Make it better and summarize the text "One of Girishchandra's best-known historical dramas is called 'Sirajuddaula' [1906 AD] About this play it is said: 'The play was first performed on 9 September 1905. It was published on 10 January 1906 in Granthakar. On the instructions of the police, some changes were made in the original script, but permission was given for the performance. Even so, it did not seem safe at all. On January 8, 1911, the play was stopped by the British government. In other words, the provocative history of the Swadeshi movement is involved with the play.'  (Page: 111)

Girishchandra could not forget Shakespeare even while writing A-Hen drama. He directly or indirectly borrowed many of Shakespeare's plays. For example: We can find many similarities between Richard II of Shakespeare's 'King Richard the Second' and the name-character of the play 'Sirajuddaula'. On the one hand, Richard, as a poet and a luxury, did not have the mental complexity to master royal politics; Although he had the ability to rule the country as a king; As a result, he had to lose the throne, and his end result was a tragic death. On the other hand, Siraj also loved the subjects, tried to get their love and respect, but he too had to die a miserable death due to the fate and political machinations. In this tragic end, the cries and dialogues of the bleeding hearts of both have become one in many areas. For example, Richard says to his wife Anne:

K. Rich. Join not with grief, fair woman, do not so,
To make my end too sudden. Learn good soul,
To think our foreign state a happy dream;
From which awak'd, the truth of what we are
Shows us but this : ... '                                                       5. I.

Similarly, Siraj expressed his heartache to his wife Lutfannisa saying:

Siraj: There is no chance for him,
              No more hope;
              Fear rises in the heart
              His upcoming film is Tamomoy
              If someone provides asylum to the girl,
              Dohe Milli Pereshi Solile;
              Arrest is equal to imprisonment.
              As we find in another place of the same play: (Page: 112)

North. My lord -
K. Rich. No lord of thine, thou haught insulting man,
Nor no man's lord; I have no name, no title —
No not that name was given me at the font- 4.I.

Similarly, we see in the play 'Sirajddaula':
          Lutfannisa: Nawab — Jehanpana!
          Siraj: Who is Nawab? Who do you call Nawab? 4.4

At the end of the same dialogue, as Richard said again: 'O that I were a mockery kind of snow', in the same way helpless Siraj said in a sad heart:

Darling, the royal act is over
Doya not in imagination,
Some foreign merchants,
Kadi took the throne.

Again, in Shakespeare's King Henry The Fifth, just as King Henry V was infamous for his drunkenness and lack of character, and later established himself as an ideal king in Shakespeare's eyes, Sirajuddaula also overcame the character slippage that he acquired in the first frenzy of youth and became the heart-throne of Bengali through Girishchandra's initiative. Got the place of love again. This is why the Archbishop of Canterbury said of King Henry V:

Cant.: The courses of his youth promised it not.
The breath no sooner left his father's body
But that his wildness, mortified in him,
Seem'd to die too; yes, at that very moment,
Consideration like an angel came
And whipp'd th' offending Adam out of him,
Leaving his body as paradise
T'envelop and contain celestial spirits,       1. I.
(Page: 113)

As if it was in this language that Sirajuddaula himself said about himself:
. . . life driven by will,
Judgment was not in favor,
Measured, hundreds of corrupt behavior!
But the verb,
Sit on the old Nawab's death-bed,
His last sentence
I got the idea,
Monarchy is not arbitrariness;
The Nawab is a servant of the people, the Lord's people;
Continual work for the welfare of the people,
Nawab's purpose in life.                                                          1.5


As it is said of King Henry V:
Cant. The King is full of grace and fair regard.
Ely. And a true lover of the holy church.                                 1. I.

This is how his relatives said about Nawab Sirajuddaula [21]:

Swarup: After the battle of Sakatjung, the Nawab seems to have completely changed, modest and humble, honoring everyone with the high honor they deserve.

Jagat: As if old Alivardi regained youth, returned. After this, the similarity of the character of Margaret from 'King Richard the Third' with the maddened Jahura in revenge for the murder of her husband is especially noticeable. And sometimes it seems that Jahura's character is more noble. Because, he does not want to be happy only to see the defeat of the enemy:

Here in these confines slyly have I lurk'd
To watch the waiving of my enemies. 4. III.

Jahura busies herself throughout the drama in the task of utterly destroying her target by directing attacks against her target with lightning-like swiftness, destiny-like free agency, and devil-like ingenuity.

Another character of this play is Karim Chacha. Some consider this character to be a similar creation to Shakespeare's Fool. (Page: 114)

But here too, Girishchandra has released his special Rasa-Chaitanya by bypassing Shakespeare's ideas. As a result: "Karim is a king devotee and a lover of his country, as well as a visionary. He does not hesitate to speak the truth to anyone, whether young or old. There is not even a trace of fear in his character. His insightful vision is hidden in the face of humor. Even if you combine the characters of Jaques from Shakespeare's 'As You Like It' and Knet from 'King Lear', there is no comparison with Uncle Karim.

The philosopher Jaques wants to pretend to hear the unpleasant truth, 'I am ambitious for a motley coat.' On the other hand, he is a royal devotee like Knet in Lear; Outspoken and brave. As Kent says of traitors:

'Such smiling rogues as these
Like rats oft bite the holy cords a-twain
Which are too intrinsic t' unloose smooth every passion 
That in the nature of their lords rebel.'

When Mirzafar addressed him as unfaithful, uncle Karim replied with a calm heart in a very sweet language: 'I am not the only one who is dishonest, I am a goose. If there was a punishment for dishonesty, it would be beheading in rows' [5.6].” 

If such a thorough search is made, it will not be difficult to find similarities with several other plays of Girishchandra and with many of Shakespeare's drama-plots, character-depiction and setting of events and Bhavadharma."