Another factor was that many Mexican film making facilities were taken over by Hollywood production companies in the 1980s, crowding out local production. The quality of films was so diminished that for some of these years, Mexico's Ariel film award was suspended for lack of qualifying candidates. Popular filmmaking decreased but the art sector grew, sometimes producing works outside the view of censors such as Jorge Fons' 1989 film "Rojo Amanecer" on the 1968 Tlatelolco massacre. The movie was banned by the government but received support in Mexico and abroad. The film was shown although not widely. It was the beginning of more editorial freedom for filmmakers in Mexico.