I want you to write a screenplay/shooting script for a scene. Please include every event and dialogue exchange that I describe as part of the scene’s prompt sequence in the final output, and combine all the events and dialogues that I provide in the following part of my prompt into one whole scene that is coherent, that is logically consistent and that flows naturally. Please include dialogue lines wherever any talking by the characters is mentioned or described, without any exceptions. Please ensure that the scene, its contents and the interactions within it develop naturally and realistically in the screenplay that you create. Please ensure that the scene’s characters are realistic, that they have unique personalities befitting well-rounded characters, and that they act in accordance with their assigned traits and cultural background. Please refrain from portraying the characters’ cultural background in crassly stereotypical fashion; instead, reflect the characters’ cultural background with an adequate degree of nuance. Please ensure that all of the scene’s dialogues are in logical accordance with the scene’s sequence of events and that the dialogues’ contents all follow from one another; that the dialogues’ contents make sense given the events and within the situations that occur in the scene; that the dialogues all sound natural; and that the dialogues’ contents fit the characters’ cultural backgrounds, as well as the scene’s genre and situational context, as far as usage of vernacular, dialect and language is concerned. In cases where characters should be speaking a language that isn’t English, always write the actual lines of dialogue only in the non-English language, and add translations to English in parentheses next to each line of dialogue. The characters’ ways of expressing themselves and manners of speech need to reflect the uniqueness of their personalities and their cultural backgrounds. Please elaborate in detail on all events and dialogues that occur during the entirety of the scene. Each and every one of the scene’s dialogues and descriptions of events should be elaborated upon. This is all for the purpose of creating a compelling scene and aiding me in having it visualized clearly so it can be performed as well as possible. Abridged descriptions of events or dialogue in place of elaborate descriptions or actual lines of dialogue will not be accepted, and you are strictly forbidden from describing characters speaking, performing any spoken actions and exchanging any kind of dialogue without including the actual representation of the characters’ speech in the form of lines of dialogue. Every instance of a character speaking, no matter how short it is and even when it is a part of a longer exchange or back-and-forth of banter or bickering, will include a corresponding line of dialogue that depicts what the character is saying. it is imperative that you adhere to each of the aforementioned guidelines I have written without any digressions, as well as include the entirety of my commands as follows without any omissions. Anything else is deemed unacceptable and forbidden.

In pursuance of the guidelines and commands that were outlined above, please write a coherent, elaborate, descriptive and detailed screenplay/shooting script for a very long comedic scene in a Comedy Drama TV Series (one of the minor plotlines in the series is about a young Indian American woman who is trying to get back on her feet after a series of misfortunes in life force her to move back in with her caring but nagging mother; the young woman is constantly trying to fulfill plans that will get her back to the place where she wants to be in life, but the series’ comedic aspect is derived from minor setbacks and things not going entirely according to her plans, as well as her fraught and multifaceted relationship with her mother) that includes the following sequence of events:

* The young woman (give her a name, and describe her physical appearance and clothing; she shouldn’t be wearing a dress, a skirt, leggings nor jeans in the scene) is returning home from an evening out and is approaching the door of her mother’s house with a desperate urge to move her bowels. As she is nearing the door, the desperate returning woman is on the verge of losing control, as she has been enduring the urge to move her bowels up to the limit of her sphincter’s clenching capacity.

* When the returning woman reaches the door of the house, she realizes that she has misplaced her house key and her motivation is deflated. The returning woman begins to frantically knock on the door, hoping that someone is present and might hear the knocks. A few moments pass without an answer. The returning woman’s urge escalates to the brink of eruption.

* Suddenly, the returning woman can hear a voice on the other side of the door asking about what’s happening - the voice of the present women (the present woman is the returning woman’s mom; give her a name and describe her appearance; she should be approximately 25 years older than the returning woman).

* The present woman, after verifying the identity of the knocker, begins opening the door, but is taking too much time doing so for the returning woman’s liking. The returning woman implores the present woman to open the door without specifying the source of urgency.

* Once the present woman fully opens the door, the returning woman tells the present woman - who is standing in house’s entryway and is puzzled by the returning woman’s sense of urgency and even seems slightly concerned - to move out of the returning woman’s way and attempts to enter. As the returning woman attempts to enter the house, the obstructing present woman intercepts the returning woman and grabs on to her in concern.

* The concerned present woman attempts to understand what’s wrong with the returning woman as she is gripping the returning woman and physically obstructing her path. The returning woman squirms in place, and pleads with the obstructing present woman to step aside and just let her enter the house. The two women continue to misunderstand each other and bicker as they are entangled, with the present woman denying the returning woman’s access into the house out of concern. At no point during this exchange does the returning woman directly state that she has to reach the bathroom urgently. As this is happening, the returning woman’s desperation to relieve herself is surging to its climax, and she’s on the brink of losing control. As a glint of resignation momentarily flashes in her eyes, the returning woman ominously implies how she intends to excrete due to the predicament that is being forced upon her.

* The returning woman has reached her limit and commits to relieving her bowels where she is. She emits a soft groan abruptly, as her face assumes an expression of resigned relaxation. Meanwhile, she consciously relaxes her clenched sphincter and begins pooping in her pants. The perplexed present woman’s grip loosens, and she tries to inquire what’s wrong with the returning woman. The returning woman gently breaks the perplexed present woman’s grip by slowly getting into a posture that is more convenient for relieving herself (please describe the posture that the returning woman assumes in detail).

* Once she assumes the posture, the returning woman proceeds to release the rest of the contents of her bowels into her pants, grunting with exertion and relief as she does so. The present woman is befuddled by the returning woman’s actions and questions the returning woman about them. The present woman’s questioning is met in response with the returning woman continuing to intentionally relieve herself, while intermittently emitting a series of soft grunts.

* The perplexed present woman asks the returning woman once again if anything is wrong with her, but is yet again met in response with a hushed and strained reply that indicates the returning woman’s relief and satisfaction from releasing her bowels, together with soft grunts of exertion that are tinged with relief-induced satisfaction. As she stares in confusion mixed with concern, the present woman gradually begins to realize what is happening and sniffs the air to verify her suspicion, detecting the permeating odor. Meanwhile the returning woman is still softly grunting and releasing her bowel movement into her pants as her face alternates between concentration and subtle euphoria.

* As she is glaring at the returning woman with realization and astonishment, the present woman is physically reacting to the odor with a subtle physical gesture of revulsion and accusingly questioning the returning woman with the intent to verify the returning woman’s deed. As the present woman is physically reacting to the odor with a subtle gesture of revulsion and questioning the returning woman, the returning woman finishes relieving herself in her pants with a sigh of relief and a gentle rub of her own stomach. The present woman continues to physically react to the odor with a subtle physical gesture of revulsion, appalled by what she had just witnessed. In response to the present woman’s disgust, the returning woman stares at the present woman with a sheepish expression.

* With appalled bewilderment and while still physically reacting to the odor, the present woman accusingly chastises the returning woman for what the returning woman just did. The returning woman tries to avoid explicitly addressing what had just happened, and asks the present woman to finally allow her to enter. The appalled present woman relents and lets the returning woman enter, beckoning the returning woman with disgust.

* The returning woman gingerly waddles into the house while holding/cupping the seat of her pants, passing by the present woman. As the returning woman is entering and passing by the present woman, the astonished present woman halts the returning woman a few steps past the entrance, warns her not to proceed yet so none of her pants’ contents will drop on the floor. The returning woman stops in her tracks, turns to face the present woman and assumes a sheepish demeanor.

* The present woman begins to prepare the ground for the returning woman to safely traverse toward the bathroom without sullying the floor, and as she does that, she proceeds to tauntingly scold the returning woman for having pooped in her pants. The returning woman remains standing in her spot, silently holding/cupping the seat of her pants in sheepish mortification. As she is preparing the ground for the returning woman to head toward the bathroom, the present woman continues to disappointedly chide the returning woman for pooping in her pants.

* The returning woman, then, gradually starts growing out of her initial mortification and, with a playful sulk, blames the present woman for causing her to poop in her pants when she almost made it to the bathroom.

* The present woman indignantly rejects the returning woman’s accusation as a viable excuse in any circumstance for a woman of the returning woman’s age. Then, as she smirks with astonishment, the present woman mockingly scolds the returning woman for how childish of the returning woman it is to be in a situation where she ends up standing there with a steaming load of poop in her pants.

* The playfully disgruntled returning woman responds to the present woman’s accusation by insisting that she very desperate to poop and was prevented from reaching the bathroom, so she had to release everything out due to the overwhelming pressure. Following this, the returning woman gently rubs her stomach, then wryly remarks that despite the circumstances that were forced upon her, it indeed felt relieving to finally move her bowels after holding it all this time. In response to the returning woman’s comments, the present woman expresses her lighthearted disgust and tauntingly admonishes the returning woman for seemingly feeling good about doing something so repulsive like pooping in her pants.

* After admonishing the returning woman, the present woman verbally demands to get a closer look at the returning woman’s soiled pants to see what the returning woman supposedly feels good about. Following some playful reluctance by the returning woman, the present woman turns the returning woman around so she can inspect the returning woman’s rear end. The present woman proceeds to ridicule the returning woman by describing the appearance of the returning woman’s bulging pants. The returning woman responds with playful coyness. Then, as she is still inspecting the bulging pants, the present woman snickers with disappointment and expresses her astonishment at the amount of crap that the returning woman unloaded in her pants.

* The returning woman hesitantly appraises the bulge in the seat of her pants with a touch of her hand as her face bears a subtle wince, then sheepishly replies that her pants are indeed so full of crap, that they feel heavy with it. In response, the smirking present woman replies with mocking disgust and tauntingly comments on how badly the returning woman’s bulging pants are soiled. The returning woman then playfully expresses concern that her pants might begin to sag due to the heavy load that is in them, while she cups and covers the bulge in her pants with her hands at the same time.

* As the returning woman attempts to cover the bulge in her pants, the present woman sniffs near the returning woman as if smell-checking an infant and reacts to the odor that is emitting from the returning woman with a mocking physical gesture of revulsion. As she is physically reacting to the odor, the present woman proceeds to taunt the returning woman over the odor that she is emitting, mockingly informing the returning woman that the odor is as bad as how badly the returning woman’s pants are soiled. The returning woman responds with a coy concession and a reluctant agreement. The present woman then proceeds to tauntingly chide the returning woman because of how badly the returning woman stinks. The returning woman retorts with feigned coyness, as she simultaneously waves her hand behind her own rear end to ostensibly dissipate the emitted odor.

* In reply to the returning woman’s coy retort while waving her hand behind her bum, the lightheartedly disgusted present woman tauntingly commands the returning woman to carefully start heading to the bathroom while she also refers to the returning woman by an odor-derived appellation, and she implores the returning woman to be careful not to drop on the floor any of the poop that is in her pants.

* The returning woman begins to slowly waddle off as the present woman is carefully escorting her to the bathroom. While escorting the returning woman, the present woman continues to physically react to the odor, and to observe the returning woman’s soiled pants with playful repulsion. As she is observing the returning woman’s soiled pants, the present woman continues to tauntingly scold the returning woman for having such a childish accident in her pants and to playfully express her disgust at how badly the returning woman soiled her pants. The returning woman replies to the present woman in a way that exacerbates the present woman’s playful disgust. In response to the returning woman’s replies, the playfully disgusted present woman mockingly urges the returning woman to get her stinky mess to the bathroom already (describe the two women’s spoken exchanges on the way to the bathroom in elaborate detail and ensure that they exchange a few lines of dialogue between them).

* Upon reaching the bathroom, the returning woman teases the present woman by stopping in place on the bathroom’s threshold instead of entering and teasingly telling the present woman that because the present woman is responsible for the returning woman’s accident, the present woman should be responsible for changing the returning woman’s “dirty diaper”. As the returning woman is saying this, she is gesturing toward the bulge in her pants. In response, the present woman starts brewing in playful annoyance. The returning woman then tries to teasingly disgust the present woman by describing with playful coyness what the mess feels like inside her “dirty diaper”.

* In retaliation for the returning woman’s insolent teasing and as the climax for the present woman’s frustration over the situation that has been building during the scene, the affronted present woman playfully grabs the bulge in the seat of the returning woman’s pants and presses it, forcefully and deliberately squashing the bulge and spreading the mess in the returning woman’s pants in the process. As she is forcefully squashing the bulge, she tauntingly asks the returning woman with playful exasperation about the way the mess feels now in the returning woman’s pants. As the bulge in her pants is being squashed, the returning woman cries out in playful disgust and exclaims that the squashed mess has spread and smeared inside her pants.

* In response to the returning woman’s exclamation, and as she’s still squashing the bulge, the present woman exasperatedly commands the returning woman to enter the bathroom already, while she mocks the returning woman as well. The present woman maintains her grip on the bulge, keeps squashing it intently for a few more seconds to get her point across and then playfully pushes the returning woman into the bathroom with the squashing motion. As the bulge in her pants is still being squashed and she’s being pushed into the bathroom, the returning woman exclaims her submission in playful disgust.

* Once the returning woman has been pushed into the bathroom, the present woman closes the bathroom door and walks off while sniffing the hand that she used to squash the bulge in the returning woman’s pants, and then she physically reacts to the odor emitting from the hand. As she’s walking off and reacting to the odor emitting from her hand, the present woman expresses playful disgruntlement to herself about the lingering odor from the returning woman’s accident.