The following are given passages.
Passage 1:
Ann Carver's Profession
Ann Carver's Profession is an American pre-Code 1933 film directed by Edward Buzzell. It focuses on the relationship of a female lawyer and her husband, and on the strain that her financial success places on their marriage. The film stars actress Fay Wray and this film was made during the year she cemented her fame in King Kong. Although the writing credits differ, the film bears a striking resemblance in plot to Columbia's 1938 production The Lady Objects starring Lanny Ross and Gloria Stuart.

Plot
Ann Carver (Fay Wray) and Bill Graham (Gene Raymond) are college sweethearts who graduate, marry, and go to work. There are major differences in their career success. Ann has a law degree, and goes to work at the law firm of retired Judge Bingham. On the other hand, Bill, who in college was a campus football star and voted "Most Popular Man on Campus", lands a low-level job in an architectural firm. She scores a sensational success with her first case (see below) and receives a check for $5000 from her rich client, Harrison. This sets the stage for marital problems, because the very same day that she gets the check for $5000, her husband receives notice of a big raise at work — $10.
Ann quickly becomes a famous and wealthy lawyer, while her husband Bill continues to slog along as a low-level wage slave. The two realize, and discuss, the strain that the disparity in their incomes is placing on the marriage. They resolve to work harder at their marriage, but it immediately becomes clear that the demands of her job will make it difficult for Ann to tear herself from work. There is also a scene in which Ann resents the fact that Bill will not accompany her to a dinner party because he has to go to work. Eventually, disgusted with the paltriness of his income as compared to his wife's success, Bill quits his job as an architect and—in hopes of hitting the big time as a singer—becomes a "crooner" at the Mirador, a friend's nightclub.
While working at the club, Bill begins to drink heavily and becomes involved with alcoholic female singer Carole Rodgers (Claire Dodd). In a scene at the Mirador, Ann and a group of friends observe Carole giving Bill a kiss. In fury, Ann throws a handful of change at Bill and stalks out. That seals the rupture in their marriage. Ann misses Bill deeply, and becomes distracted and starts to perform badly at work, but when she tries to contact Bill, Bill refuses to talk to her.
Carole loses her job as a result of her drinking and apparently begins spending a lot of time with Bill in his apartment. One evening, while alone in Bill's apartment, Carole gets drunk, passes out, and falls and hits her head on the arm of a couch, which renders her even more unconscious. Her necklace (designed to look like a snake) gets caught on the arm of the couch and she strangles as she is slumped over the side of the couch. Eventually, the necklace slips loose and Carole's body falls to the floor. Much later, Bill comes in, drunk, after work. He sees Carole on the floor, thinks that she is merely drunk and passed-out on the floor, and himself falls into bed.
In the next scene we discover that Bill is on trial, accused of killing Carole. Ann knows that Bill must be innocent, and wants desperately to defend him. Judge Bingham warns Bill that his case looks very bad, but if he will allow Ann to defend him he will at least have the advantage of a passionately motivated defense attorney. Bingham persuades Bill to allow Ann to act as his defense attorney.
The prosecuting attorney's case is built on circumstantial evidence and his depiction of Bill's character. Key to the prosecution's case is its portrayal of Ann as a saintly (beautiful, talented, loving) and wronged wife, and of Bill as a playboy, drunk, and loafer who left his loving wife for a floozie, quit his job to live off of his wife's money, and gave up hard work to live a life of ease as a nightclub crooner.
In her speech to the jury, Ann first points out that it is highly unlikely that Bill killed Carole—he had no motive for killing her. Then, from personal knowledge, she contests the prosecution's depictions of her as the saintly wronged party. Instead, she says, Bill was the wronged party. She had been obsessed over money and fame and drove him away. She deeply regrets it, she says, and hopes that in this—the last trial of her career—she can convince the jury of Bill's innocence. In the last scene of the movie, we see Ann and Bill at home together, a happily married couple living in a nice house. We see that Bill has been acquitted, Ann has given up her career, and Bill has become a successful architect with projects showcased in Vanity Fair and House and Garden.

Cast
Fay Wray as Ann Carver Graham
Gene Raymond as William "Lightning Bill" Graham
Claire Dodd as Carole Rodgers
Arthur Pierson as Ken Bingham
Claude Gillingwater as Judge Bingham
Frank Albertson as Jim Thompson
Frank Conroy as Baker
Jessie Ralph as Terry (Graham's maid)
Robert Barrat as Attorney Andrew Simmons
Passage 2:
Mehdi Abrishamchi
Mehdi Abrishamchi (Persian: مهدی ابریشم‌چی born in 1947 in Tehran) is a high-ranking member of the People's Mujahedin of Iran (MEK).

Early life
Abrishamchi came from a well-known anti-Shah bazaari family in Tehran, and participated in June 5, 1963, demonstrations in Iran. He became a member of Hojjatieh, and left it to join the People's Mujahedin of Iran (MEK) in 1969. In 1972 he was imprisoned for being a MEK member, and spent time in jail until 1979.

Career
Shortly after Iranian Revolution, he became one of the senior members of the MEK. He is now an official in the National Council of Resistance of Iran.

Electoral history
Personal life
Abrishamchi was married to Maryam Rajavi from 1980 to 1985. Shortly after, he married Mousa Khiabani's younger sister Azar.

Legacy
Abrishamchi credited Massoud Rajavi for saving the People's Mojahedin Organization of Iran after the "great schism".
Passage 3:
Edward Buzzell
Edward Buzzell (November 13, 1895 – January 11, 1985) was an American film actor and director whose credits include Child of Manhattan (1933); Honolulu (1939); the Marx Brothers films At the Circus (1939) and Go West (1940); the musicals Best Foot Forward (1943), Song of the Thin Man (1947), and Neptune's Daughter (1949); and Easy to Wed (1946).
Born in Brooklyn, Buzzell appeared in vaudeville and on Broadway, and he was hired to star in the 1929 film version of George M. Cohan's Little Johnny Jones with Alice Day. Buzzell appeared in a few Vitaphone shorts and the two-strip Technicolor short The Devil's Cabaret (1930) as Satan's assistant. He wrote screenplays in the early 1930s and later produced the popular The Milton Berle Show, which premiered on television in 1948.
In 1926, Buzzell married actress Ona Munson, who later played Belle Watling in Gone with the Wind. They divorced in 1931. He married socialite Sara Clark on August 11, 1934, but the marriage only lasted five weeks. He married actress Lorraine Miller on December 10, 1949. He died in Los Angeles in 1985 at the age of 89. Buzzell's brother, Samuel Jesse Buzzell, was a music patent attorney in New York City; his daughter (Edward's niece) Gloria Joyce Buzzell was married to Academy Award-winning film producer Harold Hecht, and his son (Edward's nephew) Loring Buzzell was a music publisher and partner in the firm Hecht-Lancaster & Buzzell Music, and was married to singer Lu Ann Simms.

Filmography
As Actor

Midnight Life (1928)
Little Johnny Jones (1929)
Hello Thar (short, 1930)
The Royal Four-Flusher (short, 1930)
The Devil's Cabaret (short, 1930)
The Lone Star Stranger (short, 1931)
Check and Rubber Check (short, 1931)
She Served Him Right (short, 1931)
The Youngest Profession (1943)
Passage 4:
Heather D. Gibson
Heather Denise Gibson (Greek: Χέδερ Ντενίζ Γκίμπσον) is a Scottish economist currently serving as Director-Advisor to the Bank of Greece (since 2011). She was the spouse of Euclid Tsakalotos, former Greek Minister of Finance.

Academic career
Before assuming her duties at the Bank of Greece and alternating child-rearing duties with her husband, Gibson worked at the University of Kent, where she published two volumes on international exchange rate mechanisms and wrote numerous articles on this and other topics, sometimes in cooperation with her husband, who was teaching at Kent at the time.

Personal life
Gibson first came to Greece in 1993, with her husband, with whom she took turns away from their respective economic studies to raise their three children while the other worked.The couple maintain two homes in Kifisia, along with an office in Athens and a vacation home in Preveza. In 2013, this proved detrimental to Tsakalotos and his party when his critics began calling him «αριστερός αριστοκράτης» (aristeros aristokratis, "aristocrat of the left"), while newspapers opposed to the Syriza party seized on his property holdings as a chance to accuse the couple of hypocrisy for enjoying a generous lifestyle in private while criticizing the "ethic of austerity" in public. One opposition newspaper published on the front page criticism reasoning that Tsakalotos own family wealth came from the same sort of investments in companies as made by financial institutions JP Morgan and BlackRock.

Works
Editor
Economic Bulletin, Bank of Greece

Books
The Eurocurrency Markets, Domestic Financial Policy and International Instability (London, etc., Longman: 1989) ISBN 0312028261
International Finance: Exchange Rates and Financial Flows in the International Financial System (London, etc., Longman: 1996) ISBN 0582218136
Economic Transformation, Democratization and Integration into the European Union (London: Palgrave Macmillan: 2001) ISBN 9780333801222

Articles and papers
"Fundamentally Wrong: Market Pricing of Sovereigns and the Greek Financial Crisis," Journal of Macroeconomics, Elsevier, vol. 39(PB), pp. 405–419 (with Stephen G. & Tavlas, George S., 2014)
"Capital flows and speculative attacks in prospective EU member states" (with Euclid Tsakalotos, Economics of Transition Volume 12, Issue 3, pages 559–586, September 2004)
"A Unifying Framework for Analysing Offsetting Capital Flows and Sterilisation: Germany and the ERM" (with Sophocles Brissimis & Euclid Tsakalotos, International Journal of Finance & Economics, 2002, vol. 7, issue 1, pp. 63–78)
"Internal vs External Financing of Acquisitions: Do Managers Squander Retained Profits" (with Andrew Dickerson and Euclid Tsakalotos, Studies in Economics, 1996; Oxford Bulletin of Economics and Statistics, 2000)
"Are Aggregate Consumption Relationships Similar Across the European Union" (with Alan Carruth & Euclid Tsakalotos, Regional Studies, Volume 33, Issue 1, 1999)
Takeover Risk and the Market for Corporate Control: The Experience of British Firms in the 1970s and 1980 (with Andrew Dickerson and Euclid Tsakalotos, 1998) PDF
"The Impact of Acquisitions on Company Performance: Evidence from a Large Panel of UK Firms" (with Andrew Dickerson and Euclid Tsakalotos, Oxford Economic Papers New Series, Vol. 49, No. 3 (Jul., 1997), pp. 344–361)
"Short-Termism and Underinvestment: The Influence of Financial Systems" (with Andrew Dickerson and Euclid Tsakalotos, The Manchester School of Economic & Social Studies, 1995, vol. 63, issue 4, pp. 351–67)
"Testing a Flow Model of Capital Flight in Five European Countries" (with Euclid Tsakalotos, The Manchester School of Economic and Social Studies, Volume 61, Issue 2, pp. 144–166, June 1993)
Full list of articles by Heather D Gibson. researchgate.net. Recovered 7 July 2015
Passage 5:
Marie-Louise Coidavid
Queen Marie Louise Coidavid (1778 – 11 March 1851) was the Queen of the Kingdom of Haiti 1811–20 as the spouse of Henri Christophe.

Early life
Marie-Louise was born into a free black family; her father was the owner of Hotel de la Couronne, Cap-Haïtien. Henri Christophe was a slave purchased by her father. Supposedly, he earned enough money in tips from his duties at the hotel that he was able to purchase his freedom before the Haitian Revolution. They married in Cap-Haïtien in 1793, having had a relationship with him from the year prior. They had four children: François Ferdinand (born 1794), Françoise-Améthyste (d. 1831), Athénaïs (d. 1839) and Victor-Henri.
At her spouse's new position in 1798, she moved to the Sans-Souci Palace. During the French invasion, she and her children lived underground until 1803.

Queen
In 1811, Marie-Louise was given the title of queen upon the creation of the Kingdom of Haiti. Her new status gave her ceremonial tasks to perform, ladies-in-waiting, a secretary and her own court. She took her position seriously, and stated that the title "given to her by the nation" also gave her responsibilities and duties to perform. She served as the hostess of the ceremonial royal court life performed at the Sans-Souci Palace. She did not involve herself in the affairs of state. She was given the position of Regent should her son succeed her spouse while still being a minor.  However, as her son became of age before the death of his father, this was never to materialize.After the death of the king in 1820, she remained with her daughters Améthyste and Athénaïs at the palace until they were escorted from it by his followers together with his corpse; after their departure, the palace was attacked and plundered. Marie-Louise and her daughters were given the property Lambert outside Cap. She was visited by president Jean Pierre Boyer, who offered her his protection; he denied the spurs of gold she gave him, stating that he was the leader of poor people. They were allowed to settle in Port-au-Prince. Marie-Louise was described as calm and resigned, but her daughters, especially Athénaïs, were described as vengeful.

Exile
The Queen was in exile for 30 years. In August 1821, the former queen left Haiti with her daughters under the protection of the British admiral Sir Home Popham, and travelled to London. There were rumours that she was searching for the money, three million, deposited by her spouse in Europe. Whatever the case, she did live the rest of her life without economic difficulties. The English climate and pollution during the Industrial Revolution was determintal to Améthyste's health, and eventually they decided to leave.In 1824, Marie-Louise and her daughters moved in Pisa in Italy, where they lived for the rest of their lives, Améthyste dying shortly after their arrival and Athénaïs in 1839. They lived discreetly for the most part, but were occasionally bothered by fortune hunters and throne claimers who wanted their fortune. Shortly before her death, she wrote to Haiti for permission to return. She never did, however, before she died in Italy. She is buried in the church of San Donnino. A historical marker was installed in front of the church on April 23, 2023 to commemorate the Queen, her daughter and her sister.

See also
Marie-Claire Heureuse Félicité
Adélina Lévêque
Passage 6:
The Lady Objects
The Lady Objects is a 1938 American drama film written by Gladys Lehman and Charles Kenyon and directed by Erle C. Kenton. It was nominated for the Oscar for Best Song at the 11th Academy Awards with the song A Mist Over the Moon, with music by Ben Oakland and lyric by Oscar Hammerstein II. Although the writing credits differ, this film bears a striking resemblance to Columbia's 1933 film, Ann Carver's Profession.

Plot
Bill Hayward's years as a college athlete and singer are behind him, and while he struggles financially, his attorney wife Ann is prospering, promoted to junior partner in her law firm.
While she's in Washington, D.C., on business, Bill accompanies friends June and George to a New York City nightclub where they have been hired to entertain. He is persuaded to get on stage and sing himself, but resists the temptation to get into a romantic situation with June, a former girlfriend from their school days.
June gets inebriated and a stumble results in her accidental death. Bill, however, is charged with her murder. Ann offers to defend him in court, but Bill can't bear that thought. When the case goes badly against him, however, Ann volunteers information that results in Bill's acquittal and their reconciliation.

Cast
Lanny Ross as William Hayward
Gloria Stuart as Ann Adams Hayward
Joan Marsh as June Lane
Roy Benson as George Martin
Pierre Watkin as Mr. Harper
Robert Paige as Ken Harper
Arthur Loft as Charles Clarke
Stanley Andrews as Baker
Jane Buckingham as Mrs. Harper (Jan Buckingham)
Bess Flowers as Miriam Harper
Ann Doran as Miss Hollins
Vesey O'Davoren as Langham
Passage 7:
Sophia Magdalena of Denmark
Sophia Magdalena of Denmark (Danish: Sophie Magdalene; Swedish: Sofia Magdalena; 3 July 1746 – 21 August 1813) was Queen of Sweden from 1771 to 1792 as the wife of King Gustav III. 
Born into the House of Oldenburg, the royal family of Denmark-Norway, Sophia Magdalena was the first daughter of King Frederick V of Denmark and Norway and his first consort, Princess Louise of Great Britain. Already at the age of five, she was betrothed to Gustav, the heir apparent to the throne of Sweden, as part of an attempt to improve the traditionally tense relationship between the two Scandinavian realms. She was subsequently brought up to be the Queen of Sweden, and they married in 1766. In 1771, Sophia's husband ascended to the throne and became King of Sweden, making Sophia Queen of Sweden. Their coronation was on 29 May 1772.
The politically arranged marriage was unsuccessful. The desired political consequences for the mutual relations between the two countries did not materialize, and on a personal level the union also proved to be unhappy. Sophia Magdalena was of a quiet and serious nature, and found it difficult to adjust to her husband's pleasure seeking court. She dutifully performed her ceremonial duties but did not care for social life and was most comfortable in quiet surroundings with a few friends. However, she was liked by many in the Caps party, believing she was a symbol of virtue and religion. The relationship between the spouses improved somewhat in the years from 1775 to 1783, but subsequently deteriorated again.
After her husband was assassinated in 1792, Sophia Magdalena withdrew from public life, and led a quiet life as dowager queen until her death in 1813.

Early life
Princess Sophie Magdalene was born on 3 July 1746 at her parents' residence Charlottenborg Palace, located at the large square, Kongens Nytorv, in central Copenhagen. She was the second child and first daughter of Crown Prince Frederick of Denmark and his first consort, the former Princess Louise of Great Britain, and was named for her grandmother, Queen Sophie Magdalene. She received her own royal household at birth.
Just one month after her birth, her grandfather King Christian VI died, and Princess Sophie Magdalene's father ascended the throne as King Frederick V. She was the heir presumptive to the throne of Denmark from the death of her elder brother in 1747 until the birth of her second brother in 1749, and retained her status as next in line to the Danish throne after her brother until her marriage. She was therefore often referred to as Crown Princess of Denmark.In the spring of 1751, at the age of five, she was betrothed to Gustav, the heir apparent to the throne of Sweden, and she was brought up to be the Queen of Sweden. The marriage was arranged by the Riksdag of the Estates, not by the Swedish royal family. The marriage was arranged as a way of creating peace between Sweden and Denmark, which had a long history of war and which had strained relations following the election of an heir to the Swedish throne in 1743, where the Danish candidate had lost. The engagement was met with some worry from Queen Louise, who feared that her daughter would be mistreated by the Queen of Sweden, Louisa Ulrika of Prussia. The match was known to be disliked by the Queen of Sweden, who was in constant conflict with the Parliament; and who was known in Denmark for her pride, dominant personality and hatred of anything Danish, which she demonstrated in her treatment of the Danish ambassadors in Stockholm.After the death of her mother early in her life, Sophia Magdalena was given a very strict and religious upbringing by her grandmother and her stepmother, who considered her father and brother to be morally degenerate. She is noted to have had good relationships with her siblings, her grandmother and her stepmother; her father, however, often frightened her when he came before her drunk, and was reportedly known to set his dogs upon her, causing in her a lifelong phobia.
In 1760, the betrothal was again brought up by Denmark, which regarded it as a matter of prestige. The negotiations were made between Denmark and the Swedish Queen, as King Adolf Frederick of Sweden was never considered to be of any more than purely formal importance. Louisa Ulrika favored a match between Gustav and her niece Philippine of Brandenburg-Schwedt instead, and claimed that she regarded the engagement to be void and forced upon her by Carl Gustaf Tessin. She negotiated with Catherine the Great and her brother Frederick the Great to create some political benefit for Denmark in exchange for a broken engagement. However, the Swedish public was very favorable to the match due to expectations Sophia Magdalena would be like the last Danish-born Queen of Sweden, Ulrika Eleonora of Denmark, who was very loved for her kindness and charity. This view was supported by the Caps political party, which expected Sophia Magdalena to be an example of a virtuous and religious representative of the monarchy in contrast to the haughty Louisa Ulrika. Fredrick V of Denmark was also eager to complete the match: "His Danish Majesty could not have the interests of his daughter sacrificed because of the prejudices and whims of the Swedish Queen". In 1764 Crown Prince Gustav, who was at this point eager to free himself from his mother and form his own household, used the public opinion to state to his mother that he wished to honor the engagement, and on 3 April 1766, the engagement was officially celebrated.
When a portrait of Sophia Magdalena was displayed in Stockholm, Louisa Ulrika commented: "why Gustav, you seem to be already in love with her! She looks stupid", after which she turned to Prince Charles and added: "She would suit you better!"

Crown Princess
On 1 October 1766, Sophia Magdalena was married to Gustav by proxy at Christiansborg Palace in Copenhagen with her brother Frederick, Hereditary Prince of Denmark, as representative of her groom. She traveled in the royal golden sloop from Kronborg in Denmark over Öresund to Hälsingborg in Sweden; when she was halfway, the Danish cannon salute ended, and the Swedish started to fire. In Helsingborg, she was welcomed by her brother-in-law Prince Charles of Hesse, who had crossed the sea shortly before her, the Danish envoy in Stockholm, Baron Schack, as well as Crown Prince Gustav himself. As she was about to set foot on ground, Gustav was afraid that she would fall, and he therefore reached her his hand with the words: "Watch out, Madame!", a reply which quickly became a topic of gossip at the Swedish court.
The couple then traveled by land toward Stockholm, being celebrated on the way. She met her father-in-law the King and her brothers-in-law at Stäket Manor on 27 October, and she continued to be well-treated and liked by them all during her life in Sweden. Thereafter, she met her mother-in-law the Queen and her sister-in-law at Säby Manor, and on the 28th, she was formally presented for the Swedish royal court at Drottningholm Palace. At this occasion, Countess Ebba Bonde noted that the impression about her was: "By God, how beautiful she is!", but that her appearance was affected by the fact that she had a: "terrible fear of the Queen". On 4 November 1766, she was officially welcomed to the capital of Stockholm, where she was married to Gustav in person in the Royal Chapel at Stockholm Royal Palace.Sophia Magdalena initially made a good impression upon the Swedish nobility with her beauty, elegance and skillful dance; but her shy, silent, and reserved nature soon made her a disappointment in the society life. Being of a reserved nature, she was considered cold and arrogant. Her mother-in-law Queen Louisa Ulrika, who once stated that she could comprehend nothing more humiliating than the position of a Queen Dowager, harassed her in many ways: a typical example was when she invited Gustav to her birthday celebrations, but asked him to make Sophia Magdalena excuse herself by pretending to be too ill to attend. Louisa Ulrika encouraged a distance between the couple in various ways, and Gustav largely ignored her so as not to make his mother jealous.
Sophia Magdalena was known to be popular with the Caps, who were supported by Denmark, while Louisa Ulrika and Gustav sided with the Hats. The Caps regarded Sophia Magdalena to be a symbol of virtue and religion in a degenerated royal court, and officially demonstrated their support. Sophia Magdalena was advised by the Danish ambassador not to involve herself in politics, and when the spies of Louisa Ulrika reported that Sophia Magdalena received letters from the Danish ambassador through her Danish entourage, the Queen regarded her to be a sympathizer of the Danish-supported Caps: she was isolated from any contact with the Danish embassy, and the Queen encouraged Gustav to force her to send her Danish servants home. This she did not do until 1770, and his demand contributed to their tense and distant relationship. In 1768, Charlotta Sparre tried to reconcile the couple at their summer residence Ekolsund Castle, but the marriage remained unconsummated.After King Adolf Frederick of Sweden died in 1771, Gustav III became King of Sweden. The following year, on 29 May, Sophia Magdalena was crowned Queen.

Early reign as Queen
The coronation of Gustav III and Sophia Magdalena took place on 29 May 1772. She was not informed about the coup of Gustav III, which reinstated absolute monarchy and ended the parliamentary rule of the Estates in the revolution of 1772. At the time she was deemed as suspicious and politically untrustworthy in the eyes of the King, primarily by her mother-in-law, who painted her as pro-Danish. Denmark was presumed to oppose the coup; there were also plans to conquer Norway from Denmark.
Sophia Magdalena was informed about politics nonetheless: she expressed herself pleased with the 1772 parliament because Count Fredrik Ribbing, for whom she had taken an interest, had regained his seat. The conflict between her and her mother-in-law was publicly known and disliked, and the sympathies were on her side. In the contemporary paper Dagligt Allehanda, a fable was presented about Rävinnan och Turturduvan ("The She Fox and the Turtle Dove"). The fable was about the innocent turtle dove (Sophia Magdalena) who was slandered by the wicked she fox (Louisa Ulrika), who was supported by the second she fox (Anna Maria Hjärne) and the other foxes (the nobility). The fable was believed to have been sent from the Caps party.Queen Sophia Magdalena was of a shy and reserved character, and was never a member of the King's inner circle. At the famous amateur court theater of Gustav III, Sophia Magdalena is occasionally named as participator in the documents. In 1777, for example, she dressed as an Italian sailor and participated in a battle between Italian and Spanish sailors. Usually it was rather her role to act as the passive lady of games and tournaments, and to decorate the winner with the award. She did her ceremonial duties, but disliked the vivid lifestyle of the court around her outgoing spouse.As queen, she was expected to do a great deal of representation – more than what had been expected from previous queens due to her husband's adoration of representation. On formal occasions, she was at her best: she performed beautifully according to royal court etiquette, and was seen as dignified and impressive. For instance, on 17 September 1784, she cut the cord to let off the first air balloons from the Stockholm observatory. During the King's Italian journey in 1783–84, she hosted a grand formal public dinner every two weeks. During that time, she appeared at the Royal Swedish Opera and at the French Theater, but otherwise preferred her solitude. This attracted attention as during the absence of the King she had been expected to represent the royal couple all the more.
Sophia appeared to have enjoyed nature trips in the country side with only one lady-in-waiting and two footmen, however, her country side visitations were stopped because it was deemed 'unsuitable'. Several of her ladies-in-waiting were well known Swedish women of the era, among them The Three Graces: Augusta von Fersen, Ulla von Höpken and Lovisa Meijerfelt, as well as Marianne Ehrenström and Charlotta Cedercreutz, who were known artists.
Sophia Magdalena was a popular Queen: on 22 July 1788, for example, during the absence of her spouse in Finland, several members of the Royal Dramatic Theater and the musical society Augustibröder, among them Bellman, took a spontaneous trip by boat from the capital to Ulriksdal Palace, where she was, and performed a poem by Bellman to her honor at the occasion of her name day.
In the famous diary of her sister-in-law, Princess Hedwig Elizabeth Charlotte, Sophia Magdalena is described as beautiful, cold, silent and haughty, very polite and formal, reserved and unsociable. When she performed her duties as Queen, her sister-in-law, Hedwig Elizabeth Charlotte of Holstein-Gottorp, described her as "Forced to meet people".Sophia Magdalena preferred to spend her days in solitude whenever she could. She had two very intimate friends, Maria Aurora Uggla and Baroness Virginia Charlotta Manderström, but otherwise rarely participated in any social life outside of what was absolutely necessary to perform her representational  duties. She frequently visited the theater, and she also had a great interest for fashion. As a result of this, she was somewhat criticized for being too vain: even when she had no representational duties to dress up for and spend her days alone in her rooms, she is said to have changed costumes several times daily, and according her chamberlain Adolf Ludvig Hamilton, she never passed a mirror without studying herself in it. She was also interested in literature, and educated herself in various subjects: her library contained works about geography, genealogy and history. She educated herself in Swedish, English, German and Italian, and regularly read French magazines. According to Augusta von Fersen, Sophia Magdalena was quite educated, but she was not perceived as such because she rarely engaged in conversation.In 1784, after the King had returned from his trip to Italy and France, the relationship between the King and Queen soured. At this time, Gustav III spent more and more time with male favorites. In 1786, this came to an open conflict. The King had taken to spend more time at intimate evenings with his favorite Gustaf Mauritz Armfelt, from which he excluded her company. When he gave some of her rooms at the Royal Palace to Armfelt, Sophia Magdalena refused to participate in any representation until the rooms were given back to her, and she also banned her ladies-in-waiting from accepting his invitations without her permission.
In 1787, she threatened him with asking for the support of the parliament against him if he took their son with him to Finland, which she opposed, and the year after, she successfully prevented him from doing so. She also reprimanded him from allowing his male favorites to slander her before him.
Queen Sophia Magdalena was never involved in politics, except for one on one occasion. In August 1788, during the Russo-Swedish War (1788–1790), the King gave her the task to enter in negotiations with Denmark to prevent a declaration of war from Denmark during the ongoing war against Russia. He asked her to call upon the Danish ambassador Reventlow and give him a letter to be read in the Danish royal council before her brother, the Danish King. He gave her the freedom to write as she wished, but to use the argument that she spoke as a sister and mother to a son with the right to the Danish throne and upon her own initiative.
Sophia Magdalena called upon the Danish ambassador, held a speech to him followed by a long conversation and then handed him a letter written as a "warm appeal" to her brother. A copy was sent to Gustav III, and her letter was read in the royal Danish council, where it reportedly made a good impression. However, her mission was still unsuccessful, as the Russo-Danish alliance made it unavoidable for Denmark to declare war shortly afterward. At the time, there was a note that she met two Russian prisoners of war in the park of the Haga Palace, and gave them 100 kronor each.

At the parliament of 1789 Gustav III united the other estates against the nobility and to gain support for the war and for his constitutional reform. Coming into conflict with the nobility, he had many of its representatives imprisoned. This act led to a social boycott of the monarch by the female members of the aristocracy, who followed the example of Jeanna von Lantingshausen as well as the King's sister and sister-in-law, Sophie Albertine of Sweden and Hedvig Elisabeth Charlotte. The Queen did not participate in this political demonstration and refused to allow any talk of politics in her presence. She was nevertheless involved in the conflict. When the King informed his son about the event, he discovered the child to be already informed in other ways than what he had intended. He suspected Sophia Magdalena to be responsible, and asked the governor of the prince, Count Nils Gyldenstolpe, to speak to her. Gyldenstolpe, however, sent one of the king's favorites, Baron Erik Boye. The Queen, who despised the favorites of the King, furiously told Boye that she spoke to her son how she wished and that only her contempt for him prevented her from having him thrown out of the window. She was known to dislike the reforms of 1789, and she did let it be known to its representatives. At the celebrations of the Victory at Fredrikshamn in 1790, she refused to be escorted by riksråd Count Joakim Beck-Friis, who was in favor of the reform, and demanded to be escorted by Count Axel von Fersen the Elder, who was in opposition to it.
In the autumn of 1790, the King chose to remain in the summer residence of Drottningholm Palace well in to the autumn because of the social boycott. Finally, the Queen returned to the capital without his consent. He accused her of having been manipulated by the female courtiers into participating in the political demonstration, and refusing him the company of her ladies-in-waiting by leaving. This applied especially to Hedvig Ulrika De la Gardie and Augusta von Fersen, who did not participate in the boycott: he suspected Hedvig Eleonora von Fersen to have persuaded the Queen to participate in the boycott. This is however is not considered to have been true: though the Queen did oppose to the act of 1789, she is reported never to have allowed any one to speak of politics in her presence. The reason to why she wished to leave was reportedly due to her health, as Drottningholm was quite cold by that time of the year and she had been afflicted by an ear infection. The King did in any case suspect her of being in political opposition to him, and before his trip to Aachen in 1791, he ordered that his son was to be separated from her during his absence abroad. When she was made aware of this, Sophia Magdalena caused a public scene when she visited him in his box at the opera and demanded to be given access to her son. This led to a heated argument and she left the box with the words: "I will have my vengeance, monsieur! I give you my sacred vow on that!"

Succession issues
Sophia Magdalena is mostly known in Swedish history for the scandal created around the consummation of her marriage and the questioned legitimacy of her son. Her marriage was a then normal arranged royal match for political convenience, in which Sophia Magdalena at first was described by her spouse as "cold as ice". Sophia Magdalena's religious upbringing and introverted character made her avoid the lively and spontaneous Gustavian court life, which made her even less attractive in the eyes of her outgoing spouse.Their marriage was not consummated until 1775, nine years after the wedding. The status quo between Gustav III and his consort was nurtured by the Queen Dowager, Louisa Ulrika, who did not want competition in her influence over her son. There were rumors that the King was a homosexual or sexually underdeveloped. His sexuality, which had much effect on Sophia Magdalena's life, as a royal marriage was designed to produce offspring, has been much debated. His sexual inexperience has been blamed on immaturity or him also being asexual.
As a teenager, Gustav had a crush on Axel von Fersen's mother, Hedvig Catharina De la Gardie, though this affection was never physical. In 1768, he had another infatuation with the noble Charlotte Du Rietz, but this is not believed to have been sexually consummated either. Various documents written during his lifetime alleged that he was bisexual or homosexual.
His sister-in-law, Princess Charlotte, claims that the King did participate in homosexual activity after his trip to Italy in 1784 and that there were several rumors about this: she claims that she herself had witnessed that the park at Drottningholm Palace had become a place where male courtiers searched for homosexual partners, and in a letter to Sophie von Fersen, she writes in code: 

"It is said that the King recently attacked a young man in the park at night and offered him the post of chamberlain to the Queen if he agreed to his lusts, but the young man preferred to leave. Agree that this is to take things too far. It is said that the trips to Svartsjö Palace are made to be provide privacy, it is unbelievable, but it is what it is said. I could tell you a million things about this."
In 1791, Sophia Magdalena herself paid a surprise visit to the King during his stay at the Gustav III's Pavilion, where the King had spent more time since he came in conflict with the nobility after the 1789 parliament; and where he was reputed to indulge in orgies. She found the King in bed, and he asked one of his favorites, Count Fabian Wrede, to show her around. In the King's private chamber, however, the Queen found the actor and page of the King, Lars Hjortsberg, sleeping, naked. The Queen reacted by interrupting the tour by saying to Wrede that he apparently did not know his way around Haga, as he had obviously showed her the chamber of the staff rather than the King by mistake.Some sources explain that both the Queen and the King had serious anatomical problems resulting in erotic complications. Erik Lönnroth has concluded that there is no factual proof for the rumors that Gustav III was inclined toward homosexuality or bisexuality, nor that Gustav Adolf was illegitimate.
During the Coup of Gustav III on 19 August 1772, Sophia Magdalena was at Ekolsund Castle. After having been told of the successful coup where her consort had reinstated absolute monarchy, she confided to her Mistress of the Robes, Countess Anna Maria Hjärne, that she was afraid that she would now be divorced by Gustav, because she knew she was not liked by him, because she had not given birth, and because she knew she was being slandered before him. Gustav III was told of this and her words led to a conflict. At a following ball at Ekolsund, the King told Count Axel von Fersen the Elder, that he did plan to divorce her on the grounds of pro-Danish plots and adultery with riksråd Count Fredrik Sparre and Marcus Gerhard Rosencrone of the Danish legation in Stockholm. Von Fersen, however, convinced him not to by saying that she should not be regarded to participate in pro-Danish plots just for her love of her Danish chamber-maids, and that as a neglected wife, she should not be blamed for enjoying the compliments of Count Ribbing, which were not grounds for suspicions of adultery. During this period, it had been noted that Count Ribbing was often seen in the company of the Queen and had paid her compliments and made her laugh, among other things by caricaturing her Mistress of the Robes Countess Anna Maria Hjärne. Countess Hjärne had informed the King that the Queen was pregnant, "And the riksråd Ribbing is her favorite."The King had given Countess Ulrica Catharina Stromberg the task to investigate this, and she was told by the chamber madame of Sophia Magdalena, Charlotta Hellman, that: "information, which where dubious, especially since the clearest evidence could be gathered from the linen of the Queen". Her contact with Rosencrone is said to have been restricted to the fact that he handled her correspondence with Denmark. After the reconciliation of Sophia Magdalena and Gustav III, he apologized to her for having believed these rumors.
In 1774, the King arranged the marriage between his brother, the future Charles XIII of Sweden, and Hedwig Elizabeth Charlotte of Holstein-Gottorp, to solve, for the time being, the immediate question of an heir to the throne. The Duchess had false pregnancies and miscarriages only, which may have hastened the King to expedite the consummation of his own marriage and produce a son of his own.
In 1778, Sophia Magdalena gave birth to Gustav Adolf, successor to the throne, and in 1782, she gave birth to a second son, Charles Gustav, who only lived for one year. It was suggested in some circles that King Gustav's first son was sired by someone else. When the heir was born, the father was believed, by the Queen Dowager among others, to be Count Adolf Fredrik Munck af Fulkila, then Riksstallmästare. This rumor was believed by elements of the public and the royal court, and her acquiescence to it led to a year-long break between the Queen Dowager and her son.

Succession scandal
The King, claiming to be sexually inexperienced, called upon Munck to help him with a reconciliation with his spouse, instruct the couple in the ways of sexual intercourse, and physically show them how to consummate their marriage. Munck, a Finnish nobleman and, at the time, a stable master was, at that point, the lover of Anna Sofia Ramström, the Queen's chamber maid. Through Anna Sofia Ramström, Munck contacted Ingrid Maria Wenner, who was assigned to inform the queen of the king's wish, because she was married and the confidant of the queen. Munck and Ramström were to be present in a room close to the bedchamber, ready to be of assistance when needed, and he was, at some points, called into the bedchamber. Munck himself writes in his written account, which is preserved at the National Archives of Sweden, that to succeed, he was obliged to touch them both physically.When it became known that Munck participated in the reconciliation between the royal couple, there were rumours that he was the father of Sophia Magdalena's firstborn.These became the subject of accusations from the political opposition, as late as in 1786 and 1789,: 132  where it was claimed that the whole nation was aware of the rumour that the King had asked Munck to make the Queen pregnant.: 118  Pamphlets to that end were posted on street corners all over Stockholm.: 143 This was also caricatured by Carl August Ehrensvärd in private letters discovered later – his drawing was published in 1987 —, where he passed on a number of rumors and jokes about Gustav III, Sophia Magdalena and Munck without inferring that he believed they were true. There was also a rumour that the King and Queen had divorced in secret and that the Queen had married Munck.There is no proof that Munck was the father of the crown prince. Erik Lönnroth has suggested that the anatomical problems mentioned in Munck's account, known only to a few initiated persons, were the primary factor in their delay in producing an heir. At the time, the rumors became more persistent, however, when the royal couple presented Munck with gifts: the King promoted him, and the Queen gave Munck a pension, a diamond ring, and a watch with her image.A few socialites took the Queen Mother's side in supporting and spreading the rumors, such as Anna Charlotta Schröderheim and Eva Helena Löwen.The circle around the King's brother, Duke Charles, the future Charles XIII of Sweden, who desired the throne, also encouraged these rumors. Their mother was quoted as saying, during the pregnancy of Sophia Magdalena, that there were rumors among the public that the future child was illegitimate, and that she herself believed that the King had hired Munck to impregnate the Queen, and that she would never accept that the throne would come into the hands of "a common nobleman's illegitimate offspring".: 103–4 The Queen Mother ordered Duke Charles to interrogate Munck, and word spread to the King, who was shocked. Sophia Magdalena was equally shocked by the accusations. She swore she would never speak to the Queen Dowager again, and indeed she never did.
The King arranged for his mother to make a public apology for her accusation in the presence of the rest of the Royal Family the 12 May 1778. The scene gained a lot of attention and broke the bonds between Gustav III and his mother. The scandal disturbed celebrations, as did an accident with the public banquet. The public was invited to a great feast to celebrate the birth of the heir, but too many people were let in, and the crowd panicked. Between sixty and one hundred people were trampled to death in the crowd.
Sven Anders Hedin, a medical doctor at the royal court, and married to one of the Queen's chambermaids, Charlotta Hellman, contributed two statements which have been quoted in connection with the scandal. In the summer of 1780, during the King's absence abroad, he passed through the private apartments of the Queen, which were expected to be empty at that hour. There, he claimed to have seen the Queen and Baron Munck embracing each other through the not-quite closed door to her bedroom.  To warn them that they were not alone, he hummed a tune and pretended to speak to himself, saying that he would be in trouble if the Queen discovered him there, and then left the room. He claimed to have found three expensive court costumes in his room a few days after this event. In October 1781, Hedin met the King in the corridor on his way to the Queen's bedchamber. Gustav III asked Hedin what time it was, and Hedin claims to have added to his reply: "In nine months, I will be able to answer exactly!" in which Hedin insinuated that the King had expected him to remember the time should the fatherhood of the next child be questioned.
In 1782, Sophia Magdalena had a second son. After the death of her younger son in 1783, her marriage deteriorated. In May 1784, Sophia Magdalena is believed to have had a miscarriage, and after this, there are no further notes of any pregnancies. A brief reconciliation in 1787 was deemed by Duchess Hedwig Elizabeth Charlotte in her diaries as temporary, with no hope of being complete and lasting,: 191  as the King was not "receptive to female charm": another insinuation that he was homosexual.
In 1787, Sophia Magdalena deposited a sum of 50.000 riksdaler in an account for Munck, which was generally rumoured to be a "farewell gift".: 156–7   At this point, Munck had started an affair with the ballerina Giovanna Bassi, to whom Sophia Magdalena showed great dislike.: 157   The King was terrified when he heard that the Queen had made that deposit, and he tried to prevent the transaction from becoming public knowledge, which, however, did not succeed.: 157  Munck was, however, continued to be used as a go-between and a messenger between the King and the Queen, especially during conflicts.
A child of Giovanna Bassi's, rumored to be the child of Munck, bore a strong likeness to the Crown Prince.

Queen Dowager
On 16 March 1792 Gustav III was attacked and mortally wounded. Sophia Magdalena was reportedly shocked and horrified by the attack. The conspirators intended to make her the regent of her son during his minority.: 443  As a Guardian government had been necessary by putting a minor monarch on the throne, their plan was to offer this role to Sophia Magdalena by taking military control and offering the Queen dowager the role of presiding over the guardian council instead of her brother-in-law Duke Charles. Directly after she was told of the attack, Sophia Magdalena sent for the king's favorite, Gustav Mauritz Armfelt, and was taken by him to the sick bed of the King. There, she took the hands of the King between hers and cried out to Armfelt: "How horrifying! Such a cruel atrocity!" She was kept informed of his state by Armfelt, but she was prevented from further visits because Gustav did not wish to receive visits from women because of the smell from his wounds. At the death of Gustav III 29 March 1792, she attempted to visit him, but she was blocked by her brother-in-law Duke Charles, who fell on his knees before her to stop her from entering the bed room.
Sophia Magdalena caused a scandal as it was noted that she did not dress in mourning except when she was forced to do so at visits and on formal occasions.: 442   This criticism was likely worsened because she was exposed to some suspicions, as it was known that the conspirators had planned to make her regent.
As Queen Dowager, it was a relief to Sophia Magdalena to withdraw from public life. Her brother-in-law, Duke Charles, became regent, and she eschewed a political role. As a widow, Sophia Magdalena lived a withdrawn life. She did not wish to take part in any representational duties, and she gave up her quarters at Drottningholm Palace to be relieved of them. She lived in the Royal Palace in Stockholm during the winter, and at Ulriksdal Palace during the summer. She lived in a circle of her own court, and seldom entertained any guests other than her lifelong friends Maria Aurora Uggla and Virginia Manderström. It is noted that, although she had hated the male favorites of her spouse during his lifetime, she gave several of them positions in her court as a widow. Sophia Magdalena had a close relationship with her son, King Gustav IV Adolf, who visited her regularly and with whom she shared an interest in religion.

In 1797, she insisted on skipping the protocol at the reception of her daughter-in-law, Frederica of Baden. The etiquette demanded that as Queen Dowager, she should not greet her daughter-in-law at the stair of the royal palace with the rest of the royal family, but wait for her in her own salon, but she refused: "I know myself how I suffered, when I arrived to Sweden, and how painfully I reacted to the cold reception I was given by Queen Louisa Ulrika. As for my daughter-in-law, I have decided to spare her from having to experience such bitter emotions!" During the reign of her son, she seldom showed herself at court except on Sundays and at court presentations, and preferred to stay at her estate. She regularly met her son and his family on family visits, but she did not participate in court life.
In 1809 she witnessed the coup and following abdication of her son, King Gustav IV Adolf of Sweden, after Sweden lost Finland to Russia. She was deeply affected by his deposition. On the day of the coup, she was informed by her friend Maria Aurora Uggla, and in her company she immediately rushed to the quarters of her son. She was prevented from seeing him by guards, and burst into tears in the arms of Uggla. Shortly after, she was visited in her quarters by Duke Charles in the company of guards, who officially told her what had happened and made her burst into tears again by officially banning her from seeing her son. When she, during the captivity of her son, formally applied for permission to see him, and was told by Charles that she could not unless given permission by the government, she publicly commented: "The government was not asked for permission for the murder of my husband, neither any permission was sought to depose and imprison my son, but I must have their permission, to speak to my child." She was never to see her son again, but she corresponded with him for the rest of her life. He was sent into exile and replaced by his paternal uncle Charles XIII, but she remained in Sweden until her death. She did, however, say goodbye to her daughter-in-law and her grandchildren when they left Stockholm to join Gustav Adolf.
In January 1810, she was presented to the elected heir to the throne, Charles August, Crown Prince of Sweden. During his visit, he stopped before the portrait of her grandson Gustav, and informed her that he wished to adopt him for his successor. Later that year (2 November 1810), she was presented to the next elected heir to the throne, Jean Baptiste Bernadotte. He regarded her with suspicion and believed that she did not wish to see him, but she commented: "I am grateful for the sensitivity of the Crown prince, but he is mistaken, if he believes that I do not wish to see him! It would be unfair if I were to hold the least bit of dislike toward him, for it is not he who has deposed my son!" At the meeting, her face was said to have turned white, but at the end, she is said to have been delighted by his charm. In 1811, she was one of the few in the Swedish Court who were nice to Désirée Clary.
In September 1812, Germaine de Staël was presented to her, and gave her the impression of her: "Her Majesty analyzed my books as an educated woman, whose judgement showed as much thoroughness as well as delicate feeling. Never has any one impressed me such as your Queen! I almost dared not reply to her, so taken was I by the royal glory around her – it gave me such respect, that I shivered!" When the Crown Prince banned any contact between Swedes and the former royal family, Germaine de Staël asked that an exception was to be made for Sophia Magdalena, and it was: her letters were however read by foreign minister Lars von Engeström.

Later life and death
Sophia Magdalena lived more isolated towards the end of her life and was affected by worsened health. From 1812, she devoted much of her time to her friendship with the young amateur botanic Baron Anton Fredrik Wrangel. She never fully recovered after having suffered a stroke in May 1813.

Children
In popular culture
The affair of the consummation of her marriage and the succession scandal was portrayed in SVT's period drama production of "Gustav III:s äktenskap" (The Marriage of Gustav III) in 2001, where Sophia Magdalena was portrayed by Danish actress Iben Hjejle.
It was also used to inspire the novel Drottningens juvelsmycke, famous in Sweden, where the character of Tintomara is portrayed as a half sibling of Gustav IV Adolf through Count Munck.

Ancestry
Inline references
Bibliographic references
Alm, Mikael (2003–2006). Sophia Magdalena. Svenskt biografiskt lexikon (in Swedish). Vol. 32. Retrieved 28 April 2022.
Bech, Claus (1983). Sophie Magdalene. Dansk Biografisk Leksikon (in Danish). Vol. 13 (3 ed.). Copenhagen: Gyldendals Forlag. ISBN 8700055514.
Jørgensen, Harald (1942). Sophie Magdalene (PDF). Dansk Biografisk Leksikon (in Danish). Vol. 22 (2 ed.). Copenhagen: J.H. Schultz Forlag. pp. 314–315.
Laursen, Laurs (1902). "Sophie Magdalene af Danmark". Dansk biografisk Lexikon, tillige omfattende Norge for tidsrummet 1537-1814 (in Danish) (1st ed.). Copenhagen: Gyldendalske Boghandels Forlag. XVI: 179–180.
Svenskt biografiskt handlexikon [Swedish biographical dictionary] (in Swedish), Runeberg, 1906
Stålberg, Wilhelmina (1864), Anteckningar om svenska qvinnor [Notes on Swedish women] (in Swedish), Runeberg.
Munk (in Swedish), SE: Passagen, archived from the original on 9 January 2001
Personakt för Gustav III av >> Holstein-Gottorp, Född 1746-01-24 (in Swedish), NU: Historiska Personer, archived from the original on 9 November 2007, retrieved 9 November 2007
Starbäck, Carl Georg; Bäckström, Per Olof (1885–1986), "Nionde bandet. Gustaf III. Gustaf IV Adolf", Berättelser ur svenska historien [Tales from the history of Sweden] (in Swedish)
Svenskt biografiskt handlexikon [Swedish biographical hand-dictionary] (in Swedish), Runeber, 1906
Andersson, Ingvar (1979). Gustavianskt [The Gustavian age] (in Swedish). Fletcher & Son. ISBN 91-46-13373-9.
Ribbing, Gerd, Gustav III:s hustru Sofia Magdalena [Sophia Madalena, wife of Gustav III]
Hartmann, Godfred (1993). "Gode Dronning" – Om den svenske konge Gustaf III's dronning Sophie Magdalene (1746–1813) og hendes ulykkelige skæbne ["Good Queen" – About the Swedish king Gustaf III's queen Sophie Magdalene (1746–1813) and her unfortunate fate] (in Danish). København: Gyldendal. ISBN 87-00-15758-9.

Primary sources
af Klercker, Cecilia, ed. (1942). Hedvig Elisabeth Charlottas Dagbok [The diaries of Hedvig Elizabeth Charlotte] (in Swedish). Vol. IX. PA Norstedt & Söners förlag. Unknown ID 412070. on WorldCat

Further reading
Sophia Magdalena of Denmark at Svenskt kvinnobiografiskt lexikon
Passage 8:
Princess Auguste of Bavaria (1875–1964)
Princess Auguste of Bavaria (German: Auguste Maria Luise Prinzessin von Bayern; 28 April 1875 – 25 June 1964) was a member of the Bavarian Royal House of Wittelsbach and the spouse of Archduke Joseph August of Austria.

Birth and family
Auguste was born in Munich, Bavaria, the second child of Prince Leopold of Bavaria and his wife, Archduchess Gisela of Austria. She had one older sister, Princess Elisabeth Marie of Bavaria and two younger brothers, Prince Georg of Bavaria and Prince Konrad of Bavaria.

Marriage and issue
She married Joseph August, Archduke of Austria, on 15 November 1893 in Munich. The couple had six children;

Archduke Joseph Francis of Austria, born on 28 March 1895; died on 25 September 1957(1957-09-25) (aged 62)
Archduchess Gisela Auguste Anna Maria, born on 5 July 1897; died on 30 March 1901(1901-03-30) (aged 3)
Archduchess Sophie Klementine Elisabeth Klothilde Maria, born on 11 March 1899; died on 19 April 1978(1978-04-19) (aged 79)
Archduke Ladislaus Luitpold, born on 3 January 1901; died on 29 August 1946(1946-08-29) (aged 44)
Archduke Matthias Joseph Albrecht Anton Ignatius, born on 26 June 1904; died on 7 October 1905(1905-10-07) (aged 1)
Archduchess Magdalena Maria Raineria, born on 6 September 1909; died on 11 May 2000(2000-05-11) (aged 90)

Ancestry
World War I
On the outbreak of war with Italy in 1915, Augusta Maria Louise, though in her 40s and the mother of a son serving as an officer, went to the front with the cavalry regiment of which her husband, the Archduke Josef August, a corps commander, was honorary colonel, and served a common soldier, wearing a saber and riding astride, until the end of the war.
Passage 9:
Maria Teresa, Grand Duchess of Luxembourg
Maria Teresa (born María Teresa Mestre y Batista; 22 March 1956) is the Grand Duchess of Luxembourg as the wife of Grand Duke Henri, who acceded to the throne in 2000.

Early life and education
Maria Teresa was born on 22 March 1956 in Marianao, Havana, Cuba, to José Antonio Mestre y Álvarez (1926–1993) and wife  María Teresa Batista y Falla de Mestre (1928–1988), both from bourgeois families of Spanish descent. She is also the granddaughter of Agustín Batista y González de Mendoza, who was the founder of the Trust Company of Cuba, the most powerful Cuban bank prior to the Cuban Revolution.In October 1959, at the time of the Cuban Revolution, Maria Teresa Mestre’s parents left Cuba with their children, because the new government headed by Fidel Castro confiscated their properties. The family settled in New York City,  where as a young girl she was a pupil at Marymount School. From 1961 she carried on her studies at the Lycée Français de New York. In her childhood, Maria Teresa Mestre took ballet and singing courses. She practices skiing, ice-skating and water sports. She later lived in Santander, Spain, and in Geneva, Switzerland, where she became a Swiss citizen.In 1980, Maria Teresa graduated from the Graduate Institute of International and Development Studies in Geneva with a degree in political sciences. While studying there, she met her future husband Henri of Luxembourg.

Social and humanitarian interests
Soon after her marriage, Maria Teresa and the then Hereditary Grand Duke Henri established The Prince Henri and Princess Maria Teresa Foundation to help those with special needs integrate fully into society. In 2001, she and her husband created The Grand Duke and Grand Duchess Foundation, launched upon the accession of the couple as the new Grand Duke and Duchess of Luxembourg. In 2004, the Grand Duke Henri and the Grand Duchess Maria Teresa Foundation was created after the merging of the two previous foundations.
In 1997, Maria Teresa was made a special ambassador for UNESCO, working to expand education for young girls and women and help to fight poverty.Since 2005, Maria Teresa has been the chairwoman of the international jury of the European Microfinance Award, which annually awards holders of microfinance and inclusive finance initiatives in developing countries. Also, since 2006, Maria Teresa has been honorary president of the LuxFLAG (Luxembourg Fund Labeling Agency), the first agency to label responsible microfinance investment funds around the world.On 19 April 2007, the Grand Duchess was appointed UNICEF Eminent Advocate for Children, in which role she has visited Brazil (2007), China (2008), and Burundi (2009).She is a member of the Honorary Board of the International Paralympic Committee and a patron of the Ligue Luxembourgeoise de Prévention et d’Action medico-sociales and SOS Villages d’Enfants Monde. The Grand Duchess and her husband Grand Duke Henri are the members of the Mentor Foundation (London), created under the patronage of the World Health Organization. She is also the president of the Luxembourg Red Cross and the Cancer Foundation. In 2016, she organized the first international forum on learning disabilities in Luxembourg.The Grand Duchess supports the UNESCO “Breaking the Poverty Cycle of Women” project in Bangladesh, India, Nepal and Pakistan. The purpose of this project is to improve the living conditions of girls, women and their families. As honorary president of her own foundation, Grand Duchess Maria Teresa set up a project called Projet de la Main Tendue after visiting the Bujumbura prison in 2009 in Burundi. The purpose of this project is to liberate minor people from prison and to give them new opportunities for their future.
In October 2016, Maria Teresa accepted an invitation to join the eminent international Council of Patrons of the Asian University for Women (AUW) in Chittagong, Bangladesh. The university, which is the product of east-west foundational partnerships (Bill and Melinda Gates Foundation, Open Society Foundation, IKEA Foundation, etc.) and regional cooperation, serves extraordinarily talented women from 15 countries across Asia and the Middle East.In 2019, Maria Teresa presented her initiative "Stand Speak Rise Up!" to end sexual violence in fragile environments, launched in cooperation with the Women’s Forum and with the support of the Luxembourg government. The conference is in partnership with the Dr. Denis Mukwege Foundation and We Are Not Weapons of War.In 2020 the Prime Minister of Luxembourg commissioned a report into the Cour le Grand Ducal following concerns over its working. The report found that up to 1/3 of employees had left since 2015 and that "The most important decisions in the field of personnel management, whether at the level of recruitment, assignment to the various departments or even at the dismissal level are taken by HRH the Grand Duchess.” Several newspaper reports at the time highlighted a 'culture of fear' around the Grand Duchess and "that no-one bar the Prime Minister dared confront her". The report also raised concerns about the use of public funds to pay for the Grand Duchess' personal website and that this had been prioritised over the Cour's own official website. There were also allegations that staff at the Court has been subject to physical abuse and these reports were investigated by the Luxembourg judicial police.
In February 2023 it was reported by several Luxembourg based media that the Grand Duchess had once again been accused of treating staff poorly during an outfit fitting in October 22. The incident even involved the Prime Minister of Luxembourg having to speak to the Grand Duke and Grand Duchess about the treatment of the staff and commissioning a report into it.

Family
Maria Teresa married Prince Henri of Luxembourg in a civil ceremony on 4 February 1981 and a religious ceremony on 14 February 1981, since Valentine's Day was their favourite holiday. The consent of the Grand Duke had been previously given on 7 November 1980. She received a bouquet of red roses and a sugarcane as a wedding gift from Cuban leader, Fidel Castro. The couple has five children: Guillaume, Hereditary Grand Duke of Luxembourg, Prince Félix of Luxembourg, Prince Louis of Luxembourg, Princess Alexandra of Luxembourg, and Prince Sébastien of Luxembourg, They were born at Maternity Hospital in Luxembourg City.

Honours
National
Luxembourg:
 Knight of the Order of the Gold Lion of the House of Nassau
 Grand Cross of the Order of Adolphe of Nassau

Foreign
Austria: Grand Star  of the Decoration of Honour for Services to the Republic of Austria
 Belgium: Grand Cordon of the Order of Leopold I
 Brazil: Grand Cross of the Order of the Southern Cross
 Denmark: Knight of the Order of the Elephant
 Finland: Grand Cross of the Order of the White Rose of Finland
 France: Grand Cross of the Order of National Merit
 Greece: Grand Cross of the Order of Beneficence
 Italy: Knight Grand Cross of the Order of Merit of the Italian Republic
 Japan: Grand Cordon (Paulownia) of the Order of the Precious Crown
 Latvia: Commander Grand Cross of the Order of the Three Stars
 Netherlands:
Knight Grand Cross of the Order of the Netherlands Lion
Grand Cross of the Order of the Crown
 Norway: Grand Cross of the Order of Saint Olav
Portugal-
 Portuguese Royal Family:
Dame Grand Cross of the Royal Order of Saint Isabel
 Portugal:
Grand Cross of the Order of Christ
Grand Cross of the Order of Saint James of the Sword
Grand Cross of the Order of Infante Henry
Grand Cross of the Order of Camões
 Romania: Grand Cross of the Order of the Star of Romania
 Spain: Dame Grand Cross of the Order of Charles III
 Sweden:
Member of the Royal Order of the Seraphim
Commander Grand Cross of the Royal Order of the Polar Star
Recipient of the 50th Birthday Badge Medal of King Carl XVI Gustaf

Footnotes
External links
 Media related to Maria Teresa, Grand Duchess of Luxembourg at Wikimedia Commons
Official website
The Mentor Foundation charity website
Passage 10:
Gertrude of Bavaria
Gertrude of Bavaria (Danish and German: Gertrud; 1152/55–1197) was Duchess of Swabia as the spouse of Duke Frederick IV, and Queen of Denmark as the spouse of King Canute VI.
Gertrude was born to Henry the Lion of Bavaria and Saxony and Clementia of Zähringen in either 1152 or 1155. She was married to Frederick IV, Duke of Swabia, in 1166, and became a widow in 1167. In 1171 she was engaged and in February 1177 married to Canute of Denmark in Lund. The couple lived the first years in Skåne. On 12 May 1182, they became king and queen. She did not have any children. During her second marriage, she chose to live in chastity and celibacy with her husband. Arnold of Lübeck remarked of their marriage, that her spouse was: "The most chaste one, living thus his days with his chaste spouse" in eternal chastity.

Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the spouse of the director of film Ann Carver'S Profession?



Answer: Ona Munson