List of Alfred Hitchcock cameo appearances

Table columns:
Title
Year
H:M[:S]
Description

Table rows:
cells: The Birds
1963
0:02:18
Leaving the pet shop with two of his own Sealyham terriers, Geoffrey and Stanley, as Tippi Hedren enters.[3]
cells: Blackmail
1929
0:10:25
Being bothered by a small boy as he reads a book on the London Underground. This cameo is 19 seconds long.
cells: Dial M for Murder
1954
0:13:13
On the left side in the class-reunion photo.
cells: Easy Virtue
1928
0:21:15
Walking past a tennis court carrying a walking stick.
cells: Family Plot
1976
0:40:00
In silhouette through the door of the Registrar of Births and Deaths.
cells: Foreign Correspondent
1940
0:12:44
After Joel McCrea leaves his hotel, wearing a coat and hat and reading a newspaper.
cells: Frenzy
1972
0:04:07
In the center of a crowd, wearing a bowler hat; he is the only one not applauding the speaker; and a minute later, right after the victim washes ashore, standing next to a gray-haired man with a gray beard.
cells: I Confess
1953
0:01:33
Crossing the top of a flight of steps.
cells: The Lady Vanishes
1938
1:32:31
In Victoria Station, wearing a black coat, smoking a cigarette, and making a strange movement with his head.
cells: Lifeboat
1944
0:00:25
In the "before" and "after" pictures in the newspaper ad for "Reduco Obesity Slayer".
cells: The Lodger
1927
0:03
At a desk in the newsroom.
cells: 0:01:34
In the mob scene next to Detective Joe who's bearing the lodger's weight on the fence by holding his arms.
cells: The Man Who Knew Too Much
1956
0:25:12
As the McKennas watch the acrobats in market place, Hitchcock appears at the left in a suit and puts his hands in his pockets.
cells: The Man Who Knew Too Much
1934
0:33:25
Walking across a road in a dark trench coat as a bus passes.
cells: Marnie
1964
0:00:05
Entering from the left of the hotel corridor after Tippi Hedren passes by, and clearly breaking the fourth wall by looking the audience straight in the eye.
cells: Mr. & Mrs. Smith
1941
0:42:57
Passing Robert Montgomery in front of his building.
cells: Murder!
1930
0:59:45
Walking past the house where the murder was committed with a female companion, at the end of Sir John's visit to the scene with Markham and his wife Lucy.
cells: North by Northwest
1959
0:02:09
Missing a bus, just after his credit passes off screen during the title sequence.
cells: Notorious
1946
1:04:44
At the big party in Claude Rains' mansion, drinking champagne and then quickly departing.
cells: Number Seventeen
1932
0:51:25
On the bus amongst other passengers, in a dark coat and hat, facing away, he bounces up and down; approx. four seconds.
cells: The Paradine Case
1947
0:38:00
Leaving the train at a railway station, carrying a cello case.
cells: Psycho
1960
0:06:59
Seen through an office window wearing a Stetson cowboy hat as Janet Leigh comes through the door.
cells: Rear Window
1954
0:26:12
Winding the clock in the songwriter's apartment.
cells: Rebecca
1940
2:06:57
Walking near the phone booth just after George Sanders makes a call.
cells: Rope
1948
0:55:00
In the background as a red flashing neon sign of his trademark profile.
cells: Sabotage
1936
0:08:56
Just after the lights come back on in front of the Bijou, looking up as he crosses in front of the crowd.
cells: Saboteur
1942
1:04:45
Standing in front of "Cut Rate Drugs" as the saboteurs' car stops.
cells: Shadow of a Doubt
1943
0:16:27
On the train to Santa Rosa, playing cards, back to the camera.
cells: Spellbound
1945
0:38:50
Coming out of an elevator at the Empire State Hotel, carrying a violin case and smoking a cigarette.
cells: Stage Fright
1950
0:39:49
Turning to look back at Jane Wyman in her disguise as Marlene Dietrich's maid.
cells: Strangers on a Train
1951
0:10:34
Boarding a train with a double bass as Farley Granger gets off in his hometown.
cells: Suspicion
1941
0:03:25
Walking a horse across the screen at the hunt meet.
cells: 0:44:58
Mailing a letter at the village postbox (long shot).
cells: The 39 Steps
1935
0:06:56
The man tossing a white cigarette box while the bus pulls up for Robert Donat and Lucie Mannheim to leave the theatre.
cells: To Catch a Thief
1955
0:09:40
Sitting next to Cary Grant on the bus.
cells: Topaz
1969
0:32:27
Being pushed in a wheelchair in the airport. Hitchcock gets up from the chair, shakes hands with a man, and walks off to the right.
cells: Torn Curtain
1966
0:00:08
Sitting in the Hotel d'Angleterre lobby with a baby on his knee. He shifts the child from one knee to the other. The music playing at this point in the film is an adaptation of Charles Gounod's Funeral March of a Marionette, a song now associated with Hitchcock due to it being used as the theme for his television series Alfred Hitchcock Presents
cells: The Trouble with Harry
1955
0:22:14
Seen outside of the window—the man walking past the parked limousine of an old man who is looking at paintings.
cells: Under Capricorn
1949
0:02:11
In the town square during new governor's speech, wearing a blue coat and brown hat.
cells: 0:12:17
One of three men on the steps of Government House.
cells: Vertigo
1958
0:11:40
In a grey suit walking in the street with a trumpet case.
cells: The Wrong Man
1956
0:00:18
Seen in silhouette narrating the film's prologue. Donald Spoto's biography says that Hitchcock chose to make an explicit appearance in this film (rather than a cameo) to emphasize that, unlike his other movies, The Wrong Man was a true story about an actual person.
cells: Young and Innocent
1937
0:15:00
Outside the courthouse, holding a camera.

Questions about this table:
originalText: when did hitchcock start appearing in his movies
answer: answerTexts: 1927