YuITC/NarrativeQA-Dataset-Restructured huggingface dataset:
Anna Karenina is the tragic story of a married aristocrat/socialite and her affair with the affluent Count Vronsky. The story opens when she arrives in the midst of a family broken up by her brother's unbridled womanizing—something that prefigures her own later situation, though she would experience less tolerance by others.
A bachelor, Vronsky is eager to marry her if she will agree to leave her husband Karenin, a senior government official, but she is vulnerable to the pressures of Russian social norms, the moral laws of the Russian Orthodox Church, her own insecurities, and Karenin's indecision. Although Vronsky and Anna go to Italy, where they can be together, they have trouble making friends. Back in Russia, she is shunned, becoming further isolated and anxious, while Vronsky pursues his social life. Despite Vronsky's reassurances, she grows increasingly possessive and paranoid about his imagined infidelity, fearing loss of control.
A parallel story within the novel is that of Konstantin Levin, a wealthy country landowner who wants to marry Princess Kitty, sister to Dolly and sister-in-law to Anna's brother Oblonsky. Konstantin has to propose twice before Kitty accepts. The novel details Konstantin's difficulties managing his estate, his eventual marriage, and his personal issues, until the birth of his first child.
The novel explores a diverse range of topics throughout its approximately thousand pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time—politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class.The novel is divided into eight parts. Its epigraph is Vengeance is mine, I will repay, from Romans 12:19, which in turn quotes from Deuteronomy 32:35.
The novel begins with one of its most often-quoted lines:
“Happy families are all alike; every unhappy family is unhappy in its own way.”

Question: What is Karenin's position?
Answer: A senior government official
Anna Karenina is the tragic story of a married aristocrat/socialite and her affair with the affluent Count Vronsky. The story opens when she arrives in the midst of a family broken up by her brother's unbridled womanizing—something that prefigures her own later situation, though she would experience less tolerance by others.
A bachelor, Vronsky is eager to marry her if she will agree to leave her husband Karenin, a senior government official, but she is vulnerable to the pressures of Russian social norms, the moral laws of the Russian Orthodox Church, her own insecurities, and Karenin's indecision. Although Vronsky and Anna go to Italy, where they can be together, they have trouble making friends. Back in Russia, she is shunned, becoming further isolated and anxious, while Vronsky pursues his social life. Despite Vronsky's reassurances, she grows increasingly possessive and paranoid about his imagined infidelity, fearing loss of control.
A parallel story within the novel is that of Konstantin Levin, a wealthy country landowner who wants to marry Princess Kitty, sister to Dolly and sister-in-law to Anna's brother Oblonsky. Konstantin has to propose twice before Kitty accepts. The novel details Konstantin's difficulties managing his estate, his eventual marriage, and his personal issues, until the birth of his first child.
The novel explores a diverse range of topics throughout its approximately thousand pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time—politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class.The novel is divided into eight parts. Its epigraph is Vengeance is mine, I will repay, from Romans 12:19, which in turn quotes from Deuteronomy 32:35.
The novel begins with one of its most often-quoted lines:
“Happy families are all alike; every unhappy family is unhappy in its own way.”

Question: What problem do Vronsky and Anna face in Italy?
Answer: They have trouble making friends
Anna Karenina is the tragic story of a married aristocrat/socialite and her affair with the affluent Count Vronsky. The story opens when she arrives in the midst of a family broken up by her brother's unbridled womanizing—something that prefigures her own later situation, though she would experience less tolerance by others.
A bachelor, Vronsky is eager to marry her if she will agree to leave her husband Karenin, a senior government official, but she is vulnerable to the pressures of Russian social norms, the moral laws of the Russian Orthodox Church, her own insecurities, and Karenin's indecision. Although Vronsky and Anna go to Italy, where they can be together, they have trouble making friends. Back in Russia, she is shunned, becoming further isolated and anxious, while Vronsky pursues his social life. Despite Vronsky's reassurances, she grows increasingly possessive and paranoid about his imagined infidelity, fearing loss of control.
A parallel story within the novel is that of Konstantin Levin, a wealthy country landowner who wants to marry Princess Kitty, sister to Dolly and sister-in-law to Anna's brother Oblonsky. Konstantin has to propose twice before Kitty accepts. The novel details Konstantin's difficulties managing his estate, his eventual marriage, and his personal issues, until the birth of his first child.
The novel explores a diverse range of topics throughout its approximately thousand pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time—politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class.The novel is divided into eight parts. Its epigraph is Vengeance is mine, I will repay, from Romans 12:19, which in turn quotes from Deuteronomy 32:35.
The novel begins with one of its most often-quoted lines:
“Happy families are all alike; every unhappy family is unhappy in its own way.”

Question: Who is Oblonsky's sister-in-law?
Answer: Princess Kitty
Anna Karenina is the tragic story of a married aristocrat/socialite and her affair with the affluent Count Vronsky. The story opens when she arrives in the midst of a family broken up by her brother's unbridled womanizing—something that prefigures her own later situation, though she would experience less tolerance by others.
A bachelor, Vronsky is eager to marry her if she will agree to leave her husband Karenin, a senior government official, but she is vulnerable to the pressures of Russian social norms, the moral laws of the Russian Orthodox Church, her own insecurities, and Karenin's indecision. Although Vronsky and Anna go to Italy, where they can be together, they have trouble making friends. Back in Russia, she is shunned, becoming further isolated and anxious, while Vronsky pursues his social life. Despite Vronsky's reassurances, she grows increasingly possessive and paranoid about his imagined infidelity, fearing loss of control.
A parallel story within the novel is that of Konstantin Levin, a wealthy country landowner who wants to marry Princess Kitty, sister to Dolly and sister-in-law to Anna's brother Oblonsky. Konstantin has to propose twice before Kitty accepts. The novel details Konstantin's difficulties managing his estate, his eventual marriage, and his personal issues, until the birth of his first child.
The novel explores a diverse range of topics throughout its approximately thousand pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time—politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class.The novel is divided into eight parts. Its epigraph is Vengeance is mine, I will repay, from Romans 12:19, which in turn quotes from Deuteronomy 32:35.
The novel begins with one of its most often-quoted lines:
“Happy families are all alike; every unhappy family is unhappy in its own way.”

Question: How many times does Konstantin propose?
Answer: Twice
Anna Karenina is the tragic story of a married aristocrat/socialite and her affair with the affluent Count Vronsky. The story opens when she arrives in the midst of a family broken up by her brother's unbridled womanizing—something that prefigures her own later situation, though she would experience less tolerance by others.
A bachelor, Vronsky is eager to marry her if she will agree to leave her husband Karenin, a senior government official, but she is vulnerable to the pressures of Russian social norms, the moral laws of the Russian Orthodox Church, her own insecurities, and Karenin's indecision. Although Vronsky and Anna go to Italy, where they can be together, they have trouble making friends. Back in Russia, she is shunned, becoming further isolated and anxious, while Vronsky pursues his social life. Despite Vronsky's reassurances, she grows increasingly possessive and paranoid about his imagined infidelity, fearing loss of control.
A parallel story within the novel is that of Konstantin Levin, a wealthy country landowner who wants to marry Princess Kitty, sister to Dolly and sister-in-law to Anna's brother Oblonsky. Konstantin has to propose twice before Kitty accepts. The novel details Konstantin's difficulties managing his estate, his eventual marriage, and his personal issues, until the birth of his first child.
The novel explores a diverse range of topics throughout its approximately thousand pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time—politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class.The novel is divided into eight parts. Its epigraph is Vengeance is mine, I will repay, from Romans 12:19, which in turn quotes from Deuteronomy 32:35.
The novel begins with one of its most often-quoted lines:
“Happy families are all alike; every unhappy family is unhappy in its own way.”

Question: How does Anna feel after her and Vronsky returns to Russia?
Answer: Anxious, paranoid, possessive
Anna Karenina is the tragic story of a married aristocrat/socialite and her affair with the affluent Count Vronsky. The story opens when she arrives in the midst of a family broken up by her brother's unbridled womanizing—something that prefigures her own later situation, though she would experience less tolerance by others.
A bachelor, Vronsky is eager to marry her if she will agree to leave her husband Karenin, a senior government official, but she is vulnerable to the pressures of Russian social norms, the moral laws of the Russian Orthodox Church, her own insecurities, and Karenin's indecision. Although Vronsky and Anna go to Italy, where they can be together, they have trouble making friends. Back in Russia, she is shunned, becoming further isolated and anxious, while Vronsky pursues his social life. Despite Vronsky's reassurances, she grows increasingly possessive and paranoid about his imagined infidelity, fearing loss of control.
A parallel story within the novel is that of Konstantin Levin, a wealthy country landowner who wants to marry Princess Kitty, sister to Dolly and sister-in-law to Anna's brother Oblonsky. Konstantin has to propose twice before Kitty accepts. The novel details Konstantin's difficulties managing his estate, his eventual marriage, and his personal issues, until the birth of his first child.
The novel explores a diverse range of topics throughout its approximately thousand pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time—politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class.The novel is divided into eight parts. Its epigraph is Vengeance is mine, I will repay, from Romans 12:19, which in turn quotes from Deuteronomy 32:35.
The novel begins with one of its most often-quoted lines:
“Happy families are all alike; every unhappy family is unhappy in its own way.”

Question: What does the novel say about happy families?
Answer: That they're all alike
Anna Karenina is the tragic story of a married aristocrat/socialite and her affair with the affluent Count Vronsky. The story opens when she arrives in the midst of a family broken up by her brother's unbridled womanizing—something that prefigures her own later situation, though she would experience less tolerance by others.
A bachelor, Vronsky is eager to marry her if she will agree to leave her husband Karenin, a senior government official, but she is vulnerable to the pressures of Russian social norms, the moral laws of the Russian Orthodox Church, her own insecurities, and Karenin's indecision. Although Vronsky and Anna go to Italy, where they can be together, they have trouble making friends. Back in Russia, she is shunned, becoming further isolated and anxious, while Vronsky pursues his social life. Despite Vronsky's reassurances, she grows increasingly possessive and paranoid about his imagined infidelity, fearing loss of control.
A parallel story within the novel is that of Konstantin Levin, a wealthy country landowner who wants to marry Princess Kitty, sister to Dolly and sister-in-law to Anna's brother Oblonsky. Konstantin has to propose twice before Kitty accepts. The novel details Konstantin's difficulties managing his estate, his eventual marriage, and his personal issues, until the birth of his first child.
The novel explores a diverse range of topics throughout its approximately thousand pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time—politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class.The novel is divided into eight parts. Its epigraph is Vengeance is mine, I will repay, from Romans 12:19, which in turn quotes from Deuteronomy 32:35.
The novel begins with one of its most often-quoted lines:
“Happy families are all alike; every unhappy family is unhappy in its own way.”

Question: What does Vronsky do when he returns to Italy after his trip with Anna?
Answer: Pursues a social life
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: What image does William the Conqueror fall in love with in this story?
Answer: The image on the shield that is carried by Marquess of Lubeck.
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Who does William accept as his wife?
Answer: Blanche
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Which suitor does Em prefer?
Answer: Manvile.
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Which suitor remained true to Em?
Answer: Valingford
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Em pretends to be deaf to avoid which suitor?
Answer: Mountney
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Em pretends to be blind to avoid which suitor?
Answer: Vallingford
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Why does William travel to the court of King Zweno?
Answer: To see the original of the portrait he fell in love with that Marquees carried on his shield
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: What is Em's fathers real identity?
Answer: Sir Thomas Goddard
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Who helps William realize there are virtuous women?
Answer: Em
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Who stages the pot to trick William?
Answer: Marianne and Blanche
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: What object does William the Conquerer first become infatuated with?
Answer: A shield
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Who is depicted on the shield carried by the Marquess of Lubeck?
Answer: Marianne
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Why is Marianne in the court of King Zweno?
Answer: She is being held hostage
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Who does William marry?
Answer: Blanche
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: What are the names of the suitors who court Em?
Answer: Valingford, Mountney and Manvile
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: How does Emily try to thwart her suitors?
Answer: She feigns blindness and deafness
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Who does Em ultimately marry?
Answer: Valingford
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: What is the true identity of the miller of Manchester?
Answer: Sir Thomas Goddard
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Who does Marianne marry?
Answer: Lubeck
In the main plot, William the Conqueror falls in love with the image on the shield that the Marquess of Lubeck carries in a tournament. In disguise, William travels to the court of King Zweno of Denmark to see the original of the portrait; once there, he falls in love with Marianna, a Swedish princess held hostage at the Danish court. Marianna, however, is faithful to her suitor, Lubeck, and has no interest in William; but the king's daughter Blanche becomes infatuated with the newcomer. The ladies stage a plot, in which William absconds with the woman he thinks is Marianne; in doing so he gets in trouble with Zweno, who is under the same mistaken impression. When the woman's true identity is revealed â she is of course Blanche â William accepts her as his wife. Lubeck and Marianne are left, happily, to each other.
In the subplot, Em, the beautiful daughter of the miller of Manchester, is wooed by three suitors, Valingford, Mountney, and Manvile. Preferring Manvile, she pretends blindness to evade Valingford, and deafness to avoid Mountney. But Manvile proves unfaithful to Em. In the end, Manvile loses both of the women he pursues, and Em marries Valingford, the one of the three who has remained true to her; and it is revealed that Em is actually of the gentry â her father is Sir Thomas Goddard, and the miller of Manchester was his disguise. The two plots meet at the end, as William recognizes Goddard's banishment was unjust and revokes it. Em makes William realize that the world does contain virtuous women, which helps to reconcile him to his marriage with Blanche.

Question: Why do Marianne and Blanche stage a deception?
Answer: Because Blanche wants William and Marianne wants Lubeck