and con­ 800,000 structing a new wing and establishing an 

endowment. 

To launch a campaign to eliminate ah ac- 600,000 cumulated deficit and to augment the endowment. 
Challenge Grants 57 

Brooklyn Academy of Music, Inc. To raise funda to eliminate a def!eit and $350,~000 

Brooklyn, New York to meet increased operating costs aaaociated 

with the expansion of programming. 

Brooklyn Institute of Arts and To raise funda to augment the Brooklyn 1,000,000 

Sciences Museum Endowment Fund, to meet operatBrooklyn, New York ing coata aaaociated with expanding educational aervicea, to provide capital improvements, and to purchase equipment. 

Carnegie Institute and the Pittsburgh

Symphony Society, Inc. 

To launch a joint eampaign to raise funds 

for : 

2,000,000 

Pittsburgh, Pennsylvania Carnegie Institute (Muaeum of Art and 

Museum of Natural History)--to meet 

increased operating costs associated 

with maintaining various programs, 

to augment the endowment, to renovate 

and expand facilities. 

Pittsburgh Symphony--to meet increased 

operating costs associated with maintaining performance and production of 

the symphony and Heinz Hall. 

The Chicago Theatre Group, Inc. 

(Goodman Thea~re) 

Chicago, Illinois 

To help the Goodman Theatre develop ita 

own base of support in the community as. 

ir separates from the Art Institute 

Chicago. Funds will be raiaed to meet 

ereased operating coata asaoeiated with ¿he 

200,000 

re-organization, and to establish a caah 

reserve and ah endowment. 

The City Center of Music and Drama 

(NewYork City Ballet) 

New York, New York 

To help eatabliah a development o1~ee for 

the New York City Ballet, to meet increased operating costa associated with 

inst�tuting a development o]~íce and meeting 

1,000,000 

eacalating production expenses and to 

tablish a cash reserve fund. 

Columbus Association for the To raise funds to retire the mortgage on 350,000 

Performing Arts 

Columbus, Ohio 

the Ohio Theatre, to establish an endowment fund for arts programming and to 

complete needed improvements to stage 

equipment. 

Connecticut Players Foundation, Inc. 

(Long Wharf Theatre) 

New Haven, Connecticut 

To establish a cash reaerve fund, to meet 

increased operating costs resulting from 

expansion of services and the remounting 

of productions for other mayor regional 

100,000 

theatres and the New York Stage. 

Craft and Folk Art Museum, Inc. To launch a campaign to retire a debt, to 100,000 

Los Angeles, California establish a cash reserve, and to stimuMte 

audience growth. 

Cunn~ngham Dance Foundation, Inc. To help meet ah anticipated deficit from an 100,000 

New York, New York annual New York seaaon; to establish a 

pension plan for its daneera. 

Dallas Museum of Fine Arts To establish an endowment and caah re­ 75,000 

Dallas, Texas serve, as well as to meet increased operating costs associated with development of 

new curatorial, educational, and exhibition 

programa. 

Denver Art Museum To raise funds to eover increased costs as­ 75,000 

Denver, Colorado sociated with maintaining operations and 

programs, to retire a construction debt, and 

to establish an endowment. 

Detroit Symphony Orchestra, Inc. 

Detroit, Michigan 

To establiah an endowment anda cash reserve as well as to meet increased operating 

costa asaociated with escalating production 

1,000,000 

and performance expenaes. 
~8 Challenge Grants 

Educational Broadcasting 

Corporation/WNET 

New York, New York 

Foundation for the Joffrey Ballet, Inc. 

New York, New York 

Founders Society, Detroit Institute 

of the Arts 

Detroit, Michigan 

Global Village Video Resource Center 

New York, New York 

Greater Louisville Fund for the Arts 

Louisville, Kentucky 

The Greater St. Louis Arts and 

Education Council 

St. Louis, Missouri 

Group I Acting Company, Inc.
 

(The Acting Company)
 

New York, New York
 

Hartford Stage Company
 

Hartford, Connecticut 

Henry Street Settlement 

New York, New York 

Houston Grand Opera Association 

Houston, Texas 

Lincoln Center for the Performing 

Arts 

New York, New York 

To raise funds to complete the construction, $250,000 

equipping and furnishing of a new broadcast center to meet the growing demand 

for arts programming for national publie 

television system. 

To meet increased operating costs associ- 450,000 

ated with new produetions and to help 

maintain a cash reserve fund. 

To develop and expand educational ser~¿ces, 750,000 

improve museum seeurity, renovatc and 

upgrade faeilities. 

To meet increased operating costs of ex- 80,000 

panding the Annual Documentary Video 

Festival into ayear round activity, to 

pand current workshops, and upgrade

equipment and Íacilities. 

On behalf of: 332,000 

Actors Theatre of Louisville--to meet increasing operating costs resulting from
 

strengthening of new experimental
 

productions.
 

Kentucky Opera Association--to meet increased operating costs associated with
 

the growth of the company from a local
 

to a regional resource.
 

Louisville Ballet--to stabilize a base of
 

operating suppo~’t and to eliminase a
 

defieit.
 

Louisville Orchestra--to eliminate a def!­

cit, and to initiate a core orchestral
 

unir that will provide services to the
 

community, including school programs.
 

To stimulate broader-based and greatly in- 250,000 

creased annual fund drives for member ofganizations ineluding the Community Association of Schools of the Arts, the LorettoHilton Theatre, the Missouri Botanical 

Garden, Adult Education Council, Dance 

Concert Society, KETC-TV, Little Symphony, Mark Twain Summer Institute, St. 

Louis Art Museum, St. Louis Symphony 

Society, and Young Audiences. 

To establish a "Sponsor and Audienee De­ 60,000

velopment" o~ee which will enable the 

company to book, contraer, publicize and 

service its own ¿ours with longer residencies. 

To augment the Cash Reserve Investment 100,000 

Fund, to meet increased operating costs 

associated with moving to a new facility and 

to purchase equipment for the new theatre. 

To develop a fundraising program to meet 125,000 

increased operating costs associated with 

the expansion of programs and to establish 

a cash reserve. 

To raise funds to meet increased operating 500,000 

costs associated with improved production 

capabitity, to establish a cash reserve, and 

to eliminate a deficit. 

To develop a Deferred Gifts Program to 500,000 

make available to Lincoln Center’ s individual donors the most advantageous gift 

plans under current tax laws; to broa’den 

the base of support for the Mostly Mozart 

Festival; to develop a mechanism and sysrem whereby ¿elevised performances from

Lincoln Center can generate revenue for the 

Center and for the performing artists. 
Challenge Grants 59 

Lyric Opera of Chicago 

Chicago, Illinois 

To raise money to ~neet increased operating 

costs associated with expansion to addi­ $600,000 

tional space, to establish an endowment, to 

purchase a computer for modernization of 

fundraising and ticket sales, to purchase 

stage lighting equipment and for special 

pro]ects celebrating the 25th Anniversary 

Season in 1979. 

Martha Graham Center for 

Contemporary Dance, Inc. 

To raise funds to eliminate ah accumulated 

deficit and to establish ah endowment fund. 

250,000 

New York, New York 

Metropolitan Museum of Art To stimulate annual giving to meet in-. 1,000,000 

New York, New York creased operating costs associated with 

exhibition programs and newly expanded 

facilities, and to augment endowment funds. 

Metropolitan Opera Association For increased operating costs associated 1,500,000 

New York, New York with escalating production expenses, and to 

launch a five-year endowment campaign. 

Minnesota Opera Company To launch a ma]of campaign to raise money 150,000 

St. Paul Minnesota to meet increased operating costs resulting 

]rom expansion of the eompany’s repertoire 

and for extended tours and residencies 

throughout the Upper Midwest Region. 

The Museum of Modern Art To stimulate a major fundraising campaign 1,000,000 

New York, New York to augment the museum’s endowment, to expand the facilities, and to generate new 

and increased sources of ongoing operating 

income which will support the expanding 

colleetions and activities of the museum. 

Museum of Science To raise f~¿nds to double the museum’s pres­ 400,000 

Boston, Massachusetts ent endowment, to eliminate deficits, and to build a hall containing exhibits on energy. 

Musical Arts Association To raise funda to eliminate the deficit, to 1,000,000 

(Cleveland Orchestra) 

Cleveland, Ohio 

meet increased operating costs associated 

with escalating production expenses and to 

aecumulate a major endowment by December 1978, the 60th anniversary oÍ the 

orchestra. 

Nashvílle Symphony Association To raise funds to meet increased operating 100,000 

Nashville, Tennessee costs associated with a more to a new facility and the addition of artistie and management personnel and to expand education 

programming. 

National Symphony OrChestra To launch a fundraising campaign to in­ 1,000,000 

Washington, D.C. crease the endowment and to meet increased 

operating expenses associated with increased production. 

New York Landmarks Conservancy To meet escalating administrative costS, and 48,000 

New York, New York to establish a cash reserve. 

Oregon Symphony Society 

Portland, Oregon 

To raise funds to meet increased operating

costs Íor the symphony’s education and 

100,000 

reach programs. 

The Palace of Arts and Science To raise funds to meet increased operating 50,000 

Foundation costs associated with exhibition development 

(The Exploratorium) and to initiate a cash reserve. 

San Francisco, Calffornia 
60 Ch~!lenge Grants 

Performing Arts Council of the Music 

Center of Los Angeles 

Los Angeles, California 

Puerto Rican Traveling Theatre 

Company, Inc.
 

New York, New York
 

Rhode Island School of Design 

Providence, Rhode Island 

Richmond Symphony 

Richmond, Virginia 

St. Louis Symphony Society 

St. Louis, Missouri 

Seattle Symphony Orchestra, Inc. 

Seattle, Washington 

Settlement Music School of 

Philadelphia 

Philadelphia, Pennsylvania 

South Coast Repertory, Inc. 

Costa Mesa, California 

Sflovsors of the San Francisco 

Performing Arts Center, In	. 

San Francisco, California 

Trinity Personna Company/Trinity 

Square Repertory Theatre 

Providence, Rhode Island 

Twyla Tharp Dance Foundation, Inc. 

New York, New York 

Urban Gateways 

Chicago, Illinois 

Utah Symphony Orchestra 

Salt Lake City, Utah 

Volunteer Lawyers for the Arts 

New York, New York 

To launch a ~najor campaign for: $2,040,000 

Center Theatre Group/Mark Taper
 

Forum--to meet increased costs;
 

pand programs, such as the Improvisaíional Theatre Project for children and
 

the Forum/Laboratory; and to augment an existing endowment.
 

Los Angeles Master Chorale Association
 

--to meet increased operating costs;
 

to initiate a cash ~’eserve; to acquire
 

scores for choral music library; and
 

for choral workshops.
 

Los Angeles Philharmonic--to eliminate
 

a deficit; to add to an endowment; to
 

meet increased operating costs.
 

To renovate a firehouse tha~ wiIl provide 100,000
 

the company with needed space for training,
 

expansion of its repertoire, anda home from
 

which to generate increased earned income.
 

To meet the museum’s increased operating 50,000
 

expenses associated with new programs and
 

services.
 

To meet increased operating costs by in- 150,000
 

creasing the endowment fund, to initiate a
 

cash reserve, and to purchase and install ah
 

acoustical shell.
 

For operating and endowment funds keyed 1,000,000
 

to the celebration of the orchestra’s centennial in 1980.
 

To eliminate an accumulated deficit, to aug- 600,000
 

ment the endowment, to establish a cash reserve fund, to meet increased operating
 

costs associated with expanded programming, and to expand the symphony’s role
 

in the community in celebration of its diamond anniversary.
 

To establish an endowment, to providc for 100,000
 

increased operating expenses associated
 

with continuing classes and to increasc outreach programs.
 

To eliminate an operating deficit, to crcatc 30,000
 

a cash reserve fund, to help meet increased
 

operating expenses resulting from the company’s more into a new theatre.
 

To raise funds for the completion of the 1,000,000
 

San Francisco Performing Arts Center.
 

To raise funds to mee~ increased operating 40,000
 

costs associated with escalating salaries of
 

artistic, technical, and administrative staff.
 

To raise funds to meet increased operating 50,000
 

costs resulting from increased touring and
 

expansion of the repertoire, to initiatc a
 

cash reserve fund, and to establish ah endowment.
 

To meet increased operating expenses as- 60,000
 

sociated with strengthened programming.
 

To meet increased operating costs resulting 365,000
 

from the symphony’s more to a new concert hall and expansion of the season.
 

To develop a clearinghouse of documents, 40,000

legal texts and cases íor attorneys, artists
 

and others in need of research tools to deal
 

with legal problems; and for increascd operating costs associated with the expanded
 

volume of services.
 
Challenge Grants 61 

Walker Art Cent!~r, Inc. 

Minneapolis, Minnesota 

To augment an endowment, to eliminate accumulated deficit, and to provide sources o~ $600,000 

annual financial support for the center°z 

wide range of programs. 

WGBH Educational Foundation, Inc. To generate funds for the Arts Program­ 375,000 

Bos~on, Massachuse~ts ming Independence Fund which wiIl finance 

national programming of the arts. 

Alaska Repertory Theatre To establish a cash reserve and to meet 150,000 Challenge Grants, 

Anchorage, Alaska increased operating costs associated with Fiscal ’79 

expanded statewide touring. 

Alley Theatre 

ttouston, Texas 

T~ establish a cash reserve, to purchase 

and programa small computer which will 

100,000 

be used for fundraising and record keeping, 

and to meet increased operating costs associated with enhanced programming and 

fundraising costs. 

American Place Theatre To meet increased operating costs and to 75,000 

New York, New York raise Íunds which will provide annual replacement of operating contributions no 

longer provided by several large foundation gifts. 

Appalshop, Inc. 

Whitesburgh, Kentucky 

To purchase land and construct both a 

production building and ~ theater commu125,000 

nity gathering structure to provide a permanent home for Appalshop, and to meet 

increased operating costs associated with 

increased salaries, increased fundraising 

efforts, and increased publicity. 

Arizona Commission on the Arts and On behalf of: 480,000 

Humanities Arizona Civic Theatre, to eliminate a 

Phoenix, Arizona long-term debt and meet increased operating costs associated with increased 

artistic salaries and underwriting the 

second year of a proposed Second Stage 

Program; Arizona Opera, to eliminate an "accumulated deficit and meet increased operating costs associated with an expanded 

public relations program; 

Flagstaff Summer Festival, to reduce an 

accumulated deficit and meet increased 

operating costs associated with increased development sta~ and expanded 

programming ; 

Museum of Northern Arizona, to meet 

increased operating costs associated 

with a major promotional/fundraising 

effort, to provide adequate and appropriate space for the Museum’s collection by native American artista, to 

provide continuing support to the Art 

Institute and Summer Symposium; 

Phoenix Symphony Orchestra, to meet 

increased operating costs associated 

with fundraising, audience development, 

educational programs in the schools 

and development of regional touring ; 

Scottsdale Center for the Arts, to construct additional workshop space in the 

Center, equip the theatre with adequate 

pro]ection equipment, a~d ~r~eet ~n, 

creased operating eosts of the Scottsdale Festival; 

Tucson Museum of Art, to restore two 

national historic structures (the Hiram 

Stevens House and the Edward Nye 

Fish House), to provide space for the 

art resources Iibrary and other museum 

funetions, and meet increased operating 

expenses associated with the new 

spaee; 
 

62 Challenge Grants 

Tucson Symphony Society, to meet increased operating costs associated with ~ 

the development of a core orchestra 

and hiring a director of development 

and publicity-promotion; 

Arizona Commission on the Arts and 

Humanities, to meet increased operato 

ing costs associated with a public advocacy plan and expanded services to 

arts organizations. 

Ballet Theatre Foundation/ 

American Ballet Theatre 

New York, New York 

To eliminate an accumulated deficit, to establish a cash reserve, and to cover increased 

operating expenses. 

$1,000,000 

Ballet West To create a cash reserve, to eliminate ah 250,000 

Salt Lake City, Utah accumulated deficit, to create an endowment, and to meet increased operating costs 

assóciated with expanding inter-mountain 

touring, regional season touring, and existing repertory. 

Boston Ballet 

Boston, Massachusetts 

To augment ah endowment, and ¿o meet increased operating costs resulting in part 

from the dcsign and construction of sets 

150,000 

and costumes fora new "Nutcracker," 

major new productions, improved formar 

for "Choreographer’s Showcase" and to 

develop additional educational and 

munity services. 

Boston Symphony 

Boston, Massachusetts 

To augment an endowment and to meet increased operating costs associated with increased orchestra salaries and program ex850,000 

pansion. 

Carnegie Hall Society 

New York, New York 

To augment ah endowment and to meet increased operating costs associated with ah 

expanded development office and fundrais750,000 

ing expenses and in the maintenance and 

operating expenses of the hall. 

Chamber Music Society of Lincoln 

Center 

To augment an endowment and to meet increased operating costs associated with 

75,000 

New York, New York panded programming. 

Children’s Art Carnival 

New York, New York 

To help eliminate a long-term debt associated with their mortgage, and for increased 

operating expenses associated with the es75,000 

tablishment of a communications arts production program, and the extension of the 

carnival’s research and development prograto. 

Cincinnati Institute of Fine Arts 

Cincinnati, Ohio 

On behalf of: 

Cincinnati Art Museum, to augment 

endowment, eliminate ah accumulated 

2,000,000 

deficit, and meet increased operating 

expenses resulting from expanded 

services; 

Cincinnati Ballet, to eliminate ah accumulated deficit, and establish an endowment; 

Cincinnati Opera Association, to augment 

its endowment, eliminate its accumulated deficit, and meet increased operating expenses associated with expanded 

programming; 

Cincinnati Playhouse in the Park, to 

renovate the Shelterhouse, enclosc the 

"Marx Patio," expand and renovute administrative offices and provide accessibility for the handicapped, and to meet 

increased operating expenses associated 

with expanded services ; 

Cincinnati Symphony Orchestra, to reduce its accumulated deficits, augment 

its endowment, and meet increased operating expenses; 
Contemporary Arts Center, to retire the 

mortgage on the Center’s facility, and 

augment its endowment; 

Cincinnati Institute of Fine Arts, to meet 

increased operating costs associated 

with the expanded on-going operating 

drive and distribution of funds to members as part of regular support. 

City of Troy Community Building	 To help fund renovation and modernization 

Authority	 of the former Troy High School auditor~um 

Troy, Alabama	 to serve as the central feature of the arts 

center portion of a multi-functional community complex. 

Columbus Symphony Orchestra	 To augment the endowment, to establish a 

Columbus, Ohio	 cash reserve, and to meet increased operating costs associated with program expansion and the creation of a development 

department. 

Council for the Arts in Westchester To stimulate a countywide deve¿opment 

White P1ains, New York e~íort to raise funds for the benefit of these 

arts organiza$ions : 

Caramoor Muslo Festival 

Neuberger Museum 

Wildcliff Museum 

Katonah Gallery 

Youth Theatre Interactions 

Film Workshop of Westchester 

Manhattanville Summer Dance Festival 

Rondo Dance Theatre 

Council for the Arts in Westchester 

Grants will be provided to these institutions 

for support of current programs, new programs and debt elimination, and to mee$ 

the couneil’s increased operating costs associated with the development 

Cresson Lake Playhouse	 To establish a cash reserve, to improve fundSpangler, Pennsylvania	 raising methods, to install ramps for ¿he 

handicapped, and to meet increased operating costs associated with expansion of sumroer productions, off-season touring and 

community workshops. 

Dallas Symphony Association	 To augment an endowment, to eliminate an accumu’[ated deficit, to purchase instru- Dalias, Texas 

ments, to establish a cash reserve, and to 

meet increased operating costs associated 

with the ereation of new concert services 

and improvement in the size and quality oí 

the orchestra 

Dance Theatre Foundation/Alvin	 To help eliminate an accumulated deficit, to 

Ailey American Dance Theatre	 establish ah endowment fund, to establish a 

New York, New York	 cash reserve, to expand development efforts, 

and for increased operating expenses caused 

in part by increased rehearsal time and the 

addition of ah associate artistic director and 

assistant stage manager. 

Denver Sylñphony Orchestra	 To eliminate aecumulated deficits, to esDenver, Colorado	 tablish a cash reserve, to augment an endowment, and to meet increased operating 

costs associated with expanded programmining and the symphony’s more to a new 

concert hall. 

Field Museum of Natural History To meet increased operating casts associChicago, Illinois ated with regular programming. 

Film Societyof Lincoln Center To establish ah endowment and to meet 

New York, New York in¢reased operating costs. 

Challenge Grants 63 

$23,000 

150,000 

150,000 

10,000 

450,000 

175,000 

450,000 

400,000 

112,500 
64 Challenge Grants 

Fine Arts Museums of San Francisco 

San Francisco, California 

Fogg Art Museum/ttarvard

University 

Cambridge, Massachusetts 

Ford’s Theatre Society 

Washington, DC 

Fort Wayne Philharmonic/Fine Arts 

Fund 

Fort Wayne, Indiana 

Fort Worth Symphony Association 

Fort Worth, Texas 

G.A.M.E., Inc. (Growth Through Art 

and Museum Experience) 

New York, New York 

Grand Rapids Art Museum 

Grand Rapids, Michigan 

Greater Akron Musical Association 

Akron, Ohio 

Greater Portland Landmarks 

Portland, Maine 

Guggenheim (Solomon R.) Museum 

New York, New York 

Guthrie Theatre Foundation 

Minneapolis, Minnesota 

Honolulu Symphony Society 

Honolulu, Hawaii 

Houston Ballet Foundation 

Houston,’Texas 

Indianapolis Museum of Art 

Indianapolis, Indiana 

INTAR (International Arts Relations, 

Inc.)
 

New York, NewYork
 

To establish an endowmen¿ and to meet $600,000
 

increased operating costs associated with
 

strengthening the development strueture
 

of the museum.
 

To augment an endowment and to meet in- 170,000
 

creased operating costs resulting from increased fundraising activities and expadded
 

programming.
 

To initiate a cash reserve and to meet in- 200,000
 

creased operating costs associated wit]~
 

audience development and inereases in fund-


raising and promotion.
 

To retire the mortgage on the Community 100,000
 

Center for the Arts, to eliminate the orchestra’s accumulated deficit, to establish
 

a cash reserve for the orchestra, to augment the orchestra’s endowment, and to
 

meet increased operating costs of the orchestra associated with expanded programming.
 

To augment a cash reserve, and to meet 40,000
 

increased operating expenses associated
 

with the chamber orchestra group.
 

To renovate a new spaee, construct new 60,000
 

exhibits, and to meet increased operating
 

costs associated with the more to the new
 

location.
 

To renovate the historic Federal Building in 250,000
 

downtown Grand Rapids which will provide a new home for the museum.
 

To augment an endowment and to meet in- 40,000
 

creased operating costs associated with expanded programming.
 

To eliminate the mortgage on the Land- 15,000
 

mark’s headquarters, to make long term
 

repairs to the headquarters, to augment
 

the revolving fund, and to meet inereased
 

operating costs associated with fundraising.
 

To augment an endowment and to meet in- 1,000,000
 

c~’eased operating expenses associated with
 

regular programming.
 

To augment an endowment and to meet in- 800,000
 

creased operating costs associated with
 

regular programming.
 

To eliminate accumulated deficits, to aug- 100,000
 

ment an endowment, and to meet increased
 

operating costs associated with regular
 

programming.
 

To support a new promotion plan that will 225,000
 

help increase earned income, increase a
 

cash reserve, and to provide inereased operating income to cover the costs associated
 

with new productions.
 

To augment an endowment. 500,000
 

To renovate a new space, to meet increased 30,000
 

operating costs resulting from ¿he new,
 

larger space, to establish a cash reserve,
 

and to hire a full time development o~ícer.
 
Challenge Grants 65 

International Center of Photography To eliminate an accumulated deficit, to re­ $200,000 

New York, New York tire the second mortgage on the ICT building, to meet increased operating costs associated with the creation of an archive of 

20th century documentary photography, 

and to expand programming. 

Institute for Art and Urban Resources To eliminate an accumuIated deficit, to es­ 150,000 

New York, New York tablish a cash reserve, and to meet increased 

operating costs associated with new programming and building maintenance. 

Jackson Symphony Orchestra To meet increased operating costs associ­ 40,000 

Association ated with expanded touring programs, adJackson, Mississippi ditional musicians and children’s concerts. 

La Jolla Museum of Contemporary To complete the renovation of the interior 375,000 

Art spaces of the Museum and to augment an 

La Jolla, Calffornia endowment. 

Lake Agassiz Arts Council To meet increased operating expenses as­ 30,000 

Fargo, North Dakota sociated with audience development vía 

media projects as well as expanded neighborhood and community prog~ams, on 

hall 

Fargo/Moorhead Civic Opera Company 

Fargo/Moorhead Community Theatre 

Fargo/Moorhead Symphony Orchestra 

Plains Art Museum 

Lewitzky (Bella) Dance Foundation 

Los Angeles, California 

To eliminate an accumulated deficit resulting from increased operating expenses, to 

establish ah endowment, and to increase 

150,000 

operating support to cover the costs of upgrading salaries and benefits, facilities and 

equipment, personnel/administrative staff, 

promotion budget, and fundraising budget. 

Loretto-Hilton Theatre To augment ah endowment, to purchase new 100,000 

St. Louis, Missouri lighting equipment, and to meet increased 

operating costs resulting from additional 

productions. 

Lyric Foundation, Inc. 

Baltimore, Maryland 

To renovate and expand the Lyric Theatre 

and to meet increased operating costs as300,000 

sociated with the renovated theater. 

MacDowell Colony, Inc. 

Peterborough, New Hampshire 

To augment an endowment and to expand 

the fundraising program of the Colony. 

200,000 

Magie Theatre To meet increased operating costs resulting 30,000 

San Francisco, California from expanded programming. 

Manhattan Theatre Club To increase a cash reserve and to meet 100,000 

NewYork, NewYork increased operating costs resulting from 

increased artistic and administrative salaries, increased audience development, and 

expansion of the development office. 

Media Study/Buffalo 

Buffalo, New York 

To retire an accumulated deficit, to establish ah endowment, and to meet increased 

100,000 

operating costs resulting from new progratas and services. 

Michigan Opera Theatre 

Detroit, Michigan 

To establish ah endowment and to create a 

cash reserve. 

150,000 

Minnesota Orchestral Association To augment an endowment. 750,000 

Minneapolis, Minnesota 

Minnesota Public Radio To purchase and adapta building in down­ 500,000 

St. Paul, Minnesota town St. Paul to provide additional space 

for production and administration, and to 

provide a center for live and taped perÍormances, to establish ah operating endowment for the new building, to purchase 

a second channel to double MPR’s special 

service capability. 
66 Challenge Grants 

Municipal Arts Society of New York 

New York, New York 

Museum of Fine Arts, Boston 

Boston, Massachusetts 

Museum of Fine Arts, Houston 

Houston, Texas 

Newark Community Center of the 

Arts 

Newark, New Jersey 

New York City Opera 

New York, New York 

New York Shakespeare Festival 

New York, New York 

92nd Street Young Men’s and Young 

Women’s Hebrew Association 

New York, New York 

North Carolina Museum of Art 

Raleigh, North Carolina 

Eugene O’Neill Memorial Theatre 

Center 

Waterford, Connecticut 

Opera Association of New Mexico 

Santa Fe, New Mexico 

Opera Company of Philadelphia 

Philadelphia, Pennsylvania 

Opportunity Resources for the Arts 

New York, New York 

Orchestral Association/Chicago 

Symphony 

Chicago, Illinois 

Oregon Shakespeare Festival 

Ashland, Oregon 

Original Ballets Foundation/Eliot 

Feld Ballet 

New York, New York 

Performing Arts Foundation of Long 

Island/PAF Playhouse 

I-Iuntington Station, New York 

Pennsylvania Ballet 

Philadelphia, Pennsylvania 

Pierpont-Morgan Library 

New York, New York 

To renovate the former Random House wing $300,000 

of the historic Villard House into a New 

York City Urban Issues Center, to establish 

a cash reserve, and an endowment. 

To augment an endowment and to meet 600,000 

presently targeted deficits arising during 

the three years of a construction progvam. 

To augment an endowment which will pro- 750,000 

vide funding for the construction of a 

School of Art and additions to the Bayou 

Bend American Decorative wing. 

To cover increased operating expenses 40,000 

which will allow continued quality programming at the center. 

To increase a cash reserve, to establish an 700,000

endowment, and to meet increased operating costs associated with expanded development ef~orts, increased labor costs and to 

help alleviate cash flow problems. 

To complete renovation and restoration of 450,000

the Public Theatre and to establish an endowment. 

To establish a cultural presentation endow- 375,000 

ment fund. 

To construct the Educational Wing and 300,000

East Gallery which will provide space for 

traveling and loan exhibitions. 

To eliminate an accumulated def!eit, Co es­ 100,000

tablish a cash reserve, and to establish an 

artistic discretionary fund to provide money 

for the development of new p~ogramming. 

To augment an endowment and to increase 135,000 

a cash reserve. 

To eliminate an aecumulated def!eit and to 40,000

meet increased operating costs associated 

with touring and educational programs. 

To meet increased operating costs related 40,000 

to development of field representation, publications, and workshops. 

To augment an endowment and to meet in- 1,000,000 

creased operating costs resulting from 

regular programming. 

To augment an endowment whieh will en- 200,000 

sure financial stability. 

To complete renovation of a new space pro- 175,000 

viding studio areas for the company and 

the New School of Ballet, and for inereased 

operating eosts associated with the occupation of the space. 

To retire an accumulated debt, to lease and 100,000

renovate additional space to create an 

panded 500-seat theatre, and to establish 

an endowment. 

To eliminate a long term debE, to establish 225,000 

a cash reserve and for increased operating 

expenses associated with an increasing 

number o] produetions during the grant 

period. 

To meet the increased operating costs of 150,000 

regular museum programming 
Challenge Grants 67 

Philharmonic Symphony Society of 

New York 

To augment an endowment and to meet 

increased operating costs due to regular $850,000 

New York, New York programming and the expansion of the development o]~ce. 

Poets and Writers On behalf of: 30,000 

NewYork, NewYork Poets and Writers, to establish a cash 

reserve; 

New Yorlc State Poets in the Schools, to 

meet increased operating expenses associated with expanded programming; 

Teachers and Writers Collaborative, to 

establish a cash reserve and eliminate 

ah accumulated operating deficit. 

Public Communication Foundation for 

North Texas 

To purchase needed equipment for expansion of arts coverage in Texas. 

200,000 

Dallas, Texas 

Ravinia Festival Association To augment an endowment in order to pro­ 375,000 

Chicago, Illinois tect the Festival against unforeseen reductions in earned income. 

Rochester Philharmonic To augment an endowment, to retire an 450,000 

Rochester, New York accumulated deficit, and to meet increased 

operating costs associated with the expansion oí services. 

St. Louis Conservatory and School for To eliminate an accumulated deficit, to puf­ 300,000 

the Arts chase and renovate the former Temple 

St. Louis, Missouri Shaare Emeth, and ]of increased operating 

costs associated with the more. 

St. Nicholas Theater Company

Chicago, Illinois 

To eliminate an accumulated operating def!­

cit, to eliminate a capital debt, to create 

75,000 

ah endowment, and to meet increased operating costs associated with increased school 

programming. 

San Francisco Ballet Association To purchase p~operty and construct a 340,000 

San Francisco, California building adjacent to the San Francisco Performing Arts complex, which will house the 

Ballet Company and School. 

San Francisco Museum of Modern Art To augment an endowment, and to create 200,000 

San Francisco, California new gallery space. 

San Francisco Opera To augment an endowment and to meet 750,000 

San Francisco, California increased operating and programming costs. 

San Francisco Symphony Association To augment an endowment, to eliminate an 750,000 

San Francisco, California accumulated deficit, and to meet increased 

operating costs. 

San Jose Symphony Association To eliminate an accumulated deficit, to es­ 75,000 

San Jose, California tablish ah endowment, and to meet increased operating costs. 

School of the Arts and Crafts Society To complete contruction of a new facility 200,000 

Portland, Oregon and to establish an endowment. 

Seattle Art Museum To augment an endowment, to help cover 600,000 

Seattle, Washington construction costs fora mixed-use building 

in downtown Seattle, and to meet increased 

operating costs. 

Seattle Opera Association 

Seattle, Washington 

To establish a cash reserve, to augment an 

endowment, to retire a storage warehouse 

mortgage, and to meet increased operating 

costs associated with audience development. 

350,000 

Seattle Repertory Theatre To augment an endowment which will pro­ 175,000 

Seattle, Washington vide support for a more, in the 1980-81 

season, to a new facility designed and built 

]or administrative and production purposes. 

Southern Highland Handicraft Guild For construction and start-up costs to es­ 125,000 

Asheville, North Carolina tablish a new Folk Life Center. 
68 Challenge Grants 

Springfield Orchestra Association 

Springfield, Massachusetts 

Syracuse Symphony

Syracuse, New York 

Theatre Development Fund 

New York, New York 

Theatre Incorporated/Phoenix Treatre 

NewYork, New York 

United Performing Arts Fund 

Milwaukee, Wisconsin 

Vermont Public Radio 

Windsor, Vermont 

Visual Studies Workshop 

Rochester, New York 

Wadsworth Atheneum 

Hartford, Connecticut 

Washington Drama Society/Arena 

Stage 

Washington, DC 

Washington (Booker T.) Foundation 

Washington, DC 

White Mountain Center for the Arts 

Jefferson, New Hampshire 

Whitney Museum of American Art 

New York, New York 

Worcester County Mechanics 

Association 

Worcester, Massachusetts 

Yale University Art Gallery 

New Haven, Connecticut 

Young Concert Artists, Inc. 

New York, New York 

To establish a cash reserve and to meet $40,000

increased operating costs associated with 

expanded programming. 

225,000 To eliminate an accumulated deficit, to establish a cash reserve, and to augment ah 

endowment. 

100,000 To increase the level of ticket and voucher 

subsidy which will result in increased revenues and to meet increased operating costs. 

To reduce ah accumulated deficit, to, es­ 75,000

tablish a cash reserve, and to meet 

creased operating costs associated with an 

audience development campaign. 

On behalf of: 570,000

Milwaukee Symphony Orchestra 

Milwaukee Repertory Theatre

Chicago Symphony Association oÍ 

Milwaukee 

Florentine Opera Company 

Bel Canto Chorus 

Skylight Theatre 

Milwaukee Ballet Company 

Music for Youth 

United Performing Arts Fund 

To meet increased operating costs resulting 50,000

from expanded development. 

125,000 To renovate a building in a historic preservation district to provide larger facilities 

for the workshop, to establish an endowment, and to meet increased operating costs. 

375,000 To establish an endowment and to establish
 

a cash reserve.
 

To augment ah endowment and to meet in­ 300,000

creased operating expenses. 

500,000 To provide a base of support for the component projects of the media software pro-


grato, which will include community television and radio program di.stribution.
 

100,000 To purchase property and buildings to provide a permanent home for the center, and 

to establish a cash reserve. 

750,000 To meet increased operating eosts and to 

establish a fund reserve for the expansion 

of the physical faeilities of the museum. 

To complete the restoration of the Mechan- 190,000 

ics Building, ah historic landmark, for use 

as an art center. 

To establish ah endowment which will sup- 375,000 

port continued development in exhibition 

programs, the presentation and interpretation of the Museum’s permanent collection, 

and the creative use of the collection. 

125,000 To establish an endowme~¿t and to meet 

increased operating costs. 
69 

Program funds: $6,898,231 

Treasury funds : $41,000 Dance Private gifts : $41,000

Altiliated State Arts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

Alaska State Council on the Arts 

Anchorage, Alaska 

California Arts Council 

$74,752 

16,800 

163,539 

Mid-America Arts Alliance 

Kansas City, Missouri 

Middlesex Council Regional Council 

for the Arts 

Edison, New Jersey 

Minnesota State Arts Board 

$85,605 Dance Touring Program/ 

Small Companies 

To enable local sponsors to 

22,110 bring professional dance

companies to their areas for

engagements of at least twoand-a-half days.

Program funds: $2,021,984 56,415 

Sacramento, California Minneapolis, Minnesota 

D.C. Commission on the Arts and 38,700 Missouri State Council on the Arts 82,317 

Humanities St. Louis, Missouri 

Washington, D.C. ’ New England Foundation for the Arts 174,492 

Delaware State Arts Council 2,700 Cambridge, Massachusetts 

Wilmington, Delaware 

New York State Council on the Arts 220,355 

Fine Arts Council of Florida 33,547 New York, New York 

Tallahassee, Florida 

North Carolina Arts Council 68,859 

Georgia Council for the Arts and 66,852 Raleigh, North Carolina 

Humanities 

Atlanta, Georgia Ohio Arts Council 

Columbus, Ohio 

43,420 

Hawaii State Foundation on Culture 

and the Arts 

3,750 

Pennsylvania Council on the Arts 130,282 

Honolulu, Hawaii Harrisburg, Pennsylvania 

Illinois Arts Couneil 78,382 Southern Arts Federation, Inc. 93,675 

Chicago, Illinois Atlanta, Georgia 

Indiana Arts Commission 25,830 Texas Commission on the Arts and 78,150 

Indianapolis, Indiana Humanities 

Austin, Texas 

Institute of Puerto Rican Culture 

San Juan, Puerto Rico 

5,490 

Virginia Commission of the Arts and 

Humanities 

14,003 

Louisiana State Arts Council 33,181 Richmond, Virginia 

Baton Rouge, Louisiana West Virginia Arts and Humanities 10,431 

Maryland Arts Council 

Baltimore, Maryland 

17,280 Commission 

Charleston, West Virginia 

Michigan Council for the Arts 

Detroit, Michigan 

138,600 Western States Arts Foundation 

Denver, Colorado 

242,467 

Ballet Theatre Foundation, Inc. 

New York, New York 

Ballet Theatre Foundation, Inc. 

New York, New York 

Boston University, Trustees of 

Boston, Massachusetts 

For a national tour of the American Ballet 

Theatre involving 17 weeks of travel. 

For a one-week residency of the American 

Ballet Theatre in Chicago. 

For a one-hal/-week residency of the Jo~rey 

Ballet. 

165,0Ó0 Dance Touring Program/ 

Large Companies 

To aid groups that want to 

27,000 sponsor an engagement by

any of the three largest dance

companies : American Ballet

Theater, Joffrey Ballet, and 9,375 the New York City Ballet. 

Program funds: $1,434,585 

City Center of Music and Drama, Inc.	 For a national ~our of the New York City 56,250 

New York, New York Ballet involving nine weeks o] travel.

Detroit Symphony Orchestra, Inc. For a one-week residency of the Joffrey 18,750 

Detroit, Michigan Ballet. 
70 Dance 

Fine Arts Development Foundation 

San Francisco, California 

Iowa State University of Science and 

Technology 

Ames, Iowa 

Iowa, University of 

Iowa City, Iowa 

Joffrey Ballet, Inc. 

New York, New York 

Joffrey Ballet, Inc. 

New York, New York 

Kennedy (John F.) Center for the 

Performing Arts 

Washington, D.C. 

Lewis and Clark College 

Portland, Oregon 

Massachusetts, University of 

Amherst, Massachusetts 

Minnesota, University of 

Minneapolis, Minnesota 

Music Center Presentations 

Los Angeles, Caliíornia 

Natural Heritage Trust/Artpark 

Lewiston, New York 

New Jersey Highway Authority 

Holmdel, New Jersey 

New Orleans Opera Guild, Inc. 

Metairie, Louisiana 

New Orleans Opera Guild, Inc. 

Metairie, Louisiana 

Palm Beach Festival, Inc. 

West Palm Beach, Florida 

Performing Arts, Society for the 

Houston, Texas 

Philadelphia AII Star-Forum Series 

Philadelphia, Pennsylvania 

Ravinia Festival Orchestra 

Chicago, Illinois 

Rochester Philharmonic Orchestra 

Rochester, New York 

Roosevelt University 

Chicago, Illinois 

San Antonio, Inc., Arts Council of 

San Antonio, Texas 

San Francisco Symphony Association 

San Francisco, California 

Saratoga Springs Performing Arts 

Center, Inc. 

Saratoga Springs, New York 

Woif Trap Foundation for the 

Performing Arts 

Vienna, Virginia 

For a one-week residency of the Ameriean 

Ballet Theatre. 

$27,000 

For a one-half-week residency of the Jo~rey 

Ballet. 

9,375 

Fora one-half-week residency of the Jo]~’ey 

Ballet. 

9,375 

Fora national tour involving 18 weeks oí 

travel. 

193,785 

For a one-week residency in Seattle and a 

one-week residency in Los Angeles. 

38,250 

For seven weeks of residency by the American Ballet Theatre anda two-week residency of the New York City Ballet. 

253,500 

Fora one-~zeek residency of the Jo~rey 

Ballet. 

19,500 

For a one-half-week residency o] the Jo]rey 

Ballet. 

9,375 

For a one-week resideney of the A~nerican 

Ballet Theatre. 

27,000 

For a siz-week residency of the American 

Ballet Theatre. 

162,000 

For a two-week resideney of the Jo]rey 

Ballet. 

40,800 

For a one-half week residency of the Joffrey 

Ballet at the Garden State Arts Center. 

9,750 

Fora one-half-week residency of the Joffrey 

Ballet. 

9,375 

For a one-half-week residency of the American Ballet Theatre. 

15,000 

Fora one-week residency of the New York 

City Ballet. 

32,250 

For a one-half-week residency of the A~nerican Ballet Theatre anda one-hal]-week 

residency o] the Jo]rey Ballet. 

24,375 

For a one-week residency of the American 

Ballet Theatre. 

30,000 

Fora one-week residency of the Joffrey 

Ballet. 19,500 

Fora one-half week residency of the Joffrey 

Ballet. 

9,375 

Fora two-week residency of the Joffrey 

Ballet at the Auditorium Theatre Council. 37,500 

For a one-half-week residency o] the Joffrey 

Ballet. 9,375 

For a two-week residency of the Jof]rey 

Ballet. 

37,500 

Fora three-week residency of the New York 

City Ballet. 114,750 

For a one-week residency of the Joffrey 

Ballet. 

19,500 
Dance 71 

Alaska State Council on the Arts Fora five-week residency of the 5 by ~ Plus $18,845 Long-Term Dance 

Anchorage, Alaska Dance Company. Engagements 

American University 

Washington, D.C. 

Ashtabula Arts Center 

Ashtabula, Ohio 

Ashtabula Arts Center 

Ashtabula, Ohio 

For a ]our-week residency of the Jose 

Limon Dance Company. 

Fora four-week residency of the Bill Evans 

Dance Company. 

Fora five-week residency of the Repertory 

Dance Theatre. 

To support sponsors willing 30,500 to engage dance companies 

for two of more weeks. Such 

engagements often include 17,650 community activities, such as 

classes, workshops, open rehearsals, of ¢ollaborative 

efforts with local arts 26,500 organizations. 

Program funds: $429,915 

Aspen Foundation for the Arts 

Aspen, Colorado 

Fora three-and-one-half-week resideney of 

Ballet West. 

59,365 

Baldwin (Abraham)Agricultural 

College 

Fora six-week residency of the Atlanta 

Ballet Touring Ensemble. 

29,165 

Tifton Georgia 

Columbia College 

Chicago, Illinois 

Fora two-week residency of the Viola Farber Dance Company. 

10,130 

Connecticut College 

New London, Connecticut 

For a three-week residency of the Bill 

Evans Dance Company. 

11,765 

Hawaii State Foundation on Culture For a four-and-one-half-week residency of 8,325 

and the Arts Daniel Nagrin, dance solo¿st. 

Honolulu, Hawañ 

Illinois, University of 

Urbana, Illinois 

For a two~week residency of the Jose Limon 

Dance Company. 

28,030 

Massachusetts Arts and Humanities 

Foundation, Inc. 

For a four-week residency for the Meree 

Cunningham Dance Company. 

41,460 

Boston, Massachusetts 

Memorial Union Building Association 

Madison, Wisconsin 

For a five-week residency of the Nikolais 

Dance Theater. 

39,175 

Pittsburgh Dance Council, Inc. 

Pittsburgh, Pennsylvania 

For a four-week residen¢y of the Murray 

Louis Dance Company. 

23,845 

Portland Public Schools Fora three-week residency of the Nikolais 27,470 

Portland, Oregon Dance Theater. 

Southeast Alaska Regional Arts 

Council, Inc. 

For a two-week residency of the Oregon 

Mime Theatre. 

6,570 

Sitka, Alaska 

Southwest Texas State University 

San Marcos, Texas 

For a three-week residency of the Erick 

Hawkins Dance Company. 

13,590 

Texas at Austin, University of 

Austin, Texas 

For a three-week residency of the Hartford 

Ballet. 

25,940 

Triangle Dance Guild, Inc. 

Raleigh, North Carolina 

For a three-week resideney of the North 

Carolina Dance Theatre. 

11,590 

Atlanta Ballet, Inc. 

Atlanta, Georgia 

Ballet Foundation of Milwaukee, Inc. 

Milwaukee, Wisconsin 

For the Atlanta Ballet touring ensemble’s 

performances. 

For a new work by Jean Paul Comelin. 

18,000 Resident Professional 

Dance Companies 

To help companies achieve 10,000 greater finaneial stability and greater visibility in their 

home .cities and in their 

Ballet Guild of Cleveland, Inc. 

Cleveland, Ohio 

To help stabilize and develop the home season of the Cleveland Ballet. 

communities. TF 15,000 Program funds: 

PG 15,000 Treasury funds:

Private gifts: 

$412,000 

$41,000 

$41,000 

Ballet West For season8 in Salt Lake City, Ogden, and 39,000 

Salt Lake City, Utah Provo. 

Boston Ballet, Inc. 

Boston, Massachusetts 

To present self-sponsored performances 

which will allow the company to g~ve ~nore 

performances outside Boston and develop 

30,000 

audience in nearby communities. 
72 Dance 

Chicago Ballet 

Chicago, Illinois 

To initiate an audience development caropaign, convert the Chicago Ballet’s dance 

library into a public facility, and support a 

TF $15,000 

PG 15,000 

rehearsal period. 

Dance Associates Foundation, Inc. To support rehearsal of repertoire and 13,000 

Hollywood, California stabilize the home season for the Bella 

Lewitzky Dance Company. 

Dance Theatre Seattle To implement financial and marketing plans 7,000 

Seattle, Washington for the Bill Evans Dance Company. 

Dayton Civic Ballet For rehearsal of the repertoire. 12,000 

Dayton, Ohio 

Hartford School of Ballet, Inc. For rehearsal and a statewide tour. 20,000 

Hartford, Connecticut 

Houston Ballet Foundation For expansion of the Houston Ballet’s 20,000 

Houston, Texas 1977-78 repertory season. 

Kentucky Dance Council, Inc. 

Louisville, Kentucky 

Fora series of student matinees performed 

by the Louisville Ballet Company. 

6,500 

Martha Graham Center of For rehearsals during the 1978 season. 15,000 

Contemporary Dance, Inc. 

New York, New York 

Maryland Ballet Company 

Baltimore, Maryland 

Fora full subscription series and the presentation of a special student matinee 

series in rural locations. 

5,000 

Minnesota Dance Theatre and School For the Dance Theatre’s f!rst subscription TF 11,000 

Minneapolis, Minnesota season. PG 11,000 

New York City Hispanic-American 

Dance Company, Inc. 

Fora rehearsal period for the Ballet Hispanico of New York. 

5,000 

New York, New York 

North Carolina School of the Arts For the North Carolina Dance Theatre 13,000 

Foundation, Inc. through a rehearsal period and extension of 

Winston-Salem, North Carolina the season. 

Oakland Ballet Company and Guild 

Oakland, California 

To assist in the major fall season at the 

newly renovated Paramount Theater. 

12,000 

Ohio Chamber Ballet For lecture-performanees and open rehear­ 12,000 

Akron, Ohio sals in the public schools. 

Pacific Ballet For a rehearsal period. 5,000 

San Francisco, California 

Pennsylvania Ballet Association For a marketing, sales, and fundraising 42,500 

Fhiladelphia, Pennsylvania program and for rehearsals. 

Pittsburgh Ballet Theatre 

Pittsburgh, Pennsylvania 

For the presentation of a series of lecture 

demonstrations. 

15,000 

Portland Dance Theatre, Inc. 

Portland, Oregon 

Fora home-season featuring collaboration 

with guest artists. 9,000 

San Diego Ballet Association 

San Diego, Caliíornia 

For rehearsal. 7,000 

San Francisco Ballet Association For the 1977-78 season, including expanded 41,000 

San Francisco, California performances, salary assistance, and fundraising activities. 

San Francisco Dance Spectrum For rehearsal of the repertoire and the 15,000 

San Francisco, Caliíornia salary of a regisseur. 

Taylor (Paul) Dance Foundation, Inc. For rehearsal of the repertoi~’e. 

New York, New York 

15,000 

Theatre Flamenco of San Francisco 

San Francisco, California 

For an expanded winter season. 9,000 
Dance 73 

Utah State Division of Fine Arts To aid Repertory Dance Theatre in increas­ $16,000 

Salt Lake City, Utah ing community support. 

Alum Dance Foundation, Inc. 

New York, New York 

Arizona Ballet Theatre, Inc. 

Phoenix, Arizona 

To assist in hiring a company manager for 

the Manuel Alum Dance Company. 

To assist in hiring an executive director. 

4,000 

2,000 

. 

Management and 

Administration 

To help companies hire professional management personnel of improve existing management through the addition 

Atlanta Ballet, Inc. 

Atlanta, Georgia 

To develop and implement a five-year plan 

for the Atlanta Ballet. 

12,000 of permanent administrative

staff or short-term management consultants. 

Program funds: $196,652 

Atlanta Ballet, Inc. For engaging a consultant to help the 15,000 

Atlanta, Georgia company develop a five-year plan and for 

hiring an audience development director. 

ChimeraFoundationforDance, Inc. 

New York, New York 

For a director of development for the 

Murray Louis and Alwin Nikolais Dance 

Companies. 

9,000 

Concert Dance Company, Inc. Fora general manager. 5,000 

Natick, Massachusetts 

 ̄ Cunningham Dance Foundation, Inc. For hiring a fundraising specialist. 7,000 

New York, New York 

Farber (Viola) Dance Company For an administrative director. 9,000 

New York, New York 

Foundation for Modern Dance, Inc. 

New York, New York 

To support a fundraising specialist for the 

Erick Hawkins Dance Company. 

6,000 

Group Motion Media Theater For a company manager. 5,000 

Philadelphia, Pennsylvania 

Harry’s Foundation, Inc. 

New York, New York 

To assist in hiring professional management for the Nancy Meeham Dance Company, the Laura Dean Dancers and Musi7,000 

cians, the Harry’s Foundation, and the Ted 

Rotante Dance Company. 

Hartford School of Ballet, Inc. To hire a development consultant. 4,600 

Hartford, Connecticut 

Holder (Frank) Dance Company, Inc. Fora company administrator. 4,000 

Greensboro, North Carolina 

Kansas City Ballet For a general manager. $3,000 

Kansas City, Missouri 

Marin Civic Ballet Association For an administrative director. 2,500 

San Raphael, California 

Modern Dance Artists, Inc. 

New York, New York 

To support the managing director position 

for the Paul Sanasardo Dance Company. 

5,000 

New York City Hispanic-American 

Dance Company, Inc. 

To support a development o~ficer for Ballet 

Hispanico of New York. 

4,000 

New York, New York 

Pennsylvania Ballet Association For a business manager. 7,000 

Philadelphia, Pennsylvania 

Pennsylvania Ballet Association 

Philadelphia, Pennsylvania 

For a consultant to analyze the financial, 

management, and development functions of 

20,000 

the ballet and make recommendations for 

improvement. 

Ririe-Woodbury Dance Foundation For a director of development anda public 6,500 

Salt Lake City, Utah relations assistant. 

Sacramento Ballet Association Fora coordinator/administrative assistant. 3,000 

Sacramento, California 
74 Dance 

Choreography 

Fellowships and 

Production Grants 

Includes five subcategories: 

A) Choreogral~hy Fellowships

provide experienced ¢horeographers time to create new

works for the company with

which they are associated. B) 

Workshop Fellowships assist 

choreographers in the development of their art, help nonprofessional companies expand their repertoires, and

provide dancers who show 

promise in choreography a

chance to develop their talent. 

C) Fellowships íor Choreog­ raphers in Residence enable 

companies to acquire the

work of visiting choreographers in order to broaden

their repertoires. They also

gire choreographers the

opportunity to work with a

variety of companies. D) 

Production Grants ate available to professional companies for new productions.

E) Special Choreography 

Fellowships ate available to 

experienced choreographers

for extraordinary choreographic projects not eligible 

under other categories. Program funds: $1,122,235 

San Francisco Ballet Association
 

San Francisco, .California
 

Senahan, Inc.
 

New York, New York
 

Spanier (Nancy)Dance Theatre of
 

Colorado
 

Boulder, Colorado
 

Taylor (Paul) Dance Foundation
 

New York, New York
 

Transmedia Kinetrics Coalition, Inc.
 

New York, New York
 

Utah State Division of Fine Arts
 

Salt Lake City, Utah
 

Washington Ballet
 

Washington, D.C.
 

Albuquerque Dance Theatre, Inc.
 

Albuquerque, New Mexico
 

Aman Folk Ensemble
 

Hollywood, Caliíornia
 

Atlanta Ballet, Inc.
 

Atlanta, Georgia
 

Atlanta Ballet, Inc.
 

Atlanta, Georgia
 

Ballet Folk of Moscow, Inc.
 

Moscow, Idaho
 

Ballet Foundation of Milwaukee, Inc.
 

Milwaukee, Wisconsin
 

Ballet Theatre Foundation, Inc.
 

New York, New York
 

Ballet West
 

Salt Lake City, Utah
 

Ballet West
 

Salt Lake City, Utah
 

~ 

Bettis, Valerie 

New York, New York 

Bewley, Lois 

New York, New York 

Boston Ballet, Inc. 

Boston, Massachusetts 

Chicago Ballet 

Chicago, Illinois 

Chimera Foundation for Dance, Inc. 

New York, New York 

Cincinnati Ballet Company, Inc. 

Cincinnati, Ohio 

For a booking and marketing manager and $8,000 

a community services manager. 

To establish a dance assistance project 17,202 

providing a limited number of pro/essional 

dance companies with technical assistance 

on a consulting basis. 

For a business manager anda general 4,000 

manager. 

Fora finaneial manager. 6,000 

Fora manager-administrator. 2,400 

To support ah administrative assistant for 6,000

the Repertory Dance Theatre. 

To assist in hiring a company manager 12,450

and other office expenses. 

Fora new work to be choreographed by 4,850 

Don Redlich. 

For a new work in the classical Persian 5,200 

dance tradition (based on 19th-century 

court entertainments ]of the shahs) by 

Artistic Director Leona Wood. 

For choreographer Fernand Nault to re- 24,000 

stage La Fille Mal Gardee. 

For the production of Peter Pan by Tom 30,000

Pazik. 

For the creation of a newly choreographed 6,170 

work by Jeannette Allyn. 

To assist the Milwaukee Ballet in hiring a 10,000 

full-time ballet master and for rehearsal 

time during the 1978 season. 

For new productions during the company’s 38,815 

1977-78 season. 

experimen~, 25,000 

Sanctus, by Bruce Marks. 

For a multi-media dance 

For the restaging by Toni Lander of a 4,550 

pas de six and tarantella from the third 

act of August BournonviIle’s Napoli. 

Fora new work. 5,000 

For the creation and rehearsal of solo 5,000 

works. 

Fora new work by Anna SokoIow. 12,000 

For a new work choreographed by Lar 6,840 

Lubovitch. 

To support Hanya Holm’s revival of her 40,000 

work, Trend, for members of the Murray 

Louis Dance Company, the Nikolais Dance 

Theatre, the Claudia Gitleman Dancers, 

and students from the Louis/Nikolais 

Dance Theatre. 

For a new work choreographed by Fred­ 5,450

eric Franklin. 
Dance 75 

City Center of Music and Drama, Inc. To support a new work by Jerome Robbins $80,000 

New York, New York for the New York City Ballet. 

Columbia College 

Chicago, Illinois 

To support a new work choreographed by 

Nancy Hauser for Mordine and Company. 

3,910 

Concert Dance Company, Inc. For restaging Back Pieces by Kathryn 4,800 

Natick, Massachusetts Posin. 

Dallas Civic Ballet Society For restaging Caliban by James Clouser. 2,940 

Dallas, Texas 

Dance Associates,Foundation, Inc. For a new work by Bella Lewitzky for the 16,500 

Hollywood¢ California Bella Lewitzky Dance Company. 

Dance Theater Foundation To support new works for the Alvin Ailey 25,00(} 

New York, New ~York Dance Theater. 

 ̄ Dance Theater of Harlem, Inc. For two new works by Arthur Mitchell. 17,500 

New York, New York 

Daniels, Danny To support research, through the use oÍ 5,000 

Santa Monica,~Caliíornia interview and videotape, on the evolution of 

American tap dancing. 

DaytonCivic Ballet For restaging two works by LoyceHoulton, 6,650 

Dayton, Ohio Wingborne and Seedless Stonemoons, and 

fora new work choreographed by Robert 

Rodhan. 

De Mille, Agnes To support the restaging of The Frail 10,000 

New York, New York Quarry for the Joffrey Ballet. 

Dennis Wayne’s Dancers Fora new work by Leonide Massine. 7,320 

New York, New York 

Duquesne University Tamburitzans To expand and diversify the repertoire 7,500 

Pittsburgh, Pennsylvania and to prepare a new production. 

Eglevsky Ballet of Long Island, Inc. For restaging Scat by Louis Bewley and 9,120 

Massapequa Park, New York fora new work by Gary Masters. 

Guild of Performing Arts To support a new work choreographed by 4,980 

Minneapolis, Minnesota Viola Farber for the Nancy Hauser Dance 

Company. 

Houston Ballet Foundation For the company’s first full-length produc­ 25,000 

Houston, Texas tion of Swan Lake. 

Joffrey Ballet For restaging The Rake’s Progress by Dame 6,030 

New York, New York Ninette de Valois. 

Joffrey Ballet For restaging Romeo and Juliet by Oscar 9,250 

New York, New York Araiz. 

.Ioffrey Ballet For two works by Frederick Ashton. 60,000 

New York, New York 

Jose Limon Dance Foundation For a work by Lucas Hoving. 14,000 

New York, New York 

Kentucky Dance Council, Inc. To support restaging Pas De Dix by Fred­ 2,500 

Louisville, Kentucky eric Franklin for the Louisville Ballet 

Company. 

Litz, Katherine Fora new work. 5,000 

Brooklyn, New York 

Margaret Jenkins Dance Studio, Inc. For a new work by Margaret Jenkins. 15,980 

San Francisco, Caliíornia 

Martha Graham Center of 

Contemporary Dance, Inc. 

For work on three to tire revivals anda 

new work by Martha Graham. 

70,000 

New York, New York 

Maryland Dance Theater, Inc. For restaging Bach Suites by Murray 3,540 

College Park, Maryland Louis. 
76 Dance 

Maslow, Sophie For a new work. $5,000 

New York, New York 

Mid-Man Dance Foundation, Inc. For the revival of two works by James 10,000 

New York, New York  ̄ Waring, performed by the Joyce Trisler 

Danscompany. 

Nagrin, Daniel For a new work. 5,000 

New York, New York 

New York City Hispanic-American 

Dance Company, Inc. 

For a new work choreographed by Paco

Fernandez Íor the Ballet Hispanico. 

3,500 

New York, New York 

Nikolais, Alwin T. For a new work. 30,000 

New York, New York 

North Carolina School of the Arts To support a new work choreographed by 3,430 

Foundation, Inc. Christian Holder. 

Winston-Salem, North Carolina 

Oakland Ballet Company and Guild 

Oakland, California 

Fora new work by Eugene Loring with ah 

original ballet suite by Aaron Copland 

based on Copland’ s opera, The Tender 

10,000 

Land. 

Ohio Chamber Ballet For restaging Rooms by Arma Sokolaw. 5,240 

Akron, Ohio 

Original Ballets Foundation, Inc. To support two new works by Eliot Feld. 36,560 

New York, New York 

Original Ballets Foundation, Inc. To support a new work anda revival. 45,000 

New York, New York 

Pennsylvania Ballet Association 

Philadelphia, Pennsylvania 

For the production of a new balle$ choreographed by Lynne Taylor and fora ballet 

by Jerome Robbins. 

30,000 

Pennsylvania Ballet Association For restaging Rialto by Rodney Gri[fin. 3,280 

Philadelphia, Pennsylvania 

Pennsylvania Ballet Association 

Philadelphia, Pennsylvania 

For a production of Coppelia to be 8taged 

by Enrique Martinez. 

40,750 

Posin (Kathryn) Dance Foundation 

New York, New York 

For a collaborative work by Kathryn Posin 

and composer Laurie Spiegel. 

10,000 

Primus, Pearl For the reconstruction of dance solos. 5,000 

New Rochelle, New York 

Rio Grande Union, Inc. For a new work by David Gordon. 14,700 

New York, New York 

San Francisco Ballet Association For La Fille Mal Gardee by Frederick Ash­ 50,000 

San Francisco, Caliíornia ron. 

Taylor (Paul) Dance Foundation For two new works by Paul Taylor. 35,000 

New York, New York 

Theatre Flamenco of San Francisco Fora new work by Dini Roman based on 8,000 

San Francisco, California a eomedy by García Lorca. 

Twyla Tharp Dance Foundation, Inc. Fora new work by Twyla Tharp. 33,000 

New York, New York 

Utah, University of 

Salt Lake City, Utah 

For a new work choreographed by Douglas 

Dunn for the Repertory Dance Theatre. 

3,980 

5 By 2 Dance Company, Inc. 

New York, New York 

For resSaging Night Wandering by Merce 

Cunningham. 

4,000 
Dance 77 

Choreography Fellowships have been awarded to the following: 

Beal, Tandy J. 

Felton, Cali£ornia 

$1,800 Lamhut, Phyllis 

New York, New York 

$1,800 

Blossom, Beverly C. 

Urbana, Illinois 

1,800 Lerman, Elizabeth A. 

Washington, D.C. 

1,800 

Brown, Beverly S. 

New York, New York 

1,800 Marsicano, Merle 

New York, New York 

1,800 

Carter, William 

New York, New York 

1,800 McFall, John 

San Francisco, California 

1,800 

Catterson, Patricia 

New York, New York 

1,800 Morca, Teodoro 

Bellingham, Washingon 

1,800 

Clarke, Martha 

New York, New York 

1,800 Newman, Rosalind E. 

New York, New York 

1,800 

Coronado, Jose 

New York, New York 

1,800 Norman, Jay A. 

New York, New York 

1,800 

Dally, Lynn M. 

Los Angeles, California 

:t,800 Patton, Judith P. 

Portland, 0regon 

1,800 

Daniel, T. 

Wilmette, Illinois 

1,800 Rinker, Kenneth P. 

Brooklyn, New York 

1,800 

De Groat, Andrew D. 

New York, New York 

1,800 Rogers, Wendy L. 

Albany, California 

1,800 

Driver, Senta 

New York, New York 

1,800 Rudner, Sara 

New York, New York 

1,800 

Dunn, Douglas H. 

New York, New York 

1,800 Ruud, Tomm C. 

San Francisco, California 

1,800 

Gamson, Annabelle 

Port Chester, New York 

1,800 Saylor, Bess E. 

Dayton, 0hio 

1,800 

Garth, Midi 

New York, New York 

1,800 Serrano, Lupe 

Philadelphia, Pennsylvania 

1,800 

Genung, Annie Bailey 

Knoxville, Tennessee 

1,800 Small, Robert 

New York, New York 

1,800 

Glenn, Laura 

New York, New York 

1,800 Solomons, Gus M., Jr. 

New York, New York 

1,800 

Goh, Choo San 

Washington, D.C. 

1,800 Spanier, Nancy L. 

Boulder, Colorado 

1,800 

Goldberg, Jane N. 

New York, New York 

1,800 Stark, Andrea P. 

Portland, Maine 

1,800 

Harper, Lee C. 

Atlanta, Georgia 

1,800 Stoner, Terry L. 

Portland, Oregon 

1,800 

Hershkowitz, Dorothy 

Watertown, Massachusetts 

1,800 Strikler, Frederick L. 

Los Angeles, California 

1,800 

Ichinohe, Saeko 

New York, New York 

1,800 Tevlin, Michael James 

IKemphis, Tennessee 

1,800 

James, Jefferson A. 

Cincinnati, Ohio 

1,800 Wanner, Debra 

New York, New York 

1,800 

Kantor, Paul and Carole 

Cleveland Heights, 0hio 

1,800 Way, Brenda 

~tan~ord, Caliíornia 

1,800 

Keen, Elizabeth J. 

New York, New York 

1,800 Westergard, Lance 

Brooklyn, New York 

1,800 

Kipnis, Claude 

New York, New York 

1,800 Wilde, Marc 

Santa Barbara, California 

1,800 
78 Dance 

Wong, Mel 

New York, New York 

$1,800 

Wood, David K.C.

Berkeley, California 1,800 

Woodard, Stephanie A. 

New York, New York 1,800 

Dance/Film/Video

To help individuals, dance 

eompanies, and other organizations preserve and document major works or extend

the art of dance through film

and videotape. 

Program funds : $248,360 

American Dance Festival, Inc. 

Durham, North Carolina 

American Dance Machine, Inc. 

New York, New York 

For a dance television workshop to help TV 

directors become more knowledgeable about 

dance programming. 

For film/video documentation of American 

theater dance as reconstructed by the 

American Dance Machine. 

15,870 

14,790 

Dance Associates Foundation, Inc. 

Hollywood, Californía 

To aid Bella Lewitzky in photographing 

onto slides her collection of photographs 

1,500 

of Lester Horton. 

Dance Films Association, Inc. For the completion of a film, Isadora Dun­ 3,850 

New York, New York can: Technique and Choreography, by Virginia Brooks. 

Dance Solos, Inc. 

Port Chester, New York 

For videotaping and notating dances of 

Isadora Duncan and Mary Wigman as reconstructed by Annabelle Gamson. 

3,000 

Dance Theatre Workshop, Inc. 

New York, New York 

For support of Dance/Vídeo Access, a cooperative project with Video Dance, Inc., 4,350 

which will provide video facilities for recording dance works. 

Group Motion Media Theater 

Philadelphia, Pennsylvania 

For a dance-music-video event. 1,500 

James Waring Dance Foundation 

New York, New York 

For the videotape presentation of works by 

the late James Waring. 13,800 

NewYork Public Library Astor, 

Lenox, and Tilden Foundations 

For continued support of the e]orts to 

create a body of masterworks on film. 33,000 

New York, New York 

New York Public Library Astor, 

Lenox, and Tilden Foundations 

For continued suppór~ of the film services 

program in the dance collection of the New 65,000 

New York, -New York York Public Library. 

New York Public Library Astor, 

Lenox, and Tilden Foundations 

For the filming of a work by Merce Cunningham. 38,800 

New York, New York 

Steamboat Springs Council of the Arts 

and Humanities, Inc. 

For a film documenting developments in 

modern dance as seen ¿hrough the activi­ 7,300 

Steamboat Springs, Colorado ties which took place a~ Perry-Mansfield 

Sehool of Dance. 

TAG Foundation 

New York, New York 

To support a video recording and other 

related costs /or the 1978 spring season of 1,500 

the Dance Umbrella in New York City. 

Traditional Jazz Dance Company, Inc. 

NewYork, NewYork 

To edit, synchronize with music, and nartate The Spirit Moves, a film by Mura 11,100 

Dehn and Herbert Matter. 

Van Scott, Gloria 

New York, New York 

For the videotaping and performance of 

the choreography of Katherine Dunham. 20,000 

WGBH Educational Foundation To support the dance project of the WGBH 13,000 

Boston, Massachusetts New Television Workshop. 
American Dance Festival, Inc. 

Durham, North Carolina 

Association of American Dance 

Companies, Inc. 

New York, New York 

Association of American Dance 

Companies, Inc. 

New York, New York 

Dance Notation Bureau, Inc. 

NewYork, NewYork 

Dance Theatre Workshop, Ine. 

New York, New York 

Dance Works, Inc. 

New York, New York 

H. I. Enterprises, Inc. 

New York, New York 

National Association for Regional 

Ballet 

New York, New York 

National Corporate Fund for Dance
 

New York, New York
 

Performing Artservices, Inc.
 

New York, New York
 

San Francisco Bay Area Dance
 

Coalition, Inc.
 

San Francisco, California
 

TAG Foundation, Inc.
 

New York, New York
 

TAG Foundation, Inc.
 

New York, New York
 

American Ballet, Inc., School of
 

New York, New York
 

Brooklyn Academy of Music, Inc.
 

Brooklyn, New York
 

Clark Center for the Performing Arts 

New York, New York 

Dance Theater Workshop, Inc.
 

New York, New York
 

Dance Theatre Workshop, Inc.
 

New York, New York
 

Dayton Civic Ballet
 

Dayton, Ohio
 

Eugene O’Neill Memorial Theater 

Center, Inc. 

Waterford, Connecticut 

Illinois Dance Companies 


Association of
 

Chicago, Illinois
 

For the 1978 Dance Critics’ Conference. 

For technical assistance to dance companies and choreographers. 

For services to dance co~npanies throughout 

the United States. 

For the notation, documentation, and reconstruction of dance works, as well as 

salary support fora librarian. 

For a comprehensive me~nbership program, 

including the Pro~notional Resource Project. 

For the multi-company dance management 

services and special broader range services 

to the field provided by Pentaele Dance 

Management. 

To provide management services to dance
 

companies.
 

To support the national office. 

For support of fundraising aetivities in the
 

corporate community.
 

For continued support of the management
 

intern program anda program designed to
 

train ~nanagers of dance companies.
 

Fora project designed to provide technical
 

assistance and support in the a~’eas of fiscal
 

~nanage~nent and publie relations.
 

For continuing suppo~’t of the apprentice 

manager program. 

For the Dance Se~vice Pro]ect, which provides technical and ~nanagement services to 

the dance com~nunity. 

Fora pilot dance training pro]ect. 

For the presentation of a dance series. 

For the center’s presentational series of 

dance companies and choreographers. 

For presenting its ]ourth season of the 

Dance Production Pro~ect at the American 

Theatre Laboratory. 

To support the workshop’s 1977-78 Dance 

Produc~ion ProVeer at the American Theatre 

Laboratory. 

For Dayton Balle~’s series of performances 

in the downtown Dayton atea. 

Fox" a choreographers’ workshop offe~ing 

,	 established professional choreographers and 

dancers ¿he opportunity to experimen$ and 

create new works. 

For the second Illinois Dance Festival. 

Dance 79 

$9,000 Services to the Field 

To assist national service 

organizations involved in

projects directly related to 34,500 performing dance companíes.

Projects which have broadbased service components 

(such as multi-eompany 35,000	 managements of technical 

assístance programs) also 

ate considered. 

Program funds: $279,000 

50,000 

17,500 

18,500 

8,000 

40,000 

5,000 

14,500 

8,000 

4,000 

35,000 

250,000	 General Programs 

To assist projects that do not

fall into the Dance Program’s

other categories, but which 35,000 involve professional activity, 

are of exceptional merit, and 

respond to a demonstrated 17,000 need.
 

Program funds: $753,500
 

25,000 

25,000 

7,500 

20,000 

1,500 
80 Dance 

Jacob’s Pillow Dance Festival, Inc. 

Lee, Massachusetts 

$udson Memorial Church 

New York, New York 

Kinetikos Dance Foundation 

Los Angeles, California 

Martha Graham Center of 

Contemporary Dance, Inc. 

New York, New York 

Moming Collection 

Chicago, Illinois 

National Association for Regional 

Ballet, Inc. 

New York, New York 

National Shakespeare Company, Inc. 

New York, New York 

Pacific Northwest Dance Association 

Seattle, Washington 

Pacific Northwest Dance Association 

Seattle, Washington 

Riverside Church in the City of 

New York 

New York, New York 

Rodgers (Rod) Dance Company 

New York, New York 

San Francisco Dance Spectrum 

San Francisco, California 

Spectrum--Focus on Deaf Artists 

Austin, Texas 

~~	 TAG Foundation, Inc.
 

New York, New York
 

TAG Foundation, Inc. 

New York, New York 

TAG Foundation, Inc. 

New York, New York 

TAG Foundation, Inc. 

New York, New York 

Theatre Development Fund, Inc. 

New York, New York 

Utah State Division of Fine Arts 

Salt Lake City, Utah 

Utah, University of 

Salt Lake City, Utah 

Walker Art Center, Inc. 

Minneapolis, Minnesota 

Women’s Interart Center, Inc. 

New York, New York 

For the annual summer dance festival. 

To assist Judson Dance Theatre in presenting dance programs. 

For the second Los Angeles Dance Festival, 

which will present a wide variety of dance 

companies from the Los Angeles arca. 

For the initial stages of preserving all existing records of Martha Graham’s choreography, costumes, musical compositions, 

and stage settings. 

Fox" continued support of the Performance 

Center production program, including work 

sessions and performances by resident and 

guest choreographers. 

For continuing support of the summer Craft 

of Choreography Conferences. 

To support the Cubiculo in providing free 

performance facilities, technical help, and 

promotion to choreographers. 

For expansion of the subscription season. 

To develop a "preview series" performance 

concept. 

For continuation of the church’s dance 

festival. 

For presenting a series of workshops which 

will explore the relationships between live 

jazz and dance. 

To support San Francisco Dance Spectrum, 

Oakland Ballet, Pacific Ballet, and Xoregos 

Performing Company in their cooperative 

project, "Summer Dance." 

For continued support of Yacov Sharir as 

artistic director and for a tour of major 

Texas cities. 

For the New York Dance Festival at the 

Delacorte Theater. 

To support the continuation of the Dance 

Umbrella. 

For the New York Dance Festival at the 

Delacorte Theater in Central Park. 

For the Dance Umbrella’s fourth season. 

For the fund’s dance voucher program. 

To support opening ceremony performances 

for the Bicentennial Center for the Arts. 

For the Repertory Dance Theatre’s summer 

dance festival. 

For residencies at the center. 

For presentation of dance artists. 

$16,640
 

8,000 

9,000 

9,000 

8,500 

30,000 

8,000 

12,000 

15,000 

10,000 

6,000 

10,000 

12,000 

30,000 

58,000 

32,500 

51,000 

19,500 

5,000 

5,860 

7,500 

9,000 
81 

Education Program funds : $5,075,172 

Educational Futures, Inc. For national coordination of the Architec­ $175,000 Artists-in-Schools 

Philadelphia, Pennsylvania ture component of the Artists-in-Schools 

Píogram. 

CoordinationCosts 

National coordinators otfer 

Harris, Jack M. 

Woodside, New York 

For a national coordinator for the Film/ 

Video component of the Artists-in-Schools 

Program. 

25,000 

professional and technical

assistance to specific components of the Artists-inSchools Program.

Program funds: $233,150 

Lichtmann, Dean A. 

Berea, Kentucky 

For a national coordinator for the Visual 

Arts component of the Artists-in-Schools 

P~ogram. 

32,000 

Reinhart (Charles)Management, Inc. For additional administrative costs of the 1,150 

New York, New York Artists-in-Schools Dance Component. 

The following grants were awarded to support Artists-in-Schools 

Programs. 

Guam, Insular Arts Council of 

Agana, Guam 

Hawaii State Foundation on Culture 

18,300 Artists-in-Schools 

A national, state-based program whieh places professional artists in elementary 61,400 and seeondary schools. 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

88,200 and The Arts 

Honolulu, Hawaii 

Program funds: $4,138,642 

Idaho Commission on the Arts and 50,000 

Alaska State Council on the Arts 108,960 Humanities 

Anchorage, Alaska Boise, Idaho 

American Samoa Arts Council 

Pago Pago, American Samoa 

25,000 Illinois Arts Council 

Chicago, Illinois 68,900 

Arizona Commission on the Arts and 

Humanities 

75,500 Indiana Arts Commission 

Indianapolis, Indiana 

69,900 

Phoenix, Arizona 

Arkansas State Arts and Humanities, 100,000 

Institute of Puerto Rican Cu|ture 

San Juan, Puerto Rico 

20,000 

Office of 

Little Rock, Arkansas Iowa State Arts Council 79,900 

Des Moines, Iowa 

California Arts Council 128,300 

Sacramento, California Kansas Arts Commission 55,000 

Topeka, Kansas 

Colorado Council on the Arts and 64,000 

Humanities Kentucky Arts Commission 64,600 

Denver, Colorado Frankfort, Kentucky 

Connecticut Commission on the Arts 72,000 Louisiana State Arts Council 84,700 

Hartford, Connecticut Baton Rouge, Louisiana 

D.C. Commission on the Arts and 29,232 Maine State Commission on the Arts 59,700 

Humanities and the Humanities 

Washington, D.C. Augusta, Maine 

Delaware State Arts Council 

Wilmington, Delaware 

47,200 Maryland Arts Council 

Baltimore, Maryland 

50,000 

Fine Arts Council of Florida 118,000 Massachusetts Arts and Humanities 67,200 

Tallahassee, Florida Foundation, Inc. 

Boston, Massachusetts 

Georgia Council for the Arts and 61,000 

Humanities 

Atlanta, Georgia Michigan Council for the Arts 

Detroit, Michigan 

77,400 
 

 

82 Education 

Learning through the 

Arts 

To involve people of all ages

in arts activities beyond the 

traditional ¢lassroom. Generally, grants ate awarded to

community cultural centers, 

experimental schools, 

"schools without walls," and

other publi¢ and private 

Minnesota State Arts Board 

Minneapolis, Minnesota 

Mississippi Arts Commission 

Jackson, Mississippi 

Missouri State Council on the Arts 

St. Louis, Missouri 

Montana Arts Council 

Missoula, Montana 

Nebraska Arts Council 

Omaha, Nebraska 

Nevada State Council on the Arts 

Reno, Nevada 

New Hampshire Commission on the 

Arts 

Concord, New Hampshire 

New Jersey State Council on the Arts 

Trenton, New Jersey 

New Mexico Arts Division 

Santa Fe, New Mexico 

New York Foundation for the Arts 

New York, New York 

New York State Poets-in-the-Schools 

Chappaqua, New York 

North Carolina Arts Council 

Raleigh, North Carolina 

North Dakota Council on the Arts and 

Humanities 

Fargo, North Dakota 

Ohio Arts Council 

Columbus, Ohio 

Oklahoma Arts and Humanities 

Council 

Oklahoma City, Oklahoma 

Oregon Arts Commission 

Salem, Oregon 

Pennsylvania Council on the Arts 

Harrisburg, Pennsylvania 

Amigos del Museo del Barrio 

New York, New York 

Center for City Building Educational 

Programs 

Los Angeles, California 

Children’s Art Carnival 

organizations, including state New York, New York

arts agen¢ies. Program funds: $256,140 Growing Mind 

Bolinas, California 

Inner City Cultural Center 

Los Angeles, California 

Karamu House, Inc. 

Cleveland, Ohio 

$126,400 

50,000 

48,400 

50,000 

103,000 

50,100 

68,400 

63,400 

62,000 

140,300 

37,000 

$66,300 

43,400 

í2,400 

66,600 

89,200 

74,050 

Rhode Island State Council on the 

Arts 

Providence, Rhode lsland 

80,000 

Senahan, Inc. 

New York, New York 

240,000 

South Carolina Arts Commission 

Columbia, South Carolina 

137,400 

South Dakota State Fine Arts Coundl 

Sioux Falls, South Dakota 

51,700 

Tennessee Arts Commission 

Nashville, ’Tennessee 

74,400 

Texas Commission on the Arts and 

Humanities 

Austin, Texas 

121,000 

Utah State Division of Fine Arts 

Salt Lake City, Utah 

6,000 

Utah State Division of Fine Arts 

Salt Lake City, Utah 

52,900 

Vermont Council on the Arts, Inc. 

Montpelier, Vermont 

53,000 

Virgin Islands Council on the Arts 

Christiansted, St. Croix, Virgin Is]ands 

15,000 

Virginia Commission of the Arts and 

Humanities 

Richmond, Virginia 

60,000 

Washington State Arts Commission 

Olympia, Washington 

114,400 

West Virginia Arts and Humanities 

Commission 

Charleston, West Virginia 

78,200 

Wisconsin Arts Board 

Madison, Wisconsin 

60,000 

Wyoming Council on the Arts 

Cheyenne, Wyoming 

49,300 

For continued support of an instruction 

and t~’aining project utilizing the skills of 

professional artists from varied disciplines. 

25,000 

For the Universal Environmental Arts 

Curricu~a. 

43,140 

For continued support oÍ workshops and 

exhibitions for childven. 

22,500 

Fora workshop for juvenile delinquents. 20,000 

To explore the use of the arts asa morívational tool andas a method for developing insight into social patterns. 

25,000 

For the arts workshop program. 8,500 
Education 83 

Karamu House, Inc. For dance/movement and visual arts pro­ $11,500 

Cleveland, 0hio gram ]of curriculum expansion. 

Learning About Learning Educational For the involvement of professional artists 20,000 

Foundation in an experimental project designed to 

San Antonio, Texas develop and study the transÍerence of children’s creative abilities to everyday life. 

Media Study, Inc. 

Buffalo, New York 

Fora film to provide documentation oÍ the 

Learning Tñrough the Arts category. 

30,000 

Natural Heritage Trust Fora residency oí the Chuck Davis Dance 10,000 

Albany, New York Company at Roberto Clemente State Park. 

Palace of Arts and Sciences For continued support of artists in resi­ 18,000 

Foundation dence at the Exploratorium. 

San Francisco, California 

R’wanda Lewis Afro-American Dance For continued support of a program for 7,500 

Company, Inc. handicapped children. 

Los Angeles, California 

Sculpture in the Environment, Inc. 

New York, New York 

For continued support of high school workshops and college lecture programs. 

15,000 

California, University of 

Los Angeles, California 

Harvard University 

Carabridge, Massachusetts 

For continued support of the management 

in the arts program, 

For continued support of participants in 

the Harvard Institute in A rts Administration management development program. 

25,000 

10,000 

Arts Administration 

To aid universities with 

graduate level proKrams in 

arts administration in awarding fellowships to students. Program funds: $86,840 

Sangamon State University 

Springfield, Illinois 

For continued support of first-year arts 

management program participants. 

15,000 

Utah, University of 

Salt Lake City, Utah 

For continued support of fellowships for 

participants in the university’s institute 

arts administration. 

6,840 

Wisconsin Foundation, University of 

Madison, Wisconsin 

For continued support of the master of arts 

program in arts administration. 

15,000 

Yale University 

New Haven, Connecticut 

For continued fellowship assistance to the 

School of Drama. 

15,000 

Arkansas State Arts and Humanities, 

Office of 

Little Rock, Arkansas 

Arts, Education and Americans, Inc. 

New York, New York 

For continued support of theater specialists to conducta pro]ect in learning through 

the theater arts in rural communities, 

For continued support of the dissemination 

of information regarding the publication 

Coming to Our Senses. 

29,100 

17,500 

General Programs 

To assist projeets not included in other grant

categories.

Program funds: $360,400 

Associates for Renewal in Education 

Washington, D.C. 

For an original musical production on the 

history of Washington, D.C. 

10,020 

Centrum Foundation For the "Experiences in Creativity" work­ 10,000 

Port Townsend, Washington shops at Fort Worden State Park. 

Charlotte-Mecklenburg Schools For a three-year pilot program using the 10,000 

Charlotte, North Carolina arts as academic media. 

Community Arts Services-Hawaii 

Hilo, Hawaii 

For Hawaiian communities with ah arts 

education program for children and youth. 

22,770 

George Washington University 

Washington, D.C. 

For continued support of Workshops Íor 

Careers in the Arts. 

50,000 

Grand Rapids Public Schools 

Grand Rapids, Michigan 

For a per]orming arts p~’ogram which will 

provide artistic enrichment for 5th and 

6th grade students. 

10,000 
84 Education 

Hawaii State Foundation on Culture 

and the Arts 

Honolulu, Hawaii 

Knoxville School Corporation, Inc. 

Knoxville, Tennessee 

Learning Guild, Inc. 

Boston, Massachusetts 

Maine State Commission on the Arts 

and Humanities 

Augusta, Maine 

Media Study, Inc. 

Buffalo, New York 

Montana Arts Council 

Missoula, Montana 

Montana, University of 

Missoula, Montana 

National Art Education Association 

Reston, Virginia 

National Assembly of State Arts 

Agencies 

Washington, D.C. 

New Jersey State Council on the Arts 

Trenton, New Jersey 

North Carolina Arts Council 

Raleigh, North Carolina 

North Dakota, University of 

Grand Forks, North Dakota 

Phoenix Symphony Association 

Phoenix, Arizona 

Seattle Repertory Theatre 

Seattle, Washington 

Worrell, Norman 

Nashville, Tennessee 

Wyoming, University of 

Laramie, Wyoming 

For support of the "Mele Projeet." $39,000 

For continued support of the Laurel 

School’s art program. 

5,000 

For the Intergenerational Arts Project. 30,000 

For a film of a West African dance festival. 1,460 

Fora community center which offers facilities for research, education, exhibition/performance, and media arts. 15,000 

For continued support of a potter in residence on the Crow Reservation. 

9,000 

For continued support of the Montana 

Repertory Theatre. 

10,000 

For continued support of an artist/teaeher 

workshop in Sandy Hook, New Jersey. 

21,500 

For a three-day joint Artists-in-Scñools/ 

National Assembly of State Arts Agencies 

meeting. 

4,000 

For continued support of an artist/teacher 

workshop in Sandy Hook, New Jersey. 

11,000 

For a coordinator for North Carolina’s 

artists in residence program. 

16,850 

For the Northern Plains Arts in Education 

Festival. 

10,000 

Fora program utilizing the Phoenix Symphony Orchestra working in the schools. 7,000 

For an in-school program involving actors 

functioning as "advance artists" for the 

Ensemble Residency. 

10,000 

For continued support to study Artists-inSchools Program. 

1,000 

For a study of the best means to establish 

ah in-service teacher-training component of 

the Artists-in-Schools Program. 

10,200 
85 

Program funds : $7,199,337 Expansion Arts Treasury funds : $50,000

Private gifts : $50,000 

Alabama State Council on the Arts For a visual artists-in-residence program $7,500 State Arts Agencies 

and Humanities 

Montgomery, Alabama 

for prisons, including workshops. To help state arts agencies

and regional arts groups expand their programming in 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

For the Macon County Commission’s instruction and training program in visual 

arts, dance and music. 

10,000 such areas as advocaey,

coordination, and neighborhoodarts serviees. 

Program funds: $280,500 

Alabama State Council on the Arts For the Wiregrass Sacred Harp Singers 10,000 

and Humanities ~raining program for youth. 

Mon~gomery, Alabama 

Arizona Commission on the Arts and For the salary of an expansion arts pro­ 12,500 

Humanities grato eoordinator and to fund four expanPhoenix, Arizona sion arts projects. 

Arizona Commission on the Arts and Fora neighborhood arts services pro]ect in 5,000 

Humanities small rural communities. 

Phoenix, Arizona 

Arizona Commission on the Arts and Fora ticket discount program for handi­ 5,000 

Itumanities capped and low-income citizens. 

Phoenix, Arizona 

Fine Arts Council of Florida For the continued support of the Multieth­ 25,000 

Tallahassee, Florida nic Outreach Program which presents various art forms to Greeks, Blacks, CubanAmericans, rural communities, and senior 

citizens. 

Iowa State Arts Coun¢il For continued support of a senior citizens’ 15,000 

Des Moines, Iowa participatory art program including workshops, and an artist-in-residence at each 

location. 

Iowa State Arts Council/Nebraska 

Arts Council 

For the ]oint Iowa and Nebraska Arts 

Council prog~’am concentrating on the im16,000 

Des Moines, Iowa provement of communication skills for the 

deaf through the arts. 

Miehigan Cauncil for the Arts 

Detroit, Michigan 

For continued support of an artist in residence and visiting artists program for 

"confined audiences." 

20,000 

Nebraska Arts Council For an arHst in residence and an arts 9,000 

Omaha, Nebraska exposure/ticket subsidy program for senior 

citizens and the handicapped. 

New Hampshire Commission on the 

Arts 

For Caravan ’77, a multi-art touring program presenting performances, demonstra5,000 

Concord, New Hampshire tions, workshops, and exhibits. 

North Carolina Arts Council For an arts education project within the 6,000 

Raleigh, North Carolina prison system. 

North Dakota Council on the Arts and 

Humanities 

Fargo, North Dakota 

For continued support of United Tribes 

Educational Tech~Hcal Center o]ering arts 

instruction, workshops, Indian history and 

culture. 

9,000 

Oklahoma Arts and Humanities Fora coordinator on the sta] of the McFar­ 15,000 

Council land Branch YWCA and workshop and 

Ok]ahoma City, Oklahoma production directors. 
86 Expansion Arts 

Regional Tour Events 

To help sponsoring organizations bring together arts 

groups within a region for 

festivals, 

Program funds: $209,161 

Rhode Island State Council on the 

Arts 

Providence, Rhode Island 

Rhode Island State Council on the 

Arts 

Providence, Rhode Island 

Rhode Island State Council on the 

Arts 

Providence, Rhode Island 

South Carolina Arts Commission 

Columbia, South Carolina 

South Carolina Arts Commission 

Columbia, South Carolina 

South Carolina Arts Commission 

Columbia, South Carolina 

South Carolina Arts Commission 

Columbia, South Carolina 

South Carolina Arts Commission 

Columbia, South Carolina 

South Dakota State Fine Arts Council 

Sioux Falls, South Dakota 

Utah State Division of Fine Arts 

Salt Lake City, Utah 

Vermont Council on the Arts, Inc. 

Montpelier, Vermont 

Wyoming Council on the Arts 

Cheyenne, Wyoming 

Active Trading Company Productions 

New York, New York 

Ashtabula Arts Center 

Ashtabula, Ohio 

Birmingham Festival of Arts, Inc. 

Birmingham, Alabama 

Boricua College 

New York, New York 

Brooklyn Arts and Culture 

Association, Inc. 

Brooklyn, New York 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Cosanti Foundation 

Scottsdale, Arizona 

Dancers’ Workshop Company of 

California 

San Francisco, California 

De Cordova and Dana Museum and 

Park 

Lincoln, Massachusetts 

For an arts program for the elderly includ- $7,500 

ing workshops, f ollow-up sessions, and 

demonstrations. 

For the community arts program. 10,000 

For continued support of arts programs, 9,000 

workshops, performances, and exhibitions in 

Rhode Island Department of Corrections. 

For neighborhood arts development, the 10,000 

planning and assisting of various art organizations at the community level. 

For the Manning Avenue Free Studio, a 10,000 

community arts center. 

For a program of arts exposure for cul- 12,500 

turally disenfranchised youth. 

For a program of visual, performing, and 12,500 

literary art workshops and classes for the 

correctional facilities of the South Carolina 

Department of Corrections. 

For an arts program for the elderly. 12,500 

For the arts-related segments of the South 4,000 

Dakota Tiyospaye Seminar and the Indian 

craft and arts portion of the workshop. 

For ah outreach touring program. 10,000 

For support for the touring program. 5,000 

For continued support of the statewide. 7,500 

community theater program. 

For continued support of ¿he Village Hal- 7,000 

loween Festival. 

For continued support of the Ashtabula 5,000 

Arts Festival. 

For a ten-day arts and cultural festival. 5,000 

For the Puerto Rican Center for the Arts’ 7,000 

Loiza Aldea Festival blending the influence 

of Indian, African and Spanish cultures. 

For continued support of the West Indian 10,000 

American Day Associa~ion’s Labor Day 

weekend carnival and festival. 

For continued support of the Three Rivers 7,500 

Arts Festivals. 

For the Arcosanti Festival ’78, including 15,000 

arts and crafts and performing arts. 

For the Citydance CeIebration as well as 5,000 

preparatory workshops and seminars. 

For a festival of African music, dance, 4,000 

and art. 
Expansion Arts 87 

InstituteofPuertoRicanCulture For the Puerto Rico musical trad~tion $5,000 

San Juan, Puerto Rico through "Festival de Bombu y Plena." 

Junior League of Shrevelmrt, Inc. 

Shreveport, Louisiana 

For continued support ]of the Red River 

Revel, a celebration of the arts. 

7,500 

Madewood Arts Foundation For continued support of the Madewood 7,500 

New Orleans, Louisiana Arts Festival. 

Miami, University of For the Reencuentro Cubano 1978 Festival. 12,000 

Coral Gables, Florida 

Middlesex, New $ersey, County of 

New Brunswick, NewJersey 

For continued support of the Cultural and 

Heritage Commission’s New Jersey Teen 

Arts Festival. 

5,000 

Milwaukee Inner City Arts Council For continued support of the Community 13,936 

Milwaukee, Wisconsin Arts Festival. 

Museum Without Walls/The Museum For the Celebration Arts ’78 arts festival. 7,500 

of Contemporary Art 

Santa Cruz, California 

Participation Pro]ect Foundation, Inc. 

New York~ New York 

To support a celebration by the Sea Arts 

Festival. 

7,500 

Pilgrim Place in Claremont 

Claremont, California 

For the Festival of Japanese Arts and 

Culture. 

4,000 

Play Group, Inc. 

Knoxville, Tennessee 

For a major regional festival offe~’ing ah 

exchange of Southern theatre, dance, ~ideo, 

12,500 

and film by Alternate Roots, Inc. 

Portland, Oregon, City of 

Portland, Oregon 

For the MetropoHtan Arts Commission’s 

three-day arts festival 

15,000 

South Carolina Arts Commission For con~inued support of the Foothills 7,500 

Columbia, South Carolina Festival. 

Spanish Catholic Center, Inc. 

Washington, D.C. 

For continued support of the HispanicA merican Festival. 

9,000 

Summer Ithaca For continued support of the Ithaca Fall 9,725 

Ithaca, New York Celebration. 

Theatre by the Sea, Inc. 

Portsmouth, New Hampshire 

For continued support of the Prescott Park 

Arts Festival. 

5,000 

Tri-Cities Arts Council, Inc. 

Johnson City, Tennessee 

For the Art Circus Festival and partial 

administration costs. 

5,000 

Utah State Division of Fine Arts Fora tire day festival featuring Salt Lake 2,500 

Salt Lake City, Utah City Valley’s performing a~’ts. 

Women in the Arts, Inc., Festival of 

New Orleans, Louisiana 

For the "Festival of Women in Arts" 

workshops and classes. 

7,500 

Abraxas Foundation, Inc. 

Marienville, Pennsylvania 

Action for Bridgeport Community 

Development, Inc. 

For a basic crafts skills and training program for youth off enders in ah alterna$iveto-incarceration community, 

For workshops in visual arts, music, ceramics, photoraphy, and cra~ts. 

7,500 

10,000 

Instruction and Training 

For community arts projects

that hold regular classes of

workshops led by professional artists. 

Program funds: $2,620,598 

Bridgeport, Connecticut 

Adelante, Inc. 

Tucson, Arizona 

For workshops in theater arts by Teatro 

Libertad. 

5,000 

Adept Publications New American For continued support of a program includ­ 20,000 

Folk Center ing workshops, seminars, and presentations 

Houston, Texas in theater, ~nural paint~ng, and arts. 

African Heritage Dancers and For a training program in modern and tra­ 10,000 

Drummers, Inc. ditional dance and music. 

Washington, D.C. 
88 Expansion Arts 

Afro-American Studio for Acting 

and Speech, Inc. 

New York, New York 

Afro-American Total Theatre Arts 

Foundation, Inc. 

New York, New York 

Alabama School of Fine Arts 

Birmingham, Alabama 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

Alameda County Neighlmrhood Arts 

Program 

Oakland, California 

Amas Repertory Theatre, Inc. 

New York, New York 

Amigos del Museo del Barrio 

New York, New York 

Andrew Cacho African Drummers 

Washington, D.C. 

Appalachian Research and Defense 

Fund, Inc. 

Charleston, West Virginia 

Appalshop, Inc. 

Whitesburg, Kentucky 

Appalshop, Inc. 

Whitesburg, Kentucky 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Art Resource Association 

East Calais, Vermont 

Artists Collective, Inc. 

Hartford, Connecticut 

Artkare, Inc. 

Oakwood, Ohio 

Arts and Crafts Society of Portland,
 

Oregon, Inc.
 

Portland, Oregon
 

Asian American Dance Theater, Inc. 

New York, New York 

Association for the Advancement of 

Mexican Americans 

Houston, Texas 

Atlanta Ballet, Inc. 

Atlanta, Georgia 

Atlanta Children’s Theatre, Inc. 

Atlanta, Georgia 

Back Alley Theatre 

Washington, D.C. 

For a theater training program and muslo 

concerts. 

$17,500 

For a training program in the performing 

and visual arts. 

25,000 

For continued support of a training program in muslo for youth. 

10,000 

For the addition of two teachers to the 

muslo program for the disadvantaged. 

10,000 

For workshops in the performing and visual 

arts for low-income neighborhoods. 

17,500 

For continued support of training workshops in acting, voice, and dance. 

10,000 

For El Coqui’s workshops, seminars, and 

a conference in folkloric theater and dance, 

which will emphasize the African influence 

on Puerto Rico. 

10,000 

For training in African-American dance, 

drumming, and folklore. 

10,000 

To bring artists, musicians, and craftsmen 

to hospitals. 

7,500 

Fora theater training program for the 

A ppalachian Community. 

15,000 

For continued support of the Mountain 

Review program, including workshops in 

writing and photography. 

12,500 

For a training workshop in pottery, theatre, 

music and dance by the Tempe Federal 

Credit Union. 

5,000 

For workshops in visual arts, film and 

crafts. 

3,500 

For the continued support of the programs 

in music, dance, drama, and visual arts. 

22,500 

For continued support of the fine arts 

program for the elderly. 

5,000 

For classes, workshops, and exhibitions in 

the visual arts and cra]ts. 

7,500 

For dance classes and workshops for the 

Chinese community. 

10,000 

Fora community cultural arts gallery 

coordinated by a professional curator. 

8,500 

For a dance workshop program in schools 

and institutions utilizing the Atlanta Ballet 

Touring Ensemble. 

7,500 

For training in the theatre arts for youth. 12,500 

Fora theater workshop program. 15,000 
Expansion Arts 89 

Balkan Arts Center, Inc. For folklife festivals featuíing workshops $15,000 

New York, New York and concerts specializing in the cultural 

history of different immigrant communities. 

Ballet Folk of Moscow, Inc. For workshops in dance and Íor the Ballet 5,000 

Moscow, Idaho Folk summer workshops. 

Basement Workshop, Inc. For the Amerasia creative arts program’s 17,500 

New York, New York workshops, classes, and presentations. 

Baton Rouge, Arts Council of 

Baton Rouge, Louisiana 

For ccntinued training of arts council staff 

and volunteers in arts administration. 

15,000 

Bayfront Nato, Inc. For classes in dance, ceramics, photog­ 10,000 

Erie, Pennsylvania raphy, printmaking, painting, and music. 

Beale Street Repertory Company For workshops in acting, direction, stage 10,000 

Memphis, Tennessee movement, and partial administrative costs. 

Better Boys Foundation 

Chicago, Illinois 

For a youth theater development program 

including classes in the theater arts. 

10,000 

Better Boys Foundation For continued support of the Kuumba 15,000 

Chicago, Illinois Workshop’s instruction program in theater 

arts, modern dance, and writing. 

Beyond Baroque Foundation For continued support o] Che ]oundation’s 17,500 

Venice, California services asa literary center. 

Bidwell Education, Music and For music and education programs ]or 10,000 

Reereation Center children. 

Pittsburgh, Pennsylvania 

Billie Holiday Theatre, Inc. For a program providing instruction for 10,000 

Brooklyn, New York young children and adults in the performing and technical aspects of theater arts. 

Birmingham Creative Dance Group 

Birmingham, Alabama 

For performances and workshops for the 

community and movement classes for senior 

5,000 

citizens and handicapped youth. 

Black Academy of Music For a series of performances, lectures, and 17,500 

Seattle, Washington seminars in music as well as the prison 

cultural enrichment program. 

Black Cultural Endowment, Inc. For continued support of the Children’s 7,500 

Baltimore, Maryland Hour, a community cultural experiment. 

Black Emergency Cultural Coalitibn For expansion of the prison arts program 17,500 

New York, New York and for further involvement of universities. 

Black Theatre Troupe, Inc. For a theater trainee program, a visiting 10,000 

Phoenix, Arizona artist program, and the Saturday performing arts program for children. 

Bloomingdale House of Music, Inc. Fora community music project. 5,000 

New York, New York 

Book Arts, Inc., Center for For an instruction program in graphic arts 5,000 

New York, New York and crafts. 

Boricua College For the Puerto Rican Center for Che Arts. 12,500 

Brooklyn, New York 

Boys Harbor, Inc. 

New York, New York 

For performing arts workshops and classes 

in the East Harlem community. 

25,000 

Brookline Arts Center, Inc. For classes in the visual and performing 7,500 

Brookline, Massachusetts arts and crafts for children. 

Brown University For Rites and Reason, a university/com­ 25,000 

Providence, Rhode Island munity cultural arts project. 

Buffalo Black Dance Workshop, Inc./ For dance classes at the School of Move. 10,000 

School of Movement ment. 

Buffalo, New York 
90 Expansion Arts 

Capitol Ballet Guild, Inc.


Washington, D.C.
 

Carnegie Institute
 

Fittsburgh, Pennsylvania
 

Casa de Amigos Community Center
 

Houston, Texas
 

Centennial Concerts, Inc.
 

New York, New York
 

Center for Chamber Muslo at Apple
 

Hill Farm, Inc.
 

East Sullivan, New Hampshire
 

Central Pennsylvania Village Crafts
 

Port Matilda, Pennsylvania
 

Changing Scene Theatre, Inc.
 

Denver, Colorado
 

Chatfield College
 

St. Martín, Ohio
 

Children’~ Art Carnival
 

New York, New York
 

Children’s Arts and Science
 

Workshops, Inc.
 

New York, New York
 

Children’s Museum of New Haven, Inc.
 

New Haven, Connecticut
 

City Arts Workshop, Inc.
 

New York, New York
 

Clark Center for the Performing Arts 

New York, New York 

Collective Black Artists, Inc. 

New York, New York 

Comanche Indian Tribe 

Lawton, Oklahoma 

Community Arts Services Hawaii 

Hilo, Hawaii 

Community Association of Schools for 

the Arts 

St. Louis, Missouri 

Community Crafts Workshop, Inc. 

Lewiston, Maine 

Community Environments 

New York, New York 

Community Film Workshop of 

Chicago 

Chicago, Illinois 

Community Music Center 

San Francisco, California 

Compton Unifled School District 

Compton, California 

Concept East, Inc. 

Detroit, Michigan 

For a dance instruction program for the $25,000

Anaeostia community. 

For continued support of the Selma Burke 5,000 

Art Center’s inst~uction in dance, painting, 

drama, photography, and weaving. 

For a bicultural and bilingual art center 10,000 

for Chicanos.
 

For Youthbridge, Inc.’s program of theater
 10,000 

arts workshops for inner-city youth. 

7,500 For the musieians development program. 

For classes and workshops in the visual 7,500

and performing arts and crafts. 

For classes and wovkshops in modern dance 5,000 

for elementary school students. 

For workshops in ceramics, macrame, callig­ 1,225 

raphy, and painting.
 

For workshops and exhibitions in paintings,
 17,500 

scuIpture, photography, and filmmaking. 

For classes in the visual and po’forming 5,000 

arts. 

For workshops in the visual arts and ad­ 7,500

ministrative costs for "In, Out, Around and
 

About", a multiarts program for the young,
 

the handicapped, and low-income families.
 

To support mural workshops for Lower 15,000 

East Side community groups. 

For the performing arts program including 15,000 

dance instruction. 

Fora music education program for the pro­ 5,000 

fessional, aspiring professional, and music
 

educator.
 

For workshops involving painting, design, 5,000 

and art in Indian apparel. 

For workshops and classes in dance and for 5,000 

administrative costs. 

For training programs in the visual and 23,300 

perf orming arts. 

For instruction in arts and crafts. 7,500

For the traveling workshop program. 15,000 

For a training program in 16mm film pro- 20,000 

duetion for disadvantaged young people. 

For classes and workshops in vocal music 10,000 

for the low-ineome communi~y. 

Fora community-wide mural workshop, 20,000 

and ah instruction and training program. 

For free instruction and training for local 20,000 

minority artists in drama and dance. 
Expansion Arts 9! 

Conservation and Cultural Affairs, For workshops, classes, a~d seminars in $12,000 

Department of music, including residencies ]or stateside 

St. Thomas, Virgin Island artists by the Toneskolen School of Muslo. 

Cooper Union for the Advancement of 

Science and Art 

For the Saturday art program including 

classes in painting, drawing, architecture, 

10,000 

New York, New York and sculpture for people in ghetto areas. 

Cornish School of Allied Arts 

Seattle, Washington 

To bring expanded arte training and instruction to young people. 10,000 

Cosanti Foundation For the Arcosanti workshop program in 10,000 

Scottsdale, Arizona the environmental arte. 

Crossroads Community For "The Farms" workshops and seminars 12,500 

San Francisco, California in the performing arts and sculpture. 

Cultural Council Foundation For the Nation of Gra~ti Artists, a visual 5,000 

New York, New York and performing arte workshop for underprivileged youth. 

Cultural Council Foundation For the Lower East Side Printshop’s 7,500 

New York, New York graphic arte workshop ]or the community. 

Cultural Council Foundation 

New York, New York 

For En Foco’s workshops in the visual and 

performing arte anda workshop gallery. 10,000 

Cultural Council Foundation For La Semilla’s photography and silk­ 12,500 

New York, New York ecreen workshops. 

Culture in Black and White For a free training program in arts, ceram­ 15,000 

Mobile, Alabama ics, dance, drama, music, photography, 

and creative writing for culturally deprived 

youngsters. 

Dance Exchange, Inc. 

Washington, D,C. 

To expand programs of teaching and performing modern dance works with senior 

7,000 

citizens and young dancers. 

Dance Theatre of Harlem, Inc. For an on-the-]ob training program for 10,000 

New York, New York apprentices in stagecraft and muslo. 

Dance Visions, Inc. For workshops in contemporary modern 10,000 

New York, New York dance for the Harlem community. 

Dancers’ Workshop Company of 

California 

For the continued support of the Reachout 

Program offering instruction in art and 

20,000 

San Francisco, California dance. 

Dashiki Project Theatre For the continued support of the creative 22,500 

New Orleans, Louisiana arte workshop, a program providing instruction in drama, dance, and graphic arte. 

Dayton Contemporary Dance Guild 

Dayton, Ohio For continued support of dance training 

aetivities. 

7,150 

De Young Museum Art School 

San Francisco, California 

For a program of educational exhibits and 

expanded services for the community. 

5,000 

Del Arte, Inc. For a $raining program in mime and other 2,500 

Blue Lake, California dramatic arts. 

Dixwell Children’s Creative Arts For instruction in the performing and visual 17,500 

Center arte for inner-city children. 

New Haven, Connecticut 

Double Image Theatre, Inc. For a performing arts training program. 7,500 

New York, New York 

Douglass (Frederick)Creative Arts 

Centers, Inc. 

For a professional training program in 

literature and theater. 

12,500 

New York, New York 

Downtown Community Television 

Center, Inc. 

For workshops in television arte and related 

media services for low-income persons. 

10,000 

New York, New York 
92 Expansion Arts 

Earth Onion Women’s Theater, Ltd. 

Washington, D.C. 

East Bay Community Arts Project 

t~erkeley, Cali~ornia 

East-West Players, Inc. 

Los Angeles, California 

Ebony Talent Associates Creative 

Arts Foundation 

Chicago, Illinois 

El Neuvo Teatro Pobre de America 

Hato Rey, Puerto Rico 

Elma Lewis School of Fine Arts, Inc. 

Roxbury, Massachusetts 

Emerson School, Inc. 

New York, New York 

Everyday People 

Monessen, Pennsylvania 

Exceptional Children’s Foundation 

Los Angeles, California 

Expanded Theatre Foundation, Inc. 

Rockville, Maryland 

Family of Man 

Providence, Rhode Island 

Fargo Public Schools 

Fargo, North Dakota 

Federated Dorchester Neighborhood 

Houses, In
. 

Dorchester, Massachusetts 

Fernandez (Benedict J.) Photo-Film

Workshop, In
. 

New York, New York 

Festival Players, Inc. 

Chattanooga, Tennessee 

First All Children’s Theatre, Inc. 

New York, New York 

Floating Foundation of Photography 

New York, New York 

Forum Center for the Arts 

Denver, Colorado 

Free Southern Theater, Inc. 

New Orieans, Louisiana 

Frog Hollow Craft Association 

Middlebury, Vermont 

Fun Encounter Theatre 

Daly City, California 

Greater Jamaica Development Corp. 

Jamaica, New York 

Greater Jamaica Development Corp. 

Jamaica, New York 

For continued support of a program of $10,000

classes and workshops in theater ar~s and 

for partial administrative assistance. 

For continued support of the juvenile jus- 12,500 

tiee art pro~ect o~ering workshops in the 

visual and performing arts at the Ala’meda 

County Juvenile Prison. 

For the company’s theater workshops and 22,000

presentations. 

For training and instruction in the arts of 20,000 

drama, dance, music, and creative writing 

for inner-city youth and adults. 

For workshops on the exploration of Blaek 15,000

roots in Puerto Rican culture. 

For a theater company comprised of senior 20,000

citizens and young adults. 

For the Emerson Institute of the Arts,
 10,000

Inc.’s multi-arts instruction program.
 

For the continued support and expansion 10,000

oÍ the arts and erafts classes. 

For cIasses in the visual arts and crafts 10,000

for the mentally handicapped. 

For a training program in the areas of 5,000

film, production, directing, and scene design. 

For the support of the Circus Wagon The­ 7,500

atre’s workshops in theater arts and touring in certain Northeastern states. 

For workshops in the performing and vis- 5,000 

ual arts. 

For professional instruction in the per­ 12,500

forming arts and cra]ts !or youth. 

For workshops and classes in photography 5,000 

and super-eight filmmaking. 

For the Theatre in the Parks-Summer 1978 5,000 

workshops for apprentices. 

For continued support of a theater training 10,000 

and performing program for children. 

For instructional programs in photography. 10,000 

For the Creathon Theatre Group’s work- 10,000 

shops in theater arts and technique. 

For a program to train and develop youth 20,000 

in the performing arts. 

For a crafts program including training of 10,500 

apprentices and for scholarships for senior 

eitizens and rural groups. 

To support a community-based theater proj- 7,000 

ect using the concepts of socio-drama, improvisation, and audience participation. 

For administrative costs and the gallery 5,930 

exhibition progrdms. 

For a workshop series in drawing, painting, 7,500 

sculpture, photography, and serigraphy. 
Expansion Arts 93 

Greenbrier County Community 

Services Council, Inc. 

For a program of muslo productions and 

presentations. 

$2,500 

Lewisburg, West Virginia 

Growth Through Art and Museum Fora training program in art and museum 12,500 

New York, New York resources for children and teachers. 

Haight-Ashbury Community 

Development Corporation For training in the visual and performing 

arte in the Haight-Ashbury atea. 

12,500 

San Francisco, California 

Happiness Bag Players, Inc. 

Terre Haute, Indiana 

Fora training program in theater arte and 

musicas well as arte management. 

7,500 

Harambee 360 Degrees Experimental 

Theatre, Inc. 

Fredericksburg, Virginia 

For theater workshops for elementary 

through collegs students. 

9,725 

Hartford School of Ballet, Inc. Fora dance training scholarship program 5,000 

Hartford, Connecticut for talented students. 

Henry Street Settlement For the New Federal Theatre training work­ 25,000 

New York, New York shops for employment in the theater. 

Hochstein (David) Memorial Music l~or mueic and dance training for children 7,500 

School, Inc. and adults of the greater Rochester area. 

Rochester, New York 

Huntsville Balldt School For classical ballet training for high school 5,000 

Huntsville, Alabama students. 

Idaho Migrant Council For workshops to promote awareness of the 5,000 

Boise, Idaho Mexican and Chicano culture. 

Ile-Ife Black Humanitarian Center For ¢lasses in the visual arte and dance. 20,000 

Philadelphia, Pennsylvania 

Independent Eye, Limited 

Lancaster, Pennsylvania 

For workshop residenciss in the use of ¿mprovisation and to create theatsr perform4,500 

ance pieces. 

Inter-Religious Foundation for 

Community Organizations, Inc. 

For continued support of training in the 

theater arte by Jihad Productions through 

7,500 

New York, New York the Afrikan Revolutionary Movers. 

James Weldon Johnson Community For workshops in visual arte and crafts, a 7,500 

Center, Inc. poetry workshop, a mural pro]set, and 

New York, New York hibitions. 

Jazz Interactions, Inc. For workshops in muslo. 5,000 

New York, New York 

Jefferson County Committee for For productions, mini-classes in dance and 15,000 

Economic Opportunity

Birmingham, Alabama 

drama, anda training program in the performing arte for disadvantaged youth offered by the Black Fire Company. 

Jenkintown Music School For support of the scholarship program. 3,500 

Jenkintown, Pennsylvania 

John Henry Memorial Foundation, Inc. For continued support of the visual arte and 12,50.0 

Princeton, West Virginia crafts and performing arte training program for Appalachian communities. 

Julian Company Theatre For continued support of the theater train­ 5,000 

San Francisco, California ing program for company performers and 

craftspcople and the community. 

Kalihi-Palama Culture and Arts Fora culture and arte program for the resi­ 9,000 

Society, Inc. 

Honolulu, Hawaii 

dente of Kalihi-Palama as well as program 

scrvices and publicity. 

Keen (Elizabeth)Dance Foundation 

New York, New York 

For workshops ¿n the performing arte by 

the Everyman Company of Brooklyn. 

5,000 

Kentuckiana Metroversity, Inc. 

Louisville, Kentucky 

For continued support of a dance training 

program for the community. 

12,500 
Expansion Arts 

Kentuckiana Metroversity, Inc. 

Louisville, Kentucky 

Knoxville Urban Ministry, Inc. 

Knoxville, Tennessee 

Kuumba Learning Center, Inc. 

Washington, D.C. 

Kuumba Learning Center, Inc. 

Washington, D.C. 

Kuumba Learning Center, Inc. 

Washington, D.C. 

La Rocque Bey School of Dance 

Theatre, Inc. 

New York, New York 

Learning Guild, Inc. 

Boston, Massachusetts 

Liga Estudiantes de Arte de San Juan 

San Juan, Puerto Rico 

Little Flags Theatre Foundation, Inc. 

Boston, Massachusetts 

Living Arts and Science Center, Inc. 

Lexington, Kentucky 

Lloyd (Alice) College 

Pippa Passes, Kentucky 

Loft Film and Theatre Center, Inc. 

Bronxville, New York 

Madison Community Access Center 

Madison, Wisconsin 

Madonna College 

Livonia, Michigan 

Manchester Craftsmen’s Guild 

Pittsburgh, Pennsylvania 

Manna tIouse Workshops, Inc. 

New York, New York 

Maryland Institute 

Baltimore, Maryland 

Media Study, Inc. 

Buffalo, New York 

Metropolitan Cultural Arts Center 

Minneapolis, Minnesota 

Metropolitan School for the Arts, Inc. 

Syracuse, New York 

Mission Neighborhood Centers, Inc. 

San Francisco, California 

For continued support of workshops in mu­ $17,500

sic, drama, painting, and ceramics. 

For Epworth Community Arte, ah Appa- 15,000 

lachian-based arte and crafts project. 

For eontinued support of Ebony Impromptu 12,500 

Theatre’s program. 

For continued support of workshops and 17,500 

demons$rations in the visual arte and performing arte and the Southeast Festival of 

the Ar~s Week. 

To hire an administrator to expand and 10,000
 

strengthen Ebony Impromptu Thea~re’s pro.
 

grato through proper business development.
 

For a scholarship program, monthly semi- 5,000 

nars, and classes in the performing arte. 

For "Visions," a program blending educa- 12,000 

tion and entertainment in the performing 

arte and crafts for the school system. 

For workshops and classes in painting, ce- 12,500 

ramics, sculpture, and printmaking. 

For workehops by the Charleston Working 2,600 

Theatre, specializing in the development of 

"epie-style" acting. 

For eontinued support of training in art, 20,000 

drama, and musi¢ for young people and the 

handicapped. 

For classes in the visual arte, crafts, and
 12,500

performing arte, an artist in residente
 

the drama program, and the seventh annual
 

"Our Appalachia Day".
 

For administrative coste and workshops in 15,000
 

Bronxville and Tuckahoe for filmmaking,
 

photography, theater, and music.
 

Fora training program in videotape pro­ 10,000

duetions. 

To support a deaf perÍorming group as art- 5,000 

ists in residente. 

For training in cerami¢ art and visual art. 15,000 

Fora program in the ~erÍorming arte, in- 10,000 

cIuding classes, workshops, and rehearsal 

space for the Harlem community. 

For a series of workshops, filme, and lee­ 7,500

tutes on the art of the people of Melanesia. 

To expand inner-city film, vídeo, photo, and 12,500 

audio exhibitions; to provide workshop 

training programs in the arte; and to make 

available services to the community. 

For the continued support of classes and 15,000 

performances in the visual and performing 

arte and for administrative 

For a program of instruction in the per- 12,500 

forming and visual arte. 

For a program in alternative theater íor 8,500

actors, teehnicians and designers. 
Expansion Arts 95 

Mississippi Band of Choctaw Indians For continued support oÍ the arts and ~ra]ts $12,500 

Philadelphia, Pennsylvania program. 

Model Valley Economic Development 

Corporation 

For model valley mountain crafts training 

program in crafts for the ClearÍork Valley. 

9,000 

Clairfield, Tennessee 

Monroe County Rural Heritage For a crafts program for citizens of the 2,500 

Alliance, Inc. 

Union, West Virginia 

community. 

Mount San Antonio Council, Inc. 

Claremont, California 

For a program of muslo training and performances for low-income Black, Chicano, 

10,000 

and American Indian communities. 

Narcotic Addict Rehabilitation Center 

Organiza¿ion 

For a thea¿er arts training program for the 

low-income Blaclc and Spanish sections of 

10,000 

Atlantic City, New Jersey the community. 

Nashville Children’s Theatre, Inc. 

Nashville, Tennessie 

For the administrative costs of a training 

program in theater arts Íor children. 

30,000 

National Black Theater Workshop 

New York~ New York 

For the continued support of classes and 

workshops in She thea~er arts. 

30,000 

National Park Service For ¿he continued support of workshops in 7,500 

McLean, Virginia pottery, weaving, and puppetry for the 

physically handicapped and for the documenta¿ion and dissemination of all aspects oÍ 

the program. 

Neighborhood Music School, Inc. To support instrumental music ins¿ruction 7,500 

New tIaven, Connecticut~ for inner-¢ity minority children. 

New Dance Theatre, Inc. Fora training program in modern dance, 17,500 

Denver, Colorado jazz, and ballet. 

New Heritage Repertory Theatre, Inc. For experimental and training workshops in 15,000 

New York, New York the theater arts. 

New Muse Community Museum of Fora workshop program in the performing 7,500 

Brooklyn arts, visual arts, and crafts for the disadBrooklyn, New York vantaged community. 

New Place, Inc. For a program in the performing arts, vis­ 15,000 

Tampa, Florida ual arts, and public media. 

New Playwrights’ Theatre of Fora comprehensive training program for 10,000 

Washington, Inc. new American playwrights in the D.C. arca. 

Washington, D.C. 

New Rochelle Community Action

Agency, Inc. 

For workshops in creative modern and ethnic dance for children, teenagers, and adults. 

5,000 

New Rochelle, New York 

New York City Board of Education, For the Boys and Girls High ~chool Centen­ 5,000 

Brooklyn find Staten Island Schools nial Planning Committee’s classes and perBrooklyn, New York formances in the visual and performing arts. 

New York City Hispanic-American 

Dance Company, Inc. 

Fora dance workshop training program for 

young people between the ages of 6 and 18. 

22,500 

New York, New York 

Norman Firehouse Art Center, Inc. 

Norman, Oklahoma 

For administrative salaries, supplies, and

ma$erials Íor a $raining program in visual 

6,230 

arts for the community. 

North Lamar Independent School 

District 

For an instruetion program in the violin for 

elementary and high school studcnts in 

1,325 

Paris, Texas lected rural communitics. 

Northeast Georgia Arca Planning and For a program of]ering participa¿ion in com- 10,000 

Development Commission munity-based art pro]ects f or ¿he elderly. 

Athens, Georgia 
96 Expansion Arts 

Off Center Theatre, Inc. 

New York, New York 

Olatunja Center of African Culture 

New York, New York 

Operation Outreach 

Cairo, Ilinois 

Opportunity Group 

Hendersonville, North Carolina 

Parker (Charlie) Memorial

Foundation 

Kansas City, Missouri 

Pennsylvania State University 

University Park, Pennsylvania 

People’s Heritage, Inc. 

Milwaukee, Wisconsin 

Performing Arts of Shreveport, 

Theatre of the 

Shreveport, Louisiana 

Performing Arts Workshop, Inc. 

San Francisco, California 

Philadelphia Dance Company 

Philadelphia, Pennsylvania 

Philadelphia, Pennsylvania, City of 

Philadelpha, Pennsylvania 

Print Club 

Philadelphia, Pennsylvania 

Printmaking Workshop, Inc. 

New York, New York 

Public Art Workshop 

Chicago, Illinois 

Puerto Rican Dance Theatre, Inc. 

New York, New York 

Puerto Rican Traveling Theatre 

Company, Inc. 

New York, New York 

Puerto Rican Workshop, Inc. 

New York, New York 

R’wanda Lewis Afro-American Dance 

Co., Inc. 

Los Angeles, California 

Riverside Church in the City of New 

York 

New York, New York 

Rutgers, The State University of New 

Jersey 

New Brunswick, New Jersey 

St. Croix School of the Arts, Inc. 

Christiansted, Virgin Islands 

St. Elmo’s Village

Los Angeles, California 

For ¢ontinued support of a program to ¿n- $8,500 

struct and train neighborhood youth in the 

creation of community-based street theater. 

Fora training program ¿n African ~ulture. 25,000

Fora program prov~ding resources ¿narts 10,000 

and craÍts. 

For the continued support of workshops in 5,000

visual arte and crafts. 

For workshops in the visual and performing 10,000

arts and crafts and for performances. 

For ah instruction program in community 5,000 

theater. 

Fora training program fora young people’s 7,500 

touring theater company. 

For ¢ontinued support of training in the 7,500 

theater arts. 

For a program of workshops and publi¢ 20,000 

school instruction in theater and dance Íor 

the youth of San Francisco. 

Fora training and performing program in 20,000 

dance for inner-city youth. 

For continued support by the Philadelphia 7,000 

Department of Recreation of the Better 

Break Muslo Camp offering ah intensive 

training program in muslo for city students 

unable to afford instruction. 

For three printmaking workshops. 17,500 

Fora echolarship program and workshops. 7,500 

For a storefront mural and photography 10,000 

workshop, conferences, and seminars. 

For a dance program offering instruetion in 15,000 

ballet, modern, and flamenco techniques. 

For the training unir in the theater arte. 25,000 

For the continued support of workshops in 7,500 

the visual arts, crafts, and photography. 

For workshops and classes in ballet, modern 10,000 

dance, Afro-Haitian dance, drama, eostume 

construction, and stage make-up. 

For training workshops in aeting, voice, 5,000 

dance, and theater. 

For the Hispanic Arte Program, a statewide 8,500 

multi-arts program ineluding a series oÍ performances, workshops, and lectures. 

Fora program in craf~s and visual and per- 10,000 

forming arte. 

For workshops in the performing ar$s and 15,000 

crafts for children and adulas. 
Expansion Arts 9~ 

Salt City Playhouse, Inc. 

Syracuse, New York 

For performing arts traíning programs ata 

multi-racial performing and teaching ¢enter. $12,500 

San Antonio Ballet Company 

San Antonio, ’Texas 

For a scholarship program for talented lowineome dancers. 1,250 

Santa Barbara Gazebo Theatre One 

Santa Barbara, Calffornia 

For a statewide California youth theater for 

young adults. 10,000 

Settlement Musie School of 

Philadelphia 

Philadelphia, Pennsylvania 

For continued support of a comprehensivs 

program in musi~ instruction for the Philadelphia prison system. 

7,500 

Seward Park Arts Studio Advisory For workshops in the visual arts and crafts 10,000 

Council and for scholarships to parti~ipants from 

Seattle, Washington low-ineome groups. 

Sign of the Times Cultural Workshop For workshops in the fins and performing 10,000 

and Gallery, Inc. arts and programs in Black studies. 

Washington, D.C. 

Silvera (Frank) Writers’ Workshop For a workshop for playwrights. 10,000 

Foundation, Inc. 

New York, New York 

Southwest Craft Center For ~ontinued support of the Saturday 13,110 

San Antonio, Texas Morning Diseovery Program offering instruetion in fins arts, cra/ts, and the visual 

and performing arts. 

Southwestern lndian Polytechnic For the continued support of ah instruc­ 10,000 

Institute tional program in performing arts as well as 

Albuquerque, New Mexico traditional Indian arts and crafts. 

Studio Museum in Harlem, Inc. For visual arts workshops. 7,500 

New York, New York 

Sweetwater Art Center For the arts and crafts program. 5,000 

Sewickley, Pennsylvania 

Symbrinck Associates, Inc. For a training program in theater arts 10,500 

Williamsport, Pennsylvania for high school and college students and 

disadvantaged groups. 

Theatre for the Forgotten, Inc. 

New York, New York 

For continued support of theater workshops 

in New York City correetional facilities as 

17,500 

well asa ehildren’s workshop programat 

the Spofford Detention Center. 

Third Street Music School Settlement For ¢ontinued support of the ethnic musie 10,000 

New York, New York program featuring instruction and workshops in jazz, Latin, and roek muslo. 

Tokunaga Dance Ko. Inc. To support a scholarship program for 3,500 

New York, New York minority dancers to learn ballet and modern 

dance techniques and to conduct workshops 

and performances. 

Tri-State Ballet Company For eontinued support of a dance training 3,700 

Upper Darby, Pennsylvania program of advanced instruction in ballet 

for Black students. 

United Nautical Cadets, Inc. For the eontinued support of the "Develop­ 5,000 

Bronx, New York ment of Youth" musi¢ instruction program. 

United Projects, Inc. 

San Francisco, California 

For musie and dance training classes and 

workshops for teens and young adults. 

17,500 

Universal Arts of America For seminars to instruct D.C. elementary 5,000 

Washington, D.C. teachers in upgrading music teaching. 

University Circle, Inc. For the multi-arts program for inner-city 10,000 

Cleveland, Ohio children and adults. 

Upsal Day School for Blind Children For support of a ceramic arts program for 9,138 

Philadelphia, Pennsylvania blind and handicapped children. 
98 Expansion Arts 

Arts Exposure 

To support public presentations--such os performances, 

exhibitions, and festivals-­

that include workshops in

whieh community residents 

can participate. Man£ pro]­ ects are designed to reaeh

people who usually do not 

have aecess to the arts of to 

promote cultural exehange

among people of different

ages, races, of socio-economic 

baekgrounds. Program funds: $1,527,800 

Utah Ballet Folklorico Co. 

Salt Lake City, Utah 

Washington Theatre Laboratory 

Washington, D.C. 

West Coast Black Repertory Theatre 

San Francisco, California 

West Side Players 

Louisville, Kentucky 

Wilmington Music School, Inc. 

Wilming£on, Deleware 

Wilmington Society of the Fine Arts 

Wilmington, Delaware 

Women Make Movies, Inc. 

New York, New York 

Women’s Community, Inc. 

Los Angeles, California 

Women’s Studio Collective Workshop 

Rosendale, New York 

Wooster School Corporation
 

Danbury, Connecticut
 

Xavier University of Louisiana
 

New Orleans, Louisiana
 

Young Filmmakers Foundation, Inc. 

New York, New York 

Young Saints Scholarship Foundation 

Los Angeles, California 

Young Women’s Christian Association 

of Philadelphia 

Philadelphia, Pennsylvania 

Your Heritage House, Inc.


Detroit, Michigan
 

Youth Theatre Interactions, Inc.
 

Yonkers, New York
 

Aims of Modzawe, Inc.
 

Long Island City, New York
 

Akwesasne Library Cultural Center
 

Hogansburg, New York
 

Alabaron in Birmingham,
 

University of
 

Birmingham, Alabama
 

Alternative Center for International 

Arts, Inc. 

New York, New York 

American Black Artists, Inc.
 

Detroit, Michigan
 

American Dance Festival, Inc.
 

New London, Connecticut
 

Fora training program in ballet íor the $10,000

communi~y. 

10,000 For the theatrical ¿nstruction program. 

5,000 To ¢ontinue Afro-American Theater’s training program and productions.
 

Fora program o~ering experience in thea- 22,500 

ter to inner-city youth. 

F’or the .sèhol~arshi~ rpr.ag,ram in musie in- 3,000 

struction for underprivilegeá students. 

To support Bicentennial Metroscope’s pro- 5,000 

grato in visual edueation tñrough photography for the Delaware Arts Museum. 

For ah educational media program involv- 12,500 

ing instruction and training in filmmaking 

and for film produetion. 

Fora training program offering fellowships 10,000

and arts supplies to women. 

For classes and workshops in traditional 5,000 

photomechanical intaglio, lithogruphy, and 

cra]ts in the visual arts. 

For the Wooster Community Art Center’s 10,000 

art outreach program. 

For the Audubon Arts Center’s elasses in 9,665

the visual and performing arts. 

To continue support for the operation of a 15,000

local communications network and classes
 

in television studio production for minority
 

groups.
 

Fora training program in performing arts. 15,000 

For ah instruction and training program in 7,500 

dance. 

Fora fine arts program for youth. 20,750 

Fora theater arts workshop program in- 7,500 

cluding dance instruction for youth. 

For classes and performances by the Dini­ 10,000

zulu African Dancers, Drummers, and
 

Singers.
 

For workshops and classes in the Mohawk 7,500 

arts of basketmaking and carving for the 

tribal members. 

For a modern dance instructor and ah ad- 5,000 

ministrator for the dance program. 

For support of the Center’s exhibits in the 15,000 

visual arts. 

For cultural exchange programs ineluding 15,000 

art classes and performances. 

For eontinued support oí a dance program 7,500 

/of the community. 
Expansion Arts 99 

American Institute for Cultural 

Development, Inc. 

San Francisco~ California 

For tickets to cultural events for senior 

citizens, elementary school children, and 

young adults. 

$7,500 

American Revolutionary Road

Company 

Johnson City, Tennessee 

For continued support of improvisational 

theater, including a tour of an original play 

to Appalachian communities. 

12,500 

Anchorage Arts Council 

Anchorage, Alaska Fora prison art program, including workshops in music and poetry. 6,000 

Appalachian Craftsmen, Inc. 

tIuntington, West Virginia For an expanded program of handicrafts 

native to the Appalachian region. 10,000 

Arkansas Arts Center Foundation 

Little Rock, Arkansas 

For the state services program, including 

exhibits, performances and workshops. 12,500 

Arts for Racial Identity, Inc. 

New York, New York For continued support of the artists-inschools program. 15,000 

Art Safari, Inc. 

New York, New York 

For continued support of the African arts 

exhibir and workshop series, as well as for 10,000 

development of an Hispanic art program. 

Art Without Walls, Inc. 

New York, New York 

For the continued support of the art 

library and the art program in prisons, 8,000 

hospitals, and other institutions. 

Articulture, Inc. 

Cambridge, Massachusetts For the teen performing arts and technical 

training program and a performing arts 5,000 

and film series. 

Artists in Prison 

Los Angeles, California For continued support of the prison art 

program and for the development of a 

workshop program for hospitalized persons. 

10,000 

Artreach Milwaukee, Inc. 

Milwaukee, Wisconsin For workshops and performances and discount tickets for institutionalized persons. 5,000 

Arts Management Corporation 

Philadelphia, Pennsylvania For continued support of the New Freedom 

Theatre, Inc.’s theater arts program. 20,000 

Atlanta Arts Alliance, Inc. 

Atlanta, Georgia 

For the Children’s Festival including workshops, classes, and tours. 3,500 

Atlanta Contemporary Dance 

Company For the dance outreach program. 5,000 

Atlanta, Georgia 

Ballet Folklorico de Albuquerque 

Albuquerque, New Mexico For workshops and promotion of cultural research e]]orts in the music, dance, and 

7,500 

arts of New Mexico. 

Ballet Theatre of the Virgin Islands 

St. Thomas, Virgin Islands For the continued support of the prolessional training program in dance. 

15,000 

Baltimore Theatre Project, Inc. 

Baltimore, Maryland For continued support of performances and workshops in the performing arts. 10,000 

Bilingual Foundation of the Arts For workshops in the theater arts as well 12,500 

Van Nuys, California as for performances. 

Black Spectrum Theatre Company For a theater demonstration program, 10,000 

St. Albans, New York theater performances throughout southeastern Queens, and administrative costs. 

Black Spectrum Theatre Company To support ah art program to include work­ 7,500 

St. Albans, New York shops and performances by the Adam Clayron Powell 11I Repertory Theater, lnc. 

Biack Theatre Alliance, Inc. For program services to theater and dance, 17,500 

New York, New York technical services, and administrative costs. 

Black Theatre Alliance, Inc. For continued support of various art pro­ 25,000 

New York, New York gratas including the annual festival, a 

monthly newsletter, services to theater and 

dance, and technical assistance. 
100 Expansion Arts 

Bodacious Buggerrilla, Iuc. 

Los Angeles, California 

Bread and Roses Benefit Agency Mill Valley, California 

Broadside TV, Inc. 

Johnson City, Tennessee 

Brockman Gallery Productions 

Los Angeles, California 

Caf-Am III, Inc. 

Washington, D.C. 

Carpetbag Theatre, Inc. 

Knoxville, Tennessee 

Casa Hispana de Bellas Artes 

San Francisco, California 

Central Area Citizens Committee of 

Seattle, Inc. 

Seattle, Washington 

Chinese Cultural and Community 

Center 

Philadelphia, Pennsylvania 

Christina Community Center of Old 

Swedes, Inc. 

Wilmington, Delaware 

Claremont University Center 

Claremont, California 

Communications Foundation 

Santa Barbara, California 

Community Film Workshop Council 

New York, New York 

Community School of the Arts 

Charlotte, North Carolina 

Community Theatre Arts Workshop 

Berkeley, California 

Contemporary Dance Theater, Inc. 

Cincinnati, Ohio 

Corvallis Arts Council, Inc. 

Corvallis, Oregon 

Creative Growth, Inc. 

Oakland, California 

Cultural Council Foundation 

New York, New York 

Davis and Elkins Collegc 

Elkins, West Virginia 

District of Columbia, University of the 

Washington, D.C. 

For continued support for a project of re­ $15,000

cording oral histories of jazz musicians and 

to produce three major videotapes. 

7,500 For administrative costs of a program o~ering performances to the institutionalized. 

For continued support of a program in vídeo 15,000

art producing programs with Tennessee 

public television. 

7,500 For the eommunity-related activities of the 

Brockman Gallery including a film festival, 

symposiums, the mural program, a crafts 

exhibition, and the documentation program. 

For a communications and broadcasting 15,000 

project including the production of doeuméntaries for television. 

For the Theater Arts Ensemble Company 10,000

as well as for theater, writing, and jazz
 

workshops.
 

For a continuing program in Raza culture, 12,500 

including bilingual projects. 

For the continued administrative support of 20,000

the Black Arts/West Theater, including instruction in theater arts and dance.
 

For workshops and exhibitions in the 15,000

Chinese community. 

For the arts instruction program. 7,500 

For continued support of the contemporary 15,000

crafts exhibir series. 

For La Causa Publications’ administrativ~ 10,000

costs for bilingual creative writing workshops, conferences, and publi¢ations of
 

Chicano literature.
 

For a video program involving the multiple 20,000 

uses of vídeo to the ¢ommunity, including 

the handicapped. 

For a prison art program at the Hunter- 4,000 

ville Prison. 

For projects in film and theat¢r. 10,000

Fora dance program for children. 

4,920 For ah artists-in-schools program ineluding instruction in art, drama, and dance.
 

12,500 For ah art curator for the gallery and workshop and ezhibits by the handicapped.
 

For the Margaret Gafe Institute’s art and 7,500 

design projects for hospitals. 

For thealer productions for the eommunity. 15,000

For the BIack Film Institute, a film/leelur~ 10,000

programat the university. 

650 
Expansion Arts 101 

Dubuque, Iowa, City of 

Dubuque, Iowa For the Department of Parks and Recreation’s Cultural Arts Program for elemen­ $7,500 

tary school children, as well as for tickets 

to cultural events for senior citizens. 

East Bay Music Center 

Berkeley, California For a program in media, visual, and performing ar~8. 7,500 

Edwards Southeast Community Arts 

and Cultural Center, Inc. For workshops in the visual arts and crafts, 

and lectures and demonstrations in sehools. 5,000 

San Diego, California 

El Centro Cultural Auctoctono de la 

Gente 

San Jose, California 

For the center’s art programs including 

presentations, workshops, productions, and 

scholarships for Mexican-Americans. 

7,500 

Family Environment Center 

Los Angeles, California Fora cultural arts program for the rehabilitation of drug abusers. 5,000 

Family, Ex-Inmates of Correctional 

Facilities, Inc. 

New York, New York 

For the theater repertory company, annual 

prison tour, and technical training program. 12,000 

Florida Studio Theatre, Inc. 

~arasota, Florida For the production and touring of original 

plays to institutions and ¢ommuni~ies. 5,000 

Fort Wayne Fine Arts Foundation 

Fort Wayne, Indiana Fora cultural arts program including workshops and performances. 5,000 

Foundation for the Vital Arts, Inc. 

New York, New York 

For dance instruction and touring. 17,500 

Frederick Douglass Museum of 

African Art 

Washington, D.C. 

For an outreach program providing transportation to the museum for low-income 

persons and for speeial workshops. 

12,500 

Free Movies, Inc. 

New York, New York 

For summer exhibition programs and continued support of the Free Media Workshop 10,000 

and Gateway Free Theatre. 

Free Street Theatre 

Chicago, Illinois For continued support of the workshop and 

touring program. 14,500 

Friends of Puerto Rico 

New York, New York 

For exhibitions, recitals, poetry, and 

theater presentations. 3,500 

Garden State Ballet Foundation 

Newark, New Jersey 

For the school’s training p~rogram and 

dance performances. 15,000 

Gateway Dance Theatre, Inc. To support dance workshops, performances. 3,500 

Des Moines, Iowa 

Genesis Theatre For continued support of drama productions 11,000 

La Mesa, California in community settings. 

Greater Hartford Arts Council 

Hartford, Connecticut 

To support the Playhouse Program, including workshops and presentations. 

5,000 

Guthrie Theatre Foundation For the expansion of the senior citizen/ 10,000 

Minneapolis, Minnesota hospital touring program to include student 

productions. 

Harford Community College To support the Edwin Booth Theater’s per­ 7,500 

Bel Air, Maryland formances and workshops in theater arts. 

Harlem Cultural Council Foundation To support classes in music and acting and 5,000 

New York, New York for the mounting of a tour conducted by 

thé Harlem Opera So~iety, Inc. 

Harlem Cultural Council, Inc. To support Dancemobile, the dance festival, 25,000 

New York, New York and the Harlem Performance Center. 

Hawaii State Foundation on Culture 

and the Arts 

To support the Maui Community Arts Council’s Maui Ethnic Heritage Arts Festival. 4,000 

Maui, Hawaii 
Expansion Arts 

Heritage Family Theatre-Dance 

Ensemble 

Spokane, Washington 

Holder (Frank) Dance Company, Inc. 

Greensboro, North Carolina 

Hospital Audiences, Inc. 

Atlanta, Georgia 

Hospital Audiences, Inc. 

New York, New York 

Hudson Valley Freedom Theatre, Inc.
 

Newburgh, New York
 

India, Inc.
 

San Luis Obispo, California
 

Inner City Cultural Center
 

Los Angeles, California
 

Inner City Cultural Center
 

Los Angeles, California
 

Instituto Dominicano de Defusion 

Cultural, Inc. 

New York, New York 

International Art of Jazz, Inc. 

Stony Brook, New York 

International Arts Relations, Inc.
 

New York, New York
 

Jazzmobile, Inc.
 

New York, New York
 

La Casa de la Raza 

Santa Barbara, California 

Library Creative Drama 

Boston, Massachusetts 

Library Theatre, Inc. 

Washington, D.C. 

Lincoln Center for the Performing 

Arts, Inc.
 

New York, New York
 

Lively Arts Parade, Inc.
 

Boston, Massachusetts
 

Lorton Art Program

Washington, D.C. 

Ma Goose 

San Francisco, California 

Madison Civic Repertory Theatre, Inc. 

Madison, Wisconsin 

Mariano Parra Spanish Dance 

Company, Inc. 

New York, New York 

Massachusetts Prison Art Project, Inc. 

Framingham, Massachusetts 

Arts Extension Service 

Amherst, Massachusetts 

To expand the touring children’s series to $3,500

outlying ¢ommunities in the states of 

Idaho, Montana and Washington. 

3,500 To support a ¿our of southern Appalachia 

including workshops and presentations. 

To support the expansion of state-wide serv­ 7,500

ices including touring performances 

the institutionalized and disadvantaged. 

10,000 To support and expand the prison arts program including visual, performing arte 

workshops and performances. 

For continued support of performances and 27,000

workshops in the performing arts. 

7,500 For art workshops, presentations, festivals, 

and lectures for the community and special 

audiences. 

For the eontinued eupport of Co-Real
 12,500

Artists’ dramatic productions.
 

For workshops in the visual and performing 7,500

arte for the community. 

5,000 For the continued support of presentations
 

in dance, theater, poetry, and music of
 

Caribbean and Hispanic origin.
 

For a program including workshops and 5,000

performances in jazz for retarded persons. 

10,000 For continued support of theater arte workshops, performances, and the gallery.
 

35,000 For the musical workshop program in which
 

talented young musicians ate instructed by
 

pro f essionals.
 

5,000 For workshops in the visual and performing arts for institutionalized persons.
 

For an art program for inner-city vhildren 8,000 

o]ered in Boston and Cambridge. 

For continued support and expansion of a 8,500 

series of community concerts featuring jazz 

ar~ists and workshops by Lettumplay, Inc. 

For the Community Holiday Festival, of- 10,000 

fering free performances by arte groups to 

New York families and school children. 

For workshops and performances for the 15,000 

disadvantaged and institu~ionalized. 

For workshops in the visual arte and per- 10,000 

formanees for inmates and ex-o]enders. 

For continued suppor$ of the "Create" 5,000 

program. 

To support workshops in the theater arte 7,500 

for senior citizens. 

For continued support of the lecture/demon­ 7,500

stration/ concert series. 

For continued support of a prison program 17,500

including visual and perÍorming arte. 

For expansion of the outreach program in 10,000 

the arte. 
Expansion Arts 

Millan Theatre Company 

Detroit, Michigan For continued support of the Detroit 

Repertory Theatre’ s fellowship program. $10,000 

Milwaukee Inner City Arts Coon¢il 

Milwaukee, Wisconsin For the training institute, including workshops in the visual and performing arts. 12,000 

Minnesota Opera Company 

Minneapolis, Minneæota For the music-theater workshop and productions with students and senior citizens. 3,500 

Minnesota, State of 

St. Paul, Minnesota For the continued support of the oeramios 

and painting/drawing programs at the 15,000 

State Reformatory for Men. 

New Bronswick, New Jersey, City of 

New Brunswick, New Jersey For workshops, performances, and exhibits 

for the eommunity. 10,000 

New ttampshire Musie Festival, Inc. 

Center Harbor, New Hampshire Fora concert program in schools and nursing and retirement bornes. 2,500 

New Shakespeare Company 

San Francisco, California For continued support of touring presentations and workshops in schools and colleges. 7,500 

New Stage, Inc. 

Jackson, Mississippi For theater performances for low-income 

senior citizens. 5,000 

New Theater School of Washington 

Washington, D.C. For the performing arts series for young 

people and workshops and presentations 12,500 

for the community. 

New York Street Theatre Caravan 

New York, New York 

For a production, a naHonal tour, and 

workshops in theater arts. 20,000 

New York, Research Foundation of 

the City, University of For continued support of project "Spear," 

for senior citizens and students. 7,500 

Bronx, New York 

Nguzo Saba Films, Inc. 

San Francisco, California 

For a production of two animated fiIms and 

supplementa~y written materials. 15,000 

North Carolina School of the Arts 

Foundation, Inc. 

For the prison art program. 2,500 

Winston-Salem, North Carolina 

North Essex Development and Action For the arts alternatives progíam includ­ 10,000 

Councii, Inc. 

Montclair, New Jersey ing workshops for drug abusers. 

Old Creamery Theatre Company, Inc. 

Garrison, Iowa 

For the expansion of the children’s theater, 

¿ouring, the discount tieket program, and 

10,000 

a regional art festival. 

Omaha Junior Theater 

Omaha, Nebraska For expansion of the arts exposure project 

to include workshop, and performances, tiokets, and transportation to cultural events. 

5,000 

Ozanam Strings Parents, Inc. 

Pittsburgh, Pennsylvania For music workshops and performances. 5,000 

Painted Bride Art Center, Inc. For continued support of performances in 5,000 

Philadelphia, Pennsylvania dance, drama, and muslo and for exhibits. 

Participation Project Foundation, Inc. For continued support of the Festival Musio 12,500 

New York, New York Company’s program including exhibits, 

performances, and workshops. 

Patch, Inc. 

Atlanta, Georgia For the ceramics, crafts, and visual arts 

workshop program for the community. 

16,890 

Pennsylvania, Trustees of the 

University of/Annenberg Center 

Philadelphia, Pennsylvania 

For the community outreach program including performances and workshops. 

5,000 

People’s Performing Company, Inc. For continued support of the street theater 15,000 

New York, New York program for the oommunity. 

Performing Arts Guild, Inc. 

Forest City, North Carolina 

For "Community Development Through the 

Arts," including tours and workshops. 

5,000 
104 Expansion Arts 

Phelps-Stokes Fund
 

New York, New York
 

Philadelphia Museum of Art
 

Philadelphia, Pennsylvania
 

Pittsburgh, City of/Department of
 

Parks and Recreation
 

Pittsburgh, Pennsylvania
 

Pittsburgh, University of
 

Pittsburgh, Pennsylvania
 

Pittsfield, Massachusetts, City of
 

Pittsfield, Massachusetts
 

Piay Group, Inc.
 

Knoxville, Tennessee
 

Providence, City of/Department of
 

Public Parks
 

Providence, Rhode Island
 

Puerto Rican Playwrights/Actors


Workshop, Ltd.
 

New York, New York
 

Puppet Workshop, Inc.
 

Providence, Rhode Island
 

Real Art Ways, Inc.
 

Hartford, Connecticut
 

Regional Addiction Prevention, Inc.
 

(RAP, Inc.)


Washington, D.C.
 

Rural Mission, Inc.
 

Johns Island, South Carolina
 

St. Francis House, Inc.
 

Kansas City, Missouri
 

St. John the Divine, The Cathedral
 

Church of
 

New York, New York
 

St. Mark’s Episcopal Church


Washington, D.C.
 

San Mateo, California, County of 

San Mateo, Caliíornia 

Scranton Theatre Libre, Inc. 

Scranton, Pennsylvania 

Sheboygan Arts Foundation, Inc. 

Sheboygan, Wisconsin 

Society for Slavic-American Creative 

Arts 

Chicago, Illinois 

Soul City Foundation 

Soul City, North Carolina 

Southern Folk Cultural Revival 

Pro]ect, Inc. 

Nashville, Tennessee 

Spanish Theatre Repertory Company 

New York, New York 

$t0,000 For the serv¿ces of ¿he Visual Arts Research and Resource Cen¿er rela¿ing ¿o the 

Caribbean. 

5,000 For support oÍ productions in dance, ~nusic, 

fil~n, folklore, theater, and poetry. 

Fora neighborhood festivals program in­ 10,000

cluding pe~’for~nances, e~hibits, and arts
 

and crafts activities.
 

For the Pittsburgh 99¢ Floa¿ing Thea¿re 7,500
 

Festival, a program offering theater, music,
 

and dance companies to prisons, the handicapped, and the poor.
 

To support the Pi¿tsfield Council on Aging’s 5,565

Berkshire Senior Arts and CraÍts Projee¿. 

Fora developmental theater program in­ 7,500

cluding a touring children’s production. 

For the summer in the city program, Íesti- 15,000 

vals, film presentations, exhibitions, and 

the workshop/demonstration series. 

For the production oÍ original plays and 5,000 

a video work. 

Fora touring program of puppe~ per- 10,000 

formances and workshops and for a store 

Íront ¿heater. 

For the ~nusic series, fil~n series, poetry 5,000

progra~n, and workshops. 

For the ~nobile jazz pro]ect including work­ 7,500

shops and video produc~ions. 

For workshops in ~nusic, the visual arts, 7,500 

and handicrafts. 

For continued support of workshops in the 5,000

visual arts and craÍts. 

For art programs including concerts, work­ 5,000

shops, exhibitions, and conferences. 

For a luncheon theater including dance per- 3,500 

formances. 

For the Sanctuary Community Arts Center 5,000

activities including workshops in the visual
 

and performing arts, and presentations.
 

For a program providing transportation to 5,000

cultural events for senior citizens. 

For the Kohler Arts Center’s presentations, 5,000 

residencies, and radio broadcasts. 

For the pro~notion of Slavic cultural even¿s 7,000

including sponsoring Slavic ar~ists and producing of orchestral perÍor~nances.
 

For programs including exhibí¿s, work­ 10,000

shops, and trips to cultural events. 

For continued support of the Sou~hern Folk 10,000 

Festival, the Old-Ti~ne Mountain Music 

Show, and for community fes$ivals. 

For continued suppor~ training in theater 20,000

arts and for the national performance tour. 
Expansion Arts 105 

Spanish-American Painters and 

Sculptors, Inc. 

New York, New York 

For performances and training in dance 

with emphasis on Latin-American folklore, 

by the Centro Cultural Ballet Quisqueya. 

$ 3,000 

Special School District #6 

South St. Paul, Minnesota 

For the Kaposia Community Arts Program 

including performances, exhibits, and festivals with preparatory workshops. 

9,730 

Store Front Gallery, Inc. 

Jamaica, New York 

For continued support of the Gallery’s art 

programs including exhibitions, the Paul 

Robeson Theatre, workshops, and films. 

10,000 

Street Theatre, Inc. 

White Plains, New York 

For the continued support of the art prograto including workshops and performances in prisons and communities. 

25,000 

Taos Art Association, Inc. 

Taos, New Mexico 

For performances, lectures, and films at 

the Taos Community Auditorium. 

8,000 

Theatre in a Trunk, Inc. 

New York, New York 

For a mobile theater presentation for handicapped, ~’etarded, and disturbed children. 

12,500 

Theatre in Progress 

Los Angeles, California 

For ¢ontinued support of the Garden 

Theatre Festival. 

10,000 

Theatre Without Bars 

Yardville, New Jersey 

For the in-prison workshops and the inmate 

touring company. 

5,000 

Toba West Theatre, Inc. 

Pasadena, California 

For performances, training, and development of "Studio Sessions in Aoting." 

8,500 

Mansfield Neighborhood Improvement 

Association 

Tucson, Arizona 

Fora program of workshops in the visual 

and performing arts and literature for lowincome persons. 

5,000 

Una Noche Plateada Committee 

Charitable Trust 

For prison arts and the visual arts and 

crafts programs for hospital audiences. 

10,000 

Tucson, Arizona 

Virginia Wesleyan College 

Norfolk, Virginia 

For the Department of Theater and Communioation’s film program for teenagers. 

3,500 

Warren Wilson College, Inc. 

Swannanoa, North Carolina 

For the arts exposure program in conjunotion with the Helen Kittredge Community 

Arts Center. 

3,500 

Washington Drama Society, Inc. 

Washington, D.C. 

To support the Living Stage’s Improvisational Theatre Program. 

15,000 

Washington Performing Arts Society 

Washington, D.C. 

For "City Dance ’78," to build audiences for 

resident dance companies, and to help 

vitalize downtown Washington. 

10,000 

Waterloo, City of 

Waterloo, Iowa 

For a minority arts outreaoh coordinator 

for visual and performing arts programs at 

the Waterloo Recreation and Arts Center. 

10,000 

Watts Community Symphony 

Orchestra 

For muslo workshops and oonoerts for 

schools and ¿he community. 

3,960 

Los Angeles, California 

West Coast Theatre Company, Inc. 

Los Angeles, California 

For an artist-in-residence program in eity 

schools and in Lompoo Federal Correotional 

Institution. 

12,50.0 

Western Washington State College 

Bellingham, Washington 

For a continuing symposium on the contemporary arts including "Arts and Audience, II." 

5,000 

Wilma Project 

Philadelphia, Pennsylvania 

For continued support of work8hops and 

performances in theater and scholarships. 

4,500 

Wolf Trap Foundation for the

Performing Arts 

For the arts exposure program, "Arts Adventure at Wolf Trap." 

3,585 

Vienna, Virginia 
106 Expansion Arts 

Special Summer Projects 

To assist summer programs,

led by professionals, that 

provide training of active

participation in one or more 

art forme. 

Program funde: $583,870 

African Film Society 

San Francisco, California 

Archaesus Productions, Inc. 

Washington, D.C. 

Arts Council Inc. (WinstonSalero Arte Council) 

Winston-Salem, North Carolina 

Arts Council of Tulsa, Oklahoma, Inc. 

Tulsa, Oklahoma 

Arts for Children, Council of the 

New Orleans, Louisiana 

Atlanta Ballet, Inc. 

Atlanta, Georgia 

Aurora Festival Association 

Aurora, Illinois 

Baldwin (Abraham) Agricultural 

College 

Tifton, Georgia 

Baltimore Theatre Project, Inc. 

Baltimore, Maryland 

Baton Rouge, Arts Council of 

Baton Rouge, Louisiana 

Beale Street Repertory Company 

Memphis, Tennessee 

Berea College 

Berea, Kentucky 

Calvary Episcopal Church 

Charleston, South Carolina 

Camp Ella Fohs, Inc. 

Bronx, New York 

Centrum Foundation 

Port Townsend, Washington 

Charles River School 

Dover, Massachusetts 

Community Mural Project 

Chicago, Illinois 

Concerned Musicians of Houston 

Houston, Texas 

Cornish School of Allied Arts 

Seattle, Washington 

Craft and Folk Art Museum 

Incorporating the Egg and the Eye 

Los Angeles, California 

Creede Repertory Theatre, Inc. 

Creede, Colorado 

For an African film festival offering workshops, seminars, and lectures. 

For support of "Cityeamp," including performances and workshops for children in 

theater mime, dance, and crafts. 

For "Urban Arte," a traveling summer performing arte program. 

For the "Tribal Youth Theatre," a program 

for Indian youth including workshops and 

performances of Indian legends. 

For support of residences, performances, 

field trips, and workshops for youth. 

For support of touring, including ~work. 

shops, t«aining, and performances. 

To support the Aurora Redevelopment Commission’s downtown community mural 

project, including workshops, and training. 

For "Artsreach ’78," ineluding research and 

documentation of traditional folklife, ~heater produetions of legends, a dance residency, and various workshops. 

For continued support of a program of free 

performing arte events, ineluding theatcr 

training for disadvantaged youth. 

For eontinued support of "Summer Arte," 

a program including performances and instruction in the arte, anda summer festival. 

For the third annual "Memphis in May" 

celebration including development and production coste. 

For continued support of the "Summer Puppetry Caravan," o~ering puppet workshops 

and shows in the southern Appalachians. 

Fox" continued suppor¿ of the "Middleton 

Afro-American Club’s" Blaek Mstory musi. 

cal production including researeh, creation, 

and performance of an original play. 

For continued support of the ca~np’s progratas in the visual and performing a~’ts. 

For "Summer Arte Season," a series of 

workshops and performances in the ar$s. 

For continued support of the summer ~nultiarte festivals in the performing arte. 

For painting three murals. 

For continued support of a ]azz workshop 

for junior and senior high schools. 

For continued support of an instruction 

program in the fine and performing arte 

for hearing-impaied children. 

For the training of senior citizens in children’s storytelling techniques and Íolk 

traditions and for storytelling seesions. 

For continued support of a theater arte 

program including audience development, 

appreniiceships, and gues$ artisis. 

$3,500 

5,000 

10,000 

5,000 

8,500 

7,500 

3,000 

5,500 

15,000 

15,000 

8,000 

7,000 

7,500 

7,500 

9,500 

5,000 

7,500 

11,000 

10,000 

3,000 

10,000 
Expansion Arts 1@7 

Cresson Lake Playhouse For support of a program including an $7,500 

Spangler, Pennsylvania original local legend production, a touring 

show, anda folk festival. 

5,000 

New York, New York program including festivals, performances, 

and workshops in the arts for the inner-city. 

Cultural Council Foundation	 For Charas, a summer cultural enrichment 

East Chicago, Indiana, City of For the continued support of the Riley Cul- 7,500 

East Chicago, Indiana rural and Art Association’s program of advanced wor]~shops in art, music, and drama 

for the multi-ethnic :community including 

performances, field trips, and festivals. 

5,000 Ferrum College	 For continued support of a professionally 

Ferrum, Virginia	 directed "Summer Teachers Workshop" in 

arts and crafts for elementary and secondary school classroom teachers. 

Fine ~rts Council of Trumbull County For continued #upport of a touring work- 5,000 

Warren, Ohio shop program .~ ~including music, drama, 

dance, and árt for young children culturally 

isolated from the mayor urban areas. 

Friends Mime Theatre/London For c~ntinued support of a theater arts 9,000 

Theatre Workshop, Ltd. touring program of performances and workMilwaukee, Wisconsin skops for the handicapped, the elderly, and 

th¿ institutionalized. 

George Washington University For workshops for Careers in the Arts’ 17,500 

Washington, D.C. "Street Theatre," an enrichment theater 

arts touring program for the inner-city. 

Graduate School for Urban Resources ~~For the "Black Ensemble" of the Multi- 7,000 

and Social Policy cultural Arts Institute’s program for tour-


San Diego, California ing theater through the inner-city.
 

7,500 

Allendale, Michigan	 Parks ’78" including participatory drama,
 

workshops and festivals.
 

Grand Valley State College	 For continued support of "Theater in the 

Great Lakes Shakespeare Association For continued support of workshops and 7,500 

Lakewood, Ohio performances for the community, particularly the disadvantaged, inner-city youth, 

and senior citizens. 

For continued suppor~ of "Re-Creation," 2,000 Greater Fall River Re-Creation 

and a summer theater production of Jesus
 

Fall River, Massachusetts Christ, Superstar, including performances
 

for the handicapped and the elderly.
 

Committee, Inc. 

10,000 Greenbrier Repertory Theatre For the theater’s program of collaborating 

Lewisberg, West Virginia with the elder mountain people in producing plays based on local traditions. 

Gruber Foundation Fora scholarship programat the Merri- 3,000 

Manchester, New Hampshire mack Valley Music Center for disadvantaged students from New England. 

Harvard University For support of "Career Discoveries," a 5,000 

Cambridge, Massachusetts scholarship program in architecture and city 

planning, for disadvantaged minority youth. 

For continued support of a series of art 6,000

activities for senior citizens including workHawaii State Foundation on Culture 

and the Arts 

Honolulu, Hawaii shops and demonstrations in the performing and visual arts and crafts. 

6,000 Hawaii State Foundation on Culture	 For the "Hawaii Theatre Festival/Summer
 

78," a program of two plays in repertory,
 and the Arts touring children’s play, professional train­ ttonolulu, Hawaii 

ing for youth, and developing new plays. 

For continued support of a teaching pro- 5,000

grato in arts, crafts, and creative dramatics 

Hendersonville Arts Council 

Hendersonville, Tennessee for chüdren in the summer parks program. 
108 Expansion Arts 

Ibero-American Action League, Inc. 

Rochester, New York 

Inner City Youth League, Ine. 

St. Paul, Minnesota 

Invisible Theatre 

Tucson, Arizona 

Iowa State Arts Council 

Des Moines, Iowa 

Kansas Advisory Committee on 

Mexican-Ameriean Affairs 

Topeka, Kansas 

Learning Theatre 

Paterson, New Jersey 

Loman/Hannon Junior College 

Greenville, Alabama 

Looking Glass Theatre Corporation 

Providence, Rhode Island 

Mercer County, New Jersey 

Trenton, New Jersey 

Metro Board of Parks and Recreation 

Nashville, Tennessee 

Mid-Susquehanna Arts in Education 

Council, Inc. 

Carlisle, Pennsylvania 

Missouri at Columbia, University of 

Columbia, Missouri 

Montana State University 

Bozeman, Montana 

Music Advisory Council 

Seattle, Washington 

Natural Heritage Trust/Artpark 

Lewiston, New York 

Neighborhood Arts Center, Inc. 

Atlanta, Georgia 

Neighborhood Parents Club, Inc. 

Baltimo~e, Maryland 

New Castle County Department of 

Parks and Recreation 

Wilmington, Delaware 

Oue Reel Vaudeville Show 

Seattle, Washington 

Otrabanda Company 

New Orleans, Louisiana 

For continued support of instruction progratas and workshops in arts, erafts, 

ramics, sculpture, and drama. 

$3,000 

Æor the "Art Department," which promotes 

an awareness of the arts through training, 

exhibitions, workshops, performances. 

5,000 

To suppor~ "Shakespeare under ¿he Stars," 

bringing classie thea~er to the inner city. 

2,500 

For support of the "Touring Arts Team," 

ol~ering instruetion and performances. 

7,500 

For support of "Festival V 1978," the 

national conference of the Asociacion 

Nacional de Grupos Folkloricos. 

6,210 

For continued support of "Paterson Arts 

Center,".which ol~ers training, workshops, 

performances in poetry, puppetry, music, 

film, graphics, and theater for teenagers. 

5,000 

For continued support of a program of 

instruction in the performing and visual 

arts for underprivileged youth. 

5,000 

For continued support of the "Summer 

Street Theater," a touring theater program 

that includes workshops and minifestivals. 

6,000 

For continued support of the "Tomato 

Patch Workshop," which o~ers seholarships,

training in the perÍorming arts, and participation in a musical for grades 9 to 12. 

1,500 

For continued support of the "Family Outings Program," which offers free concerts, 

theatrical productions, and crafts shows. 

7,500 

For continued support of a program in the 

performing and visual arts, creative writing, film, and photography for high schools. 

5,000 

For "Kaleidoscope", a series of workshops 

in fine and performing arts. 7,500 

For continued support of "Shakespeare in 

the Parks ’78," including touring to rural 

communities. 

9,120 

For "Music-in-the-Parks," featuring free 

concerts and an ethnic dance residency. 20,000 

For continued support of "Artpark Repertory Theater" including mime workshops, 

and for the expansion of stal~. 

5,000 

To support classes for youth, an arts bus, 

and a two-day summer festival. 15,000 

For continued support of performances by 

students and for a series of mini-festivals 

and one final festival. 

15,000 

For "Parks Concerts 1978," a series of 

musical performances emphasizing the different styles of ~raditional American music. 

6,190 

For ah original vaudeville varie~y show 

based on music and myths of the Northwest. 2,000 

For continued support of the "River Raft 

Review," a series of free performances, 

workshops, and demonstrations for small 

towns along the MissisMppi and Ohio rivers. 

10,000 
Expansion Arts 109 

Performing Arts Combined Talent To support the "Hello Phoenix " festival. $3,000 

Phoenix, Arizona 

Peripatetic Task Force 

Chicago, Illinois 

For touring of plays to senior citizen tenters and hospitals, a children’s free theater, 

and theater skills instruction. 

5,000 

Phoenix, Arizona, City of 

Phoenix, Arizona 

For continued support of training in music, 

dance, gymnastics, mime and theater by 

4,500 

the Department of Parks and Recreation. 

Pickle Family Circus, Inc. 

San Francisco, California 

For continued support of a program of 

workshops and demons~rations including 

10,000 

the touring of a one-ring circus production. 

Piedmont Citizens for Action, Inc. 

Worcester, Massachusetts 

For continued support of "Summer’s 

World," including city-wide workshops, 

mime and dance performances, coneerts, 

12,500 

and neighborhood celebrations. 

Project Discovery, Inc. 

Taos, New Mexico 

For a children’s program in the arts including touring workshop teams offering visual 

arts, choral, dance, and drama classes. 

10,000 

Richmond Jubilees, Inc. 

Richmond, Virginia 

For continued support of "June Jubilee," 

providing ah arts and crafts festival anda 

showcase for local performers and artists. 

5,000 

St. Mary’s Creative Arts Forum 

Lexington Park, Maryland 

For the "Ancient St. Mary’s City Festival 

’78," o~ering concerts, lectures, art exhibits, 

workshops, and performances. 

5,000 

San Antonio, Texas, City of 

San Antonio, .Texas 

For a touring summer theater production to 

minority communities by the Carver Community Cultural Center. 

5,900 

San Francisco Dancers Forum For continued support of scholarships, field 4,500 

San Francisco, California trips, and workshops in dance and the velated arts ]or the minority community. 

Santa Fe, College of 

Santa Fe, New Mexico 

For continued support of the "Santa Fe 

Mobile Theatre Company," including bilingual performances and ticket discounts. 

12,500 

Self-Help Graphics and Arts, Inc. 

Los Angeles, California 

For the continued support of "La Celebracion del Día de Los Muertos," involving 

theater, exhibits, demonstrations, films, and 

5,000 

arts activities with a parade and festival. 

Southeast Alaska Regional Arts For the "Fine Arts Camp," o~ering instruc­ 7,500 

Couneil, Inc. 

Sitka, Alaska 

tion in dance, drama, music, and the visual 

and literary arts for youth. 

Southern Vermont Artists, Inc. 

Manchester, Vermont 

For continued support of the "Music Festival," including classes and performances 

for young graduate musicians. 

3,000 

Strawberry Banke Chamber Music 

Festival, Inc. 

Portsmouth, New Hampshire 

For continued support of "Chamber Musie 

Festival," including free concerts for the 

community, artists in residence, and a 

touring of chamber music groups. 

4,000 

Summers (Elaine) Experimental 

Intermedia Foundation, Inc. 

For a series of performance/participation/ 

workshop events. 

4,000 

New York, New York 

Sun Foundation for Advancement in 

the Environmental Scienees & Arts 

For continued support of "Art in the 

Woods," arts workshops in the visual and 

7,500 

Washburn, Illinois performing arts, media, poetry, and crafts. 

Tarkio College 

Tarkio, Missouri 

For the continued support of the Mule Barn 

Theatre’s program of workshops and instruction ]or high school youth in theater 

7,500 

arts, for the touring of productions. 

Theater for the New City Foundation 

New York, New York 

For continued support of summer street 

theater and opera including training. 

5,000 
110 Expansion Arts 

Theatre Research, Inc. 

New York, New York 

Tomorrow’s World Art Center, Inc. 

Washington, D.C. 

Trotwood-Madison Circle Theatre, Inc. 

Trotwood, Ohio 

Westport, Connecticut, Town of 

Westport, Connecticut 

White Mountains Art and Music 

Festival, Inc. 

Jefferson, New Hampshire 

Wisconsin at La Crosse, University of 

La Crosse, Wisconsin 

Wis¢onsin at Superior, University of 

Superior, Wisconsin 

Wooster Art Center 

Wooster, Ohio 

CityArts Arts and Science Council of 

To stimulate local involve- Charlotte/Mecklenburg, Inc. ment in the funding and Charlotte, North Carolina administrative development

of the neighborhood arts Arts Development Services, In¢. field. 

Program funds: $750,000 Buffalo, New York 

Atlanta, Georgia, City of 

Atlanta, Georgia 

Baltimore, Maryland, City of 

Baltimore, Maryland 

Boston Foundation 

Boston, Massachusetts 

Chicago, City of 

Chicago, Illinois 

Dallas, Texas, City of 

Dallas, Texas 

Detroit, Michigan, City of 

Detroit, Michigan 

Greater Knoxville Council for the 

Arts, Inc. 

Knoxville, Tennessee 

Los Angeles, City of 

Los Angeles, California 

For continued support of the South Street $7,500
 Theatre’s program including the production
 

of plays for lunchtime audiences.
 

For continued support of the "Roving Art 10,000
 

Workshop" including classes in painting,
 

drawing, crafts, graphics, dance, and design,
 

anda summer art day camp for children.
 

For continued support of ah intensive thea­ 1,500 

ter apprenticeship program for students 

including workshops and performances. 

For the "Fifth Summer Arts Festival," 6,000 including drama, dance, and music. 

For continued support of the regional 7,500 "Academy of the Arts," including workshops and seminars in music, dance, drawing, and a multi-arts festival. 

For support of touring repertory theater. 6,000 

For a touring college theater group per- 3,000 forming local and ethnically based children’s pIays in rural communities. 

For continued support of a photography 2,450 and pottery program including classes for 

youth between the ages of 10 and 18. 

For locally administered funding programs 30,000 

of grantmaking and for technical assistance 

to community arts programs. 

For the continuation and expansion of tech­ 37,500 nical assistance services for neighborhood 

arts groups anda program of subgrants. 

For locally administered funding programs 80,000 of 9rantmaking and technical assistance to 

community arts programs, the Bureau of 

Cultural Affairs major arts program and 

the New Audiences Project. 

For local financial/ technical assistance to 57,500 community-based arts organizations by the 

mayor’s committee on art and culture. 

To provide subgrants and ~echnical assist­ 25,000 ance to neighborhood arts programs. 

For locally administered funding programs 57,500 

of grantma]cing and technical assistance to 

community arts programs. 

For an expanded grants-in-aid program 57,500 which will provide assistance to neighborhood, community, and small professional 

arts organizations. 

To provide local financial/technical assist­ 62,600 ance to community-based arts organizations. 

For locally administered funding programs 57,400 for grantmaking and technical assistance to 

community arts programs. 

For a technical assistance program and to 75,000 strengthen employment opportunities and 

material resources for neighborhood arts 

programs in the Los Angeles atea. 
Expansion Arts 111 

Miami, Florida, City of 

Miami, Florida 

For locally administered funding programs 

of grantmaking and t~hnical assistance 

for community arts programs. 

$50,000 

Minneapolis Arts Commission 

Minneapolis, Minnesota 

For locally administered funding programs 

of grantmaking and technical assistance to 

community arts programs. 

50,000 

San Antonio, Inc., Arts Council of 

San Antonio, Texas 

For the continuation of a technical assistance program serving Black and MexicanAmerican communities in San Antonio and 

60,000 

the development of a subgranting program 

through matching funds to those groups. 

Seattle, Washington, City of 

Seattle, Washington 

For an increase in neighborhood arts programming in the city of Seattle through 

subgrants and technical assistance. 

50,000 

Amigos del Museo del Barrio 

New York, New York 

For continued support of workshops for 

parents and teachers and for the exhibition program based on Puerto Rican cuIture. 

25,000 Community Arts 

Consortia 

To enable groups of two of

more community arts proCollinwood Arts Council For the center’s classes and workshops. 20,000 gramStive, technical,t° sharefinancialadministraCleveland, Ohio development, and promotional 

resources. 

Dunham Fund for Research and 

Development of Cultural Arts 

East St. Louis, Illinois 

For a cultural enrichment program of community services in the arts to individuals 

of all ages, especially senior citizens, young 

adults, and prison inmates. 

70,000 Program funds: $151,600 

Elma Lewis School of Fine Arts, Inc. 

Roxbury, Massachusetts 

For a theater company comprised of senior 

citizens and young adults including workshops, performances, and touring. 

50,000 

Forum Center for the Arts 

Denver, Colorado 

For a teacher-training program and art 

classes for inner-city school children. 

17,500 

Goodard-Riverside Community Center For drama workshops and the development 15,000 

New York, New York of a street theater. 

Harlem School of the Arts, Inc. 

New York, New York 

For continued support of instruction in the 

performing and visual arts for inner-city 

youth. 

30,000 

Henry Street Settlement 

New York, New York 

For the continued support of workshops and 

classes at the music center and for the residency of the Frank Ashley Dance Company. 

15,000 

Ibero-American Action League, Inc. 

Rochester, New York 

For the Puerto Rican Art and cultural center’s arts program, workshops, shows, and 

exhibitions. 

7,500 

Inner City Cultural Center 

Los Angeles, California 

For the center’s theater, dance, and musi¢ 

programs, as well as for exhibits, concerts, 

festivals, and the cross-cultural exchange 

30,000 

program. 

Intersection 

San Francisco, California 

To support the Galeria de la Raza Design 

Center including classes in design, and for 

a multi-ethnic publication. 

22,500 

Karamu House, Inc. 

Cleveland, Ohio 

For the urban neighborhood arts pro]ect 

and the arts lab program, including multiarts workshops, instruction, and perform30,000 

ance for the inner-city community. 

Los Angeles, Performing Arts 

Society of 

Los Angeles, California 

For the continued support of administratots’ and multi-arts instructors’ salaries 

and performance costs. 

36,681 

National Urban Coalition For the training program at the Rep, Inc. 40,000 

Washington, D.C. 

Newark Community Center of the 

Arts, Inc. 

Newark, New Jersey 

For a training and scholarship program in 

music, dance, and drama for inner-city 

children. 

15,000 
112 Expansion Arts 

Community Cultural

Centers 

To aid su¢cessful community arts organizations that serve 

as models for other groups,

Program funds: $459,181 

Neighborhood Arts 

Services 

To aid organizations that

provide techni¢al assistance 

to community arts groups.

Suchassistance might in¢lude

equipment loans, publicity,

sponsorship of activities, and 

help with real estate, fundraising, accounting, and legal 

matters. 

Program funds: $315,000 Treasury funds: $50,000 

Private funds: $50,000 

Newark N.A.A.C.P. Multi-Purpose 

Center, Inc. 

Newark, New Jersey 

Waianae Coast Culture and Arts 

Society, Inc. 

Waianae, Hawaii 

Community Art Resource, Inc. 

San Francisco, California 

Cultural Council Foundation 

New York, New York 

Graduate School for Urban Resources 

and Social Policy 

San Diego, California 

Rainbow Television Workshop, Inc. 

Los Angeles, California 

Arts Resource Services 

Seattle, Washington 

Arts Resource Services 

Seattle, Washington 

Arts Unlimited, Inc. 

Raleigh, North Carolina 

Asian Benevolent Corps 

Washington, D.C. 

Boston Foundation 

Boston, Massachusetts 

Bronx Council of the Arts, Inc. 

Bronx, New York 

Brooklyn Arts and Culture 

Association, Inc. 

Brooklyn, New York 

Chinese Culture Foundation of 

San Francisco 

San Francisco, California 

Cleveland Area Arts Council 

Cleveland, Ohio 

For a cultural cen~er director, a children’s 

theater director and leaders Íor multi-arts 

programs. 

For classes and workshops including dance,

music, and craÍts of the Polynesian and 

other cul~ures in Hawaü. 

For continued support for the eonsortium of 

United Projects, Black Writers’ Workshops, 

United Visual Artists, and Afro-American 

Friends of the Dance to share administratire staf]. 

To continue the consortium of Afro-American Total Theater, Ballet Hispanico oÍ New 

York, Jazzmobile, Weusi Nyumba Yasanaa 

Gallery and Academy of Arts and Seiences 

to share their administrative eosts, publieity, and fundraising sta~s. 

To continue support for the consortium of 

Black Theater Groups, Filipino Dance Company, Chinese Dance-Theater, Hispanie 

Living Museum, and Women’s Company to 

share administrative sta~. 

For the Rainbow Management and Development Consortium in providing administratire support, fiscal planning, aecounting 

services, marketing, advertising, program 

planning, and development to several Black 

art organizations. 

Fora program of neighborhood art services 

including workshops, technical assistance, 

information referrals, and promotional activities. 

For information and technical assistance 

services to artists and nonprofi~ organizations and for public service employment in 

the greater Seattle atea. 

For administrative costs for the North 

Carolina Cultural Arts Coalition’s program 

of arts services including technical assistance, seminars, workshops, and printing of 

publieity materials. 

Fora wide range of cultural and e~ucational activities including arts exhibitions, 

workshops, performances, and forums at the 

Amerasian Community Cultural Center. 

For the Summerthing program, offering a 

variety of teehnical assistance to small performing companies of Boston. 

For the continued support of a program 

offering services to Bronx arts organizations 

including technical assistance, seminars, 

workshops, and grants administration. 

For continued support of neighborhood arts 

services activities, including workshops, 

scholarships, exhibitions, and festivals. 

For continued support of neighborhood arts 

services. 

For continued support of a program offering technical assistance. 

$15,000 

20,000 

35,000 

50,000 

41,600 

25,000 

10,000 

7,500 

11,000 

15,000 

15,000 

20,000 

20,000 

10,000 

20,000 
For workshops and cü~sses ¿n po¿~s~y, COMPAS, Inc. drama, dance, poetry, music, and painting St. Paul, Minnesota for senior citizens. 

COMPAS, Inc. To involve professional artists in eommuSt. Paul, Minnesota nity arts programs.

Cultural Council Foundation For Environmental Community Arts CorNew York, New York poration’s, Bartertown, a program ereating

neighborhood festivals. 

For Seven Loaves, ah organiza¿ion offering 

administrative and technical assistan~e to 

Cultural Council Foundation 

New York, New York several local arts groups. 

Cultural Council Foundation For serviees by the Association of Hispanic

New York, New York Arts, Inc., for its member organizations.

For eontinued support of a neighborhood Federation of Communities in Service 

Knoxville, Tennessee	 arts resource program for the promotion 

of regional arts groups. 

Galveston County Cultural Arts For eontinued support of the Arts Center 

Council, Inc. on the Strand’s professional art classes, 

workshops, exhibí¿s, performances, and Galveston, Texas community serviees. 

Greater Philadelphia Cultural Alliance	 For the information/technical scrviee pro-


grato in expanding its services to include
 Philadelphia, Pennsylvania low-cost management and administra¿lee 

services, seminars, and workshops. 

For administrative costs and the neighbor- Intersection hood arts 8ervices program. San Francisco, California 

Maryland National Capital Park and For continued support of arts activities in

Planning Commission	 Prince George’s County including the proRiverdale, Maryland vision of workshops, and for promotional

brochures and technical assistance for local 

arts organizations. 

Queens Council on the Arts, Ine. For a program providing technical and

financial assistance, equipment loans, pub- Jarnaica, New York licity, workshops, and festivals. 

Fora comprehensive program eonsisting San Francisco Arts Commission of workshops, performances, and services San Francisco, California to neighborhood artists andart groups. 

Staten Island Council on the Arts, Inc. For a neighborhood arts serviees program. 

Staten Island, New York 

Afro-American Datanamics, Inc. For the assembling, under the direction of

Washington, D.C. Teixeira Nash, of a list of Expansion Arts

organizations, 

For the community eoordinators program Arts Ticket Service Boston, Inc. including ticket vouehers, bilingual mate- Boston, Massachusetts rials, workshops, promotion, anda monthly 

performance calendar. 

For the production and distribution of 550 Children’s Art Carnival prints of films on community arts. New York, New York 

For the continued support of the Center’s Community Center for the Creative 

Arts, Inc. arts programs, including administra¿lee

costs and workshops in the performing arts Greeley, Colorado and crafts, and for ah outreach program 

to senior citizens and the disadvantaged. 

Compared to What, Inc. For the continued support of the winter and 

Washington, D.C. summer cultural arts and educa¿ion workshop programs and radio show. 

Expansion Arts 113 

$20,000 

20,000
 

10,000
 

17,500 

17,500
 

20,000
 

24,000 

17,500 

12,500
 

12,500
 

10,000 

TF 50,000 

PG 50,000 

5,000 

48,127	 General Programs 

To assist projects not included in other grant ¢ategories.

Program funds: $~01,627 20,000 

40,000
 

15,000
 

25,000 
114 Expansion Arts 

Cultural Council Foundation 

New York, New York 

Cultural Education Collaborative, Inc. 

Boston, Massachusetts 

Ebony Talent Associates Creative 

Arts Foundation 

Chicago, Illinois 

Fondo del Sol 

Washington, D.C. 

Kuumba Workshop 

Chicago, Illinois 

Miami, Florida, City of 

Miami, Florida 

Missionaries of St. CharlesScalabrinians 

Oak Park, Illinois
 

Museum of African-American Art
 

Los Angeles, California
 

Museum of Afro-American History
 

Boston, Massachusetts
 

National Center for Urban Ethnic
 

Affairs
 

Washington, D.C.
 

Peoples and Cultures, Inc.
 

Cleveland, Ohio
 

Rainbow Sign
 

Berkeley, Caliíornia
 

Woodrow Wilson International
 

Center, Inc.
 

Washington, D.C.
 

Writers in Residence, Inc.
 

Great Neck, New York
 

For the Association o] Hispanic Arts, Inc.’s 

Spanish Theater Program, for administratire and coordinated services to Spanish 

theaters, and to expand their audience. 

For the salary of a teacher-coordinator who 

will implement workshops and seminar programs for teachers. 

For the publication of one of six issues of 

First World: An International Journal of 

Black Thought. 

For continued support of the D.C. workshop program and to conduct a national 

exhibir/film festival and community outreach tour. 

For a national audience development and 

educational program in conjunction with 

Black History Month. 

For a t~aditional Afro-American celebration by the Office of Community Affairs. 

For the Italian Cultural Center’s national 

Italian art exhibir focusing on contributions 

made by Italians in literature, music, architecture, and the visual 

For the museum’s administrative eosts. 

For filmmaking and video workshop by the 

Communications lnstitute of New England. 

For continued support to promote a program of avts in ethnic neighborhoods and 

communities. 

For continuation and expansion of a pro]ect 

to search out and preserve folk arts indigenous to Cleveland. 

For continued support of the professional 

gallery, a lecture series, and workshops in 

the visual and performing arts. 

For a cultural enrichment program for 

Latin people including music development, 

graphic arts, theater, and dance training 

programs and presentations. 

For drama and production workshops for 

disadvantaged youth, Hispanics, and senior 

citizens. 

$10,000 

10,000 

9,000 

15,000 

5,000 

7,000 

8,500 

15,000 

20,000 

16,500 

5,000 

17,500 

7,500 

7,500 
115 

Federal-State 

Partnership Program íunds : $18,945,810 

Alabama State Council on the Arts $243,000	 Kentucky Arts Commission 

Frankfort, Kentucky and Humanities 

Montgomery, Alabama 

Louisiana State Arts Council 

Alaska State Council on the Arts 243,000 Baton Rouge, Louisiana 

Anchorage, Alaska 

Maine State Commission on the Arts 

American Samoa Arts Council 200,000 and the Humanities 

Pago Pago, American Samoa Augusta, Maine 

Arizona Commission on the Arts and 243,000	 Maryland Arts Council 

Humanities Baltimore, Maryland 

Phoenix, Arizona 

Massachusetts Council on the Arts 

Arkansas State Arts and Humanities, 243,000 and Humanities 

Office of Boston, Massachusetts 

Little Rock, Arkansas 

Michigan Council for the Arts 

California Arts Council 243,000 Detroit, Michigan

Sacramento, California 

Minnesota State Arts Board 

Colorado Council on the Arts and
 243,000 ~inneapolis, Minnesota

Humanities
 

Denver, Colorado	 Mississippi Arts Commission 

Jackson, Mississippi 

Connecticut Commission on the Arts 243,000
 

Hartford, Connecticut
 Missouri State Council on the Arts 

Saint Louis, Missouri 

243,000
 

Humanities
 

D.C. Commission on the Arts and 

Montana Arts Council
 

Washington, D.C. Missoula, Montana
 

243,000 Nebraska Arts Council
 

Wilmington, Delaware Omaha, Nebraska
 

Delaware State Arts Council 

243,000 Nevada State Council on the Arts
 

Tallahassee, Florida Reno, Nevada
 

Fine Arts Council of Florida 

Georgia Council for the Arts and 243,000 New Hampshire Commission on the 

Humanitiea Arts
 

Atlanta, Georgia Concord, New Hampshire
 

Guam, Insular Arts Council of 243,000 New Jersey State Council on the Arts 

Agana, Guam Trenton, New Jersey 

243,000 New Mexico Arts Division
 

and the Arts Santa Fe, New Mexico
 

Honolulu, Hawaii
 

New York State Council on the Arts 

Idaho Commission on the Arts New York, New York 

Hawaii State Foundation on Culture 

243,000
 

Boise, Idaho
 

North Carolina Arts Council
 

Illinois Arts Coun¢il 243,000 Raleigh, North Carolina
 

Chicago, Illinois
 

North Dakota Council on the Arts and 

243,000 Indiana Arts Commission Humanities
 

Indianapolis, Indiana Fargo, North Dakota
 

243,000
 

Des Moines, Iowa Commonwealth of the
 

Saipan, Northern Marianas
 

Kansas Arts Commission
 

Iowa State Arts Coun¢il	 Northern Mariana Islands, 

243,000
 

Topeka, Kansas Ohio Arts Council
 

Columbus, Ohio
 

$243,000 Basic State Agency

Grants 

Grants awarded equally to 243,000 state arts agencies in 56

states and jurisdictions to

support Endowment-approved state plans to support 243,000 the arts. 

Program funds: $13,347,000 

243,000 

243,000 

243,000 

243,000 

243,000 

243,000 

243,000 

243,000 

243,000 

243,000 

243,000
 

243,000
 

243,000
 

243,000
 

243,000
 

25,000 

243,000 
116 Federal-State Partnership 

Program Development 

To assist offi¢ial state arts 

agencies in hiring personnel 

to develop and strengthen

their arts programs.

Program funds: $723,313 

Oklahoma Arts and Humanities 

Council 

Oklahoma City, Oklahoma 

Oregon Arts Commission 

Salero, Oregon 

Pennsylvania Council on the Arts, 

Commonwealth of 

Harrisburg, Pennsylvania 

Puerto Rican Culture, Institute of 

San Juan, Puerto Rico 

Rhode Island State Council on the 

Arts 

Frovidence, Rhode Island 

South Carolina Arts Commission 

Columbia, South Carolina 

South Dakota State Fine Arts Council 

Sioux Falls, South Dakota 

Tennesssee Arts Commission 

Nashville, Tennessee 

Texas Commission on the Arts and 

Humanities 

Austin, Texas 

Alabama State Council on the Arts 

and Humanities 

Montgomery, A]abama 

Alaska State Council on the Arts 

Anchorage, Alaska 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Arkansas State Arts and Humanities, 

Office of 

Little Rock, Arkansas 

Colorado Council on the Arts and
 

Humanities
 

Denver, Colorado
 

D.C. Commission on the Arts and
 

Humanities
 

Washington, D.C.
 

Delaware State Arts Council
 

Wilmington, Delaware
 

Fine Arts Council of Florida
 

Tallahassee, Florida
 

Hawaii State Foundation on Culture 

and the Arts 

Honolulu, Hawaii 

Idaho Commission on the Arts
 

Boise, Idaho
 

Illinois Arts Council
 

Chicago, Illinois
 

Indiana Arts Commission
 

Indianapolis, Indiana
 

Iowa State Arts Council
 

Des Moines, Iowa
 

$243,000 

243,000 

243,000 

243,000 

243,000 

243,000 

243,000 

243,000 

243,000 

Utah Arts Council 

Sa]t Lake City, Utah 

$243,000 

Vermont Council on the Arts, In
. 

Montpe]ier, Vermont 

243,000 

Virgin Islands Council on the Arts 

Christiansted, St. Croix, Virgin 

Islands 

243,000 

Virginia Commission of the Arts and 

Humanities 

Richmond, Virginia 

243,000 

Washington State Arts Commission 

Olympia, Washington 

243,000 

West Virginia Arts and Humanities 

Commission 

Charleston, West Virginia 

243,000 

Wisconsin Arts Board 

Madison, Wísconsin 

243,000 

Wyoming Council on the Arts 

Cheyenne, Wyoming 

243,000 

For a folk arts and cra]ts ~oordina~or. 16,430 

Fora director for Arts Alaska, In
. 17,700 

For a literature coordinator anda commu­ 19,400 

nity eoordinator. 

Fora business development asso¢iate. 13,440 

For an artists-in-schools coordinator and a 16,650 

publi¢ information speeialis¿. 

To amend a previous grant which supports 9,000 

an artis¿-in-sehools coovdinator. 

Fora eommunity eoordinator and a publie 18,000 

information offieer. 

Fora visual arts director. 15,410 

Fora field serviee eoordinator. 6,650 

For ah artis¿-in-schools coordinador. 7,860 

Fora resour~e eenter coordinator. 14,000 

For an artists-in-sehools coordinador. 8,685 

For an artists-in-schools coordinator. 12,000 
Federal-State Partnership 117 

Kansas Arts Commission For continued suppor~ of an iníormation $8,210 

Topeka, Kansas writer. 

Kansas Arts Commission For ah information writer. 11,870 

Topeka, Kansas 

Kentucky Arts Commission For a crafts coordinator. 15,240 

Frankíort, Kentucky 

Louisiana State Arts Council For ah arts development coordinator. 15,030 

Baton Rouge, Louisiana 

Maine State Commission on the Arts For an information/public arts coordinator. 13,800 

and the Humanities 

Augusta, Maine 

Maryland Arts Council For continued support of a folkIorist. 10,000 

Baltimore, Maryland 

Massachusetts Council on the Arts To amend a previous grant which supports 8,728 

and Humanities the position of "program assistant for reBoston, Massachusetts search" and "community arts development 

planner." 

Michigan Council for the Arts For two arts coordinators and two clerical 25,000 

Detroit, Michigan support positions. 

Minnesota State Arts Board For an arts board representative. 15,500 

Minneapolis, Minnesota 

Mississippi Arts Commission 

Jackson, Mississippi 

For a public information specialist anda 

com~nunity developmen~ associate. 

20,460 

Missouri State Council on the Arts For a dance touring coordinator, ah ar~ists­ 14,200 

Saint Louis, Missouri in-schools coordinator anda ~nusic 

in-residente coordina$or. 

Montana Arts Council For continued support of a com~nunity­ 16,000 

Missoula, Montana developmcnt coordinator. 

Montana Arts Council For an artists-in-schools coordinator anda 13,450 

Missoula, Montana community development coordinator. 

Nebraska Arts Council For ah associate director. 16,960 

Omaha, Nebraska 

Nevada State Council on the Arts For a grants development officer. 12,000 

Reno, Nevada 

New Hampshire Commission on the For an ar~ists-in-schools coordinator. 14,970 

Arts 

Concord, New Hampshire 

New ,lersey State Council on the Arts 

Trenton, New Jersey 

For a review/evaluation o~ícer anda community development officer. 

18,000 

New Mexico Arts Division For continued support of a grants o~cer. 6,000 

Santa Fe, New Mexico 

New Mexico Arts Division For ah Indian cultural consuItant. 3,000 

Santa Fe, New Mexico 

New York Foundation for the Arts For ah artists-in-schools coordinator. 8,100 

New York, New York 

New York State Council on the Arts For a dance tou~’ing coordinator. 12,430 

New York, New York 

North Carolina Arts Council For a program coo~rdinator for audience 31,120 

Raleigh, North Carolina developmen~ and an artists-in-schools coordinator. 

North Dakota Council on the Arts For a community coordinator/fiscal officer. 12,000 

and Humanities 

Fargo, North Dakota 
118 Federal-State Partnership 

Regional Programs 

To assist state arts agencies

working together on a multistate basis. 

Program funds : $1,323,115 

Ohio Arts Council 

Columbus, Ohio 

Oklahoma Arts and Humanities 

Council 

Oklahoma City, Oklahoma 

Oregon Arts Commission 

Salero, Oregon 

Rhode Island State Council on the 

Arts 

Provid~ence, Rhode Island 

South Carolina Arts Commission 

Columbi.a, South Carolina 

South Dakota State Fine Arts Council 

Sioux Falls, South Dakota 

Tennessee Arts Commission 

Nashville, Tennessee 

Texas Commission on the Arts and 

Humanities 

Austin, Texas 

Texas Commission on the Arts and 

ttumanities 

Austin, Texas 

Utah Arts Council 

Salt Lake City, Utah 

Vermont Council on the Arts, Inc. 

Montpelier, Vermont 

Virginia Commission of the Arts and 

Humanities 

Richmond, Virginia 

Washington State Arts Commission 

Olympia, Washington 

Wisconsin Arts Board 

Madison, Wisconsin 

Wyoming Council on the Arts 

Cheyenne, Wyoming 

AIñliated State Arts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

Arts Exchange, Inc. 

Lebanon, New Hampshire 

Maryland Arts Council 

Baltimore, Maryland 

Mid-America Arts Alliance 

Kansas City, Missouri 

New England Foundation for the Arts 

Cambridge, Massachusetts 

Southern Arts Federation 

Atlanta, Georgia 

For an artist-in-schools coordinator anda 

dance touring program coordinator. 

For a community services coordinator. 

For ah in]ormation coordinator. 

Fora public information o~cer. 

For ah assistant for special projects, a film 

program coordinator, and an auditor. 

Fora public information specialist and a 

fiscal officer. 

For a program director for crafts and a 

program director for the artists-in-schools, 

dance, and visual arts programs. 

For continued support of a dance touring 

program coordinator. 

Fora dance touring program coordinator. 

Fora co~nmunity development coordinator. 

Fora fiscal ~nanager anda writers-in-¿heschools coordinator. 

For an artists-in-schools coordinator, a 

dance touring program coordinator, anda 

fiscal o~cer. 

For a community arts coordinator and a 

secretary. 

For an information o~cer. 

For continued support of the artists-inschools coordinator. 

For continued support of regional arts activities in Iowa, Minnesota, North Dakota, 

South Dakota and Wisconsin. 

For regional arts activi~ies in Maine, Vermont and New Hampshire. 

For a needs assessment of the rural border 

areas of Delaware, Maryland, New Jersey, 

New York and Pennsylvania. 

For continued support of regional arts 

activities in Arkansas, Kansas, Missouri, 

Nebraska and Oklahoma. 

For regional arts activities in Maine, Vermont, New Hampshire, Connecticut, Massachusetts and Rhode Island. 

For continued support of regional arts programming in Alabama, Florida, Georgia, 

Kentucky, Louisiana, Mississippi, North 

Carolina, South Carolina, Tennessee and 

Virginia. 

$25,280 

15,000 

16,050 

17,500 

20,000 

10,000 

19,350 

7,620 

7,050 

10,000 

17,600 

11,000 

17,490 

16,240 

15,840 

264,750 

15,000 

25,000 

418,365 

2(~0,000 

400,000 
Federal-State Partnership 119 

Alabama State Council on the Arts For the community development program. $35,000 Community Development 

and Humanities 

Montgomery, Alabama To assist state arts agenciesin the promotion and development of ¢ommunity arts 

Alaska State Coun¢il on the Arts 

Anchorage, Alaska 

For the community development program. 20,000 agen¢ies. Program funds: $1,077,575 

Connecticut Commission on the Arts For continued suppor¿ of the communi¿y 30,000 

Hartford, Connecticut art8 council development program. 

Georgia Council for the Arts and For the community developmen¿ progra~n. 30,000 

Humanities 

Atlanta, Georgia 

Georgia Council for the Arts and For continued support of ¿he council’s com­ 30,000 

Humanities ~nunity developmen¿ program. 

Atlanta, Georgia 

Hawaii State Foundation on Culture For community development activities. 12,500 

and the Arts 

Honolulu, Hawaii 

Hawaii State Foundation on Culture For the community development program. 10,000 

and the Arts 

Honolulu, Hawaii 

Idaho Commission on the Arts For the com~nunity development program. 10,000 

Boise, Idaho 

Idaho Commission on the Arts and For workshops for the com~nission’s com­ 3,550 

Humanities ~nunity development program. 

Boise, Idaho 

Illinois Arts Council For the community development prog~’am. 27,000 

Chicago, Illinois 

Indiana Arts Commission For the community development progra~n. 25,000 

Indianapolis, Indiana 

Iowa State Arts Coun¢il For the community deveIopment prog~’a~n. 25,000 

Des Moines, Iowa 

Kansas Arts Commission For the community development progra~n. 25,000 

Topeka, Kansas 

Kentucky Arts Commission For the community deveIopment prog~’a~n. 25,000 

Frankfort, Kentucky 

Louisiana State Arts Council For the com~nunity development prog~a~n. 20,000 

Baton Rouge, Louisiana 

Maine State Commission on the Arts For the community development program. 30,000 

and the Humanities 

Augusta, Maine 

Maryland Arts Council For the community development program. 30,000 

Baltimore, Maryland 

Michigan Council for the Arts 

Detroit, Michigan 

For continued support of the community developmen¿ progra~n. 

35,000 

Michigan Council for the Arts For the community develop~nent progra~n. 35,000 

Deti~oit, Michigan 

Mississippi Arts Commission For the community development program. 4,000 

Jackson, Mississippi 

Missouri State Council on the Arts For the co~nmunity deveIopment progra~n. 15,000 

St. Louis, Missouri 

Montana Arts Council For the community developm~n~. 5,000 

Missoula, Montana 

Nebraska Arts Council For the community dev.elopment program. 20,000 

Omaha, Nebraska 
120 FederaloState Partnership 

Nevada State Council on the Arts 

Reno, Nevada 

New Hampshire Commission on the 

Arts 

Concord, New Hampshire 

New Hampshire Commission on the 

Arts 

Concord, New Hampshire 

New Jersey State Council on the Arts 

Trenton, New Jersey 

New Mexico Arts Division 

Santa Fe, New Mexico 

New York State Council on the Arts 

New York, New York 

North Carolina Arts Council 

Raleigh, North Carolina 

North Dakota Council on the Arts and 

Humanities 

Fargo, North Dakota 

Ohio Arts Council 

Columbus, Ohio 

Ohio Arts Council 

Columbus, Ohio 

Oklahoma Arts and Humanities 

Council 

Oklahoma City, Oklahoma 

Oregon Arts Commission 

Salem, Oregon 

South Carolina Arts Commission 

Columbia, South Carolina 

South Dakota State Fine Arts Council 

Sioux Falls, South Dakota 

Tennessee Arts Commission 

Nashville, Tennessee 

Texas Commission on the Arts and 

Humanities 

Austin, Texas 

Texas Commission on the Arts and 

Humanities 

Austin, Texas 

Utah Arts Council 

Salt Lake City, Utah 

Vermont Council on the Arts, Inc. 

Montpelier, Vermont 

Vermont Council on the Arts, Inc. 

Montpelier, Vermont 

Virginia Commission of the Arts and 

Humanities 

Richmond, Virginia 

Washington State Arts Commission 

Olympia, Washington 

Washington State Arts Commission 

Olympia, Washington 

For the community development program. $15,000 

For continued support of the eommunity 20,000 

arts agency program. 

For the community development program. 15,000 

For ¿he community development program. 15,000 

For the community development program. 15,000 

For eontinued support of the Alliance of 34,200 

New York State Arts Councils. 

For the community development program. 40,OO0 

For the community development program. 20,000 

For the eommunity development program. 40,000 

For continuing support of a community 40,000 

development program. 

For the community development program. 16,300 

For continued support of a program of 20,025 

personnel development and challenge grants 

]of community ar$s ageneies. 

For the community develop~nent program. 30,000 

For the community development program. 15,000 

For the community development program. 20,000 

For a full-time professional director for the 15,000 

Texas Assembly of Ar~s Couneils. 

For the Texas Assembly of Arts Couneils. 20,000 

For the community development program. 20,000 

For the continued support of the commu­ 20,000 

nity development program. 

For the community development program. 15,000 

For the community development program. 10,000 

For continued support of a program of 25,000 

matching sta~ support grants for community art agencies. 

For the community development program. 20,000 
 

Federal-State Partnership 12! 

West Virginia Arts and Humanities For continued support of the West Virginia $25,000 

Commission community development program. 

Charleston, West Virginia 

Wisconsin Arts Board For continued support of the community 30,000 

Madison, Wisconsin development program. 

Wisconsin Arts Board For the community development program. 20,000 

Madison, Wisconsin 

American Council for the Arts 

New York, New York 

Fora technical assistance program for 

state, regional, community arts councils. 

20,000 National Service 

Organizations 

American Council for the Arts 

New York, New York 

For the NaCional Assembly of Co~ñ~nunity 

Arts Agencies ~o establish an ol~ce and to 

provide travel expenses for its board of 

direetors, 

10,000 To assist national private

organizations of projects

that support, strengthen, and

serve state and ¢ommunity

arts agen¢ies.

Program funds : $292,900 

American Coun¢il for the Arts For production of the book, Community 15,000 

New York, New York Arts Agencies: A Handbook and Guide. 

American Council for the Arts To amend a fiscal year 1977 grant which 20,000 

New York, New York provides support to a baste program of assistance for state, community, and other 

arts organizations and to assist the National 

Assembly o~ Community Arts Agencies. 

National Assembly of State Arts For assembly activities with the state arts 82,400 

Agencies agencies including support of the national 

Washington, D.C. office for 1977-1978. 

National Assembly of State Arts Fora management development program 15,500 

Agencies for individuals involved in administration Washington, D.C. tion of federal, state, and local ar$ activities. 

National Assembly of State Arts

Agencies 

To amend a fiscal year 1977 grant which 

provides assistance to state arts agencies to 

10,000 

W~shington, D.C. upgrade their planning skills and resources. 

National Assembly of State Arts For the national o~ce and its services and 120,000 

Agencies operations for the state arts agencies for 

Washington, D.C. 1978-1979. 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Fora regional meeting of Indian cultural 

coordinators involving participants from 

Arizona, California, Montana, New Medico, 

Oklahoma, Oregon, Utah and Washington. 

2,120 Regional and National

Meetings 

To en¢ourage regional and

national meetings of state

arts agen~y dire¢.tors, chairArkansas Arts Center Foundation 

Little Rock, Arkansas 

For the Baste State Agency Grant ~’eview 

session in Li~tle Rock, Arkansas. 

4,629 men, and ¢ouncil members to 

facilitate effective ¢ommuni­

~ations among the state arts 

Combined Arts of San Diego 

San Diego, California 

For the Basic State Agency Grant review 

session in San Diego January ~5-~7, 1978. 

8,245 agencies and Endowment

staff. 

Program funds: $56,829 

Foundation for the Arts in Iowa For the joint meeting of the Federal-State 2,335 

Des Moines, Iowa Partnership advisory panel and the Iowa 

State Arts Council. 

Illinois Arts Council Foundation For a four-day meeting on community arts 4,090 

Chicago, Illinois developmen~ invol~ing community coordinatots from Illinois, Indiana, Michigan, Ohio, , ~ 

and Wisconsin. 

Michigan Council for the Arts 

Detroit, Michigan 

For the Federal-State Basic State Agency 

grant review session in Detroit. 

1,641 

National Assembly of State Arts 

Agencies 

For "Endowment Day" at the NASAA ahnual meeting in Sep~ember 1978. 

4,775 

Washington, D.C. 

New Mexico Arts Division 

Santa Fe, New Mexico 

For the Indian cultural coordinator$ meeting in Santa Fe, New Mezico. 

4,150 
122 Federal-State Partnership 

General Programs 

To assist proiects not included in other grant cate­ gories,

Program funds: $133,084 

~ T~áining/Fellowships 

To enable experienced state directors or assistant directors to conduct independent

study of research, travel, 

write, engage in arts projects,

or in other ways improve 

Ohio Foundation on the Arts, Inc. 

Columbus, Ohio 

Oregon Arts Foundation 

Salem, Oregon 

Rhode Island State Council on the 

Arts 

Providence, Rhode Island 

Southern Arts Federation 

Atlanta, Georgia 

Southern Arts Federation 

Atlanta, Georgia 

Arizona Commission on the Arts
 

Phoenix, Arizona
 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Cultural Resources Council
 

Syracuse, New York
 

Idaho Commission on the Arts
 

Boise, Idaho
 

Michigan Council for the Arts 

Detroit, Michigan 

New York State Council on the Arts 

New York, New York 

Oklahoma Arts and Humanities
 

Council
 

Oklahoma City, Oklahoma
 

Rhode Island State Council on the
 

Arts
 

Providence, Rhode Island
 

Vermont Council on the Arts, Inc.
 

Montpelier, Vermont
 

Wyoming Council on the Arts
 

Cheyenne, Wyoming
 

Carver, Charlotte
 

Sioux Falls, South Dakota
 

Haseltine, James L. 

01ympia, Washington 

For planning ~neetings to explore the pos­ $4,060

sibility of regional cooperation in the Great 

Lakes States. 

For the Federal-State Partnership panel 2,320 

meeting held in Medford, Oregon. 

For the Basic State Ageney Grant review 4,600 

session in Newport, Rhode Island. 

For the Basic States Ageney Grant review 6,130 

session in Nashville, Tennessee. 

For a conference of participants from 7,734

Alabama, Florida, Georgia, Kentucky, 

Louisiana, Mississippi, North Carolina, 

South Carolina, Tennessee, Virginia, and 

West Virginia in a regional program designed to develop skills of community arts 

leaders in arts residency management. 

For ah Indian cultural assistance pregram. 7,000 

For the development of a statew~de ad­ 15,000

vocacy plan.
 

For the administrative services of Joseph
 15,684

Golden in providing a resource and communication link for community arts agencies
 

throughout the country.
 

For the expansion of the Annual Gover­ 5,000

nor’s Conference of the Arts to include a
 

"Day of Advocacy" to further develóp arts
 

awareness, marketing, and fundraising.
 

Fora Michigan eongress on the arts. 10,000

For an arts analyst position to work with
 28,050

the statewide assistance programs and
 

community arts agency movement.
 

14,850 For Oklahoma’s Indian cultural coordination program.
 

For a community arts council coordinator/ 15,000 

consultant. 

For the second year of the council’s mero­ 10,000

bership drive. 

For the Union Pacific Railroad/Denver
 12,500

Symphony Orchestra tour to tire Wyoming
 

communities.
 

5,000	 Perry, R. Sandra 5,000 

Little Rock, Arkansas 

6,665	 Tester, Louise 5,000 

Phoenix, Arizona 

17,480	 Zakrzewski, M. J. 10,000 

Montgomery, Alabama their professional leadership Keller, Anthony S. 

skills and qualifications. Hartford, Connecticut 

Program funds: $49,145 
Federal-State Partnership 123 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

Alaska State Council on the Arts 

Anchorage, Alaska 

Arizona Commission on the Arts 

Phoenix, Arizona 

$23,900 

23,900 

23,900 

Minnesota State Arts Board 

Minneapolis, Minnesota 

Mississippi Arts Commission 

Jackson, Mississippi 

Missouri State Council on the Arts 

St. Louis, Missouri 

$23,900 

23,900 

23,900 

State Arts Agencies! 

Small Groups 

To assist small, high quality,

professional organizations not

previously eligible for direct

Arts Endowment funding. 

Program funds: $1,266,700 

Arkansas State Arts and Humanities, 

Office of 

23,900 

Montana Arts Council 

Missoula, Montana 

23,900 

Little Rock, Arkansas 

California Arts Council 

Sacramento, California 

Colorado Council on the Arts and 

Humanities 

Denver, Colorado 

Connecticut Foundation for the Arts 

Hartford, Connecticut 

D.C. Commission on the Arts and 

Humanities 

Washington, D.C. 

23,900 

23,900 

23,900 

23,900 

Nebraska Arts Council 

Omaha, Nebraska 

Nevada State Council on the Arts 

Reno, Nevada 

New Hampshire Commission on the 

Arts 

Concord, New Hampshire 

New Jersey State Council on the Arts 

Trenton, New Jersey 

New Mexico Arts Division 

Santa Fe, New Mexico 

23,900 

23,900 

23,900 

23,900 

23,900 

Delaware State Arts Coun¢il 

Wilmington, Delaware 

23,900 New York State Coun¢il on the Arts 

New York, New York 

23,900 

Fine Arts Council of Florida 

Tallahassee, Florida 

23,900 North Carolina Arts Council 

Raleigh, North Carolina 23,900 

Georgia Council for the Arts and 

Humanities 

Atlanta, Georgia 

23,900 North Dakota Council on the Arts 

and Humanities 

Fargo, North Dakota 

23,900 

Hawaii State Foundation on Culture 

and the Arts 

Honolulu, I-Iawaii 

23,900 Ohio Arts Council 

Columbus, Ohio 

23,900 

Idaho Commission on the Arts 

Boise, Idaho 

23,900 

Oklahoma Arts and Humanities 

Council 

Oklahoma City, Oklahoma 

23,900 

Illinois Arts Council 

Chicago, Illinois 

23,900 Oregon Arts Commission 

Salero, Oregon 23,900 

Indiana Arts Commission 

Indianapolis, Indiana 

23,900 Pennsylvania Council on the Arts, 

Commonwealth of 23,900 

Iowa State Arts Council 

Des Moines, Iowa 

Kansas Arts Commission 

Topeka, Kansas 

Kentucky Arts Commission 

Frankfort, Kentucky 

23,900 

23,900 

23,900 

Harrisburg, Pennsylvania 

Puerto Rican Culture, Institute of 

San Juan, Puerto Rico 

Rhode Island State Council on the 

Arts 

Providence, Rhode Is]and 

23,900 

23,900 

Louisiana State Arts Council 

Baton Rouge, Louisiana 

23,900 

South Carolina Arts Commission 

Columbia, South Carolina 23,900 

Maine State Commission on the Arts 

and the Humanities 

Augusta, Maine 

Maryland Arts Council 

Baltimore, Maryland 

23,900 

23,900 

South Dakota State Fine Arts Council 

Sioux Fal]s, South Dakota 

Tennessee Arts Commission 

Nashville, Tennessee 

Texas Commission on the Arts and 

Humanities 

23,900 

23,900 

23,900 

Massachusetts Council on the Arts 

and Humanities 

23,900 Austin, Texas 

Boston, Massachusetts 

Michigan Council for the Arts 

Detroit, Michigan 23,900 

Utah Arts Council 

Salt Lake City, Utah 

Vermont Council on the Arts, Inc. 

]Vlontpelier, Vermont 

23,900 

23,900 
 

124 Federal-State Partnership 

New Initiatives 

To increase the effectiveness 

of state, local, and regional

arts agencies through workshops and special task force 

studies. 

Program funds: $80,685 

Regional Representatives 

To enable regional representatives to provide assistance

to state arts agencies, culrural organizations, artists, 

and the Endowment. 

Program funds: $595,464 

Virgin Islands Council on the Arts 

Christiansted, St. Croix, Virgin 

Islands 

Virginia Commission of the Arts and 

Humanities 

Richmond, Virginia 

Washington State Arts Commission 

Olympia, Washington 

Mid-America Arts Alliance 

Kansas City, Missouri 

New England Foundation for the Arts 

Cambridge, Massachusetts 

Sou~hern Arts Federation, Inc.
 

Atlanta, Georgia
 

Western States Arts Foundation
 

Denver, Colorado
 

Boston Foundation
 

Boston, Massachusetts
 

Cultural Council Foundation
 

New York, New York
 

Kansas City Association of Trusts and 

Foundations 

°~ansas City, Missouri 

Kansas City Asso¢iation of Trusts and 

Foundations 

Kansas City, ~Iissouri 

Ohio Foundation on the Arts
 

Columbus, Ohio
 

Oregon Arts Foundation
 

Salem, Oregon
 

Sangamon State University
 

Springfield, Illinois
 

Siouxland Interstate Metropolitan 

Planning Council 

Sioux City, Iowa 

Western States Arts Foundation
 

Denver, Colorado
 

Western States Arts Foundation
 

Denver, Colorado
 

Western States Arts Foundation
 

Denver, Colorado
 

$23,90t~ $23,900	 West Virginia Arts and Humanities
 

Commission
 

Charleston, West Virginia
 

23,900 23,900	 Wisconsin Arts Board
 

~Iadison, Wisconsin
 

Wyoming Council on the Arts 23,900 

23,900 Cheyenne, Wyoming 

9,500 To support a regional effort to explore concerns of new and minority constituencies in 

the states of Arkansas, Kansas, Missouri, 

Nebraska and Oklahoma. 

30,000 To support a sponsor and audience development program among minority and ethnio 

populations in the six New England states. 

30,385 To support an arts program to address the 

needs of minority constituencies in the states 

of Alabama, Florida, Georgia, Kentucky, 

Louisiana, Mississippi, North Carolina, 

South Caroline, Tennessee, and Virginia. 

10,800 To support the foundation’s plans to provide increased aceess to regional arts activities for ethnic and minority populations. 

Fora regional representative for the New 56,194

England states. 

63,303 Fora regional representativ.e for the Mid-


Atlantic States.
 

For a regional representative for the South 63,507 

Plains States. 

For a regional representative for the Gulf 59,650

S tates. 

Fora regional representative ]or the Mid- 60,714

A tlantie States. 

For a regional representative for the 60,600 

Pacific States. 

For a regional representative for the Great 56,694

Lakes States. 

For the North PIains regional representa- 49,878 

tive. 

61,852 Fora regional representative for the Southwestern States. 

61,237 For the Northwest regional representative. 

1,835 To amend a fiscal year 1977 grant whieh

supported a regional representative Íor the 

Rocky Mountain States. 
Folk Arts 12~; 

Program funds : $1,335,488 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

Alaska State Council on the Arts 

Anchorage, Alaska 

Alaska State Council on the Arts
 

Anchorage, Alaska
 

American Dance Guild, Inc.
 

New York, New York
 

American Indian Historicai Society 

San Francisco, California 

Appalshop, Inc.
 

Whitesburg, Kentucky
 

Appalshop, Inc.
 

Whitesburg, Kentucky
 

Arizona Commission on t~e Arts and 

Humanities 

Phoenix, Arizona 

Arizona Indian Centers, Inc.,
 

Affiliation of
 

Phoenix, Arizona
 

Arkansas State Arts and Humanities, 

The Office of 

Little Rock, Arizona 

Arkansas, State of 

Little Rock, Arkansas 

Atlanta, Georgia, City of 

Atlanta, Georgia 

Baldwin (Abraham) Agricultural 

College 

Tffton, Georgia 

Balkan Arts Center, Inc. 

New York, New York 

Berks Community Television 

Reading, Pennsylvania 

To support a series of seven film vídeo Frograms on Alabama folk culture, 

To invite six mask-makers of Alaskc~~s 

native eultures to participate in demonstrations of their skills at the Native Arts Festival at the University of Alaska. 

To support the construction of a traditional 

Eskimo skin boat and the documentation of 

that proeess by the Cook Inlet Native Association, 

For continued support fora film on three 

black tap dancers in New York. 

To gather and document the folk arts hintory of three mayor tribes in California--­

the Cahuilla, Hupa, and Karuk. 

To support James Garland’s investigation 

of folk arts from the 1920’s to the present 

in the coal mining arca of eastern Kentueky. 

To amend a fiscal year 1977 grant which

supports a film series on Íolk art and artists 

from eastern Kentucky. 

To support documentation of the oral histories and traditions of the Apachc Indians. 

To catalogue, photograph, and display 

Yavapai traditional basketry. 

To support a full time folklorist-musician to 

collect the traditional music and lore of the 

Rackensaek Folklore Society. 

To support ah ongoing program of crafts 

demonstrations, music programs, and workshops at the Ozark Folk Center with the
 

cooperation o] the Arkansas Department o/
 

Parks and Tourism.
 

To support the addition of a traditional 

crafts component to the Georgia Grassroots Music Festival. 

To support the hiring of a folklorist to work 

with eommunities in south Georgia on local 

traditional art documentation. 

To support two immigrant ethnic folklife 

íestivals, three concerts, anda monthly 

series of dance workshops. 

To support a cable television program series 

dealing with the creative traditions of the 

residents of Berks County, Pennsylvania. 

$30,000 

8,200 

11,332 

33,910 

34,285 

1,330 

4,000 

7,310 

5,439 

13,830 

15,000 

3,260 

19,840 

40,000 

18,250 

The Folk Arts Program identifies, assists, and honors 

local men and women of skill 

and authority in the traditional arts; serves the traditional communities in which 

these artists flourish by providing support for their culrural aetivities; and helps enrich the lives of all Americans 

by making more visible the

sophistication, the vivacity, 

and the meaningfulness of our 

multi-¢ultural heritage. The

Program funds projeets of 

the following types: presentations by traditional artists,

documentation of traditional 

arts, and general assistance 

to the field. 
126 Folk Arts 

Berks Community Television 

Reading, Pennsylvania 

Brooklyn Arts and Culture 

Association, Inc. 

Brooklyn, New York 

Brooklyn Institute of Arts & Sciences 

Brooklyn, New York 

California State University, 

Sacramento, Foundation of 

Sacramento, California 

Center for Gulf South History and 

Culture, Inc. 

New Orleans, Louisiana 

Center for Southern Folklore 

1~[emphis, Tennessee 

Children’s Museum 

Boston, Massachusetts 

Choctaw Tribal Council 

Philadelphia, Mississippi 

Clatsop Community College 

Astoria, Oregon 

Cleveland Area Arts Council 

Cleveland, Ohio 

Colorado River Indian Tribes 

Parker, Arizona 

Columbia Historical Society 

Washington, D.C. 

$17,24~~ For continued support of the television 

series on traditional arts in the Bcrks 

County arca. 

12,220 To support the film documentation of the 

passing on of traditional crafts in two 

families : Czechoslovakian furriers and 

Hungarian violín makers. 

14,000 To support a folk arts festival anda series 

of lecture-performances involving the 

Haitian New York community. 

35,000 To support two documentary films concerning the traditional verbal arts of two Micronesian cultures for use in Micronesian 

bilingual education. 

16,730 To support the film documentation of the
 

cooking of south Louisiana asa folk art
 

and distribution of the film through local
 

television.
 

For continued support of the Center for
 10,680

Southern Folklore’s intern program.
 

7,410 For support to research, present, and documen$ a series of Japanese festival-exhibits.
 

4,000 To develop and implement procedures to
 

increase the production of Choctaw arts and
 

crafts.
 

4,500 To support Astoria Regatta Association’s
 

project for. a festival featuring the trad~i~
 

tional arts of the lower Columbia River.
 

3,630 To support a revival of the neighborhood
 

Hungarian festival.
 

6,000 To support a traveling crafts exhibition of
 

the works of native American artists.
 

For a short film documenting the oral
 10,000

poetry of Lincoln Rory.
 

8,435 Columbus College of Art and Design For support of a film documenting the 

Columbus, Ohio 

Colville Business Council 

Nespelem, Washington 

Committee on the Aging for Randolph 

County, Inc. 

Elkins, West Virginia 

Contemporary Arts Center
 

New Orleans, Louisiana
 

Contemporary Arts Center
 

New Orleans, Louisiana
 

Cultural Exchange Council of Tucson 

Tucson, Arizona 

Dartmouth College
 

Hanover, New Hampshire
 

aesthetic and socio-cultural contexts of the 

traditional art of Leonard L. St. Clair and 

two of his students. 

For continued support to colIect, document, 30,000 

store and record traditional indian arts 

and crafts and to continue classes to insure 

that these traditional forros ate not lost. 

5,000 To present traditional local West Virginia
 

artists in the Augusta Heritage Arts Workshop by the Randolph County Creative Arts
 

Council.
 

15,805 To support the production of a 30-minute
 

color videotape of New Orleans ethnic
 

dance traditions.
 

9,800 To support the 1978 arts and crafts e~cposition by the Southern Arts and Crafts
 

Foundation.
 

4,000 To support $he fifth annual Tucson fesfival
 

of traditional music, dance, crafts, and
 

food.
 

9,000 For continued support for the second "Celebration Northeast," a three-day festival involving traditional artists from New England, Canada, and Louisiana.
 
Folk Arts 12’~ 

Delaware, University of 

Newark, Delaware To support a one-day rollo festival featuring 

a representative selection of traditional $2,500 

artists in Delaware. 

Detroit, Michigan, City of 

Detroit, Michigan To support the hiring of two folk arts 

specialists to assist in reorganizing and up­ 37,000 

grading Detroit’s ethnic festival. 

Dixie College 

St. George, Utah To support a festival featuring traditional 

artists of southern Utah to be held in and 3,500 

around Zion National Park. 

Dogwood Arts Festival, Inc. 

Knoxville, Tennessee To support the second annual folk arts celebration. 8,500 

Eastern Illinois University 

Charleston, Illi~ois 

For continued support of field investigation 

of folk artists in southern Illinois and for 19,300 

tape recordings and photographs of performances and exhibits at "Celebration ’78 

--A Festival oí the Arts." 

Ferrum College 

Ferrum, Virginia To support the Blue Ridge Folklife Festival. 1,700 

Foresta Institute for Ocean & 

Mountain Stu~ies 

Carson City, Nevada 

To support field-work, planning, and execution of a crafts festival in Elko, a multiethnic festival in Ely, and Hispanic Cul30,000 

ture Week in Reno, Nevada. 

Fort Mason Foundation 

San Francisco, California To support a folklorist-director and performers for the Western Regional Follc 12,100 

Festival to be held in the Golden Gafe 

Recreation Atea. 

Hawaii State Foundation on Culture 

and the Arts 

Honolulu, Hawaii 

To support a film for use on local television documenting the contemporary cultural 

heritage of the Portuguese of Hawaii. 

19,860 

Hawaii State Foundation on Culture 

and the Arts 

Honolulu, Hawaii 

To support the Hawaii Council on Portuguese Heritage project including traditional 

arts seminars, workshops, concerts, festi20,000 

vals and lecture/demonstrations. 

Hudson River Sloop Restoration, Inc. 

Poughkeepsie, New York To hire consuItants for the Hudson Valley 

Folk Festival. 5,500 

International House of Philadelphia 

Philadelphia, Pennsylvania 

For continued support to research, docuo 

ment, and present the folklife t~aditions of 30,000 

Philadelphia’s ethnic communities. 

International House of Philadelphia 

Philadelphia, Pennsylvania To amend a fiscal year 1977 grant which 

supports three bi-monthly ethnic folklife 2,400 

]estivals in Philadelphia. 

International ttouse of Philadelphia 

Philadelphia, Pennsylvania 

To amend a fiscal year 1977 grant which 

supports an ethnic folklife festival featur­ 4,717 

ing Irish, Puerto Rican, Greek and AfroAmerican groups. 

International Institute of Youngstown, Ohio, Inc. 

Youngstown, Ohio 

For continued support of the production 

and presentation of the institute’s annual 

]olk festival. 

25,000 

Jewish Community Centers of South 

Florida, Inc. 

To support a consultant and local artists 

for the Yiddish Cultural Festival. 

3,000 

Miami Beach, Florida 

Lewiston, Maine, City of 

Lewiston, Maine 

To support the addition of traditional weaving and a traditional Franco-American 8,560 

musical celebration to the annual FrancoAmerican Festival in Lewiston. 

Louisiana State Arts Council 

Baton Rouge, Louisiana To support a folk arts coordinator. 15,000 
128 Folk Arts 

Maine Maritime Museum 

Bath, Maine 

Makah Tribal Council 

Neah Bay, Washington 

Maryland Arts Council 

Baltimore, Maryland 

Millennium Film Workshop, Inc. 

New York, New York 

Mississippi State Historical Museum 

Jackson, Mississippi 

Nampsch’ats Community Foundation 

’Tokeland, Washington 

National Council on the Traditional 

Arts 

Washington, D.C. 

National Council on the Traditional 

Arts
 

Washington, D.C.
 

National Public Radio, Inc. 

Washington, D.C. 

Navajo Economic Opportunity, 

Office of 

Fort Defiance, Arizona 

Nevada, University of 

Reno, Nevada 

New Mexico Highlands University 

Las Vegas, New Mexico 

North Carolina Department of 

Cultural Resources 

Raleigh, North Carolina 

Northland Coilege 

Ashland, Wisconsin 

Ohio Foundation on the Arts 

Columbus, Ohio 

Oklahoma Indian Affairs Commission 

Oklahoma City, Oklahoma 

Oregon Arts Commission 

Salem, Oregon 

Oregon Arts Commission 

Salem, Oregon 

Oregon Arts Commission 

Salero, Oregon 

To record the reconstruetion of the Tan- $24,720 

cook whaler, a sail craft used on the Northeast coast. 

To ¿ranseribe tapes which have been re- 14,650 

corded in Makah language into radio 

scripts. 

To support ¿he 1978 Maryland Folkliíe 9,090 

Festival presenting the traditional musie, 

erafts, and cookery of Maryland’s lower ~ Eastern Shore.
 

To support a film do~umentary on Monroe 13,120
 

Veach, a master saddle maker.
 

To support ah ezhibition and eatalogue of 22,000
 

Mississippi folk arte.
 

For support to record the verbal arte ¿radi- 1,810
 

tions of Shoalwater tribal members.
 

For continued support oí teehnieal assist- 70,000
 

anee provided to individuals and organizations interested in initiating of expanding
 

Íolk arts activities.
 

To support the 5Oth National Folk Festival 13,500
 

at Wolf Trap Farm Park.
 

For continued support for the production 25,000
 

and distribution o] eight programs in the
 

"Folk Festival, U.S.A." series featuring
 

traditional musie and ~rafts.
 

To support Navajo tribal elders to teach 9,000
 

Navajo children traditional arts, erafts,
 

and musie.
 

To support photographic documentation 5,000
 of traditional Basque sheepherder liÍe.
 

To support three films entitled "’Lifeways : 25,000
 

Events and Activities in Northern New
 

Mexican Villages," which will document
 

weaving, a Spanish wedding, and Los
 

Santeros as parts of village life in northern New Mexieo.
 

For the North Carolina Folklife Festival. 25,000
 

For support to survey and record the ethnie 25,000
 

and native American music of northern
 

Wisconsin and Michigan.
 

To support the preparation and presenta- 14,000
 

tion of a ¿raditional arts íestival.
 

For support to: instruet Thlopthoccos in 54,260
 

research techniques; train Ponea tribal
 

members to record narratives ; assist
 

Pawnee tribes in establishing crafts workshops; and sponsor linguistic and cultural
 

resource wor]cshops.
 

For continued support of the folk ar~s 18,070
 

coordinator.
 

To support three Oregon traditional artists 7,500
 in long-term residences in sehools.
 

To support a two-day folklife festival in
 9,170 central Oregon. 
Folk Arts 129 

Oregon, University of 

Eugene, Oregon 

To support a film documenting ¿he ~raditional ar$ of quilting as practieed by 

Kathleen Ware. 

$15,355 

Sitka Community Association For support to bring fifty Tlingit and Haida 13,500 

Mount Edgecumbe, Alaska tradition bearers to the First Southeas$ 

Alaska Na~ive Cultural Festival in Sitka. 

Southern Highland Handicraft Guild 

Asheville, North Carolina 

To support a folk arts speeialist to design, 

develop, and coordinate folk arts programs 

for the FolIc Arts Center on the Blue Ridge 

6,435 

Parkway. 

Spokane Tribe of Indians 

Wellpinit, Washington 

To support arts and crafts classes Íor 

adults of the Spokane Indian Reseívation, 

with emphasis on indigenous crafts. 

1,505 

Tennessee Department of 

Conservation 

For support of three regional, seasonal 

f olklorist8. 

28,400 

Nashville, Tennessee 

Texas at San Antonio, University of 

San Antonio, Texas 

For support of a folklorist in residence aC 

the Institute for Te~can Cultures. 

24,250 

Theatre in Frogress 

Los Angeles, Caliíornia 

To support the folk arts por¿ion of the 

Garden Theatre Festival. 

2,400 

Theatre in Progress 

Los Angeles, California 

To support artists lees and folk arts programming in ten neighborhood festivals. 

12,500 

Tri-County Regional Library 

Rome, Georgia 

To suppor$ a videotape series about follz 

artists in no~’thern Georgia. 

12,790 

Turkish-American Cultural Alliance To support the presenta¿ion of monthly folk 14,000 

Skokie, Illinois arts programs in the Chicago TurkishAmerican eommunity. 

United Labor Agency of Greater 

Washington, D.C. 

Washington, D.C. 

For support to record the traditional narratives and to document, by photographs, 

the traditional skills of the tire fighters of 

Washington, D.C. 

14,400 

Utah Arts Council 

Sal¿ Lake City, Utah 

For continued support of the folk arts 

coordinator. 

10,000 

Utah Arts Council To support an exhibir of indigenous Utah 15,000 

Sal¿ Lake City, Utah folk art. 

Vermont Council on the Arts For continued support for the Festival 12,000 

Montpelier, Vermont des Deux Mondes and for expanding the 

tour to Maine and New Hampshire. 

Vermont Counci| on the Arts 

Montpelier, Vermont 

To support a state rollo arts survey. 20,000 

Washington State University 

Pullman, Washington 

To support slide and audiotape documenta­

¿ion of Klickitat basket-making. 

9,610 

Washington, University of 

Sea¿¿le, Washington 

To support a documentary film on the ¿raditional music and crafts of the "Tarheels," 

who emigrated at the turn of the century 

15,440 

to the Pacific Northwest. 

Yivo Institute of Jewish Research 

New York, New York 

For support to edit raw footage of the 

"Purim-Shpil" into a documentary film to 

be accompanied by a slide presenta¿ion, a 

transcription and translation of songs, and 

3,940 

a printed guide. 
130 Folk Arts 

Folk/Ethnic: Category 

I: OrganizationsPresentations 

To support folk/ethnic music

presentations, such as community celebrations~ regional

or national festivals, touring

and residency projects, and

workshops. 

Program funds: $384,430 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

Amigos del Museo del Barrio, Inc. 

New York, New York 

Amon Carter Museum of Western Art 

Fort Worth, Texas 

Appalachian Community Development 

Association 

Cincinnati, Ohio 

Associated YM-YWHA’s of Greater 

New York, Inc. 

New York, New York 

Atlanta, Georgia, City of 

Atlanta, Georgia 

Austin, Texas, City of 

Austin, Texas 

Balkan Arts Center, Inc. 

New York, New York 

Balkan Arts Center, Inc. 

New York, New York 

Berea College 

Berea, Kentucky 

Boricua College 

Brooklyn, New York 

Brooklyn Academy of Music, Inc. 

Brooklyn, New York 

California State University Fresno 

Foundation 

Fresno, California 

Chelsea House Folklore Center, Inc. 

Brattleboro, Vermont 

Circuit Playhouse, Inc. 

Memphis, Tennessee 

East Bay Music Center 

Richmond, California 

Ferrum College 

Ferrum, Virginia 

Focal Point Corporation 

Webster Groves, Missouri 

Folklore Society of Greater 

~Washington 

~Vashington, D.C. 

Fort Mason Foundation 

San Francisco, California 

For a series of n¿ne folk music workshops $11,000 

in the schools. 

For ¿raditional Puerto Rican music con- 12,500 

eerts and workshops. 

For a series of six concerts featuring ¿he 5,000 

principal folk music ~raditions of Texas. 

For a regional folk musie festival. 10,000 

For the performance and documentat~on of 9,800 

the traditional music of the New York Russian Jewish community. 

For the fourth annual Georgia Grassroots 17,000 

Music Festival. 

Fora series of performances by traditional 3,210 Texas musicians in the parks oÍ Austin. 

For the performance and documentation of 10,000 the traditional music oÍ Eastern European 

Jews residing in New York City. 

For two immigrant ethnic festivals, two . 33,850 

concerts featuring ethnic singers and 

musicians, and a monthly Friday night 

dance session which will feature traditional 

ethnic musicians. 

For the engagement of traditional artists 2,000 

appearing ata festival of Appalachian music and dance. 

For demonstrations at senior citizen centers 3,000 

of a traditional folkloric event celebrated 

during Chirstmas in Puerto Rico, performed by the Troubadors of Trullas. 

For performances of traditional music. 8,000 

For the resident folk artists program at 17,820 

the California State University at Fresno. 

For performances by local traditional folk 3,500 

musicians. 

For the presentation of local blues artists 15,000 

in the Beale Street Music Festival. 

Fora program of instruction and perform- 7,500 

ance of the traditional music of the ethnic 

communities of the East Bay arca. 

For presentations of local musical tradi- 7,500 

tions in public schools in Virginia. 

Fora series of performances by local tradi- 2,500 

tional musicians. 

For a folk music festival reflecting the 3,040 

varied traditional music of the Washingron, D.C. arca. 

For the San Francisco Folk Music Center’s 5,000 

program of performances by local folk 

musicians. 
Folk Arts 131 

Sefferson National F~xpansion For the Mississippi ValIey Folk Festival. $10,000 

Historical Association, Inc. 

St. Louis, Missouri 

Living History Centre For a folk musie festival. 10,000 

Novato, California 

Maryland, University of--Baltimore 

County Campus 

For a one-week residency by a blues singer. 6,000 

Baltimore, Maryland 

Middletown Folk Festival, Inc. For a two-day festival of traditional music. 2,500 

Middletown, New Jersey 

Mississippi Action for Community For support to bring local musicians to 14,990 

Education, Inc. the Delta Blues Festival. 

Greenville, Mississippi 

New Orleans Jazz and Heritage For the 1978 Louisiana Heritage Fair’s 15,000 

Foundation, Inc. presentations of traditional Louisiana 

New Orleans, Louisiana muslo. 

New Theatre School of Washington 

Washington, D.C. 

To support a gospel music festival. 4,000 

Northside Presbyterian Church For a series of performances of traditional 6,500 

Ann Arbor, Michigan musie at the Ark co~eehouse. 

Oakland Museum Association For a series of performances by folk and 5,000 

Oakland, California ethnic musicians. 

Research Foundation of the City For a continuing workshop on traditional 12,750 

University of New York Puerto Rican music for residents of the 

New York, New York Latin community. 

Sacred Harp Publishing Company Fora series of performances in schools in 5,000 

Bremen, Georgia Alabama, Georgia, and Tennessee. 

San Diego S~ate University, For the 12th annual San Diego State Uni­ 4,000 

Associated Students of versity Folk Festival. 

San Diego, California 

San Francisco Arts Commission For the sixth annual San Francisco Blues 4,000 

San Francisco, California Festival. 

Seattle Folklore Society 

Portland, Oregon 

For tours of traditional musicians throughout California, Oregon, and Washington. 25,000 

Southern Folk Cultural Revival For continued support of demonstrations 11,000 

Project, Inc. of Acadian traditional music in southNashville, Tennessee western Louisiana schools. 

Southern Folk Cultural Revival For the Tennessee Grassroots Days Music 15,250 

Project, Inc. Festival in Nashville, the Georgia Sea 

Nashville, Tennessee Island Festival, and the Alabama Soul 

Roots Festival in Alabama. 

Spanish Education Development Fora workshop on Latín drum and per­ 7,500 

Center cussion traditions. 

Washington, D.C. 

Sum Concerts, Inc. For the second annual June ’teenth Blues 6,000 

Houston, Texas Festival. 

Theatre of Latin America, Inc. For a festival of drums from A frica, the 5,000 

New York, New York United States, and Latin America. 

Union College Fora three day music reunion. 15,720 

Barbourville, Kentucky 

Utah Arts Council For development of a working model for 2,000 

Salt Lake City, Utah community-based folk music programming. 

Warren Wilson College, Inc. For continued support of elasses by tradi­ 3,500 

Swannanoa, North Carolina tional musicians in shaped-note sing~ng, 

ballads, banjo playing, count~y harmony, 

and mandolin playing. 
132 Folk Arts 

Folk/Ethnic: Category 

II : OrganizationsDocumentation 

To assist projects designed to 

document, preserve, and disseminatelivingmusical 

traditions, 

Program funds: $98,050 

Folk/Ethnic Category 

III: Individuals 

To enable exceptionally talented individuals to study 

with master traditional 

artists. 

Program funds: $7,830 

Warren Wilson College, Inc. 

Swannanoa, North Carolina 

Appalshop, Inc. 

Whitesburg, Kentucky 

Country Music Foundation, Inc. 

Nashville, Tennessee 

Ferrum College 

Ferrum, Virginia 

Institute for Southern Studies, Inc. 

Chapel Hill, North Carolina 

Mary College 

Bismarck, North Dakota 

New Wilderness Foundation, Inc. 

New York, New York 

Northern Arizona University 

Flagstaff, Arizona 

Santa Barbara Museum of Natural 

History 

Santa Barbara, California 

Stepchild Radio of Cincinnati, Inc. 

Cincinnati, Ohio 

Waveland Software, Inc. 

Chicago, Illinois 

West Virginia Arts and ttumanities 

Commission 

Charleston, West Virginia 

Buss, Arnold
 

Tucson, Arizona
 

Fishback, Michael 

Durham, North Carolina 

Glasner, William M. 

Middlesex, New York 

Hill, Richard T. 

Westport, Connecticut 

Lawsha, Prince H. 

Boulder Creek, California 

Lewis, Edward T. 

Washington, D.C. 

Rolland, Peter 

Tucson, Arizona 

Watson, David R. 

Asheville, North Carolina 

Fora pilot project to train community mero­ $6,500

bers to document local rollo music tradi$ions. 

For the production of a film documenting 7,500 

the performance of traditional music at the 

A. P. Carter store. 

For the research and travel necessary to 7,500 

complete a discography of country music 

recorded before 1942. 

For the production of four record alburas 10,000 

of traditional music of Virginia. 

Fora film documenting the work of Tommy 27,000 

Jarrell, a traditional fiddler. 

To record, transcribe and translate the 12,110

traditional music of the Arikara tribe oÍ 

North Dakota. 

For documentation of the music of several 3,000 

native American composers and performers. 

For the production of a record of tradi- 2,500 

tional musie of Arizona. 

To transfer Chumash songs Írom wax cylin- 3,440 

ders to magnetic tapes so that songs may 

be used by Chumash descendants via a radio 

program and a tape listening center. 

For 13 one-hour radio programs which will 7,000

be used to study the effect of urbanization 

on Appalachian musie. 

For the production of vídeo tapes document- 5,000 

ing the music and recolleetions of Chicago 

blues pianists. 

For the production of a film abou~ Everett 13,000 

Lilly, a bluegrass musieian. 

To study traditional fiddling techniques. 1,000 

To study traditional fiddling styles. 1,000 

To study Greek instrumental musie. 

To study Wes~ A frican drumming. 1,000 

To study Caribbean music. 1,000 

To study blues guitar and vocal techniques. 1,000 

To study ¿raditional fiddling styles. 1,000 

To study French-Canadian fiddling styles. 1,000 

830 
Folk Arts 133 

Couturie, William D. 

Santa Monica, California 

For the production of a film about Nat D. 

Williams, a dise jockey in Mississippi. 

$15,000 Folk/Ethnic Pilot 

Category: Individuals 

To enable individuals to 

Dickey, Dan 

Austin, Texas 

For the production of a series of radio progratas of Texan-Mexican muslo, 

4,500 document or present folk 

musicians. 

Program funds: $76,500 

Friedman, Robert A. 

Bloomington, Indiana 

For the documentation of the muslo and 

life oÍ Julio Collazo, a master Afro-Cuban 

10,000 

drummer. 

Helms, Karen G. 

Wingate, North Carolina 

To eollect and document the remnants of the 

folk music heritage within Union and Anson 

Counties oÍ North Carolina. 

7,500 

Johnson, Ted E. For perÍormances of traditional Swedish 1,000 

Minneapolis, Minnesota music. 

Lowry, Peter B. For the recorded documentation oÍ $radi­ 7,500 

Rosendale, New York tional Black music of the southeastern 

United Stat~s. 

Neely, William T. For the documentation of songs. 3,500 

Austin, Texas 

Rhodes, Willard For the writing of notes for albums of 9,500 

Pound Ridge, New York native American music. 

Robb, John D. For the completion of the transcription of 7,500 

Albuquerque, New Mexico the J. D. Robb collection of recordings, comprised primarily oÍ traditional music from 

the Southwest. 

Rusch, Robert D. For the fieldwork necessary to collect oral 1,000 

Redwood, New York history interviews of jazz and blues artists. 

Sayles, Charles 

Philadelphia, Pennsylvania 

For a blues program in the prisons of 

Washington, D.C. 

4,000 

Scholten, James W. 

Athens, Ohio 

For the recording and documentation of 

sacred harp singing in the United States. 

1,500 

West, Hedy For the documentation of the life and music 4,000 

Stony Brook, New York of Lillian West. 
134 

Literature Program íunds: $4,000,070 

American Authors Films Educational Broadcasting Corporation 

To develop a series of films New York, New York 

depicting the work, opinions,

and lifestyles of famous living 

For emergency audienee-building advertising needed to promote The Writer in America for premiere broadcast on PBS. 

$40,000 

American authors. 

Program funds: $40,000 

Residencies for Writers 

To enable organizations and

public institutions such as

state arts ageneies, libraries, 

Academy of American Poets, Inc. 

New York, New York 

For a series of writing workshops and 

readings in small town libraries throughout 

Rhode Island and Conneetieut. 

25,500 

theaters, museums, art centers, prisons, hospitals, colleges, and professional groups 

to sponsor residencies by

published writers. 

Program funds: $459,855 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

Alabama State Council on the :Arts 

and Humanities 

For a poet in residence in Alabama prisons. 

To support a writer in residence at Bruce 

Hospital in Tuscaloosa. 

3,000 

5,000 

Montgomery, Alabama 

Alaska State Council on the Arts To support a writer in residenee for the 13,100 

Anchorage, Alaska Alaska State Library throughout the state. 

Arizona Comm~ssion on the Arts and 

Humanities 

To support a writer-resideney program in Arizona libraries. 3,500 

Phoenix, Arizona 

Arizona Commission on the Arts and To support writers in residenee at Arizona 4,600 

Humanities state prisons. 

Phoenix, Arizona 

Arizona State University To snpport poets and fiction writers in 2,400 

Tempe, Arizona residence. 

Arts Exchange, Inc. 

Lebanon, New Hampshire 

For a reading series throughout Maine, New 

Hampshire and Vermont. 

5,000 

Aspen Leav_es, Ine. To support writers in residenee at the 2,000 

Aspen, Colorado Aspen Writers’ Conference. 

Austin Peay State University Fora series oí readings and workshops by 500 

Clarksville, Tennessee published writers. 

Basement Workshop, Inc. To support a writer in residenee at the 1,500 

New York, New York Basement Workshop’s writing workshop. 

Boise State University For residencies by poets and fiction wri~ers. 3,600 

Boise, Idaho 

Bowling Green State University For support of several short-term residen­ 4,000 

Bowling Green, Ohio cies ]or writers. 

Centrum Foundation For support readings anda number of 9,400 

Port ’Townsend, Washington residencies at Fort Worden and throughout 

the Olympic Península. 

Centrum Foundation For support of a series of three residency­ 7,500 

Port Townsend, Washington apprenticeships in fine printing for poets 

at Copper Canyon Press. 

Centrum Foundation For support of three writers’ fine printing 7,500 

Port Townsend, Washington apprenticeships at Copper Canyon Press. 
Literature 135 

Cincinnati, University of For support of tire short-term residencies at $3,750 

Cincinnati, Ohio the University of Cincinnati. 

Colorado at Boulder, University of 

Boulder, Colorado 

For support o] readings and workshops by 

writers on the Colorado poetry circuir. 

2,960 

Duke University To support a playwright in residence at 3,595 

Durham, North Carolina Dukc University. 

Fine Arts York Center in For suppo~’t of a reading series. 5,000 

Provincetown, Inc. 

Provincetown, Massachusetts 

Franconia, New Hampshire, Town of For support of ah eight-week writer’s resi­ 1,520 

Franconia, New Hampshire dency at the former home o] Robert Frost. 

Frederic Burk Foundation for For support of a writer in residence pro­ 17,460 

Education grato at Mt. Zion Hispital which involves 

San Francisco, California cancer out-patients in San Francisco. 

Generalist Association, Inc. For support of a program of readings by 640 

New York, New York poets through the library association of the 

City University of New York. 

Hampden-Sydney College To support Toro O’Grady, a writer in 5,000 

Hampden-Sydney, Virginia residence. 

Hampshire College To support playwrights in residente. 4,000 

Amherst, Massachusetts 

Hartford Playwrights, Inc. Fora play-readings series in cooperation 450 

West Hartford, Connecticut with the Hartford Stage Company. 

Hartford Stage Company To support a playwright in residence. 5,000 

Hartford, Connecticut 

Hawaii State Foundation on Culture For a series of short-term residencies for 5,000 

and the Arts writers. 

Honolulu, Hawaii 

Henry Street Settlement To support writers in residence with the 950 

New York, New York community at Henry Street. 

Idaho, University of For readings by writers throughout the 4,000 

Moscow, Idaho eastern Washington, Idaho, and western 

Montana region. 

Illinois Arts Couneil For write~’s’ lees for one- to ~h~’ee-day 5,000 

Chicago, Illinois residenciss throughou~ the state. 

Illinois Writers For a series of ~’esidencies in southern 1,500 

Champaign, Illinois Illinois. 

Intersection For workshops and readings at the Small 12,000 

San Francisco, California Press Book Center. 

Jewish Community Center of Greater 

Kansas City 

For readings and workshops by writers in 

the Kansas City atea. 

1,270 

Kansas City, Missouri 

Kansas City Regional Council for 

Higher Education 

To support a writer in residence on compuses throughout the Kansas City atea. 

1,200 

Kansas City, Missouri 

Kentucky Arts Commission 

Franl~íort, Kentucky 

For a series of poet residencies throughout 

rural county libraries. 

5,000 

Lakewood Community College To support a writer in residence. 8,760 

White Bear Lake, Minnesota 

Lane Community College To support writers in residence at the 5,000 

Eugene, Oregon Willamette Writers Con]erence. 

Louisville, University of For resideneies for writers at the Univer­ 3,750 

Louisville, Kentucky sity of Louisville. 
t36 Literature 

Miami University 

Oxford, Ohio 

Miami University 

Oxford, Ohio 

Minnesota Chippewa Tribe 

Cass Lake, Minnesota 

Missouri--Columbia, University of 

Columbia, Missouri 

Missouri--Columbia, University of 

Columbia, Missouri 

Missouri--Rolla, University of 

Rolla, Missouri 

Montana Arts Council 

Missoula, Montana 

Montana State University 

Bozeman, Montana 

Moravian College 

Bethlehem, Pennsylvania 

Nalanda Foundation 

Boulder, Colorado 

National Public Radio, Inc. 

Washington, D.C. 

New College of California, Inc. 

San Francisco, Caliíornia 

New Mexico Arts Division 

Santa Fe, New Mexico 

New Playwrights’ Theatre of 

Washington, Inc. 

Washington, D.C. 

New York, The Research Foundation 

of State University of 

Stony Brook, New York 

North Carolina at Greensboro, 

University of 

Greensboro, North Carolina 

Northeast Missouri State University 

Kirksville, Missouri 

Northeast Missouri State University 

Kirksville, Missouri 

Oberlin College 

Oberlin, Ohio 

Ohio University 

Athens, Ohio 

Oklahoma State University 

Stillwater, Oklahoma 

Orrea Mime Troupe, Inc. 

Minneapolis, Minnesota 

Ozarks, College of the 

Clarksville, Arkansas 

To support writersinresidenee attheMiami ~ 1,000 

University seventh annual CreativeWriters 

Workshop. 

Fox" poetry readings at the Festival of 1,200 

Ohio Poets in Oxford. 

To support writers in residence for ¿he 10~000 

tribal communities in Minnesota. 

For writers’ residencies. 5,000 

For writers’ lees for veadings and residen- 2,500 

eies in the Columbia eommunity. 

For lectures, readings and other presenta- 1,500 

tions by published fiction writers and poets. 

For writers’ lees and production costs for 17,500 

literature public-service programming 

through Montana media. 

To support a writer in residence at Mon- 1,180 

rana State University, Bozeman. 

To support a writer in residente. 420 

For a series of ~’eadings, workshops, lee- 5,000 

tutes and residencies at Naropa lnstitute. 

To support a writer in ~’esidence in produc- 6,000 

ing Off the Wall, a weekly module focusing 

on the work of small presses. 

For short-term residen~ies. 5,000 

To support a writer in residence at Carls- 600 

bad Caverns and Guadalupe Mountains 

National Parks. 

To suppo~’t a playwright in residente. 5,000 

For readings by British and American poets 5,000 

at poetry center at the State University 

of New York--Stony Brook. 

For readings and workshops. 2,000 

To support writers in residenee. 2,000 

To support writers in residence. 2,250 

To support w~’ite~’s in residence. 1,980 

For writers’ readings and ~’esidencies in 1,350 

southeastern Ohio. 

To support two writsrs in ~’esiden~e. 3,000 

Fora readings series and workshops. 3,250 

For writers’ readings and workshops. 3,810 
Literature 137 

Parkland College For a readings and workshops series. $1,890 

Champaign, Illinois 

Play Group, Inc. To support a playwright in residenee at the 4,600 

Knoxville, Tennessee Laurel Theatre. 

Playwrights’ Lab, Inc. To support playwrights in residenee. 4,800 

Minneapolis, Minnesota 

Portland Poetry Festival, Inc. For poetry readings at the Portland Poetry 4,000 

Fortland, Oregon Festival. 

Radford College For guest writers’ seminars, readings, and 3,360 

Radford, Virginia short-term resideneies. 

St. Mark’s-in-the-Bowery For a readings series. 5,000 

New York, New York 

St. Mark’s-in-the-Bowery 

New York, New York 

For the community documentation workshop, which allows eity youth to write about 

themselves as part of cultural history. 

7,000 

St. Thomas, College of 

St. Paul, Minnesota 

To support writers’ readings and workshops 

on the fiv~ campuses of the Associated Colleges of the Twin Cities. 

3,000 

San Jose Museum of Art Association For readings at San Jose poetry series. 1,700 

San Jose, California 

Scott (Agnes) College For readings and workshops. 2,000 

Decatur, Georgia 

South Carolina Arts Commission To support a writer/editor in residenee in 10,000 

Columbia, South Carolina developing a statewide arts magazine. 

South Carolina Arts Commission To support a writer in residence in the com­ 9,000 

Columbia, South Carolina munity o/Lancaster. 

South Carolina Educational Television For additional support of a writer in 3,140 

Network residence with the public television system 

Columbia, South Carolina and the publie radio network in South 

Carolina. 

South Carolina Educational Television 

Network 

To support a writer in residence and for 

preparation of a dramatie series. 

20,240 

Columbia, South Carolina 

South Dakota Arts Council To support writers in residence in the com­ 2,650 

Foundation, Inc. munities of Yankton, Brool~ings and 

Sioux Falls, South Dakota Aberdeen. 

Southwest Minnesota Arts and To support writers in residence in com­ 16,350 

Humanities Council munities throughout southwestern MinMarshall, Minnesota nesota. 

Southwest Minnesota Arts and To support writers in residence with Min­ 10,000 

Humanities Council neso~a Public Radio Station KRSW. 

Marshall, Minnesota 

Spelman College To support a writer in residence. 5,000 

Atlanta, Georgia 

Stephens College To support writers in residence. 4,310 

Columbia, Missouri 

Texas Commission on the Arts and For readings and workshops at nine college 4,500 

Humanities campuses throughout Texas. 

Austin, Texas 

Theatre for the New York City To support playwrights in residenee. 3,500 

Foundation, Inc. 

New York, New York 

Vermont, University of For a series of short residences by Blac]¢ 2,500 

Burlington, Vermont writers. 
138 Literature 

Assistance to Literary 

Magazines 

To help support not-forprofit magazines that regu­ larly publish poetry, fiction, 

plays, of literary criti¢ism.

Grants finanee spe¢ial issues,

efforts to improve formar, 

design, produ~tion, or readership, and in a few 
ases,

long-range development.

Program funds: $802,320 

Vermont, University of 

Burlington, Vermont 

Warren Wilson College, Inc. 

Swannanoa, North Carolina 

West Virginia Arts and Humanities 

Commission 

Charleston, West Virginia 

West Virginia University 

Morgantown, West Vir~inia 

Western IIlinois University 

Macomb, Illinois 

Western Maryland College, Inc. 

Westminster, Maryland 

WGBH Educational Foundation 

Boston, Massachusetts 

William and Mary, College of 

Williamsburg, Virginia 

Wisconsin-La Crosse, University of 

La Crosse, Wisconsin 

Women’s Community, Inc. 

Los Angeles, California 

Writer’s Center 

Glen Echo, Maryland 

Writers Community, Inc. 

New York, New York 

Wyoming Council on the Arts 

Cheyenne, Wyoming 

Anderson, Elliot 

Evanston, Illinoís 

Andre, Michael 

New York, New York 

Antioch College Greene County 

Yellow Springs, Ohio 

Aubert, Alvin 

Fredonia, New York 

Baldwin, Barbara 

Corvallis, Oregon 

Baracks, Barbara 

New York, New York 

Barnes, Jane 

Cambridge, Massachusetts 

Barr, Kathy 

San Francisco, California 

Behm, Richard 

Stevens Point, Wisconsin 

Bennani, Ben 

Binghamton, New York 

Berkeley Poets Workshops & Press 

Berkeley, California 

To support two writers in residente. $ 450 

To support writers in residence aV Black 

Mountain College. 

5,000 

To support a writer in residence in communities throughout West Virginia. 

5,000 

To support a playwright in residente. 1,600 

To support a writer in residence aV Western 

lllinois University. 

700 

For poetry readings and workshops. 440 

To support a writer in residente aV WGBH 

Television in Boston. 

5,000 

For readings and workshops by poets and 

fiction writers. 

1,480 

To support playwrights in residente. 5,000 

For women writers’ readings and workshops. 3,000 

To support visiting editors in residente aV 

the Writer’s Center. 

5,000 

Fora series of readings and wor.kshops. 1,200 

To support writers’ residencies for the 

Wyoming Poetry Circuir. 

10,000 

For projects relating to future publication 

of Triquarterly. 

5,000 

For projects relating to fu~ure publication 

of Unmuzzled Ox. 

5,000 

For pro]ects relating to future publication 

of The Antioch Review. 

30,000 

For projects reIating to future publication 

of Obsidian. 

3,000 

For projects reIating to future publication 

of Calyx, A Journal of Art and Literature 

by Women. 

5,000 

For pro~ects relating to future publication 

of Big Deal magazine. 

5,000 

For projects relating to future publication 

of Dark Horse. 

2,500 

For projects relating to fu~ure publication 

of Room. 

2,980 

For projects relating to future publication 

of Song. 

1,000 

For projects relating to fu~ure publication 

of Paintbrush. 

2,800 

For pro]ect~s relating to future publication. 2,600 
Literature 139 

Bissert, Ellen Marie 

New York, New York 

For projects relating to fu~ure publica$ion 

of 13th Moon. 

$ 2,500 

Bruchac, III, Joseph 

Greenñeld Center, New York 

For projeets relating to future publication 

of The Greenfield Review. 

1,650 

California at Santa Cruz 

University of 

Santa Cruz, California 

For projects relating to future publication 

of Quarry West. 

3,370 

Cardona, Ana Luisa 

Ann Arbor, Michigan 

For projects relating to future publieation 

by the Raza Art and Media Colleetive. 

2,000 

Castagna, Joann E. 

Chicago, Illinois 

For projects relating to future publication 

of Poetry &. 

1,200 

Centro Cultural de la Raza, Inc. 

San Diego, California 

For pro]ects relating to future publication 

of Maize. 

2,550 

Century City Educational Arts Project 

~San Francisco, California 

For pro]ects relating to future publication 

of Intermedia. 

2,800 

Chantikian, Kosrof 

San Francisco, California 

For projects relating to future publication 

of Kosmos. 

1,875 

Chicago, The University of 

Chicago, Illinois 

For projects relating to future publication 

of The Chicago Review. 

2,500 

Clemson University 

Clemson, South Carolina 

For projects relating to future publication 

,, of The South Carolina Review. 

1,500 

Confluence Press, Inc. 

Lewiston, Idaho 

For projects relating to future publication 

of The Slackwater Review. 

3,100 

Coordinating Council al Literary 

Magazines 

New York’, New York 

~ For a program supporting literary magazines throughout the United States. 

400,000 

Cumbie, Richard 

Nantucket, Massachusetts 

For pro]ects relating to íuture publication 

of The Nantucket Review. 

1,500 

Curley, Daniel 

Urbana, Illinois 

For projects relating to future publieation 

oí Ascent. 

500 

Dalmas, ~r., Victor P. 

Pembroke, North Carolina 

F~~ ~~’^;~~÷.~ ~.«1~÷~~,~ to future publication 

oÍ Pembroke magazine. 

2,500 

Dasgupta, Gautam 

New York, New York 

For projects relating to future publication 

o)~ The Performing Arts Journal. 

4,985 

Duerden, Richard 

Bolinas, California 

For projects relating to future publication 

of Foot magazine. 

2,395 

Fine Arts Work Center in 

Provincetown, Inc. 

Provincetown, Massachusetts 

For projects relating to fu$ure publication. 5,000 

Freilicher, Melvyn 

Del Mar, California 

For pro]ects relating to future publication 

by Crawl Out Your Window Press. 

2,550 

Gardner, Geoffrey 

New York, New York 

For projects relating to future publication 

of Bleb. 

1,800 

Gosciak, Josh 

New York, New York 

For projects relating to future publication 

by Contact II Fublications. 

1,275 

Halpern, Daniel 

New York, New York 

For projects relating to future publication 

of Antaeus. 

5,000 

Harvey, Alexander 

Berkshire, Massachusetts 

For pro]ects relating to future publication 

of Hollow Spring Review oí Poetry. 1,500 

Hawaii, University of 

Honotulu, Hawaii 

For pro]ects relating to ]uture publication 

of The Hawaii Review. 

4,000 
860 

140 Literature 

Hershon, Robert 

Brooklyn, New York 

Hogan, Edward J. 

Cambridge, Massachusetts 

Indiana University 

Bloomington, Indiana 

Iowa, University of 

Iowa City, Iowa 

Isthmus Poetry Foundation 

San Francisco, California
 

Jackson, Larry S.
 

Chico, California
 

Jackson, Richard P.
 

Signal Mountain, Tennessee
 

Kearns, Katherine 

Chapel Hill, North Carolina 

Kenyon, Jane 

Danbury, New Hampshire 

Korn, Henry James 

Brooklyn, New York
 

Korpi, Faye E.
 

Ironwood, Michigan
 

Kruchkow, Diane
 

Newburyport, Massachusetts
 

La Confluencia, Inc.
 

Albuquerque, New Mexico
 

Lavin, S.R.
 

Ware, Massachusetts
 

Lenson, David
 

Sunderland, Massachusetts
 

McBride, John
 

Fairfax, California
 

Melnyczuk, Askold
 

Cambridge, Massachusetts
 

Messerli, Douglas
 

College Park, Maryland
 

Mish, Jo
 

Oneonta, New York
 

Missouri--Kansas City, University of
 

Kansas-City, Missouri
 

Montemora Foundation, Inc.
 

New York, New York
 

New Classroom
 

Washington, D.C.
 

New Mexico State University
 

Main Campus 

Las Cruces, New Mexico 

New Wilderness Foundation 

New York, New York 

New York Quarterly Poetry Review 

Foundation, Inc. 

New York, New York 

For projects relating to future publica~ion $ 1,500 

oÍ ttanging Loose magazine. 

For projects ~’elating to Íuture publication 

by Aspect Inc. 

For projects reIating to future publication 5,000 

of Revista Chicano-Riquena. 

For projects relating to future publication 15,000 

oÍ The Iowa Review. 

For projec~s relating to future publication 3,500 

by the Isthmus Poetry Foundation. 

For projects relating to future publication 2,500 

of Phantasm. 

For pro]ects relating to futuro publication 1,060 

of The Poetry Miscellany. 

For projects relating to future publication 2,100 

of The Carolina Quarterly. 

1,260 

oÍ Green House.

For projects relating to futuro publication 

For projects relating to future publication 5,000

by Assembling Press. 

For projects relating to future publication 2,040 

of The Lake Superior Review. 

For projects relating to futuro publication 2,400 

of Zahir magazine. 

For projects rclating to ]uture publication 2,230 

by La Confluencia, Inc. 

For projects ~’elating to future publication 2,500 

by The Four Zoas Press. 

For pro~ects rclating to future publication 1,000 

by Panache Inc. 

For pro~ects relating to futuro publication 5,000 

of Invisible City. 

For projects relating to future publication 3,850 

by The Agni Review, Inc. 

For projects relating to future publication 2,000

of Sun & Moon. 

For projects relating to future publication 2,800

of Tightrope. 

5,000 For projec$s relating to future publication 

of New Letters. 

For projects retating to future publication 4,250 

of Montemora. 

For pro~ects relating to future publica- 30,000

tions/recordings by Black Box. 

For projects relating to future publication 15,00~

of Puerto del Sol. 

2,500 

of The New Wilderness Letter. 

2,500 

For projects relating to future publication 

For projects relating to Íuture publicätion 

of The New York Quarterly. 
Literature 141 

New York University For projects relating to future publication $ 4,430 

New York, New York of The Drama Review. 

North Carolina at Greensboro, For projects relating to future publication. 1,850 

University of 

Greensboro, North Carolina 

Northeast Missouri State University 

Kirksville, Missouri 

For projects relating to future publication 

o] The Chariton Review. 

1,400 

O’Grady, Toro 

Hampden-Sydney, Virginia 

For projects relating to future publica$ion 

o] The Hampden-Sydney Poetry Review. 

2,000 

Oandasan, William 

Laguna, New Mexico 

For pro]ects ~elating to future publication 

of A Journal of Contemporary Literature. 

3,800 

Oberlin College 

Oberlin, Ohio 

For projects ~’elating to future publication 

of Field magazine. 

80,000 

Pereiman, Bob 

San Francisco, California 

For projects relating to future publication 

of Hills ~nagazine. 

2,000 

Perreault, $ohn 

New York, New York 

For projects relating to future publication 

oÍ Only Prose. 

310 

Petrosky, Patricia A. 

Pittsburgh, Pennsylvania 

For projects relating to future publication 

of The Slow Loris Reader. 

4,270 

Pinellas County Arts Council 

Clearwater, Florida 

For projects relating to future publi~ation 

of Konglomerati. 

15,000 

Ploughshares, Inc. 

Cambridge, Massachusetts 

For projects relating to future publication 

by Ploughshares, Inc. 

30,000 

Plymell, Charles 

Cherry Valley, New York 

For projects relating to future publication 

of Hoo-Doo Blackseries. 

2,500 

Raiziss, Sonia 

New York, New York 

For pro~ects ~’elating to future publication 

by Chelsea Associates, Inc. 

3,000 

Reimers, Ronald 

Goleta, Calffornia 

For pro]ects relating to future publication 

of Praxis. 

2,970 

Reynolds, Louise T. 

Arlington, Massachusetts 

For projects «elating to future publication 

of The New Renaissance. 

3,000 

Ruggieri, Ford F. 

Olean, New York 

For projects relating to future publication 

o)~ Uroboros. 

600 

Schapiro, Nancy 

Webster Groves, Missouri 

For projects relating to future publication 

of The Webster Review. 

1,900 

Schuler, Robert J. 

Mount Carrotl, Illinois 

For projects relating to future publication 

of Uzzano. 

1,950 

Shatswell, Bruce 

Cambridge, Massachusetts 

For projects relating to future publication 

of Writers’ Resources. 

1,000 

Sklar, Morty 

Iowa City~ Iowa 

For projects relating to future publication 

by The Spirit That Moves Us Press. 

2,500 

Slate, Ron M. 

Madison, Wisconsin 

For projects relating to future pubIication 

of The Chowder Revicw. 

1,500 

Sobin, Anthony 

Wichita, Kansas 

Fo’r projects relating to future publication 

of The Ark River Review. 

2,370 

Speakes, Richard E. 

Santa Rosa, California 

For projects relating to future publication 

of Loon magazine. 

940 

Stap, Don 

Salt Lake City, Utah 

For projects relating to Íuture p~¿blication 

of The Westigan Review. 

2,000 

Stephens College 

Columbia, Missouri 

For projects relating to future publication 

of Open Places. 

3~100 
142 Literature 

Thoet, Felicity 

New York, New York 

For projects relating to fu¿ure publication 

of The Little Magazine. 

$ 2,580 

Trask House Books, Inc. 

Portland, Oregon 

For projeets relating to future publication 

by Trask House Books, Inc. 

2,000 

Tulsa, The University of For projects relating to future publieation 3,000 

Tulsa, 0klahoma of Nimrod. 

Utah, University of 

Salt Lake City, Utah 

For projects relating to future publieation 

of The Western Humanities Review. 

3,000 

Villani, Jira 

Youngstown, Ohio 

For pro]ects relating to future publieation 

by Pigiron Press. 

4,000 

Watten, Barrett For projeets relating to future publication 2,200 

San Francisco, California of This. 

Western Washington University 

Bellingham, Washington 

For pro]ects relating to future publication 

of Concerning Poetry. 

3,200 

Woessner, Warren 

Madison, Wisconsin 

For pro]ects relating to future publieation 

of Abraxas. 

1,100 

Yale University 

New Haven, Connecticut 

For projeets relating to future publication 

o] Theatre magazine. 

5,000 

Yates, David C. For projects ~’elating to future publieation 4,220 

New Braunfels, Texas of Cedar Rock. 

Zu-Bolton, II, Ahmos 

ttouston, Texas 

For pro]ects relating to future publication 

of Hoo-Doo Blackseries. 

2,350 

Assistance to Small 

Presses 

Ahern, Tom 

Providence, Rhode Island 

For the production of ~olumes by Diana’s 

Bimonthly Press. 

2,485 

To help small, independent

presses publish and distribute

creative prose and poetry that 

Aldan, Daisy 

New York, New York 

For the production of volumes by Folder 

Editions. 

2,500 

might not otherwise be pub­ lished. This includes the work 

of new writers and experi­ mental work by established

writers. 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

For the production of volumes by G~’illed 

Flowers Press. 

2,250 

Program funds: $428,685 Arlow, Phyllis 

Old Westbury, New York 

For the production of volumes by The Feminist Press. 

5,000 

Beall, Jira Fox" the production of volumes by The Word 5,550 

Washington, D.C. Works, Inc. 

Bridwell, Toro For the production of volumes by Salt­ 8,000 

Dennis, Massachusetts Works Press. 

Brown University For the production of volumes by Copper 10,000 

Providence, Rhode Island Beech Press. 

Centrum Foundation For the production of volumes by Copper 10,000 

Port ’Townsend, Washington Canyon Press. 

Cody, James M. For the production of volumes by Place of 4,000 

Granger, Texas Herons Press. 

Crawford, John F. 

Cambridge, Massachusetts 

For the production of volumes by West End 

Press. 

8,200 

Cuddihy, Michael For the production of volumes by Ironwood 1,850 

Tucson, Arizona Press. 

Davids, Betsy 

Oakland, California 

For the produetion of volumes by Rebis 

Press. 

5,000 

Dryad Press For the production of volumes by Dryad 5,000 

San Francisco, California Press. 

Ellis, Donald S. For the production of volumes by the Crea­ 10,000 

Berkeley, California tive Arts Book Company. 
Literature 143 

Fox, Robert For the production of volumes by Carpen­ $ 5,000 

Pomeroy, Ohio ter Press. 

Gale, Vi 

Portland, Oregon 

For the production of volumes by Prescott 

Street Press. 

6,600 

Garcia, Alfred For the production of volumes by tteirs, Inc. 3,100 

San Francisco, California 

Generalist Association, Inc. For the production of vvlumes by The 6,700 

New York, New York Smith. 

Grossinger, Richard 

Oakland, California 

For the production of volumes by North 

Atlantic Books. 

6,050 

Gunderson, $oanna For the production of volumes by Red Dust, 3,600 

New York, New York Inc. 

Halpern, Daniel For the production of ~)olumes by The Ecco 10,000 

New York, New York Press, Ltd. 

Hejinian, Lyn 

Berkeley, California 

For the production of volumes by Tuumba 

Press. 

3,000 

Henderson, Gordon For the p~’oduction o.f volumes by Proseen­ 10,000 

Newark, Delaware ium Press. 

Hershon, Robert For the production oÍ volumes by Hanging 8,910 

Brooklyn, New York Loose Press. 

Illinois Arts Council For the production of voIumes by The Wine 5,485 

Chicago, Illinois Press. 

India, Inc. For the production of volumes by Solo 4,000 

San Luis Obispo, California Press. 

Intersection, Inc. For the production o~ volumes by Eidolon 9,850 

San Francisco, California Editions. 

Iowa State Arts Council 

Des Moines, Iowa 

For the production of volumes by the 

Toothpaste Press. 

6,000 

Isthmus Poetry Foundation For the production of volumes by Isthmus. 7,060 

San Francisco, California 

Jaffe, Dan For the production of volumes by BKMK 5,000 

Kansas City, Missouri Press. 

Johnson, Curtis L. 

Chicago, Illinois 

For the production of volumes by December 

Press. 

3,000 

Kalechofsky, Roberta For the production of volumes by Micah 4,500 

Marblehead, Massachusetts Publications. 

Kentucky Arts Commission For the production of volumes by Gnomon 6,500 

Frankfort, Kentucky Press. 

Kimball, Jack For the production of volumes by Munich 3,250 

Waban, Massac~usetts Editions. 

Kniffel, Leonard 

Highland Park, Michigan 

For the production of volumes by Fallen 

Angel P~’ess. 

1,205 

Koch, Peter R. For the production of volumes by Black 6,000 

Missoula, Montana Stone Press. 

Kostakis, Peter For the production of volumes by the Yel­ 5,000 

Chicago, Illinois low Press. 

Lange, Gerald 

Yladison, Wisconsin 

For the production of volumes by The Bieler 

Press. 

5,000 

Lawless, Gary C. 

Brunswick, Maine 

For the production of volumes by Blackberry. 

2,500 

Lehman, David For the production of volumes by Nobo­ 1,200 

Clinton, New York daddy Press. 
144 Literature 

Levitt, Annabel 

New York, New York 

Lott, Clarinda Harris 

Battimore, Maryland 

Maine State Commission on the Arts 

and the Humanities 

Augusta, Maine 

Malone, Kirby 

Baltimore, Marytand
 

Maloney, Dennis
 

Buffalo, New York
 

Martín, John K.
 

Santa Barbara, California
 

Matthews, Curt
 

Chicago, I11inois
 

McNamara, Robert
 

Fort Collins, Colorado
 

Mihopolous, Effie 

Chicago, Illinois 

Mish, Jo 

Oneonta, New York 

Mohr, William 

Santa Monica, California 

Moss, Stanley 

New York, New York 

New Wilderness Foundation, Inc. 

New York, New York 

Owen, Maureen 

Guilíord, Connecticut 

Pan]andrum Press, Inc. 

San Francisco, Caliíornia 

Petrosky, Patricia A. 

Pittsburgh, Pennsylvania 

Plymell, Pamela Beach 

Cherry Valley, New York 

Poulin, Jr., A. 

Brockport, New York 

Quasha, George 

Rhinebeck, New York 

Reed, Ishmael 

Berkeley, California 

Rosenus, Alan 

Eugene, Oregon 

St. Andrews Presbyterian College

Laurinburg, North Carolina 

Sandoval, Moses 

San Antonio, Texas 

Sargent, Robert 

Washington, D.C. 

Scott, Virginia 

Bronx, New York 

For ¿he produetion of volumes by Vehicle 

Editions. 

$ 8,000 

For the production of volumes by The New 

Poets Series. 

1,000 

For the production of volumes through The 

Maine Writers and Publishers Alliance. 

10,000 

To support the production of volumes by 

Pod Books. 

3,000 

For the production of volumes by White 

Pine Press. 

1,000 

For the produetion oÍ volumes by Bla~k 

Sparrow Press. 

8,000 

For the produetion of volumes by Chicago 

Review Press, In�. 

2,600 

For the production of volumes by L’Epervier Press. 9~290 

For the production of volumes by Ommation 

Press. 

2,000 

For the production of volumes by Swamp 

Press, Inc. 

2,025 

For the production of volumes by Momentum Press. 5,800 

For the production of volumes by The Sheep 

Meadow Press. 

6,700 

For the production of volumes by the New 

Wilderness Foundation, Inc. 

4,000 

For the production of volumes by Telephone 

Books. 

5,625 

For the production oí volumes by Panjandrum Press, Ine. 5,000 

For the production of volumes by The Slow Loris Press. 3,420 

For the production of volumes by Cherry 

Valley Editions. 

4,000 

For the production oí volumes by Boa Editions. 10,000 

For the production of volumes by Sta~ion 

Hill Press. 

6,000 

For the production of voIumes by Reed, 

Cannon and Johnson Co. 

10,000 

For the production of volumes by Urion 

Press. 

2,000 

For the production of volumes by the S~. 

Andrews Press. 

930 

For the production of volumes by M and A 

Editions. 

690 

For the production of volumes by Washingron Writers’ Publishing House. 1,200 

For the production of volumes by Sunbury 

Press. 

3,400 
Literature 145 

Simon, John Oliver For the produ¢¿ion of volumes by The Al­ $ 2,210 

Berkeley, California debaran Review. 

Stap, Don For the production of volumes by The 2,000 

Salt Lake City, Utah Westigan Review Press, Inc. 

Taylor, Alexander For the production of volumes by Curbstone 6,700 

Willimantic, Connecticut Pvess. 

Truesdale, C.W. For ¿he production of volumes by New 10,000 

Staten Island, New York Rivers Press, Inc. 

Van Vliet, Claire To support the production of volu~nes by 10,000 

West Burke, Vermont The Janus Press. 

Vincent, Stephen For the production of volumes by Momo’s 5,000 

San Francisco, California Press. 

Waldrop, Rosmarie For ¿he product4on of volu~nes by Bu~’ning 7,000 

Frovidence, Rhode Island Deck. 

Warsh, Lewis For the produc¿ion of volumes by Angel 9,650 

Lenox, Massachusetts Hair Books. 

Wilcox, Patricia For ¿he produc¿ion of volu~nes by Iri~ Press. 3,450 

Binghampton, New York 

Williams, Gil For the produc~ion of volumes by The Belle­ 2,600 

Binghamton, New York vue Press. 

Winans, Al 

San Francisco, California 

For the produc~ion of volumes by Second 

Coming, Inc. 

4,000 

Wolfe, Michael 

Bolinas, Calffornia 

For the production of voIumes by Tombouc­

¿ou Books. 

7,250 

Wright, Anson 

Portland, Oregon 

For ¿he produc~ion of volumes by Ou~ of ¿he 

Ashes Press. 

7,000 

Wright, C.D. 

Fayetteville, Arkansas 

For ¿he produc¿ion of volumes by Los~ 

Roads Publishers. 

7,850 

Zavatsky, Bill For the production of volumes by Sun. 10,000 

New York, New York 

Abel, Robert H. 

Lake Pleasant, Massachusetts 

Agee, Jonis 

Saint Paul, Minnesota 

7,500 

7,500 

Boyle, Thomas 

Iowa City, Iowa 

Brossard, Chandler 

La Mesa, California 

7,500 Creative Writers’ 

Fellowships 

To allow published writers

7,500 to set aside time for writing,

research, of travel, and generally to advance their 

Banks, Russel E. 

Northwood Narrows, New Hampshire 

7,500 Brown, Rita M. 

Boston, Massachusetts 

7,500 careers. Program funds: $975,000 

Barnes, :Iim W. 

Macon, Missouri 

7,500 Cable, Mary P. 

Santa Fe, New Mexico 

7,500 

Beagle, Peter S. 7,500 Cardona-Hine, Alvaro 7,500 

Watsonville, California St. Paul, Minnesota 

Bernard, Kenneth 7,500 Clarke, David G. 7,500 

West Winfield, New York New York, New York 

Bessie, Alvah 

Terra Linda, California 

7,500 Cobb, William 

Montevallo, Alabama 

7,500 

Bliss, Corinne Demas 7,500 Cohen, L. Keith 7,500 

Pittsburgh, Pennsylvania Madison, Wisconsin 

Bockris, Victor F. 7,500 Coleman, James A. 7,500 

New York, New York Norwichtown, Connecticut 

Bowles, Paul F. 7,500 Corcoran, Barbara A. 7,500 

Tangier, Morocco Missoula, Montana 
146 Literature 

Corrigan, Mary E.
 

Los Angeles, California
 

De $ongh, James L.
 

New York, New York
 

Dubus, Andre J.
 

Bradford, Massachusetts
 

Duncan, Jeffrey L.
 

Ypsilanti, Michigan
 

Edwards, Margaret F.


Burlington, Vermont
 

Epps, George Garrett
 

Richmond, Virginia
 

Everman, Welch D.
 

Philadelphia, Pennsylvania
 

Farber, Thomas D.
 

Berkeley, California
 

Farrell, James T.
 

New York, New York
 

Furtwangler, Virginia W.
 

Sackville, Canada
 

Garber, Eugene K.


Bellingham, Washington
 

Gardiner, John R.
 

Middleburg, Virginia
 

Gibson, Patricia J.
 

New York, New York
 

Glover, Joseph G.
 

Washington, D.C.
 

Gordon, Jaimy M.
 

Providence, Rhode Island
 

Gourdine, Delice S.
 

St. Joseph, Michigan
 

Grecco, Stephen R.
 

Minneapolis, Minnesota
 

Green, Hannah
 

New York, New Y~ork
 

Greene, Jonathan Edward
 

Frankfort, Kentucky
 

Griffith, Patricia B.
 

Washington, D.C.
 

Grove, James L.
 

Cambridge, Massachusetts
 

Gutkind, Lee 

Pittsburgh, Pennsylvania 

Harrison, William N. 

Fayetteville, Arkansas 

Hauser, Marianne 

New York, New York 

ttayden, Julie 

New York, New York 

$7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

$7,500 tteffernan, Michael J. 

Pittsburgh, Kansas 

Hemenway, Robert W. 7,500

South Haven, Michigan 

Hendrie, Don R., Jr.
 7,500

South Hadley, Massachusetts
 

Huddle, David R. 7,500

Burlington, Vermont 

Hughes, Mary G. 7,500 

Evanston, Illinois 

Jacobs, Harvey J. 7,500 

New York, New York 

Kamstra, Jerry 7,500 

Aptos, California 

Kennelly, Tamara J. 7,500 

Chicago, Illinois 

Kim, Richard E. 7,500

Shutesbury, Massachusetts 

Koningsberger, Hans 7,500 

Fairfield, Connecticut 

7,500 Levinger, Larry M. 

Missoula, Montana 

7,500 Levy, Ann H. 

Lexington, Kentucky 

7,500 Lieberman, Renee B. 

Berkeley, California 

7,500 Loewinsohn, Ronald W. 

Berkeley, California 

7,500 Lopate, Phillip 

New York, New York 

Mack, Donna B. 7,500

Anchorage, Alaska 

Magnuson, James L. 7,500

New York, New York 

Maiolo, Joseph C. 7,500

Duluth, Minnesota 

Marshall, Paule B. 7,500

New York, New York 

Marvin, Mary W.
 7,500

San Francis~co, California
 

McBride, Mekeel 7,500

Cambridge, Massachusetts 

Metzger, Denna P. 7,500 

Studio City, California 

Monet, Dorothy 7,500 

New York, New York 

Morgan, Fred T. 7,500 

Albemarle, North Carolina 

Morris, Mary 7,500 

New York, New York 
Literature 147 

Naslund, Sena J. 

Louisville, Kentucky 

$ 7,500 Shaw, Richard O. 

Minneapolis, Minnesota 

$ 7,500 

Nelson, Kent S.

Ouray, Colorado 7,500 Skillings, Robert D., :Ir. 

Provincetown, Massachusetts 7,500 

Neville, Susan S. 

Bowling Green, Ohio 

7,500 Smiley, Jane G. 

Iowa City, rowa 7,500 

Nissenson, Hugh 

New York, New York 

7,500 Smith, Mark R. 

Durham, New Hampshire 7,500 

Nolan, :iames E. 

New Orleans, Louisiana 

7,500 Sorrells, Robert T. 

Clemson, South Carolina 

7,500 

Ohle, Louis D. 

Austin, Texas 

7,500 Spivack, Kathleen D. 

Watertown, Massachusetts 7,500 

Orr, Gregory S. 

New York, New York 

7,500 Stanush, Claude I. 

San Antonio, Texas 

7,500 

Petroski, Catherine 

Downers Grove, Illinois 

7,500 Steele, Jack 

Englewood, Colorado 7,500 

Petry, Ann L. 

Old Saybrook, Connecticut 

7,500 Steinbach, Meredith L. 

New York, New York 

7,500 

Phillips, Jayne Anne 

Iowa City, Iowa 

7,500 Steiner, Robert 

Lincolnwood, Illinois 7,500 

Piercy, Marge 

Wellfleet, Massachusetts 

7,500 Stewart, :iohn 

Urbana, Illinois 

7,500 

Potter, Nancy A. 

West Kingston, Rhode Island 

7,500 Strand, Mark 

New York, New York 

7,500 

Prokosch, Frederic 

Cambridge, Massachusetts 

7,500 Swann, Brian 

New York, New York 

7,500 

Quintana, Leroy V. 

El Paso, Texas 

7,500 Taylor, Patricia E. 

Salt Lake City, Utah 7,500 

Redmond, Eugene B. 

Madison, Wisconsin 

7,500 Thomas, :iames W. 

Sa]t Lake City, Utah 

7,500 

Reile, Louis A. 

San Antonio, Texas 

7,500 Thomas, Toro 

Pittsburgh, Pennsylvania 

7,500 

Rhodes, Richard L. 

Kansas City, Missouri 

7,500 Thompson, Gary R. 

Chico, California 

7,500 

Rooke, Leon 

London, England 

7,500 Thompson, :lean Louise 

Urbana, Itlinois 

7,500 

Rounds, David A. 

Angwin, Ca]ifornía 

7,500 Thompson, Nancy P. 

Cedar Falls, Iowa 

7,500 

Rubin, Michael 

San Francisco, Calffornia 

7,500 Thompson, Robert S. 

Columbia, Missouri 

7,500 

Salamanca, :i. R. 

Potomac, Maryland 

7,500 Vogan, Sara A. 

Missoula, Montana 

7,500 

Salas, Floyd F. 

Berkeley, California 

7,500 Vreuls, Diane 

Claremont, California 

7,500 

Sanchez, Thomas R. 

Santa Barbara, California 

7,500 Walker, Alice 

Brooklyn, New York 

7,500 

Savory, Teo 

Greenboro, North Carolina 

7,500 Walker, Jr., Granville 

Detroit, Michigan 

7,500 

Scott, Carolynne B. 

Springville, Alabama 

7,500 Wampler, Martin L. 

Seattle, Washington 

7,500 
148 Literature 

Services to the Field 

Indirect assistance to American writers and their craft 

through grants to major 

service organizations. Program funds: $1,059,410 

Williams, Edward 

New York, New York 

Williams, John A. 

Teaneck, New Jersey 

Willis, Meredith Sue 

Brooklyn, New York 

Winslow, Joyce M. 

New York, New York 

Wiser, William 

Fort Lauderdale, Florida 

Associated Writing Program 

Chestertown, Maryland 

Columbia University 

New York, New York
 

COMPAS, Inc.
 

St. Paul, Minnesota
 

Cultural Council Foundation 

New York, New York 

Generalist Association, Inc. 

New York, New York 

New Classroom 

Washington, D.C. 

North Dakota Council on the Arts
 

and Humanities
 

Fargo, North Dakota 

P.E.N. American Center
 

New York, New York
 

Poets and Writers, Inc.
 

New York, New York
 

Poets and Writers, Inc.
 

New York, New York
 

Rio Grande Writers Association 

Albuquerque, New Mexico 

Teachers and Writers Collaborative 

New York, New York 

Visual Studies Workshop, Inc.
 

Rochester, New York
 

Wolf, Jack C. $ 7,500 $ 7,500 Rochester, New York 

Wolff, Tobias 7,500 7,500 Palo Alto, California 

Wolitzer, Hilma 7,500 7,500 Syosset, New York 

Young, Geoffrey M. 7,500 7,500 Berkeley, California 

Zu-Bolton II, Ahmos 7,500 7,500 Houston,’Texas 

For continued service to writers and crea­ 37,280

tire writing departments by acting as a 

clearinghouse for information about publications and placement services. 

For continued support of fellowships for 75,000 

translators working with the Columbia 

Translation Center. 

For continued support of Truc]c Distribu- 16,530 

tion Service’s small press and literary magazine distribution activities. 

For continued support of quality printing 27,500 

and to teach book production at the Print 

Center. 

For continued support of the COSMEP Van 40,000 

project, which distributes small press 

umes and literary magazines throughout the 

southeastern states. 

To support the production and distribution 22,000 

of a series of 26 half-hour programs exploring the role of the little magazine and small 

press in America. 

For continued support of the Plains Distri- 15,000 

burlon Service’s promotion and distribution 

of small press volumes and literary magazines in Iowa, Michigan, Minnesota, North 

Dakota, South Dakota and Wisconsin. 

For continued support of the United States 70,970 

Representative Service Organization of International P.E.N. and programs of service 

to American writers. 

Fox" continued support in 1979 of national 270,000 

information and research ~ervices provided 

by the organization and the publication 

Coda, a bimonthly newsletter. 

For continued support i~ 1978 of national 245,000 

information and research services provided 

by the organization and the publication of 

Coda, a bimonthly newsletter. 

For research concerning the establishment 5,550 

of a regional print center in the Southwest. 

For continued support of publications uti- 62,000 

lized by teachers, writers and others in the 

poetry-in-the-schools program. 

For continued support of the distribution of 29,200 

books and magazines through the booI¢ bus 

program. 
Literature 149 

Western States Arts Foundation To support the West Coast Print Center in $130,280 

Denver, Colorado Berkeley, Cali]ornia in providing quality 

printing services, teaching the process involved in the production of books, and serving as a clearinghouse. 

Writer’s Center For continued support of a phototypesetter 13,100 

Glen Echo, Mary]and anda designer/graphic production specialist, for administrative costs, and for resource materials about typesetting, dssign 

and printing. 

A B]ack Box Theatre, Inc. 

San Francisco, California 

For ~he publication of a volutas of prose and 

poetry written by San Francisco youth. 

630 General Programs 

To assist projects not included in other gran[ cateAlbers, Melissa/Christopher’s Books 

Santa Barbara, California 

For the production of volumes. 8,000 gories. Program funds: $234,800 

American International Sculptors 

Symposium, Inc. 

New York, New York 

For continued support of Poetry in Public

Places and Íor poeta cards on buses 

throughou~ New York state. 

18,000 

Beyond Baroque Foundation 

Venice, California 

For the purchase of small press publications 

by ¿he Beyond Baroque library. 

10,000 

Carnegie.Mellon University 

Pittsburgh, Pennsylvania 

For continued support of Poetry on the 

Buses as a national conduit for poetry placards by contemporary American writers to 

20,000 

be placed wit~ transit companies throughout the United States. 

Carnegie-Mellon University 

Pittsburgh, Pennsylvania 

For projects related to future publication of 

the Three Rivers Poetry Journal. 

1,500 

Carnegie-Mellon University 

Pittsburgh, Pennsylvania 

For the production of poetry and fiction 

volumes to be distributed by the University 

of Pittsburgh Press. 

10,000 

Distler, Bette For travel costs involved in the program­ 400 

West Orange, New Jersey ming of Poetry-in-a-Jukebox. 

Four Seasons Foundation For managerial expertise and for additional 6,420 

Bolinas, California storage areas for Serendipty Books. 

Frederic Burk Foundation for For continued support of the video project 17,490 

Education which makes vídeo cassettes of writers who 

Daly City, California read at the San Francisco Poetry Center. 

Frederic Burk Foundation for For con~inued editing, producing and na­ 32,000 

Education tionwide distribution of vídeo cassettes of 

San Francisco, California writers who read at the San Francisco 

Poetry Cen~er. 

Generalist Association, Inc. Fora small press and literary magazine dis­ 30,750 

New York, New York tribution pro]ect to high schools, colleges 

and libraries by SPRIL-East. 

Generalist Association, Inc. 

New York, New York 

For general support of publications and 

distribution projects of The New England 

10,000 

Small Press Association, lnc. 

Illinois, University of For the University of Illinois Press experi­ 6,559 

Urbana, Illinois mental program of publishing fiction. 

Intersection For video preparation, distribution, and 11,000 

San Francisco, California writers’ lees for Intersection poetry series. 

Know, Inc. 

Pittsburgh, Pennsylvania 

Fora collection of books and magazines of 

particular in$erest to women at the National Commission on the Observance of 

1,060 

InternaCional Women’s Year. 

Netzahualcoyotl Historical Society 

Berkeley, California 

To repIace printing stock f or the production 

of volumes by Hipparchia Press. 

1,500 
1~0 Literature 

Pittsburgh, University of 

Pittsburgh, Pennsylvania 

St. Mark’s-in-the-Bowery 

New York, New York 

Studio Museum in Harlem, Inc. 

New York, New York 

Teachers and Writers Collaborative 

New York, New York 

For the publication of four first books of 

poetry by University of Pittsburgh Press. 

$10,000 

For general administrative support of the 

poetry project, for its programs of readings 

and workshops, and for its newslett¢r. 

18,000 

For general support of the third annual 

Lewis H. Michaux Book Fair. 

2,000 

For continued support of the Fiction Collective, a writers’ cooperative that publishes 

innovative quality fiction. 

21,000 
151 

Media Arts: Film/ 

Treasury funds: $750,000 ~u~./~~~~~~a";~’"’~’ev;s~on Private gifts : $750,000.

Program funds: $7,304,748 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

Alabama State Council on the Arts 

and Humanities 

Montgomery, Alabama 

American Federation of Arts 

Fora pilot program enab[ing the AIabama 

Filmmakers Co-op to subgrant small fellowships to Alabama filmmakers, 

To produce a film about Alabama by filmmaker Will Hindle. 

For a film by Paul Falkenberg and Hans 

$15,000 Programming in the Arts 

Open in fiscal 1978 only to 

proposals aimed at developing 

a series of programs on the 25,000 arts for national broadcast 

on television or radio. 

Program funds: $1,791,810 Treasury funds: $750,000 Private gifts: $750,000 

17,000 

NewYork, NewYork Namuth on the American photographer 

A lfred Stieglitz. 

American Federatíon of Arts For the completion costs of a documentary 15,000 

New York, New York by Barbara Rose on painter Lee Krasner. 

Children’s Television Workshop To research the development of new televi­ 20,000 

New York, New York sion programming in the arts for children. 

Colorado Council on the Arts and 

Humanities 

For filmmaker Millie Paul to produce a 

documentary on muralist Manuel Martinez. 

12,000 

Denver, Colorado 

Columbia University For the Recorded Treasury of Black Folk 28,780 

New York, New York Song pro]ect. 

Community Television of Southern 

California 

For a television pilot fora series on American musical comedy. 

50,000 

Los Angeles, California 

Community Television of Southern For a television program featuring Agnes 50,000 

California de Mille and the Jof]rey Ballet in ConversaLos Angeles, Caliíornia tions about the Dance. 

Community Television of Southern To produce six new television dramas for 500,000 

California the Visions series. 

Los Angeles, California 

D.C. Commission on the Arts and 

Humanities 

Washington, D.C. 

To produce a film by Steven York on the

cra]~smen working on the west Íacade of 

the Washington Cathedral. 

10,000 

Documentary Education Resources 

Somerville, Massachusetts 

To prepare documentary film footage of the 

Bicentennial Folk Life Festival. 

20,980 

Early Learning Center, Inc. For the children’s television series, I’ll Do 15,000 

Stamford, Connecticut It, which will be made available for national 

bíoadcasting. 

Educational Broadcasting Corporation 

New York, New York 

For the íourth season of the television 

series, Dance in America. TF 500,000 

PG 500,000 

Educational Facilities Laboratories For the engagement of a producer for a 20,000 

New York, New York television program dealing with the arts by 

Metromedia Television. 

Eugene O’Neill Memorial Theater 

Center, Inc. 

For the New Drama for Television project, 

a workshop in creative writing. 

30,000 

Wateríord, Connecticut 

Fine Arts Council of Florida Additional support fora dramatization of a 5,000 

’Tallahassee, Florida short story by Marjorie Kinan Rawlings. 
152 Media Arts 

Greater Washington Educational 

Telecommunications Association 

Washington, D.C. 

Greater Washington Educational 

Telecommunications Association 

Washington, D.C. 

Ithaca Video Pro]ects, Inc. 

Ithaca, New York 

Lincoln Center for the Performing 

Arts, Inc. 

New York, New York 

Metropolitan Opera Association, Inc. 

New York, New York 

Metropolitan Opera Association, Inc. 

New York, New York 

Metropolitan Pittsburgh Public 

Broadcasting, Inc. 

~ Pittsburgh, Pennsylvania 

Michigan Council for the Arts 

Detroit, Michigan 

Mississippi Authority for Educational 

Television 

Jackson, Mississippi 

Music Project for Television, Inc. 

New York, New York 

New Mexico Arts Division 

Santa Fe, New Mexico 

New York State Council on the Arts 

New York, New York 

New York State Council on the Arts 

New York, New York 

New York State Council on the Arts 

New York, New York 

Oregon Arts Commission 

Salem, Oregon 

Pacifica Foundation 

Washington, D.C. 

Research and Programming Services 

San Francisco, California 

South Carolina ETV Commission 

Columbia, South Carolina 

South Carolina ETV Commission 

Columbia, South Carolina 

Texas Commission on the Arts and 

Humanities 

Austin, Texas 

Washington, University of 

Seattle, Washington 

To investigate the development of live 

broadcasts ~rom the John F. Kennedy Centerfor the Per]orming Arts. 

For the live telecast from Wolf Trap Farm 

Park of the Leonard Bernstein 60th Birthday Gala. 

For the production of a series of television 

broadcasts featuring selected tapes from 

the Ithaca Vídeo Festival. 

For the third season ,of the Live írom 

Lincoln Center television series. 

Fora series of four live telecasts of the 

Metropolitan Opera during its 1978-79 season. 

Fora series of three live telecasts of the 

Metropolitan Opera during its 1977-78 

season. 

To support the development stages of the 

Minority Cultural Project, a series for 

television. 

Additional support for the completion of 

a documentary film by filmmaker Edward 

Gray on the jazz drummer Elvin. Jones. 

For researeh by Alan Lomax fora documentary film on southern folk musie. 

Fora television special on Eubie Blake. 

For a film by Danny Lyon. 

For filmmaker Anita Thacher to produce 

a film on eastern Long Island. 

Fora dramatic film by Jamaa Fanaka. 

For Richard Foreman to produce a film 

from his original script, Book of Splendors. 

For the Oregon and Washington Arts Commissions’ joint venture of a film on art in 

public places in the Northwest. 

For the broadcast of a concert and lecture 

series to include jazz, folk, and blues music 

entitled City Rhythms for Young People. 

To prepare a report on the impact of the 

Dance in America series on participating 

dance companies. 

For a film by Michael Blackwood and John 

Coplans on the role played by photographers 

in the exploration of the West. 

To record for television the performance of 

Samuel Barber’s opera, Vanessa, at Spoleto. 

For a film by Ken Harrison which will be 

a dramatization of southwestern folk tales. 

Fora documentary film abou$ the making of 

the Edward S. Curtís film, Land of the War 

Canoes. 

$14,000 

10,000 

6,000 

260,000 

150,000 

TF 250,000 

PG 250,000 

17,500 

4,500 

9,740 

50,000 

25,000 

23,800 

15,000 

25,000 

25,000 

15,000 

2,300 

27,000 

25,000 

15,000 

6,210 
Media Arts 153 

Washington, University of For television series Artists in the City. $ 10,000 

Seattle, Washington 

WGBH Educational Foundation 

Boston, Massachusetts 

To develop a television series on the life 

of playwright Eugene O’Neill. 

20,000 

Wisconsin-Madison, University of For Earplay’s 1978-79 season. 200,000 

Madison, Wisconsin 

Yale University For preliminary work on a documenta~’y 2,000 

New Haven, Connecticut film on photographer James Van Derzee. 

Art Institute of Chicago For the film center’s expanded program of 36,000 Major Media Centers 

Chicago, Illinois 

Boston Film Video Foundation, Inc. 

film exhibitions, program notes, referenee 

library, film study materials and services, 

and personal appearanees by filmmakers, 

For the activities of a media center. 

To make the arts of film,

video, and radio more widely

appreciated and praeticed.

Centers may be independent

or associated with another 20,000 organization, such asa muAllston, Massachusetts seum, university, of state arts 

California-Berkeley, University of For the functions of the media center, inagency. 

36,000 Program funds: $380,500 

Berkeley, California cluding exhibition p~ograms, workshops, 

and publication of the film calendar. 

Colorado University at Boulder 

Boulder, Colorado 

For the activities of the Rocky Mountain 

Film Center. 

20,000 

Film in the Cities, Inc. To support the regional media arts educa­ 20,000 

St. Paul, Minnesota tion resource center with programs in elementary, secondary and post-secondary film 

education; ah equipment aecess center; and 

coordination of regional film resources. 

Global Village Video Resource Center 

New York, New York 

For activities of the center: exhibitions and 

festivals, access to production and postproduction equipment, technical instruction, 

20,000 

maintenance of a tape library, and distribution of new vídeo works. 

Haleakala, Inc. For media center activities, including ex­ 26,000 

New York, New York hibitions of vídeo works, collection of vídeotapes, cable programming, and speakers. 

Media Study, Inc. 

Buffalo, New York 

For activities as a media center, including 

film e~hibitions, equipment access, visiting 

artists and workshops. 

36,000 

Museum of Modern Art To support the museum’s film department 30,000 

New York, New York through film/vídeo programs; a vídeo gallery series; program notes; auditorium 

e~hibitions; study center operations; and 

the Cineprobe series. 

Northwest Film Study Center Fora multi-purpose media center. 36,000 

Portland, Oregon 

Pittsburgh Film-Makers Association 

Pittsburgh, Pennsylvania 

For the e~hibition program, the national 

preview network, access to film postproduction facilities, publication of a newsle~~er 

20,500 

and the magazine, Field of Vision. 

South Carolina Arts Commission For the activ~ties of the multi-purpose 20,000 

Columbia, South Carolina media center serving Georgia, Mississippi, 

South Carolina, and Tennessee. 

Southwestern Alternate Media For projects of the film and vídeo center. 20,000 

Project, Inc. 

Houston, Texas 

University Film Study Center, Inc. For the ac~ivities of a media ~ent~r. 20,000 

Cambridge, Massachusetts 

Waiker Art Center, Inc. 

Minneapolis, Minneseta 

For expansion o] the film exhibition program, videotape exhibitions, program notes 

and catalogues, three-day residencies and 

20,000 

workshops, and community liaison. 
154 Media Arts 

Aid to Film/Video

Exhibitions 

To assist organizations in 

exhibiting high quality film

and vídeo art that may not be 

available to the publi¢

through regular eommer¢ial 

channels. 

Program funds: $224,895 

And/Or Service 

Seattle, Washington 

Archdiocesan Communications Center
 

San Francisco, California
 

Berks Filmmakers, Inc.
 

Reading, Pennsylvania
 

Cable Soho, Inc.
 

New York, New York
 

California-Los Angeles, University of
 

Los Angeles, California
 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Chicago Filmmakers 

Chicago, Illinois 

Collective for Living Cinema, Inc. 

New York, New York 

DistrictofColumbia, University of the 

Washington, D.C. 

Everson Museum of Art of Syracuse 

and Onandaga County 

Syracuse, New York 

Facets-Multimedia, Inc. 

Chicago, Illinois 

Film Art Fund, Inc. 

New York, New York 

Film Art Fund, Inc. 

New York, New York 

Inter-Media Art Center, Inc. 

Bayville, New York 

Los Angeles Independent Film Oasis 

Santa Monica, California 

Los Angeles Institute of 

Contemporary Art 

Los Angeles, California 

Millennium Film Workshop, Ine. 

New York, New York 

Moving Image, Inc. 

New York, New York 

Museum of Fine Arts 

Boston, Massachusetts 

Nebraska-Lincoln, University of 

Lincoln, Nebraska 

Pasadena Film Forum 

Pasadena, Caliíornia 

For a program of vídeo exhibitions, work- $7,000
 

shops, and seminars in video and film.
 

For the video exhibition program of Vídeo 5,000
 

Free America.
 

For an exhibition program of the works of 4,000
 

independent filmmakers.
 

For regular e~chibitions of video art on 10,000
 

Manhattan cable television and to offer
 

these programs to other systems.
 

For a regular screening program of films 5,000
 

from the UCLA archive and the publication of program notes.
 

For a film exhibition program consisting of 15,000
 

a history of film series, a directors series,
 

screenings and presentations by visiting
 

filmmakers, a classic American films series,
 

program notes, and guest speakers.
 

For the exhibition of new works and pres- 7,000
 

entations by independent filmmakers.
 

For creation of multi-media performances, 5,000
 

film screenings and discussions with filmmakers, a retrospective film series, and a
 

series of topical films.
 

For the film exhibition program of the 10,000
 

Black Film Institute.
 

For video exhibitions and visits by video 4,000
 

artists to discuss their work.
 

For a film exhibition program, a visiting 4,000
 

filmmakers program, the Chicago Children’s
 

Film Center, and program notes.
 

For the film exhibition program of the 12,500
 

Anthology Film Archives.
 

For the video exhibition program of the 7,500
 

Anthology Film Archives.
 

For video and multi-media exhibitions. 4,000
 

For an exhibition program of West Coast 5,000
 

independent films.
 

For continued support of the expansion of 4,000
 

an exhibition program of works by West
 

Coast viedomakers and an exhibition of the
 

Southland Viedo Anthology.
 

For an exhibition program of American 10,000
 

and foreign independent filmmakers’ works.
 

For Film Forum’s exhibition program oÍ 10,000
 

independent and specialized feature films,
 

retrospectives, and group showings.
 

For the museum’s regular exhibition pro- 4,000
 

grato and two special retrospective series.
 

For exhibitions at the Sheldon Film Theater 10,000
 

of classic American narrative features, contemporary independent films, documentary
 

films, and films on the arts.
 

"For programming of independent films and 3,500
 

discussions with filmmakers, including series
 

on "Film in the Community."
 
Media Arts 155 

Pennsylvania, Christian Association of 

the University of For the exhibition program of the Neighborhood Film Pro]ect, to upgrade exhibition $7,000 

Philadelphia, Pennsylvania equipment and prepare program notes. 

Pennsylvania, Trustees of the 

University of 

Philadelphia, Pennsylvania 

For the exhibition program of the Annenberg Cinematheque. 10,000 

Private Arts Foundation of 

Washington 

For special film exhib}tion programs. 4,000 

Washington, D.C. 

St. Louis Art Museum 

St. Louis, Missouri 

For ah exhibition program, publication of 

program notes, and lectures. 5,000 

San Francisco Museum of Art, For the film exhibition program, visits by 8,000 

Trustees of the independent filmmakers, conversion of the 

San Francisco, California projection equipment, and research on prograto notes fora French cinema series. 

Smithsonian Institution For the development and presentation of a 12,895 

Washington, D.C. film series on contemporary Black African 

and Third World works. 

Sun Ship Communications, Inc. For exhibition of films and viedotapes by 5,000 

Buffalo, New York Black and Hispanic Americans. 

Theatre Vanguard For ah exhibition program of independent 4,000 

Los Angeles, Caliíornia American and ]oreign films, as well as 

special programs on regional cinema and 

the development of independent cinema. 

Walnut Street Theatre Corporation For the theater’s viedo center as an exhibí­ 7,500 

Philadelphia, Pennsylvania tion site, access service, information center, 

and for community outreach programs. 

Whitney Museum of American Art 

New York, New York 

For the museum’s regular exhibition program, the new American filmmakers series, 15,000 

and maintenance of the collection. 

Alabama Film Makers Co-op 

Huntsville, Alabama 

For summer workshops in film production 

with filmmakers-in-residence. 

7,500 In Residence/Workshop 

Program 

Berks Filmmakers, Inc. 

Reading, Pennsylvania 

Buffalo Fine Arts Academy 

Buffalo, New York 

For lectures, discussions, and screenings 

with Taka limura on experimental film in 

its historical and aesthetic contex~, 

For residences for Woody and Stein 

Vasulka, to exhibir existing works and to 

To enable organizations to 

1,500 invite renownedfilmand 

videomakers, radio producers, 

and criti¢s for lectures, workshops, or resideneies. 

5,000 Program funds: $14,900 

create a new film. 

California-Los Angeles, University of For a two-day workshop on "The Political 3,000 

Los Angeles, California Media Arts." 

Columbia College Fora workshop/seminar on screenwriting 4,500 

Chicago, Illinois to be conducted by Steve Shagan. 

Community College of Baltimore For a one-year residency for a classical 2,600 

Baltimore, Maryland music consultant at WBJC-FM. 

Downtown Community Television For a series of video workshops. 6,500 

Center, Inc. 

New York, New York 

Frederic Burk Foundation for For filmmaking workshops. 6,500 

Education 

San Francisco, California 

Hartford, University of For a residence/workshop conducted by 1,500 

West Hartford, Connecticut Taka Iimura. 

Independent Media Artists of Georgia 

Atlanta, Georgia 

For a seminar by Willard Van Dyke anda 

lecture/presentation by Charles Lyman. 

3,000 

Inter-Media Art Center, Inc. For a three-week resideney/workshop by 6,500 

Bayville, New York Ed Emshwiller. 
156 Media Arts 

Kineholistics Foundation, Inc. 

New York, New York 

Los Angeles International Film 

Exposition 

Los Angeles, California 

Maryland, University of Baltimore 

County Campus 

Baltimore, Maryland 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

Millennium Film Workshop, Ine. 

New York, New York 

Mills College 

Oakland, California 

New Hampshire Alliance for Arts 

Edueation 

Concord, New Hampshire 

New York, The Research Foundation 

of State University of 

Buffalo, New York 

New York, The Research Foundation 

of State University of 

Binghamton, New York 

Pennsylvania, Christian Association of 

the University of 

Philadelphia, Pennsylvania 

Philadelphia College of Art 

Philadelphia, Pennsylvania 

Portable Channel, Inc. 

Rochester, New York 

Public Media Center 

San Francisco, California 

Southern Mississippi, University of 

Hattiesburg, Mississippi 

Sun Ship Communications, Inc. 

Buffalo, New York 

Syracuse Film Forum Foundation, Inc. 

Syracuse, N¢w York 

Utah State Division of Fine Arts 

Salt Lake City, Utah 

Vermont Public Radio 

Windsor, Vermont 

Walnut Street Theater Corporation 

Philadelphia, Pennsylvania 

Young Filmmakers Foundation, Inc. 

New York, New York 

ZBS Foundation 

Fort Edward, New York 

For lectures by filmmakers Asen Balikei, 

Myra Binford, and Carroll Williams at the 

Visual Anthropology Center. 

$ 1,800 

For a workshop on animation as part of 

"Filmex 78." 

2,000 

For an artist-in-residence program exploring a computeí animation system. 

6,500 

For two residencies in film and video by 

Jonas Mekas and William Eggleston. 

6,000 

For weekly seminars on issues confron~ing 

independent filmmakers, as well as a series 

of workshops in filmmaking and film theory. 

4,000 

For workshops at the Center for Contemporary Music to be conducted by East 

Coas~, West Coast, and Bay Atea filmmakers, involving instruction in filmmaking and sound editing. 

4,000 

For summer workshops in film and video 

production and screenwriting. 

2,400 

Fora residency at the Center for Media 

Study in Buffalo by doeumentary filmmaker 

Leo Hurwitz, involving workshops, screenings, discussions, and work by Mr. Hurwitz 

on his current project. 

4,500 

For residencies by nationally known filmmakers. 

1,500 

For the reel-to-reel series of screenings, lectutes, and workshops with Appalshop and 

Kartemquin Film Collectives. 

5,000 

Fora series of lectures and workshops conducted by independent filmmakers. 

600 

For residencies by four video documentarians. 

3,500 

For a workshop/residency program with 

filmmakers Robert Dalva and Glen Pearcy 

and radio producer George Kelsey. 

6,500 

For a conference on "The American Hero: 

The Cowboy." 

6,000 

For workshops and lectu~’es by filmmaker 

William Greaves. 

5,000 

For lectures and screenings by Quebecois 

Filmmakers. 

4,500 

For a three-month residency by a media 

artist/administrator to assist three state 

arts councils in odeveloping media programs. 

6,000 

For a workshop program to bring experts 

in radio production to Vermont. 

7,000 

Fora series of workshops to be conducted 

by visiting filmmakers. 

6,500 

For the directors’ workshop. 5,500 

For residencies for artists to work in sound 

recording. 

5,000 
Media Arts 157 

Cable Arts Foundation, Inc. 

New York, New York 

For the research and development of ah 

eight-part international art exhibitions 

$14,000 Endowment/CPBJoint

Program 

series for television broadcast. The Media Arts Program

works with the Corporation 

Educational Broadcasting Corporation 

New York, New York 

Educational Broadcasting Corporation 

New York, New York 

For research and development of a series 

for public television showcasing the works 

of independent film and vídeo artists, 

For filmmaker Joyce Chopra and dancer/ 

choreographer Martha Clarke to explore 

innovative uses oÍ dance and television at 

11,500 for Public Broadcasting by ]ointly funding specific

pro]ects which foster the arts

on public television.

Program funds: $200,000 20,000 

the Television Laboratory. 

Educational Facilities Laboratories Fora conference to initiate a television 7,000 

New York, New York series on architecture and design. 

Educational Facilities Laboratories For the discussion and planning of a major 7,000 

New York, New York television series on all the arts. 

Eugene O’Neill Memorial Theater For the third annual New Drama Íor Tele­ 12,690 

Center, Inc. vision pro~iect. 

Waterford, Connecticut 

Global Village Video Resource Center 

New York, New York 

For the researeh and pilo¿ for a ¿elevision 

series of independent film and video works. 

11,500 

Global Village Vídeo Resource Center 

New York, New York 

For six regional video workshops and 

seminars a¿ public television sta¿ions. 

40,000 

Greater Washington Educational 

Telecommunications Association 

For the production of a one-hour film for 

¿elevision on the design and cons¿ruction 

35,000 

Washington, D.C. of ¿he new East Wing of the National 

Gallery by filmmaker Charles Guggenheim. 

International Film Seminars, Inc. Fora seminar involved with produc¿ion and 34,310 

New York, New York distribution of public television programs 

and with independent v4deo and film artists. 

Maryland Institute For a conference to initiate a television 7,000 

Baltimore, Maryland series on the visual arts. 

American Film Institute 

Washington, D.C. 

For activities outlined in the A.F.I. prograto and financial plan. 1,500,000 American Film Institute 

Support for the American

Film Institute for its work in 

American Film Institute 

Washington, D.C. 

To amend a previous grant which supports 

the Institute’s general activities in education, ¿raining, and public programs, 

300,000 "preserving and developing the 

nation’ s artistic and cultural 

resources in film. The institute is concentrating essentially in the following areas:

archives, education, advanced 

filmmaker training, filmmaker grants and research,

and publication. Program funds : $1,800,000 

American Film Institute 

Washington, D.C. 

For services related to the AFl/Endowmen¿ 

Film Archival Program. 

630,000 American Film Institute/Arts 

Endowment Film 

Archival Program 

To help organizations locate,

preserve, and catalogue films 

of artistic value. 

Program funds: $630,000 

American Film Institute 

Washington, D.C. 

For con¿inued support of the Independent 

Filmmaker Awards Program. 

450,000 American Film Institute Independent Filmmaker 

Program 

The AFI administers for the 

Endowment a program of 

grants to filmmakers working

in animated, documentary,

experimental, and narrative 

film. 

Program funds: $450,000 
158 Media Arts 

Production Aid AlI-Media Dramatic Workshop 

To improve the artisticquaN Chicago, Illinois 

ity of the media arts of film,

video, and radio through sup­ port of single produetions by

tax-exempt organizations.

Program funds : $526,900 

American Society of University

Composers, Inc. 

New York, New York 

Bay Area Video Coalition, Inc. 

San Francisco, California 

Broadcasting Foundation of America 

New York, New York 

Brooklyn Arts and Culture 

Association, Inc. 

Brooklyn, New York 

Center for Visual Communication 

Philadelphia, Pennsylvania 

Cincinnati, University of 

Cincinnati, Ohio 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Detroit Council of the Arts 

Detroit, Michigan 

Downtown Community Television 

Center, Inc. 

New York, New York 

Haydn Foundation for the Cultural 

Arts, Inc. 

Ardsley, New York 

Independent Documentary Group 

San Francisco, California 

Innervision Media Systems of Central 

New York, Inc. 

Lafayette, New York 

Ithaca Video Projects, Inc. 

Ithaca, New York 

Kineholistics Foundation, Inc. 

New York, New York 

Lock Haven State College 

Lock Haven, Pennsylvania 

Los Angeles Philharmonic Association 

Los Angetes, California 

Lunchbox Theatre 

San Francisco, California 

Minnesota Public Radio, Ine. 

St. Paul, Minnesota 

For a series of broadcasts of original plays, 

stage plays adapted for radio, and special 

radio adaptations of fictional works. 

$ 15,000 

To produce a series of hour-long programs 

of new music by members of the American 

Society of University Composers. 

6,000 

For a pilot of a series to showcase the work 

of independent video artists. 

20,000 

For the preparation by All About TV of a 

pilot fora weekly television series, in

magazine Íormat, which will cover commercial and public ¿elevision issues. 

13,500 

Fora documentary film by Tony de Nonno 

about tap dancer Alíredo Gustar. 

13,000 

For a 60-minute documentary film by 

Amalie Rothsehild on the development oí 

documentary film in the United States as 

seen by veteran documentarian Willard Van 

Dyke. 

22,000 

Fora series of live broadcasts and recordings of musical events in Cincinnati. 

10,000 

For development of a dramatic film based 

on the li]e of Crystal Lee Jordan by filmmaker Barbara Kopple. 

10,000 

For the second of a three-part film drama, 

by Mirra Bank and Ellen Hovde, based on 

the stories of Grace Paley. 

25,000 

Fora documentary film by Terry Kelley 

about urban blues music in Detroit. 

15,000 

Fora documentary about Third Avenue. 20,000 

For live daily broadcasts of classical concerts produced at WQXR-FM in New York. 

6,000 

Fora personal film about radioactive contamination in America and the tole of 

women in the atomic age. 

35,000 

For a videotape about the American bald 

eagle, involving innovative techniques. 

10,000 

Fora documentary film portrait of four 

inter-racial married couples. 

18,000 

To complete a film entitled Dialogue with a 

Woman Departed by Leo Hurwitz. 

35,000 

For the Sowbelly Project, eight 15-minute 

radio programs featuring parodies of smalltown-commercial radio. 

4,000 

To forro the California Music Program network in collaboration with KUSC-FM. 

20,000 

t~or a O0-minute weekIy television magazine 

of humor, stories and opinions utilizing independent producers and guest journalists. 

25,000 

To produce A Prairie Home Companion, a 

weekly liv~ radio program featuring traditional music and regional humor. 

20,000 
Media Arts 159 

Mississippi Inter-Collegiate Opera Fora radio series entitled Opera South on $ 5,000 

Guild, Inc. the Air. 

Jackson, Mississippi 

Missouri-Kansas City, University of For a weekly 30-minute radio program 20,000 Kansas City, Missouri entitled New Letters on the Air. 

Music Mountain, Inc. For the taping of chamber music perform- 5,000 

New York, New York ances /of broadcast over~ National Public 

Radio and other stations. 

National BIack Touring Circuit, Inc. Fora film about a Harlem riot in 196~. 25,000 

New York, New York 

National Public Radio, Inc.	 For a series of live opera performances 15,000 Washington, D.C.	 presenting the works of American opera 

companies and new of unusual works by 

contemporary American composers. 

New York Foundation for the Arts Fora short dramatie film entitled Shep- 20,000 

New York, New York herd’s Blues by St. Clair Bourne. 

New York State Association for Fora film by Ira Wohl about bis 50-year-old 25,000 

Retarded Children, Inc. mentally retarded cousin. 

New York, New York 

Pacifica Foundation For a series of dramatic performances 12,000 

North tIollywood, California adapted of written for radio and produced 

through KPRK-FM. 

~Pacifica Foundation-WBAI-FM Fora series oÍ six half-hour poetry read- 5,000 

New York, New York ings, a writer in residence workshop, and 

three special documentary programs. 

Seattle Opera Association, Inc. Fora series of tire English-language opera 3,000 

Seattle, Washington broadcasts. 

Soundscape, Inc. To produce a series of half-hour radio pro- 5,000 

Durham, North Carolina gratas for national distribution, entitled 

The Children’s Radio Theator. 

South Carolina Educational Radio Fora series of radio programs on the art 10,000
 

Network of jazz, hosted by Marian McPartland, fea.
 

Columbia, South Carolina turing interviews with leading musieians.
 

Western Center for the Visual Study To finish a film about Chicano gangs and 11,000
 

of Society their murals.
 

~anta Monica, California
 

Youth Project	 To finish a documentary on women’s partici- 17,500
 

Washington, D.C.	 pation in the General Mo¿ors sitdown strike 

of the 1930’s, produced by the Women’s 

Labor History Film Project. 

ZBS Foundation To produce the remaining three one-hour 5,900 

Fort Edward, New York segments in the series The Infinite Knot, an 

experimental radio series. 

Alabama Film Makers Co-op For production and post-production facili­ 5,000 Services to the FieId 

Huntsville, Alabama ties for independent filmmakers. To assist organizations in 

providing services to filmAmerican Federation of Arts 

New York, New York 

For national distribution of the New Ameri­ 15,000 makers, videomakers, and radio producers and to incan Filmmaker series, crease knowledge and opporand/or Service Fora video post-production facility. tunities in film, radio, and 15,000 television. 

Seattle, Washington Program funds: $660,880 

Bay Atea Video Coalition, Inc. Fora vídeo resource center providing pro­ 10,000 

San Francisco, California duction and post-production facilities to 

independent video artists. 

Boston Film Vídeo Foundation, Inc. For a series of conferences on film and 5,000 

Allston, Massachusetts vídeo, covering information on legal, business and production problems. 
160 Media Arts 

California-Los Angeles, University of 

Los Angeles, California 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Center for New Art Activities, Inc. 

New York, New York 

Columbia Art Association 

Columbia, South Carolina 

Communications for Change 

Chicago, Illinois 

Community Action for the Urbanized 

American Indian, Inc. 

San Francisco, Cali~ornia 

Converse College 

Spartanburg, South Carolina 

Corporation for Public Broadcasting 

Washington, D.C. 

Couzin, Dennis 

Evanston, Illinois 

Cultural Council Foundation 

New York, New York 

Cultural Council Foundation 

New York, New York 

Directors Guild Educational and 

Benevolent Foundation 

Hollywood, California 

Double Helix Corporation 

St. Louis, Missouri 

Dubuque, Iowa, City of 

Dubuque, Iowa 

Educational Film Library Association 

New York, New York 

Electron Movers Research in the 

Electronic Arts, Inc. 

Providence, Rhode Island 

Electronic Arts Intermix, Inc. 

New York, New York 

ExperimentaI Television Center, Ltd. 

Binghamton, New York 

Feminist Radio Network 

Washington, D.C. 

Fora Latin American film consortium ¿o $15,000 

acquire and make films available to community groups. 

To support the Film and Video Makers 3,500 

Travel Sheet to encourage wide use of exhibitions and residencies. 

Fora progress repor~ on satelli$e research 5,000

and ezperi~nentation as ir relates to ~ulrural purposes. 

For "Independent A~nerican Filmmakers’ 15,000 

Southern Circuir," to bring leading national independen~ fil~nmakers and their 

works to arts institutions. 

For a regional editing eenter Íor video 10,000 

artists anda facility for workshops. 

For an exhibition of films by and about 5,000 

American Indians. 

For "Filmsouth," a regional conference 6,000 

¿nvolving exhibitions, lectures and seminars. 

Fora conÍerence on "The Art of the Radio 25,000 

Producer." 

For a book describing the techniques by 4,800 

which filmmakers can create effects involving the ~nanipulation of time and image 

through the use of optical printers. 

For the Media Center for Children, Inc. 15,000 

to screen and circulate children’s fil~ns and 

inter-arts activities for chitdren. 

For Independent Cinema Artists and Pro- 10,000 

ducers (ICAP) to distribute independently 

produced film and vídeo work through pay 

cable syste~ns. 

For a program whereby guild members 8,000

will speak and conduct workshops at schools
 

throughout the country.
 

9,000 For the activities of a ~nul~i-faceted video
 

service center.
 

To support the Department of Rec~eation 10,000 

in prov~ding skilled training in the use of 

small-format vídeo equipment to independent vídeo artists and community groups. 

To bring filmmakers together with authors, 10,000

librarians and teachers for a conference
 

on fil~ns for children.
 

For vídeo and film screenings, workshops, 10,000 

and access to video facilities. 

For an editing and post-production facility 25,000

íor video artists anda videotape distribution service.
 

To publish and distribute information on 10,000
 

¿he use of computers for video works.
 

To distribute audiotapes related to women’s 7,500
 

issues to non-commercial radio stations,
 

schools and community groups.
 
Media Arts 161 

Film Arts Foundation To open a post-production facility for in­ $10,000 

San Francisco, California dependent filmmakers. 

Film Fund, Inc. For consulting services to film and video 5,000 

New York, New York makers. 

Film So¢iety of Lincoln Center, Inc. For an independent filmmaker programat 6,000 

New York, New York the New York Film Festival. 

Film Society of Lincoln Center, Inc. For writers’ lees for the bi-monthly journal 6,000 

New York, New York Film Comment. 

Film Society of Lincoln Center, Inc. For ¿he seventh annual presentation of 9,000 

New York, New York "New Directors/New Films," a special

series of Íeatures by young directors 

the U.S. and other parts of the wortd. 

Fondo del Sol For services to Hispanic film and vídeo 12,0~0 

Washington, D.C. makers, including national distribution of 

works and information, and the provision of 

]acilities to Hispanic filmmakers throughout the United States. 

Foundation for Independent Vídeo and 

Film, Inc. 

For services to independcnt film and vídeo 

makcrs, including facilities, a study on 

5,000 

New York, New York independent distribution, and assistance in 

placing works in ~oreign festivals. 

Gallery Association of New York 

State~ Inc. 

To distribute two film programs to museums, galleries and libraries. 8,000 

Hamilton, New York 

Haleakala, Inc. To i~nplemen$ a proposed "Mediacenter," 15,000 

New York, New York a project supported by four ma]of media 

organizations in New York. 

Harvard University For a conference bringing together lead­ 8,000 

Cambridge, Massachusetts ing Ingmar Bergman scholars and filmmakers for screenings and discussions, the 

results of which will be published. 

Haymarket Peoples Fund 

Cambridge, Massachusetts 

To assist the Star Film Library in increasdistribution, screenings and workshops. 

5,000 

Inter-Media Art Center, Inc. For support of access to equipment and 12,000 

Bayville, New York technical assistance for production of independent vídeo work. 

Marin Community Video Association 

Corte Madera, Calífornia 

For the purchase of color video post-proo 

duction equipment. 

7,500 

Media Bus, Inc. For the expansion of services and upgrad­ 10,000 

Lanesville, New York ing facilities of a video-resource center. 

Millennium Film Workshop, Inc. For a quarterly ~ournal and services, in­ 15,000 

New York, New York cluding workshops, equ@ment loan, production and screening facilities. 

Mills College 

Oakland, California 

For the purchase of audio equipment to 

update the Center of Contemporary Music’s 

studio for film and radio producers. 

10,000 

Minkowsky, John For a study of video/electronic arts ac­ 2,50~ 

Buffalo, New York tivities at video centers across the United 

States which will resul$ in a published study 

on the s~ate of the ar$. 

Museum of Modern Art To acquire additional titles for the mu­ 20,000 

New York, New York seum’s national circulating film collection. 

National Federation of Community For the national distribution of arts and 4,000 

Broadcasters, Inc. cultural a]airs programming to non-comWashington, D.C. mercial radio stations. 

National Film Preserve, Ltd. For screenings, discussions and lectures on 5,000 

Telluride, Colorado the art of film. 
162 Media Arts 

New Wilderness Foundation, Inc. 

NewYork, New York 

New York Public Library Astor, 

Lenox, and Tilden Foundations 

New York, New York 

New York University 

New York, New York 

New York State University, The 

Research Foundation of 

Buffalo, New York 

North State Public Video, Inc. 

Carrboro, North Carolina 

Oblate College of the Southwest 

San Antonio, Texas 

Ohio University 

Athens, Ohio 

Pennsylvania, Christian Association of 

the University of 

Philadelphia, Pennsylvania 

Portable Channel, Inc. 

Rochester, New York 

Public Interest Advertising Council 

Los Angeles, California 

Rhode Island State Council on the 

Arts 

 ̄ rovídence, Rhode Island 

Rising Sun 

Santa Fe, New Mexico 

Screen Educators Society 

Evanston, Illinois 

Sebastian House 

Denver, Colorado 

Sinking Creek Film Celebration, Inc. 

Greeneville, Tennessee 

Some Serious Business 

Venice, California 

Southern Allegheny Community 

Television, Inc. 

Johnstown, Pennsylvania 

Southern Arts Federation 

Atlanta, Georgia 

Southern California, University of 

Los Angeles, California
 

Stand, Inc.
 

Derby, Connecticut
 

For services to independent radio producers, 

poets, composers, and sound artists by 

providing free studio time. 

$ 5,000 

To add a media specialist to the library staff 

to assist researchers in the use of the 

collection. 

8,000 

To amend a previous grant which supports 

the Alternate Media Center’s CATV internship program. 

2,330 

For a summer institute in the creation and 

interpretation of film and vídeo works, with 

screenings, lectures, and special events at 

the Buffalo campus. 

10,000 

For access to post-production equipment 

for independent video artists to bring their 

work up to broadcast quality. 

5,000 

For a eon]erenee on Chicano films. 10,000 

To provide wide ezposure for independent 

film and vídeo productions through screenings, seminars, workshops and publication 

of the journal Wide Angle. 

9,000 

For the publication and national distribution of a handbook for community film users. 

5,000 

To develop a regional documentary vídeo 

center to enable artists to complete postproduction work for broadcast. 

7,500 

For instruction for minorities and women 

in film and television writing. 

5,000 

To organize and distribute a film colleetion 

by Rhode Island filmmakers. 

750 

For an additional staf] assistant and Íor tT~e 

purchase of supplementary post-production 

editing and sound-mixing equipment. 

7,000 

Fora summer film institute on film production and theory, and fora conference on 

the film component of Artists-in-Schools. 

12,000 

For the purchase of additional post-production equipment and facilities access for 

independent film and video artists. 

6,500 

For a five-day conference on independent 

film and vídeo. 

18,000 

For a videotape resource center to col~ect, 

catalogue and preserve videotapes for viewing and study. 

5,000 

For the expansion of video training and 

post-production facilities to local artists. 

5,000 

Fora regional conferenee of videomakers 

in the Southeast. 

3,000 

For a conference of leading media educatots to develop a series of university-level 

educational models in film and vídeo. 

10,000 

For a national conference in which film and 

video makers participate in workshops related to the use of cable television. 

9,000 
Media Arts 163 

Temple University For a conference on visual anthropology $3,000 

Philadelphia, Pennsylvania bringing together artists and scholars for 

screenings, discussions, exhibits. 

Tulsa, University of 

Tulsa, Oklahoma 

For a summer media institute with special 

workshops on children’s media and native 

8,000 

American film and vídeo. 

University Flm Study Center, Inc. For a summer institute on film, video and 15,000 

Cambridge, Massachusetts photography; anda series of workshops 

and seminars to be held throughout the year. 

University Student Telecommunica- For expansion of the facilities of university 10,000 

tions Corporation community video to provide color video 

Minneapolis, Minnesota production and post-production capability. 

Vídeo Action Center, In­. For open access of vídeo production and 3,000 

Columbus, Indiana studio space to artists. 

Washington Area Filmmakers League For ongoing programs in the Washington 2,000 

Washington, D.C. atea to educate and benefit film artists. 

Washington Area Filmmakers League Fora conference on the e]ect of copyright .3,000 

Washington, D.C. laws and new market developments on the 

distribution of film and video. 

Washington Community Video Center 

Washington, D.C. 

For Televisions magazine, for expanded 

coverage of such subjects as video festivals, 

12,000 

exhibitions and facilities, new uses of vadeo 

and breakthroughs in commercial television. 

Women’s Interart Center, Inc. For the center’s media activities, including 10,000 

New York, New York equipment access, informational resources, 

training, and screenings. 

Young Filmmakers Foundation, Inc. For a guide to the media equipment re­ 5,000 

New York, New York source center containing procedural and 

technical information. 

Young Filmmakers Foundation, Inc. For the free film and video equipment loan 18,000 

New York. New York service of the media resource center. 

Aaron, Sane For a film combining animated drawings 4,000 General Programs 

San Francisco, California and live settings. To assist projects not included in other grant 

Beato, Affonso 

New York, New York 

Fora film about the culture of Puerto Rico. 10,000 categories. Program funds : $624,863 

Bellsey, Joan and Doris Indyke For the research and production of the 10,000 

Washington, D.C. Children’s Radio Theater. 

Breidenbach, George 

New York, New York 

For post-production of a film about women 

of the Neur people of the Sudan in AÍrica. 9,400 

Cannon, Steve For a two-hour video soap opera about 4,000 

New York, New York blue-collar workers. 

COnrad, Tony To produce a film entitled Ultimatum ex­ 5,000 

Buffalo, New York ploring the interaction between humans and 

maehines. 

Crawford, Alonzo 

Washington, D.C. 

To amend a previous grant which supports 

a one-hour docudrama on a ten-year old boy 

2,000 

growing up in a Washington neighborhood. 

Creative Outlet 

Portland, Oregon 

For public vídeo access activity in the 

Pacific Northwest. 

5,500 

Cussler, Margaret T. To restore and distribute the 16mm docu­ 2,800 

College Park, Maryland mentary film, Hopi Horizons. 

De Mott, Joel 

Montgomery, Alabama To produce a documentary film about a Blaclc family moving from Alabama to Ohio. 10,000 
164 Media Arts 

De Witt, Toro 

Albany, New York 

Dunlap, James Blaine 

~Vlurfreesboro, Tennessee 

Educational Broadcasting Corporation 

New York, New York
 

Feferman, Linda
 

New York, New York
 

Friedman, Bonnie
 

New York, New York
 

Gold, Joel
 

New York, New York
 

Hagen, Carlos B.
 

Malibu, California
 

Haugse John E.
 

Montecito, California
 

Holloway, Arnett J.
 

Washington, D.C.
 

Klausner, Drew
 

Santa Barbara, California
 

Legge, Nancy
 

Washington, D.C.
 

Mannas, James M., Jr.
 

Brooklyn, New York
 

Mathtech, Inc.
 

Princeton, New Jersey
 

Meyer, Muflie
 

New York, New York
 

Myers, Richard E.
 

Kent, Ohio
 

Nelson, Robert
 

San Francisco, California
 

Niblock, Phill
 

New York, New York
 

O’Neill, Pat R.
 

Los Angeles, California
 

Publishing Center for Cultural
 

Resources
 

New York, New York
 

Rance, Mark
 

~Glencoe, Iilinois
 

l~eichert, Julio and James Klein
 

Dayton, Ohio
 

Rogers, Richard P.
 

NewYork, New York
 

Fora vídeo experiment in which special 

e]ects ate electronically controlled by a 

dancer’ s movement. 

$ 6,000 

For a script fora film about the summer of 

a l~-year old boy living in Dallas. 

1,000 

For the TeIevision Laboratory’s administration of the Independent Doeumentary Fund. 250,000 

Fora Íea~ure-length film about role-playing between men and women. 8,000 

Fora documentary film about the special 

needs and problems of women aleoholics 

and their families. 

10,000 

Fora vídeo documentary about Las Vegas, 

Nevada. 

10,000 

To produce a series of hal~-hour radio 

documentaries. 

5,000 

To complete ah animated film involving 

three fictional characters. 

4,500 

To produce 12 half-hour radio dramas. 1,000 

Fora film combining live action and animated movement; and for on animated 

film using wax molds. 

9,000 

For preparation of the final manuscript, 

supervision of production, and distribution 

of a film and vídeo equipment aceess center directory. 

5,090 

For a documentary about Black churehes 

in Brooklyn. 

10,000 

To prepare a report on creative personnel 

in radio, television, and film. 

108,367 

Fora film based on Edward Gorey’s The 

Hapless Child. 

10,000 

To amenda previous grant to support the 

completion of a film exploring aggression 

and violence in contemporary society. 

2,000 

To complete a film about California. 4,700 

For an experimental film exploring the 

movements 

Arctie Circle. 

9,000 

Fora series of four films to be sereened 

simultaneously on eontinuous-loop projectors. 

8,000 

To publish a directory of film and video 

equipment aceess centers. 

5,806 

For a documentary film about nine brothers 

and sisters. 

9,000 

For a documentary film about the radicalized generation of the 1930’s, chroni¢ling 

the personat and potitical devetopment of individuals from the 1930’s to the present. 

10,000 

Fora film documentary on the theme of 

money and its relation to happiness. 

7,000 
Media Arts 165 

Rose, Peter 

Philadelphia, Pennsylvania 

For a film expIoring the visualization of 

mathematical concepts. $10,000 

Rothschild, Amalie 

New York, New York 

To produce a film on the history of the 

development of the documentary in the 10,000 

United States as secn through the eycs of 

Willard Van Dyke. 

Sanborn, John 

New York, New York 

For the production, broadcasting and distribution oí an audio work entitled Drown­ 2,000 

ing in a Sea of Microwaves. 

Sandlin, Martha F. Fora documentary film abou~ the ~riend­ 9,800 

Richmond Hill, New York ship between two blind women. 

Seder, Rufus B. Fora fcature-length silent film program 7,700 

Boston, Massachusetts with live musical interpretation. 

Sitney, P. Adams 

New York, New York 

To amend a previous grant which supports 

research fora book on film theory. 

3,000 

Smith, $ack To complete a film entitled Sinbad in a 10,000 

New York, New York Rented World. 

Store Front Gallery, Inc. To complete a documcntary film on the Store 10,000 

Jamaica, New York Front Museum. 

Woodward, S. Stanley To complete a film profiling southe~,n cul­ 6,700 

Columbia, South Carolina tute entitled It’s Grits. 
166 

Program funds: $10,346,826

Treasury funds : $945,000 Museums Private gifts : $1,051,949

Museum Education 

To assist museums in providing general educational

opportunities that complement the goals of the 

institution. 

Program funds: $816,030 

American Museum of Natural History 

New York, New York 

Asheville Art Museum 

Asheville, North Carolina 

Atlanta Arts Alliance, Inc. 

Atlanta, Georgia 

Baltimore Museum of Art, Inc. 

Baltimore, Maryland 

Boise Gallery of Art Association, Inc. 

Boise, Idaho 

Brooklyn Institute of Arts and 

Sciences 

Brooklyn, New York 

Buffalo Fine Arts Academy 

Buffalo, New York 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Carnegie Institute 

Pittsburgh, Pennsylvania 

Cleveland Museum of Art 

Cleveland, Ohio 

Cornell University 

Ithaca, New York 

Dayton Art Institute 

Dayton, Ohio 

De Young Museum Art School 

San Francisco, Caliíornia 

Denver Art Museum, Inc. 

Denver, Colorado 

Denver Art Museum, Inc. 

Denver, Colorado 

Founders Society Detroit Institute 

of Arts 

Detroit, Michigan 

Franklin Institute 

Philadelphia, Pennsylvania 

To support four interpretative dance per- $ 5,800 

formance/demonstrations and four crosscultural demonstra tion/ performanee activities in the Anthropological People Center. 

To support expansion of the mobile museum 6,350 

program to include a series of six workshops augmenting the exhibition. 

To support a long-term installation in the 20,000 

High Museum’s junior gallery. 

For support to continue the museum’s eir- 10,0000 

culating exhibition program. 

For continued support of educational pro- 7,370 

grams, quarterly class terms, a series of 

two-week workshops, and other programs 

related to making the gallery more accessible to the publie. 

To support the development of the museum’s 20,000 third floor lecture hall into a special instructional gallery. 

Fora video program to include the docu- 21,930 

mentation of living artists represented in 

the museum’s collection. 

To update and revise the Museum of Na- 26,090 ural History’s school tour program. 

To support the Museum of Art’s "Imag- 21,950 

inarium", a program for children, teachers, and parents integrating the visual 

and performing arts. 

To expand the museum’s circulating exhibí­ 70,000 tions program. 

To continue the "Museums in the Sehools" 13,000 

program. 

For a program designed to increase per­ 20,000 ceptual awareness and art appreciation. 

For the Downtown Art Cen~er’s eduea~ion 12,200 programs, with exhibits. 

To establish an interpretative center to 9,000 

house the American, Pre-Columbian, and 

Spanish co!onial eollections. 

For the museum’s mobile museum (Artrek) 25,000 

and a new exhibition íocusing on the 

human íorm in art. 

For atea workshops coordinated with the 1,450 

institute’ s special exhibitions. 

Fora science enrichment service designed 22,000 

to enhanee seience education. 
Museums 167 

Franklin Institute 

Philadelphia, Pennsylvania 

To support a demonstration museum computer facility in which the institute will 

$ 34,000 

develop and test a number of programs 

aimed at improving the aceessibility and 

comprehension of the collections. 

Franklin Institute 

Philadelphia, Pennsylvania 

To create an experimental mini-museum in 

an urban shopping mall in Philadelphia. 

16,500 

Frederick Douglass Museum of 

African Art 

Washington, D.C. 

To continue, revise and expand the museum’s cooperative program with the D.C. 

publio sehool system. 

20,000 

Fresno Museum of Natural History 

and Junior Museum 

To organize native music materials of the 

Yokuts Indians into educational kits and to 

3,330 

Fresno, Calffornia distribute them to students in four adjoining counties. 

Gaston County, North Carolina To establish a museum orientation gallery 1,100 

Gastonia, North Carolina at the Gaston County Art and History 

Museum. 

Impression Five For an interactive environment and photo­ 4,570 

Lansing, Michigan graphic essay aimed at increasing sensory 

awareness among the handicapped. 

Impression Five For the continued support of "The Awak­ 9,810 

Lansing, Michigan ened Senses," a program of kits designed to 

stimulate sensory awareness. 

Jacksonville Children’s Museum, Inc. For "Muse," portable units lent by the mu­ 10,250 

Jacksonville, Florida seum to teaehers. 

Jefferson County Historical Society For a spinning and weaving participation/ 11,469 

Watertown, New York demonstration program in the public sehools. 

La Jolla Museum of Contemporary 

Art 

To develop a series of self contained portable units to be used in contemporary art 

3,120 

La Jolla, California programs in the public schools. 

Memphis Pink Palace Museum To produce an educational videotape of the 5,400 

Foundation, Inc. 

Memphis, Tennessee collection of miniature circus memora~ilia 

with narration and instruetion provided by 

the artist, Clyde W. Parke. 

Metropolitan Museum of Art For continued support oÍ "Homemade at the 26,500 

New York, New York Cloisters," a series of summer workshops. 

Metropolitan Museum of Art Fora programat the Junior Museum intro­ 17,020 

New York, New York ducing students ro the visual arts, poetry, 

musie, and dance. 

Mexican Museum 

San Francisco, California 

For introductory folk art kits, slide shows,

bilinguat tours, and craÍt elasses. 7,500 

Monterey Peninsula Museum of Art For the museum’s "Museum on Wheels" 15,000 

Association projeet which will in¢lude exhibits eir¢uMonterey, California lated to elementary sehools in three counties. 

Montshire Museum of Scienee, Ine. 

Hanover, New Hampshire 

For the development of "More," the museum’s outreach program. 

10,000 

Museum of Fine Arts For the museum’s drop-in program Íor 21~270 

Boston, Massachusetts youngsters 6 ro 12, and to establish ah 

internship program íor eollege and university students. 

New York Botanical Garden For eontinued support of the "Sensory 29,820 

Bronx, New York Trail," a program for scñool children combining art and seienee eurricula, self-guided 

visita to the garden, and follow-up explorations oÍ urban environment#. 

New York Botanieal Garden For the edu¢ation ¢omponents of "The 20,000 

Bronx, New York Green World for Children," ah exhibir and 

teaehing / learning eenter. 
168 Museums 

Northern Arizona Society of Science 

and Art, Inc. 

Flagstaff,. Arizona 

Oakland Museum Association 

Oakland, Cali£ornia 

Old Sturbridge, Inc. 

Sturbridge, Massachu.~etts 

Old Sturbridge, Inc. 

Sturbridge, Massachusetts 

Over Museum, W.H. 

Vermillion, South Dakota 

Penobscot Marine Museum 

Searsport, Maine 

Portland Art Association 

Portland, Oregon 

St. Louis Art Museum 

St. Louis, Missouri 

Springfieid Library and Museums 

Association 

Springñeld, Massachusetts 

Trustees of the San Francisco 

Museum of Modern Art 

San Francisco, California 

United Indians of All Tribes 

Foundation 

Sea¿¿le, Washington 

University Circle, Inc. 

Cleveland, Ohio 

Utah, University of 

Sal¿ Lake City, Utah 

Virginia Museum of Fine Arts 

Richmond, Virginia 

Walker Art Center, Inc. 

Minneapolis, Minnesota 

Whitney Museum of American Art 

New York, New York 

Wildcliff Natural Science Center 

New Rochelle, New York 

Cooperative Programs Afiiliated State Arts Agencies of the 

To promete cooperative en- Upper Midwest 

deavors--such as sharing of Minneapolis, Minnesota 

museum statf or permanent

collections--between mu- Alabama State Council on the Arts seums, groups of museums, and Humanities museums and state of regional arts agencies or similar Montgomery, Alabama 

organizations, Program funds: $708,960 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

To develop a series of audiovisual programs $ 8,840 

for use with in-museum 

For ah interpretive museum program for 16,550 

¿he blind and visually handieapped. 

For the development and publica¿ion o] 29,900 

The Small Town Sourcebook. 

For the ñ¿s¿orical ¿heater program. 20,000 

For the development, eonstruction, and dis- 5,650 

semination of traveling school loan kits. 

To extend the use of the museum’s resources 6,550 

by developing new educational programs 

To produce a tenominute film on the colle¢- 4,850 

¿ion of Northwest Indian 

For the museum’s educa¿ion program in con- 8,500 

junction with arca school districts, entitled 

"Arts in the Basic Curriculum (ABC).’" 

To adapt the "Japanese Family," mul¿i- 4,000 

media kits produced by the Bes¿on Children’s Museum, to the collec¿ion and prograto# of the Smith Art Museum. 

To initia¿e "Arts of the City," a program 7,500 

enabling children to explore the in¿errelationships of the arts. 

Fora museum specialist to conduct formal 8,000 

tours at the Daybreak Center, and to coordinate loan exhibitions and related duties. 

For continued support to e~¿end ¿he educa- 15,000 

tional and cultural resources of feur University Circle museums. 

To continue and expand the educational and 15,900 

outreaeh exhibition programs of the Utah 

Museum of Fine Arts. 

To organize an artmobile exhibition explor- 5,000 

ing the vele of the archaeologist and to circulate i¿ throughout the 

To establish "Focus," a flexible planning 36,000 

program within the educa¿ion department. 

For continued support of the downtown 25,000 

branch of the museum that serves Manhattan’s financial district. 

For an educa¿ion project, in coopera¿ion 20,000 

with two arca school districts, whieh will 

explore participatory eraft activities and 

their cultural backgrounds. 

To support the position of museum coor- 17,470 

dinator and related eosts. 

For continued support fora museum coor- 8,750 

dinator to promete educa¿ion workshopa and
 

seminars for museum professionals, doten¿s, and teachers throughout the sta¿e.
 

For $he position of museum eeordinator and 26,420 related costs. 
Museums 169 

Arkansas State Arts and Humanities 

Little Rock, Arkansas 

For the position of museum eoordinator and 

related costs. 

$ 28,710 

Buffalo Fine Arts Academy 

Buffalo, New York 

For the establishment o~ a reciprocal museum edueation program with the State 

17,500 

University oí New York at Buffalo. 

Children’s Museum Fora project with the Tomaquog lndian 8,980 

Boston, Massachusetts Museum, the Maine Passamaquoddy tribe, 

and the Children’s Museum to develop 

sources, sta)~ skills, and collections regarding Indian basketry. 

Colorado Council on the Arts and 

Humanities 

For the continued support of a museum coordinator to promote and develop the coun16,560 

Denver, Colorado cil’s museum services program, outreach 

projects, and coordinated services. 

Connecticut Commission on the Arts 

Hartford, Connecticut 

For continued support of "Art-con," a statewide collaborative of museu~ns, galleries, 30,000 

colleges, and other organizations devoted to 

promoting the visual arts in the state. 

Connecticut Commission on the Arts Fora statewide visual arts service. 25,000 

Hartford, Connecticut 

Delaware State Arts Council 

Wilmington, Delaware 

For the continued support of a museum 

coordinator to develop new audiences and 10,000 

encourage shared resources among the 

state’ s museums. 

Denver Art Museum, Inc. To puf together an art van in cooperation 31,300 

Denver, Colorado with the Colorado Council and ¿he Western 

States Arts Foundation. 

Gallery Asso~iation of New York 

State, Inc. 

To provide support for the association’s 

Art Transport Service. 

45,000 

Hamilton, New York 

Gallery Association of New York 

State, Inc. 

For continued support o] the association’s 

ar~ ~Ta~~~port service, provid~ng shared 

35,000 

Hamilton, New York transportation, crating, and packing servlees ¿o museums and galleries. 

Maine State Commission on the Arts To support the wider availability of museum 15,000 

and Humanities collections program in conjunction with 

Augusta, Maine seven Maine museums. 

Michigan Council for the Arts For the continued support of a museum co­ 17,500 

Detroit, Michigan ordinator to work as a liaison with the 

Michigan Museum Association. 

Museum of New Mexico For a museum coordinator within the mu­ 19,920 

Santa Fe, New Mexico seum’s education department, to establish 

closer alliances between the state arts 

agency and the state’s museums. 

New York Botanical Garden To continue and expand a program offering 25,000 

Bronx, New York environmental education to New York City 

school children. 

New York State Council on the Arts Fora state museum coordinator to assess 17,500 

New York, New York the needs of small museums within the state, 

and to provide technical assistance. 

North Carolina Museum of Art To support the position of museum coor­ 23,000 

Raleigh, North Carolina dinator and related costs. 

Ohio Arts Council For continued support of the council’s mu­ 17,500 

Columbus, Ohio seum coordinator. 

Ohio Foundation on the Arts 

Columbus, Ohio 

For continued support of the statewide art

services programs. 

30,000 

Oklahoma Arts and Humanities For the position of museum coordinator. 24,800 

Council 

Oklahoma City, Oklahoma 
170 ~VIuseum~ 

Museum Purchase Plan 

To encourage museums to

purchase works in all media

by living American artists.

The category is designed to

encourage museums to add to 

their collections of contemporary American art, expand

public interest in current

artistic expressions, and 

assist artists. 

Program funds : $690,000 

Rochester, The University of 

Rochester, New York 

South Carolina Museum Commission 

Columbia, South Carolina 

Southern Arts Federation 

Atlanta, Georgia 

Tennessee Arts Commission 

Nashville, Tennessee 

Texas Commission on the Arts and 

Humanities 

Austin, Texas 

Utah Arts Council 

Salt Lake City, Utah 

Vermont Council on the Arts, Inc. 

Montpelier, Vermont 

Virginia History Federation 

Lexington, Virginia 

Western States Arts Foundation 

Denver, Colorado 

Wisconsin Foundation, University of 

Madison, Wisconsin 

Wisconsin-Oshkosh, University of 

Os~hkosh, Wisconsin 

Akron Art Institute 

Akron, Ohio 

Amarillo Art Center Association 

Amarillo, Texas 

Amigos del Museo del Barrio 

New York, New York 

Arizona, University of/Center for 

Creative Photography 

Tucson, Arizona 

Brooks Memorial Art Gailery/Art 

Today 

Memphis, Tennessee 

Columbus Gallery of Fine Arts 

Columbus, Ohio 

Connecticut, University of 

Storrs, Connecticut 

Corcoran Gallery of Art, Trustees of 

Washington, D.C. 

Cranbrook Educational Community

Bloomfield Hills, Michigan 

Crocker Art Gallery Association 

Sacramento, California 

Davenport Municipal Art Gallery 

Davenport, Iowa 

To organize and eirculate ah exhibí¿ion of $ 9,610 

contemporary graphics seleeted from the 

Memorial Art Gallery’s collection. 

For continued support of the s¿ate’s museum 20,990 

coordinator. 

For continued support for the services of a 20,000 

regional museum ~oordinator who will 

serve in museums in cer¿ain sou¿hern states. 

For con¿inued support of the commission’s 24,010 

museum eoordinator. 

For eontinued suppor¿ of ¿he Te~as Asso- 17,500 

cia¿ion of Museums. 

To suppor¿ the posi¿ion of museum ¢oor- 22,500 

dinator and rela¿ed costs. 

To suppor¿ the posi¿ion oÍ museum coordina- 19,250 

¿of and rela¿ed cos¿s. 

For the position of museum eoordina¿or. 23,590 

To suppor¿ the forma¿ion of an arts net- 32,900 

work ~o selec¿ the bes¿ ar¿ produced in 

western sta¿es and to feature those works 

in a touring exhibition. 

Fora long-term loan program in coopera- 19,560 

¿ion wi¿h the Guggenheim Museum, the 

Whitney Museum, and others. 

For a joint effort (between the Kohler Art 9,890 

Center, Preibe Gallery, and the Madison 

Art Center) to identify and exhibir the 

works of eontemporary folk artists. 

$10,000	 Denver Art Museum, Inc. 15,000 

Denver, Colorado 

5,000	 Ferrum College 5,000 

Ferrum, Virginia 

5,000	 Fine Arts Museums Foundation 5,000 

San Francisco, California 

10,000	 Fort Lauderdale Museum of the Arts 5,000 

Fort Lauderdale, Florida 

Greenville County Museum 10,000 

10,000 Commission 

Greenville, South Carolina 

/ Guggenheim (Solomon R.) Foundatmn 20,000 

10,000 New York, New York 

Guild Hall, Inc. 10,000 

5,000 East Hampton, New York 

Hudson River Museum at Yonkers 20,000 

20,000 Yonkers, New York 

Huntsville Museum of Art 5,000 

5,000 ttuntsville, Alabama 

Indiana University 10,000 

Bloomington, Indiana 5,000 

Joslyn Liberal Arts Society 20,000 

10,000 Omaha, Nebraska 
 

Museums 171 

Kansas, University of/Helen 

Foresman Spencer Museum of Art 

$ 20,000 Oklahoma, University of 

Norman, Oklahoma 

$ 10,000 

Lawrence, Kansas 

Philadelphia Museum of Art 20,000 

La Jolla Museum of Contemporary 20,000 Philadelphia, Pennsylvania 

Art 

La Jolla, Cali~ornia Portland Society of Art 10,000 

Mexican Museum 

San Francisco, California 

5,000 Portland, Maine 

Reynolda House, Inc. 10,000 

Winston-Salem, North Carolina 

Museum of Albuquerque 

Albuquerque, New Mexico 

10,000 

Rhode Island School of Design 15,000 

Museum of Fine Arts 

Boston, Massachusetts 

10,000 Providence, Rhode Island 

San Antonio Museum Association 20,000 

Museum of Fine Arts of Houston 

Houston, Texas 

20,000 San Antonio, Texas 

San Antonio Museum Association 20,000 

San Antonio, Texas 

Museum of Modern Art 

New York, New York 

20,000 

Scripps College 5,000 

Native American Center for the 10,000 

Claremont, California 

Living Arts, Inc. 

Niagara Falls, New York Storm King Art Center 

Mountainville, New York 

20,000 

Nebraska Art Association 

Lincoln, Nebraska 

5,000 University Film Study Center, Inc. 

Cambridge, hIassachusetts 

10,000 

New Jersey State Museum 

Trenton, New Jersey 

15,000 Walker Art Center, Inc. 

Minneapolis, Minnesota 

20,000 

New Mexico State University 

Las Cruces, New Mexico 

5,000 Wesleyan University 

Middletown, Connecticut 

10,000 

New Orleans Museum of Art 

New Orleans, Louisiana 

20,000 Whatcom Museum Foundation 

Bellingham, Washington 

10,000 

Newark Museum Association 

Newark, New Jersey 

20,000 Whitney Museum of American Art 

New York, New York 

20,000 

Newport Harbor Art Museum 

Newport Beach, Caliíornia 

20,000 Wilmington Society of the Fine Arts/ 

Delaware Art Museum 

15,000 

North Carolina Museum of Art 

Raleigh, North Carolina 

20,000 

Wilmington, Delaware 

Yale University 15,000 

Ohio State University Research 20,000 

New Haven, Connecticut 

Foundation 

Columbus, Ohio 

Aldrich Museum of Contemporary 

Art, Inc. 

For an e~hibition that will reeognize works 

by unknown artists of northeas~ern s~ates 

10,000 Aid to Special 

Exhibitions 

Ridgefield, Connecticut who do nos have ~najor gallery al~liaSions. To enable museums to 

American Federation of Arts 

New York, New York 

American Federation of Arts 

New York, New York 

To support United States parti¢ipation in 

the Veniee Biennale. 

To organize an e~hibition, "European and 

A~nerican Mas~er Drawings and Watercolors," Íro~n the eollection of the Baltimore 

50,000 

40,000 

organize special exhibitions

and to borrow exhibitions 

organized by other museums.

Program funds : $3,293,43(

Treasury funds : $5,00C Private gifts: $5,00( 

Museum of Art. 

American Federation of Arts For an exhibition of works depicting India 31,230 

New York, New York from the late 18th to ea~’ly 20th century. 

and/or Service

Seattle, Washington 

Fora series of presentations of the work 

of Laurie Anderson, Adrian Piper, Meredith 

6,000 

Monk, and Charlemagne Palestine. 

and/or Service 

Seattle, Washington 

To enhanee and strengthen the e~isting 

progra~n of small exhibitions. 4,000 
172 Museums 

Art Association To tour the exhibition "Folkroots: Images $ 10,000 

Jackson, Mississippi of Mississippi Black Fol]dife (1974-1976)" 

throughout the state. 

Art Association 

Jackson, Mississippi 

For the exhibition "Winslow Homer’s 

America,’" organized by the Museum of Fine 

3,500 

Arts, Houston. 

Art Institute of Chicago 

Chicago, I11inois 

For an exhibition focusing on Greek vases 

ranging from the geometrie period through 

the classical period. 

10,540 

Art Institute of Chicago To support the planning of an exhibition 5,000 

Chicago, Illinois highlighting art and culture in Naples 

under the last Bourbons. 

Asia Society, Inc. For the exhibition "The Imperial Art of 30,000 

New York, New York Sasanian Iran." 

Athenaeum of Philadelphia For an exhibition of the works of Scottish­ 24,340 

Philade]phia, Pennsylvania born architect John Norman. 

Brandeis University For an exhibition at the Rose Art Museum, 15,000 

Waltham, Massachusetts tracing the development of James Weeks 

during the past 25 years. 

Brooklyn Institute of Arts and To bring the exhibition "Elihu Vedder," 10,000 

Sciences organized by the National Collection of Fine 

Brooklyn, New York Arts, to Brooklyn. 

Buffalo Fine Arts Academy 

Buffalo, New York 

Fora retrospective exhibition of paintings, 

carved reliefs ,and works on paper by Ben 

38,440 

Nicholson. 

California-Berkeley, University of To adapt the "matrix" concept of small 28,000 

Berkeley, California exhibitions of contemporary art to the program of the university art museum. 

California-Berkeley, University of Fora retrospective exhibition of the work 75,000 

Berkeley, California of the German painter Franz Marc. 

Carnegie Institute For an exhibition of the textile arts of 20,000 

Pittsburgh, Pennsylvania nomadic tribes in the Middle East. 

China Institute in America, Inc. For an exhibition surveying the ceramie 15,000 

New York, New York wares produced in Yi-Hsing from the 16th 

through 19th centuries. 

Cinque Gallery, Inc. For an exhibition of drawings by the Har­ 1,500 

New York, New York lem artist Charles Alston. 

Cleveland Museum of Art For a planning grant for an exhibition of 6,050 

Cteveland, Ohio approximately 100 Dadaist and surrealist 

paintings, sculptures, photographs, and 

early abstraer expressionist works. 

Cleveland Museum of Art To support an exhibition of paintings and 134,820 

Cleveland, Ohio pastels by J. B. S. Chardin. 

Colorado at Boulder, University of To show the "Alfred Jensen" exhibition, 5,000 

Boulder, Colorado organized by the Albright-Knox Art Gallery, at the Department of Fine Arts. 

Contemporary Arts Center To bring the exhibition "Europe in the 15,000 

Cincinnati, Ohio Seventies: Aspects of Recent Art," organized by the Art Institute of Chicago, to 

Cincinnati. 

Contemporary Arts Center For a program of performance pieces. 15,000 

Cincinnati, Ohio 

Contemporary Arts Center For the "American Sculpture fox" American 13,000 

Cincinnati, Ohio Cities" exhibition organized by the Akron 

Art Institute. 

Corcoran Gallery of Art 

Washington, D.C. 

For the "36th Biennial Exhibition of Contemporary American Painting." 

30,000 
Museums 173 

Corcoran Gallery of Art For four one-person exhibitions document­ $ 16,000 

Washington, D.C. ing painting in the 1950’s and 60’s. 

Corcoran Gallery of Art For an exhibition of paintings by the 7,000 

Washington, D.C. American artist Howard Mehring. 

Cornell University For a retrospective exhibition of the work 40,000 

Ithaca, New York of American sculptor Robert Smithson. 

Corning Museum of Glass For an exhibition oÍ contemporary glass. 30,000 

Corning, New York 

Cranbrook Educational Community For an exhibition oÍ works in various 7,500 

Bloomfield Hills, Michigan media by contemporary Detroit artists. 

Currier Gallery of Art For an exhibition of the decorative arts of 16,500 

Manchester, New Hamps~ire ¿he Federal period in America. 

Currier Gallery of Art For an exhibition of approximately 50 4,500 

Manchester, New Hampshire watercolors by William Sommer. 

Denver Art Museum, Inc. For the exhibition "The Senuous Immor­ 16,430 

Denver, Colorado tals: Sculpture from the Pan-Asian Collection," organized by the Los Angeles County

Museum oÍ Art. 

Dulin Gallery of Art To bring to Knoxville the exh,;bition "Gio­ 920 

Knoxville, Tennessee ~anni Battista Piranesi, Drawings and 

Prints ]roto the Sackler Collections," circulated by the International Exhibitions 

Foundation. 

Field Museum of Natural History For an exhibition surveying the manuÍac­ 63,980 

Chicago, Illinois ture, design, and use of ba~’k cloth (tapa) 

around the world, with special emphasis on 

the tapa of the South Pacific. 

Fine Arts Museums Foundation To produce a catalogue of 15th through 20,000 

San Francisco, California 18th-century French paintings ]rom the 

permanent collection. 

Flint Institute of Arts For "Art and the Automobile," ah exhibí­ 10,000 

Flint, Michigan tion commemorating the museum’s 50th 

anniversary and honoring Flint asa major

automotive manuÍacturing center. 

Floating Foundation of Photography 

New York, New York 

For an exhibition surveying photography 

by artists living and working in and around 

8,000 

New York ]roto 1970 to the ~resent. 

Fort Worth Art Association For an exhibition investigating new direc­ 15,830 

Fort Worth, Texas tions in art through the work of several 

artists in the Los Angeles arca. 

Founders Society Detroit Institute of To bring to Detroit "The Collages of Henri 20,000 

Arts Matisse," ah exhibition organized in conDetroit, Michigan junction with the St. Louis Art Museum. 

Founders Society Detroit Institute of For an exhibition of portraits by John 64,830 

Arts Singer Sargent ]roto 1879 through 1925. 

Detroit, Michigan 

Founders Society Detroit Institute of For an exhibition of archaeological treas­ 75,000 

Arts ures from the National Museum of Nigeria. 

Detroit, Michigan 

Franklin Institute 

Philadelphia, Pennsylvania 

For the exhibition enti~led "New Spaces: 

Exploring the Aesthetic Dimensions of New 

Photography and Optical Technologies." 

48,500 

Guggenheim (Solomon R.)Foundation For an exhibition of paintings and sculp- 75,000 

New York, New York ture by William de Kooning. 

Guggenheim (Solomon R.) Foundation For a /ull retrospective exhibition oÍ works 75,000 

New York, New York by the Dusseldorf artist Joseph Beuys. 
174 Museums 

Guggenheim (Solomon R.)Foundation 

New York, New York 

Guggenheim (Solomon R.) Foundation 

New York, New York 

Harvard University 

Cambridge, Massachusetts 

Historical Society of Delaware 

Wilmington, Delaware 

Hofstra University 

Hempstead, New York 

Hudson River Museum at Yonkers 

Yonkers, New York 

Institute for Art & Urban Resources 

New York, New York 

International Center of Photography 

New York, New York 

International Exhibitions Foundation 

Washington, D.C. 

International Exhibitions Foundation 

Washington, D.C. 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

International Museum of Photography at George Eastman House 

Rochester, New York 

Jewish Museum 

New York, New York 

Jewish Museum 

New York, New York 

La Jolla Museum of Contemporary Art 

La Jolla, California 

Laguna Gloria Art Museum, Inc. 

Austin, Texas 

Los Angeles Institute of

Contemporary Art 

Los Angeles, California 

Los Angeles Institute of 

Contemporary Art 

Los Angeles, California 

Maryland, University of 

College Park, Maryland 

Massachusetts, University of/ 

University Gallery--Fine Arts Center 

Amherst, Massachusetts 

For an exhibition of approximately 120 $ 75,000
 

planar reliefs and sculptures by European
 

artists from the period 1912-31.
 

Fora retrospective exhibition, organized in 75,000
 

cooperation with the Phillips Collection and
 

the McNay Art Institute, of the worlc of
 

Mexican artist Rufino Tamayo.
 

To bring to the Fogg Art Museum the exhi- 6,050
 

bition, "Stuart Davis : Art and Art Theory,"
 

ovganized by the Brooklyn Museum.
 

For ah exhibition examining Delaware 25,000
 

cabinetmaking from 1680 to 1880.
 

For an exhibition examining outstanding 6,660
 

examples of the U.S. Treasury Department’s
 

New Deal mural pro~ect.
 

For ah exhibition of works by the con- 17,980
 

temporary Californian sculptor John Mason.
 

For an exhibition of eight contemporary 26,000
 

California sculptors who will be invited to
 

participate in a series of environmental
 

installations conducted throughout the year.
 

For an exhibition of 60 photog~’aphs printed 8,450
 

under the direction of Lucien Aigner.
 

For an exhibition of Japanese folk a~’t 30,000
 

spanning six centuries.
 

For planning and research of an exhibition 3,000
 

of Japanese drawings.
 

For a definiti~e exhibition surveying color 22,970
 

photography.
 

For "Advertising Photog~’aphy, 1920-1970," 20,000
 

an exhibition examining socially and artisticalIy significant works from Steichen and
 

Steiner in the 1920’s to the direct approach
 

of the 1960’s.
 

For a comprehensive suvvey exhibition of 35,000
 

major Israeli art to mark the 30th anniversary of the state of Israel.
 

Fora retrospective exhibition of the work 30,000
 

of American artist Jack Levine.
 

For an exhibition of video art using instal- 9,200
 

lation environments which ate activated by
 

the viewer’s presence.
 

For seven one-person outdoor sculpture ex- 17,020
 

hibitions.
 

For an exhibition of three environmental 12,000
 

pro]ects by Robert Irwin, María Nordman,
 

and Doug Wheeler.
 

For ah exhibition comprised of perÍormance 8,000
 

pieces by Íour conceptual artists.
 

For a historical exhibition of works by 17,000
 

women artists in the Washington atea at
 

the University of Maryland Art GaIlery.
 

For an exhibition of worlcs by Sam Gilliam. 11,580
 
Museums 175 

Metropolitan Museum of Art For the exhibition "The Splendor of Dres­ $ 200,000 

New York, New York den: Five Centuries of Art Collecting." 

Michigan, University of For an ezhibition documenting Chicago art 15,000 

Ann Arbor, Michigan in various media since 1955. 

Michigan, University of For ah exhibition bringing together the 30,000 

Ann Arbor, Michigan works of mayor Impressionists. 

Michigan, University of 

Ann Arbor, Michigan For an exhibition o] the work of the German expressionist Ludwig Meidner. 

5,000 

Milwaukee Art Center, Inc. To bring ah exhibition of painting and 12,000 

Milwaukee, Wisconsin sculpture of native Haitian artists organized by the Brooklyn Museum. 

Minneapolis Society of Fine Arts For an exhibition of prints by James 20,000 

Minneapolis, Minnesota Jacques Joseph Tissot. 

Minnesota, University of Fora retrospective exhibition surveying the 15,000 

Minneapolis, Minnesota complete works by the Minnesota artist 

Walter Quirt. 

Moore College of Art 

Philadelphia, Pennsylvania 

For an exhibition of works by 20 visual 

artists selected by poets whose work ~’eflects 

10,220 

an involvement with the visual arts. 

Museum Associates For ah exhibition of recent ceramic sculp­ 13,130 

Los Angeles, California tures by California artist Ken Price. 

Museum of American Folk Art For an exhibition which will examine the 16,110 

New York, New York conno~a~ions of the heart morir in folk art. 

Museum of Contemporary Art For the first ma]or retrospective exhibition 15,660 

Chicago, Illinois tracing the artist June Leaf’s origins in 

Chicago and her influence on the present 

generation of Chicago imagists. 

Museum of Modern Art For "Ambroise Vollard," an exhibition of TF 5,000 

New York, New York prints, illustrated books, and bronze edi- PG 5,000 

tions published during the late 19th and 

early 20th centuries. 

Museum of Modern Art For the contemporary exhibition program 65,650 

New York, New York entitled "Projects." 

Museum of Modern Art For a cooperative exhibition with the 150,000 

New York, New York Walker Art Center of 150 works by Pablo 

Picasso from the Picasso estate. 

Museum of Modern Art For an exhibition of drawings, prints and 50,000 

New York, New York wall drawings by Sol Lewitt. 

Nebraska Art Association/Sheldon 

Memorial Art Museum 

For an exhibition of paintings and drawings 

by the American artist Preston Dickinson. 

18,000 

Lincoln, Nebraska 

New Hampshire Historical Society To support an exhibition documenting fur­ 20,000 

Concord, New Hampshire niture made by New Hampshire cabinetmakers working between 1750 and 1850. 

New Mexico, University of 

Albuquerque, New Mexico 

For an exhibition of photographs by Martin 

Chambi documenting Peru’s Cuzco culture. 

5,650 

New Mexico, University of For a retrospective exhibition of the work 7,500 

Albuquerque, New Mexico of Andrew Dasburg. 

New York University 

New York, New York 

For an exhibition of paintings and d~’awings 

by the Swiss painter Charles Gleyre. 

24,000 

New York University For an exhibition of works by 24 19th­ 15,000 

New York, New York century American artists. 

Oakland Museum Association For ah exhibition of paintings by 19th­ 15,920 

Oakland, California century landscapist George Inness. 
176 Museums 

Pacificulture Foundation 

Pasadena, California 

Parrish Art Museum, Inc. 

Southampton, New York 

Peabody Museum of Salem 

Salem, Massachusetts 

Pennsylvania Academy of the Fine 

Arts 

Philadelphia, Pennsylvania 

Pennsylvania, Trustees of the 

University of 

Philadelphia, Pennsylvania 

Pennsylvania, Trustees of the 

University of 

Philadelphia, Pennsylvania 

Pennsylvania, Trustees of the 

University of 

Philadelphia, Pennsylvania 

Philadelphia College of Art 

Philadelphia, Pennsylvania 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

Phillips Collection 

Washington, D.C. 

Pomona College 

Claremont, California 

Portland Center for the Visual Arts 

Portland, Oregon 

Portland Center for the Visual Arts 

Portland, Oregon 

Portland Center for the Visual Arts 

Portland, Oregon 

Princeton University 

Princeton, New Jersey 

Roberson Memorial, Inc. 

Binghamton, New York 

Rutgers, The State University of 

New Jersey 

New Brunswick, New Jersey 

San Antonio Museum Association 

San Antonio, ’Texas 

San Diego, Fine Arts Society of 

San Diego, California 

For an exhibí¿ion of sculpture and carvings $ 6,570
 

by Indian artists of the Pacifi¢ Northwest.
 

For an exhibí¿ion whieh will reereate the 11,660
 

milieu of William Merritt Chase.
 

For a centennial exhibir of the Edward 30,000
 

Sylvester Morse Japanese Ethnological Col-


lee¿ion.
 

For an exhibí¿ion focusing on the work of 17,000
 

several prominent contemporary realists
 

such as Philip Pearlstein, Alfred Lesl¿e,
 

Joseph Ra~ael, and others.
 

For an exhibí¿ion at the lnstitute oí Con- 13,800
 

temporary Art of an environment created
 

by Paul Thelc.
 

For an exhibí¿ion at the Institute of Con- 13,330
 

temporary Art documenting contemporary
 

nonrepresentational painting through the
 

work of prominent artists.
 

For an exhibí¿ion of objeets documenting 10,000
 

the development of neo-primitivism in recent art.
 

For an exhibí¿ion doeumenting examples of 10,000
 

recent collaborations between the visual
 

ist and the ar~s of dance, opera and thea¿er.
 

For an exhibition of Japanese Buddhis¿ 32,250
 

woodcuts selected from publie and priva¿e
 

collections in the United States and Japan.
 

For an exhibí¿ion of prints by the 16¿h 75,000
 

century Netherlandish printmaker and
 

painter Lucas Van Leyden.
 

For an exhibition of paintings by the Amer- 9,000
 

¿can abstract ezpressionist Franz Kline.
 

For an exhibi¿ion of drawings and water- 10,610
 

colors from collections in California.
 

For an ezhibition of recen¿ paintings by 14,190
 

Deborah Remington.
 

For a series of seven to eight exhibitions 21,670
 

adjacent to and in conjunction with the
 

center’s ongoing exhibí¿ion program devo¿ed
 

to importan¿ contemporary artists.
 

For an exhibí¿ion of works by Salva¿ore 14,090
 

Scarpitta surveying a $wenty-year period
 

from 1960 to the present.
 

For an exhibition devoted to artists who 16,500
 

frequented the tavern, "Els Quatre Ga¿s" in
 

Barcelona between 1890 and 1905.
 

For an exhibí¿ion of folk arts of the 14,300
 

Chenago and Susquehanna River valleys.
 

To support an exhibition at the Rutgers Art 20,000
 

Gallery documenting the development of
 

color lithography in France between 1890
 

and 1900.
 

For an exhibí¿ion en¿itled "Texas Lyrie 12,000
 

Artists."
 

For a retrospective exhibí¿ion of sculp¿ure 5,000
 

by Arthur Putnam.
 
Museums 177 

San Francisco Museum of Art For a series of exhibitions, art projeets, and $ 25,920 

San Francisco, Catffornia performances related to eonceptual art in 

the Bay Atea. 

San Francisco Museum of Art To support the "Dinner Party," installed at 15,000 

San Francisco, California the San Francisco Museum of Modern Art 

and circulated nationally. 

Sarah Lawrence College 

Bronxville, New York 

To bring to the college "Artists’ Sets and 

Costumes," an exhibition organized by the 

4,270 

Philad~lphia College of Art. 

Sheboygan Arts Foundation, Inc. 

Sheboygan, Wisconsin 

Fora two-part exhibition entitled "American Chairs: Form, Function and Fantasy." 15,900 

Southeastern Center for For the continuation of the center’s "South­ 17,050 

Contemporary Art east 7" regional artist exhibition. 

Winston-Salem, North Carolina 

Southern California, University of 

Los Angeles, California 

To plan a possible exhibition exploring the 

theme of illusion in 20th-eentury art. 

1,270 

Springfield Library and Museums To bring to Springfield the exhibition "Tie­ 9,820 

Association 

Springfield, Massachusetts 

polos in North America," organized by the 

Birmingham Museum of Art. 

Springfield, Missouri Art Museum 

Springfield, Missouri 

For an exhibition of lithographs and etchings by Philip Pearlstein at the Springfield 

Art Museum. 

7,500 

Stanford University 

Staníord, California 

For an exhibition of prints illustrating 

James Whistler’ s stylistic and thematic 

variations. 

8,220 

Sterling and Francine Clark Art 

Institute 

For an exhibition to define the individual 

styles of major painters working for the 

15,000 

Williamstown, Massachusetts Indian emperors Jahangir and Shah Jahan 

between 1600 and 1660. 

Texas at Austin, University of 

Austin, Texas 

For an exhibition of Central African traditional art oÍ the Kuba of Zaire. 

7,200 

Textile Museum of D.C. 

Washington, D.C. 

For ah exhibition of Indonesia textiles, with 

primary emphasis on examples from the 

outer islands. 

24,140 

Toledo Museum of Art To show the Kenneth Noland retrospective 7,000 

Toledo, Ohio exhibition, organized by the Guggenheim 

Museum. 

Utah, University of 

Salt Lake City, Utah 

For the third and concluding exhibition in a 

series dealing with French 19th-century 

printmaking. 

5,000 

Virginia Museum of Fine Arts 

Richmond, Virginia 

For the exhibition "Duane Hanson Retrospective," organized by Wichita State University. 

9,200 

Virginia Museum of Fine Arts 

Richmond, Virginia 

For an exhibition of furniture made in Virginia from the late 17th century to 1820. 

30,000 

Walker Art Center, Inc. 

Minneapolis, Minnesota 

Fora cooperative exhibition with the Museum of Modern Art of 150 works by Pablo 

Picasso from the Picasso estate. 

100,000 

Wesleyan University 

Middletown, Connecticut 

For a survey exhibition of Jasper Johns 

prints since 1970 asa sequel to the exhibition and catalogue raisonne produced by the 

20,640 

Philadelphia Museum of Art. 

Whitney Museum of American Art 

New York, New York 

For an exhibition reexamining synchronism, 

the first avant-garde American style of 

painting to attract attention in Europe. 

75,000 

Wilmington Society of the Fine Arts 

Wilmington, Delaware 

For an exhibition oÍ the work of American 

illustrator Felix Octavious Carr Darley. 

13,170 
178 Museums 

Women’s Community, Inc. 

Los Angeles, California 

Yale University 

New Haven, Connecticut 

Utilization of Museum American Museum of Natural History 

Collections New York, New York 

To install ¢ollections formerly in storage of recently Bowdoin College 

acquired of to more effec- Brunswick, Maine 

tively display artifacts

already on view. 

Program funds: $537,740 Treasury funds: $350,000 Carnegie Institute 

Private gifts: $350,000 Pittsburgh, Pennsylvania 

Chrysler Museum at Norfolk 

Norfolk, Virginia 

Corcoran Gallery of Art 

Washington, D.C. 

Corning Museum of Glass 

Corning, New York 

Dayton Art Institute 

Dayton, Ohio 

Field Museum of Natural History 

Chícago, Illinois 

Franklin Furnace Archive, Inc. 

New York, New York 

Franklin Institute 

Philadelphia, Pennsylvania 

tIarvard University 

Cambridge, Massachusetts 

tteye Foundation-Museum of the 

American Indian 

New York, New York 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

Kodiak and Aleutian Islands 

Historical Society 

Kodiak, Alaska 

Loyola University of Chicago 

Chicago, Illinois 

Makah Indian and Heritage 

Association 

Neah Bay, Washington 

Mariners Museum 

Newport News, Virginia 

For the travel exhibition "Women in Ameri- $ 5,000 

can Architecture," in Los Angeles, and to

organize ah exhibition oÍ architecture drawings of West Coast women arehiteets. 

For ah exhibition of drawings and prints by 30,000 

Federico Barocci. 

For the reinstallation of the South Pacif!e TF 100,000 

Ethnology Collection. PG 100,000 

To convert the Halford GalIery at the Mu- 2,870 

seum of Art into a display atea for the 

aneient collection. 

To establish and install a comprehensive TF 75,000 

mineral hall. PG 75,000 

For the reinstallation of the museum’s Ital- 5,100 

ian Boroque collection. 

For the reinstallation of the gallery’s collee- 25,000 

tions of prints and drawings. 

For the reinstallation of the museum’s an- 30,000 

cient glass collection, including new graphics and filmed sequences. 

To complete the conversion of the first floor 30,000 

of the institute into a permanent installation of Oriental art. 

For the installation of the anthropological 100,000 

exhibition "Marine Hunters and Fishermen," utilizing objects drawn from the museum’s permanent collections. 

To expand the study/storage facility by dis- 10,000 

playing more works in eabinets and glasscovered tables. 

To integrate the institute’s unexhibited bis- 20,000 

torical collections into a permanent interpretative program. 

To support the development of an exhibir 24,500 

atea on the first floor of the museum and to 

support "Masterpieces of the Peabody Museum," the first of a series of rotating exhibitions to be held in that spaee. 

For an exhibition of objects from the per­ 75,000 

manent collection at the U. S. Custom House 

on Bowling Green, Lower Manhattan. 

For the preparation of an exhibition Íeatur- 15,000 

ing the recently aequired Sipley Collection 

of Historic Photographic Materials. 

To label properly the society’s collection 3,050 

of Kodiak arti]acts and Russian items. 

To expand present lounge areas into gal­ 5,250 

leries to accommodate recent acquisitions by 

the Martin d’Arcy Gallery. 

For the installation of artifacts and reIated 40,000 

materials documenting the Ozette archaeological project at the Makah Cultural and 

Research Center. 

To purchase and install storage equipment 24,000 related to the construction oÍ a new wing 

of the museum. 
Museums 179
 

Merrimack Valley Textile Museum, To create a textile study/storage center. $ 10,000 

Inc. 

North Andover, Massachusetts 

Metropolitan Museum of Art For the expansion and reinstallation of the TF 100,000 

New York, New York museum’s American wing collection, includ- PG 100,000 

ing period rooms. 

Minneapolis Society of Fine Arts For first-year support of exhibitions featur­ 7,600 

Minneapolis, Minnesota ing the institute’s permanent collection. 

Museums at Stony Brook 

Stony Brook, New York 

To install a permanent exhibition of the 

museum’s decoy collection. 

14,000 

New York State HistoricalAssociation To plan and ¿nstall ah exhibir of photo-. 16,230 

Cooperstown, New York graphs and slides of the work of Washington G. Smith and Arthur J. TeIfer. 

Penobscot Marine Museum 

Searsport, Maine 

For support of a comprehensive exhibir illustrating the evolution of D~wneast cargo 

14,750 

ship designing and the tole of shipbuilding 

and shipping in Penobscot Bay communities. 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania 

For development of the museum’s textile, 

tapestry, and cos~ume collcction in~o a 

study/storage atea. 

TF 75,000 

PG 75,000 

Portland Art Association To upgrade facilities for the collection of 10,000 

Portland, Oregon prints, drawings and photographs. 

San Diego Society of Natural History, 

Balboa Park 

To replace worn portable cases of educational displays. 

5,000 

San Diego, California 

Society for Preservation of Historic 

Landmarks in York County 

York, Maine 

To install a collection of artifacts selected 

to convey the atmosphere of a colonial 

warehouse. 

4,000 

Textile Museum of D.C. To install a comprehensive exhibition of the 6,300 

Washington, D.C. museum’s collection of Coptic textiles. 

Warren Wilson College, Inc. 

Swannanoa, North Carolina 

For the more e~ective presentation of permanent collections of early Appalachian 

crafts and prehistoric Cherokee artifacts. 

5,900 

Western Reserve Historical Society 

Cleveland, Ohio 

Fora permanent exhibitions gallery for the 

museum’s 18th-20th-century European and 

27,190 

American costume collection. 

Worcester Art Museum For reinstallation of the museum’s Greek, 7,000 

Worcester, Massachusetts Etruscan, and Roman Art Gallery. 

Association of Indiana Museums, Inc. 

Indianapolis, Indiana 

For an inventory of museum collections. 25,000 Catalogue 

To document permanent collections or to publish cataBoston Athenaeum, Proprietors of the 

Boston, Massachusetts 

For the cataloguing of the print and photography collection. 

7,960lections.l°gues or handbooks on 

Program funds : $1,027,310 

Brooklyn Institute of Arts and 

Sciences 

For the cataloguing of the Brooklyn Museum’ s collection of Egyptian art. 

19,920 

Brooklyn, New York 

Carnegie Institute 

Pittsburgh, Pennsylvania 

For compu~erization of basic catalog information for the Costa Rican pottery and 

stonework collection. 

23,020 

Chrysler Museum at Norfolk 

Norfolk, Virginia 

For the publication of a handbook which 

will serve as ah overall guide to the museum’s permanent collection. 

15,000 

Cleveland Museum of Art For continued support of the preparation 10,500 

Cleveland, Ohio and publication of a catalogue documenting 

the museum’s collection of drawings. 
180 Museums 

Colorado Springs Fine Arts Center 

Colorado Springs, Colorado 

Corcoran Gallery of Art 

Washington, D.C. 

Cornell University 

Ithaca, New York 

Field Museum of Natural History 

Chicago, Illinois 

Fine Arts Museums Foundation 

San Francisco, Californía 

Flint Institute of Arts 

Flint, Michigan 

Fort Wortb Art Association 

Fort Worth, Texas 

Founders Society Detroit Institute of 

Arts 

Detroit, Michigan 

Founders Society Detroit Institute of 

Arts 

Detroit, Michigan 

Founders Society Detroit Institute of 

Arts 

Detroit, Michigan 

Guggenheim (Solomon R.) Foundation 

New York, New York 

Harvard University 

Cambridge, Massachusetts 

Harvard University 

Cambridge, Massachusetts 

Historical Society of Delaware
 

Wilmington, Delaware
 

Huntington Library and Art Gallery,
 

Henry E.
 

San Marino, California
 

International Museum of Photography
 

at George Eastman House 

Rochester, New York 

Jewish Institute of Religion Hebrew 

Union College 

Los Angeles, California 

Kansas, University of 

Lawrence, Kansas 

Kimbell Art Foundation 

Fort Worth, ’Texas 

Loyola University of Chicago 

Chicago, Illinois 

To research and publish a comprehensive $ 31,980 

catalogue of the Taylor Museum collection 

of 18th- and 19th-century religious folk art 

(Santos) from northern New Mexieo and 

southern Colorado. 

To prepare and publish a catalogue of the 30,000 

drawings, watercolors and pastels in the 

permanent collection. 

To publish a catalogue of the George and 12,000 

Mary Rockwell Collection of Asian Art. 

To establish a more extensivo collection 29,620 

management and research system. 

For "Art o] the Huichol," an exhibition of 20,000 

objects of the Huichol lndians of Mexico. 

For the publication of ah illustrated cata- 13,890 

logue of the institute’s collection in commemoration of its 50th anniversary. 

To ereate a duplicate miero-photography of 

the museum’s catalogue. 

For research, technical study, and prepara- 7,560 

tion of a catalogue of the Dutch paintings 

of the Detroit Institute oí Arts. 

For a pilot art identification/registration 64,930 

system which will improve the quality, visibility and availability of registration information for the institute’s permanent colleetion and art works on loan. 

For the continuation of researeh and prepa­ 29,060 

ration of a catalogue of the European 

drawings and watercolors in the permanent 

collection o] the Detroit Institute of Arts. 

For the planning of a handbook doeument- 15,000 

ing objects from various art historical pe­

~’iods within the museum’s colleetions. 

For the first phase of a series of handbooks 14,280 

documenting the Fogg Art Museum’s permanent eollection. 

To publish a catalogue for the exhibir 4,000 "Masterpieces o] the Peabody Museum." 

To research and publish a handbook to serve 16,000 asa guide to the society’s collection. 

For the publication of an illustrated cata­ 12,000 logue of the British silver collection. 

To publish a complete catalogue of the mu- 20,000 seum’s calotypes. 

To eontinue cataloguing the Skirball Mu­ 8,850 

seum’s collections of prints and drawings. 

To prepare and publish the first in a series 5,550 

of scholarly catalogues documenting the 

Museum of Art’s collection. 

To publish a ta-~man’s handbook on the mu- 9,250 

seum’s eollection. 

For research and publication of a catalogue 10,000 

documenting the Martín d’Arey Gallery of 

Art eolleetion. 

900 
Museums 181 

Maryland Historical Society To complete the eataloguing of the society’s $ 11,210 

Baltimore, Maryland American furniture collection. 

Maryland Institute 

Baltimore, Maryland 

For the publishing of a catalogue to accompany ah exhibition of Polish posters which 10,000 

will travel to American com~nunities over 

the next two years. 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

To publish a catalogue "Walking Tour" of 

MIT’s campus collection. 

16,390 

Metropolitan Museum of Art To catalog the Eu~’opean and American ~nu­ 30,000 

New York, New York sicalinstrument collection. 

Michigan, State of To research and document the Michigan 15,000 

Lansing, Michigan Historical Museum’s decorative arts collection by the Michigan Department of State. 

Michigan, University of 

Ann Arbor, Michigan 

For the publication of a gallery guide whieh 

will serve as a handbook of the permanent 

1,150 

collection. 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

To produce a functional cataloging system 

of the textile study/storage center. 

5,600 

Minnesota, University of 

Minneapolis, Minnesota 

To support the preparar¿on and publication 

of a catalogue documenting the American 

painting and scupturc collection. 

11,000 

Museum of American Folk Art To catalog the permanent collection; to pre­ 12,000 

New York, New York pare and publish a guidebook of ¿he permanent collection. 

Museum of Fine Arts For the preparation and production of an 25,000 

Boston, Massachusetts illustrated summary catalogue of the museum’s European painting collection. 

Museum of Fine Arts of Houston For the publieation of a handbook of selec­ 20,000 

Houston, Texas tions f~’om the permanent colleetion. 

Museum of Modern Art To catalog the film poster collection. 18,060 

New York, New York 

Muskegon School District 

Muskegon, Michigan 

For research, preparation, and publication 

of a schola~’ly catalogue of the Hackley Art 

Museum’ s painting collection. 

25,000 

Native American Center for the Living 

Arts, Inc. 

Niagara Falls, New York 

For support to catalog and document the 

permanent collection of Native American 

archaeological, historical, and contemporary 

16,300 

arts and erafts. 

New Mexico, University of 

Albuquerque, New Mexico 

To document and publish a catalogue of ¿he 

art museum’s photography collection. 

6,000 

New York Historical Society 

New York, New York 

For support to catalogue the Bella C. Landauer collection of advertising art. 

20,000 

New York Public Library Astor, 

Lenox and Tilden Fdns. 

To complete and publish a catalogue of the 

prints and drawings in ¿he print division. 

30,000 

New York, New York 

Newark Museum Association To publish a comprehensive catalogue of the 20,009 

Newark, New Jersey museum’s American painting and sculpture 

eollection. 

Oregon Historical Society 

Portland, Oregon 

For the production of a detailed catalogue 

of the permanent collection of models of his­ toric vehicles used in the ea~’ly days of the 

15,000 

American west. 

Paine Art Center and Arboretum To publish a catalogue of the center’s per­ 12,000 

Oshkosh, Wisconsin manen~ collections oí paintings, drawings, 

sculptures and furnishings. 
182 Museums 

Peabody Museum of Salero 

Salem, Massachusetts 

Ramsey County and St. Paul

Historical Society, Inc. 

St. Paul, Minnesota 

Rhode Island School of Design 

Providence, Rhode Island 

Ringling Museum of Art Foundation, 

John & Mable 

Sarasota, Florida 

Rochester, The University of 

Rochester, New York 

Society for the Preservation of New 

England Antiquities 

Boston, Massachusetts 

Springfield Library and Museums 

Association 

Springfield, Massachusetts 

Suffolk Museum at Stony Brook 

Stony Brook, New York 

Textile Museum of D.C. 

Washington, D.C. 

Toledo Museum of Art 

Toledo, Ohio 

Tulane University 

New Orleans, Louisiana 

Valentine Museum 

Richmond, Virginia 

Vassar College 

Poughkeepsie, New York 

Wadsworth Antheneum 

Hartford, Connecticut 

Wheaton College 

Norton, Massachusetts 

Wichita State University Endowment 

Association 

Wichita, Kansas 

Williams College 

Williamstown, Massachusetts 

Wisconsin Foundation, University of 

Madison, Wisconsin 

Visiting Specialists Charlotte Nature Museum 

To enable museums to engage Charlotte, North Carolina 

outside consultants for such 

projects as fundraising, col- Children’s Museum of Indianapolis lection research, and public Indianapolis, Indiana relations activities.
 

Program funds: $198,830
 

Children’s Museum of Indianapolis 

Indianapolis, Indiana 

For the publication of a second volume of 

Marine Paintings and Drawings in the Peabody Museum. 

$ 25,000 

To catalog the society’s permanent collections and to establish a systematic cataloguing procedure for new accessions. 

15,000 

To select, researeh and catalog the art museum’s American decorative arts collection. 

11,130 

For the pubIication of ah illustrated catalogue of 15th through 17th century Dutch 

and Flemish paintings. 

20,000 

To research, write, and prepare photographs fora seholarly documentary catalogue of the American painting collection at 

the Memorial Art Gallery. 

25,000 

For continued support to complete the cataloguing of the photography collection. 

11,510 

To publish a handbook of the Museum of 

Fine Art’s collection of European and 

American art. 

12,560 

To research and prepare catalogue copy of 

the museum’s decoy collection. 

10,000 

For research and manuscript preparation of 

a comprehensive handbook explaining and 

illustrating the museum’s collection. 

9,750 

To publish a mayor catalogue documenting 

the museum’ s American painting collection. 

30,000 

To catalog the textile collections in the 

Middle American Research Institute. 

6,330 

To produce a catalogue of American bed 

coverlets in the museum’s collection. 

6,530 

To aecession the remaining uncatalogued 

areas of the collection of the Vassar College 

Art Gallery. 

8,520 

To catalog the Atheneum’s works of art on 

paper. 

20,000 

Fora catalogue of Wheaton College’s collection of ancient coins. 

7,500 

To publish a catalogue of the Ulrich Museum’s permanent collection of paintings, 

sculptures, drawings, and prints. 

12,000 

To produce and publish the Museum of 

Art’s first collection catalogue. 

13,000 

To publish a catalogue of 15th through 19th 

century medallions at the Elvehjem Art 

Center. 

7,500 

To engage Taizo Maike to aid in ~he reorganization of programs and exhibits. 

2,600 

Fora prógram in which visiting specialists 

will evaluate the e~ectiveness of the museum’s educational programs. 

3,650 

For the museum’s second phase of overall 

evaluation o~ educational programs and 

exhibits. 

7,500 
Museums 183 

Founders Society Detroit Institute of Fora visiting specialist to assist in rede­ $ 7,500 

Arts signing the north court and surrounding 

Detroit, Michigan areas into galleries. 

Fuller Memorial, Trustees of the For support to engage ah American art 3,730 

Brockton, Massachusetts specialist to research the center’s permanent collection. 

Hudson River Museum at Yonkers, Inc. To continue the services of the museum’s 15,000 

Yonkers, New York consultant in the a~eas of funding, administration, long-range planning, and communications. 

International Museum of Photography 

at George Eastman House 

To employ a /und-raising firm which will 

conducta feasibility study for a ma]or 

3,050 

Rochester, New York capital fund drive. 

Laguna Gloria Art Museum, Inc. To utilize the expertise and resources of a 7,390 

Austin, Texas professional design firm familiar with the 

needs of a community art museum. 

Maryland Historical Society To engage a registrar to analyze registra­ 15,000 

Baltimore, Maryland tion needs and to redesign the museum’s 

registravial system. 

Mexican Museum Fora visiting specialist to create tools and 8,340 

San Francisco, California a plan for museum development. 

Mint Museum of Art, Inc. For a consultant to sort out and categorize 4,000 

Charlotte, North Carolina the costume collection. 

Museum Associates For a visiting schoIar to research the mu­ 1,930 

Los Angeles, California seum’s collection of stained glass windows 

dating from the 14th to 17th centuries. 

Museum Associates 

Los Angeles, California 

For tire visiting specialists who will complete scholarly work on the Los Angeles 

County Museum of Art’s newly-acquired 

7,750 

ancient Near Eastern collection. 

Museum of American China Trade Fora visiting specialist to produce a pub­ 15,000 

Milton, Massachusetts lication documenting the American-Chinese 

trade in porcelain. 

Museum of Fine Arts For a pro]ect in which a consultant will 4,500 

Boston, Massachusetts advise the museum on its picture frame 

collection. 

Museum of Science and Industry 

Chicago, Illinois 

To engage three specialists in science 

teaching and curriculum development to 

create written guide materials. 

7,200 

Newark Museum Association For a program to initiate research for an 5,000 

Newark, New Jersey exhibition and catalogue on the Gorky mural 

"Aviation : Evolution of Forros Under Aerodynamic Limitations." 

Oberlin College 

Oberlin, Ohio 

For the engagement of a scholar anda 

conservator to catalog and survey the museum’s collection of Japanese prints. 

8,650 

Pennsylvania, Trustees of the 

University of 

Philadelphia, Pennsylvania 

For the engagement of ah expert on Mayan 

hieroglyphs to work with the curators on 

three interrelated projects. 

12,010 

Rochester, The University of 

Rochester, New York 

Fora project in which a visiting specialist 

will organize the gallery’s existing volunteer forces and plan a two-year develop20,000 

ment campaign. 

Rochester, The University of 

Rochester, New York 

For six visiting specialists to assist in evaluating six areas of the permanent collection. 

3,720 

Seaport ’76 Foundation, Ltd. 

Newport, Rhode Island 

Fora visiting specialist who will develop 

public programs, display artifacts, produce 

educational material, and strengthen man5,000 

agement. 
 

184 Museums 

Springfield Library and Museums 

Association 

Springfield, Massachusetts 

Texas at Austin, University of 

Austin, Texas 

Textile Museum of D.C. 

Washington, D.C. 

Vermont, University of 

Burlington, Vermont 

Western Association of Art Museums 

Oakland, California 

Winterthur Museum, The Henry 

Francis Dupont 

Winterthur, Delaware 

Fellowships for Museum Benson, Martha J. 

Professionals Ames, Iowa 

To enable museum staff members to take leaves of absence Frankel, Dextra L. 

of up to one year for inde- Laguna Beach, California pendent study, research, 

travel, or other activities that Gold, Peter H.

contribute to their professional development. Bloomington, Indiana 

Program funds: $83,500 Houlihan, Patrick T. 

Phoenix, Arizona 

Krill, John W. 

Winterthur, Delaware 

Livet, Anne H. 

Fort Worth, Texas 

Metcalf, William E. 

New York, New York 

Museum Training Amigos del Museo del Barrio 

To assist museums and uni- New York, New York versities in training museum

professionals and technicians Boston University, Trustees of 

through college-level pro- Boston, Massachusetts gratas, internships, and

apprenticeships. Carnegie Institute Program funds: $600,410 Pittsburgh, Pennsylvania 

3,180 

De Young Museum Art School 

San Francisco, California 

Field Museum of Natural History 

Chicago, Illinois 

Franklin Institute 

Philadelphia, Pennsylvania 

George Washington University 

Washington, D.C. 

For two specialists for consultation on the 

care of collectio.ns of the Springfield Science 

Museum. 

$ 1,000 

Fora schoIar who will direct the first phase 

of cataloguing the university art museum’s 

collec~ion of Lat~in American art. 

8,250 

For support of a specialist to write the 

catalogue to accompany the museum’s exhibition of Indonesian textiles. 

3,650 

For the engagement of a visiting specialist 

in Asian ar~ to identify and authenticate 

Asian artifacts. 

3,510 

Fora program of 20 specialis~s’ visits to 

small and medium-size art galleries and

museums in certain western states. 

10,900 

To empIoy a lighting specialist to survey 

the needs for the museum’s exhibir areas. 

3,000 

$ 5,000 Muller, Norman E. 

East Douglas, Massachusetts 

2,610 

13,870 Neill, Mary G. 

New Haven, Connecticut 

3,500 

1,910 Otsuka, Ronald 

Denver, Colorado 

2,930 

4,750 Owen, Antoinette 

Washington, D.C. 

8,200 

1,760 Parsons, Merribell M. 

Minneapolis, Minnesota 

18,540 

2,400 Wye, Deborah M. 

Cambridge, Massachusetts 

14,900 

For a training program which will allow 

the staff to expand their present skills. 

11,100 

Fora museum training program. 39,000 

For two one-year internships in collection 

management, exhibir design and preparation, and museum education at the Museum 

of Natural History. 

25,000 

For a 20-week training program in museum 

education. 

30,000 

To provide continued support for the museum’s internship program in anthropology. 

16,390 

For three internships: in museum education, museum evaluation, and exhibit design. 

25,660 

To establish a program in museum education consisting of mini-sabbaticals for practicing museum educators. 

25,000 

Guggenheim (Solomon R.) Foundation For continued support of a curatorial fel- 10,500 

New York, New York lowship program to be offered to a qualified graduate student in art history. 
Museums 185 

Guggenheim (Solomon R.)Foundation 

New York, New York For continued support of the museum’~ 

training program. $ 7,500 

Illinois Urbana Campus, University of 

Urbana, Illinois For two museum internships and field trips 

as part of the graduate program in museum 21,820 

training. 

International Museum of Photography 

at George Eastman House 

Rochester, New York 

For the museum’s intern program, including four internships in the next year. 20,000 

Maine Maritime Museum To support the restoration shop, in which 14,100 

Bath, Maine six apprentices wiI1 be trained in the atea 

of maritime restoration. 

Michigan, University of 

Ann Arbor, Michigan 

For continued support oÍ the regional museum training program and a summer in63,500 

stitute in museum practice. 

Missouri Botanical Garden Board of 

Trustees 

To support a training program in the areas 

of herbarium management and collection 

25,000 

St. Louis, Missouri curation. 

Museum of Fine Arts 

Boston, Massachusetts 

To establish two internships in the museum’ s Department of Fainting. 18,400 

Museum of Modern Art 

New York, New York 

To create two apprenticeship positions in 

exhibitions preparation and production. 24,250 

Museum of Modern Art For continued support of the museum’s 40,000 

New York, New York internship program. 

New York University For a two-semester training program for 19,000 

New York, New York undergraduate students in conjunction with 

the Metropolitan Museum of Art. 

New York University 

New York, New York 

For continued support for the Institute of 

Fine Arts’ training program in con]unction 

40,000 

with the Metropolitan Museum of Art. 

New York Zoological Society For internships in zoo-related careers. 45,000 

Bronx, New York 

Philadelphia Museum of Art 

Philadelphia, Pennsylvania For two interns in the Department of 

Prints, drawings and photographs as part 18,500 

of the museum’s training program. 

Smith College 

Northampton, Massachusetts For continued support of two graduate internships involving activities related to all 10,880 

museum functions. 

Toledo Museum of Art 

Toledo, Ohio 

For continued support for the educational 

fellowship program, which provides t~’ain­ 15,000 

ing in education and curatorial methods. 

Waiker Art Center, Inc. 

Minneapolis, Minnesota 

To supp6rt the museum’s program Íor pro­

~essionals in which two interns would be 

17,200 

trai’ned in the following areas : educatiónal 

administration ; film programming ;

Íorming arts; and curatorial duties. perWayne State University 

Detroit, Michigan 

For continued support of the graduate 

training program in museum curatorship 6,600 

fora student presently enrolled. 

Wilmington Society of the Fine Arts 

Wilmington, Delaware 

To support a museum intern in a broad 

range of museum experiences including ex­ 6,510 

hibitions, permanent collections, interpretation, administration and research. 

Yale University 

New Haven, Connecticut To support the training of second-yeargraduate students in the History of Aít 4,500 

and American Studies Ph.D. programs. 
186 Muse~~m.~ 

Conservation Amherst College 

For treatment of museum Amherst, Massachusetts 

collections, surveys of conservation needs, training of 

conservators, and establish- Balboa Art Conservation Center 

ment of regional conservation San Diego, Calífornia centers, 

Program funds: $1,371,580 

Treasury funds: $15,000 Balboa Art Conservation Center 

Private gifts: $15,000 San Diego, California 

Bancroft Library, The Friends of the 

Berkeley, California 

Barker (Darwin R.)Library 

Association 

of Fredonia, New York 

Fredonia, New York 

Bishop Museum Association 

Honolulu, Hawaii 

Bishop Museum, Bernice P. ~ Honolulu, Hawaii 

Brooks Memorial Art Gallery 

Memphis, Tennessee 

Buffalo Fine Arts Academy 

Buffalo, New York 

Carnegie-Mellon University 

Pittsburgh, Pennsylvania 

Carolina Art Association 

Charleston, South Carolina 

Cleveland Museum of Natural History 

Cleveland, Ohio 

Colorado Seminary 

Denver, Colorado 

Corcoran Gallery of Art 

Washington, D.C. 

Corcoran Gallery of Art, Trustees of 

Washington, D.C. 

Cayton Art Institute 

Dayton, Ohio 

Delaware, University of 

Newark, Delaware 

Denver Art Museum, Inc. 

Denver, Colorado 

Denver Art Museum, Inc. 

Denver, Colorado 

To conserve 20 paintings at the Folger $ 5,000

Shakespeare Library in Washington, D.C. 

needing immediate treatment. 

For support of the conservation center. 17,500 

For onsi¿e, periodic inspec¿ions of ¿he col- 8,520 

lections of member institutions in California, New Mexico, Arizona and Nevada. 

To retain a part-time conso’vator to surv.ey 2,500

the conservation needs of prints, drawings
 

and photographs in the collection and to
 

treat selected works.
 

For continued support to restore system- 2,100 

atically the library’s collection oÍ 19thcentury oil paintings. 

For continued support of the Pacif!c Re- 80,000 

gional Conservation Center. 

Continued support for the regional conser- 26,600 

vation center, including internships with 

institutions conducting graduate programs 

in conservation. 

For the ongoing conservation of paintings 2,980

in the collection. 

For the conservation treatment oí several
 2,000

paintings f~’om the permancnt collection.
 

27,000 For the investigation of the tole of peroxide
 

formation and autoxidation in the deterioration of museum materials.
 

To support emergency conservation treat­ 5,000

ment of five paintings in critical condition
 

from the permanent collection of the Gibbes
 

Art Gallery.
 

For continued prese~’vation of a rare dug­ TF 15,000

out canoe and strengthening of the museum’s archaeological conservation program.
 

For the development and operation of the 80,000 

Rocky Mountain Regional Conservation 

Center. 

To treat several paintings from the gal­ 10,000

lery’ s European collection. 

For conservation treatment of pastcls, 4,000

drawings, etchings, graphics, and watercolors from the permanent collection.
 

To support treatment of selected weeks in 10,000 

the Institute’s Asian Collections. 

To amend a fiscal 1977 grant, which 224,540

supports a joint graduate art conservation
 

training program between the University
 

of Delaware and the Henry F. Dupon$
 

Winto’thur Museum.
 

10,000 To conserve various American Indian
 

materials, eight American and European
 

paintings, and several Oriental sculptures.
 

For a survey of the conservation needs of 4,670
 

several collections, including paintings,
 

works on paper, sculpture and textiles.
 
Museums 187 

Ferre (Luis A.) Foundation, Inc. 

Ponce, Puerto Rico For the services of a conservator to work on damaged pieces in the Ponce Museum of 

$ 12,040 

Art’s collection and the establishment oÍ a 

continuing program of conservation. 

Fieid Museum of Natural History 

Chicago, Illinois 

For the conservation of totem poles to be 

displayed in the museum’s "Marine Hunters 23,330 

and Fishermen" permanent exhibition. 

Fine Arts Museums Foundation 

San Francisco, California 

For continued support of. the master apprentice internship in decorative arts. 

10,000 

Flint Institute of Arts 

Flint, Michigan 

To restore several paintings by Dufy, 

Sisley, Goya, Teniers and others. 

6,270 

Florida, University of 

Gainesville, Florida 

To preserve several early historic and 

aboriginal canoes recently discovered in 

4,250 

Florida waterways. 

Founders Society Detroit Institute of 

Arts 

For extensive conservation treatment of objects from the institute’s collectionof 

10,000 

Detroit, Michigan French Íurniture. 

Founders Society Detroit Institute of 

Arts For conservation treatment of several Japanese and Chinese scrolls and screens. 7,350 

Detroit, Michigan 

Hammond Harwood House 

Association, Inc. 

Annapolis, Maryland 

To restore 17 oil painting portraits. 7,500 

Harvard University 

Cambridge, Massachusetts For continued support of the conservation 

training at the Fogg Art Museum’s Center 

50,000 

for Conservation and Technical Studies. 

Historic Annapolis, Inc. 

Annapolis, Maryland To conserve prints, paintings and furniture 

to be displayed in the William Paca House. 

5,240 

Honolulu Academy of Arts For support to conserve paintings by 3,590 

Honolulu, Hawaii Braque, Van Gogh, and others, and tire 

panels of scenic wallpaper. 

Huntington (Henry E.)Library and 

Art Gallery 

For continued support of emergency conservation of glass negatives of works by 

15,510 

San Marino, California Carleton Watkins, A. J. Russell and 

Edward Weston. 

Huntington (Henry E.) Library and 

Art Gallery 

For continued support for conservation of 

the photography collection. 

9,530 

San Marino, Caliíornia 

Illinois State Museum For emergency conservation of objects in 5,000 

Springfield, Illinois the anthropological-ethnographic storage 

room recently infected with fungus. 

Jersey City Public Library To survey the library museum’s collection 3,000 

Jersey City, New Jersey of drawings, watercolors and pastels of 

local scenes by August Will. 

Johns Hopkins University To survey conservation needs of marble, 31,580 

Baltimore, Maryland clay, and bronze objects in the archaeological collection, and to treat as many 

objects as possible. 

Kansas Arts Commission Fora condition survey of the Kansas State 1,100 

Topeka, Kansas Historical Society art collection. 

Kansas, University of To conserve the Helen Foresman Spencer 10,000 

Lawrence, Kansas Museum’s major holdings in American and 

European paintings. 

Kimbell Art Foundation 

Fort Worth, Texas 

For a one-year master-apprentice internship as continued study fora conservator’s 10,000 

first year as a professional. 

Leo Baeck Institute, Inc. 

New York, New York 

For continued support to restore ob]ects in 

the institute’s collection. 10,000 
188 Museums 

Leo Baeck Institute, Inc. 

New York, New York 

Loyola University of Chi¢ago 

Chicago, Illinois 

Maine State Museum 

Augusta, Maine 

Maryland Historical Society 

Baltimore, Maryland 

Michigan Department of State 

Lansing, Michigan 

Montclair Historical Society 

Montclair, New Jersey 

Museum of Fine Arts 

Boston, Massachusetts 

Museum of Fine Arts 

Boston, Massachusetts 

Museum of Modern Art 

New York, New York 

New Britain Institute 

New Britain, Connecticut 

New Hampshire Historical Society 

Concord, New Hampshire 

New York Historical Association 

Cooperstown, New York 

New York State Historical Association 

Cooperstown, New York 

New York University 

New York, New York 

North Carolina Museum of Art 

Foundation, Inc. 

Raleigh, North Carolina 

Oakland Museum Asso¢iation 

Oakland, California 

Peabody Museum of Salero 

Salem, Massachusetts 

Philadelphia Museum of Art 

Philadetphia, Pennsylvania 

Portland Art Association 

Portland, Oregon 

Ringling Museum ot’ Art Foundation, 

John and Mable 

Saraso~a, Florida 

$ 10,000 To support the treatment of several drawings, prints, and oil paintings in the institute’s collection that ate in need o] immediate conservation work. 

For support to restore Guercino’s "The 3,900 

Flight into Egype" at the Martín d’Arcy

Gallery oÍ Art. 

For the operation of the Maine State Mu- 26,810 

seum Regional Conservation Center. 

For the treatment of several paintings in the 3,650 

society’s collection as part oÍ a comprehensive conservation program. 

To conserve several paintings in the eollec- 5,000 

tion of the Miehigan Historical Museum. 

For the restoration of three early 19thcentury portraits. 

To develop protective treatments for con­ 20,000

temporary paintings and textiles. 

For a one-year advanced apprenticeship in 10,000 

conservation. 

To initiate new protective and preservation 13,000 

methods for storing the museum’s graphie 

design colleetion. 

For various preservation treatments. 2,500 

To restore two full-length portraits painted 4,870 

by Joseph Blackburn. 

For continued support of a three-year 82,000 

graduate curriculum in conservation, in cooperation with the State University of New 

York, Oneonta. 

To assist the Cooperstown conservation pro- 8,810 

grato to host the 1978 Conferenee of Students in Conservation. 

For eontinued support of the Institute of 180,000 

Fine Arts’ program in conservation. 

To establish a pilot program fora regional 14,750 

conservation center utilizing the existing 

facilities in the museum’s present quarters. 

For conservation treatment of several 10,000

paintings and watercolors in the collection. 

For a comprehensive eonservation survey 7,500

of the photography collection and the development of a plan for conservation.
 

To complete conservation treatment oÍ 5,000
 

drawings from the Arensberg, Gallatin,
 

Stern, and White collections.
 

To s~udy the conservation needs oÍ the 7,000
 

Nor~bwest region and the feasibili~y oÍ
 

establishing a conserva/¿ion facili$y ]of institwtions in tha~ region.
 

For a statewide conservation survey anda 7,000
 

two-day seminar/workshop 4o familiarize
 

museum directors with the functions of a
 

regional center.
 

900 
Musellm~ 189 

St. Louis Art Museum 

St. Louis, Missouri To frame several contemporary large-scale 

paintings in the museum’s collection to $ 3,080 

provide protection in shipping and display. 

San Antonio Museum Association 

San Antonio, Texas 

To conserve several American and European paintings anda drawing. 10,000 

Smith College 

Northampton, Massachusetts To support the conservation of 13 objects 

in media in the Smith College Museum of 5,510 

Art’s permanent collection. 

Society for the Preservation of New 

England Antiquities To transfer 3,350 nitrate negatives 

safety film. 

to 7,400 

Boston, Massachusetts 

Sons of the Revolution in the State of 

New York, Inc. 

To conserve 55 paintings in the Fraunces 

Tavern Museum’s permanent collection. 4,200 

New York, New York 

St. Michaers Cathedral 

Sitka, Alaska 

To preserve the one hundred 18th and 19th 

century icons in the permanent collection. 10,000 

Sterling and Francine Clark Art 

Institute 

For continued support for the operation and 

expansion of the Williamstown Regional 30,000 

Williamstown, Massachusetts Conservation Laboratory. 

Syracuse University 

Syracuse, New York 

For eontinued support to restore the photographs of Margaret Bourke-White. 4,000 

Upper Midwest Conservation 

Association 

Minneapolis, Minnesota 

For the compilation and publication of the 

writings of Richard Buck on the fundamentals of wood’s behavior as they relate 

2,000 

to works of art. 

Upper Midwest Conservation 

Association For continued support of the operation of 

the association whieh serves museums in 

54,000 

Minneapolis, Minnesota the Upper Midwest. 

Vermont Council on the Arts, Inc. 

Montpelier, Vermont 

For a survey of conservation treatment 

necessary for the painting "First Vermont 10,000 

Brigade: Battle of Cedar Creek" by Vermont artist Julian Scott. 

Vermont Historical Society 

Montpelier, Vermont 

To conserve eight portraits and landscapes 

in the permanent collection. 

3,510 

Walker Art Center, Inc. 

Minneapolis, Minnesota To continue the center’s program of maintenance and restoration of the collection. 

3,900 

Walters Art Gallery, Trustees of the 

Baltimore, Maryland 

For an apprenticeship in conservation. 7,700 

Washington (Mary)College 

Fredericksburg, Virginia 

For two conservators to survey the conservation needs of the permanent collection 

890 

of the Belmont Memorial Gallery. 

Washington University 

St. Louis, Missouri 

To restore several paintings and sculptures 

in the Gallery of Arts permanent collection. 

3,300 

Washington University 

St. Louis, Missouri 

For travel in order to conducta feasibility 

study for the establishment of a regional 3,000 

conservation center at the Center 

A rchaeometry. 

Whitney Museum of American Art 

New York, New York 

To survey the conservation needs of all the 

paintings in the collection. 5,000 

Wichita Art Museum Board To survey the museum’s painting collection. 2,000 

Wichita, Kansas 

Wilmington Society of the Fine Arts For conservation treatment of works on 2,500 

Wilmington, Detaware paper and .for treatment of a gitt and gesso 

painting by Sir Edward Burne-Jones. 

Wright State University 

Dayton, Ohio 

For the conservation of the original 9tass 

plate and nitrate negatives of 20th-centu~y 10,000 

photographer Jane Reece. 
190 Museums 

$ 6,200 Yale University	 For conservation of works of the societé 

New Haven, Connecticut anonyme collection.

American Museum of Natural History	 Fora survey of study-storage facilities and 17,500 Renovation New York, New York renovation needs of the museum’s anthro- To assist museumsin install­ pology collection. ing climate control~ security,

and storage fa¢ilities in 200,000 buildings completed before Brooklyn Institute of Arts and For the installation of a complete clima~e 

1971. Sciences control system. Program funds: $434,100 Brooklyn, New York
 Treasury funds : $575,000
 

Private gifts: $681,949 California--Los Angeles, University of 12,000 

Los Angeles, California museum’s existing te~ctile storage areas. 

For the renovation and expansion of the 

Cincinnati Museum Assn./The Art To install tire, smoke and alarm detection 29,590 

Academy of Cincinnati and environmental control equipment in the 

Cincinnati, Ohio most critical areas of the museum. 

Ferre (Luis A.) Foundation, Inc.	 To install climate control equipment in the 12,500 

Ponce Museum to prevent damage to paint- Ponce, Puerto Rico ings in the collection. 

Guggenheim (Solomon R.) Foundation For the renovation of the museum’s security 25,000 

New York, New York and climate control systems. 

7,500 Harvard University To examine various methods of skylight 

Cambridge, Massachusetts modifications at the Fogg Art Museum. 

Michigan State University For the installation of a smoke detection 12,250

East Lansing, Michigan system in the museum. 

Museum of Fine Arts	 For continued support of the museum’s TF 500,000

climate control renovation program. PG 500,000 Boston, Massachusetts 

For consultant services to study existing 17,250 Museum of Modern Art 

New York, New York climate control and security systems and

to determine renovation needs. 

Muskegon School District For consultant services to assess climate 3,000

Muskegon, Michigan control and storage needs of the Hackley 

Art Museum. 

New York University	 For installation of renovations in the Grey 4,500 

New York, New York Art Gallery to prevent further vandalism.

New York Zoological Society For the installation of an alarm system. 12,230 

Bronx, New York 

Oak Ridge Community Art Center For the installation of a security/fire 

Oak Ridge, Tennessee safety system. 

Phillips Collection For preliminary plans for improving art 6,750 

Washington, D.C. storage facilities for approximately 2,000 

art works. 

Phillips Collection For the refurbishing of the colleetion’s 1,500 

Washington, D.C. electrical system. 

Ramsey County and St. Paul For the purchase and installation of a new 3,180 

Historical Society, Inc. furnace with humidity control and a tire 

and intrusion prevention system in the St. Paul, Minnesota Society’s main building. 

Rhode Island School of Design Fora climate control system. PG 44,449

Museum of Art 

Providence, Rhode Island 

For the establishment of a study/storage 13,000 St. Louis Art Museum collection of TF 25,000 St. Louis, Missouri center for the museum’s

western paintings. PG 25,000

17,870 For the conversion and renovation oÍ a 

second floor west wing space into a textile St. Louis Art Museum 

St. Louis, Missouri study/storage facility. 

650 
Museums 191 

San Francisco Museum of Art, 

Trustees of 

San Francisco, California 

For costs associated with the museum’s 

renovation/installation pro]ect. PG$62,500 

South Dakota State University 

Brookings, South Dakota For the installation of ah infra-red intrusion detector system at the Memorial Art 1,580 

Center. 

Syracuse University 

Syracuse, New York For the installation of security and climate 

control systems in the gal.lery. 

25,000 

Telfair Academy of Arts and Sciences 

Savannah, Georgia To support improvements in the academy’s 

air conditioning system, provide a security 

alarm system, and construct adequate bins 

7,000 

in the storage rooms. 

Valentine Museum 

Richmond, Virginia 

To extend climate control, security, anda 

a sprinkler system. TF 50,000 

PG 50,000 

Warren Wilson College, Inc. 

Swannanoa, North Carolina 

For tire protection and materials ]of three 

ramps which will provide access for the 2,150 

handicapped. 

Wharton Esherick Museum 

Paoli, Penn~ylvania To add humidity control equipment to the 

museum’s hot air heating system and to 2,100 

provide for more e~ective storage areas. 

American Association for State and 

Local History 

Nashville, Tennessee 

American Association of Museums 

Washington, D.C. 

American Law Institute 

Philadelphia, Pennsylvania 

For the completion of the association’s series 

of slide/tape programs documenting various 

conservation techniques for historic houses, 

For continued support of the publication 

and upgrading o/ several AAM publications, including Museum News, Aviso, and 

the AAM/ICOM Newsletter. 

To provide stipend support Íor 80 prolessionals to attend a three-day course of 

34,060 Services to the Field 

To support services to the

field such as research, pub­ lications (other than periodi­ cals), workshops, and semi­ 25,000 nars provided by museums of 

otherorganizations suchas

state or regional arts agencies and national or regional

museum associations. 

24,000 Program funds: $276,150 

study on "Legal Aspects of Museum Administration" at the Field Museum of 

Natural History in Chicago. 

Association of Science-Technology 

Centers 

To develop, plan and conduct a workshop 

for museum professionals providing orien­ 27,050 

Washington, D.C. tation and sensitizing material on the experiences of the handicapped. 

Museum of Fine Arts 

Boston, Massachusetts 

For a conference and workshops concentrating on historic upholstery and drapery 18,560 

from the 17th to the 20th centuries. 

Museums Collaborative, Inc. 

New York, New York 

For an arts administration course to be 

offered to museum professionals, anda pub­ 26,660 

lications management symposium. 

New Mexico, University of 

Albuquerque, New Mexico 

To document collections of Mimbres pottery 

through a central archive facility at the 

20,000 

Maxwell Museum of Anthropology. 

New York University 

New York, New York 

To support the Conservation Center, Institute of Fine Arts in the publication of Art 

19,000 

and Archaeology Technical Abstracts. 

New York University 

New York, New York For a prototype exhibition of sculpture for 

the blind and partially sighted at the Grey 

13,760 

Art Gallery as well as a symposium. 

0pportunity Resources for the Arts For placement, counseling, and other serv­ 17,000 

New York, New York ices to individuals and organizations involved in the museum and visual arts fields. 

Western Association of Art Museums For continued support of a feasibility study 5,070 Oakland, California fora program in museum administration 

for early and mid-career professionals. 
192 Museums 

Western Association of Art Museums For a one-month "Museum Management $ 45,990 

Oakland, Catifornia 

General Programs Art Institute of Chicago

To assist projects that ate not Cñicago, Illinois in¢ludedinothergrant 

categories, Program funds: $308,786 

Brooklyn Institute of Arts and 

Sciences 

Brooklyn, New York 

.~ 

Charlotte Nature Museum 

Charlo¿te, North Carolina 

Elmwood Creative Arts Foundation 

Fort Worth, Texas 

Field Museum of Natural History 

Chicago, Illinois 

Franklin Institute 

Philadelphia, Pennsylvania 

Friends of Timberline 

Mount Hood, Oregon 

Guggenheim (Solomon R.)Foundation 

New York, New York 

Intermuseum Conservation Association 

Oberlin, Ohio 

Louisiana State Museum 

New Orleans, Louisiana 

National Endowment for the 

Humanities 

Washington, D.C. 

Oakland Museum Association 

Oakland, California 

Oregon Arts Commission 

Salero, Oregor~ 

Portland Art Association 

Portland, Oregon 

Santa Barbara Museum of Art 

Santa Barbara, California 

WGBH Educational Foundation 

Boston, Massachusetts 

WGBH Educational Foundation 

Boston, Massachusetts 

Whitney Museum of American Art 

New York, New York 

Wisconsin Arts Board 

Madison, Wisconsin 

Institute" providing managemen¿ training 

for the 30 museum staff members. 

For an "energy audit" and ¿o explore the 20,000

possibility of utilizing ¿he museum’s sky-


Iights in developing a solar heating and
 

cooling system.
 

To microfiche photographs in volumes len¿ 10,000

by the Aegyptische Staatsammlung of
 

Munich and to microf!ehe the photographs
 

of ¿he University of Marburg.
 

5,190 To provide 8upport for three staff merobers to study educational programming.
 

Fora series of multidisciplinary programs, 10,000 

in coopera¿ion with the Fort Worth Art 

Museum, exploring coneeptual ehanges in 

the development of art and cul¿ure. 

For programs developed to complement the 12,500

museum’s permanent exhibir. 

Fora series oí experiments to measure 20,000

visual learning, interaction-based learning,
 

and the faeilitation of linguistically-based
 

informa¿ion transfer as a result of a
 

museum visit.
 

For a coordinator of res¿ora¿ion to com- 7,510 

plete the Timberline Res¿ora¿ion Projeet. 

To ereate a complete graphic system for 6,560 

the p_resentation of publie inÍormation and 

guidanee at the museum. 

To suppor¿ a meeting of the direetors of 3,816

the nine regional conserva¿ion laboratories
 

in the United States.
 

To catalog, organize, preserve, and prepare 11,700 

for exhibition the New Orleans Jazz Club 

colleetions recently given to the museum. 

A transfer of funds for the activities of 75,000

the American Federa¿ion of Arts International Exhibitions Committee.
 

To assist in the production of a multi- 3,360 

media presenta¿ion, "Cinema¿le California." 

For eontinued support for Visual Arts 18,250

Services, a travelling exhibí¿ion program
 

produced by the University of Oregon Art
 

Museum.
 

To improve the museum’s business manage- 17,000 

ment. 

7,000 To examine new approaches to fine arts
 

insurance for art museums.
 

To produce a television program based on 17,500

the exhibition "Pompeñ 79 A.D." 

For the produc¿ion of a half-hour television
 25,000

program based on ¿he exhibition "Treasures


oÍ Early Irish Art, 1500 B.C. to 1500 A.D."
 

For continued support of the downtown 30,000

branch of the museum. 

8,400 To prepare and publish a catalogue do~umenting the eoncrete s~’ulpture of Ameriean
 

artist Fred Smith.
 
193 

Program funds : $10,353,965 

Treasury funds: $4,686,974 Music Private gifts : $4,689,620

Center for Chamber Music at Apple 

Hill Farm, Inc. 

To support the New Hampshire Chamber 

Music Festival. 

$ 7,500 Audience Development 

To further professional music 

East Sutlivan, New Hampshire activities in areas of the 

country that have limited 

Eastern Music Festival, Inc. 

Greensboro, North Carolina 

Festival Foundation, In¢./Spoleto 

To support the artists in ~esidence and 

"Project Listen" programs. 

To support admi~istrative and artistic exaccess to these resout’ces. 21,000 Program funds: $300,000 

Treasury funds: $25,000 

Private gifts: $25,000 50,000 

Festival, USA penses of the musical portion o] the Spoleto 

New York, New York Festival in Charleston, South Carolina. 

Inter-American Music and Arts To support the 9th Inter-American Music 20,000 

Festivals Foundation Festival. 

Washington, D.C. 

Lincoln Center for the Performing To suppo~t the Audience Development Pro­ 25,000 

Arts, Inc. grato for the 1978 Mostly Mozart Music 

New York, New York Festival. 

Monadnock Music To support a seven-week summer session 10,O00 

Jaffrey, New Hampshire of free concerts in various locations. 

Music in the Mountains To support a six-week summer concert se~’ies 6,500 

Burnsville, North Carolina by the Cello Chamber Players. 

North Carolina School of the Arts To support the Piedmont Chamber Orches­ 15,000 

Foundation, Inc. tra in a program of touring in the southeast 

Winston-Salem, North Carolina states. 

Orchestrada Camera, Inc. To support orchestra, opera, jazz, and 35,000 

North Massapequa, New York dance presentations in schools. 

Orchestra da Camera, Inc. 

North Massapequa, New York 

To support orchestra, opera, dance, and 

jazz presentations in schools. 

25,000 

Performing Artists Cultural 

Endeavors, Inc. 

To support chamber music concerts in two 

New York suburban areas by the Philhar10,000 

Chappaqua, New York monia Virtuosi of New York. 

Robin Hood Dell Concerts, Inc. To support conductors’ and soloists’ lees 25,000 

Philadelphia, Pennsylvania and music rental for the 1978 season of 

free concerts by the Philadelphia Orchestva. 

Santa Fe Chamber Music Festival, Ltd. To support two projects of the 1978 festi­ 10,000 

Santa Fe, New Mexico val, the American Composer in the 20th 

Centu~’y Series and the Schubert Series. 

Theatre Development Fund, Inc. To support a music voucher program for 10,000 

New York, New York small professional music gvcups. 

West Virginia Arts and Humanities To suppovt weekend ovchestra ]estivals by 30,000 

Commission the Charleston and Wheeling Sympkony 

Charleston, West Virginia Orchestras. 

Young Audiences, Inc. For support of the National Executive ~rF 25,000 

New York, New York O~ce. 
 

194 Music 

Aeolian Chamber Players, Inc. Solo Artist/Ensemble

To provide opportunities for New York, New York 

professional soloists and ensembles to advance their Atñliate Artists, Inc. 

careers and to enable spon- New York, New York soring organizations to enhance artisti¢ quality in their Alaska State Council on the Arts

eommunities. 

Program funds: $253,676 

Orchestra 

To help orchestras.improve

artistic quality; broaden 

their repertories, with emphasis on works by American

composers; provide professional opportunities for

Anchorage, Alaska 

Boehm Quintette, Inc. 

New York, New York 

Chamber Music America, Inc. 

New York, New York 

Chamber Music Socie~y of Lincoln 

Center, Inc. 

New York, New York 

Connecticut, University of 

Storrs, Connecticut 

Dorian Woodwind Quintet Foundation 

New York, New York 

Kansas, University of 

Lawrence, Kansas 

Maryland Arts Council 

Baltimore, Maryland 

Marywood College 

Scranton, Pennsylvania 

Orpheus Chamber Ensemble, Inc. 

New York, New York 

Pro Musicis Foundation, Inc. 

New York, New York 

Pro Musicis Foundation, Inc. 

New ~~rk, New York 

South Carolina Arts Commission 

Columbia, SouthCarolina 

Southeast Alaska Regional Arts 

Council, Inc. 

Sitka, Alaska 

Tompk~ns County Arts Council, Inc. 

Ithaca, New York 

Waverly Consort, Inc. 

New York, New York 

Wisconsin Arts Board 

Madison, Wisconsin 

Albany Symphony Orchestra, Inc. 

Albany, New York 

Amarillo Symphony, Inc. 

Amarillo, Texas 

American artists; and serve a American Symphony Orchestra League 

wider community through use Vienna, Virginia 

of smaller performing groups. Program funds: $4,432,180 American Symphony Orchestra, Inc. Treasury funds: $2,086~500 New York, New York 

Private gifts: $2,086,500 

$ 19,930 To support mini-residencies and concerts at 

various locations in the United States. 

To support the Community Artists resi- 12,000 

dency ¿raining program. 

To support tenor Gene Tucker in a seríes of 9,250 

resídeneies and performances in Alaska. 

To support concerts and/or lecture-demon- 8,810 

strations by the quintette in Brooklyn. 

To support, in conjunction with the Paul 40,000 

Foundation, a subgranting program for 

residencies by ehamber music ensembles. 

To support touring aetivities. 10,000 

To support the Eastern Brass Quintet’s 11,450 

tours throughout Connecticut, including 

school residencies and public performances. 

To support a tour of chamber music per- 12,500 

formances by the Dorian Woodwind Quintet. 

To support Ann Koscielney and the Amer- 12,300 

ican String Quartet in a series of concerts 

and workshop residencies. 

To support a series of concerts and classes 11,000 

by the Annapolis Brass Quintet. 

To support concert tours of the Audubon 15,000 

String Quartet. 

To support activities during a music festi- 10,000 

val in West Palm Beach, Florida. 

To support a series of concerts featuring 10,000 

young American soloists. 

To support a series of concerts featuring 10,000 

young American soloists. 

To support brief residencies of the Philidor 10,240 

Trio and the New York Lyric Arts Trío. 

To support Linda Rosenthal and the Phila- 7,980 

delphia String Quartet in a series of master 

classes and performances. 

To support a series of concerts, lecture- 14,476 

demonstrations, and workshops/master 

classes by the Amade Trio. 

To support a concert tour of the United 20,000 

States, including workshops. 

To support the Wisconsin Chamber Players’ 8,740 

touring and residency program. 

To support the engagement of a publicity 20,000 

coordinator and run-out concerts. 

To support in-school concerts. 6,000 

To suppor¿ on-site artistic evaluations of 32,000 

selected symphony and chamber orchestras. 

To support concerts in Carnegie Hall and TF 50,000 

additional rehearsal time for those concerts. 
Music 195 

Arkansas Orchestra Society, Inc. 

Littl¢ Rock, Arkansas 

To support the engagement of professional 

string musicians to perform with the or­ $ 21,870 

chestra and to provide educational services. 

Atlanta Arts Alliance, Inc. 

Atlanta Symphony Orchestra 

Atlanta, Georgia 

For support of a program of regional 

services in the southeast states of Georgia, 

North Carolina, and South Carolina. 

105,000 

TF 55,000 

PG 55,000 

Austin Symphony Orchestra Society 

Austin, Texas 

To support the orchestra’s de~)elopment 

program. 

5,000 

Baitimore Symphony Orchestra A regional touring program anda promo­ 105,600 

Associatioa, Inc. 

Baltimore, Maryland tion/development project. TF 55,000 

PG 55,000 

Bangor Symphony Orchestra 

Bangor, Maine To support an outreach performance project and administrative personnel. 

6,000 

Birmingham Symphony Association 

Birmingham, Alabama 

To support a Friday night concert series 

anda pops coneert. 

37,800 

Boston Symphony Orchestra, Inc. To support the "Second Audience" program 118,800 

Boston, Massachusetts involving both a morning and chamber TF 55,000 

musie series; summer concerts in Boston; PG 55,000 

preconcert discussions and commentary program; anda New England tour. 

Brooklyn Philharmonia, Inc. 

Brooklyn, New York To support the ezpansion of the in-school 

program, increased rehearsal time, and the 

18,870 

continuation of a community concert series. 

Buffalo Philharmonic Orchestra 

Society, Inc. 

Fo~r concerts in neighboring counties; 

young people’s concerts; a summer parks 

100,000 

TF 55,000 

Buffalo, New York co~cert series; anda young American ar- PG 55,000 

tists series. 

Canton Symphony Orchestra To support: ezpansion of the subscription 12,000 

Association series; a kinder-koncert series; engagement 

Canton, Ohio of publie relations personnel; and continued 

engagement of a professional string quartet. 

Cedar Rapids Symphony Orchestra 

Association 

To support the continued engagement of 

four principal string players to perform 

13,900 

Cedar Rapids, Iowa with the orchestra and to provide ensemble 

services. 

Chamber Symphony Society of 

California, Inc. 

To support you~h coneerts in the schools 

and special eoncerts for handicapped youth. 

10,000 

Los Angeles, California 

Charlotte Symphony Orchestra To support performances of the ehamber 26,870 

Society, Inc. orchestra and ensembles in North and 

Charlotte, North Carolina South Carolina. 

Chattanooga Symphony Association, To support concerts in neighboring com­ 14,000 

Inc. munities and a pops concert. 

Chattanooga, Tennessee 

Chautauqua Institution (Chautauqua 

Symphony Orchestra) To support: the engagement of additional 

musicians; additional rehearsal time; a 

11,870 

Chautauqua, New York concert for young people; anda performance with the Cleveland Orchestra Chorus. 

Cincinnati Symphony Orchestra For the atea artist series and the mini­ 23,400 

Cincinnati, Ohio festival program. TF 141,000 

PG 141,000 

Colorado Springs Symphony To support additional rehearsal time and 10,400 

Orchestra Asso¢iation the engagement of additional musicians, inColorado Springs, Colorado cluding the Colorado Springs Trío. 

Columbus Symphony Orchestra, Inc. For the support of ah educational program, 40~000 

Columbus, Ohio the continued engagement of a string quan’­ TF 15,000 

tet and woodwind quintet, and the produe- PG 15,000 

tion of three operas. 
196 ~usic 

Concerto Sotoists of Philadelphia 

Philadelphia, Pennsylvania 

Corpus Christi Symphony Society 

Corpus Christi, Texas 

Dallas Symphony Association, Inc. 

Dallas, Texas 

Dayton Philharmonic Orchestra 

Association 

Dayton, Ohio 

Denver Symphony Association 

Denver, Colorado 

Des Moines Symphony Association 

Des Moines, Iowa 

Detroit Symphony Orchestra, Inc. 

Detroit, Michigan 

Duluth-Superior Symphony 

Association 

Duluth, Minnesota 

El Paso Symphony Orchestra 

Association 

El Paso, Texas 

Erie Philharmonic, Inc. 

Erie, Pennsylvania 

Evansville Philharmonic Orchestral 

Corporation Endowment Trust 

Evansville, Indiana 

Festival Casals, Inc./Puerto Rico 

Symphony Orchestra 

San Juan, Puerto Rico 

Flint Institute of Music 

Flint, Michigan 

Florida Gulf Coast Symphony, Inc. 

St. Petersburg, Florida 

Florida Symphony Orchestra, Inc. 

Orlando, Florida 

Florida West Coast Symphony 

Orchestra, Inc. 

Sarasota, Florida 

Fort Lauderdale Symphony Orchestra 

Fort Lauderdale, Florida 

Fort Wayne Philharmonic Orchestra 

Fort Wayne, Indiana 

Fort Worth Symphony Orchestra 

Association, Inc. 

Fort Worth, Texas 

Fresno Philharmonic Association 

Fresno, California 

$ 8,000 To support the presentation of young artists 

in concert; the prov4sion of low-cost tickets 

to students and senior citizens; the performance of works by young ¢omposers. 

To support free pub~ie coneerts, programs 16,000

at city recreation centers, the continued 

engagement of a bi-tingual administrative 

assistant, and concerts. 

To support: performances in neighboring 95,600 

eommunities; pops eoncerts; youth concerts. TF 65,000 

PG 65,000 

To support young people’s coneerts, ah en­ 21,870

sembte program to provide edueational 

services, anda concert. 

To support the college-in-residence pro- 95,600

TF 65,000 

grato, and the young people’s concert series. PG 65,000 grato, the administrative internship proTo support the matinee series and two 11,870 

chamber orchestra concerts. 

99,400 

TF 65,000 For support of divided orchestra performances in inner-city schools and full orchestra
 

educational concerts.
 PG 65,000 

To support additional rehearsal time, the 10,810

continued engagement of three principal
 

musicians, in-school concerts.
 

To support the engagement of a eonsultant 6,000

in development. 

To support concerts and additional re­ 20,000

hcarsal time. 

To support in-school eoncerts by the eham- 5,000 

ber orehestra and an audienee development 

program. 

To suppor~ a children’s series, the presen­ 40,000

tation of young Puerto Rican soloists, administrative development activities.
 

To support the continuation of the youth 12,340

eoncerts. 

To support youth concerts. 25,000 

To support a contemporary music festival, 25,000

"rF 10,000 

laborative programs with local ballet and PG 10,000 

choral groups, and promotional activities. 

performances in small communities, colTo support the engagement of an assistant 6,000 

manager. 

To support concerts. 15,000

To suv?~ort the continued engagement of 14,340

professional musieians ~o perform with the
 

orches~ra.
 

To support ensemble and chamber orchestra 11,870 

concerts in schools and in the community. 

To support concerts, youth concerts, the 35,000

engagement of a fund drive eoordinator,
 

and engagement of a string ~rio.
 
Music 197 

Grand Rapids Symphony Society To support the continued engagement of $ 21,870 

Grand Rapids, Michigan professional musicians to perform with the 

orchestra and to provide ensemble services. 

Greater Akron Musical Association To support the engagement of additional 1,870 

Akron, Ohio string players, additional rehearsal time, TF 11,000 

and the In-School Young Peoplc’s Concerts. PG 11,000 

Greater Miami Philharmonic Society To support the Family/Young Pcoplc’s 35,000 

Miami, Florida Concerts. 

Honolulu Symphony Society To support concerts on neighboring islands, 105,600 

Honolulu, Hawaii the summer starlight series, the continued TF 20,000 

engagement of a director of development, PG 20,000 

and statewidc youth concsrts. 

Housing Symphony Orchestra, Inc. To support the engagement of a consultant 6,000 

New York, New York in administration and dcvelopment. 

Houston Symphony Society For support of outdoor concerts, student 19,600 

Houston, Texas concerts, and a chamber musie series. TF 141,000 

PG 141,000 

Hudson Valley Philharmonic Society 

Poughkeepsie, New York 

To support the continued engagement of

young American soloists to perÍorm with 

15,000 

the orchestra. 

Indiana State Symphony Society, Inc. To support youth concerts, the Visions con­ 109,400 

Indianapolis, Indiana certs, and concerts in Indiana communities. TF 55,000 

PG 55,000 

Island Orchestra Society, Inc. To support the expansion of services to 7,500 

Huntington, New York Long Island’s east end. 

Jackson Symphony Orchestra 

Association 

To support the continued engagement of 

professional string musicians to perform 

40,000 

Jackson, Mississippi with the orchestra. 

Jacksonville Symphony Association To support an cducation concert series and 35,000 

Jacksonville, Florida the engagement of additional musicians to 

perform with the orchestra. 

Johnstown Municipal Symphony To support a concert by the orchestra and 5,000 

Orchestra guest artist, Dave Brubeck. 

Johnstown, Pennsylvania 

Kalamazoo Symphony Society, Inc. Kalamazoo, Michigan To support young people’s concerts and 

chamber orchestra concerts. 

12,620 

Kansas City Philharmonic Association To support chamber orchestra concerts in 15,600 

Kansas City, Missouri schools and surrounding communities, workshops and performance services at regional 

TF 105,000 

PG 105,000 

colleges, promotional activities, park concerts, and young person’s concerts. 

Knoxville Symphony Society, Inc. To support the Knoxville pops concert, the 14,370 

Knoxville, ’Tennessee expansion of services provided by the string 

quartet, and educational concerts. 

Lexington Philharmonic Society To support a series of ou$-of-town concerts. 6,000 

Lexington, Kentucky 

Lincoln Symphony Orchestra To support the engagement of a proles­ 6,000 

Association sional manager. 

Lincoln, Nebraska 

Long Beach Symphony Association 

Long Beach, California 

To support the engagement of guest conductors. 

6,000 

Los Angeles Chamber Orchestra 

Society, Inc. 

To support expansion of run-out concerts 

and subscription concerts. 

10,000 

Hollywood, Caliíornia 

Los Angeles Philharmonic Association 

Los Angeles, California 

To support open house at The Bowl, symphonies for youth, in-school and campus 108,800 

conceí’ts. 
198 Music 

Louisville Orchestra, Inc. 

Louisville, Kentucky 

To support ensemble and chamber orchestra 

mini-performances and .full orchestra tours. 

$ 49,800 

Madison Civic Music Association To support concerts. 6,000 

Madison, Wisconsin 

Memphis Orchestral Society, Inc. To support little symphony performances 43,500 

Memphis, Tennessee in schools, promotional activities, and engagement of two teacher/musicians to ~each 

in the schools and to perfor~n with the 

orchestra. 

Midland-Odessa Symphony and To support the engagement of a string 4,000 

Chorale, Inc. quar~et to provide ensemble services. 

Midland, Texas 

Milwaukee Symphony Orchestra, Inc. 

Milwaukee, Wisconsin 

For the support of youth coneerts, concerts 

by full orchestra and ensemb~es, open re95,600 

hearsals, and collaboration with the Florentine Opera Company. 

Minnesota Orchestral Association To support young people’s concerts, the 99,400 

Minneapo]is, Minnesota "rug" concerts series, a regional tickct sales 

program, regional touring, and the summer 

TF 65,000 

PG 65,000 

series for handicapped and senior citizens. 

Minnesota Orchestral Association For support of the adopt-a-school program, TF 65,000 

Minneapolis, Minnesota young people’s, outdoor, and "rug" con- PG 65,000 

certs, programming of contemporary works, 

tour performances, and administrative sta~. 

Monterey County Symphony 

Association, Inc. 

Carmel, California 

For support of the eontinued engagement of 

professional musicians to perform with the 

orchestra and to provide ensemble programs. 

TF 9,500 

PG 9,500 

Music for Westchester, Inc. To support additional rehearsal time. 6,000 

White Ptains, New York 

Musical Arts Association For support of concerts in neighboring 108,800 

Cleveland Orchestra communities as well as educational con- TF 65,000 

Cleveland, Ohio certs for students. PG 65,000 

Nashville Symphony Association To support the continuation of the in­ 28,700 

Nashville, Tennessee school music education program. 

National Symphony Orchestra To support: the Wolf Trap summer con­ 209,400 

Association of Washington, D.C. cert series, the Kennedy Center youth con- TF 80,000 

Washington, D.C. certs, anda development program. PG 80,000 

New Haven Symphony Orchestra, Inc. To support additional rehearsal time, the 30,000 

New Haven, Connecticut engagement of Ameriean soloists, promotional activities. 

New Jersey Symphony Orchestra 

Newark, New Jersey 

To support coneerts, promotional aetivities, 

and in-school concerts. 

15,600 

TF 105,000 

PG 105,000 

New Mexico Symphony Orchestra 

Albuquerque, New Mexico 

To support the educational programs in 

Albuquerque, performances throughout the 

25,000 

state, and orchestral serviees in a festival. 

New Orleans Philharmonic Symphony For support of a regional concert series, 95,600 

Society collaborative programming with local 

New Orleans, Louisiana ballet and choral groups, eontinued engagement of development and administrative 

sta~, and additional rehearsal time. 

Norfolk Symphony Association To support eoneerts and the continued en­ 15,000 

Norfolk, Virginia gagement of professional development personnel. 

North Carolina Symphony Society For the edueational coneert program in­ 59,400 

Raleigh, North Carolina volving full orchestra, ehamber and ensemble performances throughout the state. TF 25,000 

PG 25,000 

Oakland Symphony Orchestra 

Association 

To support expansion of the subscription 

series, coneerts in eommunity parks, and 

20,000 

Oakland, California the in-school discovery program. 
 

Musie 199 

Oklahoma Symphony Orchestra, Inc. 

Oklahoma City, Oklahoma For support of the orehestra’s educational 

programs, concerts and tours, and the engagement of ah assistant conductor. 

$ 2,800 

TF 30,000 

PG 30,000 

Omaha Symphony Association 

Omaha, Nebraska 

To support the eontinued engagement of a 

string quartet. 14,380 

Opera Orchestra of New York, Inc. To support opera performances in coneert 2,340 

New York, New York form, preview eoneerts for students and TF 10,000 

senior citizens. PG 10,000 

Orchestral Association/Chi¢ago 

Symphony Orchestra 

Chicago, Illinois 

For educationai concerts for school ehildren, university students, and the aged. 108,800 

TF 65,000 

PG 65,000 

Oregon Symphony Society 

Portland, Oregon 

For support of the regional, edueational, 

and family eoncerts, a chamber orchestra 43,700 

TF 20,000 

series; and television interview programs. PG 20,000 

Pasadena Symphony Association To support additional rehearsal time and 10,000 

Pasadena, California the engagement of orehestra musicians to 

eoach students. 

Philadelphia Orchestra Association 

Philadelphia, Pennsylvania 

To support students’ and ehildren’s concerts 

and the Robin Hood Dell Concerts. 108,000 

TF 65,000 

PG 65,000 

Philharmonic Society of Northeastern 

Pennsylvania 

Avoca, Pennsylvania 

To support additional rehearsal time, engagement of two guest conductors, and 

engagement of A~nerican guest artists. 

15,000 

Philharmonic Symphony Society of 

New York 

New York, New York 

To support outdoor summer concerts. ~I’F 65,000 

PG 65,000 

Philharmonic-Symphony Society of 

New York, Inc. 

To support an outdoor eoncert series and 

an educational program which culminates 108,000 

TF 65,000 

New York, New York in a performance of the All-City High 

School Orchestra. PG 65,000 

Phoenix Symphony Association 

Phoenix, Arizona 

For support of in-school educational progratas, conccrts to small communities, and 

collaboration with Ballet West. 

43,700 

TF 20,000 

PG 20,000 

Pittsburgh Symphony Society 

Pittsburgh, Pennsylvania 

To support college residencies and orchestral 

services ]or ballet and opera performances. 

108,800 

TF 65,000 

PG 65,000 

Portland Symphony Orchestra To support youth concerts, the engagement 32,500 

Portland, Maine of a string quartet to perform with the 

orchestra and provide ensemble services, 

and concerts by the chamber orchestra. 

Queens Symphony Orchestra, Inc. To support additional rehearsal time. 8,000 

Forrest Hills, New York 

Rhode Island Philharmonic Orchestra To support ensemble and ]ull orchestra con­ 30,000 

Providence, Rhode Island certs in schools. 

Rhode Island Philharmonic Orchestra For ensemble and full orches~ra concerts in TF 15,000 

Providence, Rhode Island schools. PG 15,000 

Richmond Symphony 

Richmond, Virginia 

For the continued support of the statewide 

touring program of the Richmond Sinfonia. 

28,700 

TF 15,000 

PG 15,000 

Rochester Philharmonic Orchestra 

Rochester, New York 

To support educational eoncerts, free public 

concerts, mini-tours, college residencies, a 

95,600 

TF 65,000 

Mozart series, and summer concerts. PG 65,000 

Rochester Philharmonic Orchestra To support educational concerts, free public TF 65,000 

Rochester, New York concerts, mini-tours, college residencies, a PG 65~000 

Mozart series, and summer concerts. 

Sacramento Symphony Association To support the engagement of professional 20,000 

Sacramento, California string players to perform with the orchestra. 
200 Music 

St. Louis Symphony Society For the metropolitan youth concert pro­ $ 99,400 

St. Louis, Missouri gratas; the environment program, a chato- TF 65,000 

ber muslo series. PG 65,000 

St. Paul Chamber Orchestra Society 

St. Paul, Minnesota 

For the "Perspeetive Series," expansion of 

¿he "Baroque Series," low admission tickets 53,700 

TF 30,000 

for students and senior citizcns, and re- PG 30,000 

gional touring. 

San Diego Symphony Orchestra 

Association 

San Diego, Catifornia 

Fora summer concert series, young peo~ale’s 

concerts, in-school conecrts, and additional 

rehearsal time. 

TF 50,000 

PG 50,000 

San Francisco Chamber Orchestra 

San Francisco, California 

To support the "Twilight Series." 6,000 

San Francisco Symphony Association 

San Francisco, California 

For the symphony in-sehool program and 

the San Francisco Symphony Forum. 73,800 

’TF 100,000 

PG 100,000 

San Jose Symphony Association 

San Jose, California 

To support concerts in northern Santa Clara 

County, outdoor concerts in parks and shop­ 22,800 

ping centers, in-school concerts. 

Santa Barbara Symphony Orchestra 

Association 

To support the Sunday matinee concert 

series. 10,000 

Santa Barbara, California 

Savannah Symphony Society 

Savannah, Georgia To support the ensemble and ~ull orchestra 

concerts for students. 

11,870 

Seattle Symphony Orchestra, Inc. 

Seattle, Washington 

To support the Sunday matinee series, the 

maintenance of the assistant conductor posi­ 95,600 

tion, and the continuation of the regular 

subscription series. 

Shreveport Symphony Society 

Shreveport, Louisiana 

To support a regional touring program and 

ensemble concerts in schools throughout 

20,000 

Arkansas, Louisiana, and Texas. 

Sioux Falls Symphony 

Sioux Falls, South Dakota 

To support the engagement of an assistant 

manager to administer the string quartet. 

6,000 

South Bend Symphony Orchestra To support a family concert in a shopping 6,000 

Asso¢iation center and chamber orchestra concerts in 

South Bend, Indiana the schools. 

Spokane Symphony Society 

Spokane, Washington 

To support an outreach program of concerts, coltege residencies, and work with a 

community orchestra. 

40,000 

Springfield Orchestra Association To support the engagement of pro]essional TF 15,000 

Springfield, Massachusetts musicians to perform with the orchestra FG 15,000 

and to provide ensemble services, youth 

concerts, and engagement of ah assistant 

manager. 

Springfield Symphony Orchestra To support the ongoing guest artist series. 6,000 

Springñeld, Ohio 

Symphony Society of Greater For the support of the orchestra’s educa­ 15,000 

Hartford, Inc. tional program. TF 15,000 

Hartford, Connecticut PG 15,000 

Symphony Society of San Antonio To support engagement of artistic and 105,600 

San Antonio, Texas administrative personnel, an extended sea- TF 30,000 

son, an improved education program, and PG 30,000 

participalion in the Rio Grande Vatley 

International Musie Festival. 

Syracuse Symphony Orchestra, Inc. To support an American muslo series, the 9,400 

Syracuse, New York apprentice conductor program, ]amily concerts in rural eommunities. 

TF 70,000 

PG 70,000 

Toledo Orchestra Association, Inc. To support chamber and full orchestra con­ 35,000 

Toledo, Ohio certs in rural communities and the orchestra’ s educational activities. 
Music 201 

Tri-City Symphony Orchestra	 To suppor~ ~he Sund~~ fam~[y series. $ 7,000 

Association 

Davenport, Iowa 

Tucson Symphony Society To support the expansion of the in-school 10,000 

Tucson, Arizona ensemble program and run-out concerts. 

Tulsa Philharmonic Society, Inc.	 To support the engagement of eight violin- 16,910 

’Tulsa, Oklahoma	 ists and tire principal winds to períorm 

with the orchestra, the Tulsa Opera, and 

Civic Ballet. 

Utah Symphony Orchestra To support a regional program involving 120,600 

Salt Lake City, Utah educational, symphony-ballet, and sym- TF 40,000 

phony-opera performances. PG 40,000 

Vermont Symphony Orchestra To support additional rehearsal time and 12,500 

Association, Inc. engagement of a string quartet. 

Burlington, Vermont 

Wichita Symphony Society, Inc. To support a touring program in Kansas 30,000 

Wichita, Kansas and development activities. 

Winston-Salem Symphony Association To support the in-school music education 10,000 

Winston-Salem, North Carolina program and the engagement of professional musicians. 

Youngstown Symphony Society	 To support the continued engagement of a 19,370 

Youngstown, Ohio	 development director, ensemble performances in schools, youth concerts, and orchestral services for an opera production. 

Anchorage Civic Opera Association To support the engagement of ah adminis- 6,000 Opera 

Anchorage, .~laska trative director/opera planner. To help opera companies

improve artistic quality of 

fully staged opera; to Arizona Opera Company	 To support an administrative coordinator 5,000 broaden the repertory to in- Tucson, Arizona	 who will oversee activities related to Ari­ clude works from various zona Opera performing in Phoenix. historical periods, with emphasis on works by American 

Atlantic Lyric Opera Company To support the engagement of administra- 6,000 artists; to provide profesAtlanta, Georgia tire personneZ,	 sional opportunities for 

American artists; and to 

strengthen the management Augusta Opera Association, Inc.	 To support a resident ensemble of young 5,000 of opera companies. Augusta, Georgia American artists.	 Program funds: $2,085,846 

Treasury funds: $1,688,824 Baltimore Opera Company, Inc. 

Baltimore, lYlaryland 

To support administrative expenses, an 

opera educa~ion for youth program, production expenses, and statewide touring of the 

76,000 Private gifts: $1,681,470 

Eastern Opera Theatre. 

Central City Opera House Association To support two opera productions; ah aro 50,000 

Denver, Colorado tistic director; programming for the centennial of the Centra[ City Opera House; 

performances at the Denver Auditorium 

Theatre; and young artist and chorus development programs. 

Charlotte Opera Association, Inc. To support the engagement of artistic and 8,000 

Charlotte, North Carolina administrative personnel. 

Chattanooga Opera Association For the engagement oÍ artistic personnel. 6,000 

Chattanooga, Tennessee 

Chautauqua Institution 

Chautauqua, New York 

To support Chautauqua Opera Association’s 

new production of Ariadne auf Naxos and 

31,000 

the Apprentice Artist8 Program for young 

American singers. 

Chicago Opera Studio, Inc. For the engagement of a part-time director 6,000 

Chicago, Illinois oí development. 

Cincinnati Opera Association, Inc. To support production oí ah opera by ah 65,000 

Cincinnati, Ohio American composer. TF 15,000 

PG 15,000 
202 Music 

City Center of Music and Drama, Ine. 

New York, New York 

Connecticut Opera Association, Inc. 

Hartford, Connecticut 

Dallas Civic Opera Company, Inc. 

Dallas, Texas 

Des Moines Metro Opera, Inc. 

Indianola, Iowa 

Ebony-Opera, Inc. 

New York, New York 

Fargo-Moorhead CivicOpera 

Company 

Fargo, North Dakota 

Fort Worth Civic Opera Association 

Fort Worth, Texas 

Goldovsky Opera Institute, Inc. 

Brookline, Massachusetts 

Hartford Theatre Association, Inc. 

Bel Air, Maryland 

Honolulu Symphony Society 

Honolulu, Hawaii 

Houston Grand Opera Association 

Houston, Texas 

Houston Grand Opera Association 

Houston, Texas 

Houston Grand Opera Association 

Houston, Texas 

Kansas City Lyric Theatre 

Kansas City, Missouri 

Kentucky Opera Association, Inc. 

Louisville, Kentucky 

Lyric Opera of Chicago 

Chicago, Illinois 

Massachusetts Council on the Arts 

and Humanities 

Boston, Massachusetts 

For support of new productions. $ 250,000 

100,000 

TF 75,000 

PG 75,000 

To support a second performance series Íor 5,000 

two productions. 

To support development and marketing 45,000 

programs, a new production, and audience TF 40,000 

devclopment projects. PG 40,000 

To support the engagement oÍ young 5,000 

American opera artists and a production of 

Carlisle Floyd’s Of Mice and Men. 

To support the engagement of American 5,000 

artists for performances presented by 

Ebony-Opera, Inc. 

To support the engagement of a stage 6,000 

director/ coach. 

To provide additional funds for the opera 17,500 

chorus; the cngagement oÍ a wig master and 

make-up artist; and the expansion of the 

~nini-opera company. 

To support the touring of fully staged 35,000 

operas in English to smaller communities 

in the United States. 

To amend a fiscal 1977 grant which sup- 7,000 

ports a designer-technician pro]set created 

to enhance the visual aspects of productions. 

To support the Hawañ Opera Theatre, in- 25,000 

cluding : strengthening development and 

advertising programs; the engagement of 

production personnel; the training program 

for chorus and solo singers; and the implementation of an education program. 

To support engagement of guest conductors, TF 8,874 

stage directors, designers, and the Houston PG 8,874 

Symphony Orchestra. 

To support the Houston Opera Studio’s 55,000 

advanced training program. 

To support engagement of the Houston 160,000 

Symphony Orchestra, guest conductors, TF 65,000 

stage directors and designers; a marketing PG 65,000 

campaign; expansion of development efforts 

and of the Texas Opera Theater’s touring 

program. 

To support on-stage rehearsals and the en- 60,000 

gagement of artisti~, production and management staff. 

To support an audience devetopment caro- 14,700 

paign and the creation of the Kentucky 

Opera Studio Company. 

To support apprentice artists for regular 160,000 

season performances, production ¢osts, ex- TF 55,000 

pansion of the season, the education and PG 55,000 

performance program for students, and 

training and produetion expenses of the 

Opera School of Chicage. 

To support regional touring aetivities of 55,000 

Opera New Engtand. 
Music 203 

Memphis Opera Theatre, Inc. ~ To ’amend a fiscal 1977 grant which sup­ $ 30,000 

Memphis, Tennessee ports.four productions and the engagement

oÍ guest artis~ie personnel. 

Memphis Opera Theatre, In­. To support artisti¢ resource needs, including 20,000 

Memphis, Tennessee the engagement oí guest directors and conductors, and to expand the campaign to 

increase season ticket sales. 

Metropolian Opera Association For support of the exten, sion of the per­ 50,000 

New York, New York ]orming season, rehearsal costs for new TF 600,000 

productions, and ]res parks concerts. PG 600,000 

Michigan Opera Theatre 

Detroit, Michigan 

To support additional rehearsals and the 

engagement of a resident music director. 

30,000 

Michigan Opera Theatre 

Detroit, Michigan 

To support the organization of a resident 

core company of young American artists. 

47,500 

Minnesota Opera Company

Minneapolis, Minnesota 

To support the resident ensemble and opera 

studio programs involving American artists. 

65,000 

Mississippi InterCollegiate Opera 

Guild, Inc. 

Jackson, Mississippi 

To support fund-raising and audience development aetivities. 6,000 

Mississippi Opera Association, Inc. To support the engagement of administra­ 6,000 

Jackson, Mississippi tire personnel. 

Mobile Opera Guild, Inc. To support the engagement of guest ar­ 6,000 

Mobile, Alabama tistic personnel and consultants. 

National Opera Institute, Inc. To support opera$ions and programs. TF 300,000 

Washington, D.C. PG 300,000 

National Opera Institute To support operations and programs. TF 149,000 

Washington, D.C. PG 149,000 

Natural Heritage Trust/Artpark To support three opera productions during 6,500 

Lewiston, New York Artpark’s 1978 summer season. 

Nevada Opera Guild 

Reno, Nevada 

To support the engagement of management 

and artistic personnel. 

12,500 

New Jersey State Opera To support orchestra rehearsals, the chorus 12,500 

Newark, New Jersey development program, and experimental 

scenic lighting techniques. 

New Orleans Opera Association To support additional rehearsals with mero­ 30,000 

New Orleans, Louisiana bers of the New Orleans Philharmonic, 

and the engagement of guest conductors and 

stage directors. 

Omaha Opera Company, Inc. To support the engagement of an artistic/ 20,000 

Omaha, Nebraska dcvelopment director and the expansion of 

the audience development program. 

Opera Association of New Mexico To support a training program for students. 17,500 

Santa Fe, New Mexico 

Opera Association of New Mexico For support of the apprentice training pro­ 110,000 

Santa Fe, New Mexico grams for singers and technicians. TF 15,000 

PG 15,000 

Opera Company of Boston, Inc. 

Boston, Massachusetts 

To support a fourth performance series, 

additional rehearsal time, special ticket campaigns, engagement oÍ dsvelopment sta], 

60,000 

TF 30,000 

PG 30,000 

and theatrical training programs co-sponsored with the International Association of 

Theatrical Stage Employees. 

Opera Festival Association, Inc./Lake 

George Opera Festival 

Glens Falls, New York 

To support the ’79 Lake George Opera Fesrival, including three productions in English, 

the young resident artists program, and 

engagement of administrative personnel. 

20,000 

TF 20,000 

PG 20,000 
204 Music 

Opera Guild of Greater Miami 

Miami, Florida 

Opera Theatre of St. Louis 

St. Louis, Missouri 

Opera Theatre of Syracuse, Inc. 

Syracuse, New York 

Pittsburgh Opera, Inc. 

Pittsburgh, Pennsylvania 

Portland Opera Association, Inc. 

Portland, Oregon 

San Diego Opera Association 

San Diego, California 

San Francisco Opera Association 

San Francisco, California 

San Francisco Opera Association 

San Francisco, California 

Seattle Opera Association, Inc. 

Seattle, Washington 

Seattle Opera Association, Inc. 

Seattle, Washington 

Spring Opera of San Francisco 

San Francisco, California 

Symphony Society of San Antonio 

San Antonio, Texas 

Tri-Cities Opera Company, Inc. 

Binghamton, New York 

Tulsa Opera, Inc. 

Tulsa, Oklahoma 

Utah Opera Society 

Salt Lake City, Utah 

Virginia Opera Association, Inc. 

Norfolk, Virginia 

Washington Opera 

Washington, D.C. 

Western Opera Theatre, Inc. 

San Francisco, California 

Western Opera Theater, Inc. 

San Francisco, Caliíornia 

To support a national series of operas sung $ 35,000 

in English by American artists. TF 30,000 

PG 30,000 

To support the engagement of gues~ artists, 10,000 

and management and artistic personnel. 

To support the engagement of guest artists 6,000 

and the program for resident artists. 

To support the engagement of artistic and 2,500 

management personnel; production re- TF 25,000 

sources needs, including the construction of PG 25,000 

scenery; and continued use of the Construction Center for the Performing Arts. 

To support a summer production in Wash- 47,500 

ington Park anda production to be exchanged with the Seattle Opera. 

To support fully staged performances for 65,000 

students, and the addition of a sixth production to the regular season. 

To support an opera laboratory projeet. 40,000 

To support production and artistic resource 50,000 

needs, including refurbishing sets and cos- TF 125,000 

tumes; and the development o~ce’s long- FG 125,000 

range fund-raising program. 

For continuing support of the "Opera in TF 47,596 

English" program, the development pro- FG 47,596 

grato, and the third annual Pacific Northwest Festival production of Wagner’s The 

Ring of the Nibelung. 

To support an "Opera in English" pro- 115,000 

grato, the development program, and the TF 55,000 

fourth annual Pacific Northwest Festival PG 55,000 

produetion of Wagner’s The Ring of the 

Nibelung. 

For continued support of touring to north- 40,000 e~n California cities fully staged opera
 

theater performance in English.
 

To support the San Antonio Grand Opera TF 35,000
 

1979 season of three productions in English PG 35,000
 

and the engagement of Ameriean singers,
 

directors, conductors, and designers.
 

To support three productions, ineluding the 20,000
 

world premiere of Ezra Laderman’s Galileo.
 

To support the engagement of administra- 8,000
 

tire personnel.
 

To support the engagement of artistie 6,000
 

personnel.
 

To support the engagement of artistic and 22,500
 

administrative personnel.
 

To support productions in repertory, addi- 50,000
 

tional rehearsals, and the addition of a TF 50,000
 

fourth performance series. PG 50,000
 

To support community service program. 12,500
 

For continued support of touring perform- 65,000
 

ances in English, including residencies and TF 25,000
 

educational workshops. PG 25,000
 
 

 

Music 205 

Gregg Smith Singers, Inc. To support concerts and workshops fea- $ 15,000 Choral 

New York, New York turing American vocal music. To support the activities of 

fully professional choral 

Musica Sacra of New York, Inc. Program funds: $70,000 To support the Chorale Master Works 15,000 organizations. 

New York, New York Series. 

Philadelphia Singers 

Philadelphia, Pennsylvania 

To support a th~ee-week choral institute to 

include a conductor’s workshop. 

25,000 

Southern California Choral Music To support the West Coast premiere of 15,000 

Association David Fanshawe’s Mass, African Sanctus. 

Los Angeles, California 

Attiliate Artists, Inc. 

New York, New York 

For the continued operation of the San 

Francisco Affiliate Artists Career Development/Training Program for young American opera performers, 

TF 50,000 Career Development] PG 50,000 Training 

To help music schools eligible for support attain efli­ cient manag�ment and 

Berklee College of Music, Inc. 

Boston, Massachusetts 

For support of the development office. TF 7,500 improve fundraising capaPG 7,500 bilities Program funds : $436,000

Treasury funds : $566,650 

Boston Symphony Orchestra, Inc./ 

Berkshire Music Center 

Boston, Massachusetts 

To support the activities of the Berkshire 

Music Center asa training institution for 

young musicians. 

100,000 

~~ 

Private gifts : $566,650 

Cleveland Institute of Muslo 

Cleveland, Ohio 

For scholarship aid, the development prograto, and master teacher residencies. 

TF 40,000 

PG 40,000 

Juilliard Schooi For scholarship aid. TF 55,000 

New York, New York PG 55,000 

Los Angeles Philharmonic Association 

Los Angeles, California 

To support the orchestral training program 

for minority students. 

20,000 

Manhattan School of Music For scholarship aid in 1977-78. TF 40,000 

New York, New York PG 40,000 

Manhattan School of Music To support seholarship aid in 1978-79. TF 40,000 

New York, New York PG 40,000 

Mannes College of Music 

New York, New York 

To support the scholarship aid and development programs in 1977-78. 

TF 30,000 

PG 30,000 

Mannes College of Music 

New York, New York 

For scholarship aid and the development 

program in 1978-79. 

TF 30,000 

PG 30,000 

Marlboro School of Music, Inc. To provide scholarship and fellowship aid 40,000 

Marlboro, Vermont to outstanding young artists in a program 

of postgraduate musical t~’aining. 

Maryland, University of 

College Park, Maryland 

To enable piano teachers to attend the 

University of Maryland International Piano 

Festival and Competition. 

8,000 

Music Associates of Aspen, Inc. 

Aspen, Colorado 

To support the programs of the Aspen 

Music Festival, including the Aspen 

Chamber Symphony, the training program 

50,000 

TF 50,000 

PG 50,000 

for young conductors, the contemporary 

music program, and the opera training 

program. 

New England Conservatory of Music 

Boston, Massachusetts 

For the scholarship program during 1977-78. TF 45,000 

PG 45,000 

New England Conservatory of Music 

Boston, Massachusetts 

For the scholarship program during 1978-79. TF 45,000 

PG 45,000 

New School of Music, Inc. 

Philadelphia, Pennsylvania 

For the orchestra training-teaching program. 

TF 30,000 

PG 30,000 
 

206 Music 

Career Development/ 

General 

To assist organizations that

provide career development

and performance opportunities for young artists.

Program funds: $17,400 

Treasury funds: $220,000 

Private gifts: $220,000 

Contemporary Music: 

Performance 

To support high quality ensembles which have completed at least three performance seasons with a mínimum 

of three different programsa

year, and which have demonPeabody Institute of the City of 

Baltimore 

Baltimore, Maryland 

Peabody Institute of the Johns 

Hopkins University 

Baltimore, Maryland 

Philadelphia College of the Performing Arts 

Philadelphia, Pennsylvania 

San Francisco Conservatory of Music 

San Francisco, California 

Wisconsin Conservatory of Music 

Milwaukee, Wisconsin 

Wisconsin Conservatory of Music 

Milwaukee, Wisconsin 

Attiliate Artists, Inc. 

New York, New York 

Aiñliate Artists, Inc. 

New York, New York 

Naumburg Foundation, Inc., 

Walter W. 

New York, New York 

Orchestra Society of Philadelphia 

Philadelphia, Pennsylvania 

American Composers Concerts, Inc. 

New York, New York 

American Composers Concerts, Inc. 

New York, New York 

American Dance Festival, Inc. 

strated a strong commitment Durham, North Carolina 

to contemporary music.

Program funds: $352,500 Audium, Inc. 

San Francisco, CaliXornia 

Avant-GardeMusicFestival, Inc.
 

New York, New York
 

Bring Your Own Pillow
 

San Francisco, California
 

Bring Your Own Pillow
 

San Francisco, Caliíornia
 

Collage, Inc.
 

Boston, Massachusetts
 

Collage, Inc.
 

Boston, Massachusetts
 

Composer’s Conference & Chamber
 

Music Center, Inc.
 

Burlington, Vermont
 

Contrasts in Contemporary Music, Inc.
 

New York, New York
 

Electric Stereopticon
 

Dekalb, Illinois
 

For the scholarship/felIowship program and 

development activities during 1977-1980. 

For the scholarship/fdlowship program and 

development activities during 1978-79. 

For the scholarship aid programs. 

For the preparatory and ¢ollegiate scholarship programs and development activities. 

For the scholarship and development programs. 

For scholarship and deveIopment programs. 

For 34 Affiliate Artist appointments. 

For support of the Exxon/Arts Endowment 

conductors’ program. 

To support the chamber music group 

awards. 

For three eóncerts featuring young soloists 

and Pennsylvania composers. 

For concerts by the American Composers 

Orchestra. 

To support the 1978-79 season of the American Composers Orchestra. 

To support the 1978 composers-choreographers workshop. 

To support the performance-seminar series 

for college and high sehool groups. 

To support the Contemporary Chamber 

Ensemble’s 1978-79 concert series and residency program. 

To support a concert series by the San 

Francisco Contemporary Music Players. 

To support the 1978-79 concert season of 

the San Francisco Contemporary Music 

Players. 

To support a series of contemporary music 

coneerts and the development of a management office. 

To support the 1978-79 concert season. 

To support a summer workshop for the 

performance of new musie. 

To suppor~ the 1978-79 Composers’ Showcase Concer~ Series. 

To suppor$ workshop-demons~rations anda 

composer-technician residency in the states 

of Illinois, Minnesota, and Ohio. 

TF$4,150
 

FG 4,150
 

TF 40,000
 

PG 40,000
 

TF 30,000
 

PG 30,000
 

TF 40,000
 

PG 40,000
 

TF 20,000
 

PG 20,000
 

TF 20,000
 

PG 20,000
 

~rF 125,000
 

PG 125,000
 

TF 95,000
 

PG 95,000
 

8,500 

8,900 

20,000 

15,000 

20,000 

7,500 

35,000 

5,000 

5,000 

5,000 

5,500 

17,000 

5,000 

2,500 
Music 207
 

Group for Contemporary Music, Inc. To support the 1978-79 concert season. $ 5,000 

New York, New York 

Group for Contemporary Music, Inc. To support concerts of eontemporary music. 5,000 

New York, New York 

Haleakala, Inc. To support the 1978-79 eontemporary musie 12,000 

New York, New York concerts at the Kitehen Center ]of Video 

and Music. 

Haleakala, Inc. To support the 1977-78 concert series at 10,000 

New York, New York the Kitchen Center for Vídeo and Music. 

League of Composers’ International 

Society for Contemporary Music, 

U.S. Section, Inc. 

New York, New York 

To support a competition of American 

works for the 1979 World Music Days, 

travel of delegates and an ensemble to the 

World Music Days, and presentation of the 

9,000 

works in the United States. 

Lenox Arts Centre, Inc. To support the 1978 season of the centre’s 5,000 

New York, New York chamber ense~nble. 

Nevada State Council on the Arts To support the Las Vegas Chamber Play­ 5,000 

Reno, Nevada ers’ 1977-78 concert series and touring in 

California, Oregon, and Nevada. 

Nevada State Council on the Arts 

Reno, Nevada 

To support the 1978-79 season and touring 

of the Las Vegas Chamber Players. 

6,000 

New England Foundation for the Arts 

Cambridge, Massachusetts 

To support the 1978-79 season of the New 

England Contemporary Music Circuir. 

15,000 

New York, The Research Foundation To support fellowships for ~nusicians in 15,000 

of State University of

Albany, New York 

residence at the Center of the Creative and 

Performing Arts. 

Orchestra of Our Time 

Bronx, New York 

To support the College-Community-in-Residence projeet. 

26,500 

Performers Committee for Twentieth To support ~nini-residencies in 20th-century 10,000 

Century Music music. 

New York, New York 

Reich Music Foundation To support ~he 1977-78 concert series to be 5,000 

New York, New York presented by Steve Reich and musicians. 

Reich Music Foundation To support a tour by Steve Reich and 5,000 

New York, New York musicians. 

Southern CaIifornia Chamber Music To suppor¿ the Monday Evening Concert 8,000 

Society Series of Contemporary Music. 

Los Angeles, California 

Speculum Musicae, Inc. 

New York, New York 

To support concerts and a residency program in the 1977-78 season. 

5,000 

State University of New York, For fellowships and composer residencies 15,000 

Research Foundation of at the Center of the Creative and PerformAlbany, New York ing Arts. 

Theater Chamber Players, Inc. 

Washington, D.C. 

To support a series of concerts in Washington, D.C., Maryland, New York, and 

Virginia and to engage an administrator. 

18,000 

Theater Chamber Players, Inc.

Washington, D.C. 

To support the 1978-79 concert series. 18,000 

Twentieth Century Consort To support the 1978-79 eoncert season. 7,500 

Washington, D.C. 

Twentieth Century Consort To support the 1977-78 coneert series. 5,000 

Washington, D.C. 
208 Music 

�ontemporary Music: 

Composer/Librettist 

To enable talented composers and librettists to 

ereate new works or complete works in progress.

Program funds: $528,865 

Adams, Harrison Leslie 

Lawrence, Kansas 

Adams, John C. 

San Francisco, California 

American Music Center, Inc.
 

New York, New York
 

American Music Center, Inc.
 

New York, New York
 

Ashley, Robert
 

New York, New York
 

Asia, Daniel I.
 

New York, New York
 

Averitt, William E.
 

Stephens City, Virginia
 

Barkin, Elaine R.
 

North Hollywood, California
 

California, San Diego, University of
 

La Jolla, California
 

Colgate University
 

Hamilton, New York
 

Curran, Alvin S.
 

Rome, Italy
 

Davidow, Joseph A.
 

Helsinki, Finland
 

De Jong, Constance
 

New York, New York
 

Dempster, Stuart R.
 

Seattle, Washington
 

Dorr, Donald 

Jackson, Mississippi 

Elmslie, Kenward G. 

New York, New York 

Felder, David C. 

Willoughby, Ohio 

Frank, Andrew D. 

Davis, California 

Freund, Donald W. 

Memphis, Tennessee 

Glass, Philip 

New York, New York 

Graves, Clyde M. 

New York, New York 

Gritñth, Peter F. 

Troy, Maine 

Gutsche, R. Eugene 

White Bear Lake, Minnesota 

$ 5,700 Adler, Samuel H. 

Pittsford, New York 

$ 2,400 

2,400 Amacher, Maryanne 

New York, New York 

7,600 

To support the administration oÍ the collection of materials resulting ]voto the National 

Endowment for the Arts’ Composer/ 

Librettist Program and the production and 

the distribution of a directory of the works 

in the collection. 

33,505 

To continue administering an archive ¿o 

house music and libretti resulting from the 

Endowment’ s Composer / Librettist Program. 

20,000 

1,600 Baur, John W. 

New Orleans, Louisiana 5,700 

6,000 Beall, John 

Charleston, Illinois 3,660 

1,750 Benjamin, Thomas E. 

Houston, Texas 5,700 

4,000 Browne, Michael D. 

Minneapolis, Minnesota 3,200 

To support personnel costs of the Cen~er for 

Music Experiment. 

18,000 

To support a visiting compose~" program 

involving the Colgate Computer Music 

Studio. 

15,000 

6,200 Ha, Jae Eun 

Greenwood, Mississippi 1,450 

5,000 Hakim, Talib 

Freeport, New York 

6,000 

4,300 Hartman, Jan A.S. 

New York, New York 

7,500 

10,000 Heinke, James L. 

Fresno, California 

7,600 

4,600 Hinshaw, David C. 

Atlanta, Georgia 3,600 

7,500 Hollingsworth, Stanley W. 

Pontiac, Michigan 2,400 

2,500 Hutcheson, Jere T. 

East Lansing, Michigan 

1,000 

3,500 Hykes, David B. 

New York, New York 

5,700 

2,000 Ivey, Jean Eichelberger 

Baltimore, Maryland 

3,000 

5,700 Jones, David E. 

Cardiff, California 

5,300 

7,100 Kavasch, Deborah H. 

San Diego, California 

5,700 

3,600 Kay, Ulysses 

Teaneck, New Jersey 

6,100 

2,400 Krush, Jay P. 

Wayne, Pennsylvania 

2,460 
Music 209 

Labunski, Felix 

Cincinnati, Ohio 

$ 2,400 MacDonald, Cynthia 

Baltimore, Maryland 

$ 4,300 

Levine, Jeffrey L. 

Oakland, California 

7,400 Mahler, David C. 

Seattle, Washington 

1,250 

Levine, Rhoda 1,800 Marshall, Ingram D. 3,600 

New York, New York San Francisco, California 

Levy, Marvin D. 

New York, New York 

5,700 Martinez, Odaline de la 

London, England 

7,100 

Logan, Wendall M. 3,000 

Oberlin, Ohio 

Massachusetts Institute of Technology 

Cambridge, Massachusetts 

To support the purchase of equip~nent for 

the electronic music studio. 

9,000 

McDermott, Samantha J. 2,750 

San Francisco, California 

Mills College 

Oakland, California 

To support the Center for Contemporary 

Music. 

12,000 

Morris, Robert D. 

Pittsburgh, Pennsylvania 

1,050 Nurock, Kirk 

New York, New York 

4,000 

Morrow, Charles G. 5,700 Olon-Scrymgeour, John 7,500 

New York, New York New York, New York 

Nath, Pran 5,700 Ornstein, Leo 2,500 

New York, New York Brownsville, Texas 

Neil, William G. 

Cleveland, Ohio 

2,500 Paulus, Stephen H. 

Minneapolis, Minnesota 

4,300 

Performing Artservices, Inc. 

New York, New York 

To support research by composers in electronics involving the develop~nent o] rotating instrumental loudspeakers. 

15,000 

Pinzarrone, Joseph 5,700 

Wilmington, Delaware 

Pittsburgh, University of 

Pittsburgh, Pennsylvania 

To support the development of a mini-computer system to control the electronic music 

7,500 

studio. 

Proctor, Arlene Zo 

Wellesley, Massachusetts 

4,500 Sims, Ezra 

Cambridge, Massachusetts 

2,000 

Reale, Paul V. 

Los Angeles, California 

6,400 Slawson, A. Wayne 

Pittsburgh, Pennsylvania 

3,600 

Reise, Jay 

Clinton, New York 

3,000 Smart, Gary L. 

East Haven, Connecticut 

5,500 

Robinson, Walter H. 

Vineyard Haven, Massachusetts 

8,600 Sorrentino, Gilbert 

New York, New York 

5,350 

Rorem, Ned 

New York, New York 

5,700 Stalvey, Dorrance 

Los Angeles, California 

5,700 

Saylor, Bruce S. 

New York, New York 

6,100 Stine, Robert E., Jr. 

Berkeley, California 

2,400 

Shawn, Allen E. 

New York, New York 

3,600 Stock, David F. 

Pittsburgh, Pennsylvania 

6,700 

Shawn, Wallace M. 

New York, New York 

2,700 Street, Richard 

San Francisco, California 

3,200 

Shields, Alice F. 

New York, New York 

3,000 Strunk, Steven 

Washington, D.C. 

2,400 

Silsbee, Ann L. 2,550 Stucky, Steven E. 1,509 

Ithaca, New York Ithaca, New York 
210 Music 

Subotnick, Morton $ 6,000 Wise, Bruce $ 3,000 

Los Angeles, California Oshkosh, Wisconsin 

Sur, Donald Y. 

Cambridge, Massachusetts 

7,100 Woods, Michael E. 

Bloomington, Indiana 

5,700 

Susa, Conrad S. 4,300 Wuorinen, Charles 3,100 

San Francisco, California New York, New York 

Travis, Roy E. 5,700 Wylie, Ruth S. 5,000 

Pacific Patisades, California Estes Park, Colorado 

Vercoe, Barry L. 

Concord, Massachusetts 

6,700 Yen, Lenard L. 

Congers, New York 

3,000 

Weber, Joseph F. 

San Francisco, California 

3,600 Zupko, Ramon 

Kalamazoo, Michigan 

5,700 

Whiting, John L. 5,350 

London, Eng]and 

Jazz: Fellowships for 

Composers 

Altschul, Barry W. 

New York, New York 

2,000 Jordan, Clifford L. 

New York, New York 

3,000 

To enable highly talented

professional jazz composers 

to advance their careers. 

Program funds: $90,000 

Berger, David 

New York, New York 

Boatner, Edward 

New York, New York 

3,000 

4,000 

Keys, Calvin 

Berke]ey, California 

Mandel, Michael J. 

New York, New York 

1,500 

1,500 

Bobulinski, Gregory A. 

Flushing, New York 

1,500 Martin, Melvyn K. 

Novato, California 

1,500 

Burrowes, Roy K. 

Bronx, New York 

2,500 McKinney, Harold W. 

Detroit, Michigan 2,000 

Bushell, Garvin 

Las Vegas, Nevada 

3,000 Mingus, Charles 

New York, New York 

10,000 

Cables, George A. 

West Hollywood, California 

2,000 Morris, J. Byron 

Wheaton, Maryland 1,500 

Carisi, John E. 

New York, New York 

2,000 Morrison, Sam A. 

Brooklyn, New York 1,500 

Carter, Ronald L. 

New York, New York 

2,000 Muscarella, Susan 

Berkeley, California 1,500 

Challis, William 

Massapequa, New York 

2,500 Nock, Michael A. 

New York, New York 2,000 

Cowell, Stanley 

Peekskill, New York 

2,500 Piltzecker, Theodore P. 

New York, New York 2,000 

Cowling, Wilford M. 

Evansvitle, Indiana 

2,000 Price, Charles Q. 

Buffalo, New York 3,000 

Creamer, David W. 

Alameda, California 

1,500 Robinson, Janice E. 

New York, New York 2,000 

Dobbins, William R. 

Rochester, New York 

1,000 Rockwell, Robert N. 

Minneapolis, Minnesota 1,500 

Giuffre, James P. 

West Stockbridge, Massachusetts 

2,500 Sheloff, Jeffrey A. 

Levittown, New York 1,000 

Gordon, Dexter K. 

Los Angeles, Calffornia 

2,500 Stadler, Heiner 

New York, New York 2,000 

Heath, James E. 

Corona, New York 

4,000 Swansen, Chris C. 

Trumansburg, New York 

2,500 

Jenkins, Leroy L. 

New York, New York 

2,000 Tucker, Michael B. 

East Orange, New Jersey 

3,000 
Music 211 

Wald, Richard L. $1,500 

New York, New York 

Walrath, Jack A. 2,000 

Brooklyn, New York 

Young, Roland P. 

OakIand, California 

1,000 

Abadey, Nasara 

Washington, D.C. 

1,900 Friesen, David D. 

Portland, Oregon $ 2,000 Jazz: Fellowships for 

Performers 

Adams, Clifford A. 

Jamaica, New York 

2,000 Gant, Frank 

Fort Lee, New Jersey 

To enable highly talented 2,200 professional jazz performers 

to advance their careers. 

Program funds: $106,900 

Adams, George R. 

New York, New York 

2,000 Gilbert, Stanley A. 

Long Beach," California 2,200 

Anderson, James 3,000 Grauer, Joanne 1,100 

East Orange, New Jersey Los Angeles, California 

Auclair, Susan C. 

Jamaica Plain, Massachusetts 

1,900 Harris, Barry D. 

New York, New York 

3,500 

Berry, William R. 3,500 Hightower, Gail A. 1,000 

Woodland Hills, California Jamaica, New York 

Bloom, Jane I. 

Waban, Massachusetts 

2,000 Hill, Calvin E. 

New York, New York 1,100 

Brown, Delmar E. 

Bloomington, Illinois 

1,900 Hummel, George W. 

Washington, D.C. 1,000 

Bryant, Paul C. 

Los Angeles, California 

1,900 Johnson, Aionzo E. 

Indianapolis, Indiana 3,500 

Burton, William R. 

New York, New York 

1,100 Jones, Joe 

Hollywood, California 7,500 

Campbell, Gary W. 

North Branch, New York 

1,100 Lahm, David F. 

New York, New York 1,400 

Carvin, Michael W. 

New York, New York 

1,100 Mantilla, Raymond 

Bronx, New York 1,400 

Cassino, Peter F. 

Cambridge, Massachusetts 1,900 Marsh, George E. San Francisco, California 2,500 

Cyrille, Andrew C. 

Little Ferry, New Jersey 1,100 McGurk, Patricia L. 

Arlington, Virginia 1,000 

Darling, Wayne E. 

Garrison, New York 

1,000 McLean, Rene P. 

New York, New York 1,900 

Davis, Stanton, Jr. 

Boston, Massachusetts 

3,500 McNeil, John P. 

Brooklyn, New York 1,400 

Dawson, Alan 

Lexington, Massachusetts 3,500 Memory, Thara J. 

Portland, Orgeon 1,400 

Edises, Nina Sheldon 

New York, New York 

1,200 Myers, Amina C. 

New York, New York 1,400 

Ellis, Grover E. 

Milwaukee, Wisconsin 

1,000 Neidlinger, Buell 

Los Angeles, California 1,400 

Fletcher, Wilbert B.

Wilmington, Delaware 

1,000 Norris, Bobbe 

Sunnyvale, Calií0rnia 1,700 

Francis, Michael D. 

Tucson, Arizona 

1,000 Pullen, Don G. 

Bronx, New York ~ 2,200 

Franklin, Henry C. 

Los Angeles, California 

1,100 Santisi, Raymond 

Boston, Massachusetts 

3,500 
212 Music 

Smith, Warren I. $ 1,400 Ware, James E. $1,100 

Hempstead, New York Bronx, New York 

Strauman, Edward J. 

Philadelphia, Pennsylvania 

1,000 W~itecage, Mark 

Hoboken, New Jersey 

1,400 

Tachoir, Gerald R. 1,000 Wilson, Joe Lee 3,500 

Brighton, Massachusetts New York, New York 

Theus, Woodrow 1,400 Worrell, Lewis J. 1,100 

Los Angeles, California Char]otte, North Carolina 

Tilitz, Gerald P. 

Flushing, New York 

1,100 Yarbrough, Camille D. 

New York, New York 

1,900 

Tusa, Frank A. 

New York, New York 

1,400 Zigmund, Eliot G. 

Brooklyn, New York 

1,400 

Tyler, Charles L. 

Brooklyn, New York 

1,100 Ziomek, Thomas T..,~vvl nna 

Chicago, Illinois 

Velasco, Alfonso 1,100 

Milwaukee, Wisconsin 

Jazz: Study Fellowships 

To enable apprentice musicians to study with established artists for short-term 

eoncentrated instruction and 

experience. Program funds: $32,090 

Anderies, Joseph R. 

Littleton, Colorado 

Anderson, Alan K. 

Milwaukee, Wisconsin 

Brown, Raymond L. 

1,000 

1,000 

1,000 

Namery, Allan 

Paterson, New Jersey 

Neil, Steven L. 

Orange, New Jersey 

Norton, Kevin J. 

1,000 

1,000 

1,000 

Inglewood, California Staten Island, New York 

Campbell, Alan D. 1,000 Payne, Enos R. 1,000 

New York, New York Jamaica, New York 

Coolman, Todd F. 

Chicago, Illinois 

990 Penson, Rudolph 

Chicago, Illinois 

1,000 

Eaton, Jay T. 1,000 Price, Nolan A. 1,000 

San Diego, California Weatherford, Oklahoma 

Foss, Frederick H. 925 Reardon, James T. 790 

Corona, New York Wantagh, New York 

Freeman, Gail A. 1,000 Rhynie, Eugene 1,000 

Laurelton, New York Brooklyn, New York 

Furnace, Samuel F. 

Brooklyn, New York 

855 Robinson, Galen B. 

Bloomfield, New Jersey 

1,000 

Goffigan, William L. 1,000 Rumbel, Nancy S. 1,000 

Baltimore, Maryland Pomona, New York 

Jones, Larry W. 

Bronx, New York 

1,000 Shaw, George W. 

Norman, Oklahoma 

1,000 

Lawrey, Clarence 

Hollywood, California 

1,000 Strickland, Jean L. 

Los Angeles, California 1,000 

McCoy, Lewis R. 

Memphis, Tennessee 

1,000 Thompson, Walter M. 

West Palm Beach, Florida 

1,000 

Mooradian, Chris R. 

Burbank, California 

1,000 Torres, Ricardo 

New York, New York 

],000 

Moran, Timothy 

Northampton, Massachusetts 

1,000 Willis, Harry E. 

Los Angeles, California 1,000 

Morgan, Herbert L. 

East Orange, New Jersey 

1,500 Wiseman, Darreli J. 

Washington, D.C. 1,000 
1Kusic 213 

Bach Dancing and Dynamite Society 

El Granada, California 

Bismarck Junior College 

Bismarck, North Dakota 

Casper College 

Casper, Wyoming 

To support the vídeo taping of a series of 

jazz concerts. 

To support the 1978 Jazz Celebration to inelude performances and workshops by guest 

jazz artists, 

To support costs of engaging two jazz 

artists to participate in the Wyoming High 

School Stage Band Clinie-Contest. 

$5,000 Jazz: Organizations 

To enable professional performing organizations and 

5,000 sponsoring organizations,

such as state and regional arts ageneies, to present jazz

performances, educational

programs, residencies by íazz 550 musicians, andregionalor 

national festivals. 

Program funds: $466,583 

Century City Educational Arts Project To support a series of jazz concerts. 4,000 

Los Angelés, California 

City College Research Foundation 

New York, New York 

To support the engagement oÍ gues~ jazz 

artists to conduct workshops and to present 

3,000 

concerts. 

Collective Black Artists, Inc. To suppor$ a jazz concert series. 10,000 

New York, New York 

Community Renewal Team of Greater To support the 1978 Festival of Jazz. 7,500 

Hartford, Inc. 

Hartford, Connecticut 

Detroit, Michigan, City of 

Detroit, Michigan 

To support the Detroi~ Recreation Department’s series of jazz concerts and workshops in parks and recreation centers. 

10,000 

Governors State University 

Park Forest South, Illinois 

To support a series of short residencies by 

professional jazz groups. 

4,000 

Hampshire College To support a series of jazz performances. 12,000 

Amherst, Massachusetts 

Hartford, Un~versity of To support the engagement of professional 5,000 

West Hartford, Connecticut jazz artists to participate in ensemble and 

improvisational workshops. 

Henry Street Settlement 

New York, New York 

To support a jazz workshop anda series of 

jazz concerts. 

5,000 

International Art of Jazz, Inc. 

Stony Brook, New York 

To support a series of conce«ts/clinics in 

schools in upstate New York. 

10,000 

Jackson, Mississippi, City of 

Jackson, Mississippi 

To support performances by the Jackson 

Municipal Stage Band. 

900 

Jacksonville State University To support a jazz festival. 4,000 

Jacksonville, Alabama 

Jazz Interactions, Inc. 

New York, New York 

To support costs of engaging jazz artists 

to per forro in a series of Sunday concerts. 

5,000 

Jazzmobile, Inc. 

New York, New York 

For continued support of summer mobile 

concerts and school lecture/concerts throughout Maryland, New Jersey, New York, and 

25,000 

Washington, D.C. 

Las Vegas Jazz Society 

Las Vegas, Nevada 

To support a series of jazz concerts and 

lecture/demonstrations. 

15,000 

Memphis Arts Council, Inc. 

Memphis, ’Tennessee 

To support a series of short residencies by 

jazz clinicians and performers in Memphis 

"public schools and universities. 

10,00~) 

Michigan-Ann Arbor, University of 

Ann Arbor, Michigan 

To support a series of jazz workshops and 

concerts. 

5,000 

Mid-America Arts Alliance To support residency tóurs by the Clark 10,000 

Kansas City, Missouri Terry Quintet and the Stan Kenton Orchestra in the states of Arkansas, Kansas, 

Missouri, Nebraska and Oklahoma. 

Minnesota Public Radio, Inc. 

St. Paul, Minnesota 

To support a series of radio programs 

featuring Midwest jazz musicians. 

5,000 
214 Music 

Services to the Field 

Grants to music service 

organizations that represent 

national constituencies 

within their respective fields. 

Program funds: $293,320 

National Association of Jazz 

Educators 

Manhattan, Kansas 

l~ational Band Camp, Inc. 

South Bend, Indiana 

National Jazz Ensemble 

New York, New York 

National Public Radio, Inc. 

Washington, D.C. 

New Muse Cultural Center, Inc. 

Brooklyn, New York 

Oberlin College 

Oberlin, Ohio 

Painted Bride Art Center, Inc. 

Philadelphia, Pennsylvania 

Pan Jebel, Inc. 

New York, New York 

Rutgers, the State University of New 

Jersey 

New Brunswick, New Jersey 

Save Orchestra Hall, Inc. 

Detroit, Michigan 

Settlement Music School of 

Philadelphia 

Philadelphia, Pennsylvania 

Smithsonian Institution 

Washington, D.C. 

South Carolina Arts Commission 

Columbia, South Carolina 

Theatre in Progress 

Los Angeles, California 

Urban Gateways 

Chicago, Illinois 

Western States Arts Foundation 

Denver, Colorado 

Women’s Jazz Festival, Inc. 

Kansas City, Missouri 

American Music Center, Inc. 

New York, New York 

American Music Center, Inc. 

New York, New York 

American Symphony Orchestra League 

Vienna, Virginia 

Association of Independent 

Conservatories of Music, Inc. 

New York, New York 

To support a series of jazz clinies on school 

campuses throughout the United States. 

$15,000 

To support a series of summer jazz musi~ 

clinies. 

15,000 

To support a series of concer$s. 12~500 

To support a series of live broadcasts of 

jazz. 

25,000 

To support a community jazz program. 15,000 

To support a series of residencies by jazz

artists anda performance of the musical 

play, Big Man. 

3,520 

To support the 1978-79 jazz music program. 5,000 

To support concerts by the Sam Wooding 

Orchestra. 

5,000 

To support a jazz program consisting oÍ 

jazz lectures, demonstrations, ctinics, and 

concerts in N’ew Jersey public colleges. 

25,000 

To support a series of jazz performances. 5,000 

To support a series of jazz concerts and 

workshops in Philadelphia prisons. 

5,000 

To support the continued development and 

administration of the National Endowment 

for the Arts’ Jazz Oral Histories Project. 

116,113 

To support residencies by the Billy Taylor 

Trío. 

7,000 

To support the presentation of jazz artists 

during the 1978 Garden Theatre Festival. 

9,000 

To support a series of residencies by jazz 

artists in Chicago atea schools. 

7,500 

To support a jazz touring program. 25,000 

To support the 1978 Women’s Jazz Festival. 10,000 

To support the center’s administrative costs 

and compilation of a membership directory. 

22,000 

To support workshops for contemporary 

music performing groups. 

3,000 

To support activities involving: the collection and dissemination of statistical 

information on orchestras; workshops for 

management and conductors / musicians; 

leadersh@ training seminars; publications; 

and consultation services. 

143,320 

To support a central office for the association during 1977-78. 

20,000 
Music 215 

Association of Independent To support a central offce for the associa­ $15,000 

Conservatories of Music, Inc. tion during 1978-79. 

New York, New York 

Consortium of Jazz Organizations & To support: (10) administrative costs; (2) 24,000 

Artists, Inc. the preparation, publications, and distribuNew York, New York tion of a national newsletter; (3) the preparation of a directory of members; and (4) 

information serviees. 

MCA Educational Activities, Inc. To support the administrative activities of 30,000 

Rockville, Maryland a national offce, the production and distribution of a newsletter, and music critics’ 

National Guild of Community Schools 

of the Arts, Inc. 

New York, New York 

To support administrative activities of a 

national office, preparation and distribution 

of printed materials, regional meetings 

community art schools, surveys of com20,000 

munity arts sehools, and promotion. 

Opera America, Inc. 

Washington, D.C. 

For the maintenance of a national offce 

to provide services to professional opera 

companies. 

40,000 

Philadelphia Singers To support activities of the Association of 8,000 

Philadelphia, Pennsylvania Professional Vocal Ensembles. 

Waverly Consort, Inc. To support administrative costs of the na­ 8,000 

New York, New York tion o~ce of Chamber Music America. 

American Music Center, Inc. 

New York, New York 

To support the activities of the "Meet the 

Composer" program. 

25,000 General Programs 

Grants to support projects

that cannot be accommodated 

Blk Group, Inc. 

Washington, D.C. 

For preparation of a taxonomy on contemporary jazz. Prepared for the Endowments Research Division. 

17,842 within established Endowment music programs. Program funds: $266,795 

California-San Diego, University of To support the 1977 International Computer 7,350 

La Jolla, California Music Conference. 

Congress of Strings Scholarship Fund To support artists’ and conductors’ lees 15,000 

New York, New York associated with the 1978 Congress of 

Strings programs. 

Congress of Strings Scholarship Fund 

New York, New York 

To support artists’ and conductors’ lees 

associated with the 1977 Congress of 

Strings programs. 

15,000 

CSO Society for Chamber Music, Inc. 

New York, New York 

To support a documentary about the composition of a work by Elliott Carter. 

35,000 

Dance Theatre of Harlem. Inc. To support the orchestra program of lec­ 20,000 

New York, New York ture/demonstrations and concerts. 

National Opera Institute 

Washington, D.C. 

To support a census of nonprofit organizations which produce fully staged performances of opera/musical theater works. 

12,560 

Nationai Opera Institute To support producers’ auditions. 30,000 

Washington, D.C. 

O’Neili (Eugene) Memorial Theater 

Center, Inc. 

For a conference for composers and librettists. 

13,000 

Waterford, Connecticut 

Si-Yo Music Society Foundation, Inc. To support the chamber music concert series 8,650 

New York, New York of low-cost concerts. 

Syracuse Research Corporation For administrative and artistie evaluations 57,393 

Syracuse, New York oÍ selected opera companies. 

United Church Board for Homeland To support a workshop for ah opera based 10,000 

Ministries on the Amistad incidvnt. 

New York, New York 
216 

Program funds : $3,812,626 Special Projects Treasury funds : $90,000 Private gifts : $90,566 

City Spirit 

To stimulate and encourage

many community interests to

come together and explore

the ways in which the arts 

can become ah integral part

of community life.

Program funds: $398,571 

Alabama Film Maker Co-op 

Huntsville, Alabama 

Arts Council of Greater New Haven 

New Haven, Connecticut 

Arts Council of Greater New Orleans 

New Orleans, Louisiana 

Austin, Texas, City of 

Austin, Texas 

Century City Cultural Commission 

Los Angeles, California 

Claremont, New Hampshire, City of 

Claremont, New Hampshire 

Cultural Affairs Council of Irving 

Irving, Texas 

Cultural Education Collaborative, Inc. 

Boston, Massachusetts 

Douglas County, Nebraska 

Omaha, Nebraska 

Evergreen Center for the Arts, Inc. 

Evergreen, Colorado 

Florence, Alabama, City of 

Florence, Alabama 

Greater Flint Arts Council 

Flint, Michigan 

Greater Paterson Arts Council 

Paterson, New Jersey 

Jackson, Mississippi, City of 

Jackson, Mississippi 

Kanawha Arts Alliance, Inc. 

South Charleston, West Virginia 

Las Vegas, Nevada, City of 

Las Vegas, Nevada 

For a regional planning eyfort through the $17,500
 

Coalition of Southern Media Organizations
 

to identify and develop assistance for independent film and video activities.
 

For the expansion of the City Spirit Pro- 15,000
 

grato in New Haven.
 

To develop a community-wide plan to 17,500
 

improve architectural and progra~nmatic
 

accessibility to arts activities for the
 

handicapped.
 

To assess Austin’s cultural needs, develop 14,530
 

and publish a policy for arts management,
 

and place three artists in neighborhoods to
 

aid in implementing the programs.
 

To create a cultural master plan for west 15,000
 

Los Angeles with Century City.
 

For programs for a community participa- 13,320
 

tion arts program to center around the
 

Claremont Opera House/Gallery.
 

To assess both the existing cultural life 9,900
 

and the services currently provided to arts
 

organizations in Irving.
 

To develop and administer a year-long 17,500
 

planning project dealing with accessibility
 

for handicapped persons.
 

For a joint pro’gram with the city of Omaha 15,000
 

to develop increased arts awareness.
 

Fora pilot program to plan and coordinate
 13,140 the arts actiivties in the Evergreen Front 

Range Mountain Community. 

For a planning effort by the Florence Arts 10,000 

Commission to identify local cultural resources and define cultural needs. 

To support: an artist in residente program 8,480 

at automotive plants, and three open forum 

workshops. 

To sponsor an arts forum series to facili- 15,000 tate the incorporation oÍ the arts into the 

mainstream of life in the Paterson arca. 

For long-range, coordinated planning efforts 15,000 

to identify common cultural needs, establish 

goals for cultural growth, and initiate cooperative e]orts to achieve those goals. 

To design a comprehensive cultural action 15,000 

plan to strengthen existing cultural groups. 

Fora broad-based cultural planning pro]- 15,000 

ect ¿o ]ocus on assessing the cultural needs 

o] the west Las Vegas community. 
Special Projects 217 

Lincoln, Rhode Island, Town of 

Lincoln, Rhode Island 

To expand arts awareness in Lincoln. $ 3,000 

Lorain County Arts Council, Inc. 

Elyria, Ohio 

To explore the cultural problems and needs 

of Lorain County, Ohio. 15,000 

Missoula Area Arts Council 

Missoula, Montana 

For long-range planning in ~he areas of 

fund-raising, votunteer help, audience 

velopment, and space and facilities for local 

9,400 

arts or9anizations. 

New England Municipal Center 

Durham, New Hampshire 

To develop plans by ~nunicipal leagues ¿n 

New England states to improve their com­ 17,500 

 ̄nunities’ cultural environments. 

North Charleston, South Carolina, 

City of 

North Charleston, South Carolina 

To develop a plan to finance and i~nprove 

existing and new arts programs. 

15,000 

North Tahoe Fine Arts Councit 

Incline Village, Nevada 

To develop a planning process in the areas 

of communication, funding strategy, and 

15,000 

organizational model development. 

St. Paul-Ramsey Arts and Science 

Council 

To irnple~nent planning process which will 

serve as a model for other agencies. 17,500 

St. Paul, Minnesota 

Southwestern Utah Arts Council 

St. George, Utah To initiate a professional and co~nprehensive planning process designed to focus on 9,000 

¿he arts in the community. 

Tompkins County Arts Counci|, Inc. To develop a master plan for the arts, cul­ 12,995 

Ithaca, New York tute, and hu~nanities in Tompkins County. 

United Labor Agency of Greater 

Washington; D.C. 

For a broad-based study of arts employment in the District of Columbia 

15,000 

Utah Arts Council 

Salt Lake City, Utah 

To establish a com~nunity action plan. 17,440 

Western Wisconsin Regional Arts To study ¿he needs of the arts and develop 13,576 

Board, Ltd. programs for the western Wisconsin region. 

La Crosse, Wisconsin 

Westerville Atea City Spirit, Inc. To develop long-range arts planning in the 11,290 

Westerville, Ohio community, including publication of an arts 

calendar, anda pilot film/lecture series. 

Alternative Center for International 

Arts, Inc. 

New York, New York 

American Shakespeare Festival 

Theatre and Academy of Connecticut 

Stratford, Connecticut 

Brooklyn Academy of Music, Inc. 

Brooklyn, New York 

Festival Foundation, Inc. 

New York, New York 

For an audience development pro]ect which 

will include benefit concerts, an associates 

drive, a quarterly newsletter. 

For an audience development campaign. 

To enable the academy to expand its advertising and direct ~nail program. 

For continued support oi audience development e~orts for the Spoleto USA Festival. 

12,000 Arts Centers and 

Festtvals 

To assist organizations that 

present multi-dísciplinary 15,000 programs and that have full- time, year-round administrations. Grants aid such activities as fundraising and

audience development 21,000 projects. 

Program funds: $339,530 

Treasury funds : $30,000 

35,000 Private gifts: $30,000 

Horace Bushnell Memorial Hall For continued support of a staff position to 12,000 

Corporation handle advertising and Fromotion efforts. 

Har~ord, Connecticut 

Lincoln Center for the Performing For continued support for audience devel- TF 30,000 

Arts opment for Lincoln Center Out-of-Doors. PG 30,000 

New York, New York 

Mamaroneck Free Library Fora direct mail campaign offering incen­ 3,000 

Mamaroneck, New York tires for membership in the Friends of the 

Emelin Theatre. 
218 Special Projects 

Interdisciplinary 

Services to the Field 

Grants to a variety of special

interdisciplinary service

organizations that provide 

technical assistance, services 

to special audiences, and facilities for artists. 

Milwaukee County War Memorial 

Center, Inc. 

Milwaukee, Wisconsin 

Mississipl~i Arts Festival, Inc. 

Jackson, Mississippi 

Natural Heritage Trust/Artpark 

Lewiston, New York 

New Hampshire Performing Arts 

Center, Inc.
 

Manchester, New Hampshire
 

Pennsylvania State University
 

University Park, Pennsylvania
 

Saratoga Performing Arts Center, Inc.
 

Saratoga Springs, New York
 

Theatre in Progress
 

Los Angeles, California
 

Theatre Vanguard
 

Los Angeles, California
 

Viterbo College
 

Lacrosse, Wisconsin
 

Washington Performing Arts Society
 

Washington, D.C.
 

White Mountains Art and Music
 

Festival, Inc.
 

Jefferson, New Hampshire
 

Wolf Trap Foundation for the
 

Performing Arts
 

Vienna, Virginia
 

Albany League of Arts, Inc.
 

Albany, New York
 

American Research Institute for the
 

Arts, Inc.
 

Bloomington, Indiana
 

Program funds~ $555,400 Arts Development Services, Inc. 

Treasury funds: $60,000 Buffalo, New York 

Private gifts: $60,000 

Arts Ticket Service, Boston, Inc. 

Boston, Massachusetts 

Association of College, University and 

Community Arts Administrators, Inc. 

Madison, Wisconsin 

California Confederation of the Arts 

Los Angeles, California 

Cultural Council Foundation 

New York, New York 

Cummington School of the Arts, Inc. 

Cummington, Massachusetts 

Educational Facilities Laboratories 

New York, New York 

$ 25,000 For continued support to expand the center’s current promotional campaign to inelude institutions servieing handicapped. 

For audience development efforts for the 17,000

15th Mississippi Arts Festival. 

25,000 Fora variety of audience development and 

fundraising activities. 

12,000 To train a fundraiser. 

22,030 For continued support oí audience development and promotion for Nittany Mountain 

Summer, a three-week arts festival. 

25,000 Fora broad-based fundraising e~ort. 

For a marketing coordinator. 25,000 

To continue support fora broad fundrais- 5,500 

ing e~ort and public relations program. 

For audience development. 10,000 

For audience development and promotional 25,000 

activities. 

For continued support of: a development 25,000 

director, a director of information anda
 

workshop coordinator; art and music appreciation programs; young peoples concerts.
 

To produce television spots, buy television 25,000 

air time and to conduct a survey to deterreine the impact of expanded television advertising. 

For the community box o~cc and informa- 7,500 

tion center. 

Support for the institute which aets asa 40,000 

clearinghouse and documentation center 

research activity in the arts. 

For the performing arts voucher program. 15,000 

For continued support for administrative 25,000 

costs of "Arts"/Boston’s Ongoing Progratas: The Voucher Program, Boston on 

Stage, "Arts"/Extra, "Arts"/Pass, and 

"Bostix". 

For eontinued support for scholarships to 7,500 

the association’s 1978 summer workshops. 

To demonstrate e~íective community tela- 7,500 

tions for the arts through a series of 

meetings and publications. 

For continued support of the fiscal and 35,000 

advisory services provided to arts organizations in New York City. 

For continued support for the scholarship 20,000 

program of residencies for artists. 

For the National Arts and Handicapped 100,000 

Information Service. 
Special Projects 219 

Hospital Audiences, Inc. For continued support for the national $ 30,000 New York, New York pro]ect, including consulting services and, 

disseminating research. 

MacDowell Colony, Inc. For continuing support of residency fellow- TF 60,000 Peterborough, New Hampshire ships at the MacDowell Colony for writers, PG 60,000 composers and visual artists. 

Museums Collaborative, Inc. For continued support of the cultural 20,000 New York, New York voucher program. 

National Council on the Aging, Inc.	 For continued support to provide technical 35,000 Washington, D.C.	 assistance, information, and consultation on 

the arts and the aging to state arts agencies and community arts groups. 

Opportunity Resources for the For continued support to maintain and 40,000 Performing Arts, Inc. further develop placement, counseling, and 

New York, New York other services to individuals and organizations involved in the arts. 

Performing Arts Services, Inc. For support to administer a ticket voucher 25,000 

San Francisco, California program involving performing groups in 

the San Francisco Bay arca. 

Performing Artservices, Inc. For continued support o]a program of co- 25,000 

New York, New York operativo administrative and management

services for perÍorming arts groups. 

Play Group, Inc. To support Alternate Roots, an organization 5,000 

Knoxville, Tennessee which provides technicat assistance to Southern arts groups. 

Rogers (Rod) Dance Company, Inc. For showcase concerts in the inner city of 17,500 

New York, New York tire urban arcas. 

Virginia Center for the Creative Arts For continued support o]a residency pro- 25,400 

Sweet Briar, Virginia grato for creative artists. 

Volunteer Lawyers for the Arts	 For the continued support of the develop- 30,000 

New York, New York	 ment of a national network of organizations 

and to expand the research, education, and 

publication programs. 

VolunteerUrbanConsultingGroup For a program which brings volunteer 20,000 

New York, New York management and board of director recruitment assistance to arts organizations. 

Yaddo, Corporation of For continued support of short-term resi- 25,000 

Saratoga Springs, New York dencies for professionals working in literatute, visual arts, and musical composition. 

The asterisk indicates grants and contracts that were initiated by Endowment programs and offices other Interdisciplinary/Special than Special Projects. These grants are included under Special Projects for accounting purposes. Projects 

Grants to projects that are AFL-CIO Labor Studies Center	 Fora consultant to aid the Labor Institute 17,200 multi-diseiplined, maintain 

Silver Spring, Maryland	 for Hu~nan Enrichment, Inc. in the devel- professional standards, and opment of new projects to makc the arts test an idea that might be more accessible to working people, widely useful.

Program funds : $2,243,496 

AFL-CIO Labor Studies Center, Inc. 

Silver Spring, Maryland For continued support of the center’s program of visual and performing arts activi35,000 Private gifts: $566 

ties for resident students, the neighboring 

community, and Washington arca labor 

representatives. 

Alvarado School Art Workshop 

San Francisco, California 

To support the Scroungcr’s Center for Reusable Arts Parts (SCRAP) program. 15,000 

American Association of Museums 

Washington, D.C. 

Fora planning study to assess the energy 

needs the cultural community. 15,460 

Arts and Business Council, Inc. 

New York, New York 

To produce printed materials on the Skills/ 

Services/Resources Bank. 16,500 
220 Special Projects 

Association of College, University and 

Community Arts Administrators 

Madison, Wisconsin 

Association for the Development of 

Education 

Washington, D.C. 

Birmingham Festival Theatre 

Birmingham, Alabama 

Brooklyn Arts and Culture 

Association, Inc. 

Brooklyn, New York 

Bureau of Prisons/United States 

Department of Justice 

Washington, D.C. 

Center Theatre Group of Los Angeles 

Los Angeles, California 

Cleveland Area Arts Council 

Cteveland, Ohio 

Cleveland Foundation Resources 

Cleveland, Ohio 

Coe, Linda* 

Cambridge, Massachusetts 

Coe, Linda* 

Cambridge, Massachusetts 

Connecticut Commission on the Arts 

Hartford, Connecticut 

Councilof State Governments 

Lexington, Kentucky 

Council of State Governments 

Lexington, Kentucky 

Cultural Council Foundation 

New York, New York 

Data Use and Access Laboratories* 

Arlington, Virginia 

De Grazia, Alfred* 

New York, New York 

Dondis, Donis* 

Boston, Massachusetts 

Duke University 

Durham, North Carolina 

Editorial Experts* 

Alexandria, Virginia 

Educational Facilities Laboratories 

New York, New York 

To develop a technical assistance program $10,000

on marketing for arts institutions. 

For travel costs for three arts represen- 1,170 

tatives to attend the Rural Women in 

America Conference in Washington, D.C. 

For a six-week residency in Birmingham 5,650 

by handicapped playwright Ron Whyte. 

For the "My, My Brooklyn Festival." 20,000 

To initiate an artists in residence program 25,000 

at federal correctional institutss. 

To develop a slide presentation documenting 10,000

the theater’s programs and its relationship 

with the multi-cultural community of Los 

Angeles. 

For the Volunteers and the Arts program, 25,000 

to estabtish an informed network for the 

arts organizations of greater Cleveland. 

To provide sta~ support for the founda- 27,500 

tions’ committee in the arts. 

To compile an arts management bibliog- 6,538 

raphy. 

For support of research to update and 40,000 

expand the Cultural Directory: Guide to 

Federal Funds and Services for Cultural 

Activities. 

To establish a systematic approach to up- 20,000 

grade services to the rapidly growing 

Hispanic community. 

To establish the National Conference of 15,000

State Legislatures" Arts Task Force. 

To present arts events in conjunction with 5,100 

National Conference of State Legislatures. 

To support the photographic and video 25,000 

documentation of the New York City CETA 

arts project by the Foundation for the 

Community of Artists and the Foundation 

for Independent Vídeo and Film, Inc. 

To prepaíe two reports based upon the 32,780 

artist extract files from the 1970 Census
 

Public Use Samples and the 1976 Survey of
 

Income and Education.
 

To prepare a syllabus for review and dis- 5,585 

cussion of cultural policy. 

To prepare a brief abstract on the state of
 

educational television and radio.
 

For a "Cultural Services Unir" at the medi­ 20,000

cal center which utilizes university cultural,
 

performing, and visual arts resources to
 

make quality arts activities available to
 

staff, patients, and visitors.
 

2,800 For production of a resource directory. 

For a meeting with representatives Írom
 33,964

arts and cultural institutions, artists, arts
 

administrators, and handicapped consumers.
 

750 
Special Projects 221 

Eisner, Elliott* To prepare a paper on possible government $ 1,500 

Stanford, California assistance to the field of English in order to 

further edueation, training, and development 

of careers in this field. 

Ford’s Theatre Society 

Washington, D.C. 

Fora new production to be used as ah a~~Zienee development tool. 

25,000 

Fowler, Charles* 

Washington, D.C. To prepare summaries of all meetings of the 

National Endowment for the Arts’ Educa4,350 

tional Task Force, as well as to prepare 

the task force’s final report. 

Fowler, Charles* For technical services associated with the 9,650 

Washington, D.C. Task Foree on Education, Training, and 

Development of Professional Artists and 

Arts Educators. 

Frontczek, Deirdre* 

Washington, D.C. 

To identify and develop alternative sources 

of federal funding for cultural programs. 

9,500 

Gister, Earle* To prepare a brief abstract on the state of 1,500 

New York, New York theater in the United States. 

Greater New Orleans Federation ot~ 

Churches To support churches in Louisiana to present drama, visual arts, muslo, and work15,000 

New Orleans, Louisiana shops for their congregations. 

Greater St. Louis Arts and Education For administrative service costs associated 838 

Council* with the preparation of the "Support the 

St. Louis, Missouri Arts" workshop in St. Louis. 

Gutman, Robert* 

Princeton, New Jersey To prepare a brief abstraer on the state of 

architecture in the United States. 

1,500 

Hannum, Becky For coordination costs of the Showcase of 10,000 

New York, New York the Arts of the Southeast. 

Hansen, Bryan* 

Newark, Delaware 

To prepare a paper on possible assístance 

the government could provide to the field 

1,500 

of theater in order to further education, 

traing, and development of carriers. 

Hayden, Melissa* To prepare a brief abstract on the state of 750 

New York, New York ballet in the United States. 

Hayes, Elizabeth* 

Salt Lake City, Utah 

To prepare a paper on possible government assistance to the field of music in order to 

further education, training, and develop1,500 

ment of careers in this field. 

Human Resources Research For continued support of a consumer de­ 27,430 

Organization* mand analysis for arts and cultural services 

Alexandria, Virginia in the South. 

Imagination Workshop, Inc. For continued support for the development 10,000 

New York, New York and performance of plays representing the 

eollaborative efforts to theater professionals 

and patients at Mt. Sinai Hospital. 

Indiana University of Pennsylvania, 

Foundation for 

Indiana, Pennsylvania 

For the research and planning phases of a 

national project to encourage business and

labor sponsorship oÍ adult vocational arts 

programs for corporation employees and 

14,685 

union members. 

Insta Print, Inc.* 

Washington, D.C. 

For production of a resource directory. 4,407 

International City Management 

Association 

For the arts task force and related staff 

activities. 

25,000 

Washington, D.C. 

Iowa Arts Council To doeument the "Arts in County Care 7,000 

Des Moines, Iowa Facilities" program vía a booklet and slide/ 

cassette for nacional distribution. 
750 

222 Special Projects 

Johns Hopkins University* 

Baltimore, Maryland 

Kaprow, Allan* 

Los Angeles, California 

Kandall, Elizabeth* 

New York, New York 

Labor Theatre, Inc. 

New York, New York 

Laboratory for Research in Relevant 

.Education, Inc. 

New York, New York 

Lehmann, Phyllis* 

Silver Spring, Maryland 

Leonhard, Charles* 

Urbana, Illinois
 

Lewis, John*
 

New York, New York
 

Los Angeles, California, City of
 

Los Angeles, California
 

Maryland Arts Council 

Baltimore, Maryland 

Massachusetts Arts and Humanities 

Foundation, Inc. 

Boston, Massachusetts 

Massachusetts Institute of Technology
 

Cambridge, Massachusetts
 

Matthai, Robert*
 

New York, New York
 

McArdle Printing Company, Inc.* 

Silver Spring, Maryland 

MeridianHouseInternational 

Washington, D.C. 

Michigan Council for the Arts 

Detroit, Michigan 

Murray State University* 

Murray, Kentucky 

National Association of Counties 

Research Foundation 

Washington, D.C. 

National Association of Counties 

Research Foundation 

Washington, D.C. 

Fora study by the Center for Metropolitan $149,624 

Planning and Research of the economic 

impacts in selected communities of arts and 

cultural institutions, utilizing the Johns 

Hopkins model. 

To prepare a brief abstraer on the state of 1,500 

visual arts in the United States. 

To prepare a brief abstraer on the state of 

modern dance in the United States. 

For a festival of the arts and humanities at 15,000 

the national union of hospital and health 

care employees union’s headquarters and 

various hospitals and nursing bornes. 

To print a school and family discussion 15,000 

guide, to be distributed nationally in ¢onjunction with the Great Performance Series 

presentation of Dickens’ Hard Times. 

To prepare six four-page supplements to the 10,000 

CuItural Post. 

To prepare a paper on possible government 1,500 

assistance to the field of music in order to 

further education, training, and development of careers in this fiel& 

To prepare a brief abstraer on the state of 1,500

jazz in the United States. 

To support "Los Angeles Street Scene," a 40,000 

major weekend event including arts and 

crafts exhibitions, cultural and ethnic
 

events, and musical performances.
 

To support the ¢ontinued development of 25,000 

the State/County Partnership program in 

the State of Maryland. 

For A Directory of Funding Sources for 12,650 

individual creative artists. 

For the installation by the Center for Ad- 12,500 

vanced Visual Studies of "centerbeam," a 

kinetic performing seulpture. 

To prepare a report presenting specific in- 3,000 

formation services sensitizing cultural institutions to energy needs and concerns. 

For production expenses of Arts lYlanage- 1,800 

ment Bibliography. 

For a multi-faceted cultural symposium, 64,515 

"Mezico Today." 

For the Celebration of the Arts, a major 20,000 

arts festival, to aceompany the first Michigan Congress on the Arts. 

For the services of Joe Prince in providing 46,744 

assistance to the Task Force on Education, 

Training, and Development of Professional Artists and Arts Educators. 

To establish a county government task 15,000 

force on the arts. 

For a festival that will take place in con- 4,300 

junction with the 3$th annual conf erenee of 

the National Association of Counties in Fulron County, Georgia. 
Special Projects 223 

National Association of the Partners 

of the Alliance, Inc. 

Washington, D.C. 

For an artists in residence program and an 

exchange program involving U.S. and Latin 

American Artists. 

$ 25,000 

National Center for Urban Ethnic 

Affairs 

Washington, D.C. 

Fora study for a proposed series of regional conferenees on festivals. 11,485 

NationaIExecutiveServiceCorps. 

New York, New York 

To provide ezecutive, management, and 

technical assistance to th~ Museum of ¿he 

48,000 

Ameriean Indian, Urban Gateways, and the 

First of All Children’s Theatre. 

National Executive Service Corps. 

New York, New York 

To provide executive, ~nanagement, and 

technical assistance to the Wolf Trap Farm 

32,000 

Park for the Performing Arts and the South 

Street Seaport Museum. 

National Governors’ Conference Center 

for Policy Research & Analysis 

For the National Governors’ Assoeiation’s 

Sub-committee on the Arts. 

25,000 

Washington, D.C. 

National Repertory Theatre 

Foundation 

Beverly Hills, California 

For the planning phase of "Sound and 

Light," a major event marking the Bicen­

~ennial of Los Angeles in 1981. 

10,000 

Nebraska--Lincoln, University of 

Lincoln, Nebraska 

For "Return to the River," an experimental 

pro]ect that will transform the historie 10,000 

Missississippi-Ohio riverboat, the Delta 

Queen, into a showboat and floating Chautauqua stopping in four ports of call in 

Mississippi, Kentucky, and Ohio. 

New England Foundation for the Arts 

Cambridge, Massachusetts 

To present performances and cultural events 

at the National Governors’ Conf erence. 

5,500 

New School for Social Research 

New York, New York 

To establish a model training program and 

curriculum for professionals, artists, and 20,410 

students to work with senior citizens. 

New York Foundation for the Arts To present a festive showcase of the arts in 16,454 

New York, New York Atlanta in conjunction with the annual 

mceting of the International City Management Assoeiation. 

New York Jazz Repertory Corporation To presenta multi-media ezhibit at the New 7,650 

New York, New York York Public Library for the Performing 

Arts. 

North Carolina Department of 

Cultural Resources 

Fora statewide ef]ort to increase accessibility to the arts and promote greater parti25,000 

Raleigh, North Carolina cipation in the arts by handicapped persons. 

North Carolina Department of 

Cultural Resources 

For continued support fora marketing director for the Division of Fine Arts. 

17,300 

Raleigh, North Carolina 

Northeastern University* Fora study of U.S. folk-crafts artists, un­ 52,761 

Boston, Massachusetts der the direction of Dr. Bruce E. Nickerson. 

Oetinger, Janet* 

Hanover, New Hampshire To prepare a report on performing arts 

touring activities in the United States. 

25,000 

O’Neill (Eugene) Memorial Theater For "Theater in Sign," a residency program 17,000 

Center for the deaf. 

Waterford, Connecticut 

Opportunity Resources for the 

Performing Arts, Inc. 

To support, in consultation with the "Support the Arts" campaign, marketing and 

26,030 

New York, New York public relations aimed at informing arts 

and cultural institutions of services available through Opportunity Resources. 

Pennebaker, Donn* To prepare a brief abstract on the state 750 

New York, New York of film in the United States. 
750 

224 Special Projects 

Pennsylvania Council on the Arts, 

Commonwealth of 

Harrisburg, Pennsylvania 

Phelps Stokes Fund, Trustees of the 

New York, New York 

Phelps-Stokes Fund 

New York, New York 

Reilly, John* 

New York, New York 

Religious Communities, the Arts and 

the American Revolution 

New York, New York 

San Fernando Valley Arts Council 

Northridge, California 

Schwartz, Gerald* 

Montclair, New Jersey 

Stover, Carl* 

Washington, D.C. 

Tennessee, University of* 

Knoxville, Tennessee 

Texas at San Antonio Research Center 

for the Arts, The University of* 

San Antonio, Texas 

Theatre Communications Group, Inc. 

New York, New York 

Theatre Communications Group, Inc. 

New York, New York 

Thruston, Ellen* 

New York, New York 

United Labor Agency, Inc. 

Cleveland, Ohio 

United States Conference of Mayors 

Washington, D.C. 

University Players 

Washington, D.C. 

Valley Studio, Inc. 

Spring Green, Wisconsin 

Vignola and Carrico* 

Hackettsown, New Jersey 

Washington Center for Metropolitan 

Studies 

Washington, D.C. 

$ 8,665 For continued support of a program designed to effect a liaison bctween un~on 

members, their families and organizations 

and the state’s artists and arts groups. 

For exhibitions of the Visual Arts Research 10,000

and Resouree Center relating to Caribbean 

Arts. 

Fora series of seminars on visual arts col- 11,675

Iections of minority cultures. 

To prepare a brieÍ abstraer on the state oÍ 

video in the Unitcd States. 

To support the arts and festival eomponent 20,000 

of the fourth annual tnternational Congress 

on Religion, the Arts, Architecture, and the 

Environment. 

To document the second phase of "Inter­ 11,950

disciplinary A rtists Strategies--A rts Íor the
 

Handicapped."
 

To prepare a paper on possible government 1,500

assistance to the arts. 

For assistance in developing and imple- 303,690 

menting long-range programs to improve PG 566 

funding for artists and cultural institutions. 

For the administrative services Of Paul Zar­ 35,309

bock in providing the " grantees’ perspeetive"
 

during an assessment of the grant procedures utilized by the Endowment.
 

For the Hispanic-American Task Forcc 79,200 

(created by the National Council on the 

Arts) to determine the needs of the Hispanic-American artistic community. 

To cover costs of the nationa! selection 15,250

panel Íor the National Fellowships in Performing Arts Management.
 

For continued support for the National 43,190 

Fellowships in Performing Arts Management. 

For administrative costs associated with the 8,621

National Endowment for the Art’s existing
 

managerial technical assistance program.
 

To stage a production of "John L. Lewis-- 3,750 

Disciple of Discontent." 

To assist the city of Atlanta in hosting an 12,500 

"Atlanta Arts in the Evening" and related 

events at the annual meeting of the United 

States Conferenee of Mayors in Atlanta. 

For promotion costs for the National Play- 25,000 

ers’ touring program. 

To produce with Friends Mime Theatre/ 25,000 

London Theatre Workshop, Ltd., the Festival of American Mime. 

For an evaluative report on the fundraising 121,404 

experiences of selected National Endowment 

for the Arts Challenge grantees. 

To support the first operational year of the 50,000 

Cultural Alliance of Greater Washington. 
Special Projects 2~~ 

Washington Performing Arts Society 

Washington, D.C. For a study oí the scope and feasibility of 

a ~najor arts festival scheduled for 1979 in $15,000 

Washington, D.C. 

Whitehead, James* 

Fayetteville, Arkansas 

To prepare a paper on possible government 

assistance to the field of theatre. 

750 

Wilber, Taffy* 

St. Louis, Missouri 

For public relations and conference management costs assoeiated with the "Support 1,200 

the Arts" ~neeting. 

Williams, Miller* 

Fayetteville, Arkansas To prepare a brief abstract on the state of 

literature in the United States. 

750 

Worreli, Norman 

Nashville, Tennessee 

For services in connection with the Artistiv-Rcsidence program of the Federal Prison 19,250 

Project. 

Zuchelli, Hazel* 

Arlington, Virginia 

To prepare and editan arts management 

bibliography. 1,716 

Arts Resource Services 

Seattle, Washington 

For the participation of Beth Bentley in ¿he 

WorÆ Exper~ence Internship J~rogram. 

2,730 Work Experience 

Internship Program 

Bible Way Church of God in Christ 

Philadelphia, Pennsylvania For the participation of Curtis E. Brown in 

the Worlc Experienee Internship Program. 

To acquaint arts administra­ 2,410 tors of potential arts administrators with the policies, 

Boston University 

Boston, Massachusetts 

Center Repertory Theatre of Cleveland 

For ¿he participation by Nancy Doyle in the 

Work Experience Internship Program. 

For the participation of Cecilia C. Kasavich 

procedures, and operations of

the Endowment and to gire 2,320 them an overview of arts 

activities in this country.

Program funds: $113,099 2,416 

Cleveland, Ohio in the Work Experienee Internship Program. 

Cleveland Area Arts Council For the participation of Helen E. Haynes in 2,416 

Cleveland, Ohio the Work Experience Internship Program. 

Columbia University in the City of 

New York, The Trustees of 

For the participation of Elizabeth Greeno 

span in the Work Experience Internship 

2,400 

New York, New York Program. 

Columbus, Ohio, City of For the participation of Donna K. Copen in 2,422 

Columbus, Ohio the Work Experience Internship Program. 

Connecticut Commission on the Arts For the participation of Alec Simpson in the 2,425 

Hartford, Connecticut Work Experience Internship Program. 

Direct Theatre, Inc. 

New York, New York 

For the participation of Saraleigh Carney 

in the Work Experienee Internship Pro2,398 

grato. 

Duke University 

Durham, North Carolina 

For the participation of Jude Anne Cassidy 

in the Work Experience Internship Pro2,400 

grato. 

Dutchess County Art Association, Inc. 

Poughkeepsie, New York 

For the participation of Perry A. Bialor in 

the Work Experience Internship Program. 2,400 

Earth Onion Women’s Theatre, Ltd. 

Washington, D.C. For the participation of Brigit Murray in 

the Work Experience Internship Program. 

2,320 

Edinboro State College 

Edinboro, Pennsylvania 

For the participation of Donald S. Ho~man 

in the Work Experience Internship Pro2,41zi 

grato. 

Georgetown University 

Washington, D.C. For the participation of Carol S. Blumenthal in the Work Experience Internship 

2,320 

Program. 

Guilford Native American Association 

Greensboro, North Carolina 

For the participation of Julia L. Lowry in 

the Work Experience Internship Program. 

2,402 

Harvard University 

Cambridge, Massachusetts For the participation of Teresa L. Canfield 

in the Work Experience Internship Pro­ 2,438 

grato. 
226 Special Projects 

Harvard University 

Cambridge, Massachusetts 

Idaho Commission on the Arts and 

Humanities 

Boise, Idaho 

Indiana University at Bloomington 

Bloomington, Indiana 

Indiana University at Bloomingt~n 

Bloomington, Indiana 

Jewish Museum 

New York, New York 

Kansas Arts Commission 

Topeka, Kansas 

Maryland Arts Council

Baltimore, Maryland 

McCarter Theatre Company

Princeton, New Jersey 

Michigan Council for the Arts 

Detroit, Michigan 

Music Center Presentations 

Los Angeles, California 

National Symphony Orchestra 

Association of Washington, D.C. 

Washington, D.C. 

Negro Ensemble Company, Inc. 

New York, New York 

New School for Social Research 

New York, New York 

Oregon Volunteer Lawyers for the 

Arts, Inc. 

Portland, Oregon 

Oregon, University of 

Eugene, Oregon 

Pennsylvania Council-on the Arts, 

Commonwealth of 

Harrisburg, Pennsylvania 

Pennsylvania State University Main 

Campus

University Park, Pennsylvania 

Pennsylvania, Trustees of the 

University of 

Philadelphia, Pennsylvania 

Queens Council on the Arts, Inc. 

Jamaica, New York 

Rhode Island State Council on the Arts 

Providence, Rhode Island 

For the participation oí Susan G. Anable $ 2,440

in the Work Experience lnternship Progra~n. 

For the participation of Patricia Bidwell ¿n 2,676

the Work Ezperience Intership l~rogram. 

For ~he participation of Ja~nes S. Rikoon in 2,516 

the Work E~cperience lnte«nship Progra~n. 

For the participation of Phyllis M. May in 2,510 

the Work E~cpe~’ience Internship Program. 

For th¢ participation of Marga~’et Hat~ye 2,398

Einhorn in the Work Ezperience Internship 

Program. 

Fox" the participation of Romalyn Tilghman 2,530

in ¿he Work Experience Internship Progra~n. 

For the participation of Lorenzo Callahan, 2,320

Jr. in the Work Experience Internship Prograto. 

2,400 For the participation of Marsha Senack in 

the Work E~cperience Internship Program. 

For the Participation o] Jacqueline King in 2,620 

the Work Ezperience Internship Program. 

For the participation of Wendy Wolston­ 2,722

croft in the Work Experience Internship 

Progra~n. 

For the participation of Karen J. Rud~nan 2,320

in the Work Experience Internship Progra~n. 

For the participation of Ron Nguvu in the 2,400 

Wo~’k Experience Internship Program. 

2,402 Fox" the participation of Ca~’ol E. Fader in 

the Work Experience Internship P«ogram. 

For the participation oí Jeanne McGinnis 2,780

in the Work Experience Internship Progra~n. 

For the participation of Grace Ha~npton in 2,750

the Work Experience Internship Program. 

For the participation of Deborah A. Hoover 2,348

in the Work Experience Internship Prograto. 

For the partieipation oí Robert B. Olmstead 2,390

in the Work Experienee Internship Prograto. 

For the participation of Eric M. Katz in the 2,350

Work Experience Internship Program. 

2,400 For the participation of Dori Berger in the 

Work Experience Internship Program. 

For the participation of Alexander Caserta 2,428

in the Work Experience Internship Prograto. 

Rutgers, The State University of New For the participation of Patricia Cline in 2,356 

Jersey the Work Experience Internship Program. 

New ~runswick, New .;lersey 
Special Projects 227 

St. CIement’s For the par~icipation of Richard Spiegel in $ 2,400 

New York, New York the Work Experience Internship Program. 

San Francisco Symphony 

Association 

For the participation of Joy Silve~man in 

the Work Experience Internship Program. 2,730 

San Francisco, California 

Seattle Opera Association, Inc. 

Seattle, Washington 

For the participation of Joann R. Menashe 

in the Work Experience Internship Pro­ 2,728 

grato. 

Southeastern District Lutheran 

Church Center for Deaf Ministry 

Washington, D.C. 

For the participation of Mary Dalzell in 

the Work Experience Internship Program. 

2,320 

Theatre Without Bars 

Yardville, New Jersey For the participation of Michael Dalakian 

in the WorI~ Experience Internship Pro2,400 

grato. 

University Circle, Inc. 

Cleveland, Ohio 

For the participation of Christopher P. 

Chapman in the Work Experience Intern2,414 

sh@ Program. 

Valencia Community College For the participation of Ourentia P. Throm 2,496 

Orlando, Florida in the Work Experience Internship Program. 

Walker Art Center, Inc. 

Minneapolis, Minnesota For the participation of Annette D. Carlozzi 

in the Wor]¢ Experience Internship P~’o2,520 

grato. 

Wesleyan University 

Middletown, Connecticut 

For the participation of Elizabeth Martin 

in the Work Experience Internship Pro2,404 

gram. 

Dempster, Stuart R. 

Seattle, Washington 

For a United States/Uni~ed Kingdom Exchange Fellowship. 

15,343 Artists’ Exchange 

Program 

Minsky, Richard 

New York, New York 

Portz, Charles and Bette Craig 

For a United States/United Kingdom Exchange Fellowship. 

For a Uni~ed States/United Kingdom Ex16,895 

12,190 

To support mid-career

American artists on exchange

fellowships in Japan and the 

United Kingdom.

Program funds: $162,530 

New York, New York change Fellowship. 

Root, William Pitt Fora United Sta$es/United Kingdom Ex­ 24,416 

Missoula, Montana change Fellowship. 

Smith, Baird M. For a United States/United Kingdom Ex­ 18,680 

Washington, D.C. change Fellowship. 

$apan United States Friendship For ah Exchange Fellowship Prog~’am be­ 75,000 

Commission tween the United States and Japan for 

Washington, D.C. practicing a~~ists. 
228 

Program funds: $5,727,805

Treasury funds: $880,000 Theater Private gifts : $880,000

State Arts Agency

Theater Projects 

Grants to state arts agen¢ies,

either individually of in

regional groupings, for spe­

¢ial projects involving professional theater resources in 

Atñliated State Arts Agencies of the 

Upper Midwest 

Minneapolis, Minnesota 

Aiaska State Council on the Arts 

Anchorage, Alaska 

For the Guthrie Theater resideney tour 

throughout the upper midwest region. 

For a tour of the Alaska Repertory 

Theatre’s production of The Fourposter. 

$ 40,000 

13,900 

their areas. Program funds: $404,170 Alaska State Council on the Arts 

Anchorage, Alaska 

For the 1977-78 season of the Alaska Repertory Theatre. 35,000 

Arizona Commission on the Arts and For a residency of the Arizona Civic Thea­ 10,810 

Humanities ¿re in the Phoenix metropolitan atea. 

Phoenix, Arizona 

Hawaii State Foundation on Culture For the Honolulu Theatre for You$h’s 17,500 

and the Arts neighbor island tour program in 1977-78. 

Honolulu, Hawaii 

Hawaii State Foundation on Culture Fora two-week residency of the American 35,000 

and the Arts Conservatory Theatre, including performHonolulu, Hawaii ances and community-based workshops. 

Illinois Arts Council 

Chicago, Illinois 

For the tours of the Goodman Theatre, the

Si. Nicholas Theater, and Victory Gardens 

Theater. 

48,835 

Kentucky Arts Commission For a tour of Actors Theatre of Louisville. 21,510 

Frankfort, Kentucky 

Mid-America Arts Alliance 

Kansas City, Missouri 

Fora four-week tour by the Loretto-Hilton 

Repertory Theatre’s Imaginary Theatre 

Company anda two-week tour by the Mis21,000 

souri Repertory Theatre. 

North Carolina Departme~t of For a tour of the Acting Company in North 42,665 

Cultural Resources Carolina and South Carolina. 

Raleigh, North Carolina 

Ohio Arts Council For tours of the Cleveland Play House, Cin­ 30,000 

Columbus, Ohio cinnati Playhouse in the Park, and the Great 

Lakes Shakespeare Festival. 

Texas Commission on the Arts and For a tour by the Acting Company. 20,000 

Humanities 

Austin, Texas 

Utah State Division of Fine Arts For the artistic development of the Pioneer 12,000 

Salt Lake City, Utah Memorial Theatre. 

Western States Arts Foundation Fora six-week tour of the Milwaul~ee Re­ 44,950 

Denver, Colorado pertory Theatre. 

ProfessionalTheater Alabama State Council on the Arts For a three-week tour of the Alabama 10,000 

and Humanities Touring (Pilot) 

To bring high quality pro- Montgomery, Alabama 

fessional theater to areas 

where it has not been avail- Kentucky Arts Commission

able. Frankfort, Kentucky 

Shakespeare Festival to communities 

throughout the state. 

For a tour of Actors Theatre of Louisville. 27,000 

Program funds: $44,000 

Pennsylvania Council on the Arts 

Harrisburg, Pennsylvania 

For residencies by the Performance Group 

and Mabou Mimes. 

7,000 
Theater 229 

Actors Theatre of Louisville, Inc. 

Louisville, Kentucky For the 1978-79 season of plays as well as 

sta~ development. $ 57,250 Large Professional 

Theater Companies 

Alaska Repertory Theatre, Inc. 

Anchorage, Alaska 

Alley Theatre 

Houston, Texas 

For administrative and artistic sta] development and expansion of activities, 

For the 1978-79 season of plays. 

To assist in the development 39,500 of a theater company by 

aiding in artisti¢ develop.

ment, improving t~e effective­ 99,000 ness of administration, of 

supporting ¢ommunity serviee

activities. 

American Conservatory Theatre 

Foundation 

San Francisco, California 

For the 1978-79 season of productions and 

developmental programs. 24,000 Program funds: Treasury funds: TF 150,000 Private gifts: PG 150,000 

$3,210,200 

$880,000 

$880,000 

American Place Theatre, Inc. 

New York, New York For the 1978-79 season of productions and the development of two new programs. 46,700 

American Place Theatre, Inc. 

New York, New York 

For a production of Conjuring an Event. 10,000 

Amherst College, The Trustees of 

Washington, D.C. 

For the Folger Theatre Group’s 1978-79 

season of plays. 39,250 

Arizona Civic Theatre, Inc. 

Tucson, Arizona For the 1978-79 season of plays and artistic and administrative sta] development. 27,250 

Asolo State Theater, Inc. 

Sarasota, Florida 

For artistic sta] development. 25,000 

Atlanta Arts Alliance, Inc. 

Atlanta, Georgia For the Alliance Theatre Company’s 1978­

79 season of plays. 9,750 

Barter Foundation, Incorporated State 

Theatre of Virginia 

Abingdon, Virginia 

For administrative and artistic sta~ development and a feasibility study on the 

renovation of an old theater. 

7,850 

Berkeley Repertory Theatre 

Berkeley, California For artistic staff development and audience 

development activity. 7,900 

Brooklyn Academy of Music, Inc. 

Brooklyn, New York For the BAM Theatre Company’s 1978-79 

season. 9,000 

California Actors Theatre 

Los Gatos, California For staff development. 10,000 

Center Stage Associates, Inc. 

Baltimore, Maryland For the 1978-79 season of six productions. 69,650 

Center Theatre Group of Los Angeles/ 

Mark Taper Forum 

Los Angeles, California 

For the Marl~ Taper Forum’s 1978-79 season of plays. 24,000 

TF 150,000 

PG 150,000 

Chelsea Theater Center, Inc. 

New York, New York 

For the 1978-79 seasons. 100,000 

Chicago Theatre Group, Inc. 

Chicago, Illinois For administrative and production staff development, subscription and advertising 79,500 

campaigns, and the 1978-79 Stage 2 season. 

Cincinnati Playhouse in the Park 

Cincinnati, Ohio For artistic and administrative staff development and the 1978-79 season of plays. 69,500 

Circle in the Square, Inc. 

New York, New York 

For the 1978-79 season of plays as well as 

audience development and related activities. 62,000 

Circle Repertory Company, Inc. 

New York, New York 

For the 1978-79 season of six ma]or productions and other play development activity. 39,000 

Connecticut Players Foundation, Inc./ 

Long Wharf Theatre For the Long Wharf Theatre’s 1978-79 season of seven major productions, work-in­ 144,000 

New Haven, Connecticut progress activity, a six-play series of new 

work, and other special events. 

Contemporary Theatre, Inc., A 

Seattle, Washington For the 1978-79 season of productions. 23,850 

Cricket Theatre Corporation 

Minneapolis, Minnesota For continued support of an audience development program. 7,500 
230 Theater 

Dallas Theater Center 

Dallas, Texas 

Eugene O’Neill Memorial Theater 

Center, Inc. 

Wateríord, Connecticut 

Genesee Valley Arts Foundation, Inc. 

Rochester, New York 

George Street Playhouse, Inc. 

New Brunswick, New Jersey 

Goodspeed Opera House Foundation 

East Haddam, Connecticut 

Group I Acting Company, Inc. 

New York, New York 

Group I Acting Company, Inc. 

New York, New York 

Guthrie Theater Foundation 

Minneapolis, Minnesota 

Hartford Stage Company 

Hartford, Connecticut 

Hartman Regional Theater, Inc. 

Stamford, Connecticut 

Indiana Repertory Theater, Inc. 

Indianapolis, Indiana 

Inner City Cultural Center 

Los Angeles, California 

La Mama Experimental Theater Club 

New York, New York 

Lake-Cook Theatre Foundation 

Lake Forest, Illinois 

Loretto-Hilton Theatre, Inc. 

St. Louis, Missouri 

Manhattan Theatre Club, Inc. 

New York, New York 

McCarter Theatre 

Princeton, New Jersey 

Milwaukee Repertory Theater, Inc. 

Milwaukee, Wisconsin 

Missouri-Kansas City, University of 

Kansas City, Missouri 

Negro Ensemble Company, Inc. 

New York, New York 

New York Shakespeare Festival 

New York, New York 

North Carolina at Chapel Hill, 

University of 

Chapel Hill, North Carolina 

Oakland University 

Rochester, Michigan 

For the 1978-79 season of plays, "Play $ 55,700

March ’79,’ and staf] development. 

For the National Playwrights Conference 140,000

and the National Critics Institute. 

For the expansion of GeVa Theat~e’s 1978- 7,250 

79 season and related theater activities. 

For artistic staff development. 2,250

For sta~ development. 19,000

For emergency assistance anda production 30,000 

of King Lear. 

For the 1978-79 touring season of tire rep- 147,500 

evtory productions. 

24,000 

TF 150,000 

PG 150,000 

For the 1978-79 seasons of plays. 

For the 1978-79 season of plays. 104,500 

For the 1978-79 season of productions and 10,000

related activities. 

For artistic staff development. 37,250 

For the 1978-79 season of five productions. 35,000

For a season of 19 plays, including nine 150,000

major productions and ten workshop presentations.
 

For the Academy Festival Theatre’s 1978-79 19,250 

Second Stage season as well as fora management and planning project. 

For the 1978-79 season of five mainstage 54,500 

and three studio theater productions as well 

as staf] development. 

For the 1978-79 season of plays in the 48,500

Downstage space. 

For administrative staff development as well 69,500 

as audience development and outreach prograto activities. 

For artistic staf~ development during the 65,700 

1978-79 season. 

For the Missouri Repertory Theatre’s 1979 33,750

season of plays and related activities. 

For the 1978-79 season of plays. 171,000 

24,000 

TF 150,000 

PG 150,000 

For the Public Theater’s 1978-79 season. 

For the Playmakers Repertory Company’s 7,250

staff development activity. 

For artistic staff development at the Mea- 27,250 

dow Brook Theatre. 
Theater 231 

Old Globe Theatre 

San Diego, California 

For artistic staff development of the National Shakespeare Festival. 

$ 44,000 

Oregon Shakespearean Festival For sta~f development. 28,500 

Association 

Ashland, Oregon 

Organic Theater Company, Inc. For ah expanded 1978-79 season of plays. 27,250 

Chicago, Illinois 

Performing Arts Foundation of Long 

Island 

For the 1978-79 season of six new plays. 23,100 

Huntingdon Station, New York 

Philadelphia Drama Guild, Inc. 

Philadelphia, Pennsylvania For the 1978-79 season o] five productions. 37,250 

Pittsburgh Public Theater Corporation For administrative and artistic sta~ devel­ 19,000 

Pittsburgh, Pennsylvania opment and an expanded 1978-79 season. 

Play House, Cleveland 

Cleveland, Ohio 

For staff development. 73,600 

Players State Theatre, Inc. 

Miami, Florida 

For sta] development. 4,500 

S. U. Theatre Corporation 

Syracuse, New York 

For Syracuse Stage’s 1978-79 season. 39,500 

St. Nicholas Theater Company For the 1978-79 season of tire plays. 16,750 

Chicago, Illinois 

Seattle Repertory Theatre

Seattle, Washington For the 1978-79 season of six plays. 51,000 

TF 100,000 

PG 100,000 

South Carolina Arts Commission For Stage South’s 1978-79 season of plays 9,500 

Columbia, South Carolina and expanded touring activity. 

South Coast Repertory, Inc. For sta~ development. 27,000 

Costa Mesa, California 

Springfield Theatre Arts Association 

West Springfield, Massachusetts 

For Stage West’s increased audienee development activity. 

35,000 

Studio Theatre School Corporation For the Studio Arena Theatre’s 1978-79 84,500 

Buffalo, New York seven-play season. 

Tennessee, University of i For the Clarence Brown Company’s 1978-79 30,000 

Knoxville, Tennessee season. 

Theatre by the Sea, Inc. For the 1978-79 season of plays. 7,250 

Portsmouth, New Hampshire 

Theatre, Inc. For the Phoenix Theatre’s 1978-79 season oÍ 36,200 

New York, New York plays as well as ah extensive audience development campaign. 

Trinity Personna Company/Trinity For the 1978-79 season of productions and 143,700 

Square Repertory Company related activties. 

Providence, Rhode Island 

Virginia Museum Foundation For the Virginia Museum Theatre’s 1978-79 7,500 

Richmond, Virginia season of plays. 

Virginia Museum Foundation For the services of four guest directors 7,500 

Richmond, Virginia during the Virginia Museum Theatre’s 1977­

78 season. 

Washington Drama Society, Inc./ For the Arena Stage’s 1978-79 season. 109,000 

Arena Stage TF 100,000 

Washington, D.C. I~G 100,000 

Yale University 

New Haven, Connecticut 

For artistic and administrative staf] development of the Yale Repertory Theatre. 

TF 80,000 

PG 80,000 
232 Theater 

Yale University 

New Haven, Connecticut 

To support artistic and administrative staff 

development at the Yale Repertory Theatre. 

$84,000 

Professional Theater 

Companies with Short 

Seasons 

To assist professional theater 

companies with performance 

Alabama Shakespeare Festival, Inc. 

Anniston, Alabama 

Alabama Shakespeare Festival, Inc. 

Anniston, Alabama 

To support salaries of the company’s administrative and artistic personnel. 

For staff development. 

2,500 

4,750 

seasons of less than tire 

months, such as summer 

theaters and festivals. 

Program funds : $135,275 

American Shakespeare Festival 

Theatre and Academy of Connecticut 

Stratford, Connecticut 

For the 1978 season of plays. 60,000 

Berkshire Theatre Festival, Inc. For the 1978 season of five plays as well as 3,150 

Stockbridge, Massachusetts special programs and workshops. 

Dallas Theater Arts, Inc. 

Dallas, Texas 

For artistic staff development Íor the 

Shakespeare Festival of Dallas. 

2,250 

Free Public Theatre Foundation For the 1978 season oÍ mainstage and local 5,000 

Los Angeles, California touring productions. 

Great Lakes Shakespeare Association For artistic sta~ development. 14,750 

Lakewood, Ohio 

Intiman Theatre Company 

Seattle, Washington 

For artistic sta~ and production development during the 1978 season. 

3,500 

Peninsula Players Theatre For the 1978 summer season of tire plays. 1,000 

Foundation, Inc. 

Green Bay, Wisconsin 

Peterborough Players, Inc. 

Peterborough, New Hampshire 

For artistic sta~ development and the new 

plays program. 

1,000 

Souhegan Theatre Council 

Milford, New Hampshire 

For the American Stage Festival’s 1978 

season as well as artistic sta~ depelopment. 

5,000 

Theater at Monmouth For the 1978 season oÍ plays. 4,875 

Lewiston, Maine 

Williamstown Theatre Foundation For artistic stafl~ and development oÍ pro­ 27,500 

Williamstown, Massachusetts duetions. 

Theater for Youth 

To assist professional groups

that are engaged primarily in 

the production of dramatic

material for audiences five 

through 14.

Program funds: $261,250 

Asolo State Theater, Inc. 

Sarasota, Florida 

Celebration Mime Theatre 

South Paris, Maine 

Children’s Theatre Company and 

For the touring of three plays for young 

people throughout Florida. 

For the 1977-78 season, including two new 

works for young people. 

For the production of two new works. 

10,000 

2,500 

35,000 

School 

Minneapolis, Minnesota 

Connecticut Players Foundation, Inc. 

New Haven, Connecticut 

For the 1977-78 season of the Long Wharf 

Young People’s Theatre. 

5,000 

Contemporary Theatre, Inc. 

Seattle, Washington 

For touring and residency activities of the 

young people’s company. 

10,000 

Foundation for the Open Eye, Inc. For the 1977-78 season of the Open Eye 2,500 

New York, New York Children’s Theatre. 

Hartford Stage Company 

Hartford, Connecticut 

For the development of a new documentary 

drama and regional touring. 

8,750 

Henry Street Settlement 

New York, New York 

For the development and production of new 

plays for children. 

5,000 

Honolulu Theatre for Youth For actor training and the development oÍ 10,000 

Honolulu, Hawaii new works. 
Theater 233 

Looking Glass Theatre Corporation For touring in elementary schools and to $5,000 

Providence, Rhode Island support the development and presentation 

of two new plays. 

Loretto-Hilton Theatre, Inc. For the resident and touring season of the 5,000 

St. Louis, Missouri Imaginary Theatre Company. 

Marionette Theatre Arts Council, Inc. 

Pittsburgh, Pennsylvania 

For the Lovelace Theatre’s resident and 

touring season. 

10,000 

Paper Bag Players, Inc. For productions, workshops, and touring. 60,000 

New York, New York 

Performing Arts Foundation of Long 

Island 

For the Youth Theatre Center’s touring 

season and resident series. 

2,500 

Huntington Station, New York 

Performing Arts Repertory Theatre For an extensive national tour of six plays 20,000 

Foundation, Inc. and expansion of the workshop program. 

New York, New York 

Periwinkle Productions, Inc. Fora new production and sta] development. 2,500 

Monticello, New York 

South Coast Repertory, Inc. 

Costa Mesa, California 

For the educational theater program touring activit~es. 2,500 

Southeastern Academy of Theatre For productions and administrative develop­ 7,500 

and Music, Inc. 

Atlanta, Georgia 

ment of the Academy Children’s Theatre, as 

well as for in-state touring. 

Washington Drama Society, Inc. For performance activity of the Living 55,000 

Washington, D.C. Stage, including local and national touring. 

Wayside Foundation for the Arts, Inc. For touring anda new work. 2,500 

Middletown, Virginia 

Afro-American Studio for Acting and 

Speech, Inc. 

New York, New York 

Afro-American Total Theatre Arts 

Foundation, Inc. 

New York, New York 

For the 1977-78 season of plays. 

For the 1977-78 season. 

10,000 Small Professional Theater Companies 

To assist small groups that 

concentrate on furthering the

3,500 development of theater artists 

and the development and 

presentation of new works.

Program funds: $673,500 

American Contemporary Theatre, Inc. For the development and presentation of a 5,000 

Buffalo, New York new work. 

At the Foot of the Mountain For the development and presentation of a 3,000 

Minneapolis, Minnesota new work. 

Berkeley Stage Company For the 1977-78 season oÍ new plays and 10,000 

Berkeley, California development work. 

Boston Repertory Theatre, Inc. For artistic and administrative development. 2,500 

Boston, Massachusetts 

Broom Street Theatre For development and presentation of eight 5,000 

Madison, Wisconsin new works. 

Byrd Hoffman Foundation 

New York, New York 

For the development and presentation of a 

work by Robert Wilson and for continued 

support of the season. 

30,000 

Cambridge Ensemble For four productions in the 1977-78 season. 7,500 

Cambridge, Massachusetts 

Caravan Theatre, Inc. 

Cambridge, Massachusetts 

For the development and presentation of 

tire new works. 

3,500 

Celebration Mime Theatre For the development and presentation of 3,000 

South Paris, Maine Christopher Columbus. 

Colonnades Theatre Lab, Inc. For the development and presentation of 2,500 

New York, New York tire new works. 
234 Theater 

Community Arts Foundation 

Chicago, Illinois 

Cooper-Keaton Group 

New York, New York 

Cultural Council Foundation 

New York, New York 

Cutting Edge, Inc. 

New York, New York 

Direct Theatre, Inc. 

New York, New York 

Douglass (Frederick) Creative Arts 

Centers, Inc. 

New York, New York 

East West Players, Inc. 

Los Angeles, California 

El Centro Campesino Cultural 

San Juan Bautista, Californía 

Empty Space Association 

Seattle, Washington 

Encompass Theatre Company, Inc. 

New York, New York 

Ensemble Studio Theatre, Inc. 

New York, New York 

Equity Library Theatre, Inc. 

New York, New York 

Florida Studio Theatre, Inc., 

Sarasota, Florida 

Foundation for the Open Eye, Inc. 

New York, New York 

Free Southern Theatre, Inc. 

New Orleans, Louisiana 

Free Street Theatre 

Chicago, Illinois 

Germinal Stage, Inc. 

Denver, Colorado 

H B Playwrights Foundation, Inc. 

New York, New York 

Henry Street Settlement 

New York, New York 

Hippodrome Theatre Workshop, Inc. 

Gainesville, Florida 

House Monkey, Inc. 

New York, New York 

Hudson Guild Theatre 

New York, New York 

Impossible Ragtime Theatre, Inc. 

New York, New York 

Independent Eye, Ltd. 

Lancaster, Pennsylvania 

$5,00(~ For the artistic and administrative sta~ 

deve[opment of the Body Politic Theatre 

Laboratory. 

For the development oÍ new work. 5,000 

For the Lion Theatre Company’s season of 2,500

four major productions. 

5,000 For the development oÍ a new work 

For administrative staff development. 3,000

For the 1977-78 season oÍ three new p[ans. 3,500 

For the 1977-78 season oÍ new p[ays by 5,000

Asian-American autho~’s. 

20,000 For Teatro Campesino’s deve~opment and


presentation oÍ a new work.
 

7,500 For artistic sta~ deve[opment and increased
 

artistic salaries.
 

1,500 For the 1977-78 season oÍ three new works
 

and a play development series oÍ readings
 

and workshops.
 

For new p[ay production and increased
 10,000

artistic sa[aries.
 

3,000 For the 1977-78 season. 

For the development and presentation of
 1,500

new works.
 

For the development and presentation of
 12,500

two new works.
 

10,000 For the 1977-78 season. 

14,500 For free theater programs. 

For the 1977-78 season o] tire productions. 2,500

2,000 For six Íull productions, two s~aged readings, and other ~zorks-in-progress.
 

40,000 For production expenes and artistic salaries
 

at the New Federal Theatre duving
 

1977-78 season.
 

For audience deve~opment activties. 2,000 

For the development and presentation oÍ a 7,500 

new theater work. 

For the 1977-78 season. 1,500

For the 1977-78 season. 3,000

For the development and presentation of 1,500

new work. 
Theater 235 

Iowa Theater Lab (Maryland) For the development of an original ensemble $2,500 

Catskill, New York work. 

Joseph Jefferson Theatre Company For the 1977-78 season. 1,500 

New York, New York 

Judson Memorial Church For the Judson Poets Theater’s musical 10,000 

New York, New York theater wo~ks. 

Kuku Ryku Theatre Laboratory For the development and presentation of a 2,500 

New York, New York new work. 

Labor Theatre, Inc. For the production of two plays. 2,500 

New York, New York 

Lenox Arts Centre, Inc. For the development and presenta~ion of 20,000 

New York, New York new musical theater works. 

Little Flags Theatre Foundation, Inc. For two new works. 1,500 

Boston, Massachusetts 

Los Angeles Actors Theatre Fox" artistic salaries anda new production. 3,000 

Foundation 

Los Angeles, California 

Mabou Mines Development For the develop~nent and presentation of 21,000 

Foundation, Inc. new work. 

New York, New York 

Magic Theatre Foundation For the developmcnt and presentation of a 12,000 

Omaha, Nebraska new work. 

Magic Theatre, Inc. For a six-play season and audience develop­ 35,000 

San Francisco, California ment activity. 

Moving Men Theatre Company of For the development and presentation of a 2,000 

Berkeley new work. 

Berkeley, California 

New Dramatists, Inc. For playreading workshops and discussions. 7,500 

New York, New York 

New Playwrights’ Theatre of 

Washington, Inc. 

For the production of two new plays. 1,500 

Washington, D.C. 

New York Theater Strategy, Inc. For the presentation of four new plays. 8,500 

New York, New York 

New York, Hunter College, City

University of 

For the Hunter playwright’s new play 

production. 

2,000 

New York, New York 

North Carolina at Chapel Hill, 

University of 

For the Playmako’s Repertory Company’s 

presen$ation of two new plays. 

5,000 

Chapel Hill, North Carolina 

Ontological-Hysteric Theater, Inc. For the development and presentation of a 16,500 

New York, New York new work by Richard Foreman. 

Other Theatre, Inc. For the development and presentation of a 10,000 

New York, New York new work. 

Pacific Coast Performing Arts 

Foundation 

For the presentation of original work by the 

Bear Republic Theatre. 

3,000 

Felton, California 

Performance Community For administrative expenses and play­ 6,000 

Chicago, Illinois wrights’ stipends. 

Philadelphia Company For the production of two works-in-progress. 3,000 

Philadelphia, Pennsylvania 

Play Group, Inc. For the development and presentation of a 6,500 

Knoxville, Tennessee new work. 
236 Theater 

Playwrights Horizons, Inc. 

New York, New York 

Proposition Workshop, Inc. 

Cambridge, Ma~sachusetts 

Provisional Theatre Foundation 

Los Angeles, California 

Puerto Rican Traveling Theater 

Company, Inc. 

New York, New York 

Ridiculous Theatrical Company, Inc. 

New York, New York 

Riverside Church in the City of New 

York 

New York, New York 

St. Nicholas Theater Company 

Chicago, Illinois 

Silvera (Frank) Writers’ Workshop 

Foundation, Inc. 

New York, New York 

Squaw Valley Creative Arts Society 

San Francisco, California 

Theatre Arts Corporation 

Santa Fe, New Mexico 

Theater for the New City Foundation 

New York, New York 

Theatre Genesis, Inc. 

New York, New York 

Theatre X, Inc. 

Milwaukee, Wisconsin 

United Indians of all Tribes 

Foundation 

Seattle, Washington 

Urban Arts Corps, Inc. 

New York, New York 

Victory Gardens Theatre 

Chicago, Illinois 

Women’s Interart Center, Inc. 

New York, New Yorl~ 

Women’s Interart Center, Inc. 

New York, New York 

Wooster Group, Inc. 

New York, New York 

For the 1977-78 season of new plays in both 

the Manhattan and Queens theaters. 

$25,000 

For the development and presentation of 

three new works. 

7,500 

For the development and presentation of a 

new work. 

20,000 

Fora new play produetion and performance. 22,500 

For the development and presentation of a 

new work. 

16,000 

For the Theatre of the Riverside Church’s 

production oÍ Íour new plays. 

3,000 

Fora five-play season. 10,000 

For administrative sta~ development. 13,000 

For the playwrights’ program. 7,500 

For the 1977-78 season of plays. 8,000 

For a season of nine new works. 25,000 

For a season of tire plays, and workshop 

activities. 

10,000 

For the development and presentation of 

two new works. 

5,000 

For the Red Earth Performing Arts Company’ s 1977-78 season. 

12,500 

For artistic salaries and production expenses related to the 1977-78 season. 

8,000 

For the production of two new works in the 

1977-78 season. 

2,500 

For the Women’s Experimental Theatre’s 

development of The Daughters Cycle. 

5,000 

For the Performance Group’s development 

of three new works to be presented in conji~nction with previously developed material 

during the 1977-78 season. 

For a season of tire new works. 

27,500 

7,500 
Theater 237 

League of Professional Theatre 

Training Programs, Inc. 

New York, New York 

Additional support for the continuation of 

major theater training programs. 

$1,112 Professional Theater 

Training

In ah effort to develop a 

League of Professional Theatre 

Training Programs, Inc. 

New York, New York 

For continued support of major theater 

training programs throughout the nation. 

180,000 higher standard of professional theater training, the

Endowment assists selected 

projects that are of value to 

the theater field asa whole. 

Among these are proiects 

that will : increase communication among professional

training .institutions; improve cooperation and create

exchange between profes­ sional training institutions and professional theaters;

develop new master teachers; 

and find new sources of 

scholarship aid. 

Program funds: $181,112 

American Theatre Association 

Washington, D.C. 

For the services of four professional directots for the regional and national festivals 

of American college theater, 

5,000 Services to the Fie]d

To assist organizations that

provide services to the 

theater field asa whole or to 

American Theatre Association 

Washington, D.C. 

For the University Resident Theatre Association’s National Unified Auditions. 

15,000 a sector of it. Program funds: $550,000 

Black Theatre Alliance, Inc. For service programs for b[ack theater com­ 17,500 

New York, New York panies and the publication of an updated 

direetory. 

Foundation for the Extension and For the foundation’s full program of ad. 30,000 

Developmentof the Professional ministrative counseling and teehnical asTheatre sistance for professional theater companies. 

New York, New York 

Foundation for the Extension and For the theater management program. 12,500 

Development of the Professional 

Theatre 

New York, New York 

International Theatre Institute of the Fora program of international serviees in 85,000 

United States, Inc. the theater arts. 

New York, New York 

North Carolina at Chapel Hill, For the Institute of Outdoor Drama’s ad­ 10,000 

University of visory and consultant services. 

Chapel Hill, North Carolina 

Off Off Broadway Alliance, Inc. For serviee programs for Off-Of] Broadway 15,000 

New York, New York theaters. 

Theatre Communications Group, Inc. For ongoing activities serving the theater. 175,000 

New York, New York 

Theatre Communications Group, Inc. For ongoing activities serving nonprofit 185,000 

New York, New York professional theatre. 

A Bunch of Experimental Theaters of 

New York, Inc. 

New York, New York 

For touring and administrative services. 12,000 General Programs 

To assist projects that are not

included in other grant categories. 

Brahms, Frederick To survey the field of Iarge professional 17,500 Program funds: $268,298 

New York, New York theatres asa means of establishing a contest for funding decisions. 

Johnstown Atea Arts Council For the purchase of permanent lighting 2,500 

Johnstown, Pennsylvania equipment for the Pennwood Players, Inc. 

Mathtech, Inc. For continued support to research the con­ 22,058 

Princeton, New Jersey dition and needs of American theater. 
238 Theater 

Negro Ensemble Company, Inc. 

New York, New York 

New York Public Library Astor, 

Lenox, and Tilden Foundation 

New York, New York 

Old Globe Theatre 

San Diego, California 

Scanlan, Thomas 

Alexandria, Virginia 

Walters Art Gallery 

Baltimore, Maryland 

For administra~ive sta~ develop~nent in the 

areas of fundraising and development. 

$95,400 

Fora program of documentation of fil~n and 

tape oí significan~ $hea~rical produc~ions. 

74,840 

For the construction of a temporary per­

]ormance ]acility for the San Diego National Shakespeare Festival. 

25,000 

For the p~’epa~’ation of a precis on the 

condi$ion and needs of the A~nerican theater. 

4,000 

For the New Theatre Festival’s performances, workshops, and seminars on experimental/developmental theater. 

15,000 
239 

Visual Arts Program funds : $4,902.931 

Arlington, Virginia, County Board of 

Arlington, Virginia 

Fora sculpture to be located in an urban 

park in Ar[ington County. 

$18,000 Works of Art in Public 

Places 

To enable cities, towns, uniArts and Crafts Society of Portland, 

Oregon, Inc. 

Portland, Oregon 

Boise, Idaho, City of 

To commission various works to be located 

in the new faciIity fov the Arts and Crafts 

Society. 

Fora sculpture to be located in Íront of 

5,000 versities, nonprofit private 

groups, and state arts

agencies to commission of 

purchase works of art for 

such places as plazas, river­ 17,500 fronts, airports, subways, and 

Boise, Idaho 

Cedar Rapids/Marion Fine Arts 

Council 

city hall. 

l~or a mural ~oall relie] to be located in 

Five Seasons Community Center. 

4,000 

highways.

Program funds: $682,820 

Cedar Rapids, Iowa 

Children’s Hospital National Medical For a major interior mural. 50,000 

Center 

Washington, D.C. 

City Arts Workshop, Inc. 

New York, New York 

For murals to be located at the Delancy 

Street subway station. 

2,500 

Cirio Center of Greater Des Moines Fora major sculpture to be located on the 50,000 

Des Moines, Iowa plaza of the civic center. 

Columbus, Ohio, City of 

Columbus, Ohio 

Fora sculpture to be located in Mount 

Vernon Plaza. 

15,000 

Cultural Activities Center, Inc. To support a sculpture for the new per­ 10,000 

Temple, Texas forming and visual arts center. 

D.C. Department of Housing and Fora sculpture to be located in Fort Lincoln. 4,000 

Community Development 

Washington, D.C. 

D.C. Department of Housing and Fora major sculpture to be located in Fort 35,000 

Community Development Lincoln. 

Washington, D.C. 

Dundalk Community College Fora sculpture to be located at the college. 10,000 

Baltimore, lYlaryland 

Gallaudet College 

Washington, D.C. 

For a sculpture to be located in either the 

public plaza of the entrance mall to the new 

learning center. 

20,000 

Glen Cove, New York, City of 

Gten Cove, New York 

For sculptural works on a pedestrian mall 

in Glen Cove. 

50,000 

Grand Rapids, Michigan, City of 

Grand Rapids, Michigan 

To support the purchase of a sculpture to be 

located in a new park. 

5,000 

HampshireCollege, Trusteesof 

Amherst, Massachusetts 

To commission Steven Antonakos fora 

permanent piece to be located on the campus. 

7,500 

Hoosick Valley Art Association, Ltd. 

Hoosick Falls, New York 

To support the purchase of a sculpture to 

be located in the village public park. 

3,000 

Houston, Texas, City of 

Houston, ’Texas 

To support a seulpture commissioned by the 

Community Development Division which will 

18,500 

be located in Quitman Park. 

Iowa State University Alumni 

Association 

Fora sculpture to be located in Center Plaza 

on the university campus. 

15,000 

Ames, Iowa 
240 Visual Arts 

Iowa, State of 

Des Moines, Iowa 

$unior Leagues of Ameriean, Inc., 

Association of 

Peoría, Illinois 

Lake Placid Village, Inc. 

Lake Placid, New York 

Lexington-Fayette County Board 

of Health 

Lexington, Kentucky 

Madison Art Center, Inc. 

Madison, Wisconsin 

Massachusetts, University of 

Armherst, Massachusetts 

New Jersey, State of 

Tren¿on, New Jersey 

New Mexico, University of 

Albuquerque, New Mexico 

New Rochelle, New York, City of 

New Rochelle, New York 

Olympia Technical Community College 

Olympia, Washington 

Santa Barbara Contemporary Arts 

Forum, Inc. 

Santa Barbara, California 

Seattle, Washington, City of 

Seattle, Washington 

South Side Settlement 

Coumbus, Ohio 

Springfield, Massachusetts, City of 

Springfield, Massachusetts 

Springfield, Ohio, City of 

Springñeld, Ohio 

Western Illinois University 

Macomb, Illinois 

Western Washington State College 

Bellingham, Washington 

Women’s Community Inc. 

Los Angeles, California 

Works of Art in Public Places, 

Committee on 

South Bend, Indiana 

Wright State University 

Dayton, Ohio 

Fora seulpture to be loeated in front of the 

new Herbert Hoover General O~ee Building. 

For a ~najor scuIpture to be loea¿ed in ¿he 

public plaza of the civic cen¿er ~omplex. 

Fora 8culpture to be built along the shore8 

of the mill pond in Newman Park. 

Fora sculpture to be located in the state 

capitol eoneourse. 

Fora seulpture to be located in the state 

eapitol coneourse. 

To co~nmission Richard Fleischner for an 

environmental work ¿o be construe¿ed on ¿he 

university ca~npus. 

To support a planning team of sculptors 

and fine arts experts to advise on the needs

of a sculpture park planned Íor Liberty 

State Park. 

Fora ~najor seulpture to be located in a 

large patio atea. 

For ah envivronmental work for ¿he areade 

of Lawton Square Plaza. 

For sculp~ural piece by Ted Jonsson to be 

located on the college campus. 

For an environmental sculpture íor ah 

oceanfron¿ pork. 

To support the Seat¿le Arts Commission’s 

purchase o] a sculpture. 

To support the design, by ah artist, of ¿he 

Grand Staircase connecting the theater/assembly hall and the central courtyard. 

Fora sculpture which will be located in the 

Hall oÍ Jus¿ice Plaza. 

For a major art work at the new city 

building. 

For a sculpture by John Spo]]orth ¿o be 

placed on campus. 

For sculpture by Nancy Holt which will be 

located on the university campus. 

To commission various women artists for 

works to be displayed on exterior billboards 

throughout Los Angeles. 

For a major sculpture lo be located on a 

pedestal a¿ the St. Joseph River. 

For murals whieh will be located in the 

commons area in the creative arts building. 

$7,000 

50,000 

2,090 

20,000 

20,000 

10,580 

3,000 

30,000 

25,000 

7,500 

3,500 

10,000 

20,000 

22,500 

40,000 

4,000 

18,000 

10,000 

35,000 

4,650 
Visual Arts 241 

Acme Dance Company, Inc. 

New York, New York 

To co~nm~ssion Danicl Ranalli to designa 

poster. 

$1,500 Visual Arts in the 

Performing Arts 

Albuquerque Dance Theatre, Inc. 

Albuquerque, New Mexico 

To comm~ssion Roger Sweet to design sets 

for production of improvisational works, 

870 

Grants to performing arts

groups that wish to engage 

the services of artists who 

are not professional stage of 

Aman Folk Ensemble 

Hollywood, Caliíornia 

American Dance Festiva], Inc. 

Durham, North Carolina 

To comm~ssion masks by Duane Pasco. 

To comm~ssion Jennifer Bartlett to design 

a poster for the 1978 season. 

3,900 

1,500 

costume designers. Artists

may be engaged for design

of publicity material, set 

design, or costume design.

Program funds: $55,090 

Battery/Bugle Boy, Inc. 

New York, New York 

To comm~ssion Stanley Lindwasser to design a stage environment for dance events. 3,000 

Berkeley Stage Company 

Berkeley, California 

To comm~ssion Lynn Hershman to design 

sets and costumes. 1,000 

Byrd Hoffman Foundation 

New York, New York 

To comm~ssion Keith Sonnier to design sets 

for a theater presentation. 5,000 

Chicago Opera Theater 

Chicago, Illinois 

To comm~ssion Roger Brown to design sets 

and costumes fora production of Mozart’s 5,000 

Cosi Fan Tutte. 

Chicago Opera Theater 

Chicago, Illinois 

To commission Roger Brown to design a 

poseer fora production of Mozar~’s Cosi 1,500 

Fan Tutte. 

Composers & Choreographers 

Theatre, Inc. 

To commission Hisachika Takahashi to design sets, costumes and posters fora new 2,000 

New York, New York work for Laura Foreman Dance Theatre. 

Cunningham Dance Foundation, Inc. 

New York, New York 

To commision Jasper Johns to design a set 

fora pre~nier dance. 5,000 

Dance Works, Inc. 

New York, New York 

To commission Robert Sherman to create 

a set piece and body masks. 1,450 

House Monkey, Inc. 

New York, New York 

To com~nission Jerilea Zempel to design and 

e~ecute scenery, properties and costu~nes. 4,750 

Margaret Jenkins Dance Studio, Inc. 

San Francisco, California 

To commission sets and costumes by John 

Woodall. 2,620 

Medicine Show Theatre Ensemble, Inc. To commission Joel Handorff to design sets 3,000 

New York, New York and costo~nes for the production of Tragedy 

of Tragedies or the Life and Death of Toro 

Thumb the Great. 

Natural Heritage Trust/Artpark 

Lewiston, New York 

To commission Sam Russo to create an 

opera set and supervise costumes and light5,000 

ing for Don Giovanni. 

Ojai Festivals, Ltd. 

Ojal, California 

To commission Carol Su~nmers to designa 

poster publicizing the 1979 festival. 

1,500 

Pennsylvania Ballet Association 

Philadelphia, Pennsylvania 

To commission a stage environ~nen~ by 

Freda KobIick. 

3,000 

Portland Dance Theatre, Inc. To commission Scott Mclntire to design a 500 

Portland, Oregon poster fora summer series. 

Withers (Maida) and the Dance 

Construction Company

Washington, D.C. 

To commission John Driscoll to design and 

e~ecute sets and costumes for an original 

dance work. 

3,000 
242 Visual Arts 

Artists, Critics,

Photographers, and 

Akron Art Institute 

Akron, Ohio 

To support an artist-in-residence program. $1,500 

Craftsmen in Residence 

To make it possible for art

schools, university art departments, and other institutions to offer short-term 

American Crafts Council 

New York, New York 

Arizona Commission on the Arts and 

To support a craftsmen-in-residence prograto. 

To suppor~ ah artist-in-residence’program. 

750 

1,000 

residencies to nationally Humanities 

known artists and art critics. 

Program funds: $174,212 Phoenix, Arizona 

Arizona, University of To support ah artist and critic-in-residence 4,500 

Tucson, Arizona program. 

Arizona, University of To support a photographer-in-r¢sidence pro­ 1,500 

Tucson, Arizona grato. 

Arkansas, University of To support ah artist-in-residence program. 950 

Fayetteville, Arkansas 

Artemisia Fund, Inc. To support an artist-in-residence program. 1,500 

Chicago, Illinois 

Arts Development Services, Inc. To support an artist-in-residence program. 1,500 

Buffalo, New York 

Associated Studens of Stanford To support a photographer-in-residence pro­ 870 

University grato. 

Stanford, California 

Beaver College To support an artist-in-residence program. 1,500 

Glenside, Pennsylvania 

Berry Schools To support an artist-in-residence program. 1,500 

Mount Berry, Georgia 

California State University-Chico To support an artist-in-residence program. 1,500 

Chico, Caliíornia 

California State University-Long To support an artist-in-residence program. 1,250 

Beach 

Long Beach, California 

California State University, To support an artist-in-residence program. 1,459 

Foundation of 

Sacramento, Caliíornia 

Campbell (John C.)Folk School To support a craftsman-in-residence pro­ 734 

Brasstown, North Carolina grato. 

Cincinnati Museum Association To support an artist-in-residence program. 1,500 

Cincinnati, Ohio 

Claremont University Center To support ah artist-in-residence program. 1,500 

Claremont, California 

Claremont University Center 

Claremont, California 

To support an artist-in-residence program. 1,500 

Clayworks Studio Workshop, Inc. To suppor~ a craftsman-in-residence pro­ 1,500 

New York, New York grato. 

Cochise College To support ah artist-in-residence program. 1,000 

Douglas, Arizona 

Colby College, President and To support an artist-in-residence program. 1,200 

Trustees of 

Waterville, Maine 

Colorado Mountain College To support a photographer-in-residence pro­ 1,500 

Glenwood Springs, Colorado grato. 

Cornell University 

Ithaca, New York 

To support a photographer-in-residence prog~’am. 

1,500 

Corpus Christi Art Foundation, Inc. To support an artist-in-residence program. 1,500 

Corpus Christi, Texas 
Visual Arts 243 

Cosanti Foundation 

Scottsdale, Arizona 

To support a craftsman-in-residence prograto. 

$1,450 

Dartmouth College, Trustees of 

Hanover, New íHampshire 

To support a cra]tsman-in-residence prograto. 

1,500 

Davis and Elkins College 

Elkins, West Virginia 

To support an artist-in-residen~e program. 1,120 

Dia Art Foundation, Inc. To support ah artist-in-residenee program. 1,500 

New York, New York 

Fine Arts Work Center in Provincetown, Inc. To support an ar~ist-in-residence program. 1,500 

Provincetown, Massachusetts 

Florida, University of To support a photographer-in-residence pro­ 800 

Gainesville, Florida grato. 

Fort Wright College To support a cra]tsman-in-residence pro­ 925 

Spokane, Washington grato. 

Fort Wright College 

Spokane, Washington 

To support an artist-in-residence program. 930 

Franklin and Marshall College 

Lancaster, Pennsylvania 

To support an artist-in-residence program. 1,500 

Georgia State University To support a craftsman-¿n-residence pro­ 1,230 

Atlanta, Georgia grato. 

Hartwick College To support a craftsman-in-residence pro­ 1,273 

Oneonta, New York grato. 

Hudson River Museum at Yonkers To support ah artist-in-residence program. 1,500 

Yonkers, New York 

Institute for Art and Urban To support an artist-in-residence program. 1,500 

Resources, Inc. 

New York, New York 

International Center of Photography To support a photographer-in-residence pro­ 1,500 

New York, New York grato. 

International Center of Photography To support a photographer-in-residence p~o­ 1,208 

New York, New York grato. 

Kansas Main Campus, University of To support an artist-in-residence program. 1,500 

Lawrence, Kansas 

Kutztown State College To support an artis~-in-residence program. 1,500 

Kutztown, Pennsylvania 

Kutztown State College To suppor~ an artist and critic-in-’fesidence 1,500 

Kutztown, Pennsylvania program. 

Kutztown State College To support an artist-in-residence program. 1,500 

Kutztown, Pennsylvania 

La Jolla Museum of Contemporary To support and artist and critic-in-residence 1,500 

Art program. 

La Jolla, California 

Lake Placid Association for Music, To suppor~ a craftsman-in-residence pro­ 1,500 

Drama and Art, Inc. grato. 

Lake Placid, New York 

Maryland, College Park Campus, To support a photogvapher-in-residence pro­ 1,500 

University of grato. 

College Park, Maryland 

Massachusetts, University of To support ah artist-in-residence program. 750 

Amherst, Massachusetts 

Memphis Academy of Arts To support an artist-in-residence program. 1,500 

Memphis, Tennessee 
244 Visual Arts 

Metropolitan State College 

Denver, Colorado 

Mills College 

Oakland, California 

Minnesota, University of 

~Iinneapolis, Minnesota 

Missouri--Kansas City, University of 

Kansas City, Missouri 

Montgomery College 

Rockville, Maryland 

Mount Wachusett Community College 

Gardner, Massachusetts 

Museum of Contemporary Art 

Chicago, Illinois 

Museum of Northern Arizona 

Flagstaff, Arizona 

National Folk Festival Association 

Washington, D.C. 

Nebraska-Lincoln, University of 

Lincoln, Nebraska 

New Gallery of Contemporary Art 

Cleveland, Ohio 

New Mexico State University 

Las Cruces, New Mexico 

New Wilderness Foundation, Inc. 

New York, New York 

New York, The Research Foundation 

of State University of 

Saratoga Springs, New York 

New York, The Research Foundation 

of State University of 

Plattsburgh, New York 

New York, The Research Foundation 

of State University of 

Oswego, New York 

North Carolina State University at 

Raleigh 

Raleigh, North Carolina 

North Dakota, University of 

Grand Forks, North Dakota 

North Dakota, University of 

Grand Forks, North Dakota 

Northeastern Illinois University 

Chicago, Illinois 

Northwestern University 

Evanston, Illinois 

Norte Dame, University of 

North Dame, Indiana 

Ohio University 

Athens, Ohio 

Open Gallery Northwest 

Eugene, Oregon 

To suppo~’t a photographer-in-residence pro- $1,250

grato.
 

To support an artist-in-residence program. 1,200
 

To support an art~st-in-residence program.
 1,500 

To suppovt an artist-in-residence p~ogram. 600 

To support ah artist-in-residence program. 980 

To support an artist-in-residence program. 750 

To support an artist-in-residence program. 1,500 

To support an artist-in-residence program. 3,000 

To support a craftsmen-in-residence pro- 1,500 

grato ]of the National Council on the Traditional Ar$s. 

To support a craftsman-in-residence pro- 1,500 

grato. 

To support an artist-in-residence program. 1,500 

To support a craftsman-in-residence pro- 1,500 

grato. 

To support an artist-in-residence program. 1,500 

To support an artist-in-residence program. 1,500 

To support an artist-in-residence program. 435 

To support ah artist-in-residence program. 1,500 

To support a craftsman-in-residence pro. 900 

grato. 

To support an artist-in-residence program. 1,500 

To suppoít a craftsman-in-residence pro­ 1,500

gram.
 

To support ah artist-in-residence program. 1,500
 

To support an artist-in-residence program.
 1,500 

810 

1,500 

To support a critics-in-residence prog~’am. 

To support ah artist-in-residence program. 

1,500 To support an artist-in-residence program. 
Visual Arts 245 

Oregon Arts Commission 

Salem, Oregon To support a craftsman-in-residence program. 

$1,500 

Pennsylvania, Trustees of the 

University of To support an artist-in-residence program. 1,200 

Philadelphia, Pennsylvania 

Pennsylvania, Trustees of the 

University of To support ah artist-in-~’esidence program. 1,500 

Philadelphia, Pennsylvania 

Philadelphia College of Art 

Philadelphia, Pennsylvania 

To support an artist-in-residence program. 1,500 

Pima Community College To support a craftsman-in-residence pro­ 1,251 

Tucson, Arizona grato. 

Portland Center for the Visual Arts 

Portland, Oregon 

To support an artist-in-residence program. 1,500 

Rice University To suppor~ ah artist-in-residence program. 1,500 

Houston, Texas 

Rochester Institute of Technology To support a photographer-in-residence pro­ 1,500 

Rochester, New York grato. 

Rockland Center for the Arts, Inc. To support a craftsman-in-residence pro­ 1,500 

West Nyack, New York grato. 

Rutgers, the State University of New To support a photographer-in-residence pro­ 1,500 

Jersey gram. 

New Brunswick, New Jersey 

Saint Mary’s County, Maryland To support a o’aItsman-in-residence pro­ 1,450 

Leonardtown, Maryland grato. 

Saint Mary’s Creative Arts Forum To support ah artist-in-residence program. 1,500 

Lexington Park, Maryland 

San Francisco Art Institute To suppor$ an artist-in-residence program. 3,000 

San Francisco, California 

San Francisco Museum of Art, To support an artist-in-residence program. 500 

Trustees of the 

San Francisco, California 

Sarah Lawrence College To support an artist-in-residence program. 1,500 

Bronxville, New York 

Skowhegan School of Painting and To support an artist-in-residence prog~*am. 1,500 

Sculpture, Inc 

Skowhegan, Maine 

Society of Science and Art, Inc. To support ah artist-in-residence program. 3,000 

Flagstaff, Arizona 

Southeastern Center for To support ah artist-in-residence program. 1,000 

Contemporary Art 

Winston-Salem, North Carolina 

Southern Ohio Museum Corporation To support a craftsman-in-residence pro­ 1,300 

Portsmouth, Ohio grato. 

Southwestern College To support a photographer-in-residence pro­ 337 

Chula Vista, California grato. 

Speed Art Museum, The J.B. To support a photographer-in-residence pro­ 1,000 

Louisville, Kentucky g~’am. 

Sun Valley Center for the Arts and To support a craftsman-in-residence pro­ 800 

Humanities grato. 

Sun Valley, Idaho 

Sun Valley Center for the Arts and To support a photographer-in-residence pro­ 750 

Humanities, Inc. grato. 

Sun Valley, Idaho 
500 

246 Visual Arts
 

Exhibition Aid/ 

Photography 

To help groups organize of

borrow photography exhibitions of eontemporary of

historical significance. This

cat~gory also assists in the

publication of exhibition

catalogues,

Program funds: $277,823 

Texas at San Antonio, University of 

San Antonio, Texas 

Texas Tech University 

Lubbock, Texas 

Union of Independent Colleges of 

Art, Inc. 

Kansas City, Missouri 

Vermont, University of 

Burlington, Vermont 

Virginia Commonwealth University 

Richmond, Virginia 

Visual Studies Workshop, Inc.
 

Rochester, New York
 

Washington State University
 

Pullman, Washington
 

Wilkes College
 

W~lkes-Barre, Pennsylvania
 

Wilmington Society of the Fine Arts 

Wilmington, Delaware 

Wisconsin-Milwaukee, University of 

Milwaukee, Wisconsin 

Women’s Caucus for Art
 

Princeton, New Jersey
 

Women’s Caucus for Art
 

Princeton, New Jersey
 

Wright State University
 

Dayton, Ohio
 

American International Sculptors
 

Symposium, Inc.
 

New York, New York
 

Architectural League of New York 

New York, New York 

Arizona, University of/Center for
 

Creative Photography
 

Tucson, Arizona
 

Bard College
 

Annandale on Hudson, New York
 

Boston Athenaéum
 

Boston, Massachusetts
 

California State University and
 

Colleges Foundation
 

Long Beach, California
 

California-Riverside, University of 

Riverside, California 

Catskill Center for Photography, Inc. 

Woodstock, New York 

Center for Photographic Arts
 

La Jolla, California
 

$80t~ To support ah artis~-in-residence program. 

1,500 To suppo~r¿ ah artist-in-residence program. 

27,000 To suppor$ an artist-in-residence program 

~n nine schools throughout the United 

States. 

To support a photographer-in-residence ~rograto. 

1,500 To support a craftsman-in-residence prograto. 

1,500 To support a photographer-in-residence pro-


grato.
 

4,500 To support ah artist-in-residence program. 

1,000 To support an artist-in-residence program. 

To support a craftsman-in-residenee pro- 1,500

grato. 

To support an artist-in-residence program. 1,500 

To support an artist and eritic-in-residence 1,500

~rogram. 

To support an artis~-in-residence program. 1,500

To support an artist-in-residence program. 1,500

To support a traveling exhibition of photog­ 15,000

raphy from the 1950’s. 

To support a travelling exhibition and ac­ 10,000

companying catalogue of architectural photographs from the mid-19th century to the
 

present.
 

To support a traveling exhibition and ac­ 15,050

companying catalogue of color photographs
 

by Harry Callahan.
 

Fora series oí tire photography exhibitions. 5,000

To support an exhibition and catalogue of 5,000 

photography in New England during the 

late 19th century. 

To support a traveling exhibition of photo­ 10,000

graphs by Frederick Somer. 

To support an exhibition and accompanying 7,484 

cataIog of the photographs of Alma 

Lavenson. 

To support a series of tire photography 2,130

exhibitions presented by the Catskill Center


Íor Photography, Inc.
 

To support a series of four photography 4,000 

exhibitions. 
Visual Arts 247 

Columbia College 

Chicago, Illinois 

To support a traveling exhibition and aceompanying catalogue of the photographs 

$5,000 

of Michael Bishop. 

Corcoran Gallery of Art Fora series of photography exhibitions by 7,500 

Washington, D.C. eontemporary photographers. 

Friends of Photography 

Carmet, California 

.To support the ezhibition and accompanying 

catalogues of the photo~raphs of Robert 

Cumming, Jerome Liebling and Vilem Kriz. 

15,000 

International-Center of Photography To support the exhibition, "’Fleeting Ges­ 6,454 

New York, New York tures: Treasures of Dance Photography." 

International Center of Photography 

New York, New York 

To support a retrospective exhibition of the 

photographs of Charles Negre. 

5,000 

International Center of Photography 

New York, New York 

To support a series of tire photographic 

exhibitions. 

10,000 

International MuseumofPhotography To support two traveting exhibitions of 4,550 

at George Eastman House work by eontemporary photographers. 

Rochester, New York 

La Jolla Museum of Contemporary 

Art 

To support a traveling exhibition and catalogue of photographs by Judy Fishkin, 

4,400 

La Jolla, California Linda Connor, and Ruth Thorne-Thomsen. 

Light Work Visual Studies, Inc. For the cataloging and ezhibition of photo­ 5,000 

Syracuse, New York graphs írom collections in the Syracuse and 

central New York area. 

Minority Photographers, Inc. To support a series of photography exhibi­ 3,500 

New York, New York tions. 

Montana, University of To support an exhibition of early 20th 4,500 

Missoula, Montana century photographs from the Rocky Mountain region. 

Museum of Fine Arts To support a traveling exhibition and cata­ 10,000 

Boston, Massachusetts logue of Joel Meyerowitz’s color photographs 

o] Cape Cod. 

Museum of Modern Art 

New York, New York 

To support a series of photography exhibítions in the Steichen Gallery. 15,000 

New Gallery of Contemporary Art To support an exhibition of surrealist 8,500 

Cleveland, Ohio photography. 

New Museum To support a series of photography exhibí­ 8,500 

New York, New York tions. 

Northern Iowa, University of To support an exhibition and accompanying 5,000 

Cedar Falls, Iowa catalogue o~ photographs of the National 

Western Stock Show and Rodeo by Sandy 

Hume. 

Philadelphia Museum of Art To support a traveling exhibition o)~ recently 7,500 

Philadelphia, Pennsylvania discovered photographs by Paul Strand. 

Plains Art Museum To support a traveling exhibition and a 7,000 

Moorhead, Minnesota catalogue of photographs of Andre Kertesz 

and Charles Harbutt. 

Project, Inc. To support a series o~ exhibitions by emerg­ 1,870 

Cambridge, Massachusetts ing contemporary photographers. 

Reed College Art Associates To support ah exhibition of Garry Wino­ 2,000 

Portland, Oregon grand’ s "Public Relations" photographs. 

Rochester Institute of Technology To support an exhibition of the photographs 4,000 

Rochester, New York of Lejaren Hiller. 

St. Louis Art Museum To support a traveling exhibition and ac­ 10,000 

St. Louis, Missouri companying catalogue of photographs by 

Charles Watkins. 
248 Visual Arts 

Exhibition Aid/Crafts 

To help groups organiza of

borrow crafts exhibitions 

of contemporary or historicat

significance. This category

also assists in the publication 

of exhibition catalo~gues. Program funds : $151,928 

Santa Barbara Museum of Art
 

Santa Barbara, California
 

Southern California, University of
 

Los Angeles, California
 

San Ship Communications, Inc.
 

Buffalo, New York
 

Virginia Polytechnic Institute and
 

State University
 

Blacksburg, Virginia
 

Visual Stadies Workshop, Inc.
 

Rochester, New York
 

Wilmington Society of the Fina Arts/
 

Delaware Art Museum
 

Wilmington, Delaware
 

Young Men’s and Young Women’s
 

ttebrew Association/92nd Street
 

New York, New York
 

American Crafts Council
 

New York, New York
 

American Crafts Council
 

New York, New York
 

Amigos del Museo del Barrio
 

New York, New York
 

California State University, Fullerton
 

Foundation
 

Futlerton, California
 

Chaffey College
 

Alta Loma, Calffornía
 

Cooperativa Social Settlement Society
 

of the City of N.Y.
 

New York, New York
 

Cornell University
 

Ithaca, New York
 

De Cordova and Dana Museum and
 

Park
 

Lincoln, Massachusetts
 

Embroiderers’ Guild of America, Inc.
 

New York, New York
 

Everson Museum of Art of Syracuse
 

and Onondaga County
 

Syracuse, New York
 

Factory of Visual Arts
 

Seattle~ Washington
 

Kentucky Guild of Artists &
 

Craftsmen, Inc.
 

Berea, Kentucky
 

Moore College of Art
 

Philadelphia, Pennsylvania
 

To support a series of traveling exhibitions $12,600 

and accompanying catalogues. 

To support an exhibition and accompanying 7,085 

catalogue of contemporary southern California photography. 

To support ah exhibition of the photographs 1,700 

of James Van DerZee. 

To support a traveling exhibi$ion and an 10,000 

accompanying catalogue of wor~c by contemporary southern photographers. 

For continued support of the traveling exhi- 10,000 

bition program. 

To support an exhibir and catalogue of the 7,500 

photographs of Gertrude Kasebier. 

To support a photography exhibition of 5,000 

Jewish cultura. 

For support of the national competitiva 10,000 

exhibition, "Young Americans : Clay/Glass." 

For shipping costs of crafts Ioaned for the 5,110 

Senate wives’ White House luncheon and a 

Renwick Gallery tour. 

To support an exhibition of past and present 8,600 

Caribbean woodcraft. 

To amend a 1977 grant which supports a 5,328 

three-part exhibition : I. history of porcelain 

painting; H. world o~ the china painter; 

III. beyond the barriers of tradition. 

To support a retrospectiva exhibition of 5,000 

the works of ceramist Harrison Mclntosh. 

To suppor~ a series of exhibitions by na- 10,230 

tionally acclaimed ]orinar faculty members oÍ Greenwich House Pottery. 

To support a major leather exhibition at 5,000 

the Herbert F. Johnson Museum featuring 

experimental and non-traditional approaches 

to the creation of leather works. 

To support ah exhibition of con~emporary 6,000 

glass by craftsmen. 

For the 9th biennial exhibition of needle- 3,000 

work. 

Fora major exhibition of ceramic ar$ pro- 15,000 

duced in the United States between 1876 

and 1976. 

To support a major juried e~chibition of 11,600 

wearable art. 

For "Southeast Crafts 78," a eompetitive 10,000 

contemporary erafts exhibition. 

To support ah exñibition of the eeramics and 6,000 

d~awings of Rober~ Arneson. 
Visual Arts 249 

Paterson, New Jersey, City of

Paterson, New Jersey 

To support an exhibition of 19th centu~y 

silk ribbon manufacturing and to document 

$13,900 

the district’s tole in its development. 

Reed College Art Association 

Portland, Oregon For support of an exhibition entitled "Francoise Grossen/Fiber as Sculpture." 

2,370 

Sheboygan Arts Foundation, Inc. 

Sheboygan, Wisconsin For support of ah exhibition entitled "The 

Unpainted Portrait." 

9,400 

Society of North American Goldsmiths To assist in the costs for assembling an 5,000 

Wellesley, Massachusetts exhibition of contemporary jewelry which 

will tour Europe. 

Weavers Guild of Greater Cincinnati For support of an invitational fiber exhibí­ 5,000 

Cincinnati, Ohio tion at the Cincinnati Art Museum. 

Western States Arts Foundation To support a touring crafts exhibition of 10,390 

Denver, Colorado the works of eight fellowship and three 

honorable mention winners from the foundation’s third annual visual arts program. 

Xochil, Inc. To support five rotating exhibitions of 5,000 

~VIission, Texas crafts (primarily Mexican-Am¢rican). 

Aperture, Inc. For publieation of The Face of China. 10,000 Photography 

Millerton, New York Publications 

Aperture, Inc. 

Millerton, New York 

Eakins Press Foundation 

New York, New York 

For publication of two color sections to appear in two volumes of Aperture on the 

work of Nina Raginsky, William Larson, 

and William Christenberry. 

For publication of three photography albums: Stones of Newport, photographs of a common burying ground; The Black 

Genius in the Thirties, portraits by Carl 

9,000 

15,000 

To make possible the publi­ cation of important works in

photography, including works 

of histori¢al of contemporary

importance, works of littleknown but historically important photographers, and

books containingresearch

findings, criticism, or essays

about the art of photography.

Program funds: $93,545 

Van Vechten; and Louis Sullivan’s 

America, photographs by John Szarkowski. 

International Center of Photography 

New York, New York 

Fora publication on the photographs of 

Lucien Aigner. 

8,500 

International Museum of Photography 

at George Eastman House 

For publication of a book oí color photography by Stephen Shore. 

10,000 

Rochester, New York 

Kentucky Documentary Photographic 

Project, Inc. 

Louisville, Kentucky 

For publication of a book documenting contemporary life in Kentucky. 

12,000 

St. Louis Art Museum 

St. Louis, Missouri 

For publication of a book on early ~n¿dwestern photography. 

10,000 

San Francisco Camerawork, Inc. For publication of interviews with older 5,000 

San Francisco, California generation California photographers. 

Visual Studies Workshop, Inc. 

Rochester, New York 

For publication of an index for photographic literatu~’e. 6,545 

Visual StudiesWorkshop, Inc. 

Rochester, New York 

For publication of The Stereograph in 

America: A Cultural History. 7,500 

Albuquerque Association, Inc., 

Museum of 

Albuquerque, New Mexico 

Fora photography survey of New Mexico’s

contemporary craÍtspeople which will result 

in an exhibition and catalogue, 

7,500 Photography Surveys 

To help organizations commission photographers to

doeument the geography or 

Apeiron Workshop, Inc. 

Millerton, New York 

For photography survey of Long Island 

which will result in an exhibit~on catalogue. 

15~000 way of lifein a particular city or region. 

Program funds: $137,0~}0 

Arizona Commission on the Arts and For a photographic survey of the architec­ 6,000 

Humanities tute and establishments along route 60. 

Phoenix, Arizona 
250 ¥isuel Arts 

Workshops/Alternative 

Spaces 

To support workshops and

alternative spaces. The prograto is designed to encourage artists to devise ruedes 

of working together and to

test new ideas. 

Program funds: $610,945 

Beyond Baroque Foundation 

Venice, California 

California Historical Society 

San Francisco, California 

Center for Exploratory and Perceptual 

Arts, Inc. 

Buffalo, New York 

Colorada Mountain Junior College 

District 

Glenwood Spring, Colorado 

F, arth Environmental Group, Inc. 

New York, New York 

Mars Hill College, Inc./Southern 

Appalachian Center 

Mars Hill, North Carotina 

Maryland Institute College of Art 

Baltimore, Maryland 

Metropolitan State College
 

Denver, Colorado
 

Mississippi Art Association
 

Jackson, Mississippli
 

New York State Historical Association 

Cooperstown, New York 

Rice University
 

Houston, Texas
 

San Francisco Camerawork, Inc.
 

San Francisco, California
 

Walnut Creek, City of
 

Walnut Creek, California
 

Wyoming Council en the Arts
 

Cheyenne, Wyoming
 

Abhibit Committee, Inc.
 

Falls Church, Virginia
 

Alameda County Neighborhood Arts 

Program 

Oakland, California 

Alaska State Council on the Arts
 

Anchorage, Alaska
 

Amigos del Museo del Barrio
 

New York, New York
 

and/or service
 

Seattle, Washington
 

Apeiron Workshops, Inc.
 

Millerton, New York
 

Fora photography survey of Veniee, Cali. $4,000

fornia, using historioal photographs, resulting in an e~hibitien and publieation. 

To support a pho¿ograph~c survey of south­ 15,000

ern and Baja California whieh wiIl result in 

a traveling exhibition. 

Fora photographio survey of Buffalo. 5,000 

For eontinued support of a photographio 10,000

survey of sites documented by 19th eentury 

photograpers in the Rocky Mountain region. 

To support a photography survey of the 8,000

forested and na~¿ural spaees in Che New York 

City boroughs. 

Fora photographer’s salary and materials 2,500 

to oonduct a photographio survey of the 

Appalaehian Region of North Carolina. 

Fora photographie survey and resulting 6,000

exhibition o] Che ethnie neighborhoods of 

East Baltimore. 

Fora photographic sur~)ey of mining aetivi- 11,000 

ties in the Rocky Mountain States whioh 

will result in an exhibition and publication. 

Fora photographic su~’vey of corten ]arre­ 15,000

ing by William Eggleston to resutt in a
 

trave~ing exhibition.
 

Fora photographie survey of two ethnie 5,000 

¢ommunities in upstate New York using 

historical and oontemporary photographs. 

For a photographic survey utilizing histori- 12,000 

cal and contemporary photographs o] the 

greater Houston atea. 

Fora traveling e~hibition oÍ work by Cu- 1,500 

ban-American photographers. 

Fora photographie survey in Contra Costa 6,000 

county using historical and eontemporary 

photographs. 

Fora photographie survey of Wyoming. 7,500 

Fora colIaborative project between women 3,000 

artis~s and quilters to crease quilts and 

doeument Che work with a catalogue. 

To support a group of performance artists, 5,000 

Rebis Press, who will tour wi~h their work 

anda series of ar$ists’ books~ 

To support studio and exhibition spaee for 3,000 

regional artists and craftsmen. 

For support of an exhibition space for His­ 5,000

panio a~tists. 

For continued support of the presen~ation 15,000 

of new work by regionally and nationally 

known ar~ist~. 

For continued support of photography work- 15,000 

shop programs. 
Visual Arts 251 

Art Research Center For continued support of the group’s re- $8,000 

Kañsas City, Missouri search and exhibition of constructivist art. 

For continued support of exhibition and 5,000

Chicago, Illinois workshop activi$ies for locally and na­ tionally known women av¿ists. 

Artemisia Fund, Inc. 

Artists in Resideuce, Inc.	 For an exhibition program. 3,000

New York, New York 

For continued support of seminars and 10,000 Artists in Resid~nce~~Inc. 

New York, New York exhibitions of work by women artists.

Artists Residents of Chicago For an exhibition program for local women 3,000 

Chicago, Illinois artists. 

Boston Visual Artists Union, Inc. For continued support of’ ~n artist operated 5,000 

Boston, Massachusetts gallery. 

Brockman Gallery Productions To.support workshops and exhibition spaces 5,000 

Los Angeles, Calif0rnia for local and minority artists. 

Carp ~ For support to arbists ~in realizing projects 2,000 

West Los Angeleg, Cati~ornia whieh require s~e~~al environments outside 

’.museums and galle/fies. 

Center for Exploratory and Perceptual To suppor$.photography exhibitions, visiting 7,500 

Arts, Inc. artists, and workshop programs. 

Buffalo, New York 

Center for Exploratory and Perceptual For continued support of exhibitions, work- 15,000 

Arts, Inc. shops, and performances by local and naBuffalo, New York tional artists at Hallwalls, lnc. 

To support a graphics workshop. 5,000 

Sacramento, California 

Centro de Artistas Chicanos 

Clayworks Studio Workshop, Inc. For support of a workshop facility designed 10,945 

New York, New York to gire artists who work in other media ah 

opportunity to work in clay. 

Columbia College To support the Chicago Center for Con- 5,000 

Chicago, Illinois ~emporary Photography. 

Committee for the Visual Arts, Inc. For continued support of workshops and 5,000 

New York, New York performances for the Dupuy/Art Performance Workshop. 

Common Ground of the Arts For continued support of a multi-studio art 5,000 

Detroit, Michigan center providing workspace for artis~s. 

Contemporary Arts Center To support a regional center exhibiting 10,000 

New Orleans, Louisiana works in all media. 

Creative Time, Inc.	 To continue to commission temporary ex- 15,000 

New York, New York hibitions of new artworks in highly visible,

unused corporate and municipal spaces. ~, LL 

Cultural Council Foundation For continued support of 20 performance 3,000 

New York, New York artists to produce for The Performing Workshop a series of performance pieces in endangered of landmark buildings. 

Dayton, Ohio, City of To suppor$ exhibition and work space fora 15,000 

Dayton, Ohio group of nationally known artists. 

Fora vídeo workshop for staff and other 5,000 

Electronic Arts, Inc. artists to produce new works and gire 

Providence, Rhode Island 

Electron Movers Research in the 

public presentations. 

Evolution Art Institute Fora workshop to enable artists to experi- 3,000 

Petaluma, Calffornia ment with types of stone not traditionally 

used for making sculpture. 

Fabric Workshop, Inc. For a workshop where visiting artists come 5,000 

Philadelphia, Pennsylvania to work with fabric design and printing. 
252 Visual Arts 

Fine Arts Work Center in Provincetown, Inc. 

Provincetown, Massachusetts 

Foundation for Today’s Art/Nexus 

Philadelphia, Pennsylvania 

Franklin Furnace Archive, Inc. 

New York, New York 

Friends of Photography 

Carmel, California 

Haleakala, Inc. 

New York, New York 

Institute for Art & Urban Resources 

New York, New York 

Iowa, University of 

Iowa City, Iowa 

Just Above Midtown, Inc. 

New York, New York 

Kirkland Art Center, In
. 

Clinton, New York 

La Mamelle, Inc. 

San Francisco, California 

Light Work Visual Studies, Inc. 

Syracuse, New York 

Los Angeles Institute of Contemporary Art 

Los Angeles, California 

Minneapolis Institute of Arts 

Minneapolis, Minnesota 

Minneapolis Society of Fine Arts 

Minneapolis, Minnesota 

N.A.M.E. Gallery 

Chicago, Illinois 

Natural Heritage Trust/Artpark 

Lewiston, New York 

New Art Activities, Inc., Center for 

New York, New York 

New Museum Foundation 

New York, New York 

New Organization for the Visual Arts 

Cleveland, Ohio 

Nexus, Inc. 

Atlanta, Georgia 

Northwest Artists Workshop 

Portland, 0regon 

For a res~den~¿al fellowship program to $3,000
 

provide young artists an opportunity to
 

work with visiting artists and staff.
 

For continued support oÍ Philadelphia’s first 5,000
 

artist-run gallery representing local artis~s
 

selected by curators and artists.
 

To support ah exhibition space for artists’ 10,000
 

books as well as for performing artists.
 

To support the workshop program and ex- 7,500
 

hibitions.
 

For eontinued support of exhibitions and 15,000
 

presentations of work by video and performance artists at the Kitchen Center.
 

For continued support of exhibition and per- 15,000
 

formance programs including the Clock-


tower, the Street Museum, Magazine Shows
 

and New Urban Landscapes.
 

To support a series of visting ar~ists’ pro- 5,000
 

gratas, including workshops, exhibitions,
 

and performances.
 

To support a gallery which emphasizes the 5,000
 

work of Afro-Ameriean artis$s.
 

For continued support of a workspace with 5,000
 

facilities for artists to fabricate large-scale
 

steel sculptures.
 

For continued support of exhibitions, includ- 10,000
 

ing video and performance artas well as
 

seminars, cable television, and radio.
 

To support a photographers-in-residence 6,000
 

program, lectures, and workshops and printo
 

ing programs.
 

For continued support of exhibitions by 15,000
 

southern California and national ar~ists
 

selected by guest curators.
 

For continued support of the exhibition pro- 7,500
 

grato for contemporary Minnesota artists.
 

For continued support of a workshop and
 15,000 exhibition program. 

For continued support of an artist-run gal- 15,000 

lery showing local artists. 

For continued support of a summer program 12,500 

providing visual artists with four-week 

overlapping residencies to execute outdoor 

works on site. 

To support a workshop by Green Corpora- 7,500 

tion, fora diverse group of artists working 

on common vídeo and film projects. 

To support a aeries of exhibitions. 10,000 

For continued support to exhibir in publie 7,500 

eity spaces and administer studio and workspace programs. 

To support the photography workshop and 7,500 

exhibition programs. 

For continued support of exhibition space 5,000 

]or local and visting artists. 
Visual Arts 253 

Open Ring Galleries To support permanent and temporary exhi­ $6,000 

Sacramento, California bition spaces for local artists. 

Organization of Independent Artists To support exhibitions in federal buildings 5,000 

New York, New York made available through the Public Buildings 

Cooperative Use Aet. 

Painted Bride Art Center, Inc. To support artists’ workshops and filmed 3,000 

Philadelphia, Pennsylvania performances by Bricolage Theater. 

Philadelphia College of Art 

Philadelphia, Pennsylvania 

For continued support of exhibitions, pro]­

ects and events in the college’s gallery. 

12,500 

Physics-Consciousness Research Group 

San Francisco, California 

For continued support of artists’ projects 

executed of performed in exterior and interior spaces in the Bay Atea by the Float7,500 

ing Museum. 

Portland Center for the Visual Arts 

Portland, Oregon 

For continued support of exhibition space 

presenting the wor]c of contemporary artists. 

15,000 

Printmaking Workshop, Inc. 

New York, New York 

To support a printmaking facility providing 

studio and exhibition space to artists. 

12,500 

Private Arts Foundation of For continued support of visual arts activi­ 10,000 

Washington/Washington Project ties including exhibitions, workshops, perfor the Arts formances and conferences. Washington, D.C. 

Sau Francisco Camerawork, Inc. To support photography exhibitions, work­ 7,000 

San Francisco, Caliíornia shops, and publications. 

Sculpture in the Environment, Inc. To support investigation of new ideas for 5,000 

New York, New York the urban visual environment, resulting exhibitions, publications and lectures. 

Senoj, Inc. To support a spaee for artis~s working with 1,500 

Atlanta, Georgia video art on a national scale. 

Site, Cite, Sight, Inc. For continued support fora project space 7,500 

San Francisco, Calffornia and series of exhibitions. 

Some Serious Business To support a series of artists’ performances, 8,000 

Venice, Caliíornia video and film screenings, concerts, and a 

cable television program. 

Southeastern Center for To support an exhibition space which an­ 10,000 

Contemporary Art nually shows over 350 artists from the 

Winston-Salem, North Carolina 11-state southeastern region. 

Studio Z, Inc. 

Los Angeles, California 

To support a series of workshops, lectures, 

and exhibitions for local and guest a«tists. 

5,000 

Summer School of Painting at To support a summer workshop. 5,000 

Saugatuck, Michigan/Oxbow 

Saugatuck, Michigan 

Sun Valley Center for the Arts and 

Humanities 

To support the summer photography workshop program. 

7,500 

Sun Valley, Idaho 

Sun Valley Center for the Arts and To support a graphics workshop. 2,500 

Humanities 

Sun Valley, Idaho 

University City Science Center To support a collaborative program for 7,500 

Philadelphia, Pennsylvania artists and scientists. 

Visual Arts, Inc., Committee for the 

New York, New York 

For continued suppor~ of the artists’ space 

program for performance, film and vídeo 

15,000 

events, panels, lectures and meetings. 

Visual Arts, Inc., Committee for the 

New York, New York 

Support of exhibition space, artists’ performances, and the production and sale of 

5,000 

low-cost artworks. 
254 Visual Arts 

Visual Artists’ 

Fellowships 

To enable artists to set aside

time, purchase materials,

and generally advance their

careers as they see fit. Fellowships ate awarded to

painters, sculptors, printmakers, artists specializing

in drawing, video artists,

conceptual artists, and

environmental artists. 

Program funds: $764,000 

VisualStudies Workshop, Inc. 

Rochester, New York 

WGBH Educational Foundation 

Boston, Massachusetts 

Women’s Art Center 

Washington, D.C. 

Women’s Interart Center, Inc. 

New York, New York 

112 Workshop, Inc. 

New York, New York 

80 Langton Street 

San Francisco, California 

Aeconci, Vito 

New York, New York 

Adams, Alice 

New York, New York 

Africano, Nicholas C. 

Normal, Illinois 

Alberty, John 

Norman, Oklahoma 

Ambrose, Peter
 

New York, New York
 

Anderson, Lois M.
 

Mili Valley, Calffornia
 

Armajani, Siah


Minneapolis, Minnesota
 

Bass, Joel L.
 

Los Angeles, California
 

Beckley, Bill
 

New York, New York
 

Beckley, Connie
 

New York, New York
 

Benkert, Ernst G.
 

New York, New York
 

Bennett, William N.
 

Manilus, New York
 

Bladen, Ronald
 

New York, New York
 

Blanchard, Nancy K.
 

Berkeley, California
 

Bloom, Miriam K.
 

New York, New York
 

Blum, Andrea D.

Chicago, Illinois 

Blumenthal, Lyn


Chicago, Illinois
 

Bohnen, Blythe
 

New York, New York
 

For continued support of the workshop’s 

facility and programs in photography, 

printing, vídeo, and film. 

$15,000 

For continued suppo~~ of the production 

and broadcast of new works by visiting 

vídeo artists. 

15,000 

To support exhibition space and an exehange program with artists in other eities. 5,00(~ 

To support exhibitions of the work of 

women artists. 

5,000 

For continued support of ah artists-initiated exhibition spaee whieh also presents 

per]ormances, lecturas, and eoncerts. 

12,500 

For eontinued support of this alternative exhibition space for artist$ Working in performance, vídeo, and other non-obje¢t-oriented and experimental art. 15,000 

$7,500 Borofsky, Jonathan C. 

Santa Monica, California 

7,500 

7,500 Boyd, ttarold E.

Hudson, Illinois 

7,500 

7,500 Bramblett, Frank 

Philadelphia, Pennsylvania 

7,500 

3,000 Brewster, Michael J. 

Venice, California 

7,500 

3,000 Buchanan, Nancy R.

Los Angeles, California 3,000 

7,500 Buckner, Barbara D. 

New York, New York 

3,000 

7,500 Canright, Sarah A. 

New York, New York 

7,500 

7,500 Carlson, Cynthia 

New York, New York 

7,500 

7,500 Carrillo, Eduardo L. 

Santa Cruz, California 

7,500 

3,000 Chase, Louisa L. 

New York, New York 

7,500 

7,500 Clairmont, Corwin N. 

Los Angeles, California 

3,000 

7,500 Clark, Robert

Chicago, Illinois 3,000 

10,000 Cole, Donald 

New York, New York 

7,500 

3,000 Conlon, William B. 

New York, New York 

7,500 

7,500 Cotton, Paul M. 

Oakland, California 

7,500 

7,500 Cytron, Daniel J. 

Los Angeles, California 

7,500 

3,000 Davidovich, Jaime 

New York, New York 

7,500 

7,500 Davidson, Nancy B. 

Champaign, Illinois 

3,000 
Visual Arts 255 

Davis, Stephen A. 

San Francisco, California ’~’ 

$7,500 Holt, Nancy L. 

New York, New York 

$7,500 

DeMarinis, Paul M. 

Berkeley, California 

3,000 Horwitz, Channa 

Hidden Hills, California 

3,000 

Demott, Helen 

New York, New York 

7~500 Huebler, C. Douglas 

Van Nuys, California 

3,000 

Dube, Eleanor J. 7~500 Ireland, David K. 7,500 

New York, New York San Francisco, California 

Fekner, John A. 

Jackson Heights, New York 

3,000 Jonas, Joan 

New York, New York 

7,500 

Flood, Edward C. 

New York, New York 

7,500 Kaltenbach, Steven J. 

Woodland, California 

7,500 

Forman, Robert 

Englewood, New Jersey 

7,500 Kashian, Kenneth J. 

Normal, Illinois 

3,000 

Forre, Paul J. 

Elkhart, Indiana 

3,000 Kendrick, Mel 

New York, New York 

7,500 

Freeman, Daniel W. 7,500 Knowles, Christopher 3,000 

New York, New York New York, New York 

Gaines, Charles F. 

Fresno, California 

7,500 Kolpan, Steven C. 

High Falls, New York 

3,000 

Gordy, Robert P. 

New Orleans, Louisiana 

7,500 Kubota, Shigeko 

New York, New York 

7,500 

Graham, Daniel H. 

New York, New York 

7,500 Kuffler, Suzanne 

Newton, Massachusetts 

7,500 

Grass, Peter 

New York, New York 

3,000 Lane, Lois N. 

New York, New York 

7,500 

Green, Toro 

Cabin John, Maryland 

3,000 Laub, Stephen W. 

Bronxville, New York 

3,000 

Gwyn, Woody O. 

Galisteo, New Mexico 

7,500 Leback, Kenneth A. 

Seattle, Washington 

3,000 

Haacke, Hans C. 

New York, New York 

7,500 Leon, Dennis 

Berkeley, California 

7,500 

Haas, Richard V. 

New York, New York 

7,500 Linden, Ron E. 

Pasadena, California 

7,500 

Hall, Douglas E. 

San Francisco, California 

3,000 Lipski, Donald G. 

New York, New York 

7,500 

Hanson, Philip H. 

Chicago, Illinois 

7,500 Lodato, Peter T. 

Pasadena, California 

7,500 

Haxton, David John 

New York, New York 

7,500 Logue, Joan E. 

Venice, California 

7,500 

Heeks, Willy 

Philadelphia, Pennsylvania 

3,000 Longo, Robert 

New York, New York 

3,000 

Hefferton, Phillip C. 

Felton, California 

7,500 Lucier, Mary 

New York, New York 

7,500 

Hellmuth, Suzanne and Jock Reynolds 

San Francisco, California 

7,500 Mann, Andrew F. 

Houston, Texas 

7,500 

Henderson, Mike H. 

San Francisco, California 

7,500 Marano, Lizbeth 

New York, New York 

7,500 

Highstein, Jene 

New York, New York 

7,500 Maron, Jeffrey R. 

New York, New York 

7,500 

Hobbs, Joe F. 

Norman, Oklahoma 

3,000 McMillen, Michael C. 

Santa Monica, California 

7,500 
256 Visual Arts 

Miller, Michael S. 

Chicago, I]linois 

$7,500 Searles, Charles R.

Norristown, Pennsylvania $ 7,500 

Moore, Stefan R. 

New York, New York 

7,500 Serra, Rudy 

San Francisco, California 

7,500 

Moorman, Charlotte 

New York, New York 

7,500 Shaw, Karen 

Baldwin, New York 

3,000 

Mullican, Matt A. 

New York, New York 

3,000 Sm~th, Michael A. 

New York, New York 

3,000 

Oleszko, Patricia M. 

New York, New York 

3,000 Smith, Mimi 

New York, New York 

3,000 

Ornstein, Judith A. 

Union, New Jersey 

3,000 Spitz, Harry M. 

New York, New York 

7,500 

Orr, Eric G. 

Venice, California 

7,500 Spodarek, Diane F. 

Detroit, Michigan 

3,000 

Owen, Frank C. 

New York, New York 

7,500 Tavarelli, Jane W. 

Boston, Massachusetts 

7,500 

Phelan, Ellen D. 

New York, New York 

7,500 Teare, Kevin E. 

New York, New York 

3,000 

Phillips, Tony 

Chicago, Illinois 7,500 Thompson, Richard C. 

Albuquerque, New Mexico 

7,500 

Procter, Joseph O., .Ir. 

San Francisco, California 

3,000 Torreano, John F. 

New York, New York 7,500 

Pryor, Geraid C. 

New York, New York 

7,500 Villasenor, Armando 

Milwaukee, Wisconsin 

3,000 

Ramberg, Christina 

Chicago, Illinois 

7,500 Viola, William ‘i. 

Westbury, New York 

10,000 

Renouf, Edda 

New York, New York 

3,000 Walker, William W.

Chicago, Illinois 7,500 

Ringgold, Faith 

New York, New York 7,500 Wapner, Grace Woodstock, New York 7,500 

Ruscha, Edward J.

Los Angeles, California 7,500 Williams, Reese R. 

New York, New York 3,000 

Saltos, Mary E. 

San Francisco, California 3,000 Wilson, Martha S. New York, New York 3,000 

Sanborn, John 

New York, New York 

3,000 Wray, Dick B. 

ttouston, Texas 7,500 

Sato, Norie

Seattle, Washington 3,000 Zazeeta, Marian 

New York, New York 3,000 

Seaberg, Steve 

Atlanta, Georgia 7,500 

Photographers’ 

Fellowships 

To enable photographers to

set aside time, purchase

materials, and generally

advance their careers as they 

see fit. 

Program funds: $7~0,000 

For budgetary reasons, fiscal 1979 photographers’ fellowships were paid out of fiscal 1978 funds and

therefore are listed here with 1978 fellowships. The asterisk indicates 1979 fellowships. 

Abramson, Michael* 3,000 Bishop, Michael 7,500 

Chicago, Illinois Rochester, New York 

Adams, Robert H. 7,500 Block, Gay 7,500 

Longmont, Colorado Houston, ’Texas 

Barrow, Thomas 

Albuquerque, New Mexico 

7,500 Bloom, Snzanne* 

Houston, Texas 

3,000 

Berger, Paul* 

Champaign, Illinois 

10,000 Bowers, Harry 

Berkeley, California 

7,500 
Visual Arts 257 

Brigidi, Stephen* 

Providence, Rhode Island 

$3,000 Gohlke, Frank 

Minneapolis, Minnesota 

$7,500 

Brown, Laurie S.* 

Corona Del Mar, California 

3,000 Golden, Judith* 

Inglewood, California 

10,000 

Brown, Lawrie* 

Santa Cruz, California 

3,000 Gossage, John 

Washington, D.C. 

7,600 

Burchard, Jerry* 

San Francisco, California 

10,000 Green, Jonathan 

Westerville, Ohio 

7,500 

Burns, James D.* 

Seattle, Washington 

3,000 Groover, Jan 

New York, New York 

7,500 

Burns, Marsha L.* 

Seattle, Washington 

3,000 Guerrero, Raul* 

Santa Monica, California 

10,000 

Circiclio, S.E.* 

Oakland, California 

10,000 Hahn, Betty* 

Albuquerque, New Mexico 

10,000 

Collins, Kathy* 

Rochester, New York 

10,000 Hajicek, James* 

Tempe, Arizona 

10,000 

Cooper, Thomas .I. 

Arcata, California 

7,500 Haluska, Andre* 

Roebling, New Jersey 

3,000 

Cowin, I~ileen* 

Culver City, California 

10,000 Hare, Chauncey 

Point Richmond, California 

7,500 

Crawford, James* 

Claremont, Calffornia 

3,000 Hernandez, Anthony L. 

Los Angeles, California 

7,500 

Davies, Bevan O. 

New York, New York 

7,500 Hume, Richard P. 

Boulder, Colorado 

7,500 

DeLappa, Wiiliam* 

Berea, Ohio 

10,000 Jenkins, William* 

Rochester, New York 

10,000 

DeLory, Peter* 

Sun Valley, Idaho 

10,000 Jenshel, Leonard 

Little Neck, New York 

7,500 

Diamond, Paul 

Brooklyn, New York 

7,500 Jones, Harold H., III* 

Tucson, Arizona 

7,500 

Divola, $ohn* 

Venice, California 

10,000 Josephson, Kenneth* 

Chicago, Illinois 

10,000 

Elston, Stephen* 

Brookline, Massachusetts 

3,000 Kasten, Barbara 

Inglewood, California 

7,500 

Epstein, Mitchell 

Holyoke, Massachusetts 

7,500 Klipper, Stuart* 

Minneapolis, Minnesota 

10,000 

Faurer, Louis 

New York, New York 

7,500 Knapp, Richard* 

Albuquerque, New Mexico 

3,000 

Fentress, Sam* 

Nashville, Tennessee 

3,000 Kramer, Arnold* 

Washington, D.C. 

10,000 

Fink, Larry* 

Martinscreek, Pennsylvania 

10,000 Krause, George* 

tIouston, Texas 

10,000 

Freund, David 

Brooklyn, New York 

7,500 Lanzano, Louis* 

New York, New York 

10,000 

Friendlander, Lee 

New York, New York 

7,500 Lee, Kermit* 

Phoenix, Arizona 

3,000 

Galgiani, Phillip V. 

San Francisco, California 

7,500 Lennard, Eiizabeth* 

New York, New York 

10,000 

Georgiou, Tyrone* 

Buffalo, New York 

3,000 Levine, Michael* 

Los Angeles, California 

3,000 

Gleber, Conrad* 

Chicago, Illinois 

3,000 Louie, Reagan 

Sacramento, California 

7,500 
258 Visual Arts 

Craftsmen’s Fellowships 

To enable craftsmen to set 

aside time, purchase materials, and generally advance

their careers as they see fit.

Program funds: $307,500 

MacNeil, Wendy 

Lincoln, Massachusetts 

Maloney, $oseph* 

Paramus, New Jersey 

Mayes, Elaine 

~lorence, Massaehusetts 

McFarland, Lawrence* 

McCoy, Colorado
 

McPherson, Larry*
 

Chicago, Illinois
 

Meyerowitz, Joel
 

New York, New York
 

Neiman, Roberta
 

New York, New York
 

Neimanas, $oyce*
 

Chicago, Illinois
 

Nettles, Beatrice*
 

Rochester, New York
 

Noggle, Anne
 

Albuquerque, New Mexico
 

North, Kenda
 

Chicago, Illinois
 

Ollman, Arthur*
 

San Francisco, California
 

Otfinowski, Danuta*
 

Menlo Park, California
 

Perkis, Philip
 

Warwick, New York
 

Pinkel, Sheila*
 

Santa Monica, California
 

Pressma, Conrad*
 

Louisvilte, Kentucky
 

Resnick, Marcia
 

New York, New York
 

Revelle, Barbara Jo*
 

Chicago, Illinois
 

Rice, Leland D.
 

Inglewood, Caliíornia
 

Aguado, Deborah
 

New York, New York
 

Barnard, Robert E.
 

Mount Sterling, Kentucky
 

Barnett, Sanford H.
 

Santa Cruz, California
 

Bohnert, Thomas R.
 

Flint, Michigan
 

Branum, Wayne H.
 

Milaca, Minnesota
 

Brawarsky, Diane
 

Rochester, New York
 

~ $7,500 

3,000 

7,500 

10,000 

10,000 

7,500 

7,500 

10,000 

10,(~00 

7,500 

7,500 

10,000 

10,000 

7,500 

3,000 

10,000 

7,500 

10,000 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

7,500 

Riss, Murray* 

Memphis, Tennessee 

$ I0,000’ 

Robinson, Sue* 

Boulder, Colorado 

3,000 

Roitz, Charles* 

Boulder, Colorado 

10,000 

Samore, Samuel* 

San Anselmo, Caliíornia 

3,000 

Schott, $ohn 

New York, New York 

7,500 

Schwartz, Elliot S. 

Los Angeles, California 

7,500 

Shamblin, Barbara* 

Providence, Rhode Island 

10,000 

Smith, Keith* 

Rochester, New York 

10,000 

Sonneman, Eve 

New York, New York 

7,500 

Sorce, Wayne A. 

Chicago, Illinois 

7,500 

Souza, Alfred* 

Amherst, Massachusetts 

10,000 

Staller, Eric 

New York, New York 

7,500 

Thurston, Jacqueline 

Menlo Park, California 

7,500 

Webb, Todd* 

Portland, Maine 

10,000 

Weir, John Spence* 

Oaklan.d, California 

10,000 

Welpott, Jack* 

San Francisco, Catifornia 

10,000 

Williams, Larry* 

New York, New York 

10,000 

Zulpo-Dane, Bill 

Point Richmond, California 

7,500 

Breitenbach, Cornelia K. 

Los Angeles, California 

7,500 

Carpenter, $ames F. 

North Pomfret, Vermont 

7,500 

Cooper, Michael ~. 

Santa Clara, California 

7,500 

Costanzo, Tony T. 

Oakland, California 

7,500 

Dailey, Daniel O. 

Amesbury, Massachusetts 

7,500 

Dey, Kristine M. 

Piedmont, California 

7,500 
Visual Arts 259 

$7,500 $ 7,500 

Beatrice, Nebraska. Marion, Iowa 

7,500 

Dixon, Ervin W.	 Morrison, Art M. 

7,500 Fox, Sheila D. Moty, Joyce M.
 

East Setauket, l~ew York Seattle, Washington
 

7,500 Frey, Viola 7,500 Patti, Thomas J. 

Oakland, Calífornia Savoy, Massachusetts 

7,500 Gill, Elizabeth A. 7,500 Pearson, Ronald H. 

Fort Collins, Colorado Deer Isle, Maine 

7,500 Goss, Carol L. 7,500 Peed, Michael H. 

Boston, Massachusetts Bozeman, Montana 

7,500 Gustin, Chris S. 7,500 Pijanowski, Eugene and Hiroko 

Guilford, Connecticut Lafayette, Indiana 

7,500 Harmon, James R. 7,500 Polseno, Donna M. 

Castile, l~ew York Floyd, Virginia 

7,500 Harper, William C. 7,500 Schulman, Norman 

Tallahassee, Florida Penland, North Carolina 

7,500 Hennessey, Lois B. 7,500	 Shaner, G. David 

Baltimore, Maryland	 Bigfork, Montana 

7,500 James, Michael F. 7,500 Shirk, Helen Z. 

Somerset Village, Massachusetts San Diego, California 

7,500 Johnson, Randy J. 7,500	 Tobin, Farley 

River Falls, Wisconsin Bostic, North Carolina 

7,500	 Trentham, Gary L. 7,500 Lewis, Albert R. 

Lafayette, Ca]ifornia	 Opelika, Alabama 

7,500 Littleton, Harvey K. 7,500	 Voulkos, Peter H. 

Berkeley, California Spruce Pine, North Carolina 

7,500 7,500	 Wallace, Niles A. 

Memphis, Tennessee Marks, Graham 

Manhattan, Kansas 

Marquis, Richard C.	 7,500 

Berkeley, California 

Art Critics’ Fellowships For budgetary reasons, fiscal 1979 art critics’ fellowships were paid out of fiscal 1978 funds and To enable art critics to set therefore are listed here with 1978 fellowships. The asterisk indicates 1979 fellowships. aside time to pursue a specific project which is not 5,000	 Crary, Jonathan K. 1,000 Anderson, Alexandra feasible in their present cirNew York, New York New York, New York cumstances. Smaller fellow- ships for travel also are made 1,000 5,000	 Day, Holiday T.* to critics to expand their Baker, Kenneth A.*	 Hinsdale, Illinois knowledge of the current art Providence, Rhode Island scene outside their own 

5,000 regions. Baker, Sherry L. 

Atlanta, Georgia 

1,000 Dorfman, David and Geoffrey* 

New York, New York Program funds: $135,000 

Battcock, Gregory 

New York, New York 

1,000 Dunham, Judith L.* 

Berkeley, California 

1,000 

Bourgeois, Jean-Louis 

New York, New York 

1,000 Featherstone, David B.* 

Carmel, California 

1,000 

Brown, Christopher G.* 

San Francisco, California 

5,000 Fischer, Hal A. 

San Francisco, California 

1,000 

Cohen, Alan B. 

Chicago, Illinois 

1,000 Foggia, Lyla L. 

Seattle, Washington 

1,000 

Cornwell, Regina J. 

New York, New York 

5,000 Foote, Nancy N. 

New York, New York 

5,000 

Crary, Jonathan K.* 

New York, New York 

5,000 Frank, Peter S. 

New York, New York 

1,000 
260 Visual Arts 

Ghent, Henri* 

New York, New York 

Goldberg, Roselee* 

New York, New York 

Goldman, Judith* 

New York, New York 

Hagen, Charles M.* 

Rochester, New York 

Haggerty, Gerard A. 

Santa Barbara, Ca]ifornia 

Kehlmann, Robert L. 

Berkeley, California 

Kind, Joshua 

Chicago, Illinois 

Koplos, Janet*
 

Golden Valley, Minnesota
 

Larson, Kay L. 

New York, New York 

Lesy, Michael A.* 

Rochester, New York 

Lubell, Ellen 

Brooklyn, New York 

Lynton, Jonathan S. 

Atlanta, Georgia 

McClelland, Elizabeth G.* 

Cleveland, Ohio 

Crafts Workshops Arizona Commission on the Arts and 

To encourage craftsmen to Humanities 

find ways of working to- Phoenix, Arizona gether and of testing new ideas and media. Workshops Arkansas State Arts and Humanities, are intended to be short-term The Office of and have a specific project 

or theme. Little Rock, Arkansas
 

Program funds : $111,405
 

Arkansas State Arts and ttumanities, 

The Office of 

Little Rock, Arkansas 

Bray Foundation 

Helena, Montana 

Ceramic League of Miami, Inc. 

Miami, Florida 

Cooperative Social Settlement Society 

of the City of New York 

New York, New York 

Fabric Workshop, Inc. 

Philadelphia, Pennsylvania 

Factory of Visual Arts 

Seattle, Washington 

$5,000 

5,000 

5,000 

1,000 

1,000 

5,000 

5,000 

1,000 

5,000 

5,000 

5,000 

1,000 

1,000 

Miller, Wayne D. 

San Francisco, California 

$1,000 

Mitehell, Dennis L. 

Evanston, Illinois 

1,000 

Murray, Joan 

Piedmont, Calffornia 

1,000 

Peterson, Susan H.* 

New York, New York 

5,000 

Pieszak, Devonna* 

Chicago, Illinois 

1,000 

Robins, Corinne E.* 

New York, New York 

5,000 

Rosenbaum, Jonathan E. 

Del Mar, California 

5,000 

Shere, Charles 

Berkeley, California 

5,000 

Tarshis, Jerome* 

San Francisco, Ca]ifornia 

5,000 

Tuchman, Phyllis R.* 

New York, New York 

5,000 

Westerbeck, Colin L., Jr. 

New York, New York 

5,000 

Wortz, Melinda F.* 

Pasadena, California 

5,000 

For a residency by tire Arizona artists­ 1,200 craftsmen at Haystack Mountain School of 

Craftso 

For the Ozark Foothills Arts and Crafts 1,700 Association’s weaving wo~’kshop to assist 

the production weaver in design and production techniques. 

For the Ozark Foothills Arts and Crafts 1,360 Association’s wood workshop. 

Fora two-month residency at the Bray 4,000 Foundation for two studio potters and two 

academic potters to work together. 

To support Rudy Autio’s direction of a 3,200 three-week ceramics workshop for proÍessional craftsmen in south Florida. 

To bring guest artists Rudy Autio, Peter 5,420 Voult~os, and Rudolph Staffel to Greenwich 

House Pottery to conduct eerami~ workshops for practicing potters. 

To bring six professional artists-craftsmen 10,000 from the middle states region to the workshop to experiment with fabric printing. 

For eight one-week workshops and eight 7,000 slide lectures illustrating the similarities 

and differences of historic and contemporary craft techniques. 
Visual Arts 261 

Fiberworks To support four professional fiber artists to $ 3,800 

Berkeley, California ereate fiberworks for two months, to share 

studio space and conduct lectures, seminars, 

and short workshops. 

Kentucky Guild of Artists & To support contemporary and traditional 5,000 

Craftsmen, Inc. craf$ workshops, technical seminars, and 

Berea, Kentucky craft de~nonstrations du~’ing the annual 

Southeastern Conference of the A~nerican 

Crafts Council. 

Memphis Academy of Art To support technical demonst~ations by 4,600 

Memphis, Tennessee noted metalsmiths who will exchange p~actical and aesthetie ideas. 

Northwest Artists Workshop To support a cera~nic wo~’kshop using early 6,500 

Portland, Oregon American ~nethods of stoneware production. 

Peters Valley Craftsmen, In
. 

Layton, New Jersey 

To support two workshops for crafts 

journalists, authors, photographers, editors, 

and publishers. 

7,100 

Pilchuck School For architectural and molten glass work­ 10,000 

Seattle, Washington shops which will provide artistic, techni~al, 

and instructional inte~change. 

Pottery Northwest, Inc. Fora two-week workshop for practicing 4,700 

Sea~tle, Washington l~otters. 

Quicksand Craft Center, Inc. Fora five-day workshop in inlay tapestry 825 

Vest, Kentucky conducted by Theo Moorman for the professional weavers of eastern Kentucky. 

Rochester Institute of Technology 

Rochester, New York 

To support a workshop in architectural 

cera~nic murals conducted by ceramist Frans 

2,500 

Wildenhain. 

Sheboygan Arts Foundation, Inc. 

Sheboygan, Wisconsin 

To support a four-month arts/indust~’y 

workshop using the facilities of the Kohler 

Company enamel ship and potte~y. 

10,000 

Southern Illinois University 

Carbondale, Illinois 

To support a professional blacksmith workshop composed of six master craftsworkers 

12,700 

who will research new ideas and techniques. 

Textile Workshops, Inc. For a workshop to o]er new techniques in 5,000 

Santa Fe, New Mexico ~he field o~ ~extile arts. 

Western Kentucky University Fora workshop in guitar matcing under 4,800 

Bowling Green, Kentucky the leadership of Hascal Halle. 

Anderson, Sally Jane 

Albuquerque, New Mexico 

3,500 Johnson, Randy J. 

River Falls, Wisconsin 

3,500 Master Craftsmen 

Apprenticeships

To enable master craftsmen 

Arneson, Robert 

Benicia, California 

3,500 Levine, Marilyn A. 

Oakland, California 

3,500 to engage apprentices, generally for a nine-month

period, to impart their skiils 

Center for Book Arts, Inc. 

New York, New York 

7,000 Maloof, Sam 

Alta Loma, California 

3,500 to the apprentices who, in 

turn, assist them at their 

work. 

Program funds: $70,000 

Charriere, Gerard M. 3,500 Opera Company of Boston, Inc. 7,000 

New York, New York Boston, Massachusetts 

Cook, Lía 3,500 Rochester Folk Art Guild, Inc. 7,000 

Berkeley, California Middlesex, New York 

Duckworth, Ruth 

Chicago, Illinois 

3,500 Romberg, James M~ 

Sun Valley, Idaho 

3,500 

Freeman, Nancy L. 

01ivebridge, New York 

3,500 Ross, William P. 

Greenville, New Hampshire 

3~500 

Freyaldenhoven, $em W. 

Atlanta, Georgia 

3,500 Wheelwright, Joseph S. 

Cambridge, Massachusetts 

3,500 

Funmaker, Lucy 3,500 

Wittenberg, Wisconsin 
262 Visual Arts 

Services to the Field 

To assist organizations, artists’ groups, and individuals concerned with providing services to artists.

Program funds: $504,982 

American Crafts Council 

New York, New York 

Amigos del Museo del Barrio 

New York, New York 

and/or serviee 

Seattle, Washington 

Anyart Contemporary Arts Center 

Providence, Rhode Island 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Arizona Commission on the Arts and 

Humanities 

Phoenix, Arizona 

Art Institute of Chicago 

Chicago, Illinois 

Art Institute of Chicago 

Chicago, Illinois 

Artists Equity Fund, Inc.

Washington, D.C. 

Association for the Advancemen’t of 

Native North American Arts and 

Crafts 

Niagara Falls, New York 

Barrett, Timothy D. 

Katamazoo, Michigan 

Bay Area Lawyers for the Arts, Inc. 

San Francisco, California 

Ben Shahn Foundation, Inc. 

New York, New York 

Boston Visual Artists Union, Inc. 

Boston, Massachusetts 

Brooks, Lois Z. 

Los Angeles, California 

California College of Arts andCrafts 

Oakland, California 

California College of Arts and Crafts 

Oakland, California 

Center for New Art Activities, Inc. 

New York, New York 

Center for Occupational Hazards, Inc. 

NewYork, New York 

Center for Photographic Studies 

Los Angeles, California 

To develop and ¿mprove the serviees and $10,000 

eommunieations articles in Craft World. 

To support an archivo oí information on
 5,900

Latin American artists who exhibir in New
 

York City.
 

For eontinued support of a reyeren’ce library 7,500
 

for the art eommunity anda selective and
 

annotated guide to eontemporary art peri~
 

odieals for limited national distribution.
 

For continued support of a newsletter and 4,000
 

local art information.
 

To support the first year of a fellowship 4,000

program for artists. 

For continued support of the artists’ news- 2,070 

letter, Arizona Artist, published by the 

Tueson Museum of Art Sehoot. 

For a lecture series and conferenee result­ 10,000

ing in the publieation of an anthology of
 

essays on the history of photography.
 

For maintenance and eirculation of a video 10,000
 

data bank of tapes on eontemporary art.
 

For a quarterly newsletter containing na- 3,000
 

tional and organizational news.
 

For publication and distribution of a direc- 7,500
 

tory of lroquois artists and craÍtsmen.
 

Fora manual on the Japanese "Nagashi- 7,500
 

zuki" paper-making proeess.
 

For the revision and publieation of tire 4,860
 

pamphlets providing a comprehensive surrey oí artists’ legal concerns.
 

To support the Visual Artists and Gallery 5,000
 

Association in providing a clearinghouse
 

for members’ reproduction rights in the
 

United States and abroad.
 

For continued support of a newsletter and 4,000
 

activities to disseminate information to artists about prof essional eoncerns.
 

For study and documentation oÍ the tradi- 5,000
 

tional textile crafts of various ethnic communities in the Los Angeles arca.
 

To support the Great California Glass 2,000
 

Symposium ineluding workshops.
 

To support the Glass Art Society News- 3,350
 

letters’ ef]orts to expand visual material,
 

promote research and more e~ectively disseminate information on the glass arts.
 

To edit the taped interviews from the 4,000
 

Avalanche magazine audio archives and
 

make the materials available to the public.
 

For expansion of the activities of the art 5,000
 

hazards project.
 

For continued support of services to the 3,500
 

photography community in Los Angeles.
 
Visual Ar~s 263 

Century City Educational Arts 

Project 

San Francisco, California 

To support the Associated Art Publishers, 

an informa~ion and communication source 

for small and al~ernative ar~ publieations. 

~ 3,000 

Change, In
. 

New York, New York 

For continued support of a program which 

provides artists with emergency funding to 

meet general suSsistence coste. 

10,000 

Chicago New Art Association 

Chicago, Illinois 

For continued support of the New Art 

Examiner, a monthly newspaper providing 

regional eoverage of art activities. 

7,500 

Committee for the Visual Arts, Inc. 

New York, New York 

For eontinued support of the publieation 

Heresies, a feminist art quarterly issued by 

Heresies Celleetive. 

10,000 

Committee for the Visual Arts, Inc. For eontinued support of the emergeney 6,000 

New York, New York materials fund which assists artists with 

expenses ineurred in preparing art for 

exhibitions in noneommereial galleries. 

Committee for the Visual Arts, Inc. To support Printed Matter, Inc.’s faeility 10,000 

New York, New York for the national and international distribution of artesas’ boo]cs. 

Committee for the Visual Arts, Inc. 

l~ew York, New York 

For continued support of a program assisting ar~ists to install group exhibitions in 

spaees of their own chooeing. 

4,000 

	ommittee for the Visual Arts, Inc. For support of Art-Rite magazine. 5,000 

New York, New York 

Communicating Arts of Philadelphia 

Philadelphia, Pennsylvania 

To support a bi-monthly, regional arts publication serving primarily Pennsylvania, 

New Jersey and Delaware. 

5,000 

Community Free School, Inc. 

Boulder, Colorado 

For eontinued support of Criss-Cross Ar~ 

Communications, a regional art publication 

distributed throughout Arkansas, Colorado, 

5,000 

Kansas, Missouri, Oklahoma, and Texas. 

Connecticut Commission on the Arts Fora conference addressing the needs of 5,000 

Hartford, Connecticut the erafts eommunity in Connecticut. 

Contemporary Art/Southeast, Inc. 

Atlanta, Georgia 

To support three issues of a monthly regional arts publieation. 

5,000 

Creative Artists Public Service 

Program 

For continued support of a referral ser~i~e 

which seeks opportunities for artis¿s. 

5,000 

New York, New York 

Creative Time, Inc. 

New York, New York 

For continued support of a broehure doeumenting ephemeral and process works. 

3,000 

DeAk, Edit 

New York, New York 

To support a variety of serviees provided 

for individual artists. 

2,500 

Detroit Artists Monthly 

Detroit, Michigan 

For continued support of Lightworks Magazine, a regional, quarterly alternative art 

publication. 

5,000 

Electronic Ar~s Intermix, Inc. 

New York, New York 

To support an emergency funding program 

for vídeo artists. 

7,500 

Emily, Catherine M. 

Kansas City, Missouri 

To support doeumentation of the first ten 

years of the Art Resear~h Center, a multidisciplined, ¢ons~ruetivist-oriented group. 

2,000 

Foundation for Art Resources, Inc. 

Santa Monica, California 

To support the publication and distribution 

of a monograph on James Lee Byars. 

4,175 

Franklin Furnace Archive, Inc. 

New York, New York 

For continued support of ah archive and 

bibliography of artists’ books. 

10,000 

Franklin Furnace Archive, Inc. 

New York, New York 

To support a telephone aecess ¢omputer 

bank assembled by Franklin Street Arte 

Center, In
. 

10,000 
264 Visual Arts 

Friedman, Kenneth S. 

San Diego, California 

Friends of Puerto Rico, Inc. 

New York, New York 

Garwood, Dorothy A. 

Pacific Palisades~ California 

Independent Curators, Inc. 

Washington, D.C. 

Institute for Art and Urban 

Resources, Inc. 

New York, New York 

International Museum of Photography 

at George Eas.man House 

Rochester, New York 

Kardon, Janet 

Philadelphia, Pennsylvania 

Kostelanetz, Richard 

New York, New York 

Line Asso¢iation 

New York, New York 

Los Angeles Institute of 

Contemporary Art 

L,~ Angeles, California 

Los Angeles Institute of 

Contemporary Art 

Los Angeles, California 

Martin, George 

Santa Monica, California 

Merkel, John P. 

Carbondale, Illinois 

Midmarch Associates, Inc. 

New York, New York 

Minnesota Crafts Council 

Minneapolis, Minnesota 

Municipal Art Society 

New York, New York 

Mvseum of Conceptual Art 

San Francicso, California 

N.A.M.E. Gallery 

Chicago, Illinois 

Natural Heritage Trust/Artpark 

Lewiston, New York 

New Organization for the Visual Arts 

Cleveland, Ohio 

To support time and travel to assist artists 

in organizing alternative exhibition spaces. 

$5,000 

To support a clearinghouse and library for 

information on Hispanic-American artists. 

4,500 

To support research fora national ne~work 

consortium whose members would agree to 

participate in the rental of crafts exhibitions and supporting events. 

7,500 

For continued support of a publie appearance program which marches visual artists 

with institutions interested in their work. 

7,500 

For continued support of artists’ studio 

spaee in P.S. 1, ah experimental work 

eenter for ¢ontemporary artists. 

10,000 

To support an index of collee¿ions of photographs in American museums and public 

colleetions. 

3,160 

To support the planning and testing of a 

national archival center to preserve documentation oí contemporary ephemeral art 

projeets and perÍormances. 

5,000 

To support a project to publish material on 

sound-related art in book forro. 

5,000 

To support a service organization of artists 

assisting other artists in realizing publication ideas. 

5,000 

To support the first national conference of 

"New Art Spaces." 

16,339 

For continued support of a slide registry, 

an information center, anda quarterly publication, LAICA Journal. 

10,000 

To support a survey of new alloys to determine their optimal working methods and 

artistic potential. 

7,500 

To support the designing, building, and testing of a new ¿ype of glass melt tank/ 

annealer and the documentation and distriburlon of the information gained. 

5,000 

To support the publication of Women Arttists Newsletter. 

4,000 

For the publication of Craft Connection. 5,000 

For eontinued support of the Public Arts 

Council, a resource office facilitating public 

art programs throughout the country. 

9,000 

For support of the magazine Vision. 5,000 

To support an annual publication, N.A.M.E. 

Book (II), containing writings by nationally 

and locally established artists. 

3,500 

To continue to document the temporary 

works crea~ed by artists in residente. 5,000 

For continued support of an inIormation 

clearinghouse. 7,500 
Visual Arte 265 

New York State Craftsmen, Inc. To support the establishment of the craft $9,878 

New York, New York film index and the programming of the second international craft film festival. 

Oregon Arts Foundation To support editions of prints by ~0 north­ 10,000 

Salem, Oregon west artists that will travel as an exhibition. 

Pacifica Foundation To support "Close," a weekly radio program 5,000 

Los Angeles, California providing broadcast access to artists. 

Photographic Resource Center, Inc. To support the center’s services for the 5,000 

Boston, Massachusetts Boston photography community, including 

a monthly newsletter, lectures, and library. 

Pompian, Richard O. To support the quarterly publication of The 7,500 

New York, New York Northeast Gazette. 

Rosen, Gerry L. 

New York, New York 

To support the publication and distribution 

of a manual on new copy~’ight law and the 

visual arte. 

5,000 

St. Andrew’s School To support the Tennessee Artist-Crafts­ 5,000 

St. Andrews, Tennessee men’s Association’s programs to improve 

the quality of crafts in Tennessee. 

San Francisco Art Commission To support a program to fund art pro]ects 7,500 

San Francisco, California to be designed and executed by San Francisco artists for local cites. 

South Carolina Arts Commission For support of a program of services to 5,000 

Columbia, South Carolina professional craftsmen through development 

of a statewide service operation staffed 

within the state arte agency. 

Southeastern Center for For continued support of a regional fellow­ 10,000 

Contemporary Art ship program. 

Winston-Salem, North Carolina 

Ticho, Suzy 

Los Angeles, California 

For the production of a nationwide directory of slide registries and publicly access2,500 

ible slide collections on arts and crafts. 

Tourin, Peter 

Duxbury, Vermont 

For historical and acoustic research on 

string instruments. 

7,500 

Utah Arts Council For a crafts coordinator. 5,000 

Salt Lake City, Utah 

Verde Valley Art Association 

Jerome, Arizona 

For a slide archive for local craftsmen and 

artists to document Valley Art activity. 

1,150 

Visual Studies Workshop, Inc. 

Rochester, New York 

For continued support of publication of 

photogvaphy criticism in Afterimage. 

7,500 

Western States Arts Foundation For development of materials to be made 15,000 

Denver, Colorado availablc to state and community arts agenciesas well as to artists’ groups for workshops on artists’ economic and legal needs. 

Women in the Arts Foundation, Inc. 

New York, New York 

For continued support of foundation activities, which promote the rights of women in 

the creative arte. 

2,500 

Women’s Arts Ce_~ter To support a national center to coordinate 6,000 

Washington, D.C. slide registries of women artists’ work as 

well as to continue a local registry and 

reíerral servi~~. 

Women’s Caucus for Art To support a national women’s quarterly 5,500 

Kansas City, Missouri newsletter. 

World Print Competition 

San Francisco, California 

To support the publication and dissemination of a catalogue documenting the conÍerence: "Paper--Art and Technology." 

8~000 
266 Visual Arts 

Wright State University 

Dayton, Ohio 

112 Workshop, Inc. 

New York, New York 

112 Workshop, Inc. 

New York, New York 

General Programs 

To assist projects not included in other grant

¢ategories.

Program funds: $96,681 

Human Resources Research 

Organization 

Alexandria, Virginia 

Long Beach Museum of Art 

Foundation 

Long Beach, California 

Peters Valley Craftsmen, Inc. 

Layton, New Jersey 

Visual Arts, Inc., Committee for the 

New York, New York 

Whitney Museum of American Art 

New York, New York 

Crafts Special Projects Craft and Folk Art Museum 

To assist crafts projects that Incorporating the Egg and the Eye 

ate not included in other Los Angeles, California crafts categories.

Program funds: $36,000 Treasury funds: $10,000 Daniel Clark Foundation Goffstown, New Hampshire 

Lynch, John 

Brooklyn, New York 

Southern Illinois University at 

Carbondale 

Carbondale, Iltinois 

To support a traveling exhibition of the $5,000
 

work done by recipients of a regional fellowship program.
 

For continued support of the Foundation 4,000
 

Art Performances and Projects, Inv.’s program $o match performance and video artists with universities and museums.
 

To suppo~’t a publicatáon documenting th6 3,000
 

ten-ysar history of 10 Downtown, a New
 

York aooperative gallery.
 

Fora study under the direetion of Dr. 64,181
 

Richard J. O~end on the economie eonditions, needs, and eommunication networks
 

of professional visual artists.
 

To provide emergency financial assistance 6,000
 

to the artists whose materials, 8upplies,
 

and art works were damaged by arson.
 

For restoration of the fire-damaged pottsry 10,000
 

shop.
 

Emergency funding to nine visual artists 13,500
 

who were residents of a loft building that
 

was gutted by tire.
 

To support a travel p~’ogram which will 3,000
 

enable museum curators to become familiar
 

with the work of contemporary artists
 

¿hroughout the eountry.
 

For the second annual Festival of Masks. 8,000 

For a national conference on apprentice- 13,000 

ships in the craft arts. 

For continued support of the communica- TF 10,000 

tions network in the crafts field. 

To support a travelling crafts outreach 15,000 

program with four demonstration vehicles. 
268 

Financial Summary
 

Fiscal 

Summary of Funds Available Year 1978 

Appropriation, Regular Program Funds 89,100,0001 

Appropriation, Treasury Funds 7,500,000 

(to match non-federal giíts) 

Appropriation, Challenge Grant Funds 18,000,000 

(to match non-federal gifts) 

Total, Federal Appropriations $114,600,000 

Non-federal Gifts 

(of which $25,500,000 was to release 25,864,600 

federal appropriation) 

Transferred from Other Agencies 215,000 

Recovery of Prior Year Obligations 1,358,700 

Unobligated Balance, Prior Year 1,856,4002 

Total Funds Available $143,894,700 

1 Not less than 20?ó for support of State Arts Agencies 

and Regional Groups.

2 Includes equity received in ANTA ($1,215,000) ; $76,500 

in program funds not available for obligation. 

Funds Obligated 

Architecture 

Dance 

Education 

Expansion Arts 

Federal-State Partnership Program 

Folk Arts 

Literature 

Media Arts 

Museums 

Music 

Special Projects 

Theater 

Visual Arts 

1978 

Fiscal Challenge 

Year 19783 Grant~ 

4,068,963 775,500 

6,980,631 1,727,895 

5,075,254 (~ 

7,300,295 690,138 

18,946,292 1,063,772 

1,532,537 (~ 

4,000,174 (~ 

8,937,863 1,205,600 

12,428,258 10,658,888 

19,457,000 9,531,128 

4,029,152 9,203,203 

7,488,328 1,460,000 

4,959,433 28,876 

Program Development and Evaluation 327,180 0. 

Miscellaneous 45,457 (~ 

Total Funds Obligated $105,576,817 $36,345,000 

3 Includes $215,000 transferred from other agencies. 

 ̄ Funds for Challenge Grants ate not allocated by program areas; 

rather, Challenge Grants are awarded on a grant-by-grant basis. 

~ Includes $18,345,000 in non-federal matching gifts and donations 

which released $18,000,000 in indefinite Challenge Grant funds. 
269 

History of Authorizations

and Appropriations 

Arts Humanities Administrative 

Authorization Appropriation Authorization Appropriation 

Fiscal 1966 

Program Funds $ 5,000,000 $ 2,500,000 $ 5,000,000 $ 2,500,000 $ 727,000 

Treasury Fund* 2,250,000 34,308 5,000,000 

Total Funds for Programming $ 7,250,000 $ 2,534,308 $ 10,000,000 $ 2,500,000 

Fiscal 1967 

Program Funds 

State Arts Agencies (bloc) 

$ 5,000,000 

2,750,000 

$ 4,000,000 

2,000,000 

$ 5,000,000 

0 

$ 2,000,000 

---0-­

$ 1,019,500 

(Subtotal--Program Funds) 

Treasury Fund* 

(7,750,000) 

2,250,000 

(6,000,000) 

1,965,692 5,000,000 106,278 

Total Funds for Programming $ 10,000,000 $ 7,965,692 $ 10,000,000 $ 2,106,278 

Fiscal 1968 

Program Funds 

State Arts Agencies (bloc) 

$ 5,000,000 

2,750,000 

$ 4,500,000 

2,000,000 

$ 5,000,000 

,0 

$ 3,500,000 $ 1,200,000 

(Subtotal--Program Funds) 

Treasury Fund* 

(7,750,000) 

2,250,000 

(6,500,000) 

674,291 5,000,000 325,257 

Total Funds for Programming $ 10,000,000 $ 7,174,291 $ 10,000,000 $ 3,825,257 

Fiscal 1969 

Program Funds 

State Arts Agencies (bloc) 

$ 6,000,000 

2,000,000 

$ 3,700,000 

1,700,000 

$ 8,000,000 

0, 

$ 3,700,000 $ 1,400,000 

,0 

(Subtotal Program Funds) (8,000,000) (5,400,000) 

Treasury Fund* 3,375,000 2,356,875 3,375,000 1,262,473 

Total Funds for Programming $ 11,375,000 $ 7,756,875 $ 11,375,000 $ 4,962,473 

Fiscal 1970 

Program Funds 

State Arts Agencies (bloc) 

$ 6,500,000 

2,500,000 

$ 4,250,000 

2,000,000 

$ 9,000,000 

.0 

$ 6,050,000 

0 

$ 1,610,000 

(Subtotal--Program Funds) 

Treasury Fund* 

(9,000,000) 

3,375,000 

(6,250,000) 

2,000,000 3,375,000 2,000,000 

Total Funds for Programming $ 12,375,000 $ 8,250,000 $ 12,375,000 $ 8,050,000 
270 Authorizations and Appropriations 

Arts 

Authorization 

Fiscal 1971 

Program Funds $ 12,875,000 

State Arts Agencies (bloc) 4,125,000 

(Subtotal--Program Funds) (17,000,000) 

Treasury Fund* 3,000,000 

Total Funds for Programming - $ 20,000,000 

Fiscal 1972 

Program Funds $ 21,000,000 

State Arts Agencies (bloc) 5,500,000 

(Subtotal--Program Funds) (26,500,000) 

Treasury Fund* 3,500,000 

Total Funds for Programming $ 30,000,000 

Fiscal 1973 

Program Funds $ 28,625,000 

State Arts Agencies (bloc) 6,875,000 

(Subtotal Program Funds) (35,500,000) 

Treasury Fund* 4,500,000 

Total Funds for Programming $ 40,000,000 

Fiscal 1974 

Program Funds $ 54,000,000 

State Arts Agencies (bloc) 11,000,000 

(Subtotat--Program Funds) (65,000,000) 

Treasury Fund* 7,500,000 

Total Funds for Programming $ 72,5002000 

Fiscal 1975 

Program Funds $ 90,000,000** 

Treasury Fund* 10,000,000 

Total Funds for Programming $100,000,000 

Appropria~ion 

$ 8,465,000 

4,125,000 

(12,590,000) 

2,500,000 

$ 15,090,000 

$ 20,750,000 

5,500,000 

(26,250,000) 

3,500,000 

$ 29,750,000 

$ 27,825,000 

6,875,000 

(34,700,000) 

3,500,000 

$ 38,200,000 

$ 46,025,000 

8,250,000 

(54,275,000) 

6,500,000 

$ 60,775,000 

Authorization 

$ 17,000,000 

--0-­

3,000,000 

$ 20,000,000 

$ 26,500,000 

0. 

3,500,000 

$ 30,000,000 

$ 35,500,000 

0. 

4,500,000 

$ 40,000,000 

$ 65,000,000 

.0 

7,500,000 

$ 72,500,000 

$ 67,250,000** $ 90,000,000 

7,500,000 10,000,000 

$ 74,750,000 $100,000,000 

Humanities Administrative 

Appropria~ion 

$ 11,060,000 $ 2,660,000 

0 

2,500,000 

$ 13,560,000 

$ 24,500,000 $ 3,460,000 

--0-­

3,500,000 

$ 28,000,000 

$ 34,500,000 $ 5,314,000 

--0-­

3,500,000 

$ 38,000,000 

$ 44,500,000 $ 6,500,000 

(~ 

6,500,000 

$ 51,000,000 

$ 67,250,000 $10,783,000 

6,500,000 

$ 73,750,000 
 

Authorizations and Appropriations 271 

Arts Humanities Administrative 

Authorization Appropriation Authorization Appropriation 

Fiscal 1976 

Program Funds $113,500,000"* $ 74,500,000** $113,500,000 $ 72,000,000 $10,910,000 

Treasury Fund* 12,500,000 7,500,000 12,500,000 7,500,000 

Total Funds for Programming $126,000,000 $ 82,000,000 $126,000,000 $ 79,500,000 

Transition Quarter 

July 1, 1976-Sept. 30, 1976 

Program Funds $ --0-- $ 33,437,000** $ --0-- $ 20,750,000 $ 2,727,000 

Treasury Fund* --0-- 500,000 --0~ 500,000 

Total Funds for Programming $ --0-- $ 33,937,000 $ --0-- $ 21,250,000 

Fiscal 1977 

Program Funds $ 93,500,000** $ 77,500,000** $ 93,500,000 $ 77,500,000"**$11,743,000 

Treasury Fund* 10,000,000 7,500,000 10,000,000 7,000,000 

Challenge Grants 12,000,000 9,000,000 12,000,000 9,000,000 

Photo/Film Project 4,000,000 0. ---0-- 0 

Total Funds for Programming $119,500,000 $ 94,000,000 $115,500,000 $ 93,500,000 

Fiscal 1978 

Program Funds $105,000,000"* $ 89,100,000"* $105,000,000 $ 87,800,000*** **** 

Treasury Fund* 12,500,000 7,500,000 12,500,000 7,500,000 

Challenge Grants 18,000,000 18,000,000 18,000,000 17,500,000 

Photo/Film Project 2,000,000 0. --0-- .0 

Total Funds for Programming $137,500,000 $114,600,000 $135,500,000 $112,800,000 

Administrative Funds**** As necessary 8,900,000 As necessary 8,200,000 

Fiscal 1979 

Program Funds $102,160,000 $ 98,300,000 

Treasury Fund ***** 7,500,000 ***** 7,500,000 

Challenge Grants 30,000,000 27,000,000 

Total Funds for Programming $139,660,000 $132,800,000 

Administrative Funds 9,775,000 10,246,000 

*Federal funds appropriated by Congress to match non-federal donations to the Endowments. 

**Not less than 20% of Program Funds ate required to go to State Arts Agencies and Regional Arts Groups. 

***Not less than 20% of Program Funds are required to go to State Humanities Councils. 

 Beginning in Fiscal 1978, each Endowment will receive separate Administrative Funds. 

** ***For Fiscal 1979, Congress is alloting such sums as ate necessary. 
272 

Photo credits 

Architecture, Planning, and Design Program 7, 40
 

Fletcher Drake 8
 

Richard Braaton 8
 

Nebraska Artists-in-the Schools Program 9
 

Palisades School District 9
 

Jose Gomez 9
 

Charles Desmarais 10
 

Gennessee Arts Council 10
 

I. George Bilyk 11
 

Hiram Maristany 11
 

Metropolitan Opera 12
 

Susanne Faulkner Stevens 12
 

Marcia Sartwell 12
 

Lincoln Center for the Performing Arts 13
 

Bob Serating 13
 

Brooklyn Children’s Museum 13
 

Jay Thompson 14
 

Jay Thompson 14
 

The Guthrie Theatre 14
 

University of Massachusetts 15
 

Visual Arts Program 15
 

Albright-Knox Gallery 15
 

Arena Stage 56
 

Jack Buxbaum 69
 

Robert Penchick 81
 

Free Street Theatre 85
 

Dave Cruise 115
 

Colonial Williamsburg 125
 

Indiana Arts Commission 134
 

Charles Buchanan 151
 

Museum Program 166
 

B & B Photo Graphics 193
 

Wolf Trap Farm Park 216
 

The Guthrie Theatre 228
 

Visual Arts Program 239
 

Cover :	 Master craftsman and apprentice
 

Photo by Frank Sarnol