The "Fountain of Neptune" makes good use of contrasts. The God of the Sea is arranged in a classical, static pose. Yet below him the figures of the sea monsters Scylla and Charybdis writhe around and draw back in terror. Scylla and Charybdis were the names of rocks near the harbour of Messina; as they had wrecked so many ships, they came to be personified by sea monsters. Neptune's act of warding off these destructive forces demonstrates his power and his protection of the city. This work was especially influential in Florence, which had an affection of colossal statuary, and it likely influenced designs for Ammanati's "Neptune Fountain" in the Piazza della Signoria. Florentine fountains excelled in designing fountains with many small thin elegant jets of water, even when there was enough water to have a large geyser. Montorsoli carried this Florentine tradition of having smaller, elegant jets, and judging from a design of his in the Uffizi he used eight of them for his design for the Neptune fountain. The "Fountain of Neptune" was finished in 1557. In Messina he also realized the St Lorenzo Church (from 1552, destroyed in the earthquake of 1783), the "Lantern Tower" (1555) and the "Apostolate" within the Cathedral (completed in 1555, destroyed several time by fires and earthquakes, and rebuilt).