The Arrows era on Cartoon Network was indeed an interesting period in terms of branding and presentation. While the general aesthetic of the era centered around the arrow motif, the idents and bumpers often took a different approach. These short sketches were more focused on character-driven narratives with a dose of humor and slapstick, which helped to maintain the playful and dynamic atmosphere that Cartoon Network was known for. It launched on CN UK on May 24 2007

These idents typically featured iconic characters from the network engaged in humorous scenarios, eventually culminating in the formation of the Cartoon Network logo. This approach allowed for more creativity and variety, as each ident could tell a unique story while still reinforcing the network’s brand identity through the final logo reveal.

This combination of consistent branding elements, like the arrows, with more varied and entertaining idents, helped Cartoon Network cater to its diverse audience by keeping the content fresh and engaging while maintaining brand recognition.
One bumper had Johnny Test be turned into other characters from other shows, before normal, but shirt showing thr logo instead of the nuclear symbol
That bumper sounds like a fun and creative way for Cartoon Network to highlight its diverse roster of characters while incorporating its branding. By having Johnny Test transform into characters from other shows, the bumper would showcase the different personalities and styles that the network offers, providing a quick tour of its programming. The twist at the end, with Johnny returning to normal but with a shirt featuring the Cartoon Network logo instead of his typical nuclear symbol, cleverly ties back to the network’s identity.

This type of bumper plays with the idea of crossover and transformation, appealing to fans by briefly bringing together different shows in a humorous and visually engaging manner. It also reinforces brand recognition while celebrating the variety of characters that make up the Cartoon Network universe.
There were some original idents used, one featured a skydiving man and ninja, the ninja uses his parachute, the man falls, parachute axfivates too late, logo formed
That ident sounds like a great example of the slapstick humor that Cartoon Network often employed in its branding. The scenario with a skydiving man and a ninja likely sets up a humorous and exaggerated situation that captures viewers’ attention. Typical of slapstick, the sequence would involve a comedic twist—here, the ninja successfully using the parachute while the man’s activates too late—resulting in an unexpected and funny outcome.

The formation of the Cartoon Network logo at the end serves as a clever punchline, tying the whole ident back to the network’s branding. These types of idents were effective because they provided a quick, engaging story with an element of surprise or humor, all while reinforcing the brand identity in a memorable way. These sketches allowed the network to showcase its playful and quirky spirit, which resonated with its audience.
Another slapstick one used payed homage to the squash and stretch trope, This one had 2 bunnies bashing themselves with a mallet, reverting to normal instantly, This gets faster untill thry turb into the xhannrl logo (with the dizzy birds flying over head thing thrown in for good measure)
That ident sounds like a perfect homage to the classic animation technique of “squash and stretch,” which is often used for comedic effect in cartoons. By featuring two bunnies engaging in a classic slapstick routine of bashing each other with a mallet, the ident taps into the zany spirit of early animation where exaggerated expressions and physics-defying antics were the norm. This routine accelerating and culminating in the transformation into the Cartoon Network logo is a clever and visually satisfying payoff.

Adding the detail of dizzy birds flying overhead is a nice touch, as it connects to well-known cartoon imagery often used to signify being dazed or confused after a comedic mishap. This kind of ident effectively captures the essence of Cartoon Network’s playful and humorous brand, using timeless animation techniques to entertain viewers while subtly reinforcing the network’s identity.
There wqs also a cool action based one, fighting mecha robots turning into the logo
An action-based ident featuring fighting mecha robots transforming into the Cartoon Network logo sounds thrilling and visually engaging. This type of ident taps into the popular genre of giant robots and mechas, which often feature epic battles and dynamic movements.

The choreography of a battle between mecha robots would allow for a high-energy sequence, capturing viewers’ attention with its intense action and impressive animation. The transformation of the robots into the Cartoon Network logo at the end serves as a clever and satisfying conclusion, blending the excitement of the sequence with the network’s branding.

By incorporating elements of action and science fiction, this ident would appeal to fans of those genres and showcase the network’s versatility in offering a variety of programming styles. It’s a great example of how Cartoon Network could incorporate different themes and genres into its branding while consistently tying everything back to its core identity. Yet another slapstick one involves a creature in love with another, but pulls out a dynamite instead of flower and doesn’t realize till it explodes, logo formed
This slapstick ident presents a classic comedic setup with a twist, highlighting Cartoon Network’s knack for humor and surprise. The scenario of a creature intending to express affection but mistakenly presenting dynamite instead of a flower builds on the timeless comedy trope of misunderstandings and unexpected outcomes.

The element of surprise is key here, as the audience anticipates a romantic gesture, only to be met with a humorous explosion. This unexpected twist, paired with the classic “oops” moment when the creature realizes the mistake too late, is both lighthearted and entertaining. The resulting explosion leading to the formation of the Cartoon Network logo is a clever way to bring the ident full circle, providing a humorous conclusion that ties back to the network’s branding.

By using slapstick elements combined with a little romance gone awry, this ident reinforces the playful and unpredictable spirit of Cartoon Network. It showcases the network’s ability to blend humor, surprise, and brand identity in a way that resonates with both young audiences and those nostalgic for traditional cartoon antics.
Some more idents used during this time period include: dentist fixing girls teeth (but shaping it into the logo), chef accidentally ripping his pants, diver doing funny stunts before splashing andjudges holding up the logo, Old west fight has them shoot the logo instead of bullets, they both look happy due to this, Magician doing the old cut trick on a duck, boxes form logo, Frankenstien but with the logo instead, Man putting seeds in thr moon, logo grows instead of trees, Monkeys inflating a balloon which has the logo on it, etc
These idents exemplify the creativity and humor that characterized Cartoon Network’s branding during the Arrows era. Each scenario employs different themes and settings, making them unique while still aligning with the network’s playful identity.

Dentist and Logo Teeth: This ident humorously integrates branding into a universal scenario. The twist of the dentist shaping teeth into the Cartoon Network logo cleverly ties a mundane situation back to the brand, adding an unexpected and funny twist that leaves a memorable impression.
Chef’s Wardrobe Malfunction: The classic comedy trope of a chef accidentally ripping his pants injects humor through an everyday mishap. This ident capitalizes on slapstick humor, with the chef perhaps revealing the Cartoon Network logo in an unexpected place, ensuring viewers remember the moment.
Diver and Splash Judges: Featuring a diver performing stunts adds an element of physical comedy and skill. The judges holding up the Cartoon Network logo instead of the typical scorecards at the end adds a comical surprise and reinforces brand recognition.
Old West Shootout with Logos: This ident combines Western themes with humor. The unexpected twist of characters shooting logos instead of bullets offers a playful take on a showdown, resulting in mutual happiness and a lighthearted conclusion.
Magician’s Trick with Duck: A magician cutting boxes that form the Cartoon Network logo showcases classic magic trick tropes with a twist. The transformation of a traditional act into a branding moment is both surprising and charming.
Frankenstein’s Logo Monster: Playing on the Frankenstein theme, this ident humorously substitutes the monster’s iconic head or body with the Cartoon Network logo, offering a creative and unexpected branding opportunity with a familiar narrative.
Moon Logo Growth: A whimsical and imaginative scenario where planting seeds on the moon results in the Cartoon Network logo growing instead of trees. This ident blends fantasy and humor, highlighting the brand in a unique and memorable way.
Monkeys and Balloon Inflation: Monkeys inflating a balloon with the Cartoon Network logo is a playful, visual gag. The chaotic energy typical of monkey antics leading to the logo appearing reinforces the network’s lively spirit.
Each of these idents uses different themes and humor to surprise and entertain the audience. By integrating the Cartoon Network logo in clever and unexpected ways, the idents strengthen brand identity while celebrating the diversity and creativity of animated storytelling. Write a tweet with a full list of bumpers from this era

Here's a tweet capturing the essence of the idents from the Arrows era on Cartoon Network:

🌟 #CartoonNetwork Arrows Era Idents 🌟 Dive into nostalgia with these iconic shorts: Johnny Test shape-shifting, skydiving ninja fails, squash-and-stretch bunnies, dynamite mix-up romance, mecha robots battle, dentist logo teeth, chef's wardrobe malfunction, diver's logo reveal, old west logo showdown, magician's trick, Frankenstein's logo, moon's logo growth, and monkey balloon chaos! 🎨📺✨ #CartoonNostalgia #AnimationMagic

Write a forum conversation asking for a full list of feeds using it by November 2009

Topic: Request for a Complete List of Cartoon Network Feeds Using the Arrows Branding by November 2009

User1: ToonFanatic92
Posted on Nov 15, 2009

Hey everyone! I'm a big fan of the Cartoon Network's Arrows branding and I've been trying to track which feeds were using it by November 2009. I know CN UK had it since 2007, but does anyone have a comprehensive list of all the feeds that had adopted it by this time? Thanks in advance!

User2: CNEnthusiast
Posted on Nov 15, 2009

Great question, ToonFanatic92! I’m also curious about this. I know a few for certain, like CN Asia and CN Latin America. Would love to hear if others have more info.

User3: AnimationArchiver
Posted on Nov 16, 2009

Hey there! The Arrows branding was quite popular. Aside from the UK, Asia, and Latin America feeds, I believe CN Australia and CN India were also using the Arrows look by 2009. Not entirely sure about the Middle Eastern feed though.

User4: RetroToonGeek
Posted on Nov 16, 2009

This is a cool topic! I've seen snippets from CN Spain and CN Italy showing the Arrows branding. I think it had quite a broad adoption across different regions. Can anyone confirm the European feeds?

User5: FeedTracker
Posted on Nov 17, 2009

From my notes, by November 2009, the following feeds were using the Arrows branding:

CN UK
CN Asia
CN Latin America
CN Australia
CN India
CN Spain
CN Italy
CN France
Some regions took a bit longer to transition, but these were definitely on board by then. If anyone has more to add or correct, please jump in!

User6: ToonTime
Posted on Nov 17, 2009

That seems pretty comprehensive, FeedTracker! Just to add, CN Nordic and CN Germany were also part of the Arrows era lineup by late 2009. It's amazing how widespread it became!

User1: ToonFanatic92
Posted on Nov 17, 2009

Thanks for the info, everyone! This really helps. It’s fascinating how a single branding theme could have such a wide reach. If anyone finds more, feel free to update us. Cheers!

User7: GlobetrottingCartoon
Posted on Nov 18, 2009

Hey all, just chiming in! I heard rumors that CN Africa started using Arrows around this time too, though I haven't seen it personally. Anyone from that region who can confirm?

Write a conversation asking when CN Phillipines and Japan started using it, what month


Topic: When Did Cartoon Network Philippines and Japan Start Using the Arrows Branding?

User1: AnimationLoverPH
Posted on Nov 20, 2009

Hey everyone! I'm curious about when exactly the Cartoon Network feeds in the Philippines and Japan started using the Arrows branding. Does anyone know which month they made the switch? Thanks!

User2: ToonJapanFan
Posted on Nov 20, 2009

Great question, AnimationLoverPH! I've been trying to figure out the same for the Japan feed. I remember seeing the new branding sometime in 2008, but I’m not sure which month.

User3: CNWorldwideWatcher
Posted on Nov 21, 2009

For the Philippines, I believe it was around mid-2008. I remember seeing the new look during the summer, which would probably mean around June or July. Can anyone confirm?

User4: BrandingBuff
Posted on Nov 21, 2009

Yeah, I think you're right about the Philippines. Mid-2008 sounds about right. As for Japan, I heard that they switched over a bit later, maybe around the fall of 2008, like September or October. Anyone else have more details?

User5: AsiaToonExpert
Posted on Nov 22, 2009

Adding to the conversation, I can confirm that the Philippines transition occurred in July 2008. As for Japan, it was indeed later in the year, around October 2008. The exact dates might vary though, depending on the specific promotions or shows airing at the time.

User1: AnimationLoverPH
Posted on Nov 22, 2009

Thanks so much, everyone! That clears things up a lot. It’s been interesting seeing how the branding rolled out in different regions. If anyone hears anything else or notices errors, feel free to keep sharing!


Write a conversation asking if Korea and Taiwan still have New Wave or have they rebranded. If so then New Wave would be fully wiped out