{"input": "Where did the director of film The Little Door Into The World die?", "context": "Passage 1:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.  He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983\u201385), Government Publications Office (1985\u201386), and Department of Finance (1986\u201389). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site.  Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds.  As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later.  Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After C\u00e9zanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education.  During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\"   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired.  In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum.  In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==\nPassage 2:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 3:\nJesse E. Hobson\nJesse Edward Hobson (May 2, 1911 \u2013 November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation.\n\nEarly life and education\nHobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children.\n\nCareer\nAwards and memberships\nHobson was named an IEEE Fellow in 1948.\nPassage 4:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 5:\nThe Little Door Into the World\nThe Little Door Into the World is a 1923 British silent drama film directed by George Dewhurst and starring Lawford Davidson, Nancy Beard and Olaf Hytten.\n\nCast\nLawford Davidson as Lefarge\nNancy Beard as Maria Jose / Celestine\nOlaf Hytten as Mountebank\nPeggy Patterson as Dancer\nVictor Tandy as Agent\nArthur Mayhew as Troubador\nBob Williamson as Manager\nPassage 6:\nJung-Ho Pak\nJung-Ho Pak (born February 4, 1962 in Burlingame, California) is an American symphony conductor. He was Artistic Director of the San Diego Symphony and of the New Haven Symphony Orchestra, of which he is now Conductor Emeritus. He was Music Director of the Diablo Ballet and the NEXT Generation Chamber Orchestra.  He was the artistic director of the now-defunct Orchestra Nova San Diego. Pak has guest conducted internationally. He is the Director of the Cape Cod Symphony Orchestra, and is a former musical director of the World Youth Symphony Orchestra and the director of orchestras at the Interlochen Center for the Arts. In May 2023, he announced that he was stepping down as the Artistic Director and Conductor of the Cape Symphony at the end of the summer.\n\nEducation\nPak began studying the piano at age 6. Three years later, he was awarded a scholarship to the San Francisco Conservatory and enrolled in a college music theory class.  He began studying clarinet at age 11, and played in multiple bands and orchestras into college. \n\nGraduated Lynbrook High School, San Jose, (1980)\nB. A., Music, University of California, Santa Cruz, (1980-2)\nAssoc. of California Symphony Orch. Conducting Seminar, Franz Allers (1982)\nSan Francisco Conservatory of Music, Michael Senturia, Jahja Ling (1982-4)\nTanglewood Conducting Seminar, (1983)\nM.M. University of Southern California, Daniel Lewis (1984-6)\nHerbert Blomstedt Conducting Institute, Master Class (1985)\nRedlands Symphony Conducting Institute (1986-7)\nAmerican Conductors Guild Seminar, Harold Farberman, Dan Lewis (1987)\nMusic Academy of the West, (1989)\n\nCareer\nEarly in his career, Pak was a conductor and professor at several schools including the University of California, Berkeley and University of California, Santa Barbara, Idyllwild Arts Academy, and Lehigh University. In 1988, he won a national conducting competition with the Young Musicians Foundation's Debut Orchestra.\nIn 1997, Pak was appointed music director the San Diego Symphony to lead it out of bankruptcy, which eventually became an artistic and financial success, receiving one of the largest endowment pledges in American orchestral history (over $110 million). In 1998, Pak succeeded Daniel Lewis as music director of the University of Southern California Symphony and was also named music director at the San Francisco Conservatory of Music Orchestra. In 1999, he additionally became music director of the New Haven Symphony Orchestra, with which he was named Music Director Emeritus in 2007.\nSince 2003, Pak has been director of orchestras and music director of the World Youth Symphony Orchestra at the Interlochen Center for the Arts, one of the largest and oldest arts camps in the country. In 2006, the San Diego Chamber Orchestra appointed Pak as artistic director and conductor; in 2009 the ensemble changed their name to Orchestra Nova San Diego to reflect their aspirations under Pak's leadership. The ensemble filed for Chapter 7 bankruptcy in 2012 due to an impasse between Pak and the Musician's Union, with Pak stating that he would prefer to choose members in his ensembles. In 2007, Pak began his tenure as artistic director and conductor of the Cape Cod Symphony Orchestra, one of the largest orchestras in Massachusetts. In 2008, Pak was a guest conductor for the 2008 ASTA National High School Honors Orchestra. In 2015, Pak was the conductor for the 2015 NAfME All-National Honors Symphony Orchestra. In May 2023, he announced that he was stepping down as the Artistic Director and Conductor of the Cape Symphony at the end of the summer.\nPassage 7:\nThe Time, the Place and the Girl (1946 film)\nThe Time, the Place and the Girl is a 1946 American musical film directed in Technicolor by David Butler. It is unrelated to the 1929 film The Time, the Place and the Girl.\n\nPlot\nSteve and Jeff are about to open a nightclub when a man named Martin Drew who represents conductor Ladislaus Cassel claims that Cassel, who is living next door, objects to the club's music and that it disturbs his granddaughter, Victoria, an aspiring opera singer.\nIt turns out that Cassel himself is fine with the club but Vicki's grandmother Lucia is against it. Cassel also urges Vicki not to marry Andrew, her fiance, without being certain. After she meets Steve, she is attracted to him. Steve has a girlfriend, Elaine Winters, who is trying to persuade John Braden, a rich Texan, to finance the club. Elaine is upset about Vicki's presence and threatens to marry Braden.\nJeff and his girlfriend, singer Sue Jackson, hope to get a new show off the ground, but both Vicky's grandmother and Steve's girl Elaine keep interfering. Cassel offers to finance the show provided Vicky can be in it. Lucia is livid until she reluctantly attends the show, at which she is charmed and gives her approval.\n\nCast\nSoundtrack\n\"A Rainy Night in Rio\"'Music by Arthur Schwartz\nLyrics by Leo Robin\nPerformed by Jack Carson, Dennis Morgan, Janis Page and Martha Vickers (dubbed by Sally Sweetland)\"Oh, But I Do\"Music by Arthur Schwartz\nLyrics by Leo Robin\nSung by Dennis Morgan\"A Gal in Calico\" (Nominated for an Academy Award for Best Original Song of 1948)Music by Arthur Schwartz\nLyrics by Leo Robin\nPerformed by Dennis Morgan, Jack Carson, Martha Vickers (dubbed by Sally Sweetland) and chorus\"Through a Thousand Dreams\"Music by Arthur Schwartz\nLyrics by Leo Robin\"A Solid Citizen of the Solid South\"Music by Arthur Schwartz\nLyrics by Leo Robin\nPerformed by Jack Carson and the Condos Brothers\"I Happened to Walk Down First Street\"Music by Arthur Schwartz\nLyrics by Leo Robin\n\nBox office\nAccording to Warner Bros. records, it was the studio's most financially successful film of 1946\u201347, earning $3,461,000 domestically and $1,370,000 in foreign territories.\nPassage 8:\nOlav Aaraas\nOlav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.\nHe was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.\nPassage 9:\nS. N. Mathur\nS.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab.\nPassage 10:\nGeorge Dewhurst (director)\nGeorge Dewhurst (1889 in Preston, Lancashire, England - 8 November 1968 in Tooting, London, England) was a British actor, screenwriter and film director. He directed several film versions of the play A Sister to Assist 'Er.\n\nPartial filmography\nScreenwriter\nThe Lunatic at Large (1921)\nThe Narrow Valley (1921)\nDollars in Surrey (1921)\nNo Lady (1931)\nThe Price of Wisdom (1935)\nAdventure Ltd. (1935)\nKing of the Castle (1936)\n\nDirector\nThe Live Wire (1917)\nA Great Coup (1919)\nThe Homemaker (1919)\nThe Uninvited Guest (1923)\nThe Little Door Into the World (1923)\nWhat the Butler Saw (1924)\nSweeney Todd (1926)\nIrish Destiny (1926)\nThe Rising Generation (1928)\n\nActor\nThe Woman Wins (1918)\nThe Toilers (1919)\nThe Tinted Venus (1921)\nNever Trouble Trouble (1931)\nMen Without Honour (1939)\nDeadlock (1943)", "answers": ["London"], "length": 3039, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "5e46e20a637625300d8e198a1d11435e9c83592bb527321a"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.