For the video installation "Over There" (2015), Dokuyama worked with communities who had been evacuated from their homes in 2011 due to the nuclear fallout of the Fukushima Daichi Nuclear PowerPlant accident and were still living in 'temporary' housing four years later. He facilitated workshops in which displaced citizens from Fukushima's various exclusion zones decorated masks using paint and local newspaper clippings to represent the hometowns they hoped to return to one day. Dokuyama, who was also still unable to return to his own hometown at the time, then recorded the participants wearing their masks in front of their temporary homes and pointing silently in the direction of their abandoned homes. For the final installation, Dokuyama placed the masks into glass cases and mounted them amongst a three-channel video loop of the residents pointing. "Over There" brings attention to how—five years later—the disaster was still far from over for those displaced by the Fukushima disaster. It also emphasized the manner in which the displaced have been subordinated as silent "disaster victims," attempting to relieve them from this position by underlining their individual subjectivity.