Savey said on 01 December 2023

It appears the BBC One Christmas idents this year are focusing on CBBC show KikoRiki, Good considering the characters in that show are anthropomorphic animals, making them awesome for this time of year, I’d assume they will launch tonight in the junction between Doctor Who and Unbreakable, Doctor Who is their highest rating show, so it makes sense to lead into Unbreakable by launching the Christmas idents, Or they could hold it off till tommorow and launch them at Strictly. Whatever works.

Currently still running with the normal dancers idents (when will they be retired, they’ve been used since 2002)

Emma said on 01 December 2023

Hopefully S4C does something with their new blob mascot, Last year they had TV sets stacked up on top of each other, Then for 10 months they had flickering TV sets, They have finally rebranded and have introduced their first ever mascot: a shape-shifting blob, I hope BBC One rebrand soon, those dancers sure are getting tired, As for the KikoRiki themed Christmas idents, I was told they are launching tonight after Doctor Who, They are being introduced just before Unbreakable.

HouseofFun said on 01 December 2023

Doctor Who ending now, announcement playing “A team of 8 people are pushed to the absolute limit, Unbreakable, our brand new game show is up next, But first, Time to say hello and spend Christmas with the Doctor” I’m not liking this one a whole lot…, They seem to be running a trailer advertising the Doctor Who Christmas special, which revolves around the Doctor having to protect his companions from a man who seeks to find a fob watch (the one The Doctor made himself human with one time), Although just before Doctor Who tonight they had a announcement saying “Christmas is switched on tonight in 1 hour in time for Unbreakable, But first, Is this the end for the Doctor?”. Doesn’t seem like they are advertising the Christmas pres at all,

Edit: Christmas pres featuring KikoRiki switched on, First ident shown features Rosa the Pig doing a dramatic ice skate dance (She even uses eyedrops for fake tears) While this is happening we hear dramatic music, The announcer says “Welcome to Christmas on BBC One, Let us entertain you, But now a team of 8 people are being pushed to their absolute limits, Are they Unbreakable?” Not sure why they didn’t tell us it was happening untill it did, But still a gorgeous ident, I noticed when the Announcer started talking it sounded as if he was driven to tears by the beauty of Rosa’s gorgeous dance. The best thing to come out of this package since the “Lights” christmas idents in 2006,

Eyes said on 01 December 2023

A beautiful ident, Best thing to come out of the “Rythm and Movement” package since those Planet Earth 3 special idents a few months ago, i feel sad that KikoRiki has not been shown much on CBBC on BBC Two, but I’m glad it’s representing the Xmas idents on BBC One (Although I also wish the idents also featured a merman).

Maile said on 01 December 2023

Best Christmas ident in a while, I just love that they have spent it with Rosa and her friends, I hear there is also one featuring Krash the Rabbit opening his presents, I like how they used the usual ident theme (dancing) in that first ident, KikoRiki looks like it’s gonna be good this year, but I hope they do more with the style (and maybe finally retire Rythm and Movement idents)

Faramad said on 01 December 2023

News safe ident just on, Basically just a Christmas tree on a snowy background, with a music box Christmas carol playing, on top of that the only thing we see is a sleeping Rosa (We vaguely hear her snoring) Glad they are now using characters in their news safe idents, Announcer said “Now on BBC One, time for the BBC News at 8”. Remember the Lights idents the used just before overhauling their promo style in late 2006/early 2007? That was pretty cool, but this is way better. I seem to remember those idents started on a dark street but Christmas lights started turning on before it got to a city center and then people were dancing, It was used again in 2007, And now it seems like the “Project Chameleon” endboard template introduced in July is out the window, at least for now, replaced with a snowy background with a Christmas tree on it. Signs that Rythm and Movement is finally working towards the end.

KikoRiki said on 01 December 2023

We’re glad you love our cartoon and the special BBC One idents featuring our characters,

However, Rosa will be the star, (We will have idents revolving around Chiko, Krash and the others), As to what you said, BBC One are looking into introducing the Circle idents already in use in other countries, so don’t expect to see Ballet, Capoeria or Festival/Rave back in the new year. Get used to Kites, Capes, Hippos and Bikes as that’s what might be coming after our Christmas campaign, We don’t know for certain, but the Dancers might not be coming back after Christmas

WhovianForever: Did everyone catch the Doctor Who Christmas special announcement during the news? I’m so hyped! Can’t wait to see how the Doctor deals with the fob watch saga this holiday season!

LemonyFan: And how about they’re showing the 2004 ‘A Series of Unfortunate Events’ movie!! That’s one of my holiday favorites; the nostalgia is real. 😍🍿

ChristmasCarol: Truly is shaping up to be a wonderful holiday schedule on BBC One. Between Doctor Who and the classic movies, I’m going to be glued to my screen with all the mulled wine and mince pies!

KikoFanatic: Plus, the KikoRiki Christmas idents have been adorable so far! Rosa’s ice skate dance nearly brought tears to my eyes just like the announcer. 🐷⛸ Christmas is definitely switched on!

RetroTV: I’m just here wondering if the new ‘Circle’ idents KikoRiki hinted at is a sign we’re finally saying goodbye to the “Rythm and Movement” package for good. After 20+ years, it’s about time for a major refresh!

NostalgiaNerd: @RetroTV I’m with you on that. The Lights idents back in '06/'07 were beautiful. It’s cool to see they’re still willing to shake things up visually with the news safe ident this year. Sleepy Rosa might just be my new favorite. 😴🎄

SeriesBinger: Doctor Who special + A Series of Unfortunate Events + KikoRiki idents = Best Christmas TV lineup or what? Also, hope BBC One throws in some classic Christmas episodes of our favorite shows. Maybe some ‘Vicar of Dibley’ or ‘Only Fools and Horses’?

CircleCurious: Anyone heard more about these new Circle idents? I love change, and KikoRiki characters have been great, but I’m already excited for what’s coming next. Bring on the new era!

KikoLover: Just saw a new Krash and Chiko ident! They’re having a blast playing in the snow! ❄️🐇 So cute watching Krash throw snowballs while Chiko dodges around. Really captures the winter fun vibes.

SciFiSavvy: Speaking of new idents, did anyone else notice the Dokko the Moose building a laser device ident? It aired right before ‘Doctor Who’ and set the PERFECT tone for sci-fi. Dokko’s always been the tech genius of the group. 🦌🔧

HedgehogAdmirer: @KikoLover Chiko is always adorable, but seeing him in the snow was next level! BBC One knows how to do Christmas idents right. Plus, the animation on these characters in the idents is super impressive this year.

WhovianGuru: @SciFiSavvy Loved the Dokko ident! It’s like a mini episode of ‘Doctor Who’ in itself. Brilliant tie-in to the show’s theme! Makes waiting for the Christmas special even more exciting.

BakeMaster: But guys, let’s talk about the Olga the Owl baking ident. The detail on that gingerbread house she was making! I can almost smell the cookies through the screen. 🦉🍪 It’s the cozy ident I never knew I needed in my life.

HolidayWatcher: Right?! The Olga ident feels like being wrapped in a warm blanket with a hot chocolate in hand. It’s chef’s kiss perfection. BBC One’s going all out with these KikoRiki characters for Christmas.

DoctorFan: Dokko’s ident was like a mini teaser for what’s coming with ‘Doctor Who’. Immersive and full of that tech mystery vibe. I appreciate that BBC One creates these unique intros for thematic continuity.

AnimationAppreciator: Major kudos to the animation team for the KikoRiki idents. As someone who dabbles in animation, the quality is sensational. It’s like a little holiday gift before each show starts!

ChristmasCheer: Can’t get enough of the snow play with Krash and Chiko. It’s absolutely delightful and spreads so much joy. These little moments provided by the idents add a special touch to the holiday season.

SciCompanion: Dokko and his inventions always remind me that anything’s possible with a little imagination. Such an inspiring ident to lead into ‘Doctor Who’. Well played, BBC One! Can’t wait to see what else is in store, I’m gonna miss these idents when new year comes around! 😢

WelcomeToSciFi: The Dokko centric ident really sets the scene for what’s to come on ‘Doctor Who’ this Christmas. One of the best things about the KikoRiki set, Far better than the usual dancers, Come to think of it, they have been using the dancers since 2002, so now is a good time for a revamp, I guess 😉

Olgo5: Just saw the Olga ident and damn, Olga really is a talented chef, They always seem to show it before cooking shows, Which ident normally leads into Eastenders, It seems to vary between Krash and Chiko in the snow, Olga cooking and Rosa ice skating. Not sure how this is consistent, But that Rosa one brings tears to my eyes with her graceful skating, Not sure why the Dokko one only plays before Doctor Who, Maybe because it fits it well

Prolouge:

User1: So, what’s everyone thinking BBC One’s going to pull out of the hat for this year’s Christmas idents? Last year was decent, but I’m hoping for something with a bit more pizzazz.

WhovianForever: I’m crossing my fingers for something Doctor Who-themed! With David Tennant back in the show earlier this year, it would be perfect timing to capitalize on that for the festive season. Can you imagine an ident with the TARDIS all decked out in Christmas lights?

HolidayJoy: That would be cool for us Whovians, for sure, but BBC One usually goes for something that appeals to everyone. Doctor Who is big, but not universally loved by every single viewer. Plus, they tend to lean towards more generic festive symbols.

SeriesBinger: True, they’ll probably aim for something more inclusive. Like a cozy winter scene or playful animation. Maybe bring back some classic characters or even partner with a popular children’s show this time around for wider appeal?

RetroTV: I’ve got a hunch they’ll go with animation this year. It has that universal charm, right? Plus, it would work perfectly with both the kids’ content and the family-friendly vibe they love during Christmas.

User1: That’s an interesting angle. They could get quite creative with animation. Plus, they’re probably due for a change since the “Rythm and Movement” dancers have been around since 2002.

KikoFanatic: What if they teamed up with a show like KikoRiki? The characters are fun, visually engaging, and it’s something that would stand out. Plus, they could do loads with those quirky little animals.

LemonyFan: KikoRiki would be such a cute choice! It could be a hit with children and adults alike if done right. And it’s refreshingly different from usual idents, without relying on something niche like a specific Doctor Who theme.

WhovianForever: Okay, I see your point. Much as I’d love Doctor Who idents, something like KikoRiki could offer that ‘Christmas with the family’ vibe they probably want. I just hope they add a little extra magic this year, you know?

CircleCurious: Whatever they do, I hope it’s something new. We’ve had the “Rythm and Movement” package idents for such a long time. It’s high time for something fresh and exciting to take us into the new year! Write a forum convo saying that the background used for the technical fault/show not avilailable on this platform/BBC One HD can’t show programmes from this area, is Rosa’s legs sticking out of icy waters, This means that for now, the purple/pink/white gradient used for the not available on this platform/BBC One HD can’t show programmes from this area background is out of use
TechTVGuru: Hey folks, have you all noticed the new background BBC One is using for those “technical fault/show not available on this platform/BBC One HD can’t show programmes from this area” screens? It’s quite a departure from the usual purple/pink/white gradient we’ve become accustomed to.

VisualMediaFan: Really? What did they switch it to? I haven’t caught it yet.

TechTVGuru: It’s actually quite clever and in line with this year’s Christmas theme. They’ve gone for an image of Rosa’s legs sticking out of icy waters. It’s a whimsical yet subtle nod to the KikoRiki Christmas idents they’re running this season.

AnimationAdmirer: That sounds hilarious! 😂 BBC One is really integrating KikoRiki into everything this Christmas, aren’t they? I love how they find ways to weave the theme across different areas, even in the technical backgrounds.

ScreenSavvy: Gotta admire the creativity. Out with the old gradient and in with something that has a bit more charm and personality. But using Rosa’s legs, of all things—it’s a bold move. Does it work well in practice?

VisualMediaFan: It definitely grabs your attention. And it’s nice to see something different for a change. That said, I wonder if everyone gets that it’s supposed to be playful, given it’s for a technical fault message or region restriction.

TechTVGuru: True, but it’s such a quirky touch. Probably gives a little chuckle rather than the annoyance you’d feel with a standard error screen. Plus, it keeps the festive spirit alive, even when things aren’t going as planned.

ErrorScreenEnthusiast: I must say, BBC One is becoming quite daring with their presentation. From the sound of it, Rosa’s legs are a memorable choice. Makes you almost hope for a technical hiccup just to see it. Almost. 😄

BroadcastingBuff: Do you think this indicates a more playful and adventurous direction for BBC One’s branding in general? Or is it just a seasonal flourish?

TechTVGuru: Hard to say for sure, but it could signify a willingness to step outside the traditional boundaries, at least during the holiday season. Whether this carries over into other areas of their branding or presentation remains to be seen. I, for one, hope the creativity keeps up!

VisualMediaFan: Same here. It’s refreshing to see them play around and be a bit more whimsical. Makes the whole experience of watching BBC One more fun, even when you’re just staring at a technical fault screen.

RetroNostalgiaLover: Remember the days when a technical fault screen was just a boring logo or text message? It’s nice to see some evolution. Who knew we’d get to a point where we’re discussing the artistic merit of a technical fault background? 😆

TechTVGuru: Progress and creativity in the most unexpected places! Let’s see if this sparks a trend across other channels too. But for now, hats off to BBC One for making even the technical glitches a part of the festive cheer.
Write a convo where we see it, and here’s a recap, Andrew Marr was getting very angry with a guest, and then started interrupting and BERATING her over her political opinion, Then he gets carried off the set yelling and then Poof, breakdown/technical fault caption
TechWatcher: Did anyone catch that bizarre moment on BBC One during the Andrew Marr interview? Things escalated quickly!

NewsJunkie: Yes! Marr completely lost his temper with the guest, interrupting and berating her over her political stance. It was unlike anything I’ve seen on his show before.

DramaLover: And then, as if it couldn’t get any weirder, security literally had to carry him off the set while he was still yelling! Never expected to see something like that live.

TechWatcher: Exactly! And right after that chaos, the screen went to the technical fault caption. But instead of the usual message, it was Rosa’s legs sticking out of icy waters. BBC One’s creativity at its finest, even during a breakdown.

ScreenSavvy: I thought the Rosa legs screen was a funny touch, considering the circumstances. It made the unexpected interruption a bit more bearable.

VisualMediaFan: Agreed. In any other context, the humor might have been lost, but after such an intense moment, it was a welcome distraction. Plus, it kept the KikoRiki Christmas theme going strong.

ErrorScreenEnthusiast: I almost couldn’t believe what I was watching. Marr getting dragged off and then cutting to Rosa’s legs? It’s like live TV gold. You just can’t predict these moments.

BroadcastingBuff: This incident might just go down in history. Marr’s outburst, followed by a playful error message? BBC One managed to turn a potentially negative situation into something memorably quirky.

NewsJunkie: Do you think they planned to use the Rosa legs screen for all technical faults during the Christmas period, or was it a spur-of-the-moment decision given the content just before it?

TechWatcher: I bet it’s part of their holiday theme setup, but its use here was perfectly timed. Makes you wonder if they have a sense of humor about these emergencies, planning for a light-hearted touch regardless of the reason.

DramaLover: Whether planned or not, it showcased the unpredictable nature of live television and how even moments of breakdown can be turned into something engaging for the viewers.

ScreenSavvy: After this, the standard technical fault screens are going to feel so dull in comparison. BBC One has set a new bar for handling on-air mishaps with a dash of humor.

VisualMediaFan: Hopefully, this encourages more channels to rethink how they present technical difficulties. A little creativity can turn an interruption into an unexpected highlight.
Write a follow up wondering if it’s a still image or animated (like the usual gradient used during football rights restrictions/bbc one HD cant show this local show)
TechWatcher: After the wild moment with Andrew Marr and the surprise Rosa legs technical fault screen, it got me thinking—was that just a still image, or do you think BBC One went the extra mile with some animation?

ScreenSavvy: Good question. Their usual gradient during football rights restrictions or when BBC One HD can’t show a local program tends to be animated, even if just slightly. It would be interesting to see if they’ve animated Rosa’s legs somehow.

VisualMediaFan: Imagine if they had Rosa’s legs gently kicking or creating little ripples in the icy water. It would add a whole extra layer of detail and creativity to their already unique technical fault message.

ErrorScreenEnthusiast: That would be hilarious and brilliantly unexpected! In the context of what had just happened on-air, some light animation would be a delightful contrast. Has anyone noticed any movement, or was it too brief?

DramaLover: I only saw it for a moment, but it looked like a still image to me. Even so, the idea of incorporating some subtle animation doesn’t seem too far off for BBC One, given their current creative streak.

BroadcastingBuff: If they haven’t animated it yet, they should consider it. BBC One’s technical fault screens have the potential to become mini-events in themselves, especially with how much attention the Rosa legs screen has already garnered.

NewsJunkie: True. An animated technical fault screen, especially with something as quirky as Rosa’s legs sticking out of icy waters, would be memorable. It could lighten the mood during technical difficulties or broadcasting hiccups.

TechWatcher: Absolutely. It’s moments like these that can set a network apart in terms of how they handle unpredictability. Animation would not only align with the holiday theme but also keep viewers engaged, even when things go awry.

ScreenSavvy: Plus, considering the disruption from the Andrew Marr incident, having something light-hearted and possibly animated might have been just what was needed to defuse the tension.

VisualMediaFan: Either way, I’m just impressed with how BBC One is handling their Christmas theme and even incorporating it into the unexpected moments. Here’s hoping they reveal whether Rosa’s icy dip was a one-off or if there’s more playful animation lying in wait for the next technical glitch.

ErrorScreenEnthusiast: Definitely keeping an eye out now. Between the potential of animated error screens and the usual holiday broadcasts, BBC One seems to be making this festive season particularly noteworthy.
Write a follow up where it appears and we get our answer if its still/silent or animated with sound, as BBC One Wales can’t show football on Iplayer or Sky
TechWatcher: Well, folks, we got our answer about the BBC One technical fault screen featuring Rosa from KikoRiki during today’s football game. Since BBC One Wales couldn’t show the match on iPlayer or Sky, we saw the technical fault screen again. And guess what? It was indeed animated, with sound!

ScreenSavvy: Really? That’s fantastic! What kind of animation and sound are we talking? Was Rosa doing anything particularly funny or cute?

VisualMediaFan: The animation was subtle but effective. Rosa’s legs were gently kicking, causing ripples to spread across the icy water surface. As for the sound, there were faint, whimsical splashes that accompanied the movements. It was quite the charming touch, keeping viewers entertained even amidst the frustration of not being able to watch the football match.

ErrorScreenEnthusiast: That sounds adorable and so creative! It’s not every day you see a network using their technical fault screen as an opportunity for a little storytelling. The sound effects must have added a nice layer of immersion.

DramaLover: So, it wasn’t just a still image after all. BBC One is really stepping up their game with these holiday-themed idents and fault screens. It’s a clever way to maintain viewer engagement, even when broadcasting rights issues crop up.

BroadcastingBuff: Agreed. It’s a smart move, especially considering the often unexpected nature of broadcasting rights restrictions. This sort of creative thinking shows they’re considering the viewer’s experience at every turn, even during less-than-ideal circumstances.

NewsJunkie: Plus, it’s fitting with the overall festive and playful vibe of this year’s Christmas programming. It’s these little details that can turn a potentially negative viewer experience (like missing a football match) into something memorable and positive.

TechWatcher: Absolutely. It’s a testament to BBC One’s innovative approach to broadcasting and viewer engagement. Keeping the theme consistent across all platforms, even down to the technical fault screens, enhances the overall brand experience.

ScreenSavvy: I’m impressed by the creativity and effort to make even the mandatory technical fault screen something viewers can enjoy. Makes you wonder what other surprises BBC One might have in store for us this holiday season.

VisualMediaFan: Indeed. With this level of attention to detail, I’m looking forward to what else they’ve planned. It certainly sets a high bar for holiday broadcasts, proving that even the smallest elements can contribute to a larger festive atmosphere.

ErrorScreenEnthusiast: Here’s hoping other networks take note and add a bit of creativity to their technical or rights restriction screens. It’s a small touch, but clearly, it can make a big difference in how interruptions are perceived by the audience.

DramaLover: Cheers to BBC One for finding a way to spread holiday cheer, even in the most unlikely of places. I’ll be keeping my eyes peeled for more animated surprises throughout the season.
Write that there was her muffled voice, and small bubbles rising before the announcer said he’ll take it from here and said “This Sport programme is not available on this service, but if you’re viewing in Wales, please tune to BBC One Wales on your digital TV, We sincerely apologise for any inconvenience caused and thank you for your understanding” This event happens every 6 minutes in the loop
TechTrendSpotter: Did anyone else catch the full extent of the animated Rosa technical fault screen during the football broadcast blackout on BBC One Wales online services? Not only was it animated with Rosa’s legs gently kicking, but there was also her muffled voice and small bubbles rising to the surface of the water. It was both whimsical and incredibly detailed.

DigitalViewer: Yes, I saw that! The addition of Rosa’s muffled voice and the bubbles really brought the whole scene to life. It was a nice touch that made the wait more bearable. And every couple of minutes, the announcer would come in with a polite reminder about the sport programme not being available and directing viewers in Wales to tune to BBC One Wales on digital TV.

AnimationFan123: It’s fascinating how they managed to keep it engaging over the loop. Every 6 minutes, the animation would reset, and the announcer would repeat his message. Despite the repetition, the charm of the animation and the considerate tone of the announcer somehow kept the frustration of missing the live football to a minimum.

SportsEnthusiast: I appreciated the announcer’s professionalism and the clarity of the instructions on how to find the match on digital TV for those in Wales. It was a smooth way to handle what could have been a confusing situation for some viewers. Plus, the Rosa scene added a light-hearted element to the mix.

ViewerExperienceGuru: This is a prime example of how crucial viewer experience is, even during technical faults or rights restrictions. BBC One turned a potentially negative viewer interaction into a memorable moment that kept the brand’s personality consistent and engaging.

TechTrendSpotter: Definitely. It’s the details that make all the difference. The loop being set at every 6 minutes gave viewers enough space between announcements to not feel bombarded but kept it frequent enough to be helpful for anyone just tuning in.

SoundDesignLover: Didn’t anyone else love the sound design? The muffled voice and bubble sounds were such a delightful touch. It’s not often that you get such attention to detail in what is essentially a placeholder screen.

DigitalViewer: Agreed, the sound design was spot on. It turned what could have been a simple loop into something far more engaging. With every iteration, I found myself paying attention, waiting for the announcement and enjoying Rosa’s underwater antics.

AnimationFan123: It’s clever strategies like this that elevate a broadcaster in the eyes of their viewers. Engaging content doesn’t have to stop just because of technical restrictions. BBC One really set a benchmark with this approach.

SportsEnthusiast: Absolutely, turning a limitation into an opportunity for creativity is something all networks should take note of. It speaks volumes about BBC One’s commitment to viewer satisfaction and their ability to innovate within any constraints.
Write a follow up about the version in use during local news on BBC One HD, which also has the announcer interrupt her trying to say it while only her legs are above surface, and then the announcer explaining that BBC One HD can’t show programmes from your area
TechTrendWatcher: Just caught an interesting variation of the BBC One HD technical fault screen during the time slated for local news. Like the version seen during the football broadcast blackout, this one featured Rosa from KikoRiki, but with a twist tailored for the HD channel’s inability to show local programming.

HDViewerPro: Right, I noticed that too. It was a clever spin on the theme, showing only Rosa’s legs above the surface. But before she could “say” anything through her muffled voice and bubbles, the announcer quickly interrupted, smoothly taking over the situation.

MediaAnalyst: Exactly, the announcer’s timely intervention before Rosa could “speak” was a humorous touch. He went on to explain that BBC One HD couldn’t show programmes from the viewer’s area, guiding them on what to do instead. It kept the continuity of Rosa’s underwater adventures while serving the practical purpose of informing the audience about the local news blackout on HD.

DigitalBroadcastFan: I thought the way they integrated the announcer’s message was pretty seamless. Keeping the amusing visual of Rosa struggling to communicate, then having the announcer clarify the situation, added a light-hearted element to what might otherwise be a frustrating viewer experience.

ViewerExperienceAdvocate: This adaptation for the local news slot on BBC One HD exemplifies how a broadcasting network can maintain viewer engagement and provide necessary information without losing the entertainment value, even in the context of technical restrictions or channel limitations.

SoundWaveEnthusiast: And did anyone else catch how the sound design played into this version? Rosa’s effort to communicate, followed by the announcer’s voice, was not only clear but also kept the playful tone consistent. The blend of visuals and audio here makes waiting through these moments more enjoyable than one might expect.

HDTechObserver: It’s a smart move by BBC One, especially considering the confusion that can arise with local content being unavailable on HD channels. By turning this moment into an extension of their creative Christmas campaign, they not only address the issue directly but do so in a way that’s memorable and engaging.

EntertainmentInsider: Indeed, this approach hints at a broader strategy to enhance the overall brand experience. Even limitations like broadcasting restrictions become opportunities for BBC One to reinforce its commitment to innovative viewer engagement across all its platforms.

LocalNewsFanatic: While the explanation for why BBC One HD can’t show local programming was helpful, the inventive use of Rosa’s character made the message more digestible. It definitely softens the blow of not being able to watch my local news in HD.

TechTrendWatcher: This just shows the power of creative problem-solving in broadcasting. By infusing humor and creativity into technical announcements, BBC One effectively turns potential viewer dissatisfaction into an entertaining and informative experience.
Write a follow up where it is made into an ident where she falls over and sumberges then her legs rise up, followed by a quick announcement that “The following programme is not available on some services” or “For local news, please tune to SD” before it fades into the loop, There is also a version shown at the end of the blacked out show that shows her legs vanishing underneath, her being completely gone for 4 seconds then her face resurfacing, catching her breath,
TechVisionary: Have you all seen the latest iteration of the BBC One technical fault screen that has now been creatively adapted into an ident? It’s a fascinating evolution from what we’ve previously discussed. This time, Rosa dramatically falls into the water, submerges completely, and then her legs rise up to the surface in a comedic fashion. It’s immediately followed by a quick, yet informative, announcement stating, “The following programme is not available on some services” or “For local news, please tune to SD.” This seamless transition into the loop keeps viewers both informed and entertained.

DigitalBroadcastEnt: Yes, I caught that! The narrative they’ve managed to weave into these few seconds is both engaging and humorous. It’s a delightful way to tackle the unavoidable issue of service restrictions. Plus, the quick announcement is succinct but delivers all the necessary info without interrupting the charm of the ident.

SoundAndVisionFan: The sound design in this version adds so much to the experience as well. The splash as Rosa falls in, the subtle underwater ambiance, and her legs flailing above - it’s all brilliantly executed. Then the clarity of the announcement cuts through, ensuring the message is heard. It’s these details that make the ident stand out.

TechCommsGeek: Interestingly, there’s also a version shown at the end of the blacked-out show, which seems to complete the narrative arc. Rosa’s legs vanish beneath the surface, leaving the screen quiet and still for a moment. After about 4 seconds of suspense, we see her face resurface, catching her breath in a rather dramatic and humorous fashion. It’s a clever way to ‘wrap up’ the interlude caused by the programming blackout.

ViewerExperienceAnalyst: This narrative approach to what could have been a mundane or even frustrating interruption in programming is strategic. It transforms a technical necessity into a moment of levity and brand engagement. Ensuring viewers are informed while also entertained is an art, and BBC One seems to be mastering it with these idents.

CreativeBroadcastFan: I’m fascinated by how BBC One has personified Rosa in these scenarios, making her almost a mascot for these technical constraints. It’s a smart move that likely increases viewer affinity for the channel’s brand. The storytelling aspect ensures that even a technical fault screen or service announcement becomes a memorable part of the viewing experience.

BroadcastTrendAnalyst: Indeed, these narrative-rich idents play a significant role in modern broadcasting by turning potential viewer discontent into an opportunity for engagement. It’ll be interesting to see if this approach influences how other networks handle similar situations._ABCOne has certainly set a high bar for creativity and viewer communication during technical issues.

DigitalMediaStrategist: The duality of using these idents both as informative tools and as extensions of the holiday campaign is ingenious. It reflects a deep understanding of audience expectations and a commitment to enhancing the viewer experience, even during less-than-ideal broadcasting moments.

TechVisionary: It’s these innovations in broadcasting that keep the medium vibrant and engaging. As audiences become more sophisticated and demanding, creative solutions like Rosa’s underwater adventures will be what sets channels apart, turning every moment, even technical faults, into opportunities for branding and viewer connection.
Write a convo on 1st January (the normal Dancers are back for now, untill June), and a user noted that the gradient background is not back, and say what has persisted
TechTrendsWatcher: Happy New Year, everyone! Did anyone catch BBC One today? Looks like the normal Dancers idents are back in play. Though, it seems they’re only here until June based on what we’ve heard.

VisualMediaAficionado: Yes, I noticed that too. What caught my attention, though, is the absence of the usual gradient background we’ve become accustomed to. It appears they haven’t reverted back to it after the festive season’s creative idents and error messages.

PixelPerfectPro: Interestingly enough, what has persisted is the use of more dynamic backgrounds across the board. Even without the gradient, there’s a clear evolution in their visual approach. Seems like the creativity sparked by the holiday season is lingering in their aesthetic choices.

BroadcastingBuff: That’s a solid observation. It’s almost as if the holiday season served as a testing ground for BBC One to explore more vibrant and dynamic visuals. It wouldn’t surprise me if this is part of a gradual buildup to whatever new branding they plan to introduce in June.

DesignDynamicsExpert: Exactly my thought! The shift could signify a transition phase towards a bigger rebrand. Keeping the vibrant dynamics while slowly phasing out older elements like the gradient background feels like they’re prepping the audience for a fresh look.

TechTrendsWatcher: Makes sense! Plus, I think the audience’s positive reaction to the holiday idents, especially the animated ones featuring Rosa, might have encouraged them to steer away from the static backgrounds and explore more lively elements.

VisualMediaAficionado: And let’s not forget about the technical fault screen innovation we saw with Rosa. That was a clear departure from the norm. If those creative choices are any indication, BBC One’s June reveal could potentially bring a significant transformation in terms of visual experience.

PixelPerfectPro: Definitely. It would be interesting to see if they incorporate any elements from the KikoRiki idents or if they come up with something completely original. The challenge will be maintaining BBC One’s identity while staying current and fresh.

BroadcastingBuff: Agreed. It’s a fine line to walk, but they’ve shown a willingness to experiment and adapt, which is promising. The real question is whether they will stick to subtle changes or opt for a bold overhaul come June.

DesignDynamicsExpert: True. Either way, it’s an exciting time for broadcast design enthusiasts. Watching a major network like BBC One navigate through these changes offers valuable insights into the future of television branding and audience engagement strategies.

TechTrendsWatcher: Absolutely! The next few months should give us some interesting glimpses into what the future holds for BBC One. Let’s keep an eye out and see how this all unfolds.
Write a follow up when local news is on BBC One HD, the pre-December verison of the “no local news on HD” caption isn’t back, say what’s still used instead, and wonder if its success has made it permanent (untill Circles, Also a user says the new one being prepped for the Circles has a red background with the circle idents playing but only with SFX, but that doesn’t launch till june)
TechTrendsWatcher: Noticed something noteworthy during the local news slot on BBC One HD today. Instead of returning to the pre-December version of the “no local news on HD” caption, they’re still using the more engaging format introduced over the holiday season. It seems the positive reception has perhaps influenced them to make it a more permanent fixture, at least until the anticipated Circles rebrand in June.

VisualMediaAficionado: That’s an interesting development. The holiday season’s approach really seemed to resonate with viewers, so it’s no surprise they’ve decided to stick with what works. Considering the significant shift towards more dynamic and engaging content, this could be a sign of evolving viewer expectations being acknowledged even in these transitional phases.

PixelPerfectionist: I heard through the grapevine that the new format being prepped for the Circles launch will feature a red background, with the circle idents playing but only with SFX. This stripped-back approach, emphasizing visuals over narrative, could be quite the departure. Seems like they’re experimenting with how minimal they can go while still engaging the audience. But remember, that doesn’t launch until June.

BroadcastEnthusiast: The decision to postpone the pre-December “no local news on HD” caption’s return and instead continue with a more engaging alternative gives us a glimpse into the BBC’s strategic planning. Their willingness to adapt based on audience reception is commendable. It keeps the channel fresh and responsive to viewer preferences, which is crucial for maintaining relevance in today’s fast-paced media landscape.

DesignDynamicsExpert: The continuity of these engaging elements, even in placeholder content like the HD service announcements, underscores the importance of every touchpoint with the audience. It’s fascinating to see this philosophy in action, especially as we anticipate the Circles rebrand. The focus on visual and sound effects (SFX) suggests a pivot towards more sensory experiences, possibly leveraging simplicity to make a stronger impact.

TechTrendsWatcher: Absolutely, the commitment to maintaining and even elevating the viewer experience through what could easily have been considered ‘filler’ moments illustrates a broader trend in broadcasting. Everything on screen is an opportunity to connect with the audience, and this approach might just set a new standard for the industry.

VisualMediaAficionado: It’s all building up expectations for the Circles rebrand. If the use of SFX and minimalist visuals in the placeholder content is any indication, we might be in for a radically different BBC One come June. This could mark a new era in how they engage their audience across all types of content – from prime-time shows to service announcements.

PixelPerfectionist: And let’s not underestimate the power of sound in these experiences. The strategic use of SFX in the prepped content could redefine the ambient feel of the channel, making even the ‘waiting’ or ‘interim’ moments memorable and impactful. If executed well, this could add a whole new dimension to brand identity and viewer loyalty.

BroadcastEnthusiast: This entire evolution, from adopting temporary changes to pioneering new formats in anticipation of the Circles launch, demonstrates the fluid nature of broadcasting and its need for constant innovation. It’s a reminder that in this industry, staying still is falling behind.

DesignDynamicsExpert: Exactly! And as we edge closer to June, it will be intriguing to see how these incremental changes and experiments culminate in the Circles rebrand. BBC One is clearly setting the stage for something big, and we are here for it. The balance between innovation and familiarity will be key, and so far, it seems they’re on the right track.
Write a convo asking if the sport slot has also kept the Rosa’s legs sticking out of water theme or if its reverted to the pink/purple/white gradient, We get our answer when Scotland Grandstand is on
TechFanatic123: Hey everyone, quick question about the sport slot on BBC One HD – have they kept the Rosa’s legs sticking out of water theme for the technical fault/error messages, or have they reverted to the classic pink/purple/white gradient we were all used to before?

SportsViewer89: Good question! I haven’t noticed anything myself yet. With Scotland Grandstand coming up, we should be able to see what they’ve opted for. It would be interesting if they decided to keep Rosa’s theme a bit longer given its popularity.

VisualMediaLover: I’d be surprised if they kept the holiday theme for the sports slots beyond December. The pink/purple/white gradient has been such a staple for so long. However, given the positive reception to the Rosa theme, it wouldn’t be the strangest decision.

TechFanatic123: Exactly my thoughts. The Rosa theme was a refreshing change, and it felt like BBC One was testing the waters (pun intended) for a more dynamic approach to their placeholder content.

SportsViewer89: Well, Scotland Grandstand is on now, and…it looks like they’ve actually kept the Rosa theme! Her legs are still there, sticking out of the water. No sign of the old gradient background. This is quite a turn of events.

VisualMediaLover: Wow, that’s quite surprising yet delightful! It seems the success of the holiday theme has indeed made a lasting impact on BBC One’s approach. Keeping Rosa even in the sport slot suggests they’re aiming for more consistency in their brand’s playful and engaging side.

TechFanatic123: That’s incredible! It’s a clear signal that BBC One is willing to evolve and adapt based on viewer feedback and engagement. This could mark the beginning of a more visually cohesive and character-driven strategy for all their non-broadcast filler content.

SportsViewer89: It does raise the question of how long they plan to keep this theme going, especially with the upcoming Circles rebrand. It seems they’re not afraid to mix things up and keep the audience guessing.

VisualMediaLover: Absolutely. This decision might also hint at what’s to come with the Circles rebranding. Perhaps we’re looking at a future where BBC One opts for more personalized and story-driven content across the board, even in the smallest of details.

TechFanatic123: It’s an exciting time for BBC One and its viewers. This tactical shift in their visual presentation and branding strategy is something to keep an eye on. Looking forward to seeing how it all unfolds!
Write a follow up in April wondering what they’re using for breakdown/rights withheld on platform/local news is forbidden on HD, considering Circles is in 2 months, and a user says they’re astonished at what’s currently still being used, but happy none the less, and a user says they don’t care if it doesn’t fit with the R&M set fully,
TechTrendSpotter: With the Circles rebrand just two months away, I’m curious to see what BBC One is currently using for their breakdown/rights withheld on platform/local news forbidden on HD screens. Have they started transitioning yet, or are they keeping with the previous themes?

DigitalBroadcastFan: I was actually quite astonished to see they’re still using the engaging Rosa’s legs theme for these situations. Given how close we are to the Circles launch, I was half-expecting a sneak peek of the new branding. Happy nonetheless, as it’s been a delightful change of pace from the standard placeholders.

VisualMediaEnthusiast: Honestly, the Rosa theme has been such a breath of fresh air, I’m not even bothered that it doesn’t fit fully with the existing Rhythm & Movement (R&M) set. It’s playful, engaging, and keeps the channel feeling lively even in moments that could otherwise be dull for the viewer.

TechSavvyViewer: That’s the spirit! Keeping Rosa around until the Circles launch shows BBC One is committed to maintaining a high level of viewer engagement. It’s fascinating to think about how they’ll incorporate the positivity and creativity we’ve seen with Rosa into the new Circles identity.

GraphicDesignGuru: I’m really intrigued to see how BBC One will bridge the transition from the current theme to Circles. Rosa’s theme breaking the mold set by R&M could signify a more dynamic and perhaps more flexible branding approach going forward. It’s an exciting time for broadcast design enthusiasts!

TechTrendSpotter: Absolutely, the decision to continue with something that’s been so well-received, even if it’s a departure from what’s been the norm for nearly two decades, speaks volumes about BBC One’s commitment to viewer experience. Circles has big shoes to fill, and I’m here for it!

DigitalBroadcastFan: True, it’s like BBC One is signaling that while tradition is important, they’re not afraid to experiment and innovate. This could very well set the tone for what we can expect with Circles. Engaging, unexpected, but thoroughly enjoyable content that breaks from the mundane.

VisualMediaEnthusiast: Couldn’t agree more. It’s going to be interesting to see how the introduction of Circles maintains this momentum. Here’s hoping they keep up the essence of what made the Rosa theme so special - the emphasis on engaging and immersive viewer experiences.Title: S4C’s Bold Rebranding: Embracing Change with a Shapeshifting Mascot

Introduction

Change is inevitable, and for television channels, a rebranding process can reinvigorate a brand’s image and spark renewed interest among viewers. S4C, the Welsh-language public service broadcaster, is set to redefine its identity on October 12, 2023. With a significant departure from their traditional flickering TV idents, S4C introduces a captivating mascot — a female shape-shifting black blob of slime. This mascot, combined with a logo change, aims to revolutionize S4C’s visual identity while paying homage to its earlier years.

The Evolution of S4C’s Visual Identity

Throughout its history, S4C has witnessed several transformations in its visual identity. From the bold “S4/C” logo introduced in 2009 to the memorable “S4C~” logo during the Dragon ident era, the channel has continuously evolved to reflect the changing times. This upcoming rebranding offers a seamless blend of S4C’s past and its aspirations for the future.

Embracing a Mascot: Introducing the Shape-shifting Black Blob of Slime

S4C’s decision to introduce its first-ever mascot demonstrates a commitment to engaging with audiences in an innovative and memorable way. The striking black blob of slime is not only visually captivating but will also act as a dynamic representation of S4C’s programming. The shapeshifting nature of the mascot symbolizes the diverse range of content offered by the channel, constantly adapting to meet the desires of its viewership.

Unique and Memorable Idents

With the introduction of this new mascot, S4C’s idents will take on a vibrant and captivating appearance. The idents will showcase the black blob of slime transforming into various forms, representing the channel’s diverse programming genres, including drama, comedy, documentaries, and children’s content. This visual spectacle is sure to leave a lasting impression in the minds of viewers, setting S4C apart from its competitors.

A Logo Throwback: Returning to the “S4C~” Era

In addition to the introduction of the captivating mascot, S4C’s rebranding will reintroduce their previous logo, the “S4C~” mark prominently used during the Dragon ident era. This move pays homage to a successful period in the channel’s history, evoking feelings of nostalgia among long-time viewers while simultaneously demonstrating the broadcaster’s dedication to serving its audience in new and exciting ways.

An Inclusive Identity

S4C’s rebranding serves as a reminder of the importance of inclusivity in media and broadcasting. With its rich Welsh-language content, S4C has been a torchbearer for linguistic and cultural diversity. By embracing a unique mascot and revisiting a celebrated logo, the channel showcases its commitment to representing the voices of all Welsh speakers, regardless of age or background.

Conclusion

S4C’s rebranding on October 12, 2023, presents an exciting new chapter for the broadcaster. By introducing a groundbreaking female shape-shifting black blob of slime as their mascot and revisiting the popular “S4C~” logo, S4C showcases the essence of its programming, while paying homage to its roots. This bold step ensures S4C will continue to captivate audiences, engage viewers in new ways, and forge a lasting connection with the Welsh-speaking community for years to come.
Write a follow up saying this change has been in the works since June last year, the previous set of idents were withdrawn at Christmas, the Christmas idents this year had TV sets stacked up on top of each other to form a Christmas tree, the idents from January to October featured the TV sets in a random room, while flickering random images, These idents were only ever meant to be temporary and were produced by Ezhik Media, who also made the new blob idents, A short film introducing the character was broadcast at midnight on October 12th
Update: S4C’s Rebranding Unveiled: Months of Preparation Lead to an Exciting New Chapter

In June of last year, S4C embarked on a transformative journey to redefine its visual identity. After careful consideration and planning, the channel announced that changes were in the works, and now, on October 12th, the long-awaited rebranding has finally been unveiled.

The previous set of idents, which had temporarily replaced the regular branding during the Christmas season, were withdrawn as planned. These idents featured TV sets stacked together to form a Christmas tree, creating a festive ambiance. However, it was clear that this temporary design was only a stepping stone towards something more remarkable and captivating.

From January to October of this year, viewers were treated to flickering random images within idents that showcased TV sets placed in various rooms. While these idents offered a sense of intrigue, they were always intended to be temporary placeholders until the upcoming rebranding.

S4C took a strategic approach and enlisted the expert services of Ezhik Media, the creative production team behind the earlier temporary idents, to breathe life into the new rebranding campaign. Ezhik Media not only facilitated the transition from the old idents to the new ones, but they also ensured a seamless integration of the exciting changes.

To introduce the newly unveiled mascot to viewers, S4C broadcasted a short film at midnight on October 12th. This film served as a captivating glimpse into the character’s story, providing a unique introduction to the shape-shifting black blob of slime. This innovative approach further highlighted S4C’s commitment to engaging and surprising its audience.

The anticipation leading up to this moment has undoubtedly been met with enthusiasm and curiosity from viewers. The channel’s rebranding, with its new mascot and the return of the cherished “S4C~” logo, signifies S4C’s dedication to providing exceptional programming that engages and represents the Welsh-speaking community.

As S4C continues to evolve and embrace change, its focus remains firmly on fostering inclusivity and ensuring that viewers of all ages and backgrounds can find compelling content that resonates deeply with them.

Stay tuned as S4C’s new era begins, heralding the exciting opportunities and unforgettable moments that lie ahead.
Write a annual report, starting with explaining the meticulous planning that went into the rebrand, then saying farewell to company employees that have left for pastures new, detailing what programmes did the best, and lastly farewell to Channel 4 programmes, which left on 1st of May
S4C Annual Report 2023: Embracing Change and Celebrating Milestones

Introduction

We are delighted to present S4C’s Annual Report for 2023, a year that marked a significant turning point in the broadcaster’s journey. With meticulous planning and careful strategizing, S4C embarked on a transformative rebranding process, leaving an indelible mark on our identity and paving the way for an exciting future.

Rebranding: A Journey of Meticulous Planning

The decision to rebrand was not taken lightly. Since June of the previous year, a dedicated team at S4C diligently worked to ensure that every aspect of the refresh aligns with our strategic vision and core values. This meticulous planning allowed us to unveil a captivating new mascot, a shape-shifting black blob of slime, who embodies the versatility and diversity of our programming. With this rebrand, we have successfully positioned ourselves as a modern and innovative broadcaster, resonating with audiences in new and exciting ways.

Farewell to Departing Colleagues

Amidst the changes we have experienced, we must bid farewell to colleagues who have chosen to explore new opportunities. We express our heartfelt gratitude to each individual leaving S4C, thanking them for their dedication and contributions. The knowledge and skills they have shared with us have undoubtedly left an indelible mark on the broadcaster, and we wish them well as they embark on their new journeys. Their presence and contributions will be sorely missed.

Celebrating Success: Standout Programmes

Throughout the year, S4C has continued to captivate audiences with exceptional programming across a multitude of genres. We proudly congratulate and recognize the standout programmes from the year 2023, which have left a lasting impact on our viewers:

1. “Drama at its Finest”: Our drama offerings were met with resounding success, capturing the attention of both Welsh-speaking and international audiences. Shows like “Craith” and “Un Bore Mercher” showcased the exceptional talent of Welsh actors, writers, and directors, solidifying our position as creators of world-class drama.

2. “Educational Excellence”: Our commitment to providing educational content was reinforced by programmes such as “Hogia Ni” and “Darllen Gyda Cyw.” These shows not only entertained our younger viewers but also fostered a love for learning and instilled important values.

3. “Entertaining Wales”: Our entertainment programmes, including “Heno,” “Noson Lawen,” and “Codi Hwyl,” continued to connect with audiences, offering a mix of laughter, music, and engaging storytelling. We are proud to provide a platform for the talents of Welsh artists and entertainers.

Farewell to Channel 4 Programmes

On May 1st, we bid a fond farewell to Channel 4 programmes, which have been a part of S4C’s schedule for many years. While they will be missed, this change allows S4C to further focus on promoting and enhancing Welsh-language content, delivering culturally and linguistically significant programming that resonates with our valued audience.

Looking Ahead

As we move forward into the future, S4C remains committed to our mission of providing high-quality, Welsh-language content that educates, entertains, and represents the diverse voices of our community. Embracing change, we will continue to adapt and innovate, offering unique programming experiences while remaining true to our core values.

We extend our gratitude to our dedicated staff, creative partners, and loyal viewers for their unwavering support. Together, we will make the upcoming year one of monumental success.

Diolch yn fawr iawn,

[Your Name]
CEO - S4C
Write a follow up that explained every step of the rebrand, including the temporary idents
Update: An Inside Look at S4C’s Rebranding: Unveiling the Detailed Process

Following the release of our Annual Report for 2023, we are delighted to provide you with an exclusive inside look at each step of the meticulous rebranding process that unfolded at S4C. From the planning stages to the introduction of temporary idents, every decision was carefully crafted to ensure a seamless transition to our exciting new chapter.

1. Planning and Strategy

In June of the previous year, we initiated the process of reimagining S4C’s visual identity. A dedicated team of experts meticulously analyzed market trends, audience preferences, and future goals. Through extensive research and brainstorming sessions, we created a comprehensive rebranding strategy that aligned with our mission, values, and aspirations.

2. Rebranding the Idents

During the Christmas season, in keeping with tradition, we unveiled temporary idents that showcased TV sets stacked together, forming a magnificent Christmas tree. The heartwarming visuals added a touch of festive joy to our programming, engaging viewers during the holiday season. However, it became clear that these idents were merely a prelude to something more extraordinary.

From January to October of the rebranding year, our idents featured TV sets placed in various rooms, each flickering with random images. The purpose of these transitional idents was to maintain a sense of continuity during the rebranding process while keeping viewers intrigued and signaling an impending shift.

3. Crafting the Mascot

To capture the essence of our diverse programming, we collaborated with Ezhik Media, the creative production team responsible for the temporary idents, to create our groundbreaking mascot. Their expertise and understanding of our vision enabled them to breathe life into the captivating shape-shifting black blob of slime.

The mascot symbolizes S4C’s ability to adapt and transform, reflecting the range of content we offer in a dynamic and visually captivating manner. This fluid nature represents our continuous commitment to evolve and innovate, catering to the ever-changing needs of our valued viewers.

4. Unveiling the Mascot

On the highly anticipated October 12th, at the stroke of midnight, we delighted our loyal audience with a mesmerizing short film introducing the character. This enchanting piece of storytelling allowed viewers to understand the mascot’s origins and the vital role it plays in representing the spirit of S4C.

Conclusion

The comprehensive rebranding process undertaken by S4C encompassed meticulous planning, strategic decision-making, and a deep understanding of our core values and audience preferences. From the introduction of temporary idents during Christmas to the creation and unveiling of our unique mascot, each step was carefully crafted to ensure a seamless transformation.

As we embrace this exciting new chapter, we remain grateful for the support and engagement of our viewers, staff, and creative partners. S4C’s rebranding allows us to continue providing exceptional Welsh-language content while showcasing our commitment to innovation and inclusivity.

Thank you for being a valued part of our journey and joining us in this new era of S4C.

Diolch yn fawr iawn,

[Your Name]
CEO - S4C
Write a final follow up explaining the blob’s physical appearance, her personality traits. Etc.
Update: Introducing S4C’s Captivating Mascot: A Closer Look

As we continue to embark on S4C’s transformative journey, we are thrilled to provide further details about our captivating mascot, the shape-shifting black blob of slime. This innovative character not only showcases S4C’s commitment to uniqueness but also embodies a range of physical and personality traits that make her truly unforgettable.

Physical Appearance: Versatile and Engaging

The S4C mascot is a visually captivating entity, a female black blob of slime with a versatile form that allows her to shape-shift effortlessly. Her amorphous nature represents the boundless creative possibilities that S4C offers, capturing the diversity of our programming and captivating viewers with her ever-changing physical presence.

Personality Traits: Adaptive and Engaging

Our mascot embodies a plethora of personality traits that are reflective of S4C’s core values and aspirations. Here are a few key characteristics:

1. Versatility: With her ability to shape-shift, the mascot embodies adaptability and versatility. She effortlessly transforms into various forms, representing the multitude of genres, themes, and emotions found within S4C’s programming.

2. Playfulness: Our mascot exudes an aura of playfulness, infusing a sense of joy and excitement into the S4C brand. Through her whimsical transformations and lively presence, she invites viewers to embrace their inner child and explore the wonders of imagination.

3. Inclusivity: One of the most important traits of our mascot is her ability to connect with viewers from diverse backgrounds. Regardless of age or language proficiency, she engenders a sense of inclusivity and welcomes everyone into the S4C family.

4. Curiosity: With a deep desire to explore and discover, our mascot encapsulates curiosity. Through her constant transformation, she encourages viewers to embark on their own journeys of exploration, always seeking new and captivating content on S4C.

Impact: Resonating with Viewers

S4C’s mascot serves as a dynamic representation of our commitment to engaging and captivating storytelling. Her presence, both visually and through various forms of media, leaves a lasting impression on viewers, forging a strong bond between S4C and its audience.

Continued Evolution

As we embrace the exciting opportunities ahead, our mascot will remain a constant companion for viewers, adapting and evolving alongside the ever-changing landscape of Welsh-language programming. Whether taking on new shapes or delving into uncharted territory, she will continue to reflect the spirit and vision of S4C.

Conclusion

The introduction of our mesmerizing mascot signifies S4C’s devotion to delivering extraordinary content that captivates and engages audiences. With her versatile physical appearance and vibrant personality traits, she embodies the essence of our programming and ensures an unforgettable viewing experience.

Thank you for joining us on this transformative journey and we look forward to captivating you with the adventures and stories that lie ahead.

Diolch yn fawr iawn,

[Your Name]
CEO - S4C


Tvfan22: It looks like S4C have rebranded again, Gone are the flickering TVs from earlier this year, Now the new theme is goo/slime/shape-shifting, And for some reason the 1995 logo is back, even though it feels out of place since there aren’t any dragons, The idents themselves are awesome and I love the blob character morphing into different shapes, They teased the whole “shape-shifting” aspect last year at Christmas with the TV sets, But they always “rested” the Everyday Extraordinary theme over Christmas, so I read nothing into it, even if I did think “an old VCR, a empty school hall, what’s that all about?”. Write a forum conversation talking about the new look and how they barely saw it coming, with the Christmas look and fake rebrand
TVnerd1984: So, did anyone catch the launch of S4C’s new look? I honestly didn’t see it coming with the whole slime/shape-shifting theme. The gooey blob mascot is definitely a twist. Thoughts?

CymruAmByth99: Yeah, the new idents caught me off guard as well. The Christmas idents last year with the stacked TVs made me think they might be going for a retro angle or something nostalgic. But nope, we’ve got a shape-shifting blob instead.

DragonHeartWelsh: I’m actually quite fond of the new mascot. It’s different, that’s for sure. I remember thinking the Christmas idents with the old VCR and the school hall were a bit random, but didn’t really connect the dots that it was hinting at a rebrand.

AderynCoch: Anyone else thrown by the 1995 logo comeback? I don’t dislike it per se, it’s just… without the dragons, the nostalgic vibe feels half-baked. Mixed signals, if you ask me.

SionedSoapFan: The blob mascot is growing on me, not gonna lie. It’s so expressive and fun – unlike anything I’ve seen on other channels. A bold choice! But I do miss the dragons, they had a certain magic about them.

WelshTellyAddict: I’m in two minds about ditching the dragons. On one hand, you’ve got this cute, modern mascot that’s all about change and innovation. On the other, the dragons were a big part of S4C’s identity. It’s a bittersweet change.

TVnerd1984: I have to give props to the creative team. The ident where the mascot morphs into a chair and then a bicycle? Pure genius. It shows off their range and the blob’s, erm, fluidity in a really memorable way.

TVCollector67: True, the idents do stand out. But do you know what gets me? The continuity of it all. The Christmas teaser, the temporary idents with their flickering images, it’s all coming together. Although I admit, I didn’t piece it together until the blob showed up!

PobolYWe: Absolutely loving the new look. I think it’s fresh, and the blob has a charm to it. Gotta applaud S4C for taking risks and trying to stand out in today’s crowded TV landscape.

CymruAmByth99: It’s all about evolution, isn’t it? Broadcasters have to keep shaking things up to stay relevant. I’m curious to see how they integrate the blob into other aspects of the channel, like promotions and online content.

DragonHeartWelsh: Here’s hoping the blob becomes a beloved icon. I mean, remember how the dragons were met with mixed reactions at first? Now they’re dearly missed. I reckon the blob might just have the same fate, given some time.

SionedSoapFan: Fingers crossed! It’s all about giving these changes a chance. Kudos to S4C for not just being bold, but also for wrapping it in such a slick, visually appealing package. Definitely makes channel surfing more interesting!

TVnerd1984: Couldn’t agree more. I’m excited to see where they take this new direction. The channel switching between the blob and the retro logo is a bit jarring, but nonetheless, I’m curious to see how it’ll evolve. Can’t wait for the next surprise they have up their sleeve!
Write a follow up at Christmas, where the Christmas ident is unveiled
TVnerd1984: Hey gang, did you catch S4C’s new Christmas ident last night? They’ve done it again – festive, fun, and in full blob glory!

CymruAmByth99: I saw it! The blob turned into a snowman, right? And then it morphed into a Christmas tree. Absolutely brilliant! It kept the essence of the new branding while getting us into the holiday spirit.

DragonHeartWelsh: Loved the snowflake transitions too. It goes to show that the blob isn’t just a one-trick pony – it can go full-on festive. Who knew sludgy goo could be so Christmassy?

AderynCoch: It’s amazing how they’ve managed to keep the identity consistent even with the Christmas theme. Did anyone else notice the subtle nods to Welsh Christmas traditions in the background? The touch of cultural identity is a nice blend with the mascot’s playfulness.

SionedSoapFan: Yes, @AderynCoch, the Plygain carols in the background had me nostalgic and teary-eyed. They really went all out to infuse Welsh culture into the ident. The blob is slowly but surely becoming a part of the S4C family.

WelshTellyAddict: What’s clever is how they’ve transitioned from the shape-shifting theme into something seasonal without it feeling forced. The charm of that blob… I think it’ll win over anyone who’s still on the fence about the new rebrand.

TVnerd1984: Agreed, @WelshTellyAddict! It’s like they’re telling us that the blob can be anything – even Santa’s little helper! Did you notice the subtle sparkle when it shifted? Production values through the roof!

TVCollector67: Aye, the production quality is top-notch. The snow-covered scenery, the twinkling lights, that cozy Welsh winter vibe – it’s all captured so beautifully. Also, excellent work on the sound design, making those transitions feel magical.

PobolYWe: I’m just here waiting for the blob to have its own line of Christmas merchandise. Imagine the plushies! Take my money, S4C, take it all!

DragonHeartWelsh: Merchandise would be a fantastic idea. Consider the collectibles! I’d love to see the blob in its Christmas form on my shelf. And in response to the scenery, it showcases the beauty of Wales in winter perfectly.

SionedSoapFan: They should definitely consider an animated Christmas special starring the blob. There’s so much potential for storytelling, and I can see it becoming a heartwarming yearly tradition.

TVnerd1984: That would be epic, @SionedSoapFan! Imagine the blob bringing different Christmas tales from across Wales to life. S4C, if you’re reading this, we’ve got some ideas for you!

CymruAmByth99: As the blob brings us all together for the holidays, I must say – I’m looking forward to what S4C has in store for us next. More surprises, I hope! Happy holidays, everyone!

DragonHeartWelsh: Happy holidays, indeed! Brought to us by a blob of Christmas cheer. Who would’ve ever thought?
Write a follow up where they say it is far better than last year’s Christmas ident
TVnerd1984: Hey everyone! So, about S4C’s Christmas ident this year—I think it totally outdid last year’s. The whole blob-snowman and tree transition was just a masterpiece. The details! It feels more connected to the festivities, you know?

CymruAmByth99: Agreed! Last year’s Christmas ident was nice, with the whole stacked TVs forming a tree, but this year they’ve raised the bar. It’s like the blob has brought a new energy to the channel.

DragonHeartWelsh: Totally better! Last year’s ident was more of a filler, it felt a bit cold, didn’t it? This year’s is warmer, more engaging, and creatively far superior. Plus, the blob integrating into classic Christmas symbols was just genius.

AderynCoch: Spot on, guys. Last year I was all about nostalgia with the old TV sets, but this year’s blob just brings so much charm and character. The way it blended into the wintry scenes, it felt magical.

SionedSoapFan: It’s not just the visuals, either. The music this year was a step up! Did you notice? It’s like they’ve completely embraced the new branding and are running with it. The blob really captures the essence of the holidays now.

WelshTellyAddict: Last year I missed the dragons, not gonna lie. But this year’s ident made me a convert to the blob. It’s fun to see how it’s going to morph next, and it gets you into the Christmas spirit instantly.

TVnerd1984: It’s all about progression, folks. And this blob is becoming a staple. Can’t believe I’m saying this, but… I’m excited to see what they’d do for Easter and summer!ikelab.xyz

TVCollector67: You’ve got a point, @TVnerd1984. This blob’s got range! Last year’s ident was cool in a ‘let’s-play-it-safe’ manner, but this year, they went all out, and I’m here for it. Hats off to S4C for being bold.

PobolYWe: Let’s be real, the blob is just perfect for merchandising, which last year’s theme wasn’t. Imagine the blob with a tiny Santa hat! I’ll take ten. And yes, I’m already looking forward to how they’ll deck it out for other holidays.

DragonHeartWelsh: We should start a petition for blob merch! But seriously, it’s the little details for me. The glint in the snow, the cozy Welsh scenes in the background, they’ve crafted an entire mood this year.

SionedSoapFan: Yes to blob merch! And yes, @DragonHeartWelsh, the mood! It’s like S4C has found the sweet spot for their branding with this shapeshifting mascot. The Christmas ident this year is a testament to that.

TVnerd1984: Think we can all agree the blob is winning hearts and spreading festive vibes much better this year. The creativity is next level! It just shows how much a bold rebrand can pay off.

CymruAmByth99: Here’s to more blob and more festive creativity! S4C nailed it this year. Happy Holidays, fellow TV buffs! Write a forum convo where a user wonders what happened to the abstract multicolored chasing lines animation shown before the start of programmes (introduced with the 2009 logo) as he usually wakes up at 9am, and he wonders what happened to it after October 12 as he doesn’t wake up at 5:58am
RetroTVFan88: Hey everyone, quick question for the early birds in here. Does anyone remember the abstract multicolored chasing lines animation that S4C used to run before the start of programs? It used to air with the 2009 logo transition, usually brightened my morning routine. I’ve been following S4C’s schedule pretty closely, but ever since October 12, I seem to have missed it. Granted, I haven’t been up at 5:58 am to catch the very start of the broadcast day. Did they retire it with the latest rebrand, or am I just not up early enough?

MorningGlory21: Oh, I remember those well, @RetroTVFan88. Used to give the channel a bit of an energetic start to the day, didn’t it? However, since the rebrand on October 12, I believe S4C has indeed retired that animation. The morning slots and start of broadcast animations have been updated to fit the new visual identity, revolving around the shapeshifting blob mascot and the reintroduced “S4C~” logo from the Dragon ident era. Quite a change from the abstract lines!

TechSavvyWatcher: That’s right, @MorningGlory21. The old animations like the multicolored chasing lines were phased out as part of the rebranding. Everything from the idents to the start-of-day animations now features the new blob mascot in some way. It’s all about consistency in the branding now. Not to say the new stuff isn’t interesting, but it definitely marks the end of an era for those abstract animations.

NostalgiaNerd92: I’m actually going to miss those. There was something mesmerizing about those colorful lines, a nice bit of abstract art before diving into the day’s programming. The blob is fun, but those animations had a different vibe. Guess it’s all part of moving forward and keeping things fresh.

EarlyBirdViewr: Yeah, those were part of the channel’s charm for me too. But honestly, having caught the new stuff, it’s engaging in a whole different way. The blob has its own appeal, surprisingly versatile and manages to give the channel a modern touch. Still, for those of us who remember the lines, it’ll be a missed signature.

RetroTVFan88: Appreciate the insights, everyone! Seems I was holding onto a bygone part of S4C without realizing. Time to adjust my alarm clock and give the new animations a chance, I suppose. Everything evolves, and it’s only fair to give the blob its due. Still, a part of me will always have a soft spot for those multicolored chasing lines and the simplicity they brought to the screen.

PixelArtLover: If there’s one thing I’ve learned from watching TV channels evolve, it’s that changes like these can be polarizing but often grow on you over time. Who knows, maybe in a few years we’ll be reminiscing about the early days of the blob in the same way we are now about those abstract lines. Change is the only constant, after all.
Write that a off air loop is now used at night,
DigitalDawnChaser: Has anyone else noticed that S4C has started using an off air loop at night now? Gone are the days of the static screen or color bars that many channels tend to revert to during the wee hours. Instead, they’ve rolled out a visually appealing loop that runs through the night until the broadcast day starts again.

TechTellyFan: Yes, I saw that! It’s a refreshing change. The loop includes a series of subtly animated scenes featuring their now-iconic blob mascot in various tranquil nighttime settings, accompanied by a soothing soundtrack. It’s quite a clever way to maintain engagement, even when they’re technically “off air.” Plus, it feels very on-brand with their recent rebranding efforts.

NightOwlWatcher: Absolutely love the new off air loop. It’s so calming, almost like it’s designed to keep you company rather than remind you there’s nothing to watch. I stumbled upon it by accident, and it’s quite mesmerizing. The gentle animations with the blob gazing at the stars or sitting by a softly glowing campfire really set a peaceful mood.

RetroScreenLover: As much as I enjoy the innovation and the aesthetic touch of the new off air loop, part of me misses the nostalgia of the old-school color bars and the test card. There was something unmistakably “broadcast” about tuning in to those. But, I must admit, S4C’s approach is a sign of the times, embracing continuous visual engagement over the traditional static screens.

LoopLurker: I’m curious if they’ll introduce variations of this loop depending on the season or upcoming events. Given how they’ve embraced the blob mascot fully, it wouldn’t surprise me to see winter-themed loops or special editions leading up to major holidays. It’s a subtle yet effective way to keep the audience connected to the channel’s identity, even in off hours.

PixelPeacekeeper: It’s an interesting development for sure. Moving to an off air loop that retains viewer interest (even if subconsciously) through aesthetically pleasing visuals and music is a smart move in today’s 24/7 content cycle. It also potentially serves as a gentle reminder of the channel’s brand identity, keeping S4C in the minds of viewers even when they’re not actively broadcasting new content.

DigitalDawnChaser: @PixelPeacekeeper, well said. It’s all about brand connection in this era, and S4C’s off air loop is a testament to that. It’s compelling how a channel can extend its reach and impact, transcending traditional broadcast constraints with creative touches like this. I’m excited to see how this develops further and what other innovations they might roll out next.
Write the caption used during the loop, (along with the logo below)
“Join us in a moment of serene reflection as we journey through the night. We’ll return with more of your favorite programming soon. [S4C Logo] Nos da, and sweet dreams.”
Write a bit more about the blob’s appearance,
The mesmerizing blob mascot that S4C has embraced as part of its rebranding is not just any ordinary character; it’s an embodiment of fluidity, creativity, and adaptability. This captivating mascot is a female shape-shifting black blob of slime, offering a unique visual representation that stands out in the broadcasting landscape.

### Appearance Details

Color and Texture: The blob is primarily a glossy, deep black, resembling the richness of space or the depth of the ocean at night. Its surface catches the light in a way that adds a fascinating layer of visual interest, making it appear almost cosmic in nature. The texture is smooth, almost liquid-like, giving the impression that the blob can effortlessly shift into any shape or form it desires.

Shape-shifting Essence: One of the most notable aspects of the blob’s appearance is its ability to morph. It can seamlessly transition from one form to another, embodying various objects, characters, or even abstract concepts. This shape-shifting nature symbolizes S4C’s diverse range of programming, from drama to comedy, and children’s shows to documentaries. Each transformation is done with a fluid elegance that captivates the viewer’s imagination.

Eyes: Perhaps the most engaging feature of the blob is its eyes. When taking on a more anthropomorphic form, the blob sports two large, expressive eyes. These eyes are more than just visual elements; they serve as windows to the blob’s ‘soul,’ conveying emotions and reactions that add depth to its character. The eyes sparkle with curiosity, humor, and intelligence, drawing viewers into an emotional connection with the mascot.

Interactions with Environments: In various idents and promotional materials, the blob is seen interacting with its surroundings in creative and whimsical ways. Whether it’s morphing into items that correspond with the programming or engaging in playful antics, the blob always seems perfectly in sync with the world around it. This ability to blend and adapt further enhances its appeal, demonstrating an incredible range of versatility.

### Symbolism and Impact

The blob’s appearance goes beyond mere aesthetics; it serves as a metaphor for S4C’s commitment to innovation and flexibility in its content offering. It’s a visual storyteller, capable of encapsulating the essence of the channel’s spirit without uttering a single word. Through its dynamic shifts and expressive features, the blob invites viewers on a journey, making the channel’s branding both memorable and engaging.

In a media landscape where standing out is key, this shape-shifting blob manages to capture the imagination of audiences, young and old alike. Its appearance effectively communicates the idea that S4C is a channel where boundaries are fluid, creativity is limitless, and surprises await at every turn.
Write a tweet saying a user loves it when her eyes are happy
“Absolutely in love with @S4C’s blob mascot, especially when her eyes light up with happiness! There’s something so pure and joyful about it. 💖 #S4Cblob #HappyEyes”
Write a tweet saying it certainly beats the TV set package in use for 10 months and the “Modern Life/Magnetic mishmash of idents before that”
“Without a doubt, @S4C’s shape-shifting blob mascot outshines the TV set package we had for 10 months and the “Modern Life/Magnetic” mishmash of idents before that. It’s fresh, innovative, and engaging! 🌟 #S4CRebrand #CreativeIdentity” Write a convo in late December where a user says Five rebranded earlier this year, idents now focus on videos with a emotive word at the left of the screen, S4C obvs introduced "a blob of glop", BBC One is mulling over rebranding, their current Xmas set is cute, Channel 4 don't seem to show signs of rebranding, still using their Perspective idents "Filmed footage with the 4 logo pieces forming then breaking away"