This is a script written in response to this requirement "Identify and Analyse "Four Weddings and A Funeral" screenplay by Richard Curtis and discuss the different strategies and approaches to their writing, including: - Exposition (Eg.,1. Dialogue
2. Narration (often voice-over) , 3. Mise-en-scene, 4. Text or title cards, 5. Flashback, 6. Show, don’t tell, 7. Weave exposition into rising action, 8. ADD to your visuals, 9. Create characters who act as stand-in for the audience, 10. Use arguments to your advantage, 11. Be brief - less is more, 12. Give your characters subject-matter expertise (rule of plausibility), 13. Exposition is a double-edged sword - it cuts both ways)
- Opening stakes vs last-stage stakes?; Story Structure (eg., The Classic Story Structure, The Hero’s Journey, The Seven-Point Structure, The Three-Act Structure, , The Snowflake Method, A Disturbance and Two Doors, The Story Circle, Freytag’s Pyramid, Fichtean Curve); story elements (eg., 1. PREMISE, 2. CHARACTERCHARACTER, 3. CONFLICT, 4. GROWTH, 5. RESOLUTION); Plot vs Story (eg., plot points, acts, sub-plots etc.); Premise 
- structure: organization, settings, characters, stage directions, special features
- story: given circumstances, dramatic action, pace, arc
- character: status, function, relationships, objectives and obstacles, arc
- text: structure of dialogue, function of dialogue, word choice, characteristics of dialogue
- overall themes and genres: idea, philosophy, atmosphere, central image, audience". The current script:  "[Segment 4: “Four Weddings And A Funeral” and “Love Actually” screenplays analysis]
[Scene Transition: Clips of "Four Weddings and a Funeral"]
[Summary of the film] Here’s the synopsis of “Four Weddings and a Funeral”:  Lovable Englishman Charles (Hugh Grant) and his group of friends seem to be unlucky in love. When Charles meets a beautiful American named Carrie (Andie MacDowell) at a wedding, he thinks his luck may have changed.
But, after one magical night, Carrie returns to the States, ending what might have been. As Charles and Carrie's paths continue to cross - over a handful of nuptials and one funeral - he comes to believe they are meant to be together, even if their timing always seems to be off.
[Structure & Story]
[Four Weddings and a Funeral] Curtis masterfully employs a cyclical structure, weaving a narrative around five social gatherings – (Four Weddings and a Funeral). Each wedding acts as a distinct setting, introducing a vibrant cast of characters and propelling the central story of Charles (Hugh Grant), a commitment-phobic man repeatedly finding himself drawn to the same woman, (Carrie) (Andie MacDowell). The film's pace is brisk, punctuated by humorous mishaps and romantic near-misses.
[Character] [Charles] Curtis paints a relatable portrait of Charles through internal conflict and vulnerability. His stuttering dialogue and awkward demeanor endear him to the audience, making his pursuit of love all the more captivating.
[Themes & Genre]
This film is a romantic comedy at its core, but it also explores themes of friendship, self-discovery, and the impermanence of life. The recurrent motif of weddings and funerals underscores the film's message about seizing opportunities for connection before it's too late.
But there's feedback that the script is still too general, not detailed and insightful enough, and also the characters part reduced to only mention Charles. Help me to fix this, see how to fully satisfy every aspect int he requirements by ADJUSTING THE CURRENT LINES/ADDING NEW LINES. Provide a revised version.