In 1953, the then 23 years old artist produced his first great work in ceramics: the huge background of the main altar and the whole ceiling of the new chapel of the Seminary of Chicoutimi. There followed a career of twenty-five years as ceramist characterized by close collaboration with architects and engineers, during which he produced large works in more than a hundred public buildings, including pavilions and buildings connected to the Montreal World's Fair in 1967, at Osaka in 1970, at the 1976 Summer Olympics held in Montreal as well as in many schools, churches, courthouses (including those in Montreal, St-Hyacinthe and at Percé in the Gaspé Peninsula ), hospitals (including those of Notre-Dame and Marie-Enfant in Montréal, and Amos in Abitibi), universities (including that of Montréal, McGill, Laval and Sherbrooke), government buildings, airports (Pierre Elliott Trudeau, Mirabel and Molton), in more than a dozen Montreal subway stations (including Saint-Laurent, Peel, Berri-UQAM, Laurier) and other buildings, including those of General Motors in New York City, MacMillan Bloedel in Vancouver, Bell Canada in Toronto, Canadian National, Canadian Pacific, Texaco Canada and Quebecor to name a few more. He also created many works, such as ceramic fireplaces mantles and wall murals for private mansions. His works are also found in museums, including the Montreal Museum of Fine Arts and the Musée national des beaux-arts du Québec.