1 00:00:15,720 --> 00:00:21,720 They are going to see the intonation is moving. In 2 00:00:21,720 --> 00:00:22,080 English, 3 00:00:29,070 --> 00:00:31,750 We have the intonation system which has different 4 00:00:31,750 --> 00:00:38,950 functions. It is the difference in the shape of 5 00:00:38,950 --> 00:00:44,510 the pitch, either high or rise or fall. We have 6 00:00:44,510 --> 00:00:47,750 according to Konar, we have only two types of 7 00:00:47,750 --> 00:00:51,470 intonation, rising intonation and falling 8 00:00:51,470 --> 00:00:52,030 intonation. 9 00:00:55,430 --> 00:01:00,390 Harma and Hajjaj just introduced six types of 10 00:01:00,390 --> 00:01:05,130 intonation in English. At the same time, you have 11 00:01:05,130 --> 00:01:09,550 three intonations in Arabic. The systems of both 12 00:01:09,550 --> 00:01:12,630 English and Arabic intonations are completely 13 00:01:12,630 --> 00:01:18,570 different. So we have our students move the pitch 14 00:01:18,570 --> 00:01:24,640 system of Arabic into English, okay? speaking 15 00:01:24,640 --> 00:01:29,200 English in a heavy accent. So we need to touch the 16 00:01:29,200 --> 00:01:32,300 intonation system of English to avoid these 17 00:01:32,300 --> 00:01:38,880 mistakes as much as we can. Okay? Now, we have the 18 00:01:38,880 --> 00:01:44,160 function of the intonation system. Intonation is a 19 00:01:44,160 --> 00:01:47,960 grammatical function. So to distinguish between 20 00:01:47,960 --> 00:01:51,320 the declarative sentences and questions, 21 00:01:51,980 --> 00:01:58,440 imperatives, we need For the declarative 22 00:01:58,440 --> 00:02:03,260 sentences, they are always pronounced or mostly 23 00:02:03,260 --> 00:02:06,880 pronounced in falling intonation at the end of the 24 00:02:06,880 --> 00:02:08,660 sentence. Okay? 25 00:02:11,560 --> 00:02:18,220 Rise, fall. However, in misnomer questions, for 26 00:02:18,220 --> 00:02:22,080 example, we have 27 00:02:32,810 --> 00:02:36,150 We have four pitches in English, this is the low 28 00:02:36,150 --> 00:02:42,960 one High pitch, rising pitch. And we refer to them 29 00:02:42,960 --> 00:02:48,500 as number one, low pitch, number two, medium, 30 00:02:49,300 --> 00:02:55,440 number three, high pitch, number four, rise. So we 31 00:02:55,440 --> 00:03:00,440 have the rising pitch number four. Now for the W 32 00:03:00,440 --> 00:03:04,600 questions, they are, if we just refer to them by 33 00:03:04,600 --> 00:03:11,070 numbers, they are two, three, one. Mid, high, low. 34 00:03:12,270 --> 00:03:18,090 The reluctant questions are also 2, 3, 1. Mid, 35 00:03:18,390 --> 00:03:22,550 high, low. The degenerative sentences are 2, 3, 1. 36 00:03:22,730 --> 00:03:30,510 2, 3, 1. Okay? Mid, high, low. The yes-no 37 00:03:30,510 --> 00:03:31,170 questions 38 00:03:36,110 --> 00:03:41,630 Unless you emphasize a sentence. Unless you 39 00:03:41,630 --> 00:03:44,330 emphasize a sentence or any word in a sentence, 40 00:03:44,530 --> 00:03:50,230 then you have it in high pitch. So it becomes two, 41 00:03:50,690 --> 00:03:55,930 three, one. This is for the yes, no questions. We 42 00:03:55,930 --> 00:04:00,070 have the two question. It is also two, three, one. 43 00:04:07,830 --> 00:04:13,910 So we need to touch all these areas of Indonesian 44 00:04:13,910 --> 00:04:19,010 and see how can we pronounce English very 45 00:04:19,010 --> 00:04:23,610 naturally and smoothly. 46 00:04:24,870 --> 00:04:32,250 Now we let you see the native speakers of English 47 00:04:32,250 --> 00:04:36,210 and how intonation is pronounced. 48 00:04:39,010 --> 00:04:43,950 So listen to this lesson about intonation. 49 00:04:49,450 --> 00:04:56,310 English Pronunciation Lesson 10 Topic Intonation 50 00:05:32,270 --> 00:05:33,630 I'm going to try one of the most popular ones. 51 00:05:38,900 --> 00:05:44,080 English Pronunciation, Lesson 10. Topic, 52 00:05:44,460 --> 00:05:48,000 Intonation. Part 4. 53 00:05:53,820 --> 00:05:55,460 Exercise 5. 54 00:05:57,940 --> 00:06:01,660 Listening Task. Listen to a few of the questions 55 00:06:01,660 --> 00:06:05,130 you heard in the interview. Can you identify which 56 00:06:05,130 --> 00:06:07,970 questions use falling intonation and which ones 57 00:06:07,970 --> 00:06:13,930 use rising intonation? Interview questions. One, 58 00:06:14,330 --> 00:06:19,250 what do you do? Two, how long have you been 59 00:06:19,250 --> 00:06:23,750 building flutes? Three, can I see one of your 60 00:06:23,750 --> 00:06:31,110 flutes? Four, is this your flute? Did I read all 61 00:06:31,110 --> 00:06:33,430 four questions with the same intonation pattern? 62 00:06:35,010 --> 00:06:38,450 No. And that's because most yes-no questions use 63 00:06:38,450 --> 00:06:42,190 rising intonation. Information questions, meaning 64 00:06:42,190 --> 00:06:45,410 questions that begin with what, who, why, where, 65 00:06:45,670 --> 00:06:50,510 when, how, etc. use falling intonation. If you 66 00:06:50,510 --> 00:06:53,490 need to, go back and listen to how I read those 67 00:06:53,490 --> 00:06:58,390 four questions. Now it's your turn to practice 68 00:06:58,390 --> 00:07:01,710 intonation patterns in questions. Listen and 69 00:07:01,710 --> 00:07:09,820 repeat. Number one. What do you do? Two. How long 70 00:07:09,820 --> 00:07:15,060 have you been building flutes? Three. How long 71 00:07:15,060 --> 00:07:21,080 does it take you to make a flute? Four. Can I see 72 00:07:21,080 --> 00:07:28,560 one of your flutes? Five. Is this your flute? Six. 73 00:07:28,960 --> 00:07:30,180 Can you play the flute? 74 00:07:33,360 --> 00:07:40,130 Seven. What was that? Eight. Do you play any other 75 00:07:40,130 --> 00:07:40,590 instruments? 76 00:07:43,150 --> 00:07:45,770 Nine. How did you learn to play all these 77 00:07:45,770 --> 00:07:46,250 instruments? 78 00:07:53,190 --> 00:07:57,330 Exercise six. Read the question. Decide if falling 79 00:07:57,330 --> 00:08:01,430 or rising intonation is needed. Finally, choose an 80 00:08:01,430 --> 00:08:04,010 answer and read it with the correct intonation. 81 00:08:06,530 --> 00:08:09,070 Example. I'll give you a moment to read the 82 00:08:09,070 --> 00:08:11,770 question on your own, and then I'll read it to 83 00:08:11,770 --> 00:08:12,570 provide a model. 84 00:08:15,590 --> 00:08:20,870 Do you play an instrument? You can answer choosing 85 00:08:20,870 --> 00:08:24,210 A or B. Both will be read with following 86 00:08:24,210 --> 00:08:28,570 intonation. You can say, no, I don't. I wish I 87 00:08:28,570 --> 00:08:34,530 did. Or, yes, I do. And tell me what you play. I 88 00:08:34,530 --> 00:08:38,350 play the piano. Now you always use following 89 00:08:38,350 --> 00:08:41,630 intonation in your answers unless you list items. 90 00:08:42,110 --> 00:08:44,030 If you list items, use RASMUS. 91 00:08:55,250 --> 00:09:00,450 English Pronunciation, Lesson 10. Topic, 92 00:09:00,750 --> 00:09:04,570 Intonation. Now we have an intonation system, as 93 00:09:04,570 --> 00:09:09,710 you see. The declarative sentences are always 94 00:09:09,710 --> 00:09:14,630 ending with foreign information. The priority 95 00:09:14,630 --> 00:09:19,810 questions, when, why, where, how, are also ending 96 00:09:19,810 --> 00:09:25,250 with foreign information. The answer questions are 97 00:09:25,250 --> 00:09:31,890 all high information. So high which at the end of 98 00:09:31,890 --> 00:09:35,210 a word or mean the public word at the end of the 99 00:09:35,210 --> 00:09:35,610 question. 100 00:09:39,990 --> 00:09:43,630 Who prepared the lesson? Who prepared the lesson? 101 00:09:44,310 --> 00:09:50,270 Okay. This is two, three, one. Because this is a 102 00:09:50,270 --> 00:09:55,030 huge question. Okay. Did you attend the class? Did 103 00:09:55,030 --> 00:09:59,590 you attend the class? The class is three, three. 104 00:10:00,330 --> 00:10:04,330 High pitch, high pitch. Okay. The two question. 105 00:10:05,270 --> 00:10:10,850 You attended the class. Okay? Again, class is 106 00:10:10,850 --> 00:10:17,510 three-three. It is high pitch, high pitch. Okay? 107 00:10:18,310 --> 00:10:28,210 The imperative is also two-three-three. Okay? So, 108 00:10:29,750 --> 00:10:34,990 English intonation is of two types. It is mainly 109 00:10:34,990 --> 00:10:42,520 of two types. The rising, rise, fall. Okay? Or 110 00:10:42,520 --> 00:10:49,600 rise, rise. Okay? So, here we have in our lesson, 111 00:10:50,220 --> 00:10:54,140 we have only two types spoken about. The 112 00:10:54,140 --> 00:10:58,800 declarative and WH questions are of two, three, 113 00:10:58,920 --> 00:11:03,460 one. The yes, no questions, the two questions are 114 00:11:03,460 --> 00:11:08,600 two, We need to notice this and try to follow up 115 00:11:08,600 --> 00:11:15,300 with the class about intonation recorded here. 116 00:11:20,760 --> 00:11:29,180 English Pronunciation Lesson 10 Topic Intonation 117 00:11:29,180 --> 00:11:31,800 Part 4 118 00:11:37,850 --> 00:11:39,290 Exercise five. 119 00:11:41,670 --> 00:11:45,430 Listening task. Listen to a few of the questions 120 00:11:45,430 --> 00:11:48,970 you heard in the interview. Can you identify which 121 00:11:48,970 --> 00:11:53,170 questions use following it? Topic, intonation. 122 00:11:55,090 --> 00:12:01,790 Part four. Do you play an instrument? You can 123 00:12:01,790 --> 00:12:06,010 answer choosing A or B. Both will be read with 124 00:12:06,010 --> 00:12:10,290 falling intonation. You can say, no, I don't. I 125 00:12:10,290 --> 00:12:15,210 wish I did. Or, yes, I do. And tell me what you 126 00:12:15,210 --> 00:12:20,130 play. I play the piano. Now, you'll always use 127 00:12:20,130 --> 00:12:23,150 falling intonation in your answers unless you list 128 00:12:23,150 --> 00:12:26,810 items. If you list items, use rising intonation 129 00:12:26,810 --> 00:12:30,530 until you get to the last item in your list. For 130 00:12:30,530 --> 00:12:34,350 example, yes, I do. I play the flute, clarinet, 131 00:12:34,590 --> 00:12:35,510 and saxophone. 132 00:12:38,230 --> 00:12:42,170 Study tip. Do you have a study partner? If so, 133 00:12:42,350 --> 00:12:47,270 take turns asking the questions. Let's begin. 134 00:12:47,830 --> 00:12:50,970 Question one. Again, I'll pause to give you a 135 00:12:50,970 --> 00:12:52,810 chance to read the question on your own. 136 00:12:55,810 --> 00:12:59,610 What kind of music do you like? You could repeat 137 00:12:59,610 --> 00:13:04,580 it, please. You could repeat it for me. okay could 138 00:13:04,580 --> 00:13:11,880 you what kind of music do you like what 139 00:13:11,880 --> 00:13:18,420 kind of music do you like okay the stress or the 140 00:13:18,420 --> 00:13:24,660 high pitch is on like okay so this is like it's 141 00:13:24,660 --> 00:13:28,700 three one high four okay 142 00:13:35,060 --> 00:13:42,040 Music is three, three, okay? Can you read music? 143 00:13:42,540 --> 00:13:46,300 This is three, three. Can you read music? Can you 144 00:13:46,300 --> 00:13:51,200 read music? You is three, then one, okay? This is 145 00:13:51,200 --> 00:13:56,000 called emphatic pitch, okay? Emphatic pitch. You 146 00:13:56,000 --> 00:14:00,580 focus on the word you need to emphasize on. Can 147 00:14:00,580 --> 00:14:03,340 you read music? Okay. 148 00:14:08,570 --> 00:14:09,610 Question three. 149 00:14:13,290 --> 00:14:15,230 Have you ever been to the opera? 150 00:14:18,550 --> 00:14:23,230 The focus is on the opera, okay? Have you ever 151 00:14:23,230 --> 00:14:28,350 been to the opera? Opera, okay? Have you ever been 152 00:14:28,350 --> 00:14:33,110 to the opera? Have you? Okay, so the stress is on 153 00:14:33,110 --> 00:14:38,680 you. So, Here, the intonation expresses your 154 00:14:38,680 --> 00:14:42,420 feelings. We have the grammatical function, as I 155 00:14:42,420 --> 00:14:45,280 mentioned. They distinguish between the statement 156 00:14:45,280 --> 00:14:49,840 sentence and the question, the imperative, etc. 157 00:14:50,220 --> 00:14:54,980 Also, it reflects the speaker's attitude. So, you 158 00:14:54,980 --> 00:14:59,240 express by intonation your surprise, your 159 00:14:59,240 --> 00:15:04,140 admiration, your excitement. Okay? So, it refers 160 00:15:04,140 --> 00:15:08,840 to... It expresses anger. It expresses, as you 161 00:15:08,840 --> 00:15:13,380 see, surprise, astonishment, admiration. Your 162 00:15:13,380 --> 00:15:16,680 feeling can be translated on the intonation 163 00:15:16,680 --> 00:15:23,160 system. Okay? Also, emphasis is translated by the 164 00:15:23,160 --> 00:15:27,220 intonation system. The high pitch on whatever word 165 00:15:27,220 --> 00:15:29,080 you need to stress on. 166 00:15:37,910 --> 00:15:38,930 Question four. 167 00:15:41,910 --> 00:15:44,350 How often do you listen to live music? 168 00:15:49,370 --> 00:15:52,470 Okay. Question four. Who could read it for me? 169 00:15:54,130 --> 00:16:00,750 Salha. How often do you like... How often do you 170 00:16:00,750 --> 00:16:04,550 listen to live music? How often do you listen to 171 00:16:04,550 --> 00:16:09,250 live music? How often do you listen to live music? 172 00:16:10,050 --> 00:16:17,230 Live music is of high, fall. High, fall. Okay? 173 00:16:18,810 --> 00:16:25,010 Every chance I get. Every chance I get. Okay? Get 174 00:16:25,010 --> 00:16:28,630 is three, one. It is two, you start with medium, 175 00:16:29,230 --> 00:16:32,330 then high, then fall. Okay? 176 00:16:35,610 --> 00:16:40,410 Not as often as I'd like. Okay? Not as often as 177 00:16:40,410 --> 00:16:46,490 I'd like. So, it is again two, three, one. The 178 00:16:46,490 --> 00:16:51,630 three one is on the verb like. Yes. Sir, the high 179 00:16:51,630 --> 00:16:55,730 and fall in live music, is it on something? No, 180 00:16:55,790 --> 00:16:59,610 no, just the high and fall is on music itself, 181 00:16:59,690 --> 00:17:04,670 live music. Okay? Yes. The last word, it is the 182 00:17:04,670 --> 00:17:09,470 topic one. However, the rest of the question is of 183 00:17:09,470 --> 00:17:13,730 medium pitch. So it is true. How often do you 184 00:17:13,730 --> 00:17:16,950 listen to live music? Live music, you raise your 185 00:17:16,950 --> 00:17:19,690 voice, then you fall, you have a falling 186 00:17:19,690 --> 00:17:20,250 intonation. 187 00:17:26,830 --> 00:17:29,650 At this point, I'd like to share some helpful tips 188 00:17:29,650 --> 00:17:34,610 for more natural intonation. Here are some do's 189 00:17:34,610 --> 00:17:38,820 and don'ts. Go up a little before a fall. So for 190 00:17:38,820 --> 00:17:41,580 good falling intonation, your voice needs to come 191 00:17:41,580 --> 00:17:45,620 down from a higher note. Also, go down a little 192 00:17:45,620 --> 00:17:49,420 before a rise. So for good rising intonation, your 193 00:17:49,420 --> 00:17:53,420 voice needs to come up from a lower note. Finally, 194 00:17:53,920 --> 00:17:57,380 start a statement at mid-pitch. Don't start too 195 00:17:57,380 --> 00:18:01,740 high or low. Let me demonstrate all of this 196 00:18:01,740 --> 00:18:05,750 through an example. I know several of my 197 00:18:05,750 --> 00:18:08,750 neighbors. Eric is the only musician among them. 198 00:18:09,370 --> 00:18:13,170 Are there any musicians in your neighborhood? The 199 00:18:13,170 --> 00:18:15,630 first sentence can be read as one thought group. 200 00:18:16,230 --> 00:18:16,890 Let's mark that. 201 00:18:21,270 --> 00:18:24,170 We're giving factual information, making a 202 00:18:24,170 --> 00:18:28,270 statement. So we use following intonation. Our 203 00:18:28,270 --> 00:18:32,510 final content word is neighbors. Stress on the 204 00:18:32,510 --> 00:18:36,820 first syllable. Now our voice must go up before it 205 00:18:36,820 --> 00:18:39,860 goes down. So we'll rise on the stressed syllable 206 00:18:39,860 --> 00:18:44,220 and then step down to a lower pitch. Neighbors. 207 00:18:45,520 --> 00:18:48,500 Now in this sentence, we can't start too low or 208 00:18:48,500 --> 00:18:51,740 else you won't hear the following intonation. If I 209 00:18:51,740 --> 00:18:55,180 start too low, it sounds like this. I know several 210 00:18:55,180 --> 00:18:59,490 of my neighbors. And now with that kind of 211 00:18:59,490 --> 00:19:02,290 intonation, not only can you not really hear 212 00:19:02,290 --> 00:19:05,710 following intonation, it actually sounds like I'm 213 00:19:05,710 --> 00:19:10,070 bored. And if I start too high, it sounds 214 00:19:10,070 --> 00:19:14,850 unnatural. I'm with several of my neighbors. So 215 00:19:14,850 --> 00:19:17,070 you see that we actually have to begin our 216 00:19:17,070 --> 00:19:20,910 sentence at a mid-pitch. I'm with several of my 217 00:19:20,910 --> 00:19:25,830 neighbors. Understand? The second sentence, we'll 218 00:19:25,830 --> 00:19:27,390 also read as one thought group. 219 00:19:31,560 --> 00:19:33,820 What's the final content word giving new 220 00:19:33,820 --> 00:19:38,300 information? Musician, with stress on the middle 221 00:19:38,300 --> 00:19:42,700 syllable. Again, our voice must go up before it 222 00:19:42,700 --> 00:19:46,800 goes down, so we'll rise on the stressed syllable 223 00:19:46,800 --> 00:19:50,380 and then step down. There are more unstressed 224 00:19:50,380 --> 00:19:53,780 words following, so our voice will either continue 225 00:19:53,780 --> 00:19:56,900 to go down or at least stay at that low pitch 226 00:19:56,900 --> 00:20:00,920 until we end up the statement. Eric is the only 227 00:20:00,920 --> 00:20:05,380 musician among them. Now, at the end of our 228 00:20:05,380 --> 00:20:09,540 example, we have a question. Okay. We're asking a 229 00:20:09,540 --> 00:20:11,740 yes or no question, so we'll use rising 230 00:20:11,740 --> 00:20:15,680 intonation. And what is the final content word? 231 00:20:15,880 --> 00:20:18,920 It's neighborhood. But is that the word that 232 00:20:18,920 --> 00:20:23,020 receives primary stress? I'd argue no, because 233 00:20:23,020 --> 00:20:26,220 we're going to contrast your neighborhood and my 234 00:20:26,220 --> 00:20:29,020 neighborhood. At first, I'm talking about my 235 00:20:29,020 --> 00:20:31,580 neighbors. Now I want to know about your 236 00:20:31,580 --> 00:20:34,680 neighbors. So stress is on your. 237 00:20:38,320 --> 00:20:41,020 So if this is the point where our voice rises, 238 00:20:41,380 --> 00:20:44,580 there must first be a fall, a drop in your voice. 239 00:20:45,120 --> 00:20:49,460 Without that drop, the rise is too sharp. Listen. 240 00:20:50,500 --> 00:20:54,160 Are there any musicians in your neighborhood? It 241 00:20:54,160 --> 00:20:56,890 sounds unnatural. So at first, there's a little 242 00:20:56,890 --> 00:21:00,650 bit of a drop. We go up and lower. And because we 243 00:21:00,650 --> 00:21:03,130 have more unstressed syllables following, our 244 00:21:03,130 --> 00:21:07,710 voice will continue to go up. So there's a bit of 245 00:21:07,710 --> 00:21:10,730 a drop. And then we continue to go up, up, up, up 246 00:21:10,730 --> 00:21:13,650 until the end of the question. Are there any 247 00:21:13,650 --> 00:21:17,510 musicians in your neighborhood? Listen to the 248 00:21:17,510 --> 00:21:21,410 entire example now. I know several of my 249 00:21:21,410 --> 00:21:24,410 neighbors. Eric is the only musician among them. 250 00:21:25,000 --> 00:21:26,920 Are there any musicians in your neighborhood? 251 00:21:32,700 --> 00:21:36,200 Exercise seven. Listen closely to the statement. 252 00:21:36,780 --> 00:21:42,140 What does the intonation tell you? Examples. One. 253 00:21:42,760 --> 00:21:48,080 This is jazz. Following intonation tells you the 254 00:21:48,080 --> 00:21:51,080 speaker is certain. Now listen to example two. 255 00:21:51,860 --> 00:21:53,220 This is jazz. 256 00:21:56,010 --> 00:21:58,610 So, what about the speaker? Is he certain or 257 00:21:58,610 --> 00:22:01,950 uncertain? Uncertain. Because this is question. 258 00:22:02,830 --> 00:22:06,370 So, this is jazz. This is called tune question. 259 00:22:07,270 --> 00:22:14,570 So, it must be two, three, three. Okay? Two, mid, 260 00:22:14,790 --> 00:22:21,630 high, high. This is jazz. Rising intonation tells 261 00:22:21,630 --> 00:22:23,210 you that the speaker is uncertain. 262 00:22:26,120 --> 00:22:31,240 Let's begin. Number one, Alice Fitzgerald was a 263 00:22:31,240 --> 00:22:31,480 singer? 264 00:22:37,440 --> 00:22:44,340 Yes. This is a question. It is tune question. Is 265 00:22:44,340 --> 00:22:47,460 it certain or uncertain? Uncertain. Uncertain. So, 266 00:22:48,000 --> 00:22:53,400 the last word singer must be three, three. High, 267 00:22:53,520 --> 00:23:02,720 high. Two, John Williams composes music. John 268 00:23:02,720 --> 00:23:06,520 Williams composes music, so it is certain. It must 269 00:23:06,520 --> 00:23:09,820 be two, three, one. Two, three, one. 270 00:23:13,000 --> 00:23:17,940 Three, I like soft rock, folk music, jazz, 271 00:23:18,500 --> 00:23:19,020 classical. 272 00:23:22,260 --> 00:23:26,900 Is it certain or uncertain? She speaks about 273 00:23:26,900 --> 00:23:30,620 herself, her favorite music. This is certain, 274 00:23:31,160 --> 00:23:37,760 okay? The last item is pronounced with rise-fall 275 00:23:37,760 --> 00:23:41,260 intonation because this is called listing. 276 00:23:44,240 --> 00:23:48,020 Four. Turn up the radio. I like the song. 277 00:23:52,240 --> 00:23:58,240 Turn on the radio. I like the song. Certain. Okay? 278 00:23:59,360 --> 00:24:04,120 Turn on the radio. This is two, three, one. Okay? 279 00:24:04,240 --> 00:24:07,860 I like the song. Now we have turn on the radio, I 280 00:24:07,860 --> 00:24:10,860 like the song. So this means that you have to 281 00:24:10,860 --> 00:24:14,620 pronounce it in two, three, two, three, one. If 282 00:24:14,620 --> 00:24:18,400 you have two sentences joined together, then the 283 00:24:18,400 --> 00:24:24,520 pronunciation comes by mid, high, mid, high, low. 284 00:24:25,960 --> 00:24:31,180 Turn on the radio. I like this music. Okay? Turn 285 00:24:31,180 --> 00:24:35,120 on the radio. I like this music. Okay? 286 00:24:49,360 --> 00:24:54,500 Exercise eight. Listening task. Watch the final 287 00:24:54,500 --> 00:24:57,750 video clip. Observe the use of falling and rising 288 00:24:57,750 --> 00:24:58,590 intonation. 289 00:25:03,570 --> 00:25:08,070 Do you perform? I do. I perform on flute mostly 290 00:25:08,070 --> 00:25:11,330 these days. Who do you perform for or who do you 291 00:25:11,330 --> 00:25:16,510 perform with? I play with a group. What did you 292 00:25:16,510 --> 00:25:21,430 see? This means that you need him to repeat. Okay? 293 00:25:22,410 --> 00:25:32,340 C is here we have 3, 1. 3, 1 at C. Okay? 294 00:25:38,120 --> 00:25:44,880 Also for making... I say, once you need to ask 295 00:25:44,880 --> 00:25:47,720 about a question, you need some explanation, more 296 00:25:47,720 --> 00:25:52,620 explanation. I studied in London. I studied my PhD 297 00:25:52,620 --> 00:25:56,710 in London. You say, London? London, this means 298 00:25:56,710 --> 00:25:59,950 that you don't know about London and you need more 299 00:25:59,950 --> 00:26:05,590 explanation, okay? Yesterday, our teacher 300 00:26:05,590 --> 00:26:12,550 explained the geography of Papua New Guinea. Papua 301 00:26:12,550 --> 00:26:15,690 New Guinea, this means that you don't understand 302 00:26:15,690 --> 00:26:18,650 anything about this state, so you need more 303 00:26:18,650 --> 00:26:20,730 explanation, okay? 304 00:26:25,250 --> 00:26:28,990 Once you express agreement, this is an intact 305 00:26:28,990 --> 00:26:34,210 question. You know him, do you? You know him, do 306 00:26:34,210 --> 00:26:39,590 you? When I say high rise, this means that it is 307 00:26:39,590 --> 00:26:46,550 two, three, three. You know him, do you? So, do 308 00:26:46,550 --> 00:26:50,850 you is two, you, three, three. You know him, do 309 00:26:50,850 --> 00:26:53,510 you? Okay. 310 00:26:56,470 --> 00:27:01,650 We have number three, the low fall. The low fall 311 00:27:01,650 --> 00:27:05,170 intonation, where the voice starts at a medium 312 00:27:05,170 --> 00:27:10,130 pitch and falls to the low pitch. This is to 313 00:27:10,130 --> 00:27:13,030 express cold and reserved speech. 314 00:27:15,570 --> 00:27:17,030 When I say, for example, 315 00:27:19,830 --> 00:27:24,930 I have taken my timetable and I found that Dr. 316 00:27:25,010 --> 00:27:27,550 Amir is going to teach us comparative linguistics. 317 00:27:28,610 --> 00:27:36,250 Who? Who? This is reserved reaction. Okay. Who? 318 00:27:36,650 --> 00:27:39,850 Okay. I went yesterday for making shopping with my 319 00:27:39,850 --> 00:27:44,450 daughter and bought here a very nice Islamic 320 00:27:44,450 --> 00:27:50,510 uniform. You say good. Good. This means that you 321 00:27:50,510 --> 00:27:56,230 don't mind. Okay? Good. Okay? So, this is called 322 00:27:56,230 --> 00:27:59,810 reserved speech pronounced in the lawful 323 00:27:59,810 --> 00:28:04,330 intonation. Also, once you describe or you show 324 00:28:04,330 --> 00:28:13,470 someone how you guide someone, to a certain place, 325 00:28:13,510 --> 00:28:16,410 for example. You describe the way for him. Go down 326 00:28:16,410 --> 00:28:22,110 the street, turn left, turn right, leave the first 327 00:28:22,110 --> 00:28:26,670 three exits, then turn left. Okay? Go for about 328 00:28:26,670 --> 00:28:29,550 ten minutes until reaching the first traffic 329 00:28:29,550 --> 00:28:34,130 light, then turn left again. Turn left again. 330 00:28:34,890 --> 00:28:42,340 Okay? So, we have lots of types here we have six 331 00:28:42,340 --> 00:28:45,900 types we only explained three and now we run out 332 00:28:45,900 --> 00:28:48,540 of time so next time we are going to continue 333 00:28:48,540 --> 00:28:50,540 thank you for listening