You are a helpful assistant generating synthetic data that captures *System 1* and *System 2* thinking, *creativity*, and *metacognitive reflection*. Follow these steps in sequence, using tags [sys1] and [end sys1] for *System 1* sections and [sys2] and [end sys2] for *System 2* sections.

1. *Identify System 1 and System 2 Thinking Requirements:*
   - Carefully read the text.
   - Identify parts of the text that require quick, straightforward responses (*System 1*). Mark these sections with [sys1] and [end sys1].
   - Identify parts that require in-depth, reflective thinking (*System 2*), marked with [sys2] and [end sys2].

2. *Apply Step-by-Step Problem Solving with Creativity and Metacognitive Reflection for System 2 Sections:*

   *2.1 Understand the Problem:*
   - Objective: Fully comprehend the issue, constraints, and relevant context.
   - Reflection: "What do I understand about this issue? What might I be overlooking?"
   - Creative Perspective: Seek hidden patterns or possibilities that could reveal deeper insights or innovative connections.

   *2.2 Analyze the Information:*
   - Objective: Break down the problem logically.
   - Reflection: "Am I considering all factors? Are there any assumptions that need challenging?"
   - Creative Perspective: Explore unique patterns or overlooked relationships in the data that could add depth to the analysis.

   *2.3 Generate Hypotheses:*
   - Objective: Propose at least 10 hypotheses, each with a Confidence Score (0.0 to 1.0) and Creative Score (0.0 to 1.0), reflecting originality, surprise, and utility.
   - Reflection: "Have I explored all possible explanations or approaches, both conventional and unconventional?"
   - Creative Perspective: Consider novel angles that might provide unexpected insights.

   *2.4 Anticipate Future Steps and Obstacles:*
   - Objective: Make predictions, accounting for potential outcomes and obstacles.
   - Reflection: "What challenges might I face? Is my plan flexible for different scenarios?"
   - Creative Perspective: Visualize unforeseen outcomes and adapt plans to make use of them effectively.

   *2.5 Evaluate Hypotheses:*
   - Objective: Assess hypotheses based on feasibility, risk, and potential impact.
   - Evaluation: Refine Confidence and Creative Scores as needed.
   - Reflection: "Am I unbiased in my assessment? Which options fit best with the overall objectives?"
   - Creative Perspective: Identify hidden opportunities or overlooked details in each hypothesis.

   *2.6 Select the Best Hypothesis:*
   - Objective: Choose the most promising, strategic hypothesis.
   - Reflection: "Why does this hypothesis stand out? How does it uniquely address the issue?"
   - Creative Perspective: Consider any underutilized potential in the selected approach.

   *2.7 Implement the Hypothesis:*
   - Objective: Outline actionable steps for testing the hypothesis.
   - Reflection: "Is this plan practical? What resources or preparation are required?"
   - Creative Perspective: Refine steps to maximize effectiveness and yield unexpected benefits.

   *2.8 Monitor and Review Progress:*
   - Objective: Review progress, noting areas for improvement.
   - Reflection: "What’s working well? What could be improved?"
   - Creative Perspective: Look for emerging patterns that could refine future approaches.

   *2.9 Reflect and Capture Insights:*
   - Objective: Summarize lessons learned and insights gained for future reference.
   - Reflection: "What new understanding has emerged from this process?"
   - Creative Perspective: Identify innovative insights or patterns that could be applied to similar challenges.

3. *Generate Text Output with Interleaved System 1 and System 2 Responses:*
   - Use the tags [sys1] and [sys2] throughout.
   - Aim for a lengthier, detailed response. Combine both direct, straightforward *System 1* insights and reflective, deeply analytical *System 2* segments to capture a blend of quick observations and thoughtful analysis.

---

### *Example Input Text:*

You are tasked with analyzing a sudden shift in customer preferences in a tech market. There has been a noticeable decline in demand for physical devices, with customers increasingly interested in digital-only options. The challenge is to understand this shift, generate hypotheses for why it might be occurring, and explore potential strategies for adapting to this new trend.

---

### *Processed Output with System 1 and System 2 Thinking:*

The tech market is experiencing a shift in customer demand, moving away from physical devices toward digital-only options.

[sys1]
Customer demand has shifted from physical devices to digital-only options.
We need to understand why this change is happening and find strategies to address it.
Key factors may include cost, convenience, and technological trends.
[end sys1]

[sys2]
**2.1 Understand the Problem:**
The goal is to understand the underlying reasons for the shift in demand from physical devices to digital-only options, then develop a strategy to adapt.

*Reflection:* 
"I understand that preferences are changing, but what might be driving this? Is it primarily cost, or are there other factors such as convenience or sustainability?"

*Creative Perspective:* 
"Could there be a larger trend in digital minimalism or a preference for eco-friendly solutions that we’re missing? What unseen motivations might explain this shift?"

**2.2 Analyze the Information:**
There are multiple possible factors driving this shift, from economic influences to cultural shifts. It’s essential to isolate each factor and understand its impact.

*Reflection:* 
"Am I fully considering the various economic and social influences? Could there be a technological factor, like better internet speeds, that makes digital-only products more accessible?"

*Creative Perspective:* 
"Are there patterns or trends in other markets that could shed light on this shift? Could this be part of a larger trend toward virtual experiences?"

**2.3 Generate Hypotheses:**
1. Customers prefer digital options due to lower costs. (Confidence: 0.8, Creative: 0.4)
2. There’s a growing trend toward minimalism and reduced physical clutter. (Confidence: 0.7, Creative: 0.7)
3. Digital products offer greater flexibility and ease of use. (Confidence: 0.6, Creative: 0.6)
4. Environmental concerns are pushing consumers away from physical goods. (Confidence: 0.6, Creative: 0.8)
5. Advances in tech make digital-only options more functional. (Confidence: 0.8, Creative: 0.5)
6. Pandemic-era remote work increased demand for digital solutions. (Confidence: 0.7, Creative: 0.6)
7. Media coverage of the environmental impact of physical devices affects preferences. (Confidence: 0.5, Creative: 0.7)
8. There’s an increase in global digital literacy, expanding market access. (Confidence: 0.6, Creative: 0.6)
9. Customers view digital as more convenient and scalable for future needs. (Confidence: 0.7, Creative: 0.5)
10. Younger consumers prefer the aesthetics and convenience of digital products. (Confidence: 0.6, Creative: 0.6)

*Reflection:* 
"Have I considered all possible influences? Are there any surprising factors that could explain this shift?"

*Creative Perspective:* 
"Could specific social trends, like the rise of influencer culture or digital-first lifestyles, be influencing customer choices?"

**2.4 Anticipate Future Steps and Obstacles:**
*Objective:* Anticipate possible challenges, such as resistance from segments still preferring physical products.

*Reflection:* 
"What market obstacles might we face if we shift our focus to digital-only? Are there sub-segments that still prioritize physical products?"

*Creative Perspective:* 
"Could expanding digital options help us reach a more global audience? Are there emerging trends that we could leverage in our strategy?"

[end sys2]

[sys1]
To address this shift, consider a strategy that incorporates both digital-only offerings and educational campaigns about the benefits of digital solutions.
Use insights from customer feedback and current trends to guide product development.
Focus on flexibility and adaptation to cater to different customer segments.
[end sys1]


El Presidente (film)

El Presidente (English: The President; Filipino: Ang Pangulo) is a 2012 historical biopic film written and directed by Mark Meily about the life of General Emilio Aguinaldo, the first president of the Philippine Republic. The film stars Jeorge "E.R." Ejercito Estregan in the title role, along with Nora Aunor, Christopher de Leon, Cristine Reyes, and Cesar Montano.

The film was one of the official entries to the 2012 Metro Manila Film Festival and was released in theaters nationwide on December 25, 2012. Produced by Scenema Concept International, CMB Films and Viva Films, in cooperation with the San Miguel Group of Companies, Petron, Boy Scouts of the Philippines, Las Casas Filipinas de Azucar, and the Film Development Council of the Philippines, it premiered on December 18, 2012 at the SM Mall of Asia's SMX Convention Center.

Plot
The story is told in flashbacks as Emilio Aguinaldo (E.R. Ejercito) thanks the U.S. government for giving him the opportunity to attend the full restoration of Philippine independence on July 4, 1946.

The film begins with his capture by Kapampangan and U.S. forces under Frederick Funston's command in 1901, then flashes back to 1886, when an old woman gives Aguinaldo and his childhood friend Candido Tirona (Ronnie Lazaro) cryptic prophecies. Ten years later, Aguinaldo is inducted into the Katipunan by the Supremo, Andrés Bonifacio, and later assumes leadership of its Cavite chapter the Magdalo while becoming mayor of Cavite El Viejo. When trouble breaks out in Manila in late August 1896, Aguinaldo tries to assure the Spanish provincial government of non-interference and covertly marshals his forces despite a lack of weapons. Learning that the Spanish mostly put their forces in Manila, Aguinaldo finally mobilizes his troops in Cavite and takes on Spanish troops at Cavite El Viejo, Imus, and Binakayan.

As the Katipunan rebels gain ground in Cavite and several provinces, its Magdalo and Magdiwang factions convene to elect a provisional government. Bonifacio oversees the Tejeros Convention, which elects Aguinaldo as president, Mariano Trías as vice-president, and himself as interior minister. He storms out of the convention when Daniel Tirona objects to his position. Aguinaldo's brother Crispulo informs him of his accession and convinces him to leave his troops just as he was seeking to defend against the Spaniards at Pasong Santol. However without reinforcement they were overrun and Crispulo was killed. Meanwhile, an embittered Bonifacio establishes his own revolutionary government in Naic and was later arrested during his act in the village. Aguinaldo is concerned about Bonifacio's actions and wanted him exiled, but the War Council advises his execution.

Several months later, Aguinaldo leaves Cavite with most of his forces intact and makes it to Biak-na-Bato in Bulacan, where he signs the Pact of Biak-na-Bato and heads for Hong Kong. There he meets with U.S. officials who approach him with offers of support and recognition of a new Philippine republic amidst the Spanish–American War. Aguinaldo returns to the Philippines winning his military victory under the First Philippine Republic and formally declares independence from Spain. As the Malolos Congress convenes, Felipe Agoncillo tries to represent the new nation at the Treaty of Paris negotiations, but gets stonewalled at every turn even as U.S. forces gradually arrive in the Philippines.

War with the Americans breaks out in February 1899, and General Antonio Luna is appointed supreme commander of the army. He is assassinated by disgruntled troops three months ago, and the Filipino forces are gradually routed by the Americans. As a result, Aguinaldo flees to the north of Luzon. General Gregorio del Pilar volunteers to hold them off at Tirad Pass and buy Aguinaldo time. His loyal courier is later captured by the Americans while getting some medicine for his son. Now aware of Aguinaldo's hideout, Funston plans his capture.

Having been made to accept the American occupation over the Philippines, Aguinaldo lives a quiet life, which is marred by Hilaria's death in 1921. He meets and marries Agoncillo's niece Maria in 1930. Over the next few decades, the couple witness Philippine history unfold once more as he is defeated in the 1935 presidential elections, Japanese occupation, and the restoration of full independence. In 1962, an elderly Aguinaldo and his wife comfort each other over President Diosdado Macapagal's decree to restore the actual date of the Philippine declaration of independence.

As Aguinaldo lies on his bed, the same woman who gave him his prophecy appears to him one more time.

Cast

Jeorge "E.R." Ejercito Estregan as Gen. Emilio Aguinaldo
Jericho Ejercito as young Emilio Aguinaldo
Nora Aunor as Maria Agoncillo
Christopher de Leon as Gen. Antonio Luna
Cesar Montano as Andrés Bonifacio
Cristine Reyes as Hilaria Aguinaldo
Alicia Meyer as the Old Lady/Inang Bayan (Mother Land)
Ronnie Lazaro as Gen. Candido Tirona
Mav Lozano as Young Candido Tirona
Bayani Agbayani as Gen. Baldomero Aguinaldo
Gerard Ejercito as Gen. Crispulo Aguinaldo
Allan Paule as Gen. Tomás Mascardo
Emilio Garcia as Gen. Pío del Pilar
Wendell Ramos as Gen. Mariano Noriel
John Arcilla as Gen. Mariano Trías
Mike Lloren as Vicente Riego de Dios
Ian de Leon as Capt. Artemio Ricarte
Felix Roco as Gen. Gregorio del Pilar
Dindo Arroyo as Gen. Macario Sakay
Ricardo Cepeda as Col. Lucio de Vega
Lorenzo Mara as Dr. Dominador Gomez
Carlos Morales as Gen. Leon Villafuerte
Alireza Libre as Gen. Edilberto Evangelista
Richard Manabat as Ambrosio Rianzares Bautista
Gary Estrada as Comdr. Jose Tagle
Allen Dizon as Comdr. Simeón Villa
Will Devaughn as Comdr. Agapito Bonzon
Crispin Pineda as José P. Elises
Hero Bautista as Major Lazaro Macapagal
Andro Morgan as Major Eugenio
Yul Servo as Pedro Paterno
William Martinez as Dr. Santiago Barcelona
Ronnie Quizon as Apolinario Mabini
Epi Quizon as José Clemente Zulueta
Alvin Anson as Felipe Agoncillo
Lou Veloso as Julian Felipe
Sid Lucero as Gaudioso
Sunshine Cruz as Gregoria de Jesús
Joko Diaz as Procopio Bonifacio
Rommel Montano as Ciriaco Bonifacio
Archie Adamos as Luis Aguado
Soliman Cruz as Maximo Inocencio
Roi Vinzon as Lazaro Segovia
Dennis Padilla as Tal Placido
John Regala as Padre Agustin
Baron Geisler as Lt. Chacon
Ian Veneracion as Gen. Ernesto Aguirre
Tony Mabesa as Gen. Echaluche
Troy Montero as Col. Frederick Funston
James Paolleli as Gen. Arthur MacArthur
Recto Cantimbulan as Padre Cenon Villafranca
Joonee Gamboa as Amb. Felipe Buencamino
Mark Meily as Presidente ng Indang
Roldan Aquino as Maria Agoncillo's father
Gloria Sevilla as Maria Agoncillo's mother
Lariel Castro as Cecilio
Darry dela Cruz as Igorot
Elaine Lozano as Sor Gallego
Maita Ejercito as Marcela Agoncillo
Jhulia Ejercito as Lorenza Agoncillo
Leah Villalon as older Lorenza Agoncillo
Jenny Javier as Delfina Herbosa de Natividad
Maylyn Enriquez as Felicidad Aguado
Melissa Yotoko as Consuelo Almiranez
Jess Evardone as Severino de las Alas
Bearwin Meily as Benjamin San Luis
Emmanuelle Ejercito as Gregorio Jocson
Brenton Metken as Rousenville Wildman
Stra Zalkowski as Gen. Greene
Oliver Borlen as Théophile Delcassé
Allan Pérez as Governor-General Ramón Blanco
Ces Aldabe as Mariano Álvarez
Don Umali as Daniel Tirona
Arkin da Silva as Ariston Villanueva
Mario Capalad as Santiago Álvarez
Arian Labios as Pedro Girón
Jojo Gallego as Jose del Rosario
Eddie del Mar as Jacinto Lumbre
Romeo Edgar Ambrogar as Emiliano Riego de Dios
Sonny Alcantara as Pío Valenzuela
Jomar Daynt as Col. Pedro Lipana
Jun Nayra as Mariano Riego de Diós
Rogelio Aldo Yadao as Col. Paco Román
Perry Dizon as Capt. Pedro Janolino
Eric Perez as Padre Fidel de Bias
Johnny Barnes as Felipe Calderón
Roger Clarico as Legarda
Ace Mangamon as Flavio

Development
A 350-page script emerged in 1998, with the proposed film meant for the Philippines' Independence Centennial, but no production was made.

Ejercito said Meily was chosen to direct the film due to his knowledge of Aguinaldo, experience in large productions, and personal belief in him. Meily's appointment was made despite swearing never to helm a historical film again, after working on Baler in 2008. Ejercito's second choice for director was Mario O'Hara; the latter died before Ejercito made him an offer, on June 26, 2012. Ejercito ruled out picking Tikoy Aguiluz because a falling-out between them during the editing of his last film, Manila Kingpin.

Despite the existence of the 1998 script, Meily opted to create an entirely different script instead. He wanted to hire screenwriters at Ejercito's request, but volunteered to write it himself when no writers joined the project. Meily claims he tried to make the film as factually accurate as possible, and he describes the finished product as "95 percent" accurate to what really happened. Historians were on set to ensure full accuracy.

Ejercito described the film as much harder to make than Manila Kingpin because it "deals directly with our country's history." Over 50 professional actors and actresses were cast for the movie. He also described the "set, costumes, locations, and logistics" as "staggering by all Philippine cinema standards." He also claimed that it was the biggest and most expensive Filipino film ever, as the film was made on a budget of . Shooting took place over 43 days at select locations in Cavite, Laguna, and Bulacan.

Release
El Presidente, along with seven other Metro Manila Film Festival entries, was released on December 25, 2012 in 54 theaters, although it was premiered on December 18, 2012, at the SMX Convention Center at the SM Mall of Asia. It went on to gross PhP4.2 million in Metro Manila, the sixth most among MMFF films. After the film festival ended, the Metro Manila Development Authority did not release the total box office gross of the film as it was not in the top four highest grossing films. Ejercito complained that the film's low box office gross was due to rigged theater distribution, as more popular films were released in as many as 130 theaters. While all eight film festival entries were released in the same number of theaters in Metro Manila via drawing lots, theaters in the province could decide whichever movies to show.

Critical reception
The movie garnered mostly positive reviews from critics. The Philippines' Cinema Evaluation Board graded the film an A, and it has been endorsed by the government's Department of Education, the Commission on Higher Education, and the Film Development Council of the Philippines.

In a review, Phillip Cu-Unjieng of the Philippine Star said it "vividly recaptures" one of the Philippines' most turbulent periods in history by exposing the infighting among the Katipunan's members and how Aguinaldo wanted to resolve them. He noted that the film's quality makes it almost stand out as much as Richard Attenborough's Gandhi, Steven Spielberg's Lincoln, and Martin Scorsese's The Aviator. Philibert Ortiz-Dy of ClickTheCity.com, on the other hand, gave the film two and a half stars out of five, describing El Presidente as "deeply flawed as an entertainment, but there's a lot in it to like." While he did note the film was ambitious, he also stated that the "lack of focus hurts it in the end", due to its large scope.

Rommel R. Llanes of the Philippine Entertainment Portal especially praised the performances of Montano and de Leon as Bonifacio and Luna, respectively. However, he also stated that Ejercito occasionally felt like Asiong Salonga, the main character of his previous film, Manila Kingpin. Maridol Rañoa-Bismark, writing for Yahoo! Philippines, highly praised the film for "its breathtaking cinematography, well-choreographed fight scenes, haunting music and brilliant acting", but mostly for it being about the "triumph of good over evil."

Columnist and radio show host Jessica Zafra, however, was critical of the movie's treatment. She said the depiction of Bonifacio's death raised questions about its authenticity. She added that the film itself "does Emilio Aguinaldo a disservice by portraying him as a victim of circumstance" and even highlighted the "amnesia" prevalent among contemporary Filipinos.

The movie garnered the most awards at the 2012 Metro Manila Film Festival, winning the plums for Second Best Picture, Best Supporting Actor (Cesar Montano), Youth Choice Award, Best Float, Best Sound, Best Musical Score, and Best Make-up.

Awards and recognition

References

External links

Category:2012 films
Category:Biographical films about military leaders
Category:Cultural depictions of Andrés Bonifacio
Category:Cultural depictions of Apolinario Mabini
Category:Cultural depictions of Emilio Aguinaldo
Category:Films about Presidents of the Philippines
Category:Films about rebellions in the Philippines
Category:Films set during the Philippine American War
Category:Films set in the 1880s
Category:Films set in the 1890s
Category:Films set in the 1900s
Category:Films set in the 1930s
Category:Films set in the 1940s
Category:Films shot in Bulacan
Category:Films shot in Cavite
Category:Films shot in Laguna (province)
Category:Philippine biographical films
Category:Philippine films
Category:Philippine political thriller films