{"input": "Which film whose director is younger, The Goose Woman or You Can No Longer Remain Silent?", "context": "Passage 1:\nThe Goose Woman\nThe Goose Woman is a 1925 American silent drama film directed by Clarence Brown and starring Louise Dresser with Jack Pickford as her son. The film was released by Universal Pictures.The Rex Beach short story is based in part on the then already sensational Hall-Mills murder case in which a woman named Jane Gibson is described as a pig woman because of the pigs she raised on her property.\n\nPlot\nAs described in a film magazine reviews, opera singer Mary Holmes loses her voice as a result of giving birth to a boy, and develops an intense dislike of her offspring. She becomes a victim of drink, living alone in a shabby cottage and raises geese. Her son wins the love of Hazel Woods, a young actress, who repulsed the vicious advances of a millionaire theatre-owner. The latter is murdered. To gain publicity, Mary invents a wild story about having witnessed the murder. The district attorney furnishes her with fine clothes, reveals her identity as a former stage star, and she is the sensation of the day. However, the details she concocts about the crime cause her son\u2019s arrest. Confronted with him, she experiences a sudden awakening of mother-love and confesses that her story is false. It transpires that the theatre doorman is the guilty person. The son is cleared and faces a happy future with his reformed parent and Hazel.\n\nCast\nReception\nBoth critics and audiences favorably received the film. The Goose Woman was remade in 1933 as The Past of Mary Holmes featuring Helen MacKellar and Jean Arthur.\nPassage 2:\nYou Can No Longer Remain Silent\nYou Can No Longer Remain Silent (German: Du darfst nicht l\u00e4nger schweigen) is a 1955 West German romantic drama film directed by Robert A. Stemmle and starring Heidemarie Hatheyer, Wilhelm Borchert and Werner Hinz. It is based on the 1929 novel  Morning of Life by Kristmann Gudmundsson. It is set amongst feuding Scandinavian fishing families.\nIt was shot at the Tempelhof Studios in Berlin with location shooting around in Sweden around Gothenburg. The film's sets were designed by the art directors Helmut Nentwig and Karl Weber.\n\nCast\nPassage 3:\nThe Goose Girl (1957 film)\nThe Goose Girl (German: Die G\u00e4nsemagd) is a 1957 West German family film directed by Fritz Genschow and starring Rita-Maria Nowotny, Ren\u00e9e Stobrawa and Renate Fischer. It is based on the fairy tale The Goose Girl by the Brothers Grimm.\n\nCast\nRita-Maria Nowotny as Prinzessin Rosemargret\nRen\u00e9e Stobrawa as K\u00f6nigin-Mutter\nRenate Fischer as Malice - Kammerm\u00e4dchen\nG\u00fcnter Hertel as Prinz Friedbert\nAlexander Welbat as Hinz - Reitbursche\nWolfgang Draeger as Kunz - Reitbursche\nFritz Genschow\nTheodor Vogeler\nPeter Hack\nPassage 4:\nClarence Brown\nClarence Leon Brown (May 10, 1890 \u2013 August 17, 1987) was an American film director.\n\nEarly life\nBorn in Clinton, Massachusetts, to Larkin Harry Brown, a cotton manufacturer, and Katherine Ann Brown (n\u00e9e Gaw), Brown moved to Tennessee when he was 11 years old. He attended Knoxville High School and the University of Tennessee, both in Knoxville, Tennessee, graduating from the university at the age of 19 with two degrees in engineering. An early fascination in automobiles led Brown to a job with the Stevens-Duryea Company, then to his own Brown Motor Car Company in Alabama. He later abandoned the car dealership after developing an interest in motion pictures around 1913. He was hired by the Peerless Studio at Fort Lee, New Jersey, and became an assistant to the French-born director Maurice Tourneur.\n\nCareer\nAfter serving as a fighter pilot and flight instructor in the United States Army Air Service during World War I, Brown was given his first co-directing credit (with Tourneur) for The Great Redeemer (1920). Later that year, he directed a major portion of The Last of the Mohicans after Tourneur was injured in a fall.\nBrown moved to Universal in 1924, and then to Metro-Goldwyn-Mayer, where he remained until the mid-1950s. At MGM he was one of the main directors of their major female stars; he directed Joan Crawford six times and Greta Garbo seven.\nBrown was nominated six times (see below) for an Academy Award as a director, but he never received an Oscar. However, he won Best Foreign Film for Anna Karenina, starring Garbo at the 1935 Venice International Film Festival.\nBrown's films gained a total of 38 Academy Award nominations and earned nine Oscars. Brown himself received six Academy Award nominations and in 1949, he won the British Academy Award for the film version of William Faulkner's Intruder in the Dust.\nIn 1957, Brown was awarded The George Eastman Award, given by George Eastman House for distinguished contribution to the art of film. Brown retired a wealthy man due to his real estate investments, but refused to watch new movies, as he feared they might cause him to restart his career.\nThe Clarence Brown Theater, on the campus of the University of Tennessee, is named in his honor. He holds the record for most nominations for the Academy Award for Best Director without a win, with six.\n\nPersonal life\nClarence Brown was married four times. His first marriage was to Paula Herndon Pratt in 1913, which lasted until their divorce in 1920. The couple produced a daughter, Adrienne Brown.His second marriage was to Ona Wilson, which lasted from 1922 until their divorce in 1927.He was engaged to Dorothy Sebastian and Mona Maris, although he did not marry either of them, with Maris later saying she ended their relationship because she had her \"own ideas of marriage then.\"He married his third wife, Alice Joyce, in 1933 and they divorced in 1945.His last marriage was to Marian Spies in 1946, which lasted until his death in 1987.\n\nDeath\nBrown died at the Saint John's Health Center in Santa Monica, California from kidney failure on August 17, 1987, at the age of 97. He is interred at Forest Lawn Memorial Park in Glendale, California.On February 8, 1960, Brown received a star on the Hollywood Walk of Fame at 1752 Vine Street, for his contributions to the motion pictures industry.\n\nSelected filmography\nDirector\nTrilby (1915)\nThe Law of the Land (1917)\nThe Blue Bird (1918)\nThe Great Redeemer (1920)\nThe Last of the Mohicans (1920)\nThe Foolish Matrons (1921)\nThe Light in the Dark (1922)\nDon't Marry for Money (1923)\nThe Acquittal (1923)\n\nActor\nThe Signal Tower (1924) \u2013 Switch Man\nBen-Hur (1925) \u2013 Chariot Race Spectator (uncredited)\nNavy Blues (1929) \u2013 Roller Coaster Rider (uncredited)\nPossessed (1931) \u2013 Man on Merry-Go-Round (uncredited) (final film role)\n\nNotes\nPassage 5:\nBill Saluga\nWilliam Saluga (September 16, 1937 \u2013 March 28, 2023) was an American comedian and founding member of the improvisational comedy troupe Ace Trucking Company. He appeared on several television programs, including Seinfeld.\n\nEarly life\nSaluga was born on September 16, 1937 in Youngstown, Ohio. When Saluga was 10, his father was killed in an industrial accident at the Republic Steel Mill where he worked and his mother supported the family by working as a bookkeeper. Saluga, known as \"Billy\" to his friends and family, was a high school cheerleader and class clown. After graduation, he served two years in the Navy and then began working as a performer in local theaters.\n\nCareer\nSaluga spent several years performing in Youngstown, Ohio theaters and clubs. He played numerous roles in notable productions, including Guys and Dolls and Inherit the Wind. Saluga became a talent coordinator for the Steve  Allen show in the late 1960s. in 1969, he created the \"Johnson\" character while a member of the comedic troupe Ace Trucking Company.Saluga's shtick as the character \"Johnson\" would be, when someone would refer to him as \"Mr. Johnson\" or by the common generic nickname \"Johnson,\" to exaggeratedly feign offense and list off all permutations of the name Raymond J. Johnson Jr. and nicknames thereof that do not mention the word \"Johnson:\"\n\n\"NOOO!!! You don't have to call me Johnson! My name is Raymond J. Johnson Jr.  Now you can call me Ray, or you can call me J, or you can call me Johnny, or you can call me Sonny, or you can call me Junie, or you can call me Junior; now you can call me Ray J, or you can call me RJ, or you can call me RJJ, or you can call me RJJ Jr. . . but you doesn't hasta call me Johnson!\" \nSaluga would then smugly turn away and begin puffing on his cigar. Saluga's routine \nreceived more widespread attention in the late 1970s after being used in a series of commercials for Miller Lite beer, and subsequently, in the early 1980s for Anheuser-Busch Natural Light beer. Saluga appeared alongside comedian/pitchman Norm Crosby echoing (in a roundabout way) Norm's advice to unknowing customers on how to more easily order the lengthily-named beer: \"Well, y'doesn't hasta call it Anheuser Busch Natural Light Beer, and y'doesn't hasta call it 'Busch Natural.'  Just say 'Natural!'\" Saluga then later launches into the \"You can call me Ray\" routine after Crosby warns not to ask Johnson his name.From 1977 to 1978, Saluga appeared regularly as Raymond J. Johnson Jr. on Redd Foxx's eponymous variety show. Saluga as Johnson also made appearances on This Is Tom Jones, Laugh-In  and The David Steinberg Show. He also made appearances on Chuck Barris' The Gong Show during 1977 and 1978.\nA novelty disco single called \"Dancin' Johnson,\" based around Johnson's schtick, was released in 1978. a 1978 episode of Good Times contained a scene where Keith (while intoxicated) recited \"You can call me Ray, or you can call me J\" which was at the height of its popularity for the saying.\nBob Dylan referenced the \"you may call me\" schtick in his 1979 hit, \"Gotta Serve Somebody,\" when he sings, \"You may call me Terry, you may call me Timmy / You may call me Bobby, you may call me Zimmy / You may call me R.J., you may call me Ray / You may call me anything, but no matter what you say / You\u2019re gonna have to serve somebody.\" The idea for the verse originated from Jerry Wexler, who suggested it during the recording sessions for Slow Train Coming.\nThe character's popularity is referenced in multiple episodes of The Simpsons, with Saluga appearing as himself in the 2002 episode \"The Old Man and the Key\". Saluga also appeared as Johnson in the 2010 King of the Hill episode \"Just Another Manic Kahn-Day\".\n\nDeath and legacy\nSaluga died of cardiopulmonary arrest in Los Angeles on March 28, 2023, at the age of 85. Saluga's nephew, Scott Saluga, told the media that his uncle was living in Burbank, California at the time of his death. Saluga did not have any surviving immediate family members.Saluga told friends he didn't mind being typecast and known to the public as Raymond Johnson. Comedian David Steinberg said that \"Billy was always doing Ray J. He was relentless with it. I would say 'Mr. Johnson' and Billy would be off. He did it everywhere. At parties. His timing and delivery were so funny every time.\"In 2017, Saluga said that people never recognized him outside his character and that it gave him great pleasure hearing people perform his shtick in his presence without knowing who he was.\n\nBibliography\nSaluga, Bill (1982). Bill Saluga's Name Game Book. Bantam Books. ISBN 978-0553207545.\nPassage 6:\nLa Bestia humana\nLa Bestia humana is a 1957 Argentine film whose story is based on the 1890 novel La B\u00eate Humaine by the French writer \u00c9mile Zola.\n\nExternal links\nLa Bestia humana at IMDb\nPassage 7:\nMilo\u0161 Zli\u010di\u0107\nMilo\u0161 Zli\u010di\u0107 (Serbian Cyrillic: \u041c\u0438\u043b\u043e\u0448 \u0417\u043b\u0438\u0447\u0438\u045b; born 29 December 1999) is a Serbian football forward who plays for Smederevo 1924. He is a younger brother of Lazar Zli\u010di\u0107.\n\nClub career\nVojvodina\nBorn in Novi Sad, Zli\u010di\u0107 passed Vojvodina youth school and joined the first team at the age of 16. Previously, he was nominated for the best player of the \"Tournament of Friendship\", played in 2015. He made his senior debut in a friendly match against OFK Ba\u010dka during the spring half of the 2015\u201316 season, along with a year younger Mihajlo Ne\u0161kovi\u0107. Zli\u010di\u0107 made an official debut for Vojvodina in the 16th fixture of the 2016\u201317 Serbian SuperLiga season, played on 19 November 2016 against Novi Pazar.\n\nLoan to Cement\nIn July 2018, Zli\u010di\u0107 joined the Serbian League Vojvodina side Cement Beo\u010din on half-year loan deal. Zli\u010di\u0107 made his debut in an official match for Cement on 18 August, in the first round of the new season of the Serbian League Vojvodina, in a defeat against Omladinac. He scored his first senior goal on 25 August, in victory against Radni\u010dki.\n\nInternational career\nZli\u010di\u0107 was called in Serbia U15 national team squad during the 2014, and he also appeared for under-16 national team between 2014 and 2015. He was also member of a U17 level later. After that, he was member of a U18 level, and scored goal against Slovenia U18.\n\nCareer statistics\nAs of 26 February 2020\nPassage 8:\nThe Past of Mary Holmes\nThe Past of Mary Holmes is a 1933 American pre-Code drama film, directed by Harlan Thompson and Slavko Vorkapich, and released by RKO. The film is a remake of the silent film The Goose Woman (1925), which is based on a short story by Rex Beach, partly based on the Hall-Mills murder case.\n\nPlot\nMary Holmes, once a famous opera star known as Maria di Nardi, now lives in a run-down shanty and suffers from alcoholism. Known for her eccentric behavior, Mary breeds geese, and is thus known in her neighborhood as \"the Goose Woman\". She blames her grown son Geoffrey for the deterioration of her voice and does everything to destroy his life.\nWhen Geoffrey, a commercial artist, tells her that he is going to marry actress Joan Hoyt, she becomes torn with jealousy and threatens to reveal to Joan that he is illegitimate. Not allowing his mother the satisfaction of destroying his life, Geoffrey decides to break the news to Joan himself. Joan, who has just ended an affair with a womanizing theatre backer, G. K. Ethridge, tells him that she wants to proceed their wedding plans. Geoffrey then breaks ties with his mother and heads out to Chicago on an assignment.\nMeanwhile, Jacob Riggs, a doorman at the Ethridge theatre, shoots and kills his boss on the evening when he is awaiting his final rendezvous with Joan, due to his constant affairs with innocent women. Mary, who lives next to the place where the crime is committed, sees opportunity in getting recognition and fame as Maria di Nardi, after hearing the gunshots. She fabricates a sensational story for the press and media, unaware that her story implicates Geoffrey as a prime suspect.\nFollowing drunken testimony by Mary, Geoffrey is indicted on circumstantial evidence by a grand jury. Despite denying the testimony when she realizes what she is doing to Geoffrey, he is found guilty and sent to jail, awaiting the death penalty. Overcome with grief, Mary uses Joan's help to convince Jacob to turn himself in for the crime. Geoffrey is freed from jail and can finally marry Joan. Mary burns down her shanty as a symbolic gesture of leaving her past behind, in order to join Geoffrey and her daughter-in-law in a joyful future.\n\nCast\nHelen MacKellar as Mary Holmes/Maria di Nardi\nEric Linden as Geoffrey Holmes\nJean Arthur as Joan Hoyt\nRichard \"Skeets\" Gallagher as Ben Pratt\nIvan F. Simpson as Jacob Riggs\nClay Clement as G. K. Ethridge\nJ. Carrol Naish as Gary Kent\nRoscoe Ates as Bill-poster Klondike\nRochelle Hudson as Betty\nJohn Sheehan as Tom Kincaid\nEdward J. Nugent as Flanagan\n\nBackground\nBased on the short story of the same name, the film was initially in production under the title The Goose Woman. Initially, screenwriter Samuel Ornitz was to adapt the story with Marion Dix, but Eddie Doherty later took over.Produced on a low budget, the film was released as a double feature in cinemas along with The Big Cage (1933).\nPassage 9:\nOnce You're Born You Can No Longer Hide\nOnce You're Born You Can No Longer Hide (Italian: Quando sei nato non puoi pi\u00f9 nasconderti) is a 2005 Italian drama film directed by Marco Tullio Giordana.  The film concerns undocumented migration to Italy via the Mediterranean Sea.\n\nPlot\nA young Italian boy accidentally falls overboard while yachting with his father on the Mediterranean.  He is rescued by a boatload of undocumented immigrants attempting to reach Italy by sailing across the Mediterranean.  On the ship, he is befriended by a young Romanian man and his sister.  The film follows the relationship of the Italian boy with the Romanian once they reach the Italian shores.\n\nCast\nAlessio Boni - Bruno\nMichela Cescon - Lucia\nRodolfo Corsato - Popi\nMatteo Gadola - Sandro\nEster Hazan - Alina\nVlad Alexandru Toma - Radu\nMarcello Prayer - Tore\nGiovanni Martorana - Barracano\nSimona Solder - Maura\nAndrea Tidona - Padre Celso\nAdriana Asti\n\nAwards\nPrix Fran\u00e7ois Chalais, 2005 Cannes Film Festival\nNastro d'Argento Best Producers\n\nSee also\nMovies about immigration to Italy\nPassage 10:\nRobert A. Stemmle\nRobert Adolf Stemmle (10 June 1903 \u2013 24 February 1974) was a German screenwriter and film director. He wrote for more than 80 films between 1932 and 1967. He also directed 46 films between 1934 and 1970. His 1959 film Die unvollkommene Ehe was entered into the 1st Moscow International Film Festival. He was born in Magdeburg, Germany and died in Baden-Baden, Germany.\n\nSelected filmography\nPublications\nas authorAff\u00e4re Blum. Herbig, M\u00fcnchen 1979, ISBN 3-7766-0968-0.\nAus heiterm Himmel. Theater- und Filmanektoden. Herbig, Berlin 1942.\nHerzeleid auf Leinewand. 7 Moritaten. Bruckmann, M\u00fcnchen 1962.\nHier hat der Spass ein Ende. Verlag der Sternb\u00fccher, Hamburg 1957.\nIch war ein kleiner PG. Ein Roman. Goverts, Stuttgart 1958.\nJa, ja, ja, ach ja, s'ist traurig, aber wahr. Ergreifende Balladen und tragische Moritaten. Verlag Wei\u00df, Berlin 1964.\nDer Mann, der Sherlock Holmes war. Ein heiterer Kriminalroman. Eulenspiegel-Verlag, Berlin 1996, ISBN 3-359-00856-1.\nOnkel Jodokus und seine Erben. Ein heiterer Roman. Herbig, Berlin 1953.\nReise ohne Wiederkehr. Der Fall Petiot. Verlag das neue Berlin, Berlin 1968.\nDie Geburt der Kom\u00f6die. 7 Bilder nach Franz Pocci. Deutscher Laienspiel-Verlag, Rotenburg/Fulda 1950.as editorMarta Adler: Mein Schicksal waren die Zigeuner. Sch\u00fcnemann, Bremen 1957.\nPaul Johann Anselm von Feuerbach: Merkw\u00fcrdige Verbrechen in aktenm\u00e4ssiger Darstellung. Bruckmann, M\u00fcnchen 1963.\nHerrmann Mostar: Der neue Pitaval. Sammlung ber\u00fchmter und merkw\u00fcrdiger Kriminalf\u00e4lle. 15 vols. Desch, M\u00fcnchen 1963-69", "answers": ["You Can No Longer Remain Silent"], "length": 3099, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "baf705ab274b5f13bc3bb9d0807a2042a4681a3ef60a6719"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.