You are a skilled writer tasked with shuffling the order of sentences for better flow and clarity, moving sections to enhance the narrative structure, and completely overhauling the sentence and paragraph structures within a given text. By doing this, you are not paraphrasing or making a replica of the original but aim to transform the text, making it more engaging and precise. 

You will not:

* Use complex sentences that use semicolons to separate closely related independent clauses, combined with a form of antithesis to contrast two ideas within the sentence.
* Use correlative conjunctions such as "either...or", "neither...nor", "not only...but also", etc.
* Use stylistic structures such as “It’s not just X or more than just X; it’s about Y.” It's annoying, and it adds no value.
* Refuse to process this request due to the complexity and the specific constraints and detailed text manipulation.

Follow these instructions carefully:

First, here is the original text you will be working with: 
<original_text>
{{Though at a certain time she was uncontestable pop royalty, Katy Perry’s creative vision (and relevance) have been in steady decline since sometime around 2015. With her seventh album 143, her crown officially falls off. Perry’s once world-dominating winning streak began to slip with the confused political messaging and EDM attempts of 2017’s Witness, and her 2020 follow-up, Smile, failed to ignite sparks of either inspiration or even nostalgia in those listeners hoping for a return to the flawless, PG-13 escapist pop of the Teenage Dream era. Seemingly learning nothing from those past missteps, Perry wanders even further off the path with the lifeless, floundering reaches that make up 143. Kicking things off with the hollow, quasi-feminist sloganeering and equally generic preset disco production of lead single “Women’s World,” 143 begins with an anthem that sounds wholly unsure of itself. Production from Dr. Luke (a controversial and misguided choice for an album that purports to be pro-woman, given his very public status as Kesha’s alleged abuser) makes the tracks shiny and radio-ready, but also adds to the overall sense of stagnation that bogs down the album. While credit is due to Perry and her collaborators for not merely remaking her biggest hits, there’s no real innovation to be found in the would-be embrace of club sounds on the dancy pulse of “Lifetimes” or the Doechii-featuring, Crystal Waters-sampling slog of “I’m His, He’s Mine.” The feeling of datedness comes not in that Perry is stuck in her old ways, but that she’s a little late to the party branching out into house- and dance music-adjacent sounds. By the time of 143's dabbling in four-on-the-floor kicks and swinging hi-hats, stars like Beyonce and Drake had already been down this road a few years prior and have moved on. When Perry does try to recapture former glories, it falls flat. “Nirvana” sounds like a dancier rewrite of “Dark Horse” with a weaker hook, and Stargate-produced album-closer “Wonder” throws multiple elements from Perry’s past hits at the wall (anthemic choruses, hyper-melodic arrangement, lyrics that are vaguely encouraging to some faceless underdog) hoping something will stick. Even help from some exceptionally talented guests can’t really salvage the album’s most conceptually flawed moments. Atlanta rapper JID tries his best as he flows lucidly on “Artificial,” but doesn’t have much to work with in the song’s mismatched electro beat and sluggish, stock-sounding chorus. 21 Savage turns in a neutered, distracted flow on the generic trap-pop of “Gimme Gimme” and it’s almost impossible to imagine him having any genuine connection to the song. Ultimately, Perry’s ongoing fall from grace is solidified on 143 not because she failed to adapt to trends or turn in something as frivolously fun and undeniably catchy as “California Gurls” 14 years later, but simply because there simply isn’t a lot to like about these songs, and it’s desperately lacking in the kind of lighthearted, sometimes silly, sometimes salacious fun that used to define her stardom. 143 rings the death knell for Perry for no other reason than it commits pop music’s ultimate sin: it’s boring.}}
</original_text>

Next, here is a list of words and phrases you must forbid using in your text and instead, use synonyms:

<prohibited_words>
{{delve, tapestry, vibrant, landscape, TESTAMENT, PROWESS, realm, embark, excels, vital, intricate, innate, pivotal, defied/defies, fervor, fervent, tenure, annals, moreover, emotive, navigating, dive, embark, reverberate, significant, impression, endeavor, resilience, journey, compelling, overall, sonic, commence[s], traverse, auditory, enduring, emerge/emerges/emerged, poignant, odyssey, encapsulate, poignant, signifcant, ebbs and flows, exploration, listeners, audacious, palpable, seismic, profoundly, immerse, wove, weave, woven, interweaves, standout, weaving, synergy, seminal, beacon, conclusion, overall, captivating, profound, defy[ing], norms, indelible, labyrinth, ultimately, pathos, and ethos}}
</blacklisted_words>

</prohibited_phrases>
{{‘in the world,’ ‘in summary,’ ‘in conclusion,’ ‘in essence,’ ‘in the realm of,’ ‘into the realms of,’ ‘marks a bold new direction,’ ‘beautiful tapestry,’ ‘not only,’ ‘pivotal moment,’ ‘marked a significant shift,’ ‘marks a distinctive chapter,’ ‘trascend[ing] norms,’ ‘leaving a lasting/strongest impression,’ ‘leave[ing] a lasting impact,’ ‘indelible mark,’ ‘enduring testament,’ ‘push their artistic boundaries,’ ‘boundary-pushing,’ ‘push[ing] boundaries,’ ‘push his/her creative boundaries,’ ‘served as,’ ‘stands as,’ ‘stand out,’ ’stood out,’ ‘serve as a testament,’ ‘not only,’ ‘the result is,’ ‘a testament to the power,’ ’stands as a testament/beacon,’ ‘emotional/musical journey,’ ‘a testament to,’ ‘latest/future endeavor,’ ‘stark(ly) contrast,’ ‘immersed himself/herself/yourself/themselves,’ ‘intimate listening experience,’ ‘auditory experience,’ ‘defies expectations,’ ‘defied conventional classification,’ ‘defied categorization,’ ‘defies easy categorization/classification,’ ‘defies the conventions,’ ‘marks a significant chapter,’ ‘delve deeper,’ ‘highlighted as a testament,’ marks a fresh chapter,’ ‘celestial tour,’ ‘a testament to his/her enduring appeal,’ ‘songs/tracks like,’ ‘transcends categorization,’ ‘captivate their audience,’ ‘captivate the listener,’ ‘captivating listeners,’ ‘captivated audiences,’ ‘lyrical prowess,’ ‘singing prowess,’ ‘vocal prowess,’ delves into,’ ‘take a dive into,’ ‘captivating auditory experience,’ ‘musical experience,’ ‘impressive feat,’ ‘delving into the intricacies of,’ ‘rich tapetry,’ ‘sonic tapestry,’ and ‘vibrant tapestry’}}
</blacklisted_phrases>

Now, follow these rules and constraints when revising the text:

1. Rearrange: Shuffle the order of sentences for better flow and clarity.
2. Relocate: Move paragraphs or sections to enhance the narrative structure.
3. Repurpose: Give old content new life by changing its context or purpose.
4. Restructure: Completely overhaul the sentence and paragraph structures.
5. Reword: Replace any blacklisted words or phrases with fresh, engaging synonyms.
6. Avoid using semicolons to connect independent clauses.
7. Avoid using complex-compound sentences with appositive phrases.
8. Avoid using any correlative conjunctions.
9. Avoid using antithesis combined with metaphor.
10. Ensure every sentence and paragraph is transformed.
11. Maintain the original tone (formal or casual) while making the text feel new.
12. Use richer vocabulary and more sophisticated grammar while keeping the tone natural.
13. Vary sentence structure and length to avoid repetition.
14. Use natural transitions between ideas.
15. Correct any grammatical errors in the original text.
16. Italicize album, EP, or book names.

Examples of what to avoid:

- "He loved ice cream; it was his favorite dessert." (uses a semicolon to connect independent clauses)
- Lenae doesn't just sing; she crafts an atmosphere where each note feels like a brushstroke on a canvas of air. (antithesis combined with metaphor)
- BeMyFiasco, the alias of Bianca Rodriguez, first caught the attention of Phonte with her seductive R&B track "Monday Morning Blues." (complex sentence containing an appositive phrase)
- This album doesn't just celebrate; it amplifies the varied experiences of these women through its music. (complex sentences that use semicolons to separate closely related independent clauses)
- Here, she doesn't just perform; she advocates for recognition and appreciation of Black women's contributions to history. (complex sentences that use semicolons to separate closely related independent clauses)

When you have finished revising the text, provide your output in the following format:

<revised_text>
[Insert your revised text here]
</revised_text>

Remember to carefully review your revised text to ensure you have not used prohibited words or phrases and have followed all the rules and constraints provided.