Following the November 1918 Armistice with Germany, Dada's evolution was marked by political developments. In October 1919, Tzara, Arp and Otto Flake began publishing "Der Zeltweg", a journal aimed at further popularizing Dada in a post-war world were the borders were again accessible. Richter, who admits that the magazine was "rather tame", also notes that Tzara and his colleagues were dealing with the impact of communist revolutions, in particular the October Revolution and the German revolts of 1918, which "had stirred men's minds, divided men's interests and diverted energies in the direction of political change." The same commentator, however, dismisses those accounts which, he believes, led readers to believe that "Der Zeltweg" was "an association of revolutionary artists." According to one account rendered by historian Robert Levy, Tzara shared company with a group of Romanian communist students, and, as such, may have met with Ana Pauker, who was later one of the Romanian Communist Party's most prominent activists.