{"input": "Where was the director of film Requiem For Dominic born?", "context": "Passage 1:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.  He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983\u201385), Government Publications Office (1985\u201386), and Department of Finance (1986\u201389). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site.  Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds.  As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later.  Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After C\u00e9zanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education.  During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\"   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired.  In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum.  In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==\nPassage 2:\nOlav Aaraas\nOlav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.\nHe was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.\nPassage 3:\nMichael Dominic\nMichael Dominic (born June 18, 1970) is an American filmmaker and photojournalist who grew up in New York City. He is best known for his documentary Sunshine Hotel, which won three awards for best documentary.\n\nEarly life\nDominic was born in Washington D.C., the son of Stephanie and Joseph Dominic. In 1971 his family moved to the Riverdale section of the Bronx, New York.\nHe studied film at School of Visual Arts in New York City from 1990 to 1993.\n\nCareer\nDominic has made several films, most notably the feature-length documentaries Sunshine Hotel and Clean Hands, and the narrative short \"Tulips for Daisy\".Sunshine Hotel, a documentary about one of the last flophouses on New York City's Bowery, won three best documentary awards and was nominated for another dozen or so. After its festival run of almost 30 film festivals it aired on the Sundance Channel from 2002 to 2004.\"Tulips for Daisy\", a narrative film set in Amsterdam, was also nominated for several awards, most notably in the Akira Kurosawa Memorial Short Film Competition.As a photojournalist Dominic has traveled to places including Haiti, Honduras, Guatemala, and Nicaragua. His photography has appeared in dozens of outlets including The Sunday Telegraph, Tribune De Geneve, France-Am\u00e9rique, The New York Daily News, The Wall Street Journal, The New York Post, Playboy, Redbook, Le Figaro, Le Parisien, Bilan, Ch\u00e5telaine, and L'actualit\u00e9.\nIn July 2012 Dominic was recognized as a finalist for The New York Foundation for the Arts 2012 fellowship.In January 2019 Dominic completed the feature documentary Clean Hands, about the Lopez family surviving against the backdrop of Central America\u2019s largest garbage dump, La Chureca in Managua, Nicaragua. The film debuted at the 29th Annual Cinequest Film Festival April 9, 2019, where it won Best Documentary Feature. It went on to win a total of 11 awards.\n\nFilmography as director\nSoup & the Dead (1994)\nSunshine Hotel (2001)\nTulips for Daisy (2006)\nClean Hands (2019)\nPassage 4:\nVeigar Margeirsson\nVeigar Margeirsson (born 1972) is a film score composer from Iceland. He composed the original score for Eric Schaeffer's 2004 film Mind the Gap. He was also one of the composers who arranged and orchestrated Clint Mansell's Lux Aeterna from Requiem for a Dream for full orchestra and choir for The Lord of the Rings: The Two Towers trailer. The piece, named \"Requiem for a Tower\", was made exclusively for the trailer and was featured in neither Requiem for a Dream nor The Lord of the Rings film trilogy.\n\nSee also\nTrailer music\nPassage 5:\nRequiem for Dominic\nRequiem for Dominic (German: Requiem f\u00fcr Dominik) is a 1991 Austrian drama film directed by Robert Dornhelm. The film was selected as the Austrian entry for the Best Foreign Language Film at the 63rd Academy Awards, but was not accepted as a nominee.\n\nCast\nGeorg Hoffmann-Ostenhof\nGeorg Metzenrad\nFelix Mitterer\nWerner Prinz\nAntonia Rados\nAugust Schm\u00f6lzer\nNikolas Vogel\n\nSee also\nList of submissions to the 63rd Academy Awards for Best Foreign Language Film\nList of Austrian submissions for the Academy Award for Best Foreign Language Film\nPassage 6:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 7:\nAntony Dominic\nJustice Antony Dominic (Malayalam: \u0d06\u0d28\u0d4d\u0d31\u0d23\u0d3f \u0d21\u0d4b\u0d2e\u0d3f\u0d28\u0d3f\u0d15\u0d4d; born 30 May 1956) was the Chief Justice at the High Court of Kerala. The High Court, headquartered at Ernakulam, is the highest court in the Indian state of Kerala and in the Union Territory of Lakshadweep.  He was the Chairman of the State Human Rights Commission of Kerala.\n\nEducation\nDominic obtained his degree in law from S.D.M. Law College, Mangalore.\n\nCareer\nHe started his practice in Munsiff's Court and JFCM, Kanjirappally in 1981. Later, Dominic shifted to Kerala High Court at Ernakulam in 1986. He acquired extensive experience in Company, Labour and Constitutional laws. Dominic was appointed Additional Judge of the Kerala High Court in January 2007 and promoted to be a Permanent Judge in December 2008. He was elevated to the post of Chief Justice, High Court of Kerala from 6 February 2018 and his tenure ended on 29 May 2018. Currently he is the Chairman of State Human Rights Commission of Kerala.\nPassage 8:\nJesse E. Hobson\nJesse Edward Hobson (May 2, 1911 \u2013 November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation.\n\nEarly life and education\nHobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children.\n\nCareer\nAwards and memberships\nHobson was named an IEEE Fellow in 1948.\nPassage 9:\nRobert Dornhelm\nRobert Dornhelm (born 17 December 1947 in Temesv\u00e1r, Romania) is an Austrian  film and television director.\n\nBiography\nDornhelm is of Jewish descent. He has worked on numerous television programmes and has also released such movies as Echo Park, The Venice Project, The Unfish, and A Further Gesture. In 1998 The Unfish won the Citizen's Choice Award at the Puchon International Fantastic Film Festival.\nHe directed the 1977 documentary film The Children of Theatre Street, which was nominated for an Academy Award.\nDornhelm directed the television miniseries Anne Frank: The Whole Story (2001), for which he was nominated for an Emmy Award. He also directed the new TV adaptation Spartacus (2004) and the 2011 film The Amanda Knox Story.\n\nDecorations and awards\n1978: Nominations for Academy Award for Best Documentary for The Children of Theatre Street\n2007: Romy Award for Best Director for Kronprinz Rudolfs letzte Liebe (The Crown Prince)\n2006: Austrian Cross of Honour for Science and Art\n\nSelected filmography\nThe Children of Theatre Street (1977)\nShe Dances Alone (1981)\nEcho Park (1986)\nCold Feet (1989)\nRequiem f\u00fcr Dominik (1991)\nFatal Deception: Mrs. Lee Harvey Oswald (1993, TV film)\nThe Unfish (1997)\nA Further Gesture (1997)\nThe Venice Project (1999)\nAnne Frank: The Whole Story (2001, TV miniseries)\nSins of the Father (2002, TV film)\nRFK (2002, TV film)\nRudy: The Rudy Giuliani Story (2003, TV film)\nSpartacus (2004, TV film) by novel of Howard Fast\nSuburban Madness (2004, TV film)\nIdentity Theft: The Michelle Brown Story (2004, TV film)\nThe Ten Commandments (2006, TV film)\nKronprinz Rudolfs letzte Liebe (The Crown Prince) (2006, TV film)\nWar and Peace (2007, TV miniseries) by novel of Leo Tolstoy\nLa Boh\u00e8me (2008)\nUdo Proksch: Out of Control (2010)\nAmanda Knox: Murder on Trial in Italy (2011, TV film)\nDie Schatten, die dich holen (2011, TV film)\nK2 - La montagna degli italiani (2012, TV miniseries)\nDas Sacher (2016, TV film)\nMaria Theresa (2017, miniseries)\nPassage 10:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)", "answers": ["Temesv\u00e1r"], "length": 2873, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "52150ca076ef6a156239c8fd2cb45983ba9b8cd446312f22"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.