{"input": "Which country the director of film Mrs. Gibbons' Boys (Film) is from?", "context": "Passage 1:\nJohn Farrell (businessman)\nJohn Farrell is the director of YouTube in Latin America.\n\nEducation\nFarrell holds a joint MBA degree from the University of Texas at Austin and Instituto Tecnologico de Estudios Superiores de Monterrey (ITESM).\n\nCareer\nHis business career began at Skytel, and later at Iridium as head of Business Development, in Washington DC, where he supported the design and launched the first satellite location service in the world and established international distribution agreements.He co-founded Adetel, the first company to provide internet access to residential communities and businesses in Mexico. After becoming General Manager of Adetel, he developed a partnership with TV Azteca in order to create the first internet access prepaid card in the country known as the ToditoCard.  Later in his career, John Farrell worked for Televisa in Mexico City as Director of Business Development for Esmas.com. There he established a strategic alliance with a leading telecommunications provider to launch co-branded Internet and telephone services. He also led initial efforts to launch social networking services, leveraging Televisa\u2019s content and media channels.\n\nGoogle\nFarrel joined Google in 2004 as Director of Business Development for Asia and Latin America. On April 7, 2008, he was promoted to the position of General Manager for Google Mexico, replacing Alonso Gonzalo. He is now director of YouTube in Latin America, responsible for developing audiences, managing partnerships and growing Google\u2019s video display business. John is also part of Google\u2019s Latin America leadership management team and contributes to Google\u2019s strategy in the region. He is Vice President of the IAB (Interactive Advertising Bureau), a member of the AMIPCI (Mexican Internet Association) Advisory Board, an active Endeavor mentor, and member of YPO.\nPassage 2:\nJohn Donatich\nJohn Donatich is the Director of Yale University Press.\n\nEarly life\nHe received a BA from New York University in 1982, graduating magna cum laude. He also got a master's degree from NYU in 1984, graduating summa cum laude.\n\nCareer\nDonatich worked as director of National Accounts at Putnam Publishing Group from 1989 to 1992.His writing has appeared in various periodicals including Harper's, The Atlantic Monthly and The Village Voice.\nHe worked at HarperCollins from 1992 to 1996, serving as director of national accounts and then as vice president and director of product and marketing development.From 1995 to 2003, Donatich served as publisher and vice president of Basic Books. While there, he started the Art of Mentoring series of books, which would run from 2001 to 2008.  While at Basic Books, Donatich published such authors as Christopher Hitchens, Steven Pinker, Samantha Power, Alan Dershowitz, Sir Martin Rees and Richard Florida.\nIn 2003, Donatich became the director of the Yale University Press.  At Yale, Donatich published such authors as Michael Walzer, Janet Malcolm, E. H. Gombrich, Michael Fried, Edmund Morgan and T. J.  Clark.  Donatich began the Margellos World Republic of Letters, a literature in translation series that published such authors as Adonis, Norman Manea and Claudio Magris. He also launched the digital archive platform, The Stalin Digital Archive and the Encounters Chinese Language multimedia platform.\nIn 2009, he briefly gained media attention when he was involved in the decision to expunge the Muhammad cartoons from the Yale University Press book The Cartoons that Shook the World, for fear of Muslim violence.He is the author of a memoir, Ambivalence, a Love Story, and a novel, The Variations.\n\nBooks\nAmbivalence, a Love Story: Portrait of a Marriage (memoir), St. Martin's Press, 2005.\nThe Variations (novel), Henry Holt, March, 2012\n\nArticles\nWhy Books Still Matter, Journal of Scholarly Publishing, Volume 40, Number 4, July 2009, pp. 329\u2013342, E-ISSN 1710-1166 Print ISSN 1198-9742\n\nPersonal life\nDonatich is married to Betsy Lerner, a literary agent and author; together they have a daughter, Raffaella.\nPassage 3:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 4:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 5:\nMrs. Gibbons' Boys (film)\nMrs. Gibbons' Boys is a black and white 1962 British comedy film directed by Max Varnel and starring Kathleen Harrison, Lionel Jeffries and Diana Dors. It is based on the play Mrs. Gibbons' Boys by Joseph Stein and Will Glickman; and was released in the UK as the bottom half of a double bill with Constantine and the Cross (1961).\n\nPlot\nAn ageing widow finally finds new love and happiness; but matters are complicated when her two convict sons escape from prison and beg her to hide them.\n\nCast\nKathleen Harrison as Mrs Gibbons\nLionel Jeffries as Lester Gibbons\nDiana Dors as Myra\nJohn Le Mesurier as Cole\nFrederick Bartman as Mike Gibbons\nDavid Lodge a sFrank Gibbons\nDick Emery as Woodrow\nEric Pohlmann as Morelli\nWilliam Kerwin as Matthew\nMilo O'Shea as Horse\nPeter Hempson as Ronnie\nPenny Morrell as  Pearl\nNancy Nevinson as Mrs Morelli\nMark Singleton as PC\nTony Hilton as Dustcart driver\n\nProduction\nDiana Dors was living in Los Angeles but returned to England to make the film.\nPassage 6:\nLisa Jakub\nLisa Jakub () (born December 27, 1978) is a Canadian writer, yoga teacher, and former actress. She is best known for her roles as Lydia Hillard in the comedy-drama film Mrs. Doubtfire (1993) and as Alicia Casse in Independence Day (1996).\n\nChildhood and education\nJakub was born on December 27, 1978, in Toronto, Ontario. She is of Slovak (father) and Welsh and Scottish (mother) descent. She attended multiple schools in her early life, including Hillfield Strathallan College.Jakub graduated from the University of Virginia with a degree in Sociology in 2010.\n\nActing\nJakub's first role was as Katis' Granddaughter in the 1985 film Eleni. She appeared in comedy-drama film Mrs. Doubtfire (1993) alongside Mara Wilson, Sally Field, Matthew Lawrence, and Robin Williams. When Jakub received the part of Lydia in Mrs. Doubtfire, her high school expelled her for accruing too many absences. Robin Williams wrote a letter to Jakub's high school, pleading with them to re-admit Jakub but this was unsuccessful.She played Sandra in Matinee (1993), appeared in A Pig's Tale (1994) and Independence Day (1996), The Beautician and the Beast (1997), and played the \"inspiration\" for Princess Leia in the short film George Lucas in Love (1999). She starred in Picture Perfect (1995), and portrayed a bordello worker in the American Old West in Painted Angels (1997).\n\nPersonal life\nAfter retiring from acting in 2001 at the age of 22, Jakub moved to Virginia and married her longtime best friend, former Hollywood theater manager Jeremy Jones, in 2005. She has publicly stated that she has no plans to return to acting. Jakub later became a writer, authoring two books called You Look Like That Girl (2015) and Not Just Me (2017) and regularly contributes to online blogs. Jakub is also a qualified Kripalu yoga teacher. She has openly discussed her battles with anxiety, depression and panic attacks, which she has suffered from since her teenage years and credits her yoga practice in helping her overcome her battles. In 2021, Lisa launched a new website, BlueMala, which she described as the resource that she wished she had when she was in her darkest moments. The website contains her articles on mental wellness along with her yoga and meditation videos.\n\nWritings\nYou Look Like That Girl: A Child Actor Stops Pretending and Finally Grows Up (2015)\nNot Just Me: Anxiety, Depression, and Learning to Embrace Your Weird (2017)\n(Don't) Call Me Crazy (contributing writer) (Algonquin, 2018)\n\nFilmography\nFilm\nTelevision\nPassage 7:\nDana Blankstein\nDana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors  in November 2019.  Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur.\n\nBiography\nDana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv.\nBlankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners.  She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007.\n\nFilm and academic career\nAfter her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities.\nBlankstein directed the mini-series \"Tel Aviviot\" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television.\nIn November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem.\n\nFilmography\nTel Aviviot (mini-series; director, 2012)\nGrowing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)\nCamping (debut film, Sam Spiegel; director and screenwriter, 2006)\nPassage 8:\nMichael Govan\nMichael Govan (born 1963) is the director of the Los Angeles County Museum of Art. Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City.\n\nEarly life and education\nGovan was born in 1963 in North Adams, Massachusetts, and was raised in the Washington D.C. area, attending Sidwell Friends School.He majored in art history and fine arts at Williams College, where he met Thomas Krens, who was then director of the Williams College Museum of Art. Govan became closely involved with the museum, serving as acting curator as an undergraduate. After receiving his B.A. from Williams in 1985, Govan began an MFA in fine arts from the University of California, San Diego.\n\nCareer\nAs a twenty-five year old graduate student, Govan was recruited by his former mentor at Williams, Thomas Krens, who in 1988 had been appointed director of the Solomon R. Guggenheim Foundation. Govan served as deputy director of the Solomon R. Guggenheim Museum under Krens from 1988 to 1994, a period that culminated in the construction and opening of the Frank Gehry designed Guggenheim branch in Bilbao, Spain. Govan supervised the reinstallation of the museum's permanent collection galleries after its extensive renovation.\n\nDia Art Foundation\nFrom 1994 to 2006, Govan was president and director of Dia Art Foundation in New York City. There, he spearheaded the conversion of a Nabisco box factory into the 300,000 square foot Dia:Beacon in New York's Hudson Valley, which houses Dia's collection of art from the 1960s to the present. Built in a former Nabisco box factory, the critically acclaimed museum has been credited with catalyzing a cultural and economic revival within the formerly factory-based city of Beacon. Dia's collection nearly doubled in size during Govan's tenure, but he also came under criticism for \"needlessly and permanently\" closing Dia's West 22nd Street building. During his time at Dia, Govan also worked closely with artists James Turrell and Michael Heizer, becoming an ardent supporter of Roden Crater and City, the artists' respective site-specific land art projects under construction in the American southwest. Govan successfully lobbied Washington to have the 704,000 acres in central Nevada surrounding City declared a national monument in 2015.\n\nLACMA\nIn February 2006, a search committee composed of eleven LACMA trustees, led by the late Nancy M. Daly, recruited Govan to run the Los Angeles County Museum of Art. Govan has stated that he was drawn to the role not only because of LACMA's geographical distance from its European and east coast peers, but also because of the museum's relative youth, having been established in 1961. \"I felt that because of this newness I had the opportunity to reconsider the museum,\" Govan has written, \"[and] Los Angeles is a good place to do that.\"Govan has been widely regarded for transforming LACMA into both a local and international landmark. Since Govan's arrival, LACMA has acquired by donation or purchase over 27,000 works for the permanent collection, and the museum's gallery space has almost doubled thanks to the addition of two new buildings designed by Renzo Piano, the Broad Contemporary Art Museum (BCAM) and the Lynda and Stewart Resnick Pavilion. LACMA's annual attendance has grown from 600,000 to nearly 1.6 million in 2016.\n\nArtist collaborations\nSince his arrival, Govan has commissioned exhibition scenography and gallery designs in collaboration with artists. In 2006, for example, Govan invited LA artist John Baldessari to design an upcoming exhibition about the Belgian surrealist Ren\u00e9 Magritte, resulting in a theatrical show that reflected the twisted perspective of the latter's topsy-turvy world. Baldessari has also designed LACMA's logo. Since then, Govan has also commissioned Cuban-American artist Jorge Pardo to design LACMA's Art of the Ancient Americas gallery, described in the Los Angeles Times as a \"gritty cavern deep inside the earth ... crossed with a high-style urban lounge.\"Govan has also commissioned several large-scale public artworks for LACMA's campus from contemporary California artists. These include Chris Burden's Urban Light (2008), a series of 202 vintage street lamps from different neighborhoods in Los Angeles, arranged in front of the entrance pavilion, Barbara Kruger's Untitled (Shafted) (2008), Robert Irwin's Primal Palm Garden (2010), and Michael Heizer's Levitated Mass, a 340-ton boulder transported 100 miles from the Jurupa Valley to LACMA, a widely publicized journey that culminated with a large celebration on Wilshire Boulevard. Thanks in part to the popularity of these public artworks, LACMA was ranked the fourth most instagrammed museum in the world in 2016.In his first three full years, the museum raised $251 million\u2014about $100 million more than it collected during the three years before he arrived. In 2010, it was announced that Govan will steer LACMA for at least six more years. In a letter dated February 24, 2013, Govan, along with the LACMA board's co-chairmen Terry Semel and Andrew Gordon, proposed a merger with the financially troubled Museum of Contemporary Art, Los Angeles and a plan to raise $100 million for the combined museum.\n\nZumthor Project\nGovan's latest project is an ambitious building project, the replacement of four of the campus's aging buildings with a single new state of the art gallery building designed by architect Peter Zumthor. As of January 2017, he has raised about $300 million in commitments. Construction is expected to begin in 2018, and the new building will open in 2023, to coincide with the opening of the new D Line metro stop on Wilshire Boulevard. The project also envisages dissolving all existing curatorial departments and departmental collections. Some commentators have been highly critical of Govan's plans. Joseph Giovannini, recalling Govan's technically unrealizable onetime plan to hang Jeff Koons' Train sculpture from the facade of the Ahmanson Gallery, has accused Govan of \"driving the institution over a cliff into an equivalent mid-air wreck of its own\". Describing the collection merging proposal as the creation of a \"giant raffle bowl of some 130,000 objects\", Giovannini also points out that the Zumthor building will contain 33% less gallery space than the galleries it will replace, and that the linear footage of wall space available for displays will decrease by about 7,500 ft, or 1.5 miles. Faced with losing a building named in its honor, and anticipating that its acquisitions could no longer be displayed, the Ahmanson Foundation withdrew its support.\nOn the merging of the separate curatorial divisions to create a non-departmental art museum, Christopher Knight has pointed out that \"no other museum of LACMA's size and complexity does it\" that way, and characterized the museum's 2019 \"To Rome and Back\" exhibition, the first to take place under the new scheme, as \"bland and ineffectual\" and an \"unsuccessful sample of what's to come\".\n\nPersonal life\nGovan is married and has two daughters, one from a previous marriage. He and his family used to live in a $6 million mansion in Hancock Park that was provided by LACMA - a benefit worth $155,000 a year, according to most recent tax filings - until LACMA decided that it would sell the property to make up for the museum's of almost $900 million in debt [2]. That home is now worth nearly $8 million and Govan now lives in a trailer park in Malibu's Point Dume region.\nLos Angeles CA 90020\nUnited States. He has had a private pilot's license since 1995 and keeps a 1979 Beechcraft Bonanza at Santa Monica Airport.\nPassage 9:\nTomris Giritlio\u011flu\nTomris Giritlio\u011flu (born 1957) is a Turkish film director and producer. She is best known for directing the 1999 film Mrs. Salk\u0131m's Diamonds.\n\nSelected filmography\nPassage 10:\nMax Varnel\nMax Varnel (21 March 1925 \u2013 15 January 1996) was a French-born Australian film and television director who worked primarily in the United Kingdom and Australia.\n\nBiography\nBorn Max Le Bozec in Paris, France, he was the son of the film director Marcel Varnel. He began his career as an assistant director of The Magic Box (1951) and continued in this rol for The Card (1952), Devil Girl from Mars (1954), and The Cockleshell Heroes (1955), among others. His directing credits encompass a long string of B movies, including Moment of Indiscretion, A Woman Possessed (both 1958), Top Floor Girl, Web of Suspicion, The Child and the Killer, and Crash Drive (all 1959).\nVarnel's television credits include The Vise, The Cheaters, Softly Softly, and The Troubleshooters in the UK, and Skippy, Glenview High, The Young Doctors, and Neighbours in Australia, where he emigrated in the late 1960s.\nVarnel died of a heart attack in Sydney at the age of 70.\n\nSelected filmography\nEnter Inspector Duval (1961)\nReturn of a Stranger (1961)\nMrs. Gibbons' Boys (1962)\n\nExternal links\nMax Varnel at IMDb\nMax Varnel at the BFI's Screenonline", "answers": ["French"], "length": 3256, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "dde2c006bfa530403e8c9bafc6497d0e65aad8cf1b6813ee"}

“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.