prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Along with the Closer performer, what notable pop artist started out his career on adult contemporary radio?

The following are given passages.
Context 1: Passage 1:
Adult contemporary music
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence  Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated  It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music  Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure  The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as acoustic guitars, pianos, saxophones, and sometimes an orchestral set  The electric guitars are normally faint and high-pitched  However, recent adult contemporary music may feature synthesizers (and other electronics, such as drum machines) An AC radio station may play mainstream music, but it usually excludes hip-hop and some forms of dance-pop and teen pop, as these are less popular among adults, the target demographic  AC radio often targets the 25–44 age group, the demographic that has received the most attention from advertisers since the 1960s  A common practice in recent years of adult contemporary stations is to play less newer music and more hits of the past, even some songs that never even charted the AC charts   This de-emphasis on new songs slows the progression of the AC chart Over the years, AC has spawned subgenres including "hot AC" (also known as "modern AC"), "soft AC" (also known as "lite AC"), "urban AC" (a softer type of urban contemporary music), "rhythmic AC" (a softer type of rhythmic contemporary), and "Christian AC" (a softer type of contemporary Christian music)  Some stations play only "hot AC", "soft AC", or only one of the variety of subgenres  Therefore, it is not usually considered a specific genre of music; it is merely an assemblage of selected songs from artists of many different genres 

History
1960s: Early roots; easy listening and soft rock
Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70—80% instrumental to 20–30% vocal mix  A few offered 90% instrumentals, and a handful were entirely instrumental  The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations  Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton  The chart described itself as "not too far out in either direction" Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others  The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out  Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced  Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically  As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s  Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock  These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs 
Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient  Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased (especially as singles, although Jackie Gleason's beautiful music albums sold well in the 1950s), AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists 

1970s: Soft rock forms as a radio format
By the late 1960s hard rock had been established as one of the rock genres leading hard rock and soft rock to became distinct popular forms in the rock scene, and as major radio formats in the US  Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies  Major artists included Carole King, Cat Stevens, James Taylor and Bread In the early 1970s, softer songs by The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Barbra Streisand, began to be played more often on "Top 40" radio  Top 40 radio stations played the Top 40 hits regardless of genre   As the texture of much of the music played on Top 40 radio began to soften, the Hot 100 and Easy Listening/AC charts became more similar  Easy Listening radio began playing songs by artists who had begun in other genres, such as rock and roll or R&B  Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on AC stations than on Top 40 stations  AC stations also began playing softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel, and other rock-based artists  Soon after, the adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago and the Eagles, becoming associated with the format  In addition, several early disco songs, did well on the Adult Contemporary format 
Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, Dan Fogelberg, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade  By 1977, some radio stations, notably New York's WTFM and NBC-owned WYNY, and Boston's WEEI, had switched to an all-soft rock format  As Softrock 103, WEEI was famous for its promotional campaigns, featuring slogans such as "Joni, without the baloni " and "The Byrds, without the nyrds "  However, different forms of popular music  targeted to different demographic groups, such as disco vs  hard rock, began to emerge in the late-1970s  This led to specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres 

1980s: Adult contemporary succeeds as radio format
On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since  Adult contemporary music became one of the most popular radio formats of the 1980s  The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade 
Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists such as Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, Laura Branigan and Journey began crossing over to the AC charts with greater frequency  Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond"  However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time 
The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners  Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio 
Although dance-oriented, electronic pop and ballad-oriented rock dominated the 1980s, soft rock songs still enjoyed a mild success thanks to Sheena Easton, Amy Grant, Lionel Richie, Christopher Cross, Dan Hill, Leo Sayer, Billy Ocean, Julio Iglesias, Bertie Higgins, and Tommy Page  No song spent more than six weeks at No  1 on this chart during the 1980s, with nine songs accomplishing that feat  Two of these were by Lionel Richie, "You Are" in 1983 and "Hello" in 1984, which also reached No  1 on the Hot 100 
In 1989, Linda Ronstadt released Cry Like a Rainstorm, Howl Like the Wind, described by critics as "the first true Adult Contemporary album of the decade", featuring American soul singer Aaron Neville on several of the twelve tracks  The album was certified Triple Platinum in the United States alone and became a major success throughout the globe  The Grammy Award-winning singles, "Don't Know Much" and "All My Life", were both long-running No  1 Adult Contemporary hits  Several additional singles from the disc made the AC Top 10 as well  The album won over many critics in the need to define AC, and appeared to change the tolerance and acceptance of AC music into mainstream day to day radio play 

1990s: Subgenre formations/radio crossovers
The early 1990s marked the softening of urban R&B in the shape of new jack swing, at the same time alternative rock emerged and traditional pop saw a significant resurgence  This in part led to a widening of the market, not only allowing to cater to more niche markets, but it also became customary for artists to make AC-friendly singles  At the same time, the genre began adopting elements from hard rock as tastes were shifting towards louder music, while AC stations in general began playing more rock acts  "Softer" features such as light instrumental music (carried over from the beautiful music format—many AC stations carried the format until the early 1970s), new age songs and most pre-1964 artists were gradually phased out from AC radio throughout the early to mid-1990s 
Unlike the majority of 1980s mainstream singers, the 1990s mainstream pop/R&B singers such as All-4-One, Boyz II Men, Christina Aguilera, Backstreet Boys and Savage Garden generally crossed over to the AC charts  Latin pop artists such as Lynda Thomas, Ricky Martin, Marc Anthony, Selena, Enrique Iglesias and Luis Miguel also enjoyed success in the AC charts 
In addition to Celine Dion, who has had significant success on this chart, other artists with multiple number ones on the AC chart in the 1990s include Mariah Carey, Phil Collins, Michael Bolton, Bryan Adams, Whitney Houston and Shania Twain  Newer female Adult album alternative singer-songwriters such as Sarah McLachlan, Natalie Merchant, Jewel, Melissa Etheridge and Sheryl Crow also broke through on the AC chart during this time In 1996, Billboard created a new chart called Adult Top 40, which reflects programming on radio stations that exists somewhere between "adult contemporary" music and "pop" music  Although they are sometimes mistaken for each other, the Adult Contemporary chart and the Adult Top 40 chart are separate charts, and songs reaching one chart might not reach the other  In addition, hot AC is another subgenre of radio programming that is distinct from the Hot Adult Contemporary Tracks chart as it exists today, despite the apparent similarity in name 
In response to the pressure on Hot AC, a new kind of AC format cropped up among American radio recently  The urban adult contemporary format (a term coined by Barry Mayo) usually attracts a large number of African Americans and sometimes Caucasian listeners through playing a great deal of R&B (without any form of rapping), gospel music, classic soul and dance music (including disco) 
Another format, rhythmic AC, in addition to playing all the popular hot and soft AC music, past and present, places a heavy emphasis on disco as well as 1980s and 1990s dance hits, such as those by Amber, and Black Box, and includes dance remixes of pop songs, such as the Soul Solution mix of Toni Braxton's "Unbreak My Heart" 
In its early years of existence, the smooth jazz format was considered to be a form of AC, although it was mainly instrumental, and related a stronger resemblance to the soft AC-styled music  For many years, George Benson, Kenny G and Dave Koz had all had crossover hits that were played on both smooth jazz and soft AC stations 

2000s–present: AC music goes mainstream and mainstream music goes AC
During the 2000s, the AC market gained an increased presence in the music industry, as its radio formats were popular nationwide—Smooth jazz and "Urban AC" stations were ubiquitous in the East Coast, while Soft rock and "adult standards" stations were common in the Midwest, and pop-oriented "Hot AC" and "world music"/Hispanic AC stations were easily found in the West Coast and the "Sun Belt"  This led to the presence of numerous genres on the AC charts, often crossing to the "pop" charts, winning over many critics in the need to define AC, and increased the tolerance and acceptance of AC music into mainstream day-to-day radio play 
Josh Groban's single "You Raise Me Up" and Michael Bublé's cover of "Fever" are often cited as key examples of the high production values and ballad-heavy sound that defined 2000s-era AC, often dubbed as "jazz-pop", heavily carrying classical, jazz and traditional pop influences  Artists such as Nick Lachey, James Blunt, Jamie Cullum, John Mayer, Jason Mraz, Norah Jones, Diana Krall, Amy Winehouse and Susan Boyle also achieved great success during this period  During most of the 2000s, country music/countrypolitan musicians such as Kelly Clarkson, Clay Aiken, Billy Joel, Garth Brooks, Shania Twain, LeAnn Rimes and Carrie Underwood scored hits on soft AC, particularly in Southern states  A popular trend in the late 1990s and 2000s was remixing dance music hits into adult contemporary ballads, especially in the US, (for example, the "Candlelight Mix" versions of "Heaven" by DJ Sammy, "Listen To Your Heart" by D H T , and "Everytime We Touch" by Cascada) 
Key to the success of AC in the 2000s was the 25–34 demographic which had outgrown the pop music offerings of the time, most new rock became too alternative and harsh for AC radio and most new pop was now influenced heavily by dance-pop, hip-hop and electronic dance music  At the same time, the music industry also began to focus on older audiences and markets generally considered "niche" 
During the late 2000s, certain pop songs began entering the AC charts instead, generally after having recently fallen off the Hot 100  Adrian Moreira, senior vice president for adult music for RCA Music Group, said, "We've seen a fairly tidal shift in what AC will play"  Rather than emphasizing older songs, adult contemporary now began playing many of the same songs as top 40 and adult top 40, but only after the hits had become established  An article on MTV's website by Corey Moss describes this trend as: "In other words, AC stations are where pop songs go to die a very long death  Or, to optimists, to get a second life " As adult contemporary has long characterized itself as family-friendly, "clean" versions of pop songs began appearing on the AC chart, as were the cases of "Perfect" by P!nk, and "Forget You" by Cee Lo Green, both in 2011 AC radio's shift into more mainstream pop was a result of the changes on the broadcasting landscape following the 2005–2007 economic downturn and eventual recession, as advertisers preferred more profitable chart-based formats, which meant the demise of many AC-based formulas, primarily those aimed at older audiences, with tastes changing towards more modern music among all age groups  Diminishing physical record sales throughout the 2010s also proved a major blow to the AC genre, and there are concerns that the portable people meter, a device being used to determine radio listenership, may be incompatible with AC songs and may not accurately pick up that a person is listening to an AC station because of the pitches and frequencies used in the style Key AC artists of the early to mid-2010s included Bruno Mars, Coldplay, Adele, Arcade Fire, Meghan Trainor, Maroon 5 and Ed Sheeran, featuring a more pop-influenced, uptempo style than the typical AC fare of previous years, also featuring production values reminiscent of the Motown sound and the so-called Wall of Sound that dominated the soul-heavy pop charts of the early 1960s, when the Easy Listening chart was first introduced  The earlier years of the decade also saw alternative and indie rock acts such as Wilco, Feist, The 1975, Imagine Dragons, Mumford & Sons, Of Monsters and Men and The Lumineers quickly becoming AC mainstays, although these were eventually replaced by rhythm-based rock bands such as Panic! at the Disco, Neon Trees, X Ambassadors, Sheppard, Bastille, American Authors, Fitz and the Tantrums, Foster the People, Twenty One Pilots, Walk the Moon and Milky Chance 
During the middle of the decade, newer artists such as CeeLo Green, OneRepublic, Rachel Platten, Christina Perri, Andy Grammer, James Bay, Sara Bareilles, Shawn Mendes, Sia, Sam Smith, Gavin Degraw, Charlie Puth and Colbie Caillat as well as acts that were popular in the 1990s and early 2000s such as Britney Spears and Christina Aguilera were added to the rotation of most AC stations 
As trap music and similar styles of hip-hop began dominating top 40 stations during the last years of the 2010s, AC stations began picking up rhythmic artists like Rihanna, Lady Gaga, Ellie Goulding, Taio Cruz and Pitbull as well as EDM artists like Avicii, Daft Punk, Calvin Harris, David Guetta and Tiesto  Meanwhile, younger artists like Camila Cabello, Justin Bieber, Selena Gomez, Ariana Grande, Nick Jonas and the Jonas Brothers and Halsey began to be featured on AC stations more than on top 40 stations 

Adult contemporary formats
In radio broadcasting, adult contemporary is divided into several sub-formats, each with their own musical direction and demographic targeting  Hot adult contemporary formats generally feature an uptempo rotation of recent hits that appeal to a wide adult audience  A station formatted as "adult contemporary" with no qualifier, also referred to as "mainstream adult contemporary", generally has a similar playlist to hot AC stations, but with a broader rotation of classic hits from past decades Soft adult contemporary formats have a more conservative sound oriented primarily towards adult women, urban AC focuses on R&B and soul music that appeal to African American adults, and rhythmic AC focuses on dance music and other rhythmic genres 

Hot adult contemporary
Hot adult contemporary (hot AC) radio stations play a wide range of the present day's popular music that appeals towards the 18–54 age group; it serves as a middle ground between the youth-oriented contemporary hit radio (CHR) format, and adult contemporary formats (such as "mainstream" and soft AC) that are typically targeted towards a more mature demographic  They generally feature uptempo hit music with wide appeal, such as pop and pop rock songs, while excluding more youth-oriented music such as hip-hop  Recurrents usually reflect familiar and youthful music that adults had grown up with  Likewise, mature material from pop acts such as the Backstreet Boys, Jason Mraz, John Mayer, and Pink have also been prominent within the format The "hot AC" designation began to appear in the 1990s, to describe adult contemporary stations with a more energetic presentation and uptempo sound than their softer counterparts  An early example of the format, Houston's KHMX Mix 96 5, climbed from 14th place in the market to 3rd in the six months after its launch  The station's format and branding was widely replicated by other stations  Many hot AC outlets are among the top stations in their respective market Initially focused more on pop rock, the format has evolved to reflect changes in the composition of this audience; by the mid-2000s, the format had evolved to include more uptempo pop music, while alternative and indie rock crossovers (such as Foster the People, Imagine Dragons, Lovelytheband, and Twenty One Pilots) became more prevalent within the format during the 2010s These developments helped to expand the popularity of the format among younger listeners such as millennials; Nielsen Audio ranked hot AC as the third most-popular format among millennials, behind pop and country music  Of the format's expanding demographic reach, WOMX-FM program director Dana Taylor stated that hot AC stations "may not be the radio station that everybody agrees on, but it's a radio station that everybody goes, 'I'm okay with that' " The increasingly downtempo direction of pop hits in the mid-to-late 2010's also helped to attract additional listeners Hot AC stations typically keep a larger body of recent hits in rotation than those with rigid, chart-driven formats like CHR and urban contemporary  As these stations' playlists have become concentrated towards airing only the current hits at a given time, hot AC airplay can build and sustain a song's popularity over a long-term period  This effect has been credited in helping build an audience for early singles from new acts such as Adele, Rachel Platten ("Fight Song", which gained prominence for its use during Hillary Clinton's 2016 US presidential election campaign), and Max Schneider (whose 2016 single "Lights Down Low", over a year after its original release, became a sleeper hit on the Billboard Mainstream Top 40 and Hot 100 due in part to strong hot AC airplay) The popularity of the hot AC format prompted many mainstream AC stations to add uptempo music to their playlists, while still maintaining a deeper rotation of older hits than hot AC stations 

Modern adult contemporary
Modern adult contemporary refers to AC formats with a stronger lean towards modern rock and pop rock 
In the 1990s and early 2000s, modern AC was typically targeted towards women, with Mike Marino of KMXB in Las Vegas describing the format as reaching "an audience that has outgrown the edgier hip-hop or alternative music but hasn't gotten old and sappy enough for the soft ACs " The format typically focused on female rock acts such as Shawn Colvin, Sheryl Crow, Indigo Girls, Jewel, and Sarah McLachlan, and folk rock-influenced bands such as Counting Crows and The Wallflowers  Today, the format is fairly uncommon, with KTCZ in the Minnesota Twin Cities being one of the few modern AC stations left 

Soft adult contemporary
The Soft adult contemporary format typically targets women 25–54 and at-work listening  Soft AC playlists are generally conservative in comparison to hot AC, focusing on pop and power ballads, soft rock, and other familiar, light hits  Upon its establishment in the 1980s, the soft AC format was positioned as being a more upbeat version of easy listening that would appeal better to a younger audience, mainly by excluding instrumental beautiful music  Easy listening stations had begun shifting to the format out of concern that their existing programming would not appeal to the current generation of listeners In a 1990 article, James Warren of the Chicago Tribune characterized soft AC stations as being "as middle-of-the-road and unthreatening as modern media get", with personalities that were encouraged to be as inoffensive and "low-profile" as possible, and a more conservative music library than hot AC-leaning stations  In particular, Chicago's WLIT did not have its airstaff talk over the beginning and endings of songs (in contrast to the hot AC-leaning WFYR), and played Bob Seger's "We've Got Tonite" but not "Old Time Rock and Roll" (which was part of WTMX's playlist)  The director of a soft AC station in Connecticut, WEZN-FM, told Warren that he had barred the reading of top-of-hour news headlines, so that listeners wouldn't be tempted to tune away to an all-news station to learn more Soft AC stations tend to be more selective in their music libraries than other adult contemporary stations, preferring proven songs over current hits  Upon the onset of the format's popularity, core artists typically included singers such as Nat King Cole, Perry Como, Neil Diamond, Barry Manilow, Johnny Mathis, and Barbra Streisand  By the 1990s, to improve their appeal among changing demographics, some soft AC stations began to widen their playlist to include selections from contemporary acts with 80s, & 90s, musicians & bands such as Bon Jovi, Bryan Adams, Celine Dion, Roxette, Mariah Carey, Eric Clapton, Phil Collins, Elton John, Cher, Whitney Houston, Journey, and Queen  On the other hand, by 1996, New York's WLTW had begun to phase out its softer music in favor of a more uptempo direction In 2017, Inside Radio reported that soft AC had the third-largest decrease in US stations offering the format over the past decade (at 128), ranking behind only adult standards and oldies—a shift credited to aging demographics and a major boom in the wider-appealing classic hits format (which saw the largest overall increase over the same period)  Consultant Gary Berkowitz argued that the soft AC format had become increasingly irrelevant in comparison to mainstream and hot AC, due to PPM markets preferring uptempo music At the same time, however, soft AC began to experience a resurgence  In April 2016, iHeartMedia flipped its San Francisco classic soul station KISQ to soft AC as The Breeze; as of November 2018, it was the top station in the Bay Area  The trend continued into 2017 and 2018, with iHeartMedia extending its Breeze brand to other soft AC flips, and the brand (among others) being adopted by competitors such as Entercom  Industry analyst Sean Ross argued that older demographics were becoming more lucrative due to changes in listening habits among younger audiences, which prefer digital platforms such as music streaming services over linear terrestrial radio, and also noted how mainstream AC was dependent on the Top 40 charts to break new songs Current soft AC stations have continued to feature recurrents such as Michael Bolton, Celine Dion, Elton John, Fleetwood Mac, Hall & Oates, and Whitney Houston, while contemporary musicians such as Adele and Michael Bublé have also become modern fixtures of the format  In addition, the soft AC sound has diversified to include more songs that are "safe and universal" and not necessarily "soft", with Ross presenting Examples such as Simple Minds' "Don't You (Forget About Me)", as well as the retroactively-defined genre of yacht rock  Over time, some stations have gradually adjusted their playlists to include more recurrents from the 1980s and 1970s (although not to the same extent as other "soft oldies" formats, such as MeTV FM, which have also grown in popularity) 

Urban adult contemporary
The Urban adult contemporary format focuses primarily on current and classic R&B and soul music,  The format typically targets African-American adults: July 2018 numbers from Nielsen Audio recorded it as the top format among African-Americans 25–54 and 35–64  It also has a sizable popularity among younger listeners, ranking behind urban contemporary as the second-most popular format among African-American adults 18–34 in the same report, with an 18 9 audience share The format typically excludes youthful rhythmic music, such as commercial hip-hop and rap, that are usually associated with the urban contemporary format  The urban AC format is also associated with the "quiet storm"—mellower R&B ballads and slow jams, often in a jazz-influenced style  The syndicated evening program Keith Sweat Hotel focuses specifically on such music As urban contemporary stations prefer hit-driven hip-hop songs, labels typically service R&B songs to the urban AC format only  Some current R&B musicians have complained that this is an artificial divide that prevents them from reaching a wider, mainstream audience (citing the relatively smaller number of urban AC outlets in comparison to urban and rhythmic), even with attempts to give some singles a hip-hop-influenced sound to improve the potential for crossover appeal  Some acts have attempted to disassociate themselves from "R&B" to reduce the effect of this stigma, although streaming services have helped to expose R&B to a wider audience beyond urban AC radio 

Rhythmic adult contemporary
The Rhythmic adult contemporary format generally focuses on a variety of current and classic dance music, such as dance-pop, hip-hop, and R&B (often resembling a blend of the Classic hits and hot AC formats in practice)  The exact composition of current and recurrent content can vary between stations, depending on local cultures and the heritage of rhythmic formats in the market, ranging from late-80s/early-90s dance hits (including latin freestyle), to disco and Motown  Rhythmic hot AC has also been used as a format, popularized by stations such as New York's WKTU 

Smooth adult contemporary
The Smooth adult contemporary format is a variant of the smooth jazz format that incorporates mainstream and/or urban adult contemporary songs; they are designed to appeal to a wider range of demographics than a straight smooth jazz format  Some smooth AC stations may limit their airplay of jazz instrumentals to those by better-known performers such as Kenny G 

Christian adult contemporary
Contemporary Christian music (CCM) has several subgenres, one being "Christian AC"  Radio & Records, for instance, lists Christian AC among its format charts  There has been crossover to mainstream and hot AC formats by many of the core artists of the Christian AC genre, notably Amy Grant, Michael W  Smith, Kathy Troccoli, Steven Curtis Chapman, Plumb, and more recently Big Daddy Weave, Casting Crowns, For King & Country, Lauren Daigle, MercyMe, and Newsboys 

Adult album alternative
The Adult album alternative (triple-A or AAA) format generally features a diverse playlist of music that appeals to an adult audience, with a focus on emerging songs and artists, and often featuring songs that were not released as singles  The exact composition of a triple-A station's playlist can vary, with alternative rock, indie rock, and indie pop commonly used as core genres, and some stations featuring more uncommon genres such as alternative country, Americana, blues, folk music, and world music  NPR observed in 2018 that roughly half of all triple-A stations in the U S  were non-commercial stations  With the wide variety of music that is serviced to the format, adult album alternative charts have often served as a feeder for the Adult Top 40, and have been credited for breaking acts such as Dave Matthews Band and Lorde 

Christmas music
Since the 1990s it has become common for many AC stations, particularly soft AC stations, to play primarily or exclusively Christmas music during the Christmas season in November and December  While these tend mostly to be contemporary seasonal recordings by the same artists featured under the normal format, most stations will also air at least some vintage holiday tunes from older pop, MOR, and adult standards artists – such as  
Boney M , The Carpenters, Nat King Cole, Perry Como, Bing Crosby, Percy Faith, Mannheim Steamroller, Dean Martin, Johnny Mathis, Trans-Siberian Orchestra, and Andy Williams – many of whom would never be played on these stations during the rest of the year 
These Christmas music marathons typically start a few weeks before Thanksgiving Day and end after Christmas Day, or sometimes extending to New Year's Day  Afterwards, the stations usually resume their normal music fare  Several stations begin the holiday format much earlier, at the beginning of November especially after Halloween  The roots of this tradition can be traced back to the beautiful music and easy listening stations of the 1960s and 1970s 

Syndicated radio shows and networks carrying the adult contemporary format
Delilah – One of the US's most popular radio shows, Delilah airs primarily in the evening  Its Christmas Edition airs from mid-November to late December 
Intelligence for Your Life – Hosted by John Tesh, this show also airs evenings and also on weekends 
American Top 40 with Ryan Seacrest – One version of AT40 airs on US hot AC stations, which is a little different from its Top-40/CHR counterpart 
Rick Dees Weekly Top 40/Weekly Top 30 – Began offering Hot AC versions of the popular countdown show in June 1996  These shows feature the top 20 Hot AC songs in the US along with about 10 past hits from the 1980s, 1990s and early 2000s (decade)  A softer "AC" version was added in July 2009 to try to fill in the void left by Casey Kasem ending his AC countdown 
Radio Disney Music Top 30 Countdown, One version is for Hot AC stations, the other version is for Mainstream AC stations  Plays the USA Top 30 songs of the week according to Mediabase and a music rating service called ratethemusic com  This show, like Rick Dees' show, is distributed by Compass Media Networks 
Backtrax USA with Kid Kelly – Weekend programs focusing on the '80s and '90s, targeted for hot AC stations 
ABC and Dial Global both offer AC 24-hour networks programming soft and hot AC 
Tom Joyner and Steve Harvey have popular morning shows that air on urban AC (and sometimes Hip-Hop) stations  Both shows are often heard on competing stations in the same city, such as St  Louis, Philadelphia and Atlanta  Joyner's show is syndicated by ABC Radio, and Harvey's show by Premiere Radio Networks 
Retro Rewind with Dave Harris is a weekend-based radio show highlighting a massive playlist of songs from the 1980s and 1990s, interviews, spotlights and contests  The show is done live across the US on Saturday nights, taking audience requests  The show is targeted towards HOT AC and AC radio stations 
The EZ Rock network is a brand/network of soft AC heard in Canada 
Heart - A radio network in the UK that grew throughout 2009 as more stations were rebranded as "Heart" 
Smooth Radio – A UK-wide radio network that formed from six regional Smooth Radio stations 
Smoothfm – A network of two Australian commercial radio stations (based in Sydney and Melbourne) that are focused on providing an eclectic easy-listening playlist, usually featuring ballads 
Nova – A network of five Australian commercial radio station (based in Sydney, Melbourne, Brisbane, Adelaide and Perth) that are very similar to Smoothfm 
The Breeze – A group of New Zealand adult contemporary radio stations owned by MediaWorks Radio  There are 20 stations currently broadcasting throughout New Zealand 
The Bob and Sheri Show – American morning drive show based in Charlotte, North Carolina  Heard on more than 50 AC stations and the American Forces NetworkFormer syndicated programming includes Dick Clark's US Music Survey (1996–2005), Casey's Hot 20/Casey's Countdown/American Top 20/10 (1992–2009) and Top 30 USA 

See also
Adult Contemporary, a chart appearing in Billboard since 1961  This chart is typically (but not exclusively) closer to soft AC 
New-age music
Yacht rock
Passage 2:
KCIX
KCIX (105 9 FM, "Mix 106") is a commercial radio station located in Garden City, Idaho, broadcasting to the Boise, Idaho, area   KCIX airs a hot adult contemporary music format 

Personalities
The station has cycled through more than a dozen morning show combinations since the departure of popular host Kate McGwire in 2016  Its ratings have plunged  Chris and Ryan in the Morning took over weekday morning duties (5AM-10AM) on the station in November of 2022  The show features segments with listeners, local content, and lifestyle topics 
The morning drive show is followed by middays with Deanna from 10AM to 2PM before Marco takes over in afternoon drive from 2PM to 7PM 
At 7PM, Pop Crush Nights with Donny Meacham airs which features celebrity gossip and pop culture news  Lauryn Snapp hosts on the weekend 
The station features traffic cut-ins shared with corporate sister stations, hosted by Dave Burnett and Robin Scott 

History
KCIX was originally branded as K-106 with an Adult Contemporary format including songs from the '60s, '70s, '80s, and the '90s   By the later 1990s, the station moved in a Hot AC direction   In 1999, KCIX rebranded as Mix 106, and shifted away songs from the '60s and '70s to focus more on the '80s and '90s 
On November 16, 2006, Clear Channel Communications planned to sell 448 of its radio stations outside the top 100 markets including KCIX, along with Boise's sister stations including KSAS-FM, KTMY (now KAWO), KXLT-FM, KIDO, and KFXD  In March 2007, Peak Broadcasting LLC bought the latter stations, making Boise one of the largest markets without any radio stations owned by the future iHeartMedia 
In 2011, Mix 106 silently began adding more contemporary pop currents, moving the station in an Adult Top 40 direction 
On August 30, 2013, a deal was announced in which Townsquare Media would purchase Peak Broadcasting's stations, including KCIX  The deal was part of Cumulus Media's acquisition of Dial Global; Townsquare swapped Peak's Fresno, California stations to Cumulus for its stations in Dubuque, Iowa and Poughkeepsie, New York, and Peak, Townsquare, and Dial Global were all controlled by Oaktree Capital Management  The sale to Townsquare was completed on November 14, 2013 
Passage 3:
WOKH
WOKH (102 7 FM) is an adult contemporary–formatted radio station licensed to serve Springfield, Kentucky, as well as Lebanon and Bardstown  The station is owned by Bardstown Radio Team, LLC as part of a duopoly with Bardstown–licensed country music station WBRT (1320 AM)  The two stations share studios on South Third Street in downtown Bardstown, while its transmitter facilities are located off Lanham Road in rural Washington County west of Springfield 

History
Choice Radio sold WOKH to current ownership Bardstown Radio Team, owner of WBRT, in 2017 The station has been assigned these call letters by the Federal Communications Commission since January 12, 2006 

Previous logos
Passage 4:
WEBZ
WEBZ (99 3 FM) is a commercial urban adult contemporary radio station located in Mexico Beach, Florida (Panama City metro)  The station is owned by iHeartMedia 

External links
Official Website

WEBZ in the FCC FM station database
WEBZ on Radio-Locator
WEBZ in Nielsen Audio's FM station database
Passage 5:
CFVR-FM
CFVR-FM is a Canadian radio station serving Fort McMurray, Alberta, broadcasting at 103 7 FM with a hot adult contemporary format branded on-air as Mix 103 7 
The station is owned & operated by Harvard Media 

History
The station received approval by the CRTC to operate at 103 7 FM in November 2006 and officially launched on January 14, 2008 
Passage 6:
Closer (Josh Groban album)
Closer is the second studio album by vocalist Josh Groban, released in November 2003  Much like his first studio album, half of this album's songs are sung in English, with the remainder sung in various other languages (Italian, Spanish and French)  Closer was the top selling classical album of the 2000s in the US, according to Nielsen SoundScan The album debuted at No  4 on the Billboard 200 albums chart, selling about 375,000 copies in its first week  In January 2004, the album rose from #11 to No  1 in its ninth week on the chart, selling about 110,000 copies that week  This followed a sales campaign by Target In Australia, Closer reached a peak position of #25 on the ARIA Albums Chart of Australia  On June 13, 2007, it re-entered the chart at No  39  As of October 2015, the album has sold over 6 1 million copies in the US  The track, "You Raise Me Up", charted at No  73 on the Billboard Hot 100 and #1 on the Adult Contemporary chart  The track, "Remember When It Rained", reached No  15 on the AC chart 

Track listing
Notes

^a  signifies an additional producer
^b  signifies a co-producer

TV appearances
Good Morning America – November 11, 2003
The View – November 13, 2003

Charts
Certifications
Passage 7:
KLAG
The following is a list of full-power radio stations, HD Radio subchannels and low-power translators in the United States broadcasting K-Love programming, which can be sorted by their call signs, frequencies, city of license, state and broadcast area 

Blue background indicates a low-power FM translator 
Gray background indicates an HD Radio subchannel 

External links
Master Station List
Passage 8:
CKNR-FM
CKNR-FM is a Canadian radio station, which broadcasts an adult contemporary format at 94 1 MHz in Elliot Lake, Ontario  The station uses the on-air brand 94 1 Moose FM 

History
The station first aired in 1967 at 1340 AM, and was owned by Algonquin Broadcasting  CKNR had two sister stations, CKNS in Espanola (established in 1976) and CJNR in Blind River (actually the oldest of the three, first established in 1958)  Huron Broadcasting acquired the stations in 1976 
In 1986, CJNR and CKNS were given approval to amend their broadcasting licenses, by deleting the condition of license which required these stations to operate as affiliates of the CBC's English-language AM radio network All three stations became part of Mid-Canada Radio in 1986, and were subsequently sold to the Pelmorex Radio Network in 1990 On November 15, 1990, CKNR was given permission to disaffiliate from the CBC as the Elliot Lake area was now served by the Corporation's CBEC-FM North Channel Broadcasting acquired the stations from Pelmorex in 1996, and converted CKNR to 94 1 MHz on March 3, 1997 with a transmitter on Manitoulin Island  Due to the station's signal strength (it can be heard as far as Sudbury and into Michigan's eastern Upper Peninsula), the CJNR and CKNS signals were both discontinued  After the move to 94 1 FM, the station transmitted in mono and aired a mix of classic hits, oldies, and adult contemporary with some current music  Prior to and after CKNR's move to FM, the station had aired the Toronto Blue Jays baseball games 
North Channel subsequently sold CKNR to Haliburton Broadcasting Group in 2004, a sale which reunited CKNR with many of its former sister stations in the Pelmorex Radio Network After Haliburton purchased CKNR-FM, the station rebranded as 94 1 Moose FM with adult contemporary, variety music and switched to FM stereo 
On April 23, 2012, Vista Broadcast Group, which owns a number of radio stations in western Canada, announced a deal to acquire Haliburton Broadcasting, in cooperation with Westerkirk Capital  The transaction was approved by the CRTC on October 19, 2012 

Transmitters
Although officially licensed to Elliot Lake, the primary transmitter is located closer to Little Current (approximately 80 km to the southeast of the city), and parts of the city of Elliot Lake itself consequently do not receive an adequate signal on the 94 1 frequency  On July 9, 2007, CKNR applied to re-broadcast their FM signal at 98 7 MHz to serve the population of Elliot Lake and received CRTC approval on August 24, 2007 

Previous logos
Passage 9:
Light Sings
"Light Sings" is a song written by Will Holt and Gary William Friedman and performed by The 5th Dimension   It reached #12 on the U S  adult contemporary chart, #15 on the Canadian adult contemporary chart, #22 on the Canadian pop chart, and #44 on the Billboard Hot 100 in 1971   It was featured on their 1971 album, Love's Lines, Angles and Rhymes The song was produced by Bones Howe and arranged by Bob Alcivar 

In media
The song was featured in the 1970 musical, The Me Nobody Knows 
Passage 10:
I Can Only Imagine (MercyMe song)
"I Can Only Imagine" is a song by Christian rock band MercyMe  Written and composed by lead singer Bart Millard, it was originally recorded for the band's 1999 independent album The Worship Project before being included on their 2001 major-label debut album Almost There  The song was the last to be written for The Worship Project; in writing it, Millard drew upon his thoughts about his father's death  Lyrically, it imagines what it would be like to be in front of God in heaven; it opens with just a piano before building to include guitar and drums 
After being released on October 12, 2001, as the second single from Almost There, "I Can Only Imagine" became a major success on Christian radio; it spent two weeks at No  1 on the Radio & Records Christian AC chart and became the most-played Christian single of 2002  It became an unexpected mainstream hit in 2003, peaking at No  71 on the Billboard Hot 100 and No  5 on the Billboard Adult Contemporary chart while also hitting top 40, adult top 40, and country radio charts  The song returned to the charts after its story was adapted into a 2018 film of the same name, peaking at No  1 on the Billboard Christian Songs chart and No  10 on the Billboard Digital Songs chart 
"I Can Only Imagine" received positive reviews from critics  Particular praise was given to its lyrics, and some critics called it the best song on Almost There  It received the Dove Awards for Song of the Year and Pop/Contemporary Recorded Song of the Year at the 33rd GMA Dove Awards, also garnering Millard the award for Songwriter of the Year; he also won the Songwriter of the Year award at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards  In 2004, CCM Magazine ranked it as the fourth-best song in Christian music, and it has since become the most-played song in the history of Christian radio as well as the best-selling Christian song of all time; it has been certified five-times platinum by the Recording Industry Association of America (RIAA), and as of April 2018, it has sold over 2 5 million copies 

Background and recording
MercyMe was formed in 1994 by vocalist Bart Millard, guitarist Mike Scheuchzer, and keyboardist Jim Bryson  The band later brought on drummer Robby Shaffer and bassist Nathan Cochran  In their early years, they independently released four Christian alternative rock albums, drawing influence from the grunge style of rock music popular at the time  However, they realized that their original songs from these albums failed to connect with their audiences while their covers of popular worship songs were much more popular  Because of this, the band decided to write and produce an album of original worship songs  This album,  The Worship Project, utilized a simple verse–chorus format designed to easily fit on a PowerPoint screen In the last phases of production, MercyMe needed one more song to include on the album  Late at night on the band's bus, Millard found an old notebook with the phrase "I can only imagine" written in it  He began to write a song, basing it on his personal feelings about his father Arthur's death  Early in Bart's life, Arthur had been physically and emotionally abusive towards his family, with Bart being beaten severely at points; Arthur and his wife Adele eventually divorced, and Bart was sent to live with his mother after an especially extreme whipping  Bart kept in contact with his father, however, who  was later diagnosed with pancreatic cancer when Bart was 15  His father began to make amends for his actions and started becoming more religiously observant, reading the Bible and going to church regularly  As Arthur progressively became more ill, his relationship with his son improved dramatically; by the time Arthur died in 1991, when Bart was 18, the two were very close  Millard said that "I got a front row seat to see this guy go from being a monster to falling desperately in love with Jesus  By the time he passed away when I was a freshman in college, not only was he my best friend, he was like the Godliest man I’d ever known"  After Arthur's death, Bart became obsessed with the phrase "I can only imagine" after hearing his grandmother say that she could only imagine what Arthur was seeing in heaven  Millard found comfort in the thought and began to write it on anything he could find Once Millard started writing the song, he estimated that it took him only about ten minutes to write the lyrics  Millard said that it was one of the few songs he had ever written where there were not any mistakes in the writing process; "it was just written the way it is and left at that"  MercyMe initially attempted to record "I Can Only Imagine" as a fast song, but after several failed attempts, Millard talked with Bryson about arranging it into a slower version  As the band was tearing down the equipment in their recording studio, Bryson began playing a piano intro  Millard immediately decided to use the intro, and the rest of the song was completed in around five minutes  Although the rest of the band did not see how it would fit on the record, as it didn't meet the basic verse-chorus format the rest of the album had, they felt it needed to be included on it because it meant so much to Millard The Worship Project was released on October 14, 1999  Sales for the album far exceeded the band's previous efforts; Millard estimated the album's overall sales at 100,000, which other sources peg the album's sales as of 2006 at 60,000 or 65,000 copies  The difficulty of meeting sales demands when selling the album directly, in addition to having to book and manage for themselves, led the band to pursue a contract with a record label; MercyMe would sign with INO Records in 2000  "I Can Only Imagine" was one of several songs from the band's independent records that were selected to be included on their debut album with INO, Almost There (2001) 

Composition
"I Can Only Imagine" is set in the key of E major and has a tempo of 80 beats per minute  Bart Millard's vocal range in the song spans from the low note of B3 to the high note of G♯5  Millard is credited with writing and composing the song  A contemporary Christian and pop song, "I Can Only Imagine" has been considered both a ballad and a power ballad  The song opens up with only a piano, building up to include guitar and drums The song has a directly Christian message; its religious lyrics weren't edited for mainstream radio  In the song, the narrator wonders what it would be like to stand before God in heaven  In the refrain, the singer ponders "Will I dance for You Jesus/or in awe of you be still/Will I stand in Your presence or to my knees will I fall/Will I sing hallelujah/will I be able to speak at all/I can only imagine/I can only imagine"  Regarding the lyrical theme of "I Can Only Imagine", Millard explained to Fox News that "I was always told that if [my father] could choose, he would rather be in Heaven than here with me  As a Christian I believed that, but as an 18-year-old it was a little hard to swallow  So the questions in the song came from me asking God what was so great about Him that my dad would rather be there "

Critical reception
Critical reception for "I Can Only Imagine" was positive  Steve Losey of AllMusic praised it as being "passionate" and "emotionally compelling"  Kevin Chamberlin of Jesus Freak Hideout said the song's lyrics were "amazing"  It was called the "definite highlight" of Almost There by New Release Tuesday's Kevin McNeese, who also praised its piano intro, saying it "instantly invokes chills", as well as the song's lyrical content  Charisma writer Margaret Feinburg lauded the song's "heart-gripping" lyrics, and it was cited as the centerpiece of the album by Megumi Nakamura of Cross Rhythms, who called it "beautiful and touching"  Writing for CCM Magazine, Adam Woodroof described the song as "heavenly" and said it was the highlight of Almost There  Although Russ Breimeier of Christianity Today called it "beautiful and inspiring", he questioned if "I Can Only Imagine" was actually a worship song At the 33rd GMA Dove Awards in 2002, I Can Only Imagine" earned the GMA Dove Awards for Pop/Contemporary Recorded Song of the Year and Song of the Year  Millard won the award for Songwriter of the Year at the same ceremony as well as at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards, held on June 2, 2003   In 2004, CCM Magazine ranked "I Can Only Imagine" as the fourth-greatest song in Christian music 

Legacy
"I Can Only Imagine" has been regarded as MercyMe's "breakthrough hit" as well as their signature song  It is the most-played song in the history of Christian radio and one of the most-played songs in the history of contemporary music  As of April 2018, it is the best-selling Christian song of all-time  It has consistently ranked among the best-selling Christian digital songs each year in the Billboard year-end charts, ranging from number 19 in 2016 to number three in 2018  It is often requested to be played at funerals  "I Can Only Imagine" was named the official inspirational song for the state of Oklahoma in 2018; the measure was passed by the Oklahoma Legislature and signed by Governor Mary Fallin The story behind "I Can Only Imagine" was adapted into a film  Directed by the Erwin Brothers and starring J  Michael Finley as Bart Millard and Dennis Quaid as Arthur Millard, the movie was released to theaters on March 16, 2018  It received mixed to positive reviews from critics, and exceeded initial expectations at the box office, grossing $17 1 million in its opening week  This was the fourth best-ever opening for a faith-based film, behind only The Passion of the Christ, Son of God, and Heaven Is for Real  The film finished its theatrical run having grossed $83 4 million in the United States and Canada and $1 8 million in other territories for a worldwide total of $85 2 million  As of August 2019, it ranks as the fifth-highest grossing music biopic of all-time in the United States (behind Bohemian Rhapsody, Straight Outta Compton, Walk the Line, and Rocketman) and was the highest-grossing independent film of 2018 

Release and promotion
Originally, "I Can Only Imagine" was set to be released by fellow Christian artist Amy Grant  Millard had initially declined a request from Grant's record label to allow her to record the song; some segments of the Christian community had reacted negatively to her divorce, and Millard wasn't sure if he wanted to be involved  After consulting with his pastor, who felt Millard should accept the opportunity, he began to reconsider, and finally agreed to let her cover it after talking with Grant over the phone  Grant had planned to release her version of the song as the lead single from her upcoming album and MercyMe would release a different song as their first single, hoping to capitalize on having written what would presumably become a major hit for Grant  The band released their first single from Almost There, "Bless Me Indeed (Jabez's Song)", which performed poorly at Christian radio, leading to poor sales of the album  Plans were made to release another single from the record, but the band's manager, Scott Brickell, decided to reach out to Grant to see if she still planned to release her version as a single  Grant gave MercyMe her blessing to release the song as a single and signed the rights back to the band; "I Can Only Imagine" was released on October 12, 2001, as the album's second single The song debuted on the Christian AC chart on November 2, 2001, reached the No  1 position on February 22, 2002, and spent two weeks at the top spot  It also peaked at No  15 on the Radio & Records Christian CHR chart  The song became the most-played song on Christian radio in 2002  As a result of its success on radio, Almost There experienced a "surge" in sales, debuting on the Billboard 200 in December 2001 and entering the top ten on the Christian Albums chart in January 2002  The song stayed on Christian radio for so long that plans to release a third single from Almost There were cancelled, with the band instead beginning work on a new album In 2003, a Dallas mainstream radio station, 100 3 Wild-FM, played the song on its morning show, The Fitz Radio Program  They had responded to a caller's repeated requests and the urgings of the program's producer, Todd Sheppard, a former seminary student  Although it had been played almost as joke, it soon became the most requested and most played song on the station  After hearing the song played on the station, Millard called-in and spoke with the crew, and MercyMe then came in and played the song live  Big Gay Steven, one of the show's hosts, described their audience's response to the song as "overwhelming"  As other mainstream stations around the country began to play the song, MercyMe's label, INO Records, partnered with Curb Records to market the single to mainstream radio  Its initial success was seen as surprising due to its overtly religious themes, although several other Christian artists had begun achieving mainstream success at the same time, including Stacie Orrico, whose singles "Stuck" and "(There's Gotta Be) More to Life" had both hit the Billboard Hot 100  Curb began to promote the song to adult contemporary and Top 40 radio, and INO and Curb released a double A-side physical single, "I Can Only Imagine/Word of God Speak", in September 2003 "I Can Only Imagine" debuted on the Adult Contemporary chart on May 23, 2003, eventually peaking at No  5 for the chart week of September 8, 2003  "I Can Only Imagine" spent 30 weeks on the chart  The song debuted on the Billboard Hot 100 for the chart week of October 11, 2003 at No  76  The song peaked at No  71 and spent 16 non-consecutive weeks on the chart  "I Can Only Imagine" also peaked at No  1 on the Billboard Hot 100 Singles Sales chart, a component chart of the Billboard Hot 100 that ranks the best-selling physical single releases, for 10 weeks  During the week of November 22, 2003, it became the first No  1 physical single to be outsold by the highest-selling digital single of the week; for that week, "I Can Only Imagine" sold 7,500 physical copies in the United States while Outkast's "Hey Ya!" sold 8,500 digital downloads  The song also charted on the Mainstream Top 40, Adult Top 40, and Country Songs charts In 2012, "I Can Only Imagine" appeared on France's Syndicat National de l'Édition Phonographique (SNEP) chart, spending two weeks and peaking at No  65  In March 2018, following the release of the film I Can Only Imagine, which was based on the song's story, it appeared on the Billboard Christian Songs chart; because the chart had been created after the song's original run on Christian radio, it was eligible to chart for the first time  It debuted at No  2 on the Billboard Christian Songs chart and also spent a third week at No  1 on the Billboard Christian Digital Songs chart; the song had spent 425 weeks on the chart at that point, the longest run of any song in the chart's history  "I Can Only Imagine" peaked at No  1 on the Christian Songs chart on March 31, 2018, and spent three weeks at the top spot  It also peaked at No  10 on the Billboard Digital Songs chart and ranked at No  8 on the 2018 year-end Christian Songs chart In April 2010, "I Can Only Imagine" was certified platinum by the RIAA, signifying sales of over 1 million digital downloads  It was the first single by any artist in the Christian music genre to go platinum  The song was certified double platinum in September 2014, triple platinum in June 2018, and quadruple platinum in September 2019  As of March 2018, it has sold 2 5 million copies, making it the best-selling Christian single of all time 

Music video
A music video was released for "I Can Only Imagine"  According to Millard, the video's inspiration came from seeing people holding empty picture frames at their concerts, symbolizing their deceased loved ones  Millard said that the "I've had so many people after a show pull out a picture of someone they've lost  These people embrace these photos and I just thought how can we tap into that"  The video features everyday people as well as several music artists including Michael Tait, Tammy Trent, Bob Herdman, and Jesse Katina, each holding an empty picture frame to signify their loss of a loved one; as the video progresses, they are holding pictures of their loved ones including Millard with his father's photograph 

Live performances
Despite including "I Can Only Imagine" on The Worship Project, MercyMe initially did not perform the song in concerts because they felt it did not fit with the rest of the record  The band's first performance of the song did not come until the summer after the release of The Worship Project at a summer camp at the request of a camp counselor  The band has played the song at every show since as of February 2009 MercyMe's 2004 concert tour (the Imagine Tour) and 2018–19 tour (the Imagine Nation Tour) both took their name from the song MercyMe performed "I Can Only Imagine" at the 33rd GMA Dove Awards, with an accompanying "inspiring video that underscored the emotional and inspirational power of song"  The band also performed the song at the 40th GMA Dove Awards, held on April 23, 2009, in a medley with "Finally Home"  At the 2017 National Prayer Breakfast, MercyMe performed the song with President Donald Trump in attendance  In March 2018, MercyMe performed "I Can Only Imagine" live on Fox & Friends to promote the film 

Other versions
Both an acoustic and live version of "I Can Only Imagine" were included in the Platinum edition of Almost There, which was released in August 2006  MercyMe released a new recording of the song on their iTunes Originals album, which was released in March 2008  On their compilation album 10, MercyMe released a new recording of the song featuring the London Session Orchestra as well as a live version  For their 2018 compilation album I Can Only Imagine: The Very Best of MercyMe, released to commemorate the release of the movie, the band recorded an updated recording titled "I Can Only Imagine (The Movie Session)", which peaked at No  19 on the Billboard Christian Songs chart "I Can Only Imagine" has been covered by several artists  In 2002, Amy Grant released her reworked version of the song, titled "Imagine" and paired with "Sing the Wondrous Love of Jesus", on her album Legacy    Hymns and Faith  Country singer Jeff Carson's 2003 cover peaked at No  50 on the Country Songs chart, and in 2014, gospel singer Tamela Mann's cover of the song spent 13 weeks atop the Billboard Gospel Songs chart  In May 2017, Aliyah Moulden, the third-place finisher on the 12th season of the reality competition show The Voice, performed the song on the show; her version debuted and peaked at No  4 on the Billboard Christian Songs chart, selling 15,000 copies in its first week and spending two weeks on the chart in total 

Track listing
CD release
"I Can Only Imagine" – 4:06 (Bart Millard)
"Word of God Speak" – 3:07 (Peter Kipley, Millard)

Personnel
(Credits from the album liner notes)MercyMe

Bart Millard – vocals
Jim Bryson – keyboards
Nathan Cochran – bass guitar, background vocals
Mike Scheuchzer – guitar, background vocals
Robby Shaffer – drumsAdditional performers

Paltrow Performance Group – stringsTechnical

Julian Kindred – engineer
Pete Kipley – producer, programming
Skye McCaskey  – engineer
Salvo – mixing
Shane Wilson – mixing

Release and radio history
Charts and certifications
Certifications
Passage 11:
WAJI
WAJI (95 1 FM) is a commercial radio station broadcasting an adult contemporary format  Licensed to Fort Wayne, Indiana, United States, the station is owned by Bloomington–based Sarkes Tarzian, Inc WAJI broadcasts in HD, with its HD2 channel simulcasting sister station WGBJ, and its HD3 channel broadcasting a "Top 20" CHR format 

History
WAJI was known as WPTH throughout the 1960s and 1970s as a sister station to WPTA television, and in the summer of 1974 branded themselves as "Rock 95", using TM Productions' "Stereo Rock" Top 40 reel to reel automation package  The station went live in 1979, and changed calls in 1981 to WFWQ (95Q), continuing to do battle with 97 3 WMEE for the Top 40 audience in Fort Wayne  The station mellowed to Adult Contemporary, eventually changing to its current WAJI calls and imaging in 1985  "Majic 95" soon once again became one of Fort Wayne's top-rated stations, reaching #1 in the market several times during the late 1980s 
On March 20, 2014, the first day of spring WAJI changed names to BEST FM 95 1 WAJI reflecting the music they play today 
The station lineup consisted of "The BEST-FM Morning Show" with Sid Kelly, Angie Nash and James Raggi   Mandi Michaels, Program Director Dan Kennedy and Dave B  Goode (who also serves as the station's Promotions Director) 
Angie Nash spent the previous ten years of her career at cross-town WJFX Hot 107 9 before joining the morning show   Afternoons were handled by Dan Kennedy who also serves as the stations Director of Programming   Kennedy was VP/Programming for five station Grenax Broadcasting in Arizona prior to his arrival in Fort Wayne in 2012  Dave B  Goode hosts weeknights after spending several years at stations such as crosstown WBTU and WNHT  Dave also serves as the station's Promotions Director 
After changing formats, BEST-FM has brought in several new staff members  On June 23, 2014 it was announced that James Raggi would join Angie Nash for mornings after spending three years as an intern/producer in Boston on Kiss 108 
In September 2014 Mandi Michaels joined the staff as the new mid-day personality 
On October 24, 2014 Best FM announced the hiring of Sid Kelly  Sid was brought in to be the new host of the morning show, joining Angie and James  Sid Kelly came to WAJI after spending 3 and-a-half years at WVKS 92 5 Kiss FM in Toledo 
In July 2015 Program Director/afternoon personality Dan Kennedy announced he was leaving the station after 4 years to take a job outside of radio 
In September 2015 Captain Chris (Didier) Program Director of sister station WLDE, Fun 101 7 was named Program Director for WAJI and Operations Manager for the all 3 Fort Wayne, IN, Sarkes Tarzian radio stations 
On September 4, 2015, 95 1 rebranded back to "Majic 95 1"  The new Majic is being positioned as “Songs You Can Sing Along To” and comes with the exit of several staffers over the previous few weeks, with the first song being "You and Me" by Lifehouse  Program Director Dan Kennedy left in July for a non-radio industry position  Morning host Sid Kelly, producer James Raggi, and middayer Mandi Michaels were let go earlier that week leading up to the change  Later on, they changed their slogan to "Songs that make you feel good" 
The current WAJI line-up consists of Angie Nash, Andy Beckman, and Katrina Walburn live in mornings  According to WAJI, Katrina Walburn helps you through the Afternoons, and Andy and "Kat" in the morning do a live podcast from 5:30 AM to 10 AM EDT and EST 
On September 8, 2022, WAJI moved its CHR format and "The Twenty FM" branding from its HD2 subchannel to its HD3 subchannel 

Awards and charitable activities
In 2002, Majic 95 1 began an annual 2-day telethon called the "Majic Riley Radiothon" to raise funds for Riley Hospital for Children in Indianapolis, Indiana  In 2006,  this fundraising effort expanded to include local Fort Wayne recording facility Sweetwater Studios  The radio station and recording studio partnered to record live, acoustic music from nationally recognized artists and bands traveling through Fort Wayne  These recordings, along with others, have been used to produce an ongoing series of "Majic Miracle Music" charity CDs  100% of proceeds from the sale of these CDs benefits Riley Hospital for Children  Artists who recorded at Sweetwater Studios for "Majic Miracle Music" CDs include REO Speedwagon, Ingrid Michaelson, Lenka, Aimee Allen, Jars of Clay, Rick Springfield, Ben Jelen, Josh Kelley, Sara Bareilles, Jon McLaughlin, Gin Blossoms, and Collective Soul In 2005, 2006 and again in 2007, WAJI won Radio&Records Hot AC station of the year for their community support and programming excellence 
In late 2010, WAJI MidDay Host Barb Richards received the Bob Lind Supporter of the Year national award from the Children's Miracle Network for her active involvement in helping Riley Hospital for Children with the Majic Riley Radiothon, Majic Miracle Music releases, and involvement in other Riley Hospital-related activities In 2011, WAJI Program Director Dan Kennedy received the distinguished Edison 30 Under 30 Award for his programming achievements under the age of 30   He was also awarded the Copper Radio Award for his service to the communities of Arizona while programming a group of stations in that state  In 2015, WAJI Program Director Dan Kennedy was awarded the Fort Wayne 40 Under 40 award for service and excellence to the community 

Previous logo
Passage 12:
Minipops
Minipops is a television series broadcast in 1983 on Channel 4 in the United Kingdom  Designed primarily for younger viewers, it consisted of music performances on a brightly coloured set featuring preteen children singing then-contemporary pop music hits and older classics  The children were usually made to look like the original performers, including clothing and make-up  Controversy over children singing songs that often contained a subtext of adult content (in adult costumes and make-up) led to the show's cancellation after one series 

History
Minipops was the brainchild of Martin Wyatt, who created a new child group from London called the MiniPops and released an album in 1982 which reached the top 30 in the UK and Europe  This resulted in a French record label releasing a single from the album, "Stupid Cupid",  which was sung by Martin Wyatt's young daughter Jo  The song reached number 1 in France, knocking "Ebony and Ivory" off the top spot Head of Entertainment Cecil Korer at Channel 4 and record producer Mike Mansfield embraced the idea of producing a TV show around the MiniPops; Korer believed it would boost and broaden the group's audience appeal  On 4 July 1982, thousands of amateur child performers from across Britain descended on a London theatre for the audition in a search to find additional children to sing and star in the television show with the original five members of the group 

Criticism
The programme began attracting criticism from commentators in the British media for the portrayal of children in this manner (one caller on Channel 4's Right to Reply programme stated, "Minipops should be called MiniWhores  Are you people out of your mind?") 

Discography
Seven albums were produced and released in the UK, Europe and Canada 

Albums
Before the television show:

The Mini Pops (1982)After the television show:

We're the Mini Pops (1983)
Christmas (1984)
Let's Dance (1984)
Wanna Have Fun (1985)
Magic Juke Box (1986)
Rocket to the Stars (1989)In Canada We're the Mini Pops was successful, becoming the third-highest-selling album in Canada at the time  This prompted the Minipops to hold a three-week tour in 1983, enjoying controversy-free success A number of singles were released across Europe 

See also
Kidz Bop
Mini Pop Kids
Context 2: Passage 1:
American Horror Story: Freak Show
The fourth season of the American horror anthology television series American Horror Story, subtitled Freak Show, is set in 1952 Jupiter, Florida, telling the story of one of the last remaining freak shows in the United States and their struggle for survival  The ensemble cast includes Sarah Paulson, Evan Peters, Michael Chiklis, Frances Conroy, Denis O'Hare, Emma Roberts, Finn Wittrock, Angela Bassett, Kathy Bates, and Jessica Lange, with all returning from previous seasons, except newcomers Chiklis and Wittrock  The season marks the first not to be strictly anthological, with Lily Rabe, Naomi Grossman, and John Cromwell reprising their roles from the series' second cycle, Asylum 
Created by Ryan Murphy and Brad Falchuk for cable network FX, the series is produced by 20th Century Fox Television  Freak Show was broadcast between October 8, 2014, to January 21, 2015, consisting of 13 episodes  Like its predecessors, the season was met with positive reviews and consistently strong ratings  The premiere episode attracted a series high of 6 13 million viewers, making it the most viewed episode of the series  It ultimately became FX's most-watched program ever, surpassing its previous installment, Coven  The season garnered a total of twenty Emmy Award nominations, the most for any season of American Horror Story to date, including nominations for Outstanding Limited Series, and six acting nominations for Lange, O'Hare, Wittrock, Paulson, Bassett, and Bates  In addition, Paulson won for Best Supporting Actress in a Movie or Limited Series at the 5th Critics' Choice Television Awards 

Cast and characters
Main
Sarah Paulson as Bette and Dot Tattler
Evan Peters as Jimmy Darling
Michael Chiklis as Dell Toledo
Frances Conroy as Gloria Mott
Denis O'Hare as Stanley
Emma Roberts as Maggie Esmerelda
Finn Wittrock as Dandy Mott
Angela Bassett as Desiree Dupree
Kathy Bates as Ethel Darling
Jessica Lange as Elsa Mars

Special guest stars
Wes Bentley as Edward Mordrake
Celia Weston as Lillian Hemmings
Gabourey Sidibe as Regina Ross
Matt Bomer as Andy
Danny Huston as Massimo Dolcefino
Lily Rabe as Sister Mary Eunice McKee
Neil Patrick Harris as Chester Creb

Recurring
Naomi Grossman as Pepper
Grace Gummer as Penny
Chrissy Metz as Barbara / Ima Wiggles
Malcolm-Jamal Warner as Angus T  Jefferson
Erika Ervin as Amazon Eve
Mat Fraser as Paul the Illustrated Seal
Jyoti Amge as Ma Petite
Rose Siggins as Legless Suzi
Ben Woolf as Meep
Lee Tergesen as Vince
Christopher Neiman as Salty
Drew Rin Varick as Toulouse
PJ Marshall as Detective Colquitt
John Carroll Lynch as Twisty the Clown
Major Dodson as Corey Bachman
Skyler Samuels as Bonnie Lipton
Patti LaBelle as Dora Ross

Guest stars
Jamie Brewer as Marjorie
Mare Winningham as Rita Gayheart
Matthew Glave as Larry Gayheart
David Burtka as Michael Beck
Heather Langenkamp as Female Toulouse
Jerry Leggio as Dr  Bonham
Dalton E  Gray as Mike
Shauna Rappold as Lucy Creb
Kathy Deitch as young Ethel Darling
Edward Gelhaus as young Dell Toledo
Jyoti Amge as Ma Petite
Angela Sarafyan as Alice
John Cromwell as young Arthur Arden

Episodes
Production
Development
In November 2013, FX announced that the show had been renewed for a fourth season  Series co-creator Ryan Murphy hinted that clues about the fourth season would be hidden in the final episodes of the third season  In March 2014, the season was revealed to be set at a carnival, according to co-executive producer/writer Douglas Petrie  It was also revealed that Lange would be playing a role similar to Marlene Dietrich  Murphy revealed that the season would take place in 1950, adding: "If you look historically what happened in the year 1950, there's some more clues in that year  It's a period piece  We try and do the opposite of what we've done before  Jessica Lange has already started practicing her German accent, so I'm very excited!" Murphy indicated that this season drew inspiration from Tod Browning's Freaks and Herk Harvey's Carnival of Souls  This season featured the largest set ever constructed for American Horror Story, with Murphy stating: "We had to build an entire city  We built an entire huge compound, and then we had to build the interior of all those buildings on set  It's all, period  And it's all based on [production designer] Mark Worthington's immaculate research "

Casting
Ryan Murphy confirmed that Jessica Lange would be returning for a fourth season, although said to be in a reduced capacity  She portrayed Elsa Mars, the owner of the freak show  In November 2013, Murphy said he approached Kathy Bates and Angela Bassett to return  Bassett later confirmed in an interview with Access Hollywood that she would be indeed coming back  They portrayed Ethel Darling and Desiree Dupree, respectively  In an interview with The Hollywood Reporter, Sarah Paulson revealed she would be returning, possibly for a main role, which was later revealed to be the conjoined twins Bette and Dot Tattler  It was announced at the PaleyFest 2014 that the cast members present at the panel would all be returning for the fourth season in some capacity, including Denis O'Hare (Stanley), Emma Roberts (Maggie Esmerelda), Frances Conroy (Gloria Mott), Evan Peters (Jimmy Darling), and Gabourey Sidibe (Regina Ross)  Jamie Brewer was also added to the present roster, although Murphy later indicated Brewer may not appear during the season  She was later confirmed to portray the ventriloquist dummy Marjorie after appearing in a promo for the final episodes  Additionally, Michael Chiklis was announced to play the father of Peters' character and ex-husband of Bates' character, the strongman Dell Toledo  Finn Wittrock was the last lead actor joining the cast  He portrayed the psychopathic Dandy Mott 
In July 2014, TVLine reported that Wes Bentley would appear in the season' two-part Halloween episode as Edward Mordrake  At the Comic-Con 2014, it was announced that John Carroll Lynch would portray one of the central antagonist during the season, Twisty the Clown  In August 2014, R&B singer Patti LaBelle joined the cast for a four-episode story arc as the mother of Sidibe's character, named Dora, the Motts' housekeeper  Also in August 2014, it was revealed that Matt Bomer would  be guest-starring in one episode as Andy, Dell's secret lover  Murphy took to his Twitter account to announce that the world's smallest woman Jyoti Amge has joined the cast as Ma Petite  Murphy had written a role specifically for Coven alum Leslie Jordan, but he did not appear on the show due to scheduling conflicts In September 2014, it was reported that Asylum alum Naomi Grossman would return to portray Pepper, which marked the first time a character appeared in multiple seasons of the series  Lily Rabe also reprised her Asylum character Sister Mary Eunice McKee in the tenth episode, "Orphans"  Mare Winningham made an appearance in the same episode, as Pepper's sister Rita  Neil Patrick Harris guest starred in two episodes as Chester, who takes over the freak show when Elsa leaves for Hollywood  Harris' husband, David Burtka, appeared in the season finale as Elsa's husband 

Filming
At Paley Center for Media's 2014 PaleyFest event, Ryan Murphy announced that the season's filming would take place again in New Orleans, Louisiana, although the show's setting is in Jupiter, Florida  The premiere episode was directed by co-creator Murphy, his first effort since the pilot  Principal photography for the season began on July 15, 2014  Production on the season concluded on December 19, 2014 

Marketing
A video released in July 2014, entitled "Fallen Angel", was reported by many news sources to be an official Freak Show trailer  The video – which featured the American Horror Story title card – was later taken down after FX confirmed it was fan-made  Before the debut of the fan-made video, FX had not released any official trailers concerning the upcoming season  The first official teaser was released on August 20, 2014, entitled "Admit One" As with previous seasons, FX released a series of teaser trailers on the show's YouTube page  FX also used the marketing hashtag #WirSindAlleFreaks in the German language, and its English translation #WeAreAllFreaks 

Reception
Critical response
American Horror Story: Freak Show has received mostly positive reviews from critics  On Metacritic, it scored a 69 out of 100 based on 19 reviews, indicating "generally favorable reviews"  The review aggregation website Rotten Tomatoes reported a 77% approval rating with an average rating of 7 29/10 based on 35 reviews  The website's consensus reads, "Though it may turn off new viewers unaccustomed to its unabashed weirdness, Freak Show still brings the thrills, thanks to its reliably stylish presentation and game cast "

Awards and nominations
In its fourth season, the series was nominated for 76 awards, 21 of which were won 

Home media
Soundtrack
The opening theme for the 4th season of AHS is "Carousel" by Melanie Martinez, a song from her debut album "Cry Baby" 
Every cover song performed in Freak Show was released by 20th Century Fox TV Records in online music stores following the broadcast of the episode in which it appeared, except the cover of David Bowie's "Heroes", performed by Jessica Lange in "Curtain Call "
Passage 2:
Adelaide Malanotte
Adelaide Malanotte (1785 – 31 December 1832) was an Italian operatic contralto who performed in major opera houses in Italy from 1806–1821  She is best known for creating the title role in the world premiere of Gioachino Rossini's Tancredi in 1813  After her marriage, she performed under the name Adelaide Montresor  Her son, Giovanni Battista Montresor, had a career as a tenor and impresario in the United States  From 1812 until her death 20 years later she carried on an extra-marital affair with the poet Luigi Lechi 

Life and career
Born in Verona, Malanotte made her professional opera debut in her native city in 1806  In 1808 she was heard at the Teatro Comunale di Bologna as Ariodante in Simon Mayr's Ginevra di Scozia  In 1809 she performed the role of Enrico in the world premiere of Stefano Pavesi's Elisabetta regina d'Inghilterra at the Teatro Regio di Torino  She returned to that theatre the following year to perform the role of Itaferne in the premiere of Giuseppe Nicolini's Dario Istaspe  She also appeared at the Teatro Valle in Rome in 1810 in the premiere of Nicola Antonio Manfroce's Alzira In 1811 Malanotte made appearances at the opera house in Ravenna and sang in Alzira again at the opera house in Monza  In 1812 she sang at La Fenice in the title role of Gaetano Rossi's Teodoro for the work's world premiere  She was also heard that year in Florence  She had a major triumph at La Fenice in 1813 when she performed the title role in the world premiere of Gioachino Rossini's Tancredi  She later performed that role in Ferrara (1814), Bologna (1814), Livorno (1816), and Naples (1818)  The latter performance was attended by composer Ferdinand Hérold who "did not like the timbre of her voice but thought her style, taste and intonation perfect" Malanotte sang in two more world premieres at La Fenice during her career: Pavesi's Le Danaidi romane (1816, Cajo Valerio) and Francesco Basili's L'ira d'Achille (1817, Achille)  She retired from the stage in 1821  She died in Salò in 1832 at the age of 47 
Passage 3:
Today Is the Day (Lincoln Brewster album)
Today Is the Day is the fourth studio album from contemporary Christian musician Lincoln Brewster  It was released on September 23, 2008 and debuted at No  56 on the Billboard 200  Lincoln has embedded many personal connections into the audio on this record, the foremost of which is his son's unborn heartbeat, setting the tempo in the first seconds of "The Power of Your Name" 

Release
The song "Today is the Day" marked the first all-new studio single released by Brewster since 2002, in his album Amazed  Christianity Today's Russ Breimeier attributed this six-year hiatus in new material to Brewster's new family and to his responsibilities as Worship Arts pastor at Bayside Church nearby Sacramento, California  The song's lyrics were written by Paul Baloche, combining the themes of Bible verses Matthew 6 and Psalm 118  The second track, "Everywhere I Go", was written with Glenn Packiam, a member of Desperation Band 

Track listing
Personnel
Reception
Christianity Today's Russ Breimeier stated that "Today Is the Day" and "Everywhere I Go", the first two tracks of the album, were a "welcome return to form, even if the first two songs aren't the strongest way to start " He said that "Today Is the Day" was neither bad nor boring, but felt it was "on par with the average modern worship song " Russmeier compared the familiarity of "Today Is the Day" with the more experimental songs later in the eponymous album, praising Brewster's ability to experiment over his first few songs Breimeier noted the similarities in style between Brewster's "The Arms of My Savior" and John Mayer's Gravity, and between "This Love" and Mayer's Waiting on the World to Change  He also related the "bluesy gospel-rock"  song "Give Him Praise" to Robert Randolph and the Family Band, praising it for its "thrilling and joyful" feel 
Passage 4:
Hummingbird Heartbeat
"Hummingbird Heartbeat" is a song recorded by American singer Katy Perry for her third studio album, Teenage Dream (2010)  It was written by Perry, Christopher "Tricky" Stewart, Stacy Barthe, and Monte Neuble  Stewart handled the production of the song, while Kuk Harrell produced Perry's vocals  "Hummingbird Heartbeat" was inspired by Perry's boyfriend at the time, Russell Brand Musically, it is a 1980s-styled hard rock song that contains a mixture of elements from rock and electronica  Lyrically, the song compares the feeling of being in love to the speed of a hummingbird's heartbeat  The song received generally positive reviews from music critics, many of whom labeled it as a potential single choice  Upon the release of Teenage Dream, "Hummingbird Heartbeat" charted on the lower regions of the South Korea Gaon International Chart, peaking at 124 

Background and composition
In an interview with YouTube about Teenage Dream in August 2010, Perry revealed that "Hummingbird Heartbeat" was one of the first songs she wrote for the album after she finished her Hello Katy Tour (2009)  When speaking about the song, Perry said she first had the idea for the song while she was in her hometown of Santa Barbara, California:
"I was at breakfast when I saw this hummingbird, and the hummingbird was having breakfast as well      and I don't know if you know this but hummingbirds are supposedly good luck and I was thinking 'How fast does their hearts beat?' , like 'how many beats per minute?' And using that idea for how someone makes you feel, instead of those butterflies, it makes your heart beat really, really fast ""Hummingbird Heartbeat" is a 1980s-styled hard rock song that contains a mixture of elements from rock and electronica  The song encompasses electric guitars, a piano, and synthesizers in its production  The song also features an acoustic drum kit, unlike the other songs in the album 

Reception
Upon the release of the Teenage Dream album, "Hummingbird Heartbeat" charted on the lower regions of the South Korea Gaon International Chart, peaking at 124  Tom Thorogood from MTV gave a positive review of the song, labeling it a strong single choice and calling it a: "nice companion to Teenage Dream, 'the story of the birds and the bees' is more grown up with proper guitars " Jeb Inge of The Journal called "Hummingbird Heartbeat" the strongest song on the album, while Michael Gallucci of Cleveland Scene declared the song an album highlight and compared it to "Teenage Dream", adding that they were both "top-down bangers " Gary Trust from Billboard compared "Hummingbird Heartbeat" to the first five Teenage Dream singles, and felt that if released as a single, would help Perry become the first artist with six number-one singles on the Billboard Hot 100  In July 2013, Robert Copsey and Lewis Corner of Digital Spy said "a full music video and worldwide push would have been more satisfactory" From February 20, 2011 to January 22, 2012, Perry embarked on the California Dreams Tour, where she performed "Hummingbird Heartbeat"  For most of its shows, the song was the second track performed  It preceded "Waking Up in Vegas" and followed "Teenage Dream" 

Credits and personnel
Credits are adapted from the liner notes of Teenage Dream 

Charts
Passage 5:
Eye of the Tiger
"Eye of the Tiger" is a song by American rock band Survivor  It was released as a single from their third album of the same name and was also the theme song for the 1982 film Rocky III, which was released a day before the single  The song was written by Survivor guitarist Frankie Sullivan and keyboardist Jim Peterik, and it was recorded at the request of Rocky III star, writer, and director Sylvester Stallone, after Queen denied him permission to use "Another One Bites the Dust", the song Stallone intended as the Rocky III theme  The version of the song that appears in the film is the demo version of the song  The film version also contained tiger growls, which did not appear on the album version  It features original Survivor singer Dave Bickler on lead vocals  The song is also the title song to the 1986 film of the same name  "Eye of the Tiger" is written in the key of C minor It gained tremendous MTV and radio airplay and topped charts worldwide during 1982  In the United States, it held No  1 on the Billboard Hot 100 chart for six consecutive weeks (the band's only song to top the chart) and was the No  2 single of 1982, behind Olivia Newton-John's "Physical"  It spent fifteen consecutive weeks in the top ten, the second-longest run of 1982, behind "Hurts So Good" by John Mellencamp (which was prevented from reaching the top of the Hot 100 by "Eye of the Tiger")  This top ten run is tied with the aforementioned "Another One Bites the Dust" as well as "Physical" as the longest run in the top ten for a number one song during the entire 1980s decade  The band won an award for "Best Rock Performance by Duo or Group with Vocal" at the 25th Annual Grammy Awards  In September 1982, it also peaked at No  1 in the United Kingdom, remaining at the top of the UK Singles Chart for four consecutive weeks  The single sold 956,000 copies in United Kingdom in 1982 It was certified platinum in August 1982 by the RIAA, signifying sales of 2 million vinyl copies  The song had sold over 4 1 million in digital downloads in the United States alone by February 2015  It was voted VH1's 63rd-greatest hard rock song 

Background
In an interview with Songfacts, co-writer Jim Peterik, who shared writing credit with Frankie Sullivan, explained the song's title 

At first, we wondered if calling it "Eye of the Tiger" was too obvious  The initial draft of the song, we started with "It's the eye of the tiger, it's the thrill of the fight, rising up to the spirit of our rival, and the last known survivor stalks his prey in the night, and it all comes down to survival " We were going to call the song "Survival"  In the rhyme scheme, you can tell we had set up "rival" to rhyme with "survival"  At the end of the day, we said, "Are we nuts?" That hook is so strong, and "rival" doesn't have to be a perfect rhyme with the word "tiger"  We made the right choice and went with "Eye of the Tiger" 

Accolades
The song was nominated for the 1982 Academy Award for Best Original Song (the only Oscar nomination for Rocky III), but it lost to "Up Where We Belong" from An Officer and a Gentleman The band won an award for "Best Rock Performance by Duo or Group with Vocal" at the 25th Annual Grammy Awards  The song was also nominated for the 1983 Grammy Award for Song of the Year, but lost to the Willie Nelson hit "Always on My Mind" 

Lawsuits
Newt Gingrich campaign
In 2012, Survivor sued Republican presidential candidate Newt Gingrich in Illinois federal court for using "Eye of the Tiger" without authorization as entrance music at his political rallies going back as far as 2009  The suit was later settled out of court 

Mitt Romney campaign
The same year Sullivan also demanded that Mitt Romney, also a Republican candidate for president, should stop using "Eye of the Tiger" at his campaign rallies  Romney agreed to drop the song from the campaign's playlists 

Mike Huckabee's campaign
Frankie Sullivan's company Rude Music filed a lawsuit in federal court in Chicago, Illinois, on November 18, 2015, against the former Governor of Arkansas and Republican presidential candidate Mike Huckabee's campaign organization for using "Eye of the Tiger" at a political rally without permission  The rally took place on September 8, 2015, when Kim Davis, a Kentucky county clerk, was released from jail after spending five days there for refusing to issue marriage licenses to same-sex couples in Kentucky  In June 2016 it was reported by CNN that Huckabee had agreed, in a confidential, out-of-court settlement with Sullivan's Rude Music, to pay $25,000 in compensation 

Credits and personnel
Credits adapted from the album Eye of the Tiger 
Dave Bickler – lead vocals
Frankie Sullivan – lead and rhythm guitars
Jim Peterik – grand piano, electric guitar
Stephan Ellis – bass
Marc Droubay – drums

Charts
Weekly charts
Certifications
See also
Passage 6:
Heartbeat (Nina Sky song)
"Heartbeat" is a song by American twins duo Nina Sky  It was released as a second single from their third studio album Nicole and Natalie on June 14, 2012  The song is released independently through their official website  Music video for the song is released on July 27, 2012, four days before the album's release  Later, Heartbeat: Remixes, a remix EP, was also released 

Music video
Its filming as started on May 26, 2012 when they put pictures of filming on Facebook  It was directed by Adam Sauermlich for the second time (he also has directed music video for the song "Day Dreaming")  Concerning the video, the band stated: "We knew we wanted it to be more about the feeling of the song and less about the story  The colors, environment, and everyone dancing in their own element creates this surreal feeling of freedom  It’s just about listening to the rhythm inside you and letting that rhythm guide you " On July 27 the music video was released  It features the sisters prancing through fields during a party with multi-colored smoke and dancing with many people 

Track listing
Digital download"Heartbeat" - 4:20Heartbeat – The Remixes EP"Heartbeat" (AC Slater Remix) - 4:45
"Heartbeat" (Bailey Smalls Remix) - 6:22
"Heartbeat" (The Sizzaandz Remix)
Passage 7:
Lovely to See You
On the Threshold of a Dream is the fourth album by The Moody Blues, released in April 1969 on the Deram label 

Content
The album begins with a poem derived from Cogito, ergo sum and inspired by I have no mouth and I must scream accompanied by electronic sounds, and these sounds also appear at the close of the album –  Most European vinyl pressings of the album continue the sounds into the album's run-out groove, causing them to play continuously until the record player's tonearm is lifted  Tape and CD versions of the album employ a slow fade 

Release
On the Threshold of a Dream was released on 25 April 1969 in the UK and 30 May 1969 in the US  On the Threshold of a Dream provided the Moody Blues with their first British number-one album, and also boosted their American fortunes by becoming their first top-20 album there  It proved to be one of the group's more enduring records in the US, staying in the Billboard LPs chart for more than two and a half years 
The album, along with the subsequent To Our Children's Children's Children, was among the tapes carried by Apollo 15 astronaut Al Worden to the moon In March 2006 the album was completely remastered into SACD format and repackaged with nine extra tracks  In 2008 a remaster for standard audio CD was issued with the same bonus tracks 

Track listing
Personnel
Justin Hayward – vocals, guitars, cello, Mellotron (7)
John Lodge – vocals, bass guitar, cello, double bass
Ray Thomas – vocals, harmonica, flute, tambourine, oboe, piccolo, EMS VCS 3
Graeme Edge – drums, percussion, vocals, EMS VCS 3
Mike Pinder – vocals, Mellotron, Hammond organ, piano, celloAdditional personnelTony Clarke - Producer
Pete Jackson – triangle
Phil Travers – cover artwork
Lionel Bart, David Symonds – sleeve note

Charts
Certifications
Passage 8:
Nina Sky
Nina Sky is an American musical duo consisting of identical twins Nicole and Natalie Albino  Their debut single "Move Ya Body", released from their self-titled debut album in 2004, was a success, reaching number four on the Billboard Hot 100  Their second album, Nicole & Natalie, was released in July 2012  Their third studio album, Brightest Gold, was announced for 2016 release through Tommy Boy Entertainment 

Early lives
The Albino sisters were born on March 13, 1984 to a Puerto Rican family in Queens, with Natalie being the older twin  Their parents later moved to New York City and divorced when the girls were young  The sisters grew up in Astoria, Queens in the Marine Terrace area  As a result of their stepfather working as a DJ, the twins were influenced by different types of music at an early age  By the age of 7, the twins had already written their first song, titled "Sisters"  By 10, they knew that they wanted to become singers  When they were 13, they learned how to DJ and two years later were playing concerts in many clubs 
The twins' parents were very supportive of their daughters' ambitions  Their stepfather provided guitar and drum lessons and took them to auditions  They even performed occasionally on some showcases 

History
Name origin
The sisters wanted to devise a band name of their own, so they used the first two syllables of their names ("Ni" and "Na"), to come up with Nina  They then added Sky, which for them represented "independent twins" 

2003–2006: Nina Sky and mixtapes
In 2003, The Jettsonz (Elijah Wells & Lionel Bermingham) introduced the girls to Cipha Sounds, a hip hop DJ under the Star Trak label owned by The Neptunes (Pharrell and Chad Hugo)  Cipha Sounds was impressed when he heard the duo sing and suggested that they use the "Coolie Dance" riddim  The duo then proceeded to write "Move Ya Body" (alongside The Jettsonz Elijah Wells & Lionel Bermingham, who also produced the record), mixing Caribbean, R&B, and pop rhythms  Eventually, a demo of the song was made  The demo fell into the hands of Eddie O'Loughlin, the president of Next Plateau Entertainment (which is a division of Universal Records)  O'Loughlin signed the twins to a contract and they started working on their debut album  On March 18, 2004, they had their first concert under their current name at Club Demara 
The single "Move Ya Body" was released on April 27, 2004 and reached number four on the Billboard Hot 100, and number 22 on the Billboard Year-End chart  Urban music and rhythmic top 40 stations quickly added the song to their play lists, sending the song up the charts  By July 17, "Move Ya Body" had gone to the top five on both sides of the Atlantic and had also reached the top five of a world combined R&B chart based on the US, UK, Germany, France and Australia  The song had also reached the top 50 of the Australian charts  On June 22, 2004 they released their first self-titled album, featuring Jabba and Betty Wright  The album charted #44 on the US Billboard 200 and number four on the U S  R&B chart  Another single from the album, titled "Turnin' Me On," was released on November 30, 2004  It didn't have the same success as "Move Ya Body", but charted at #5 on Billboard's Bubbling Under Hot 100 chart and was a minor success in France 
Nina Sky continued to work and promote their music  They have contributed to the reggaeton movement with songs such as "Oye Mi Canto", and "Más Maíz" with artist and producer N O R E  They were also a featured artist on Sean Paul's song "Connection" from his album The Trinity 
On October 25, 2005, they released their second mixtape called La Conexión, influenced by Latin music  The album contained the single "Ladies Night" (released April 17, 2006 and featuring Ivy Queen), released with the songs "Loving You" and "Your Time"  It also contained Kassanova's remix of their single "Turnin' Me On " The album features a lot of singers: Pitbull, N O R E , Notch, Richie Rivera, Mackie, and Yaga  It also included Tony Touch's hit "Play That Song," featuring Nina Sky and B-Real, released one month before the mixtape's release  In August 2006, Nina Sky were first featured on the cover of the publication The FADER, in its 39th issue  In 2006, their third mixtape "80's Babies" was released 

2007–2011: Label issues, marriages and The Other Side
Nina Sky collaborated with French singer Kenza Farah for the song "Celle Qu'Il Te Faut", and was released in both French and English versions  The video was shot in New York  Nina Sky were recording their second studio album, Starting Today  The album was originally due on July 27, 2007  Producers include Stereotypes, Bruno & Phil, Neo da Matrix, Ryan Leslie, Salaam Remi, and more  Guests include Rick Ross and others that have yet to be announced  In late 2007, Nina Sky left their label, Universal, and signed with Polo Grounds Music/J Records 
Nina Sky have also put together remixes of popular songs including J  Holiday's, "Bed," Elliott Yamin's, "Wait For You", Cassidy's, "My Drink n My 2 Step, and The-Dream's, "I Love Your Girl"  They have also worked with Brooklyn MC Red Cafe on his street album The Co-Op, and The Alchemist on his song "Key to the City"  In 2008, Nina Sky released two singles, for Starting Today: "Curtain Call" (featuring Rick Ross) and "On Some Bulls**t"  These singles were never a big success  On December 19, 2008 Nina Sky released their first Holiday album, an EP titled Christmas 
Nina Sky appeared on Major Lazer's album, Guns Don't Kill People    Lazers Do  They were in a battle with their record company Polo Grounds Records over the release of their album Starting Today  They have said they want to be released from their contract with the label because the label does not support them  In 2010, Nicole Albino revealed she is lesbian and married female fashion designer, Erin Magee  The couple had been dating since 2009  In an interview with Inked Magazine, Magee revealed that she had her last name legally changed to Nicole's and had gotten a tattoo of the name across her right breast  With a new masculine style, the duo independently released an eight-song EP for digital download in August 2010, entitled The Other Side, which features production from DJ Yonny, Salaam Remi, Kidz in the Hall and many more  A video for the lead single, "You Ain't Got It (Funk That)" was also released  In early 2011 they worked with Creep on their song "You"  On May 16, they released the music video on their official website 

2012–present: Nicole and Natalie, motherhood, new label contract and Brightest Gold
On February 2, 2012, Nina Sky released the lead single from their upcoming third studio album, Nicole and Natalie  The single, entitled "Day Dreaming", was produced by Beau Vallis  The video for the song, directed by Adam Sauermilch, was released on February 28  On June 14, the band released "Heartbeat", the second single from the new album  A month later, on July 27, the video for "Heartbeat" was released  Concerning the video, the band stated: "We knew we wanted it to be more about the feeling of the song and less about the story  The colors, environment, and everyone dancing in their own element creates this surreal feeling of freedom  It’s just about listening to the rhythm inside you and letting that rhythm guide you " On July 31 the album was released  Album had electro, house, pop and R&B elements in songs  The album failed to charts because of independent release  On October 14, 2012, Nina Sky released third and final single from their album "Comatose"  In 2012, they finally signed out from recording label Polo Grounds Music/J Records 
On June 9, 2012, Nina Sky performed at OUT/LOUD Queer Women's Music Festival in Eugene, Oregon along with artists such as Krudas Cubensi, Tender Forever and Andrea Gibson  Later, on November 15, Nina Sky hosted Women in Business' fourth annual "Dress for Success" fashion show at Baruch College  On March 11, 2013, group released their sixth mixtape, titled Valentine's Day, hosted by Miss KL  On December 12, group released their new promotional single titled "Overtime" for digital download  The song was produced by Slimmy Neutron, who produced their album Nicole and Natalie, released in 2012 
On March 9, 2014, Natalie Albino gave birth to her son, Max  In the same month, Nicole released her first solo project, a mixtape album titled Currently Vol  1 which contained her remixes to many popular songs by singers such as Madonna, Beyoncé, R  Kelly, Mariah Carey, etc  On April 17 they announced a new single via their official Facebook site  One day later, their new song "Stoners", featuring Smoke DZA was out  Single had better success than the previous one, released in 2013
Context 3: Passage 1:
Veera Ballala II
Veera Ballala II (Kannada: ವೀರ ಬಲ್ಲಾಳ 2) (r  1173–1220 CE) was the most notable monarch of the Hoysala Empire  His successes against the Yadavas of Devagiri, the Southern Kalachuris, the Pandyas of Madurai and the waning Western Chalukya Empire, and his domination over the diminishing Cholas of Tanjore took the Hoysalas to their peak of power  The historian Chaurasia claims by the end of the 12th century, Ballala II's conquests had made the Hoysalas the most powerful dynasty of the Deccan  According to historian Derrett, Ballala II was "the most outstanding among Hoysala kings", and historian William Coelho in comparing Ballala II to King Vishnuvardhana writes, "he vied in glory with his grandfather" His court was adorned with some of the most notable of medieval Kannada language poets including the Jain poets Janna and Nemichandra, and the Brahman poet Rudrabhatta  According to the historians Chopra et al , during his rule, the Hoysala kingdom consolidated into an independent empire commencing an age of "Hoysala imperialism"  His architectural legacy includes among numerous ornate temples, the Kedareshwara temple, the Veera Narayana temple and the Amrutesvara temple  He was ably supported in war and in administrative matters by his son, prince Vira Narasimha II, and crowned queen Umadevi  His other queen Cholamahadevi was a Chola princes  His daughter Somaladevi was given in marriage to the Chola monarch Kulothunga Chola III 

Wars against the neighbouring kingdoms
Ballala II's ascendancy to the Hoysala throne in c  1173 was preceded by his successful rebellion against his weak father Narasimha I with the help of some malnad chiefs, such as the Chengalvas and the Kongalvas  He later ensured the same chiefs' could not rise against him  In the late 12th century, the weakening Chalukya throne became the bone of contention between the main vassals, the Yadavas, the Hoysalas and the Kalachuris  Around c 1168, the Kalachuri King Bijjala II had gained control of the Chalukyan capital Basavakalyan (then called Kalyani, in modern Bidar district of Karnataka state)  According to historian Kamath, in c 1171, an ambitious Ballala tasted first victory against Pandya king Kavadeva of the Uchchangi family  This was followed by the annexation of Hangal in c 1178  But an attempt by him to invade Belvola-300 in c 1179 led to his defeat by Kalachuri commander Sankama who seized Hangal  According to Chopra et al , in c 1179, a Kalachuri invasion into the Hoysala territory resulted in a truce with Ballala II agreeing to accept nominal subordination and to help the Kalachuri in their designs against the Chalukyas  However, by c 1183, the Kalachuris themselves were in serious decline due to the inept rule of the sons of Bijjala II  The last Chalukya scion, Someshvara IV, was back in control of his capital Basavakalyan with help from the Kalachuri commander Brahma 
The real contention now, for the territories in the Krishna-Tungabhadra doab region was between the Yadava King Bhillama V and the Hoysala monarch Ballala II  By c 1189, Basavakalyana had fallen to Bhillama V who nevertheless failed to gain recognition from Chalukya vassals such as the Rattas, the Kadambas of Banavasi and the Shilahara  Taking advantage of this uncertainty, Ballala II led several expeditions to Banavasi against the exiled Chalukya King Someshvara VI and defeated him by c 1190  In c 1191, the Hoysala monarch gained the upper hand over Yadava Bhillama V in the critical battles of Soratur and Lakkundi (in the modern Gadag district) where he appears to have spent much time consolidating his gains  Thus, Ballala II was able to push the northern boundaries of the Hoysala empire up to the Malaprabha river and Krishna rivers  By c 1192, Ballala II had crowned himself the emperor over the entire modern Karnataka region  A record of his dated c 1196 claims him victorious over several minor ruling families including those of Banavasi, Hangal, Halashi, Nolambavadi (Nolamba dynasty), Bagalkot, and Gulbarga (Yelburgi) indicating he had complete control over the rich Tungabhadra-Krishna river region  After c 1212, he lost all these territories north of the Tungabhadra river to Yadava king Singhana II 

Relationship with Cholas
Around c 1216, Maravarman Sundara Pandya ascended the throne at Madurai  To seek revenge for the humiliation of his elder brother Jatavarman Kulashekara by the Chola monarch Kulothunga III, he invaded the Chola territory and drove Kulothunga into exile  Kulothunga III sought the help of the Hoysalas  Ballala II promptly sent his forces under the command of prince Narasimha II who succeeded in repulsing the Pandya and re-establishing the Chola kingdom  With this victory, Ballala II not only assumed imperial titles such as Cholarajyapratishtacharya ("Establisher of the Chola kingdom"), Hoysala Chakravarti ("Hoysala emperor") and Dakshina Chakravarti ("Emperor of the south"), he also brought under his direct control parts of the rich Kaveri plains around Srirangam (central Tamil Nadu)  A Hoysala army was left standing in Kanchi to pursue hostilities with the Telugu Chodas and their overlords, the Kakatiya dynasty  In words of historian John Keay, "Gloriously if briefly the Hoysalas were paramount throughout most of the Kannada speaking Deccan, and could pose a arbiters in the lusher lands below the Eastern Ghats" 

Patron of art and architecture
Veera Ballala II was a great patron of Kannada literature  Janna, one of the most influential Kannada poets of the 13th century, graced his court and was honored with the title Kavichakravarthi ("Emperor among poets")  His most noteworthy writing and magnum opus, the Yashodhara Charitre (c 1209) deals with Jain tenets  Nemichandra was court poet to both Ballala II and the Shilahara King Lakshmana of Kholapur  He wrote Lilavati Prabandha (about c 1170), the earliest available romantic true fiction in Kannada, and an unfinished Jain epic called Neminathapurana at the instance of Ballala II's minister  Rudrabhatta, a noteworthy Brahman writer of the late 12th century was patronized by the king and one of his ministers  He composed the Jagannatha Vijaya in c 1180, the earliest available Vaishnava epic in the Kannada language Ballala II's rule saw the proliferation of the temple construction adhering to the Vesara architecture, a style first made popular by the Western Chalukyas  Some of the best known temples built during his rule were the Kedareshwara temple at Halebidu, the Veera Narayana temple at Belavadi, the Amrutesvara Temple at Amruthapura and the twin ensemble of the Chennakeshava and Nageshvara temples at Mosale Ballala II donated Meruhalli village and other lands in 1174 CE for providing food to Jain monks  He further gifted two villages to Vajranandi-Siddhantadeva for the same purpose  Nanjedevaragudda stone inscription of 1192 CE describes the donations by Hoysala rulers and subjects for Jain monks at Abhinava Shantideva temple at Somepur, Hassan district 
Passage 2:
George VI
George VI (Albert Frederick Arthur George; 14 December 1895 – 6 February 1952) was King of the United Kingdom and the Dominions of the British Commonwealth from 11 December 1936 until his death on 6 February 1952  He was also the last Emperor of India from 1936 until the British Raj was dissolved in August 1947, and the first Head of the Commonwealth following the London Declaration of 1949 
The future George VI was born in the reign of his great-grandmother Victoria; he was named Albert at birth after his great-grandfather Albert, Prince Consort, and was known as "Bertie" to his family and close friends  His father ascended the throne as George V in 1910  As the second son of the king, Albert was not expected to inherit the throne  He spent his early life in the shadow of his elder brother, Prince Edward, the heir apparent  Albert attended naval college as a teenager and served in the Royal Navy and Royal Air Force during the First World War  In 1920, he was made Duke of York  He married Lady Elizabeth Bowes-Lyon in 1923, and they had two daughters, Elizabeth and Margaret  In the mid-1920s, he engaged speech therapist Lionel Logue to treat his stutter, which he learned to manage to some degree  His elder brother ascended the throne as Edward VIII after their father died in 1936, but Edward abdicated later that year to marry the twice-divorced American socialite Wallis Simpson  As heir presumptive to Edward VIII, Albert thereby became the third monarch of the House of Windsor, taking the regnal name George VI 
In September 1939, the British Empire and most Commonwealth countries—but not Ireland—declared war on Nazi Germany  War with the Kingdom of Italy and the Empire of Japan followed in 1940 and 1941, respectively  George VI was seen as sharing the hardships of the common people and his popularity soared  Buckingham Palace was bombed during the Blitz while the King and Queen were there, and his younger brother the Duke of Kent was killed on active service  George became known as a symbol of British determination to win the war  Britain and its allies were victorious in 1945, but the British Empire declined  Ireland had largely broken away, followed by the independence of India and Pakistan in 1947  George relinquished the title of Emperor of India in June 1948 and instead adopted the new title of Head of the Commonwealth  He was beset by smoking-related health problems in the later years of his reign and died at Sandringham House, aged 56, of a coronary thrombosis in 1952  He was succeeded by his elder daughter, Elizabeth II 

Early life
Albert was born at York Cottage, on the Sandringham Estate in Norfolk, during the reign of his great-grandmother Queen Victoria  His father was Prince George, Duke of York (later King George V), the second and only surviving son of the Prince and Princess of Wales (later King Edward VII and Queen Alexandra)  His mother, the Duchess of York (later Queen Mary), was the eldest child and only daughter of Francis, Duke of Teck, and Princess Mary Adelaide, Duchess of Teck  His birthday, 14 December 1895, was the 34th anniversary of the death of his great-grandfather Albert, Prince Consort  Uncertain of how the Prince Consort's widow, Queen Victoria, would take the news of the birth, the Prince of Wales wrote to the Duke of York that the Queen had been "rather distressed"  Two days later, he wrote again: "I really think it would gratify her if you yourself proposed the name Albert to her "The Queen was mollified by the proposal to name the new baby Albert, and wrote to the Duchess of York: "I am all impatience to see the new one, born on such a sad day but rather more dear to me, especially as he will be called by that dear name which is a byword for all that is great and good " Consequently, he was baptised "Albert Frederick Arthur George" at St Mary Magdalene Church, Sandringham on 17 February 1896  Formally he was His Highness Prince Albert of York; within the royal family he was known informally as "Bertie"  The Duchess of Teck did not like the first name her grandson had been given, and she wrote prophetically that she hoped the last name "may supplant the less favoured one"  Albert was fourth in line to the throne at birth, after his grandfather, father and elder brother, Edward 
Albert was ill often and was described as "easily frightened and somewhat prone to tears"  His parents were generally removed from their children's day-to-day upbringing, as was the norm in aristocratic families of that era  He had a stutter that lasted for many years  Although naturally left-handed, he was forced to write with his right hand, as was common practice at the time  He had chronic stomach problems as well as knock knees, for which he was forced to wear painful corrective splints Queen Victoria died on 22 January 1901, and the Prince of Wales succeeded her as King Edward VII  Prince Albert moved up to third in line to the throne, after his father and elder brother 

Military career and education
Beginning in 1909, Albert attended the Royal Naval College, Osborne, as a naval cadet  In 1911 he came bottom of the class in the final examination, but despite this he progressed to the Royal Naval College, Dartmouth  When his grandfather Edward VII died in 1910, his father became King George V  Prince Edward became Prince of Wales, with Albert second in line to the throne Albert spent the first six months of 1913 on the training ship HMS Cumberland in the West Indies and on the east coast of Canada  He was rated as a midshipman aboard HMS Collingwood on 15 September 1913  He spent three months in the Mediterranean, but never overcame his seasickness  Three weeks after the outbreak of World War I he was medically evacuated from the ship to Aberdeen, where his appendix was removed by Sir John Marnoch  He was mentioned in dispatches for his actions as a turret officer aboard Collingwood in the Battle of Jutland (31 May – 1 June 1916), the great naval battle of the war  He did not see further combat, largely because of ill health caused by a duodenal ulcer, for which he had an operation in November 1917 In February 1918 Albert was appointed Officer in Charge of Boys at the Royal Naval Air Service's training establishment at Cranwell  With the establishment of the Royal Air Force Albert transferred from the Royal Navy to the Royal Air Force  He served as Officer Commanding Number 4 Squadron of the Boys' Wing at Cranwell until August 1918, before reporting for duty on the staff of the RAF's Cadet Brigade at St Leonards-on-Sea and then at Shorncliffe  He completed a fortnight's training and took command of a squadron on the Cadet Wing  He was the first member of the British royal family to be certified as a fully qualified pilot Albert wanted to serve on the Continent while the war was still in progress and welcomed a posting to General Trenchard's staff in France  On 23 October, he flew across the Channel to Autigny  For the closing weeks of the war, he served on the staff of the RAF's Independent Air Force at its headquarters in Nancy, France  Following the disbanding of the Independent Air Force in November 1918, he remained on the Continent for two months as an RAF staff officer until posted back to Britain  He accompanied King Albert I of Belgium on his triumphal re-entry into Brussels on 22 November  Prince Albert qualified as an RAF pilot on 31 July 1919 and was promoted to squadron leader the following day In October 1919, Albert went up to Trinity College, Cambridge, where he studied history, economics and civics for a year, with the historian R  V  Laurence as his "official mentor"  On 4 June 1920 his father created him Duke of York, Earl of Inverness and Baron Killarney  He began to take on more royal duties  He represented his father and toured coal mines, factories, and railyards  Through such visits he acquired the nickname of the "Industrial Prince"  His stutter, and his embarrassment over it, together with a tendency to shyness, caused him to appear less confident in public than his older brother, Edward  However, he was physically active and enjoyed playing tennis  He played at Wimbledon in the Men's Doubles with Louis Greig in 1926, losing in the first round  He developed an interest in working conditions, and was president of the Industrial Welfare Society  His series of annual summer camps for boys between 1921 and 1939 brought together boys from different social backgrounds 

Marriage
In a time when royalty were expected to marry fellow royalty, it was unusual that Albert had a great deal of freedom in choosing a prospective wife  An infatuation with the already-married Australian socialite Lady Loughborough came to an end in April 1920 when the King, with the promise of the dukedom of York, persuaded Albert to stop seeing her  That year, he met for the first time since childhood Lady Elizabeth Bowes-Lyon, the youngest daughter of the Earl and Countess of Strathmore  He became determined to marry her  Elizabeth rejected his proposal twice, in 1921 and 1922, reportedly because she was reluctant to make the sacrifices necessary to become a member of the royal family  In the words of Lady Strathmore, Albert would be "made or marred" by his choice of wife  After a protracted courtship, Elizabeth agreed to marry him Albert and Elizabeth were married on 26 April 1923 in Westminster Abbey  Albert's marriage to someone not of royal birth was considered a modernising gesture  The newly formed British Broadcasting Company wished to record and broadcast the event on radio, but the Abbey Chapter vetoed the idea (although the Dean, Herbert Edward Ryle, was in favour) 

From December 1924 to April 1925, the Duke and Duchess toured Kenya, Uganda, and the Sudan, travelling via the Suez Canal and Aden  During the trip, they both went big-game hunting Because of his stutter, Albert dreaded public speaking  After his closing speech at the British Empire Exhibition at Wembley on 31 October 1925, one which was an ordeal for both him and his listeners, he began to see Lionel Logue, an Australian-born speech therapist  The Duke and Logue practised breathing exercises, and the Duchess rehearsed with him patiently  Subsequently, he was able to speak with less hesitation  With his delivery improved, Albert opened the new Parliament House in Canberra, Australia, during a tour of the empire with the Duchess in 1927  Their journey by sea to Australia, New Zealand and Fiji took them via Jamaica, where Albert played doubles tennis partnered with a black man, Bertrand Clark, which was unusual at the time and taken locally as a display of equality between races The Duke and Duchess had two children: Elizabeth (called "Lilibet" by the family, and the future Elizabeth II) who was born in 1926, and Margaret who was born in 1930  The close family lived at White Lodge, Richmond Park, and then at 145 Piccadilly, rather than one of the royal palaces  In 1931, the Canadian prime minister, R  B  Bennett, considered Albert for Governor General of Canada—a proposal that King George V rejected on the advice of the Secretary of State for Dominion Affairs, J  H  Thomas 

Reign
Reluctant king
King George V had severe reservations about Prince Edward, saying "After I am dead, the boy will ruin himself in twelve months" and "I pray God that my eldest son will never marry and that nothing will come between Bertie and Lilibet and the throne " On 20 January 1936, George V died and Edward ascended the throne as King Edward VIII  In the Vigil of the Princes, Prince Albert and his three brothers (the new king, Prince Henry, Duke of Gloucester, and Prince George, Duke of Kent) took a shift standing guard over their father's body as it lay in state, in a closed casket, in Westminster Hall 
As Edward was unmarried and had no children, Albert was the heir presumptive to the throne  Less than a year later, on 11 December 1936, Edward abdicated in order to marry Wallis Simpson, who was divorced from her first husband and divorcing her second  Edward had been advised by British prime minister Stanley Baldwin that he could not remain king and marry a divorced woman with two living ex-husbands  He abdicated and Albert, though he had been reluctant to accept the throne, became king  The day before the abdication, Albert went to London to see his mother, Queen Mary  He wrote in his diary, "When I told her what had happened, I broke down and sobbed like a child "On the day of Edward's abdication, the Oireachtas, the parliament of the Irish Free State, removed all direct mention of the monarch from the Irish constitution  The next day, it passed the External Relations Act, which gave the monarch limited authority (strictly on the advice of the government) to appoint diplomatic representatives for Ireland and to be involved in the making of foreign treaties  The two acts made the Irish Free State a republic in essence without removing its links to the Commonwealth Across Britain, gossip spread that Albert was physically and psychologically incapable of being king  No evidence has been found to support the contemporaneous rumour that the government considered bypassing him, his children and his brother Prince Henry, in favour of their younger brother Prince George, Duke of Kent  This seems to have been suggested on the grounds that Prince George was at that time the only brother with a son 

Early reign
Albert assumed the regnal name "George VI" to emphasise continuity with his father and restore confidence in the monarchy  The beginning of George VI's reign was taken up by questions surrounding his predecessor and brother, whose titles, style and position were uncertain  He had been introduced as "His Royal Highness Prince Edward" for the abdication broadcast, but George VI felt that by abdicating and renouncing the succession, Edward had lost the right to bear royal titles, including "Royal Highness"  In settling the issue, George's first act as king was to confer upon his brother the title "Duke of Windsor" with the style "Royal Highness", but the letters patent creating the dukedom prevented any wife or children from bearing royal styles  George VI was forced to buy from Edward the royal residences of Balmoral Castle and Sandringham House, as these were private properties and did not pass to him automatically  Three days after his accession, on his 41st birthday, he invested his wife, the new queen consort, with the Order of the Garter 

George VI's coronation at Westminster Abbey took place on 12 May 1937, the date previously intended for Edward's coronation  In a break with tradition, his mother Queen Mary attended the ceremony in a show of support for her son  There was no Durbar held in Delhi for George VI, as had occurred for his father, as the cost would have been a burden to the Government of India  Rising Indian nationalism made the welcome that the royal party would have received likely to be muted at best, and a prolonged absence from Britain would have been undesirable in the tense period before the Second World War  Two overseas tours were undertaken, to France and to North America, both of which promised greater strategic advantages in the event of war The growing likelihood of war in Europe dominated the early reign of George VI  The King was constitutionally bound to support British prime minister Neville Chamberlain's appeasement of Hitler  When the King and Queen greeted Chamberlain on his return from negotiating the Munich Agreement in 1938, they invited him to appear on the balcony of Buckingham Palace with them  This public association of the monarchy with a politician was exceptional, as balcony appearances were traditionally restricted to the royal family  While broadly popular among the general public, Chamberlain's policy towards Hitler was the subject of some opposition in the House of Commons, which led historian John Grigg to describe George's behaviour in associating himself so prominently with a politician as "the most unconstitutional act by a British sovereign in the present century" 

In May and June 1939, the King and Queen toured Canada and the United States; it was the first visit of a reigning British monarch to North America, although George had been to Canada prior to his accession  From Ottawa, George and Elizabeth were accompanied by Canadian prime minister Mackenzie King, to present themselves in North America as King and Queen of Canada  Both Mackenzie King and the Canadian governor general, Lord Tweedsmuir, hoped that George's presence in Canada would demonstrate the principles of the Statute of Westminster 1931, which gave full sovereignty to the British Dominions  On 19 May, George personally accepted and approved the Letter of Credence of the new U S  ambassador to Canada, Daniel Calhoun Roper; gave royal assent to nine parliamentary bills; and ratified two   international treaties with the Great Seal of Canada  The official royal tour historian, Gustave Lanctot, wrote "the Statute of Westminster had assumed full reality" and George gave a speech emphasising "the free and equal association of the nations of the Commonwealth" The trip was intended to soften the strong isolationist tendencies among the North American public with regard to the developing tensions in Europe  Although the aim of the tour was mainly political, to shore up Atlantic support for the United Kingdom in any future war, the King and Queen were enthusiastically received by the public  The fear that George would be compared unfavourably to his predecessor was dispelled  They visited the 1939 New York World's Fair and stayed with President Franklin D  Roosevelt at the White House and at his private estate at Hyde Park, New York  A strong bond of friendship was forged between Roosevelt and the royal couple during the tour, which had major significance in the relations between the United States and the United Kingdom through the ensuing war years 

Second World War
Following the German invasion of Poland in September 1939, the United Kingdom and the self-governing Dominions other than Ireland declared war on Nazi Germany  The King and Queen resolved to stay in London, despite German bombing raids  They officially stayed in Buckingham Palace throughout the war, although they usually spent nights at Windsor Castle  The first night of the Blitz on London, on 7 September 1940, killed about one thousand civilians, mostly in the East End  On 13 September, the couple narrowly avoided death when two German bombs exploded in a courtyard at Buckingham Palace while they were there  In defiance, Elizabeth declared: "I am glad we have been bombed  It makes me feel we can look the East End in the face " The royal family were portrayed as sharing the same dangers and deprivations as the rest of the country  They were subject to British rationing restrictions, and U S  First Lady Eleanor Roosevelt remarked on the rationed food served and the limited bathwater that was permitted during a stay at the unheated and boarded-up Palace  In August 1942, the King's brother, the Duke of Kent, was killed on active service 

In 1940, Winston Churchill replaced Neville Chamberlain as prime minister, though personally George would have preferred to appoint Lord Halifax  After the King's initial dismay over Churchill's appointment of Lord Beaverbrook to the Cabinet, he and Churchill developed "the closest personal relationship in modern British history between a monarch and a Prime Minister"  Every Tuesday for four and a half years from September 1940, the two men met privately for lunch to discuss the war in secret and with frankness  George related much of what the two discussed in his diary, which is the only extant first-hand account of these conversations Throughout the war, George and Elizabeth provided morale-boosting visits throughout the United Kingdom, visiting bomb sites, munitions factories, and troops  George visited military forces abroad in France in December 1939, North Africa and Malta in June 1943, Normandy in June 1944, southern Italy in July 1944, and the Low Countries in October 1944  Their high public profile and apparently indefatigable determination secured their place as symbols of national resistance  At a social function in 1944, the Chief of the Imperial General Staff, Field Marshal Alan Brooke, revealed that every time he met Field Marshal Bernard Montgomery, he thought Montgomery was after his job  George replied: "You should worry, when I meet him, I always think he's after mine!"In 1945, crowds shouted "We want the King!" in front of Buckingham Palace during the Victory in Europe Day celebrations  In an echo of Chamberlain's appearance, the King invited Churchill to appear with the royal family on the balcony to public acclaim  In January 1946, George addressed the United Nations at its first assembly, which was held in London, and reaffirmed "our faith in the equal rights of men and women and of nations great and small" 

Empire to Commonwealth
George VI's reign saw the acceleration of the dissolution of the British Empire  The Statute of Westminster 1931 had already acknowledged the evolution of the Dominions into separate sovereign states  The process of transformation from an empire to a voluntary association of independent states, known as the Commonwealth, gathered pace after the Second World War  During the ministry of Clement Attlee, British India became the two independent Dominions of India and Pakistan in August 1947  George relinquished the title of Emperor of India, and became King of India and King of Pakistan instead  In late April 1949, the Commonwealth leaders issued the London Declaration, which laid the foundation of the modern Commonwealth and recognised George as Head of the Commonwealth  In January 1950, he ceased to be King of India when it became a republic  He remained King of Pakistan until his death  Other countries left the Commonwealth, such as Burma in January 1948, Palestine (divided between Israel and the Arab states) in May 1948 and the Republic of Ireland in 1949 In 1947, George and his family toured southern Africa  The prime minister of the Union of South Africa, Jan Smuts, was facing an election and hoped to make political capital out of the visit  George was appalled, however, when instructed by the South African government to shake hands only with whites, and referred to his South African bodyguards as "the Gestapo"  Despite the tour, Smuts lost the election the following year, and the new government instituted a strict policy of racial segregation 

Illness and death
The stress of the war had taken its toll on George's health, made worse by his heavy smoking, and subsequent development of lung cancer among other ailments, including arteriosclerosis and Buerger's disease  A planned tour of Australia and New Zealand was postponed after George developed an arterial blockage in his right leg, which threatened the loss of the leg and was treated with a right lumbar sympathectomy in March 1949  His elder daughter and heir presumptive, Elizabeth, took on more royal duties as her father's health deteriorated  The delayed tour was re-organised, with Princess Elizabeth and her husband, Philip, Duke of Edinburgh, taking the place of the King and Queen 
George was well enough to open the Festival of Britain in May 1951, but on 4 June it was announced that he would need immediate and complete rest for the next four weeks, despite the arrival of Haakon VII of Norway the following afternoon for an official visit  On 23 September 1951, he underwent a surgical operation where his entire left lung was removed by Clement Price Thomas after a malignant tumour was found  In October 1951, Elizabeth and Philip went on a month-long tour of Canada; the trip had been delayed for a week due to George's illness  At the State Opening of Parliament in November, the Lord Chancellor, Lord Simonds, read the King's speech from the throne  The King's Christmas broadcast of 1951 was recorded in sections, and then edited together On 31 January 1952, despite advice from those close to him, George went to London Airport to see Elizabeth and Philip off on their tour to Australia via Kenya  It was his last public appearance  Six days later, at 07:30 GMT on the morning of 6 February, he was found dead in bed at Sandringham House in Norfolk  He had died in the night from a coronary thrombosis at the age of 56  His daughter flew back to Britain from Kenya as Queen Elizabeth II From 9 February George's coffin rested in St Mary Magdalene Church, Sandringham, before lying in state at Westminster Hall from 11 February  His funeral took place at St George's Chapel, Windsor Castle, on the 15th  He was interred initially in the Royal Vault until he was transferred to the King George VI Memorial Chapel inside St George's on 26 March 1969  In 2002, fifty years after his death, the remains of his widow, Queen Elizabeth The Queen Mother, and the ashes of his younger daughter, Princess Margaret, who both died that year, were interred in the chapel alongside him  In 2022, the remains of Queen Elizabeth II and her husband, Prince Philip, were also interred in the chapel 

Legacy
In the words of Labour Member of Parliament (MP) George Hardie, the abdication crisis of 1936 did "more for republicanism than fifty years of propaganda"  George VI wrote to his brother Edward that in the aftermath of the abdication he had reluctantly assumed "a rocking throne" and tried "to make it steady again"  He became king at a point when public faith in the monarchy was at a low ebb  During his reign, his people endured the hardships of war, and imperial power was eroded  However, as a dutiful family man and by showing personal courage, he succeeded in restoring the popularity of the monarchy The George Cross and the George Medal were founded at the King's suggestion during the Second World War to recognise acts of exceptional civilian bravery  He bestowed the George Cross on the entire "island fortress of Malta" in 1943  He was posthumously awarded the Order of Liberation by the French government in 1960, one of only two people (the other being Churchill in 1958) to be awarded the medal after 1946 Colin Firth won an Academy Award for Best Actor for his performance as George VI in the 2010 film The King's Speech 

Titles, honours and arms
As Duke of York, Albert bore the royal arms of the United Kingdom differenced with a label of three points argent, the centre point bearing an anchor azure—a difference earlier awarded to his father, George V, when he was Duke of York, and then later awarded to his grandson Prince Andrew, Duke of York  As king, he bore the royal arms undifferenced 

Issue
Ancestry
Notes
Passage 3:
The King's Speech
The King's Speech is a 2010 historical drama film directed by Tom Hooper and written by David Seidler  Colin Firth plays the future King George VI who, to cope with a stammer, sees Lionel Logue, an Australian speech and language therapist played by Geoffrey Rush  The men become friends as they work together, and after his brother abdicates the throne, the new king relies on Logue to help him make his first wartime radio broadcast upon Britain's declaration of war on Germany in 1939 
Seidler read about George VI's life after learning to manage a stuttering condition he developed during his own youth  He started writing about the relationship between the therapist and his royal patient as early as the 1980s, but at the request of the King's widow, Queen Elizabeth The Queen Mother, postponed work until her death in 2002  He later rewrote his screenplay for the stage to focus on the essential relationship between the two protagonists  Nine weeks before filming began, the filmmakers learned of the existence of notes written by Logue that were being used by his grandson Mark and Peter Conradi as the basis of a book, and were granted permission to incorporate material from the notes and book into the script 
Principal photography took place in London and around Britain from November 2009 to January 2010  Hard light was used to give the story a greater resonance and wider-than-normal lenses were employed to recreate the Duke of York's feelings of constriction  A third technique Hooper employed was the off-centre framing of characters 
The King's Speech was a major box office and critical success  It was widely praised by film critics for its visual style, art direction, screenplay, directing, score, and acting  Other commentators discussed the film's representation of historical detail, especially the reversal of Winston Churchill's opposition to abdication  The film received many awards and nominations, particularly for Colin Firth's performance, which resulted in his first Academy Award for Best Actor  At the 83rd Academy Awards, The King's Speech received 12 Oscar nominations, more than any other film in that year, and subsequently won four, including Best Picture  Censors initially gave it adult ratings due to profanity, though these were later revised downwards after criticism by the makers and distributors in the UK and some instances of swearing were muted in the US



ground_truth: Michael Bublé

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the performer of Heartbeat named after?

The following are given passages.
Context 2:  It reached top 10 on New Electronic Music chart  The official music video for the single was released on July 25, via their official profiles  The extended remix for the song, made by Trayze, was also released  After the music video was released, they announced more of new music and new projects (and probably their third studio album) coming in 2015  On October 22, 2014, Nina Sky featured on Lady Bee's single "Do It All Again" from their album What Is a Jeffree?  Music video was also released 
After finishing their Euro Tour in May 2015, on June 2, their Vito Fun and Spaceplant produced electropop single titled "Forever" was released from their upcoming extended play Brightest Gold, set to release in September 2015  "We wanted something that was smooth but also had a bounce," Nina Sky told The FADER in an email  "Spaceplant finessed the verses with a modern '90s freestyle beat pattern and built up the hook just enough that song still has its original sweet vibe but if you drop it at the right time in a club, it will still go off!" twins added  EP will also be produced by Vito Fun and Spaceplant  Another tracks, including "The Brightest Gold", "Nancy", "Zero Gravity", "Champion Lover" and "Lock and Key" will also be on EP  The sample of "Champion Lover" was released on Nina Sky's official Instagram account, and is reported to be released as the second single from EP  In 2016, the twins signed a recording contract with Warner Music Group's independent recording label Tommy Boy Entertainment 

Discography
Nina Sky (2004)
The Other Side (2010)
Nicole and Natalie (2012)

See also
List of Puerto Ricans
List of twins
Passage 9:
Fischerspooner
Fischerspooner were an electroclash duo and performance troupe formed in 1998 in Chicago after meeting in school  The name is a combination of the founders' last names, Warren Fischer and Casey Spooner 

Career
Originally a duo formed by classically trained musician Warren Fischer and video-artist and experimental theater performer Casey Spooner for an impromptu rendition of their makeshift track "Indian Cab Driver" at the Astor Place Starbucks, the group grew to over 20 performers, most of whom are dancers and guest vocalists  "We started as a performance art piece about entertainment that ultimately became legitimate entertainment," said Casey Spooner, when talking about the group's origins in an April 2009 interview 

#1 (2001)
Their debut album, #1, has been released on several record labels, including International DJ Gigolo, Ministry of Sound and Capitol Records, and includes their hit singles "Sweetness", "Emerge", and a cover of Wire's "the 15th"  In the final months of 2004, Fischerspooner opened up their FS Studios in New York City to the public for a few hours once a week, allowing people to meet the band and production team, as well as preview new video, music and dance projects that they were working on 

Odyssey (2005)
In 2005, Odyssey, the band's second album, was released  The album featured songs that were more structured and more accurately described as electropop than electroclash  "Odyssey was really about being on Capitol, which was this icon of classic American music, trying to embrace that cliché and find a way to embody it and infiltrate it and take it apart at the same time", says Spooner 
The lead single, "Just Let Go", featuring live drums and guitars, possessed a markedly different sound than those heard on their debut album  "Just Let Go" was featured on season 2, episode 15 of Nip/Tuck; "All We Are" was also featured on the same TV series, in season 3, episode 1  The second single, "Never Win", went on to become the album's biggest hit, and was well received in both clubs and radio  Furthermore, it was also featured in the 2006 Happy Madison movie Grandma's Boy  "A Kick in the Teeth" was rumored to be the album's third, and possibly final, single but was only pressed on 12" that included a remix by Tiefschwarz  This was followed after a duration of silence by a 12" remix of "We Need a War" with a mix by DJ Hell  Other remixes believed to have been done are of "All We Are" and "Get Confused"  "All We Are" was featured as the credits track in the first episode of season two of Sweetbitter 
After the album's release, Fischerspooner toured a new, more elaborate show in Europe, but the band found themselves without the funds to tour the show fully in North America  "I was incredibly frustrated because I had worked two years on this huge record and I was only able to perform for three months", recalls Spooner, who subsequently retreated to his theatrical roots, joining experimental New York performance ensemble The Wooster Group  During this period, it was unclear whether the band would record together again; and, in May 2007, the band was released from its Capitol Records recording contract 

Entertainment (2009)
Early European gig recordings of "The Best Revenge" surfaced on the internet during summer 2007  "The Best Revenge" was released on January 14, 2008, with French label Kitsune Music  The track includes a remix package from the likes of Autokratz, Tocadisco, Alex Gopher, The Passions and Tony Senghore  Fischerspooner also released "Danse en France" as a single on the Kitsuné label 
Warren and Casey subsequently began to work on more material for a new album while Casey was performing the role of Ophelia's brother Laertes in The Wooster Group's production of Hamlet (Fischerspooner also contributed two original songs to the production) 
Released in North America via the band's own label FS Studios on May 4, 2009, Entertainment is their third full-length album and was produced by Jeff Saltzman (The Killers, The Black Keys, The Sounds) 
The album's cover was listed on Pitchfork's worst album covers of 2009 

Sir (2018)
The album Sir, executive-produced and co-written by Michael Stipe of R E M  and Boots, was released on February 16, 2018, on Ultra  The band released the first single "Have Fun Tonight" on June 19, 2017  The song "Top Brazil", was released on January 19, 2018; along with an electro-pop music video which Billboard called, "provocative " 
NPR interpreted the album as a retrospective collage of Reagan-era queer references framed in an undeniably contemporary style;
"Even the cheapskate metaphor passions in the lyrics, read as physical, often NSFW desires — 'raging motorcycle thoroughbred,' 'not opposed to humiliation,' 'denim on denim,' 'dorsal fins at night in Berlin,' 'Butterscotch Goddam,' 'dark pink Saturday night' — that are dated just enough to seem older and odder  Pairing these with layered synthesizer lines and drum-machines that invoke Reagan-era industrial and EBM reinforces nostalgic notions of sexual danger "In an interview with the album collaborators, it was said that, "[the album] explores Spooner’s 're-entry into the sexual playground now defined by technology, but also the muddled ways that feelings and self-image are present in that experience' while simultaneously examining the years of 'emotional and sexual turbulence' he experienced with his ex-partner "

Break-up
On October 30, 2019, the duo announced their breakup via Instagram 

Band members
Warren Fischer – composer
Casey Spooner – songwriter, vocals
Sam Kearney – guitar
Peanuts, aka Jeremiah Clancy – attendant to Casey, actor
Adam Crystal - keyboards
Cindy Greene – vocals
Lizzy Yoder – vocals
Ian Pai – musical director, drums
Vanessa Walters – choreographer, dancer
Stephanie Dixon – dancer

Discography
Albums
Bootleg (self-titled, with PS1 Cover Artwork) (1998)
Fischerspooner (2000) – "For Those Who Know" release
#1 or Best Album Ever, originally titled Best Album Ever, "International DJ Gigolos" release in 2001, Ministry of Sound release in 2002, Capitol Records reissue with DVD in 2003 - UK #92
Odyssey (2005) US #172, UK #110
Entertainment (2009)
Sir (2018)

Singles
Music videos
"Emerge" – Original version (2001)
"Emerge" – Skin version (2003)
"The 15th" (2003)
"Sweetness" (2003)
"Just Let Go" (2005)
"Never Win" (2005)
"Never Win" – Mirwais version (2005)
"All We Are" (made for a Coca-Cola project by Rex & Tennant) (2006)
"Get Confused" (2008)
"We Are Electric" (2009)
"The Best Revenge" (2011)
"Have Fun Tonight" (2017)
"Togetherness" (2017)
"TopBrazil" (2017)
Passage 10:
Rex (Live at the Fillmore)
Rex (Live at the Fillmore) is the thirteenth album by Keller Williams, recorded live on February 8, 2006 at the Fillmore Auditorium in Denver, Colorado The collaborative show features Williams, Keith Moseley (of The String Cheese Incident) and Jeff Austin (of Yonder Mountain String Band) performing bluegrass versions of Grateful Dead songs   The group performed under the name Grateful Grass The album is available only as a digital download only, and was released on April 30, 2008   Proceeds from the album go to the Rex Foundation 

Track listing
"One More Saturday Night" (Bob Weir)
"Mississippi Half Step Uptown Toodeloo" (Jerry Garcia, Robert Hunter)
"Eyes Of The World" (Garcia, Hunter)
"Candyman" (Garcia, Hunter)
"Loose Lucy" (Garcia, Hunter)
"Black Peter" (Garcia, Hunter)
"St  Stephen" (Garcia, Phil Lesh, Hunter)
"Casey Jones" (Garcia, Hunter)
"Brown-Eyed Women" (Garcia, Hunter)
"Bird Song" (Garcia, Hunter)
"Scarlet Begonias" > "Fire On The Mountain" (Garcia, Hunter / Mickey Hart, Hunter)

Notes
Passage 11:
Chen Peisi
Chen Peisi (Chinese: 陈佩斯; born 1 February 1954) is a Chinese sketch comedian, film and stage actor, and voice actor   Chen's oft-time comedy partner is Zhu Shimao 

Name
Chen Peisi is the second son of famous stage and film actor Chen Qiang  Chen Qiang's first son (Chen Peisi's brother) was born in 1951 while he was overseas in the Hungarian capital Budapest performing The White-Haired Girl, so he named his first son Chen Buda (陈布达) after Buda, the western half of Budapest, as he loved the city during the visit   When the second son was born three years later, he named the son Peisi after Pest, the eastern half of Budapest, as the Standard Chinese phonetic translation of Budapest is "Bù Dá Peì Sī"   Chen Qiang's youngest child and daughter Chen Lida (陈丽达) was also named after a part of Budapest — the Margaret Island in the Danube between Buda and Pest 

Biography
Chen was born in Changchun, Jilin on 1 February 1954  In 1966, Chen studied at The High School Affiliated to Beijing Normal University  In 1969, during the Cultural Revolution, he worked in Inner Mongolia Production and Construction Corps  In 1973, Chen worked in August First Film Studio as an actor  In 1991, Chen set up a company named Hainan Comedy Film and Television Limited Company (海南喜剧影视有限公司), then renamed it Dadao Film and Television Limited Company (大道影业有限公司)  In 2000, Chen and his partner Zhu Shimao sued the China International Television Corporation over royalties from broadcasts which they won, but they were then taken off air by the parent company, China Central Television On October 26, 2020, he returned to the CCTV stage and served as the first instructor of the variety show "Gold Medal Comedy Class" after 20 years 

Filmography
Film
Television
Variety show
Passage 12:
Song Beneath the Song
"Song Beneath the Song", also known as Grey's Anatomy: The Music Event, is the eighteenth episode of the seventh season of the American television medical drama Grey's Anatomy, and the 144th episode overall  It was named after a song initially performed by American singer Maria Taylor  Written by series creator Shonda Rhimes and directed by Tony Phelan, it premiered on ABC in the United States on March 31, 2011  It is the series's first musical episode, and features the cast performing songs previously featured within the program  It is accompanied by a soundtrack album, titled Grey's Anatomy: The Music Event, also released on March 31, 2011 
The episode revolves around Callie Torres (Sara Ramirez) and Arizona Robbins (Jessica Capshaw), just after they are involved in a vehicular collision  Various songs are performed by the cast members, as they attempt to save the life of Torres  Rhimes originally idealized the episode at the conception of the drama, while the show remained untitled  The episode opened to polarized reviews from television critics, and it was the second most-watched program of the night  "Song Beneath the Song" was ranked in several "best and worst" lists, and the soundtrack also charted on the Billboard 200 

Plot
En route to a weekend getaway, surgeons Callie Torres (Sara Ramirez) and Arizona Robbins (Jessica Capshaw) are involved in a vehicular collision, moments after Robbins proposes marriage  Torres suffers severe injuries, which endanger both her life and the life of her unborn child  She and Robbins are taken to Seattle Grace Mercy West Hospital, the institute at which they both work  Their colleagues attempt to save Torres, while Robbins and Mark Sloan (Eric Dane), the father of Torres's baby, stand by  Torres's many injuries include neurological trauma  While barely conscious, she hallucinates an uninjured version of herself standing beside her  The hallucinatory Torres begins to sing, and is gradually joined by the doctors treating her  This singing continues throughout the episode, as Torres's projection of herself attempts to reach out to Robbins 
Torres goes into cardiac arrest and is taken into an operating room she is temporarily stabilized, pending further surgery  She is moved into intensive care, while neonatal surgeon Addison Montgomery (Kate Walsh) is flown in by helicopter in case the baby has to be delivered prematurely  Robbins and Sloan argue over Torres's treatment; Robbins believes that Torres would not risk endangering the baby, but Sloan argues for saving Torres at all costs  The attending surgeons devise a treatment plan, led by trauma surgeon Owen Hunt (Kevin McKidd)  As they do so, Torres dreams about the moments preceding the accident  Her dream self sings to Robbins, interspersed with shots of the hospital staff singing and dancing with their own partners  Dr  Cristina Yang (Sandra Oh) suggests treating Torres with a high-risk but potentially effective cardiothoracic procedure she learned from her old mentor, Preston Burke (Isaiah Washington)  Her current mentor, Teddy Altman (Kim Raver), refuses to perform it, but when Torres's condition deteriorates and she is rushed back into surgery, Hunt agrees that Yang should attempt the procedure 
When Torres again goes into cardiac arrest, Montgomery delivers her daughter at twenty-three week's gestation  The baby is initially unable to breathe, so with Sloan's support, Robbins steps in and is able to revive her  Across the operating room, Torres's condition begins to improve  Once the surgery is complete, the doctors deal with their own affairs; Sloan's former partner Lexie Grey (Chyler Leigh) commits to her new relationship with resident Jackson Avery (Jesse Williams); Lexie's sister, Meredith Grey (Ellen Pompeo) confesses that she was jealous of Torres's pregnancy, which prompts her husband Derek Shepherd (Patrick Dempsey) to promise that they will have a child together; Altman tells Yang that she can no longer teach her; Sloan and Robbins bond over their shared parenthood  Later, as Robbins keeps a vigil by Torres's bedside, the hallucinatory Torres is able to rouse her recovering self  As she regains consciousness, Torres accepts Robbins's proposal 

Production
Conception
Since Grey's Anatomy began, series creator Shonda Rhimes had planned to produce a musical episode  She first discussed the idea during filming of the pilot episode, when the program was as yet untitled  Rhimes felt that seasons 6 and 7 were the right time for the crew to "try anything and everything [they had] always wanted to do," and explained that she "finally [had] the right idea and the right talent to make [a musical episode] happen " Filming began 7-and-a-half years after Rhimes initially raised the idea  The episode was shot in approximately 2 weeks  Though cast member Dempsey jokingly referred to the episode as Glee M D , Rhimes intended for it to differ from other musical television episodes  She called it the opposite of "Once More, with Feeling," the "all-out, show-stopping," musical episode of Buffy the Vampire Slayer, as she aimed to "do something that was musical without being a musical "Rhimes said she had difficulty getting the network's permission  She added: "I begged the studio people  I begged the network people  I took these people to dinner and begged  I jumped out at these people in bathrooms and begged  And they all smiled politely but what they were clearly really thinking was, 'This woman is an idiot '"Rhimes also told about delays in producing this episode: 

Explaining what the heck took us so long is too complicated to go into here  There are a lot of reasons – I was busy telling other awesome stories at Seattle Grace, [   ] I was raising my tiny human, my musical talent involves oboe-playing and nothing else, the network thought it was the dumbest idea they’d ever heard of and refused to do it  
The script was written by Rhimes in November 2010  She centered the episode around Ramirez's character, Callie, and stated that the storyline would have developed regardless of whether it involved musical performances  Sara Ramirez used the opportunity to launch their career as a singer-songwriter; an alternate version of "The Story" is included on their debut EP, released four days prior to the episode's premiere  In this episode, Mark and Arizona improve their relationship  Capshaw said, "The traumatic circumstance leads to them having a greater understanding of each other and then appreciation, and then need for each other and desire to be in each other’s lives  They come to care, I think, for one another "

Musical performances
Rhimes, executive producer Betsy Beers and director Tony Phelan selected songs that had become well-known by their use in Grey's Anatomy, and chose "the most iconic ones, the ones that best suited [their] singers, and the ones that made the most sense " The multiple cover versions include the program's theme tune, "Cosy in the Rocket" by Psapp  The primary vocalists are cast members Ramirez, McKidd, Leigh and Chandra Wilson  The soundtrack also includes "How to Save a Life" by The Fray and "Running on Sunshine" by Jesus Jackson, performed as ensemble pieces by Ramirez, McKidd, Leigh, Daniel Sunjata, Scott Foley, Ellen Pompeo, Justin Chambers, Raver, Dane, and Capshaw  Ramirez, McKidd and Wilson also perform together on Snow Patrol's "Chasing Cars " Ramirez is the lead vocalist on "The Story" by Brandi Carlile, and "Grace" by Kate Havnevik, which also features the other female cast members, including Leigh and Sarah Drew on the chorus  Capshaw duets with Ramirez on KT Tunstall's "Universe & U " Wilson is the lead vocalist on "Wait" by Get Set Go, McKidd on "How We Operate" by Gomez, and Leigh on Anna Nalick's "Breathe (2 AM) "

Leigh said that some actors were not "excited" about singing but still could participate in the episode  "There were certain ways in which the scenes were written, even if there was a song in there, that perhaps a line was spoken instead of sung," she said A vocal coach was enlisted to help the cast  Music director Chris Horvath was recruited to arrange the selected songs for the cast  The arrangements took around two months, with vocals recorded over four days in February 2011  Horvath praised the cast's response to the episode, noting that only four performers had "serious vocal talent," while some had "barely sung in the shower" before  Those with professional singing experience include Ramirez, who won a Tony Award for their role in the musical Spamalot, and Wilson, who appeared in the Broadway production of Caroline, or Change  Cast members' reactions toward the episode varied  Pompeo initially deemed the idea "crazy," but changed her mind following the first read-through  Recurring cast member Sunjata stated that singing was "a bit out of [his] comfort zone," but found it an "interesting challenge," and McKidd deemed it "very exciting to do something that's completely out on a limb for the show "

Reception
Pre-broadcast commentary
Critical response prior to broadcast was mixed  TVLine's Michael Ausiello assessed that the episode would "either be a show-stopping triumph or a spectacular failure," with no possible middle ground  William Keck of TV Guide initially had "serious doubts," which were allayed by a visit to the set, during which he listened to the soundtrack  Keck likened it to the "much-beloved early seasons of Grey's, when music played a vital role on the show " Entertainment Weekly's Dan Snierson predicted heavy use of Auto Tune, though fellow EW writer Jennifer Armstrong was optimistic that the episode would be a success, commenting: "I have faith  I like musicals, I like Grey's  I'm rooting for this to work "

Ratings
During its original broadcast, "Song Beneath the Song" was watched by an average of 13 09 million American viewers  It attained a 4 9/13 Nielsen rating/share in the 18–49 demographic, making it the second highest-rated program of the night, behind only American Idol on the Fox network  The rating was the second-highest of the seventh season until that point, and a 30% increase from the previous episode, "This is How We Do It," which was watched by 2 4 million fewer viewers In Canada, where the episode also aired on March 31, 2011, it was watched by 3 18 million viewers  Viewership again increased on "This is How We Do It," which attained 2 63 million viewers  However, while the preceding episode was the most-viewed scripted show for the week of its original broadcast, "Song Beneath the Song" ranked second, behind The Big Bang Theory 

Post-broadcast commentary
Following the first minutes of the drama, reactions on Twitter were polarized  Nicole Golden from TV Fanatic gave the episode 4 5 stars out of 5 0  She found that "overall, the concept worked since music really has always played a big part in the show  Some songs were more appropriate and/or better performed than others, though " She also wrote the concept worked in part because it was new but noted "the format would probably not have the same effect if used in future episodes " Even though Boston Herald's critic Mark Perigard was not a fan of the concept, saying "the Grey's Anatomy event proved how tricky it is for an established show, especially a drama, to pull off a musical episode," he did like several actors' performances  He wrote: "Chandra Wilson and Chyler Leigh (whom I never have anything good to say about) delivered some impressive vocal work  Eric Dane did some of his best acting of his career last night as an anxious father-to-be terrified he would lose his best friend " Lyneka Little of The Wall Street Journal wrote, "If Glee and ER had a baby it would be tonight’s episode of the medical drama Grey’s Anatomy titled 'Song Beneath the Song' " In his review of the episode Alan Sepinwall of HitFix wrote "Like Grey's Anatomy as a whole, some parts were unintentionally silly, others were surprisingly powerful, and it was rarely dull, at least "Patrick Dempsey admitted that the musical episode might not have been showrunner Shonda Rhimes's best idea  He explained: "It's very difficult to keep it fresh when you're doing 24 episodes a year  Shonda Rhimes has a lot of ideas, and she is in a position where she can take more chances  Sometimes that works, sometimes it does not  Last year we had the singing episode, which I think was a big mistake  But you have to try "

Accolades
In 2011, the episode was ranked #19 on the TV Guide Network special, 25 Biggest TV Blunders 2  It was included in TV Guide's list "The Worst Of 2011" saying, "Sara Ramirez has powerhouse pipes, but what this episode desperately needed was a better playlist " BuddyTV, however, ranked it #43 on its list of 2011's 50 Best TV Episodes and it also appeared on Digital Spy's shortlist of "TV's Best Musical Episodes " Supervising Music Editor Jennifer Barak and Music Editors Carli Barber and Jessica Harrison were nominated in the Best Sound Editing: Short Form Musical in Television category at the 2012 Golden Reel Awards for their work on the episode 

Soundtrack
Track listing
Chart history
Grey's Anatomy: The Music Event debuted at #24 on the Billboard 200, with 19,000 copies sold  It reached #2 on the U S  Soundtracks chart, and was #5 on the Independent Album chart  "The Story" entered the Billboard Hot 100 singles chart at #69, and the Canadian Hot 100 at #72 
Passage 13:
Beckmann rearrangement
The Beckmann rearrangement, named after the German chemist Ernst Otto Beckmann (1853–1923), is a rearrangement of an oxime functional group to substituted amides  The rearrangement has also been successfully performed on haloimines and nitrones  Cyclic oximes and haloimines yield lactams 
The Beckmann rearrangement is often catalyzed by acid; however, other reagents have been known to promote the rearrangement  These include tosyl chloride, thionyl chloride, phosphorus pentachloride, phosphorus pentoxide, triethylamine, sodium hydroxide, trimethylsilyl iodide among others  The Beckmann fragmentation is another reaction that often competes with the rearrangement, though careful selection of promoting reagent and solvent conditions can favor the formation of one over the other, sometimes giving almost exclusively one product  The rearrangement occurs stereospecifically for ketoximes and N-chloro/N-fluoro imines, with the migrating group being anti-periplanar to the leaving group on the nitrogen  Certain conditions have been known to racemize the oxime geometry, leading to the formation of both regioisomers  The rearrangement of aldoximes occurs with stereospecificity in the gas phase and without stereospecificity in the solution phase  A few methodologies allow for the rearrangement of aldoximes to primary amides, but fragmentation commonly competes in these systems  Nitrone rearrangement also occurs without stereospecificity; the regioisomer formed has the amide nitrogen substituted with the group possessing the greatest migratory aptitude 

The archetypal Beckmann rearrangement is the conversion of cyclohexanone to caprolactam via the oxime  Caprolactam is the feedstock in the production of Nylon 6 The Beckmann solution consists of acetic acid, hydrochloric acid and acetic anhydride, and was widely used to catalyze the rearrangement   Other acids, such as sulfuric acid, polyphosphoric acid, and hydrogen fluoride have all been used  Sulfuric acid is the most commonly used acid for commercial lactam production due to its formation of an ammonium sulfate by-product when neutralized with ammonia  Ammonium sulfate is a common agricultural fertilizer providing nitrogen and sulfur 

Reaction mechanism
The most common reaction mechanism of the Beckmann rearrangement consists generally of an alkyl migration anti-periplanar to the expulsion of a leaving group to form a nitrilium ion  This is followed by solvolysis to an imidate and then tautomerization to the amide:
This nitrilium ion has been known to be intercepted by other nucleophiles, including the leaving group from the oxime 

Presumably after the phenyl group migrates and expels the cyanate, the latter then attacks the nitrilium ion formed  In carbon tetrachloride the isocyanate can be isolated, whereas in ethanol, the urethane is formed after solvolysis of the isocyanate 
One computational study has established the mechanism accounting for solvent molecules and substituents  The rearrangement of acetone oxime in the Beckmann solution involved three acetic acid molecules and one proton (present as an oxonium ion)  In the transition state leading to the iminium ion (σ-complex), the methyl group migrates to the nitrogen atom in a concerted reaction as the hydroxyl group is expelled  The oxygen atom in the hydroxyl group is stabilized by three acetic acid molecules  In the next step the electrophilic carbon atom in the nitrilium ion is attacked by water and a proton is donated back to acetic acid  In the transition state leading to the imidate, the water oxygen atom is coordinated to 4 other atoms  In the third step, an isomerization step protonates the nitrogen atom leading to the amide 

The same computation with a hydroxonium ion and 6 molecules of water has the same result, but when the migrating substituent is a phenyl group, the mechanism favors the formation of an intermediate three-membered π-complex  This π-complex is not found in the H3O+(H2O)6 

With the cyclohexanone-oxime, the relief of ring strain results in a third reaction mechanism, leading directly to the protonated caprolactam in a single concerted step without the intermediate formation of a π-complex or σ-complex 

Cyanuric chloride assisted Beckmann reaction
Beckmann rearrangement can be rendered catalytic using cyanuric chloride and zinc chloride as a co-catalyst  For example, cyclododecanone can be converted to the corresponding lactam, the monomer used in the production of Nylon 12 

The reaction mechanism for this reaction is based on a catalytic cycle with cyanuric chloride activating the hydroxyl group via a nucleophilic aromatic substitution  The reaction product is dislodged and replaced by new reactant via an intermediate Meisenheimer complex 

Beckmann fragmentation
The Beckmann fragmentation is a reaction that frequently competes with the Beckmann rearrangement  When the group α to the oxime is capable of stabilizing carbocation formation, the fragmentation becomes a viable reaction pathway  The reaction generates a nitrile and a carbocation, which is quickly intercepted to form a variety of products  The nitrile can also be hydrolyzed under reaction conditions to give carboxylic acids  Different reaction conditions can favor the fragmentation over the rearrangement 

Quaternary carbon centers promote fragmentation by stabilizing carbocation formation through hyperconjugation  As shown in the above picture, the "stable" carbocation is formed, which then loses a hydrogen to give a site of unsaturation  Oxygen and nitrogen atoms also promote fragmentation through the formation of ketones and imines respectively 
Sulfur is also capable of promoting fragmentation, albeit at a longer range than oxygen or nitrogen 

Silicon is capable of directing the fragmentation through the beta-silicon effect 
The carbocation intermediate in this reaction is intercepted by nucleophilic fluoride from diethylaminosulfur trifluoride (DAST):

Semmler–Wolff reaction
The oxime of cyclohexenone with acid forms aniline in a dehydration – aromatization reaction called the Semmler–Wolff reaction or Wolff aromatization 
The mechanism can be shown as below:

The reaction is intrinsically a special case of Beckmann rearrangement combined with neighbouring group participation 

Applications in drug synthesis
An industrial synthesis of paracetamol developed by Hoechst–Celanese involves the conversion of a methyl ketone to an acetanilide via a Beckmann rearrangement The thermal rearrangement that occurs in the synthesis of ketamine was claimed to be a Beckmann rearrangement according to: url 

See also
Curtius rearrangement
Dakin reaction
Schmidt reaction
Stieglitz rearrangement
Lossen rearrangement
Passage 14:
Heartbeat in the Brain
Heartbeat in the Brain is a 1970 documentary film produced and directed by Amanda Feilding, an advocate of trepanation  It was filmed by Joseph Mellen 

Summary
In the film, Feilding, a 27-year-old student at the time, drills a hole in her forehead with a dentist's drill  In the documentary, surgical scenes alternate with motion studies of Feilding's pet pigeon Birdie 

Release and rediscovery
In 1978, Feilding screened the movie at the Suydam Gallery in New York  More than one audience member fainted during the climax The 1998 documentary A Hole in the Head contains footage from Heartbeat in the Brain The documentary, long believed to be lost, was publicly screened at the Institute of Contemporary Arts, London on 28 April 2011 
Passage 15:
Eye of the Tiger
"Eye of the Tiger" is a song by American rock band Survivor  It was released as a single from their third album of the same name and was also the theme song for the 1982 film Rocky III, which was released a day before the single  The song was written by Survivor guitarist Frankie Sullivan and keyboardist Jim Peterik, and it was recorded at the request of Rocky III star, writer, and director Sylvester Stallone, after Queen denied him permission to use "Another One Bites the Dust", the song Stallone intended as the Rocky III theme  The version of the song that appears in the film is the demo version of the song  The film version also contained tiger growls, which did not appear on the album version  It features original Survivor singer Dave Bickler on lead vocals  The song is also the title song to the 1986 film of the same name  "Eye of the Tiger" is written in the key of C minor It gained tremendous MTV and radio airplay and topped charts worldwide during 1982  In the United States, it held No  1 on the Billboard Hot 100 chart for six consecutive weeks (the band's only song to top the chart) and was the No  2 single of 1982, behind Olivia Newton-John's "Physical"  It spent fifteen consecutive weeks in the top ten, the second-longest run of 1982, behind "Hurts So Good" by John Mellencamp (which was prevented from reaching the top of the Hot 100 by "Eye of the Tiger")  This top ten run is tied with the aforementioned "Another One Bites the Dust" as well as "Physical" as the longest run in the top ten for a number one song during the entire 1980s decade  The band won an award for "Best Rock Performance by Duo or Group with Vocal" at the 25th Annual Grammy Awards  In September 1982, it also peaked at No  1 in the United Kingdom, remaining at the top of the UK Singles Chart for four consecutive weeks  The single sold 956,000 copies in United Kingdom in 1982 It was certified platinum in August 1982 by the RIAA, signifying sales of 2 million vinyl copies  The song had sold over 4 1 million in digital downloads in the United States alone by February 2015  It was voted VH1's 63rd-greatest hard rock song 

Background
In an interview with Songfacts, co-writer Jim Peterik, who shared writing credit with Frankie Sullivan, explained the song's title 

At first, we wondered if calling it "Eye of the Tiger" was too obvious  The initial draft of the song, we started with "It's the eye of the tiger, it's the thrill of the fight, rising up to the spirit of our rival, and the last known survivor stalks his prey in the night, and it all comes down to survival " We were going to call the song "Survival"  In the rhyme scheme, you can tell we had set up "rival" to rhyme with "survival"  At the end of the day, we said, "Are we nuts?" That hook is so strong, and "rival" doesn't have to be a perfect rhyme with the word "tiger"  We made the right choice and went with "Eye of the Tiger" 

Accolades
The song was nominated for the 1982 Academy Award for Best Original Song (the only Oscar nomination for Rocky III), but it lost to "Up Where We Belong" from An Officer and a Gentleman The band won an award for "Best Rock Performance by Duo or Group with Vocal" at the 25th Annual Grammy Awards  The song was also nominated for the 1983 Grammy Award for Song of the Year, but lost to the Willie Nelson hit "Always on My Mind" 

Lawsuits
Newt Gingrich campaign
In 2012, Survivor sued Republican presidential candidate Newt Gingrich in Illinois federal court for using "Eye of the Tiger" without authorization as entrance music at his political rallies going back as far as 2009  The suit was later settled out of court 

Mitt Romney campaign
The same year Sullivan also demanded that Mitt Romney, also a Republican candidate for president, should stop using "Eye of the Tiger" at his campaign rallies  Romney agreed to drop the song from the campaign's playlists 

Mike Huckabee's campaign
Frankie Sullivan's company Rude Music filed a lawsuit in federal court in Chicago, Illinois, on November 18, 2015, against the former Governor of Arkansas and Republican presidential candidate Mike Huckabee's campaign organization for using "Eye of the Tiger" at a political rally without permission  The rally took place on September 8, 2015, when Kim Davis, a Kentucky county clerk, was released from jail after spending five days there for refusing to issue marriage licenses to same-sex couples in Kentucky  In June 2016 it was reported by CNN that Huckabee had agreed, in a confidential, out-of-court settlement with Sullivan's Rude Music, to pay $25,000 in compensation 

Credits and personnel
Credits adapted from the album Eye of the Tiger 
Dave Bickler – lead vocals
Frankie Sullivan – lead and rhythm guitars
Jim Peterik – grand piano, electric guitar
Stephan Ellis – bass
Marc Droubay – drums

Charts
Weekly charts
Certifications
See also
Context 3:  On a budget of £8 million, it earned over £250 million internationally 

Plot
At the official closing of the British Empire Exhibition at Wembley Stadium, Prince Albert, Duke of York, the second son of King George V, addresses the crowd with a strong stammer  His search for treatment has been discouraging, but his wife, Elizabeth, persuades him to see the Australian-born Lionel Logue, a non-medically trained Harley Street speech defects therapist  "Bertie", as he is called by his family, believes the first session is not going well, but Lionel, who insists that all his patients address him as such, has his potential client recite Hamlet's "To be, or not to be" soliloquy while hearing classical music played on a pair of headphones  Bertie is frustrated at the experiment but Lionel gives him the acetate recording that he has made of the reading as a souvenir 
After Bertie's father, King George V, broadcasts his 1934 Royal Christmas Message, he explains to Bertie that the wireless will play a significant part in the role of the royal family, allowing them to enter the homes of the people, and that Bertie's brother's neglect of his responsibilities make training in it necessary  The attempt at reading the message himself is a failure, but that night Bertie plays the recording Lionel gave him and is astonished at the lack of stutter there  He therefore returns for daily treatments to overcome the physical and psychological roots of his speaking difficulty 
George V dies in 1936, and his eldest son David ascends the throne as King Edward VIII  A constitutional crisis arises with the new king over a prospective marriage with the twice-divorced American socialite Wallis Simpson  Edward, as the supreme governor of the Church of England, cannot marry her, even if she receives her second divorce, since both her previous husbands are alive 
At an unscheduled session, Bertie expresses his frustration that, while his speech has improved when speaking to most people, he still stammers when talking to David, at the same time revealing the extent of Edward VIII's folly with Simpson  When Lionel insists that Bertie himself could make a good king, Bertie accuses Lionel of speaking treason and quits Lionel in anger  Bertie must now face the Accession Council without any assistance 
Bertie and Lionel only come together again after King Edward decides to abdicate in order to marry  Bertie, urged ahead by Prime Minister Stanley Baldwin, ascends the throne as King George VI and visits Lionel's home with his wife before their coronation, much to the surprise of Mrs  Logue when she comes upon Queen Elizabeth having tea at her dining room table  This is the first time that she learns who her husband's patient has been 
Bertie and Lionel's relationship is questioned by the King's advisors during the preparations for his coronation in Westminster Abbey  The archbishop of Canterbury, Cosmo Gordon Lang, brings to light that George never asked for advice from his advisors about his treatment and that Lionel has never had formal training   Lionel explains to an outraged Bertie that at the time he started with speech defects there were no formal qualifications and that the only known help that was available for returning Great War shell-shocked Australian soldiers was from personal experience  Bertie remains unconvinced until provoked to protest at Lionel's disrespect for King Edward's Chair and the Stone of Scone  Only at this pivotal moment, after realising he has just expressed himself without impairment, is Bertie able to rehearse with Lionel and complete the ceremony 
As the new king, Bertie is in a crisis when he must broadcast to Britain and the Empire following the declaration of war on Nazi Germany in 1939  Lionel is summoned to Buckingham Palace to prepare the king for his speech  Knowing the challenge that lies before him, Lang, Winston Churchill, and Prime Minister Neville Chamberlain are present to offer support  The King and Logue are then left in the broadcasting room  He delivers his speech with Logue conducting him, but by the end he is speaking freely  Preparing to leave the room for the congratulations of those present, Logue mentions to the King that he still has difficulty enunciating w and the King jokes back, "I had to throw in a few so they'd know it was me "
As the Royal Family step onto the palace balcony and are applauded by the crowd, a title card explains that Logue, who received the Royal Victorian Order for service to the Crown, was always present at King George VI's speeches during the war and that they remained friends until the King's death from lung cancer in 1952 

Cast
Colin Firth as King George VI
Geoffrey Rush as Lionel Logue
Helena Bonham Carter as Queen Elizabeth
Guy Pearce as King Edward VIII
Timothy Spall as Winston Churchill
Derek Jacobi as Cosmo Gordon Lang
Jennifer Ehle as Myrtle Logue
Michael Gambon as King George V
Freya Wilson as Princess Elizabeth
Ramona Marquez as Princess Margaret
Patrick Ryecart as Lord Wigram
Simon Chandler as Lord Dawson of Penn
Claire Bloom as Queen Mary
Orlando Wells as Prince George, Duke of Kent
Tim Downie as Prince Henry, Duke of Gloucester
Eve Best as Wallis Simpson
Anthony Andrews as Stanley Baldwin
Andrew Havill as Robert Wood

Production
Development
As a child, David Seidler developed a stammer, which he believes was caused by the emotional trauma of World War II and the murder of his grandparents during the Holocaust  King George VI's success in overcoming his stammer inspired the young Seidler, "Here was a stutterer who was a king and had to give radio speeches where everyone was listening to every syllable he uttered, and yet did so with passion and intensity " When Seidler became an adult, he resolved to write about King George VI  During the late 1970s and 1980s he voraciously researched the King, but found a dearth of information on Logue  Eventually Seidler contacted Valentine Logue, who agreed to discuss his father and make his notebooks available if the Queen Mother gave her permission  She asked him not to do so in her lifetime, and Seidler halted the project 

The Queen Mother died in 2002  Three years later, Seidler returned to the story during a bout of creative work inspired by a recovery from cancer  His research, including a chance encounter with an uncle whom Logue had treated, indicated he used mechanical breathing exercises combined with psychological counselling to probe the underlying causes of the condition  Thus prepared, Seidler imagined the sessions  He showed the finished screenplay to his wife, who liked it, but pronounced it too "seduced by cinematic technique"  She suggested he rewrite it as a stage play to focus on the essential relationship between the King and Logue  After he had completed it, he sent it to a few friends who worked in theatre in London and New York for feedback In 2005, Joan Lane of Wilde Thyme, a production company in London, received the script  Lane started talking with Simon Egan and Gareth Unwin of Bedlam Productions, and they invited Seidler to London to rewrite the play again, this time for the screen  Together, Lane and Bedlam Productions organised a reading of the play in Pleasance Theatre, a small house in north London, to a group of Australian expatriates, among whom was Tom Hooper's mother  She called her son and said, "I've found your next project" Instead of trying to contact his agent, Lane asked an Australian staff member to hand-deliver the script to Geoffrey Rush's house, not far away from hers in Melbourne  Unwin reports that he received a four-page e-mail from Rush's manager admonishing them for the breach of etiquette, but ending with an invitation to discuss the project further  Iain Canning from See-Saw Films became involved and, in Gareth Unwin's words: "We worked with ex-chair of BAFTA Richard Price, and started turning this story about two grumpy men sitting in a room into something bigger " Hooper liked the story, but thought that the original ending needed to be changed to reflect events more closely: "Originally, it had a Hollywood ending     If you hear the real speech, he's clearly coping with his stammer  But it's not a perfect performance  He's managing it "

The production team learned – some nine weeks prior to the start of filming – of a diary containing Logue's original notes on his treatment of the Duke, which was in the process of being turned into a non-fiction book by Logue's grandson Mark and journalist Peter Conradi, titled The King's Speech: How One Man Saved the British Monarchy  Striking an agreement with the authors, they then went back and re-worked the script to reflect what was in the notes and the book  Some lines, such as at the climax, when Logue smiles and says, "You still stammered on the W" to the King, who replies, "I had to throw in a few so they would know it was me" were direct quotations from Logue's notes  Changes from the script to reflect the historical record included Michael Gambon improvising the ramblings of George V as he signed away authority, and the decision in the opening scene to dress the Duke in an overcoat rather than regal finery Seidler thought Paul Bettany would be a good choice to play King George VI, while Hooper preferred Hugh Grant, though both actors declined the offer  Once they met with Firth and heard him read for the part, Seidler and Hooper were convinced of his suitability for the role The UK Film Council awarded the production £1 million in June 2009  Filming began in December 2009, and lasted 39 days  Most was shot in the three weeks before Christmas because Rush would be performing in a play in January  The schedule was further complicated by Bonham Carter's availability: she worked on Harry Potter during the week, so her scenes had to be filmed during the weekend 

Location and design
The film depicted both regal opulence and scruffy, depression-era London  On 25 November 2009 the crew took over the Pullens buildings in Southwark and gave it the appearance of a street from 1930s London  Large advertisements for (among other things) Bovril and fascism were added to walls, and grit and grime to streets and buildings  To reproduce London smog of the time – thick enough that cars might need guidance from someone walking ahead – so much artificial smoke was used that fire alarms were triggered On 26 November, a week's filming with Firth, Rush, and Jacobi began at Ely Cathedral, the location used for Westminster Abbey  The production had asked for permission to film in the Abbey but were denied due to the demands of tourism  Though Lincoln Cathedral is architecturally a closer match to the Abbey, they preferred Ely, a favoured filming location  Its size allowed them to build sets showing not just the coronation, but the preparations before it Lancaster House, an opulent government-owned period house in London, was rented (at £20,000 per day) for interior scenes of Buckingham Palace  The 1936 Accession Council at St  James's Palace, where George VI swore an oath, was filmed in the Livery Hall of Drapers' Hall  The room, ornate and vast, met the occasion: the daunting nature of the new King's responsibilities was shown by surrounding him with rich detail, flags and royal portraiture The crew investigated Logue's former consultation rooms, but they were too small to film in  Instead, they found a high, vaulted room not far away in 33 Portland Place  Eve Stewart, the production designer, liked the mottled, peeling wallpaper there so much that she recreated the effect throughout the entire room  In his DVD commentary, Hooper said he liked Portland Place as a set because it felt "lived in", unlike other period houses in London  The scenes of the Duke of York at home with his family were also filmed here; showing the Prince living in a townhouse "subverted" expectations of a royal drama 

The opening scene, set at the closing ceremony of the 1925 British Empire Exhibition at Wembley Stadium, was filmed on location at Elland Road, home of Leeds United, and Odsal Stadium, home of Bradford RLFC  Elland Road was used for the speech elements of the prince stammering his way through his first public address, and Odsal Stadium was selected because of the resemblance of its curved ends to Wembley Stadium in 1925  The crew had access to the stadium only at 10 pm, after a football game  They filled the terraces with inflatable dummies and over 250 extras dressed in period costumes  Live actors were interspersed to give the impression of a crowd  Additional people, as well as more ranks of soldiers on the pitch, were added in post-production with visual effects Other locations include Cumberland Lodge, Harley Street, Knebworth, Hatfield House, the Old Royal Naval College in Greenwich, Queen Street Mill Textile Museum in Burnley, and Battersea Power Station, which doubled as a BBC wireless control room  The final cut of the film was completed on 31 August 2010 

Dialogue
In developing his portrayal of George VI's stammer, Firth worked with Neil Swain, the voice coach for the film  His sister, Kate Firth, also a professional voice coach to actors, proposed exercises the King might have done with Logue, and made suggestions on how to imagine Logue's mix of physical and psychological coaching for the film In addition, Firth watched archive footage of the King speaking  In an interview with Allan Tyrer published by the British Stammering Association, Swain said: "[It] was very interesting while we were working on the film just to think tonally how far we could go and should go with the strength of George's stammer  I think a less courageous director than Tom [Hooper] – and indeed a less courageous actor than Colin [Firth] – might have felt the need to slightly sanitise the degree and authenticity of that stammer, and I'm really really pleased that neither of them did " In May 2011 Firth said he was finding traces of the stammer difficult to eliminate: "You can probably hear even from this interview, there are moments when it's quite infectious  You find yourself doing it and if I start thinking about it the worse it gets  If nothing else it's an insight into what it feels like "

Music
The film's original music is composed by Alexandre Desplat, which consisted of a sparse arrangement of strings and piano  The London Symphony Orchestra, conducted by Terry Davies, limited orchestral score by only adding oboe and harp in one cut, to convey the character of the king, while also using single note to represent the stickiness of the King's speech  Old microphones extracted from the EMI archives, specially made for the royal family, had been used to record the score, to create a dated sound The use of the 2nd movement (Allegretto) of Beethoven's 7th Symphony, played during the broadcast of the 1939 radio speech from the film's climax, was played as a temp track added by editor Tariq Anwar  Desplat did not want to change the track and defended Anwar's suggestion, as the theme has a universal quality  Hooper further remarked that the stature of the piece helps elevate the status of the speech to a public event  The score album also featured Wolfgang Amadeus Mozart's Marriage of Figaro overture  The score was nominated for several awards, including Best Original Score at the Oscars, Golden Globes, and BAFTAs, winning the latter award  The score also won a Grammy at the 54th Grammy Awards 

Visual style
Hooper employed a number of cinematic techniques to evoke the King's feelings of constriction  He and cinematographer Danny Cohen used wider than normal lenses to photograph the film, typically 14mm, 18mm, 21mm, 25mm and 27mm, where the subtle distortion of the picture helps to convey the King's discomfort  For instance, the subjective point of view shot during the Empire exhibition speech used a close up of the microphone with a wider lens, similar to the filming technique used for one of the Duke's early consultations with a physician  In The New York Times, Manohla Dargis wrote that the feeling of entrapment inside the King's head was rendered overly literal with what she believed to be a fisheye lens, though in these scenes the wider lenses were used  Hooper also discussed using the 18mm lens, one he likes "because it puts human beings in their context" Roger Ebert noted that the majority of the film was shot indoors, where oblong sets, corridors, and small spaces manifest constriction and tightness, in contrast to the usual emphasis on sweep and majesty in historical dramas  Hooper used wide shots to capture the actors' body language, particularly that of Geoffrey Rush, who trained at L'École Internationale de Théâtre Jacques Lecoq in Paris and "is consequently brilliant in the way he carries his body"  Hooper widened his scope first to capture Rush's gestures, then full body movements and silhouettes  The approach carried over to Firth as well  In the first consultation scene, the Duke is squeezed against the end of a long couch framed against a large wall, "as if to use the arm of the sofa as a kind of friend, as a security blanket?" Martin Filler praised the "low-wattage" cinematography of Danny Cohen's, as making everything look like it has been "steeped in strong tea" At other times, the camera was positioned very close to the actors to catch the emotion in their faces: "If you put a lens 6 inches from somebody's face, you get more emotion than if you're on a long lens 20 feet away," Cohen said in an interview  Hooper sought a second subtlety while filming the first consultation room scene between the two men, having placed the camera 18 inches from Colin Firth's face: "I wanted the nervousness of the first day to percolate into his performances," he said Historical dramas traditionally tend to use "soft light", but Hooper wanted to use a harsher glare, which gives a more contemporary feel, and thus a greater emotional resonance  To achieve the effect, the lighting team erected huge blackout tents over the Georgian buildings and used large lights filtered through Egyptian cotton 

Historical accuracy
Several events in the film did not happen, or were exaggerated  The visual blog Information is Beautiful deduced that, while taking creative licence into account, the film was 74 4% accurate when compared to real-life events, summarising: "Some nips and tucks of the historical record, but mostly an accurate retelling of a unique friendship" 

Relationship with Lionel Logue
The filmmakers not only tightened the chronology of the events to just a few years but even shifted the timeline of treatment  The Duke of York actually began working with Logue in October 1926, ten years before the abdication crisis, and the improvement in his speech was apparent in months rather than years as suggested by the film  When he was dispatched to Australia to open their new Parliament House in Canberra in 1927, the Duke gave numerous speeches during the journey and performed well despite Logue not accompanying him on the trip  He wrote to Logue from the Caribbean, "You remember my fear of 'The King'  I give it every evening at dinner on board  This does not worry me any more " Of his speech opening Parliament it was observed that he spoke "resonantly and without stuttering" Robert Logue, a grandson of Lionel, doubted the film's depiction of the speech therapist, stating "I don't think he ever swore in front of the King and he certainly never called him 'Bertie'"  Andrew Roberts, an English historian, states that the severity of the King's stammer was exaggerated and the characters of Edward VIII, Wallis Simpson, and George V made more antagonistic than they really were, to increase the dramatic effect 

Politics
Christopher Hitchens and Isaac Chotiner have criticised the film for failing to indict the appeasement of the era or to portray Edward VIII's sympathetic attitude to Nazi Germany   The Guardian also corrected the portrayal of Stanley Baldwin as having resigned due to his refusal to order Britain's re-armament, when he in fact stepped down as "a national hero, exhausted by more than a decade at the top"  Stanley's grandson, Earl Baldwin, was particularly unhappy with this film due to its factual distortions and portrayal of his grandfather as a dithering fool who misunderstood Hitler's intentions Hugo Vickers, an adviser on the film, agreed that the alteration of historical details to preserve the essence of the dramatic story was sometimes necessary  The high-ranking officials, for instance, would not have been present when the King made his speech, nor would Churchill have been involved at any level, "but the average viewer knows who Churchill is; he doesn't know who Lord Halifax and Sir Samuel Hoare are "Hitchens and Chotiner also challenged the film's portrayal of Winston Churchill's role in the abdication crisis  It is well established that Churchill encouraged Edward VIII to resist pressure to abdicate, whereas he is portrayed in the film as supportive of the Duke of York and not opposed to the abdication  Hitchens attributes this treatment to the "cult" surrounding Churchill's legacy  In a smart, well-made film "would the true story not have been fractionally more interesting for the audience?", he wondered 

Realism
Martin Filler acknowledged that the film legitimately used artistic licence to make valid dramatic points, such as in the probably imagined scene when George V lectures his son on the importance of broadcasting  Filler cautions that George VI would never have tolerated Logue addressing him casually, nor swearing, and the King almost certainly would have understood a newsreel of Hitler speaking in German  Filler makes the larger point that both the King and his wife were, in reality, lukewarm towards Churchill because of the latter's support for his brother during the abdication crisis Commenting on the film's final scene on the balcony of Buckingham Palace, Andrew Roberts has written, "The scene is fairly absurd from a historical point of view – Neville Chamberlain and Winston Churchill were not present and there were no cheering crowds outside Buckingham Palace " However, Roberts praises the film overall as a sympathetic portrayal of the King's "quiet, unassuming heroism [   ] The portrayals by Firth and Bonham Carter are sympathetic and acute, and the movie's occasional factual bêtises should not detract from that "

Release
Cinema release
The film had its world première on 6 September 2010 at the Telluride Film Festival in the United States  It was screened at the 2010 Toronto International Film Festival, on Firth's 50th birthday, where it received a standing ovation and won the People's Choice Award  The cinema release poster was re-designed to show an extreme close-up of Firth's jaw and a microphone after Hooper criticised the first design as a "train smash"  Tim Appelo called the original, air-brushed effort, which showed the three leads, "shockingly awful" though the new one "really is worthwhile" The film was distributed by Transmission Films in Australia and by Momentum Pictures in the United Kingdom  The Weinstein Company distributed it in North America, Germany, Benelux, Scandinavia, China, Hong Kong, and Latin America  The film was released in France on 2 February 2011 by Wild Bunch under the title Le discours d'un roi 

Ratings controversy
The film was initially given a 15 certificate by the British Board of Film Classification, due to a minute-long scene where Logue encourages the King to swear, which he could do without stuttering  At the London Film Festival, Hooper criticised the decision, questioning how the board could certify the film "15" for bad language but allow films such as Salt (2010) and Casino Royale (2006) to have "12A" ratings, despite their graphic torture scenes  Following Hooper's criticism, the board lowered the rating to "12A", allowing children under 12 years of age to see the film if they are accompanied by an adult  Hooper levelled the same criticism at the Motion Picture Association of America, which gave the film an "R" rating, preventing anyone under the age of 17 from seeing the film without an adult  In his review, Roger Ebert criticised the "R" rating, calling it "utterly inexplicable", and wrote, "This is an excellent film for teenagers "In January 2011 Harvey Weinstein, the executive producer and distributor, said he was considering having the film re-edited to remove some profanity, so that it would receive a lower classification and reach a larger audience  Hooper refused to cut the film, though he considered covering the swear words with bleeps  Helena Bonham Carter also defended the film, saying, "[The film] is not violent  It's full of humanity and wit  [It's] for people not with just a speech impairment, but who have got confidence [doubts] " After receiving his Academy Award, Colin Firth noted that he does not support re-editing the film; while he does not condone the use of profanity, he maintains that its use was not offensive in this context  "The scene serves a purpose", Firth states  An alternative version, with some of the profanities muted out, was classified as "PG-13" in the United States; this version was released to cinemas on 1 April 2011, replacing the R-rated one  The PG-13 version of this film is not available on DVD and Blu-ray 

Reception
Box office
In Great Britain and Ireland, the film was the highest earning film on its opening weekend  It took in £3,510,000 from 395 cinemas  The Guardian said that it was one of the biggest takes in recent memory, and compared it to Slumdog Millionaire (2008), which, two years earlier, earned £1 5 million less  The King's Speech continued a "stunning three weeks" atop the UK Box office, and earned over £3 million for four consecutive weekends, the first film to do so since Toy Story 3 (2010)  After five weeks on UK release, it was hailed as the most successful independent British film ever In the United States The King's Speech opened with $355,450 (£220,000) in four cinemas  It holds the record for the highest per-cinema gross of 2010  It was widened to 700 screens on Christmas Day and 1,543 screens on 14 January 2011  It eventually made $138 million in North America overall In Australia The King's Speech made more than A$6,281,686 (£4 million) in the first two weeks, according to figures collected by the Motion Picture Distributors Association of Australia  The executive director of Palace Cinemas, Benjamin Zeccola, said customer feedback on the film was spectacular  "It's our No 1 for all the period, all throughout the country      I think this is more successful than Slumdog Millionaire and a more uplifting film  It's a good example of a film that started out in the independent cinemas and then spread to the mainstream cinemas "Of the film's net profit, estimated to amount to $30–40 million (£20–25 million) from the cinema release alone, roughly 20% was to be split between Geoffrey Rush (as executive producer), Tom Hooper and Colin Firth, who were to receive their bonuses before the other stakeholders  The remaining profit was to be split equally between the producers and the equity investors  The UK Film Council invested £1 million of public funds from the United Kingdom lottery into the film  In March 2011 Variety estimated that the return could be between fifteen and twenty times that  The Council's merger into the British Film Institute means that the profits were to be returned to that body 

Critical response
The King's Speech has received widespread critical acclaim, with Firth's performance receiving universal praise  Bonham Carter and Rush were also widely praised with both going on to win BAFTAs and receiving Academy Award nominations  Review aggregator Rotten Tomatoes gives the film a score of 94% based on reviews from 297 critics; the film's average rating was calculated as 8 60/10  The website's critical consensus reads: "Colin Firth gives a masterful performance in The King's Speech, a predictable but stylishly produced and rousing period drama " Metacritic gave the film a weighted score of 88/100, based on 41 critical reviews, which indicates "universal acclaim"  CinemaScore reported that audiences gave the film a rare "A+" grade  Empire gave the film five stars out of five, commenting, "You'll be lost for words " Lisa Kennedy of The Denver Post gave the film full marks for its humane qualities and craftsmanship: "It is an intelligent, winning drama fit for a king – and the rest of us", she said  Roger Ebert of the Chicago Sun-Times awarded the film a full four stars, commenting that "what we have here is a superior historical drama and a powerful personal one " Peter Bradshaw of The Guardian gave four stars out of five, stating, "Tom Hooper's richly enjoyable and handsomely produced movie     is a massively confident crowd-pleaser "Manohla Dargis, whilst generally ambivalent towards the film, called the lead performances one of its principal attractions  "With their volume turned up, the appealing, impeccably professional Mr  Firth and Mr  Rush rise to the acting occasion by twinkling and growling as their characters warily circle each other before settling into the therapeutic swing of things and unknowingly preparing for the big speech that partly gives the film its title," she wrote  The Daily Telegraph called Guy Pearce's performance as Edward VIII "formidable     with glamour, charisma and utter self-absorption"  Empire said he played the role well as "a flash harry flinty enough to shed a nation for a wife " The New York Times thought he was able to create "a thorny tangle of complications in only a few abbreviated scenes"  Hooper praised the actor in the DVD commentary, saying he "nailed" the 1930s royal accent  Richard Corliss of Time magazine named Colin Firth's performance one of the Top 10 Movie Performances of 2010 

Allociné, a French cinema website, gave the film an average of four out of five stars, based on a survey of 21 reviews  Le Monde, which characterised the film as the "latest manifestation of British narcissism" and summarised it as "We are ugly and boring, but, By Jove!, we are right!", nevertheless admired the performances of Firth, Rush, and Bonham Carter  It said that, though the film swept British appeasement under the carpet, it was still enjoyable Slovenian Marxist philosopher and cultural critic Slavoj Žižek has incorporated the film into his critique of ideology by describing it as "reactionary," interpreting the king's stutter as evidence that he "displays a minimum of common sense, experiencing the stupidity of seriously accepting that one is king by divine will" and claiming that "the task of the Australian voice-coach is to render him stupid enough to accept his being a king as his natural property " Žižek thus interprets the king's stutter as a case of what is referred to in Lacanian psychoanalysis as "symbolic castration "Queen Elizabeth II, the daughter and successor of King George VI, was sent two copies of the film before Christmas 2010  The Sun newspaper reported she had watched the film in a private screening at Sandringham House  A palace source described her reaction as being "touched by a moving portrayal of her father"  Seidler called the reports "the highest honour" the film could receive 

Depiction of stuttering
The British Stammering Association welcomed the release of The King's Speech, congratulating the film makers on their "realistic depiction of the frustration and the fear of speaking faced by people who stammer on a daily basis " It said that "Colin Firth's portrayal of the King's stammer in particular strikes us as very authentic and accurate " The Royal College of Speech and Language Therapists welcomed the film, and launched their "Giving Voice" campaign around the time of its commercial release Disfluency advocate Jonah Lehrer called the film "an inspiring tale" and praised its portrayal of the troubles suffered by Firth's character 
 However, Lehrer and other advocates criticized the film's depiction of stuttering as a result of emotional repression and childhood trauma  The treatment performed by Rush's character also drew criticism  Lehrer did admit it was a necessary artistic license: "[the film] would have been a rather tedious piece of entertainment if the climactic scene involved Logue telling the monarch that his primary motor cortex was to blame "Science journalist Jeremy Hsu wrote that the film "mainly succeeds by tackling the social stigma that surrounds stuttering " However, similar to Lehrer, he disapproved that it perpetuated myths about the condition, namely its relationship with childhood trauma and overly strict parenting Columnist Jane Ahlin praised the film as it "brings out of the shadows a common problem figuring into the lives of children and adults from every culture around the world " At the same time, she stated, "heartwarming though the movie The King's Speech is, as someone who married a stutterer and is the mother of a stutterer, I'm not sure it does anything to put myths about stuttering to rest " She criticized the depiction of family and social dynamics as causes of the condition, as well as the portrayal of stutterering as connected to emotional or psychological problems 

Awards and nominations
At the 83rd Academy Awards, The King's Speech won the Academy Award for Best Picture, Best Director (Hooper), Best Actor (Firth), and Best Original Screenplay (Seidler)  The film had received 12 Oscar nominations, more than any other film in that year  Besides the four categories it won, the film received nominations for Best Cinematography (Danny Cohen) and two for the supporting actors (Bonham Carter and Rush), as well as two for its mise-en-scène: Art Direction and Costumes At the 64th British Academy Film Awards, it won seven awards, including Best Film, Outstanding British Film, Best Actor for Firth, Best Supporting Actor for Rush, Best Supporting Actress for Bonham Carter, Best Original Screenplay for Seidler, and Best Music for Alexandre Desplat  The film had been nominated for 14 BAFTAs, more than any other film  At the 68th Golden Globe Awards, Firth won for Best Actor   The film won no other Golden Globes, despite earning seven nominations, more than any other film At the 17th Screen Actors Guild Awards, Firth won the Best Actor award and the entire cast won Best Ensemble, meaning Firth went home with two acting awards in one evening  Hooper won the Directors Guild of America Awards 2010 for Best Director  The film won the Darryl F  Zanuck Award for Best Theatrical Motion Picture at the Producers Guild of America Awards 2010 The King's Speech won the People's Choice Award at the 2010 Toronto International Film Festival, Best British Independent Film at the 2010 British Independent Film Awards, and the 2011 Goya Award for Best European Film from the Academia de las Artes y las Ciencias Cinematográficas de España (Spanish Academy of Cinematic Art and Science) 

See also
Bertie & Elizabeth (2002), a television film which also addresses the stammering of the king (played by James Wilby)  It was a co-production of PBS (Masterpiece Theatre) and Carlton Television 
Passage 4:
H  Vernon Watson
H  Vernon Watson (1886–1952), better known under his stage name Nosmo King, was a popular English variety artist  He was touring the music halls before World War I, but he remained relatively obscure until the 1920s, when he went by Nosmo King  He was the father of actor Jack Watson 

Early years
Coming from a rural background near Peterborough, Watson showed a leaning towards things theatrical and it was evident that he had a rare talent for mimicry  In 1911, he turned professional, using his real name, doing impressions of the leading comedians of the day 
Then, when Frank Tinney, the American black-faced comedian, came to the UK, Watson added an impression of him to his repertoire  He noticed that this impression gained him great applause, and when Tinney returned to the United States, Watson gave thought to a different style of act based on a black-faced personality 

Fame
Opportunity for this came about in the early 1930s in Leeds, in the West Riding of Yorkshire, England, which boasted two variety theatres, run by two rival organisations  The Great Depression was beginning to bite, and on hearing that the rival theatre had lost its comic, he determined to double his income by doing both shows (four performances a night), travelling between the two theatres by taxi, disguising himself by blacking up 
Watson had the black-face study ready, but was stuck for a name  Then inspiration came to his aid  The scene dock doors backstage were partly open and the two halves read "No Smo" & "king"  That was it  From then on, the character would be Nosmo King 
Nosmo King became a huge star and a household name  The stage act of Nosmo King & Hubert developed when his son Jack Watson joined him as straight man directly from school  Vernon Watson made his last bow and he was to be Nosmo for good when his speciality became long comic monologues 
During a later interview, he made two remarkable confessions  Someone pointed out that a cigar-smoking figure was hardly compatible with the name and suggested he gave up  This he found remarkably difficult, but he eventually accomplished it with the aid of snuff  The second confession was that he had never at any time set eyes on Frank Tinney 
During World War II, Nosmo King reverted to going solo, the reason being that his son, playing "Hubert," had joined up 
The end came for Nosmo King early in 1952 when Watson died in his sleep in his Chelsea flat 
He is buried in Thorney Cemetery near Peterborough, with "Nosmo King" on his headstone 

Acts
One of Nosmo's act starters was when a young pageboy would come over to him carrying his luggage  Once he had handed it to Nosmo, Nosmo would say to him "how much do I owe you" and the boy would say "2 nicker" (a colloquialism for two pounds) whilst making a V sign at him  Nosmo took this as an insult and would slap the boy across the face, then the boy would slap Nosmo across his face in return 

See also
Paul Shannon, a Pittsburgh radio announcer, also used the name 'Nosmo King' for a character 
Nosmo King was the name of a 1994 album by jazz guitarist John Abercrombie and Andy LaVerne 
See also English singer Jonathan King who appeared on Top of the Pops in the early 1970s as Nosmo King  When he was asked about the name, he said it was a pun which I didn't get at the time as I was very young  He also implied that he had come up with the name himself 



ground_truth: Natalie Albino

Nina Sky

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who played the monarch at the end of WW2 in The King's Speech?

The following are given passages.
Context 4:   The other founding organizations were the Allied Arts Club, the Stinson Beach Community Church, The Volunteer Fire Department, and the Parent-Teachers Club   The Community Center complex on Belvedere Avenue includes the Fire House, which fronts on Shoreline Highway, the Community Center, and the Chapel   The land was donated by the FitzHenrys and the other heirs of the Stinson families 

Regional recreation areas
Audubon Canyon Ranch
Golden Gate National Recreation Area
Mount Tamalpais State Park
Point Reyes National Seashore

Annual events
On the second Sunday of June, the town serves as the ending point for the annual running of the Dipsea Race, the second-oldest footrace in the U S  The California Road Club holds its Mount Tamalpais Hill Climb, one of the oldest bicycle races in the West, in early fall   Since 2002, the race has been held on the third Saturday of the month, with about 400 bicyclists competing in the 12 5-mile (20 1 km) road race from Stinson to the head of Bolinas Lagoon and on to the West summit of Mount Tamalpais at Rock Spring "Cuisine on the Green" is a yearly event held in the town's central park, the Village Green, each May  It features local restaurants and merchants selling a wide variety of foods, trinkets, clothing, art, and novelty items at different booths  Talent local to the area often performs on the small park stage  Cuisine on the Green benefits the Stinson Beach Community Center 
On July 4 of every year, a "tug-of-war" is held with Bolinas across the inlet dividing the two communities  Thirty women from each shore pull against each other until a winner is declared, and then 30 men from each take their turn  It is a slice of life, pure Americana, and always contested both during the actual event and then afterward in the local bars of Smiley's and the Sand Dollar, where the winners' trophies are displayed 

Notable people
Residents, landowners, and summer people important in the development, life, and culture of Stinson Beach   Arrival or tenure is shown in square brackets   Birth and death dates are shown in parentheses 

Rafael Garcia [1836–1846], first settler on Bolinas Lagoon 
Gregorio (1791–May 10, 1863) and Ramona Garcia Briones (1793/4–June 23, 1901), received the Rancho Las Baulines Mexican land grant on February 11, 1846; after being widowed, Ramona married Benancio Munos when she was almost 80; when she died at the age of 107, Ramona Garcia Munos was believed to be the oldest woman in California 
Pablo Briones [1837–?], with his uncle, Rafael Garcia, managed the Rancho for his parents, Gregorio and Ramona; trained as curandero by his aunt, Juana Briones de Miranda; settled in Bolinas 
Captain Isaac Morgan [c  1851–?], purchased the portion of Rancho Las Baulines east of Bolinas Lagoon in 1852; on this property, called Belvidere Ranch and which was to become Stinson Beach, he grew apples, cut wood, built boats, and had a dairy farm; in 1866, as lead partner in the Morgan Land Company, purchased the Page Tract, which ran from Belvidere Ranch to Dogtown and which became the Bourne and Wilkins Ranches 
Nathan and Rose Stinson [1870s–?], established first campground at Willow Camp 
Captain Alfred Easkoot [1870s–], Marin County surveyor; founder of second campground ; member of Duxbury Grove No  26, UAOD
Thaddeus Welch (1844–1919) and Ludmila Pilat Welch (1867–1925) [1896–1905], American painters
William Kent (March 29, 1864 – March 13, 1928) United States Congressman; donor of the land for the Muir Woods National Monument; owner of the beach and tidelands that became Seadrift 
Newman Lee Fitzhenry (1881–November 20, 1938) [c  1913–1938], BS, University of Chicago, 1905; married Eve Stinson and pursued real estate and resort development; suicided November 20, 1938 
William Kent Jr , began the development of the Seadrift subdivision in the 1950s 
Mildred Sadler (May 16, 1905 – February 18, 2004) (1926–2004), Principal, Stinson Beach School, 1926–1967 
Landis Everson (1960s), poet and painter 
George Hunter White, also known as Colonel White (1965–1975) (died October 23, 1975), Federal Bureau of Narcotics agent and District Supervisor, retired; OSS Counter-Intelligence Director during WWII; led Project MKULTRA in Boston and Operation Midnight Climax in New York and San Francisco brothels (or "safehouses") until the closure of the San Francisco facilities in 1965; Fire Marshall, Stinson Beach Fire Department
Elmer Collett (1966–present), former professional football player for the 49ers and the Colts
Peter Bishop Allen (November 1, 1943 – June 3, 2004) (c  1967–2004), sculptor of marine mammals; Assistant Chief, Stinson Beach Fire Department; founder of The Kids Camp nature education program
Steve Miller (1960s–1970s), musician
Jerry Garcia (1970s), musician
Carolyn Garcia, also known as Mountain Girl (1970s), member of Merry Pranksters, wife of Jerry Garcia
Keith and Donna Godchaux (1970s), musicians
Peter Rowan (1970s), musician
Richard Jencks - former President of CBS 
The Rowan Brothers – Lorin and Chris Rowan (1970s), musicians
David Grisman (1970s), musician
George Frayne (born c  1946) (c  1973–199), musician (Commander Cody and His Lost Planet Airmen) and artist; Frayne has referred to Stinson Beach as "formerly the grooviest place on earth "
Joseph Esherick (1987), famed architect; designed a home on Sea Drift Road
James Grant (1924–1997) (c  1980–1997), painter and sculptor; the art exhibit wall at the Stinson Beach Branch Library is named in his honor
Jerry Cebe (August 10, 1940 - Sep 1, 2017), artist (abstract painting; art glass)
Klaus Kinski

In popular culture
Stinson Beach has been the setting and filming location for several movies, including:

Play It Again, Sam
The Fog
Memoirs of an Invisible Man
The Invisible Man (2020 film); this adaptation is unrelated to the novel & film listed above 
Basic Instinct
On The Edge
Shoot The Moon
 The Crazy-Quilt (1966 John Korty Film)
America Is Still the PlaceThe town was mentioned in an episode of M*A*S*H—"The Merchant of Korea"   In the episode, BJ borrows $200 from Charles to wire home to his wife as a down payment on the purchase of a one-acre lot with "trees, the beach, a view of San Francisco   everything!"
George Frayne (Commander Cody) wrote a song about Stinson Beach entitled "Midnight on The Strand"  It was recorded on his 1987 album, Let's Rock 
The town and the beach are the topic of a poem by Garrison Keillor  In We Are Still Married: Stories and Letters, Keillor has a four-page essay about his visits to Stinson Beach and how thinking of the beach helps him sleep The poet Robert Duncan wrote his influential collection Opening the Field at a house in Stinson Beach Janis Joplin's cremated ashes were scattered along this beach as well as the Pacific Ocean The story of a young surfer's recovery from a shark attack is the subject of a book, Far from Shore Author Danielle Steel writes about Stinson Beach in her novel One Day at a Time (Dell, 2009, ISBN 978-0-440-24333-5) 

See also
List of beaches in California
List of California state parks
Passage 6:
Pao Sarasin
Police General Pao Sarasin (c  1929 – March 7, 2013) was a Thai politician and former police officer  Sarasin served as the Deputy Prime Minister of Thailand, as well as the country's Interior Minister, in 1992 

Early life and education
Pao Sarasin was the son of former Prime Minister of Thailand Pote Sarasin and his wife, Thanpuying Siri Sarasin  He was one of three brothers, including Pong Sarasin and Arsa Sarasin  Pao Sarasin graduated from Vajiravudh College, a boarding school in Bangkok  He then moved to the United States, where he received a bachelor's degree in chemistry from Johns Hopkins University and a second bachelor's degree from the University of California in criminology 

Careers
Sarasin enlisted the Royal Thai Police in 1954, rising to the rank of police general during his career  He served as the Chief of the force's Office of the Narcotics Control Board from 1978 until 1983  In 1987, he became the Chief of the Royal Thai Police In 1992, Sarasin briefly held the posts of Deputy Prime Minister and Interior Minister under the Royal Thai Army military junta and the post-coup government of former Prime Minister Anand Panyarachun During his later life, Sarasin served as the council presidents of both Mae Fah Luang University in Chiang Rai province and Khon Kaen University in Khon Kaen province 

Death
Pao Sarasin died at Siriraj Hospital in Bangkok after a month-long hospitalization for a blood infection on March 7, 2013, at the age of 83  A royal bathing rite ceremony for Sarasin was held at the Wat Benchamabophit with Princess Maha Chakri Sirindhorn in attendance representing the royal family  He was survived by his wife, Thapuying Tawika Sarasin, and three sons, including Thai television host, Kanit Sarasin 

Honours
Foreign honours
Malaysia : Honorary Commander of the Order of Loyalty to the Crown of Malaysia (P S M ) (1988)
 Malaysia : Honorary Commander of the Order of the Defender of the Realm (P M N ) (1993)

See also
Sarasin family
Passage 7:
John and Elizabeth Shaw Sundy House
The John and Elizabeth Shaw Sundy House is a historic home in Delray Beach, Florida, United States  It is located at 106 South Swinton Avenue  On January 16, 1992, it was added to the U S  National Register of Historic Places 
Passage 8:
The Beach (film)
The Beach is a 2000 adventure drama film directed by Danny Boyle, from a screenplay by John Hodge, based on the 1996 novel of the same name by Alex Garland  The film stars Leonardo DiCaprio, Tilda Swinton, Virginie Ledoyen, Guillaume Canet, and Robert Carlyle  It was filmed on the Thai island of Ko Phi Phi Le 
The film was a moderate box office success but received mixed-to-negative reviews from critics 

Plot
Richard, a young American seeking adventure in Bangkok, stays in a drab travelers' hotel on Khao San Road where he meets a young French couple, Françoise and Étienne  He also meets Daffy, who tells him of a pristine, uninhabited island in the Gulf of Thailand with a beautiful hidden beach  Daffy explains that he settled there in secret several years earlier, but difficulties arose and he left  Daffy commits suicide, leaving Richard a map to the island  Richard persuades Françoise and Étienne to accompany him to the island, and the three travel to Ko Samui  Richard meets two American surfers who have heard rumors of the island and he gives them a copy of the map 
En route to the island, Richard becomes infatuated with Françoise  After swimming to the island from a neighbouring island, they find a cannabis plantation guarded by armed Thai farmers  Avoiding detection, they make their way across the island and meet Keaty, who brings them to a community of travellers living on the island in secret  Sal, the community's English leader, explains that the farmers allow them to stay so long as they keep to themselves and do not allow any more travelers to come to the island  Richard lies that they have not shown the map to anyone else  The trio becomes integrated into the community 
One night, Françoise invites Richard to the beach, where she tells him that she is falling in love with him and they start an affair   Despite hoping to keep it secret, the community finds out  Although he is angry, Étienne says he will not stand in their way if Françoise is happier with Richard 
Sal selects Richard to accompany her on a supply run to Ko Pha Ngan  They encounter the American surfers who are preparing to search for the island and mention Richard's map  Sal is upset but believes Richard when he says they have no map  To ensure that Sal will not tell the rest of the island about the map, Richard has sex with her at her order   On their return to the island, Richard lies to Françoise about having had sex with Sal 
Three of the community fishermen are attacked by a shark while spearfishing  One is killed and another, Christo, is severely injured  Now terrified of the water, Christo refuses to be taken to the mainland for medical treatment and Sal refuses to allow any doctors to be brought to the island to treat him  As the man's condition worsens, the islanders simply leave him in the jungle to die, but Etienne refuses to abandon him 
When the surfers turn up on the neighboring island, Sal orders Richard to send them away and destroy their map  She tells everyone that she and Richard had sex, which leaves Françoise angry and heartbroken, causing her to return to Étienne  Isolated from the group, Richard begins to lose his sanity, imagining that he is conversing with the deceased Daffy 
The surfers reach the island but are discovered and killed by the farmers  Shocked at witnessing their deaths, Richard smothers Christo to put him out of his misery and gathers Françoise and Étienne to leave the island 
Richard is captured by the farmers along with Françoise and Étienne  The farmers are furious with the community for breaking their deal not to allow any more newcomers  The lead farmer gives Sal a gun loaded with a single bullet and orders her to make a choice: kill Richard and the group will be allowed to stay, or else they must all leave immediately  Sal pulls the trigger, but the chamber is empty  Shocked by her willingness to commit murder, the other members of the community abandon Sal, leave the island, and go their separate ways 
Back in the United States, Richard receives an email at an Internet cafe from Françoise with a nostalgic group photograph of the beach community in happier times 

Cast
Leonardo DiCaprio as Richard, a freelance traveler 
Tilda Swinton as Sal, the leader of the beach community 
Virginie Ledoyen as Françoise, the girlfriend of Étienne, and Richard's love interest 
Guillaume Canet as Étienne, the boyfriend of Françoise 
Robert Carlyle as Daffy, the eccentric former member of the beach community 
Paterson Joseph as Keaty, a member of the beach community who loves cricket 
Lars Arentz-Hansen as Bugs, Sal's South-African boyfriend and the beach community's carpenter 
Daniel Caltagirone as Unhygienix, the beach community's chef who has an obsession with soap due to having to always prepare the fish for consumption 
Staffan Kihlbom, Jukka Hiltunen, and Magnus Lindgren as Christo, Karl, and Sten, the beach community's Swedish fishermen 
Victoria Smurfit as Weathergirl, a member of the beach community whose tightening pelvis has been a sign for rain 
Zelda Tinska and Lidija Zovkić as Sonja and Mirjana, two beach community members who come from Sarajevo 
Samuel Gough as Guitarman, the beach community's residential guitarist who is not a good singer 
Peter Youngblood Hills and Jerry Swindall as Zeph and Sammy, two Americans whom Richard meets in Ko Samui 
Saskia Mulder and Simone Huber as Hilda and Eva, two women who accompany Zeph and Sammy to the island 
Peter Gevisser as Gregorio, an Italian member of the beach community 
Abhijati 'Meuk' Jusakul as the leader of the cannabis farmers 

Production
Ewan McGregor was cast as the main character before leaving due to disputes with the director  It was speculated that Boyle was offered additional funding under the condition that DiCaprio be cast and his character made American  Whilst promoting T2 Trainspotting on The Graham Norton Show, the dispute was discussed in more depth, with McGregor stating "It was a mis-handling and a mis-understanding over the film and it's a big regret of mine that it went on for so very long    and it didn't matter about The Beach, it was never about that  It was about our friendship  I felt like Danny's actor and it made me a bit rudderless " 
Boyle stated, "I handled it very very badly and I have apologised to Ewan for it  I felt a great shame about it and how it was handled "Members of the cast and crew were involved in a boating accident during production  It was reported that the incident involved both Boyle and DiCaprio  No one was injured The beach seen in the film is not the same as in real life  There is a gap between mountains on the actual beach in Thailand  The special effects crew digitally added some of the surrounding mountains during the post-production phase 
The waterfall scene, where DiCaprio and others jump from a high cliff to the water below, was filmed in Khao Yai National Park in central Thailand, at the Haew Suwat Waterfall 
The map in the film was illustrated by the author of the book that The Beach was based upon, Alex Garland  He received credit for this as the cartographer 
In 1999, Hélène de Fougerolles auditioned for the film but casting directors immediately told her that she was not mysterious enough for the character as she arrived with blond hair in pigtails  She asked them if she could "be an extra or serve coffees there, three months in Thailand, it sounds idyllic!"  Although firstly reluctant because the actress was already established in the industry, they finally accepted  As journalists were not allowed to come take pictures on set, the only picture the press could have of Guillaume Canet and Virginie Ledoyen before shooting started was their departure at Paris airport with de Fougerolles  They made it the cover of Studio Magazine, from which the international press reported her as officially cast  This eventually lent her lines edited out of the final cut but present in the DVD extras 

Release
The film opened February 11, 2000 in both the United Kingdom and the United States The budget of the film was US$50 million  The film opened at number 2 at the box office in both the UK and the US, with a weekend gross of $15,277,921 in the United States and Canada behind Scream 3, and a gross of £2,418,321 in the United Kingdom behind Toy Story 2  Global takings totaled over US$144 million, of which US$39 million was from the United States and Canada 

Home video
The film has been released on VHS and DVD  It was released on Blu-ray in Spain in October 2022   The standard DVD release included nine scenes that were deleted from the film, including an alternative opening which to an extent resembles the one in the novel  These  were later included in a Special Edition DVD release, along with Danny Boyle's commentary on what might have been their purpose  There is also an alternative ending which depicts Sal committing suicide and everyone loading up on a boat from the raft 

Soundtrack
The soundtrack for the film, co-produced by Pete Tong, features the international hits "Pure Shores" by All Saints and "Porcelain" by Moby, as well as tracks by New Order, Blur, Underworld, Orbital, Faithless, Sugar Ray, and others  Leftfield's contribution to the soundtrack, "Snakeblood", was found to have sampled Orchestral Manoeuvres in the Dark's "Almost" without permission, leading to a lawsuit; band member Neil Barnes said he forgot to remove the sample from the finished track  The songs "Synasthasia" by Junkie XL, "Out of Control" by The Chemical Brothers, "Fiesta Conga" by Movin' Melodies, "Redemption Song" by Bob Marley, "Neon Reprise" by Lunatic Calm and "Smoke Two Joints" by Chris Kay and Michael Kay were also included in the movie but omitted from the soundtrack  The teaser trailer for the film featured "Touched" by VAST 
The film score was composed by Angelo Badalamenti, and a separate album containing selections of his score was released as well 

Track listing
Year-end charts
Certifications
Reception
On Rotten Tomatoes the film holds an approval rating of 20% based on 119 reviews, and an average rating of 4 4/10  The website's critical consensus reads, "The Beach is unfocused and muddled, a shallow adaptation of the novel it is based on  Points go to the gorgeous cinematography, though " On Metacritic, the film has a weighted average score of 43 out of 100, based on 34 critics, indicating "mixed or average reviews" Critics suggested that DiCaprio's fame post-Titanic might have contributed to the financial success of this film, which came out less than three years after the James Cameron blockbuster  CNN's Paul Clinton said "Leonardo DiCaprio's main fan base of screaming adolescent girls won't be disappointed with The Beach  The majority of the film displays the titanic-sized young heartthrob sans his shirt in this story about the pseudo-angst and alienation of a young man from the United States escaping civilization and his computer-obsessed generation " He agreed with most others that The Beach was "nothing to write home about"  DiCaprio was nominated for a Razzie Award for Worst Actor for his work on the film 

Controversies
Damage to filming location
Controversy arose during the making of the film due to 20th Century Fox's bulldozing and landscaping of the natural beach setting of Ko Phi Phi Le to make it more "paradise-like"  The production altered some sand dunes and cleared some coconut trees and grass to widen the beach  Fox set aside a fund to reconstruct and return the beach to its natural state; however, lawsuits were filed by environmentalists who believed the damage to the ecosystem was permanent and restoration attempts had failed   Following shooting of the film, there was a clear flat area at one end of the beach that was created artificially with an odd layout of trees which was never rectified, and the entire area remained damaged from the original state until the tsunami of 2004 The lawsuits dragged on for years  In 2006, Thailand's Supreme Court upheld an appellate court ruling that the filming had harmed the environment and ordered that damage assessments be made  Defendants in the case included 20th Century Fox and some Thai government officials The large increase in tourist traffic to the beach as a result of the film resulted in environmental damage to the bay and the nearby coral reefs, prompting Thai authorities to close the beach in 2018 The restoration period for the bay was lengthened due to travel restrictions during the COVID pandemic  Blacktip sharks began breeding there again  In 2022, the bay reopened to tourists, under strict protocols of no boats, no swimming and no more than a one hour visit per person for a limited number of visitors at a time 

Portrayal of Thailand
After the film premiered in Thailand in 2000, some Thai politicians were upset at the way Thailand was depicted in the film and called for it to be banned  The depiction of the drug culture was said to give Thailand a bad image and having a statue of Buddha in a bar was cited as "blasphemous" 

Possible spin-off
In a 2019 interview with The Independent, Danny Boyle revealed that a television series based on his film has been written by Amy Seimetz  The proposed series is set to take place before the events from the 1996 novel, although it will be updated to occur 20 years later, in 2016 

See also
Phi Phi Islands
Passage 9:
Return of the Kung Fu Dragon
Return of the Kung Fu Dragon (Chinese: 砲傌俥; Mandarin:  Ju ma pao) is a 1976 Taiwanese film directed by Chick Lim Yu 

Plot summary
On the idyllic phoenix island in the south china sea a golden city becomes the birthplace to a new form of Kung Fu  Soon an evil tyrant threatens the peace and harmony of once such a proud city  A generation passes and a brave prince, a fearless princess and a foolish dwarf with the powers of invisibility team up to return a kingdom to its people as they wrest it from the hands of the evil tyrant 

Cast
Soundtrack
Passage 10:
Whihala Beach County Park
Whihala Beach County Park is a park in Whiting, Indiana, United States  It is a public beach with life guards  The beach was previously named Whiting Beach Whihala Beach is named after the nearby cities of Whiting and Hammond and Lake County Parks Department 
Passage 11:
Sylvan Beach Union Chapel
Sylvan Beach Union Chapel is a historic interdenominational church building located at Sylvan Beach in Oneida County, New York   It opened on July 3, 1887, and worship services have been held there every summer since then   The film The Sterile Cuckoo starring Liza Minnelli was shot in part at the church It was listed on the National Register of Historic Places in 2009 
Passage 12:
Bang Bon District
Bang Bon (Thai: บางบอน, pronounced [bāːŋ bɔ̄ːn]) is one of the 50 districts (khet) of Bangkok, Thailand  Its neighbours, clockwise from north, are Bang Khae, Phasi Charoen, Chom Thong, and Bang Khun Thian districts of Bangkok, Mueang Samut Sakhon district and Krathum Baen district of Samut Sakhon province, and Nong Khaem district of Bangkok 

History
Formerly Bang Bon was a tambon of amphoe Bang Khun Thian in Thonburi Province, prior to the merger of Thonburi and Phra Nakhon into a single province, after which it was a sub-district of Bang Khun Thian District 
On 14 October 1997, Bang Bon was split from Bang Khun Thian and established as a new district  The district office opened on 6 March 1998, the last of Bangkok's 50 districts to open, first established temporarily at the Thepyada Arak Fresh Market building, but later moved to a permanent location on Ekkachai Road 

Administration
The district has four sub-districts (khwaeng) 

The missing number 1 is the sub-district that was dissolved and divided into four current sub-districts 

Economy
Agriculture is an important part of the area economy  Among Bang Bon's famous products are Nam Doc Mai mangos, coconuts, orchids, and lotus 

Places
Wat Bang Bon
7th Cycle Birthday Anniversary Park, Bang Bon, otherwise known as 9 Hills Park
Sarasas Witaed Bangbon School
Suksanareewittaya School, formerly and still colloquially known as Suksanari 2 School (shared with Samut Sakhon province)

Notable people
Chalerm Yubamrung – politician
Passage 13:
John Anderson Lodge
The John Anderson Lodge was an historic home built around 1886 at 71 Orchard Lane in Ormond Beach, Florida, United States  It was built for Ormond Beach promoter John Anderson (1853–1911), who was one of the first owners of the Ormond Hotel  The lodge was originally used by employees of the hotel and to host parties  In its later years it became a single family residence  The lodge was built on pilings and featured vertical palm tree wall construction 

National Register of Historic Places
The John Anderson Lodge was added onto the National Register of Historic Places on September 6, 1989 

State of Disrepair
By 2017, the structure was in a bad state of disrepair as termites infested much of the building's wood, the original floors were missing in much of the building, and there were several holes in the walls and roof that were allowing water to continue to damage the interior  The most significant damage was related to the pilings which sank and jeopardized the structure's stability  To fix the pilings the structure would have had to be lifted up and suspended in the air during repairs  It was determined that the weakened walls and roof were not strong enough and would have most likely crumbled apart In October 2018, a non-destructive inspection of the foundation by EMS Forensic Associates, LLC  determined that the structure was most likely beyond economic repair 

Demolition
On August 6, 2019, the City of Ormond Beach, Florida issued Demolition Permit number 19-00005662  The John Anderson Lodge was demolished in September 2019 

Delisting from the National Register of Historic Places
In July 2022, a petition to delist the John Anderson Lodge from the National Register of Historic Places was sent to the Florida Department of Historic Resources 
Passage 14:
Dillon Beach, California
Dillon Beach is a census-designated place (CDP) in Marin County, California, United States  It is located 3 25 miles (5 2 km) west of Tomales, at an elevation of 89 ft (27 m)  The population was 246 at the 2020 census  Dillon Beach was named after the founder, George Dillon, who settled there in 1858  The area includes a public access beach, as well as a private beach resort, the only private beach in California 

Geography
Dillon Beach is located at Bodega Bay (near the mouth of Tomales Bay), at 38°15′03″N 122°57′55″W The Estero de San Antonio State Marine Recreational Management Area is a marine protected area located 1 5 miles (2 4 km) north of Dillon Beach  Like an underwater park, this marine protected area helps conserve ocean wildlife and marine ecosystems 
According to the United States Census Bureau, the CDP has a total area of 2 98 sq mi (7 7 km2), all of it land 

History
The Coast Miwok people had a presence in the area around Dillon Beach long before Europeans arrived in the Americas  It is thought that a few of their villages lay within the greater Dillon Beach area, including one around the feature known locally as the Sand Point 
In the 1850s, local historical figure Tom Wood operated in the area, employing the natives in harvesting of grain to be milled nearby  He would attempt to ensure that they were not taken advantage of by the British, French, or American traders that would ply the coast  Hides and tallow were traded for various manufactured goods, among them whiskey  Despite Wood's efforts, many of them would fall victim to alcoholism, and while a few claim descent from the local Coast Miwoks, no full-blooded members live today  Tom's Point, immediately south of Dillon Beach on the eastern shore of the bay, is named for Tom Wood, and Wood resided there with the small village he ingratiated himself into 
Irishman George Dillon and wife Mathilda arrived at what is now Dillon Beach from the eastern U S  in 1868  When his friends and family showed interest in the area, he thought to capitalize on it; in 1888, he built an 11 bedroom hotel, restaurant, and general store  This is the Dillon Beach Resort in operation today  Visitors would explore the area on their way up the coast toward the redwood forests, strolling the beach, fishing, or digging clams from the nearby clam bars of Tomales Bay 
In 1903, Dillon sold out to John Keegan with the agreement that the beach would always be named Dillon Beach  Keegan also built cottages, one of which still stands along the road to the beach  Keegan ran a stagecoach from Dillon Beach to Tomales where it met the train 
Keegan sold the holdings to the California Eucalyptus Plantation Company in 1911  They planted the area with eucalyptus trees, a few of which still stand, but continued to operate the resort, and redoubled these efforts as the eucalyptus crop proved to warp easily and was effectively worthless  Under the subsidiary of the Dillon Beach Company, they operated the resort, ferried guests from the train in Tomales, ran a charter boat, and created Portola Beach, a subdivision along Cliff Street  Try as they might, their Dillon Beach operations were failing 
When regular visitors and Woodland ranchers Sylvester and Carrie Lawson offered to lease the property, the California Eucalyptus Plantation Company promptly agreed  Different portions of the business and land were leased or purchased by the Lawson family, and by 1942 Dillon Beach was firmly in Lawson hands  Sylvester and Carrie's older son, Howard, and his wife, Winifred, owned and ran the resort, while the younger son, Walter, and his wife, Nita, ran the southern side of the property, operating it as a ranch and opening Lawsons Landing on it  The Landing is operated by Walter's descendants to this day as a campground with a store and boating access to Tomales Bay 
During World War II, fears of a Japanese invasion of the West Coast were considered well founded, especially along sparsely populated Marin and Sonoma counties, where enemy forces could conceivably make landfall and prepare for a larger invasion of San Francisco Bay  The military commandeered many cottages and monitored the water from outposts on the surrounding hills supported by ground patrols  The sand dunes on the Lawsons Landing property were also a site for rifle and grenade practice, and the Lawson family recalls at least one instance of an armored vehicle's  50 caliber machine gun being fired around their cows, resulting in a tense conversation between soldiers and ranchers  One soldier reportedly sighted a Japanese submarine off the beach, prompting the garrison to scramble to nearby Marshall to requisition its civilian fishing boats for use in a counterattack, several of which were run by their respective owners  It took several hours to coordinate the operation, and once the soldiers finally arrived at the area of the supposed sighting, armed only with small arms, the submarine had departed, if it had been there at all 
The College of the Pacific operated from 1933 until some time in the 1980s  It stood between Portola Beach and Lawsons Landing, offering a hands-on experience for a small number of marine biology students  The concrete foundation is all that remains today, hinting at what was there before to passersby today 
During the 1960s, Oceana Marin was developed north of town by John Keegan's grandson, James Keegan of Wells Fargo Bank and Henry Trione of Sonoma County Mortgage  Fancy modern coastal houses were built on the hillsides overlooking the quaint town of small cottages, giving it a unique appeal 
The resort, day use beach, and restaurant were sold to Fred Cline in 1990 by the Lawsons  He would sell in 2018 to the group of investors owning it today 

Dillon Beach Resort
Between 2001 and 2018, Dillon Beach Resort was owned and operated by Fred and Nancy Cline of Sonoma Valley, California   In April 2018, Mike Goebel purchased the resort 
It is one of the few beaches with private (for-fee) access in northern California  
In California, public access is permitted below the high tide line  The horrible lines of traffic in Dillon Beach are caused by people waiting for entry into the parking lot of Dillon Beach Resort's beach lot  On hot holidays the line can extend all the way up to Elephant Rocks, almost a mile away 

Demographics
2010
At the 2010 census, Dillon Beach had a population of 283  The population density was 94 8 inhabitants per square mile (36 6/km2)  The racial makeup of Dillon Beach was 266 (94 0%) White, 3 (1 1%) Native American, 4 (1 4%) Asian, and 10 (3 5%) from two or more races   Hispanic or Latino of any race were 9 people (3 2%) The census reported that 100% of the population lived in households 
There were 147 households, 20 (13 6%) had children under the age of 18 living in them, 79 (53 7%) were opposite-sex married couples living together, 6 (4 1%) had a female householder with no husband present, 2 (1 4%) had a male householder with no wife present   There were 6 (4 1%) unmarried opposite-sex partnerships, and 3 (2 0%) same-sex married couples or partnerships  48 households (32 7%) were one person and 26 (17 7%) had someone living alone who was 65 or older  The average household size was 1 93   There were 87 families (59 2% of households); the average family size was 2 37 
The age distribution was 28 people (9 9%) under the age of 18, 7 people (2 5%) aged 18 to 24, 44 people (15 5%) aged 25 to 44, 127 people (44 9%) aged 45 to 64, and 77 people (27 2%) who were 65 or older   The median age was 57 4 years  For every 100 females, there were 95 2 males   For every 100 females age 18 and over, there were 94 7 males 
There were 440 housing units at an average density of 147 5 per square mile, of the occupied units 125 (85 0%) were owner-occupied and 22 (15 0%) were rented  The homeowner vacancy rate was 5 3%; the rental vacancy rate was 59 3%  84 5% of the population lived in owner-occupied housing units and 15 5% lived in rental housing units 

2000
At the 2000 census, there were 319 people, 155 households, and 103 families in the CDP   The population density was 107/sq mi (41 5/km2)   There were 415 housing units at an average density of 140/sq mi (54/km2)   The racial makeup of the CDP in 2010 was 90 8% non-Hispanic White, 1 1% Native American, 1 4% Asian, and 3 5% from two or more races  3 2% of the population were Hispanic or Latino of any race 
Of the 155 households 17 4% had children under the age of 18 living with them, 59 4% were married couples living together, 4 5% had a female householder with no husband present, and 33 5% were non-families  27 7% of households were one person and 10 3% were one person aged 65 or older   The average household size was 2 06 and the average family size was 2 47 
The age distribution was 14 4% under the age of 18, 1 3% from 18 to 24, 18 8% from 25 to 44, 43 6% from 45 to 64, and 21 9% 65 or older   The median age was 52 years  For every 100 females, there were 95 7 males   For every 100 females age 18 and over, there were 95 0 males 
The median household income was $47,679 and the median family income  was $52,000  Males had a median income of $40,714 versus $37,083 for females  The per capita income for the CDP was $39,475   None of the families and 1 3% of the population were living below the poverty line, including no under-eighteens and none of those over 64 



ground_truth: Colin Firth