The following are given passages.
Passage 1:
Olav Aaraas
Olav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.
He was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.
Passage 2:
S. N. Mathur
S.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab.
Passage 3:
Ian Barry (director)
Ian Barry is an Australian director of film and TV.

Select credits
Waiting for Lucas (1973) (short)
Stone (1974) (editor only)
The Chain Reaction (1980)
Whose Baby? (1986) (mini-series)
Minnamurra (1989)
Bodysurfer (1989) (mini-series)
Ring of Scorpio (1990) (mini-series)
Crimebroker (1993)
Inferno (1998) (TV movie)
Miss Lettie and Me (2002) (TV movie)
Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)
The Doctor Blake Mysteries (2013)
Passage 4:
Nathan Juran
Naftuli Hertz "Nathan" Juran (September 1, 1907 – October 23, 2002) was an Austrian-born film art director, and later film and television director. As an art director, he won the Oscar for Best Art Direction in 1942 for How Green Was My Valley, along with  Richard Day and Thomas Little. His work on The Razor's Edge in 1946 also received an Academy nomination. In the 1950s, he began to direct, and was known for science fiction and fantasy films such as Attack of the 50 Foot Woman. He was also the brother of quality guru Joseph M. Juran.

Life and career
Early life
Juran was born to a Jewish family in Gura Humorului, Austro-Hungarian Empire (now Romania).In 1912, he emigrated to America with his family, settling in Minneapolis. He earned a bachelor's degree in Architecture from the University of Minnesota. He also spent a summer studying at the École des Beaux-Arts before earning a master's degree in Architecture from the Massachusetts Institute of Technology. He passed the architect's exam and set up his own office as an architect.

Art department
With the construction industry at a standstill due to the Great Depression, Juran moved to Los Angeles. He sought architecture work at the studios and got a job doing a drawing of the Brooklyn Bridge for RKO Radio Pictures. He managed to get a permanent job as a draftsman in the art department. He was an assistant art director on Quality Street (1937).
Juaran later moved to MGM, where he assisted in designing Juliet's bedroom in Romeo and Juliet (1936). He then joined 20th Century Fox, assisting art department head Richard Day on How Green Was My Valley (1941).Fox liked his work and put Juran under contract. His early credits as art director included Charley's American Aunt (1941), and Belle Starr (1941), and he and Day won an Oscar for their work on Valley.Juran also worked on I Wake Up Screaming (1941), A Gentleman at Heart (1942), Ten Gentlemen from West Point (1942), The Loves of Edgar Allan Poe (1942), Dr. Renault's Secret (1942), It's Everybody's War (1942, a short), and That Other Woman (1942).
Juran enlisted in the Navy during the Second World War in July 1942 and was assigned to first the Office of Strategic Services and then to the Royal Air Force Intelligence Center.After the war, Juran returned to Fox, winning an Oscar nomination for his work on The Razor's Edge (1946).
Juran accepted a seven-year contract to be head of the art department for Enterprise Productions. While there he was credited on The Other Love (1947) and Body and Soul (1947). When Enterprise collapsed, Juran did Kiss the Blood Off My Hands (1948) for Harold Hecht and Tulsa (1948) for Walter Wanger.

Universal
Juran then signed a long-term contract with Universal, where he was the art director on Free for All (1949), Undertow (1949), Winchester '73 (1950), Deported (1950), Harvey (1950), Bright Victory (1951), Thunder on the Hill (1951), Reunion in Reno (1951), Cave of Outlaws (1951), The Strange Door (1951), Meet Danny Wilson (1951), Bend of the River (1952) and Untamed Frontier (1952).

Director
Juran was assigned as art department head for The Black Castle (1952), when director Joseph Pevney dropped out shortly before filming. Juran was asked to take over as director two weeks prior to filming.Universal was happy with Juran's work and signed him to a one-year directing contract. He made an Audie Murphy Western Gunsmoke (1952), and a Ronald Reagan Western Law and Order (1953), then did The Golden Blade (1953), an "Eastern" with Rock Hudson and Tumbleweed (1953) with Murphy.
Juran went to Italy in 1954 to direct a swashbuckler, Knights of the Queen (1954), based on The Three Musketeers. He then directed some episodes of a TV series based on the movie.
Juran returned to Hollywood to direct an independent film, Highway Dragnet (1954) based on a story by Roger Corman. After The Big Moment (1954) at Paramount he went back to Universal to do Drums Across the River (1954) with Murphy.Juran directed episodes of Fury (1954), Crossroads and My Friend Flicka on TV, and The Crooked Web (1955) for Sam Katzman at Columbia.

Science fiction and fantasy
Juran's first science fiction film was The Deadly Mantis (1957) at Universal. He followed this with Hellcats of the Navy (1957) starring Ronald Reagan and his wife (who was billed as Nancy Davis). It was his first film for producer Charles H. Schneer. Schneer hired Juran for 20 Million Miles to Earth (1957) with special effects by Ray Harryhausen. This film established Juran in the science fiction and fantasy genres.
Schneer hired him to do another movie with Harryhausen, The 7th Voyage of Sinbad (1957). It was a commercial and critical success. Instead of continuing with A features, he accepted two jobs "for the money", in his own words: The Brain from Planet Arous (1957) then Attack of the 50 Foot Woman (1957). Both became cult classics. He was unhappy with how Arous turned out and arranged for his billing to be "Nathan Hertz".
Juran did a Western for Schneer, Good Day for a Hanging (1958) and, for TV, episodes of Frances Langford Presents, World of Giants, and Men Into Space (1960).
Juran got back into features with a motion picture he wrote himself, Jack the Giant Killer (1962) for producer Edward Small. He then did Flight of the Lost Balloon (1961), which was released first, an adventure heavily influenced by Jules Verne, which he co-wrote and directed. Around this time he provided the stories for, but did not direct, Doctor Blood's Coffin (1961) and Boy Who Caught a Crook (1961) and wrote a draft of Son of Captain Blood.Jurana did some second unit directing on MGM's Mutiny on the Bounty (1962). Schneer hired Juran to direct Siege of the Saxons (1963) and First Men in the Moon (1964) (based on the novel by H. G. Wells with effects by Harryhausen).  He did an imperial adventure for Schneer, East of Sudan (1964) and directed second unit on Cyrano et d'Artagnan (1964).

Television
Juran turned to television in 1959. He directed episodes of A Man Called Shenandoah and Daniel Boone, and episodes of all four of Irwin Allen's 1960s science fiction series Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel and Land of the Giants.

Last films
He did a feature for Schneer, Land Raiders (1970), a Western, before an operation for cancer prompted him to retire in 1970. Juran returned from retirement to direct The Boy Who Cried Werewolf (1973) with his old Sinbad star, Kerwin Mathews. He then returned to his first career, architecture.In 1999, he was honored with the Lifetime Career Award by the Academy of Science Fiction, Fantasy and Horror Films, USA.
He died at the age of 95 in Palos Verdes, California, US.

Partial filmography
As art director
How Green Was My Valley (1942)
The Razor's Edge (1946)As director
The Black Castle (1952)
Law and Order (1953)
Gunsmoke (1953)
The Golden Blade (1953)
Tumbleweed (1953)
Drums Across the River (1954)
Highway Dragnet (1954)
The Crooked Web (1955)
The Deadly Mantis (1957)
20 Million Miles to Earth (1957)
Hellcats of the Navy (1957)
The Brain from Planet Arous (1957)
The 7th Voyage of Sinbad (1958)
Attack of the 50 Foot Woman (1958)
Good Day for a Hanging  (1959)
Flight of the Lost Balloon (1961)
Boy Who Caught a Crook (1961)
Jack the Giant Killer (1962)
Siege of the Saxons (1963)
First Men in the Moon (1964)
East of Sudan (1964)
Land Raiders (1970)
The Boy Who Cried Werewolf (1973)
Passage 5:
Gunsmoke (film)
Gunsmoke is a 1953 American Western film directed by Nathan Juran and starring Audie Murphy, Susan Cabot, and Paul Kelly. The film has no connection to the contemporary radio and later TV series of the same name. The film was based on the 1951 novel Roughshod by Norman A. Fox.

Plot
Murphy stars as Reb Kittridge, a wandering hired gun who is hired to get the deeds of the last remaining ranch not owned by local boss Matt Telford. That last ranch is owned by Dan Saxon.  Though Reb has not yet accepted the job he is ambushed by Saxon's ramrod, ranch foreman Curly Mather, who kills his horse.  Once in town, he is challenged to a gun fight by Saxon, but shoots Saxon in his gun hand instead of with a killing shot.
Saxon, a former wild outlaw who has settled down, senses Reb has good in him and when he hears Reb's goal in life is to own his own ranch he loses the deed of the ranch to Reb in a card draw.  It is obvious he does this on purpose since he earlier won a similar contest by outdrawing his opponent's king.
Reb takes over the ranch and moving its cattle herd to a railhead for sale to the workers.  Telford hires Reb's fellow gunslinger and sometime friend, Johnny Lake to stop the herd and Reb.  Reb has also fallen in love with Rita, the rancher's daughter, who currently is in love with Mather.

Cast
Audie Murphy as Reb Kittridge
Susan Cabot as Rita Saxon
Paul Kelly as Dan Saxon
Charles Drake as Johnny Lake
Mary Castle as Cora Dufrayne
Jack Kelly as Curly Mather
Jesse White as Professor
Donald Randolph as Matt Telford
William Reynolds as Brazos
Chubby Johnson as Doc Farrell

Production
The movie started filming in June 1952 under the title of Roughshod. It was the first of three Westerns Murphy made with Nathan Juran over two years. Filming took place in Big Bear Lake, California.
Passage 6:
Deon Dyer
Deon Joseph Dyer (born October 2, 1977),  nicknamed "Gunsmoke", is a former American football fullback in the National Football League (NFL). He was originally drafted by the Miami Dolphins in the fourth round of the 2000 NFL Draft. He played college football at the North Carolina.
Deon began working as a high school football coach at Pine Crest School, yet he left to pursue other options in 2014. 
He now works at Deep Creek High School.
Passage 7:
Jesse E. Hobson
Jesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation.

Early life and education
Hobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children.

Career
Awards and memberships
Hobson was named an IEEE Fellow in 1948.
Passage 8:
Brian Kennedy (gallery director)
Brian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.  He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.

Career
Brian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.

Early life and career in Ireland
Kennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.
He worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.

National Gallery of Australia (NGA)
Kennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site.  Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing "blockbuster" exhibitions.
During his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds.  As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later.  Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new "front" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).
Kennedy's cancellation of the "Sensation exhibition" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being "too close to the market" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was "Catholic-bashing" and an "aggressive, vicious, disgusting attack on religion." In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had "obscured discussion of the artistic merit of the works of art". He has said that it "was the toughest decision of my professional life, so far."Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.

Toledo Museum of Art
The Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education.  During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as "learning to read, understand and write visual language."   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.
Kennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired.  In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum.  In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.

Hood Museum of Art
Kennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.

Publications
Kennedy has written or edited a number of books on art, including:

Alfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9
Dreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7
Jack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0
The Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4
Ireland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3
Irish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7
Sean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3
Frank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8

Honors and achievements
Kennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.


== Notes ==
Passage 9:
Dana Blankstein
Dana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors  in November 2019.  Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur.

Biography
Dana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv.
Blankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners.  She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007.

Film and academic career
After her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities.
Blankstein directed the mini-series "Tel Aviviot" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television.
In November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem.

Filmography
Tel Aviviot (mini-series; director, 2012)
Growing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)
Camping (debut film, Sam Spiegel; director and screenwriter, 2006)
Passage 10:
Peter Levin
Peter Levin is an American director of film, television and theatre.

Career
Since 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed "Heart in Hiding", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.
Prior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in "[The Diary of Ann Frank]" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.

Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the place of birth of the director of film Gunsmoke (Film)?



Answer: Gura Humorului