The poem is mainly an exile's lamentation for how close the country came to modernisation (the title is thus to be interpreted: most of the rivers along which the action is set are Albanian, yet the country itself is "along" the Elbe and the Spree, that is, next to Central and Western Europe, and it is all the more painful to see it fall short of political, social and cultural maturity as it is an integral part of that continent and culture from which those ideals hail), which leads the narrating voice to a point of despair until, as if a natural phenomenon, he can hear (or, rather, predict), the people rising up in arms, as they had when fighting for independence, in order to expel the tyrant (Zog himself insofar as he has throttled the reformist atmosphere of the post-independence period, and all the foreign aims and interests the future King, helped to power by the Yugoslavs and ultimately ousted, in 1939, by the Italians); this expectation, although far from completion, allows the poet to close with the same words as in the beginning, in the same condition, yet in a hopeful, rejuvenated mood.