{"input": "Are the movies Amy (2015 Film) and Manhattan Angel, from the same country?", "context": "Passage 1:\nI Believe in Miracles (film)\nI Believe in Miracles is a 2015 film directed by Jonny Owen.\n\nPlot\nThe film tells the story of football club Nottingham Forest's rise, under Brian Clough and Peter Taylor, to becoming English champions in 1978 and European champions in 1979 and 1980. The film features documentary footage of matches and interviews with many of the former Forest players who played at the time.The film's soundtrack includes funk and soul music from the 1970s, including the song from which its title is based, featuring versions from The Jackson Sisters and Mark Capanni.\nA book of the same name to accompany the release of the film was written by Daniel Taylor, chief football writer of The Guardian.\nPassage 2:\nSaturday Night at the Movies (disambiguation)\nSaturday Night at the Movies was a Canadian weekly television series. Saturday Night at the Movies may also refer to:\n\nNBC Saturday Night at the Movies, an American weekly prime time network television series\n\"Saturday Night at the Movies\" (song), a song by The Drifters, released in 1964, written by Barry Mann and Cynthia Weil\nSaturday Night at the Movies (album), a 2017 album by Joe McElderry\nSaturday Night at the Movies, a 2013 album by The Overtones\nPassage 3:\nA Month of Sundays (2015 film)\nA Month of Sundays is a 2015 film starring Anthony LaPaglia.\n\nPlot\nReal estate agent Frank Mollard won't admit it, but he can't move on. Divorced but still attached, he can't sell a house in a property boom - much less connect with his teenage son. One night Frank gets a phone call from his mother. Nothing out of the ordinary. Apart from the fact that she died a year ago.\nThus blossoms a charming and unusual friendship with an elderly woman which inspires Frank to reconnect with life.\n\nCast\nAnthony LaPaglia as Frank Mollard\nJulia Blake as Sarah\nJohn Clarke as Phillip Lang\nWayne Anthoney as Noel Lang\nJustine Clarke as Wendy McKinnon\nTerence Crawford as Stuart\nGary Sweet as Gary Sweet\n\nReception\nOn Rotten Tomatoes, the film has an approval rating of 63% based on reviews from 19 critics.Luke Buckmaster of The Guardian wrote \"Situations, subplots and even barely seen characters are unified with an almost cosmic sense of fate.\" David Nusair of Reel Film Reviews wrote \"One can only hope that this marks a temporary stumble for an otherwise talented filmmaker.\" Paul Byrnes in the Sydney Morning Herald said \"A Month of Sundays is a small miracle of a film \u2013 an odd combination of modesty and ambition.\"\nPassage 4:\nManhattan Angel\nManhattan Angel is a 1949 American comedy musical film directed by Arthur Dreifuss and starring Gloria Jean, Patricia Barry and Thurston Hall.\nIt was originally called Sweetheart of the Blues. It was made after I Surrender Dear.\n\nPlot\nGloria Cole and Eddie Swenson are working to keep an old house, now being used as a youth center, from being razed to make room for a new skyscraper in Manhattan. Gloria enters a friend in a beauty contest with a $25,000 first prize and, after some iffy-maneuvering, her friend wins the contest and the money goes to preserving the youth center.\n\nCast\nGloria Jean as Gloria Cole\nRoss Ford as Eddie Swenson\nPatricia Barry as Maggie Graham (as Patricia White)\nThurston Hall as Everett H. Burton\nAlice Tyrrell as Queenie Walters\nBenny Baker as Aloysius Duff\nRussell Hicks as J.C. Rayland\nFay Baker as Vi Langdon\nJimmy Lloyd as Elmer\nToni Harper as Toni\nThe Sweetheart Choristers as Singers\n\nSee also\nList of American films of 1949\nPassage 5:\nAmy (2015 film)\nAmy is a 2015 British documentary film directed by Asif Kapadia and produced by James Gay-Rees. The film covers British singer-songwriter Amy Winehouse's life and her struggle with substance abuse, both before and after her career blossomed, and which eventually caused her death. In February 2015, a teaser trailer based on the life of Winehouse debuted at a pre-Grammys event. David Joseph, CEO of Universal Music UK, announced that the documentary titled Amy would be released later that year. He further stated: \"About two years ago we decided to make a movie about her\u2014her career and her life. It's a very complicated and tender movie. It tackles lots of things about family and media, fame, addiction, but most importantly, it captures the very heart of what she was about, which is an amazing person and a true musical genius.\"Amy premiered at the 2015 Cannes Film Festival, being shown in the Midnight Screenings section. Distributed by the Altitude and A24, it was released theatrically on 3 July 2015. The film received critical acclaim, garnering 33 nominations and winning a total of 30 awards, including Best Documentary at the 28th European Film Awards, Best Documentary at the 69th British Academy Film Awards, Best Music Film at the 58th Grammy Awards and the Best Documentary Feature at the 88th Academy Awards. The success of Amy and the music of its soundtrack also led Winehouse to her second posthumous nomination at the 2016 BRIT Awards for British Female Solo Artist.\n\nSynopsis\nThe film narrative is focused on the life of singer-songwriter Amy Winehouse, who was found dead on 23 July 2011 from alcohol poisoning, at the age of 27 at her home in Camden, North London.The film starts with a 1998 home movie depicting a 14-year-old Winehouse singing along with her long-time friend, Juliette Ashby, at the birthday party of their mutual friend, Lauren Gilbert, at a home in Southgate, London. The rest of the documentary shows the songwriter's life, in a chronological order from her early childhood, to her music career, which attained commercial success through her debut album, Frank (2003), and second, final album Back to Black (2006), to her troubled relationships, self-harm, bulimia, the controversial media attention, and her downfall with her drug and alcohol addiction, all until her death in 2011. Winehouse is featured throughout the film talking about her early influences and how she felt about fame, love, depression, family and her music career.\n\nKapadia conducted more than 100 interviews with Winehouse's friends and family that combine to provide a narrative around the star's life and is billed as \"the singer in her own words.\" The film shows extensive unseen footage and unheard tracks Winehouse had recorded in the years before she died. Unheard tracks featured in the film are either rare live sessions, such as \"Stronger Than Me\", \"In My Bed\", \"What Is It About Men?\" and Donny Hathaway's \"We're Still Friends\", a cover of Johnny Mercer's \"Moon River\" from when Winehouse attended the National Youth Jazz Orchestra at the age of 16 in 2000 or never-before heard songs the star wrote, such as \"Detachment\" and \"You Always Hurt The Ones You Love\".\nThere are various pieces of extensive, unseen archive footage of Winehouse, such as when she is video-recorded in a cab with friend Tyler James in January 2001 and driving to tours and on her long-term friend, Lauren Gilbert's holiday tape in Majorca, Spain in August 2005. The film also shows various interviews, such as with Jonathan Ross, Tim Kash, and a funny video of when Winehouse is interviewed and talked to about singer Dido in 2004, when she promoted her debut album. The documentary also includes when Winehouse performed live from London on the Grammy Awards in 2008, and won the award for \"Record of the Year\".\nThe film also features footage from when she was filmed with her ex-husband Blake Fielder-Civil, various performances, and when she auditioned at Island Records in February 2003, singing \"I Heard Love Is Blind\". Also included is footage from when she was recording her second album in March 2006 and a duet single, \"Body and Soul\", with Tony Bennett in March 2011 as her last recording before her death. Some outtakes are also featured of her last shambolic performance in Belgrade, Serbia, a month before she died. The film concludes with long-term friend Juliette Ashby talking about her last phone call with Winehouse, footage of Winehouse's body being taken out of her home after her death, and Bennett stating: \"Life teaches you really how to live it, if you live long enough.\" It then shows scenes from three days later of footage from Winehouse's funeral at Edgwarebury Cemetery and Golders Green Crematorium in North London. Closing clips end the film with videos of Winehouse from her early years until her death, with Antonio Pinto's composition, \"Amy Forever\".\n\nContributors\nThe following heavily contributed in the documentary through archive footage and\nrecorded interviews:\n\nProduction\nIn 2012, Universal Music first approached film producer James Gay-Rees if the team behind the documentary film about Ayrton Senna would be interested in creating a project on Amy Winehouse.\nOn 25 April 2013, it was confirmed and announced that the team behind the documentary film Senna (2010), including director Asif Kapadia and Universal Music, were making a film about the late singer-songwriter. It was revealed that the film would be very similar to Senna, and that unseen footage of Winehouse would be shown. Kapadia and Gay-Rees stated: \"Everyone fell under her spell. But tragically, Amy seemed to fall apart under the relentless media attention, her troubled relationships, her global success and precarious lifestyle.\" They introduced the project at the 2013 Cannes Film Festival, and it was said the documentary film would be released in 2015.\n\nMusic\nThe documentary features various unheard tracks Winehouse had completed from when her career began in 2003 until her death. The film includes live sessions, such as: \"There Is No Greater Love\", \"Stronger Than Me\", \"In My Bed\", \"Rehab\" and \"What Is It About Men\", covers of Johnny Mercer's \"Moon River\" from when Winehouse was 16 at the National Youth Jazz Orchestra in 2000 and Donny Hathaway's \"We're Still Friends\" and never-before heard songs the star wrote, such as \"Detachment\" and the lyrics to \"You Always Hurt The Ones You Love\", combined with Pinto's composition \"Amy Lives\". Winehouse is recorded in March 2006 when she is recording her 2007 single \"Back to Black\" and there are also cuts and edits of her well-known tracks, which helps unveil every piece of footage in the film.\n\nSoundtrack\nOn 8 October 2015, Island Records announced that the soundtrack for the film would be released on 30 October 2015. The soundtrack includes various tracks that were included in the documentary; including classic tracks from Winehouse and compositions that were featured in the film by composer Antonio Pinto. The soundtrack was later released for the second time on vinyl in the United Kingdom and Ireland on 1 April 2016.\nThe twenty-three track album includes well-known tracks by Winehouse, such as \"Stronger Than Me\", \"Tears Dry on Their Own\", and \"Back to Black\", live sessions of \"What Is It About Men\", \"Rehab\", \"We're Still Friends\", and \"Love Is a Losing Game\", demo tracks; \"Some Unholy War\" and \"Like Smoke\"; a cover of The Zutons' \"Valerie\" performed by Winehouse and Mark Ronson and a 2011 version of \"Body and Soul\" performed by Winehouse and Tony Bennett. The soundtrack is also the second posthumous compilation album of Winehouse's music.The commercial success and music behind the film earned Winehouse her second posthumous nomination at the 2016 BRIT Awards for \"British Female Solo Artist\", won by singer Adele and the film won a Grammy Award for \"Best Music Film\" at the 2016 Grammy Awards. This was the ninth indication of Amy's career to this award and the third posthumous. In December 2016, the nominations for the 2017 Grammy Awards were announced, and Amy was nominated for Grammy Award for Best Compilation Soundtrack for Visual Media.\n\nRelease\nAmy was released on 3 July 2015 in the United Kingdom, New York, and Los Angeles and worldwide on 10 July.The film had its world premiere at the midnight screenings section at the 2015 Cannes Film Festival on 16 May 2015. Musicians such as HAIM, Leona Lewis, and Emeli Sand\u00e9 were in attendance and gathered for the event, as well as the film crew. The film received its UK premiere at the Edinburgh International Film Festival in June 2015.The film received a special screening in cinemas around the United Kingdom on 30 June, which was broadcast live from the London GALA Premiere at the Picturehouse. The screening provided questions from the public on Facebook, Twitter and from the audience. The film director Asif Kapadia, producer James Gay-Rees, and friend Nick Shymansky answered them and concluded with a tribute to Winehouse with her 2007 music video \"Love Is a Losing Game\".\n\nMarketing\nOn 8 February 2015, a teaser trailer of Amy debuted at the pre-Grammy event in the build-up to the 2015 Grammy Awards. A teaser theatrical poster for the documentary film was released on 18 March 2015 on Twitter, and the first trailer was released on 2 April 2015, with receiving more than two million views Altitude Film's channel on YouTube. Footage from the teaser trailer shows Winehouse as a young woman at the beginning of her music career answering questions about how she sees herself as an artist and how she felt about fame.Various official teaser clips from the film were released on YouTube to the buildup and throughout the documentary's release in July by Altitude Film and A24, including clips of Winehouse talking about how she felt about depression, how she thinks she would have handled fame from her early years, when she was recording her album Back to Black with her record producer Mark Ronson in March 2006 and when she was videotaped singing the \"Happy Birthday\" song at the fourteenth birthday party of her friend, Lauren Gilbert, in 1998 which received over one million views after 48 hours. In May 2015, the first teaser clip from the film was released. The short clip features a candid moment of Winehouse messing around with the camera and singing, while Nick Shymanksy, a member of her management team, recalls the beginning of her songwriting process; the video concludes with an unheard track Winehouse had recorded, \"Detachment\", which was arranged to be on her album Back To Black (2006).On 18 May 2015, the official theatrical poster was released on the film's Twitter page. On 20 May 2015, the first official full-length trailer was released by Altitude Film. The trailer features the song \"Back To Black\", which was released in 2007. The video shows footage of Winehouse from her childhood to her early interviews, the rigorous media attention from the paparazzi, performances, various award winnings, her troubled relationship with her husband Blake Fielder-Civil and her statement of how she felt about him: \"I fell in love with someone I would die for\". The trailer also contains voices from people Winehouse knew and how they felt about her, such as Tony Bennett and Mos Def. The video concludes with \"Love Is a Losing Game\" with footage of Winehouse, various five star reviews, and Winehouse saying: \"I don't think I'm going to be at all famous\", and, \"I'm not a girl trying to be a star... I'm just a girl that sings\". The trailer received more than one million views after 24 hours on A24's channel on YouTube. After the film's release, a second official trailer was released that captures the controversial fame of Winehouse's celebrity lifestyle and how she struggled with it throughout her career. On 16 September 2015, another unseen clip was released of Winehouse videoed messing around with friend Nicky Shymansky in New York City in 2004, after the release of Frank (2003).\n\nHome media\nOn 16 September 2015, it was announced by Universal Music that Amy would be released on DVD/Blu-ray and digital download on 2 November 2015 in the United Kingdom and Ireland. It was released in the United States on 1 December 2015. The two-disc package includes the film feature along with special features; such as a selection of previously unseen footage of Winehouse, as well as rare performances at Metropolis Studios, the film trailers and the making of the documentary. In November 2015, a special limited edition box set of Amy was released only in France, in which provides the film feature DVD, as well as a special booklet, a film poster, a selection of Amy Winehouse photographs and a T-shirt themed on the film.\n\nReception\nBox office\nAmy has broken the UK box office record for the highest opening weekend of a British documentary film, grossing at \u00a3519,000 from 133 cinemas three days after its release on 3 July. It also enjoyed success in the US, earning \u00a3142,000 from just six cinemas before it expanded in the following weeks. The film scored a $37,002 site average in the US in three days. The film opened with $222,015 across six sites, with a location average of $37,002 \u2013 $10,000 more than Fahrenheit 9/11 (2004) managed on its first weekend and even beating March of the Penguins (2005) 's $44,373 and the film has increased its box office peak after its initial release nationally on 10 July.\n\nCritical response\nAmy received critical acclaim. On Rotten Tomatoes, the film has a 95% rating based on 222 reviews, with an average rating of 8.40/10. The site's consensus reads, \"As riveting as it is sad, Amy is a powerfully honest look at the twisted relationship between art and celebrity\u2014and the lethal spiral of addiction.\" Metacritic reports an 85 out of 100 rating based on 41 critics, indicating \"universal acclaim\".Robbie Collin from The Telegraph rated the film as four out of five stars and praised the fact that \"Amy Winehouse's glorious rise and heartbreaking fall is movingly documented by the director of Senna. Guy Lodge from Variety stated that: \"The rise and devastating fall of the gifted British soul singer is chronicled in this deeply felt doc from 'Senna' director Asif Kapadia.\" Heat and Stylist both also rated the film five out of five, describing the film as \"brilliant\" and \"unmissable\". Peter Bradshaw from The Guardian gave the film five out of five, describing it as \"a tragic masterpiece\", and saying, \"This documentary about the late British soul singer is an overwhelmingly sad, intimate\u2014and dismaying\u2014study of a woman whose talent and charisma helped turn her into a target\". Geoffrey Macnab from The Independent also rated the documentary five out of five, reviewed it as \"brilliant\" and \"unutterably sad\", and stated: \"There were many, many contributory factors to Amy Winehouse going off the rails, which are explored in the effect of Amy\". According to The Guardian, Amy has been placed at no. 3 out of \"The 50 Best Films of 2015 in Australia\" at the end of the year and has been placed at no. 6 out of \"The 50 Best 2015  Films in the UK\".\n\nFamily's response\nThe film has been heavily criticised by Winehouse's father, Mitch Winehouse. He has distanced himself from the documentary, stating the film is \"misleading\" and \"contains some basic untruths\", according to his spokesman. On 7 May 2015, Winehouse's father Mitch appeared on This Morning and described the film as \"preposterous\". He further stated:\n\n\"The film is representing me in a not very good way. There is no balance, there's nothing about the foundation. It's portraying me and Amy in not a very good light.\"\nHowever, he also said that the film contains \"superb\" and \"beautiful\" footage of Winehouse. He then added: \"Half of me wants to say don't go see it.  But then the other part of me is saying maybe go see the videos, put your headphones in and listen to Amy's music while they're watching the videos.  It's the narrative that's the problem.\"Universal Music instigated the documentary but they only secured the cooperation of the singer's parents, Mitch and Janis Winehouse, when they signed up Kapadia as the director for the film. Winehouse's father, who was a fan of the director's previous documentary film Senna (2010), wanted the same treatment to be given to his late daughter's documentary. However, upon watching the completed film about Winehouse, Mitch was unhappy with how the film portrayed him. Feeling he had been portrayed as the villain, Mitch threatened legal action until limited changes were made to the film. However, he has still publicly condemned the final cut of the film, claiming that Kapadia had an agenda to make him the anti-hero from the start.Mitch requested that he wants the film to be further edited, but the film crew have declined his wish, adding: \"When we were approached to make the film, we came on board with the full backing of the Winehouse family, and we approached the project with total objectivity.\" They said the film reflects findings from around \"100 interviews with people that knew Amy\". On 3 July 2015 (the day Amy was initially released), the singer's father, Mitch appeared on Loose Women to defend his place against the film and announced that he and Winehouse's former boyfriend, Reg Traviss, are making an alternative film, entitled A Letter To Amy, so it's a \"more accurate\" project, to \"correct all the wrongs and omissions\" that were in Kapadia's film. On 24 February 2016, Winehouse's father, Mitch reappeared on This Morning once again and stated that he would prefer Adele to win the award that his late daughter was posthumously nominated for at the 2016 BRIT Awards. This was because the nomination for \"British Female Solo Artist\" was as a result of the film's success, which he seemed to be unhappy about.\n\nAccolades\nSee also\nAmy Winehouse: Back to Black (2018)\nPassage 6:\nAt the Movies\nAt the Movies may refer to:\n\nTelevision\nAt the Movies (1982 TV program), an American program, originally known as At the Movies with Gene Siskel and Roger Ebert\nAt the Movies (1986 TV program), a successor/competitor program (1986\u20132010) to the original, which was also known as Siskel & Ebert & the Movies\nEbert Presents: At the Movies, a successor program (2011)\nAt the Movies (Australian TV program), an Australian program (2004\u20132014) with a similar format to the American program\nAt the Movies, an episode segment of Rugrats\nAt the Movies, an episode of Beavis and Butt-head\n\nMusic\nAt the Movies (Creedence Clearwater Revival album), 1985\nAt the Movies (Mint 400 Records album), 2018; see The Brixton Riot \u00a7 Mint 400 Records\nAt the Movies (Stanley Clarke album), 1995\nAt the Movies (Richard & Adam album), 2014\nAt the Movies (Gary Williams album), 2017\nAt the Movies, an album by Sting\nAt the Movies (Dave Koz album), 2007\n\"At the Movies\", a song by Bad Brains from Rock for Light\nVan Morrison at the Movies \u2013 Soundtrack Hits, a compilation album by Van Morrison\n\nSee also\nAll pages with titles containing at the movies\nPassage 7:\nOxford Gardens\nOxford Gardens is a 2015 film produced and directed by Obi Emelonye.\n\nBackground and synopsis\nShot in London, United States and premiered in Nigeria on 18 December 2015, Oxford Gardens was released as a collaborative work between Obi Emelonye and M-Net through Africa Magic Original Films. It is a boxing-themed film centred on luck, love and redemption.\n\nCast\nNgoli Okafor\nNgozi Thompson Igwebike\nSavanah Roy\nNnenna Ani\nD'Richy Obi-Emelonye\nPassage 8:\nPolly of the Movies\nPolly of the Movies is a 1927 American silent comedy film directed by Scott Pembroke and starring Jason Robards, Gertrude Short and Corliss Palmer. It is loosely based on Harry Leon Wilson's 1922 novel Merton of the Movies and its various film adaptations.\n\nSynopsis\nA small town girl goes to Hollywood with ambitions of becoming major dramatic star. However, the melodrama she appears in is unintentionally amusing and becomes a comedy hit.\n\nCast\nJason Robards as Angus Whitcomb\nGertrude Short as Polly Primrose\nCorliss Palmer as Lisa Smith\nStuart Holmes as Benjamin Wellington Fairmount\nJack Richardson as Rolland Harrison\nRose Dione as Lulu Fairmount\nMary Foy as Mrs. Beardsley\nPassage 9:\nThe Muppets Go to the Movies\nThe Muppets Go to the Movies is a one-hour television special starring Jim Henson's Muppets. It first aired May 20, 1981 on ABC as promotion for The Great Muppet Caper, which was released in the United States a month later.\n\nPlot\nWith the aid of Dudley Moore and Lily Tomlin, Kermit the Frog and the Muppets show spoofs of different movies at the Muppet Theatre.\n\nThe special opens with a 20th Century Frog logo. The Announcer (Jerry Nelson) provides an introduction over clips from the special.\nKermit comes onstage to introduce the show, informing the audience that the Muppets plan on paying tribute to some of their favorite movies.\nThe Muppet company perform \"Hey, a Movie!\" from The Great Muppet Caper.\nFozzie Bear introduces a spoof of The Three Musketeers. Statler and Waldorf attempt to leave, but are stopped by elastic ropes tied around their ankles. Gonzo the Great, Scooter and Link Hogthrob play Athos, Porthos and Gummo, out to defeat The Scarlet Pimpernel. Link flies on a chandelier, thus landing him backstage, and onto Miss Piggy, who reacts with her famous karate chop, thus sending him flying back onstage, and onto Kermit during an introduction for the next parody.\nThe sketch Invasion of the Unpleasant Things from Outer Space has Dudley Moore and Lily Tomlin facing giant alien rats. In addition to sci-fi films, the parody also pokes fun at international cinema. Moore speaks in a foreign language, accompanied by English subtitles.\nJanice introduces her favorite film The Wizard of Oz. She mentions that she likes the Land of Oz and might move there. When Janice is about to mention the part of Dorothy Gale, Piggy's voice is heard saying \"I'm not ready.\" Janice attempts to fill in, but Piggy arrives just in time. As the scene begins, Piggy (as Dorothy) and Foo-Foo (as Toto) start out in black and white. Piggy sings \"Somewhere Over the Rainbow\". When it changes to color, she is joined by Scooter as the Scarecrow, Gonzo as the Tin Man, and Fozzie Bear as the Cowardly Lion in a rendition of \"If I Only Had a Brain/a Heart/the Nerve\" and \"We're Off to See the Wizard\".\nGonzo introduces Metro-Goldwyn-Bear's The Fool of the Roman Empire. Moore portrays a jazz piano-playing Julius Caesar. Moore plays a melody on the piano, while Gonzo, Beauregard and Lew Zealand have a chariot race. Gonzo's chariot is pulled by a chicken, Beauregard's by rats, and Lew's by a shark.\nBackstage, Rizzo complains to Kermit about the previous sketch, claiming that it was an insult to rats. Rizzo and his rat buddies try to convince Kermit to put them in a glamorous rat production number. Kermit tells the rats that the Muppets have already done a similar production number in The Great Muppet Caper, showing a clip, featuring \"The First Time It Happens\".\nLily Tomlin attempts to flirt with Kermit, but Piggy interrupts them. Kermit suggests that Tomlin introduce the horror genre. Despite Tomlin's insistence that she's not a fan, she's attacked by a group of Muppet monsters. In J. Arthur Link's The Nephew of Frankenstein, Fozzie visits his uncle (played by Dr. Julius Strangepork) who is working on a comedian monster (played by Mulch). They attempt to do a \"Hot Cross Bunnies\" joke. The experiment blows Mulch up and burns the film screen. Firefighters are called, but joke that they are unable to put out a fire that was caused in the 19th Century as \"our hoses won't reach!\". The segment ends with Kermit parodying Porky Pig's \"That's all folks!\" line.\nRowlf the Dog presents a silent film featuring Kermit and Sopwith the Camel. Mulch drops in, finally getting the \"Hot Cross Bunnies\" joke.\nSam Eagle comes to translate a film by famed Swedish filmmaker Ingmar Bergman. Floyd Pepper informs Sam that the film isn't by Ingmar, but by his brother Gummo. The film Silent Strawberries parodies Bergman's filmography. It features The Swedish Chef, Beaker (as \"The Angel of Death\"), Fozzie and Kermit. As the film is not in English, Sam has to translate. Much to Sam's disgust, the translations make absolutely no sense. The film ends with a rendition of \"Hooray for Hollywood\". Waldorf claims he doesn't believe in \"The Angel of Death\", but is automatically frightened by someone over his shoulder (a popcorn girl).\nA spoof of Casablanca: Kermit bids his goodbyes to Piggy among the harsh wind of an airplane.\nBackstage, Floyd and Janice sing \"Act Naturally\".\nDudley Moore tells the audience about his love for artistic French films. He then explains that because of this fondness, he asked the Muppets not to parody them, but instead to do a \"tasteless tribute to the Western\". In Tantamount Picture's Small in the Saddle, a couple of cowboys, their horses, two outlaws, and the outlaws' cows sing \"Ragtime Cowboy Joe.\" Lew shows up paddling a boat. Much to Statler's shock, Waldorf has apparently turned into a cow.\nKermit introduces a spoof of Tarzan with Gonzo as Tarzan and Lily Tomlin as Jane.\nBackstage, Kermit tells Beauregard that it is time for his tribute to the Hollywood stuntman. A clip, featuring Beauregard driving Kermit, Fozzie and Gonzo in a taxi is shown.\nKermit introduces the next musical number: Piggy performs \"Heat Wave\" in the style of Marilyn Monroe and is backed up by a penguin chorus.\nBackstage, Kermit congratulates Piggy on her performance. Piggy wants everyone to see what a great performer Kermit is, by showing a Fred Astaire tribute that he did in The Great Muppet Caper, succeeded by a clip, featuring the song \"Steppin' Out with a Star\". Afterwards, Statler does his own \"tap dance\" routine.\nIn Goon with the Wind, Dudley Moore and Piggy portray Rhett and Scarlett as they watch a fire in the background. The sketch is interrupted by the firefighters from earlier on. Statler and Waldorf decide to give the sketch three big cheers. Three big chairs are thrown at the two.\nAn introduction by Lew Zealand leads into Cholesterol Pictures' A Frog Too Far, starring Kermit as a World War II air force pilot and Tomlin playing various love interests.\nThe full company performs \"We'll Meet Again\".During the credits, the Muppets leave the Muppet Theatre as Kermit secures the stage door, unaware that he has locked Dudley Moore and Lily Tomlin in.\n\nNotes\nThe same sets from The Muppet Show are used for this special.\nLater syndicated alongside The Muppet Show.\nThis is the first time a camera shot of the entrance to the Muppet Theatre is shown at the end of the special.\nTaped between March 9 and 17 of 1981.\n\nMuppet performers\nJim Henson as Kermit the Frog, Rowlf the Dog, Link Hogthrob, The Swedish Chef, Waldorf, and Gladiator Pig\nFrank Oz as Miss Piggy, Fozzie Bear, Animal, and Sam the Eagle\nJerry Nelson as Floyd Pepper, Lew Zealand, Mulch, Dr. Julius Strangepork, Pops, Announcer, Deputy, Gladiator Pig, Firefighter, and Rat\nRichard Hunt as Scooter, Janice, Beaker, Statler, Sheriff, Rat, and Cow\nDave Goelz as Gonzo the Great, Beauregard, Joe, Firefighter, Trumpet Blower, Rat, and Horse\nSteve Whitmire as Rizzo the Rat, The Scarlet Pimpernel, Jed, Firefighter, and Horse\nLouise Gold as Popcorn GirlAdditional Muppets performed by Kathryn Mullen, Brian Muehl, Bob Payne, and Rollie Krewson.\nPassage 10:\nA Night at the Movies\nA Night at the Movies can be:\n\nA Night at the Movies (film), a short film by humorist Robert Benchley\n\"A Night at the Movies\" (CSI), an episode of CSI: Crime Scene Investigation\nA Night at the Movies, a 1987 anthology by Robert Coover\nA Night at the Movies, a 1997 album by David Essex", "answers": ["no"], "length": 5248, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "9e9c4bdf1d27af305babdee3de3e6800a8a29e1956a1d30a"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.