Given multiple reviews about 1955 ['movie'] ['Love Me or Leave Me'], each offering insights, opinions, or criticisms on a single topic, merge them into a single, cohesive review. When reviews offer opposing viewpoints, ensure that both perspectives are represented in a balanced way. Structure the text to flow smoothly, weaving different points together to create a well-rounded summary. Ensure the text remains clear and easily understandable by removing any jokes, insider references, or quotes.Aim for a polished and engaging tone, creating a review that feels comprehensive and reflects the diversity of opinions. The text should be very long. Here the given reviews: ['A classic movie musical drama that provides more than most movie biographies. Warning: Spoilers If there ever was a movie musical that cried to be taken onto the stage, it is "Love Me or Leave Me". The sultry Ruth Etting has survived the test of time thanks to vintage footage of her performing in a variety of musical shorts and feature films, but for years, all most people knew about her was what they had seen in this movie. Five years after co-starring in the light-hearted "West Point Story", Doris Day and James Cagney were reunited for this, and there is no comparison. They exude fire in their performances as a dime a dance girl (a la "Sweet Charity" circa 1927) and a racketeer hiding behind a laundry business. Cagney encounters Day while on the job, tells her he can move her into stardom after she is fired, and at first thinking he is only a masher, she finally relents and allows him to assist her. But Cagney isn\'t doing this for nothing; His price is high, and his emotions won\'t allow her to say no. After taking her from Chicago nightclubs to the Ziegfeld Follies, their violent fights result in marriage, but predictably, happiness is not forthcoming. He is jealous of her success as well as a pianist (Cameron Mitchell) who loves her from afar, and the trapped Day feels like a fly in his web. Everything explodes when they go to Hollywood to make a movie, and real-life scandal prevails. This movie heats up like a depression era speak easy the moment it stars. You know you are not dealing with Warner Brothers Doris Day anymore; This is MGM\'s Doris, and much like the same year\'s "I\'ll Cry Tomorrow" (Susan Hayward as Lillian Roth), it gives a gritty, realistic view of what life was like for a real-life entertainer during this era. Whether crooning "Ten Cents a Dance" ("Come on Big Boy!", she sings with a very subtle shoulder shrug) or dancing to "Shakin\' the Blues Away", Day is far from the world of those Gordon MacRae musicals and even the feisty Calamnity Jane. She is solid as a rock here with her acting, and Cagney returns to the kind of role he was doing 20 years before, only grittier and with a nasty sneer overshadowing every crack he makes at her. This is not a man to be messed with. Mitchell\'s nice guy pianist isn\'t at all a one dimensional character. He stands up to Cagney, giving him all he\'s got without fear. Robert Keith, Tom Tully and Harry Bellaver are also memorable as the men who surround Etting and Marty "the Gimp" Snyder. Every detail of this musical is perfect from the costumes, hairstyles and set design, not to mention all the vintage songs that Day sings. With nostalgia all the rage on Broadway again, a musical of this could work very well with the right stars, director and production team behind it. '] Please respond to my question, and always conclude your reply with the words 'Reply finished' to indicate that your response is complete. Ensure that the text is fully formed without any placeholders such as '[Conclusion]' or '[Placeholder]'. Make sure the reply is fully contained before these words and is not cut off prematurely. Thank you.