The anti-Jewish tradition on the English stage dates back at least to the expulsion of the Jews from England in 1290 and is exemplified by the characters of Shylock in William Shakespeare's "The Merchant of Venice" and Barabas in Christopher Marlowe's "The Jew of Malta". In a series of articles called "Observer", first published in 1785, Cumberland created a character named Abraham Abrahams who would later serve as a template for Sheva, the title character in "The Jew". In one instalment of "Observer", Abrahams is quoted as saying, "I verily believe the odious character of Shylock has brought little less persecution upon us, poor scattered sons of Abraham, than the Inquisition itself." A decade later, in writing "The Jew", Cumberland sought to create a positive image of a Jewish man that would counteract centuries of anti-Semitic portraits. The tremendous success of the initial production prompted Cumberland to later write, "The benevolence of the audience assisted me in rescuing a forlorn and persecuted character, which till then had only been brought upon the stage for the unmanly purpose of being made a spectacle of contempt, and a butt for ridicule. In the success of this comedy I felt of course a greater gratification, than I had ever felt upon a like occasion."