Hi! Now I will describe to you my sketch of the structure of the world through a fictional legend of representatives of this world. The legend is called MHIWYA. After the legend, I will ask you a few questions about how to complement it and the world of people who could invent it.

The text of the legend MHIWYA: Once The Supreme-God-Demiurge created the world — the World-of-the-Children-of-God — from several dimensions, and each of the dimensions was inhabited by The Children of God. Nature, weather and conditions on the planet are similar to those on Earth (so far, I think so)

A full-fledged connection between dimensions would be impossible if there were not two ways to implement it:

Way 1: Carriers. A social class of The Children of God who can take the forms of birds and have the ability to Transcale: instant adaptation to any dimension in which the Carrier may be. Carriers are able to give this ability to their passengers at the time of joint travel.

Way 2: Engineers' Devices. Engineers are another social class of The Children of God, capable of producing special electronic devices that allow simulating the external senses of representatives of different dimensions, so that the connection between them, even at a distance in time and space, is fast and complete in terms of the coincidence of the organs of perception of all participants in the act of communication.

One of the Carriers was the eagle Altair: a storyteller whose voice and stories fascinated. He had a special instrument, let's temporarily call it the Altair Lyre, a six-stringed elegant lyre with a body resembling a swirling sea wave. At night, retreating into the rocks, Altair took on a form that allowed him to play an instrument. During the day, being a Carrier, Altair did not accompany his voice in any way, and his sweet speech was everything that should have delighted enthusiastic passengers.

One day, a young Daughter of God Vega came to the Carrier and asked to take her several dimensions ahead. She had never felt those places before, and she wanted to find out how it was possible to learn with the help of a completely different understanding of the world, as she thought, more complete and unusual.

Vega and Altair started talking. They were concerned that since the time when their world was created (the faith of The Children of God in The Supreme-God-Demiurge was unshakable and there were several artifacts confirming its existence), no one talks about whether other worlds similar to theirs were created. And is it possible for simple Child of God to become like The Supreme-God-Demiurge? Can Vega or Altair achieve such perfection in their art that they can create worlds themselves? Once Altair heard from one of the passengers that it was possible to combine the attributes of several social classes so that the result would be “something inexpressible". For example, an element for a combination could be Altair's Lyre or his fairy tales. And Vega's…

Vega continued the craft of the Weavers' class: The Weavers planned the trajectories of the Carriers. One of her tools were Needles — they marked points in the multidimensional space of their world that Carriers had to pass through to activate their abilities and reach the right tools. Accordingly, the attributes of Vega for the necessary combination that could lead to the creation of a new world could be Needles.

Altair and Vega spent a lot of time together: Vega often traveled, and Altair seemed to inevitably, by fate itself, find himself on her way. Vega listened attentively to all his fairy tales and once admitted that she would like to hear them at night: at a time when Altair was changing his external form and playing the Lyre. Altair agreed, and from then on, once every few weeks or months, they spent a Night of Songs together. Vega brought Needles to these meetings and, instead of plotting the trajectories of future interdimensional movements with them, she clung to Altair's words, the overtones of his voice, and connected them to the place where they were. Now, with the help of Needles, pebbles, leaves of rare shrubs, sand and even fog seemed to enter into a dialogue with Altair. Vega felt almost like an Engineer: what if she and Altair could create a new world? It seems that they already have almost everything for this…

One day Altair received a special task and realized that he had to leave the dimension where Vega lived for a long time. They met again at the moment when Vega decided to go on one of her interdimensional journeys, and Altair told her the sad news: “Perhaps we will never feel each other with you again, only if the Engineers don't come to the rescue ... but now I can't tell you where to look for me, and how to contact me.” Vega was stunned, but tried to restrain herself. At parting, Altair presented her with a great gift: “without you, I don't see the point of singing. Take this Lyre and, if destined, create a new world alone.”

Vega accepted Altair's Lyre as a gift. She saw Altair off and returned home, looking at the Needles with hatred: “Am I really going to be forced to help lay routes for the rest of my days, on which we will never cross again?”

Vega plunged into the study of the art of pairing attributes — alchemy. In the end, she succeeded: by putting together the music of Altair's Lyre, Altair's songs, which Vega performed herself from now on, and what she turned into Needles, turning to Engineers for help — a toy car for transporting passengers moving along the rails (The Train) — Vega got a completely new living space. The movement of the Train for transportation, which Vega named after her attributes — the Needle, under her songs, created a special field around itself, which turned into the atmosphere of a new small planet — MHIWYA (it was in honor of her that I gave the name to the whole legend). on this planet, as Vega learns later, the seed of future life was also born.

The first people who appeared on MHIWYA were called Nomads or Voices, which is a more general term. Each of Nomads had a voice of fabulous beauty and depth, the ranges of which coincided with the ranges of the six strings of the Altair Lyre. From now on, the tales and songs of the Nomads will maintain the state of MHIWYA from the inside, while Vega continues her Eternal Divine Song of abandonment and loneliness from the outside. The nomads founded the City, and everyone they spawned became Citizens. Also, every Citizen was a Voice along the branch of the Nomad he was born with.

MHIWYA, as well as the World-of-the-Children-of-God, turned out to be multidimensional, but now communication between residents of different dimensions was carried out with the help of an Needle Train, transporting people to each other along looped rails that permeate the entire new planet. Tiny villages formed around the rails at special points where the Train moved from one dimension to another. The villages were inhabited by Fishermen — those who, at the right moment, turned the arrows on the rails and ensured the correct transition of the Train from dimension to dimension.

The Needle rails were unstable: since the Train moves forever, the rails are constantly being rebuilt, but the path along them remains looped. Necessarily on its way, the Needle falls into many Points where space allows you to move from one dimension to another.

This is the end of the MHIWYA legend. What I managed to write.

If I needed to build an artistic study around this legend, what kind of relevance and problems would this study have? Write an expanded relevance and suggested three problems that research around this legend can solve, please