{"input": "Are both movies, Don'T Bet On Blondes and The Empress And I, from the same country?", "context": "Passage 1:\nEsdras Hartley\nEsdras Hartley (1892\u20131946) was the art director for the 1935 film Don't Bet on Blondes. He worked on over a hundred films during his career, many of them at the Hollywood studio Warner Brothers.\n\nSelected filmography\nMiss Pacific Fleet (1935)\nA Night at the Ritz (1935)\nBengal Tiger (1936)\nTimes Square Playboy (1936)\nTalent Scout (1937)\nSouth of Suez (1940)\nRiver's End (1940)\nLadies Must Live (1940)\nAn Angel from Texas (1940)\nKing of the Lumberjacks (1940)\nThree Cheers for the Irish ( 1940)\nThe Case of the Black Parrot (1941)\nFlight from Destiny (1941)\nHighway West (1941)\nThe Body Disappears (1941)\nPassage 2:\nThe Only Girl\nThe Only Girl may refer to:\n\nThe Only Girl (book), a 2018 memoir by Robin Green\nThe Only Girl (film), 1933 film\nThe Only Girl (musical), 1914 Broadway musical by Victor Herbert and Henry Blossom\nPassage 3:\nThe Empress and I\nThe Empress and I (German: Ich und die Kaiserin) is a 1933 German musical comedy film directed by Friedrich Hollaender and starring Lilian Harvey, Mady Christians and Conrad Veidt. It is also known by the alternative title of The Only Girl. The film was produced as a multi-language version. Moi et l'imp\u00e9ratrice a separate French-language version was released as well as The Only Girl in English. The multilingual Harvey played the same role in all three films.\nIt was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Robert Herlth and Walter R\u00f6hrig. It was made by Erich Pommer's production unit at UFA, several of whom left the country after the film's release due to the Nazi Party's assumption of power.\n\nSynopsis\nAfter a fall from a horse, a wealthy Marquis is believed to be dying. While he lies there, he is comforted by the singing of a beautiful woman. When he unexpectedly recovers, he tries to seek out this young woman. Due to a series of confusions, he believes her to be Empress Eugenie, the wife of Napoleon III of France. In fact, the woman was a Eugenie's hairdresser, a vivacious young woman engaged to be married to an aspiring composer and conductor currently working for the celebrated Jacques Offenbach.\n\nCast\nLilian Harvey as Juliette\nMady Christians as Empress\nConrad Veidt as Marquis de Pontignac\nHeinz R\u00fchmann as Didier\nFriedel Schuster as Annabel\nHubert von Meyerinck as Fl\u00fcgeladjutant\nJulius Falkenstein as Jacques Offenbach\nPaul Morgan as Erfinder des Fahrrades\nHans Hermann Schaufu\u00df as Doctor\nKate K\u00fchl as Marianne\nHeinrich Gretler as Sanit\u00e4ter\nEugen Rex as Etienne, Diener des Marquis\nHans Deppe\nHans Nowack as Erfinder des Telefons\nMargot H\u00f6pfner\nPassage 4:\nDon't Bet on Love\nDon't Bet on Love is a 1933 American comedy film directed by Murray Roth and written by Howard Emmett Rogers, Murray Roth and Ben Ryan. The film stars Lew Ayres, Ginger Rogers, Charley Grapewin, Shirley Grey, Tom Dugan and Merna Kennedy. The film was released on July 1, 1933, by Universal Pictures.\n\nPlot\nMolly Gilbert won't accept a marriage proposal from Bill McCaffery unless he promises to quit betting money on horse races. He gives her his word, but Molly is miffed when she realizes he wants to honeymoon in Saratoga, New York, due to its proximity to the racetrack.\nBehind her back, Bill unethically uses money from his dad Pop McCaffery's plumbing business to continue gambling. He gets on a hot streak, winning $50,000, then buys a horse of his own, cheats by disguising a faster horse as his, then loses all his money. Bill agrees to become a plumber, pleasing Molly.\n\nCast\nLew Ayres as Bill McCaffery\nGinger Rogers as Molly Gilbert\nCharley Grapewin as Pop McCaffery\nShirley Grey as Goldie Williams\nTom Dugan as Scotty\nMerna Kennedy as Ruby 'Babe' Norton\nLucile Gleason as Mrs. Gilbert\nRobert Emmett O'Connor as Edward Shelton\nPassage 5:\nOnmy\u014dji (film)\nOnmy\u014dji (\u9670\u967d\u5e2b) is a 2001 Japanese film directed by Y\u014djir\u014d Takita. It tells of the exploits of famed onmy\u014dji Abe no Seimei, who meets and befriends bungling court noble, Minamoto no Hiromasa. Together they protect the capital of Heian-ky\u014d against an opposing onmy\u014dji, D\u014dson, who is secretly plotting the downfall of the emperor.\nA sequel, Onmy\u014dji 2, appeared in 2003.  Both movies are based on the Onmy\u014dji series of novels by author Baku Yumemakura, which also inspired a manga series by Reiko Okano.\n\nPlot\nThe Heian period (9th\u201312th centuries) was a time when human beings and various supernatural beings still coexisted with each other, the latter occasionally causing trouble to humans. Practitioners of the art of onmy\u014dd\u014d, the onmy\u014dji, were held to be able to control and subdue these malevolent entities and other paranormal phenomena, and were thus held in high regard, being employed by the imperial court.\nIn Heian-ky\u014d, nobleman Minamoto no Hiromasa meets court onmy\u014dji Abe no Seimei, a mysterious man about whom many rumors have been told. On a dare by some courtiers, Seimei demonstrates his exceptional skills in onmy\u014dd\u014d by killing a butterfly without touching it (i.e. casting a spell on a leaf which then flies and cuts through it).\nHiromasa later visits Seimei at his home, where he sees Seimei's shikigami in human form, one of whom was Mitsumushi, the butterfly he had killed (and subsequently revived) earlier. Seimei joins Hiromasa in inspecting a mysterious gourd growing from a pine tree in Lord Kaneie's house; Seimei reveals the gourd to have been caused by a curse cast by a former lover of Kaneie who committed suicide.\nOne night, Hiromasa impresses an unseen lady on an oxcart with his flute playing. Unbeknownst to him, this woman is Sukehime, Minister of the Right Fujiwara no Motokata's daughter and one of the current emperor's wives, who is worried that she is losing the emperor's favor as another wife, Lady T\u014dko, the daughter of Minister of the Left Fujiwara no Morosuke, had just given birth to a baby boy, who is to be the heir to the throne.\nMeanwhile, the head onmy\u014dji of the imperial Bureau of Onmy\u014d, D\u014dson, is secretly plotting to overthrow the emperor by trying to awaken the vengeful spirit of Prince Sawara, who had died 150 years ago. Wrongfully accused of treason by his brother, the Emperor Kanmu, Sawara committed suicide, but not before swearing eternal vengeance on the Son of Heaven (i.e. the emperor). When D\u014dson curses the emperor's newborn son, Prince Atsuhira, to be possessed by an evil spirit, Seimei combats his spells and drives the demon away with the help of Hiromasa and the immortal Lady Aone, who was ordered by Kanmu to guard the burial mound where Prince Sawara's spirit is sealed away.\nHiromasa once again meets Sukehime (again unseen by Hiromasa) on the oxcart. He confesses his feelings for Sukehime, who he calls 'Lady of the Full Moon' (\u671b\u6708\u306e\u541b Mochizuki no kimi), but Sukehime, who still loves the emperor, rejects his advances.\nBoth Seimei and Aone are put under arrest by Motokata and accused of cursing the infant prince. They are saved in the nick of time by Morosuke, who points out it is unlawful to kill a court onmy\u014dji without imperial permission. D\u014dson, who is implied to be behind the allegation, enchants one of the imperial police to attack the two; Aone is severely wounded, but proves to be unharmed due to her immortality.\nTaking advantage of Sukehime's jealousy against T\u014dko, D\u014dson uses his powers to turn her into a namanari (a woman halfway to becoming an oni) that harasses both T\u014dko and the newborn Atsuhira. Seimei uses onmy\u014dd\u014d to transform straw effigies into the likenesses of the Emperor and the infant prince. Sukehime arrives and assaults the effigies, thinking them to be the real emperor and Atsuhira. The emperor, moved by a waka poem she recites (the same poem Hiromasa hears the lady on the oxcart recite earlier), speaks out loudly, breaking Seimei's spell. Hiromasa, recognizing Sukehime to be his 'Lady of the Full Moon', steps in to accost her.\nSukehime briefly comes back to her senses when Seimei removes a paper talisman attached to her back, but D\u014dson doubles his efforts, and she completely transforms into an oni. When Hiromasa sacrifices himself by allowing her to bite on his arm, Sukehime comes back to her senses once more and kills herself with Hiromasa's tachi. In her final moments, Sukehime - now a human once more - begs to hear Hiromasa's flute one last time.\nSeimei shoots an arrow with the paper talisman towards the sky, ordering the curse to go back to its sender. The arrow, now on fire, lands in D\u014dson's secret lair, burning it to the ground. D\u014dson, swearing vengeance on Seimei, finally releases the spirit of Prince Sawara from its confinement in the burial mound. Sawara's ghost enters D\u014dson's body and summons a horde of vengeful spirits to attack Heian-ky\u014d. Aone reveals to Seimei that he and Hiromasa are foretold by the stars to become the two protectors of the city: one cannot survive without the other. She, Seimei and Mitsumushi then go off in search of Hiromasa.\nD\u014dson makes his way to the imperial palace. Hiromasa tries to stop him in his tracks, but he is no match for his superhuman abilities; he is mortally wounded when D\u014dson throws back an arrow Hiromasa shot towards him. Seimei and Aone find him, but it is too late. Aone suggests that Seimei resurrect Hiromasa by performing the rite of Taizan-fukun, the Chinese god of the dead (\u6cf0\u5c71\u5e9c\u541b\u796d Taizan-fukun no matsuri), offering to sacrifice her immortality and life to do so.\nHiromasa, brought back to life by the ritual, and Seimei go to face D\u014dson. Aone's spirit, speaking through Hiromasa's body, convinces Sawara to give up his hatred. While Sawara at first refuses to do so, he is finally moved by the prospect of being with Aone - who was the prince's lover during his lifetime - forever; he then passes peacefully with Aone into the afterlife. Although now without Sawara's spirit to empower him, D\u014dson resumes the fight. Seimei, using his wits, traps D\u014dson within a magical barrier. Finally admitting defeat, D\u014dson slashes his throat with the sword from Sawara's burial mound.\nAt the end of the movie, Seimei and Hiromasa drink sake together in Seimei's house. Hiromasa teases Seimei for crying when he died and reflects on what Seimei said to him earlier: that the human heart can turn one into a demon or a buddha. Seimei tells Hiromasa that he is a 'very good man'; Hiromasa answers, \"So are you.\" The two share a laugh together.\n\nCast\nMansai Nomura as Abe no Seimei (\u5b89\u500d\u6674\u660e): An exceptionally talented onmy\u014dji whose very origins are shrouded in mystery. Although an onmy\u014dji of the imperial court, he initially shows little regard for it or Heian-ky\u014d itself, preferring instead to stay home with his shikigami and drink sake, yet eventually finds himself fulfilling his destined role as the capital's protector along with Hiromasa.\nHideaki It\u014d as Minamoto no Hiromasa (\u6e90\u535a\u96c5): A nobleman in the court with a bumbling personality skilled in playing the flute. Although wary of onmy\u014dji at first, he eventually becomes close friends with Seimei, being destined to become the guardian of Heian-ky\u014d along with him.\nEriko Imai as Mitsumushi (\u871c\u866b): A butterfly apparently killed by Seimei as a display of his power and subsequently brought back to life. She serves him as one of his shikigami.\nHiroyuki Sanada as D\u014dson (\u9053\u5c0a): The head of the Bureau of Onmy\u014d (\u9670\u967d\u5bee Onmy\u014d-ry\u014d), he secretly plots the downfall of the imperial line and attempts to use the vengeful spirit of Prince Sawara to further his goals.\nIttoku Kishibe as the Emperor (\u5e1d Mikado): Loosely based on the historical Emperor Murakami (reigned 946\u2013967), who was the reigning emperor in the year the story takes place (944 CE). The emperor's newborn son and heir is named 'Atsuhira' (\u6566\u5e73) in the film, which is actually the name of a later emperor (Go-Ichij\u014d, reigned 1016-1036). The historical son and successor of Murakami, Emperor Reizei, was named 'Norihira' (\u61b2\u5e73).\nKen'ichi Yajima as <PRESIDIO_ANONYMIZED_PERSON> (\u85e4\u539f\u5e2b\u8f14): The Emperor's Minister of the Left. The historical Morosuke was in reality Emperor Murakami's Minister of the Right.\nAkira Emoto as Fujiwara no Motokata (\u85e4\u539f\u5143\u65b9): The Emperor's Minister of the Right, who, at D\u014dson's instigation  falsely accuses Seimei of cursing the newborn Prince Atsuhira (which was actually D\u014dson's doing). The historical Motokata had been a Dainagon under Murakami.\nSachiko Kokubu as T\u014dko (\u4efb\u5b50): The Emperor's consort and Morosuke's daughter who bears him Prince Atsuhira. Based on the historical Fujiwara no Anshi (aka Yasuko).\nYui Natsukawa as Sukehime (\u7950\u59eb): Motokata's daughter and one of the Emperor's wives. Her son, Prince Hirohira, was originally supposed to be the heir to the throne; the birth of Atsuhira, however, caused her to be sidelined. She is enamored by Hiromasa's flute playing; Hiromasa, in turn, falls in love with her, unaware of her true identity. D\u014dson later takes advantage of her jealousy against T\u014dko and Atsuhira to turn her into an oni.\nMasato Hagiwara as Prince Sawara (\u65e9\u826f\u89aa\u738b Sawara-shinn\u014d): An imperial prince who died swearing vengeance on the imperial throne 150 years before the story takes place. D\u014dson seeks to awaken and harness his spirit in order to depose the current emperor.\nH\u014dka Kinoshita as Emperor Kanmu (\u6853\u6b66\u5929\u7687 Kanmu-tenn\u014d): Prince Sawara's elder brother who charged him with treason, driving Sawara to suicide. Fear of Sawara's restless spirit led Kanmu to move the capital from Nagaoka-ky\u014d to Heian-ky\u014d and to pacify Sawara's ghost by sealing it inside a burial mound.\nKy\u014dko Koizumi as Aone (\u9752\u97f3): A woman who was Prince Sawara's lover in life. Rendered immortal by consuming the flesh of a mermaid 150 years ago, she was appointed by Kanmu to ensure that Sawara's spirit will never reawaken.\nKen'ichi Ishii as <PRESIDIO_ANONYMIZED_PERSON> (\u85e4\u539f\u517c\u5bb6): A nobleman who finds a gourd growing out of a pine tree in his house, which was actually the manifestation of a curse laid by a jilted lover of his who had killed herself.\nKenji Yamaki as Tachibana no Ukon (\u6a58\u53f3\u8fd1): Captain of the imperial police force, the Kebiishi (\u691c\u975e\u9055\u4f7f), who arrests Seimei. He is later seen fighting his men who have been possessed by spirits summoned by D\u014dson.\nHitomi Tachihara as Ayako (\u7dbe\u5b50): Another one of the Emperor's wives worried that he is spending more time with T\u014dko.\nNi'ichi Shinhashi as Nagamasa (\u9577\u6b63)\nKenjir\u014d Ishimaru as Kanmu's head onmy\u014dji\nMasane Tsukayama as Narrator\n\nDub cast\nTerrence Stone: Abe no Seimei\nLex Lang: Minamoto no Hiromasa\nSteve Kramer: D\u014dson\nSimon Prescott: Emperor\nRichard Cansino: Fujiwara no Morosuke\nTom Wyner: Fujiwara no Motokata\nEllyn Stern: T\u014dko\nMona Marshall: Sukehime\nTony Oliver: Prince Sawara\nKari Wahlgren: Aone\nBob Papenbrook: Tachibana no Ukon\nJim Taggert: Nagamasa\n\nRelease\nOnmy\u014dji was released theatrically in Japan on October 6, 2001 where it was distributed by Toho. The film was a commercial success, grossing \u00a53,010,000,000 ($36,567,313) and becoming the fourth-highest earning Japanese production of 2001. The film was also giving a limited theater release in North America where it grossed $16,234 in three theaters.It was released in the United States on April 18, 2003, under the title Onmyoji: The Yin Yang Master. It was followed by the sequel Onmy\u014dji 2 in 2003.\n\nReception\nThe film won the awards for Best Sound Recording and the Mainichi Film Concours and Best Sound at the Japanese Academy Awards.\n\nSee also\nTokyo: The Last Megalopolis: A blockbuster fantasy film which, along with its source novel Teito Monogatari, are widely credited with starting the \"onmy\u014dji boom\" in Japanese popular culture.\n\nFootnotes\nPassage 6:\nKonjiki no Gash Bell!! Movie 2: Attack of the Mecha-Vulcan\nZatch Bell: Attack of Mechavulcan  (Japanese: \u91d1\u8272\u306e\u30ac\u30c3\u30b7\u30e5\u30d9\u30eb\u300c\u30e1\u30ab\u30d0\u30eb\u30ab\u30f3\u306e\u6765\u8972, Hepburn: Konjiki no Gash Bell!! Mechavulcan no Raishuu) is a 2005 Japanese animated film directed by Takuya Igarashi. It is the second animated film adaptation of the manga and anime series, Zatch Bell!. The first was Zatch Bell: 101st Devil, released in 2004.\nDiscotek Media released both movies on Blu-ray and DVD for the first time in North America on March 27, 2018.\n\nPlot\nThe movie begins with a mysterious figure, Dr. M2, rallying a group of robots that he calls Death Mechanics (which all look like gigantic robotic blue versions of Vulcan, a plastic box with wooden sticks for arms that Kiyomaro Takamine \"gifted\" to Gash). He orders one of the units, Death 18, to kidnap Kiyomaro.\nMeanwhile, Kiyomaro is rushing to get to the bus for Coast School, since he slept in late. He leaves Gash behind, who chases after Kiyomaro. During the chase, Vulcan, who Gash brought along with him, is partially broken. Stuck in a tree and unable to stop Kiyomaro, Gash asks him if he'll at least fix Vulcan, but Kiyomaro says that he'll \"make him a new one\". As Kiyomaro tries to chase the already-moving bus down, his friends spot him and try to tell the others to stop the bus. However, while they're not paying attention, Death 18 swoops down from the sky and abducts Kiyomaro, carrying him away and leaving his friends baffled. Once Kiyomaro arrives at Dr. M2's lab, he is contained inside an orange bubble. Dr. M2 then orders Death 18 to go down and distract Gash to keep him away from Kiyomaro by making Gash think that he's his friend.\nAs Gash walks home, he thinks about the previous versions, or \"generations\", of Vulcan that had been ruined in the past (leading up to the third that he currently had), and how they are all important friends of his. Screaming out that Kiyomaro's an idiot, Naomi, the local bully, believes that Gash was talking about her, so she starts pummeling him. However, Death 18 comes down from the sky and interrupts her. As he's about to harm Naomi, Gash realizes that he looks just like Vulcan, and tells him not to hurt Naomi. Naomi runs off and Death 18 fixes Gash's Vulcan. Gash thinks that Death 18 is another Vulcan that Kiyomaro built, and calls him \"Yondaime\", or \"Fourth Generation\". Gash and Vulcan then ride in Yondaime's giant mouth into town.\nIn Dr. M2's lab, the demon explains that Kiyomaro kun is to be his new partner, and that he can take Kiyomaro to the future demon world. Dr. M2 shows Kiyomaro the Death Mechanics, but Kiyomaro tells him that they're just rip-offs of Vulcan. To prove him wrong, Dr. M2 shows Kiyomaro a robotic model of Vulcan from the future that Kiyomaro will someday build; however, as a prototype, it's loaded up with bugs. Dr. M2 had realized that the best way to fix the Death Mechanics was to have Kiyomaro repair them. Kiyomaro asks Dr. M2 whether the battle to decide the next ruler of the Demon World is still going on, but Dr. M2 simply states that he isn't interested in that battle, leaving it vague. Dr. M2 offers again to bring Kiyomaro to the future, but he refuses. Dr. M2 tells him that the idiots of his time can't understand him, but Kiyomaro says that Gash changed his view of people around him.\nMeanwhile, after venturing into town, Gash and Yondaime go under a bridge and find graffiti. As the two start painting the walls themselves, Gash paints \"Yondaime\" in Kanji onto the robot's body. Gash's demon friends, Tio, Kanchome, and Umagon, then arrive under the bridge. While Kanchome is terrified by Yondaime, Gash explains that he is a present from Kiyomaro, so the five of them then play together in the park. As Dr. M2 opens the portal to the future to return with Kiyomaro, a dark cloud is created over the city. Citizens of Mochinoki Town are advised to leave, and there is mass panic. Gash says that they should all go to investigate, but Yondaime's programming makes him try to keep them all away. After much prodding from Gash, though, Yondaime realizes that he and Gash have become friends, and he changes his mind. The four demons get into Yondaime's mouth and, revealing that he can fly, Yondaime soars towards the cloud.\nUpon entering the dark cloud, they discover Dr. M2's giant floating castle. Infuriated that Death 18 disobeyed his orders, Dr. M2 tries to reprimand him, but the robot doesn't respond. Kiyomaro manages to break free from his prison and communicates with Gash using a giant monitor on the side of the castle. Dr. M2 summons all of the Death Mechanics to fight off Gash and the others, but Kiyomaro manages to get Gash to fire his Zakeru spell, blasting away the Death Mechanics' missiles. The attack also tears a hole in a part of the castle, though, leaving Kiyomaro to fall from the sky; however, Yondaime manages to catch him.\nKiyomaro gets ready to attack the army of Vulcans, but Gash, believing them all to be Vulcans and, therefore, all his friends, runs towards them to try to talk to them, while Yondaime keeps Kiyomaro restrained. The Vulcans don't respond to Gash's words, though, and all begin to pummel him. Tio, Kanchome, Umagon, and Yondaime all try to hold back the Vulcans from attacking him, but to no avail. As all of the Vulcans try to take Kiyomaro, Gash yells at them to stop. They all stop momentarily, but are immediately called back to the castle by Dr. M2. One of Dr. M2's lightning bolts hits Yondaime, reverting him to his original programming. Despite Gash's efforts, Yondaime flies off to join the others, who all fuse together with the castle to become one giant Vulcan.\nAs the giant Vulcan attacks the group, Megumi, Folgore, and Sunbeam all arrive in a car together to help fight it off. During the scuffle, Megumi casts Giga Ra Seushiru, causing the giant Vulcan's attack to reflect back at it, making it collapse. Gash asks again if they can stop attacking, saying that since they're all Vulcans, they're all his friends. Kiyomaro angrily snatches Gash's Vulcan from his hand, saying that it's just a toy made from chopsticks and a paper box that he scrapped together. Gash tearfully reminds Kiyomaro that Vulcan was the first friend that Kiyomaro ever made for him. Shaken by Gash's statement, Kiyomaro says that the only reason he wanted to go to Coast School was because his friends would be there. Kiyomaro had been alone, thinking that the world was boring and stupid, until Gash had come along and taught him the importance of friends. Kiyomaro comes to tears as he says that, although Gash made many friends for Kiyomaro, the only friend that he could give Gash was a toy made of paper box and chopsticks, yet Gash still cherishes it so much. Everyone agrees that, because Vulcan is Gash's friend, he is their friend as well, and will help protect all of the Vulcans. With newfound understanding and determination, Kiyomaro comes up with a plan to stop the Vulcans without destroying them.\nThe four demon and human pairs coordinate attacks and trick Dr. M2 into opening the power reactor on the front of the enormous Vulcan to attack; however, before he can, Gash and Kiyomaro jump in the way and fire Zakeruga at the reactor, destroying it. When the giant Vulcan collapses, Gash sees that Yondaime is all right, and he hugs him.\nSuddenly, the storm around them intensifies, and everyone realizes that if they don't seal the time-space hole, then the entire Earth will be destroyed. Kiyomaro grabs Dr. M2, asking him to fix it. Dr. M2 reveals that if the destroyed reactor is fixed, the hole will close, but there would need to be a large amount of power to reactive it. Gash states that they could provide the power to activate the reactor, and Dr. M2 realizes that everyone's combined power could repair it.\nAs Dr. M2 floats in the sky in the core of his castle, the four demons cast a series of spells to channel power into the reactor, ending with Kiyomaro casting Gash's most powerful spell, Baou Zakeruga, to guide it. However, their efforts are unsuccessful, and the temporarily closed gate opens once more. Yondaime then flies up, attaching himself to the reactor. Dr. M2 realizes that Gash could strike the reactor still active in Yondaime to get the main reactor working again, but Gash says that he could never shoot Yondaime. As Gash cries, Yondaime begins talking to him; however, the one sending the message through Yondaime it is in fact the Vulcan prototype, which is revealed to contain Kiyomaro's recorded voice. He says that they will always be friends, whether they are together or apart; he speaks not only as Yondaime, but also as the future Kiyomaro who no longer has Gash with him. Redetermined, Gash and Kiyomaro launch a gigantic Baou Zakeruga, which crashes through Yondaime and splits into three heads, starting up the reactor. As Dr. M2 sits in the castle, holding the prototype Vulcan in his lap, he quietly wonders to himself if the transmission element that Gash and Kiyomaro used to guide the reactor can guide even himself. The three Baou Zakerugas fly into the cloud, successfully closing the hole and leaving Dr. M2's fate unknown. The giant Vulcan then separates back into the smaller Vulcans, who fly away into the sky. Gash asks Kiyomaro if he can ever see Yondaime again, but Kiyomaro responds that he'll build him an even better Vulcan; an even better friend.\n\nVoice cast\nTheme Songs\nKaze wo Ukete by Aya Ueto\nKasabuta by Chiwata Hidenori\nMienai Tsubasa\" by Takeyoshi Tanimoto\nPassage 7:\nDon't Bet on Blondes\nDon't Bet on Blondes is a 1935 American romantic comedy film.\n\nPlot summary\nWhen top Broadway bookmaker Odds Owen (Warren William) loses $50,000 on a horse owned by Everett Markham (Clay Clement), he investigates and finds out that the horse was doped.  Owen visits Everett and lets him know that Everett will be selling his horses and paying back the $50,000.\nOwen is inspired by hearing about Lloyd's of London.  He decides to go into the business of underwriting unusual insurance policies.\nEverett is a friend to actress Marilyn Youngblood (Claire Dodd).  Marilyn supports her ne\u2019er do well father, Colonel Youngblood (Guy Kibbee), and she is dating rich playboy Dwight Board (Walter Byron) who is also a hypochondriac.   Everett convinces Marilyn's father to take out a 3-year insurance policy against Marilyn getting married.  If she gets married within three years, her father gets 50,000.  Owen agrees to insure the policy.\nOwen's men get rid of Dwight by convincing him that marriage could kill someone with a weak heart.\nMarilyn starts seeing David Van Dusen (Errol Flynn).  Owen's men go to the restaurant where Marilyn and Van Dusen are eating and pretend to be shady characters who know Van Dusen.  One of them walks by and hands Van Dusen an envelope with money.  Another hands him a gun wrapped in a handkerchief.  Marilyn, convinced he is a gangster, breaks up with him.\nMarilyn notices Owen nearby and remarks on how strange it is to see him again when she is breaking up with someone. Owen is attracted to Marilyn and starting starts dating her, ostensibly to keep her from dating anyone else.\nMarilyn's father tells her about the insurance policy.  She decides to make Owen fall for her and he does.  To get back at Owen, Marilyn becomes engaged to Everett.  Now Everett will have his revenge.  Owen will lose $50,000 and Marilyn.  Owen tells Everett he will not welch but he does not think Everett will marry Marilyn.  Owen has fallen in love with her, placing him in a dilemma, caught between the heart and the wallet.\nMarilyn's father begs Owen to stop the wedding.  Marilyn, at the church, is hoping the same thing.  Everett does not show up for the wedding.  Owen appears in his place and Marilyn happily marries him.  Owen's men pay off dozens of cabbies who have caused a traffic jam which prevented Everett from getting to the church.\n\nCast\nProduction\nThe film was originally known as Not on Your Life and was always intended as a vehicle for Warren William. Dolores del R\u00edo was originally announced as female co star. She was eventually replaced by Claire Dodd. Walter Byron replaced George Meeker. Filming completed 13 May 1935.Errol Flynn appears briefly playing a bit part in his fifth movie, and second in Hollywood, just before his break-through role in Captain Blood later that year. He made the movie shortly after his marriage to Lili Damita.\n\nReception\nThe Los Angeles Times called it a \"sparkling comedy\" in which Warren William \"again proves himself a delightful and suave comedian.\"Filmink magazine said the main faults of the film were \"the wonky structure, William\u2019s flat performance, and the lack of chemistry between William and Dodd. It\u2019s kind of a shame that Flynn didn\u2019t get the chance to play the lead, as he would have been a lot better, even at that stage of his career.\"\nPassage 8:\nTwo Blondes and a Redhead\nTwo Blondes and a Redhead is a 1947 American musical film directed by Arthur Dreifuss and starring Jean Porter.\n\nPlot\nCast\nProduction\nThe film was originally known as Three Blondes and a Redhead.Filming started April 1947.\nPassage 9:\nDon't Bet on Women\nDon't Bet on Women is a 1931 American pre-Code romantic comedy film directed by William K. Howard and starring Edmund Lowe, Jeanette MacDonald and Roland Young.\n\nPlot\nOn a whim, Herbert Blake proposes a wager with Roger Fallon that he won't be able to get a kiss during the coming 48 hours from the next woman who happens to walk into the room. Fallon takes the bet, whereupon the woman who turns up is Herbert's wife.\n\nCast\nEdmund Lowe as Roger Fallon\nJeanette MacDonald as Jeanne Drake\nRoland Young as Herbert Drake\nJ.M. Kerrigan as Chipley Duff\nUna Merkel as Tallulah Hope\nHelene Millard as Doris Brent\nLouise Beavers as Maid\nSumner Getchell as Office Boy\nHenry Kolker as Butterfield\nJames T. Mack as Sommers - Fallon's Butler\nCyril Ring as Jeanne's Dancing Partner\nPassage 10:\nStocks and Blondes\nStocks and Blondes is a 1928 American silent comedy film directed by Dudley Murphy and starring Gertrude Astor, Jacqueline Logan and Richard 'Skeets' Gallagher. It is also known by the alternative title of Blondes and Bonds.\n\nCast\nGertrude Astor as Goldie\nJacqueline Logan as Patsy\nRichard 'Skeets' Gallagher as Tom Greene\nAlbert Conti as Powers\nHenry Roquemore", "answers": ["no"], "length": 5078, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "8c2e68d24afdb2a83a0299059a0ca6b5df4e4490e262bbe6"}

“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.