{"input": "Where did the director of film Defilada graduate from?", "context": "Passage 1:\nJason Moore (director)\nJason Moore (born October 22, 1970) is an American director of film, theatre and television.\n\nLife and career\nJason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University. Moore's Broadway career began as a resident director of Les Mis\u00e9rables at the Imperial Theatre in during its original run. He is the son of Fayetteville District Judge Rudy Moore.In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003.  He was nominated for a 2004 Tony Award for his direction. Moore also directed productions of the musical in Las Vegas and London and the show's national tour. Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008. He directed the concert of Jerry Springer \u2014 The Opera at Carnegie Hall in January 2008.Moore, Jeff Whitty, Jake Shears, and John \"JJ\" Garden worked together on a new musical based on Armistead Maupin's Tales of the City. The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011.For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters. As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton. A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998.In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow. He also served as an executive producer on the sequel. He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015. Moore's next project will be directing a live action Archie movie.\n\nFilmography\nFilms\n\nPitch Perfect (2012)\nSisters (2015)\nShotgun Wedding (2022)Television\n\nSoundtrack writer\n\nPitch Perfect 2 (2015) (Also executive producer)\nThe Voice (2015) (1 episode)\nPassage 2:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 3:\nNow Where Did the 7th Company Get to?\nNow Where Did the 7th Company Get To? (French: Mais o\u00f9 est donc pass\u00e9e la septi\u00e8me compagnie?) is a 1973 French-Italian comedy war film directed by Robert Lamoureux. The film portrays the adventures of a French Army squad lost somewhere on the front in May 1940 during the Battle of France.\n\nPlot\nDuring the Battle of France, while German forces are spreading across the country, the 7th Transmission Company suffers an air raid near the Machecoul woods, but survive and hide in the woods. Captain Dumont, the company commander, sends Louis Chaudard, Pithiviers and Tassin to scout the area. After burying the radio cable beneath a sandy road, the squad crosses the field, climbs a nearby hill, and takes position within a cemetery. One man cut down the wrong tree for camouflage, pulling up the radio cable and revealing it to the passing German infantry. The Germans cut the cable, surround the woods, and order a puzzled 7th Company to surrender. The squad tries to contact the company, but then witness their capture and run away.\nCommanded by Staff Sergeant Chaudard, the unit stops in a wood for the night. Pithiviers is content to slow down and wait for the end of the campaign. The next day, he goes for a swim in the lake, in sight of possible German fighters. When Chaudard and Tassin wake up, they leave the camp without their weapons to look for Pithiviers. Tassin finds him and gives an angry warning, but Pithiviers convinces Tassin to join him in the lake. Chaudard orders them to get out, but distracted by a rabbit, falls into the lake. While Chaudard teaches his men how to swim, two German fighter planes appear, forcing them out of the water. After shooting down one of the German planes, a French pilot, Lieutenant Duvauchel, makes an emergency landing and escapes before his plane explodes. PFC Pithiviers, seeing the bad shape of one of his shoes, destroys what is left of his shoe sole. Tassin is sent on patrol to get food and a new pair of shoes for Pithiviers. Tassin arrives in a farm, but only finds a dog, so he returns and Chaudard goes to the farm after nightfall. The farmer returns with her daughter-in-law and Lt Duvauchel, and she welcomes Chaudard. Duvauchel, who is hiding behind the door, comes out upon hearing the news and decides to meet Chaudard's men.\nWhen Chaudard and Duvauchel return to the camp, Tassin and Pithiviers are roasting a rabbit they caught. Duvauchel realizes that Chaudard has been lying and takes command.\nThe following day, the men leave the wood in early morning and capture a German armored tow truck after killing its two drivers. They originally planned to abandon the truck and the two dead Germans in the woods, but instead realized that the truck is the best way to disguise themselves and free the 7th Company. They put on the Germans' uniforms, recover another soldier of the 7th Company, who succeeded in escaping, and obtain resources from a collaborator who mistook them for Germans.\nOn their way, they encounter a National Gendarmerie patrol, who appear to be a 5th column. The patrol injures the newest member of their group, a young soldier, and then are killed by Tassin. In revenge, they destroy a German tank using the tow truck's cannon gun.\nThey planned to go to Paris but are misguided by their own colonel, but find the 7th Company with guards who are bringing them to Germany. Using their cover, they make the guards run in front of the truck, allowing the company to get away. When Captain Dumont joins his Chaudard, Tassin, and Pithiviers in the truck, who salute the German commander with a great smile.\n\nCasting\nJean Lefebvre : PFC Pithiviers\nPierre Mondy : Staff Sergent Paul Chaudard\nAldo Maccione: PFC Tassin\nRobert Lamoureux: Colonel Blanchet\nErik Colin: Lieutenant Duvauchel\nPierre Tornade: Captain Dumont\nAlain Doutey: Carlier\nRobert Dalban : The peasant\nJacques Marin: The collaborationist\nRobert Rollis: A French soldier\n\nProduction\nThe film's success spawned two sequels:\u2013 1975 : On a retrouv\u00e9 la septi\u00e8me compagnie (The Seventh Company Has Been Found) by Robert Lamoureux;\n\u2013 1977 : La Septi\u00e8me Compagnie au clair de lune (The Seventh Company Outdoors)) by Robert Lamoureux.The story is set in Machecoul woods, but it was actually filmed near Cerny and La Fert\u00e9-Alais, as well as Jouars-Pontchartrain and Rochefort-en-Yvelines. The famous grocery scene was filmed in Bazoches-Sur-Guyonne.\nRobert Lamoureux based this film on his own personal experiences in June 1940 during the war.\nThe final scene with the parachute is based on a true story. The 58 Free French paratroopers were parachuted into Brittany in groups of three, on the night of 7 June 1944 to neutralize the rail network of Normandy Landings in Brittany, two days before.\n\nBox office\nThe movie received a great success in France reaching the third best selling movie in 1974.\n\nNotes\nExternal links\nMais o\u00f9 est donc pass\u00e9e la septi\u00e8me compagnie? at IMDb\nPassage 4:\nOlav Aaraas\nOlav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.\nHe was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.\nPassage 5:\nAndrzej Fidyk\nAndrzej Fidyk (born in 1953, Warsaw) is a  Polish documentary filmmaker, producer, and professor of the Krzysztof Kie\u015blowski Film School in Katowice. He is best known for work his 1989 documentary Defilada (The Parade), which depicts the mass parades choreographed to celebrate the fortieth anniversary of the Democratic People's Republic of Korea (North Korea) in 1988.Initially, Fidyk planned to be an economist.  During 1972 and 1977 he studied foreign trade at\nthe Central School of Planning and Statistics at the Warsaw School of Economics. After graduation, he worked at the Foreign\nTrade Bureau for two years, work which he hated He first started working for television in 1980, since when he has made over 40 documentary films shown primarily on Polish and British television. From 1991 to 1996 he worked for the BBC in the Music and Arts Department.  Between 1996 and 2004 he was Head of Documentaries at Polish Television.\n\nFilmography\n1982\n\nIdzie Grze\u015b przez wie\u015b, production, script,1983\n\nOptymistyczny film o niewidomych, director,1984\n\nIch teatr,  director, script,1985\n\nPrezydent,  director,1986\n\nNoc w pa\u0142acu,  director, script,\nPraga,  director, script,1987\n\nKr\u00f3lewna \u015anie\u017cka, telefon i krowa,  director, script,1988\n\nPary\u017c, miasto kontrast\u00f3w,  director, script,1989\n\nDefilada,  production, script,1990\n\nOstatki, script, production1993\n\nSen Staszka w Teheranie,  director, script,1994\n\nNiebo oplutych,  production,\nPoczt\u00f3wka z Japonii,  production, script,\nThe Russian Striptease,  director, production,1995\n\nCarnaval. The Biggest Party In The World,  production, production,\nOstatki,  production, script,1997\n\nCi\u0119\u017car niewa\u017cko\u015bci,  editing,\nCross,  art consultation,\nDziewczyny z Szymanowa,  production,\nEast Of Eastenders,  director,\nHistoria Jednej Butelki,  art consultation,\nJeden dzie\u0144 z \u017cycia Tomka Karata,  art consultation,\nKanar,  production,\nEl Porvenir de Una Ilusion,  production,1998\n\nDotkni\u0119ci,  art consultation,\nGanek,  production,\nKiniarze z Kalkuty,  director, script, production,\nMarzenia i \u015bmier\u0107,  art consultation,1999\n\n24 dni,  production,\nOni,  editing,\nTakiego pi\u0119knego syna urodzi\u0142am,  art consultation,\nTwarz\u0105 w twarz z Papie\u017cem,  editing,\n1989-1999 w dziesi\u0105tk\u0119,  editing,2000\n\nJan Pawe\u0142 II w Ziemi \u015awi\u0119tej,  editing,\nZiemia podw\u00f3jnie obiecana. Jan Pawe\u0142 II w Ziemi \u015awi\u0119tej\n\u015alub w Domu Samotno\u015bci,  editing,\nTaniec trzcin,  production, script,2001\n\nPrawdziwe psy (TV documentary/novel),  editing,\nSerce Z W\u0119gla,  editing,2002\n\nBobrek Dance,  editing,\nM\u00f3j syn Romek,  editing,\nPrzedszkolandia (TV documentary/novel), editing,2003\n\nImieniny,  art consultation,2008\n\nYodok Stories,  director i script,2009\n\nBalcerowicz. Gra o wszystko, director, script.2016\n\nLech Walesa, A Portrait, director.\nPassage 6:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.  He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983\u201385), Government Publications Office (1985\u201386), and Department of Finance (1986\u201389). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site.  Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds.  As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later.  Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After C\u00e9zanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education.  During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\"   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired.  In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum.  In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==\nPassage 7:\nDana Blankstein\nDana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors  in November 2019.  Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur.\n\nBiography\nDana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv.\nBlankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners.  She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007.\n\nFilm and academic career\nAfter her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities.\nBlankstein directed the mini-series \"Tel Aviviot\" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television.\nIn November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem.\n\nFilmography\nTel Aviviot (mini-series; director, 2012)\nGrowing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)\nCamping (debut film, Sam Spiegel; director and screenwriter, 2006)\nPassage 8:\nThe Seventh Company Outdoors\nThe Seventh Company Outdoors (French: La Septi\u00e8me Compagnie au clair de lune) is a 1977 French comedy film directed by Robert Lamoureux. It is a sequel to Now Where Did the 7th Company Get to?.\n\nCast\nJean Lefebvre - Pithivier\nPierre Mondy - Chaudard\nHenri Guybet - Tassin\nPatricia Karim - Suzanne Chaudard\nG\u00e9rard H\u00e9rold - Le commandant Gilles\nG\u00e9rard Jugnot - Gorgeton\nJean Carmet - M. Albert, le passeur\nAndr\u00e9 Pousse - Lambert\nMichel Berto\nPassage 9:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 10:\nDefilada\nDefilada (The Parade) is a Polish 1989 documentary by Andrzej Fidyk. It focused on the cult of personality in North Korea, and was shot in 1988 on the 40th anniversary of the state's founding by Kim Il Sung. Despite its anti-totalitarian message, it has received praise from North Korea itself.\n\nOverview\nThe documentary was made on the occasion of the 40th anniversary celebrations of state's founding in North Korea, which the regime intended to use to eclipse the 1988 Summer Olympics taking place that year in Seoul, South Korea. The North Korean regime invited filmmakers from countries then considered friendly (Communist), including People's Republic of Poland, which sent a team under Andrzej Fidyk.The documentary is primarily composed of declarative statements, as well as texts of North Korean newspapers and books. There was no author's commentary. Fidyk commented that he and his team were likely \"the most disciplined\" foreign team of filmmakers in North Korea, as they did not trouble the regime by looking under the surface - they were content with what they were given and asked to do.\n\nReception\nIn North Korea, the documentary, upon its release, was officially praised, as it contains only officially approved footage and materials. However, the documentary's real aim, widely recognized abroad, was to condemn the totalitarian regime, through shocking contrasts of official images, and documenting artificial behavior of the populace. The message is conveyed not through commentary, but through footage, montage and content selection. Following the official guidelines, Fidyk \"winks\" at the viewer, showing the falseness of the setting.The film was accepted by the Polish censors, despite its critique of the totalitarianism. In Poland, which has been a much more liberalized socialist country since October 1956, it has been well received. With support from the Polish Ministry of Education it has been incorporated into some Polish educational curriculum, primarily in the Education about Society courses. It is used to illustrate concepts such as propaganda, newspeak, and the totalitarian state. Even more surprisingly, Fidyk also received official thanks from North Korea that year, during the Krak\u00f3w festival, even as the documentary was gathering praise from various festivals for its anti-totalitarian message. Eventually, however, the real message of the documentary became transparent even to the North Korean regime, which resulted in Fidyk's classification as persona non grata in North Korea.The documentary received the Willy De Luca Prize for Documentaries in 1989 at the Prix Italia. It also received the Grand Prix at the International Film Festival in Leipzig, Golden Ducate in International Film Festival in Mannheim, Srebny Lajkonik (Og\u00f3lnopolski Festiwal Film\u00f3w Kr\u00f3tkometra\u017cowych in Krak\u00f3w) and Z\u0142oty Ekran (Nagroda Tygodnika \"Ekran\") in Poland, all in 1989.In 2008, Fidyk returned to this subject with another documentary on North Korea, Yodok Stories.", "answers": ["Warsaw School of Economics"], "length": 4162, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "ff1f1458c122cb17935c5b235537854af253dfffcd37f98d"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.