# C_2013152EN.01002401.xml

| 30.5.2013 | EN | Official Journal of the European Union | C 152/24 |
| --- | --- | --- | --- |

30.5.2013

EN

Official Journal of the European Union

C 152/24

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STATE AID — UNITED KINGDOM

STATE AID

UNITED KINGDOM

State aid SA.36139 (2013/C) (ex 2013/N) — UK video games tax relief

Invitation to submit comments pursuant to Article 108(2) of the Treaty on the Functioning of the European Union

(Text with EEA relevance)

2013/C 152/03

By means of the letter dated 16 April 2013, reproduced in the authentic language on the pages following this summary, the Commission notified the United Kingdom of its decision to initiate the procedure laid down in Article 108(2) of the Treaty on the Functioning of the European Union concerning the abovementioned aid measure.

Interested parties may submit their comments within one month of the date of publication of this summary and the following letter, to:

| European Commission |
| --- |
| Directorate-General for Competition |
| State aid Greffe |
| Place Madou/Madouplein 1 |
| 1210 Bruxelles/Brussel |
| BELGIQUE/BELGIË |
| Fax +32 22961242 |

European Commission

Directorate-General for Competition

State aid Greffe

Place Madou/Madouplein 1

1210 Bruxelles/Brussel

BELGIQUE/BELGIË

Fax +32 22961242

These comments will be communicated to the United Kingdom. Confidential treatment of the identity of the interested party submitting the comments may be requested in writing, stating the reasons for the request.

1.   DESCRIPTION

DESCRIPTION

The UK has notified a proposed 25 % tax relief on a maximum of 80 % of the production budget of a qualifying video game for expenditure on goods and services used or consumed in the UK. The objective of the measure is to provide an incentive to video games developers to produce culturally British or European games.

The national legal basis would be the Corporation Tax Act 2009, as modified by the relevant proposed modifications notified by the UK to be included in the UK Finance Bill 2013. The granting authority is HM Treasury.

The overall budget of the proposed measure, which has been notified until 31 March 2017, is £115m (€132m). This corresponds to £10m (€11m) in 2013/14 and £35m (€40m) in the remaining years.

2.   ASSESSMENT

ASSESSMENT

The measure is modelled on the UK film tax incentive approved by the Commission in 2006 (1) and extended in 2011 (2) until 31 December 2015. Consequently, for the same reasons, aid is involved.

1

2

The UK authorities have proposed that the measure is compatible under Article 107(3)(d) TFEU. Although the UK has not proposed that the relief is compatible under Article 107(3)(c), it could be argued that this might offer an alternative basis on which to consider the scheme to be compatible.

However, based on the information available at this stage, the Commission doubts that

| (1) | the aid is necessary; |
| --- | --- |

(1)

the aid is necessary;

| (2) | it would be legal for the video games scheme to treat expenditure on goods or services ‧used or consumed‧ only in the UK as being eligible; |
| --- | --- |

(2)

it would be legal for the video games scheme to treat expenditure on goods or services ‧used or consumed‧ only in the UK as being eligible;

| (3) | offering this type of aid against the background of a global subsidy race could avoid fuelling a subsidy race between Member States; and that |
| --- | --- |

(3)

offering this type of aid against the background of a global subsidy race could avoid fuelling a subsidy race between Member States; and that

| (4) | the proposed UK video games cultural test is sufficiently restrictive to ensure that the aid supports only games with cultural content without leading to undue distortion of competition. |
| --- | --- |

(4)

the proposed UK video games cultural test is sufficiently restrictive to ensure that the aid supports only games with cultural content without leading to undue distortion of competition.

TEXT OF LETTER

‘The Commission wishes to inform the UK that, having examined the information supplied by your authorities on the aid/measure referred to above, it has decided to initiate the procedure laid down in Article 108(2) of the Treaty on the Functioning of the European Union.

1.   PROCEDURE

| (1) | On 25 January 2013 the UK authorities notified the Commission of their intention to introduce a tax relief for video games from 1 April 2013 to 31 March 2017. The Commission wrote to the UK authorities requesting additional information on 7 March 2013 which the UK authorities provided on 22 March 2013. |
| --- | --- |

(1)

On 25 January 2013 the UK authorities notified the Commission of their intention to introduce a tax relief for video games from 1 April 2013 to 31 March 2017. The Commission wrote to the UK authorities requesting additional information on 7 March 2013 which the UK authorities provided on 22 March 2013.

2.   DESCRIPTION

| (2) | The objective of the measure is to provide an incentive to video games developers to produce culturally British or European games. |
| --- | --- |

(2)

The objective of the measure is to provide an incentive to video games developers to produce culturally British or European games.

| (3) | The measure is modelled on the UK film tax incentive approved by the Commission in 2006 (3) and extended in 2011 (4) until 31 December 2015. |
| --- | --- |

(3)

The measure is modelled on the UK film tax incentive approved by the Commission in 2006 (3) and extended in 2011 (4) until 31 December 2015.

| (4) | The proposed budget of the measure is as follows:






  1 GBP = 1.14866 EUR
  as at 7 March 2013 | Video games tax relief |
| --- | --- | --- |
| 2013/14 | £10m (€11.49m) |
| 2014/15 | £35m (€40.20m) |
| 2015/16 | £35m (€40.20m) |
| 2016/17 | £35m (€40.20m) |
| Total | £115m (€132.09m) |

(4)

The proposed budget of the measure is as follows:

1 GBP = 1.14866 EUR

as at 7 March 2013

Video games tax relief

2013/14

£10m (€11.49m)

2014/15

£35m (€40.20m)

2015/16

£35m (€40.20m)

2016/17

£35m (€40.20m)

Total

£115m (€132.09m)

| (5) | The UK authorities have provided the draft clauses & explanatory notes proposed in the UK Finance Bill 2013 to be introduced in the Corporation Tax Act 2009. |
| --- | --- |

(5)

The UK authorities have provided the draft clauses & explanatory notes proposed in the UK Finance Bill 2013 to be introduced in the Corporation Tax Act 2009.

| (6) | The aid is granted by HM Treasury (5). |
| --- | --- |

(6)

The aid is granted by HM Treasury (5).

| (7) | All companies subject to UK Corporation Tax which develop qualifying video games would be able to claim relief on development expenditure ‘used or consumed’ in the UK at a tax relief rate of 25 % over a maximum of 80 % of the production budget (6). A video games tax relief would give an additional deduction for qualifying ‘core expenditure’. This additional deduction, together with the tax deductible development expenditure, is deducted from the income arising from the video game. Any resultant loss may be surrendered for a payable tax credit. To calculate the actual relief given, the additional tax deduction is based on ‘enhanceable expenditure’ which is defined as the lower of (a) UK core expenditure; or (b) 80 per cent of total core expenditure. Between 101 and 500 companies are expected to benefit from the scheme. |
| --- | --- |

(7)

All companies subject to UK Corporation Tax which develop qualifying video games would be able to claim relief on development expenditure ‘used or consumed’ in the UK at a tax relief rate of 25 % over a maximum of 80 % of the production budget (6). A video games tax relief would give an additional deduction for qualifying ‘core expenditure’. This additional deduction, together with the tax deductible development expenditure, is deducted from the income arising from the video game. Any resultant loss may be surrendered for a payable tax credit. To calculate the actual relief given, the additional tax deduction is based on ‘enhanceable expenditure’ which is defined as the lower of (a) UK core expenditure; or (b) 80 per cent of total core expenditure. Between 101 and 500 companies are expected to benefit from the scheme.

| (8) | The following example illustrates how the aid operates.

  Example: A video game company produces a game with total budget of £1 million, all of which is UK expenditure. Its trading profits after deducting these costs are £0.1 million. The game is eligible for an enhanced tax deduction of 100 % of the qualifying UK costs and the payable tax credit rate is 25 %. The “enhanceable expenditure” is 80 % of the expenditure used or consumed in the UK, ie, £0.8 million.







  Actual trading profit [P] | £0.1 million |
| --- | --- | --- |
| Additional deduction [AD]


  (= 100% x Enhanceable expenditure of £0.8m) | (£0.8 million) |
| Adjusted trading profit (loss) [P-AD](Actual profit less additional deduction) | (£0.7 million) |

(8)

The following example illustrates how the aid operates.

Example: A video game company produces a game with total budget of £1 million, all of which is UK expenditure. Its trading profits after deducting these costs are £0.1 million. The game is eligible for an enhanced tax deduction of 100 % of the qualifying UK costs and the payable tax credit rate is 25 %. The “enhanceable expenditure” is 80 % of the expenditure used or consumed in the UK, ie, £0.8 million.

Actual trading profit [P]

£0.1 million

Additional deduction [AD]

(= 100% x Enhanceable expenditure of £0.8m)

(£0.8 million)

Adjusted trading profit (loss) [P-AD](Actual profit less additional deduction)

(£0.7 million)

The loss which qualifies for the cash payment is the lower of (1) the trading loss of £0.7m and (2) the total enhanceable expenditure of £0.8m. So, in this case, the film production company can get cash payment for the whole trading loss.

The amount of the cash payment is the credit rate of 25 % multiplied by the loss, giving a payment of £175,000 (£0.7m x 25 %). This is equal to 17.5 % of the budget.

| (9) | Companies applying for the aid will have to disclose other sources of aid to the funding body as part of the application process. If the funding body determines that the aid intensity exceeds, or might exceed, the maximum level, the funding body will automatically reject the application and will not accept any future application until the applicant’s finance plan complies with State aid regulation. Where a company claims tax relief under one creative sector relief, they will not be able to claim relief under another creative sector tax relief (7). Where there is expenditure that could qualify for the UK’s SME Research and Development relief (8), only one relief will be available. |
| --- | --- |

(9)

Companies applying for the aid will have to disclose other sources of aid to the funding body as part of the application process. If the funding body determines that the aid intensity exceeds, or might exceed, the maximum level, the funding body will automatically reject the application and will not accept any future application until the applicant’s finance plan complies with State aid regulation. Where a company claims tax relief under one creative sector relief, they will not be able to claim relief under another creative sector tax relief (7). Where there is expenditure that could qualify for the UK’s SME Research and Development relief (8), only one relief will be available.

| (10) | The UK video games tax relief is subject to a cultural test similar to that of the UK film tax incentive. Both tests are divided into four sections (Cultural content, cultural contribution, use of UK cultural hubs, and use of UK/EEA national/resident cultural practitioners) and have a maximum score of 31 points. Productions must have a score of at least 16, of which at least 6 points must be scored in the ‧cultural content‧ section. |
| --- | --- |

(10)

The UK video games tax relief is subject to a cultural test similar to that of the UK film tax incentive. Both tests are divided into four sections (Cultural content, cultural contribution, use of UK cultural hubs, and use of UK/EEA national/resident cultural practitioners) and have a maximum score of 31 points. Productions must have a score of at least 16, of which at least 6 points must be scored in the ‧cultural content‧ section.

| (11) | The points for cultural content and cultural contribution are based on the following criteria:






  Criterion | Maximum points |
| --- | --- | --- |
| A –   Cultural content (Maximum total : 16 points) |
| A1 | Video Game content set in the UK, another EEA state (9) |

(11)

The points for cultural content and cultural contribution are based on the following criteria:

Criterion

Maximum points

A –   Cultural content (Maximum total : 16 points)

A1

Video Game content set in the UK, another EEA state (9)

4

| A2 | Lead characters are British/EEA citizens or residents (10) |
| --- | --- |

A2

Lead characters are British/EEA citizens or residents (10)

4

| A3 | Video game based on British/EEA subject matter or underlying material |
| --- | --- |

A3

Video game based on British/EEA subject matter or underlying material

4

| A4 | Original dialogue/voice-over recorded mainly in English (11) |
| --- | --- |

A4

Original dialogue/voice-over recorded mainly in English (11)

4

B –   Cultural contribution (Maximum total: 4 points)

| — | Video game represents/reflects a diverse British culture / British heritage / British creativity |
| --- | --- |

—

Video game represents/reflects a diverse British culture / British heritage / British creativity

4

| (12) | The British Film Institute Certification Unit will be responsible for assessing applications for the certification of British programmes, including the cultural test. |
| --- | --- |

(12)

The British Film Institute Certification Unit will be responsible for assessing applications for the certification of British programmes, including the cultural test.

| (13) | The UK authorities have undertaken to implement any changes to the scheme required if the relevant State aid rules are amended during the proposed 4-year duration of the scheme, between 1 April 2013 and 31 March 2017. |
| --- | --- |

(13)

The UK authorities have undertaken to implement any changes to the scheme required if the relevant State aid rules are amended during the proposed 4-year duration of the scheme, between 1 April 2013 and 31 March 2017.

3.   ASSESSMENT

3.1.   Existence of aid

| (14) | As the notified measure is financed and operated in a similar way to the UK film incentive, the measures constitute State aid within the meaning of Article 107(1) TFEU, for the reasons set out in paragraphs 24-28 the Commission's 2006 decision approving the UK film tax incentive (12). In addition, video games are produced in other Member States and there is an internal market for such video games. |
| --- | --- |

(14)

As the notified measure is financed and operated in a similar way to the UK film incentive, the measures constitute State aid within the meaning of Article 107(1) TFEU, for the reasons set out in paragraphs 24-28 the Commission's 2006 decision approving the UK film tax incentive (12). In addition, video games are produced in other Member States and there is an internal market for such video games.

3.2.   Compatibility

| (15) | The UK authorities consider that the UK video games tax relief should be compatible under Article 107(3)(d) TFEU. |
| --- | --- |

(15)

The UK authorities consider that the UK video games tax relief should be compatible under Article 107(3)(d) TFEU.

| (16) | To assess whether the notified measure is compatible under Article 107(3)(d), the Commission must ensure that it respects the general legality principle; that it is necessary, proportionate and well-designed; that the aid is directed towards a cultural product; and balance this with the effects on trade and competition within the EU. |
| --- | --- |

(16)

To assess whether the notified measure is compatible under Article 107(3)(d), the Commission must ensure that it respects the general legality principle; that it is necessary, proportionate and well-designed; that the aid is directed towards a cultural product; and balance this with the effects on trade and competition within the EU.

| (17) | Although the UK has not proposed that the relief is compatible under Article 107(3)(c), it could be argued that this might offer an alternative basis on which to assess whether the scheme is compatible with the Internal market. For an assessment under Article 107(3)(c), the Commission would need to carry out a similar assessment as set out in paragraph (16) apart from the requirement that the aid is directed towards a cultural product. On the basis of the elements provided by the Member State and by the interested parties, it should be determined whether the aid will facilitate the development of certain economic activities or of certain economic areas, where such aid does not adversely affect trading conditions to an extent that is contrary to the common interest. |
| --- | --- |

(17)

Although the UK has not proposed that the relief is compatible under Article 107(3)(c), it could be argued that this might offer an alternative basis on which to assess whether the scheme is compatible with the Internal market. For an assessment under Article 107(3)(c), the Commission would need to carry out a similar assessment as set out in paragraph (16) apart from the requirement that the aid is directed towards a cultural product. On the basis of the elements provided by the Member State and by the interested parties, it should be determined whether the aid will facilitate the development of certain economic activities or of certain economic areas, where such aid does not adversely affect trading conditions to an extent that is contrary to the common interest.

3.2.1.   General legality

| (18) | The UK authorities have proposed that the tax relief would only be available on expenditure on goods or services used or consumed in the UK. |
| --- | --- |

(18)

The UK authorities have proposed that the tax relief would only be available on expenditure on goods or services used or consumed in the UK.

| (19) | The UK authorities have based the design of the proposed scheme on that of the UK film tax incentive. However, that scheme makes use of a special exception to the usual ban on territorial restrictions, which was allowed by the 2001 Cinema Communication (13). Moreover, the State aid assessment criteria of the 2001 Cinema Communication only covered production support for films and TV programmes, not video games. |
| --- | --- |

(19)

The UK authorities have based the design of the proposed scheme on that of the UK film tax incentive. However, that scheme makes use of a special exception to the usual ban on territorial restrictions, which was allowed by the 2001 Cinema Communication (13). Moreover, the State aid assessment criteria of the 2001 Cinema Communication only covered production support for films and TV programmes, not video games.

| (20) | Bearing in mind that video games can (and often are) developed by people working on computers in different countries, even if aid were necessary for the development of video games, the Commission doubts that it is necessary or proportionate to have territorial conditions attached to such aid. |
| --- | --- |

(20)

Bearing in mind that video games can (and often are) developed by people working on computers in different countries, even if aid were necessary for the development of video games, the Commission doubts that it is necessary or proportionate to have territorial conditions attached to such aid.

| (21) | Consequently, the Commission doubts that it would be legal and compliant with the internal market rules for the video games scheme to treat expenditure on goods or services ‧used or consumed‧ only in the UK as being eligible. |
| --- | --- |

(21)

Consequently, the Commission doubts that it would be legal and compliant with the internal market rules for the video games scheme to treat expenditure on goods or services ‧used or consumed‧ only in the UK as being eligible.

3.2.2.   Necessity

| (22) | According to a special report on video games in The Economist
   (14) in December 2011, "Video games will be the fastest-growing and most exciting form of mass media over the coming decade". In addition, the rise of smartphone games has removed previous barriers to entry for European SMEs. For example, the most popular game in the world, Angry Birds (15), was developed by Finnish SME Rovio (16). As the UK authorities observe, "The worldwide video games sector grew by 23 per cent during the financial crisis and PwC predicts that the global market for video games will expand to $82 billion in 2015, an 8.2 per cent compound annual increase from $56 billion in 2010." |
| --- | --- |

(22)

According to a special report on video games in The Economist
   (14) in December 2011, "Video games will be the fastest-growing and most exciting form of mass media over the coming decade". In addition, the rise of smartphone games has removed previous barriers to entry for European SMEs. For example, the most popular game in the world, Angry Birds (15), was developed by Finnish SME Rovio (16). As the UK authorities observe, "The worldwide video games sector grew by 23 per cent during the financial crisis and PwC predicts that the global market for video games will expand to $82 billion in 2015, an 8.2 per cent compound annual increase from $56 billion in 2010."

| (23) | Nonetheless, according to the UK authorities, "There is a market failure in the underproduction of culturally British video games, with producers increasingly unable to invest in culturally relevant products and consumers facing limited choice." |
| --- | --- |

(23)

Nonetheless, according to the UK authorities, "There is a market failure in the underproduction of culturally British video games, with producers increasingly unable to invest in culturally relevant products and consumers facing limited choice."

| (24) | The UK authorities have provided quotes from video games developers who have transferred work from the UK to, for example, the US (17), or who are marginally unprepared to take the risk of investing in developing a new game in the UK. |
| --- | --- |

(24)

The UK authorities have provided quotes from video games developers who have transferred work from the UK to, for example, the US (17), or who are marginally unprepared to take the risk of investing in developing a new game in the UK.

| (25) | The UK authorities have also provided the following overview of video games incentives provided by other countries:







  Territory | Tax incentive |
| --- | --- | --- |
| France | 20 per cent corporation tax credit for the creation of video games |
| Canada (18) | Nova Scotia | 35 per cent corporation tax credit for games production |
| Ontario | Up to 37.5 per cent of games production salaries |
| Quebec | Up to 37.5 per cent of games production salaries |
| British Columbia | Subsidises 17.5 per cent of games production salaries |
| United States (19) | Georgia | 30 per cent corporation tax credit for games production |
| Louisiana | 25 per cent tax credit for development expenditure and 35 per cent credit for payroll expenditures for Louisiana residents. |
| Michigan | Up to 42 per cent refundable credit |
| New Mexico | 25 per cent tax rebate on all direct development expenditure |
| Rhode Island | 25 per cent tax credit for video games developers |
| Wisconsin | 25 per cent corporation tax credit for games production |
| South Korea | Several hundred million dollars spent in recent years as part of a concerted effort to boost the size of the domestic industry (20). |

(25)

The UK authorities have also provided the following overview of video games incentives provided by other countries:

Territory

Tax incentive

France

20 per cent corporation tax credit for the creation of video games

Canada (18)

Nova Scotia

35 per cent corporation tax credit for games production

Ontario

Up to 37.5 per cent of games production salaries

Quebec

Up to 37.5 per cent of games production salaries

British Columbia

Subsidises 17.5 per cent of games production salaries

United States (19)

Georgia

30 per cent corporation tax credit for games production

Louisiana

25 per cent tax credit for development expenditure and 35 per cent credit for payroll expenditures for Louisiana residents.

Michigan

Up to 42 per cent refundable credit

New Mexico

25 per cent tax rebate on all direct development expenditure

Rhode Island

25 per cent tax credit for video games developers

Wisconsin

25 per cent corporation tax credit for games production

South Korea

Several hundred million dollars spent in recent years as part of a concerted effort to boost the size of the domestic industry (20).

| (26) | The main motivation provided by the UK authorities for offering the proposed UK video games tax credit is to avoid video games companies migrating from the UK to "countries that provide incentives for video games development, notably Canada, South Korea, Singapore, and a large number of US States". The UK authorities suggest that a British game being made in these countries could influence the cultural character of games and that there is a "market failure in the underproduction of culturally British video games". |
| --- | --- |

(26)

The main motivation provided by the UK authorities for offering the proposed UK video games tax credit is to avoid video games companies migrating from the UK to "countries that provide incentives for video games development, notably Canada, South Korea, Singapore, and a large number of US States". The UK authorities suggest that a British game being made in these countries could influence the cultural character of games and that there is a "market failure in the underproduction of culturally British video games".

| (27) | Noting that the necessity of State aid for video games has to be assessed on a case-by-case basis, the Commission doubts that the evidence provided by the UK authorities in the present case suggests that video games would not be produced without aid. Rather, it implies that certain video games may not be produced in the UK without aid as a result of incentives elsewhere, particularly outside the EEA. |
| --- | --- |

(27)

Noting that the necessity of State aid for video games has to be assessed on a case-by-case basis, the Commission doubts that the evidence provided by the UK authorities in the present case suggests that video games would not be produced without aid. Rather, it implies that certain video games may not be produced in the UK without aid as a result of incentives elsewhere, particularly outside the EEA.

3.2.3.   Design

| (28) | In view of the various international incentives identified by the UK authorities and reproduced in the table in paragraph (25), it would appear that there is a global subsidy race to attract major video games developers. According to press reports (21), the declared aim of the UK authorities is to offer an incentive which is "among the most generous in the world". |
| --- | --- |

(28)

In view of the various international incentives identified by the UK authorities and reproduced in the table in paragraph (25), it would appear that there is a global subsidy race to attract major video games developers. According to press reports (21), the declared aim of the UK authorities is to offer an incentive which is "among the most generous in the world".

| (29) | As more and more countries compete for inward investment from what is perhaps a limited number of such video games, the Commission notes that Europe's competitiveness could be undermined by the issue of video games developers migrating from Europe to third countries providing incentives for video games development. |
| --- | --- |

(29)

As more and more countries compete for inward investment from what is perhaps a limited number of such video games, the Commission notes that Europe's competitiveness could be undermined by the issue of video games developers migrating from Europe to third countries providing incentives for video games development.

| (30) | At the same time, it is necessary to avoid a subsidy race within the Union. The Commission doubts that offering this type of aid against the background of a global subsidy race could avoid fuelling a subsidy race between Member States. The Commission also doubts that the potential distortions of competition are balanced by any positive effects. |
| --- | --- |

(30)

At the same time, it is necessary to avoid a subsidy race within the Union. The Commission doubts that offering this type of aid against the background of a global subsidy race could avoid fuelling a subsidy race between Member States. The Commission also doubts that the potential distortions of competition are balanced by any positive effects.

3.2.4.   Cultural test

| (31) | An analysis provided by the UK authorities reveals that, out of the 28 video games released in the fourth Quarter of 2012 in the UK, the following seven games would have passed the proposed UK video games cultural test:










  Game Title | Release Date | Game Type | Platform | Genre | Games Publisher |
| --- | --- | --- | --- | --- | --- | --- |
| Everything's Rosie | 07.12.2012 | Regular Game | Nintendo DS | Educational | Avanquest Software Publishing Ltd |
| Big Sky Infinity | 28.11.2012 | Regular Online Game | PlayStation Vita | Action | Ripstone Ltd |
| Sniper Elite V2: High Command Edition | 22.11.2012 | Regular Game | PC | Action | Mastertronic Group Limited |
| 007 Legends | 16.11.2012 | Regular Game | Nintendo Wii U | Action | Activision Blizzard UK Ltd |
| Wonderbook: Book of Spells | 14.11.2012 | Regular Game | Playstation 3 | Other | Sony Computer Entertainment Europe |
| LEGO The Lord of the Rings | 02.11.2012 | Regular Game | Nintendo 3DS | Action | Warner Brothers Entertainment UK Ltd |
| When Vikings AttackTM | 17.10.2012 | Regular Online Game | Playstation 3 | Action | Sony Computer Entertainment Europe |
| Harry Potter For Kinect | 12.10.2012 | Regular Game | XBox 360 | Action | Warner Brothers Entertainment UK Ltd |

(31)

An analysis provided by the UK authorities reveals that, out of the 28 video games released in the fourth Quarter of 2012 in the UK, the following seven games would have passed the proposed UK video games cultural test:

Game Title

Release Date

Game Type

Platform

Genre

Games Publisher

Everything's Rosie

07.12.2012

Regular Game

Nintendo DS

Educational

Avanquest Software Publishing Ltd

Big Sky Infinity

28.11.2012

Regular Online Game

PlayStation Vita

Action

Ripstone Ltd

Sniper Elite V2: High Command Edition

22.11.2012

Regular Game

PC

Action

Mastertronic Group Limited

007 Legends

16.11.2012

Regular Game

Nintendo Wii U

Action

Activision Blizzard UK Ltd

Wonderbook: Book of Spells

14.11.2012

Regular Game

Playstation 3

Other

Sony Computer Entertainment Europe

LEGO The Lord of the Rings

02.11.2012

Regular Game

Nintendo 3DS

Action

Warner Brothers Entertainment UK Ltd

When Vikings AttackTM

17.10.2012

Regular Online Game

Playstation 3

Action

Sony Computer Entertainment Europe

Harry Potter For Kinect

12.10.2012

Regular Game

XBox 360

Action

Warner Brothers Entertainment UK Ltd

| (32) | The criteria used are principally based on the UK/EEA link of content, characters, subject matter, and a game is able to get the necessary 16 points without that it represents/reflects a diverse British culture / British heritage / British creativity. However, the Commission considers that the cultural quality/aspects of games is less evident than for films and that therefore the test should put more emphasis or weight on these aspects of the content than on a mere link to a territory. |
| --- | --- |

(32)

The criteria used are principally based on the UK/EEA link of content, characters, subject matter, and a game is able to get the necessary 16 points without that it represents/reflects a diverse British culture / British heritage / British creativity. However, the Commission considers that the cultural quality/aspects of games is less evident than for films and that therefore the test should put more emphasis or weight on these aspects of the content than on a mere link to a territory.

| (33) | Consequently, as in the Commission's preliminary assessment of the French video games tax credit (22), the Commission doubts that the proposed UK video games cultural test would ensure that the aid would support only games with cultural content without leading to undue distortion of competition in this very competitive market. |
| --- | --- |

(33)

Consequently, as in the Commission's preliminary assessment of the French video games tax credit (22), the Commission doubts that the proposed UK video games cultural test would ensure that the aid would support only games with cultural content without leading to undue distortion of competition in this very competitive market.

3.3.   Statement of doubts

| (34) | As explained above, the Commission doubts that:






  1) | the aid is necessary; |
| --- | --- | --- |

(34)

As explained above, the Commission doubts that:

1)

the aid is necessary;

| 2) | it would be legal and compliant with internal market rules for the video games scheme to treat expenditure on goods or services ‧used or consumed‧ only in the UK as being eligible; |
| --- | --- |

2)

it would be legal and compliant with internal market rules for the video games scheme to treat expenditure on goods or services ‧used or consumed‧ only in the UK as being eligible;

| 3) | offering this type of aid against the background of a global subsidy race could avoid fuelling a subsidy race between Member States; and that |
| --- | --- |

3)

offering this type of aid against the background of a global subsidy race could avoid fuelling a subsidy race between Member States; and that

| 4) | the proposed UK video games cultural test is sufficiently restrictive to ensure that the aid supports only games with cultural content without leading to undue distortion of competition in what seems to be a very competitive market. |
| --- | --- |

4)

the proposed UK video games cultural test is sufficiently restrictive to ensure that the aid supports only games with cultural content without leading to undue distortion of competition in what seems to be a very competitive market.

| (35) | The Commission therefore has doubts about the compatibility of this aid measure with the internal market.
  In the light of the foregoing considerations, the Commission, acting under the procedure laid down in Article 108(2) of the Treaty on the Functioning of the European Union, requests the UK to submit its comments and to provide all such information as may help to assess the aid/measure, within one month of the date of receipt of this letter.
  The Commission wishes to remind the UK that Article 108(3) of the Treaty on the Functioning of the European Union has suspensory effect, and would draw your attention to Article 14 of Council Regulation (EC) No 659/1999, which provides that all unlawful aid may be recovered from the recipient.
  The Commission also warns the UK that it will inform interested parties by publishing this letter and a meaningful summary of it in the Official Journal of the European Union. It will also inform interested parties in the EFTA countries which are signatories to the EEA Agreement, by publication of a notice in the EEA Supplement to the Official Journal of the European Union and will inform the EFTA Surveillance Authority by sending a copy of this letter. All such interested parties will be invited to submit their comments within one month of the date of such publication.’ |
| --- | --- |

(35)

The Commission therefore has doubts about the compatibility of this aid measure with the internal market.

In the light of the foregoing considerations, the Commission, acting under the procedure laid down in Article 108(2) of the Treaty on the Functioning of the European Union, requests the UK to submit its comments and to provide all such information as may help to assess the aid/measure, within one month of the date of receipt of this letter.

The Commission wishes to remind the UK that Article 108(3) of the Treaty on the Functioning of the European Union has suspensory effect, and would draw your attention to Article 14 of Council Regulation (EC) No 659/1999, which provides that all unlawful aid may be recovered from the recipient.

The Commission also warns the UK that it will inform interested parties by publishing this letter and a meaningful summary of it in the Official Journal of the European Union. It will also inform interested parties in the EFTA countries which are signatories to the EEA Agreement, by publication of a notice in the EEA Supplement to the Official Journal of the European Union and will inform the EFTA Surveillance Authority by sending a copy of this letter. All such interested parties will be invited to submit their comments within one month of the date of such publication.’

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(1)  Decision N461/2005 UK Film Tax Incentive, 22 November 2006, OJ C/9/2007 13.01.2007.

1

(2)  Decision SA.33234 UK Film Tax Incentive Extension, 27 October 2011, OJ C/142/2012 22.05.2012.

2

(3)  Decision N461/2005 UK Film Tax Incentive, 22 November 2006, OJ C/9/2007, 13.01.2007.

3

(4)  Decision SA.33234 UK Film Tax Incentive Extension, 27 October 2011, OJ C/142/2012, 22.05.2012.

4

(5)  The UK's economics and finance ministry.

5

(6)  Eligible expenditure for the tax credit corresponds to expenditure on conception and creation. Artistic expenditure covers the personnel costs (wages and social security contributions) for the producer, the assistant producer, the artistic director and the persons responsible for the scenario, the animation and the sound environment. It does not include the personnel costs for the persons responsible for programming, depreciation on assets other than buildings directly assigned to the creation of video games, and other operating expenditure.

6

Artistic

(7)  The UK authorities also notified two other creator sector reliefs for high-end TV and animation (SA.35563 & SA.35564) in January 2013.

7

(8)  SA.22081 (ex-N816/2006) R&D tax credits for SMEs.

8

(9)  4/3/2/1 points if at least 75%/66%/50%/25% is set in the UK or another EEA state. 3/2/1 points are awarded if there is a connection with UK/European culture and at least 66%/50%/25% is set in an undetermined location.

9

(10)  4/3/2/1 points depending on the proportion of lead characters which are British/EEA citizens or residents or, provided there is a connection with UK/European culture, whose nationality/species cannot be determined.

10

(11)  4/3/2/1 points if at least 75%/66%/50%/25% of the original dialogue is recorded in English.

11

(12)  State aid N461/2005.

12

(13)  Communication from the Commission to the Council, the European Parliament, the Economic and Social Committee and the Committee of the Regions on certain legal aspects relating to cinematographic and other audiovisual works (COM(2001)534 final, 26/9/01, OJ C 43 pp6-17, 16/2/02); prolonged in 2004 (OJ C 123 pp1-7, 30/4/04), 2007 (OJ C 134 p5, 16/6/07) and 2009 (OJ C 31 p1, 7/2/09) until 31 December 2012.

13

(14)  http://www.economist.com/node/21541164.

14

(15)  http://www.rovio.com/en/our-work/games/view/1/angry-birds.

15

(16)  http://www.rovio.com/en/about-us/Company.

16

(17)  As a result of US incentives for video games.

17

(18)  Other Canadian states also offer tax incentives for video games, including Prince Edward Island and Manitob.

18

(19)  This is only a sample of the reliefs available in US states. Arkansas, Colorado, Connecticut, Florida, Hawaii, Indiana, Kentucky, Maine, New Jersey, North Carolina, Ohio, Texas and Virginia all have some form of targeted tax incentive available to video games developers.

19

(20)  http://www.gamasutra.com/php-bin/news_index.php?story=21368; http://www.gamasutra.com/php-bin/news_index.php?story=23510.

20

(21)  Such as http://www.digitalspy.co.uk/gaming/news/a443228/uk-games-industry-to-benefit-from-25-percent-tax-relief-rate.html.

21

(22)  Paragraphs 37-44, State aid C47/06, OJ C 297/19, 7.12.2006.

22

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