in the background he doesn't have to wait for all that stuff to be rendered out and processed yeah it's like i don't even know how much they actually use that footage though to be honest the whole reason it's being filmed is mostly just for the actors to like understand situational awareness for the time like a lot of these actors it's like this is mocap it's still new it goes from like completely pretend total imagination to okay there's the camera there i know where to look or i know how to hold my body it's not just this void also the fact that they're using real cameras grounds everything in reality you're not having these giant sweeping cameras that are impossible to do it's pretty accurate and realistic mocap technology has it like really progressed much more than this honestly no you look at like the face cap systems and the body tracking systems they're all kind of running on similar technology it's really just like how it's being processed and handled later that's changed well like even like you see like the little dots on his suit that was the classic way to do mocap for the longest time because you'd have all these cameras that could all see those individual dots and you're able to extract mocap information from it these days we have little suits that have like accelerometers and gyros in them and so we're able to figure it out without having to have the dots and cameras question though if you had the choice would you go for the dots because it's the more tried and true method of i would go for the dots because everything is explicit in world space the suits with the sensors inside of them it's all kind of relative it's having to make a lot of assumptions based on like your feet are glued to the ground and that's how it's able to know where you're going i mean the inertial sensors are really great for when we go out to a shooting range well they're just so convenient and it's just like you can slap the motion capture suit on without being in a sound stage and still get great data it's just a different tool yeah it's a different tool okay people tomorrow morning NUMBER_TOKEN a.m santa's coming in oh my god will ferrell is hit or miss for me but he just NUMBER_TOKEN in this movie well farrell is funniest when he does go full NUMBER_TOKEN like he's acting like an elf so hard so we're gonna do something a little different first i want us to take a look at the behind the scenes and see how they film the scene that we're about to watch i do one with your arm straight down and we'll put your arm in digitally and just do everything else with your body but don't actually throw okay okay okay see how he's doing it though he's trying not to laugh i love this because this is exactly the sort of style of doing a shot that we would do you know we've actually done something like this back in the day remember the terraria video we did yeah terraria yeah yeah same thing same sort of thing where it's like all right now don't do it and we'll just add in your arm later so let's actually take a look at what the final scene looks like with the snowball fight let's go
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