{"input": "Which film was released more recently, Morchha or The Thing About My Folks?", "context": "Passage 1:\nThe Thing About Styx\nThe Thing About Styx (German: Die Sache mit Styx) is a 1942 German comedy crime film directed by Karl Anton and starring Laura Solari, Viktor de Kowa and Margit Symo. It was based on the novel Rittmeister Styx by Georg M\u00fchlen-Schulte.\n\nCast\nLaura Solari as Julia Sander\nViktor de Kowa as Captain Styx\nMargit Symo as Ariane\nWill Dohm as Basilio\nCurt Lucas as Jules Stone\nWalter Steinbeck as Jacques Stone\nHans Leibelt as consul Sander\nHarald Paulsen as Dr. Bonnett\nTheodor Loos as Lenski\nFranz Weber as Cyrill\nWerner Scharf as Tschelebi\nFranz Zimmermann as Dodley\nKurt Seifert as Eugene\nKarl Meixner as messenger\nLeo Peukert as Duchan\nHans Stiebner as host\nLouis Ralph as packager\nWilhelm Bendow as administrator of the legation\nKurt Mikulski as opera doorman\nTheodor Vogeler as accompanist #1\nFriedrich Petermann as accompanist #2\nKarl J\u00fcstel\nAngelo Ferrari\nFranz Schafheitlin\nWalter Bechmann\nPassage 2:\nThe Wonderful World of Captain Kuhio\nThe Wonderful World of Captain Kuhio (\u30af\u30d2\u30aa\u5927\u4f50, Kuhio Taisa, lit. \"Captain Kuhio\") is a 2009 Japanese comedy-crime film, directed by Daihachi Yoshida, based on Kazumasa Yoshida's 2006 biographical novel, Kekkon Sagishi Kuhio Taisa (lit. \"Marriage swindler Captain Kuhio\"), that focuses on a real-life marriage swindler, who conned over 100 million yen (US$1.2 million) from a number of women between the 1970s and the 1990s.The film was released in Japan on 10 October 2009.\n\nCast\nMasato Sakai - Captain Kuhio\nYasuko Matsuyuki - Shinobu Nagano\nHikari Mitsushima - Haru Yasuoka\nYuko Nakamura - Michiko Sudo\nHirofumi Arai - Tatsuya Nagano\nKazuya Kojima - Koichi Takahashi\nSakura Ando - Rika Kinoshita\nMasaaki Uchino - Chief Fujiwara\nKanji Furutachi - Shigeru Kuroda\nReila Aphrodite\nSei Ando\n\nAwards\nAt the 31st Yokohama Film Festival\nBest Actor \u2013 Masato Sakai\nBest Supporting Actress \u2013 Sakura Ando\nPassage 3:\nThe Thing from Another World\nThe Thing from Another World, sometimes referred to as just The Thing, is a 1951 American black-and-white science fiction-horror film, directed by Christian Nyby, produced by Edward Lasker for Howard Hawks' Winchester Pictures Corporation, and released by RKO Radio Pictures. The film stars Margaret Sheridan, Kenneth Tobey, Robert Cornthwaite, and Douglas Spencer. James Arness plays The Thing: He is difficult to recognize in costume and makeup due to both low lighting and other effects used to obscure his features. The Thing from Another World is based on the 1938 novella \"Who Goes There?\" by John W. Campbell (writing under the pseudonym of Don A. Stuart).The film's storyline concerns a United States Air Force crew and scientists who find, frozen in the Arctic ice, a crashed flying saucer and a humanoid body nearby. Returning to their remote arctic research outpost with the body still in a block of ice, they are forced to defend themselves against the still alive and malevolent plant-based alien when it is accidentally thawed out.\n\nPlot\nIn Anchorage, journalist Ned Scott (Douglas Spencer), looking for a story, visits the officer's club of the Alaskan Air Command, where he meets Captain Pat Hendry (Kenneth Tobey), his co-pilot Lieutenant Eddie Dykes, (a friend of Scott's), and flight navigator Ken \"Mac\" MacPherson. General Fogarty orders Hendry to fly to Polar Expedition Six at the North Pole, per a request from its lead scientist, Nobel laureate Dr. Arthur Carrington (Robert Cornthwaite); Carrington has radioed that an unusual aircraft has crashed nearby. With Scott, Corporal Barnes, crew chief Bob, and a pack of sled dogs, Hendry pilots a Douglas C-47 Skytrain transport aircraft to the remote outpost.\nUpon arrival, Scott and the airmen meet radio operator Tex, Dr. Chapman, his wife Mrs. Chapman, a man named Lee, who is one of two cooks, and the Inuit dog handlers. Also present are scientists Vorhees, Stern, Redding, Stone, Laurence, Wilson, Ambrose, Auerbach, Olson, and Carrington. Hendry later rekindles his romance with Nikki Nicholson (Margaret Sheridan), Carrington's secretary. Several scientists fly with the airmen to the crash site, finding a large object buried beneath the ice. As they spread out to determine the object's shape, they realize that they are standing in a circle; they have discovered a flying saucer. The team attempts to melt the ice covering the saucer with thermite, but a violent reaction with the craft's metal alloy completely destroys it. Their Geiger counter, however, detects a frozen body buried nearby; it is excavated in a large block of ice and loaded aboard the C-47 transport. They fly out as an Arctic storm closes in on their site.\nHendry assumes command of the outpost and, pending radio instructions from General Fogarty, denies Scott permission to send out his story; he also denies the scientists' demands to examine the body. Tex sends an update to Fogarty, and the airmen settle in as the storm arrives. A watch is posted; Barnes relieves McPherson and, disturbed by the creature's appearance in the clearing ice, covers it with an electric blanket, which he does not realize is plugged in. The block slowly thaws and the creature, still alive, escapes into the storm and is attacked by the sled dogs. The airmen recover the creature's severed arm after the attack.\nThe scientists examine the arm, concluding that the alien is an advanced form of plant life. Carrington is convinced of its superiority to humans and becomes intent on communicating with it. The airmen begin a search, which leads to the outpost's greenhouse. Carrington stays behind with Vorhees, Stern, and Laurence, having noticed evidence of alien activity. They discover a third sled dog hidden away, which has had all of its blood drained; the carnivorous plant creature feeds on blood. Carrington and the scientists post a secret watch of their own, hoping to encounter the alien before the airmen find it.\nThe next morning, the airmen continue their search. Tex informs them that Fogarty is aware of their discovery and demands further information, now prevented by the fierce storm. Stern appears, badly injured, and tells the group that the creature has killed Auerbach and Olson. When the airmen investigate, the alien attacks them; they manage to barricade it inside the greenhouse. Hendry confronts Carrington and orders him to remain in his lab and quarters.\nCarrington, obsessed with the alien, shows Nicholson and the other scientists his experiment: Using seeds taken from the severed arm, he has been growing small alien plants by feeding them from the blood plasma supply at the base. Hendry finds the plasma missing when it is needed to treat Stern, which leads him to Carrington. Fogarty transmits orders to keep the creature alive, but it escapes from the greenhouse and attacks the airmen in their quarters. They douse it with buckets of kerosene and set it aflame, forcing it to retreat into the storm. After regrouping, they realize that their building's temperature is falling rapidly; the furnaces have stopped working, sabotaged by the alien. They retreat to the station's generator room to keep warm, and rig an electrical \"fly trap\". The alien continues to stalk them, but at the last moment, Carrington attempts to communicate, pleading with the creature. It knocks him aside, walks into the trap, and is electrocuted. On Hendry's order, it is reduced to a pile of ash.\nWhen the weather clears, Scotty is finally able to file his \"story of a lifetime\" by radio to a roomful of reporters in Anchorage. He ends his broadcast with a warning: \"Tell the world. Tell this to everybody, wherever they are. Watch the skies everywhere. Keep looking. Keep watching the skies...\".\n\nCast\nProduction\nIn 1950, Lederer and Hecht convinced Hawks to buy the rights to \"Who Goes There?\". The cost ended up being $1,250.In an unusual practice for the era, no actors are named during the film's dramatic \"slow burning letters through background\" opening title sequence; the cast credits appear at the end of the film. Appearing in a small role was George Fenneman, who at the time was gaining fame as Groucho Marx's announcer on the popular quiz show You Bet Your Life. Fenneman later said he had difficulty with the overlapping dialogue in the film.The film was partly shot in Glacier National Park with interior sets built at a Los Angeles ice storage plant.The scene where the alien is set aflame and repeatedly doused with kerosene was one of the first full-body fire stunts ever filmed.The film took full advantage of the national feelings in America at the time in order to help enhance the horror elements of the film's storyline. The film reflected a post-Hiroshima skepticism about science and prevailing negative views of scientists who meddle with things better left alone. In the end it is American servicemen and several sensible scientists who win the day over the alien invader.\n\nScreenplay\nThe film was loosely adapted by Charles Lederer, with uncredited rewrites from Howard Hawks and Ben Hecht, from the 1938 novella \"Who Goes There?\" by John W. Campbell. The story was first published in Astounding Science Fiction under Campbell's pseudonym, Don A. Stuart. (Campbell had just become Astounding's managing editor when his novella appeared in its pages.) Science fiction author A. E. van Vogt, who had been inspired to write from reading \"Who Goes There?\" and who had been a prolific contributor to Astounding, had wanted to write the script.The screenplay changes the fundamental nature of the alien. Lederer's \"Thing\" is a humanoid life form whose cellular structure is closer to vegetation, although it must feed on blood to survive; reporter Scott even refers to it in the film as a \"super carrot\". The internal, plant-like structure of the creature makes it impervious to bullets, but not to other destructive forces. Campbell's \"Thing\" is a life form capable of assuming the physical and mental characteristics of any living thing it encounters; this characteristic was later realized in John Carpenter's adaptation of the novella, the 1982 film The Thing.\n\nDirector\nThere is debate as to whether the film was directed by Howard Hawks, with Christian Nyby receiving the credit so that Nyby could obtain his Director's Guild membership or whether Nyby directed it with considerable input from producer Hawks for Hawks' Winchester Pictures, which released the film through RKO Radio Pictures Inc. Hawks gave Nyby only $5,460 of RKO's $50,000 director's fee and kept the rest, but Hawks always denied that he directed the film.Cast members disagree on Hawks' and Nyby's contributions: Tobey said that \"Hawks directed it, all except one scene\" while, on the other hand, Fenneman said that \"Hawks would once in a while direct, if he had an idea, but it was Chris' show\". Cornthwaite said that \"Chris always deferred to Hawks ... Maybe because he did defer to him, people misinterpreted it\".One of the film's stars, William Self, later became President of 20th Century Fox Television. In describing the production, Self said, \"Chris was the director in our eyes, but Howard was the boss in our eyes\". Although Self has said that \"Hawks was directing the picture from the sidelines\", he also has said that \"Chris would stage each scene, how to play it. But then he would go over to Howard and ask him for advice, which the actors did not hear ... Even though I was there every day, I don't think any of us can answer the question. Only Chris and Howard can answer the question\".\nAt a reunion of The Thing cast and crew members in 1982, Nyby said:\nDid Hawks direct it? That's one of the most inane and ridiculous questions I've ever heard, and people keep asking. That it was Hawks' style. Of course it was. This is a man I studied and wanted to be like. You would certainly emulate and copy the master you're sitting under, which I did. Anyway, if you're taking painting lessons from Rembrandt, you don't take the brush out of the master's hands.\n\nReception\nCritical and box office reception\nThe Thing from Another World was released in April 1951. By the end of that year, the film had accrued $1,950,000 in distributors' domestic (U.S. and Canada) rentals, making it the year's 46th biggest earner, beating all other science fiction films released that year, including The Day the Earth Stood Still and When Worlds Collide.Bosley Crowther in The New York Times observed, \"Taking a fantastic notion (or is it, really?), Mr. Hawks has developed a movie that is generous with thrills and chills\u2026Adults and children can have a lot of old-fashioned movie fun at 'The Thing', but parents should understand their children and think twice before letting them see this film if their emotions are not properly conditioned\". \"Gene\" in Variety complained that the film \"lacks genuine entertainment values\". More than 20 years after its theatrical release, science fiction editor and publisher Lester del Rey compared the film unfavorably to the source material, calling it \"just another monster epic, totally lacking in the force and tension of the original story\". Isaac Asimov thought it to be one of the worst movies he had ever seen. For his part, Campbell acknowledged that an adaptation would have to change elements from the original, which he considered too scary for most audience members, and hoped that at least the movie would succeed in getting people interested in science fiction.The film is now considered to be one of the best films of 1951 and one of the great science fiction films of the 1950s. It garnered an 86% \"Fresh\" rating at the film review aggregator website Rotten Tomatoes from 65 reviews, with the consensus that the film \"is better than most flying saucer movies, thanks to well-drawn characters and concise, tense plotting\". In 2001, the United States Library of Congress deemed the film \"culturally significant\" and selected it for preservation in the National Film Registry. Additionally, Time magazine named The Thing from Another World \"the greatest 1950s sci-fi movie\".American Film Institute lists\n\nAFI's 100 Years...100 Thrills \u2013 #87\n\nCritical analysis\nSome critics have interpreted The Thing from Another World to contain commentary on the threat of Communism in America during the Cold War. Program notes from a Cinema Texas screening of the film stated that \"The film is seen as being symbolic of McCarthyism and the fight against communism on the home front.\"\nFilm critic Roger Ebert wrote about The Thing from Another World in a 1982 review of the John Carpenter film, The Thing, stating \"The Two 1950's versions ... (The Thing from Another World and Invasion of the Body Snatchers) were seen at the time as fables based on McCarthyism; communists, like victims of The Thing, looked, sounded, and acted like your best friend, but they were infected with a deadly secret.\" Film critic Nick Schager also wrote on the films' themes, stating \"An early remark by one military official concerning the burgeoning Soviet presence in the North Pole reinforces the Thing's allegorical status as communist 'other' (one can deduce that Hendry fears the creature not only because it's emotionless and sexless, but also godless).\"\n\nRelated productions\nIn 1972, director Eugenio Mart\u00edn and producer Bernard Gordon made Horror Express, a Spanish-British co-production that serves as a second, looser adaptation of Campbell's novella.\nIn 1980, Fantasy Newsletter reported that Wilbur Stark had bought the rights to several old RKO Pictures fantasy films, intending to remake them, and suggested the most significant of these purchases was The Thing From Another World. This soon led to the making of a more faithful, though initially poorly received, adaptation of Campbell's story, directed by John Carpenter, released in 1982 under the title The Thing, with Stark as executive producer. It paid homage to the 1951 film by using the same \"slow burning letters through background\" opening title sequence. Carpenter's earlier film, Halloween (1978), also paid homage when the protagonist is shown watching The Thing from Another World on television.\nA colorized version of the original film was released in 1989 on VHS by Turner Home Entertainment; it was billed as an \"RKO Color Classic\".\n\nSee also\n1951 in film\nList of films featuring extraterrestrials\n\nNotes\nPassage 4:\nSheila Amos\nSheila Amos (July 27, 1946 \u2013 July 11, 2010) was an American film editor notable for her work on the shows Cheers and Frasier, and on the film The Thing About My Folks.\nAmos was nominated for two Primetime Emmys during her career.\n\nDeath\nAmos died on July 11, 2010, in New York City from leukaemia at the age of 63.\n\nFilmography\nThe Thing About My Folks (2005)\n\nExternal links\nSheila Amos at IMDb\nPassage 5:\nThe Thing About My Folks\nThe Thing About My Folks is a 2005 American drama film directed by Raymond De Felitta and starring  Peter Falk, Paul Reiser, and Olympia Dukakis. The screenplay by Paul Reiser focuses on the effect a terminal illness has on the marriage of an aging couple and their adult children.\n\nPlot\nWhen Muriel Kleinman unexpectedly leaves her husband Sam, their three daughters Linda, Hillary, Bonnie, and daughter-in-law Rachel set about trying to find her while Sam and his son Ben spend a day in the country inspecting property Ben and his wife are considering buying. The journey evolves into an extended road trip in a restored 1940 Ford Deluxe coupe convertible Sam buys when Ben's car crashes. As time passes, the two men fish, drink, and play pool while discussing the past and reestablishing their relationship.\nBen learns Muriel went on vacation, but after enjoying a leisurely day by herself, began to experience blackouts. The doctors give her six months to live, and Muriel and Sam begin to mend a marriage Sam never realized was deteriorating. She lives through the summer, and Ben realizes he has never seen his parents happier in his life. When Muriel dies, Sam moves in with Ben and his family, and they enjoy life together until Sam himself passes away. Ben and Rachel have another child and name him Martin Samuel Kleinman to honor his parents, whose gravestone bears the Hebrew inscription \"\u05de\u05d4 \u05e9\u05dc\u05d9 \u05e9\u05dc\u05da \u05d5\u05de\u05d4 \u05e9\u05dc\u05da \u05e9\u05dc\u05d9\" (\"What is mine is yours and what is yours is mine\"), testifying to the truly giving and compassionate relationship Ben's parents had with each other.\n\nCast\nPeter Falk as Sam Kleinman\nPaul Reiser as Ben Kleinman\nOlympia Dukakis as Muriel Kleinman\nElizabeth Perkins as Rachel Kleinman\nAnn Dowd as Linda\nKevin Cahoon as Perky Waiter\nClaire Beckman as Hillary\nMimi Lieber as Bonnie\nJerry Seinfeld as himself\n\nProduction\nThe film was shot on location in Minnesota.\nThe film premiered at the Seattle International Film Festival in June 2005 and went into limited release in the US on September 16, 2005. It grossed $235,341 on 93 screens on its opening weekend and eventually earned $816,403 in the US and $6,934 in foreign markets for a total worldwide box office of $823,337.\n\nCritical reception\nRoger Ebert of the Chicago Sun-Times observed, \"One of the nice things about my job is that I get to enjoy the good parts in movies that aren't really necessary to see. The Thing About My Folks travels familiar movie territory...but we discover once again what a warm and engaging actor Peter Falk is. I can't recommend the movie, but I can be grateful that I saw it, for Falk.\"Ned Martel of The New York Times said, \"As the crotchety paterfamilias, Peter Falk is convincingly grating, and for a few moments heroic, as he makes his character, Sam Kleinman, into someone the son need not complain about so much. Despite the grumpy, flatulent behavior the script demands of him, Mr. Falk rises above the treacly shenanigans.\"Steve Persall of the St. Petersburg Times graded the film B\u2212 and commented, \"Nothing surprises in The Thing About My Folks except how effective such timeworn material can be when the right people deliver it. The movie contains little that we haven't seen before, but charm can make anything seem a bit fresher. Most credit goes to Peter Falk . . . [who] doesn't merely carry [the film]; he bravely totes it over a mountain of clich\u00e9s like one of Hannibal's elephants . . . somehow this derivative, predictable story works, probably because of Falk's unforced determination to make that happen.\"Robert Koehler of Variety called the film \"good-natured but only memorable as a platform for the amusingly feisty Peter Falk\" and added, \"Pic belongs more to Reiser than to director Raymond De Felitta, who allows the extremely talky script to go on uncut and covers the chatter with an excess of TV-style tracking close-ups.\"\n\nAwards and nominations\nPeter Falk tied with Josh Hartnett (Lucky Number Slevin) for Best Actor honors at the Milan International Film Festival. The National Board of Review cited the film for Excellence In Filmmaking.\nPassage 6:\nMorchha\nMorchha (transliteration: Front/Position) is a 1980 film produced for Gopikrishna Global Entertainers by Rakesh and directed by Ravikant Nagaich. This action drama casts Ravi Behl, Aruna Irani, Chandrashekhar, Jagdeep, Jayshree T., Mac Mohan, Shakti Kapoor, Suresh Oberoi.\nRavi Behl made his acting debut with a smaller role in  this movie.\n\nCast\nRavi Behl\nAruna Irani\nAmmi Mahendra\nAnita\nChandrashekhar\nGanesh\nJagdeep\nJayshree T.\nMac Mohan\nKajal Kiran as Guest appearance as the dancer in \"Ab Ki Baras Bada Juliam Hua\"\nMahindram\nMala Jaggi\nPandey\nPrem Bedi\nPrem Kumar\nRammi\nShahajehan\nShakti Kapoor\nSuresh Oberoi\nThomas Lee\nVijaya Bhanu\n\nSoundtrack\nPassage 7:\nConey Island Baby (film)\nConey Island Baby is a 2003 comedy-drama in which film producer Amy Hobby made her directorial debut. Karl Geary wrote the film and Tanya Ryno was the film's producer. The music was composed by Ryan Shore. The film was shot in Sligo, Ireland, which is known locally as \"Coney Island\".\nThe film was screened at the Newport International Film Festival. Hobby won the Jury Award for \"Best First Time Director\".\nThe film made its premiere television broadcast on the Sundance Channel.\n\nPlot\nAfter spending time in New York City, Billy Hayes returns to his hometown. He wants to get back together with his ex-girlfriend and take her back to America in hopes of opening up a gas station. But everything isn't going Billy's way - the townspeople aren't happy to see him, and his ex-girlfriend is engaged and pregnant. Then, Billy runs into his old friends who are planning a scam.\n\nCast\nKarl Geary - Billy Hayes\nLaura Fraser - Bridget\nHugh O'Conor - Satchmo\nAndy Nyman - Franko\nPatrick Fitzgerald - The Duke\nTom Hickey - Mr. Hayes\nConor McDermottroe - Gerry\nDavid McEvoy - Joe\nThor McVeigh - Magician\nSinead Dolan - Julia\n\nMusic\nThe film's original score was composed by Ryan Shore.\n\nExternal links\nConey Island Baby (2006) at IMDb\nMSN - Movies: Coney Island Baby\nPassage 8:\nAll About My Father\nAll About My Father (Norwegian: Alt om min far) is a 2002 Norwegian biographical documentary film written and directed by Even Benestad. All About My Father is a personal documentary about the director's father, the famous sexologist and trans person Esben Esther Pirelli Benestad, who lives in the southern Norwegian city of Grimstad.\nThe film won the Teddy Award for best documentary at the 2002 Berlin International Film Festival, the Critics' Award at the 2002 Gothenburg Film Festival, and the Documentary Award at The Norwegian Short Film Festival in Grimstad. It also won the 2002 Amanda Award for Best Film (Norwegian). The film was well received by critics, getting five out of six points from reviewers in Aftenposten, Dagbladet, Verdens Gang and the NRK radio show Filmpolitiet.Internationally, the film was shown in several film festivals.\nPassage 9:\nThing\nThing or The Thing may refer to:\n\nPhilosophy\nAn object\nBroadly, an entity\nThing-in-itself (or noumenon), the reality that underlies perceptions, a term coined by Immanuel Kant\nThing theory,  a branch of critical theory that focuses on human\u2013object interactions in literature and culture\n\nHistory\nThing (assembly), also spelled as ting or \u00feing, a historical Germanic governing assembly\nThe Thing (listening device), a Soviet bug used during the Cold War for eavesdropping on the U.S. ambassador to the Soviet Union\nThe Thing (art project), a 1990s community-based in New York City\n\nFilm and television\nThe Thing from Another World, often referred to as The Thing, 1951 science fiction film based on the novella Who Goes There?\n The Thing (1982 film), a remake of the 1951 film, directed by John Carpenter, more closely following the original novella Who Goes There?\n The Thing (2011 film), a prequel to the 1982 film\nThing (The Addams Family), television series character that resembles a hand\n\"The Thing\", a season 4 episode of SpongeBob SquarePants\n\nComics\nThing (comics), a superhero in the Marvel Universe and member of the Fantastic Four\nThe Thing!, a 1950s comic book series from Charlton Comics\n\nMusic\nThe Thing (jazz band), a Norwegian/Swedish jazz trio formed in 2000\n The Thing (Jazz Crusaders album), a 1965 album, or the title song\n The Thing (The Thing album), a 2000 album\n\nSongs\n\"The Thing\" (song), a 1950 song, recorded by Phil Harris and others\n\"The Thing\", a B-side song on the single release of \"Velouria\" by Pixies\n\nVideo games\nThe Thing (video game), a 2002 gaming sequel to the 1982 film\nThing, term for entities in the Doom engine\n\nOther uses\nThe Thing (roadside attraction), an attraction in the U.S. state of Arizona\nVolkswagen 181, an automobile, known as the \"Thing\" in the U.S. and sold there 1973\u20131974\n\nSee also\nOur Thing (disambiguation)\nThang (disambiguation)\nThings (disambiguation)", "answers": ["The Thing About My Folks"], "length": 4234, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "9df763aa74342832d7a49aef6c3164f15a550c09968d1378"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.