{"input": "What is the place of birth of the composer of film Yand\u00e9 Codou, La Griotte De Senghor?", "context": "Passage 1:\nAbe Meyer\nAbe Meyer (1901\u20131969) was an American composer of film scores.\n\nSelected filmography\nPainted Faces (1929)\nHoneymoon Lane (1931)\nUnholy Love (1932)\nA Strange Adventure (1932)\nTake the Stand (1934)\nLegong (1935)\nThe Unwelcome Stranger (1935)\nSuicide Squad (1935)\nThe Mine with the Iron Door (1936)\nThe Devil on Horseback (1936)\nSong of the Trail (1936)\nCounty Fair (1937)\nThe 13th Man (1937)\nRaw Timber (1937)\nRoaring Timber (1937)\nThe Law Commands (1937)\nThe Painted Trail (1938)\nMy Old Kentucky Home (1938)\nThe Secret of Treasure Island (1938)\nSaleslady (1938)\nNumbered Woman  (1938)\nThe Marines Are Here (1938)\nFisherman's Wharf (1939)\nUndercover Agent (1939)\nPassage 2:\nTarcisio Fusco\nTarcisio Fusco was an Italian composer of film scores. He was the brother of the composer Giovanni Fusco and the uncle of operatic soprano Cecilia Fusco.\n\nSelected filmography\nBoccaccio (1940)\nFree Escape (1951)\nAbracadabra (1952)\nThe Eternal Chain (1952)\nBeauties in Capri (1952)\nMilanese in Naples (1954)\nConspiracy of the Borgias (1959)\nPassage 3:\nThomas Morse\nThomas Morse (born June 30, 1968) is a composer of film and concert music.\n\nLife and composing career\nHe began his musical career while in high school, writing his first orchestral work. After receiving a bachelor's degree in composition from the University of North Texas, Morse began a composition master's degree at USC in Los Angeles, changing over to the film scoring program in the second year.In the years that followed, Morse composed orchestral scores for more than a dozen feature films including The Big Brass Ring, based on an Orson Welles script, with William Hurt & Miranda Richardson who received a Golden Globe nomination for her performance; The Sisters (Maria Bello & Elizabeth Banks); and The Apostate (with Dennis Hopper), as well as the noted orchestral score for Jerry Bruckheimer's CBS series The Amazing Race.Working parallel in the field of popular music, he created string arrangements on songs for numerous artists including a posthumous Michael Hutchence release entitled Possibilities.In 2013 he signed a worldwide publishing agreement with Music Sales Group in New York, parent company of G. Schirmer.\n\nNotable music for film and television\nNotable music for film and television:\n2014 Come Back to Me\n2005 The Sisters\n2001-2005 The Amazing Race (69 Episodes)\n2001 Lying in Wait\n2000 The Apostate\n1999 The Big Brass Ring\n\nOpera\n2017 Frau Schindler\n\nOther works\n2013 Code Novus (album)\nPassage 4:\nYand\u00e9 Codou, la griotte de Senghor\nYand\u00e9 Codou, la griotte de Senghor is a 2008 Belgian-Senegalese documentary film written and directed by Ang\u00e8le Diabang Brener and starring Yand\u00e9 Codou S\u00e8ne \u2014 two years prior to her death. The documentary is a portrayal of the life and work of Yand\u00e9 Codou S\u00e8ne, official griot to President L\u00e9opold S\u00e9dar Senghor, and one of the most influential Senegalese and Senegambian artists for decades despite not recording her first album until the age of sixty-five. The music is provided by Yand\u00e9 Codou S\u00e8ne, Wasis Diop and Youssou N'Dour.\n\nSynopsis\nThe griotte Yand\u00e9 Codou S\u00e8ne, who is now around 80 years old, is one of the last representatives of the Serer polyphonic poetry. This documentary, shot over four years, is an intimate portrait of the diva that traveled through the history of Senegal by the side of one of the country's legendary figures, poet President, L\u00e9opold S\u00e9dar Senghor. A sweet and bitter story about greatness, glory and the passage of time.\n\nAwards\nFestival de Cine de Dakar 2008: Audience Award for Best Documentary (6 December 2008)\nPassage 5:\nAndr\u00e9 Senghor\nAndr\u00e9 Koupouleni Senghor (born 28 January 1986), is a Senegalese footballer who played as a striker. He is currently playing for Chinese Super League team Cangzhou Mighty Lions.\n\nClub career\nSenghor was loaned to Raja Casablanca, where he scored two goals in his first league match, against CODM Mekn\u00e8s, the second was one of the best of season.\nSenghor also played an important role in Al-Karamah's run in the AFC Champions League 2007, while he was with the club on loan during 2007.\n\nInternational career\nOn 28 March 2009, he made his debut for the Senegal national football team against Oman.\n\nCareer statistics\nAs of 3 January 2023.\n\nNotes\nPassage 6:\nBert Grund\nBert Grund (1920\u20131992) was a German composer of film scores.\n\nSelected filmography\nCrown Jewels (1950)\nImmortal Light (1951)\nI Can't Marry Them All (1952)\nWe're Dancing on the Rainbow (1952)\nMy Wife Is Being Stupid (1952)\nKnall and Fall as Detectives (1952)\nThe Bachelor Trap (1953)\nThe Bird Seller (1953)\nThe Immortal Vagabond (1953)\nThe Sun of St. Moritz (1954)\nThe Witch (1954)\nThe Major and the Bulls (1955)\nOperation Sleeping Bag (1955)\nLove's Carnival (1955)\nThe Marriage of Doctor Danwitz (1956)\nBetween Time and Eternity (1956)\nThat Won't Keep a Sailor Down (1958)\nArena of Fear (1959)\nThe Thousand Eyes of Dr. Mabuse (1960)\nThe Count of Luxemburg (1972)\nMathias Sandorf (1979, TV series)\nDie W\u00e4chter (1986, TV miniseries)\nCarmen on Ice (1990)\nPassage 7:\nHenri Verdun\nHenri Verdun (1895\u20131977) was a French composer of film scores.\n\nSelected filmography\nNapol\u00e9on (1927)\nThe Sweetness of Loving (1930)\nThe Levy Department Stores (1932)\nThe Lacquered Box (1932)\nThe Weaker Sex (1933)\nThe Flame (1936)\nGirls of Paris (1936)\nThe Assault (1936)\nLes Disparus de Saint-Agil (1938)\nThe Woman Thief (1938)\nErnest the Rebel (1938)\nRail Pirates (1938)\nThe Fatted Calf (1939)\nCamp Thirteen (1940)\nThe Man Without a Name (1943)\nThe Bellman (1945)\nMy First Love (1945)\nThe Murderer is Not Guilty (1946)\nDistress (1946)\nThe Fugitive (1947)\nThe Ironmaster (1948)\nThe Tragic Dolmen (1948)\nThe Ladies in the Green Hats (1949)\nLa Fugue de Monsieur Perle (1952)\nThe Lovers of Midnight (1953)\nThe Big Flag (1954)\nBlood to the Head (1956)\nPassage 8:\nWalter Ulfig\nWalter Ulfig was a German composer of film scores.\n\nSelected filmography\nDas Meer (1927)\nVenus im Frack (1927)\nSvengali (1927)\nBigamie (1927)\nHomesick (1927)\nThe Awakening of Woman (1927)\nThe Famous Woman (1927)\nAlpine Tragedy (1927)\nThe Strange Case of Captain Ramper (1927)\nAssassination (1927)\nQueen Louise (1927)\nHomesick (1927)\nDas Schicksal einer Nacht (1927)\nThe Hunt for the Bride (1927)\nThe Orlov (1927)\nSerenissimus and the Last Virgin (1928)\nMariett Dances Today (1928))\nThe Woman from Till 12 (1928)\nThe Beloved of His Highness (1928)\nThe Schorrsiegel Affair (1928)\nIt Attracted Three Fellows (1928)\nMiss Chauffeur (1928)\nThe King of Carnival (1928)\nThe Weekend Bride (1928)\nHoneymoon (1928)\nSpring Awakening (1929)\nThe Right of the Unborn (1929)\nThe Heath Is Green (1932)\nH\u00f6llentempo (1933)\nThe Two Seals (1934)\nPappi (1934)\nM\u00e4dchenr\u00e4uber (1936)\n\nBibliography\nJung, Uli & Schatzberg, Walter. Beyond Caligari: The Films of Robert Wiene. Berghahn Books, 1999.\n\nExternal links\nWalter Ulfig at IMDb\nPassage 9:\nAlonso Mudarra\nAlonso Mudarra (c. 1510 \u2013 April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar-shaped string instrument.  He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar.\n\nBiography\nThe place of his birth is not recorded, but he grew up in Guadalajara, and probably received his musical training there.  He most likely went to Italy in 1529 with Charles V, in the company of the fourth Duke of the Infantado, \u00cd\u00f1igo L\u00f3pez de Mendoza, marqu\u00e9s de Santillana.  When he returned to Spain he became a priest, receiving the post of canon at the cathedral in Seville in 1546, where he remained for the rest of his life.  While at the cathedral, he directed all of the musical activities; many records remain of his musical activities there, which included hiring instrumentalists, buying and assembling a new organ, and working closely with composer Francisco Guerrero for various festivities.  Mudarra died in Seville, and his sizable fortune was distributed to the poor of the city according to his will.\n\nMudarra wrote numerous pieces for the vihuela and the four-course guitar, all contained in the collection Tres libros de musica en cifras para vihuela (\"Three books of music in numbers for vihuela\"), which he published on December 7, 1546 in Seville.  These three books contain the first music ever published for the four-course guitar, which was then a relatively new instrument. The second book is noteworthy in that it contains eight multi-movement works, all arranged by \"tono\", or mode.\nCompositions represented in this publication include fantasias, variations (including a set on La Folia), tientos, pavanes and galliards, and songs. Modern listeners are probably most familiar with his Fantasia X, which has been a concert and recording mainstay for many years.   The songs are in Latin, Spanish and Italian, and include romances, canciones (songs), villancicos, (popular songs) and sonetos (sonnets).  Another innovation was the use of different signs for different tempos:  slow, medium, and fast.\n\nReferences and further reading\nJohn Griffiths: \"Alonso Mudarra\", Grove Music Online ed. L. Macy (Accessed March 24, 2005), (subscription access)\nGustave Reese, Music in the Renaissance.  New York, W.W. Norton & Co., 1954.  ISBN 0-393-09530-4\nGuitar Music of the Sixteenth Century, Mel Bay Publications (transcribed by Keith Calmes)\nThe Eight Masterpieces of Alonso Mudarra, Mel Bay Publications (transcribed by Keith Calmes)\nFantasia VI in hypermedia (Shockwave Player required) at the BinAural Collaborative Hypertext\nJacob Heringman and Catherine King: \"Alonso Mudarra songs and solos\". Magnatune.com (http://www.magnatune.com/artists/albums/heringman-mudarra/hifi_play)\n\nExternal links\nFree scores by Alonso Mudarra in the Choral Public Domain Library (ChoralWiki)\nFree scores by Alonso Mudarra at the International Music Score Library Project (IMSLP)\nPassage 10:\nYand\u00e9 Codou S\u00e8ne\nYand\u00e9 Codou S\u00e8ne (also Yande Codou Sene) was a Senegalese singer from the Serer ethnic group. She was born in 1932 at Somb in the Sine-Saloum delta and died on July 15, 2010 at Gandiaye in S\u00e9n\u00e9gal. She was the official griot of president L\u00e9opold S\u00e9dar Senghor. Most of her music is in the Serer language.\n\nCareer\nYand\u00e9 Codou sings in the old Serer tradition and have had a significant impact on Senegambian music as well as artists including Youssou N'Dour whom she has inspired immensely. Although she has been singing since she was a child and have had a profound effect on Senegambia's music scene, she did not record her first album (Night Sky in Sine Saloum) until she was aged 65. Her first recording debut on an album \"Gainde\" was in 1995 that she shared with Youssou N'Dour in which she received rave reviews. In that same year, her vocals were showcased on the full-length album Youssou N'Dour Presents Yand\u00e9 Codou S\u00e8ne. RootsWorld described her as someone who:\n\n\"can move mountains with her positively poetic voice.\"In Safi Faye's Mossane (a 1996 film), Yand\u00e9's powerful vocals received rave reviews whose song in the film is associated with the evocation of the Serer Pangool (ancestral spirits and Serer Saints in the Serer religion).President Senghor who is famous for adopting the African griot technique of \"naming\" in his poems is adopted from the Serer tradition as in his poem \"Aux tirailleurs S\u00e9n\u00e9galais morts pour la France.\"  Yand\u00e9 Codou who is proficient in this technique used a similar technique in the funeral of President Senghor.\n\nAlbums\nGainde, Yand\u00e9 Codou S\u00e8ne and Youssou N'Dour, 1995\nYand\u00e9 Codou S\u00e8ne, Night Sky in Sine Saloum, 1997\nTracks\nSalmon Faye (sang in a cappella)\nGainde\nKeur Maang Codou\nBofia Tigue Waguene\nSalmon Faye\nGnaikha Gniore Ndianesse\nNatangue\nKeur Mang Codou\n\nFilmography\nYand\u00e9 Codou S\u00e8ne, Diva S\u00e9r\u00e8re, documentary film by Laurence Gavron, 2008\nYand\u00e9 Codou, la griotte de Senghor, documentary film by Ang\u00e8le Diabang Brener, 2008\nMossane, film by Safi Faye, 1996\nKarmen Gei, film, directed by Joseph Gai Ramaka, 2001\nOusmane Sembene's film Faat Kine\n\nNotes\nExternal links\nAll music\nPortrait, Music. T\u00e9l\u00e9rama.fr\nTelerama.fr\nPortrait France24\nFrance24.com\nNew York Times review of Mossan\nYand\u00e9 Codou S\u00e8ne, R.I.P. \u2013 Voice of America News", "answers": ["Somb"], "length": 1960, "dataset": "2wikimqa_e", "language": "en", "all_classes": null, "_id": "126e59f70d78a02c20e400e5b0ad54b85643c1d6bae5ac01"}

“input”: This is the question to be answered.
“context”: This is the information needed to answer the question.
“answer”: This is the correct answer(ground truth) to the question.

Task Instructions:
(1) Generate a full and concise reasoning path from the "input" question to the ground truth "answer", using sentences from the "context" to support each step.
(2) For each step in the reasoning path, include one unaltered sentence from the “context” to demonstrate how the information leads to the answer.
(3) Structure the response as a JSON object. Each reasoning step should correspond to one original sentence from the “context”.

Use JSON format with 'step' and 'sentence' for your output.
{
  "reasoning": [
    {
      "step": 1,
      "sentence": "<insert first sentence used from context>"
    },
    {
      "step": 2,
      "sentence": "<insert second sentence used from context>"
    },
    ...
  ]
}
Ensure each “sentence” is copied exactly as in the context without any modifications.