Adamski created his works of art for over 40 years. He made many works in his art studio, including those that decorated and decorate, until today, his hometown and other cities in his home country: a monument of Józef Piłsudski, a plaque commemorating the Katyń massacre, a 700th anniversary plaque with Warcisław IV on the wall of the Town Hall in Szczecinek, water fountains on the city promenade, Gryffin on the building at Koszalińska Street, Halberds for the City Hall, Signposts showing direction to friendly countries. Other art works included no longer existing pharmacy sign with the Aesculapius symbol, and the door to the Szczecinek Cultural Center, which Günter Grass called "The Gate to the Temple of Art". Wiesław Adamski closed his sculpture and metalwork workshop in 2016. After that he devoted himself to his work as a cartoonist and caricaturist. He was also involved in the teaching of drawing and painting, and magnificent artists came out of his wings, including Marta Dudź, Dorota Dziekiewicz-Pilich and many others. At that time Wiesław Adamski also dedicated himself, together with his friend Henryk Gaszkowski, to counteracting bureaucracy, simplifying the activities of the officials, and improving the quality of life of the residents. His sculpture, "Citizen Włapko", is still a symbol of corruption, which he considered the inevitable result of bureaucracy.