{"input": "Which film has the director died first, Mcguire Of The Mounted or The Man Unconquerable?", "context": "Passage 1:\nMason of the Mounted\nMason of the Mounted is a 1932 American pre-Code Western film directed by Harry L. Fraser. It was the fourth Monogram Pictures eight-film Western film series \"the Bill and Andy series\" with Bill Cody co-starring with child actor Andy Shuford.\n\nPlot\nNorth-West Mounted Police Constable Bill Mason and two other Mounties are chasing a murderer who shoots and wounds one of them. When the murderer has entered the United States, Bill Mason goes undercover to get his man and bring him back to Canada for justice.  He finds that the murderer, now calling himself Calhoun is leading a group of rustlers. Without knowing his true identity, the locals have Mason elected as the head of a vigilante committee to stop the rustling.\n\nCast\nBill Cody as Bill Mason\nAndy Shuford as Andy Talbot, Luke's Nephew\nNancy Drexel as Marion Kirby\nLeRoy Mason as Calhoun\nJack Carlyle as Luke Kirby, Marion's Father\nJames A. Marcus as Marshal\nArt Smith as R.N.W.M.P, Officer\n\nExternal links\nMason of the Mounted at IMDb\nMason of the Mounted is available for free viewing and download at the Internet Archive\nPassage 2:\nLe Masque de la M\u00e9duse\nLe masque de la M\u00e9duse (English: The Mask of Medusa) is a 2009 fantasy horror film directed by Jean Rollin. The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans. It was Rollin's final film, as the director died in 2010.\n\nCast\nSimone Rollin as la M\u00e9duse\nSabine Leno\u00ebl as Euryale\nMarl\u00e8ne Delcambre as Sth\u00e9no\nJuliette Moreau as Juliette\nDelphine Montoban as Cornelius\nJean-Pierre Bouyxou as le gardien\nBernard Charnac\u00e9 as le collectionneur\nAgn\u00e8s Pierron as la colleuse d'affiche au Grand-Guignol\nGabrielle Rollin as la petite contrebassiste\nJean Rollin as l'homme qui enterre la t\u00eate\nThomas Smith as Thomas\n\nProduction\nIt was thought that Rollin's 2007 film La nuit des horloges was the final film of his career, as he had mentioned in the past. However, in 2009, Rollin began preparation foe Le masque de la M\u00e9duse. Rollin originally directed the film as a one-hour short, which was screened at the Cin\u00e9math\u00e8que de Toulouse, but after the release, Rollin decided to add 20 minutes of additional scenes and then cut the film into two distinct parts, as he did with his first feature, Le Viol du Vampire.  The film was shot on location at the Golden Gate Aquarium and P\u00e8re Lachaise Cemetery, as well as on stage at the Theatre du Grande Guignol, which is where the longest part of the film takes place. It was shot on HD video on a low budget of \u20ac150,000. Before the release, it was transferred to 35mm film.\n\nRelease\nThe film was not released theatrically, although it premiered on 19 November 2009 at the 11th edition of the Extreme Cinema Film Festival at the Cin\u00e9math\u00e8que de Toulouse. As part of \"An Evening with Jean Rollin\", it was shown as a double feature with Rollin's 2007 film La nuit des horloges.\n\nHome media\nNo official DVD was released, although for a limited time, a DVD of La masque de la M\u00e9duse was included with the first 150 copies of Rollin's book Jean Rollin: \u00c9crits complets Volume 1.\nPassage 3:\nCode of the Mounted\nThe Code of the Mounted is a 1935 American drama film directed by Sam Newfield from a screenplay by Milton Raison.  The film stars Kermit Maynard, Robert Warwick, and Jim Thorpe.\n\nCast\nPlot\nRaoul Marlin kills a fur trapper, and is captured and imprisoned by members of the Royal Canadian Mounted Police.  Snaky, a member of his gang, kills the two Mounties guarding him, and helps him escape, but another Mountie, Jim Wilson, tracks him down and recaptures him. However, as they are making their way back to jail, more members of the gang Marlin belongs to, including the gang's leader, Jean, waylay them and free Marlin once again. Wilson and his partner, Rogers, begin tracking the gang down. The trail leads them to a general store which is owned by Duval, who is Jean's second-in-command, as well as being in love with her. Wilson hatches a plan to go undercover and impersonate a notorious thief and murderer, Benet.  When he gets to the store, he witnesses Duval kill an Indian, when the Indian refuses to sell his furs for fifty cents each. Jean tells him to get out of there, but Wilson gives her his story of being Benet, and wanting to partner with her and split the black market in the region with her. Wilson's cover is further bolstered when Rogers begins spreading a \"rumor\" around town that Wilson is Benet.  After spreading the rumor, Rogers leaves to go get more Mounties to help break up the gang. \nDuval, jealous of the attention Jean is bestowing on Wilson/Benet, as well as being upset over being shut out of their deal, begins to dig into Benet's history.  At the newspaper office, he finds out that the real Benet had been hung a short time earlier.  He takes the newspaper article to Jean, who is furious, and gathers her gang to go after Wilson. Just as they are about to hunt Wilson down, Rogers and the others Mounties arrive. Most of the gang is arrested, but Jean and Marlin escape.  Wilson takes out after the two.  As he catches up with them, Marlin gets a bead on him, but is shot and killed by Jean, who has developed feelings for Wilson. In exchange, Wilson lets Jean escape.\n\nProduction\nThis was the fifth production of a work by James Oliver Curwood starring Kermit Maynard.  It went into production on May 9, 1935, directed by Sam Neufeld.  It was scheduled for a June 8 release, and opened on time.\n\nReception\nThe Film Daily gave it a positive review, calling it an \"outdoor action story with better than usual attention to general production details\".  They complimented the scenery, Maynard's roping and riding skills, and felt it had enough action throughout, but went \"slightly overboard on dialogue and gunplay\".  The felt the direction was good, and the cinematography excellent.  In a brief review, the Motion Picture Herald gave it a lukewarm review, saying that the film was \"fair\", but the cinematography was \"excellent\", and Maynard's performance was \"well-liked\".\nPassage 4:\nQuerelle\nQuerelle is a 1982 West German-French English-language arthouse film directed by Rainer Werner Fassbinder and starring Brad Davis, adapted from French author Jean Genet's 1947 novel Querelle of Brest. It was Fassbinder's last film, released shortly after his death at the age of 37.\n\nPlot\nThe plot centers on the handsome Belgian sailor Georges Querelle, who is also a thief and murderer. When his ship, Le Vengeur, arrives in Brest, he visits the Feria, a bar and brothel for sailors run by the Madame Lysiane, whose lover, Robert, is Querelle's brother. Querelle has a love/hate relationship with his brother: when they meet at La Feria, they embrace, but also punch one another slowly and repeatedly in the belly. Lysiane's husband Nono works behind the bar and also manages La Feria's underhanded affairs with the assistance of his friend, the corrupt police captain Mario.\nQuerelle makes a deal to sell opium to Nono. During the execution of the deal, he murders his accomplice Vic by slitting his throat.  After delivering the drugs, Querelle announces that he wants to sleep with Lysiane.  He knows that this means he will have to throw dice with Nono, who has the privilege of playing a game of chance with all of her prospective lovers. If Nono loses, the suitor is allowed to proceed with his affair. If the suitor loses, however, he must submit to anal sex with Nono first, according to Nono's maxim that \"That way, I can say my wife only sleeps with arseholes.\" Querelle deliberately loses the game, allowing himself to be sodomized by Nono. When Nono gloats about Querelle's \"loss\" to Robert, who won his dice game, the brothers end up in a violent fight.  Later, Querelle becomes Lysiane's lover, and also has sex with Mario.\nLuckily for Querelle, a builder, Gil, murders his work mate Theo, who had been harassing and sexually assaulting him.  Gil hides from the police in an abandoned prison, and Roger, who is in love with Gil, establishes contact between Querelle and Gil in the hopes that Querelle can help Gil flee. Querelle falls in love with Gil, who closely resembles his brother.  Gil returns his affections, but Querelle betrays Gil by tipping off the police. Querelle cleverly arranged it so that the murder of Vic is also blamed on Gil.\nQuerelle's superior, Lieutenant Seblon, is in love with Querelle, and constantly tries to prove his manliness to him. Seblon is aware that Querelle murdered Vic, but chooses to protect him.  Later, Seblon reveals his love and concern to a drunken Querelle, and they kiss and embrace before returning to Le Vengeur.\n\nCast\nBrad Davis as Querelle\nFranco Nero as Lieutenant Seblon\nJeanne Moreau as Lysiane\nLaurent Malet as Roger Bataille\nHanno P\u00f6schl as Robert / Gil\nG\u00fcnther Kaufmann as Nono\nBurkhard Driest as Mario\nRoger Fritz as Marcellin\nDieter Schidor as Vic Rivette\nNatja Brunckhorst as Paulette\nWerner Asam as Worker\nAxel Bauer as Worker\nNeil Bell as Theo\nRobert van Ackeren as Drunken legionnaire\nWolf Gremm as Drunken legionnaire\nFrank Ripploh as Drunken legionnaire\n\nProduction\nAccording to Genet's biographer Edmund White, Querelle was originally going to be made by Werner Schroeter, with a scenario by Burkhard Driest, and produced by Dieter Schidor. However, Schidor could not find the money to finance a film by Schroeter, and therefore turned to other directors, including John Schlesinger and Sam Peckinpah, before finally settling on Fassbinder. Driest wrote a radically different script for Fassbinder, who then \"took the linear narrative and jumbled it up\". White quotes Schidor as saying \"Fassbinder did something totally different, he took the words of Genet and tried to meditate on something other than the story. The story became totally unimportant for him. He also said publicly that the story was a sort of third-rate police story that wouldn't be worth making a movie about without putting a particular moral impact into it\".Schroeter had wanted to make a black and white film with amateur actors and location shots, but Fassbinder instead shot it with professional actors in a lurid, expressionist color, and on sets in the studio. Edmund White comments that the result is a film in which, \"Everything is bathed in an artificial light and the architectural elements are all symbolic.\"\n\nSoundtrack\nJeanne Moreau \u2013 \"Each Man Kills the Things He Loves\" (music by Peer Raben, lyrics from Oscar Wilde's poem \"The Ballad of Reading Gaol\")\n\"Young and Joyful Bandit\" (Music by Peer Raben, lyrics by Jeanne Moreau)Both songs were nominated to the 1984 Razzie Awards for \"Worst Original Song\".\n\nRelease\nQuerelle sold more than 100,000 tickets in the first three weeks after its release in Paris, the first time that a film with a gay theme had achieved such success. On review aggregator Rotten Tomatoes, which categorizes reviews as positive or negative only, the film has an approval rating of 57% calculated based on 14 critics comments. By comparison, with the same opinions being calculated using a weighted arithmetic mean, the rating is 6.10/10. Writing for The New York Times critic Vincent Canby noted that Querelle was \"a mess...a detour that leads to a dead end.\"\nPenny Ashbrook calls Querelle Fassbinder's \"perfect epitaph: an intensely personal statement that is the most uncompromising portrayal of gay male sensibility to come from a major filmmaker.\" Edmund White considers Querelle the only film based on Genet's book that works, calling it \"visually as artificial and menacing as Genet's prose.\" Genet, in discussion with Schidor, said that he had not seen the film, commenting \"You can't smoke at the movies.\"\nPassage 5:\nThulasi (1987 film)\nThulasi is a 1987 Indian Tamil-language romantic drama film directed by Ameerjan. The film stars Murali and Seetha. It was released on 27 November 1987.\n\nPlot\nThirunavukarasu is considered as a God by his villagers. Nevertheless, his son Sammadham is an atheist and he doesn't believe in his father's power. Sammadham and Ponni, a low caste girl, fall in love with each other. Sammadham's best friend Siva, a low caste boy, passes the Master of Arts degree successfully. Thirunavukarasu's daughter Thulasi then develops a soft corner for Siva.\nThirunavukarasu cannot accept for his son Sammadham's marriage with Ponni due to caste difference. Sammadham then challenges him to marry her. Thirunavukarasu appoints henchmen to kill her and Ponni is found dead the next day in the water. In the meantime, Siva also falls in love with Thulasi. The rest of the story is what happens to Siva and Thulasi.\n\nCast\nMurali as Sivalingam \"Siva\"\nSeetha as Thulasi\nChandrasekhar as Sammadham\nMajor Sundarrajan as Thirunavukarasu\nSenthil\nCharle as Khan\nThara as Ponni\nMohanapriya as Sarasu\nVathiyar Raman\nA. K. Veerasamy as Kaliyappan\n\nSoundtrack\nThe music was composed by Sampath Selvam, with lyrics written by Vairamuthu.\n\nReception\nThe Indian Express gave a negative review calling it \"thwarted love\".\nPassage 6:\nRichard Stanton\nRichard Stanton (October 8, 1876 \u2013 May 22, 1956) was an American actor and director of the silent era. He appeared in 68 films between 1911 and 1916. He also directed 57 films between 1914 and 1925. He was born in Iowa and died in Los Angeles, California.\nStanton was described as a \"handsome, musical fellow\", but was also a capable pugilist, demonstrating his boxing skills to two other fighters he worked with in a film.\n\nSelected filmography\nIn the Secret Service (1913)\nThe Wasp (1915)\nGraft (1915)\nThe Yankee Way (1917)\nOne Touch of Sin (1917)\nThe Spy (1917)\nCheating the Public (1918)\nRough and Ready (1918)\nBride 13 (1920)\nThe Face at Your Window (1920)\nMcGuire of the Mounted (1923)\nAmerican Pluck (1925)\nPassage 7:\nJoseph Henabery\nJoseph Henabery (January 15, 1888 \u2013 February 18, 1976) of Omaha, Nebraska, was a film actor, screenplay writer, and director in the United States. He is best known for his portrayal of Abraham Lincoln in D.W. Griffith's controversial 1915 silent historical epic The Birth of a Nation.\n\nEarly years\nHenabery was born in Omaha and raised in Los Angeles. He began acting as an amateur in California. Before he worked in films, Henabery worked for the San Pedro, Los Angeles, Salt Lake Railroad. When he was 25 years old, he became an extra for Universal Pictures.\n\nCareer\nHenabery's acting career began in The Joke on Yellentown (1914).  From 1914 to 1917 he appeared in seventeen films, including his portrayal of Lincoln in The Birth of a Nation.\nHenabery also worked as a second-unit director on Griffith's Intolerance (1916), and supervised the filming of at least one extended sequence that appeared in the film. Henabery also acted as Admiral de Coligny in the Renaissance French portion of the film depicting the St. Bartholomew's Day massacre. Throughout the rest of his career, he worked as a director. From the mid-1920s, and after professional disagreements with both Louis B. Mayer at Metro-Goldwyn-Mayer and Adolph Zukor at Paramount Pictures, Henabery found employment as a director for smaller Hollywood studios. \nIn 1931 he joined the Vitaphone studio in New York City, where he directed dozens of short subjects for the next 10 years. Most of them were musicals and comedies, featuring a host of popular singers in 20-minute sketches. Henabery remained with Vitaphone until the New York studio closed in 1940.\nHenabery made documentaries and training films as a member of the Army Signal Corps.\n\nAs Abraham Lincoln\nAlthough Henabery's impersonation of Lincoln was a masterpiece of facial makeup, the 6'1\" (185 cm) Henabery was three inches shorter than the 6'4\" (193 cm) Lincoln. Kevin Brownlow's book The Parade's Gone By (1968) contains a photo of Henabery in costume and makeup as Lincoln, seated in a chair with planks placed on the floor under Henabery's feet so that his knees are raised several inches; this effect (with the planks kept off-camera in the movie) made Henabery's legs appear longer than they actually were.\n\nPersonal life and death\nHenabery and his wife, Lilian, had a daughter and a son. Henabery died on February 18, 1976, aged 88, at the Motion Picture Country House in Los Angeles, California.\n\nFilmography\nDirector\nActor\nThe Race War (1915) with Bessie Buskirk\nPassage 8:\nMcGuire of the Mounted\nMcGuire of the Mounted is a 1923 American crime film directed by Richard Stanton and written by George Hively. The film stars William Desmond, Louise Lorraine, Willard Louis, Vera James, J. P. Lockney, and William Lowery. The film was released on July 9, 1923, by Universal Pictures.\n\nPlot\nAs described in a film magazine, Old Andr\u00e9 Montreau (Lockney), who runs a little ferry across and down a large stream in the Canadian woods, is found seriously wounded by Bob McGuire (Desmond), a member of the Northwest Mounted Police, and an old-time friend of the guide and his daughter, Julie (Lorraine). Andre tells him that he does not know who his assailant was, but describes him as best he can. Later McGuire and Julie become engaged and the old man dies from the effects of the wounds. Bill Lusk (Louis), the proprietor of the village saloon and dance hall, is in league with Decker (Johnson), who is engaged in smuggling dope over the border. They find that McGuire is on to them and plot to make him one of them so that they can continue their traffic unhampered. Katie (James), who Decker has in his power because of certain knowledge he possesses, is forced to put some drug in McGuire's punch while he is at the ball held that night in honor of the new wife (Browne) of Major Cordwell's (Lowery), who has just arrived. When McGuire wakes the next morning, he is horror-struck to learn that he is married to Katie. Katie finally comes to love McGuire, though he can never find it in him to forget his Julie. She refuses to carry on any further with the plans of Lusk and Decker, so they plan a new way of getting McGuire. They tell Katie that he is in love with Major Cordwell's wife and are ready to prove it if she will invite her to her house. They also tell the major to be present. As they had expected, the Major comes in while McGuire and Mrs. Cordwell are in a perfectly innocent, though somewhat compromising attitude. A fight ensues and Lusk, watching from the outside, fires his gun and kills the major. McGuire is accused and runs to Julie for refuge. Running back to the hotel after seeing the major killed, Katie is made a prisoner by Lusk and Henri while they prepare to make a getaway. In her attempts to free herself Katie overturns a lamp and starts a fire which threatens to destroy the place. One of McGuire's brothers in the service is sent out to bring him in and on the way back to the village they are told that the hotel is burning and that Katie is locked in. McGuire saves the girl. She is fatally burned, however, but before dying tells who the guilty party is.\n\nCast\nPreservation\nWith no prints of McGuire of the Mounted located in any film archives, it is a lost film.\nPassage 9:\nMcKenna of the Mounted\nMcKenna of the Mounted is a 1932 American pre-Code Western film directed by D. Ross Lederman. A print is housed in the Library of Congress collection.\n\nCast\nBuck Jones as Sergeant Tom McKenna\nGreta Granstedt as Shirley Kennedy\nWalter McGrail as Inspector Oliver P. Logan\nMitchell Lewis as Henchman Pierre\nNiles Welch as Morgan\nRalph Lewis as Kennedy\nJames Flavin as Corporal Randall McKenna\nJohn Lowell as Man at Meeting\nPassage 10:\nThe Man Unconquerable\nThe Man Unconquerable is a 1922 American silent drama film directed by Joseph Henabery and written by Julien Josephson and Hamilton Smith. The film stars Jack Holt, Sylvia Breamer, Clarence Burton, Anne Schaefer, Jean De Briac, and Edwin Stevens. The film was released on July 2, 1922, by Paramount Pictures.\n\nPlot\nSilent Era describes the film as a South Seas drama.From a newspaper story of the era: \"The police force of the island in question is limited to three men of assorted uniforms and arms, who would rather do anything than face danger. Many parts of the world are no better policed and the comparative freedom from fear of punishment makes these gentry bold and aggressive. Jack Holt, in the role of Robert Kendall, shows how a man who believes that the same conditions of comparative honesty and freedom from danger obtain on the island as elsewhere, and finds himself mistaken, runs into a situation where he has to take the law into his own hands. When out in one of his boats, he provides himself with a machine gun and in one encounter with pearl pirates, sinks their schooner when they try to drive him away from his own pearl concession.\"\n\nCast\nJack Holt as Robert Kendall\nSylvia Breamer as Rita Durand\nClarence Burton as Nilsson\nAnne Schaefer as Duenna\nJean De Briac as Perrier\nEdwin Stevens as Michaels\nWillard Louis as Governor of Papeete\n\nFilming troubles\nFrom a period newspaper:\n\"Famous Plea Fruitless.\n\"Don't give up the ship.\"\nThis time this was not the appeal of the famous Perry, but Clarence Burton's instructions, and he found them difficult to carry out, especially when the ship gave him up-by sinking. Burton, together with a gang of men who took the parts of pearl divers, was in command of a pearling tug in the new Paramount picture, \"The Man Unconquerable.\" As usual, Burton was the villain. Jack Holt,\nthe star of the picture, in an armed launch gave him battle. Presently the tug commenced to sink, faster than they had intended.\n\"Stick to it!\" yelled Joseph Henabery, the director, hurrying to get the close-ups. But before he could arrive on the scene the tug had gone under. The only close-ups he secured were of Burton and his pearl divers splashing about on the surface trying to remove their clothes so that they could remain afloat. One of the deck hands on the photographer's boat stood by with a boat hook to pull\nthem out when they showed signs of going down for the third time. In order to get a good \"shot\" of the sinking boat it was necessary to drag it by chains to shallow water at high tide and repair it at low tide. For four days a crew of laborers worked at the job; then they sat disgustedly on the beach while they watched the tug towed out to sea again and resunk -this time, properly and with due regard to the fans.\"\n\nFilming locations\nBeach scenes were shot along Balboa Beach in California.", "answers": ["Mcguire Of The Mounted"], "length": 3854, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "0df95375e082998e11c14660675ca1d4d28cbf40c094fa47"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.