Write it better and summarize the text "His another play was 'Padmavati' [1860 AD]. Here he connected with his beloved Greek literature. On this occasion he wrote to his friend Rajnarayan: 'I am sure, I need not tell you that in the First Act you have the Greek story of the golden apple Indianised' and became very excited about writing a play on his favorite literature and in that letter He wrote again: 'All that I can tell you, is that there are few prettier plots in any drama that you have read.' (Page: 73) 

His play 'Padmavati' written on such a second story - but he stayed away from Shakespeare. This play is basically a hybrid of the Greek Golden Apple and Kalidasa's Shakuntala story and setting. And the taste, shape, and color of that fruit follow the Sanskrit style—almost nothing of the Greek drama. In other words, Madhusudan's theatrical thought was not fully and freely expressed here either. Moreover, this play could not gain popularity. Because, "Madhusudan has adopted the story of his play 'Padmavati' from Greek mythology, only adopting Indian names for the characters. Moreover, its story is not only a myth, it is a work against the Indian way of life. Its theme is a beauty contest between three goddesses. It has no place in the ideals of Indian femininity, no fantasy of competition between female characters for physical beauty can find place in Indian society. ... Attempts to set a Western story in a traditional Indian mythological environment have failed, its synthesis has not been successful.” 

Despite this failure, some critics have seen that: Sachi in the drama 'Padmavati' has been defeated and humiliated in the beauty contest and is bent on punishing the judge, and has tried to make Indranil and Padmavati sad in the play in various ways. Like Shakespeare's Goneril [King Lear] and Lady Macbeth [Mecbeth], Sachi's determination, sharp wit, inventive power, ruthless rigor are something to be noticed.'  Again, some do not want to acknowledge this ability. They say: 'Lady Macbeth's active effort to excite and motivate Macbeth to the end of the play has only the promise of that activism in Sachi, but not the action...and for this passivity the character cannot claim the status of the heroine of Shakespeare's play'. 

In addition, in act-4, scene-1 of the play "Padmavati", the clown Manabak’s fake heroism by putting red dye on his clothes and sword, is similar to the behavior of Shakespeare's immortal character Falstaff [King Henry the Fourth - Part One] [Act-5 , Scene-4]. Of course, it has been rightly said in the context of this analogy that, ‘Falstaff is one of the greatest characters in world literature. (Page: 74) A comparative criticism of Manabak in the play 'Panmavati' with Falstaff would seem to indicate a lack of sense of dimension in literary judgment. But still here the inspiration of Madhusudan's dramatic talent can be found’  and that inspiration was developed through Madhusudan's later plays.

In this connection we can learn a few things about the attraction of Shakespeare in Madhusudan's life. That is, not only in the creation of his plays, but also in his own life, I think that knowing how the great dramatist and his literature were defamed can be of some benefit.

On November 27, 1842, Madhusudan wrote in a letter to his friend Gaurdas Basak: ‘Please send me that volume of your Shakespeare which contains his Othello and Hamlet’. For his dramatic preparation, he repeatedly read Shakespeare's immortal plays. Incidentally an incident from his childhood about Shakespeare-love may be mentioned. As a result of the strong Shakespearean affection that Hindu College teacher Richardson instilled in him, he tried hard to calculate, with the aim of proving to his classmates that Shakespeare is greater than Newton, and he could have been Newton if he wanted, but Newton could not have been Shakespeare at all.  With this unwavering confidence, he used to quote Shakespeare's memorable dialogues in his daily life. Even at the end of his life, he could recite the famous dialogue of Shakespeare's play Macbeth: "Tomorrow, and tomorrow, and tomorrow" [5. v.] clearly and accurately.  Also, the alliteration rhythm that Madhusudan invented for his poetry was as much inspired by Minton as it was by the poetic dialogues of Shakespeare's plays.  It can be added that: 'The extent to which Madhusudan followed Shakespeare's language and his depiction and characters in his plays, in various dialogues, is also not negligible.'  (Page: 75)"