The following are given passages.
Passage 1:
Chickasaw, Louisville
Chickasaw is a neighborhood in Louisville, Kentucky, USA.  Its boundaries are West Broadway, 34th Street, Hale Avenue and Chickasaw Park.
Chickasaw Park is predominantly black and middle-class. Before integration, Shawnee Park was reserved for whites, while Chickasaw Park was reserved for blacks. Integration has led to a decrease in use for Chickasaw as more persons prefer the larger Shawnee to the north. In 1969, Elmer Lucille Allen, a scientist and artist from the Chickasaw Little League created the Chickasaw Little League. The little league was in operation for 3-4 years and was made to accommodate the children who lived in the Chickasaw neighborhood who could not participate in the little league held in Shawnee Park.Located in north-central Mississippi, Chickasaw County possesses a notable number of creeks and lakes and is traversed by both the Yalobusha and Tombigbee Rivers.
Passage 2:
4 Little Girls
4 Little Girls is a 1997 American historical documentary film about the murder of four African-American girls (Addie May Collins, Carol Denise McNair, Cynthia Wesley, Carole Rosamond Robertson) in the 16th Street Baptist Church bombing in Birmingham, Alabama on September 15, 1963. The film was directed by Spike Lee and nominated for an Academy Award for Best Documentary.The events inspired the 1964 song "Birmingham Sunday" by Richard and Mimi Fariña, which was used in the opening sequence of the film, as sung by Joan Baez, Mimi's sister. They also inspired the 1963 tune "Alabama" by John Coltrane, which is also included in the soundtrack.
4 Little Girls premiered on June 25, 1997, at the Guild 50th Street Theatre in New York City. It was produced by Lee's production company, 40 Acres & A Mule Filmworks, and Home Box Office (HBO).In 2017, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Synopsis
A local chapter of the Ku Klux Klan placed bombs at the 16th Street Baptist Church and set them off as Sunday services prepared to commence on the morning of September 15, 1963. Four young girls, ranging in age from 11 to 14, were killed in the explosion, which also caused anywhere between 14 and 22 additional injuries. The deaths provoked national outrage, and, the following summer, the United States Congress passed the Civil Rights Act of 1964, which was signed by President Lyndon B. Johnson. The bombing is marked in history as a critical and pivotal moment in the Civil Rights Movement.
The film covered the events in Birmingham, Alabama, in 1963 related to civil rights demonstrations and the movement to end racial discrimination in local stores and facilities. In 1963, Rev. Dr. Martin Luther King Jr. arrived in the town to help with their strategy and to speak at the funeral of the four young girls. People of the community met at the 16th Street Baptist Church while organizing their events. The demonstrations were covered by national media, and the use by police of police dogs and pressured water from hoses on young people shocked the nation. The large number of demonstrators who were arrested resulted in local jails filling to capacity.
The film ends with the trial and conviction in 1977 of Robert Edward Chambliss, also known as Dynamite Bob, as the main person responsible for the bombing, though he is said to have been only one of four Klan members involved. The film also references black churches being set on fire in Birmingham in 1993, giving the impression that, while progress has been made, there are some things that still have not changed.
Lee uses interviews with family and friends of the girls, government officials, and civil rights activists, as well as home movies and archival footage, to not only tell the story of the four girls' lives, but also to provide a greater historical and political context of the times.

Production
Lee first became interested in making a film about the Birmingham bombing in 1983, when he was a student at New York University. After reading a New York Times Magazine article about the incident, he was moved to write to Chris McNair, the father of Denise, one of the victims, to ask for permission to tell her story on film. McNair turned down the young, aspiring filmmaker. "I was entering my first semester at N.Y.U. So my skills as a filmmaker were nonexistent, and at that time, Chris McNair was still hesitant to talk about it," Lee said in a 1997 interview with Industry Central's The Director's Chair.  "I believe timing is everything. So it took ten years of Chris thinking about this and ten years of myself making movies for this to come together."According to McNair, he changed his mind about supporting Lee's film idea due to learning about the depth and precision of Lee's research. McNair said, "[I]t's very important that this be done accurately and correctly. In all his research, he [Lee] showed that he was objective and seeking a broad section of opinion. I'm a stickler for the facts."At first, Lee had intended to create a dramatic reproduction of the incident, but eventually, he decided that would not be the best approach, and the project became a documentary. Once he secured funding, he went to Birmingham with a small skeleton film crew, as he wanted the families be as comfortable as possible during the interviews. Sam Pollard served as a producer and the editor and Ellen Kuras was the director of photography of the film.
Lee had developed a relationship with Kuras while working on an HBO project called Subway Stories, which was an anthology of short films compiled by Jonathan Demme (though Lee's film did not make the final cut due, in part, to conflict between him and Demme). Kuras said of her desire to shoot 4 Little Girls, "I was really interested because my background is in political documentaries ... I always felt that one of the reasons that I had got into filmmaking was that I wanted to use my craft to be able to say something about the human condition, however I could, in my own humble way. For me this was an opportunity to make a small contribution."
Lee's partnership with Sam Pollard had begun on Mo' Better Blues when Pollard was recommended to replace Barry Alexander Brown, who was unavailable because he was directing his own film, as editor. Pollard originally refused the overture because he was busy working on his segments of Eyes on the Prize, but ultimately, he accepted, and he has since become one of Lee's most frequent collaborators. Their first few films together were fiction, but Pollard's background was in documentary, and he was key to guiding the structure of 4 Little Girls. He said about his role: Basically it was to help with the conception of the structure, to edit it ... We spent a lot of time screening dailies together.  We could come to 40 Acres at 7a.m., and we would spend three hours a day screening dailies for two weeks straight ... We talked, selected all the material that we liked, and I started working on the structure in the editing room.  Spike was asking if he needed narration and what the structure should be. I basically said the structure should be that there are parallels—the family, the history of the community—and then they come together on the explosion.

Reception
Critics and public
The film was nominated for an Academy Award for Best Documentary Feature. On Rotten Tomatoes, it holds an approval rating of 100% based on 27 reviews, with an average rating of 8.42/10. The website's critical consensus reads: "4 Little Girls finds Spike Lee moving into documentary filmmaking with his signature style intact -- and all the palpable fury the subject requires."

Box office
It was initially planned for the film to first be seen by the public when it was aired on HBO, but, after seeing the final product, the production team decided it was important to release the film in theaters before running it on television. Accordingly, 4 Little Girls opened in American theaters on July 9, 1997, and closed on October 2, 1997. It grossed $130,146 from a total of four theaters. In its opening weekend, it earned $13,528 from a single theater, which was 10.4% of its total gross. It cost approximately $1 million to make, funded by HBO.

See also
Civil rights movement in popular culture
1956 Sugar Bowl
civil rights movement
Timeline of the civil rights movement
Passage 3:
Sloane House YMCA
The Sloane House YMCA, also known as William Sloane House YMCA, at 356 West 34th Street in Manhattan was the largest residential YMCA building in the nation.It was sold in 1993 for $5 million and converted to rental apartments later. It is managed by Kibel Company.
Related papers are archived.Its pending closure was noted as part of a trend.

See also
List of YMCA buildings
Passage 4:
David Bjornson
David Bjornson (born 7 July 1947 in Selkirk, Manitoba) was a member of the House of Commons of Canada from 1988 to 1993, serving in the 34th Canadian Parliament for the Progressive Conservative party in the Selkirk riding. By career, he is an electrician.
Bjornson left federal politics after being defeated by Liberal candidate Ron Fewchuk in the 1993 federal election. Amid the Tory collapse that year, Bjornson was pushed into fourth place behind Fewchuk and the New Democratic and Reform candidates.

External links

David Bjornson – Parliament of Canada biography
Passage 5:
Mr. Noodle
Mr. Noodle and his siblings – (Mister Noodle, Ms. Noodle, and Miss Noodle in 1998–2009 and Mister Noodle, Mister Noodle and Miss Noodle in 2017–present) – are characters who appear in the "Elmo's World" segments during the educational children's television program Sesame Street. Mr. Noodle was played by Broadway actor Bill Irwin, who had previously worked with Arlene Sherman, executive producer of Sesame Street and co-creator of "Elmo's World", in short films for the program.When Irwin became unavailable, Sherman asked Michael Jeter, who was his friend, to replace Irwin as Mr. Noodle's brother Mister Noodle, which he accepted enthusiastically, calling it his favorite role in twenty years. Jeter was in the role beginning in 2000, until his death in 2003. Kristin Chenoweth played Mr. Noodle's sister Ms. Noodle, and Sarah Jones played Mr. Noodle's other sister Miss Noodle. As of 2018, Daveed Diggs and Daniel Koren have played two more of Mr. Noodle's brothers, as well as Ilana Glazer as Mr. Noodle's other sister Miss Noodle.

Writer Louise A. Gikow calls the Noodles "a dynasty of mimes,...in the tradition of great silent film comedians like Charlie Chaplin, Buster Keaton, and Harold Lloyd". They made mistakes, but solved them with the help of "enthusiastic kid voice overs", which empowered children and helped them feel smarter than the adults.
They were silent in order to allow Elmo to do all the talking and to give children the opportunity to respond to what they saw on the screen. They would physically and humorously act out their replies to Elmo's questions.According to writer and "Elmo's World" co-creator Judy Freudberg, "Mr. Noodle, who never speaks, is all about trial and error. When you throw him a hat, he acts like he's never seen one before. Kids feel empowered watching him because they can do what he can't".  According to Sesame Street researcher Lewis Bernstein, the characters, whom he called "bungling", gave young viewers "the opportunity to figure it out" before the adults did.
Passage 6:
The Little Orchestra Society
Not to be confused by The Little Orchestra of LondonThe Little Orchestra Society is an American orchestra based at 630 9th Avenue, Suite 807 in New York City. It was founded in 1947 by Thomas Scherman, who served as its conductor until his death in 1979. From 1979 to 2011 the Orchestra was led by Dino Anagnost. Its membership has ranged between 45 and 60 musicians. The orchestra's name is borrowed from The Little Orchestra of London, which was formed by Felix Mendelssohn during the Bach Revival.  In 2019, the Orchestra named David Alan Miller its new Artistic Advisor.
Its first concert took place at Town Hall in Manhattan on October 27, 1947. In 1959 the orchestra toured to eight Asian countries including Vietnam, Hong Kong, India, and Japan, performing the music of Henry Cowell.Pierre Monteux guest conducted the orchestra on April 2, 1957, in a concert that included Johannes Brahms' Serenade No. 2 in A Major.  Monteux had recorded the serenade in the preceding year, but this performance too was recorded.The orchestra commissions new works and has given 65 world premieres (by composers including Franz Schubert, Douglas Moore, and David Diamond), and more than 175 U.S. and New York premieres by such composers as Antonio Vivaldi, John Corigliano, and Christopher Rouse.

Discography
Ludwig van Beethoven, Octet in E-Flat Major, Op. 103 & Rondino in E-Flat Major, Grove 146, Thomas Scherman conducting, EMS Recordings #1, 1950
Hello, World!/The Greatest Sound Around, Eleanor Roosevelt, narrator (on Hello World!), words and music by Susan Otto and William R. Mayer, The Little Orchestra Society, Thomas Scherman, conductor, John Langstaff, tenor (on The Greatest Sound Around). RCA Victor Red Seal LM-2332, 1959
Passage 7:
Miracle on 34th Street
Miracle on 34th Street (initially released as The Big Heart in the United Kingdom) is a 1947 American Christmas comedy-drama film released by 20th Century Fox, written and directed by George Seaton and based on a story by Valentine Davies. It stars Maureen O'Hara, John Payne, Natalie Wood, and Edmund Gwenn. The story takes place between Thanksgiving Day and Christmas Day in New York City, and focuses on the effect of a department store Santa Claus who claims to be the real Santa. The film has become a perennial Christmas favorite.
Miracle on 34th Street won three Academy Awards: Gwenn for Best Actor in a Supporting Role, Valentine Davies for Best Writing, Original Story, and George Seaton for Best Writing, Screenplay. The film was nominated for Best Picture, losing to Gentleman's Agreement. In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". The Academy Film Archive preserved Miracle on 34th Street in 2009.Davies also wrote a short novelization of the tale, which was published by Harcourt Brace simultaneously with the film's release.

Plot
Kris Kringle is indignant to find that the man assigned to play Santa in the annual Macy's Thanksgiving Day Parade is intoxicated. When he complains to event director Doris Walker, she persuades Kris to take his place. He does so well that he is hired to play Santa at Macy's New York City store on 34th Street.
Ignoring instructions from the toy department head, Mr. Shellhammer, to recommend overstocked items to undecided shoppers, Kris directs one woman to another store to fulfill her son's Christmas request. Impressed by Kris's honesty and helpfulness, she informs Shellhammer that she will now become a loyal Macy's customer.
Attorney Fred Gailey, Doris's neighbor, takes the young divorcée's daughter Susan to see Santa. Doris has raised her to not believe in fairy tales, but Susan is shaken after seeing Kris speak Dutch with a girl who does not know English. Doris asks Kringle to tell Susan that he is not Santa, but he insists that he is.
Worried, Doris decides to fire him, but Kris has generated so much positive publicity and goodwill that the store's owner promises bonuses. To alleviate Doris's misgivings, Shellhammer suggests Granville Sawyer administer a "psychological evaluation", but Sawyer recommends Kris's dismissal. Meanwhile, Susan shows Kris a magazine photo of her dream house and tells him she wants it for Christmas; reluctantly he promises to do his best.
In the company cafeteria, young employee Alfred tells Kris that Sawyer convinced him that he is unstable simply because he enjoys dressing as Santa Claus. Kris immediately confronts Sawyer, eventually striking him on the head with an umbrella. Sawyer exaggerates his pain to have Kris confined to Bellevue Hospital. Tricked into cooperating and believing Doris to be in on the deception, Kris deliberately fails his examination and is recommended for permanent commitment. However, Fred persuades Kris not to give up.
At a hearing before Judge Henry X. Harper, District Attorney Thomas Mara gets Kris to assert that he is Santa Claus and rests his case, asking Harper to rule that Santa does not exist. In private, Harper's political adviser, Charlie Halloran, warns him that doing so would be disastrous for his upcoming reelection bid. Harper buys time by hearing further evidence.
Fred calls Macy as a witness and gets him to admit that he believes in Santa. On leaving the stand, Macy fires Sawyer. Next, Fred calls Mara's own young son, who testifies that his father told him that Santa is real. In the face of this, Mara has to concede the point, but goes on to demand that Fred prove that Kris is "the one and only" Santa Claus on the basis of some competent authority by the following day.
Meanwhile, Susan writes Kris a letter to cheer him up, which Doris also signs. When a New York Post Office mail sorter sees Susan's letter, addressed to Kris at the New York courthouse, he suggests delivering all of the dead letters addressed to Santa Claus to Kris. As court resumes, Fred is told of the delivery of mailbags to the courthouse; he argues that the Post Office—a branch of the U.S. federal government—has acknowledged that Kris is the one and only Santa Claus by delivering the letters. When the judge insists on seeing them, Fred has them dump bag after bag on Harper's desk. Harper dismisses the case.
On Christmas morning at a party for Macy's employees, Susan loses faith in Kris when he admits he was not able to get her the house she wanted. However, after Kris offers Fred and Doris a route home that avoids traffic, Susan sees her dream house with a "For Sale" sign in front. Demanding that Fred stop the car, she runs into the house, exclaiming, "Mr. Kringle is Santa Claus!" Fred learns that Doris had encouraged Susan to have faith and suggests they get married and purchase the house. He then boasts that he must be a great lawyer since he proved an eccentric old man was Santa. However, when he and Doris spot a cane in the house that looks just like Kris's, he is not so sure.

Cast
Production
Miracle on 34th Street was shot on location in New York City, with the Macy's Thanksgiving Day Parade sequences filmed live while the 1946 parade was happening. "It was a mad scramble to get all the shots we needed, and we got to do each scene only once," Maureen O'Hara recalled in her memoir. "It was bitterly cold that day, and Edmund and I envied Natalie (Wood) and John Payne, who were watching the parade from a window."Although the film is set during the Christmas season, studio head Darryl F. Zanuck insisted that it be released in May, arguing that more people go to the movies in warmer weather. The studio rushed to promote it while keeping its Christmas setting a secret. Fox's promotional trailer depicted a fictional producer roaming the studio backlot and encountering such stars as Rex Harrison, Anne Baxter, Peggy Ann Garner, and Dick Haymes extolling the virtues of the film. In addition, the movie posters prominently featured O'Hara and Payne, with Gwenn's character kept in the background. The film opened in New York City at the Roxy Theatre on June 4, 1947. By contrast, modern home video packaging has Gwenn and Wood dominating the imagery, with the DVD release having Kringle in his Santa Claus costume.
O'Hara was initially reluctant to take the role, having recently moved back to post-war Ireland. She immediately changed her mind after reading the script and came back to the United States for the film.
Arthur Jacobson, assistant director, filmed the Macy's Parade on Thanksgiving morning with nine cameras simultaneously. He said he "plunked actors Edmund Gwenn and Natalie Wood in the department store cafeteria line during a weekday lunch-rush". When Maureen O'Hara requested a special police escort for a Christmas shopping spree through Macy's he said "I know New Yorkers. They aren't going to pay any attention to you. And don't wear a bandanna around your head or dark glasses. Just be normal."Throughout the process of getting this script accepted by the PCA, the movie underwent multiple different title changes, starting as My Heart Tells Me and then progressing into The Big Heart, It's Only Human, Meet Me at Dawn, and finally ended with the name Miracle on 34th Street. These title changes all happened within a four-month time period. These title changes occurred while the filmmakers were fixing any other discrepancies that the PCA required them to fix before the production of the film could begin.

Reception
Critical reception
Miracle on 34th Street mostly received positive reviews from critics. Bosley Crowther of The New York Times said: "For all those blasé skeptics who do not believe in Santa Claus—and likewise for all those natives who have grown cynical about New York—but most especially for all those patrons who have grown weary of the monotonies of the screen, let us heartily recommend the Roxy's new picture, Miracle on 34th Street. As a matter of fact, let's go further: let's catch its spirit and heartily proclaim that it is the freshest little picture in a long time, and maybe even the best comedy of this year." A critic for the BBC called it "a clever and deeply original story, that remains true and confident in direction, while delivering considerable charm all the while."The film is considered by many to be one of the best films of 1947, and it has been dubbed a "christmas classic" by several publications. On Rotten Tomatoes, the film holds an approval rating of 96% based on reviews from 52 critics, with an average rating of 8.5/10. The website's critics consensus reads, "Irrefutable proof that gentle sentimentalism can be the chief ingredient in a wonderful film, Miracle on 34th Street delivers a warm holiday message without resorting to treacle."The Catholic Legion of Decency gave the movie a "B", "morally objectionable in part" rating. This was mainly due to the fact that O'Hara portrayed a divorcée in the film.

Accolades
The film won Academy Awards for Best Actor in a Supporting Role (Edmund Gwenn), Best Writing, Original Story (Valentine Davies) and Best Writing, Screenplay. It was also nominated for Best Picture, losing to Gentleman's Agreement.
It was ranked ninth by the American Film Institute on 100 Years... 100 Cheers, a list of America's most inspiring films. Miracle on 34th Street was listed as the fifth best film in the fantasy genre in the American Film Institute's "Ten top Ten" lists in 2008.In 2005, Miracle on 34th Street was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".American Film Institute Lists

AFI's 100 Years...100 Movies – Nominated
AFI's 100 Years of Film Scores – Nominated
AFI's 100 Years...100 Cheers – #9
AFI's 100 Years...100 Movies (10th Anniversary Edition) – Nominated
AFI's 10 Top 10 – #5 Fantasy Film

Home media and colorization
Miracle on 34th Street was first released on VHS and LaserDisc in 1987.
In 1985, it became one of the first full-length black and white films to be colorized. The 4½-month process was carried out by Color Systems Technology, Inc. In 1993, this version was released on VHS and LaserDisc, and was followed four years later by a "50th Anniversary Edition" on both formats, remastered by THX.
The first DVD release was in October 1999, featuring the B&W version alongside the original theatrical trailer and a TV spot. In November 2006, it was re-released as a two-disc "Special Edition" DVD, with disc one containing an "all new colorized version" carried out by Legend Films. The second disc had the original black-and-white version and numerous extras, including The 20th Century Fox Hour's 1955 TV remake. Both discs also included a full-length audio commentary by Maureen O'Hara. The B&W disc has since been re-released several times, including in a pairing with the 1994 remake.
In October 2009, 20th Century Fox released the B&W version on Blu-ray with all previous extras, bar the TV remake.In 2017, the film was restored in 4K resolution; so far this version is only available via DCP.

Remake
A 1994 feature film starred Richard Attenborough, Elizabeth Perkins, Dylan McDermott, J. T. Walsh, Timothy Shea, James Remar, Jane Leeves, Simon Jones, William Windom and Mara Wilson. It was adapted by John Hughes from the Seaton script, and directed by Les Mayfield. Due to Macy's refusal to give permission to use its name, it was replaced by the fictitious "Cole's". "We feel the original stands on its own and could not be improved upon," said Laura Melillo, a spokeswoman for Macy's. Gimbels no longer existed by 1994 so its name was replaced by the name of the fictional "Shopper's Express". Alvin Greenman (Alfred in the original version) played a doorman. The 1994 remake of the film had a more serious tone than the original 1947 film had and a large portion of the plot was rewritten, although the majority of both the plot and the characters remained intact. The 1994 film also added a subtext which described concerns about religious faith.

In other media
There are numerous remakes of the movie, as well as a Broadway musical.

Radio
Lux Radio Theatre aired a one-hour adaptation of the movie on three occasions: on December 22, 1947, which starred the original cast including Natalie Wood; on December 20, 1948, without Natalie Wood's participation; and on December 21, 1954. There were also two broadcasts on Screen Directors Playhouse: as a half-hour play on December 23, 1949; and then as a one-hour play on December 21, 1950. All of these adaptations had Edmund Gwenn reprising his screen role.

Theatre
A 1963 Broadway musical version, entitled Here's Love, was written by Meredith Willson.
The novella was adapted into a stage play by Will Severin, Patricia Di Benedetto Snyder and John Vreeke in 2000. It is a favorite in many community and regional theaters during the Christmas season. The characters' names are those used in the novella, and the stage setting is distinctly late 1940s. Production rights are held by Samuel French, Inc.

Television
A 1955 one-hour television adaptation of the movie starred Thomas Mitchell as Kris, Macdonald Carey as Fred, Teresa Wright as Doris, and Sandy Descher as Susan. This version did not show the drunken Santa at all. Titled The Miracle on 34th Street, it originally aired as an episode of The 20th Century Fox Hour. It was later re-run as "Meet Mr. Kringle".
Ed Wynn played Kris in a 1959 television adaptation of the movie. Also featured was Orson Bean. It was broadcast live and in color on NBC the day after Thanksgiving. NBC made a kinescope of the program, probably for broadcasting opening night on the West Coast. The copy was in a large collection of kinescopes donated by NBC to the Library of Congress and later unearthed by Richard Finegan, who reported his experiences in the December 2005 issue of Classic Images.
A 1973 television version featured Jane Alexander, David Hartman, Roddy McDowall, Sebastian Cabot as Kris (without his natural beard; he was forced to shave and wear a false beard for the role), Suzanne Davidson, Jim Backus, David Doyle and Tom Bosley. It was adapted by Jeb Rosebrook from the George Seaton screenplay, and directed by Fielder Cook. Mrs. Walker's first name is changed to Karen in this version. This would prove to be the final version in which the department store was actually Macy's. David Doyle, who played R. H. Macy in this version, had played Mr. Sawyer in the original Broadway cast of Here's Love 10 years earlier.

Puppets
In 2012, the flagship Macy's Department Store at Herald Square in New York City featured a 30-minute puppet version of the story within its Santaland display, featuring the voice talents of Broadway stars Brian Stokes Mitchell and Victoria Clark.

Appearances
A short clip of the film was seen on the kitchen television screen in Home Alone (a 1990 Christmas film released by Fox) and also the ending was seen in the den television screen in the 1996 film The Preacher's Wife.

See also
Trial film
List of Christmas films
Santa Claus in film
Passage 8:
Kate Kellaway
Kate Kellaway (born 15 July 1957) is an English journalist and literary critic who writes for The Observer.

Early life
The daughter of the Australians Bill and Deborah Kellaway, she is the older sister of the journalist Lucy Kellaway. Both siblings were educated at the Camden School for Girls, where their mother was a teacher, and at Lady Margaret Hall, Oxford, where she read English.

Professional life
Following a period teaching in Zimbabwe between 1982 and 1986, she began her career in journalism at the Literary Review and became deputy to then editor Auberon Waugh around 1987.Kellaway later joined The Observer, where her posts have included features writer, deputy literary editor, deputy theatre critic and children's books editor. While The Observer's poetry editor, Kellaway was one of the five judges for the Booker Prize in 1995.Kellaway is married and has four sons and two step-sons.
Passage 9:
Bit part
In acting, a bit part is a role in which there is direct interaction with the principal actors and no more than five lines of dialogue, often referred to as a five-or-less or under-five in the United States, or under sixes in British television, or a walk-on part with no dialogue.
A bit part is higher than that of an extra and lower than that of a supporting actor. An actor who regularly performs in bit roles, either as a hobby or to earn a living, is referred to as a bit player, a term also used to describe an aspiring actor who has not yet broken into supporting or leading roles.
Unlike extras, who do not typically interact with principals, actors in bit parts are sometimes listed in the credits. An exception to this practice is the cameo appearance, wherein a well-known actor or other celebrity appears in a bit part; it is common for such appearances to be uncredited.
In MGM's 1951 screen version of the musical Show Boat, the role of the cook Queenie (Frances E. Williams) was reduced from a significant supporting role in the stage version to a bit part in the film. Williams, whose appearance was not intended as a cameo, was not listed at all in the credits. On the other hand, William Warfield, whose role as Joe, Queenie's husband, was also drastically shortened in the film from the stage original, did receive screen credit because he sang "Ol' Man River".
Bit parts are often significant in the story line and sometimes pivotal, as in Jack Albertson's role as a postal worker in the 1947 feature film Miracle on 34th Street. Some characters with bit parts attract significant attention. Konstantin Stanislavski remarked that "there are no small parts, only small actors".Dabbs Greer, a bit actor, once said: "Every character actor, in their own little sphere, is the lead".

See also
Extra (acting)
Ready When You Are, Mr. McGill
Passage 10:
Five Finger Exercise
Five Finger Exercise [sic] is a 1962 American drama film directed by Daniel Mann and produced by Frederick Brisson from a screenplay by Frances Goodrich and Albert Hackett based on the play by Peter Shaffer. The film was distributed by Columbia Pictures.The film stars Rosalind Russell, Jack Hawkins, Richard Beymer, Maximilian Schell and Annette Gorman, with an early screen appearance by Lana Wood, the sister of Natalie Wood.

Plot
Stanley and Louise Harrington are a married couple who constantly argue, and their son and daughter are on the same path. When a music teacher enters their lives, things begin to change for the better, but the peace is only temporary.

Cast
Rosalind Russell as Louise Harrington
Jack Hawkins as Stanley Harrington
Richard Beymer as Philip Harrington
Annette Gorman as Pamela Harrington
Maximilian Schell as Walter
Lana Wood as Mary
Terry Huntingdon as Helen

Production
The film was based on Five Finger Exercise, a play that premiered at the Comedy Theatre in London's West End in July 1958 and played for 337 performances at the Music Box Theatre on Broadway from December 1958 until October 1960. The film project's title was temporarily changed to Five Kinds of Love before reverting to Five Finger Exercise.Alec Guinness was originally cast in the role of Stanley Harrington but left the project because of other commitments. The producers asked Trevor Howard to take the role, but he was involved with a London stage play. The role finally went to Jack Hawkins.
Filming began on June 26, 1961 near Carmel, California. Action scenes were also filmed along the Pacific Coast in Ventura County. To film the scene in which Walter rescues Pamela from drowning, a special team of lifeguards, first-aid providers and highway patrol officers was assembled to ensure safety.Maximilian Schell, who plays the piano in the film, was an accomplished pianist.

Reception
In a contemporary review for The New York Times, critic Bosley Crowther wrote:Something vital and essential to the dramatic quality of Peter Shaffer's successful British drama, ''Five Finger Exercise," has been lost, mislaid or stolen in the translation of it to the screen—and in the shift of its location from a British to an American middle-class milieu. What it is that is missing ... is the solid ring of truth, the artful illusion that the people in this stark family drama are real. The measure of its artificiality is in the performance that Rosalind Russell gives as a selfish and snobbish American woman who drives her husband, son and daughter to blank despair. Miss Russell is much too blithe and bouncy, too much of a bourgeois Aunty Mame, to convey a conviction of a woman who is a serious, sinister influence in her home. ... Obviously, Frances Goodrich and Albert Hackett coarsened and cheapened the original play in rewriting it into an American situation and idiom. But Delbert Mann really lost it in his fumbling direction of the cast.Reviewer Martin Russell of the San Francisco Examiner echoed similar sentiments: "It is a fine psychological drama, or so it appeared when Peter Shaffer's play came to San Francisco last year. Now the film version has arrived ... and something has happened. ... The small additions and subtractions have made the picture barely identifiable with the original. ... [T]he movie characters seem to have diminished in depth and stature. You hardly care what happens to them. ... Daniel Mann's direction suggests that he knew what he was doing—the continuity and approach to individual scenes is fine—but at the same time it shows no grasp nor particular interest in the drama's fascinating undertones."However, critic Cyrus Durgin praised the film in his review for The Boston Globe: "'Five Finger Exercise,' on the screen as upon the stage, is theatrical enterprise of quality. It is good drama, well acted, and will appeal to those of serious tastes. ... [O]nce the drama of the family dissension begins to mount, so does the emotional temperature, and slowness and lack of visual variety do not seem to matter. ... 'Five Finger Exercise' has style and polish in its progress of a disunited family toward understanding and more love. It is accordingly recommended—to the serious-minded."
Passage 11:
Light as a feather, stiff as a board
Light as a feather, stiff as a board is a game played by children at slumber parties. The phrase has also become established in popular culture as a reference to a levitation trick, and has been referred to in various media accounts. In performing magic this effect is known as abnormal lift.

Description
One participant lies flat on the floor, facing upwards. The others space themselves around that person, each placing one or two fingertips underneath the participant's limbs. The person closest to the head commonly begins by saying something like "She's looking ill", which is repeated several times, and followed by, "she's looking worse", which is also repeated several times. The general direction of the call-and-repeat describes how the person is looking worse and worse, followed by saying "she is dying", and, finally, "she is dead".
Variations of the spoken part of the game occur. In a common, modern version, the person being lifted is told a story about their death and asked to imagine it happening to them. This is intended to unsettle the participants, and to convince them that something may have changed making it easier to lift the person than before.
All versions of the game end with the phrase "light as a feather, stiff as a board" chanted by those standing around the "dead" player as they attempt to lift their companion's body using only their fingertips. Some versions omit the story entirely and only the "light as a feather..." chant is used. After these repetitions, the person being lifted is described by the group as having become lighter or even entirely weightless.
Another variation of the game takes place with one person seated in a chair. Four volunteers agree to stand around the sitter, two on the sitter's left side and the other two on their right. Each of the four places two fingers under each corner of the chair's seat and the four together will attempt to lift the chair and sitter, which generally fails. The volunteers will then perform some small ritual, usually involving rubbing their hands together or circling the chair in various direction (counter-clockwise, walking backwards, etc.) After this ritual, the volunteers hold their hands over the sitter's head to "transfer" energy into the sitter, which will presumably make them weightless. The lifters then retry lifting the sitter the same way as before. Also, it can be that the lifters lift the person sitting in the chair; doing the rest of the ritual as so, but holding at the four main points of the body (under the knees on each side and under the shoulders).

Explanation of the trick
The key to the trick is timing: each of the lifters must apply the lifting force at the same moment. When this is done, the weight of the subject is divided equally between each lifter, requiring each person to contribute only 12–20 kilograms (26–44 lb) of lift, to raise a 50–80-kilogram (110–176 lb) person.If the trick is performed without synchronising the lift, it will fail: as participants attempt to lift at slightly different times, they are instead performing a series of lifts by smaller groups, resulting in a much heavier weight per person. This fact may be used as a deliberate form of misdirection from the person explaining the trick, first asking the group to "go ahead, try to lift" to show that it cannot be done, and then asking them to try again on the count of three, where it succeeds.Some people who remember performing the trick as a child will have exaggerated their memory of the effect, recalling the performance as lifting the subject high into the air for some time, when in reality they would only have lifted them for a moment.

History
The oldest known account of levitation play comes from the diary of Samuel Pepys (1633–1703), a British naval administrator. Pepys’s account of levitation play comes from a conversation with a friend of his, Mr. Brisband, who claimed to have seen four little girls playing light as a feather, stiff as a board in Bordeaux, France. Pepys’s account of Mr. Brisband’s experience reads:

He saw four little girls, very young ones, all kneeling, each of them, upon one knee; and one begun the first line, whispering in the ear of the next, and the second to the third, and the third to the fourth, and she to the first. Then the first begun the second line, and so round quite through, and putting each one finger only to a boy that lay flat upon his back on the ground, as if he was dead; at the end of the words, they did with their four fingers raise this boy high as they could reach, and he [Mr. Brisband] being there, and wondering at it, as also being afeared to see it, for they would have had him to have bore a part in saying the words, in the roome of one of the little girles that was so young that they could hardly make her learn to repeat the words, did, for feare there might be some sleight used in it by the boy, or that the boy might be light, call the cook of the 	house, a very lusty fellow, as Sir G. Carteret's cook, who is very big, and they did raise him in just the same manner.
Pepys also spoke of the chant that accompanied this performance.

The next recording of the game being played comes from The Magician’s Own Book (1857). This account differs from that of Pepys, as it is a direct account of the game being played. Also, this account focuses on a different version of the game than the version played by the girls in Samuel Pepys’ account.  In this account, the heaviest man at a party in Venice, Italy, sits in a chair, and is unable to be lifted by six other persons, initially. However, after coordinated hand-clapping and synchronized inhalations and exhalations, the man in the chair is able to be lifted on the forefingers of the six lifters.The phenomenon has been observed into modern times, often being described as a form of spiritualism or seance and considered anathema by some religious groups.  It is widely considered a simple spooky party game along the lines of Bloody Mary and the telling of ghost stories.
The game appears in the 1996 film The Craft, which follows the story of four high school students as they familiarize themselves with witchcraft and various arcane experiments—one of which is light as a feather, stiff as a board. In the movie, the four young women are seen performing the version of the game described in Samuel Pepys’ diary, which involves one participant lying down, while the others kneel around her. The teenagers chant “Light as a feather, stiff as a board,” several times before lifting the participant into the air. In the movie, special effects are used to show the person levitating above the hands of the lifters.
The game appears in the South Park episode "Marjorine", where Butters Stotch declares the other South Park Elementary girls, including Wendy Testaburger, "witches" for playing the game at a slumber party. Butters, as Marjorine, initially mistakes this for the girls "lezzing out".

See also
Light as a Feather (TV series)

Footnotes
Sources
In-depth explanation of levitation including tricks from Answers.com
Halloween is good clean fun October 30, 1998 Weekender Lexington Herald-Leader (KY) article for purchase link
Pajama game: Despite dramatic changes in culture and technology, girls' sleepovers have remained basically the same for generations by MaryEllen Fillo Hartford Courant Aug. 30, 2005 article for purchase link
Samuel Pepys' diary highlights the experience during the London plague of 1665 as well as the Great Fire in 1666 
Levitation Revisited by Elizabeth Tucker explains the origins of the game and discusses some of its occult history.\
The Magician's Own Book contains an entry on page 341-42 which describes an account of the game being played at a Venetian party.
The Craft (1996) Light as a feather, Stiff as a board scene.
Video example 1
Video example 2
Passage 12:
Macy's Thanksgiving Day Parade
The Macy's Thanksgiving Day Parade is an annual parade in New York City presented by the U.S.-based department store chain Macy's. The Parade first took place in 1924, tying it for the second-oldest Thanksgiving parade in the United States with America's Thanksgiving Parade in Detroit (with both parades being four years younger than Philadelphia's Thanksgiving Day Parade). The three-hour parade is held in Manhattan, ending outside Macy's Herald Square, takes place from 9:00 a.m. to 12:00 p.m. Eastern Standard Time on Thanksgiving Day, and has been televised nationally on NBC since 1953. The Parade's workforce is made up of Macy's employees and their friends and family, all of whom work as volunteers.

History
Early history
In 1924, store employees marched to Macy's Herald Square, the flagship store on 34th Street, dressed in vibrant costumes. There were floats, professional bands and live animals borrowed from the Central Park Zoo. At the end of that first parade, Santa Claus was welcomed into Herald Square. At this first parade, Santa was enthroned on the Macy's balcony at the 34th Street store entrance, where he was then crowned "King of the Kiddies". With an audience of over 250,000 people, the parade was such a success that Macy's declared it would become an annual event, despite media reports only barely covering the first parade.The Macy's parade was enough of a success to push Ragamuffin Day, the typical children's Thanksgiving Day activity from 1870 into the 1920s, into obscurity. Ragamuffin Day featured children going around and performing a primitive version of trick-or-treating, a practice that by the 1920s had come to annoy most adults. The public backlash against such begging in the 1930s (when most Americans were struggling in the midst of the Great Depression) led to promotion of alternatives, including Macy's parade. While ragamuffin parades that competed with Macy's would continue into the 1930s, the competition from Macy's would overwhelm the practice, and the last ragamuffin parade in New York City would take place in 1956.Anthony "Tony" Frederick Sarg loved to work with marionettes from an early age. After moving to London to start his own marionette business, Sarg moved to New York City to perform with his puppets on the street. Macy's heard about Sarg's talents and asked him to design a window display of a parade for the store.

Growth and changes
Through the 1930s, the parade continued to grow, with crowds of over one million people lining the parade route in 1933. The first Mickey Mouse balloon entered the parade in 1934. The annual festivities were broadcast on local radio stations in New York City from 1932 to 1941 and resumed in 1945, running through 1951.The parade was suspended from 1942 to 1944 as a result of World War II because rubber and helium were needed for the war effort. The parade resumed in 1945 and became known nationwide shortly afterwards, having been prominently featured in the 1947 film Miracle on 34th Street, which included footage of the 1946 festivities. The event had its first broadcast on network television in 1948 (see § Television coverage). From 1984 to 2019, the balloons were made by Raven Industries of Sioux Falls, South Dakota, through its Raven Aerostar division.Since 1985, the parade was traditionally led by the New York City Police Department Highway Patrol. In 2019, the cast of Sesame Street led the parade in honor of the show's 50th anniversary.
Following an incident in 2005 where a balloon knocked over a street light and injured spectators (see § Injuries), new safety measures were incorporated in 2006 to prevent accidents and balloon-related injuries. One measure taken was the installation of wind measurement devices to alert parade organizers to any unsafe conditions that could cause the balloons to behave erratically. In addition, parade officials implemented a measure to keep the balloons closer to the ground during windy conditions. New York City law prohibits Macy's from flying the full-size balloons if sustained winds exceed 20 knots (23 mph) or wind gusts exceed 30 knots (35 mph); New York's tall buildings and mostly uniform grid plan can amplify wind velocity on city streets. This law, imposed in 1997, has never been activated, despite several close calls; the only time the parade balloons were ever grounded was in 1971. Each balloon has a risk profile to determine handling in windy conditions; taller, upright balloons are rotated to appear horizontal and face downward in such situations (as was the case in 2019, when a grounding was narrowly averted). The remaining floats and performances will continue as scheduled should the balloons be grounded.The 2018 parade was the coldest to date, with the temperature at 19 °F (-7.2 °C) during the event. The warmest was in 1933 at 69 °F (20.5 °C). The 2006 parade was the wettest with 1.72" (49 mm) of rain. Actresses Caitlin Kinnunen and Isabelle McCalla's kiss during The Prom's performance at the 2018 parade received significant media attention for being the first broadcast of a same-sex kiss in the parade's history.Due to the COVID-19 pandemic in New York City, the 2020 parade was downsized and closed to the public—being filmed as a broadcast-only event in the Herald Square area. There were 88% fewer participants, and social distancing was enforced. The event did not include college and high school marching bands (with the affected bands having been reinvited for 2021), nor any participant under 18 years of age. Balloons were tethered to a "specially rigged anchor vehicle framework of five specialty vehicles" rather than carried by handlers. Mayor of New York City Bill de Blasio stated that it will "[not be] a live parade, but something that will really give us that warmth and that great feeling we have on Thanksgiving day." In 2021, the Macy's Thanksgiving Day Parade returned to its traditional in-person procession with 6,500 participants marching in the Parade.
The 2022 edition marks the first time that the parade was hosted entirely by women.

Balloons
The balloons were introduced in 1928, replacing live zoo animals. Sarg's large animal-shaped balloons were produced by the Goodyear Tire and Rubber Company in Akron, Ohio from the 1920s through 1980. That year there was no procedure to deflate the balloons, and they were simply released. In 1928 five of the giant balloons were designed and filled with helium to rise above 2,000 feet (610 meters) and slowly deflate for whoever was lucky enough to capture the contestants in Macy's "balloon race[s]" and return them for a reward of $100 (equivalent to more than $1,600 with inflation as of 2021), this lasted until 1932.The balloons in the Macy's Thanksgiving Day Parade have had several varieties. The oldest is the novelty balloon class, consisting of smaller balloons ranging widely in size and handled by between one and thirty people (the smallest balloons are shaped like human heads and fit on the heads of the handlers). The larger and more popular class is the character balloons, primarily consisting of licensed pop-culture characters; each of these (16 in 2019) is handled by exactly 90 people. From 2005 to 2012, a third balloon class, the "Blue Sky Gallery", transformed the works of contemporary artists into full-size balloons; after a five-year hiatus, the Blue Sky Gallery returned in 2018.

Balloons listed by year introduced
Character balloons
Novelty balloons
Blue Sky Gallery
Falloon
A falloon, a portmanteau of "float" and "balloon", is a float-based balloon. They were introduced in 1986.

Balloonicle
A balloonicle, a portmanteau of "balloon" and "vehicle", is a self-powered balloon vehicle. They were introduced in 2004.

Floalloonicle
A "floalloonicle", a portmanteau of "float", "balloon" and "vehicle", is a self-powered balloon vehicle structured around a float. They were introduced in 2021.

Heritage Balloon
"Heritage Balloons" are mid-sized helium balloons that have a sponsor other than Macy's. They were introduced in 2016.

Performers and acts
In addition to the well-known balloons and floats, the parade also features live music and other performances. College and high school marching bands from across the country participate in the parade. The television broadcasts feature performances by established and up-and-coming singers and bands. The Rockettes of Radio City Music Hall are a classic performance (having performed annually since 1957 as the last pre-parade act to perform, followed by a commercial break), as are cheerleaders and dancers chosen by the National Cheerleaders Association from various high schools across the country. The parade always concludes with the arrival of Santa Claus to ring in the Christmas and holiday season (except for the 1932 parade, when Santa led the parade). Since 2017, the Macy's Singing Christmas Tree choir precedes Santa Claus as the final performer of the parade.
On the NBC telecast from in front of the flagship Macy's store on Broadway and 34th Street, the marching bands perform live music. Most "live" performances by musicals and individual artists lip-sync to the studio, soundtrack or cast recordings of their songs, due to the technical difficulties of attempting to sing into a wireless microphone while in a moving vehicle (performers themselves typically perform on the floats); the NBC-flagged microphones used by performers on floats are almost always non-functioning props. Although rare, recent parade broadcasts have featured at least one live performance with no use of recorded vocals.

Featured performers
Broadway shows
Every year, cast members from some Broadway shows (usually shows that debuted that year) perform either in the parade or immediately preceding the parade in front of Macy's and before The Rockettes' performance (since NBC broadcasts the parade's start, the performances are shown during the wait for the parade itself). The 2007 parade was notable as it took place during a strike by the I.A.T.S.E. (a stagehands' union). Legally Blonde, the one performing musical affected by the strike, performed in show logo shirts, with makeshift props and no sets. The other three shows that year performed in theaters that were not affected by the strike.

Marching bands
Special guests
For the 10th anniversary of the September 11th attacks in 2011, the Macy's Thanksgiving Parade invited family members from Tuesday's Children (a nonprofit organization that benefits families directly impacted by terrorism) to cut the ribbon at the start of the parade with NBC's Al Roker and led the parade with Amy Kule, the Parade's executive producer.

Television coverage
More than 44 million people typically watch the parade on television on an annual basis. It was first televised locally in New York City in 1939 as an experimental broadcast on NBC's W2XBS (now WNBC). No television stations broadcast the parade in 1940 or 1941, but local broadcasts resumed when the parade returned in 1945 after the wartime suspension. The parade began its network television appearances on CBS in 1948, the year that major, regular television network programming began. NBC has been the official broadcaster of the event since 1953. However, CBS (which has a studio in Times Square) also carries unauthorized coverage as The Thanksgiving Day Parade on CBS. The parade committee can endorse an official broadcaster as the parade takes place in public (however, they cannot award exclusive rights as other events, such as sporting events, which take place inside restricted-access stadiums, have the authority to do so). The rerouting of the parade starting from 2012 (see below) moved the parade out of the view of CBS's cameras and thus made it significantly more difficult for the network to cover the parade. However, the route now passes along the west side of the network's Black Rock headquarters building along Sixth Avenue (with the hosts stationed on a temporary tower platform at the Sixth/W. 53rd St. corner of the building), and CBS nevertheless continues to cover the parade as before.
Since 2003, the parade has been broadcast in Spanish on the sister network of NBCUniversal (Telemundo) hosted by María Celeste Arrarás from 2003 to 2006. The parade won nine Emmy Awards for outstanding achievements in special event coverage since 1979. Since 2020, the parade also provided audio description via a second audio program channel.At first, the telecasts were only an hour long. The telecast then expanded to two hours in 1961, reduced to 90 minutes in 1962, reverted to two hours in 1965, and expanded to all three hours of the parade in 1969. The event began to be broadcast in color in 1960. NBC airs the Macy's Thanksgiving Day Parade live in the Eastern Time Zone as well as Puerto Rico and the U.S. Virgin Islands, as the network uses broadcast feeds from that time zone (which due to time differences starts at 10:00 a.m. AST), but tape delays the telecast elsewhere in the continental U.S. and territories from the Central Time Zone westward to allow the program to air in the same 9:00 a.m. to 12:00 p.m. timeslot across its owned-and-operated and affiliated stations (except for Guam, which airs it the day after Thanksgiving at 9:00 a.m. local time, as the territory is located west of the International Date Line and therefore a day ahead from the rest of the United States); since the morning program's expansion to three hours in 2000 (it eventually expanded to four hours in 2007), NBC's Today only airs for two hours on Thanksgiving morning, pre-empting the last two talk-focused hours of the show for the day. NBC began airing a same-day afternoon rebroadcast of the parade in 2009 (replacing the annual broadcast of Miracle on 34th Street, which NBC had lost the broadcast television rights to that year). CBS's unauthorized coverage airs live in most time zones, allowing viewers to see the parade as much as two hours before the official NBC coverage airs in their area; CBS still broadcasts the parade on delay on the West Coast, immediately after the Detroit Lions Thanksgiving game in even-numbered years when CBS carries it, or at 9:00 a.m. local time in odd-numbered years when they carry the Dallas Cowboys Thanksgiving game.From 1963 to 1972, NBC's coverage was hosted by Lorne Greene (who was then appearing on NBC's Bonanza) and Betty White. David Hartman and Karen Grassle hosted the parade in 1974, With Ed McMahon serving as a man on the street host, He would become a main host in 1977, until 1981. Since 1982, NBC has appointed at least one of the hosts of Today to emcee the television broadcast, starting with Bryant Gumbel, who hosted the parade until 1984. From 1987 to 1997, NBC's coverage was hosted by longtime Today weather anchor Willard Scott. During that period, their co-hosts included Mary Hart, Sandy Duncan, and Today colleagues Deborah Norville and Katie Couric. In recent years, NBC's coverage has been hosted by Today anchors Matt Lauer (from 1998 to 2017), Meredith Vieira (from 2006 to 2010), Ann Curry (2011), Savannah Guthrie (since 2012) and Hoda Kotb (since 2018) as well as Today weather anchor Al Roker who usually joins the producers of the parade or the CEO of Macy's and special guests in the ribbon cutting ceremony. In 2022, Dylan Dreyer filled in for Roker, who was recovering due to health complications involving blood clots, while Kotb hosted the ribbon cutting ceremony segment when the parade reached Herald Square, rather than when it usually takes place in the Upper West Side.
From the early 1970s until 1993, the television broadcast was produced and directed by Dick Schneider; since 1994, it has been executive produced by Brad Lachman (who has otherwise been known for producing reality television series), produced by Bill Bracken and directed by veteran sitcom director Gary Halvorson. Announcements during the telecast were first provided by Bill McCord, then followed in succession by Bill Wendell, Lynda Lopez (the telecast's only female announcer), and longtime Saturday Night Live and NBC staff announcer Don Pardo; from circa 2000 to 2010, announcer duties were helmed by Joel Godard (who also served as the announcer for Late Night with Conan O'Brien for much of that period), and then were assumed by Today announcer Les Marshak with the 2011 telecast. Milton DeLugg served as the telecast's music director until his death in 2015.
CBS's coverage was originally part of the All-American Thanksgiving Day Parade, a broadcast that included footage from multiple parades across North America, including parades at Detroit, Philadelphia and Disneyland (the latter was later replaced by Opryland USA in 1997 and after that Miami Beach), and taped footage of the Toronto Santa Claus Parade (taped usually the second or third weekend of November) and the Aloha Floral Parade in Honolulu (which usually took place in September). Beginning in 2004, however, CBS has focused exclusively on the Macy's parade, but avoids using the Macy's name due to the lack of an official license. To compensate for the fact that the Broadway and music performances can only appear on NBC, CBS adds their own pre-recorded performances (also including Broadway shows, although different from the ones that are part of the official parade and recorded off-site) to fill out the special. With the lack of a live parade for 2020, CBS aired The CBS Thanksgiving Day Celebration—which was hosted by Kevin Frazier and Keltie Knight of Entertainment Tonight, and featured highlights and new performances.For the 1997 parade, MTV guest reporters, Beavis and Butt-head, with host Kurt Loder, provided their usual style of commentary on aspects of the parade, and of their take on Thanksgiving in general. The special, titled Beavis and Butt-head Do Thanksgiving, included a balloon of Beavis and Butt-head spectating from their couch. The balloon was not participating in the parade, but stationed on top of a building alongside the parade route.
Radio coverage is provided by Audacy's WINS (1010 AM) in New York City. It is one of the few times throughout the year in which that station breaks away from its all-news radio format.
From 2016 to 2019, Verizon produced a 360-degree virtual reality live telecast of the parade, with minimal commentary, made available through YouTube. The 2019 edition, produced in cooperation with NBC, had more extensive production, adding hosts Terry Crews, Lilly Singh and Ross Matthews, also adding "virtual balloons" generated through viewers' votes. Verizon's simulcast of the 2020 event ran in a traditional flat, single-perspective format, and was the very first to be broadcast internationally, not just in the United States, thru Verizon's and Macy's YouTube and Twitter handles. Verizon did not simulcast the 2021 event in either format.
The first ever live international broadcast of the parade occurred in 2020, when Philippine cable television channel TAP TV became the first foreign-based broadcaster to air the parade's live telecast. Before that, the broadcasts were delayed and aired on Black Friday on what is now CNN Philippines until 2013. In addition, delayed broadcasts are aired to United States military installations overseas thru American Forces Network hours following the original U.S. broadcast.

Current hosts
Savannah Guthrie (2012–present)
Hoda Kotb (2018–present)
Al Roker (1995–2021)
Dylan Dreyer (2022)

Past hosts
Parade route
The Parade has always taken place in Manhattan. The parade originally started from 145th Street in Harlem and ended at Macy's flagship in Herald Square (at the intersection of Broadway, Sixth Avenue, and 34th Street), making a 6-mile (9.7 km) route.In the 1930s, the balloons were inflated around 110th Street and Amsterdam Avenue, near the Cathedral of St. John the Divine. The parade proceeded south on Amsterdam Avenue to 106th Street and turned east. At Columbus Avenue, the balloons had to be lowered to go under the Ninth Avenue El. Past the El tracks, the parade proceeded east on 106th Street to Central Park West and turned south to terminate at Macy's flagship.
A new route was established for the 2009 parade. From 77th Street and Central Park West, the route went south along Central Park to Columbus Circle, then east along Central Park South. The parade would then make a right turn at 7th Avenue and go south to Times Square. At 42nd Street, the parade turned left and went east, then at 6th Avenue turned right again at Bryant Park. Heading south on 6th Avenue, the parade turned right at 34th Street (at Herald Square) and proceeded west to the terminating point at 7th Avenue where the floats are taken down. The 2009 route change eliminated Broadway completely, where the parade has traveled down for decades. The City of New York said that the new route would provide more space for the parade, and more viewing space for spectators. Another reason for implementing the route change is the city's subsequent transformation of Broadway into a pedestrian-only zone at Times Square.Another new route was introduced with the 2012 parade. This change is similar to the 2009 route, but eliminated Times Square altogether, instead going east from Columbus Circle along Central Park South, then south on Sixth Avenue to Herald Square.Balloon teams race through Columbus Circle due to higher winds in this flat area, making it an unsuitable observation location. New York City officials preview the parade route and try to eliminate as many potential obstacles as possible, including rotating overhead traffic signals out of the way. Viewing is restricted from 38th Street through the end of the parade route, as this area is used for the NBC telecast.

Injuries
On November 25, 1993, strong gusts of wind pushed the Sonic the Hedgehog balloon into a lamppost at Columbus Circle. The lamppost damaged the balloon and the top of the post broke off while inside the balloon, dragging it down, injuring a child and an off-duty police officer in the process.On November 27, 1997, very high winds pushed the Cat in the Hat balloon into a lamppost. The falling debris struck a parade-goer, fracturing her skull and leaving her in a coma for a month. Balloon size regulations were implemented the next year, eliminating larger balloons such as the Cat in the Hat.On November 24, 2005, the M&M's balloon collided with a streetlight in Times Square; parts of the light fell on two sisters, who suffered minor injuries. As a result, new safety rules were introduced. The M&M's balloon was retired in 2006.

Similar parades
Other American cities also have parades held on Thanksgiving, none of which are run by Macy's. The nation's oldest Thanksgiving parade (the Gimbels parade, which has had many sponsors over the years, and is now known as the 6abc Dunkin' Donuts Thanksgiving Day Parade) was first held in Philadelphia in 1920. Other cities with parades on the holiday include the McDonald's Thanksgiving Parade in Chicago, Illinois and parades in Plymouth, Massachusetts; Seattle, Washington; Houston, Texas; Detroit, Michigan; and Fountain Hills, Arizona. There is also a second Thanksgiving balloon parade within the New York metropolitan area, the UBS balloon parade in Stamford, Connecticut, located 30 miles (48 km) away; that parade is held the Sunday before Thanksgiving, so as not to compete with the parade in New York City. It usually does not duplicate any balloon characters. The Celebrate the Season Parade, held the last Saturday in November in Pittsburgh, was sponsored by Macy's from 2006 to 2013 after Macy's bought the Kaufmann's store chain that had sponsored that parade prior to 2006.

Universal's Holiday Parade Featuring Macy's
Since 2002, Macy's Studios has partnered with the Universal Orlando Resort (owned by NBC parent NBCUniversal) to bring balloons and floats from New York City to the theme park in Florida every holiday season in an event known as the Macy's Holiday Parade. The parade is performed daily and includes the iconic Santa Claus float. Performers from the Orlando area are cast as various clowns, and the park used to invite guests to be "balloon handlers" for the parade. In 2017, the Macy's Holiday Parade was renamed to Universal's Holiday Parade Featuring Macy's. In 2020, as a result of the ongoing COVID-19 pandemic, the parade could not be run. Instead, a walkthrough experience known as Universal's Holiday Experience Featuring Macy's Balloons took place throughout the holiday season, displaying various floats and balloons that would normally be seen in the parade.

In popular culture
The 1947 film Miracle on 34th Street, begins with the parade, as do most of its remakes. The film portrays the real Santa Claus being hired to work at Macy's after its own Santa impersonator gets drunk during the parade. NBC, in its telecasts, often showed the original 1947 film on Thanksgiving afternoon, following its coverage of the parade and the National Dog Show.
The 1984 film Broadway Danny Rose features a sequence in which Danny (Woody Allen) and Tina (Mia Farrow) are chased into a warehouse containing Parade materials and helium gas supplies; near the end of the film we see Tina at the Macy's Thanksgiving Parade itself. It is the 1982 Parade, in which we briefly see Sammy Davis, Jr. Milton Berle, who has a small guest role in the film playing himself, was also featured in the Parade, but is not seen in this sequence.
In the Seinfeld episode "The Mom and Pop Store", Elaine wins a spot on the parade route for her boss, Mr. Pitt, to hold the Woody Woodpecker balloon.
The first Thanksgiving-themed episode of Friends centered on the accidental release of the (unused at the time) "Underdog" balloon.
The parade is featured in the children's book We're Back! A Dinosaur's Story and its animated film adaptation where Rex mistakenly befriends a dinosaur balloon.
"Macy's Day Parade" is a song by Green Day.
In 2008, a Coca-Cola CGI ad aired in the United States during Super Bowl XLII. The commercial's plot centered around Underdog and fictional Stewie Griffin balloons chasing a Coke bottle-shaped balloon through New York City. The spot ended with a Charlie Brown balloon holding the Coke balloon. The advertisement won a Silver Lion Award at the annual Lions International Advertising Festival in Cannes, France, that year, and the clip of the commercial with the Griffin balloon was featured in a Macy's commercial in October 2008 (along with clips from Miracle on 34th Street, I Love Lucy, Seinfeld and other media where Macy's was mentioned). The commercial was also referenced in an episode of Family Guy. Stewie, one of its main characters, is seen watching the parade only to see the balloon of himself in the parade.
In the 2016 reboot of Ghostbusters, the Ghostbusters fight a haunted balloon parade including several Macy's balloons from the 1920s, 1930s and 1940s.

See also
Santa Claus parades
List of Christmas and holiday season parades
Passage 13:
Tora Suber
Tora Suber (born November 23, 1974) is a former professional basketball player who played for the Charlotte Sting and Orlando Miracle in the WNBA. She played a total of 83 games.

High school
Suber and Tina Nicholson were teammates at Downingtown High School in the early 1990s. Suber graduated in 1993. In total she recorded 2,420 career points and helped the team win four District 1 titles and two state crowns.

WNBA Career
On April 28, 1997, Suber was selected with the 7th overall pick of the 1997 WNBA Draft by the Charlotte Sting. Her debut game was played on June 22, 1997 in a 59 - 76 loss to the Phoenix Mercury where she recorded 6 points, 3 rebounds and 2 steals. Suber would play her rookie and sophomore seasons as a member of the Sting, playing in 58 games, scoring a total of 321 points, 142 assists and 95 rebounds. She was waived by the Sting on May 29, 1999.After being waived by the Sting, Suber would go on to play her 3rd season with the Orlando Miracle. However, she had a significantly less role and although she played in 25 games, she only averaged 4.6 minutes per game and averaged 0.8 points.

Unsuccessful WNBA Comeback Attempts
After playing the 1999 season with the Miracle, Suber would never play in the WNBA again, but she did sign multiple contracts for teams in the early 2000's. One of those teams coincidentally being the Orlando Miracle. Suber would sign with the Miracle on May 3, 2001 but would get waived 8 days later on May 11, 2001. Since she missed out on the 2001 season, Suber would try her luck again in the 2002 WNBA season by signing with the Houston Comets, even participating in the team's Media Day on April 29, 2002. Unfortunately, she would never play a game for the Comets and would be waived on May 8, 2002.
Two years later in April 2004, Suber tried another comeback by signing once again with the Houston Comets as a free agent. However, she was waived a few weeks later on May 9, 2004Due to her 2001, 2002 and 2004 comebacks not coming to fruition, Suber's final WNBA game was the last game of the 1999 season as a member of the Miracle. That game was played on August 21, 1999 in a 68 - 74 loss to the Detroit Shock where Suber only played for 13 seconds. This game was also the final career game of fellow 1997 WNBA Draftee Wanda Guyton, who was a member of the Shock.

Personal life
Suber was born prematurely to a 15-year-old mother. She earned a bachelor's degree in English literature at Virginia.

Career statistics
Regular season
Playoffs

Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the sibling of the actress that played the little girl in Miracle on 34th street 1947?



Answer: Lana Wood