{"input": "Which film came out first, Su-Ki-Da or Tales From The Golden Age?", "context": "Passage 1:\nTales from the QuadeaD Zone\nTales from the QuadeaD Zone (also stylized TALES From The QuadeaD Zone) is a 1987 American anthology blaxploitation horror film written, directed, and produced by Chester Novell Turner. The film was originally released straight to VHS. VHS copies of the film have become collector's items due to their difficulty to locate and extremely limited quantities, with one copy selling for $2000 on eBay.Turner has expressed interest in creating a sequel and began writing the film's script in 2013. Tales from the QuadeaD Zone was the only film produced by Erry Vision Film Co.\nSince its release Tales From the QuadeaD Zone has received several public screenings, one of which was a 2016 symposium at the Yale University Library, Terror on Tape.It was given a DVD release in 2013 through Massacre Video.\n\nSynopsis\nThe film is composed of two stories, plus a third wraparound story; \"Food For ?\" and \"The Brothers\", both of which are narrated by a mother (Shirley L. Jones) reading the tales to her deceased son Bobby. \"Food For ?\" centers upon a family that is so poor that they are unable to afford food for every family member. Their only solution is to get rid of some of their family in order to increase the amount of dinner for everyone else. \"The Brother\" follows two brothers who have hated each other their entire lives and have each made cruel jokes and attacks against the other. When one of them dies, the living brother tries to have the last laugh by stealing his brother's corpse and making him look like a circus clown. Little does he know that his brother's spirit has returned to his body, unhappy with his brother's plans.\n\nCast\nProduction\nWork on Tales from the QuadeaD Zone began three years after Turner completed his first film, Black Devil Doll From Hell, which was initially intended to be one of the anthology's stories. Two of the film's stories, \"Food For ?\" and the wraparound story \"Unseen Vision\", were shot in Alabama while \"The Brothers\" was shot in Chicago.\n\nRelease\nAs Turner released the film on his own, along with star Shirley L. Jones, Tales from the QuadeaD Zone was released in an extremely limited amount, estimated to be at or less than 100 copies. The copies were only circulated in the Chicago area due to the cost of gas and travel required by Turner and Jones and it is believed that many of these copies have been lost.Over time the video achieved cult status and VHS copies became much sought after collector's items. In 2011 one copy of the film sold for $665 on the online auction site eBay, a feat that was covered in the 2013 documentary Adjust Your Tracking. The winning bidder later sold his copy of the movie for twice the amount paid.The price reached an all time high when a copy was sold on eBay for $2000.\nIn 2013, Massacre Video released the movie as part of a DVD box set along with Black Devil Doll From Hell. The box set features commentary from Turner and Jackson, a documentary about both films, and the director's cut of Black Devil Doll From Hell, which upon release had been heavily edited from Turner's original version.\n\nReception\nHorronews.net commented that although the video could be seen as a \"complete and utter train wreck\", the film was made during a point in time when amateur filmmaking would be cost prohibitive for the average person and the creation of Tales from the QuadeaD Zone was evidence of Turner's \"heart and a dream to become a film maker\". Bloody Disgusting also reviewed the movie, stating that it was \"a no-budget, SOV labor of mad love\". DVD Talk reviewed the movie as part of Massacre Video's box set and gave it a poor review, which they felt was weaker than Black Devil Doll From Hell.\nPassage 2:\nHiroshi Ishikawa\nHiroshi Ishikawa (\u77f3\u5ddd \u5bdb, born May 18, 1963) is a Japanese film director and writer from \u014cdate. He is best known for his 2005 film, Su-ki-da (2005). He won the Silver Iris for Best Director at the New Montreal Film Festival.\n\nFilmography\nTokyo.sora (2002)\nSu-ki-da (2005)\nKimi no Yubisaki (Short Film) (2007)\nPetal Dance (2013)\nPassage 3:\nSu-ki-da\nSu-ki-da (\u597d\u304d\u3060) is a 2005 Japanese romantic drama film. The plot centers on two teenagers who deal with tragedy and then have to grow up. It was written and directed by Hiroshi Ishikawa and stars Aoi Miyazaki, Hidetoshi Nishijima, <PRESIDIO_ANONYMIZED_PERSON>, and Eita.\n\nPlot\nHigh school student Yosuke spends most of his free time sitting near a floodgate and playing the same short tune on his acoustic guitar. He is often joined by a girl in his class, Yu. Yu hums Yosuke's tune to her older sister, who is mourning her deceased boyfriend. Yu sets up a few meetings between Yosuke and her sister. While talking with Yosuke after school, Yu kisses him, but Yosuke walks away, leaving Yu devastated. While walking to see Yosuke, Yu's sister is hit by a truck and enters a coma. Yu tells Yosuke that she wants to hear his song when he finishes it.\n17 years later, Yosuke is working in music production in Tokyo. He shoos away a man interfering with an intoxicated woman lying in the street and takes her to recover in his apartment. During a break at the studio, a woman plays a few notes from the song Yosuke played in his school days and he realizes she is Yu. They go back to Yosuke's apartment and drink sake. Yu tells him that her sister is still in a coma. She starts to cry, Yosuke comforts her, and they kiss.\nYu and Yosuke visit her sister at the hospital and Yu leaves at the train station. Yosuke looks her up in the phone book and calls to say that he wants to play the finished song for her. On the way to meet her, he is stabbed by the man he shooed from the intoxicated woman. Yosuke lies in the street bleeding while Yu waits for him.\nYu visits Yosuke in the hospital and tells him she loves him. Yosuke replies that he loves her, too.\n\nCast\nAoi Miyazaki as Yu (young)\nHidetoshi Nishijima as Yosuke\nHiromi Nagasaku as Yu\nEita as Yosuke (young)\nSayuri Oyamada as Yu's older sister\nMaho Nonami\nRyo Kase\nNao \u014cmori\n\nProduction\nThe film was directed by Hiroshi Ishikawa and was his second full-length feature, after the 2003 film Tokyo.Sora. In addition to directing, Ishikawa was also the writer, editor, and cinematographer. Yoko Kanno composed the score, including Yosuke's song that plays throughout most of the film. It was shot in Tokyo, Japan.\nThe Japanese title Su-ki-da translates to \"I love you\" in English.\n\nRelease and reception\nSu-ki-da was premiered at the New Montreal Film Festival on September 23, 2005. It won one award, the Silver Iris for Best Director. The film was released in Japan on February 26, 2006 and was also shown at the Hong Kong International Film Festival on April 8.\nCritical reviews were mixed. According to Variety's Eddie Cockrell (who viewed it at the NMFF), the film was filled with \"unchecked indulgences.\" He criticized the director, writing that: \"Jump cuts, cryptic silences, shots of various cloud formations and long takes bereft of movement are key weapons in Ishikawa's self-consciously arty arsenal, with little in the way of story or character development to engage viewers; Gus van Sant he's not.\"On the other hand, DVDBeaver.com praised the film for its \"heartfelt story,\" \"excellent visuals,\" and \"great cast.\" The reviewer noted its lack of dialogue but also said that \"the characters' body language says more than any words could ever express.\"The DVD was released in Japan on September 22, 2006, by Big Time Entertainment. It includes English and French subtitles.\nPassage 4:\nGolden age of physics\nA golden age of physics appears to have been delineated for certain periods of progress in the physics sciences, and this includes the previous and current developments of cosmology and astronomy. Each \"golden age\" introduces significant advancements in theoretical and experimental methods. Discernible time periods marking a \"golden age\" of advancements are, for example, the development of mechanics under Galileo (1564\u20131642) and Newton (1642\u20131727). Another small epoch seen as a golden age is the unification of electricity, magnetism, and optics because of 19th century notables, including Faraday, Maxwell, and others.Significant advancements in methods of investigation were introduced for celestial mechanics, which includes realizing a universal gravitational force, with the introduction of the telescope. Basing mechanics on experimental results was possible with the development of devices that could measure time, and tools for measuring distance. The advances in electromagnetism in the 19th century enamored physicists, as another golden age closed, and there was a reluctance to perceive further advancement. Hence, the progress of one era, termed a \"golden age\" has appeared to mark the completion of physics as a science. Yet, this perception has turned out to be erroneous. For example, around 1980, Stephen Hawking predicted the end of theoretical physics within 20 years. Around 2001, he amended his prediction to twenty years more from that year. Steven Weinberg predicts a unified physics by 2050. Tadeusz Lulek, Barbara Lulek, and A. Wal \u2013 the authors of a 2001 book \u2013 believed themselves to be at the beginning of a new \"golden age of physics\".Paul Davies notes that whilst \"many elderly scientists\" may regard the first 30 years of the 20th century as a golden age of physics, historians may well, instead, regard it to be the dawning days of \"the New Physics\".The golden age of physics was the 19th century. According to Emilio Segr\u00e8, in Italy it came to an end in the 18th century, after the time of Alessandro Volta.  He reported in his autobiography that Enrico Fermi felt that it was coming to an end in 1933.  A golden age of physics began with the simultaneous discovery of the principle of the conservation of energy in the mid-19th century.  A golden age of physics was the years 1925 to 1927.  The golden age of nonlinear physics was the period from 1950 to 1970, encompassing the Fermi\u2013Pasta\u2013Ulam\u2013Tsingou problem and others.  This followed the golden age of nuclear physics, which had spanned the two decades from the mid-1930s to the mid-1950s.  A golden age of physics started at the end of the 1920s.The golden age of physics cabinets was the 18th century, with the rise of such lecturer-demonstrators as John Keill, John Theophilus Desaguliers, and William Whiston, who all invented new physics apparatus for their lectures.\n\nSee also\nGolden age of general relativity\nGolden age of cosmology\nGolden age (metaphor)\nPassage 5:\nThe Vault of Horror (film)\nThe Vault of Horror (otherwise known as Vault of Horror, Further Tales from the Crypt and Tales from the Crypt II) is a 1973 British anthology horror film directed by Roy Ward Baker, and starring Terry-Thomas, Dawn Addams, Denholm Elliott, Curd J\u00fcrgens, Tom Baker, Michael Craig, Terence Alexander, Glynis Johns, Mike Pratt, Robin Nedwell, Geoffrey Davies, Daniel Massey and Anna Massey. None of the film's stories are actually from Vault of Horror comics. All but one appeared in Tales from the Crypt, the exception being from Shock SuspenStories. The film omits the Vault Keeper character from the comics.\n\nPlot\nIntro\nFive strangers board a descending lift, one by one, in a modern office block in London. They reach the sub-basement, though none of them have pressed for that destination. There they find a large, elaborately furnished room that appears to be a gentlemen's club. The lift door has closed; there are no buttons to bring it back, nor any other exit. Resigned to waiting for help, they settle down with drinks and talk. The conversation turns to dreams, and each man tells of a recurring nightmare.\n\"Midnight Mess\" (Tales from the Crypt #35)\nHarold Rogers tracks his sister Donna to a strange village, and kills her to claim her share of the family inheritance. After settling down to a post-murder meal at the local restaurant, he discovers the town is home to a nest of vampires: Donna is not as dead as he thinks, and he becomes the dish of the night when his jugular vein is tapped out as a beverage dispenser (this last scene is blacked-out in the U.S. DVD release).\n\"The Neat Job\" (Shock SuspenStories #1)\nThe obsessively neat Arthur Critchit marries Eleanor, a \"young\" trophy wife who is not quite the housekeeper he hoped for. His constant nagging about the mess she makes eventually drives her mad. Upon his shouting at her, \"Can't you do anything neatly? Can't you?\", she finally snaps and kills him with a hammer, then cuts up the corpse and puts all the different organs into neatly labelled jars.\n\"This Trick\u2019ll Kill You\" (Tales from the Crypt #33)\nSebastian is a magician on a working holiday in India, where he and his wife Inez are searching for new tricks. Nothing impresses until he sees a girl charming a rope out of a basket with a flute. Unable to work out how the trick is done, he persuades her to come to his hotel room, where he and his wife murder her and steal the enchanted rope. Sebastian plays the flute, and the rope rises; realizing that they have discovered a piece of genuine magic, the couple begin plans to work it into their act. Inez experiments with climbing the rope, only to disappear with a scream. An ominous patch of blood appears on the ceiling, and the rope coils round Sebastian's neck and hangs him. Their victim reappears alive in the bazaar.\n\"Bargain in Death\" (Tales from the Crypt #28)\nMaitland is buried alive as part of an insurance scam concocted with his friend Alex. Alex double-crosses Maitland, leaving him to suffocate. Two trainee doctors, Tom and Jerry, bribe a gravedigger to dig up a corpse to help with their studies. When Maitland's coffin is opened, he jumps up gasping for air, scaring Tom and Jerry who run out into the middle of the road in front of Alex's car, which crashes into a tree and explodes. The gravedigger kills Maitland, and when trying to close the sale of the corpse apologizes to Tom and Jerry for the damage to the head.\n\"Drawn and Quartered\" (Tales from the Crypt #26)\nMoore is an impoverished painter living in Haiti. When he learns that his paintings have been sold for high prices by art dealers Diltant and Gaskill after being praised by critic Fenton Breedley, all of whom told him that they were worthless, he goes to a voodoo priest and his painting hand is given voodoo power; whatever he paints or draws can be harmed by damaging its image. Rather awkwardly, these events coincide with his completing a self-portrait, which he keeps under lock and key to prevent the magic from turning on him. Returning to London, Moore paints portraits of the three men who cheated him, and mutilates the paintings to exact his revenge. He is also obliged to put his own portrait out in the open, because leaving it in an airless strongbox nearly suffocated him. A workman subsequently drops a can of paint thinner on the picture through a skylight, and Moore, as a result of the voodoo, suffers a correspondingly messy death.\nFinale\nWhen the story of the final dream is told, the five ponder the meaning of their nightmares. The lift door opens, and they find themselves looking out onto a graveyard. Rogers, Critchit, Maitland, and Moore walk out into the graveyard and disappear one by one. Sebastian remains behind and explains that they are all damned souls compelled to tell the stories of their evil deeds for all eternity. He then turns back into the room, which is now a mausoleum, walks towards the casket and disappears himself. Then the door slams shut.\n\nCast\nDaniel Massey as Harold Rogers\nTerry-Thomas as Arthur Critchit\nCurd J\u00fcrgens as Sebastian\nMichael Craig as Maitland\nTom Baker as Moore\nAnna Massey as Donna Rogers\nGlynis Johns as Eleanor Critchit\nDawn Addams as Inez\nEdward Judd as Alex\nDenholm Elliott as Diltant\nRobin Nedwell as Tom\nGeoffrey Davies as Jerry\nTerence Alexander as Fenton Breedley\nJohn Witty as Arthur Gaskill\nJasmina Hilton as Indian Girl\nIshaq Bux as Fakir\nJohn Forbes-Robertson as Wilson\nMaurice Kaufmann as Bob Dickson\nArthur Mullard as Gravedigger\nMike Pratt as Clive\nMarianne Stone as Jane\nErik Chitty as Old Waiter\nTommy Godfrey as Landlord\nJerold Wells as Waiter\n\nProduction\nIn the segment \"Bargain in Death\", Maitland can be seen reading a copy of the novelisation of the earlier Amicus film Tales from the Crypt (1972). The same installment features Geoffrey Davies and Robin Nedwell, who both appeared in the British TV show Doctor in the House. \"Midnight Mess\" features a brother and sister as characters. They are played by real-life brother and sister Anna Massey and Daniel Massey, whose parents were actors Adrianne Allen and Raymond Massey.\n\nFilming\nThe film was shot on location and at Twickenham Studios.\nThe tower featured in the opening scenes is the Millbank Tower in London.\n\nRelease\nReception\nRoger Greenspun of The New York Times was dismissive, writing that of the several distinguished actors who appeared in the film, \"none is ever quite so bad as the material warrants.\" Variety wrote, \"Quality for the material is uneven, ranging from camp comedy to the belabored grotesque ... Performances, given the limited nature of the script, are above par for this sort of exercise.\" Kevin Thomas of the Los Angeles Times called the film \"a very tepid, static affair despite the presence of many luminaries of the English stage and screen.\" Tom Milne of The Monthly Film Bulletin wrote that the film was \"even less satisfactory\" than Tales from the Crypt, \"mainly because the Freddie Francis atmospherics have been replaced by pedantically flat direction by Roy Ward Baker in which each story plods squarely through yards of exposition before erupting in all too brief explosions of Grand Guignol.\"Halliwell's Film Guide described the film as \"plainly but well staged.\" Jeremy Aspinall of Radio Times gave the film three stars out of five, describing it as a \"suitably ghoulish companion piece to the excellent Tales from the Crypt\", \"fiendishly fun\", with \"a touch of class in the cast\", concluding \"if you like your fright fables darkly droll, then this should certainly do the trick.\"\n\nDVD and Blu-ray releases\nTogether with Tales from the Crypt, The Vault of Horror was released on a Midnite Movies double feature DVD on 11 September 2007. The version used is the edited U.S. theatrical PG re-release (the original theatrical release in the U.S. was the unedited R-rated version), which replaces some of the gorier scenes with still images (notably the final shot of \"Midnight Mess\" showing Daniel Massey's neck being tapped for blood, and Terry Thomas dropping from a hammer blow in \"The Neat Job\") to receive an MPAA PG rating. The U.K. Vipco DVD release featured the original unedited U.K. print.\nAn uncensored version was first shown on the British TV channel Film4 on 25 August 2008, and later released by Scream Factory on a double-feature Blu-ray with Tales From The Crypt. Questions have been raised as to if these prints are still missing a scene in which the characters who walk to the graveyard are seen with dead, skeletal faces. It may be that this shot has been lost; no prints containing it have ever surfaced, and there is no evidence it was ever included in the final release prints, as even the original unedited prints that have surfaced do not include a scene resembling the photo. It also has been widely speculated that the image was just a photo taken for promotional purposes and was never a filmed scene, as Curd J\u00fcrgens' character is portrayed by a different actor in the photo. J\u00fcrgens' character is the main focus of the end sequence; hence, some have stated that a scene is unlikely to have been filmed with a different actor portraying the character, for audiences would have noticed the change.\nPassage 6:\nBroadway: The Golden Age, by the Legends Who Were There\nBroadway: The Golden Age is a 2003 documentary film by Rick McKay, telling the story of the \"golden age\" of Broadway by the oral history of the legendary actors of the 1940s and 1950s, incorporating rare lost footage of actual performances and never-before-seen personal home movies and photos.  This was the final film Sally Ann Howes starred in before her death in 2021.\n\nSubjects\nThe film includes interviews (filmed over a span of six years) with the following people:\n\nThe intrinsic value of the documentary as a historical record is underscored by the fact that seven of the interviewees (Hume Cronyn, Uta Hagen, Al Hirschfeld, Kim Hunter, Ann Miller, Harold Nicholas and Gwen Verdon) died before the film was released in June 2004, and another 51 interviewees have died since then (as of September 2021). Filmmaker Michael Stever shared some noteworthy recollections of his 3+ years as UPM with McKay after his passing in 2018.\n\nReception\nBroadway: The Golden Age won the Audience Award for Best Documentary at the Palm Beach International Film Festival, the Audience Choice Award for Best documentary at the Santa Barbara International Film Festival, and the Audience Award and Festival Award at the San Diego Film Festival, both for Best Documentary.\nIn 2006, McKay was honored with a Special Award for his work on the film by the New England Theatre Conference with the New England Theatre Conference Special Contribution to Theatre Award.\n\nSequel\nA sequel by the name of Broadway: Beyond the Golden Age had been in development since the release of the original documentary. McKay successfully funded a Kickstarter campaign in 2017 to help get the film completed, but his untimely passing in 2018 made its future uncertain. It premiered August 14, 2021 on PBS as part of Great Performances.\nPassage 7:\nTales from the Golden Age\nTales from the Golden Age (Romanian: Amintiri din epoca de aur) is a 2009 Romanian omnibus film. It was screened as part of the Un Certain Regard section at the 2009 Cannes Film Festival.The film is composed of six whimsical yet blackly comic short stories, each one set in the late communist period in Romania and based on urban myths from the time, reflecting the perspective of ordinary people. The title of the film refers to the alleged \"Golden Age\" (by communist propaganda) of the last 15 years of Nicolae Ceau\u0219escu's regime.  Each episode concludes with \"legend tells us ... \", each item being legend because, of course, no such thing could have happened during the \"Golden Age\".\n\nEpisodes\nThe Legend of the Official Visit (Romanian: Legenda Activistului \u00een Inspectie)\n\nAlexandru Potocean - The Secretary\nTeodor Corban - The Mayor\nEmanuel Parvu - The Party InspectorLocal Party officials scurry into action when a motorcade of VIPs and foreign dignitaries promises to pass through the village. A government official arrives and attention is paid to the smallest detail, yet the people are let down when a phone call reveals the motorcade is no longer coming. With everyone disconsolate and the worse for drink, the official orders everyone to ride together on the children's carousel, but as the mayor passes out, they realize that there is no one to switch the machine off and get them down. Legend tells that they were all still trapped there when the motorcade did after all pass through.\nThe Legend of the Party Photographer (Romanian: Legenda Fotografului Oficial)\n\nAvram Birau - The Photographer\nPaul Dunca - The Photographer's Assistant\nViorel Comanici - The Party SecretaryNewspaper editors and Party officials fret over a photograph of Ceau\u0219escu and the visiting Giscard d'Estaing to be published in tomorrow's paper. Much argument is had over how best to doctor the photograph to make Ceau\u0219escu appear taller than d'Estaing, and whether he should be wearing a hat. Pressure is mounting as the deadline to get the paper out to the workers approaches.  A hat is duly provided for Ceau\u0219escu in the photograph, but no one notices until too late that he was already carrying one, leaving the image of him comically carrying one hat while wearing another.  Police are sent out to retrieve all the copies that had been sent out.  One copy is left uncollected on a train, and its reader laughs at the picture.  Legend tells us that this was the only time that the paper, Sc\u00eenteia, did not reach the workers.\nThe Legend of the Zealous Activist (Romanian: Legenda Politrucului Zelos)\n\nCalin Chirila - The Party Activist\nRomeo Tudor - The ShepherdThe audience at a large county level Communist Party meeting is told by an outside official that their county, home to four notables that he names, has an unacceptably low literacy rate in its villages and towns.  He urges the young activists to spare no effort to remedy this disgrace.  One such activist is next seen being driven out to a remote village until the washed out road forces him to complete the journey on foot over difficult territory.  The first person he meets is a shepherd.  He wastes no time establishing himself as a know-it-all, informing the shepherd that his cooking method is dangerous.  He heads into town to meet the mayor, who offers various excuses, such as lack of electricity and the demands of farm work, for the poor attendance at the local school and other problems.  The activist will accept no excuse insisting that all illiterate locals old and young must come in for class.  Only a few children attend the first session when the activist insists that the mayor round up the adults.  Some come; others, including the shepherd, send food items instead.  A boy who has learned to read starts reading labels and warning signs to the shepherd, who ignores the information doing what he pleases as always.  The activist, fed up with the shepherd's resistance goes out in the rain to get the shepherd to class.  The activist stops to work on his shoe leaning against a power line tower.  The shepherd, fed up with the activist's meddling, uses the pretext that the activist is being electrocuted by the tower to strike him with his crook.  Next we see the activist, arm in sling, sitting on a cart loaded with food stuffs and chickens, while the mayor reads an appreciative farewell praising the activist and feigning sorrow at his early departure.  On the way out the activist offers his hand to the shepherd who does not accept the gesture but hands him a bag of cheese to say goodbye and good riddance.  Legend tells us that the next year the village reported a literacy rate of 99%.\nThe Legend of the Greedy Policeman (Romanian: Legenda Mili\u021bianului Lacom)\n\nIon Sapdaru - Policeman Alexa\nVirginia Mirea - Policeman's Wife\nGabriel Spahiu - Neighbor\nIngrid Bisu - VivianaA policeman is promised a pig by his brother, but when it is delivered, is found to still be alive. Uncertain how to slaughter a pig, and unwilling to share the pig with their neighbours, the family manage to gas it with butane in their apartment's kitchen. Believing the gas to have completely dissipated, they try to burn the hairs from its corpse with a blow lamp, but instead succeed in blowing up their apartment.  Legend tells us that the family used what remained of the animal for the seasonal celebrations.\nThe Legend of the Air Sellers (Romanian: Legenda V\u00e2nz\u0103torilor de Aer)\n\nDiana Cavallioti - Crina\nRadu Iacoban - BughiHigh school student Crina meets small-time con-artist Bughi, who ekes a living pretending to be a water inspector: calling door-to-door, he asks residents to provide a sample of their tap water in a bottle they supply, which he turns in for the deposit. She joins him on one of his trips, but persuades him that collecting multiple air samples will be faster. They discuss how many bottles it would take to buy a car, if not a Dacia then an inferior L\u0103stun.  Their scheme unravels when they become overambitious and try to scam an entire apartment block out of its bottles.  Legend tells us that with the end of Communism, Romanians bought Dacia cars with empty bottles.\nThe Legend of the Chicken Driver (Romanian: Legenda \u015eoferului de G\u0103ini)\n\nVlad Ivanov - Grigore\nTania Popa - Camelia\nLiliana Mocanu - MarusiaA poultry truck driver, disillusioned with his loveless marriage, tries to win the heart of the manageress of a roadside inn. He brings her the eggs laid overnight by the chickens in his truck, but the two of them realize with Easter coming up, it would be more profitable to sell them on to the general public instead. Their scheme collapses when he is found out and jailed for embezzlement. He is eventually permitted a visitor to his prison, though it proves to be not his mistress, but his angry wife.  Legend tells us that many Romanians were forced to steal to survive during the 80s.\n\nSee also\nRomanian New Wave\nCinema of Romania\nPassage 8:\nTales from the Crypt\nTales from the Crypt may refer to:\n\nTales from the Crypt (album), by American rapper C-Bo\nTales from the Crypt (comics), published by EC Comics during the 1950s\nTales from the Crypt (film), a 1972 Amicus film starring Ralph Richardson partially based on the comic book\nThe Vault of Horror, also known as Tales from the Crypt II, a 1973 sequel starring Terry-Thomas, Dawn Adams, Denholm Elliott, and Curt Jurgens also partially based on the comic book\nTales from the Crypt (TV series), a horror anthology series that ran from 1989 to 1996 based on the comic book\nTales from the Crypt (radio series), an American radio series spun off from the TV series\nDemon Knight, also known as Tales from the Crypt: Demon Knight, a 1995 film starring Billy Zane, William Sadler and Jada Pinkett Smith that acted as a spin-off from the television series\nBordello of Blood, also known as Tales from the Crypt Presents: Bordello of Blood, a 1996 film starring Dennis Miller, Erika Eleniak, Angie Everhart and Corey Feldman based on the television series\nRitual (2002 film), also known as Tales From the Crypt Presents: Ritual, the fifth installment (third of the HBO spinoffs) in the series starring Tim Curry, Jennifer Grey and Craig Sheffer\n\nSee also\nList of Tales from the Crypt episodes\nTales from the Crib, the first full-length album by Canadian punk band d.b.s.; it was released in 1995\nTales from the Cryptic, a 2002 album by accordionist Guy Klucevsek and saxophonist Phillip Johnston\nTales from the Cryptkeeper, a 1993 animated TV series based on the Tales of the Crypt movies and comics\nPassage 9:\nTales from the Crapper\nTales from the Crapper is a 2004 American straight-to-video anthology film that was a spoof of the Tales from the Crypt comics. The film was released by Troma Entertainment.\n\nPlot\nTroma Entertainment co-founder and B-movie director and producer Lloyd Kaufman plays the Crap Keeper. He presents the viewers with two horror stories that contain gore, nudity, fat men, talking penises, lesbian scenes, vampires, UFOs, and appearances by porn star Ron Jeremy and the band New Found Glory. The film was purportedly shot over three years with six directors and close to fifteen writers.\n\nCast\nProduction\nThe film started pre-production in early 2001, after a successful digitized web-comic starring Yaniv Sharon entitled Tales From the Crapper hit the Troma website. After the three-part comic was done, Troma President Lloyd Kaufman wanted a real series on their website to be made. A contract was done with India Allen, who had recently produced and directed the film The Rowdy Girls which Troma distributed. The budget for the first season was $200,000 USD.\nAfter more than a year of production, Troma received the footage that was shot and it was unwatchable. In some cases, there was missing sound, the camera-work seemed unprofessional. All of the episodes were unfinished. Lloyd Kaufman and Michael Herz were even more displeased when they found out that the entire budget was gone. In order to salvage the project, Lloyd Kaufman got former Troma alumni to re-work the script and find new uses for the footage shot. In 2003, re-shooting began both in Los Angeles and New York with Kaufman overseeing production. Gabriel Friedman, Troma's editor at the time, had made a list of the shots that were needed for the rewrites that they were working on. Despite Friedman and Kaufman being clear on what to do, many problems arose as well in the re-shoot with incompetent crew members. This led to years of post-production.  In order to make scenes fit together and due to the lack of sound on most of the footage, many scenes had to be re-dubbed. Both segments, which started out as horror films with a slice of comedy, had now become over-the-top comedy.\n\nSee also\nTroma Entertainment\nLloyd Kaufman\nTales from the Crypt\nPassage 10:\nTales from the Vienna Woods (disambiguation)\nTales from the Vienna Woods (\"Geschichten aus dem Wienerwald\") is a waltz by Johann Strauss II.\nTales from the Vienna Woods may also refer to:\n\nTales from the Vienna Woods (play), a 1931 play by \u00d6d\u00f6n von Horv\u00e1th\nTales from the Vienna Woods (1928 film), a German silent film\nTales from the Vienna Woods (1934 film), an Austrian musical film\nTales from the Vienna Woods (1979 film), an Austrian drama film", "answers": ["Su-Ki-Da"], "length": 5606, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "339cb93913d08713e8202ffe6e4043f35e844ac9b7de591d"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.