Jan 23 2006 to Oct 6 2008 idents

Visuals: Depends on the ident, but they all involve a 4-letter word in the same style as the Five logo.

Later Variant: In January 2007, select idents were amended to have the Five logo itself in place of the random words.

Variants: Original set:

Fast: - There is some grayhound dogs chasing after the word "Fast" on a track.
Fear: - Someone opens a door which has a long corridor drowning forward. The word "Fear" is formed by the spirits.
Free: - In the blue sky, several white balloons are released, some of them forming the word "Free".
Hope: - At a Casino, someone throws two dice onto the board, passing by and landing at the word "Hope". Casino Chips are placed down.
Life: - We are rising the horizon, and as the lights switch on, the word "Life" is formed through them.
Live - On a rainy day, lightning strikes up in the sky, with the word "Live" being formed in the lightning.
Rush - A skydiver launches himself down from a plane, falling down near a field spelling the word "Rush".
Easy - The logo zooms out of a ladybird to see a park scene where people are relaxing, and forming the word easy.
Feel - In a car, there is a family taking a drive down the countryside. One of the woman opens out their window to see the sky with the word "Feel" formed in the clouds.
Play - Someone dives into a pool and rise out of it as someone pushes another person off an inflatable with the word "Play" printed onto it.
Risk - A person riding a horse bucks around the dirt, forming the word "Risk".

On Monday 6th October 2008, Five gets a new logo. The new on-air identity was developed by Dixon Baxi.

Nol Davis, Five’s Head of Creative Services, said “The new on-air identity reflects a constantly evolving, energetic and enthusiastic brand and tone of voice. There is real synergy on and off air which reflects a true collaboration between all our creative services and agencies.”

Carl Ratcliff, Five’s Head of Brand Strategy and Marketing, said “We feel this new work is closer to the truth of the brand. Playfulness and colour sit at the heart of this new identity.”

According to Media Week: "Five has also changed the way it runs promotions and idents around ad breaks and programmes. It has broken its usual one promotional spot between programmes into two parts called "brand bursts" and "content bursts".

The brand bursts will start rather than finish with the station's logo and then go straight into the next programme.

The content bursts are 10 seconds long and will be related to TV shows, but won't necessarily use content from them."

Idents:

Park Duel: The first ident, featuring invisible superheros fighting in the garden.

Containers Duel: The superheros are back, fighting in the by some containers.

Accordion: Shopping trolleys in a Sainsbury's car park are used as an accordion.

Gas Drums: Two cranes come in handy as drum sticks in this little ident, as gas storage tanks get used as drums.

Guitar: A busy road gets turned into a guitar, causing a crash or two.

Food Chain: Starting off with a jelly fish, but who's the top of the food chain?

Night Life: A journey where we see taxis, lights and deer.

Fly: A drawn cat tries to join the dots to finish his legs, until he swots a fly.

Sneeze: A girl has a little sneeze, and sneezes up a bouquet of flowers

Love Story: A little love story forms, cut out of the pages of a magazine.

Turf War: A story of hate, and things get a bit nasty, with explosions

Jelly World: The world appears to have turned to jelly...

Generic: A simple animated ident for before the news.

Fibre: A nice animated ident for before the news.

Color Love: Another nice animated ident for before the news.

Human Paint: Some swirly paint in another pre-news ident.

In Mid 2009, five idents took a bit of a change of direction, most of the old idents were withdrawn, with the exception of the simple animated idents (previously only used before the news). These were now joined by idents based around Five's programming, from the Gadget Show to Flash Forward. The new programme specific idents were introduced from July 2009, and by mid-August 2009 the majority of the old 'non-simple' idents were withdrawn. Write a blog post October 2009 their programming schedule has changed as well, and now looks like this from 9am to 12am (6am to 9am not counted since that's Milkshake territory), Schedule is lifted, 6pm brings back a show that defined Five years ago


The Evolution of Five: A Look Back at its On-Air Identity and Updated Programming in October 2009

It’s no exaggeration to say that Five – the channel we now know as Channel 5 – has undergone an incredible transformation over the years. One of its most notable changes was the evolution of its on-air identity, kicking off with a unique branding concept in early 2006, then culminating in a complete revamp in October 2008. With a refresh in programming and a nostalgic return of a fan-favorite show at 6pm, October 2009 marks another turning point in Five's history. Let’s take a look back at the evolution of the channel from its iconic idents to its current offerings.

2006-2008: The Era of Word Idents
The period from January 2006 to October 2008 was defined by Five's iconic “four-letter word” idents. Abstract, creative, and visually striking, these idents revolved around various themes that spelled out evocative words in the same style as the Five logo. Whether it was the excitement of greyhounds chasing the word "Fast," the beauty of white balloons forming "Free" in the blue sky, or the suspense of rolling dice revealing "Hope" on a casino table, these idents brought a cinematic flair to the channel’s branding.

Each ident offered something unique and resonated with different moods—from the thrill of "Rush" as a skydiver plummeted from a plane to the serene tranquility of "Easy," where a ladybird zoomed out to reveal a peaceful park scene. By January 2007, some of these idents were updated to feature the Five logo directly, linking the channel more closely to its adventurous spirit.

But Five wasn’t content to sit still. In October 2008, it was time for a bold change.

2008 Rebrand: Playful, Colorful, and Collaborative
On 6th October 2008, Five unveiled a fresh new look with a revamped logo and visual style. Developed by creative agency Dixon Baxi, the new branding shifted away from the simplicity of the word idents to something more dynamic.

The goal? To reflect Five’s constantly evolving and playful ethos. This vision resulted in a range of new idents, featuring quirky and imaginative scenarios such as "Accordion," where shopping trolleys in a car park acted as a musical instrument, and "Gas Drums," where industrial gas tanks became percussive instruments thanks to two cranes.

Other idents, like "Park Duel" and "Containers Duel," introduced invisible superheroes fighting playfully, and "Jelly World" playfully envisioned a world made of gelatin. The animations before the news, like "Fibre" and "Color Love," also brought sleek, modern elegance to the channel’s transitions.

With this overhaul, Five also reinvented how it presented content breaks. Instead of restricting promotions and idents to just one spot, they introduced "brand bursts" and "content bursts." This strategy brought a fresh energy to the post-break experience, making transitions between programming smoother and more engaging.

2009: Programming and a Shift in Branding
By mid-2009, Five was ready to pivot again. The lively, highly stylized idents were joined (and in many cases replaced) by programming-specific ones, making the channel more closely aligned with its content. These included nods to shows like The Gadget Show and the critically acclaimed Flash Forward. While it was bittersweet to see the iconic creative idents pulled back, this was all part of Five’s effort to streamline its brand identity and better reflect its evolving programming slate.

October 2009: A Programming Refresh and the Return of a Classic
Fast forward to October 2009. With a strong brand identity now firmly established, Five’s programming schedule underwent a refresh, and several changes shook things up. While its Milkshake! block continued to dominate early mornings from 6am to 9am with content aimed at young children, things got interesting from 9am to midnight.

Here’s how the new schedule shaped up:

9am – 12pm: Mornings featured lifestyle-based programming, including informative talk shows and consumer advice. Perfect for stirring audiences post-brekkie.

12pm – 6pm: Afternoons leaned into a mix of daytime dramas, US imports like Neighbours and Home and Away, and light entertainment programming.

6pm: Now, this is where things truly pulled at nostalgic heartstrings. At this magical time slot, Five brought back a fan-favorite show that defined its earlier years: none other than House. The medical drama, starring Hugh Laurie as the brilliant yet abrasive Dr. Gregory House, had been a massive hit for Five in the mid-2000s, and its return signaled a mixture of nostalgia and confidence in reviving staple programming.

7pm – 10pm: Prime-time gave way to dramas, documentaries, and homegrown entertainment. US imports, like CSI or NCIS, also formed core components of the evening lineup.

10pm – 12am: Finally, late-night programming reinforced Five’s commitment to edgier content. Crime documentaries, gritty dramas, and film offerings dominated the night.

A Legacy of Playfulness and Connection
Looking back, Five’s evolution from its sleek, word-based idents in 2006 to its lively, action-packed scenarios of 2008 reflected a channel determined to move with the times while entertaining audiences in fresh and exciting ways. By October 2009, the ongoing tweaks to its branding and programming signaled yet another chapter in its remarkable journey—a channel not afraid to mix nostalgia with bold new strides.

By bringing back House at 6pm, Five reminded everyone of its penchant for bringing high-quality television to UK audiences. It celebrated its past while continuing to define its future.

As the autumn days rolled into October 2009, Five was proving it wasn’t just a channel—it was an ever-evolving experience. What better way to reconnect with audiences and forge its next chapter than by being entertaining, bold, colorful, and sometimes, just a little bit playful?


Write a follow up lsiting the full schedule and every show


Five’s October 2009 Programming Schedule: A Full Breakdown
In our previous post, we covered Five’s post-rebrand identity and evolution, including the iconic revival of House at 6pm—a fan-favorite medical drama that defined much of Five’s earlier success. In this follow-up, we’ll dive into Five’s full October 2009 schedule, detailing every show and time slot across the day from 9am to 12am. For fans of daytime TV, dramas, lifestyle programming, and evening escapism, Five truly had something for everyone in autumn 2009.

Without further ado, here’s the full schedule!

Morning: 9am to 12pm
Start your day with a perfect mix of utility and escapism, featuring lifestyle magazines, consumer advice, and true-life stories.

9:00am – The Wright Stuff
Five’s flagship daytime talk show hosted by Matthew Wright. Known for its lively debates, audience interaction, and celebrity panellists, The Wright Stuff tackled current affairs, pop culture, and quirky stories that got everyone talking.

10:30am – Trisha Goddard
The queen of British daytime talk! Trisha worked cases that ranged from family disputes to personal revelations. Her empathetic yet no-nonsense approach to tackling real problems kept viewers engaged every morning.

Afternoon: 12pm to 6pm
Afternoons remain quintessential Five territory, mixing drama and light entertainment with iconic imported soaps.

12:00pm – House Doctor
Ann Maurice, the queen of home staging, helped UK homeowners transform their shabby properties into real estate gold on House Doctor. Any fan of house makeovers loved this quick, polished show.

12:30pm – Home and Away
Summer Bay’s iconic residents filled our early afternoons with drama, romance, and heartbreak. Five was the proud home of Home and Away at this time, having completely embraced its status as a UK soap staple.

1:00pm – Neighbours
Arguably the most iconic Australian soap of all time. Neighbours brought Ramsay Street to the UK every weekday, introducing memorable characters and plotlines like no other.

1:30pm – Films or Documentaries (variable programming block)
This time slot often featured a mix of lighter, feel-good TV movies or factual documentaries, perfect for unwinding midway through the day.

3:00pm – US Soap Classics (rotating slot)
Afternoons often featured imported US daytime dramas such as The Bold and the Beautiful, delivering melodrama and glamour stateside-style.

4:00pm – Quiz Shows or Repeat Dramas (variable programming)
Occasionally, this slot featured repeats of crime procedurals like Law & Order, or daytime quizzes that gave viewers a chance to solve puzzles alongside contestants.

5:00pm – Five News
Delivered with precision and clarity, Five News brought audiences the latest headlines, investigative reports, and global news.

5:30pm – Neighbours (repeat)
Missed earlier in the day? Five’s double-billing of Neighbours ensured fans could catch up on all the Ramsay Street drama before dinner.

Prime Time: 6pm to 10pm
Evenings on Five mixed nostalgia, drama, documentaries, and major US imports to keep audiences glued to their screens.

6:00pm – House
The moment of the day that House fans had been waiting for! Hugh Laurie’s brilliant but infuriating Dr. Gregory House made his grand return to Five in this time slot. Combining medical mysteries with biting sarcasm, House brought edge and intellect to early evenings.

7:00pm – The Gadget Show (Mondays only)
Technology lovers tuned in for hands-on reviews, tech gadget tests, and sometimes hilarious challenges. Hosted by Suzi Perry and co., The Gadget Show gave audiences their weekly tech fix.

7:00pm – Documentary Features (Tuesday to Friday)
On other weekdays, Five’s 7pm slot often featured documentaries. Topics varied from wildlife exploration (Extraordinary Animals) to explorations of historical and cultural phenomena (Great Crimes & Trials of the 20th Century) or lifestyle docs.

8:00pm – Crime Drama Hour (rotating dramas)
Prime time kicked into high gear with thrilling dramas. This time slot frequently swapped between fan-favorites like CSI: Miami, NCIS, or procedural classics such as Criminal Minds. Each night offered something different, appealing to fans of gripping, investigative storytelling.

9:00pm – Main Event Shows (varies night-to-night)
The jewel of Five’s programming lineup and the centerpiece of the evening schedule. At 9pm, viewers could expect a wide variety of shows throughout the week. This included:

Drama Imports, such as CSI – With its flashy storylines and big-budget production values, the CSI franchise often headlined this slot.
Documentary Features – From true crime (“The World’s Worst Serial Killers”) to gripping travelogues, this slot captivated documentary lovers.
Occasional UK Originals – On special occasions, Five introduced homegrown specials or dramas, offering a uniquely British flavor.
Late Night: 10pm to 12am
Five ended the day with edgier programming, appealing to thrill-seekers, mystery lovers, and those in the mood for late-night film escapism.

10:00pm – CSI / NCIS / The Mentalist (rotating slot)
Engrossing American dramas occupied the late-night slot. CSI, NCIS, and The Mentalist often graced this time slot, with darker and more mature storylines keeping night owls entertained.

11:00pm – Late-Night Crime Documentaries (varies nightly)
True crime lovers got their fix at 11pm with shows like The FBI Files, World’s Most Evil Killers, or Crime Scene: real-life investigative accounts of notorious criminals.

11:30pm – Movies or Repeats of Drama Hits (variable)
Rounding out the day, Five often aired either films (rotating between late-night thrillers or classics) or repeats of earlier dramas for those catching up.

Closing Thoughts
Five’s October 2009 schedule truly showcased its versatility, balancing lifestyle programming, beloved Aussie soaps, tense US dramas, and captivating documentaries. With House making a triumphant return to the 6pm slot—a throwback to the channel’s golden age—and heavy-hitters like CSI and NCIS dominating prime time, Five delivered diverse programming to satisfy every taste.

For fans of nostalgia, late-night crime documentaries, or cutting-edge tech reviews on The Gadget Show, Five cemented its reputation as a go-to channel for diverse, compelling content. Shine a spotlight on that sofa—Five’s lineup in 2009 is one we’ll always remember!


Write a conversation in Jan 2010, They are rebooting their soap


[Setting: January 2010, inside a bustling TV production office at Five’s headquarters. The creative team is seated around a large table covered in notes, scripts, and concept art. A whiteboard reads “New Soap Reboot Plan” in bold letters. Two key figures, Emily (Head of Programming) and James (Showrunner), are leading the discussion about rebooting Five’s flagship soap.]

Emily:
"Alright, everyone. Thanks for coming. Let’s get straight to it. 2010 has to be the year we bring something big to the table—something that’ll make waves and put Five right back in the spotlight. And that something is… a reboot of Lime Court."

[Murmurs of excitement ripple through the table. A few team members start jotting down notes.]

James:
"Ah, it’s good to hear Lime Court mentioned again. The original was such a moment. But let’s not kid ourselves—it didn’t last as long as we thought it would. We need to figure out how this reboot can be different, better, and more modern."

Emily:
"Exactly. The original had a strong concept—London’s Lime Court neighborhood, with its range of characters, drama, and secrets. But it lacked the punch to compete with the big soaps like EastEnders and Coronation Street. We need to give it that punch now. Current, edgy, a bit more… dangerous without alienating the core soap audience."

[Everyone nods. Sarah, the resident writer, speaks up.]

Sarah:
"If we’re talking punch, we need to rework the focus. The original leaned too heavily on safe family drama. In 2010, audiences expect more complexity. What if we introduce a high-stakes, dark central plot driving the show? Like—"

James (interrupting, intrigued):
"—A crime thread. Maybe tied to the wider Lime Court area. I like that. A good soap always needs a reason people turn up on their TVs every night. What if there’s a central mystery—a crime that kicks this whole thing off?"

Emily:
"Yes! A murder, maybe? Something that shakes Lime Court to its core. But what’s crucial is that it doesn’t just end—the mystery plays into the longer story arcs. The crime needs to unravel relationships, expose secrets, and complicate lives."

James:
"Okay, let’s say… one of the core families loses someone. Have they been killed? Is someone in the family covering it up? Or are they suspects in something bigger? We can weave these questions into everyday dramas—teen troubles, struggling businesses, illicit affairs—but this gives us that ‘hook’ audiences can’t resist."

Leo (Production Designer):
"Alright, so the crime angle is our twist—love it. But what about the setting of Lime Court itself? The neighborhood has to feel like a character, too. We’re competing with Albert Square and Weatherfield here. What makes Lime Court stand out?"

Emily:
"Good point. We’ll keep the East London vibe—we don’t need to go full urban grit, but we want realism. Lime Court should feel diverse, vibrant—and maybe a little dangerous. Think markets, street corners, industrial estates… more cinematic than before."

James:
"And what about gentrification? That’s a very modern issue. Lime Court’s being squeezed, generations who've lived there for years versus new wealthy tenants moving in. Money clashes with survival. Long-time residents resent the change. That’s a box we definitely need to tick for 2010."

Sarah:
"I’m loving this. So… we’ve got a diverse ensemble cast again, right? Family businesses, small cafés, a shady garage, maybe a new trendy wine bar run by a rich couple that just moved in? Plenty of ways to generate conflict."

Emily:
"And don’t forget modern life issues—social media, influence, isolation, mental health. These stories need to work for younger viewers as much as older ones. Maybe one of the characters is a wannabe influencer, and their social media presence causes chaos when they inadvertently post something tied to the crime?"

James:
"Perfect. That ties the older and younger generations together. But we also need an iconic character, someone larger-than-life but rooted in reality. Lime Court needs its answer to Pat Butcher, Peggy Mitchell, or Ken Barlow. An anchor."

Sarah:
"Absolutely. What about a strong matriarch figure, maybe someone running a family-owned corner shop or café? Someone who knows everyone’s secrets but has a dodgy past of their own. And of course, a big personality."

James:
"Could even turn that trope on its head. Make them an unconventional matriarch—someone a bit morally flexible, like maybe they’re laundering money on the side, or their backstory ties them to the crime we talked about earlier."

Emily:
"Love it. A twist on the usual soap staple. Alright, let’s move on to storylines—aside from the murder mystery, what everyday sagas are we building on? Each character needs something compelling."

Sarah:
"Well, we’ve got the established family—parents handling troubled teens, the business pressures of gentrification, relationships falling apart under strain. Then there’s the new, posh couple—out of touch, but not without their own skeletons. And we need young love—a turbulent romance with a big obstacle along the way."

Leo:
"And don’t forget LGBTQ+ representation. It’s 2010—we need to honor modern audiences. Not just a token storyline, either; let’s explore authentic issues, maybe tied to younger or older generations."

James:
"Totally. Let’s bring in a younger character questioning their identity. Maybe they’re caught between family tradition and this new version of Lime Court. That opens up so many avenues for drama."

Emily:
"Alright, this is coming together. Let’s break it into phases. We’ll throw our energy into a pilot story arc to sell the reboot—a three-month arc revolving around the murder mystery. If we get the tone and pacing right, audiences won’t be able to stop watching."

Sarah:
"And the title? Are we still calling it Lime Court, or… do we update that, too?"

James:
"Hmm. Lime Court has legacy and familiarity, but if we’re going for a full reboot, maybe it’s time to rethink it. Lime Close? The Limes? Or even something sharper, like Lime Edge."

Emily:
"Let’s workshop the name in the next session. What’s key today is settling on the DNA of this reboot: mystery, diversity, relationships, modern grit, and a sense of realism. We’re building the Lime Court audiences didn’t know they needed."

James:
"Exactly. Pack your notes, team. Next week, I want character pitches, pilot script drafts, and concept art for the setting. This isn’t just another soap reboot—we’re creating an East London institution. Let’s make it happen."

**[The table breaks into chatter as the team packs up. The energy in the room is electric—Five is about to make big waves in 2010 with a soap that aims to rewrite the rules.]*


Write a tweet saying it wasn't actually called Lime Court, the show began with Five in 1997 and was actually called


🚨 Correction time! The soap we’re rebooting wasn’t called Lime Court! It actually debuted on Five in 1997 and was called Family Affairs. 🏡✨ Get ready for the return of all the drama, secrets, and gripping storylines that made it unforgettable—reinvented for 2010! 📺 #FamilyAffairs #FiveTV #SoapReboot


Write a forum conversation Jan 2010, Does it get a special ident


[Setting: A fan forum for classic British TV. The thread is titled "FIVE REBOOTING FAMILY AFFAIRS - NEW IDENT??"]

SoapFanatic92:
OMG, did you guys hear the news?? Family Affairs is finally coming back!! Like, it’s one of Five’s originals from the 90s. Honestly, I didn’t think this would ever happen. But… here’s the real question: is Five going to give it a special ident? 🤔

TVNostalgiaBuff:
Wait. WAIT. They’re bringing back Family Affairs?! I thought I’d imagined that show in some fever dream or something. 😂 This is actually kinda exciting. And yeah, a special ident would be awesome. Five does love their fancy branding—remember the 2006 word idents? Maybe something super dramatic for Family Affairs?

NeighboursFan05:
YES!!! I am SO here for this revival. I used to watch Family Affairs all the time after Home and Away back in the day! I’m with you guys on the ident though—Five’s 2008 rebrand was slick, but if they're serious about this reboot, they totally need something unique, maybe tied into the whole Lime Court vibe. Like scenes of the neighborhood, or quick flashes of the characters in "drama mode." Thoughts?

EastieLegend:
I dunno… I mean, do channels really throw out special idents for soaps anymore? Especially one that’s just rebooting? Feels like Five will just stick with their generic ones and slap a trailer on top. Don’t get me wrong, I loved Family Affairs, but is it big enough to deserve an ident like EastEnders or Corrie?

SoapFanatic92:
@EastieLegend, I hear you, but this is Five we’re talking about. They LOVE a good ident refresh. And let’s not forget how iconic soaps used to be—if they’re going through the trouble of reviving it, I think they’d want to hype it up. Plus, Five has been experimenting with branding bursts lately, so why wouldn’t they go for a slick little ident just for the reboot?

PrimeTimePenny:
I think if Five’s smart, they’d use this reboot to show off their design chops. They’ve done cool stuff since the 2008 rebrand—like the Accordion and Night Life idents. Imagine something cinematic for Family Affairs! A high-drama ident with moody music, panning shots of Lime Court, and the camera stopping on a suspicious neighbor looking out their window. I’ve already given myself chills thinking about it. 😂

RetroRebootFan:
@PrimeTimePenny, love that idea! The intro should also scream “fresh but nostalgic.” Like a mix of the 90s Family Affairs flavor with a darker, modern tone. I bet they’d use lots of urban shots—streets, cafés, markets—and maybe some teasers for the new crime plot they’re hinting at. It’s got to set the vibe for the whole show and really hook people in.

TVObscura99:
For real, though, it would be such a missed opportunity if they DON’T do something bespoke for the reboot. Like, Five’s been ramping up their drama portfolio (House, CSI, NCIS)—they could use a flashy Family Affairs ident to show people they’ve got an original soap with just as much clout. I’m thinking something colorful and dramatic, but, like, rooted in gritty realism? 🏙️

LimeCourtLover:
Omg, I just got back on this forum after forever and THIS is the convo I needed. If we’re voting, I want a proper special ident for Family Affairs! Five needs to give it the same love they’ve given their other programming over the years. If they half-ass it, people will just write the reboot off before it even gets going. I’d kill for a retro throwback ident with a modern edge—swishy Five logo, lots of shadows, maybe glimpses of the key families? 😍

SoapFanatic92:
YESSSS, ALL OF THIS. Five would be shooting themselves in the foot if they didn’t go all-out branding-wise. I mean, EastEnders got its iconic drone map recently, and even Hollyoaks switches their titles up. A dynamic ident for Family Affairs would fit right in and legit remind everyone why soaps still matter. C’mon, Five—don’t let us down!

EastieLegend:
I guess I'm starting to see you guys’ point. Fine, let them go for it—I’d probably get goosebumps if it was done well. Maybe Five surprises us and makes it the centerpiece of their rebrand this year? A big soap deserves a big return.

NeighboursFan05:
If Five’s reading this right now (and let’s hope they are), WE WANT A SPECIAL IDENT. Don’t try and sneak Family Affairs 2.0 into the generic branding lineup. Give it drama, give it suspense, give it… everything we loved about 90s and 00s soaps! 🙌

PrimeTimePenny:
So we all agree? #FamilyAffairsIdent or we riot. 😎 Someone better keep their eyes on the ad breaks. Radio Times used to run previews for special idents back in the day—we should keep an eye out for news. All I’m saying is, no ident = we bombard social media. Deal? 😂

SoapFanatic92:
DEAL! Come through for us, Five! 👏 #BringBackFamilyAffairs #FamilyAffairsIdent

[The thread continues with more fans passionately discussing potential ideas for branding and story tie-ins. The hype is real—and everyone’s crossing their fingers for something memorable from Five.]


Write a follow up asking what idents are currently in use as of January, There is a specific one for Prison Break