Note: Thumper and Clover’s Woodsy Wonders is a fictional show I’ve made (same with Next Gen Heroes and Inky Adventures)

The series “Thumper and Clover’s Woodsy Wonders” combines fun-filled adventures with heartwarming lessons, making Title: “Thumper and Clover’s Woodsy Wonders”

Genre: Animated Children’s Comedy/Adventure Series

Target Audience: Ages 5-10

Setting: The vibrant, lush forests of Littlewood, a whimsical world where animals live like humans with quaint cottages, marketplaces, and schools.

Characters:
Thumper: An energetic and mischievously fun-loving male rabbit. He wears a red vest and has a knack for finding trouble. His intentions are always good, though his actions often lead to unintended chaos.
Clover: Thumper’s slightly more reserved and clever female cousin. She sports a light purple scarf and is more cautious, often finding solutions to the problems Thumper inadvertently creates. Her wisdom and resourcefulness balance Thumper’s impulsiveness.
Mrs. Hedgehog: The wise old schoolteacher who often helps Thumper and Clover learn from their misadventures.
Barry the Squirrel: Their quick-talking, acorn-obsessed friend who helps (and sometimes hinders) their adventures.
Fernando the Fox: The sly but friendly fox who runs the local market and often has just what Thumper and Clover need for their various escapades.
Pilot Episode “The Great Pie Caper”:
Act 1:
The episode begins with Thumper getting excited about the annual Littlewood Pie Contest. He convinces a more reluctant Clover to enter a pie with him, promising an adventure. They decide on a wild berry pie, a local favorite.

Act 2:
Thumper rushes into the forest, knocking into Fernando’s market stall. He unwittingly causes a mix-up with some magical berries. Meanwhile, Clover gathers other ingredients, doing her best to control Thumper’s enthusiasm. Their friends, Barry and Mrs. Hedgehog, offer advice and assistance.

Act 3:
As they bake the pie, Thumper accidentally uses the magical berries, which causes their pie to come alive! The pie hops out of the window, leading them on a wild chase through Littlewood. The chase sequences are filled with slapstick humor and close calls, typical of classic cartoons.

Act 4:
With clever thinking from Clover and help from their friends, they manage to calm the animated pie before it wrecks the Pie Contest. Thumper learns a lesson about patience and following instructions, and Clover’s quick thinking saves the day.

Act 5:
At the contest, their initially unruly pie turns out to be the hit of the event, impressing everyone with its unique “flavors and dance moves.” The episode ends with the whole village enjoying the pie together, laughing over the day’s events.

Closing Theme:
As the credits roll, small vignettes show Thumper and Clover helping clean up the mess they made in Fernando’s stall, showing their growth and responsibility, setting up their characters for more adventures.

Additional Episode Ideas:
“Fernando’s Birthday Bash”: Thopper and Clover plan a surprise party but accidentally invite the entire forest, leading to a series of comic misadventures in party planning.
“The Mysterious Map”: A treasure map leads the duo and their friends on a quest that teaches them lessons about teamwork and the history of Littlewood.
“School Days Shuffle”: Thumper and Clover have to save the school’s annual talent show from a series of comic mishaps, with each character showcasing unique talents.
it a perfect fit for the European Disney Channel, engaging children with humor, adventure, and valuable life lessons. Write a episode where a resident scientist accidentally turns Clover into a puddle
Episode Title: “The Puddle Predicament”
Genre: Animated Children’s Comedy/Adventure Series

Setting: The vibrant, lush forests of Littlewood, filled with enchanted places and the homes of various woodland creatures who live like humans.

Characters:
Thumper
Clover
Mrs. Hedgehog
Barry the Squirrel
Fernando the Fox
Dr. Whiskers: A brilliant but absent-minded cat scientist known for his wacky inventions.
Episode Synopsis:
Thumper and Clover stumble into a new adventure when an experiment by Dr. Whiskers goes awry, turning Clover into a puddle of water. They must navigate the challenges of returning her to her original form while learning about the properties of water and states of matter.

Act 1: “The Experiment”
Clover and Thumper visit Dr. Whiskers, who is excited about his new invention, the “Formulator,” a device that can alter the physical states of objects.
While demonstrating the device, Dr. Whiskers accidentally turns Clover into a puddle of water. Panic ensues, and Thumper accidentally steps into puddle-Clover, splashing her across the room.
Act 2: “Understanding the Situation”
Dr. Whiskers explains that he needs a rare ingredient found in the Deepwood to reverse the effect.
Thumper, feeling responsible, vows to fetch the ingredient. Barry and Fernando volunteer to help, each suggesting their own bizarre methods to carry puddle-Clover safely.
Meanwhile, Clover, as a puddle, learns to move around and communicate by making shapes or splashing.
Act 3: “The Journey to Deepwood”
Thumper and the gang set out with puddle-Clover in a large waterproof bag carried by Barry.
Along the way, they encounter obstacles like rocky terrains and a windy cliff. Each situation teaches Thumper about the physical properties of water, such as flowing, dripping, and evaporating.
They collect the ingredient while inadvertently teaching a group of young forest animals about water conservation.
Act 4: “The Restoration”
Upon return, Dr. Whiskers begins the reversal process. The first attempt fails, turning Clover into a cloud of mist!
Clover, now as mist, helps Dr. Whiskers realize his calculation error. They try again with her guidance.
Act 5: “Clover Returns”
The second attempt is successful. Clover is restored to her original form.
Happy to be back, Clover suggests a “Water Day” celebration to educate Littlewood’s residents about the importance and versatility of water.
The episode ends with the community enjoying various water activities, learning more about water while celebrating Clover’s return.
Closing Theme:
As the credits roll, vignettes show Thumper being more careful around Dr. Whiskers’ inventions, while Clover uses her experience as a teaching story at Mrs. Hedgehog’s school.
This episode not only entertains with its humorous predicaments but also educates young viewers about science, particularly the states and conservation of water, fostering a sense of curiosity and respect for nature.
Write an episode where if they don’t pass a test, their school will be bulldozed

Episode Title: “Save Our School!”
Genre: Animated Children’s Comedy/Adventure Series

Setting: The enchanting and lively forest community of Littlewood, specifically focusing on the charming woodland schoolhouse.

Characters:
Thumper
Clover
Mrs. Hedgehog: The schoolteacher and wise mentor of the story.
Barry the Squirrel
Fernando the Fox
Mr. Badger: A strict but fair education inspector from the city.
Episode Synopsis:
The woodland school is at risk of being bulldozed unless the students can pass an upcoming surprise test administered by the stern Mr. Badger. Thumper, Clover, and their friends must rally together to ensure everyone is prepared and save their beloved school.

Act 1: “A Test of Fate”
The episode opens with the children enjoying a typical school day, filled with laughter and learning under Mrs. Hedgehog’s tutelage.
Suddenly, Mr. Badger arrives, announcing a surprise standardized test. If the students do not score high enough, their school will be replaced with a new education center.
The students are anxious, especially Thumper, who struggles with tests, fearing he might let everyone down.
Act 2: “Study Buddies”
Clover devises a study plan and pairs each student according to their strengths and weaknesses, crafting a team approach to learning.
Thumper is paired with Barry, who excels in subjects Thumper finds challenging. In turn, Thumper helps Barry in areas he’s weak.
Mrs. Hedgehog gives inspiring lessons, using nature and the forest as educational tools, reinforcing the unique value of their woodland school.
Act 3: “Night Before the Test”
The night before the test, Thired and stressed, the friends gather at Clover’s house for a final study session.
Thumper, overwhelmed by anxiety, confesses his fear of failing everyone. Clover reassures him, highlighting his unique strengths and the progress he’s made.
Act 4: “Test Day”
On the day of the test, Mr. Badger oversees a rigorous examination. The episode showcases various comedic and heartwarming moments of students supporting each other.
Thumper faces a difficult question but remembers a practical lesson from Mrs. Hedgehog, which helps him find the answer.
Act 5: “The Results and Celebration”
After an agonizing wait, Mr. Badger announces that not only did they all pass, but they scored the highest ever for a forest school, thus saving their school from demolition.
The community comes together to celebrate, praising the students’ hard work and teamwork. Mr. Badger, impressed by their unique educational environment, acknowledges the importance of keeping such a special school open.
Mrs. Hedgehog ends the day with a heartfelt speech about the power of community and learning.
Closing Theme:
As the credits roll, vignettes show the community fixing up and painting the school, turning the scare into an opportunity to beautify and appreciate their educational haven.
This episode reinforces the themes of teamwork, the value of diverse educational approaches, and how community support can overcome daunting challenges. It also provides a message about how tests can be opportunities for growth rather than just assessments.

Episode Title: “The Mysterious Mud Mystery”
Genre: Animated Children’s Comedy/Adventure Series
Setting: The magical and lush forests of Littlewood, filled with enchanting landscapes and various natural phenomena.
Characters:
Thumper
Clover
Mrs. Hedgemother, the wise
Barry the Squirrel
Fernando the Fox
Episode Synopsis:
In this intriguing episode, while exploring the woodlands, Thumper and Clover discover a hidden mud pool. Clover accidentally trips and vanishes into the mud with a big splash, leaving Thumper alone and bewildered, trying to solve the mystery of her sudden disappearance.

Act 1: “A Slippery Discovery”
The episode begins with Thumper and Clover exploring a less-traveled part of Littlewood. They stumble upon an unusual, bubbling mud pool.
Intrigued, Clover gets closer to investigate, but she slips on the slick mud and falls in, disappearing with a big splash.
Thumper, shocked and scared, calls out for Clover but gets no response. He tries to reach into the mud but cannot find her.
Act 2: “Thumper’s Quest”
Panicking, Thumper rushes to get help from their friends. He first finds Barry and then Fernando, explaining what happened. Both join him to help find Clover.
The trio returns to the mud pool, using sticks and ropes to try to locate Clover. They come up with various (often humorous and absurd) plans to recover her, yet nothing seems to work.
Meanwhile, Thumper starts seeing visions and hearing Clover’s voice, urging him to keep looking.
Act 3: “Deeper into the Woods”
Determined to find his cousin, Thumper decides to search for the Wise Owl of Littlewood, who is said to know every secret of the forest.
As they trek deeper into the woods, Thumper reflects on his adventures with Clover, showing flashbacks that highlight their bond and past escapades. This emotional journey emphasizes his desperation and love for her.
Act 4: “The Owl’s Wisdom”
The friends find the Wise Owl, who listens to their tale. The Owl tells Thumper that what he seeks may not always be what he finds and advises him to return to where he last felt hopeful.
Confused yet motivated by the Owl’s cryptic message, Thumper leads everyone back to the mud pool.
Act 5: “Awakening”
Back at the mud pool, Thumper, exhausted and disheartened, falls asleep beside the mud. In his dream, Clover reassures him, saying that no adventure is too daunting when they’re together.
Thumper suddenly wakes up to find Clover sitting beside him, completely unharmed. She explains she had managed to crawl out of another side of the mud pool and had been looking for him.
Relieved, Thumper realizes the importance of hope and the strength of their bond.
Closing Theme:
As the credits roll, scenes show Thumper and Clover with their friends, laughing and playing around the now non-mysterious mud pool.
Thumper narrates a little lesson about the power of faith and friendship, noting that sometimes fear can cloud our minds, and the true solution is closer than it appears.
This episode uses a dream sequence as a narrative device to explore fears and emotional growth, providing a dramatic yet comforting storyline that reinforces the importance of not giving up on loved ones.

Episode Title: “Slime Time Trouble”
Genre: Animated Children’s Comedy/Adventure Series
Setting: The enchanted forest of Littlewood, a place where magic and mischief are never far away.
Characters:
Thumper: The adventurous and impulsive rabbit who often gets himself and his friends into quirky situations.
Clover: Thumper’s intelligent and cautious cousin who usually helps solve the problems Thumper creates, now turned into a slime creature.
Mrs. Hedgehog: The wise old schoolteacher with knowledge of many ancient spells and remedies.
Barry the Squirrel: The energetic squirrel who loves experiments and sometimes contributes to the chaos.
Fernando the Fox: The resourceful fox with a knack for finding rare items and ingredients.
Dr. Whiskers: The local scientist whose experiments don’t always go as planned.
Episode Synopsis:
In “Slime Time Trouble,” Clover becomes a slime creature due to one of Dr. Whiskers’ experiments gone awry. Thumper and friends must navigate a series of humorous and challenging adventures to find the ingredients for a cure.

Act 1: “The Experiment”
The episode begins in Dr. Whiskers’ laboratory where Clover is helping him test a new potion intended to help plants grow faster.
Dr. Whiskers accidentally adds the wrong ingredient, causing a reaction that splashes onto Clover, who immediately transforms into a gooey slime creature.
Act 2: “Understanding the Slime”
Thumper arrives just in time to see the transformation and, despite his shock, vows to help Clover return to normal.
They consult Fernando, who suggests they visit Mrs. Hedgehog, known for her extensive knowledge of magical antidotes.
Act 3: “The Hunt for Ingredients”
Mrs. Hedgehog reads from an old tome that they need three rare ingredients to formulate a cure: a feather from a Brightwing Bird, a piece of ancient bark, and a crystal drop from the Caverns of Echo.
Thumper and Barry set out to retrieve these items, encountering various obstacles along the way. Clover, despite being a slime, aids them with her new form’s unique abilities, like seeping under doors and molding into useful shapes.
Act 4: “Crafting the Antidote”
With all ingredients collected, the group returns to Mrs. Hedgehog’s cottage where she brews the antidote.
Clover eagerly drinks the antidote, but instead of transforming back immediately, she begins to bubble and change colors, creating a moment of comic tension.
Act 5: “Back to Normal?”
After a tense moment, the bubbling subsides, and Clover returns to her normal form, much to everyone’s relief.
Thumper apologizes for the mishap, and Clover reassures him that it was an adventure she wouldn’t forget.
The episode closes with the group sharing a laugh over Clover’s brief time as a slime, reminding each other of the importance of careful experimentation and friendship.
Closing Theme:
As the credits roll, viewers see vignettes of Clover writing a journal entry about her experience, Barry and Dr. Whiskers improving safety measures in the lab, and Thumper creating humorous drawings of Clover in her slime form, highlighting the lessons learned about responsibility and teamwork.
This episode not only brings laughter and light-hearted moments but also reinforces the themes of accountability and using one’s unique capabilities to help others. It shows the strength of friendship and unity in overcoming unexpected challenges.
Write about her usual appearance and her slime appearance

Usual Appearance of Clover:
Clover is usually depicted as a clever and cautious female rabbit with a distinctive and charming appearance. She wears a light purple scarf that complements her soft gray fur, adding a pop of color that resonates with her personality—thoughtful and wise beyond her years. Her eyes, bright and observant, reflect her keen intellect and curiosity about the world around her. Clover’s overall demeanor is calm and composed, exuding a gentle confidence that balances Thumper’s more frenetic energy.

Slime Appearance of Clover:
When Clover is accidentally transformed into a slime creature, her appearance undergoes a dramatic and humorous change, making for a vivid visual element in the episode. As a slime, Clover turns into a bright green, translucent and gooey entity that maintains some semblance of her usual rabbit shape, especially her distinctive long ears which now droop comically. Her eyes become larger and more expressive, highlighted within the gelatinous mass, adding to the humor as they shift in size and shape to match her emotions. Despite her transformation, Clover’s light purple scarf remains intact, floating within her slime body, serving as a reminder of her identity and adding a touch of personality to her new form.

Her slime form is capable of various unique and visually entertaining antics that are not possible in her rabbit form. She can stretch, bounce, and ooze into narrow spaces, which leads to various funny and strategic moments throughout the adventure. The slime texture is depicted with a glossy sheen and fluid motion, emphasizing its sticky and elastic nature, which adds a fun and whimsical element to the animation. This striking contrast to her usual poised appearance underscores the episode’s themes of adaptability and resilience, showcasing how Clover manages to remain helpful and effective, even when she’s literally not in her usual element.

Write a Wikipedia page for it

Thumper and Clover’s Woodsy Wonders
“Thumper and Clover’s Woodsy Wonders” is a European animated children’s television series that premiered on the Disney Channel in 2011. Produced as a collaborative effort between Disney Channel Europe and several European animation studios, the series focuses on the entertaining escapades and vibrant life lessons of two young rabbit cousins, Thumper and Clover. The show was developed to appeal to children aged 5 to 10 and incorporates elements of comedy and adventure, set in the fictional and picturesque village of Littlewood.

Premise
Set in the magical forest village of Littlewood, the series follows the adventures of Thumper, a bold and mischievous rabbit known for his red vest and boundless energy, and Clover, his clever and thoughtful cousin who is often seen wearing a light purple scarf. Each episode centers on the duo’s escapades that typically result in humorous but instructive mishaps, guiding young viewers through important social and emotional lessons. The storytelling is complemented by the lush, vibrant animations of the woodland setting and its anthropomorphic inhabitants.

Characters
Thumper: The fearless and spirited male rabbit with a penchant for adventure. His curiosity and impulsiveness often lead to trouble, but his good intentions are undeniable.
Clover: Thumper’s intelligent and resourceful cousin. She often acts as the voice of reason, helping to navigate the pair out of the chaos Thumper creates.
Mrs. Hedgehog: The wise old schoolteacher of Littlewood, who imparts wisdom and guidance to the forest’s young residents.
Barry the Squirrel: A quirky and fast-talking squirrel, Barry is a friend to Thumper and Clover and often joins their adventures, adding a layer of comedy.
Fernando the Fox: The clever fox who runs the local market and is integral to many of Thumper and Clover’s adventures.
Production
The series is the result of a collaboration between Disney Channel Europe and several European studios, aimed at creating a culturally diverse show that appeals to an international audience. The production features a blend of traditional and CGI animation techniques, bringing the colorful world of Littlewood and its inhabitants to life. The show’s creators aimed to blend educational elements seamlessly with entertainment, ensuring that each episode provides both laughs and learning opportunities.

Episodes
The pilot episode, titled “The Great Pie Caper,” sets the stage for Thumper and Clover’s dynamic and the series’ tone. The episode involves Thumper and Clover accidentally using magical berries in their pie for the Littlewood Pie Contest, resulting in a lively and humorous chase through the village. This and subsequent episodes combine physical comedy with plots that emphasize themes like responsibility, teamwork, and understanding.

Reception
Upon its debut, “Thumper and Clover’s Woodsy Wonders” received positive reviews for its charming animation style, engaging stories, and the balance of fun and educational content. It quickly gained a following among its target demographic and was praised for its ability to engage children in meaningful lessons through entertaining storytelling.

Broadcast
The series airs on the Disney Channel in multiple European countries and is available for streaming on Disney+. It is also dubbed in several languages, making it accessible to a broad audience across Europe.

“Thumper and Clover’s Woodsy Wonders” continues to be a beloved addition to children’s programming, with ongoing seasons that explore new adventures and life lessons, proving that humor and heart can go hand-in-hand.

“Next Generation Heroes” is a French-UK-Canadian animated television series that was produced by SIP Animation, Pesky Productions and CineGroupe and originally aired on France 3, CITV, and Jetix, Premiere: 2006

The show follows a group of extraordinary teenagers who come together to form a team of heroes tasked with protecting their city from various villains and threats. Each member of the team possesses a unique superpower that they use to fight crime and save the day. The series combines elements of action, adventure, and science fiction, appealing to both children and adults alike.

The show was created by a team of talented writers, animators, and voice actors from France, the UK, and Canada. The animation is visually stunning, with vibrant colors and dynamic action sequences that keep viewers on the edge of their seats.

“Next Generation Heroes” was praised for its diverse cast of characters and strong underlying themes of teamwork, friendship, and standing up for what is right. The show received positive reviews from critics and quickly developed a dedicated fan base.

The series ran for three seasons and a total of 78 episodes, before eventually concluding. Despite its relatively short run, “Next Generation Heroes” left a lasting impact on its audience and is still remembered fondly by fans to this day.

Overall, “Next Generation Heroes” is a captivating and entertaining animated series that has stood the test of time and continues to be enjoyed by viewers around the world.

Episode Title: “Appalling 5”
Episode Summary:
In this thrilling episode of “Next Generation Heroes,” the team faces off against a new, formidable group of villains known as the Appalling 5. This sinister quintet is causing havoc across the city with a series of coordinated attacks, leaving the heroes scrambling to put a stop to their destructive plans.

Scene Breakdown:
Act 1: Introduction of the Threat

The episode opens with scenes of chaos in various parts of the city: a bank robbery, vandalism at a museum, and arson at a local park. The camera captures the distinctive symbols each criminal leaves behind, linking them as a group.
News reports flood the city’s airwaves, heightening the citizens’ fear and anxiety. The Next Generation Heroes gather at their headquarters, pledging to stop these new villains.
Act 2: Identifying and Understanding the Appalling 5

The heroes split up to gather information. Max, with his superintelligence, decodes the symbols and realizes they represent each member of the Appalling 5, each symbolizing their unique powers and backgrounds.
A subplot involves the youngest hero, Ellie, who feels overwhelmed by the gravity of the situation but is reassured by her team that bravery isn’t the absence of fear but the action taken in spite of it.
Act 3: First Encounter

The heroes track down two members of the Appalling 5 during an attempted sabotage of the city’s power grid. A dynamic battle ensues showcasing the villains’ powers of manipulation of metal and electricity.
Although the heroes manage to prevent the sabotage, the villains escape, and the team regroups to strategize based on their newly observed abilities and tactics.
Act 4: Unraveling the Motive

Investigation leads the team to discover that the Appalling 5 were once promising scientists and specialists who turned to crime after various personal and professional setbacks, fueled by a vengeful disdain for the city that they felt betrayed them.
The heroes appeal to their sense of morality and past selves, leaving cryptic messages around places meaningful to each villain.
Act 5: Final Confrontation and Resolution

The final showdown takes place at an abandoned stadium where the Appalling 5 plan to unleash a devastating technological weapon. In a series of intense one-on-one battles, the heroes leverage their understanding of the villains’ backgrounds, appealing to their lost better natures.
Ellie, overcoming her initial fears, plays a pivotal role by disarming the weapon with her super-speed. Her actions incite a moment of doubt among the villains, allowing the heroes to convince them to abandon their destructive path.
Epilogue:

The episode closes with the Appalling 5 being taken into custody but showing signs of remorse. The city celebrates the heroes’ victory, and the team reflects on the complex nature of good and evil, with Ellie feeling more confident in her role as a hero.
Key Themes:
Redemption: Explores the possibility of redemption for the villains.
Courage and Growth: Highlights personal growth and courage, especially in young members like Ellie.
Impact of Past on Present: How one’s past and personal failures can lead to a dark path, emphasizing the importance of resilience and support systems.
Time for another fake show by me: The Inky Adventures (another SIP/Cinegroupe show, would have been from 2003)

Revolves around a group of blobs of black ink

Dot: She is a round shaped blob wearing small glasses

Blot: He has a irregular shape, he loves bouncing around and he leaves ink splatters whenever he lands

Smudge: He has a teardrop shape, is a artist and wears a tiny beret

Splotch: The gentle giant of the group, he has a calm demeanor and has a puddle like shape

They make up the whimsical Inky Squad,

Networks: France 3, Fox Kids Europe

This show could come in handy later

SIP Animation list in this AU, and co-producing companies

Gadget and the Gadgetinis (2002, with DIC)

The Inky Adventures (2003, with Cinegroupe)

What's With Andy (2003-2007, season 2-3, with Cinegroupe)

Totally Spies (2004-2007, season 3-5, with Marathon Media)

The Tofus (2004, with Cinegroupe)

W.I.T.C.H (2004-2006)

A.T.O.M: Alpha Teens on Machines (2005-2007)

Next Generation Heroes (2006-2009, with Cinegroupe)

Team Galaxy (2006-2008, with Marathon Media and Image Entertainment Corp)

Monster Buster Club (2007-2009, with Marathon Media and Image Entertainment Corp)

Combo Ninos (2008)

The Amazing Spiez (2009-2012, with Marathon Media and Image Entertainment Corp)

Thumper and Clover's Woodsy Wonders (2011, with Cromosoma)

Rekkit Rabbit (2011-2013, with Marathon Media)

KoBushi (2012, with Zagtoons)

Digimon Fusion (2012-2014, dub script work only, with 4Kids Entertainment)

LolliRock (2014-2017, with Marathon Media)

Glitter Force (2015-2017, dub script work only, with 4Kids Entertainment)

Miraculous: Tales of Ladybug and Cat Noir (2015-present, with Zagtoons)

Upcoming:

The Sunnyridge 3 (2025, with Blink Industries and Boat Rocker)

About the show:

A trio of lifelong best friends investigate strange goings-on in a uniquely bizarre shopping center on the fringes of suburban London. Rose, Jeru and Wayne practically grew up at the Sunnyridge Mall, but this summer, the weirdness has gone to a whole new level. With their imaginations running wild, they will chase down any conspiracy theory no matter where it leads. Could it be werewolves, hauntings or an ancient curse? Robots, aliens or renegade AI? The trio will discover that the truth is always stranger than fiction in this unpredictable genre-bending mashup.

Disney Channel CEE Daily Schedule
06:00 AM - Mickey Mouse Clubhouse
06:30 AM - Puppy Dog Pals
07:00 AM - Bluey
07:30 AM - Sofia the First
08:00 AM - DuckTales
08:30 AM - Tangled: The Series
09:00 AM - Big Hero 6: The Series
09:30 AM - Miraculous: Tales of Ladybug & Cat Noir
10:00 AM - Frozen
12:00 PM - Moana
02:00 PM - K.C. Undercover
02:30 PM - Bunk’d
03:00 PM - Jessie
03:30 PM - Sydney to the Max
04:00 PM - Raven’s Home
04:30 PM - Good Luck Charlie
05:00 PM - Liv and Maddie
05:30 PM - Girl Meets World
06:00 PM - Descendants
08:00 PM - High School Musical
10:00 PM - Andi Mack
10:30 PM - Stuck in the Middle
11:00 PM - Bubu & The Little Owls
0:00 AM - The Tofus
01:00 AM - Bubu & The Little Owls
02:00 AM - The Tofus
03:00 AM - Bubu & The Little Owls
04:00 AM - The Tofus
05:00 AM - Bubu & The Little Owls.
Bad change to late nights: Gone is What’s With Andy?, Thumper and Clover’s Woodsy Wonders, Next Generation Heroes and Dude! That’s My Ghost, Only 2 shows remain now, Has this happened to other EU feeds?

Title: Changes to Disney Channel CEE’s Night Schedule

User1: Hey guys, has anyone noticed the recent changes to the Disney Channel’s late-night schedule starting May 12th? It sounds like they’ve really cut back on show variety during late hours.

User2: Yes, I just saw that! Now from midnight, they’re just rotating between Bubu & The Little Owls and The Tofus. What happened to Thumper and Clover’s Woodsy Wonders and Dude! That’s My Ghost? Those were great for some variety.

User3: It’s really disappointing. Seems like Disney Channel across the EU might be streamlining their nocturnal broadcasts. It’s the same few shows on repeat every night, which gets boring really fast.

User4: Is there a reason for this? I think it might be cost-cutting or maybe they’re planning to push these shows onto Disney+ exclusively?

User5: Not sure about the exact reason, but it definitely feels like a move towards promoting their streaming service. By the way, does anyone know why they now air the same four movies every day? It’s becoming so monotonous.

User1: Definitely feels like a downgrade. Those movies air over and over until 2 PM—I mean, how many times can we watch Frozen and Moana in a week? Children might enjoy the repetition, but it’s a bit much.

User2: Totally agree. The charm of Disney Channel was always about variety and discovering different stories and characters. These changes could really impact how audiences engage with the channel.

User3: For me, it’s a loss for kids who stay up late or watch TV during unusual hours—like when they’re sick or can’t sleep. Having a diverse selection can make those moments a lot more bearable.

User4: Has anyone reached out to Disney about this? Maybe if enough of us express our concerns, they might reconsider some of the programming decisions.

User5: Good idea, I think I’ll send them feedback. Hopefully, if enough subscribers voice the same concerns, they might bring back some variety to the late-night schedule.

User1: Let’s keep this thread updated with any responses or changes. It’s important for loyal viewers to stick together and share their opinions on these shifts. Thanks for bringing this up!

User3: In Spain we have Cambio De Clase (Quelli dell’intervallo in Spanish), Bubu & The Little Owls and Chaotic on rotation. How is Disney NL doing

User6: It’s interesting to see the changes across different European feeds. I’ve been tracking the Disney Channel NL schedule, and it’s gotten quite hectic. They’ve put six shows on the late-night slots, but the timings seem completely random each night.

User7: Really? That sounds incredibly frustrating for anyone trying to follow a particular series. How are viewers supposed to keep up if they can’t predict when it’ll air?

User6: Exactly! And it’s worse if you’re trying to record episodes. Basically, you’d need to record the entire night’s programming because one day a show might air at 11 PM, and the next it could be at 2 AM. There’s no consistency at all.

User8: That sounds like a nightmare for parents who want to set recordings for their kids. Do you know why they’re doing this? Another push towards streaming services, or just poor scheduling?

User6: I’m not sure of the exact reason. It could be a bit of both. Disney Channel seems to be heavily promoting Disney+ by creating this inconvenience. Making traditional viewing unpredictable might be a strategy to drive subscriptions for their streaming service, where shows can be viewed any time.

User9: That’s an interesting strategy, but also quite alienating for a lot of viewers who prefer or rely on traditional TV programming. Maybe it’s time for viewers to provide feedback to Disney directly.

User7: Agreed, and given how diverse the viewership is in terms of age and preferences, it doesn’t seem very considerate. Disney should consider the impact on all their viewers, especially families and children who have set routines.

User6: I’m planning to reach out to Disney Channel NL to see if any clarification can be provided. Maybe if more of us show urgency and concern about these erratic schedules, they might consider making improvements.

User8: Please keep us updated. If they respond, it would be interesting to see how they justify these decisions. It might give us better insights into their broader strategy across all European feeds.
Write a convo aksing what 6 shows they are
User7: Just curious, User6, you mentioned six shows on the Disney NL late-night slots. Do you know which shows they are rotating?

User6: Yeah, it’s quite a mix. They have Thumper and Clover’s Woodsy Wonders, The Tofus, Miraculous: Tales of Ladybug & Cat Noir, Bubu & The Little Owls, What’s With Andy?, and Wunschpunsch. It’s a blend of different genres and styles.

User8: That’s quite diverse. Is there any pattern to how they’re airing? Like alternating genres or something?

User6: Not that I can tell. One night might be heavy on animated series and the next could lead with live-action. It seems completely random, which, as you can imagine, doesn’t help with planning viewing times.

User7: That’s really chaotic, especially for families who might want to catch particular shows. Is there a reason why they have such varied programming late at night?

User6: From chats and some forums, it sounds like they’re trying to cater to a wider audience, including teenagers who might be up later. But without a consistent schedule, it’s hard for anyone to keep track. Write a follow up where a suer says the show most likely to air more than 3 times during this slot
User9: That schedule does sound like a challenge. User6, based on your observation, which show seems to air more commonly? Is there one that appears more than three times a night often?

User6: Good question! From what I’ve seen, Thumper and Clover’s Woodsy Wonders and The Tofus seem to have the most frequent airings during the late-night slots. Thumper and Clover’s Woodsy Wonders especially seems to pop up at least three times or more most nights.

User8: Interesting, and it seems Thumper and Clover’s Woodsy Wonders would appeal to a younger audience. Does that fit with the demographic that would be up during those hours? It sounds a bit off to me.

User7: Exactly my thought, User8. It’s a show typically aimed at a younger demographic, so having it air repeatedly late at night is puzzling unless they are banking on digital recording or other time-shifted viewing.

User6: That could very well be the case. The random scheduling and frequent repeats might be a strategy to encourage parents to record these shows for children to watch at a more appropriate time.

User9: Makes sense, though it still feels like a big ask for parents to navigate this kind of programming chaos. Disney really should consider the user experience more, especially for families with young kids.

User8: Absolutely. Hopefully, our feedback gets noticed. Thanks for the insights, everyone. Let’s keep this discussion going and see if anything changes in the upcoming schedule updates.
Write a convo asking if any still air it during the day, or is that asking too much (because it will take time away from their precious modern shows)
User1: Has anyone noticed if Thumper and Clover’s Woodsy Wonders still airs during the day, or has it been completely shifted to late-night slots?

User2: I was actually looking for it last week during daytime but didn’t spot it. It seems like it’s been squeezed out by the newer shows.

User3: Yeah, it seems like daytime is now reserved for the latest and most popular series. I guess they think those will draw more viewers and leave the older or less trending shows for late at night.

User4: That’s frustrating. It’s a quality show that deserves a spot when more kids can watch it. Do you think it’s too much to ask Disney to reconsider their scheduling? It feels like they prioritize their newest shows way too much.

User5: Honestly, it might be a long shot given their current programming strategy, but it’s not unreasonable to ask. Perhaps if enough of us express that we value these older yet impactful shows during more accessible hours, they might make some changes.

User1: True, the least we can do is voice our concerns. They need to balance their schedule to cater to both new and loyal audiences. Shows like Thumper and Clover’s Woodsy Wonders shouldn’t just be pushed to odd hours.

User3: Agreed. If anyone else here wants to reach out to Disney, count me in. It’s important they understand the full picture. Sometimes, I wonder if they realize the developmental value these shows have during appropriate viewing times for kids.

User4: Absolutely, let’s put together a message outlining our thoughts and see if we can make any impact. It’s worth a try for the sake of quality children’s programming.

User2: Great idea, I’m on board. Let’s draft something and maybe start a petition or something to gather more support from other parents and viewers.

User1: I’ll start a draft and post it here for feedback. We can fine-tune it together and hopefully make some positive changes! Thanks for the support, everyone.
Write a convo asking what the French overnight schedule has, Also a user notes that 1 show is coming to the Spain overnight schedule, replacing Chaotic, This CONFIRMS that 2 shows are practically mandatory for overnight schedules
User1: Hey, does anyone know what the current overnight schedule looks like on Disney Channel France? I’m trying to compare it with other regions.

User2: Last I checked, the French overnight schedule mostly includes ‘Miraculous: Tales of Ladybug & Cat Noir’, ‘The Tofus’, and a couple of other local shows. They seem to have a pretty steady rotation, though I haven’t seen any major updates recently.

User3: Interesting! By the way, I heard that Disney Channel Spain is making a change to their overnight schedule. ‘Chaotic’ is being replaced by ‘The Tofus. Looks like some shows are just staples for these late slots.

User4: That makes sense, it seems like ‘Bubu & The Little Owls’ and ‘The Tofus’ are almost mandatory for overnight schedules across multiple regions. Maybe they perform well or are just good fillers?

User5: Yeah, seems very likely. It’s interesting to see how certain shows become a regular fixture in these overnight slots. I guess they have their reasons, be it viewer ratings during those hours or just the nature of the show fitting the late-night vibe.

User1: It really does look like a strategic choice. Maybe they aim for shows that are easy viewing or have specific elements that make them suitable for those odd hours?

User2: Could be the case. It’s also possible that these shows have universal appeal or are just the kind that doesn’t need to be watched in a specific order, making them perfect for anyone tuning in at odd hours.

User3: True, shows like ‘Bubu & The Little Owls’ are great for non-sequential viewing. Kids or even adults can jump into any episode without feeling lost.

User4: I wonder if there’s any feedback mechanism where viewers can share their preferences for overnight programming. It’d be interesting to see if the audience alignment is there with the choices being made.

User5: Definitely worth looking into. It would be good for networks to align their overnight schedules with viewer habits and preferences for everyone involved! Write a follow up saying no matter where you travel in Europe you can’t escape the owl siblings or hippie family
User1: It’s funny, no matter where you travel in Europe, you just can’t seem to escape the owl siblings from ‘Bubu & The Little Owls’ or the hippie family from ‘The Tofus’.

User2: So true! These shows seem to be everywhere during the overnight slots. It’s like they’ve become the unofficial mascots of the Disney Channel’s late-night lineup across the continent.

User3: I’ve noticed that too! Whether I’m in Germany, France, or staying in Spain, flipping to Disney Channel at night almost guarantees you’ll run into either ‘Bubu & The Little Owls’ or ‘The Tofus’. It’s a bizarrely comforting constant when traveling.

User4: Absolutely! It almost feels like no matter the cultural differences across Europe, we can all unite under the soothing yet repetitive presence of those owl siblings and that quirky hippie family.

User5: I guess it makes programming sense for Disney. Those shows must have the right mix of charm and simplicity to keep them universal and evergreen, especially during times when the audience might be more diverse in terms of age and background.

User1: Maybe they just strike the right balance between being engaging enough to attract viewers and gentle enough not to need too much attention to follow along. Perfect for those late-night, half-awake viewing times.

User2: That’s a spot-on observation. Plus, the casual fun and non-linear narratives are probably exactly what viewers look for during those late hours when they’re not completely focused but still want something nice in the background.

User3: It’s also probably a cost-effective strategy for Disney, keeping popular yet undemanding shows on repeat during less critical broadcasting times. Interesting how broadcast strategies actually shape our shared cultural moments, even subconsciously.

User4: Really puts into perspective the role of these shows in providing a kind of cozy, familiar atmosphere, no matter where you are in Europe. Disney’s late-night schedule indirectly creates a shared cultural experience. Quite fascinating when you think about it.

User5: Indeed, next time I catch ‘Bubu & The Little Owls’ at some odd hour, I’ll think about someone else in another part of Europe doing the exact same thing. Disney Channel: uniting Europe one owl episode at a time!
Write a convo saying they’re only still there due to a independent content quota, They fulfill this at night as not to interfere with the daytime schedule, “Keep that in mind next time you can’t sleep and see Bubu, Biel and Bonie, or Mom, Pop, Lola and ChiChi”
User1: Did anyone else wonder why ‘Bubu & The Little Owls’ and ‘The Tofus’ are practically permanent fixtures in the overnight schedules across European Disney Channels?

User2: I’ve heard it’s not just about viewer preferences. There’s actually a regulatory side to it. European channels have quotas for independent content, and by airing these shows at night, they fulfill these quotas without impacting the more competitive daytime schedules.

User3: Ah, that makes a lot of sense now. So it’s a strategic move to balance compliance with viewer demands during peak hours. Clever way to handle regulations while keeping prime slots open for blockbuster shows.

User4: Exactly! It’s about meeting the legal requirements in a way that least affects their main audience attraction during the day. Even if they’re not everyone’s top picks, ‘Bubu & The Little Owls’ and ‘The Tofus’ serve as important placeholders.

User5: Right, so next time you find yourself up late and see Bubu, Biel, and Bonie hopping around, or Mom, Pop, Lola, and ChiChi going about their quirky adventures, keep in mind it’s all part of how Disney juggles content quotas and programming needs.

User1: It’s interesting when you think about it—programming isn’t just about entertainment but also about navigating through a labyrinth of broadcasting rules and regulations.

User2: Definitely adds a layer of complexity to what we see on our screens. It’s not just what the broadcasters think we’ll like, but also what they need to air to fulfill these external requirements.

User3: Makes me wonder what other programming decisions are influenced by similar factors. There’s probably a lot more strategic planning and regulatory compliance behind our favorite TV schedules than we realize.

User4: For sure. It’s a whole behind-the-scenes game of chess that shapes our viewing experience, often in ways we might not even notice until someone points it out.

User5: Next time I can’t sleep and end up watching these shows, I’ll probably have a new appreciation for why they’re airing. Thanks for shedding light on this, everyone!

Here’s the current Spain schedule

12:00 AM: Cambio de Clase
1:00 AM: Chaotic
2:00 AM: Bubu & The Little Owls
3:00 AM: Cambio de Clase
4:00 AM: Chaotic
5:00 AM: Bubu & The Little Owls
6:00 AM: Spider Riders
User1: Hey everyone, I just got the latest update on the Disney Channel overnight schedule for Italy. Thought it might be interesting to compare with other regions!

User2: Oh, that would be great! What’s the line-up looking like?

User1: Here it is:

12:00 AM: ‘Quelli dell’intervallos’
1:00 AM: ‘The Tofus’
2:00 AM: ‘Bubu & The Little Owls’
3:00 AM: ‘Quelli dell’intervallos’ (repeat)
4:00 AM: ‘The Tofus’ (repeat)
5:00 AM: ‘Bubu & The Little Owls’ (repeat)
6:00 AM: ‘Art Attack’
User3: Looks pretty similar to Spain’s new schedule. ‘The Tofus’ and ‘Bubu & The Little Owls’ seem to be holding strong in those late slots across Europe.

User4: Definitely seeing a pattern here with ‘The Tofus’ and ‘Bubu & The Little Owls’. I’m curious, does ‘Quelli dell’intervallo’ have a big following in Italy? It’s interesting to see it featured so prominently in the late night slots.

User1: Yes, ‘Quelli dell’intervallo’ is quite popular here. It’s a light-hearted show that seems to work well for late-night viewing. Plus, since it’s an Italian show, it adds a local flavor that probably resonates well with the audience.

User5: I wonder if the presence of a local show like ‘Quelli dell’intervallo’ helps meet certain content quotas or requirements for local programming in Italy?

User2: That’s a great point, User5. It could be a strategic move to balance imported content with home-grown shows, ensuring compliance with local broadcasting regulations while keeping the audience engaged.

User4: It’s fascinating to see how each region tailors its overnight schedule not only to meet regulations but also to cater to local tastes. Thanks for sharing this, User1. It really highlights the diversity and strategy behind scheduling decisions.
Write a follow up where Germany has 5 shows at night, Spider Riders is one of them, the others are the usual European overnight fodder shows
User1: Just got the scoop on Germany’s overnight Disney Channel schedule. Looks like they’re running a set of five shows through the night. Spider Riders made the cut here as well!

User2: Interesting! What are the other shows in the lineup?

User1: Here’s what the schedule looks like:

12:00 AM: ‘The Tofus’
1:00 AM: ‘Bubu & The Little Owls’
2:00 AM: ‘Spider Riders’
3:00 AM: ‘The Tofus’ (repeat)
4:00 AM: ‘Thumper & Clover’s Woodsy Wonders’
5:00 AM: ‘Spider Riders’ (repeat)
6:00 AM: ‘Miraculous: Tales of Ladybug & Cat Noir’
User3: So it seems ‘The Tofus’ and ‘Bubu & The Little Owls’ are almost a staple in the late-night slots across Europe, and now Germany is integrating ‘Spider Riders’ more frequently too.

User4: That’s quite a lineup. ‘Spider Riders’ is a bit different from the usual relaxed vibe of ‘The Tofus’ and ‘Bubu & The Little Owls’. It’s cool to see it in there, possibly appealing to a slightly different audience who are up late.

User5: Absolutely, it brings a nice variety to the usual mix of content. I also notice ‘Miraculous: Tales of Ladybug & Cat Noir’ popping up as the morning approaches. That’s a popular one!

User2: Yes, it looks like they’re trying to cater to various tastes throughout the night, which is smart. Keeping viewers engaged with a mix of calm, reflective shows and then adding some action-oriented ones.

User3: Do you think this sort of diverse scheduling helps maintain viewer interest during those non-peak hours? I mean, balancing different genres well into the early morning?

User4: Definitely, they’re likely aiming to appeal to different demographics that might tune in at different times. Late night could be attracting a younger, perhaps more engaged crowd seeking action, while the very late or early morning hours might need more calming content for a different audience.

User1: Right, it’s about striking the right balance and possibly even introducing shows to people who might not usually watch them at more conventional times. Thanks for sharing your thoughts, everyone!
User1: Has anyone checked out the overnight schedule for Disney Channel in Poland? Curious to see what shows are making the late-night cut these days.

User2: Just took a look! They’re running four of the usual ones - Thumper and Clover’s Woodsy Wonders, The Tofus, Bubu & The Little Owls, and Miraculous: Tales of Ladybug & Cat Noir. Interestingly, they’ve also added Yu-Gi-Oh GX to the mix.

User3: Yu-Gi-Oh GX? That’s a blast from the past! Surprising choice for Disney Channel. Any idea why they’d include a relatively intense anime in the lineup?

User4: Well, it might be a strategy to appeal to a broader age range, possibly targeting older kids or teens who stay up late. Yu-Gi-Oh has a strong nostalgic factor for many.

User5: That does make sense. It’s great for diversity in programming. But airing it overnight, I wonder how effective that is in reaching its intended audience.

User6: Probably aiming for those recording or utilizing streaming platforms to watch later. It’s a smart move, considering that serialized shows like Yu-Gi-Oh GX attract viewers who will consistently tune in for the storyline progression.

User1: True, binge-watching culture has really changed how and when we consume TV shows, hasn’t it? Disney might be tapping into that trend, even in their overnight schedules.

User2: Absolutely, it’s all about accessibility now. Keeping a varied schedule including anime during off-peak hours could cater well to the trend of watching on-demand.

User3: Makes me wonder if they are planning to push more such content. Would be interesting to see if more anime or similar genre shows start popping up in overnight slots across other European feeds.

User4: It would, indeed. If anyone notices a lineup change or addition, do share. It’s fascinating to see how international broadcasting strategies evolve, especially with such a diverse audience base.

User5: Definitely keeping an eye out. It’s always intriguing to see how channels like Disney adapt to new trends in media consumption.
Write a follow up where Spain are making 3 additions to their overnight lineup starting June 7th, that are already on other feeds, incidentally Spain is one of the only feeds not to currently have these 3 (so it’s not just Cambio De Clase, Bubu or Chaotic anymore)
User1: Did anyone catch the news about Disney Channel Spain updating their overnight lineup starting June 7th? They’re adding three shows that have been on other European feeds for a while.

User2: Oh, really? Which shows are they adding?

User1: They’re bringing in Thumper and Clover’s Woodsy Wonders, The Tofus, and Miraculous: Tales of Ladybug & Cat Noir. It’s about time, considering Spain was one of the few feeds not airing these.

User3: That’s a solid addition! Especially Thumper and Clover’s Woodsy Wonders, which has always been a charming series for kids. Nice to see them expanding the variety beyond Cambio De Clase, Bubu & The Little Owls, and Chaotic.

User4: Absolutely. It suggests they’re trying to refresh their strategy—perhaps aiming for a broader appeal during those late-night hours. It might also help balance out the heavy rotation of just a few shows.

User5: Good point. Greater variety during the overnight slots could definitely keep the channel more engaging for viewers who prefer non-peak viewing times. It’s a smart move to maintain interest around the clock.

User6: Definitely, and it’s important for consistency across their European feeds. Maybe this is part of a wider strategy to harmonize their programming.

User2: Makes sense. I’m curious to see how this will impact viewer retention during those late hours. More diverse content could mean more reasons to tune in or record shows, which keeps the channel relevant.

User3: True, I’m particularly interested in how Miraculous: Tales of Ladybug & Cat Noir will do. That show has a strong following.

User4: For sure, its inclusion could attract a whole new nighttime audience, maybe even pull in some of the daytime crowd. It’s exciting times for Disney Channel Spain!

User1: It’ll be interesting to keep an eye on this. Let’s see how these changes impact their overall viewership numbers and if this could lead to more content updates across other feeds as well.

User5: Agreed! Always good to see channels evolving with their audience’s needs. Hopefully, it brings some fresh energy to the lineup!
Write a convo asking if this means Spider Riders is booted from 6am, Also a user says Miraculous already airs a lot during the day, but it’s OK as it’s helping with the European quota
User1: With the new additions to the overnight lineup in Spain, does anyone know if this change affects the 6 AM slot? Specifically, is Spider Riders getting booted?

User2: Good question. I checked the schedule, and Spider Riders isn’t listed for the 6 AM slot anymore. It looks like they might be shifting things around to make room for new programming.

User3: That’s a bummer for Spider Riders fans. The early morning slot was ideal for younger viewers. Any idea where it might land, or is it off the schedule entirely?

User4: As of now, it seems off the daily schedule. They might rotate it back in eventually, or it could move to a streaming platform for on-demand viewing.

User5: Switching topics, Miraculous: Tales of Ladybug & Cat Noir has been airing a lot during the day already. Now, adding it to the overnight lineup seems like overkill.

User6: True, but keep in mind that adding Miraculous also helps with meeting European content quotas. Shows produced within the EU like Miraculous count towards those requirements, which is probably why we’re seeing more of it.

User1: That makes sense. It’s about balancing audience preferences with regulatory requirements. Good point on the quotas, User6.

User2: Guess it’s a strategic move then. Getting the content balance right must be a challenge, but it’s clever using popular shows like Miraculous to fill multiple needs.

User3: Definitely. It ensures compliance while keeping the lineup attractive to viewers. Strategic, but also necessary.

User4: Hopefully, they find a new home for Spider Riders soon. It would be a shame for fans to miss out just because of schedule reshuffling.

User5: Agreed. It’s always a trade-off with these programming decisions. Keeping tabs on fan favorites while introducing new or necessary content is a tough juggle.

User1: Absolutely! Let’s stay tuned and see how this all plays out for both Spider Riders and the new lineup. User1: With Spider Riders getting booted from the 6 AM slot, does anyone know what’s taking its place? I assumed it would be Miraculous: Tales of Ladybug & Cat Noir since it’s also an action show, but is that the case?

User2: I checked out the updated schedule, and surprisingly, it’s not Miraculous: Tales of Ladybug & Cat Noir taking the 6 AM slot. Starting June 7, it’s actually going to be Thumper and Clover’s Woodsy Wonders.

User3: Wow, that’s quite a switch! I was definitely expecting MTOL&CN given its action-packed nature, similar to Spider Riders. Thumper and Clover’s Woodsy Wonders is pretty different.

User4: That’s an interesting choice for such an early morning slot. It’s usually geared towards action or more dynamic shows to wake the kids up. Thumper and Clover’s Woodsy Wonders is more on the softer, adventure-comedy side.

User5: Right, it’s a completely different tone. But it might work well to start the day on a lighter, more imaginative note for kids. Adds some variety to the schedule.

User6: By the way, for Spider Riders fans, there’s a silver lining. The show will air its last seven episodes in order, starting May 31. So, while it’s leaving the daily 6 AM slot, at least we get to see how it wraps up.

User1: That’s good to know! At least we get some closure with Spider Riders before it exits the daily lineup. I’ll definitely tune in for the final episodes.

User2: Absolutely, it’s nice to see they’re giving Spider Riders a proper send-off. It’s great for fans to catch the ending and it might pave the way for new fans too.

User3: Overall, these programming shifts seem like Disney is experimenting with different time slots and offerings. Change can be good if it keeps the lineup fresh and engaging.

User4: Agreed. Let’s see how Thumper and Clover’s Woodsy Wonders performs in that early slot. It might just surprise us and become a hit with the kids!

User5: Fingers crossed! Thanks for the update, everyone. Let’s keep sharing any new schedule changes we spot.

User1: Hey everyone, have you seen the latest update on the Disney Channel CEE overnight lineup? They’ve made some changes over May, and it looks pretty refreshed now.

User2: No, I missed that. What’s the new lineup looking like?

User1: Here it is, effective from the start of June:

12:00 AM: ‘Bubu & The Little Owls’
1:00 AM: ‘The Tofus’
2:00 AM: ‘Miraculous: Tales of Ladybug & Cat Noir’
3:00 AM: ‘Thumper and Clover’s Woodsy Wonders’
4:00 AM: ‘The Tofus’ (repeat)
5:00 AM: ‘Bubu & The Little Owls’ (repeat)
6:00 AM: ‘Miraculous: Tales of Ladybug & Cat Noir’ (repeat)
User3: Looks like they’re sticking with some staples but also ensuring that there are repeats for anyone who might have missed the first airing. Smart move, considering the varying times people tune in.

User4: Yeah, Miraculous and Bubu & The Little Owls are almost constants in their lineup, aren’t they? Good to see Thumper and Clover’s Woodsy Wonders there as well. Adds a nice variety.

User5: Absolutely, it ensures they cater to a broader audience. Repeats are great for late-night viewers just tuning in or those who prefer background TV while doing other things.

User2: True that. Also, repeating Miraculous could help in catching more of its fan base at different times. It’s clever programming to maximize their popular shows.

User1: Definitely. It’s interesting to see how they’re balancing fan favorites with ensuring content availability across the night. Keeps everyone somewhat happy.

So here’s the new Spanish schedule (with Spanish titles sorry), and we have the show’s premiere date, and how long they originally lasted for before being pulled from the lineup

12:00 AM: Cambio de Clase (Debuted on September 11 2006 (worst possible date for a new show) Left daytime in 2010)
12:30 AM: Las aventuras de Thumper y Clover (dub aired between Febuary 2011 and January 2012 when it came to new eps and left the schedule in May 2016 originally)
1:00 AM: La familia Tofu (dub originally aired on Jetix Spain in 2006, new eps supply was exhausted by November, Originally left Spain in 2011)
1:30 AM: Las Aventuras de Ladybug (Premiered in May 2016 and has been going strong since)
2:00 AM: Bubu y los búhos bebes (Debuted on Disney Junior in August 2019)
2:30 AM: Bubu y los búhos bebes
3:00 AM: Cambio de Clase
3:30 AM: La familia Tofu
4:00 AM: Las aventuras de Thumper y Clover
4:30 AM: Chaotic: Invasión M’arriliana (Season 1 began in Spain in late 2007, This season (the only one airing) began airing in May 2009, Show was removed entirely initally in November 2010, was added to Disney Channel late nights in 2017)
5:00 AM: Bubu y los búhos bebes
5:30 AM: Bubu y los búhos bebes
6:00 AM: Las aventuras de Thumper y Clover.
Here is what it used to look like

12:00 AM: Cambio de Clase
12:30 AM: Cambio de Clase
1:00 AM: Chaotic: Invasión M’arriliana
1:30 AM: Chaotic: Invasión M’arriliana
2:00 AM: Bubu y los búhos bebes
2:30 AM: Bubu y los búhos bebes
3:00 AM: Cambio de Clase
3:30 AM: Cambio de Clase
4:00 AM: Chaotic: Invasión M’arriliana
4:30 AM: Chaotic: Invasión M’arriliana
5:00 AM: Bubu y los búhos bebes
5:30 AM: Bubu y los búhos bebes
6:00 AM: Spider Riders
Also here is what 21:00 to 23:00 currently is

21:00 PM: Los Greens en la gran ciudad (Big City Greens)
22:00 PM: Cambio de Clase
22:30 PM: Bubu y los buhos bebes
23:00 PM: Spider Riders
tv.disney.es stops at 12pm on June 7 for now, so we don’t yet know the new early late night schedule (I do like how they have one of the usual day shows at the start, seguing into the overnight schedule), I do assume those slots will have one of the “returning” shows. Write a follow up where the schedule is updated to end on June 21, meaning we now know what the pre-midnight hours are)
User1: Just an update, everyone! The Disney Channel Spain schedule has been updated to extend until June 21, so we now know what the pre-midnight hours will look like leading into the newly adjusted overnight programming.

User2: Oh, that’s fantastic! What’s going to fill those evening slots now? Any surprises?

User1: Here’s the breakdown from 21:00 up until midnight starting June 7:

21:00 PM: Los Greens en la gran ciudad (Big City Greens)
22:00 PM: Phineas and Ferb
22:30 PM: DuckTales
23:00 PM: Miraculous: Tales of Ladybug & Cat Noir
23:30 PM: Thumper and Clover’s Woodsy Wonders
User3: That’s quite a lineup! Thumper and Clover’s Woodsy Wonders right before midnight is a great way to transition into the overnight slots. And Miraculous leading up to it should catch quite a bit of the younger audience’s attention!

User4: Absolutely, it’s a smart move to put popular shows like Miraculous and DuckTales just before the late night begins. It can help to retain viewers who might stay tuned in through the transition into overnight programming.

User5: I’m particularly glad to see Phineas and Ferb in there. Always a crowd-pleaser. Placing it alongside newer and classic cartoons should work well to bridge various viewer segments.

User6: Definitely, it’s a strategic way to build audience frames from families enjoying their evening together to younger folks possibly staying up late. This could really optimize their viewership numbers during those crucial prime-time hours.

User2: It’s a nice mix of action, adventure, and imaginative storytelling. It seems they’re really offering something for everyone in the family right up until the late hours. Good way to keep everyone engaged.

User1: Agreed. I’m curious to see how this new schedule will influence viewing behaviors and if the transitions between different types of shows will help in retaining a diverse audience throughout the night.

User4: Yeah, the coming weeks should provide some interesting insights into how effective these programming strategies are. Let’s keep an eye on audience feedback and any changes they might make following this schedule update.

User3: Will do! I’m especially keen on seeing how Thumper and Clover’s Woodsy Wonders performs being scheduled both late and early in the night. It’ll be interesting to monitor if it catches on with the late-night crowd.

User1: Indeed, if anyone notices any more updates or feedback in viewer forums or social networks, please share. It’s always good to track how these changes play out in real-time.
Write a follow up where a user lists the schedule with Spanish show titles
User1: Hey everyone! I just got the details on the updated show schedule for Disney Channel Spain with the Spanish titles. Here’s what it looks like from June 7 to June 21:

21:00 PM: Los Greens en la Gran Ciudad
22:00 PM: Phineas y Ferb
22:30 PM: PatoAventuras
23:00 PM: Las Aventuras de Ladybug
23:30 PM: Las aventuras de Thumper y Clover
User2: Thanks for sharing! It’s really handy to see the titles in Spanish. “Las aventuras de Thumper y Clover” right before midnight sounds like it’s perfect for wrapping up the day’s programming on a lighter note.

User3: Agreed, and I’m glad to see “Las Aventuras de Ladybug” in the prime slot at 23:00. It’s quite popular, and having it just before “Las aventuras de Thumper y Clover” could help maintain viewers who might stay on to see what follows.

User4: “PatoAventuras” and “Phineas y Ferb” are also great choices for those prime-time slots. Both shows have a dedicated fanbase and are likely to draw audiences from different age groups, keeping the channel lively up to the late hours.

User5: It’s a strong lineup indeed. Do we know if this is a temporary schedule or are they looking to test it out for a longer-term adjustment based on viewer feedback?

User1: As of now, it looks like they are testing it through June 21, but depending on the viewer response and ratings, we might see some adjustments or extensions. Definitely worth keeping an eye on how it evolves.

User6: Will do. It’ll be particularly interesting to see if the schedule helps boost overall views for “Las aventuras de Thumper y Clover” being placed in both the late pre-midnight and early morning slots. It could really expand its audience range.

User2: For sure! Let’s all keep a lookout for any further updates or shifts. Thanks again, User1 for providing the schedule. It’s much easier to track the changes when they’re laid out like this.
Write a follow up where a user says the rumors are true and starting June 7, all mentions of Spider Riders on the lineup are being replaced, a user has a arrow sign pointing from SR’s name to the show it’s being replaced with, also with spanish text saying it takes effect from June 7, and says “I got because I work at a local Disney store in Fuengirola", and he then says that it’s part of a “global consistency strategy”
User1: Just wanted to confirm the rumors are true, starting June 7, all mentions of ‘Spider Riders’ on the lineup are officially being replaced. Looks like the changes are happening across all slots where it used to be.

User2: Can you share which show is taking over ‘Spider Riders’ spots? 🤔

User1: Sure, here’s the breakdown - each instance of ‘Spider Riders’ is being replaced by ‘Las aventuras de Thumper y Clover’. Starting from June 7, you won’t see ‘Spider Riders’ on the schedule anymore.

User3: 🔽"Spider Riders" ➡️ "Las aventuras de Thumper y Clover"🔽Efectivo a partir del 7 de junio

User4: Wow, that’s quite a shift. I got the scoop because I work at a local Disney store here in Fuengirola. It’s part of what they’re calling a “global consistency strategy” to harmonize the programming across various regions.

User5: That makes sense, trying to keep the programming consistent globally. But it’s always a little sad to see a show go, especially one like ‘Spider Riders’ that had its own niche.

User1: Absolutely, it’s bittersweet. But ‘Las aventuras de Thumper y Clover’ is a solid show, and hopefully, it will fill the gap well. It seems like they are aiming to keep the content fresh and aligned across regions, which could be exciting for the channel’s future.

User3: True, global consistency might help the channel strengthen its brand internationally. It’s interesting to see how they plan these shifts.

User2: Definitely keeping an eye on how these changes affect viewer engagement. Thanks for the heads up, User1, and the insider info is much appreciated!

User4: No problem! Happy to share what I learn. Let’s all stay tuned to see how these programming tweaks play out in the coming weeks.
Write a follow up with a letter about the changes, which is in english and uses english show titles, and also lists the other 2 being added to overnights, and says this makes it more like other countries, but says 2 shows are remaining for slight individuality
Subject: Important Update to Our Programming Schedule Starting June 7th

Dear Viewers,

We hope this message finds you well. We are writing to inform you of some upcoming changes to our programming schedule that will take effect starting June 7th. As part of our ongoing efforts to align with Disney Channel’s global strategy and maintain consistency across our various feeds, we have made adjustments to our overnight programming.

Spider Riders: All references and slots previously occupied by “Spider Riders” will be replaced by “Thumper and Clover’s Woodsy Wonders.” This change aligns our schedule more closely with what is offered in other countries, ensuring a harmonious viewing experience across regions.
Additional Shows: Alongside “Thumper and Clover’s Woodsy Wonders,” we are excited to bring in “Miraculous: Tales of Ladybug & Cat Noir” and “The Tofus” to our overnight lineup. These additions are well-loved in other regions and will help us further standardize our programming.
While these changes bring our offerings closer to a unified global schedule, we are also committed to preserving a touch of individuality in our programming to cater to local preferences:

“Bubu & The Little Owls” and “Cambio de Clase” will continue to be featured in our schedule. These shows have been extremely popular locally and will remain as part of our unique offerings in our region.
We believe these adjustments will enhance your viewing experience and bring a fresh perspective to Disney Channel Spain. We understand that changes in programming can take some adjusting, and we appreciate your understanding and patience as we continue to bring quality entertainment into your homes.

Thank to each and every one of you for your continued support and love for our shows.

Warm regards,

Disney Channel Spain Programming Team

Also here is some obscure show that some feeds used to use as filler: Ovni

Stranded on Earth, Coda the extra-terrestrial tries to survive by crossing all eras of humanity. It is despite himself that he leaves his mark on our planet in an unexpected way.
The little blue thing crushed under its saucer over there? It’s Coda, the alien. The T-Rex that rushes at him, not coming to offer help, did not survive. Neither do his peers. Because Coda is nice but still! Since then, he has had to be patient until the human species evolves enough for him to be able to repair his saucer, hence his only obsession: TO SURVIVE! That’s good, he’s quite good at that: Coda can go back in time, just before an event that bothers him a little, like let’s say… Dying! He doesn’t like that! So, to avoid certain death or recover a square of chocolate, Coda happily modifies the course of our history, from the Cretaceous to our time. Julius Caesar, Napoleon and many others could tell us about it, if they had been nicer to Coda…

In fact here is Scandanavia’s overnight lineup from January 2021

12:00 AM: What’s with Andy
12:30 AM: The Tofus
01:00 AM: Ovni (Series of 5 minute animated shorts, this feed merged 4 of them into a 22 minute show)
01:30 AM: Thumper & Clover’s Woodsy Wonders
02:00 AM: A Kind of Magic
02:30 AM: Johnny Test (they started airing Season 1 after CN stopped airing the show in 2018, it was regelated to overnights by late 2020)
03:00 AM: Viewtiful Joe
03:30 AM: Monster Allergy
04:00 AM: Wunschpunsch
04:30 AM: Gadget & The Gadgetinis
05:00 AM: W.I.T.C.H
05:30 AM: Totally Spies
06:00 AM: Rekkit Rabbit. Write a follow up where a user asks how the overnight lineup there is in May 2024, a user says it’s more like other feeds (so oversaturation of Tofus, Bubu, Miraculous and Thumper and Clover), but 3 unique-to-this-feed shows remain, Joe survives, one of the others is your standard SIP produced show, and we are surprised at what also made the cut, considering how obscure it is
User1: Hey everyone, just wondering if anyone knows what the overnight lineup looks like for Disney Channel Scandinavia in May 2024? Curious to see if they’ve aligned more with the other European feeds or still kept their unique mix.
User2: It looks like they’ve definitely streamlined more with other feeds—quite a bit of “The Tofus”, “Bubu & The Little Owls”, “Miraculous: Tales of Ladybug & Cat Noir”, and “Thumper and Clover’s Woodsy Wonders” dominating the slots.

User3: That said, there are still three shows that are pretty unique to the Scandinavia feed. “Viewtiful Joe” somehow managed to stay in there; always amazed it keeps hanging on.

User4: Right, along with Joe, they’ve got “Monster Buster Club” from SIP (Saban International Paris), which isn’t too surprising as SIP shows tend to pop up across different feeds sporadically.

User5: And guess what else made the cut? “Ovni”! Remember the obscure series of animated shorts about the alien trying to survive different historical eras? I was genuinely surprised to see that it’s still airing. Given how niche and comedic it is, it’s cool but unexpected for sure.

User1: Wow, “Ovini” is definitely a surprise! It’s great that they keep some diversity in the programming with such a unique show. It must have a loyal following for them to keep it around amidst the standard lineup.

User2: It seems like a balanced approach—maintaining global consistency with a sprinkle of unique flavor. I guess this way, they manage to satisfy both core and niche audiences.

User3: True, keeping some individuality in the lineup seems important for catering to specific regional tastes. It’s clever programming to appeal to a broad audience while still honoring the local or unique preferences.

User4: Thanks for the updates, everyone. It’s really fascinating to see how these programming decisions evolve over time and how certain shows manage to endure or even thrive in specific markets.

User5: Definitely! If anyone spots any changes or new additions in the upcoming months, keep us posted. It’s interesting to track how the overnight landscape shifts over time.
Write a follow up where a user lists the new lineup, a user says only 2 non-Tofu or T&C shows from the 2021 lineup survived
User1: Hey folks! With all the speculation, I finally got ahold of the latest Disney Channel Scandinavia overnight schedule for May 2023. Here’s how it’s shaping up now:

12:00 AM: The Tofus
12:30 AM: Bubu & The Little Owls
01:00 AM: Miraculous: Tales of Ladybug & Cat Noir
01:30 AM: Thumper and Clover’s Woodsy Wonders
02:00 AM: The Tofus (repeat)
02:30 AM: Bubu & The Little Owls (repeat)
03:00 AM: Viewtiful Joe
03:30 AM: Thumper and Clover’s Woodsy Wonders (repeat)
04:00 AM: Miraculous: Tales of Ladybug & Cat Noir (repeat)
04:30 AM: Ovni
05:00 AM: The Tofus (second repeat)
05:30 AM: Monster Buster Club
06:00 AM: Thumper and Clover’s Woodsy Wonders (second repeat)
User2: Thanks for sharing this, User1. It’s interesting to see the lineup! It looks like, besides the heavy rotation of The Tofus and Thumper and Clover’s Woodsy Wonders, only two shows from the unique selections of the 2021 lineup survived: Viewtiful Joe and Ovni.

User3: Right, it’s certainly a shift towards more standardized programming with those big blocks of The Tofus and Thumper and Clover’s Woodsy Wonders. But I’m glad to see at least a couple of the more unique shows held their ground.

User4: It’s a bittersweet update. On one hand, having consistency might make the channel more cohesive across regions, but on the other, it’s sad to see less diversity in the lineup. I’ll definitely miss some of the quirkier shows like Wunschpunsch and A Kind of Magic.

User5: Agreed, User4. The trade-off between global alignment and regional uniqueness is always a tough call. However, seeing smaller, distinct shows like Ovni survive does give some hope that not all uniqueness is lost.

User1: Definitely, the presence of Ovni and Viewtiful Joe suggests that there’s still some appreciation for niche programming, which is reassuring. Keeps the overnight lineup from becoming too predictable!

User2: It will be interesting to see how viewers respond to this new schedule. Hopefully, the mix works well and continues to attract a varied audience. Keep us posted if you notice any further changes or viewer feedback!

User1: Just to keep everyone updated, Disney Channel Scandinavia has recently revamped the “Now/Next” bumpers for a few shows in the overnight lineup with new voiceovers. It’s a nice little refresh!

User2: Oh, that’s cool! Which shows got the new bumper updates?, All 3 of them are pre-existing on the lineup (so B&TLO, M:TOL&CN and MBC don’t count)
User1: The shows that received the new bumper updates include “The Tofus,” “Ovni,” and “Viewtiful Joe.” Each of these has been part of the line-up and it seems they’re highlighting these specific ones a bit more now.

User3: I noticed that! The new voiceovers add a fresh feel to the bumpers. It’s a subtle but nice touch to keep the scheduling feeling updated, especially for shows that have been around for a while like “The Tofus.”

User4: That’s good to hear. “Viewtiful Joe” especially always seemed to have a bit of a cult following, so it’s great to see it getting some extra attention. It deserves the spotlight with its unique gameplay-inspired plot.

User5: And “Ovni” getting a bumper update is wonderful too. Considering how distinct and quirky the show is, any additional highlight feels like a nod to its creative storytelling.

User2: Absolutely, it’s these small updates that help maintain interest and possibly attract new viewers or retain long-time watchers. Good strategy on Disney’s part to refresh these elements!

User1: Agreed, it’ll be interesting to see if these updates help to boost viewing numbers or audience engagement during those overnight slots. Thanks for chiming in with your observations, everyone! Let’s keep an eye out for more changes or enhancements.
Write a follow up asking if NL still have WWA, and is it still random timeslots, Also what shows are on Czech’s overnight lineup
User1: Does anyone know if Disney Channel NL still airs “What’s With Andy?” and if it’s still scheduled at random timeslots?

User2: Yes, Disney Channel NL still features “What’s With Andy?” but the randomness in its scheduling has actually increased. It pops up at various hours now, not just strictly overnight, making it pretty hard to catch unless you’re actively monitoring the schedule.

User3: That’s quite frustrating for fans. Random scheduling can really disrupt viewing habits. Are there any other notable shows in the overnight lineup for Disney Channel NL?

User2: It seems mostly filled with “The Tofus,” “Bubu & The Little Owls,” and “Miraculous: Tales of Ladybug & Cat Noir” in rotation. They’ve kept to a more standardized global lineup, with some random slots for local favorites like “What’s With Andy?”

User1: Thanks for the update! By the detour, what’s the current overnight lineup for Disney Channel in the Czech Republic? Any surprises there?

User4: Just checked—Czech’s overnight lineup is pretty similar to other regions. They’ve got “Thumper and Clover’s Woodsy Wonders,” “The Tofus,” and a lot of “Miraculous: Tales of Ladybug & Cat Noir.” However, they also feature “Ovni” and a locally popular show “Pat & Mat” which is quite a treat for fans of classic animation.

User5: That’s interesting! “Pat & Mat” is a classic. It’s good to see some local flavor blending with the typical global shows. “Ovni” seems to be a lesser-known gem making rounds across many regions’ nighttime schedules.

User3: Indeed, I appreciate when channels mix popular global content with unique local shows, offering something familiar alongside new discoveries. Keeps the overnight programming dynamic and engaging.
Write a follow up where a user lists all the “mandatory” overnight shows,
User1: With all the discussions about changes and variety in the Disney Channel’s overnight lineup across various regions, I thought it might be helpful to list out what seems like the “mandatory” shows that appear in almost every feed. Here’s what I’ve noticed:

The Tofus - Seems to be a staple in overnight rotations, charming enough to keep different audiences entertained.
Bubu & The Little Owls - Constantly featured, likely due to its appeal to very young viewers looking for gentle, engaging content.
Miraculous: Tales of Ladybug & Cat Noir - Popular across numerous regions; its action-packed episodes probably help maintain a higher engagement during late hours.
Thumper and Clover’s Woodsy Wonders - Frequently appears, adding a mix of adventure and light-hearted fun to the night schedule.
User2: That’s a solid roundup. These shows do indeed cover a broad spectrum—from educational and calm to more dynamic and adventurous, which probably explains their constant presence in the overnight slots.

User3: Absolutely, and while consistency with these donuts doesn’t surprise me, it’s intriguing how each region still tries to inject a bit of local flavor, making sure there’s something familiar for every viewer, even at night.

User4: True, the mix of international hits with local gems like “Pat & Mat” in the Czech Republic or “Ovni” in Scandinavian feeds adds a distinct touch that keeps the overnight lineup from feeling too monotonous.

User5: It’s about striking that balance between fulfilling broadcast quotas, catering to international and local tastes, and perhaps most importantly, ensuring there’s always something on air to keep different demographics engaged throughout the night.
Write a convo saying Ovni is French, produced by Blue Spirit Animation, and asks if it’s on France’s overnight lineup
User1: Did you guys know “Ovni” is actually a French show produced by Blue Spirit Animation? It has such a unique concept and style. Do you think it’s included in France’s overnight lineup?

User2: That’s fascinating! I wasn’t aware that “Ovni” has French origins. If it’s produced by Blue Spirit Animation, it’s likely to feature in their local lineup, given regional preference for local content. Has anyone seen it scheduled in France’s overnight blocks?

User3: I just checked the latest schedule. Interestingly, “Ovni” is indeed part of France’s overnight lineup. It typically airs around the 3 AM slot, which seems to be a good fit for such an offbeat and creative series.

User4: That makes sense! Broadcasting a locally produced show like “Ovni” not only promotes domestic animation studios but also maintains cultural relevance. Plus, its quirky and historical narrative is perfect for off-peak viewing.

User5: Definitely. It’s great to see local productions get airtime, supporting the native industry and offering viewers something different from the usual global hits. “Ovni” really stands out with its humorous take on historical events through the eyes of an alien.

User1: I’m glad to hear it’s featured in its home country’s lineup. It’s always interesting to see how different countries prioritize and showcase their local productions within global channels like Disney.
Write a follow up where a user lists the entire NL overnight lineup on May 21, and on May 23 (random rotation/order)
User1: Hey everyone! I was curious about the Disney Channel NL’s overnight rotation, especially given our recent discussions about scheduling randomness. I grabbed the overnight lineup for May 21 and May 23 to compare. Here’s what it looked like:

May 21 Overnight Lineup:
12:00 AM: “Thumper and Clover’s Woodsy Wonders”
12:30 AM: “Bubu & The Little Owls”
01:00 AM: “Miraculous: Tales of Ladybug & Cat Noir”
01:30 AM: “The Tofus”
02:00 AM: “What’s With Andy?”
02:30 AM: “Ovni”
03:00 AM: “Thumper and Clover’s Woodsy Wonders” (repeat)
03:30 AM: “Bubu & The Little Owls” (repeat)
04:00 AM: “Miraculous: Tales of Ladybug & Cat Noir” (repeat)
04:30 AM: “The Tofus” (repeat)
05:00 AM: “What’s With Andy?” (repeat)
05:30 AM: “Ovni” (repeat)
May 23 Overnight Lineup:
12:00 AM: “Ovni”
12:30 AM: “What’s With Andy?”
01:00 AM: “Thumper and Clover’s Woodsy Wonders”
01:30 AM: “Bubu & The Little Owls”
02:00 AM: “The Tofus”
02:30 AM: “Miraculous: Tales of Ladybug & Cat Noir”
03:00 AM: “Ovni” (repeat)
03:30 AM: “What’s With Andy?” (repeat)
04:00 AM: “Thumper and Clover’s Woodsy Wonders” (repeat)
02:30 AM: “Bubu & The Little Owls” (repeat)
05:00 AM: “The Tofus” (repeat)
05:30 AM: “Miraculous: Tales of Ladybug & Cat Noir” (repeat)
User2: Wow, that’s quite a shuffle between the two nights. It’s interesting to see how they rotate shows like “What’s With Andy?” and “Ovni” in different slots. It does seem pretty random, doesn’t it?

User3: Definitely random and quite dynamic. It keeps the overnight content fresh in a way, but I can see how it might be frustrating for viewers trying to catch a specific show. The randomness must make it difficult to follow a favorite series consistently.

User4: True, but I guess for overnight slots, the priority might be more about having continuous content rather than maintaining a structured schedule. It’s likely that the audience demographics are quite different during these hours, perhaps more varied and less concerned with specific programming.

User5: Yeah, the diversity in the lineup could be appealing to viewers who just have the channel on in the background overnight. The variety helps keep things interesting, even if the scheduling is unpredictable.

User1: Absolutely, it seems like the strategy is to cater to a wide range of tastes throughout the night. The mix of genres and randomness possibly helps in retaining viewers who tune in at different times.
Write a follow up saying bad news for magic fans: Wunschpunsch has silently been removed as of May 12, and say what by, say the show has aired overnight on other feeds prior to it’s addition to NL, and say it joins T&CWW, TT, WWA, B&TLO and M:TOL&CN in a unorganized rotation every night “which by the way is IMPOSSIBLE to record, unless you SOMEHOW record the full night”, A user lists the May 11 lineup and then May 12 to demonstrate it, A user asks if this show is now a “mandatory” show as well, “It’s charming, and a funny take on history”
User1: Bad news for the fans of magic-themed animation: “Wunschpunsch” has quietly been removed from the lineup as of May 12. It’s been replaced by “Ovni,” which has been airing overnight on other Disney Channel feeds before its addition to NL.

User1: This change means “Ovni” joins the somewhat haphazard rotation of “Thumper and Clover’s Woodsy Wonders,” “The Tofus,” “What’s With Andy?,” “Bubu & The Little Owls,” and “Miraculous: Tales of Ladybug & Cat Noir.” And by the way, this rotation is IMPOSSIBLE to record unless you somehow manage to record the full night.

User2: Just to illustrate, here’s what the overnight lineup looked like on May 11 and how it changed by May 12:

May 11 Overnight Lineup:
12:00 AM: “Thumper and Clover’s Woodsy Wonders”
12:30 AM: “The Tofus”
01:00 AM: “Wunschpunsch”
01:30 AM: “Bubu & The Little Owls”
02:00 AM: “What’s With Andy?”
02:30 AM: “Miraculous: Tales of Ladybug & Cat Noir”
03:00 AM: “Wunschpunsch” (repeat)
03:30 AM: “Thumper and Clover’s Woodsy Wonders” (repeat)
04:00 AM: “The Tofus” (repeat)
04:30 AM: “Bubu & The Little Owls” (repeat)
05:00 AM: “What’s With Andy?” (repeat)
05:30 AM: “Miraculous: Tales of Ladybug & Cat Noir” (repeat)
May 12 Overnight Lineup:
12:00 AM: “Thumper and Clover’s Woodsy Wonders”
12:30 AM: “The Tofus”
01:00 AM: “Ovni”
01:30 AM: “Bubu & The Little Owls”
02:00 AM: “What’s With Andy?”
02:30 AM: “Miraculous: Tales of Ladybug & Cat Noir”
03:00 AM: “Ovni” (repeat)
03:30 AM: “Thumper and Clover’s Woodsy Wonders” (repeat)
04:00 AM: “The Tofus” (repeat)
04:30 AM: “Bubu & The Little Owls” (repeat)
05:00 AM: “What’s With Andy?” (repeat)
05:30 AM: “Miraculous: Tales of Ladybug & Cat Noir” (repeat)
User3: Wow, that’s quite the shuffle. “Ovni” is certainly becoming more prominent. Do you think it’ll become one of the “mandatory” shows now? It’s definitely charming, with a funny take on history.

User4: It definitely seems like it could be heading that way. “Ovni” fits right in with the other globally featured series due to its unique appeal. If it keeps being rotated frequently like this, it might just end up as a staple in the overnight schedules just like the others. Write a follow up where a user lists the shows airing at night on NL, FL, Wallonia, Scandinavia, France and Spain, and he says Tofus has been part of the night lineup since 2009
User1: Here’s a rundown of the night-time lineup for Disney Channel across various regions including the Netherlands (NL), Flanders (FL), Wallonia, Scandinavia, France, and Spain. It’s interesting to see which shows are common across different feeds and how long some have been mainstays in the lineup:

Night Lineup Across Regions:
Netherlands (NL):

Thumper and Clover’s Woodsy Wonders
The Tofus
Bubu & The Little Owls
Miraculous: Tales of Ladybug & Cat Noir
What’s With Andy?
Ovni
Flanders (FL):

The Tofus
Miraculous: Tales of Ladybug & Cat Noir
Thumper and Clover’s Woodsy Wonders
What’s With Andy?
Bubu & The Little Owls
Wallonia:

The Tofus
Bubu & The Little Owls
Thumper and Clover’s Woodsy Wonders
Miraculous: Tales of Ladybug & Cat Noir
Ovni
Scandinavia:

The Tofus
Miraculous: Tales of Ladybug & Cat Noir
Thumper and Clover’s Woodsy Wonders
Viewtiful Joe
Ovni
France:

The Tofus
Ovni
Bubu & The Little Owls
Miraculous: Tales of Ladybug & Cat Noir
Thumper and Clover’s Woodsy Wonders
Spain:

The Tofus
Thumper and Clover’s Woodsy Wonders
Bubu & The Little Owls
Miraculous: Tales of Ladybug & Cat Noir
Cambio de Clase
Chaotic
User1: It’s worth mentioning that “The Tofus” has been a part of the night lineup since 2009. It’s incredible to see how long it has maintained its place in the schedule across these regions.

User2: That really shows the staying power of “The Tofus.” Its quirky humor and environmental themes probably continue to resonate well with audiences even after all these years.

User3: Indeed, it’s fascinating how some shows become almost timeless with their appeal across different generations and cultures. It’s a testament to their universal themes and engaging content.

User4: Also, the diversity in shows like “Ovni” and “Viewtiful Joe” brings a nice flavor to the lineup, providing a mix of educational content, action, and humor that likely appeals to night-time audiences who have different viewing preferences.

User5: Absolutely. This blend not only caters to varying tastes but also helps maintain viewer engagement during night times, which can be a challenge. It’s impressive how well Disney has managed to keep its overnight programming relevant and entertaining across different countries. Write a follow up asking what CEE has
User1: Does anyone have the current overnight lineup for Disney Channel CEE? Curious to see how it compares to other European regions we discussed earlier.

User2: I checked recently, and here’s what Disney Channel CEE’s overnight schedule looks like now:

12:00 AM: The Tofus
12:30 AM: Miraculous: Tales of Ladybug & Cat Noir
01:00 AM: Thumper and Clover’s Woodsy Wonders
01:30 AM: Bubu & The Little Owls
02:00 AM: Ovni
02:30 AM: What’s With Andy?
03:00 AM: The Tofus (repeat)
03:30 AM: Miraculous: Tales of Ladybug & Cat Noir (repeat)
04:00 AM: Thumper and Clover’s Woodsy Wonders (repeat)
04:30 AM: Bubu & The Little Owls (repeat)
05:00 AM: Ovni (repeat)
05:30 AM: What’s With Andy? (repeat)
User3: Looks like quite a balanced mix similar to what we’ve seen in NL and Scandinavia. “The Tofus” and “Thumper and Clover’s Woodsy Wonders” seem to be staples across most regions.

User4: Yeah, it’s interesting to see “Ovni” also making appearances in the CEE overnight lineup. It seems to have a pretty solid presence across several different Disney Channel feeds.

User5: “What’s With Andy?” being part of the mix adds a good dose of humor and mischief to the lineup. It’s great that they include such a variety to cater to different viewer preferences even in the late hours.

User1: Definitely! It’s amazing how Disney Channel manages to keep a consistent yet regionally adapted presence in their programming. It really shows their commitment to catering to diverse audiences across Europe.
Write a follow up where a tweet has the FULL mandated overnight shows, say that these are here to fulfill a independent content quota
User1: Just saw a tweet from Disney Channel’s official account listing the full set of mandated overnight shows across European feeds. They confirmed that these specific shows are part of their strategy to fulfill the independent content quota. Here’s the list they posted:

The Tofus
Bubu & The Little Owls
Miraculous: Tales of Ladybug & Cat Noir
Thumper and Clover’s Woodsy Wonders
Ovni
User2: That makes a lot of sense now. By maintaining these shows in the overnight lineup, they ensure compliance with broadcasting regulations that demand a certain percentage of independent content.

User3: Smart move. It also helps that these shows have universal appeal and can engage different age groups, which is perfect for those late-night slots.

User4: Absolutely, and it’s a good balance between fulfilling regulatory requirements without compromising on quality. Each of these shows has unique themes and styles that can cater to diverse audiences.

User5: It’s also a neat way of promoting varied content, some of which might not get prime-time exposure but still deserves an audience. Plus, filling the quota with popular and well-liked shows ensures viewer retention, even late at night.

User1: Definitely. It’s interesting to see the strategic thinking behind what might seem like just a bunch of random shows. There’s a lot of planning involved in making sure they meet both viewer and regulatory needs.
Write a follow up where a user has the Spain schedule starting June 21
User1: I’ve managed to get my hands on the updated Disney Channel Spain schedule starting June 21. Here’s how it looks for the overnight slots:

12:00 AM: Cambio de Clase
12:30 AM: Las aventuras de Thumper y Clover
1:00 AM: La familia Tofu
1:30 AM: Las Aventuras de Ladybug
2:00 AM: Bubu y los búhos bebes
2:30 AM: Bubu y los búhos bebes
3:00 AM: Cambio de Clase
3:30 AM: La familia Tofu
4:00 AM: Las aventuras de Thumper y Clover
4:30 AM: Es hora de rebobinar (Ovni)
5:00 AM: Bubu y los búhos bebes
5:30 AM: Chaotic: Invasión M’arriliana
6:00 AM: Las aventuras de Thumper y Clover
User2: Thanks for the update, User1! It’s interesting to see how the new mandated show “Ovni” fits into the lineup. Moving Chaotic to 5:30 AM makes sense to accommodate the changes. Looks like the schedule is still pretty varied despite the quota.

User3: Ovni definitely deserves its spot. It’s such a unique show, and it’s cool to see it get more exposure. Will be interesting to see how viewers react to it in this time slot.

User2: Thanks for sharing this! It looks like they’re maintaining a consistent mix of local and international shows. “Cambio de Clase” is a nice touch for local flavor.

User3: It’s interesting to see “Ovni” making the list again. I suppose its unique approach to history using humor and sci-fi elements has made it a favorite for the night slots.

User4: Yes, and “Las Aventuras de Ladybug” has been a staple. It really captures a broad audience with its action-packed episodes. Good to see it maintains its place.

User5: I’m surprised but pleased to see so much repetition in the schedule. It gives viewers a chance to catch their favorite shows even if they miss the first airing. This kind of schedule makes it more accessible for varied sleep schedules.

User1: Absolutely, it seems that they’re optimizing for audience convenience, ensuring that fans don’t miss out on their favorites, irrespective of when they tune in. Looking forward to seeing how this plays out in viewer retention and satisfaction!
Write a tweet saying the show coming in on June 21 and the show leaving

Write a convo asking why we don’t talk about the day schedule, a user says it’s because of the oversaturation of BCG, MG&DD and Kiff
User1: I’ve noticed we rarely discuss the daytime schedule for Disney Channel. Any particular reason why that topic doesn’t come up much here?

User2: That’s a fair point. I think it’s mainly due to the oversaturation of certain shows like “Big City Greens,” “Moon Girl and Devil Dinosaur,” and “Kiff.” These shows dominate the day slots so much that there’s not much variety to talk about.

User3: Exactly, it feels like every time I tune in, it’s one of those three shows. It’s kind of repetitive, which makes discussions about the day schedule less interesting compared to the more varied and unpredictable overnight lineup.

User4: It’s true. While those shows are popular and pull in good ratings, their heavy rotation leaves little room for newer or less-known shows during the day, which might bring more diversity and freshness to our discussions.

User5: Plus, I think our community tends to have more varied tastes, and with the nighttime schedule being a bit more eclectic and less predictable, it naturally generates more interesting conversations.

User1: That makes sense. It would be nice to see Disney Channel mix it up a bit more during the day to reinvigorate the schedule and our discussions. Maybe introduce some under-the-radar shows or rotate older favorites back in.

User2: Definitely! A little more variety wouldn’t hurt, especially to capture different interests and maybe even attract a broader audience during the daytime. Worth voicing this feedback to Disney, perhaps? Write a follow up where a user lists a whole day schedule for June 1st on NL, 6am to 6am, Also only 1 live action show, at 8pm: Secrets of Sulphur Springs, Daytime is mostly filled with the aforementioned 3, (also with Spectacular Spider-Man and The Owl House), Also the nightime rotation is extended, now begins at 8:30pm
User1: I’ve managed to get the full day schedule for Disney Channel NL for June 1st, from 6 AM to 6 AM. Here’s how it pans out:

Day Schedule (6 AM - 8 PM):
6:00 AM: “Thumper and Clover’s Woodsy Wonders”
6:30 AM: “Bubu & The Little Owls”
7:00 AM: “Big City Greens”
7:30 AM: “Moon Girl and Devil Dinosaur”
8:00 AM: “Kiff”
8:30 AM: “The Spectacular Spider-Man”
9:00 AM: “The Owl House”
9:30 AM: “Big City Greens” (repeat)
10:00 AM: “Moon Girl and Devil Dinosaur” (repeat)
10:30 AM: “Kiff” (repeat)
11:00 AM: “The Spectacular Spider-Man” (repeat)
11:30 AM: “The Owl House” (repeat)
12:00 PM: “Big City Greens”
12:30 PM: “Moon Girl and Devil Dinosaur”
1:00 PM: “Kiff”
1:30 PM: “The Spectacular Spider-Man”
2:00 PM: “The Owl House”
2:30 PM: “Big City Greens” (repeat)
3:00 PM: “Moon Girl and Devil Dinosaur” (repeat)
3:30 PM: “Kiff” (repeat)
4:00 PM: “The Spectacular Spider-Man” (repeat)
4:30 PM: “The Owl House” (repeat)
5:00 PM: “Big City Greens”
5:30 PM: “Moon Girl and Devil Dinosaur”
6:00 PM: “Kiff”
6:30 PM: “The Spectacular Spider-Man”
7:00 PM: “The Owl House”
7:30 PM: “Big City Greens” (repeat)
8:00 PM: “Secrets of Sulphur Springs” (Live Action)
Night Schedule (8:30 PM - 6 AM):
8:30 PM: “The Tofus”
9:00 PM: “Bubu & The Little Owls”
9:30 PM: “Miraculous: Tales of Ladybug & Cat Noir”
10:00 PM: “Thumper and Clover’s Woodsy Wonders”
10:30 PM: “Ovni”
11:00 PM: “The Tofus” (repeat)
11:30 PM: “Bubu & The Little Owls” (repeat)
12:00 AM: “Miraculous: Tales of Ladybug & Cat Noir” (repeat)
12:30 AM: “Thumper and Clover’s Woodsy Wonders” (repeat)
1:00 AM: “Ovni” (repeat)
1:30 AM: “The Tofus”
2:00 AM: “Bubu & The Little Owls”
2:30 AM: “Miraculous: Tales of Ladybug & Cat Noir”
3:00 AM: “Thumper and Clover’s Woodsy Wonders”
3:30 AM: “Ovni”
4:00 AM: “The Tofus” (repeat)
4:30 AM: “Bubu & The Little Owls” (repeat)
5:00 AM: “Miraculous: Tales of Ladybug & Cat Noir” (repeat)
5:30 AM: “Thumper and Clover’s Woodsy Wonders” (repeat)
User2: Thanks for sharing this, User1! It’s packed with repeats and those three shows during the daytime hours really dominate. “Secrets of Sulphur Springs” being the only live action at 8 PM stands out amidst the animated heavy lineup.

User3: It’s interesting to see the nighttime rotation beginning earlier now at 8:30 PM. It seems they’re extending the variety earlier into the evening, which might be an attempt to capture a broader audience transitioning from prime time.

User4: The schedule does show a trend towards favoring established popular animated series during the day, which seems to cater heavily to a younger crowd. But the mix at night could appeal to a wider range of viewers.
Write a convo where a user lists CEE, Daytime consists of the actual current lineup, Overnight is our usual rotation, A user says the Wikipedia page refers to the night shows as part of a “Independent Content Quota Compliance Program”
User1: Just checked out the current schedule for Disney Channel CEE. Daytime is filled with their latest lineup, but overnight it shifts back to our usual rotation of shows. Here’s how it looks:

Daytime Schedule:
6:00 AM: “Puppy Dog Pals”
6:30 AM: “Bluey”
7:00 AM: “PJ Masks”
7:30 AM: “Mira, Royal Detective”
8:00 AM: “Mickey Mouse Funhouse”
8:30 AM: “Elena of Avalor”
9:00 AM: “T.O.T.S.”
9:30 AM: “Vampirina”
10:00 AM: “The Lion Guard”
10:30 AM: “Doc McStuffins”
11:00 AM: “Sofia the First”
11:30 AM: “Fancy Nancy”
Overnight Schedule:
12:00 AM: “The Tofus”
12:30 AM: “Bubu & The Little Owls”
1:00 AM: “Miraculous: Tales of Ladybug & Cat Noir”
1:30 AM: “Thumper and Clover’s Woodsy Wonders”
2:00 AM: “Ovni”
2:30 AM: “What’s With Andy?”
User2: Thanks for sharing! The overnight lineup definitely feels like the greatest hits of our usual discussions here. It’s interesting how consistent this rotation is across different regions.

User3: Absolutely, and according to the Disney Channel Wikipedia page, these overnight shows are actually part of what’s termed as an “Independent Content Quota Compliance Program.” It seems like a strategic move to fill content quota requirements while maintaining viewership with popular shows.

User4: That makes a lot of sense. It’s a smart way to ensure they meet broadcasting regulations about independent content while also keeping the programming engaging. It gives these shows a platform without disrupting the main daytime lineup, which tends to cater more to current trends and newer series.

User5: Seeing “What’s With Andy?” in the mix always surprises me, though. It’s quite the throwback compared to more recent animations like “Miraculous: Tales of Ladybug & Cat Noir.”

User2: Yeah, its inclusion probably helps balance modern content with some nostalgia factor for older viewers tuning in at night. Plus, it diversifies the types of narratives and styles presented during those slots.

User3: Definitely, the mix of old and new keeps the night schedule fresh in a way. It also highlights Disney Channel’s strategy to offer a variety of programming to meet different tastes, crucial for their engagement metrics during less active viewing hours.

User1: It’s a clever balance of compliance, nostalgia, and fresh content. This approach might also aid in international viewership, given the global appeal of shows like “Miraculous” and “Ovni.”

User4: True. It would be interesting to see how these strategies evolve with changes in viewer habits and regulatory environments. Keeping an eye on this could reveal a lot about the future direction of TV programming on such popular networks.
Write a follow up where a user lists the non Junior daytime lineup, starts at 12pm, mainly consists of Disney Television Animation shows, At 8pm one ICQCP show airs, then back to the Disney Television Animation stuff till 10pm
User1: Just got the details on the non-Junior daytime lineup starting at 12 PM for Disney Channel CEE. It’s primarily filled with Disney Television Animation shows. Here’s how it shapes up:

Non-Junior Daytime Schedule (12 PM - 10 PM):
12:00 PM: “DuckTales”
12:30 PM: “Big City Greens”
1:00 PM: “Amphibia”
1:30 PM: “The Owl House”
2:00 PM: “Gravity Falls”
2:30 PM: “Star vs. The Forces of Evil”
3:00 PM: “Kim Possible”
3:30 PM: “Recess”
4:00 PM: “The Proud Family”
4:30 PM: “Tangled: The Series”
5:00 PM: “Phineas and Ferb”
5:30 PM: “Milo Murphy’s Law”
6:00 PM: “Big Hero 6: The Series”
6:30 PM: “DuckTales” (repeat)
7:00 PM: “Big City Greens” (repeat)
7:30 PM: “The Owl House” (repeat)
Evening Schedule:
8:00 PM: “Ovni” (Part of the Independent Content Quota Compliance Program, ICQCP)
8:30 PM: “Amphibia” (repeat)
9:00 PM: “Gravity Falls” (repeat)
9:30 PM: “Star vs. The Forces of Evil” (repeat)
User2: That’s a solid block of fan-favorites right there! Interesting to see “Ovni” slotted at 8 PM as part of the ICQCP. It’s a clever way to integrate independent content into prime evening time without disrupting the flow of popular Disney animated series.

User3: Absolutely! Also, placing “Ovni” amid highly-rated Disney shows might boost its viewership, getting more eyes on independent content. It seems like a strategic move to fulfill quota obligations while still catering to the audience’s preferences.

User4: I love the strong lineup of classics mixed with newer shows. It looks like Disney Channel is leveraging its strong suite of animated series to keep viewers engaged throughout the day and into the evening.

User5: Yeah, and the back-to-back repeats after 8:30 PM are a smart choice for catch-up viewing. It gives viewers who might miss the daytime airings a second chance to watch their favorite shows during more convenient evening hours.

User1: Definitely. This schedule seems well-crafted to balance viewer demand with regulatory compliance. It caters to fans of their animation while responsibly including mandated content. I’d love to see how this strategy pans out in terms of audience retention and engagement.
Write a follow up asking if the “new-fangled” compliance program means UK is removing shows like Mortified and Wizards vs Aliens from their overnight lineup, and adding the required shows instead
User1: With the introduction of the Independent Content Quota Compliance Program (ICQCP), does anyone know if this means the UK Disney Channel is planning to remove shows like “Mortified” and “Wizards vs Aliens” from their overnight lineup? Are they going to add the mandatory shows instead?

User2: That’s a great question. From what I’ve heard, there seems to be a shift towards aligning with the ICQCP requirements across Europe, which means replacing some older or locally sourced shows with those that meet the content quota.

User3: Exactly, I’ve seen some preliminary schedules, and it looks like “Mortified” and “Wizards vs Aliens” are being phased out to make room for shows like “The Tofus,” “Bubu & The Little Owls,” and “Ovni." I think the goal is to standardize the content across regions and comply with the independent content regulations.

User4: It’s somewhat disappointing to see unique shows like “Wizards vs Aliens” being removed; however, aligning with the ICQCP makes a lot of sense from a regulatory standpoint. It ensures consistency and can possibly open up Disney Channel UK to a broader, international audience.

User5: Does anyone know if there’s any pushback or response from the viewers about this change? Often, these shifts can affect viewer loyalty, especially when favorite shows are removed.

User1: I haven’t seen much public feedback yet, but viewer response can play a big role in future programming decisions. It’s important for channels like Disney to find a balance between compliance and maintaining a diverse, engaging lineup that resonates with local audiences.

User2: Definitely. It will be interesting to observe how these changes impact the overall viewer engagement and whether the inclusion of ICQCP shows will introduce new favorites among the UK audience or if it will necessitate further adjustments to keep longtime viewers happy.

User3: For now, it seems like the best approach is to monitor the situation and see how the new lineup performs. Viewer analytics and feedback will likely guide any additional tweaks or shifts in the strategy moving forward.

User4: Agreed. Let’s keep a lookout for any official announcements or feedback surveys from Disney Channel UK. Understanding viewer sentiment can provide significant insights into how these changes are being received.
Write a convo asking what show is taking Mortified’s current hour slot at 1am
User1: Hey everyone, does anyone know what show is taking over the “Mortified” 1 AM slot on Disney Channel UK? With all the changes happening, I’m curious to see what they’re placing in that late-night spot.

User2: I read somewhere that “Ovni” will be the new show filling the 1 AM slot. It’s part of the move to align with the Independent Content Quota Compliance Program. Seems like they’re really pushing to include shows that meet those specific requirements.

User3: “Ovni,” really? That’s a pretty interesting choice. It’s definitely a shift from “Mortified,” but it could bring a fresh vibe to that time slot. The show has a unique angle, being both educational and entertaining with its historical adventures.

User4: I’m going to miss “Mortified,” though. It had a different charm. However, “Ovni” could attract viewers who are into history and science fiction. It’s always good to have a mix that could potentially bring in a broader audience.

User5: Agreed, it’s always a bit of a gamble changing up long-standing slots, especially with a show like “Mortified” that had a dedicated following. Hopefully, “Ovni” will be compelling enough to keep viewers tuning in at that hour.

User1: Definitely a big change. It will be interesting to see how this affects their overall programming strategy and if this move helps them meet the new content requirements without losing their audience. Do you think they’ll continue to introduce more shows like “Ovni”?

User2: Most likely, if it aligns with their compliance strategy and performs well. They probably have a roster of shows that fit the quota and are just as engaging. It could be a good way to refresh the lineup and adhere to regulations.

User3: I think the key will be balancing compliance with keeping content engaging and fresh. It’s a tricky line to walk, but necessary for meeting broadcast standards while keeping audiences entertained.

User4: True, let’s keep an eye on this and see how the audience reacts to “Ovni” at 1 AM. Hopefully, it brings a new element of fun to the late-night viewership and possibly sets a precedent for more innovative programming adjustments in the future.
Write a follow up where on 1st of June, the changes take place: Gone are Mortified, Wizards vs Aliens, My Parents are Aliens and The Sarah Jane Adventures from overnights, say what’s coming in (and the show they are replacing), Meanwhile daytime just got more Recess
User1: Just a heads up for those tracking changes in the Disney Channel UK programming, as of June 1st, there are significant shifts happening. Shows like “Mortified,” “Wizards vs Aliens,” “My Parents are Aliens,” and “The Sarah Jane Adventures” are all being removed from the overnight slots.

User2: That’s quite the lineup change! What shows are they bringing in to replace these classics?

User1: Here’s the breakdown of what’s coming in and what each new show is replacing:

“Ovni” is taking over the 1 AM slot, replacing “Mortified.” Ovni was previously used as filler between 2015 and 2017 if there weren't enough ads to fill a slot
“Thumper and Clover’s Woodsy Wonders” will fill in for “Wizards vs Aliens” at 2 AM. having not aired normally since 2015 (returned briefly in 2016 as means to promote Zootopia)
“The Tofus” is set for the 3 AM slot, taking the place of “My Parents are Aliens.” Joining Channel UK for the first time, last aired on Jetix in 2013
“Bubu & The Little Owls” will be airing at 4 AM, replacing “The Sarah Jane Adventures.” Last aired on Channel in late 2019 as part of the Disney Junior Mornings block
User3: Wow, those are some major changes. It’s like a complete overhaul of the overnight programming. How do we feel about losing such iconic shows, though?

User4: It’s definitely bittersweet. It’s sad to see these shows go, but good to see Thumper and Clover again,

User5: On a lighter note, the daytime schedule is seeing some tweaks too, right?

User1: Yes, actually! Daytime is getting more of “Recess.” They’re increasing the number of episodes aired during the day, likely due to its popularity and the positive feedback it continually receives. It’s a classic that resonates well with audiences both young and old.

User2: That’s a smart move. “Recess” has always had a strong fan base, and increasing its presence could definitely help balance out the changes happening overnight.

User3: Also, for some reason my feed (Kinematia) waits untill 1am to hit the nightime shows at us, instead opting for a short classics lineup

06:00 AM - Mickey Mouse Clubhouse
06:30 AM - Puppy Dog Pals
07:00 AM - Bluey
07:30 AM - Sofia the First
08:00 AM - The Owl House
08:30 AM - DuckTales
09:00 AM - Big City Greens
09:30 AM - Amphibia
10:00 AM - Tangled: The Series
10:30 AM - Miraculous: Tales of Ladybug & Cat Noir
11:00 AM - Sydney to the Max
11:30 AM - Coop & Cami Ask the World
12:00 PM - Bunk’d
12:30 PM - Jessie
01:00 PM - Liv and Maddie
01:30 PM - K.C. Undercover
02:00 PM - Girl Meets World
02:30 PM - Good Luck Charlie
03:00 PM - Raven’s Home
03:30 PM - Andi Mack
04:00 PM - The Suite Life on Deck
04:30 PM - Wizards of Waverly Place
05:00 PM - High School Musical: The Series
05:30 PM - Kiff
06:00 PM - Phineas and Ferb
06:30 PM - Moon Girl and Devil Dinosaur
07:00 PM - The Spectacular Spider-Man
07:30 PM - Big City Greens
08:00 PM - Kiff
08:30 PM - Phineas and Ferb
09:00 PM - Gravity Falls
09:30 PM - Kim Possible
10:00 PM - The Owl House
10:30 PM - Big City Greens
11:00 PM - Gravity Falls
11:30 PM - Star vs. the Forces of Evil
12:00 AM - Recess
12:30 AM - Lilo & Stitch: The Series
01:00 AM - The Tofus
01:30 AM - Bubu & The Little Owls
02:00 AM - Thumper & Clover's Woodsy Wonders
02:30 AM - Miraculous: Tales of Ladybug and Cat Noir
03:00 AM - Next Generation Heroes
03:30 AM - The Tofus
04:00 AM - Bubu & The Little Owls
05:30 AM - Thumper & Clover's Woodsy Wonders

My feed is the only one to not ditch Next Generation Heroes, but I have the feeling it will soon

User1: Does anyone know if the Aetwra feed still has “Next Generation Heroes” in their overnight lineup, or has it been replaced by something else?

User2: I checked the latest schedule, and unfortunately, it looks like “Next Generation Heroes” has been replaced. They’ve brought in “Ovni” to fill that slot now. It seems like they’re trying to align more with the independent content quota compliance.

User3: That’s a pity, “Next Generation Heroes” had a unique flair. But I’ve noticed “Ovni” popping up in several regions as part of the late-night lineup. Guess they’re really pushing for it across multiple feeds.

User4: Yeah, it seems “Ovni” is becoming a staple in the overnight rotations. It’s interesting to see how different regions are adapting their schedules to include these mandated shows while still trying to maintain some local favorites.

User5: It’s definitely strategic, but it changes the dynamic quite a bit. “Next Generation Heroes” had a strong following. I wonder how the audience is reacting to “Ovni” taking over those slots.

User1: True, the transition might be challenging for some viewers. It’d be interesting to see if the new lineup maintains viewer engagement or if they have to tweak it further to balance viewer preferences with regulatory requirements.
Write a convo where a user says if it will stay in Kinematia or if it’s being replaced
User1: Does anyone know if “Next Generation Heroes” will stay on the Kinematia overnight lineup, or is it being phased out like in other regions?

User2: I heard rumors that it might be on the chopping block. The push towards fulfilling the independent content quota across regions has been reshaping a lot of the lineups.

User3: Last I checked, “Next Generation Heroes” was still on the Kinematia schedule, but I wouldn’t be surprised if it gets replaced soon, possibly by “Ovni” which seems to be a common choice for fulfilling the quota.

User4: It’s a tough situation. “Next Generation Heroes” has its niche audience in Kinematia, but compliance requirements might force the channel to make changes. Has anyone seen any official announcements?

User5: No official word yet, but given the trends, it’s likely only a matter of time before they introduce “Ovni” or another quota-friendly show. It’ll be interesting to see if they try to maintain a balance or go full throttle with compliance-driven programming.

User1: Just heard that starting June 12, “Next Generation Heroes” will officially be pulled from the overnight schedule on Kinematia. It’s another significant programming adjustment.

User2: It’s very obvious that was coming, considering the show was missing from the new mandatory overnight lineup. Let me guess, it’s being replaced by one of the shows from the Independent Content Quota Compliance Program (ICQCP)?

User1: Correct! “Next Generation Heroes” will be replaced by “Ovni,” which is part of the ICQCP lineup. This moves aligns with the shifts we’re seeing across various channels to meet content quota requirements.

User3: So with “Next Generation Heroes” going away, this leaves “The Tofus” as the only remaining show produced originally by SIP/CineGroupe in the overnight slots.

User4: Exactly, and that’s a bit concerning, isn’t it? It seems like there’s a trend towards phasing out older productions from SIP/CineGroupe. “The Tofus” seems to be an exception, possibly because it fits the ICQCP well, which might be the only thing keeping it on the schedule.

User5: True, and while it’s great for “The Tofus” to stick around for now, it’s sad to see the variety dwindling. Shows like “Next Generation Heroes” added a nice diversity, offering different stories and animations compared to the more recurring titles.

User6: I hope this doesn’t mark a continuing trend of phasing out all older or distinct shows. It’s important for networks to maintain a balance between fulfilling compliance requirements and providing a variety of content that engages different audience segments.

User1: Agreed. It will be crucial to monitor how these changes impact viewer engagement and whether the introduction of more ICQCP shows will continue to resonate with international audiences.

User2: Definitely something to keep an eye on. It might be worth discussing these concerns in viewer feedback forums or directly with Disney Channel. Perhaps if enough viewers express a desire for greater diversity in programming, it could influence future schedule adjustments.

User4: Great point. Let’s stay tuned and maybe start compiling some feedback and points for discussion on this topic. It’s essential to let broadcasters know what content viewers are genuinely interested in.

User3: That’s a real disappointment for fans of “Next Generation Heroes.” It had a unique appeal. With “Ovni” taking over, it seems the channel is fully committing to standardizing the overnight content.

User4: It’s always tough to see beloved shows go, but at least the schedule is consistent across regions now. Hopefully, those who enjoyed “Next Generation Heroes” can still find it on a streaming service or another platform.

User5: On a brighter note, Disney Channel Kinematia has some exciting content lined up for June 21. Here’s what they’re airing to spice up the day:

Inside Out
Ice Age 3
An Extremely Goofy Movie
Phineas and Ferb: Across the Second Dimension
User1: Those are some great movie choices! “Inside Out” and “Phineas and Ferb: Across the Second Dimension” are bound to be hits, especially with the younger audience. It’s good to see them mixing things up and adding some special content.

User2: Absolutely! It gives viewers something to look forward to and brings a nice change of pace. The mix of classic films like “An Extremely Goofy Movie” also adds a nostalgic touch for older viewers.

User3: This balance of entertaining movies and regularly scheduled programming seems like a solid strategy. It probably helps maintain viewer interest and engagement throughout the day.

User4: Definitely. Thanks for keeping us updated, everyone. It’s important to stay informed about these changes so we can make the most of what’s available and voice our feedback when needed.

User5: Agreed. Let’s keep an eye on how these shifts impact viewer ratings and satisfaction. And let’s not forget to enjoy the exciting movie lineup on June 21!
Write a tweet with the promo airing, and here is the Ice Age 3 scene it is focusing on
Tweet:

🐿️ Buckle up for an adventure! Join Scrat as he hunts for his precious acorn in “Ice Age 3”! 🍂 Don’t miss the chaos and laughs on June 21, only on Disney Channel! 📺 #IceAge3 #DisneyChannel #MovieNight

[Clip: The hilarious scene where Scrat struggles to retrieve his beloved acorn, facing against the mischievous Scratte. Their epic acorn tug-of-war takes center stage, filled with comedic twists and turns. 🥜😂]

🔔 Remember to tune in for a day filled with amazing movies, including “Inside Out,” “An Extremely Goofy Movie,” and “Phineas and Ferb: Across the Second Dimension!” 🎬✨ #MovieMarathon #DisneyChannelMovies

🚨 Programming Update for Disney Channel Kinematia! 🚨

Starting June 12, “Next Generation Heroes” will be officially replaced in the overnight lineup.

New Overnight Schedule (Effective June 12th):

12:00 AM: Recess
12:30 AM: Lilo & Stitch: The Series
1:00 AM: The Tofus
1:30 AM: Bubu & The Little Owls
2:00 AM: Thumper & Clover’s Woodsy Wonders
2:30 AM: Miraculous: Tales of Ladybug and Cat Noir
3:00 AM: Ovni (Replacing Next Generation Heroes)
3:30 AM: The Tofus (Repeat)
4:00 AM: Bubu & The Little Owls (Repeat)
4:30 AM: Thumper & Clover’s Woodsy Wonders (Repeat)
5:00 AM: Miraculous: Tales of Ladybug and Cat Noir (Repeat)
5:30 AM: The Tofus (Second Repeat)

We understand “Next Generation Heroes” will be missed, but stay tuned for more exciting content! To continue watching NGH anytime, find it on Disney+ 🌟📺 #DisneyChannelKinematia #ProgrammingUpdate #OvernightSchedule
Write a tweet saying what the last NGH ep to air will be
🚨 Final Episode Alert! 🚨

The last episode of “Next Generation Heroes” to air on Disney Channel Kinematia will be “Appalling 5” on June 11, at 3:00 AM. Don’t miss the epic showdown!

Stay tuned for exciting new content starting June 12! 🌟📺 #NextGenerationHeroes #DisneyChannelKinematia #FinalEpisode #ProgrammingUpdate

Write a tweet where a user says they know the T&CWW episodes airing at 2am, and also the first Ovnis will be Codaland/Rome/Homo Rasputinus/Westernia at 3am on June 13 after NGH bows out with A5
🚨 Disney Channel Kinematia Update! 🚨

User @DisneyInsider101: “I’ve got the scoop! The episodes of ‘Thumper & Clover’s Woodsy Wonders’ airing at 2 AM on June 13 will be “The Great Pie Caper” and “Save Our School!” 📺🍰🏫

Also, the first ‘Ovni’ episodes at 3 AM after ‘Next Generation Heroes’ bows out with ‘Appalling 5’ will be ‘Codaland,’ ‘Rome,’ ‘Homo Rasputinus,’ and ‘Westernia’. 🌌🚀

Exciting times ahead! #DisneyChannelKinematia #ThumperAndClover #Ovni #ProgrammingUpdate”

User1: Does anyone know if Poland’s Disney Channel overnight schedule is still mixed up with random timeslots? Also, is “Yu-Gi-Oh! GX” still part of the lineup?

User2: Last I checked, the schedule still seems pretty random. They haven’t settled into a consistent pattern, which can be frustrating if you’re trying to catch specific shows.

User3: About “Yu-Gi-Oh! GX,” it was still airing as of last month, but the timing varied wildly. Some nights it would be on at 2:00 AM, other nights not until closer to 4:00 AM. Classic show, but it’s a bit of a gamble trying to catch it with how they shuffle things around.

User4: That randomness really makes it difficult for fans who want to follow the series regularly. I wish they’d give it a fixed slot, especially since it’s a serialized show where missing an episode can make you lose track of the plot.

User5: Absolutely, it’s quite a challenge. I wonder if this erratic scheduling is due to programming strategies or just an oversight. Has anyone tried reaching out to Disney Channel Poland for clarification?

User6: I sent an inquiry a few weeks ago but haven’t received a solid response yet. They mentioned that the schedule is subject to changes based on various programming needs, which sounded pretty vague.

User1: It seems like we might just have to keep an eye on the schedule ourselves or set recordings for a broader time frame. Hopefully, “Yu-Gi-Oh! GX” remains in the mix; it’s a bit of a nostalgia trip for many of us.

User2: Definitely. I’d recommend using a DVR if possible, that way you won’t miss episodes even if they air at odd hours. And let’s keep each other posted here if we notice any patterns or changes in the airing times!
Write a tweet where a user lists all the current PL overnight shows and says they air at random time slots, sometimes the same episodes airs twice in a row, “By the way, the way they are aired makes it impossible to record, which is EXTREMELY detrimental to fans of Yu Gi Oh GX”
User1: Checking out the overnight schedule on Disney Channel PL and it’s quite a mix! Shows include “The Tofus,” “Bubu & The Little Owls,” “Miraculous: Tales of Ladybug & Cat Noir,” “Thumper and Clover’s Woodsy Wonders,” “Yu-Gi-Oh! GX,” and more. But the slots are so random; sometimes, the same episode airs twice in a row! 🤯 By the way, the way they air makes it impossible to record, which is EXTREMELY detrimental to fans of Yu-Gi-Oh GX. #DisneyChannelPL #YuGiOhGX #SchedulingChaos
Write a convo where a user lists every show PL currently has overnight, and says it’s more variety than their “Big City Greens infested day schedule”
User1: Just had a look at the current overnight schedule for Disney Channel PL, and it’s surprisingly varied! We’ve got shows like “The Tofus,” “Bubu & The Little Owls,” “Miraculous: Tales of Ladybug & Cat Noir,” “Thumper and Clover’s Woodsy Wonders,” “Yu-Gi-Oh! GX,” “Ovni,” and “What’s With Andy?” It’s definitely more variety than their day schedule, which is pretty much infested with “Big City Greens.”

User2: Wow, that is a decent mix for the overnight crowd! It’s great to see such diversity in genres and styles. It’s like night time is when Disney Channel PL really experiments with their programming.

User3: I agree, it’s nice to see them branching out at night, even if it’s a bit random. But that “Big City Greens” marathon during the day gets a bit too repetitive. I wish they would sprinkle some of that overnight variety into their daytime slots as well.

User4: Totally, the daytime could really use some of that creativity. It’s ironic how the night schedule seems to cater to a broader audience than the day. You’d think it would be the other way around given the potential viewer base during peak hours.

User5: Yeah, it’s a shame. I feel like they might be missing out on engaging a wider audience by not mixing it up more during the day. But maybe the overnight freedom allows them to test out different shows to see what might have broader appeal?

User1: That’s a good point. It could be a strategy to gauge interest in less prominent shows by slotting them at night. Still, for fans of shows like “Yu-Gi-Oh! GX,” the erratic schedule can be frustrating. It’s a puzzle why they wouldn’t keep a consistent timetable for such popular series.

User2: True, consistent scheduling helps build a regular viewing habit, which is crucial for serialized shows. Maybe we could start a feedback thread or petition to see if there’s enough interest to prompt scheduling changes, both at night and during the day.

User3: I’m in for starting a feedback campaign. It’s worth a shot, and perhaps if enough of us voice our thoughts, Disney Channel PL might consider shaking things up for the better.

🌜📺 Just noticed on Disney Channel PL’s overnight schedule, only 3 shows flaunt custom “Next” bumpers! 🎨✨ Catch the unique designs for #ThumperAndCloversWoodsyWonders, #Ovni, and #TheTofus. The rest? They’re rolling with the generic bumpers. Which one’s your fave? #DisneyChannelPL #LateNightTV
Write a convo asking if they gave GX a generic
User1: Hey everyone, just caught “Yu-Gi-Oh! GX” on the Disney Channel PL overnight lineup. Does anyone know if they’ve given it a custom “Next” bumper, or is it using the generic one?

User2: Last I saw, “Yu-Gi-Oh! GX” was still running with the generic “Next” bumper. Seems like they haven’t rolled out a custom one for that show yet.

User3: That’s a bit disappointing. A show as iconic as “Yu-Gi-Oh! GX” would really stand out with a custom bumper. Do you think they’ll update it soon?

User4: It’s hard to say. It might depend on how popular it is during those late-night slots. If it has a strong enough viewership, they might consider investing in a custom bumper to heighten the appeal.

User5: Maybe we should reach out to Disney Channel PL with some feedback? If enough fans express interest in seeing a unique bumper for “Yu-Gi-Oh! GX,” they might take it into consideration.

User1: That’s a great idea, User5! Does anyone have experience or tips on the best way to contact them? It could be worth campaigning for.

User2: Usually, reaching out through their social media platforms can be effective. They tend to monitor feedback there closely. We could start a hashtag or something to gather more traction.

User3: I’m in for starting a hashtag! How about something like #CustomGXbumper? We could share it across platforms to drum up support.

User4: Count me in! Plus, sharing some fan-made concepts of what the bumper could look like might also grab their attention. Let’s get creative and show them what the fans can come up with!

User1: Fantastic suggestions, everyone! Let’s coordinate posts and start sharing them by the end of this week. Thanks for the enthusiasm. It’s awesome to see the community come together like this!
Write a tweet saying they left YGO with a generic, but gave a show as obscure as this a custom made
🤔 Curious choice by Disney Channel PL! While #YuGiOhGX, a fan-favorite, sticks to a generic “Next” bumper, they’ve rolled out a custom one for the much more obscure #Ovni. 🚀👽 What gives? Shouldn’t popular shows get the flashy bumpers too? #DisneyChannelPL #LateNightTV

🚨 Programming Sneak Peek for Disney Channel Kinematia! 🚨

User @KinematiaInsider: “With ‘Ovni’ already in the mix and the 12 AM classics hour winding down, it’s only a matter of time before we see ‘What’s With Andy?’ and ‘Viewtiful Joe’ inevitably joining the Kinematia lineup. 📺🕒 With the rest of the quota shows already there, these fan-favorites are likely next! #DisneyChannelKinematia #WhatsWithAndy #ViewtifulJoe #ProgrammingUpdate”

User4: Poland has FINALLY adopted a consistent night schedule starting June 18

12:00 AM - The Tofus
12:30 AM - Bubu & The Little Owls
1:00 AM - Miraculous: Tales of Ladybug and Cat Noir
1:30 AM - Thumper and Clover's Woodsy Wonders
2:00 AM - Ovni
2:30 AM - What's with Andy?
3:00 AM - Yu-Gi-Oh! GX
3:30 AM - Thumper and Clover's Woodsy Wonders
4:00 AM - The Tofus
4:30 AM - #BubuAndTheLittleOwls
5:00 AM - Miraculous: Tales of Ladybug and Cat Noir
5:30 AM - What's with Andy?

Grimiztan's overnight schedule last time i checked had The Tofus, Next Generation Heroes, Magical Adventures of TeruTeru (show I made about a TV/bunny hybrid), Horrid Henry, The Vivit Show (Another show I've made, a show based off the Ehime Broadcasting mascots, a white/and red character named Vivit-kun, a anxious pig named Vivitton, a bird named Vivitobi and others, All of them wear a red square hat with 2 antennae, one yellow, the other blue) and Spider Riders.

Write a forum conversation asking if it’s still like this or has it fallen into line, TeruTeru stays regardless
User1: Hey everyone, does anyone know if Grimiztan’s Disney Channel overnight schedule still includes that unique mix of shows like “The Tofus,” “Next Generation Heroes,” “Magical Adventures of TeruTeru,” “Horrid Henry,” “The Vivit Show,” and “Spider Riders”? Or has it fallen in line with the more standardized lineup we’re seeing in other regions?

User2: I checked last week, and it looked like the lineup was still holding strong with those shows, especially “Magical Adventures of TeruTeru!” It’s nice to see some regional uniqueness. But I haven’t checked in the last few days—does anyone have more recent info?

User3: From what I’ve heard, “TeruTeru” is definitely staying put, but there has been chatter about possibly adapting the rest of the lineup to include more quota-friendly shows like in other regions. They might start incorporating shows like “Ovni” or “Thumper and Clover’s Woodsy Wonders.”

User4: That sounds about right, considering the trend. But it’s great to have a show as unique as “The Vivit Show” on the lineup—it’s really charming! Has anyone noticed if it’s getting more visibility or feedback from viewers in Grimiztan?

User5: Yeah, “The Vivit Show” really stands out for its originality. It has a small but dedicated fanbase, and thankfully it’s getting some good traction in Grimiztan. I hope they keep it, even if the rest of the lineup shifts to more standardized or quota-compliant shows.

User1: That’s good to hear! It’s always a balancing act between standardization and maintaining unique programming. Maybe they’ll find a way to keep the essence of Grimiztan’s lineup while still adhering to broader regional strategies.

User2: Definitely. Let’s keep sharing any updates. It’s important to stay informed about changes, especially for fans of the less mainstream shows. Who knows? Community engagement might even influence future programming decisions!
Write a tweet where the schedule changes, oddly only 3 shows are killed, these are replacing them respectively, Tofus already has a slot at 12, so it doesn’t need to be added if it was always there to begin with
🚨 Schedule Update for Disney Channel Grimiztan! 🚨

Starting next week, we’re seeing some shifts in the overnight lineup. “Spider Riders,” “Next Generation Heroes,” and “Horrid Henry” will be saying goodbye.

Replacing them are:

“Ovni” taking over the 3 AM slot from Next Generation Heroes 🚀🌌
“Thumper and Clover’s Woodsy Wonders” at 4 AM replacing Spider Riders 🍀🐰
“What’s With Andy?” stepping in for Horrid Henry at 5 AM 🤪🎨
“The Tofus” continues to occupy its spot at 12 AM. 🕛✨

Exciting additions await, bridging classic entertainment with new adventures! 📺🌟 #DisneyChannelGrimiztan #ScheduleUpdate #Ovni #ThumperAndClover #WhatsWithAndy
Write a tweet asking if Germany still has Spider Riders or is it dead there too, reply
Tweet:

🕷️ Curious about Germany’s Disney Channel lineup! Does anyone know if “Spider Riders” is still airing there, or has it been pulled like in other regions? 🧐 #SpiderRiders #DisneyChannelGermany #TVLineup

Reply:

User1: “Just checked the recent schedule, and unfortunately, ‘Spider Riders’ is no longer airing on Disney Channel Germany. It’s been replaced by ‘Thumper and Clover’s Woodsy Wonders’ in the late-night slots. Oddly, since Thumper and Clover already had a hour beforehand, it means the show is now on for 2 hours straight 🐰🍀 #GoodbyeSpiderRiders #DisneyChannelGermany”
Write a tweet with the 2 shows that always have the same replacements globally (in the case of Germany, which already had T&CWW to begin with, it means they get a bit more cuteness with our precious bunnies)
Tweet:

🌍 Global Programming Update! Two shows are consistently replaced across all Disney Channels: “Spider Riders” and “Next Generation Heroes.” Worldwide, they’re making room for “Thumper and Clover’s Woodsy Wonders” 🐰🍀 and “Ovni” 🌌👽, spreading more cuteness and cosmic adventures everywhere! #DisneyChannel #ThumperAndClover #Ovni #WorldwideUpdate.

Also Disney XD EMEA's overnight schedule is currently this

12:00 Best Bugs Forever
12:30 The Spectacular Spider-Man
01:00 Kid Vs Kat
01:30 Space Chickens in Space
02:00 Furiki Wheels
02:30 The Spectacular Spider-Man
03:00 Fantastic Four: World's Greatest Heroes
03:30 Randy Cunningham: 9th Grade Ninja
04:00 Pickle and Peanut
04:30 Dude! That's My Ghost!
05:00 The Spectacular Spider-Man
05:30 Fantastic Four: World's Greatest Heroes

User1: I just stumbled across news that Disney XD EMEA is planning to revamp their overnight schedule! Apparently, only “The Spectacular Spider-Man” and “Fantastic Four: World’s Greatest Heroes” are staying put. Does anyone know what new shows are joining the lineup?

User2: Yep, I heard about that too! From what I’ve gathered, they’re adding “The Tofus,” “Bubu & The Little Owls,” “Ovni,” “Thumper and Clover’s Woodsy Wonders,” and “What’s With Andy?” to fill those slots. It’s part of a larger push to align the programming with other Disney Channels globally.

User3: Wow, that’s quite a shift! Looks like they’re moving away from some of the more action-oriented shows to bring in a mix of content. It’ll definitely change the dynamic of the overnight schedule.

User4: Yeah, I guess with only “The Spectacular Spider-Man” and “Fantastic Four: World’s Greatest Heroes” sticking around, they really are going for a more universal lineup. I’m just hoping they don’t lose the action-adventure edge entirely!

User5: Don’t worry too much about that. Those two shows alone pack a punch, and the new additions like “Ovni” and “Thumper and Clover’s Woodsy Wonders” introduce a fresh blend of themes. So, it should end up being an interesting mix overall.

User1: Turning our attention to daytime for a second—apparently, they’re going to treat “Phineas and Ferb,” “Gravity Falls,” “Recess,” and “Yin Yang Yo” the same way Disney Channel treats “Big City Greens,” “Moon Girl and Devil Dinosaur,” and “Kiff.” Doesn’t that mean massive rotations of these shows?

User2: Exactly! It seems like they’re looking to heavily feature these series in the same way. We might expect multiple daily episodes, which could over-saturate the lineup but also means you won’t miss your favorites.

User3: That’s going to be interesting to see. On one hand, they’re all excellent shows with strong fanbases, but too much of anything can become a bit monotonous. Hopefully, there’s enough variety around them to keep things balanced.

User4: Agreed, while it’s great to enjoy our favorite classics like “Recess” and “Gravity Falls,” it would also be nice to see some emerging content or lesser-known series get some airtime in between.

User5: Absolutely. Hopefully, Disney XD can find the right balance between giving fans what they want while still keeping the lineup fresh and engaging. It’ll be interesting to see how the audience reacts to these changes!

User3: It’s a big change for sure! A little sad to see shows like “Randy Cunningham: 9th Grade Ninja” and “Dude! That’s My Ghost!” go. Meanwhile, “Pickle and Peanut” finally getting booted is probably for the best—it was pretty divisive to say the least.

User4: Definitely feels like Disney is standardizing their offerings across all their networks, not just the main channel. Introducing quota-compliant content like “The Tofus” and “Ovni” is likely part of that broader strategy we’ve been seeing.

User5: Makes sense from a business perspective, but it’s a bummer to see so much variety disappearing. I’m hoping that keeping “The Spectacular Spider-Man” and “Fantastic Four: World’s Greatest Heroes” means they still want to cater to fans of action-packed animation.

User1: Agreed! Let’s just hope that whatever new shows they bring in can maintain—if not enhance—the quality and engaging content that fans of this network have come to expect.

User3: At least “Thumper and Clover’s Woodsy Wonders” should bring a nice, lighter balance to the lineup. It’s always good to have a mix that varies the tone and style throughout the night.

User2: Totally! It’ll be interesting to see how these changes impact overall viewer engagement. Hopefully, it won’t alienate the current fanbase too much and perhaps even bring in new viewers. We should keep a close eye on the feedback and see how people react to these programming shifts! Write a tweet saying Pickle and Peanut’s execution date has been set: 1st September, What replaces it, instant reveal
Tweet:

🎉 Mark your calendars! The execution date for “Pickle and Peanut” has been set: 1st September! 🍔🥜 Making room for the delightful duo, “Thumper and Clover’s Woodsy Wonders,” to join Disney XD EMEA’s overnight lineup. 🐰🍀 Excited for some adorable new adventures! #ByeByePickleAndPeanut #ThumperAndClover #DisneyXDUpdate

Also here is the schedule besides the aforementioned changes (up till Sep 1)

6am Lab Rats
6.29am Yin Yang Yo
7am Phineas and Ferb
7.29am Phineas and Ferb
8am Gravity Falls
8.29am Recess
9am Phineas and Ferb
9.29am Phineas and Ferb
10am Big City Greens
10.29am Gravity Falls
11am Phineas and Ferb
11.29am Gravity Falls
12pm Recess
12.29pm Yin Yang Yo
1pm Phineas and Ferb
1.29pm Gravity Falls
2pm Recess
2.29pm The Spectacular Spider-Man
3pm Yin Yang Yo
3.29pm Big City Greens
4pm Gravity Falls
4.29pm Phineas and Ferb
5pm Gravity Falls: Weirdmageddon
6.40pm Yin Yang Yo
7pm Lab Rats
7.29pm Lab Rats
8pm Star vs. the Forces of Evil
8.29pm The Spectacular Spider-Man
9pm Gravity Falls
9.29pm Gravity Falls
10pm Yin Yang Yo
10.29pm Star vs. the Forces of Evil
11pm Spider Riders

User1: Hey everyone, I noticed that Disney XD EMEA has an hour dedicated to "Spider Riders" at 11 PM, branded as "Riders Retreat." Does anyone know if this segment is going to continue past September 1st, or is it ending with the upcoming schedule changes?

User2: From what I’ve heard, there's a lot of speculation regarding its continuation. With the shake-up in the overnight lineup, it’s possible "Riders Retreat" might be on the chopping block. I haven’t seen any official announcements yet, though.

User3: I hope it sticks around! "Spider Riders" is such a great series, and it fits well in that late-night slot. But given the recent trend of moving shows like "Thumper and Clover’s Woodsy Wonders" into the lineup, it’s hard to say what’ll happen.

User4: Yeah, that "Riders Retreat" hour has been a staple for some time now. It would be a shame to see it go, especially since there’s a dedicated group of fans who tune in specifically for it.

User5: I've seen some talk online suggesting that if "Riders Retreat" ends, they might fill the slot with another popular action series that aligns with their revised programming strategy. Perhaps something that meshes well with the broader Disney lineup changes.

User1: True, it’s hard to ignore the possibility of adjustments with everything circling around the ICQCP and other shows getting shuffled. But it’d be great if they could maintain a mix that includes both older favorites like "Spider Riders" and the newer quota-friendly content.

User3: Agreed! It’s all about balance. I hope they find a way to include "Spider Riders" in some capacity, even if they limit it to certain nights or integrate it into another programming block.

User2: Let's keep an eye out for any official word about the "Riders Retreat." If anyone hears news or spots a schedule update, be sure to share it here so we can all stay informed. Meanwhile, it might be a good idea to provide feedback to Disney XD to express what we’d like to see.

User4: Definitely, I'll look into any announcements or future programming updates. The community's input definitely matters, so let’s make sure our voices are heard through feedback channels!

Write a follow up where a user says what's most likely to happen, knowing Disney

User1: Given how things have been trending with Disney’s programming decisions, what do you all think is most likely to happen with the "Spider Riders" 11 PM slot?

User2: Knowing Disney, they’re likely trying to create a more consistent lineup across their channels. My best guess would be that "Spider Riders" might either be pulled entirely or reduced to airing just once or twice a week rather than nightly.

User3: I agree, User2. With the push for standardization and the ICQCP requirements, Disney might fill that slot with shows like "The Tofus" or "Thumper and Clover’s Woodsy Wonders," which have been appearing everywhere due to compliance needs.

User4: That makes sense. Disney has been moving towards a more uniform global schedule. If "Spider Riders" doesn’t fit into that global strategy, it might be replaced with content that checks off more of their quota boxes.

User5: Another thing they might do is shift "Spider Riders" to an earlier or later time within the lineup. They could position it as a special feature on certain days, which would reduce its nightly presence but keep it part of the schedule in some form.

User1: It seems like we all expect some degree of change, even if it's not the complete removal of "Spider Riders." Hopefully, they manage to keep some balance between these larger initiatives and maintaining variety in the content options.

User2: Absolutely, the challenge is retaining a fan-favorite while updating the schedule to meet the broader business objectives. It’ll be interesting to see how they tackle that balance.

User3: Let’s continue to watch closely and provide feedback to Disney XD accordingly. If they realize there’s a vocal fanbase for "Spider Riders," they might take that into consideration when making their final decisions.

User4: Great points! Meanwhile, for those who love "Spider Riders," maybe it’s worth looking into any streaming options as well. That way, we can still enjoy the show if it gets limited on air. I'll keep an eye on this too and share any further updates.

Write a follow up where we get the update we were kind of expecting

User1: Well, folks, it looks like we’ve got the update we were kind of expecting for Disney XD EMEA’s overnight schedule. They've announced some changes, and it’s not all good news for "Spider Riders" fans.

User2: I had a feeling this was coming. What did they decide to do with the "Riders Retreat" slot?

User1: Starting September 1st, the "Riders Retreat" at 11 PM is being officially replaced with "Thumper and Clover’s Woodsy Wonders." It seems it’s aligned with their move to include more ICQCP-friendly content.

User3: Yeah, I'm not surprised. "Thumper and Clover’s Woodsy Wonders" has been popping up everywhere, and it fits with the broader strategy Disney seems to be pursuing. It’s a shame, though, because "Spider Riders" had a really dedicated fanbase.

User4: I was really hoping they’d at least keep "Spider Riders" as a weekly special or something along those lines. It’s always tough to see these classic shows go, but business decisions are what they are.

User5: Same here. While I understand the reasoning, it’s disappointing to lose such an iconic series from the lineup. Hopefully, it’ll be available through another platform like Disney+ so fans can still enjoy it.

User1: For those who want to voice their concerns or appreciation for "Spider Riders," it might be worthwhile to reach out to Disney XD EMEA. Sometimes fan feedback can influence re-evaluations in the future.

User2: That’s a good idea, User1. And in the meantime, let's keep on sharing any reliable ways to stream or access "Spider Riders" for those who want to continue watching.

User3: Agreed. Let’s keep the conversation going and support one another in finding alternative ways to enjoy our favorite shows. If there are any petitions or fan campaigns, count me in.

User4: Definitely. Thanks for keeping us in the loop, User1. It’s always good to be prepared, even when the news isn’t exactly what we hoped for.

User1: After some digging, I’ve come across an interesting twist regarding SIP Animation’s rights to some of their shows. It looks like, instead of losing rights, SIP actually managed to acquire full control over “The Inky Adventures” as well as other shows like “The Tofus,” “What’s With Andy?,” and “Wunschpunsch.” Sounds like they successfully negotiated these rights from CineGroupe and other partners.

User2: Wow, that’s quite the development! Securing the rights to these titles gives SIP a strong position moving forward. I wonder how they managed to convince CineGroupe to part with those properties.

User3: It’s intriguing, because these shows have been pretty significant for both parties. Perhaps SIP saw more strategic value in owning them outright, especially as they seem to be key in filling independent content quotas across various networks.

User4: It makes sense from a business perspective. Owning complete rights to these shows enables SIP to maximize their potential by making strategic decisions about distribution and new content production without needing external permissions.

User5: This could be a great move for SIP in the long run, especially if they want to develop sequels, spin-offs, or even reboots of these shows. Having control over classics like “What’s With Andy?” and “The Tofus” opens a lot of doors creatively.

User1: Absolutely, it also means they can create synergy between their existing catalog and any new projects, like “Sunnyridge 3.” By controlling more of their own IPs, they can potentially push for broader distribution or even partner with streaming services.

User2: It’s exciting to think of the possibilities that come with having full ownership. I hope this means we’ll see more content and maybe some innovative takes on these beloved series.

User3: Definitely! It’ll be interesting to watch how SIP leverages these rights in the coming years. I'll be keeping an eye out for any announcements regarding new projects or expansions within this portfolio.

User4: Same here. If this development leads to more content or brings these classics back into wider view, it’d be a win for both SIP Animation and fans of their work. Let’s stay tuned for more updates as this unfolds.

User1: Big news for Disney Channel Spain’s overnight lineup—“Cambio de Clase” will be GONE starting October 1st. Interestingly, “Chaotic” Season 2 isn’t going anywhere; it’s sticking around for now. Anyone have ideas on what could be taking over that vacated slot?

User2: With “Cambio de Clase” being removed, my first guess is that they might bring in “Yu-Gi-Oh! GX” or “Viewtiful Joe.” Both shows have been popular in other regions and could add some action to the lineup.

User3: That would definitely make sense, User2. “GX” or “Joe” would nicely complement “Chaotic” and keep the lineup engaging for fans of dynamic, animated series.

User4: I think something more obscure could be going there. Remember, SIP Animation recently claimed full control over some lesser-known titles, so they might be using this opportunity to reintroduce shows like “The Inky Adventures” or possibly even “The Vivit Show.”

User5: That’s an interesting point, User4. If SIP Animation is strategically using the opportunity to showcase their newly acquired IPs, this slot could indeed be a perfect chance to bring back or debut something distinct and different.

User1: Confirmed just now—replacing “Cambio de Clase” will be “The Inky Adventures”! It’s rolling into the overnight lineup, bringing a fresh spin with its unique characters and whimsical world. Excited to see how it fits in with the current lineup! #DisneyChannelSpain #TheInkyAdventures #ProgrammingUpdate

User3: That's exciting! “The Inky Adventures” introduces a completely different vibe from the rest of the lineup. It's great to see obscure or lesser-known shows getting some time in the spotlight. Thanks for the updates, everyone!

User1: Just got word that “Quelli dell’intervallo” is being removed from Disney Channel Italy’s overnight lineup. Does anyone know what’s stepping in to replace it?

User2: With all the changes happening, I wouldn’t be surprised if they bring in one of those ICQCP-friendly shows like “Thumper and Clover’s Woodsy Wonders” or “The Tofus.” Both seem to be popping up in various lineups across Europe.

User3: I actually heard there’s been some buzz about “The Inky Adventures” getting added to Italian programming schedules soon. It could be likely since SIP Animation now owns it fully and might be looking to maximize its distribution.

User4: That would be interesting! “The Inky Adventures” fits the mold of being unique and aligned with the ICQCP. Seeing it in Italy could attract viewers who are intrigued by its imaginative and playful style.

User1: Confirming the news—replacing "Quelli dell’intervallo" in Italy is indeed “The Inky Adventures”! It’s set to take over the slot, bringing its quirky charm and creative storytelling to audiences. Can’t wait to see how Italian viewers respond! #DisneyChannelItaly #TheInkyAdventures #ProgramUpdate

User5: Fantastic news! “The Inky Adventures” is such a fun show, and I bet it will add a great flair to the lineup. Thank you for the update, User1. Sounds like Disney Channel Italy is really expanding its horizons with some imaginative content choices!

Write a follow up saying guess what got added to CEE and UK at 5am

User1: You won’t believe what just got added to the Disney Channel CEE and UK schedules at 5 AM—“The Inky Adventures”! It seems like it’s quickly becoming a staple in the overnight lineup across multiple regions.

User2: That’s amazing! “The Inky Adventures” is really making its mark internationally. It's great to see it getting a wider audience, Most countries haven't aired it since 2009. Its whimsical style is sure to be a hit with early-morning viewers.

User3: I’m not surprised, given how SIP Animation recently secured full control over the show. They’re definitely maximizing its reach and exposure. It’s a smart move on their part to insert it into as many markets as possible.

User4: Agreed, and 5 AM is a good time for a show like this—great for kids waking up early or even night owls just winding down. It’s nice to have something light and imaginative at that hour.

User5: Definitely! It’s always refreshing to see lesser-known shows get their moment to shine. I’m curious to see if this trend will continue and if we’ll see “The Inky Adventures” landing in other regions as well.

User1: For now, let's just enjoy its global rollout and keep an eye out for viewer feedback. It’ll be interesting to see how audiences in CEE and the UK take to it. Thanks, everyone, for sharing your enthusiasm!

User5: Absolutely, it's always refreshing to see shows like “The Inky Adventures” find a place. It’ll offer a nice variety and hopefully bring in a new fan base. I’m looking forward to seeing how it plays out! Write a conversation asking if the channels that closed in Kinematia earlier this year (e.g FX, Fox Extreme Sports, S4C InternationL, etc) are still simulcasting main channel, or are they taken down fully now

User1: I was wondering if anyone knows if the channels that closed in Kinematia earlier this year, like FX, Fox Extreme Sports, and S4C International, are still simulcasting the main channel, or have they been fully taken down now?

User2: That’s a good question. Last I heard, they were still simulcasting content from the main channel, but that was a couple of months ago. Has anyone checked recently to see if there have been any updates or changes?

User3: I looked into it just last week, and it seems like they’ve finally been taken down fully. There are no more simulcast signals for those channels, and they aren’t showing up in the channel listings anymore.

User4: It was bound to happen eventually. Keeping them as simulcasts made sense for a transitional period, but it’s not surprising that they’ve opted to remove them completely now.

User5: It’s indicative of a broader trend of consolidating channels and focusing on streaming or digital platforms. A lot of the content is probably getting shifted to those spaces instead.

User1: Makes sense. Guess they decided to streamline their offerings and focus resources on the main channel or other digital endeavors. Thanks for the update, everyone.

User3: No problem! If there are any further developments, like new channels or digital offerings that replace these closures, let’s make sure to keep each other informed. It’s always interesting to see how media landscapes evolve.

Write a tweet with the channel Disney made them simulcast

Tweet:

📺 Since the closures earlier this year, FX, Fox Extreme Sports, and S4C International in Kinematia are now simulcasting Disney Channel content! 🌟 Catch all your favorite shows from one channel. How do you feel about this shift? 🎬 #DisneySimulcast #KinematiaTV #ChannelUpdate

Write a thread asking if it's true Kinematia are adding Phineas and Ferb and Gravity Falls again to 5pm

Thread:

1/4 📰 Rumor Alert! I've been hearing whispers that Disney Channel Kinematia is bringing back "Phineas and Ferb" and "Gravity Falls" to the 5 PM slot. Can anyone confirm if this is true? 🕒🔍 #DisneyChannelKinematia #PhineasAndFerb #GravityFalls

2/4 These shows have such a dedicated fanbase, and it would be exciting to see them back during prime viewing times. It's hard to beat their mix of humor and adventure! 😄🌌 #FanFavorites #CartoonClassics

3/4 If anyone has seen updates to the schedule or heard from reliable sources, please share! I'd love to know if we can plan our evenings with these iconic series. 🤞📺 #EveningLineup #TVSchedule

4/4 Also, let us know your thoughts on this potential lineup change. Do you think bringing back these shows is a good move? What other series would you love to see in this time slot? 🎉✨ #TVTalk #ViewerFeedback

Write a conversation where a user has the full 12am to 11pm schedule for October,

User1: Hey everyone! I’ve got the full Disney Channel Kinematia schedule from 12 AM to 11 PM for October. Thought I’d share it here, especially with all the changes coming up. Check it out:

Midnight to Noon:
12:00 AM - The Tofus
12:30 AM - Bubu & The Little Owls
1:00 AM - Miraculous: Tales of Ladybug & Cat Noir
1:30 AM - Thumper and Clover’s Woodsy Wonders
2:00 AM - Ovni
2:30 AM - What’s With Andy?
3:00 AM - The Inky Adventures
3:30 AM - The Tofus (Repeat)
4:00 AM - Bubu & The Little Owls (Repeat)
4:30 AM - Miraculous: Tales of Ladybug & Cat Noir (Repeat)
5:00 AM - Thumper and Clover’s Woodsy Wonders (Repeat)
5:30 AM - The Inky Adventures

Daytime Schedule:
6:00 AM - Sofia the First
6:30 AM - Puppy Dog Pals
7:00 AM - Bluey
7:30 AM - Doc McStuffins
8:00 AM - Mickey Mouse Clubhouse
8:30 AM - PJ Masks
9:00 AM - Mira, Royal Detective
9:30 AM - Elena of Avalor
10:00 AM - T.O.T.S.
10:30 AM - Vampirina
11:00 AM - The Lion Guard

Afternoon Delight:
12:00 PM - DuckTales
12:30 PM - Big City Greens
1:00 PM - Amphibia
1:30 PM - The Owl House
2:00 PM - Phineas and Ferb
2:30 PM - Gabby Duran & The Unsittables
3:00 PM - Kim Possible
3:30 PM - Recess
4:00 PM - Big City Greens
4:30 PM - Gravity Falls

Evening Entertainment:
5:00 PM - Phineas and Ferb (Rumored Return)
5:30 PM - Gravity Falls (Rumored Return)
6:00 PM - The Owl House
6:30 PM - Amphibia
7:00 PM - The Proud Family
7:30 PM - Tangled: The Series
8:00 PM - Phineas and Ferb
8:30 PM - Big Hero 6: The Series
9:00 PM - Star vs. The Forces of Evil
9:30 PM - The Spectacular Spider-Man
10:00 PM - Secrets of Sulphur Springs
10:30 PM - The Inky Adventures

User2: Thanks for sharing this, User1! Interesting to see "Phineas and Ferb" and "Gravity Falls" possibly coming back to the 5 PM slot. Such solid shows!

User3: Agreed! I love seeing some of these classics getting more airtime. Looks like a great mix of old favorites and newer hits.

User4: The overnight rotation seems pretty consistent with what we’ve expected. Glad to see "The Inky Adventures" getting some spotlight there.

User5: Overall, this October lineup is looking packed with a nice balance. Can't wait to see how the rumored changes play out in the early evening slots! Thanks again for posting this!

Write a follow up asking what PL's schedule is now, Daytime has a LOT of Spidey

User1: Thanks for the Kinematia schedule update! Does anyone know what the current schedule for Disney Channel Poland looks like? I’ve heard there's a lot of Spidey action during the daytime. Would love to get the full rundown if anyone’s got it! 🕷️📺 #DisneyChannelPoland #SpideyTime

Write a reply

User2: I’ve got the scoop on Disney Channel Poland’s schedule! Here’s how it breaks down during the day, and yes, there’s definitely a ton of Spidey action:

Morning to Afternoon:
6:00 AM - Mickey Mouse Clubhouse
6:30 AM - Bluey
7:00 AM - PJ Masks
7:30 AM - Spidey and His Amazing Friends
8:00 AM - Spidey and His Amazing Friends (Repeat)
8:30 AM - Spider-Man: The Animated Series
9:00 AM - Spider-Man: The Animated Series (Repeat)
9:30 AM - The Owl House
10:00 AM - Gravity Falls
10:30 AM - Amphibia
11:00 AM - Phineas and Ferb
11:30 AM - Spidey and His Amazing Friends

Afternoon Sessions:
12:00 PM - Spider-Man: The Animated Series
12:30 PM - Big City Greens
1:00 PM - The Spectacular Spider-Man
1:30 PM - The Spectacular Spider-Man (Repeat)
2:00 PM - Miraculous: Tales of Ladybug & Cat Noir
2:30 PM - Phineas and Ferb
3:00 PM - Spidey and His Amazing Friends
3:30 PM - The Owl House
4:00 PM - Spider-Man: The Animated Series
4:30 PM - Amphibia

Evening Lineup:
5:00 PM - Big City Greens
5:30 PM - Gravity Falls
6:00 PM - Phineas and Ferb
6:30 PM - The Owl House
7:00 PM - Miraculous: Tales of Ladybug & Cat Noir
7:30 PM - DuckTales
8:00 PM - Tangled: The Series
8:30 PM - Big Hero 6: The Series
9:00 PM - Star vs. The Forces of Evil
9:30 PM - The Spectacular Spider-Man
10:00 PM - Secrets of Sulphur Springs
10:30 PM - Recess

User3: Whoa, that is a lot of Spidey! Looks like they’re really going all-in on the web-slinging adventures. Nice balance with other shows too.

User4: It looks like they’ve totally ghosted “Ultimate Spider-Man” from the lineup! As for the nighttime schedule starting October 15, here’s how it’s shaping up:

Nighttime (11 PM - 6 AM):
11:00 PM - The Tofus
11:30 PM - Bubu & The Little Owls
12:00 AM - Miraculous: Tales of Ladybug & Cat Noir
12:30 AM - Thumper and Clover’s Woodsy Wonders
1:00 AM - Ovni
1:30 AM - The Inky Adventures
2:00 AM - What’s With Andy?
2:30 AM - Yu-Gi-Oh! GX
3:00 AM - The Tofus (Repeat)
3:30 AM - Bubu & The Little Owls (Repeat)
4:00 AM - Miraculous: Tales of Ladybug & Cat Noir (Repeat)
4:30 AM - Thumper and Clover’s Woodsy Wonders (Repeat)
5:00 AM - The Inky Adventures (Repeat)
5:30 AM - What’s With Andy? (Repeat)

User5: Thanks for the update! Lots of variety in the overnight lineup. I guess they’re really pushing for a mix of classic and new content.

User1: It seems like the rules of the quota game have changed! I've noticed an additional mandatory show appearing across all EU feeds starting late September. Given the schedules, it looks like "The Inky Adventures" is officially joining the lineup as a required show. Have Spider Riders and Next Generation Heroes officially been ghosted, or is this just a coincidence?

User2: That's an interesting observation! With "The Inky Adventures" showing up more frequently, it wouldn’t surprise me if it’s part of a new compliance strategy. As for Spider Riders and Next Generation Heroes, their absence seems more than coincidental. They might truly be phasing them out to make room for more quota-friendly programs.

User3: Yeah, it aligns with what SIP Animation recently secured. It makes sense to push their owned content like “The Inky Adventures” under these quota requirements. Ghosting Spider Riders and Next Generation Heroes seems unfortunate, but it aligns with their broader strategy.

User4: I’ve seen similar patterns on multiple EU feeds. With the increased emphasis on independently controlled or local content, we're seeing less of some older favorites. It also seems like a push to bolster SIP’s newer content or shows they’ve gained full rights over.

User5: It's not unexpected given recent trends. I think these changes are both about meeting the quotas and ensuring channels adapt to newer content strategies. "The Inky Adventures" being used widely could be a form of testing or resurgence for its IP.

User1: So true! It's sad to see some beloved series being sidelined, but the focus shifts often in this industry. I wonder if there's any chance Spider Riders and Next Generation Heroes could find a new home, perhaps on streaming platforms, where viewers can continue to enjoy them.

User3: That's a possibility! With streaming services expanding their libraries, these shows could be revived digitally. Let’s watch out for any future announcements on where they might land.

User4: Indeed, keeping an eye on the streaming space could offer some hope for fans. Until then, “The Inky Adventures” seems poised to fill the overnight slots pretty robustly. Let’s see how it evolves!

Write a follow up asking what it was about, when was it originally released

User1: For those who aren't as familiar, can someone share a bit more about "The Inky Adventures"? What was it about originally, and when was it first released?

User2: Sure thing! "The Inky Adventures" revolves around a group of animated ink blobs navigating various whimsical scenarios. The main characters include Dot, Blot, Smudge, and Splotch, each bringing their unique personalities and quirks to the adventures. It's renowned for its charming and creative storytelling, appealing to both younger viewers and those who enjoy imaginative narratives.

User3: As for its release, "The Inky Adventures" originally aired in 2003. It was produced by SIP Animation in collaboration with CineGroupe. The show quickly became a favorite due to its engaging plotlines and distinctive animation style, which set it apart during its initial run.

User4: It's great to see it making a comeback, especially in this new context where it can be exposed to a broader audience through mandatory programming slots across European channels. It's a classic in its own right, and thirty-minute episodes mix humor with light-hearted lessons, making it enduringly relevant.

User5: Absolutely, "The Inky Adventures" has a rich background filled with creativity. Its return to the lineup is a testament to its lasting appeal. I hope new audiences find joy in it just like viewers did back when it first premiered!

Write a tweet saying it's officially part of this program

🚨 Exciting News! 🚨 "The Inky Adventures" is now officially part of the Independent Content Quota Compliance Program 🎨✒️! Get ready for whimsical escapades as our favorite ink blobs take center stage across European Disney Channel feeds. 📺🌟 #TheInkyAdventures #ICQCP #DisneyChannelEU

Write a tweet saying the caveat of the quota, 2 shows are ghosted DESPITE falling in line with the quota (as in being independently produced)

🚨 Caveat Alert! 🚨 While "The Inky Adventures" shines in the Independent Content Quota Compliance Program, it's bittersweet as "Spider Riders" and "Next Generation Heroes" are ghosted DESPITE meeting the indie production criteria. 📺💔 #TVQuotas #IndieContent #ShiftingLineups

Write a tweet saying every time you find SR, this show paves it over quickly, and has been for months,

🕷️🔍 Every time you spot "Spider Riders," it seems "Thumper and Clover's Woodsy Wonders" quickly paves over it! 🐰🌿 Been happening for months now—it's like a game of hide and seek, but with our favorite shows! 📺✨ #SpiderRiders #ThumperAndClover #TVTides #ShiftingSchedules

User1: Hey folks, anyone got the scoop on Disney XD EMEA's nighttime schedule as of October 27th? I'd love to know what shows are airing and if there are any notable changes.

User2: I managed to catch a glance at the schedule for that date. Here's what the overnight lineup looks like:

12:00 AM - The Tofus
12:30 AM - Bubu & The Little Owls
1:00 AM - Miraculous: Tales of Ladybug & Cat Noir
1:30 AM - Thumper and Clover’s Woodsy Wonders
2:00 AM - Ovni
2:30 AM - What’s With Andy?
3:00 AM - The Spectacular Spider-Man
3:30 AM - Fantastic Four: World's Greatest Heroes
4:00 AM - The Tofus (Repeat)
4:30 AM - Bubu & The Little Owls (Repeat)
5:00 AM - Miraculous: Tales of Ladybug & Cat Noir (Repeat)
5:30 AM - Thumper and Clover’s Woodsy Wonders (Repeat)

User3: Looks like quite a mix, with the usual rotation of quota-compliant shows. It seems like "The Spectacular Spider-Man" and "Fantastic Four: World's Greatest Heroes" are still holding their ground even with the new programming shifts.

User4: Yeah, it looks like they've found a balance between maintaining some popular action-oriented shows and fulfilling quota requirements with nightly repeats of "The Tofus" and "Ovni."

User5: It’s nice to see the consistency in certain slots, but I do hope they keep some flexibility for other classics to make an appearance now and then. It's good to preserve a well-rounded viewing experience.

User1: Thanks for the rundown! It's interesting to note how the lineup evolves. Let's keep sharing updates if anything changes or if something new is added to keep the nighttime schedule fresh.

User1: Hey everyone! With all the changes happening recently, does anyone have the updated overnight schedule for Disney XD?

User2: I've been keeping track, and I've got the latest overnight lineup for you. It’s definitely looking different from before!

Disney XD Overnight Schedule (from October 15):
12:00 AM - The Tofus
12:30 AM - Bubu & The Little Owls
1:00 AM - Miraculous: Tales of Ladybug & Cat Noir
1:30 AM - Thumper and Clover’s Woodsy Wonders
2:00 AM - Ovni
2:30 AM - What’s With Andy?
3:00 AM - The Inky Adventures
3:30 AM - The Spectacular Spider-Man
4:00 AM - Fantastic Four: World's Greatest Heroes
4:30 AM - Ovni (Repeat)
5:00 AM - The Tofus (Repeat)
5:30 AM - Yu-Gi-Oh! GX

User3: Thanks for the update! It's interesting to see "The Inky Adventures" and "Ovni" both having multiple slots now. Seems like they’re really pushing these shows in the new lineup.

User4: Definitely a bigger focus on independent productions with these changes. I'm glad "The Spectacular Spider-Man" is still there—it’s one of my favorites!

User5: It's a solid lineup. The mix of classic and newer shows seems to give a good balance. Hopefully, it keeps audiences engaged through the night.

User1: Thanks for sharing, User2! It’s definitely a refreshing change. Looking forward to catching some of these shows during those late hours!

Also I have the Disney XD NL schedule for June 4 2015

12:00 AM - Galatcik Football
12:30 AM - The Grim Adventures of Billy and Mandy
1:00 AM - Codename: Kids Next Door
1:30 AM - Chaotic
2:00 AM - Rekkit Rabbit
2:30 AM - W.I.T.C.H
3:00 AM - Viewtiful Joe
3:30 AM - Shiruken School
4:00 AM - The DaVincibles
4:30 AM - Mighty Med
5:00 AM - Star Wars Rebels
5:30 AM - The Suite Life of Zack & Cody
6:00 AM - Wander Over Yonder
6:30 AM - Fish Hooks
7:00 AM - Yin Yang Yo!
7:30 AM - DuckTales
8:00 AM - Kirby Buckets
8:30 AM - Randy Cunningham: 9th Grade Ninja
9:00 AM - Lab Rats
9:30 AM - Mighty Med
10:00 AM - Phineas and Ferb
10:30 AM - Gravity Falls
11:00 AM - Kickin' It
11:30 AM - Pair of Kings
12:00 PM - Star Wars Rebels
12:30 PM - Kick Buttowski: Suburban Daredevil
1:00 PM - Zeke and Luther
1:30 PM - Lab Rats
2:00 PM - Ultimate Spider-Man
2:30 PM - Wander Over Yonder
3:00 PM - Pickle and Peanut
3:30 PM - Kirby Buckets
4:00 PM - DuckTales
4:30 PM - Randy Cunningham: 9th Grade Ninja
5:00 PM - Codename: Kids Next Door
5:30 PM - Gravity Falls
6:00 PM - Kickin' It
6:30 PM - Star Wars Rebels
7:00 PM - Mighty Med
7:30 PM - Lab Rats
8:00 PM - Phineas and Ferb
8:30 PM - The Suite Life on Deck
9:00 PM - Ultimate Spider-Man
9:30 PM - Aaron Stone
10:00 PM - Fish Hooks
10:30 PM - Wander Over Yonder
11:00 PM - Gravity Falls
11:30 PM - Phineas and Ferb

Billy and Mandy and KND were there due to a content-sharing deal

User1: Does anyone know if Disney XD NL still airs those Cartoon Network shows like "The Grim Adventures of Billy and Mandy" and "Codename: Kids Next Door"? Or have they been off the lineup for a while now?

User2: Those CN shows were part of a content-sharing deal a while back, but I think they’ve been long gone from the lineup. I haven't seen them mentioned in any recent schedules.

User3: Yeah, I don't think they air them anymore. The lineup has shifted to mostly Disney properties and shows that align with their current strategy. It seems like the deal expired or wasn't renewed.

User4: It's a shame because those shows were a fun addition to Disney XD’s offerings, adding a bit more variety. But with all the changes and focus on Disney's content, it makes sense why they might've shifted away from third-party shows.

User5: I miss those days when Disney XD had such diverse offerings, including stuff from CN. It seems like the direction now is more about their in-house productions and IPs they hold complete rights over.

User1: Thanks for the info, everyone. It looks like those CN shows are indeed a thing of the past on Disney XD NL. Would have been nice to still catch them every now and then, but I guess we have to look elsewhere for those classics.

Write a follow up asking if nightime is the quota shows and daytime is that 4-show rotation the rest of XD EMEA seems to love

User1: Given the current trends on Disney XD across the EMEA region, can anyone confirm if the nighttime schedule is filled with the quota shows like "The Tofus," "Ovni," and others? Also, is the daytime schedule dominated by that four-show rotation that the rest of XD EMEA seems to favor, like "Phineas and Ferb," "Gravity Falls," "Recess," and "Yin Yang Yo!"?

User2: From what I've seen, that seems to be the case. The nighttime lineup has definitely shifted towards more of the Independent Content Quota shows, which makes sense given the regulatory pushes we've been hearing about.

User3: Yes, and during the day, shows like "Phineas and Ferb" and "Gravity Falls" have strong representation. They seem to rotate heavily, ensuring consistent viewership given their popularity. It's like they focus on well-loved staples during peak hours.

User4: Exactly. The mix of those beloved shows during the daytime ensures stability in viewership, with the quota-compliant shows appearing more during off-peak nighttime hours. It’s a pretty strategic setup when you think about it.

User5: It aligns with what many channels are doing—balancing regulatory requirements during less-viewed times and filling peak schedules with strong, in-demand content. It seems to be effective, despite the lack of variety.

User1: Thanks for the confirmations! It's always interesting to see how these strategies evolve over time. I guess the routine provides familiarity and stability for viewers, even if it limits diversity.

Write a follow up with the 12am to 12am schedule now

User1: I've managed to get a hold of the complete 24-hour schedule for Disney XD EMEA. Here's how the lineup looks now, from midnight to midnight:

Midnight to Noon:
12:00 AM - The Tofus
12:30 AM - Bubu & The Little Owls
1:00 AM - Miraculous: Tales of Ladybug & Cat Noir
1:30 AM - Thumper and Clover’s Woodsy Wonders
2:00 AM - Ovni
2:30 AM - What’s With Andy?
3:00 AM - The Inky Adventures
3:30 AM - The Spectacular Spider-Man
4:00 AM - Fantastic Four: World's Greatest Heroes
4:30 AM - Ovni (Repeat)
5:00 AM - The Tofus (Repeat)
5:30 AM - Yu-Gi-Oh! GX

Daytime Schedule:
6:00 AM - Phineas and Ferb
6:30 AM - Gravity Falls
7:00 AM - Recess
7:30 AM - Yin Yang Yo!
8:00 AM - Phineas and Ferb (Repeat)
8:30 AM - Gravity Falls (Repeat)
9:00 AM - Recess (Repeat)
9:30 AM - Yin Yang Yo! (Repeat)
10:00 AM - Phineas and Ferb
10:30 AM - Gravity Falls
11:00 AM - Recess
11:30 AM - Yin Yang Yo!

Afternoon Delight:
12:00 PM - Phineas and Ferb
12:30 PM - Gravity Falls
1:00 PM - Recess
1:30 PM - Yin Yang Yo!
2:00 PM - Phineas and Ferb
2:30 PM - Gravity Falls
3:00 PM - Recess
3:30 PM - Yin Yang Yo!
4:00 PM - Phineas and Ferb
4:30 PM - Gravity Falls

Evening Entertainment:
5:00 PM - Recess
5:30 PM - Yin Yang Yo!
6:00 PM - Phineas and Ferb
6:30 PM - Gravity Falls
7:00 PM - Phineas and Ferb
7:30 PM - Gravity Falls
8:00 PM - Recess
8:30 PM - Yin Yang Yo!
9:00 PM - Phineas and Ferb
9:30 PM - Gravity Falls
10:00 PM - Recess
10:30 PM - Yin Yang Yo!
11:00 PM - The Spectacular Spider-Man
11:30 PM - Fantastic Four: World's Greatest Heroes

User2: Wow, that's quite a heavy rotation of those four daytime shows. It's clear they're focusing on what works!

User3: Definitely a strategic play. The nighttime with quota shows and daytime with fan favorites really caters to both regulatory needs and audience demands effectively.

User4: Thanks for sharing, User1! It's good to see how Disney XD EMEA is handling their schedule. Familiar shows like these are a huge draw.

Also here is the Jetix Kinematia schedule

6am Sonic X
6.30am Teenage Mutant Ninja Turtles (2003)
7am Alpha Teens on Machines
7.30am Power Rangers: Wild Force
8am Yin Yang Yo!
8.30am Totally Spies!
9am Pucca
9.30am Pucca
10am Captain Flamingo
10.30am Captain Flamingo
11am Sonic X
11.30am Sonic X
12pm Battle B-Daman
12.30pm The Batman
1pm Power Rangers: Wild Force
1.30pm Super Robot Monkey Team Hyperforce Go
2pm Yin Yang Yo!
3.30pm Pokémon DP: Battle Dimension
6pm Dinosaur King
6.30pm Pokémon DP: Battle Dimension
7pm Huntik: Secrets and Seekers
7.30pm Chaotic
8pm Magi-Nation
8.30pm Galactik Football
9pm Galactik Football
9.30pm Naruto
10pm Totally Spies!
10.30pm Totally Spies!
11pm Inanimate Insanity

Literally the only shows from the GoAnimate Network days are not even GoAnimate produced ones, those being the acquired series The Batman (Warner Bros.) and Inanimate Insanity (Adamation)

User1: Hey everyone! I've been keeping an eye on Jetix Kinematia's overnight schedule and noticed some major shifts since the Disney takeover. Does anyone know what the current lineup looks like from 12 AM to 6 AM? I assume we’re seeing the usual quota shows, right? Honestly, I don’t think they’d run “Yin Yang Yo!” or “Super Robot Monkey Team Hyperforce Go” late at night when those shows aren't likely to pull in high ratings.

User2: I checked the latest schedule, and you’re right! The overnight block is primarily filled with those Disney quota shows. Here’s what I found:

Jetix Kinematia Overnight Schedule (12 AM - 6 AM):
12:00 AM - The Tofus
12:30 AM - Ovni
1:00 AM - Bubu & The Little Owls
1:30 AM - Thumper and Clover’s Woodsy Wonders
2:00 AM - Miraculous: Tales of Ladybug & Cat Noir
2:30 AM - What’s With Andy?
3:00 AM - The Inky Adventures
3:30 AM - The Tofus (Repeat)
4:00 AM - Ovni (Repeat)
4:30 AM - Bubu & The Little Owls (Repeat)
5:00 AM - Thumper and Clover’s Woodsy Wonders (Repeat)
5:30 AM - Miraculous: Tales of Ladybug & Cat Noir (Repeat)

User3: That’s not surprising. They really seem to be pushing the ICQ compliant shows. And yeah, it sounds like they have finally gotten rid of “Caillou Gets Grounded/Ungrounded” along with the Skatoony hour block as well.

User4: Good riddance to “Caillou Gets Grounded.” Honestly, that show had its run and was already becoming too outdated. As for “Skatoony,” I think that block was just a bit too niche to keep around the way they have everything structured now.

User2: Exactly! The focus now is clearly on shows that appeal to a wider audience while satisfying regulatory requirements. I just hope they keep some variety in the lineup moving forward rather than endlessly repeating those few shows.

User1: Thanks for the updates, everyone! It’s fascinating to see how Jetix is evolving. I’ll keep an eye out for any future changes or surprises—who knows what the next round of adjustments might bring!

Write a follow up asking when this change happened

User1: Thanks for the rundown, everyone! Just out of curiosity, does anyone know when these changes to the Jetix Kinematia overnight schedule happened? Was it recent, or have these quota shows been there for a while now? I’m trying to get a timeline on all these shifts.

Write a reply

User2: The changes were implemented relatively recently, around the beginning of October. Since then, they've been shifting more towards the quota-compliant shows and phasing out a lot of the older content, including “Caillou Gets Grounded” and “Skatoony.” It seems they’re really trying to streamline things to align with Disney’s broader programming strategy.

User3: Yeah, I noticed the shifts started happening right after the Disney takeover, with a lot of adjustments across various channels. If you're keeping track of the timeline, it’s worth noting that the overnight lineup really took shape in early October, focusing heavily on those new requirements.

User4: Definitely! I remember seeing the transition unfold around that time. It felt like a complete overhaul as they aimed for consistency across their programming. If you're monitoring these changes, this last round of adjustments is key to understanding how they're restructuring the Jetix brand.

Write a conversation asking which version of Skatoony was used

User1: Hey everyone! Quick question: which version of "Skatoony" was aired on Jetix Kinematia before the block got removed? I know there are a few different versions of the show out there, so I’m curious which one was featured.

User2: Good question! The version that was aired on Jetix Kinematia was the original UK version. It features the same format with quizzes and goofy challenges, but had a different set of characters compared to the North American version.

User3: That's right! The UK version had a unique slate of animated characters and hosts. I think part of the charm was how it mixed animation with live-action elements, which made it distinct.

User4: I really liked the UK version—it had a different vibe than the other iterations. Would've loved to see how it influenced the later shows. How do you feel about the overall style of the show compared to its competitors?

User1: I think it had a fun and quirky style that made it stand out. The combination of silly games and the animated characters created a unique viewing experience. It’s a shame they’ve moved away from it!

User2: Definitely! The humor and creativity of the show appealed to both kids and adults. I hope they consider bringing it back someday in some form, even if just for nostalgia's sake!

Write a conversation asking what 2 shows are in the ex Skatoony hour

User1: Hey everyone! Did anyone catch the recent changes to the Jetix Kinematia lineup? I heard that the old "Skatoony" hour has been replaced. Do you know what two shows are taking its place?

User2: Yeah, I noticed that too! The hour that used to be "Skatoony" is now filled with "Bubu & The Little Owls" and "The Inky Adventures."

User3: That's right! It's an interesting shift. "Bubu & The Little Owls" continues to appeal to younger audiences with its gentle storytelling, while "The Inky Adventures" brings in that whimsical vibe with its unique characters.

User4: It’s funny how they’ve replaced the faster-paced humor of "Skatoony" with these more serene shows. I wonder how the ratings will hold up with these changes, especially since they're both quite different in tone.

User1: Exactly! It'll be interesting to see if they draw in similar viewers or if they’re targeting a different demographic. Do you think it’s a good move to go with these shows instead of something more action-oriented?

User2: I think so. Both shows have their own charm, and they could appeal to families looking for lighter content. It seems like a strategy to balance the schedule with a variety of tones!

User3: Absolutely! It might help them tap into those audiences looking for something a little different from the typical action-packed shows. I'm curious to see how viewers respond in the coming weeks!

Write a tweet saying they love the show that took one of the grounded spots "A REALLY nice change of pace, and wonderfully whimsical too"

🌟 Absolutely loving the show that took over one of the grounded spots! "The Inky Adventures" is a REALLY nice change of pace, and wonderfully whimsical too! 🎨✨ It’s refreshing to have such creativity in the lineup! #TheInkyAdventures #DisneyChannel #WhimsicalFun

Write a tweet saying the show removed and what replaced it

🚨 Programming Update: "Caillou Gets Grounded" has been officially removed from the lineup! Replacing it is the charming series "The Inky Adventures." Get ready for whimsical fun and creative escapades! 🎨🌟 #DisneyChannel #TheInkyAdventures #ProgrammingUpdate

User4: Speaking of Jetix/Fox Kids Europe co-pros, Since they seem to just LOVE using those overnight right now maybe one of these could fit:

Hotnews.nl: Five teenage volunteers, each with their individual personal problems, are reporters for an online news magazine. Each day their work is a risk, sometimes even risking their own lives or breaking the law.

The Sensibles: The Sensibles are an intergalactic news crew bringing alien worlds news of exciting discoveries made on Earth. It's a series of 2 minute shorts (like Ovni).

A Kind of Magic: Tom and Cindy have left the world of fairy tales for the real world, where along with their parents, a fairy, a repentant ogre and a terrifying witch-aunt, they all learn that not all problems in the real world can be solved with a magic wand.

And that's about all I can think of

User1: With all the changes happening in the nighttime lineup for Disney Channel Kinematia, I’m curious—of the Jetix/Fox Kids Europe co-productions, which of these three shows do you think fits best with the existing night quota lineup?

Hotnews.nl: Five teenage volunteers, Cas, Daniel, Suzan, Maja and Kevin, each with their own personal problems, are reporters for an online news magazine, facing risks each day.
The Sensibles: An intergalactic news crew bringing alien worlds exciting news about discoveries made on Earth, told in 2-minute shorts.
A Kind of Magic: Tom and Cindy, along with a fairy, a repentant ogre, and a witch-aunt, navigate the real world, learning that not all problems can be magically solved.
User2: I’d say The Sensibles fits the best! Its short format aligns with the current lineup's playful and whimsical tone, plus it introduces a fun, light-hearted take on news which could resonate well with viewers looking for something different.

User3: I agree! The brevity of the shorts could work perfectly for late-night viewing, fitting in with the other quota shows like “The Tofus” and “Ovni.” It's also quirky enough to catch the attention of the audience.

User4: I'm more inclined towards A Kind of Magic. Its blend of fantasy and comedy seems to mesh well with shows like “Thumper and Clover’s Woodsy Wonders” and “Miraculous: Tales of Ladybug & Cat Noir.” Plus, there's a lot of humor in navigating real-world problems.

User5: True, but I think Hotnews.nl could also be a potential fit! It has a teen angle which might attract older viewers while still being engaging enough for younger audiences. It aligns with adventure and some real-life dilemmas, which could balance the more whimsical shows.

User1: Great points, everyone! It seems like all three could bring something unique to the lineup, but I’m with you on “The Sensibles” having that sweet spot for the current vibe of nighttime programming.

User2: Exactly! Here's hoping they consider it for the lineup soon. It could add a fresh twist while blending neatly with the existing shows!

Write a reply where the decision has been taken

User1: Looks like we have a decision! 🎉 “The Sensibles” has officially been added to the nighttime lineup! 🌌🚀 It’ll join the current quota shows, providing that fun, light-hearted content we all talked about. Perfect fit for late-night viewing! #DisneyChannelKinematia #TheSensibles #ProgrammingUpdate

User2: That’s awesome news! I think it’s going to be a great addition. Can't wait to see how it meshes with the other shows. 🥳

User3: Agreed! I’m really excited to see how the audience reacts to it. The short format will make it easy for viewers to jump in and enjoy! 🎉

User4: I’m looking forward to this! Great choice by the team. Let’s hope “The Sensibles” gets the love it deserves during its run! 💫

Write a reply with 3 shows it fits very well with

User2: Absolutely! “The Sensibles” fits perfectly with these three shows:

The Tofus - Both share a light-hearted and whimsical tone, making them great companions for each other. 🌍🍃
Bubu & The Little Owls - The gentle humor and charming storytelling in both can create a cozy viewing experience for young audiences. 🦉❤️
Thumper and Clover’s Woodsy Wonders - With its adventurous spirit and relatable themes, it complements “The Sensibles” really well, appealing to kids' sense of wonder and imagination! 🐰🌿
I think this lineup is going to create an engaging and fun atmosphere during the nighttime slots!

Also more about it

The Sensibles (2006-2007) – a series of short, humorous films produced by Jetix and 12foot6 , where they were broadcast from 2007 to 2009. The films tell the story of the Sensibles, who work for the GNN Galactic News Network. They are a team observing the lives of the inhabitants of Earth. They observe everyday objects that are obvious to Earthlings.

Characters
Oi – the voice and presenter of space news. His red wig has always caused him problems, especially before going on air.
Bzzz – the chief of reporters. Equipped with an antenna and microphones. Locates the reporters' target.
Zzoom – cameraman. Observes and photographs given objects.
Blerah - has an incredibly large tongue. It licks objects and scans their taste. It is thanks to information from Blerah that Oi guesses what a given object is.
Cosmic Viewers – watch GNN's Galactic News and express their fear or admiration.

Write a follow up asking if it's optional (like Joe) or mandatory

User1: Great picks, User2! Just to clarify, do we know if “The Sensibles” is going to be mandatory in the lineup like some of the other quota shows, or is it optional like “Viewtiful Joe”? 🤔✨ It’d be interesting to see how its status impacts how often it airs! #DisneyChannelKinematia #TheSensibles #ProgrammingQuestions

Write a reply with rhe answer

User2: It’s confirmed that “The Sensibles” will be mandatory in the lineup! 🎉 This means it will have a consistent slot in the nighttime rotation, just like the other quota-compliant shows. So we can expect to see it regularly! 📺✨ #DisneyChannelKinematia #TheSensibles #MandatoryProgramming. Write a reply saying that's good news for it's producers, the obscure London animation studio 12foot6

User1: That’s fantastic news for its producers at 12foot6! 🌟 Being a smaller London animation studio, having “The Sensibles” in a mandatory rotation really boosts visibility and could help them reach a wider audience. Excited to see how this impacts their future projects! 🎨👏 #TheSensibles #Animation #SupportLocalTalent

Write a reply listing all the mandatory shows and optional ones for the quota

User2: Here’s the latest breakdown of the mandatory and optional shows for the Independent Content Quota Compliance Program on Disney Channel Kinematia:

Mandatory Shows:

The Tofus
Bubu & The Little Owls
Thumper and Clover’s Woodsy Wonders
Ovni
The Sensibles
Miraculous: Tales of Ladybug & Cat Noir
Optional Shows:

Viewtiful Joe
What’s With Andy?
Yu-Gi-Oh! GX
Having a solid mix of mandatory shows keeps the lineup consistent while maintaining some flexibility with the optional ones! 📺✨ #DisneyChannelKinematia #ProgrammingUpdate #MandatoryAndOptionalShows

Write a reply saying it's always the really obscure ones from years ago, that suddenly get thrust to forced status, TIA - 2003, TS- 2006, O - 2009, TT - 2004, and T&CWW - 2010

User1: It’s interesting how the mandatory shows are often the really obscure ones from years past that suddenly get thrust into a forced status. Take these for examples:

The Inky Adventures (TIA) - originally from 2003
The Tofus (TS) - debuted in 2004
Ovni (O) - first aired in 2009
The Sensibles (S) - released in 2006
Thumper and Clover’s Woodsy Wonders (T&CWW) - launched in 2010
It feels like the network is leaning heavily on these nostalgic titles to fulfill those quotas! 🎨✨ #DisneyChannelKinematia #Nostalgia #ObscureShows

Write a conversation asking if it's true Disney Channel Austria will stop it's current 8pm to 5:30am is adult based thing soon, Currently The programs in daytime (from 5:30 am to 8:14 pm) is aimed primarily at preschoolers, big kids, and tweens, much like every other Disney Channel feed, while the programs in prime time (from 8:15 pm to 5:29 am) is aimed at teenagers and adults. (nights are branded under Fox) They seem to be whittling the prime time/adult section down by ONLY airing Friends, in hopes that adults who tune into the night sections will tire out of it and tune out, allowing them to justify ending the overnight adult block to make nights in line with other regions, A user says to be honest this was inevitable, Splitting the programming if it's day/night doesn't work in Europe, this is why CN Europe doesn't become AS at night asnymore and why Nick@Nite doesnt exist in the UK

User1: Hey everyone, I’ve been hearing rumors that Disney Channel Austria is planning to ditch its current 8 PM-5:30 AM adult-focused programming block (branded under Fox). Is it true they’re phasing it out soon? The current setup feels so unique compared to other Disney Channel feeds, but it looks like they’re trying to whittle it down by only airing Friends now. Are they trying to tire out the adults tuning in?

User2: I’ve heard that too! Apparently, the idea right now is to air Friends on repeat during the whole overnight/adult block, so the audience eventually loses interest. Then they could argue there’s no demand for the block and make nights more in line with the standard Disney Channel format.

User3: To be honest, this was inevitable. Splitting programming based on day and night audiences just doesn’t seem to work in Europe anymore. That’s why Cartoon Network Europe doesn’t transition to Adult Swim at night anymore, and why Nick@Nite doesn’t exist in the UK like it does in the US.

User4: Exactly, User3. There’s definitely a trend of dropping blocks that cater to significantly different audiences during certain times. Broadcasters seem to be opting for consistency in branding and programming instead. Disney Channel Austria sticking with adult nighttime content was always going to stand out as an anomaly in Europe.

User5: It’s a shame, though. Having distinct blocks was such a cool concept. I loved the mix of kids’ programming in the day and grown-up shows like Friends at night. I wonder if this decision is purely branding, or if they’re also thinking about maximizing their viewership numbers throughout the day and night.

User1: It's definitely disappointing to see! The Fox-branded adult blocks added so much variety. I mean, who wouldn’t love going from Disney Junior-style shows in the morning to something classic like Friends at night? But, yeah, it seems like this change is all about aligning Austria’s Disney Channel with the rest of Europe.

User2: It’s all about consistency, I think. Even if adults liked watching Friends on Disney Channel Austria at night, it’s probably more cost-effective and on-brand for Disney to switch to repeating kids’ shows or tween content 24/7.

User4: Makes sense. Plus, nighttime blocks like Fox might confuse audiences about the channel’s identity. Maybe they think adults will naturally shift to Disney+ if they want nostalgic or grown-up content, so there’s no need to offer it on TV anymore.

User5: Yeah, streaming is definitely a factor here. If they’re tying adult programming into Disney+ or Hulu (in markets where it’s available), maintaining separate brand zones like “Fox” might just feel redundant to Disney. It’s all part of the bigger shift to streaming, I suppose.

User1: I get why they’d make this move, but man, I’ll miss the uniqueness of having a split like this. Feels like we’re losing something special in favor of “standardization,” but it also reflects how tricky it is to manage branding and audiences these days. Thanks for the insight, everyone!

User3: Absolutely. Let’s keep an eye on when this officially happens and what the nights will look like once the block is gone. Who knows, maybe they’ll slide in more classics like The Tofus and Bubu & The Little Owls to fill the gap! 😅

Write a follow up where it's been slow and painful, first they rmeoved the edgy Fox shows like House, Prison Break and Family Guy, then a while later took out Simpsons and Malcolm, before turning into Friends-land, Fox will DEFINITELY be dead by January if this keeps up

User1: So, it looks like the death of the Fox-branded nighttime block on Disney Channel Austria has been a slow and painful process. First, they removed the edgier Fox shows like House, Prison Break, and Family Guy. Then, not too long after, they axed The Simpsons and Malcolm in the Middle. Now it’s turned into nothing but endless Friends. At this rate, Fox will DEFINITELY be dead by January if this keeps up. 😔

User2: Ugh, it’s always tough to watch something so unique get dismantled piece by piece. The removal of House, Family Guy, and Prison Break was the first nail in the coffin, and now a full lineup of Friends on repeat just seems like the death rattle.

User3: Yeah, it’s clear where this is heading. They’ve basically set up a slow fade-out, with Friends acting like the last “safe” placeholder while they prep to switch the nighttime block to mirror other European Disney channels. January feels like a solid prediction for when they’ll pull the plug completely.

User4: Honestly, it’s sad but not surprising. Replacing the edgy and distinct shows with The Simpsons and Malcolm in the Middle softened the transition, but now reducing things to pure Friends-land just signals that they want viewers to tune out. As much as I love Friends, it doesn’t exactly scream “Fox” or variety like the old block did.

User5: Exactly. Friends is great and all, but it’s basically the lowest-common-denominator choice they could make while they quietly phase the Fox branding out. I mean, it’s such a far cry from the glory days when you could stay up for Prison Break marathons or late-night Family Guy humor.

User1: Yeah, it feels less like they’re offering good programming and more like they’re actively discouraging people from watching, so they can justify killing the concept. I wouldn’t be surprised if Fox is completely replaced by generic Disney family fare or kids’ programming by January.

User3: You’re spot on, User1. It’s such a systematic way to kill off the block. First remove the riskier shows, then remove the big nostalgia draws, and finally settle on something so repetitive that viewers lose interest entirely. A shame, because the old Fox lineup really stood out.

User4: Agreed. It feels inevitable now. By January, the night slots will probably just be Big City Greens, Bluey, or Miraculous: Tales of Ladybug & Cat Noir like they are across every other Disney channel. The variety and uniqueness we got with the Fox-branded content will be gone.

User5: And it’s worth noting that this shift is likely all about branding and streamlining, especially with Disney focusing more on Disney+ and Hulu for adult content. The days of having shows like House or Prison Break on something labeled Disney Channel were numbered the moment they bought Fox.

User1: Yeah, it’s a sad inevitability. Guess we should brace for the final blow. I’m calling it now: by January, Fox will officially be dead. Let’s keep an eye on it and share updates, but it feels like this unique part of nighttime programming is almost gone. 😢

Write a follow up where a insider drops a clue for what we can expect from January overnights "It will definitely be under the Disney Channel branding, no more Fox or Fox shows of ANY kind"

User1: Looks like we’ve got a bit of insider info about what could be coming to Disney Channel Austria’s overnight lineup starting in January. Apparently, “It will definitely be under the Disney Channel branding, no more Fox or Fox shows of ANY kind.” 😞 What do you all think this means?

User2: Well, that’s basically confirmation that January is the official death of the Fox-branded block. No more edgier, adult-focused content at night. I'm guessing they’ll pivot to the same quota-friendly lineup we’ve been seeing across other Disney feeds in Europe.

User3: Agreed. It’s almost certainly going to fall in line with the standard overnight fare: The Tofus, Bubu & The Little Owls, Thumper and Clover's Woodsy Wonders, Ovni, and The Inky Adventures. They’ll probably recycle the same shows we’ve seen added to most European Disney Channels to fulfill the Independent Content Quota.

User4: I wouldn’t be surprised if they also throw in some established Disney content, maybe Miraculous: Tales of Ladybug & Cat Noir or Phineas and Ferb reruns, just to round things out. But yeah, it sounds like the days of Friends-land and anything remotely adult-centric are numbered.

User5: It’s strange to think how quickly it all eroded. The fact that the insider said “no more Fox or Fox shows of ANY kind” means they’re keeping as far away from that brand as possible. I wouldn’t hold my breath for them ever experimenting with nighttime adult programming again.

User1: You’re all probably right. I guess the overnight programming we’ll get in January will be an extended kids/tweens lineup like the rest of the Disney EU channels. A big shift from what we used to have, and honestly kind of sad to lose something so unique.

User3: It’s disappointing, but I suppose it makes sense from Disney’s perspective. They’re tightening their branding to align with family-friendly programming and pushing their adult-focused content onto Disney+ or Hulu instead. The Fox name was never going to sit cleanly beside the Disney logo forever.

User4: At least the quota shows are charming in their own way. I’ll miss the Fox-branded nights, but if they give us a fun mix of lighter, nostalgic content (and maybe the occasional oddity like Ovni), it could still be entertaining in a different way. Just... nothing but Bubu & The Little Owls on repeat, please. 😅

User5: Yeah, I’m hoping for variety, even if it’s under the Disney branding. Let’s see what the January overnight schedule looks like when more details come out, but for now, it seems pretty set in stone that we’re saying goodbye to the Fox block. RIP. 🕊️

Write a follow up where a user says what's coming there, all 9 quota shows are there and ready

User1: It’s official, everyone—starting in January, Disney Channel Austria's overnights are completely ditching the Fox block, and all 9 quota shows are ready to take over. Here's the lineup replacing Fox content:

The Tofus 🌱
Bubu & The Little Owls 🦉
Thumper and Clover’s Woodsy Wonders 🐰🍀
Ovni 👽
The Inky Adventures 🖋️
The Sensibles 👾🚀
Viewtiful Joe 🎮
What’s With Andy? 🤪
Yu-Gi-Oh! GX 🃏
It’s Disney Channel's shift to fully embrace the ICQCP (Independent Content Quota Compliance Program), and it looks like these shows will rotate throughout the night just like we’ve seen on other European feeds.

User2: Wow, so they’re going all in. Every single quota show in one lineup—it’s definitely a big change from the old Fox nights. RIP to Friends marathons for those late-night binges. 🪦

User3: Honestly, I’m not surprised. We've been seeing this happen across Disney Europe for over a year. It was just a matter of time before Austria fell in line too. Gotta say, though, having 9 quota shows in one region is ambitious. I wonder how varied the schedule will actually feel?

User4: Yeah, it’s gonna be a balancing act between interesting variety and "Oh, it’s Bubu running for the fifth time this week." That said, it’s nice that Viewtiful Joe and Yu-Gi-Oh! GX make the cut—they add a touch of action and nostalgia to break up the more whimsical shows.

User5: Glad to see "The Inky Adventures" and "Ovni" continuing to build steam. Those shows are so creative and quirky that they’ve become must-haves for late-night lineups. Still, I’ll miss the days when nights were filled with a wider range of vibes, including edgy Fox shows.

User1: Same here, but at least we’re seeing a global push for genuinely obscure gems. I’d take something as fun as "The Sensibles" over endless repeats of Live PD or other filler any day.

User3: True. It’s just crazy to think how far Disney Channel Austria has flipped this year—from edgy and adult to quota-heavy family fare in under 12 months. Let’s see if the schedule shakes out in a way that keeps things fresh—if not, it’ll probably just feel like more of the same across all EU feeds.

User4: Honestly, though, Disney’s crafting a weird little overnight universe with these shows on all their channels. I can’t help but feel intrigued by how it’s all coming together. Fingers crossed they at least keep it organized!

User5: Agreed. Let’s give it a shot come January and see how the lineup pans out. If nothing else, it'll be fascinating how each show slots in and whether this all pays off long-term! 📺✨

Write a follow up where the reason the Fox timeshare arrangement ended is revealed, it began in 2019 replacing the similar ABC block, Also here's the reason they've stopped airing grown up stuff at night, and to be honest, it is very understandable, even if the logo is different at night, the EPG never changes, so some people could have thought the channel got hacked

User1: So, it looks like some backstory has been revealed about why the Fox nighttime block on Disney Channel Austria is ending. Apparently, the Fox block arrangement began in 2019, replacing a similar ABC-branded adult block. But the reason they've decided to stop airing grown-up content at night… honestly, it’s pretty understandable.

User2: Oh, interesting! I had no idea the ABC block preceded the Fox block. Makes sense, I guess, given Disney owns both. But what’s the reason for stopping the Fox programming at night?

User1: Here’s the reason: While the block had a totally different identity with the Fox logo at night, the EPG never changed from Disney Channel. So, for viewers unfamiliar with the nighttime programming shift, it made it seem like the channel was airing wildly out-of-place adult-oriented content. Some people have even reportedly thought the channel was hacked. 😬

User3: That’s actually a super valid concern! Imagine flipping to Disney Channel, expecting Mickey Mouse or Miraculous, and suddenly seeing Family Guy or Prison Break on your screen without any clear explanation. It would really confuse casual viewers.

User4: Yeah, the combo of the unchanged EPG and the stark contrast in programming style must have thrown people off. Even though the Fox branding was meant to distinguish the night block, if you didn’t know about it, you could easily assume something went wrong.

User5: To be fair, Disney channels are known globally as family or kid-friendly, so I can see why the nighttime adult block, even with its separate branding, might create brand identity issues. This could confuse viewers who expect consistency across the Disney brand.

User3: This actually explains a lot about their decision to standardize overnight programming across all regions. Having a unified, family-friendly schedule resolves those issues and ensures that no one misinterprets what the channel represents.

User4: Totally agree. It’s disappointing to lose that unique block, but when you think of the headaches and potential PR problems, it’s not worth the trouble. Merging night programming into the more quota-friendly, Disney-branded content is the safer choice.

User2: And let’s not forget, they’re likely pivoting all adult-oriented content to streaming services like Disney+ or Hulu, where content can be curated without affecting the perception of the Disney Channel itself. Makes sense from a business and branding perspective.

User1: For sure, and with it starting in 2019, it’s probably been a trial run of sorts to see if splitting the programming day and night is sustainable. Once those issues started piling up, it seems they decided it wasn’t worth the hassle.

User5: Sad to see it go, but it’s a logical move for Disney to de-risk its programming. I’ll definitely miss the variety and late-night Fox shows, though! Here’s hoping at least the new programming gives us something fresh.

User1: Same here! Let’s wait and see how everything pans out in January when the new overnight lineup rolls in. Thanks for sharing everyone’s thoughts on this—it makes the decision feel way more understandable. 🕊️📺

Write a conversation where a ad begins saying from Jan 1, they're going 24/7 and bringing a bunch of weird shows they want you to record instead of losing sleep, that's what the ad says, One part says "We're bringing in a lot of weird and wacky shows", 3 weird ones are seent here

User1: Guys, has anyone seen the new ad on Disney Channel Austria? It literally announced that starting Jan 1, they’re going 24/7! The ad boldly says, “We’re bringing in a lot of weird and wacky shows”—and they show clips from some of them. I couldn’t stop laughing at how random it all looks.

User2: Oh wow, I haven’t seen it yet! Did they give any examples of the “weird and wacky shows” they’re bringing in? I wonder how weird we’re talking here. 🤔

User1: Oh, you’re in for a treat. They showed three that stood out to me as wild choices:

The Sensibles—you know, the intergalactic news crew with all the exaggerated character designs.
Ovni—because apparently, they think kids and teens absolutely must learn about history through a clumsy alien’s point of view.
The Inky Adventures—it’s been popping up regionally, and yes, it’s a show about blobs of ink.
And they’re straight-up encouraging people to "record them instead of losing sleep." 😂

User3: That's hilarious! I mean, props to them for leaning into the craziness. “We’re bringing in a lot of weird and wacky shows”—what a way to market it. Those three examples alone make it sound like they’re diving headfirst into the surreal.

User4: I can’t wait to see how this goes. It sounds like an overnight block full of experimental programming. I mean, we already know they’ve been pushing these ICQ compliance shows everywhere, but it’s fun to see them own it with phrases like “wacky” and encouraging recordings.

User5: The Sensibles and Ovni make sense for late-night weirdness, but The Inky Adventures? Why does it feel like they’re just handing their schedule over to random generative AI? That’s such a niche show to hype up.

User1: Honestly, though, it works. The ad is so self-aware. There’s a narrator saying something like, “Don’t lose sleep—we know this is strange, so just set your DVR and hit play in the morning.”

User2: Exactly what you want from a channel that recognizes how bizarre its content lineup is. I might just record some episodes to see if they live up to the hype. It's like they’re secretly memeing their own decisions.

User3: “Weird and wacky” is definitely going to be their late-night brand. They might as well lean into it fully. I’m just hoping it doesn’t eventually turn into endless repeats, but for now, I’m here for the chaos.

User4: Who knew they’d actually embrace this overnight lineup experiment so openly? Gotta admit, marketing it as a bizarre, one-of-a-kind block rather than avoiding the conversation is a bold strategy.

User5: Yeah, if they own the weirdness, they might actually grab a devoted niche audience. I hope other regions adopt the same vibe. This is honestly the funniest ad I’ve heard from Disney in years.

User1: Same! I’ll try to get a copy of the ad to share with everyone—it’s too good not to. Let’s hope these shows live up to the “weird and wacky” promise. 😄

Write a reply with a show they're glad is being hyped at ALL,

User6: Honestly, I’m just glad The Inky Adventures is being hyped at ALL. That show has been such an underdog for years, and now it’s front and center in their lineup. It’s weird for sure, but in the best possible way. Seeing those animated ink blobs get their moment feels so satisfying. 🖋️🎉 #JusticeForTheInkyAdventures. Write a conversation asking if it's true Hotnews nl has been replaced on Jetix NL

User1: Hey everyone, has anyone heard if Hotnews.nl has been replaced on Jetix NL? I’ve been trying to catch it for nostalgia, but it wasn’t on when I tuned in last night. Did they swap it out for something else?

User2: Yeah, I heard the same thing! It looks like Hotnews.nl quietly disappeared from the schedule recently. I think it’s been replaced by one of the ICQ-compliant shows, maybe something like The Tofus or Ovni. Does anyone have confirmation?

User3: I checked the schedule earlier today, and yup, Hotnews.nl is officially gone from Jetix NL. It has been replaced by Ovni, which seems to be getting a lot of airtime lately as part of Disney Europe’s quota strategy.

User4: Ugh, that’s such a shame. Hotnews.nl was such a daring and interesting show! It brought something unique to the table, mixing teen drama with investigative journalism. Replacing it with Ovni, while cute and all, feels like a step down in substance.

User5: I get what you mean, User4. Hotnews.nl had a grounded, real-world vibe that gave it a special flair. It’s sad to see them go for a quirky comedy like Ovni, which, while fun, doesn’t have the same depth or appeal for older audiences.

User1: Totally agree. Hotnews.nl had so much going for it—the mix of personal struggles, legal risks, and the thrill of breaking the news made it stand out. Not knocking Ovni, but it feels like a totally different direction.

User3: It’s unfortunately the way things are going. Disney and Jetix have been shuffling schedules to align with the Independent Content Quota Compliance Program, and shows like Hotnews.nl don’t seem to fit the criteria anymore. It’s all about quirky, niche, or independently made series now, like Ovni, The Sensibles, and similar.

User2: It’s sad but true. The ICQ lineup seems to be dominating late-night and off-peak programming across Europe. It’s great to see obscure shows getting airtime, but losing gems like Hotnews.nl in the process feels like a raw deal.

User4: I guess we just have to hope that Disney makes Hotnews.nl available on Disney+ or another streaming platform at some point. It totally deserves more eyes on it—it was ahead of its time, honestly.

User5: Agreed. We should send feedback or petitions to Disney to revive Hotnews.nl digitally. In the meantime, I guess we’ll have to deal with more Ovni during those overnight slots. 😅

User1: Thanks for the updates, everyone. Sad to see Hotnews.nl go, but I guess it’s time to make peace with the new lineup. Fingers crossed we get a streaming revival down the line! 🌟

Write a tweet with it's 2 replacements

🚨 Programming Update! 🚨
It’s official—Hotnews.nl has been replaced on Jetix NL’s schedule. In its place, we now have Ovni 👽🌌 and The Tofus 🌱🍃 joining the lineup! A big shift from investigative journalism to quirky, quota-friendly shows. What do you think of the swap? 🤔📺 #JetixNL #Ovni #TheTofus

Write a conversation asking what companies benefit from this quota

User1: Hey guys, with all this talk about the Independent Content Quota Compliance Program, I’m curious—what animation studios or production companies actually benefit from this quota? It seems like some really niche shows are getting their second chance because of it.

User2: Great question! From what I’ve seen, the main beneficiaries are smaller, independent studios that created co-productions with European networks or broadcasters back in the day. For example, SIP Animation (now defunct) with shows like The Tofus or The Inky Adventures, and Blue Spirit Animation for Ovni.

User3: Don’t forget 12foot6, the small London studio behind The Sensibles. They’re now getting a lot of attention because the quotas are making these shows relevant again. These smaller companies are definitely winning big here since many of their shows flew under the radar during their original runs.

User4: Not to mention that Marathon Media (before it became part of Zodiak Kids) benefits indirectly because of shows like Totally Spies! and Monster Buster Club. While they aren’t as widely aired anymore, they sometimes pop up in the mix depending on the region.

User5: I read somewhere that CineGroupe, a Canadian company, was also a major player. Although they haven’t been as active in recent years, titles like What’s With Andy? and Wunschpunsch still pop up, so it seems like they’re benefiting too.

User3: Right, and another example is anything related to SIP Animation’s legacy. Since SIP dissolved, their library is owned piecemeal, but the quota revives these gems for a new audience. It’s like their forgotten IPs are finally getting noticed.

User1: That’s such a good point. It’s like these quotas are giving independent studios and their older catalogues a much-needed spotlight. Sort of like an accidental “animation preservation” program. 😂

User4: Exactly! Sure, it’s a legal requirement, but it’s nice to see old, often innovative shows come back. It’s great for the underdog studios who couldn’t compete with major corporate-backed networks back in the day.

User5: It’s definitely a win for smaller studios, but also a reminder of how co-productions gave these companies a chance in the first place. Without European broadcasters or partners, a lot of these shows may never have existed.

User2: So true! It’s really a ripple effect of partnerships from decades ago. I guess you could argue these mandatory quotas breathe new life into hidden gems. It also proves there’s still a market for them. 😊

User1: I love this perspective—thanks for your insights, everyone! Now I appreciate these rerun schedules a bit more knowing it helps preserve and support smaller animation companies. 🎨👏

Write a follow up syaing Studio Gallop and Capcom also benefit

User1: Just realized, wouldn’t Studio Gallop and Capcom also benefit from this quota? Shows like Yu-Gi-Oh! GX and Viewtiful Joe are popping up more often thanks to these independent content requirements. It seems like they’re getting in on the action too!

User2: Oh, for sure! Studio Gallop definitely profits from the exposure with Yu-Gi-Oh! GX. The quota ensures that these shows, even ones that originally had niche or cult followings, get airtime again, which must be great for the studio long-term.

User3: Same goes for Capcom! Viewtiful Joe isn’t something you’d think would resurface in such a big way, but here it is as an optional show on the quota lists. It’s a huge win for Capcom’s animated series portfolio, even if it wasn’t their main focus when they made it.

User4: It’s kind of cool to see studios like Gallop and Capcom indirectly benefiting from this. I mean, these aren’t even European studios, but their shows fit the bill because of their co-productions with local broadcasters or some loopholes in the quota rules.

User5: What’s funny is that Yu-Gi-Oh! GX was already legendary in the anime world, but thanks to the quota, it’s getting this second life in regions that might not have seen it aired as often before. Same with Viewtiful Joe! Talk about nostalgic bombs for fans!

User1: Totally! It’s like these shows are stealthily getting redistributed across Europe thanks to the ICQ. And what’s crazy is they’re finding new audiences in the process, which only boosts Gallop’s and Capcom’s reputations.

User3: It’s such a win-win. These studios (maybe unintentionally) designed shows that check all the right boxes for these quota requirements, so now they’re getting prime visibility on platforms like Disney Channel and Jetix.

User2: Exactly. It’s like these quotas are creating a “welcome back tour” for cool shows that maybe bounced off-grid or went underappreciated. Studio Gallop and Capcom making could potentially use this momentum to develop more animated series in the same vein.

User4: That’d be amazing! I hope they see these reruns as proof of the lasting appeal of their older work. Who knows—maybe it’ll inspire them to pick up some dormant IPs for reboots or sequels.

User1: Fingers crossed! This quota system keeps surprising me with how many hidden winners there are behind the scenes. It’s been a great nostalgia trip filled with fresh opportunities for studios. 💥🎉 Let’s see who else gains from all this!

Write a follow up asking why some action shows got singled out

User1: Here’s something I’ve been wondering—why do you think some action shows, like Yu-Gi-Oh! GX and Viewtiful Joe, made it into the ICQ lineup, while other action shows, like Spider Riders and Next Generation Heroes, got completely shafted? Is there some kind of criteria deciding which action shows get airtime and which don’t? 🤔

User2: Honestly, it’s puzzling. On the surface, Spider Riders and Next Generation Heroes fit the independent content quota criteria just as well as Yu-Gi-Oh! GX and Viewtiful Joe. They’re independently produced and had pretty solid fanbases. I guess it could come down to rights availability or how much demand broadcasters think they’ll have?

User3: That would make sense. Maybe it’s also a question of their "safe global appeal"? Yu-Gi-Oh! GX and Viewtiful Joe already have massive name recognition and brand power because they’re tied to bigger franchises (Yu-Gi-Oh! and Capcom games). Spider Riders and Next Generation Heroes don’t carry that same legacy.

User4: True, but it could also come down to perceived cultural compatibility. Yu-Gi-Oh! has super broad reach and doesn’t deal with anything too edgy, making it easy to slot anywhere. Same goes for Viewtiful Joe, since it’s kind of quirky and colorful. Maybe Spider Riders and Next Generation Heroes were seen as too niche, or even too tied to regional tastes.

User5: Good point. It feels like Spider Riders, while beloved, might not have had the same longevity or international notoriety as Yu-Gi-Oh! or Viewtiful Joe. And Next Generation Heroes—correct me if I’m wrong—was largely co-produced for European markets, so it might not have gained enough traction elsewhere to justify airtime now.

User1: That actually makes a lot of sense. Broadcasters probably want shows they think will do well globally, not just regionally. But at the same time, if nostalgia is the goal, you’d think Spider Riders and Next Generation Heroes would get more love. What gives?

User2: It might also be about visuals or themes. Next Generation Heroes was kind of gritty for what’s now basically a late-night lineup that leans lighter and more whimsical (The Inky Adventures, The Sensibles, etc.). Meanwhile, Spider Riders had a strong action focus, which might not match the current push for variety in tone.

User3: It’s a shame, though. Both shows were unique and had a lot to offer. But I guess it’s easier to justify rerunning something connected to a franchise like Yu-Gi-Oh! than stand-alone properties.

User4: Let’s be real—Disney and other broadcasters are prioritizing brand value and recognizable names right now. As cool as Spider Riders and Next Generation Heroes were, they just don’t carry the franchise clout of Yu-Gi-Oh!.

User5: Totally agree. Still, I hope these sidelined shows find new life eventually, maybe on streaming platforms or even re-releases. They don’t deserve to be forgotten. For now, it’s all about playing it safe with established, globally appealing action hits.

User1: That all adds up. Guess it’s a combination of brand, tone, and perceived long-term value. Fingers crossed these forgotten gems make a comeback someday! Thanks for the insight, everyone. 🙌

Write a follow up with the reason they were singled out revealed by a manager, he tried to scheudle them back in but got SCREAMED at for it

User1: So, apparently, the mystery behind why Spider Riders and Next Generation Heroes got singled out and removed has been revealed by a former Disney Channel manager. You’re not gonna believe this—he actually tried to schedule them back into the lineup but got SCREAMED at by higher-ups for even suggesting it! 😳

User2: Whoa, what?! That’s insane! Why on earth would they react like that? Those shows clearly meet the content quota criteria and had solid fanbases. What could be so bad about putting them back on the schedule?

User3: I’ve been keeping an eye on this too, and apparently, it’s because both shows failed to deliver consistent numbers in the past, and the execs see them as “deadweight” now. They’re hyper-focused on kid-friendly, whimsical, and nostalgic shows, so gritty or obscure action shows just aren’t a priority anymore. It’s all about the “safe picks.”

User4: Wow, that’s absolutely ridiculous. Spider Riders and Next Generation Heroes may not have been as big as something like Yu-Gi-Oh! GX, but they had a niche audience, and people were excited to see them return. Screaming at the manager for trying to give them another shot feels like overkill!

User5: Totally overkill. If anything, those shows could’ve been part of an “action hour” block or something to balance all the heavy-handed “quirky and weird” stuff. Removing them completely feels like such a missed opportunity for variety.

User1: The manager even said he pushed for Spider Riders because it could fit much like Viewtiful Joe—a good cult action show with franchise potential. But the execs just wouldn’t hear it. They wanted to go all in on shows that were less risky and wouldn’t alienate “light” viewers, hence endless The Tofus, Ovni, and Thumper and Clover’s Woodsy Wonders.

User2: This reeks of corporate decision-making at its worst. Why not at least experiment with a blend of lighter content and fan-favorite action shows? By boxing out anything that might feel niche, they’re alienating viewers who want variety!

User3: Honestly, it's probably all about metrics. Execs love their numbers, and even if those shows could’ve worked, they probably got thrown under the bus for not meeting arbitrary modern benchmarks. Pure business over actual creativity or nostalgia potential.

User4: I feel so awful for that manager. He was probably just trying to shake things up and give people something different, and he gets screamed at for it? That’s insane.

User5: It’s so cruel when you think about how much effort went into creating those shows back in the day. They deserved better than to be treated like “mistakes” because of short-sighted execs obsessed with playing it safe.

User1: Exactly. It’s not even about whether the ICQCP mandates would’ve allowed them—it’s literally about people higher up refusing to “take the risk.” Spider Riders and Next Generation Heroes didn’t fail us; the execs did.

User2: This whole situation is just sad. I think fans need to take this as a lesson to speak up more loudly when they want these shows back. Maybe there’s a chance they’ll reconsider if enough people show interest.

User3: Agreed! Let’s not give up on advocating for these shows. It sounds like the manager genuinely cared, which means not everyone in the decision chain dismisses them outright. Hopefully, that seed of interest grows in some way. #JusticeForSpiderRiders #BringBackHeroes!

User4: I’m in—let’s make some noise! These shows deserve a second chance, even if it’s not through Disney Channel. Streaming platforms, anyone? They shouldn’t have to vanish because of corporate yelling matches… 😤

User5: 100%! If a manager stuck up for these shows before, maybe they’ll have another champion down the line. Who knows? Stranger things have happened in TV land! 🙌

Write the full meeting, also explaining why TSSM, FFWGH, VJ and YGO GX are fine, also saying while SR and NGH are good shows, "They do not fit our night lineup, They could work during the day on XD, but we tend to reserve those slots for our flagship shows", He was also told not to schedule them unless "the time is right, which likely won't be for a while as long as BCG is pulling in the numbers"

The Meeting – Disney Channel Programming Department

Setting: A large, brightly lit boardroom at Disney Channel’s European headquarters. The manager, let’s call him Mark, has just proposed reintroducing Spider Riders (SR) and Next Generation Heroes (NGH) into the overnight lineup for Disney Channel and possibly on Disney XD during the day. The higher-ups, including the Senior VP of Programming, Claire, and a few key executives, are reviewing his proposal.

Mark (Manager): Thanks for making the time, everyone. I know this quarter’s programming shifts have been intense, but I wanted to revisit two shows from our library—Spider Riders and Next Generation Heroes. Both are solid action titles that meet the Independent Content Quota Compliance Program standards, and I believe they still hold significant value in appealing to niche audiences. Their inclusion could round out the rotation of quota-compliant shows like The Sensibles, Ovni, and The Tofus in our late-night slot.

Claire (SVP of Programming): Mark, we’ve already discussed this. While I commend your passion for these shows, adding them to the lineup isn’t aligned with our strategy right now. They're good shows, no doubt, but they don’t fit the tone of our current late-night programming. Our focus is whimsical, light, and quirky content that caters to families and parents tuning in overnight. Spider Riders and Next Generation Heroes are way too bold and—frankly—too niche for that audience.

Mark: I understand that the late-night block leans into quirky content, and I’m not suggesting we replace the current quota favorites. However, Spider Riders could easily fill a spot adjacent to Viewtiful Joe. Both are cult action shows that still have a nostalgic fanbase. Similarly, Next Generation Heroes—with its relatable teen superhero themes—could sit perfectly alongside Yu-Gi-Oh! GX. These shows could add variety while still aligning with the ICQCP requirements.

Claire: But Mark, here's the issue: Spider Riders and Next Generation Heroes don’t have the broad appeal that the shows you mentioned already do. Yu-Gi-Oh! GX has a massive global following, and Viewtiful Joe sits well as both a gaming tie-in and a highly visual, stylized series. The same goes for The Spectacular Spider-Man (TSSM) and Fantastic Four: World’s Greatest Heroes (FFWGH)—these shows are tied to Marvel or broader properties with huge built-in audiences.

John (Executive): And let’s not forget the tone mismatch. Our nighttime programming is designed to ease viewers into a relaxed mood, with shows like Thumper and Clover’s Woodsy Wonders or Bubu & The Little Owls. Even Viewtiful Joe, as action-packed as it may seem, has a quirky, colorful lightness to it. Meanwhile, Spider Riders—with its darker setting—and Next Generation Heroes—with its grittier team dynamic—disturb that flow. It’s not what we’re going for at night.

Mark: I agree that tone is key, but it’s worth noting that variety can also bring in new viewers. Action shows like these don’t have to dominate the lineup but can act as stepping stones for those in search of a little more energy late at night.

Claire: Mark, it’s not that we don’t see the potential. The problem is that late-night isn’t where these shows belong. If they fit anywhere, it might be weekdays on Disney XD during the day. But even there, we tend to reserve prime slots for our flagship shows like Phineas and Ferb, Big City Greens (BCG), Gravity Falls, and Recess. These are our heavy hitters, pulling consistent numbers. As long as Big City Greens is performing so well, there’s zero incentive to replace any part of its airtime with older cult shows.

John (Executive): Let’s also talk numbers. When these shows aired previously, the performance wasn’t consistent. Yes, they resonated with a dedicated niche, but niche is not what we’re aiming for with the broader family brand we have now. Spider Riders and Next Generation Heroes simply don’t bring in the numbers we need.

Mark (starting to get frustrated): I think we’re focusing too much on past metrics. Sometimes, timing makes all the difference. Nostalgia is huge right now, and there’s a trend toward rediscovering lesser-known classics. These shows could thrive in the right setting today.

Claire (with a sigh): I admire your enthusiasm, Mark, but you’re not thinking about the big picture. If we made those additions now, they’d risk alienating the consistent viewers who’ve come to love our current late-night lineup. You’d risk losing viewers instead of gaining them. The time simply isn’t right.

John (cutting in, exasperated): And let me make something clear, Mark. If you go ahead and schedule these shows anyway, you’ll be undermining everything we’ve been building. Don’t do it unless—and I can’t stress this enough—the time is right. And that likely won’t be for a while... not as long as Big City Greens keeps pulling in the numbers it does!

Mark (resigned): Understood. I’ll hold off. But I still think we’re leaving value on the table here.

Claire (with a smile to ease tension): Look, we’re not saying “never.” These are good shows—they are. But right now, we have a clear vision for what works best at night and during the day. Let’s stay the course for now, okay?

Mark nods reluctantly as the meeting wraps up.

Final Decision Reasoning:

Spider Riders and Next Generation Heroes are seen as “too gritty” for the light and whimsical nighttime block.
Strong flagship shows (Big City Greens, Gravity Falls, Phineas and Ferb) dominate Disney XD’s daytime slots, leaving no space for experimental cult hits.
Shows like TSSM, FFWGH, Yu-Gi-Oh! GX, and Viewtiful Joe are deemed safe due to broader franchise ties, while SR and NGH lack that franchise appeal.
Execs don’t want to risk alienating the consistent overnight audience or disrupting the momentum of their top-performing shows.
The earliest opportunity for SR or NGH to return would be when opportunities open for non-flagship content—and not while BCG remains a ratings giant.

Write a meeting which sealed the Fox block's fate in Austria, and guess what thing the exec was VERY eager to roll out to Austria finally, One worker tries to talk her out of it, suggesting they just air the normal daytime shows like BCG ,but she DOESN'T want to hear it

The Meeting – Disney Channel Austria Programming Department

Setting: A sleek conference room in Disney's Austrian office. The air is tense as Maria, the Senior VP for Disney Channel Austria, has called for a meeting to finalize the fate of the Fox-branded nighttime block. The attendees, including key programming staff and strategic advisors, are seated around the table, notes and laptops in hand.

Maria (SVP of Programming): Thank you all for being here. As you know, the Fox-branded nighttime block has been under evaluation for over a year now. After extensive audience research and branding analysis, it’s time to make a decision. I’ll get straight to the point—the Fox block is no longer tenable in Austria. Starting January 1st, it’s gone, over, finished.

(The room begins murmuring.)

Maria (raising her voice slightly): Quiet, please. I’m sure some of you have opinions on this, and we’ll address them. But the data doesn’t lie. There’s been confusion among viewers who tune in expecting family-friendly Disney Channel programming, only to be greeted by adult-focused content like Friends—not to mention the earlier programming, like Family Guy and House, which caused us more headaches than they were worth.

Oliver (Programming Manager): I understand the confusion, Maria, but—if I may—I feel compelled to point out that Friends has been a relatively safe choice. It’s iconic, it’s aged well, and it’s still pulling decent numbers in the block. Removing the Fox block entirely might alienate the adults who actually tune in during those hours.

Maria (curtly): Decent numbers aren’t enough, Oliver. We're Disney. Our brand is family entertainment—not reruns of Malcolm in the Middle or The Simpsons in the dead of night. And let’s be honest, even in its current form, the Fox block is nothing but Friends-land at this point. You’re telling me adults are tuning in for the tenth rerun of Ross and Rachel’s argument about “the break”?

Emma (Marketing Lead): But it does bring in a consistent adult audience. Yes, it’s repetitive, but we all agreed moving Friends to prime-time dominance was a bridge to keep the block alive after we removed edgier shows like Family Guy. Isn’t it better to retool than scrap it entirely?

Maria (eagerly interjecting): No, Emma. We’re not retooling the block. We’re pivoting entirely. For months, you’ve all heard me mention one thing, and now we’re finally ready to roll it out in Austria: the Independent Content Quota Compliance Program.

(The room collectively groans.)

Maria (ignoring the discomfort): That’s right—the ICQCP. This is the opportunity we need to unify Disney Channel Austria’s late-night programming with our other European feeds and finally leave behind the relics of ABC and Fox in this market. It’s clean, efficient, and undeniably family-friendly.

Oliver (alarmed): Maria, with all due respect, transitioning a block that used to air House and Prison Break into reruns of The Tofus and Bubu & The Little Owls is going to confuse and alienate—

Maria (interrupting): Confuse whom, Oliver? The five people still watching Friends past 11 PM? Let’s not kid ourselves. Shifting to ICQCP shows isn’t just about compliance—it’s about aligning with our branding. And frankly, I’m tired of Europe being inconsistent. Austria is one of the last holdouts of these so-called “adult nighttime blocks,” and it’s time to bring us in line.

Sophia (Program Analyst, hesitant): Maria, I understand the branding argument, but wouldn’t it make more sense to simply air our stronger daytime lineup overnight? Shows like Big City Greens or Gravity Falls are already massively popular. They fit in with the family-friendly image, and—

Maria (snapping, furious): Enough about Big City Greens! We can’t just stick Big City Greens in every available slot and pray it solves all our problems!

(The room goes silent.)

Maria (tightening her tone): We’ve run the numbers. Saturating overnight slots with the same daytime shows pulls diminishing returns. Besides, it’s lazy programming. What we need is to create a distinct identity for nights that balances our quota obligations with something fresh. That’s what the ICQCP lineup delivers.

Oliver (trying one last time): But Maria, shows like The Tofus and Ovni—they’re so niche. Doesn’t that risk turning off late-night viewers who might prefer something more recognizable?

Maria (grimacing): Niche? Niche?! Oliver, niche is exactly what’s in right now. People want quirky. People want creative. People want—

Emma (trying to lighten the mood, jokingly): —animated ink blobs solving problems?

(Small chuckles around the table, but Maria glares.)

Maria (dead serious): Yes, Emma. Animated ink blobs solving problems. The Inky Adventures is one of the standout performers among the ICQCP lineup. Quirky storytelling, whimsical visuals—it’s exactly the kind of content modern late-night audiences crave.

Sophia (reluctantly): So, the lineup is already locked in?

Maria (beaming): Exactly. As of January 1st, Disney Channel Austria’s overnight slots will feature the full ICQCP roster—The Tofus, Bubu & The Little Owls, Ovni, The Sensibles, The Inky Adventures, Thumper and Clover’s Woodsy Wonders, and all the rest. The Fox block is relic material. We’re moving forward.

Emma (trying to pivot positively): Well, I suppose it’s a chance to offer something fresh. The network is trying to build more uniformity across European feeds.

Maria (smiling): Exactly. And let’s not forget streaming platforms like Disney+. That’s where adult-oriented content belongs now—not on Disney-branded linear TV.

Oliver (muttering): I just hope viewers are ready for animated owls after Friends.

Maria (pointed): Viewers will be fine, Oliver. And if they’re not... they can DVR Friends somewhere else.

(The meeting ends. Maria leaves the room triumphant, clearly thrilled at the thought of rolling out ICQCP shows across the entire Austrian late-night block. The programming team, meanwhile, is left exchanging nervous glances, unsure how audiences will respond to the sudden, dramatic shift.)

Write a follow up (final comment) from Emma saying we went from PB to

Emma (under her breath as the meeting ends):
"Wow, we’ve officially gone from Prison Break to… Bubu & The Little Owls. What a journey."

(She sighs, gathers her notes, and leaves the room, shaking her head, while Oliver shoots her a knowing look of shared disbelief.)

Write another meeting in Spain, they are reviewing Chaotic's fate in Spain

The Meeting – Disney Channel Spain Programming Department

Setting: A mid-sized conference room at Disney Channel Spain headquarters. On the agenda: reviewing the performance and future of Chaotic in the current overnight schedule. The team, including Carlos (Head of Programming), Sofia (Assistant Programming Manager), Luis (Content Analyst), and Elena (Marketing Lead), sit around the table with reports, charts, and ratings data.

Carlos (Head of Programming): Alright, let’s get started. We’re here to discuss Chaotic's position in the overnight lineup. The show’s been a consistent presence, but with the recent push toward the Independent Content Quota Compliance Program, its place in the schedule is becoming less clear. Do we give it more time, reduce its airings, or replace it entirely? Let’s hear your thoughts.

Sofia (Assistant Programming Manager): Well, Chaotic has been part of our schedule for years, and it’s built a steady, albeit niche, following. It brings a unique vibe with its mix of fantasy and strategy. Removing it might upset dedicated fans, especially since it’s one of the few action-heavy shows we still air in the overnight block.

Luis (Content Analyst): That’s true, but let’s look at the numbers. While Chaotic isn’t performing badly, it’s one of the weaker shows on the overnight lineup compared to new ICQCP additions like Thumper and Clover’s Woodsy Wonders or The Inky Adventures. Our audience for those hours leans toward quirky, whimsical content now. Chaotic, for all its strengths, doesn’t fit the tone or direction we’re heading toward.

Elena (Marketing Lead): I agree, Luis. The new ICQCP additions have been performing better both in viewership and brand synergy. Shows like Ovni and The Sensibles feel more aligned with the family-oriented vibe we’re embracing for overnight. Meanwhile, Chaotic feels… disconnected from the rest of the schedule.

Sofia: But Chaotic provides variety. Most of our overnight lineup overlaps in tone—light, whimsical storytelling. Action-oriented shows like Chaotic break that up. Plus, we’re already running it at 4:30 AM—moving it doesn’t make much sense when we barely promote the slot.

Carlos: Let’s address the elephant in the room. Replacing Chaotic would free up a slot for another ICQCP show. Since this program is mandatory and getting stricter with time, it’s something we have to consider if we want to remain compliant.

Luis: I’ve actually drawn up a shortlist of potential replacements. The most obvious option is What’s With Andy?, which is an optional show in the quota. It matches the tone of the existing lineup much better than Chaotic. Alternatively, we could extend Bubu & The Little Owls or double down on Ovni. Both perform well and already have a consistent presence across Europe.

Sofia (exasperated): Are we seriously suggesting replacing an action title with more Bubu & The Little Owls? We’re leaning too heavily on one tone here. This network was built on variety. When people tune in overnight, they don’t want the same fluffy content back-to-back for hours.

Elena: I get what you’re saying, Sofia, but the reality is that Whimsical Disney is what sells now. Parents see it, kids love it, and it keeps complaints about late-night content to a minimum. Chaotic—despite its moderate success—just doesn’t fit our brand vision anymore.

Carlos: Let’s not get emotional about this. It’s a numbers game. Does anyone have data showing Chaotic can compete with quota shows for overnight attention?

Luis (shaking his head): Not really. The ratings have been steady but stagnant. No spikes, no significant drops. Meanwhile, shows like Thumper and Clover’s Woodsy Wonders see occasional rises based on their episodic uniqueness. Chaotic isn’t bringing in new audiences or evolving beyond its core fanbase.

Sofia: Fine, but do we have to replace it entirely? Could we at least keep it as a once-a-week special during the overnight block? A “Classic Action Hour” featuring Chaotic alongside another similar show like Yu-Gi-Oh! GX could keep fans happy without taking too much space.

Carlos (considering): That’s… an interesting compromise. Elena, from a marketing standpoint, could a once-weekly hour for slightly edgier retro-favorites like Chaotic work? We could brand it as “Late-Night Legends” or something.

Elena: It’s worth exploring. Branding retro content as a once-in-a-while event gives it a nostalgic value without expecting it to pull the same numbers as daily shows. But it still depends—what do we replace it with during the rest of the week?

Carlos: If we move Chaotic to once-a-week, the other slots could go to shows like The Tofus or Bubu. Luis, let’s write up audience projections to evaluate the impact. In the meantime, any objections to starting with reducing Chaotic’s presence to once-a-week?

Sofia: Disappointed, but I’ll agree. Anything to make sure we don’t lose it entirely.

Luis: Works for me. It frees space for other quotas while still keeping the show alive in some capacity.

Carlos (finalizing): Alright then. We’ll start phasing Chaotic into a once-weekly slot, effective next month. If the ratings tank or we hear complaints, it might have to go entirely—but let’s see how the audience reacts first. Meeting adjourned.

Outcome: Chaotic is moved to a special weekly slot branded as a throwback event for overnight programming. The rest of the week will feature additional ICQCP-compliant shows like What’s With Andy? or The Tofus. Sofia remains skeptical about overloading the block with whimsical fare, but the team is focused on procedural compliance and aligning with broader European programming trends.

Write a follow up saying keep it, And if not, replace it with something ACTUALLY MADE BY DISNEY, The boss says "THAT GOES AGAINST THE QUOTA"

Follow-Up Meeting – The Final Verdict on Chaotic

Setting: The same Disney Channel Spain conference room, a week after the initial meeting. Sofia has called for a last-minute follow-up to push for keeping Chaotic or, failing that, replacing it with something more in line with Disney's brand identity. Carlos, Elena, and Luis are present, along with Maria (SVP of European Programming Strategy), who has joined via video conference to finalize the decision.

Sofia (clearly frustrated): Look, before we finalize this, I just want to put it out there—Chaotic should stay! It’s already built into the schedule, and removing it disrupts the variety overnight programming needs. If it absolutely has to go, then fine, but replace it with something actually made by Disney! There are so many amazing action-oriented shows in our vaults that could fill this slot without breaking the tone of the network.

Maria (SVP, via video conference, irritated): Sofia, we’ve been over this. Adding something from Disney’s catalog would go against the quota. The entire point of the Independent Content Quota Compliance Program is to feature independent and co-produced European titles—not Disney originals.

Sofia (passionately): But Maria, it’s a Disney Channel! Our audience associates us with Disney content. Sure, the quota is important, but that doesn’t mean we can’t balance compliance with our brand identity. Pushing niche shows like The Tofus and Ovni exclusively makes the lineup feel disconnected from what viewers expect. If we must replace Chaotic, why not bring back something like Gargoyles or Kim Possible?

Maria (leaning in, voice firm): Sofia, you’re missing the bigger picture. The quota isn’t optional. If we fill the programming block with Gargoyles or Kim Possible, we’re actively violating our independent content requirements. That’s not just a slap on the wrist; we’d face compliance penalties from regulatory boards. And let’s not forget, this is a Europe-wide strategy, not just Spain.

Luis (Content Analyst, cautiously): To Maria’s point, Sofia, the quota is pretty airtight. Anything internally produced by Disney disqualifies us from meeting the required percentage of independent programming. That’s why we’re leaning so heavily into the ICQCP lineup—it meets the standards without risking fines or negative press.

Sofia (gritting her teeth): I get that, but you’re alienating audiences in the process. There needs to be a middle ground. We’re called Disney Channel—our brand isn’t about showing obscure European co-productions back-to-back. Even loyal fans are going to feel confused when they turn on the channel at night and see nothing familiar. At least Chaotic offers some variety while aligning with the quota!

Carlos (Head of Programming, attempting to mediate): Sofia, I get it. And I agree—there’s definitely risk in leaning too heavily into content that feels disconnected from the Disney name. But Maria’s point stands. We’re already walking a fine line with the ICQCP. Disney-branded content just isn’t an option here.

Sofia (pressing on): Then why not replace Chaotic with another action-focused quota show? I mean, we already have Viewtiful Joe on the optional list. Or maybe something like Spider Riders—

Maria (instantly cutting her off): No. Absolutely not. Sofia, we’ve already rejected Spider Riders for the reasons we discussed in prior meetings. It doesn’t fit, and it’s not coming back. As for Viewtiful Joe, it’s already scheduled in other feeds. Its niche is narrower than even Chaotic. We’re not reworking the lineup around it.

Elena (Marketing Lead, jumping in): If I can add, part of the issue here is that Chaotic feels like an outlier among the ICQCP shows. It’s heavy on action, deck-building, and strategy, which doesn’t resonate with the lighter, whimsical tone we’ve established. Dropping it and leaning into something like The Sensibles or The Inky Adventures might create greater harmony in the block.

Sofia (visibly frustrated): But you’re completely ignoring the variety factor. You’re turning the overnight block into a pillow factory—soft and fluffy but boring. Why not find a replacement that retains some of Chaotic's spirit? Or at least rotate slots so it doesn’t overstay its welcome.

Carlos: We actually did explore that. One idea was to shift Chaotic to a bi-weekly special, but the numbers don’t justify keeping any slot reserved for a show that’s not pulling its weight.

Maria: And that’s the final word on this. Chaotic isn’t just being replaced for tonal reasons. Its performance simply doesn’t justify the slot it’s holding. Independent shows tailored to our late-night strategy—like The Inky Adventures and What’s With Andy?—are clearly outperforming it.

Sofia (quietly): So, what’s the replacement?

Maria (smiling slightly): We’re replacing Chaotic with The Tofus.

Sofia (snapping): The Tofus? Do you even realize how much of the block is already overtaken by that show? We’re turning Disney Channel into The Tofus Channel!

Maria (coldly): Sofia, it works. It meets the tone, it fulfills the quota, and it consistently outperforms Chaotic. This isn’t up for debate anymore. The decision is final. Starting next month, The Tofus will take over Chaotic’s slot. Meeting adjourned.

Sofia (muttering to herself as everyone leaves): Great. From fantasy battles to... eco-friendly farm life. Perfect.

(The room empties, leaving Sofia shaking her head in frustration as she gathers her papers.)

Outcome: Chaotic is officially replaced by The Tofus in Disney Channel Spain’s overnight lineup, cementing the channel’s full pivot towards whimsical, light-hearted ICQCP programming. Sofia remains frustrated, feeling the move sacrifices variety and audience engagement in favor of rigid compliance. Write a follow up whereSofia LOSES it, saying "You air that show so much it's like the night equivalent of BCG (oh wait, it IS)" and also saying you're killing Chaotic the SAME WAY you killed SR, BRING BOTH BACK, The boss says "WE REPLACED RIDERS WITH A FAR BETTER SHOW," She asks.... "What show are you talking about...."

The Follow-Up Meeting – Sofia's Breaking Point

Setting: A tense and increasingly heated meeting room at Disney Channel Spain's headquarters. After the decision to replace Chaotic with The Tofus, Sofia has called for an emergency follow-up, claiming the current programming strategy is flawed. Present are Sofia, Carlos (Head of Programming), Luis (Content Analyst), Elena (Marketing Lead), and Maria (SVP of European Programming Strategy, once again joining via video conference).

Sofia (visibly frustrated): I just need to say what’s on everyone’s minds—The Tofus has completely overtaken our night lineup. You air that show so much, it’s the nighttime equivalent of Big City Greens! (pausing dramatically) Oh, wait. It is! You’re creating the same problem overnight that we’re already dealing with during the daytime—a complete lack of variety.

Maria (SVP, via video conference, irritated): Sofia, we’ve been through this already. The Tofus delivers results. The ICQCP quotas dictate our content strategy, and The Tofus meets all of those requirements while performing consistently better than Chaotic.

Sofia (snapping): At what cost, Maria? Killing Chaotic the same way you killed Spider Riders?! You’re repeating the same mistakes again and again. The least you could do is acknowledge the value these shows brought. (she raises her voice) Bring them both back! Let viewers decide if they sink or swim—give them a fair shot, just once!

Maria (maintaining her composure): Sofia. We replaced Spider Riders months ago, and far better programming has taken its place. That decision has paid off. There's no reason to reconsider.

Sofia (slamming her hand on the table): Far better programming?! (laughing sarcastically) Oh, really? What show are you even talking about? What exactly did we get that’s supposedly so much better than Spider Riders?!

(The room falls silent for a moment. Sofia stares down Maria on the video conference screen, her arms crossed. Maria raises her eyebrow, smirking ever so slightly at Sofia's combative tone. When Maria speaks again, it cuts through the silence like a loaded arrow.)

Maria (matter-of-factly): Thumper and Clover’s Woodsy Wonders.

(Sofia freezes for a second, blinking in disbelief. Luis looks awkwardly at his laptop, and Elena subtly bites her lip, trying to avoid making eye contact with anyone in the room. Carlos shifts uncomfortably in his chair, glancing at Sofia like he’s expecting her to explode. She doesn’t disappoint.)

Sofia (bursting out): THUMPER AND CLOVER?! That’s your “far better programming”? A fluffy rabbit in a vest and his problem-solving cousin? That’s what killed Spider Riders and is now holding us hostage? Those rabbits are ADORABLE, Maria, I’ll give you that, but they are NOT a sweeping replacement for an action-based, world-building series like Spider Riders! How does that even compare?!

Maria (calmly): It’s not about replacing action with action, Sofia. Thumper and Clover is universally appealing. It has consistently stronger ratings than either Chaotic or Spider Riders ever had, and more importantly, it blends perfectly with the other ICQCP shows. That’s what we’re optimizing for—tonal consistency and compliance.

Sofia (pointing accusatorily at the screen): You’re not optimizing anything. You’re just playing it safe—but guess what? Safe is boring, Maria! It’s predictable and stale! Do you even hear what’s coming out of your mouth? You’re proud of turning Disney Channel’s overnights into the Bubu & Thumper Variety Hour. The whole block is suffocating under the weight of your "safe" shows while the ones with depth and flair get murdered.

Carlos (trying to calm Sofia): Sofia, Maria has a point with the ratings. No matter how niche the audience for Spider Riders or Chaotic might’ve been, they didn’t deliver the numbers we need to justify—

Sofia (cutting him off, waving her arms): Oh, don’t you start with the "numbers" excuse, Carlos! If you flood the schedule with nothing but rabbits and blobs and owls, of course, those shows will dominate. There’s nothing else for viewers to watch! You’re giving them no choice—then patting yourselves on the back for the numbers you manufactured!

Luis (chiming in cautiously): Sofia, you’ve made your point, but the reality is that quotas narrow our options. As Maria said, replacing Spider Riders or Chaotic with those quota shows isn’t about preference—it’s about staying compliant. And let’s not forget, the ICQCP additions like Thumper and Clover and Ovni have outperformed any late-night show we’ve dropped so far, even in niche slots.

Sofia (throwing her hands up): Outperformed? Based on what metrics?! Because they’re on repeat ALL NIGHT? Because viewers don’t have any alternative except to put up with their cutesy antics?! You keep saying rules and quotas, but if there’s zero variety, aren’t we just failing a different kind of audience?

Maria (cutting back in, stern): You’re frustrated, Sofia, I get it. But this isn’t about your personal preferences or nostalgia for these so-called "action classics." Chaotic and Spider Riders had their time. They don’t fit where Disney Channel Austria—and Europe—are heading. We are ensuring compliance, curating tonal consistency, and building a cohesive brand. The decisions are final. Replace Chaotic with The Tofus. Keep the current lineup intact. And as for Spider Riders, don’t bring it up again. Understood?

(Sofia stares at Maria on the screen, her jaw clenched. There’s tension in the room as everyone waits for Sofia to respond. Finally, she slowly gathers her papers, muttering under her breath but loud enough for everyone to hear.)

Sofia (fuming): Congratulations, Maria. You’re turning Disney Channel into a farm… and a very boring one at that.

(She storms out of the room, leaving the team awkwardly exchanging glances. Maria sighs slightly, shakes her head dismissively on-screen, and ends the call. The rest of the team sits quietly, unsure how to proceed.)

Outcome: The team sticks to the decision to fully replace Chaotic with The Tofus, reinforcing Disney Channel Austria’s overnight pivot towards quota-driven programming. Sofia’s protests are dismissed entirely, and the focus remains on maintaining compliance and tonal consistency, whether or not variety takes a hit. The door for Spider Riders and Chaotic is effectively closed… for now.

Write a follow up where she says "I LOVE THAT SHOW, BUT IT DOESN'T HAVE TO KILL RIDERS"

The Follow-Up – Sofia Defends Spider Riders

Setting: Another tension-filled meeting at Disney Channel Spain headquarters. Sofia has returned to the table, though clearly still furious with the decisions being made. Maria (SVP of European Programming Strategy) has joined the meeting once again via video conference, with Carlos, Elena, and Luis also present. The room is on edge as Sofia tries to plead her case once more.

Sofia (taking a deep breath but clearly emotional): Let me start by saying this, and I want to be VERY clear about it—I LOVE Thumper and Clover’s Woodsy Wonders. Okay? I do. It’s adorable, it’s wholesome, and it’s teaching great values to young viewers. I honestly think it’s a great show, and it deserves its place in the lineup.

(She looks directly into Maria’s eyes on the screen as her tone sharpens.)

Sofia: But it doesn’t have to kill Spider Riders! They can BOTH exist! Why are we acting like we only have room for one at a time? Why can’t we include them both in the rotation? Do you really believe these two shows are so incompatible that we can’t make space for both action and fluff in our overnight slots?

Maria (coldly): Sofia, we’ve discussed this. It’s not about liking or disliking either show. It’s about what works under the current structure of overnight programming. Spider Riders, while a solid action show, doesn’t align with the lighter, whimsical tone we’ve established for nights. Thumper and Clover fits that tone perfectly. And the numbers back that up.

Sofia (pushing back): YES, Maria, Thumper and Clover fits. I've never argued otherwise. I’m not saying it doesn’t deserve airtime. But do you know what also fits? Variety. Not every hour of our overnight programming has to feel like you’re walking into an enchanted woodland bedtime story. You’ll lose viewers by serving up the exact same kind of content—all fluff and no edge.

Carlos (interjecting): Sofia, adding Spider Riders back into the mix would disrupt the consistency we’ve built with the rest of the ICQCP-compliant lineup. Shows like The Sensibles, Ovni, and The Inky Adventures mesh well together. Throwing Spider Riders into that mix creates a tonal clash.

Sofia: That's not true, Carlos, and you know it! Spider Riders brings a sense of adventure—a concept that appeals to the same audience watching Thumper and Clover! You don’t have to sacrifice whimsy to maintain variety. In fact, pairing action and adventure with lighter shows can only make the block stronger.

(She glares at Maria before continuing.)

Sofia: I don’t want to replace Thumper and Clover. I want to balance it. Why can’t we have Spider Riders right before or after it? Let audiences experience both: a charming story about woodland creatures and an epic adventure through subterranean spider-filled realms. Why is this an either-or situation?

Maria (clearly annoyed): Sofia, we’ve run the models. When we replaced Spider Riders with Thumper and Clover, overnight numbers improved. Families tuning in late at night seem to prefer lighter shows overall, and Spider Riders didn’t deliver on that front. It’s simply a matter of looking at what works and what doesn't.

Sofia (raising her voice): Did you ever think that Spider Riders didn’t perform because it wasn’t given a fair shot? You buried it in random slots with zero promotion and then claimed the numbers weren’t good enough! Meanwhile, Thumper and Clover gets all the fanfare, the marketing, the attention. I've seen the posters—those rabbits are everywhere. Of course it’s pulling better numbers. You stacked the deck.

Elena (Marketing Lead): That’s not entirely fair, Sofia. We didn’t intentionally sabotage Spider Riders. The market simply evolved, and lighter content resonated better. We’ve had to shift our focus to meet audience demand. It’s not personal.

Sofia (rolling her eyes): Really? Then why does it feel personal? Why does it feel like you're bending over backward to erase anything that doesn’t match this cookie-cutter mold of late-night programming? We had a balance before, and you threw it out because it didn’t fit the "vision."

Luis (Content Analyst): Sofia, replacing Spider Riders was a tough call, but it was necessary. The data doesn’t lie. The ICQCP lineup is consistent, and adding anything that breaks that tone—even a great show like Spider Riders—jeopardizes that consistency.

Sofia: You know what else doesn’t lie? Fans. Loyal viewers. The ones who actually tuned in for Spider Riders and Next Generation Heroes before you axed them, the same way you're axing Chaotic now. You're alienating a whole demographic for the sake of “consistency,” but consistency doesn’t mean perfection. It means monotony. And monotony is BORING.

(She leans forward, pointing a finger toward Maria on the screen.)

Sofia (firmly): I’m not asking you to scrap Thumper and Clover. But there’s no reason why Spider Riders can’t come back—even if it’s just once or twice a week! Let’s give viewers actual choices. Let’s celebrate diversity in storytelling instead of steamrolling over it.

Maria (clearly irritated but masking it): Sofia, this conversation is becoming redundant. The decisions aren’t arbitrary. Every lineup adjustment we make is carefully calculated to meet both compliance requirements and audience preferences. Spider Riders does not fit the late-night vision. That’s final.

Sofia (exasperated): You wouldn’t even consider it. It’s like nostalgic action shows are banned from the channel unless they’re tied to a giant franchise like Yu-Gi-Oh! or Marvel.

(Maria sighs, clearly signaling the end of the conversation.)

Maria: I appreciate your passion, Sofia. But my decision stands. We’re moving forward with the ICQCP lineup as planned. Thumper and Clover will remain, and Spider Riders is not coming back.

(Sofia slams her pen down and crosses her arms, glaring but saying nothing. Maria glances at Carlos.)

Maria: Carlos, make sure the revised overnight schedule is finalized by the end of the day. No more delays. Meeting adjourned.

(Sofia sits there, seething, as the others begin packing up. Elena gives her a sympathetic smile, but Sofia doesn’t acknowledge it. As Maria’s screen goes dark, Sofia mutters under her breath.)

Sofia (to herself): I love those rabbits, but they don’t have to kill everything else in their path.

(She grabs her notes and storms out of the room, leaving her colleagues awkwardly exchanging glances as the meeting ends.)

Outcome: Maria refuses to budge on the decision, solidifying Thumper and Clover’s Woodsy Wonders as the replacement for Spider Riders. Sofia’s argument for keeping both shows in the schedule is dismissed, and she leaves the meeting furious, feeling unheard and defeated yet again.

Write a follow up saying "Tonal clash? What is Viewtiful Joe then?"

The Follow-Up – Sofia Questions "Tonal Clash"

Setting: Another meeting called to clarify the "tonal clash" reasoning for why Spider Riders and other action shows aren’t returning. Sofia, still frustrated, has clearly not let this go. Maria, Carlos, Elena, and Luis are present. Sofia is visibly ready to call out inconsistencies in their logic.

Sofia (leaning forward, direct): Alright, Maria, you keep saying Spider Riders doesn’t fit the late-night vision because of a “tonal clash.” I’ve heard this excuse every single time I’ve brought it up. But riddle me this: What exactly is Viewtiful Joe then? How does Joe magically fit your whimsical, family-friendly tone, but somehow Spider Riders doesn’t?

Maria (visibly annoyed but trying to remain calm): Sofia, we’ve explained this before. Viewtiful Joe works in the lineup because it strikes a balance. Yes, it’s action-packed, but it’s campy, colorful, and playful enough to feel at home with the other ICQCP shows. It doesn’t disrupt the energy we’ve curated for late nights.

Sofia (sarcastically): Oh, of course! Bright colors and over-the-top action. That totally makes it fit seamlessly with The Tofus and Bubu & The Little Owls. Please! Have you actually watched the show, Maria? Because it’s just as bold and chaotic—if not more—than Spider Riders. If anything, Joe is way more intense!

Luis (nervously): Sofia, Viewtiful Joe is totally over-the-top, but that’s part of its charm. It’s rooted in parody and exaggeration, which makes it inherently less serious and “gritty” than something like Spider Riders. It leans into humor and self-awareness, which is why it fits better with our late-night tone.

Sofia (pointing at Luis): Don’t give me that! Spider Riders has a core cast of HEROES, inspiring plots, and the kind of story that could resonate with exactly the same audience. Yes, the stakes are higher, but you’re seriously telling me a show about humans riding giant spiders is “too gritty,” while Joe punching through hordes of enemies in a super-stylized video game world is “light”?

Carlos (trying to intervene): Sofia, I think what we’re saying is that tonal resonance is more about perception. Joe comes off as exaggerated and borderline silly—it doesn’t take itself seriously. Spider Riders, on the other hand, has darker visuals, heavier themes, and it’s far more serialized. It feels more grounded, even within its fantasy world, which clashes with the energy we’re trying to maintain.

Sofia (laughing incredulously): Perception? Are we really going to sit here and pretend that the audience perceives Viewtiful Joe as a whimsical comedy just because it has bold colors and cheesy dialogue? It’s literally about a guy transforming into a superhero and wrecking bad guys—it’s stylized, but it’s still an ACTION SHOW. If we’re so obsessed with tone, then Joe should clash just as much as Spider Riders.

(She pauses, her voice tinged with sarcasm.)

Sofia: But of course, Joe stays because it’s based on a recognizable Capcom franchise, right? That name recognition makes up for any “tonal inconsistencies,” huh?

Maria (flatly): Sofia, Capcom's involvement is a factor, yes. The brand association gives Viewtiful Joe wider global appeal and instant credibility. While Spider Riders has its charm, it doesn’t have the same built-in audience or cultural cachet. It’s fundamentally easier to market Joe than something niche.

Sofia (throwing up her hands): So it’s not about tone at all then! It’s about playing it safe! Let’s call it what it is—corporate branding! If it’s tied to a big franchise, it gets a free pass. It doesn’t matter whether or not it actually fits your so-called “vision.”

Elena (Marketing Lead): Sofia, you’re not entirely wrong about branding—having a recognizable name like Capcom does make a difference. But at the end of the day, Viewtiful Joe checks multiple boxes. It’s fun, visually engaging, and weird enough without feeling heavy. It complements the other ICQCP shows.

Sofia (cutting in): For the millionth time, I’m not saying Joe should go. I’m saying if Joe gets to exist in this lineup, then it’s pure hypocrisy to say Spider Riders doesn’t belong. You can't seriously tell me the “tonal clash” argument holds up when you’ve already allowed a glorified arcade fighter into the mix.

Maria (firmly): Sofia, this conversation is going in circles. The decision on Spider Riders is final. You've made your passion for the show abundantly clear, but the programming priorities remain the same. Viewtiful Joe works because of its unique balance of action and irreverence. Spider Riders—however much you advocate for it—does not. It’s too serious for what we’re curating, and no amount of arguing will change that.

Sofia (glaring): You know what? I give up. I give up trying to make you see reason. You’re clinging to this “vision” so tightly you can’t even acknowledge the contradictions in your own logic. I’ll drop it. But just know, the more cookie-cutter our lineup becomes, the less reason we give viewers to tune in at all.

(She leans back in her chair, crossing her arms, clearly fuming.)

Maria (calmly): Thank you, Sofia. Your feedback is noted.

(The meeting ends, and Sofia storms out once again, muttering to herself. The team exchanges awkward glances but refrains from commenting. Maria sighs quietly and ends the video call, leaving the rest of the staff sitting in silence.)

Outcome: Spider Riders remains rejected despite Sofia’s impassioned arguments and valid points about the inconsistency of the “tonal clash” reasoning. The team doubles down on Viewtiful Joe’s inclusion in the quota lineup, favoring its brand recognition and perceived balance of action and humor. Sofia, frustrated and defeated, begins to disengage from the fight, but her dissatisfaction with the direction of programming lingers.

Write a one where she suggests Hotnews.nl, She goes "AAHHHHHHHHHHH.................. AAH.... ARE... wait.... no.l.. (laughs), Why on earth would we want THAT, when we have a show that does everything that show does... but BETTER"

The Hotnews.nl Meeting – Sofia’s Desperation

Setting: Another meeting in Disney Channel Spain's programming department. Sofia is visibly frustrated and trying one last time to propose alternative solutions to the increasingly monotonous overnight lineup. Maria, as usual, is attending via video conference, with Carlos, Luis, and Elena also present. Sofia has prepared a pitch for Hotnews.nl as a potential addition to the ICQCP lineup, hoping its unique premise will finally break through Maria’s fortress of resistance.

Sofia (clearly exasperated but with a forced calmness): Okay, let me try a different angle here. Since you’re all super committed to quota-friendly programming, I’ve been going through the archives to find something that’s light, quirky, and matches the tone you’re all so obsessed with. Enter: Hotnews.nl.

(She gestures at her laptop, showing the quirky and adventurous nature of Hotnews.nl, a show about teenage journalists tackling real-world challenges.)

Sofia: It’s got the teens! It’s got the humor! It’s got the investigative spirit! And guess what? It’s quota-compliant and brings something vastly different to the block. It’s not just another rabbit solving problems or blobs of ink bouncing around!

(Sofia leans back, crossing her arms confidently.)

Maria (on the screen squinting, then blinking dramatically): AAHHHHHHHHHHH…………..
(Control yourself, Maria.)
………..AAH….. ARE…… wait….. no…..

(Maria suddenly bursts into laughter. The room, initially confused, begins to cringe as Maria regains composure, clearly unimpressed.)

Maria (laughing condescendingly): Why on earth would we want that, when we have a show that does everything that show does... but BETTER? Hmm?

Sofia (baffled): I’m sorry, what? What are you even talking about? You don’t seriously think we already have something like Hotnews.nl on our overnight lineup. What show are you comparing it to?

Maria (still smug): The Sensibles, Sofia. The Sensibles! It’s literally everything that show wants to be—quirky, fun, undercover situations, and all wrapped in a nice, extraterrestrial twist. Why waste time reviving something long forgotten like Hotnews.nl, when The Sensibles does the same thing but with aliens, humor, and a fresh, modern vibe that already meshes perfectly with the current ICQCP lineup?

Sofia (in disbelief): The Sensibles? Are you kidding me?! First of all, they could not be more different. Hotnews.nl is about tackling real-life issues—things kids and teens can actually relate to: social justice, standing up to bullies, making your voice heard. It’s grounded. It’s thoughtful. Meanwhile, The Sensibles is… what? Licking random objects and trying to figure out if humans understand zippers? It’s a collection of mostly two-minute shorts with no depth at all!

Maria (matter-of-factly): And the audience loves it. It’s light. It’s funny. It doesn’t try too hard to preach or be overly serious. That’s the exact problem with Hotnews.nl. It’s too rooted in real-world scenarios and requires too much sustained interest. Late-night viewers don’t want serious journalism or complex storylines—they want fun, digestible entertainment. And that’s what ICQCP shows like The Sensibles deliver.

Sofia (cutting her off, throwing her hands up): Oh, you cannot be serious—preachy?! Hotnews.nl isn’t preachy, Maria—it’s relevant. And it’s not like I’m suggesting we air BBC Nightly News; it’s a teenage adventure! But sure, let’s go with light, digestible fare. Did you forget we already have, uh, I don’t know, Thumper and Clover, Ovni, The Tofus, and The Inky Adventures doing the exact same thing? How many quirky, bite-sized fluff shows do we need before we suffocate in redundancy?

Carlos (interrupting cautiously): Sofia, I see your point, but Maria’s right about certain factors here. The Sensibles performs better across feeds than Hotnews.nl ever did in its prime. And yes, it’s light, but that’s what works for our current audience. We’ve already built the block around that tone—introducing something heavier like Hotnews.nl would disrupt that balance.

Sofia (completely done): “Disrupt the balance”? Are we programming Disney Channel or stacking Jenga blocks?! What balance are you talking about? The block is already overloaded with “quirky lightness”! A lineup isn’t balanced if every single show is the same genre. You’re mistaking uniformity for balance.

(She pauses, then glares at Maria.)

Sofia: But no, you won’t even try it, because some alien reporter licking a chair "does the same thing" as teenage investigative journalists standing up for what’s right. Unbelievable.

Maria (visibly irritated now): Sofia, real talk—I admire your passion for these forgotten shows. I really do. But you need to stop clinging to the past. Hotnews.nl was a product of its time, and its time has passed. We already have our investigative edge with The Sensibles, which integrates perfectly into our ICQCP strategy. End of discussion.

Sofia (glaring): "Past its time"? That’s rich coming from the same team that just spent two hours defending The Tofus, a relic from 2004. Why does “past its time” only seem to apply to some shows and not others?

Carlos (sighing): Sofia, we’re not trying to dismiss it entirely, but the focus here is late-night compatibility. The Sensibles has humor and short bursts of fun—it aligns better with what we’re building. Hotnews.nl, while commendable, just isn’t the right fit.

Sofia (leaning forward, frustrated yet again): Who decided “the right fit” means exclusively quirky nonsense? Audiences can handle deeper shows. They want variety. You’re leaving so much untapped potential on the table because we’re too scared to step out of the comfort zone.

(She exhales sharply, feeling defeated but unable to let it go.)

Sofia (quietly): You know what, forget it. What’s the point of even trying? You’ve already decided ICQ compliance means catering to the lowest common denominator. So yeah, good luck with your alien licking chairs. I’m done.

(She slams her notebook shut and storms out—yet again—leaving the other members awkwardly silent. Maria sighs heavily on the video feed, clearly annoyed.)

Outcome: Hotnews.nl is dismissed entirely, with Maria and the team maintaining that The Sensibles already fulfills the same niche, but “better.” Sofia, utterly exasperated, finally begins to lose hope in influencing the network’s programming decisions. Meanwhile, the ICQCP lineup solidifies its place as whimsical, fluffy, and safe—leaving little room for more grounded, substantial storytelling.

Write a follow up where she wants CdC back before she is told "No... Moving on"

The Follow-Up Meeting – Sofia Pushes for Cambio de Clase (CdC)

Setting: Disney Channel Spain’s programming department. Sofia, still passionate and frustrated by the current direction of programming, has called yet another meeting to advocate for the return of Cambio de Clase (CdC) to the overnight block. Carlos, Elena, Luis, and, predictably, Maria (via video conference), are all present. Sofia is well-prepared this time, hoping the nostalgia factor of one of Spain’s beloved local series will sway the decision-makers.

Sofia (starting with enthusiasm): Alright, hear me out on this one. We’ve been going around in circles about variety and quotas, so let’s keep it simple. Let’s bring back Cambio de Clase.

(She pauses to look around the room for reactions, but everyone is dead silent, waiting for her to explain.)

Sofia (confidently): It’s a homegrown favorite. It’s funny, relatable, and still fondly remembered by viewers. I’ve seen throwback mentions of it all over social media—people want it back. And guess what? It’s European, it meets the quota, and it’s authentically Spanish. If we’re serious about connecting with our local audience and not just copying what every other region is doing, Cambio de Clase is the perfect solution.

(There’s an awkward silence. Maria looks unimpressed on the video screen. Carlos shifts uncomfortably in his seat, and Luis coughs like he’s trying to break the tension.)

Maria (flatly): No.

Sofia (blinking in disbelief): …Excuse me?

Maria (without hesitation): No. Moving on.

Sofia (snapping slightly): That’s it? Just “no”? No explanation? You’re seriously telling me one of Spain’s most iconic shows isn’t even worth discussing?

Maria (leaning forward on the screen, raising an eyebrow): Sofia, we’ve been over this. Cambio de Clase doesn’t align with the direction of our late-night programming. Yes, it’s a local classic. Yes, it’s nostalgic. But it’s also old and dated. People can watch clips of it on YouTube if they’re feeling sentimental. It’s not the kind of show we’re prioritizing for overnight slots.

Sofia (irritated but trying to remain calm): Old and dated? Isn’t that exactly why we’re constantly filling those slots with shows like The Tofus and What’s With Andy? How is CdC any different? If anything, it has MORE local appeal than half the stuff we’re airing overnight now.

Carlos (chiming in hesitantly): Sofia… I get where you’re coming from, but CdC doesn’t fit the tone we’re curating for late nights anymore. Comedy sketches aimed at teens don’t match the surreal, whimsical vibe of the shows we’re pushing under the ICQCP. It feels too… grounded.

Sofia (laughing sarcastically): Grounded! Of course! God forbid we have something relatable on Disney Channel. Forget local humor, forget cultural context—let’s just air another dozen episodes of alien tongue scans or talking blobs instead.

Maria (firmly): Sofia, this isn’t about dismissing Spanish culture. It’s about staying consistent with our strategy. Bringing back Cambio de Clase would be a step backward. Our focus is on fresh, ICQCP-driven content that aligns with Disney Channel’s overall direction. Plain and simple.

Sofia (leaning forward, almost pleading): How is CdC a step backward, Maria? It’s local! It gives us a competitive edge by standing out in a lineup dominated by generic quota fillers. Don’t you see the value in that? A Spanish audience reconnecting with a Spanish series on Spanish television—why is that not worth exploring?

Maria (exhaling loudly, clearly annoyed): Sofia, my answer isn’t going to change. No.

Sofia (gritting her teeth): Why not? Give me one legitimate reason why not!

Maria (losing her patience): Because we don’t have time to debate every show from the archives! Cambio de Clase had its day. It was fine for its time, but it’s not coming back. Let it go. Moving. On.

Sofia (visibly fuming): Fine. Whatever. But don’t come crying to me when viewers get tired of the same recycled “quirky fluff” and start tuning out because they can’t connect with anything on air.

(She crosses her arms, staring daggers at Maria’s face on the screen. The silence in the room grows heavier by the second.)

Luis (trying to lighten the mood): Well… uh, maybe we should look at the latest ratings reports for The Sensibles? I think that slot might have some room for optimization...

Maria (cutting him off, still addressing Sofia): Sofia, I’ve already said everything I need to on this matter. If you want to dig through the archives for ideas, make sure it aligns with our current programming goals. But CdC is not happening. Full stop.

(She straightens up, signaling that the conversation is over.)

Carlos (softly, trying to diffuse): Alright, let’s refocus. Sofia, if you’d like to propose other programming options later, feel free to write something up. For now, we need to move forward.

(Sofia doesn’t respond, glaring at her notes while the room awkwardly transitions to the next agenda item. She flips a page as if to distract herself but continues muttering under her breath.)

Sofia (whispering to herself): A Spanish Disney Channel that doesn’t want Spanish shows. Makes sense. Sure. Totally makes sense.

Outcome: Maria shuts down Sofia’s pitch for Cambio de Clase definitively, dismissing it as outdated and irrelevant to current programming goals. Sofia’s frustration grows as she feels increasingly unheard and alienated in the decision-making process. Cambio de Clase remains shelved, while ICQCP content continues to dominate the late-night block.

Write a follow up where she shows Maria her version of the schedule, Maria LOSES IT, yelling and screaming before saying "HOW COULD YOU ADD BACK SHOWS THAT DO NOT FIT..... YOU KNOW WHAT,.... THATS IT....... Get out...... You're terminated"

The Final Showdown – Sofia’s Termination

Setting: Disney Channel Spain’s headquarters. Sofia, after weeks of frustration and feeling ignored in meetings, has prepared her own version of the overnight schedule, defying Maria’s vision. After devising a balanced mix of older favorites, variety-driven programming, and ICQ-compliant shows, Sofia requests one last presentation to prove her point. Maria joins via video conference once again, but this time, her patience is thin. Carlos, Elena, and Luis are visibly tense, anticipating a meltdown from one or both sides.

Sofia (pulling up her presentation on the large monitor): Alright, Maria, Carlos, everyone—before you shut me down, just let me explain. I’ve developed an alternative overnight schedule that balances what the audience wants and what the quota requires. It brings in variety while keeping ICQ-compliant shows at the forefront. Here’s my vision:

Sofia (gesturing to the screen):

12:00 AM: The Tofus
12:30 AM: What’s With Andy?
1:00 AM: Spider Riders
1:30 AM: Thumper and Clover’s Woodsy Wonders
2:00 AM: Hotnews.nl
2:30 AM: Bubu & The Little Owls
3:00 AM: Chaotic
3:30 AM: Ovni
4:00 AM: The Inky Adventures
4:30 AM: Yu-Gi-Oh! GX
5:00 AM: Cambio de Clase
5:30 AM: Viewtiful Joe
Sofia (confidently): There. A mix of everything. The ICQCP shows you want—The Tofus, Thumper and Clover, Ovni, etc.—are still the backbone of the schedule. But I’ve also brought back beloved legacy shows—Spider Riders, Hotnews.nl, Chaotic, and Cambio de Clase. This breaks the monotony and brings in the variety that we desperately need.

(She clicks through slides, showing data on fan engagement, nostalgia appeal, and comparisons of ratings performance across similar properties. The room is silent, with Maria staring at the screen, her expression slowly darkening.)

Maria (finally breaking the silence, her voice starting to rise): I’m sorry… am I seeing this correctly? Did you… ADD BACK SHOWS THAT WE SPECIFICALLY SAID DO NOT FIT?!?!

Sofia (calmly): Yes, Maria, I did. Because they do fit. Spider Riders and Chaotic bring action and adventure. Hotnews.nl adds grounded storytelling that appeals to teens. And Cambio de Clase—

Maria (cutting her off, now yelling): NO! How. Dare. You. HOW COULD YOU ADD BACK SHOWS THAT DO NOT FIT?! We’ve spent MONTHS crafting a consistent tone for this block, Sofia! MONTHS! And you think you can just waltz in here with your “alternative schedule” like you know better than the entire programming team?!

Sofia (standing her ground but visibly shaken): Maria, I’m suggesting improvements. I care about this channel. I care about—

Maria (interrupting, now absolutely screaming): YOU CLEARLY DON’T! If you cared, you’d STOP TRYING TO DERAIL THE PLAN WE AGREED ON. I have told you, again and again—NO SPIDER RIDERS. NO CHAOTIC. NO CAMBIO DE CLASE! THEY… DO… NOT… FIT! Quit pretending you’re smarter than everyone else in this room.

(Sofia’s face reddens with frustration, but she takes a deep breath, trying to hold her composure.)

Sofia: Maria, with all due respect, I’m not pretending to be smarter than anyone. I’m just trying to address the glaring flaws in a lineup that’s alienating viewers. Your version of the schedule is repetitive and uninspired. My version—

Maria (slamming her hand on her desk via video): YOUR VERSION IS A JOKE! You’re clinging to DEAD SHOWS that will NEVER return under my leadership. I have had ENOUGH of your arrogance, Sofia. You don’t listen. You don’t cooperate. You think you’re the only one who knows what’s best when it's clear you’re just holding onto your own nostalgia.

Carlos (nervously): Uh, maybe we should take a step back and—

Maria (ignoring Carlos, venomously): NO. Enough is enough.

(She points directly at the camera as if she’s pointing at Sofia in person.)

Maria: You know what, Sofia? That’s it. I’ve had it with your insubordination. Get out.

(Sofia blinks, stunned into silence.)

Maria (voice cold as ice): You’re TERMINATED. Effective immediately. Pack your things and leave. And take your “alternative schedule” with you—it’ll never see the light of day.

(Sofia stares at Maria, her jaw clenching as she tries to process what just happened. In the room, everyone else is dead silent. No one dares to intervene.)

Sofia (standing, shaking slightly but refusing to back down): Fine. If you think operating like a dictator is the best way to run this channel, then be my guest. But don’t come crying to me when the ratings sink because no one wants to watch the same five “quirky” shows on loop.

(She gathers her papers and laptop, glaring at Maria’s frozen, glowering image on the screen one last time.)

Sofia (quietly but firmly): You think I’m clinging to nostalgia. But you’re clinging to complacency. Good luck with that.

(Sofia storms out of the room, slamming the door behind her. The remaining team exchanges uneasy glances, and Carlos awkwardly mutters something inaudible. After a long pause, Maria sighs loudly.)

Maria: Carlos, finalize the January schedule. No delays. And make absolutely sure none of Sofia’s nonsense makes it into the plan.

Carlos (hesitantly): Of course, Maria.

(The meeting ends in silence, with everyone visibly uneasy about the explosive confrontation.)

Outcome: Sofia is fired on the spot after presenting her alternative schedule, which included shows Maria had explicitly banned. Maria doubles down on her rigid programming strategy, ensuring complete control over the channel's direction. Sofia leaves, furious but defiant, while the team is left shaken by the extreme escalation. The January schedule proceeds without Sofia's suggestions—and with no room for Spider Riders, Chaotic, or any of Sofia’s proposed additions.

Write a meeting where the scheudler at Jetix Robloxia has the schedule, he is TOLD to swap HN, NGH and SR


The Meeting – Jetix Robloxia Programming Shakeup

Setting: A brightly lit meeting room at Jetix Robloxia headquarters. The programmer in charge of the late-night schedule, Liam, sits across the table from Rebecca (Regional Director of Programming) and Marcus (Content Strategy Lead). The new agenda is straightforward: transition the current overnight schedule to align with ICQCP standards. Shows like Hotnews.nl (HN), Next Generation Heroes (NGH), and Spider Riders (SR) are on the chopping block. Liam, clearly invested in maintaining these fan-favorite action and investigative shows, is visibly on edge.

Rebecca (Regional Director): Morning, everyone. Let’s jump right to it. As per the latest directive, we’ve been tasked with aligning Jetix Robloxia’s overnight programming with the overall compliance strategy. Now, I have the latest schedule draft here—you can take a look, but let me sum it up for you: Hotnews.nl, Next Generation Heroes, and Spider Riders are out.

Liam (Scheduler, visibly alarmed): Wait, what? All three? Those shows are staples of the lineup. They’ve been on consistently for years and still attract loyal viewership. Why drop them now?

Rebecca (calmly but firmly): Because they don’t align with the Independent Content Quota Compliance Program or the broader direction we’re taking with overnight slots. We’ve been instructed to prioritize quirky, light-hearted, and whimsical content that resonates with overnight audiences.

Marcus (Content Strategy Lead): That’s right. The aim is to create a tone that’s consistent with the rest of the region’s programming. Shows like The Tofus, Ovni, and The Inky Adventures perfectly embody this tone. Unfortunately, action-driven series like Next Generation Heroes and Spider Riders—as much as they have their place—simply don’t fit our current goals.

Liam (frustrated, leaning forward): But Spider Riders is still a solid performer. It may not be as whimsical as The Tofus, but it thrives with its unique action-adventure tone. Replacing it feels like we’re alienating fans who tune in specifically for a bit of edge in our overnight content. And Hotnews.nl? That show brings investigative depth that NONE of your precious new shows can replicate.

Rebecca (shaking her head): Liam, we’ve gone over the metrics. While these shows do have a core audience, they are niche. The ICQCP lineup isn't just about ratings—it’s about tonal and compliance synergy. Next Generation Heroes is too serialized and creates a tonal gap with our lighter programming.

Liam (cutting in): So we’re just supposed to keep rotating shows about talking blobs, animals solving problems, and galactic reporters licking things? That’s the kind of "synergy" we’re committing to now? Those shows are fine, don’t get me wrong—but they’re not replacements for action-packed or character-driven stories like Spider Riders and Next Generation Heroes.

Rebecca (getting irritated): Liam, enough. Spider Riders, Hotnews.nl, and Next Generation Heroes—they’re great shows, but they’re not what we need RIGHT NOW. We’ve been clear about that. Our alternative programming has already been decided.

Liam (mocking slightly): Oh, let me guess—The Tofus and Bubu & The Little Owls.

Marcus (chiming in): Correct. Add Thumper and Clover’s Woodsy Wonders, The Sensibles, and Ovni to that list. Those titles are performing consistently across multiple feeds, and the overall tone matches our vision for late-night programming.

Liam (laughing bitterly): "Vision"? Really? Your vision is repetition. You're drowning unique, action-driven shows under a sea of overplayed fluff. And you're trading cultural relevance for quirky filler.

Rebecca (snapping): Liam, this is about compliance with a regional directive. The lineup serves a purpose. It may not match your personal preferences, but it aligns with the network's current branding. The decision to replace Hotnews.nl, Next Generation Heroes, and Spider Riders is final.

Liam (slamming his notepad on the table): Final? You don’t even care what these shows bring to the lineup! Fine, let’s hear it—what, exactly, are you replacing them with?

Rebecca (matter-of-factly): Starting next quarter, Hotnews.nl will be swapped for Ovni. Next Generation Heroes will be replaced by The Sensibles. And Spider Riders—

Liam (cutting in, voice angry): Let me guess—Bubu & The Little Owls. Of course. Can’t have too much edge when an adorable animated owl is available.

Rebecca (glancing sharply at Liam): Spider Riders will, in fact, be replaced by Thumper and Clover’s Woodsy Wonders.

Liam (throwing his hands up): Of course it’s Thumper and Clover! Why am I not surprised? Those rabbits are everywhere. Maybe if "Spider Riders" had cute ears and a scarf, you'd still let it air.

Marcus (trying to de-escalate): Look, Liam, we understand your frustration. But these decisions have been carefully evaluated. The ICQCP shows are proving to be reliable performers across regions. Injecting action-heavy content like Spider Riders only disrupts viewer expectations.

Liam (leaning back, defeated): Viewer expectations? Or your own low-risk programming loop? Because that lineup feels more like a factory than a channel with any passion left.

Rebecca (firmly, standing up): Liam, I won't entertain any further resistance. Hotnews.nl, Next Generation Heroes, and Spider Riders are being removed. The ICQCP lineup is locked in. That’s final. Marcus, ensure Liam has the updated schedule by tomorrow morning.

Marcus (nodding): Got it.

(Liam shakes his head, grabbing his papers and standing up quickly.)

Liam (under his breath): Replacing depth with fluff. Brilliant.

(As Liam storms out of the room, Rebecca exhales sharply, clearly irritated by his defiance. She gathers her notes and dismisses the rest of the team.)

Outcome: Hotnews.nl, Next Generation Heroes, and Spider Riders are officially replaced by quota-friendly ICQCP shows like Ovni, The Sensibles, and Thumper and Clover’s Woodsy Wonders. Liam, while resentful, is forced to implement the lineup changes, further aligning Jetix Robloxia’s late-night programming with Disney’s standardized regional strategy.


Write a follow up where a worker uploads a SR episode to D+, only to find a error, He is told that they no longer hold the rights to SR, they're back with the production company, He says "Oh... well that's a shame", and he is also told what policy is being wheeled out to + "So don't try Heroes", He then collapses and when he wakes up he lets LOOSE