Cornelis van Haarlem's "Massacre of the Innocents" (1590, Rijksmuseum), more Baroque than Mannerist, may involve his childhood memories of the killings (in fact only of the garrison) after the Siege of Haarlem in 1572-3, which he lived through. Brughel's completely un-mannerist version of the same subject was bought by Rudolf, who had someone turn many of the massacred children into geese, calves, cheeses, and other less disturbing spoils. In general, Mannerist painting emphasizes peace and harmony, and less often chooses battle subjects than either the High Renaissance or the Baroque.