{"input": "Where did the director of film I Live On Danger die?", "context": "Passage 1:\nCome on Danger\nCome on Danger is a 1942 American Western film directed by Edward Killy. It was a remake of a 1932 Tom Keene film. The story was bought for Holt in June 1941.\n\nPlot summary\nCast\nTim Holt as Jack Mason\nFrances E. Neal as Ann Jordan (as Frances Neal)\nRay Whitley as Smokey\nLee 'Lasses' White as Whopper\nKarl Hackett as Ott Ramsey\nMalcolm 'Bud' McTaggart as Russ\nGlenn Strange as Henchman Sloan\nEvelyn Dockson as Aunt Fanny (as Evlynn Dockson)\nDavison Clark as Ranger Captain Blake\nJohn Elliott as Saunders\nSlim Whitaker as Sheriff (as 'Slim' Whitaker)\nKate Harrington as Maggie\nHenry Roquemore as Jed\nPassage 2:\nCome On Danger!\nCome On Danger! is a 1932 Pre-Code Western film, and the first film Tom Keene would make at RKO Studios. It made a profit of $30,000.It was remade in 1942 under the similar title, Come on Danger.\n\nPlot\nJim Madden, a Texas Ranger, is gunned down while investigating the murder of a local rancher. His younger brother, Larry, vows to track down the suspected killer, another rancher named Joan Stanton. While looking into the murders, he stumbles on a battle between Stanton and a group of men working for another rancher, Frank Sanderson. Stanton takes money from Sanderson that she feels is due to her.\nRescuing Stanton from the altercation, he keeps his identity as a Ranger secret, while attempting to learn the truth of what is going on. Through talks with Stanton, Madden learns that Sanderson has been setting her up for both the murder of the other rancher, and Jim's death.\nConvinced by Stanton's story, Madden tells Stanton she must turn herself in, and she agrees. Before they can reach the Rangers, they are captured by Sanderson's men. Sanderson plans to kill Madden, and take Stanton to Mexico. With the help of the Rangers' cook, Rusty, as well as several of Stanton's men, Madden overcomes Sanderson and his men, and takes a vindicated Stanton back to the Rangers.\n\nCast\n(cast list as per AFI database)\nTom Keene as Larry Madden\nJulie Haydon as Joan Stanton\nRosco Ates as Rusty\nRobert Ellis as Frank Sanderson\nWilliam Scott as Jim Madden\nFrank Lackteen as Piute\nWade Boteler as Tex\nRoy Stewart as Inspector Clay\nHarry Tenbrook as Bill\nPassage 3:\nSam White (film producer)\nSam White (October 16, 1906 \u2013 August 8, 2006) was an American film producer, film director and actor.\nWhite was born in Los Angeles on October 16, 1906 to parents who had immigrated from Austria and Hungary.  In 1937, he  married  Claretta Ellis, a studio contract dancer.  They were married for 65 years until her death in 2002.\nFor much of the 1930s, Sam White directed numerous musical sequences in films such as Roberta with Fred Astaire, Ginger Rogers and Irene Dunne; Old Man Rhythm with Betty Grable and Buddy Rogers; Top of the Town with George Murphy; and Hooray for Love, with Ann Sothern.\nDuring World War II, Sam made six training films for the U.S. Armed forces.  Also in the 1940s, the feature films he produced and directed included Reveille with Beverly, starring Ann Miller (Frank Sinatra's first film); People Are Funny, starring Jack Haley and Rudy Vall\u00e9e; The Return of the Vampire, starring Bela Lugosi; The Girl in the Case, starring Edmund Lowe; After Midnight with Boston Blackie, starting Chester Morris; Louisiana Hayride, starring Judy Canova; and Tahiti Nights, starring Jinx Falkenburg for RKO, Columbia, Universal and Paramount Studios.During the next two decades, Sam directed commercials and produced and directed early television series such as Perry Mason, The Outer Limits, Oh! Those Bells, My Friend Flicka, Boston Blackie, Philip Marlowe, and Big Town, among many others.  In 1969 he produced and directed White Comanche with William Shatner and Joseph Cotten.  He was also a successful businessman with his production facility in Pioneer Town and commercial real estate ventures in Los Angeles.\nThroughout his later years, Sam remained interested in world affairs and traveled extensively as a valued ombudsman for the Directors Guild to cement relations between foreign and American filmmakers. In 1990, the Directors Guild of America published an oral history entitled The White Brothers which tells the history of the family as well as the history of early movie making in Los Angeles.\nSam White, one of the famous White Brothers film and television pioneers, died peacefully at his Encino home just short of his 100th birthday.  A retrospective was held in 2003 at the Motion Picture and Television Home where a wall of honor was dedicated to him. His professional memorabilia was positioned alongside those of his renowned brothers, Jack White and Jules White.\n\nSelected filmography\nLouisiana Hayride (1944)\nSwing Out the Blues  (1944)\nKickin' the Crown Around (1933)\nPassage 4:\nI Live on Danger\nI Live on Danger is a 1942 film noir thriller film directed by Sam White and starring Chester Morris and Jean Parker.\n\nPlot\nJeff Morrell is an ambitious radio reporter. The news of the day is the prison release of gambler Eddie Nelson, who was the fallguy for a criminal named Joey Farr.\nWhile exclusively covering a ship's fire, Jeff falls for Susan Richards, and knows her to be Eddie's companion. It turns out she's Eddie's sister, not his girl, and Susan resents it when Jeff's reporting gets Eddie arrested and convicted on a new charge.\nDistrict Attorney Lamber is in cahoots with the crooks. Farr tries to flee, and is tracked to a Pennsylvania coal mine. Jeff gets there first and manages to broadcast Farr's confession, then barely gets away when Farr sets off a blast of TNT. Susan loves Jeff for heroically rescuing her brother.\n\nCast\nChester Morris as Jeff Morrell\nJean Parker as Susan Richards\nElisabeth Risdon as Mrs. Morrell\nEdward Norris as Eddie Nelson\nDick Purcell as Norm Thompson\nRoger Pryor as Bert Jannings\nDouglas Fowley as Joey Farr\nRalph Sanford as Angie Moss\nEdwin Maxwell as Wingy Keefe\nPatsy Nash as Dilly\nJoe Cunningham as Inspector Conlon\nBernadene Hayes as Jonesy\nBilly Nelson as George \"Longshot\" Harrison\nVickie Lester as Keefe's secretary\nWilliam Bakewell as Mac\nCharlotte Henry as Nurse\nAnna Q. Nilsson as Mrs. Sherman\n\nProduction\nThe film was based on a story called I'll Be Back in a Flash by Alex Gottlieb. He sold it to Pine Thomas Productions in August 1941. They bought it as the second in a three-picture deal Chester Morris had with Pine-Thomas Productions. Lewis Foster was assigned to write the script.Morris' 38-year-old brother Arthur was meant to play a role in the film but died shortly before filming of a brain haemorrhage.Jean Parker signed to make the film as the first in a three-picture deal she had with Pine Thomas.Filming took place in December 1941. Anna Q. Nilsson had her first role in 13 years.\n\nReception\nThe Los Angeles Times called it \"a pretty good B\".The New York Times said the film showed \"very little than what we have already seen.\"\nPassage 5:\nSirak M. Sabahat\nSirak M. Sabahat (Hebrew: \u05e1\u05d9\u05e8\u05e7 \u05de. \u05e1\u05d1\u05d4\u05d0\u05d8; born December 5, 1981) is an Israeli actor. He is known for his role in the film Live and Become.\n\nFilmography\nLive and Become (2005)\nComme au cin\u00e9ma (2005)\nThe Children of \u0421\u0421\u0421\u0420 (2007)\n\nFurther reading\nRosen, Steve (2006-12-19). \"\"Inland Empire\" and \"Volver\" Keep Top Spots; \"Live and Become\" Opens Big\". IndieWireBot. Archived from the original on 2007-01-10. Retrieved 2006-12-19.\n\"The Evening Class: 2006 SFJFF\u2014The Evening Class Interview with Sirak M. Sabahat\". Theeveningclass.blogspot.com. 2006-08-04. Retrieved 2010-08-03.\nPassage 6:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.  He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983\u201385), Government Publications Office (1985\u201386), and Department of Finance (1986\u201389). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site.  Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds.  As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later.  Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After C\u00e9zanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education.  During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\"   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired.  In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum.  In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==\nPassage 7:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 8:\nLogan Sandler\nLogan Sandler is an American writer and director who is best known for his first feature film Live Cargo.\n\nEarly life and education\nSandler graduated from SFTV within Loyola Marymount University's Film School in 2011 with a B.A. in Film Production, and three years later, while earning an M.F.A. from AFI in Film Directing, he developed his first feature film, Live Cargo. He developed the script with the late Seth Winston and co-writer Thymaya Payne. In 2015, Sandler was awarded the Institute's Franklin J. Schaffner Fellow Award for his short film, Tracks.\n\nCareer\nSandler's senior thesis, All It Will Ever Be premiered at the Bermuda International Film Festival in 2012. Sandler's second short film Tracks screened at various festival around the world, including AFI FEST, Marfa Film Fest, Cambridge Film Festival, and the Miami International Film Festival. The film won the Lexus Audience Award for Best Short film at the Miami International Film Festival and best actor for Keith Stanfield at the 24 FPS International Film Festival.Sandler's debut feature film Live Cargo was filmed in the Bahamas, and premiered at the Tribeca Film Festival in 2016. The film stars Dree Hemingway, Keith Stanfield, and Robert Wisdom. In addition to the 2016 Tribeca Film Festival, Live Cargo had its European premiere at the Warsaw International Film Festival, then went on to screen at the American Film Festival in Poland, the S\u00e3o Paulo International Film Festival, the Denver Film Festival, the Key West Film Festival, the Torino Film Festival, the Bahamas International Film Festival, and AFI FEST.Sandler has collaborated with Stanfield on music videos, co-directing the group MOORS\u2019 single Gas. The music video premiered on Vice\u2019s music channel Noisey.IONCINEMA.com chose Sandler as their IONCINEPHILE of the Month for April 2017, a feature that focuses on an emerging filmmaker from the world of cinema. When asked about his favorite films of his formative years Sandler said, \"I fell in love with Jean Luc Godard\u2019s Contempt and Weekend. I was blown away by Agnes Varda\u2019s Cleo from 5 to 7. Michelangelo Antonioni\u2019s films really struck a chord with me as well. After seeing L\u2019Avventura and Blowup, I went online and ordered every film of his I could find. The Passenger\u2019s penultimate shot blew me away. I watched that 7 minute shot over and over. It\u2019s probably my favorite shot in the history of cinema.\"\n\nCritical reception\nAngelica Jade Bastien for Roger Ebert wrote of the film, \"In 'Live Cargo,' director/co-writer Logan Sandler strives to tell a story that finds poetry in the commonplace by shirking narrative conventions.\"Chuck Wilson for The Village Voice wrote, \"The well-acted Live Cargo, which also features Robert Wisdom and Sam Dillon, is at its best when it observes character acting silently against landscape, as when Nadine goes snorkeling and uses a spear gun to jab at sharks, a juxtaposition of natural beauty and human fury typical of Sandler\u2019s poetic approach.\u201d Wilson as well called Sandler \"a filmmaker to watch.\"Katie Walsh in her IndieWire review wrote, \u201dAnchored by a quartet of equally strong and understated performances, LIVE CARGO proves itself to be a singularly artful film of great emotional heft.\u201d  Walsh gave the film an A - grade.Stephen Saito for The Moveable Fest in his review and interview wrote, \"While there\u2019s intrigue aplenty as anxieties rise higher than the tide, the assured hand of director Logan Sandler, who co-wrote the script with Thymaya Payne, guides 'Live Cargo' admirably as a thriller that may appear immediately as monochrome but shifts quickly into varying degrees of grey.\u201dH. Nelson Tracey of Cinemacy wrote that Sandler's, \u201cLive Cargo is an unforgettable debut and a promise of greater heights to come.\u201dJustin Lowe of the Hollywood Reporter in his review stated, \u201cA pronounced sense of style and place suffuses the entire film, boding well for Sandler\u2019s future projects.\u201d\n\nAwards/Nominations\nPassage 9:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 10:\nOlav Aaraas\nOlav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.\nHe was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.", "answers": ["Encino"], "length": 3654, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "448ddfeb3a427402454dcd05d7b41bd39204415877001ebb"}/n
The task is to answer a question using a step-by-step reasoning path based on provided contextual information. Follow these instructions carefully:

“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer to the question.

Task Instructions:
(1)Generate a full and concise reasoning path that logically derives the “answer” using sentences from the “context”. The path must can be fully understood from start to finish.
(2)For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3)Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use this exact JSON format for your output:
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without modifications.