YuITC/NarrativeQA-Dataset-Restructured huggingface dataset:
Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations.

Question: Who designed the sets on Guy Domville?
Answer: Alfred Parsons
Although originally conceived as an extended puff for Harper artists, who were also personal friends, the book presents some general ideas about the relation between author and illustration, picture and text, as well as the advancing technology of illustration. Both in print and in the theater, James welcomes advances in the technology of realism, but complains if the visual dominates author and actor. He praises the black-and-white engravings of the illustrators for their tact and their illumination of settings, but criticizes elaborate modern stage scenery that overwhelms the actor's art. These essays, although slight, are illustrated with drawings of each other by the artist subjects, and is itself an example of what James extols, as well as being a rare extended essay by James on the unity of the arts.
The illustrators of whom he wrote were an Anglo-American group, all personal friends, at a time when Harper was his principal publisher. They were known in the day for their summer gatherings at the village of Broadway in the Cotswolds, where for several years James joined them, and where Sargent gained his first footing among British artists. Among the artists in the group, Charles Reinhart illustrated some of James' own fiction, Alfred Parsons designed James's gardens at Lamb House, and the sets for James' play Guy Domville whose first, raucous performance he attended. Edwin Abbey and Sargent later collaborated on the enormous wall paintings for the Boston Public Library, and were among the leading artists of their day.
James' treatment of his friend Honore de Daumier was a welcome effort on behalf of an artist many considered little more than a political cartoonist. James found an "impressive depth" in Daumier's portrayal of the peculiar and the (sometimes) ugly. Many of Daumier's subjects are now remembered only in his often slashing work, but that's appropriate because all art "prolongs...preserves...consecrates...raises from the dead."
In his essay on his protĂŠgĂŠ John Singer Sargent, James marvels at the painter's complete knowledge of his art and his unfailing technical proficiency. James particularly admires Sargent's portraits of women, such as Miss Burckhardt (not identified by name but illustrated in the magazine text of the article) and Madame X (called Madame G in the essay). "There is no greater work of art than a great portrait," James concludes, and Sargent's portraits combine "quick perception" and "lingering reflection."
The essays on Daumier and Sargent have frequently been reprinted, but the book as a whole has been out of print since its first edition, in part because the black-and-white engravings that are its principal subject were so soon to be displaced by photographs and colored illustrations.

Question: What is James's relationship with Daumier?
Answer: They are friends
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: Why did Lila decide to leave society and live within nature in her 20s?
Answer: She is embarrassed by all of her hair
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: What causes Lila to leave nature and return to society?
Answer: Strong sexual desire and the want to find a partner.
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: What is Dr. Nathan Bronfman researching?
Answer: The possibility of teaching table manners to mice.
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: What happens to Puff when Lila chases him?
Answer: He falls off a branch and is knocked unconscious
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: Why does Nathan take Puff back to his lab?
Answer: To train him to act normally and fit into high culture.
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: Why does Nathan take Puff on tour?
Answer: To show off his success in transforming Puff
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: What happens when Nathan finds Puff and Lisa living together in the woods?
Answer: Puff kills Nathan
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: What does Lila do after Puff kills Nathan?
Answer: She turns herself in as the murderer.
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: Who does Puff end up with in the end?
Answer: Gabrielle
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: Puff and Gabrielle went together to get what?
Answer: Food.
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: Why did Lila turn herself in?
Answer: To protect Puff, who was the one who actually killed Nathan.
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: Who did Nathan have an affair with?
Answer: Gabrielle
Most of the film is told as flashback: Puff (Rhys Ifans) testifies to Congress, Lila Jute (Patricia Arquette) tells her story to the police, while a dead Nathan Bronfman (Tim Robbins) addresses an unseen audience in the netherworld.
Lila is a woman with a rare hormonal imbalance which causes thick hair to grow all over her body. During her 20s, Lila decides to leave society and live within nature where she feels free to exist comfortably in her natural state. She writes a successful book about her naked, savage, happy, and free life in the woods embracing nature. Then, at age 30, strong sexual desire causes her to return to civilization and have her hair removed in order to find a partner.
The partner she finds is Dr. Nathan Bronfman, a psychologist researching the possibility of teaching table manners to mice. Lila and Nathan go hiking in the woods one day. Lila sights a naked man in the woods who has believed himself to be an ape his entire life. Lila discards her clothes and chases him until he's cornered on a tree branch. The man falls off the branch and fall unconscious as Nathan comes along. Nathan brings this man to his lab where the man is named Puff. This name is after his French research assistant, Gabrielle's (Miranda Otto) childhood dog. We discover later from her phone call to an unknown person that she is actually an American with a fake French accent. First with the help of Gabrielle and later with Lilaâs help, Nathan performs extensive manner training on Puff, so that he can speak and go through the motions of appreciating high culture, though he still has difficulty controlling sexual urges.
To demonstrate his success, Nathan takes Puff on tour. Puff secretly drinks heavily and patronizes prostitutes. Meanwhile, Nathan and Lila's relationship deteriorates and Nathan has an affair with Gabrielle. Eventually Lila decides to take Puff back into the forest to undo his manner training and return him to his natural state.
Lila and Puff live naked in the woods together until Nathan finds them one day and Puff kills Nathan. Lila turns herself in as the murderer and asks Puff to testify on the waywardness of humanity before he returns to his home in the forest.
After the reporters and spectators leave, Puff comes back out of the forest and gets into a car with Gabrielle. They both drive off to get food (she still speaks with a French accent).
At the end of the film, there is a philosophical passage read while the credits appear. It is an excerpt of William of Ockham from Opera Theologica in which Ockham explains his theory of intuitive cognition. "Intuitive cognition is such that when some things are cognized, of which one inheres in the other, or one is spatially distant from the other, or exists in some relation to the other, immediately in virtue of that non-propositional cognition of those things, it is known if the thing inheres or does not inhere, if it is spatially distant or not, and the same for other true contingent propositions, unless that cognition is flawed or there is some impediment."

Question: What kind of people did Puff patronize?
Answer: Prostitutes.