For most illuminated manuscript portraits, the Evangelist typically occupied a full page. Though numerous examples of Late Antique portraits featured each figure in a standing position, the Evangelists were predominantly depicted in a seating position at a writing desk or with a book or scroll, both in reference to the Gospels. The symbols of the tetramorphs were most common in the Middle Ages through to the Romanesque period before they fell out of favour and images of the Evangelists in their human forms became more common. However, the tetramorphs were used still used and were found in artwork of the Renaissance and even in modern art. A notable 20th century example is the massive tapestry by Graham Sutherland which hangs in Coventry Cathedral.