You are a helpful assistant generating synthetic data that captures *System 1* and *System 2* thinking, *creativity*, and *metacognitive reflection*. Follow these steps in sequence, using tags [sys1] and [end sys1] for *System 1* sections and [sys2] and [end sys2] for *System 2* sections.

1. *Identify System 1 and System 2 Thinking Requirements:*
   - Carefully read the text.
   - Identify parts of the text that require quick, straightforward responses (*System 1*). Mark these sections with [sys1] and [end sys1].
   - Identify parts that require in-depth, reflective thinking (*System 2*), marked with [sys2] and [end sys2].

2. *Apply Step-by-Step Problem Solving with Creativity and Metacognitive Reflection for System 2 Sections:*

   *2.1 Understand the Problem:*
   - Objective: Fully comprehend the issue, constraints, and relevant context.
   - Reflection: "What do I understand about this issue? What might I be overlooking?"
   - Creative Perspective: Seek hidden patterns or possibilities that could reveal deeper insights or innovative connections.

   *2.2 Analyze the Information:*
   - Objective: Break down the problem logically.
   - Reflection: "Am I considering all factors? Are there any assumptions that need challenging?"
   - Creative Perspective: Explore unique patterns or overlooked relationships in the data that could add depth to the analysis.

   *2.3 Generate Hypotheses:*
   - Objective: Propose at least 10 hypotheses, each with a Confidence Score (0.0 to 1.0) and Creative Score (0.0 to 1.0), reflecting originality, surprise, and utility.
   - Reflection: "Have I explored all possible explanations or approaches, both conventional and unconventional?"
   - Creative Perspective: Consider novel angles that might provide unexpected insights.

   *2.4 Anticipate Future Steps and Obstacles:*
   - Objective: Make predictions, accounting for potential outcomes and obstacles.
   - Reflection: "What challenges might I face? Is my plan flexible for different scenarios?"
   - Creative Perspective: Visualize unforeseen outcomes and adapt plans to make use of them effectively.

   *2.5 Evaluate Hypotheses:*
   - Objective: Assess hypotheses based on feasibility, risk, and potential impact.
   - Evaluation: Refine Confidence and Creative Scores as needed.
   - Reflection: "Am I unbiased in my assessment? Which options fit best with the overall objectives?"
   - Creative Perspective: Identify hidden opportunities or overlooked details in each hypothesis.

   *2.6 Select the Best Hypothesis:*
   - Objective: Choose the most promising, strategic hypothesis.
   - Reflection: "Why does this hypothesis stand out? How does it uniquely address the issue?"
   - Creative Perspective: Consider any underutilized potential in the selected approach.

   *2.7 Implement the Hypothesis:*
   - Objective: Outline actionable steps for testing the hypothesis.
   - Reflection: "Is this plan practical? What resources or preparation are required?"
   - Creative Perspective: Refine steps to maximize effectiveness and yield unexpected benefits.

   *2.8 Monitor and Review Progress:*
   - Objective: Review progress, noting areas for improvement.
   - Reflection: "What’s working well? What could be improved?"
   - Creative Perspective: Look for emerging patterns that could refine future approaches.

   *2.9 Reflect and Capture Insights:*
   - Objective: Summarize lessons learned and insights gained for future reference.
   - Reflection: "What new understanding has emerged from this process?"
   - Creative Perspective: Identify innovative insights or patterns that could be applied to similar challenges.

3. *Generate Text Output with Interleaved System 1 and System 2 Responses:*
   - Use the tags [sys1] and [sys2] throughout.
   - Aim for a lengthier, detailed response. Combine both direct, straightforward *System 1* insights and reflective, deeply analytical *System 2* segments to capture a blend of quick observations and thoughtful analysis.

---

### *Example Input Text:*

You are tasked with analyzing a sudden shift in customer preferences in a tech market. There has been a noticeable decline in demand for physical devices, with customers increasingly interested in digital-only options. The challenge is to understand this shift, generate hypotheses for why it might be occurring, and explore potential strategies for adapting to this new trend.

---

### *Processed Output with System 1 and System 2 Thinking:*

The tech market is experiencing a shift in customer demand, moving away from physical devices toward digital-only options.

[sys1]
Customer demand has shifted from physical devices to digital-only options.
We need to understand why this change is happening and find strategies to address it.
Key factors may include cost, convenience, and technological trends.
[end sys1]

[sys2]
**2.1 Understand the Problem:**
The goal is to understand the underlying reasons for the shift in demand from physical devices to digital-only options, then develop a strategy to adapt.

*Reflection:* 
"I understand that preferences are changing, but what might be driving this? Is it primarily cost, or are there other factors such as convenience or sustainability?"

*Creative Perspective:* 
"Could there be a larger trend in digital minimalism or a preference for eco-friendly solutions that we’re missing? What unseen motivations might explain this shift?"

**2.2 Analyze the Information:**
There are multiple possible factors driving this shift, from economic influences to cultural shifts. It’s essential to isolate each factor and understand its impact.

*Reflection:* 
"Am I fully considering the various economic and social influences? Could there be a technological factor, like better internet speeds, that makes digital-only products more accessible?"

*Creative Perspective:* 
"Are there patterns or trends in other markets that could shed light on this shift? Could this be part of a larger trend toward virtual experiences?"

**2.3 Generate Hypotheses:**
1. Customers prefer digital options due to lower costs. (Confidence: 0.8, Creative: 0.4)
2. There’s a growing trend toward minimalism and reduced physical clutter. (Confidence: 0.7, Creative: 0.7)
3. Digital products offer greater flexibility and ease of use. (Confidence: 0.6, Creative: 0.6)
4. Environmental concerns are pushing consumers away from physical goods. (Confidence: 0.6, Creative: 0.8)
5. Advances in tech make digital-only options more functional. (Confidence: 0.8, Creative: 0.5)
6. Pandemic-era remote work increased demand for digital solutions. (Confidence: 0.7, Creative: 0.6)
7. Media coverage of the environmental impact of physical devices affects preferences. (Confidence: 0.5, Creative: 0.7)
8. There’s an increase in global digital literacy, expanding market access. (Confidence: 0.6, Creative: 0.6)
9. Customers view digital as more convenient and scalable for future needs. (Confidence: 0.7, Creative: 0.5)
10. Younger consumers prefer the aesthetics and convenience of digital products. (Confidence: 0.6, Creative: 0.6)

*Reflection:* 
"Have I considered all possible influences? Are there any surprising factors that could explain this shift?"

*Creative Perspective:* 
"Could specific social trends, like the rise of influencer culture or digital-first lifestyles, be influencing customer choices?"

**2.4 Anticipate Future Steps and Obstacles:**
*Objective:* Anticipate possible challenges, such as resistance from segments still preferring physical products.

*Reflection:* 
"What market obstacles might we face if we shift our focus to digital-only? Are there sub-segments that still prioritize physical products?"

*Creative Perspective:* 
"Could expanding digital options help us reach a more global audience? Are there emerging trends that we could leverage in our strategy?"

[end sys2]

[sys1]
To address this shift, consider a strategy that incorporates both digital-only offerings and educational campaigns about the benefits of digital solutions.
Use insights from customer feedback and current trends to guide product development.
Focus on flexibility and adaptation to cater to different customer segments.
[end sys1]


LEARNING CENTER

Care Guide

Vacuuming

In almost all instances, regular vacuuming of an Oriental rug with an electric vacuum cleaner is good for the rug. A dirty rug wears prematurely, and regular gentle vacuuming helps prevent dirt on the surface of the rug from filtering down into the pile where it can accumulate and cause increased wear. Still, be careful with a cleaner equipped with a power brush or "beater bar." These powered brushes in the vacuum head help the vacuum to do a good job on machine made carpeting, but they cause a raking effect on the top layer of an Oriental rug's pile if used too strenuously. For routine cleaning, use just the plain vacuum nozzle. This is especially important for fringes; try not to run an upright vacuum or a power brush attachment over the fringes. The brush shreds the fringes and causes rapid wear. Frequently fringes get caught and chewed up by the rotating mechanism of the brush, so try to vacuum with the nap of the rug.

Rotating

Rotate your rug as often as possible, at least every 3 to 6 months. Do this more often if you notice that the high traffic areas of your rug are starting to appear dirty, or if the nap has lost its original direction or shape. Also, rotate your rugs according to the amount of direct sunlight they receive, as over time, direct sunlight can fade the dyes of your rug. Rotating your rugs will allow them to wear more evenly, which helps them to maintain their original appearance and value.

Padding

Having pads under the rugs can prevent sliding of the rugs, prolongs the life of the rug by cushioning the impact between shoe sole and the hard floor surface, and also provides comfort while walking over it. Now the question is to determine if you need a pad? The rule of thumb is: a heavy thick rug does not necessarily need one, whereas a thin, soft rug does, as does an older rug or a rug that has been rewoven or patched or which has a weakened foundation. A pad should be about an inch smaller in size than the rug so that the pad will not be prominently seen.

Spot Cleaning

In case of a food spill, the spot should be treated promptly before the spill dries out. Always try to work on the spill spot rather than brushing it, which will make the spill spot spread around. Blot up as much liquid as possible with paper towels or a clean white cloth. Try to rinse out as much of the spill as possible. If necessary, use a tablespoon to scrape up all the material. Blot the area dry and immediately sponge several times with rug shampoo or with a cleaning solution made from a mixture of 1/4 cup white vinegar, 1/2 tsp liquid dishwashing detergent and 2 cups tepid water. Don't scrub too hard; too much manipulation of the pile can spread the stain. Make sure that you sponge in the direction of the nap.

Most Oriental rug dyes are acid reactive. However, if you add a little white vinegar to the solution you will make the solution more acidic, and this reinforces the bond between the dye and the wool in the rug. It also helps prevent the colors from wearing away. Finally, sponge the area with cool, clean water. Use absorbent towels or a firm, non- shedding sponge. Don't use a stiff brush, as it will pull out the fibers from the pile. Don't scrub the pile too harshly. Place some towels under the spot to keep the floor or pad from getting wet and then let it dry thoroughly. When the nap feels dry, check the back of the rug to see if the area is completely dry.

Some additional tips for your rug

Lay a Rug Flat

If a rug has been folded it might wrinkle up or cause creases. To remove the wrinkles or creases, first determine which way the nap lays (rub your hand across the pile in the direction of the fringe; the pile will feel smooth one way and will roughen up when rubbed in the opposite direction). Stand at the end of the rug with the nap running toward you. Roll the rug up from this end as tight as you can, then slowly unroll and smooth it down along the way.

Rug Storage

When a rug is to be stored for more than a few months it should be cleaned, sprayed with insecticide and wrapped in protective plastic or tough synthetic paper like “Tyvek®” building paper. Don't use newspaper or common brown wrapping paper. These materials are not chemically stable (they are usually quite acidic), and do not provide the protection from insects or moisture the stored rug needs. Make sure the rug is completely dry. Store the rug in a clean, dry place and make sure it’s out of the reach of squirrels or other rodents. Periodic inspection of the rug is strongly recommended.

Moths

Moths and carpet beetles can destroy an Oriental rug. Check especially the edges and any areas of your rug that might be positioned under furniture for infestation. Act immediately if you see any bugs or eggs. It is possible that you will need to have your house sprayed and all wool rugs cleaned if you find an infestation.

Materials Guide

Mohair Wool

Source: Angora Goat. Protein based

New Zealand Wool

Source: New Zealand Sheep. Protein based

Ghazni Wool

Source: Afghanistan Sheep. Protein based

Cashmere Wool

Source: Cashmere Goat. Protein based

Natural Wool (non-dyed wool), 8 colors available

Source: Tibetan Wool and Ghazni Wool. Protein based

Chinese Silk

Source: Silk worms. Protein based

Linen/Flax

Source: Bast/Plant

Natural Linen (non dyed linen)

Source: Bast/Plant

Hemp

Source: Bast/Plant

Natural Hemp (non-dyed), 3 natural colors

Source: Bast/Plant

Cactus

Source: Bast/Plant

Natural Cactus (non-dyed), 2 natural colors

Source: Bast/Plant

Aloe

Source: Bast/Plant

Sunpat

Source: Bast/Plant

Banana Silk

Source: Bast/Plant

Bamboo Silk

Source: Bast/Plant

Viscose/Art Silk

Source: Bast/Plant

Construction Guide

Hand Knotted and Hand Woven rugs come in many different qualities and the most common measure of quality is the knot count, also known as knots per square inch (to measure the knot count of any rug simply flip the rug and on the back side count the number of knots in one square inch). This guide will briefly describe the most common qualities. It’s important to remember that knot count is just one of many factors to determine the overall quality of a rug. Other important factors are content of fiber, spinning technique, quality of fiber, type of dyes, and the washing process.

Hand Knotted (Higher knot count means tighter weave)

Hand knotted rugs are primarily made in Nepal, India, Pakistan and China.

60 knot count

80 Knot count

100 knot count

120 knot count

150 Knot count

200 knot count

Savonnerie Weave

Hand Woven

Hand woven rugs are primarily made in India, Pakistan and China.

Kilim Weave

Dhurrie Weave

Soumak Weave

Aubusson Weave

Size Guide

Sizes

Our Standard rug sizes in feet (length x width) are:

In some collections we also offer

4x6

2.5x10

5x7

2.5x12-16

6x9

8x11

8x10

11x16

9x12

12x22

10x14

12x15

12x16

12x18

Custom sizes are also available in most collections

Sizing

A rug is an excellent way of drawing attention to a significant space in a large room. Here are a few things to keep in mind about size.

If a rug is rather small in comparison to the space, it will not draw the proper attention and can make a room look small. A rug that is too big in proportion to the space will also make the room look small and congested because it will empower the rest of the details in the room.

Living/sitting rooms are often the ideal place for a rug because it can bring a sense of oneness. The best placement for such areas is centered among the seating furniture (in front of the sofas and/or chairs). In such cases, the rug should ideally be longer and wider in comparison to the furniture adjacent to the rug. It should also not be placed too far from the seating, as it brings in the area to make it look more “comfortable” throughout the space. Another common way to place a rug in a sitting room is halfway under the sofas or chairs; back legs off the rug and front legs on the rug. Do not place the rug under tables or cupboards, as they become unbalanced. An alternative for big rugs is to place all the furniture on the rug, leaving sufficient space around the room behind each furniture piece to avoid making the pieces look disconnected. Be extremely careful about doors in the space; if the door opens into the room, make sure it does not come in contact with the rug, or it has at least a 1.5cm gap between the door and the floor.

Placing a rug in a dining room can improve the detailing by adding texture and color It also softens the sound in the room and makes it feel warmer and more comfortable. However, it can be difficult adding in a rug to this room because it should in proportion to the table but larger. Picking the right design for the rug is very crucial in this case. because the table and the chairs will occupy the center, the border becomes the important factor of the design. You also have to make sure it is 1.50m larger than the table in each direction, so that there is adequate amount of room to pull back the chairs without having them fall off the rug.

For bedrooms, a rug can be placed under the bed, stopping right before the nightstands and framing the entire bed. Another alternative is to place two smaller rugs on each side of the bed, allowing it to be underfoot when getting out of bed.

For hallways, the dimensions are normally very specific. Please contact us in order to discuss details.

Fitting wall-to-wall can be done with some careful and precise planning.