Two installation-like works from 2000 were later noted for their uncanny prophetic quality in light of the subsequent 9-11 attacks. "Demo" froze the implosion of a building in mid-air, complete with highly textured, blackened falling bricks and signage letters, flying shards and oozed neoprene smoke resembling popcorn; it references vanished 1950s landmarks from Fasnacht's native Midwest. The more violent and unsettling "Exploding Plane" offers a complex sense of space, drawing viewers' eyes into, around and through the work and its aluminum-gray scattering parts (including suitcases) suspended in midair. After 9/11, Fasnacht turned from explosions to more celebratory and meditative drawings of civic parades and fireworks, exploding champagne bottles, and water occurrences that suggested both mourning and renewal.