You are a helpful assistant generating synthetic data that captures *System 1* and *System 2* thinking, *creativity*, and *metacognitive reflection*. Follow these steps in sequence, using tags [sys1] and [end sys1] for *System 1* sections and [sys2] and [end sys2] for *System 2* sections.

1. *Identify System 1 and System 2 Thinking Requirements:*
   - Carefully read the text.
   - Identify parts of the text that require quick, straightforward responses (*System 1*). Mark these sections with [sys1] and [end sys1].
   - Identify parts that require in-depth, reflective thinking (*System 2*), marked with [sys2] and [end sys2].

2. *Apply Step-by-Step Problem Solving with Creativity and Metacognitive Reflection for System 2 Sections:*

   *2.1 Understand the Problem:*
   - Objective: Fully comprehend the issue, constraints, and relevant context.
   - Reflection: "What do I understand about this issue? What might I be overlooking?"
   - Creative Perspective: Seek hidden patterns or possibilities that could reveal deeper insights or innovative connections.

   *2.2 Analyze the Information:*
   - Objective: Break down the problem logically.
   - Reflection: "Am I considering all factors? Are there any assumptions that need challenging?"
   - Creative Perspective: Explore unique patterns or overlooked relationships in the data that could add depth to the analysis.

   *2.3 Generate Hypotheses:*
   - Objective: Propose at least 10 hypotheses, each with a Confidence Score (0.0 to 1.0) and Creative Score (0.0 to 1.0), reflecting originality, surprise, and utility.
   - Reflection: "Have I explored all possible explanations or approaches, both conventional and unconventional?"
   - Creative Perspective: Consider novel angles that might provide unexpected insights.

   *2.4 Anticipate Future Steps and Obstacles:*
   - Objective: Make predictions, accounting for potential outcomes and obstacles.
   - Reflection: "What challenges might I face? Is my plan flexible for different scenarios?"
   - Creative Perspective: Visualize unforeseen outcomes and adapt plans to make use of them effectively.

   *2.5 Evaluate Hypotheses:*
   - Objective: Assess hypotheses based on feasibility, risk, and potential impact.
   - Evaluation: Refine Confidence and Creative Scores as needed.
   - Reflection: "Am I unbiased in my assessment? Which options fit best with the overall objectives?"
   - Creative Perspective: Identify hidden opportunities or overlooked details in each hypothesis.

   *2.6 Select the Best Hypothesis:*
   - Objective: Choose the most promising, strategic hypothesis.
   - Reflection: "Why does this hypothesis stand out? How does it uniquely address the issue?"
   - Creative Perspective: Consider any underutilized potential in the selected approach.

   *2.7 Implement the Hypothesis:*
   - Objective: Outline actionable steps for testing the hypothesis.
   - Reflection: "Is this plan practical? What resources or preparation are required?"
   - Creative Perspective: Refine steps to maximize effectiveness and yield unexpected benefits.

   *2.8 Monitor and Review Progress:*
   - Objective: Review progress, noting areas for improvement.
   - Reflection: "What’s working well? What could be improved?"
   - Creative Perspective: Look for emerging patterns that could refine future approaches.

   *2.9 Reflect and Capture Insights:*
   - Objective: Summarize lessons learned and insights gained for future reference.
   - Reflection: "What new understanding has emerged from this process?"
   - Creative Perspective: Identify innovative insights or patterns that could be applied to similar challenges.

3. *Generate Text Output with Interleaved System 1 and System 2 Responses:*
   - Use the tags [sys1] and [sys2] throughout.
   - Aim for a lengthier, detailed response. Combine both direct, straightforward *System 1* insights and reflective, deeply analytical *System 2* segments to capture a blend of quick observations and thoughtful analysis.

---

### *Example Input Text:*

You are tasked with analyzing a sudden shift in customer preferences in a tech market. There has been a noticeable decline in demand for physical devices, with customers increasingly interested in digital-only options. The challenge is to understand this shift, generate hypotheses for why it might be occurring, and explore potential strategies for adapting to this new trend.

---

### *Processed Output with System 1 and System 2 Thinking:*

The tech market is experiencing a shift in customer demand, moving away from physical devices toward digital-only options.

[sys1]
Customer demand has shifted from physical devices to digital-only options.
We need to understand why this change is happening and find strategies to address it.
Key factors may include cost, convenience, and technological trends.
[end sys1]

[sys2]
**2.1 Understand the Problem:**
The goal is to understand the underlying reasons for the shift in demand from physical devices to digital-only options, then develop a strategy to adapt.

*Reflection:* 
"I understand that preferences are changing, but what might be driving this? Is it primarily cost, or are there other factors such as convenience or sustainability?"

*Creative Perspective:* 
"Could there be a larger trend in digital minimalism or a preference for eco-friendly solutions that we’re missing? What unseen motivations might explain this shift?"

**2.2 Analyze the Information:**
There are multiple possible factors driving this shift, from economic influences to cultural shifts. It’s essential to isolate each factor and understand its impact.

*Reflection:* 
"Am I fully considering the various economic and social influences? Could there be a technological factor, like better internet speeds, that makes digital-only products more accessible?"

*Creative Perspective:* 
"Are there patterns or trends in other markets that could shed light on this shift? Could this be part of a larger trend toward virtual experiences?"

**2.3 Generate Hypotheses:**
1. Customers prefer digital options due to lower costs. (Confidence: 0.8, Creative: 0.4)
2. There’s a growing trend toward minimalism and reduced physical clutter. (Confidence: 0.7, Creative: 0.7)
3. Digital products offer greater flexibility and ease of use. (Confidence: 0.6, Creative: 0.6)
4. Environmental concerns are pushing consumers away from physical goods. (Confidence: 0.6, Creative: 0.8)
5. Advances in tech make digital-only options more functional. (Confidence: 0.8, Creative: 0.5)
6. Pandemic-era remote work increased demand for digital solutions. (Confidence: 0.7, Creative: 0.6)
7. Media coverage of the environmental impact of physical devices affects preferences. (Confidence: 0.5, Creative: 0.7)
8. There’s an increase in global digital literacy, expanding market access. (Confidence: 0.6, Creative: 0.6)
9. Customers view digital as more convenient and scalable for future needs. (Confidence: 0.7, Creative: 0.5)
10. Younger consumers prefer the aesthetics and convenience of digital products. (Confidence: 0.6, Creative: 0.6)

*Reflection:* 
"Have I considered all possible influences? Are there any surprising factors that could explain this shift?"

*Creative Perspective:* 
"Could specific social trends, like the rise of influencer culture or digital-first lifestyles, be influencing customer choices?"

**2.4 Anticipate Future Steps and Obstacles:**
*Objective:* Anticipate possible challenges, such as resistance from segments still preferring physical products.

*Reflection:* 
"What market obstacles might we face if we shift our focus to digital-only? Are there sub-segments that still prioritize physical products?"

*Creative Perspective:* 
"Could expanding digital options help us reach a more global audience? Are there emerging trends that we could leverage in our strategy?"

[end sys2]

[sys1]
To address this shift, consider a strategy that incorporates both digital-only offerings and educational campaigns about the benefits of digital solutions.
Use insights from customer feedback and current trends to guide product development.
Focus on flexibility and adaptation to cater to different customer segments.
[end sys1]


<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="ja"><head><meta charset="UTF-8"/><meta name="author" content="Japanese Layout Task Force"/><title>日本語組版処理の要件（日本語版）</title><link rel="stylesheet" type="text/css" href="../css/W3C-WG-NOTE.css"/><link rel="stylesheet" type="text/css" href="../css/base.css"/></head><body><h4 id="positioning_of_closing_brackets_full_stops_commas_and_middle_dots_at_line_end">3.1.9 <span class="heading"><span id="ja-subheading2_1_9">行末に配置する終わり括弧類，句点類，読点類及び​中点類の​配置方法</span></span></h4><p>行末に配置する<span class="index" id="d5e3936"><a class="characterClass" href="cl-02.xhtml#cl-02">終わり括弧類（cl-02）</a></span>，<span class="index" id="d5e3940"><a class="characterClass" href="cl-07.xhtml#cl-07">読点類（cl-07）</a></span>及び<span class="index" id="d5e3944"><a class="characterClass" href="cl-06.xhtml#cl-06">句点類（cl-06）</a></span>は，その後ろを原則として<a class="termref2nd" href="terminology.xhtml#term.half-em-space">二分アキ</a>とする（<a class="figure_ref" href="positioning_of_closing_brackets_full_stops_commas_and_middle_dots_at_line_end.xhtml#fig2_21-ja">図 3.20</a>）．この，原則として二分アキとする箇所は，行の調整処理の詰める場合の対象にして，ベタ組としてもよい（行の調整処理については，<a class="sec_ref" href="line_adjustment.xhtml#line_adjustment">3.8 行の調整処理</a>を参照）．ただし，空き量を二分アキにするか又はベタ組にするかのどちらかで，その中間の値（例えば四分アキなど）としてはならない．また，行末に配置する<span class="index" id="d5e3958"><a class="characterClass" href="cl-05.xhtml#cl-05">中点類（cl-05）</a></span>は，その前及び後ろを原則として<a class="termref2nd" href="terminology.xhtml#term.quarter-em-space">四分アキ</a>とし，<a class="termref2nd" href="terminology.xhtml#term.full-width">全角</a>の扱いとする（<a class="figure_ref" href="positioning_of_closing_brackets_full_stops_commas_and_middle_dots_at_line_end.xhtml#fig2_21-ja">図 3.20</a>）．この原則として四分アキとする箇所も，行の調整処理の詰める場合の対象にして，<a class="characterClass" href="cl-05.xhtml#cl-05">中点類（cl-05）</a>の前及び後ろを一緒にベタ組としてもよい（行の調整処理については<a class="sec_ref" href="line_adjustment.xhtml#line_adjustment">3.8 行の調整処理</a>を参照）．ただし，空き量を四分アキとするかベタ組にするかのどちらかで，その中間の値としてはならない．</p><div id="fig2_21-ja" class="figure"><div class="figure-float"><div><img alt="行末に配置する終わり括弧類，句点類，読点類及び中点類を全角扱いとする配置例" width="359" height="276" src="../image/Images-ja/img2_21.png"/><div class="figureCaption">図 3.20 <span class="caption-body">行末に配置する終わり括弧類，句点類，読点類及び中点類を全角扱いとする配置例</span></div></div></div></div><table class="t_note">
					<tr>
						<td class="ft" rowspan="1" colspan="1">
							
								<p>注1）</p>
								
							
						</td>
						<td rowspan="1" colspan="1">
							
								<p><span class="index" id="d5e4053">JIS X 4051</span>では，<a class="characterClass" href="cl-02.xhtml#cl-02">終わり括弧類（cl-02）</a>，<a class="characterClass" href="cl-06.xhtml#cl-06">句点類（cl-06）</a>，<a class="characterClass" href="cl-07.xhtml#cl-07">読点類（cl-07）</a>及び<a class="characterClass" href="cl-05.xhtml#cl-05">中点類（cl-05）</a>の行末における配置を次のように扱っている（<a class="figure_ref" href="positioning_of_closing_brackets_full_stops_commas_and_middle_dots_at_line_end.xhtml#fig2_1_2-ja">図 3.21</a>）．</p>
								
							
							<table class="t_sample">
								<tr>
									<td class="ft">
										
											<p><a class="characterClass" href="cl-06.xhtml#cl-06">句点類（cl-06）</a></p>
											
										
									</td>
									<td>
										
											<p><a class="characterClass" href="cl-06.xhtml#cl-06">句点類（cl-06）</a>の後ろは，行末に配置する場合を含めて必ず<a class="termref2nd" href="terminology.xhtml#term.half-em-space">二分アキ</a>を確保する．この二分アキは，行の調整処理の詰める場合の対象にしてはならない．</p>
											
										
									</td>
								</tr>
								<tr>
									<td class="ft">
										
											<p><a class="characterClass" href="cl-07.xhtml#cl-07">読点類（cl-07）</a></p>
											
										
									</td>
									<td>
										
											<p><a class="characterClass" href="cl-07.xhtml#cl-07">読点類（cl-07）</a>の後ろは，ベタ組にする．</p>
											
										
									</td>
								</tr>
								<tr>
									<td class="ft">
										
											<p><a class="characterClass" href="cl-02.xhtml#cl-02">終わり括弧類（cl-02）</a></p>
											
										
									</td>
									<td>
										
											<p><a class="characterClass" href="cl-02.xhtml#cl-02">終わり括弧類（cl-02）</a>の後ろは，ベタ組にする．</p>
											
										
									</td>
								</tr>
								<tr>
									<td class="ft">
										
											<p><a class="characterClass" href="cl-05.xhtml#cl-05">中点類（cl-05）</a></p>
											
										
									</td>
									<td>
										
											<p><a class="characterClass" href="cl-05.xhtml#cl-05">中点類（cl-05）</a>の前は原則として<a class="termref2nd" href="terminology.xhtml#term.quarter-em-space">四分アキ</a>とし，後ろはベタ組とする．</p>
											
										
									</td>
								</tr>
							</table>
						</td>
					</tr>
</table><div id="fig2_1_2-ja" class="figure"><div class="figure-float"><div><img alt="行末に配置する終わり括弧類，句点類，読点類及び中点類の配置例 （JIS X 4051）" width="359" height="282" src="../image/Images-ja/img2_1_2.png"/><div class="figureCaption">図 3.21 <span class="caption-body">行末に配置する終わり括弧類，句点類，読点類及び中点類の配置例<span class="sub-caption">（JIS X 4051）</span></span></div></div></div></div><table class="t_note">
					<tr>
						<td class="ft" rowspan="1" colspan="1">
							
								<p>注2）</p>
								
							
						</td>
						<td rowspan="1" colspan="1">
							
								<p><span class="index" id="d5e4287"><a class="termref2nd" href="terminology.xhtml#term.letterpress-printing">活字組版</a></span>時代は，次の考え方が主流であった（<a class="figure_ref" href="positioning_of_closing_brackets_full_stops_commas_and_middle_dots_at_line_end.xhtml#fig2_22-ja">図 3.22</a>）．</p>
								
							
							<ol>
								<li>
     
     <p><a class="characterClass" href="cl-06.xhtml#cl-06">句点類（cl-06）</a>，<a class="characterClass" href="cl-07.xhtml#cl-07">読点類（cl-07）</a>及び<a class="characterClass" href="cl-02.xhtml#cl-02">終わり括弧類（cl-02）</a>では，<a class="termref2nd" href="terminology.xhtml#term.half-em-space">二分アキ</a>が確保できれば，確保する．つまり，二分アキが原則である．また，<a class="characterClass" href="cl-05.xhtml#cl-05">中点類（cl-05）</a>は，その前及び後ろで<a class="termref2nd" href="terminology.xhtml#term.quarter-em-space">四分アキ</a>が確保できれば，確保する．つまり，四分アキが原則である．</p>
     
     
    </li>
								<li>
     
     <p>行長に過不足が発生し，行の調整処理で詰める処理の必要がある場合（<a class="sec_ref" href="line_adjustment.xhtml#line_adjustment">3.8 行の調整処理</a>を参照），優先的に<a class="characterClass" href="cl-06.xhtml#cl-06">句点類（cl-06）</a>，<a class="characterClass" href="cl-07.xhtml#cl-07">読点類（cl-07）</a>及び<a class="characterClass" href="cl-02.xhtml#cl-02">終わり括弧類（cl-02）</a>の後ろの<a class="termref2nd" href="terminology.xhtml#term.half-em-space">二分アキ</a>をベタ組にする．これは，行末でもあり，これらの後ろの二分アキがベタ組になってもほとんど問題にならないからである．なお，この二分アキを中間的な<a class="termref2nd" href="terminology.xhtml#term.quarter-em-space">四分アキ</a>にするという方法は採用されていなかった．二分アキ又はベタ組のいずれかを選択する，ということである．また，行の調整処理で詰める処理が必要な場合，<a class="characterClass" href="cl-06.xhtml#cl-06">句点類（cl-06）</a>，<a class="characterClass" href="cl-07.xhtml#cl-07">読点類（cl-07）</a>及び<a class="characterClass" href="cl-02.xhtml#cl-02">終わり括弧類（cl-02）</a>の後ろの二分アキより優先順位は低くなるが，<a class="characterClass" href="cl-05.xhtml#cl-05">中点類（cl-05）</a>の前後の四分アキをベタ組にする．</p>
     
     
    </li>
							</ol>
						</td>
					</tr>
</table><div class="figure" id="fig2_22-ja"><div class="figure-float"><div><img alt="行末に配置する終わり括弧類，読点類及び句点類の後ろを二分アキ又はベタ組とした配置例" width="396" height="469" src="../image/Images-ja/img2_22.png"/><div class="figureCaption">図 3.22 <span class="caption-body">行末に配置する終わり括弧類，読点類及び句点類の後ろを二分アキ又はベタ組とした配置例</span></div></div></div></div><table class="t_note">
					<tr>
						<td class="ft" rowspan="1" colspan="1">
							
								<p>注3）</p>
								
							
						</td>
						<td rowspan="1" colspan="1">
							
								<p><span class="index" id="d5e4463">DTP</span>などでは，行末に配置する<a class="characterClass" href="cl-06.xhtml#cl-06">句点類（cl-06）</a>，<a class="characterClass" href="cl-07.xhtml#cl-07">読点類（cl-07）</a>及び<a class="characterClass" href="cl-02.xhtml#cl-02">終わり括弧類（cl-02）</a>のすべての後ろをベタ組とする処理法も行われている（<a class="figure_ref" href="positioning_of_closing_brackets_full_stops_commas_and_middle_dots_at_line_end.xhtml#fig2_23-ja">図 3.23</a>）．</p>
								
							
						</td>
					</tr>
				</table><div class="figure" id="fig2_23-ja"><div class="figure-float"><div><img alt="行末に配置する終わり括弧類，句点類及び読点類の後ろをすべてベタ組とした配置例" width="316" height="282" src="../image/Images-ja/img2_23.png"/><div class="figureCaption">図 3.23 <span class="caption-body">行末に配置する終わり括弧類，句点類及び読点類の後ろをすべてベタ組とした配置例</span></div></div></div></div></body></html>