please summarize 

# tactiq.io free youtube transcript
# My EASY Step-by-Step System for Getting The Girl (+infield)
# https://www.youtube.com/watch/OpmAWcMtBFw

00:00:00.270 [Music]
00:00:00.620 you're so strange I like your beverage
00:00:07.950 friends I like you but you're strange
00:00:13.030 [Music]
00:00:22.340 I don't expect anything
00:00:34.730 now I expect a lot from people let it
00:00:36.620 respect the light terms of life just do
00:00:39.170 you I'll be me you be you and you're
00:00:43.460 welcome so far why'd you call me strange
00:00:51.489 like Yolo
00:00:58.790 [Music]
00:01:10.780 I was today I want to give you my system
00:01:13.540 what I personally do when I'm talking to
00:01:16.090 a girl to make sure that it consistently
00:01:18.430 reliably leads to a good result how do I
00:01:21.340 know where I'm at what do I do next and
00:01:23.320 then what do I do next after that what
00:01:24.909 is my overall game plan see over the
00:01:26.950 last year I've seen so many guys go out
00:01:30.130 work hard take action and they get
00:01:32.229 frustrated stuck never get any better
00:01:35.080 and I'm also seeing guys that they
00:01:37.060 they're just lost and overwhelmed
00:01:38.649 there's a lot of different ideas and
00:01:40.090 they don't know how to sort through it
00:01:41.409 and know which ones to use win alright
00:01:44.380 so that's what the system is it's simple
00:01:46.240 it's easy you can use it as a beginner
00:01:48.190 you can use it all the way up to
00:01:49.509 advanced and the idea is this at
00:01:51.159 whatever place you are in the game you
00:01:53.440 know where you're at you know where
00:01:54.789 you're going and you know the steps to
00:01:56.440 get there simple as that
00:01:57.640 all right so what I'm gonna do in this
00:01:59.950 video is I'm going to outline the system
00:02:02.140 in kind of an overview way there will be
00:02:03.670 some complexity there will be some depth
00:02:05.080 to this but what I'm gonna do over the
00:02:06.460 next couple of weeks is I'm gonna go
00:02:07.659 into crazy depth in each of the
00:02:09.850 different elements easier than four
00:02:11.080 different phases that make up the system
00:02:12.910 so you're gonna want to catch all those
00:02:14.200 videos to be sure and hit the subscribe
00:02:15.459 button be sure and hit the little bell
00:02:17.019 for notifications so you don't miss any
00:02:19.269 of those so without further ado let's
00:02:21.160 check out exactly what my system is
00:02:22.900 right now so briefly what is this system
00:02:26.140 what is the overview of it well I call
00:02:28.150 this the open closed model of game
00:02:29.650 because at the very most basic core
00:02:32.260 level if you're not opening and/or
00:02:34.090 you're not closing you're not gaming
00:02:35.380 right if you're not going and talking to
00:02:36.700 any girls obviously you're not gaming
00:02:38.230 you're not even opening if you are going
00:02:40.180 and talking to girls and you're just
00:02:41.920 talking and chatting but you never
00:02:43.570 actually ask a number you never actually
00:02:45.370 try and take them anywhere you never
00:02:46.510 actually get physical in any way you
00:02:48.489 don't close well then you're not gaming
00:02:50.680 you there's a phrase in selling they say
00:02:52.570 tellings not selling right walking up an
00:02:54.640 opening and just telling is not selling
00:02:56.590 and a lot of guys have that mistake in
00:02:58.120 game they just think all they have to do
00:02:59.440 is just go open write their whole idea
00:03:01.120 of game is oh I just have to do like 10
00:03:03.160 sets a day if I talk to ten girls a day
00:03:04.930 I'll get good no if you do the same bad
00:03:07.570 habits to ten girls a day you will never
00:03:09.640 get good in fact if anything you'll get
00:03:11.200 worse because you're practicing bad
00:03:12.700 habits so if you're just opening and not
00:03:14.350 closing you don't have a game plan now
00:03:16.840 this idea of open closed is extremely
00:03:19.959 crude and will be will lead to an
00:03:21.940 extreme numbers game right if you're
00:03:23.530 just going up high
00:03:24.260 up on Todd hey do you want to give me
00:03:25.970 your number all right that's not gonna
00:03:27.799 be a very effective way to game at all
00:03:29.450 there may be that random occasional girl
00:03:31.519 let's just find you attractive for a
00:03:33.230 moment one but for you know the vast
00:03:35.299 majority it's not gonna really work so
00:03:37.370 it's not a complete system right to have
00:03:39.680 anything resembling a good reliable
00:03:41.900 system you need to add a third element
00:03:43.819 so you have open/close in between I want
00:03:46.610 you to add an element I call premise
00:03:48.190 premise basically means telling the girl
00:03:51.260 indicating to the girl that it is a
00:03:53.299 man-to-man interaction letting the girl
00:03:54.980 know not necessarily that you like her
00:03:56.540 not necessarily that you're gonna be
00:03:58.010 something together but that if you are
00:03:59.959 something together it will be a man to
00:04:02.000 woman thing it won't be a friend a
00:04:03.560 friend thing it won't be a boss to
00:04:05.030 employee thing it will be something that
00:04:06.980 is sexual in nature right you're letting
00:04:09.260 her know when you say what's your number
00:04:11.239 you're letting her know what that number
00:04:12.349 is for you're letting her know the type
00:04:13.790 of interaction you're having and
00:04:15.070 probably the vast majority of guys I see
00:04:18.589 in game [ __ ] up premise they either go
00:04:22.310 and they just talk a random chitchat
00:04:23.720 they never get to the point never show
00:04:25.220 the girl that word penis never make it
00:04:26.449 man to woman
00:04:26.990 or they do show premise they do show
00:04:30.110 that it's man to woman but they do it in
00:04:31.610 a way that completely gives away all
00:04:33.740 their power they do in a way that
00:04:35.240 basically says girl you're on a pedestal
00:04:36.530 I'm down here and I'm gonna beg for your
00:04:38.900 attention and hope you like me which
00:04:40.820 sets up a dynamic that get may get
00:04:43.250 results occasionally but it will be with
00:04:44.900 mediocre girls it would be very
00:04:46.250 inconsistent and you're never going to
00:04:47.870 get to advance that way okay so I'll go
00:04:51.199 into a lot more depth about in the
00:04:52.970 future videos about how to show premise
00:04:54.830 how not to show premise how you can be
00:04:56.870 subtle and keep your power while showing
00:04:58.310 premise how you know when you've shown
00:04:59.870 enough premise all those kind of things
00:05:01.520 but for now just know that that's an
00:05:03.289 absolutely key part of the game and if
00:05:05.090 that's your game open premise closed you
00:05:07.370 now have a chance of success all right
00:05:09.289 and in fact most guys who consider
00:05:10.909 themselves decent at game that's their
00:05:12.620 complete model is open premise closed
00:05:14.210 it's not a complete model in and of
00:05:15.979 itself but it's a start of a complete
00:05:17.570 model if you want to actually get
00:05:19.490 consistent solid results you want to add
00:05:21.949 in another face okay and that next phase
00:05:24.650 is what I call evaluate so now you have
00:05:27.889 open premise evaluate closed
00:05:30.830 what evaluate is basically is once you
00:05:33.380 have conveyed premise once you've
00:05:34.669 indicated that is Amanda woman now you
00:05:36.590 want to evaluate the girl
00:05:38.090 judge her for whether she gets that role
00:05:41.300 it's kind of like if if premise is
00:05:43.250 letting the girl know there is a job
00:05:44.960 available evaluate is actually bringing
00:05:47.449 her in and having her interview for the
00:05:48.680 job and very critically it's her
00:05:51.169 interviewing for the job with you not
00:05:53.360 you interviewing for the job with her
00:05:54.830 all right and so in order for this to
00:05:56.930 happen first of all she has to know
00:05:58.430 there is a job in what it is so you
00:05:59.930 can't really evaluate until you've
00:06:01.220 established premise can't really do it
00:06:02.960 yet and then also if she hasn't accepted
00:06:06.020 the premise she won't participate in
00:06:08.180 that evaluation phase for example has
00:06:10.190 this ever happened to you you know you
00:06:11.300 know you have to qualify a girl so you
00:06:13.130 go up and say hey what's cool about you
00:06:14.330 in the girl goes nothing she just
00:06:16.610 doesn't care she's not invested enough
00:06:18.770 to qualify for you yet right or you say
00:06:21.770 hey what's cool about you she goes well
00:06:23.210 why should I tell you what's cool about
00:06:24.139 you puts it right back on you it's
00:06:25.970 because you haven't set up that right
00:06:27.740 premise you haven't established it the
00:06:29.000 right way so she feels no need to be
00:06:31.520 evaluated by you however if you have set
00:06:34.070 the right premise you do that evaluation
00:06:35.630 and you get her actively chasing you
00:06:37.669 actively trying to impress you and
00:06:39.680 trying to win you over for that job of
00:06:42.050 girlfriend fuck-buddy whatever it is now
00:06:44.300 you're really in business and now you
00:06:45.889 have a really robust solid set that can
00:06:48.830 work and it will start to give you
00:06:50.600 numbers that won't flake it'll start to
00:06:52.190 give you girls chasing you and it's
00:06:53.630 gonna start to be that when you close
00:06:55.039 the girls will even start closing you
00:06:57.320 all right you know you're doing this
00:06:58.550 right if you say hey you're not so bad
00:07:00.410 to talk to she's like yeah get my number
00:07:01.669 instead of you having to do this whole
00:07:03.380 can we maybe exchange numbers and hang
00:07:05.210 out she should be closing you about as
00:07:07.789 often as you're closing her at this
00:07:09.200 point okay so that's a pretty decent
00:07:11.060 overall four-step model but we're still
00:07:13.190 not done so so far we have what open
00:07:15.139 premise evaluate closed right and at
00:07:18.560 this point you've established you know
00:07:20.150 there is this job of a girlfriend you've
00:07:21.680 established that she has you know bought
00:07:23.840 in invested tried to get this job there
00:07:25.849 is a little bit of emotional commitment
00:07:27.020 here but there's no real story behind it
00:07:29.270 think to yourself if she were to go tell
00:07:31.490 her friends about meeting you how would
00:07:33.260 she explain it to them or think to
00:07:35.030 yourself after the interaction how does
00:07:36.860 she like keep the story going in her
00:07:38.660 head so she's gonna actually like you
00:07:40.430 more and more she's actually gonna fall
00:07:41.599 in love with you there's a great phrase
00:07:42.770 in game they say falling in love isn't
00:07:44.210 something that happens in someone's
00:07:45.320 presence it's something that happens
00:07:46.820 afterwards when you're by yourself right
00:07:48.770 and this really gets the idea of
00:07:50.390 narrative it gets the idea of what
00:07:51.590 is the story of you in her head what is
00:07:53.180 the story how how you can get invested
00:07:55.130 in her tell like imagine if you were
00:07:56.930 bragging to your friends that you met a
00:07:58.550 certain girl and you're like oh she's a
00:07:59.570 cheerleader shoes that she's a gymnast
00:08:01.160 or she's a model just saying that thing
00:08:02.990 saying that narrative element makes it
00:08:04.790 seem cooler it's a better story for you
00:08:06.530 it makes it seem high-value in your
00:08:08.630 minds
00:08:09.260 okay so narrative is the idea of what is
00:08:11.750 the girl thinking what is the impression
00:08:13.040 she has of who you are as a person the
00:08:15.800 life that she would have if she were to
00:08:17.360 join your life and then also what is the
00:08:19.550 narrative how you guys met is it yeah
00:08:21.740 this guy came up wanting to pick me up
00:08:23.420 and have sex with me and I gave in and
00:08:24.890 had sex with him that's not a very high
00:08:26.570 value narrative for her and it's not
00:08:27.650 something she's gonna we're gonna want
00:08:28.880 to believe in right it's not making it
00:08:31.040 feel like a win for her if having sex
00:08:33.110 with you feels like a loss for her she's
00:08:35.090 probably going to put up a lot of
00:08:36.169 resistance and try and avoid having sex
00:08:37.789 with you however if having sex with you
00:08:39.350 feels like a win for her if you're able
00:08:40.730 to create a narrative in her mind that's
00:08:42.530 positive now not only is it probably
00:08:45.140 gonna happen but it's gonna happen where
00:08:46.970 she's chasing you things are going
00:08:48.740 really well and it's not just gonna be
00:08:50.150 sex she's gonna actually fall in love
00:08:51.440 with you she's gonna want to see you
00:08:52.880 again she's wasn't gonna want to make
00:08:54.200 you her boyfriend or even if you only
00:08:56.300 want to see her occasionally she's gonna
00:08:57.470 see you as such a high-value cool guy
00:08:59.090 she's willing to have you see other
00:09:01.070 other girls and she'll still be okay
00:09:03.230 with it so that's what narrative is
00:09:04.640 narrative is what is the vision what is
00:09:06.860 the idea in her head of what this this
00:09:09.470 overall thing is now a lot of people if
00:09:11.840 you've seen in previous like systems of
00:09:13.730 gaming theories you'll confuse narrative
00:09:15.500 with comforts but here's the thing
00:09:16.820 comfort is [ __ ] okay you do not want
00:09:20.360 the girl comfortable around you you
00:09:21.920 actually want her a little bit
00:09:23.150 uncomfortable you want the girl like
00:09:24.290 walking on eggshells a little bit if she
00:09:25.940 knows she can have you if she knows that
00:09:28.520 you will do anything for you bend over
00:09:30.500 backwards she has all the power she has
00:09:32.330 all the value you've become very boring
00:09:33.920 you become very uninteresting to her and
00:09:35.960 you probably won't even get into a
00:09:37.610 relationship with her if you do it will
00:09:38.960 be completely not on your terms
00:09:40.940 it'll be on terms that you don't want
00:09:42.590 you'll end up being that browbeaten
00:09:44.780 boyfriends who has an unpleasant
00:09:46.370 relationship however if you get the
00:09:47.510 right narrative established you're gonna
00:09:49.070 have relationships on your terms so this
00:09:50.900 is absolutely critical and if you want a
00:09:52.790 truly excellent set what you want to
00:09:54.950 have is all those elements open premise
00:09:57.050 evaluate narrative and close now the
00:09:59.960 beauty of this model is this first of
00:10:02.150 all you can learn it step by step by
00:10:03.680 step so first off if you don't have any
00:10:05.450 thing you can just learn to open and
00:10:06.680 you'll get somewhere then you can learn
00:10:08.150 to open and add clothes and you'll get a
00:10:09.800 bit better you can learn open premise
00:10:11.990 clothes and you'll start getting real
00:10:13.580 results right and then you can take it
00:10:15.680 further open premise evaluate clothes
00:10:17.840 and now you're actually advanced at game
00:10:19.580 right and then if you want to be like
00:10:20.750 world class super advanced open premise
00:10:23.480 evaluate narrative clothes you have that
00:10:25.760 whole model also let's say your time
00:10:27.770 constraints if you have a 30 second set
00:10:29.480 in an elevator you're not going to be
00:10:30.830 able to get about a bunch of narrative
00:10:32.630 you might have to do that later on a
00:10:33.830 date but in that elevator you can have
00:10:36.260 open premise very quick evaluation and
00:10:38.870 closed and actually make a solid set out
00:10:40.550 of 30 seconds if you know laser-sharp
00:10:43.040 exactly where you're going and you know
00:10:44.120 what elements you need to hit in that 30
00:10:45.530 seconds but if you're just spinning your
00:10:47.300 wheels and randomly talking for 30
00:10:48.890 seconds that's almost never gonna happen
00:10:50.660 you're almost never gonna get a really
00:10:52.790 strong solid set and then beyond that
00:10:55.010 each of these phases in and of
00:10:56.720 themselves are simple right it's simple
00:10:58.790 to know what an open is it's simple to
00:10:59.960 know that establishing man to woman you
00:11:01.610 just you know need you just show the
00:11:02.840 girl it's this type of interaction it's
00:11:04.550 pretty simple on its face however as you
00:11:07.100 get more and more advanced there are
00:11:08.720 ways to be more subtle about this ways
00:11:10.700 to get it so the girls chasing you as
00:11:12.290 you teach each of these elements so the
00:11:13.940 fundamental core model will never change
00:11:15.410 once you learn as a beginner you can
00:11:17.030 keep doing that same core model all the
00:11:18.710 way up to advanced and you can just
00:11:20.060 layer in complexity without having to
00:11:22.010 unlearn things and without having to go
00:11:23.660 backwards so the male kind of expands
00:11:25.670 like an accordion as you get more
00:11:28.040 advanced you add more phases and as you
00:11:29.810 get more advanced you add more subtlety
00:11:31.040 but the same core model remains and so
00:11:33.260 you don't have this situation where
00:11:34.160 you're plateauing or going backwards
00:11:35.390 constantly we're having to unlearn
00:11:37.100 things because you learns you know low
00:11:38.570 value leveled behaviors or things that
00:11:40.550 are like very situational but not
00:11:42.500 universal right so that's kind of the
00:11:44.360 idea of of this model and what makes it
00:11:46.580 so powerful like I said this is an
00:11:49.070 overview I've kind of gone like you know
00:11:50.510 you know very tip of the iceberg over
00:11:52.130 the next several videos I'm gonna give
00:11:54.200 you a much much more in-depth look at it
00:11:56.090 I'm gonna go deep on premise deep on
00:11:57.860 evaluation deep on they're too deep on
00:11:59.630 the open deep on the close and you're
00:12:01.310 gonna see exactly what I mean by these
00:12:03.650 things exactly how to use them in
00:12:04.910 different situations and exactly how an
00:12:06.830 advanced guy can use them to make them
00:12:08.780 even better as you expand up from that
00:12:11.360 beginner to intermediate to advanced
00:12:12.650 level so definitely again hit the
00:12:14.420 subscribe hit the notified button you're
00:12:16.100 going to want to see this what I would
00:12:17.420 do now is I'm going to show you a quick
00:12:19.130 little example little glimpse inside my
00:12:20.720 program the system of some some infield
00:12:23.810 footage where I actually break down a
00:12:25.580 couple of these elements I'm actually
00:12:28.040 giving you kind of a look at a breakdown
00:12:30.320 using this model all right
00:12:32.120 so let's check that out right now okay
00:12:52.700 so wow that got sexual fast huh
00:12:55.220 we'll have the most bed busting sex and
00:12:56.900 you roll over and be like Mike that was
00:12:58.250 amazing now something really interesting
00:13:00.050 has happened here so we were talking
00:13:02.030 about like we'd be off again on again
00:13:03.500 and so hot if if my name were Mike and
00:13:05.990 now now we're talking about this idea if
00:13:08.090 my name had been Mike so now I'm talking
00:13:09.620 about her and I as us having bed busting
00:13:12.680 sex and then her calling me Mike so it
00:13:15.590 still came out of this hole Mike frame
00:13:17.090 and it's still kind of in the roleplay
00:13:18.320 but now I'm directly overtly talking
00:13:21.200 about she and I having sex and it's
00:13:23.300 again one minute and 15 seconds into the
00:13:25.820 interaction right but it's all very
00:13:27.650 acceptable because it's through these
00:13:31.340 different layers of subtlety I'm not
00:13:33.020 coming out saying like we should have
00:13:34.400 sex I'm talking about this hypothetical
00:13:35.990 sex that we might have in this teasing
00:13:38.030 jokey way so again there's these layers
00:13:40.250 of abstraction there's these things that
00:13:41.870 make it less obvious and more fun and
00:13:44.060 that will allow you to get so so so much
00:13:46.040 more sexual so quickly the second time
00:13:51.440 this has happened we're sort of I've
00:13:53.330 completed a joke and it's been funny and
00:13:55.430 then she's trying to jump in and kind of
00:13:57.860 be part of the joke right so I said like
00:14:00.080 I'd be like [ __ ] you and she's like no
00:14:01.280 no call me by my name right so she's
00:14:03.620 basically repeating my same joke and
00:14:05.060 it's a situation where she can't quite
00:14:06.800 keep up right because I'm the one
00:14:08.420 dictating the frame I'm the one making
00:14:09.980 things happen and she's the one
00:14:11.180 following my friend and it just makes it
00:14:13.520 very very clear who's in the position of
00:14:15.350 higher-value it makes it a situation
00:14:16.940 where I can sit back relax a lot I can
00:14:19.250 just kind of like you know assess her
00:14:21.050 and let her chase me but noticing these
00:14:23.240 things noticing the times when she is
00:14:26.110 contributing noticing the time she's
00:14:27.920 trying too hard will tell you a lot
00:14:29.900 about where you're at because as you go
00:14:31.400 through
00:14:32.240 system process it's very important to
00:14:35.089 know when have you established premise
00:14:36.950 right when are you getting into that
00:14:38.630 period of evaluation etc etc right and
00:14:40.940 so here I'm not explicitly evaluating
00:14:44.270 her yet I mean it's very clear we've
00:14:45.529 established premise it's very very clear
00:14:47.330 that there's there's some some mandalam
00:14:48.860 and sexual stuff going on very early on
00:14:50.500 but and I'm not saying are you cool do I
00:14:54.020 like you yet explicitly but her chasing
00:14:56.270 my frame and trying to follow it is a
00:14:58.130 good indication that I can right it's a
00:15:00.529 good indication she is qualifying
00:15:02.180 herself to me she is trying to keep up
00:15:03.830 with me she's trying to be part of my
00:15:05.120 conversation so these are great things
00:15:06.740 to note to be telling you okay premise
00:15:09.350 has been established and she's accepting
00:15:11.870 my frame buying into my frame it's
00:15:13.459 really starting to be time that I could
00:15:15.080 start to consider getting into
00:15:17.209 evaluation now it's not like it has to
00:15:19.220 happen right away right assuming that no
00:15:21.290 one's dragging her away assuming that
00:15:22.760 you do have some time you don't need to
00:15:24.830 rush it but you should at least be
00:15:26.029 conscious that those opportunities exist
00:15:28.130 and you can start to transition into
00:15:30.230 that next phase of the interaction so
00:15:39.170 that's an example of actually a little
00:15:42.020 bit of disqualifying right and part of
00:15:44.240 part of the evaluate phase or the
00:15:46.339 coordinate of the phase of getting her
00:15:47.480 to qualify is disqualifying pushing her
00:15:49.070 way so in a certain sense I am I'm
00:15:52.690 increasing the premise around talking
00:15:54.740 about ice you know having sex and
00:15:55.970 cuddling and that kind of so some even
00:15:57.410 increasing the already ever-present
00:15:58.700 premise but the other thing that I'm
00:16:01.670 doing here is I'm disqualifying I'm
00:16:03.350 saying I will not be your boyfriend
00:16:04.640 right I'm giving her a reason to chase
00:16:06.560 I'm also telling her a little bit more
00:16:08.810 explicitly the premise right so premise
00:16:11.180 can get more and more and more precise
00:16:12.620 so you have stranger to stranger premise
00:16:14.600 friend a friend premise man to woman
00:16:16.250 premise and now we have man to woman
00:16:18.260 present premise where I'm going to
00:16:20.089 cuddle with you one time in five I II
00:16:21.740 you're like my piece of ass on the side
00:16:23.959 premise so to speak right so it's it's
00:16:26.180 very much non provider very much like
00:16:29.390 lover hookup
00:16:31.160 we may have sex tonight we're not the
00:16:32.870 type of guy that will take you on ten
00:16:34.010 dates so I'm establishing a little more
00:16:35.510 about the premise as well in the
00:16:37.070 meantime I am disqualifying her and
00:16:38.720 getting ready to set up that sort of
00:16:40.370 evaluate phases
00:16:41.640 [Music]
00:16:44.239 what side of the bed you sleep oh and
00:16:48.479 right here this is getting into
00:16:50.459 evaluation what side of the bed you
00:16:52.019 sleep on challenging her for if she'll
00:16:53.909 meet up with me you know in my
00:16:55.859 requirements actually that kind of stuff
00:16:57.359 and the fact that she said that's a good
00:16:59.220 ratio is giving me permission to get
00:17:02.159 into that X pays permission to get even
00:17:03.839 more intimate so when I said that you
00:17:05.309 know you'll be my piece of ass on the
00:17:06.569 side framing she's like oh that's a good
00:17:07.648 ratio that's a really good indicator she
00:17:09.869 really likes me she's really bought into
00:17:11.189 my frame and I can get away with a lot
00:17:12.659 at this point so I hope you enjoyed that
00:17:13.980 remember that's just the tip of the
00:17:15.779 iceberg there's a lot more coming you're
00:17:17.429 not gonna want to miss the next videos
00:17:18.898 so be sure and subscribe be sure and hit
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00:17:22.409 also check out system by Todd comm if
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00:17:26.309 very special coming for you there as
00:17:28.259 well so take care I'll see you in the
00:17:30.419 next video I can't
00:17:31.780 [Music]
00:17:54.150 you
00:17:56.320 [Music]