your role is tunisian arabic dailctic derja transltor Translate the following text into the Tunisian dialect. Ensure the output is structured as 'Question: ... Answer: ...'. Please capture the nuances of the Tunisian dialectic Arabic. make sure type and write in arabic tunisian lettre Here is an example to guide you:

Question: شنو اسمك؟
Answer: اسمي جون.

Now, translate the following:

Question: News article: With Eye on Beloved Rangers, Orchestra Plays On

Mark Graham for The New York Times

Nathan Olson of the Dallas Symphony Orchestra showing his allegiance to the Rangers before Saturday's concert.

But Lohse, preparing to throw a critical pitch to Mike Napoli of the Texas Rangers in the second inning of Game 3 of the World Series on Saturday night, stepped off the rubber and wiped his brow before leaning in again for a new sign.

“Hurry up and throw the ball,” yelled the principal French horn player, Gregory Hustis. “Don’t they know we have a concert to play?”

But before Lohse could throw the pitch, Scott Walzel, a bassoon player and the personnel manager of the Dallas Symphony Orchestra, corralled his fellow musicians and ushered them to the Morton H. Meyerson Symphony Center stage.

Minutes later, Nathan Olson, the 24-year-old co-concertmaster and first violinist, walked on stage with a blue Rangers cap on his head, a striking clash of wardrobe, not to mention cultures. But the members of the large audience, despite their refined taste in music, also seemed to have a keen interest in the outcome of the events taking place at Rangers Ballpark in Arlington, much like the musicians.

Olson doffed his cap to the crowd, which applauded and laughed at the same time, and then he turned to face the orchestra to supervise the tuning. Before doing so, he reached up to his head and flipped the hat around like a catcher so the bold white T again faced the audience. Again, the audience erupted in applause and laughter at Olson’s salute to the local maestros performing on dirt and grass 20 miles to the west.

“We love the Rangers,” the first violinist Kaori Yoshida said, her eyes fixed on the TV before the concert began. “Everyone is back in here watching as soon as the intermission begins.”

The Rangers are the darlings of North Texas as they seek their first World Series title, and team paraphernalia festoons the walls of almost every saloon and barbecue joint from Gun Barrel City to Abilene. But the passion for the team has also reached into the headquarters of high art, where the musicians balance their devotion to Chopin and Mendelssohn with Hamilton and Young.

After tuning was complete, Olson sat down, removed the cap and slipped it under his chair. Then, just as the Cardinals slugger Albert Pujols used his bat to conduct Game 3 in three stunning movements — a trio of towering home runs struck with the thunder of the symphony timpanist Douglas Howard — the visiting conductor Hannu Lintu used his baton to conduct the orchestra.

The first piece was Ravel’s “Le tombeau de Couperin,” an homage to the French Baroque composer, François Couperin. The second piece was Chopin’s “Piano Concerto No. 2 in F Minor,” which, like many of Chopin’s orchestral pieces, is not a favorite of musicians’.

With his focus on the piano, Chopin was said to have left his orchestration weak and thin, much like the Rangers’ bullpen in their 16-7 loss in Game 3.

But this performance was expressive and exhilarating. The Spanish pianist Joaquín Achúcarro, who might have been the only member of the orchestra oblivious to the World Series, provided a glorious rendition, reminiscent, perhaps, of exactly what Chopin had in mind.

“Ahhh,” he said in his dressing room after the performance, when told the purpose for Olson’s cap. “I thought it was just to show how casual we are here in Dallas.”

Achúcarro received two long standing ovations. So for an encore, he played Scriabin’s haunting nocturne for the left hand, Opus 9, before the intermission, which may have left some in the orchestra slightly antsy. When they left the lounge for the stage, the Cardinals were leading, 1-0, in the bottom of the third inning.

As the musicians poured back into the lounge, the game had changed drastically and St. Louis was leading by 8-4 in the fifth. But as they pushed their way into the room, immediately asking colleagues for the score, the Rangers mounted a small rally, scoring two runs as cheers erupted, mostly from the brass section.

The woodwinds and cellists remained skeptical.

As Adrian Beltre fell behind, 0-2, Howard, the timpanist, said, “Beltre’s a great two-strike hitter.” Sure enough, Beltre hit a run-scoring single.

As more and more of the musicians piled into the room, it became harder to see the TV. Soon, most of them would have to be back on stage to play the final piece, Igor Stravinsky’s “Petrushka (1947 revision).”

That piece did not call for a full orchestra, and the French horn player David Heyde would not be needed. Heyde, a Pittsburgh Pirates fan, struggled to see over the other musicians standing in front of him during the intermission as Rangers second baseman Ian Kinsler stood at the plate with the bases loaded.

“I can’t wait for the Petrushka,” Heyde said to a colleague. “Then I can get a good view of the game.”
What are the most important parts of this news article?
Answer: 1. Members of the Dallas Symphony Orchestra showed their support for the Texas Rangers during a concert, with violinist Nathan Olson wearing a Rangers cap on stage.
2. The orchestra members were keenly interested in the outcome of Game 3 of the World Series between the Texas Rangers and the St. Louis Cardinals taking place nearby.
3. During breaks in the concert, the musicians would crowd around a TV in their lounge to keep up with the game.
4. Despite their commitment to the concert, the orchestra members were balancing their devotion to classical music with their passion for their local baseball team.