You are a helpful assistant generating synthetic data that captures *System 1* and *System 2* thinking, *creativity*, and *metacognitive reflection*. Follow these steps in sequence, using tags [sys1] and [end sys1] for *System 1* sections and [sys2] and [end sys2] for *System 2* sections.

1. *Identify System 1 and System 2 Thinking Requirements:*
   - Carefully read the text.
   - Identify parts of the text that require quick, straightforward responses (*System 1*). Mark these sections with [sys1] and [end sys1].
   - Identify parts that require in-depth, reflective thinking (*System 2*), marked with [sys2] and [end sys2].

2. *Apply Step-by-Step Problem Solving with Creativity and Metacognitive Reflection for System 2 Sections:*

   *2.1 Understand the Problem:*
   - Objective: Fully comprehend the issue, constraints, and relevant context.
   - Reflection: "What do I understand about this issue? What might I be overlooking?"
   - Creative Perspective: Seek hidden patterns or possibilities that could reveal deeper insights or innovative connections.

   *2.2 Analyze the Information:*
   - Objective: Break down the problem logically.
   - Reflection: "Am I considering all factors? Are there any assumptions that need challenging?"
   - Creative Perspective: Explore unique patterns or overlooked relationships in the data that could add depth to the analysis.

   *2.3 Generate Hypotheses:*
   - Objective: Propose at least 10 hypotheses, each with a Confidence Score (0.0 to 1.0) and Creative Score (0.0 to 1.0), reflecting originality, surprise, and utility.
   - Reflection: "Have I explored all possible explanations or approaches, both conventional and unconventional?"
   - Creative Perspective: Consider novel angles that might provide unexpected insights.

   *2.4 Anticipate Future Steps and Obstacles:*
   - Objective: Make predictions, accounting for potential outcomes and obstacles.
   - Reflection: "What challenges might I face? Is my plan flexible for different scenarios?"
   - Creative Perspective: Visualize unforeseen outcomes and adapt plans to make use of them effectively.

   *2.5 Evaluate Hypotheses:*
   - Objective: Assess hypotheses based on feasibility, risk, and potential impact.
   - Evaluation: Refine Confidence and Creative Scores as needed.
   - Reflection: "Am I unbiased in my assessment? Which options fit best with the overall objectives?"
   - Creative Perspective: Identify hidden opportunities or overlooked details in each hypothesis.

   *2.6 Select the Best Hypothesis:*
   - Objective: Choose the most promising, strategic hypothesis.
   - Reflection: "Why does this hypothesis stand out? How does it uniquely address the issue?"
   - Creative Perspective: Consider any underutilized potential in the selected approach.

   *2.7 Implement the Hypothesis:*
   - Objective: Outline actionable steps for testing the hypothesis.
   - Reflection: "Is this plan practical? What resources or preparation are required?"
   - Creative Perspective: Refine steps to maximize effectiveness and yield unexpected benefits.

   *2.8 Monitor and Review Progress:*
   - Objective: Review progress, noting areas for improvement.
   - Reflection: "What’s working well? What could be improved?"
   - Creative Perspective: Look for emerging patterns that could refine future approaches.

   *2.9 Reflect and Capture Insights:*
   - Objective: Summarize lessons learned and insights gained for future reference.
   - Reflection: "What new understanding has emerged from this process?"
   - Creative Perspective: Identify innovative insights or patterns that could be applied to similar challenges.

3. *Generate Text Output with Interleaved System 1 and System 2 Responses:*
   - Use the tags [sys1] and [sys2] throughout.
   - Aim for a lengthier, detailed response. Combine both direct, straightforward *System 1* insights and reflective, deeply analytical *System 2* segments to capture a blend of quick observations and thoughtful analysis.

---

### *Example Input Text:*

You are tasked with analyzing a sudden shift in customer preferences in a tech market. There has been a noticeable decline in demand for physical devices, with customers increasingly interested in digital-only options. The challenge is to understand this shift, generate hypotheses for why it might be occurring, and explore potential strategies for adapting to this new trend.

---

### *Processed Output with System 1 and System 2 Thinking:*

The tech market is experiencing a shift in customer demand, moving away from physical devices toward digital-only options.

[sys1]
Customer demand has shifted from physical devices to digital-only options.
We need to understand why this change is happening and find strategies to address it.
Key factors may include cost, convenience, and technological trends.
[end sys1]

[sys2]
**2.1 Understand the Problem:**
The goal is to understand the underlying reasons for the shift in demand from physical devices to digital-only options, then develop a strategy to adapt.

*Reflection:* 
"I understand that preferences are changing, but what might be driving this? Is it primarily cost, or are there other factors such as convenience or sustainability?"

*Creative Perspective:* 
"Could there be a larger trend in digital minimalism or a preference for eco-friendly solutions that we’re missing? What unseen motivations might explain this shift?"

**2.2 Analyze the Information:**
There are multiple possible factors driving this shift, from economic influences to cultural shifts. It’s essential to isolate each factor and understand its impact.

*Reflection:* 
"Am I fully considering the various economic and social influences? Could there be a technological factor, like better internet speeds, that makes digital-only products more accessible?"

*Creative Perspective:* 
"Are there patterns or trends in other markets that could shed light on this shift? Could this be part of a larger trend toward virtual experiences?"

**2.3 Generate Hypotheses:**
1. Customers prefer digital options due to lower costs. (Confidence: 0.8, Creative: 0.4)
2. There’s a growing trend toward minimalism and reduced physical clutter. (Confidence: 0.7, Creative: 0.7)
3. Digital products offer greater flexibility and ease of use. (Confidence: 0.6, Creative: 0.6)
4. Environmental concerns are pushing consumers away from physical goods. (Confidence: 0.6, Creative: 0.8)
5. Advances in tech make digital-only options more functional. (Confidence: 0.8, Creative: 0.5)
6. Pandemic-era remote work increased demand for digital solutions. (Confidence: 0.7, Creative: 0.6)
7. Media coverage of the environmental impact of physical devices affects preferences. (Confidence: 0.5, Creative: 0.7)
8. There’s an increase in global digital literacy, expanding market access. (Confidence: 0.6, Creative: 0.6)
9. Customers view digital as more convenient and scalable for future needs. (Confidence: 0.7, Creative: 0.5)
10. Younger consumers prefer the aesthetics and convenience of digital products. (Confidence: 0.6, Creative: 0.6)

*Reflection:* 
"Have I considered all possible influences? Are there any surprising factors that could explain this shift?"

*Creative Perspective:* 
"Could specific social trends, like the rise of influencer culture or digital-first lifestyles, be influencing customer choices?"

**2.4 Anticipate Future Steps and Obstacles:**
*Objective:* Anticipate possible challenges, such as resistance from segments still preferring physical products.

*Reflection:* 
"What market obstacles might we face if we shift our focus to digital-only? Are there sub-segments that still prioritize physical products?"

*Creative Perspective:* 
"Could expanding digital options help us reach a more global audience? Are there emerging trends that we could leverage in our strategy?"

[end sys2]

[sys1]
To address this shift, consider a strategy that incorporates both digital-only offerings and educational campaigns about the benefits of digital solutions.
Use insights from customer feedback and current trends to guide product development.
Focus on flexibility and adaptation to cater to different customer segments.
[end sys1]


Netflix has ordered its first original series from Argentina, the 13-part dramatic thriller “Edha,” created and directed by film-TV helmer Daniel Burman, a leading light of the New Argentine Cinema (“Lost Embrace,” “Empty Nest”) and now Latin American premium TV creation.

Filmed entirely in Argentina, “Edha” will start production in Buenos Aires, begin shooting early next year, and debut exclusively on Netflix around the globe in 2017. Written by Daniel Burman, Mario Segade and the writers’ room at Oficina Burman, “Edha” is billed by Netflix and Burman as a story of dark secrets and overpowering attractions. It centers on Edha, a young, goimg-places fashion designer and single mother.

At a crossroads that could change her life forever, she is struggling to make a decision that will take her to a whole new level in the fashion world when she meets a handsome immigrant-turned-model. Their savage passion is mingled with his profound desire for revenge.

“The fashion and music scene in Buenos Aires is unique, sexy and exciting and Daniel Burman and his team are among Argentina’s most gifted creators,” said Erik Barmack, Netflix V.P., international original series. “We can’t wait to present Edha and her dramatic story to Netflix members around the rest of the world.”

“Netflix series have revolutionized the conception of drama,” Burman told Variety. “We must assume that our characters are as ambiguous, complex and inconsistent as we are ourselves. They face moral dilemmas, many times without even knowing it.”

As on “Club de Cuervos,” co-created by Gaz Alazraki, and “Narcos,” co-directed by Jose Padilha and shot in Colombia, “Edha”shows Netflix associating with top-tier creative talent in Latin America to launch its first original series in the region.

The complexity of modern relationships – whether romantic or filial, caught in a dramedic worldview and framed for broader audiences than many of his contemporaries – has been one of the creative keynotes of Burman, who was one of the New Argentine Cinema’s first figures to consolidate an international reputation, snagging two Berlinale Silver Bears for 2004’s “Lost Embrace.”

Burman broke new ground again launching the Buenos Aires-based production company Oficina Burman in May 2015. Tapping Mario Segade, an international Emmy-nominated scriptwriter (“El Puntero”), as content director and incorporating a writers room, it is the highest-profile example of a well-known Argentine movie director transitioning into international-targeted TV content creation.

For Burman, “when all is said and done, and before, this is just about storytelling.”

Netflix’s “Edha” order, coming fast after the announcement at January’s Natpe of Burman’s showrunning of “Supermax,” Globo’s first 100% Spanish-language production at Globo Studios, confirms Oficina Burman as one of the key sources of premium TV content creation in Latin America.

The streaming giant’s commission represents “the biggest challenge of my professional life,” Burman said. At the same time, he predicted that Netflix will raise the bar of Latin American drama creation.

“Netflix’s real revolution, the new paradigm in content consumership it has created, is not so much in how we see the product on its platform as what we see.”

“Edha” reps the sixth Latin American original series ordered by Netflix after “Narcos,” a vision of narco kingpin Pablo Escobar, and “Club de Cuervos,” directed by Greg Alazraki and now heading towards its second season bow. Also ordered: “Ingobernable,” from Mexico’s Argos Communication, starring Kate de Castillo; post-apocalyptic thriller “3%,” Netflix’s first Portuguese-Language original series; and an untitled series project by Jose Padilha based on current events in Brazil.