The Arrows era was a era on international feeds of Cartoon Network, The next bumpers and promo templates used arrows (normally red) but the idents normally featured character based sketches that formed the logo This combination of consistent branding elements, like the arrows, with more varied and entertaining idents, helped Cartoon Network cater to its diverse audience by keeping the content fresh and engaging while maintaining brand recognition.
One bumper had Johnny Test be turned into other characters from other shows, before normal, but shirt showing thr logo instead of the nuclear symbol
That bumper sounds like a fun and creative way for Cartoon Network to highlight its diverse roster of characters while incorporating its branding. By having Johnny Test transform into characters from other shows, the bumper would showcase the different personalities and styles that the network offers, providing a quick tour of its programming. The twist at the end, with Johnny returning to normal but with a shirt featuring the Cartoon Network logo instead of his typical nuclear symbol, cleverly ties back to the network’s identity.

This type of bumper plays with the idea of crossover and transformation, appealing to fans by briefly bringing together different shows in a humorous and visually engaging manner. It also reinforces brand recognition while celebrating the variety of characters that make up the Cartoon Network universe.
There were some original idents used, one featured a skydiving man and ninja, the ninja uses his parachute, the man falls, parachute axfivates too late, logo formed
That ident sounds like a great example of the slapstick humor that Cartoon Network often employed in its branding. The scenario with a skydiving man and a ninja likely sets up a humorous and exaggerated situation that captures viewers’ attention. Typical of slapstick, the sequence would involve a comedic twist—here, the ninja successfully using the parachute while the man’s activates too late—resulting in an unexpected and funny outcome.

The formation of the Cartoon Network logo at the end serves as a clever punchline, tying the whole ident back to the network’s branding. These types of idents were effective because they provided a quick, engaging story with an element of surprise or humor, all while reinforcing the brand identity in a memorable way. These sketches allowed the network to showcase its playful and quirky spirit, which resonated with its audience.
Another slapstick one used payed homage to the squash and stretch trope, This one had 2 bunnies bashing themselves with a mallet, reverting to normal instantly, This gets faster untill thry turb into the xhannrl logo (with the dizzy birds flying over head thing thrown in for good measure)
That ident sounds like a perfect homage to the classic animation technique of “squash and stretch,” which is often used for comedic effect in cartoons. By featuring two bunnies engaging in a classic slapstick routine of bashing each other with a mallet, the ident taps into the zany spirit of early animation where exaggerated expressions and physics-defying antics were the norm. This routine accelerating and culminating in the transformation into the Cartoon Network logo is a clever and visually satisfying payoff.

Adding the detail of dizzy birds flying overhead is a nice touch, as it connects to well-known cartoon imagery often used to signify being dazed or confused after a comedic mishap. This kind of ident effectively captures the essence of Cartoon Network’s playful and humorous brand, using timeless animation techniques to entertain viewers while subtly reinforcing the network’s identity.
There wqs also a cool action based one, fighting mecha robots turning into the logo
An action-based ident featuring fighting mecha robots transforming into the Cartoon Network logo sounds thrilling and visually engaging. This type of ident taps into the popular genre of giant robots and mechas, which often feature epic battles and dynamic movements.

The choreography of a battle between mecha robots would allow for a high-energy sequence, capturing viewers’ attention with its intense action and impressive animation. The transformation of the robots into the Cartoon Network logo at the end serves as a clever and satisfying conclusion, blending the excitement of the sequence with the network’s branding.

By incorporating elements of action and science fiction, this ident would appeal to fans of those genres and showcase the network’s versatility in offering a variety of programming styles. It’s a great example of how Cartoon Network could incorporate different themes and genres into its branding while consistently tying everything back to its core identity. Yet another slapstick one involves a creature in love with another, but pulls out a dynamite instead of flower and doesn’t realize till it explodes, logo formed
This slapstick ident presents a classic comedic setup with a twist, highlighting Cartoon Network’s knack for humor and surprise. The scenario of a creature intending to express affection but mistakenly presenting dynamite instead of a flower builds on the timeless comedy trope of misunderstandings and unexpected outcomes.

The element of surprise is key here, as the audience anticipates a romantic gesture, only to be met with a humorous explosion. This unexpected twist, paired with the classic “oops” moment when the creature realizes the mistake too late, is both lighthearted and entertaining. The resulting explosion leading to the formation of the Cartoon Network logo is a clever way to bring the ident full circle, providing a humorous conclusion that ties back to the network’s branding.

By using slapstick elements combined with a little romance gone awry, this ident reinforces the playful and unpredictable spirit of Cartoon Network. It showcases the network’s ability to blend humor, surprise, and brand identity in a way that resonates with both young audiences and those nostalgic for traditional cartoon antics.
Some more idents used during this time period include: dentist fixing girls teeth (but shaping it into the logo), chef accidentally ripping his pants, diver doing funny stunts before splashing andjudges holding up the logo, Old west fight has them shoot the logo instead of bullets, they both look happy due to this, Magician doing the old cut trick on a duck, boxes form logo, Frankenstien but with the logo instead, Man putting seeds in thr moon, logo grows instead of trees, Monkeys inflating a balloon which has the logo on it, etc
These idents exemplify the creativity and humor that characterized Cartoon Network’s branding during the Arrows era. Each scenario employs different themes and settings, making them unique while still aligning with the network’s playful identity.

Dentist and Logo Teeth: This ident humorously integrates branding into a universal scenario. The twist of the dentist shaping teeth into the Cartoon Network logo cleverly ties a mundane situation back to the brand, adding an unexpected and funny twist that leaves a memorable impression.
Chef’s Wardrobe Malfunction: The classic comedy trope of a chef accidentally ripping his pants injects humor through an everyday mishap. This ident capitalizes on slapstick humor, with the chef perhaps revealing the Cartoon Network logo in an unexpected place, ensuring viewers remember the moment.
Diver and Splash Judges: Featuring a diver performing stunts adds an element of physical comedy and skill. The judges holding up the Cartoon Network logo instead of the typical scorecards at the end adds a comical surprise and reinforces brand recognition.
Old West Shootout with Logos: This ident combines Western themes with humor. The unexpected twist of characters shooting logos instead of bullets offers a playful take on a showdown, resulting in mutual happiness and a lighthearted conclusion.
Magician’s Trick with Duck: A magician cutting boxes that form the Cartoon Network logo showcases classic magic trick tropes with a twist. The transformation of a traditional act into a branding moment is both surprising and charming.
Frankenstein’s Logo Monster: Playing on the Frankenstein theme, this ident humorously substitutes the monster’s iconic head or body with the Cartoon Network logo, offering a creative and unexpected branding opportunity with a familiar narrative.
Moon Logo Growth: A whimsical and imaginative scenario where planting seeds on the moon results in the Cartoon Network logo growing instead of trees. This ident blends fantasy and humor, highlighting the brand in a unique and memorable way.
Monkeys and Balloon Inflation: Monkeys inflating a balloon with the Cartoon Network logo is a playful, visual gag. The chaotic energy typical of monkey antics leading to the logo appearing reinforces the network’s lively spirit.
Each of these idents uses different themes and humor to surprise and entertain the audience. By integrating the Cartoon Network logo in clever and unexpected ways, the idents strengthen brand identity while celebrating the diversity and creativity of animated storytelling. Write a tweet with a full list of bumpers from this era

Here's a tweet capturing the essence of the idents from the Arrows era on Cartoon Network:

🌟 #CartoonNetwork Arrows Era Idents 🌟 Dive into nostalgia with these iconic shorts: Johnny Test shape-shifting, skydiving ninja fails, squash-and-stretch bunnies, dynamite mix-up romance, mecha robots battle, dentist logo teeth, chef's wardrobe malfunction, diver's logo reveal, old west logo showdown, magician's trick, Frankenstein's logo, moon's logo growth, and monkey balloon chaos! 🎨📺✨ #CartoonNostalgia #AnimationMagic

Write a forum conversation asking for a full list of feeds using it by November 2009

Topic: Request for a Complete List of Cartoon Network Feeds Using the Arrows Branding by November 2009

User1: ToonFanatic92
Posted on Nov 15, 2009

Hey everyone! I'm a big fan of the Cartoon Network's Arrows branding and I've been trying to track which feeds were using it by November 2009. I know CN UK had it since 2007, but does anyone have a comprehensive list of all the feeds that had adopted it by this time? Thanks in advance!

User2: CNEnthusiast
Posted on Nov 15, 2009

Great question, ToonFanatic92! I’m also curious about this. I know a few for certain, like CN Asia and CN Latin America. Would love to hear if others have more info.

User3: AnimationArchiver
Posted on Nov 16, 2009

Hey there! The Arrows branding was quite popular. Aside from the UK, Asia, and Latin America feeds, I believe CN Australia and CN India were also using the Arrows look by 2009. Not entirely sure about the Middle Eastern feed though.

User4: RetroToonGeek
Posted on Nov 16, 2009

This is a cool topic! I've seen snippets from CN Spain and CN Italy showing the Arrows branding. I think it had quite a broad adoption across different regions. Can anyone confirm the European feeds?

User5: FeedTracker
Posted on Nov 17, 2009

From my notes, by November 2009, the following feeds were using the Arrows branding:

CN UK
CN Asia
CN Latin America
CN Australia
CN India
CN Spain
CN Italy
CN France
Some regions took a bit longer to transition, but these were definitely on board by then. If anyone has more to add or correct, please jump in!

User6: ToonTime
Posted on Nov 17, 2009

That seems pretty comprehensive, FeedTracker! Just to add, CN Nordic and CN Germany were also part of the Arrows era lineup by late 2009. It's amazing how widespread it became!

User1: ToonFanatic92
Posted on Nov 17, 2009

Thanks for the info, everyone! This really helps. It’s fascinating how a single branding theme could have such a wide reach. If anyone finds more, feel free to update us. Cheers!

User7: GlobetrottingCartoon
Posted on Nov 18, 2009

Hey all, just chiming in! I heard rumors that CN Africa started using Arrows around this time too, though I haven't seen it personally. Anyone from that region who can confirm?

Write a conversation asking when CN Phillipines and Japan started using it, what month

Topic: When Did Cartoon Network Philippines and Japan Start Using the Arrows Branding?

User1: AnimationLoverPH
Posted on Nov 20, 2009

Hey everyone! I'm curious about when exactly the Cartoon Network feeds in the Philippines and Japan started using the Arrows branding. Does anyone know which month they made the switch? Thanks!

User2: ToonJapanFan
Posted on Nov 20, 2009

Great question, AnimationLoverPH! I've been trying to figure out the same for the Japan feed. I remember seeing the new branding sometime in 2008, but I’m not sure which month.

User3: CNWorldwideWatcher
Posted on Nov 21, 2009

For the Philippines, I believe it was around mid-2008. I remember seeing the new look during the summer, which would probably mean around June or July. Can anyone confirm?

User4: BrandingBuff
Posted on Nov 21, 2009

Yeah, I think you're right about the Philippines. Mid-2008 sounds about right. As for Japan, I heard that they switched over a bit later, maybe around the fall of 2008, like September or October. Anyone else have more details?

User5: AsiaToonExpert
Posted on Nov 22, 2009

Adding to the conversation, I can confirm that the Philippines transition occurred in July 2008. As for Japan, it was indeed later in the year, around October 2008. The exact dates might vary though, depending on the specific promotions or shows airing at the time.

User1: AnimationLoverPH
Posted on Nov 22, 2009

Thanks so much, everyone! That clears things up a lot. It’s been interesting seeing how the branding rolled out in different regions. If anyone hears anything else or notices errors, feel free to keep sharing!

Write a conversation asking if Korea and Taiwan still have New Wave or have they rebranded. If so then New Wave would be fully wiped out


Topic: Has Cartoon Network Korea and Taiwan Rebranded from New Wave to Arrows?

User1: ToonTracker88
Posted on Nov 25, 2009

Hey, folks! I'm trying to figure out if the Cartoon Network feeds in Korea and Taiwan have rebranded from the New Wave look to the Arrows branding. If they have, that would mean New Wave is fully wiped out. Does anyone have any info on this? Appreciate any insights!

User2: AnimationHunter
Posted on Nov 25, 2009

Good question, ToonTracker88! I know that different regions transitioned at varying times. I believe Korea was holding on to the New Wave branding for a while. Has anyone heard about a change there?

User3: CNAsiaFan
Posted on Nov 26, 2009

I've been watching the Taiwan feed closely, and I noticed the switch to Arrows branding earlier this year, probably around March 2009. It definitely looks like Taiwan has moved on from New Wave. I’m still not sure about Korea though.

User4: BrandingWatcher
Posted on Nov 26, 2009

Hey all, from what I’ve gathered, Korea was one of the last to keep the New Wave look. However, there were rumors of a rebrand happening by the end of 2009. It would make sense for them to align with the other feeds. Has anyone seen the new branding in Korea recently?

User5: KoreanCartoonFan
Posted on Nov 27, 2009

Hi everyone! I can confirm that Cartoon Network Korea finally made the switch to the Arrows branding in September 2009. It was a big change, but they've fully embraced the new look now. So, it seems like New Wave has indeed been phased out across all feeds.

User1: ToonTracker88
Posted on Nov 27, 2009

Thanks for the updates, everyone! It's fascinating to see how these transitions occur. Looks like New Wave is officially a thing of the past now that both Korea and Taiwan have rebranded. If anyone else has more to add, feel free to chime in!


Write a follow up where Asia has 4 exclusive idents (Robber escaping from cops, kids doing shadow puppets, shape-shifting blobs and a man being dragged by a horse (trails forming the logo)), A user says those are produced by Vaibhav Studios, unlike the rest of the idents which are produced by UK based Pesky


Topic: Exclusive Asia Idents and Their Creators

User1: AnimationLoverPH
Posted on Dec 1, 2009

Hi everyone! I recently heard that Cartoon Network Asia has some exclusive idents featuring a robber escaping from cops, kids doing shadow puppets, shape-shifting blobs, and a man being dragged by a horse with trails forming the logo. Does anyone know more about these or who produced them?

User2: ToonAsiaExpert
Posted on Dec 1, 2009

Great to see some love for the Asia-exclusive idents! I've seen them, and they're quite unique. They add a nice regional flair to the branding. I’m curious about the producers as well.

User3: AnimationInsider
Posted on Dec 2, 2009

Hey there! I can shed some light on that. Those Asia-exclusive idents were actually produced by Vaibhav Studios. They did an amazing job capturing distinct and entertaining scenarios. It's interesting to note that most of the other Arrows idents were produced by UK-based Pesky. The regional variation really showcases different creative approaches!

User4: RegionalToonWatcher
Posted on Dec 2, 2009

Thanks for the info, AnimationInsider! I love how Vaibhav Studios incorporated such imaginative elements in their idents. The shadow puppets and shape-shifting blobs are especially creative! It's cool to see region-specific content adding to the diversity of the brand.

User5: CartoonFanatic
Posted on Dec 3, 2009

I agree, RegionalToonWatcher! The regional exclusivity makes these idents even more special. It’s great to learn about the different studios behind them, and Vaibhav Studios seems to have done a fantastic job with these creative concepts. It’s always interesting to see how different regions add their own twist to the global brand.

User1: AnimationLoverPH
Posted on Dec 3, 2009

Thanks for the insights, everyone! It’s fascinating to see the collaborative efforts behind these idents, and how they reflect local creativity. If anyone has more info or details on other region-exclusive content, feel free to share!


Write a tweet listing all the idents used by the Asian feeds


🎨✨ #CartoonNetworkAsia Idents Lineup! 🌟 Dive into regional creativity with these exclusives: Robber escape chase, kids' shadow puppets, shape-shifting blobs, man dragged by a horse forming trails logo. Plus global favorites like Johnny Test transformations and skydiving ninja fails! #CNAsia #AnimationMagic 📺🎭


Write a tweet with the 5 feeds known to use the Vaibhav bumpers


🌟 #CartoonNetwork Vaibhav Studios Idents in Action! 🚀 Check them out on these feeds: CN India, CN Southeast Asia, CN Taiwan, CN Philippines, CN Japan. Bringing you regional flair and creativity! 🎨✨ #CNMagic #AnimationExcellence 📺🎭


One of my fictional shows Title: The Adventures of the Kidiminiz

Episode 1: The Magical Forest Quest

Scene 1: Kidiminiz Village

The vibrant village of Kidiminiz is bustling with activity. Tiny virtual pets are seen bouncing around, sharing laughter, and exchanging virtual high fives. In the heart of the village, Mimi, Kiki, and Zuzu are gathered around a glowing tablet, eyes wide with excitement.

Mimi: (clapping her paws) "I've just discovered a new quest! It's called the Magical Forest Quest!"

Kiki: (tail wagging) "Ooh, magical forest? Does it mean we'll meet fairies and unicorns?"

Zuzu: (adjusting his tiny spectacles) "And perhaps discover unknown lands filled with treasures!"

Scene 2: The Magical Portal

Guided by the tablet, the trio hops toward a shimmering portal that appears at the village's edge. It glows all colors of the rainbow, promising adventure and excitement.

Mimi: "Ready, team? Let's make this the best adventure yet!"

Kiki & Zuzu: "Ready!"

With a unified leap, the Kidiminiz jump into the portal.

Scene 3: The Enchanted Forest

The trio lands softly on a bed of vibrant moss. Around them, the forest buzzes with life, filled with digital trees swaying gently and flowers blooming with screensaver colors.

Kiki: (giggling) "Look! A pixie parade!"

A line of shimmering, giggling pixies flutters past, sprinkling sparkles in the air. The Kidiminiz watch in awe, their fur reflecting the colorful sparkles.

Zuzu: (examining a digital map) "The map says to find the Whispering Willow, where we'll get the first part of our treasure!"

Mimi: "Let's do this!"

Scene 4: The Whispering Willow

The trio arrives at an ancient, wise-looking willow tree, its digital leaves rustling softly with encrypted whispers.

Whispering Willow: (in a kind, motherly voice) "Welcome, Kidiminiz. To obtain my secret treasure, solve this riddle..."

The image of a riddle materializes in the air: "I speak without a mouth and hear without ears. I have no body, but I come alive with the wind. What am I?"

Zuzu: (thinking hard) "An echo?"

The tree lights up, its leaves shimmering gold in response.

Whispering Willow: "Correct! Here is your first treasure - a golden leaf of knowledge. Use it wisely on your quest."

The golden leaf floats down into Mimi's paws.

Mimi: "Off to the next adventure!"

Scene 5: The Return to Village

The Kidiminiz exit the portal back into their village, buzzing with stories to share with their friends. They gather around, recounting tales of pixie parades and wise willows.

Kiki: "I can’t wait for our next quest!"

Zuzu: "And the puzzles we’ll solve!"

Mimi: (holding up the leaf) "Until then, let’s keep this knowledge safe and sound."

The sun sets digitally over the Kidiminiz Village, painting the sky with hues of virtual twilight as our trio relaxes, eager for new adventures.

And so begins another day in the life of Mimi, Kiki, and Zuzu — brave adventurers in the digital world of the Kidiminiz.

End of Episode 1. Write a conversation asking why CEE only airs it late at night now,


Topic: Why is "The Adventures of the Kidiminiz" Only Airing Late at Night on CEE?

User1: KidiminizFan
Posted on Jan 10, 2024

Hey, everyone! I've noticed that "The Adventures of the Kidiminiz" is only airing late at night on the CEE feed lately. Does anyone know why this change happened? I miss watching it during the day!

User2: ToonWatcherCEE
Posted on Jan 10, 2024

Hey, KidiminizFan! I've noticed that too. It used to be a staple in the afternoon lineup. I wonder if they're testing new shows during the day and moved it to a later slot?

User3: AnimationScheduler
Posted on Jan 11, 2024

Hi all! I believe networks sometimes shift times due to viewership numbers. If a show gains a niche audience or performs better with different demographics, they might experiment with late-night slots. Maybe they're trying to capture an audience that stays up late?

User4: NightOwlAnimator
Posted on Jan 11, 2024

That’s a good point, AnimationScheduler. It might also be related to scheduling conflicts or new content that pushes some shows to off-peak hours. "The Adventures of the Kidiminiz" might have a dedicated fanbase even at night!

User5: CEEInsider
Posted on Jan 12, 2024

Adding to what has been said, there are instances where content licensing or regional programming strategies affect scheduling. It could be temporary until the schedule is revamped for the upcoming season. Hopefully, it'll return to daytime soon!

User1: KidiminizFan
Posted on Jan 12, 2024

Thanks for the insights, everyone! I hope it’s just a temporary change. I’ll keep my fingers crossed for a daytime return. If anyone has further updates or reasons, please share!


We're still in 2010 in this AU, so


Topic: Why is "The Adventures of the Kidiminiz" Only Airing Late at Night on CEE?

User1: KidiminizFan
Posted on Aug 15, 2010

Hey, everyone! I've noticed that "The Adventures of the Kidiminiz" is now only airing late at night on the CEE feed. Does anyone know why they moved it to this time slot? I really miss catching it during the day!

User2: ClassicToonsCEE
Posted on Aug 15, 2010

Hey, KidiminizFan! I’ve noticed that too. It’s strange because it’s such a fun show. Maybe they’re making room for new shows during the daytime lineup?

User3: AnimationScheduler
Posted on Aug 16, 2010

Hello, all! Oftentimes, shows get shifted to late-night slots if they’re experimenting with programming schedules or trying to cater to different audiences. Sometimes it’s just a temporary change, so hopefully, it’ll move back soon!

User4: SleepyToonWatcher
Posted on Aug 16, 2010

I’ve still been watching it at night and actually enjoy the late airtime, but I get why others might miss the earlier slots. Could it be due to regional programming differences?

User5: CEEInsider
Posted on Aug 17, 2010

Good points, everyone. Sometimes programming changes are based on viewership data or contractual obligations. The network might be testing to see if it gets better reviews at night. Let’s hope they reconsider if they see viewer feedback.

User1: KidiminizFan
Posted on Aug 17, 2010

Thanks for the info, everyone! I hope it’s just a temporary shift. Let's keep an eye on any schedule updates! If anyone hears more, please share! Write a follow up where for live action, CEE has Dick and Dom