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US AIR FORCE AC 

LlSRA 

Special Bibliography Series 

N H 

OCTOBER 1959 
icaP artic 

4 
Secondary Sources: Boo 

*a Afdridge, John W e After -the - lost '- 

of the writers o critical .I1(I(-.I(...IIIIIL. --- 

pp. 2 3 - 43. New York, McGraw Hill, 1951, 

(PS 379 A36) 

An analysis of Hemingway's themes up through 

For whom the bell tolls. 

his world of violence a little stale today. 

"A1 1 the artistically favorable 

the Twenties possessed come toget 

best of Hemingway ... (but) we 

enough away from Hemingway to pe 

limitations of h€s art and world. 

only does Aldridge note stalene 

also sees an emotional limitation. 

---- Finds Herningway and 

Baker, Carlos. Hemingway, the writer as artist, 

2nd ed. 

Press, 1956, (PS 3515 .E5 24) 

Princeton, N. J, , PrincetonUniversity 

A substantial treatment of all of Hemingway's 

work, It may sometimes push symbolic fnterpretations too far, Contains a comprehensive checklist of primary sources, pp. 331- 

342, 

. Twenty-eight years of a Hemingway 

classic, in Highlights of modern literature. 

Francis Brown, ed. 

Library, 1954. 

Newyork, New American 

About The sun also rises, but useful on 

Hemingway generally. --- 

Bishop, John Peale, Homage to Hemingway, in An 

approach - to literature. 

eds. Rev. ed, New York, Appleton-CenturyCrofts, 1952. (PR 1109 B87a) 

Cleanth Brooks, etal, 
urgurn, Edwin B 

-- __I_-- the life of action, New York, Knopf, 1934. 

(PS 3509 A85a) 

Hemingway's writing betwee 

Frohock, Wb M. - The novel - of vi 

2nd ed, Rev. and enl, Da 

Southern Methodist Univers 

(PS 379 F92) 

Discusses some Iirnbtatio 

an artist. 

Geismar, Maxwell. Hemingway: you could a 

come back, fn Writers in crisis; - the American 

novel: 1925-1940. Lozon, Secker & Warburg, 

1947. (PS 379 G31w) 

Gurko, Leo. Hemingway in Spain, in - The angry 

decade. New York, Dodd, Mead, 1947. 

(PS 221 G97) 

Hoffman, Frederick J. - The modern novel in 

America; 1900-1950. ppb 89-103, 185-186. 

Chicago, Henry Regnery, 1951, (PS 379 H69) 

A critical look at Hemingway's art in the 

early novels and a comment on Across - the 

river --- and into the trees, 

2 
ed, 0 the tlziaeties: al 

0 wmxations, in _.__ On native 

tation - of modern American 

New York, Barcourt, Brace, 1942, (Ps 379 K23) 

literature. 

Caffery, John K. Me 

man and his work. 

and New York, Worl 

(PS 3515 E5 25) 

A useful collect 

-7-p 

* the ed. Ernest '- 

3rd printing. Cleveland 

d Publishing Company, 1956, 

ion of important essays by 

twenty-one critics. 

O'Faolain, Sean. - The 

novelists 7- of the twenties. 

Little, Brown, 1957. (PR 88 

Spilka, Hark. The death of love in 

rises, in Twelve original essays on 

American novels. Charles ShapiroTed. 

Detroit, Mich., Wayne State University Press, 

1958. (€5 371 S52) 

Warren, Robert Penn. Ernest Hemingway, in 

Selected essays. New York, Random House, 

1958. (PS 121 W29) 

A sympathetic and sound study of Hemingway's 

technique in terms of theme, character, 

and situation, with particular emphasis on 

- A farewell -- to arms, 

Wilson, Edmund. Hemingway: gauge of morale, in 

Eight essays. Garden City, N. Y., Dcsubled;my, 

1954. 

Originally published in 1941, this essay's 

thesis is that Hemingway's writing reveals 

a sensitivfty to social problems. 

3 
eres t Fng one which 

some important quot 

liam B. Crafts 

well-lighted place."? 

Winter '56. 

Study of the symbolic value 

characters in this story, 

. Of 

KiPimanjaro. 70 ~32-14, 

January '57. 

E, G. Herningwa 's developmen 

sses 29:21-23, 22 overnber '38. 

Galvert, James B. Ernest ernfng.tsrayOs mora i.n 

action. American Literature 27:372-385, 

November ' 55. 

''What the Hemingway hero attempts, 'with all. 

the resources of his assertive fndivfdualism' is 'to reconstruct a value system on 

a new prtncigle. 'I* 

Cowley, MafcoILm. Hemingway and the hero. - New 

Republic l11:754-758, 4 December '44. 

. Hemingway at midnight. - New 

Republic lll:190-f95, 14 August '44. 

Daiches, David. Ernest Hemingway. College 

English 2~725-736, 

4 
ifton, Ernes 9, 

Byron. Nation 136:63-65, 18 January '33. 

ames T, Ernest erningway, apostle of 

thne9$ -.I(..II1I1I1--..Ip..-...l)..III(ILI New York Times Book 

August '43* 

F, Scott, How to waste material: a 

note on my generation. Bookman 63:262-265, 

y '26. 

Frankenburg, Lloyd. Themes and ch rs in 

Hemingway's latest period, Review 

7:776-788, September '42, 

Friedrich, Otto. Ernest Kerningway: 

strength. American Scholar 26:470 

Autumn '57. 

Heningway "has been shamelessly used an 

misused by lesser writers; The misuse 

has returned to ~~em'l-neh him with a f 

conception. of his own nature, his functio 

and his greatness. I' 

Geismar, Maxwell. No fnan alone now, Virginia 

Quarterly Review 17:517-534, Summer '4Ie 

Goodheart, Eugene., The El3X?St 

Hemingway, Prairie Schooner 30:212-218, 

Fall $46. 

Memingway's reputation will dwindle because 

of the "extreme 1imitations'* of his achievement. 

Gordon, Caroline, Notes on Hemingway and Kafka. 

Sewanee Review 57:215-226, Spring %9. 

Gurko, Leo. --The old --man and -the - sea. College 

English 1k11-15, October '55. 

5 
e the affirmative t0 

trast with the 

of Hemingway's 

Iliday. Eo 6 Hemingway * s 

and irony. American 

March '56. 

Critics, particularly Carlos Baker, have 

over-emphasized Hemingway's symbolism; a 

more characteristic device is the use of 

irony. 'With all of his ski1 

artistic ambiguity he remains 

realist of twentieth-century 

fiction." 

Hart, Robert C. Herningway on writing, 

English 18:314-320, Plarch '57, 

Compilation, with some comment, of 

Hemingway's thoughts on the craft. 

Hemingway ... he writes in an icy mood. Newsweek 

51:122-123, 21 April '58. 

Hertzel, Leo I. Hemingway and the problem of 

"Catholicism forms an important part of the 

texture of Hemingway's early novels." 

belief. Catholic World 184:29-33, October '56. 

Johnson, Edgar. Farewell the separate peace. 

Sewanee Review 48989-300, July-September 

'40. 

Lovett, Robert M. Ernest Hemingway. English 

Journal 21:609-617, October '32, 

Machlin, Milt. Hemingway talkhg. Argosy: 34-37, 

84-86, September '58. 

6 
kner and Hemingway: 

Bulletin 22: 

Paul, Elliott. Hemingway and the critfcs. 

16~3-4, 

Schwartz, DeImore. Hemingway a 

Southern Review 3: 769-782 

Scott, Arthur H. In defense of 

College English 18:309-314, 

Shockley, Plartin Staples. Hemingway's moment 

of truth - Colorado Quarterly 5:38 

Spring '57. 

For Herningway, the ultimate moment o 

is found in the bull ring, the sourc 

symbol of his ethics. 

Sickels, E. M. Farewell to cynicism. College 

English 3:31-38, October '4L 

Waldmeir, Joseph. Confiteor hominem: Ernest 

Hemingway's religion of man. 

349-356, '56 meeting, 

PMASAL 42: 

The old man and the sea. is an elevation 

and an allegory of all the author's work, ----I_- 

Warren, R. P. Hemingway. Kenyon Review 9:l-28, 

Winter '47. 

Weeks, Re P. Hemingway s "The killers ." 

Explicator 15: Item 53, May '57. 

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