{"input": "What is the place of birth of the director of film Confusion Na Wa?", "context": "Passage 1:\nChow Ka Wa\nChow Ka Wa (Chinese: \u9112\u5609\u83ef; Cantonese Yale: J\u0101u G\u0101w\u00e0 ; born 23 April 1986 in Hong Kong) is a Hong Kong footballer who plays for Hong Kong First Division League club Southern as a right midfielder.\n\nClub career\nCitizen\nChow began his professional career at Citizen, a newly promoted First Division club, in the 2004\u201305 season. However, as a young player, he failed to compete for a place in the starting line-up, only mostly played in the Senior Shield.\n\nLoan to Xiangxie Phar\nDuring the season, Xiangxie Phar was rebuilt and players all left the club. To retain their presence in the league, six teams from the First Division league loaned their young players so that they could gain match experiences. Chow was one of them who was loaned from Citizen. However, as he was still a student at that time, he failed to attend every training session and therefore was not given many match-playing chances. He returned to Citizen at the end of the season.\n\nKwun Tong\nAfter spending a season in the top-tier division, he joined Third Division side Kwun Tong, as he had to focus on academic studies. Although he played most of the matches, he failed to help them gain promotion to the Second Division. He left the club at the end of the season.\n\nHong Kong 08\nChow made a return to the First Division in the 2006\u201307 season, joining Hong Kong 08, which was formed by a team of young players to let them gain match experiences before competing in the 2008 Olympics qualifiers. He was given plenty of match-playing chances although there were many wingers at the team. However, the club was relegated and was dissolved after the season.\nAlthough many players and coaches joined newly promoted side Workable, Chow did not follow them and joined Third Division side Shatin, meaning he would miss the First Division for the second time.\n\nShatin\nChow joined Third Division side Shatin in the 2007\u201308 season. As a third-tier club, however, Shatin had many players with First Division playing experience, including Lee Wai Man who was the current most capped Hong Kong national team record player, Ng Yat Hoi, Kwok Yue Hung and so on. With an exceptionally strong squad in the league, Chow helped Shatin claim the league title without dropping any points in all 15 matches, meaning they had also gained promotion to Second Division. At the same time, Shatin also won the Junior Shield title in the season.\nChow stayed at the club as Shatin were aiming at promotion to the First Division for their first time in club history. He continued to make a great impact in the team and eventually helped the club achieve their season goal as they claimed the league title with only losing one match in 18 matches. On the other hand, Shatin successfully defended their Junior Shield title, defeating Sham Shai Po 2\u20130 in the final. Chow played 90 minutes in the match, providing one assist in the match.\nHe followed the team and made a second return to the First Division in the 2009\u201310 season. However, since Shatin bought several new players to strengthen their squad, Chow's match-playing chances were therefore reduced. Shatin failed to avoid relegation to the Second Division as they placed 2nd at the bottom of the league. Chow also left the club after the season.\n\nPontic\nChow made his third leave from the First Division as he joined Second Division side Pontic in the 2010\u201311 season. As a key member in the team, he only missed one game throughout the season, helping the club gain promotion to the First Division.\nHowever, since Pontic failed to find sponsors, they lacked sufficient funds to run the club. As a result, Pontic announced they refused to promote to the First Division. Soon later, Pontic was punished and had their club qualification cancelled, meaning that they were not able to compete in every league and cup organised by the Hong Kong Football Association. Chow became Free Agent afterwards.\n\nSouthern\nChow joined Second Division side Southern in the 2011\u201312 season. Under coaching of Fung Hoi Man, Chow was a usual starter for the club, featuring 20 league matches and scoring 2 goals. Southern successfully gain promotion to the First Division as they placed second in the league.\nThe 2012\u201313 season was a year of breakthrough for Chow Ka Wa, as his impressive performance and co-operation with fellow team-mates Dieguito, Jonathan Carril and Ip Chung Long attracted people's eyes. He made a great impact on Southern's 8-game unbeaten in the league during the season. Unfortunately, Chow was injured in January and was forced to stay on the sidelines for two months.\nOn 20 April 2013, he scored the winning goal in the 68th minute after being substituted in the 60th minute against South China, not just helping the club to win 3\u20132, but also helping them to secure the league 4th place. This was also Chow's first game after his recovery on his injury. This goal became more important as Southern qualified for the 2013 Hong Kong AFC Cup play-offs by finishing fourth in the league, as Kitchee won the FA Cup on 11 May 2013 after they had secure a place in the play-offs by finishing second in the league.\n\nCareer statistics\nClub\nAs of 5 May 2013.\nRemarks:\n1 Others include 2013 Hong Kong AFC Cup play-offs.2 Hong Kong League Cup only consists of top-tier division clubs.3 Hong Kong League Cup was not held in the 2009\u201310 and 2012\u201313 seasons.\nPassage 2:\nKenneth Gyang\nKenneth Gyang is a young filmmaker in Nigeria and was born in Barkin Ladi of Plateau State, Nigeria.\nHe studied Film Production at the National Film Institute in Jos and screenwriting at Gaston Kabor\u00e9's IMAGINE in Ouagadougou, Burkina Faso. Two of his short films as well as a script titled \"Game of Life\" were selected for the Berlinale Talent Campus 2006 and \"Mummy Lagos\" was well received as an official competition entry.  \"Mummy Lagos\" was also selected for the Sithengi Talent Campus as part of the Cape Town World Cinema Festival in South Africa.\n\nHonors and awards\nHis film \"Omule\" won Best Documentary Film at the 1st Nigerian Students International Film Festival in 2006 and \"Mummy Lagos\" also won Best Film at the Nigerian Field Society Awards organised by the German Cultural Centre, Goethe-Institut, in Lagos as well as the Jury Special Mention at the ANIWA festival in Ghana.\nIn 2006 he was profiled by the influential UK-based BFM magazine as the youngest film director in Nigeria.\nKenneth has worked with the BBC World Service Trust directing their highly quality TV drama \"Wetin Dey\" which was recently presented at the International Emmy World Television Festival in New York City. He has also worked with Communicating For Change as an Associate Producer on Bayelsian Silhouettes- a series of seven short films on HIV/AIDS.\nHis most recent work is Finding Aisha, a TV series he co-wrote, produced and directed for the Nigerian production company Televista.\nIn 2013, his debut feature film Confusion Na Wa produced by Tom Rowland Rees won the top gong - Best Film - at the Africa Motion Awards in Bayelsa.\nKenneth also won The Future Awards 2013 Prize In Arts & Culture.\nHe directed the AMAA award-winning film Blood and Henna about Meningitis in Northern Nigeria.Kenneths Feature Film confusion Na Wa was highly acclaimed and went ahead to win the AMAA Awards 2013 for Best Film and Best Nigerian film, also the film went ahead in 2014 to win Nollywood Movie Award for Best Cinematography (Yinka Edwards) and Nollywood Movie Award for Best Director (Kenneth Gyang).\nPassage 3:\nOlav Aaraas\nOlav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.\nHe was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.\nPassage 4:\nConfusion Na Wa\nConfusion Na Wa is a 2013 Nigerian dark comedy drama film directed by Kenneth Gyang, starring Ramsey Nouah, OC Ukeje, Ali Nuhu and Tunde Aladese. The title of the film was inspired by the lyrics of the late Afrobeat singer Fela Kuti's song \"Confusion\". Confusion Na Wa won the Best picture at the 9th Africa Movie Academy Awards, it also won the award for Best Nigerian film.\nThe film tells a story on how so many interconnected separate events come together to complicate the lives of people.\n\nPlot\nThe film starts with a monologue by an unnamed narrator explaining the synopsis of the film with images from the end of the film. Emeka Nwosu (Ramsey Nouah) is stuck in a traffic jam caused by the death of a pedestrian, when his concubine, Isabella (Tunde Aladese), sends him a text reminding him to get home early so they can have fun together. City hustlers Charles (OC Ukeje) and Chichi (<PRESIDIO_ANONYMIZED_PERSON>) arrive at the scene, and as a fight breaks out on the crowded road Emeka is knocked down and his phone falls out of his pocket, and after Emeka walks away unknowingly, Charles steals it. Bello (Ali Nuhu) is a diligent and honest civil servant, whose only \"crime\" at the office has been his refusal to partake in any of the corrupt practice by his co-workers. His raucous boss uses every opportunity to disrespect him. During a workday, Bello is given more jobs to do by his colleagues after work hours. He reluctantly accepts and is subsequently abused by his boss for not finishing the job on time despite his explanations.\nCharles and Chichi review the pictures on the stolen phone and try to reach an agreement on what to do with the phone. The two friends force their entry to the car of a publisher by breaking the wheel-screen, and steal the stereo. They buy some drinks with the money they got and begin discussing on their interpretation of The Lion King as seen by Africans. Emeka notices that his phone has been stolen and tries calling his number, but is told by Charlie that due to \"The Circle of Life\" in The Lion King ownership has been passed on to them from him. He furiously disengages from the conversation on the resistance of the friends to start a meaningful conversation. He is calmed by his concubine Isabella afterwards.\nBabajide (Tony Goodman) is the head publisher of Righteous Trumpet Newspaper. During a family dinner he explains the car robbery he faced and is surprised that both his wife and kids did not condemn the act by the thieves with complete disdain\u2014instead, a sociological debate starts between him and his son, Kola (Nathaniel Deme) who is shifting the blame from the thieves to the government. His mum introduces another topic to end the heated debate since neither side will let go.\nCharles persuades Chichi to accompany him to a drug dealer, Muri (Toyin Oshinaike). Charles had previously had sex with Muri's sister but Chichi is negligent and wants to visit another dealer at \"Abbatoir\". He later retires then follows Charles. They buy drugs worth N200, and as Muri's sister walks outside and Muri notices Chichi facial expressions towards her, Muri tells them that his sister is about to get married . Charles and Chichi have a reflective discussion while having a cigar when Chichi informs Charles that he will be relocating to Bauchi State to start a new life with his uncle. Charles gives him the stolen phone as a farewell gift.\nThe two friends interrupt the sexual intercourse between a disturbed Emeka and Isabella with a call, and they start to negotiate a ransom for the recovery of the phone, while Emeka's wife waits for him at home. Kola's sister, Doyin (Yachat Sankey) sneaks out of the house to attend a party and persuades Kola to promise not to tell their parents. At the party, Charles drugs Doyin's friend, Fola (Lisa Pam-Tok) then the power goes out and he rapes her. Chichi refuses to use drugs on Doyin and opts to get her number instead. Police raid the party and arrest many including Charles. At home, Babajide tries motivating Kola with some fatherly advise and explains to him that he needs to start taking responsibility to become a man. He instructs Kola to join him at his office the next day.\nAt home we see that Bello's wife is Isabella, and he questions his wife on her whereabouts the previous day. She feels irritated in the course of their argument, especially at his mention of lack of money as the reason for them not wanting to have a child. On his way to work the next day, Babajide and Kola engage in a father-son conversation, and Babajide narrates his life-story on how he was able to overcome challenges during the civil war and establish his company. He gets distracted then splashes muddy water on Bello, who is walking along the road. Bello reacts angrily by throwing a stone at the car and regrettably breaking the back-screen. Babjide refuses to accept any compensation or apology from him and decides to take him to the Police Station explaining to him that as a good example to his son, whenever crimes are committed, it should always be a matter for the police. As he zooms off with Bello in his car, the sticker on his car reads \"I am an Ideal Citizen, what about you?\". Bello refuses to bribe his way out of jail at the request of the corrupt policemen and is placed in the same cell as Charles. Babajide introduces Kola to his staff at the office and tells him to write an article on the decline of the moral level in the society, using his ordeal (with the thieves and Bello) as a guide, even though he had previously told him to write on the power supply.\nAfter some hours, the police release Bello, having encountered difficulty in extorting money from either him or Babajide; however they refuse to help him find his wallet, which is later revealed to have been stolen by Charles in the cell. Afterwards he is set free after his Parole Officer warns him that he will not be given a second chance if he breaks the law again. He sets out to his father's house, where the nagging of his mum about his way of life drove him out. Charles and Chichi meets on a hill, where they discuss the previous night and their encounter with the ladies. They call Emeka and threaten to blackmail him by telling his wife of his extra-marital affairs, if he does not yield to their demands. Doyin informs Kola that her friend is missing and he should come to her rescue. Kola leaves his dad's office to assist her in finding Fola. After searching for some time, they find Fola by the road then take her home to an apprehensive dad, Adekunle (Toyin Alabi) who swore to kill whoever was responsible for the rape. Isabella informs Emeka that she is pregnant, and he refuses the pregnancy and advises her to return to her husband. Babajide consults many of his colleagues to examine if his suspicion that Kola is gay is true. Bello angrily abandons his work after getting fed-up with the kind of treatment he has been subjected to by his boss and colleagues. Adekunle gets the address of Emeka through his phone number (from Chichi). He consults Bello's office and pays his way to get the personal details of the owner of the phone.\nEmeka narrates his phone theft story to his wife, Irene (Yewande Iruemiobe) and she discourages him from paying the ransom. On his way out to meet Charles and Chichi, he is stopped by Adekunle, who slaps him severely thinking he is Chichi. After some explanations from Irene, Adekunle lets Emeka go but takes the ransom from him. Babajide questions Kola, and stylishly tries to get him to speak about his view of sexuality. Kola's responses suggest that he is unsure about what he feels about his sexual attractions, and so his dad immediately takes him to Muri in order to be cleansed of homosexuality. Bello's wife Isabella tries to impose her pregnancy on him, but he refuses citing \"lack of sex\" as a reason. He later sees messages that implicate Isabella on her phone.\nCharles and Chichi are discussing with Muri on how they will extort money from Emeka at their meeting in Shayi's. Muri also tells them that he was paid N115,000 by Adekunle for a firearm. Kola and his dad arrive at Muri's bar explaining their ordeal to him. He responds, requesting that his \"nurses\" cleanse Kola of homosexuality. Bello arrives at Shayi's and suspiciously approaches a man, who he mistakenly thought was Emeka. Adekunle also arrives the scene then shoots Chichi (thinking he was Charles) who was seated with Charles close to the entrance of the restaurant.\n\nCast\nRamsey Noah as Emeka Nwosu\nOC Ukeje as Charles\nAli Nuhu as Bello\nTunde Aladese as Isabella\nGold Ikponmwosa as Chichi\nTony Goodman as Babajide\nNathaniel Deme as Kola\nYanchat Sankey as Doyin\nLisa Pam Tok as Fola\nToyin Alabi as Adekunle\n\nReception\nThe film was received with positive reviews with Sodas and Popcorn rating it 4 out of 5, describing it as one of the best movies of 2013 and an inspiration to Nigeria's filmmakers.\n\nAccolades\nIt won 2 awards at the 9th Africa Movie Academy Awards. It also went on to win 3 awards at the 2013 Best Of Nollywood Awards.\n\nSee also\nList of Nigerian films of 2013\nPassage 5:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 6:\nYinka Edward\nYinka Edward, born in Jos, Nigeria, is a Nigerian cinematographer best known for his works on the films October 1, 93 Days, A Love Story (winner of BAFTA's Best British Short Animation category, 2017), Confusion Na Wa and Lionheart.\n\nCareer\nIn the early years of his career after graduating from the National Film Institute in Jos, Nigeria in 2006, Edward worked with Nigerian film director, Mak 'Kusare on the movie Ninety Degrees and was part of BBC's production team on the Wetin Dey series. After his work on Wetin Dey, Edward shot The Ties That Bind in Namibia, which was the country's first indigenously produced series.\nBack in Nigeria, Edward worked on Kunle Afolayan's films The Figurine, Phone Swap and October 1. He also shot Izu Ojukwu's films Alero's Symphony, and '76. \nIn Kenya, he shot the feature film Something Necessary, which was produced by Tom Tykwer and directed by Judy Kibinge. Something Necessary went on to screen at the Toronto International Film Festival, 2013 and was nominated for Audience Choice Award at the Chicago International Film Festival, 2013. \nOne of his most recent works is the Netflix original movie Lionheart a Nigerian feature film, directed by Genevieve Nnaji.\nEdward is an alumnus of the National Film and Television School Beaconsfield, England, where he received a Master of Arts degree in film and television production, concentrating in cinematography.\nPassage 7:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.  He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983\u201385), Government Publications Office (1985\u201386), and Department of Finance (1986\u201389). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site.  Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds.  As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later.  Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After C\u00e9zanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education.  During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\"   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired.  In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum.  In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==\nPassage 8:\nFung Hing Wa\nFung Hing Wa (Chinese: \u99ae\u6176\u71c1, born 12 December 1992 in Hong Kong) is a Hong Kong professional football player who currently plays as a centre back for Hong Kong Premier League club Lee Man.\n\nClub career\nIn 2005, Fung through a project to go to Newcastle United to have training.In 2008, Fung signed for Hong Kong Third Division club Sham Shui Po. \nIn 2012, Fung signed for Hong Kong First Division club Yokohama FC Hong Kong.In 2015, Fung signed for Hong Kong Premier League club Pegasus.On 17 July 2019, Eastern announced the signing of Fung at their season opening media event.On 30 June 2020, it was confirmed that Fung had left the club in order to sign with R&F.On 19 November 2020, Fung announced that he reached a mutual termination with R&F and had returned to Eastern.On 19 June 2022, Fung left Eastern again.\nOn 15 July 2022, Fung joined Lee Man.\n\nInternational career\nOn 11 December 2019, Fung made his international debut for Hong Kong in the match against South Korea in the 2019 EAFF E-1 Football Championship.\n\nCareer Statistics\nClub\nAs of 20 May 2021\n\nInternational\nAs of matches played 14 June 2022\n\nHonours\nClub\nSham Shui PoHong Kong Second Division: 2010\u201311\nHong Kong Third Division: 2009\u201310PegasusHong Kong FA Cup: 2015\u201316\nHong Kong Sapling Cup: 2015\u201316Tai PoHong Kong Premier League: 2018\u201319\nHong Kong Sapling Cup: 2016\u201317Eastern\n\nHong Kong Sapling Cup: 2020\u201321\nPassage 9:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 10:\nJesse E. Hobson\nJesse Edward Hobson (May 2, 1911 \u2013 November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation.\n\nEarly life and education\nHobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children.\n\nCareer\nAwards and memberships\nHobson was named an IEEE Fellow in 1948.", "answers": ["Barkin Ladi"], "length": 5240, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "f5baef0cdea8281ca147cfad48a104a418e04e3a8667cde5"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.