The moment of colour, freedom of form and a penchant for exoticism are what musical works have in common with those of painting. Through the Paris World's Fair of 1889, Claude Debussy learned the sound of Javanese gamelan ensembles, which strongly influenced him, as did the chinoiserie of his time. In addition to the use of pentatonics (for example in "Préludes I, Les collines d'Anacapri") and whole-tone scales (for example in "Préludes I, Voiles"), Debussy made use of the salon music of the time. (for example, "Préludes I, Minstrels") and harmonies borrowed from early jazz music (as in "Children's Corner" and "Golliwogg's Cakewalk"). Like Ravel, Debussy loved the colour of Spanish dance music.