It was also the first film shot using digital cinematography to win the Academy Award for Best Cinematography, which was given to Anthony Dod Mantle. The film also won seven of the eleven BAFTA Awards for which it was nominated, including Best Film; all four of the Golden Globe Awards for which it was nominated, including Best Drama Film; and five of the six Critics' Choice Awards for which it was nominated. The title sequence was nominated at the 2009 Rushes Soho Shorts Film Festival in the Broadcast Design Award category in competition with the "Match of the Day" Euro 2008 titles by Aardman and two projects by Agenda Collective.