标题：幻想曲2000
作品概述
作品背景《幻想曲2000》是迪士尼第3部经典动画《幻想曲》的续篇，透过最先进的科技，将经典音乐和动画艺术融为一体，当中包括七段全新迪士尼动画音乐电影片段以及一段载誉重温的《幻想曲》经典乐章《魔法师的学徒》。  梦幻王国之父沃尔特·迪士尼靠卡通起家，觉得可以将卡通由通俗文化提升到艺术的层次，实行雅俗共赏。当年的迪士尼占领外地土地的野心未如今日大，的确是个梦幻王国，沃尔特叔叔最大的野心仍是专注于卡通发展上。他提议将古典音乐结合卡通，在当年可说是非常激进大胆，而"沃尔特叔叔”最私人、最心爱的《幻想曲》便在1940年诞生了。　
虽然《幻想曲》一映当年反应好坏参半，但时至六十年后的今日，《幻想曲》已成为迪士尼动画库中最有历史和纪念价值的资产。而且为庆祝千禧年的来临，迪士尼便决定将"沃尔特叔叔”亲生的《幻想曲》修辑，再重新配乐，替这个亲生子洗干净衣裳，漂漂亮亮的迎接新世纪，同时亦加插新片段，证明与时代并进。不过，洗衣服的主意原来不及新衣好，《幻想曲》原本配合七段乐章的动画变成只剩一段，改头换面的《幻想曲2000》仍源用沃尔特叔叔将动画与古典音乐结合的思想，但破天荒以IMAX胶片制式制作，即以比传统35厘米大十倍的胶片制作，亦表现了动画科技进步。　
《魔法师的学徒》其实是《幻想曲》的起源：在沃尔特叔叔计划之初，原只有米奇老鼠担大旗，奈何完成了的《魔》成本超支过高，沃尔特叔叔把心一横，加码制作多七段短片，组合成为《幻想曲》。　《幻想曲2000》截图(12张)
迪士尼在全球影响力甚巨，米奇老鼠成为有如可乐或麦当劳般家传户晓的商标，要庆祝《幻想曲》六十大寿，全球多个国家义不容辞，联合在千禧年元旦于各地IMAX剧场公映《幻想曲2000》。
曲目简解1.贝多芬：第五号交响曲（Symphony No.5）（命运） 
《幻想曲2000》首先登场的是贝多芬的“第五号交响曲”，本段落只是一个开场，纯粹用一些几何图形的声影变化，画面十分超现实，跟当初1940年的《幻想曲》第一段巴赫的“D小调触技曲与赋格曲”有异曲同工之妙。 
2.雷斯庇基：罗马之松（Pines of Rome） 
《 幻想曲2000》第二段则是雷斯庇基的“罗马之松”，此段的主角则是一群鲸鱼，这群鲸鱼在大海中遨游，整体呈现出的画面十分优美，最后鲸鱼们甚至飞上青天，完全摆脱现实世界的束缚！ 
3.格什温：蓝色狂想曲（Rhapsody in Blue） 
“蓝色狂想曲”则完全不同于其它段落的纯粹古典音乐，本段落用到的是有点爵士味道的近代乐风，背景则是在20世纪30年代的纽约大都会，本段落大胆的用色及线条呈现出大都会生活的光怪陆离，尤其那位曼哈顿乐师穿着冰刀的狂舞节奏，实在令人印象深刻。 
4.肖斯塔科维奇：第二号钢琴协奏曲——快版（Piano Concerto No. 2，Allegro，Opus 102） 
肖斯塔科维奇的“第二号钢琴协奏曲”是安徒生著名的童话《坚毅的锡兵》，讲述独腿的玩具锡兵和玩意芭蕾舞蹈家的爱情故事，结果稍有改动，迪斯尼的风格自然是邪不胜正、有情人终成眷属，本段落的人物迪斯尼则是采用电脑动画制作，再配合传统手绘的背景。 
5.圣桑：动物狂欢节（Carnival of the Animals） 
“动物狂欢节”则是描述一群动作一致的红鹤，却因为其中一只红鹤迷上了玩溜溜球，使得整群红鹤步调大乱，这只红鹤玩起溜溜球的姿势十分滑稽，弄得水花四溅，同伴也跟着遭殃。 
6. 杜卡：《魔法师的学徒》（The Sorcerer's Apprentice）
“魔法师的学徒”则是《幻想曲1940》保留的段落，本片由迪斯尼招牌明星米奇主演，片中米奇偷懒乱施法术，睡着后甚至梦到自己指挥海浪、星辰，没想到惊醒后才发现淹没大水，结果搞的一团糟。 《幻想曲2000》海报(11张)
7.艾尔加：威风凛凛进行曲（Pomp & Circumstance） 
“威风凛凛进行曲”则是圣经里“诺亚方舟”的故事，这回迪斯尼让唐老鸭来扮演诺亚，当暴风雨来临前夕赶着一大堆动物登上方舟，后来更与汹涌的大洪水搏斗，最后风平浪静，所有动物都登上方舟甲板，共同迎向光明的未来。 
8.斯特拉文斯基：火鸟组曲（Firebird Suite） 
《幻想曲2000》最后一个段落则是斯特拉文斯基的“火鸟组曲”，片中无论是自然万物的生生不息，或是火鸟翻飞燃烧整片天空，呈现的光影变化带给观众视觉上的震撼，为《幻想曲2000》画下绚烂的休止符。
相关评论（1）电影中音乐为电影而服务，而幻想曲1940、幻想曲2000则反之。
“幻想曲2000”由八段不同曲目的音乐配上动画师根据音乐想像出的故事合成。本片是迪士尼电影公司重新整理编撰1940年的“幻想曲”故事而成，其中包括一段旧“幻想曲”中的米老鼠做魔法学徒的段落，而其他七个段落全是2000年崭新的创作。　 
看这部电影就像在听交响乐，完全艺术化的动画电影，一开场就是贝多芬第五交响曲，中间的也全是《动物狂欢节》等名曲，和当年沃尔特.迪斯尼亲自制作的《幻想曲》一脉相承。从旧作中留下的米奇魔法学徒，和音乐的结合堪称完美。其中直线条表现纽约生活的一段，安徒生的《坚毅的锡兵》一段，我都非常喜欢。唐老鸭演绎诺亚方舟的一段，我差点看哭了。
（2）classic向来被束之高阁，曲高和寡。你需要反复得聆听才能体会出曲子表达的情感，而进入和作者共鸣的境界则需要更多的静心与人生阅历。相比之下，快餐文化的pop更容易让人沉浸其中。p.s.classic与pop各有千秋，并无优劣，只是music大树的两个枝杈罢了。 
那么怎么样才能进入classic的世界？Fantasia 2000为我们展示了一条途径。通过将声与影有机地结合起来，通过刺激听觉与视觉，步入古典殿堂。正如一首歌可能很平常，但是作为电影中的背景乐，配合以当时的情节与画面，会令我们的内心得到一种新的体验与震撼（p.s.独自等待的插歌就都很棒）。幻想曲2000里，暴风雨中的蝴蝶，蓝色狂想曲，唐老鸭版诺亚方舟，天鹅，玩具小兵的故事，魔法师的学徒等，无一不在我脑中深深地刻下了印痕。每当听到这些曲子时，画面就会在脑中流转。可以说很多人喜欢古典乐，就是从看这部影片开始。
演员表角色演员配音备注Himself - Introductory Host史蒂夫·马丁/Steve Martin--------Mickey Mouse (segment "Pomp and Circumstance")----韦恩·艾尔温/Wayne Allwine----Donald Duck (segment "Pomp and Circumstance")----托尼·安塞罗/Tony Anselmo----Himself - Conductor (segment "The Sorcerer's Apprentice") (archive footage)Leopold Stokowski--------Pianist (segment "Rhapsody in Blue")Ralph Grierson--------Featured Soprano (segment "Pomp and Circumstance")----Kathleen Battle----Himself - Host (segment "Pines of Rome")Itzhak Perlman--------Himself - Host (segment "Rhapsody in Blue")昆西·琼斯/Quincy Jones--------Herself - Hostess (segment "Piano Concerto No. 2, Allegro, Opus 102")贝特·米德勒/Bette Midler--------Himself - Host (segment "Carnival of the Animals")詹姆斯·厄尔·琼斯/James Earl Jones--------Himself (as Penn)佩恩·吉列特/Penn Jillette--------Himself - Host (segment "The Sorcerer's Apprentice")Teller--------Himself - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)James Levine--------Herself - Hostess (segment "Firebird Suite - 1919 Version")安吉拉·兰斯伯瑞/Angela Lansbury--------Daisy Duck (segment "Pomp and Circumstance")----露西·泰勒/Russi Taylor----Animator (segment "Carnival of the Animals")埃里克·古德伯格/Eric Goldberg--------ViolinistBenee Leavy；Deborah Vukovitz--------Himself - Host (segment "Fantasia Introduction") (archive footage)Deems Taylor--------Animator (uncredited)Paul Brizzi；Hendel Butoy--------Pianist (segment "Piano Concerto No. 2, Allegro, Opus 102") (uncredited)Yefim Bronfman--------$nbsp;默认显示|全部显示职员表▪ 制作人：Lisa C. Cook；罗伊·爱德华·迪士尼/Roy Edward Disney；Donald W. Ernst；Patricia Hicks；David Lovegren▪ 导演：詹姆斯·阿尔格/James Algar；Paul Brizzi；Hendel Butoy；弗朗西斯·吉勒巴斯/Francis Glebas；埃里克·古德伯格/Eric Goldberg▪ 副导演（助理）：Paul F. Bernard；Steve Fernandez；Gregg Goldstone；Terry Ham；Bill Hoyt▪ 编剧：埃里克·古德伯格/Eric Goldberg；安徒生；乔·格兰特/Joe Grant；Perce Pearce；Carl Fallberg；Paul Brizzi▪ 摄影：Tim Suhrstedt▪ 剪辑：Jessica Ambinder-Rojas；Lois Freeman-Fox；Julia Gray；Craig Paulsen；Gregory F. Plotts▪ 选角导演：Mary Hidalgo；Ruth Lambert▪ 艺术指导：Maurice Hunt▪ 美术设计：Tom Codrick；Dan Cooper；Susan Goldberg；Dean Gordon；Michael Humphries；Maurice Hunt▪ 视觉特效：Dave Bossert；Richard E. Hollander；Mauro Maressa
英文简介
Fantasia 2000 is the thirty-eighth animated feature in the Disney animated features canon. The film was produced by Walt Disney Feature Animation and was released by Walt Disney Pictures and Buena Vista Distribution. It premiered in the United States on December 17, 1999, was released to IMAX theatres on January 1, 2000, and was later released to standard theatres nationwide on June 16, 2000. The film uses a similar format to Walt Disney's 1940 film Fantasia, visualizing classical music compositions with various forms of animation and live-action introductions. The music is performed by the Chicago Symphony Orchestra, arranged and conducted by James Levine, excepting two pieces arranged by Peter Schickele and the Sorcerer's Apprentice segment from the original film. 
The composers and their works, in the order they are used in the film, are: 
Ludwig van Beethoven's Symphony No. 5 in c minor-I. Allegro con brio – abstract patterns resembling butterflies and bats explore a world of light and darkness which are conquered by light at last. 
Ottorino Respighi's Pines of Rome – this segment features a pod of frolicking humpback whales in an unusual 'aerial' setting, and within icebergs. The final section, the Via Appia gives the impression of the larger pod of adults in migration. 
George Gershwin's Rhapsody in Blue – an episode of 1930s-era New York City, depicting the day in the lives of several people within the Depression-era bustling metropolis, as scenes drawn in the style of Al Hirschfeld's famous cartoons of the era, including an animation of Gershwin the composer, himself at the piano. The little girl in the hotel is based on the Eloise character created by Kay Thompson. 
Dmitri Shostakovich's Piano Concerto No. 2 in F Major-I. Allegro – a retelling of Hans Christian Andersen's The Steadfast Tin Soldier. The setting is appropriate - the concerto was written as a gift by Shostakovich to his musically gifted young son, and the percussive rythms also suit a story about a soldier. However, the ending is a happy one in contrast with that of the original story. 
Camille Saint-Sa&euml;ns's The Carnival of the Animals, Finale – A flock of ballerina flamingos (itself a nod to the Hippopotami, Ostriches and Elephants of Dance of the Hours from Fantasia), with a rebellious slapstick Flamingo with a yo-yo, designed to delight children with the on-screen hysterics; music arranged by Peter Schickele 
Paul Dukas's The Sorcerer's Apprentice – a segment from the original Fantasia featuring Mickey Mouse, conducted by Leopold Stokowski. 
Edward Elgar's Pomp and Circumstance - Marches 1, 2, 3 and 4 – a retelling of the story of Noah's Ark, with Donald Duck as first mate to Noah. Donald musters the animals to the Ark, and misses, loses, and is reunited with Daisy Duck in the process; music arranged by Peter Schickele, including a wordless soprano solo as part of the No. 1 march ('Land of Hope and Glory'). 
Igor Stravinsky's Firebird Suite - 1919 Version – the story of a spring sprite and her companion Elk. After a long winter she restores the life to the forest but accidentally awakes the Firebird spirit of a nearby volcano. Angered the Firebird proceeds in destroying the forest and seemingly the sprite. She is restored to life however after the destruction and the forest life is reborn with her. The story is considered an exercise in the theme of Life-death-rebirth deities.