标题：李六乙
简历
李六乙，中国当代最具国际影响力的戏剧导演。北京人民艺术剧院导演、剧作家。他提出的“纯粹戏剧”理论与其践行的戏剧探索被誉为“李六乙方法”，受到广泛的赞誉及研究。戏剧评论家童道明先生称其为“一个真正懂得中国戏曲艺术的话剧导演”。日本现代戏剧大师铃木忠治称其为“新世纪亚洲最具影响力的舞台艺术家。”日本学者称其为“未来二十年中中国戏剧的领军人，亚洲戏剧的代表。”他执导的话剧《北京人》被誉为北京人民艺术剧院继《茶馆》和《狗儿爷涅槃》之后“第三个里程碑”作品。
李六乙出生在戏曲世家，根植于中国戏曲艺术，曾在中国艺术研究院戏曲研究所潜心研究八年戏曲。曾执导昆曲、京剧、川剧、豫剧、评剧、吕剧、柳琴戏、眉户剧等富有中国地域特色的多个剧种。被誉为“比其他同行更清醒地窥见了戏曲骨子里的现代性，并把中国戏曲原本就具有的艺术的‘现代精神’发扬光大。”
李六乙曾执导四十多部作品，涉及戏曲、话剧、歌剧、音乐剧、芭蕾舞剧、现代舞剧。应邀在众多国际艺术节演出并委约创作。应“欧洲艺术首都”之约，为奥地利上奥国家歌剧院执导歌剧《微笑之国》，成为进入欧洲主流歌剧领域的首位中国戏剧导演；为荷兰艺术节开幕式演出“新戏剧”女性三部曲，并接受荷兰女王接见。
李六乙也是一位具有持久文学创作能力的剧作家，先后创作小剧场三部作品《雨过天晴》《非常麻将》《夜半歌声》；“新戏剧”女性三部曲《穆桂英》《花木兰》《梁红玉》；著有《再见鲁迅》《2003》《逝水》；根据老舍先生同名小说改编的《我这一辈子》；钱钟书先生同名小说改编的《围城》；费牧先生同名电影改编的《小城之春》；汤显祖同名昆曲改编的芭蕾舞剧《牡丹亭》等。其著作《李六乙纯粹戏剧·剧本集》由人民文学出版社出版，并译成多种文字出版发行。
Li Liuyi, director andplaywright of Beijing People's Art Theatre, is the most influential Chinesedirector in the world today. His theory “pure drama” and his application inpractice have been dubbed the “Li Liuyi Methodology”, which receives wideacclaims and abundant researches. Drama critic Tong Daoming praised him as “astage director who genuinely knows about Chinese drama art”. Japanese moderntheater master Tadashi Suzuki calls him “The most influential stage artist ofAsia in the new century”. Japanese scholars regard him as “the leader ofChinese drama in next two decades, the repesentitive of Asian drama”. Play Beijingerdirected by him has been approved as “the third milestone” work of BeijingPeople's Art Theatre following after The Teahouse and Uncle Doggie’sNirvana. 
Director Li Liuyi wasborn into an opera family, and rooted in Chinese drama art on which he had beenresearching for eight years in the Institutes of Chinese Drama. He has directeda number of dramas with distinct reginal characteristics, including KunquOpera, Peking Opera, Sichuan Opera , Henan Opera, Pingju Opera , Liu Opera ,Liuqin tune and Meihu Opera. His success brought him the appraisal that “moresober than any other peer in catching the modernity out of drama, anddeveloping the existed modernity of Chinese drama to a great height”.
Li Liuyi has directedmore than 40 works, dealing with opera, stage play, opera, musicals , ballet,modern dance. He was invited to many international art festivals andcommissioned for creation. He was once invited by the European art capital todirect the operaThe Land of Smiles in State Opera of Austria, whichmade him the first Chinese opera director going into the European mainstreamopera field. Besides, Liu performed “New Opera” trilogy for the openingceremony of Holland Arts Festival and met the Queen of the Netherlands.
Li Liuyi is also aplaywright with lasting literary creativity. He has created many works asfollows :three small theatre works Blue Sky After Rain, Mahjong, Songat Midnight; “New Theater ” Women Trilogy Mu Guiying, Hua Mulan, LiangHongyu. He wrote See Lu Xun Again, 2003, Time Passed by;The Life of a Peking Policeman based on Lao She’s novel; FortressBesieged based on Qian Zhongshu’s novel; Spring in a Small Townbased on Fei Mu’s film; Ballet The Peony Pavilion based on Tang Xianzu’sKunqun Opera. His book LiLiuyi’s Pure Drama·Playbookshas been translated into many languages and published by the People 'sLiterature Publishing House. His another book Li Liuyi’s Pure Drama·Theories is in the publisher’s pipelines.[1]
李六乙导演近况
2012年11月23日，《安提戈涅》于首都剧场首演。该剧是“李六乙·中国制造”戏剧计划首部面世作品。
受邀参加“2012年林兆华戏剧邀请展”;受邀参加“2013 年新加坡华艺节”。
2012年10月29日，应第十五届北京国际音乐节邀请，执导歌剧《原野》，亮相北京保利剧院。
2012年6月29日， “李六乙·中国制造”戏剧计划正式启动。
2012年4月，执导阿瑟.米勒经典作品《推销员之死》，于北京人民艺术剧院上演。
2011年10月，执导奥地利作曲家马勒的交响乐《大地之歌》，与中国爱乐乐团合作。
2011年7月，执导曹禺经典作品《家》，于北京人民艺术剧院上演。
2010年12月，执导现代京剧《金锁记》。
该剧在第12届中国戏剧节荣获“优秀剧目奖”、“优秀导演奖”等三项大奖。
2010年，与著名京剧表演艺术家梅葆玖联袂打造《梅兰芳华》，于正乙祠驻演。
2008年，应中央芭蕾舞团邀请，编剧、执导芭蕾舞剧《牡丹亭》。
与日本著名服装设计师和田惠美和德国著名设计师米歇尔·西蒙合作。