Pyrophones originated in the 19th century. Byron Higgins, using hydrogen burning within the bottom of an open glass tube, first pointed out that if flame is placed in a glass tube sound may be produced in 1777 and in 1818 Michael Faraday attributed the tones to very rapid explosions. Physicist John Tyndall demonstrated that flame(s) in a tube may be made to sound if they are placed close to one third the length of the tube, the explosion occurs at a rate which matches the fundamental or one of the harmonics of the tube, and the volume of the flame is not too great. Brewer, Moigno, and de Parville describe Kastner as having invented the instrument about twenty years before 1890, and he filed a patent on Christmas Eve of 1874. Charles Gounod attempted to include the organ in his opera "Jeanne d'Arc" (1873) and the instrument was shown in the Paris Exhibition (1878). Henry Dunant was a proponent, and Wendelin Weißheimer composed "Five Sacred Sonnets for Voice, Flute, Oboe, Clarinet, Pyrophone and Piano" (1880).