{"input": "Which film has the director who was born first, Our Crazy Aunts or Dearest (2014 Film)?", "context": "Passage 1:\nRolf Olsen (actor)\nRolf Olsen (26 December 1919 \u2013 3 April 1998) was an Austrian actor, screenwriter and film director. He appeared in 60 films between 1949 and 1990. He also wrote for 51 films and directed a further 33 between 1947 and 1990. He was born in Vienna, Austria and died in Munich, Germany.\n\nSelected filmography\nPassage 2:\nOur Crazy Aunts in the South Seas\nOur Crazy Aunts in the South Seas (German: Unsere tollen Tanten in der S\u00fcdsee) is a 1964 Austrian comedy film directed by Rolf Olsen and starring Gunther Philipp, Gus Backus, and Udo J\u00fcrgens. It was the final part in a trilogy of films that also included Our Crazy Aunts and Our Crazy Nieces. Barbara Frey was cast in the role that had been played by Vivi Bach in the two previous films.\nThe film's sets were designed by the art director Leo Metzenbauer. Location shooting took place in the Canary Islands.\n\nCast\nPassage 3:\nWale Adebanwi\nWale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow. He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania. Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa.\n\nEducation background\nWale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M.Sc. and Ph.D. in Political Science from the University of Ibadan. He also has an MPhil. and a Ph.D. in Social Anthropology from the University of Cambridge.\n\nCareer\nAdebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher. He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA. He became a full professor at UC Davis in 2016.Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies.\n\nWorks\nHis published works include:\nNation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)\nYoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)\nAuthority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including.\n\nThe Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)\nWriters and Social Thought in Africa (Routledge, 2016)\n(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)\n(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013).\n(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)\n(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010).\n\nAwards\nRhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies.\nPassage 4:\nHassan Zee\nHassan \"Doctor\" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan.\n\nEarly life\nDoctor Zee grew up in Chakwal, a small village in Punjab, Pakistan. as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities. As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children.\nAt age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs.  It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences. He cared for women who were victims of  \"Bride Burning,\" the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring.  He also witnessed how his country\u2019s transgender and intersex people, called \u201chijras\u201d, were banned from having jobs and forced to beg to survive. These experiences inspired Doctor Zee to tackle the issues of women\u2019s empowerment and gender inequality in his films.In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home\n\nEducation\nHe received his early education from Jinnah Public School, Chakwal. He got his medical doctor degree at Rawalpindi Medical College, Pakistan.\n\nFilm career\nDoctor Zee's first film titled Night of Henna was released in 2005. The theme of the film dealt with \"the conflict between Old World immigrant customs and modern Western ways...\" Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture. Many often landed themselves in trouble when it came to marrying off their children.\nHis second film Bicycle Bride came out in 2010, which was about \"the clash between the bonds of family and the weight of tradition.\" His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil. His fourth film \u201cGood Morning Pakistan\u201d, concerned a young American\u2019s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, \"Ghost in San Francisco\" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend. While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure.\nPassage 5:\nDearest (2014 film)\nDearest is a 2014 Chinese-language film directed by Peter Chan on kidnapping in China, based on a true story, starring Zhao Wei, Huang Bo, Tong Dawei, Hao Lei, Zhang Yi and Zhang Yuqi. It was screened in the Special Presentations section of the 2014 Toronto International Film Festival.\n\nPlot\nFollowing years of unrelenting search, Tian Wenjun (Huang Bo) and ex-wife Lu Xiaojuan (Hao Lei) finally locate their abducted son in a remote village. After the boy is violently taken away from the village, the abductor's widow Li Hongqin (Zhao Wei) \u2014 the boy's foster mother \u2014 also loses her foster daughter to a state-owned orphanage in Shenzhen. Heartbroken, Li goes on a lone but determined journey to get her daughter back.\n\nTheme songs\n\"Qin'ai de Xiaohai\" (\u4eb2\u7231\u7684\u5c0f\u5b69; \"Dear Child\") sung by cast members Huang, Tong, Zhao, Zhang Yi and Hao. It was originally sung by Su Rui as the theme song of the 1985 film The Unwritten Law.\n\"Mei Yi Ci\" (\u6bcf\u4e00\u6b21; \"Every Time\") sung by Huang. It was originally sung by Zhang Hongsheng as an insert song in the 1990 TV series Kewang.\n\"Yinxing de Chibang\" (\u9690\u5f62\u7684\u7fc5\u8180; \"Invisible Wings\") sung by Huang and parents of missing children. It was originally sung by Angela Chang in her 2006 album Pandora.\n\nCast\nZhao Wei\nHuang Bo\nTong Dawei\nHao Lei\nZhang Yi\nZhang Yuqi\nZhang Guoqiang\nZhu Dongxu\nYi Qing\nWang Zhifei\n\nProduction\nPrincipal photography for Dearest took place in Shenzhen, Guangzhou and Chengde. It began from January 2014 and concluded on 18 April 2014.\nPortraying a rural mother, Zhao Wei spoke the Lower Yangtze Mandarin dialect (the predominant dialect in her hometown of Wuhu) rather than Standard Mandarin in the film.\n\nAccolades\nSee also\nLost and Love \u2013 another film dealing with child kidnapping in China\nPassage 6:\nPeter Chan\nPeter Ho-sun Chan (born 28 November 1962) is a film director and producer.\n\nEarly life\nChan was born in British Hong Kong to Chinese parents. He and his family moved to Thailand when he was 11, where he grew up amongst the international Chinese community in Bangkok. He speaks Thai as fluently as a Thai person.\nHe later studied in the United States where he attended film school at UCLA, with a minor in accountancy. He returned to Hong Kong in 1983 for a summer internship in the film industry. Chan never returned to UCLA to complete his studies.\n\nCareer\nHe served as second assistant director, translator, and producer on John Woo's Heroes Shed No Tears (1986), which was set in Thailand. He then was a location manager on three Jackie Chan films, Wheels on Meals (1984), The Protector (1985) and Armour of God (1986), all of which were shot overseas.He joined Impact Films as a producer in 1989, guiding projects such as Curry and Pepper (1990) to completion.His directorial debut, Alan and Eric: Between Hello and Goodbye, was crowned best film at the Hong Kong Film Directors' Guild in 1991. It also won best actor at the Hong Kong Film Awards for Eric Tsang, who would become a frequent collaborator with Chan.\nChan was a co-founder of United Filmmakers Organization (UFO) in the early 1990s, which produced a number of box-office and critical hits in Hong Kong, including his own: He Ain't Heavy, He's My Father.  Other critical and commercial successes followed, including Tom, Dick and Hairy, He's a Woman, She's a Man and Comrades, Almost a Love Story.\nIn the late 1990s, Chan worked in Hollywood, directing The Love Letter, which starred Kate Capshaw, Ellen DeGeneres and Tom Selleck.\nIn 2000, Chan co-founded Applause Pictures with Teddy Chen and Allan Fung.  The company's focus was on fostering ties with pan-Asian filmmakers, producing such films as Jan Dara by Thailand's Nonzee Nimibutr, One Fine Spring Day South Korea's Hur Jin-ho, Samsara by China's Huang Jianxin, The Eye by Danny and Oxide Pang and cinematographer Christopher Doyle.\nChan's 2005 film, the musical Perhaps Love closed the 2005 Venice Film Festival and was Hong Kong's entry for an Academy Awards nomination in the best foreign film category.  Perhaps Love became one of the year's top-grossing films in China, Hong Kong and Taiwan, and received a record 29 awards. Chan next directed The Warlords (2007) and produced Derek Yee's Prot\u00e9g\u00e9 (2007). The two films were the two highest grossing Hong Kong-China co-productions of 2007. The Warlords grossed a record RMB220 million in China and over US$40 million across Asia, and garnered 8 Hong Kong Film Awards and 3 Golden Horse Awards, including Best Director and Best Feature Film.\nIn 2009, Chan produced Teddy Chen's Bodyguards and Assassins, which has garnered RMB300 million in China box office alone, accumulating over US$50 million Asia-wide. It has scored 8 awards in the Hong Kong Film Awards, including Best Film. It also won Best Actor awards for Wang Xueqi in the Asian Film Awards and the HK Film Critics Society Awards, adding up to 146 awards out of 231 nominations for Chan's awards track record.\nIn a survey conducted by the Hong Kong Trade Development Council during the 2010 Hong Kong Filmart, Chan was voted \"the most valuable filmmaker\", which was strongly backed by his box-office track records.\n\nPersonal life\nChan dated Kathleen Poh for a brief period in 1993 before Poh moved to Singapore permanently. Chan currently has a daughter Jilian Chan (born in 2006) with Hong Kong actress Sandra Ng, although the two have no intention of getting married.\n\nFilmography\nAs director\nAs producer\nAs actor\nDuo ming ke (1973)\nMillionaires Express (1986) \u2013 Firefighter / Security officer\nSan dui yuan yang yi zhang chuang (1988) \u2013 Man betting on fight in lounge\nTwin Dragons (1992)\nC'est la vie, mon ch\u00e9ri (1993) \u2013 Man at Party\nWan 9 zhao 5 (1994) \u2013 (final film role)\nPassage 7:\nHartley Lobban\nHartley W Lobban (9 May 1926 \u2013 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s.\n\nLife and career\nLobban played little cricket in Jamaica. He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF. He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37.Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952. He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9. A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire. In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings. Worcestershire won the game and Lobban finished the season with 23 wickets at 23.69.He took 23 wickets again in 1953, but at a considerably worse average of 34.43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July. On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings. He also made his highest score with the bat, 18, but Sussex won by five wickets.In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells. In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51. He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win. Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets.\nHe was also a professional boxer and played rugby union for Kidderminster.He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia. He and his wife Celia had a son and two daughters.\nPassage 8:\nHenry Moore (cricketer)\nHenry Walter Moore (1849 \u2013 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand.\n\nLife and family\nHenry Moore was born in Cranbrook, Kent, in 1849. He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch. One of his brothers, Arthur, became an admiral and was knighted. Their great \ngrandfather was John Moore, Archbishop of Canterbury from 1783 to 1805. One of their sisters was a maid of honour to Queen Victoria.Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch. He married Henrietta Lysaght of H\u0101wera in November 1879, and they had one son. In May 1884 she died a few days after giving birth to a daughter, who also died.In 1886 Moore became a Justice of the Peace in Geraldine. In 1897 he married Alice Fish of Geraldine. They moved to England four years before his death in 1916.\n\nCricket career\nMoore was a right-handed middle-order batsman. In consecutive seasons, 1876\u201377 and 1877\u201378, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively. His 76 came in his first match for Canterbury, against Otago. He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a \"very fine exhibition of free hitting, combined with good defence\". Canterbury were all out for 133, but went on to win the match. His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6. The New Zealand cricket historian Tom Reese said, \"Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving.\" Canterbury won again.Moore led the batting averages in the Canterbury Cricket Association in 1877\u201378 with 379 runs at an average of 34.4. Also in 1877\u201378, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians. In 1896\u201397, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team.\nPassage 9:\nOur Crazy Nieces\nOur Crazy Nieces (German: Unsere tollen Nichten) is a 1963 Austrian comedy film directed by Rolf Olsen and starring Gunther Philipp, Vivi Bach, and Paul H\u00f6rbiger. It was the second part in a trilogy of films which began with Our Crazy Aunts in 1961 and finished with Our Crazy Aunts in the South Seas.\nThe film's sets were designed by the art director Wolf Witzemann. It was shot at the Sievering Studios in Vienna.\n\nCast\nPassage 10:\nOur Crazy Aunts\nOur Crazy Aunts (German: Unsere tollen Tanten) is a 1961 Austrian comedy film directed by Rolf Olsen and starring Gunther Philipp, Gus Backus, and Vivi Bach. It was followed by two sequels Our Crazy Nieces and Our Crazy Aunts in the South Seas.The film's sets were designed by the art director Felix Smetana.\n\nCast", "answers": ["Our Crazy Aunts"], "length": 2980, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "72b0975d7878f72d5b0142cf8e1551a8b8f124eaaa99a715"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.