After the inner turmoil that she experienced post the Gujarat riots in 2002, she was spurred to take up a long-pending art project that dealt with the Kashmiri poet Agha Shahid Ali’s soul-stirring verses full of pain that inspired it. Nilima Sheikh won’t term references in her work as religious, but more art historical in nature, all part of a history that we tend to term tradition or mythology. Actually it is history, part of one’s past, she explains, adding that it’s not merely Western art history.