i want to show you some red code footage right here inside of final cut pro this is NUMBER_TOKENk raw footage on an NUMBER_TOKENk timeline and despite all that and by the way we have grades applied we can go full screen and the playback is shockingly good now we are dropping some frames but it's absolutely viewable and this is at a full NUMBER_TOKENk resolution view if we move to the better performance tab it will cut down the effective resolution it dynamically scales based on the load of the computer but this brings back pretty much every single frame you need and it still looks shockingly good to me it's amazing how well this stuff runs but davinci resolve is a little more impressive in my mind because it gives you more real data and it's bananas what this thing can do so similarly to final cut we do not have optimized or proxy media turned on we are running this at the full resolution this is as mentioned NUMBER_TOKENk red code raw it's a NUMBER_TOKEN to NUMBER_TOKEN compression ratio which is actually fairly compressed so it's even more taxing on the computer to uncompress all of that as it plays it back and then additionally we are decoding that at a full resolution premium decode so this is a very taxing task and it's pretty impressive playing back just the the regular log footage we're pulling about NUMBER_TOKEN to NUMBER_TOKEN frames per second now that's not as good obviously as the NUMBER_TOKEN fps frame rate that the footage is shot in but that's shockingly close and what's more amazing is that the more layers we apply where machines typically come to a crawl this seems to keep on chugging so let's apply a recNUMBER_TOKEN color grid and it's about the same frame rate now if we go back and turn on both the slight color adjustment we made and then another artistic grade this is now three color layers and it's still managing about the same frame rate NUMBER_TOKEN to NUMBER_TOKEN frames per second effects are where you can really bring footage to its knees particularly blurs and why not just throw on a couple other effects as well and despite all of this we press play and we're pulling pretty much the same frame rate NUMBER_TOKEN to NUMBER_TOKEN frames per second it's absolutely incredible now it is important typically to be able to view your footage in the frame rate that it was shot in when you're editing so what's great about this is you can go back into the playback you can use a proxy mode at half resolution and half resolution plays back at a fixed NUMBER_TOKEN. i mean it's it's great it doesn't drop a single frame this performance is incredible it is very close if not maybe in some areas superseding what our mac pro can do and we don't have a base configuration we've got a NUMBER_TOKEN NUMBER_TOKEN mac pro and this thing in certain areas is if not kicking its butt getting really close and this is a laptop the fans are turned off it's barely warm it's freaking incredible i am so excited what is in store for these computers and we have a lot of stuff that we're going to be testing over the coming weeks so be sure to get subscribed like this video if you enjoyed it well if you didn't like it send it to someone you don't like they're going to hate it but most importantly and as always stay snazzy
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