sony fxNUMBER_TOKEN has been a camera that has made it possible for me to make films the way that i enjoy making it the most which is minimal minimal minimum this video is sponsored by storybox it's not the alexa mini in simon soldier's brother the sony fxNUMBER_TOKEN but the versatility of this little camera is going to make up for whatever little diminishing return on the quality that you have to sacrifice for it today i want to quickly cover ground on the little things that i do to get the absolute most out of my fxNUMBER_TOKEN to make up for those little bit of you know quality differentials that you're going to get for it and i keep saying the fxNUMBER_TOKEN but i'm grouping it with the aNUMBER_TOKEN sNUMBER_TOKEN because the aNUMBER_TOKENs NUMBER_TOKEN is pretty much the exact same camera and just looks different but the the image that's coming out the camera is exactly the same just as a disclaimer i'm not sitting here saying that i'm amazing and you want to get the same picture quality as me how the fxNUMBER_TOKEN this is i understand it's not the only way to make this camera look it's a specific look and i know that there's many people out there who enjoy my style so this is what i do to get my style out of this camera at first we're going to start off techy with the the goat settings if you will for this camera i NUMBER_TOKEN of the time have my camera set in ppNUMBER_TOKEN which is s log NUMBER_TOKEN gamma and s cine gamut i think it's called s gamut NUMBER_TOKEN dot cine color mode i've just found that this is going to produce the best quality image and the best file for me to work on the question that i'm constantly being asked is how do you expose for s-log NUMBER_TOKEN i'm sure people are having issues with exposing for slogNUMBER_TOKEN it's actually a question i used to be confused by but the more i've used this camera the more i've started to understand and what i do is i actually expose a little brighter than i usually would with this camera and bring the grade down a little deeper in post production and then i'm pretty much shooting exclusively nowadays in the xavc dash si file format NUMBER_TOKENk file format that is going to give you the absolute best image with this camera but on the flip side it's also going to give you the greatest file size i use it because the other file formats are compressed versions so when you're editing them in your adobe premiere or whatever you edit in it's harder for that editing software to play those files back so editing xavc just s as it takes a lot more time and is a lot harder for your editing software to process because it's a compressed file so as someone who creates for youtube where i'm turning out a lot of videos i need to edit fast i don't have time to make proxies or anything so i will take the speed of the xavc-si uncompressed file even though it's larger takes up more space i take that any day over slower editing the crappy thing about shooting si part from the large file size is that you can't use your average joe sd card
START_SPONSOR_TOKEN this video is sponsored by storybox it's not END_SPONSOR_TOKEN