c 

7.98- 

e Ii B 

SEPTE 
This bibliography was prepared by Major 

Hazen C, Carpenter, Associate 

English, wi h the assistance of the Lib 

staff. 

rofessor of 

The works listed will be of pri 

ue to undergraduates. No attempt 

to include advanced studies of particula 

terest to specialists in this field. 

The Academy Library plans to publish 

annotated bibliographies of American literature, comparative literature, and other 

periods of English literature, 

* 3c * * * * * 

Call numbers indicate that the books are 

now"avai1able in the Academy Library. Books 

listed without call numbers have been ordered 

for the Library and should be available within 

a short period of time. 

i 
s 

. 

, George Noel Gordon, Lord Byron 

1788-1824, e o c, m o a a e e a. * e a a a eo e o e e e o 47 

ii 
A. SOCZAL, HISTQRICAL, AND INTELLECT BACKGROUNDS 

Randall, J. W., Jr, IThe __ making -of - the modern mind. 

Rev, ed, Chap XVI, Boston, Hougbton Mifflin, 

1940. (CB 57 R188 1940) 

Brief discussion QII the concept of r~~i~~ticism. 

Social England. 8, De Traill and J, S. Ma eds * 

Vol, VI, New York, Putnam, 1905. 

Somervell, D, C. English thought - in 

century. New York, Longmans, Gree 

(DA 533 S69) 

Treats intellectual background. 

Trevelyam, George Macaulay. English 

Chaps. 11-16, London, Longmans, 

(DA 32 T81e) 

Brilliant and outstandingly imp 

tion of the social background, 

1 
- of romanticism, Ernest Bernbaum, ed, 

3rd ed, New York, Ronald Press, 1948, 

(PR 1105 B52) 

opular anthol~gy, edited by a leading authority; of maximum usefulness only when used 

in conjunction with the editor's Guide through 

- the romantic movement (see page 4), Has brief 

general introduction and introductions to the 

he pre-romantic an 

individual writers in each, bib 

(not ~~~~~~~~~)~ and ex 

as short ~~~~~~~~~~~~~ 

English - and 

eorge BenJ amin 

Scott, Foresmn, 

Kas a sketchy intr 

Holzknecht, "Roman 

(only one of the illustrations postdates 

1800); no introduction to the individual 

writers, Writers represent both preromanticism and t e flourishing of romance, 

and an appendix provides selections from 

Pope, Johnson, and Burke as $*a basis for 

comparison." ''Critical notes" section is 

valuable in that it includes interpretive 

quotations from eminent critics concerning 

both the writers and their works, and the 

extensive footnotes are useful. Includes a 

table showing historical backgrounds for the 

principal English, German, and French writers 

of the period and an unannotated bibliography. 

English romantic poetry - and prose. Russell Noyes, 

ed. New York, Oxford University Press, 

1956. 

Selections cover the romantic writers from 

James Thomson on, emphasizing poetry and 

2 
introduetio 

s 

3 
~~r~~a~~, Ernest. Guide - the romantic 

movement. 2nd ed. New York, Ronald Press, 

1949. (PR 447 B52) 

Authoritative textbook, designed for use 

with any group of selections in this period. 

In addition to well-written chapters on each 

of sixteen major romantic writers from Blake 

to Carlyle, the book includes chapters on 

the pre-romantic movement, romantic concepts 

of the nature, function, and powers of the 

4 
imagination, and the history of the study of 

romanticism. Lists twenty- eight disparate 

definitions of the term ron;anticism, There 

are a chronological table of the chief 

romantic works and carefully organized 

annotated bibliographies both on the movement as a whole and on the individual writers. 

Bowra, C. Me __I_ The romantic imagination. London, 

Oxford University Press, 1949, (PR 593 B78) 

A stimulating and well- written book which 

holds that what chiefly differentiates the 

romantic from the neo-classical poe 

"the importance which they attache 

imagination and the special vi 

they held of it"; far froxi thinkiri 

imagination deals with the nonexis 

insisted " that it reveals an important kind 

of truth? In " fashioning new worlds of 

the xriind" they rejected Lockean and Newtonian 

exFlanations of the visible world and passionately obeyed "an inner call to explore 

more fully the world of the spirit.'* They 

were engaged in ''a prodigious attempt to 

discover the world of spirit through the 

unaided efforts of the solitary soul"; their 

work appeals, then, "not to the logical mind 

but to the complete self, to the whole range 

of intellectual faculties, senses, and emotions." The book includes chapters on the 

five major romantic poets and a concluding 

chapter on "The romantic achievementtf which 

emphasizes the risks run by proponents of 

such a view, partly explains the modern revolt against romanticism, deals with the 

limitations of this achievement, but adds 

that we cannot but respect the poet who 

"believes that in exercising his imagination 

he creates life and adds to the sum of living 

experience ," 

5 
Rush, r)QlagEaS, 

tradition in 

_L 

B~ok Company, 

lent historical criticism, showing how 

the classical rr.yths were recreated and 

given modern significance by some of the 

ma j or romantic poc t s e 

Cazamian, Louise The romantic period, Part 11, 

Book V in EmiLe Legouis and Louis Cazamian, 

- A history of English literature, Kev. ecL 

New York, EcrniIlan, 1957, (PR 93 L51 1957) 

Excellent introduction to the subject, The 

movement is interpreted as a renaissa 

emotion marked by fmaginative intensity, 

Chew, Samuel C. The nineteenth ce after, 

(PR.83 B34) 

Authoritative and well-balanced; literary 

history combined with informed critical 

estimates, 

Elwin, MaIcolm. The first romantics. New York, 

Deals interestingly with the interrelationships of Wordsworth, Coleridge, and Southey. 

- 

Longmans, Green, 1948. (PR 447 E5) 

Fausset, Hugh I'Anson. The proving of psyche. 

Appreciative presentation of romanticism, 

asserting its kinship with the principles 

of liberal Christianity. 

- - 

New York, Harcourt, Brace, 1929, 

Herford, C. H. - The age - of Wordsworth. Rev. ed. 

New York, Macmillan, 1930. 

Long regarded as an excellent introduction 

to the literature of this period. 

6 
(PR 590 H83) 

Brief critical survey of the work of the 

major romantic poets, urbane and objective, 

dealing candidly with their weaknesses and 

appreciatively with. their strength. Pre - 

supposes some knowledge of the poets covered, 

James, D. G. Scepticism __I_ and 

_I__ the poetic imagination. L 

Defense of the poetic pr 

of Wordsworth, Coleridge 

tation in particular of I. A. RIG 

terpretation of Coleridge, 

Knight, G. ailson. - The burning oracle; 

in the poetry of action, London, OX~Q 

University Press, 1939, -- - 

Plainly devoted to Byron, in whom Knight 

finds Arnoldian high seriousness; but in 

addition '*a fervent eulogy of those emtional. and imaginative audacities" of all 

the major romantics "that abash rationalistic 

and prosaic critics '* (Bernbaum). 

The starlit dome. studies in the 

poetry - of vision. London, Oxford University 

Press, 1941. 

"The most eloquent appreciation of the 

prophetic insights into the meaning of 

life given us by Wordsworth, Coleridge, 

Reats, and Shelley" (Bernbaurn) . 

- -' -- 

Leavis, F. R, Revaluation; tradition - & developmerit -- in English poetry. 

Windus, 1936. (PR 503 L43) 

London, Chatto & 

An important book, wherein the author finds 

the romanticists great in proportion to 

their uniting aesthetic and moral sensitiveness with critical intelligence. The author's 

7 
on Shelley is challengeab 

y neglects Coferidge; he 

Wordsworth and Keats . 

Lucas, Frank Laurence, - The decline --_I and fall of 

I__ the romantic ideal. 2nd ed. New York, 

Macmillan, 1948, (PN 603 L93) 

A delightfully sprightly frontal attack on 

romanticism; it is " intoxicated dreaming," 

akin to neurosis, "a revolt of the Unconscious" 

featuring "Sensationalism, Satanism, Sadism'' ; 

it ran its increasingly decadent course through 

the nineteenth century and became defu 

the 90%. 

Murry, John Middleton. Heroes of 

York, Messner, 1938, 

Wordsworth and Shelley and 

Keats are "heroes" (in the 

devoted to religious value 

sarify to a specific church. 

further emphasizes the democratic character 

of romanticism. 

The book 

Pater, Walter. Qpreciations. New York, Macmillan, 

1889. 

Includes impressionistic criticisms of 

Wordsworth, Coferidge, and Lamb and a 

"Postscript" constituting a valuable a ttempt to define classicism and romanticism: 

classicism is "order in beauty"; romanticism 

is "the addition of strangeness to beauty, I' 

and "it is the addition of curiosity to this 

desire of beauty, that constitutes the 

romantic temper.'' Pater believed that perfect 

literary art -- Sophocles, Dante, and the 

finest work of Goethe -- is marked by a union 

of both classicism and romanticism. 

.. 

8 
Saintsbury, George. A hist~ry - of 

literature, Chaps, 11- 

1896, 

Conservative but judiciously appreciative 

evaluations, Saintsbury's criticism is 

almost consistently marked by solid common 

sense. 

Symons, Arthur. The - romantic movement - in 

poetry. New York, Dutton, 1909, 

For fifty years a standard guide. 

Watts-Dunton, Theodore. The renaissance 

in poetry, in Chambers % cyclopaedia 

literature. Vol 111, Philadelphia, - - J 

1903. (Ref PR 83 C44) 

One of the best-known definitiops of 

romanticism: its essence is a "renaissa 

of feeling" characterized by "the addition 

of strangeness to beauty." 

9 
Wordsworth, William. The' 

of Wi11i.m W 

Boston, HQU 

- 

Student's Cambridge ed. 

sketch, notes, and bibliogr phy; contains 

Wordsworth's prefaces and o 

Has a biographical 

rose and a 

ake Country, 

4 

One-volume seae 

has a good crit 

. Poetical works of Wosdsw~rth. 

Introd. and notes. 

New ed. rev, by Ernest de S&Lincourt. London, 

New York, Oxford University Press, 1950. 

(PR 5850 F50) 

horns Ztchi*son, edm 

One-voIurne edition. 

a 
s __I__ The . Ernest de Selincourt, 

e$. New Ymk, Ox niversity Press, 1926. 

R 5864 S46) 

Superbly edited, with an adniirable introduc - 

tion and textual and critical notes, Cob 

lates the 1850 and 1805-06 texts, "Absolutely 

indispensable to anyone who would have any 

adequate conception of Wordsworth's development as a poet" (Beatty) , 

e Representative poems, A 

ede New York, Odyssey Press, 1937, 

The thirty- nine - page introduction 

tial. biographical information 

development of Wordshorth's mi 

ography and extensive notes, 

e Selected poetry. &irk Van Donren, ed, 

ew York, Modern Library, 1950, (PR 5852 V24) 

Adequate selection with a brief introduction 

and bibliography, 

for the general reader, 

A readily available volume 
tthew, Wor in criti- 

-3 cism second serie ?Tgn, 1888, 

(PR 4022 E72) 

Classic evaluation by a conservative critic, 

Says that four-fifths of Wordsworth's poetry 

has little merit; the remaining fifth is a 

'"great and ample body of powerful work" which 

ranks him above all moderns except Dante, 

Shakespeare, Moliere, Milton, and Goethe, 

Finds the shorter poems best, 

lies in his "powerful ideas 

nature and ~n human life "'; Q 

how to live"; he has "extraordin 

dealing with "the joy offered to 

simple primary affections and du 

Bateson, Frederick Wilse. Wordsworth: a 

reinterpretation, 2nd ed, New York,-Longnans, 

Green, 1956. (PR 5881 B32) 

A coolly objective "introductory report on 

words worth'^ in the light of redently available information, Lively style. Overall 

critical estimate is somewhat unfavorable, 

Bradley, Andrew Cecil. Wordsworth, in Oxford 

lectures on poetry. London, MacrniIlan, 190% 

(PH 1031 B81) 

A thoughtful appraisal, one of the best brief 

introductions to Wordsworth, written with its 

author's usual urbanity. Emphasizes the 

poet's originality and versatility and warns 

against concentrating OR any single phase of 

his genius. 

12 
A readable volume by a former student of 

de Shncourt and co-editor of the standard 

edition of Wordsworth's poems, made up of 

lectures delivered at Cambridge University 

in 1949: 

ballads and poems of 1807 The prelude, and 

Poetic achievement e 

- The making -- of the 9 

- - -7 - 

Garrod, K. We Wordsworth; lectures and 

Reva and enL ed, New York, Oxford U 

Press, 1,927. (PR 5881 G24) 

An admirable general introduction 

made up of lectures delivered a 

sity. 

Harper, George McLeara. William 

life, works, - and influence. 

Scribner's, 1929, (PR 5881 H29) 

The best available full-length biography. 

Perhaps overemphasizes the formative inuence of Wordsworth's political opinions, 

Herford, C. HI Wordsworth. New York, Dutton, 

1930. (PR 5881 H54) 

The author of The age of Wordsworth reviews 

the poet's life and diEusses the most enduring 

aspects of his poetry, emphasizing the humanistic aspects. A judicious, brief survey. 

- 

Moonnan, Mary (Trevelyan) . William Wordsworth, a 

biography. Oxford, Clarendon Press, 1957-. 

(PR 5881 M82) 

The first volume of this new biography, in 

itself as long as Harper's entire study, covers 

the years 1770-1803. When finished, this will 

be the most detailed biography, 

I 

13 
n the English 

14 
SA TAYLOR COLER 

A, 

Coleridge, Samuel Taylor, --__. The best of Col 

E, L. Griggs, ed, New York, Odyssey Press, 

1932. 

Provides an excellent orientation, s 

I. Coleridge: poetry and prose. H. W. 

Garrod, ed, New York, Oxford University Press, 

1925 , 

Compact volume of selections, including comments by Hazlitt, De Quincey, Carlyle, 

others. Has a good introduction. 

of Samuel . - The complete poetical 7 

Taylor Coleridge. Ernest Hartley idge, ed. 

2 vols. Oxford, Clarendon Press, 1912, 

(PR 4471 C69) 

Although not "colliplete," this edition by the 

poet's grandson is textually sound. 

. Poetical works . James Dykes Campbe1 

ed. London, MacrriIlan, 1909. 

Still the best single-volume edition of the 

poems, the Globe edition, Has a solid biographical introduction and excellent notes, 

by a scholar who devoted some ten years to 

the study of Coleridge. 

- The portable Coleridge. I. A. 

Richards, ed. New York, Viking Press, 1950. 

(PR 4472 R51) 

The editor's introduction, by an acute critic, 

is marked by directness and crystal clarity. 

Richards is more interested in the various 

facets of Coleridge's mind than in external 

biographical facts, He warns against condemnation of the poet's work because of his weakness of will, 

and a brief bibliography is included. 

The selections are judicious, 

15 
II Selected poetrx and prose - Donald A, _y I.-- - .- 

Seauffer, ed, ew York, Modern Library, 1951, 

(PR 4472 s79) 

This readily available and hexpensive volume 

has a brief introduction following conventional 

patterns and xxinimizing Coleridge's mysticism. 

Slender bibliography. 

. Works. Thomas Ashe, ede 8 vols, 

New York, MacmiIlan, 1395, 

Shares with the ~-vo]_, e ition edited by 

standard edition. 

WillFa~il GI 'ke Shedd Che ciaim to being the 

16 
Chambers, Sir Edmund K. Samuel 3 

_. a biographical study. New York, Oxford University Press, 1938, (PR 4483 C69C) 

The most nearly complete biography now available, factually sound, but a controversial 

book, Has been variously called "a mode1 of 

biographical narrative" and "Coleridge with 

the Coleridge that matters left out." 1. A. 

Richards calls Chambers "the moralizing 

biographer" and asserts that the de 

looked into Coleridge ''the more he 

dined to evade understanding him I' 

Kanson, Lawrence. -Life of - Samuel * U 

- the early years. London, Allen 

1938 b 

Valuable detailed account of 

life to June, 1800. 

Lowes, John Livingston, -The -road to - Xanadu; _I a 

study in the ways -of - the imagination, EnP. ed, 

Boston, Houghton Plifflin, 1930. (PR 4484 L91) 

Learned study of the sources and composition 

of "The ancient mariner" and "Kubla Khan"; 

but the author goes far beyond this and 

brilliantly analyzes the psychology of 

imaginative poetic creation, A most stimulating book, 

Richards, I. A. Coleridge - on imagination. 2nd ed, 

New York, Norton, 1950. (PR 4487 R51) 

Percipient and comprehensive analysis of the 

poet's theory of creative imagination. 

Traill, Henry Duff. Coleridge. New York, Harper, 

1884. (PR 105 E58 v. 10) 

A good brief biography, in the English Men of 

Letters Series. 

17 
Austen, Jane. The complete novels of Jane Austen, 

Mew York, Modern Library, 1933, (PZ 3 A933) -- 

A readily available reading edition, in the 

Modern Library Giant series , 

- The novels -- of Jane Austen. R, W, 

Chapman, ed, 3rd ed, 5 vols, Oxford, 

Clarendon Press, 1933, (€2 3 A9331 

This set, including the two 

provides the most accurate 

novels, 

letters, is the only comple 

18 

I 
New Yerk, Oxford University Press, 1926. 

Later biographies are largely indebted to 

this memoir. 

Austen-Leigh, William and Re A. Jane Austen: II_._. her 

-life and - letters, a record, London 

Smith, Elder, 1913; 

The " official " biography, furnishing important 

source materials. 

Baker, Ernest A. _1_1___ The history - of the 

Vol. VI. Chaps. 3-5. London, . Witherby, 1929. (PR 821 B16 v* 

Authoritative and well writt 

nove 1 . 

Jenkins , Elizabeth. Jane Austen. New 

Pellegrini ti Cudahy, 1948. (PR 4036 

First published in England in 1938 

stylistically excellent biography is a 

fine introduction to the subject. The au 

provides a charming and convincing portrait 

of the novelist against the background of the 

times in which she wrote. This book judiciously combines the known biographical 

facts with well-balanced critical evaluations 

of the novels. 

Lascelles, Mary. - Jane Austen --- and her art. ew 

York, Oxford University Press, 1939. 

A full-scale critical study. 

Mudrick, Marvin. Jane Austen: irony - as defense 

- and discovery. Princeton, N, J., Princeton 

University Press, 1952. (PR 4037 H94) 

This scholarly study displays keen insight 

into the novelist's art. 

19 
ive insight in 

of the nove~ist~s style, 

Woolf, Virginia, Jane Austen, in __Iu. The cornon 

reader, pg, 198-1206, ew York, Harcourt, 

Brace, 9948, (PN 511 N91) 

One of the ablest short introductions to 

ne Austen, 
HQTE: 

novels in separate volumes. 

Andrew tang, ed., in 25 volumes (Mew York, 

MacmiPlan, 1902-04), is OTE of the better cornplete sets, 

extremely able critic of Scott, are informative 

and stimulating. 

The Academy Library has the best of Scott's 

"The Border Edition," 

The introductions by the editor, an 

A, TEXT 

Scott, Sir Walter. - The heart - of 

John Haynes Mohes, ed, New U 

University Press, 1932. 

An excellent selection, 

e - The poetical works -- of Sir bklter 

Scott. J, Logie Robertson, ed. London, Oxford 

University Press, 1904. (PR 5305 R65) 

This frequently reprinted volume contains 

Scott's zestful introductions and his notes, 

/ 

21 
Baker, Ernest -__I of the nove l e 

Vol. VI, Chaps. 6-9. London, He F, and G, 

Witherby, 1929. (PR 821 B16 v, 6) 

An authoritative survey, presenting the 

most important biographical facts but emphasizing impartial, admirably balanced 

criticism, 

(Lord Tweedsmuir). - Sir 

ongmns, Green, 1935* ( 

best recent estimates of Scott's 

0th biographical and critical; one 

Grierson, Sir Herbert, I_ S-fr Walter 

New York, Columbia University P 

(PR 5332 G84) 

Supplements and corrects Lockhart 

Based on the author's 1932-37 edit 

Scott's Letters, this solidly documented 

biography, though eschewing any intention of 

rivdIing Lockhart's Nemoirs, shows that 

Lockhart sometimes manipulated facts and eve 

modified the texts of some source materials 

to fit his interpretations. Also, Grierson 

had access to materials apparently unknown 

or unavailable to Lockhart, Where critical 

evaluations are included, they are unsparing 

of Scott's limitations, but just. Scott's 

dynamic personality emerges vividly. Though 

the style is somewhat involved, this is a 

scholarly biography of considerable stature. 

22 
en 

Though the author could be guilty of saying 

that "Burns was almost devoid of romance," 

this brief survey of Scott's life and work 

is generally sound, 

Hutton, Richard K, - S9r Walter Scott, 

Harper, 1894, (PR 105 E58 Ve 7) 

Portrait ed, Brief biography in the English 

Men of Letters series, Mutton 

that " the greater part of this 

has been taken in one form or a 

Lockhart's Memoirs, 

Lang, Andrew. - Sir Walter Scott, 

Scsibner %, 1906, 

Short biography in the Litera 

by one of the best critics of 

on Lockhart but frequently more interesting, 

Lockhart, John Gibson, Memoirs -of -the -life of - P Sir Walter Scott, Baronet. New York, Thomas 

Crowell, ne d. (PR 5332 L81) 

A two-volume abridgment of the seven-volume 

"off ieial" biography by Scott 's son-in-law, 

One of the great biographies in English; but 

Grierson's discovery that Lockhart arbitrarily 

edited and sometimes even "mangled" some of 

Scott's fetters has reduced its reputation 

for reliability. The original, published in 

1837-38, has passed through many editions, 

perhaps the best of which is the 1901 edition 

published by Houghton Mifflin. 

23 
Po Abbotsf ode 

a better book than 

ter Scotto 

s 

24 
c ES 

works and I___- 

Lamb, Charles, - The 

New York, Modern , 1935. (PR 4860 .A2 F36) 

Though not complete, this Modern ibrary Gian 

is readily available; a good reading edition, 

with an eight-page introduction by Saxe 

Commins e 

7 

The essays of Elia. Ma _I_- 

ed. London, Macdonald, 1952, (PR 

Usefully annotated edition, inc 

last essays of Elia, The edi 

and challenging introduction ex 

irnpat i enc e wi t h the 'I two -volume 

under which the Victorian bi 

voutly interred the most dura 

echoes Augustine Birrell% Obiter 

test against the label "gentle" (w 

originated with several of La 

raries, including Coleridge); charges Walter 

Pater with "critical inanity" in stating that 

Lamb in I Elia gives the reader himself; on the 

contrary, "- Elia is one of the most successful 

masquerades in autobiographical f iction,'l 

written by a man who ''rretreatedla from life, 

I' e s caped" from 'Id i sc onc er t ing ref le c ti on, 'I 

whose love of "facetious mystification" was 

merely a mask; Lamb indeed had "delicate 

skill in skimming the surface of a subject 

without stirring mud from the depths by the 

barest ripple of valid emotion'*; he is ""the 

prince of escapists" whose "reputation as one 

of the greatest English essayists was a mfdVictorian cult." 

-- 

25 
, The letters of Charles Lamb to _I_ -9 - 

which are added those -ofhis - sister, Mary Lamb. 

E. V. Lucas, ed. s, London, 

1935, 

-____I__ 

Standard ed., about a thousand letters, 

(There is a 11946 two-volume abridgment in 

Everyman's Library, Guy Pocock, ed,) Many 

readers believe they come closer to the real 

Lamb in the letters than they do in the essays, 

John Mason Brown (see below) says that '*In 

addition to being the best introduction to 

letters .I1 

amb% are among the worId's b 

. The portable Charles -_I__ 

John J!€ason Brown, ed, New York, I_ 

1949s (PR 4850 aA4 B87) 

A fine selection of the letters 

essays, the latter arranged by 

ter. Brief bibliography, The editor's wellwritten introduction provides an excellent 

orientation to "the most beloved bachelor of 

letters literature hzs pxoduced." Zrmn 

believes Lamb's gentleness originated in his 

strength: he faced life "squarely, gaily, 

without whining, and with inexhaustible 

courage" and with "a toughness unsuspected 

by those who have read him sparingly," The 

editor discusses Lamb's love of London, his 

lack of interest in public affairs, the 

poignant sadness of the "'superannuated man" 

in retirement, the piquancy of his infinite 

jests in company, his notorious fondness for 

puns, his genuine human kindness; Iaments the 

tendency to "palm off" on him a "bogus, treacly 

kindness," to "bury him in lavender, to cushion 

him on sachets"; admires the tenderness of 

his writing about childhood, " his eye for 

human absurdity," and the candor with which 

he admitted his prejudices; finds him "one of 

the most satisfying and least pretentious of 

26 
criticse*' Brown describes Zmb's 

prose style precisely, 

e w The selected letters - of Charles 

- Lamb. To S, Mathews, ed, New York, Farrar, 

Straus & Cudahy, 1956, 

This recent collection, well representing the 

many facets of Lamb's complex and fascinating 

personality, exemplifies its editor% belief 

that readers should see Lamb whole, that we 

err in thinking we have said something sig - 

nificant when we apply labels to him. 

. The works of Charles and 

E. V. Lucas, ed. 6 VolSe New York, ___3 - 

1913, 

Standard ed, 

e Works of Charles - and Mary Lamb. - ___p__p 

Thomas Hutchinson, ed, 2 VolSe New Yor 

Oxford University Press, 1924, 

VoP. I has the Elia essays and most of Lamb 

other important prose except the letters 

and can be obtained separately, Except for 

omission of the letters, this set is generally 

preferable to the Modern Library Giant cob 

Lection (see page 25) 

27 
Ainger, Alfred. Lamb, New York, Harper, 

(PR 105 E58 v. 9) 

Although in some pages leaning toward 

panegyric, this brief English Men of Letters series biography, originally publisned 

in 1882, is in general a good introduction 

to Lamb. Ainger asserts that by virtue of 

his rediscovery of Elizabethan drama in his 

Specimens of English dramatic poets conternporary with Shakespeare, Lzmb is "i 

rank of critics19 who "had no mast 

essential biographical facts are 

gether with graphic descriptions 

appearance and personality by his 

raries, Ainger asserts that "gen 

just attributive, that Elia is authentic selfrevelation, and suggests that the essays could 

be arranged into an informative autobfographicaf sequence. (This has been done by Em E. 

Reynolds in - A shwter -9 Lamb 1930.) 

Anthony, Katherine, The Lambs; - a study - of preVictorian England- New Yark, Knopf, 1945, 

(PIX 4863 A62) 

A readable popular biographical study. 

Blunden, Edmund Charles. Charles Lamb, London, 

This slender volume is a scholarly and 

sensitively written introduction to Lamb, 

judiciously combining essential biographical 

facts with critical evaluation. He calls 

Lamb's Specimens of English dramatic poets 

'' the most s t r ikinrarzt ho 1 ogy pe rhap s ever 

made from English literature," a "masterpiece of inquiry into a magnificent and 

neglected subject"; on the controversy as 

to whether - Elia was equivalent to Lamb's 

conception of hirnself (see page ZS), Blunden 

Longmans, Green, 1954. (PR 4864-5) 

28 
ough tragedy and years of 

of EBia, Lamb 

eater: courage, 
Montaigne, amb in his writings gives US 

himself, Pater succeeded admirably in 

getting behind Lamb% smile; he saw the 

heart of the man, with the insight that 

only slffectisn could give, 

30 
Eazlitt, idiflian:, -The - complete works. P, P. Xiowe, 

ed, 21 vols, London, Dent, 1930-34, 

(PI: 4770 F3) 

Stadad Centenary ed, 

sive notes, 

Provided with extene &LH.tt - on ihglish literature, 

J~cQ~ Zeitlin, ed, 

Press, 1913, 

New York, Oxford University 

~cfcction of HazZitt *s nost valuable critical 

essays arranged chronologically as 

writers discussed; the result is a survey of 

English literature from the Elizab 

to the Romantic era by this strong 

dividualistic critic, 

e -Selected - essays. Geoffrey Keynes, 

ed. London, Nonesuch Press, 1930, 

Eight hundred pages of Hazjeitt 

in a single volume. 

. Selections from Hazlitt, Will D. 

Howe, ed. New York, Ginn, 1913. 

hnnot a t ed 

31 
Howe, P, P. -The -life of - william Haalitt, Rev, ede 

A very good biography by the ed tor of the 

standard edition of Wazlitt, 

New York, Doran, 1947, 

Maclean, Catherine M, Born under Saturn, New 

York, Macmiflan, 1943, 

In Competition with Howe*s as the best b iography, Somewhat diffuse, but thorough; the 

author% presentation and analysis of tza 

contradictory and complex personality ar 

absorbing , 

Sahtsbury, George. Hazlitt, in 

literature, 1780-1860, London, Perci 

(PR 453 Sl5) 

The essential biographical facts and an. 

authoritative evaluation of HazIitt's 

literary criticism in brief compass. 

Saintsbury touches on the acuteness of his 

intellect, often "obscured by driving clouds 

of furious prejudice," governed by the principle, as De Quincey observed, that "Whatever 

is, is wrong," Yet "for all his accesses of 

hopelessly uncritical prejudice " in his 

personal life and political thought, "he was 

the greatest critic that England has yet 

produced." His reputation rests not upon 

his aberrant -Life of - Napoleon, Liber amoris, 

or Principles of human action, but upon the 

familiar and cxtical essays in the Spirit - of 

- the age, Table -- talk, The plain speaker, - The 

round table, Lectures -on - the English poets - and 

comic writers, Elizabethan literature, Charac- 

-ters of - Shakespeare, and Sketches - and essays. 

His style was seminal, a vehicle for the expression of his genuine opinions. Saintsbury 

finds Iiazlitt especially percipient on 

32 
'I 

Elizabethan literature, especially on 

Shakespeare's ch rac terizatdon; on the 

Restoration dramatists; on Pope, Burns, 

and the 18th-century novelists, S 

critic of English literature 

be wearied of, always profited 

Hazlitt as a 

is "never to 

by," 

Woolf, Virginia. 

common reader. 

(PW 511. w91s) 

William Hazlitt, in - The second 

New York, Harcourt, Brace, 1932. 

A stimulating evaluation, especially suggestive on Kazlitt's style. He was "n 

of those noncommittal writers who sh 

off in a mist and die of their o 

cance"; he had "one of the fines 

he wrote indisputably the best pros 

of his time," conversational, conc 

marked by "the intensity of a poet" 

"'great gift of picturesque phrasing 

wide-ranging criticism seizes on the heart 

of a literary work and treats it with "appetite, gusto, enjoyment''; and "if such 

criticism is the reverse of final, if it is 

initiatory and inspiring rather than conclusive and complete, there is something to 

be said €or the critic who starts the reader 

on a journey and fires hix with a phrase tc 

shot off on adventures of his own." 

33 
PERCY BYSSW SHELLEY (1792-1822) 

A, TEXT 

Shelley, Percy Bysshe. The best of Shelley. 

Newan Ivey White, ed, New York, Ronald Press, 

1932. 

Excellent inexpensive selection of both 

poetry and prose, by the author of the 

definitive biography of the poet (see page 40). 

The introduction and interpretive comments 

on the poems are particularly valuab 

are the materials for a good acquaintance 

with Shelley. 

, CorripI.ete Foetical works, P --- 

G. E. i.loodbcrry, eci, Boston, H~ght~n I.iifflin, 

19i)Z. (PX 5402 iL88) 

A good one-vclume edition in th2 Cambridp 

series, Tk exceptionally well-written 

streamlined introd.uction is entirzly bioyxphical, with virtually no criticism; it 

* qu=>te,s at length &scriptioris and accounts 

of important incilents in tire words of 

:L?EKL~~ * s contemporaries. Extensive notes, 

. Complete poetical works, Thornas 

i-I~~t~hins~~, ed. New York, Oxford University 

Press, 1934. (PX 5402 H97) 

:;in$.z-volume edition which includes kks. 

'jhcllzy's prefaces to the 1939 collection 

of poems and the 1824 volume of posthumous 

poerris. She touches on the poet's sentleness, 

sensitivity, impetuosity, generosity, his 

lcve of nature, his Platonism; his ardour for 

human amelioration, his assault on misery and 

evil, "the ruling passion of his soul; he 

dedicated to it every power of his mind, every 

pulsation of his heart." These qualities 

b 

34 
'I 

" breathe throughout his poetry'' -- ''the 

struggle for human weal; the resolution firm 

to mrtyrdorn; the impetuous pursuit, the 

glad triumph in good; the determination not 

to despair." His poetic inspiration was 

"genuine and unforced." 

. - The complete works of Shelley. 

Roger Ingpen and kalter E, PeckTeds. 

New York, ScribnePs, 1926-1930. 

The beautiful Julian standard ed. 

10 vols. 

(PR 5400 FZG) 

and John Keats. Complete 

works. New York, Modern Library, 1932, 

(PR 4830 ?32) 

This Nodern Library Giant is a good 

edition. 

. - The reader's Shelley. Carl H, Grabo 

and Partin 3. Freeman, eds. 

Book Company, 1942. 

New York, American 

Nost of Shelley's best poems, together with 

his "A defence of poetry." 

intro?uction shows how the poetry was 

animated by his Platonism, love of freedom, 

and passion for huranity, his hatred of conformity and convention, his desire for 

political and social reform, and his interest 

in science. Bas bibliography, notes dealing 

with the historical, political, and literary 

backgrounds, and a chronoiosical table of the 

poet's career. 

The illuminating 

35 
Selected poems, - and Letters, 

Ellsworth Barnard, e$, New dyssey Press 

R 5403 825) 

I-documented. introduction treats of 

Shelley as man, thinker, and artist; this 

handy volume has the annotated bibliography 

and scholarly notes typical of the Odyssey 

series in literature, 

e Shelley's prose, I_ David Lee Clark., 

ed, Albuquerque, University of New Mexico fress, 

1954. (PR 5405 C59) 

Complete except far the letters and 

romances, The editor advises readi 

prose before approaching the poetry, 

t hir t y-one-page introduction traces 

intellectual growth; the introducti 

notes, and footnotes of the separate prose 

item are intended to interpret Shelley's 

philosophy, 

36 
Arnold, Mkitthew. Shelley, in Essays -

in - criticism, 

second series, New York, Piacnii1lan, 1888, 

(PR 4022 272) 

Like Nark Twain's blast " In defence of I-Iarriet 

Shelley, " this aberrant essay was occasioned 

by the publication of Eckard Dowden's 1886 

Life of Percy , A perverse 

treatment, really an austere condemnation of 

Shelley's conduct toward. his first wife more 

than evaluation of his poetry, Contains the 

notorious description of Shelley as "a beautiful -and ineffectual - a~rgel, beating i 

ills luminous wings in vain,'' 

__I__- 

* the Baker, Carlos H, 9- I_ Shelley's major - 

-_I fabric - of - a vision. Princeton, Ne jSJ 

University Press, 1943. 

Scholarly interpretation and estimate of the 

longer poems. Good discussion of Shelley's 

aesthetic arid riioral beliefs. 

Blunden, Edrr!und. SiieIley; -a - life stor.?. New York, 

Viking Press, 1947. (PR 5431 B65) 

Stylistically uneven, Lut t%s biography rerrains an excellent introduction to Shelley. 

Though he does not soften ugly biographical 

facts, tk author's chaii~pio~~ship of the poet 

as a passionLte altruisf and reformer is 

persuasive The people and backzrourid come 

vividly alive. 

L 

37 
(PR 451 E51 v, 2) 

Excellent account of the poet's literary 

achievement by a critic with whom one can 

seldom disagree, Only the barest biographical 

facts, but much exceedingly discriminating 

evaluation of Shelley% individual works. 

The justness of these estimates is fully felt 

only after one has read enough of Shelley to 

be sonewhat familiar with him. 

Kerford, C. ki. Shelley, in 

English literature, VO~ 

itkcmillan, 1916, (Ref P 

Able brief survey; a A 

of biography and criticism. 

Naurois, Andre'. Ariel; -the -life of - 

Trans, from the French by Ella d'Arcy, New 

York, Appleton-Century-Crofts, 1924, 

(PR 5431 M45) 

Entertaining fietionizzd biography, bril - 

liantly achieving an fllusion of reility. 

Unquestionably based OR facts presented by 

earlier biographers; but Kenneth Cameron 

asserts that its " skillfully caricatured 

distortion of motive and personality" has 

established the misleading view of Shelley 

most commonly held today. 

spender, Stephen H. Shelley, New York, Longmans, 

Green, 1952. (PR 5431 S74) 

A fifty-six-page introduction to Shelley by 

a 20th- century British lyric poet, The 

author's evaluations are sometimes quite 

s ug g e s t i ve . 

38 
Symonds, John Add 

Harper , 1894, '(PR 105 

First published in 1878, this English Men 

of Letters series biography is stil 

of the best introductions to the PO 

idly with his faults and is 

especially valuable in its lengthy quotations 

fro= SheIIey% contemporaries dealing with 

his appearance and personality, 

Thompson, Francis. Shelley. London, Burns 

1909, (PR 5438 T47) 

Written in 1889, this somewhat rLLapsa 

essay is also to be found in Tho 

6: Oates, 

cal 

1913" Collected works, vol, 111, hey 

White, the poet's authoritative her, 

calls this "perhaps the finest 

of Shelley"; George Wyndham in 

edition refers to it as "the mo 

contribution to pure Letters written i 

English during the last twenty years'' -0 

surely an opinion which had better be carefully scrutinized, Thompson was an English 

poet who wrote this acclaniation with attention 

to his own figurative language and to rhythmical values, 

spontaneous" poet, who "both as poet and man 

eea was essentially Bee an enchanted child," 

whose most typical poem is "The cloud," The 

author praises Shelley's lyricism and command 

of mythology, and he adds that "not in the 

Wordsworthian sense, he is a veritable poet 

of Nature." 

He finds Shelley an "aboundingly 

39 
White, Newman hey, Portrait of Shelley, New 

York, Knopf, 3.945, (PR 54315541;) 

Though specialists may prefer the author's 

two-volume biography, this 500-page condensation, which omits the doctimentatiori 

and other scholarly paraphernalia, will be 

preferred by the ordinary reader as the best 

biography of the poet to date, An enthralling book, which Bernbarrm calls " the best 

introduction to both the life and works" of 

Shelley, 

. Shelley. 2 vols. 

Knopf, 1940. (PR 5431 S54) 

Professor White worked on masterly 

definitive biography of Sh y3 for some 

twenty years, Massive (SO ,400 pages) 

but well proportioned, this biographical 

landmark combines throughout a firm grasp of 

even the minutest facts with excellent judgment. Solidly bulwarked with documentation, 

fluent and vivid in style, truly percipient; 

a monumental work. 

'r;'oodberry, George Edward, Phkers of literature. - 

(PX703 N88) 

Contains three essays on <;helley which 

appeared originally in periodicals: 

"Shelley's poetry: a sketch, "Remarks 

on Shelley, '' and ''Shelley * s work. "* They 

are sound and written with simple clarity. 

Taken together, they constitute a good a p - 

proach to the poet and his work. 

New York, Macrnillan, 1900, 

I 

c 

40 
5 TEXT 

Keats, John, -_I__ of John Keats; 

-- from his letters 

Weller, co 

University Press, 15633, (PR 4834 AS) 

Chronological arrangement of these materials 

into an informative record of the final. four 

years of Keats' life, 

, Complete poems - and 

Clarence De Thorpe, ed, Mew York, 

Press, 11935, (PR 4830 F35) 

A handy volume edited by a caref 

of Keats' mind and containing all 

and fifty-eight of the most importa 

a chronological table of the 

biographical events, annotations, and a selective bibliography, The well-written fntroduction considers Keats* biography, his 

humanitarianism, realism, craftsmanship, and 

the philosophic content of his writings, 

and Percy Bysshe Shelley. Complete 

poetical works, New York, Modern Library, 1932, 

(PR 4830 F32) 

A Modern Library Giant with no introduction 

or scholarly paraphernalia; the kind of 

book one reads for pleasure, 

- The letters -- of John Keats. 

Yfurice Bvxton Forman, ed, 4th ed, New York, 

Oxford University Press, 1952, (PR 4835 F72) 

Standard ed., indispensable for anything 

more than a superficial knowledge of Keats' 

life and poetry. Among the most remarkable 

letters in English literature; the sensitive 

autobiographical record of a poetic mind. 

41 
of Keats, 

ed, 5th ed, ~0~~~~~ 

Best single-volume edition of the poetry, 

containing he best annotations, The Intro-. 

evaluation of the meaning and aesthetic 

quality of the poet's work, Thorpe describes 

this as ""undoubtedly the most serviceable 

all-around single-volume edition of Keats yet 

published. 'I 

- 

ductdon is enetrating interpretation and 

. The poetical works - and _I_ 

of John Keats, H. Buxton FQXXMXI, e -__I_ 

Maurice Buxton Forman. 8 vols. Ne 

Scribnerls, 1938-1939, 

The limited (2,050 copies) and re 

inaccessible Hampstead ed., the most 

def ini t he. John Masef ie Id * s int roduc t 

is unimportant, but Formads prefaces and 

the Memoir by Naomi Kirk are valuable, 

42 
s, in in criticism, 

second series, 

(PR 4022 .E72 E89) 

New York, Macrnilzn, 1888, 

Though Forman ca 1s this Amoad's "gentlest, 

most penetrating, and least patronizing!' 

critical essay, it really presents a somewhat warped and limited conception of the 

poet. 

publication of Keats' letters to Fan 

Brawne as "inexcusable" -1 th 

" the entire want of tone, the 

of a21 reticence and all dignity 

merely sensuous man, of the ma 

passion's slave, "' and were '' 

ignoble,"' But Arnold credite 

being, by promise if not fully 

"one of the very greatest of 

He found in him enchanting sensuousness, 

clear-sightedness, lucidity, and an "overpowering feeling for beauty." 

'%is perception of the vital, connection of 

beauty with truth, Keats accomplished so 

much in poetry" that "in the faculty of 

naturalistic interpretation, in what we call 

natural magic, he ranks with Shakespeare e 

No one else in English poetry, save 

Shakespeare, has quite the fascinating 

felicity of Keats, his perfection of loveliness." 

Arnold objected vigorously to t"le 

By virtue of 

L 

Blunden, Edmund C. John Keats, New York, 

Longmans, Green, 1950. (PR 4836 B65) 

An engagingly written biographical essay 

which can be read in a few minutes. 

43 
09 * 

Penetrating cr 

important to 

Bridges, Robert, A critical introduction to 

Keats, introduction to the Muses Library ed, 

of the Poems of John Meats, 

1894, 

--- New York, hifiton, 

Bridges is the best student o 

prosody; his critical judgmen 

ways challenging, Reprinted 

Collected essays, 1929, 

Brooks, Cleanth, -The - we311 studies 

-__I 

in the structure __I of poetryb e New York, 

Harcourt, Brace, 194L (PR 502 

This chapter on the "Ode on a Grecian urn" 

is a suggestive analysis, 

Bush, Douglas, Mythology -_I__ and the romantic i5 

tion English poetry, Cambridge, Mass,, 

Harvard University Press, 1937. -- 

Keats "is the poet of the nineteenth century 

who comes the nearest to recapturing the 

spirit of the classic myths and reinterpreting 

them in terms of problems of his time, " 

Colvin, Sidney, John Keats; -his -life - and poetry, 

_I his friends, critics, I and after-fame. 

New York, Scribner's, 1925, (PR 4836 C72) 

Rev. ed, 

Published originally in 1917, this is stfll 

the best biography; stylistically satisfying, 

excellent in taste and judgment. 

a Keats, New York, Harper, 1894. 

(PR 105 E58 v. 13) 

A reliable English Men of Letters series 

biography, nucleus of the work mentioned 

above . 44 
Fausset, H, X'Anson. Keats; - a study - in developmeat , London, Secker, 1922, 

Stylistically excellent psychological interpretation. Molds that Keats progressed 

from exquisite sensuousness to philosophical vision and died "on the very threshold 

of absolute truth,'' Chronology and 

mentation sometimes shaky, Can be I1-2 hours, 

Garrod, Heathcote William. Keats. 

London, Oxford University Press, 

(PR 4837 G24) 

Excellent style, These Oxford 

especially good on the sonnets and the odes. 

Ruthlessly exposes errors in 

biography. 

Hewlett, Dorothy. Adonais, -a -life of -John - Keats 

Rev. ed, Lodon, Hurst, 1950, 

Miss Kewlett more convincingly portrays 

Keats' milieu than do some other bisgraphers. 

criticism. 

Stronger as biography than as 

Lowell, hya John Keats. 2 VS~S. Boston, 

Houghton Mf f lin, 1925. (PR 4836 -L9l) 

Contains much material new at the time of 

publication, Elaborate and perhaps overenthusiastic biographical study, often 

praised in America, received coldly in 

England, Sometimes marred by sentimentality and by poor critical judgment in estimating the value of her own discoveries a 

45 
--- 

iversity Press 192% 

Important criticism and an exciting book to 

ry's informed nthusiasm is infect's a shame t t this excellent book 

is not indexed. 

urice R. Keats' ; a study 

- in poetic development. London, Oxford University Press, 1933. 

Valuable study of 

tion and of his theories concerning poetry. 

eats' methods of composiThorpe, Clarence DeWftt. -

The -mind of -- John eats. 

New York and London, Oxford University Press, iz 

1926. (PR 4837 T51) 

An extremely useful book, a carefully organized study of the evolution of Keats' thinking. 

46 
from these volumes is frank, vivi 

gaging * 

Childe 

romamt ic p~ems e Samu 

res, 1936. (PR 4352 CSZ) 

lection, pr vided with a scholarly 

~~t~o~~c~~~~, anno ated bibliography, and 

notes c 

. Complete I_ paetkal works, Paul Elmer 

Nore, ed. Boston, Hioughton Mifflin, 1905, 

(PR 4350 FQ5) 

Well-edited one-volume text , the Cambridge ed, ~ 

with notes. The editor's ten- page introduc -- 

tion is valuable critical evaluation more 

than biography. More believes that "The two 

master traits of Byron's genius are the 

revolutionary spirit and classical art.'' 

47 
Don Juan and ot er satirical poerns , -- - ___I 

Louis E, Bredvold, ed, Mew York, Odyssey Press, 

1935, (PR 4352 B83) 

Provided with a scholarly introduction, 

annotated bibliography, and notes, 

Poetical works, E, K, Coleridge, ed, 

London, John Murray, 1905. 

Competently edited single-volume edition, 

with an informative introductory memoir. 

Poetry, E, KO Coleridg 

7 vols, London, John Murray, 1896- __I- 

(PK 4351 C69) 

Standard ed, 

, The selected letters o 

Jacques Barzun, ed, New York, Far 

- 

& Young, 1953, 

One hundred seventy-seven letters preceded 

by a brilliant introduction, sympathetic and 

understanding but well balanced, The letters 

included show the pods spontaneity and 

splendor as a romantic, his honesty, wit, 

tenderness, and courage, 

more profound than the conventional conception 

of a melancholy and satanic poseur, 

Byron emerges as 

48 
Arnold, - in criticism hew, B~TQII, in 

second series, New York, Ian, 1888, 

(PR 4022 .E72 E89) 

Written originally as a preface to an 188 

book of selections from Byron edited by 

Arnold. Ranks Byron with Wordsworth as the 

second greatest English poet of the century, 

He "rarely wrote anything either worthless or 

faultless"; as a man, he frequently displayed 

vulgarity, affectation, and a lack of fine 

perception; as a poet, he is 

negligence -- he had not enoug 

artist 's self -command, of profou 

skill*in structuring an acti 

a character, though he can v 

a. single incident, But desp 

some of his works are "a str 

diffuse and repetitious, he 

great poet, 

variousness, and wit; he was a splendi 

puissant persona 

fie has fecundity, eloquence, 

Drinkwater, John. The - -rim of eternity. New 

York, Doran, 1925, (PR 4381y78) 

As biography, Packs objectivity: views 

Byron's relationship with his half-sister 

in the most favorable light, brushing aside 

evidence that he was not a norma1 man, As 

literary criticism, this is astute and 

stylistically excellent, Drinkwater could 

write. 

Elton, Oliver. Byron, in A survey of English 

(PR 451 E51 v. 2) 

Sympathetic but candid in discussing the 

poet's character; penetrating critical 

estimates of his work. 

lent appraisal. 

- __. 

literature, 1780-1830, Vol, XI. pp. 135-182, 

London, Arnold, 1920. 

All in all an excel49 
rchand, Ees 

on specialists, 

this detailed and readable welbillustrated 

biography supersedes Ethel 

closest to being definitive 

duces some materia available. to previous 

biographers. 

e Trans, from the F 

w York, Ap 

(PR 4381 M45) 

Though documented, this very COIQ 

biography is to be used with cau 

Byron's imoraldty is not ignore 

suavely featured with little'con n, 

There is very little critical evaPu of 

Byron's writing. 

Mayne, Ethel C. Byron, New York, ScribnerPss, 1924, 

(PR 4381 M47) 

A revised and abridged edition of her two - 

volume 1913 study, which has been regarded 

as the most authoritative biography. A 

vivid portrait of Byron as a man and as a 

personality emerges in this well-documented 

presentation, and though incidental, the 

literary criticism included is perceptive. 

ilr 

Nichol, John. Byron. New York, Harper, 1894, 

(PR 105 E58 v. 2) 

This 212-page English Hen of Letters series 

biography constitutes a good introduction 

to Byron. 

Quennell, Peter. Byron. London, Faber and Faber, 

1935. (PR 4382 43) 

Ernest Bernbaum, leading authority on the 

Romantic Era, calls this the "best short 

biography" of Byron. 

4 

I 

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