YuITC/NarrativeQA-Dataset-Restructured huggingface dataset:
It is written in the style of a diary kept by the first woman in the biblical creation story, Eve, and is claimed to be "translated from the original MS." The "plot" of this story is the first-person account of Eve from her creation up to her burial by, her mate Adam, including meeting and getting to know Adam, and exploring the world around her, Eden. The story then jumps 40 years into the future after the Fall and expulsion from Eden.
It is one of a series of books Twain wrote concerning the story of Adam and Eve, including Extracts from Adam's Diary, 'That Day In Eden,' 'Eve Speaks,' 'Adam's Soliloquy,' and the 'Autobiography of Eve.' Eve's Diary has a lighter tone than the others in the series, as Eve has a strong appreciation for beauty and love.
The book may have been written as a posthumous love-letter to Mark Twain's wife Olivia Langdon Clemens, or Livy, who died in June 1904, just before the story was written. Mark Twain is quoted as saying, "Eve's Diary is finished â I've been waiting for her to speak, but she doesn't say anything more." The story ends with Adam's speaking at Eve's grave, "Wherever she was, there was Eden."

Question: Where did the story pick up after it jumped into the future?
Answer: After the fall and expulsion from Eden.
It is written in the style of a diary kept by the first woman in the biblical creation story, Eve, and is claimed to be "translated from the original MS." The "plot" of this story is the first-person account of Eve from her creation up to her burial by, her mate Adam, including meeting and getting to know Adam, and exploring the world around her, Eden. The story then jumps 40 years into the future after the Fall and expulsion from Eden.
It is one of a series of books Twain wrote concerning the story of Adam and Eve, including Extracts from Adam's Diary, 'That Day In Eden,' 'Eve Speaks,' 'Adam's Soliloquy,' and the 'Autobiography of Eve.' Eve's Diary has a lighter tone than the others in the series, as Eve has a strong appreciation for beauty and love.
The book may have been written as a posthumous love-letter to Mark Twain's wife Olivia Langdon Clemens, or Livy, who died in June 1904, just before the story was written. Mark Twain is quoted as saying, "Eve's Diary is finished â I've been waiting for her to speak, but she doesn't say anything more." The story ends with Adam's speaking at Eve's grave, "Wherever she was, there was Eden."

Question: What does Eve write about in her diary?
Answer: Meeting Adam and the beauty of the world.
It is written in the style of a diary kept by the first woman in the biblical creation story, Eve, and is claimed to be "translated from the original MS." The "plot" of this story is the first-person account of Eve from her creation up to her burial by, her mate Adam, including meeting and getting to know Adam, and exploring the world around her, Eden. The story then jumps 40 years into the future after the Fall and expulsion from Eden.
It is one of a series of books Twain wrote concerning the story of Adam and Eve, including Extracts from Adam's Diary, 'That Day In Eden,' 'Eve Speaks,' 'Adam's Soliloquy,' and the 'Autobiography of Eve.' Eve's Diary has a lighter tone than the others in the series, as Eve has a strong appreciation for beauty and love.
The book may have been written as a posthumous love-letter to Mark Twain's wife Olivia Langdon Clemens, or Livy, who died in June 1904, just before the story was written. Mark Twain is quoted as saying, "Eve's Diary is finished â I've been waiting for her to speak, but she doesn't say anything more." The story ends with Adam's speaking at Eve's grave, "Wherever she was, there was Eden."

Question: What was Twain's wife's nickname?
Answer: Livy
It is written in the style of a diary kept by the first woman in the biblical creation story, Eve, and is claimed to be "translated from the original MS." The "plot" of this story is the first-person account of Eve from her creation up to her burial by, her mate Adam, including meeting and getting to know Adam, and exploring the world around her, Eden. The story then jumps 40 years into the future after the Fall and expulsion from Eden.
It is one of a series of books Twain wrote concerning the story of Adam and Eve, including Extracts from Adam's Diary, 'That Day In Eden,' 'Eve Speaks,' 'Adam's Soliloquy,' and the 'Autobiography of Eve.' Eve's Diary has a lighter tone than the others in the series, as Eve has a strong appreciation for beauty and love.
The book may have been written as a posthumous love-letter to Mark Twain's wife Olivia Langdon Clemens, or Livy, who died in June 1904, just before the story was written. Mark Twain is quoted as saying, "Eve's Diary is finished â I've been waiting for her to speak, but she doesn't say anything more." The story ends with Adam's speaking at Eve's grave, "Wherever she was, there was Eden."

Question: What year did Twain's wife die?
Answer: 1904
It is written in the style of a diary kept by the first woman in the biblical creation story, Eve, and is claimed to be "translated from the original MS." The "plot" of this story is the first-person account of Eve from her creation up to her burial by, her mate Adam, including meeting and getting to know Adam, and exploring the world around her, Eden. The story then jumps 40 years into the future after the Fall and expulsion from Eden.
It is one of a series of books Twain wrote concerning the story of Adam and Eve, including Extracts from Adam's Diary, 'That Day In Eden,' 'Eve Speaks,' 'Adam's Soliloquy,' and the 'Autobiography of Eve.' Eve's Diary has a lighter tone than the others in the series, as Eve has a strong appreciation for beauty and love.
The book may have been written as a posthumous love-letter to Mark Twain's wife Olivia Langdon Clemens, or Livy, who died in June 1904, just before the story was written. Mark Twain is quoted as saying, "Eve's Diary is finished â I've been waiting for her to speak, but she doesn't say anything more." The story ends with Adam's speaking at Eve's grave, "Wherever she was, there was Eden."

Question: What does Adam say at Eve's grave?
Answer: Wherever she was, there was Eden.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: What is the maximum number of people desired in the United States?
Answer: 40 million
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: What has to happen in order for someone to be born?
Answer: Someone must volunteer to die
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: How many children is Edward K. Wheling Jr.'s wife about to have at the beginning of the story?
Answer: Three
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: How many people has Edward found who are willing to die?
Answer: One
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: Who is the chief obstetrician at the Chicago Lying-In Hospital?
Answer: Dr. Benjamin Hitz
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: What is the mural in the hospital waiting room of?
Answer: A well-maintained garden
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: Why is Edward upset?
Answer: He does not want two of his children to die
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: What does Edward do to allow all three of his children to live?
Answer: He kills Dr. Hitz, Leora Duncan, and himself.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: What does the painter do at the end of the story?
Answer: He picks up Edward's revolver, intending to kill himself, but can't do it
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: Who speaks the last line in the story?
Answer: The receptionist of the Bureau of Termination
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: Population control is used to limit the United States to how many people?
Answer: Forty Million.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: What has to occur before someone can be born?
Answer: Someone else has to volunteer to die.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: Edward's wife is about to give birth to triplets, why is this a problem?
Answer: Edward has only found one person who is willing to die.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: How does Edward make room for all 3 children?
Answer: He shoots Dr. Hitz, Leora Duncan, and himself.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: Who is the one person who told Edward that he would voluntarily die?
Answer: Edward's Maternal Grandfather.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: The mural of a well taken care of garden served as a metaphor for what?
Answer: The United States at that time.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: What two practices limit the population?
Answer: Infanticide and government-assisted suicide.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: Who delivered the final line in the story?
Answer: The receptionist at the Bureau.
The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
â"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."â

Question: Why do deaths occur primarily by accident?
Answer: Aging has been cured and people have indefinite lifespans.