{"input": "Do both films: A Slave Of Vanity and Grace Of My Heart have the directors from the same country?", "context": "Passage 1:\nA Slave of Vanity\nA Slave of Vanity is a 1920 American silent drama film starring Pauline Frederick, and directed and written by Henry Otto. The film, which was adapted from Arthur Wing Pinero's 1901 play Iris, was produced and distributed by the Robertson-Cole Pictures Corporation that eventually became part of Film Booking Office of America. The film is now considered lost.\n\nPlot\nIris (Frederick), a British aristocrat, must choose between the poor Laurence (Barrie) and the rich Frederick (Louis). She decides to marry the wealthier Frederick, but at the last minute she changes her mind and runs off to Italy with Laurence. However, things do not work out quite the way she planned.\n\nCast\nPauline Frederick as Iris Bellamy\nArthur Hoyt as Croker Harrington\nNigel Barrie as Laurence Trenwith\nWillard Louis as Frederick Maldonado\nMaude Louis as Fanny Sullivan\nDaisy Jefferson as Aurea Vyse\nRuth Handforth as Miss Pinsent\nHoward Gaye as Arthur Kane\n\nSee also\nList of lost films\nPassage 2:\nShape of My Heart\nShape of My Heart may refer to:\n\n\"Shape of My Heart\" (Sting song), a 1993 song by Sting from the album Ten Summoner's Tales\n\"Shape of My Heart\" (Backstreet Boys song), a 2000 song by the Backstreet Boys\n\"Shape of My Heart\" (Noah and the Whale song), 2008 song by Noah and the Whale, charting 94 in the UK\nShape of My Heart, a 2009 album by Katia Lab\u00e8que\n\"Shape of My Heart\", a 2012 single by Rick Price from The Water's Edge\nThe Shape of My Heart, the UK title of God-Shaped Hole, a 2003 novel by Tiffanie DeBartolo\nPassage 3:\nHalf of My Heart (disambiguation)\n\"Half of My Heart\" is a 2009 song by John Mayer from his album Battle Studies featuring Taylor Swift.\nHalf of My Heart may also refer to:\n\n\"Half of My Heart\", the love theme from the 1957 film Jeanne Eagels\n\"Half of My Heart\", a 1961 song by Emile Ford\n\"Half of My Heart\", a 2000 song by The Mooney Suzuki from People Get Ready\n\"Half of My Heart\", a 2019 song by Megan McKenna\nPassage 4:\nGrace of My Heart\nGrace of My Heart is a 1996 American musical comedy-drama film written and directed by Allison Anders, and starring Illeana Douglas, Matt Dillon, Eric Stoltz, Patsy Kensit and John Turturro. The film charts the fictional music career of Denise Waverly, an aspiring singer who writes for other artists in the pop music world of the mid-1960s. It premiered at the 1996 Toronto International Film Festival and went into limited release on September 13, 1996. \nThe soundtrack features artists Burt Bacharach, Elvis Costello, Joni Mitchell, Gerry Goffin and Jill Sobule, replicating the musical style that emerged from the Brill Building, New York City's  music factory in the heyday of girl groups and \"pre-fab\" acts like The Monkees.\n\nPlot\nIn 1958, Philadelphia steel heiress Edna Buxton enters and wins a talent contest. When she attempts to record a demo, a studio producer tells her that girl singers are not currently getting signed and record companies are even trying to get rid of the ones on their rosters. However, when Edna tells him that she wrote the song she wants to record, he is impressed enough to direct her to producer Joel Milner, who takes her under his wing, renames her \"Denise Waverly\" and invents a blue-collar persona for her. Milner reworks her song for a male doo-wop group, the Stylettes, as male groups are far more marketable, and the song becomes a hit.\nDenise moves to New York City and becomes a songwriter in the Brill Building. At a party, she meets the arrogant songwriter Howard Caszatt, and despite an awkward initial meeting, they begin a relationship. Denise offers to write a song specifically for her three girlfriends, which culminates in Joel auditioning the girls and creating the girl group the Luminaries. Howard and Denise also begin writing together and eventually get married and have a child. They pen a song called \u201cUnwanted Number,\u201d based on a young girl's unwanted pregnancy. Although it is banned from radio, it attracts the attention of prominent and influential disc jockey John Murray, who, despite the negative attention around the song, credits Denise with sparking the girl group craze.\nJoel recruits the beautiful English songwriter Cheryl Steed, who immediately catches Howard's eye, and initially, Denise's disdain. Cheryl diffuses Denise\u2019s suspicion by informing her that she already has a songwriting partner \u2013 her husband Matthew. Joel tasks Denise and Cheryl with writing a song for the ing\u00e9nue singer Kelly Porter. The two women bond over the realization that the young songstress is in a closeted lesbian relationship with her roommate Marion. They write the coded song \"My Secret Love\" for Kelly, which becomes a hit.\nDenise\u2019s relationship with Howard becomes strained due to his philandering with other women. When she learns she is pregnant with Howard's second baby, Cheryl convinces her to see an obstetrician, who safely performs an illegal abortion. Denise and Cheryl then become close friends and Denise eventually breaks up with Howard.\nIn 1966, Milner offers to send Denise to the studio to sing for herself. As an added incentive, he offers the production assistance of Jay Phillips, the frontman of California rock group the Riptides, to produce her single. Although initially hesitant as she says she finds the whole \"surf and turf\" sound laughable, she writes and sings the song \"God Give Me Strength\" and is delighted by Jay's skillful orchestral arrangement. The record she puts out with him, however, is a commercial failure. Between the loss suffered by her foundering single and the advent of the British Invasion, Milner's fortunes are depleted. Denise blames herself for making the song too personal and bankrupting Joel. He tells her she did more for him than she realized and that it was time for them both to move on.\nDenise and Jay become a couple and resettle in California. Jay treats Denise\u2019s daughter Luna as his own, but he is reclusive and a user of recreational drugs like marijuana and peyote. Denise has since joined forces with the newly-divorced Cheryl to write songs for a bubblegum pop TV show, Where the Action Is, though Jay insists to Denise that writing music for TV is beneath her.\nJay's behavior becomes more erratic and he becomes increasingly paranoid, causing his bandmates to distance themselves from him. He falls into a period of deep depression that seemingly abates after a visit from his friend \"Jonesy\", who reminds him of the things that are important in his life, including his \"groovy new old lady\", Denise.\nThinking that the worst is over, Denise invites Jay to join her and Cheryl at the Whisky a Go Go to see Doris, a former Luminary member who embarked on a solo career after the girl group broke up, perform. Jay declines, saying he has a song idea he wants to explore, so Denise ends up going with Cheryl. While the women celebrate, Jay is revealed to be still in the throes of his depression; having put on a brave face for Denise's benefit. He walks into the ocean, taking his own life. Denise is further distraught to discover that Jay's fans blame her for not intervening in his death.\nNumbed by the loss, Denise retires with her family to a hippie commune in northern California and tries to make sense of everything that has happened. Some time later, Joel visits Denise at the commune and takes her and the children to dinner. That night, he criticizes how far down she's allowed her grieving to take her and says that it's destroying her and her talent. Denise angrily lashes out, telling Milner that he'd be nothing without her success. He agrees; however, the more he agrees with her, the angrier she becomes. She strikes him then collapses in tears, grieving for Jay. Milner consoles her and the two are reconciled.\nWith Joel's help, Denise creates the platinum-selling work \"Grace of My Heart\". As she lays down the piano track for the song, her life is recounted in pictures, leading to the moment when her own mother receives a copy of her album in the mail with a handwritten note. Seemingly proud of her daughter's success, she smiles.\n\nCast\nProduction\nThe story is loosely based on the career arc of singer-songwriter Carole King, who, like Denise, started out writing songs in the Brill Building for artists like Aretha Franklin, The Drifters, and Little Eva. The character Jay Phillips is loosely modeled on Brian Wilson of The Beach Boys.Allison Anders said she was inspired to make the film as a fan of the girl group The Shangri-Las. She was also inspired by the Alan Betrock book Girl Groups: The Story of A Sound, which contained photos of \"Carole King and Gerry Goffin then others like Cynthia Weil and Barry Mann...it was interesting to read what Alan had to say about what that time was like back then and how they were all really just kids when they had been a part of that.\"Martin Scorsese is credited as Grace of My Heart's executive producer, and the film is co-edited by Scorsese\u2019s longtime editor Thelma Schoonmaker.\n\nReception\nRelease\nGrace of My Heart debuted at the Toronto International Film Festival on September 8, 1996. It was theatrically released a few days later on September 13, 1996, just weeks ahead of Oscar-winning actor Tom Hanks' directorial debut That Thing You Do!, which also covered the early to mid-1960s pop music scene and featured original, retro-styled songs on the soundtrack. Grace of My Heart grossed $660,313 worldwide.\n\nCritical response\nOn the review aggregator website Rotten Tomatoes, 79% of 28 critics' reviews are positive, with an average rating of 6.9/10.David Ansen of Newsweek praised the film and wrote while it \"is not the smoothest trip\" story-wise, \"Anders's rough edges are more than offset by the story's contagious vitality...Denise's funky journey to self-discovery is a fresh feminist take on an era that has always been seen through men's eyes. It may not be precision-tooled, but it's triumphantly alive.\"Time Out wrote, \"There's a lovely sequence about a third of the way into Anders' delightful movie which follows a song from conception - the street scene that inspires it - through the writing, to the recording session. This seamlessly edited passage swings like the snappy '60s girl pop it emulates. Like the film as a whole, it works as a musical in its own right, and as history and critique of the pop process.\"\nCritics roundly praised the film's music, particularly the Brill Building scenes, and lauded the film's approach of pairing popular songwriters of the 1960s with contemporary artists. Mark Caro of the Chicago Tribune wrote:What Anders captures is the feel of the time: the nervous thrill of singing a song you love; the sanctified atmosphere of a recording studio, with red padded walls that match the singer's lipstick and a slit of a window that reveals a live bassist; the songwriter's excitement in realizing that songs can be about people's actual lives and still be commercial; the breathlessness of keeping up with an industry that may love a cappella vocal groups one day and rock bands the next.Criticism centered on the film's shift of the action from New York City to California to center on Denise's relationship with Jay, with many arguing it is where the story loses focus. Roger Ebert praised the music and Douglas' performance, but said Anders tries to cover too much ground and would have liked a less condensed story.In a 2020 episode of his podcast Kermode on Film, film critic Mark Kermode named Grace of My Heart number one on his countdown of the top five most underrated films of all time. Jim Hemphill of Filmmaker wrote the film \"feels both completely of the period in which it takes place and like something that could only have been made in the mid-1990s, an age when the American independent film movement and the studio system intersected in a way that allowed auteurs like Anders to broaden their ambitions and expand their canvasses.\"\n\nMusic\nActress Douglas\u2019 singing voice is dubbed by singer Kristen Vigard, while the fictional Luminaries are dubbed by girl group For Real.In the beginning, Edna/Denise performs a version of \"Hey There\", from the musical The Pajama Game, and popularized by singers such as Rosemary Clooney. Another of Denise's big musical moments occurs in the studio to sing tracks for \"God Give Me Strength\", an expensively produced single that fails to generate excitement on the charts, alluding to Phil Spector's recording of \"River Deep \u2013 Mountain High\" for Tina Turner (written by Spector, Ellie Greenwich and Jeff Barry). Singer Elvis Costello, who co-wrote \"God Give Me Strength\" with Burt Bacharach for the film, also wrote \"Unwanted Number\", which is crafted by Denise and Cazsatt for the Luminaries and causes a scandal due to its story of a young, unmarried mother.Singer-composer Lesley Gore co-wrote the song \"My Secret Love\", performed by the character of young singer Kelly Porter. Gore chose not to be credited as a co-writer because she felt she'd \"been brought in too late for a real collaboration\" and was not invited to the film's New York City premiere, a logistical oversight Anders regretted.\n\nSoundtrack\nThe soundtrack was released in September 1996 by MCA Records. It was produced by Larry Klein, Joni Mitchell's former husband and producer. Klein contributed to the writing of several songs on the soundtrack and appears briefly in the movie as a recording engineer. \nJoni Mitchell contributed the song \"Man from Mars\", which is performed by Vigard as heard in the fillm. The soundtrack's initial pressing of 40,000 CD copies contained a version featuring Mitchell's vocals instead of Vigard's. This CD was recalled and re-released a week later with Vigard's vocal restored. Mitchell later re-recorded the song with different-styled music for her 1998 album Taming the Tiger.\n\nOther songs\nSeveral songs did not make the album soundtrack, such as both of Vigard's renditions of \"Hey There\"\u2014the contest version and the polished demo. Her version of \"In Another World\" is swapped out for the fictional Stylettes' rendition (via Portrait). Vigard's \"God Give Me Strength\" is also swapped for the Costello/Bacharach version. \"A Wave Dies\", written and performed by Andrew Allen-King and produced by Klein, was also not included in the final cut. The Williams Brothers perform two songs, \"Heartbreak Kid\" and \"Love Doesn't Ever Fail Us\", but only the latter is on the album.\n\nHome media\nGrace of My Heart was released as a Blu-ray Collector\u2019s Edition by Scorpion Releasing on November 17, 2020. The Blu-ray includes an audio commentary by Anders and a making-of featurette.\nPassage 5:\nPiece of My Heart (disambiguation)\n\"Piece of My Heart\" is a song written by Jerry Ragovoy and Bert Berns, best known through performances by Janis Joplin.\nPiece of My Heart may also refer to:\n\nFilm and television\nPiece of My Heart (film), a 2009 New Zealand film\nA Piece of My Heart (film), a 2019 Swedish film\n\"Piece of My Heart\" (Grey's Anatomy), a television episode\n\nLiterature\nPiece of My Heart (novel), a 2006 Inspector Banks novel by Peter Robinson\nPiece of My Heart, a 2020 Under Suspicion novel by Mary Higgins Clark and Alafair Burke\nA Piece of My Heart, a 1976 novel by Richard Ford\n\nMusic\n\"Piece of My Heart\" (Intermission song), 1993\n\"Piece of My Heart\" (Tara Kemp song), 1991\nPiece of My Heart, a 1996 album by Faith Hill\n\"A Piece of My Heart\", a song by Gang of Four from Hard\nPiece of My Heart: The Bert Berns Story, a 2014 jukebox musical\nPassage 6:\nKing of My Heart\nKing of My Heart may refer to:\n\n\"King of My Heart\", a song by Taylor Swift from Reputation (2017)\n\"King of My Heart\", a song by Tara Dettman from Sea to Sea: I See the Cross (2005)\n\"King of My Heart\", a song by Bethel Music from Starlight (2017)\n\"King of My Heart\", a song by Leeland from Invisible (2016)\n\"King of My Heart\", a song from the 2007 London revival of Joseph and the Amazing Technicolor Dreamcoat\n\"King of My Heart\", a song by Melba Moore from Read My Lips (1985)\nPassage 7:\nBurden of My Heart\nBurden of My Heart (Syd\u00e4meni taakka) is a 2011 Finnish documentary film about the surviving victims of the genocide in Rwanda. It was directed by Yves Montand Niyongabo. The documentary was chosen for premiere at the 2011 DOK Leipzig film festival. The documentary also received the Jury Youth Prize and Best Domestic Documentary Award at the Tempo film festival in Finland.\nPassage 8:\nFrom the Bottom of My Heart\nFrom the Bottom of My Heart may refer to:\n\n\"From the Bottom of My Heart\" (Chuck Willis song), recorded by both The Clovers and The Diamonds\n\"From the Bottom of My Heart\" (Stevie Wonder song), 2006\nPassage 9:\nAllison Anders\nAllison Anders (born November 16, 1954) is an American independent film director whose films include Gas Food Lodging, Mi Vida Loca and Grace of My Heart. Anders has collaborated with fellow UCLA School of Theater, Film and Television graduate Kurt Voss and has also worked as a television director. Anders' films have been shown at the Cannes International Film Festival and at the Sundance Film Festival. She has been awarded a MacArthur Genius Grant as well as a Peabody Award.\n\nEarly life\nAnders was born in Ashland, Kentucky, to mother Alberta \"Rachel\" Anders (n\u00e9e Steed) and father Robert \"Bob\" Anders. She has four sisters, one of whom, Luanna Anders, starred in her first film, Border Radio. Her paternal side has ancestry that traces back to the Southern Hatfield family and, more distantly, to George Washington's spy, Caleb Brewster, while her maternal side includes another Washington spy, Abraham Woodhull.When Anders was 4 years old, her father abandoned the family. Anders' mother and father were divorced when she was 5.  At age 12, she was gang raped by three boys at a party in Cape Canaveral, Florida, an event that influenced several of her films. After her mother moved her and her sisters to Los Angeles, Anders suffered a mental breakdown at the age of 15 and was hospitalized. When she came out of the psychiatric ward, she was placed into foster care but ran away. She hitchhiked across the country, at one point ending up in jail. After turning 17, Anders dropped out of her Los Angeles high school and moved back to Kentucky. She later moved to London with the man who fathered her first child.In her early 20s, Anders moved back to Los Angeles with her daughter and attended junior college, Los Angeles Valley College, while working odd jobs. Due to constant relocation as a child, Anders had not had a steady education. She said that growing up, most of her time was spent watching TV and going to movie theaters. Inspired by the films of Wim Wenders and other filmmakers, Anders applied to UCLA Film School. During her time at UCLA, Anders produced her first sound film. Wenders attended the screening. She has called Wenders' 1974 film Alice in the Cities \"one of my very favorite films, and a guiding light, since I first saw it at the Nuart in Santa Monica in the 1970s.\" In 1986, Anders got her B.A. in Motion Picture-Television from the University of California Los Angeles.\n\nCareer\nFilm\nIn 1986, Anders won a Samuel Goldwyn Writing Award for a script called Lost Highway that she wrote about her father. She said that after writing the script she shared it with her father, and was able to have a relationship with him again.Anders' first film, the punk music-heavy Border Radio, was co-written and co-directed with Kurt Voss and Dean Lent and was made while they were at UCLA. It was nominated for Best Feature of 1988 by the Independent Feature Project for Best First Feature. The film told the story of three musicians who stole money owed to them from a job and then fled to Mexico. The story is set amid the Los Angeles punk-rock scene of the 1980s. With a $2,000 contribution from actor Vic Tayback and loans from Voss's parents to fund the film, the filmmakers made up for the small budget by using local locations and casting performers they knew. For the starring role, they cast Anders' sister, Luanna Anders, and musician Chris D., as the leading man, as well as Anders' daughter, Devon Anders, who played Luanna's daughter in the film. Violating UCLA policy, the filmmakers cut the film at night in the school's editing bays, while Anders' two young daughters slept on the floor. In 2007, Border Radio was given a special release on DVD as part of the Criterion Collection and was lauded as groundbreaking independent cinema.Anders' second feature, the 1992 film Gas Food Lodging, earned her a New York Film Critics Circle Award and National Society of Film Critics honors for Best New Director; and nominations from the Independent Spirit Awards for Best Screenplay and Best Director. Actress Fairuza Balk won a Spirit Award for her role in the film. The film also won the Deauville Film Festival Critics Award and was also nominated for the Golden Bear at the 42nd Berlin International Film Festival. Gas Food Lodging is a coming-of-age story about a truck stop waitress and her two daughters, three vibrant, restless women in an isolated Western town. The screenplay was loosely adapted by Anders from the novel Don't Look and It Won't Hurt by Richard Peck.Her next film, Mi Vida Loca (My Crazy Life), was about girl gangs in the poor Hispanic Echo Park neighborhood of Los Angeles, where Anders lived. It premiered at the Cannes Film Festival in 1993, and saw wide release in 1994. The story features a female perspective on growing up in the inner city.\nAnders' 1996 film, Grace of My Heart, was a musical drama executive produced by Martin Scorsese, about a songwriter (played by Illeana Douglas) and her career over several years, including work in the early 1960s in music publishing and production offices, a setting based on the Brill Building. This marriage to a songwriting partner and her emergence as a singer-songwriter in the 1970s are among elements paralleling the career of Carole King, but the film is neither a biography nor entirely fiction. The original soundtrack features new songs written in various styles of the era. Elvis Costello and Burt Bacharach had their first collaboration composing a song for the film, \"God Give Me Strength,\" and were nominated for a Grammy Award.\nIn the late 1980s, Anders had become friends with members of pop group Duran Duran, and frequently inserted small references to the band in her films (character names, posters on walls, and so on). In 1999, after bassist John Taylor had left Duran Duran and was beginning to launch an acting career, she and Voss co-wrote and co-directed Sugar Town, about the Los Angeles film and music industry. The film starred several musical friends of Anders', including Taylor, X singer John Doe, Spandau Ballet bassist Martin Kemp, and singer/actor Michael Des Barres. Sugar Town followed the interconnected lives of a handful of power brokers, wanna-bes and has-beens. Gwen (played by Jade Gordon), a self-centered would-be rock star, is working as an assistant to production designer Liz (Ally Sheedy); when Gwen discovers Liz has a date with a music producer (Larry Klein), any loyalty she has to her boss disappears. The film received two Independent Spirit Award nominations, for Best Film and Best Newcomer (Jade Gordon). The film also won Anders and Voss the Fantasporto award for Best Screenplay.Her 2001 autobiographical film, Things Behind the Sun, deals with the long-term aftermath of rape. It was released on the Showtime cable TV network. The film earned an Emmy nomination for actor Don Cheadle as Best Supporting Actor; and three Independent Spirit Award nominations: Cheadle for Best Supporting Actor, Kim Dickens for Best Actress, and Best Film. Anders and co-writer Kurt Voss also received a nomination for an Edgar Award. The film was awarded the SHINE Award as well as the Peabody Award. Things Behind the Sun was inspired by an experience Anders had in 1967 when she was raped by a group of boys. Anders actually shot some of the film in the same location in Cocoa Beach, Florida, where the gang rape occurred.Anders' 2012 film, Strutter, co-directed with Voss, completed a loose trilogy of films about Southern California musicians that began with Border Radio and Sugar Town. A black-and-white road picture, the film featured Luanna Anders from Border Radio, a scene in the motel room where Gram Parsons died, and a score with music by Ariel Pink and J Mascis. The film was funded by a Kickstarter campaign.In 2013, Anders released the Lifetime-produced TV movie Ring of Fire, a June Carter Cash biopic that featured the musician Jewel. The film was inspired by John Carter Cash's book, Anchored in Love: A Tribute to June Carter Cash.\n\nTelevision\nAnders began directing shows for broadcast and cable television in 1999, including several episodes in the second and third seasons of Sex and the City, as well as episodes of Grosse Pointe, Cold Case, The L Word, Men In Trees, The Mentalist, and What About Brian?\nIn 2011, she directed an episode of the John Wells production, Southland, which involved a car chase scene. Anders directed an episode of Turn: Washington's Spies, which was especially interesting to her because she has distant relatives on both sides of her family who were spies for George Washington.\n\nOther work\nIn 2013, Anders interviewed 94-year-old actress and Hollywood legend Marge Champion, who appeared at a 2013 Hollywood film festival screening of 1968 cult film The Swimmer, which starred Burt Lancaster. The interview was featured among behind-the-scenes supplementary material on a 2014 Blu-ray/DVD release of the film by Grindhouse Releasing/Box Office Spectaculars Blu-ray/DVD restoration of the film.Anders and her musician daughter, Tiffany Anders, started the Don't Knock the Rock Film and Music Festival in 2003 in Los Angeles.In 2006, she appeared in the road-trip documentary Wanderlust. Anders has also contributed to the web series Trailers from Hell.\nIn 2013, Anders bid on and won a rock and roll record collection formerly owned by the actress Greta Garbo. She created a website called \"Greta's Records\" to curate and share the collection of 50 records.\n\nIn development / past projects\nQuanah Parker project at AMC Networks with writer Terry Graham\n\nLong-term associations\nAnders counts filmmaker Wim Wenders as a mentor. She started as a fan, sending him letters and music, and Wenders eventually responded. Anders said that she created a faux grant that she \"won\" so that she and at least one other friend could study under Wenders on location for his film Paris, Texas. They have been friends for over 30 years.\n\nTeaching\nIn 2003, Anders became a Distinguished Professor at the University of California Santa Barbara, where she teaches in the Film And Media Studies Department one quarter each year. She has taught courses on topics including autobiographic writing, rock and roll films, and music supervision.\n\nAwards\n1986: Nicholl Fellowships in Screenwriting \u2013 Lost Highway\n1986: Samuel Goldwyn Writing Awards \u2013 Lost Highway\n1988: Independent Spirit Awards for Best First Feature \u2013 Border Radio\n1992: New York Film Critics Circle for Best New Director \u2013 Gas Food Lodging\n1992: National Society of Film Critics for Best New Director \u2013 Gas Food Lodging\n1992: Independent Spirit Awards for Best Screenplay nomination \u2013 Gas Food Lodging\n1992: Independent Spirit Awards for Best Director nomination \u2013 Gas Food Lodging\n1995: MacArthur Fellows Program\n2001: Independent Spirit Award for Best Film nomination \u2013 Things Behind the Sun\n2002: Spirit of Silver Lake Award from the Silver Lake Film Festival\n2002: Peabody Award for distinguished achievement and meritorious service \u2013 Things Behind the Sun\n2013: Primetime Emmy Award for Outstanding Directing of a Drama nomination \u2013 Ring of Fire\n\nPersonal life\nAnders has three children. Her two daughters are Tiffany Anders, a musician and music supervisor, and Devon Anders. Her son, Ruben Goodbear Anders, was fostered (and eventually adopted) by the Anders family for three years after the death of his mother, Nica Rogers, who appeared in Mi Vida Loca. Tiffany was named after the film Breakfast at Tiffany's.\n\nFilmography\nFilm\nTelevision\n1999: Sex and the City \u2013 Director, 4 episodes: \"The Caste System,\" \"La Donleur Exquise,\" \"Drama Queen,\" \"The Big Time\"\n2000: Grosse Pointe \u2013 Director, 2 episodes: \"Boys on the Side,\" \"Star Wars\"\n2004: Cold Case \u2013 Director, 1 episode: \"Volunteers\"\n2006: The L Word \u2013 Director, 1 episode: \"Last Dance\"\n2006: Men in Trees \u2013 Director, 1 episode: \"Power Shift\"\n2006: What About Brian \u2013 Director, 2 episodes: \"What About First Steps,\" \"What About the True Confessions?\"\n2011: SouthLAnd \u2013 Director, 2 episodes: \"Sideways,\" \"Fallout\"\n2013: The Mentalist \u2013 Director, 1 episode: \"The Red Barn\"\n2014: Orange Is the New Black \u2013 Director, 1 episode: \"You Also Have a Pizza\"\n2014: Gang Related \u2013 Director, 1 episode: \"Invierno Cay\u00f3\"\n2014: The Divide \u2013 Director, 1 episode: \"Facts Are the Enemy\"\n2014\u20132015: Murder in the First \u2013 Director, 4 episodes: \"Pants on Fire,\" \"Blue on Blue,\" \"The McCormack Mulligan,\" \"Nothing But the Truth\"\n2015: TURN: Washington's Spies \u2013 Director, 1 episode: \"False Flag\"\n2015: Proof \u2013 Director, 1 episode: \"Memento Vivere\"\n2017: Time After Time \u2013  Director, 1 episode: \"Suitcases of Memories\"\n2017: Riverdale \u2013 Director, 2 episodes: \"Chapter Seven: In a Lonely Place\", \"Chapter Fifteen: Nighthawks\"\n2017: Graves \u2013 Director, 1 episode \"The Opposite of People\"\n2018: Sorry for Your Loss \u2013 Director, 1 episode: \"Visitor\"\n2019-2023: Mayans MC \u2013 Director, 2 episodes: \"Kukuklan\" and \"My Eyes Closed And Then Filled On The Last of Childhood Tears\"\n\nWorks and publications\nAnders, Allison. \"On Claudia Weill's film 'Girlfriends.'\" Sight & Sound. Vol. 25 (10). London: British Film Institute, October 2015. ISSN 0037-4806\nPassage 10:\nHenry Otto\nHenry Otto (August 8, 1877 \u2013 August 3, 1952) was an American silent film actor, director, producer, and screenwriter. \nOtto contributed to over 150 films throughout his career, working as an actor and a director throughout. He directed many films in 1914, in films such as When a Woman Waits, In Tune, The Archeologist, and The Redemption of a Pal working with actors such as Edward Coxen, Charlotte Burton and George Field. He retired from film in 1942. \nOtto was found dead on August 4, 1952, in Los Angeles.\n\nSelected filmography\nActor\nHarbor Island (1912, Short) - General Arieno - Owner of Harbor Island\nThe Lipton Cup: Introducing Sir Thomas Lipton (1913)\nMargarita and the Mission Funds (1913, Short) - Padre Sandez of the Mission\nThrough the Centuries (1914, Short) - Amos Willing\nElizabeth's Prayer (1914) - Richard Lee, A Sporty Acquaintance\nThe Zaca Lake Mystery (1915, Short) - The Hunter\nHalf a Rogue (1916) - Ex-Senator Henderson\nMister 44 (1916) - Dick Westfall\nLorelei of the Sea (1917) - John Grey\nThe Outlaw Express (1926) - John Mills\nThe Iron Mask (1929) - The King's Valet\nThe Quitter (1929) - Dr. Abott\nOne Hysterical Night (1929) - Dr. Hayden\nSea Devils (1931) - Governor\nSvengali (1931) - Man with Opera Glasses (uncredited)\nBeware of Ladies (1936) - Plainclothesman (uncredited)\nThe 13th Man (1937) - One Punch (uncredited)\nHere's Flash Casey (1938) - Dock Warden (uncredited)\nSilver Queen (1942) - Fight Spectator (uncredited)\nSweet Rosie O'Grady (1943) - Minor Role (uncredited) (final film role)\n\nDirector\nBetty's Bandit (1912)\nBeppo (1914)\nThe Measure of Leon Du Bray (1915)\nUndine (1916)\nThe River of Romance (1916)\nMister 44 (1916)\nBig Tremaine (1916)\nThe River of Romance (1916)\nThe Butterfly Girl (1917)\nTheir Honeymoon Baby (1918)\nWild Life (1918)\nThe Island of Intrigue (1919)\nThe Amateur Adventuress (1919)\nThe Great Romance (1919)\nFair and Warmer (1919)\nThe Microbe (1919)\nThe Great Victory (1919)\nThe Willow Tree (1920)\nThe Cheater (1920)\nA Slave of Vanity (1920)\nLovebound (1923)\nThe Temple of Venus (1923)\nDante's Inferno (1924)\nThe Folly of Vanity (1924)\nThe Ancient Mariner (1925)\nAlma de Gaucho (1930)\n\nWriter\nMemories of the Past (1911)\nOh, Such a Night! (1912)\nAll on Account of a Transfer (1913)\nLola (Scenario, 1914)\nThe Phantom Fortune (Scenario, 1915)\nHalf a Rogue (Scenario, 1916)\nThe River of Romance (Scenario, 1916)\nBig Tremaine (1916)\nA Slave of Vanity (Scenario, 1920)\nThe Temple of Venus (Story, 1923)", "answers": ["yes"], "length": 5421, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "fe284936ae55063527821e9ee610ae67958789167aa4ba1a"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.