{"input": "What is the place of birth of the director of film Special When Lit?", "context": "Passage 1:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 2:\nRobert Baker (actor)\nRobert Baker (born October 15, 1979, in Memphis, Tennessee) is an American actor known for his roles in Valentine, Grey's Anatomy, Out of Time, and a supporting role in the film Special.\n\nEarly life\nBaker is the son of musician Lee Baker and his wife Carol. His father Lee was a member of the Memphis rock group, Mud Boy and the Neutrons.\n\nCareer\nHe had a small role as a partygoer in the 1999 film Angel on Abbey Street. While still attending theater school at the University of Southern California, he landed a role in the TV movie The Ruling Class, playing a funny high school jock.In 2018, Baker recurred in Supergirl as Mercy Graves' brother Otis Graves.\n\nFilmography\nFilm\nTelevision\nVideo game\nPassage 3:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 4:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.  He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983\u201385), Government Publications Office (1985\u201386), and Department of Finance (1986\u201389). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site.  Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds.  As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later.  Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After C\u00e9zanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education.  During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\"   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired.  In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum.  In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==\nPassage 5:\nJesse E. Hobson\nJesse Edward Hobson (May 2, 1911 \u2013 November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation.\n\nEarly life and education\nHobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children.\n\nCareer\nAwards and memberships\nHobson was named an IEEE Fellow in 1948.\nPassage 6:\nDana Blankstein\nDana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors  in November 2019.  Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur.\n\nBiography\nDana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv.\nBlankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners.  She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007.\n\nFilm and academic career\nAfter her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities.\nBlankstein directed the mini-series \"Tel Aviviot\" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television.\nIn November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem.\n\nFilmography\nTel Aviviot (mini-series; director, 2012)\nGrowing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)\nCamping (debut film, Sam Spiegel; director and screenwriter, 2006)\nPassage 7:\nOlav Aaraas\nOlav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.\nHe was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.\nPassage 8:\nSpecial When Lit\nSpecial When Lit is a feature length documentary film about pinball written and directed by Brett Sullivan. The film is produced by Steam Motion and Sound.\n\nProduction\nFilming took place from mid-2006 to 2008 in several trips to the U.S., France, Italy, Sweden, Australia and the UK. Post production was completed at Steam Motion and Sound in London during 2008 and 2009.\n\nSynopsis\nThe pinball industry made more money than the American film industry during the 1950s through the 1970s. Special When Lit explores the former pop icon of the pinball machine, and through interviews with fans, collectors, designers and champion players from across the globe, traces pinball's history through to the present day.\n\nRecognition\nEye for Film wrote \"It's not the sort of subject that you'd think would suit a documentary, but it works surprisingly well.\" It \"offers fascinating insights and makes for an enjoyable watch. Special When Lit is reminiscent of that other great documentary Spellbound. Both draw the audience into a world of obsession, impress upon you the level of devotion, and charm you with the people in that world\"Tallahassee Democrat wrote that the film was a \"surprisingly compelling documentary\".Chicago Sun-Times called the film a \"significant flick in a lineup that runs the gamut from light to heavy religious to political\".Raindance Film Festival director Elliot Grove wrote that the documentary was \"masterfully shot\" and that its director, Brett Sullivan, was able to bring out a certain nostalgia in his film that was both intriguing and fascinating, with its interviews like \"an emotional and sensitive area, with pinball\u2019s fans describing of the game like a relationship, their faces lighting up as if they were recounting their first kiss.\"  He found the winning film to be \"encapsulating and absorbing.\"The Montana Kaimin wrote \"With a gripping intro, the film draws you in and keeps your attention with its larger-than-life characters.\"\n\nAwards and nominations\n2009, Won Best Feature Documentary at Los Angeles United Film Festival\n2009, Nominated for Best Documentary at Raindance Film Festival\n2009, Nominated for Best Documentary at Tallahassee Film Festival\n2010, Won Audience Award for Best Feature Documentary at London United Film Festival\n\nRelease and distribution\nFirst premiered in October 2009 at London's Raindance Film Festival where it was nominated for Best Documentary.\nSubsequent festivals included: Hot Springs Documentary Film Festival, Atlanta International Documentary Film Festival, Big Sky Documentary Film Festival, Calgary International Film Festival, Buffalo Niagara International Film Festival, Bronx International Film Festival, Indianapolis International Film Festival, Da Vinci Film Festival, Tallahassee Film Festival, Los Angeles United Film Festival, USA Film Festival, and Wisconsin Film Festival.\nThe film was picked up by PBS International Distribution for worldwide sales outside the United States.  The film was released on DVD and Blu-ray in January 2011. The Documentary Channel in the United States premiered Special When Lit 21 May 2011. The PBS Channel in the UK premiered Special When Lit 5 November 2011.\n\nInterviewees\nPassage 9:\nBrett Sullivan\nBrett Sullivan is a London-based Australian-British filmmaker. Born in Sydney, Australia, 1971, Sullivan formed production company Steam Motion and Sound with Julian Chow in 1996. Steam established a UK office in 2003, and a New York office in 2014 with co-founder Clayton Jacobsen.\nSullivan has directed and produced music videos/TV specials for Phil Collins, Michael Bubl\u00e9, Natalie Merchant, James Blunt, Robert Plant, Seal, Bette Midler, Ben Folds, Katherine Jenkins, LP, Gnarls Barkley, Rumer, Idina Menzel, Birdy, Nile Rodgers, Pablo Alboran, Josh Groban, Lenny Kravitz and Eric Clapton.\nInternational commercials and campaigns for Madonna, REM, Linkin Park, Flaming Lips, Alicia Keys, Andre Rieu, Jason DeRulo, Josh Groban, Bruno Mars, Jill Scott, Alfie Boe, Roland Villazon, Lenny Kravitz, Regina Spektor, Justice, My Chemical Romance, Robert Plant, Ed Sheeran, Nickelback, David Gray, Muse, KD Lang, Green Day, Red Hot Chili Peppers, Rihanna, Josh Radin, Ray LaMontagne, Plan B. Other commercial and branding work includes Deezer, Vodafone, Pepsi, Reebok, Orange, Adidas, Ikea, Coca-Cola.\nHe has directed and produced filmed theatrical productions in the West End, Broadway, Canada, Germany and Australia for Les Mis\u00e9rables, Hamilton, Phantom of the Opera, Miss Saigon, Aladdin, A Strange Loop, Newsies, The Lion King, Billy Elliot, Frozen The Musical, The Rockettes, Singin in the Rain, Waitress, Beauty and the Beast, Get Up Stand Up, Jesus Christ Superstar, Oliver, Charlie and the Chocolate Factory, Wicked, Pippin, Dirty Dancing, Mary Poppins, Sister Act, The Prince of Egypt, Jersey Boys, Love Never Dies, Spring Awakening, Buddy Holly, Ghost, Richard III, An American in Paris, Shrek, Bring It On and War Horse. Billy Elliot The Musical Live was the first live event cinema release to top the UK box office and set a new box office record for live event cinema. Sullivan's next live film Miss Saigon has since set a new record for event cinema in the UK. In the USA, Disney's Newsies Live! set a new box office record for a live musical event at the cinema.\nSullivan was a co-founder of Adstream (2001), digital media and asset management company for advertising agencies. It is located in 17 countries.\n\nFilm Director\nThe Prince of Egypt - 2023 - Live in London - Universal Pictures/DreamWorks Theatricals - in post production\nAladdin - 2023 - Live in London - Disney Theatrical Group - Disney+\nWaitress - 2023 - Live on Broadway - Namco - Cinema\nKinky Boots - 2019 - Live in London - BroadwayHD - Cinema\nNewsies - 2017 - Live in Hollywood - Disney Theatrical Group - Cinema/Disney+\nTour Stop 148 - Michael Bubl\u00e9  - 2016 - Warner Bros Records - Cinema/Home Video\nMiss Saigon - Live in London - 2016 - Universal Pictures/Cameron Mackintosh - Cinema/Home Video\nBilly Elliot The Musical - 2014 - Live in London - Universal Pictures/Working Title Films - Cinema/Home Video\nLove Never Dies - 2014 - Feature - Universal Pictures / Really Useful Group - Cinema/Home Video\nSpecial When Lit, Feature Documentary 2010, Best Documentary United Los Angeles Film Festival, Nominated Best Documentary Raindance, Official Selection at Calgary international Film Festival, Vancouver International Film Festival, Atlanta International Documentary Film Festival, Hot Springs Documentary Festival, Buffalo Niagara International Film Festival, Bronx International Film Festival, Indianapolis international Film Festival, New York United Film Festival, London United Film Festival, Wisconsin Film Festival, Tallahassee Film Festival, Big Sky Documentary Film Festival. Aired in USA on Documentary Channel 2011, aired in the UK on PBS 2011.\n\nFilm Producer\nHeathers The Musical - 2022 - Village Roadshow / BK Studios / Roku\nBonnie and Clyde Musical Live in London - 2022 - in post production - David Treatman Creative\nJesus Christ Superstar Arena Tour - Universal Pictures - DVD\nThe Phantom of the Opera at the Royal Albert Hall - Universal Pictures - Cinema/DVD\nLes Mis\u00e9rables 25th Anniversary Concert Live The O2 - Universal Pictures - Cinema/DVD\n\nSelected Music Work\nDirector - Michael Bubl\u00e9 - Cry Me A River, Crazy Love, Santa Claus Is Coming To Town, To Love Somebody, You Make Me Feel So Young\nDirector - School of Rock The Musical - You're in the Band - 360 Video\nDirector - Seal - Everytime I'm With You, Do You Ever\nDirector - Hamilton - Alexander Hamilton featuring Lin-Manuel Miranda - in 3D for Hamilton Exhibition. Co-directed with Thomas Kail\nDirector - Emin featuring Nile Rodgers - Boomerang, Baby Get Higher, Got Me Good, Let Me Go featuring Robin Schulz\nDirector - Greg Holden - Boys In The Street\nDirector - Pablo Albor\u00e1n - Recu\u00e9rdame\nDirector - Idina Menzel& Michael Bubl\u00e9 - Baby, It's Cold Outside\nDirector - Robert Plant - Rainbow\nDirector - James Blunt - Satellites, Blue on Blue\nDirector - LP - Tokyo Sunrise\nCo-Director Michael Bubl\u00e9's Day Off - ITV/Warner Music\nCo-Director with Marc Klasfeld - Michael Bubl\u00e9 - Close Your Eyes\nDirector - Josh Groban  - I Believe (When I Fall In Love), What I Did For Love, Somewhere Over the Rainbow\nDirector - Phil Collins  - Going Back, Heatwave\nDirector - A Conversation With Phil Collins TV Special\nDirector - Natalie Merchant - minidoc - Leave Your Sleep\nDirector - Natalie Merchant Live Session - Man In The Wilderness\nDirector - A Conversation with Michael Bubl\u00e9 TV Special\nDirector - Birdy - Birdy Live at The Chapel\nDirector - Katherine Jenkins - Angel\nProducer -Eric Clapton EPK and A Conversation With Eric Clapton TV Special\nDirector - Donkeyboy - Ambitions\nDirector - Rumer - PF Sloan, Slow (International Version)\nDirector - Emin-  Baby Get Higher\nDirector - Gnarls Barkley - Crazy - Graphics version\nCreative Director - International TV Campaigns for Bette Midler, It's The Girls!\nCreative Director - International TV Campaigns for FUN., Some Nights\nCreative Director - International TV Campaigns for Madonna 'Confessions on a Dancefloor', 'Hard Candy', 'Confessions Live'\nCreative Director - International TV Campaigns for Michael Bubl\u00e9 'Call Me Irresponsible', 'Caught In The Act', 'Crazy Love', 'Christmas', To Be Loved\nCreative Director - International TV Campaigns for R.E.M. - Live, Accelerate, Collapse Into Now\nCreative Director - International TV Campaigns for Green Day - American Idiot, Bullet In A Bible, 21st Century Breakdown, Awesome as F**K, Uno - Dos - Tres\nCreative Director - International TV Campaigns for Red Hot Chili Peppers - Stadium Arcadium\nDirector - My Chemical Romance UK TV Campaign - Winner Best Music TV Commercial UKMVA's 2010\nProducer - Robert Plant Band of Joy UK TV Campaign - Nominated Best Music TV Commercial UKMVA's 2010\nProducer - David Garrett - Viva La Vida\n\nCommercials Director\nBeauty and the Beast - Disney Theatrical - UK\nDeezer - International Commercial Campaign\nFrozen The Musical - Trailer/Music Videos - Broadway+UK+Germany\nHamilton - Trailer - UK/Australia/USA/Hamilton Exhibition in 3D\nThe Rockettes - MSG - Commercials\nSchool of Rock The Musical - Commercial/Trailer - UK/Broadway\nKinky Boots - Commercial/Trailer - UK\nOn Your Feet - Commercial - Broadway\nBeautiful The Musical - Commercials - Broadway/UK\nMiss Saigon - Commercials/Trailer - UK\nThe Curious Incident of the Dog in the Night-Time - UK\nAladdin - Commercials/Trailer - Broadway/UK\nStrictly Ballroom The Musical- Commercials/Trailer - Australia\nCharlie and the Chocolate Factory Musical - Commercials/Promo - UK\nDavid Byrne and Fatboy Slim's Here Lies Love - Public Theater New York - Promo\nPippin - Commercials/Promo - USA\nHairspray - Commercials/Promo - UK Tour\nRocky The Musical - Commercials/Promo - Germany\nMatilda - Commercials/Promo - USA and UK, Winner of Telly Awards\nBring It On - Commercials/Promo - USA\nKing Kong - Commercial - Australia\nShrek The Musical - Commercials/Promo - UK\nLes Mis\u00e9rables - Commercials/Promo - UK, Broadway, Australia\nSingin in the Rain - Commercials/Promo - UK\nWar Horse - Commercials/Promo - UK + USA - National Theatre\nBring It On - Commercials/Promo - Fox Theatricals - USA/Canada\nJesus Christ Superstar Broadway - Commercials/Promo - USA\nMillion Dollar Quartet - Commercials/Promo - UK\nLes Mis\u00e9rables 25th Anniversary Tour - Commercials/Promo - UK/Spain/US\nOliver! - Commercial/Promo - UK\nThe Phantom of the Opera - Commercial/Promo - UK, Broadway\nWicked - Commercials/Promo - Germany/UK/Broadway\nDirty Dancing - TV Documentary, Commercials, EPKs - UK/US/Germany/Australia\nThe Lion King - Commercial/Promo - UK/US, Australia\nGhost the Musical - Commercial/Promo - UK\nMary Poppins - Commercials/Promo - Australia\nJersey Boys (London, Broadway) - Commercials/Promo - UK/US\nLove Never Dies- Promo, Video Clip - UK\nBuddy Holly - Promo - Germany\nSpring Awakening - Commercials/Promo - UK\nRichard III at the Old Vic - Commercials/Promo - UK\n\nOther\nThe Last Word Musical - Sullivan wrote the book, music and lyrics for The Last Word, musical staged at the 2016 New York Musical Festival. The musical was directed by Michael Bello and Choreographed by Nick Kenkel. Additional lyrics by Ryan Cunningham. Nominated for Best Choreography, and Best Supporting Actress in the festival awards.\nSullivan played in Australian indie bands Broken Words, Mockingbird and Easy Brother.\nPassage 10:\nS. N. Mathur\nS.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab.", "answers": ["Sydney, Australia"], "length": 4287, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "7a0ae184978fbdd3e5e38ac179861b1951878baaac395592"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.