YuITC/NarrativeQA-Dataset-Restructured huggingface dataset:
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: Who prevents the Baron from snipping Belinda's lock?
Answer: Sylphs
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: Who is the Gnome that brings the vial to Belinda?
Answer: Umbriel
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: Who fights the Baron?
Answer: Belinda
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: What ulitmately happens to the lock?
Answer: It is made a constellation
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: Who narrates the story? 
Answer: Pope.
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: Who warns Belinda of an impending dreadful event?
Answer: Sylph Ariel, her guardian.
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: What does Baron, one of Belinda's suitors, plan to steal from her?
Answer: A lock of hair.
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: What game is Belinda invited to play at Hampton Court?
Answer: Ombre.
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: How many times does Baron attempt to cut of Belinda's lock of hair at the ball?
Answer: Three.
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: What sort of mythical creature is Umbriel?
Answer: A  gnome.
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: Where does Umbriel find the Queen?
Answer: The Cave of Spleen.
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: What is inside the bag that the queen gives Umbriel?
Answer: Sighs, sobs, passions and the war of tongues.
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: What's inside the vial the Queen gives to Umbriel?
Answer: Fainting fears, soft sorrows,  melting griefs and flowing tears.
In the beginning of this mock-epic, Pope declares that a "dire offence" (Canto 1 line 1) has been committed. A lord has assaulted a "gentle belle" (line 8), causing her to reject him. He then proceeds to tell the story of this offence.
While Belinda is still asleep, her guardian Sylph Ariel forewarns her that "some dread event impends". Belinda then awakes and gets ready for the day with the help of her maid, Betty. The Sylphs, though unseen, also contribute: "These set the head, and those divide the hair, some fold the sleeve, whilst others plait the gown" (146â147). Here Pope also describes Belinda's two locks of hair "which graceful hung behind". The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Building an altar, he places on it "all the trophies of his former loves" (line 40), sets them on fire and fervently prays "soon to obtain, and long possess" (line 44) the lock.
Ariel, disturbed by the impending event although not knowing what it will be, summons many sylphs to him and instructs them to guard Belinda from anything that may befall her, whether she "forget her prayers, or miss a masquerade, Or lost her heart, or necklace, at a ball" (line 108â109). So protected, Belinda arrives at Hampton Court and is invited to play a game of ombre.
The conspiring Baron acquires a pair of scissors and tries to snip off one of her locks but is prevented by the watchful Sylphs. This happens three times, but in the end the Baron succeeds (also cutting a Sylph in two although Pope reassures us, parodying a passage in Paradise Lost, that "airy substance soon unites again" [line 152]). When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory.
A gnome named Umbriel now journeys to the Cave of Spleen and from the Queen receives a bag of "sighs, sobs, and passions, and the war of tongues" (canto 4 line 84) and a vial filled "with fainting fears, soft sorrows, melting griefs, and flowing tears" (line 85â86) and brings them to Belinda. Finding her dejected in the arms of the woman Thalestris, he pours the contents over them both.
Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. Clarissa admonishes them to keep their good humour, but they will not listen and instead a court battle ensues between the nobles, with glares, songs and wits as weapons. Belinda fights with the Baron and throws snuff up his nose to subdue him. When she demands that he restore the lock, however, it is nowhere to be found. It has been made a constellation and is destined to outlast the contestants.

Question: What does Belinda's lock of hair turn into ultimately?
Answer: A constellation.
The first two lines are a complete story by themselves:
" The last man on Earth sat alone in a room. There was a knock on the door..."
The Zan have killed off all life on Earth other than pairs of specimens for their zoo of exotic Earth fauna. Walter Phelan is the last man on Earth, but Grace Evans, the last woman, is not overly impressed with him and maintains her distance.
The Zan, who are ageless, become disturbed when, one by one, the other animals begin to die. They turn to Walter for advice. He tells them that the creatures have perished from lack of affection, suggesting that they pet the survivors regularly to keep them alive. He demonstrates with one of them. When the Zan begin to die, they depart the planet in fear. It is then revealed that the creature Walter advised them to pet was a poisonous snake.
Then Walter discusses the future of the human race with Grace. She is shocked by his proposal and leaves as he intended to use the Zan technology left behind to create "the master race". The narrative then ends as it began:
"The last man on Earth sat alone in a room. There was a knock on the door..."

Question: Who is the last man on Earth?
Answer: Walter Phelan
The first two lines are a complete story by themselves:
" The last man on Earth sat alone in a room. There was a knock on the door..."
The Zan have killed off all life on Earth other than pairs of specimens for their zoo of exotic Earth fauna. Walter Phelan is the last man on Earth, but Grace Evans, the last woman, is not overly impressed with him and maintains her distance.
The Zan, who are ageless, become disturbed when, one by one, the other animals begin to die. They turn to Walter for advice. He tells them that the creatures have perished from lack of affection, suggesting that they pet the survivors regularly to keep them alive. He demonstrates with one of them. When the Zan begin to die, they depart the planet in fear. It is then revealed that the creature Walter advised them to pet was a poisonous snake.
Then Walter discusses the future of the human race with Grace. She is shocked by his proposal and leaves as he intended to use the Zan technology left behind to create "the master race". The narrative then ends as it began:
"The last man on Earth sat alone in a room. There was a knock on the door..."

Question: Who has killed off all of the life on Earth?
Answer: The Zan
The first two lines are a complete story by themselves:
" The last man on Earth sat alone in a room. There was a knock on the door..."
The Zan have killed off all life on Earth other than pairs of specimens for their zoo of exotic Earth fauna. Walter Phelan is the last man on Earth, but Grace Evans, the last woman, is not overly impressed with him and maintains her distance.
The Zan, who are ageless, become disturbed when, one by one, the other animals begin to die. They turn to Walter for advice. He tells them that the creatures have perished from lack of affection, suggesting that they pet the survivors regularly to keep them alive. He demonstrates with one of them. When the Zan begin to die, they depart the planet in fear. It is then revealed that the creature Walter advised them to pet was a poisonous snake.
Then Walter discusses the future of the human race with Grace. She is shocked by his proposal and leaves as he intended to use the Zan technology left behind to create "the master race". The narrative then ends as it began:
"The last man on Earth sat alone in a room. There was a knock on the door..."

Question: Why are the Zan disturbed?
Answer: Because all of the other animals are dying
The first two lines are a complete story by themselves:
" The last man on Earth sat alone in a room. There was a knock on the door..."
The Zan have killed off all life on Earth other than pairs of specimens for their zoo of exotic Earth fauna. Walter Phelan is the last man on Earth, but Grace Evans, the last woman, is not overly impressed with him and maintains her distance.
The Zan, who are ageless, become disturbed when, one by one, the other animals begin to die. They turn to Walter for advice. He tells them that the creatures have perished from lack of affection, suggesting that they pet the survivors regularly to keep them alive. He demonstrates with one of them. When the Zan begin to die, they depart the planet in fear. It is then revealed that the creature Walter advised them to pet was a poisonous snake.
Then Walter discusses the future of the human race with Grace. She is shocked by his proposal and leaves as he intended to use the Zan technology left behind to create "the master race". The narrative then ends as it began:
"The last man on Earth sat alone in a room. There was a knock on the door..."

Question: What did Walter tell the Zan regarding why the animals were dying?
Answer: Because the animals didn't have affection
The first two lines are a complete story by themselves:
" The last man on Earth sat alone in a room. There was a knock on the door..."
The Zan have killed off all life on Earth other than pairs of specimens for their zoo of exotic Earth fauna. Walter Phelan is the last man on Earth, but Grace Evans, the last woman, is not overly impressed with him and maintains her distance.
The Zan, who are ageless, become disturbed when, one by one, the other animals begin to die. They turn to Walter for advice. He tells them that the creatures have perished from lack of affection, suggesting that they pet the survivors regularly to keep them alive. He demonstrates with one of them. When the Zan begin to die, they depart the planet in fear. It is then revealed that the creature Walter advised them to pet was a poisonous snake.
Then Walter discusses the future of the human race with Grace. She is shocked by his proposal and leaves as he intended to use the Zan technology left behind to create "the master race". The narrative then ends as it began:
"The last man on Earth sat alone in a room. There was a knock on the door..."

Question: What does Walter tell the Zan about keeping the animals alive?
Answer: He said that they should pet the animals consistently
The first two lines are a complete story by themselves:
" The last man on Earth sat alone in a room. There was a knock on the door..."
The Zan have killed off all life on Earth other than pairs of specimens for their zoo of exotic Earth fauna. Walter Phelan is the last man on Earth, but Grace Evans, the last woman, is not overly impressed with him and maintains her distance.
The Zan, who are ageless, become disturbed when, one by one, the other animals begin to die. They turn to Walter for advice. He tells them that the creatures have perished from lack of affection, suggesting that they pet the survivors regularly to keep them alive. He demonstrates with one of them. When the Zan begin to die, they depart the planet in fear. It is then revealed that the creature Walter advised them to pet was a poisonous snake.
Then Walter discusses the future of the human race with Grace. She is shocked by his proposal and leaves as he intended to use the Zan technology left behind to create "the master race". The narrative then ends as it began:
"The last man on Earth sat alone in a room. There was a knock on the door..."

Question: Why did the Zan begin to die?
Answer: Because they were petting a poisonous snake
The first two lines are a complete story by themselves:
" The last man on Earth sat alone in a room. There was a knock on the door..."
The Zan have killed off all life on Earth other than pairs of specimens for their zoo of exotic Earth fauna. Walter Phelan is the last man on Earth, but Grace Evans, the last woman, is not overly impressed with him and maintains her distance.
The Zan, who are ageless, become disturbed when, one by one, the other animals begin to die. They turn to Walter for advice. He tells them that the creatures have perished from lack of affection, suggesting that they pet the survivors regularly to keep them alive. He demonstrates with one of them. When the Zan begin to die, they depart the planet in fear. It is then revealed that the creature Walter advised them to pet was a poisonous snake.
Then Walter discusses the future of the human race with Grace. She is shocked by his proposal and leaves as he intended to use the Zan technology left behind to create "the master race". The narrative then ends as it began:
"The last man on Earth sat alone in a room. There was a knock on the door..."

Question: Why does Grace decide to leave?
Answer: Because Walter planned on using the Zan technology to make a master race
The first two lines are a complete story by themselves:
" The last man on Earth sat alone in a room. There was a knock on the door..."
The Zan have killed off all life on Earth other than pairs of specimens for their zoo of exotic Earth fauna. Walter Phelan is the last man on Earth, but Grace Evans, the last woman, is not overly impressed with him and maintains her distance.
The Zan, who are ageless, become disturbed when, one by one, the other animals begin to die. They turn to Walter for advice. He tells them that the creatures have perished from lack of affection, suggesting that they pet the survivors regularly to keep them alive. He demonstrates with one of them. When the Zan begin to die, they depart the planet in fear. It is then revealed that the creature Walter advised them to pet was a poisonous snake.
Then Walter discusses the future of the human race with Grace. She is shocked by his proposal and leaves as he intended to use the Zan technology left behind to create "the master race". The narrative then ends as it began:
"The last man on Earth sat alone in a room. There was a knock on the door..."

Question: What did the Zan eventually do when they started dying?
Answer: They left Earth