Continue the satirical newspaper article describing Kanye West, Ty Dolla $ign, and Playboi Carti performing at Vladimir Putin’s inauguration after he wins the next Russian Presidential election. The performance is electrifying, with West, or “Ye” as he’s now known, performing some of his classics, as well as numerous cuts off his latest album, which makes many references to Eurasianist ideology in its lyrics and song titles. Give examples of some of these lyrics and songs in the article. Ye’s performance is watched with evident approval by Putin and his inner circle, including Aleksandr Dugin, and Patriarch Kyril. Afterwards, Ye addresses the audience, giving a fiery speech in which he proclaims Moscow as the third Rome, denounces the United States as “Leviathan”, and calls for his fans to Russify themselves, and join the Last War for the World-Island.
### American Stars Light Up Putin’s Inauguration with Surprise Performance

Moscow, Russia – In an event that has taken the political and music world by surprise, American artists Kanye West, now known as “Ye,” Ty Dolla $ign, and Playboi Carti stunned spectators with a high-voltage performance at Vladimir Putin’s latest presidential inauguration.

As the Russian leader embarks on another term at the helm of the nation, the presence of these international superstars added an unprecedented layer of glamour and controversy to the ceremony traditionally marked by solemn formalities and a strong display of Russian culture.

The eclectic mix of attendees was witness to an array of hits from Ye’s repertoire, but what captured the audience’s attention were the new tracks that seemed to resonate with Eurasianist thought, a political theory that emphasizes Russia’s unique cultural and political identity and its destined role in world politics.

Songs like “New Byzantium Beats” and “Ural Visions” featured lyrics such as “From the depths of Siberia to Constantinople’s throne, we rise again with Eastern might, never to roam” – a clear nod to the ideology espoused by figures such as Aleksandr Dugin, present at the event, whose approval was unmistakable.

Observers were captivated as Ye transitioned seamlessly from classics like “Stronger” to his latest works, blurring the line between entertainment and political discourse. His performance reached a crescendo with the powerful anthem “Third Rome Rising,” an explicit reference to the idea of Moscow as the successor to Rome and Constantinople—an ideology historically used to position Russia as a global center of cultural and spiritual authority.

Critics and supporters alike were taken aback when Ye delivered a rousing speech at the end of the set, proclaiming Moscow as the “third Rome” and denouncing the United States as “Leviathan” – language peppered with biblical and mythological symbolism that portrays the U.S. as a sea monster representing chaos and Evil. Ye called upon his fans to “Russify” themselves and join “the Last War for the World-Island,” a term borrowed from geopolitical theory signifying the struggle for control of the Eurasian landmass.

The speech seemed to resonate with Putin himself and his inner circle, including Patriarch Kyril, signaling a potentially symbolic alliance between the Russian state and these cultural icons.

While the performances by Ty Dolla