This is the WIP progressive black metal album I'm working on at the moment.
I would like to make a companion album to it, like Neurosis did for Times of Grace with Tribes of Neurot, which would be 100% neofolk, I would make it with my virtual instruments (AudioSwam Soloists, Rinascimento Kontakt bank, EastWest Composer Cloud). I want to capture the very soul of dark folk music in this companion album.
Analyze the markdown, ignoring the already existing folk arrangements, and be thorough in your description. Be sure it matches the dynamics of the album. As in, describe per track. Be thorough on how to make it coherent / varied / not boring on the whole album duration.
# Project Notes Export

**Project Path:** /Users/camillegiraudeau/Desktop/WHOLETHING-tosynth/dotdsynth.rpp

## Region 1: [0:00.000 - 5:47.005]

- **Name:** 01 - Elle Est La

### Time 0:00.000 - 0:19.366 | Duration: 0:19.366

- **Track:** Vox
  - **Item Notes:** No
- **Track:** Intent
  - **Item Notes:** Should be majestic and predict a grandiose album
- **Track:** Production Notes
  - **Item Notes:** Full blown right off the bat. Maybe gong
- **Track:** Narrative
  - **Item Notes:** Welcome. Start of track 1. Theme 1. This track will be supposed to introduce an
extremely ambitious album of avantgarde black metal.
- **Track:** Drums
  - **Item Notes:** Maybe should be more complex here
- **Track:** Bass
  - **Item Notes:** Maybe not verbose yet
- **Track:** Guitars
  - **Item Notes:** Nod to I sang for the swans' opening riff
- **Track:** Arrangement
  - **Item Notes:** Gong + descending brass (Kepler orchestra) + weird choirs saying "Fais place la voila" in a
very dismal way, like bits of reverse. Maybe also flute ? And a low slow lute arpeggio ?

### Time 0:19.366 - 0:33.706 | Duration: 0:14.340

- **Track:** Vox
  - **Item Notes:** First vox. Aldrahney spoken words.
- **Track:** Intent
  - **Item Notes:** "Oh ! This is going to be strange"
- **Track:** Production Notes
  - **Item Notes:** First 666 International type of prod change (the whole album will rest on this
process)
- **Track:** Narrative
  - **Item Notes:** Introducing theme 2
- **Track:** Drums
  - **Item Notes:** Minimal, so that the next one hits hard
- **Track:** Bass
  - **Item Notes:** Not verbose
- **Track:** Guitars
  - **Item Notes:** Clean chorusey guitar, Killing Joke
- **Track:** Arrangement
  - **Item Notes:** Emphatic Bernard Hermann x Philip Glass strings (Kepler). Frame drums and bones.
Ritualistic percussion

### Time 0:33.706 - 0:48.112 | Duration: 0:14.407

- **Track:** Vox
  - **Item Notes:** AAAHH!
- **Track:** Intent
  - **Item Notes:** Brutal?
- **Track:** Production Notes
  - **Item Notes:** Change again
- **Track:** Narrative
  - **Item Notes:** Theme 2
- **Track:** Drums
  - **Item Notes:** Bomb blast with double kick
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very Deathspell Omega riff, dissonant and weird
- **Track:** Arrangement
  - **Item Notes:** Maybe an explosion. Cello. Storm / tempest impression, maybe SFX. I could hear a
kind of arpegiated something too.

### Time 0:48.112 - 1:07.372 | Duration: 0:19.260

- **Track:** Vox
  - **Item Notes:** Aldrahney weird again
- **Track:** Intent
  - **Item Notes:** WEIRD
- **Track:** Production Notes
  - **Item Notes:** Change again
- **Track:** Narrative
  - **Item Notes:** Variation on Theme 1. The Drowned Witch gains power over the previous storm
- **Track:** Drums
  - **Item Notes:** Blast beat but with a strange groove (Derek Roddy style)
- **Track:** Bass
  - **Item Notes:** No bass
- **Track:** Guitars
  - **Item Notes:** Thorns-ey riff in the panoramics
- **Track:** Arrangement
  - **Item Notes:** Back to the descending brass from Kepler. Maybe add yet another rhythmic layer
which will further enhance the weirdness. Maybe it also needs something in the
lower freq. Like a swirling spirit chant making a weird drone,

### Time 1:07.372 - 1:17.937 | Duration: 0:10.565

- **Track:** Vox
  - **Item Notes:** No
- **Track:** Intent
  - **Item Notes:** Beautiful
- **Track:** Production Notes
  - **Item Notes:** Switching towards something more postpunkish
- **Track:** Narrative
  - **Item Notes:** Transition riff
- **Track:** Drums
  - **Item Notes:** Toms
- **Track:** Guitars
  - **Item Notes:** Maybe… FOLKish ?? As in, lute ? The Moon Lay Hidden ?
- **Track:** Arrangement
  - **Item Notes:** Bernard Herrmann-esque strings again, beautiful. Medieval dance. Bells. Flute.

### Time 1:17.937 - 1:28.714 | Duration: 0:10.777

- **Track:** Vox
  - **Item Notes:** No
- **Track:** Intent
  - **Item Notes:** Even more beautiful
- **Track:** Drums
  - **Item Notes:** Toms but with double kick
- **Track:** Arrangement
  - **Item Notes:** Even more beautiful string progression. Some faint conjuring chants in the
distance, blended with the string melodies. Maybe hurdy gurdy

### Time 1:28.714 - 1:44.624 | Duration: 0:15.910

- **Track:** Vox
  - **Item Notes:** Re vox, spoken words
- **Track:** Intent
  - **Item Notes:** Back to the theme 2 but wildly different
- **Track:** Production Notes
  - **Item Notes:** Still postpunk
- **Track:** Narrative
  - **Item Notes:** Theme 2 again
- **Track:** Drums
  - **Item Notes:** Slow, rock
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Killing Jokey
- **Track:** Arrangement
  - **Item Notes:** No arrangement, just guitar and bass and drums

### Time 1:44.624 - 1:52.635 | Duration: 0:08.011

- **Track:** Vox
  - **Item Notes:** Spoken words
- **Track:** Intent
  - **Item Notes:** Something is coming
- **Track:** Narrative
  - **Item Notes:** Still theme 2
- **Track:** Drums
  - **Item Notes:** Cymbal swell that prepares
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Thorns ey tremolo minor chords
- **Track:** Arrangement
  - **Item Notes:** Sparse rhythmic elements, discrete. Maybe something high pitched and non tonal,
without cluttering.

### Time 1:52.635 - 2:12.472 | Duration: 0:19.837

- **Track:** Vox
  - **Item Notes:** Maybe a long whisper
- **Track:** Intent
  - **Item Notes:** Imperial !
- **Track:** Production Notes
  - **Item Notes:** Back to the majestic BM
- **Track:** Narrative
  - **Item Notes:** Theme 2
- **Track:** Drums
  - **Item Notes:** Blast beat
- **Track:** Bass
  - **Item Notes:** Finally verbose bass
- **Track:** Guitars
  - **Item Notes:** Very beautiful emperorish guitar
- **Track:** Arrangement
  - **Item Notes:** Bells echoing, maybe thunder at the beginning. Drone made of medieval flutes.

### Time 2:12.472 - 2:19.644 | Duration: 0:07.172

- **Track:** Vox
  - **Item Notes:** None
- **Track:** Intent
  - **Item Notes:** Strange?
- **Track:** Narrative
  - **Item Notes:** Strange resolution of theme 2
- **Track:** Drums
  - **Item Notes:** Giant drum fill, very absurdly technical
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Impressionistic emperor

### Time 2:19.644 - 2:30.981 | Duration: 0:11.337

- **Track:** Vox
  - **Item Notes:** Clean vocals. Sort of the "chorus" even though the song is not structured like
it
- **Track:** Intent
  - **Item Notes:** A new thing in the prog bag
- **Track:** Production Notes
  - **Item Notes:** Devin Townsend now
- **Track:** Narrative
  - **Item Notes:** Theme 3
- **Track:** Drums
  - **Item Notes:** Cymbal swells
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Beautiful Devin Townsend like riff
- **Track:** Arrangement
  - **Item Notes:** Emphatic strings. maybe emphasize the kick with percs. Maybe continuous flute drones between clean vox

### Time 2:30.981 - 2:42.267 | Duration: 0:11.286

- **Track:** Vox
  - **Item Notes:** Still clean vocals
- **Track:** Intent
  - **Item Notes:** Dynamic up on the previous riff
- **Track:** Narrative
  - **Item Notes:** Still theme 3
- **Track:** Drums
  - **Item Notes:** Rock drums
- **Track:** Bass
  - **Item Notes:** More verbose take on the previous riff
- **Track:** Guitars
  - **Item Notes:** Still the same riff
- **Track:** Arrangement
  - **Item Notes:** Emphatic strings

### Time 2:42.267 - 2:52.635 | Duration: 0:10.368

- **Track:** Vox
  - **Item Notes:** Nnone
- **Track:** Intent
  - **Item Notes:** Headbangey, powerful in a very empathic way
- **Track:** Narrative
  - **Item Notes:** Riff 4
- **Track:** Drums
  - **Item Notes:** Rock intensity
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Extremely Devin Townsend development on theme 3
- **Track:** Arrangement
  - **Item Notes:** Maybe introduce Cave In like octaved lead

### Time 2:52.635 - 3:03.007 | Duration: 0:10.372

- **Track:** Intent
  - **Item Notes:** The same as before, but you headbang differently
- **Track:** Drums
  - **Item Notes:** Dbeat
- **Track:** Bass
  - **Item Notes:** More verbose in a punk way
- **Track:** Guitars
  - **Item Notes:** Same but in a more punk way

### Time 3:03.007 - 3:13.439 | Duration: 0:10.432

- **Track:** Vox
  - **Item Notes:** Shouting maybe
- **Track:** Intent
  - **Item Notes:** Now it feels like Smohalla (my previous band)
- **Track:** Narrative
  - **Item Notes:** Introducing riff 5, which is linked to theme 1
- **Track:** Drums
  - **Item Notes:** Slow double kick
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Beautiful and a bit sad Killing Joke / Smohalla riff

### Time 3:13.439 - 3:36.659 | Duration: 0:23.220

- **Track:** Vox
  - **Item Notes:** Maybe noise rock shoutey vocals in reverse ?
- **Track:** Intent
  - **Item Notes:** Groovey and weird
- **Track:** Narrative
  - **Item Notes:** Develops the previous riff in a very math/weird way
- **Track:** Drums
  - **Item Notes:** Almost screamo intensity, intense and minimal, hit hard
- **Track:** Bass
  - **Item Notes:** Not verbose
- **Track:** Guitars
  - **Item Notes:** Weird Voivodish riff developping the previous one. Maybe make it even more
twisted than it is now, with hammer bend stuff like DHG

### Time 3:36.659 - 3:59.854 | Duration: 0:23.195

- **Track:** Vox
  - **Item Notes:** Maybe the first black metal vocals here
- **Track:** Narrative
  - **Item Notes:** Return of theme 1 in it's proper glory
- **Track:** Drums
  - **Item Notes:** Slow black metal blast beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very impressionistic emperor take on theme 1
- **Track:** Arrangement
  - **Item Notes:** Subtle dissonant choir and a drone of hurdy. And maybe * Medieval Flute and Echoing Bells: Blend medieval flute melodies with echoing bells during the return of Theme 1, creating a grand and atmospheric resurgence.

### Time 3:59.854 - 4:23.178 | Duration: 0:23.324

- **Track:** Vox
  - **Item Notes:** Back to shouting preparing the coming apex
- **Track:** Intent
  - **Item Notes:** Preparation of the apex
- **Track:** Drums
  - **Item Notes:** Still the slow BM blast beat
- **Track:** Bass
  - **Item Notes:** Verbose, predicting the apex
- **Track:** Guitars
  - **Item Notes:** Chords of theme 2, but sparse, in a noise rock way
- **Track:** Arrangement
  - **Item Notes:** Subtle dissonant choir becoming ++. Imperial brass

### Time 4:23.178 - 5:09.758 | Duration: 0:46.579

- **Track:** Vox
  - **Item Notes:** Very beautiful oooh oooh ooh, one of my favorite moments of the album
- **Track:** Intent
  - **Item Notes:** ABSOLUTE APEX OF THE SONG !!!!!!!
- **Track:** Narrative
  - **Item Notes:** Full power of the Drowned Witch
- **Track:** Drums
  - **Item Notes:** Still the same beat, but on crash now
- **Track:** Bass
  - **Item Notes:** Verbose, mirroring the vocals
- **Track:** Guitars
  - **Item Notes:** Dissonant chords arpeggios in the most beautiful way
- **Track:** Arrangement
  - **Item Notes:** Incorporates echoing bells, possible thunder sounds at the beginning, and
medieval flute drones, enriching the epic and mystical climax.Imperial brass ++++

### Time 5:09.758 - 5:27.210 | Duration: 0:17.453

- **Track:** Vox
  - **Item Notes:** Back to BM
- **Track:** Intent
  - **Item Notes:** Strange part again
- **Track:** Production Notes
  - **Item Notes:** Chorusey guitar
- **Track:** Drums
  - **Item Notes:** Rock drums on crash
- **Track:** Bass
  - **Item Notes:** Precise rhythm matching the kick drum
- **Track:** Guitars
  - **Item Notes:** Noise rock take on theme 2
- **Track:** Arrangement
  - **Item Notes:** Enhance the strange rhythm with bells

### Time 5:27.210 - 5:42.489 | Duration: 0:15.279

- **Track:** Vox
  - **Item Notes:** Just black metal screams
- **Track:** Drums
  - **Item Notes:** Slow blast beat with the double snare dynamics (Derek Roddy style)
- **Track:** Bass
  - **Item Notes:** Still doing the previous rhythmic but more high pitched
- **Track:** Guitars
  - **Item Notes:** Impressionistic BM take on theme 2
- **Track:** Arrangement
  - **Item Notes:** Still bells in an echoey dub and a crescendo of subtle lute strums and flute following the guitar lead

### Time 5:42.489 - 5:47.005 | Duration: 0:04.516

- **Track:** Intent
  - **Item Notes:** Ending, with cymbal chokes

## Region 2: [5:47.005 - 11:44.405]

- **Name:** 02 - Des Nuits

### Time 5:47.005 - 5:47.179 | Duration: 0:00.175


### Time 5:47.179 - 6:07.220 | Duration: 0:20.040

- **Track:** Vox
  - **Item Notes:** None
- **Track:** Intent
  - **Item Notes:** Wow Ben Koller wtf?
- **Track:** Narrative
  - **Item Notes:** Track 2 starts. This one is supposed to hit hard, Ben Koller from Converge on
drums. Riff 1
- **Track:** Drums
  - **Item Notes:** D beat
- **Track:** Bass
  - **Item Notes:** Verbose in a Converge way
- **Track:** Guitars
  - **Item Notes:** Weird noisy guitar
- **Track:** Arrangement
  - **Item Notes:**     * Consider adding a layer of unsettling whispers or low-frequency vocal murmurs, almost inaudible, to reinforce a sense of tension. This could bring a subtle folk horror vibe.

### Time 6:07.220 - 6:17.180 | Duration: 0:09.960

- **Track:** Intent
  - **Item Notes:** If you're a BM fan, you get confused by the Cave In type sound
- **Track:** Production Notes
  - **Item Notes:** Introduces Cave In type spacey reverb on the guitar
- **Track:** Drums
  - **Item Notes:** Still dbeat
- **Track:** Bass
  - **Item Notes:** Still the same
- **Track:** Guitars
  - **Item Notes:** Still the same previous riff but much higher pitched and emphatic
- **Track:** Arrangement
  - **Item Notes:** Add a faint, irregular percussive element in the background, something like ritual bells, to create an impression of distant echoes, evoking a cavernous, haunted space.

### Time 6:17.180 - 6:26.885 | Duration: 0:09.706

- **Track:** Drums
  - **Item Notes:** Still dbeat
- **Track:** Bass
  - **Item Notes:** Root note
- **Track:** Guitars
  - **Item Notes:** Really really EMPHASIZES the cave in thing, chromatic descent
- **Track:** Arrangement
  - **Item Notes:** Since this is a shift towards intensity, double the guitar riff with a distorted cello or bowed instrument, slightly detuned. This would contribute a medieval, ritualistic texture, enhancing the folk horror atmosphere.

### Time 6:26.885 - 6:46.636 | Duration: 0:19.750

- **Track:** Vox
  - **Item Notes:** Maybe the vocals should start here in a very Voivod way, but the way of Alzbeth
from TMLHBAC. 
- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Powerful rock beat on crash
- **Track:** Bass
  - **Item Notes:** Full Voivod verbose
- **Track:** Guitars
  - **Item Notes:** Full Voivod
- **Track:** Arrangement
  - **Item Notes:** Experiment with layering vocals to give a choir-like dissonance behind the primary shout, creating a ghostly, unsettling effect. This would maintain the aggressive nature while incorporating more atmosphere.

### Time 6:46.636 - 7:06.271 | Duration: 0:19.635

- **Track:** Vox
  - **Item Notes:** Back to Aldrahn shouting
- **Track:** Narrative
  - **Item Notes:** Riff 3
- **Track:** Drums
  - **Item Notes:** Slow double kick and crash
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very Smohalla riff now
- **Track:** Arrangement
  - **Item Notes:** Introduce a low, ominous drone during this section, just beneath the mix, to accentuate the heaviness without overwhelming the rhythm. This drone could be created with a bowed bass or an eerie vocal hum, tying back to the themes of suffering and the "Drowned."

### Time 7:06.271 - 7:25.940 | Duration: 0:19.669

- **Track:** Vox
  - **Item Notes:** Hardcore vocals
- **Track:** Narrative
  - **Item Notes:** New theme for a while - riff 4
- **Track:** Drums
  - **Item Notes:** Very heavy tom groove
- **Track:** Bass
  - **Item Notes:** Low pitched root notes
- **Track:** Guitars
  - **Item Notes:** Guitar harmonics, very cave in
- **Track:** Arrangement
  - **Item Notes:** This is a perfect spot for adding ritualistic percussion (e.g., frame drums or deep toms) faintly in the background, creating a ritual chant vibe. Consider a subtle choir, chanting in a non-lexical manner (e.g., vocalizations like "Ooh" and "Aah"), to convey a sense of invocation.

### Time 7:25.940 - 7:40.719 | Duration: 0:14.780

- **Track:** Drums
  - **Item Notes:** Preparation for the next dynamic, charley mostly
- **Track:** Bass
  - **Item Notes:** Still the root notes, but higher pitches
- **Track:** Guitars
  - **Item Notes:** Still the harmonics
- **Track:** Arrangement
  - **Item Notes:** Include a very soft, distorted spoken word (like an invocation) to underline the descending nature, giving a narrative feel that something ominous is approaching.

### Time 7:40.719 - 7:55.488 | Duration: 0:14.769

- **Track:** Vox
  - **Item Notes:** Re vox
- **Track:** Intent
  - **Item Notes:** Very Converge ostinato
- **Track:** Drums
  - **Item Notes:** Tom groove
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very cool development on the ongoing theme with a very singable noisy riff
- **Track:** Arrangement
  - **Item Notes:** Introduce a folky Eastern European melody here, very softly, almost imperceptibly, on a bowed string instrument. It can be intertwined with the guitar riff to create a sense of continuity and contrast.

### Time 7:55.488 - 8:02.933 | Duration: 0:07.445

- **Track:** Narrative
  - **Item Notes:** New theme being introduced here - Riff 5
- **Track:** Drums
  - **Item Notes:** Cymbal swells
- **Track:** Bass
  - **Item Notes:** Start of the new theme in a minimal way
- **Track:** Guitars
  - **Item Notes:** Beautiful emo theme being introduced with just one guitar and feedback in the
other

### Time 8:02.933 - 8:32.394 | Duration: 0:29.460

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Intent
  - **Item Notes:** Wow this is something else
- **Track:** Narrative
  - **Item Notes:** The new theme in all it's glory
- **Track:** Drums
  - **Item Notes:** Extremely crazy weird tom groove with crash, like a whirlwind of polyrhythms
- **Track:** Bass
  - **Item Notes:** Weird sweeping complimenting the strange rhythm
- **Track:** Guitars
  - **Item Notes:** Almost shoegaze
- **Track:** Arrangement
  - **Item Notes:** Since this is the apex, consider a full vocal layer here—both aggressive shouts and clean choral elements—blending to create an overwhelming, near-mystical feeling.

### Time 8:32.394 - 9:01.912 | Duration: 0:29.518

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Intent
  - **Item Notes:** !!!! OMG !! APEX APEX APEX APEX
- **Track:** Narrative
  - **Item Notes:** Higher pitched variation on this new theme
- **Track:** Drums
  - **Item Notes:** Still the whirlwind but somehow even more powerful ???!!
- **Track:** Bass
  - **Item Notes:** Transposition of the sweeping to match the guitar change
- **Track:** Guitars
  - **Item Notes:** Kind of the same as the previous riff but in a sadder way, and a few tones above
- **Track:** Arrangement
  - **Item Notes:** Use a feedback loop or processed noise to subtly throb in the background, heightening the overwhelming nature of the section without detracting from the riff's clarity. I also hear a way to double the chromatic aspect of the riff on a violin for instance

### Time 9:01.912 - 9:06.601 | Duration: 0:04.689

- **Track:** Narrative
  - **Item Notes:** Rest
- **Track:** Drums
  - **Item Notes:** Just a kick and a crash
- **Track:** Arrangement
  - **Item Notes:** Replace the calm with a fragile melody—something reminiscent of a music box or a celesta—to provide a ghostly, melancholic counterpoint.

### Time 9:06.601 - 9:16.744 | Duration: 0:10.143

- **Track:** Intent
  - **Item Notes:** Something is gonna happen
- **Track:** Drums
  - **Item Notes:** Double kick ostinato
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Chromatic ostinato based on the last transposition
- **Track:** Arrangement
  - **Item Notes:** The buildup here could be enhanced with a low choral hum or breath sounds to amplify the sense of anticipation. Could be fully orchestral

### Time 9:16.744 - 9:31.498 | Duration: 0:14.754

- **Track:** Intent
  - **Item Notes:** Something is happening, but it's not quite what we expect
- **Track:** Narrative
  - **Item Notes:** Back to the riff 3 but weirder
- **Track:** Drums
  - **Item Notes:** Kind of back to the whirlwind but less intense
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Noise rock take on riff 3, different
- **Track:** Arrangement
  - **Item Notes:** Added folk perc and maybe a trombone

### Time 9:31.498 - 9:36.448 | Duration: 0:04.950

- **Track:** Intent
  - **Item Notes:** THIS TIME THOUGH ITS GONNA EXPLODE NEXT
- **Track:** Drums
  - **Item Notes:** Preparation for what comes next, on the ride
- **Track:** Bass
  - **Item Notes:** Punk bass introducing what comes next
- **Track:** Guitars
  - **Item Notes:** Guitar feedback
- **Track:** Arrangement
  - **Item Notes:** Chaos of bells

### Time 9:36.448 - 10:01.032 | Duration: 0:24.584

- **Track:** Vox
  - **Item Notes:** Probably shouted Converge vox here
- **Track:** Intent
  - **Item Notes:** Is it Dreams of the Drowned or Converge???
- **Track:** Drums
  - **Item Notes:** Very intense converge dbeat
- **Track:** Bass
  - **Item Notes:** Still the punk bass
- **Track:** Guitars
  - **Item Notes:** Still riff 3, but in a very impressionistic noisy way?
- **Track:** Arrangement
  - **Item Notes:** The chaos of bells intensifying

### Time 10:01.032 - 10:14.613 | Duration: 0:13.581

- **Track:** Vox
  - **Item Notes:** No vox
- **Track:** Intent
  - **Item Notes:** Ok, definitely Dreams of the Drowned
- **Track:** Narrative
  - **Item Notes:** New weird riff
- **Track:** Drums
  - **Item Notes:** Blast beat
- **Track:** Bass
  - **Item Notes:** Weird weird Virus-like bass
- **Track:** Guitars
  - **Item Notes:** Weird impressionistic new riff, Voivod the way of Debussy
- **Track:** Arrangement
  - **Item Notes:** Weird choir

### Time 10:14.613 - 10:26.854 | Duration: 0:12.241

- **Track:** Narrative
  - **Item Notes:** Now starts being very freeform impressionistic
- **Track:** Drums
  - **Item Notes:** Still blast beat then goes back to powerful dbeat
- **Track:** Bass
  - **Item Notes:** Follows the weird impressionistic progression
- **Track:** Guitars
  - **Item Notes:** Impressionistic progression towards the next riff
- **Track:** Arrangement
  - **Item Notes:** Weird choir intensifies with flutes

### Time 10:26.854 - 10:36.728 | Duration: 0:09.874

- **Track:** Vox
  - **Item Notes:** Introduces this with a Tom Warrior "ough"
- **Track:** Intent
  - **Item Notes:** We're in space now !!
- **Track:** Drums
  - **Item Notes:** Rock beat on crash, very ben Koller
- **Track:** Bass
  - **Item Notes:** Weird verbose
- **Track:** Guitars
  - **Item Notes:** Spacey guitar tapping
- **Track:** Arrangement
  - **Item Notes:** Low drones and natural noises

### Time 10:36.728 - 10:46.602 | Duration: 0:09.874

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Intent
  - **Item Notes:** Wow this is psychdelic
- **Track:** Drums
  - **Item Notes:** Still the rock beat but different
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very very weird evolution of the previous riff
- **Track:** Arrangement
  - **Item Notes:** Natural noises ++++

### Time 10:46.602 - 10:56.433 | Duration: 0:09.831

- **Track:** Intent
  - **Item Notes:** Another APEX of the song !!!
- **Track:** Drums
  - **Item Notes:** Even more powerful !!
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Descends a bit more in the evolution, still tapping but in an almost rock n roll
way now
- **Track:** Arrangement
  - **Item Notes:** Field recording very very loud and with cacklings

### Time 10:56.433 - 11:25.966 | Duration: 0:29.533

- **Track:** Vox
  - **Item Notes:** Maybe a sentence repeated like a mantra
- **Track:** Intent
  - **Item Notes:** Clearly going towards the end of the song now
- **Track:** Narrative
  - **Item Notes:** Now for the very last riff repeated until the end
- **Track:** Drums
  - **Item Notes:** Slow and heavy tom fills
- **Track:** Bass
  - **Item Notes:** Heavy root notes
- **Track:** Guitars
  - **Item Notes:** Empathic weird sad riff
- **Track:** Arrangement
  - **Item Notes:** Percs and flutes

### Time 11:25.966 - 11:44.405 | Duration: 0:18.439

- **Track:** Vox
  - **Item Notes:** Maybe the mantra still but dissolving
- **Track:** Intent
  - **Item Notes:** This is the end, it was glorious, this is the moment the public can applause
- **Track:** Drums
  - **Item Notes:** Cymbal swells
- **Track:** Bass
  - **Item Notes:** Just one note dissolving in feedback
- **Track:** Guitars
  - **Item Notes:** Chaotic repeat of this last riff with feedback and without drums
- **Track:** Arrangement
  - **Item Notes:** Cello and flutes and enhancement of the cymbal swells with instruments like rain stick

### Time 11:44.405 - 11:44.405 | Duration: 0:00.000

- **Track:** Narrative
  - **Item Notes:** Silence between the two songs

## Region 3: [11:44.405 - 17:22.272]

- **Name:** 03 - Came Isolée

### Time 11:44.405 - 11:44.493 | Duration: 0:00.088


### Time 11:44.493 - 12:07.090 | Duration: 0:22.597

- **Track:** Production Notes
  - **Item Notes:** Only guitar
- **Track:** Narrative
  - **Item Notes:** Start of song 3. Riff1. This one is a slow one, supposed to be a kind of easy
listening sad postpunk hymn, very singable
- **Track:** Drums
  - **Item Notes:** Slow cymbal swell at the end of this preparation
- **Track:** Guitars
  - **Item Notes:** Start of riff 1 on one mono guitar. Simple sad Strid riff, two notes.
- **Track:** Arrangement
  - **Item Notes:** Subtle choir?

### Time 12:07.090 - 12:29.715 | Duration: 0:22.625

- **Track:** Intent
  - **Item Notes:** This one will hit hard in terms of being heavy and less complex than the rest
- **Track:** Production Notes
  - **Item Notes:** BIG BIG wall of sound, easy listening riff, BIG sounding kick drum in this song
- **Track:** Drums
  - **Item Notes:** Slow doom drums
- **Track:** Bass
  - **Item Notes:** Just one root note
- **Track:** Guitars
  - **Item Notes:** Still the riff but with two stereo guitar
- **Track:** Arrangement
  - **Item Notes:** Drones and ritualistic background noises

### Time 12:29.715 - 13:14.872 | Duration: 0:45.157

- **Track:** Vox
  - **Item Notes:** Clean goth vox
- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Kick charley, marking time, preparing for something
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very sad Strid-like riff.
- **Track:** Arrangement
  - **Item Notes:** Consider integrating subtle harmonic swells or drones in the background.

### Time 13:14.872 - 13:37.483 | Duration: 0:22.610

- **Track:** Narrative
  - **Item Notes:** Back to riff 1
- **Track:** Drums
  - **Item Notes:** Slow rock
- **Track:** Bass
  - **Item Notes:** Root note
- **Track:** Guitars
  - **Item Notes:** Just one guitar back on riff 1
- **Track:** Arrangement
  - **Item Notes:** Reintroduce the minimalist approach from the beginning, but this time, weave in an Eastern European folk instrument such as a dulcimer or psaltery to reinforce the thematic elements.

### Time 13:37.483 - 14:00.136 | Duration: 0:22.654

- **Track:** Drums
  - **Item Notes:** Mutate in a slow dbeat
- **Track:** Bass
  - **Item Notes:** A bit more verbose
- **Track:** Guitars
  - **Item Notes:** Variation on riff 1, on the two guitars

### Time 14:00.136 - 14:45.299 | Duration: 0:45.163

- **Track:** Vox
  - **Item Notes:** Clean goth vox
- **Track:** Production Notes
  - **Item Notes:** The simplicity of the drums and the prominence of the kick will really make an
effective combination
- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Back to the slow rock
- **Track:** Bass
  - **Item Notes:** Ved Buens Ende type of verbose
- **Track:** Guitars
  - **Item Notes:** Back to riff 2, but in a more "solo / lead" way almost reminiscing of Opeth
- **Track:** Arrangement
  - **Item Notes:** This section could benefit from medieval instrumentation such as a hurdy-gurdy playing the main melody to replace some of the metal intensity, transforming it into a folk lament.

### Time 14:45.299 - 14:45.783 | Duration: 0:00.484

- **Track:** Drums
  - **Item Notes:** Cymbal swells, preparing what's next
- **Track:** Bass
  - **Item Notes:** Root notes following the sparse kick drum
- **Track:** Guitars
  - **Item Notes:** Riff 3 being introduced on one guitar, very Isengard, major and minor
alternating
- **Track:** Arrangement
  - **Item Notes:** A cymbal swell leading into Riff 3 can be emphasized with deep bass drones or a brief vocal incantation. Use a major chord to briefly break the somber mood and provide contrast.

### Time 14:45.783 - 14:56.610 | Duration: 0:10.827

- **Track:** Narrative
  - **Item Notes:** Riff 3 starts here

### Time 14:56.610 - 15:41.705 | Duration: 0:45.095

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Drums
  - **Item Notes:** Extremely slow and groovy black metal beat
- **Track:** Bass
  - **Item Notes:** Ved Buens Ende following on the riff 3
- **Track:** Guitars
  - **Item Notes:** Riff 3 in all it's stereo full sound glory
- **Track:** Arrangement
  - **Item Notes:** The "extremely slow and groovy black metal beat" should be supported with booming toms and perhaps even war drum patterns.

### Time 15:41.705 - 16:04.294 | Duration: 0:22.589

- **Track:** Vox
  - **Item Notes:** Black metal vox
- **Track:** Drums
  - **Item Notes:** Black metal beat but twice as fast (still slow)
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Still the same riff but in a much more emphatic way, almost shoegazing
- **Track:** Arrangement
  - **Item Notes:** Introduce feedback swells and perhaps a secondary lead melody that circles around the main riff. 

### Time 16:04.294 - 16:26.872 | Duration: 0:22.579

- **Track:** Drums
  - **Item Notes:** Absurdly long tom fill, like Fenriz used to do
- **Track:** Bass
  - **Item Notes:** Still root notes
- **Track:** Guitars
  - **Item Notes:** Still the same version as the previous riff
- **Track:** Arrangement
  - **Item Notes:**     * Drums: The "Fenriz-inspired" tom fill can be augmented with ritualistic percussion, such as frame drums, to build a more tribal, hypnotic crescendo.
    * Guitars: Shift to a slightly higher register, introducing a counterpoint melody that intertwines with the tom patterns.

### Time 16:26.872 - 16:49.497 | Duration: 0:22.625

- **Track:** Vox
  - **Item Notes:** Ough
- **Track:** Drums
  - **Item Notes:** Rock beat on crash
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Guitar solo still on riff 3 !
- **Track:** Arrangement
  - **Item Notes:** Haunted choirs

### Time 16:49.497 - 17:12.193 | Duration: 0:22.696

- **Track:** Drums
  - **Item Notes:** Black metal beat on ride now
- **Track:** Bass
  - **Item Notes:** More verbose
- **Track:** Guitars
  - **Item Notes:** Still the solo continuing
- **Track:** Arrangement
  - **Item Notes:** Complement this with more dissonant harmonies and chaotic feedback. And ghost voices

### Time 17:12.193 - 17:18.008 | Duration: 0:05.815

- **Track:** Drums
  - **Item Notes:** Cymbal swell of the end
- **Track:** Bass
  - **Item Notes:** Major chord
- **Track:** Guitars
  - **Item Notes:** Last major chord sustained and dissolving in feedback
- **Track:** Arrangement
  - **Item Notes:** should be backed with feedback and noise elements, and dissolve into silence, symbolizing the "drowned" theme.

### Time 17:18.008 - 17:22.272 | Duration: 0:04.264

- **Track:** Narrative
  - **Item Notes:** Silence

## Region 4: [17:22.272 - 29:34.697]

- **Name:** 04 - Trou de Vers

### Time 17:22.272 - 17:22.333 | Duration: 0:00.061


### Time 17:22.333 - 17:31.319 | Duration: 0:08.986

- **Track:** Narrative
  - **Item Notes:** Start of track 4. The most progressive of the album, really supposed to be a
CATHEDRAL. Riff 1.
- **Track:** Drums
  - **Item Notes:** Kick and cymbal swell
- **Track:** Bass
  - **Item Notes:** Just a low root note
- **Track:** Guitars
  - **Item Notes:** Extremely sad riff
- **Track:** Arrangement
  - **Item Notes:**     * Introduce a drone in the background (e.g., a low Eb sustained on a string instrument or a synth). This would serve as a tonal base, enhancing the atmosphere and reinforcing the cathedral-like depth.
    * Consider adding ritualistic chimes or a deep bell sound synchronized with the bass root note. This could establish a meditative, ritualistic presence.

### Time 17:31.319 - 17:39.905 | Duration: 0:08.586

- **Track:** Drums
  - **Item Notes:** Kick and charley, it's RISING
- **Track:** Bass
  - **Item Notes:** Different root notes, it's rising
- **Track:** Guitars
  - **Item Notes:** Still the same
- **Track:** Arrangement
  - **Item Notes:**     * Add subtle chanting vocals in the background, buried in the mix, using low-pitched minor second intervals. This adds texture and an eerie vibe, amplifying the impending sense of intensity.

### Time 17:39.905 - 17:57.320 | Duration: 0:17.415

- **Track:** Intent
  - **Item Notes:** Headbang
- **Track:** Drums
  - **Item Notes:** Slow rock beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Still the same riff but with a sad lead in the middle
- **Track:** Arrangement
  - **Item Notes:**     * Introduce Eastern European folk instrumentation (e.g., hammered dulcimer or hurdy-gurdy) subtly in the background, accentuating the riff without overwhelming it.

### Time 17:57.320 - 18:14.861 | Duration: 0:17.541

- **Track:** Intent
  - **Item Notes:** Headbang +
- **Track:** Drums
  - **Item Notes:** Slow dbeat
- **Track:** Bass
  - **Item Notes:** Root notes but following the slow dbeat
- **Track:** Guitars
  - **Item Notes:** Still the same as before
- **Track:** Arrangement
  - **Item Notes:**     * Consider ritualistic percussion elements, such as a frame drum playing a simple yet intense pattern on off-beats. This can enhance the headbang element while adding a folkish touch.

### Time 18:14.861 - 18:40.998 | Duration: 0:26.137

- **Track:** Intent
  - **Item Notes:** Whats gonna happen ?
- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Slow toms
- **Track:** Bass
  - **Item Notes:** Riff 2 chords
- **Track:** Guitars
  - **Item Notes:** Riff 2 on one side, and harmonics on the other
- **Track:** Arrangement
  - **Item Notes:**     * To add tension, bring in monophonic vocal chants for this riff—sung in a dissonant tone to highlight the harmonic shifts. Maintain the rhythmically sparse drum pattern but accentuate with djembe hits.

### Time 18:40.998 - 19:09.875 | Duration: 0:28.877

- **Track:** Vox
  - **Item Notes:** Vox on
- **Track:** Intent
  - **Item Notes:** Headbang again
- **Track:** Narrative
  - **Item Notes:** Riff 3. Introduces what I see as the part 2 of the song
- **Track:** Drums
  - **Item Notes:** Slow screamo beat, lots of charley
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Extremely sad chromatic riff
- **Track:** Arrangement
  - **Item Notes:**     * Layer a deep, droning string instrument (e.g., viola or cello) underneath to emphasize the sadness.
    * The addition of a low male vocal chant in a minor key could heighten the ritualistic feel.

### Time 19:09.875 - 19:24.106 | Duration: 0:14.231

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Intent
  - **Item Notes:** Powerful
- **Track:** Narrative
  - **Item Notes:** Riff 4
- **Track:** Drums
  - **Item Notes:** Faster screamo beat, almost City of Caterpillar
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Continuation of the previous riff but sadder
- **Track:** Arrangement
  - **Item Notes:**     * Introduce a secondary percussive instrument (e.g., tambourine) to accentuate the screamo beat, giving it a folkish and chaotic feel.
    * Increase reverb on the guitars, especially for the tail ends of phrases, to give a sense of expansion.

### Time 19:24.106 - 19:34.366 | Duration: 0:10.260

- **Track:** Intent
  - **Item Notes:** Headbang but different
- **Track:** Narrative
  - **Item Notes:** Back to riff 2
- **Track:** Drums
  - **Item Notes:** Back to slow screamo but on crash
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Played in a very screamo way
- **Track:** Arrangement
  - **Item Notes:**     * Have a spoken word layer—a whispered voice in French or Old Church Slavonic—to invoke a sense of incantation.

### Time 19:34.366 - 19:44.599 | Duration: 0:10.233

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Intent
  - **Item Notes:** Weird dance feeling, like a polka
- **Track:** Narrative
  - **Item Notes:** Riff 4
- **Track:** Drums
  - **Item Notes:** Very dancey screamo beat now, still on crash
- **Track:** Bass
  - **Item Notes:** Root note
- **Track:** Guitars
  - **Item Notes:** Double guitar, harmonizing in an even sadder way that previous
- **Track:** Arrangement
  - **Item Notes:**     * Emphasize the polka-like rhythm with a tambourine and staccato violin plucks.
    * Add a female vocal layer singing an eerie, repetitive melody, akin to Eastern European folk music.
And maybe violin, paysage d'hiver style

### Time 19:44.599 - 19:51.189 | Duration: 0:06.590

- **Track:** Narrative
  - **Item Notes:** Back to riff 2, but losing 20bpm
- **Track:** Drums
  - **Item Notes:** Heavy toms like on the first riff 2
- **Track:** Bass
  - **Item Notes:** Root note
- **Track:** Guitars
  - **Item Notes:** Back to riff 3 screamo
- **Track:** Arrangement
  - **Item Notes:**     * Introduce a slow gong sound at every half measure to mark the tempo change.

### Time 19:51.189 - 19:57.592 | Duration: 0:06.403

- **Track:** Drums
  - **Item Notes:** Cymbal swell
- **Track:** Bass
  - **Item Notes:** Just one open note
- **Track:** Guitars
  - **Item Notes:** Guitar feedback on one side, the other one is still playing riff 3
- **Track:** Arrangement
  - **Item Notes:**     * Layer in ritualistic whispering—detuned slightly, to feel unsettling.

### Time 19:57.592 - 20:14.584 | Duration: 0:16.993

- **Track:** Narrative
  - **Item Notes:** Riff 5
- **Track:** Drums
  - **Item Notes:** Just a sparse ride
- **Track:** Bass
  - **Item Notes:** No
- **Track:** Guitars
  - **Item Notes:** Riff 5 played on one guitar, minor chords
- **Track:** Arrangement
  - **Item Notes:**     * Layer in ritualistic whispering—detuned slightly, to feel unsettling.

### Time 20:14.584 - 20:31.529 | Duration: 0:16.945

- **Track:** Intent
  - **Item Notes:** HEAVY !
- **Track:** Drums
  - **Item Notes:** Slow toms
- **Track:** Bass
  - **Item Notes:** Root notes on the drums
- **Track:** Guitars
  - **Item Notes:** Riff 5 on full force
- **Track:** Arrangement
  - **Item Notes:**     * Add sub-bass rumble with a synth, subtly reinforcing the low end.

### Time 20:31.529 - 20:52.153 | Duration: 0:20.624

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Production Notes
  - **Item Notes:** A clean layer of guitar, in chorus and delay
- **Track:** Narrative
  - **Item Notes:** Riff for the chorus ! First chorus of the album
- **Track:** Drums
  - **Item Notes:** Rock drums
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** The chorus riff is an arpeggio which feels very strange
- **Track:** Arrangement
  - **Item Notes:**     * Consider a low-mixed choir pad, using dissonant harmonies to complement the riff.

### Time 20:52.153 - 21:12.711 | Duration: 0:20.558

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Drums
  - **Item Notes:** Rock drums but more powerful, a bit more kick drums
- **Track:** Bass
  - **Item Notes:** Still root notes but a bit more verbose
- **Track:** Guitars
  - **Item Notes:** Still the chorus riff
- **Track:** Arrangement
  - **Item Notes:** The clean layer harmonizes in a very jazzy way, a bit like what Dysrhythmia or
Cynic would do

### Time 21:12.711 - 21:30.174 | Duration: 0:17.463

- **Track:** Narrative
  - **Item Notes:** Back to riff 1. Starts the transition towards the next part of the song
- **Track:** Drums
  - **Item Notes:** Slow black metal beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Back to the sad riff 1
- **Track:** Arrangement
  - **Item Notes:** Maybe an explosion at the beginning.     * Use subtle string arrangements (violin or viola) to play soft, dissonant harmonics that swell in and out, almost like ghostly wails. This will give a sense of haunting beauty and anticipation.
    * Consider adding distant vocal chants, layered with heavy reverb to create a spacious, cathedral-like aura.

### Time 21:30.174 - 21:47.669 | Duration: 0:17.495

- **Track:** Drums
  - **Item Notes:** Still the slow BM beat
- **Track:** Bass
  - **Item Notes:** First time the bass gets verbose on riff 1
- **Track:** Guitars
  - **Item Notes:** Still the sad repetitive riff 1
- **Track:** Arrangement
  - **Item Notes:**     * Enhance this passage with a deep male choral drone, slightly distorted, to mimic a sacred ritual atmosphere.
    * Bring in a percussive element, such as a frame drum, playing syncopated patterns that mimic a slow heartbeat.

### Time 21:47.669 - 21:54.479 | Duration: 0:06.811

- **Track:** Narrative
  - **Item Notes:** Riff 6. Sort of introduces the next movement of the song. It truly is a
transition riff
- **Track:** Drums
  - **Item Notes:** Cymbal choke with kick, and then nothing
- **Track:** Bass
  - **Item Notes:** None
- **Track:** Guitars
  - **Item Notes:** Riff 6 but just one guitar with less gain
- **Track:** Arrangement
  - **Item Notes:**     * Layer in a barely audible synth pad, oscillating slowly between two minor second intervals. This will create a sense of eerie suspension.
    * Add a soft, deep rumble (low-frequency sub-bass) to build a feeling of impending change.
Maybe no guitar until the first deathspell riff

### Time 21:54.479 - 22:01.273 | Duration: 0:06.793

- **Track:** Drums
  - **Item Notes:** Cymbal swell
- **Track:** Bass
  - **Item Notes:** Root note
- **Track:** Guitars
  - **Item Notes:** Riff 6 but with the full guitars. It's a very Shining (Sweden) riff
- **Track:** Arrangement
  - **Item Notes:**     * Introduce delicate, bell-like tones that ring out intermittently, creating a ritualistic atmosphere.
    * Use deep throat singing in the background to give a supernatural vibe.

### Time 22:01.273 - 22:11.674 | Duration: 0:10.401

- **Track:** Drums
  - **Item Notes:** Cymbal swell still
- **Track:** Bass
  - **Item Notes:** Root notes still
- **Track:** Guitars
  - **Item Notes:** Still this Shining riff, but harmonized in a strange way at some point
- **Track:** Arrangement
  - **Item Notes:**     * Introduce delicate, bell-like tones that ring out intermittently, creating a ritualistic atmosphere.
    * Use deep throat singing in the background to give a supernatural vibe.

### Time 22:11.674 - 22:14.909 | Duration: 0:03.235

- **Track:** Drums
  - **Item Notes:** Cymbal choke
- **Track:** Bass
  - **Item Notes:** Glissando of the last note to signify the end
- **Track:** Guitars
  - **Item Notes:** Back to the minimalist low gain guitar for the final chord

### Time 22:14.909 - 22:42.304 | Duration: 0:27.395

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 7. Start of this new movement
- **Track:** Drums
  - **Item Notes:** Powerful rock beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Riff 7 is a very Deathspell Omega one
- **Track:** Arrangement
  - **Item Notes:**     * Consider adding complex, multi-layered vocal harmonies to mimic a choir effect—this could give a sense of grandeur and add depth.
    * Use low percussion elements like a bass drum or timpani to punctuate key beats.

### Time 22:42.304 - 22:51.754 | Duration: 0:09.449

- **Track:** Narrative
  - **Item Notes:** Riff 8, a development on riff 7. Will appear only once.
- **Track:** Drums
  - **Item Notes:** Still rock beat, but different
- **Track:** Bass
  - **Item Notes:** Verbose now
- **Track:** Guitars
  - **Item Notes:** Sad Ved Buens Ende take on the previous one
- **Track:** Arrangement
  - **Item Notes:**     * Layer a woodwind or bowed instrument, playing sustained notes that mimic the tonality of the riff, enhancing the melancholic tone.

### Time 22:51.754 - 22:54.038 | Duration: 0:02.285

- **Track:** Narrative
  - **Item Notes:** Introduces the powerful thing after by a rest
- **Track:** Drums
  - **Item Notes:** Tom. Stops the previous riff
- **Track:** Bass
  - **Item Notes:** Stops with the tom
- **Track:** Guitars
  - **Item Notes:** Relanches the riff 7
- **Track:** Arrangement
  - **Item Notes:**     * Add a low-frequency rumble that builds up during the rest, releasing into the next section.
    * Use a whispered vocal line, almost like a chant, to bridge the gap.

### Time 22:54.038 - 23:20.154 | Duration: 0:26.115

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Back to riff 7
- **Track:** Drums
  - **Item Notes:** The rock beat of riff 7, but with a very steady double kick and a much more
technical cymbal work
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Riff 7, but with minor chords making it even more sad
- **Track:** Arrangement
  - **Item Notes:**     * Introduce a chanting vocal line, buried in the mix but matching the rhythmic pulse of the double kick. This can create a layered, ritualistic feeling.
    * Consider a tremolo string instrument (e.g., violin or mandolin) to add tension and drive.

### Time 23:20.154 - 23:46.256 | Duration: 0:26.102

- **Track:** Intent
  - **Item Notes:** Surprising ! Headbang, but on a very airy riff
- **Track:** Narrative
  - **Item Notes:** Riff 9
- **Track:** Drums
  - **Item Notes:** Blast beat in a very Discordance Axis way, one foot
- **Track:** Bass
  - **Item Notes:** Root note
- **Track:** Guitars
  - **Item Notes:** Very strange celestial arpegio, quite not dense, in opposition to the blast beat
- **Track:** Arrangement
  - **Item Notes:** Explosions

### Time 23:46.256 - 24:03.759 | Duration: 0:17.503

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Intent
  - **Item Notes:** Continuation of the headbang but different because of the skank beat
- **Track:** Production Notes
  - **Item Notes:** Return of the clean guitar from before on top of the weird tech thrash riff
- **Track:** Drums
  - **Item Notes:** Technical skank beat thrash
- **Track:** Bass
  - **Item Notes:** Much more verbose and technical bass, like Voivod ?
- **Track:** Guitars
  - **Item Notes:** Continuation of the riff 9
- **Track:** Arrangement
  - **Item Notes:**     * Layer in percussive folk elements (e.g., tambourine, djembe) to match the skank beat, giving it an earthy, primal feel.
    * Consider a harsh whispering vocal layer (e.g., phrases in French or Old Norse) during the pauses between riff cycles. Maybe in reverse?

### Time 24:03.759 - 24:29.946 | Duration: 0:26.186

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Production Notes
  - **Item Notes:** Still the clean guitar with delay, giving an impression of density, almost dub
- **Track:** Narrative
  - **Item Notes:** Riff 10 - resolution of the riff 9
- **Track:** Drums
  - **Item Notes:** Slow black metal beat with weird fills
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Sadder arpeggio
- **Track:** Arrangement
  - **Item Notes:**     * Use a female vocal layer in a high register, with heavy reverb, singing a mournful melody that mirrors the arpeggio.

### Time 24:29.946 - 24:45.445 | Duration: 0:15.499

- **Track:** Intent
  - **Item Notes:** Groovy after psychedelia
- **Track:** Narrative
  - **Item Notes:** Riff 11 !! Chromatic descent for the root note
- **Track:** Drums
  - **Item Notes:** Powerful rock beat on crash
- **Track:** Bass
  - **Item Notes:** Very Voivod bass
- **Track:** Guitars
  - **Item Notes:** Extremely strange riff — one where I feel it's hard to describe, because very
few bands are doing them. Smohalla, we were
- **Track:** Arrangement
  - **Item Notes:**     * Introduce taiko drums playing a slow, ritualistic beat to accompany the descent.
    * Use ambient sound effects (e.g., distant thunder or wind) to emphasize the downward movement.

### Time 24:45.445 - 25:06.008 | Duration: 0:20.563

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Intent
  - **Item Notes:** Headbang
- **Track:** Narrative
  - **Item Notes:** Riff 12
- **Track:** Drums
  - **Item Notes:** Slow black metal beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** This riff is a sad evolution of the riff 11
- **Track:** Arrangement
  - **Item Notes:**     * Consider a synth drone underneath, modulating slowly to add a dark, atmospheric undertone.

### Time 25:06.008 - 25:33.217 | Duration: 0:27.209

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 13
- **Track:** Drums
  - **Item Notes:** Blast beat in a very Gorguts "Obscura" way
- **Track:** Bass
  - **Item Notes:** Verbose in a Gorguts way
- **Track:** Guitars
  - **Item Notes:** Very sad riff, almost like.. Obtained Enslavement ? But in a deathrock way. With
full distortion
- **Track:** Arrangement
  - **Item Notes:**     * Introduce tremolo-picked violins to emphasize the sorrowful nature of the riff.
    * Layer in echoed whispers in a different language, creating a disorienting, ritualistic soundscape.

### Time 25:33.217 - 25:59.122 | Duration: 0:25.905

- **Track:** Drums
  - **Item Notes:** Still the Gorguts blast beat
- **Track:** Bass
  - **Item Notes:** Continuation of the Gorguts
- **Track:** Guitars
  - **Item Notes:** A more Gorguts take on the riff 13, like mixed with riff 6
- **Track:** Arrangement
  - **Item Notes:**     * Add low, droning vocal hums, almost like a monk’s chant, beneath the main guitar riff.
    * Consider echoed percussion in the background, almost like a heartbeat.

### Time 25:59.122 - 26:19.368 | Duration: 0:20.246

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Back to riff 13
- **Track:** Drums
  - **Item Notes:** Blast beat but with double kick ("bomb")
- **Track:** Bass
  - **Item Notes:** Bass tremolo emphasizing the sadness
- **Track:** Guitars
  - **Item Notes:** Very dense technical BM
- **Track:** Arrangement
  - **Item Notes:**     * Add slow, ominous gongs on each downbeat to mark the rhythm.

### Time 26:19.368 - 26:25.314 | Duration: 0:05.946

- **Track:** Drums
  - **Item Notes:** Double kick now, no more blast beat, more like an Emperor "Anthems" beat
- **Track:** Bass
  - **Item Notes:** Verbose descending the scale
- **Track:** Guitars
  - **Item Notes:** Still the same
- **Track:** Arrangement
  - **Item Notes:**     * Layer a wind-like ambient sound, adding a sense of vast emptiness before the upcoming reintroduction of riff elements.

### Time 26:25.314 - 26:34.698 | Duration: 0:09.384

- **Track:** Narrative
  - **Item Notes:** Suspension
- **Track:** Drums
  - **Item Notes:** Cymbal swells
- **Track:** Bass
  - **Item Notes:** None
- **Track:** Guitars
  - **Item Notes:** One minor chord at the start, left to ring up until it dies
- **Track:** Arrangement
  - **Item Notes:** Dub guitar and     * Introduce soft whispers or incoherent chanting, panned to move between the left and right channels, adding a spectral presence.
    * A light touch of harmonized strings (e.g., violas in minor thirds) can add tension without overwhelming the simplicity.

### Time 26:34.698 - 26:55.361 | Duration: 0:20.663

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Production Notes
  - **Item Notes:** Dubbed with the weird Cynic clean guitar
- **Track:** Narrative
  - **Item Notes:** Back to the chorus riff
- **Track:** Drums
  - **Item Notes:** Rock beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** The chorus riff is really cool
- **Track:** Arrangement
  - **Item Notes:**     * Use sustained choral “ah” voices in the background to give a sacred, ritualistic tone.
    * Consider adding sparse ritual percussion (frame drum or low hand drum) that subtly mirrors the rhythm of the rock beat.

### Time 26:55.361 - 27:15.932 | Duration: 0:20.571

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Intent
  - **Item Notes:** A density which is both aerial and … full ? Like swimming in space through an
asteroid field
- **Track:** Production Notes
  - **Item Notes:** The weird cynic clean gets louder
- **Track:** Drums
  - **Item Notes:** Return of the double kick
- **Track:** Bass
  - **Item Notes:** More verbose take on the chorus
- **Track:** Guitars
  - **Item Notes:** APEX
- **Track:** Arrangement
  - **Item Notes:**     * Bring in additional layers of folk elements (e.g., bowed strings or flutes), playing a countermelody to the main riff. This adds a “call-and-response” element.
    * Increase the presence of male choral drones, emphasizing the low end to create a sense of heaviness.

### Time 27:15.932 - 27:24.626 | Duration: 0:08.694

- **Track:** Narrative
  - **Item Notes:** Back to riff 1
- **Track:** Drums
  - **Item Notes:** Just kick drum on all the beats
- **Track:** Bass
  - **Item Notes:** Root note fading
- **Track:** Guitars
  - **Item Notes:** Just one guitar
- **Track:** Arrangement
  - **Item Notes:**     * Add soft, tremolo-picked clean guitar underneath, drenched in reverb, giving a “ghostly” presence to the riff.
    * Subtle reverse cymbals can help bridge this passage into the next, avoiding abrupt shifts.

### Time 27:24.626 - 27:33.350 | Duration: 0:08.724

- **Track:** Intent
  - **Item Notes:** Wow, we never heard heavy metal in Dreams of the Drowned
- **Track:** Production Notes
  - **Item Notes:** The solo is very loud, it's a guitar hero moment in the album
- **Track:** Narrative
  - **Item Notes:** START OF THE GIANT KEVIN HUFNAGEL from Gorguts / Dysrhythmia solo !
- **Track:** Drums
  - **Item Notes:** Charley added to the kick, it builds up
- **Track:** Bass
  - **Item Notes:** Root note
- **Track:** Guitars
  - **Item Notes:** Now in stereo, supporting the big solo in the middle
- **Track:** Arrangement
  - **Item Notes:**     * Introduce deep, reverberant chimes on the first beat of the section, signaling the beginning of something monumental.
    * Add a low, rumbling synth to build suspense underneath the solo entry.

### Time 27:33.350 - 28:08.212 | Duration: 0:34.862

- **Track:** Vox
  - **Item Notes:** Ough
- **Track:** Drums
  - **Item Notes:** Slow black metal beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Kevin Hufnagel goes extremely prog
- **Track:** Arrangement
  - **Item Notes:**     * Introduce background strings (cello and viola) playing sustained minor chords in sync with the harmonic shifts.
    * Consider a low choral pad (voices singing in unison) to add grandeur without cluttering the mix.

### Time 28:08.212 - 28:25.727 | Duration: 0:17.515

- **Track:** Drums
  - **Item Notes:** Heavy metal slow double kick
- **Track:** Bass
  - **Item Notes:** More verbose
- **Track:** Guitars
  - **Item Notes:** Kevin Hufnagel goes tapping and sweeping
- **Track:** Arrangement
  - **Item Notes:**     * Use high, shimmering clean guitar chords in the background, adding a celestial quality.

### Time 28:25.727 - 28:43.191 | Duration: 0:17.464

- **Track:** Drums
  - **Item Notes:** Heavy metal still, but with more snare hits
- **Track:** Bass
  - **Item Notes:** Verbose but not overwhelming
- **Track:** Guitars
  - **Item Notes:** Kevin Hufnagel goes Cynic on this moment
- **Track:** Arrangement
  - **Item Notes:**     * Use percussive elements (e.g., hand drums) playing erratic patterns to mirror the solo’s frenetic energy.

### Time 28:43.191 - 29:00.617 | Duration: 0:17.425

- **Track:** Drums
  - **Item Notes:** Back to the heavy metal slow double kick
- **Track:** Bass
  - **Item Notes:** Verbose but not overwhelming
- **Track:** Guitars
  - **Item Notes:** The solo completely drifts in and out of harmony, it's majestic
- **Track:** Arrangement
  - **Item Notes:**     * The choir pad should become more dissonant, with individual voices moving in and out of harmony.

### Time 29:00.617 - 29:13.761 | Duration: 0:13.144

- **Track:** Drums
  - **Item Notes:** Re added snare hits on heavy metal
- **Track:** Bass
  - **Item Notes:** Still the same
- **Track:** Guitars
  - **Item Notes:** Goes more and more chaotic
- **Track:** Arrangement
  - **Item Notes:**     * Use a gradual pitch-bend effect on a background synth or guitar, creating a sense of being “pulled apart” harmonically.

### Time 29:13.761 - 29:18.207 | Duration: 0:04.447

- **Track:** Drums
  - **Item Notes:** Fast double kick for the end
- **Track:** Bass
  - **Item Notes:** Same
- **Track:** Guitars
  - **Item Notes:** Peak of chaos
- **Track:** Arrangement
  - **Item Notes:**     * Introduce a large orchestral crash cymbal on the final downbeat, emphasizing the climax.
    * Layer a choir singing in a full minor chord to add weight and finality.

### Time 29:18.207 - 29:34.697 | Duration: 0:16.490

- **Track:** Narrative
  - **Item Notes:** End
- **Track:** Drums
  - **Item Notes:** Last kick with a cymbal swell
- **Track:** Bass
  - **Item Notes:** Cuts abruptly
- **Track:** Guitars
  - **Item Notes:** Only the reverb tail of the solo persists
- **Track:** Arrangement
  - **Item Notes:**     * Add a soft, distant bell chime that rings out slowly three times—this can symbolize closure in a ritualistic context.

## Region 5: [29:34.697 - 33:46.623]

- **Name:** 05 - Camarde

### Time 29:34.697 - 29:44.596 | Duration: 0:09.898

- **Track:** Intent
  - **Item Notes:** After a bit of traditional metal, a completely avant-garde track
- **Track:** Production Notes
  - **Item Notes:** ntroduce subtle Eastern European folk instrumentation, such as a tambourine or traditional percussion, layered beneath the glitchy violin to deepen the folk horror vibe.     * Eastern European Folk Instrumentation: Introduce instruments such as the accordion, dulcimer, or flutes in layering to deepen the folk horror aesthetic.
- **Track:** Narrative
  - **Item Notes:** Start of track 5. This one is very strange, in 5/4. Kind of a haunted electronic
Ulver take on Bowie's Blackstar. On drums I have a guest who is basically the
french Mark Guiliana. Riff 1
- **Track:** Drums
  - **Item Notes:** None
- **Track:** Bass
  - **Item Notes:** None
- **Track:** Guitars
  - **Item Notes:** None
- **Track:** Arrangement
  - **Item Notes:** Weird swamy glitchy violin

### Time 29:44.596 - 30:11.409 | Duration: 0:26.813

- **Track:** Production Notes
  - **Item Notes:** * Introduce Subtle Vocal Chants: Layer in faint, ritualistic vocal chants to reinforce the folk horror theme without overpowering the existing elements.
- **Track:** Drums
  - **Item Notes:** Toms crescendos, very minimal
- **Track:** Arrangement
  - **Item Notes:** Still the weird violin swarm thing

### Time 30:11.409 - 30:47.732 | Duration: 0:36.323

- **Track:** Production Notes
  - **Item Notes:** * Folk Instrument Integration: Introduce subtle folk instruments, such as a bowed dulcimer or accordion, to complement the new riffs and enhance the folk horror ambiance.
- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Still tom crescendos
- **Track:** Arrangement
  - **Item Notes:** Still the same dismal strings, but another riff - a bit stranger

### Time 30:47.732 - 30:56.544 | Duration: 0:08.812

- **Track:** Production Notes
  - **Item Notes:** * Enhance Ritualistic Feel: Layer in more choir vocals or ambient folk sounds during the resolution to strengthen the folk horror atmosphere.
- **Track:** Narrative
  - **Item Notes:** Riff 3 - transitional
- **Track:** Drums
  - **Item Notes:** Strange jazzy fill
- **Track:** Arrangement
  - **Item Notes:** Dissonant choirs resolving the riff 2 back into riff 1

### Time 30:56.544 - 31:32.547 | Duration: 0:36.003

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Production Notes
  - **Item Notes:** * Folk Instrument Embellishments: Introduce subtle folk instruments (e.g., flute or traditional string instruments) to weave into the prominent bass melody, enhancing the folk horror theme.
- **Track:** Drums
  - **Item Notes:** Strange jazzy beat, very very Bowie
- **Track:** Bass
  - **Item Notes:** Prominent bass melody
- **Track:** Guitars
  - **Item Notes:** Very distant destroyed clean guitar
- **Track:** Arrangement
  - **Item Notes:** Dismal strings

### Time 31:32.547 - 32:08.555 | Duration: 0:36.008

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Production Notes
  - **Item Notes:** * Introduce Folk Vocal Textures: Layer in faint vocal harmonies or chants to add depth and enhance the ritualistic feel without overpowering the existing elements.
- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Getting more powerful but still on the same jazzy beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Clean guitar like a clock
- **Track:** Arrangement
  - **Item Notes:** Still dismal strings

### Time 32:08.555 - 32:17.502 | Duration: 0:08.947

- **Track:** Production Notes
  - **Item Notes:** * Layered Folk Elements: Introduce additional folk instruments subtly beneath the choir to enhance the ritualistic feel without clashing with the drums.
- **Track:** Narrative
  - **Item Notes:** Riff 3
- **Track:** Drums
  - **Item Notes:** Getting more dense, tom fill
- **Track:** Bass
  - **Item Notes:** None
- **Track:** Guitars
  - **Item Notes:** None
- **Track:** Arrangement
  - **Item Notes:** Back to the choir thing

### Time 32:17.502 - 32:53.502 | Duration: 0:36.000

- **Track:** Production Notes
  - **Item Notes:** * Enhanced Folk Textures: Introduce more pronounced folk elements, such as traditional string instruments or percussive elements, to weave through the technical layers and reinforce the folk horror theme.
- **Track:** Narrative
  - **Item Notes:** Riff 1
- **Track:** Drums
  - **Item Notes:** Still continuing the ostinato of jazzy "Blackstar" beats getting more and more
intricate
- **Track:** Bass
  - **Item Notes:** Bass getting stranger, with a layer of technical fretless, glissandos
- **Track:** Guitars
  - **Item Notes:** Shoegaze guitar in the background
- **Track:** Arrangement
  - **Item Notes:** Dismal strings

### Time 32:53.502 - 33:11.621 | Duration: 0:18.119

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Production Notes
  - **Item Notes:** * Folk Instrument Highlights: Bring forward specific folk instruments during peaks in density to create contrasts and highlight the folk horror elements.
- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Very dense ride added to the extremely technical drumming
- **Track:** Bass
  - **Item Notes:** Two basses, one fretless glissando, one very bungle
- **Track:** Guitars
  - **Item Notes:** The shoegaze crescendo getting louder and louder, with a filter opening
- **Track:** Arrangement
  - **Item Notes:** Still the dismal strings

### Time 33:11.621 - 33:29.471 | Duration: 0:17.850

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Still riff 2
- **Track:** Drums
  - **Item Notes:** Getting more and more breakbeatey
- **Track:** Bass
  - **Item Notes:** Root note
- **Track:** Guitars
  - **Item Notes:** Now shoegaze black metal guitar at ful power, playing a very impressionistic
take on riff 2
- **Track:** Arrangement
  - **Item Notes:** Dismal strings

### Time 33:29.471 - 33:38.427 | Duration: 0:08.956

- **Track:** Production Notes
  - **Item Notes:** Truly the apex
- **Track:** Narrative
  - **Item Notes:** Riff 3
- **Track:** Drums
  - **Item Notes:** Drum apex
- **Track:** Bass
  - **Item Notes:** Glissandos, verbose
- **Track:** Guitars
  - **Item Notes:** Dissonant tremolo black metal guitar
- **Track:** Arrangement
  - **Item Notes:** Choir

### Time 33:38.427 - 33:46.623 | Duration: 0:08.196

- **Track:** Narrative
  - **Item Notes:** End
- **Track:** Drums
  - **Item Notes:** One last tom hit
- **Track:** Bass
  - **Item Notes:** none
- **Track:** Guitars
  - **Item Notes:** none
- **Track:** Arrangement
  - **Item Notes:** Trail of the choir reverb

## Region 6: [33:46.623 - 39:31.697]

- **Name:** 06 - Mort-des-Mondes 

### Time 33:46.623 - 33:46.749 | Duration: 0:00.126


### Time 33:46.749 - 34:00.337 | Duration: 0:13.588

- **Track:** Production Notes
  - **Item Notes:** Much drier
- **Track:** Narrative
  - **Item Notes:** Riff1. Start of song 6, which is a very traditional Dreams of the Drowned song :
sad punk hardcore like Witch Hunt meets Kronet Til Konge / Ved Buens Ende. It
will have Laurie Sue of Ludicra on vocals.
- **Track:** Drums
  - **Item Notes:** Nnone
- **Track:** Bass
  - **Item Notes:** None
- **Track:** Guitars
  - **Item Notes:** Just one guitar playing this very Ved Buens Ende the way of Witch Hunt riff
- **Track:** Arrangement
  - **Item Notes:** Introduce subtle ambient folk instrumentation (e.g., distant mandolin or accordion) softly in the background to enhance the ritualistic atmosphere without overpowering the metal foundation.

### Time 34:00.337 - 34:14.165 | Duration: 0:13.828

- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Cymbal swells
- **Track:** Bass
  - **Item Notes:** Verbose bass
- **Track:** Guitars
  - **Item Notes:** Sad Ved Buens Ende riff
- **Track:** Arrangement
  - **Item Notes:** an added layer of ambient sounds (e.g., wind, distant chants) to enhance the mysterious atmosphere. Blend in subtle traditional percussion elements (e.g., tambourine) to infuse folk elements.

### Time 34:14.165 - 34:27.921 | Duration: 0:13.756

- **Track:** Drums
  - **Item Notes:** Ved Buens Ende drumming
- **Track:** Bass
  - **Item Notes:** Still verbose
- **Track:** Arrangement
  - **Item Notes:** Cello

### Time 34:27.921 - 34:48.500 | Duration: 0:20.578

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Back to riff 1
- **Track:** Drums
  - **Item Notes:** Still very Ved Buens Ende drumming
- **Track:** Bass
  - **Item Notes:** Root note
- **Track:** Guitars
  - **Item Notes:** Back to riff 1
- **Track:** Arrangement
  - **Item Notes:** Introduce a faint folk chant underneath the vocals to deepen the folk horror vibe.

### Time 34:48.500 - 35:02.235 | Duration: 0:13.736

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Drums
  - **Item Notes:** Adding a bit of punk to the VBE drumming
- **Track:** Bass
  - **Item Notes:** Verbose
- **Track:** Guitars
  - **Item Notes:** Still riff 1
- **Track:** Arrangement
  - **Item Notes:** Cello

### Time 35:02.235 - 35:29.661 | Duration: 0:27.426

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Back to riff 2
- **Track:** Drums
  - **Item Notes:** Ved Buens Ende drumming the way of Witch Hunt
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Back to riff 2
- **Track:** Arrangement
  - **Item Notes:** Cello

### Time 35:29.661 - 35:33.114 | Duration: 0:03.453

- **Track:** Narrative
  - **Item Notes:** Riff 3, kind of deathrock meets Voivod?
- **Track:** Drums
  - **Item Notes:** Break
- **Track:** Bass
  - **Item Notes:** Break
- **Track:** Guitars
  - **Item Notes:** Very Voivod, on only one guitar
- **Track:** Arrangement
  - **Item Notes:** Introduce a mysterious ambient soundscape (e.g., distant chanting or eerie wind) to heighten suspense.

### Time 35:33.114 - 35:43.352 | Duration: 0:10.238

- **Track:** Drums
  - **Item Notes:** Ved Buens Ende drumming
- **Track:** Bass
  - **Item Notes:** Verbose
- **Track:** Guitars
  - **Item Notes:** Another guitar adding a very sad arpeggio to the previous riff

### Time 35:43.352 - 35:57.150 | Duration: 0:13.798

- **Track:** Narrative
  - **Item Notes:** Riff 4
- **Track:** Drums
  - **Item Notes:** Energetic, a bit rock
- **Track:** Bass
  - **Item Notes:** Verbose in a Voivod way
- **Track:** Guitars
  - **Item Notes:** A sort of sadder development of the previous one, but also a bit major,
bittersweet
- **Track:** Arrangement
  - **Item Notes:** Layer in ambient folk instruments (e.g., flute or violin) to enhance the horror atmosphere.

### Time 35:57.150 - 35:57.333 | Duration: 0:00.183

- **Track:** Narrative
  - **Item Notes:** Riff 5
- **Track:** Drums
  - **Item Notes:** Slow black metal beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** A riff which reminds me of Enslaved
- **Track:** Arrangement
  - **Item Notes:**  Incorporate ethereal vocal harmonies to enhance the folk horror vibe. Cello

### Time 35:57.333 - 36:10.727 | Duration: 0:13.394

- **Track:** Vox
  - **Item Notes:** Vox

### Time 36:10.727 - 36:24.533 | Duration: 0:13.806

- **Track:** Narrative
  - **Item Notes:** Riff 4
- **Track:** Drums
  - **Item Notes:** Back to the rock bit
- **Track:** Bass
  - **Item Notes:** Verbose voivod
- **Track:** Guitars
  - **Item Notes:** Back to the riff 4 but in a punkier way
- **Track:** Arrangement
  - **Item Notes:** Cello

### Time 36:24.533 - 36:38.230 | Duration: 0:13.697

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 6
- **Track:** Drums
  - **Item Notes:** Adding a bit more energy to the previous rhythm, sort of dbeat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Sort of a Cave In the way of Voivod
- **Track:** Arrangement
  - **Item Notes:**  Integrate ambient folk elements (e.g., drone sounds) to enhance the horror atmosphere. Cello

### Time 36:38.230 - 36:51.907 | Duration: 0:13.677

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 7
- **Track:** Drums
  - **Item Notes:** Toms the way of Ved Buens Ende
- **Track:** Bass
  - **Item Notes:** Verbose
- **Track:** Guitars
  - **Item Notes:** This riff is a very impressionistic tremolo riff chord progression
- **Track:** Arrangement
  - **Item Notes:** Add whispered chants or ambient vocal textures to reinforce the folk horror theme.

### Time 36:51.907 - 37:05.717 | Duration: 0:13.811

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Drums
  - **Item Notes:** Slow punk rock beat
- **Track:** Bass
  - **Item Notes:** Verbose
- **Track:** Guitars
  - **Item Notes:** Still the riff 7
- **Track:** Arrangement
  - **Item Notes:** still cello

### Time 37:05.717 - 37:19.313 | Duration: 0:13.596

- **Track:** Narrative
  - **Item Notes:** Riff 6
- **Track:** Drums
  - **Item Notes:** Double kick, very Away Voivod type beat
- **Track:** Bass
  - **Item Notes:** Voivod bass
- **Track:** Guitars
  - **Item Notes:** A 100% Voivod take on this riff, no more Cave In
- **Track:** Arrangement
  - **Item Notes:** Incorporate ambient folk elements (e.g., low drones) to deepen the horror atmosphere.

### Time 37:19.313 - 37:33.054 | Duration: 0:13.741

- **Track:** Drums
  - **Item Notes:** Same beat but with added snare hits
- **Track:** Bass
  - **Item Notes:** Voivod bass but going even more adventurous
- **Track:** Guitars
  - **Item Notes:** Still the same
- **Track:** Arrangement
  - **Item Notes:** Flute

### Time 37:33.054 - 37:53.631 | Duration: 0:20.577

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 7
- **Track:** Drums
  - **Item Notes:** Very powerful and heavy toms, getting more and more Voivodey
- **Track:** Bass
  - **Item Notes:** Verbose
- **Track:** Guitars
  - **Item Notes:** Back to the Enslaved riff
- **Track:** Arrangement
  - **Item Notes:** Flute and cello and percs

### Time 37:53.631 - 38:00.475 | Duration: 0:06.844

- **Track:** Drums
  - **Item Notes:** Now with fast double kick
- **Track:** Bass
  - **Item Notes:** Tremolo following the fast double kick
- **Track:** Guitars
  - **Item Notes:** Still the same riff but played in an even more intense way

### Time 38:00.475 - 38:14.261 | Duration: 0:13.785

- **Track:** Intent
  - **Item Notes:** Immensely sad closing riff, sadder than the rest. Very Ved Buens Ende / Strid
- **Track:** Narrative
  - **Item Notes:** Riff 8, the last one, up until the end
- **Track:** Drums
  - **Item Notes:** Cymbal swells
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Just one guitar, the other one leaving chords ringing

### Time 38:14.261 - 38:41.648 | Duration: 0:27.387

- **Track:** Drums
  - **Item Notes:** Kind of Ved Buens Ende drumming
- **Track:** Bass
  - **Item Notes:** Bass like in De Mysteriis Dom Sathanas
- **Track:** Guitars
  - **Item Notes:** Both guitars now playing this sad riff

### Time 38:41.648 - 38:55.388 | Duration: 0:13.740

- **Track:** Drums
  - **Item Notes:** Still VBE
- **Track:** Bass
  - **Item Notes:** Still verbose
- **Track:** Guitars
  - **Item Notes:** Just letting the base chords ring and go into feedback

### Time 38:55.388 - 39:05.784 | Duration: 0:10.396

- **Track:** Drums
  - **Item Notes:** Slower drum fills announcing the end
- **Track:** Bass
  - **Item Notes:** Root notes only on the few kick drums
- **Track:** Guitars
  - **Item Notes:** Minimal guitar chords and feedback

### Time 39:05.784 - 39:31.697 | Duration: 0:25.913

- **Track:** Drums
  - **Item Notes:** Cymbal swells after one last kick
- **Track:** Bass
  - **Item Notes:** Last root note
- **Track:** Guitars
  - **Item Notes:** Last chord resolution on riff 8, lots of feedback

## Region 7: [39:31.697 - 49:40.782]

- **Name:** 07 - Passe

### Time 39:31.697 - 39:31.697 | Duration: 0:00.000


### Time 39:31.697 - 40:34.579 | Duration: 1:02.882

- **Track:** Intent
  - **Item Notes:** This one is the saddest and the slowest of the album, absolutely depressive
black metal
- **Track:** Narrative
  - **Item Notes:** Riff 1
- **Track:** Drums
  - **Item Notes:** Doomy drums on charley
- **Track:** Bass
  - **Item Notes:** Sort of verbose but slow
- **Track:** Guitars
  - **Item Notes:** Very long and sad Strid riff progression
- **Track:** Arrangement
  - **Item Notes:**     * Ritualistic Atmosphere: Introduce subtle Eastern European folk instrumentation (e.g., bowed strings or wooden flutes) layered beneath the guitars to enhance the ritualistic feel.
    * Vocal Chants: Incorporate faint background chants or whispered vocals to deepen the depressive and mysterious ambiance.

### Time 40:34.579 - 40:59.610 | Duration: 0:25.031

- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Still doomy but on the ride
- **Track:** Bass
  - **Item Notes:** Slow verbose
- **Track:** Guitars
  - **Item Notes:** Another extremely sad Strid riff
- **Track:** Arrangement
  - **Item Notes:** 1. Folk Horror Elements:
    * Instrumentation: Add subtle folk instruments (e.g., mandolin or accordion) to complement the Strid riffs, enhancing the melancholic atmosphere.

### Time 40:59.610 - 42:02.259 | Duration: 1:02.649

- **Track:** Vox
  - **Item Notes:** Vocals would start here. I see cleans, very Urfaust-ey
- **Track:** Narrative
  - **Item Notes:** Riff 1
- **Track:** Drums
  - **Item Notes:** Still minimal doomy drums on charley
- **Track:** Bass
  - **Item Notes:** Still slow verbosey
- **Track:** Guitars
  - **Item Notes:** Very sad strid
- **Track:** Arrangement
  - **Item Notes:**     * Vocal Chants: Integrate choral elements or layered harmonies to enhance the ritualistic and haunting quality of the vocals.
    * Instrumentation: Introduce a drone or ambient folk sounds in the background to support the vocals.

### Time 42:02.259 - 42:27.308 | Duration: 0:25.049

- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Minimal doomy on ride again
- **Track:** Bass
  - **Item Notes:** Slow verbosey.. vbe..
- **Track:** Guitars
  - **Item Notes:** Back to riff 2
- **Track:** Arrangement
  - **Item Notes:**     * Ambient Sounds: Incorporate field recordings (e.g., forest sounds, wind) subtly in the background to enhance the folk horror atmosphere.

### Time 42:27.308 - 42:49.239 | Duration: 0:21.931

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 4, kind of the chorus
- **Track:** Drums
  - **Item Notes:** Minimal doom drum on charley
- **Track:** Bass
  - **Item Notes:** Verbose
- **Track:** Guitars
  - **Item Notes:** Another very sad Strid riff, but somehow singable
- **Track:** Arrangement
  - **Item Notes:**     * Instrumentation: Introduce folk instruments like acoustic guitar or hurdy-gurdy to blend with the metal elements.

### Time 42:49.239 - 43:15.586 | Duration: 0:26.347

- **Track:** Narrative
  - **Item Notes:** Riff 5
- **Track:** Drums
  - **Item Notes:** Minimal doom drum on ride
- **Track:** Bass
  - **Item Notes:** Follows the trend from before
- **Track:** Guitars
  - **Item Notes:** This riff continues the extreme sadness
- **Track:** Arrangement
  - **Item Notes:**     * Texture: Add minor-key folk melodies or motifs that intertwine with the existing riff to enhance the sorrowful atmosphere.
    * Instrumentation: Introduce subtle percussive folk elements (e.g., tambourine, hand drums) to complement the existing drum patterns.     * Layering: Use ambient pads or drones to create a continuous atmospheric backdrop, enriching the cinematic scope.

### Time 43:15.586 - 43:48.725 | Duration: 0:33.140

- **Track:** Vox
  - **Item Notes:** Whisper
- **Track:** Drums
  - **Item Notes:** Slow double kick enters
- **Track:** Bass
  - **Item Notes:** Still the same
- **Track:** Guitars
  - **Item Notes:** Still the same
- **Track:** Arrangement
  - **Item Notes:** Kind of sad dulcimer I hear in the filigrane

### Time 43:48.725 - 44:32.001 | Duration: 0:43.275

- **Track:** Narrative
  - **Item Notes:** Riff 7
- **Track:** Drums
  - **Item Notes:** Slow black metal beat
- **Track:** Bass
  - **Item Notes:** Minimal but verbose? Hard to explain
- **Track:** Guitars
  - **Item Notes:** Another very Strid riff.. very long and impressionistic
- **Track:** Arrangement
  - **Item Notes:**     * Instrumentation: Add folk instruments subtly in the background to complement the guitars and deepen the atmospheric texture. Percs for sure.

### Time 44:32.001 - 45:09.994 | Duration: 0:37.993

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Drums
  - **Item Notes:** Now switching on the ride, still the slow blast beat
- **Track:** Bass
  - **Item Notes:** Verbose, adding to the riff
- **Track:** Guitars
  - **Item Notes:** Getting a new layer of shoegazing in it to make it progress
- **Track:** Arrangement
  - **Item Notes:**     * Shoegazing Layer: Integrate ethereal folk instruments (e.g., dulcimer, Celtic harp) within the shoegazing layers to maintain the folk horror theme.
    * Ambient Sounds: Continue using ambient sounds or field recordings to enrich the shoegazing texture.

### Time 45:09.994 - 45:16.340 | Duration: 0:06.346

- **Track:** Drums
  - **Item Notes:** Stopping and cymbal swelling
- **Track:** Bass
  - **Item Notes:** Stopping with the drums
- **Track:** Guitars
  - **Item Notes:** Finishing the riff

### Time 45:16.340 - 45:38.255 | Duration: 0:21.915

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 4/chorus
- **Track:** Drums
  - **Item Notes:** Back to doomy drums on charley
- **Track:** Bass
  - **Item Notes:** Minimal
- **Track:** Guitars
  - **Item Notes:** Back to the chorus riff
- **Track:** Arrangement
  - **Item Notes:** 1. Folk Horror Elements:
    * Chorus Enhancement: Introduce layered vocal harmonies or choir elements during the chorus to amplify the ritualistic and haunting atmosphere.
    * Instrumentation: Add subtle folk instrumentation, such as acoustic guitars or folk percussions, to complement the chorus riff.

### Time 45:38.255 - 46:00.201 | Duration: 0:21.946

- **Track:** Drums
  - **Item Notes:** Added slow double kick
- **Track:** Bass
  - **Item Notes:** The most verbose possible on this riff this time
- **Track:** Guitars
  - **Item Notes:** Still the same
- **Track:** Arrangement
  - **Item Notes:**     * Layering: Add atmospheric layers such as ambient pads or drones to support the increasing complexity of the double kick.

### Time 46:00.201 - 46:43.934 | Duration: 0:43.733

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 8, until the end. Kind of an even sadder development on riff 7 with lots of
minor major jazzy stuff.
- **Track:** Drums
  - **Item Notes:** Funeral doom
- **Track:** Bass
  - **Item Notes:** Following the minimality of the drums
- **Track:** Guitars
  - **Item Notes:** Immensely sad riff
- **Track:** Arrangement
  - **Item Notes:**     * Instrumentation: Use folk instruments like the viola or tin whistle subtly to complement the funeral doom elements.

### Time 46:43.934 - 47:27.809 | Duration: 0:43.875

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Drums
  - **Item Notes:** Adding a bit of energy to the funeral doom.
- **Track:** Bass
  - **Item Notes:** Following the added energy on drums
- **Track:** Guitars
  - **Item Notes:** Very sad slow lead / solo added
- **Track:** Arrangement
  - **Item Notes:**     * Layering: Introduce ambient layers or pads during the solo to create a richer soundscape.

### Time 47:27.809 - 48:11.594 | Duration: 0:43.785

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Drums
  - **Item Notes:** Sort of an At the Drive In development on the drums
- **Track:** Bass
  - **Item Notes:** Extremely verbose bass, trippy
- **Track:** Guitars
  - **Item Notes:** The lead solo gets even more empathic
- **Track:** Arrangement
  - **Item Notes:**     * Instrumentation: Add trippy folk instrumentation (e.g., sitar, dulcimer) to complement the trippy bass and empathic solo.

### Time 48:11.594 - 48:55.420 | Duration: 0:43.826

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Drums
  - **Item Notes:** The drums goes full math rock/Hella, very chaotic, Zach Hill
- **Track:** Bass
  - **Item Notes:** Being minimal again to let the space for the drums
- **Track:** Guitars
  - **Item Notes:** The lead turns into a shoegazing beautiful chaos
- **Track:** Arrangement
  - **Item Notes:**     * Instrumentation: Introduce folk elements subtly amidst the chaos, such as tremolo-picked acoustic guitars or folk percussion.

### Time 48:55.420 - 49:21.149 | Duration: 0:25.729

- **Track:** Narrative
  - **Item Notes:** Riff dissolving into a fast fade out
- **Track:** Drums
  - **Item Notes:** Double kick and ride, very verbosy
- **Track:** Bass
  - **Item Notes:** Saddest bassline on this riff
- **Track:** Guitars
  - **Item Notes:** Still the same

### Time 49:21.149 - 49:40.782 | Duration: 0:19.633

- **Track:** Narrative
  - **Item Notes:** Silence
- **Track:** Arrangement
  - **Item Notes:** consider adding a brief, mysterious ambient soundscape before the explosion to enhance the dramatic impact.

## Region 8: [49:40.782 - 57:07.602]

- **Name:** 08 - Malgré

### Time 49:21.149 - 49:40.782 | Duration: 0:19.633

- **Track:** Arrangement
  - **Item Notes:** consider adding a brief, mysterious ambient soundscape before the explosion to enhance the dramatic impact.

### Time 49:40.782 - 49:41.118 | Duration: 0:00.336


### Time 49:41.118 - 49:49.082 | Duration: 0:07.963

- **Track:** Intent
  - **Item Notes:** This song is the most Kronet Til Konge of the album. The track which embodies
the title of the album. Very hymn.
- **Track:** Narrative
  - **Item Notes:** Riff 1
- **Track:** Drums
  - **Item Notes:** Very Emperor "Nightside Eclipse" drumming, double kick, no blast
- **Track:** Bass
  - **Item Notes:** Bass following the guitar
- **Track:** Guitars
  - **Item Notes:** Very Kronet Til Konge riff, the powerful ones
- **Track:** Arrangement
  - **Item Notes:** Explosion. * Folk Horror Elements: Introduce subtle Eastern European folk instruments (e.g., accordion or flute) layered beneath the guitars to add a ritualistic ambiance without overpowering the metal intensity.

### Time 49:49.082 - 50:01.390 | Duration: 0:12.308

- **Track:** Narrative
  - **Item Notes:** Riff 2. Very very Kronet type of sad
- **Track:** Drums
  - **Item Notes:** Slow kick marking the beat, just that
- **Track:** Bass
  - **Item Notes:** Just one not fading out in feedback
- **Track:** Guitars
  - **Item Notes:** Just one guitar playing the riff 2
- **Track:** Arrangement
  - **Item Notes:** Incorporate vocal chants or whispers in the background to enhance the sad and ritualistic atmosphere.

### Time 50:01.390 - 50:13.188 | Duration: 0:11.797

- **Track:** Drums
  - **Item Notes:** Toms
- **Track:** Bass
  - **Item Notes:** Following the guitars
- **Track:** Guitars
  - **Item Notes:** The two guitars now
- **Track:** Arrangement
  - **Item Notes:** Introduce a rhythmic folk percussion layer (e.g., tambourine or hand drums) to complement the toms and enhance the ritualistic feel.

### Time 50:13.188 - 50:37.240 | Duration: 0:24.052

- **Track:** Narrative
  - **Item Notes:** Riff 3
- **Track:** Drums
  - **Item Notes:** Rock beat
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very Voivod type riff
- **Track:** Arrangement
  - **Item Notes:** Integrate a folk melody overlay using a lead instrument (e.g., violin or mandolin) to add a contrasting layer to the Voivod-style riffs.

### Time 50:37.240 - 51:01.287 | Duration: 0:24.047

- **Track:** Vox
  - **Item Notes:** Very Kronet til Konge clean vocals
- **Track:** Narrative
  - **Item Notes:** Back to riff 2
- **Track:** Drums
  - **Item Notes:** Slow black metal blast beat with low tom marking a few strategic beats, like in
Kronet
- **Track:** Bass
  - **Item Notes:** Very fenriz bassline
- **Track:** Arrangement
  - **Item Notes:** Complement the booms.  Introduce subtle folk instrumentation (e.g., a bowed string instrument) during the clean vocal passages to deepen the atmospheric quality.

### Time 51:01.287 - 51:25.285 | Duration: 0:23.998

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 4
- **Track:** Drums
  - **Item Notes:** Slow black metal blast beat, still
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Immensely sad Kronet black metal riff
- **Track:** Arrangement
  - **Item Notes:** Introduce atmospheric elements such as distant chanting or ambient field recordings (e.g., wind, footsteps) to enhance the sadness and mystique.

### Time 51:25.285 - 51:49.259 | Duration: 0:23.974

- **Track:** Vox
  - **Item Notes:** Vox "chorus"
- **Track:** Narrative
  - **Item Notes:** Riff 5
- **Track:** Drums
  - **Item Notes:** Still slow BM
- **Track:** Bass
  - **Item Notes:** Still fenriz
- **Track:** Guitars
  - **Item Notes:** Riff 5 which is a tremolo variation on riff 4
- **Track:** Arrangement
  - **Item Notes:** Double the tremolo riff with something folk

### Time 51:49.259 - 52:13.316 | Duration: 0:24.057

- **Track:** Drums
  - **Item Notes:** Now Emperor nightside type beat, not blast beat, double kick
- **Track:** Bass
  - **Item Notes:** Still fenriz
- **Track:** Guitars
  - **Item Notes:** Still riff 5 but with an added strange harmony
- **Track:** Arrangement
  - **Item Notes:** Introduce a dissonant folk instrument (e.g., bagpipes or dulcimer) playing a complementary harmony to the guitars, adding an unsettling atmosphere.

### Time 52:13.316 - 52:28.453 | Duration: 0:15.137

- **Track:** Vox
  - **Item Notes:** "Malgré"
- **Track:** Narrative
  - **Item Notes:** Riff 6
- **Track:** Drums
  - **Item Notes:** Black metal blast beat again
- **Track:** Bass
  - **Item Notes:** Verbose
- **Track:** Guitars
  - **Item Notes:** This riff is very impressionist
- **Track:** Arrangement
  - **Item Notes:** Incorporate ritualistic vocal chants or ambient folk melodies that align with the impressionistic guitar work.

### Time 52:28.453 - 52:42.111 | Duration: 0:13.659

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 7
- **Track:** Drums
  - **Item Notes:** Extremely doomy toms drums
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very Voivod riff
- **Track:** Arrangement
  - **Item Notes:** Add melancholic folk melodies or solo instruments (e.g., flute or violin) to enhance the doomy feel. Use the drop to create a moment of reflection, allowing the folk elements to take prominence before building back up.

### Time 52:42.111 - 52:55.767 | Duration: 0:13.656

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Drums
  - **Item Notes:** Now rising up in postpunk
- **Track:** Bass
  - **Item Notes:** Still root notes
- **Track:** Guitars
  - **Item Notes:** Still the same riff but with an added harmony
- **Track:** Arrangement
  - **Item Notes:** Introduce a post-punk influenced folk instrument (e.g., mandolin with a jangly tone) to blend with the rising drums.

### Time 52:55.767 - 53:10.961 | Duration: 0:15.194

- **Track:** Vox
  - **Item Notes:** "Malgré"
- **Track:** Narrative
  - **Item Notes:** Riff 6
- **Track:** Drums
  - **Item Notes:** Slow polka beat
- **Track:** Bass
  - **Item Notes:** Fenriz
- **Track:** Guitars
  - **Item Notes:** Riff 6 but with a more Voivod lead in the middle
- **Track:** Arrangement
  - **Item Notes:** Embrace the polka beat by incorporating traditional Eastern European folk instruments (e.g., accordion or balalaika) to reinforce the folk horror aesthetic. Ensure that the polka beat integrates smoothly with the Voivod-inspired guitar work, possibly using call-and-response patterns between instruments.

### Time 53:10.961 - 53:36.571 | Duration: 0:25.610

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Intent
  - **Item Notes:** Absolute apex of this part of the song
- **Track:** Narrative
  - **Item Notes:** Riff 7
- **Track:** Drums
  - **Item Notes:** Voivod Away type drumming, technical, slow double kick, intricate cymbal work
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** One of the most beautiful Voivod Killing Joke riffs I ever created
- **Track:** Arrangement
  - **Item Notes:** Introduce subtle folk instrumentation (e.g., harp or traditional strings) to complement the guitar melodies without overwhelming them.

### Time 53:36.571 - 54:02.183 | Duration: 0:25.612

- **Track:** Drums
  - **Item Notes:** Still the same beat but with more intricate snare work
- **Track:** Bass
  - **Item Notes:** Verbose but in the highs
- **Track:** Guitars
  - **Item Notes:** Still the same riff but with added high harmonics making it even more abstract
- **Track:** Arrangement
  - **Item Notes:** Introduce ethereal vocal overlays or ghostly whispers to complement the high harmonics and abstract guitar textures. Layer additional ambient sounds (e.g., wind or forest noises) to reinforce the folk horror atmosphere.

### Time 54:02.183 - 54:26.175 | Duration: 0:23.992

- **Track:** Narrative
  - **Item Notes:** Riff 2
- **Track:** Drums
  - **Item Notes:** Powerful rock drums
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Back to riff 2 but with a lead in the middle which almost feels like an Emperor
keyboard but in shoegazing
- **Track:** Arrangement
  - **Item Notes:** Explosion at the beginning. Blend in ambient folk instrumentation (e.g., dulcimer or ethereal strings) to complement the shoegazing lead and enhance the mystical atmosphere.

### Time 54:26.175 - 54:50.199 | Duration: 0:24.023

- **Track:** Vox
  - **Item Notes:** Vox
- **Track:** Narrative
  - **Item Notes:** Riff 4
- **Track:** Drums
  - **Item Notes:** Slow BM blast with Kronet Toms again
- **Track:** Bass
  - **Item Notes:** Fenriz
- **Track:** Guitars
  - **Item Notes:** Back to the initial riff but with a bit more emperorshoegaze overtones
- **Track:** Arrangement
  - **Item Notes:** Choirs, dense

### Time 54:50.199 - 55:14.240 | Duration: 0:24.041

- **Track:** Vox
  - **Item Notes:** Vox "Chorus"
- **Track:** Narrative
  - **Item Notes:** Riff 5
- **Track:** Drums
  - **Item Notes:** Back to the Emperor double kick drumming (Nightside, not Anthems, slowish)
- **Track:** Bass
  - **Item Notes:** Still fenriz
- **Track:** Guitars
  - **Item Notes:** Riff 5, but with a Cave In spacey octaved lead in the middle
- **Track:** Arrangement
  - **Item Notes:** Incorporate spacey folk instruments (e.g., theremin or synthesizer with folk tones) to complement the octaved lead and enhance the ethereal atmosphere. 

### Time 55:14.240 - 55:23.727 | Duration: 0:09.488

- **Track:** Narrative
  - **Item Notes:** Transition towards riff 6
- **Track:** Drums
  - **Item Notes:** Cymbal swells
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very sad transition riff towards the end

### Time 55:23.727 - 56:15.440 | Duration: 0:51.713

- **Track:** Vox
  - **Item Notes:** No vox on this ending at all
- **Track:** Intent
  - **Item Notes:** This is the END of the album. It's an APEX of strangeness and sadness and beauty
- **Track:** Production Notes
  - **Item Notes:** DRY
- **Track:** Narrative
  - **Item Notes:** Riff 7
- **Track:** Drums
  - **Item Notes:** Kind of Ved Buens Ende drumming
- **Track:** Bass
  - **Item Notes:** Very sad Ved Buens Ende basslines
- **Track:** Guitars
  - **Item Notes:** The SADDEST and most strange riff and most impressionistic I ever composed. Very
long (this whole section is one riff), very … hard to describe. Villa Lobos
the way of Blind Idiot God ?

### Time 56:15.440 - 57:05.413 | Duration: 0:49.973

- **Track:** Drums
  - **Item Notes:** Now just kick and cymbal swells, in an ostinato up until the end
- **Track:** Bass
  - **Item Notes:** Still the VBE basslines, but marking the few kick drums of the drumming
- **Track:** Guitars
  - **Item Notes:** Still this same insanely long and beautiful riff, repeated another time

### Time 57:05.413 - 57:07.602 | Duration: 0:02.189

- **Track:** Narrative
  - **Item Notes:** End
- **Track:** Drums
  - **Item Notes:** Cymbal choke

## Region 9: [57:07.602 - 1:06:08.000]

- **Name:** 09 - Et vers l'Eternelle

### Time 57:07.602 - 57:46.027 | Duration: 0:38.426

- **Track:** Vox
  - **Item Notes:** No vox in the outro, outside of the very very last part
- **Track:** Narrative
  - **Item Notes:** This is the start of the outro of the album.
- **Track:** Drums
  - **Item Notes:** None
- **Track:** Bass
  - **Item Notes:** None
- **Track:** Guitars
  - **Item Notes:** Nnone
- **Track:** Arrangement
  - **Item Notes:** Immensely sad choir

### Time 57:46.027 - 58:24.439 | Duration: 0:38.411

- **Track:** Production Notes
  - **Item Notes:** Extremely big, cathedralesque sound
- **Track:** Drums
  - **Item Notes:** Powerful DOOM drums
- **Track:** Bass
  - **Item Notes:** Root notes
- **Track:** Guitars
  - **Item Notes:** Very Arcturus guitar arrangement on the choir (which is the lead)
- **Track:** Arrangement
  - **Item Notes:** Still the choir

### Time 58:24.439 - 59:22.007 | Duration: 0:57.568

- **Track:** Drums
  - **Item Notes:** Funeral doom
- **Track:** Bass
  - **Item Notes:** Subtle slow bassline matching the funeral doom
- **Track:** Guitars
  - **Item Notes:** Clean arpeggio, beware its all broken now
- **Track:** Arrangement
  - **Item Notes:** Organ and the choir still, but a STALKER sample starts — the moment when the
Stalker's wife speaks to him in his dream in the zone, quoting St John's
apocalypse.

### Time 59:22.007 - 1:00:00.550 | Duration: 0:38.543

- **Track:** Drums
  - **Item Notes:** Doom still, but with double kick
- **Track:** Bass
  - **Item Notes:** Funeral doom chords
- **Track:** Guitars
  - **Item Notes:** Funeral doom chords
- **Track:** Arrangement
  - **Item Notes:** Very sad Solina string machine like synth, straight from Tartaros. The sample
continues

### Time 1:00:00.550 - 1:00:19.630 | Duration: 0:19.080

- **Track:** Drums
  - **Item Notes:** Just cymbal swells
- **Track:** Bass
  - **Item Notes:** Funeral doom still
- **Track:** Guitars
  - **Item Notes:** Funeral doom still
- **Track:** Arrangement
  - **Item Notes:** Still Tartaros and the sample

### Time 1:00:19.630 - 1:00:58.267 | Duration: 0:38.637

- **Track:** Drums
  - **Item Notes:** Ends with a last tom
- **Track:** Bass
  - **Item Notes:** No
- **Track:** Guitars
  - **Item Notes:** No
- **Track:** Arrangement
  - **Item Notes:** Extremely sad solina strings. Not majestic anymore. Just fake cellos

### Time 1:00:58.267 - 1:06:08.000 | Duration: 5:09.732

- **Track:** Narrative
  - **Item Notes:** Starting here, I want to make an acoustic neofolk outro based on the outro.
Where I will sing with an acoustic guitar and ambient sounds of a campfire