The term did not find immediate use in works of art and literature. Even when depicting conscripts of the Napoleonic Era artists of the Bourbon Restoration such as Nicolas Toussaint Charlet and Auguste Raffet do not use the term. Indeed, the conscripts are not a popular subject for art of the time. This may have been because their simple uniform of hat, cape and musket was not visually appealing. one of the few pre-1870 depictions may be in Ernest Meissonier's 1864 "Campagne de France, 1814" which may depict a column of conscripts in the background. Adolphe Lalauze's "Le retour des dragons de l'armée d'Espagne" ("the return of the dragoons from the Army of Spain") shows a group of Marie-Louises welcoming the cavalry recalled by Napoleon from Spain to the army in France. Depictions of the Marie-Louises in art increased after 1870 as the Franco-Prussian War inspired artists to draw upon the spirit of 1814. The first work of art to be named after the Marie-Louises was Pierre Victor Robiquet's "Les Maries-Louises à Champaubert" showing a unit of conscripts in square facing Russian cossacks at the 10 February 1814 Battle of Champaubert.