The following are given passages.
Passage 1:
Atika Suri
Atika Suri (born Indragiri Hulu Regency, Riau; February 10, 1968) is an Indonesian TV newscasters and newscast producer.

Education and training
Atika Suri graduated from the Design and Art Faculty of Trisakti University in Jakarta.  During her career as television journalist, Suri has attended several professional trainings including Peace Journalism from the BBC in 2001, CNN Television Workshop in October 2000, and TV News Production Workshops by Frank N. Magid Associates in 1995 and 1996.

Career
Suri began her career as a reporter and news presenter for RCTI's morning show, Nuansa Pagi, in 1993. Since 1994, Suri had been assigned to report Indonesia's presidential activities including reporting overseas visits of former presidents Suharto and Abdurrahman Wahid. As a presidential correspondent, Suri had conducted many live reports from overseas, and also established networks with sources such as cabinet ministers and officials. Suri also did live reports during the Asia-Pacific Economic Cooperation (APEC) Leaders Meeting in Bogor, Indonesia in 1994, and covered the Meeting of 77 Heads of the 3rd World Countries, or G-77 Conference, in Havana, Cuba.
Atika Suri is now the news producer of RCTI's newscast, Buletin Siang, one of the news programs in Indonesia. Suri manages the production of the newscast, selects stories and arranges the rundown, writes news stories and lead-ins, copies edit and approves the scripts prior to editing and on-air. She also helps translate materials from news agencies and voices them into Indonesian language.
Since 2004, Suri has been back to serve as the main anchor of RCTI’s morning newscast Nuansa Pagi along with co-anchor Ade Novit. She had also served as the main anchor of Buletin Siang, as well as the newscaster of Seputar Indonesia.
Atika Suri had been nominated as the most favorite female news presenter of the Panasonic Awards in 2000.
Passage 2:
Surichata
Surichata (Aymara and Quechua suri rhea, Pukina chata mountain, Hispanicized spelling Zorrichata) is a  mountain in the Andes of southern Peru, about 4,800 metres (15,748 ft) high. It is situated in the Puno Region, Puno Province, on the border of the districts San Antonio and Pichacani. Surichata lies north of the mountain Kunturiri and northeast of Wankarani and  Ninachiri.
Passage 3:
Europe-Asia Studies
Europe-Asia Studies is an academic peer-reviewed journal published 10 times a year by Routledge on behalf of the Institute of Central and East European Studies, University of Glasgow, and continuing (since vol. 45, 1993) the journal Soviet Studies (vols. 1–44, 1949–1992), which was renamed after the dissolution of the Soviet Union. The journal focuses on political, economic and social affairs of the countries of the former Soviet bloc and their successors, as well as their history in the 20th century. Both Europe-Asia Studies and Soviet Studies are available online with subscription via JSTOR from 1949 onwards.
According to the Journal Citation Reports, the journal has a 2020 impact factor of 2.102, ranking it --- out of 161 journals in the category "Political Science".
Passage 4:
Khustigiri
Khustigiri (mentioned in census data as Khushtikuri) is a village in Ilambazar community development block in Bolpur subdivision of Birbhum District in the Indian state of West Bengal. It is 25 kilometres (16 mi) from Suri.

Overview
Khustigiri is famous for the Dargah Sharif which is believed to be a place of learning, getting peace of mind, and becoming free from diseases and mental distress. This sacred place was established by the great Sufi saint Syed Shah Abdullah Kermani about 500 years ago for providing service to mankind, by the order of his spiritual master, Makhdoom Shah Arzani. The serene environment draws the minds of all irrespective of race, caste, creed and religion. The Sufi saint Abdullah Kermani (in short Kermani Baba) had established khankah, Jama Masjid, madrasah, langor khana, atithi shala, nahabat khana, library, charitable dispensary etc. for the service to mankind. In addition to these, the attractions of this place are the big and beautiful tomb of Kermani with double domes, sacred Gangagore, khas mahal, tombs of 14 Kazis, Hazrat Museum, historical tamarind tree, big dias, new minar, beautiful garden and the mazars of the descendants of Kermani. Several functions and ceremonies are held throughout the year. Many centres under this dargah are being opened in various parts of West Bengal.

History
It is said that a Muslim saint Saiyad Shah Abdullah Kirmani when young left Kirman in Iran his native country and visited a Muslim saint Shah Arzani, who died at Patna during the reign of Shah Jahan in 1630 AD. Shah Arzani directed him to go to Bengal and gave him a toothpick of chambeli wood. He told him to stay at the place where the toothpick became fresh and green. He arrived in Birbum and stayed at Bargaon, where he performed several miracles (karamat) but the toothpick remained unchanged. He then moved on to Khustigiri. There one morning he found the toothpick to have become fresh and green. He planted it and it soon became a large tree.  Shah Abdullah is specially renowned for his power over serpents. His dargah is in the hands of his descendants and is visited by numerous pilgrims.

Geography
Location
Khustigiri is located at 23.7605°N 87.536367°E﻿ / 23.7605; 87.536367.
Note: The map alongside presents some of the notable locations in the area. All places marked in the map are linked in the larger full screen map.

Fair
Medini mela is organised around the time of Muharram and Shab e Baraat  near the mazar of Shah Abdullah Kermani at Khustigiri. Above all urs is observed every year from 11th Falgun to 15th Falgun (24 to 28 February) every year where millions of people attend.

Demographics
As per the 2011 Census of India, Khushtikuri had a total population of 1,994 of which 1,039 (52%) were males and 955 (48%) were females. Population below 6 years was 294. The total number of literates in Khushtikuri was 1,243 (73.12% of the population over 6 years).

Transport
Khustigiri is on the Panrui-Kurmitha Road.
Passage 5:
Trisakti Museum
Trisakti Museum or May 12 Tragedy Museum is a human rights museum in Jakarta, Indonesia. The museum documents the active role of Indonesian students at Trisakti University in fighting for democracy and human rights.The museum briefly tells about four students who were shot on May 12, 1998. In the museum there are short articles, a collection of news from newspapers, ornaments, demonstration photographs, photographs of the deceased, and their relics.

History
Trisakti Museum was established with the background of the Indonesian university student movement in 1998, when the students across Indonesia rallied to demand reform.The students at Trisakti University, as a part of the students in Indonesia as a whole, participated in a peaceful protest movement. The movement reach its peak when four students at Trisakti University were killed on May 12, 1998. This incident triggered the fall of Orde Baru.To commemorate the tragedy, the museum was placed in the lobby of the Dr Syarif Thajeb building, on the campus of Trisakti University, Grogol, West Jakarta.

See also
Indonesian Revolution of 1998
Trisakti shootings
List of museums and cultural institutions in Indonesia
Passage 6:
Ann McKee
Ann McKee (born 1953) is a neuropathologist and expert in neurodegenerative disease at the New England Veterans Affairs Medical Centers (VISN-1) and is professor of neurology and pathology at Boston University School of Medicine and director of Boston University CTE Center. She is particularly known for her work studying Alzheimer's disease and the consequences of repetitive traumatic brain injury. In 2017, she was named "Bostonian of the Year" by The Boston Globe for her leading work in this area, and in 2018, Time named McKee one of its 100 most influential people.

Education
McKee earned her bachelor's degree at the University of Wisconsin and her medical degree at Case Western Reserve University School of Medicine. McKee then completed a fellowship in neuropathology at Massachusetts General Hospital and a residency in neurology at Cleveland Metropolitan General Hospital.

Career
McKee is the chief neuropathologist at New England Veterans Affairs Medical Centers (VISN-1), and director of the Boston University CTE Center and Neuropathology Core for the Boston University Alzheimer's Disease Center (BU ADC). Dr. McKee is also associate director of the BU ADC. Dr. McKee directs multiple brain banks including those for the BU ADC and Framingham Heart Study which are based at the Bedford VA, and the VA-BU-CLF and Chronic Effects of Neurotrauma Consortium brain banks which are based at VA Boston. Dr. McKee's research focuses on CTE and the late-effects of traumatic neurodegeneration.
McKee is a leading authority on chronic traumatic encephalopathy (CTE), a degenerative brain disease. CTE is most commonly found in athletes participating in boxing, American football, ice hockey, other contact sports, and military service. In 2013, she reported that she had found evidence of CTE in over 70 of the athletes that she examined, including three NHL enforcers and 18 NFL players. McKee has presented her findings to National Football League officials and testified before the United States House Judiciary Committee. She has also studied diseases including Lewy body disease, Parkinson's disease, progressive supranuclear palsy, multiple system atrophy, frontotemporal lobar degeneration, and corticobasal degeneration.

Accolades and awards
McKee has received numerous awards in recognition of her work. In 2018, the Alzheimer's Association gave her the Henry Wisniewski Lifetime Achievement Award for her work. In the same year, Time magazine named her one of the 100 Most Influential People. Chris Borland, a former linebacker for the San Francisco 49ers who retired at the age of 24 due to brain injury concerns spurred by McKee's research, said "She may have saved my life. At the very least, her work has likely spared me much of the suffering we see today among former NFL players."

Personal life
McKee has three children and lives in Massachusetts. She has a long-term boyfriend named Gary, but he is known as "Harv" by friends and family. She is a Green Bay Packers fan.
Passage 7:
Neocollyris horsfieldi
Neocollyris horsfieldii is a species in the tiger beetle family Cicindelidae, found in Indonesia. It was described by William Macleay in 1825 and was named for Thomas Horsfield, an American naturalist who had worked extensively in Indonesia.
Passage 8:
Hokkien
The Hokkien () variety of Chinese is a Southern Min language native to and originating from the Minnan region, where it is widely spoken in the southeastern part of Fujian in southeastern mainland China. In Chinese linguistics, these languages are known by their classification under the Quanzhang division (Chinese: 泉漳片; pinyin: Quánzhāng piàn) of Min Nan, which comes from the first characters of the two main Hokkien urban centers of Quanzhou and Zhangzhou.
Hokkien (Taiwanese) is one of the national languages in Taiwan, and it is also widely spoken within the overseas Chinese diaspora in Singapore, Malaysia, the Philippines, Indonesia, Cambodia, Myanmar, Hong Kong, Thailand, Brunei and across the world. The mutually intelligibility between Hokkien dialects varies, but they are still held together by ethnolinguistic identity.In Maritime Southeast Asia, Hokkien historically served as the lingua franca amongst overseas Chinese communities of all dialects and subgroups, and it remains today as the most spoken variety of Chinese in the region, including in Singapore, Malaysia, Philippines, Indonesia. This applied to a lesser extent to Mainland Southeast Asia. The Betawi Malay language, spoken by some five million people in and around the Indonesian capital Jakarta, includes numerous Hokkien loanwords due to the significant influence of the Chinese Indonesian diaspora, most of whom are of Hokkien ancestry and origin.

Names
Chinese speakers of the Quanzhang variety of Southern Min refer to the mainstream Southern Min language as

Bân-lâm-gú / Bân-lâm-ōe (闽南语/闽南话; 閩南語/閩南話, literally 'Southern Min Language/Speech') in China and Taiwan.
Tâi-gí / Tâi-gú (臺語, literally 'Taiwanese Language') or Ho̍h-ló-ōe / Hô-ló-ōe (福佬話, literally 'Hoklo Speech') in Taiwan.
Lán-nâng-ōe / Lán-lâng-ōe / Nán-nâng-ōe (咱人話 / 咱儂話, literally 'Our People's Speech') in the Philippines.
Hok-kiàn-ōe / Hok-kiàn-ōa (福建話, literally 'Hokkien Speech') in Malaysia, Singapore, Indonesia and Brunei.In parts of Southeast Asia and in the English-speaking communities, the term Hokkien ([hɔk˥kiɛn˨˩]) is etymologically derived from the Southern Min pronunciation for Fujian (Chinese: 福建; pinyin: Fújiàn; Pe̍h-ōe-jī: Hok-kiàn), the province from which the language hails. In Southeast Asia and the English press, Hokkien is used in common parlance to refer to the Southern Min dialects of southern Fujian, and does not include reference to dialects of other Sinitic branches also present in Fujian such as the Fuzhou language (Eastern Min), Pu-Xian Min, Northern Min, Gan Chinese or Hakka. 
The word Hokkien first originated from Walter Henry Medhurst when he published the Dictionary of the Hok-këèn Dialect of the Chinese Language, According to the Reading and Colloquial Idioms in 1832. This is considered to be the earliest English-based Hokkien Dictionary and the first major reference work in POJ, although the romanization within was quite different from the modern system. In this dictionary, the word "Hok-këèn" was used. In 1869, POJ was further revised by John Macgowan in his published book A Manual Of The Amoy Colloquial. In this book, "këèn" was changed to "kien" as "Hok-kien" and from then on, the word "Hokkien" began to be used more often. 
Historically, Hokkien was also known as "Amoy", after the Hokkien name of Xiamen, the principal port of Southern Fujian during the Qing dynasty as one of the five ports opened to foreign trade by the Treaty of Nanking. By 1873, Rev. Carstairs Douglas would publish his dictionary named "Chinese–English Dictionary of the Vernacular or Spoken Language of Amoy, With the Principal Variations of the Chang-chew and Chin-chew Dialects." where he would call the language as "The Language of Amoy" or "The Amoy Vernacular" and by 1883, Rev. John Macgowan would publish another dictionary named "English and Chinese Dictionary of the Amoy Dialect". Due to confusion with differentiating the Amoy dialect of Hokkien from Xiamen with the general language itself, many proscribe this usage though many old books and media may still be observed to be labeled with "Amoy" instead to generally refer to the language, besides the specific dialect of Hokkien from Xiamen.

Geographic distribution
Hokkien is spoken in the southern, seaward quarter of Fujian province, southeastern Zhejiang, and eastern Namoa Island in China; Taiwan; Metro Manila, Metro Cebu, Metro Davao and other cities in the Philippines; Singapore; Brunei; Medan, Riau and other cities in Indonesia; and from Perlis, Kedah, Penang and Taiping in Malaysia.

Hokkien originated in the southern area of Fujian province, an important center for trade and migration, and has since become one of the most common Chinese varieties overseas. The major pole of Hokkien varieties outside of Fujian is nearby Taiwan, where immigrants from Fujian arrived as workers during the 40 years of Dutch rule, fleeing the Qing dynasty during the 20 years of Ming loyalist rule, as immigrants during the 200 years of Qing dynasty rule, especially in the last 120 years after immigration restrictions were relaxed, and even as immigrants during the period of Japanese rule. The Taiwanese dialect mostly has origins with the Tung'an, Quanzhou and Zhangzhou variants, but since then, the Amoy dialect, also known as the Xiamen dialect, has become the modern prestige representative for the language in China. Both Amoy and Xiamen come from the Chinese name of the city (Chinese: 厦门; pinyin: Xiàmén; Pe̍h-ōe-jī: Ē-mûi); the former is from Zhangzhou Hokkien, whereas the latter comes from Mandarin.
There are many Minnan (Hokkien) speakers among overseas Chinese in Southeast Asia as well as in the United States (Hoklo Americans). Many ethnic Han Chinese emigrants to the region were Hoklo from southern Fujian, and brought the language to what is now Burma (Myanmar), Vietnam, Indonesia (the former Dutch East Indies) and present day Malaysia and Singapore (formerly Malaya and the British Straits Settlements). Most of the Minnan dialects of this region have incorporated some foreign loanwords. Hokkien is reportedly the native language of up to 80% of the ethnic Chinese people in the Philippines, among which is known locally as Lán-nâng-uē ("Our people's speech"). Hokkien speakers form the largest group of overseas Chinese in Singapore, Malaysia, Indonesia and Philippines.

Classification
Southern Fujian is home to four principal Minnan Proper (Hokkien) dialects: Chiangchew, Chinchew, Tung'an, and Amoy, originating from the cities of Quanzhou, Zhangzhou, historical Tung'an County (同安縣, now Xiamen and Kinmen) and her own Port of Amoy, respectively.
The Quanzhou dialect spoken in Quanzhou was the Traditional Representative Minnan. It is the dialect that is used in Liyuan Opera (梨園戲) and Nanguan music (南管). The Quanzhou dialect is considered to be the most conservative Minnan dialect.
In the late 1800s, the Amoy dialect attracted special attention, because Amoy was one of the five ports opened to foreign trade by the Treaty of Nanking, but before that it had not attracted attention. The Amoy dialect is adopted as the Modern Representative Minnan. The Amoy dialect can not simply be interpreted as a mixture of the Zhangzhou and Quanzhou dialects, but rather it is formed on the foundation of the Tung'an dialect with further inputs from other sub-dialects. It has played an influential role in history, especially in the relations of Western nations with China, and was one of the most frequently learnt dialect of the Hokkien variety by Westerners during the second half of the 19th century and the early 20th century.
The Modern Representative form of Hokkien spoken around the city of Tainan (台南) in Taiwan heavily resembles the Tung'an dialect. All Hokkien dialects spoken throughout the whole of Taiwan are collectively known as Taiwanese Hokkien, or Holo locally, although there is a tendency to call these Taiwanese language for historical reasons. It is spoken by more Taiwanese than any Sinitic language except Mandarin, and it is known by a majority of the population; thus, from a socio-political perspective, it forms a significant pole of language usage due to the popularity of Holo-language media. Douglas (1873/1899) also noted that Formosa (Taiwan) has been settled mainly by emigrants from Amoy (Xiamen), Chang-chew (Zhangzhou), and Chin-chew (Quanzhou). Several parts of the island are usually found to be specially inhabited by descendants of such emigrants, but in Taiwan, the various forms of the dialects mentioned prior are a good deal mixed up.

Southeast Asia
The varieties of Hokkien in Southeast Asia originate from these dialects. Douglas (1873/1899) notes that "Singapore and the various Straits Settlements [such as Penang and Malacca], Batavia [Jakarta] and other parts of the Dutch possessions [Indonesia], are crowded with emigrants, especially from the Chang-chew [Zhangzhou] prefecture; Manila and other parts of the Philippines have great numbers from Chin-chew [Quanzhou], and emigrants are largely scattered in like manner in Siam [Thailand], Burmah [Myanmar], the Malay Peninsula [Peninsular Malaysia], Cochin China [Southern Vietnam, Cambodia, Laos], Saigon [Ho Chi Minh City, Vietnam], &c. In many of these places there is also a great mixture of emigrants from Swatow [Shantou]."In modern times though, a mixed dialect descended from the Quanzhou, Amoy, and Zhangzhou dialects, leaning a little closer to the Quanzhou dialect, possibly due to being from the Tung'an dialect, is spoken by Chinese Singaporeans, Southern Malaysian Chinese, and Chinese Indonesians in Indonesia's Riau province and Riau Islands. Variants include Southern Peninsular Malaysian Hokkien and Singaporean Hokkien in Singapore.
Among Malaysian Chinese of Penang, and other states in Northern Peninsular Malaysia and ethnic Chinese Indonesians in Medan, with other areas in North Sumatra, Indonesia, a distinct descendant dialect form of Zhangzhou Hokkien has developed. In Penang, Kedah and Perlis, it is called Penang Hokkien while across the Malacca Strait in Medan, an almost identical variant is known as Medan Hokkien.
As for Chinese Filipinos in the Philippines, a variant known as Philippine Hokkien, which is also mostly derived from Quanzhou Hokkien, particularly the Jinjiang and Nan'an dialects with a bit of influence from the Amoy (Xiamen) dialect, is still spoken amongst families as most also profess ancestors from the aforementioned areas.
There are also Hokkien speakers scattered throughout other parts of Indonesia (such as Jakarta and around the island of Java), Thailand (especially Southern Thailand on the border with Malaysia), Myanmar, other parts of Malaysia (such as Eastern (Insular) Malaysia), Brunei, Cambodia, and Southern Vietnam (such as in Saigon / Ho Chi Minh City), though there are notably more of Teochew/Swatow background among descendants of Chinese migrants in regions such as parts of Peninsular Malaysia, Thailand, Cambodia, Laos, and Southern Vietnam.

History
Variants of Hokkien dialects can be traced to three sources of origin: Tong'an, Quanzhou and Zhangzhou. Both Amoy Hokkien and most of Taiwanese Hokkien is heavily based on the Tong'an dialect, and to a lesser extent, on Quanzhou and Zhangzhou dialects, while the rest of the Hokkien dialects spoken in South East Asia are derived their respective homelands in southern Fujian.

Southern Fujian
During the Three Kingdoms period of ancient China, there was constant warfare occurring in the Central Plain of China. Northerners began to enter into Fujian region, causing the region to incorporate parts of northern Chinese dialects. However, the massive migration of northern Han Chinese into Fujian region mainly occurred after the Disaster of Yongjia. The Jìn court fled from the north to the south, causing large numbers of northern Han Chinese to move into Fujian region. They brought the Old Chinese spoken in the Central Plain of China from the prehistoric era to the 3rd century into Fujian.
In 677 (during the reign of Emperor Gaozong of Tang), Chen Zheng, together with his son Chen Yuanguang, led a military expedition to suppress a rebellion of the She people. In 885, (during the reign of Emperor Xizong of Tang), the two brothers Wang Chao and Wang Shenzhi, led a military expedition force to suppress the Huang Chao rebellion. Waves of migration from the north in this era brought the language of Middle Chinese into the Fujian region.

Xiamen (Amoy)
The Amoy dialect is the main dialect spoken in area of Port of Xiamen, that is, southwest corner of Xiamen island in the Chinese city of Xiamen (formerly romanized and natively pronounced as "Amoy"). Historically, Port of Xiamen had always been part of Tung'an country until after 1912 of Republic of China era. Amoy dialect cannot simply be interpreted as a mixture of Zhangzhou and Quanzhou dialects, but rather it is formed on the foundation of Tung'an dialect with further inputs from other sub-dialects, namely from the adjacent Zhangzhou dialect.

Early sources
Several playscripts survive from the late 16th century, written in a mixture of Quanzhou and Chaozhou dialects. The most important is the Romance of the Litchi Mirror, with extant manuscripts dating from 1566 and 1581.In the early 17th century, Spanish friars in the Philippines produced materials documenting the Hokkien varieties spoken by the Chinese trading community who had settled there in the late 16th century:
Doctrina Christiana en letra y lengua china (1593), a Hokkien version of the Doctrina Christiana.
Diccionarium Sino-Hispanicum (1604), a Spanish–Hokkien dictionary, giving equivalent words, but not definitions.
Bocabulario de la lengua sangleya (c. 1617), a Spanish–Hokkien dictionary, with definitions.
Arte de la Lengua Chiõ Chiu (1620), a Spanish–Hokkien grammar.These texts appear to record a Zhangzhou dialect, from the old port of Yuegang (modern-day Haicheng, an old port that is now part of Longhai).Chinese scholars produced rhyme dictionaries describing Hokkien varieties at the beginning of the 19th century:
Lūi-im Biāu-ngō͘ (Huìyīn Miàowù) (彙音妙悟 "Understanding of the collected sounds") was written around 1800 by Huang Qian (黃謙), and describes the Quanzhou dialect. The oldest extant edition dates from 1831.
Lūi-chi̍p Ngé-sio̍k-thong Si̍p-ngó͘-im (Huìjí Yǎsútōng Shíwǔyīn) (彙集雅俗通十五音 "Compilation of the fifteen elegant and vulgar sounds") by Xie Xiulan (謝秀嵐) describes the Zhangzhou dialect. The oldest extant edition dates from 1818.Walter Henry Medhurst based his 1832 dictionary on the latter work.

Phonology
Hokkien has one of the most diverse phoneme inventories among Chinese varieties, with more consonants than Standard Mandarin and Cantonese. Vowels are more-or-less similar to that of Mandarin. Hokkien varieties retain many pronunciations that are no longer found in other Chinese varieties. These include the retention of the /t/ initial, which is now /tʂ/ (Pinyin 'zh') in Mandarin (e.g. 'bamboo' 竹 is tik, but zhú in Mandarin), having disappeared before the 6th century in other Chinese varieties. Along with other Min languages, which are not directly descended from Middle Chinese, Hokkien is of considerable interest to historical linguists for reconstructing Old Chinese.

Initials
Southern Min has aspirated, unaspirated as well as voiced consonant initials. For example, the word khui (開; "open") and kuiⁿ (關; "close") have the same vowel but differ only by aspiration of the initial and nasality of the vowel. In addition, Southern Min has labial initial consonants such as m in m̄-sī (毋是; "is not").
Another example is ta-po͘-kiáⁿ (查埔囝; "boy") and cha-bó͘-kiáⁿ (查某囝; "girl"), which differ in the second syllable in consonant voicing and in tone.

All consonants but ʔ may be nasalized; voiced oral stops may be nasalized into voiced nasal stops.
Nasal stops mostly occur word-initially.
Quanzhou and nearby may pronounce ⟨j⟩/⟨dz⟩ as ⟨l⟩ or ⟨g⟩.
⟨l⟩ is often interchanged with ⟨n⟩ and ⟨j⟩/⟨dz⟩ throughout different dialects.
⟨j⟩, sometimes into ⟨dz⟩, is often pronounced very thick so as to change to ⟨l⟩, or very nearly so.
Some dialects may pronounce ⟨l⟩ as ⟨d⟩, or a sound very like it.
Approximant sounds [w] [j], only occur word-medially, and are also realized as laryngealized [w̰] [j̰], within a few medial and terminal environments.

Finals
Unlike Mandarin, Hokkien retains all the final consonants corresponding to those of Middle Chinese. While Mandarin only preserves the n and ŋ finals, Southern Min also preserves the m, p, t and k finals and has developed the ʔ (glottal stop).
The vowels of Hokkien are listed below:
(*)Only certain dialects

Oral vowel sounds are realized as nasal sounds when preceding a nasal consonant.

Dialectal Sound Shifts
The following table illustrates some of the more commonly seen vowel shifts between various dialects. Further example character that features the same vowel shift is shown in parenthesis.

Tones
According to the traditional Chinese system, Hokkien dialects have 7 or 8 distinct tones, including two entering tones which end in plosive consonants. The entering tones can be analysed as allophones, giving 5 or 6 phonemic tones. In addition, many dialects have an additional phonemic tone ("tone 9" according to the traditional reckoning), used only in special or foreign loan words. This means that Hokkien dialects have between 5 and 7 phonemic tones.
Tone sandhi is extensive. There are minor variations between the Quanzhou and Zhangzhou tone systems. Taiwanese tones follow the patterns of Amoy or Quanzhou, depending on the area of Taiwan.

Dialects
The Hokkien language (Minnan) is spoken in a variety of accents and dialects across the Minnan region. The Hokkien spoken in most areas of the three counties of southern Zhangzhou have merged the coda finals -n and -ng into -ng. The initial consonant j (dz and dʑ) is not present in most dialects of Hokkien spoken in Quanzhou, having been merged into the d or l initials.
The -ik or -ɪk final consonant that is preserved in the native Hokkien dialects of Zhangzhou and Xiamen is also preserved in the Nan'an dialect (色, 德, 竹) but are pronounced as -iak in Quanzhou Hokkien.
Quanzhou Hokkien dialects (泉州閩南片):
Anxi dialect (安溪話)
Dehua dialect (德化話)
Hui'an dialect (惠安話)
Jinjiang dialect (晋江話)
Nan'an dialect (南安話)
Quanzhou dialect (泉州話)
Yongchun dialect (永春話)
Youxi dialect (尤溪話)
Philippine Hokkien (咱人話/咱儂話/菲律賓福建話)
Zhangzhou Hokkien dialects (漳州閩南片):
Longxi dialect (龍溪話)
Longyan dialect (龍巖話)
Pinghe dialect (平和話)
Yunxiao dialect (雲霄話)
Zhangpu dialect (漳浦話)
Zhangzhou dialect (漳州話)
Zhao'an dialect (詔安話)
Haifeng dialect (海豐話)
Lufeng dialect (陸豐話)
Penang Hokkien (檳城/庇能福建話)
Medan Hokkien (棉蘭福建話)
Tong'an dialect (同安話)
Tong'an (同安)
Kinmen (金門話)
Southern Peninsular Malaysian Hokkien (南馬福建話)
Singaporean Hokkien (新加坡福建話))
Amoy dialect (廈門話)
Taiwanese Hokkien (臺灣話/臺灣閩南語/台語)

Comparison
The Amoy dialect (Xiamen) is a variant of the Tung'an dialect. Majority of Taiwanese, from Tainan, to Taichung, to Taipei, is also heavily based on Tung'an dialect while incorporating some vowels of Zhangzhou dialect, whereas Southern Peninsular Malaysian Hokkien, including Singaporean Hokkien, is based on the Tung'an dialect, with Philippine Hokkien on the Quanzhou dialect, and Penang Hokkien on Zhangzhou dialect. There are some variations in pronunciation and vocabulary between Quanzhou and Zhangzhou dialects. The grammar is generally the same.
Additionally, extensive contact with the Japanese language has left a legacy of Japanese loanwords in Taiwanese Hokkien. On the other hand, the variants spoken in Singapore and Malaysia have a substantial number of loanwords from Malay and to a lesser extent, from English and other Chinese varieties, such as the closely related Teochew and some Cantonese. Meanwhile, in the Philippines, there are also a few Spanish and Filipino (Tagalog) loanwords, while it is also currently a norm to frequently codeswitch with English, Filipino (Tagalog), and in some cases other Philippine languages, such as Cebuano.

Mutual intelligibility
Tong'an, Xiamen, Taiwanese, Singaporean dialects as a group are more mutually intelligible, but it is less so amongst the forementioned group, Quanzhou dialect, and Zhangzhou dialect.Although the Min Nan varieties of Teochew and Amoy are 84% phonetically similar including the pronunciations of un-used Chinese characters as well as same characters used for different meanings, and 34% lexically similar,, Teochew has only 51% intelligibility with the Tong'an Hokkien|Tung'an dialect (Cheng 1997) whereas Mandarin and Amoy Min Nan are 62% phonetically similar and 15% lexically similar. In comparison, German and English are 60% lexically similar.Hainanese, which is sometimes considered Southern Min, has almost no mutual intelligibility with any form of Hokkien.

Grammar
Hokkien is an analytic language; in a sentence, the arrangement of words is important to its meaning. A basic sentence follows the subject–verb–object pattern (i.e. a subject is followed by a verb then by an object), though this order is often violated because Hokkien dialects are topic-prominent. Unlike synthetic languages, seldom do words indicate time, gender and plural by inflection. Instead, these concepts are expressed through adverbs, aspect markers, and grammatical particles, or are deduced from the context. Different particles are added to a sentence to further specify its status or intonation.
A verb itself indicates no grammatical tense. The time can be explicitly shown with time-indicating adverbs. Certain exceptions exist, however, according to the pragmatic interpretation of a verb's meaning. Additionally, an optional aspect particle can be appended to a verb to indicate the state of an action. Appending interrogative or exclamative particles to a sentence turns a statement into a question or shows the attitudes of the speaker.
Hokkien dialects preserve certain grammatical reflexes and patterns reminiscent of the broad stage of Archaic Chinese. This includes the serialization of verb phrases (direct linkage of verbs and verb phrases) and the infrequency of nominalization, both similar to Archaic Chinese grammar.

Choice of grammatical function words also varies significantly among the Hokkien dialects. For instance, khit (乞) (denoting the causative, passive or dative) is retained in Jinjiang (also unique to the Jinjiang dialect is thō͘ 度) and in Jieyang, but not in Longxi and Xiamen, whose dialects use hō͘ (互/予) instead.

Pronouns
Hokkien dialects differ in the pronunciation of some pronouns (such as the second person pronoun lí or lú or lír), and also differ in how to form plural pronouns (such as -n or -lâng). Personal pronouns found in the Hokkien dialects are listed below:

1 Exclusive
2 Inclusive
3 儂 (-lâng) is typically suffixed in Southeast Asian Hokkien dialects (with the exception of Philippine Hokkien)Possessive pronouns can be marked by the particle ê (的), in the same way as normal nouns. In some dialects, possessive pronouns can also be formed with a nasal suffix, which means that possessive pronouns and plural pronouns are homophones:

The most common reflexive pronoun is ka-kī (家己). In formal contexts, chū-kí (自己) is also used.
Hokkien dialects use a variety of demonstrative pronouns, which include:

this – che (這, 即), chit-ê (即個)
that – he (許, 彼), hit-ê (彼個)
here – chia (遮), chit-tau (即兜)
there – hia (遐), hit-tau (彼兜)The interrogative pronouns include:

what – siáⁿ-mih (啥物), sím-mih (甚麼), há-mi̍h (何物)
when – tī-sî (底時), kúi-sî (幾時), tang-sî (當時), sím-mih sî-chūn (甚麼時陣)
where – tó-lo̍h (倒落), tó-uī (倒位)
who – siáⁿ-lâng (啥人), siáng (誰),
why – ūi-siáⁿ-mih (為啥物), ūi-sím-mih (為甚物), án-chóaⁿ (按怎), khah (盍)
how – án-chóaⁿ (按怎), lû-hô (如何), cháiⁿ-iūⁿ (怎樣)

Copula ("to be")
States and qualities are generally expressed using stative verbs that do not require the verb "to be":

With noun complements, the verb sī (是) serves as the verb "to be".

To indicate location, the words tī (佇) tiàm (踮), leh (咧), which are collectively known as the locatives or sometimes coverbs in Chinese linguistics, are used to express "(to be) at":

Negation
Hokkien dialects have a variety of negation particles that are prefixed or affixed to the verbs they modify. There are six primary negation particles in Hokkien dialects (with some variation in how they are written in characters):

m̄ (毋, 呣, 唔, 伓)
bē (未)
bōe ()
mài (莫, 【勿愛】)
bô (無)
put (不) – literaryOther negative particles include:

bâng (甭)
bián (免)
thài (汰)The particle m̄ (毋, 呣, 唔, 伓) is general and can negate almost any verb:

The particle mài (莫, 【勿爱】), a concatenation of m-ài (毋愛) is used to negate imperative commands:

The particle bô (無) indicates the past tense:

The verb 'to have', ū (有) is replaced by bô (無) when negated (not 無有):

The particle put (不) is used infrequently, mostly found in literary compounds and phrases:

Vocabulary
The majority of Hokkien vocabulary is monosyllabic. Many Hokkien words have cognates in other Chinese varieties. That said, there are also many indigenous words that are unique to Hokkien and are potentially not of Sino-Tibetan origin, while others are shared by all the Min dialects (e.g. 'congee' is 糜 mê, bôe, bê, not 粥 zhōu, as in other dialects).
As compared to Mandarin, Hokkien dialects prefer to use the monosyllabic form of words, without suffixes. For instance, the Mandarin noun suffix 子 (zi) is not found in Hokkien words, while another noun suffix, 仔 (á) is used in many nouns. Examples are below:

'duck' – 鴨 ah or 鴨仔 ah-á (SC: 鴨子 yāzi)
'color' – 色 sek (SC: 顏色 yán sè)In other bisyllabic morphemes, the syllables are inverted, as compared to Mandarin. Examples include the following:

'guest' – 人客 lâng-kheh (SC: 客人 kèrén)In other cases, the same word can have different meanings in Hokkien and Mandarin. Similarly, depending on the region Hokkien is spoken in, loanwords from local languages (Malay, Tagalog, Burmese, among others), as well as other Chinese dialects (such as Southern Chinese dialects like Cantonese and Teochew), are commonly integrated into the vocabulary of Hokkien dialects.

Literary and colloquial readings
The existence of literary and colloquial readings is a prominent feature of some Hokkien dialects and indeed in many Sinitic varieties in the south. The bulk of literary readings (文讀, bûn-tha̍k), based on pronunciations of the vernacular during the Tang dynasty, are mainly used in formal phrases and written language (e.g. philosophical concepts, given names, and some place names), while the colloquial (or vernacular) ones (白讀, pe̍h-tha̍k) are usually used in spoken language, vulgar phrases and surnames. Literary readings are more similar to the pronunciations of the Tang standard of Middle Chinese than their colloquial equivalents. 
The pronounced divergence between literary and colloquial pronunciations found in Hokkien dialects is attributed to the presence of several strata in the Min lexicon. The earliest, colloquial stratum is traced to the Han dynasty (206 BCE – 220 CE); the second colloquial one comes from the period of the Northern and Southern dynasties (420–589 CE); the third stratum of pronunciations (typically literary ones) comes from the Tang dynasty (618–907 CE) and is based on the prestige dialect of Chang'an (modern day Xi'an), its capital.Some commonly seen sound correspondences (colloquial → literary) are as follows:

p- ([p-], [pʰ-]) → h ([h-])
ch-, chh- ([ts-], [tsʰ-], [tɕ-], [tɕʰ-]) → s ([s-], [ɕ-])
k-, kh- ([k-], [kʰ-]) → ch ([tɕ-], [tɕʰ-])
-ⁿ ([-ã], [-uã]) → n ([-an])
-h ([-ʔ]) → t ([-t])
i ([-i]) → e ([-e])
e ([-e]) → a ([-a])
ia ([-ia]) → i ([-i])This table displays some widely used characters in Hokkien that have both literary and colloquial readings:
This feature extends to Chinese numerals, which have both literary and colloquial readings. Literary readings are typically used when the numerals are read out loud (e.g. phone numbers, years), while colloquial readings are used for counting items.

Semantic differences between Hokkien and Mandarin
Quite a few words from the variety of Old Chinese spoken in the state of Wu, where the ancestral language of Min and Wu dialect families originated, and later words from Middle Chinese as well, have retained the original meanings in Hokkien, while many of their counterparts in Mandarin Chinese have either fallen out of daily use, have been substituted with other words (some of which are borrowed from other languages while others are new developments), or have developed newer meanings. The same may be said of Hokkien as well, since some lexical meaning evolved in step with Mandarin while others are wholly innovative developments.
This table shows some Hokkien dialect words from Classical Chinese, as contrasted to the written Mandarin:

For other words, the classical Chinese meanings of certain words, which are retained in Hokkien dialects, have evolved or deviated significantly in other Chinese dialects. The following table shows some words that are both used in both Hokkien dialects and Mandarin Chinese, while the meanings in Mandarin Chinese have been modified:

Words from Minyue
Some commonly used words, shared by all Min Chinese languages, came from the ancient Minyue languages. Jerry Norman suggested that these languages were Austroasiatic. Some terms are thought be cognates with words in Tai Kadai and Austronesian languages. They include the following examples, compared to the Fuzhou dialect, a Min Dong language:

Loanwords
Loanwords are not unusual among Hokkien dialects, as speakers readily adopted indigenous terms of the languages they came in contact with. As a result, there is a plethora of loanwords that are not mutually comprehensible among Hokkien dialects.
Taiwanese Hokkien, as a result of linguistic contact with Japanese and Formosan languages, contains many loanwords from these languages. Many words have also been formed as calques from Mandarin, and speakers will often directly use Mandarin vocabulary through codeswitching. Among these include the following examples:

'toilet' – piān-só͘ (便所) from Japanese benjo (便所)
Other Hokkien variants: 屎礐 (sái-ha̍k), 廁所 (chhek-só͘)
'car' – chū-tōng-chhia (自動車) from Japanese jidōsha (自動車)
Other Hokkien variants: 風車 (hong-chhia), 汽車 (khì-chhia)
'to admire' – kám-sim (Chinese: 感心) from Japanese kanshin (感心)
Other Hokkien variants: 感動 (kám-tōng)
'fruit' – chúi-ké / chúi-kóe / chúi-kér (水果) from Mandarin (水果; shuǐguǒ)
Other Hokkien variants: 果子 (ké-chí / kóe-chí / kér-chí)Singaporean Hokkien, Penang Hokkien and other Malaysian Hokkien dialects tend to draw loanwords from Malay, English as well as other Chinese dialects, primarily Teochew. Examples include:

'but' – ta-pi, from Malay
Other Hokkien variants: 但是 (tān-sī)
'doctor' – 老君 ló-kun, from Malay dukun
Other Hokkien variants: 醫生(i-seng)
'stone/rock' – bà-tû, from Malay batu
Other Hokkien variants: 石头(chio̍h-thâu)
'market' – 巴剎 pa-sat, from Malay	pasar from Persian bazaar (بازار)Other Hokkien variants: 市場 (chhī-tiûⁿ), 菜市 (chhài-chhī)
'they' – 伊儂 i-lâng from Teochew (i1 nang5)
Other Hokkien variants: 𪜶 (in)
'together' – 做瓠 chò-bú from Teochew 做瓠 (jo3 bu5)
Other Hokkien variants: 做夥 (chò-hóe), 同齊 (tâng-chê) or 鬥陣 (tàu-tīn)
'soap' – 雪文 sap-bûn from Malay sabun from Arabic ṣābūn (صابون).Philippine Hokkien, as a result of centuries-old contact with both Philippine languages and Spanish also incorporate words from these languages. Speakers today will also often directly use English and Filipino (Tagalog), or other Philippine languages like Bisaya, vocabulary through codeswitching. Examples include:

'cup' – ba-sù, from either Filipino (Tagalog) baso or Spanish vaso
Other Hokkien variants: 杯仔 (poe-á), 杯 (poe)
'office' – o-pi-sín, from Filipino (Tagalog) opisina, which itself is from Spanish oficina
Other Hokkien variants: 辦公室 (pān-kong-sek/pān-kong-siak)
'soap' – sap-bûn, from either Filipino (Tagalog) sabon or Early Modern Spanish xabon
'coffee' – ka-pé, from Filipino (Tagalog) kape, which itself is from Spanish café
Other Hokkien variants: 咖啡 (ko-pi), 咖啡 (ka-pi)
'to pay' – pá-lâ, from Spanish paga
Other Hokkien variants: 予錢 (hō͘-chîⁿ), 還錢 (hêng-chîⁿ)
'dozen' – lo-sin, from English  dozen
Other Hokkien variants: 打 (táⁿ)Also, Philippine Hokkien usually follows the 3 decimal place numerical system used worldwide, but still retains the concept of 萬 (bān, "ten thousand") from the Chinese numerical system, so 10,000 would be 一萬 (chi̍t-bān), but 11,000 would be 十一千 (cha̍p-it-chheng) instead of 一萬一千 (chi̍t-bān chi̍t-chheng) and so on. Also, it additionally has words for the concept of "million", that being 桶 (tháng) or 面桶 (bīn-tháng) instead of 百萬 (pah-bān), so "one million" would be 一桶 (chi̍t-tháng) or 一面桶 (chi̍t-bīn-tháng), and sometimes "one hundred million" would be 一百桶 (chi̍t-pah-tháng) or 一億 (chi̍t-iak).

Comparison with Mandarin and Sino-Xenic pronunciations
Cultural center
Quanzhou was historically the cultural center for Hokkien, as various traditional Hokkien cultural customs such as Nanguan music, Beiguan music, glove puppetry, and the Kaoka (高甲戲) and Lewan (梨園戲) genres of Hokkien opera originated from Quanzhou. This was mainly due to the fact that Quanzhou had become an important trading and commercial port since the Tang dynasty and had prospered into an important city. After the Opium War in 1842, Xiamen (Amoy) became one of the major treaty ports to be opened for trade with the outside world. From the mid-19th century onwards, Xiamen slowly developed to become the political and economical center of the Hokkien-speaking region in China. This caused the Amoy dialect to gradually replace the position of dialects from Quanzhou and Zhangzhou. From the mid-19th century until the end of World War II, western diplomats usually learned Amoy as the preferred dialect if they were to communicate with the Hokkien-speaking populace in China or Southeast Asia. In the 1940s and 1950s, Taiwan also tended to incline towards Amoy dialect.
The retreat of the Republic of China to Taiwan in 1949 drove party leaders to seek to both culturally and politically assimilate the islanders. As a result, laws were passed throughout the 1950s to suppress Hokkien and other languages in favor of Mandarin. By 1956, speaking Hokkien in ROC schools or military bases was illegal. However, popular outcry from both older islander communities and more recent Mainlander immigrants prompted a general wave of education reform, during which these and other education restrictions were lifted. The general goal of assimilation remained, with Amoy Hokkien seen as less ‘native’ and therefore preferred.However, from the 1980s onwards, the development of Taiwanese Min Nan pop music and media industry in Taiwan caused the Hokkien cultural hub to shift from Xiamen to Taiwan. The flourishing Taiwanese Min Nan entertainment and media industry from Taiwan in the 1990s and early 21st century led Taiwan to emerge as the new significant cultural hub for Hokkien.
In the 1990s, marked by the liberalization of language development and mother tongue movement in Taiwan, Taiwanese Hokkien had undergone a fast pace in its development. In 1993, Taiwan became the first region in the world to implement the teaching of Taiwanese Hokkien in Taiwanese schools. In 2001, the local Taiwanese language program was further extended to all schools in Taiwan, and Taiwanese Hokkien became one of the compulsory local Taiwanese languages to be learned in schools. The mother tongue movement in Taiwan even influenced Xiamen (Amoy) to the point that in 2010, Xiamen also began to implement the teaching of Hokkien dialect in its schools. In 2007, the Ministry of Education in Taiwan also completed the standardization of Chinese characters used for writing Hokkien and developed Tai-lo as the standard Hokkien pronunciation and romanization guide. A number of universities in Taiwan also offer Taiwanese degree courses for training Hokkien-fluent talents to work for the Hokkien media industry and education. Taiwan also has its own Hokkien literary and cultural circles whereby Hokkien poets and writers compose poetry or literature in Hokkien.
Thus, by the 21st century, Taiwan had become one of the most significant Hokkien cultural hubs of the world. The historical changes and development in Taiwan had led Taiwanese Hokkien to become the most influential pole of the Hokkien dialect after the mid-20th century. Today, the Taiwanese prestige dialect (Taiyu Youshiqiang/Tongxinqiang 台語優勢腔/通行腔) is heard on Taiwanese media.

Writing systems
Chinese script
Hokkien dialects are typically written using Chinese characters (漢字, Hàn-jī). However, the written script was and remains adapted to the literary form, which is based on classical Chinese, not the vernacular and spoken form. Furthermore, the character inventory used for Mandarin (standard written Chinese) does not correspond to Hokkien words, and there are a large number of informal characters (替字, thè-jī or thòe-jī; 'substitute characters') which are unique to Hokkien (as is the case with Cantonese). For instance, about 20 to 25% of Taiwanese morphemes lack an appropriate or standard Chinese character.While most Hokkien morphemes have standard designated characters, they are not always etymological or phono-semantic. Similar-sounding, similar-meaning or rare characters are commonly borrowed or substituted to represent a particular morpheme. Examples include "beautiful" (美 bí is the literary form), whose vernacular morpheme suí is represented by characters like 媠 (an obsolete character), 婎 (a vernacular reading of this character) and even 水 (transliteration of the sound suí), or "tall" (高 ko is the literary form), whose morpheme kôan is 懸. Common grammatical particles are not exempt; the negation particle m̄ (not) is variously represented by 毋, 呣 or 唔, among others. In other cases, characters are invented to represent a particular morpheme (a common example is the character 𪜶 in, which represents the personal pronoun "they"). In addition, some characters have multiple and unrelated pronunciations, adapted to represent Hokkien words. For example, the Hokkien word bah ("meat") has been reduced to the character 肉, which has etymologically unrelated colloquial and literary readings (he̍k and jio̍k, respectively). Another case is the word 'to eat,' chia̍h, which is often transcribed in Taiwanese newspapers and media as 呷 (a Mandarin transliteration, xiā, to approximate the Hokkien term), even though its recommended character in dictionaries is 食.Moreover, unlike Cantonese, Hokkien does not have a universally accepted standardized character set. Thus, there is some variation in the characters used to express certain words and characters can be ambiguous in meaning. In 2007, the Ministry of Education of the Republic of China formulated and released a standard character set to overcome these difficulties. These standard Chinese characters for writing Taiwanese Hokkien are now taught in schools in Taiwan.

Latin script
Hokkien, especially Taiwanese Hokkien, is sometimes written in the Latin script using one of several alphabets. Of these the most popular is POJ, developed first by Presbyterian missionaries in China and later by the indigenous Presbyterian Church in Taiwan. Use of this script and orthography has been actively promoted since the late 19th century. The use of a mixed script of Han characters and Latin letters is also seen, though remains uncommon. Other Latin-based alphabets also exist.
Min Nan texts, all Hokkien, can be dated back to the 16th century. One example is the Doctrina Christiana en letra y lengua china, presumably written around 1593 by the Spanish Dominican friars in the Philippines. Another is a Ming dynasty script of a play called Tale of the Lychee Mirror (1566), supposedly the earliest Southern Min colloquial text, although it is written in Teochew dialect.
Taiwan has developed a Latin alphabet for Taiwanese Hokkien, derived from POJ, known as Tai-lo. Since 2006, it has been officially promoted by Taiwan's Ministry of Education and taught in Taiwanese schools. Xiamen University has also developed an alphabet based on Pinyin called Bbánlám pìngyīm.

Computing
Hokkien is registered as "Southern Min" per RFC 3066 as zh-min-nan.When writing Hokkien in Chinese characters, some writers create 'new' characters when they consider it impossible to use directly or borrow existing ones; this corresponds to similar practices in character usage in Cantonese, Vietnamese chữ nôm, Korean hanja and Japanese kanji. Some of these are not encoded in Unicode (or the corresponding ISO/IEC 10646: Universal Character Set), thus creating problems in computer processing.
All Latin characters required by Pe̍h-ōe-jī can be represented using Unicode (or the corresponding ISO/IEC 10646: Universal Character Set), using precomposed or combining (diacritics) characters. Prior to June 2004, the vowel akin to but more open than o, written with a dot above right, was not encoded. The usual workaround was to use the (stand-alone; spacing) character Interpunct (U+00B7, ·) or less commonly the combining character dot above (U+0307). As these are far from ideal, since 1997 proposals have been submitted to the ISO/IEC working group in charge of ISO/IEC 10646—namely, ISO/IEC JTC1/SC2/WG2—to encode a new combining character dot above right. This is now officially assigned to U+0358 (see documents N1593, N2507, N2628,
N2699, and N2713).

Cultural and political role
Hokkien (or Min Nan) can trace its roots through the Tang dynasty and also even further to the people of the Minyue, the indigenous non-Han people of modern-day Fujian. Min Nan (Hokkien) people call themselves "Tang people," (唐人; Tn̂g-lâng) which is synonymous to "Chinese people". Because of the widespread influence of the Tang culture during the great Tang dynasty, there are today still many Min Nan pronunciations of words shared by the Vietnamese, Korean and Japanese languages.
In 2002, the Taiwan Solidarity Union, a party with about 10% of the Legislative Yuan seats at the time, suggested making Taiwanese a second official language. This proposal encountered strong opposition not only from Mainlander groups but also from Hakka and Taiwanese aboriginal groups who felt that it would slight their home languages. Because of these objections, support for this measure was lukewarm among moderate Taiwan independence supporters, and the proposal did not pass.
Hokkien was finally made an official language of Taiwan in 2018 by the ruling DPP government.

See also
Hokkien Kelantan
Hokkien people
Languages of China
Languages of Taiwan
List of Hokkien dictionaries
List of Hokkien people
Amoy Min Nan Swadesh list
Passage 9:
Aloysius Orjinta
Aloysius Orjinta is a Nigerian Roman Catholic priest and senior lecturer in the University of Nigeria, Nsukka. He was ordained a priest in 1990. A holder of two doctorates in French Studies and in German Studies and Political Science, with specialty in International Relations, he is a former Head of Department of Foreign Languages and Literary Studies in the university. He has studied and worked in Italy, Germany, France, and in Nigeria where he currently lives. He attended Urban University, Rome, the University of Saarland, Ludwig Maximilian University of Munich, University of Grenoble, and the University of Ibadan in addition to his current workplace where he was an undergraduate. A researcher and critic, his academic publications and interest cover religious writings on Christianity and Islam, gender and feminist studies, political discourse, and Euro-African literature with emphasis on German, Francophone and Anglophone works. He is a member of, and has served on, the managing boards of many organisations in Nigeria and outside the country, most times as the head. Currently, he is the editor of Interdisciplinary Academic Essays, Elite University Journal, Munchen, Germany, as well as of the Nsukka Journal of Humanities, Nsukka, Nigeria. He is also an editorial board member and reviewer of the Asian Journal of Social Sciences and Humanities, Hong Kong.
At the present, Orjinta has to his name thirty-five books and close to fifty publications in several international journals.
Passage 10:
Firuz Shah Suri
Firuz Shah Suri (died 1554) was the third ruler of the Suri dynasty. He was the son of Islam Shah Suri and succeeded him in 1554 when he was twelve years old. Firuz Shah Suri was assassinated within days of his coronation by Sher Shah Suri's nephew Muhammad Mubariz Khan, who later ruled as Muhammad Shah Adil.

See also
History of Bengal
History of India
Sur Empire
Passage 11:
Qezel Suri
Qezel Suri (Persian: قزلسوري, also Romanized as Qezel Sūrī) is a village in Avajiq-e Jonubi Rural District, Dashtaki District, Chaldoran County, West Azerbaijan Province, Iran. At the 2006 census, its population was 263, in 57 families.
Passage 12:
Woh Lamhe
Woh Lamhe... (transl. Those Moments...) is a 2006 Indian Hindi-language romantic drama film directed by Mohit Suri, starring Kangana Ranaut and Shiney Ahuja. The film is supposedly based on Parveen Babi's life, her battle with schizophrenia and her relationship with Mahesh Bhatt to whom she was a lover as well as a mentor in his struggling days.
Bhatt said that it is his tribute to the actress and time he spent with her, hence the name Woh Lamhe... ("Those Moments"). Parveen Babi's character is played by Ranaut who is named Sana Azim in the film to avoid direct reference to the actress. The film was critically acclaimed for its screenplay, direction, and a noteworthy performance of Ranaut. Ranaut’s performance in the film is considered to be one of her best.Despite the film getting a lot of praise, it could not recover its budget in the box office and was a massive flop, recovering most of its cost from DVD and satellite television revenue. For her performance in the film, Ranaut won the Filmfare Award for Best Female Debut at the 52nd Filmfare Awards.

Plot
The film begins with a woman in a hotel room. She goes to the bathroom and slits her wrists in an attempt to kill herself. That woman is later revealed to be Sana Azim (Kangana Ranaut), a famous Bollywood actress. When this news reaches film-maker Aditya Pankaj Garewal (Shiney Ahuja), he is devastated. Aditya has been searching for Sana, who was intensely involved with him and who had mysteriously disappeared from his life without any explanation three years ago, only to surface now in what could be the last moments of her life.
As Aditya waits outside of the ICU alongside his friend Sam (Purab Kohli), praying to be reunited with her, he has a flashback of moments spent with her three years ago.
Sana had achieved stardom while Aditya was a struggling film director. He spots Sana at a fashion show where he rebukes her for being ugly inside-out. He insults her to a point where she throws her underwear on him, thus garnering media attention. Nikhil (Shaad Randhawa), her abusive boyfriend, scolds her and rapes her. Sana's mother also scolds her for this act.
Sana agrees at first to work with Aditya for his film but later she declines as she is bound by a contract. However, she breaks free from Nikhil's misery and agrees to work with Aditya.
Aditya starts shooting his film. During the shoot, both become close to each other. During the last day of the shoot, Sana tearfully says that she will miss him and those memories spent during the shoot. Aditya compares those memories to the sand castles on the beach by saying that those sand castles remain in our memories forever even though they are knocked down by the waves. During the film premiere, both fall in love with each other.
One day Sana spots a girl forcefully entering her hotel room. She tells Aditya that a girl named Rani (Masumeh Makhija) entered the room. However through the CCTV footage there was no girl who entered. It later revealed that Sana is a patient with schizophrenia, who has excessive hallucinations of Rani who doesn't even exist, which gradually ruins both Sana's life and career. When Aditya realizes that the only way he can save Sana from total devastation is to take her away from Bollywood and the vested interests that threaten to destroy her completely, he kidnaps her from the hospital, thus putting his career on the line.
Aditya tries his best to bring Sana back on track but in vain. She secretly stops taking her medication. During her birthday party, she faces her hallucinations once again and stabs Aditya.
One day, suddenly, she disappears, leaving him with unanswered questions. Aditya is shocked. Meanwhile, Nikhil and the police reach the place and take Aditya. Nikhil asks him in anger about Sana's whereabouts, to which Aditya repeatedly answers that he doesn't know.
Back in the present, Aditya is told that Sana has very little time and wants to meet him. They both profess their love for each other and she breathes her last. Nikhil asks him what he will do next, to which Aditya replies that he doesn't know.
The film ends with Aditya reminiscing about her on a beach. He spots some children making a sand castle and remembers his metaphor. He goes and makes castles with them.

Cast
Kangana Ranaut as Sana Azim
Shiney Ahuja as Aditya Pankaj Garewal
Shaad Randhawa as Nikhil Rai
Masumeh Makhija as Rani Mukherjee
Purab Kohli as Sam aka Sammy
Candida Fernandes as Saloni Awasthi

Critical reception
Woh Lamhe... received critical acclaim for its direction, screenplay, music and a noteworthy performance of Ranaut.
Subhash K. Jha of Sify stated, ‘‘Woh Lamhe shows love at its painful best’’. Praising Ranaut's performance he wrote, ‘‘Kangana makes the story of the tormented actress cross the borders of brilliancy; Ranaut keeps a tight control over overt articulations of expressions, so that when the outbursts happen they've a whiplash effect on the audience. She is a hugely expressive actress with a phemomenal ability to convey torment, hurt and incredulity through the eyes, Kangana is the first female performer of Bollywood since Smita Patil and Shabana Azmi who isn't scared to strip her soul naked for the camera’’. Taran Adarsh of Bollywood Hungama gave the film a rating of 3.5 (out of 5) and called it a ‘‘cinematic experience’’. He wrote, ‘‘Woh Lamhe is a well-made emotional film that lingers in your memory even after it's over’’. Praising Ranaut's performance he further wrote, ‘‘Kangana gets the role of a lifetime in her second film itself and the actor sinks her teeth into it and delivers an astounding performance. If you've ever interacted with Parveen Babi, even briefly, you'd see a replica of the glamorous star in Kangana’’. Gullu Singh of Rediff awarded the film 3.5 stars (out of 5) and wrote, ‘‘The film works because the protagonist, Sana (Kangana Ranaut) has acted so brilliantly that you feel the presence of Parveen Babi from the 1970s. If there is one reason you need to watch Woh Lamhe, it is Kangana Ranaut. She is a brilliant, outstanding actress’’.Film critic Rajeev Masand in his review wrote, ‘‘Woh Lamhe is impressive in the manner in which it straddles a mainstream sensibility with such rare understanding; Remember to carry a handkerchief, or you’ll embarrass yourself with your tears’’. Praising the performances of the lead actors he further wrote, ‘‘Ranaut is remarkable as she attacks a complex role with all the right moves and Ahuja makes his presence felt in every single scene that he’s in, his performance is delectable to say the least. These actors pump life into their roles and together with Pritam’s soothing score they make Woh Lamhe an experience that’s hard to forget’’. Anupama Chopra of India Today wrote, ‘‘Woh Lamhe holds interest because it has a taut script and fine performances’’. Praising the performances of Ahuja and Ranaut she further wrote, ‘‘Ahuja is superbly restrained, his eyes convey the doom built into this relationship and Ranaut's performance has attitude; she is not afraid to be ugly or emotionally naked. Suri uses both ably to retell a familiar story persuasively’’. In a 2021 interview, film critic Baradwaj Rangan of Film Companion called Ranaut's performance in the film ‘‘excellent’’ and stated, ‘‘In Woh Lamhe, Ranaut takes a piece of her soul and gives it to the audience’’.
Filmfare listed Woh Lamhe... as one of the ten movies of Ranaut that showcased her class as an actor. They wrote, ‘‘Playing a schizophrenic, Kangana accurately depicted the trauma of the actress as her personal life went down the dumps along with her career’’. The New Indian Express listed the film as one of the ten must-watch films of Ranaut. Koimoi listed Woh Lamhe... as one of the ten film which will lose their charm without Ranaut's presence. CNN-IBN listed Ranaut's performance in Woh Lamhe... as one of her seven best performances and a film which made her the star that she is today.

Awards
Filmfare AwardsFilmfare Award for Best Female Debut – Kangana Ranaut10th Zee Cine AwardsBest Debut – Kangana Ranaut

Soundtrack
The film score was composed by Raju Singh. The songs were composed by multiple composers including Jawad Ahmed, Pritam, Roop Kumar Rathod. Lyrics were penned by Sayeed Quadri. The songs were badly plagiarized by Pritam by copying the tunes ("Kya Mujhe Pyaar Hai" lifted from "Tak Bisakah " by Noah, "Tu Jo Nahin" from a ghazal by Pakistani singer S. B. John); however, later the credits were given to the original artists and some of the tunes were recreated in musical arrangements. Singers like James, KK, Shreya Ghoshal, Jawad Ahmed, Kunal Ganjawala, and Glenn John lent their voices for the album. Planet Bollywood gave a rating of 8/10 to the soundtrack.

Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the former name of the country where Atika Suri studied?



Answer: Dutch East Indies