{"input": "Which film has the director who died earlier, Lassie Come Home or Prairie Thunder?", "context": "Passage 1:\nFred M. Wilcox (director)\nFred McLeod Wilcox (December 22, 1907 \u2013 September 23, 1964) was an American motion picture director. He worked for Metro-Goldwyn-Mayer for many years  and is best remembered for directing Lassie Come Home (1943) and Forbidden Planet (1956). These films were entered in the National Film Preservation Board's National Film Registry in 1993 and 2013 respectively.\n\nFilmography\nJoaquin Murrieta (1938)\nLassie Come Home (1943)\nCourage of Lassie (1946)\nThree Daring Daughters (1948)\nHills of Home (1948)\nThe Secret Garden (1949)\nShadow in the Sky (1952)\nCode Two (1953)\nTennessee Champ (1954)\nForbidden Planet (1956)\nI Passed for White (1960)\n\nExternal links\nFred M. Wilcox at IMDb\nPassage 2:\nDan Rhodes\nDan Rhodes (born 1972) is an English writer known for the novel Timoleon Vieta Come Home (2003), a subversion of the popular Lassie Come Home movie. He is also the author of Anthropology (2000), a collection of 101 stories, each consisting of exactly 101 words. In 2010 he was awarded the E. M. Forster Award.\n\nBiography\nRhodes grew up in Devon, and graduated in Humanities from the University of Glamorgan (now the University of South Wales) in 1994, returning in 1997 to complete an MA in Creative Writing. Don't Tell Me the Truth About Love was written at this time. He has held a variety of jobs, including stockroom assistant for Waterstone's, barman in his parents' pub, and a teacher in Ho Chi Minh City. He has also worked on a fruit and vegetable farm and is still employed as a postman.Following the publication of his second book, Rhodes's frustration with the publishing industry led him to announce his retirement from writing, though he later said, \"I haven't really given up. I'm certainly not making any more grand pronouncements. I was just sick of the business and wanted out. Not just the publishers; everyone around me.\"Rhodes was included on Granta's Best of Young British Novelists list in 2003, to his own bemusement and frustration, partly because of Granta's selection methods (\"It's one thing to judge a writer by stuff they've written, but to judge them on stuff they're going to write is lunacy\") but also because some of the others on the list failed to respond to his request to sign a joint statement protesting the Iraq War.In 2014, Rhodes self-published the novel When the Professor Got Stuck in the Snow, a \"rural farce\" about a visit to an obscure English village by a fictional Richard Dawkins, stating that he wanted to get the book out faster than conventional publishing allowed. Traditional publishers were loath to publish the novel for fear of legal action from Professor Richard Dawkins, who is parodied in it. Rhodes appealed repeatedly to Dawkins, a defender of satire and free speech, for permission to \"publish and be damned\" but received no response. The novel was republished by Aardvark Bureau in October 2015.\nIn 2021, Lightning Books published his novel Sour Grapes, a satire on the literary world set at a rural book festival.Rhodes is married with two children.\n\nBibliography\nCollections\nAnthropology: And a Hundred Other Stories (2000) ISBN 1-84195-614-7\nDon't Tell Me the Truth About Love (2001) ISBN 1-84195-613-9\nMarry Me (2013) ISBN 0-85786-849-7\n\nNovels\nTimoleon Vieta Come Home (2003) ISBN 1-84195-481-0\nThe Little White Car (under the pen name Danuta de Rhodes) (2004) ISBN 1-84195-528-0\nGold (2007) ISBN 978-1-84195-953-5\nLittle Hands Clapping (2010) ISBN 1-84767-529-8\nThis Is Life (2012) ISBN 0-85786-245-6\nWhen the Professor Got Stuck in the Snow (2014, self-published limited edition; 2015 formal publication by Aardvark Bureau) ISBN 9781910709016\nSour Grapes (2021) ISBN 9781785632921\nPassage 3:\nPrairie Thunder\nPrairie Thunder is a 1937 American Western film directed by B. Reeves Eason and written by Ed Earl Repp. The film stars Dick Foran, Janet Shaw, Frank Orth, Wilfred Lucas, Albert J. Smith and Yakima Canutt. The film was released by Warner Bros. on September 11, 1937. It was the last of 12 B-westerns Foran made for Warners as a singing cowboy (as he was often billed) from 1935 to 1937.\n\nPlot\nIn the Old West, a telegraph line is coming to Buffalo Creek, where general store owner Nate Temple lives with daughter, Joan. Joan is courting Rod Farrell, a scout for the Union Army. Rod is ordered to investigate a break in the telegraph line, along with sidekick, Wichita, a Union soldier. Rod finds the break in the line in Indian territory and repairs it. Rod suspects a white man assisted the local Indian tribe in sabotaging the line. Rod and Wichita ride up on an Indian camp. The Indian chief, High Wolf, tells Rod the Indians intend to make war because the railroad and the telegraph coming to the region have depleted the buffalo population. High Wolf confirms a white man, who he will not name, is the only friend to his tribe. Rod and Wichita discover a man named Lynch and his gang are supplying the Indians with weapons and ammunition in exchange for the Indians hijacking supply trains. Rod and Wichita breach the gang's hideout, take Lynch and his gang into custody, hold them at Temple's store, and telegraph the cavalry for help. Rod rides off with Joan while Wichita guards the gang. Matson, one of Lynch's men not arrested, tells High Wolf of the gang's arrest, and a slew of Indian braves invade Buffalo Creek terrorizing the town with gunfire. Rod and Joan, hearing the gunfire, head toward town. Matson and High Wolf free the gang and Lynch orders the Indians to burn the town. Lynch intercepts Rod and Joan. Rod is taken to the Indian camp. Joan is taken to Lynch's hideout. Wichita overhears Lynch and sneaks into the Indian camp where Rod is tied to a stake to be burned. Lynch also arrives at the camp telling High Wolf to strike the railroad workers camp. Wichita, dressed as an Indian, frees Rod and the pair head for Lynch's hideout where they rescue Joan, then head to the railroad construction camp with the Indians in pursuit. The citizens of Buffalo Creek, now displaced after the town was burned, fortify their wagons on the outskirts of town and a gunfight ensues as the Indians arrive. Rod, Wichita and Joan join in the fight. The cavalry arrives and the Indians retreat. High Wolf is shot and Rod subdues Lynch. Rod is awarded a congressional medal and promoted to colonel. Rod and Joan ride off as Rod sings \"The Prairie Is My Home.\"\n\nCast\nDick Foran as Rod Farrell\nJanet Shaw as Joan Temple\nFrank Orth as Wichita\nWilfred Lucas as Nate Temple\nAlbert J. Smith as Lynch\nYakima Canutt as High Wolf\nGeorge Chesebro as Matson\nSlim Whitaker as Indian Fighter\nJ. P. McGowan as Colonel Stanton\nJohn Harron as Lieutenant Adams\nJack Mower as Portland\nHenry Otho as Chris\nPaul Panzer as Jed\nPassage 4:\nGypsy Colt\nGypsy Colt is a 1954 American drama film directed by Andrew Marton and starring Donna Corcoran, Ward Bond and Frances Dee. Shot in Ansco Color, it was produced and distributed by Hollywood studio Metro-Goldwyn-Mayer. The film's basic plot was taken from Lassie Come Home with the focus changed from a dog to the eponymous horse.A 60-minute version of Gypsy Colt was made available in 1967 as part of the weekly TV anthology Off to See the Wizard.\n\nPlot\nA young girl, Meg (Donna Corcoran), is disheartened when her parents Frank (Ward Bond) and Em MacWade (Frances Dee) are forced to sell Gypsy Colt, her favorite horse, to a rancher. Gypsy Colt escapes several times, ultimately taking a 500-mile journey to return to his rightful owner.\n\nCast\nDonna Corcoran as Meg\nWard Bond as Frank\nFrances Dee as Em\nLee Van Cleef as Hank\nLarry Keating as Wade Y. Gerald\nNacho Galindo as Pancho\nRodolfo Hoyos Jr. as Rodolfo\nPeggy Maley as Pat\nRobert Hyatt as Phil Gerald (as Bobby Hyatt)\nHighland Dale as Gypsy, the Horse\n\nReception\nAccording to MGM records, the movie earned $721,000 in the U.S. and Canada and $704,000 in other markets, making a profit of $259,000.\n\nComic book adaptation\nDell Four Color #568 (June 1954)\nPassage 5:\nAbhishek Saxena\nAbhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu. The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role. Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film. This film was screened in cinemas in 2014.\n\nLife and background\nAbhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena. Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014. His mother's name is Gurpreet Kaur Saxena.\nSaxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017.\n\nCareer\nAbhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad. He made his first directed film Patiala Dreamz, this is a Punjabi movie.After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017. Saxena is now making his upcoming movie \"India Gate\".\nIn 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta.\n Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life.Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut. Talking about the film, director Abhishek Saxena told Mumbai Mirror, \"As a fat person, I have noticed that body-shaming doesn\u2019t happen only with those who are on the heavier side, but also with thin people. The idea germinated from there.\"\nCareer as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus.\nIn addition to these serials, he played the role of assistant director in the movie \"Girgit\" which was made in Telugu language.\n\nFilmography\nAs Director\nPassage 6:\nRich Gosselin\nRichmond \"Rich\" Gosselin (born April 25, 1956) is a Canadian retired professional ice hockey player who played in the World Hockey Association (WHA) and the Swiss-A League. He was drafted in the seventh round of the 1976 NHL Amateur Draft by the Montreal Canadiens. Gosselin played three games with the Winnipeg Jets during the 1978\u201379 WHA season, after which he went overseas to play in Switzerland.\nGosselin served as a head coach in various European leagues after his playing career ended. In Manitoba, he has coached the Eastman Midget 'AAA' Selects, South East Prairie Thunder, and Steinbach Pistons junior hockey team.  Gosselin coached the Prairie Thunder to a second-place finish at the 2009 Allan Cup.\nPassage 7:\nEric Knight\nEric Mowbray Knight (10 April 1897 \u2013 15 January 1943) was an English novelist and screenwriter, who is mainly known for his 1940 novel Lassie Come-Home, which introduced the fictional collie Lassie.  He took American citizenship in 1942 shortly before his death.\n\nBiography\nBorn in Menston, West Riding of Yorkshire, Knight was the youngest of three sons born to Marion Hilda (n\u00e9e Creasser) and Frederic Harrison Knight, both Quakers. His father was a rich diamond merchant who, when Eric was two years old, was killed during the Boer War. His mother then moved to St. Petersburg, Imperial Russia, to work as a governess for the imperial family. The family later settled in the United States in 1912.\nKnight had a varied career, including service in the Princess Patricia's Canadian Light Infantry during World War I as a signaller then served as a captain of field artillery in the U.S. Army Reserve until 1926. His two brothers were both killed in World War I serving with the Pennsylvania Army National Guard.  He did stints as an art student, newspaper reporter and Hollywood screenwriter.\nHe married twice, first on 28 July 1917, to Dorothy Caroline Noyes Hall, with whom he had three daughters and later divorced, and secondly to Jere Brylawski on 2 December 1932.\n\nWriting career\nKnight's first novel was Invitation to Life (Greenberg, 1934). The second was Song on Your Bugles (1936) about the working class in Northern England.  As \"Richard Hallas\", he wrote the hardboiled genre novel You Play the Black and the Red Comes Up (1938). Knight's This Above All is considered one of the significant novels of the Second World War. He also helped co-author the film, Battle of Britain in the \"Why We Fight\" Series under the direction of Frank Capra.Knight and his second wife Jere Knight raised collies on their farm in Pleasant Valley, Bucks County, Pennsylvania. They resided at Springhouse Farm from 1939 to 1943. His novel Lassie Come-Home (ISBN 0030441013) was published in 1940, expanded from a short story published in 1938 in The Saturday Evening Post.\nOne of Knight's last books was Sam Small Flies Again, republished as The Flying Yorkshireman (Pocket Books 493, 1948; 273 pages).  On the back of The Flying Yorkshireman, this blurb appeared:\n\nEngland's answer to America's James Thurber or Thorne Smith, Knight created the character Sam Small, a villager from Yorkshire whose stock in trade was an endless parade of outrageous tarradiddles and tall tales.  Sam's adventures are chronicled in the ten stories of this vintage volume, originally published as Sam Small Flies Again.  That's right, Sam can literally fly, which puts him into all sorts of mischief.  \"An immensely funny book.\" \u2013 The New York Times.\n\nWorks\nSong On Your Bugles (1936)\nYou Play The Black and The Red Comes Up (written as: Richard Hallas) (1940)\nNow Pray We for Our Country (1940)\nSam Small Flies Again (also titled: The Flying Yorkshireman) (1942)\nThis Above All (1942)\nLassie Come-Home (1943)\nPortrait of a Flying Yorkshireman (edited by Paul Rotha) (1952)Source:\n\nDeath\nIn 1943, at which time he was a major in the United States Army \u2013 Special Services where he wrote two of Frank Capra's Why We Fight series, Knight was killed in a C-54 air crash in Dutch Guiana (now Suriname) in South America.\nPassage 8:\nB. Reeves Eason\nWilliam Reeves Eason (October 2, 1886 \u2013 June 9, 1956), known as B. Reeves Eason, was an American film director, actor and screenwriter. His directorial output was limited mainly to low-budget westerns and action pictures, but it was as a second-unit director and action specialist that he was best known. He was famous for staging spectacular battle scenes in war films and action scenes in large-budget westerns, but he acquired the nickname \"Breezy\" for his \"breezy\" attitude towards safety while staging his sequences\u2014during the famous cavalry charge at the end of Charge of the Light Brigade (1936), so many horses were killed or injured so severely that they had to be euthanized that both the public and Hollywood itself were outraged, resulting in the selection of the American Humane Society by the beleaguered studios to provide representatives on the sets of all films using animals to ensure their safety.\n\nCareer\nBorn in Massachusetts, Eason studied engineering at the University of California. Eason directed 150 films and starred in almost 100 films over his career. Eason's career transcended into sound and he directed film serials such as The Miracle Rider starring Tom Mix in 1935. He used 42 cameras to film the chariot race as a second-unit director on Ben-Hur (1925), the climactic charge in Charge of the Light Brigade (1936), and also directed the \"Burning of Atlanta\" in Gone with the Wind (1939).\n\nFamily and personal life\nHis son, B. Reeves Eason Jr., was a child actor who appeared in 12 films, including Nine-Tenths of the Law, which Eason, Sr. directed. Born in 1914, he died in 1921 after being hit by a runaway truck outside of his parents' home shortly after the filming of the Harry Carey silent western The Fox was completed, just before his seventh birthday.\n\nDeath\nOn June 9, 1956, Eason died of a heart attack at the age of 69. He is buried in Hollywood Forever Cemetery in Los Angeles.\n\nFilmography\nDirector\nActor\nScreenwriter\nPassage 9:\nLassie Come Home\nLassie Come Home is a 1943 Metro-Goldwyn-Mayer Technicolor feature film starring Roddy McDowall and  canine actor Pal, in a story about the profound bond between Yorkshire boy Joe Carraclough and his rough collie, Lassie. The film was directed by Fred M. Wilcox from a screenplay by Hugo Butler based upon the 1940 novel Lassie Come-Home by Eric Knight. The film was the first in a series of seven MGM films starring \"Lassie.\"\nThe original film saw a sequel, Son of Lassie in 1945 with five other films following at intervals through the 1940s. A British remake of the 1943 movie was released in 2005 as Lassie to moderate success. The film has been released to VHS and DVD.\nIn 1993, Lassie Come Home was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress being deemed \"culturally, historically, or aesthetically significant\" and recommended for preservation.\n\nPlot\nSet in Depression-era Yorkshire, England, Mr and Mrs Carraclough are hit by hard times and forced to sell their collie, Lassie, to the rich Duke of Rudling, who has always admired her. Young Joe Carraclough grows despondent at the loss of his companion.\nLassie will have nothing to do with the Duke, however, and finds ways to escape her kennels and return to Joe. The Duke finally carries Lassie to his home hundreds of miles distant in Scotland. There, his granddaughter Priscilla senses the dog's unhappiness and arranges her escape.\nLassie then sets off for a long trek to her Yorkshire home. She faces many perils along the way, dog catchers and a violent storm, but also meets kind people who offer her aid and comfort. At the end, when Joe has given up hope of ever seeing his dog again, the weary Lassie returns to her favorite resting place in the schoolyard at home. There, Lassie is joyfully reunited with the boy she loves.\n\nMain cast\nProduction\nThe film was shot in Washington state and Monterey, California, while the rapids scene was shot on the San Joaquin River. It also features scenes from the former Janss Conejo Ranch in Wildwood Regional Park in Thousand Oaks, California. Additional photography occurred in Big Bear Lake.\nDuring the film's production, MGM executives previewing the dailies were said to be so moved that they ordered more scenes to be added to \"this wonderful motion picture.\"Some sources say that, initially, a female collie was selected for the title role, but was replaced when the dog began to shed excessively during shooting of the film in the summer. The trainer, Rudd Weatherwax, then substituted the male collie, Pal, in the role of \"Lassie\". Pal had been hired to perform the rapids stunt and, being male, looked more impressive in the part. Still other accounts, such as a 1943 New York Times article written while the film was in production, say that Pal was cast by director Fred Wilcox after first being rejected, because no other dog performed satisfactorily with the \"near human attributes\" he sought for the canine title role. Weatherwax would later receive all rights to the Lassie name and trademark in lieu of back pay owed him by MGM.\n\nMusic\nIn 2010, Film Score Monthly released the complete scores of the seven Lassie feature films released by MGM between 1943 and 1955 as well as Elmer Bernstein\u2019s score for It's a Dog's Life (1955) in the CD collection Lassie Come Home: The Canine Cinema Collection, limited to 1000 copies.  \nDue to the era when these scores were recorded, nearly half of the music masters have been lost so the scores had to be reconstructed and restored from the best available sources, mainly the Music and Effects tracks as well as monaural \u00bc\u2033 tapes.The score for Lassie Come Home was composed by Daniele Amfitheatrof.\nTrack listing for Lassie Come Home (Disc 1)\n\nMain Title*/The Story of a Dog* \u2013 2:23\nTime Sense\u2014Second Version*/Have a Good Time/Waking Up Joe*/Lassie is Sold \u2013 6:30\nLassie is Sold, Part 2 \u2013 1:07\nJoe is Heartbroken*/Priscilla Meets Lassie \u2013 2:40\nTime Sense\u2014Second Version*/First Escape (beginning)* \u2013 1:33\nHynes Arrives/Time Sense\u2014Second Version*/Second Escape \u2013 2:09\nDay Dreaming \u2013 1:30\nBid Her Stay*/Honest is Honest/Lassie Goes to Scotland*/Lassie in Scotland \u2013 4:45\nLassie is Chained* \u2013 0:51\nHynes Walks Lassie \u2013 0:59\nTime Sense\u2014Second Version*/Lassie Runs Away*/The Storm/Over the Mountains*/The Lake & Time Sense #3/Lassie vs. Satan*/The Dog Fight (Amfitheatrof\u2013Mario Castelnuovo-Tedesco)*/Lassie vs. Satan, Part 2*/A Surprise for Joe*/Crossing the River* \u2013 13:09\nDan and Dally*/Lassie Recovers/Joe Can\u2019t Sleep*/Time Sense\u2014Second Version* \u2013 4:40\nLassie is Not Happy/Time Sense\u2014Second Version*/Goodbye, Girl*/Meeting Palmer/Lassie Refuses Food*/Lassie Follows Palmer \u2013 6:28\nLassie Wants to Go That Way/Lassie is a Lady/Next Morning \u2013 3:11\nToots Gives a Performance*/The Dogs Play*/Thousand Kronen (Bronislau Kaper)*/Last Fight*/Toots is Dead/It\u2019s Goodbye, Then*/The Dog Catchers*/Out of Work/Lassie Comes Home*/Duke Arrives* & This is No Dog of Mine*/Time Sense\u2014Second Version*/Lassie Finds Joe & End Title* \u2013 23:19Bonus tracks\n\nDog Fight (Amfitheatrof\u2013Castelnuovo-Tedesco) \u2013 0:44\nThe Accident \u2013 0:44\nPump and Chicken House (Lennie Hayton) \u2013 0:49Bonus track for Lassie Come Home (Disc 4)\n\nFirst Escape (complete)*\u2020 \u2013 3:07Contains Sound Effects\n\u2020Contains Dialogue\nTotal Time: 80:79\n\nReception\nThe movie was a big hit. According to MGM records it earned $2,613,000 in the US and Canada and $1,904,000 overseas, resulting in a profit of $2,249,000.The film was nominated for an Academy Award for Best Cinematography, Color and later the character of Lassie received a star on the Hollywood Walk of Fame at 6368 Hollywood Blvd. In 1993, Lassie Come Home was selected for preservation in the United States National Film Registry by the Library of Congress as being \"culturally, historically, or aesthetically significant\".\nBosley Crowther in The New York Times of October 8, 1943 uniformly praised the performers and production, noting that the film \"tells the story of a boy and a dog, tells it with such poignance and simple beauty that only the hardest heart can fail to be moved.\"Almost 50 years after the film's release, Parade discussed its lasting cultural impact, quoting the Saturday Evening Post which said the film launched Pal on \"the most spectacular canine career in film history\". Lassie Come Home was also cited as a cultural icon in Jane and Michael Stern's 1992 book, Encyclopedia of Pop Culture.The film is recognized by American Film Institute in these lists:\n\n2003: AFI's 100 Years...100 Heroes & Villains:\nLassie \u2013 #39 Hero\n2005: AFI's 100 Years...100 Movie Quotes:\nJoe Carraclough: \"You're my Lassie come home.\" \u2013 Nominated\n2006: AFI's 100 Years...100 Cheers \u2013 Nominated\n\nReferences to Lassie Come Home in other media\nThe 1972 Peanuts film Snoopy, Come Home is a title reference to Lassie Come Home, and its plot is also similar to the movie's plot.\nLassie Come Home is the title of the 11th track on Alphaville's 1986 album Afternoons in Utopia.\n\"Lasso Come Home\", an episode of the Disney Junior series Sheriff Callie's Wild West, also resembles the title.\nThe season 2 episode \"R2 Come Home\" of Star Wars: The Clone Wars, features a very similar plot line to the film.\nPsych 2: Lassie Come Home\n\nHome media\nThe film was released on VHS by MGM Home Entertainment in 1990.\nThe film was released on DVD by Warner Home Video and Warner Archive Collection from 2004 onwards.\n\nRemake\nA German remake was released in 2020\nPassage 10:\nBen Palmer\nBen Palmer (born 1976) is a British film and television director.\nHis television credits include the Channel 4 sketch show Bo' Selecta! (2002\u20132006), the second and third series of the E4 sitcom The Inbetweeners (2009\u20132010) and the Sky Atlantic comedy-drama Breeders (2020). Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015).\n\nBiography\nPalmer was born and raised in Penny Bridge, Barrow-in-Furness. He attended Chetwynde School.His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis. Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively.\n\nFilmography\nBo' Selecta! (2002\u201306)\nComedy Lab (2004\u20132010)\nBo! in the USA (2006)\nThe Inbetweeners (2009\u20132010)\nThe Inbetweeners Movie (2011)\nComedy Showcase (2012)\nMilton Jones's House of Rooms (2012)\nThem from That Thing (2012)\nBad Sugar (2012)\nChickens (2013)\nLondon Irish (2013)\nMan Up (2015)\nSunTrap (2015)\nBBC Comedy Feeds (2016)\nNigel Farage Gets His Life Back (2016)\nBack (2017)\nComedy Playhouse (2017)\nUrban Myths (2017\u201319)\nClick & Collect (2018)\nSemi-Detached (2019)\nBreeders (2020)", "answers": ["Prairie Thunder"], "length": 4155, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "1359ea4b835842cf7d0192cfa52c4f8af5656b00f230f69b"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.