{"input": "Do both films A Trial In Prague and Three Strangers have the directors that share the same nationality?", "context": "Passage 1:\nTom\u00e1\u0161 Hude\u010dek\nTom\u00e1\u0161 Hude\u010dek (born 10 May 1979 in Olomouc) is a Czech university (assoc.) professor and former politician. He is currently the head of the Department of Public Administration and Regional Studies at the Masaryk Institute of Advanced Studies of the Czech Technical University in Prague, a former local (non-party) politician and the Mayor of the Capital City of Prague. He is married, has three sons, lives alternately in Prague and Ostrava.\nIn 2010 he was elected to the Municipal Assembly in Prague as a candidate of the TOP 09 party.  On 24 November 2011 he became a member of the executive council of Prague and the Deputy Mayor of Bohuslav Svoboda. Hude\u010dek was elected deputy mayor of Prague between 24 November 2011 and 23 May 2013, then deputy mayor with the responsibilities of Mayor during the flooding of May and June 2013 days in Prague, and Mayor of Prague between 20 June 2013 and 26 October 2014.\nPassage 2:\nA Trial in Prague\nA Trial in Prague is an 83 min colour documentary film directed by Zuzana Justman, about the Sl\u00e1nsk\u00fd trial, a high-profile show trial in 1952 Communist Czechoslovakia.\n\nContent\nAt the height of the Cold War, an infamous political show trial, known as the Sl\u00e1nsk\u00fd trial, took place in Czechoslovakia. In 1952, 14 leading Communists, including Rudolf Sl\u00e1nsk\u00fd, the second most powerful man in the country, were tried on charges of high treason and espionage. Although they were innocent of the charges, they confessed and were convicted. Most of the men were hanged, but three received life sentences. Eleven of the fourteen were Jews.\nThe film tells the story of the trial and the paranoia of the period through testimonies, trial footage, archival films and extensive documentation. Among the people who appear in the film are Lise London, whose late husband Artur London was one of the defendants and wrote about the trial in a widely published memoir \"The Confession;\" Eduard Goldstucker, a Kafka scholar and the first Czech ambassador to Israel who was jailed and forced to testify at the trial; and Jan Kavan, the former Czech Minister of Foreign Affairs, whose father, also a trial witness, died shortly after his release from prison.\nWhat led these men to their passionate belief in Communism and why did they publicly confess to crimes they did not commit?  The film explores the questions, as well as the role of Moscow, the motives for the trial and its anti-Semitic thrust. It deals with the personal stories of the condemned men and the legacy they left their children, who \"feel a need to live out the interrupted lives of their fathers\".\n\nComments\n\"Sensitive, intelligent & moving \u2026 shows the human face of both communism and its victims\" - New York Times \"Harrowing and enlightening, a tale that even Kafka would find hard to imagine\" (Boston Phoenix).\"Measured, informative\u2026neatly structured\" (Variety).\u201cThe film is as compelling for these painful details as for the tough-minded analysis that ties them together.\u201d ( The Village Voice)\u201cPowerful, important and refreshingly straightforward documentary.\u201d (New York Post)\n\nSources\nSl\u00e1nsk\u00e1, Josefa (1969). Report On My Husband. London: Hutchinson. ISBN 0-09-097320-8.\nLondon, Artur (1971). Confession. USA: Ballantine Books. ISBN 0-345-22170-2.\nMargolius, Ivan (2006). Reflections of Prague: Journeys through the 20th century. Chichester: Wiley. ISBN 0-470-02219-1.\nKaplan, Karel (1990). Report on the Murder of the General Secretary. London: I. B. Tauris & Co. ISBN 1-85043-211-2.\nHeda Margolius Kovaly (1997) Under a Cruel Star: A life in Prague 1941-1968 (ISBN 0-8419-1377-3).\nPassage 3:\nVojt\u011bch Petr\u00e1\u010dek\nVojt\u011bch Petr\u00e1\u010dek (born 17 February 1964 in Prague) is a Czech nuclear physicist and University Lecturer. Since February 2018, He has also been the rector of the Czech Technical University in Prague (CVUT) in Prague.\n\nEducation\nAfter attending the Nad \u0160tolou Grammar School in the Letn\u00e1ny, Petr\u00e1\u010dek studied mathematics and physics from 1982 at the Charles University, obtaining a doctorate in 1987.\n\nCareer\nIn 2014 he unsuccessfully ran in the Rectorate election of the \u010cVUT, but in 2017 he was elected and at the end of January, 2018 he was appointed to this position by the Czech President Milo\u0161 Zeman with effect from 1. February 2018.\n\nPublications\nVojt\u011bch Petr\u00e1\u010dek, as of 2018, has published 117 articles.\nPassage 4:\nHenry Kolowrat Jr.\nHenry Kolowrat (Czech: Jind\u0159ich Kolowrat; August 25, 1933 \u2013 March 16, 2021) was an American fencer. He was born in Prague into a noble Kolowrat family. He moved with his parents to the United States in 1948 after the communist coup d'\u00e9tat in Czechoslovakia. He became a U.S. citizen in 1956. He competed in the team \u00e9p\u00e9e event at the 1960 Summer Olympics.\nPassage 5:\nZuzana Justman\nZuzana Justman, born Zuzana Pick (born 20 June 1931), is a Czech-American maker of documentary films and writer. She was born in former Czechoslovakia, which she left in 1948 with her mother after surviving two years at Theresienstadt concentration camp during World War II. She went to New York state for college and graduate school, and settled in New York City afterward. After working as a writer and translator, in the late 1980s, she started filmmaking. She has filmed most of her documentaries in the Czech Republic and other European countries, and her topics have been the Holocaust of World War II and postwar history.\n\nEarly life\nShe was born into a Jewish family as Zuzana Pick, the second child of Viktor and Marie Pick in Prague, Czechoslovakia. She had an older brother, Ji\u0159\u00ed Robert Pick, who became a writer and playwright. During World War II Zuzana, her brother and her parents, Viktor and Marie Pick, were imprisoned for two years in the Terez\u00edn concentration camp. Her father was deported to the Auschwitz extermination camp, where he was killed; she, her mother and brother were among the survivors of Theresienstadt. They returned to Prague.\nAfter the communist putsch (\"Victorious February\") of 1948, Zuzana and her mother emigrated to Argentina. Ji\u0159\u00ed remained in Prague.\nZuzana left Buenos Aires in 1950 to study at Vassar College. She received a B.A. from Vassar and later a Ph.D. in Slavic Linguistics from Columbia University in New York.\n\nCareer\nAfter working as a writer and translator, in 1986 Pick began to make her first film Terezin Diary (completed in 1989). The documentary is about the World War II-era Theresienstadt concentration camp in occupied Czechoslovakia.\nIn 1993, she wrote, produced and directed Czech Women: Now We Are Free.\nHer documentary Voices of the Children (1997), which tells the story of three concentration camp survivors, received the 1999 Emmy Award for best historical program, the Certificate of Merit at the Chicago International Film Festival, in 1998 the Gold Plaque at the Chicago International Television Competition, in 1998 Best Documentary and Audience Choice for Best Documentary awards at Film Fest New Haven, in 1997 the Silver Apple from National Educational Media Network.\nJustman's film A Trial in Prague (2001) is about a 1952 show trial in Communist Czechoslovakia (known as the Slansky Trial). It was released theatrically in a great number of venues and it was uniformly well-received both critically and commercially.\nHer 2006 adaptation of her brother's 1982 play The Unlucky Man in the Yellow Cap (in original Czech Smola\u0159 ve \u017elut\u00e9 \u010depici ), was performed at the FringeNYC festival in August 2006.\nHer play Waiting for Father premiered at a staged reading at the Czech Center New York on November 16, 2018.\nHer story My Terezin Diary was published in The New Yorker on September 9, 2019. It was also published in German translation in Switzerland in Das Magazin in January 2020.\n\nMarriage and family\nShe was married for nearly 50 years to the late Daniel Justman, a psychiatrist and psychoanalyst. She has two sons Philip and David, from a previous marriage to the late writer David Boroff. She has two stepchildren, Alexander and Jessica Justman, from Daniel's first marriage. Her first husband was Miles/Milos Glaser.\n\nFilm documentaries\nA Trial in Prague, 2000 \u2013 director, producer, screenwriter \nVoices of the Children, 1997 \u2013 director, screenwriter\nCzech Women: Now We Are Free, 1993 \u2013 director, screenwriter (with J. Becker, L. Studni\u010dkov\u00e1)\nTerezin Diary, 1989 (screenwriter, executive producer), directed and produced by Dan Weissman\n\nTheatre\nThe Unlucky Man in the Yellow Cap, directed by Marcy Arlin, lyrics, translation and cooperation Alex Zucker, other lyrics by Peter Fish (also music), Zuzana Justman, J.R. Pick, performed at the FringeNYC festival, August 2006\nJustman's play Waiting for Father premiered at a staged reading at the Czech Center New York on November 16, 2018.\nPassage 6:\nKarel Wellner\nKarel Wellner (5 March 1875, in Unho\u0161\u0165 \u2013 14 June 1926, in Olomouc) was a Czech graphic artist, painter, cartoonist, illustrator, art historian and critic. He was also a secondary school teacher and professor.\nHe graduated from high school in Prague, and then studied industrial engineering and art  in Prague. He moved to Olomouc in 1902 and was active in illustrating professional literature and as an art historian. Some of his works were published in Germany. As a painter he took part in exhibitions in Prague and with the Association of Visual Artists in Moravia. He was active mainly in  graphic art. He has published several lithographs and etchings of the old city of Olomouc.\n\nSee also\nList of Czech painters\nPassage 7:\nPetr H\u00e1jek\nPetr H\u00e1jek (Czech pronunciation: [\u02c8p\u025btr\u0329 \u02c8\u0266a\u02d0j\u025bk]; 6 February 1940 \u2013 26 December 2016) was a Czech scientist in the area of mathematical logic and a professor of mathematics. Born in Prague, he worked at the Institute of Computer Science at the Academy of Sciences of the Czech Republic and as a lecturer at the faculty of mathematics and physics at the Charles University in Prague and at the Faculty of Nuclear Sciences and Physical Engineering of the Czech Technical University in Prague.\n\nAcademics\nPetr H\u00e1jek studied at the faculty of mathematics and physics of the Charles University in Prague. Influenced by Petr Vop\u011bnka, he specialized in set theory and arithmetic, and later also in logic and artificial intelligence. He contributed to establishing the mathematical fundamentals of fuzzy logic. Following the Velvet Revolution, he was appointed a senior lecturer (1993) and a professor (1997). From 1992 to 2000 he held the position of chairman of the Institute of Computer Science at the Academy of Sciences of the Czech Republic. From 1996 to 2003 he was also president of the Kurt G\u00f6del Society.Later, he graduated from the Academy of Performing Arts in Prague, where he studied the pipe organ under Ji\u0159\u00ed Reinberger to become an organ player in a church.\n\nAwards\n2002, Medal of the Minister of Education of the Czech Republic\n2006, Medal of Merit, third grade, in the area of sciences by President of the Czech Republic V\u00e1clav Klaus\n2008, doctor honoris causa from Silesian University in Opava\n\nPapers\nH\u00e1jek, Petr; Kal\u00e1\u0161ek, Pavel; K\u016frka, Petr (1960). O dynamick\u00e9 logice. Praha: Academia.\nVop\u011bnka, Petr; H\u00e1jek, Petr (1972). The Theory of Semisets. Trans. Jech, T. and Rousseau, G. Praha: Academia.\nH\u00e1jek, Petr; Havr\u00e1nek, Tom\u00e1\u0161; Chytil, Metod\u011bj K. (1983). Metoda GUHA: automatick\u00e1 tvorba hypot\u00e9z. Praha: Academia.\nH\u00e1jek, Petr; Pudl\u00e1k, Pavel (1993). Metamathematics of First-Order Arithmetic. Berlin: Springer.\n\nSee also\nSemiset\nPassage 8:\nThree Strangers\nThree Strangers is a 1946 American film noir crime drama directed by Jean Negulesco, written by John Huston and Howard Koch, starring Sydney Greenstreet, Geraldine Fitzgerald, and Peter Lorre, and featuring Joan Lorring and Alan Napier.\n\nPlot\nCrystal Shackleford (Geraldine Fitzgerald) lures two strangers, solicitor Jerome K. Arbutny (Sydney Greenstreet) and charming and erudite drunkard Johnny West (Peter Lorre) to her London flat on Chinese New Year in 1938 because of her belief that if three strangers make the same wish to an idol of Kwan Yin, Chinese goddess of fortune and destiny, the wish will be granted.  Since money will make their dreams come true, the three go in on a sweepstakes ticket for the Grand National horse race together and agree that they will not sell the ticket if it is chosen, but will hold on to it until the race is run.  Shackleford would use the money to try to win her estranged husband back, Arbutny to smooth the way for his selection to the prestigious Barrister's Club, and Johnny to buy a bar and live in it.\nThe stories of the three strangers are revealed. Shackleford's husband David (Alan Napier) moved to Canada and fell in love with Janet Elliott (Marjorie Riordan). He returns, just after Johnny and Arbutny take their leave of Crystal, and demands a divorce, but she refuses. She sees to it that he loses a promotion. She also lies to Janet, telling her that David still loves her and that she is pregnant. The trusting woman believes her and returns to Canada.\nWith the help of an adoring Icey Crane (Joan Lorring), Johnny has been hiding out after his drunken participation in a botched robbery that resulted in the death of a policeman. Icey commits perjury in order to provide an alibi for the murderer and ringleader, Bertram Fallon (Robert Shayne). When a second witness is discredited, Fallon confesses to the robbery but blames the murder on West and the third man involved, Timothy Delaney, who is nicknamed Gabby (Peter Whitney). Johnny is caught and sentenced to death, but Gabby finds Fallon on his way to prison and stabs him.  As he dies in the railway carriage, Fallon clears Johnny.\nArbutny has been speculating in stocks with money from the trust fund of Lady Rhea Belladon (Rosalind Ivan), an eccentric widow who believes she can talk with her dead husband.  When the stock falls and his margin is called, a desperate Arbutny proposes to Lady Belladon.  After consulting with her dead husband, she turns him down. Worse, she says that Lord Belladon wants to have the books checked.  Arbutny contemplates suicide, is about to shoot himself but glances in the newspaper and discovers their sweepstakes ticket \"Kwan Yin\" was drawn in the Grand National.\nThe three strangers converge on Crystal's flat.  Arbutny wants to sell his share of the ticket immediately so he can replace the funds he stole before his crime can be uncovered.  Johnny is willing, but Shackleford is adamant that they stick to their original agreement.  Arbutny becomes enraged and accidentally kills her with her statue of Kwan Yin. Ironically, they hear on the radio that their horse wins.  Johnny points out to Arbutny that the winning ticket has to be destroyed because their agreement and signatures on it would provide a motive for Crystal's murder. They leave the flat, but Arbutny is overcome by guilt, and panics and runs out into the middle of the busy street.  Arbutny stops traffic and attracts a crowd, including a policeman, where he confesses to the murder. David Shackleford arrives, intending to shoot his estranged wife for  driving Janet away from him, but leaves, shaken, upon discovering that she's already dead.\nJohnny returns to the pub, where Icey finds him.  Content with having her, he sets the ticket on fire.\n\nCast\nProduction\nThree Strangers was in production from early January to mid-February 1945.  Its original title was Three Men and a Girl, and Bette Davis and George Brent were originally to be the leads.  At one point, the story was considered for a sequel of sorts to The Maltese Falcon, and Humphrey Bogart, Sydney Greenstreet and Mary Astor were to star. However, according to Robert Osborne of Turner Classic Movies, Warner Bros. discovered the rights to the characters had reverted to Dashiell Hammett. Because Warners had owned the rights since 1937, actors considered for the role of \"Jerome K. Arbutny\" were Lionel Atwill, Donald Crisp, Ian Hunter and Claude Rains, while Miriam Hopkins and Kay Francis were considered to play \"Crystal Shackelford\".  For the third starring role, that of \"Johnny West,\" Errol Flynn, David Niven, Leslie Howard, Douglas Fairbanks, Jr. and Robert Montgomery were considered.  Director Jean Negulesco was a fan of Lorre's work and fought hard to give him the role.John Huston was inspired to write the story by a wooden figure he bought in an antique shop while working in London. Later, events at a party in his flat suggested to Huston the story of three strangers sharing a sweepstakes ticket.  Alfred Hitchcock was at the gathering, and liked the story when Huston told it to him, but nothing came of it.  Huston returned to Hollywood, and Warners bought the treatment in 1937.  Huston went on to write the script with his friend Howard Koch. When the film finally went into production, Huston was not available to direct it, because he was a lieutenant in the U.S. Army Signal Corps.Two American release dates for Three Strangers can be found: 28 January 1946 and 16 February 1946.  It's possible that the first date is the premiere, and the later one the actual date of general release.\n\nReception\nIn its 1946 review, Variety wrote:\n\nGreenstreet overplays to some extent as the attorney who has raided a trust fund, but he still does a good job. Lorre is tops as a drunk who gets involved in a murder of which he's innocent, while Fitzgerald rates as the victim.\nBosley Crowther in The New York Times wrote that same year:\n\n[T]he action [...] is full-bodied melodrama of a shrewd and sophisticated sort. Never so far away from reason that it is wholly incredible but obviously manufactured fiction, it makes a tolerably tantalizing show, reaching some points of fascination in a few of its critical scenes.\nAccording to Warner Bros. records, the film earned $1,033,000 in the U.S. and $614,000 in other markets.\nPassage 9:\nJean Negulesco\nJean Negulesco (born Ioan Negulescu; 13 March [O.S. 29 February] 1900 \u2013 18 July 1993) was a Romanian-American film director and screenwriter. He first gained notice for his film noirs and later made such notable films as Johnny Belinda (1948), How to Marry a Millionaire (1953), Titanic (1953), and Three Coins in the Fountain (1954).He was called \"the first real master of CinemaScope\".\n\nBiography\nEarly life\nBorn in Craiova, Negulesco was the son of a hotel keeper and attended Carol I High School.\nWhen he was 15, he was working in a military hospital during World War I. George Enescu, the Romanian composer, came to play the violin to the war wounded; Negulesco drew a portrait of him, and Enesco bought it. Negulesco decided to be a painter and studied art in Bucharest.Negulesco went to Paris in 1920, and enrolled in the Acad\u00e9mie Julian. He sold one of his paintings to Rex Ingram.\n\nAmerica\nIn 1927, he visited New York City for an exhibition of his paintings and settled there.He then made his way to California, at first working as a portraitist.He became interested in movies and made an experimental feature film, financed as well as written and directed by himself, called Three and a Day. Through his contact with the film's star, Mischa Auer, he managed to get a job at Paramount.\n\nParamount\nHe did the opening montage for the film musical Tonight We Sing and worked on The Story of Temple Drake and A Farewell to Arms (1932).He worked his way to assistant producer, second unit director.\n\nWarner Brothers\nNegulesco went to Warner Brothers in 1940. He made his reputation at Warner Bros by directing short subjects, particularly a series of band shorts featuring unusual camera angles and dramatic use of shadows and silhouettes.\nNegulesco's first feature film as director was Singapore Woman (1941). In 1948, he was nominated for an Academy Award for Directing for Johnny Belinda.\n\n20th Century Fox\nIn 1948 Negulesco went to work for 20th Century Fox. He was the first director to make two films in Fox's CinemaScope - How to Marry a Millionaire and Three Coins in the Fountain; the former receiving a nomination for a BAFTA Award for Best Film.His 1959 movie The Best of Everything was on Entertainment Weekly's Top 50 Cult Films of All-Time.\nDuring his Hollywood career and in his 1984 autobiography Things I Did and Things I Think I Did, Negulesco claimed to have been born on 29 February 1900; he apparently was motivated to make this statement because birthdays on leap year day are comparatively rare (and even though 1900 was not a leap year in the Gregorian calendar, it was under the Julian calendar, which applied in Romania at that time).\nHe has a star on the Hollywood Walk of Fame at 6212 Hollywood Blvd.\n\nDeath\nFrom the late 1960s Negulesco lived in Marbella, Spain, where he died, at age 93, of heart failure. He is buried in the Virgen del Carmen cemetery in Marbella.\n\nFilmography\nShorts\nFeature films\nArchive\nMany of Negulesco's home movies are held by the Academy Film Archive; the archive has preserved a number of them, including behind-the-scenes footage of Negulesco's films.\n\nNotes\nPassage 10:\nSt. Vitus Madonna\nThe St. Vitus Madonna (c. 1395\u20131415) comes from the treasure of St. Vitus Cathedral in Prague and is exhibited in its original frame in the permanent collection of the National Gallery in Prague.\n\nHistory of the picture\nJan of Jen\u0161tejn, chancellor of King Wenceslaus IV and the Archbishop of Prague, was usually quoted as the donor of this picture. It is more likely, however, that the picture was painted later on, meaning that a more probable donor was Old\u0159ich Zaj\u00edc of Hazmburk, brother of Zbyn\u011bk Zaj\u00edc of Hazmburk, fifth Archbishop of Prague, who died in 1411. In memory of his brother, Old\u0159ich Zaj\u00edc of Hazmburk founded the altarpiece of St. Johns in their family chapel at St Vitus Cathedral.The picture itself survived separately in the possession of the Metropolitan Chapter. The picture's frame was purchased in 1883 from the estate of Josef Vojt\u011bch Hellich for the Prague City Museum, from where it came to gallery of the Society of Patriotic Friends of Art. In 1937 Vincenc Kram\u00e1\u0159, director of the Society, joined both parts and since 1940 the picture and its frame have been loaned for display at the National Gallery in Prague.\nInformation from the St. Vitus inventory of the late 15th century mentions a beautiful panel of the Virgin Mary with the portraits of the four Evangelists and four patron saints of the Czech lands. It is recorded that they were painted by \u2018Prague Panices\u2019 (Prague Junkers) \u2013 free artists who appear in written sources from the 15th century. The St Vitus Madonna was exhibited in New York City in 2005.\n\nDescription and context\nThe picture in a cut frame decorated with twelve portraits is painted in tempera on a chalk base, on a soft-wood panel covered with stretched canvas. It is 51 x 39.5 cm in size. In the 1850s amethysts donated by Canon Pe\u0161ina were added to the halo (these were later removed). The composition as a whole adheres to older models of Marian pictures. The picture of the St Vitus Madonna is directly related to sculptures in the International Gothic style and demonstrates how painting could have been directly influenced by contemporary sculpture. Stylistically it corresponds to artistic development in Bohemia around 1400 and, with its perfection of form, became the prototype of the Beautiful Madonnas.\nThe medallions with portraits in low detailed reliefs, that decorate the frame, depict half-figures of four patron saints of the Czech lands: St. Wenceslaus, St. Sigisgmund, St. Vitus and St. Adalbert (vertically); John the Baptist and John the Evangelist (top) and St. Procopius (?) and a kneeling archbishop, possibly the donor Jan of Jen\u0161tejn or the deceased Zbyn\u011bk Zaj\u00edc of Hazmburk (bottom). In the corners of the frame there are four quadrilobes with figures of angels bearing ribbons on which there are fragments of the text of the popular 12th-century Marian antiphon Regina coeli, laetare in which the faithful looked for protection against the plaque. Gemstones are indicated between the portraits; these were usually part of works meant for worshipping. The picture originally stood on the altar independently, since on its reverse it was decorated with silver foil.\nThis work dates from the high period of the Marian cult around 1400. It represents one of the two main types \u2013 the Madonna holding the child on her right side and both figures directing their gaze towards the viewer. Jesus's mortal human origin is emphasised by his nudity and several details (such as his mother pressing her fingers into his skin). These details also have Eucharistic significance, referring to Corpus Christi. This concept of the Marian image was widespread in the period before the Hussite Wars broke out.\n\nRelated works\nMadonna of Ln\u00e1\u0159e (1400-1420)\nThe T\u00fdn Madonna\nThe Madonna of Svoj\u0161\u00edn, differing in detail, since it has a crown as the Queen of Heaven, instead of a veil\nThe Madonna of Jind\u0159ich\u016fv Hradec (a small format for private worship, not to be confused with the Madonna of Jind\u0159ich\u016fv Hradec (1460)\nMadonna of Vy\u0161\u0161\u00ed Brod Monastery (1415-1420)\nMadonna of Wroc\u0142aw (1417-1418)\nIllumination in the missal of Zbyn\u011bk Zaj\u00edc of Hazmburk (1409)\n\nLater replicas\nMadonna of Jind\u0159ich\u016fv Hradec\nMadonna of \u010cesk\u00fd Krumlov\nMadonna of Brussels", "answers": ["yes"], "length": 4176, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "0c7274b5100ebeee9e7c1437949590cf5722c3f00b454f92"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.