The following are given passages.
Passage 1:
He Comes Up Smiling
He Comes Up Smiling is a 1918 American comedy film produced by and starring Douglas Fairbanks and directed by Allan Dwan.
This film was based on a novel of the same title by Charles Sherman, which was adapted into a 1914 play of the same name by Byron Ongley and Emil Nyitray. Fairbanks starred in the play with Patricia Collinge as the female lead. This film "survives incomplete".

Plot
As described in a film magazine, the principal duty of bank clerk Jerry Martin is to care for the bank president's pet canary. The bird escapes and Jerry starts in pursuit. In a chase that takes him far afield, Jerry meets a hobo and decides to give up his bank job. Baron Bean (Montana), another hobo, becomes his valet, but they desert Jerry when he is taking a bath and steal his clothes. He finds a suit belonging to William Batchelor (MacQuarrie), a broker who is cooling off at a pool, and with the broker's business cards he passes himself off as Batchelor. He meets John Bartlett (Campeau) and his daughter Billie (Daw) and promptly falls in love. Her father is also a stock broker who has been nicked by Batchelor. An attempt is made to corner the market while Jerry is being entertained, but he foils the plotters, falls heir to a fortune, and wins the love of Billie.

Cast
Douglas Fairbanks as Jerry Martin
Marjorie Daw as Billie Bartlett
Herbert Standing as Mike
Frank Campeau as John Bartlett
Bull Montana as Baron Bean
Albert MacQuarrie as William Batchelor
Kathleen Kirkham as Louise
Jay Dwiggins as General
William Elmer
Robert Cain

Preservation
The surviving reels of He Comes Up Smiling were preserved by the Academy Film Archive in 2010.
Passage 2:
Spexy Beast
Spexy Beast is a stand-up comedy tour performed by British comedian Alan Carr. The tour was Carr's first to be performed in arena type venues, with extra dates being added in most territories due to popular demand.

Show incidents
During one of the shows in Brighton a female member of the audience, who was pregnant went into labour from laughing so much.
Tessa Lawson was watching the comic’s new Spexy Beast show when she felt the baby move and rushed to the toilet just before the interval.
When her waters broke, she was rushed to hospital and gave birth to a healthy girl later that evening. Carr later commented on the incident via Twitter stating,

"An audience member has gone into labour. Pass me a hot towel and tongs, I’m going in! Love to you and bump."

Tour dates
Passage 3:
Giuseppe Demachi
Giuseppe Demachi (9 June 1732 – 1791 or after) was a composer born in Alessandria, Italy.  He served as a leading violinist in the city of his birth and later in the city of Geneva with the Concerto di Ginevra of the Societé de Musique.  He also served in the employ of one Count Sannazzaro in the 1760s and 1770s at Casale Monferrato.  Not much is known about his life or death.  Other than the records of his birth in 1732, his next known appearance in history is in 1763 when he was listed as playing in Alessandria's orchestra.  After 1777 he again falls into obscurity until his last verifiable appearance during some concerts in London in 1791.  The date of his death is not known, but is believed to have been shortly after his performances in London.
Demachi is listed as a composer of a significant number of works, including four symphonie concertante, eighteen duo sonatas, fifty-six trio sonatas, a pair of orchestral overtures and six string quartets listed as "for orchestra."  One of his most famous works is the symphony Le campane di Roma (The Bells of Rome).

Sources
Giuseppe Demachi at AllMusic
Free scores by Giuseppe Demachi at the International Music Score Library Project (IMSLP)
Passage 4:
O Sorriso do Lagarto
O Sorriso do Lagarto (The Lizard's Smile) is a Brazilian television series that first aired on Rede Globo in 1991.

Cast
Tony Ramos - João Pedroso
Raul Cortez - Angelo Marcos
Maitê Proença - Ana Clara
Carlos Augusto Strazzer - Peçanha
José Lewgoy - Lúcio Nemésio
Lúcia Veríssimo - Bebel
Alexandre Frota - Tavinho
Claudio Mamberti - Cirino
Ana Paula Bouzas - Branca
Marcelo Picchi - Nando
Ana Beatriz Nogueira - Evangelina
Sofia Papo - Maria das Mercês
Pedro Paulo Rangel - Padre Monteirinho
Fábio Sabag - Bará
Chiquinho Brandão - Chico
Passage 5:
The House of Smiles
The House of Smiles (Italian: La casa del sorriso) is a 1991 Italian film directed by Marco Ferreri. It depicts a romance between an old man and an old woman inside a care home.
The film won the Golden Bear at the 41st Berlin International Film Festival.

Cast
Ingrid Thulin as Adelina
Dado Ruspoli as Andrea
Enzo Cannavale as Avvocato
María Mercader as Elvira
Lucia Vasini as Giovanna
Francesca Antonelli as Rosy
Elisabeth Kaza as Esmeralda
Nunzia Fumo
Fulvio Falzarano
Passage 6:
Maureen Payne
Maureen Payne was a South African cricketer who played as a slow left-arm orthodox bowler. She appeared in five Test matches for South Africa between 1960 and 1972, including captaining the side in their series against New Zealand. She played domestic cricket for Western Province.
Passage 7:
Just to See You Smile
"Just to See You Smile" is a song written by Mark Nesler and Tony Martin, and recorded by American country music artist Tim McGraw. It was released in August 1997 as the third single from McGraw's fourth studio album Everywhere. Having spent 42 weeks on the Billboard chart, it set what was then a record for being the longest-running single on the Billboard country chart since the inception of Nielsen SoundScan in 1990. It was also the longest chart run for any country single in the 1990s. The song was also released by Mitchell Tenpenny in 2018. No music video was made for this song.

Critical reception
Kevin John Coyne of Country Universe gave the song an A grade, saying McGraw "plays his cards so close to his chest that upon first listen, you may only pick up on his unconditional love and selflessness toward the girl who’s been stringing him along for all these years."

Track listing
Single

Just To See You Smile 	3:34
Everywhere 	4:50

Chart performance
"Just to See You Smile" debuted in August 1997 and surged in November. It became McGraw's third consecutive No. 1 single from Everywhere, spending six weeks atop the Billboard magazine Hot Country Singles & Tracks chart in January and February 1998. It was also McGraw's second single to be declared by Billboard as the Number One country single of the year.

Chart history
Year-end charts
Certifications
Passage 8:
William Shakespeare
William Shakespeare (bapt. 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.
Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs and whether the works attributed to him were written by others.Shakespeare produced most of his known works between 1589 and 1613. His early plays were primarily comedies and histories and are regarded as some of the best works produced in these genres. He then wrote mainly tragedies until 1608, among them Hamlet, Romeo and Juliet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights.
Many of Shakespeare's plays were published in editions of varying quality and accuracy in his lifetime. However, in 1623, John Heminges and Henry Condell, two fellow actors and friends of Shakespeare's, published a more definitive text known as the First Folio, a posthumous collected edition of Shakespeare's dramatic works that included 36 of his plays. Its Preface was a prescient poem by Ben Jonson, a former rival of Shakespeare, that hailed Shakespeare with the now famous epithet: "not of an age, but for all time".

Life
Early life
Shakespeare was the son of John Shakespeare, an alderman and a successful glover (glove-maker) originally from Snitterfield in Warwickshire, and Mary Arden, the daughter of an affluent landowning family. He was born in Stratford-upon-Avon, where he was baptised on 26 April 1564. His date of birth is unknown, but is traditionally observed on 23 April, Saint George's Day. This date, which can be traced to William Oldys and George Steevens, has proved appealing to biographers because Shakespeare died on the same date in 1616. He was the third of eight children, and the eldest surviving son.Although no attendance records for the period survive, most biographers agree that Shakespeare was probably educated at the King's New School in Stratford, a free school chartered in 1553, about a quarter-mile (400 m) from his home. Grammar schools varied in quality during the Elizabethan era, but grammar school curricula were largely similar: the basic Latin text was standardised by royal decree, and the school would have provided an intensive education in grammar based upon Latin classical authors.At the age of 18, Shakespeare married 26-year-old Anne Hathaway. The consistory court of the Diocese of Worcester issued a marriage licence on 27 November 1582. The next day, two of Hathaway's neighbours posted bonds guaranteeing that no lawful claims impeded the marriage. The ceremony may have been arranged in some haste since the Worcester chancellor allowed the marriage banns to be read once instead of the usual three times, and six months after the marriage Anne gave birth to a daughter, Susanna, baptised 26 May 1583. Twins, son Hamnet and daughter Judith, followed almost two years later and were baptised 2 February 1585. Hamnet died of unknown causes at the age of 11 and was buried 11 August 1596.

After the birth of the twins, Shakespeare left few historical traces until he is mentioned as part of the London theatre scene in 1592. The exception is the appearance of his name in the "complaints bill" of a law case before the Queen's Bench court at Westminster dated Michaelmas Term 1588 and 9 October 1589. Scholars refer to the years between 1585 and 1592 as Shakespeare's "lost years". Biographers attempting to account for this period have reported many apocryphal stories. Nicholas Rowe, Shakespeare's first biographer, recounted a Stratford legend that Shakespeare fled the town for London to escape prosecution for deer poaching in the estate of local squire Thomas Lucy. Shakespeare is also supposed to have taken his revenge on Lucy by writing a scurrilous ballad about him. Another 18th-century story has Shakespeare starting his theatrical career minding the horses of theatre patrons in London. John Aubrey reported that Shakespeare had been a country schoolmaster. Some 20th-century scholars suggested that Shakespeare may have been employed as a schoolmaster by Alexander Hoghton of Lancashire, a Catholic landowner who named a certain "William Shakeshafte" in his will. Little evidence substantiates such stories other than hearsay collected after his death, and Shakeshafte was a common name in the Lancashire area.

London and theatrical career
It is not known definitively when Shakespeare began writing, but contemporary allusions and records of performances show that several of his plays were on the London stage by 1592. By then, he was sufficiently known in London to be attacked in print by the playwright Robert Greene in his Groats-Worth of Wit:

... there is an upstart Crow, beautified with our feathers, that with his Tiger's heart wrapped in a Player's hide, supposes he is as well able to bombast out a blank verse as the best of you: and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Scholars differ on the exact meaning of Greene's words, but most agree that Greene was accusing Shakespeare of reaching above his rank in trying to match such university-educated writers as Christopher Marlowe, Thomas Nashe, and Greene himself (the so-called "University Wits"). The italicised phrase parodying the line "Oh, tiger's heart wrapped in a woman's hide" from Shakespeare's Henry VI, Part 3, along with the pun "Shake-scene", clearly identify Shakespeare as Greene's target. As used here, Johannes Factotum ("Jack of all trades") refers to a second-rate tinkerer with the work of others, rather than the more common "universal genius".Greene's attack is the earliest surviving mention of Shakespeare's work in the theatre. Biographers suggest that his career may have begun any time from the mid-1580s to just before Greene's remarks. After 1594, Shakespeare's plays were performed only by the Lord Chamberlain's Men, a company owned by a group of players, including Shakespeare, that soon became the leading playing company in London. After the death of Queen Elizabeth in 1603, the company was awarded a royal patent by the new King James I, and changed its name to the King's Men.

In 1599, a partnership of members of the company built their own theatre on the south bank of the River Thames, which they named the Globe. In 1608, the partnership also took over the Blackfriars indoor theatre. Extant records of Shakespeare's property purchases and investments indicate that his association with the company made him a wealthy man, and in 1597, he bought the second-largest house in Stratford, New Place, and in 1605, invested in a share of the parish tithes in Stratford.Some of Shakespeare's plays were published in quarto editions, beginning in 1594, and by 1598, his name had become a selling point and began to appear on the title pages. Shakespeare continued to act in his own and other plays after his success as a playwright. The 1616 edition of Ben Jonson's Works names him on the cast lists for Every Man in His Humour (1598) and Sejanus His Fall (1603). The absence of his name from the 1605 cast list for Jonson's Volpone is taken by some scholars as a sign that his acting career was nearing its end. The First Folio of 1623, however, lists Shakespeare as one of "the Principal Actors in all these Plays", some of which were first staged after Volpone, although one cannot know for certain which roles he played. In 1610, John Davies of Hereford wrote that "good Will" played "kingly" roles. In 1709, Rowe passed down a tradition that Shakespeare played the ghost of Hamlet's father. Later traditions maintain that he also played Adam in As You Like It, and the Chorus in Henry V, though scholars doubt the sources of that information.Throughout his career, Shakespeare divided his time between London and Stratford. In 1596, the year before he bought New Place as his family home in Stratford, Shakespeare was living in the parish of St. Helen's, Bishopsgate, north of the River Thames. He moved across the river to Southwark by 1599, the same year his company constructed the Globe Theatre there. By 1604, he had moved north of the river again, to an area north of St Paul's Cathedral with many fine houses. There, he rented rooms from a French Huguenot named Christopher Mountjoy, a maker of women's wigs and other headgear.

Later years and death
Nicholas Rowe was the first biographer to record the tradition, repeated by Samuel Johnson, that Shakespeare retired to Stratford "some years before his death". He was still working as an actor in London in 1608; in an answer to the sharers' petition in 1635, Cuthbert Burbage stated that after purchasing the lease of the Blackfriars Theatre in 1608 from Henry Evans, the King's Men "placed men players" there, "which were Heminges, Condell, Shakespeare, etc.". However, it is perhaps relevant that the bubonic plague raged in London throughout 1609. The London public playhouses were repeatedly closed during extended outbreaks of the plague (a total of over 60 months closure between May 1603 and February 1610), which meant there was often no acting work. Retirement from all work was uncommon at that time. Shakespeare continued to visit London during the years 1611–1614. In 1612, he was called as a witness in Bellott v Mountjoy, a court case concerning the marriage settlement of Mountjoy's daughter, Mary. In March 1613, he bought a gatehouse in the former Blackfriars priory; and from November 1614, he was in London for several weeks with his son-in-law, John Hall. After 1610, Shakespeare wrote fewer plays, and none are attributed to him after 1613. His last three plays were collaborations, probably with John Fletcher, who succeeded him as the house playwright of the King's Men. He retired in 1613, before the Globe Theatre burned down during the performance of Henry VIII on 29 June.Shakespeare died on 23 April 1616, at the age of 52. He died within a month of signing his will, a document which he begins by describing himself as being in "perfect health". No extant contemporary source explains how or why he died. Half a century later, John Ward, the vicar of Stratford, wrote in his notebook: "Shakespeare, Drayton, and Ben Jonson had a merry meeting and, it seems, drank too hard, for Shakespeare died of a fever there contracted", not an impossible scenario since Shakespeare knew Jonson and Drayton. Of the tributes from fellow authors, one refers to his relatively sudden death: "We wondered, Shakespeare, that thou went'st so soon / From the world's stage to the grave's tiring room."

He was survived by his wife and two daughters. Susanna had married a physician, John Hall, in 1607, and Judith had married Thomas Quiney, a vintner, two months before Shakespeare's death. Shakespeare signed his last will and testament on 25 March 1616; the following day, his new son-in-law, Thomas Quiney was found guilty of fathering an illegitimate son by Margaret Wheeler, who had died during childbirth. Thomas was ordered by the church court to do public penance, which would have caused much shame and embarrassment for the Shakespeare family.Shakespeare bequeathed the bulk of his large estate to his elder daughter Susanna under stipulations that she pass it down intact to "the first son of her body". The Quineys had three children, all of whom died without marrying. The Halls had one child, Elizabeth, who married twice but died without children in 1670, ending Shakespeare's direct line. Shakespeare's will scarcely mentions his wife, Anne, who was probably entitled to one-third of his estate automatically. He did make a point, however, of leaving her "my second best bed", a bequest that has led to much speculation. Some scholars see the bequest as an insult to Anne, whereas others believe that the second-best bed would have been the matrimonial bed and therefore rich in significance.

Shakespeare was buried in the chancel of the Holy Trinity Church two days after his death. The epitaph carved into the stone slab covering his grave includes a curse against moving his bones, which was carefully avoided during restoration of the church in 2008:
Some time before 1623, a funerary monument was erected in his memory on the north wall, with a half-effigy of him in the act of writing. Its plaque compares him to Nestor, Socrates, and Virgil. In 1623, in conjunction with the publication of the First Folio, the Droeshout engraving was published. Shakespeare has been commemorated in many statues and memorials around the world, including funeral monuments in Southwark Cathedral and Poets' Corner in Westminster Abbey.

Plays
Most playwrights of the period typically collaborated with others at some point, as critics agree Shakespeare did, mostly early and late in his career.The first recorded works of Shakespeare are Richard III and the three parts of Henry VI, written in the early 1590s during a vogue for historical drama. Shakespeare's plays are difficult to date precisely, however, and studies of the texts suggest that Titus Andronicus, The Comedy of Errors, The Taming of the Shrew, and The Two Gentlemen of Verona may also belong to Shakespeare's earliest period. His first histories, which draw heavily on the 1587 edition of Raphael Holinshed's Chronicles of England, Scotland, and Ireland, dramatise the destructive results of weak or corrupt rule and have been interpreted as a justification for the origins of the Tudor dynasty. The early plays were influenced by the works of other Elizabethan dramatists, especially Thomas Kyd and Christopher Marlowe, by the traditions of medieval drama, and by the plays of Seneca. The Comedy of Errors was also based on classical models, but no source for The Taming of the Shrew has been found, though it is related to a separate play of the same name and may have derived from a folk story. Like The Two Gentlemen of Verona, in which two friends appear to approve of rape, the Shrew's story of the taming of a woman's independent spirit by a man sometimes troubles modern critics, directors, and audiences.

Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his most acclaimed comedies. A Midsummer Night's Dream is a witty mixture of romance, fairy magic, and comic lowlife scenes. Shakespeare's next comedy, the equally romantic Merchant of Venice, contains a portrayal of the vengeful Jewish moneylender Shylock, which reflects dominant Elizabethan views but may appear derogatory to modern audiences. The wit and wordplay of Much Ado About Nothing, the charming rural setting of As You Like It, and the lively merrymaking of Twelfth Night complete Shakespeare's sequence of great comedies. After the lyrical Richard II, written almost entirely in verse, Shakespeare introduced prose comedy into the histories of the late 1590s, Henry IV, parts 1 and 2, and Henry V. His characters become more complex and tender as he switches deftly between comic and serious scenes, prose and poetry, and achieves the narrative variety of his mature work. This period begins and ends with two tragedies: Romeo and Juliet, the famous romantic tragedy of sexually charged adolescence, love, and death; and Julius Caesar— based on Sir Thomas North's 1579 translation of Plutarch's Parallel Lives—which introduced a new kind of drama. According to Shakespearean scholar James Shapiro, in Julius Caesar, "the various strands of politics, character, inwardness, contemporary events, even Shakespeare's own reflections on the act of writing, began to infuse each other".

In the early 17th century, Shakespeare wrote the so-called "problem plays" Measure for Measure, Troilus and Cressida, and All's Well That Ends Well and a number of his best known tragedies. Many critics believe that Shakespeare's greatest tragedies represent the peak of his art. The titular hero of one of Shakespeare's greatest tragedies, Hamlet, has probably been discussed more than any other Shakespearean character, especially for his famous soliloquy which begins "To be or not to be; that is the question". Unlike the introverted Hamlet, whose fatal flaw is hesitation, the heroes of the tragedies that followed, Othello and King Lear, are undone by hasty errors of judgement. The plots of Shakespeare's tragedies often hinge on such fatal errors or flaws, which overturn order and destroy the hero and those he loves. In Othello, the villain Iago stokes Othello's sexual jealousy to the point where he murders the innocent wife who loves him. In King Lear, the old king commits the tragic error of giving up his powers, initiating the events which lead to the torture and blinding of the Earl of Gloucester and the murder of Lear's youngest daughter Cordelia. According to the critic Frank Kermode, "the play...offers neither its good characters nor its audience any relief from its cruelty". In Macbeth, the shortest and most compressed of Shakespeare's tragedies, uncontrollable ambition incites Macbeth and his wife, Lady Macbeth, to murder the rightful king and usurp the throne until their own guilt destroys them in turn. In this play, Shakespeare adds a supernatural element to the tragic structure. His last major tragedies, Antony and Cleopatra and Coriolanus, contain some of Shakespeare's finest poetry and were considered his most successful tragedies by the poet and critic T. S. Eliot.In his final period, Shakespeare turned to romance or tragicomedy and completed three more major plays: Cymbeline, The Winter's Tale, and The Tempest, as well as the collaboration, Pericles, Prince of Tyre. Less bleak than the tragedies, these four plays are graver in tone than the comedies of the 1590s, but they end with reconciliation and the forgiveness of potentially tragic errors. Some commentators have seen this change in mood as evidence of a more serene view of life on Shakespeare's part, but it may merely reflect the theatrical fashion of the day. Shakespeare collaborated on two further surviving plays, Henry VIII and The Two Noble Kinsmen, probably with John Fletcher.

Classification
Shakespeare's works include the 36 plays printed in the First Folio of 1623, listed according to their folio classification as comedies, histories, and tragedies. Two plays not included in the First Folio, The Two Noble Kinsmen and Pericles, Prince of Tyre, are now accepted as part of the canon, with today's scholars agreeing that Shakespeare made major contributions to the writing of both. No Shakespearean poems were included in the First Folio.
In the late 19th century, Edward Dowden classified four of the late comedies as romances, and though many scholars prefer to call them tragicomedies, Dowden's term is often used. In 1896, Frederick S. Boas coined the term "problem plays" to describe four plays: All's Well That Ends Well, Measure for Measure, Troilus and Cressida, and Hamlet. "Dramas as singular in theme and temper cannot be strictly called comedies or tragedies", he wrote. "We may, therefore, borrow a convenient phrase from the theatre of today and class them together as Shakespeare's problem plays." The term, much debated and sometimes applied to other plays, remains in use, though Hamlet is definitively classed as a tragedy.

Performances
It is not clear for which companies Shakespeare wrote his early plays. The title page of the 1594 edition of Titus Andronicus reveals that the play had been acted by three different troupes. After the plagues of 1592–93, Shakespeare's plays were performed by his own company at The Theatre and the Curtain in Shoreditch, north of the Thames. Londoners flocked there to see the first part of Henry IV, Leonard Digges recording, "Let but Falstaff come, Hal, Poins, the rest ... and you scarce shall have a room". When the company found themselves in dispute with their landlord, they pulled The Theatre down and used the timbers to construct the Globe Theatre, the first playhouse built by actors for actors, on the south bank of the Thames at Southwark. The Globe opened in autumn 1599, with Julius Caesar one of the first plays staged. Most of Shakespeare's greatest post-1599 plays were written for the Globe, including Hamlet, Othello, and King Lear.

After the Lord Chamberlain's Men were renamed the King's Men in 1603, they entered a special relationship with the new King James. Although the performance records are patchy, the King's Men performed seven of Shakespeare's plays at court between 1 November 1604, and 31 October 1605, including two performances of The Merchant of Venice. After 1608, they performed at the indoor Blackfriars Theatre during the winter and the Globe during the summer. The indoor setting, combined with the Jacobean fashion for lavishly staged masques, allowed Shakespeare to introduce more elaborate stage devices. In Cymbeline, for example, Jupiter descends "in thunder and lightning, sitting upon an eagle: he throws a thunderbolt. The ghosts fall on their knees."The actors in Shakespeare's company included the famous Richard Burbage, William Kempe, Henry Condell and John Heminges. Burbage played the leading role in the first performances of many of Shakespeare's plays, including Richard III, Hamlet, Othello, and King Lear. The popular comic actor Will Kempe played the servant Peter in Romeo and Juliet and Dogberry in Much Ado About Nothing, among other characters. He was replaced around 1600 by Robert Armin, who played roles such as Touchstone in As You Like It and the fool in King Lear. In 1613, Sir Henry Wotton recorded that Henry VIII "was set forth with many extraordinary circumstances of pomp and ceremony". On 29 June, however, a cannon set fire to the thatch of the Globe and burned the theatre to the ground, an event which pinpoints the date of a Shakespeare play with rare precision.

Textual sources
In 1623, John Heminges and Henry Condell, two of Shakespeare's friends from the King's Men, published the First Folio, a collected edition of Shakespeare's plays. It contained 36 texts, including 18 printed for the first time. The others had already appeared in quarto versions—flimsy books made from sheets of paper folded twice to make four leaves. No evidence suggests that Shakespeare approved these editions, which the First Folio describes as "stol'n and surreptitious copies".Alfred Pollard termed some of the pre-1623 versions as "bad quartos" because of their adapted, paraphrased or garbled texts, which may in places have been reconstructed from memory. Where several versions of a play survive, each differs from the other. The differences may stem from copying or printing errors, from notes by actors or audience members, or from Shakespeare's own papers. In some cases, for example, Hamlet, Troilus and Cressida, and Othello, Shakespeare could have revised the texts between the quarto and folio editions. In the case of King Lear, however, while most modern editions do conflate them, the 1623 folio version is so different from the 1608 quarto that the Oxford Shakespeare prints them both, arguing that they cannot be conflated without confusion.

Poems
In 1593 and 1594, when the theatres were closed because of plague, Shakespeare published two narrative poems on sexual themes, Venus and Adonis and The Rape of Lucrece. He dedicated them to Henry Wriothesley, Earl of Southampton. In Venus and Adonis, an innocent Adonis rejects the sexual advances of Venus; while in The Rape of Lucrece, the virtuous wife Lucrece is raped by the lustful Tarquin. Influenced by Ovid's Metamorphoses, the poems show the guilt and moral confusion that result from uncontrolled lust. Both proved popular and were often reprinted during Shakespeare's lifetime. A third narrative poem, A Lover's Complaint, in which a young woman laments her seduction by a persuasive suitor, was printed in the first edition of the Sonnets in 1609. Most scholars now accept that Shakespeare wrote A Lover's Complaint. Critics consider that its fine qualities are marred by leaden effects. The Phoenix and the Turtle, printed in Robert Chester's 1601 Love's Martyr, mourns the deaths of the legendary phoenix and his lover, the faithful turtle dove. In 1599, two early drafts of sonnets 138 and 144 appeared in The Passionate Pilgrim, published under Shakespeare's name but without his permission.

Sonnets
Published in 1609, the Sonnets were the last of Shakespeare's non-dramatic works to be printed. Scholars are not certain when each of the 154 sonnets was composed, but evidence suggests that Shakespeare wrote sonnets throughout his career for a private readership. Even before the two unauthorised sonnets appeared in The Passionate Pilgrim in 1599, Francis Meres had referred in 1598 to Shakespeare's "sugred Sonnets among his private friends". Few analysts believe that the published collection follows Shakespeare's intended sequence. He seems to have planned two contrasting series: one about uncontrollable lust for a married woman of dark complexion (the "dark lady"), and one about conflicted love for a fair young man (the "fair youth"). It remains unclear if these figures represent real individuals, or if the authorial "I" who addresses them represents Shakespeare himself, though Wordsworth believed that with the sonnets "Shakespeare unlocked his heart".

The 1609 edition was dedicated to a "Mr. W.H.", credited as "the only begetter" of the poems. It is not known whether this was written by Shakespeare himself or by the publisher, Thomas Thorpe, whose initials appear at the foot of the dedication page; nor is it known who Mr. W.H. was, despite numerous theories, or whether Shakespeare even authorised the publication. Critics praise the Sonnets as a profound meditation on the nature of love, sexual passion, procreation, death, and time.

Style
Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama. The poetry depends on extended, sometimes elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. The grand speeches in Titus Andronicus, in the view of some critics, often hold up the action, for example; and the verse in The Two Gentlemen of Verona has been described as stilted.

However, Shakespeare soon began to adapt the traditional styles to his own purposes. The opening soliloquy of Richard III has its roots in the self-declaration of Vice in medieval drama. At the same time, Richard's vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. No single play marks a change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. By the time of Romeo and Juliet, Richard II, and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of the drama itself.
Shakespeare's standard poetic form was blank verse, composed in iambic pentameter. In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones. It is often beautiful, but its sentences tend to start, pause, and finish at the end of lines, with the risk of monotony. Once Shakespeare mastered traditional blank verse, he began to interrupt and vary its flow. This technique releases the new power and flexibility of the poetry in plays such as Julius Caesar and Hamlet. Shakespeare uses it, for example, to convey the turmoil in Hamlet's mind:

After Hamlet, Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies. The literary critic A. C. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical". In the last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included run-on lines, irregular pauses and stops, and extreme variations in sentence structure and length. In Macbeth, for example, the language darts from one unrelated metaphor or simile to another: "was the hope drunk/ Wherein you dressed yourself?" (1.7.35–38); "... pity, like a naked new-born babe/ Striding the blast, or heaven's cherubim, hors'd/ Upon the sightless couriers of the air ..." (1.7.21–25). The listener is challenged to complete the sense. The late romances, with their shifts in time and surprising turns of plot, inspired a last poetic style in which long and short sentences are set against one another, clauses are piled up, subject and object are reversed, and words are omitted, creating an effect of spontaneity.Shakespeare combined poetic genius with a practical sense of the theatre. Like all playwrights of the time, he dramatised stories from sources such as Plutarch and Holinshed. He reshaped each plot to create several centres of interest and to show as many sides of a narrative to the audience as possible. This strength of design ensures that a Shakespeare play can survive translation, cutting, and wide interpretation without loss to its core drama. As Shakespeare's mastery grew, he gave his characters clearer and more varied motivations and distinctive patterns of speech. He preserved aspects of his earlier style in the later plays, however. In Shakespeare's late romances, he deliberately returned to a more artificial style, which emphasised the illusion of theatre.

Legacy
Influence
Shakespeare's work has made a significant and lasting impression on later theatre and literature. In particular, he expanded the dramatic potential of characterisation, plot, language, and genre. Until Romeo and Juliet, for example, romance had not been viewed as a worthy topic for tragedy. Soliloquies had been used mainly to convey information about characters or events, but Shakespeare used them to explore characters' minds. His work heavily influenced later poetry. The Romantic poets attempted to revive Shakespearean verse drama, though with little success. Critic George Steiner described all English verse dramas from Coleridge to Tennyson as "feeble variations on Shakespearean themes." John Milton, considered by many to be the most important English poet after Shakespeare, wrote in tribute: "Thou in our wonder and astonishment/ Has built thyself a live-long monument."Shakespeare influenced novelists such as Thomas Hardy, William Faulkner, and Charles Dickens. The American novelist Herman Melville's soliloquies owe much to Shakespeare; his Captain Ahab in Moby-Dick is a classic tragic hero, inspired by King Lear. Scholars have identified 20,000 pieces of music linked to Shakespeare's works. These include three operas by Giuseppe Verdi, Macbeth, Otello and Falstaff, whose critical standing compares with that of the source plays. Shakespeare has also inspired many painters, including the Romantics and the Pre-Raphaelites, while William Hogarth's 1745 painting of actor David Garrick playing Richard III was decisive in establishing the genre of theatrical portraiture in Britain. The Swiss Romantic artist Henry Fuseli, a friend of William Blake, even translated Macbeth into German. The psychoanalyst Sigmund Freud drew on Shakespearean psychology, in particular, that of Hamlet, for his theories of human nature. Shakespeare has been a rich source for filmmakers; Akira Kurosawa adapted Macbeth and King Lear as Throne of Blood and Ran, respectively. Other examples of Shakespeare on film include Max Reinhardt's A Midsummer Night's Dream, Laurence Olivier's Hamlet and Al Pacino's documentary Looking For Richard. Orson Welles, a lifelong lover of Shakespeare, directed and starred in films of Macbeth and Othello, and Chimes at Midnight, in which he plays John Falstaff, which Welles himself called his best work.In Shakespeare's day, English grammar, spelling, and pronunciation were less standardised than they are now, and his use of language helped shape modern English. Samuel Johnson quoted him more often than any other author in his A Dictionary of the English Language, the first serious work of its type. Expressions such as "with bated breath" (Merchant of Venice) and "a foregone conclusion" (Othello) have found their way into everyday English speech.Shakespeare's influence extends far beyond his native England and the English language. His reception in Germany was particularly significant; as early as the 18th century Shakespeare was widely translated and popularised in Germany, and gradually became a "classic of the German Weimar era;" Christoph Martin Wieland was the first to produce complete translations of Shakespeare's plays in any language. Actor and theatre director Simon Callow writes, "this master, this titan, this genius, so profoundly British and so effortlessly universal, each different culture – German, Italian, Russian – was obliged to respond to the Shakespearean example; for the most part, they embraced it, and him, with joyous abandon, as the possibilities of language and character in action that he celebrated liberated writers across the continent. Some of the most deeply affecting productions of Shakespeare have been non-English, and non-European. He is that unique writer: he has something for everyone."According to Guinness World Records, Shakespeare remains the world's best-selling playwright, with sales of his plays and poetry believed to have achieved in excess of four billion copies in the almost 400 years since his death. He is also the third most translated author in history.

Critical reputation
Shakespeare was not revered in his lifetime, but he received a large amount of praise. In 1598, the cleric and author Francis Meres singled him out from a group of English playwrights as "the most excellent" in both comedy and tragedy. The authors of the Parnassus plays at St John's College, Cambridge, numbered him with Chaucer, Gower, and Spenser. In the First Folio, Ben Jonson called Shakespeare the "Soul of the age, the applause, delight, the wonder of our stage", although he had remarked elsewhere that "Shakespeare wanted art" (lacked skill).Between the Restoration of the monarchy in 1660 and the end of the 17th century, classical ideas were in vogue. As a result, critics of the time mostly rated Shakespeare below John Fletcher and Ben Jonson. Thomas Rymer, for example, condemned Shakespeare for mixing the comic with the tragic. Nevertheless, poet and critic John Dryden rated Shakespeare highly, saying of Jonson, "I admire him, but I love Shakespeare". He also famously remarked that Shakespeare "was naturally learned; he needed not the spectacles of books to read nature; he looked inwards, and found her there." For several decades, Rymer's view held sway. But during the 18th century, critics began to respond to Shakespeare on his own terms and, like Dryden, to acclaim what they termed his natural genius. A series of scholarly editions of his work, notably those of Samuel Johnson in 1765 and Edmond Malone in 1790, added to his growing reputation. By 1800, he was firmly enshrined as the national poet, and described as the "Bard of Avon" (or simply "the Bard"). In the 18th and 19th centuries, his reputation also spread abroad. Among those who championed him were the writers Voltaire, Goethe, Stendhal, and Victor Hugo.

During the Romantic era, Shakespeare was praised by the poet and literary philosopher Samuel Taylor Coleridge, and the critic August Wilhelm Schlegel translated his plays in the spirit of German Romanticism. In the 19th century, critical admiration for Shakespeare's genius often bordered on adulation. "This King Shakespeare," the essayist Thomas Carlyle wrote in 1840, "does not he shine, in crowned sovereignty, over us all, as the noblest, gentlest, yet strongest of rallying signs; indestructible". The Victorians produced his plays as lavish spectacles on a grand scale. The playwright and critic George Bernard Shaw mocked the cult of Shakespeare worship as "bardolatry", claiming that the new naturalism of Ibsen's plays had made Shakespeare obsolete.The modernist revolution in the arts during the early 20th century, far from discarding Shakespeare, eagerly enlisted his work in the service of the avant-garde. The Expressionists in Germany and the Futurists in Moscow mounted productions of his plays. Marxist playwright and director Bertolt Brecht devised an epic theatre under the influence of Shakespeare. The poet and critic T. S. Eliot argued against Shaw that Shakespeare's "primitiveness" in fact made him truly modern. Eliot, along with G. Wilson Knight and the school of New Criticism, led a movement towards a closer reading of Shakespeare's imagery. In the 1950s, a wave of new critical approaches replaced modernism and paved the way for post-modern studies of Shakespeare. By the 1980s, Shakespeare studies were open to movements such as structuralism, feminism, New Historicism, African-American studies, and queer studies. Comparing Shakespeare's accomplishments to those of leading figures in philosophy and theology, Harold Bloom wrote, "Shakespeare was larger than Plato and than St. Augustine. He encloses us because we see with his fundamental perceptions."

Speculation
Authorship
Around 230 years after Shakespeare's death, doubts began to be expressed about the authorship of the works attributed to him. Proposed alternative candidates include Francis Bacon, Christopher Marlowe, and Edward de Vere, 17th Earl of Oxford. Several "group theories" have also been proposed. All but a few Shakespeare scholars and literary historians consider it a fringe theory, with only a small minority of academics who believe that there is reason to question the traditional attribution, but interest in the subject, particularly the Oxfordian theory of Shakespeare authorship, continues into the 21st century.

Religion
Shakespeare conformed to the official state religion, but his private views on religion have been the subject of debate. Shakespeare's will uses a Protestant formula, and he was a confirmed member of the Church of England, where he was married, his children were baptised, and where he is buried. Some scholars claim that members of Shakespeare's family were Catholics, at a time when practising Catholicism in England was against the law. Shakespeare's mother, Mary Arden, certainly came from a pious Catholic family. The strongest evidence might be a Catholic statement of faith signed by his father, John Shakespeare, found in 1757 in the rafters of his former house in Henley Street. However, the document is now lost and scholars differ as to its authenticity. In 1591, the authorities reported that John Shakespeare had missed church "for fear of process for debt", a common Catholic excuse. In 1606, the name of William's daughter Susanna appears on a list of those who failed to attend Easter communion in Stratford. Other authors argue that there is a lack of evidence about Shakespeare's religious beliefs. Scholars find evidence both for and against Shakespeare's Catholicism, Protestantism, or lack of belief in his plays, but the truth may be impossible to prove.

Sexuality
Few details of Shakespeare's sexuality are known. At 18, he married 26-year-old Anne Hathaway, who was pregnant. Susanna, the first of their three children, was born six months later on 26 May 1583. Over the centuries, some readers have posited that Shakespeare's sonnets are autobiographical, and point to them as evidence of his love for a young man. Others read the same passages as the expression of intense friendship rather than romantic love. The 26 so-called "Dark Lady" sonnets, addressed to a married woman, are taken as evidence of heterosexual liaisons.

Portraiture
No written contemporary description of Shakespeare's physical appearance survives, and no evidence suggests that he ever commissioned a portrait, so the Droeshout engraving, which Ben Jonson approved of as a good likeness, and his Stratford monument provide perhaps the best evidence of his appearance. From the 18th century, the desire for authentic Shakespeare portraits fuelled claims that various surviving pictures depicted Shakespeare. That demand also led to the production of several fake portraits, as well as misattributions, repaintings, and relabelling of portraits of other people.

See also
Outline of William Shakespeare
English Renaissance theatre
Spelling of Shakespeare's name
World Shakespeare Bibliography
Passage 9:
Giovanni Cifolelli
Giovanni Cifolelli was an Italian mandolin virtuoso and dramatic composer whose date and place of birth are unknown. In 1764 he made his appearance in Paris as a mandolin virtuoso and was highly esteemed, both as a performer and teacher. He published his Method for the mandolin while residing in Paris, which met with great success throughout France, being the most popular of its period.
His chief works were the operas L'Italienne and Pierre et Lucette, the former being an opera bouffe in one act (with the storyline or libretto by Nicolas-Étienne Framery). These works were commissioned by the Comedie Italienne, Paris, and were produced at this theatre successfully, in 1770 and 1774. Several of the songs and duets in Pierre and Lucette were exceedingly popular in France, and they were republished in Paris in 1775 and 1780.

Works
L'Italienne  : comédie en 1 acte, mêlée d'ariettes (Paris, 1770)
Pierre et Lucette, comédie en deux actes et en prose mêlée d'ariettes (Paris, 1774)
Airs détachés de Perin et Lucette, comédie en deux actes, mêlées d'ariettes par M. Davesne (Paris, 1775)
Ariette nouvelle avec accompagnement de deux violons et basse
Non, laisse moi, laisse moi, Lucas. Duo (1775)
Passage 10:
Smile (James Cottriall song)
"Smile" is a song by English musician James Cottriall, from his second studio album Love Is Louder. It was released in Austria as a digital download on 11 November 2011. It entered the Austrian Singles Chart at number 48, and has peaked to number 12.

Track listing
Digital download"Smile" – 3:55

Chart performance
Release history
Passage 11:
Please Smile Again
"Please Smile Again" is Namie Amuro's 17th solo single on the Avex Trax label. Although the single "Think of Me / No More Tears" (2001) was slated to be released in December, it was pushed back until the next year making "Please Smile Again" the last single to precede her 4th studio album, Break the Rules (2000). It was certified gold for 200,000 copies shipped to stores.

Commercial tie-in
"Please Smile Again" was used in commercials for Meiji Fran products. "Cross Over" was used in cell phone MM TU-KA commercials. Amuro appeared in both ad campaigns.

Track listing
"Please Smile Again (TK original mix)" (Tetsuya Komuro) – 4:46
"Cross Over (TK original mix)" (Tetsuya Komuro) – 4:43
"Please Smile Again (Jamaster A Mix)" (Remixed by Alex Baboo & Groovy Cat) – 6:37
"Please Smile Again (TV mix)" (Tetsuya Komuro) – 4:45
"Please Smile Again (a cappella)" (Tetsuya Komuro) – 4:35

Personnel
Namie Amuro – vocals, background vocals
Tetsuya Komuro – synthesizer, keyboard
Ken Kimura – guitar

Production
Producer – Tetsuya Komuro
Arranger – Tetsuya Komuro
Mixing – Tetsuya Komuro
Remixing & additional production – Alex Baboo & Groovy Cat
Synthesizer programming – Akihisa Murakami, Toshihide Iwasa

Charts
Oricon Sales Chart (Japan)
Passage 12:
Barry Manilow discography
Barry Manilow is an American singer–songwriter, musician, arranger, producer, and conductor. His discography consists of 31 studio albums, 6 live albums, 17 compilation albums, and 57 singles (15 #1's). Signed to his first recording contract in 1969 by Tony Orlando, after writing, singing, and recording hit jingles for business corporations in the mid and late 1960s, Manilow released his first solo album, Barry Manilow, in 1973. He is best known for such recordings as "Mandy", "Can't Smile Without You", and "Copacabana (At the Copa)". To date, he has sold more than 85 million records worldwide, making him one of the best selling recording artists of all time.

Albums
Studio albums
Live albums
Compilation albums
Soundtracks
Singles
Passage 13:
India and weapons of mass destruction
India possesses nuclear weapons and previously developed chemical weapons. Although India has not released any official statements about the size of its nuclear arsenal, recent estimates suggest that India has 164 nuclear weapons and has produced enough weapons-grade plutonium for up to 200 nuclear weapons. In 1999, India was estimated to have 800 kilograms (1,800 lb) of separated reactor-grade plutonium, with a total amount of 8,300 kilograms (18,300 lb) of civilian plutonium, enough for approximately 1,000 nuclear weapons. India has conducted nuclear weapons tests in a pair of series namely Pokhran I and Pokhran II.India is a member of three multilateral export control regimes — the Missile Technology Control Regime, Wassenaar Arrangement and Australia Group. It has signed and ratified the Biological Weapons Convention and the Chemical Weapons Convention. India is also a subscribing state to the Hague Code of Conduct. India has signed neither the Comprehensive Nuclear-Test-Ban Treaty nor the Nuclear Non-Proliferation Treaty, considering both to be flawed and discriminatory. India previously possessed chemical weapons, but voluntarily destroyed its entire stockpile in 2009 — one of the seven countries to meet the OPCW extended deadline.India maintains a "no first use" nuclear policy and has developed a nuclear triad capability as a part of its "Minimum Credible Deterrence" doctrine.

Biological weapons
India has ratified the Biological Weapons Convention (BWC) and pledges to abide by its obligations. There is no clear evidence, circumstantial or otherwise, that directly points toward an offensive BW program. India does possess the scientific capability and infrastructure to launch an offensive BW program. In terms of delivery, India also possesses the capability to produce aerosols and has numerous potential delivery systems ranging from crop dusters to sophisticated ballistic missiles.No information exists in the public domain suggesting interest by the Indian government in delivery of biological agents by these or any other means. To reiterate the latter point, in October 2002, the then President A. P. J. Abdul Kalam asserted that "India will not make biological weapons. It is cruel to human beings".

Chemical weapons
In 1992,  India signed the Chemical Weapons Convention (CWC), becoming one of the original signatories of the CWC in 1993, and ratified it on 2 September 1996. According to India's ex-Army Chief General Sundarji, a country having the capability of making nuclear weapons does not need to have chemical weapons, since the dread of chemical weapons could be created only in those countries that do not have nuclear weapons. Others suggested that the fact that India has found chemical weapons dispensable highlighted its confidence in the conventional weapons system at its command.
In June 1997, India declared its stock of chemical weapons (1,045 tonnes of sulphur mustard). By the end of 2006, India had destroyed more than 75 percent of its chemical weapons/material stockpile and was granted extension for destroying the remaining stocks by April 2009 and was expected to achieve 100 percent destruction within that time frame. India informed the United Nations in May 2009 that it had destroyed its stockpile of chemical weapons in compliance with the international Chemical Weapons Convention. With this India has become third country after South Korea and Albania to do so. This was cross-checked by inspectors of the United Nations.
India has an advanced commercial chemical industry, and produces the bulk of its own chemicals for domestic consumption. It is also widely acknowledged that India has an extensive civilian chemical and pharmaceutical industry and annually exports considerable quantities of chemicals to countries such as the United Kingdom, United States and Taiwan.

Nuclear weapons
As early as 26 June 1946, Jawaharlal Nehru, soon to be India's first Prime Minister, announced: As long as the world is constituted as it is, every country will have to devise and use the latest devices for its protection. I have no doubt India will develop her scientific researches and I hope Indian scientists will use the atomic force for constructive purposes. But if India is threatened, she will inevitably try to defend herself by all means at her disposal.
Nehru pursued a policy of formally foregoing nuclear weapons while at the same time constructing a civilian nuclear energy program, and by extension the capability to make a nuclear bomb. This policy was motivated by a conventional weapons superiority over its rivals Pakistan and China. India built its first research reactor in 1956 and its first plutonium reprocessing plant by 1964. India's nuclear programme can trace its origins to March 1944 and its three-stage efforts in technology were established by Homi Jehangir Bhabha when he founded the nuclear research centre, the Tata Institute of Fundamental Research.India's loss to China in a brief Himalayan border war in October 1962, provided the New Delhi government impetus for developing nuclear weapons as a means of deterring potential Chinese aggression.  By 1964 India was in a position to develop nuclear weapons. Prime Minister Lal Bahadur Shastri opposed developing nuclear weapons but fell under intense political pressure, including elements within the ruling Indian National Congress. India was also unable to obtain security guarantees from either the United States or the Soviet Union. As a result, Shastri announced that India would pursue the capability of what it called "peaceful nuclear explosions" that could be weaponized in the future.India first tested a nuclear device in 1974 (code-named "Smiling Buddha"), under Prime Minister Indira Gandhi as a peaceful nuclear explosion. The test used plutonium produced in the Canadian-supplied CIRUS reactor, and raised concerns that nuclear technology supplied for peaceful purposes could be diverted to weapons purposes.  This also stimulated the early work of the Nuclear Suppliers Group. During the 1970s and the 1980s Prime Ministers Indira Gandhi, Morarji Desai, and Rajiv Gandhi opposed weaponizing its nuclear program beyond PNE's and theoretical research. In 1982, Indira Gandhi refused to allow the Defence Research and Development Organisation to develop active nuclear weapons, but also approved the Integrated Guided Missile Development Programme that would develop missiles to deliver a nuclear warhead if India developed one. India also supported international nuclear non-proliferation and arms control efforts.The situation changed again in the late 1980s after the 1987 Brasstacks crisis and the beginning of the Pakistani nuclear weapons program. In 1989, Prime Minister Rajiv Gandhi gave Defense Secretary Naresh Chandra approval to develop the bomb. Chandra continued the program through successive governments in the 1990s after Gandhi lost power in the 1989 general election. India most likely completed weaponized nuclear warheads around 1994. India performed further nuclear tests in 1998 (code-named "Operation Shakti") under Prime Minister Atal Bihari Vajpayee. In 1998, as a response to the continuing tests, the United States and Japan imposed sanctions on India, which have since been lifted.

Neutron bombs
R Chidambaram, who headed India's Pokhran-II nuclear tests, said in a 1999 interview with the Press Trust of India that India is capable of producing a neutron bomb.

India's no-first-use policy
India has a declared nuclear no-first-use policy and is in the process of developing a nuclear doctrine based on "credible minimum deterrence." In August 1999, the Indian government released a draft of the doctrine which asserts that nuclear weapons are solely for deterrence and that India will pursue a policy of "retaliation only". The document also maintains that India "will not be the first to initiate a nuclear first strike, but will respond with punitive retaliation should deterrence fail" and that decisions to authorise the use of nuclear weapons would be made by the Prime Minister or his 'designated successor(s)'. According to the NRDC, despite the escalation of tensions between India and Pakistan in 2001–2002, India remained committed to its nuclear no-first-use policy.
India's Strategic Nuclear Command was formally established in 2003, with an Indian Air Force officer, Air Marshal Tej Mohan Asthana, as the Commander-in-Chief. The joint services SNC is the custodian of all of India's nuclear weapons, missiles and assets. It is also responsible for executing all aspects of India's nuclear policy. However, the civil leadership, in the form of the CCS (Cabinet Committee on Security) is the only body authorised to order a nuclear strike against another offending strike. The National Security Advisor Shivshankar Menon reiterated a policy of "no first use" against nuclear weapon states and "non use against non-nuclear weapon states" in a speech on the occasion of Golden Jubilee celebrations of National Defence College in New Delhi on 21 October 2010, a doctrine Menon said reflected India's "strategic culture, with its emphasis on minimal deterrence. In April 2013 Shyam Saran, convener of the National Security Advisory Board, affirmed that regardless of the size of a nuclear attack against India, be it a miniaturised version or a "big" missile, India will retaliate massively to inflict unacceptable damage.In 2016, Defence Minister Manohar Parrikar questioned the no first use policy, asking why India should "bind" itself when it is a "responsible nuclear power". Later he clarified that this was his personal opinion. Defence Minister Rajnath Singh in 2019 said that in the future, India's no first use policy might change depending upon the "circumstances". In a January 2022 statement, however, the Ministry of External Affairs reiterated India's doctrine of "maintaining a credible minimum deterrence based on a No First Use posture and non-use of nuclear weapons against non-nuclear weapon states".

Indian nuclear triad
Air-launched nuclear weapons
Nuclear-armed fighter-bombers were India's first and only nuclear-capable strike force until 2003, when the country's first land-based nuclear ballistic missiles were fielded.In addition to their ground-attack role, it is believed that the Dassault Mirage 2000s and SEPECAT Jaguars of the Indian Air Force are able to provide a secondary nuclear-strike role. The SEPECAT Jaguar was designed to be able to carry and deploy nuclear weapons and the Indian Air Force has identified the jet as being capable of delivering Indian nuclear weapons. The most likely delivery method would be the use of bombs that are free-falling and unguided.Three airbases with four squadrons of Mirage 2000H (about 16 aircraft with 16 bombs from 1st and 7th squadrons of the 40th Wing at Maharajpur Air Force Station) and Jaguar IS/IB (about 32 aircraft with 32 bombs from one squadron each at Ambala Air Force Station and Gorakhpur Air Force Station) aircraft, are believed to be assigned the nuclear strike role.

Land-based ballistic missiles
The estimated 68 nuclear warheads of land-based nuclear weapons of India are under the control of and deployed by the Strategic Forces Command, using a variety of both vehicles and launching silos. They currently consist of six different types of ballistic missiles, the Agni-I, the Agni-II, Agni-III, Agni-IV, Agni-V, Agni-P and the Army's variant of the Prithvi missile family – the Prithvi-I. However, the Prithvi missiles are less useful for delivering nuclear weapons because they have a shorter range and must be deployed very close to the India–Pakistan border. Additional variants of the Agni missile series have recently been inducted including the most recent, the Agni-IV and the Agni-V, which is currently being deployed. Agni-VI is also under development, with an estimated range of 8,000–12,000 km and features such as Multiple independently targetable reentry vehicles (MIRVs) or Maneuverable reentry vehicles (MARVs).

Sea-based ballistic missiles
The Indian Navy has developed two sea-based delivery systems for nuclear weapons, completing Indian ambitions for a nuclear triad, which may have been deployed in 2015.

The first is a submarine-launched system consisting of at least four 6,000 tonne (nuclear-powered) ballistic missile submarines of the Arihant class. The first vessel, INS Arihant, was commissioned in August 2016. She is the first nuclear-powered submarine to be built by India. A CIA report claimed that Russia provided technological aid to the naval nuclear propulsion program. The submarines will be armed with up to 12 Sagarika (K-15) missiles armed with nuclear warheads. Sagarika is a submarine-launched ballistic missile with a range of 700 km. This missile has a length of 8.5 meters, weighs seven tonnes and can carry a pay load of up to 500 kg. Sagarika has already been test-fired from an underwater pontoon, but now DRDO is planning a full-fledged test of the missile from a submarine and for this purpose may use the services of the Russian Navy. India's DRDO is also working on a submarine-launched ballistic missile version of the Agni-III missile, known as the Agni-III SL. According to Indian defence sources, the Agni-III SL will have a range of 3,500 kilometres (2,200 mi). The new missile will complement the older and less capable Sagarika submarine-launched ballistic missiles. However, the Arihant class ballistic missile submarines will be only capable of carrying a maximum of four Agni-III SL.
The second is a ship-launched system based around the short range ship-launched Dhanush ballistic missile (a variant of the Prithvi missile). It has a range of around 300 km. In the year 2000 the missile was test-fired from INS Subhadra (a Sukanya class patrol craft). INS Subhadra was modified for the test and the missile was launched from the reinforced helicopter deck. The results were considered partially successful. In 2004, the missile was again tested from INS Subhadra and this time the results were reported successful. In December 2005 the missile was tested again, but this time from the destroyer INS Rajput. The test was a success with the missile hitting the land based target.

International response
India is not a signatory to either the NPT or the Comprehensive Nuclear-Test-Ban Treaty (CTBT), but did accede to the Partial Nuclear Test Ban Treaty in October 1963. Journalist, conspiracy theorist, and holocaust denier Gregory Douglas claims CIA officer Robert Crowley told him in an interview in 1993 that India's pursuit of the programme disturbed the United States and that the CIA assassinated Prime Minister Shastri and Homi Bhabha in 1966. India is a member of the International Atomic Energy Agency (IAEA), and four of its 17 nuclear reactors are subject to IAEA safeguards. India announced its lack of intention to accede to the NPT as late as 1997 by voting against the paragraph of a General Assembly Resolution which urged all non-signatories of the treaty to accede to it at the earliest possible date. India voted against the UN General Assembly resolution endorsing the CTBT, which was adopted on 10 September 1996. India objected to the lack of provision for universal nuclear disarmament "within a time-bound framework." India also demanded that the treaty ban laboratory simulations. In addition, India opposed the provision in Article XIV of the CTBT that requires India's ratification for the treaty to enter into force, which India argued was a violation of its sovereign right to choose whether it would sign the treaty. In early February 1997, Foreign Minister I. K. Gujral reiterated India's opposition to the treaty, saying that "India favors any step aimed at destroying nuclear weapons, but considers that the treaty in its current form is not comprehensive and bans only certain types of tests."
In August 2008, the International Atomic Energy Agency (IAEA) approved safeguards agreement with India under which the former will gradually gain access to India's civilian nuclear reactors. In September 2008, the Nuclear Suppliers Group granted India a waiver allowing it to access civilian nuclear technology and fuel from other countries. The implementation of this waiver makes India the only known country with nuclear weapons which is not a party to the NPT but is still allowed to carry out nuclear commerce with the rest of the world.Since the implementation of the NSG waiver, India has signed nuclear deals with several countries including France, United States, Mongolia, Namibia,  Kazakhstan and Australia while the framework for similar deals with Canada and the United Kingdom are also being prepared.

Domestic legislation
India has a number of laws in whole or in partial measure that deal with the regulation of weapons of mass destruction. They include the Weapons of Mass Destruction and their Delivery Systems (Prohibition of Unlawful Activities) Act of 2005. In April 2022 a bill was tabled to amend the 2005 act to include the financing of proliferation.

See also
Weapons of mass destructionIndia–United States Civil Nuclear Agreement
Weapons of mass destruction
Nuclear Command Authority (India)Defence relatedIndian military satellites
Guided missiles of India
Indian Armed Forces
Indian Human Spaceflight Programme
Passage 14:
James Cottriall
James Cottriall (born 1 January 1986, in Stratford upon Avon, England) is an English musician, active predominantly, and living in Vienna, Austria. He became famous throughout Austria with the success of his first single, "Unbreakable", which spent twenty weeks in the Austrian top 40 charts in summer 2010. "Unbreakable" was nominated for the Song of the Year category at the 2010 Austrian music Amadeus Awards.

Background
Cottriall grew up in the countryside of Warwickshire, England, just outside Stratford-upon-Avon. He has two brothers, Ben Cottriall and Alex Cottriall. His father is a stamp dealer. His Mother has a degree from Warwick University. He studied German at King Edward VI School, Stratford-upon-Avon, and then at the University of Nottingham where part of the course required him to study for one year abroad in a German-speaking country. He chose to study at the University of Vienna in Austria. Following encouragement from fellow students and friends, he began to give performances of his songs in cafés and bars around Vienna, playing a combination of covers together with his own, newly composed songs. He was also a regular and notorious busker on the Kärntnerstraße, in Vienna's town centre. Following a measure of success, when his one year of study was completed, Cottriall chose to remain in Vienna to actively promote his music. On 29 December 2016 his first child, Lily Joy Cottriall was born in Los Angeles. After divorcing his ex- wife in California in 2018 James moved back to Vienna and became engaged to long-term girlfriend Jessica Garrison in 2021.

2010: Sincerely Me
Cottriall released his single, "Unbreakable", in Austria on 9 April 2010. It received generous airplay from almost every local and national Austrian radio station. It reached number 1 in the Ö3 Hörercharts (Most Requested by listeners charts for Austria) and remained in the Top 40 Charts for 20 weeks. The song was included on the Ö3 Greatest Hits vol. 50 and AustroPop Forever vol. 4 compilation albums. The song was accompanied by a promotional video of Cottriall with a fictional girlfriend going through an emotional break-up, with a concurrent sub-plot of him playing his guitar in an apartment with a broken water pipe gradually flooding the room, leaving him eventually submerged.
His follow-up single, "So Nice" was released on 6 August 2010 through Pop Pate Records/Edel. In contrast to the hurt and heartache of "Unbreakable", "So Nice" focuses on the positive aspects of love and relationships. It was produced by Gwenael Damman, bass guitarist for Christina Stürmer. Damman also produced Cottriall's first album, Sincerely Me, which was released in Austria 15 October 2010, also through Pop Pate/Edel. Drums were played by Klaus Pérez-Salado (also part of the Christina Stürmer band) and the piano and keyboards were played by Mark Royce.

2012: Love is Louder
In 2011, Cottriall recorded his fourth single "By Your Side" with the producer Doug Petty in Los Angeles, USA. This single reached No. 24 in the Austrian Top 40 and stayed there for several weeks. Petty also produced Cottriall's second album, Love is Louder, which was released on 24 February 2012 and charted at No. 10.
Further success was achieved with the song "Smile", which spent 16 weeks in the Austrian Top40, peaking at number 12. Two more songs from the album entered the charts: "Stand Up" and "One Wish".
"One Wish" was used worldwide by Hollister and Abercrombie & Fitch in 2012. Cottriall's second album and its singles celebrated almost a year of chart success.

2015: Common Ground
Cottriall released his third studio album in June 2015 and its lead single "Givin' Up" enjoyed 31 weeks in the Austrian Most Requested Charts, 22 weeks in the AirPlay Charts and 8 weeks in the Top 40 Charts. Common Ground is nominated for Best Sound at the 2016 Amadeus Awards in Austria.

2021: Let's Talk
In September 2021 Cottriall released his latest album "Let's Talk" largely written throughout the various Coronavirus Lockdowns. The album consists of 11 songs recorded and produced between England, Los Angeles and Nashville. 2 of the tracks on the album "Turn the Key" and "Fall On Me" were produced and recorded by Cottriall himself during the national lockdowns. The album launched at Calea Dinner Club in Vienna on the 9th September 2021.

Discography
Albums
Singles
Other charted songs

Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the Smile performer's birthday?



Answer: 1 January 1986