prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What did the singer of "Moon River" in the movie Breakfast at Tiffany win a Tony for?

The following are given passages.
Context 1: Passage 1:
Breakfast at Tiffany's (song)
"Breakfast at Tiffany's" is a song by American alternative rock band Deep Blue Something  Originally appearing on their 1993 album 11th Song, it was later re-recorded and released on their 1995 album Home  Released as a single in July 1995, the song was the band's only hit in the United States, peaking at number five on the US Billboard Hot 100 in January 1996  Outside the United States, "Breakfast at Tiffany's" topped the UK Singles Chart and peaked within the top ten on the charts of Australia, Flanders, Canada, Denmark, Germany, Iceland, Ireland, and Sweden 
Todd Pipes said in a Q magazine article about the promotion of "Breakfast at Tiffany's", "As the song had 'breakfast' in the title, radio stations thought it would be genius to have us on at breakfast time  We'd be up 'til 3 am and they'd wonder why we were pissed off playing at 6 am " Follow-up singles failed to match the success of "Breakfast at Tiffany's", hence the reason for the band's classification as a one-hit wonder 

Inspiration and composition
"Breakfast at Tiffany's" is sung from the point of view of a man whose girlfriend is on the verge of breaking up with him because the two have nothing in common  Desperate to find something, the man brings up the Audrey Hepburn film Breakfast at Tiffany's, and his girlfriend recalls that they "both kinda liked it " He argues that this should serve as enough motivation for them to work out their problems based on the notion that love will always find a way to make things work 
The film Roman Holiday inspired the lyrics of the song, but songwriter Todd Pipes thought that one of Hepburn's other films would make a better song title 

Critical reception
Brian Wahlert called "Breakfast at Tiffany's" "a cute, catchy song that should fit in well on adult contemporary, Top-40 and alternative radio" with memorable melody that makes it "a perfect single, along with the mildly repetitive, conversational lyrics of the chorus and the bright, acoustic guitar"  However, Tom Sinclair of Entertainment Weekly was unimpressed  He called it "possibly the year's most innocuous single, 'Breakfast at Tiffany's' is distressingly prosaic pop from a wimpy-sounding Texas quartet"; he added that it lacked any "musical piquancy"  The Houston Press listed the song as the second worst by an artist from Texas, after Vanilla Ice's "Ice Ice Baby"  British magazine Music Week rated it five out of five, picking it as Single of the Week  They wrote, "Radio-friendly rock at its best from the Texan trio  A mighty, bright chorus, quirky lyrics and some great guitar work should enable it to come close in the UK to matching its Top Five placing Stateside " VH1 and Blender ranked the song number six on their list of the "50 Most Awesomely Bad Songs Ever" 

Music video
The accompanying music video for "Breakfast at Tiffany's" features the band members arriving to a breakfast table and being served by butlers, beside the curb in front of Tiffany & Co  in Midtown Manhattan  At the end of the video a young woman dressed in a similar style to Holly Golightly's (Audrey Hepburn) from the beginning of the film, except dressed in white rather than black, walks past on the sidewalk, and takes off her sunglasses  The band is also seen performing the song in a field, and on the bed of a flatbed truck in NYC 

Track listings
US cassette singleA1  "Breakfast at Tiffany's" (LP version) – 4:11
A2  "Breakfast at Tiffany's" (Crunch mix) – 4:11
B1  "A Water Prayer" (LP version) – 3:20
B2  "Breakfast at Tiffany's" (LP version) – 4:11Australian CD and cassette single, UK CD single"Breakfast at Tiffany's" – 4:16
"A Water Prayer" – 3:19
"Sun" – 4:15UK cassette single and European CD single"Breakfast at Tiffany's" – 4:16
"A Water Prayer" – 3:19

Charts
Certifications
Release history
Other uses
On Top Gear, episode 8 of series 5, the song can be heard attempting to drown out a rattling from the dashboard of Jeremy Clarkson's Ferrari 612 Scaglietti 
In 2008, the song was used in a commercial in Slovakia for Orange cellular phone 
In 2010, the song appeared in a Saturday Night Live skit, with four friends (played by Will Forte, Jason Sudeikis, Bill Hader and Ryan Phillippe) talking during the verses and singing the choruses 
In August 2011, it was voted into fifth place by fans on Quietdrive's upcoming cover album, Your Record, Our Spin 
In May 2012, Episode 24 of New Girl highlighted the cast members dancing to this song  The group was listening to this song from Nick's mixtape where he was trying to convince himself to stay together with a likewise dissimilar girlfriend 
The song appeared in the fifth episode of the VH1 series Hindsight 
The song also appeared in the season 2 finale of Orange Is the New Black, eliciting a comment from a prison guard 
In 2018, the song was played on Netflix series Everything Sucks! 
Passage 2:
List of awards and honours received by Audrey Hepburn
Audrey Hepburn received numerous awards and honors during her career  Hepburn won, or was nominated for, awards for her work in motion pictures, television, spoken-word recording, on stage, and humanitarian work  She was five-times nominated for an Academy Award, and she was awarded the 1953 Academy Award for Best Actress for her performance in Roman Holiday and the Jean Hersholt Humanitarian Award in 1993, posthumously, for her humanitarian work  She won a record three BAFTA Awards for Best British Actress in a Leading Role, from five nominations, and she received a Lifetime Achievement Award in 1992  Hepburn received 10 Golden Globe Award nominations, winning two, and she was the recipient of the Cecil B  DeMille Award in 1990  She also won the 1954 Tony Award for Best Performance by a Leading Actress in a Play in Ondine, and she received a Special Tony Award in 1968 
Posthumously, Hepburn also received a number of awards and honors, including a Primetime Emmy Award for her television series Gardens of the World with Audrey Hepburn, while her contributions to a spoken-word recording titled Audrey Hepburn's Enchanted Tales earned her a Grammy Award  Hepburn stands as one of few entertainers who have won Academy, Emmy, Grammy, and Tony Awards  She has been honored on United States postage stamps, and she has a star on the Hollywood Walk of Fame  The American Film Institute has repeatedly recognized her talent, placing Hepburn third on its list of the top 100 female stars of all time and placing several of the films she starred in on its 100 best    lists 

E G O T 
Academy Awards
The Academy Awards, popularly known as the Oscars, are presented annually by the American Academy of Motion Picture Arts and Sciences (AMPAS) to recognize excellence of professionals in the film industry  Hepburn was nominated for five competitive awards, winning once  In addition, she was the recipient of the Jean Hersholt Humanitarian Award posthumously  Hepburn's son Sean H  Ferrer accepted the award on her behalf 

Emmy Awards
The Primetime Emmy Awards, presented by the Academy of Television Arts & Sciences (ATAS), honor American prime time television entertainment  Hepburn was the recipient of one Emmy Award posthumously 

Grammy Awards
The Grammy Awards are presented annually by the National Academy of Recording Arts and Sciences of the United States for outstanding achievements in the music industry  Hepburn won one Grammy Award posthumously 

Tony Awards
The Antoinette Perry Awards for Excellence in Theatre, more commonly known as the Tony Awards, recognize achievement in live American theatre, and are presented by the American Theatre Wing and The Broadway League  Hepburn won one competitive Tony Award, and was the recipient of the Special Tony Award in 1968 

Major associations
BAFTA Awards
The BAFTA Awards, presented by the British Academy of Film and Television Arts (BAFTA), is an annual awards show to celebrate excellence in film, television, television craft, video games, and forms of animation  Hepburn was nominated five times for a competitive award, winning three  In addition, she was the recipient of a Lifetime Achievement Award in 1992 

Golden Globe Awards
The Golden Globe Awards are presented annually by the Hollywood Foreign Press Association (HFPA) to recognize outstanding achievements in the entertainment industry, both domestic and foreign, and to focus wide public attention upon the best in motion pictures and television  Hepburn was a 10-time nominee, winning twice  In addition, she received the Cecil B  DeMille Award in 1990 

New York Film Critics Circle Awards
The New York Film Critics' Circle Awards are given annually to honor excellence in cinema worldwide by an organization of film reviewers from New York City-based publications  Hepburn won two of her six competitive nominations 

Screen Actors Guild Awards
The Screen Actors Guild Awards, presented by the Screen Actors Guild (SAG), recognize outstanding performances by its members  Hepburn was the recipient of a posthumous Life Achievement Award 

Other arts recognition
In recognition of her work in the performing arts, besides those awards aforementioned, Hepburn received several other honors  In 1959, she won the Silver Shell for Best Actress at the San Sebastian International Film Festival for her work in The Nun's Story  In 1987, she was awarded the Commander of the National French Order of Arts and Letters (French: Commandeur de L'Ordre des Arts et des Lettres), and was a Gala Film Tribute honoree  In 1991, she received the American Academy of Achievement's Golden Plate Award, an honorary Bambi Award, and was an Honoree at both the Film Society of Lincoln Center's Gala Tribute and the USA Film Festival's Master Screen  Then, in 1992, Hepburn was awarded The George Eastman Award, given by George Eastman House for distinguished contribution to the art of film  She was posthumously awarded the 1996 Women in Film's Crystal Award for her efforts in expanding the role of women within the entertainment industry 

Humanitarian recognition
In recognition of her humanitarian work, Hepburn received the following honors:1976

Variety Club of New York's Humanitarian Award1988

UNICEF's International Danny Kaye Award for Children1989

Institute for Human Understanding's International Humanitarian Award1990

UNICEF's seventh annual ball honored Hepburn1991

Washington UNICEF Council's Children's Champion Award
Certificate of Merit for UNICEF Ambassadorship
Variety Clubs International's Humanitarian Award
UNICEF's Sidaci per L'infanzia" (Mayors for Children) Award
Children's Institute International's Champion of Children Award
Sigma Theta Tau International Audrey Hepburn Award named after Hepburn, given to individuals in recognition for their international work on behalf of children1992

Honorary Chair and Speaker at Alan Shawn Feinstein World Hunger Awards held at Brown University
Presidential Medal of Freedom1993

The Pearl S  Buck Foundation's Women's Award2000

Women's International Center's Living Legacy Award for "stunning contributions to humanity and enduring legacies given to humankind"2002

Bronze sculpture entitled "The Spirit of Audrey", by sculptor John Kennedy, installed at the public plaza at UNICEF headquarters in New York2006

Sustainable Style Foundation inaugurated the Style & Substance Award in honour of Audrey Hepburn to recognize high-profile individuals who work to improve the quality of life for children around the world (the award was given to Hepburn posthumously and received by the Audrey Hepburn Children's Fund)

Style recognition
Hepburn was the first of only three people to wear the Tiffany Diamond
Hepburn was a member of the International Best Dressed List, and was elevated into its Hall of Fame in 1961
Included in People's "50 Most Beautiful People in the World" in 1990
Received the Council of Fashion Designers of America's Lifetime of Style Award in 1992

Other honours

She has a star on the Hollywood Walk of Fame, at 1652 Vine Street 
She received "The Key to the City" in five American cities: Chicago and Indianapolis in 1990; Fort Worth, Texas, in 1991; and San Francisco and Providence, Rhode Island, in 1992 
In 1987, she was made a Commander of the Order of Arts and Letters from France
In 1990, she was honored with a new hybrid tulip in her name, as a tribute to the actress's career and to her long-time work on behalf of UNICEF, according to the Netherlands Flowerbulb Information Center  An official dedication ceremony took place at her family's former mansion Huis Doorn in Doorn, Netherlands 
In 1991, she was honored with a rose in her name  The rose was bred by Jerry F  Twomey at Leucadia, California 
In 1991, she received the Golden Plate Award of the American Academy of Achievement  Her Golden Plate was presented by Awards Council member Ralph Lauren 
"Audrey Hepburn Day" was proclaimed on 28 February 1991 by the mayor of Fort Worth, Texas, and on 10 April 1992 by the mayor of Providence, Rhode Island 
In 2003, the United States Postal Service issued a stamp illustrated by Michael J  Deas honouring her as a Hollywood legend and humanitarian  It has a drawing of her which is based on a publicity photo from the movie Sabrina  Hepburn is one of the few non-Americans to be so honoured 
In 2008, Canada Post issued a series of pre-paid postcards based on the work of Yousuf Karsh, one of which was a portrait of Hepburn 
In Arnhem, there is a square named after Audrey Hepburn 
KLM named a McDonnell Douglas MD-11 PH-KCE, Audrey Hepburn, in her honour 
Passage 3:
Fists of Legend
Fists of Legend (Korean: 전설의 주먹; RR: Jeonseolui Jumeok) is a 2013 South Korean sports drama film directed by Kang Woo-suk  It is based on the popular webtoon of the same title written by Lee Jong-gyu and illustrated by Lee Yoon-gyun  The film stars Hwang Jung-min, Yoo Jun-sang, Yoon Je-moon, Lee Yo-won, and Jung Woong-in 

Plot
A moment of bad luck derailed Deok-kyu's Olympic dreams and led him and his friends to jail  Jin-ho got out of jail quickly because of his rich parents, but Deok-kyu, Jae-seok, and Sang-hoon were not so lucky 
Years later, while running a noodle shop to earn extra money following an accident involving his daughter, Deok-kyu accepts an invitation to join a televised mixed martial arts tournament, Fists of Legend  A group of middle-aged men who used to be called "legends" during their teenage high school days take part in the "real action fighting" reality show, and the winner gets a prize of ₩20 million every round, for a total of ₩200 million (US$183,823)  Among the contestants are Deok-kyu's old friends Sang-hoon, currently a manager at a large company who lacks in self-respect after getting passed over for a promotion, and Jae-seok, now a good-for-nothing guy who dreams of becoming a somebody 

Cast
Hwang Jung-min - Im Deok-kyuPark Jung-min young Deok-kyu
Yoo Jun-sang- Lee Sang-hoon
Gu Won - young Sang-hoon
Yoon Je-moon - Shin Jae-seok
Park Doo-shik - young Jae-seok
Lee Yo-won - Hong Gyu-min
Jung Woong-in - Son Jin-ho
Lee Jung-hyuk - young Jin-ho
Sung Ji-ru - Seo Kang-gook
Ji Woo - Im Soo-bin
Kang Shin-il - Director Jo
Kang Sung-jin - announcer
Kwon Hyun-sang - Author
Choi Hyo-eun - Eun-soo
Kwon Eun-soo - Writer Kwon
Kim Jae-yong - Writer Jae

Production
Filming began on July 15, 2012 at the Shin Joon-sub boxing gym in Namwon, North Jeolla Province, and wrapped on November 28, 2012 in Paju Actor Yoo Jun-sang injured the cruciate ligament in his left knee while filming and underwent surgery on October 30, 2012 

Awards and nominations
2013 50th Grand Bell Awards

Nomination - Best Actor - Hwang Jung-min
Nomination - Best Supporting Actor - Yoo Jun-sang
Nomination - Best New Actor - Park Doo-shik
Nomination - Best New Actor - Park Jung-min
Nomination - Best Lighting - Kang Dae-hee
Passage 4:
On the Good Ship Lollipop
"On the Good Ship Lollipop" is a song composed by Richard A  Whiting with lyrics by Sidney Clare   It was the signature song of child actress Shirley Temple  Temple first sang it in the 1934 film, Bright Eyes In the song, the "Good Ship Lollipop" travels to a candy land   The "ship" referred to in the song is an aircraft; the scene in Bright Eyes where the song appears takes place on a taxiing American Airlines Douglas DC-2 400,000 copies of the sheet music, published by Sam Fox Publishing Company, were sold, and one recording by Mae Questel (the cartoon voice of Betty Boop and Olive Oyl) reputedly sold more than two million copies  It finished at #69 in the survey AFI's 100 Years   100 Songs of top tunes in cinema in the United States in June 2004 
The song was parodied on an episode of The Simpsons from May 2000, the episode being "Last Tap Dance in Springfield"  It was being sung as "On the Spaceship Lollipop" by Vicki Valentine (voiced by Tress MacNeille) herself spoofing Temple  The actual song was used on an earlier episode, "Treehouse of Horror III", which aired in October 1992 in which Shirley Temple was seen singing it during her concert before being devoured by King Homer, the sketch parodying King Kong The song was also parodied on an episode of The Brady Bunch from February 1974, the episode being "The Snooperstar" in which Cindy becomes convinced that Mike's fussy client Penelope Fletcher (Natalie Schafer) is a talent scout and is trying to make her into the next Shirley Temple 
The moniker "Good Ship Lollipop" was famously used by Chicago Outfit underboss Ernest "Rocky" Infelice and his inner circle to refer to the Cicero Crew, which he ran in the mid-to-late 1980's with his second in command, Salvatore "Solly D" DeLaurentis  It is unknown as to how the crew gained the nickname 
In the 2007 film Shrek the Third, The Gingerbread Man is heard singing the song after Captain Hook threatens him 

Other recordings
1935: Rudy Vallee and His Connecticut Yankees, recorded for Victor on December 24, 1934 (Christmas Eve) (catalog No  24838)  This was very popular in 1935 
1935: Ted Fio Rito – recorded for Brunswick Records (catalog No  7364) on August 1, 1935 
1952: Rosemary Clooney – on an unbreakable children’s record Columbia MJV138
1969: Tiny Tim covered the song, reaching #82 in Canada 
1980: Margaret Whiting (for her album Too Marvellous for Words) 
Passage 5:
The Garbage Picking Field Goal Kicking Philadelphia Phenomenon
The Garbage Picking Field Goal Kicking Philadelphia Phenomenon (also known simply as The Philadelphia Phenomenon)  is a 1998 American television movie starring Tony Danza from Walt Disney Pictures 

Plot
Barney Gorman (Tony Danza) works hard as a garbageman in Philadelphia, but his career indirectly embarrasses his family  Barney's frustration is made worse by being a fan of the Philadelphia Eagles, who are mired in a slump  Due to a sticky lever on his garbage truck, Barney has (without realizing it) developed a very strong kick  One day at the city dump, Barney kicks a water jug extremely far and catches the attention of a group of Eagles executives, who are scouting the location for land to build a new stadium  The Eagles coach offers Barney a job as the team's new kicker, which the owner feels is an excellent publicity stunt in "giving an average Joe a shot at the NFL" 
Barney joins the Eagles, but at first isn't really accepted by his teammates, especially his roommate, Bubba Downs  But once Barney starts playing and makes a lot of important field goals, his teammates and football fans all over town begin to love him, giving him the nickname "G-Man"  Unfortunately, the fame and popularity begin to go to Barney's head, and he becomes conceited and talks down to his teammates  In the next game, Barney misses a potential game-winning field goal, knocking the Eagles out of contention for the playoffs 
Barney goes to a bar, depressed and lonely, when an attractive blonde woman approaches him  She asks him if he is Barney Gorman and if she could take a picture with him  Barney is caught off guard when the woman kisses him as the photo is being taken  She says thanks while giving him an alluring smile as she walks away 
Barney's mood goes from bad to worse and he is suspended from the team  He misses a date with his wife (Jessica Tuck), who then sees the picture of him kissing the blonde woman in the newspaper  When Barney arrives at home, he finds that his wife has kicked him out as well, leaving his suitcase outside the door with the photo from the newspaper 
After some soul-searching, Barney comes to his senses and apologizes to his wife, son, father, and his teammates  The Eagles let him back on the team, just in time for the final game of the season  Barney is given a chance to redeem himself as the game again comes down to a last-second field goal  The holder fumbles the snap, and Barney grabs it and scores the game-winning touchdown  At the end-of-season press conference, Barney remembers his roots as a garbageman and points out that garbagemen are deserving of respect, too, as they work hard to keep the city clean 

Cast
Tony Danza as Barney Gorman
Jessica Tuck as Marie Gorman, Barney's wife
Art LaFleur as Gus Rogenheimer
Jaime Cardriche as Bubba
Al Ruscio as Mr  Gorman, Barney's father
Ray Wise as Randolph Pratt
Julie Stewart as Eagles Recruiter
Gil Filar as Danny Gorman, Barney & Marie's sonThe cast also included many well known figures in the world of professional football playing minor roles or making cameo appearances  Jeffrey Lurie, the owner of the Philadelphia Eagles played Barney's friend who was seen at the cafe and had the line "This new Eagles owner must be a good guy "  The kicking stand-in for Tony Danza was Mike Vanderjagt, a Canadian football player and professional placekicker  The movie also featured sportscaster Chris Berman and NFL footage with Troy Aikman of the Dallas Cowboys 

Production
Most of the movie was actually filmed in Toronto, Ontario  Other filming locations for the movie included Hollywood, California and Philadelphia, Pennsylvania 

See also
List of American football films
Passage 6:
Saturday Breakfast
Saturday Breakfast was a New Zealand morning news and talkshow based on Breakfast, that aired on Saturday mornings from 7-9 am from 3 September 2011 until 15 December 2012 on TV One 

Presenters
Anchors
Tāmati Coffey and Nadine Chalmers-Ross (2012)
Tāmati Coffey and Toni Street (2012)
Rawdon Christie and Toni Street (2011-2012)

Show format
10 minutes of news, sport and weather is presented every half hour between 7:00 and 8:30  News is presented by Brooke Dobson  Weather, presented by Sam Wallace is presented from a location around the country, usually where an event is happening 
The show has interviews with newsmakers and/or TVNZ reporters  The rest of the show has entertainment/light-hearted/special interest segments presented by Toni Street and Tāmati Coffey 
The show was cancelled by TVNZ due to its lack of commercial sustainability, caused by the withdrawal of key sponsor Lotteries New Zealand  The last show was broadcast on 15 December 2012  This coincided with host Tāmati leaving TVNZ to go overseas, and Weather reporter Sam Wallace being elevated to the Weekday Breakfast weather reporter upon Tāmati's departure  Nadine will remain as Business host on the weekday show as will newsreader, Brooke Dobson, in her primary role as Auckland reporter 
Passage 7:
Tiffany Blue
Tiffany Blue is the colloquial name for the light medium robin egg blue color associated with Tiffany & Co , the New York City jewelry company created by Charles Tiffany and John Young in 1837  The color was used on the cover of Tiffany's Blue Book, first published in 1845   Since then, Tiffany & Co  has used the color extensively on promotional materials like boxes and bags 
Since 1998, the Tiffany Blue color has been registered as a color trademark by Tiffany & Co  It is produced as a private custom color by Pantone, with PMS number 1837, the number deriving from the year of Tiffany's foundation 

See also
Lists of colors
Passage 8:
Daybreak Northern Ireland
Daybreak Northern Ireland (previously GMTV Northern Ireland) is the regional news strand for Northern Ireland provided for the ITV breakfast station ITV Breakfast 
Unlike the ITV plc-owned  regions, UTV - the ITV contractor for Northern Ireland - did not provide regional news broadcasts during Daybreak (previously GMTV)  This was due to a dispute between UTV and GMTV which dates back to 1994 when UTV opted out of the national breakfast contractor in breach of their broadcasting licence to provide live coverage of the breaking news of the Combined Loyalist ceasefire 
GMTV Northern Ireland was rebranded as Daybreak Northern Ireland in September 2010, when GMTV was replaced by new breakfast programme, Daybreak  Regional bulletins aired three times each weekday, and included a look at the days main headlines, a travel news update, and a weather forecast 

Service
In January 1995, GMTV contracted the service out to Reuters, who then provided the GMTV national news service  The service was produced by ITN from March 2000  Macmillan Media, a company founded by former ITN and BBC correspondent Michael Macmillan, won the contract to provide news bulletins in 2005 
Macmillan Media took over from STV as the regional breakfast news provider in the Central Scotland and Northern Scotland regions in 2007 The Daybreak Northern Ireland service by Macmillan Media ended on Friday 21 December 2012, with UTV resuming production of the breakfast news opt-outs from January 2013 onwards 

The team
Sonia Butterworth (Now with U105)
Richard Cull
Lynda Fulford
Lindsey Armstrong (now freelancing with UTV after working at BBC Northern Ireland)
Vicki Hawthorne (now freelance, appears on Sky News)
Emma Johnston
Aideen Kennedy (now with UTV)
Barbara McCann (now with BBC Northern Ireland)
Siobhan McGarry
Maura O'Brien
Kirsteen O'Sullivan (Now with TV3)
Charlie Oundo
Paul Reilly (now with UTV)
Nicola Thompson (now with BBC)
Jane Veitch
Patricia Wilkinson (now with BBC Northern Ireland)
Adrian Horsman (now with Christian Aid Ireland)
Passage 9:
Stein Endresen
Stein Endresen (born 4 October 1959) is a Norwegian show jumping competitor At the 2008 Summer Olympics in Beijing, Endresen originally won the bronze medal as part of the Norwegian team in team jumping, together with Morten Djupvik, Geir Gulliksen, and Tony Andre Hansen  However the Norwegian team lost its bronze medal and finished tenth following the disqualification of Tony Andre Hansen 
Passage 10:
Breakfast Creek
The Breakfast Creek (Aboriginal: Barrambin) is a small urban stream that is a tributary of the Brisbane River, located in suburban Brisbane in the South East region of Queensland, Australia 

Course and features
Rising as the Enoggera Creek that drains the D'Aguilar Range in the D'Aguilar National Park, Breakfast Creek forms near Herston where it flows a short meandering course of 2 kilometres (1 2 mi) before reaching its confluence with the Brisbane River at Newstead, next to Newstead Park   Travelling up the Brisbane River the creek is the first to join the river on its northern banks 
The heritage-listed Breakfast Creek Hotel is located near the confluence with the Brisbane River and is known for serving XXXX beer exclusively from wooden barrels   Also here the Breakfast Creek Green Bridge is under construction 
The shorter race in the annual Bridge to Brisbane fun run starts at the Breakfast Creek bridge 

History
John Oxley and Allan Cunningham met members of an Aboriginal clan at the mouth of the creek in 1824  After they had breakfast at the site minor conflict with the clan arose after one of them grabbed Oxley's hat  Oxley named the waterway in remembrance of the incident An important Aboriginal camping ground occupied the Breakfast Creek / Hamilton area until it was broken up by police raids in the 1860s  The camp was one of the major sources from which local Aboriginal people supplied the Moreton Bay colony with fish  It was also where Aboriginal leader Dalaipi spoke his famous "Indictments" which were published in the Moreton Bay Courier in 1858 One of the white first settlers on the creek was Patrick Leslie who in 1845 built the still-standing Newstead House  Brisbane's Cantonese community, who had established businesses in Fortitude Valley and built the Temple of the Holy Triad in 1886, settled in the flats around Breakfast Creek and Eagle Farm  During dry times in the early colony of Moreton Bay, when water from the Roma Street reservoir was depleted, supplies were carted from Breakfast Creek Various streets close to Breakfast Creek were affected by Brisbane floods in 1893, 1974 and in 2011 

Bridges
A number of floods destroyed early bridges across the creek  The first permanent bridge was built in 1858 using ironbark  As the timber of the bridge eroded, a second metal bridge was built in 1889  As traffic levels over the bridge increased, it became necessary to build a third larger concrete bridge in 1958, which stands to this day (2017) Remnants of the second bridge can still be seen and are listed on the Brisbane Heritage Register A new rail bridge as part of Cross River Rail is due for operation by 2025 

Gallery
See also
List of rivers of Australia § Queensland
Passage 11:
Newstead House, Brisbane
Newstead House is Brisbane's oldest surviving residence and is located on the Breakfast Creek bank of the Brisbane River, in the northern Brisbane suburb of Newstead, in Queensland, Australia  Built as a small cottage in the Colonial-Georgian style in 1846, the cottage was extended and today is painted and furnished in a late Victorian style Newstead House is the oldest surviving home in Brisbane, but not the oldest surviving building, built in 1846, for Patrick Leslie and his wife Catherine (née McArthur)  In 1847 he sold Newstead House to his brother-in-law John Clements Wickham (married to Anna McArthur), the Police Magistrate and Government Resident Newstead House was listed on the Queensland Heritage Register in 1992 

History
Newstead House is said to have taken its name from Newstead Abbey, Nottinghamshire, England, a former Augustinian priory which became the Byron family home The property was referred to as Newstead until it left the possession of J C  Wickham in 1859 after which it became known as Newstead House Newstead House was built as a residence by Brisbane's first architect and builder Andrew Petrie for fellow Scottish settler Patrick Leslie; it was soon acquired by Captain John Wickham  Then it was leased to Attorney-General Ratcliffe Pring  It was later leased, then sold, then leased again to merchant and Member of the Queensland Legislative Council George Harris  George Harris and his wife Jane (née Thorn) lived in the house for 27 years A prominent Jewish businessman named Lewis Flegeltaub with his large family was in residence at Newstead House from 1891 to 1894; the family previously lived at Palma Rosa, another Brisbane heritage-listed mansion nearby The Lysaght Brothers bought the property in March 1898 with the intention to demolish the house and build a factory that produced iron and rabbit-proof wire fencing  These plans to establish a factory at the property were abandoned due to the downturn in the agricultural sector It was purchased by the Brisbane City Council in 1918 and was the residence of the superintendent of their council parks  The Council leased part of the property to the Historical Society of Queensland in 1934 and it was used to store historical records  In 1939, the Queensland Parliament created a Trust and ownership was transferred to the Newstead House Trust 
The building was occupied by American troops during World War II  There is an Australian–American War Memorial in the grounds in memory of this  It was dedicated on 3 May 1952 by the Queensland Governor, Sir John Lavarack Other than the war-time occupation it was operated as a museum and research library by the Historical Society of Queensland (now known as the Royal Historical Society of Queensland) until 1973 when they moved to the Commissariat Store Newstead House is now a museum  It is open to the public, and concerts are sometimes held at the house and grounds  
Newstead House is now maintained by the Newstead House Board of Trustees assisted the Friends of Newstead, a volunteer group who also organise various events to attract visitors  Newstead Park is still managed and maintained by the Brisbane City Council 

Heritage listing
Newstead House was listed on the Queensland Heritage Register in 1992 

Newstead Park
Newstead Park is a significant historic park The land originally formed a part of the land purchased by Patrick Leslie in 1845 on which he built Newstead House In the 1920s, the Brisbane City Council constructed an electrical substation for its tramway system in the grounds of the House  Since the closure of the tram system in 1969 the substation was purchased by the Newstead House Board of Trustees and has been used as a Resource Centre and offices for management staff 
In May each year, the park is host to the commemoration of the Battle of the Coral Sea  The Australian-American monument in the park is dedicated to the United States service men and women for helping in the defence of Australia during World War II A playspace featuring an "Alice through the Looking Glass" theme has been developed by the Brisbane City Council is located on the southern side of the park, near Newstead Avenue 

See also
Old Government House
Passage 12:
Tiffany Stiegler
Tiffany Stiegler (born January 14, 1984) is an American figure skater who competed in both pair skating and ice dancing  Competing in pairs with her brother Johnnie Stiegler, she won the bronze medal at the 1998 Sparkassen Cup on Ice and placed fourth at the 1999 World Junior Championships 

Personal life
Tiffany Stiegler was born on January 14, 1984, in Santa Monica, California  She is the sister of Stephanie and Johnnie, both of whom also competed in figure skating 
She married Joseph ("Woody") Woodrow Stahl on June 28, 2014 

Career
Tiffany Stiegler's first partner was her brother Johnnie, with whom she competed until 2003  They are the 1998 and 1999 U S  pewter medalists and the 1997 junior national champions  They were coached by Irina Rodnina and Alexander Zaitsev in El Segundo, California  They represented the Los Angeles Figure Skating Club In the 2003–04 season, Stiegler skated with Bert Cording  They placed 9th at the 2004 U S  Championships 
In the 2004–05 season, Stiegler began competing in ice dancing with Sergei Magerovski  They won the pewter medal at the 2005 U S  Championships  They were coached by Igor Sphilband and Marina Zueva in Canton, Michigan Stiegler became a co-coach with her sister at the Toyota center in El Segundo, California 

Programs
With Magerovski
With Stiegler
Competitive highlights
GP: Grand Prix; JGP: Junior Series / Junior Grand Prix)

Pair skating with Stiegler
Pair skating with Cording
Ice dancing with Magerovski
Passage 13:
Andy Blankenbuehler
Andy Blankenbuehler (born March 7, 1970) is an American dancer, choreographer and director primarily for stage and concerts  He has been nominated for the Tony Award for Best Choreography five times, and has won three times: for In the Heights (2008), Hamilton (2016), and Bandstand (2017)  Blankenbuehler's other Broadway choreography work includes 9 to 5, Bring it On: The Musical, and the 2016 Cats revival  Blankenbuehler was awarded the Kennedy Center Honor in 2018 for his work on Hamilton  He also choreographed the movie adaptation of Cats  Most recently he choreographed, directed and co-wrote Only Gold - a new musical with Music by Kate Nash at MCC Theater 

Life and career
Blankenbuehler was born in Cincinnati, Ohio, and is a 1988 graduate of St  Xavier High School and 1984 graduate of Nativity School in Cincinnati  He received his bachelor's degree from Southern Methodist University in Dallas, Texas 
As a performer, he has appeared on Broadway in many musicals, from Guys and Dolls (1992–1995) to Fosse (1999–2001) His Broadway work as a choreographer includes the musicals In the Heights (2007–08) and 9 to 5 (2008–09)  He won the Tony Award and Drama Desk Award for his choreography for In the Heights   Other New York work includes choreography for the "Broadway By The Year:1930, 1938 and 1978" series, and the City Center Encores! productions of The Apple Tree (2006) and The Wiz (2009)  He is the director and choreographer of Bring It On: The Musical, written by Jeff Whitty, with music by Lin-Manuel Miranda and Tom Kitt and lyrics by Lin-Manuel Miranda and Amanda Green, which premiered at the Alliance Theatre, Atlanta, Georgia, on January 16, 2011  This production also performed at the Ahmanson Theater in Los Angeles where Blankenbuehler won the 2011 L A  Drama Critics Circle Award for Best Choreography 
Additionally, Blankenbuehler choreographed the Frank Wildhorn world premiere production of Waiting for the Moon  The show featured 6 full-length dance sequences, including one that lasted over 10 minutes  He was nominated for a Barrymore Award for Choreographing the show 
Blankenbuehler has choreographed for Bette Midler and directed, choreographed, and co-conceived the production "Nights On Broadway" at Caesars Palace 
Blankenbuehler appears briefly in the 2008 documentary Every Little Step about the 2006 Broadway revival of A Chorus Line, with his Polaroid shown as one of the people being cut from a callback for the show 
He choreographed the 2012 Broadway revival of Annie  He is the choreographer for the musical Hamilton (2015), both Off-Broadway and on Broadway  He received a special 2015 Drama Desk Award for Hamilton   The award was described: "For his inspired and heart-stopping choreography in Hamilton, which is indispensable to the musical's storytelling  His body of work is versatile, yet a dynamic and fluid style is consistently evident  When it's time to 'take his shot,' Blankenbuehler hits the bull's-eye "  His choreography for Hamilton won the Tony Award for Best Choreography in 2016 
He both directed and choreographed a new musical, Bandstand, which premiered at the Paper Mill Playhouse (New Jersey) in October 2015  The music is by Richard Oberacker and book and lyrics by Robert Taylor and Oberacker  He directed and choreographed a developmental lab of this musical in August and September 2014, then titled Bandstand: A Musical In 2016, Blankenbuehler choreographed the revival of the movie Dirty Dancing starring Abigail Breslin and Shane Harper  He also choreographed the revival of the Broadway musical Cats with previews beginning July 14 and an August 2 opening 

Awards and nominations
Passage 14:
Moon River
"Moon River" is a song composed by Henry Mancini with lyrics by Johnny Mercer  It was originally performed by Audrey Hepburn in the 1961 movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song  The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year The song has been recorded by many other artists  It became the theme song for Andy Williams, who first recorded it in 1962 (and performed it at the Academy Awards ceremony that year)  He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri, after it; his autobiography is called "Moon River" and Me  Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962, Moon River and Other Great Movie Themes  In 2022, Williams' rendition of the song was selected for preservation in the Library of Congress The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time  The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs  Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the southern United States and his longing to expand his horizons  Robert Wright wrote in The Atlantic Monthly, "This is a love sung [sic] to wanderlust  Or a romantic song in which the romantic partner is the idea of romance " An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song 

Versions
Original
Mercer and Mancini wrote the song for Audrey Hepburn to sing in the film Breakfast at Tiffany's  The lyrics, written by Mercer, are reminiscent of his childhood in Savannah, Georgia, including its waterways  As a child, he had picked huckleberries in summer, and he connected them with a carefree childhood and Mark Twain's Huckleberry Finn  Although an instrumental version is played over the film's opening titles, the lyrics are first heard in a scene where Paul "Fred" Varjak (George Peppard) discovers Holly Golightly (Hepburn) singing the song, accompanying herself on the guitar while sitting on the fire escape outside their apartments There was an eruption of behind-the-scenes consternation when a Paramount Pictures executive, Martin Rackin, suggested removing the song from the film after a tepid Los Angeles preview  Hepburn's reaction was described by Mancini and others in degrees varying from her saying, "Over my dead body!" to her using more colorful language to make the same point An album version was recorded by Mancini and his orchestra and chorus (without Hepburn's vocal) on December 8, 1960  It was released as a single in 1961 and became a number 11 hit in December of that year  Due to unpublished charts in Billboard, Joel Whitburn's Top Adult (Contemporary) Songs variously reported the song as a number 3 or number 1 easy listening hit  Mancini's original version was also featured in the film Born on the Fourth of July (1989)  In 1993, following Hepburn's death, her version was released on an album titled Music from the Films of Audrey Hepburn  In 2004, Hepburn's version finished at number 4 on AFI's 100 Years   100 Songs survey of top tunes in American cinema 

Early recordings
"Moon River" was a hit single for Jerry Butler in late 1961  Released simultaneously with Mancini's, it reached number 11 on the Billboard Hot 100 chart and number 3 Easy Listening in December, two weeks before Mancini's recording reached the same chart ranking  British singer Danny Williams had a hit version of the song that reached number one in the UK in the final week of 1961  Although Andy Williams never released the song as a single, his LP Moon River and Other Great Movie Themes (1962), was certified gold in 1963 for selling one million units  The album reached number 3 on the Billboard Top 200, eventually selling more than two million copies by 1967  In 2002, a 74-year-old Andy Williams sang the song at the conclusion of the live NBC special telecast celebrating the network's 75th anniversary In 2022, Andy Williams' recording of the song was selected by the Library of Congress for preservation in the National Recording Registry 

Chart history
Henry Mancini & OrchestraJerry ButlerDanny Williams

Later versions
Hundreds of versions of the song have been recorded and it has been featured in many media  Mercer recorded the song in 1974 for his album My Huckleberry Friend  In 2007, saxophonist Dave Koz recorded a version from his standards music album, At the Movies, sung by Barry Manilow  In 2013, Neil Finn and Paul Kelly performed the song on their Goin' Your Way Tour, during which their performance at the Sydney Opera House Concert Hall was recorded for the live album, Goin' Your Way, released the same year  The title of the album comes from a phrase in the song's chorus: "Wherever you're goin', I'm goin' your way"  Lawrence Welk's 1961 instrumental version was featured in Mad Men season 6, episode 13, "In Care Of" (2013)  A version of the song was featured in Asif Kapadia's documentary film, Amy (2015), about Amy Winehouse  Winehouse's version, sung at age 16 with the National Youth Jazz Orchestra in 2000, is the opening song in the film The Telegraph listed, among prominent covers of the song, those by Frank Sinatra, Judy Garland, Sarah Vaughan, Louis Armstrong, Sarah Brightman and Chevy Chase (in the comedy film Fletch)  Other stars who have covered the song include Rod Stewart in Fly Me to the Moon    The Great American Songbook Volume V (2010), which charted at No  4 on the Billboard 200, Barbra Streisand in The Movie Album (2003), a Grammy-nominated gold album, and Frank Ocean, who released a cover on Valentine's Day 2018 that debuted in the Top 10 of the Billboard Hot R&B chart  Diffuser fm named these the "Top 5 Alt-Rock" versions of the song: Morrissey, Glasvegas, R E M , The Killers and Josh Ritter  Jacob Collier's a capella cover won the 2020 Grammy Award for Best Arrangement, Instrumental or A Cappella 

See also
"Charade" (1963 song)
The Sweetheart Tree
"Days of Wine and Roses" (song)
Moon River radio program
List of UK Singles Chart number ones of the 1960s
Passage 15:
Some Enchanted Evening
"Some Enchanted Evening" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific   It has been described as "the single biggest popular hit to come out of any Rodgers and Hammerstein show " Andrew Lloyd Webber describes it as the "greatest song ever written for a musical" The song is a three-verse solo for the leading male character, Emile, in which he describes first seeing a stranger, knowing that he will see her again, and dreaming of her laughter  He sings that when you find your "true love", you must "fly to her side, and make her your own, / Or all through your life you may dream all alone "

In South Pacific
The song appears in the first act of the musical  It is sung as a solo by the show's male lead, Emile de Becque, a middle-aged French expatriate who has become a plantation owner on a South Pacific island during World War II   Emile falls in love with Ensign Nellie Forbush, an optimistic and naive young American navy nurse from Little Rock, Arkansas   The two have known each other for only a few weeks, and each worries that the other may not return his or her love   In the song, Emile expresses his romantic feelings for Nellie, recalling how they met at an officers' club dance and instantly were attracted to each other   He describes a man seeing a stranger and instantly knowing he will see her again, hearing her laughter and dreaming of it  He says that when you find your "true love", you must "fly to her side, and make her your own"; otherwise, all your life you will "dream all alone"   He later asks her to marry him  The song is then reprised several times during the show by Nellie and/or Emile as their relationship experiences setbacks and reconciliations 
In the original Broadway production, "Some Enchanted Evening" was sung by former Metropolitan Opera star Ezio Pinza  Pinza won the Tony Award for Best Actor in 1950 for this role, and the song made him a favorite with audiences and listeners who normally did not attend or listen to opera  In the 2001 London revival of the show, Philip Quast won an Olivier Award for Best Actor for his role as Emile, and seven years later, international opera singer Paulo Szot won a Tony for his portrayal in the 2008 New York revival In the film version of South Pacific, the first and second scenes of the play are switched around   Because of the switch, Emile enters later in the film, and "Some Enchanted Evening" is not heard until nearly 45 minutes into the film, while in the original stage version it is heard about 15 minutes after Act I begins  In the film, the song is sung by Metropolitan Opera bass Giorgio Tozzi, who dubbed the singing for actor Rossano Brazzi  Tozzi's version finished at No  28 on the 2004 American Film Institute list and television special, AFI's 100 Years   100 Songs, selecting the top 100 songs in American cinema 

Analysis
According to Popular Music in America, the song's "lush orchestration, expansive form, and above all its soaring melody" allow the singer and character (Emile) to "linger in the moment" of immediate infatuation  Gerald Mast's history of the American musical notes that the song is a climactic moment which reveals that two characters have fallen in love, and it expresses a seize-the-opportunity lyric: "When you find your true love     Then fly to her side / And make her your own"   According to the running commentary on the 2006 Fox DVD release of the 1958 film version of South Pacific, Lehman Engel remembered that Oscar Hammerstein II wanted to write a song based around verbs but waited ten years to do so before he wrote this song, in which the verses are built around the verbs "see", "hear" and "fly" 

Selected recorded versions
Many popular singers have recorded and performed "Some Enchanted Evening"   Perry Como's version was a #1 hit in 1949, and Frank Sinatra recorded the song several times 

Ezio Pinza (recorded April 18, 1949, Original Broadway cast recording of South Pacific)  His single version reached No  7 in the Billboard charts in 1949 
Perry Como (1949)  His single reached No  1 in 1949
Frank Sinatra (1949), (1963, including a duet with Rosemary Clooney), (1967)  The 1949 version reached the No  6 position in the Billboard charts 
Bing Crosby (1949), recorded March 10, 1949 and reached No  3 in the Billboard charts during a 20-week stay 
Jo Stafford - Autumn in New York  (1950)  Her single version reached No  4 in the Billboard charts in 1949 
Giorgio Tozzi (1958 for the film soundtrack; 1967 for the Lincoln Center revival cast recording with Florence Henderson)
Andy Williams (from the 1958 album Andy Williams Sings Rodgers and Hammerstein)
Jay & The Americans (1965)  The Group's single version reached No  13 on the Hot 100, Billboard charts in 1965 
José Carreras (1986) for a studio cast recording of South Pacific with Kiri Te Kanawa, Mandy Patinkin and Sarah Vaughan
Willie Nelson included the song on his 1988 album, What a Wonderful World
Barbra Streisand (from her No  1 1993 album Back to Broadway)
The Temptations (1995, For Lovers Only)
Bryn Terfel  – Something Wonderful: Bryn Terfel Sings Rodgers and Hammerstein (1996)
Philip Quast for the 2002 London revival cast recording of South Pacific
Art Garfunkel (from his 2007 album Some Enchanted Evening)
Paulo Szot – South Pacific (The New Broadway Cast) (2008)
Bob Dylan (from his No 1 2015 album Shadows in the Night)

In popular culture
The song's title has been used as the name for albums, such as one by Blue Öyster Cult, one by Art Garfunkel and a cast album and PBS special of the revue "Some Enchanted Evening" – The Songs of Rodgers & Hammerstein  It was used as the name for television episodes in such TV series as The Simpsons, Last of the Summer Wine, Man About the House, and Bless This House The song has been sung in films and on TV shows, for example by Harrison Ford in the film American Graffiti (1978 reissue), by an itinerant chanteuse in Crossing Delancey (1988), by Jon Bon Jovi on Ally McBeal in the episode "Homecoming" (2002) and by Bert in episode 102 on The Muppet Show (1977) to Connie Stevens  In April 2023, the song featured in the BBC Radio 4 series Soul Music 

Notes
Passage 16:
Tiffany Lam
Tiffany Lam or Tiffany Lam Man Lei (Chinese: 林敏俐, born 25 October 1980) is a former beauty queen from San Francisco  She held the title of Miss Hong Kong 2002 and Miss Chinese International 2003 runner up 

Early life
Lam was born in Hong Kong in 1980  During her childhood, she immigrated to San Francisco, California, where she studied for many years  Lam later attended the University of California, Davis  She is a member of Sigma Omicron Pi sorority, Delta Chapter  She then returned to Hong Kong to compete in the Miss Hong Kong 2002 pageant  Her younger cousin, Sandy Lau, won the 2009 Miss Hong Kong 

Miss Hong Kong 2002
She was chosen out of many delegates from USA and Canada to go back to Hong Kong to compete  She made the top 12 of the Miss Hong Kong 2002 pageant in early July  Three weeks later, she competed and won the Miss Hong Kong pageant final on its 30th anniversary, also winning two side awards, "Miss International Goodwill" and "Miss Modern Style" 

Miss Chinese International 2003
After winning the Miss Hong Kong title, Lam became an ambassador for Hong Kong, representing Hong Kong at the Miss Chinese International Pageant 2003 in January 2003, where she finished second behind Rachel Tan of Kuala Lumpur 

Post-pageant
Lam subsequently starred in two TVB dramas, Net Deception and Not Just A Pretty Face  Her 1st runner up and friend, Victoria Jolly, also appeared in Not Just A Pretty Face  After she crowned her successor, Mandy Cho Man Li, Lam returned to San Francisco to continue her studies  She returned to Hong Kong to crown the 1st runner up of the Miss Chinese International Pageant 2004 
As of 2007, Lam works for her family restaurant business in the San Francisco Bay Area 

Awards
Miss Hong Kong 2002: Winner, Miss International Goodwill, and Miss Modern Style 
Miss Chinese International 2003: 1st runner up 

TVB Dramas
Net Deception (2002)
Not Just A Pretty Face (2003)
Context 3: Passage 1:
I Can Only Imagine (MercyMe song)
"I Can Only Imagine" is a song by Christian rock band MercyMe  Written and composed by lead singer Bart Millard, it was originally recorded for the band's 1999 independent album The Worship Project before being included on their 2001 major-label debut album Almost There  The song was the last to be written for The Worship Project; in writing it, Millard drew upon his thoughts about his father's death  Lyrically, it imagines what it would be like to be in front of God in heaven; it opens with just a piano before building to include guitar and drums 
After being released on October 12, 2001, as the second single from Almost There, "I Can Only Imagine" became a major success on Christian radio; it spent two weeks at No  1 on the Radio & Records Christian AC chart and became the most-played Christian single of 2002  It became an unexpected mainstream hit in 2003, peaking at No  71 on the Billboard Hot 100 and No  5 on the Billboard Adult Contemporary chart while also hitting top 40, adult top 40, and country radio charts  The song returned to the charts after its story was adapted into a 2018 film of the same name, peaking at No  1 on the Billboard Christian Songs chart and No  10 on the Billboard Digital Songs chart 
"I Can Only Imagine" received positive reviews from critics  Particular praise was given to its lyrics, and some critics called it the best song on Almost There  It received the Dove Awards for Song of the Year and Pop/Contemporary Recorded Song of the Year at the 33rd GMA Dove Awards, also garnering Millard the award for Songwriter of the Year; he also won the Songwriter of the Year award at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards  In 2004, CCM Magazine ranked it as the fourth-best song in Christian music, and it has since become the most-played song in the history of Christian radio as well as the best-selling Christian song of all time; it has been certified five-times platinum by the Recording Industry Association of America (RIAA), and as of April 2018, it has sold over 2 5 million copies 

Background and recording
MercyMe was formed in 1994 by vocalist Bart Millard, guitarist Mike Scheuchzer, and keyboardist Jim Bryson  The band later brought on drummer Robby Shaffer and bassist Nathan Cochran  In their early years, they independently released four Christian alternative rock albums, drawing influence from the grunge style of rock music popular at the time  However, they realized that their original songs from these albums failed to connect with their audiences while their covers of popular worship songs were much more popular  Because of this, the band decided to write and produce an album of original worship songs  This album,  The Worship Project, utilized a simple verse–chorus format designed to easily fit on a PowerPoint screen In the last phases of production, MercyMe needed one more song to include on the album  Late at night on the band's bus, Millard found an old notebook with the phrase "I can only imagine" written in it  He began to write a song, basing it on his personal feelings about his father Arthur's death  Early in Bart's life, Arthur had been physically and emotionally abusive towards his family, with Bart being beaten severely at points; Arthur and his wife Adele eventually divorced, and Bart was sent to live with his mother after an especially extreme whipping  Bart kept in contact with his father, however, who  was later diagnosed with pancreatic cancer when Bart was 15  His father began to make amends for his actions and started becoming more religiously observant, reading the Bible and going to church regularly  As Arthur progressively became more ill, his relationship with his son improved dramatically; by the time Arthur died in 1991, when Bart was 18, the two were very close  Millard said that "I got a front row seat to see this guy go from being a monster to falling desperately in love with Jesus  By the time he passed away when I was a freshman in college, not only was he my best friend, he was like the Godliest man I’d ever known"  After Arthur's death, Bart became obsessed with the phrase "I can only imagine" after hearing his grandmother say that she could only imagine what Arthur was seeing in heaven  Millard found comfort in the thought and began to write it on anything he could find Once Millard started writing the song, he estimated that it took him only about ten minutes to write the lyrics  Millard said that it was one of the few songs he had ever written where there were not any mistakes in the writing process; "it was just written the way it is and left at that"  MercyMe initially attempted to record "I Can Only Imagine" as a fast song, but after several failed attempts, Millard talked with Bryson about arranging it into a slower version  As the band was tearing down the equipment in their recording studio, Bryson began playing a piano intro  Millard immediately decided to use the intro, and the rest of the song was completed in around five minutes  Although the rest of the band did not see how it would fit on the record, as it didn't meet the basic verse-chorus format the rest of the album had, they felt it needed to be included on it because it meant so much to Millard The Worship Project was released on October 14, 1999  Sales for the album far exceeded the band's previous efforts; Millard estimated the album's overall sales at 100,000, which other sources peg the album's sales as of 2006 at 60,000 or 65,000 copies  The difficulty of meeting sales demands when selling the album directly, in addition to having to book and manage for themselves, led the band to pursue a contract with a record label; MercyMe would sign with INO Records in 2000  "I Can Only Imagine" was one of several songs from the band's independent records that were selected to be included on their debut album with INO, Almost There (2001) 

Composition
"I Can Only Imagine" is set in the key of E major and has a tempo of 80 beats per minute  Bart Millard's vocal range in the song spans from the low note of B3 to the high note of G♯5  Millard is credited with writing and composing the song  A contemporary Christian and pop song, "I Can Only Imagine" has been considered both a ballad and a power ballad  The song opens up with only a piano, building up to include guitar and drums The song has a directly Christian message; its religious lyrics weren't edited for mainstream radio  In the song, the narrator wonders what it would be like to stand before God in heaven  In the refrain, the singer ponders "Will I dance for You Jesus/or in awe of you be still/Will I stand in Your presence or to my knees will I fall/Will I sing hallelujah/will I be able to speak at all/I can only imagine/I can only imagine"  Regarding the lyrical theme of "I Can Only Imagine", Millard explained to Fox News that "I was always told that if [my father] could choose, he would rather be in Heaven than here with me  As a Christian I believed that, but as an 18-year-old it was a little hard to swallow  So the questions in the song came from me asking God what was so great about Him that my dad would rather be there "

Critical reception
Critical reception for "I Can Only Imagine" was positive  Steve Losey of AllMusic praised it as being "passionate" and "emotionally compelling"  Kevin Chamberlin of Jesus Freak Hideout said the song's lyrics were "amazing"  It was called the "definite highlight" of Almost There by New Release Tuesday's Kevin McNeese, who also praised its piano intro, saying it "instantly invokes chills", as well as the song's lyrical content  Charisma writer Margaret Feinburg lauded the song's "heart-gripping" lyrics, and it was cited as the centerpiece of the album by Megumi Nakamura of Cross Rhythms, who called it "beautiful and touching"  Writing for CCM Magazine, Adam Woodroof described the song as "heavenly" and said it was the highlight of Almost There  Although Russ Breimeier of Christianity Today called it "beautiful and inspiring", he questioned if "I Can Only Imagine" was actually a worship song At the 33rd GMA Dove Awards in 2002, I Can Only Imagine" earned the GMA Dove Awards for Pop/Contemporary Recorded Song of the Year and Song of the Year  Millard won the award for Songwriter of the Year at the same ceremony as well as at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards, held on June 2, 2003   In 2004, CCM Magazine ranked "I Can Only Imagine" as the fourth-greatest song in Christian music 

Legacy
"I Can Only Imagine" has been regarded as MercyMe's "breakthrough hit" as well as their signature song  It is the most-played song in the history of Christian radio and one of the most-played songs in the history of contemporary music  As of April 2018, it is the best-selling Christian song of all-time  It has consistently ranked among the best-selling Christian digital songs each year in the Billboard year-end charts, ranging from number 19 in 2016 to number three in 2018  It is often requested to be played at funerals  "I Can Only Imagine" was named the official inspirational song for the state of Oklahoma in 2018; the measure was passed by the Oklahoma Legislature and signed by Governor Mary Fallin The story behind "I Can Only Imagine" was adapted into a film  Directed by the Erwin Brothers and starring J  Michael Finley as Bart Millard and Dennis Quaid as Arthur Millard, the movie was released to theaters on March 16, 2018  It received mixed to positive reviews from critics, and exceeded initial expectations at the box office, grossing $17 1 million in its opening week  This was the fourth best-ever opening for a faith-based film, behind only The Passion of the Christ, Son of God, and Heaven Is for Real  The film finished its theatrical run having grossed $83 4 million in the United States and Canada and $1 8 million in other territories for a worldwide total of $85 2 million  As of August 2019, it ranks as the fifth-highest grossing music biopic of all-time in the United States (behind Bohemian Rhapsody, Straight Outta Compton, Walk the Line, and Rocketman) and was the highest-grossing independent film of 2018 

Release and promotion
Originally, "I Can Only Imagine" was set to be released by fellow Christian artist Amy Grant  Millard had initially declined a request from Grant's record label to allow her to record the song; some segments of the Christian community had reacted negatively to her divorce, and Millard wasn't sure if he wanted to be involved  After consulting with his pastor, who felt Millard should accept the opportunity, he began to reconsider, and finally agreed to let her cover it after talking with Grant over the phone  Grant had planned to release her version of the song as the lead single from her upcoming album and MercyMe would release a different song as their first single, hoping to capitalize on having written what would presumably become a major hit for Grant  The band released their first single from Almost There, "Bless Me Indeed (Jabez's Song)", which performed poorly at Christian radio, leading to poor sales of the album  Plans were made to release another single from the record, but the band's manager, Scott Brickell, decided to reach out to Grant to see if she still planned to release her version as a single  Grant gave MercyMe her blessing to release the song as a single and signed the rights back to the band; "I Can Only Imagine" was released on October 12, 2001, as the album's second single The song debuted on the Christian AC chart on November 2, 2001, reached the No  1 position on February 22, 2002, and spent two weeks at the top spot  It also peaked at No  15 on the Radio & Records Christian CHR chart  The song became the most-played song on Christian radio in 2002  As a result of its success on radio, Almost There experienced a "surge" in sales, debuting on the Billboard 200 in December 2001 and entering the top ten on the Christian Albums chart in January 2002  The song stayed on Christian radio for so long that plans to release a third single from Almost There were cancelled, with the band instead beginning work on a new album In 2003, a Dallas mainstream radio station, 100 3 Wild-FM, played the song on its morning show, The Fitz Radio Program  They had responded to a caller's repeated requests and the urgings of the program's producer, Todd Sheppard, a former seminary student  Although it had been played almost as joke, it soon became the most requested and most played song on the station  After hearing the song played on the station, Millard called-in and spoke with the crew, and MercyMe then came in and played the song live  Big Gay Steven, one of the show's hosts, described their audience's response to the song as "overwhelming"  As other mainstream stations around the country began to play the song, MercyMe's label, INO Records, partnered with Curb Records to market the single to mainstream radio  Its initial success was seen as surprising due to its overtly religious themes, although several other Christian artists had begun achieving mainstream success at the same time, including Stacie Orrico, whose singles "Stuck" and "(There's Gotta Be) More to Life" had both hit the Billboard Hot 100  Curb began to promote the song to adult contemporary and Top 40 radio, and INO and Curb released a double A-side physical single, "I Can Only Imagine/Word of God Speak", in September 2003 "I Can Only Imagine" debuted on the Adult Contemporary chart on May 23, 2003, eventually peaking at No  5 for the chart week of September 8, 2003  "I Can Only Imagine" spent 30 weeks on the chart  The song debuted on the Billboard Hot 100 for the chart week of October 11, 2003 at No  76  The song peaked at No  71 and spent 16 non-consecutive weeks on the chart  "I Can Only Imagine" also peaked at No  1 on the Billboard Hot 100 Singles Sales chart, a component chart of the Billboard Hot 100 that ranks the best-selling physical single releases, for 10 weeks  During the week of November 22, 2003, it became the first No  1 physical single to be outsold by the highest-selling digital single of the week; for that week, "I Can Only Imagine" sold 7,500 physical copies in the United States while Outkast's "Hey Ya!" sold 8,500 digital downloads  The song also charted on the Mainstream Top 40, Adult Top 40, and Country Songs charts In 2012, "I Can Only Imagine" appeared on France's Syndicat National de l'Édition Phonographique (SNEP) chart, spending two weeks and peaking at No  65  In March 2018, following the release of the film I Can Only Imagine, which was based on the song's story, it appeared on the Billboard Christian Songs chart; because the chart had been created after the song's original run on Christian radio, it was eligible to chart for the first time  It debuted at No  2 on the Billboard Christian Songs chart and also spent a third week at No  1 on the Billboard Christian Digital Songs chart; the song had spent 425 weeks on the chart at that point, the longest run of any song in the chart's history  "I Can Only Imagine" peaked at No  1 on the Christian Songs chart on March 31, 2018, and spent three weeks at the top spot  It also peaked at No  10 on the Billboard Digital Songs chart and ranked at No  8 on the 2018 year-end Christian Songs chart In April 2010, "I Can Only Imagine" was certified platinum by the RIAA, signifying sales of over 1 million digital downloads  It was the first single by any artist in the Christian music genre to go platinum  The song was certified double platinum in September 2014, triple platinum in June 2018, and quadruple platinum in September 2019  As of March 2018, it has sold 2 5 million copies, making it the best-selling Christian single of all time 

Music video
A music video was released for "I Can Only Imagine"  According to Millard, the video's inspiration came from seeing people holding empty picture frames at their concerts, symbolizing their deceased loved ones  Millard said that the "I've had so many people after a show pull out a picture of someone they've lost  These people embrace these photos and I just thought how can we tap into that"  The video features everyday people as well as several music artists including Michael Tait, Tammy Trent, Bob Herdman, and Jesse Katina, each holding an empty picture frame to signify their loss of a loved one; as the video progresses, they are holding pictures of their loved ones including Millard with his father's photograph 

Live performances
Despite including "I Can Only Imagine" on The Worship Project, MercyMe initially did not perform the song in concerts because they felt it did not fit with the rest of the record  The band's first performance of the song did not come until the summer after the release of The Worship Project at a summer camp at the request of a camp counselor  The band has played the song at every show since as of February 2009 MercyMe's 2004 concert tour (the Imagine Tour) and 2018–19 tour (the Imagine Nation Tour) both took their name from the song MercyMe performed "I Can Only Imagine" at the 33rd GMA Dove Awards, with an accompanying "inspiring video that underscored the emotional and inspirational power of song"  The band also performed the song at the 40th GMA Dove Awards, held on April 23, 2009, in a medley with "Finally Home"  At the 2017 National Prayer Breakfast, MercyMe performed the song with President Donald Trump in attendance  In March 2018, MercyMe performed "I Can Only Imagine" live on Fox & Friends to promote the film 

Other versions
Both an acoustic and live version of "I Can Only Imagine" were included in the Platinum edition of Almost There, which was released in August 2006  MercyMe released a new recording of the song on their iTunes Originals album, which was released in March 2008  On their compilation album 10, MercyMe released a new recording of the song featuring the London Session Orchestra as well as a live version  For their 2018 compilation album I Can Only Imagine: The Very Best of MercyMe, released to commemorate the release of the movie, the band recorded an updated recording titled "I Can Only Imagine (The Movie Session)", which peaked at No  19 on the Billboard Christian Songs chart "I Can Only Imagine" has been covered by several artists  In 2002, Amy Grant released her reworked version of the song, titled "Imagine" and paired with "Sing the Wondrous Love of Jesus", on her album Legacy    Hymns and Faith  Country singer Jeff Carson's 2003 cover peaked at No  50 on the Country Songs chart, and in 2014, gospel singer Tamela Mann's cover of the song spent 13 weeks atop the Billboard Gospel Songs chart  In May 2017, Aliyah Moulden, the third-place finisher on the 12th season of the reality competition show The Voice, performed the song on the show; her version debuted and peaked at No  4 on the Billboard Christian Songs chart, selling 15,000 copies in its first week and spending two weeks on the chart in total 

Track listing
CD release
"I Can Only Imagine" – 4:06 (Bart Millard)
"Word of God Speak" – 3:07 (Peter Kipley, Millard)

Personnel
(Credits from the album liner notes)MercyMe

Bart Millard – vocals
Jim Bryson – keyboards
Nathan Cochran – bass guitar, background vocals
Mike Scheuchzer – guitar, background vocals
Robby Shaffer – drumsAdditional performers

Paltrow Performance Group – stringsTechnical

Julian Kindred – engineer
Pete Kipley – producer, programming
Skye McCaskey  – engineer
Salvo – mixing
Shane Wilson – mixing

Release and radio history
Charts and certifications
Certifications
Passage 2:
WEBZ
WEBZ (99 3 FM) is a commercial urban adult contemporary radio station located in Mexico Beach, Florida (Panama City metro)  The station is owned by iHeartMedia 

External links
Official Website

WEBZ in the FCC FM station database
WEBZ on Radio-Locator
WEBZ in Nielsen Audio's FM station database
Passage 3:
Adult contemporary music
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence  Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated  It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music  Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure  The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as acoustic guitars, pianos, saxophones, and sometimes an orchestral set  The electric guitars are normally faint and high-pitched  However, recent adult contemporary music may feature synthesizers (and other electronics, such as drum machines) An AC radio station may play mainstream music, but it usually excludes hip-hop and some forms of dance-pop and teen pop, as these are less popular among adults, the target demographic  AC radio often targets the 25–44 age group, the demographic that has received the most attention from advertisers since the 1960s  A common practice in recent years of adult contemporary stations is to play less newer music and more hits of the past, even some songs that never even charted the AC charts   This de-emphasis on new songs slows the progression of the AC chart Over the years, AC has spawned subgenres including "hot AC" (also known as "modern AC"), "soft AC" (also known as "lite AC"), "urban AC" (a softer type of urban contemporary music), "rhythmic AC" (a softer type of rhythmic contemporary), and "Christian AC" (a softer type of contemporary Christian music)  Some stations play only "hot AC", "soft AC", or only one of the variety of subgenres  Therefore, it is not usually considered a specific genre of music; it is merely an assemblage of selected songs from artists of many different genres 

History
1960s: Early roots; easy listening and soft rock
Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70—80% instrumental to 20–30% vocal mix  A few offered 90% instrumentals, and a handful were entirely instrumental  The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations  Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton  The chart described itself as "not too far out in either direction" Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others  The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out  Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced  Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically  As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s  Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock  These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs 
Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient  Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased (especially as singles, although Jackie Gleason's beautiful music albums sold well in the 1950s), AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists 

1970s: Soft rock forms as a radio format
By the late 1960s hard rock had been established as one of the rock genres leading hard rock and soft rock to became distinct popular forms in the rock scene, and as major radio formats in the US  Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies  Major artists included Carole King, Cat Stevens, James Taylor and Bread In the early 1970s, softer songs by The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Barbra Streisand, began to be played more often on "Top 40" radio  Top 40 radio stations played the Top 40 hits regardless of genre   As the texture of much of the music played on Top 40 radio began to soften, the Hot 100 and Easy Listening/AC charts became more similar  Easy Listening radio began playing songs by artists who had begun in other genres, such as rock and roll or R&B  Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on AC stations than on Top 40 stations  AC stations also began playing softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel, and other rock-based artists  Soon after, the adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago and the Eagles, becoming associated with the format  In addition, several early disco songs, did well on the Adult Contemporary format 
Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, Dan Fogelberg, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade  By 1977, some radio stations, notably New York's WTFM and NBC-owned WYNY, and Boston's WEEI, had switched to an all-soft rock format  As Softrock 103, WEEI was famous for its promotional campaigns, featuring slogans such as "Joni, without the baloni " and "The Byrds, without the nyrds "  However, different forms of popular music  targeted to different demographic groups, such as disco vs  hard rock, began to emerge in the late-1970s  This led to specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres 

1980s: Adult contemporary succeeds as radio format
On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since  Adult contemporary music became one of the most popular radio formats of the 1980s  The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade 
Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists such as Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, Laura Branigan and Journey began crossing over to the AC charts with greater frequency  Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond"  However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time 
The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners  Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio 
Although dance-oriented, electronic pop and ballad-oriented rock dominated the 1980s, soft rock songs still enjoyed a mild success thanks to Sheena Easton, Amy Grant, Lionel Richie, Christopher Cross, Dan Hill, Leo Sayer, Billy Ocean, Julio Iglesias, Bertie Higgins, and Tommy Page  No song spent more than six weeks at No  1 on this chart during the 1980s, with nine songs accomplishing that feat  Two of these were by Lionel Richie, "You Are" in 1983 and "Hello" in 1984, which also reached No  1 on the Hot 100 
In 1989, Linda Ronstadt released Cry Like a Rainstorm, Howl Like the Wind, described by critics as "the first true Adult Contemporary album of the decade", featuring American soul singer Aaron Neville on several of the twelve tracks  The album was certified Triple Platinum in the United States alone and became a major success throughout the globe  The Grammy Award-winning singles, "Don't Know Much" and "All My Life", were both long-running No  1 Adult Contemporary hits  Several additional singles from the disc made the AC Top 10 as well  The album won over many critics in the need to define AC, and appeared to change the tolerance and acceptance of AC music into mainstream day to day radio play 

1990s: Subgenre formations/radio crossovers
The early 1990s marked the softening of urban R&B in the shape of new jack swing, at the same time alternative rock emerged and traditional pop saw a significant resurgence  This in part led to a widening of the market, not only allowing to cater to more niche markets, but it also became customary for artists to make AC-friendly singles  At the same time, the genre began adopting elements from hard rock as tastes were shifting towards louder music, while AC stations in general began playing more rock acts  "Softer" features such as light instrumental music (carried over from the beautiful music format—many AC stations carried the format until the early 1970s), new age songs and most pre-1964 artists were gradually phased out from AC radio throughout the early to mid-1990s 
Unlike the majority of 1980s mainstream singers, the 1990s mainstream pop/R&B singers such as All-4-One, Boyz II Men, Christina Aguilera, Backstreet Boys and Savage Garden generally crossed over to the AC charts  Latin pop artists such as Lynda Thomas, Ricky Martin, Marc Anthony, Selena, Enrique Iglesias and Luis Miguel also enjoyed success in the AC charts 
In addition to Celine Dion, who has had significant success on this chart, other artists with multiple number ones on the AC chart in the 1990s include Mariah Carey, Phil Collins, Michael Bolton, Bryan Adams, Whitney Houston and Shania Twain  Newer female Adult album alternative singer-songwriters such as Sarah McLachlan, Natalie Merchant, Jewel, Melissa Etheridge and Sheryl Crow also broke through on the AC chart during this time In 1996, Billboard created a new chart called Adult Top 40, which reflects programming on radio stations that exists somewhere between "adult contemporary" music and "pop" music  Although they are sometimes mistaken for each other, the Adult Contemporary chart and the Adult Top 40 chart are separate charts, and songs reaching one chart might not reach the other  In addition, hot AC is another subgenre of radio programming that is distinct from the Hot Adult Contemporary Tracks chart as it exists today, despite the apparent similarity in name 
In response to the pressure on Hot AC, a new kind of AC format cropped up among American radio recently  The urban adult contemporary format (a term coined by Barry Mayo) usually attracts a large number of African Americans and sometimes Caucasian listeners through playing a great deal of R&B (without any form of rapping), gospel music, classic soul and dance music (including disco) 
Another format, rhythmic AC, in addition to playing all the popular hot and soft AC music, past and present, places a heavy emphasis on disco as well as 1980s and 1990s dance hits, such as those by Amber, and Black Box, and includes dance remixes of pop songs, such as the Soul Solution mix of Toni Braxton's "Unbreak My Heart" 
In its early years of existence, the smooth jazz format was considered to be a form of AC, although it was mainly instrumental, and related a stronger resemblance to the soft AC-styled music  For many years, George Benson, Kenny G and Dave Koz had all had crossover hits that were played on both smooth jazz and soft AC stations 

2000s–present: AC music goes mainstream and mainstream music goes AC
During the 2000s, the AC market gained an increased presence in the music industry, as its radio formats were popular nationwide—Smooth jazz and "Urban AC" stations were ubiquitous in the East Coast, while Soft rock and "adult standards" stations were common in the Midwest, and pop-oriented "Hot AC" and "world music"/Hispanic AC stations were easily found in the West Coast and the "Sun Belt"  This led to the presence of numerous genres on the AC charts, often crossing to the "pop" charts, winning over many critics in the need to define AC, and increased the tolerance and acceptance of AC music into mainstream day-to-day radio play 
Josh Groban's single "You Raise Me Up" and Michael Bublé's cover of "Fever" are often cited as key examples of the high production values and ballad-heavy sound that defined 2000s-era AC, often dubbed as "jazz-pop", heavily carrying classical, jazz and traditional pop influences  Artists such as Nick Lachey, James Blunt, Jamie Cullum, John Mayer, Jason Mraz, Norah Jones, Diana Krall, Amy Winehouse and Susan Boyle also achieved great success during this period  During most of the 2000s, country music/countrypolitan musicians such as Kelly Clarkson, Clay Aiken, Billy Joel, Garth Brooks, Shania Twain, LeAnn Rimes and Carrie Underwood scored hits on soft AC, particularly in Southern states  A popular trend in the late 1990s and 2000s was remixing dance music hits into adult contemporary ballads, especially in the US, (for example, the "Candlelight Mix" versions of "Heaven" by DJ Sammy, "Listen To Your Heart" by D H T , and "Everytime We Touch" by Cascada) 
Key to the success of AC in the 2000s was the 25–34 demographic which had outgrown the pop music offerings of the time, most new rock became too alternative and harsh for AC radio and most new pop was now influenced heavily by dance-pop, hip-hop and electronic dance music  At the same time, the music industry also began to focus on older audiences and markets generally considered "niche" 
During the late 2000s, certain pop songs began entering the AC charts instead, generally after having recently fallen off the Hot 100  Adrian Moreira, senior vice president for adult music for RCA Music Group, said, "We've seen a fairly tidal shift in what AC will play"  Rather than emphasizing older songs, adult contemporary now began playing many of the same songs as top 40 and adult top 40, but only after the hits had become established  An article on MTV's website by Corey Moss describes this trend as: "In other words, AC stations are where pop songs go to die a very long death  Or, to optimists, to get a second life " As adult contemporary has long characterized itself as family-friendly, "clean" versions of pop songs began appearing on the AC chart, as were the cases of "Perfect" by P!nk, and "Forget You" by Cee Lo Green, both in 2011 AC radio's shift into more mainstream pop was a result of the changes on the broadcasting landscape following the 2005–2007 economic downturn and eventual recession, as advertisers preferred more profitable chart-based formats, which meant the demise of many AC-based formulas, primarily those aimed at older audiences, with tastes changing towards more modern music among all age groups  Diminishing physical record sales throughout the 2010s also proved a major blow to the AC genre, and there are concerns that the portable people meter, a device being used to determine radio listenership, may be incompatible with AC songs and may not accurately pick up that a person is listening to an AC station because of the pitches and frequencies used in the style Key AC artists of the early to mid-2010s included Bruno Mars, Coldplay, Adele, Arcade Fire, Meghan Trainor, Maroon 5 and Ed Sheeran, featuring a more pop-influenced, uptempo style than the typical AC fare of previous years, also featuring production values reminiscent of the Motown sound and the so-called Wall of Sound that dominated the soul-heavy pop charts of the early 1960s, when the Easy Listening chart was first introduced  The earlier years of the decade also saw alternative and indie rock acts such as Wilco, Feist, The 1975, Imagine Dragons, Mumford & Sons, Of Monsters and Men and The Lumineers quickly becoming AC mainstays, although these were eventually replaced by rhythm-based rock bands such as Panic! at the Disco, Neon Trees, X Ambassadors, Sheppard, Bastille, American Authors, Fitz and the Tantrums, Foster the People, Twenty One Pilots, Walk the Moon and Milky Chance



ground_truth: for Best Performance by a Leading Actress in a Play in Ondine

leading role

star

leading actress

lead

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What company is the school where Lawrence Landweber was educated a part of?

The following are given passages.
Context 2: Passage 1:
Poptropica
Poptropica is an online role-playing game, developed in 2007 by Pearson Education's Family Education Network, and targeted towards children aged 6 to 15  Poptropica was primarily the creation of Jeff Kinney, the author of the Diary of a Wimpy Kid series  As of 2015, he remains at the company as the Creative Director  The game primarily focuses on problem-solving through game quest scenarios, called "islands"  Islands all center on a problem that the player must resolve by going through multiple obstacles, collecting and using items, talking to various characters, and completing goals  All islands, upon completion, award "credits," which are non-negotiable currency that may be used to buy costumes and special effects in the Poptropica store 
In 2011, Poptropica was listed on Time magazine's list of "50 Websites that Make the Web Great", where it was described as "an inventive megasite for kids with a wholesome and slightly educational bent"  By 2012, the game had grown to have over 75 million registered users, with 35 million in the 15-25 age group  Versions of the game have been released on Nintendo DS and 3DS, iOS, and Android mobile devices  In May 2015, it was announced that Family Education Network was sold by Pearson to the interactive-education venture capitalist Sandbox Networks, and that Poptropica had "over 3 2 million monthly unique users in 200 countries and territories" In 2015, Poptropica was sold to educational-technology investment group, Sandbox Partners In 2020, because of the discontinuation of Adobe Flash, Poptropica began porting their old islands that were built on Adobe Flash over to an HTML5 format  As a result of Poptropica's utilization of varying Flash engines, a number of islands were unable to be ported immediately, and were effectively removed from the game  Fan archivists later made 35 islands available once again via the Basilisk browser within the Flashpoint program In April 2022, Poptropica announced that some of the old islands would return as part of a bundle on Steam  Though delayed by a day, the game was eventually released on May 26, 2022, and includes seventeen islands and Poptropica Realms 

Gameplay
When it first launched in 2007, Poptropica only had one island, titled Early Poptropica Island  By 2017, it had 58 islands to be explored, all with a different theme: examples include Back Lot Island, where the player helps produce a movie, and Super Power Island, where their goal is to defeat six super villains  Each island had its own quest, for which a player could receive an island medallion as well as 150 credits to spend in the in-game Poptropica Store  Starting July 6, 2011, Poptropica allowed players to replay islands without creating a new account, while still keeping track of all the Medallions the player had earned 

Advertisements
In addition to the available island quests, advertisers contract for temporary mini-games that appear on the site, sometimes targeted to players of a certain age group or gender  Regular advertisers have included Disney, Kellogg's Froot Loops, Lego toys, and various animated movies and DVD releases  Advertisement mini-games normally appear only during a two-week period  If the player completes an advertisement mini-game, they receive a temporary prize, usually related to the media being advertised 
A few Poptropica islands are themed after certain book series: these include Big Nate, Timmy Failure, Diary of a Wimpy Kid, and Magic Tree House  These islands are permanent, and can be played at any time  In 2015, a total of seven of these islands became members-only 

Mini-games
Poptropica features different mini-games that users can play with other people  These include Switch, Sudoku, Hoops, Sky Dive, Paint War, Star Link, Balloons, Soupwords and Pathwise  The game keeps track of how many times the player wins or loses a certain mini-game 

Spin-offs
Poptropica Adventures
In 2012, in partnership with Ubisoft, Poptropica released a video game for the Nintendo DS, titled Poptropica Adventures 

Poptropica: Forgotten Islands
On September 5, 2013, Poptropica launched Poptropica: Forgotten Islands, an iOS game, which allows players to meet new characters and discover story elements about Poptropica by finding artifacts littered throughout the game  It was also released on the Nintendo 3DS system through Ubisoft in 2014  It has been replaced on iOS and Android with a mobile version of the desktop Poptropica game 

Poptropica Worlds
On January 11, 2017, Poptropica announced via their blog that they were introducing another game called Poptropica Worlds, developed in Unity  It was released in spring 2017  Poptropica Worlds has new features, such as redesigned characters, customizable homes, and new islands  Returning players are able to port over their avatar's look and name to Poptropica Worlds  Poptropica Worlds can be played on both the web and mobile  If membership was bought for Poptropica, it carries over to Poptropica Worlds, and vice versa 
Passage 2:
Eldridge Park, New Jersey
Eldridge Park is an unincorporated community located within Lawrence Township in Mercer County, New Jersey, United States  The neighborhood is named for Stephen Eldridge, a farm owner in the township in the early 20th century  The neighborhood itself was established in 1906 as a settlement along the Trenton & Princeton Traction Company trolleyline and Lawrence Road (U S  Route 206) for European immigrants to purchase small houses in the suburbs of Trenton  The growing population led to the construction of the Eldridge Park Elementary School and St  Ann's, the township's first Roman Catholic church  As it was in the past, the area is mostly made up of small houses with businesses clustered around US 206 
Passage 3:
5th arrondissement of Paris
The 5th arrondissement of Paris (Ve arrondissement) is one of the 20 arrondissements of the capital city of France  In spoken French, this arrondissement is referred to as le cinquième 
The arrondissement, also known as Panthéon, is situated on the Rive Gauche of the River Seine  It is one of the capital's central arrondissements  The arrondissement is notable for being the location of the Latin Quarter, a district dominated by universities, colleges, and prestigious high schools since the 12th century when the University of Paris was created  It is also home to the National Museum of Natural History and Jardin des plantes in its eastern part 
The 5th arrondissement is also one of the oldest districts of the city, dating back to ancient times  Traces of the area's past survive in such sites as the Arènes de Lutèce, a Roman amphitheatre, as well as the Thermes de Cluny, a Roman thermae 

Geography
The 5th arrondissement covers some 2 541 km² (0 981 sq  miles, or 628 acres) in central Paris 

Demography
The population of the arrondissement peaked in 1911 when the population density reached almost 50,000 inhabitants per km²  In 2009, the population was 61,531, while 48,909 worked in the arrondissement 

Historical population
Immigration
History
The Ve arrondissement is the oldest arrondissement in Paris, and was first built by the Romans 
The construction of the Roman town Lutetia dates back from the 1st century BC, which was built after the conquest of the Gaulish site, situated on the île de la Cité by the Romans 
Saint-Hilaire is a ruined 12th-century church in Paris, active until the French Revolution 

Government and infrastructure
The Ministry of Higher Education and Research has its head office in the arrondissement Previously the Bureau d'Enquêtes sur les Événements de Mer (BEAmer) had its head office in the 5th arrondissement 

Economy
Sony Computer Science Laboratories (ソニーコンピュータサイエンス研究所) Paris is in the arrondissement 

Maps
Cityscape
Colleges and universities
As part of the Latin Quarter, the 5th arrondissement is known for its high concentration of educational and research establishments 

Collège de France
Collège international de philosophie
École Polytechnique (historical campus; the school has now been relocated)
PSL University
École Normale Supérieure
ENSCP - Chimie Paris
ESPCI Paris
Sorbonne University - Faculté des sciences
Jussieu Campus
Université Paris Cité
Faculté de médecine de Paris Centre
Institut de Physique du Globe de Paris
Sorbonne
Sorbonne University - Faculté des Lettres
University of Paris I Panthéon-Sorbonne
University of Paris III Sorbonne Nouvelle
Rectorate of Paris
Famous lycées with preparatory classes to the Grandes écoles
Lycée Louis-le-Grand
Lycée Henri IV

Main streets and squares
Passage 4:
Brooklyn College
Brooklyn College is a public university in Brooklyn in New York City  It is part of the City University of New York system and enrolls over 17,000 undergraduate and over 2,800 graduate students on a 35-acre campus as of 2019 
Being New York City's first public coeducational liberal arts college, it was formed in 1930 by the merger of the Brooklyn branches of Hunter College, then a women's college, and of the City College of New York, then a men's college, both established in 1926  Initially tuition-free, Brooklyn College suffered from the New York City government's near-bankruptcy in 1975, when the college closed its campus in downtown Brooklyn  During 1976, with its Midwood campus intact and now its only campus, Brooklyn College charged tuition for the first time 
Prominent alumni of Brooklyn College include US senators, federal judges, US financial chairmen, Olympians, CEOs, and recipients of Academy Awards, Emmy Awards, Pulitzer Prizes, and Nobel Prizes 

College history
Early decades
Brooklyn College was founded in 1930  That year, as directed by the New York City Board of Higher Education on April 22, the college authorized the combination of the Downtown Brooklyn branches of Hunter College, at that time a women's college, and the City College of New York, then a men's college, both established in 1926   Meanwhile, Brooklyn College became the first public coeducational liberal arts college in New York City  The school opened in September 1930, holding separate classes for men and women until their junior years  Admission would require passing a stringent entrance exam 

In 1932, architect Randolph Evans drafted a plan for the campus on a substantial plot that his employer owned in Brooklyn's Midwood section  Evans sketched a Georgian campus facing a central quadrangle, and anchored by a library building with a tower   Evans presented the sketches to the college's then president, Dr  William A  Boylan, who approved the layout 
The land was bought for $1 6 million ($34,300,000 today), and construction allotment was $5 million ($107,000,000 today)  Construction began in 1935  At the groundbreaking ceremony was Mayor Fiorello La Guardia and Brooklyn Borough President Raymond Ingersoll  In 1936, United States President Franklin D  Roosevelt visited and laid the gymnasium's cornerstone  The new campus opened for the fall 1937 semester  In the 1940s, Boylan, Ingersoll, Roosevelt and La Guardia each became namesake of a campus building During the tenure of its second president, Harry Gideonse, from 1939 to 1966, Brooklyn College ranked high nationally in number of alumni with doctorate degrees  As academics fled Nazi Germany, nearly a third of refugee historians who were female would at some point work at Brooklyn College  In 1944, sociologist Marion Vera Cuthbert became the first permanent black faculty member appointed at any of the New York municipal colleges  And in 1956, with John Hope Franklin joining, Brooklyn College became the first "white" college to hire on a permanent basis a historian who was black In 1959, still tuition-free, about 8,000 undergraduates were enrolled  In 1962, the college joined six other colleges to form the City University of New York, creating the world's second-largest university  In 1983, Brooklyn College named its library the Harry D  Gideonse Library Nevertheless, Gideonse remains a controversial figure in the college's history; as one account noted, he is "either lauded as a hero and great educator in hagiographic accounts       or decried by faculty and alumni as an autocrat who stifled academic freedom and students' rights "In addition to his curricular and student life reforms, Gideonse was known for his decades-long campaign to ferret out Communists among the college community and his testimony before congressional and state investigating committees during the Second Red Scare On the other hand, perhaps retaining the memory of the time when, as a University of Chicago professor, he was unjustly accused of being a Communist and advocating "free love," Gideonse also attacked those who, without evidence, charged faculty, staff and students with being subversives and defended faculty free speech rights against outside critics The college's third president, Francis Kilcoyne, served from 1966 to 1967  The fourth president, Harold Syrett, resigned due to ill health in February 1969, when George A  Peck was named acting president  John Kneller, Brooklyn College's fifth president, served from 1969 until 1979  These presidents served during what were perhaps the most tumultuous years for Brooklyn College 
During the Vietnam War, as they did on other U S  campuses, student protests rocked Brooklyn College  President Gideonse, in a 1965 television interview, blamed demonstrations on Communists who were "duping the innocents" into demanding more freedom on campus, leading the New York Civil Liberties Union to criticize Gideonse for "his efforts to smear student groups at the college with the Communist label "Also in 1965, student protests forced the Gideonse administration to rescind new, stricter dress rules that forbade male students from wearing dungarees or sweatshirts on campus at any time and mandated that female students wear skirts and blouses even in extremely cold weather  After Gideonse's retirement in June 1966, a newly-appointed dean of administration, Dante Negro, said he was not bothered by the students' more casual dress "that makes it hard to distinguish between the sexes," calling it "a passing fad "On October 21, 1967, a front-page story in The New York Times reported that the college was virtually closed down by a strike of thousands of students angered by police action against antiwar demonstrators protesting U S  Navy recruiters earlier in the week  Five days later, another front-page Times story reported that students had agreed to return to classes after an agreement was reached with college administrators after negotiations  A few days after that, President Kilcoyne walked out when New York Mayor John V  Lindsay appeared at the college, citing Lindsay's insult in calling the school "Berkeley East "Around the same time, the college's students were involved in campus protests involving racial issues  In May 1968, Brooklyn College news again made the front page of The New York Times when police broke up a 16-hour sit-in at the registrar's office to demand that more Black and Puerto Rican students be admitted to the school  At trial, a Black Brooklyn judge reacted angrily when one student said they had been reacting to racism and sentenced him and 32 other white students to five days in jail for the sit-in  In May 1969, 19 or 20 Brooklyn College students faced criminal charges in connection with campus disorders during the spring semester, including raids  in which students allegedly ransacked files and smoke-bombed the library In late April 1970, students demanding more open admissions and racial diversity staged a sit-in at President Kneller's office, holding him and five deans there for several hours  The next week, in early May 1970, students seized the president's office and other buildings during a student strike upon the Kent State shootings and the Cambodian Campaign  President Kneller terminated classes, but kept campus buildings open for students and faculty, obtaining a court order against students occupying buildings In October 1974, 200 Hispanic students took over the registrar's office to protest President Kneller's appointment of a chair of the Puerto Rican Studies Department different from that of the person selected by a faculty search committee  Defying a judge's temporary court order to leave the building, the protesters were supported at a rallies outside Boylan Hall by many student groups and the alumni association, but Kneller refused to rescind his controversial appointment  Protests flared up again in the spring 1975 semester with another takeover of the registrar's office  By January 1976, the college's faculty union voted "no confidence" in Kneller, charging that he "consistently ignored faculty rights" and failed to provide leadership Brooklyn College, along with the rest of CUNY, shut down for two weeks in May and June 1976 as the university was unable to pay its bills  Amid New York City's financial crisis, near bankruptcy, Brooklyn College's campus in downtown Brooklyn closed, leaving the Midwood campus as the Brooklyn College's only campus  In the fall of 1976, with some 30,000 undergraduates enrolled, the college charged tuition for the first time In January 1978, the college's Faculty Council approved a vote of "no confidence" in President Kneller on Wednesday and recommended to the Board of Higher Education that he be replaced Brooklyn College's sixth president was Robert Hess, who served from 1979 to 1992  Hess initiated major changes in the college curriculum, mandating a standard core for all students  Implementation of the new curriculum was aided by a large grant from the National Endowment for the Humanities  By 1984, in a national report's otherwise gloomy assessment of humanities education, Brooklyn College was singled out as "a bright spot" among American universities for stressing the study of the humanities In a 1988 survey of thousands of American college deans, Brooklyn College ranked 5th in providing students with a strong general education, and was the only public institution among the top five  As of 1989, Brooklyn College ranked 11th in the US, and ahead of six of the eight Ivy League universities, by number of graduates who had acquired doctoral degrees  At Brooklyn College being called “the poor man’s Harvard,” President Hess quipped, “I like to think of Harvard as the rich man’s Brooklyn College ”Vernon Lattin was the seventh president of Brooklyn College, from 1992 to 2000 

Modern history
Brooklyn College's campus leafy East Quad looks much like it did when it was originally constructed  The campus also serves as home to BCBC/ Brooklyn College Presents complex and its four theaters, including the George Gershwin 
The demolition of Gershwin Hall, replaced by The Leonard & Claire Tow Center for the Performing Arts for which ground was broken in 2011, is the most recent construction on an evolving campus  Alumni Leonard and Claire Tow gifted $10 million to the college  Other changes to the original design include the demolition of Plaza Building, due to its inefficient use of space, poor ventilation, and significant maintenance costs  To replace the Plaza Building, the college constructed West Quad Center, designed by the notable Uruguayan architect Rafael Viñoly  The new building contains classroom space, offices, gymnasiums and a swimming pool  It houses the offices of Registration, Admissions, Financial Aid, and the Department of Physical Education and Exercise Science  The grounds contain a quadrangle with grassy areas and trees  New façades are being constructed on Roosevelt and James halls where they once connected with Plaza Building  The 2009–10 CUNYAC championship men's basketball team now plays its home games in the West Quad Center 
This followed a major $70 million library renovation completed in 2003 that saw the library moved to a temporary home while construction took place  The Brooklyn College library is now located in its original location in a completely renovated and expanded LaGuardia Hall 
From 2000 to 2009 when he retired, Christoph M  Kimmich was the eighth President of Brooklyn College  In the 2003 edition of The Best 345 Colleges, the Princeton Review named Brooklyn College as the most beautiful campus in the country, and ranked it fifth in the nation for “Best Academic Bang for the Buck ”Karen L  Gould was named the ninth president of Brooklyn College in 2009  Michelle Anderson became the 10th President of Brooklyn College in 2016  In 2016, Brooklyn College announced a new home for the Koppelman School of Business, with the planned construction of a new building, Koppelman Hall, on property adjacent to the 26-acre campus bought in 2011  This increased the campus size to 35 acres 

Schools
Brooklyn College has five schools:

Murray Koppelman School of Business
School of Education
School of Humanities and Social Sciences
School of Natural and Behavioral Sciences
School of Visual, Media, and Performing Arts

Academics
Undergraduate curriculum
Beginning in 1981, the college instituted a group of classes that all undergraduates were required to take, called "Core Studies"  The classes were: Classical Origins of Western Culture, Introduction to Art, Introduction to Music, People, Power, and Politics, The Shaping of the Modern World, Introduction to Mathematical Reasoning and Computer Programming, Landmarks of Literature, Chemistry, Physics, Biology, Geology, Studies in African, Asian, and Latin American Cultures, and Knowledge, Existence and Values In 2006, the Core Curriculum was revamped, and the 13 required courses were replaced with 15 courses in 3 disciplines, from which students were required to take 11  In the fall of 2013, Brooklyn College embarked on CUNY's new general education alternative, the Pathways curriculum, consisting of three components: Required Core (four courses), Flexible Core (six courses) and College Option (four courses)—totaling 42 credits   Brooklyn College offers over a hundred majors varying from the visual arts to Women's Studies 

Division of Graduate Studies
The Division of Graduate Studies at Brooklyn College was established in 1935 and offers more than seventy programs in the arts, education, humanities, sciences, and computer and social sciences  Among those programs is the Graduate theatre program, which is the top ranked in the CUNY system and 14th in the United States; faculty include Tony Award nominee Justin Townsend 

B A –M D  program
The Brooklyn College B A –M D  program is an eight-year program affiliated with SUNY Downstate Medical Center  The program follows a rigorous selection process, with a maximum of 15 students selected every year  Each student selected to the program receives a Brooklyn College Presidential Scholarship  B A –M D  students must engage in community service for three years, beginning in their lower sophomore semester  During one summer of their undergraduate studies, students are required to volunteer in a clinical setting where they are involved in direct patient care  B A –M D  students are encouraged to major in the humanities or social sciences 

The Scholars Program
The Scholars Program is home to a small number of students with strong writing ability and academic record  Being the oldest honors program in the CUNY system, The Scholars Program has served as a model for many other honors programs nationwide  It was established in 1960 and is an interdisciplinary liberal arts program  The program offers honors-level Core courses and seminars as well as small, personalized classes  Upon graduation from Brooklyn College, many Scholars continue their education in competitive programs at top-ranked universities like Princeton, Yale, and New York University  The program accepts incoming freshmen in addition to matriculated sophomores and transfer students (up to 48 credits)  Once admitted, they receive a Brooklyn College Foundation Presidential Scholarship of up to $4,000 for every year of their undergraduate study at Brooklyn College and a laptop computer 

Coordinated Engineering Program
The Coordinated Honors Engineering Program offers a course of study equivalent to the first two years at any engineering school  Students who maintain the required academic level are guaranteed transfer to one of the three coordinating schools—NYU-Poly, City College of New York School of Engineering, and the College of Staten Island Engineering Science Program—to complete their bachelor's degree in engineering  Coordinating Engineering students have also transferred to Stony Brook University, University of Wisconsin, University of Michigan, Cooper Union, and the Massachusetts Institute of Technology  Students admitted as incoming First-Year receive a Brooklyn College Foundation Presidential Scholarship that provides full tuition for their two years of full-time undergraduate study in the Coordinated Engineering Program  As members of the Honors Academy, Engineering Honors students take advantage of individual advising, faculty consultation, and early registration  In the Commons they find study facilities, computer access, academic, scholarship, internship, and career opportunities, and, above all, intellectual stimulation among other talented students like themselves  Students applying to the Engineering Honors Program will also be considered for the Scholars Program 

Feirstein Graduate School of Cinema
Barry R  Feirstein Graduate School of Cinema is the first public graduate film school in New York City  It is the only film school in America to have its own classroom on a film lot with the collaboration of Steiner Studios, the largest soundstage on the East Coast  The program offers a two-year M A  in Cinema Studies, a two-year M F A  in Cinema Arts in the discipline of Producing, and a three-year M F A in Cinema Arts with five disciplines of Cinematography,
Directing, Post-production, Screenwriting, and Digital Arts and Visual Effects  The school opened in the fall of 2015  The first graduating class was in Spring 2018 

Rankings
U S  News & World Report ranked the school tied for 62nd overall as a Regional college (North region), 6th in "Top Performers on Social Mobility", 15th in "Top Public Schools", and tied for 33rd in "Best Colleges for Veterans" for 2021 

Athletics
Brooklyn College athletic teams are nicknamed as the Bulldogs  The college is a member at the Division III level of the National Collegiate Athletic Association (NCAA); primarily competing in the City University of New York Athletic Conference (CUNYAC) since the 1996–97 academic year (which they also competed in a previous stint from 1978–79 to 1979–80)  The Bulldogs previously competed in the East Coast Conference at the Division I level during the 1991–92 academic year 
Men's sports include basketball, cheerleading, cross country, soccer, swimming & diving, tennis and volleyball; while women's sports include basketball, cheerleading, cross country, soccer, softball, swimming & diving, tennis and volleyball  The athletics stadium was used for the outdoor scenes in the 1978 adult film Debbie Does Dallas 

Mascot
In 2010, Brooklyn College adopted the Bulldog as its new mascot  The athletic program was originally known as the Kingsmen  In 1994, the mascot was changed to the Bridges  However, after the school built new facilities and underwent other changes the athletic director pushed for a new name to reflect the new program 

Notable people
Notable alumni
Notable alumni of Brooklyn College in government include Senator Bernie Sanders (1959–1960), Senator Barbara Boxer (née Barbara Levy; B A  1962), Congresswoman Shirley Chisholm (B A  1946), Securities and Exchange Commission Chairmen Manuel F  Cohen (B S  1933) and Harvey Pitt (B A  1965), and federal judges Rosemary S  Pooler (B A  1959), Jack B  Weinstein (B A  1943), Sterling Johnson Jr  (B A  1963), Edward R  Korman (B A  1963), Joel Harvey Slomsky (B A  1967), and Jason K  Pulliam (B A  1995; M A  1997) 
Notable alumni in business include Deloitte Touche Tohmatsu CEO Barry Salzberg (B S  1974), Adobe Inc  CEO Bruce Chizen (B S  1978), Warner Bros  and Los Angeles Dodgers CEO Robert A  Daly, New York Mets President Saul Katz (B A  1960), Boston Celtics owner Marvin Kratter (1937), David Geffen, New Line Cinema CEO Michael Lynne (B A  1961), CBS Records CEO Walter Yetnikoff (B A  1953), Vanguard Records co-founder Maynard Solomon (B A  1950), and Gannett Chairman Marjorie Magner (B S  1969) 
Notable alumni in the sciences and academia include Nobel Prize–winning biochemist Stanley Cohen (B A  1943), Fields Medal–winning mathematician Paul Cohen (1953), social psychologists Stanley Milgram (B A  1954) and Philip Zimbardo (B A  1954), Harvard Law School professor and author Alan M  Dershowitz (A B  1959), Columbia Law School Dean Barbara Aronstein Black (B A  1953), California State University Chancellor Barry Munitz (B A  1963), City College of New York President Lisa Staiano-Coico (B S  1976), and NASA scientist and College of William & Mary professor Joel S  Levine (B S  1964) 
Notable alumni in the arts include Academy, Emmy, and Tony Award–winning director, writer, and actor Mel Brooks (born Melvin Kaminsky; 1946), Golden Globe Award–winning actor James Franco (M F A  2009), Emmy Award–winning actor Jimmy Smits (B A  1980), Academy Award–winning screenwriter Frank Tarloff (B A ), Academy Award-nominated filmmakers Paul Mazursky (B A  1952) and Oren Moverman (B A  1992), Sopranos stars Steve Schirripa (B A  1980) and Dominic Chianese (B A  1961), director Joel Zwick (1962; M A  1968), Grammy Award winner Peter Nero (born Bernard Nierow; B A  1956), O  Henry Award–winning author Irwin Shaw (born Irwin Shamforoff; B A  1934); and a number of Pulitzer Prize winners: author Frank McCourt (M A  1967), playwrights Howard Sackler (B A  1950) and Annie Baker (M F A  2009), journalists Sylvan Fox (B A  1951), Stanley Penn (1947), and Harold C  Schonberg (B A  1937), photographer Max Desfor, and historian Oscar Handlin (B A  1934) 
Other notable alumni include Olympic fencers Ralph Goldstein and Nikki Franke (B S  1972), chess grandmaster and five-time U S  champion Gata Kamsky (B A  1999), Jewish Defense League founder Meir Kahane (B A  1954), and civil rights activist Al Sharpton (1975) 

Notable faculty
F  Murray Abraham (born 1939), actor of stage and screen; professor of theater, winner of the Academy Award for Best Actor
Vito Acconci, designer, landscape architect, performance and installation artist
Dorothy Inez Adams (1904-1967), anthropologist
Eric Alterman (born 1960), liberal journalist
Lennart Anderson, figurative painter
Hannah Arendt, philosopher and political theorist; author of The Origins of Totalitarianism (1951) and The Human Condition (1958)
Solomon Asch, Polish-American Gestalt psychologist and pioneer in social psychology
John Ashbery (1927–2017), poet, Pulitzer Prize for Poetry winner; tenured faculty member from c  1972 to 1986
Robert Beauchamp, painter
Maír José Benardete, scholar of Sephardic studies and Professor of Spanish and Sephardic Studies
William Boylan (1869–1940), first President of Brooklyn College
Edwin G  Burrows (1943–2018), historian; Pulitzer Prize for History winner for co-writing Gotham: A History of New York City to 1898 with Mike Wallace
Frances Sergeant Childs, historian; one of the college's founding faculty members
Margaret Clapp, scholar, winner of the Pulitzer Prize for Biography or Autobiography, President of Wellesley College
Michael Cunningham (born 1952), novelist; winner of Pulitzer Prize for Fiction and PEN/Faulkner Award for The Hours
Rudy D'Amico (born 1940), professional National Basketball Association scout, and former Brooklyn College and professional basketball coach who coached Maccabi Tel Aviv to the Euroleague Championship
Lois Dodd (born 1927), painter
Charles Dodge (born 1942), composer, founder of the Center for Computer Music
Alphonsus J  Donlon, President of Georgetown University
Paul Edwards (born Paul Eisenstein), Professor of Philosophy, editor of the Encyclopedia of Philosophy
John Hope Franklin, historian of the US, former Chairman of the History Department, president of Phi Beta Kappa, and recipient of the Presidential Medal of Freedom
Jack Gelber, playwright and theater director; taught at Brooklyn College 1972–2003
Allen Ginsberg (1926–1997), Beat Generation poet and Pulitzer Prize for Poetry finalist; Distinguished Professor of English from 1986 to 1997, replacing Ashbery (who accepted a MacArthur Fellowship and later moved to Bard College)
Betty Glad, Chair of Political Science at the University of Illinois
Ralph Goldstein (1913–1997), Olympic épée fencer
Joel Glucksman (born 1949), Olympic saber fencer
Maxine Greene (née Meyer), William F  Russell Professor in the Foundations of Education at Teachers College, Columbia University
David Grubbs (born 1967), musician, composer, recording artist
Carey Harrison (born 1944), novelist/dramatist
Amy Hempel (born 1951), short story writer, journalist, and coordinator of the MFA Fiction-Writing Program
Seymour L  Hess, meteorologist and planetary scientist
Shintaro Higashi, 6th degree black belt in judo, 2007 and 2011 USA Judo Senior National Champion
Agnieszka Holland (born 1948), film director, best known for Europa Europa (1992)
Carl Holty, painter
Karen Brooks Hopkins, President of the Brooklyn Academy of Music
John Hospers, first presidential candidate of the US Libertarian Party; professor 1956–66
Paul Jacobs, classical pianist; specialist in modern music
KC Johnson, professor of American history
Mburumba Kerina (1932–2021), Deputy Speaker of the Constituent Assembly of Namibia
Béla Király (1912–2009), professor emeritus, former Hungarian general taught military history and central European history
Alfred McClung Lee, Chairman of the Sociology and Anthropology departments at Wayne University and Brooklyn College
Tania León, Cuban-born composer and conductor, Pulitzer Prize for Music winner
Don Lemon, CNN anchor and journalist
Ben Lerner, poet and writer
Ira N  Levine (1937–2015), author and professor in the Chemistry Department
Abraham Maslow, psychologist in the school of humanistic psychology, best known for his theory of human motivation which led to a therapeutic technique known as self-actualization; taught 1937–1951
Wilson Carey McWilliams, political scientist, author of The Idea of Fraternity in America (1973, University of California Press), for which he won the National Historical Society prize in 1974
Denise O'Connor (born 1935), Olympic foil fencer
Carol J  Oja, musicologist and scholar of American Studies, William Powell Mason Professor at Harvard University
Ursula Oppens, pianist, co-founded the contemporary music ensemble Speculum Musicae, Conservatory of Music
Philip Pearlstein, Distinguished Professor Emeritus, influential painter known for his Modernist Realism nudes
Itzhak Perlman, violinist, Conservatory of Music
Roman Popadiuk, US Ambassador to Ukraine
Tubby Raskin (1902–1981), basketball player and coach
Inez Smith Reid, Senior Judge of the District of Columbia Court of Appeals
Mark Rothko (born Markus Yakovlevich Rothkowitz; 1903–1970), influential abstract expressionist painter
Susan Fromberg Schaeffer, novelist and Broeklundian Professor of English
Albert Schatz, microbiologist, co-discoverer of streptomycin
William Schimmel, composer
Mitchell Silver, Commissioner of the New York City Parks Department
Mabel Murphy Smythe-Haith, Ambassador for the United States to Cameroon and later Equatorial Guinea
Stephen Solarz, US Congressional Representative from New York
Eileen Southern, musicologist, researcher, author, and teacher
Mark Strand, United States Poet Laureate, Pulitzer Prize for Poetry–winning poet, essayist, and translator
Glenn Thrush, Politico senior writer, author
Hans L  Trefousse, Distinguished Emeritus Professor of History; taught 1946–1998, historian and author
Ad Reinhardt, Elizabeth Murray, Vito Acconci, William T  Williams, Archie Rand, Jennifer McCoy, Patricia Cronin, artists (1950s to present)
Mervin F  Verbit, chair of the Sociology Department at Touro College
Carleton Washburne, Director of Teacher Education, known for his progressive education works
Mac Wellman, Obie Award–winning playwright, author, and poet
Ruth Westheimer (better known as Dr  Ruth; born Karola Ruth Siegel, 1928), German-American sex therapist, author, radio, television talk show host, former Haganah sniper, and Holocaust survivor
C  K  Williams, poet, won the Pulitzer Prize for Poetry
Ethyle R  Wolfe, professor from 1947 to 1989, created the Ethyle R  Wolfe Humanities Institute at the college 
Theresa Wolfson, Professor of Labor Economics, won the John Dewey Award of the League for Industrial Democracy
Joel Zwick (born 1942), professor in the Film Department, director of Full House, Fuller House, Family Matters, My Big Fat Greek Wedding, and Fat Albert
Passage 5:
Dorset Park
Dorset Park is a neighbourhood in Toronto, Ontario, Canada  It is located in the western part of the district of Scarborough  The neighbourhood is bordered by Highway 401 to the north, Midland Avenue to the east, Lawrence Avenue to the south, and Birchmount Road to the west  Kennedy Road runs along the neighbourhood's centre north and south and Ellesmere Road runs along the centre east and west  The area south of Lawrence Avenue, north of the hydro corridor, is known as McGregor Park and is often included as part of Dorset Park 
The business district of Scarborough is carried right through the heart of Dorset Park along Kennedy Road from Highway 401 to Lawrence Avenue  The business district along Kennedy Road is a 3 5 kilometre stretch of the road with nothing but stores, businesses and high rise buildings  Kennedy Commons, a large strip mall, is located on Kennedy Road, between Highway 401 and Ellesmere Road 

History
The area was formerly farmland, with the majority of the housing built in the 1950s  Among the landmarks are Pizza Nova, founded in 1963 

Education
One public school board operates schools in Dorset Park, the secular Toronto District School Board (TDSB)  Public elementary schools operated by TDSB include:

General Crerar Public School
Dorset Park Public School
Ellesmere-Statton Public School is a elementary school located on Ellesmere Road between Birchmount and Kennedy Roads  This school is a merger of two schools, Ellesmere Junior Public School (founded in 1953, replacing S S No  4 that opened in the 1840s) and Wendell Statton Senior Public School (built in 1972 and opened in September 1973)  Both buildings are connected to each other and the school has a diverse population of 640 students  It is named after long time Scarborough educator Wendell W  Statton, who was a principal of Ellesmere P S 
Glamorgan Public Junior School TDSB also operates one secondary school, Winston Churchill Collegiate Institute 
Schooling for students residing in Dorset Park is also provided by the public school boards, the Toronto Catholic District School Board (TCDSB), and Conseil scolaire catholique MonAvenir (CSCM), Conseil scolaire Viamonde (CSM)  CSCM and TCDSB are separate school boards, the former being French first language separate school board, whereas CSV is a French-first language secular school board 

See also
List of neighborhoods in Scarborough

External links
City of Toronto profile
Passage 6:
The Siege
The Siege is a 1998 American action thriller film directed by Edward Zwick  The film is about a fictional situation in which terrorist cells have made several attacks in New York City  The film stars Denzel Washington, Annette Bening, Tony Shalhoub, and Bruce Willis 

Plot
FBI Special Agent Anthony Hubbard and his Lebanese American partner Frank Haddad intervene at the hijacking of a bus fully loaded with passengers, which contains an explosive device  The bomb turns out to be a paint bomb and the terrorists escape  The FBI receives demands to release Sheikh Ahmed bin Talal, a suspect in an earlier bombing  Hubbard eventually comes into conflict with Central Intelligence Agency operative Elise Kraft as he takes a terrorist suspect into custody and arrests Kraft  Later, another terrorist threat is made and a Metropolitan Transportation Authority bus is bombed  FBI captures a man named Samir Nazhde, who admits to signing the visa application of one of the suicide bombers in the course of signing many applications for student visas in his job as a lecturer  However, Kraft insists that Samir is not a terrorist and that his continued freedom is vital to the investigation 
The terrorist incidents escalate with the bombing of a bus and a crowded theater and hostage-situation at an elementary school, and culminate in the destruction of One Federal Plaza, the location of the FBI's New York City field office, with over 600 casualties  In spite of objections, the President of the United States declares martial law and the United States Army's 101st Airborne Division, under General William Devereaux, occupies and seals off Brooklyn in an effort to find the remaining terrorist cells  Subsequently, all young men of Arab descent, including Haddad's son Frank Jr , are rounded up and detained in Downing Stadium  Haddad resigns in outrage  New Yorkers stage violent demonstrations against the Army and the profiling of the Arabs; the Army fights to maintain control  There are reports of Army killings 
Hubbard and Kraft, now revealed to be an intelligence operative named Sharon Bridger, continue their investigation and capture a suspect, Tariq Husseini  Devereaux's men torture and kill Husseini in the course of the interrogation  Afterward, Bridger tells Hubbard that Husseini revealed nothing of value because of the principle of compartmentalized information  Sickened, she finally admits that she herself provided training and support to militants opposed to Saddam Hussein's regime, working with Samir to recruit and train the followers of the Sheikh  After the U S  cut their funding and left them exposed, she took pity on the few of them who had not yet been slaughtered by Hussein's forces, and arranged for them to escape to the United States, ultimately leading to the present situation as they turn their bomb making and covert skills on the country that now holds their leader  She and Hubbard compel Samir to arrange a meeting with the final terrorist cell  Hubbard convinces Haddad to return to the FBI 
A multi-ethnic peace march demonstrates against the occupation of Brooklyn  As the march is getting under way Hubbard and Haddad arrive at the meeting place, but Bridger and Samir have already left  Samir reveals to Bridger that he constitutes the final cell while in another sense he says, "there will never be a last cell " He straps a bomb to his body which he intends to detonate among the marchers  Hubbard and Haddad arrive in time to prevent him from leaving a bath house, but Samir shoots Bridger in the stomach as she struggles to stop him  Hubbard and Haddad kill Samir but despite their best efforts the pair can only watch as Bridger succumbs to her wound after managing to recite certain lines of the second half of the Lord's Prayer and concluding with "Inshallah" – the Arabic phrase "God Willing" 
Hubbard, Haddad, and their team raid Devereaux's headquarters to make an arrest for the torture and murder of Husseini  Deveraux insists that under the War Powers Resolution the authority vested in himself by the President supersedes that of the court which issued the arrest warrant  He then commands his soldiers to aim their assault rifles at the agents, resulting in a Mexican standoff  Hubbard reminds Devereaux that the civil liberties and human rights which he took from Husseini are what all his predecessors have fought and died for  Devereaux finally submits and is arrested  Martial law ends and the detainees, including Haddad's son, are given their freedom 

Cast
Denzel Washington as FBI Assistant Special Agent in Charge Anthony 'Hub' Hubbard
Annette Bening as CIA Operative Sharon Bridger / Elise Kraft
Bruce Willis as U S  Army General William Devereaux
Tony Shalhoub as FBI Special Agent Frank Haddad
Aasif Mandvi as Khalil Saleh
Amro Salama as Tariq Husseini
Sami Bouajila as Samir Nazhde
Ahmed Ben Larby as Sheik Akhmed Bin Talal
Lianna Pai as FBI Agent Tina Osu
Mark Valley as FBI Agent Mike Johanssen
David Proval as FBI Agent Danny Sussman
Lance Reddick as FBI Agent Floyd Rose
Lisa Lynn Masters as Reporter

Reception
Critical response
The film received mixed reviews from critics  Rotten Tomatoes awards the film a score of 44% based on 62 reviews  The site's consensus states: "An exciting, well-paced action film " Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale Roger Ebert gave the film 21⁄2 stars out of four, writing that director Edward Zwick does a good job with crowd scenes, but criticizing it as clumsy Bruce Willis won the Golden Raspberry Award for Worst Actor for his performances in this film, Armageddon, and Mercury Rising 

Box office
The film grossed $40,981,289 in North America and $75,691,623 in other territories on a budget of $70 million  In the film's second week, The Siege showed the teaser trailer for Star Wars: Episode I – The Phantom Menace 

Controversy
When the film opened, the American-Arab Anti-Discrimination Committee came out against the film  Its spokesman Hussein Ibish said "The Siege is extremely offensive  It's beyond offensive  We're used to offensive, that's become a daily thing  This is actually dangerous " He thought it was "Insidious and incendiary" because it "reinforces stereotypes that lead to hate crimes " Ibish acknowledged that Arab terrorists did, in fact, bomb the World Trade Center in 1993, but said that Arab and Islamic groups are upset by "the very strong equation between Muslim religious practices and terrorism     [Thanks to this film] Every time someone goes through the Muslim ablution, the ritual washing of hands everybody does before they pray five times a day, that image is the announcement to the viewer of the presence of violence " Echoing such criticism, the Council on American–Islamic Relations protested the insinuation that "Muslims have total disregard for human life " The groups were "faxing and calling news organizations on a regular basis" to voice their concerns 
Director Edward Zwick had met with Arab Americans, who suggested that the story be changed to mirror the aftermath of the Oklahoma City bombing, when Arabs were immediately assumed responsible  This idea was rejected   Zwick noted that The Siege's villains also include members of the U S  government, and dismissed the criticism, saying: Anytime you talk about issues that touch on religion of any kind, you can anticipate this kind of reaction  Should we only present every group as paragons and monoliths of virtue? The movie inspires to engender this kind of dialogue  I happen to come from the school that thinks that movies should not only make you uncomfortable, they might make you think  …You can anticipate any kind of reaction in these times in which sensitivity seems very high in the culture  I have a friend who says, if you've not offended somebody, you're a nobody  …How does it feel to be a lightning rod? It gets the blood going  I think it's better than being universally ignored  In a culture where there seems to be so much to talk about, it's good to be talked about 
What the movie is most deeply about – it's about our own latent possibilities of repression, stereotyping and prejudice [   ] To see Americans rounded up in the streets, to see Americans put into stadiums, to see people held without habeas corpus – to have their rights violated in such a way is such a chilling and just terrifying thing to see – that is what one takes away, I believe, from this film 
In a September 2007 interview, screenwriter Lawrence Wright attributed the film's failure at the box office to Muslim and Arab protests at theaters playing the film, but also claimed that it was the most rented movie in America after the September 11 attacks Scholar Moustafa Bayoumi has also critiqued the racialization of Arabs in the film and suggests it is indicative of an emerging sub-genre defined by "the notion of African-American leadership of the Arab world, intertwined with friendship with it "Scholar Alexandra Campbell quoted from former Guantanamo Bay detention camp captive Tarek Dergoul when she compared the fictional demonization and extrajudicial abuse of Muslims in the film and the abuse that Dergoul described in his first post-repatriation interview On July 12, 2006, the magazine Mother Jones provided excerpts from the transcripts of a selection of the Guantánamo detainees  Yunis Abdurrahman Shokuri was one of the detainees profiled  According to the article, his transcript contained the following comment:

[T]he only way I know the United States is through movies from Hollywood or through cartoons  I’m a big fan of a lot of their singers…  [T]he first time I saw an American soldier was at Kandahar Air Base…  When I first saw myself in Kandahar, it was like I was in a cinema or a movie  I saw a 1996 movie called The Siege  The movie was about terrorists carrying out terrorist attacks in the United States…  [In the movie] the CIA and FBI were not successful in finding that terrorist group and the United States Army interfered and gathered all the people of Arabic descent and put them in a land cage or camp just like it happened in Kandahar  I was shocked, thinking, "Am I in that movie or on a stage in Hollywood?"… Sometimes I laugh at myself and say, "When does that movie end?"
Passage 7:
Satoru Nishita
Satoru Nishita (July 4, 1927-  July 16, 2013) was a landscape architect and a partner in the architectural firm Lawrence Halprin & Associates, based in San Francisco  He was one of Lawrence Halprin's earliest employees, hired in 1951  He became a principal of Halprin's firm in 1964  During the period 1975 - 1977, he and several other employees bought and re-formed Halprin's as Carter Hull Nishita McCulley Baxter & Associates  The company later became Nishita & Carter, Inc  and operated through 1989 
Nishita worked on several of Halprin's projects in the United States and Japan, including the Lovejoy Fountain Park (as partner in charge), Pettygrove Park, and the Ira Keller Fountain, all in Portland, Oregon  He retired from practice for health reasons in the early 1990s 
Passage 8:
Sharbot Lake (Ontario)
Sharbot Lake is a lake in the municipality of Central Frontenac, Frontenac County in Eastern Ontario, Canada  It is part of the Saint Lawrence River drainage basin  The eponymous community of Sharbot Lake is located at the centre of the north shore of the lake 
The primary outflow, at the northeast, is the Fall River, which flows via the Mississippi River and the Ottawa River to the Saint Lawrence River 
Sharbot Lake Provincial Park is named for, and is partly on the northwest shore of, the lake, but mostly envelops the neighbouring Black Lake  Ontario Highway 7 runs roughly along the northwest side of the lake, and the former Ontario Highway 38, now County Road 38, crosses the lake at the location of the community of Sharbot Lake  The same crossing point is used by the multi-use K&P Rail Trail (part of the Trans Canada Trail), formerly the rail bed of the Kingston and Pembroke Railway 
Sharbot Lake is named after a First Nations Chief named Francis Chabot, who was Mohawk and his wife Algonquin 

Tributaries
Clockwise from the Fall River outflow

Sucker Harbour Creek
Sharbot Creek

See also
List of lakes in Ontario
Passage 9:
Lawrence Landweber
Lawrence Hugh Landweber is  John P  Morgridge Professor Emeritus of computer science at the University of Wisconsin–Madison 
He received his bachelor's degree  in 1963 at Brooklyn College and his Ph D  at Purdue University in 1967  His doctoral thesis was "A design algorithm for sequential machines and definability in monadic second-order arithmetic "He is best known for founding the CSNET project in 1979, which later developed into NSFNET  He is credited with having made the fundamental decision to use the TCP/IP protocol 

Publications
He is co-author of  Brainerd, Walter S , and Lawrence H  Landweber  Theory of Computation  New York: Wiley, 1974  ISBN 978-0-471-09585-9 

Awards
President, Internet Society  
Fellow, ACM 
Honorary Doctor of Humane Letters, Brooklyn College, 2009  
IEEE Award on International Communication, 2005
Member of the board of  Internet2 (2000–2008)
Jonathan B  Postel Service Award of the Internet Society, for CSNET, 2009
In 2012, Landweber was inducted into the Internet Hall of Fame by the Internet Society 
Passage 10:
Lawrence Township Historic District
The Lawrence Township Historic District is a 550-acre (220 ha) historic district encompassing the community of Lawrenceville in Lawrence Township, Mercer County, New Jersey, United States  It was added to the National Register of Historic Places on September 14, 1972 for its significance in architecture, landscape architecture, literature, military history, and transportation  The district includes 45 contributing buildings 

Description
The district includes a number of buildings along US Route 206 (formerly King's Highway, as well as the Lincoln Highway), two early cemeteries associated with the Presbyterian Church of Lawrenceville (Est  1697), and the Lawrenceville School  Prominent architects represented in the district include Peabody and Stearns, William Adams Delano, and Frederick Law Olmsted 

See also
National Register of Historic Places listings in Mercer County, New Jersey
Passage 11:
The Price of Happiness
The Price of Happiness is a lost 1916 silent film drama directed by Edmund Lawrence and starring Mary Boland  It was distributed through the World Film Company  The film was based on a play called (Drei Paar Schuhe: Three Pairs of Shoes) 

Cast
Mary Boland - Bertha Miller
Marion Singer - Lucille
Enid Francis - Ruth Taylor
Carlotta De Felice - Evelyn Morgan (*billed Carlotta De Felico)
Albert Bechtel - Max
David Wall - John Miller (*billed as Dave Wall)
Adolphe Menjou - Howard Neal
Passage 12:
Ministry of Higher Education (Egypt)
The Ministry of Higher Education and Scientific Research is one of the governmental ministries of Egypt and part of the cabinet  It was formed in 1961 

History
The ministry was established on 9 November 1961, when university education in Egypt became free The ministry employed seven different ministers between March 2011 and June 2013  Amr Ezzat Salama was one of the ministers during this period Mostafa Mussad served as minister of higher education from August 2012 to July 2013 when Hossam Eisa replaced him in the post  The ministry was headed by El Sayed Abdel Khalek between June 2014 and September 2015  He was replaced by Ashraf El-Shihy in the post  In February 2017, Khaled Abdel Ghaffar was appointed to head the ministry 

Organization and activities
The major function of the ministry, based in Cairo is to introduce, develop and monitor all the higher education-related policies  The ministry is responsible for the educational activity in Egyptian universities, both public and private  The ministry realizes this function through three executive bodies, namely the Supreme Council of Universities, the Supreme Council of Private Universities and the Supreme Council of Technical Institutions In addition, the ministry supervises the Academy of the Arabic Language and the National Committee of UNESCO  The ministry has international bureaus, including the Egyptian Cultural and Educational Bureau in Washington, D C  In early 2018, the ministry with Minya University, spearheaded a week-long sports event for people with disabilities  It was the first of its kind in Egypt's history, as Egypt works to include the disabled in social activities In 2018 it was announced that starting from Kindergarten, Egyptian children would be learning English 
Passage 13:
Jumping Ship
Jumping Ship is the 2001 sequel to the 1999 Disney Channel Original Movie, Horse Sense  It stars brothers Joey Lawrence, Matthew Lawrence, and Andy Lawrence  The film was directed by Michael Lange 

Plot
Although Michael has become a more mature individual since the first film and shows more concern for others, he still feels that, by birthright, he deserves to start at the top of his father's law firm  Michael's father does offer him a position at the law firm: a clerking job, and explains that only after thorough knowledge of the firm, a law school graduation, and passing the state bar will he ever be considered for a partnership 
Michael takes a summer vacation with Tommy to Australia  Michael has big plans to show his cousin Tommy a good time aboard a luxury yacht, until he discovers that the yacht he chartered is actually an old, rusty fishing boat  But when modern-day pirates chase the fishing boat, the boys are forced to jump ship, leaving them stranded on a desert island  The pirates are led by Frakes, who earlier had pick-pocketed Michael and discovered through his ID that he comes from a wealthy family  The pirates plan to kidnap Michael for a large ransom 
Meanwhile, Tommy and Michael struggle to find their way on the island to be met by the boat's captain, Jake Hunter, who scuttled the fishing boat to lose the pirates  He later admits he hated being a fishing boat captain and only stuck with it because it was his late-father's calling  After several days the pirates finally find the boys when Michael shoots a flare gun to get an airplanes attention  As they attempt to leave the island on their raft two of the pirates approach them  Michael and Jake swim away and leave Tommy who can't get his life jacket off behind, promising to rescue him later  Michael and Jake come up with a plan to get Tommy back 
Jake and Tommy outwit the pirates by absconding in their speedboat, Frakes attempts to shoot Michael, but fails due to his firearm being gunked up with quicksand he had gotten trapped in earlier while chasing Michael; leaving the villains stranded  As the boys escape they call the Australian Coast Guard for help  The pirates are arrested and their speedboat is seized 
During a lunch the boys have with Michael's father and Tommy's mom, Michael arrives and tells Jake and Tommy that due to asset forfeiture, Frakes' boat is now their property  Michael proposes using the speedboat, combined with the reward money, to launch a boat tour service with Jake and Tommy as his partners, and Jake captaining the boat  Michael also tells his father that he will begin the process for law school application, and accepts his dad's clerking job to help him prepare for that  Michael's father is proud of him for going into the business with him (but now with a more mature view), now realizing that there is no royal road to success 

Cast
Joey Lawrence as Michael Woods
Matthew Lawrence as Jake Hunter
Andrew Lawrence as Tommy Biggs
Anthony Wong as Frakes
Jaime Passier-Armstrong as Jonas
Martin Dingle-Wall as Dante
Susan Walters as Jules Biggs
Stephen Burleigh as Glen Woods
Todd Worden as Mark Sanders
Carly Movizio as Heather Hitt
Jack Heywood as Valet

Home media
The film was released on DVD as an exclusive on the Disney Movie Club promotional website in early 2005  In November 2019, the film became available to stream on Disney+ 

External links
Jumping Ship at IMDb
Passage 14:
Government-granted monopoly
In economics, a government-granted monopoly (also called a "de jure monopoly" or "regulated monopoly") is a form of coercive monopoly by which a government grants exclusive privilege to a private individual or firm to be the sole provider of a good or service; potential competitors are excluded from the market by law, regulation, or other mechanisms of government enforcement  As a form of coercive monopoly, government-granted monopoly is contrasted with an unregulated monopoly, wherein there is no competition but it is not forcibly excluded Amongst forms of coercive monopoly it is distinguished from government monopoly or state monopoly (in which government agencies hold the legally enforced monopoly rather than private individuals or firms) and from government-sponsored cartels (in which the government forces several independent producers to partially coordinate their decisions through a centralized organization)  Advocates for government-granted monopolies often claim that they ensure a degree of public control over essential industries, without having those industries actually run by the state  Opponents often criticize them as political favors to corporations  Government-granted monopolies may be opposed by those who would prefer free markets as well as by those who would prefer to replace private corporations with public ownership 

History
Under mercantilist economic systems, European governments with colonial interests often granted large and extremely lucrative monopolies to companies trading in particular regions, such as the Dutch East India Company Today, government-granted monopolies may be found in public utility services such as public roads, mail, water supply, and electric power, as well as certain specialized and highly regulated fields such as education and gambling  In many countries, lucrative natural resources industries, especially the petroleum industry, are controlled by government-granted monopolies  Franchises granted by governments to operate public transit through public roads are another example 

Patent
A patent is a set of exclusive rights granted by a state or national government to an inventor or his/her assignee for a limited period of time in exchange for a public disclosure of an invention 
The procedure for granting patents, the requirements placed on the patentee, and the extent of the exclusive rights vary widely between countries according to national laws and international agreements  Typically, however, a patent application must include one or more claims defining the invention which must be new, inventive, and useful or industrially applicable  In many countries, certain subject areas are excluded from patents, such as business methods and mental acts  The exclusive right granted to a patentee in most countries is the right to prevent others from making, using, selling, or distributing the patented invention without permission 

Copyright
Copyright is a legal right created by the law of a country that grants the creator of an original work exclusive rights for its use and distribution  This is usually only for a limited time  The exclusive rights are not absolute but subject to limitations and exceptions to copyright law, including fair use  A major limitation on copyright is that it protects only the original expression of ideas, and not the underlying ideas themselves 

Trademark
A trademark or trade mark is a distinctive sign or indicator used by an individual, business organization, or other legal entity to identify that the products or services to consumers with which the trademark appears originate from a unique source, and to distinguish its products or services from those of other entities 
Trademarks can act as a form of consumer protection that lowers the transaction costs between a buyer and seller who are not personally acquainted 

Directly mandated
Governments have granted monopolies to forms of copy prevention  In the Digital Millennium Copyright Act, for example, the proprietary Macrovision copy prevention technology is required for analog video recorders  Though other forms of copy prevention aren't prohibited, legally requiring Macrovision effectively grants it a monopoly and prevents other, potentially more effective copy prevention methods from being developed 

Background of the role of government
Rent-seeking behavior can be incentivized by monopolies, foreign trade restrictions and state subsidies  Governments can also create monopolies in an attempt to reduce inefficiency in markets 
Companies can also exhibit rent-seeking behavior even if not explicitly incentivized to do so  For example, a manufacturer that has no direct competitors can limit its output, thereby producing artificial scarcity  This scarcity, in turn, is used as justification for increased prices 
Monopoly creation is not always a strict market phenomenon  Voters, government officials, and government employees can be persuaded to allow the creation or protection of monopolies due to various incentives, because of actions by special interest groups that can impose costs on the general public, or because social goals other than economic efficiency are being pursued  Government granted monopolies constitute a fair portion of monopolized industries 

Natural monopolies
A natural monopoly occurs when a single company dominates the market by having the lowest prices or the products most in demand by consumers  Fixed costs and variable costs can both be factors  If the fixed costs associated with providing a service or product are very high, it may not make economic sense for new competitors to enter the market  For example, it is rarely worthwhile to build second or third tram networks in cities where tram infrastructure already exists  Because the fixed cost of construction is too high, the expected return is not worth the investment 
According to economist Arnold Harberger, the loss of deadweight from monopolies in the US manufacturing industry is only 0 1% of GNP, so the real problem is not the existence of monopolies  The real problems are the social and opportunity costs  These include time and resources expended by lobbyists, consumers, and producers who might otherwise redirect those resources to other, more productive activities In the case of natural monopolies in private hands, regulation can be introduced to dissolve or restructure monopolies  The government can also regulate prices in certain sectors where natural monopolies develop  This can be done directly by setting the price (for example, the price of rail or gas) or by regulating the return (for example, in the case of telephone services)  Whatever method is used, the goal is to lower prices to cost levels  Some economists, such as Thomas Sowell, Walter Williams, and Wayne Winegarden argue that price controls have disastrous economic effects or are otherwise immoral 

Alternative interpretation
Dennis Thompson notes, "Corruption is bad not because money and benefits change hands, and not because of the motives of participants, but because it privatizes valuable aspects of public life, bypassing processes of representation, debate, and choice "

Criticism
Opponents of government-granted monopoly often point out that such a firm is able to set its pricing and production policies without fear of breeding potential competition  They argue that this causes inefficiencies in the market place, such as unnecessarily high prices to consumers for the good or service being supplied  It has been argued that government-imposed price caps might avert this problem 
Some economists, such as Lenoard Read, argue that government-granted monopolies are immoral, whereas con-coercive monopolies are not necessarily so 

Examples of government-granted monopolies
Saudi Aramco
British East India Company
French East India Company
Theatre Royal, Drury Lane (formerly)
K–12 education
Federal Reserve System
Sociedade de Turismo e Diversões de Macau (formerly)
Specialty Society Relative Value Scale Update Committee and American Medical Association
Bell System

See also
Coercive monopoly
Legal monopoly
Copyright
Government monopoly
Monopoly
Natural monopoly
Rent seeking
Federal Reserve System

Notes
Passage 15:
A2 road (Jersey)
Victoria Avenue (classified as the A2) is a major road in Jersey, connecting the capital St Helier to Bel Royal in St Lawrence, also providing access to the western part of the A1 for non-bus traffic, due to a bus gate that prevents traffic from the A1 continuing on the A1  
The road has been referred to as "the Island's most important route and event venue", due to the fact that 30,000 vehicles travel along the road each day, and it provides a vital route between the two largest conurbations on the island  The road also plays host to the island's largest annual festival, the Battle of Flowers 
It is the longest stretch of dual carriageway in the Channel Islands  The road has three signalised junctions, one at the eastern end of the road at West Park, one at First Tower and one at Millbrook 
Running along the southern side of the road is a series of car parks (known as "lay-bys"), a cycle track and the St Aubin's Bay promenade  The road has lovely views of the bay, and there are cafés and public toilets on the sea front 

History
The road was constructed between 1895 and the Diamond jubilee of Queen Victoria, after whom the road is named, in 1897  The road had initially been named for the former Connétable of St Helier Mr  Baudins as Boulevard Baudins  The road was originally a single carriageway, extending only as far as First Tower, however over time the road was extended and converted into a dual carriageway in the late 1950s Aerial photographs from 1965 show that the two ends of the avenue were roundabouts at that time  Nowadays these have been removed Between 2009 and 2010, upgrades to the road were part of a fiscal stimulus plan in response to the 2007 financial crisis  It involved the replaced of the aged drainage system, improvement of pedestrian facilities, the replacement of street lighting columns to improve energy efficiency and the lengthening of right-turn lanes to reduce congestion In May 2020, the Government of Jersey announced that some parking in the lay-bys could be removed to promote sustainable transport in response to a rise in usage of the promenade and cycle track, and a reduction in usage of the road during the COVID-19 pandemic 

See also
Roads in Jersey
Passage 16:
Mr  Lawrence
Douglas Lawrence Osowski (born January 1, 1969), known professionally as Mr  Lawrence, is an American voice actor, animator and writer  He is best known for his work as a writer and voice actor for the Nicktoons Rocko's Modern Life and SpongeBob SquarePants  On SpongeBob, he has provided the voice of Plankton and various recurring characters since 1999 

Early life and career
Lawrence attended The Kubert School for two years, before dropping out to focus on his stand-up  He is known for his work as a writer (and, since season 10, story editor) on the animated TV series SpongeBob SquarePants  He also has long-running character roles on the show, providing the voice of Sheldon Plankton and various recurring characters, such as Potty the Parrot (replacing Paul Tibbitt from season 10 onwards), the Realistic Fish-Head, and Larry the Lobster 
He was the voice of Edward T  Platypus, Nurse Leslie, Dave, and Ping-Pong on Camp Lazlo  Lawrence also performed the voice of Filburt in Rocko's Modern Life and is the voice of the Announcer and Manant in The Aquabats! Super Show!  Lawrence is a standup comedian, cartoonist, writer-director, animator and producer on the television series Johnny Talk  He worked on The Ren and Stimpy Show in its second season as a layout assistant  He also worked as a writer on Rocko's Modern Life, The Twisted Whiskers Show, and Mighty Magiswords 
As a comedian, Lawrence performed in New Jersey and Los Angeles, collaborating with comedian Jeremy Kramer and Boston comedy writer Martin Olson  Jeff "Swampy" Marsh, a storyboard writer for Rocko's Modern Life and co-creator of Phineas and Ferb, described Lawrence as bearing a "unique sense of humor", and that one "would really have to know Doug to understand (or not understand)" his style  Marsh says that the rationale for Lawrence's humor techniques and decisions "remain a mystery to us forever "

Filmography
Films and television shows
Video games
Writer
Rocko's Modern Life (1993–96)
The Twisted Tales of Felix the Cat (1995–97)
SpongeBob SquarePants (1999–2002; 2009–present) - also story editor (2016–present)
Hairballs (2000)
Do the Voice (2003)
Johnnie Talk (2003)
SpongeBob's Truth or Square (2009)
The Haunted World of El Superbeasto (2009) – Additional screenplay material
The Twisted Whiskers Show (2010)
Lucky Lady (2014)
Mighty Magiswords (2015–2016) - Story
Wabbit (2015)
Rocko's Modern Life: Static Cling (2019)

Director
Looks Can Kill (1994)
Rocko's Modern Life (1993–1996) – Leap Frogs/Bedfellows (1993) - Sugar-Frosted Frights/Ed Is Dead: A Thriller! (1995) – Fish-N-Chumps/Camera Shy (1995) – Nothing to Sneeze At/Old Fogey Froggy (1995) – Speaking Terms/Tooth and Nail (1995)
The Twisted Tales of Felix the Cat (1995–97)
General Chaos: Uncensored Animation (1998)
Hairballs (2000)
The Haunted World of El Superbeasto (2009) – Assistant director
Lucky Lady (2014)

Other work
The Food Album (1993) – album art

Awards and nominations
Context 3: 
During the middle of the decade, newer artists such as CeeLo Green, OneRepublic, Rachel Platten, Christina Perri, Andy Grammer, James Bay, Sara Bareilles, Shawn Mendes, Sia, Sam Smith, Gavin Degraw, Charlie Puth and Colbie Caillat as well as acts that were popular in the 1990s and early 2000s such as Britney Spears and Christina Aguilera were added to the rotation of most AC stations 
As trap music and similar styles of hip-hop began dominating top 40 stations during the last years of the 2010s, AC stations began picking up rhythmic artists like Rihanna, Lady Gaga, Ellie Goulding, Taio Cruz and Pitbull as well as EDM artists like Avicii, Daft Punk, Calvin Harris, David Guetta and Tiesto  Meanwhile, younger artists like Camila Cabello, Justin Bieber, Selena Gomez, Ariana Grande, Nick Jonas and the Jonas Brothers and Halsey began to be featured on AC stations more than on top 40 stations 

Adult contemporary formats
In radio broadcasting, adult contemporary is divided into several sub-formats, each with their own musical direction and demographic targeting  Hot adult contemporary formats generally feature an uptempo rotation of recent hits that appeal to a wide adult audience  A station formatted as "adult contemporary" with no qualifier, also referred to as "mainstream adult contemporary", generally has a similar playlist to hot AC stations, but with a broader rotation of classic hits from past decades Soft adult contemporary formats have a more conservative sound oriented primarily towards adult women, urban AC focuses on R&B and soul music that appeal to African American adults, and rhythmic AC focuses on dance music and other rhythmic genres 

Hot adult contemporary
Hot adult contemporary (hot AC) radio stations play a wide range of the present day's popular music that appeals towards the 18–54 age group; it serves as a middle ground between the youth-oriented contemporary hit radio (CHR) format, and adult contemporary formats (such as "mainstream" and soft AC) that are typically targeted towards a more mature demographic  They generally feature uptempo hit music with wide appeal, such as pop and pop rock songs, while excluding more youth-oriented music such as hip-hop  Recurrents usually reflect familiar and youthful music that adults had grown up with  Likewise, mature material from pop acts such as the Backstreet Boys, Jason Mraz, John Mayer, and Pink have also been prominent within the format The "hot AC" designation began to appear in the 1990s, to describe adult contemporary stations with a more energetic presentation and uptempo sound than their softer counterparts  An early example of the format, Houston's KHMX Mix 96 5, climbed from 14th place in the market to 3rd in the six months after its launch  The station's format and branding was widely replicated by other stations  Many hot AC outlets are among the top stations in their respective market Initially focused more on pop rock, the format has evolved to reflect changes in the composition of this audience; by the mid-2000s, the format had evolved to include more uptempo pop music, while alternative and indie rock crossovers (such as Foster the People, Imagine Dragons, Lovelytheband, and Twenty One Pilots) became more prevalent within the format during the 2010s These developments helped to expand the popularity of the format among younger listeners such as millennials; Nielsen Audio ranked hot AC as the third most-popular format among millennials, behind pop and country music  Of the format's expanding demographic reach, WOMX-FM program director Dana Taylor stated that hot AC stations "may not be the radio station that everybody agrees on, but it's a radio station that everybody goes, 'I'm okay with that' " The increasingly downtempo direction of pop hits in the mid-to-late 2010's also helped to attract additional listeners Hot AC stations typically keep a larger body of recent hits in rotation than those with rigid, chart-driven formats like CHR and urban contemporary  As these stations' playlists have become concentrated towards airing only the current hits at a given time, hot AC airplay can build and sustain a song's popularity over a long-term period  This effect has been credited in helping build an audience for early singles from new acts such as Adele, Rachel Platten ("Fight Song", which gained prominence for its use during Hillary Clinton's 2016 US presidential election campaign), and Max Schneider (whose 2016 single "Lights Down Low", over a year after its original release, became a sleeper hit on the Billboard Mainstream Top 40 and Hot 100 due in part to strong hot AC airplay) The popularity of the hot AC format prompted many mainstream AC stations to add uptempo music to their playlists, while still maintaining a deeper rotation of older hits than hot AC stations 

Modern adult contemporary
Modern adult contemporary refers to AC formats with a stronger lean towards modern rock and pop rock 
In the 1990s and early 2000s, modern AC was typically targeted towards women, with Mike Marino of KMXB in Las Vegas describing the format as reaching "an audience that has outgrown the edgier hip-hop or alternative music but hasn't gotten old and sappy enough for the soft ACs " The format typically focused on female rock acts such as Shawn Colvin, Sheryl Crow, Indigo Girls, Jewel, and Sarah McLachlan, and folk rock-influenced bands such as Counting Crows and The Wallflowers  Today, the format is fairly uncommon, with KTCZ in the Minnesota Twin Cities being one of the few modern AC stations left 

Soft adult contemporary
The Soft adult contemporary format typically targets women 25–54 and at-work listening  Soft AC playlists are generally conservative in comparison to hot AC, focusing on pop and power ballads, soft rock, and other familiar, light hits  Upon its establishment in the 1980s, the soft AC format was positioned as being a more upbeat version of easy listening that would appeal better to a younger audience, mainly by excluding instrumental beautiful music  Easy listening stations had begun shifting to the format out of concern that their existing programming would not appeal to the current generation of listeners In a 1990 article, James Warren of the Chicago Tribune characterized soft AC stations as being "as middle-of-the-road and unthreatening as modern media get", with personalities that were encouraged to be as inoffensive and "low-profile" as possible, and a more conservative music library than hot AC-leaning stations  In particular, Chicago's WLIT did not have its airstaff talk over the beginning and endings of songs (in contrast to the hot AC-leaning WFYR), and played Bob Seger's "We've Got Tonite" but not "Old Time Rock and Roll" (which was part of WTMX's playlist)  The director of a soft AC station in Connecticut, WEZN-FM, told Warren that he had barred the reading of top-of-hour news headlines, so that listeners wouldn't be tempted to tune away to an all-news station to learn more Soft AC stations tend to be more selective in their music libraries than other adult contemporary stations, preferring proven songs over current hits  Upon the onset of the format's popularity, core artists typically included singers such as Nat King Cole, Perry Como, Neil Diamond, Barry Manilow, Johnny Mathis, and Barbra Streisand  By the 1990s, to improve their appeal among changing demographics, some soft AC stations began to widen their playlist to include selections from contemporary acts with 80s, & 90s, musicians & bands such as Bon Jovi, Bryan Adams, Celine Dion, Roxette, Mariah Carey, Eric Clapton, Phil Collins, Elton John, Cher, Whitney Houston, Journey, and Queen  On the other hand, by 1996, New York's WLTW had begun to phase out its softer music in favor of a more uptempo direction In 2017, Inside Radio reported that soft AC had the third-largest decrease in US stations offering the format over the past decade (at 128), ranking behind only adult standards and oldies—a shift credited to aging demographics and a major boom in the wider-appealing classic hits format (which saw the largest overall increase over the same period)  Consultant Gary Berkowitz argued that the soft AC format had become increasingly irrelevant in comparison to mainstream and hot AC, due to PPM markets preferring uptempo music At the same time, however, soft AC began to experience a resurgence  In April 2016, iHeartMedia flipped its San Francisco classic soul station KISQ to soft AC as The Breeze; as of November 2018, it was the top station in the Bay Area  The trend continued into 2017 and 2018, with iHeartMedia extending its Breeze brand to other soft AC flips, and the brand (among others) being adopted by competitors such as Entercom  Industry analyst Sean Ross argued that older demographics were becoming more lucrative due to changes in listening habits among younger audiences, which prefer digital platforms such as music streaming services over linear terrestrial radio, and also noted how mainstream AC was dependent on the Top 40 charts to break new songs Current soft AC stations have continued to feature recurrents such as Michael Bolton, Celine Dion, Elton John, Fleetwood Mac, Hall & Oates, and Whitney Houston, while contemporary musicians such as Adele and Michael Bublé have also become modern fixtures of the format  In addition, the soft AC sound has diversified to include more songs that are "safe and universal" and not necessarily "soft", with Ross presenting Examples such as Simple Minds' "Don't You (Forget About Me)", as well as the retroactively-defined genre of yacht rock  Over time, some stations have gradually adjusted their playlists to include more recurrents from the 1980s and 1970s (although not to the same extent as other "soft oldies" formats, such as MeTV FM, which have also grown in popularity) 

Urban adult contemporary
The Urban adult contemporary format focuses primarily on current and classic R&B and soul music,  The format typically targets African-American adults: July 2018 numbers from Nielsen Audio recorded it as the top format among African-Americans 25–54 and 35–64  It also has a sizable popularity among younger listeners, ranking behind urban contemporary as the second-most popular format among African-American adults 18–34 in the same report, with an 18 9 audience share The format typically excludes youthful rhythmic music, such as commercial hip-hop and rap, that are usually associated with the urban contemporary format  The urban AC format is also associated with the "quiet storm"—mellower R&B ballads and slow jams, often in a jazz-influenced style  The syndicated evening program Keith Sweat Hotel focuses specifically on such music As urban contemporary stations prefer hit-driven hip-hop songs, labels typically service R&B songs to the urban AC format only  Some current R&B musicians have complained that this is an artificial divide that prevents them from reaching a wider, mainstream audience (citing the relatively smaller number of urban AC outlets in comparison to urban and rhythmic), even with attempts to give some singles a hip-hop-influenced sound to improve the potential for crossover appeal  Some acts have attempted to disassociate themselves from "R&B" to reduce the effect of this stigma, although streaming services have helped to expose R&B to a wider audience beyond urban AC radio 

Rhythmic adult contemporary
The Rhythmic adult contemporary format generally focuses on a variety of current and classic dance music, such as dance-pop, hip-hop, and R&B (often resembling a blend of the Classic hits and hot AC formats in practice)  The exact composition of current and recurrent content can vary between stations, depending on local cultures and the heritage of rhythmic formats in the market, ranging from late-80s/early-90s dance hits (including latin freestyle), to disco and Motown  Rhythmic hot AC has also been used as a format, popularized by stations such as New York's WKTU 

Smooth adult contemporary
The Smooth adult contemporary format is a variant of the smooth jazz format that incorporates mainstream and/or urban adult contemporary songs; they are designed to appeal to a wider range of demographics than a straight smooth jazz format  Some smooth AC stations may limit their airplay of jazz instrumentals to those by better-known performers such as Kenny G 

Christian adult contemporary
Contemporary Christian music (CCM) has several subgenres, one being "Christian AC"  Radio & Records, for instance, lists Christian AC among its format charts  There has been crossover to mainstream and hot AC formats by many of the core artists of the Christian AC genre, notably Amy Grant, Michael W  Smith, Kathy Troccoli, Steven Curtis Chapman, Plumb, and more recently Big Daddy Weave, Casting Crowns, For King & Country, Lauren Daigle, MercyMe, and Newsboys 

Adult album alternative
The Adult album alternative (triple-A or AAA) format generally features a diverse playlist of music that appeals to an adult audience, with a focus on emerging songs and artists, and often featuring songs that were not released as singles  The exact composition of a triple-A station's playlist can vary, with alternative rock, indie rock, and indie pop commonly used as core genres, and some stations featuring more uncommon genres such as alternative country, Americana, blues, folk music, and world music  NPR observed in 2018 that roughly half of all triple-A stations in the U S  were non-commercial stations  With the wide variety of music that is serviced to the format, adult album alternative charts have often served as a feeder for the Adult Top 40, and have been credited for breaking acts such as Dave Matthews Band and Lorde 

Christmas music
Since the 1990s it has become common for many AC stations, particularly soft AC stations, to play primarily or exclusively Christmas music during the Christmas season in November and December  While these tend mostly to be contemporary seasonal recordings by the same artists featured under the normal format, most stations will also air at least some vintage holiday tunes from older pop, MOR, and adult standards artists – such as  
Boney M , The Carpenters, Nat King Cole, Perry Como, Bing Crosby, Percy Faith, Mannheim Steamroller, Dean Martin, Johnny Mathis, Trans-Siberian Orchestra, and Andy Williams – many of whom would never be played on these stations during the rest of the year 
These Christmas music marathons typically start a few weeks before Thanksgiving Day and end after Christmas Day, or sometimes extending to New Year's Day  Afterwards, the stations usually resume their normal music fare  Several stations begin the holiday format much earlier, at the beginning of November especially after Halloween  The roots of this tradition can be traced back to the beautiful music and easy listening stations of the 1960s and 1970s 

Syndicated radio shows and networks carrying the adult contemporary format
Delilah – One of the US's most popular radio shows, Delilah airs primarily in the evening  Its Christmas Edition airs from mid-November to late December 
Intelligence for Your Life – Hosted by John Tesh, this show also airs evenings and also on weekends 
American Top 40 with Ryan Seacrest – One version of AT40 airs on US hot AC stations, which is a little different from its Top-40/CHR counterpart 
Rick Dees Weekly Top 40/Weekly Top 30 – Began offering Hot AC versions of the popular countdown show in June 1996  These shows feature the top 20 Hot AC songs in the US along with about 10 past hits from the 1980s, 1990s and early 2000s (decade)  A softer "AC" version was added in July 2009 to try to fill in the void left by Casey Kasem ending his AC countdown 
Radio Disney Music Top 30 Countdown, One version is for Hot AC stations, the other version is for Mainstream AC stations  Plays the USA Top 30 songs of the week according to Mediabase and a music rating service called ratethemusic com  This show, like Rick Dees' show, is distributed by Compass Media Networks 
Backtrax USA with Kid Kelly – Weekend programs focusing on the '80s and '90s, targeted for hot AC stations 
ABC and Dial Global both offer AC 24-hour networks programming soft and hot AC 
Tom Joyner and Steve Harvey have popular morning shows that air on urban AC (and sometimes Hip-Hop) stations  Both shows are often heard on competing stations in the same city, such as St  Louis, Philadelphia and Atlanta  Joyner's show is syndicated by ABC Radio, and Harvey's show by Premiere Radio Networks 
Retro Rewind with Dave Harris is a weekend-based radio show highlighting a massive playlist of songs from the 1980s and 1990s, interviews, spotlights and contests  The show is done live across the US on Saturday nights, taking audience requests  The show is targeted towards HOT AC and AC radio stations 
The EZ Rock network is a brand/network of soft AC heard in Canada 
Heart - A radio network in the UK that grew throughout 2009 as more stations were rebranded as "Heart" 
Smooth Radio – A UK-wide radio network that formed from six regional Smooth Radio stations 
Smoothfm – A network of two Australian commercial radio stations (based in Sydney and Melbourne) that are focused on providing an eclectic easy-listening playlist, usually featuring ballads 
Nova – A network of five Australian commercial radio station (based in Sydney, Melbourne, Brisbane, Adelaide and Perth) that are very similar to Smoothfm 
The Breeze – A group of New Zealand adult contemporary radio stations owned by MediaWorks Radio  There are 20 stations currently broadcasting throughout New Zealand 
The Bob and Sheri Show – American morning drive show based in Charlotte, North Carolina  Heard on more than 50 AC stations and the American Forces NetworkFormer syndicated programming includes Dick Clark's US Music Survey (1996–2005), Casey's Hot 20/Casey's Countdown/American Top 20/10 (1992–2009) and Top 30 USA 

See also
Adult Contemporary, a chart appearing in Billboard since 1961  This chart is typically (but not exclusively) closer to soft AC 
New-age music
Yacht rock
Passage 4:
The One That Got Away (Katy Perry song)
"The One That Got Away" is a song by American singer-songwriter Katy Perry from her third studio album, Teenage Dream (2010)  The song was produced by Dr  Luke and Max Martin, both of whom also co-wrote the song with Perry  The song is a mid-tempo pop ballad about a lost love  It features a reference to the rock band Radiohead, and compares the strength of the relationship to that of Johnny Cash and June Carter Cash  The song was released on September 30, 2011, by Capitol Records as the album's sixth single 
"The One That Got Away" peaked at number three on the Billboard Hot 100, with Teenage Dream becoming the seventh album in the 53-year history of the Hot 100 to generate at least six top 10s  The single reached the top of the Billboard Hot Dance Club Songs, Adult Top 40, and Mainstream Top 40 charts 
The accompanying music video for the song was directed by Floria Sigismondi and premiered in November 2011, featuring actor Diego Luna  An official remix featuring rapper B o B was released to digital retailers on December 20, 2011  An official acoustic rendition was released to digital retailers on January 16, 2012, this version was included in Teenage Dream: The Complete Confection edition  The song has been covered by several artists, including Kelly Clarkson, Olivia Rodrigo and Conan Gray, Richard Marx, Jordan Pruitt, Selena Gomez & the Scene, and Tate McRae 

Release and artwork
On September 13, 2011, at the New York City's Irving Plaza, Capitol Records confirmed to Billboard that "The One That Got Away" would be the sixth single from Teenage Dream  Perry said in a statement from the label:

"I'm so pleased to select 'The One That Got Away' as my sixth single because this song shows a very different side of me that I haven't shown with my past singles on this record, I think that everyone can relate to this song  I wrote [it] about when you promise someone forever, but you end up not being able to follow through  It's a bittersweet story  Hopefully, the listener learns from hearing it and never has to say they had 'The One' get away "
Later that month, Perry wrote the following message on her Twitter account: "The One That Got Away    It's happening!!!", along with a picture of the official single artwork  The artwork shows a pink-haired Perry looking up at the sky while wearing a disc-shaped hat  The photo gives a whimsical nod to the 1970s, with its distinctively retro appearance  On September 30, the song received radio airplay release in France  Soon it was followed by the release of the song to American mainstream and rhythmic contemporary radio stations on October 11  The single was issued to Italian radios through EMI Music Publishing on October 28  On December 2, the remix EP of "The One That Got Away" was released  The remix featuring American rapper B o B was issued by Capitol Records to American pop and rhythmic radios on December 15, followed by a digital release of the song five days later  Acoustic rendition of the song was released on January 16, 2012 Capitol Records said that they are not specifically releasing the song in hopes of it reaching number one and rewriting Hot 100 history (since Perry was the first woman to obtain five number ones on the chart from one album), rather the decision came out of "Perry's fondness for the song, its ear-catching hook and her obvious track record of success at pop radio"  EMI Music/Capitol Records EVP/marketing and promotion Greg Thompson told Billboard that, "if it goes to No  1, that would be great, If not, we still have a Katy song on the radio in fourth quarter", presumably boosting sales for Teenage Dream in the Christmas season 

Composition and writing
Originally titled "In Another Life", the song was produced by Dr  Luke and Max Martin, both of whom co-wrote it with Perry  It is a midtempo pop song positioned on the piece of E major and has a tempo of 134 beats per minute  Joanna Holcombe from Yahoo! Music noted that the song is about first loves  Leah Greenblatt from Entertainment Weekly, said that the song is "a midtempo ode to a summer-after-high-school love with whom she recalls sharing Mustang makeout sessions to Radiohead'"  Michael Wood from Spin magazine said that the song is one of the album's quieter cuts and that it recalls "Perry's singer-songwriter days at L A 's Hotel Café"  The song follows the chord progression of E–G♯m–C♯m–A, and Perry's vocal range spans from B3 to E5  Kitty Empire noticed that Perry's vocal is wistful throughout the song and that the references to June Carter Cash and Johnny Cash were unexpected  Rob Sheffield from Rolling Stone stated that when Perry sings, 'I was June, and you were my Johnny Cash,' "it's understood that she's thinking of the scrubbed-up Hollywood version of June and Johnny, from Walk the Line " After death of actor Johnny Lewis, media outlets speculated that the song was about him  In 2017, the singer revealed that "The One That Got Away" was about Josh Groban 

Critical reception
The song received mostly positive reviews from critics 
Kerri Mason from Billboard described the song as "delectable", noting that it has more texture than anything on Perry's previous album, One of the Boys  Mikael Wood from Spin magazine said that although "Perry delivers the gurl-gone-wild stuff with requisite sass", she actually "sounds more engaged on 'Not Like the Movies,' and 'The One That Got Away'  Similarly, Kitty Empire from The Guardian praised the collaboration, stating that Perry and Luke are at their most appealing in the song  In a similar note, Rob Sheffield from Rolling Stone, stated that Perry is more at home with the mall romance of "The One That Got Away"  The same opinion was echoed by Greg Kot from Chicago Tribune who felt that Perry sounds more invested in the more "serious" songs on the album, such as "The One That Got Away"  However, he added that it's as if Perry is "determined to balance the summer frothiness with a few shots of 'adult' earnestness"  Leah Greenblatt from Entertainment Weekly was not satisfied with the selection of the song as the sixth single, noting that there are better songs on the album that could have been chosen instead  Robert Copsey of the website Digital Spy awarded the song with four out of five stars and said:

"'Summer after high school, when we first met/ We make out in your Mustang, to Radiohead,' Katy Perry reminisces on the opening of her latest, potentially record-breaking single  We've always known that she had a penchant for the alt-rock, but we wonder if KP's 18-year-old self ever thought she'd be substituting the sounds of Thom Yorke and co  for the sugar-coated melodies that have made her one of the best-known artists on the planet today? 'Used to steal our parents' liquor, and climb through the roof/ Talk about our future, like we had a clue,' she continues over a toe-tapping drum beat and delicate piano riff as she agonises over the loss of her one true love  'In another life, I would be your girl/ We'd keep all our promises/ Be us against the world,' she mourns on a chorus as instantly satisfying as a mugful of Kenco  Word of advice Katy, we'd keep this one well away from Russell if you want to avoid history repeating itself "

Chart performance
On the week ending October 16, 2011, the song debuted at number 94 on the Billboard Hot 100 
In its sixth week it entered the top 10, making Teenage Dream one of only seven albums in Billboard's 53-year history to have six singles enter the top 10  On the chart dated December 24, 2011, the single entered the top five, making Teenage Dream the third album to have six or more top-five singles from one album on the chart following Rhythm Nation 1814 by Janet Jackson and Faith by George Michael  On the charts dated January 7, 2012, helped by the release of the remix with B o B , the single topped the Hot Dance Club Songs chart, the seventh song on the album to do so, setting a new record in the chart  The same week, the song peaked at number three on the Hot 100, making it Perry's only Teenage Dream single to fail to reach number one  As of January 2015, the song has sold more than 2,750,000 copies in the United States alone "The One That Got Away" debuted at number 87 in Australia on the week ending October 10, 2011  before peaking at number 27  In New Zealand, the song debuted at number 40 and later peaked at number 12  It was certified gold by the Recording Industry Association of New Zealand (RIANZ) after selling 7,500 copies there 

Music video
Background
Perry started filming for the video on September 30, 2011  Filming ended on October 2, 2011  The video was shot at the Lima Residence, a contemporary home located in Calabasas, an affluent city in Los Angeles County, California  Mexican actor Diego Luna plays Perry's boyfriend in the video  Photos from the set surfaced online, showing Perry wearing a conservative long-sleeved dress as well as sporting gray hair and prosthetic face wrinkles  The video was directed by Floria Sigismondi, who previously directed the video for "E T " The music video premiered on November 11, 2011 On November 4, 2011, a teaser for the video was released, narrated by Stevie Nicks  Nicks provides the elderly woman's voice, speaking about the past and her desire to go back for one day  The video contains scenes of Katy Perry and her past boyfriend (Luna) fighting, intertwined with scenes of them in love  She is later shown as a nostalgic, elderly woman dressed conservatively and standing by a fence looking into the distance  A seven-minute extended version of the video was shown on November 11, 2011, exclusively at select advance screenings of the motion picture My Week with Marilyn  As of March 2021, the video has more than 900 million views on YouTube 

Synopsis
Released on November 11, 2011, the video begins with an elderly woman (Perry) in a white long-sleeved dress entering her modernistic home, returning from a meeting  After she walks past her husband (played by Herman Sinitzyn), he asks her “How was it?”, and she responds by simply saying “It was fine ”, hinting that the two are in a loveless marriage  While making herself a cup of coffee, the elderly woman, unhappy with her present situation, begins to think about her colorful past when the song begins: her younger self with her artist boyfriend (Luna)  As the song plays, the happy girl and the boyfriend paint portraits of each other, dress up wildly, dance at a stranger's wedding, and give each other a makeshift tattoo 

As the elderly woman sadly reminisces while sitting on her (and the husband's) fancy bedroom alone in a silk nightgown, her younger self and the boyfriend get into an argument which culminates in her splashing red paint on one of his elaborate paintings after he did the same to one of hers and he leaves angrily then drives away  The woman's younger self appears to her older self's bedroom with each on the bed as they both sing  The younger version is also shown in her older self's closet, crying and singing while the boyfriend is seen driving in a Ford Mustang to blow off steam from the fight  At the same time in the present, the older woman is shown driving out of her garage in a similar type of car as the boyfriend is driving in the flashback 
The boyfriend opens the sun visor above him while driving and finds the veil of the dress the younger version of Perry had worn at the wedding  He stares at the veil, hinting that he decides to make up with her  But he is too distracted by the veil and does not notice the large boulders on the road from a small rock slide  He swerves to avoid the rocks and accidentally drives off a cliff, dying in the subsequent crash without getting a chance to make up, while the woman's younger self collapses at the same time (possibly representing the death of her colorful personality)  The song ends abruptly as the sounds of the car violently rolling down the cliff are heard 
While Johnny Cash's cover of "You Are My Sunshine" plays quietly in the background, the woman's older self now sports a dark conservative long-sleeved dress and is revealed to have driven to that same spot where the boyfriend had died  She walks up to the edge of the cliff and leans against a fence when the boyfriend (either a ghost or a hallucination) appears before her on the other side of the fence  The two hold hands, revealing matching tattoos on their hands  When the older woman snaps back to reality, the Johnny Cash music stops suddenly and the boyfriend vanishes  Saddened, the elderly woman turns back and silently walks away from the cliff to return home as the screen fades to black 

Reception
Jillian Mapes of Billboard commented that the video was "beautifully-shot" and praised the interesting plot  A writer of Rolling Stone wrote: "It's a cute clip for a sweet song, but the heavy-handed aging makeup is hard to get over " Erin Strecker from Entertainment Weekly compared the video with Titanic (1997) and Rihanna's video for "We Found Love"  Strecker also noted that the video was more "tragic" than he was expecting from Perry  Jocelyn Vena of MTV News said: "Katy Perry's moody, contemplative clip for 'The One That Got Away' perfectly encapsulates both the joy of falling in love and the heartbreak of letting go  It travels through time and space and recalls the story of Perry's one that got away " Consequence of Sound's Chris Coplan called the video a "little more somber" than the videos Perry made for "E T " and "Last Friday Night (T G I F )" 

Other versions
A seven-minute director's cut version was shown exclusively at select advance screenings of the motion picture My Week with Marilyn on November 11, 2011  The extended version shows a more cinematic side to the plot of the original music video and includes never-before-seen footage, as well as extended dialogue between the characters 
On January 17, 2012, Electronic Arts announced that they would be teaming up with Perry to help promote their new expansion pack for The Sims game franchise called The Sims 3: Showtime, which sees the release of a limited collector's edition that contains in-game content based on herself  An official music video for "The One That Got Away" featuring Perry as a Sim was uploaded on EA's YouTube channel  The storyline shows a female Sim and a male Sim falling in love and getting married  One day, the male Sim collapses in the bathroom floor, he is taken to the hospital and then dies  His wife is then seen mourning at his funeral  Suddenly, she is transported "to another life", Katy Perry's Candyfornia featured in her "California Gurls" music video, where her love interest is still alive and well; they eventually reunite and kiss  It also features most of the in-game content that will be included for the collector's edition of The Sims 3: Showtime and in the stuff pack The Sims 3: Katy Perry's Sweet Treats  As of 2022, the video is reach 1 million views 

Live performances and other versions
"The One That Got Away" was part of the setlist of Perry's worldwide 2011 concert tour, California Dreams Tour  On October 16, 2011, Perry performed the song on the UK version of The X Factor  Perry performed the song at the American Music Awards on November 20, 2011  Her AMA 2011 performance was followed by a lengthy standing ovation, and presentation of a special award acknowledging Perry as the only female to have five number-one singles from the same album in the United States  Perry performed the song as part of a Live Lounge special for BBC Radio 1's Fearne Cotton on March 19, 2012, along with "Part of Me", "Firework", "Thinking of You" and a censored version of "Niggas in Paris" A remix featuring American rapper B o B was released in December 2011  B o B added two new verses, one at the beginning and another replacing the bridge of the album version of the song  The decision for Capitol Records to release a remix and reduce the price of the song to give Perry a sixth number-one song has been criticized by some, noting that this is not Perry's first time adding a featured guest to her single releases  The hit single "E T ", was modified with verses from Kanye West, while "Last Friday Night (T G I F )" was given a remix featuring Missy Elliott  However, Billboard, which compiles the charts, have issued multiple columns defending Perry and Capitol, underlining that they are operating under chart rules and that numerous other acts, such as Rihanna and Britney Spears, used the same tactics for charting purposes over the years  An acoustic version of the song, produced by Jon Brion, was released to the iTunes Store on January 16, 2012, garnering more favorable reviews, with critics noting that "The One That Got Away" sounds very naturally as a ballad  Perry's label, Capitol Records, sponsored a contest in January 2012 encouraging fans to record their own acoustic version of the song for a chance to have it featured on Perry's Facebook wall  The song was also included in the setlist of The Prismatic World Tour, in which it is interpolated with Perry's 2009 song "Thinking of You" 
A violin cover of the song by music student Grace Youn, which Youn had uploaded to YouTube in 2011, was used in the opening scene of Perry's 2012 documentary, Katy Perry: Part of Me  American Idol contestant Alyssa Raghu sang the song in front of Katy Perry on the Top 10 Reveal episode of Season 17 

Formats and track listings
Credits and personnel
Credits adapted from Teenage Dream album liner notes 

Charts
Certifications
Release history
See also
List of Billboard Dance Club Songs number ones of 2012
List of Billboard Hot 100 top-ten singles in 2012



ground_truth: City University of New York

The City University of New York

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Along with the subject of The One That Got Away, what notable pop artist started out his career on adult contemporary radio?

The following are given passages.
Context 4: 4 miles) in a semi-circular region of 1200 km2 (460 sq mi), associated with a rise of the geoid Pico do Fogo, the largest active volcano in the region, erupted in 2014  It has an eight-kilometre-diameter (five-mile) caldera, the rim of which is at an elevation of 1,600 metres (5,249 feet) and an interior cone that rises to 2,829 metres (9,281 feet) above sea level  The caldera resulted from subsidence, following the partial evacuation (eruption) of the magma chamber, along a cylindrical column from within the magma chamber (at a depth of 8 kilometres (5 miles)) 
Extensive salt flats are found on Sal and Maio  On Santiago, Santo Antão, and São Nicolau, arid slopes give way in places to sugarcane fields or banana plantations spread along the base of towering mountains  Ocean cliffs have been formed by catastrophic debris landslides 

Climate
Cape Verde's climate is milder than that of the African mainland because the surrounding sea moderates temperatures on the islands and cold Atlantic currents produce an arid atmosphere around the archipelago  Conversely, the islands do not receive the upwelling (cold streams) that affect the West African coast, so the air temperature is cooler than in Senegal, but the sea is warmer  Due to the relief of some islands, such as Santiago with its steep mountains, the islands can have orographically induced precipitation, allowing rich woods and luxuriant vegetation to grow where the humid air condenses soaking the plants, rocks, soil, logs, moss, etc  On the higher islands and somewhat wetter islands, exclusively in mountainous areas, like Santo Antão island, the climate is suitable for the development of dry monsoon forests, and laurel forests  Average temperatures range from 22 °C (72 °F) in February to 27 °C (80 6 °F) in September  Cape Verde is part of the Sahelian arid belt, with nothing like the rainfall levels of nearby West Africa  It rains irregularly between August and October, with frequent brief heavy downpours  A desert is usually defined as terrain that receives less than 250 mm (9 8 in) of annual rainfall  Sal's total of 145 mm (5 7 in) confirms this classification  Most of the year's rain falls in September Sal, Boa Vista, and Maio have a flat landscape and arid climate, whilst the other islands are generally rockier and have more vegetation  Because of the infrequent occurrence of rainfall, where not mountainous, the landscape is so arid that less than two percent of it is arable  The archipelago can be divided into four broad ecological zones – arid, semiarid, subhumid and humid, according to altitude and average annual rainfall ranging from less than 100 millimetres (3 9 inches) in the arid areas of the coast as in the Deserto de Viana (67 millimetres (2 6 inches) in Sal Rei) to more than 1,000 millimetres (39 inches) in the humid mountain  Most rainfall precipitation is due to condensation of the ocean mist 

In some islands, like Santiago, the wetter climate of the interior and the eastern coast contrasts with the drier one on the south/southwest coast  Praia, on the southeast coast, is the largest city on the island and the largest city and capital of the country 
While most of Cape Verde receives little precipitation throughout the year, the northeastern slopes of high mountains see significant rainfall due to orographic lift, especially in areas far from the sea  In some such areas this precipitation is sufficient to support a rainforest habitat, albeit one significantly affected by the islands' human presence  These umbria areas are identified as cool and moist  Cape Verde lies in the Cape Verde Islands dry forests ecoregion Western Hemisphere-bound hurricanes often have their early beginnings near the Cape Verde Islands  These are referred to as Cape Verde-type hurricanes  These hurricanes can become very intense as they cross warm Atlantic waters away from Cape Verde  The average hurricane season has about two Cape Verde-type hurricanes, which are usually the largest and most intense storms of the season because they often have plenty of warm open ocean over which to develop before encountering land  The five largest Atlantic tropical cyclones on record have been Cape Verde-type hurricanes  Most of the longest-lived tropical cyclones in the Atlantic basin are Cape Verde hurricanes As of 2015, the islands themselves have only been struck by hurricanes twice in recorded history (since 1851): once in 1892, and again in 2015 by Hurricane Fred, the easternmost hurricane ever to form in the Atlantic 

Climate Change
According to the president of Nauru, in 2011 Cape Verde was ranked the eighth most endangered nation due to flooding from climate change  In 2023 UN Secretary-General António Guterres arrived in Cabo Verde to raise concerns about climate change  He said that the country is on the frontlines of the existential crisis generated by climate disruptions and that world leaders need to take action to address the climate crisis  Cabo Verde is a leader in renewable energy in sub-Saharan Africa  Currently, 20% of its energy comes from renewable sources, and the goal is to increase that to 50% by 2030  In 2023, Portugal signed an agreement to forgive €140 million of Cape Verde's debt in exchange for the country investing in environmental projects  This agreement is one of the first debt-for-nature swap in Africa 

Biodiversity
Cape Verde's isolation has resulted in the islands having several endemic species, particularly birds and reptiles, many of which are endangered by human development  Endemic birds include Alexander's swift (Apus alexandri), Bourne's heron (Ardea purpurea bournei), the Raso lark (Alauda razae), the Cape Verde warbler (Acrocephalus brevipennis), and the Iago sparrow (Passer iagoensis)  The islands are also an important breeding area for seabirds including the Cape Verde shearwater  Reptiles include the Cape Verde giant gecko (Tarentola gigas) 

Administrative divisions
Cape Verde is divided into 22 municipalities (concelhos) and subdivided into 32 parishes (freguesias), based on the religious parishes that existed during the colonial period:

Economy
Cape Verde's notable economic growth and improvement in living conditions despite a lack of natural resources have garnered international recognition, with other countries and international organizations often providing development aid  Since 2007, the UN has classified it as a developing nation rather than a least developed country 
Cape Verde has few natural resources  Only five of the ten main islands (Santiago, Santo Antão, São Nicolau, Fogo, and Brava) normally support significant agricultural production, and over 90% of all food consumed in Cape Verde is imported  Mineral resources include salt, pozzolana (a volcanic rock used in cement production), and limestone  Its small number of wineries making Portuguese-style wines have traditionally focused on the domestic market, but have recently met with some international acclaim  Several wine tours of Cape Verde's various microclimates began to be offered in spring 2010 
The economy of Cape Verde is service-oriented, with commerce, transport, and public services accounting for more than 70% of GDP  Although nearly 35% of the population lives in rural areas, agriculture and fishing contribute only about 9% of GDP  Light manufacturing accounts for most of the remainder  Fish and shellfish are plentiful, and small quantities are exported  Cape Verde has cold storage and freezing facilities and fish processing plants in Mindelo, Praia, and on Sal  Expatriate Cape Verdeans contribute an amount estimated at 20% of GDP to the domestic economy through remittances 
Despite having few natural resources and being semi-desert, the country boasts the highest living standards in the region and has attracted thousands of immigrants of different nationalities 
Since 1991, the government has pursued market-oriented economic policies, including an open welcome to foreign investors and a far-reaching privatization programme  It established as top development priorities the promotion of a market economy and the private sector; the development of tourism, light manufacturing industries, and fisheries; and the development of transport, communications, and energy facilities  From 1994 to 2000 about $407 million in foreign investments were made or planned, of which 58% were in tourism, 17% in industry, 4% in infrastructure, and 21% in fisheries and services In 2011, on four islands a wind farm was built that supplies about 30% of the electricity of the country 
As host to the ECOWAS Regional Centre for Renewable Energy and Energy Efficiency, inaugurated in 2010, Cape Verde plans to lead by example by becoming entirely reliant on renewable energy sources by 2025  This policy is consistent with the plethora of documents adopted in 2015 paving the way to more sustainable development, including Cape Verde's Transformational Agenda to 2030, its National Renewable Energy Plan and its Low Carbon and Climate-resilient Development Strategy  Two years later, these were followed by a Strategic Plan for Sustainable Development, 2017–2021 Between 2000 and 2009, real GDP increased on average by over seven percent a year, well above the average for Sub-Saharan countries and faster than most small island economies in the region  Strong economic performance was bolstered by one of the fastest growing tourism industries in the world, as well as by substantial capital inflows that allowed Cape Verde to build up national currency reserves to the current 3 5 months of imports  Unemployment has been falling rapidly, and the country is on track to achieve most of the UN Millennium Development Goals – including halving its 1990 poverty level 
In 2007, Cape Verde joined the World Trade Organization (WTO) and in 2008 the country graduated from Least Developed Country (LDC) to Middle Income Country (MIC) status 
Cape Verde has significant cooperation with Portugal at every level of the economy, which has led it to link its currency first to the Portuguese escudo and, in 1999, to the euro  On 23 June 2008 Cape Verde became the 153rd member of the WTO In early January 2018, the government announced that the minimum wage would be raised to 13,000 CVE (US$140 or EUR 130) per month, from 11,000 CVE, which was effective in mid-January 2018 

Development
The European Commission's total allocation for the period of 2008–2013 foreseen for Cape Verde to address "poverty reduction, in particular in rural and peri-urban areas where women are heading the households, as well as good governance" amounts to €54 1 million 

Tourism
Cape Verde's strategic location at the crossroads of mid-Atlantic air and sea lanes has been enhanced by significant improvements at Mindelo's harbour (Porto Grande) and at Sal's and Praia's international airports  A new international airport was opened in Boa Vista in December 2007 and on the island of São Vicente, the newest international airport (Cesária Évora Airport) in Cape Verde was opened in late 2009  Ship repair facilities at Mindelo were opened in 1983 The major ports are Mindelo and Praia, but all other islands have smaller port facilities  In addition to the international airport on Sal, airports have been built on all of the inhabited islands  All but the airports on Brava and Santo Antão enjoy scheduled air service  The archipelago has 3,050 km (1,895 mi) of roads, of which 1,010 km (628 mi) are paved, most using cobblestone The country's future economic prospects depend heavily on the maintenance of aid flows, the encouragement of tourism, remittances, outsourcing labour to neighbouring African countries, and the momentum of the government's development programme 

Demographics
The official Census recorded that Cape Verde had a population of 512,096 in 2013  A large proportion (236,000) of Cape Verdeans live on the main island, Santiago Cape Verdeans are descendants of Africans (free or slaves) and Europeans of various origins  There are also Cape Verdeans who have Jewish ancestors from North Africa, mainly on the islands of Boa Vista, Santiago and Santo Antão  A large part of Cape Verdeans emigrated abroad, mainly to the United States, Portugal and France, so that there are more Cape Verdeans residing abroad than at home 
Unlike countries on the African continent, there are no tribes in Cape Verde  On the other hand, the country's historical trajectory included, from the beginning, a process of social class formation  At this moment, the absence of a "bourgeoisie" can be seen, but the existence of several types of "petty bourgeoisie", numerically significant  The majority of the population is, however, made up of the peasantry and some working class 

Languages
Cape Verde's official language is Portuguese  It is the language of instruction and government  It is also used in newspapers, television, and radio 
Cape Verdean Creole (Kriolu) is used colloquially throughout Cape Verde and is the mother tongue of virtually all Cape Verdeans  The national constitution calls for measures to give it parity with Portuguese  There is a substantial body of literature in Creole, especially in the Santiago Creole and the São Vicente Creole  Kriolu has been gaining prestige since the nation's independence from Portugal 
The differences between the forms of the language within the islands have been a major obstacle in the way of standardization of the language  Some people have advocated the development of two standards: a North (Barlavento) standard, centred on the São Vicente Creole, and a South (Sotavento) standard, centred on the Santiago Creole  Manuel Veiga, Ph D , a linguist and Minister of Culture of Cape Verde, is the premier proponent of Kriolu's officialization and standardization 

Religion
The vast majority of Cape Verdeans are Christian; reflecting centuries of Portuguese rule, Roman Catholics make up the single largest religious community, at just under 80 percent, as of 2010 (slightly down from 85 percent of the population in 2007)  Most other religious groups are Protestant, with the evangelical Church of the Nazarene forming the second largest community; other sizeable denominations are the Seventh-day Adventist Church, the Assemblies of God, the Universal Church of the Kingdom of God and the Church of Jesus Christ of Latter-day Saints  Islam is the largest minority religion  Judaism had a historical presence during the colonial era  Atheists constitute less than 1 percent of the population  Many Cape Verdeans syncretize Christianity with indigenous African beliefs and customs 

Emigration and immigration
Almost twice as many Cape Verdeans live abroad (nearly one million) than in the country itself  The islands have a long history of emigration and Cape Verdeans are highly dispersed worldwide, from Macau to Haiti and Argentina to Sweden  The diaspora may be much larger than official statistics indicate, as, until independence in 1975, Cape Verdean immigrants had Portuguese passports 
The majority of Cape Verdeans live in the United States and Western Europe, with the former hosting the largest overseas population at 500,000  Most Cape Verdeans in the U S  are concentrated in New England, particularly the cities of Providence, New Bedford, and Boston; Brockton, has the largest community of any American city (18,832) Cape Verdeans have been migrating to Massachusetts since the 1840s, but most of the current population arrived in the 1970s  They are now one of the top ten immigrant groups in Boston, and the largest hailing from Africa  The first wave of Cape Verdean immigrants came to Massachusetts to work in the whaling industry  When whaling declined, they moved into maritime jobs, seasonal agricultural work (like picking cranberries) , and factory work  The second wave of Cape Verdean immigrants arrived after Cape Verde gained independence in 1975  They also found work in factories, but as manufacturing plants closed down, they moved into the service industry in the 1990's  Cape Verdean immigrants have also developed a vibrant small business sector, including restaurants, groceries, real estate and insurance offices, and other enterprises  Cape Verdean immigrants in the U S  have a long history of enlistment in the U S  military, with a presence in every major conflict from the Revolutionary War to the Vietnam War Due to centuries of colonial ties, the second largest number of Cape Verdeans live in Portugal (150,000), with sizable communities in the former Portuguese colonies of Angola (45,000) and São Tomé and Príncipe (25,000)  Major populations exist in countries with cultural and linguistic similarities, such as Spain (65,500), France (25,000), Senegal (25,000), and Italy (20,000)  Other large communities live in the United Kingdom (35,500), the Netherlands (20,000, of which 15,000 are concentrated in Rotterdam), and Luxembourg and Scandinavia (7,000)  Outside the U S  and Europe, the biggest Cape Verdean populations are in Mexico (5,000) and Argentina (8,000) 
Over the years, Cape Verde has increasingly become a net recipient of migrants, due to its relatively high per capita income, political and social stability, and civil freedom  Chinese make up a sizeable and important segment of the foreign population, while nearby West African countries account for most immigration  In the 21st century, a few thousand Europeans and Latin Americans have settled in the country, mostly professionals, entrepreneurs, and retirees  Over 22,000 foreign-born residents are naturalized, hailing from over 90 countries 
The Cape Verdean diaspora experience is reflected in many artistic and cultural expressions, most famously the song Sodade by Cesária Évora 

Health
The infant mortality rate among Cape Verdean children between 0 and 5 years old is 15 per 1,000 live births according to the latest (2017) data from the National Statistics Bureau, while the maternal mortality rate is 42 deaths per 100,000 live births  The HIV-AIDS prevalence rate among Cape Verdeans between 15 and 49 years old is 0 8% According to the latest data (2017) from the National Statistics Bureau, life expectancy at birth in Cape Verde is 76 2 years; that is, 72 2 years for males and 80 2 years for females  There are six hospitals in the Cape Verde archipelago: two central hospitals (one in the capital city of Praia and one in Mindelo, São Vicente) and four regional hospitals (one in Santa Catarina (northern Santiago region), one on São Antão, one on Fogo, and one on Sal)  In addition, there are 28 health centers, 35 sanitation centers, and a variety of private clinics located throughout the archipelago 
Cape Verde's population is among the healthiest in Africa  Since its independence, it has greatly improved its health indicators  Besides having been promoted to the group of "medium development" countries in 2007, leaving the least developed countries category (becoming the second country to do so), as of 2020 it was the 11th best ranked country in Africa in its Human Development Index 
The total expenditure on health was 7 1% of GDP (2015) 

Education
Although the Cape Verdean educational system is similar to the Portuguese system, over the years the local universities have been increasingly adopting the American educational system; for instance, all ten existing universities in the country offer four-year bachelor's degree programs as opposed to five-year bachelor's degree programs that existed before 2010  Cape Verde has the second best educational system in Africa, after South Africa 
Primary school education in Cape Verde is mandatory and free for children between the ages of six and fourteen years In 2011, the net enrolment ratio for primary school was 85%  Approximately 90% of the total population over 15 years of age is literate, and roughly 25% of the population holds a college degree; a significant number of these college graduates hold doctorate degrees in different academic fields  Textbooks have been made available to 90 percent of school children, and 98 percent of the teachers have attended in-service teacher training  Although most children have access to education, some problems remain  For example, there is insufficient spending on school materials, lunches, and books As of October 2016, there were 69 secondary schools throughout the archipelago (including 19 private secondary schools) and at least 10 universities in the country, which are based on the two islands of Santiago and São Vicente 

In 2015, 23% of the Cape Verdean population had either attended or graduated from secondary schools 
When it came to higher education, 9% of Cape Verdean men and 8% of Cape Verdean women held a bachelor's degree or had attended universities  The overall college education rate (i e , college graduates and undergraduate students) in Cape Verde is about 24%, of the local college-age population 
The total expenditure on education was 5 6% of GDP (2010) 
The mean years of schooling of adults over 25 years is 12 
These trends were held in 2017  Cape Verde stands out in West Africa for the quality and inclusiveness of its higher education system  As of 2017, one in four young people attended university and one-third of students opted for fields of science, technology, engineering, and mathematics  Women made up one-third of students but two-thirds of graduates in 2018 

Science and technology
In 2011, Cape Verde devoted just 0 07% of its GDP to research and development, among the lowest rates in West Africa  The Ministry of Higher Education, Science and Culture plan to strengthen the research and academic sectors by emphasizing greater mobility, through exchange programmes and international cooperation agreements  As part of this strategy, Cape Verde is participating in the Ibero-American academic mobility programme that expects to mobilize 200,000 academics between 2015 and 2020  Cape Verde was ranked 89th in the Global Innovation Index in 2021 Cape Verde counted 25 researchers in 2011, a researcher density of 51 per million inhabitants  The world average was 1,083 per million in 2013  All 25 researchers were working in the government sector in 2011 and one in three were women (36%)  There was no research being conducted in either medical or agricultural sciences  Of the eight engineers involved in research and development, one was a woman  Three of the five researchers working in natural sciences were women, as were three of the six social scientists and two of the five researchers from the humanities In 2015, the government announced a project to build a technology park for business, research, and development  As of late 2020, the project, now named TechPark Cabo Verde, is slated for completion in June 2022  The project is funded by both the African Development Bank and the government of Cape Verde  The goal of the endeavour, according to Cape Verde Minister of Finance Olavo Correia, is "to attract large international companies to set up shop [in order] to help local companies and start-ups become more competitive" Cape Verde has a high rate of internet penetration and a growing mobile phone market  The government has invested in improving ICT infrastructure and has created a number of initiatives to promote the development of the digital economy  The digital economy has the potential to create jobs, boost economic growth, and improve the quality of life for people in Cape Verde 

Crime
Theft and burglary are common in Cape Verde, especially in crowded environments such as marketplaces, festivals, and celebrations  Often the perpetrators of these crimes are gangs of street children  Murders are concentrated in the major population centres of Praia and Mindelo 

Culture
The culture of Cape Verde is characterized by a mixture of African and European elements  This is not a sum of two cultures living side by side, but a new culture resulting from an exchange that began in the 15th century 
Cape Verdean social and cultural patterns are unique  Football games and church activities are typical sources of social interaction and entertainment  The traditional walk around the praça (town square) to meet friends is practised regularly in Cape Verde towns 

Media
In towns with electricity, television is available on three channels; one state-owned (RTC – TCV) and three foreign-owned: RTI Cabo Verde launched by the Portuguese-based RTI in 2005; Record Cabo Verde, launched by the Brazilian-based Rede Record on 31 March 2007; and as of 2016, TV CPLP  Premium channels available include the Cape Verdean versions of Boom TV and Zap Cabo Verde, two channels owned by Brazil's Record  Other premium channels are available in Cape Verde, especially satellite network channels which are common in hotels and villas, though availability is otherwise limited  One such channel is RDP África, the African version of the Portuguese radio station RDP 
As of early 2023, about 99% of the Cape Verdean population own an active cellular phone, 70% have access to the Internet, 11% own a landline telephone, and 2% subscribe to local cable TV  In 2003, Cape Verde had 71,700 main line telephones with an additional 53,300 cellular phones in use throughout the country 
In 2004, there were seven radio stations, six independent and one state-owned  The media is operated by the Cape-Verdean News Agency (secondarily as Inforpress)  Nationwide radio stations include RCV, RCV+, Radio Kriola, and the religious station Radio Nova  Local radio stations include Rádio Praia, the first radio station in Cape Verde; Praia FM, the first FM station in the nation; Rádio Barlavento, Rádio Clube do Mindelo and Radio Morabeza in Mindelo 

Music
The Cape Verdean people are known for their musicality, well expressed by popular manifestations such as the Carnival of Mindelo  Cape Verde music incorporates "African, Portuguese and Brazilian influences " Cape Verde's quintessential national music is the morna, a melancholy and lyrical song form typically sung in Cape Verdean Creole  The most popular music genre after morna is the coladeira, followed by funaná and batuque music  Cesária Évora was the best-known Cape Verdean singer in the world, known as the "barefoot diva," because she liked to perform barefooted on stage  She was also referred to as "The Queen of Morna" as opposed to her uncle Bana, who was referred to as "King of Morna"  The international success of Cesária Évora has made other Cape Verdean artists, or descendants of Cape Verdeans born in Portugal, gain more space in the music market  Examples of this are singers Sara Tavares, Lura and Mayra Andrade 
Another great exponent of traditional music from Cape Verde was Antonio Vicente Lopes, better known as Travadinha, and Ildo Lobo, who died in 2004  The House of Culture in the center of the city of Praia is called Ildo Lobo House of Culture, in his honour 
There are also well-known artists born to Cape Verdean parents who excelled themselves in the international music scene  Amongst these artists are jazz pianist Horace Silver, Duke Ellington's saxophonist Paul Gonsalves, Teófilo Chantre, Paul Pena, the Tavares brothers and singer Lura 

Dance
Cape Verdean traditional dance is a mix of West and Central African influences  The most popular dance style in Cape Verde is called “Funana” which originated on the island of Santiago and is danced in pairs with fast hip movements and a lively rhythm  Another popular dance style is “Coladeira” which is a slower dance style that originated on the island of Sao Vicente  “Batuque” is another traditional Cape Verdean dance style that originated on the island of Santiago and involves a lot of hip movement and percussion  “Morna” is another popular Cape Verdean dance style that originated on the island of Boa Vista and has a slow tempo with a melancholic melody  Zouk and Kizomba are newer popular dance style in Cape Verde that originated in other countries 

Literature
Cape Verdean literature is one of the richest of Lusophone Africa  Famous poets include Paulino Vieira, Manuel de Novas, Sergio Frusoni, Eugénio Tavares, and B  Léza, and famous authors include Baltasar Lopes da Silva, António Aurélio Gonçalves, Manuel Lopes, Orlanda Amarílis, Henrique Teixeira de Sousa, Arménio Vieira, Kaoberdiano Dambará, Dr  Azágua, and Germano Almeida  The first novel written by a woman from Cabo Verde was A Louca de Serrano by Dina Salústio; its translation, as The Madwoman of Serrano, was the first translation of any Cabo Verdean novel to English 

Cinema
The Carnival and the island of São Vicente are portrayed in the 2015 feature documentary Tchindas, nominated at the 12th Africa Movie Academy Awards 

Cuisine
The Cape Verde diet is mostly based on fish and staple foods like corn and rice  Vegetables available during most of the year are potatoes, onions, tomatoes, manioc, cabbage, kale, and dried beans  Fruits such as bananas and papayas are available year-round, while others like mangoes and avocados are seasonal A popular dish served in Cape Verde is cachupa, a slow-cooked stew of corn (hominy), beans, and fish or meat  A common appetizer is the pastel, a pastry shell filled with fish or meat which is then fried 

Sports
The country's most successful sports team is the Cape Verde national basketball team, which won the bronze medal at the FIBA Africa Championship 2007, after beating Egypt in its last game  The country's most well-known player is Walter Tavares, who plays for Real Madrid of Spain 
Cape Verde is famous for wave sailing (a type of windsurfing) and kiteboarding  Josh Angulo, a Hawaiian and 2009 PWA Wave World Champion, has done much to promote the archipelago as a windsurfing destination  Mitu Monteiro, a local kitesurfer, was the 2008 Kite Surfing World Champion in the wave discipline 
The Cape Verde national football team, nicknamed the Tubarões Azuis (Blue Sharks), is the national team of Cape Verde and is controlled by the Cape Verdean Football Federation  The team has played at three Africa Cup of Nations, in 2013, 2015, and 2021 The country has competed at every Summer Olympics since 1996  In 2016, Gracelino Barbosa became the first Cape Verdean to win a medal at the Paralympic Games 

Transport
Ports
There are four international ports: Mindelo, Praia, Palmeira and Sal Rei  Mindelo on São Vicente is the main port for cruise ships and the terminus for the ferry service to Santo Antão  Praia on Santiago is the main hub for local ferry services to other islands  Palmeira on Sal supplies fuel for the main airport on the island, Amílcar Cabral International Airport, and is important for the hotel construction taking place on the island  Porto Novo on Santo Antão is the only source for imports and exports of produce from the island as well as passenger traffic since the closure of the airstrip at Ponta do Sol 
There are smaller harbours, essentially single jetties at Tarrafal on São Nicolau, Sal Rei on Boa Vista, Vila do Maio (Porto Inglês) on Maio, São Filipe on Fogo and Furna on Brava  These act as terminals for the inter-island ferry services, which carry both freight and passengers  The pier at Santa Maria on Sal used by both fishing and dive boats has been rehabilitated 

Airports
There were seven operational airports as of 2014 – four international and three domestic  Two others were non-operational, one on Brava and the other on Santo Antão closed for safety reasons 
Due to its geographical location, Cape Verde is often flown over by transatlantic airliners  It is part of the conventional air traffic route from Europe to South America, which goes from southern Portugal via the Canary Islands and Cape Verde to northern Brazil 

International airports
Amílcar Cabral International Airport, Sal Island
Nelson Mandela International Airport, Santiago Island
Aristides Pereira International Airport, Boa Vista Island
Cesária Évora Airport, São Vicente Island

Aerial drones
Small unmanned flying drones able to carry up to 5kg were being used experimentally for tasks such as delivering medicines between the islands in 2021 

See also
Outline of Cape Verde
Index of Cape Verde–related articles
Islands of Macaronesia
Azores
Madeira
Passage 18:
ISO 3166-2:CV
ISO 3166-2:CV is the entry for Cabo Verde in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Cabo Verde, ISO 3166-2 codes are defined for two levels of subdivisions:

2 geographical regions (i e , the Barlavento Islands and the Sotavento Islands)
22 municipalitiesEach code consists of two parts, separated by a hyphen  The first part is CV, the ISO 3166-1 alpha-2 code of Cabo Verde  The second part is either of the following:

one letter: geographical regions
two letters: municipalities

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

Geographical regions
Municipalities
Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998:

See also
Subdivisions of Cape Verde
FIPS region codes of Cape Verde

External links
ISO Online Browsing Platform: CV
Counties of Cape Verde, Statoids com
Passage 19:
ISO 3166-2:AL
ISO 3166-2:AL is the entry for Albania in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Albania, ISO 3166-2 codes are defined for 12 counties 
Each code consists of two parts, separated by a hyphen  The first part is AL, the ISO 3166-1 alpha-2 code of Albania  The second part is two digits 
The codes for the counties are assigned in Albanian alphabetical order, except Dibër, whose code is assigned based on its capital, Peshkopi 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency  
Subdivision names are sorted in Albanian alphabetical order: a-c, ç, d, dh, e, ë, f-g, gj, h-l, ll, m-n, nj, o-r, rr, s, sh, t, th, u-x, xh, y-z, zh 
Click on the button in the header to sort each column 

Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998  ISO stopped issuing newsletters in 2013 

The following changes to the entry are listed on ISO's online catalogue, the Online Browsing Platform:

District codes
Before 27 November 2015, codes for the 36 districts of Albania were included   The code for Kolonjë (AL-ER) was assigned based on its capital, Ersekë 

See also
Subdivisions of Albania
FIPS region codes of Albania

External links
ISO Online Browsing Platform: AL
Counties of Albania, Statoids com



ground_truth: Michael Bublé