In perhaps his best-known film "The Role of a Lifetime" (2003), commissioned by UK-based organisation Art and Sacred Places for a parish church in Brighton, Narkevičius asked what it meant to be a filmmaker with a social conscience. The centrepiece of the film is an interview with British director Peter Watkins whose politically-charged, fictionalised documentary-style works had addressed the Hungarian uprising, "The Battle of Culloden" (1964), and the "La Commune (Paris, 1871)" (2000), and who had left the UK in frustration at censorship and neglect settling in Vilnius. The interview is juxtaposed with 1960s Super-8 footage of Brighton &amp; Hove, and sketches by Lithuanian artist Mindaugas Lukošaitis of Grūtas Park, the sculpture garden 80 miles south of Vilnius where many of the country's Soviet monuments ended up after the fall of the Soviet Union. Noting that some people considered the decision to save the statues "a disaster", Watkins described the park as a place to contemplate "man's unbelievable folly and inhumanity ... and sadly, the endless repetition of history".