During the next three decades the phénakisticope remained the more common animation device, while relatively few experimental variations followed the idea of Horner's dædaleum or Stampfer's stroboscopic cylinder. Most of the zoetrope-like devices created between 1833 and 1865 were intended for viewing photographic sequences, often with a stereoscopic effect. These included Johann Nepomuk Czermak's Stereophoroskop, about which he published an article in 1855. On February 27, 1860, Peter Hubert Desvignes received British patent no. 537 for 28 monocular and stereoscopic variations of cylindrical stroboscopic devices. This included a version that used an endless band of pictures running between two spools that was intermittently lit by an electric spark. Desvignes' "Mimoscope", received an Honourable Mention "for ingenuity of construction" at the 1862 International Exhibition in London. It could "exhibit drawings, models, single or stereoscopic photographs, so as to animate animal movements, or that of machinery, showing various other illusions." Desvignes "employed models, insects and other objects, instead of pictures, with perfect success." The horizontal slits (like in Czermak's Stereophoroskop) allowed a much improved view, with both eyes, of the opposite pictures.