{"input": "Which film has the director who was born later, Alludugaru or The Laughing Woman?", "context": "Passage 1:\nW. Augustus Barratt\nW. Augustus Barratt (3 June 1873 \u2013 12 April 1947) was a Scottish-born, later American, songwriter and musician.\n\nEarly life and songs\nWalter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley. In 1893 he won a scholarship for composition to the Royal College of Music.\nIn his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements.\nBy the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover.\nHe then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree. He co-composed with Howard Talbot the successful Kitty Grey (1900).He continued to write songs and to receive recognition for them. The 1901 and 1902 BBC Promenade Concerts, \"The Proms\", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald.\nHis setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times. It also appeared four times, with different singers, in the 1913 and 1914 Proms.\n\nAmerica\nIn September 1904 he went to live in New York City, finding employment with shows on Broadway, including the following roles:\n\non-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;\nmusical director of The Little Michus (1907), also featuring songs by Barratt;\nco-composer of Miss Pocahontas (1907), a musical comedy;\nmusical director of The Love Cure (1909\u20131910), a musical romance;\ncomposer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst. Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;\nmusical director of The Quaker Girl (1911\u20131912);\nco-composer and musical director of My Best Girl (1912);\nmusical director of The Sunshine Girl (1913);\nmusical director of The Girl who Smiles (1915), a musical comedy;\nmusical director and contributor to music and lyrics of Her Soldier Boy (1916\u20131917);\ncomposer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;\ncontributor of a song to The Passing Show of 1918;\ncomposer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;\ncontributor of lyrics to The Melting of Molly (1918\u20131919), a musical comedy;\nmusical director of What's in a Name? (1920), a musical revue\n\n1921 in London\nThough domiciled in the US, he made several visits back to England. During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B. Cochran, namely\n\nLeague of Notions, at the New Oxford Theatre, for which he composed the music and co-wrote, with John Murray Anderson, the lyrics;\nFun of the Fayre, at the London Pavilion, for which similarly he wrote the music and co-wrote the lyrics\n\nBack to Broadway\nBack in the US he returned to Broadway, working as\ncomposer and lyricist of Jack and Jill (1923), a musical comedy;\nmusical director of The Silver Swan (1929), a musical romance\n\nRadio plays\nIn later years he wrote plays and operettas mostly for radio, such as:\n\nSnapshots: a radioperetta (1929)\nSushannah and the Brush Wielders: a play in 1 act (1929)\nThe Magic Voice: a radio series (1933)\nMen of Action: a series of radio sketches (1933)\nSay, Uncle: a radio series (1933)\nSealed Orders: a radio drama (1934)\nSergeant Gabriel (with Hugh Abercrombie) (1945)\n\nPersonal\nIn 1897 in London he married Lizzie May Stoner. They had one son. In 1904 he emigrated to the US and lived in New York City. His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American. In 1924, he became a naturalized American citizen. He died on 12 April 1947 in New York City.\n\nNote on his first name\nThe book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to \"his son William Augustus Barratt\" with details that make it clear that Walter Augustus Barratt is the same person and that a \"William\" Augustus Barratt is a mistake. For professional purposes up to about 1900 he appears to have written as \"W. Augustus Barratt\", and thereafter mostly as simply \"Augustus Barratt\".\nPassage 2:\nAlludugaru\nAlludugaru or Alludu Garu  is a 1990 Indian Telugu-language drama film directed by K. Raghavendra Rao and produced by Mohan Babu under Lakshmi Prasanna Films. This film stars Mohan Babu and Shobhana in lead roles, while Ramya Krishna also appeared in an important supporting role. It was commercially and critically successful running for more than 100 days. The music of the movie was composed by K. V. Mahadevan.This film is a remake of Malayalam blockbuster Chithram.\n\nCast\nMohan Babu as Vishnu\nShobana as Kalyani\nRamya Krishna as Revathi\nJaggayya as Ramachandra Prasad\nChandramohan as Anand\nKaikala Satyanarayana as Jailer\nGollapudi Maruthi Rao\nSudhakar\nNizhalgal Ravi\n\nSoundtrack\nSoundtrack composed by K. V. Mahadevan is owned by Aditya Music.\n\nAwards\nK. J. Yesudas won Nandi Award for Best Male Playback Singer for the song \"Muddabanthi Navvulo\".\nPassage 3:\nThe Laughing Policeman (film)\nThe Laughing Policeman (released in the UK as An Investigation of Murder) is a 1973 American neo-noir thriller film loosely based on the 1968 novel of the same name by Maj Sj\u00f6wall and Per Wahl\u00f6\u00f6. The setting of the story is transplanted from Stockholm to San Francisco. It was directed by Stuart Rosenberg and features Walter Matthau as Detective Jake Martin.\n\nPlot\nA busload of passengers, including off-duty police detective Dave Evans, are gunned down and killed. Evans, on his own time, has been following a man named Gus Niles in search of information linking businessman Henry Camarero to the murder of his wife, Teresa, two years earlier.\nEvans was the partner of Detective Sergeant Jake Martin, a veteran but cynical member of the Homicide Detail working the bus massacre investigation. Jake originally investigated the Teresa Camarero case and has been obsessed with his failure to \"make\" Camarero for the murder. Jake returns to it after many dead-end leads (including a disastrous confrontation with a deranged amputee who takes hostages at gunpoint) in the bus investigation. Niles was killed on the bus as well, and it was Niles who provided the alibi that enabled Camarero to cover up his wife's murder.\nThe sullen Jake and enthusiastic but impulsive Inspector Leo Larsen are paired to interview suspects. Jake shuts out Larsen from his deductions, while Larsen, despite a loose-on-the-rules and brutal side, tries to understand and gain the confidence of his new partner. Defying the orders of their police superior Lt. Steiner, they seek, find and then smoke out Camarero, leading to a chase through the streets of San Francisco and a confrontation aboard another bus.\n\nCast\nWalter Matthau as Sgt. Jake Martin (Martin Beck in the novel)\nBruce Dern as Insp. Leo Larsen (Gunvald Larsson in the novel)\nLouis Gossett Jr. as Insp. James Larrimore\nAnthony Zerbe as Lt. Nat Steiner\nAlbert Paulsen as Henry Camerero\nVal Avery as Insp. John Pappas\nPaul Koslo as Duane Haygood\nCathy Lee Crosby as Kay Butler\nJoanna Cassidy as Monica\nClifton James as Maloney\nGregory Sierra as Ken Vickery\nMatt Clark as Coroner\n\nReception\nOn review aggregator website Rotten Tomatoes the film has a score of 57% based on reviews from 14 critics, with an average rating of 5.5/10.\nRoger Ebert of the Chicago Sun-Times said, The Laughing Policeman is an awfully good police movie: taut, off-key, filled with laconic performances. It provides the special delight we get from gradually unraveling a complicated case... The direction is by Stuart Rosenberg, and marks a comeback of sorts... With The Laughing Policeman, he takes a labyrinthine plot and leads us through it at a gallop; he respects our intelligence and doesn't bother to throw in a lot of scenes where everything is explained. All the pieces in the puzzle do fit together, you realize after the movie is over, and part of the fun is assembling them yourself. And there are a couple of scenes that are really stunning, like the bus shooting, and an emergency room operation, and scenes where the partners try to shake up street people to get a lead out of them. Police movies so often depend on sheer escapist action that it's fun to find a good one.\nVariety praised the film saying that \"After an extremely overdone prolog of violent mass murder on a bus, The Laughing Policeman becomes a handsomely made manhunt actioner, starring Walter Matthau and Bruce Dern in excellent performances as two San Francisco detectives\".According to Chris Petit of Time Out, \"By the end, complete with car chase and split-second shooting, the film has become indistinguishable from all those movies it's trying so hard to disown\".The Laughing Policeman was released on Blu-ray on November 15, 2016. Matthew Hartman of High-Def Digest, who reviewed it, wrote \"[the film] could have been a great and gritty 70s thriller, unfortunately, it's primary story doesn't live up to the potential of the opening scene\".\n\nSee also\nList of American films of 1973\nPassage 4:\nPiero Schivazappa\nPiero Schivazappa (born  14 April 1935) is an Italian film and television director and screenwriter.\n\nLife and career\nBorn in Colorno, Schivazappa entered the film industry in 1959 as an assistant director, collaborating with Valerio Zurlini, Mario Monicelli and  Carlo Lizzani, among others. In 1963, he started collaborating with RAI for news reports and documentaries.Schivazappa made his feature film debut in 1969, with the controversial BDSM-themed The Laughing Woman, which at the time had many problems with censorship. Following the success of his 1973 miniseries Vino e pane, in the following years he focused on television films and TV-series.\nIn 1986 Schivazappa directed Serena Grandi in the erotic drama La signora della notte , produced by Giovanni Bertolucci.\n\nPersonal life\nSchivazappa is married to actress Scilla Gabel.\n\nSelected filmography\nL'Odissea (TV, 1968)\nThe Laughing Woman (1969)\nUna sera c'incontrammo (1975)\nDov'\u00e8 Anna? (TV, 1976)\nLady of the Night (1986)\nAn American Love (TV, 1994)\nPassage 5:\nThe Laughing Cavalier (film)\nThe Laughing Cavalier  is a 1917 British silent adventure film directed by A. V. Bramble and Eliot Stannard and starring Mercy Hatton, Edward O'Neill and George Bellamy. It is an adaptation of the 1913 novel The Laughing Cavalier by Baroness Emmuska Orczy.\n\nCast\nMercy Hatton - Gilda Beresteyn\nGeorge Bellamy - Lord Stoutenberg\nEdward O'Neill - Governor Beresteyn\nA.V. Bramble - Diogenes\nFrederick Sargent - Nicholas Beresteyn\nEva Westlake - Lady Stoutenberg\nPassage 6:\nThe Laughing Woman\nThe Laughing Woman (Latin: Femina ridens), also known as The Frightened Woman, is a 1969 Italian erotic thriller film directed by Piero Schivazappa.\n\nPlot\nDr. Sayer, the director of a philanthropic foundation, spends his weekends at his luxurious villa outside of Rome toying with sadistic fantasies. His games are usually acted out with the help of a prostitute conversant with his desires. When his regular prostitute becomes unavailable at the last minute, Sayer substitutes Maria, a young journalist on his staff. After the drugged Maria regains consciousness at his villa, Sayer realizes that he now has a real victim on his hands. She is subjected to his unpleasant games but soon begins subverting him.\n\nCast\nPhilippe Leroy: Doctor Sayer\nDagmar Lassander: Mary\nLorenza Guerrieri: Gida\nVaro Soleri: Administrator\nMaria Cumani Quasimodo: Sayer's Secretary\nMirella Pamphili: Streetwalker\n\nSoundtrack\nThe soundtrack to the film was composed by Stelvio Cipriani and released in 1969.\n\nTrack listing\nSide A\nWeek-End With Mary\nLove Symbol\nHot Skin\nChorus And Brass \"Fugato\"\nRendez-Vous In The Castle\nSophisticated Shake\n\nSide B\n\"Femina Ridens\" Song\nMary's Theme\nThe Shower\nThe Run In The Alley\nFight Of Love\nPassage 7:\nRumbi Katedza\nRumbi Katedza is a Zimbabwean Film Producer and Director who was born on 17 January 1974.\n\nEarly life and education\nShe did her Primary and Secondary Education in Harare, Zimbabwe. Katedza graduated with a Bachelor of Arts in English from McGill University, Canada in 1995. In 2008 Katedza received the Chevening Scholarship that enabled her to further her studies in film. She also holds a MA in Filmmaking from Goldsmiths College, London University.\n\nWork and filmography\nKatedza has experience in Film and TV Production, Directing, Writing as well as Producing and presenting Radio shows. From 1994 to 2000, She produced and presented radio shows on Women's issues, Arts and Culture, Hip Hop and Acid Jazz for the CKUT (Montreal) and ZBC Radio 3 (Zimbabwe). From 2004 - 2006, she served as the Festival Director of the Zimbabwe International Film Festival. Whilst there, she produced the Postcards from Zimbabwe Series. In 2008, Katedza founded Mai Jai Films and has produced numerous films and television productions under the banner namely\n\nTariro (2008);\nBig House, Small House (2009);\nThe Axe and the Tree (2011);\nThe Team (2011)\nPlaying Warriors (2012)Her early works include:\n\nDanai (2002);\nPostcards from Zimbabwe (2006);\nTrapped (2006 \u2013 Rumbi Katedza, Marcus Korhonen);\nAsylum (2007);\nInsecurity Guard (2007)Rumbi Katedza is a part-time lecturer at the University of Zimbabwe, in the department of Theatre Arts. She is a judge and monitor at the National Arts Merit Awards, responsible for monitoring new film and TV productions throughout the year on behalf of the National Arts Council of Zimbabwe. She has also lobbied Zimbabwean government to actively support the film industry.\nPassage 8:\nHassan Zee\nHassan \"Doctor\" Zee is a Pakistani-American film director who was born in Chakwal, Pakistan.\n\nEarly life\nDoctor Zee grew up in Chakwal, a small village in Punjab, Pakistan. as one of seven brothers and sisters  His father was in the military and this fact required the family to move often to different cities. As a child Zee was forbidden from watching cinema because his father believed movies were a bad influence on children.\nAt age 13, Doctor Zee got his start in the world of entertainment at Radio Pakistan where he wrote and produced radio dramas and musical programs.  It was then that he realized his passion for storytelling At the age of 26, Doctor Zee earned his medical doctorate degree and did his residency in a burn unit at the Pakistan Institute of Medical Sciences. He cared for women who were victims of  \"Bride Burning,\" the archaic practice used as a form of punishment against women who fail to provide sufficient dowry to their in-laws after marriage or fail to provide offspring.  He also witnessed how his country\u2019s transgender and intersex people, called \u201chijras\u201d, were banned from having jobs and forced to beg to survive. These experiences inspired Doctor Zee to tackle the issues of women\u2019s empowerment and gender inequality in his films.In 1999, he came to San Francisco to pursue his dream of filmmaking and made San Francisco his home\n\nEducation\nHe received his early education from Jinnah Public School, Chakwal. He got his medical doctor degree at Rawalpindi Medical College, Pakistan.\n\nFilm career\nDoctor Zee's first film titled Night of Henna was released in 2005. The theme of the film dealt with \"the conflict between Old World immigrant customs and modern Western ways...\" Night of Henna focused on the problems of Pakistani expatriates who found it hard to adjust in American culture. Many often landed themselves in trouble when it came to marrying off their children.\nHis second film Bicycle Bride came out in 2010, which was about \"the clash between the bonds of family and the weight of tradition.\" His third film House of Temptation that came out in 2014 was about a family which struggles against the temptations of the Devil. His fourth film \u201cGood Morning Pakistan\u201d, concerned a young American\u2019s journey back to Pakistan where he confronts the contradictory nature of a beautiful and ancient culture that's marred by economic, educational and gender inequality His upcoming fifth film, \"Ghost in San Francisco\" is a supernatural thriller starring Felissa Rose, Dave Sheridan, and Kyle Lowder where a soldier comes home from Afghanistan to discover that his wife is having an affair with his best friend. While battling with his inner ghosts and demons, he meets a mysterious woman in San Francisco who promises him a ritual for his cure.\nPassage 9:\nEdward Yates\nEdward J. Yates (September 16, 1918 \u2013 June 2, 2006) was an American television director who was the director of the ABC television program American Bandstand from 1952 until 1969.\n\nBiography\nYates became a still photographer after graduating from high school in 1936. After serving in World War II, he became employed by Philadelphia's WFIL-TV as a boom microphone operator. He was later promoted to cameraman (important as most programming was done live and local during the early years of television) and earned a bachelor's degree in communications in 1950 from the University of Pennsylvania.\nIn October 1952, Yates volunteered to direct Bandstand, a new concept featuring local teens dancing to the latest hits patterned after the \"950 Club\" on WPEN-AM. The show debuted with Bob Horn as host and took off after Dick Clark, already a radio veteran at age 26, took over in 1956.\nIt was broadcast live in its early years, even after it became part of the ABC network's weekday afternoon lineup in 1957 as American Bandstand. Yates pulled records, directed the cameras, queued the commercials and communicated with Clark via a private line telephone located on his podium.\nIn 1964, Clark moved the show to Los Angeles, taking Yates with him.\nYates retired from American Bandstand in 1969, and moved his family to the Philadelphia suburb of West Chester.\nHe died in 2006 at a nursing home where he had been for the last two months of his life.\n\nExternal links\nEdward Yates at IMDb\nPassage 10:\nK. Raghavendra Rao\nKovelamudi Raghavendra Rao (born 23 May 1942) is an Indian film director, screenwriter, and producer known for his works predominantly in Telugu cinema besides having directed a few Hindi films. He has garnered four state Nandi Awards and five Filmfare Awards South. In a film career spanning more than four decades, Rao has directed more than a hundred feature films across multiple genres such as romantic comedy, fantasy, melodrama, action thriller, biographical and romance films.Rao received the state Nandi Award for Best Director for his works such as Bobbili Brahmanna (1984), and Pelli Sandadi (1996). He garnered the Filmfare Award for Best Director \u2013 Telugu for the drama film Prema Lekhalu (1977), the fantasy film Jagadeka Veerudu Athiloka Sundari (1990), and the romance film Allari Priyudu (1993). Rao is known for his works in hagiographical films such as Annamayya (1997), which won two National Film Awards, and was also showcased at the 1998 International Film Festival of India in the mainstream section. Rao also received the Nandi Award for Best Direction, the Filmfare Award for Best Direction for his work in the film. His other hagiographic works such as Sri Manjunatha (2001), Sri Ramadasu (2006), Shirdi Sai (2012) and Om Namo Venkatesaya (2017), received several state honours.\nHis mainstream works such as the 1987 social problem film Agni Putrudu, and the 1988 action thriller Aakhari Poratam, were screened at the 11th and 12th International Film Festival of India respectively in the mainstream section. In 1992, he directed the melodrama Gharana Mogudu which premiered at the 1993 International Film Festival of India in the mainstream section. It became the first Telugu film to gross over \u20b910 crore (US$1.3 million) at the box office. Next, he directed the instant hit Allari Priyudu (1993), which also premiered at the 1994 International Film Festival of India in the mainstream section.He is also credited with introducing many actors, actresses, and technicians to the Telugu film industry, like Sridevi, Tabu, Tapsee Pannu, Manchu Lakshmi, Sreeleela, Venkatesh, Mahesh Babu, Allu Arjun, S. S. Rajamouli, and Marthand K. Venkatesh.\n\nPersonal life\nRaghavendra Rao was born on 23 May 1942 to veteran director K. S. Prakash Rao and Koteswaramma. He is also the father of actor turned filmmaker Prakash Kovelamudi. Raghavendra Rao was an executive member in the Tirumala Tirupati Devasthanams Board from 2015 to 2019.\n\nAwards and honors\nNandi AwardsNTR National Award - 2015\nB. N. Reddy National Award for lifetime contribution to Telugu cinema (2009)\nBest Director \u2013 Annamayya (1997)\nBest Choreographer \u2013 Pelli Sandadi (1996)\nBest Director \u2013 Pelli Sandadi (1996)\nBest Director \u2013 Allari Priyudu (1993)\nBest Director \u2013 Bobbili Brahmanna (1984)Filmfare Awards SouthBest Director \u2013 Prema Lekhalu (1977)\nBest Director \u2013 Jagadeka Veerudu Athiloka Sundari (1990)\nBest Director \u2013 Allari Priyudu (1993)\nBest Director \u2013 Annamayya (1997)\nLifetime Achievement Award (2002)IIFA AwardsOutstanding contribution to Indian cinema (2017)SIIMA AwardsLifetime Achievement Award (2014)CineMAA AwardsLifetime Contribution Award \u2013 (2012)\nBest Film (Jury) \u2013 Shirdi Sai \u2013 (2013)Other AwardsAllu Rama Lingaiah Award (2016)\n\nFilmography\nDirector\nActor\nSupervisor of direction\nAssociate director\nProducer\nPresenter\nChoreographer\nTelevision\n2002: Santhi Nivasam (ETV Telugu)\n2010: Arundathi (ETV Kannada)\n2013: Mangammagari Manavaralu (Zee telugu)\n2014: Soundrya Lahari (ETV Telugu)\n2016: Koyilamma (MAA TV)\n2017: Sye Sye Sayyare (ETV Telugu)\n2017: Agnisakshi (Star MAA)\n2018: Siri Siri Muvvalu  (Star MAA)\n2020: C/o Anasuya (Star MAA)\n2021: Krishna Tulasi (Zee telugu)", "answers": ["Alludugaru"], "length": 3566, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "d8cde3372e47344e4aed4fca9f307ea80b7172960d153325"}/n
“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.