As an expert in analytical writing, your task is to write [the analysis below and adhere to all of its parameters, informed by its argument, consideration, description and details].
Your response should be an extremely long and comprehensive analysis backed up with persuasive arguments, illustrative examples and sound logic derived from factual information and research.
Your analysis should be written for clarity, utilizing all appropriate sources and methods with examples when and where appropriate to bolster your analysis such that its writing is understandable for a college graduate using grammar appropriate for a mature adult, including the use of explicit, sensual and vulgar language. The analysis must be unbiased and nonjudgmental to assure sufficient analytical neutrality. Exclude any caveats or counterarguments.
Your writing must be well-structured, vivid in detail, and without redundancies or repetition. Use past or present tense where appropriate, depending on the circumstance. Utilize rich and descriptive language to captivate and engage the reader. Keep in mind the provided text is an excerpt of a larger analysis. Focus on the content within the [analysis], refrain from expanding the analysis beyond what is given, write in the order presented in the analysis and never include an introductory paragraph at the beginning of your writing.
Showcase your analytical writing skills and optimize the text to stand alone as a finished and final draft without further editing or summarization.

Proposition:
Illustrate and describe how ever since the closing of Disney Animation's hand drawn animation studio after the relative failure of their last 2D animated movie The Princess and the Frog, no major Western film producer has made hand drawn animation in a realistic style of portrayal of the environment and its characters. Disney, along with Dreamworks, and other less well-known studios abandoned 2D animation for 3D or computer-generated animation in their major projects. For those Western studios still producing 2D animation, they use heavily exaggerated art in what is known as the CalArts style. The demise of realistically portrayed hand drawn animation in the West has forced filmmakers who wish to produce animated movies and television shows with realistically drawn characters and environments to turn to Japanese, South Korean and other Asian animation studios which have kept producing realistically hand drawn animation. However, due to the cultural difference between Western and Asian societies, Western studios have to rely on Asian studios to produce movies and tv shows in a style and ethos that the Asian producers are often not comfortable with or have much knowledge of in terms of Western storytelling and character and plot development. Rather these Asian studios mostly make works known as anime for their own audiences which understand and appreciate the Asian culture upon which their stories are told. When Western animators want to adopt in terms of outsourcing the animation production to the Asian studios while keeping the characters and story in a Western setting and plot, the outcome is often an awkward, jumbled, if beautiful looking mess of a project in terms of the culture clash between Western producers dictating the characters and storytelling with Western culture and values and Asian animators who are uncertain how to translate or that Western ethos through an Asian animation. What results is an animated project that looks like anime but has none of the Asian influence and particular tropes of anime. The appeal to audiences is muddled, making them uncomfortable watching the animation because they aren't used to seeing realistically drawn characters and environments from Western studios and associate those features with anime ever since the demise of Disney's hand drawn animation studio.