YuITC/NarrativeQA-Dataset-Restructured huggingface dataset:
The work is divided into two main parts, the Rechtslehre and the Tugendlehre. Mary J. Gregor's translation (1991) explains these German terms as, respectively, The "Doctrine of Right, which deals with the rights that people have or can acquire, and the Doctrine of Virtue, which deals with the virtues they ought to acquire.
Rechtslehre has also been translated as the Science of Right (Hastie) or the Metaphysical Elements of Justice (Ladd). It is grounded in republican interpretation of origins of political community as civil society and establishment of positive law. Published separately in 1797, the Doctrine of Right is one of the last examples of classical republicanism in political philosophy. The Doctrine of Right contains the most mature of Kant's statements on the peace project and a system of law to ensure individual rights.
The Doctrine of Virtue develops further Kant's ethical theory, which Kant first laid out in the Groundwork of the Metaphysics of Morals (1785). Kant particularly emphasizes treating humanity as an end in itself; in fact the Kant's retake of the second formulation of the categorical imperative (e.g. Groundwork of the Metaphysics of Morals) makes possible to deduce duties. The duties are analitically treated by Kant, who distinguishes: 1) duties towards ourselves; 2) duties towards others. The duties are: 1) perfect duties; 2) imperfect duties. Kant thinks imperfect duties let a latitudo: i.e., the possibility of choose maxims. The perfect duties instead do not let any latitudo and determine exactly the maxims of actions.

Question: What is the Rechtslehre an example of in political philosophy?
Answer: classical republicansim
The work is divided into two main parts, the Rechtslehre and the Tugendlehre. Mary J. Gregor's translation (1991) explains these German terms as, respectively, The "Doctrine of Right, which deals with the rights that people have or can acquire, and the Doctrine of Virtue, which deals with the virtues they ought to acquire.
Rechtslehre has also been translated as the Science of Right (Hastie) or the Metaphysical Elements of Justice (Ladd). It is grounded in republican interpretation of origins of political community as civil society and establishment of positive law. Published separately in 1797, the Doctrine of Right is one of the last examples of classical republicanism in political philosophy. The Doctrine of Right contains the most mature of Kant's statements on the peace project and a system of law to ensure individual rights.
The Doctrine of Virtue develops further Kant's ethical theory, which Kant first laid out in the Groundwork of the Metaphysics of Morals (1785). Kant particularly emphasizes treating humanity as an end in itself; in fact the Kant's retake of the second formulation of the categorical imperative (e.g. Groundwork of the Metaphysics of Morals) makes possible to deduce duties. The duties are analitically treated by Kant, who distinguishes: 1) duties towards ourselves; 2) duties towards others. The duties are: 1) perfect duties; 2) imperfect duties. Kant thinks imperfect duties let a latitudo: i.e., the possibility of choose maxims. The perfect duties instead do not let any latitudo and determine exactly the maxims of actions.

Question: What do the laws discussed in the Doctrine of Right seek to protect?
Answer: individual rights
The work is divided into two main parts, the Rechtslehre and the Tugendlehre. Mary J. Gregor's translation (1991) explains these German terms as, respectively, The "Doctrine of Right, which deals with the rights that people have or can acquire, and the Doctrine of Virtue, which deals with the virtues they ought to acquire.
Rechtslehre has also been translated as the Science of Right (Hastie) or the Metaphysical Elements of Justice (Ladd). It is grounded in republican interpretation of origins of political community as civil society and establishment of positive law. Published separately in 1797, the Doctrine of Right is one of the last examples of classical republicanism in political philosophy. The Doctrine of Right contains the most mature of Kant's statements on the peace project and a system of law to ensure individual rights.
The Doctrine of Virtue develops further Kant's ethical theory, which Kant first laid out in the Groundwork of the Metaphysics of Morals (1785). Kant particularly emphasizes treating humanity as an end in itself; in fact the Kant's retake of the second formulation of the categorical imperative (e.g. Groundwork of the Metaphysics of Morals) makes possible to deduce duties. The duties are analitically treated by Kant, who distinguishes: 1) duties towards ourselves; 2) duties towards others. The duties are: 1) perfect duties; 2) imperfect duties. Kant thinks imperfect duties let a latitudo: i.e., the possibility of choose maxims. The perfect duties instead do not let any latitudo and determine exactly the maxims of actions.

Question: Who wrote the Doctrine of the Right?
Answer: Kant
The work is divided into two main parts, the Rechtslehre and the Tugendlehre. Mary J. Gregor's translation (1991) explains these German terms as, respectively, The "Doctrine of Right, which deals with the rights that people have or can acquire, and the Doctrine of Virtue, which deals with the virtues they ought to acquire.
Rechtslehre has also been translated as the Science of Right (Hastie) or the Metaphysical Elements of Justice (Ladd). It is grounded in republican interpretation of origins of political community as civil society and establishment of positive law. Published separately in 1797, the Doctrine of Right is one of the last examples of classical republicanism in political philosophy. The Doctrine of Right contains the most mature of Kant's statements on the peace project and a system of law to ensure individual rights.
The Doctrine of Virtue develops further Kant's ethical theory, which Kant first laid out in the Groundwork of the Metaphysics of Morals (1785). Kant particularly emphasizes treating humanity as an end in itself; in fact the Kant's retake of the second formulation of the categorical imperative (e.g. Groundwork of the Metaphysics of Morals) makes possible to deduce duties. The duties are analitically treated by Kant, who distinguishes: 1) duties towards ourselves; 2) duties towards others. The duties are: 1) perfect duties; 2) imperfect duties. Kant thinks imperfect duties let a latitudo: i.e., the possibility of choose maxims. The perfect duties instead do not let any latitudo and determine exactly the maxims of actions.

Question: When was the Doctrine of Right completed by Kant?
Answer: 1797
The work is divided into two main parts, the Rechtslehre and the Tugendlehre. Mary J. Gregor's translation (1991) explains these German terms as, respectively, The "Doctrine of Right, which deals with the rights that people have or can acquire, and the Doctrine of Virtue, which deals with the virtues they ought to acquire.
Rechtslehre has also been translated as the Science of Right (Hastie) or the Metaphysical Elements of Justice (Ladd). It is grounded in republican interpretation of origins of political community as civil society and establishment of positive law. Published separately in 1797, the Doctrine of Right is one of the last examples of classical republicanism in political philosophy. The Doctrine of Right contains the most mature of Kant's statements on the peace project and a system of law to ensure individual rights.
The Doctrine of Virtue develops further Kant's ethical theory, which Kant first laid out in the Groundwork of the Metaphysics of Morals (1785). Kant particularly emphasizes treating humanity as an end in itself; in fact the Kant's retake of the second formulation of the categorical imperative (e.g. Groundwork of the Metaphysics of Morals) makes possible to deduce duties. The duties are analitically treated by Kant, who distinguishes: 1) duties towards ourselves; 2) duties towards others. The duties are: 1) perfect duties; 2) imperfect duties. Kant thinks imperfect duties let a latitudo: i.e., the possibility of choose maxims. The perfect duties instead do not let any latitudo and determine exactly the maxims of actions.

Question: When was the Doctrine of Virtue completed by Kant?
Answer: 1785
The work is divided into two main parts, the Rechtslehre and the Tugendlehre. Mary J. Gregor's translation (1991) explains these German terms as, respectively, The "Doctrine of Right, which deals with the rights that people have or can acquire, and the Doctrine of Virtue, which deals with the virtues they ought to acquire.
Rechtslehre has also been translated as the Science of Right (Hastie) or the Metaphysical Elements of Justice (Ladd). It is grounded in republican interpretation of origins of political community as civil society and establishment of positive law. Published separately in 1797, the Doctrine of Right is one of the last examples of classical republicanism in political philosophy. The Doctrine of Right contains the most mature of Kant's statements on the peace project and a system of law to ensure individual rights.
The Doctrine of Virtue develops further Kant's ethical theory, which Kant first laid out in the Groundwork of the Metaphysics of Morals (1785). Kant particularly emphasizes treating humanity as an end in itself; in fact the Kant's retake of the second formulation of the categorical imperative (e.g. Groundwork of the Metaphysics of Morals) makes possible to deduce duties. The duties are analitically treated by Kant, who distinguishes: 1) duties towards ourselves; 2) duties towards others. The duties are: 1) perfect duties; 2) imperfect duties. Kant thinks imperfect duties let a latitudo: i.e., the possibility of choose maxims. The perfect duties instead do not let any latitudo and determine exactly the maxims of actions.

Question: To what two groups do the duties discussed in the Doctrine of Virtue belong to?
Answer: Others and Ourselves
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: WHERE WAS ADAM MORE COMING FROM WHEN HE WAS SHIPWRECKED?
Answer: TASMANIA
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: WHO FINDS ADAM MORE'S COPPER CYLINDER?
Answer: FOUR YACHTSMAN
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: IN WHAT LANGUAGE WAS ADAM MORE'S MANUSCRIPT WRITTEN?
Answer: KOSEKIN
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: HOW DOES ADAM MORE ARRIVE IN THE "LOST WORLD"?
Answer:  THROUGH A VOLCANIC SUBTERRANEAN TUNNEL
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: WHAT CONTINENT WAS THE LOST WORLD A PART OF?
Answer: ANTARTICA
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: WHAT WAS ADAM MORE'S NATIONALITY?
Answer: BRITISH
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: WHAT WAS ADAM MORE'S OCCUPATION?
Answer: SAILOR
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: HOW DID THE RESIDENTS OF THE LOST WORLD VIEW WEALTH?
Answer: WEALTH WAS SCORNED
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: WHAT HAPPENED TO WEALTH THAT WAS NOT GIVEN AWAY IN THE LOST WORLD?
Answer: IT WAS CONFISCATED BY THE GOVERNMENT
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: WHAT WAS THE REVERSE SYSTEM OF TAXATION IN THE LOST WORLD?
Answer: WEALTH WAS DISTRIBUTED TO ITS RESIDENTS
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: What was Adam More's profession?
Answer: A British sailor
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: What happened on his homeward voyage from Tasmania?
Answer: He shipwrecked
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: What did he find after passing through the volcanic tunnel?
Answer: A lost world of prehistoric animals and people
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: How did this lost world exist despite the Antarctic cold?
Answer: The Volcanic heat kept the area alive
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: What does the copper cylinder have to do with the story?
Answer: A manuscript written by Adam More was sealed inside it
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: Who finds the copper cylinder with the manuscript?
Answer: Four Yachtsmen
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: The natives of this lost world do what with any money they receive?
Answer: They give it away as fast as they can because poverty is revered
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: What do the native appreciate over life and light in this lost world?
Answer: death and darkness
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: What happens to any money the natives fail to give away?
Answer: The government takes it
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: What happens to this money that the government takes?
Answer: It is given out the next year as a form of punishment because wealth is scorned
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: From where does Adam More's voyage originate?
Answer: Tasmania
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: As the natural world we know is powered by the sun, how is the world discovered by Adam More powered?
Answer: Volcanic heat
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: Kosekin is theorized to be descended from what language?
Answer: Hebrew
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: In the society discovered by More, what happens to wealth not given away?
Answer: It is confiscated by the government and forced upon the citizens
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: How does Adam More access the volcanic society?
Answer: Through underground tunnels after being shipwrecked
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: What is Adam More's nationality?
Answer: British
The main story of the novel is the narrative of the adventures of Adam More, a British sailor shipwrecked on a homeward voyage from Tasmania. After passing through a subterranean tunnel of volcanic origin, he finds himself in a "lost world" of prehistoric animals, plants and people sustained by volcanic heat despite the long Antarctic night.
A secondary plot of four yachtsmen who find the manuscript written by Adam More and sealed in a copper cylinder forms a frame for the central narrative. They comment on More's report, and one identifies the Kosekin language as a Semitic language, possibly derived from Hebrew.
In his strange volcanic world, More also finds a well-developed human society which in the tradition of topsy-turvy worlds of folklore and satire (compare Sir Thomas More's Utopia, Erewhon by Samuel Butler, or Charlotte Perkins Gilman's Herland) has reversed the values of 19th century Western society: wealth is scorned and poverty is revered, death and darkness are preferred to life and light. Rather than accumulating wealth, the natives seek to divest themselves of it as quickly as possible. Whatever they fail to give away to wealthy people is confiscated by the government, which imposes the burden of wealth upon its unfortunate subjects at the beginning of the next year of reverse taxation as a form of punishment.

Question: Who find's Adam more manuscript?
Answer: Yachtsmen