{"input": "Are the directors of both films When Lovers Part and Ladies In Distress from the same country?", "context": "Passage 1:\nLadies in Distress\nLadies in Distress is a 1938 American drama film directed by Gus Meins and written by Dorrell McGowan and Stuart E. McGowan. The film stars Alison Skipworth, Polly Moran, Robert Livingston, Virginia Grey, Max Terhune and Berton Churchill. The film was released on June 13, 1938, by Republic Pictures.\n\nPlot\nCast\nAlison Skipworth as Josephine Bonney\nPolly Moran as Lydia Bonney\nRobert Livingston as Pete Braddock\nVirginia Grey as Sally\nMax Terhune as Dave Evans\nBerton Churchill as Fred Morgan\nLeonard Penn as Daniel J. Roman\nHorace McMahon as 2nd Thug\nAllen Vincent as Spade\nEddie Acuff as Horace\nCharles Anthony Hughes as Lieutenant\nJack Carr as Policeman\nWalter Sande as Duncan\nBilly Wayne as Brown\nPassage 2:\nKy\u014den Kobanzame\nKy\u014den Kobanzame (\u4fa0\u8276\u5c0f\u5224\u9bab, Ky\u014den Kobanzame) is a 1958 black-and-white Japanese film directed by Nobuo Nakagawa.\nThere are two parts of the film: the first part Ky\u014den Kobanzame zenpen (\u4fa0\u8276\u5c0f\u5224\u9bab\u3000\u524d\u7bc7) and the second part Ky\u014den Kobanzame k\u014dhen (\u4fa0\u8276\u5c0f\u5224\u9bab\u3000\u5f8c\u7bc7). Both parts have the same staff and the same actors.\n\nCast\nKanj\u016br\u014d Arashi (\u5d50\u5bdb\u5bff\u90ce)\nMisako Uji (\u5b87\u6cbb \u307f\u3055\u5b50)\nRy\u016bzabur\u014d Nakamura (\u4e2d\u6751\u7adc\u4e09\u90ce) - dual role\nUreo Egawa (\u6c5f\u5ddd \u5b87\u793c\u96c4)\nTomohiko \u014ctani (\u5927\u8c37\u53cb\u5f66)\nSabur\u014d Sawai (\u6ca2\u4e95\u4e09\u90ce)\nTetsur\u014d Tamba (\u4e39\u6ce2\u54f2\u90ce)\nMasao Takamatsu (\u9ad8\u677e\u653f\u96c4)\nK\u014dtar\u014d Band\u014d (\u5742\u6771\u597d\u592a\u90ce)\nFumiko Miyata (\u5bae\u7530\u6587\u5b50)\nNamiji Matsuura (\u677e\u6d66\u6d6a\u8def)\nPassage 3:\nA Damsel in Distress (1919 film)\nA Damsel in Distress is a silent romantic comedy film released in 1919, starring June Caprice and Creighton Hale. The film is based on the 1919 novel A Damsel in Distress by English humorist P. G. Wodehouse. The director was George Archainbaud. The same novel later inspired a 1937 film.\n\nPlot summary\nCast\nJune Caprice as Maud Marsh\nCreighton Hale as George Bevan\nWilliam H. Thompson as John W. Marsh\nCharlotte Granville as Mrs. Caroline Byng\nArthur Albro as Reggie Byng\nGeorge Trimble as Keggs\nKatherine Johnson as Alice Farraday\nMark Smith as Percy Marsh\n\nProduction\nThe film was directed by George Archainbaud, with Philip Masi as assistant director. The art director was Henri Menessier.\nPassage 4:\nSidney Olcott\nSidney Olcott (born John Sidney Allcott, September 20, 1872 \u2013 December 16, 1949) was a Canadian-born film producer, director, actor and screenwriter.\n\nBiography\nBorn John Sidney Allcott in Toronto, he became one of the first great directors of the motion picture business. With a desire to be an actor, a young Sidney Olcott went to New York City where he worked in the theatre until 1904 when he performed as a film actor with the Biograph Studios.\nIn 1907, Frank J. Marion and Samuel Long, with financial backing from George Kleine, formed a new motion picture company called the Kalem Company and were able to lure the increasingly successful Olcott away from Biograph. Olcott was offered the sum of ten dollars per picture and under the terms of his contract, Olcott was required to direct a minimum of one, one-reel picture of about a thousand feet every week. After making a number of very successful films for the Kalem studio, including Ben Hur (1907) with its dramatic chariot race scene, and Dr. Jekyll and Mr. Hyde (1908), Olcott became the company's president and was rewarded with one share of its stock.\nIn 1910 Sidney Olcott demonstrated his creative thinking when he made Kalem Studios the first ever to travel outside the United States to film on location.\nOf Irish ancestry, and knowing that in America there was a huge built-in Irish audience, Olcott went to Ireland where he made a film called A Lad from Old Ireland. He would go on to make more than a dozen films there and later on only the outbreak of World War I prevented him from following through with his plans to build a permanent studio in Beaufort, County Kerry, Ireland. The Irish films led to him taking a crew to Palestine in 1912 to make the first five-reel film ever, titled From the Manger to the Cross, the life story of Jesus.The film concept was at first the subject of much scepticism but when it appeared on screen, it was lauded by the public and the critics. Costing $35,000 to produce, From the Manger to the Cross earned the Kalem Company profits of almost $1 million, a staggering amount in 1912. The motion picture industry acclaimed him as its greatest director and the film influenced the direction many great filmmakers would take such as D.W. Griffith and Cecil B. DeMille. From the Manger to the Cross is still shown today to film societies and students studying early film making techniques. In 1998 the film was selected for the National Film Registry of the United States Library of Congress.\nDespite making the studio owners very rich men, they refused to increase his salary beyond the $150 a week he was then earning. From the enormous profits made for his employers, Olcott's dividend on the one share they had given him amounted to $350. As a result, Sidney Olcott resigned and took some time off, making only an occasional film until 1915 when he was encouraged by his Canadian friend Mary Pickford to join her at Famous Players\u2013Lasky, later Paramount Pictures. The Kalem Company never recovered from the mistake of losing Olcott and a few years after his departure, the operation was acquired by Vitagraph Studios in 1916.\n\nOlcott was a founding member of the East Coast chapter of the Motion Picture Directors Association, a forerunner to today's Directors Guild of America and would later serve as its president. Like the rest of the film industry, Sidney Olcott moved to Hollywood, California, where he directed many more successful and acclaimed motion pictures with the leading stars of the day.\nOlcott married actress Valentine Grant, the star of his 1916 film, The Innocent Lie.\nDuring World War II, Olcott opened his home to visiting British Commonwealth soldiers in Los Angeles. In his book titled Stardust and Shadows: Canadians in Early Hollywood, writer Charles Foster tells of this period in Olcott's life, and of how he was introduced to many members of Hollywood's Canadian community through Olcott. Olcott died in Hollywood, California, in the house of his friend Robert Vignola where he lived after the death of Valentine Grant. Wanting to be buried in Canada, he is buried in Park Lawn cemetery in Toronto, Ontario.\n\nPartial filmography\n1907\n1908\n1909\n1910\n1911\n1912\n1913\n1914\n1915\n1916\n1918\n1919\nMarriage for Convenience (1919)\n\n1920\nScratch My Back (1920)\n\n1921\nThe Right Way (1921)\nGod's Country and the Law (1921)\nPardon My French (1921)\n\n1922\nTimothy's Quest (1922)\n\n1923\nThe Green Goddess (1923)\nLittle Old New York (1923)\n\n1924\nThe Humming Bird (1924)\nMonsieur Beaucaire (1924)\nThe Only Woman (1924)\n\n1925\nSalome of the Tenements (1925)\nThe Charmer (1925)\nNot So Long Ago (1925)\nThe Best People (1925)\n\n1926\nThe White Black Sheep (1926)\nRanson's Folly (1926)\nThe Amateur Gentleman (1926)\n\n1927\nThe Claw (1927)\n\nSee also\nCanadian pioneers in early Hollywood\nPassage 5:\nWhen Lovers Part\nWhen Lovers Part is an American silent film produced by Kalem Company and directed by Sidney Olcott with Gene Gauntier, Jack J. Clark, Robert Vignola and JP McGowan in the leading roles.\nA copy is kept in the Desmet collection at Eye Film Institute (Amsterdam).\n\nPlot\nIn the Antebellum South, Nell is banned from seeing her lover by her father. They decide to elope, but their plans are thwarted by the father. When the American Civil War begins both Nell's father and former lover enlist the Confederate Army. Nell's father returns and her lover is traumatized and matured by the war, and at her father's funeral Nell finally accepts his hand in marriage.\n\nCast\nGene Gauntier - Nell\nJack J. Clark -\nRobert Vignola - Back servant\nJP McGowan - Nell's father\n\nProduction notes\nThe film was shot in Jacksonville, Florida.\nPassage 6:\nDamsels in Distress (film)\nDamsels in Distress is a 2011 American comedy-drama film written and directed by Whit Stillman and starring Greta Gerwig, Adam Brody, and Lio Tipton. It is set at a United States East Coast university. First screened at the 68th Venice International Film Festival and the Toronto International Film Festival, it opened in New York and Los Angeles on April 6, 2012.\n\nPlot\nNewly transferred college student Lily becomes friends with Violet, Heather and Rose, a clique who run the campus' suicide prevention center. They date less attractive men to help the men's confidence; they try to clean up the \"unhygenic\" Doar Dorm; they clash with the editor of the campus newspaper, The Daily Complainer, who wants to close down the \"elitist\" fraternities; and they try to start a new dance craze, The Sambola!\n\nCast\nDevelopment\nDamsels in Distress was Stillman's first produced feature since The Last Days of Disco (1998). In August 1998, he had moved from New York to Paris with his wife and two daughters. In that time, he wrote a novelization of The Last Days of Disco, in addition to several original film scripts which were not made, including one set in Jamaica in the 1960s. He resolved to make a lower-budgeted film in the style of his debut, Metropolitan (1990). In 2006, he met with Liz Glotzer and Mart Shafer at Castle Rock Entertainment, who had financed his second and third films. According to Shafer:\n\nWhit said, 'I want to write a movie about four girls in a dorm who are trying to keep things civil in an uncivil world.' It took him a year to write 23 pages. Six months later, a few more dribbled in. He just doesn't work very fast. Finally we had a draft. When we started production he said, 'I think 12 years is the right amount of time between movies.'\nCastle Rock provided most of the $3 million budget.\n\nProduction\nThe movie was filmed on location in New York City on Staten Island at the Sailors' Snug Harbor Cultural Center. Filming finished on November 5, 2010.Stillman has said that the film was cut between its festival and theatrical runs:\n\nI felt the MPAA helped us out there. I'd hoped to get a PG-13 even with the Venice cut, but in the first viewing they thought it was R. So we looked at it, the editor [Andrew Hafitz] and I, and we saw immediately some things that would make it pretty clearly PG-13, and we felt would help the movie. There could've been a little heaviness of talking a little too much about what was going on, and it would delay the laugh until later \u2013 which I think is always good. We were really happy with the small changes we made. We made tiny changes in two scenes: we took out the text for what the ALA stood for... I think it gave it a Lubitschean vagueness and delayed the laugh.\n\nMusic\nThe film features an original score by Mark Suozzo. The song \"Sambola!\" is written by Suozzo, Michael A. Levine, and Lou Christie.\n\nReception\nOn review aggregator Rotten Tomatoes, the film has an approval rating of 75% based on reviews from 143 critics. The website's critics consensus reads, \"Damsels in Distress can sometimes feel mannered and outlandish, but it's redeemed by director Whit Stillman's oddball cleverness and Greta Gerwig's dryly funny performance.\" On Metacritic, it has a score of 67% based on reviews from 33 critics.In Variety, Leslie Felperin wrote, \"a film that raises laughs even with its end credits, Whit Stillman's whimsical campus comedy Damsels in Distress is an utter delight.\" In Time, critic Richard Corliss wrote, \"Innocence deserted teen movies ages ago, but it makes a comeback, revived and romanticized, in this joyous anachronism.\" Andrew O'Hehir of Salon praised Gerwig's \"powerful and complicated performance\" and said that \"it's both a relief and a delight to discover that Stillman remains one of the funniest writers in captivity.\" He concluded, \"I laughed until I cried, and you may too (if you don't find it pointless and teeth-grindingly irritating). Either way, Whit Stillman is back at last, bringing his peculiar brand of counterprogramming refreshment to our jaded age.\" Jordan Hoffman of About.com gave the film four stars out of five, calling Gerwig \"a massive, multi-faceted talent\" and the film a \"love it or hate it movie. Personally, I think the ones who aren't charmed to pieces by its endless banter and preposterous characters very much need our help to expand their tastes and accept a more enlightened purview of what, indeed, is refined and acceptable motion picture entertainment.\"\n\nNotes\nPassage 7:\nNigel Hess\nNigel John Hess (born 22 July 1953) is a British composer, best known for his television, theatre and film soundtracks, including the theme tunes to Campion, Maigret, Wycliffe, Dangerfield, Hetty Wainthropp Investigates, Badger and Ladies in Lavender.\n\nBiography\nHess was born in Weston-super-Mare, Somerset. He was educated at Weston-super-Mare Grammar School for Boys, and went on to study music at Cambridge University, where he was Music Director of the famous Footlights Revue Company. He has since worked extensively as a composer and conductor in television, theatre and film.\nHess has composed numerous scores for both American and British television productions, including A Woman of Substance, Vanity Fair, Campion, Testament (Ivor Novello Award for Best TV Theme), Summer's Lease (Television & Radio Industries Club Award for Best TV Theme), Chimera, Titmuss Regained, Maigret, Classic Adventure, Dangerfield, Just William, Wycliffe (Royal Television Society Nomination for Best TV Theme), The One Game, Every Woman Knows a Secret, Hetty Wainthropp Investigates (Ivor Novello Award for Best TV Theme and Royal Television Society Nomination for Best TV Theme), Badger, Ballykissangel, New Tricks  and Stick With Me Kid for Disney. His best-known film score is Ladies in Lavender (Classical Brits Nomination for Best Soundtrack Composer) starring Dame Judi Dench and Dame Maggie Smith. The music has become popular worldwide, and was performed in the film by violinist Joshua Bell with the Royal Philharmonic Orchestra.\nWhile Hess was House Composer for the Royal Shakespeare Company he contributed twenty scores for RSC productions, and highlights from his Shakespeare scores have been recorded and performed by the RPO in concert as The Food of Love, hosted by Dame Judi Dench and Sir Patrick Stewart. His most recent RSC scores were for Christopher Luscombe's productions of Love's Labour's Lost and Love's Labour's Won. Hess was awarded the New York Drama Desk Award for \u2018Outstanding Music in a Play\u2019 for the productions of Much Ado About Nothing and Cyrano de Bergerac on Broadway. His most recent theatre scores have been written for Shakespeare's Globe in London and include The Merry Wives of Windsor, Romeo and Juliet, Henry VIII, The Knight of the Burning Pestle and Nell Gwynn.\nThe debut album of Hess\u2019s vocal group Chameleon (recently reissued as Saylon Dola) won the Music Retailers Association Award for Best MOR Vocal Album, with tracks from the album subsequently covered by several artists, including tenor Russell Watson.\nHess has also composed much concert music, particularly for symphonic wind band, including commissions from Royal Air Force Music Services and the Band of the Coldstream Guards. July 2007 saw the premi\u00e8re of Hess\u2019s Concerto for Piano and Orchestra (Classical Brits Nomination for Composer of the Year), commissioned by the Prince of Wales in memory of his grandmother. The soloist was internationally renowned pianist Lang Lang. Other commissions include a new ballet based on The Old Man of Lochnagar, a children\u2019s story written by the Prince of Wales in 1980, commissioned and premiered by the National Youth Ballet of Great Britain; A Christmas Overture, commissioned by John Rutter and premiered by the Royal Philharmonic Orchestra at the Royal Albert Hall, and A Celebration Overture, commissioned by the Royal Liverpool Philharmonic Orchestra for its 175th anniversary and also premiered at the Royal Albert Hall in 2015.\nHess is the great nephew of British pianist Dame Myra Hess. He named his music publishing company Myra Music in her honour.\nIn 2023, Hess was announced as one of the composers who would each create a brand new piece for the Coronation of Charles III and Camilla.\n\nNotable TV compositions\nHess's notable television compositions include\nTestament  \u2014 awarded the Ivor Novello Award for best television theme\nSummer's Lease  \u2014 awarded the Television and Radio Industries Club award for best television theme\nWycliffe  \u2014 nominated for the Royal Television Society best television theme\nHetty Wainthropp Investigates  \u2014 awarded the Ivor Novello Award for best television theme and nominated for the Royal Television Society best television theme award\nPassage 8:\nI Want Your Love (film)\nI Want Your Love is the title of both a 2010 short film and a 2012 feature-length film. Both films were directed and written by Travis Mathews. The drama films both revolve around the friends and ex-lovers of Jesse Metzger, a gay man in his mid-30s who is forced to move back to his hometown from San Francisco due to financial reasons.\nThe actors' own names, along with much of their real-life stories, were used for their characters in both films, which features graphic sexual scenes. The production of both films was aided by the gay pornographic studio NakedSword. This led to the full-length film being refused exemption from classification, which would have allowed it to screen at the Melbourne Queer Film Festival, a decision to which actor James Franco (who invited Mathews to collaborate on Franco's film Interior. Leather Bar.) reacted negatively.\n\n2010 short film\nCast\nJesse Metzger as Jesse\nBrenden Gregory as Brenden\n\nPlot\nJesse and Brenden playfully negotiate their way toward having sex together for the first time on Metzger's last night in San Francisco before he returns to the Midwest.\n\n2012 film\nCast\nJesse Metzger as Jesse a performance-arts director and the main character, who's forced to move back to his hometown\nBrontez Purnell as Brontez, a friend of Jesse, who works at a clothing shop\nBen Jasper as Ben, Jesse's ex-boyfriend, who works in advertising and stops by to say goodbye\nKeith McDonald as Keith, Jesse's friend and roommate\nWayne Bumb as Wayne\nFerrin Solano as Ferrin, Wayne's boyfriend, who moves in with Wayne\nJorge Rodolfo as Jorge, Wayne's friend, of whom Ferrin is initially jealous, but who eventually joins Wayne and Ferrin for a threesome\nPeter Knegt as Peter, Jesse's one-night standOthers; \n\nShannon O'Malley as Shannon\nCourtney Trouble as Courtney\nBob Mathews as Jesse's Dad (voice)\nJustin Time as Boy Outside of Aunt Charlie's\nMike Ojeda as Boy Outside of Aunt Charlie's\nGinno Castro as Party Person\nRyan Crowder as Party Person\n\nPlot\nJesse Metzger, a gay man in his mid-30s who works in the domain of performance arts, finds himself forced to move back to his hometown because he can no longer afford living in San Francisco. As he plans his move, his best friend Wayne is having his boyfriend Ferrin move in. The two have trouble acclimating through the movie, and Ferrin is worried about Wayne's increasing interest in Jorge, a friend of Wayne.\nJesse discusses his fears about moving with his other roommate, Keith, who seems to always help Jesse by saying the right things. Meanwhile, Jesse is having trouble with his job, which involves creativity, a quality he is losing under all the pressure. He contacts his ex-boyfriend Ben to say goodbye. Ben is excited, and goes shopping to impress Jesse, where he meets with friend Brontez. The two chat and agree to meet in a goodbye party for Jesse, which Wayne had planned for later that night. Jesse, despite having reminisced his love-making with Ben, and Ben feel good about meeting each other, but upon meeting, they both realize their feelings are gone. Later that day, Ben calls Brontez to confirm seeing him later at night in Jesse's party.\nAt the party, Jesse does not show up and stays downstairs with Keith, who is leaving for the weekend. The guests arrive. Ferrin suggests a threesome with Wayne and Jorge, to which they both agree. During the sex, Jorge leaves the two lovers. Meanwhile, Ben and Brontez flirt and eventually have sex. Downstairs, Jesse wears Keith's clothes and lays down listening to music. Keith shows up, surprising Jesse. The two chat until their sexual tension reaches the point where they have sex, which is interrupted by Jesse, who tells Keith that this \"isn't what he wants.\"\nIn the morning, Ben picks up Jesse. On their way to the airport, Jesse laughs loudly, claiming he is, despite his fears, strangely excited.\n\nProduction\nI Want Your Love is about gay relationships among a group of San Francisco friends. The short film was released in April 2010, with the cooperation of NakedSword, a gay porn studio, and proceeded to be shown at a number of LGBT film festivals around the world. The full-length film was shown at a number of LGBT film festivals in 2012.\n\nRestriction in Australia\nThe Australian Classification Board denied I Want Your Love festival exemption for the Sydney Mardi Gras Film Festival. The move has been controversial, with critics highlighting the fact that Donkey Love, a documentary about zoophilia in Colombia, was permitted to screen at the Sydney Underground Film Festival. In 2013, actor James Franco spoke out in defense of the film, stating that the refusal to grant a festival exemption to the film was \"hypocritical\" and \"an embarrassment\".\nPassage 9:\nMatt Corboy\nMatt Corboy (born June 4, 1973) is an American actor. He has appeared in both films and television series.\n\nEarly life\nCorboy was born in Honolulu, Hawaii, and grew up there, before leaving to attend Colorado State University, where he earned a degree in business.\n\nCareer\nCorboy took up acting in 1996, and has appeared in many commercials, films, and had one-time guest roles in television series. His best-known role was on The Shield, where he appeared as Officer Ray Carlson in 17 episodes. In 2011, he played Cousin Ralph in The Descendants, which received widespread critical acclaim and multiple awards including an Academy Award for Best Adapted Screenplay.\nWhile growing up in Hawaii, Corboy would play poker with his friends. His affinity for the game led to him becoming the lead commentator for the Professional Poker Tour in 2006.In mid\u20132017, Corboy was cast in the recurring character Jared Preston Jr. on the ABC soap opera General Hospital to help facilitate Rebecca Budig's character Hayden Barnes exit off of the soap.\n\nPersonal life\nCorboy has been married to Kara McNamara Corboy since August 4, 2001.\n\nFilmography\nFilm\nTelevision\nPassage 10:\nGus Meins\nGus Meins (March 6, 1893 \u2013 August 1, 1940), born Gustave Peter Ludwig Luley, was an American film director. He was born in Frankfurt, Germany.\n\nCareer\nMeins started out in the 'teens as a cartoonist for the Los Angeles Evening Herald before becoming a comedy writer for Fox Film in 1919.In the 1920s, Meins directed a number of silent short subjects film series for Universal Pictures, including the Buster Brown comedies. He is best known as senior director of Hal Roach's Our Gang comedies from 1934 to 1936, and also as director of Laurel and Hardy's Babes in Toyland (1934). His assistant director was a young Gordon Douglas, who became senior director in 1936 when Meins left Our Gang for other directing jobs at Roach. Meins left Roach in 1937 over creative differences.\n\nDeath\nIn the summer of 1940, Meins faced prosecution on \"morals charges\", having been accused of sex offenses against six youths. The director swore his innocence but stated that the case would ruin his career, regardless of the outcome. He left home on the night of Thursday, August 1 telling his son, Douglas: \"You probably won't see me again.\"\nMeins was found dead in his car on August 4, reportedly having committed suicide by inhaling carbon monoxide days earlier. Bizarrely, the circumstances of his death in a car from suffocation were reminiscent of the demise five years earlier of comedian Thelma Todd, whom he had frequently directed.\nHe was interred at Grand View Memorial Park Cemetery in Glendale, California.He was generally remembered as 'a cheerful, convivial gentleman'. His son Douglas Meins (1918\u20131987) appeared in at least seven Republic and Warner films in the late 1930s and early 1940s; he then served in the U.S. Army Corps during World War II.\n\nSelected filmography\nFeature films:\n\nBabes in Toyland (1934), starring Laurel and Hardy\nHis Exciting Night (1939)\nThe Covered Trailer (1939)ZaSu Pitts/Thelma Todd shorts:\n\nSneak Easily (1933)\nAsleep in the Feet (1933)\nMaids \u00e0 la Mode  (1933)\nOne Track Minds (1933)Thelma Todd/Patsy Kelly shorts:\n\nBeauty and the Bus (1933)\nBacks to Nature (1933)\nAir Fright (1933)\nBabes in the Goods (1934)\nSoup and Fish (1934)\nMaid in Hollywood (1934)\nI'll Be Suing You (1934)\nThree Chumps Ahead (1934)\nOne-Horse Farmers (1934)\nDone In Oil (1934)\nAn All-American Toothache (1936)\nHill-Tillies (1936)Our Gang shorts:", "answers": ["no"], "length": 4132, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "ef06eb197dec40c7fd672fcd6a3c2780917ec8c686049956"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.