Several writers on film also suggest that Western filmmakers are "drawn to" and document the Bolivarian Revolution and Crisis in Venezuela,:113-122 and conclude that accurate media representations of the situation in the country are important.:130 Kapur and Wagner complement some independent national filmmakers for achieving this; they have also criticized films depicting the revolution made both by the Villa del Cine, for turning stories of revolution into romanticized narratives, and internationally, for not managing to present complex full stories of the situation.:113-122