loops that is available on the uh logic pro there's an app from that i just uh put some uh loops and then the song came like a music soundtrack kind of thinking and then we put some uh visuals according to that and it was wow it just happened like that now coming to budakalam uh you have a very difficult role in the sense that you are suffering a trauma from the past your home is is is not in a very happy place what was the toughest scene for you to play in the movie like since we used uh sing sound for the movie uh there were too many interruptions while shooting the climax scene which was a quiet emotional scene also so uh i found it a bit challenging to keep repeating it uh you know sometimes while doing the emotional scenes to repeat it again and again it was quite challenging uh that scene itself is a little complicated scene like complicated since there's an emotion we have to convey because it's like a very helpless situation that both of them has released that scene while shooting there was a bit interruptions to the sound uh is this the first time you are shooting with sync no actually uh kumbling nights was uh saying sound and uh also was also seeing something okay uh but do you uh prefer sync or do you like to uh because there are two kinds of actors uh one one says i give my best shot right then and there so i want my voice like it is on the set so that is they prefer sing sound there are other actors who say that they improve the performance when they are dubbing because they are able to give more emotion and things like that while they're dubbing what what do you prefer actually both the scenarios can be correct because according to the situation for kumbalangi uh it was short and a little more remote area so i think shooting uh singh is more comfortable i think uh like we'll uh get to capture all the we can get it real that that road thing will we will be able to capture if we are trying to make if we are trying to take a sing in a more crowded and uh little more noisy place in uh all we'll just have to concentrate more on getting the sound right yeah most of the time maybe the best performance can be missed right sometimes so now uh your co-star in buddha column is devati did you pick up any acting tips from her actually working with devati mam was a very great experience and i got to learn a lot from her professionalism and the way she carries herself and she's a very nice person did you discuss acting with her or you know like did you while while she was performing did you notice her how she handles a scene or something like that it was it helpful for you while the shoot is happening we used to rehearse the dialogues before it's going to be taken and while discussing uh like since her malayalam was little weak we had to adjust certain dialogues for her comfort and on that process it was uh what i had to say is what i have to say is that uh there was a lot of given take that was happening nice it was not uh she's a very senior uh artisan
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