Although curated into many of the major Young British Artist exhibitions (e.g.; Sensation (art exhibition), and Brilliant!) of the 1990s (and in 2014, "London Calling"), Chodzko's practice - from his 1990 works with pre-internet social networks via classified advertisements - is more closely identifiable (through its notions of participation, process, intersubjectivity and community) with the Relational art that was to follow (partly in opposition to the dependency on spectacle that defined YBA art). Kevin Jackson, (1996) singled out Chodzko from the other YBA's for his art's ""pensiveness", involving "quiet acts of infiltration"..."nothing to do with one-line shock effects."" In 2013, Dan Fox, reappraising the diversity of British Art of the early 1990s, writes of Chodzko's work from this period as developing a "British occult modern... behavioural experiments to probe the public sphere.", whilst Jonathan Jones (journalist) described Chodzko as a "subversive...master of provocation" in "The Guardian".