The following are given passages.
Passage 1:
Henri Verdun
Henri Verdun (1895–1977) was a French composer of film scores.

Selected filmography
Napoléon (1927)
The Sweetness of Loving (1930)
The Levy Department Stores (1932)
The Lacquered Box (1932)
The Weaker Sex (1933)
The Flame (1936)
Girls of Paris (1936)
The Assault (1936)
Les Disparus de Saint-Agil (1938)
The Woman Thief (1938)
Ernest the Rebel (1938)
Rail Pirates (1938)
The Fatted Calf (1939)
Camp Thirteen (1940)
The Man Without a Name (1943)
The Bellman (1945)
My First Love (1945)
The Murderer is Not Guilty (1946)
Distress (1946)
The Fugitive (1947)
The Ironmaster (1948)
The Tragic Dolmen (1948)
The Ladies in the Green Hats (1949)
La Fugue de Monsieur Perle (1952)
The Lovers of Midnight (1953)
The Big Flag (1954)
Blood to the Head (1956)
Passage 2:
Tarcisio Fusco
Tarcisio Fusco was an Italian composer of film scores. He was the brother of the composer Giovanni Fusco and the uncle of operatic soprano Cecilia Fusco.

Selected filmography
Boccaccio (1940)
Free Escape (1951)
Abracadabra (1952)
The Eternal Chain (1952)
Beauties in Capri (1952)
Milanese in Naples (1954)
Conspiracy of the Borgias (1959)
Passage 3:
Walter Ulfig
Walter Ulfig was a German composer of film scores.

Selected filmography
Das Meer (1927)
Venus im Frack (1927)
Svengali (1927)
Bigamie (1927)
Homesick (1927)
The Awakening of Woman (1927)
The Famous Woman (1927)
Alpine Tragedy (1927)
The Strange Case of Captain Ramper (1927)
Assassination (1927)
Queen Louise (1927)
Homesick (1927)
Das Schicksal einer Nacht (1927)
The Hunt for the Bride (1927)
The Orlov (1927)
Serenissimus and the Last Virgin (1928)
Mariett Dances Today (1928))
The Woman from Till 12 (1928)
The Beloved of His Highness (1928)
The Schorrsiegel Affair (1928)
It Attracted Three Fellows (1928)
Miss Chauffeur (1928)
The King of Carnival (1928)
The Weekend Bride (1928)
Honeymoon (1928)
Spring Awakening (1929)
The Right of the Unborn (1929)
The Heath Is Green (1932)
Höllentempo (1933)
The Two Seals (1934)
Pappi (1934)
Mädchenräuber (1936)

Bibliography
Jung, Uli & Schatzberg, Walter. Beyond Caligari: The Films of Robert Wiene. Berghahn Books, 1999.

External links
Walter Ulfig at IMDb
Passage 4:
Bert Grund
Bert Grund (1920–1992) was a German composer of film scores.

Selected filmography
Crown Jewels (1950)
Immortal Light (1951)
I Can't Marry Them All (1952)
We're Dancing on the Rainbow (1952)
My Wife Is Being Stupid (1952)
Knall and Fall as Detectives (1952)
The Bachelor Trap (1953)
The Bird Seller (1953)
The Immortal Vagabond (1953)
The Sun of St. Moritz (1954)
The Witch (1954)
The Major and the Bulls (1955)
Operation Sleeping Bag (1955)
Love's Carnival (1955)
The Marriage of Doctor Danwitz (1956)
Between Time and Eternity (1956)
That Won't Keep a Sailor Down (1958)
Arena of Fear (1959)
The Thousand Eyes of Dr. Mabuse (1960)
The Count of Luxemburg (1972)
Mathias Sandorf (1979, TV series)
Die Wächter (1986, TV miniseries)
Carmen on Ice (1990)
Passage 5:
Miracle of Marcelino
Miracle of Marcelino (Spanish: Marcelino, pan y vino, "Marcelino, bread and wine") is a 1955 Spanish film written by José Maria Sanchez-Silva, based on his novel, and directed by Ladislao Vajda. It starred, Juan Calvo (who also starred together as Don Quixote and Sancho Panza in the 1947 Spanish film version of Miguel de Cervantes' Don Quixote) and the young child star Pablito Calvo (no relation to Juan) as Marcelino. The musical score and theme song – sung in full during the action, rather than at the start of the film – are by Pablo Sorozábal.
The story, revised and modernised in both the book and film, dates back to a medieval legend, one of many gathered together in a volume by Alfonso el Sabio. It was a critical and commercial success, and other countries have produced versions of it.

Plot
The story revolves around Marcelino, an orphan abandoned as a baby on the steps of a monastery in nineteenth-century Spain. The monks raise the child, and Marcelino grows into a rowdy young boy. He has been warned by the monks not to visit the monastery attic, where a "very big man who will take him away" lives, but he ventures upstairs anyway, sees the man and tears off back down the stairs.
At a festival, Marcelino causes havoc when he accidentally topples a pile of fruit and lets some animals loose.  The new local mayor, a blacksmith whom the monks would not let adopt Marcelino because of his coarse behaviour, uses the incident as an excuse to try to shut down the monastery.
Given the silent treatment by the monks, Marcelino gathers up the courage to once again enter the attic, where he sees not a bogeyman, but a beautiful statue of Christ on the Cross. Remarking that the statue looks hungry, Marcelino steals some bread and wine and offers it to the statue, which comes to life, descends from the Cross, and eats and drinks what the boy has brought him. The statue becomes Marcelino's best friend and confidant and begins to give him religious instruction. For his part, Marcelino realizes that the statue is Christ.
The monks know something is strange when they notice bread and wine disappearing, and arrange to spy on Marcelino. One day, the statue notices that Marcelino is pensive and brooding instead of happy, and tells him that he would like to reward his kindness. Marcelino answers: "I want only to see my mother, and to see Yours after that". The statue cradles Marcelino in its arms, tells Marcelino to sleep - and Marcelino dies happy.
The monks witness the miracle through a crack in the attic door and burst in just in time to see the dead Marcelino bathed in a heavenly glow. The statue returns to its place on the Cross, and Marcelino is buried underneath the chapel and venerated by all who visit the now flourishing monastery-turned-shrine.
The main story is told in flashback by a monk (played by Fernando Rey), who, visiting a dying girl, tells her the story of Marcelino for inspiration. The film ends with the monk entering the now completely remodelled chapel in the monastery during Mass, and saying to the crucifix once kept in the attic: "We have been speaking about You, O Lord", and then, to Marcelino's grave, which is situated nearby, "And about you, too, Marcelino."

Cast
Legacy
The film remains one of the most famous and successful Spanish films ever made in history, and one of the first Spanish films to become successful in the U.S. as well.
Three key scenes of the film were filmed in La Alberca (Salamanca). Its Plaza Mayor serves as a stage for the initial scene, in which the narrator friar, Fernando Rey, goes down to the village to tell the sick child the story of Marcellino. The scene of the market, where Marcelino has just climbed into a cockpit after causing the stampede of a yoke of oxen. Finally, back to the convent, they pass in front of the Hermitage of San Blas of said locality. All the atmosphere related to the convent is located in the chapel of the Cristo del Caloco in El Espinar (Segovia) one which has great devotion in the region;
The figure of the Christ, however, does not correspond to that of the Caloco, but is a sculpture of the sculptor Antonio Simont and is currently on the altar of the Chapel of St. Teresa of the Convent of the Carmelites of Don Benito (Badajoz). There it ended up at the wish of one of the sound engineers of the film, Miguel López Cabrera, whose sister was a nun in the convent.

Remakes
A Philippine remake of Miracle of Marcelino, under its original title, was released in 1979.
An Italian remake, Marcellino, was produced in 1991 in color, and was much less successful than the original film.
In 2000, VIP Toons of Spain, PMMP and TF1 of France and Nippon Animation of Japan created the first TV series adaptation of the story, also titled Marcelino Pan y Vino after the original novel.  The first 26-episode run (2000-2001) was adapted into several languages, including French, Spanish, Tagalog, Portuguese, and Italian, and became a success across Europe. An additional 26 episodes were made in 2004 and aired in Germany in 2006.
The film became the inspiration for the 2009–2010 ABS-CBN teleserye, May Bukas Pa.
A Mexican remake was released on 16 December 2010, with the basic storyline and framed by the Mexican Revolution of 1910.
The 2023 Brazilian telenovela Amor Perfeito is also based on Marcelino, pan y vino.

Awards
Won1955 Cannes Film FestivalOCIC Award - Special Mention
Pablito Calvo - Special Mention
5th Berlin International Film Festival: Silver BearNominated1955 Cannes Film Festival: Palme d'Or
Passage 6:
José María Sánchez-Silva
José María Sánchez-Silva y García-Morales (11 November 1911 – 13 January 2002) was a Spanish writer. He received the Hans Christian Andersen Medal in 1968 for his contribution to children's literature. He is best known for his novel Marcelino Bread and Wine (1953) which was filmed in 1955, as Miracle of Marcelino.

Early life
Sánchez-Silva was born in Madrid. His father, also José María Sánchez Silva, was a journalist close to anarchism, writing in the journal Earth, who went into exile in 1939. The family had been unstructured and the son (Sánchez-Silva) at times was practically a vagrant child. He joined institutions for orphans and children at risk such as Del Pardo School of Madrid (dependent on the City Council of Madrid). In these institutions he learned typing and shorthand, which earned him a stenographer's position in Madrid.

Career
In 1934, he published his first book The Man in the Scarf.
During the Spanish Civil War, he remained in the Republican zone in Madrid, working with the Falange until Nationalist troops entered the city. In 1939, he began working as a journalist in the newspaper Arriba. He became assistant principal of the paper and collaborated with the newspaper El Pueblo.
Sánchez-Silva won fame as a result of Marcelino Bread and Wine (Marcelino, pan y vino, 1953), which was made into a film by Ladislao Vajda as Miracle of Marcelino, and became one of the great successes of Spanish cinema worldwide. It was further adapted into Marcelino (anime).
After the success of Marcelino, he returned to the character in stories Marcelino Pan y Vino and Adventures in the sky Marcelino Pan y Vino.
Together with José Luis Sáenz de Heredia, he was the author of the screenplay of the movie Franco, ese hombre, a biography in the caudillo.

Awards
The biennial Hans Christian Andersen Award conferred by the International Board on Books for Young People is the highest recognition available to a writer or illustrator of children's books. Sánchez-Silva received the writing award in 1966.He won the Spanish prize for literature in 1957.
Passage 7:
Abe Meyer
Abe Meyer (1901–1969) was an American composer of film scores.

Selected filmography
Painted Faces (1929)
Honeymoon Lane (1931)
Unholy Love (1932)
A Strange Adventure (1932)
Take the Stand (1934)
Legong (1935)
The Unwelcome Stranger (1935)
Suicide Squad (1935)
The Mine with the Iron Door (1936)
The Devil on Horseback (1936)
Song of the Trail (1936)
County Fair (1937)
The 13th Man (1937)
Raw Timber (1937)
Roaring Timber (1937)
The Law Commands (1937)
The Painted Trail (1938)
My Old Kentucky Home (1938)
The Secret of Treasure Island (1938)
Saleslady (1938)
Numbered Woman  (1938)
The Marines Are Here (1938)
Fisherman's Wharf (1939)
Undercover Agent (1939)
Passage 8:
Alonso Mudarra
Alonso Mudarra (c. 1510 – April 1, 1580) was a Spanish composer of the Renaissance, and also played the vihuela, a guitar-shaped string instrument.  He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar.

Biography
The place of his birth is not recorded, but he grew up in Guadalajara, and probably received his musical training there.  He most likely went to Italy in 1529 with Charles V, in the company of the fourth Duke of the Infantado, Íñigo López de Mendoza, marqués de Santillana.  When he returned to Spain he became a priest, receiving the post of canon at the cathedral in Seville in 1546, where he remained for the rest of his life.  While at the cathedral, he directed all of the musical activities; many records remain of his musical activities there, which included hiring instrumentalists, buying and assembling a new organ, and working closely with composer Francisco Guerrero for various festivities.  Mudarra died in Seville, and his sizable fortune was distributed to the poor of the city according to his will.

Mudarra wrote numerous pieces for the vihuela and the four-course guitar, all contained in the collection Tres libros de musica en cifras para vihuela ("Three books of music in numbers for vihuela"), which he published on December 7, 1546 in Seville.  These three books contain the first music ever published for the four-course guitar, which was then a relatively new instrument. The second book is noteworthy in that it contains eight multi-movement works, all arranged by "tono", or mode.
Compositions represented in this publication include fantasias, variations (including a set on La Folia), tientos, pavanes and galliards, and songs. Modern listeners are probably most familiar with his Fantasia X, which has been a concert and recording mainstay for many years.   The songs are in Latin, Spanish and Italian, and include romances, canciones (songs), villancicos, (popular songs) and sonetos (sonnets).  Another innovation was the use of different signs for different tempos:  slow, medium, and fast.

References and further reading
John Griffiths: "Alonso Mudarra", Grove Music Online ed. L. Macy (Accessed March 24, 2005), (subscription access)
Gustave Reese, Music in the Renaissance.  New York, W.W. Norton & Co., 1954.  ISBN 0-393-09530-4
Guitar Music of the Sixteenth Century, Mel Bay Publications (transcribed by Keith Calmes)
The Eight Masterpieces of Alonso Mudarra, Mel Bay Publications (transcribed by Keith Calmes)
Fantasia VI in hypermedia (Shockwave Player required) at the BinAural Collaborative Hypertext
Jacob Heringman and Catherine King: "Alonso Mudarra songs and solos". Magnatune.com (http://www.magnatune.com/artists/albums/heringman-mudarra/hifi_play)

External links
Free scores by Alonso Mudarra in the Choral Public Domain Library (ChoralWiki)
Free scores by Alonso Mudarra at the International Music Score Library Project (IMSLP)
Passage 9:
Pablo Sorozábal
Pablo Sorozábal Mariezcurrena (18 September 1897 – 26 December 1988) was a Spanish composer of zarzuelas, operas, symphonic works, and the popular romanza, "No puede ser".
He was born in San Sebastián, in a working-class family. Trained in San Sebastián, Madrid and Leipzig; then in Berlin, where he preferred Friedrich Koch as composition teacher to Arnold Schönberg, whose theories he disliked. It was in Germany that he made his conducting debut, and the rostrum remained at the centre of his working life. His Leipzig concert works include the choral Suite vasca (1923); Dos apuntes Vascos (1925) and Symphonic Variations on a Basque Theme (1927); of later works the funeral march Gernika for chorus and orchestra (1966) is outstanding. The Siete Lieder, 1929 settings of Heinrich Heine for mezzo-soprano and orchestra, are perhaps the finest works he produced in Germany. Two short but powerful compositions for chorus and orchestra, Maite (‘Our Lady’, from the 1946 film Jai-Alai) and ¡Ay, tierra vasca! (1956) retain their place in the hearts of his Basque countrymen.
Katiuska (1931) was his stage debut, and the twenty or so zarzuelas which followed combine lyric fire and inimitable orchestration with an unfailing sense of theatre. Best-loved are his classic madrileño comedy La del manojo de rosas (1934) and the “nautical romance” set on the Atlantic Coast La tabernera del puerto of 1936. The latter includes the romanza "No puede ser", made internationally popular when sung in the Three Tenors concerts by Plácido Domingo. His one-act verismo opera Adiós a la bohemia (from a short story by Pío Baroja) also retains its popularity in Spain.
Sorozábal's liberal sympathies left him somewhat isolated after the Spanish Civil War, and many of his later zarzuelas were first seen outside the capital or in less prestigious Madrid theatres. They include the ambitious, allegorical romance Black, el payaso (1942) and the ski-sports musical Don Manolito (1943), both of which starred popular Basque soprano Pepita Embil.
Sorozábal also wrote scores for non-musical films, notably the classic Spanish film Marcelino Pan y Vino (1955).
His tenure as director of the Madrid Symphony Orchestra ended abruptly in 1952 when he was refused permission to conduct Shostakovich’s Leningrad Symphony; and though his musical comedy Las de Caín was premiered at the Teatro de la Zarzuela in 1958, the opera Juan José had to wait for its belated (and highly successful) concert premiere until February 2009, after a full production was suspended during rehearsals in Madrid during 1979. With his death in Madrid on 26 December 1988 the last chapter in the creative history of the romantic zarzuela came to an end. Sorozábal's theatrical vitality, musical wit and dramatic force are second to none in the history of zarzuela and rival the best of his German and Italian music theatre contemporaries, such as Kurt Weill.
Passage 10:
Rafael Calvo
Rafael Luis Calvo Muñoz (30 December 1911 – 9 December 1988) was a Spanish film actor. He appeared in more than 60 films including Miracle of Marcelino (1955).

Selected filmography

Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where was the place of death of the composer of film Miracle Of Marcelino?



Answer: Madrid