For the below research proposal, Expand the Research Philosophy and Approach section to 200 words, Expand the Research Data Collection section to 150 words, Expand the Research Data analysis section to 150 words


Abstract 
Music events are a vital aspect of urban culture and entertainment, potentially offering socioeconomic benefits to host cities like Lagos, Nigeria’s economic center. However, there has been little research on their economic impact. This study aims to identify the role of music events in sustainable development in Lagos and examine the relationship with local community development. It will use a quantitative approach and an online poll targeting event planners, venue owners, musicians, policymakers, and locals. Ultimately, the study aims to provide advice and insights for using music festivals in promoting sustainable urban development in Lagos.

Research statement: This study investigates the socio-economic impacts of music events on urban development in Lagos, Nigeria, examining their relationships with economic growth, social well-being, and cultural development in the local community. Lagos has experienced a surge in hosting various local and international music events in recent years, providing opportunities for revenue generation, job creation, and cultural exchange. However, there is limited research on the economic effects of these events on the city’s growth and sustainability. The research will, through a quantitative online survey, identify the role of music events in sustainable development and uncover key implications for policy and practice in Lagos. The findings will contribute to an enhanced understanding of the dynamics between music events and urban development and offer valuable insights for stakeholders involved in the organization and promotion of music events in Lagos.

Aim: The aim of this study is to explore the socio-economic impacts of music events in Lagos and understand their role in the city’s development.

Objectives:
1. To examine the different types of music events hosted in Lagos and their contribution to the local economy (Karim, 2019).
2. To identify key stakeholders involved in organizing and benefiting from music events (Ogunleye & Adeyemo, 2020).
3. To evaluate the social and cultural impacts of music events on local communities and the city’s identity (Balogun, 2021).
4. To provide recommendations to effectively capitalize on music events for promoting sustainable urban development in Lagos (Abbey & Tunji, 2020).


Literature Review
The existing body of research on the socio-economic impacts of music events predominantly focuses on the economic contributions and cultural development potential of such events (Connell & Gibson, 2015; Gursoy et al., 2017). Economic impacts are frequently assessed through metrics such as job creation, revenue generation, and multiplier effects, with several studies highlighting the positive contributions of music events to local economies (Gibson & Connell, 2016). For Lagos in particular, Adeaga & Oladipo (2020) report an increased interest in cultural tourism driven by hosting various music events within the city. Music events have also been noted for their ability to foster social cohesion, enhance cultural exchange, and promote local cultural identities (Connell & Gibson, 2015; Chalip, 2017). 

Furthermore, these events can drive urban regeneration and improve the attractiveness of a city, thereby benefiting both residents and tourists (Frost & Laing, 2018). However, negative consequences, such as traffic congestion, noise pollution, and displacement of local communities, may arise from hosting these events (Smith, 2014). Additionally, the temporary nature of such events can limit their long-term benefits and high costs might outweigh possible gains (Connell & Gibson, 2015). It is important to acknowledge that the existing literature primarily focuses on the Western context, leaving a gap in understanding the socio-economic impacts of music events within cities like Lagos (Karim, 2019). The African context features unique characteristics, warranting further examination of these impacts in places such as Lagos, an emerging cultural hub in Sub-Saharan Africa (Gibson & Connell, 2016). Adding to the complexity, the COVID-19 pandemic has dramatically affected the music events industry, highlighting its vulnerability and the need for resilient strategies to sustain socio-economic benefits (Gursoy et al., 2021). The pandemic also presents opportunities for exploring innovative ways of organizing music events, including virtual and hybrid models (Gursoy et al., 2021). 

Previous studies have employed a range of research methodologies, such as qualitative case studies, surveys and interviews, and quantitative analyses of economic indicators, to evaluate the socio-economic impacts of music events (Connell & Gibson, 2015). These studies often emphasize partnerships among researchers, event organizers, policymakers, and local communities to generate context-sensitive knowledge informing practical decision-making (Smith, 2014; Waitt, 2018). Given the burgeoning music events scene in Lagos, research that guides the city’s efforts to capitalize on these events in a sustainable and inclusive manner is crucial (Adeaga & Oladipo, 2020). Therefore, it is vital to conduct context-specific analyses while considering the diverse types of events, the local socio-economic conditions, and the unique characteristics of the city to maximize the positive socio-economic impacts of music events in Lagos (Connell & Gibson, 2015; Gursoy et al., 2017).

Research Methodology
A quantitative study design, involving the gathering and analysis of numerical data, will be used to investigate the socio-economic effects of music events in Lagos (Creswell, 2018). This method was chosen because it can offer an organized and impartial evaluation of the connection between musical events and their alleged socioeconomic effects. The requirement to clearly comprehend the economic benefits of music events through the use of particular technologies that will be utilized for data analysis is another factor that influences the decision to do quantitative research. A Work Plan for the planned study is shown below.




Research philosophy and approach:The research philosophy underpinning this study subscribes to pragmatism, acknowledging that both objective and subjective realities influence the socio-economic impacts of music events and the experiences of various stakeholders (Saunders et al., 2019). In order to create a deeper grasp of the topic, the researcher uses an abductive technique, switching between empirical evidence and theoretical insights (Nunkoo, 2018).

Data collection: Event planners, venue owners, musicians, policymakers, and members of the general public in Lagos will be surveyed online to gather primary data. To gauge participants' impressions of the economic, social, and cultural effects of music events in Lagos, the survey will include closed-ended questions. Google forms will be used to gather data, and Excel will be used to evaluate it. To supplement and triangulate the primary data, secondary data will also be gathered from a variety of sources, including government reports, industry statistics, and event assessments (Saunders et al., 2019).

Data analysis: In order to establish correlations between musical events and their alleged socioeconomic effects, the quantitative survey data will be evaluated using descriptive statistics, correlation analysis, and multiple regression analysis (Field, 2013). In order to analyze the data, applications like SPSS and Excel would be used. 

Sampling: Participants in this study who plan events, run local venues, are musicians, decision-makers, and members of the Lagos community. This research will use a probability sampling technique to select participants who have knowledge or experience with music events in Lagos (Flick, 2018). A sample of not less than 500 respondents will be targeted for the survey, and these will be randomly selected from social media and professional networks.

Ethical Considerations: In terms of anonymity, confidentiality, and informed consent, this research will abide by accepted ethical standards (Sanders et al., 2019). All participants will be asked for their informed consent, and they will be made aware of their freedom to leave the study at any time without penalty. The information gathered will be safely preserved and utilized just for this research (Silver & Woolf, 2018). Before beginning data collecting, the internal institutional review board (IRB) will be consulted for approval of the study.



Conclusion
The results of this study have the potential to provide politicians, event planners, and the music industry with useful suggestions for utilizing music events for sustainable urban development and promoting the city as an up-and-coming cultural hub in Sub-Saharan Africa.