YuITC/NarrativeQA-Dataset-Restructured huggingface dataset:
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: What is the gender of the story's narrators?
Answer: male
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: What real life personage is the story believed to be about?
Answer: Dumas
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: What illness does Marguerite suffer from?
Answer: Consumption/Tuberculosis
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: When does Marguerite wear a red camelia?
Answer: when she is menstruating
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: What does Armand fear a scandal would do?
Answer: destroy Armand's sister's chances of marriage.
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: Why does Armand think Marguerite leaves?
Answer: to be with another man
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: What do some scholars believe consumption was a euphemism for ?
Answer: syphyllis
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: Which French novel is mentioned?
Answer: Manon Lescaut
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: When does Marguerite wear a white flower?
Answer: when she is available for lovers
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: What is Marguerite's death described as?
Answer: an unending agony
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: What makes Marguerite virtuous?
Answer: her love for Armand
Written by Alexandre Dumas, fils, (1824–1895) when he was 23 years old, and first published in 1848, La Dame aux Camélias is a semi-autobiographical novel based on the author's brief love affair with a courtesan, Marie Duplessis. Set in mid-19th century France, the novel tells the tragic love story between fictional characters Marguerite Gautier, a demimondaine, or courtesan, suffering from "consumption" (tuberculosis), and Armand Duval, a young bourgeois. Marguerite is nicknamed la dame aux camélias (French for 'the lady of the camellias') because she wears a red camellia when she's menstruating and unavailable for making love and a white camelia when she is available to her lovers.
Armand falls in love with Marguerite and ultimately becomes her lover. He convinces her to leave her life as a courtesan and to live with him in the countryside. This idyllic existence is interrupted by Armand's father, who, concerned with the scandal created by the illicit relationship, and fearful that it will destroy Armand's sister's chances of marriage, convinces Marguerite to leave. Up until Marguerite's death, Armand believes that she left him for another man. Marguerite's death is described as an unending agony, during which Marguerite, abandoned by everyone, regrets what might have been.
The story is narrated after Marguerite's death by two male narrators, Armand and an unnamed frame narrator. Some scholars believe that Marguerite's illness and Duplessis's publicized cause of death, "consumption", was a 19th-century euphemism for syphilis. Dumas, fils, is careful to paint a favourable portrait of Marguerite, who despite her past is rendered virtuous by her love for Armand, and the suffering of the two lovers, whose love is shattered by the need to conform to the morals of the times, is rendered touchingly. In contrast the Chevalier des Grieux's love for Manon in Manon Lescaut (1731), a French novel by Abbé Prévost referenced at the beginning of La Dame aux Camélias, Armand's love is for a woman who is ready to sacrifice her riches and her lifestyle for him, but who is thwarted by the arrival of Armand's father. The novel is also marked by the description of Parisian life during the 19th century and the fragile world of the courtesan.

Question: Why does Marguerite leave her courtesan life?
Answer: to move to the country with Armand
A group of college friends consisted of Harvey, Nikki, Rob, Skip, Nan, Chaz, Kit, and Archâgather, celebrate spring break by spending the weekend at the island mansion of their friend and Skip's sister Muffy St. John, on the weekend leading up to April Fools' Day. The tone is set almost immediately with Muffy preparing details around the house, and finds an old jack-in-the-box she remembers in a flashback sequence. Meanwhile, her friends are joking around on the pier, then on the ferry to the island. When en route to the island, local deckhand buck Buck is seriously injured in a gruesome accident.
Once on the island and in the mansion, it turns out Muffy has set up a variety of little jokes from the simple such as whoopie cuchions and dribble glasses, to the more complex and disturbing such as an audiotape of a baby crying in someone's room and heroin paraphernalia in a guest's wardrobe. Through it all, despite the friends in general try to relax, Skip goes missing. Kit catches a glimpse of what looks like his dead body. Soon, Arch and Nan also go missing next. During a search, Nikki falls into the island's well and finds the severed heads of Skip and Arch and the dead body of Nan. Afterward, the remaining group discover that the phones are dead and there is no way to get off the island until Monday.
One after another, the group either vanishes or being killed and their bodies being found. Kit and Rob put together some clues and realizing that everyone's earlier assumption is wrong; the kinsman of the deckhand injured when they arrived is a red herring. It also turns out that Muffy has a violently insane twin sister named Buffy, who has escaped. In fact, the "Muffy" they have been around since the first night was Buffy, pretending to be Muffy. They discover Muffy's severed head in the basement.
Buffy chases them with a curved butcher's knife, and the couple are separated. Kit flees from Buffy into the living room where she finds everyone else there, alive and calmly waiting for her. It was all a joke, or more accurately, a dress rehearsal. It is revealed to the audience that the whole film was never a slasher film from the start, but rather pretending to be one. Muffy hopes to turn the mansion into a resort offering a weekend of staged horror. She even had a friend who does special effects and make-up for Hollywood help. Each "victim" agreed to take part as things were explained to them.
Everyone has a huge laugh and break out lots of bottles of champagne. Later that night, a half-drunk Muffy goes to her room and finds a wrapped present on her bed. She unwraps it, and the present is the Jack-in-the-Box. Savoring the surprise, she turns the handle slowly and when "Jack" finally pops out, Nan, who knew Muffy from acting class, emerges from behind her and slits her throat with a razor. Muffy screams, but then realizes she is not really bleeding and that she used a trick razor and stage blood. The film ends with the Jack-in-the-box winking at the audience.

Question: What did Muffy place in a guest's wardrobe?
Answer: Heroin paraphernalia.
A group of college friends consisted of Harvey, Nikki, Rob, Skip, Nan, Chaz, Kit, and Archâgather, celebrate spring break by spending the weekend at the island mansion of their friend and Skip's sister Muffy St. John, on the weekend leading up to April Fools' Day. The tone is set almost immediately with Muffy preparing details around the house, and finds an old jack-in-the-box she remembers in a flashback sequence. Meanwhile, her friends are joking around on the pier, then on the ferry to the island. When en route to the island, local deckhand buck Buck is seriously injured in a gruesome accident.
Once on the island and in the mansion, it turns out Muffy has set up a variety of little jokes from the simple such as whoopie cuchions and dribble glasses, to the more complex and disturbing such as an audiotape of a baby crying in someone's room and heroin paraphernalia in a guest's wardrobe. Through it all, despite the friends in general try to relax, Skip goes missing. Kit catches a glimpse of what looks like his dead body. Soon, Arch and Nan also go missing next. During a search, Nikki falls into the island's well and finds the severed heads of Skip and Arch and the dead body of Nan. Afterward, the remaining group discover that the phones are dead and there is no way to get off the island until Monday.
One after another, the group either vanishes or being killed and their bodies being found. Kit and Rob put together some clues and realizing that everyone's earlier assumption is wrong; the kinsman of the deckhand injured when they arrived is a red herring. It also turns out that Muffy has a violently insane twin sister named Buffy, who has escaped. In fact, the "Muffy" they have been around since the first night was Buffy, pretending to be Muffy. They discover Muffy's severed head in the basement.
Buffy chases them with a curved butcher's knife, and the couple are separated. Kit flees from Buffy into the living room where she finds everyone else there, alive and calmly waiting for her. It was all a joke, or more accurately, a dress rehearsal. It is revealed to the audience that the whole film was never a slasher film from the start, but rather pretending to be one. Muffy hopes to turn the mansion into a resort offering a weekend of staged horror. She even had a friend who does special effects and make-up for Hollywood help. Each "victim" agreed to take part as things were explained to them.
Everyone has a huge laugh and break out lots of bottles of champagne. Later that night, a half-drunk Muffy goes to her room and finds a wrapped present on her bed. She unwraps it, and the present is the Jack-in-the-Box. Savoring the surprise, she turns the handle slowly and when "Jack" finally pops out, Nan, who knew Muffy from acting class, emerges from behind her and slits her throat with a razor. Muffy screams, but then realizes she is not really bleeding and that she used a trick razor and stage blood. The film ends with the Jack-in-the-box winking at the audience.

Question: Where did Nikki find the severed heads of Arch and Skip?
Answer: Inside a well.
A group of college friends consisted of Harvey, Nikki, Rob, Skip, Nan, Chaz, Kit, and Archâgather, celebrate spring break by spending the weekend at the island mansion of their friend and Skip's sister Muffy St. John, on the weekend leading up to April Fools' Day. The tone is set almost immediately with Muffy preparing details around the house, and finds an old jack-in-the-box she remembers in a flashback sequence. Meanwhile, her friends are joking around on the pier, then on the ferry to the island. When en route to the island, local deckhand buck Buck is seriously injured in a gruesome accident.
Once on the island and in the mansion, it turns out Muffy has set up a variety of little jokes from the simple such as whoopie cuchions and dribble glasses, to the more complex and disturbing such as an audiotape of a baby crying in someone's room and heroin paraphernalia in a guest's wardrobe. Through it all, despite the friends in general try to relax, Skip goes missing. Kit catches a glimpse of what looks like his dead body. Soon, Arch and Nan also go missing next. During a search, Nikki falls into the island's well and finds the severed heads of Skip and Arch and the dead body of Nan. Afterward, the remaining group discover that the phones are dead and there is no way to get off the island until Monday.
One after another, the group either vanishes or being killed and their bodies being found. Kit and Rob put together some clues and realizing that everyone's earlier assumption is wrong; the kinsman of the deckhand injured when they arrived is a red herring. It also turns out that Muffy has a violently insane twin sister named Buffy, who has escaped. In fact, the "Muffy" they have been around since the first night was Buffy, pretending to be Muffy. They discover Muffy's severed head in the basement.
Buffy chases them with a curved butcher's knife, and the couple are separated. Kit flees from Buffy into the living room where she finds everyone else there, alive and calmly waiting for her. It was all a joke, or more accurately, a dress rehearsal. It is revealed to the audience that the whole film was never a slasher film from the start, but rather pretending to be one. Muffy hopes to turn the mansion into a resort offering a weekend of staged horror. She even had a friend who does special effects and make-up for Hollywood help. Each "victim" agreed to take part as things were explained to them.
Everyone has a huge laugh and break out lots of bottles of champagne. Later that night, a half-drunk Muffy goes to her room and finds a wrapped present on her bed. She unwraps it, and the present is the Jack-in-the-Box. Savoring the surprise, she turns the handle slowly and when "Jack" finally pops out, Nan, who knew Muffy from acting class, emerges from behind her and slits her throat with a razor. Muffy screams, but then realizes she is not really bleeding and that she used a trick razor and stage blood. The film ends with the Jack-in-the-box winking at the audience.

Question: Where does Muffy find a present?
Answer: On her bed.
A group of college friends consisted of Harvey, Nikki, Rob, Skip, Nan, Chaz, Kit, and Archâgather, celebrate spring break by spending the weekend at the island mansion of their friend and Skip's sister Muffy St. John, on the weekend leading up to April Fools' Day. The tone is set almost immediately with Muffy preparing details around the house, and finds an old jack-in-the-box she remembers in a flashback sequence. Meanwhile, her friends are joking around on the pier, then on the ferry to the island. When en route to the island, local deckhand buck Buck is seriously injured in a gruesome accident.
Once on the island and in the mansion, it turns out Muffy has set up a variety of little jokes from the simple such as whoopie cuchions and dribble glasses, to the more complex and disturbing such as an audiotape of a baby crying in someone's room and heroin paraphernalia in a guest's wardrobe. Through it all, despite the friends in general try to relax, Skip goes missing. Kit catches a glimpse of what looks like his dead body. Soon, Arch and Nan also go missing next. During a search, Nikki falls into the island's well and finds the severed heads of Skip and Arch and the dead body of Nan. Afterward, the remaining group discover that the phones are dead and there is no way to get off the island until Monday.
One after another, the group either vanishes or being killed and their bodies being found. Kit and Rob put together some clues and realizing that everyone's earlier assumption is wrong; the kinsman of the deckhand injured when they arrived is a red herring. It also turns out that Muffy has a violently insane twin sister named Buffy, who has escaped. In fact, the "Muffy" they have been around since the first night was Buffy, pretending to be Muffy. They discover Muffy's severed head in the basement.
Buffy chases them with a curved butcher's knife, and the couple are separated. Kit flees from Buffy into the living room where she finds everyone else there, alive and calmly waiting for her. It was all a joke, or more accurately, a dress rehearsal. It is revealed to the audience that the whole film was never a slasher film from the start, but rather pretending to be one. Muffy hopes to turn the mansion into a resort offering a weekend of staged horror. She even had a friend who does special effects and make-up for Hollywood help. Each "victim" agreed to take part as things were explained to them.
Everyone has a huge laugh and break out lots of bottles of champagne. Later that night, a half-drunk Muffy goes to her room and finds a wrapped present on her bed. She unwraps it, and the present is the Jack-in-the-Box. Savoring the surprise, she turns the handle slowly and when "Jack" finally pops out, Nan, who knew Muffy from acting class, emerges from behind her and slits her throat with a razor. Muffy screams, but then realizes she is not really bleeding and that she used a trick razor and stage blood. The film ends with the Jack-in-the-box winking at the audience.

Question: Which day can the group get off the island?
Answer: Monday.
A group of college friends consisted of Harvey, Nikki, Rob, Skip, Nan, Chaz, Kit, and Archâgather, celebrate spring break by spending the weekend at the island mansion of their friend and Skip's sister Muffy St. John, on the weekend leading up to April Fools' Day. The tone is set almost immediately with Muffy preparing details around the house, and finds an old jack-in-the-box she remembers in a flashback sequence. Meanwhile, her friends are joking around on the pier, then on the ferry to the island. When en route to the island, local deckhand buck Buck is seriously injured in a gruesome accident.
Once on the island and in the mansion, it turns out Muffy has set up a variety of little jokes from the simple such as whoopie cuchions and dribble glasses, to the more complex and disturbing such as an audiotape of a baby crying in someone's room and heroin paraphernalia in a guest's wardrobe. Through it all, despite the friends in general try to relax, Skip goes missing. Kit catches a glimpse of what looks like his dead body. Soon, Arch and Nan also go missing next. During a search, Nikki falls into the island's well and finds the severed heads of Skip and Arch and the dead body of Nan. Afterward, the remaining group discover that the phones are dead and there is no way to get off the island until Monday.
One after another, the group either vanishes or being killed and their bodies being found. Kit and Rob put together some clues and realizing that everyone's earlier assumption is wrong; the kinsman of the deckhand injured when they arrived is a red herring. It also turns out that Muffy has a violently insane twin sister named Buffy, who has escaped. In fact, the "Muffy" they have been around since the first night was Buffy, pretending to be Muffy. They discover Muffy's severed head in the basement.
Buffy chases them with a curved butcher's knife, and the couple are separated. Kit flees from Buffy into the living room where she finds everyone else there, alive and calmly waiting for her. It was all a joke, or more accurately, a dress rehearsal. It is revealed to the audience that the whole film was never a slasher film from the start, but rather pretending to be one. Muffy hopes to turn the mansion into a resort offering a weekend of staged horror. She even had a friend who does special effects and make-up for Hollywood help. Each "victim" agreed to take part as things were explained to them.
Everyone has a huge laugh and break out lots of bottles of champagne. Later that night, a half-drunk Muffy goes to her room and finds a wrapped present on her bed. She unwraps it, and the present is the Jack-in-the-Box. Savoring the surprise, she turns the handle slowly and when "Jack" finally pops out, Nan, who knew Muffy from acting class, emerges from behind her and slits her throat with a razor. Muffy screams, but then realizes she is not really bleeding and that she used a trick razor and stage blood. The film ends with the Jack-in-the-box winking at the audience.

Question: How did Nan and Muffy meet?
Answer: In acting class.
A group of college friends consisted of Harvey, Nikki, Rob, Skip, Nan, Chaz, Kit, and Archâgather, celebrate spring break by spending the weekend at the island mansion of their friend and Skip's sister Muffy St. John, on the weekend leading up to April Fools' Day. The tone is set almost immediately with Muffy preparing details around the house, and finds an old jack-in-the-box she remembers in a flashback sequence. Meanwhile, her friends are joking around on the pier, then on the ferry to the island. When en route to the island, local deckhand buck Buck is seriously injured in a gruesome accident.
Once on the island and in the mansion, it turns out Muffy has set up a variety of little jokes from the simple such as whoopie cuchions and dribble glasses, to the more complex and disturbing such as an audiotape of a baby crying in someone's room and heroin paraphernalia in a guest's wardrobe. Through it all, despite the friends in general try to relax, Skip goes missing. Kit catches a glimpse of what looks like his dead body. Soon, Arch and Nan also go missing next. During a search, Nikki falls into the island's well and finds the severed heads of Skip and Arch and the dead body of Nan. Afterward, the remaining group discover that the phones are dead and there is no way to get off the island until Monday.
One after another, the group either vanishes or being killed and their bodies being found. Kit and Rob put together some clues and realizing that everyone's earlier assumption is wrong; the kinsman of the deckhand injured when they arrived is a red herring. It also turns out that Muffy has a violently insane twin sister named Buffy, who has escaped. In fact, the "Muffy" they have been around since the first night was Buffy, pretending to be Muffy. They discover Muffy's severed head in the basement.
Buffy chases them with a curved butcher's knife, and the couple are separated. Kit flees from Buffy into the living room where she finds everyone else there, alive and calmly waiting for her. It was all a joke, or more accurately, a dress rehearsal. It is revealed to the audience that the whole film was never a slasher film from the start, but rather pretending to be one. Muffy hopes to turn the mansion into a resort offering a weekend of staged horror. She even had a friend who does special effects and make-up for Hollywood help. Each "victim" agreed to take part as things were explained to them.
Everyone has a huge laugh and break out lots of bottles of champagne. Later that night, a half-drunk Muffy goes to her room and finds a wrapped present on her bed. She unwraps it, and the present is the Jack-in-the-Box. Savoring the surprise, she turns the handle slowly and when "Jack" finally pops out, Nan, who knew Muffy from acting class, emerges from behind her and slits her throat with a razor. Muffy screams, but then realizes she is not really bleeding and that she used a trick razor and stage blood. The film ends with the Jack-in-the-box winking at the audience.

Question: Who was pretending to be Muffy?
Answer: Buffy.