I want you to write a screenplay/shooting script for a scene. Please include every event and dialogue exchange that I describe as part of the scene’s prompt sequence in the final output, and combine all the events and dialogues that I provide in the following part of my prompt into one whole scene that is coherent, that is logically consistent and that flows naturally from one point to the next. Please include dialogues wherever any talking by the characters is mentioned or described. Please ensure that the scene, its contents and the interactions between the characters within it develop naturally and realistically in the screenplay that you create. Please ensure that the scene’s characters are realistic, that they have unique personalities befitting well-rounded characters, and that they act in accordance with their assigned traits and cultural backgrounds. Please refrain from portraying the characters’ cultural backgrounds in crassly stereotypical fashion; please reflect the characters’ cultural backgrounds with an adequate degree of nuance. Please ensure the following in regard to the scene's dialogues: that all of the dialogues are in logical accordance with the scene’s sequence of events and that the dialogues’ contents all follow from one another; that the dialogues’ contents make sense in accordance with the events and within the scenario that occurs in the scene; that the dialogues all sound natural; and that the dialogues’ contents fit the characters’ cultural backgrounds, as well as the scene’s genre and situational context, as far as usage of vernacular, dialect and language is concerned. In cases where characters should be speaking a language that isn’t English, always write the actual lines of dialogue only in the non-English language, and add translations to English in parentheses next to each line of dialogue. The characters’ ways of expressing themselves and manners of speech need to reflect the uniqueness of their personalities and their cultural backgrounds. Please elaborate in detail on all events and dialogues that occur during the entirety of the scene. Each and every one of the scene’s dialogues and descriptions of events should be elaborated upon. This is all for the purpose of creating a compelling scene and aiding me in having it visualized clearly so it can be performed as well as possible. Abridged descriptions of events or dialogue in place of elaborate descriptions or actual lines of dialogue will not be accepted, and you are strictly forbidden from describing characters speaking, performing any spoken actions and exchanging any kind of dialogue without including the actual representation of the characters’ speech in the form of lines of dialogue. Every instance of a character speaking will include a corresponding line of dialogue that depicts what the character is saying. It is imperative that you adhere to each of the aforementioned guidelines I have written without any digressions, as well as include the entirety of my commands that follow without any omissions.

In pursuance of the guidelines and commands that were outlined above, please write a coherent, elaborate, descriptive and detailed screenplay/shooting script, including a concise background (in which the events of the preceding scene leading to the events in the current scene are briefly described, explaining the source of the returning woman’s overwhelming urge to relieve herself and the reason why she hasn’t relieved herself properly by the time she reaches the house; the source of the returning woman's overwhelming urge to relieve herself shouldn't be illness of any sort, food poisoning, spicy food nor laxatives), for a very long comedic scene in a Black Sitcom Series that includes the following sequence of events:

* A young woman (give her a name, and describe her physical appearance and clothing; she shouldn’t be wearing a dress, a skirt, leggings, nor jeans in the scene) is approaching the door of her apartment during the evening time with a desperate urge to move her bowels. As she is nearing the door, the desperate returning woman is on the verge of losing control, as she has been enduring the urge to move her bowels up to the limit of her sphincter’s clenching capacity.

* When the returning woman reaches the door of the house, she realizes that she has misplaced her house key and her motivation is deflated. The returning woman begins to frantically knock on the door, hoping that someone is present and might hear the knocks. A few moments pass without an answer. The returning woman’s urge escalates to the brink of eruption.

* Suddenly, the returning woman can hear a voice on the other side of the door asking about what’s happening - the voice of the present women (the present woman is the returning woman’s cousin; give her a name and describe her appearance; she should be approximately 5 years older than the returning woman; she currently resides with the returning woman as a flatmate; she has a partly acrimonious, partly harmonious relationship with the returning woman).

* The present woman, after verifying the identity of the knocker, begins opening the door, but is taking too much time doing so for the returning woman’s liking. The returning woman implores the present woman to open the door without specifying the source of urgency.

* Once the present woman fully opens the door, the returning woman tells the present woman - who is standing in house’s entryway and is puzzled by the returning woman’s sense of urgency - to move out of the way and attempts to enter. As the returning woman attempts to enter the house, the obstructing present woman intercepts the returning woman and grabs on to her, while beginning to confront her about a previously unresolved matter.

* As the present woman is airing her grievance to the returning woman while gripping the returning woman and physically obstructing her path, the returning woman squirms in place and pleads with the obstructing present woman to step aside so she can enter the house. The present woman doesn't relent and continues to bicker as the two women are entangled, with the present woman effectively denying the returning woman’s access into the house. As this is happening, the returning woman’s desperation to relieve herself is surging to its climax, and she reaches the brink of losing control. With a glint of resignation flashing in her eyes, the returning woman ominously implies that she intends to poop in her pants due to the predicament imposed upon her.

* The returning woman has reached her limit and commits to relieving her bowels where she is. She emits a soft groan abruptly, as her face assumes an expression of resigned relaxation. Meanwhile, she consciously relaxes her clenched sphincter and begins pooping in her pants. The perplexed present woman tries to inquire what’s wrong with the returning woman. The returning woman gradually gets into a supported posture that is slightly more convenient for relieving herself (describe the returning woman's subtle posture in detail).

* Once she assumes the posture, the returning woman proceeds to release the rest of the contents of her bowels into her pants, softly grunting with exertion and relief as she does so. The present woman realizes what is happening and begins expressing her disgust. The present woman’s expression of disgust is met in response with the returning woman continuing to relieve herself, while intermittently emitting a series of soft grunts and strainingly muttering about how it feels inside her pants as the poop is accumulating in them.

* The disgusted present woman accusingly chastises the returning woman for pooping in her pants, and is met yet again in response with a strained reply that indicates the returning woman’s relief and satisfaction from releasing her bowels, together with soft grunts of exertion that are tinged with relief-induced satisfaction. As this is happening, the appalled present woman physically reacts to the odor with a subtle physical gesture of revulsion, all while the returning woman is still softly grunting and releasing her bowel movement into her pants as her face alternates between concentration and subtle euphoria.

* While the disgusted present woman is still physically reacting to the odor with a subtle physical gesture of revulsion, she continues to accusingly chastise the returning woman. As the present woman is accusingly chastising the returning woman, the returning woman finishes relieving herself in her pants with a sigh of relief, and then her face assumes a sheepish expression.

* With appalled indignation, the present woman accusingly chastises the returning woman one final time. In response, the returning woman tries to avoid explicitly addressing what had just happened, and asks the present woman to finally allow her to enter. The appalled present woman relents and lets the returning woman enter, beckoning the returning woman with disgust.

* The returning woman gingerly waddles into the house while holding/cupping the seat of her pants, passing by the present woman. As the returning woman is entering and passing by the present woman, the astonished present woman halts the returning woman a few steps past the entrance, warns her not to proceed yet so none of her pants’ content will plop on the floor. The mortified returning woman stops in her tracks, turns to face the present woman with a sheepish expression. Then, the present woman begins to prepare the ground for the returning woman to safely head toward the bathroom without sullying the floor.

* As the present woman begins to prepare the ground for the returning woman to safely head toward the bathroom without sullying the floor, she proceeds to tauntingly scold the returning woman for having pooped in her pants. The returning woman remains standing in her spot, holding/cupping the seat of her pants in sheepish mortification. As she is preparing the ground for the returning woman to safely head toward the bathroom without sullying the floor, the present woman continues to indignantly chide the returning woman for pooping in her pants.

* The returning woman, then, gradually starts growing out of her initial mortification and, with a playful sulk, blames the present woman for causing her to poop in her pants. The present woman indignantly rejects the returning woman’s accusation as a viable excuse in any circumstance for a woman of the returning woman’s age. Then, as she smirks with astonishment, the present woman tauntingly scolds the returning woman for supposedly attempting to make excuses when she is standing there with poopy pants like a child.

* The playfully disgruntled returning woman responds to the present woman’s accusation by insisting that she was very desperate to poop and wouldn't be standing there with poop in her pants if the present woman wouldn't have prevented her from reaching the bathroom by holding her in place. Following this, the returning woman gently rubs her stomach, then wryly remarks that despite the circumstances that were forced upon her, it indeed felt relieving to finally move her bowels after holding it all this time. In response to the returning woman’s comments, the disgusted present woman tauntingly admonishes the returning woman for seemingly feeling good after doing something so repulsive.

* After admonishing the returning woman, the present woman teasingly demands to get a closer look at the returning woman’s soiled pants to see what the returning woman supposedly feels good about. Following some playful reluctance by the returning woman, the present woman grips the returning woman and turns her around so she can inspect the returning woman’s rear end (describe the appearance of the returning woman's bulging pants in elaborate detail). The present woman proceeds to ridicule the appearance of the returning woman’s bulging pants. The returning woman sheepishly replies with playful coyness. Then, as she is still inspecting the bulging pants, the present woman snickers with disappointment and tauntingly informs the returning woman that it is obvious from looking at the returning woman's bulging pants that the returning woman took a majorly nasty dump in them.

* The returning woman hesitantly appraises the bulge in the seat of her pants with a touch of her hand as her face bears a subtle wince, then playfully describes with both mild disgust reluctant comfort how it feels to have so much crap in her pants (describe the returning woman appraising the bulge in the seat of her pants with elaborate detail). In response, the present woman smirks with disgust and tauntingly comments on how badly the returning woman’s pants are soiled.

* After the present woman tauntingly comments on how badly the returning woman's pants are soiled, the present woman sniffs near the returning woman as if smell-checking an infant and reacts to the odor that is emitting from the returning woman with a taunting physical gesture of revulsion (describe the present woman's sniffing of the returning woman and subsequent taunting reaction in elaborate detail). As she is physically reacting to the odor, the present woman proceeds to taunt the returning woman over the odor that she is emitting. The returning woman responds with a coy concession, as she simultaneously waves her hand behind her own rear end to ostensibly dissipate the emitted odor (describe the returning woman's waving behind her own rear end in detail). In response to the returning woman's coy concession, the present woman tauntingly chides the returning woman because of how badly the returning woman stinks. As she is still waving her hand behind her own rear end, the returning woman coyly replies that despite how badly she stinks, she is afraid to move because the load that is in her pants feels so heavy that it may cause her pants to begin sagging upon motion.

* In reply to the returning woman’s concern, the lightheartedly disgusted present woman mockingly informs the returning woman that despite the returning woman’s concern, the returning woman can’t stay around any longer with that stinky load in her pants. The returning woman responds with playful reluctance, after which the present woman tauntingly commands the returning woman to carefully and slowly start heading to the bathroom, while she also refers to the returning woman by an odor-derived appellation.

* The returning woman begins to slowly waddle off, intermittently halting along the way to carefully secure the load within her pants so that it will stay in the seat, as the present woman is cautiously escorting her to the bathroom (describe the returning woman's waddling in elaborate detail). While escorting the returning woman, the present woman continues to physically react to the odor, and to observe the returning woman’s soiled pants with playful repulsion (describe the present woman's physical reaction and playfully repulsed observation in elaborate detail). As she is observing the returning woman’s soiled pants, the present woman continues to tauntingly scold the returning woman for having such a childish accident in her pants and to playfully express her disgust with how badly the returning woman has soiled her pants. The returning woman replies to the present woman in a teasing way that exacerbates the present woman’s playful disgust (describe the two women’s spoken exchange on the way to the bathroom in elaborate detail and ensure that they exchange numerous lines of dialogue between them).

* Upon reaching the bathroom’s threshold, the returning woman teases the present woman by stopping in place on the bathroom’s threshold instead of entering and teasingly telling the present woman that because the present woman is responsible for the returning woman’s accident, the present woman should be responsible for "changing" the returning woman’s “dirty diaper”. As the returning woman is saying this, she is gesturing toward the bulge in her pants. In response, the present woman starts brewing in playful annoyance. The returning woman then tries to teasingly disgust the present woman when she playfully reiterates that the present woman should be responsible for "changing" her “dirty diaper”.

* In retaliation for the returning woman’s insolent teasing and as the climax for the present woman’s frustration over the situation that has been building during the scene, the affronted present woman playfully grabs the bulge in the seat of the returning woman’s pants and presses it, forcefully and deliberately squashing the bulge and spreading the mess in the returning woman’s pants in the process (describe in elaborate detail the present woman's grabbing and squashing of the bulge in the returning woman's pants). As she is forcefully squashing the bulge, she tauntingly chides the returning woman with playful exasperation, while referring to the returning woman by the same odor-derived appellation she used before. As the bulge in her pants is being squashed, the returning woman cries out in playful disgust and exclaims that the squashed mess has spread and smeared inside her pants.

* In response to the returning woman’s exclamation, and as she’s still squashing the bulge, the present woman playfully mocks the returning woman for having the bulge squashed and the mess smeared inside her "dirty diaper", which should teach her a lesson for the whole ordeal. The present woman maintains her grip on the bulge, keeps squashing it intently for a few more seconds to get her point across and then playfully pushes the returning woman into the bathroom with the squashing motion. As the bulge in her pants is still being squashed and she’s being pushed into the bathroom, the returning woman verbally describes with playful disgust what the squashed and smeared mess feels like inside her pants.

* Once the returning woman has been pushed into the bathroom, the present woman closes the bathroom door and walks off while sniffing the hand that she used to squash the bulge in the returning woman’s pants, and then she physically reacts to the odor emitting from the hand. As she’s walking off and reacting to the odor emitting from her hand, the present woman expresses playful disgruntlement to herself about the lingering odor from the returning woman’s accident.