The following are given passages.
Passage 1:
The Jazz Skyline
The Jazz Skyline is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1956 and released on the Savoy label.

Reception
The Allmusic review by Bob Rusch states: "This session has interest as an example of Milt Jackson's mid-'50s work in a non-Modern Jazz Quartet context. And despite the many critical assertions that the vibist was restrained by pianist John Lewis' direction, his playing here revealed no marked change".

Track listing
"Lover" (Lorenz Hart, Richard Rodgers) - 7:45
"Can't Help Lovin' Dat Man" (Oscar Hammerstein II, Jerome Kern) - 4:35
"The Lady Is a Tramp" (Hart, Rodgers) - 7:18
"Angel Face" (Hank Jones) - 6:38
"Sometimes I'm Happy" (Irving Caesar, Vincent Youmans) - 7:15
"What's New?" (Johnny Burke, Bob Haggart) - 3:51

Personnel
Milt Jackson – vibes
Lucky Thompson - tenor saxophone
Hank Jones - piano
Wendell Marshall - bass
Kenny Clarke – drums
Passage 2:
It's What's Happenin'
It's What's Happenin' (subtitled The Varitone Sound of Clark Terry) is an album by American jazz trumpeter Clark Terry featuring performances recorded in 1967 for the Impulse! label.  Remastered in 2012 to commemorate the 50th anniversary of Impulse! Records, it was reissued together with Terry's only other record for the label as a solo leader, The Happy Horns of Clark Terry.

Reception
The Allmusic review by Richard S. Ginell awarded the album 3 stars stating "Not many will bother to recall that Clark Terry was the first trumpeter to make a recording with Selmer's Varitone attachment -- an electronic hookup to an amplifier that allowed a horn player to play octaves. Though the instrument quickly fell out of favor after a very brief vogue, it still produced an attractively soulful sound that was a good fit with Terry's jaunty, slurry, note-bending manner... there is nothing unmusically sensational about anything that happens here.".

Track listing
All compositions by Clark Terry except where noted.

"Electric Mumbles" - 3:51
"Secret Love" (Paul Francis Webster, Sammy Fain) - 6:15
"Take Me Back to Elkhart" - 7:11
"Take the "A" Train" (Billy Strayhorn) - 5:03
"Tee Pee Time" - 6:25
"Grand Canyon Suite" (Ferde Grofé) - 7:05

Personnel
Clark Terry - Varitone trumpet
Don Friedman - piano
George Duvivier - bass
Dave Bailey - drums
Passage 3:
All Things in Time
All Things in Time is an album by American R&B singer Lou Rawls, released in June 1976 on the Philadelphia International Records label. The album includes Rawls's most famous hit song, "You'll Never Find Another Love Like Mine".

Background
Coming after a career lull in the years immediately preceding, All Things in Time was Rawls's first album for PIR. At the time, he was the first artist to sign with PIR, after having already enjoyed a substantial recording career and chart success with other record labels. Recorded at Sigma Sound Studios and produced by Gamble & Huff, Bunny Sigler and Dexter Wansel, All Things in Time became an immediate success on the back of its lead single, "You'll Never Find Another Love Like Mine".

Reception
Commercial
The album was Rawls' third R&B chart-topper (the first since 1966), and reached No. 7 on the Billboard 200.  "You'll Never Find Another Love Like Mine" gave Rawls the biggest hit of his career, topping Billboard's R&B Songs chart and Adult Contemporary chart, and making No. 2 on the Billboard Hot 100.

Critical
All Things in Time was highly rated by critics upon release, due to the quality and variety of its material, production standards and Rawls' vocal performances. It is often cited as the best album of Rawls' tenure with PIR. In a retrospective review for Allmusic, Jason Elias described it as "...not only one of Rawls' best albums, it's also one of the finest from Philadelphia International".

Track listing
In 2005, All Things in Time was reissued on CD by Edsel Records in the UK in a double package with Rawls' 1977 album, Unmistakably Lou.

Personnel
Kenneth Gamble – co-producer (tracks 1–2, 4, 8)
Leon Huff – co-producer (tracks 1–2, 4, 8)
Jack Faith – producer, musical arranger (track 3)
Bunny Sigler – producer (tracks 5–6)
Bobby Martin – producer (track 9), musical arranger (tracks 1–2, 4–5, 8–9)
Richard Rome – musical arranger (track 6)
Dexter Wansel – producer, musical arranger (track 7)
Joe Tarsia – engineer
Jim Gallagher – engineer
Carl Paroulo – engineer
Jay Mark – engineer
Frank Laffitte – photos
Ed Lee – design

Charts
Certifications
See also
List of number-one R&B albums of 1976 (U.S.)
Passage 4:
Plenty, Plenty Soul
Plenty, Plenty Soul is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label.

Reception
The Allmusic review by Scott Yanow stated that "these all-star dates still sound fresh and enthusiastic decades later".

Track listing
All compositions by Milt Jackson, except as indicated"Plenty, Plenty Soul" (Milt Jackson, Quincy Jones) - 9:33
"Boogity Boogity" (Jones) - 4:55
"Heartstrings" - 4:53
"Sermonette" (Cannonball Adderley) - 5:23
"The Spirit-Feel" - 4:22
"Ignunt Oil" - 5:35
"Blues at Twilight" (Jones) - 6:46Recorded in New York City on January 5 (tracks 4–7) and January 7 (tracks 1–3), 1957

Personnel
Milt Jackson – vibes
Joe Newman - trumpet
Jimmy Cleveland - trombone (tracks 1–3)
Cannonball Adderley - alto saxophone (tracks 1–3)
Frank Foster (tracks 1–3), Lucky Thompson (tracks 4–7) - tenor saxophone
Sahib Shihab - baritone saxophone (tracks 1–3)
Horace Silver - piano
Percy Heath (tracks 1–3), Oscar Pettiford (tracks 4–7) - bass
Art Blakey (tracks 1–3), Connie Kay (tracks 4––7) – drums
Quincy Jones - arranger (tracks 1–3)
Passage 5:
Three for Shepp
Three for Shepp is an album by American saxophonist Marion Brown featuring performances recorded in 1966 for the Impulse! label.

Reception
The Allmusic review by Thom Jurek awarded the album 4½ stars, stating: "Marion Brown's Three for Shepp is the image-in-the-mirror companion to Archie Shepp's Four for Trane recorded the year before. The program is equally divided between Brown's originals, which occupy the first half of the album, and Shepp tunes that take up the latter half. What is immediately striking is how similar in tone, color, and texture the two men were when it came to composition. Brown arms himself here with crack bands for these recordings... This is a classic Impulse! recording of the period by an overlooked master."The authors of the Penguin Jazz Guide wrote: "Brown's Impulse! records are routinely overlooked... In the wake of this, his first successful record, Brown took to the road, playing tirelessly but curbing his studio activities. Impulse! had already released Shepp's Four For Trane. This was explicitly intended as a companion project and its arresting opening... establishes it as one of the most inventive in the label's distinguished catalogue... Brief as it is at just 35 minutes, Three For Shepp is so densely packed with musical information that it takes many, many listens to deconstruct: a living lesson in musical history, a passionate manifesto for the future."A reviewer at SoundOhm included the album in the "Best of 2019" playlist, and stated: "Three For Shepp balances fiery energy and delicate precision... Even this early in his career, Brown stood apart from his peers in "the new thing." His solos were as gentle as they were furious. Informed by the African American folk traditions of his native Georgia and an enthusiastic embrace of the avant-garde, his music would confront and challenge society. As Brown says in the original liner notes, 'The music is definitely a part of what's going on in the black revolution in America.'  Three For Shepp still sounds crucial today (over 50 years later) and remains a vital statement of jazz's past, present and future."

Track listing
All compositions by Marion Brown except as noted

"New Blue" - 5:11
"Fortunato" - 8:54
"The Shadow Knows" - 3:04
"Spooks" (Archie Shepp) - 4:32
"West India" (Shepp) - 6:24
"Delicado" (Shepp) - 6:38

Personnel
Marion Brown - alto saxophone
Grachan Moncur III - trombone
Dave Burrell (tracks 1-3), Stanley Cowell (tracks 4-6) - piano
Norris Jones - bass
Bobby Capp (tracks 1-3), Beaver Harris (tracks 4-6) – drums
Passage 6:
2 Horns / 2 Rhythm
2 Horns / 2 Rhythm is an album by American jazz trumpeter Kenny Dorham, featuring performances with Ernie Henry. It was recorded in 1957 and released on Riverside Records. This was Henry's last recording session.

Reception
The AllMusic review by Scott Yanow awarded the album four stars and stated "The sparse setting (unusual for a Dorham session) works quite well".

Track listing
Recorded in New York City on November 13 (tracks 1–3, 5–7 & 9) and December 2 (tracks 4 & 8), 1957

Personnel
Kenny Dorham – trumpet, piano (track 3)
Ernie Henry – alto saxophone
Eddie Mathias (tracks 1–3, 5–7 & 9), Wilbur Ware (tracks 4 & 8) – bass
G.T. Hogan – drums
Passage 7:
The Main Attraction (album)
The Main Attraction is an album by American jazz guitarist Grant Green featuring performances recorded in 1976 and released on the Kudu label.

Reception
The AllMusic review by Thom Jurek awarded the album two stars and stated "While it's true that this isn't one of Green's best records, it's not by any means his worst... Contrary to jazz critics' opinions, Green had nothing to be ashamed of on Main Attraction. If funky '70s soul-jazz is your thing, you won't go wrong with this one".

Track listing
"The Main Attraction" (Don Grolnick, Steve Khan, Will Lee, David Matthews, Andy Newmark) - 19:35
"Future Feature" (Matthews) - 7:47
"Creature" (Grant Green) - 10:20Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey in March 1976 with additional recording at A&R Studios, NYC

Personnel
Grant Green - guitar
Burt Collins, Jon Faddis - trumpet
Sam Burtis - trombone
Hubert Laws - flute
Michael Brecker, Joe Farrell - tenor saxophone
Ronnie Cuber - baritone saxophone
Don Grolnick - electric piano, clavinet
Steve Khan - rhythm guitar
Will Lee - electric bass
Andy Newmark - drums
Carlos Charles - conga, percussion
Sue Evans - percussion
Dave Matthews - arranger, conductor
Passage 8:
Groovin' with Golson
Groovin' with Golson is the sixth album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label.

Reception
The Allmusic review by Scott Yanow states, "the hard bop music does indeed groove in its own fashion".

Track listing
All compositions by Benny Golson except where noted.

"My Blues House" - 9:25
"Drum Boogie" (Roy Eldridge, Gene Krupa) - 3:59
"I Didn't Know What Time It Was" (Richard Rodgers, Lorenz Hart) - 5:25
"The Stroller" - 9:18
"Yesterdays" (Jerome Kern, Otto Harbach) - 5:54

Personnel
Benny Golson - tenor saxophone
Curtis Fuller - trombone
Ray Bryant - piano
Paul Chambers - bass
Art Blakey - drums
Passage 9:
Soundsigns
Soundsigns is an album by the American jazz saxophonist Dewey Redman of performances recorded in 1978 for the Galaxy label.

Reception
The Allmusic review by Scott Yanow awarded the album 3 stars stating "Recorded at the same sessions that resulted in Musics, this LP (which has not yet been reissued on CD) is actually more exploratory".

Track listing
All compositions by Redman except as indicated"Piece for Tenor and Two Basses"  - 8:23
"Half Nelson" (Miles Davis) - 10:07
"Adesso Lo Sai" - 13:59
"Come Earth" - 8:00Recorded at Fantasy Studios in Berkeley, California on October 18 & 19, 1978

Personnel
Dewey Redman - tenor saxophone (tracks 1-3), harp (track 4)
Fred Simmons - piano (tracks 2 & 3)
Charlie Haden (tracks 1 & 4), Mark Helias - bass
Eddie Moore - drums, saw, cymbal (tracks 2-4)
Passage 10:
Waterfalls (album)
Waterfalls is a live album by American saxophonist and composer John Klemmer featuring studio enhanced live performances recorded in Los Angeles for the Impulse! label.

Reception
The Allmusic review by Scott Yanow awarded the album 4 stars stating it is "Worth investigating by open-eared listeners".

Track listing
All compositions by John Klemmer"Prelude I" – 3:33
"Waterfalls" – 4:19
"Utopia: Man's Dream, Part 1" – 8:47
"Utopia: Man's Dream, Part 2" – 3:50
"There's Some Light Ahead" – 4:29
"Centrifugal Force" – 5:59
"Prelude II" – 4:02
"Waterfall II" – 6:08Recorded in performance at the Ash Grove in Los Angeles, California on June 17, 1972 and "enchanted" at The Village Recorder in Los Angeles on June 22, 1972

Personnel
John Klemmer – tenor saxophone, soprano saxophone, echoplex
Mike Nock – electric piano
Wilton Felder – electric bass
Eddie Marshall – drums
Victor Feldman – percussion
Diana Lee – vocals (tracks 3, 4 & 6)
Passage 11:
More Blues and the Abstract Truth
More Blues and the Abstract Truth is an album by American jazz composer, conductor and arranger Oliver Nelson featuring performances recorded in 1964 for the Impulse! label.

Reception
The Allmusic review by Scott Yanow awarded the album 4 stars, stating: "Unlike the original classic Blues and the Abstract Truth set from three years earlier, Oliver Nelson does not play on this album. He did contribute three of the eight originals and all of the arrangements but his decision not to play is disappointing... The emphasis is on blues-based pieces and there are some strong moments even if the date falls short of its predecessor".

Track listing
All compositions by Oliver Nelson except as noted

"Blues and the Abstract Truth" - 5:14
"Blues O'Mighty" (Hodges) - 6:48
"Theme from Mr. Broadway" (Brubeck) - 5:45
"Midnight Blue" (Neal Hefti) - 4:06
"The Critic's Choice" - 2:21
"One for Bob" - 6:07
"Blues for Mr. Broadway" (Brubeck) - 8:12
"Goin' to Chicago Blues" (Count Basie, Jimmy Rushing) - 4:37
"One for Phil" - 3:58 Bonus track on CD reissue
"Night Lights" (Arnold Shaw) - 2:46 Bonus track on CD reissueRecorded on November 10, 1964 (tracks 4 & 6–9), and November 11, 1964 (tracks 1–3, 5 & 10).

Personnel
Oliver Nelson - arranger, conductor
Thad Jones, Danny Moore (tracks 1 & 5) - trumpet
Phil Woods - alto saxophone
Ben Webster - tenor saxophone (tracks 4 & 7)
Phil Bodner - tenor saxophone, English horn
Pepper Adams - baritone saxophone
Roger Kellaway - piano
Richard Davis – bass
Grady Tate – drums
Passage 12:
Wild Thing (Tone Lōc song)
"Wild Thing" is a single by American rapper Tone Lōc from his 1989 album Lōc-ed After Dark.  The title is a reference to the phrase "doin' the wild thing," a euphemism for sex. According to producer Mario Caldato Jr., who engineered and mixed the song, producer Michael Ross was inspired by an utterance of Fab 5 Freddy “Come on baby let’s do the wild thing" in Spike Lee's She's Gotta Have It, and asked Young MC to write the lyrics.Tone Lōc's song peaked at number two on the Billboard Hot 100 in February 1989, only behind Paula Abdul's breakthrough hit  "Straight Up".It inspired at least two parodies (the Gilligan's Island-themed "Isle Thing" by "Weird Al" Yankovic, which was Yankovic's first rap parody; and "Child King" by Christian band ApologetiX). It eventually sold over two million copies. It also peaked at number 21 on the UK Singles Chart. In 2008, "Wild Thing" was ranked number 39 on Vh1's 100 Greatest Songs of Hip Hop.

Sampling controversy
The song uses an uncredited sample of Van Halen's "Jamie's Cryin'". Van Halen's management at the time asked for a flat fee (credited in some reports to be US$5,000) as payment to have the song sampled by Tone Lōc. Apparently, the sampling decision was made without consulting the band's original members (credited as co-authors of the song). They had no idea "Wild Thing" would become a major hit. A subsequent civil lawsuit was settled out of court, with Van Halen receiving US$180,000 as settlement payment. Alex Van Halen has said that he had heard partially "Wild Thing" over the radio and didn't realize his song had been sampled until he recognized his (by now famous) tom-tom break at least a few times. Concerning the settlement, he said: "Well, at least we got something. Tone Lōc and his people made millions out of it..."

Music video
A music video directed by Tamra Davis was made for the song at a reported cost of  $500, copying the style of Robert Palmer's "Addicted to Love." Mini-skirted women play guitars next to Tone Lōc; the video was frequently shown on MTV. The leading lady in the video is played by actress Tracy Camilla Johns.

Peaches remix
"Wild Thing (Peaches Remix)" is a version of Tone Lōc's "Wild Thing". The song features vocals by Tone Lōc and Peaches herself. This remix was made to celebrate Delicious Vinyl's 20th anniversary. It peaked at No. 4 on the U.S. Billboard Hot Dance Singles Sales.

Music video
The music video for "Wild Thing Remix" shows Peaches and Tone Lōc performing live at Avalon during the celebration of the 20th anniversary of Delicious Vinyl.

Uses in popular culture
"Wild Thing" was used in the 1989 film Uncle Buck (starring John Candy) during the scene when the titular character goes to the school of his nephew and niece to talk to the principal.
In 1991, figure skater Tonya Harding used the track of "Wild Thing" in the last third of her free skate to win the U.S. Figure Skating Championships.
In the 2000 film Bedazzled, the song is used when Brendan Fraser's character, Elliot, first meets the Devil, played by Liz Hurley.
In Charlie's Angels: Full Throttle (2003), the song is used to soundtrack the scene in which Cameron Diaz's character, Natalie, rides a mechanical bull.
In Taxi (2004), Gisele Bunchen's character Vanessa is introduced by the song walking out of a building with her female henchmen as they prepare for another bank robbery.
The song is also heard, in much-edited form, in the 2016 film The Angry Birds Movie.
In 1989, the song was used in the Season One episode of the TV series Midnight Caller entitled "The Fall". Also in 1989, the song was used in the pilot episode of Doogie Howser, M.D. .
In 2012, Bob Sinclar and Snoop Dogg made an electro house cover.

Charts
Weekly charts
Year-end charts
Certifications
Passage 13:
Foolin' Myself
Foolin' Myself is an album of trio performances by the American jazz pianist Jaki Byard recorded in 1988 and released on the Italian Soul Note label.

Reception
The Allmusic review by Ken Dryden awarded the album 2+1⁄2 stars, stating "While the pianist's technique is impressive as always, his songs are not as strong as on many of his other releases".

Track listing
All compositions by Jaki Byard except as indicated"Suite 27: Waterfalls, Highways, Skyways, Waterways" - 5:11
"Oslo to Kristiansund to Malmo" - 3:10
"Searchlight No. 2" - 9:22
"Stage I / Stage II" - 4:17
"Breath" (Ralph Hamperian) - 8:27
"Foolin' Myself" (Jack Lawrence, Peter Tinturin) - 3:50
"Land of Love" - 6:36Recorded at Sound Ideas Studios in New York City on August 25, 1988

Personnel
Jaki Byard – piano
Ralph Hamperian - bass
Richard Allen - drums
Passage 14:
All Your Faded Things
All Your Faded Things is an album released by Anna Oxygen on July 22, 2003 under the Cold Crush Records label. It was produced by Justin Trosper.

Critical reception
Wrote MacKenzie Wilson of Allmusic in a review for the album, Oxygen is "enjoyably cheeky in delivering her own dance-pop formula." Calling the album synthpop, the review also praised the "minimalist approach" of the production, which led to a "fluid, full sound well-suited for both dance and indie rock fans." Also, "she adds a bit of sauce to the new-millennium electroclash stage and celebrates the delicious design of classic new wave."

Track listing
"Baby Blue" – 2:49
"Red Horse Cafe" – 2:56
"Psychedelic Dance Party" – 1:49
"Aviva" – 2:01
"Scientist" – 2:22
"Mine All Mine" – 1:32
"Loose to the Tight" – 2:15
"Spectacle" – 2:50
"Nerve Angels Two" – 2:15
"Primary Colors" – 1:32
"Painted Yellow Crown" – 2:19
"Man on the Screen" – 2:10
"Nerve Angels Three" – 1:49
"Ponytails" – 3:17
Passage 15:
The Real Thing (Dizzy Gillespie album)
The Real Thing is an album by American jazz trumpeter Dizzy Gillespie featuring James Moody recorded in 1969 and originally released on the Perception label.

Track listing
All compositions by Mike Longo except as indicated

"N'Bani" (Dizzy Gillespie) - 4:05
"Matrix" - 4:04
"Alligator" - 5:06
"Closer" [vocal] / "Closer" [instrumental] (George Davis) - 3:17
"Soul Kiss" - 4:07
"High on a Cloud" (Fred Norman, Cliff Owens) - 3:20
"Summertime" (George Gershwin) - 3:46
"Let Me Outta Here" - 5:13
"Ding-A-Ling" - 5:03

Personnel
Dizzy Gillespie - trumpet
James Moody - tenor saxophone (tracks 1, 5-8 & 10)
Eric Gale (tracks 1, 6, 7 & 10), George Davis (tracks 2-5, 8 & 9) - guitar
Mike Longo - piano
Nate Edmonds - organ (track 6)
Chuck Rainey (track 6), Phil Upchurch (tracks 2-4, 7 & 8) - electric bass
Paul West - bass (tracks 1, 5, 7 & 10)
Otis "Candy" Finch (track 1, 7 & 10), David Lee (tracks 2-5, 8 & 9), Bernard Purdie (track 6) - drums
Passage 16:
Something Personal
Something Personal is an album by American jazz pianist Jack Wilson featuring performances recorded and released on the Blue Note label in 1967.

Reception
The Allmusic review by Scott Yanow awarded the album 4½ stars and stated "this album is an excellent showcase for the often-overlooked Jack Wilson".

Track listing
All compositions by Jack Wilson except as indicated"Most Unsoulful Woman" - 6:53
"The Sphinx" (Ornette Coleman) - 5:07
"Shosh" - (Blues in F) 8:59
"Serenata" (Leroy Anderson) - 6:58
"Harbor Freeway 5 P.M." - 7:12
"C.F.D." - 4:58
"One and Four" [aka. "Mr. Day"] (John Coltrane) - 4:51 Bonus track on CD reissueRecorded  on August 9 (4, 6-7) and August 10 (1-3, 5), 1966.

Personnel
Jack Wilson - piano
Roy Ayers - vibes
Ray Brown - bass (#3-6), cello (#1-2)
Charles 'Buster' Williams - bass (#1-2)
Varney Barlow - drums
Passage 17:
This Is an Exercise
This Is an Exercise is an album by experimental electropop artist Anna Oxygen, released in 2006 on Kill Rock Stars. Allmusic described the album as "just as fascinating as it is chilly and alienating. In her songs, Oxygen explores some of the same issues of authenticity, creation, and consumption that Tracy + the Plastics do, but with a sci-fi/fantasy bent."

Production and release
Oxygen composed the album herself, also handling piano, primary vocals, and sequencing. It also featured Melissa Collins on cello, Andy Gertz on accordion, and guest vocalists Kitty Jenson, Mirah Yom Tov Zeitlyn & Ginger Takahashi. Portland artist Jona Bechtolt helped Oxygen with the cover art. It was released on February 21, 2006 on Kill Rock Stars.

Critical reception
The album met with a mixed reception, with a number of reviewers writing about the album with acclaim. In a positive review for the Phoenix New Times, Ray Cummings called the album "dancey." About Oxygen's vocals, Cummings wrote that "Huff's voice recalls Linda Perry's... at its lightest, it's diva-in-training delightful. In either mode, her pipes are a perfect contrast to the rhythmically ebullient programmed synths and beats supporting them - backdrops coursing, playful, robotic, and pop basic."In a positive review for Allmusic, Heather Phares called the album "a darker, more dramatic, and more polished affair than All Your Faded Things," also describing it as "just as fascinating as it is chilly and alienating. In her songs, Oxygen explores some of the same issues of authenticity, creation, and consumption that Tracy + the Plastics do, but with a sci-fi/fantasy bent." Phares gave the album 3.5/5 stars, also stating that "on This Is an Exercise, Anna Oxygen excels at creating a unique, sometimes disturbing sonic world with an almost-palpable sense of atmosphere."

Track listing
"Fairy Quest" – 2:59
"Fake Pajamas" – 2:41
"Dream. Dream. Dreams." – 2:26
"March of Human" – 1:40
"Hypertension" – 3:25
"R.R.N." – 2:23
"Mechanical Fish" – 2:51
"Walk" – 2:53
"Psychic Rainbow" – 2:13
"Willow Song" – 4:08
"This Is..." – 2:27
"Hold You" – 2:17

Personnel
Anna Oxygen - Composer, Cover Art, Layout Design, Piano, Primary Artist, Sequencing
Melissa Collins - Cello
Andy Gertz - Accordion
Kitty Jenson - Vocals
Mirah Yom Tov Zeitlyn & Ginger Takahashi - vocals
Jona Bechtolt - Cover Art, Layout Design
Passage 18:
Crystal (Ahmad Jamal album)
Crystal is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1987 and released on the Atlantic label.

Critical reception
In an Allmusic review by Scott Yanow states "There are some magical moments on this quartet set... Jamal's control of dynamics and inventive use of space proved to be as effective as it had been when he first made his mark in the 1950s, although his chord voicings and general style had evolved. Jamal and his group perform ten of his originals with taste, swing and subtle surprises".

Track listing
All compositions by Ahmad Jamal

"Quest for Light" – 4:48
"Arabesque" – 4:48
"Avo" – 7:04
"Piano Solo" – 1:57
"For My Daughter" – 3:34
"Perugia" – 3:57
"The Last Day" – 6:00
"Crystal" – 4:58
"Swahililand" – 4:08
"The Canteen" – 3:08

Personnel
Ahmad Jamal – piano
James Cammack – bass
David Bowler – drums
Willie White – percussion
Passage 19:
Jazz Contemporary
Jazz Contemporary is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1960 and released on the Time label. The album features the recording debut of pianist Steve Kuhn.

Reception
The Allmusic review by Scott Yanow awarded the album 2½ stars and stated "The results are not quite essential but everyone plays up to par... It's fine hard bop, the modern mainstream music of the period".

Track listing
All compositions by Kenny Dorham except as indicated"A Waltz" - 5:34
"Monk's Mood" (Thelonious Monk) - 8:09
"In Your Own Sweet Way" (Dave Brubeck) - 8:01
"Horn Salute" - 8:27
"Tonica" - 2:57
"This Love of Mine" (Sol Parker, Henry W. Sanicola Jr., Frank Sinatra) - 6:49Bonus tracks on CD reissue:

"Sign Off" - 5:29
"A Waltz" [alternate take] - 5:36
"Monk's Mood" [alternate take] (Monk) - 2:53
"This Love of Mine" [alternate take] (Parker, Sanicola, Sinatra) - 7:55Recorded on February 11 (tracks 2, 3, 7, 8, 10) and February 12, 1960 (tracks 1, 4-6, 9).

Personnel
Kenny Dorham - trumpet
Charles Davis - baritone saxophone
Steve Kuhn - piano
Jimmy Garrison (tracks 2, 3, 7, 8 & 10), Butch Warren (tracks 1, 4-6 & 9)  - bass
Buddy Enlow - drums
Passage 20:
Tijuana Jazz
Tijuana Jazz is an album by American jazz vibraphonist Gary McFarland and trumpeter Clark Terry featuring performances recorded in 1965 for the Impulse! label. The album was also released in the UK on the HMV label as CLP3541.

Reception
The AllMusic review by Scott Yanow awarded the album 3 stars stating: "McFarland's arrangements are fine, but the solos are quite short, and the Mexican-flavored music is not particularly memorable. A blown opportunity".

Track listing
All compositions by Gary McFarland except as indicated"South of the Border" (Jimmy Kennedy, Michael Carr) - 2:06
"Acapulco at Night" - 2:52
"Fantastic, That's You" (George Cates, George Douglas) - 2:54
"Limehouse Blues" (Philip Braham, Douglas Furber) - 3:37
"Tijuana" (Cates, Douglas) - 2:09
"Marcheta" (Victor Schertzinger) - 2:55
"Granny's Samba" - 3:30
"Soul Bird (Tin Tin Deo)" (Gil Fuller, Chano Pozo) - 4:01
"Mexicali Rose" (Jack Tenney, Helen Stone) - 2:27
"Ira Schwartz's Golden Dream" - 3:32
"Mary Jane" - 3:05
"Sweet Georgia Brown" (Ben Bernie, Kenneth Casey, Maceo Pinkard) - 2:06Recorded in New York City on December 3, 1965 (tracks 1, 2, 6 & 9), December 6, 1965 (tracks 4, 8, 11 & 12), and December 7, 1965 (tracks 3, 5, 7 & 10)

Personnel
Gary McFarland – marimba, electric piano
Joe Newman, Clark Terry - trumpet, flugelhorn
Bob Brookmeyer – valve trombone
Toots Thielemans - harmonica, guitar
Barry Galbraith - guitar
Bob Bushnell – electric bass
Mel Lewis, Grady Tate – drums

Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What record label is the performer who released All Your Faded Things on?



Answer: Kill Rock Stars