In a 2002 interview, Jim Keltner said he added maracas to the finished recording, at Trident, having arrived in London in February 1971 to escape the Los Angeles earthquake. Referring to the arrangement on the completed track, author Alan Clayson highlights the combination of an opening "fizz of cymbal", Harrison's "clanging guitar arpeggios", the "fat gusto" horns, Evans' tambourine supporting the "moderato punch" of the Starr–Voormann rhythm section, and "gospel-esque" backing vocals.