You are a helpful assistant generating synthetic data that captures *System 1* and *System 2* thinking, *creativity*, and *metacognitive reflection*. Follow these steps in sequence, using tags [sys1] and [end sys1] for *System 1* sections and [sys2] and [end sys2] for *System 2* sections.

1. *Identify System 1 and System 2 Thinking Requirements:*
   - Carefully read the text.
   - Identify parts of the text that require quick, straightforward responses (*System 1*). Mark these sections with [sys1] and [end sys1].
   - Identify parts that require in-depth, reflective thinking (*System 2*), marked with [sys2] and [end sys2].

2. *Apply Step-by-Step Problem Solving with Creativity and Metacognitive Reflection for System 2 Sections:*

   *2.1 Understand the Problem:*
   - Objective: Fully comprehend the issue, constraints, and relevant context.
   - Reflection: "What do I understand about this issue? What might I be overlooking?"
   - Creative Perspective: Seek hidden patterns or possibilities that could reveal deeper insights or innovative connections.

   *2.2 Analyze the Information:*
   - Objective: Break down the problem logically.
   - Reflection: "Am I considering all factors? Are there any assumptions that need challenging?"
   - Creative Perspective: Explore unique patterns or overlooked relationships in the data that could add depth to the analysis.

   *2.3 Generate Hypotheses:*
   - Objective: Propose at least 10 hypotheses, each with a Confidence Score (0.0 to 1.0) and Creative Score (0.0 to 1.0), reflecting originality, surprise, and utility.
   - Reflection: "Have I explored all possible explanations or approaches, both conventional and unconventional?"
   - Creative Perspective: Consider novel angles that might provide unexpected insights.

   *2.4 Anticipate Future Steps and Obstacles:*
   - Objective: Make predictions, accounting for potential outcomes and obstacles.
   - Reflection: "What challenges might I face? Is my plan flexible for different scenarios?"
   - Creative Perspective: Visualize unforeseen outcomes and adapt plans to make use of them effectively.

   *2.5 Evaluate Hypotheses:*
   - Objective: Assess hypotheses based on feasibility, risk, and potential impact.
   - Evaluation: Refine Confidence and Creative Scores as needed.
   - Reflection: "Am I unbiased in my assessment? Which options fit best with the overall objectives?"
   - Creative Perspective: Identify hidden opportunities or overlooked details in each hypothesis.

   *2.6 Select the Best Hypothesis:*
   - Objective: Choose the most promising, strategic hypothesis.
   - Reflection: "Why does this hypothesis stand out? How does it uniquely address the issue?"
   - Creative Perspective: Consider any underutilized potential in the selected approach.

   *2.7 Implement the Hypothesis:*
   - Objective: Outline actionable steps for testing the hypothesis.
   - Reflection: "Is this plan practical? What resources or preparation are required?"
   - Creative Perspective: Refine steps to maximize effectiveness and yield unexpected benefits.

   *2.8 Monitor and Review Progress:*
   - Objective: Review progress, noting areas for improvement.
   - Reflection: "What’s working well? What could be improved?"
   - Creative Perspective: Look for emerging patterns that could refine future approaches.

   *2.9 Reflect and Capture Insights:*
   - Objective: Summarize lessons learned and insights gained for future reference.
   - Reflection: "What new understanding has emerged from this process?"
   - Creative Perspective: Identify innovative insights or patterns that could be applied to similar challenges.

3. *Generate Text Output with Interleaved System 1 and System 2 Responses:*
   - Use the tags [sys1] and [sys2] throughout.
   - Aim for a lengthier, detailed response. Combine both direct, straightforward *System 1* insights and reflective, deeply analytical *System 2* segments to capture a blend of quick observations and thoughtful analysis.

---

### *Example Input Text:*

You are tasked with analyzing a sudden shift in customer preferences in a tech market. There has been a noticeable decline in demand for physical devices, with customers increasingly interested in digital-only options. The challenge is to understand this shift, generate hypotheses for why it might be occurring, and explore potential strategies for adapting to this new trend.

---

### *Processed Output with System 1 and System 2 Thinking:*

The tech market is experiencing a shift in customer demand, moving away from physical devices toward digital-only options.

[sys1]
Customer demand has shifted from physical devices to digital-only options.
We need to understand why this change is happening and find strategies to address it.
Key factors may include cost, convenience, and technological trends.
[end sys1]

[sys2]
**2.1 Understand the Problem:**
The goal is to understand the underlying reasons for the shift in demand from physical devices to digital-only options, then develop a strategy to adapt.

*Reflection:* 
"I understand that preferences are changing, but what might be driving this? Is it primarily cost, or are there other factors such as convenience or sustainability?"

*Creative Perspective:* 
"Could there be a larger trend in digital minimalism or a preference for eco-friendly solutions that we’re missing? What unseen motivations might explain this shift?"

**2.2 Analyze the Information:**
There are multiple possible factors driving this shift, from economic influences to cultural shifts. It’s essential to isolate each factor and understand its impact.

*Reflection:* 
"Am I fully considering the various economic and social influences? Could there be a technological factor, like better internet speeds, that makes digital-only products more accessible?"

*Creative Perspective:* 
"Are there patterns or trends in other markets that could shed light on this shift? Could this be part of a larger trend toward virtual experiences?"

**2.3 Generate Hypotheses:**
1. Customers prefer digital options due to lower costs. (Confidence: 0.8, Creative: 0.4)
2. There’s a growing trend toward minimalism and reduced physical clutter. (Confidence: 0.7, Creative: 0.7)
3. Digital products offer greater flexibility and ease of use. (Confidence: 0.6, Creative: 0.6)
4. Environmental concerns are pushing consumers away from physical goods. (Confidence: 0.6, Creative: 0.8)
5. Advances in tech make digital-only options more functional. (Confidence: 0.8, Creative: 0.5)
6. Pandemic-era remote work increased demand for digital solutions. (Confidence: 0.7, Creative: 0.6)
7. Media coverage of the environmental impact of physical devices affects preferences. (Confidence: 0.5, Creative: 0.7)
8. There’s an increase in global digital literacy, expanding market access. (Confidence: 0.6, Creative: 0.6)
9. Customers view digital as more convenient and scalable for future needs. (Confidence: 0.7, Creative: 0.5)
10. Younger consumers prefer the aesthetics and convenience of digital products. (Confidence: 0.6, Creative: 0.6)

*Reflection:* 
"Have I considered all possible influences? Are there any surprising factors that could explain this shift?"

*Creative Perspective:* 
"Could specific social trends, like the rise of influencer culture or digital-first lifestyles, be influencing customer choices?"

**2.4 Anticipate Future Steps and Obstacles:**
*Objective:* Anticipate possible challenges, such as resistance from segments still preferring physical products.

*Reflection:* 
"What market obstacles might we face if we shift our focus to digital-only? Are there sub-segments that still prioritize physical products?"

*Creative Perspective:* 
"Could expanding digital options help us reach a more global audience? Are there emerging trends that we could leverage in our strategy?"

[end sys2]

[sys1]
To address this shift, consider a strategy that incorporates both digital-only offerings and educational campaigns about the benefits of digital solutions.
Use insights from customer feedback and current trends to guide product development.
Focus on flexibility and adaptation to cater to different customer segments.
[end sys1]


Saturday, October 29, 2016

I enjoy Pinterest and get so many good ideas that I can never hope to follow up on but there is one potholder that gets "liked" on an almost daily basis:

It has come to the attention of so many people that I decided I better make this one up. It turned out not to be as easy as it looked for a variety of reasons.

The fabrics in the above color combinations were not to be found. What? It's just a polka dot fabric! After searching online and in too many stores, there is no yellow with red dots nor the aqua with white dots. I tried, really tried, but could not find it. That's alright, I can be creative and use other colors. So I get out my polka dot fabric and give it a try. Let's just say my first attempt was not a great success due to the size of the squares: they need to be two inch squares, not one inch! Then I tried two inch squares only to find I needed to use a walking foot on my sewing machine and pay very careful attention to my piecing. I finally made a good one last night so I wanted to share the steps with you.

First, I needed to cut each of the three chosen fabrics into 2.5 inch strips using a rotary cutter:

Fabric cut into 2.5" strips on the width of the fabric

Then I needed to piece the long strips together, being very careful to keep the same distance from the edge so they would be match later with less grief:

Strips sewn together before pressing

I made this up with 12 strips of fabric, pressed with all of the seams facing one direction, pressed again on the top, then cut this new piece of fabric into six strips cross-ways. Now I can stagger these strips to give it the pieced effect without having to sew each tiny square, using my Pfaff 1222 with the IDT as their version of a walking foot:

Strips staggered to see how to sew together

Six strips sewn together would give me enough new fabric for two hearts:

Strips sewn back together, pressed, and ready to cut out 2 hearts

All of the hard work is now done so I can sew this together with the layers of batting, heat reflective layer, and pockets for the back:

Back of pot holder to show pockets where you slide you fingers in

I forgot to sew the binding on with my new double layer technique but the old way worked just fine, too:

Binding sewn onto the front, ready to trim pot holder edges and sew binding to back by hand stitching

The above photos turned out pink but they are really red, black, and neon green:

Final version in red, black, and green fabrics

Here's a photo of my first two attempts with the final version, just not pink as the photo turned out:

First version with one inch square at the back, second attempt in middle with different fabrics

I like the middle version with brown, orange, and red, too, but it needed some color to make it "pop" so the green did that in the next version. Is it the same as the Pinterest heart? No, but not bad either:

Pinterest love

Final version

Good lessons learned about piecing, colorways, and how to meet the public's demand (we shall see if they sell!). I have more fabrics in polka dots and have more colorways to work with: red, white, and blue will be the next one. But right now I just need to finish up so much sewing but know I will never be ready. That's okay, the craft fair will still come and I'll take what I've got and be happy at the end of the day (like I have a choice? Ha!).

Sunday, October 23, 2016

The craft fair is only two weeks out so I pulled out some of my boxes of crafts for sale to find I really sold a lot of the hot mitts last year and needed some serious restocking. Wasn't that what I was buying all that fabric for? Right. I've been busy sewing up new hot mitts, over 40 have been cut out. But I've discovered a few things over the past five years that I wanted to share with you.

The first is the sewing machine I've been using. With so many layers, ten when I'm sewing the binding on, I will no longer use one of my good but not sturdy enough sewing machines. I've tried my Viking 1100 with a walking foot and a Pfaff 1222 with the IDT built-in walking foot and felt like I was going to run each one of these machines right into the ground. Next up was a Singer 15-91 and a 201-2 and they were not going to burn up but they were struggling even showing some skipped stitches. This time I got out the portable industrial, a Consew CP-206R:

Consew CP-206R

After getting over being afraid of it, I have been sewing through all those layers and more without any hesitation. Now, you know I'm all about the "experience" of sewing: how does it sound, how does the machine feel while sewing, even how it looks all add to this factor of "experience." All that had to go out the window when I needed to get 40 of these babies done pronto! The Consew is loud, feels clunky, and is industrial grey/white so it fails on all counts for the experience but it does sew without having to go back to resew areas and the stitches look good. She delivers so my idea about enjoying sewing goes out the window when I need superb functionality and the Consew certainly has that.

The second new thing I want to share with you is a technique that quilters have been doing for years but I'm new to this double binding effect. In the past I added the bias tape edging just like I was putting it on the edge of any cut edge using a two step process. First I would put on a single layer of the bias to the front of the item and then fold it to the back, pinning it in place, and hand sewing it on. It turned out nice but was pretty laborious, taking about 30 minutes per hot mitt.

Step one: bias strip, single fold (ripped out later)

Step two: bias strip folded over to back and pinned in place

Now I take the same bias strip and fold the long raw edges together and sew the raw edge to the edge of the mitt:

Step one: sew raw edges together

Step two: trim excess fabrics and fold over, sew in place without pins

Now it is doubled right from the start and I can fold it over to the back side of the mitt and sew in place by hand without pinning. It only takes about 15 minutes per mitt this way, providing a double edge for better wear. I think this is brilliant and thank my quilting friends for sharing this tip. Since I cut all of my own bias binding for that exact match of fabrics I need to make sure I cut it wide enough so it can fold over and cover all those layers but that's been the only real problem. Here's an array of what I'm sewing on, just to give you a flavor of the fabrics I been using:

Hot mitts in various stages of readiness

It was also another big sale week with a church garage sale and more from Goodwill Outlet:

and there is more...

Next up will be my heart pot holder that I've been experimenting with various fabrics to piece little squares. Stay tuned!

Sunday, October 16, 2016

We were in for a pleasant treat when the Textile Center in St. Paul had an off-season garage sale. This wasn't the usual extravaganza they hold every spring with their silent auction and famous $5 a bag sale at the end. It was a very pared down sale held in their own facility in their multipurpose room but was nicely done and good items and prices were to be found. Although we did have to drive around a bit to find the Center and off-street parking but that was mainly due to our own ignorance (plus I was driving, not my husband) plus there was no $4 parking fee either. I managed to find ten patterns at their famous price of $1 for all ten:

Alog with the usual little girl dress patterns (will I ever have enough?) there were a few fun summer dress patterns for myself, a Vogue wedding dress pattern dated 1999 (how could I resist?), and two vintage patterns for a total of nine. When I told my husband I was short one he found this little gem:

Sorry for the sideways view but can't edit for some reason!

I was skeptical of the sizing but when we looked at it closer I could see the sizing is the same as today with a men's large having a 16-16 1/2 neck. Women's sizing has changed all over the place but from fifty years ago men's have stayed the same? This is an interesting comment on American life, no? Here's the two vintage patterns that have me all excited:

No dates on these gems but guessing 1962?

The wrap around skirt and blouse are straight out of the early 60's and I'm sure this is the pattern I used to make my first skirt. My sister Sue might remember this one as I think she made this skirt in Home Ec. and then I made it up, including the blouse that was way over my head in skill. Check out the sizing on these patterns: size 14 that is more like a size10 or 12 today.

The fabric was also a deal with quite a few quilting cottons in zipper bags with about a yard in each for $3. Here's some of what I brought home:

There were a few knits that caught my eye:

as I think about the bottom green (really bright in person, but not in this photo) that would make up fun little girl leggings, some was swimsuit fabric (top) for those cute panties for the little girls in my life along with a cotton knit in a rather wild '80's print.

The super bargain of the day was the six yard piece of tan/khaki poplin for only $6 along with this great assortment:

I've got a thing for dots these days so I had to snatch these big ones up and the black and white plaid on the top reminds me of the cape I made for my mother-in-law that I have always coveted (maybe I will make one for me?). There were also a few cones of thread and some other random pieces of fabric that weren't close by for photos but maybe they are just shy.

My dining room table is stacked with fabric from cutting out hot mitts for the upcoming craft fair in New Brighton so I have to take care of these stacks right away or we will soon have no place to eat. I'm getting excited about sewing all of this up and even wonder how I will ever get 40 hot mitts sewn but I always seem to find a way, don't I? Happy sewing, folks!

Friday, October 14, 2016

In my rush to get the sewing machine cabinets out to the garage and while I had muscle show up to help, I traded out the standard Singer treadle for a really fancy parlor cabinet treadle. It had been in the garage for many months and I never cleaned it so now was my moment to tackle this project. Sometimes the easiest way is the best way and it proved to be true this time.

Instead of my original plan to strip off the finish with denatured alcohol, I decided to just clean it with a damp cloth. It was really dirty and much of the dullness was simply dirt. There were a few loose parts along the bottom that I can glue and nail back into place but all-in-all it did not need to be stripped to become beautiful once again. The veneer was almost gone from the waterfall section of one door so I removed the rest of it, sanded, then stained the wood that remained.

See the door on the right side? Veneer is removed!

While I was at it I dabbed a bit of stain on any of the other exposed parts that were now light wood. This was an easy fix and it looked amazing:

While the stain was drying I cleaned out the inside and tried to figure out how a Singer 66 Red Eye would fit. It could sit in the top framework but how did it "attach"? I looked online for some kind of a guide and found two videos about this type of cabinet and how they work. It works on the principle of an elevator. Say what? I kid you not, it moves up and down on a heavy duty spring. My parlor cabinet had all of the parts and the leather belt even fit the Singer 66 sitting up top.

Treadle mechanism hides behind a door on right.

Watching those videos really helped because now I could raise and lower the machine without getting hurt due to the spring action. This is so amazing!

My Singer 66 Red Eye dates to 1917

Next up is leveling the head in the opening and I thought it should have a nice coat of the Howard's Feed & Wax to bring out a glow:

Closer view of detail work that is all glued on (but real wood)

See what I mean? This is quite amazing: with only a cleaning and minor repair this parlor cabinet has returned to some of its original beauty.

What happened to the standard treadle that I put on the sale? I decided to add a Singer 306 so you can straight and zigzag stitch. I left the motor attached so it can even be used with electricity if you are into speed. It really works quite well and I almost hate to part with it but I keep telling myself you can't keep them all.

Monday, October 10, 2016

Twins do not run in my family although my daughter married a fraternal twin and my husband has twin brothers and I live in the Twin Cites in Minnesota. Yet, once again, I have twin sewing machines and it was intentional. I have been pining for another Brother Select-o-Matic because even though I love mine it looks like it's been through a war. Recently I bought a Wizard that was very similar but was disappointed in the outcome as I wrote about in We're Off to See the Wizard. They appear on ebay once in awhile but never the two-tone beauty that is mine. Imagine my surprise when I found one on my local Craigslist in exactly the same colors, with accessories, and it looked really nice. It had been posted only five hours before so I hoped no one else was looking for one. But then there was a bit of a problem: it came in a very large desk and I didn't have my vehicle for the weekend. Although I really didn't want the desk sometimes that is the thing they want to get rid of. I got the call with the happy news that I was the first caller and it wasn't a problem if I didn't want to take the desk. I was over there in a hurry. Here's my new Brother Select-o-Matic next to the first model:

Newer Brother on left and old standby on right

Yes, she is in very good shape and I need to figure out a way to make sure I can sew with her more often. But in the meantime I need to go pick up a Viking 21, a compliment to my Viking 19. So here are my next set of twins:

Viking 19 on left with Viking 21 on right

Okay, a Viking 19 and 21 aren't twins but at least they are in the same family! I like my 19 and it's doing pretty well but I need to keep running it or it gets stuck and won't perform a zigzag stitch. The Viking 21 has removable cams so it's the next step closer to the 6000 series that have been my hope and disappointment. I have a nifty collection of them that I refuse to give up because one day I will figure them out! The Viking 21e is my goal but this is close. Upon closer inspection I note it's not as pristine as the 19 and it's missing the extension table but it does run although a bit slow to start. I think this is going to be another one I should use often but crafting fair season is upon us and I will be sewing up a storm and rotating those babies on and off the sewing table.

Speaking of table, where was I going to put the Brother? The first one was in a portable case but it's one of the heaviest sewing machines I have and I feared there would come a day I would actually hurt myself when I lifted it up. Since I have so many cabinet/tables from the garage sale, maybe one of them would work. Yes, I have one but where am I going to put it? In my sewing area I have a Singer 15-90 with gingerbread decals that I've been using more as a work table and I rarely get out the Singer. I realize if I want a straight stitch sewing machine I usually go for my Singer 201 or 99 so now Miss Gingerbread is going to be sold:

Singer 15 with gingerbread decals

Her table top is really in need of refinishing but the rest of it isn't too bad so I decide to try the Howard's Restor-a-Finish. Here's the before and after:

Before: pretty scarred up

After: ooh la la!

Isn't that amazing? I finished off with their wax finish and even did the rest of it with their oily wax and it looks so much better. Watch the local CL ads for this one to appear very soon!

With the Singer 15 on the sale block there is now room for the Brother in a cabinet that opens with about 18" to the left and about 6" to the right so I can open it with ease and close when necessary:

Brother Select-o-Matic in a Singer table

It's a very beautiful day in my neighborhood and I need to get outside to enjoy this day before it goes away. I'm happy with my twin sales and now have two more sewing machines, the Brother Select-o-Matic and Singer 15 with those gingerbread decals ready for sale. I hope someone else will be as happy with those beautiful machines as I have been.

Wednesday, October 5, 2016

Post Sewing Machine Garage Sale, I'm hoping you would like to hear how everything went: number of machines on display, number sold, all those fun stories people told while looking at these wonderful marvels of engineering. I have stories, I have pre and post photos, but the statistics are not impressive. But I'm jumping to the ending and that's not fair.

As you can imagine, it took a week of set-up with both cars out of the garage, finishing up the cabinets that were in line for a final coat of polyurethane, installing sewing machine heads in empty cabinets and arranging electrical supply to strategic areas. Basically, there were straight stitch models in tables/cabinets on the perimeter, zig zag models one row in on the left, two large tables in the center with portables that were more modern, a tall table in front with five sergers, and a treadle with a Singer 306 sitting right outside of the garage to attract attention.

So many sewing machines, so little time!

Rocketeer in front with table of portable behind

There were two Martha Washington tables that sat outside of the left and my husband has a card table with his vintage and hand made jewelry on the right under the roof overhang. There were 19 cabinets and about the same number of portables on display and plugged in (or an outlet nearby) but as it turned out people came and asked to see other models and I brought another 4-6 out and I sold three of them! One person made an appointment and came the day before the sale and bought a Singer 223 in a cabinet but I included that in my numbers, too. She moved from Ohio and wanted a basic machine for mending and "whatever" so she already knew how to sew but just was out of practice. I loved that she wanted one with a cabinet and that it was gone before the sale began so I had more space.

Sally was a great help on Saturday during the middle hours and asked about what kind of machine each person was looking for while I helped others. A dear woman spend an hour and a half (by her count, not mine) trying to decide and ended up buying two machines: instead of the Pfaff 130, for the same price she got a Singer 15-91 (in less than best cosmetic shape) and a Kenmore 158-18021 with the "tower of power" accessory set. She was very happy as Sally and I were also. There was disappointment, too, when someone said she would return with her husband to buy the Elgin Rotary in a cabinet only to never come back. Sigh. She has my business card...

Table of sergers with treadle in front

Aqua New Home is now in a mid-century modern cabinet

Sara, my Elk River friend, is still trying to figure out how she can get a free arm Kenmore into a cabinet with storage space so we have post-sale been trying to find one for her. A Kenmore free arm would be a really nice addition to her sewing machine collection!

At the end of the two day sale there were only five sold (cash in hand) but another one needed a tad more work so they are returning by appointment on Wednesday night. There was also an appointment request for the Singer 221, the Featherweight, but no confirming call. Another sigh. BUT! While I had everything all set up I could take photos and work to get them posted on Craigslist and that's my job this week. Craft fairs are beckoning me to get sewing so I'm ready and I still need to get the cabinets sold before the snow flies...so little time, so many machines, but I continue to have hope for those who are looking for winter projects. Quilting anyone?

About Me

How my addiction to vintage sewing machines has grown from refurbishing, to sales, to a repair business. Come along with me as I have learned by doing, making mistakes along the way, taking and teaching classes, all for the love and sense of accomplishment in keeping these ol' gals still running. I think it might be what keeps this ol' gal running, too.