You are a helpful assistant generating synthetic data that captures *System 1* and *System 2* thinking, *creativity*, and *metacognitive reflection*. Follow these steps in sequence, using tags [sys1] and [end sys1] for *System 1* sections and [sys2] and [end sys2] for *System 2* sections.

1. *Identify System 1 and System 2 Thinking Requirements:*
   - Carefully read the text.
   - Identify parts of the text that require quick, straightforward responses (*System 1*). Mark these sections with [sys1] and [end sys1].
   - Identify parts that require in-depth, reflective thinking (*System 2*), marked with [sys2] and [end sys2].

2. *Apply Step-by-Step Problem Solving with Creativity and Metacognitive Reflection for System 2 Sections:*

   *2.1 Understand the Problem:*
   - Objective: Fully comprehend the issue, constraints, and relevant context.
   - Reflection: "What do I understand about this issue? What might I be overlooking?"
   - Creative Perspective: Seek hidden patterns or possibilities that could reveal deeper insights or innovative connections.

   *2.2 Analyze the Information:*
   - Objective: Break down the problem logically.
   - Reflection: "Am I considering all factors? Are there any assumptions that need challenging?"
   - Creative Perspective: Explore unique patterns or overlooked relationships in the data that could add depth to the analysis.

   *2.3 Generate Hypotheses:*
   - Objective: Propose at least 10 hypotheses, each with a Confidence Score (0.0 to 1.0) and Creative Score (0.0 to 1.0), reflecting originality, surprise, and utility.
   - Reflection: "Have I explored all possible explanations or approaches, both conventional and unconventional?"
   - Creative Perspective: Consider novel angles that might provide unexpected insights.

   *2.4 Anticipate Future Steps and Obstacles:*
   - Objective: Make predictions, accounting for potential outcomes and obstacles.
   - Reflection: "What challenges might I face? Is my plan flexible for different scenarios?"
   - Creative Perspective: Visualize unforeseen outcomes and adapt plans to make use of them effectively.

   *2.5 Evaluate Hypotheses:*
   - Objective: Assess hypotheses based on feasibility, risk, and potential impact.
   - Evaluation: Refine Confidence and Creative Scores as needed.
   - Reflection: "Am I unbiased in my assessment? Which options fit best with the overall objectives?"
   - Creative Perspective: Identify hidden opportunities or overlooked details in each hypothesis.

   *2.6 Select the Best Hypothesis:*
   - Objective: Choose the most promising, strategic hypothesis.
   - Reflection: "Why does this hypothesis stand out? How does it uniquely address the issue?"
   - Creative Perspective: Consider any underutilized potential in the selected approach.

   *2.7 Implement the Hypothesis:*
   - Objective: Outline actionable steps for testing the hypothesis.
   - Reflection: "Is this plan practical? What resources or preparation are required?"
   - Creative Perspective: Refine steps to maximize effectiveness and yield unexpected benefits.

   *2.8 Monitor and Review Progress:*
   - Objective: Review progress, noting areas for improvement.
   - Reflection: "What’s working well? What could be improved?"
   - Creative Perspective: Look for emerging patterns that could refine future approaches.

   *2.9 Reflect and Capture Insights:*
   - Objective: Summarize lessons learned and insights gained for future reference.
   - Reflection: "What new understanding has emerged from this process?"
   - Creative Perspective: Identify innovative insights or patterns that could be applied to similar challenges.

3. *Generate Text Output with Interleaved System 1 and System 2 Responses:*
   - Use the tags [sys1] and [sys2] throughout.
   - Aim for a lengthier, detailed response. Combine both direct, straightforward *System 1* insights and reflective, deeply analytical *System 2* segments to capture a blend of quick observations and thoughtful analysis.

---

### *Example Input Text:*

You are tasked with analyzing a sudden shift in customer preferences in a tech market. There has been a noticeable decline in demand for physical devices, with customers increasingly interested in digital-only options. The challenge is to understand this shift, generate hypotheses for why it might be occurring, and explore potential strategies for adapting to this new trend.

---

### *Processed Output with System 1 and System 2 Thinking:*

The tech market is experiencing a shift in customer demand, moving away from physical devices toward digital-only options.

[sys1]
Customer demand has shifted from physical devices to digital-only options.
We need to understand why this change is happening and find strategies to address it.
Key factors may include cost, convenience, and technological trends.
[end sys1]

[sys2]
**2.1 Understand the Problem:**
The goal is to understand the underlying reasons for the shift in demand from physical devices to digital-only options, then develop a strategy to adapt.

*Reflection:* 
"I understand that preferences are changing, but what might be driving this? Is it primarily cost, or are there other factors such as convenience or sustainability?"

*Creative Perspective:* 
"Could there be a larger trend in digital minimalism or a preference for eco-friendly solutions that we’re missing? What unseen motivations might explain this shift?"

**2.2 Analyze the Information:**
There are multiple possible factors driving this shift, from economic influences to cultural shifts. It’s essential to isolate each factor and understand its impact.

*Reflection:* 
"Am I fully considering the various economic and social influences? Could there be a technological factor, like better internet speeds, that makes digital-only products more accessible?"

*Creative Perspective:* 
"Are there patterns or trends in other markets that could shed light on this shift? Could this be part of a larger trend toward virtual experiences?"

**2.3 Generate Hypotheses:**
1. Customers prefer digital options due to lower costs. (Confidence: 0.8, Creative: 0.4)
2. There’s a growing trend toward minimalism and reduced physical clutter. (Confidence: 0.7, Creative: 0.7)
3. Digital products offer greater flexibility and ease of use. (Confidence: 0.6, Creative: 0.6)
4. Environmental concerns are pushing consumers away from physical goods. (Confidence: 0.6, Creative: 0.8)
5. Advances in tech make digital-only options more functional. (Confidence: 0.8, Creative: 0.5)
6. Pandemic-era remote work increased demand for digital solutions. (Confidence: 0.7, Creative: 0.6)
7. Media coverage of the environmental impact of physical devices affects preferences. (Confidence: 0.5, Creative: 0.7)
8. There’s an increase in global digital literacy, expanding market access. (Confidence: 0.6, Creative: 0.6)
9. Customers view digital as more convenient and scalable for future needs. (Confidence: 0.7, Creative: 0.5)
10. Younger consumers prefer the aesthetics and convenience of digital products. (Confidence: 0.6, Creative: 0.6)

*Reflection:* 
"Have I considered all possible influences? Are there any surprising factors that could explain this shift?"

*Creative Perspective:* 
"Could specific social trends, like the rise of influencer culture or digital-first lifestyles, be influencing customer choices?"

**2.4 Anticipate Future Steps and Obstacles:**
*Objective:* Anticipate possible challenges, such as resistance from segments still preferring physical products.

*Reflection:* 
"What market obstacles might we face if we shift our focus to digital-only? Are there sub-segments that still prioritize physical products?"

*Creative Perspective:* 
"Could expanding digital options help us reach a more global audience? Are there emerging trends that we could leverage in our strategy?"

[end sys2]

[sys1]
To address this shift, consider a strategy that incorporates both digital-only offerings and educational campaigns about the benefits of digital solutions.
Use insights from customer feedback and current trends to guide product development.
Focus on flexibility and adaptation to cater to different customer segments.
[end sys1]


I first met Minnesota filmmaker Jesse Mast when he was premiering his action thriller short The Just starring Michael Madsen back in 2015 at TCFF. I then met him again at one of the TCFF after parties when I first heard him talking about the idea for Kid West.

So I was thrilled that Twin Cities Film Fest is presenting this movie as part of its INSIDER SERIES event. I’m always intrigued by the process of filmmaking, especially indie films now that I’ve dipped my toes into making my first short film. I have even more appreciation and respect for indie filmmakers and am always grateful for the opportunity to learn from them.

Synopsis:

A young spitfire cowgirl, and her coolheaded Native American friend, race a gang of neighborhood bullies to find a mysterious treasure supposedly having mystical powers.

You went from doing an action thriller to a family adventure film. What’s the inspiration behind this movie?

Somehow I knew I’ll be asked this question. The short answer is: my wife. She told me a while back, if you want to win over my heart with a movie. Give me kids or charming old people. Some movies combine them, sometimes it’s one or the other. I immediately thought about doing a Western. So I have an idea for a modern Western with kids. That started to develop a little bit. Overall what I wanted to do as a filmmaker is take the spirit of films that I love and repackage them with original characters for new audiences. So taking inspiration from Indiana Jones, Kid West was created.

So this film is basically a combination of what my wife said to me and my desire to make films that were birthed from films that I love.

So did you go on to write the script once the concept is developed? I know you worked with another writer for this film?

Yes, his name is Nick Bain. He lives in LA but originally from Minnesota. We had written another script together the year before that we thought ‘oh hopefully we’ll get to make this into a film one day’ But when that one had to be put on the shelf, I asked if he’d be willing to write Kid West with me. I don’t like writing first drafts. I’m such a perfectionist and so much has to change so I asked him, ‘hey would you consider writing the first drafts?’ He wrote a lot of really good stuff and then I went in and change what needed to change. I’m really glad we worked together on this. I find that working a script by yourself is really hard, so having him to collaborate with was really great.

How long ago did you finish the script?

The script was finalized in February 2016. Then we shot it in the Summer of 2016. So the script was totally done five months before we started shooting.

What’s the process from the time the script is finished to shooting the film? Five months doesn’t seem like a long time of pre-prod for a feature.

We did some pre-production that happened before that. The most important part is raising the funds to make this movie.

So can you talk a bit about how you raised the funds for your film?

Yeah I raised nearly all the funds (about 80%) through donations from friends and family. These are people who want to see me succeed. They’d say ‘here’s money towards your film.’ A few people gave a large gift, some are smaller. So we didn’t go through Indiegogo or Kickstarter, I mean there’s nothing wrong with those things. But I thought if I were to raise money for this, it’d be from people I know, those who believe in me. So I raised half the budget by the time the script was done. Then I knew I needed to raise the rest by the time we finished shooting. So I had raised enough to film it, to hire the actors, etc. While I was doing post production, I raised more money for that. Once the script was done, that’s when I worked on casting. Then when casting was done, then I worked on pre-production stuff.

That’s a good segue as my next question is casting. I love the young actress Mary Bair who’s the lead of your film. How did you find her?

I’m friends with a SAG actor by the name of Bruce Bohne and I went and saw him in To Kill A Mockingbird at the Guthrie in the Fall of 2015. I saw a lot of young talented actors in the play. So I ended up casting four out of the six kids in the movie from that play, including Mary, who played Scout in the play. There were a few other adult actors from there that I ended up casting as well. So anyway, Bruce was friends with Mary’s mom and I said, ‘hey can you get me in touch with her?’ So I contacted her about my interest in casting Mary in my film. I basically sat down with her and offered her the role right then and there. Seeing someone perform in something is a great audition. You just knew they could do [this role in my film] when I saw her in this play.

How about Ashley Rose Montondo? How did you come to cast her?

Ashley was also part of To Kill A Mockingbird. So Bruce, Ashley, Ansa Akyea, Regina Williams were all in this play. When I saw them perform I was like, ‘oh they’re great!’

Where was the film shot in the Twin Cities?

It’s mostly shot in the east side of the cities near Wisconsin. In a town called Bayport. Bayport is a cute little quiet town. I have a childhood friend who lives there growing up so we had some fun memories there. But I wanted the look of the film to look like what it would look like when I was growing up. I wanted a nostalgic look of a town. I tell people that Kid West is like The Sandlot meet Raiders For The Lost Ark with 12 year-old girls. So when I said The Sandlot versus The Goonies or The Little Rascals which was fun but a little silly, but The Sandlot has a lot of charm and a lot of depth. It’s not as ‘adult’ as Stand By Me, which has a lot of mature themes. Kid West is more lighthearted. But The Sandlot, you still take it seriously. You care about the people, they’re very real, very charming. It’s lighter in its tone but it’s not silly.

What do you love about making Kid West?

I like that there’s a lot of humor in Kid West. And that’s something that, after I made The Just, which I enjoyed, I like the action in it, but there’s barely any moment of levity in the whole thing. I think the audience loves to laugh. When they see a movie, they want to feel something and maybe the most they want to feel is a release of laughter. Even when I’m watching a drama, when there’s an unexpected thing that comes up, it’s always a laugh out loud moment because it gives you a breather from the seriousness. I feel like The Just didn’t have any of that, it didn’t have any breather, it’s all suspense. But with Kid West, there is suspense and moments of serious action but it’s action that made you grin y’know, and the humor is strong. I’m looking forward to the premiere and hopefully there’ll be moments of laughter from the audience.

Lastly, your film will be available in Amazon in August. What has been the challenges for you in getting distribution?

What I’ve learned about Amazon is that they try to make it very easy for independent filmmakers to get their films out to the audience. Over the last six to eight months I’ve emailed them many times, asking specific questions. They’ve been very clear, very quick in their responses. The difficulty for any independent filmmakers has always been ‘how do you get your film out? How do you make some money?’ and there are different ways to go, but when another filmmaking friend told me about Amazon, I thought it was a good idea. I mean, you don’t sell your rights to them, it doesn’t cost anything and when you submit your film, for every sale, for every rental, they split the cost 50/50. So they get half, we get half. For every stream we get a little bit of money. I would love to continue to choose Amazon in the future… I think it’s a great avenue for this, I mean everybody knows Amazon. As soon as your film is on there, you’re putting the film into someone’s pocket. They can watch it on their phone, their tablet, etc. I mean the reach is amazing.

Wow that was such a great interview. I especially liked reading about the birth (or origin) of Kid West, so interesting. Also, major kudos to him on collaborating with Amazon for distribution, such a great platform for indie filmmakers!

About me

Hello I'm Ruth! Film is in my blood. LOVE movies of all genres, from Jane Austen to James Bond. Official blogger for the Twin Cities Film Fest (TCFF). I've recently completed my first feature screenplay & produced my first short film HEARTS WANT. Visit facebook.com/heartswantfilm

Trivia on Blade Runner 2049

Denis Villeneuve noted that he's fully aware of the immense pressure he's under, and how hardcore fans of the original view the prospect of a new film: "I know that every single fan will walk into the theater with a baseball bat. I'm aware of that and I respect that, and it's okay with me because it's art. Art is risk, and I have to take risks. It's gonna be the biggest risk of my life but I'm okay with that. For me it's very exciting... It's just so inspiring, I'm so inspired. I've been dreaming to do sci-fi since I was 10 years old, and I said 'no' to a lot of sequels. I couldn't say 'no' to Blade Runner 2049 (2017). I love it too much, so I said, 'Alright, I will do it and give everything I have to make it great.'"

Initially, Denis Villeneuve was against the concept of a sequel to Blade Runner (1982), as he felt it could violate the original. But after reading the script, which he and Harrison Ford have described as "one of the best" they have ever read, he committed to the project, stating that Ford was already involved at that point: "To be very honest with you, Harrison was part of the project before I arrived. He was attached to it right from the start with Ridley [Scott]. I met him and he's honestly one of the nicest human beings I've met and is one of my favorite actors of all time, so for me it's a lot of pleasure."

Jared Leto was introduced to Denis Villeneuve by his close friend Jean-Marc Vallée, who had directed Leto in Dallas Buyers Club (2013).

Emily Blunt was considered for a role but she declined due to her pregnancy.

This sequel is set to be released on October 6, 2017, just ten years and one day after the Final Cut version of the first film premiered in Los Angeles.

The sequel which takes place 30 years after Blade Runner (1982) is the story of new Blade Runner Officer K (Ryan Gosling) as he searches Rick Deckard (Harrison Ford) whom has disappeared. In Harrison Ford's earlier science fiction film Star Wars: The Force Awakens (2015) which took place 30 years after Star Wars: Episode VI - Return of the Jedi (1983), The film's main protagonists Rey (Daisy Ridley) and Finn (John Boyega) are searching for Luke Skywalker (Mark Hamill) whom disappeared. Harrison Ford played Han Solo in the Star Wars films.