In 2010, the artist returned to the provocatively staged images of child models but turned from the macabre of nursery rhymes to even more socio-politically charged topics. The artist photographed "a combination of professional child models who worked for free (to gain experience) or ... children of family friends." As stated in the 2010 Macleans review, "[h]is topics are historic moments—mostly tragedies—immortalized and saturated by media coverage. Goodbye Mother Goose." The carefully crafted settings are populated by children who force to the fore tragedies like Lady Di's death, the 2004 tsunami, the murder of JonBenet Ramsey and the &lt;a href="September%2011%20attacks"&gt;9/11 terrorist attacks&lt;/a&gt;. In her 2014 essay, Lisa Farley Associate Professor in the Faculty of Education at York University, describes the series as ushering in "the surprising return of what is both familiar and difficult to face within the self." In a CNN interview on Hobin's work, Dr. Alvin Poussaint, professor of psychiatry and author at Harvard Medical University, advised that despite the perceived potential for trauma, the children involved seemed to treat the event like "halloween" or "playing make believe" and that children have "seen images of violence on the front page of the newspaper..so it's not like this is a first time for them."