When Count de Mornay traveled to Morocco in 1832 to establish a treaty supportive of the recent French annexation of Algeria, he took along the Romantic painter Eugène Delacroix. Delacroix not only reveled in the orientalism of the place; he also took it as a new and living model for his works on classical antiquity: "The Greeks and Romans are here at my door, in the Arabs who wrap themselves in a white blanket and look like Cato or Brutus..." He sketched and painted watercolours continuously, writing at the time "I am like a man in a dream, seeing things he fears will vanish from him." He returned to his sketches and memories of North Africa for the rest of his career, with 80 oil paintings like "The Fanatics of Tangier" and "Women of Algiers" becoming legendary and influential on artists such as Van Gogh, Gauguin, and Picasso. They were particularly struck by the quality of the light: to Cézanne, "All this luminous colour... seems... that it enters the eye like a glass of wine running into your gullet and it makes you drunk straight away". Tangier subsequently became an obligatory stop for artists seeking to experience the colours and light he spoke of for themselves—with varying results. Matisse made several sojourns in Tangier, always staying at the Grand Hotel Villa de France. "I have found landscapes in Morocco," he claimed, "exactly as they are described in Delacroix's paintings." His students in turn had their own; the Californian artist Richard Diebenkorn was directly influenced by the haunting colours and rhythmic patterns of Matisse's Morocco paintings.