The 1973 military coup drove many filmmakers abroad, where they continued to make films reflecting on and criticising the Chilean military government under Augusto Pinochet. Memoria Chilena says: "The premises of the Nuevo Cine did not die with the massive exile of filmmakers. Instead they were reinterpreted in the cinema of exile as protest against the repression under the military regime or expressing nostalgia for the shattered revolution." Some of the best known include "The Promised Land" (1973), "Il pleut sur Santiago" (1975), "Dialogues of Exiles" (1975), "Actas de Marusia" (1975), "Cantata de Chile" (1976), "Noch nad Chili" (1977), "The Battle of Chile" (1979), Marilú Mallet's "Journal inachevé" (1982), Angelina Vásquez's "Presencia lejana" (1982) and "Acta General de Chile" (1986).