prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When was the last time the team that Arthur James was a member of beat the 1894-95 FA cup winner?

The following are given passages.
Context 1: Passage 1:
Arsenal F C 
Arsenal Football Club is an English professional football club based in Islington, London  Arsenal play in the Premier League, the top flight of English football  The club has won 13 league titles (including one unbeaten title), a record 14 FA Cups, two League Cups, 16 FA Community Shields, one European Cup Winners' Cup, and one Inter-Cities Fairs Cup  In terms of trophies won, it is the third-most successful club in English football 
Arsenal was the first club from the South of England to join the Football League in 1893, and they reached the First Division in 1904  Relegated only once, in 1913, they continue the longest streak in the top division, and have won the second-most top-flight matches in English football history  In the 1930s, Arsenal won five League Championships and two FA Cups, and another FA Cup and two Championships after the war  In 1970–71, they won their first League and FA Cup Double  Between 1989 and 2005, they won five League titles and five FA Cups, including two more Doubles  They completed the 20th century with the highest average league position  Between 1998 and 2017, Arsenal qualified for the UEFA Champions League for nineteen consecutive seasons 
Herbert Chapman, who changed the fortunes of Arsenal forever, won the club its first silverware, and his legacy led the club to dominate the 1930s decade  He helped introduce the WM formation, floodlights, and shirt numbers; he also added the white sleeves and brighter red to the club's jersey  Arsène Wenger is the longest-serving manager and won the most trophies  He won a record seven FA Cups, and his title-winning team set an English record for the longest top-flight unbeaten league run at 49 games between 2003 and 2004, receiving the nickname The Invincibles 
In 1886, munitions workers at the Royal Arsenal in Woolwich founded the club as Dial Square  In 1913 the club crossed the city to Arsenal Stadium in Highbury, becoming close neighbours of Tottenham Hotspur, and creating the North London derby  In 2006, they moved to the nearby Emirates Stadium  With an annual revenue of £367 1m in the 2021–22 season, Arsenal was estimated to be worth US$2 26 billion by Forbes, making it the world's tenth most valuable football club, while it is one of the most followed on social media  The motto of the club has long been Victoria Concordia Crescit, Latin for "Victory Through Harmony" 

History
1886–1919: from Dial Square to Arsenal
In October 1886, Scotsman David Danskin and fifteen fellow munitions workers in Woolwich formed Dial Square Football Club, named after a workshop at the heart of the Royal Arsenal complex  Each member contributed sixpence and Danskin also added three shillings to help form the club  Dial Square played their first match on 11 December 1886 against Eastern Wanderers and won 6–0  The club had renamed to Royal Arsenal by January 1887, and its first home was Plumstead Common, though they spent most of their time playing at the Manor Ground  Their first trophies were the Kent Senior Cup and London Charity Cup in 1889–90 and the London Senior Cup in 1890–91; these were the only county association trophies Arsenal won during their time in South East London  In 1891, Royal Arsenal became the first London club to turn professional Royal Arsenal renamed for a second time upon becoming a limited liability company in 1893  They registered their new name, Woolwich Arsenal, with The Football League when the club ascended later that year : 5–21  Woolwich Arsenal was the first southern member of The Football League, starting out in the Second Division and reaching the First Division in 1904  Falling attendances, due to financial difficulties among the munitions workers and the arrival of more accessible football clubs elsewhere in the city, led the club close to bankruptcy by 1910 : 112–149  Businessmen Henry Norris and William Hall became involved in the club, and sought to move them elsewhere : 22–42 
In 1913, soon after relegation back to the Second Division, the club moved across the river to the new Arsenal Stadium in Highbury  In 1919, The Football League controversially voted to promote The Arsenal, instead of relegated local rivals Tottenham Hotspur, into the newly enlarged First Division, despite only finishing fifth in the Second Division's last pre-war season of 1914–15  Later that year, The Arsenal started dropping "The" in official documents, gradually shifting its name for the final time towards Arsenal, as it is generally known today 

1919–1953: Bank of England club
With a new home and First Division football, attendances were more than double those at the Manor Ground, and Arsenal's budget grew rapidly  Their location and record-breaking salary offer lured star Huddersfield Town manager Herbert Chapman in 1925  Over the next five years, Chapman built a new Arsenal  He appointed an enduring new trainer Tom Whittaker, implemented Charlie Buchan's new twist on the nascent WM formation, captured young players like Cliff Bastin and Eddie Hapgood, and lavished Highbury's income on stars like David Jack and Alex James  With record-breaking spending and gate receipts, Arsenal quickly became known as the Bank of England club Transformed, Chapman's Arsenal claimed their first national trophy, the FA Cup in 1930, and League Championships followed in 1930–31 and 1932–33  Chapman also presided over off the pitch changes: white sleeves and shirt numbers were added to the kit; a Tube station was named after the club; and the first of two opulent, Art Deco stands was completed, with some of the first floodlights in English football  Suddenly, in the middle of the 1933–34 season, Chapman died of pneumonia  His work was left to Joe Shaw and George Allison, who saw out a hat-trick with the 1933–34 and 1934–35 titles, and then won the 1936 FA Cup and 1937–38 title 
World War II meant The Football League was suspended for seven years, but Arsenal returned to win it in the second post-war season, 1947–48  This was Tom Whittaker's first season as manager, after his promotion to succeed Allison, and the club had equalled the champions of England record  They won a third FA Cup in 1950, and then won a record-breaking seventh championship in 1952–53  However, the war had taken its toll on Arsenal  The club had had more players killed than any top flight club, and debt from reconstructing the North Bank Stand bled Arsenal's resources 

1953–1986: mediocrity, Mee and Neill
Arsenal were not to win the League or the FA Cup for another 18 years  The '53 Champions squad had aged, and the club failed to attract strong enough replacements  Although Arsenal were competitive during these years, their fortunes had waned; the club spent most of the 1950s and 1960s in mid-table mediocrity  Even former England captain Billy Wright could not bring the club any success as manager, in a stint between 1962 and 1966 Arsenal tentatively appointed club physiotherapist Bertie Mee as acting manager in 1966  With new assistant Don Howe and new players such as Bob McNab and George Graham, Mee led Arsenal to their first League Cup finals, in 1967–68 and 1968–69  Next season saw a breakthrough, with Arsenal's first competitive European trophy, the 1969–70 Inter-Cities Fairs Cup  The season after, Arsenal achieved an even greater triumph with their first League and FA Cup double, and a new champions of England record  This marked a premature high point of the decade; the Double-winning side was soon broken up and the rest of the decade was characterised by a series of near misses, with Arsenal finishing as FA Cup runners up in 1972, and First Division runners-up in 1972–73 Former player Terry Neill succeeded Mee in 1976  At the age of 34, he became the youngest Arsenal manager to date  With new signings like Malcolm Macdonald and Pat Jennings, and a crop of talent in the side like Liam Brady and Frank Stapleton, the club reached a trio of FA Cup finals (1978 FA Cup, 1979 FA Cup and 1980 FA Cup), and lost the 1980 European Cup Winners' Cup Final on penalties  The club's only trophy during this time was the 1979 FA Cup, achieved with a last-minute 3–2 victory over Manchester United, in a final is widely regarded as a classic 

1986–1996: George Graham
One of Mee's double winners, George Graham, returned as manager in 1986, with Arsenal winning their first League Cup in 1987, Graham's first season in charge  New signings Nigel Winterburn, Lee Dixon and Steve Bould had joined the club by 1988 to complete the "famous Back Four", led by homegrown player Tony Adams  They immediately won the 1988 Football League Centenary Trophy, and followed it with the 1988–89 Football League title, snatched with a last-minute goal in the final game of the season against fellow title challengers Liverpool  Graham's Arsenal won another title in 1990–91, losing only one match, won the FA Cup and League Cup double in 1993, and the European Cup Winners' Cup in 1994  Graham's reputation was tarnished when he was found to have taken kickbacks from agent Rune Hauge for signing certain players, and he was dismissed in 1995  His replacement, Bruce Rioch, lasted for only one season, leaving the club after a dispute with the board of directors 

1996–2018: Wenger years
The club metamorphosed during the tenure of French manager Arsène Wenger, who was appointed in 1996  Attacking football, an overhaul of dietary and fitness practices, and efficiency with money
have defined his reign  Accumulating key players from Wenger's homeland, such as Patrick Vieira and Thierry Henry, Arsenal won a second League and Cup double in 1997–98 and a third in 2001–02  In addition, the club reached the final of the 1999–2000 UEFA Cup, were victorious in the 2003 and 2005 FA Cup finals, and won the Premier League in 2003–04 without losing a single match, an achievement which earned the side the nickname "The Invincibles"  This feat came within a run of 49 league matches unbeaten from 7 May 2003 to 24 October 2004, a national record Arsenal finished in either first or second place in the league in eight of Wenger's first nine seasons at the club, although they never won the title in two consecutive seasons 
The club had never progressed beyond the quarter-finals of the Champions League until 2005–06; in that season they became the first club from London to reach the final in the competition's fifty-year history, but were beaten 2–1 by Barcelona  In July 2006, they moved into the Emirates Stadium, after 93 years at Highbury 
Arsenal reached the final of the 2007 and 2011 League Cups, losing 2–1 to Chelsea and Birmingham City respectively  The club had not gained a trophy since the 2005 FA Cup until, spearheaded by club record acquisition Mesut Özil, Arsenal beat Hull City in the 2014 FA Cup Final, coming back from a 2–0 deficit to win the match 3–2 
A year later, Arsenal completed another victorious FA Cup campaign, and became the most successful club in the tournament's history by winning their 13th FA Cup in 2016–17  However, in that same season, Arsenal finished fifth in the league, the first time they had finished outside the top four since before Wenger arrived in 1996  After another unspectacular league season the following year, Wenger departed Arsenal on 13 May 2018 

Since 2018: post-Wenger era
After conducting an overhaul in the club's operating model to coincide with Wenger's departure, Spaniard Unai Emery was named as the club's new head coach on 23 May 2018  He became the club's first ever 'head coach' and second manager from outside the United Kingdom  In Emery's first season, Arsenal finished fifth in the Premier League and as runner-up in the Europa League  On 29 November 2019, Emery was dismissed as manager and former player and assistant first team coach Freddie Ljungberg was appointed as interim head coach On 20 December 2019, Arsenal appointed former club captain Mikel Arteta as the new head coach  Arsenal finished the league season in eighth, their lowest finish since 1994–95, but beat Chelsea 2–1 to earn a record-extending 14th FA Cup win  After the season, Arteta's title was changed from head coach to manager  On 18 April 2021, Arsenal were announced as a founding club of the breakaway European competition The Super League; they withdrew from the competition two days later amid near-universal condemnation  Arsenal finished the season in eighth place once again, not qualifying for a European competition for the first time in 26 years  In the 2022–23 Premier League season, Arsenal returned to the Champions League by coming second to Manchester City after leading for most of the season 

Crest
Unveiled in 1888, Royal Arsenal's first crest featured three cannons viewed from above, pointing northwards, similar to the coat of arms of the Metropolitan Borough of Woolwich (nowadays transferred to the coat of arms of the Royal Borough of Greenwich)  These can sometimes be mistaken for chimneys, but the presence of a carved lion's head and a cascabel on each are clear indicators that they are cannons  This was dropped after the move to Highbury in 1913, only to be reinstated in 1922, when the club adopted a crest featuring a single cannon, pointing eastwards, with the club's nickname, The Gunners, inscribed alongside it; this crest only lasted until 1925, when the cannon was reversed to point westward and its barrel slimmed down In 1949, the club unveiled a modernised crest featuring the same style of cannon below the club's name, set in blackletter typography, and above the coat of arms of the Metropolitan Borough of Islington and a scroll inscribed with the club's newly adopted Latin motto, Victoria Concordia Crescit – "victory comes from harmony" – coined by the club's programme editor Harry Homer  For the first time, the crest was rendered in colour, which varied slightly over the crest's lifespan, finally becoming red, gold and green  Because of the numerous revisions of the crest, Arsenal were unable to copyright it  Although the club had managed to register the crest as a trademark, and had fought (and eventually won) a long legal battle with a local street trader who sold "unofficial" Arsenal merchandise,
Arsenal eventually sought a more comprehensive legal protection  Therefore, in 2002 they introduced a new crest featuring more modern curved lines and a simplified style, which was copyrightable 
The cannon once again faces east and the club's name is written in a sans-serif typeface above the cannon  Green was replaced by dark blue  The new crest was criticised by some supporters; the Arsenal Independent Supporters' Association claimed that the club had ignored much of Arsenal's history and tradition with such a radical modern design, and that fans had not been properly consulted on the issue 
Until the 1960s, a badge was worn on the playing shirt only for high-profile matches such as FA Cup finals, usually in the form of a monogram of the club's initials in red on a white background The monogram theme was developed into an Art Deco-style badge on which the letters A and C framed a football rather than the letter F, the whole set within a hexagonal border  This early example of a corporate logo, introduced as part of Herbert Chapman's rebranding of the club in the 1930s, was used not only on Cup Final shirts but as a design feature throughout Highbury Stadium, including above the main entrance and inlaid in the floors 
From 1967, a white cannon was regularly worn on the shirts, until replaced by the club crest, sometimes with the addition of the nickname "The Gunners", in the 1990s In the 2011–12 season, Arsenal celebrated their 125th anniversary  The celebrations included a modified version of the current crest worn on their jerseys for the season  The crest was all white, surrounded by 15 oak leaves to the right and 15 laurel leaves to the left  The oak leaves represent the 15 founding members of the club who met at the Royal Oak pub  The 15 laurel leaves represent the design detail on the six pence pieces paid by the founding fathers to establish the club  The laurel leaves also represent strength  To complete the crest, 1886 and 2011 are shown on either sides of the motto "Forward" at the bottom of the crest 

Colours
For much of Arsenal's history, their home colours have been bright red shirts with white sleeves and white shorts, though this has not always been the case  The choice of red is in recognition of a charitable donation from Nottingham Forest, soon after Arsenal's foundation in 1886  Two of Dial Square's founding members, Fred Beardsley and Morris Bates, were former Forest players who had moved to Woolwich for work  As they put together the first team in the area, no kit could be found, so Beardsley and Bates wrote home for help and received a set of kit and a ball  The shirt was redcurrant, a dark shade of red, and was worn with white shorts and socks with blue and white hoops In 1933, Herbert Chapman, wanting his players to be more distinctly dressed, updated the kit, adding white sleeves and changing the shade to a brighter pillar box red  Two possibilities have been suggested for the origin of the white sleeves  One story reports that Chapman noticed a supporter in the stands wearing a red sleeveless sweater over a white shirt; another was that he was inspired by a similar outfit worn by the cartoonist Tom Webster, with whom Chapman played golf 
Regardless of which story is true, the red and white shirts have come to define Arsenal and the team have worn the combination ever since, aside from two seasons  The first was 1966–67, when Arsenal wore all-red shirts; this proved unpopular and the white sleeves returned the following season  The second was 2005–06, the last season that Arsenal played at Highbury, when the team wore commemorative redcurrant shirts similar to those worn in 1913, their first season in the stadium; the club reverted to their normal colours at the start of the next season  In the 2008–09 season, Arsenal replaced the traditional all-white sleeves with red sleeves with a broad white stripe Arsenal's home colours have been the inspiration for at least three other clubs  In 1909, Sparta Prague adopted a dark red kit like the one Arsenal wore at the time; in 1938, Hibernian adopted the design of the Arsenal shirt sleeves in their own green and white strip 
In 1941, Luis Robledo, an England-schooled founder of Santa Fe and a fan of Arsenal, selected the main colors for his newly created team  In 1920, Sporting Clube de Braga's manager returned from a game at Highbury and changed his team's green kit to a duplicate of Arsenal's red with white sleeves and shorts, giving rise to the team's nickname of Os Arsenalistas 
These teams still wear those designs to this day 
For many years Arsenal's away colours were white or navy blue  However, in 1968 the FA banned navy shirts (they looked too similar to referees' black kit) so in the 1969–70 season, Arsenal introduced an away kit of yellow shirts with blue shorts  This kit was worn in the 1971 FA Cup Final as Arsenal beat Liverpool to secure the double for the first time in their history  The yellow and blue strip became almost as famous as their iconic red and white home kit  Arsenal reached the FA Cup final again the following year wearing the red and white home strip and were beaten by Leeds United  Arsenal then competed in three consecutive FA Cup finals between 1978 and 1980 wearing their "lucky" yellow and blue strip, which remained the club's away strip until the release of a green and navy away kit in 1982–83  The following season, Arsenal returned to the yellow and blue scheme, albeit with a darker shade of blue than before 
When Nike took over from Adidas as Arsenal's kit provider in 1994, Arsenal's away colours were again changed to two-tone blue shirts and shorts  Since the advent of the lucrative replica kit market, the away kits have been changed regularly, with Arsenal usually releasing both away and third choice kits  During this period the designs have been either all blue designs, or variations on the traditional yellow and blue, such as the metallic gold and navy strip used in the 2001–02 season, the yellow and dark grey used from 2005 to 2007, and the yellow and maroon of 2010 to 2013 
Until 2014, the away kit was changed every season, and the outgoing away kit became the third-choice kit if a new home kit was being introduced in the same year Since Puma began manufacturing Arsenal's kits in 2014, new home, away and third kits were released every single season  In the 2017–18 season, Puma released a new color scheme for the away and third kits  The away kit was a light blue, which fades to a darker blue near the bottom, while the third kit was black with red highlight  Puma returned to the original color scheme for the 2018–19 season From the 2019–20 season Arsenal's kits are manufactured by Adidas  In the 2020–21 season, Adidas unveiled the new away kit to 
mark the 15-year anniversary since leaving Highbury  The new away kit is white, with a marbled pattern all across to replicate the iconic marble hall in the East stand of Highbury 

Kit suppliers and shirt sponsors
Stadiums
Before joining the Football League, Arsenal played briefly on Plumstead Common, then at the Manor Ground in Plumstead, then spent three years between 1890 and 1893 at the nearby Invicta Ground  Upon joining the Football League in 1893, the club returned to the Manor Ground and installed stands and terracing, upgrading it from just a field  Arsenal continued to play their home games there for the next twenty years (with two exceptions in the 1894–95 season), until the move to north London in 1913 Widely referred to as Highbury, Arsenal Stadium was the club's home from September 1913 until May 2006  The original stadium was designed by the renowned football architect Archibald Leitch, and had a design common to many football grounds in the UK at the time, with a single covered stand and three open-air banks of terracing  The entire stadium was given a massive overhaul in the 1930s: new Art Deco West and East stands were constructed, opening in 1932 and 1936 respectively, and a roof was added to the North Bank terrace, which was bombed during the Second World War and not restored until 1954 Highbury could hold more than 60,000 spectators at its peak, and had a capacity of 57,000 until the early 1990s  The Taylor Report and Premier League regulations obliged Arsenal to convert Highbury to an all-seater stadium in time for the 1993–94 season, thus reducing the capacity to 38,419 seated spectators  This capacity had to be reduced further during Champions League matches to accommodate additional advertising boards, so much so that for two seasons, from 1998 to 2000, Arsenal played Champions League home matches at Wembley, which could house more than 70,000 spectators 

Expansion of Highbury was restricted because the East Stand had been designated as a Grade II listed building and the other three stands were close to residential properties  These limitations prevented the club from maximising matchday revenue during the 1990s and first decade of the 21st century, putting them in danger of being left behind in the football boom of that time  After considering various options, in 2000 Arsenal proposed building a new 60,361-capacity stadium at Ashburton Grove, since named the Emirates Stadium, about 500 metres south-west of Highbury  The project was initially delayed by red tape and rising costs, and construction was completed in July 2006, in time for the start of the 2006–07 season  The stadium was named after its sponsors, the airline company Emirates, with whom the club signed the largest sponsorship deal in English football history, worth around £100 million  Some fans referred to the ground as Ashburton Grove, or the Grove, as they did not agree with corporate sponsorship of stadium names  The stadium will be officially known as Emirates Stadium until at least 2028, and the airline will be the club's shirt sponsor until at least 2024  From the start of the 2010–11 season on, the stands of the stadium have been officially known as North Bank, East Stand, West Stand and Clock end  The capacity of the Emirates now stands at 60,704 Arsenal's players train at the Shenley Training Centre in Hertfordshire, a purpose-built facility which opened in 1999 
Before that the club used facilities on a nearby site owned by the University College of London Students' Union  Until 1961 they had trained at Highbury 
Arsenal's Academy under-18 teams play their home matches at Shenley, while the reserves play their games at Meadow Park, which is also the home of Boreham Wood F C  Both the Academy under-18 & the reserves occasionally play their big games at the Emirates in front of a crowd reduced to only the lower west stand 

Supporters and rivalries
Arsenal's fanbase are referred to as "Gooners" – the name derived from the club's nickname "The Gunners"  Virtually all home matches sell out; in 2007–08 Arsenal had the second-highest average League attendance for an English club (60,070, which was 99 5% of available capacity), and, as of 2015, the third-highest all-time average attendance  Arsenal have the seventh highest average attendance of European football clubs only behind Borussia Dortmund, FC Barcelona, Manchester United, Real Madrid, Bayern Munich, and Schalke  The club's location, adjoining wealthy areas such as Canonbury and Barnsbury, mixed areas such as Islington, Holloway, Highbury, and the adjacent London Borough of Camden, and largely working-class areas such as Finsbury Park and Stoke Newington, has meant that Arsenal's supporters have come from a variety of social classes  Much of the Afro-Caribbean support comes from the neighbouring London Borough of Hackney and a large portion of the South Asian Arsenal supporters commute to the stadium from Wembley Park, North West of the capital  There was also traditionally a large Irish community that followed Arsenal, with the nearby Archway area having a particularly large community, but Irish migration to North London is much lower than in the 1960s or 1970s 
Like all major English football clubs, Arsenal have a number of domestic supporters' clubs, including the Arsenal Football Supporters' Club, which works closely with the club, and the Arsenal Independent Supporters' Association, which maintains a more independent line  The Arsenal Supporters' Trust promotes greater participation in ownership of the club by fans  The club's supporters also publish fanzines such as The Gooner, Gunflash and the satirical Up The Arse!  In addition to the usual English football chants, supporters sing "One-Nil to the Arsenal" (to the tune of "Go West") 
There have always been Arsenal supporters outside London, and since the advent of satellite television, a supporter's attachment to a football club has become less dependent on geography  Consequently, Arsenal have a significant number of fans from beyond London and all over the world; in 2007, 24 UK, 37 Irish and 49 other overseas supporters clubs were affiliated with the club  A 2011 report by SPORT+MARKT estimated Arsenal's global fanbase at 113 million  The club's social media activity was the fifth highest in world football during the 2014–15 season 

Rivalries
Arsenal's longest-running and deepest rivalry is with their nearest major neighbour, Tottenham Hotspur; matches between the two are referred to as the North London derby  There also exists a rivalry between Arsenal and Chelsea  In addition, Arsenal and Manchester United developed a strong on-pitch rivalry in the late 1980s, which intensified in the early 2000s when both clubs were competing for the Premier League title 

Mascot
The club mascot is Gunnersaurus Rex, a smiling, 7-foot-tall green dinosaur, who first appeared at a home match against Manchester City in August 1994 (or 1993)  He is based on a drawing by then 11-year-old Peter Lovell, whose design and another similar idea won a Junior Gunners contest; his official back story is that he hatched from an egg found during renovations at Highbury The same person, Jerry Quy, has been inside the suit from the start; in early October 2020, as part of cost-cutting brought about by the COVID-19 pandemic, the club made him redundant from that and his other part-time job in supporter liaison, together with 55 full-time employees, although they later said Gunnersaurus could return after spectators were allowed back in stadiums  An online fundraiser was begun for Quy, and Mesut Özil offered to pay his salary himself as long as he remains with Arsenal  In November 2020, in advance of COVID-19 regulations being relaxed to allow supporters to attend home games from 3 December, Arsenal announced that Gunnersaurus would return, to be played by a roster of people that could include Quy if he wished 

Ownership and finances
The largest shareholder on the Arsenal board is American sports tycoon Stan Kroenke  Kroenke first launched a bid for the club in April 2007, and faced competition for shares from Red and White Securities, which acquired its first shares from David Dein in August 2007  Red & White Securities was co-owned by Russian billionaire Alisher Usmanov and Iranian London-based financier Farhad Moshiri, though Usmanov bought Moshiri's stake in 2016  Kroenke came close to the 30% takeover threshold in November 2009, when he increased his holding to 18,594 shares (29 9%)  In April 2011, Kroenke achieved a full takeover by purchasing the shareholdings of Nina Bracewell-Smith and Danny Fiszman, taking his shareholding to 62 89%  In May 2017, Kroenke owned 41,721 shares (67 05%) and Red & White Securities owned 18,695 shares (30 04%)  In January 2018, Kroenke expanded his ownership by buying twenty-two more shares, taking his total ownership to 67 09%  In August 2018, Kroenke bought out Usmanov for £550m  Now owning more than 90% of the shares, he had the required stake to complete the buyout of the remaining shares and become the sole owner  There has been criticism of Arsenal's poor performance since Kroenke took over, which has been attributed to his ownership  Ivan Gazidis was the club's Chief executive from 2009 to 2018 Arsenal's parent company, Arsenal Holdings plc, operates as a non-quoted public limited company, whose ownership is considerably different from that of other football clubs  Only 62,219 shares in Arsenal have been issued, and they are not traded on a public exchange such as the FTSE or AIM; instead, they are traded relatively infrequently on the ICAP Securities and Derivatives Exchange, a specialist market  On 29 May 2017, a single share in Arsenal had a mid price of £18,000, which sets the club's market capitalisation value at approximately £1,119 9m  Most football clubs are not listed on an exchange, which makes direct comparisons of their values difficult  Consultants Brand Finance valued the club's brand and intangible assets at $703m in 2015, and consider Arsenal an AAA global brand  Business magazine Forbes valued Arsenal as a whole at $2 238 billion (£1 69 billion) in 2018, ranked third in English football  Research by the Henley Business School ranked Arsenal second in English football, modelling the club's value at £1 118 billion in 2015 Arsenal's financial results for the 2019–20 season showed an after tax loss of £47 8m, due in part to the impact of the COVID-19 pandemic  The Deloitte Football Money League is a publication that homogenises and compares clubs' annual revenue  Deloitte put Arsenal's footballing revenue in 2019 at £392 7m (€445 6m), ranking Arsenal eleventh among world football clubs  Arsenal and Deloitte both listed the match day revenue generated in 2019 by the Emirates Stadium as €109 2m (£96 2m) 

In popular culture
Partly due to their proximity to the Alexandra Palace transmitter, Arsenal have appeared in a number of media "firsts"  On 22 January 1927, their match at Highbury against Sheffield United was the first English League match to be broadcast live on radio  A decade later, on 16 September 1937, an exhibition match between Arsenal's first team and the reserves was the first football match in the world to be televised live  Arsenal also featured in the first edition of the BBC's Match of the Day, which screened highlights of their match against Liverpool at Anfield on 22 August 1964  Sky's coverage of Arsenal's January 2010 match against Manchester United was the first live public broadcast of a sports event on 3D television As one of the most successful teams in the country, Arsenal have often featured when football is depicted in the arts in Britain  They formed the backdrop to one of the earliest football-related novels, The Arsenal Stadium Mystery (1939), which was made into a film in the same year  The story centres on a friendly match between Arsenal and an amateur side, one of whose players is poisoned while playing  Many Arsenal players appeared as themselves in the film and manager George Allison was given a speaking part  The book Fever Pitch by Nick Hornby was an autobiographical account of Hornby's life and relationship with football and Arsenal in particular  Published in 1992, it formed part of the revival and rehabilitation of football in British society during the 1990s  The book was twice adapted for the cinema – the 1997 British film focuses on Arsenal's 1988–89 title win, and a 2005 American version features a fan of baseball's Boston Red Sox Arsenal have often been stereotyped as a defensive and "boring" side, especially during the 1970s and 1980s  In the 1997 film The Full Monty the principal characters move forward in a line and raise their hands, deliberately mimicking the Arsenal defence's offside trap, in an attempt to co-ordinate their striptease routine 
Fifteen years later an almost identical scene was included in the 2012 Disney science-fiction film John Carter (director and co-writer Andrew Stanton, a notable overseas supporter of the club), along with other visual cues and oblique dialogue hints and references to the club throughout the film 
Another film reference to the club's defence comes in the film Plunkett & Macleane, in which two characters are named Dixon and Winterburn after Arsenal's long-serving full backs – the right-sided Lee Dixon and the left-sided Nigel Winterburn In August 2022, Amazon Prime Video released an eight-episode docuseries called All or Nothing: Arsenal  It documented the club by spending time with the coaching staff and players behind the scenes both on and off the field throughout their 2021–22 season, in which they were the youngest team in the Premier League with an average starting age of 24 years and 308 days – more than a whole year younger than the next team 

In the community
In 1985, Arsenal founded a community scheme, "Arsenal in the Community", which offered sporting, social inclusion, educational and charitable projects  The club support a number of charitable causes directly and in 1992 established The Arsenal Charitable Trust, which by 2006 had raised more than £2 million for local causes  An ex-professional and celebrity football team associated with the club also raised money by playing charity matches  The club launched the Arsenal for Everyone initiative in 2008 as an annual celebration of the diversity of the Arsenal family  In the 2009–10 season Arsenal announced that they had raised a record breaking £818,897 for the Great Ormond Street Hospital Children's Charity  The original target was £500,000 Save the Children has been Arsenal global charity partner since 2011 and have worked together in numerous projects to improve safety and well-being for vulnerable children in London and abroad  On 3 September 2016 The Arsenal Foundation has donated £1m to build football pitches for children in London, Indonesia, Iraq, Jordan and Somalia thanks to The Arsenal Foundation Legends Match against Milan Glorie at the Emirates Stadium  On 3 June 2018, Arsenal played Real Madrid in the Corazon Classic Match 2018 at the Bernabeu, where the proceeds went to Realtoo Real Madrid Foundation projects that are aimed at the most vulnerable children  In addition there will be a return meeting on 8 September 2018 at the Emirates stadium where proceeds will go towards the Arsenal foundation In 2022, Arsenal and Adidas partnered up to launch the "No More Red" campaign to support the long-standing work being done by Arsenal in the Community to help keep young people safe from knife crime and youth violence  To promote the event, the club launched an exclusive all white kit that was not commercially available and only awarded to individuals who are making a positive difference in the community 

Players
First-team squad
As of 28 June 2023Note: Flags indicate national team as defined under FIFA eligibility rules  Players may hold more than one non-FIFA nationality 

Under-23s and Academy
As of 1 July 2023Players to have featured in a first-team matchday squad for ArsenalNote: Flags indicate national team as defined under FIFA eligibility rules  Players may hold more than one non-FIFA nationality 

Out on loan
Note: Flags indicate national team as defined under FIFA eligibility rules  Players may hold more than one non-FIFA nationality 

Management and staff
Current staff
Arsenal board
Statistics and records
Arsenal's tally of 13 League Championships is the third highest in English football, after Manchester United (20) and Liverpool (19),
and they were the first club to reach a seventh and an eighth League Championship  As of June 2020, they are one of seven teams, the others being Manchester United, Blackburn Rovers, Chelsea, Manchester City, Leicester City and Liverpool, to have won the Premier League since its formation in 1992 They hold the highest number of FA Cup trophies, with 14  The club is one of only six clubs to have won the FA Cup twice in succession, in 2002 and 2003, and 2014 and 2015 
Arsenal have achieved three League and FA Cup "Doubles" (in 1971, 1998 and 2002), a feat only previously achieved by Manchester United (in 1994, 1996 and 1999) 
They were the first side in English football to complete the FA Cup and League Cup double, in 1993 
Arsenal were also the first London club to reach the final of the UEFA Champions League, in 2006, losing the final 2–1 to Barcelona Arsenal have one of the best top-flight records in history, having finished below fourteenth only seven times  They have won the second most top flight league matches in English football, and have also accumulated the second most points, whether calculated by two points per win or by the contemporary points value  They have been in the top flight for the most consecutive seasons (95 as of 2020–21)  Arsenal also have the highest average league finishing position for the 20th century, with an average league placement of 8 5 Arsenal hold the record for the longest run of unbeaten League matches (49 between May 2003 and October 2004)  This included all 38 matches of their title-winning 2003–04 season, when Arsenal became only the second club to finish a top-flight campaign unbeaten, after Preston North End (who played only 22 matches) in 1888–89  They also hold the record for the longest top flight win streak  Arsenal set a Champions League record during the 2005–06 season by going ten matches without conceding a goal, beating the previous best of seven set by A C  Milan  They went a record total stretch of 995 minutes without letting an opponent score; the streak ended in the final, when Samuel Eto'o scored a 76th-minute equaliser for Barcelona David O'Leary holds the record for Arsenal appearances, having played 722 first-team matches between 1975 and 1993  Fellow centre half and former captain Tony Adams comes second, having played 669 times  The record for a goalkeeper is held by David Seaman, with 564 appearances  Thierry Henry is the club's top goalscorer with 228 goals in all competitions between 1999 and 2012,
having surpassed Ian Wright's total of 185 in October 2005 
Wright's record had stood since September 1997, when he overtook the longstanding total of 178 goals set by winger Cliff Bastin in 1939 
Henry also holds the club record for goals scored in the League, with 175, a record that had been held by Bastin until February 2006 Arsenal's record home attendance is 73,707, for a UEFA Champions League match against RC Lens on 25 November 1998 at Wembley Stadium, where the club formerly played home European matches because of the limits on Highbury's capacity  The record attendance for an Arsenal match at Highbury is 73,295, for a 0–0 draw against Sunderland on 9 March 1935, while that at Emirates Stadium is 60,161, for a 2–2 draw with Manchester United on 3 November 2007 

Honours
Arsenal's first ever silverware was won as the Royal Arsenal in 1890  The Kent Junior Cup, won by Royal Arsenal's reserves, was the club's first trophy, while the first team's first trophy came three weeks later when they won the Kent Senior Cup  Their first national senior honour came in 1930, when they won the FA Cup  The club enjoyed further success in the 1930s, winning another FA Cup and five Football League First Division titles  Arsenal won their first league and cup double in the 1970–71 season and twice repeated the feat, in 1997–98 and 2001–02, as well as winning a cup double of the FA Cup and League Cup in 1992–93 Seasons in bold are seasons when the club won a Double of the league and FA Cup, or of the FA Cup and League Cup  The 2003–04 season was the only 38-match league season unbeaten in English football history  A special gold version of the Premier League trophy was commissioned and presented to the club the following season As of 29 August 2020
  – Record
 †  – Shared title

County FAs
When the FA Cup was the only national football association competition available to Arsenal, the other football association competitions were County Cups, and they made up many of the matches the club played during a season  Arsenal's first first-team trophy was a County Cup, the inaugural Kent Senior Cup  Arsenal became ineligible for the London Cups when the club turned professional in 1891, and rarely participated in County Cups after this  Due to the club's original location within the borders of both the London and Kent Football Associations, Arsenal competed in and won trophies organised by each 

Other
During Arsenal's history, the club has participated in and won a variety of pre-season and friendly honours  These include Arsenal's own pre-season competition the Emirates Cup, begun in 2007  During the wars, previous competitions were widely suspended and the club had to participate in wartime competitions  During WWII, Arsenal won several of these 

Arsenal Women
Arsenal Women is the women's football club affiliated to Arsenal  Founded as Arsenal Ladies F C  in 1987 by Vic Akers, they turned semi-professional in 2002 and have been managed since 2021 by Jonas Eidevall; Akers holds the role of Honorary President of Arsenal Women  As part of the festivities surrounding their 30th anniversary in 2017, the club announced that they were changing their formal name to Arsenal Women F C , and would use "Arsenal" in all references except rare cases where there might be confusion with the men's side Arsenal Women are the most successful team in English women's football having won a total of 58 trophies  In the 2008–09 season, they won all three major English trophies – the FA Women's Premier League, FA Women's Cup and FA Women's Premier League Cup, and, as of 2017, were the only English side to have won the UEFA Women's Cup or UEFA Women's Champions League, having won the Cup in the 2006–07 season as part of a unique quadruple  The men's and women's clubs are formally separate entities but have close ties; Arsenal Women are entitled to play at the Emirates Stadium, though they usually play their home matches at Meadow Park in Borehamwood 

Footnotes
Passage 2:
Singapore FA Cup
The Singapore FA Cup, (also known as the Singapore Pools FA Cup for sponsorship reasons), is an annual football competition in Singapore Initially held for clubs from the S League from 1996-1998, the Football Association of Singapore decided to change format of the cup to allow only teams from National Football League to take part in the knock out competition from 1999,
so that the S League clubs can focus on Singapore Cup, competition created in 1998 After the Singapore Cup and earlier League Cup, Singapore FA Cup is the next major cup competition in Singapore  For a number of years, the FA Cup was solely restricted to NFL clubs  In 2006, S League clubs were once again allowed in the competition, but were only permitted to field their developmental Prime League teams  The team matchups were drawn out of a hat against one another for the initial 2006 and 2007 seasons, before being seeded into two groups since 2008 

Results
Note: 
Tampines Rovers SC is a separate entity from Tampines Rovers 
SAFSA is a separate entity from Singapore Armed Forces 
Police SA is a separate entity from Home United (formerly Police FC) 
Passage 3:
Arthur James (footballer)
Arthur James (January 1855 – June 1911) was an English footballer who played as an outside right for Small Heath Alliance, later to become Birmingham City, from the foundation of the club in 1875 until his career was ended by injury in 1887 
James was born in Longbridge, Birmingham  He played for the cricket club associated with Holy Trinity Church, in Bordesley, Birmingham, and together with his fellow members decided to form a football club for exercise and society in the winter months  The club, which they called Small Heath Alliance, played its first match in November 1875 on some waste ground in Arthur Street, Bordesley  James's brothers Tommy and Fred played in that first fixture, a 1–1 draw with Holte Wanderers of Aston, though he himself did not He was appointed club captain in 1878, retaining the position until 1885, and was regularly selected to represent the Birmingham County F A  in challenge matches against other major associations  In its centenary volume, the association describes the club as

blessed in having Arthur James from 1878 to 1885 as their captain, this player ranking as one of the most brilliant wing forwards of the day, he often represented the Birmingham Association at a time when competition was keen 
He made five appearances in the FA Cup, scoring three goals  His career ended in 1887 through a combination of illness and injury James died in Birmingham in June 1911, aged 56 
Passage 4:
History of Chelsea F C 
The History of Chelsea F C  spans the period from 1905 to the present day:

History of Chelsea F C  (1905–1952)
History of Chelsea F C  (1952–1983)
History of Chelsea F C  (1983–2003)
History of Chelsea F C  (2003–2022)
History of Chelsea F C  (2022–present)For a season-by-season account of Chelsea's history, see List of Chelsea F C  seasons 

See also
Chelsea F C  § History
Passage 5:
1894–95 FA Cup
The 1894–95 FA Cup was the 24th season of the world's oldest association football competition, the Football Association Challenge Cup (more usually known as the FA Cup)  The cup was won by Aston Villa, who defeated West Bromwich Albion 1–0 in the final of the competition, played at Crystal Palace in London  This was Villa's second victory in the FA Cup 
The Trophy was stolen from a display in the shop window of W  Shillcock (a football fitter) in Newton Row, Birmingham, after the Final and never recovered despite a £10 reward  According to the Police, it was taken sometime between 21:30 on Wednesday 11 September and 7:30 the following morning, along with cash from a drawer  The cup was replaced by a copy of the original, made by Howard Vaughton, the former Aston Villa player and England international, who had opened a silversmith's business after his retirement from the game 
Matches were scheduled to be played at the stadium of the team named first on the date specified for each round, which was always a Saturday  If scores were level after 90 minutes had been played, a replay would take place at the stadium of the second-named team later the same week  If the replayed match was drawn further replays would be held at neutral venues until a winner was determined  If scores were level after 90 minutes had been played in a replay, a 30-minute period of extra time would be played 

Calendar
The format of the FA Cup for the season had a preliminary round, four qualifying rounds, three proper rounds, and the semi-finals and final 

First round proper
The first round proper contained sixteen ties between 32 teams  The 16 First Division sides were given a bye to this round, as were Notts County, Darwen, Bury, Newcastle United, Newton Heath and Woolwich Arsenal from the Second Division  The other Second Division sides were entered into the first round qualifying, with the exceptions of Burton Swifts, who started in the second round qualifying, and Manchester City, who played no part in the season's competition  Of the qualifying League sides, only Burton Wanderers and Leicester Fosse qualified to the FA Cup proper  Eight non-league sides also qualified 
The matches were played on Saturday, 2 February 1895  One match was drawn, with the replay taking place in the following midweek fixture  The Barnsley St Peter's – Liverpool game was voided following a dispute over extra time being played   The match was replayed nine days later, resulting in a 4–0 win to Liverpool 

Second round proper
The eight Second Round matches were scheduled for Saturday, 16 February 1895  There were two replays, played in the following midweek fixture 

Third round proper
The four Third Round matches were scheduled for Saturday, 2 March 1895  There were no replays 

Semi-finals
The semi-final matches were both played on Saturday, 16 March 1895  Aston Villa and West Bromwich Albion went on to meet in the final at Crystal Palace 

Final
The Final was contested by Aston Villa and West Bromwich Albion at Crystal Palace  Aston Villa won 1–0, with Bob Chatt being credited with scoring the fastest goal in FA Cup Final history, scored after just 30 seconds  Devey found Hodgetts, whose cross was laid off by Athersmith to Chatt, whose half volley took a deflection 

Match details
See also
FA Cup Final Results 1872-
Passage 6:
List of FIFA World Cup finals
The FIFA World Cup is an international association football competition contested by the senior men's national teams of the Fédération Internationale de Football Association (FIFA), the sport's global governing body  The championship has been awarded every four years since 1930, except in 1942 and 1946, when it was not held because of World War II 
The World Cup final match is the last of the competition, played by the only two teams remaining in contention, and the result determines which country is declared the world champion  It is a one-off match decided in regulation time  In case of a draw, extra time is used  If scores are then still level, a penalty shoot-out determines the winner, under the rules in force since 1986; prior to that, finals still tied after extra time would have been replayed, though this never proved necessary  The golden goal rule would have applied during extra time in 1998 and 2002, but was not put in practice either 
The only exception to this type of format was the 1950 World Cup, which featured a final round-robin group of four teams; the decisive match of that group is often regarded as the de facto final of that tournament, including by FIFA itself The team that wins the final receives the FIFA World Cup Trophy, and its name is engraved on the bottom side of the trophy  Of 80 different nations that have appeared in the tournament, 13 have made it to the final, and 8 have won  Brazil, the only team that has participated in every World Cup, is also the most successful team in the competition, having won five titles and finished second twice  Italy and Germany have four titles each, with Germany having reached more finals than any other team, eight  Current champion Argentina has three titles, Uruguay and France have two each, while England and Spain have one each  Czechoslovakia, Hungary, Sweden, the Netherlands and Croatia have played in the final without winning  Only teams from Europe (UEFA) and South America (CONMEBOL) have ever competed in the final 
Argentina defeated France on penalties in the latest final, staged at Qatar's Lusail Stadium in 2022 

List of final matches
Results
See also
List of FIFA Confederations Cup finals
List of FIFA Women's World Cup finals
List of UEFA European Championship finals
List of FIFA World Cup final goalscorers

Footnotes
Passage 7:
Second City derby
In English football, the Second City derby or Birmingham derby, is the local derby between the two major clubs in the city of Birmingham – Aston Villa and Birmingham City, first contested in 1879  Villa play at Villa Park while Birmingham play at St Andrew's, the two grounds separated by roughly 2 4 miles (3 9 km)  It is known as the Second City Derby based on Birmingham being referred to as the second city of the United Kingdom  The two clubs are generally regarded as each other's most fierce rivals  In addition both sides have affiliated women's sides, Aston Villa W F C  and Birmingham City W F C 

History
The clubs first met on 27 September 1879, when Birmingham City were called Small Heath Alliance  The game, on a pitch at Small Heath's Muntz Street ground described by the Villa players as "only suitable for pot-holing", finished 1–0 – recorded as "one goal and a disputed goal to nil" – to the home side  Villa won the first competitive game between the clubs, in the Second Round of the FA Cup at Wellington Road in 1887, by four goals to nil, and their first league encounter, in the First Division in the 1894–95 season, 2–1 The two teams have engaged in several hotly contested matches  In the 1925 league game at Villa Park, with the home side 3–0 ahead with eleven minutes to go, Blues scored three times in a dramatic final spell to draw the match  The following year, Aston Villa made headlines with the signing of Tom 'Pongo' Waring, and his first appearance was for the reserves against Birmingham City's reserves, which famously drew a crowd of 23,000  Waring scored three times in the match The most significant clash was the final of the 1963 League Cup, which was staged not long after Aston Villa had beaten Birmingham City 4–0 in the league  Blues won 3–1 on aggregate over the two-legged final to claim their first major domestic honour During the late 1970s to early 1980s both Villa and Blues met regularly in the First Division and both teams had some memorable successes in the fixture  In 1980–81 Villa did the double over Blues and went on to win the First Division title  Blues scored a memorable 3–0 victory at St Andrew's in the first meeting following Villa's European Cup triumph in 1982  Both teams promptly went into decline  Blues racked up a 3–0 win in a relegation battle at Villa Park in March 1986 but were relegated at the end of that season  Villa would be demoted the following campaign  The next time Villa met Blues in a league fixture at Villa Park again was in the Second Division and saw a 2–0 Blues victory  The reverse fixture at St Andrew's was a 2–1 Villa victory with both goals coming from Garry Thompson  The two sides would only meet again in the 1980s in cup competitions  Villa won 7–0 on aggregate when they clashed twice in the 1988–89 League Cup  The same season Villa also won a Full Members Cup clash 6–0 

The Premier League Era
Following the creation of the Premier League, Aston Villa and Birmingham City met twice in the second round of the 1993–94 League Cup  Villa won both matches 1–0  The game at St Andrew's was settled by a Kevin Richardson goal after his keeper Mark Bosnich had saved a penalty from John Frain to keep the game at 0–0  The second leg at Villa Park was notable for a winning goal from Villa's Dean Saunders and a red card for Blues' Paul Tait  Villa went on to win the trophy 
Blues' promotion to the Premier League in 2002 saw fans eagerly anticipating the first league derbies in 15 years  Blues won both derbies 3–0 and 2–0, respectively  Both matches saw goalkeeping errors by Villa goalkeeper Peter Enckelman, including a goal scored directly from an Olof Mellberg throw-in  Violence between both sets of fans occurred before both matches as evening kick-off times had allowed fans to get drunk over the course of the day  In March 2003, during the game at Villa Park, two Villa players were sent off, Dion Dublin for a head-butt on Blues' Robbie Savage and Joey Guðjónsson for a reckless two-footed tackle on Matthew Upson  Trouble also took place following the game on Witton Lane outside Villa Park, where missiles were hurled at police who were attempting to keep both sets of fans apart 
The 2003–04 Premiership season saw games ending in 0–0 and 2–2 draws  The 2–2 draw saw Blues recover a two-goal deficit thanks to a 90th-minute equaliser from Stern John  Both games were lunchtime kick-offs to avoid drunken behaviour, which was achieved although the games lost none of their passionate edge  The following season Blues got back to winning ways, with 2–1 victory at Villa Park just before Christmas and 2–0 at home in March, Villa keeper Thomas Sørensen making mistakes in both matches, though it's debatable if his errors directly affected the respective results  In the 2005–06 Premiership Season, Villa finally beat Blues in the Premiership, thanks to a Kevin Phillips goal  This was followed up by another Villa victory on 16 April 2006, Easter Sunday, with Aston Villa winning 3–1 thanks to two goals from Milan Baroš and a bicycle kick from Gary Cahill  Blues were relegated in 2006 but subsequently promoted in 2007 
In November 2007, Villa won their third consecutive derby match with a 2–1 victory at St Andrew's  Former Villa defender Liam Ridgewell scored an own goal to put Villa 1–0 up, Blues equalised through Mikael Forssell only for Gabriel Agbonlahor to clinch it with a late header for Villa, having cleared off his own line seconds before  Violent clashes took place outside the ground after the game in which over 20 police officers were hurt  The derby on 20 April 2008 between the two sides ended in a 5–1 win for Aston Villa at Villa Park, the biggest winning margin for either side in a league match for 40 years 
Villa continued their winning ways in the derby, when they won both of the meetings between the clubs in the 2009–10 Premier League season  The first took place on 13 September 2009 at St Andrew's, and ended 1–0 to Aston Villa, with Agbonlahor scoring the winner in the 85th minute, once again there was trouble with 14 arrests  Villa then went on to beat Blues 1–0 at Villa Park thanks to a disputed penalty from James Milner in the 82nd minute  This was the 3rd time in 4 derbies that Villa had scored the winning goal in the final 10 minutes of the game  Villa also possess the record of six straight wins from 1987 to 1993, including five cup matches  This record was then achieved in the Premier League after Villa beat Blues 1–0 on 25 April 2010, setting a record of six straight league wins from 2005 to 2010  The record was finally ended at the next derby match on 31 October 2010, which resulted in a 0–0 draw at Villa Park  The return match at St Andrew's also ended in a draw, with it finishing 1–1 
In those games in October and December 2010 where Aston Villa played Birmingham City, at Villa Park (Premier League, 31 October) and St Andrew's (League Cup, 1 December, which was the first mid-week game between the two sides since 2003) violence between the two sets of supporters and hooligan firms occurred, with many fans being arrested  In the first game, there were scenes of violence outside Villa Park and there were a small amount of arrests including a Birmingham City club chef  In the second of the two games (and larger scale violence) after Blues had beaten Villa 2–1, Blues supporters came onto the pitch and confronted the visiting Villa fans, this resulted in flares, ripped out seats and other missiles being hurled by Villa fans into the Blues supporters, there were also flash points before and after the game including the attack on a Blues supporters pub by Villa hooligans, the events were described as a "warzone" by a supporter who attended the game  Birmingham City were later fined £40,000 by the Football Association for failing to control their fans On 10 April 2011, an episode of Police Academy UK, a TV show aired on BBC Three which documents overseas police officers' introduction to British crime and policing, was set in Birmingham and covered the violence that occurred at the game between Birmingham City and Aston Villa on 1 December 2010 On 17 June 2011, Birmingham City manager Alex McLeish swapped Blues for Villa in a move that shocked the football world  The reaction from both sets of supporters was one of anger  Blues supporters were angry at McLeish, who guided them to only their second ever major trophy win in February 2011, for betraying them to join bitter rivals Villa, and Villa fans were unhappy with the appointment of a manager that had got Blues relegated twice in four seasons, and was perceived to play a negative style of football; that he came from Blues only served to rub salt into the wound of the board making such an unambitious and negative appointment  Several hundred Villa supporters protested at Villa Park when it emerged that Villa owner Randy Lerner has begun talks with McLeish  McLeish received death threats from followers of both teams following his appointment as Aston Villa manager  This controversial move only increased tension and hostility between the players, supporters and owners of both clubs even more as Blues directors threatened legal action against Villa for allegedly "tapping up" McLeish, who resigned as Blues manager on 12 June 2011, while he was still under contract at Birmingham City  McLeish's appointment marked the first time in history that a manager had moved directly from Birmingham City to Aston Villa  On 14 May 2012, one day after the 2011–12 Premier League season ended, McLeish was sacked as Villa manager after a massively disappointing one season in charge 

The EFL Championship Era
After being relegated in 2011, Birmingham are still yet to gain promotion back to the top flight of English football  However, since Alex McLeish was sacked as Villa manager, Villa's poor form continued  Despite several manager changes over the next few years, after several close calls they were finally relegated at the end of the 2015/16 season  Earlier on in the 2015/16 season, the two teams were drawn to play each other in the third round of the League Cup  Aston Villa ran out 1–0 winners thanks to a goal from Rudy Gestede  
In the 2016–17 season the two teams faced off in the second tier of English football for the first time since 1987  The first game at St Andrew's ended in a 1–1 draw  Villa won the second match 1–0 with a 69th-minute goal scored by Agbonlahor  The two sides faced each other again in the league during the 2017/18 season, producing a dismal 0–0 draw at St  Andrews marred by Birmingham fans throwing clappers at the Villa players all throughout the game, before Villa emphatically fortified their second city superiority with a 2–0 victory in front of 41,232 spectators at Villa Park  Some fans believed this game to be a coming of age for lifelong Villa fan and local Jack Grealish, who produced a match-winning man-of-the-match display  
The teams next met on 25 November in one of the most exciting derby games in recent times, Villa ran out 4-2 winners after goals from Jonathan Kodjia, Jack Grealish, a Tammy Abraham penalty and Alan Hutton who ran half the length of the pitch to score, Pedersen and Lukas Jutkiewicz scored for Birmingham On 10 March 2019, a Birmingham City fan invaded the pitch during the reverse fixture at St  Andrew's and assaulted Aston Villa captain Jack Grealish on the pitch by punching him from behind in the head, which was labelled as "disgraceful and cowardly" by supporters of both teams  The man was arrested and charged by West Midlands Police  St Andrew's' security was criticised as a result  The game ended in an ironic twist with a 1–0 win for Aston Villa with Grealish scoring the winning goal  At the end of the same season, Villa were promoted as they won ten in a row including that game  Since then, this fiercely contested fixture hasn't been played between the two rivals 

Women's Sides
Birmingham City W F C  were founded in 1968, whilst Aston Villa W F C  were founded in 1973 as Solihull F C , and took on their current Aston Villa guise in 1996  During the 2000-01 and 2001-02 seasons both teams competed in the second tier FA Women's Premier League North  Birmingham were then promoted to the Women's Premier League National with Villa joining them for one season in 2003-04 before being relegated  Then followed 18 years of the teams being in different divisions, Birmingham being in the top tier and Villa elsewhere, until the 2020–21 Women's Super League season when Villa were promoted up to join Blues  In the first ever WSL match between the two sides Birmingham beat Villa 1–0 at an empty Villa Park (due to restrictions related to the COVID-19 pandemic in the United Kingdom), while the Birmingham's home match which was also played behind closed doors at Damson Park, Solihull was a 1–1 draw  In the 2021–22 season, Aston Villa won 1–0 at St  Andrew's  Birmingham returned the favour and won 1–0 at Villa Park on 8 May 2022, the final day of the season, as they were relegated to the FA Women's Championship As of the 2021–22 Birmingham currently play at St Andrew's, home of the men's team, having played at Redditch Utd, Stratford Town and Solihull Moors in the 21st century  Villa play at Walsall's Bescot Stadium, having moved from Boldmere St Michaels - although important games such as the Second City Derby will often take place at Villa Park 

Statistics and records
As of the end of the 2010–11 season, there have been 120 meetings in major competition between the two teams since the first FA Cup meeting in 1887, of which Aston Villa have won 52 and Birmingham City 38  The most goals in one game were scored in a league game on 7 July 1895, in the First Division, as Small Heath lost to Aston Villa 7–3  The biggest winning margin was 6–0 to Aston Villa on 9 November 1988, in a Full Members Cup fixture  The last Birmingham City league victory over Aston Villa was on 20 March 2005, when Blues won 2–0 at St Andrew's  Villa won six encounters in a row, most recently on 25 April 2010 (2005–2010)  The two teams drew for the first time in over six years in the next match (the first of three in the 2010–11 season), with the match finishing 0–0 (the other Premier League match of the season also finished as a draw)  The second match of the season resulted in the first Blues win since 2005, as they beat Villa 2–1 in the 2010–11 League Cup Quarter Final on 1 December 2010 

All-time results
Cup matches
Women's matches
Summary of results
Stats correct as of 10 March 2019 

Records
Firsts
First competitive meeting: Aston Villa 4–0 Small Heath Alliance (FA Cup), 5 November 1887 
First league meeting: Aston Villa 2–1 Small Heath, 1 September 1894 
First away victory for Aston Villa: Small Heath 1–4 Aston Villa, 26 October 1895 
First away victory for Birmingham City: Aston Villa 1–3 Birmingham, 20 January 1906 

Results
Highest scoring game: Aston Villa 7–3 Small Heath, 7 September 1895 
Largest winning margin (Aston Villa): 6 goals – 6–0, 9 November 1988 
Largest winning margin (Birmingham City): 4 goals – 4–0, 21 September 1968 

Players
Most goals in a match (Aston Villa):
Most goals in a match (Birmingham City):

Trends
Most games won in a row (Aston Villa): 6, 16 October 2005 to 25 April 2010 
Most games won in a row (Birmingham City): 5, 3 April 1976 – 25 February 1978 
Most games without defeat (Aston Villa): 14, 16 October 2005 – on going
Most games without defeat (Birmingham City): 6, 8 March 1933 – 23 November 1935 and 16 September 2002 – 20 March 2005 
Most drawn games in a row: 4, 10 December 1949 – 21 September 1955 
Whenever the clubs have met in the Premier League the result has always been the same during that particular season: 2002/2003– 2 Blues wins, 2003/2004– 2 draws, 2004/2005– 2 Blues wins, 2005/2006– 2 Villa Wins, 2007/2008– 2 Villa wins, 2009/2010– 2 Villa wins, 2010/11- 2 draws 

Top scorers
The following is a list of the top goal scorers for each team in the fixture  Only players who have scored 4 or more goals feature 

Crossing the divide
Players
Unlike, for example, the Old Firm derby, there is no shortage of players who have appeared for both clubs  Villa legend Harry Hampton transferred to Blues after the First World War and helped the club to the Second Division title  The last established first-team player to make this move was Des Bremner in 1984, though there had been loan signings and movement of youth players during this period  The most recent permanent transfer from Aston Villa to Birmingham City was that of Gary Gardner in Summer 2019, his brother Craig was the previous player to move from Villa to Birmingham in 2010  The last player to move directly in the other direction was Spanish Winger Jota in the same transfer window 
Notable players who have been transferred directly between the clubs are listed below 

Aston Villa to Birmingham City
Notes
The players listed above made a direct transfer from Villa to Blues  In addition, there are several players who have "crossed the divide" but done so via another league club 
European Cup winner Dennis Mortimer – regarded by Villa fans as one of their greatest ever players – also played for Birmingham City in the 1986/7 season 
Kevin Phillips played for Villa in the 2005/06 season before moving to Blues in 2008 via West Bromwich Albion 

Birmingham City to Aston Villa
Notes
The players listed above made a direct transfer from Blues to Villa  In addition, there are several high-profile players who have "crossed the divide" but done so via another league club  Notable examples include former England international Emile Heskey and European Cup winner Peter Withe 
Chris Sutton was released by Birmingham City at the end of the 2005–06 season  His next club was Aston Villa, for whom he signed for in October 2006 
Scott Sinclair has played on loan at both clubs  He was on loan at Birmingham City while he was playing for Chelsea during the 2008–09 season and he was on loan at Aston Villa during the 2014–15 season before signing permanently from Manchester City 

Managers
Former Aston Villa Manager Ron Saunders, who managed Villa to League Cup success in 1975 and again in 1977 before taking the club to its first Championship success for 70 years in 1981, also moved across to Birmingham City following his resignation in 1982 
Alex McLeish's appointment as Aston Villa manager in June 2011 after resigning from Birmingham City five days before was the first time in history a manager has moved from Birmingham City to Aston Villa  The move shocked the football world and increased tension between the two clubs even more Former Birmingham City Manager Steve Bruce was appointed Villa manager in 2016 

Aston Villa to Birmingham City
Birmingham City to Aston Villa
Chairmen
Doug Ellis was a director of Birmingham City in the late 1960s before becoming part of a consortium which took over at Aston Villa in 1968 

See also
Aston Villa Hardcore (hooligan firm)
Birmingham Zulu Warriors (hooligan firm)
List of Aston Villa F C  seasons
List of Birmingham City F C  seasons
List of Aston Villa F C  records and statistics
List of Birmingham City F C  records and statistics
Context 2: Passage 1:
CJRL-FM
CJRL-FM is a Canadian radio station, broadcasting at 89 5 FM in Kenora, Ontario  The station broadcasts an adult contemporary format branded as 89 5 The Lake 
The station was originally launched in 1938 as CKCA 1420 kHz  In 1941, CKCA moved to 1450  In 1943, Kenora Broadcasting Co  Ltd  took ownership of CKCA and changed the frequency to 1220 with a new callsign CJRL 
CJRL went through different ownerships over the years 
In 2004, CJRL was given approval by the CRTC to convert to 89 5 FM and began broadcasting in November 2004 as 89 5 Mix FM  Following the flip to FM, the station shifted format to adult contemporary from hot adult contemporary 
Formerly owned and operated by Fawcett Broadcasting, the station was acquired in 2007 by Acadia Broadcasting Limited of Saint John, New Brunswick 
As of June 30, 2011, CJRL was rebranded 89 5 The Lake, continuing as an adult contemporary station, the station's playlist now primarily includes pop and rock hits from the 1970s to today  Following the unexpected passing of Charlie Tuna in early 2016, the 70's Show that aired on weekends was replaced with the Totally Awesome 80's show with Kent Jones 
Passage 2:
KLAG
The following is a list of full-power radio stations, HD Radio subchannels and low-power translators in the United States broadcasting K-Love programming, which can be sorted by their call signs, frequencies, city of license, state and broadcast area 

Blue background indicates a low-power FM translator 
Gray background indicates an HD Radio subchannel 

External links
Master Station List
Passage 3:
WAJI
WAJI (95 1 FM) is a commercial radio station broadcasting an adult contemporary format  Licensed to Fort Wayne, Indiana, United States, the station is owned by Bloomington–based Sarkes Tarzian, Inc WAJI broadcasts in HD, with its HD2 channel simulcasting sister station WGBJ, and its HD3 channel broadcasting a "Top 20" CHR format 

History
WAJI was known as WPTH throughout the 1960s and 1970s as a sister station to WPTA television, and in the summer of 1974 branded themselves as "Rock 95", using TM Productions' "Stereo Rock" Top 40 reel to reel automation package  The station went live in 1979, and changed calls in 1981 to WFWQ (95Q), continuing to do battle with 97 3 WMEE for the Top 40 audience in Fort Wayne  The station mellowed to Adult Contemporary, eventually changing to its current WAJI calls and imaging in 1985  "Majic 95" soon once again became one of Fort Wayne's top-rated stations, reaching #1 in the market several times during the late 1980s 
On March 20, 2014, the first day of spring WAJI changed names to BEST FM 95 1 WAJI reflecting the music they play today 
The station lineup consisted of "The BEST-FM Morning Show" with Sid Kelly, Angie Nash and James Raggi   Mandi Michaels, Program Director Dan Kennedy and Dave B  Goode (who also serves as the station's Promotions Director) 
Angie Nash spent the previous ten years of her career at cross-town WJFX Hot 107 9 before joining the morning show   Afternoons were handled by Dan Kennedy who also serves as the stations Director of Programming   Kennedy was VP/Programming for five station Grenax Broadcasting in Arizona prior to his arrival in Fort Wayne in 2012  Dave B  Goode hosts weeknights after spending several years at stations such as crosstown WBTU and WNHT  Dave also serves as the station's Promotions Director 
After changing formats, BEST-FM has brought in several new staff members  On June 23, 2014 it was announced that James Raggi would join Angie Nash for mornings after spending three years as an intern/producer in Boston on Kiss 108 
In September 2014 Mandi Michaels joined the staff as the new mid-day personality 
On October 24, 2014 Best FM announced the hiring of Sid Kelly  Sid was brought in to be the new host of the morning show, joining Angie and James  Sid Kelly came to WAJI after spending 3 and-a-half years at WVKS 92 5 Kiss FM in Toledo 
In July 2015 Program Director/afternoon personality Dan Kennedy announced he was leaving the station after 4 years to take a job outside of radio 
In September 2015 Captain Chris (Didier) Program Director of sister station WLDE, Fun 101 7 was named Program Director for WAJI and Operations Manager for the all 3 Fort Wayne, IN, Sarkes Tarzian radio stations 
On September 4, 2015, 95 1 rebranded back to "Majic 95 1"  The new Majic is being positioned as “Songs You Can Sing Along To” and comes with the exit of several staffers over the previous few weeks, with the first song being "You and Me" by Lifehouse  Program Director Dan Kennedy left in July for a non-radio industry position  Morning host Sid Kelly, producer James Raggi, and middayer Mandi Michaels were let go earlier that week leading up to the change  Later on, they changed their slogan to "Songs that make you feel good" 
The current WAJI line-up consists of Angie Nash, Andy Beckman, and Katrina Walburn live in mornings  According to WAJI, Katrina Walburn helps you through the Afternoons, and Andy and "Kat" in the morning do a live podcast from 5:30 AM to 10 AM EDT and EST 
On September 8, 2022, WAJI moved its CHR format and "The Twenty FM" branding from its HD2 subchannel to its HD3 subchannel 

Awards and charitable activities
In 2002, Majic 95 1 began an annual 2-day telethon called the "Majic Riley Radiothon" to raise funds for Riley Hospital for Children in Indianapolis, Indiana  In 2006,  this fundraising effort expanded to include local Fort Wayne recording facility Sweetwater Studios  The radio station and recording studio partnered to record live, acoustic music from nationally recognized artists and bands traveling through Fort Wayne  These recordings, along with others, have been used to produce an ongoing series of "Majic Miracle Music" charity CDs  100% of proceeds from the sale of these CDs benefits Riley Hospital for Children  Artists who recorded at Sweetwater Studios for "Majic Miracle Music" CDs include REO Speedwagon, Ingrid Michaelson, Lenka, Aimee Allen, Jars of Clay, Rick Springfield, Ben Jelen, Josh Kelley, Sara Bareilles, Jon McLaughlin, Gin Blossoms, and Collective Soul In 2005, 2006 and again in 2007, WAJI won Radio&Records Hot AC station of the year for their community support and programming excellence 
In late 2010, WAJI MidDay Host Barb Richards received the Bob Lind Supporter of the Year national award from the Children's Miracle Network for her active involvement in helping Riley Hospital for Children with the Majic Riley Radiothon, Majic Miracle Music releases, and involvement in other Riley Hospital-related activities In 2011, WAJI Program Director Dan Kennedy received the distinguished Edison 30 Under 30 Award for his programming achievements under the age of 30   He was also awarded the Copper Radio Award for his service to the communities of Arizona while programming a group of stations in that state  In 2015, WAJI Program Director Dan Kennedy was awarded the Fort Wayne 40 Under 40 award for service and excellence to the community 

Previous logo
Passage 4:
WEBZ
WEBZ (99 3 FM) is a commercial urban adult contemporary radio station located in Mexico Beach, Florida (Panama City metro)  The station is owned by iHeartMedia 

External links
Official Website

WEBZ in the FCC FM station database
WEBZ on Radio-Locator
WEBZ in Nielsen Audio's FM station database
Passage 5:
Light Sings
"Light Sings" is a song written by Will Holt and Gary William Friedman and performed by The 5th Dimension   It reached #12 on the U S  adult contemporary chart, #15 on the Canadian adult contemporary chart, #22 on the Canadian pop chart, and #44 on the Billboard Hot 100 in 1971   It was featured on their 1971 album, Love's Lines, Angles and Rhymes The song was produced by Bones Howe and arranged by Bob Alcivar 

In media
The song was featured in the 1970 musical, The Me Nobody Knows 
Passage 6:
All That Echoes
All That Echoes is the sixth studio album by American singer-songwriter Josh Groban, produced by Rob Cavallo  The album debuted at number one on the Billboard 200, selling 145,000 copies in its first week  The album has sold 532,000 copies in the United States as of April 2015 

Background
On November 18, 2012, the album was announced, revealing the cover art, title, and date of release: February 5, 2013  It was available for preorder through retailer Amazon com on November 27  Groban has recorded cover songs by Stevie Wonder and Glen Hansard for the album  The first track, "Brave", was released as a single on December 18, 2012  Groban promoted the album with the All That Echoes World Tour 

Track listing
Personnel
Josh Groban – vocals, piano, e-bow, additional drums
Curt Bisquera – drums
Chris Chaney – bass guitar
Tim Pierce – guitar
Ramon Stagnaro – acoustic guitar, charango
Carlos del Puerto – bass guitar
Arturo Sandoval – trumpet
Walter Afanasieff – piano
Paul Bushnell – bass guitar
Luis Conte – percussion
Matt Chamberlain – drums
Eleanore Choate – harp
Sean Hurley – bass guitar
Jamie Muhoberac – keyboards, piano
Abe Laboriel Jr  – drums, percussion
Rob Cavallo – acoustic guitar, piano, additional bass guitar
Dan Chase – drum programming, synthesizer
André Manga – bass guitar
Eric Rigler – bagpipes, low whistle
Lester Mendez – synthesizer, programming

Charts
Certifications
Passage 7:
WOKH
WOKH (102 7 FM) is an adult contemporary–formatted radio station licensed to serve Springfield, Kentucky, as well as Lebanon and Bardstown  The station is owned by Bardstown Radio Team, LLC as part of a duopoly with Bardstown–licensed country music station WBRT (1320 AM)  The two stations share studios on South Third Street in downtown Bardstown, while its transmitter facilities are located off Lanham Road in rural Washington County west of Springfield 

History
Choice Radio sold WOKH to current ownership Bardstown Radio Team, owner of WBRT, in 2017 The station has been assigned these call letters by the Federal Communications Commission since January 12, 2006 

Previous logos
Passage 8:
WNWZ
WNWZ (1410 AM, "Magic 104 9") is a radio station broadcasting an urban contemporary format, licensed to Grand Rapids, Michigan 
The station is simulcast on FM translator W285FO (104 9), licensed to Grand Rapids 

History
WGRD
The station first began broadcasting under the WGRD call sign in 1948  As AM 1410 was originally a daytime-only station, the WGRD calls stood for Grand Rapids Daytime  The station adopted the Top 40 music format in 1959 and was a top-rated station in the Grand Rapids market during the late 1950s and early 1960s, though the station had lost ground to WLAV 1340 and WZZM-FM 95 7 by the end of the decade  WGRD made a number of format adjustments in the mid-1960s in response to its falling ratings, shifting to an adult contemporary format in 1964 and then to a Top 40/oldies mix the following year before tweaking back to Top 40 in 1967  WGRD reclaimed its market dominance after it added an FM signal at 97 9 MHz in 1971 (formerly WXTO), though AM 1410 was relegated to being a simulcast of the FM signal mornings and afternoons  For part of that time middays were "shadowcast " Same format, different dj 

WXQT/Great Gold 14-K
In 1981, WGRD dropped its simulcast (middays were shadowcast) of the FM station and switched to a "Big Band" Music of Your Life format as WXQT  In 1984, WXQT flipped to oldies as "GREAT GOLD 14-K",  which stood for "14 Karat Gold", focusing on pop oldies from 1958-1972  Under the direction of PD Allen Jackson, "The NEW 14-K" featured Jack Stack (who had done mornings on WGRD and WLAV back in the 1960s) mornings, Rich Kennedy middays, Larry Olek afternoons and Pugs Stella evenings  The station earned a respectable 2 4 share 12+ in the Summer 1984 Arbitron  In 1986, the local lineup was dropped in favor of the ABC/Satellite Music Network "Pure Gold" satellite format  Ratings crashed to a 0 9 share in the summer of 1986 Arbitron, under the new call sign WKTH 

More changes
In 1988, the station adopted Satellite Music Network's Z-Rock format, keeping the WKTH call letters  The station reverted to the WGRD calls in 1991, moving back to a simulcast of 97 9 FM's CHR format (which changed to Modern Rock in 1994)  In 1996, WGRD changed calls to WRCV and switched to ABC Radio's syndicated "Real Country" format  The station continued to be a non-factor in the ratings  In September 1998, 1410 changed its calls to WNWZ and adopted a simulcast of CNN Headline News, which was replaced by News/Talk in October 2001 (mostly syndicated from the Michigan Talk Radio Network) 

La Maquina Musical
A Spanish pop hits format was adopted on January 1, 2003, and was somewhat successful in the ratings given its poor signal, often ranking as Grand Rapids' third most popular AM station (behind only WOOD and WBBL) (see: 1)  WNWZ was the first radio station to cater to the Spanish-speaking community in Grand Rapids 24 hours a day  In August 2010, a reunion of more than 60 former WGRD staff members was held in Grand Rapids, which included market legend Bruce Grant, the original program director from 1948, and dozens of other personalities from the AM 1410/97 9 history 

Funny 1410
On November 14, 2011, the station changed its format to comedy calling itself "Funny 1410" 

Touch 1410
On August 3, 2013, WNWZ flipped to Urban Adult Contemporary, branded as "The Touch"  The station became the West Michigan home of the Steve Harvey Morning Show and remains as such today  Outside of the morning show, the station aired Westwood One's "The Touch" full-time 

Magic 94 1
On June 10, 2016, WNWZ began simulcasting on FM translator W231DD (94 1, licensed to Grand Rapids), and rebranded as "Magic 94 1 " The station also dropped the "Touch" feed for locally originated programming 

Magic 104 9
On October 24, 2016, WNWZ rebranded as "Magic 104 9" as translator W231DD moved from 94 1 FM to 104 9 FM as W285FO and raised power from 88 watts to 250 watts In March 2020, WNWZ began adding more hip hop tracks, and shifted to urban contemporary, while retaining the "Magic" moniker 

Previous logo
(WNWZ's logo under previous 94 1 translator frequency)
 (WNWZ's logo under previous Urban Adult Contemporary format)
Passage 9:
I Can Only Imagine (MercyMe song)
"I Can Only Imagine" is a song by Christian rock band MercyMe  Written and composed by lead singer Bart Millard, it was originally recorded for the band's 1999 independent album The Worship Project before being included on their 2001 major-label debut album Almost There  The song was the last to be written for The Worship Project; in writing it, Millard drew upon his thoughts about his father's death  Lyrically, it imagines what it would be like to be in front of God in heaven; it opens with just a piano before building to include guitar and drums 
After being released on October 12, 2001, as the second single from Almost There, "I Can Only Imagine" became a major success on Christian radio; it spent two weeks at No  1 on the Radio & Records Christian AC chart and became the most-played Christian single of 2002  It became an unexpected mainstream hit in 2003, peaking at No  71 on the Billboard Hot 100 and No  5 on the Billboard Adult Contemporary chart while also hitting top 40, adult top 40, and country radio charts  The song returned to the charts after its story was adapted into a 2018 film of the same name, peaking at No  1 on the Billboard Christian Songs chart and No  10 on the Billboard Digital Songs chart 
"I Can Only Imagine" received positive reviews from critics  Particular praise was given to its lyrics, and some critics called it the best song on Almost There  It received the Dove Awards for Song of the Year and Pop/Contemporary Recorded Song of the Year at the 33rd GMA Dove Awards, also garnering Millard the award for Songwriter of the Year; he also won the Songwriter of the Year award at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards  In 2004, CCM Magazine ranked it as the fourth-best song in Christian music, and it has since become the most-played song in the history of Christian radio as well as the best-selling Christian song of all time; it has been certified five-times platinum by the Recording Industry Association of America (RIAA), and as of April 2018, it has sold over 2 5 million copies 

Background and recording
MercyMe was formed in 1994 by vocalist Bart Millard, guitarist Mike Scheuchzer, and keyboardist Jim Bryson  The band later brought on drummer Robby Shaffer and bassist Nathan Cochran  In their early years, they independently released four Christian alternative rock albums, drawing influence from the grunge style of rock music popular at the time  However, they realized that their original songs from these albums failed to connect with their audiences while their covers of popular worship songs were much more popular  Because of this, the band decided to write and produce an album of original worship songs  This album,  The Worship Project, utilized a simple verse–chorus format designed to easily fit on a PowerPoint screen In the last phases of production, MercyMe needed one more song to include on the album  Late at night on the band's bus, Millard found an old notebook with the phrase "I can only imagine" written in it  He began to write a song, basing it on his personal feelings about his father Arthur's death  Early in Bart's life, Arthur had been physically and emotionally abusive towards his family, with Bart being beaten severely at points; Arthur and his wife Adele eventually divorced, and Bart was sent to live with his mother after an especially extreme whipping  Bart kept in contact with his father, however, who  was later diagnosed with pancreatic cancer when Bart was 15  His father began to make amends for his actions and started becoming more religiously observant, reading the Bible and going to church regularly  As Arthur progressively became more ill, his relationship with his son improved dramatically; by the time Arthur died in 1991, when Bart was 18, the two were very close  Millard said that "I got a front row seat to see this guy go from being a monster to falling desperately in love with Jesus  By the time he passed away when I was a freshman in college, not only was he my best friend, he was like the Godliest man I’d ever known"  After Arthur's death, Bart became obsessed with the phrase "I can only imagine" after hearing his grandmother say that she could only imagine what Arthur was seeing in heaven  Millard found comfort in the thought and began to write it on anything he could find Once Millard started writing the song, he estimated that it took him only about ten minutes to write the lyrics  Millard said that it was one of the few songs he had ever written where there were not any mistakes in the writing process; "it was just written the way it is and left at that"  MercyMe initially attempted to record "I Can Only Imagine" as a fast song, but after several failed attempts, Millard talked with Bryson about arranging it into a slower version  As the band was tearing down the equipment in their recording studio, Bryson began playing a piano intro  Millard immediately decided to use the intro, and the rest of the song was completed in around five minutes  Although the rest of the band did not see how it would fit on the record, as it didn't meet the basic verse-chorus format the rest of the album had, they felt it needed to be included on it because it meant so much to Millard The Worship Project was released on October 14, 1999  Sales for the album far exceeded the band's previous efforts; Millard estimated the album's overall sales at 100,000, which other sources peg the album's sales as of 2006 at 60,000 or 65,000 copies  The difficulty of meeting sales demands when selling the album directly, in addition to having to book and manage for themselves, led the band to pursue a contract with a record label; MercyMe would sign with INO Records in 2000  "I Can Only Imagine" was one of several songs from the band's independent records that were selected to be included on their debut album with INO, Almost There (2001) 

Composition
"I Can Only Imagine" is set in the key of E major and has a tempo of 80 beats per minute  Bart Millard's vocal range in the song spans from the low note of B3 to the high note of G♯5  Millard is credited with writing and composing the song  A contemporary Christian and pop song, "I Can Only Imagine" has been considered both a ballad and a power ballad  The song opens up with only a piano, building up to include guitar and drums The song has a directly Christian message; its religious lyrics weren't edited for mainstream radio  In the song, the narrator wonders what it would be like to stand before God in heaven  In the refrain, the singer ponders "Will I dance for You Jesus/or in awe of you be still/Will I stand in Your presence or to my knees will I fall/Will I sing hallelujah/will I be able to speak at all/I can only imagine/I can only imagine"  Regarding the lyrical theme of "I Can Only Imagine", Millard explained to Fox News that "I was always told that if [my father] could choose, he would rather be in Heaven than here with me  As a Christian I believed that, but as an 18-year-old it was a little hard to swallow  So the questions in the song came from me asking God what was so great about Him that my dad would rather be there "

Critical reception
Critical reception for "I Can Only Imagine" was positive  Steve Losey of AllMusic praised it as being "passionate" and "emotionally compelling"  Kevin Chamberlin of Jesus Freak Hideout said the song's lyrics were "amazing"  It was called the "definite highlight" of Almost There by New Release Tuesday's Kevin McNeese, who also praised its piano intro, saying it "instantly invokes chills", as well as the song's lyrical content  Charisma writer Margaret Feinburg lauded the song's "heart-gripping" lyrics, and it was cited as the centerpiece of the album by Megumi Nakamura of Cross Rhythms, who called it "beautiful and touching"  Writing for CCM Magazine, Adam Woodroof described the song as "heavenly" and said it was the highlight of Almost There  Although Russ Breimeier of Christianity Today called it "beautiful and inspiring", he questioned if "I Can Only Imagine" was actually a worship song At the 33rd GMA Dove Awards in 2002, I Can Only Imagine" earned the GMA Dove Awards for Pop/Contemporary Recorded Song of the Year and Song of the Year  Millard won the award for Songwriter of the Year at the same ceremony as well as at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards, held on June 2, 2003   In 2004, CCM Magazine ranked "I Can Only Imagine" as the fourth-greatest song in Christian music 

Legacy
"I Can Only Imagine" has been regarded as MercyMe's "breakthrough hit" as well as their signature song  It is the most-played song in the history of Christian radio and one of the most-played songs in the history of contemporary music  As of April 2018, it is the best-selling Christian song of all-time  It has consistently ranked among the best-selling Christian digital songs each year in the Billboard year-end charts, ranging from number 19 in 2016 to number three in 2018  It is often requested to be played at funerals  "I Can Only Imagine" was named the official inspirational song for the state of Oklahoma in 2018; the measure was passed by the Oklahoma Legislature and signed by Governor Mary Fallin The story behind "I Can Only Imagine" was adapted into a film  Directed by the Erwin Brothers and starring J  Michael Finley as Bart Millard and Dennis Quaid as Arthur Millard, the movie was released to theaters on March 16, 2018  It received mixed to positive reviews from critics, and exceeded initial expectations at the box office, grossing $17 1 million in its opening week  This was the fourth best-ever opening for a faith-based film, behind only The Passion of the Christ, Son of God, and Heaven Is for Real  The film finished its theatrical run having grossed $83 4 million in the United States and Canada and $1 8 million in other territories for a worldwide total of $85 2 million  As of August 2019, it ranks as the fifth-highest grossing music biopic of all-time in the United States (behind Bohemian Rhapsody, Straight Outta Compton, Walk the Line, and Rocketman) and was the highest-grossing independent film of 2018 

Release and promotion
Originally, "I Can Only Imagine" was set to be released by fellow Christian artist Amy Grant  Millard had initially declined a request from Grant's record label to allow her to record the song; some segments of the Christian community had reacted negatively to her divorce, and Millard wasn't sure if he wanted to be involved  After consulting with his pastor, who felt Millard should accept the opportunity, he began to reconsider, and finally agreed to let her cover it after talking with Grant over the phone  Grant had planned to release her version of the song as the lead single from her upcoming album and MercyMe would release a different song as their first single, hoping to capitalize on having written what would presumably become a major hit for Grant  The band released their first single from Almost There, "Bless Me Indeed (Jabez's Song)", which performed poorly at Christian radio, leading to poor sales of the album  Plans were made to release another single from the record, but the band's manager, Scott Brickell, decided to reach out to Grant to see if she still planned to release her version as a single  Grant gave MercyMe her blessing to release the song as a single and signed the rights back to the band; "I Can Only Imagine" was released on October 12, 2001, as the album's second single The song debuted on the Christian AC chart on November 2, 2001, reached the No  1 position on February 22, 2002, and spent two weeks at the top spot  It also peaked at No  15 on the Radio & Records Christian CHR chart  The song became the most-played song on Christian radio in 2002  As a result of its success on radio, Almost There experienced a "surge" in sales, debuting on the Billboard 200 in December 2001 and entering the top ten on the Christian Albums chart in January 2002  The song stayed on Christian radio for so long that plans to release a third single from Almost There were cancelled, with the band instead beginning work on a new album In 2003, a Dallas mainstream radio station, 100 3 Wild-FM, played the song on its morning show, The Fitz Radio Program  They had responded to a caller's repeated requests and the urgings of the program's producer, Todd Sheppard, a former seminary student  Although it had been played almost as joke, it soon became the most requested and most played song on the station  After hearing the song played on the station, Millard called-in and spoke with the crew, and MercyMe then came in and played the song live  Big Gay Steven, one of the show's hosts, described their audience's response to the song as "overwhelming"  As other mainstream stations around the country began to play the song, MercyMe's label, INO Records, partnered with Curb Records to market the single to mainstream radio  Its initial success was seen as surprising due to its overtly religious themes, although several other Christian artists had begun achieving mainstream success at the same time, including Stacie Orrico, whose singles "Stuck" and "(There's Gotta Be) More to Life" had both hit the Billboard Hot 100  Curb began to promote the song to adult contemporary and Top 40 radio, and INO and Curb released a double A-side physical single, "I Can Only Imagine/Word of God Speak", in September 2003 "I Can Only Imagine" debuted on the Adult Contemporary chart on May 23, 2003, eventually peaking at No  5 for the chart week of September 8, 2003  "I Can Only Imagine" spent 30 weeks on the chart  The song debuted on the Billboard Hot 100 for the chart week of October 11, 2003 at No  76  The song peaked at No  71 and spent 16 non-consecutive weeks on the chart  "I Can Only Imagine" also peaked at No  1 on the Billboard Hot 100 Singles Sales chart, a component chart of the Billboard Hot 100 that ranks the best-selling physical single releases, for 10 weeks  During the week of November 22, 2003, it became the first No  1 physical single to be outsold by the highest-selling digital single of the week; for that week, "I Can Only Imagine" sold 7,500 physical copies in the United States while Outkast's "Hey Ya!" sold 8,500 digital downloads  The song also charted on the Mainstream Top 40, Adult Top 40, and Country Songs charts In 2012, "I Can Only Imagine" appeared on France's Syndicat National de l'Édition Phonographique (SNEP) chart, spending two weeks and peaking at No  65  In March 2018, following the release of the film I Can Only Imagine, which was based on the song's story, it appeared on the Billboard Christian Songs chart; because the chart had been created after the song's original run on Christian radio, it was eligible to chart for the first time  It debuted at No  2 on the Billboard Christian Songs chart and also spent a third week at No  1 on the Billboard Christian Digital Songs chart; the song had spent 425 weeks on the chart at that point, the longest run of any song in the chart's history  "I Can Only Imagine" peaked at No  1 on the Christian Songs chart on March 31, 2018, and spent three weeks at the top spot  It also peaked at No  10 on the Billboard Digital Songs chart and ranked at No  8 on the 2018 year-end Christian Songs chart In April 2010, "I Can Only Imagine" was certified platinum by the RIAA, signifying sales of over 1 million digital downloads  It was the first single by any artist in the Christian music genre to go platinum  The song was certified double platinum in September 2014, triple platinum in June 2018, and quadruple platinum in September 2019  As of March 2018, it has sold 2 5 million copies, making it the best-selling Christian single of all time 

Music video
A music video was released for "I Can Only Imagine"  According to Millard, the video's inspiration came from seeing people holding empty picture frames at their concerts, symbolizing their deceased loved ones  Millard said that the "I've had so many people after a show pull out a picture of someone they've lost  These people embrace these photos and I just thought how can we tap into that"  The video features everyday people as well as several music artists including Michael Tait, Tammy Trent, Bob Herdman, and Jesse Katina, each holding an empty picture frame to signify their loss of a loved one; as the video progresses, they are holding pictures of their loved ones including Millard with his father's photograph 

Live performances
Despite including "I Can Only Imagine" on The Worship Project, MercyMe initially did not perform the song in concerts because they felt it did not fit with the rest of the record  The band's first performance of the song did not come until the summer after the release of The Worship Project at a summer camp at the request of a camp counselor  The band has played the song at every show since as of February 2009 MercyMe's 2004 concert tour (the Imagine Tour) and 2018–19 tour (the Imagine Nation Tour) both took their name from the song MercyMe performed "I Can Only Imagine" at the 33rd GMA Dove Awards, with an accompanying "inspiring video that underscored the emotional and inspirational power of song"  The band also performed the song at the 40th GMA Dove Awards, held on April 23, 2009, in a medley with "Finally Home"  At the 2017 National Prayer Breakfast, MercyMe performed the song with President Donald Trump in attendance  In March 2018, MercyMe performed "I Can Only Imagine" live on Fox & Friends to promote the film 

Other versions
Both an acoustic and live version of "I Can Only Imagine" were included in the Platinum edition of Almost There, which was released in August 2006  MercyMe released a new recording of the song on their iTunes Originals album, which was released in March 2008  On their compilation album 10, MercyMe released a new recording of the song featuring the London Session Orchestra as well as a live version  For their 2018 compilation album I Can Only Imagine: The Very Best of MercyMe, released to commemorate the release of the movie, the band recorded an updated recording titled "I Can Only Imagine (The Movie Session)", which peaked at No  19 on the Billboard Christian Songs chart "I Can Only Imagine" has been covered by several artists  In 2002, Amy Grant released her reworked version of the song, titled "Imagine" and paired with "Sing the Wondrous Love of Jesus", on her album Legacy    Hymns and Faith  Country singer Jeff Carson's 2003 cover peaked at No  50 on the Country Songs chart, and in 2014, gospel singer Tamela Mann's cover of the song spent 13 weeks atop the Billboard Gospel Songs chart  In May 2017, Aliyah Moulden, the third-place finisher on the 12th season of the reality competition show The Voice, performed the song on the show; her version debuted and peaked at No  4 on the Billboard Christian Songs chart, selling 15,000 copies in its first week and spending two weeks on the chart in total 

Track listing
CD release
"I Can Only Imagine" – 4:06 (Bart Millard)
"Word of God Speak" – 3:07 (Peter Kipley, Millard)

Personnel
(Credits from the album liner notes)MercyMe

Bart Millard – vocals
Jim Bryson – keyboards
Nathan Cochran – bass guitar, background vocals
Mike Scheuchzer – guitar, background vocals
Robby Shaffer – drumsAdditional performers

Paltrow Performance Group – stringsTechnical

Julian Kindred – engineer
Pete Kipley – producer, programming
Skye McCaskey  – engineer
Salvo – mixing
Shane Wilson – mixing

Release and radio history
Charts and certifications
Certifications
Passage 10:
Minipops
Minipops is a television series broadcast in 1983 on Channel 4 in the United Kingdom  Designed primarily for younger viewers, it consisted of music performances on a brightly coloured set featuring preteen children singing then-contemporary pop music hits and older classics  The children were usually made to look like the original performers, including clothing and make-up  Controversy over children singing songs that often contained a subtext of adult content (in adult costumes and make-up) led to the show's cancellation after one series 

History
Minipops was the brainchild of Martin Wyatt, who created a new child group from London called the MiniPops and released an album in 1982 which reached the top 30 in the UK and Europe  This resulted in a French record label releasing a single from the album, "Stupid Cupid",  which was sung by Martin Wyatt's young daughter Jo  The song reached number 1 in France, knocking "Ebony and Ivory" off the top spot Head of Entertainment Cecil Korer at Channel 4 and record producer Mike Mansfield embraced the idea of producing a TV show around the MiniPops; Korer believed it would boost and broaden the group's audience appeal  On 4 July 1982, thousands of amateur child performers from across Britain descended on a London theatre for the audition in a search to find additional children to sing and star in the television show with the original five members of the group 

Criticism
The programme began attracting criticism from commentators in the British media for the portrayal of children in this manner (one caller on Channel 4's Right to Reply programme stated, "Minipops should be called MiniWhores  Are you people out of your mind?") 

Discography
Seven albums were produced and released in the UK, Europe and Canada 

Albums
Before the television show:

The Mini Pops (1982)After the television show:

We're the Mini Pops (1983)
Christmas (1984)
Let's Dance (1984)
Wanna Have Fun (1985)
Magic Juke Box (1986)
Rocket to the Stars (1989)In Canada We're the Mini Pops was successful, becoming the third-highest-selling album in Canada at the time  This prompted the Minipops to hold a three-week tour in 1983, enjoying controversy-free success A number of singles were released across Europe 

See also
Kidz Bop
Mini Pop Kids
Passage 11:
Adult contemporary music
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence  Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated  It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music  Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure  The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as acoustic guitars, pianos, saxophones, and sometimes an orchestral set  The electric guitars are normally faint and high-pitched  However, recent adult contemporary music may feature synthesizers (and other electronics, such as drum machines) An AC radio station may play mainstream music, but it usually excludes hip-hop and some forms of dance-pop and teen pop, as these are less popular among adults, the target demographic  AC radio often targets the 25–44 age group, the demographic that has received the most attention from advertisers since the 1960s  A common practice in recent years of adult contemporary stations is to play less newer music and more hits of the past, even some songs that never even charted the AC charts   This de-emphasis on new songs slows the progression of the AC chart Over the years, AC has spawned subgenres including "hot AC" (also known as "modern AC"), "soft AC" (also known as "lite AC"), "urban AC" (a softer type of urban contemporary music), "rhythmic AC" (a softer type of rhythmic contemporary), and "Christian AC" (a softer type of contemporary Christian music)  Some stations play only "hot AC", "soft AC", or only one of the variety of subgenres  Therefore, it is not usually considered a specific genre of music; it is merely an assemblage of selected songs from artists of many different genres 

History
1960s: Early roots; easy listening and soft rock
Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70—80% instrumental to 20–30% vocal mix  A few offered 90% instrumentals, and a handful were entirely instrumental  The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations  Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton  The chart described itself as "not too far out in either direction" Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others  The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out  Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced  Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically  As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s  Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock  These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs 
Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient  Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased (especially as singles, although Jackie Gleason's beautiful music albums sold well in the 1950s), AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists 

1970s: Soft rock forms as a radio format
By the late 1960s hard rock had been established as one of the rock genres leading hard rock and soft rock to became distinct popular forms in the rock scene, and as major radio formats in the US  Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies  Major artists included Carole King, Cat Stevens, James Taylor and Bread In the early 1970s, softer songs by The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Barbra Streisand, began to be played more often on "Top 40" radio  Top 40 radio stations played the Top 40 hits regardless of genre   As the texture of much of the music played on Top 40 radio began to soften, the Hot 100 and Easy Listening/AC charts became more similar  Easy Listening radio began playing songs by artists who had begun in other genres, such as rock and roll or R&B  Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on AC stations than on Top 40 stations  AC stations also began playing softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel, and other rock-based artists  Soon after, the adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago and the Eagles, becoming associated with the format  In addition, several early disco songs, did well on the Adult Contemporary format 
Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, Dan Fogelberg, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade  By 1977, some radio stations, notably New York's WTFM and NBC-owned WYNY, and Boston's WEEI, had switched to an all-soft rock format  As Softrock 103, WEEI was famous for its promotional campaigns, featuring slogans such as "Joni, without the baloni " and "The Byrds, without the nyrds "  However, different forms of popular music  targeted to different demographic groups, such as disco vs  hard rock, began to emerge in the late-1970s  This led to specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres 

1980s: Adult contemporary succeeds as radio format
On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since  Adult contemporary music became one of the most popular radio formats of the 1980s  The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade 
Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists such as Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, Laura Branigan and Journey began crossing over to the AC charts with greater frequency  Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond"  However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time 
The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners  Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio 
Although dance-oriented, electronic pop and ballad-oriented rock dominated the 1980s, soft rock songs still enjoyed a mild success thanks to Sheena Easton, Amy Grant, Lionel Richie, Christopher Cross, Dan Hill, Leo Sayer, Billy Ocean, Julio Iglesias, Bertie Higgins, and Tommy Page  No song spent more than six weeks at No  1 on this chart during the 1980s, with nine songs accomplishing that feat  Two of these were by Lionel Richie, "You Are" in 1983 and "Hello" in 1984, which also reached No  1 on the Hot 100 
In 1989, Linda Ronstadt released Cry Like a Rainstorm, Howl Like the Wind, described by critics as "the first true Adult Contemporary album of the decade", featuring American soul singer Aaron Neville on several of the twelve tracks  The album was certified Triple Platinum in the United States alone and became a major success throughout the globe  The Grammy Award-winning singles, "Don't Know Much" and "All My Life", were both long-running No  1 Adult Contemporary hits  Several additional singles from the disc made the AC Top 10 as well  The album won over many critics in the need to define AC, and appeared to change the tolerance and acceptance of AC music into mainstream day to day radio play 

1990s: Subgenre formations/radio crossovers
The early 1990s marked the softening of urban R&B in the shape of new jack swing, at the same time alternative rock emerged and traditional pop saw a significant resurgence  This in part led to a widening of the market, not only allowing to cater to more niche markets, but it also became customary for artists to make AC-friendly singles  At the same time, the genre began adopting elements from hard rock as tastes were shifting towards louder music, while AC stations in general began playing more rock acts  "Softer" features such as light instrumental music (carried over from the beautiful music format—many AC stations carried the format until the early 1970s), new age songs and most pre-1964 artists were gradually phased out from AC radio throughout the early to mid-1990s 
Unlike the majority of 1980s mainstream singers, the 1990s mainstream pop/R&B singers such as All-4-One, Boyz II Men, Christina Aguilera, Backstreet Boys and Savage Garden generally crossed over to the AC charts  Latin pop artists such as Lynda Thomas, Ricky Martin, Marc Anthony, Selena, Enrique Iglesias and Luis Miguel also enjoyed success in the AC charts 
In addition to Celine Dion, who has had significant success on this chart, other artists with multiple number ones on the AC chart in the 1990s include Mariah Carey, Phil Collins, Michael Bolton, Bryan Adams, Whitney Houston and Shania Twain  Newer female Adult album alternative singer-songwriters such as Sarah McLachlan, Natalie Merchant, Jewel, Melissa Etheridge and Sheryl Crow also broke through on the AC chart during this time In 1996, Billboard created a new chart called Adult Top 40, which reflects programming on radio stations that exists somewhere between "adult contemporary" music and "pop" music  Although they are sometimes mistaken for each other, the Adult Contemporary chart and the Adult Top 40 chart are separate charts, and songs reaching one chart might not reach the other  In addition, hot AC is another subgenre of radio programming that is distinct from the Hot Adult Contemporary Tracks chart as it exists today, despite the apparent similarity in name 
In response to the pressure on Hot AC, a new kind of AC format cropped up among American radio recently  The urban adult contemporary format (a term coined by Barry Mayo) usually attracts a large number of African Americans and sometimes Caucasian listeners through playing a great deal of R&B (without any form of rapping), gospel music, classic soul and dance music (including disco) 
Another format, rhythmic AC, in addition to playing all the popular hot and soft AC music, past and present, places a heavy emphasis on disco as well as 1980s and 1990s dance hits, such as those by Amber, and Black Box, and includes dance remixes of pop songs, such as the Soul Solution mix of Toni Braxton's "Unbreak My Heart" 
In its early years of existence, the smooth jazz format was considered to be a form of AC, although it was mainly instrumental, and related a stronger resemblance to the soft AC-styled music  For many years, George Benson, Kenny G and Dave Koz had all had crossover hits that were played on both smooth jazz and soft AC stations 

2000s–present: AC music goes mainstream and mainstream music goes AC
During the 2000s, the AC market gained an increased presence in the music industry, as its radio formats were popular nationwide—Smooth jazz and "Urban AC" stations were ubiquitous in the East Coast, while Soft rock and "adult standards" stations were common in the Midwest, and pop-oriented "Hot AC" and "world music"/Hispanic AC stations were easily found in the West Coast and the "Sun Belt"  This led to the presence of numerous genres on the AC charts, often crossing to the "pop" charts, winning over many critics in the need to define AC, and increased the tolerance and acceptance of AC music into mainstream day-to-day radio play 
Josh Groban's single "You Raise Me Up" and Michael Bublé's cover of "Fever" are often cited as key examples of the high production values and ballad-heavy sound that defined 2000s-era AC, often dubbed as "jazz-pop", heavily carrying classical, jazz and traditional pop influences  Artists such as Nick Lachey, James Blunt, Jamie Cullum, John Mayer, Jason Mraz, Norah Jones, Diana Krall, Amy Winehouse and Susan Boyle also achieved great success during this period  During most of the 2000s, country music/countrypolitan musicians such as Kelly Clarkson, Clay Aiken, Billy Joel, Garth Brooks, Shania Twain, LeAnn Rimes and Carrie Underwood scored hits on soft AC, particularly in Southern states  A popular trend in the late 1990s and 2000s was remixing dance music hits into adult contemporary ballads, especially in the US, (for example, the "Candlelight Mix" versions of "Heaven" by DJ Sammy, "Listen To Your Heart" by D H T , and "Everytime We Touch" by Cascada) 
Key to the success of AC in the 2000s was the 25–34 demographic which had outgrown the pop music offerings of the time, most new rock became too alternative and harsh for AC radio and most new pop was now influenced heavily by dance-pop, hip-hop and electronic dance music  At the same time, the music industry also began to focus on older audiences and markets generally considered "niche" 
During the late 2000s, certain pop songs began entering the AC charts instead, generally after having recently fallen off the Hot 100  Adrian Moreira, senior vice president for adult music for RCA Music Group, said, "We've seen a fairly tidal shift in what AC will play"  Rather than emphasizing older songs, adult contemporary now began playing many of the same songs as top 40 and adult top 40, but only after the hits had become established  An article on MTV's website by Corey Moss describes this trend as: "In other words, AC stations are where pop songs go to die a very long death  Or, to optimists, to get a second life " As adult contemporary has long characterized itself as family-friendly, "clean" versions of pop songs began appearing on the AC chart, as were the cases of "Perfect" by P!nk, and "Forget You" by Cee Lo Green, both in 2011 AC radio's shift into more mainstream pop was a result of the changes on the broadcasting landscape following the 2005–2007 economic downturn and eventual recession, as advertisers preferred more profitable chart-based formats, which meant the demise of many AC-based formulas, primarily those aimed at older audiences, with tastes changing towards more modern music among all age groups  Diminishing physical record sales throughout the 2010s also proved a major blow to the AC genre, and there are concerns that the portable people meter, a device being used to determine radio listenership, may be incompatible with AC songs and may not accurately pick up that a person is listening to an AC station because of the pitches and frequencies used in the style Key AC artists of the early to mid-2010s included Bruno Mars, Coldplay, Adele, Arcade Fire, Meghan Trainor, Maroon 5 and Ed Sheeran, featuring a more pop-influenced, uptempo style than the typical AC fare of previous years, also featuring production values reminiscent of the Motown sound and the so-called Wall of Sound that dominated the soul-heavy pop charts of the early 1960s, when the Easy Listening chart was first introduced  The earlier years of the decade also saw alternative and indie rock acts such as Wilco, Feist, The 1975, Imagine Dragons, Mumford & Sons, Of Monsters and Men and The Lumineers quickly becoming AC mainstays, although these were eventually replaced by rhythm-based rock bands such as Panic! at the Disco, Neon Trees, X Ambassadors, Sheppard, Bastille, American Authors, Fitz and the Tantrums, Foster the People, Twenty One Pilots, Walk the Moon and Milky Chance 
During the middle of the decade, newer artists such as CeeLo Green, OneRepublic, Rachel Platten, Christina Perri, Andy Grammer, James Bay, Sara Bareilles, Shawn Mendes, Sia, Sam Smith, Gavin Degraw, Charlie Puth and Colbie Caillat as well as acts that were popular in the 1990s and early 2000s such as Britney Spears and Christina Aguilera were added to the rotation of most AC stations 
As trap music and similar styles of hip-hop began dominating top 40 stations during the last years of the 2010s, AC stations began picking up rhythmic artists like Rihanna, Lady Gaga, Ellie Goulding, Taio Cruz and Pitbull as well as EDM artists like Avicii, Daft Punk, Calvin Harris, David Guetta and Tiesto  Meanwhile, younger artists like Camila Cabello, Justin Bieber, Selena Gomez, Ariana Grande, Nick Jonas and the Jonas Brothers and Halsey began to be featured on AC stations more than on top 40 stations 

Adult contemporary formats
In radio broadcasting, adult contemporary is divided into several sub-formats, each with their own musical direction and demographic targeting  Hot adult contemporary formats generally feature an uptempo rotation of recent hits that appeal to a wide adult audience  A station formatted as "adult contemporary" with no qualifier, also referred to as "mainstream adult contemporary", generally has a similar playlist to hot AC stations, but with a broader rotation of classic hits from past decades Soft adult contemporary formats have a more conservative sound oriented primarily towards adult women, urban AC focuses on R&B and soul music that appeal to African American adults, and rhythmic AC focuses on dance music and other rhythmic genres 

Hot adult contemporary
Hot adult contemporary (hot AC) radio stations play a wide range of the present day's popular music that appeals towards the 18–54 age group; it serves as a middle ground between the youth-oriented contemporary hit radio (CHR) format, and adult contemporary formats (such as "mainstream" and soft AC) that are typically targeted towards a more mature demographic  They generally feature uptempo hit music with wide appeal, such as pop and pop rock songs, while excluding more youth-oriented music such as hip-hop  Recurrents usually reflect familiar and youthful music that adults had grown up with  Likewise, mature material from pop acts such as the Backstreet Boys, Jason Mraz, John Mayer, and Pink have also been prominent within the format The "hot AC" designation began to appear in the 1990s, to describe adult contemporary stations with a more energetic presentation and uptempo sound than their softer counterparts  An early example of the format, Houston's KHMX Mix 96 5, climbed from 14th place in the market to 3rd in the six months after its launch  The station's format and branding was widely replicated by other stations  Many hot AC outlets are among the top stations in their respective market Initially focused more on pop rock, the format has evolved to reflect changes in the composition of this audience; by the mid-2000s, the format had evolved to include more uptempo pop music, while alternative and indie rock crossovers (such as Foster the People, Imagine Dragons, Lovelytheband, and Twenty One Pilots) became more prevalent within the format during the 2010s These developments helped to expand the popularity of the format among younger listeners such as millennials; Nielsen Audio ranked hot AC as the third most-popular format among millennials, behind pop and country music  Of the format's expanding demographic reach, WOMX-FM program director Dana Taylor stated that hot AC stations "may not be the radio station that everybody agrees on, but it's a radio station that everybody goes, 'I'm okay with that' " The increasingly downtempo direction of pop hits in the mid-to-late 2010's also helped to attract additional listeners Hot AC stations typically keep a larger body of recent hits in rotation than those with rigid, chart-driven formats like CHR and urban contemporary  As these stations' playlists have become concentrated towards airing only the current hits at a given time, hot AC airplay can build and sustain a song's popularity over a long-term period  This effect has been credited in helping build an audience for early singles from new acts such as Adele, Rachel Platten ("Fight Song", which gained prominence for its use during Hillary Clinton's 2016 US presidential election campaign), and Max Schneider (whose 2016 single "Lights Down Low", over a year after its original release, became a sleeper hit on the Billboard Mainstream Top 40 and Hot 100 due in part to strong hot AC airplay) The popularity of the hot AC format prompted many mainstream AC stations to add uptempo music to their playlists, while still maintaining a deeper rotation of older hits than hot AC stations 

Modern adult contemporary
Modern adult contemporary refers to AC formats with a stronger lean towards modern rock and pop rock 
In the 1990s and early 2000s, modern AC was typically targeted towards women, with Mike Marino of KMXB in Las Vegas describing the format as reaching "an audience that has outgrown the edgier hip-hop or alternative music but hasn't gotten old and sappy enough for the soft ACs " The format typically focused on female rock acts such as Shawn Colvin, Sheryl Crow, Indigo Girls, Jewel, and Sarah McLachlan, and folk rock-influenced bands such as Counting Crows and The Wallflowers  Today, the format is fairly uncommon, with KTCZ in the Minnesota Twin Cities being one of the few modern AC stations left 

Soft adult contemporary
The Soft adult contemporary format typically targets women 25–54 and at-work listening  Soft AC playlists are generally conservative in comparison to hot AC, focusing on pop and power ballads, soft rock, and other familiar, light hits  Upon its establishment in the 1980s, the soft AC format was positioned as being a more upbeat version of easy listening that would appeal better to a younger audience, mainly by excluding instrumental beautiful music  Easy listening stations had begun shifting to the format out of concern that their existing programming would not appeal to the current generation of listeners In a 1990 article, James Warren of the Chicago Tribune characterized soft AC stations as being "as middle-of-the-road and unthreatening as modern media get", with personalities that were encouraged to be as inoffensive and "low-profile" as possible, and a more conservative music library than hot AC-leaning stations  In particular, Chicago's WLIT did not have its airstaff talk over the beginning and endings of songs (in contrast to the hot AC-leaning WFYR), and played Bob Seger's "We've Got Tonite" but not "Old Time Rock and Roll" (which was part of WTMX's playlist)  The director of a soft AC station in Connecticut, WEZN-FM, told Warren that he had barred the reading of top-of-hour news headlines, so that listeners wouldn't be tempted to tune away to an all-news station to learn more Soft AC stations tend to be more selective in their music libraries than other adult contemporary stations, preferring proven songs over current hits  Upon the onset of the format's popularity, core artists typically included singers such as Nat King Cole, Perry Como, Neil Diamond, Barry Manilow, Johnny Mathis, and Barbra Streisand  By the 1990s, to improve their appeal among changing demographics, some soft AC stations began to widen their playlist to include selections from contemporary acts with 80s, & 90s, musicians & bands such as Bon Jovi, Bryan Adams, Celine Dion, Roxette, Mariah Carey, Eric Clapton, Phil Collins, Elton John, Cher, Whitney Houston, Journey, and Queen  On the other hand, by 1996, New York's WLTW had begun to phase out its softer music in favor of a more uptempo direction In 2017, Inside Radio reported that soft AC had the third-largest decrease in US stations offering the format over the past decade (at 128), ranking behind only adult standards and oldies—a shift credited to aging demographics and a major boom in the wider-appealing classic hits format (which saw the largest overall increase over the same period)  Consultant Gary Berkowitz argued that the soft AC format had become increasingly irrelevant in comparison to mainstream and hot AC, due to PPM markets preferring uptempo music At the same time, however, soft AC began to experience a resurgence  In April 2016, iHeartMedia flipped its San Francisco classic soul station KISQ to soft AC as The Breeze; as of November 2018, it was the top station in the Bay Area  The trend continued into 2017 and 2018, with iHeartMedia extending its Breeze brand to other soft AC flips, and the brand (among others) being adopted by competitors such as Entercom  Industry analyst Sean Ross argued that older demographics were becoming more lucrative due to changes in listening habits among younger audiences, which prefer digital platforms such as music streaming services over linear terrestrial radio, and also noted how mainstream AC was dependent on the Top 40 charts to break new songs Current soft AC stations have continued to feature recurrents such as Michael Bolton, Celine Dion, Elton John, Fleetwood Mac, Hall & Oates, and Whitney Houston, while contemporary musicians such as Adele and Michael Bublé have also become modern fixtures of the format  In addition, the soft AC sound has diversified to include more songs that are "safe and universal" and not necessarily "soft", with Ross presenting Examples such as Simple Minds' "Don't You (Forget About Me)", as well as the retroactively-defined genre of yacht rock  Over time, some stations have gradually adjusted their playlists to include more recurrents from the 1980s and 1970s (although not to the same extent as other "soft oldies" formats, such as MeTV FM, which have also grown in popularity) 

Urban adult contemporary
The Urban adult contemporary format focuses primarily on current and classic R&B and soul music,  The format typically targets African-American adults: July 2018 numbers from Nielsen Audio recorded it as the top format among African-Americans 25–54 and 35–64  It also has a sizable popularity among younger listeners, ranking behind urban contemporary as the second-most popular format among African-American adults 18–34 in the same report, with an 18 9 audience share The format typically excludes youthful rhythmic music, such as commercial hip-hop and rap, that are usually associated with the urban contemporary format  The urban AC format is also associated with the "quiet storm"—mellower R&B ballads and slow jams, often in a jazz-influenced style  The syndicated evening program Keith Sweat Hotel focuses specifically on such music As urban contemporary stations prefer hit-driven hip-hop songs, labels typically service R&B songs to the urban AC format only  Some current R&B musicians have complained that this is an artificial divide that prevents them from reaching a wider, mainstream audience (citing the relatively smaller number of urban AC outlets in comparison to urban and rhythmic), even with attempts to give some singles a hip-hop-influenced sound to improve the potential for crossover appeal  Some acts have attempted to disassociate themselves from "R&B" to reduce the effect of this stigma, although streaming services have helped to expose R&B to a wider audience beyond urban AC radio 

Rhythmic adult contemporary
The Rhythmic adult contemporary format generally focuses on a variety of current and classic dance music, such as dance-pop, hip-hop, and R&B (often resembling a blend of the Classic hits and hot AC formats in practice)  The exact composition of current and recurrent content can vary between stations, depending on local cultures and the heritage of rhythmic formats in the market, ranging from late-80s/early-90s dance hits (including latin freestyle), to disco and Motown  Rhythmic hot AC has also been used as a format, popularized by stations such as New York's WKTU 

Smooth adult contemporary
The Smooth adult contemporary format is a variant of the smooth jazz format that incorporates mainstream and/or urban adult contemporary songs; they are designed to appeal to a wider range of demographics than a straight smooth jazz format  Some smooth AC stations may limit their airplay of jazz instrumentals to those by better-known performers such as Kenny G 

Christian adult contemporary
Contemporary Christian music (CCM) has several subgenres, one being "Christian AC"  Radio & Records, for instance, lists Christian AC among its format charts  There has been crossover to mainstream and hot AC formats by many of the core artists of the Christian AC genre, notably Amy Grant, Michael W  Smith, Kathy Troccoli, Steven Curtis Chapman, Plumb, and more recently Big Daddy Weave, Casting Crowns, For King & Country, Lauren Daigle, MercyMe, and Newsboys 

Adult album alternative
The Adult album alternative (triple-A or AAA) format generally features a diverse playlist of music that appeals to an adult audience, with a focus on emerging songs and artists, and often featuring songs that were not released as singles  The exact composition of a triple-A station's playlist can vary, with alternative rock, indie rock, and indie pop commonly used as core genres, and some stations featuring more uncommon genres such as alternative country, Americana, blues, folk music, and world music  NPR observed in 2018 that roughly half of all triple-A stations in the U S  were non-commercial stations  With the wide variety of music that is serviced to the format, adult album alternative charts have often served as a feeder for the Adult Top 40, and have been credited for breaking acts such as Dave Matthews Band and Lorde 

Christmas music
Since the 1990s it has become common for many AC stations, particularly soft AC stations, to play primarily or exclusively Christmas music during the Christmas season in November and December  While these tend mostly to be contemporary seasonal recordings by the same artists featured under the normal format, most stations will also air at least some vintage holiday tunes from older pop, MOR, and adult standards artists – such as  
Boney M , The Carpenters, Nat King Cole, Perry Como, Bing Crosby, Percy Faith, Mannheim Steamroller, Dean Martin, Johnny Mathis, Trans-Siberian Orchestra, and Andy Williams – many of whom would never be played on these stations during the rest of the year 
These Christmas music marathons typically start a few weeks before Thanksgiving Day and end after Christmas Day, or sometimes extending to New Year's Day  Afterwards, the stations usually resume their normal music fare  Several stations begin the holiday format much earlier, at the beginning of November especially after Halloween  The roots of this tradition can be traced back to the beautiful music and easy listening stations of the 1960s and 1970s 

Syndicated radio shows and networks carrying the adult contemporary format
Delilah – One of the US's most popular radio shows, Delilah airs primarily in the evening  Its Christmas Edition airs from mid-November to late December 
Intelligence for Your Life – Hosted by John Tesh, this show also airs evenings and also on weekends 
American Top 40 with Ryan Seacrest – One version of AT40 airs on US hot AC stations, which is a little different from its Top-40/CHR counterpart 
Rick Dees Weekly Top 40/Weekly Top 30 – Began offering Hot AC versions of the popular countdown show in June 1996  These shows feature the top 20 Hot AC songs in the US along with about 10 past hits from the 1980s, 1990s and early 2000s (decade)  A softer "AC" version was added in July 2009 to try to fill in the void left by Casey Kasem ending his AC countdown 
Radio Disney Music Top 30 Countdown, One version is for Hot AC stations, the other version is for Mainstream AC stations  Plays the USA Top 30 songs of the week according to Mediabase and a music rating service called ratethemusic com  This show, like Rick Dees' show, is distributed by Compass Media Networks 
Backtrax USA with Kid Kelly – Weekend programs focusing on the '80s and '90s, targeted for hot AC stations 
ABC and Dial Global both offer AC 24-hour networks programming soft and hot AC 
Tom Joyner and Steve Harvey have popular morning shows that air on urban AC (and sometimes Hip-Hop) stations  Both shows are often heard on competing stations in the same city, such as St  Louis, Philadelphia and Atlanta  Joyner's show is syndicated by ABC Radio, and Harvey's show by Premiere Radio Networks 
Retro Rewind with Dave Harris is a weekend-based radio show highlighting a massive playlist of songs from the 1980s and 1990s, interviews, spotlights and contests  The show is done live across the US on Saturday nights, taking audience requests  The show is targeted towards HOT AC and AC radio stations 
The EZ Rock network is a brand/network of soft AC heard in Canada 
Heart - A radio network in the UK that grew throughout 2009 as more stations were rebranded as "Heart" 
Smooth Radio – A UK-wide radio network that formed from six regional Smooth Radio stations 
Smoothfm – A network of two Australian commercial radio stations (based in Sydney and Melbourne) that are focused on providing an eclectic easy-listening playlist, usually featuring ballads 
Nova – A network of five Australian commercial radio station (based in Sydney, Melbourne, Brisbane, Adelaide and Perth) that are very similar to Smoothfm 
The Breeze – A group of New Zealand adult contemporary radio stations owned by MediaWorks Radio  There are 20 stations currently broadcasting throughout New Zealand 
The Bob and Sheri Show – American morning drive show based in Charlotte, North Carolina  Heard on more than 50 AC stations and the American Forces NetworkFormer syndicated programming includes Dick Clark's US Music Survey (1996–2005), Casey's Hot 20/Casey's Countdown/American Top 20/10 (1992–2009) and Top 30 USA 

See also
Adult Contemporary, a chart appearing in Billboard since 1961  This chart is typically (but not exclusively) closer to soft AC 
New-age music
Yacht rock
Context 3: Passage 1:
Everton F C 
Everton Football Club () is an English professional association football club based in Liverpool that competes in the Premier League, the top tier of English football  The club was a founder member of the Football League in 1888, and has, as of May 2023, competed in the top division for a record 120 seasons, having missed only four top-flight seasons (1930–31, 1951–52, 1952–53, and 1953–54)  Everton is the club with the second-longest continuous presence in English top-flight football, and ranks third in the all-time points rankings  The club has won nine league titles, five FA Cups, one European Cup Winners' Cup and nine Charity Shields 
Formed in 1878, Everton won their first League Championship during the 1890–91 season  After winning four more League championships and two FA Cups, the club experienced a post-Second World War lull until a revival in the 1960s  A period of sustained success came in the mid-1980s, when Everton won a further two League championships, one FA Cup, and the 1985 European Cup Winners' Cup  The club's most recent major trophy was the 1995 FA Cup 
The club's supporters are colloquially known as "Evertonians" or "Blues"  Everton's main rivals are Liverpool, whose home stadium at Anfield is just under one mile away from Everton's home at Goodison Park; the two clubs contest the Merseyside derby  Everton have been based at Goodison Park since 1892, having moved from their original home at Anfield following a disagreement over its rent  The club's home colours are royal blue shirts with white shorts and socks 

History
Everton was founded as St  Domingo's FC in 1878 so that members of the congregation of St Domingo Methodist New Connexion Chapel in Breckfield Road North, Everton, could play sport year round – cricket was played in summer  The club's first game was a 1–0 victory over Everton Church Club  The club was renamed Everton in November 1879 after the local area, as people outside the congregation wished to participate The club was a founding member of the Football League in 1888–89 and won its first League Championship title in the 1890–91 season  Everton won the FA Cup for the first time in 1906 and the League Championship again in 1914–15  The outbreak of the First World War in 1914 interrupted the football programme while Everton were reigning champions, which was something that would again occur in 1939 
It was not until 1927 that Everton's first sustained period of success began  In 1925 the club signed Dixie Dean from Tranmere Rovers  In 1927–28, Dean set the record for top-flight league goals in a single season with 60 goals in 39 league games, which is a record that still stands  He helped Everton win its third League Championship that season  However, Everton was relegated to the Second Division two years later during internal turmoil at the club  The club quickly rebounded and was promoted at the first attempt, while scoring a record number of goals in the Second Division  On return to the top flight in 1931–32, Everton wasted no time in reaffirming its status and won a fourth League Championship at the first opportunity  Everton also won its second FA Cup in 1933 with a 3–0 win against Manchester City in the final  The era ended in 1938–39 with a fifth League Championship The outbreak of the Second World War again saw the suspension of league football, and when official competition resumed in 1946, the Everton team had been split up and paled in comparison to the pre-war team  Everton was relegated for the second time in 1950–51 and did not earn promotion until 1953–54, when it finished as the runner-up in its third season in the Second Division  The club has been a top-flight presence ever since 
Everton's second successful era started when Harry Catterick was made manager in 1961  In 1962–63, his second season in charge, Everton won the League Championship  In 1966 the club won the FA Cup with a 3–2 win over Sheffield Wednesday  Everton again reached the final in 1968, but this time was unable to overcome West Bromwich Albion at Wembley  Two seasons later in 1969–70, Everton won the League Championship, finishing nine points clear of nearest rivals Leeds United  During this period, Everton was the first English club to achieve five consecutive years in European competitions – covering the seasons from 1961–62 to 1966–67 However, the success did not last; the team finished fourteenth, fifteenth, seventeenth and seventh in the following seasons  Harry Catterick retired, but his successors failed to win any silverware for the remainder of the 1970s despite finishing fourth in 1974–75 under manager Billy Bingham, third in 1977–78 and fourth the following season under manager Gordon Lee  Lee was sacked in 1981 Howard Kendall took over as manager and guided Everton to its most successful era  Domestically, Everton won the FA Cup in 1984 and two League Championships in 1984–85 and 1986–87  In Europe, the club won its first, and so far only, European trophy by securing the European Cup Winners' Cup in 1985  The European success came after first beating University College Dublin, Inter Bratislava and Fortuna Sittard  Then, Everton defeated German giants Bayern Munich 3–1 in the semi-finals, despite trailing at half time (in a match voted the greatest in Goodison Park history), and recorded the same scoreline over Austrian club Rapid Vienna in the final  Having won both the League and Cup Winners' Cup in 1985, Everton came very close to winning a treble, but lost to Manchester United in the FA Cup final  The following season, 1985–86, Everton was the runner-up to Liverpool in both the League and the FA Cup, but did recapture the League Championship in 1986–87 
After the Heysel Stadium disaster and the subsequent ban of all English clubs from continental football, Everton lost the chance to compete for more European trophies  A large proportion of the title-winning side was broken up following the ban  Kendall himself moved to Athletic Bilbao after the 1987 title triumph and was succeeded by assistant Colin Harvey  Harvey took Everton to the 1989 FA Cup final, but lost 3–2 after extra time to Liverpool 

Everton was a founding member of the Premier League in 1992, but struggled to find the right manager  Howard Kendall had returned in 1990, but could not repeat his previous success  His successor, Mike Walker, was statistically the least successful Everton manager to date  When former Everton player Joe Royle took over in 1994, the club's form started to improve; his first game in charge was a 2–0 victory over derby rivals Liverpool  Royle dragged Everton clear of relegation and led the club to the FA Cup for the fifth time in its history by defeating Manchester United 1–0 in the final  The cup triumph was also Everton's passport to the Cup Winners' Cup, its first European campaign in the post-Heysel era  Progress under Royle continued in 1995–96 as the team climbed to sixth place in the Premiership  A fifteenth-place finish the following season saw Royle resign towards the end of the campaign, and he was temporarily replaced by club captain Dave Watson 
Howard Kendall was appointed Everton manager for the third time in 1997, but the appointment proved unsuccessful as Everton finished seventeenth in the Premiership  The club only avoided relegation due to its superior goal difference over Bolton Wanderers  Former Rangers manager Walter Smith then took over from Kendall in the summer of 1998, but only managed three successive finishes in the bottom half of the table  The Everton board finally ran out of patience with Smith, and he was sacked in March 2002 after an FA Cup exit at Middlesbrough and with Everton in real danger of relegation  His replacement, David Moyes, guided Everton to a safe finish in fifteenth place In 2002–03 Everton finished seventh, which was its highest finish since 1996  It was under Moyes' management that Wayne Rooney broke into the first team before being sold to Manchester United for a club record fee of £28 million in the summer of 2004  A fourth-place finish in 2004–05 ensured that Everton qualified for the UEFA Champions League qualifying round  The team failed to make it through to the Champions League group stage and was then eliminated from the UEFA Cup  Everton qualified for the 2007–08 and 2008–09 UEFA Cup competitions, and was the runner-up in the 2009 FA Cup final  During this period, Moyes broke the club record for highest transfer fee paid on four occasions: signing James Beattie for £6 million in January 2005, Andy Johnson for £8 6 million in summer 2006, Yakubu for £11 25 million in summer 2007, and Marouane Fellaini for £15 million in September 2008 At the end of the 2012–13 season, Moyes left his position at Everton to take over at Manchester United, bringing in staff from Everton to join him in July (assistant manager Steve Round, goalkeeping coach Chris Woods and coach Jimmy Lumsden), with Everton players Phil Neville and Marouane Fellaini also leaving for United, the former joining the coaching staff  Moyes was replaced by Roberto Martínez, who led Everton to 5th place in the Premier League in his first season while amassing the club's best points tally in 27 years with 72  The following season, Martínez led Everton to the last 16 of the 2014-15 UEFA Europa League, where it was defeated by Dynamo Kyiv, whilst domestically finishing 11th in the Premier League  Everton reached the semi-finals of both the League Cup and the FA Cup in 2015–16, but was defeated in both  After a poor run of form in the Premier League, Martínez was sacked following the penultimate game of the season, with Everton lying in 12th place Martínez was replaced in the summer of 2016 by Ronald Koeman, who left Southampton to sign a three-year contract with Everton  In his first season at the club, he qualified for the Europa League, but a poor start to the 2017–18 season left Everton in the relegation zone after nine games, and Koeman was sacked on 23 October following a 5–2 home defeat to Arsenal  Sam Allardyce was appointed Everton manager in November 2017, but he resigned at the end of the season amid fan discontent at his style of play Marco Silva was named Everton manager in May 2018  In November that year, the club was banned from signing academy football players from its youth clubs for two years  Silva led Everton to finish 8th in his first season in charge, but after a poor start to the following season which left the team in the relegation zone on 14 points, he was sacked on 5 December 2019  His last league match was a 5–2 loss to Liverpool at Anfield  Former player and first-team coach Duncan Ferguson stepped in as caretaker manager for the next three games before his replacement, Carlo Ancelotti; Ferguson stayed as assistant manager Ancelotti left the club in June 2021 to rejoin former club Real Madrid as manager, having led the club to a 10th place finish in his only full season at the club  Former Liverpool manager Rafael Benítez was appointed as his replacement, subsequently becoming only the second person to manage both Liverpool and Everton  He was dismissed in January 2022 following 9 losses in his last 13 games in charge at the club, and was replaced by former Chelsea boss Frank Lampard  Lampard was later also dismissed in January 2023 after extremely poor performance  Everton narrowly escaped relegation with a 1–0 win over Bournemouth in their last game of the 2022–23 Premier League 

Colours
Everton's traditional home colours are royal blue shirts, white shorts and white socks  However, during the first decades of its history, Everton had several different kit colours  The team originally played in white and then blue and white stripes, but as new players arriving at the club wore its old team's shirts during matches, confusion soon ensued  It was decided that the shirts would be dyed black, both to save on expenses and to instill a more professional look  However, the kit appeared morbid, so a scarlet sash was added  When the club moved to Goodison Park in 1892, the colours were salmon pink and dark blue striped shirts with dark blue shorts  The club later switched to ruby shirts with blue trim and dark blue shorts  Royal blue jerseys with white shorts were first used in the 1901–02 season  The club played in sky blue in 1906; however, the fans protested, and the colour reverted to royal blue  Occasionally, Everton have played in lighter shades than royal blue (such as in 1930–31 and 1997–98)  The home kit today is royal blue shirts with white shorts and socks  The club may also wear all blue to avoid any colour clashes 
Everton's traditional away colours were white shirts with black shorts, but from 1968 amber shirts and royal blue shorts became common  Various editions appeared throughout the 1970s and 1980s  Black, white, grey, and yellow away shirts have also been used 

Crest
At the end of the 1937–38 season, Everton secretary Theo Kelly, who later became the club's first manager, wanted to design a club necktie  It was agreed that the colour be blue, and Kelly was given the task of designing a crest to be featured on the necktie  He worked on it for four months until deciding on a reproduction of Everton Lock-Up, which stands in the heart of the Everton district  The Lock-Up has been linked with the Everton area since its construction in 1787  It was originally used as a bridewell to incarcerate mainly drunks and minor criminals and it still stands on Everton Brow  The Lock-Up was accompanied by two laurel wreaths on either side and, according to the College of Arms in London, Kelly chose to include the laurels as they were the sign of winners  The crest was accompanied by the club motto, "Nil satis nisi optimum", meaning "Nothing but the best is good enough"  The ties were first worn by Kelly and the Everton chairman, Mr  E  Green, on the first day of the 1938–39 season The club rarely incorporated a badge of any description on its shirts  An interwoven "EFC" design was adopted between 1922 and 1930 before the club reverted to plain royal blue shirts until 1972 when bold "EFC" lettering was added  The crest designed by Kelly was first used on the team's shirts in 1978 and has remained there ever since, while undergoing gradual change to become the version used today 
In May 2013, the club launched a new crest to improve the reproducibility of the design in print and broadcast media, particularly on a small scale  Critics suggested that it was external pressure from sports manufacturer Nike, Inc  that evoked the redesign as the number of colours had been reduced and the radial effect was removed, which made the kit more cost efficient to reproduce  The redesign was poorly received by supporters, with a poll on an Everton fan site registering a 91% negative response to the crest  A protest petition reached over 22,000 signatures before the club offered an apology and announced a new crest would be created for the 2014–15 season with an emphasis on fan consultation  Shortly afterwards, the Head of Marketing left the club  The latest crest was revealed by the club on 3 October 2013  After a consultation process with the supporters, three new crests were shortlisted  In the final vote, the new crest was chosen by almost 80% of the supporters that took part and began being used in July 2014 

Nickname
Everton's most widely recognised nickname is "The Toffees" or "The Toffeemen", which came about after Everton had moved to Goodison  There are several explanations for how this name came to be adopted with the best known being that there was a business in Everton village, between Everton Brow and Brow Side, named Mother Noblett's, which was a toffee shop that sold sweets including the Everton Mint  It was also located opposite the lock-up on which Everton's club crest is based  The Toffee Lady tradition, in which a girl walks around the perimeter of the pitch before the start of a game tossing free Everton Mints into the crowd, symbolises the connection  Another possible reason is that there was a house named Ye Anciente Everton Toffee House in nearby Village Street, Everton, run by Ma Bushell  The toffee house was located near the Queen's Head hotel in which early club meetings took place Everton has had many other nicknames over the years  When the black kit was worn, the team was nicknamed "The Black Watch" after the famous army regiment  Since going blue in 1901, the team has been given the simple nickname "The Blues"  Everton's attractive style of play led to Steve Bloomer calling the team "scientific" in 1928, which is thought to have inspired the nickname "The School of Science"  The battling 1995 FA Cup winning side was known collectively as "The Dogs of War"  In 2002, when David Moyes arrived as manager, he proclaimed Everton "The People's Club", which has been adopted as a semi-official club nickname 

Stadium
Everton originally played in the southeast corner of Stanley Park  The first official match took place in 1879  In 1882, a man named J  Cruitt donated land at Priory Road which became the club's home  In 1884 Everton became tenants at Anfield, which was owned by John Orrell, a land owner who was a friend of Everton F C  member John Houlding  Orrell lent Anfield to the club in exchange for a small rent  Houlding purchased the land from Orrell in 1885 and effectively became Everton's landlord by charging the club rent, which increased from £100 to £240 a year by 1888 – and was still rising until Everton left the ground in 1892  The club regarded the increase in rent as unacceptable  A further dispute between Houlding and the club's committee led to Houlding attempting to gain full control of the club by registering the company, "Everton F C  and Athletic Grounds Ltd"  Everton left Anfield for a new ground, Goodison Park, where the club has played ever since  Houlding attempted to take over Everton's name, colours, fixtures and league position, but was denied by The Football Association  Instead, Houlding formed a new club, Liverpool F C Goodison Park, the first major football stadium to be built in England, was opened in 1892  Goodison Park has staged more top-flight football games than any other ground in the United Kingdom and was the only English club ground to host a semi-final at the 1966 FIFA World Cup  It was also the first English ground to have under-soil heating and the first to have two tiers on all sides  The church grounds of St Luke the Evangelist are adjacent to the corner of the Main Stand and the Howard Kendall Gwladys Street End On match days, in a tradition going back to 1962, players walk out to the tune "Johnny Todd", played in the arrangement used when it was the theme song for Z-Cars  It is a traditional Liverpool children's song collected in 1890 by Frank Kidson and tells the story of a sailor betrayed by his lover while away at sea  On two occasions in 1994, the club walked out to different songs  In August 1994, the club played 2 Unlimited's song "Get Ready For This"  A month later, the club used a reworking of the Creedence Clearwater Revival classic "Bad Moon Rising"  Both songs were met with complete disapproval by Everton fans 

Training facilities
From 1966 to 2007, Everton trained at Bellefield in the West Derby area of Liverpool  The club moved to the Finch Farm training complex in Halewood in 2007  The training ground houses both the Everton first team and the youth academy 

Everton Stadium
There have been indications since 1996 that Everton will move to a new stadium  The original plan was for a new 60,000-seat stadium, but in 2000 a proposal was submitted to build a 55,000-seat stadium as part of the King's Dock regeneration  This proposal was unsuccessful as Everton failed to generate the £30 million needed for a half stake in the stadium project, and the city council rejected the proposal in 2003  Late in 2004, driven by the Liverpool Council and the Northwest Development Corporation, the club entered talks with Liverpool F C  about sharing a proposed stadium on Stanley Park  However, negotiations broke down as Everton failed to raise 50% of the costs  On 11 January 2005, Liverpool announced that ground-sharing was not a possibility and proceeded to plan its own Stanley Park Stadium Following a unanimous approval by Liverpool City Council to grant planning permission in July 2021, work by contractors, Laing O'Rourke, began on the new stadium on 10 August 2021  The first phase involved infilling the dock with 500,000 cubic metres of sea-dredged sand, and so 2,500 vertical concrete piles have been inserted  Its capacity will be 52,888  It is due to open for the start of the 2024–25 season, replacing Goodison Park at an estimated cost of £760 million 

Supporters and rivalries
Everton has a large fanbase, with the eighth-highest average attendance in the Premier League in the 2008–09 season  The majority of Everton's matchday support comes from the North West of England, primarily Merseyside, Cheshire, West Lancashire and parts of Western Greater Manchester along with many fans who travel from North Wales, Ireland, and Scotland  Within the city of Liverpool, support for Everton and city rivals Liverpool is not determined by geographical basis with supporters mixed across the city  Everton also has many supporters' clubs worldwide in places such as North America, Singapore, Indonesia, Lebanon, Malaysia, Thailand, India, and Australia  Paul McCartney is an Everton supporter  The official supporters club is FOREVERTON, and there are also several fanzines including When Skies are Grey and Speke from the Harbour, which are sold around Goodison Park on match days 

Everton regularly take large numbers away from home both domestically and in European fixtures  The club implements a loyalty points scheme offering the first opportunity to purchase away tickets to season ticket holders who have attended the most away matches  Everton often sell out the full allocation in away grounds, and tickets sell particularly well for North West England away matches  In October 2009, Everton took 7,000 travelling fans to Benfica, which was its largest ever away crowd in Europe since the 1985 European Cup Winners' Cup Final 
Everton's biggest rivalry is with neighbours Liverpool, against whom the club contests the Merseyside derby  The rivalry stems from an internal dispute between Everton officials and the owners of Anfield, which was then Everton's home ground



ground_truth: 1 December 2010

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who started out his career on adult contemporary radio along with the performer of All That Echoes?

The following are given passages.
Context 3:  The dispute resulted in Everton moving to Goodison Park and the subsequent formation of Liverpool F C  in 1892  Following these events, a fierce rivalry has existed between Everton and Liverpool, albeit one that is generally perceived as more respectful than many other derbies in English football  This was illustrated by a chain of red and blue scarves that were linked between the gates of both grounds across Stanley Park as a tribute to the Liverpool fans killed in the Hillsborough disaster  The derby is usually a sellout fixture and has been known as the "friendly derby" because both sets of fans can often be seen side by side dressed in red and blue inside both Anfield and Goodison Park  Recently, on the field, matches have tended to be extremely stormy affairs; the derby has had more red cards than any other fixture in Premier League history 

Coaching staff
As of 30 January 2023First team

Under-21s and Under-18s

Players
As of 7 July 2023

First-team squad
Note: Flags indicate national team as defined under FIFA eligibility rules  Players may hold more than one non-FIFA nationality 

Out on loan
Note: Flags indicate national team as defined under FIFA eligibility rules  Players may hold more than one non-FIFA nationality 

Reserves and Academy
Notable former players
See also List of Everton F C  international players 

Everton Giants
The following players are considered "Giants" for their great contributions to Everton  A panel appointed by the club established the inaugural list in 2000 and a new inductee is announced every season 

Player of the Season
Winners of the club's end of season award

Greatest ever teamAt the start of the 2003–04 season, as part of the club's official celebration of its 125th anniversary, supporters cast votes to determine the greatest ever Everton team 
 Neville Southall (1981–97)
 Gary Stevens (1982–89)
 Brian Labone (1958–71)
 Kevin Ratcliffe (1980–91)
 Ray Wilson (1964–69)
 Trevor Steven (1983–90)
 Alan Ball (1966–71)
 Peter Reid (1982–89)
 Kevin Sheedy (1982–92)
 Dixie Dean (1925–37)
 Graeme Sharp (1980–91)English Football Hall of Fame membersA number of Everton players have been inducted into the English Football Hall of Fame:

Football League 100 LegendsThe Football League 100 Legends is a list of "100 legendary football players" produced by the Football League in 1998 to celebrate the 100th season of League football 

Honours and achievements
Domestic
League

First Division / Premier League (level 1)
Champions (9): 1890–91, 1914–15, 1927–28, 1931–32, 1938–39, 1962–63, 1969–70, 1984–85, 1986–87
Runners-up (7): 1889–90, 1894–95, 1901–02, 1904–05, 1908–09, 1911–12, 1985–86Second Division / Championship (level 2)
Champions: 1930–31
Runners-up: 1953–54Cup

FA Cup
Winners (5): 1905–06, 1932–33, 1965–66, 1983–84, 1994–95
Runners-up (8): 1892–93, 1896–97, 1906–07, 1967–68, 1984–85, 1985–86, 1988–89, 2008–09Football League Cup
Runners-up (2): 1976–77, 1983–84FA Charity Shield
Winners (9): 1928, 1932, 1963, 1970, 1984, 1985, 1986 (shared), 1987, 1995Full Members' Cup
Runners-up: 1988–89, 1990–91Football League Super Cup
Runners-up: 1985–86

European
European Cup Winners' Cup
Winners: 1984–85

Doubles
1984–85: League and European Cup Winners' Cup

European competitions
Overall record
As of 22 May 2022

Ownership and finance
Everton F C  is a limited company with the board of directors holding a majority of the shares  The club's most recent accounts, from May 2014, show a net total debt of £28 1 million, with a turnover of £120 5 million and a profit of £28 2 million  The club's overdraft with Barclays Bank is secured against the Premier League's "Basic Award Fund", which is a guaranteed sum given to clubs for competing in the Premier League  Everton agreed to a long-term loan of £30 million with Bear Stearns and Prudential plc in 2002 for a duration of 25 years  The loan was a consolidation of debts at the time as well as a source of capital for new player acquisitions  Goodison Park is secured as collateral  On 27 February 2016, it was announced that Farhad Moshiri would buy a 49 9% stake in the club 
Figures taken from 2013 to 2014 accounts 

Shirt sponsors and manufacturers
Since the 2020–21 season, the club's primary shirt sponsor has been Cazoo, after the club announced the early termination of the previous deal with SportPesa in February 2020  The sponsorship does not extend to the club's women's team, who for the first time are able to sign their own shirt sponsor  Previous sponsors include SportPesa (2017–20), Chang Beer (2004–17) Hafnia (1979–85), NEC (1985–95), Danka (1995–97), one2one (1997–2002) and Kejian (2002–04)  For the 2008–09 season, Everton sold junior replica jerseys without the current name or logo of its main sponsor Chang beer, which followed a recommendation from the Portman Group that alcoholic brand names be removed from kits sold to children Everton's current kit manufacturers – since the 2020–21 season – are Hummel, after a previous deal with Umbro was terminated early by the club  Umbro have been the club's kit manufacturer four times (1974–83, 1986–2000, 2004–09, and 2014–20)  Other previous manufacturing firms are Le Coq Sportif (1983–86, 2009–12), Puma (2000–04) and Nike (2012–14) The club currently has two 'megastores': one located near Goodison Park on Walton Lane named 'Everton One' and one located in the Liverpool One shopping complex named 'Everton Two', which gives the second store the address 'Everton Two, Liverpool One' 

Managers
The club's current manager is Sean Dyche  There have also been four caretaker managers, and before 1939 the team was selected by either the club secretary or by committee  The club's longest-serving manager has been Harry Catterick, who was in charge of the team from 1961 to 1973 for 594 first team matches  The Everton manager to win the most domestic and international trophies is Howard Kendall, who won two First Division championships, the 1984 FA Cup, the 1985 UEFA Cup Winners' Cup, and three FA Charity Shields 

Records and statistics
Neville Southall holds the record for the most Everton appearances with 751 first-team matches between 1981 and 1997  The late centre half and former captain Brian Labone comes in second with 534 matches  The longest serving player is goalkeeper Ted Sagar, who played for 23 years between 1929 and 1953  This tenure covered both sides of the Second World War and included a total of 495 appearances  Southall also previously held the record for the most league clean sheets during a season with 15  However, this record was beaten during the 2008–09 season by American goalkeeper Tim Howard, who ended the season with 17 clean sheets  The club's top goalscorer, with 383 goals in all competitions, is Dixie Dean; the second-highest goalscorer is Graeme Sharp with 159  Dean still holds the English national record of most goals in a season with 60 The record attendance for an Everton home match is 78,299 against Liverpool on 18 September 1948  Remarkably, there was only one injury at this game, which occurred when Tom Fleetwood was hit on the head by a coin thrown from the crowd whilst he marched around the perimeter and played the cornet with St Edward's Orphanage Band  Goodison Park, like all major English football grounds since the recommendations of the Taylor Report were implemented, is now an all-seater and only holds just under 40,000, meaning it is unlikely that this attendance record will ever be broken at Goodison  Everton's record transfer paid was to Swansea City for the Icelandic midfielder Gylfi Sigurðsson for a sum of £45m in 2017  The sale of Romelu Lukaku to Manchester United was for an initial sum of £75m, a record fee between two English clubs and the largest sum Everton has received for a player 
Everton holds the record for the most seasons in England's top tier (Division One/Premier League), with 119 seasons out of 123, as of completion of the 2021-22 season (the club played in Division 2 in 1930–31 and from 1951 to 1954)  It is one of six teams to have played in every season of the Premier League since its inception in August 1992 – the others being Arsenal, Chelsea, Liverpool, Manchester United, and Tottenham Hotspur  Everton against Aston Villa is the most played fixture in England's top flight  As of the 2012–13 season, the two founding members of the Football League have played a record 196 league games 

Everton's community department
Everton's community department, Everton in the Community (EitC), is a charity that provides sports and other social activities for the local community including for people with disabilities  EitC represents the club in the European Multisport Club Association 

Relationships with other clubs
Everton is connected to many other sports clubs and organisations  It has links with Irish football academy Ballyoulster United in Celbridge, the Canadian Ontario Soccer Association, and the Thai Football Association (where there is a competition named the Chang-Everton Cup, competed for by local schoolboys)  The club also has a football academy in the Cypriot city of Limassol and a partnership agreement with American club Pittsburgh Riverhounds Everton has links with Chilean team Everton de Viña del Mar, who were named after the club  On 4 August 2010, the two Evertons played each other in a friendly match at Goodison Park named the "Copa Hermandad" to mark the centenary of the Chilean team  The occasion was organised by the Ruleteros Society, which was founded to promote connections between the two clubs  Other Everton clubs also exist in Colonia in Uruguay, La Plata and Río Cuarto in Argentina, Elk Grove in the U S  state of California, and Cork in Ireland  There was also a team named Everton in Trinidad and Tobago  There was an Everton club in Auckland, New Zealand from 1907 to 1915 named because of the first FA Cup win The club owned and operated a professional basketball team by the name of the Everton Tigers, who competed in the top-tier British Basketball League  The team was launched in the summer of 2007 as part of the club's Community programme and played its home games at the Greenbank Sports Academy in Liverpool's Mossley Hill suburb  The team was an amalgam of the Toxteth Tigers community youth programme, which started in 1968  The team quickly became one of the most successful in the league by winning the BBL Cup in 2009 and the play-offs in 2010  However, Everton withdrew funding before the 2010–11 season and the team was re-launched as the Mersey Tigers 

In popular culture
Film and TV
Ken Loach's 1969 television film The Golden Vision combined improvised drama with documentary footage to tell the story of a group of Everton fans for whom the main purpose of life—following the team—is interrupted by such inconveniences as work and weddings  Everton forward Alex Young, whose nickname was also the title of the film, appeared as himself Paul Greengrass's 1997 television film The Fix dramatised the true story of a match-fixing scandal in which the club's newest player Tony Kay (played by Jason Isaacs) is implicated in having helped to throw a match between his previous club Sheffield Wednesday and Ipswich Town  The majority of the story is set during Everton's 1962–63 League Championship winning season, with then-manager Harry Catterick played by Colin Welland In the 2015 Rocky film Creed, Goodison Park serves as the venue of the climactic fight scene  Footage of the stadium and crowd during a home game against West Bromwich Albion was used for the scene  Liverpool-born boxing champion Tony Bellew, a lifelong Everton fan, plays Creed's opponent and wore the Everton badge on his training gear and shorts 

Music
The club entered the UK singles chart on four occasions under different titles during the 1980s and 1990s, when many clubs each released a song to mark reaching the FA Cup Final  "The Boys in Blue", released in 1984, peaked at No  82  The following year, the club scored its biggest hit when "Here We Go" peaked at No  14  In 1986, Everton released "Everybody's Cheering the Blues", which reached No  83  "All Together Now", a reworking of a song by Liverpool band The Farm, was released for the 1995 FA Cup final and reached No  27  By the time the club reached the 2009 FA Cup final, the tradition had largely been abandoned by all clubs and no song was released 

See also
Notes
Passage 2:
1914 FA Cup Final
The 1914 FA Cup final was a football match between Burnley and Liverpool on 25 April 1914 at Crystal Palace, London  It was the final match of the 1913–14 FA Cup, the 43rd season of the country's primary cup competition, the Football Association Challenge Cup, better known as the FA Cup  Both teams were appearing in their first final Both teams entered the competition in the first round  Burnley's matches ranged from comfortable victories to close affairs  They beat Bolton Wanderers 3–0 in the third round, but beat Sheffield United 1–0 in a replay of their semi-final which finished 0–0  Liverpool matches were generally close affairs, two of their five ties went to a replay  Apart from a 5–1 victory in their third round replay against West Ham United, their biggest margin of victory was by two goals 
Watched by a crowd of 72,778, including King George V, who became the first reigning monarch to attend a FA Cup Final and to present the trophy to the winners, the first half was goalless  Burnley opened the scoring the 57th minute, when ex-Evertonian Bert Freeman scored  Liverpool could not find an equaliser in the remaining minutes and Burnley won the match 1–0 to win their first and to date only FA Cup 
The match was the last FA Cup Final to be played at Crystal Palace 

Match
Details
Passage 3:
Singapore FA Cup
The Singapore FA Cup, (also known as the Singapore Pools FA Cup for sponsorship reasons), is an annual football competition in Singapore Initially held for clubs from the S League from 1996-1998, the Football Association of Singapore decided to change format of the cup to allow only teams from National Football League to take part in the knock out competition from 1999,
so that the S League clubs can focus on Singapore Cup, competition created in 1998 After the Singapore Cup and earlier League Cup, Singapore FA Cup is the next major cup competition in Singapore  For a number of years, the FA Cup was solely restricted to NFL clubs  In 2006, S League clubs were once again allowed in the competition, but were only permitted to field their developmental Prime League teams  The team matchups were drawn out of a hat against one another for the initial 2006 and 2007 seasons, before being seeded into two groups since 2008 

Results
Note: 
Tampines Rovers SC is a separate entity from Tampines Rovers 
SAFSA is a separate entity from Singapore Armed Forces 
Police SA is a separate entity from Home United (formerly Police FC) 
Passage 4:
Peter Till
Peter Till (born 7 September 1985) is an English former professional footballer who played as a winger 
He has played in the Football League for Scunthorpe United, Boston United, Leyton Orient, Grimsby Town, Chesterfield and Walsall  Till started his career with the Birmingham City youth system before making his first-team debut in 2005  He was loaned to Scunthorpe United, Boston United, Leyton Orient and Grimsby Town, whom he joined permanently in 2007  Till made an appearance at Wembley Stadium in the 2008 Football League Trophy Final and was loaned to Chesterfield in 2009  He was released after making over 80 appearances for Grimsby and subsequently joined hometown club Walsall  Being released after one season with the club, he joined York City of the Conference Premier in 2010  Till signed for Fleetwood Town a year later and won the Conference Premier title in his one season with the club 

Playing career
Birmingham City
Till was born in Walsall, West Midlands  He came through the Birmingham City youth system after joining the club as a schoolboy and he signed a two-year professional contract on 4 July 2005  He was included in the matchday first-team squad on a few occasions during the 2004–05 season, with Academy manager Stewart Hall commenting "When he has trained and worked with the first team he has looked very good and he has had an excellent season in the reserves and looked a real threat"  He made his debut as an 85th minute substitute in a 2–0 victory over League One team Scunthorpe United in the League Cup on 20 September 2005  Till was loaned to Scunthorpe United for a month on 5 October 2005 after being brought to their attention in the game weeks earlier, with manager Brian Laws commenting "I've watched him twice more since our game and I've liked what I've seen"  His debut came two days later in a 2–0 victory over Tranmere Rovers  The loan deal was extended until January 2006 after Till impressed Laws  He returned to Birmingham on 9 January 2006, having made only 10 appearances for Scunthorpe due to injury and illness Till was loaned out again on 13 January 2006, joining League Two club Boston United  He made his debut a day later in a 1–0 victory at Chester City and his only goal came in a 3–1 victory over Bury on 21 January 2006  On 31 January 2006, the loan was extended until the end of the 2005–06 season and he finished his spell at the club with 16 appearances and one goal  Till joined League One club Leyton Orient on a one-month loan on 6 October 2006  His debut came the following day, making the starting line-up in a 0–0 draw with Chesterfield and he picked up an injury on his final appearance, a 3–1 defeat to Bristol City in the Football League Trophy on 1 November 2006  Orient opted not to extend Till's loan and his period at the club ended on 4 November 2006 with five appearances to his name 

Grimsby Town
Having failed to establish himself at Birmingham, Till joined Grimsby Town of League Two on an initial one-month loan on 23 November 2006  Tony Butcher of Cod Almighty described him as an "instant hit with wonderful wingery" on his debut in a 2–0 victory over Accrington Stanley on 25 November 2006  After impressing manager Alan Buckley during his loan at Blundell Park, Grimsby agreed a deal with Birmingham and offered Till a permanent contract  He eventually joined Grimsby on a two-and-a-half-year contract on 5 January 2007, having already made seven appearances for the team during the 2006–07 season  His first appearance following his permanent transfer was a 2–0 defeat to Chester on 9 January 2007  Till received the first yellow card of his career in a 1–0 defeat to Swindon Town on 17 March 2007 and he finished the season with 22 appearances His first appearance of the 2007–08 season came in a 1–1 draw with Notts County on 11 August 2007 and his first goal came in a 4–1 victory over Huddersfield Town in the Football League Trophy on 4 September 2007  He played six games and scored two goals in Grimsby's Football League Trophy run in the 2007–08 season, which saw Grimsby reach the final  Till started the game as Grimsby were beaten 2–0 by Milton Keynes Dons (MK Dons) at Wembley Stadium on 30 March 2008  He finished the season with 44 appearances and four goals Till started the 2008–09 season by playing in a 0–0 draw with Rochdale on 9 August 2008 and he scored in the local derby against League Two rivals Lincoln City at Sincil Bank in a 1–1 draw on 30 August  Till joined fellow League Two club Chesterfield on a one-month loan on 15 January 2009, having made 21 appearances and scored two goals for Grimsby up to that point during the season  He made his debut in a 3–1 victory at Chester on 17 January 2009 and in February the loan was extended until the end of the season after impressing manager Lee Richardson  Grimsby released him on 30 April 2009 and in retrospect he commented "It has been a wake-up call if I am honest  I have realised that I can't coast if I want to get to where I want to be  I have to give 110 per cent every day, not just in games"  Till finished the loan at Chesterfield with 16 appearances 

Walsall
Till signed for League One club Walsall on a free transfer on a one-year contract on 23 July 2009 following a successful trial with the club  He commented "To be at my hometown club gives me an extra incentive to do well"  His debut came in a 1–0 victory at Brighton & Hove Albion on 8 August 2009, in which he was substituted in the 88th minute  Till suffered a hamstring injury in September 2009, which allowed midfielder Mark Bradley to get a run in the team  After returning to fitness he made his comeback as a 74th-minute substitute in a 1–0 defeat at MK Dons on 10 October 2009 and started on his next appearance, which was a 2–1 defeat at Colchester United on 24 October  He picked up a minor injury in a 1–1 draw with Charlton Athletic on 2 February 2010 and he was able to feature in the next game, a 0–0 draw with Bristol Rovers  During Walsall's 2–1 victory at Leeds United on 16 February 2010 he picked up a hamstring injury and he returned to the team after entering a 2–0 defeat at Leyton Orient on 13 March as a 77th-minute substitute  He finished an injury-hit 2009–10 season with 30 appearances for Walsall before the club released him on 10 May 2010 

York City
Till signed a one-year contract with Conference Premier club York City on 29 June 2010 and following the move he said "I spoke to a number of clubs but this felt right  The gaffer made me feel really wanted so that was a key decision in coming"  He made his debut in the opening game of the 2010–11 season as a 38th-minute substitute for Levi Mackin in a 2–1 defeat to Kidderminster Harriers on 14 August 2010  His first goal for York came in his next appearance after he scored the equaliser in a 2–2 draw at Bath City on 21 August 2010 after entering the game as a 74th-minute substitute  Till made his first start in a 3–0 victory against Altrincham on 28 August 2010 and he was substituted in the 82nd minute  He scored his first home goal with the opener as York beat Rushden & Diamonds 2–0 on 4 September 2010  He finished the season with 45 appearances and four goals 

Fleetwood Town
Till agreed on 25 May 2011 to sign for Conference Premier rivals Fleetwood Town on a two-year contract after the expiration of his York contract  Due to a knee injury, he had to wait until 12 November 2011 to make his Fleetwood debut, when he entered their 2–0 FA Cup first round victory over League One team Wycombe Wanderers as a substitute in stoppage time  Till finished the season with 22 appearances and one goal as Fleetwood won the Conference Premier title and thus promotion to League Two, before being released by the club after having his contract cancelled by mutual consent on 3 July 2012 

Tamworth
Till signed for Conference Premier club Tamworth on 19 July 2012  He made a scoring debut for Tamworth in the opening game of the 2012–13 season with the first goal of a 3–2 victory away at Hyde on 11 August 2012  He finished the season with 34 appearances and one goal 

Solihull Moors
Till signed for Solihull Moors of the Conference North on 6 June 2013 

Leamington
He signed for Solihull's Conference North rivals Leamington on 22 January 2014 

Later career
Till joined newly promoted Northern Premier League Premier Division club Halesowen Town on 12 June 2014  He made five appearances before signing for Halesowen's divisional rivals Stourbridge on 8 September 2014  He stepped down a division when signing for Northern Premier League Division One South club Stafford Rangers during January 2015  In July 2016, he left Rangers due to college commitments He then spent the 2016–17 season with Chasetown, another Northern Premier League Division One South club, before signing for Midland League Premier Division Walsall Wood  Till rejoined Darren Byfield as player-assistant manager at Alvechurch in 2019, but left in October to return to Walsall Wood 

Style of play
Till plays as a winger on the left or right sides and his play has been described as "tricky"  He has described himself as an old-fashioned winger, saying "I am very quick, very fit  I like to get at the full-back – an old-fashioned winger type, if you like  I like to cause the full-back problems and get my crosses in and link up with our full-back as well"  Walsall manager Chris Hutchings described him as "an attacking wide-man with pace who is not afraid to take people on" in 2009  Till is also able to play as a striker 

Personal life
His father Peter, Sr



ground_truth: Michael Bublé

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When was the last time Peter Till's sports team beat the winner of the 1894-95 FA Cup?

The following are given passages.
Context 3:  is a former professional boxer 

Career statistics
As of match played 26 August 2015

Honours
Fleetwood Town

Conference Premier: 2011–12
Passage 5:
Second City derby
In English football, the Second City derby or Birmingham derby, is the local derby between the two major clubs in the city of Birmingham – Aston Villa and Birmingham City, first contested in 1879  Villa play at Villa Park while Birmingham play at St Andrew's, the two grounds separated by roughly 2 4 miles (3 9 km)  It is known as the Second City Derby based on Birmingham being referred to as the second city of the United Kingdom  The two clubs are generally regarded as each other's most fierce rivals  In addition both sides have affiliated women's sides, Aston Villa W F C  and Birmingham City W F C 

History
The clubs first met on 27 September 1879, when Birmingham City were called Small Heath Alliance  The game, on a pitch at Small Heath's Muntz Street ground described by the Villa players as "only suitable for pot-holing", finished 1–0 – recorded as "one goal and a disputed goal to nil" – to the home side  Villa won the first competitive game between the clubs, in the Second Round of the FA Cup at Wellington Road in 1887, by four goals to nil, and their first league encounter, in the First Division in the 1894–95 season, 2–1 The two teams have engaged in several hotly contested matches  In the 1925 league game at Villa Park, with the home side 3–0 ahead with eleven minutes to go, Blues scored three times in a dramatic final spell to draw the match  The following year, Aston Villa made headlines with the signing of Tom 'Pongo' Waring, and his first appearance was for the reserves against Birmingham City's reserves, which famously drew a crowd of 23,000  Waring scored three times in the match The most significant clash was the final of the 1963 League Cup, which was staged not long after Aston Villa had beaten Birmingham City 4–0 in the league  Blues won 3–1 on aggregate over the two-legged final to claim their first major domestic honour During the late 1970s to early 1980s both Villa and Blues met regularly in the First Division and both teams had some memorable successes in the fixture  In 1980–81 Villa did the double over Blues and went on to win the First Division title  Blues scored a memorable 3–0 victory at St Andrew's in the first meeting following Villa's European Cup triumph in 1982  Both teams promptly went into decline  Blues racked up a 3–0 win in a relegation battle at Villa Park in March 1986 but were relegated at the end of that season  Villa would be demoted the following campaign  The next time Villa met Blues in a league fixture at Villa Park again was in the Second Division and saw a 2–0 Blues victory  The reverse fixture at St Andrew's was a 2–1 Villa victory with both goals coming from Garry Thompson  The two sides would only meet again in the 1980s in cup competitions  Villa won 7–0 on aggregate when they clashed twice in the 1988–89 League Cup  The same season Villa also won a Full Members Cup clash 6–0 

The Premier League Era
Following the creation of the Premier League, Aston Villa and Birmingham City met twice in the second round of the 1993–94 League Cup  Villa won both matches 1–0  The game at St Andrew's was settled by a Kevin Richardson goal after his keeper Mark Bosnich had saved a penalty from John Frain to keep the game at 0–0  The second leg at Villa Park was notable for a winning goal from Villa's Dean Saunders and a red card for Blues' Paul Tait  Villa went on to win the trophy 
Blues' promotion to the Premier League in 2002 saw fans eagerly anticipating the first league derbies in 15 years  Blues won both derbies 3–0 and 2–0, respectively  Both matches saw goalkeeping errors by Villa goalkeeper Peter Enckelman, including a goal scored directly from an Olof Mellberg throw-in  Violence between both sets of fans occurred before both matches as evening kick-off times had allowed fans to get drunk over the course of the day  In March 2003, during the game at Villa Park, two Villa players were sent off, Dion Dublin for a head-butt on Blues' Robbie Savage and Joey Guðjónsson for a reckless two-footed tackle on Matthew Upson  Trouble also took place following the game on Witton Lane outside Villa Park, where missiles were hurled at police who were attempting to keep both sets of fans apart 
The 2003–04 Premiership season saw games ending in 0–0 and 2–2 draws  The 2–2 draw saw Blues recover a two-goal deficit thanks to a 90th-minute equaliser from Stern John  Both games were lunchtime kick-offs to avoid drunken behaviour, which was achieved although the games lost none of their passionate edge  The following season Blues got back to winning ways, with 2–1 victory at Villa Park just before Christmas and 2–0 at home in March, Villa keeper Thomas Sørensen making mistakes in both matches, though it's debatable if his errors directly affected the respective results  In the 2005–06 Premiership Season, Villa finally beat Blues in the Premiership, thanks to a Kevin Phillips goal  This was followed up by another Villa victory on 16 April 2006, Easter Sunday, with Aston Villa winning 3–1 thanks to two goals from Milan Baroš and a bicycle kick from Gary Cahill  Blues were relegated in 2006 but subsequently promoted in 2007 
In November 2007, Villa won their third consecutive derby match with a 2–1 victory at St Andrew's  Former Villa defender Liam Ridgewell scored an own goal to put Villa 1–0 up, Blues equalised through Mikael Forssell only for Gabriel Agbonlahor to clinch it with a late header for Villa, having cleared off his own line seconds before  Violent clashes took place outside the ground after the game in which over 20 police officers were hurt  The derby on 20 April 2008 between the two sides ended in a 5–1 win for Aston Villa at Villa Park, the biggest winning margin for either side in a league match for 40 years 
Villa continued their winning ways in the derby, when they won both of the meetings between the clubs in the 2009–10 Premier League season  The first took place on 13 September 2009 at St Andrew's, and ended 1–0 to Aston Villa, with Agbonlahor scoring the winner in the 85th minute, once again there was trouble with 14 arrests  Villa then went on to beat Blues 1–0 at Villa Park thanks to a disputed penalty from James Milner in the 82nd minute  This was the 3rd time in 4 derbies that Villa had scored the winning goal in the final 10 minutes of the game  Villa also possess the record of six straight wins from 1987 to 1993, including five cup matches  This record was then achieved in the Premier League after Villa beat Blues 1–0 on 25 April 2010, setting a record of six straight league wins from 2005 to 2010  The record was finally ended at the next derby match on 31 October 2010, which resulted in a 0–0 draw at Villa Park  The return match at St Andrew's also ended in a draw, with it finishing 1–1 
In those games in October and December 2010 where Aston Villa played Birmingham City, at Villa Park (Premier League, 31 October) and St Andrew's (League Cup, 1 December, which was the first mid-week game between the two sides since 2003) violence between the two sets of supporters and hooligan firms occurred, with many fans being arrested  In the first game, there were scenes of violence outside Villa Park and there were a small amount of arrests including a Birmingham City club chef  In the second of the two games (and larger scale violence) after Blues had beaten Villa 2–1, Blues supporters came onto the pitch and confronted the visiting Villa fans, this resulted in flares, ripped out seats and other missiles being hurled by Villa fans into the Blues supporters, there were also flash points before and after the game including the attack on a Blues supporters pub by Villa hooligans, the events were described as a "warzone" by a supporter who attended the game  Birmingham City were later fined £40,000 by the Football Association for failing to control their fans On 10 April 2011, an episode of Police Academy UK, a TV show aired on BBC Three which documents overseas police officers' introduction to British crime and policing, was set in Birmingham and covered the violence that occurred at the game between Birmingham City and Aston Villa on 1 December 2010 On 17 June 2011, Birmingham City manager Alex McLeish swapped Blues for Villa in a move that shocked the football world  The reaction from both sets of supporters was one of anger  Blues supporters were angry at McLeish, who guided them to only their second ever major trophy win in February 2011, for betraying them to join bitter rivals Villa, and Villa fans were unhappy with the appointment of a manager that had got Blues relegated twice in four seasons, and was perceived to play a negative style of football; that he came from Blues only served to rub salt into the wound of the board making such an unambitious and negative appointment  Several hundred Villa supporters protested at Villa Park when it emerged that Villa owner Randy Lerner has begun talks with McLeish  McLeish received death threats from followers of both teams following his appointment as Aston Villa manager  This controversial move only increased tension and hostility between the players, supporters and owners of both clubs even more as Blues directors threatened legal action against Villa for allegedly "tapping up" McLeish, who resigned as Blues manager on 12 June 2011, while he was still under contract at Birmingham City  McLeish's appointment marked the first time in history that a manager had moved directly from Birmingham City to Aston Villa  On 14 May 2012, one day after the 2011–12 Premier League season ended, McLeish was sacked as Villa manager after a massively disappointing one season in charge 

The EFL Championship Era
After being relegated in 2011, Birmingham are still yet to gain promotion back to the top flight of English football  However, since Alex McLeish was sacked as Villa manager, Villa's poor form continued  Despite several manager changes over the next few years, after several close calls they were finally relegated at the end of the 2015/16 season  Earlier on in the 2015/16 season, the two teams were drawn to play each other in the third round of the League Cup  Aston Villa ran out 1–0 winners thanks to a goal from Rudy Gestede  
In the 2016–17 season the two teams faced off in the second tier of English football for the first time since 1987  The first game at St Andrew's ended in a 1–1 draw  Villa won the second match 1–0 with a 69th-minute goal scored by Agbonlahor  The two sides faced each other again in the league during the 2017/18 season, producing a dismal 0–0 draw at St  Andrews marred by Birmingham fans throwing clappers at the Villa players all throughout the game, before Villa emphatically fortified their second city superiority with a 2–0 victory in front of 41,232 spectators at Villa Park  Some fans believed this game to be a coming of age for lifelong Villa fan and local Jack Grealish, who produced a match-winning man-of-the-match display  
The teams next met on 25 November in one of the most exciting derby games in recent times, Villa ran out 4-2 winners after goals from Jonathan Kodjia, Jack Grealish, a Tammy Abraham penalty and Alan Hutton who ran half the length of the pitch to score, Pedersen and Lukas Jutkiewicz scored for Birmingham On 10 March 2019, a Birmingham City fan invaded the pitch during the reverse fixture at St  Andrew's and assaulted Aston Villa captain Jack Grealish on the pitch by punching him from behind in the head, which was labelled as "disgraceful and cowardly" by supporters of both teams  The man was arrested and charged by West Midlands Police  St Andrew's' security was criticised as a result  The game ended in an ironic twist with a 1–0 win for Aston Villa with Grealish scoring the winning goal  At the end of the same season, Villa were promoted as they won ten in a row including that game  Since then, this fiercely contested fixture hasn't been played between the two rivals 

Women's Sides
Birmingham City W F C  were founded in 1968, whilst Aston Villa W F C  were founded in 1973 as Solihull F C , and took on their current Aston Villa guise in 1996  During the 2000-01 and 2001-02 seasons both teams competed in the second tier FA Women's Premier League North  Birmingham were then promoted to the Women's Premier League National with Villa joining them for one season in 2003-04 before being relegated  Then followed 18 years of the teams being in different divisions, Birmingham being in the top tier and Villa elsewhere, until the 2020–21 Women's Super League season when Villa were promoted up to join Blues  In the first ever WSL match between the two sides Birmingham beat Villa 1–0 at an empty Villa Park (due to restrictions related to the COVID-19 pandemic in the United Kingdom), while the Birmingham's home match which was also played behind closed doors at Damson Park, Solihull was a 1–1 draw  In the 2021–22 season, Aston Villa won 1–0 at St  Andrew's  Birmingham returned the favour and won 1–0 at Villa Park on 8 May 2022, the final day of the season, as they were relegated to the FA Women's Championship As of the 2021–22 Birmingham currently play at St Andrew's, home of the men's team, having played at Redditch Utd, Stratford Town and Solihull Moors in the 21st century  Villa play at Walsall's Bescot Stadium, having moved from Boldmere St Michaels - although important games such as the Second City Derby will often take place at Villa Park 

Statistics and records
As of the end of the 2010–11 season, there have been 120 meetings in major competition between the two teams since the first FA Cup meeting in 1887, of which Aston Villa have won 52 and Birmingham City 38  The most goals in one game were scored in a league game on 7 July 1895, in the First Division, as Small Heath lost to Aston Villa 7–3  The biggest winning margin was 6–0 to Aston Villa on 9 November 1988, in a Full Members Cup fixture  The last Birmingham City league victory over Aston Villa was on 20 March 2005, when Blues won 2–0 at St Andrew's  Villa won six encounters in a row, most recently on 25 April 2010 (2005–2010)  The two teams drew for the first time in over six years in the next match (the first of three in the 2010–11 season), with the match finishing 0–0 (the other Premier League match of the season also finished as a draw)  The second match of the season resulted in the first Blues win since 2005, as they beat Villa 2–1 in the 2010–11 League Cup Quarter Final on 1 December 2010 

All-time results
Cup matches
Women's matches
Summary of results
Stats correct as of 10 March 2019 

Records
Firsts
First competitive meeting: Aston Villa 4–0 Small Heath Alliance (FA Cup), 5 November 1887 
First league meeting: Aston Villa 2–1 Small Heath, 1 September 1894 
First away victory for Aston Villa: Small Heath 1–4 Aston Villa, 26 October 1895 
First away victory for Birmingham City: Aston Villa 1–3 Birmingham, 20 January 1906 

Results
Highest scoring game: Aston Villa 7–3 Small Heath, 7 September 1895 
Largest winning margin (Aston Villa): 6 goals – 6–0, 9 November 1988 
Largest winning margin (Birmingham City): 4 goals – 4–0, 21 September 1968 

Players
Most goals in a match (Aston Villa):
Most goals in a match (Birmingham City):

Trends
Most games won in a row (Aston Villa): 6, 16 October 2005 to 25 April 2010 
Most games won in a row (Birmingham City): 5, 3 April 1976 – 25 February 1978 
Most games without defeat (Aston Villa): 14, 16 October 2005 – on going
Most games without defeat (Birmingham City): 6, 8 March 1933 – 23 November 1935 and 16 September 2002 – 20 March 2005 
Most drawn games in a row: 4, 10 December 1949 – 21 September 1955 
Whenever the clubs have met in the Premier League the result has always been the same during that particular season: 2002/2003– 2 Blues wins, 2003/2004– 2 draws, 2004/2005– 2 Blues wins, 2005/2006– 2 Villa Wins, 2007/2008– 2 Villa wins, 2009/2010– 2 Villa wins, 2010/11- 2 draws 

Top scorers
The following is a list of the top goal scorers for each team in the fixture  Only players who have scored 4 or more goals feature 

Crossing the divide
Players
Unlike, for example, the Old Firm derby, there is no shortage of players who have appeared for both clubs  Villa legend Harry Hampton transferred to Blues after the First World War and helped the club to the Second Division title  The last established first-team player to make this move was Des Bremner in 1984, though there had been loan signings and movement of youth players during this period  The most recent permanent transfer from Aston Villa to Birmingham City was that of Gary Gardner in Summer 2019, his brother Craig was the previous player to move from Villa to Birmingham in 2010  The last player to move directly in the other direction was Spanish Winger Jota in the same transfer window 
Notable players who have been transferred directly between the clubs are listed below 

Aston Villa to Birmingham City
Notes
The players listed above made a direct transfer from Villa to Blues  In addition, there are several players who have "crossed the divide" but done so via another league club 
European Cup winner Dennis Mortimer – regarded by Villa fans as one of their greatest ever players – also played for Birmingham City in the 1986/7 season 
Kevin Phillips played for Villa in the 2005/06 season before moving to Blues in 2008 via West Bromwich Albion 

Birmingham City to Aston Villa
Notes
The players listed above made a direct transfer from Blues to Villa  In addition, there are several high-profile players who have "crossed the divide" but done so via another league club  Notable examples include former England international Emile Heskey and European Cup winner Peter Withe 
Chris Sutton was released by Birmingham City at the end of the 2005–06 season  His next club was Aston Villa, for whom he signed for in October 2006 
Scott Sinclair has played on loan at both clubs  He was on loan at Birmingham City while he was playing for Chelsea during the 2008–09 season and he was on loan at Aston Villa during the 2014–15 season before signing permanently from Manchester City 

Managers
Former Aston Villa Manager Ron Saunders, who managed Villa to League Cup success in 1975 and again in 1977 before taking the club to its first Championship success for 70 years in 1981, also moved across to Birmingham City following his resignation in 1982 
Alex McLeish's appointment as Aston Villa manager in June 2011 after resigning from Birmingham City five days before was the first time in history a manager has moved from Birmingham City to Aston Villa  The move shocked the football world and increased tension between the two clubs even more Former Birmingham City Manager Steve Bruce was appointed Villa manager in 2016 

Aston Villa to Birmingham City
Birmingham City to Aston Villa
Chairmen
Doug Ellis was a director of Birmingham City in the late 1960s before becoming part of a consortium which took over at Aston Villa in 1968 

See also
Aston Villa Hardcore (hooligan firm)
Birmingham Zulu Warriors (hooligan firm)
List of Aston Villa F C  seasons
List of Birmingham City F C  seasons
List of Aston Villa F C  records and statistics
List of Birmingham City F C  records and statistics
Passage 6:
1894–95 FA Cup
The 1894–95 FA Cup was the 24th season of the world's oldest association football competition, the Football Association Challenge Cup (more usually known as the FA Cup)  The cup was won by Aston Villa, who defeated West Bromwich Albion 1–0 in the final of the competition, played at Crystal Palace in London  This was Villa's second victory in the FA Cup 
The Trophy was stolen from a display in the shop window of W  Shillcock (a football fitter) in Newton Row, Birmingham, after the Final and never recovered despite a £10 reward  According to the Police, it was taken sometime between 21:30 on Wednesday 11 September and 7:30 the following morning, along with cash from a drawer  The cup was replaced by a copy of the original, made by Howard Vaughton, the former Aston Villa player and England international, who had opened a silversmith's business after his retirement from the game 
Matches were scheduled to be played at the stadium of the team named first on the date specified for each round, which was always a Saturday  If scores were level after 90 minutes had been played, a replay would take place at the stadium of the second-named team later the same week  If the replayed match was drawn further replays would be held at neutral venues until a winner was determined  If scores were level after 90 minutes had been played in a replay, a 30-minute period of extra time would be played 

Calendar
The format of the FA Cup for the season had a preliminary round, four qualifying rounds, three proper rounds, and the semi-finals and final 

First round proper
The first round proper contained sixteen ties between 32 teams  The 16 First Division sides were given a bye to this round, as were Notts County, Darwen, Bury, Newcastle United, Newton Heath and Woolwich Arsenal from the Second Division  The other Second Division sides were entered into the first round qualifying, with the exceptions of Burton Swifts, who started in the second round qualifying, and Manchester City, who played no part in the season's competition  Of the qualifying League sides, only Burton Wanderers and Leicester Fosse qualified to the FA Cup proper  Eight non-league sides also qualified 
The matches were played on Saturday, 2 February 1895  One match was drawn, with the replay taking place in the following midweek fixture  The Barnsley St Peter's – Liverpool game was voided following a dispute over extra time being played   The match was replayed nine days later, resulting in a 4–0 win to Liverpool 

Second round proper
The eight Second Round matches were scheduled for Saturday, 16 February 1895  There were two replays, played in the following midweek fixture 

Third round proper
The four Third Round matches were scheduled for Saturday, 2 March 1895  There were no replays 

Semi-finals
The semi-final matches were both played on Saturday, 16 March 1895  Aston Villa and West Bromwich Albion went on to meet in the final at Crystal Palace 

Final
The Final was contested by Aston Villa and West Bromwich Albion at Crystal Palace  Aston Villa won 1–0, with Bob Chatt being credited with scoring the fastest goal in FA Cup Final history, scored after just 30 seconds  Devey found Hodgetts, whose cross was laid off by Athersmith to Chatt, whose half volley took a deflection 

Match details
See also
FA Cup Final Results 1872-



ground_truth: 1 December 2010