In Russia, where she stayed from 1795 until 1801, she was well-received by the nobility and painted numerous aristocrats, including the former king of Poland, Stanisław August Poniatowski, and members of the family of Catherine the Great. Although the French aesthetic was widely admired in Russia, there remained various cultural differences as to what was deemed acceptable. Catherine was not initially happy with Vigée Le Brun's portrait of her granddaughters, Elena and Alexandra Pavlovna, due to the amount of bare skin the short-sleeved gowns revealed. In order to please the Empress, Vigée Le Brun added sleeves. This tactic seemed effective in pleasing Catherine, as she agreed to sit herself for Vigée Le Brun (although Catherine died of a stroke before this work was due to begin). While in Russia, Vigée Le Brun was made a member of the Academy of Fine Arts of Saint Petersburg. Much to Vigée Le Brun's dismay, her daughter Julie married Gaétan Bernard Nigris, secretary to the Director of the Imperial Theaters of Saint Petersburg. Julie predeceased her mother in 1819.