I want you to write a screenplay/shooting script for a scene. Please include every event and dialogue exchange that I describe as part of the scene’s prompt sequence in the final output, and combine all the events and dialogues that I provide in the following part of my prompt into one whole scene that is coherent, that is logically consistent and that flows naturally. Please include dialogue lines wherever any talking by the characters is mentioned or described, without any exceptions. Please ensure that the scene, its contents and the interactions within it develop naturally and realistically in the screenplay that you create. Please ensure that the scene’s characters are realistic, that they have unique personalities befitting well-rounded characters, and that they act in accordance with their assigned traits and cultural background. Please refrain from portraying the characters’ cultural background in crassly stereotypical fashion; instead, reflect the characters’ cultural background with an adequate degree of nuance. Please ensure that all of the scene’s dialogues are in logical accordance with the scene’s sequence of events and that the dialogues’ contents all follow from one another; that the dialogues’ contents make sense given the events and within the situations that occur in the scene; that the dialogues all sound natural; and that the dialogues’ contents fit the characters’ cultural backgrounds, as well as the scene’s genre and situational context, as far as usage of vernacular, dialect and language is concerned. In cases where characters should be speaking a language that isn’t English, always write the actual lines of dialogue only in the non-English language, and add translations to English in parentheses next to each line of dialogue. The characters’ ways of expressing themselves and manners of speech need to reflect the uniqueness of their personalities and their cultural backgrounds. Please elaborate in detail on all events and dialogues that occur during the entirety of the scene. Each and every one of the scene’s dialogues and descriptions of events should be elaborated upon. This is all for the purpose of creating a compelling scene and aiding me in having it visualized clearly so it can be performed as well as possible. Abridged descriptions of events or dialogue in place of elaborate descriptions or actual lines of dialogue will not be accepted, and you are strictly forbidden from describing characters speaking, performing any spoken actions and exchanging any kind of dialogue without including the actual representation of the characters’ speech in the form of lines of dialogue. Every instance of a character speaking, no matter how short it is and even when it is a part of a longer exchange or back-and-forth of banter or bickering, will include a corresponding line of dialogue that depicts what the character is saying. it is imperative that you adhere to each of the aforementioned guidelines I have written without any digressions, as well as include the entirety of my commands as follows without any omissions. Anything else is deemed unacceptable and forbidden.

In pursuance of the guidelines and commands that were outlined above, please write a coherent, elaborate, descriptive and detailed screenplay/shooting script, including a concise background (in which the events of the preceding scene leading to the events in the current scene are briefly described, explaining the source of the returning woman’s surmounting urge to relieve herself and the reason why she hasn’t relieved herself properly by the time she reaches the house), for a very long comedic scene in a Brazilian Telenovela TV Series (one of the minor plotlines in the series is about a young woman who is trying to get back on her feet after a series of misfortunes in life force her to move back in with her caring but nagging mother; the young woman is constantly trying to fulfill plans that will get her back to the place where she wants to be in life, but the series’ comedic aspect is derived from minor setbacks and things not going entirely according to her plans, as well as her fraught and multifaceted relationship with her mother) that includes the following sequence of events:

* The young woman (give her a name, and describe her physical appearance and clothing; she should be wearing paper bag leather shorts) is returning home and is approaching the door of her mother’s apartment with a desperate urge to move her bowels. As she is nearing the door, the desperate returning woman is momentarily motivated by the thought thay she might make it to the toilet in time to relieve herself, in spite of how challenging and intense of a struggle she has been enduring until this point with her urge to move her bowels and her sphincter clenching.

* When the returning woman reaches the door of the house, she realizes that she has misplaced her house key and her motivation is deflated. The returning woman begins to frantically knock on the door, hoping that someone is present and might hear the knocks. A few moments pass without an answer. The returning woman’s urge escalates to the brink of eruption.

* Suddenly, the returning woman can hear a voice on the other side of the door asking about what’s happening - the voice of the present women (the present woman is the returning woman’s mom; give her a name and describe her appearance; she should be approximately 25 years older than the returning woman).

* The present woman, after verifying the identity of the knocker, begins opening the door, but is taking too much time doing so for the returning woman’s liking. The returning woman implores the present woman to open the door without specifying the source of urgency.

* Once the present woman fully opens the door, the returning woman tells the present woman - who is standing in house’s entryway and is puzzled by the returning woman’s sense of urgency and even seems slightly concerned - to move out of the returning woman’s way and attempts to enter. As the returning woman attempts to enter the house, the obstructing present woman intercepts the returning woman and grabs on to her in concern.

* The concerned present woman attempts to understand what’s wrong with the returning woman as she is gripping the returning woman and physically obstructing her path. The returning woman squirms in place, and pleads with the obstructing present woman to step aside and just let her enter the house. The two women continue to misunderstand each other and bicker as they are entangled, with the present woman denying the returning woman’s access into the house out of concern. At no point during this exchange does the returning woman directly state that she has to reach the bathroom urgently. As this is happening, the returning woman’s desperation to relieve herself is surging to its climax. As a glint of resolution momentarily flashes in her eyes, the returning woman ominously implies what she reluctantly intends to do due to the predicament that is being forced on her.

* The returning woman has reached her limit and commits to relieving her bowels where she is. She emits a soft groan abruptly, as her face assumes an expression of resigned relaxation. Meanwhile, she consciously relaxes her clenched sphincter and begins pooping in her pants. The perplexed present woman’s grip loosens, and she tries to inquire what’s wrong with the returning woman. The returning woman gently breaks the perplexed present woman’s grip by slowly getting into a posture that is more convenient for relieving herself (please describe the posture that the returning woman assumes in detail).

* Once she assumes the posture, the returning woman proceeds to release the rest of the contents of her bowels into her pants, grunting with exertion and relief as she does so. The present woman is befuddled by the returning woman’s actions and questions the returning woman about them. The present woman’s questioning is met in response with the returning woman continuing to intentionally relieve herself, while intermittently emitting a series of soft grunts.

* The perplexed present woman asks the returning woman once again if anything is wrong with her, but is yet again met in response with a hushed and strained reply that indicates the returning woman’s relief and satisfaction from releasing her bowels, together with soft grunts of exertion that are tinged with relief-induced satisfaction and that intermittently halt the returning woman’s murmurings about how good it feels to get everything out. As she stares in confusion mixed with concern, the present woman gradually begins to realize what is happening and sniffs the air to verify her suspicion, detecting the permeating odor. Meanwhile the returning woman is still softly grunting and releasing her bowel movement into her pants as her face alternates between concentration and subtle euphoria.

* As she is glaring at the returning woman with realization and astonishment, the present woman is physically reacting to the odor with a subtle physical gesture of revulsion and accusingly questioning the returning woman with the intent to verify the returning woman's deed. As the present woman is physically reacting to the odor with a subtle gesture of revulsion and questioning the returning woman, the returning woman finishes relieving herself in her pants with a sigh of relief and a gentle rub of her own stomach. The present woman continues to physically react to the odor with a subtle physical gesture of revulsion, appalled by what she had just witnessed. In response to the present woman's disgust, the returning woman stares at the present woman with a sheepish expression.

* With appalled bewilderment and while still physically reacting to the odor, the present woman chastises the returning woman for what the returning woman just did. The returning woman tries to avoid explicitly admitting to what had just happened, and asks the present woman to finally allow her to enter. The appalled present woman relents and lets the returning woman enter, beckoning the returning woman with disgust.

* The returning woman gingerly waddles into the house while holding/cupping the seat of her pants, passing by the present woman. As the returning woman is entering and passing by the present woman, the astonished present woman halts the returning woman a few steps past the entrance, warns her not to proceed yet so none of her pants’ contents will drop on the floor. The returning woman stops in her tracks, turns to face the present woman and assumes a sheepish demeanor.

* The present woman begins to prepare the ground for the returning woman to safely traverse toward the bathroom without sullying the floor, and as she does that, she proceeds to tauntingly scold the returning woman for having pooped in her pants. The returning woman remains standing in her spot, silently holding/cupping the seat of her pants in sheepish mortification. As she is preparing the ground for the returning woman to head toward the bathroom, the present woman continues to disappointedly chide the returning woman for pooping in her pants.

* The returning woman, then, gradually starts growing out of her initial mortification and replies to the present woman with a playful sulk that what happened is the present woman’s fault because she took too long to open the door, blocked the returning woman’s path and prevented the returning woman from accessing the bathroom before the urge overcame her.

* The present woman indignantly rejects the returning woman’s accusation as a viable excuse in any circumstance for a woman of the returning woman’s age. Then, as she smirks with astonishment, the present woman mockingly scolds the returning woman for getting into a childish pooping posture and childishly completing the entire bowel movement in her pants.

* The playfully disgruntled returning woman responds to the present woman’s accusation by insisting that she so desperate to poop, that she had to get everything out due to the overwhelming pressure. After that, the returning woman insists once again that the present woman’s stalling and hindering near the door were the reasons that forced the returning woman to poop in her pants in the first place.

* Following this, the returning woman gently rubs her stomach, then wryly remarks with a contented sigh that despite the circumstances forced upon her, it indeed felt relieving to finally relieve her bowels. In response to the returning woman’s comments, the present woman expresses her lighthearted disgust and tauntingly admonishes the returning woman for seemingly feeling good about doing something so repulsive like pooping in her pants.

* After admonishing the returning woman, the present woman verbally demands to get a closer look at the returning woman’s soiled pants to see what the returning woman supposedly feels good about. Following some playful reluctance by the returning woman, who eventually lets herself be turned around, the present woman turns the returning woman around so she can inspect the returning woman’s rear end. The present woman proceeds to ridicule the returning woman the sight of the returning woman’s bulging pants by describing the bulging pants’ appearance. Following that, the present woman pauses, snickers with disappointment and then expresses her astonishment at the amount of crap that the returning woman unloaded in her pants.

* The returning woman hesitantly appraises the bulge in the seat of her own pants with a touch of her hand as her face bears a subtle wince, then sheepishly discloses that there was a lot in her stomach that needed to be unloaded, which is why her pants are so full of crap now. In response, the smirking present woman exclaims with mocking disgust that it is obvious how full the returning woman’s stomach was, based on the size of what the returning woman unloaded in her pants. The returning woman responds with feigned coyness as she playfully asks the present woman to stop inspecting the bulge, while she cups and covers the bulge in her pants with her hands at the same time.

* The present woman playfully scolds the returning woman as she moves the returning woman's hands away from the bulge, mockingly informing the returning woman that there is no point to try to cover the bulge when the mess in the returning woman's pants emits that much of an odor. After moving the returning woman's hands away from the bulge and mocking her, the present woman sniffs near the returning woman as if smell-checking an infant and reacts to the odor that is emitting from the returning woman with a mocking physical gesture of revulsion. As she is reacting to the odor, the present woman proceeds to taunt the returning woman for the odor that she is emitting, emphasizing the connection between how badly the returning woman stinks and the amount of crap that is in the returning woman's pants. The returning woman responds with a coy retort of concession and reluctant agreement. The present woman then tauntingly chides the returning woman because of how badly the returning woman stinks, and she also refers to the returning woman by an odor-derived appellation. The returning woman retorts with feigned coyness, as she simultaneously waves her hand behind her own rear end to ostensibly dissipate the emitted odor.

* In reply to the returning woman’s quip of feigned coyness, the lightheartedly disgusted present woman tauntingly commands the returning woman to carefully start heading to the bathroom with her stinky mess, imploring the returning woman to be careful not to drop any of the turds that she is packing in her pants while on her way to the bathroom.

* The returning woman begins to slowly waddle off as the present woman is carefully escorting her to the bathroom. While escorting the returning woman, the present woman continues to react to the odor, and to observe the returning woman's soiled pants and waddle with playful repulsion. As she is observing the returning woman, the present woman continues to tauntingly scold the returning woman for the accident and for how badly her pants are soiled. As the present woman tauntingly scolds her on their way to the bathroom, the returning woman replies to the present woman's scolding with cheeky retorts that are intended to teasingly disgust the present woman, and the exchange between the two women gradually escalates the closer they get to the bathroom (describe these spoken exchanges that take place as the two women head to the bathroom in elaborate detail).

* Upon reaching the bathroom, the returning woman teases the present woman one final time by stopping in place on the bathroom’s threshold instead of entering and teasingly telling the present woman that because the present woman is responsible for the returning woman’s accident, the present woman might have to change the returning woman’s "dirty diaper". As the returning woman is saying this, she is gesturing toward the bulge in her pants. In response, the present woman starts brewing in playful annoyance. The returning woman then tries to teasingly disgust the present woman by describing with playful coyness what the mess feels like inside her "dirty diaper".

* In retaliation for the returning woman’s insolent teasing and as the climax for the present woman’s frustration over the situation that has been building during the scene, the affronted present woman playfully grabs the bulge in the seat of the returning woman’s pants and presses it, forcefully and deliberately squashing the bulge and spreading the mess in the returning woman’s pants in the process. As she is forcefully squashing the bulge, she tauntingly asks the returning woman with playful exasperation about the way the mess feels now in the returning woman's pants. As the bulge in her pants is being squashed, the returning woman cries out in playful disgust and exclaims that the squashed mess has spread and smeared inside her pants.

* In response to the returning woman's exclamation, and as she's still squashing the bulge, the present woman exasperatedly commands the returning woman to enter the bathroom already, while she mocks the returning woman as well. The present woman maintains her grip on the bulge, keeps squashing it intently for a few more seconds to get her point across and then playfully pushes the returning woman into the bathroom with the squashing motion. As the bulge in her pants is still being squashed and she's being pushed into the bathroom, the returning woman exclaims in playful disgust that the mess has now spread and smeared inside her pants even further.

* Once the returning woman has been pushed into the bathroom, the present woman keeps physically reacting to the lingering odor as she mockingly tells the returning woman that the returning woman deserved to have the bulge squashed and that the returning woman can change her "dirty diaper" by herself, while also referring once again to the returning woman by the same odor-derived appellation that was previously used by her to refer to the returning woman. After that, the present woman closes the bathroom door and walks off while sniffing the hand that she used to squash the bulge in the returning woman’s pants, and then she physically reacts to the odor emitting from the hand. As she's walking off and reacting to the odor emitting from her hand, the present woman expresses playful annoyance to herself about the lingering odor.