with filters for NUMBER_TOKENK video at multiple frame rates, along with backgrounds, and After Effects templates. If you've never browsed Storyblocks before, I think you'll be truly impressed by just how exhaustive their library is, and I encourage you to learn more about them by using the link in the description below. IBIS feels good on this camera. This isn't a vlogging camera, and you're not gonna get gimbal results, but the combination of the weight of this system mixed with the IBIS controls make for a good human tripod experience. I prefer the sport mode though over the normal, as I found it fought me less and moved better with me if I was tracking a subject or panning. It also has an electronic VR, which adds a crop, but I didn't care for this mode. I found just the sport mode, plus a stabilized lens like the NUMBER_TOKEN-NUMBER_TOKEN gave great results. I was handholding at NUMBER_TOKENmm and found the shots looked quite steady. All of my test shots are at NUMBER_TOKENp as well, so you can see the shakes instead of hiding them in slow motion. Rolling shutter exists on this camera, but it definitely falls in the pass category in my opinion. It's similar to that of the Sony ANUMBER_TOKEN or Canon RNUMBER_TOKEN. In fact, it might be a tiny bit better, but definitely usable. It's only really noticeable in the NUMBER_TOKENK readout modes, so NUMBER_TOKENK up to NUMBER_TOKENp, and NUMBER_TOKENK oversampled up to NUMBER_TOKENp. The NUMBER_TOKENp and NUMBER_TOKENp NUMBER_TOKENK modes are much faster reading, because they don't oversample, so rolling shutter is not an issue with them. And you also have the option to crop in camera to Nikon DX if you want, which will likely improve rolling shutter for the NUMBER_TOKENK modes. But again, the full frame oversampled rolling shutter is solid and gets a pass. Fun fact regarding that oversampling and external recording. As I've mentioned in other videos, the way I currently use my Sony ANUMBER_TOKEN is I set the camera to NUMBER_TOKENK internal, but then I record externally to the Atomos Ninja V, which ends up creating an oversampled NUMBER_TOKENK image externally. You can also do this on the Nikon ZNUMBER_TOKEN, however it won't let you record internally during this mode. In fact, you have to physically remove the cards from the camera to enable this. Otherwise, if you have the camera set to NUMBER_TOKENK internally with cards in the camera and HDMI connected, the HDMI output defaults down to NUMBER_TOKENp, but as soon as you remove the cards, it goes to NUMBER_TOKENK externally and it seems to be a much cleaner oversampled image. This is quirky, but potentially useful if you don't want to record ProRes internally. But how cool is it that you can record ProRes internally on this camera? The only reason I'd go the Ninja V route on this camera is the cost savings on SSDs vs CFexpress cards. But it's impressive how self-reliant the ZNUMBER_TOKEN is. Lastly, on the oversampling front, here are some images of the different recording modes, showing the quality gained or lost depending on resolution and frame rate. The NUMBER_TOKENKNUMBER_TOKEN and NUMBER_TOKEN do lose some sharpness, but it
START_SPONSOR_TOKEN with filters for NUMBER_TOKENK video at multiple frame rates, along with backgrounds, and After Effects templates. If you've never browsed Storyblocks before, I think you'll be truly impressed by just how exhaustive their library is, and I encourage you to learn more about them by using the link in the description below. END_SPONSOR_TOKEN