The following are given passages.
Passage 1:
Bartow, West Virginia
Bartow is a census-designated place (CDP) in Pocahontas County, West Virginia, United States.  The population was 111 at the 2010 census.Bartow is situated along U.S. Route 250 and West Virginia Route 92 and on the East Fork Greenbrier River, approximately 2 miles (3.2 km) east of Durbin. It has a post office with ZIP code 24920.Bartow is named for Col. Francis S. Bartow, a Confederate commander who died at the Battle of First Manassas on July 21, 1861. The Battle of Greenbrier River, also known as the Battle of Camp Bartow, took place on October 3, 1861 about one mile (1.6 km) southeast of the present town.
The Camp Bartow Historic District was listed on the National Register of Historic Places in 1995.  Located near Bartow is the Camp Allegheny Historic District, listed in 1990.
Passage 2:
Lost in Space (film)
Lost in Space is a 1998 American science-fiction adventure film directed by Stephen Hopkins, and starring William Hurt, Matt LeBlanc, Gary Oldman, and Heather Graham. The plot is adapted from the 1965–1968 CBS television series of the same name (itself inspired by the 1812 novel The Swiss Family Robinson by Johann David Wyss). Several actors from the TV show make cameo appearances.
The film focuses on the Robinson family, who undertake a voyage to a nearby star system to begin large-scale emigration from a soon-to-be uninhabitable Earth, but are thrown off course by a saboteur and must try to find their way home.
Lost in Space received negative reviews from critics, and grossed $136.2 million worldwide with an $80 million budget.

Plot
In 2058, Earth will soon be uninhabitable due to the irreversible effects of pollution and ozone depletion. In an effort to save humanity, the United Global Space Force sends Professor John Robinson, his wife Maureen, daughters Judy and Penny, and young prodigy son Will on the spaceship Jupiter II to complete construction of a hypergate over the planet Alpha Prime, which will allow the population of Earth to be instantly transported and populate the new planet. Penny rebels by breaking curfew, while Will's prize-winning science experiment involving time travel goes largely unnoticed by John. Global Sedition, a mutant terrorist group, assassinates the Jupiter II's pilot, who is replaced by hotshot fighter pilot Major Don West, to his chagrin.
The family's physician Dr. Zachary Smith, a Sedition spy, sabotages the ship's on-board robot before launch, but is betrayed by his cohorts and left unconscious as the ship launches and the family enters cryosleep. The robot activates and begins to destroy the navigation and guidance systems, en route to destroying the family. Smith awakens the Robinsons and West, who subdue the robot, but the ship is falling uncontrollably into the Sun. Forced to use the experimental hyperdrive with an unplotted course, the ship is transported through hyperspace to a remote planet in an uncharted part of the universe.
Passing through a strange distortion in space, the crew finds two abandoned ships in orbit: the Earth ship Proteus, and another ship clearly not of human origin. They board the Proteus, with Will controlling the now-modified robot. They find navigational data to reach Alpha Prime, and a camouflaging creature Penny calls "Blarp", along with evidence suggesting the ship is from the future. They are attacked by spider-like creatures; one scratches Smith, and the robot's body is irreparably damaged but Will saves its computerized intelligence.
West destroys the vessel to eradicate the spiders, causing the ship to crash-land on the nearby planet, where another distortion appears. Will theorizes they are distortions in time, as his experiment predicted, but John ignores his input. Exploring the time bubble, he and West encounter a future version of Will and a robot he rebuilt with the saved intelligence. The older Will explains that surviving spiders killed Maureen, Penny, and Judy. Constructing a time machine, the future Will intends to return to Earth to prevent Jupiter II from launching.
Young Will and Smith investigate the time bubble on their own. Smith tricks Will into handing over his weapon, but is foiled by a future version of himself, transformed by his spider injury into a spider-like creature, who has been protecting Will since the rest of the family was killed. The present Will and West return to the Jupiter II with an injured Smith and the robot in tow, while the future Smith reveals his true plan: He killed the Robinsons, but kept Will alive to build the time machine, so Smith could return to Earth and populate it with a race of spiders.
John, remembering that spiders eat their wounded, rips open Smith's egg sac with a trophy Will turned into a weapon. Smith's spider army devours him and he is thrown into the time portal, ripping him apart. The planet's increasing instability forces the Jupiter II to take off, but they are unable to reach escape velocity and are destroyed by the planet's debris. Realizing his father never actually abandoned them, Will sets the time machine to send John back to his family, but there is only enough power for one person. Saying goodbye to his family, the future Will is killed by falling debris, and John reunites with his living family.
Realizing they do not have enough power to escape the planet's gravitational pull, John suggests they drive the ship down through the planet, using the gravity well to slingshot them back into space. They are successful, but the planet turns into a black hole, and they activate the hyperdrive to escape. Using the Proteus’ navigational data to set a potential course for Alpha Prime, the ship blasts off into hyperspace.

Cast
William Hurt as Professor John Robinson
Mimi Rogers as Professor Maureen Robinson
Heather Graham as Dr. Judy Robinson
Lacey Chabert as Penny Robinson
Jack Johnson as Will Robinson
Jared Harris as Older Will Robinson
Matt LeBlanc as Major Don West
Gary Oldman as Dr. Zachary Smith / Spider Smith
Dick Tufeld as the voice of Robot
Lennie James as Jeb Walker
Mark Goddard as General
June Lockhart as Principal
Marta Kristen as Reporter #1
Angela Cartwright as Reporter #2
Edward Fox as Businessman
Gary A. Hecker as voice of Blarp

Production
Filming began on March 3, 1997 in London's Shepperton Studios, with more than 700 special effects shots planned, done by Industrial Light & Magic and Jim Henson's Creature Shop. The $70 million Lost in Space film was New Line's hope to launch a multimedia franchise, followed by animated and live-action television series. Licensing deals were made with Trendmasters for toys and Harper Prism and Scholastic for tie-in novels.

Music
TVT Records released a soundtrack album on March 31, 1998, featuring 11 tracks of Bruce Broughton's original score (which makes no reference to either of the TV themes composed by John Williams) and eight tracks of electronic techno music (most of which is heard only over the film's end credits). A European version of the soundtrack album was released that omits the tracks "Spider Attack", "Jupiter Crashes", and "Spider Smith", and instead includes three new songs unused in the film ("Aah-Yah" by O.P. Phoenix, "Asphalt Ostrich" by HeadCrash, and "Anarchy" by KMFDM). Intrada Records released a score album for the film the following year, and the complete score in 2016. The track "Thru the Planet" on the TVT album is not the same as "Through the Planet" on the Intrada release, but is a shortened version of Broughton's unused end-title music heard on the score album as "Lost in Space."

TVT Records Soundtrack Album
Intrada score album
Reception
Box office
On its opening weekend, Lost in Space grossed $20,154,919 and debuted at number one at the US box office, ending Titanic's 15-week-long hold on the first-place position. It opened in a record 3,306 theaters and grossed an average of $6,096 per screening. Lost in Space grossed $69,117,629 in the United States and Canada, and $67,041,794 internationally, bringing its worldwide total to $136,159,423.

Critical response
Lost in Space received negative reviews from critics upon release. Roger Ebert gave the film a rating of one and a half out of four, calling it a "dim-witted shoot-'em-up". Wade Major of BoxOffice rated the film at 1 and a half out of 5, calling it "the dumbest and least imaginative adaptation of a television series yet translated to the screen." James Berardinelli was slightly more favorable, giving the film a rating of 2 and a half out of 4. While praising the film's set design, he criticized its "meandering storyline and lifeless protagonists", saying that "Lost in Space features a few action sequences that generate adrenaline jolts, but this is not an edge-of-the-seat motion picture."Online aggregators have tracked both contemporary and recent reviews of Lost in Space. At Rotten Tomatoes, the film has an approval rating of 27% based on 84 appraisals, with an average score of 4.9/10. The site's consensus reads: "Clumsily directed and missing most of the TV series' campy charm, Lost in Space sadly lives down to its title." The film holds a score of 42 out of 100 on Metacritic, based on the opinions of 19 journalists, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale.

Accolades
Lost in Space received six Saturn Award nominations, including Best Supporting Actor for Oldman. The film also received a Golden Raspberry Award nomination for Worst Remake or Sequel, but lost to the tied Godzilla, The Avengers and Psycho.
At the 1998 Stinkers Bad Movie Awards, the film won Worst Supporting Actress for Chabert and was nominated for four other awards: Worst Song in a Movie for "Lost in Space" (lost to "Come with Me"), Worst Resurrection of a TV Show (lost to The Avengers), Worst Director for Hopkins (lost to Jeremiah Chechik for The Avengers), and Worst Picture (lost to Spice World).

Home media
VHS, DVD, and later a Blu-ray have been released for the film. Both the DVD and Blu-ray releases contain deleted scenes.
Passage 3:
Rachael MacFarlane
Rachael Ann MacFarlane Laudiero (born March 21, 1976) is an American voice actress and singer. Her voice credits include Hayley Smith on the animated television show American Dad!, Supreme Leader Numbuh 362 in the television series Codename: Kids Next Door, and Kate Lockwell in the video game Starcraft II. She is the younger sister of Seth MacFarlane.
In addition to voice acting, MacFarlane has also been involved in other aspects of animation, such as being a production manager for The Grim Adventures of Billy & Mandy and Welcome to Eltingville and she wrote an episode of The Grim Adventures of Billy & Mandy, titled "Educating Grim".

Early life
MacFarlane was born in Kent, Connecticut. Her parents, Ronald Milton MacFarlane (born 1946) and Ann Perry Sager (1947–2010), were born in Newburyport, Massachusetts. Her brother is filmmaker, animator, and actor Seth MacFarlane (born 1973). MacFarlane's parents met in 1970, when they both lived and worked in Boston, Massachusetts, and married later that year. The couple moved to Kent in 1972, where Ann began working in the Admissions Office at South Kent School. She later worked in the College Guidance and Admissions Offices at the Kent School, a selective college preparatory school where Ronald also was a teacher.MacFarlane went to Boston Conservatory but did not graduate before moving to Los Angeles to begin a career in voice acting.

Career
MacFarlane first started voicing characters on Hanna-Barbera shows including Johnny Bravo. Then after her work with Hanna-Barbera ended, MacFarlane began voicing many characters on Cartoon Network.
In addition to voice acting, Rachael has also been involved in other aspects of animation, such as being a production manager for The Grim Adventures of Billy & Mandy and Welcome to Eltingville, and wrote an episode of The Grim Adventures of Billy & Mandy, titled "Educating Grim" –  where she also met her husband. Seth MacFarlane asked her to help him with his new pilot for the Fox Broadcasting Company, which would become Family Guy. She remained an incidental cast member on Family Guy for several years, as well as working for both The Walt Disney Company and Cartoon Network. In 2005, she was cast in American Dad!, where she voices Hayley Smith, protagonist Stan Smith’s rebellious teenage daughter.
MacFarlane also continues to contribute to Family Guy, on a regular basis. In September 2012, she released her first album Hayley Sings, which is a jazz vocal tribute to Hayley Smith, her character on American Dad!.
MacFarlane and her husband, Spencer Laudiero, have also published picture books for children.

Personal life
MacFarlane is married to animator Spencer Laudiero. They have two daughters.On July 16, 2010, MacFarlane's mother, Ann Perry Sager, died of cancer. Her death was reported by Larry King on his show Larry King Live, who acknowledged a conversation he had with her during an interview with her son in May 2010.

Filmography
Film
Animation
Video games
Discography
Studio albums
Bibliography
Eleanor Wyatt, Princess and Pirate (Imprint, 2018, illustrated by Spencer Laudiero)
Harrison Dwight, Ballerina and Knight (Imprint, 2019; illustrated by Spencer Laudiero)
Passage 4:
Pocahontas (1995 film)
Pocahontas is a 1995 American animated musical historical drama film based on the life of Powhatan woman Pocahontas and the arrival of English colonial settlers from the Virginia Company. The film romanticizes Pocahontas' encounter with John Smith and her legendary saving of his life. The film was produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is the 33rd Disney animated feature film and the sixth film produced and released during the Disney Renaissance.
The film was directed by Mike Gabriel and Eric Goldberg (in his feature directorial debut) and produced by Jim Pentecost, from a screenplay written by Philip LaZebnik, Carl Binder, and Susannah Grant. The voice cast features Irene Bedard and Mel Gibson as Pocahontas and Smith, respectively, with David Ogden Stiers, Russell Means, Christian Bale, Billy Connolly, and Linda Hunt providing other voices. The score was composed by Alan Menken, who also wrote the film's songs with lyricist Stephen Schwartz.
After making his directorial debut with The Rescuers Down Under (1990), Gabriel conceived the film during a Thanksgiving weekend. The project went into development concurrently with The Lion King (1994), and attracted most of Disney's top animators. Meanwhile, Disney studio chairman Jeffrey Katzenberg decided that the film should be an emotional romantic epic in the vein of Beauty and the Beast (1991), in hope that like Beauty, it would also be nominated for the Academy Award for Best Picture. Screenwriters Binder, Grant, and LaZebnik took creative liberties with history in an attempt to make the film palatable to audiences.
Pocahontas premiered at Central Park on June 10, 1995, and was released in the United States on June 16, to mixed reactions from reviewers, who praised its animation, voice performances, and music, but criticized its story with its lack of focus on tone. The film's historical inaccuracies and artistic license received polarized responses. Pocahontas earned over $346 million at the box office. The film received two Academy Awards for Best Musical or Comedy Score for Menken and Best Original Song for "Colors of the Wind". According to critics, the depiction of Pocahontas as an empowered heroine influenced subsequent Disney films like Mulan (1998) and Frozen (2013).

Plot
In 1607, the Susan Constant travels from London to the New World, carrying English settlers from the Virginia Company. The settlers, including Captain John Smith, talk of adventure, finding gold, fighting "Injuns" and potentially settling in the new land.
In the Powhatan tribe in Werowocomoco, Tsenacommacah, Virginia, Pocahontas, the daughter of Chief Powhatan, fears being possibly wed to Kocoum, a warrior whom she sees as too serious for her own free-spirited personality. After having a dream about a spinning arrow, Pocahontas visits Grandmother Willow, a spiritual talking willow tree that alerts her to the arriving English.
The voyage's leader Governor Ratcliffe, who only seeks wealth and status, has Jamestown built in a wooded clearing and immediately has the crewmen dig for gold. John departs to explore the wilderness and encounters Pocahontas. At first, she hides her ability to speak English, but Grandmother Willow lets her know there is nothing to be afraid of. They quickly bond, fascinated by each other's worlds, and end up falling in love. After a fight between settlers and natives, Powhatan orders the natives to stay away from the Englishmen. Pocahontas, however, disobeys him and keeps meeting with John. Unfortunately, Pocahontas's best friend, Nakoma, discovers the secret relationship and warns Kocoum. Ratcliffe also learns of John's encounters and angrily warns him against sparing any Natives.
Later, John and Pocahontas meet with Grandmother Willow and plan to bring peace between the colonists and the tribe. While by both parties spy on the couple, John and Pocahontas share a kiss. Furious, Kocoum attacks and attempts to kill John, but a young settler, Thomas, whose life John previously saved and who had been ordered by Ratcliffe to follow John, intervenes and kills Kocoum. John orders Thomas to leave before the tribesmen arrive and capture John, before retrieving Kocoum’s body. Enraged at Kocoum's death, Powhatan angrily berates Pocahontas for leaving the village and declares war on the English, beginning with John's execution at dawn.
After reaching Jamestown, Thomas warns the settlers of John's capture. Ratcliffe then rallies his men to battle, using this as an excuse to annihilate the tribe and find their nonexistent gold. That same night, Powhatan also orders his men to prepare for battle. A desperate Pocahontas visits Grandmother Willow and realizes the arrow from John's compass is the same spinning arrow from her dream, which leads to her destiny. Morning comes, and Powhatan and his tribe drag John to a cliff for his execution. Meanwhile, Ratcliffe leads the armed colonists to fight Powhatan's warriors. Just as Powhatan is about to execute John and start the war, Pocahontas intervenes and finally convinces him to end the fighting between the two groups and spare John's life. Both sides stand down, and John is released. Unmoved, Ratcliffe orders his men to attack anyway, but they refuse. Ratcliffe fires his musket at Powhatan, but John takes the shot to save him. Livid, the settlers turn on Ratcliffe and detain him for hurting their comrade.
John is nursed back to health by the tribe but must return to England for his wounds to fully heal. Ratcliffe is also sent back to face punishment for his crimes against the settlement. John asks Pocahontas to come with him, but she chooses to stay with her tribe to help keep the peace. John leaves without Pocahontas, but with Powhatan's blessing to return anytime in the future. At the end, Pocahontas stands atop a cliff, watching the ship carrying John depart.

Voice cast
Irene Bedard as Pocahontas, the daughter of Chief Powhatan. She is a very adventurous person who defies her father's strict prohibition of meeting the English settlers and falls in love with Captain John Smith. Glen Keane served as the supervising animator for Pocahontas.Judy Kuhn as the singing voice of PocahontasMel Gibson as John Smith, the love interest of Pocahontas. He is the only settler in Jamestown willing to befriend the Natives due to his love for Pocahontas and acceptance of other cultures.Although Gibson provides most of Smith's singing in the film, Jess Harnell claims he provided about 20 percent of Smith's singing voice in certain scenes.David Ogden Stiers as Governor Ratcliffe, the greedy and arrogant governor of the settlers who leads an expedition to Virginia to find gold and other riches that he wants to keep for himself.
Stiers also provided the voice of Wiggins, Ratcliffe's manservant. Unlike Ratcliffe, Wiggins is gentle and good-hearted, but he's stuck serving a terrible man.
John Kassir as Meeko, Pocahontas' mischievous pet raccoon who is friendly to John Smith and loves eating.
Russell Means as Chief Powhatan, Pocahontas's father and chief of the Powhatan tribe who is, at first, distrustful of the English settlers, but eventually learns to make peace with them through his daughter.Jim Cummings provides the singing voice of Chief PowhatanChristian Bale as Thomas, a loyal friend of John Smith who, like the other English settlers, is ordered by Ratcliffe to fire upon the Natives on sight, but eventually defies his orders.
Billy Connolly as Ben and Joe Baker as Lon, two settlers and friends of John Smith.
Linda Hunt as Grandmother Willow, a speaking willow tree that acts as Pocahontas's guide in times of uncertainty.
Danny Mann as Percy, Governor Ratcliffe's snooty and short-tempered pet pug who, at first, harbors animosity towards Meeko, but eventually befriends him and abandons his owner.
Frank Welker as Flit, Pocahontas's feisty pet hummingbird who prefers Kocoum over John Smith but eventually befriends the latter.
Michelle St. John as Nakoma, Pocahontas's best friend who is more easygoing as opposed to Pocahontas's adventurous spirit.
James Apaumut Fall as Kocoum, a strong and brave but stern and aggressive Powhatan warrior who Chief Powhatan wants Pocahontas to marry.
Gordon Tootoosis as Kekata, the medicine man of the Powhatan.Jim Cummings provides the singing voice of KekataThree actors in the film have been involved in other Pocahontas-related projects. Gordon Tootoosis acted as Chief Powhatan in Pocahontas: The Legend (1995). Christian Bale and Irene Bedard would portray John Rolfe and Pocahontas's mother, respectively, in Terrence Malick's The New World (2005).

Production
Development
Following the release of The Rescuers Down Under (1990), director Mike Gabriel was eager to collaborate with veteran Disney story artist Joe Grant on a follow-up project that was vastly different from the animated adventure film. In April and May 1991, they first partnered on an adaptation of Swan Lake with both of them writing story outlines and creating conceptual artwork. Gabriel and Grant then submitted their outline for approval, but it was negatively received by the studio's live-action script readers. Earlier, during Thanksgiving weekend, 1990, Gabriel had wanted to direct an animated musical set in the American West. At a relative's Thanksgiving dinner, while glancing through numerous titles in their bookcase, Gabriel struck on the idea of adapting the life of Pocahontas after finding a book about her. Following the cancellation of Swan Lake, Gabriel returned to the idea.Shortly after, Gabriel pitched his idea at the "Gong Show" meeting held by Michael Eisner, Jeffrey Katzenberg, Peter Schneider, and Roy E. Disney. He had written the title Walt Disney's Pocahontas on an image of Tiger Lily from Peter Pan (1953) to the back of which he taped a brief pitch that read "an Indian princess who is torn between her father's wishes to destroy the English settlers and her wishes to help them – a girl caught between her father and her people, and her love for the enemy." Coincidentally, Feature Animation president Peter Schneider had been developing an animated version of William Shakespeare's play Romeo and Juliet, and observed several similarities between his idea and Gabriel's Pocahontas pitch; Schneider recalled: "We were particularly interested in exploring the theme of 'If we don't learn to live with one another, we will destroy ourselves.'" Gabriel's pitch was quickly accepted, becoming the quickest story turnaround in Disney studio history.
After Beauty and the Beast (1991) was unprecedentedly nominated for an Academy Award for Best Picture at the 64th Academy Awards, then-studio chairman Jeffrey Katzenberg opted to produce another animated romance film in the hopes of achieving a similar feat. While Aladdin (1992) and The Lion King (1994) were considered to be too far into development, Katzenberg deemed Pocahontas a promising candidate, and thus pushed for the heroine to be older, the romance between her and Smith to be more mature, and the animals to be mute. Head of story Tom Sito went on the record stating he wanted to include "broader" jokes, but the "higher-ups wanted it more winsome, more gentle. Some of the folks were so concerned about political correctness, they didn't want to be cuckoo-wacky about it."Eric Goldberg—following his contributions to Aladdin as the supervising animator of the Genie and with all animation units for The Lion King already occupied—was asked to co-direct Pocahontas alongside Gabriel, to which he agreed. Likewise, he had originally expected the film to be more comedic and cartoonish like Aladdin, but Schneider informed him that the film would be produced in a vein more similar to that of Beauty and the Beast; the then-ongoing 1992 Los Angeles riots further convinced Goldberg to commit to the film due to its racial themes. However, executive interference would grow so much that Goldberg himself decided to work for Chuck Jones Productions under the pseudonym "Claude Raynes" during production. It eventually reached a peak when Joe Grant drew Percy wearing a Native American feather, by which the animators took the concept one step further by placing a Spanish ruff on Meeko. One executive exclaimed, "Animals don't have the intelligence to switch their clothes! They don't even have opposing thumbs." The animators would retain their concept for the film.Under Katzenberg, Frank Wells, and Michael Eisner, the Disney studios had begun a correlation of hiring Broadway personnel to manage the Disney animation staff on their feature films that brought such producers as Amy Pell to Aladdin and Sarah McArthur and Thomas Schumacher to The Lion King. Before making his producing debut on Pocahontas, James Pentecost had earlier worked as a production stage manager on several Broadway productions including La Cage aux Folles and Crimes of the Heart.In June 1992, the filmmakers embarked on a research trip to the Jamestown Settlement where Pentecost first met Shirley "Little Dove" Custalow-McGowan and Debbie "White Dove" Custalow, both descendants of the Powhatan Native Americans. The trip also included a visit to the Pamunkey Indian Reservation, and conducted interviews with historians at Old Dominion University. Following the research trip, Custalow-McGowan served as a consultant traveling to the Disney studios three times, and while Custalow-McGowan offered her services for free, Disney paid her a $500 daily consulting fee plus expenses. Ultimately, when it came to light that historical accuracy was not being pursued to the extent she had hoped, McGowan has voiced her feelings of shame she felt in conjunction with her work on the film, saying "[she] wish[ed her] name wasn't on it". Additional Native American consultants were brought in to authenticate the clothing and war dance choreography. That same month, Katzenberg held a meeting with the Feature Animation staff in which he predicted that Pocahontas would be a commercial hit, while deeming The Lion King experimental and less likely to succeed. As a result, most of the animators of Walt Disney Feature Animation decided to work on Pocahontas instead, believing it would be the more prestigious and successful of the two.

Writing
In January 1993, Carl Binder joined the project, having previous expertise as a television writer on shows such as Punky Brewster, War of the Worlds, Friday the 13th: The Series, and Top Cops. Four months later, Susannah Grant and Philip LaZebnik joined the writing team. Susannah Grant was selected by Disney as a screenwriter on Pocahontas after winning the Nicholl Fellowships in Screenwriting awarded by the Academy of Motion Picture Arts and Sciences the year before while still attending film school. On board as a screenwriter, she was only one of the many who was contributing the specific vision the upper management at Disney had in mind, and collaborated with Native American consultants. While working on the film, Susannah Grant wrote to a specific story outline, and no scene was rewritten less than thirty-five times until she felt it was perfect.Story supervisor Tom Sito, who became the project's unofficial historical consultant, did extensive research into the early colonial era and the story of John Smith and Pocahontas, but was confronted over the historical inaccuracies by historians. Already knowing that in reality, Pocahontas married John Rolfe, Gabriel explained it was felt that "the story of Pocahontas and Rolfe was too complicated and violent for a youthful audience" so instead, they would focus on Pocahontas's meeting with John Smith. The filmmakers discovered that Pocahontas was around twelve years old and Smith was "not a very likeable character", in which producer James Pentecost confessed that dramatic license was needed to be taken. Likewise, when searching for an appropriate age for Pocahontas to begin her relationship with Smith, Glen Keane explained, "We had the choice of being historically accurate or socially responsible, so we chose the socially responsible side" by increasing Pocahontas's age from a girl into a young woman.
One of Gabriel's early ideas was for Pocahontas's mother to be embodied in a certain star in the sky that would help Pocahontas find her path to Smith. The Lion King however had concurrently carried a similar idea of the ancestors giving wisdom and guidance to the protagonist so the idea was discarded. Michael Eisner pushed for Pocahontas to have a mother, lamenting that "We're always getting fried for having no mothers." The writers countered that Powhatan was polygamous and formed dynastic alliances among other neighboring tribes by impregnating a local woman and giving away the child, so it was believed that Pocahontas herself probably did not see her mother that much. "Well", Eisner conceded, "I guess that means we're toasted." Ultimately, her mother's spirit would become the swirling wind that occurs throughout the film.For the villain, they chose John Ratcliffe, whose portrayal was based on actual English captains, including John Martin, Christopher Newport, and Edward Maria Wingfield. In reality, it was Wingfield who despised John Smith, but the filmmakers preferred the sinister sound of "Ratcliffe". The writers tried to adapt actual events from Pocahontas's life into the film such as her warning Smith that the Native Americans were after him so he could escape in the middle of the night, Powhatan ordering the captured Smith to make bead necklaces to humiliate him, and Pocahontas being captured by Ratcliffe (instead of Samuel Argall), though none of them worked with the story.Sito mentioned that Joe Grant contributed heavily towards the film, as he was the creator of Redfeather, Meeko, and Flit. Redfeather was a wise-cracking turkey who was intended to be voiced by John Candy, and Percy, who was to be voiced by Richard E. Grant, was revised to become mute. Following the death of John Candy in March 1994, co-screenwriter Susannah Grant decided the turkey was inappropriate for the script she co-wrote for Pocahontas, and a more realistic approach would have the animals pantomime instead of talking. Joe Grant stated Redfeather "had comic potential–he thought he was handsome, a lady's man. When we decided he couldn't talk, and, having no hands, he couldn't mime ...".Joe Grant would later draw a concept sketch of a hair-braiding raccoon, in which Glen Keane animated and claimed the directors "loved the idea and got rid of the turkey character." Similarly, according to Sito, Meeko was created because they were "naturally enigmatic, because they have little hands and a little mask over their face like a thief." Gabriel described the inspiration for Flit the hummingbird from having "hummingbirds all over my backyard, [and] I thought, 'That's a great animal to animate.'" According to the directors, Governor Ratcliffe's pampered pet, Percy, was based on history as the royalty of the time often carried small pugs wherever they went.For the spiritual ancestor, a male character named Old Man River was originally envisioned, and Gregory Peck was cast in the role. Peck later realized that the character ought to be a maternal figure and reluctantly turned down the role. Conceived as a tree of life whose seasonal changes would frame the story, Grandmother Willow grew out of a concept sketch of a sawed-off tree with a branch pointing to its rings drawn by Joe Grant, which would serve as a narrator that would "remember back to Pocahontas 300 years earlier". Joe Grant would continue to protest to have the tree be more a character within the story, and her character flowered into the idea of a grandmotherly spiritual adviser to Pocahontas. Because of Katzenberg's opposition to having Grandmother Willow in the story, Joe Grant assisted fellow veteran story artist Burny Mattinson with coming up tree puns such as "My bark is worse than my bite", "The roots of all problems", and "They're barking up the wrong tree." Mattinson reluctantly added them to his pitch for the next morning, and during the story meeting, he exclaimed, "Everybody loved it! All of a sudden: 'Oh, I want her in!' 'Let's build her part bigger!'"

Casting
In September 1992, Disney began casting actors for Pocahontas telling talent agents that they were particularly interested in Native American actors for the project. For the role of Pocahontas, Broadway actress-singer Judy Kuhn was hired to provide the singing voice for the eponymous character before Irene Bedard was cast. Kuhn explained "They said, 'You are going to do the dialogue unless we find a Native American actress whose singing voice matched yours.' I was cast before Irene, so it actually went backwards." Bedard herself was filming Lakota Woman: Siege at Wounded Knee (1994) where she was informed by the casting director that they were looking for someone to voice the title role. According to Bedard, she took a train to Buffalo, New York, where she walked in wearing a sundress and a straw hat, and read for the part. Back on the set of Lakota Woman, she learned that she was cast in the role. Michelle St. John had also auditioned for the role of Pocahontas, and was given the role of Nakoma after Bedard was cast.Mel Gibson was cast as English settler John Smith following a desire to make "something for my kids." In a notable contrast to previous voice actors for Disney animated features, Gibson provided the singing voice for his character, which the actor has described as the most difficult part of his role.Christian Bale auditioned for the role of Thomas. As he explained in an interview with Disney Adventures, "the directors played with Thomas being Irish and Scottish and younger than I am, so I had to raise my voice and do different accents. But the more we did it, the more he became like me–older and English." Richard White, the voice of Gaston in Beauty and the Beast, was supposed to voice Ratcliffe, but the crew was worried he might sound too much like Gaston, so he was replaced by his co-star David Ogden Stiers, who also voices Ratcliffe's dimwitted assistant Wiggins.
Russell Means was cast as Chief Powhatan, though he initially expressed displeasure with the script in that Native Americans addressed each other using proper names rather than the traditional "my father" or "my friend". Indigenous Canadian actor Gordon Tootoosis was also cast as the tribal medicine man Kekata. Throughout most of the production, the cast members performed their dialogue in separate recording sessions.

Design and animation
Renowned for his animation of Ariel in The Little Mermaid (1989), supervising animator Glen Keane was immediately tapped to draw the titular Native American princess. Following the demands of Jeffrey Katzenberg to make the title character "the most idealized and finest woman ever made", Keane first sought his inspirations for his depictions of Pocahontas from Shirley 'Little Dove' Custalow-McGowan and Devi White Dove, women he had met during the research trip to Virginia. Keane recalled meeting the women:So I turned around and there's this beautiful Indian woman walking up; a Native American. She said 'Are you Glen Keane? The animator that's going to do Pocahontas?' I said 'Well, yeah.' And then from behind another tree another woman came up and she said, 'Well, my name is Shirley Little Dove, and this is my sister Devi White Dove, and we are descended from Pocahontas.' And as they stood there, I mean I took a picture of both of them, and between their faces was Pocahontas' face in my mind – I could see her.
Other inspirations were Natalie Belcon, Naomi Campbell, Jamie Pillow, supermodel Kate Moss, Charmaine Craig, Christy Turlington, Dyna Taylor, and her own voice actress Irene Bedard. For almost three years, Taylor herself sat for four three-hour modeling sessions in which she was videotaped so the animators could draw poses of her from different angles. Keane also looked to a 1620 depiction of Pocahontas from a history book, though he would state the depiction was "not exactly a candidate for People's 'Most Beautiful' issue [so] I made a few adjustments to add an Asian feeling to her face." Due to the complexity of the color schemes, shapes, and expressions in the animation, a total of 55 animators worked on the animation of Pocahontas' character alone, including Mark Henn and Pres Romanillos.After working at Sullivan-Bluth Studios for over fourteen years, John Pomeroy, who notoriously resigned alongside Don Bluth during work on The Fox and the Hound (1981) in 1979, returned to Disney and worked on the film. Pomeroy noted that initially John Smith was portrayed as well-groomed before the animators tried designs where the character was "sloppier", bearded, and carried daggers and knives. Pomeroy grew more satisfied with the character's design the more simple it became. Additionally, Pomeroy cited inspiration for John Smith from Errol Flynn and the facial features of Gibson.Initially assigned as a supervising animator on The Lion King, Nik Ranieri did character designs and test animation for Timon, but moved over to Pocahontas growing frustrated with an indecisive vision from the directors. There, he was assigned to animate Redfeather until Jeffrey Katzenberg ordered for the animals to be mute. Finding feathers difficult for Redfeather to gesture with, he was again assigned to animate Meeko using a Little Golden Books animal book illustrated by Alice and Martin Provensen as reference. Duncan Marjoribanks utilized geometric shapes to create Ratcliffe. In early drafts of the character, he had a body similar to a pear, but to make him appear more arrogant, the animator increased the force of gravity on his chest so that he seemed more pompous and physically threatening. Chris Buck served as the supervising animator for Percy, Wiggins, and Grandmother Willow. For Grandmother Willow, the face was traditionally animated by Buck, while the cowl and the trunk of the tree were digitally animated under the supervision of Steve Goldberg. Assisted by the effect animators, a 3D software program was employed for the bark to be individually manipulated and for the face to match with the computer-generated texture. The following supervising animators also included Anthony DeRosa for Nakoma, Michael Cedeno for Kocoum, Ken Duncan for Thomas, T. Daniel Hofstedt for the settlers Lon and Ben, and Dave Pruiksma for Flit. While Mulan (1998) was within its pre-production stages, 18 minutes were animated by 170 animators and artists at the Disney-MGM Studios.Initially, Gabriel asked Michael Giaimo to create conceptual paintings for the film as they both shared in a style of shape-based and secondary art details. Giaimo, himself a former assistant animator and then a CalArts teacher, accepted in which he worked several months on a freelance basis. After Goldberg became the film's co-director, the two directors asked Giaimo to officially join the staff, in which he was promoted to being the film's art director. For Giaimo, he relied on a color-saturated, elegant designs in a less-than-realistic format inspired by "prehistory Caribbean themes and creatures derived from Mexican and African folk art." Giaimo also sought out inspiration for the visual design from the works produced by earlier Disney art designers such as Richard Kelsey (who had done story sketches for his unproduced film Hiawatha), Eyvind Earle, who worked on Sleeping Beauty (1959), and Mary Blair.

Music
Howard Ashman and Alan Menken were planning to write songs for Pocahontas once they were finished working on Aladdin, but Ashman died in 1991. Following the death of his longtime collaborator, Menken wrote the remaining songs for Aladdin with Tim Rice at his home in London, which the New York-based composer found to be difficult. When Aladdin was finished, Menken was expected to write songs for Pocahontas with Rice. Kevin Bannerman, the studio's director of development, stated Rice "was always gallivanting around the world and it was difficult to get him and Alan together ... And so here was Stephen [Schwartz], who had written scores that we all loved and we were huge fans of, and he lived in the New York area." Disney immediately contacted Stephen Schwartz, who, after working on Working, Rags, and Children of Eden, had quit theater and was taking psychology courses at New York University; he was brought on board to write the lyrics. This would mark the first time Menken had collaborated without Ashman for a Disney animated film. Menken commented that their work included moments of tension because Schwartz was also capable of writing music and Menken had experience with lyrics.Due to corporate interest in the film surrounding its theme of promoting understanding between different groups, and its inclusion of violence and threats of greater conflict, Schwartz became heavily involved in the storytelling. Bannerman estimated that he spent a week with one of the screenwriters and helped work out the overall themes of tolerance and cooperation. In June 1992, Schwartz researched Jamestown, Virginia where he absorbed the atmosphere and bought tapes of Native American music and English sea shanties, as well as other music from the early 17th century that helped inspire numbers in the film. Schwartz modeled his lyrical writing for people of other ethnicities on that of Oscar Hammerstein II and Sheldon Harnick. "Colors of the Wind" was the first song to be written for the film. Gabriel, Goldberg, and Pentecost stated the song had defined the film's "heart and soul". Schwartz began "Colors" with a few draft ideas for lyrics taking inspiration from Chief Seattle's letter to the United States Congress. Then, Menken wrote the melody with Schwartz listening at the piano and making suggestions. Schwartz would add lyrics before a session together where they were refined."Just Around the Riverbend", also composed by Menken and Schwartz, was devised by Schwartz's wife Carole, with the idea that Pocahontas would have a recurring dream that suggested something coming her way, paving the way for her "I Want" song. The song almost did not make it into the completed film when Disney executives doubted whether her song would have the kind of impact they wanted at that point. Schwartz however stated he and Menken "believed in it very strongly. Indeed, at one point we wrote a different song for that spot, but Alan and I were never as happy with the second song and ultimately everybody at Disney came to feel that way, too."The filmmakers had planned for a song for when Pocahontas and Smith met in the glade, just before Kocoum attacks Smith. There were an estimated three to four songs at this point, including "In the Middle of the River", "First to Dance", which was deemed too silly as it took place before Kocoum's death, and "Powerful Magic", which was another attempt at a cheerful song. A love song, titled "If I Never Knew You", had been finished by the animators, but following a test screening where child and teen audiences were not interested in the song as it played, Menken suggested that the song be removed. It was, although its melody remained in the orchestral underscoring. The soundtrack was successful, reaching number-one on the Billboard 200 charts during the week of July 22, 1995. It received a triple platinum certification.

Release
Marketing
To replicate the promotional buzz of The Lion King, the four-minute musical number, "Colors of the Wind", was released in November 1994, accompanying a theatrical re-release of The Lion King. On February 3, 1995, Disney began its promotional marketing campaign starting in San Diego, California, launching a nationwide 18-week tour of fashion malls located within twenty-five cities where a mall exhibit named Pocahontas Animation Discovery Adventure was created to help promote the release. There, a Disney animator would guide shoppers on a presentation tour, which featured a walk-through maze with interactive lily pads, flying birds, and huge video wall, a studio workshop where visitors can become the voice of their favorite animated character, and an area where visitors can electronically manipulate images. Additionally, they would demonstrate animation techniques and discuss the design and creation of Pocahontas' character. Further promotional tie-ins included Burger King distributing 55 million toy replicas of the characters with kids' meals, Payless Shoes selling a line of moccasins, and Mattel peddling a Barbie-like Pocahontas doll.A behind-the-scenes documentary television special titled The Making of Pocahontas: A Legend Comes to Life aired on the Disney Channel on June 20, 1995, where the animators, voice cast, crew, and studio heads were interviewed on the production of the film. The special was hosted by actress Irene Bedard.The film  had the largest premiere in history, on June 10, 1995, in New York's Central Park, followed by a live performance by Vanessa Williams. Disney officials estimated the crowd at 100,000. The premiere's attendees included then-New York Mayor Rudy Giuliani, Caroline Kennedy, Mariah Carey and Michael Eisner.

Home media
At first announced to be released on March 6, 1996, Pocahontas was first released on VHS and LaserDisc in the United States on February 28, 1996, under the "Masterpiece Collection" lineup. A deluxe VHS edition included supplemental features such as a making-of documentary, alongside a special edition of The Art of Pocahontas book and Disney-certified lithograph prints. On November 13, 1996, the CAV laserdisc Deluxe Edition contained the film, a historical documentary on Pocahontas, and The Making of Pocahontas, along with added storyboards, character design artwork, concept art, rough animation, publicity and promotional trailers, the deleted "If I Never Knew You" musical sequence, and an audio commentary on a total of four double sided discs. The release was also accompanied with a Special Edition of the Art of Pocahontas book. Disney initially shipped 17 million VHS copies to retail stores, with nine million copies sold within its first weekend. By mid-1998, the operating income of the VHS release had accumulated to $250 million in worldwide sales.In January 2000, Walt Disney Home Video launched the Walt Disney Gold Classic Collection, with Pocahontas re-issued on VHS and DVD on June 6, 2000. The DVD contained the film in its 1.66:1 aspect ratio enhanced with 5.1 surround sound, and was accompanied with special features including two music videos, a trivia game, the theatrical trailer, and a "Fun with Nature" activity booklet. Five years later, the film was remastered for a THX-certified 10th Anniversary 2-disc Special Edition DVD, which was released on May 3, 2005. This release features two versions of the film, which are a new extended cut with two performances of "If I Never Knew You" and the original theatrical version.On August 21, 2012, Walt Disney Studios Home Entertainment released Pocahontas, alongside its sequel Pocahontas II: Journey to a New World, on Blu-ray Disc as a 2-Movie Collection. Pocahontas was re-released yet again in 2016 as a Blu-ray, DVD and Digital HD combo pack, available exclusively through the Disney Movie Club. It featured brand-new cover art, and, for the first time, a digital copy download of the film alongside the physical release.

Reception
Box office
Timed with Pocahontas' 400th birthday, Pocahontas had a limited release in North America on June 16, 1995, playing in only six selected theaters in Chicago, Boston, Atlanta, Detroit, St. Louis and Los Angeles. The film grossed $2.7 million during its first weekend, standing at the eighth place in the box office ranking. It beat the record set by The Lion King the previous year for the highest-grossing opening weekend on fewer than 50 screens, a record that has not been beaten. The wide release followed on June 23, 1995, in 2,596 screens. Studio estimates initially anticipated Pocahontas earning $30.5 million, ranking first and beating out the previous box office champion Batman Forever (1995). The figure was later revised to $28.8 million with Pocahontas falling second behind Batman Forever. The final estimates placed Pocahontas narrowly ranking first grossing $29.5 million in its first weekend with Batman Forever falling into second place taking $29.2 million.By January 1996, the film grossed $141.5 million in the United States, being the fourth-highest-grossing film in North America of 1995, behind Apollo 13, Toy Story, and Batman Forever. Overseas, the film was projected to gross $225 million, though foreign box office grosses eventually amounted to $204.5 million. Cumulatively, Pocahontas grossed $346.1 million worldwide. Although at the time it was seen as a commercial box office disappointment in comparison to The Lion King, in January 1996, then-Disney CEO Michael Eisner contested in an annual shareholders' meeting that "Pocahontas is well on its way to being one of our most successful films of all time. It has equalled Beauty and the Beast's box office numbers domestically, and now it has taken Europe by storm and is playing well in every country in which it is being shown. Sales of Pocahontas merchandise have been phenomenal."

Critical response
Pocahontas received generally mixed reviews from film critics. The review aggregation website Rotten Tomatoes reports that 54% of critics gave the film a positive review based on 56 reviews, with an average score of 6/10. The site's consensus states "Pocahontas means well, and has moments of startling beauty, but it's largely a bland, uninspired effort, with uneven plotting and an unfortunate lack of fun." Metacritic, which assigns a normalized rating out of 100 from top reviews from mainstream critics, calculated a score of 58 based on 23 reviews, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.Roger Ebert of the Chicago Sun-Times, gave the film 3 out of 4 stars, writing that Pocahontas was "the best-looking of the modern Disney animated features, and one of the more thoughtful" though he was more critical of the story and portrayal of the villain, ultimately summarizing that "on a list including Mermaid, Beauty, Aladdin and Lion King, I'd rank it fifth. It has a lot of good intentions, but a severe scoundrel shortage." On the television program Siskel & Ebert, Ebert repeated the same sentiment, while his partner Gene Siskel was more praising of the film. Both critics gave the film a "Thumbs Up". In his print review for the Chicago Tribune, Siskel awarded the film 31⁄2 stars out of 4, stating it is a "surprisingly serious, thoughtful and beautifully drawn Disney animated feature about the American birthright of exploitation and racism". He praised it for "sending powerful images to children about threats to the natural order", restoring "a certain majesty to the Indian culture", and for having "the courage that leads to the life-goes-on ending."The film's writing and lack of humor received mixed reviews. Owen Gleiberman of Entertainment Weekly stated: "With dismay, I realize that virtually everything in the movie – every character, every story twist, every song – is as generic as the two hygienic lovers. As a fairy-tale confection, a kind of West Side Story in Jamestown, Pocahontas is pleasant to look at, and it will probably satisfy very small kiddies, but it's the first of the new-era Disney cartoons that feels less than animated." Peter Travers of Rolling Stone bemoaned that there were "no funny, fast-talking animals – Meeko the raccoon and Flit the hummingbird remain silent pals to Pocahontas and make you miss the verbal fun that Nathan Lane's wisecracking meerkat brought to The Lion King." Desson Howe, reviewing for The Washington Post, likewise criticized the writing as recycling "elements from Snow White to The Lion King, with a father-child clash, a heroine's saintly pureness that transforms an entire people, a forbidden love, consultations with an oracle/shaman (in this case a tree spirit, voiced by Linda Hunt) and the usual sideshow of funny, fuzzy animals." While calling the screenplay the "film's weakest element", Janet Maslin of The New York Times summarized in her review: "Gloriously colorful, cleverly conceived and set in motion with the usual Disney vigor, Pocahontas is one more landmark feat of animation. It does everything a children's movie should do except send little viewers home humming its theme song."According to Chief Roy "Crazy Horse" Johnson of the Powhatan Renape Nation, an unrecognized tribe in New Jersey, the film "distorts history beyond recognition" and "perpetuates a dishonest and self-serving myth at the expense of the Powhatan Nation". Roy claimed that Disney had refused the tribe's offers to help create a more culturally and historically accurate film. In the Los Angeles Times, Angela Aleiss said that Pocahontas and other portrayals of the Native princess rarely show her having anything more important in her life than her relationships with men. Professor and Director of Indigenous Nations Studies Cornel Pewewardy argues that the film presents damaging stereotypes of the Native American population. Pewewardy feels that the representation of Native characters, like Grandmother Willow, Meeko, and Flit, as animals, has a marginalizing effect. Anthropologist Kiyomi Kutsuzawa also observed that in the film, Kocoum and John Smith fight for Pocahontas's affection. Kutsuzawa viewed Smith's victory over Kocoum in this arena as symbolic of Western Europe's domination of the Americas and white men's domination over men of color.Conversely, Native American activist Russell Means, who portrays Chief Powhatan in the film, praised the film's racial overtones, stating that "Pocahontas is the first time Eurocentric male society has admitted its historical deceit", and that it makes the "stunning admission" that the purpose of the European colonization of the Americas was "to kill Indians and rape and pillage the land." Means also said that the film marked "the first time, other than on Northern Exposure, that a human face has been put on an Indian female," dubbing Pocahontas "the finest feature film on American Indians Hollywood has turned out." Sophie Gilbert of The Atlantic concurred, stating that the film's narrative "had a progressive attitude when it came to interpreting history", portraying the settlers as "plunderers searching for non-existent gold who were intent upon murdering the 'heathen savages' they encountered in the process", although she criticized the depiction of Pocahontas as stereotypical.

Accolades
Historical accuracy
Pocahontas's real name was Matoaka. "Pocahontas" was only a nickname, and it can variously be translated to "little wanton", "playful one", "little brat", or "the naughty one". Pocahontas was around 10 or 11 at the time John Smith arrived with the Virginia Company in 1607, in contrast to her portrayal as a young adult in the film.Smith is portrayed as an amiable man; in reality, he was described as having a harsh exterior and a very authoritarian personality by his fellow colonists.Historically, there is no evidence of a romantic relationship emerging between Pocahontas and John Smith. Whether or not Pocahontas saved Smith's life is debated. A group of colonists led by Samuel Argall captured Pocahontas three years after John Smith departed for England; she converted to Christianity in Henricus and later married John Rolfe, who was known for introducing tobacco as a cash crop.Governor Ratcliffe did not return to England, but was killed by the Powhatan in 1609.Ebert criticized the film's deviations from history, writing "Having led one of the most interesting lives imaginable, Pocahontas serves here more as a simplified symbol". Sophie Gilbert of The Atlantic wrote that "The movie might have fudged some facts", but that this allowed it to tell "a compelling romantic story".Animator Tom Sito defended the film's relationship to history, stating that "Contrary to the popular verdict that we ignored history on the film, we tried hard to be historically correct and to accurately portray the culture of Virginia's Algonquins."

Legacy
A live musical show titled The Spirit of Pocahontas was performed at the Fantasyland Theatre at Disneyland during the film's theatrical release. A video game titled Disney's Pocahontas based on the film was released on the Sega Genesis/Mega Drive in 1996. The film was followed by a direct-to-video sequel, titled Pocahontas II: Journey to a New World, released on August 25, 1998. Bedard and Kuhn reprised their roles as Pocahontas' speaking and singing voices, respectively. Donal Gibson starred as John Smith and Billy Zane starred as John Rolfe. Pocahontas, alongside other Disney Princesses, briefly appeared in the 2018 film Ralph Breaks the Internet, with Bedard reprising the role.Critics have also discussed the influence of Pocahontas on other films. Sophie Gilbert of The Atlantic argues that the strong and brave title character of Pocahontas influenced the portrayal of subsequent heroines of Disney animated films, specifically Mulan, Rapunzel, Merida, and Elsa. Similarly, The Verge's Tasha Robinson wrote that Moana (2016) "draws on" Pocahontas in its portrayal of a woman buoyed by her culture. According to HuffPost, James Cameron's Avatar (2009) is a "rip-off" of Pocahontas. Avatar's producer Jon Landau has said that Avatar is akin to Pocahontas with the Na'vi aliens taking the place of Native Americans. Cameron has said that he first conceived of Avatar in the 1960s, long before Pocahontas was released, but he has also said that Avatar does reference the story of Pocahontas, the historical figure. Kirsten Acuna of Business Insider wrote that, while Avatar may be based on Cameron's own ideas, it nevertheless takes inspiration from animated films like Pocahontas and FernGully: The Last Rainforest (1992).
Passage 5:
Chow Hound
Chow Hound is a 1951 Warner Bros. Looney Tunes animated short directed by Chuck Jones and written by Michael Maltese. The short was released on June 16, 1951. The voices are performed by Mel Blanc, Bea Benaderet and John T. Smith.
Unlike many Warner Bros. cartoons featuring cats, such as Sylvester, as the antagonists of their targets (such as birds) and dogs serving to discourage their behavior, Chow Hound uses a different formula.

Plot
A large bulldog bullies two unwilling parties—a frightened cat, whom the dog refers to as 'Stupid' three times in the short, and a tough-talking mouse—into various scams to obtain dinner from various residences. The bulldog himself repeatedly punishes the cat for (so the dog believes) consistently coming back with stolen meat but no gravy. The scheme involves the dog, who forever complains that he is "starving," using the cat to pose as the pet for three residents and an exhibit at a municipal zoo. The cat poses as (in order of appearance):

"Butch," a turtleneck-wearing feline. The cat timidly walks to the waiting bulldog to hand him his steak, but the bulldog asks "What, no gravy?" and slaps the cat for forgetting the gravy.
A bow-tied "Harold," who is scolded by his female "mistress" as he comes home. "Harold" tries to eat a leg of chicken when the mistress leaves the room, but is quickly grabbed by the bulldog, who again reprimands him for forgetting the gravy.
"Timothy," the alley cat who serves as the mouse catcher for an older gentleman living in a brownstone apartment building. The cat swallows the mouse whole, earning more physical punishment; the mouse tries unsuccessfully to get away after he is spit out. After earning another steak from the owner, the cat is again slapped by the bulldog for forgetting the gravy again. The mouse tries to get tough, but is simply hit on the head.
As a "saber-tooth alley catus", complete with fake fangs. The zookeeper shrugs his shoulders at the apparently new, unannounced "exhibit." It is at this point where the cat tries to one-up his captor by wrapping a TNT stick inside the steak. The result is only a small blast in the dog's stomach, which the embarrassed dog apparently misinterprets as gas and excuses himself. He smacks the cat (off-screen) for forgetting the gravy yet again.He then starts to complain that "week in, week out, it's the same thing; it's too slow!" He then sees a sign advertising a reward for lost animals and gets a sinister idea: holding the cat hostage, the dog accurately anticipates that the cat's "owners" will post rewards in the newspaper. "I've got plans for you!" the dog snarls at the cat.
The bulldog reads the missing animals article in the newspaper for the addresses of the owners as he prepares to execute his big scam (telling his cat comrade "C'mon stupid; this is the payoff!"). The bulldog returns the cat to each of his masters, collects the reward and then reclaims his cat by means of a trick-bed, and presents the "saber-tooth alley catus" as a hunting prize to the zoo (this part was cut off in the 1990s on various TV channels in USA because it showed the mouse with makeup resembling blackface to disguise him as a native African savage). The dog, gloating that he is now "set for life" and will "never be hungry again," uses his ill-gotten gains to purchase a butcher shop, where "acres and acres" of meat hang from the ceiling.
The final scene takes place at a "dog and cat hospital". The bulldog's gluttony has gotten the better of him, as his overindulgence on meat has rendered him grossly obese and unable to move a muscle. After two doctors diagnose "a distinct case of overeating" and depart from the operating room, two visitors march in: the cat and the mouse. The cat—speaking for the only time in the film—menacingly says, "This time, we didn't forget the gravy." The nervously-perspiring dog repeatedly mutters "no" but is helpless to stop them as the mouse jams a large funnel into the dog's mouth and smiles as the cat begins force-feeding the dog a dangerously unhealthy amount of gravy from an institutional-sized canister as the picture irises out over the sound of the dog gurgling, with the cat and mouse finally getting their revenge against their canine tormentor.

Reception
Animator Eric Goldberg writes, "This is one of my all-time favorite Chuck Jones cartoons for a variety of reasons, not the least of which is that it may be the darkest film he ever made... Talk about a morality play! I don't think I've ever seen comic retribution played out with such devilish, and deserved, relish. A masterpiece."

Home media
Chow Hound is available (uncensored and uncut) on Looney Tunes Golden Collection: Volume 6, disc 4, and on Blu-ray Disc (presented uncensored and in 1080p high definition) as part of the Looney Tunes Platinum Collection: Volume 1, disc 2.
Passage 6:
Jason Keng-Kwin Chan
Jason Keng-Kwin Chan (born December 1, 1971) is a Malaysian actor best known for his role as Cameron Watanabe, the Green Samurai Ranger, as well as his clone, Cyber Cam, in Power Rangers: Ninja Storm.
He is currently a multi-award-winning writer, director, composer and actor based in Singapore. He is co-founder of BananaMana Films, which is one of Singapore's premiere production companies for creating Asian dramas in English for global distribution.

Background & Training
Born in Kuala Lumpur, Malaysia, Chan is of Chinese descent and moved to Perth, Western Australia with his family when he was only 5 years old. He entered medical school at the University of Western Australia, but Chan continued to pursue the creative arts, studying ballet, contemporary dance, and jazz dance at the Western Australian Academy of Performing Arts. After graduating, he obtained his Fellowship in General Practice and worked as a General Practitioner for a few years before gaining a place in the renowned National Institute of Dramatic Art (NIDA) in Sydney (other graduates include: Mel Gibson, Cate Blanchett, Judy Davis, Baz Luhrmann and Hugo Weaving) where he obtained a Bachelor of Dramatic Arts in Acting. He is the co-founder of the Production Company "BananaMana Films" along with Christian Lee. Chan currently resides in Singapore.

Current Work
Since co-founding BananaMana Films, Jason has gone on to write, direct, edit and produce for various projects. The first series he co-wrote, directed, produced and acted in was a web series: "What Do Men Want?". However, prior to production the national broadcaster of Singapore asked to have it converted into a full length TV series and it aired in 2014 as a 13 x half hour Romantic comedic TV drama. Jason and Christian won an outstanding directing in a drama series award at LA Webfest for this drama.
Their second drama "Perfect Girl" was created as a 10 x 5-8min web series. This series went on to win 7 international awards from 16 nominations. Jason was credited as writer and composer, and shared directing and editing credits.
Recently, Jason has co-written, directed and scored a TV pilot "Bang Bang Club" which has gone on to win a Platinum REMI award at the Worldfest Houston International Film Festival 2016. Jason was also nominated for Best Editing and Best Original Score for this project at the Indie Series Awards (LA) 2016.

Awards
Jason has been a recipient of numerous awards and nominations in various categories: writing, directing, acting, editing, composing.
Awards

Platinum Remi  (Houston International Film Fest 2016)
Outstanding Writing (LA Webfest 2015)
Outstanding Directing (LA Webfest 2015)
Outstanding Editing (LA Webfest 2015)
Outstanding Drama Series (LA Webfest 2015)
Outstanding Drama (Toronto Webfest 2015)
Best International Series (Atlanta Webfest 2014)Nominations

Best Editing (Indie Series Awards 2016)
Best Score (Indie Series Awards 2016)
Outstanding Lead Actor (LA Webfest 2015)
Outstanding Cinematography (LA Webfest 2015)
Triple Threat Auteur (Toronto Webfest 2015)
Best Overall Series (Toronto Webfest 2015)
Best Drama (Vancouver Webfest 2015)

Film
Most recently "Perfect Girl", originally a web series, was picked up as a short feature by global streaming platform VIKI.com. It stars Jason Chan and Khaleila Hisham as the leads and won them both Outstanding Acting nominations and awards in US web series festivals.
His feature film credits include: the animated feature Sing to the Dawn. where he played the villain, and The Leap Years in which he plays the role of "Raymond" alongside Ananda Everingham and Wong Li-Lin. He appeared briefly in Candy, an Australian film, as Heath Ledger's doctor and very briefly in "Stealth" as one of the technicians.He co-wrote, co-produced and co-directed the 2017 cross-cultural food film Jimami Tofu with Christian Lee, where it world premiered and won the Audience Choice Award at the 37th Hawaii International Film Festival.

Television
In 2014, Jason appeared as co-lead in "What Do Men Want?" - a 13 x half hour romantic drama co-created and directed by himself and his business partner Christian Lee. The drama won them both an Outstanding Directing award at LA Webfest 2016 and aired on national TV in Singapore in 2014.
On graduating from drama school, Chan appeared as host of Disney Channel's Playhouse Disney block which aired throughout Australia. In 2003, he then garnered a role as the Green Samurai Ranger, Cameron Watanabe,  in the American TV series: Power Rangers Ninja Storm.
In Singapore he has appeared in many Mediacorp Channel 5 and Art Central productions including: My Sassy Neighbour, Six Weeks, Parental Guidance, 9 Lives, Mental and The Secret Lives of Sorry Stars.   In Australia he played opposite Jaqueline Macqenzie in Two Twisted.
Jason has also played leads in German telemovies including: "Love in the Lion City",  "The Last Patriarch",  "Love and Death in Java"  and "House of Harmony".

Theatre
In theatre, Jason debuted in the lead role of 'Kevin' in "Connie and Kevin and the Secret Life of Groceries" in Sydney,  then continued in Singapore with ‘Chris’ in Action Theatre's “The Admiral’s Odyssey”, Clifford Bradshaw in Toyfactory's "Cabaret", Lysander in SRT's "A Midsummer Night's Dream", Andy in SRT's "The Office Party", Claudio in SRT's "Much Ado About Nothing" and Marc in The Ensemble Theatre's production of "ART".
Passage 7:
Nottingham, West Virginia
Nottingham is an unincorporated community in Pocahontas County, West Virginia, United States. Nottingham is located on the Greenbrier River, 2 miles (3.2 km) south-southeast of Durbin.
Passage 8:
Carmen Smith
Carmen Smith (born 1984) is an Australian singer/songwriter who rose to prominence after appearing in the first season of The Voice Australia.

Early career
Since 2002, Smith has been a back-up singer for a number of Australian performers, including Guy Sebastian. She has released two of her own solo albums as well as written songs for singers Stan Walker and Jessica Mauboy.In 2005, Carmen wrote "All I Ask" as the winner's single of New Zealand Idol, which was released by Rosita Vai. In 2010, Carmen was featured on "Mousetrap Heart" by Thirsty Merc.

2012–present: The Voice Australia and disqualification
In 2012, Smith appeared on the premiere episode of The Voice Australia's first season. She joined coach Joel Madden's team after singing the Alicia Keys song "How Come You Don't Call Me". For her Battle Round, she sang the song "We Found Love" by Rihanna with Michelle Serret-Cursio whom she won against. However, after her vocals appeared in Guy Sebastian's song "Gold", she was disqualified from the show by the show's producers after she appeared in the song's music video. The Voice producers said she had broken the "spirit" of the rules as the video would give her an unfair advantage over other contestants. Smith later stated that she had performed with Sebastian for years, and had a clause in her The Voice contract which allowed her to continue to perform and record with him. This is the first disqualification of a contestant in the history of the show's format.After her disqualification from the show, Smith appeared alongside Sebastian singing a duet on rival show, Australia's Got Talent.She then went on to join Sebastian on his Armageddon Tour, where she performed "Gold", and other features in his songs. The tour ran nationally throughout June and July 2012 to coincide with the release of his highly anticipated seventh album Armageddon. In 2013, Smith again toured with Sebastian featuring on songs as well as providing back vocals on this 46 date tour called the Get Along Tour.Smith would later join Sebastian as a backup singer for the song "Tonight Again" as part of the 2015 edition of the Eurovision Song Contest. The song finished in fifth place with 196 points.Smith appears as a vocal coach on the 2023 season of Australian Idol.

Discography
Studio Albums and EPs
Carmen Smith (2007)
Ever Known (2011)
They Don't Know Me (2012)

Special Releases
Polaroid (2012)

Singles
How Come You Don't Call Me (The Voice Performance) (2012)
We Found Love (The Voice Performance) (2012)
They Don't Know Me (2012)
Breaker of Hearts (2013)
Love's on the Run (2013)

Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What institute did the actor playing the voice of John Smith in Pocahontas attend?



Answer: National Institute of Dramatic Art NIDA