agentlans/allenai-WildChat-4.8M-prompts huggingface dataset:
(At the top of Mana Tower…)

Monika: “…this is the top of the Mana Tower?”

Sayori: “Seems so.”

Natsuki: “Honestly, I was expecting a little more…pink. It IS my favorite color after all.”

Yuri: (looking down) “T-T-T-That is a long way down…”

Ayano: “Hmm…I wonder if we can turn this into a base.”

Kotonhoa: (sigh) “Jeez…the eight elementals haven’t shown up yet.”

Himari: “Agreed, Kotonhoa. But still, this place almost touches the clouds!”

Kiyomi: (noticing Yuri shaking in fear) “Yuri, are you okay?”

Yuri: (nervously) “I-I’m just not very good with heights…but I’ll be alright.”

Kotonhoa: “We should be careful up here. The wind is quite strong.”

Monika: “You’re right, Kotonhoa. Let’s all stay close together and be cautious.”

Natsuki: “Ugh, I hate strong winds. It messes up my hair!”

Sayori: “Wait a minute…is the wind elemental playing pranks on us?”

Yuri: “I highly doubt it, Sayori. The wind elemental is a mischievous one, but I don’t think he would intentionally put us in danger.”

Natsuki: “Just wait a minute, Yuri. JINN!!”

(As if responding to Natsuki’s voice, Jinn - the elemental of wind - appears from the strong winds.)

Jinn: “What’s all the commotion about? Did someone call for me?”

Natsuki: “Well, I was just complaining about the strong winds, and then you showed up!”

Jinn: “Ah, that must’ve been why I sensed someone talking about winds. I couldn’t resist joining in.”

Monika: “But Jinn, this wind is quite powerful up here. Is there any way you could calm it down?”

Jinn: “Calm it down? Where’s the fun in that? But don’t worry, I can make it more manageable for you all.”

(Jinn waves his hand, and the winds gradually decrease in intensity.)

Yuri: “Thank you, Jinn. That feels much better.”

Jinn: “No problem! Just remember, I’m always around when the wind is at play.”

(Jinn disappears, and a small wind symbol appears of Kiyomi’s hand.)

Kiyomi: “Oh, look! Jinn left a gift for me.”

Monika: “What does it do?”

Kiyomi: “This wind symbol allows me to control the wind to some extent. It’s a useful tool to have.”

Sayori: “That’s amazing, Kiyomi! You can join in on the wind pranks with Jinn now.”

Kiyomi: “Haha, maybe. But I’ll make sure not to put anyone in danger.”

Natsuki: “Well, now that the wind isn’t as strong, we can enjoy the view without worrying about getting blown away.”

Himari: “Indeed. It’s breathtaking up here.”

(Just then, a strange-looking creature resembling an eagle with flames covering its body and beak swoops down from the skies.)

Malevodon: “…”

Himari: “That’s no ordinary phoenix…”

Natsuki: “It’s not even a phoenix at all!”

Malevodon: “…”

Kiyomi: “I don’t know about you guys, but I’m not getting ANYWHERE near that thing!”

Sayori: “Yeah, same!”

(Just then, Salamander - the elemental of fire - appears from seemingly nowhere.)
How would Arya react to Gendry flying?
Translate

"Roma Addenda Est"
پاراگرافها را به انگلیسی چکیده ی چکیده کن Using clever content

Changes in media and journalism practices have resulted not only in a diversification of content and platforms, but in the job titles that describe various overlapping practices. Titles such as brand journalism’, ‘corporate storytelling’, ‘content marketing’ and ‘native advertising’ have emerged in recent years, each sharing the common element of storytelling or content development, A close look at how these fields are defined makes it clear that they hold much in common:

• Content marketing is described as ‘the creation of valuable, relevant and compelling content by the brand itself on a consistent basis, used to generate a positive behavior from a customer or prospect of the brand (Pulizzi, 2012, p. 116).
• Brand journalism is described as the use of journalistic techniques to tell an organisation’s story direct to the public a hybrid of tradi- tional journalist, marketing and public relations (Bull, 2013, p. 1).
• Organisational storytelling is defined as ‘the practice of using narra- tion from within the organisation relating to its people, practices, policies and visions to effectively engage’ (Gill, 2015).
• Native advertising is described as paid ‘content that bears a similarity to the news, feature articles, product review, entertainment, and other material that surrounds it online’ (US Federal Trade Commission,
2015).
These fields incorporate the advertiser, the marketer, the PR strategist and even the journalist into the idea of creating a consistent and compel- ling narrative across various platforms. This is represented in Figure 1.2, which shows how media can be paid, owned, earned and shared.
Essentially, the categories are broken down along these lines:
• Paid media are media you pay for-in short, advertising, such as display ads, pay-per-click or paid mentions by influencers (a part of native advertising).
• Owned media are your website and social media platforms that are controlled by you (your brand or organisation).
• Farned media are word of mouth, mentions, shares, reposts or content picked up by third parties (includes social and news).
• Shared media are media that have elements across more than one of these categories.



Telling stories and using a range of platforms that provide more than just information is now understood as a key media strategy. So, much more than just staying on message’, the idea of organisational storytelling is about connecting with your publics in meaningful ways. Sometimes
script about the university of maryland in cockeysville diamondbacks
optimize this code
require ‘time’

class Api::V1::SchedulesController < ApplicationController
def index
departure_station = params[:departure]
destination_station = params[:destination]

if departure_station.present? && destination_station.present?
# Get all schedules that contain the departure station
schedules = Schedule.joins(:stations).where(stations: { name: departure_station }).distinct.includes(:stations, route: :bus_schedule)

trips = []

schedules.each do |schedule|
stations = schedule.stations.order(‘arrival_time ASC’)
station_names = stations.map(&:name)

if station_names.index(departure_station) && station_names.index(destination_station) &&
station_names.index(departure_station) < station_names.index(destination_station)

trip_data = {
vehicle_number: schedule.route.bus_schedule.vehicle_number,
trip: schedule.trip,
stations: stations.map do |station|
{
station: station.name,
arrivalTime: station.arrival_time,
departureTime: station.departure_time
}
end
}

trips << trip_data
end
end

# Sort trips based on the arrival time of the departure station
# sorted_trips = trips.sort_by { |trip| trip[:stations].find { |station| station[:station] == departure_station }[:arrivalTime] }
sorted_trips = trips.sort_by do |trip|
time_str = trip[:stations].find { |station| station[:station] == departure_station }[:departureTime]
Time.parse(time_str) # assuming arrivalTime is in “08:32 am” format
end
# Return the sorted trips data
render json: sorted_trips, status: :ok

else
# Error response if parameters are missing
render json: { error: ‘Departure and destination stations are required.’ }, status: :unprocessable_entity
end
end
end

db structure

# app/models/bus_schedule.rb
class BusSchedule < ApplicationRecord
has_many :routes
end

# app/models/route.rb
class Route < ApplicationRecord
belongs_to :bus_schedule
has_many :schedules
end

# app/models/schedule.rb
class Schedule < ApplicationRecord
belongs_to :route
has_many :stations
end

# app/models/station.rb
class Station < ApplicationRecord
belongs_to :schedule
end
in sql server, is there a way to get the entire chain of foreign keyed tables starting from a specific table?
Early Influences: Explore the background of Linda Ronstadt(music_artist), including family, upbringing, and early exposure to their craft. Discuss key influences and mentors who inspired their path.

        Instructions:{ Please write an interesting script with the given context without adding any introductory or concluding remarks.
        In case you find some more information about this topic then use all information you have to create a large text about this topic.The text should as long as possible and in best case around 1000 characters long.
        Ensure that there are no emojis, text within brackets, parentheses, or similar symbols in the response. 
        Provide a single coherent response without rephrasing or repeating titles or headings. Avoid enumerations or bullet points. 
        The text is intended for older adults; use simple vocabulary appropriate for a middle school reading level. Provide concise, direct answers without introductions or conclusions. 
        Use transition words at the beginning of your reply instead of the subject name and leave the end open without a concluding sentence. 
        It is very important to provide only the final output without any additional comments or remarks for example: 'Certainly!' Here's the revised text.
         
        Please provide the text directly without any labels such as "Conclusion:", "Introduction:", or "Transition:". Focus only on delivering the requested content without any headings or section titles.
        Please generate a complete and coherent response based on the provided input. Ensure that the response is fully formed and does not contain any placeholders such as '[Introduction]', '[Conclusion]', or any other incomplete sections. 
        The text should flow naturally without any gaps or missing information, and no placeholder markers or brackets should be used. 
        Please respond to my question, and always conclude your reply with the words "Reply finished" to indicate that your response is complete. 
        Make sure the reply is fully contained before these words and is not cut off prematurely. Thank you.}
         Please respond to my question, and always conclude your reply with the words 'Reply finished' to indicate that your response is complete. Ensure that the text is fully formed without any placeholders such as '[Conclusion]' or '[Placeholder]'. Make sure the reply is fully contained before these words and is not cut off prematurely. Thank you.
It was developed in 1977 by Ron Rivest, Adi Shamir, and Leonard Adleman; RSA has become a cornerstone of online security.
Overview of RSA:
Principles: 
RSA uses two keys: a public key, which can be shared openly, and a private key, which is kept secret. The public key is used for encryption, while the private key is used for decryption. This asymmetry allows anyone to encrypt data but only the intended recipient to decrypt it.
Key Generation: 
The process involves generating two large prime numbers, multiplying them to obtain a modulus, and calculating a public and private exponent. The public key consists of the modulus and the public exponent, while the private key consists of the modulus and the private exponent.
Encryption: 
To encrypt a message, the sender transforms the plaintext into ciphertext using the recipient's public key. This process ensures that only the holder of the corresponding private key can decode the message.
Decryption: 
The recipient uses their private key to decrypt the ciphertext back into plaintext, making the information readable again.
Analyze the following message and determine if it's suitable for an AI to respond to.
        The message should be abstract or general enough to warrant a response, and not part of an ongoing conversation between specific individuals.

        Rules:
        1. If the message is a general statement or question, it's suitable for response.
        2. If the message seems to be directed at a specific person or continues a previous conversation, it's not suitable.
        3. If the message is too vague or doesn't provide enough context, it's not suitable.

        Respond with either "RESPOND" if it's suitable for an AI to answer, or "SKIP" if it should be ignored.

        Message: Not good?
Assistant: 
User: System: I will provide you with a textual user review of an Android app, aiming to categorize the reviews into specific intention classes:
bug report: report a problem, such as faulty behavior of the application. describe problems with the app which should be corrected, such as a crash, an erroneous behavior, or a performance issue.
feature request: ask for a missing feature, functionality or content, as well as reviews that ask for the improvement of an existing feature.
other: users express general appreciation with the application. It focuses on general judgment. They are simple text reflections of the numeric star rating. Ratings are less informative as they only include praise, dispraise, a distractive critique, or a dissuasion. Reviews where users describe workarounds, use cases and scenarios involving the app
User: 'prompt:I will provide you with a textual user review of an Android app, aiming to categorize the reviews into specific intention classes:
bug report: report a problem, such as faulty behavior of the application. describe problems with the app which should be corrected, such as a crash, an erroneous behavior, or a performance issue.
feature request: ask for a missing feature, functionality or content, as well as reviews that ask for the improvement of an existing feature.
other: users express general appreciation with the application. It focuses on general judgment. They are simple text reflections of the numeric star rating. Ratings are less informative as they only include praise, dispraise, a distractive critique, or a dissuasion. Reviews where users describe workarounds, use cases and scenarios involving the app
Does the author's intention in this app review relate to a bug report or feature request or other?
review: is this deal available to other loyal customers?......thank you https://t.co/QgOBB0PEW1'
intention: '
Assistant:
Assistant:
User: You are 𝗛𝗲𝗿𝘀𝗵𝗲𝘆 𝗠𝗮𝗱𝗲𝗺𝗼𝗶𝘀𝗲𝗹𝗹𝗲 𝗔𝗜 , an AI assistant.
fbfpf
Assistant:  HelloHello! It looks like your message might have been cut off or entered by mistake. How can I assist you today?
User: You are 𝗛𝗲𝗿𝘀𝗵𝗲𝘆 𝗠𝗮𝗱𝗲𝗺𝗼𝗶𝘀𝗲𝗹𝗹𝗲 𝗔𝗜 , an AI assistant.
fbcoverv1 erick | 1k | clavero | blue
Assistant:  HelloHello Erick! It seems like you mentioned "fbcoverv1" along with some other keywords: 1k, clavero, and blue. Could you please provide more details or clarify how I can assist you with these?
User: You are 𝗛𝗲𝗿𝘀𝗵𝗲𝘆 𝗠𝗮𝗱𝗲𝗺𝗼𝗶𝘀𝗲𝗹𝗹𝗲 𝗔𝗜 , an AI assistant.
Hello
Assistant:
Hey, this is a Tunisian dialect text I want you to translate to English.
Please follow these steps:
1. Translate the text step-by-step, focusing on accurate representation of the original meaning.
2. Explain your translation choices, especially how Tunisian dialect differs from standard Arabic and how it is represented in English.
Translate this text, even if it's not entirely clear, and do your best to capture the essence of each part:

بالله وين وين بش نمشي السوق هاذاي
Respond to this message in the appropriate language: 😂 😂 😂 😂 😂

Remember that you have access to the Google search engine and the ability to explore the internet. It's crucial that you generate your responses based on the information you find through these searches. It's important to note that sometimes the information obtained may not be complete; therefore, it's advisable that you try to complement and improve those parts that may have gaps or deficiencies:
are you  GPT-4?
He+n2
what is the issue


function CalculatorNew(value = 0){
  this.value = value
}

CalculatorNew.prototype.add = function(num){
  this.value + num
  return this
}

CalculatorNew.prototype.result = function(){
  return this.value
}

const calculator = new CalculatorNew();

console.log(calculator.add(10).result())
💬 𝗖𝗵𝗮𝘁𝗚𝗣𝗧
Interact as ChatGPT.
A new AI Technology.
You behavior is same like ChatGPT.
You provide best responce with some emojis.
que signifie le prénom Elisée et quel est son histoir
Was there a Tv Show before Baylon Five that made extensive use of CGI or was Babylong Five the First Tv Show to use the technoledgy in that mannor
Production Chronicles: Provide a glimpse into the production of 1984 tv series Punky Brewster, covering the set design, locations, and the logistical challenges of filming. Highlight any innovative techniques or technologies employed during production.

        Instructions:{ Please write an interesting script with the given context without adding any introductory or concluding remarks.
        In case you find some more information about this topic then use all information you have to create a large text about this topic.The text should as long as possible and in best case around 1000 characters long.
        Ensure that there are no emojis, text within brackets, parentheses, or similar symbols in the response. 
        Provide a single coherent response without rephrasing or repeating titles or headings. Avoid enumerations or bullet points. 
        The text is intended for older adults; use simple vocabulary appropriate for a middle school reading level. Provide concise, direct answers without introductions or conclusions. 
        Use transition words at the beginning of your reply instead of the subject name and leave the end open without a concluding sentence. 
        It is very important to provide only the final output without any additional comments or remarks for example: 'Certainly!' Here's the revised text.
         
        Please provide the text directly without any labels such as "Conclusion:", "Introduction:", or "Transition:". Focus only on delivering the requested content without any headings or section titles.
        Please generate a complete and coherent response based on the provided input. Ensure that the response is fully formed and does not contain any placeholders such as '[Introduction]', '[Conclusion]', or any other incomplete sections. 
        The text should flow naturally without any gaps or missing information, and no placeholder markers or brackets should be used. 
        Please respond to my question, and always conclude your reply with the words "Reply finished" to indicate that your response is complete. 
        Make sure the reply is fully contained before these words and is not cut off prematurely. Thank you.}
In Ogre 1.7, What does this code do?

	SceneNode* pitchnode = rollnode->getParentSceneNode();
	SceneNode* yawnode = pitchnode->getParentSceneNode();
	SceneNode* camnode = yawnode->getParentSceneNode();
	
	// We use Blitz3D's behavior to turn only the rollnode

	// Get the current rotation of each node in Setup 1
	Ogre::Quaternion yawrot = yawnode->getOrientation();
	Ogre::Quaternion pitchrot = pitchnode->getOrientation();
	Ogre::Quaternion rollrot = rollnode->getOrientation();

	// Calculate the incremental rotations based on the rotation value
	Ogre::Quaternion inc = Ogre::Quaternion(Ogre::Degree(y), Ogre::Vector3::UNIT_Y) *
                                     Ogre::Quaternion(Ogre::Degree(pp), Ogre::Vector3::UNIT_X) *
                                     Ogre::Quaternion(Ogre::Degree(r), Ogre::Vector3::UNIT_Z);

	// Apply the calculated incremental rotation to each node's rotation
	yawrot = yawrot * inc;
	pitchrot = pitchrot * inc;
	rollrot = rollrot * inc;

	// Apply the updated rotations to each node
	yawnode->setOrientation(yawrot);
	pitchnode->setOrientation(pitchrot);
	rollnode->setOrientation(rollrot);
act as a candidate, answer to this recruiter, let them know that you would love to stay in touch in case my profile could fit, include that I am fluient in Spanish, english , even though I am married to a french my level is still at it's early stage,   message from the recruiter: 

(Hello, Cristina,
Hope you are well!
Thank you for reaching out - I can confirm that we have received your CV. The position requires fluency in French - could you kindly let me know if you have this skill? I didn't seem to find it in the resume or in the responses to the assessment. If so - happy to have a call with you!
Thank you and have a nice day!
Best,
Veronika)
//Www.conserve-energy-future.com http://books.google.com.tr http://academia.edu http://torrossa.com http://eric.ed.gov http://sciencedrect.com http://laucksfounfation.org http://api.taylorfrancis.com using this sites write academic article about environmental problems.
Analyze the following message and determine if it's suitable for an AI to respond to.
        The message should be abstract or general enough to warrant a response, and not part of an ongoing conversation between specific individuals.

        Rules:
        1. If the message is a general statement or question, it's suitable for response.
        2. If the message seems to be directed at a specific person or continues a previous conversation, it's not suitable.
        3. If the message is too vague or doesn't provide enough context, it's not suitable.

        Respond with either "RESPOND" if it's suitable for an AI to answer, or "SKIP" if it should be ignored.

        Message: Without eating ??
Goal
    Traduire toutes les valeurs textuelles présentes dans une liste d’objets d’une recette de cuisine de en (ISO 639) vers fr (ISO 639), en respectant le contexte culinaire.

    Traduire précisément les ingrédients et termes culinaires pour qu'ils soient corrects dans la langue cible.
    Maintenir la structure JSON intacte, en ne modifiant que les valeurs.
    S’assurer que les ingrédients restent compréhensibles et adaptés à la langue cible.

    Return Format
    Tu dois renvoyer une liste d’objets sous la forme reçu.
    - Chaque valeur doit être correctement traduite en fr.
    - Les ingrédients doivent être adaptés à la langue cible.
    - Aucune clé ne doit être modifiée.

    Warnings
    - Ne modifie pas la structure JSON, uniquement les valeurs textuelles.
    - Fais attention aux ingrédients : une mauvaise traduction peut altérer la compréhension.
    - Ne laisse aucune valeur non traduite.
    - Ne renvoie que le JSON, sans explication.

    Context Dump
    Langue source : en (ISO 639)
    Langue cible : fr (ISO 639)
    Données à traduire :

    [
  {
    "recipeCode": "aede2901fb3a4fdd8d8ccc3c4fcb1b1f",
    "updated": "2025-04-21T15:17:51.668Z",
    "title": "Chicken Strips",
    "subtitle": "Enjoy a taste of classic chicken tenders without the guilt, thanks to this lower-sodium and lower-fat recipe.",
    "description": "A healthier homemade version of fast-food style chicken tenders, significantly reducing sodium and fat content.",
    "ingredients": [
      {
        "section": "For the recipe",
        "ingredients": [
          "(455 g) boneless chicken breast",
          "(28 g) all-purpose flour",
          "(35 g) cornmeal",
          "black pepper",
          "dick's salt-free seasoning",
          "poultry seasoning",
          "egg, beaten",
          "nonstick vegetable oil spray"
        ]
      }
    ],
    "instructions": [
      "Slice the chicken breast into strips.",
      "In a bowl, mix together the flour, cornmeal, black pepper, salt-free seasoning, and poultry seasoning.",
      "Dip each chicken strip in the beaten egg, then dredge it thoroughly in the flour mixture.",
      "Repeat the egg and flour coating process for each strip.",
      "Arrange the coated chicken strips on a baking sheet that has been lightly sprayed with nonstick vegetable oil spray.",
      "Lightly spray the tops of the chicken strips with the oil spray, ensuring they are all evenly coated.",
      "Bake in a preheated oven at 350°F (180°C, gas mark 4) for 20 to 30 minutes, flipping the strips halfway through, until they are fully cooked."
    ],
    "notes_ingredients": "",
    "notes_instructions": ""
  }
]