Chamber Of Secrets right there next to it. - Oh, you're gonna do Chamber? - I'm gonna go ahead and just place Chamber just because for these two in particular, and this won't be the case with any other like possible duo, Deathly Hallows, Fantastic Beast or anything, I treat these two very much the same way. I think that they both kind of encapsulate the style and like visual magic of the Harry Potter series. The way that I imagine it in the books. - Yeah. - Like, I think it is, - I would agree with that. the best transfer from story to visual on-screen. - I agree with you. In fact, I'll go ahead and put Chamber as well. I'm putting Chamber at outstanding. - Oh. - Yeah. - Was it Lockhart that-- - It's of course, it's pretty obvious but... - It's pre... - No, I think mostly it's the exact same thing. I think like when I was a kid reading the books and then you went and you saw Sorcerer's Stone and Chamber Of Secrets and it felt like they had just transcribed exactly my brain onto the screen. - Yes. - In terms of like how Hogwarts, felt how the students looked, how magic worked, like the style felt perfect. And like, it's such a weird thing too, because when I was growing up, I would've told you Chamber of Secrets was like my least favorite of the books, - Okay. - But out of the movies, it's probably my favorite, like Harry Potter movie. - I mean, that certainly - I mean yeah. makes sense based on how you ranked it. But, yeah and that's the thing. So Christopher Columbus, and this is one of the weird issues with the Harry Potter movies as a whole. Is that you have Christopher Columbus doing one and two, Alfonso Cuaron does three... Oh, I can never, Newell? I can never remember... - Don't know. - Director of four. But you have four and then five on, is David Yates. - David Yates, yeah. - So David Yates takes over eventually and you have him... I have it right here in front of me. - Having like a very consistent style going forward. - Mike Newall, and with that though, I think throughout the series, you have odd decisions that are made by different directors that ultimately like take a strong hold, because it's sort of like, the last place we ever saw the character and therefore we never revert. - Right, like, Alfonzo got to introduce Lupin, and so that's how Lupin will be. - [Ben] Exactly, yeah, yeah. - [J] Yeah. - [Ben] It's like, you're not gonna just like recast Lupin entirely. - Right. - But he also changes the character of Flitwick entirely and then the character of Flitwick just, remains changed. - [J] Stays that way. Yeah. - [Ben] But I would say Flitwick in one and two, is much more what I imagined Flitwick to be like. - Yeah, it seems like the way he ended up was just sort
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