As soon as the French had their own experience of regime-change, illustrators began to express their feelings through this fable too. A cartoon dating from 1791 and titled "Le roi soliveau, ou les grenouilles qui demandent un roi" (King Log, or the frogs demand a king) wryly portrays those responsible for the Champ de Mars massacre. In the following century, the caricaturist Grandville turned to illustrating La Fontaine's fables after a censorship law made life difficult for him. There it is a recognisably imperial stork who struts through the water wearing a laurel crown, cheered on one side by sycophantic supporters and causing havoc on the other. Ernest Griset, the son of French political refugees from yet another change of regime, followed the same example. His horrific picture of a gruesome skeletal stork seated on a bank and swallowing his prey appeared in an 1869 edition of Aesop's fables. It is his comment on the Second French Empire that had driven his parents into exile.