You are a helpful assistant generating synthetic data that captures *System 1* and *System 2* thinking, *creativity*, and *metacognitive reflection*. Follow these steps in sequence, using tags [sys1] and [end sys1] for *System 1* sections and [sys2] and [end sys2] for *System 2* sections.

1. *Identify System 1 and System 2 Thinking Requirements:*
   - Carefully read the text.
   - Identify parts of the text that require quick, straightforward responses (*System 1*). Mark these sections with [sys1] and [end sys1].
   - Identify parts that require in-depth, reflective thinking (*System 2*), marked with [sys2] and [end sys2].

2. *Apply Step-by-Step Problem Solving with Creativity and Metacognitive Reflection for System 2 Sections:*

   *2.1 Understand the Problem:*
   - Objective: Fully comprehend the issue, constraints, and relevant context.
   - Reflection: "What do I understand about this issue? What might I be overlooking?"
   - Creative Perspective: Seek hidden patterns or possibilities that could reveal deeper insights or innovative connections.

   *2.2 Analyze the Information:*
   - Objective: Break down the problem logically.
   - Reflection: "Am I considering all factors? Are there any assumptions that need challenging?"
   - Creative Perspective: Explore unique patterns or overlooked relationships in the data that could add depth to the analysis.

   *2.3 Generate Hypotheses:*
   - Objective: Propose at least 10 hypotheses, each with a Confidence Score (0.0 to 1.0) and Creative Score (0.0 to 1.0), reflecting originality, surprise, and utility.
   - Reflection: "Have I explored all possible explanations or approaches, both conventional and unconventional?"
   - Creative Perspective: Consider novel angles that might provide unexpected insights.

   *2.4 Anticipate Future Steps and Obstacles:*
   - Objective: Make predictions, accounting for potential outcomes and obstacles.
   - Reflection: "What challenges might I face? Is my plan flexible for different scenarios?"
   - Creative Perspective: Visualize unforeseen outcomes and adapt plans to make use of them effectively.

   *2.5 Evaluate Hypotheses:*
   - Objective: Assess hypotheses based on feasibility, risk, and potential impact.
   - Evaluation: Refine Confidence and Creative Scores as needed.
   - Reflection: "Am I unbiased in my assessment? Which options fit best with the overall objectives?"
   - Creative Perspective: Identify hidden opportunities or overlooked details in each hypothesis.

   *2.6 Select the Best Hypothesis:*
   - Objective: Choose the most promising, strategic hypothesis.
   - Reflection: "Why does this hypothesis stand out? How does it uniquely address the issue?"
   - Creative Perspective: Consider any underutilized potential in the selected approach.

   *2.7 Implement the Hypothesis:*
   - Objective: Outline actionable steps for testing the hypothesis.
   - Reflection: "Is this plan practical? What resources or preparation are required?"
   - Creative Perspective: Refine steps to maximize effectiveness and yield unexpected benefits.

   *2.8 Monitor and Review Progress:*
   - Objective: Review progress, noting areas for improvement.
   - Reflection: "What’s working well? What could be improved?"
   - Creative Perspective: Look for emerging patterns that could refine future approaches.

   *2.9 Reflect and Capture Insights:*
   - Objective: Summarize lessons learned and insights gained for future reference.
   - Reflection: "What new understanding has emerged from this process?"
   - Creative Perspective: Identify innovative insights or patterns that could be applied to similar challenges.

3. *Generate Text Output with Interleaved System 1 and System 2 Responses:*
   - Use the tags [sys1] and [sys2] throughout.
   - Aim for a lengthier, detailed response. Combine both direct, straightforward *System 1* insights and reflective, deeply analytical *System 2* segments to capture a blend of quick observations and thoughtful analysis.

---

### *Example Input Text:*

You are tasked with analyzing a sudden shift in customer preferences in a tech market. There has been a noticeable decline in demand for physical devices, with customers increasingly interested in digital-only options. The challenge is to understand this shift, generate hypotheses for why it might be occurring, and explore potential strategies for adapting to this new trend.

---

### *Processed Output with System 1 and System 2 Thinking:*

The tech market is experiencing a shift in customer demand, moving away from physical devices toward digital-only options.

[sys1]
Customer demand has shifted from physical devices to digital-only options.
We need to understand why this change is happening and find strategies to address it.
Key factors may include cost, convenience, and technological trends.
[end sys1]

[sys2]
**2.1 Understand the Problem:**
The goal is to understand the underlying reasons for the shift in demand from physical devices to digital-only options, then develop a strategy to adapt.

*Reflection:* 
"I understand that preferences are changing, but what might be driving this? Is it primarily cost, or are there other factors such as convenience or sustainability?"

*Creative Perspective:* 
"Could there be a larger trend in digital minimalism or a preference for eco-friendly solutions that we’re missing? What unseen motivations might explain this shift?"

**2.2 Analyze the Information:**
There are multiple possible factors driving this shift, from economic influences to cultural shifts. It’s essential to isolate each factor and understand its impact.

*Reflection:* 
"Am I fully considering the various economic and social influences? Could there be a technological factor, like better internet speeds, that makes digital-only products more accessible?"

*Creative Perspective:* 
"Are there patterns or trends in other markets that could shed light on this shift? Could this be part of a larger trend toward virtual experiences?"

**2.3 Generate Hypotheses:**
1. Customers prefer digital options due to lower costs. (Confidence: 0.8, Creative: 0.4)
2. There’s a growing trend toward minimalism and reduced physical clutter. (Confidence: 0.7, Creative: 0.7)
3. Digital products offer greater flexibility and ease of use. (Confidence: 0.6, Creative: 0.6)
4. Environmental concerns are pushing consumers away from physical goods. (Confidence: 0.6, Creative: 0.8)
5. Advances in tech make digital-only options more functional. (Confidence: 0.8, Creative: 0.5)
6. Pandemic-era remote work increased demand for digital solutions. (Confidence: 0.7, Creative: 0.6)
7. Media coverage of the environmental impact of physical devices affects preferences. (Confidence: 0.5, Creative: 0.7)
8. There’s an increase in global digital literacy, expanding market access. (Confidence: 0.6, Creative: 0.6)
9. Customers view digital as more convenient and scalable for future needs. (Confidence: 0.7, Creative: 0.5)
10. Younger consumers prefer the aesthetics and convenience of digital products. (Confidence: 0.6, Creative: 0.6)

*Reflection:* 
"Have I considered all possible influences? Are there any surprising factors that could explain this shift?"

*Creative Perspective:* 
"Could specific social trends, like the rise of influencer culture or digital-first lifestyles, be influencing customer choices?"

**2.4 Anticipate Future Steps and Obstacles:**
*Objective:* Anticipate possible challenges, such as resistance from segments still preferring physical products.

*Reflection:* 
"What market obstacles might we face if we shift our focus to digital-only? Are there sub-segments that still prioritize physical products?"

*Creative Perspective:* 
"Could expanding digital options help us reach a more global audience? Are there emerging trends that we could leverage in our strategy?"

[end sys2]

[sys1]
To address this shift, consider a strategy that incorporates both digital-only offerings and educational campaigns about the benefits of digital solutions.
Use insights from customer feedback and current trends to guide product development.
Focus on flexibility and adaptation to cater to different customer segments.
[end sys1]


Nikolay Zabolotsky

Nikolay Alexeyevich Zabolotsky (; May 7, 1903 — October 14, 1958) was a Russian poet, children's writer and translator. He was a Modernist and one of the founders of the Russian avant-garde absurdist group Oberiu.

Life and work

Nikolay Alekseevich Zabolotsky was born on May 7, 1903 in Kizicheskaya sloboda (now part of the city of Kazan).  His early life was spent in the towns of Sernur (now in the Republic of Mari El) and Urzhum (now in the Kirov Oblast).  In 1920, Zabolotsky left his family and moved to Moscow, enrolling simultaneously in the departments of medicine and philology at the Moscow University.  A year later, he moved to Petrograd (now Saint Petersburg) and enrolled in the Pedagogical Institute of Saint Petersburg State University.

Zabolotsky had already begun to write poetry at this time.  His formative period showed the influences of the Futurist works of Vladimir Mayakovsky and Velimir Khlebnikov, the lyrical poems of Alexander Blok and Sergei Esenin, and the art of Pavel Filonov and Marc Chagall.  During this period, Zabolotsky also met his future wife, E.V. Klykova.

In 1928, Zabolotsky founded the avant-garde group Oberiu with Daniil Kharms and Alexander Vvedensky.  The group's acronym stood for "The Association of Real Art" (in Russian, Объединение реального искусства).  During this period, Zabolotsky began to be published.  His first book of poetry, Columns (Столбцы, 1929), was a series of grotesque vignettes on the life that Vladimir Lenin's New Economic Policy (NEP) had created.  It included the poem "The Signs of the Zodiac Fade" (Меркнут знаки зодиака), an absurdist lullaby that, 67 years later, in 1996, provided the words for a Russian pop hit.  In 1937, Zabolotsky published his second book of poetry.  This collection showed the subject matter of Zabolotsky's work moving from social concerns to elegies and nature poetry.  This book is notable for its inclusion of pantheistic themes.

Amidst Joseph Stalin's increased censorship of the arts, Zabolotsky fell victim to the Soviet government's purges.  In 1938, he was sent for five years to Siberia. This sentence was prolonged until the war was over. In 1944 after his appeal he was freed of guard, but still continued the sentence in exile in Karaganda. In Siberia he continued his creative work and was occupied with translation of The Tale of Igor's Campaign. This followed with his release in 1945.  Upon his return to Moscow in 1946, Zabolotsky was restored as member of Union of Soviet Writers. He also translated several Georgian poets (including Shota Rustaveli's epic poem The Knight in the Panther's Skin, as well as more modern Georgian poets such as Vazha-Pshavela, Grigol Orbeliani, David Guramishvili) and traveled frequently to Georgia.  Zabolotsky also resumed his work as an original poet.  However, the literature of his post-exile years experienced drastic stylistic changes.  His poetry began to take a more traditional, conservative form and was often compared to the work of Tyutchev.

The last few years of Zabolotsky's life were beset by illness.  He suffered a debilitating heart attack and, from 1956 onward, spent much of his time in the town of Tarusa.  A second heart attack claimed his life on October 14, 1958 in Moscow.

References

External links
 Poems in English
 Lib.ru
 О Николае Заболоцком
 Rassvet.websib.ru
 Николай Заболоцкий. Стихи
 , songs on poems by Zabolotsky by Novoseltseva

Category:1903 births
Category:1958 deaths
Category:People from Kazan
Category:People from Kazan Governorate
Category:20th-century Russian poets
Category:Russian male poets
Category:Saint Petersburg State University alumni
Category:Burials at Novodevichy Cemetery
Category:Gulag detainees
Category:20th-century Russian male writers