As Iorga recalled, both of Moruzi's novels were accomplished and "vibrated youthful, brave, nationalism", but were also "hardly ever picked up and read". According to critic Radu Dragnea, Moruzi did not fit the stylistic mold of the 1910s, "as if there is no literature out there for him to acknowledge"; also, according to Carp, the "Knyaz" detested the work of Romanian Symbolists, showing in this similarities with traditionalists such as Ion Gorun, George Panu, and Mihail Sadoveanu. Dragnea therefore concluded that Moruzi "does not write for us, his contemporaries, who aren't satisfied with anything [...]. His entire work will stand as a precious document in days to come". While repeatedly refusing to write an actual autobiography, Moruzi had begun work on "Moartea lui Cain" ("Death of Cain"), which was only published posthumously. In some ways a sequel to "Înstrăinații", it details the peasants' revolt of 1907.