Gurlitt was captured with his wife and twenty boxes of art in Aschbach (Schlüsselfeld) in June 1945. Under interrogation after capture, Gurlitt and his wife told United States Army authorities that in the fire bombing of Dresden of February 1945 much of his collection and his documentation of art transactions had been destroyed at his home in Kaitzer Strasse. One hundred and fifteen pieces taken from him by American and German authorities were returned to him after he had convinced them that he had acquired them lawfully. Among those were "Lion Tamer" by Max Beckmann and "Self-Portrait" by Otto Dix, which Gurlitt passed on to his son Cornelius. Gurlitt successfully presented himself to his assessors as a victim of Nazi persecution due to his Jewish heritage, and negotiated the release of his possessions. Whether or not portions of his collection and records of business transactions were destroyed in Dresden as Gurlitt claimed, additional portions apparently had been successfully hidden in Franconia, Saxony and Paris, from which they were retrieved after the war.