Given multiple reviews about 1968 movie Bullitt, each offering insights, opinions, or criticisms on a single topic, merge them into a single, cohesive review. When reviews offer opposing viewpoints, ensure that both perspectives are represented in a balanced way. Structure the text to flow smoothly, weaving different points together to create a well-rounded summary. Ensure the text remains clear and easily understandable by removing any jokes, insider references, or quotes.Aim for a polished and engaging tone, creating a review that feels comprehensive and reflects the diversity of opinions. The text should be very long. Here the given reviews: ['Frank Bullitt\'s the type of guy you want in your corner; the kind of cop that breaks the rules to do what\'s right (and also tell creep political players where to stick it). And Steve McQueen\'s just the guy to play him, bringing his man\'s man persona to the screen with steely eye and stalking gait. "Bullitt" pits him against the mob in this stylish cops \'n\' robbers thriller, which isn\'t short on shootouts and hard-boiled action. Not to mention the car chase, which is a benchmark, as chase scenes go (and that olive green Mustang Gt is one boss ride). To top it off, this flick is backed by Lalo Schifrin\'s über-\'60s jazz score. Very cool. 7/10', 'Robert L. Pike\'s book "Mute Witness" becomes snazzy-looking crime drama propelled by chases, screeching tires, the hilly streets of San Francisco and, of course, Steve McQueen as a police detective so inherently cool he doesn\'t need to do much but walk (and drive) in front of the camera (it\'s not exactly acting, per se, but McQueen does cut an undeniable presence). The plot is utterly routine: McQueen\'s Lt. Frank Bullitt is assigned to keep watch over a witness on the take from Chicago mobsters, who winds up dead; Bullitt feels he\'s being duped by the crooked police force and a dirty US Senator. The famous car chase midway through is astonishingly well-edited and photographed, and Steve is moody and quiet in a forceful way, but the airport showdown takes its time. Director Peter Yates gets awfully introspective at key moments--and when he does, the picture practically goes mute (his star is low-keyed and laconic as it is). "Bullitt" shows off a sleek style that turns audiences on, yet it\'s a workmanlike exercise most of the way, leading to a curiously thoughtful tag. **1/2 from ****']

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