YuITC/NarrativeQA-Dataset-Restructured huggingface dataset:
Madeleine Lee, the daughter of an eminent clergyman, is a 30-year-old widow of independent means living in New York City. Five years ago she lost, in quick succession, her husband and her baby. She used to be "a rather fast New York girl" before her marriage but now is virtually unable to get over the great loss she has suffered.
Bored stiff by New York society, Madeleine Lee decides to go to Washington to be close to the hub of politics. Together with her sister Sybil Ross, she arrives in the capital, and in no time her salon becomes the meeting place of important people in the city. Although she has no intention whatsoever of becoming romantically involved, two men eventually emerge from the group gathering around her both of whom would very much like to marry her: John Carrington, who is truly and deeply in love with her; and Silas P. Ratcliffe, whose marriage to Madeleine Lee would help him advance his political career.
Over the months, Madeleine Lee gets more and more insight into the machinations at the center of political life. Seeing his chances fade, Ratcliffe devises a sophisticated scheme to get rid of John Carrington: he secures a post abroad for his rival, whoâas the job is rather well-paid and his family has little moneyâcannot but accept the offer. Step by step, Ratcliffe manoeuvres Madeleine Lee into a difficult position in which he thinks the only choice left to her will be to marry him. Carrington, however, has left behind a sealed letter in which he accuses Ratcliffe of being corrupt. In particular, he accuses him of having taken graft during the election campaign eight years ago. All evidence, Carrington adds, has been destroyed, so it is his word against Ratcliffe's. The latter of course denies all allegations, but Madeleine Lee is so shocked at the revelation that she turns down Ratcliffe's proposal of marriage. Furious, Ratcliffe leaves Madeleine's house, only to be accosted and ridiculed by his arch-enemy Baron Jacobi, the Bulgarian minister. There even ensues a brief scene of physical violence between the two, but at the very last moment Ratcliffe, whose career would be ruined otherwise, is able to keep his wrath in check.
Disillusioned by politics, Madeleine Lee now wants to go abroad, preferably to Egypt. Sybil, who has become Carrington's confidante, writes him a letter in which she tells him he should try again to win her sister's heart once they have returned from their tour.

Question: Who is the arch-enemy of Silas P. Ratcliffe?
Answer: Baron Jacobi, the Bulgarian minister.
Madeleine Lee, the daughter of an eminent clergyman, is a 30-year-old widow of independent means living in New York City. Five years ago she lost, in quick succession, her husband and her baby. She used to be "a rather fast New York girl" before her marriage but now is virtually unable to get over the great loss she has suffered.
Bored stiff by New York society, Madeleine Lee decides to go to Washington to be close to the hub of politics. Together with her sister Sybil Ross, she arrives in the capital, and in no time her salon becomes the meeting place of important people in the city. Although she has no intention whatsoever of becoming romantically involved, two men eventually emerge from the group gathering around her both of whom would very much like to marry her: John Carrington, who is truly and deeply in love with her; and Silas P. Ratcliffe, whose marriage to Madeleine Lee would help him advance his political career.
Over the months, Madeleine Lee gets more and more insight into the machinations at the center of political life. Seeing his chances fade, Ratcliffe devises a sophisticated scheme to get rid of John Carrington: he secures a post abroad for his rival, whoâas the job is rather well-paid and his family has little moneyâcannot but accept the offer. Step by step, Ratcliffe manoeuvres Madeleine Lee into a difficult position in which he thinks the only choice left to her will be to marry him. Carrington, however, has left behind a sealed letter in which he accuses Ratcliffe of being corrupt. In particular, he accuses him of having taken graft during the election campaign eight years ago. All evidence, Carrington adds, has been destroyed, so it is his word against Ratcliffe's. The latter of course denies all allegations, but Madeleine Lee is so shocked at the revelation that she turns down Ratcliffe's proposal of marriage. Furious, Ratcliffe leaves Madeleine's house, only to be accosted and ridiculed by his arch-enemy Baron Jacobi, the Bulgarian minister. There even ensues a brief scene of physical violence between the two, but at the very last moment Ratcliffe, whose career would be ruined otherwise, is able to keep his wrath in check.
Disillusioned by politics, Madeleine Lee now wants to go abroad, preferably to Egypt. Sybil, who has become Carrington's confidante, writes him a letter in which she tells him he should try again to win her sister's heart once they have returned from their tour.

Question: Why can't John Carrington refuse the post abroad secured for him by Silas P. Ratcliffe?
Answer: Because the job pays well and Carrington's family has very little money.
Madeleine Lee, the daughter of an eminent clergyman, is a 30-year-old widow of independent means living in New York City. Five years ago she lost, in quick succession, her husband and her baby. She used to be "a rather fast New York girl" before her marriage but now is virtually unable to get over the great loss she has suffered.
Bored stiff by New York society, Madeleine Lee decides to go to Washington to be close to the hub of politics. Together with her sister Sybil Ross, she arrives in the capital, and in no time her salon becomes the meeting place of important people in the city. Although she has no intention whatsoever of becoming romantically involved, two men eventually emerge from the group gathering around her both of whom would very much like to marry her: John Carrington, who is truly and deeply in love with her; and Silas P. Ratcliffe, whose marriage to Madeleine Lee would help him advance his political career.
Over the months, Madeleine Lee gets more and more insight into the machinations at the center of political life. Seeing his chances fade, Ratcliffe devises a sophisticated scheme to get rid of John Carrington: he secures a post abroad for his rival, whoâas the job is rather well-paid and his family has little moneyâcannot but accept the offer. Step by step, Ratcliffe manoeuvres Madeleine Lee into a difficult position in which he thinks the only choice left to her will be to marry him. Carrington, however, has left behind a sealed letter in which he accuses Ratcliffe of being corrupt. In particular, he accuses him of having taken graft during the election campaign eight years ago. All evidence, Carrington adds, has been destroyed, so it is his word against Ratcliffe's. The latter of course denies all allegations, but Madeleine Lee is so shocked at the revelation that she turns down Ratcliffe's proposal of marriage. Furious, Ratcliffe leaves Madeleine's house, only to be accosted and ridiculed by his arch-enemy Baron Jacobi, the Bulgarian minister. There even ensues a brief scene of physical violence between the two, but at the very last moment Ratcliffe, whose career would be ruined otherwise, is able to keep his wrath in check.
Disillusioned by politics, Madeleine Lee now wants to go abroad, preferably to Egypt. Sybil, who has become Carrington's confidante, writes him a letter in which she tells him he should try again to win her sister's heart once they have returned from their tour.

Question: Why does Silas P. Ratcliffe secure a post abroad for John Carrington?
Answer: Ratcliffe wants to get rid of Carrington so that he can marry Madeleine Lee.
Madeleine Lee, the daughter of an eminent clergyman, is a 30-year-old widow of independent means living in New York City. Five years ago she lost, in quick succession, her husband and her baby. She used to be "a rather fast New York girl" before her marriage but now is virtually unable to get over the great loss she has suffered.
Bored stiff by New York society, Madeleine Lee decides to go to Washington to be close to the hub of politics. Together with her sister Sybil Ross, she arrives in the capital, and in no time her salon becomes the meeting place of important people in the city. Although she has no intention whatsoever of becoming romantically involved, two men eventually emerge from the group gathering around her both of whom would very much like to marry her: John Carrington, who is truly and deeply in love with her; and Silas P. Ratcliffe, whose marriage to Madeleine Lee would help him advance his political career.
Over the months, Madeleine Lee gets more and more insight into the machinations at the center of political life. Seeing his chances fade, Ratcliffe devises a sophisticated scheme to get rid of John Carrington: he secures a post abroad for his rival, whoâas the job is rather well-paid and his family has little moneyâcannot but accept the offer. Step by step, Ratcliffe manoeuvres Madeleine Lee into a difficult position in which he thinks the only choice left to her will be to marry him. Carrington, however, has left behind a sealed letter in which he accuses Ratcliffe of being corrupt. In particular, he accuses him of having taken graft during the election campaign eight years ago. All evidence, Carrington adds, has been destroyed, so it is his word against Ratcliffe's. The latter of course denies all allegations, but Madeleine Lee is so shocked at the revelation that she turns down Ratcliffe's proposal of marriage. Furious, Ratcliffe leaves Madeleine's house, only to be accosted and ridiculed by his arch-enemy Baron Jacobi, the Bulgarian minister. There even ensues a brief scene of physical violence between the two, but at the very last moment Ratcliffe, whose career would be ruined otherwise, is able to keep his wrath in check.
Disillusioned by politics, Madeleine Lee now wants to go abroad, preferably to Egypt. Sybil, who has become Carrington's confidante, writes him a letter in which she tells him he should try again to win her sister's heart once they have returned from their tour.

Question: With whom does Madeleine Lee travel to Washington?
Answer: Sybil Lee
Madeleine Lee, the daughter of an eminent clergyman, is a 30-year-old widow of independent means living in New York City. Five years ago she lost, in quick succession, her husband and her baby. She used to be "a rather fast New York girl" before her marriage but now is virtually unable to get over the great loss she has suffered.
Bored stiff by New York society, Madeleine Lee decides to go to Washington to be close to the hub of politics. Together with her sister Sybil Ross, she arrives in the capital, and in no time her salon becomes the meeting place of important people in the city. Although she has no intention whatsoever of becoming romantically involved, two men eventually emerge from the group gathering around her both of whom would very much like to marry her: John Carrington, who is truly and deeply in love with her; and Silas P. Ratcliffe, whose marriage to Madeleine Lee would help him advance his political career.
Over the months, Madeleine Lee gets more and more insight into the machinations at the center of political life. Seeing his chances fade, Ratcliffe devises a sophisticated scheme to get rid of John Carrington: he secures a post abroad for his rival, whoâas the job is rather well-paid and his family has little moneyâcannot but accept the offer. Step by step, Ratcliffe manoeuvres Madeleine Lee into a difficult position in which he thinks the only choice left to her will be to marry him. Carrington, however, has left behind a sealed letter in which he accuses Ratcliffe of being corrupt. In particular, he accuses him of having taken graft during the election campaign eight years ago. All evidence, Carrington adds, has been destroyed, so it is his word against Ratcliffe's. The latter of course denies all allegations, but Madeleine Lee is so shocked at the revelation that she turns down Ratcliffe's proposal of marriage. Furious, Ratcliffe leaves Madeleine's house, only to be accosted and ridiculed by his arch-enemy Baron Jacobi, the Bulgarian minister. There even ensues a brief scene of physical violence between the two, but at the very last moment Ratcliffe, whose career would be ruined otherwise, is able to keep his wrath in check.
Disillusioned by politics, Madeleine Lee now wants to go abroad, preferably to Egypt. Sybil, who has become Carrington's confidante, writes him a letter in which she tells him he should try again to win her sister's heart once they have returned from their tour.

Question: Who is Sybil Lee to Madeleine Carrington?
Answer: Her sister.
Madeleine Lee, the daughter of an eminent clergyman, is a 30-year-old widow of independent means living in New York City. Five years ago she lost, in quick succession, her husband and her baby. She used to be "a rather fast New York girl" before her marriage but now is virtually unable to get over the great loss she has suffered.
Bored stiff by New York society, Madeleine Lee decides to go to Washington to be close to the hub of politics. Together with her sister Sybil Ross, she arrives in the capital, and in no time her salon becomes the meeting place of important people in the city. Although she has no intention whatsoever of becoming romantically involved, two men eventually emerge from the group gathering around her both of whom would very much like to marry her: John Carrington, who is truly and deeply in love with her; and Silas P. Ratcliffe, whose marriage to Madeleine Lee would help him advance his political career.
Over the months, Madeleine Lee gets more and more insight into the machinations at the center of political life. Seeing his chances fade, Ratcliffe devises a sophisticated scheme to get rid of John Carrington: he secures a post abroad for his rival, whoâas the job is rather well-paid and his family has little moneyâcannot but accept the offer. Step by step, Ratcliffe manoeuvres Madeleine Lee into a difficult position in which he thinks the only choice left to her will be to marry him. Carrington, however, has left behind a sealed letter in which he accuses Ratcliffe of being corrupt. In particular, he accuses him of having taken graft during the election campaign eight years ago. All evidence, Carrington adds, has been destroyed, so it is his word against Ratcliffe's. The latter of course denies all allegations, but Madeleine Lee is so shocked at the revelation that she turns down Ratcliffe's proposal of marriage. Furious, Ratcliffe leaves Madeleine's house, only to be accosted and ridiculed by his arch-enemy Baron Jacobi, the Bulgarian minister. There even ensues a brief scene of physical violence between the two, but at the very last moment Ratcliffe, whose career would be ruined otherwise, is able to keep his wrath in check.
Disillusioned by politics, Madeleine Lee now wants to go abroad, preferably to Egypt. Sybil, who has become Carrington's confidante, writes him a letter in which she tells him he should try again to win her sister's heart once they have returned from their tour.

Question: What does Sybil Lee tell John Carrington that he should do when she and Madeleine Lee return from their tour abroad?
Answer: He should try again to win Madeleine Lee's heart.
Madeleine Lee, the daughter of an eminent clergyman, is a 30-year-old widow of independent means living in New York City. Five years ago she lost, in quick succession, her husband and her baby. She used to be "a rather fast New York girl" before her marriage but now is virtually unable to get over the great loss she has suffered.
Bored stiff by New York society, Madeleine Lee decides to go to Washington to be close to the hub of politics. Together with her sister Sybil Ross, she arrives in the capital, and in no time her salon becomes the meeting place of important people in the city. Although she has no intention whatsoever of becoming romantically involved, two men eventually emerge from the group gathering around her both of whom would very much like to marry her: John Carrington, who is truly and deeply in love with her; and Silas P. Ratcliffe, whose marriage to Madeleine Lee would help him advance his political career.
Over the months, Madeleine Lee gets more and more insight into the machinations at the center of political life. Seeing his chances fade, Ratcliffe devises a sophisticated scheme to get rid of John Carrington: he secures a post abroad for his rival, whoâas the job is rather well-paid and his family has little moneyâcannot but accept the offer. Step by step, Ratcliffe manoeuvres Madeleine Lee into a difficult position in which he thinks the only choice left to her will be to marry him. Carrington, however, has left behind a sealed letter in which he accuses Ratcliffe of being corrupt. In particular, he accuses him of having taken graft during the election campaign eight years ago. All evidence, Carrington adds, has been destroyed, so it is his word against Ratcliffe's. The latter of course denies all allegations, but Madeleine Lee is so shocked at the revelation that she turns down Ratcliffe's proposal of marriage. Furious, Ratcliffe leaves Madeleine's house, only to be accosted and ridiculed by his arch-enemy Baron Jacobi, the Bulgarian minister. There even ensues a brief scene of physical violence between the two, but at the very last moment Ratcliffe, whose career would be ruined otherwise, is able to keep his wrath in check.
Disillusioned by politics, Madeleine Lee now wants to go abroad, preferably to Egypt. Sybil, who has become Carrington's confidante, writes him a letter in which she tells him he should try again to win her sister's heart once they have returned from their tour.

Question: What does John Carrington accuse Silas P. Ratcliffe of in the letter he leaves for Madeleine Lee?
Answer: Carrington accuses Ratcliffe of being corrupt.
Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is George Tesman, a young, aspiring, and reliable (but not brilliant) academic who continued his research during their honeymoon. It becomes clear in the course of the play that she has never loved him but married him because she thinks her years of youthful abandon are over. It is also suggested that she may be pregnant.
The reappearance of George's academic rival, Eilert LĂ¸vborg, throws their lives into disarray. Eilert, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate, Thea Elvsted (who has left her husband for him), Eilert shows signs of rehabilitation and has just published a bestseller in the same field as George. When Hedda and Eilert talk privately together, it becomes apparent that they are former lovers.
The critical success of his recently published work makes Eilert a threat to George, as Eilert is now a competitor for the university professorship George had been counting on. George and Hedda are financially overstretched, and George tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that she had been expecting. Upon meeting Eilert, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Thea over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Thea's influence over Eilert, Hedda hopes to come between them. Despite his drinking problem, she encourages Eilert to accompany George and his associate, Judge Brack, to a party. George returns home from the party and reveals that he found the complete manuscript of Eilert's great work, which the latter lost while drunk. When Eilert next sees Hedda, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Hedda encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells George she has destroyed it to secure their future.
When the news comes that Eilert has indeed killed himself, George and Thea are determined to try to reconstruct his book from Eilert's notes, which Thea has kept. Hedda is shocked to discover from Judge Brack that Eilert's death, in a brothel, was messy and probably accidental; this "ridiculous and vile" death contrasts with the "beautiful and free" one that Hedda had imagined for him. Worse, Brack knows the origins of the pistol. He tells Hedda that if he reveals what he knows, a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body.

Question: Who is the general's new son-in-law?
Answer: George Tesman
Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is George Tesman, a young, aspiring, and reliable (but not brilliant) academic who continued his research during their honeymoon. It becomes clear in the course of the play that she has never loved him but married him because she thinks her years of youthful abandon are over. It is also suggested that she may be pregnant.
The reappearance of George's academic rival, Eilert LĂ¸vborg, throws their lives into disarray. Eilert, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate, Thea Elvsted (who has left her husband for him), Eilert shows signs of rehabilitation and has just published a bestseller in the same field as George. When Hedda and Eilert talk privately together, it becomes apparent that they are former lovers.
The critical success of his recently published work makes Eilert a threat to George, as Eilert is now a competitor for the university professorship George had been counting on. George and Hedda are financially overstretched, and George tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that she had been expecting. Upon meeting Eilert, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Thea over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Thea's influence over Eilert, Hedda hopes to come between them. Despite his drinking problem, she encourages Eilert to accompany George and his associate, Judge Brack, to a party. George returns home from the party and reveals that he found the complete manuscript of Eilert's great work, which the latter lost while drunk. When Eilert next sees Hedda, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Hedda encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells George she has destroyed it to secure their future.
When the news comes that Eilert has indeed killed himself, George and Thea are determined to try to reconstruct his book from Eilert's notes, which Thea has kept. Hedda is shocked to discover from Judge Brack that Eilert's death, in a brothel, was messy and probably accidental; this "ridiculous and vile" death contrasts with the "beautiful and free" one that Hedda had imagined for him. Worse, Brack knows the origins of the pistol. He tells Hedda that if he reveals what he knows, a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body.

Question: What type of relationship does Hedda have with Tesman's rival?
Answer: former lovers
Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is George Tesman, a young, aspiring, and reliable (but not brilliant) academic who continued his research during their honeymoon. It becomes clear in the course of the play that she has never loved him but married him because she thinks her years of youthful abandon are over. It is also suggested that she may be pregnant.
The reappearance of George's academic rival, Eilert LĂ¸vborg, throws their lives into disarray. Eilert, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate, Thea Elvsted (who has left her husband for him), Eilert shows signs of rehabilitation and has just published a bestseller in the same field as George. When Hedda and Eilert talk privately together, it becomes apparent that they are former lovers.
The critical success of his recently published work makes Eilert a threat to George, as Eilert is now a competitor for the university professorship George had been counting on. George and Hedda are financially overstretched, and George tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that she had been expecting. Upon meeting Eilert, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Thea over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Thea's influence over Eilert, Hedda hopes to come between them. Despite his drinking problem, she encourages Eilert to accompany George and his associate, Judge Brack, to a party. George returns home from the party and reveals that he found the complete manuscript of Eilert's great work, which the latter lost while drunk. When Eilert next sees Hedda, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Hedda encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells George she has destroyed it to secure their future.
When the news comes that Eilert has indeed killed himself, George and Thea are determined to try to reconstruct his book from Eilert's notes, which Thea has kept. Hedda is shocked to discover from Judge Brack that Eilert's death, in a brothel, was messy and probably accidental; this "ridiculous and vile" death contrasts with the "beautiful and free" one that Hedda had imagined for him. Worse, Brack knows the origins of the pistol. He tells Hedda that if he reveals what he knows, a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body.

Question: Who helped Lovborg recover from alcohol abuse?
Answer: Thea
Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is George Tesman, a young, aspiring, and reliable (but not brilliant) academic who continued his research during their honeymoon. It becomes clear in the course of the play that she has never loved him but married him because she thinks her years of youthful abandon are over. It is also suggested that she may be pregnant.
The reappearance of George's academic rival, Eilert LĂ¸vborg, throws their lives into disarray. Eilert, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate, Thea Elvsted (who has left her husband for him), Eilert shows signs of rehabilitation and has just published a bestseller in the same field as George. When Hedda and Eilert talk privately together, it becomes apparent that they are former lovers.
The critical success of his recently published work makes Eilert a threat to George, as Eilert is now a competitor for the university professorship George had been counting on. George and Hedda are financially overstretched, and George tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that she had been expecting. Upon meeting Eilert, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Thea over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Thea's influence over Eilert, Hedda hopes to come between them. Despite his drinking problem, she encourages Eilert to accompany George and his associate, Judge Brack, to a party. George returns home from the party and reveals that he found the complete manuscript of Eilert's great work, which the latter lost while drunk. When Eilert next sees Hedda, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Hedda encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells George she has destroyed it to secure their future.
When the news comes that Eilert has indeed killed himself, George and Thea are determined to try to reconstruct his book from Eilert's notes, which Thea has kept. Hedda is shocked to discover from Judge Brack that Eilert's death, in a brothel, was messy and probably accidental; this "ridiculous and vile" death contrasts with the "beautiful and free" one that Hedda had imagined for him. Worse, Brack knows the origins of the pistol. He tells Hedda that if he reveals what he knows, a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body.

Question: How did George get Eilert's new manuscript?
Answer: Eilert lost it while he was drunk
Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is George Tesman, a young, aspiring, and reliable (but not brilliant) academic who continued his research during their honeymoon. It becomes clear in the course of the play that she has never loved him but married him because she thinks her years of youthful abandon are over. It is also suggested that she may be pregnant.
The reappearance of George's academic rival, Eilert LĂ¸vborg, throws their lives into disarray. Eilert, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate, Thea Elvsted (who has left her husband for him), Eilert shows signs of rehabilitation and has just published a bestseller in the same field as George. When Hedda and Eilert talk privately together, it becomes apparent that they are former lovers.
The critical success of his recently published work makes Eilert a threat to George, as Eilert is now a competitor for the university professorship George had been counting on. George and Hedda are financially overstretched, and George tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that she had been expecting. Upon meeting Eilert, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Thea over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Thea's influence over Eilert, Hedda hopes to come between them. Despite his drinking problem, she encourages Eilert to accompany George and his associate, Judge Brack, to a party. George returns home from the party and reveals that he found the complete manuscript of Eilert's great work, which the latter lost while drunk. When Eilert next sees Hedda, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Hedda encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells George she has destroyed it to secure their future.
When the news comes that Eilert has indeed killed himself, George and Thea are determined to try to reconstruct his book from Eilert's notes, which Thea has kept. Hedda is shocked to discover from Judge Brack that Eilert's death, in a brothel, was messy and probably accidental; this "ridiculous and vile" death contrasts with the "beautiful and free" one that Hedda had imagined for him. Worse, Brack knows the origins of the pistol. He tells Hedda that if he reveals what he knows, a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body.

Question: Where was Hedda's former romantic partner when he died?
Answer: in a brothel
Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is George Tesman, a young, aspiring, and reliable (but not brilliant) academic who continued his research during their honeymoon. It becomes clear in the course of the play that she has never loved him but married him because she thinks her years of youthful abandon are over. It is also suggested that she may be pregnant.
The reappearance of George's academic rival, Eilert LĂ¸vborg, throws their lives into disarray. Eilert, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate, Thea Elvsted (who has left her husband for him), Eilert shows signs of rehabilitation and has just published a bestseller in the same field as George. When Hedda and Eilert talk privately together, it becomes apparent that they are former lovers.
The critical success of his recently published work makes Eilert a threat to George, as Eilert is now a competitor for the university professorship George had been counting on. George and Hedda are financially overstretched, and George tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that she had been expecting. Upon meeting Eilert, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Thea over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Thea's influence over Eilert, Hedda hopes to come between them. Despite his drinking problem, she encourages Eilert to accompany George and his associate, Judge Brack, to a party. George returns home from the party and reveals that he found the complete manuscript of Eilert's great work, which the latter lost while drunk. When Eilert next sees Hedda, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Hedda encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells George she has destroyed it to secure their future.
When the news comes that Eilert has indeed killed himself, George and Thea are determined to try to reconstruct his book from Eilert's notes, which Thea has kept. Hedda is shocked to discover from Judge Brack that Eilert's death, in a brothel, was messy and probably accidental; this "ridiculous and vile" death contrasts with the "beautiful and free" one that Hedda had imagined for him. Worse, Brack knows the origins of the pistol. He tells Hedda that if he reveals what he knows, a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body.

Question: When did Hedda kill herself?
Answer: after Brack tried to blackmail her
Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is George Tesman, a young, aspiring, and reliable (but not brilliant) academic who continued his research during their honeymoon. It becomes clear in the course of the play that she has never loved him but married him because she thinks her years of youthful abandon are over. It is also suggested that she may be pregnant.
The reappearance of George's academic rival, Eilert LĂ¸vborg, throws their lives into disarray. Eilert, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate, Thea Elvsted (who has left her husband for him), Eilert shows signs of rehabilitation and has just published a bestseller in the same field as George. When Hedda and Eilert talk privately together, it becomes apparent that they are former lovers.
The critical success of his recently published work makes Eilert a threat to George, as Eilert is now a competitor for the university professorship George had been counting on. George and Hedda are financially overstretched, and George tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that she had been expecting. Upon meeting Eilert, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Thea over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Thea's influence over Eilert, Hedda hopes to come between them. Despite his drinking problem, she encourages Eilert to accompany George and his associate, Judge Brack, to a party. George returns home from the party and reveals that he found the complete manuscript of Eilert's great work, which the latter lost while drunk. When Eilert next sees Hedda, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Hedda encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells George she has destroyed it to secure their future.
When the news comes that Eilert has indeed killed himself, George and Thea are determined to try to reconstruct his book from Eilert's notes, which Thea has kept. Hedda is shocked to discover from Judge Brack that Eilert's death, in a brothel, was messy and probably accidental; this "ridiculous and vile" death contrasts with the "beautiful and free" one that Hedda had imagined for him. Worse, Brack knows the origins of the pistol. He tells Hedda that if he reveals what he knows, a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body.

Question: Which piece of evidence did Brack use to connect Hedda to Eilert's death?
Answer: her pistol
Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is George Tesman, a young, aspiring, and reliable (but not brilliant) academic who continued his research during their honeymoon. It becomes clear in the course of the play that she has never loved him but married him because she thinks her years of youthful abandon are over. It is also suggested that she may be pregnant.
The reappearance of George's academic rival, Eilert LĂ¸vborg, throws their lives into disarray. Eilert, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate, Thea Elvsted (who has left her husband for him), Eilert shows signs of rehabilitation and has just published a bestseller in the same field as George. When Hedda and Eilert talk privately together, it becomes apparent that they are former lovers.
The critical success of his recently published work makes Eilert a threat to George, as Eilert is now a competitor for the university professorship George had been counting on. George and Hedda are financially overstretched, and George tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that she had been expecting. Upon meeting Eilert, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Thea over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Thea's influence over Eilert, Hedda hopes to come between them. Despite his drinking problem, she encourages Eilert to accompany George and his associate, Judge Brack, to a party. George returns home from the party and reveals that he found the complete manuscript of Eilert's great work, which the latter lost while drunk. When Eilert next sees Hedda, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Hedda encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells George she has destroyed it to secure their future.
When the news comes that Eilert has indeed killed himself, George and Thea are determined to try to reconstruct his book from Eilert's notes, which Thea has kept. Hedda is shocked to discover from Judge Brack that Eilert's death, in a brothel, was messy and probably accidental; this "ridiculous and vile" death contrasts with the "beautiful and free" one that Hedda had imagined for him. Worse, Brack knows the origins of the pistol. He tells Hedda that if he reveals what he knows, a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body.

Question: Why does Kristiana marry George?
Answer: She feels her youth is over, and she may be pregnant
Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) from her honeymoon. Her husband is George Tesman, a young, aspiring, and reliable (but not brilliant) academic who continued his research during their honeymoon. It becomes clear in the course of the play that she has never loved him but married him because she thinks her years of youthful abandon are over. It is also suggested that she may be pregnant.
The reappearance of George's academic rival, Eilert LĂ¸vborg, throws their lives into disarray. Eilert, a writer, is also a recovered alcoholic who has wasted his talent until now. Thanks to a relationship with Hedda's old schoolmate, Thea Elvsted (who has left her husband for him), Eilert shows signs of rehabilitation and has just published a bestseller in the same field as George. When Hedda and Eilert talk privately together, it becomes apparent that they are former lovers.
The critical success of his recently published work makes Eilert a threat to George, as Eilert is now a competitor for the university professorship George had been counting on. George and Hedda are financially overstretched, and George tells Hedda that he will not be able to finance the regular entertaining or luxurious housekeeping that she had been expecting. Upon meeting Eilert, however, the couple discover that he has no intention of competing for the professorship, but rather has spent the last few years labouring with Thea over what he considers to be his masterpiece, the "sequel" to his recently published work.
Apparently jealous of Thea's influence over Eilert, Hedda hopes to come between them. Despite his drinking problem, she encourages Eilert to accompany George and his associate, Judge Brack, to a party. George returns home from the party and reveals that he found the complete manuscript of Eilert's great work, which the latter lost while drunk. When Eilert next sees Hedda, he confesses to her, despairingly, that he has lost the manuscript. Instead of telling him that the manuscript has been found, Hedda encourages him to commit suicide, giving him a pistol. She then burns the manuscript and tells George she has destroyed it to secure their future.
When the news comes that Eilert has indeed killed himself, George and Thea are determined to try to reconstruct his book from Eilert's notes, which Thea has kept. Hedda is shocked to discover from Judge Brack that Eilert's death, in a brothel, was messy and probably accidental; this "ridiculous and vile" death contrasts with the "beautiful and free" one that Hedda had imagined for him. Worse, Brack knows the origins of the pistol. He tells Hedda that if he reveals what he knows, a scandal will likely arise around her. Hedda realizes that this places Brack in a position of power over her. Leaving the others, she goes into her smaller room and shoots herself in the head. The others in the room assume that Hedda is simply firing shots, and they follow the sound to investigate. The play ends with George, Brack, and Thea discovering her body.

Question: Who is Eilert to George?
Answer: An academic rival