YuITC/NarrativeQA-Dataset-Restructured huggingface dataset:
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: What does Silvia do as Dorante's identity is revealed?
Answer: She continues to act as a servant
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: What does Silvia do to get to know Dorante before they meet?
Answer: Dresses as a servant
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: What is Dorante's plan to get to know Silvia before the formally meet?
Answer: Dress as a servant
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Why does Silvia's father agree to let her dress as a server when Dorante also dressing as one?
Answer: He wanted to see if the two would fall in love regardless
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who dresses as Silvia and Dorante?
Answer: Lisette and Arlequin, the actual servers
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who is the first one to be truthful about who they really are?
Answer: Dorante
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: What does Silvia do after Dorante confesses who he really is?
Answer: Continues to pose at a servant.
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Why did Silvia want to dress as a server in the first place?
Answer: She wanted to know what type of man Dorante was before they finalized the engagement
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: What was peculiar about Lisette and Arelquin's behavior?
Answer: They didn't know how to correctly use manner' as masters.
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Why does Silvia continue to pose as a servant after Dorante confesses he is not one?
Answer: She wanted to see if Dorante would renounce his fortune to stay with her.
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who gets married at the end?
Answer: Silvia and Dorante, as well as Lisette and Arelquin
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who is Silvia engaged to?
Answer: Dorante
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who does Silvia exchanges clothes with?
Answer: Lisette
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who is Lisette to Silvia?
Answer: a servant
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who is Monsieur Orgon's to Silvia?
Answer: her father
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who is Arlequin?
Answer: Dorante's servant
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who does Lisette fall in love with?
Answer: Arlequin
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: What's the name of the servant Dorante is disguised as?
Answer: Bourguignon
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who's house does Dorante and Arlequin show up to?
Answer: Monsieur Orgon's
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who does Dorante fall in love with?
Answer: Silvia
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.

Question: Who sent a letter to Monsieur Orgon about Dorante's plan to dress up as a servant?
Answer: Dorante's father
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.

Question: Anne's corpse was adorned with what?
Answer: cut flowers
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.

Question: Anne and her husband are both retired what?
Answer: piano teachers
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.

Question: On which side did Anne get paralyzed?
Answer: The right.
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.

Question: How many days a week did the first nurse Georges hire work for?
Answer: Three