prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What city is the star of 'Three Strangers in Rome' from?

The following are given passages.
Context 1: Passage 1:
Cardinal (Catholic Church)
A cardinal (Latin: Sanctae Romanae Ecclesiae cardinalis, lit  'cardinal of the Holy Roman Church') is a senior member of the clergy of the Catholic Church  Cardinals are created by the pope and typically hold the title for life  Collectively, they constitute the College of Cardinals 
The most solemn responsibility of the cardinals is to elect a new pope in a conclave, almost always from among themselves (with a few historical exceptions), when the Holy See is vacant  During the period between a pope's death or resignation and the election of his successor, the day-to-day governance of the Holy See is in the hands of the College of Cardinals  The right to participate in a conclave is limited to cardinals who have not reached the age of 80 years by the day the vacancy occurs  In addition, cardinals collectively participate in papal consistories (which generally take place annually), in which matters of importance to the Church are considered and new cardinals may be created  Cardinals of working age are also appointed to roles overseeing dicasteries of the Roman Curia, the central administration of the Catholic Church 
Cardinals are drawn from a variety of backgrounds, being appointed as cardinals in addition to their existing roles within the Church  Most cardinals are bishops and archbishops leading dioceses and archdioceses around the world – often the most prominent diocese or archdiocese in their country  Others are titular bishops who are current or former officials within the Roman Curia (generally the heads of dicasteries and other bodies linked to the Curia)  A very small number are priests recognised by the pope for their service to the Church; as canon law requires them to be generally consecrated as bishops before they are made cardinals, but some are granted a papal dispensation  There are no strict criteria for elevation to the College of Cardinals  Since 1917, a potential cardinal must already be at least a priest, but laymen have been cardinals in the past  The selection is entirely up to the pope and tradition is his only guide 
As of 2 June 2023, there are 222 serving cardinals, of whom 121 are eligible to vote in a conclave to elect a new pope 

History
There is general disagreement about the origin of the term, but a chief consensus that "cardinalis" is etymologically from the Latin word cardo (meaning "pivot" or "hinge") was first used in late antiquity to designate a bishop or priest who was incorporated into a church for which he had not originally been ordained  In Rome the first persons to be called cardinals were the deacons of the seven regions of the city at the beginning of the 6th century, when the word began to mean "principal", "eminent", or "superior"  The name was also given to the senior priest in each of the "title" churches (the parish churches) of Rome and to the bishops of the seven sees surrounding the city  By the 8th century the Roman cardinals constituted a privileged class among the Roman clergy  They took part in the administration of the church of Rome and in the papal liturgy  By decree of a synod of 769, only a cardinal was eligible to become Bishop of Rome  Cardinals were granted the privilege of wearing the red hat by Pope Innocent IV in 1244 In cities other than Rome, the name cardinal began to be applied to certain church men as a mark of honour  The earliest example of this occurs in a letter sent by Pope Zacharias in 747 to Pippin III (the Short), ruler of the Franks, in which Zacharias applied the title to the priests of Paris to distinguish them from country clergy  This meaning of the word spread rapidly, and from the 9th century various episcopal cities had a special class among the clergy known as cardinals  The use of the title was reserved for the cardinals of Rome in 1567 by Pius V 
In 1059 (five years after the East-West Schism), the right of electing the pope was reserved to the principal clergy of Rome and the bishops of the seven suburbicarian sees  In the 12th century the practice of appointing ecclesiastics from outside Rome as cardinals began, with each of them assigned a church in Rome as his titular church or linked with one of the suburbicarian dioceses, while still being incardinated in a diocese other than that of Rome The term cardinal at one time applied to any priest permanently assigned or incardinated to a church, or specifically to the senior priest of an important church, based on the Latin cardo (hinge), meaning "pivotal" as in "principal" or "chief"  The term was applied in this sense as early as the 9th century to the priests of the tituli (parishes) of the diocese of Rome In the year 1563, the Ecumenical Council of Trent, headed by Pope Pius IV, wrote about the importance of selecting good cardinals: "nothing is more necessary to the Church of God than that the holy Roman pontiff apply that solicitude which by the duty of his office he owes the universal Church in a very special way by associating with himself as cardinals the most select persons only, and appoint to each church most eminently upright and competent shepherds; and this the more so, because our Lord Jesus Christ will require at his hands the blood of the sheep of Christ that perish through the evil government of shepherds who are negligent and forgetful of their office "The earlier influence of temporal rulers, notably the Kings of France, reasserted itself through the influence of cardinals of certain nationalities or politically significant movements  Traditions even developed entitling certain monarchs, including those of Austria, Spain, and France, to nominate one of their trusted clerical subjects to be created cardinal, a so-called "crown-cardinal" In early modern times, cardinals often had important roles in secular affairs  In some cases, they took on powerful positions in government  In Henry VIII's England, his chief minister was for some time Cardinal Wolsey  Cardinal Richelieu's power was so great that he was for many years effectively the ruler of France  Richelieu's successor was also a cardinal, Jules Mazarin  Guillaume Dubois and André-Hercule de Fleury complete the list of the four great cardinals to have ruled France  In Portugal, due to a succession crisis, one cardinal, Henry of Portugal, was crowned king, the only example of a cardinal-king 
While the incumbents of some sees are regularly made cardinals, and some countries are entitled to at least one cardinal by concordate (usually earning either its primate or the metropolitan of the capital city the cardinal's hat), almost no see carries an actual right to the cardinalate, not even if its bishop is a Patriarch: the notable exception is the Patriarch of Lisbon who, by Pope Clement XII's 1737 bull Inter praecipuas apostolici ministerii, is accorded the right to be elevated to the rank of cardinal in the consistory following his appointment 

Papal elections
In 1059, Pope Nicholas II gave cardinals the right to elect the Bishop of Rome in the papal bull In nomine Domini  For a time this power was assigned exclusively to the cardinal bishops, but in 1179 the Third Lateran Council restored the right to the whole body of cardinals 

Numbers
In 1586, Pope Sixtus V limited the number of cardinals to 70: six cardinal bishops, 50 cardinal priests, and 14 cardinal deacons  Pope John XXIII exceeded that limit citing the need to staff Church offices  In November 1970 in Ingravescentem aetatem, Pope Paul VI established that electors would be under the age of eighty years  When it took effect on 1 January 1971, it deprived 25 cardinals of the right to participate in a conclave  In October 1975 in Romano Pontifici eligendo, he set the maximum number of electors at 120, while establishing no limit on the overall size of the college Popes can set aside church laws and they have regularly brought the number of cardinals under the age of 80 to more than 120, twice reaching as high as 135 with Pope John Paul II's consistories of February 2001 and October 2003  No more than 120 electors have ever participated in a conclave, but most canon lawyers believe that if their number exceeded 120 they would all participate Pope Paul VI also increased the number of cardinal bishops by assigning that rank, in 1965, to patriarchs of the Eastern Catholic Churches when named cardinals  In 2018, Pope Francis expanded the cardinal bishops of Roman title, because this had not been done despite recent decades' expansion in the two lower orders of cardinals, besides having all six such cardinals being over the age limit for a conclave 

Titular churches
Each cardinal is assigned a titular church upon his creation, which is always a church in the city of Rome  Through the process of opting (optazione), a cardinal can raise through the ranks from cardinal deacon to priest, and from cardinal priest to that of cardinal bishop - in which case he obtains one of the suburbicarian sees located around the city of Rome  The only exception is for patriarchs of the Eastern Catholic Churches  Nevertheless, cardinals possess no power of governance nor are they to intervene in any way in matters which pertain to the administration of goods, discipline, or the service of their titular churches  They are allowed to celebrate Mass and hear confessions and lead visits and pilgrimages to their titular churches, in coordination with the staff of the church  They often support their churches monetarily, and many cardinals do keep in contact with the pastoral staffs of their titular churches  The term cardinal is from the Latin word "cardo" meaning a hinge  Here it means a "door", an example of synecdoche, a figure of speech whereby the part refers to the whole  The "door" is the address of the titular church from which the cardinal derives his membership of the Roman clergy, who elect the pope 
The Dean of the College of Cardinals in addition to such a titular church also receives the titular bishopric of Ostia, the primary suburbicarian see  Cardinals governing a particular church retain that church 

Title and reference style
In 1630, Pope Urban VIII decreed their title to be Eminence (previously, it had been "illustrissimo" and "reverendissimo") and decreed that their secular rank would equate to Prince, making them secondary only to the pope and crowned monarchs In accordance with tradition, they sign by placing the title "Cardinal" (abbreviated Card ) after their personal name and before their surname as, for instance, "John Card(inal) Doe" or, in Latin, "Ioannes Card(inalis) Doe"  Some writers, such as James-Charles Noonan, hold that, in the case of cardinals, the form used for signatures should be used also when referring to them in English  However, official sources, such as the Catholic News Service, say that the correct form for referring to a cardinal in English is normally as "Cardinal [First name] [Surname]"  This is the rule given also in stylebooks not associated with the church  This style is also generally followed on the websites of the Holy See and episcopal conferences  Oriental patriarchs who are created cardinals customarily use "Sanctae Ecclesiae Cardinalis" as their full title, probably because they do not belong to the Roman clergy The [First name] Cardinal [Surname] order is used in the Latin proclamation of the election of a new pope by the cardinal protodeacon, if the new pope is a cardinal, as it has been since 1378 
The term Prince of the Church has historically been applied to cardinals of the Catholic church, and sometimes more broadly to senior members of the church hierarchy  It has been rejected by Pope Francis, who stated to a group of newly created cardinals "He (Jesus) does not call you to become 'princes' of the Church, to 'sit on his right or on his left ' He calls you to serve like Him and with Him " The term is still applied, both seriously and as a criticism of their perceived attitudes of some cardinals [1][2]

Orders and their chief offices
Cardinal bishops
Cardinal bishops (cardinals of the episcopal order; Latin: cardinales episcopi) are the senior order of cardinals  Though in modern times the vast majority of cardinals are also bishops or archbishops, few are "cardinal bishops"  For most of the second millennium there were six cardinal bishops, each presiding over one of the seven suburbicarian sees around Rome: Ostia, Albano, Porto and Santa Rufina, Palestrina, Sabina and Mentana, Frascati, and Velletri  Velletri was united with Ostia from 1150 until 1914, when Pope Pius X separated them again, but decreed that whichever cardinal bishop became Dean of the College of Cardinals would keep the suburbicarian see he already held, adding to it that of Ostia, with the result that there continued to be only six cardinal bishops  Since 1962, the cardinal bishops have only a titular relationship with the suburbicarian sees, each of which is governed by a separate ordinary Until 1961, membership in the order of cardinal bishops was achieved through precedence in the College of Cardinals  When a suburbicarian see fell vacant, the most senior cardinal by precedence could exercise his option to claim the see and be promoted to the order of cardinal bishops  Pope John XXIII abolished that privilege on 10 March 1961 and made the right to promote someone to the order of cardinal bishops the sole prerogative of the pope In 1965, Pope Paul VI decreed in his motu proprio Ad purpuratorum Patrum Collegium that patriarchs of the Eastern Catholic Churches who were named cardinals (i e  "cardinal patriarchs") would also be cardinal bishops, ranking after the six Roman rite cardinal bishops of the suburbicarian sees  (Latin Church patriarchs who become cardinals are cardinal priests, not cardinal bishops: for example Angelo Scola was made Patriarch of Venice in 2002 and cardinal priest of Santi XII Apostoli in 2003 ) Those of cardinal patriarch rank continue to hold their patriarchal see and are not assigned any Roman title (suburbicarian see or title or deaconry) 
At the June 2018 consistory, Pope Francis increased the number of Latin Church cardinal bishops to match the expansion in cardinal priests and cardinal deacons in recent decades  He elevated four cardinals to this rank granting their titular churches and deaconries suburbicarian rank pro hac vice (temporarily) and making them equivalent to suburbicarian see titles  At the time of the announcement, all six cardinal bishops of suburbicarian see titles, as well as two of the three cardinal patriarchs, were non-electors because of having reached age 80  Pope Francis created another cardinal bishop in the same way on 1 May 2020, bringing the number of Latin Church cardinal bishops to eleven 
The Dean of the College of Cardinals, the highest ranking cardinal, was formerly the longest serving cardinal bishop, but since 1965 is elected by the Latin Church cardinal bishops from among their number, subject to papal approval  Likewise the Vice-Dean, formerly the second longest serving, is also elected  Seniority of the remaining Latin Church cardinal bishops is still by date of appointment to the rank  For a period ending in the mid-20th century, long-serving cardinal priests were entitled to fill vacancies that arose among the cardinal bishops, just as cardinal deacons of ten years' standing are still entitled to become cardinal priests 

Cardinal priests
Cardinal priests (Latin: cardinales presbyteri) are the most numerous of the three orders of cardinals in the Catholic Church, ranking above the cardinal deacons and below the cardinal bishops  Those who are named cardinal priests today are generally also bishops of important dioceses throughout the world, though some hold Curial positions 
In modern times, the name "cardinal priest" is interpreted as meaning a cardinal who is of the order of priests  Originally, however, this referred to certain key priests of important churches of the Diocese of Rome, who were recognized as the cardinal priests, the important priests chosen by the pope to advise him in his duties as Bishop of Rome (the Latin cardo means "hinge")  Certain clerics in many dioceses at the time, not just that of Rome, were said to be the key personnel—the term gradually became exclusive to Rome to indicate those entrusted with electing the Bishop of Rome, the pope 

While the cardinalate has long been expanded beyond the Roman pastoral clergy and Roman Curia, every cardinal priest has a titular church in Rome, though they may be bishops or archbishops elsewhere, just as cardinal bishops were given one of the suburbicarian dioceses around Rome  Pope Paul VI abolished all administrative rights cardinals had with regard to their titular churches, though the cardinal's name and coat of arms are still posted in the church, and they are expected to celebrate Mass and preach there if convenient when they are in Rome 
While the number of cardinals was small from the times of the Roman Empire to the Renaissance, and frequently smaller than the number of recognized churches entitled to a cardinal priest, in the 16th century the college expanded markedly  In 1587, Pope Sixtus V sought to arrest this growth by fixing the maximum size of the college at 70, including 50 cardinal priests, about twice the historical number  This limit was respected until 1958, and the list of titular churches modified only on rare occasions, generally when a building fell into disrepair  When Pope John XXIII abolished the limit, he began to add new churches to the list, which Popes Paul VI and John Paul II continued to do  Today there are close to 150 titular churches, out of over 300 churches in Rome 
The cardinal who is the longest-serving member of the order of cardinal priests is titled cardinal protopriest  He had certain ceremonial duties in the conclave that have effectively ceased because he would generally have already reached age 80, at which cardinals are barred from the conclave  The current cardinal protopriest is Michael Michai Kitbunchu of Thailand 

Cardinal deacons
The cardinal deacons (Latin: cardinales diaconi) are the lowest-ranking cardinals  Cardinals elevated to the diaconal order are either officials of the Roman Curia or priests elevated after their 80th birthday  Bishops with diocesan responsibilities, however, are created cardinal priests 
Cardinal deacons derive originally from the seven deacons in the Papal Household who supervised the Church's works in the seven districts of Rome during the early Middle Ages, when church administration was effectively the government of Rome and provided all social services  They came to be called "cardinal deacons" by the late eighth century, and they were granted active rights in papal elections and made eligible for the election as pope by the decree of 769 Cardinals elevated to the diaconal order are mainly officials of the Roman Curia holding various posts in the church administration  Their number and influence has varied through the years  While historically predominantly Italian the group has become much more internationally diverse in later years  While in 1939 about half were Italian by 1994 the number was reduced to one third  Their influence in the election of the pope has been considered important  They are better informed and connected than the dislocated cardinals but their level of unity has been varied  Under the 1587 decree of Pope Sixtus V, which fixed the maximum size of the College of Cardinals, there were 14 cardinal deacons  Later the number increased  As late as 1939 almost half of the cardinals were members of the curia  Pius XII reduced this percentage to 24 percent  John XXIII brought it back up to 37 percent but Paul VI brought it down to 27 percent where John Paul II maintained this ratio As of 2005, there were over 50 churches recognized as cardinalatial deaconries, though there were only 30 cardinals of the order of deacons  Cardinal deacons have long enjoyed the right to "opt for the order of cardinal priests" (optazione) after they have been cardinal deacons for 10 years  They may on such elevation take a vacant "title" (a church allotted to a cardinal priest as the church in Rome with which he is associated) or their diaconal church may be temporarily elevated to a cardinal priest's "title" for that occasion  When elevated to cardinal priests, they take their precedence according to the day they were first made cardinal deacons (thus ranking above cardinal priests who were elevated to the college after them, regardless of order) 
When not celebrating Mass but still serving a liturgical function, such as the semiannual Urbi et Orbi papal blessing, some Papal Masses and some events at Ecumenical Councils, cardinal deacons can be recognized by the dalmatics they would don with the simple white mitre (so called mitra simplex) 

Cardinal protodeacon
The cardinal protodeacon is the senior cardinal deacon in order of appointment to the College of Cardinals  If he is a cardinal elector and participates in a conclave, he announces a new pope's election and name from the central balcony of St  Peter's Basilica in Vatican City  The protodeacon also bestows the pallium on the new pope and crowns him with the papal tiara, although the crowning has not been celebrated since Pope John Paul I opted for a simpler papal inauguration ceremony in 1978  The current cardinal protodeacon is Renato Raffaele Martino 

Cardinal protodeacons since 1887
Giuseppe Pecci, S J  (20 December 1887 – 8 February 1890)
John Henry Newman, C O  (8 February 1890 – 11 August 1890)
Joseph Hergenröther (11 August 1890 – 3 October 1890)
Tommaso Maria Zigliara,, O P  (3 October 1890 – 1 June 1891)
Isidoro Verga (1 June 1891 – 22 June 1896)
Luigi Macchi (22 June 1896 – 29 March 1907)
Andreas Steinhuber, S J  (29 March 1907 – 15 October 1907)
Francesco Segna (15 October 1907 – 4 January 1911)
Francesco Salesio Della Volpe (4 January 1911 – 5 November 1916†); announced election of Pope Benedict XV (1914)
Gaetano Bisleti (5 November 1916 – 17 December 1928*); announced election of Pope Pius XI (1922)
Camillo Laurenti (17 December 1928 – 16 December 1935*)
Camillo Caccia-Dominioni (16 December 1935 – 12 November 1946†); announced election of Pope Pius XII (1939)
Nicola Canali (12 November 1946 – 3 August 1961†); announced election of Pope John XXIII (1958)
Alfredo Ottaviani (3 August 1961 – 26 June 1967*); announced election of Pope Paul VI (1963)
Arcadio Larraona Saralegui, CMF (26 June 1967 – 28 April 1969*)
William Theodore Heard (28 April 1969 – 18 May 1970*)
Antonio Bacci (18 May 1970 – 20 January 1971†)
Michael Browne, OP (20 January 1971 – 31 March 1971†)
Federico Callori di Vignale (31 March 1971 – 8 August 1971†)
Charles Journet (8 August 1971 – 5 March 1973*)
Pericle Felici (5 March 1973 – 30 June 1979*); announced elections of Pope John Paul I (1978) and Pope John Paul II (1978)
Sergio Pignedoli (30 June 1979 – 15 June 1980†)
Umberto Mozzoni (15 June 1980 – 2 February 1983*)
Opilio Rossi (2 February 1983 – 22 June 1987*)
Giuseppe Caprio (22 June 1987 – 26 November 1990*)
Aurelio Sabattani (26 November 1990 – 5 April 1993*)
Duraisamy Simon Lourdusamy (5 April 1993 – 29 January 1996*)
Eduardo Martínez Somalo (29 January 1996 – 9 January 1999*)
Pio Laghi (9 January 1999 – 26 February 2002*)
Luigi Poggi (26 February 2002 – 24 February 2005*)
Jorge Medina (24 February 2005 – 23 February 2007*); announced election of Pope Benedict XVI (2005)
Darío Castrillón Hoyos (23 February 2007 – 1 March 2008*)
Agostino Cacciavillan (1 March 2008 – 21 February 2011*)
Jean-Louis Tauran (21 February 2011 – 12 June 2014*); announced election of Pope Francis (2013)
Renato Raffaele Martino (12 June 2014 –)* Ceased to be protodeacon upon being raised to the order of cardinal-priest† Was protodeacon at time of death

Special types of cardinals
Camerlengo
The Cardinal Camerlengo of the Holy Roman Church, assisted by the Vice-Camerlengo and the other prelates of the office known as the Apostolic Camera, has functions that in essence are limited to a period of sede vacante of the papacy  He is to collate information about the financial situation of all administrations dependent on the Holy See and present the results to the College of Cardinals, as they gather for the papal conclave 

Cardinals who are not bishops
Until 1918, any cleric, even one only in minor orders, could be created a cardinal (see "lay cardinals", below), but enrolled only in the order of cardinal deacons  For example, in the 16th century, Reginald Pole was a cardinal for 18 years before he was ordained a priest  The 1917 Code of Canon Law mandated that all cardinals, even cardinal deacons, had to be priests, and, in 1962, Pope John XXIII set the norm that all cardinals be consecrated as bishops, even if they are only priests at the time of appointment  As a consequence of these two changes, canon 351 of the 1983 Code of Canon Law requires that a cardinal be at least in the order of priesthood at his appointment, and that those who are not already bishops must receive episcopal consecration  Several cardinals near to or over the age of 80 or when appointed have obtained dispensation from the rule of having to be a bishop  These were all appointed cardinal-deacons, but Roberto Tucci and Albert Vanhoye lived long enough to exercise the right of option and be promoted to the rank of cardinal-priest 
A cardinal who is not a bishop is entitled to wear and use the episcopal vestments and other pontificalia (episcopal regalia: mitre, crozier, zucchetto, pectoral cross, and ring)  He has both actual and honorary precedence over patriarchs, archbishops, and bishops who are not cardinals  However, he cannot perform the sacrament of ordination or other rites reserved solely to bishops  The prominent priests who since 1962 were not ordained bishops on their elevation to the cardinalate were over the age of 80 or near to it, and so no cardinal who was not a bishop has participated in recent papal conclaves 

"Lay cardinals"
At various times, there have been cardinals who had only received first tonsure and minor orders but not yet been ordained as deacons or priests  Though clerics, they were inaccurately called "lay cardinals"  Teodolfo Mertel was among the last of the lay cardinals  When he died in 1899 he was the last surviving cardinal who was not at least ordained a priest  With the revision of the Code of Canon Law promulgated in 1917 by Pope Benedict XV, only those who are already priests or bishops may be appointed cardinals  Since the time of Pope John XXIII a priest who is appointed a cardinal must be consecrated a bishop, unless he obtains a dispensation 

Cardinals in pectore or secret cardinals
In addition to the named cardinals, the pope may name secret cardinals or cardinals in pectore (Latin for in the breast)  During the Western Schism, many cardinals were created by the contending popes  Beginning with the reign of Pope Martin V, cardinals were created without publishing their names until later, a practice termed creati et reservati in pectore  A cardinal named in pectore is known only to the pope  In the modern era, popes have named cardinals in pectore to protect them or their congregations from political reprisals  If conditions change, the pope makes the appointment public  The cardinal in question then ranks in precedence with those made cardinals at the time of his in pectore appointment  If a pope dies before revealing the identity of an in pectore cardinal, the person's status as cardinal expires  The last pope known to have named a cardinal in pectore is Pope John Paul II, who named four, including one whose identity was never revealed 

Vesture and privileges
Pontifical vestments
		
			
			
		
		
			
			
		
		
			
			
		
When in choir dress, a Latin Church cardinal wears scarlet garments—the blood-like red symbolizes a cardinal's willingness to die for his faith  Excluding the rochet — which is always white—the scarlet garments include the cassock, mozzetta, and biretta (over the usual scarlet zucchetto)  The biretta of a cardinal is distinctive not merely for its scarlet color, but also for the fact that it does not have a pompon or tassel on the top as do the birettas of other prelates  Until the 1460s, it was customary for cardinals to wear a violet or blue cape unless granted the privilege of wearing red when acting on papal business  His normal-wear cassock is black but has scarlet piping and a scarlet fascia (sash)  Occasionally, a cardinal wears a scarlet ferraiolo which is a cape worn over the shoulders, tied at the neck in a bow by narrow strips of cloth in the front, without any 'trim' or piping on it  It is because of the scarlet color of cardinals' vesture that the bird of the same name has become known as such 
Eastern Catholic cardinals continue to wear the normal dress appropriate to their liturgical tradition, though some may line their cassocks with scarlet and wear scarlet fascias, or in some cases, wear Eastern-style cassocks entirely of scarlet In previous times, at the consistory at which the pope named a new cardinal, he would bestow upon him a distinctive wide-brimmed hat called a galero  This custom was discontinued in 1969 and the investiture now takes place with the scarlet biretta  In ecclesiastical heraldry, however, the scarlet galero is still displayed on the cardinal's coat of arms  Cardinals had the right to display the galero in their cathedral, and when a cardinal died, it would be suspended from the ceiling above his tomb  Some cardinals will still have a galero made, even though it is not officially part of their apparel To symbolize their bond with the papacy, the pope gives each newly appointed cardinal a gold ring, which is traditionally kissed by Catholics when greeting a cardinal (as with a bishop's episcopal ring)  Before the new uniformity imposed by John Paul II, each cardinal was given a ring, the central piece of which was a gem, usually a sapphire, with the pope's stemma engraved on the inside  There is now no gemstone, and the pope chooses the image on the outside: under Pope Benedict XVI it was a modern depiction of the crucifixion of Jesus, with Mary and John to each side  The ring includes the pope's coat of arms on the inside Cardinals have in canon law a "privilege of forum" (i e , exemption from being judged by ecclesiastical tribunals of ordinary rank): only the pope is competent to judge them in matters subject to ecclesiastical jurisdiction (cases that refer to matters that are spiritual or linked with the spiritual, or with regard to infringement of ecclesiastical laws and whatever contains an element of sin, where culpability must be determined and the appropriate
ecclesiastical penalty imposed)  The pope either decides the case himself or delegates the decision to a tribunal, usually one of the tribunals or congregations of the Roman Curia  Without such delegation, no ecclesiastical court, even the Roman Rota, is competent to judge a canon law case against a cardinal Additionally, canon law gives cardinals the faculty of hearing confessions validly and licitly everywhere, whereas other priests and bishops must be granted this faculty and might be restricted in its use by the local bishop 

See also
Cardinal-Infante (disambiguation)
Cardinal-nephew
Cardinal protector
Hierarchy of the Catholic Church
List of current cardinals
List of the creations of the cardinals

Notes
Passage 2:
Edward Alacampe
Edward Alacampe (1581 – 6 February 1646), an English Jesuit, became a member of the English College, Rome in 1605  Three years later he entered the Society of Jesus; in 1614, he was at the new college in Liège  Afterwards, he held the office of procurator at Rome, and died in the house of probation at Ghent 

See also
Passage 3:
Claudia Cardinale
Claude Joséphine Rose "Claudia" Cardinale (French: [klod ʒozefin ʁoz kaʁdinal]; born 15 April 1938) is an Italian actress 
Born and raised in La Goulette, a neighbourhood of Tunis, Cardinale won the "Most Beautiful Italian Girl in Tunisia" competition in 1957, the prize being a trip to Italy, which quickly led to film contracts, due above all to the involvement of Franco Cristaldi, who acted as her mentor for a number of years and later married her  After making her debut in a minor role with the Egyptian star Omar Sharif in Goha (1958), Cardinale became one of the best-known actresses in Italy with roles in films such as Rocco and His Brothers (1960), Girl with a Suitcase (1961), Cartouche (1962), The Leopard (1963),  and Fellini's 8½ (1963) From 1963, Cardinale appeared in The Pink Panther opposite David Niven  She went on to appear in the Hollywood films Blindfold (1965), Lost Command (1966), The Professionals (1966), Don't Make Waves (1967) with Tony Curtis, The Hell with Heroes (1968), and the Sergio Leone Western Once Upon a Time in the West (1968), a joint US-Italian production, in which she was praised for her role as a former prostitute opposite Jason Robards, Charles Bronson, and Henry Fonda 
Jaded with the Hollywood film industry and not wanting to become a cliché, Cardinale returned to Italian and French cinema, and garnered the David di Donatello for Best Actress award for her roles in Il giorno della civetta (1968) and as a prostitute alongside Alberto Sordi in A Girl in Australia (1971)  In 1974, Cardinale met director Pasquale Squitieri, who would become her partner, and she frequently featured in his films, including I guappi (1974), Corleone (1978) and Claretta (1984), the last of which won her the Nastro d'Argento Award for Best Actress  In 1982, she starred in Werner Herzog's Fitzcarraldo as the love interest of Klaus Kinski, who raises the funds to buy a steamship in Peru  In 2010, Cardinale received the Best Actress Award at the 47th Antalya "Golden Orange" International Film Festival for her performance as an elderly Italian woman who takes in a young Turkish exchange student in Signora Enrica 
Outspoken on women's rights causes over the years, Cardinale has been a UNESCO goodwill ambassador for the Defence of Women's Rights since March 2000  In February 2011, the Los Angeles Times Magazine named Cardinale among the 50 most beautiful women in film history 

Early life
Claudia Cardinale was born Claude Joséphine Rose Cardinale in La Goulette, a neighbourhood of Tunis, Tunisia, on 15 April 1938  Her mother, Yolande Greco like her was born in Tunisia to Sicilian emigrants from Trapani  Her maternal grandparents had a small shipbuilding firm in Trapani, but later settled in La Goulette, where a large Italian community existed  Her father, Francesco Cardinale, was a railway worker, born in Gela, Sicily   Her native languages were French, Tunisian Arabic, and the Sicilian language of her parents  She did not learn to speak Italian until she had already begun to be cast for Italian films Cardinale was educated at the Saint-Joseph-de-l'Apparition school of Carthage, which she attended along with her younger sister Blanche  She then studied at the Paul Cambon School, where she graduated with the intention of becoming a teacher  As a teenager, she was described as "silent, weird, and wild", and like other girls of her generation, was fascinated by Brigitte Bardot, who came to prominence in the 1956 film And God Created Woman, directed by Roger Vadim 

Career
1950s
Cardinale's first film work was participating, along with classmates, in a short film by French director René Vautier, Anneaux d'or, successfully presented at the Berlin Film Festival  The film made her a minor local celebrity, and led to her being spotted by Jacques Baratier, who offered her a minor role in Goha  She accepted it reluctantly after Baratier explained he wanted a Tunisian actress rather than an Italian to star in the main role opposite the Egyptian actor Omar Sharif  The appearance nonetheless marked her feature-film debut  The turning point came in 1957 during the Italian Cinema Week in Tunis, when she won a competition for the "Most Beautiful Italian Girl in Tunisia", with a trip to the Venice Film Festival as first prize  After being spotted by several film producers at the event, she was invited to study at the Experimental Cinematography Centre in Rome under Tina Lattanzi  She attended briefly as, despite her extremely photogenic looks, she had trouble with her acting assignments (partly owing to her difficulties with the Italian language)  She left at the end of her first term and decided to return home, earning herself a cover story in the popular weekly Epoca triggered by her unexpected decision to turn her back on a career as a film star Back in Tunis, however, Cardinale discovered unexpectedly that she was pregnant, the result of what she later described as a "terrible" relationship with a Frenchman, some 10 years her senior, which began when she was only 17 and lasted for about a year  On this discovery, he wanted her to have an abortion, but she decided to keep the child  She solved her problems by signing a seven-year exclusive contract with Franco Cristaldi's production company Vides  Cristaldi largely managed her early career, and she was married to him from 1966 until 1975 Under the new contract, in 1958, Cardinale was given a minor role with Italian actors Vittorio Gassman, Totò, Marcello Mastroianni, and Renato Salvatori in Mario Monicelli's internationally successful criminal comedy Big Deal on Madonna Street (I soliti ignoti)  She portrayed Carmelita, a Sicilian girl virtually imprisoned in her home by her overpowering brother  The comedy was a huge success, making Cardinale instantly recognisable  Some newspapers were already referring to her as "la fidanzata d'Italia" (Italy's sweetheart)  Later that year, she had a leading role opposite Yvonne Monlaur in Claudio Gora's romantic comedy Three Strangers in Rome 
Although she worked well into her seventh month, Cardinale's pregnancy was kept a tight secret  Tormented by thoughts of suicide, she fell into a state of depression  When she thought she could no longer hide her condition, she asked Cristaldi to terminate her contract  Understanding her predicament, he sent her to London for the birth, far away from the press  He simply explained that she had gone to England to learn English for a film  Cristaldi told Cardinale not to reveal her condition as she would be betraying the public and it would put an end to her career  So as to maintain the secret, he drew up a detailed American-style contract covering every little detail of her life, depriving her of any possibility of acting on her own behalf  Cardinale explained: "I was no longer master of my own body or thoughts  Even talking with a friend about anything that could make me look different from my public image was risky, as if it had been publicized, I would have been in trouble  Everything was in the hands of Vides"  For seven years, Cardinale kept her secret, not only from the public but also from her own son, Patrick, who grew up in the family with her parents and sister more or less as a brother until the day Enzo Biagi, a journalist, discovered the truth  After Cardinale decided to tell him everything, he published her story in  Oggi and L'Europeo In 1959, she appeared opposite Salvatori in the mafia film Vento del sud, and played the wife of Maurizio Arena in Luigi Zampa's Il magistrato  Cardinale also starred opposite Pietro Germi in his crime film The Facts of Murder, an important assignment for her in mastering the craft of acting while learning to feel at ease in front of the camera  Cardinale considered it to have been her first real test as an actress  She then played the role of Maria in Ralph Thomas's British film Upstairs and Downstairs, which starred Michael Craig and Anne Heywood  In her early roles, she was usually dubbed, as producers considered her voice too hoarse 

1960s
In 1960, Cardinale starred opposite Marcello Mastroianni in Mauro Bolognini's Golden Leopard-winning drama film Il bell'Antonio  The film marked the start of a fruitful partnership  Cardinale stated that her films with Bolognini were among the most joyful of her career, considering him to be "a great director, a man of rare professional capability, great taste and culture  Beyond that, for me personally, a sensitive and sincere friend "
In Bolognini's films, thanks to her aesthetic femininity,  Cardinale took roles of manipulative women who lead men to perdition  During the filming of Il bell'Antonio, her co-star Marcello Mastroianni fell in love with her, but she rejected him, as she did not take his love seriously, considering him to be one of those actors who cannot help but fall in love with their co-stars  Mastroianni insisted that his feelings were genuine, even after many years  The genuine empathy between the two actors proved to be ideal for reproducing the tension between the characters in the film  Cardinale next portrayed Pauline Bonaparte in Abel Gance's French film Napoleone ad Austerlitz, and after appearing opposite Gassman and Salvatori in the sequel to Big Deal on Madonna Street, Audace colpo dei soliti ignoti, she portrayed Ginetta, the fiancée of Spiros Focás, alongside Salvatori and Alain Delon in Luchino Visconti's critically acclaimed Rocco and His Brothers  However, her leading performance in Francesco Maselli's Silver Spoon Set gained her most attention during this period  Francesco Freda felt the film paved her way "to great success", noting the "sweetness of her smile" which struck a chord with the public 
In 1961, Cardinale portrayed a sultry nightclub singer and young mother in Valerio Zurlini's Girl with a Suitcase  As a result of her own experience of early motherhood, Cardinale naturally conveyed the concerns of a teenaged mother, identifying fully with the character of Aida  Such was her psychological involvement that she needed several months to overcome her apprehensions and prepare for the part  Zurlini chose her for such a difficult role against everyone's advice, as she was not yet considered a "real" actress, nor was she (yet) one of the most celebrated Italian beauties  However, he was very close and supportive of Cardinale during the production, and a true friendship developed between the two, based on a deep mutual understanding  Cardinale remarked: "Zurlini was one of those who really love women: he had an almost feminine sensitivity  He could understand me at a glance  He taught me everything, without ever making demands on me      He was really very fond of me " Cardinale was warmly praised by the critics for her performance in Girl with a Suitcase, Dennis Schwartz considering her to have been at her "charming best"  Later in 1961, Cardinale starred as a prostitute opposite Jean-Paul Belmondo in Bolognini's La Viaccia  Both Girl with a Suitcase and La Viaccia were presented at the 1961 Cannes Film Festival  At the time, Cardinale was not considered comparable to the two divas of Italian cinema, Sophia Loren and Gina Lollobrigida, but several newspapers and magazines including Paris Match began to consider her to be a credible young rival to Brigitte Bardot  Cardinale's 1961 appearances also included Henri Verneuil's French comedy Les Lions sont lâchés, and Auguste in which she had a cameo role 
The following year, Cardinale starred opposite Jean-Paul Belmondo as Vénus in the 18th-century set adventure Cartouche, which made her a major star in France  She also played Angiolina, the romantic interest of Anthony Franciosa in Bolognini's Senilità, a character which film writer Jacek Klinowski describes as "a spirited and strikingly beautiful twenty-year-old"  In 1962, Cardinale was interviewed by the writer Alberto Moravia, who focused exclusively on her sexuality and body image in films, treating her as an object  Cardinale remarked to him: "I used my body as a mask, as a representation of myself"  The interview was published in Esquire under the title "The Next Goddess of Love"  Cardinale was amused to discover that the interview had inspired the writer to publish La dea dell'amore ("Goddess of Love") the following year, in which one of the characters, with her fine physical appearance and natural curves, closely resembled Cardinale  Just a few years later, she played a similar character in a film based on another novel by Moravia, Time of Indifference The finest and most prolific year of her career was 1963, when she appeared in a number of leading productions  She starred alongside Burt Lancaster in Visconti's The Leopard (1963) (Il Gattopardo), portraying a village girl who married a progressive young aristocrat (Alain Delon), and played a film actress cast by a director (Marcello Mastroianni) in Federico Fellini's 8½  Both films were critically acclaimed and are often cited by critics and scholars as among the greatest films ever made  She participated in the two films during exactly the same period, frequently moving from one to the other and experiencing the strictly planned approach of Visconti which contrasted strongly with Fellini's much more relaxed style and his almost total reliance on improvisation  Cardinale remembered Visconti's set as having an almost religious atmosphere, everything focused on the film, far removed the outside world  Visconti needed silence for his work while Fellini preferred noise and confusion Prior to this period, Cardinale's own voice had not been used in her Italian films, as it was considered too hoarse, and owing to her French accent, insufficiently Italian  Not until 8½ was she allowed to use her own voice  Cardinale explained: "When I arrived for my first movie, I couldn't speak a word  I thought I was on the moon  I couldn't understand what they were talking about  And I was speaking in French; in fact I was dubbed  And Federico Fellini was the first one who used my voice  I think I had a very strange voice " With her portrayal of Angelica in The Leopard and her brief appearance as herself in 8½, Cardinale achieved the definitive status of a top-ranking star The same year, Cardinale starred as Mara in La ragazza di Bube or Bebo's Girl, in which she also used her own voice  For her performance in the film, she received her first Nastro d'Argento for Best Actress in 1965  Cardinale acted in her first American film (although it was produced in Italy) when she played Princess Dala, a wealthy aristocratic woman who is the love and jewellery interest of David Niven in the Cortina d'Ampezzo-set The Pink Panther  Cardinale's voice in the film was dubbed by Gale Garnett, who went uncredited  Niven raved about working with the actress, telling her, "After spaghetti, you're Italy's happiest invention "
In 1964, Cardinale starred alongside Rod Steiger and Shelley Winters in Francesco Maselli's Italian-made Time of Indifference  Thereafter, she spent three years in the United States, where she starred in several Hollywood films  She told of how she benefited from the arrangement, explaining it was an American initiative at a time when they invited all the successful European actresses to perform in their pictures, hoping to create a monopoly  Many suffered from the experience, but she was able to hold her own: "I took care of my own interests, blankly refusing to sign an exclusive contract with Universal Studios  I only signed for individual films  In the end, everything worked out fine for me She first starred in the Henry Hathaway's Hollywood picture Circus World (1964) opposite John Wayne and Rita Hayworth, playing the daughter of Hayworth, who performs with her as a mother-daughter circus act  By the end of the decade, she had returned to making films primarily in Italy, accepting a pay cut, turning her back on Hollywood stardom  Cardinale has further said, "I don't like the star system  I'm a normal person  I like to live in Europe  I mean, I've been going to Hollywood many, many times, but I didn't want to sign a contract " Film writer David Simpson notes that as a result, "Cardinale never achieved the same level of fame as Loren and Gina Lollobrigida", although she appeared in a higher number of decent films In 1964, she also played the lead role in The Magnificent Cuckold, based on the Belgian play Le Cocu magnifique  She was at the height of her sensuality at the time, but later the film only brought back unpleasant memories for her as she experienced little empathy with the director Antonio Pietrangeli, while the male star Ugo Tognazzi tried to seduce her  In 1965, Cardinale appeared in Visconti's Vaghe stelle dell'Orsa, known as Sandra (Of a Thousand Delights) in the US and Of These Thousand Pleasures in the UK, playing a Holocaust survivor who may have had an incestuous relationship with her brother  Later that year, she starred opposite Rock Hudson in Universal Pictures's Blindfold, the last film to be directed by Philip Dunne  Filming began on 22 February 1965 on location in Ocala, Florida  Diane Bond doubled for Cardinale in the film  Cardinale became good friends with Hudson, who proved to be very protective of her, knowing her discomfort outside of Italy  While in Hollywood, Cardinale also became friends with Barbra Streisand, Elliott Gould, and Steve McQueen, but she never managed to feel at home there By 1966, Cardinale was being cited as the most popular film star in Italy, even more than Mastroianni and Loren  Life stated that "the Cardinale appeal is a blend of solid simplicity and radiant sensuality  It moves men all over the world to imagine her both as an exciting mistress and wife " However, following her success in Hollywood, she began to express concerns about the direction of her career  In a July 1966 interview with Life, she confessed her fear of being overglamourized and exploited, like Sophia Loren, and although she had several further US films lined up, stated: "If I have to give up the money, I give it up  I do not want to become a cliché "
In 1966, a photograph of Cardinale was featured in the original gatefold artwork to Bob Dylan's album Blonde on Blonde (1966), but it was used without her permission and removed from later pressings  That year, she starred in Mark Robson's war picture Lost Command for Columbia Pictures opposite Anthony Quinn, Alain Delon, and George Segal  Quinn expressed his love of working with Cardinale, stating that although he adored Cardinale and Loren equally, "I relate easier to Claudia, Sophia creates an impression of something larger than life, something unobtainable  But Claudia – she's not easy, still she's within reach"  She also played a Mexican marquessa in Richard Brooks' Western The Professionals, uniting her on screen once again with Burt Lancaster in what she  considered to be her best American film  The following year, she appeared in Una rosa per tutti (A Rose for Everyone) and in Alexander Mackendrick's sex farce Don't Make Waves opposite Tony Curtis  Although occasional funny moments were noted, Don't Make Waves was generally panned by the critics and the lack of chemistry with co-star Curtis was highlighted  Leonard Maltin, though, described the film as "a gem" At the beginning of 1967, Cristaldi joined her in the United States  While the two were staying in Atlanta, he surprised her by taking her to their wedding ceremony which he had arranged without her knowledge  She went ahead with the ceremony but was concerned about sacrificing the rights she had to her child Patrick  She also realised she was increasingly unable to make decisions about her own life  The marriage was never made official in Italy In 1968, Cardinale featured opposite Franco Nero in The Day of the Owl, in a David di Donatello for Best Actress-winning performance  She reunited with Rock Hudson in the Italian-made criminal comedy A Fine Pair under director Francesco Maselli  She also appeared alongside Rod Taylor in The Hell with Heroes and starred in one of her best-known roles as former prostitute Jill McBain in Sergio Leone's epic Western Once Upon a Time in the West  Such was the power of her performance as the whore that Leone's biographer Robert C  Cumbow described her as "permanently engraved in cinematic history" and noted how suited to the role she was: "Her sex-goddess appearance combines with her more mystical iconographic associations to ease the progress of Jill from tart to town builder, from harlot to earth mother, from sinner to symbol of America—the apotheosis of the harlot with a heart of gold " In 1969, Cardinale starred opposite Nino Manfredi in Luigi Magni's Nell'anno del Signore, based on the actual story of the capital execution of two carbonari in papal Rome  This was followed by a role as a telephone operator in Certo certissimo     anzi probabile, and as a nurse opposite Sean Connery and Peter Finch in Mikhail Kalatozov's The Red Tent, based on the story of the mission to rescue Umberto Nobile and the other survivors of the crash of the Airship Italia 

1970s
In 1970, Cardinale starred opposite Peter McEnery and Eli Wallach in Jerzy Skolimowski's comedy film The Adventures of Gerard, based on The Exploits of Brigadier Gerard by Arthur Conan Doyle  In 1971, she formed a duo with Brigitte Bardot in the French Western-comedy The Legend of Frenchie King, and appeared as a prostitute opposite Alberto Sordi in Luigi Zampa's comedy A Girl in Australia  The film, shot on location in February and March 1971, earned Cardinale a Best Actress award at the David di Donatello Awards the following year  In 1972, Cardinale appeared in Marco Ferreri's L'udienza, which was screened at the 22nd Berlin International Film Festival  She also featured in La Scoumoune with Jean-Paul Belmondo and Michel Constantin  After a role as a Russian aristocrat opposite Oliver Reed in One Russian Summer (1973), set in prerevolutionary Russia, Cardinale starred opposite Franco Nero in I guappi (1974), a historical drama film with "poliziotteschi" and "noir" elements  Cardinale and the director Pasquale Squitieri met for the first time on set, and he soon became her husband 
In 1975, Cardinale played the daughter of a political exile (Adolfo Celi) in Mauro Bolognini's Libera, My Love, a character who becomes "increasingly incensed by the fascist government of Italy and makes a number of bold and very personal gestures against it"  Later that year she appeared in the comedies The Immortal Bachelor with Vittorio Gassman and Blonde in Black Leather with Monica Vitti  Vitti's biographer noted how Cardinale and Vitti stood out as the female duo in a predominantly masculine cast In 1976, Cardinale appeared in the sex comedy Il comune senso del pudore, which was directed and written by Alberto Sordi, who also co-starred  The following year, she had a biblical role as the adulteress in the Jesus of Nazareth miniseries, which featured Robert Powell as Jesus, Anne Bancroft as Mary Magdalene, and Ernest Borgnine as Cornelius the Centurion  Cardinale starred in her husband's Il prefetto di ferro, which tells the story of Cesare Mori (Giuliano Gemma), an Italian prefect that before and during the Fascist period was best known as "the Iron Prefect"  The film shared the 1978 David di Donatello for Best Film award  with In nome del Papa Re  In 1978, Cardinale appeared in Damiano Damiani's political thriller, Goodbye & Amen – L'uomo della CIA, and again featured alongside Gemma in her husband's gangster picture, Corleone, set in 1950s Sicily 
After a role in another Squitieri film in 1978, L'arma, Cardinale portrayed Eleana, a Greek "gutsy brothel madame" and the girlfriend of Telly Savalas in George P  Cosmatos's adventure war film, Escape to Athena (1979)  The film, shot on location in Rhodes, was poorly received; it holds a 32% "rotten" rating on Rotten Tomatoes as of July 2015 

1980s
After a role in Si salvi chi vuole (1980), and a smaller part in Peter Zinner's The Salamander opposite Franco Nero, Anthony Quinn, and Christopher Lee, Cardinale played the love interest of Marcello Mastroianni in Liliana Cavani's war picture The Skin, a film which also reunited her with Burt Lancaster  The Skin was entered into the 1981 Cannes Film Festival  In 1982, Cardinale appeared in Werner Herzog's Fitzcarraldo, playing a successful brothel owner who funds Klaus Kinski's purchase of an old steamship in South America  The film, inspired by the story of Peruvian rubber baron Carlos Fermín Fitzcarrald, was shot on location in Brazil and Peru  The film was critically acclaimed, with Vincent Canby of The New York Times calling it "a fine, quirky, fascinating movie" and a "stunning spectacle", comparing the dynamic between Kinski and Cardinale to Katharine Hepburn and Humphrey Bogart in John Huston's The African Queen  He pointed out that although Cardinale's screen time in the film was not substantial, she set its comic tone; he praised the way she managed to turn Kinski, renowned for his volatile temperament and portrayals of megalomaniacs and criminals, into a "genuinely charming screen presence", adding a new dimension to his acting career  Later that year, Cardinale played opposite Pierre Mondy in the sex farce Le Cadeau, a role which biographers Lancia and Minelli say was played with a "mature charm and expressiveness" In 1983, Cardinale had a role in the Waris Hussein miniseries Princess Daisy, and featured alongside  Lino Ventura and Bernard Giraudeau in the French-Canadian film Le Ruffian  In 1984, she played the love interest of Marcello Mastroianni in a Marco Bellocchio production of Henry IV, based on the Luigi Pirandello play of the same name  It was entered into the 1984 Cannes Film Festival  Squitieri's Claretta (1984), featuring Cardinale and Gemma, was entered into the competition at the 41st Venice International Film Festival  Cardinale's performance as Claretta Petacci garnered her the Nastro d'Argento for Best Actress  In 1985, Cardinale starred opposite Ben Gazzara and Lina Sastri in Alberto Bevilacqua's La donna delle meraviglie   It entered the competition at the 1985 Venice International Film Festival In 1986, Cardinale was involved in the making of two films for television  In Comencini's La storia (from Elsa Morante's novel), Cardinale portrayed a widow raising a son during World War II  In her husband's Naso di Cane, a miniseries, Enrico Lancia and Roberto Poppi praised her for her "light comic touch"  In 1987, Cardinale starred opposite Peter Coyote, Greta Scacchi, and Jamie Lee Curtis in Diane Kurys's film A Man in Love (Un homme amoureux), Kurys's first English-language feature  It was entered into the 1987 Cannes Film Festival  Cardinale's performance as Scacchi's cancer-stricken mother was praised by critics, with Desson Howe of The Washington Post highlighting the "warm and radiant" elements that she brought to the role, and Hal Hinson, also of The Post, comparing Scacchi to having "the same kind of sensuality that Cardinale brought to her earlier roles"  After a role in the comedy, Blu elettrico (1988), Cardinale portrayed Yolande de Polastron, a favourite of Marie Antoinette's, in the two-part film La Révolution française in 1989  Made to celebrate the bicentennial anniversary of the French Revolution, the 360-minute Robert Enrico and Richard T  Heffron film was an international production, boasting a cast which included Klaus Maria Brandauer, Jane Seymour and Peter Ustinov 

1990s
In 1990, Cardinale starred opposite Bruno Cremer in Squitieri's Atto di dolore, and appeared in the Morocco-set Soviet-Italian production, La battaglia dei tre tamburi di fuoco 
In 1991, Cardinale featured alongside Richard Berry and Omar Sharif in Henri Verneuil's Mayrig (meaning "mother"), a film about the struggles of an Armenian family that emigrates to Marseilles from Turkey after the Armenian genocide of 1915  Such was the success of the film that Verneuil made a sequel the following year, 588, rue Paradis, also featuring the cast  Cardinale was praised by critics for her role as the mother; the Armenian General Benevolent Union of America noted the "flawless performance of these intrepid actors, especially of Claudia Cardinale"  In 1993, Cardinale won the Leone d'oro alla carriera award at the Venice Film Festival, in which she was honoured along with Roman Polanski, Robert De Niro, and Steven Spielberg  Cardinale agreed to reunite with Blake Edwards, Herbert Lom, and Burt Kwouk to celebrate the 30th anniversary of The Pink Panther by making Son of the Pink Panther  It was Edward's last film, but was a critical and commercial failure, with critics despairing at the "painfully unfunny script" and the performance of Roberto Benigni as Clouseau, which earned him the Razzie Award for Worst New Star  As of July 2015, it has a rating of just 6% on Rotten Tomatoes based on 34 reviews 
In 1994, Cardinale had a role in Charlotte Dubreuil's Elles ne pensent qu'à ça   , and the following year appeared in the French TV serial 10-07: L'affaire Zeus In 1997, Cardinale featured in the British-Italian television drama miniseries Nostromo, directed by Alastair Reid and produced by Fernando Ghia of Pixit Productions, a co-production with Radiotelevisione Italiana, Televisión Española, and WGBH Boston  It is described as "an adaptation of Joseph Conrad's epic story Nostromo of political upheaval, greed, and romance in turn-of-the-20th-century South America " Cardinale and the cast were nominated for an ALMA Award for Outstanding Latino/a Cast in a Made-for-Television Movie or Mini-Series  Later in 1997, Cardinale appeared in the films Sous les pieds des femmes and her husband's Stupor Mundi, in which she portrayed Constance of Aragon  In 1998, Cardinale portrayed the mother of Lola Naymark in the French picture Riches, belles, etc , a wealthy baroness who leaves her hotel to her daughter to care for during her absence  The following year, Cardinale played the peasant mother of two children who are members of Carmine Crocco's (Enrico Lo Verso's) army during the Garibaldi era, in Cristaldi's historical film Li chiamarono    briganti!  Poorly received, the film was boycotted, and the producers have since refused to assign the broadcasting rights 

2000s
In 2000, Cardinale embarked on her stage career, starring in Maurizio Scaparro's stage production of La Venexiana, adapted by René de Ceccatty, at the Théâtre du Rond-Point in Paris 
She also appeared in her husband's television film, Élisabeth - Ils sont tous nos enfants  Two years later, Cardinale went on a theatrical tour of Italy, performing in Luigi Pirandello's Come tu mi vuoi, which Squitieri directed  She appeared as what Roger Ebert described as a "faded countess" opposite Jeremy Irons in Claude Lelouch's thriller film And Now    Ladies and Gentlemen, portraying a character who spends her time in Fez, Morocco, with handsome gigolos  The film was screened out of competition at the 2002 Cannes Film Festival  And Now    Ladies and Gentlemen received mixed reviews; A  O  Scott of The New York Times dismissed it as "sublimely silly", but praised the "impeccable CinemaScope compositions" and the "lush, suave score" by Michel Legrand In 2005, Cardinale appeared in a Philippe Adrien stage production of Tennessee Williams's Sweet Bird of Youth, and in the 2006/2007 season also featured in another Williams play, The Glass Menagerie, directed by Andrea Liberovici, in which she played the character of Amanda  In 2007, Cardinale appeared in the Aline Issermann comedy film Cherche fiancé tous frais payés, opposite Alexandra Lamy and Bruno Salomone, in a role which Patrick Besson described as "atrocious"  After a role in the TV movie Hold-up à l'italienne (2008), the following year Cardinale starred in the critically acclaimed The String, playing a Tunisian mother who has a tempestuous relationship with her French-educated gay son  Michael D  Klemm of cinemaqueer com reflected on how the film broke many of the taboos with interracial sexuality and homosexuality  He praised Cardinale's "terrific" acting and portrayal of the "overbearing" mother, likening one scene, where she "brings home a nice girl for Malik (Antonin Stahly) to meet", to Harold and Maude (1971) 

2010s
In 2010, Cardinale received the Golden Orange Best Actress Award at the 47th Antalya "Golden Orange" International Film Festival for her performance as an elderly Italian woman who takes in a young Turkish exchange student in Signora Enrica  The Turkish-Italian co-production was shot in locations in Istanbul and Rimini In 2012, Cardinale featured opposite Jeanne Moreau and Michael Lonsdale in the final feature film to be directed by Portuguese director Manoel de Oliveira, Gebo and the Shadow  Critically acclaimed, it has a rare 100% rating on Rotten Tomatoes, and was shown at the 69th Venice International Film Festival  The Hollywood Reporter described it as the "ensemble of superb older performers who comprise the remainder of the dramatis personae"  Another excellent film in which Cardinale acted, released in 2012, was The Artist and the Model  In it, she starred along with Jean Rochefort  In 2013, Cardinale starred alongside supporting actresses Patricia Black and Chloé Cunha in Nadia Szold's Joy de V , and had a role in Ernst Gossner's war drama The Silent Mountain, a love story set in the Dolomite Mountains at the outbreak of World War I between Italy and Austria-Hungary in 1915  Gossner described her as "a terrific spirit on the set", and noted that Cardinale told the production team "legendary stories" about Marcello Mastroianni  In 2014, Cardinale portrayed a "sympathetic Italian chaperone" viscountess in the British period drama film Effie Gray, which was written by Emma Thompson (whom Cardinale shares birthday with) and featured Dakota Fanning in the lead role  While promoting Effie Gray, in an interview Cardinale said: "I still continue to work, it's 142 movies now  Usually when you are old you don't work any more, but I still work, which is good     I've been very lucky because I've had many fantastic directors with me, Fellini, Visconti, Blake Edwards, lots and lots   " On 11 October 2018 she received the Tabernas de Cine award in the Almería Western Film Festival 

2020s
In 2020, Cardinale headlined the Swiss miniseries Bulle  Later that year, she had a role in the Netflix film Rogue City  In its debut weekend, it was the second most-streamed film on the site 

Personal life
Claudia Cardinale met the Italian film producer Franco Cristaldi in 1958  According to Cardinale, the couple had a marriage party but did not marry, and they became increasingly detached  Cristaldi later married Zeudi Araya and had no further relationship with Cardinale Cardinale lived with Pasquale Squitieri, an Italian film director, for 42 years, from 1975 until Squitieri died on 18 February 2017, aged 78 Cardinale has two children: Patrick, who was born when she was 19 and later adopted by Cristaldi, and Claudia, whom she had with Squitieri 
Cardinale is fluent in Arabic, French, Italian, English, and Spanish  Her niece Francesca is also an actress Cardinale is a political liberal who has supported feminist causes over the years  Although she lives in Paris, Cardinale is fiercely outspoken about being identified as an Italian  She has been a UNESCO goodwill ambassador for the Defence of Women's Rights since March 2000, and was a goodwill ambassador for the UNESCO World Water Day for 2006 Cardinale published an autobiography with Anne Mori, Io Claudia, Tu Claudia, in 1995  She has been a regular attendee of the Academy Awards  Her awards have included an honorary Golden Lion at the 1993 Venice Film Festival, and an Honorary Golden Bear at the 2002 Berlin Film Festival  The Los Angeles Times Magazine, in a February 2011 online feature, named Cardinale among the 50 most beautiful women in film history  Cardinale said of her acting, "I never felt scandal and confession were necessary to be an actress  I've never revealed myself or even my body in films  Mystery is very important " In a 2014 interview, she revealed her secret of success: "If you want to practise this craft, you have to have inner strength  Otherwise, you'll lose your idea of who you are  Every film I make entails becoming a different woman  And in front of a camera, no less! But when I'm finished, I'm me again "

See also
Passage 4:
Three Strangers in Rome
Tre straniere a Roma, also known as Three Strangers in Rome, is a 1958 Italian romantic comedy film directed by Claudio Gora starring Claudia Cardinale  The film was one of the first movies with Cardinale in a leading role 

Cast
Yvonne Monlaur: Nanda
Claudia Cardinale: Marisa
Françoise Danell: Elsa
Luciano Marin: Sandro Nencioni
Roy Ciccolini: Sergio
Leonardo Botta: Franco
Tamara Lees: Sandro's girlfriend
Renato Chiantoni: Pasquale
Nando Bruno: Vincenzo's father
Guglielmo Inglese: Michele
Alberto Talegalli: Uncle Gaetano
Gina Mascetti: Owner of the Pensione Aurora
Dolores Palumbo: Sergio's mother
Andrea Scotti: Osvaldo
Marino Barreto Junior: Himself
Marco Tulli

External links
Tre straniere a Roma at IMDb
Passage 5:
Frank Kubatzki
Frank Kubatzki (May 12, 1877 – ?) was an American blacksmith from Milwaukee who served three terms as a Democratic member of the Wisconsin State Assembly representing the 8th Milwaukee County District (8th Ward of the City of Milwaukee) 

Background
Kubatzki was born in the part of Poland within the German Empire on May 12, 1877, and came to America with his parents at the age of two, the family locating in Milwaukee  He was educated in a parochial school and night school, and became a blacksmith by trade  He served in the Army's First Wisconsin Volunteers from the outbreak of the Spanish–American War until he was mustered out in October 1898  Returning home, he returned to his trade until he lost the use of two limbs due to a disease contracted while in the service, and had to dispose of his business  He would eventually be awarded a monthly pension of $72 in 1926, apparently as a result of lobbying by Congressman John C  Schafer 

Legislative service
He was elected to the assembly in 1914 and was re-elected in 1916 and 1918, receiving 1,147 votes at the 1918 general election to 756 for Socialist Frank Cieszynski  He was defeated for re-election in 1920 by Socialist Walter Polakowski  In 1922 he attempted to re-gain his old seat, but came in third, losing to Polakowski's younger brother John Polakowski, who received 2,191 votes to 1,471 for Republican Louis Polewczwnski and 856 for Kubatzki 
Context 2: Passage 1:
Sri Lanka Matha
"Sri Lanka Matha" (English: "Mother Sri Lanka"; Sinhala: ශ්‍රී ලංකා මාතා, romanized: Śrī Lańkā Mātā; Tamil: ஸ்ரீ லங்கா தாயே, romanized: Srī Laṅkā Tāyē) is the national anthem of Sri Lanka  "Sri Lanka Matha" was composed by Ananda Samarakoon and was originally titled "Namo Namo Matha" ("Salute! Salute! Motherland") "Sri Lanka Matha" was first performed at an official ceremony on 4 February 1949 at the Independence Memorial Hall in Torrington Square during the national day ceremony  The anthem was given full constitutional recognition in the 1978 Second Republican Constitution 

History
There are differing accounts as to the origin of the "Sri Lanka Matha"  The most widely held view is that Sri Lankan composer Ananda Samarakoon wrote the music and lyrics to the song, inspired/influenced by the Indian Bengali poet Rabindranath Tagore  A minority suggest that Tagore wrote the anthem in full  Some have suggested that Tagore wrote the music whilst Samarakoon wrote the lyrics  Tagore being directly involved in the creation of the song has been denied by some historians like Indian Lipi Ghosh and Sri Lankan Sandagomi Coperahewa  Samarakoon had been a pupil of Tagore at Visva-Bharati University, Santiniketan  After returning to Ceylon Samarakoon taught music at Mahinda College, Galle  The song, which was then known as "Namo Namo Mata", was first sung by students at Mahinda College  After it was sung by the choir from Musaeus College, Colombo at a public event it became hugely popular in Ceylon and was widely played on radio Prior to Ceylon's independence (1948) the Lanka Gandharva Sabha had organised a competition to find a national anthem  Among the entries were "Namo Namo Matha" by Samarakoon and "Sri Lanka Matha Pala Yasa Mahima" by P  B  Illangasinghe and Lionel Edirisinghe  The latter won the competition but this was controversial as Illangasinghe and Edirisinghe were members of the judging panel  "Sri Lanka Matha Pala Yasa Mahima" was broadcast by Radio Ceylon on the morning of 4 February 1948, independence day, but it was not sung at the official Freedom Day celebrations  Ceylon continued to use the UK's national anthem as its official national anthem after independence  At the first independence day ceremony held on 4 February 1949 at the Independence Memorial Hall in Torrington Square both "Namo Namo Matha" and "Sri Lanka Matha Pala Yasa Mahima" were sung, in Sinhala and Tamil, as "national songs" More specifically, in 1950 Minister of Finance J  R  Jayewardene requested that the government recognise Samarakoon's "Namo Namo Matha" as the official national anthem  The government appointed a committee headed by Edwin Wijeyeratne, Minister of Home Affairs and Rural Development, to pick a new national anthem  The committee heard several songs but, after much deliberation, picked "Namo Namo Matha"  The committee made a minor change to Samarakoon's song, with his approval, changing the tenth line from "Nawajeewana Damine Newatha Apa Awadi Karan Matha" to "Nawa Jeewana Demine Nithina Apa Pubudu Karan Matha"  The committee's decision was endorsed by the government on 22 November 1951  The anthem was translated into the Tamil language by M  Nallathamby  "Namo Namo Matha" was first sung as Ceylon's official national anthem at the independence day parade in Colombo in 1952 In the late 1950s controversy arose over its first line, "Namo Namo Matha, Apa Sri Lanka"  It was deemed to be "unlucky" and blamed for the country's misfortunes including the deaths of two prime ministers  In February 1961 the government changed the line to their present form, "Sri Lanka Matha, Apa Sri Lanka", despite Samarakoon's strong opposition  Samarakoon committed suicide in April 1962, leaving a note complaining that its lyrics had been mutilated The Second Republican Constitution of 1978 gave "Sri Lanka Matha" constitutional recognition 

Multilingual
The Sri Lankan national anthem is available in an identical version in two languages, Sinhala and Tamil, both official languages of the country  It is just one of a number that are sung in more than one language: Belgium (French, Dutch, and German), Canada (English, French and Inuktitut), Finland (Finnish, Swedish), New Zealand (English and Māori), South Africa (Xhosa, Zulu, Sesotho, Afrikaans and English), Suriname (Dutch and Sranan Tongo) and Switzerland (German, French, Italian and Romansh) "Sri Lanka Thaaye", the Tamil version of the Sri Lankan national anthem, is an exact translation of "Sri Lanka Matha", the Sinhala version, and has the same music  Although it has existed since independence in 1948 it was generally only sung in the north and east of the country where the Tamil language predominates  The Sinhala version of the Constitution uses Sinhala lyrics while the Tamil version of the constitution uses Tamil lyrics  Per the constitution both Sinhala and Tamil are official and national languages and thus the anthem could be sung in both languages The majority of Sri Lankans (around 75%) speak the Sinhala language  More specifically, "Tamil is the native language for the Tamil people, who constitute about 15% of Sri Lankans, and for Muslims who are nearly 10%", according to the BBC  Until early 2016, the Sinhala version was the only one to be used during official government events and it was the only version used during international sports and other events  Although the Sinhala version of the anthem was used at official/state events, the Tamil version was also sung at some events in spite of the unofficial ban which ended in early 2016  
The Sinhala version of Sri Lanka Matha was used in all parts of the country with the exception of the North and the East which have a large Tamil population  Some reports indicate that the Tamil version was used at official events held in the Tamil speaking regions in the North and East of Sri Lanka  The Tamil version was sung at Tamil medium schools throughout the country  The Tamil version was even used during the period when Sinhala was the only official language of the country (1956–87) 

Tamil version controversy
On 12 December 2010 The Sunday Times reported that the Cabinet of Sri Lanka headed by President Mahinda Rajapaksa had taken the decision to scrap the Tamil translation of "Sri Lanka Matha" at official and state functions, as "in no other country was the national anthem used in more than one language" - even though the national anthems of Belgium, Switzerland, Canada and those of several other countries have more than one language version  The Cabinet's decision had followed a paper on the national flag and national anthem produced by Public Administration and Home Affairs Minister W  D  J  Senewiratne  The paper had drawn on the Singaporean model where the national anthem is sung in the official lyrics and not any translation of the lyrics  Based on this the paper recommended that the Sri Lankan national anthem only be sung in Sinhala and the Tamil translation be abolished  The paper's authors had failed to realise that the official lyrics of the Singaporean national anthem are in Malay, a minority language (75% of Singaporeans are Chinese) Government minister Wimal Weerawansa had labelled the Tamil version a "joke" on Derana TV, and had cited India as an analogy  Some journalists, such as D  B  S  Jeyaraj, claimed that it was wrong of Weerawansa  to cite India as an analogy because according to them the Indian national anthem was not in Hindi, which is the most widely spoken language of India, but in Bengali, a minority language  Although sources based on an official Government of India website state that the Indian National anthem was adopted in its Hindi version by the Constituent Assembly of India, the proceedings of the Constituent Assembly of India on 24 January 1950 does not mention that the National Anthem was "adopted", nor does it mention that it was done so in its Hindi version  In actual practice the unaltered Bengali version is the version sung as the National Anthem, with its words in original Bengali Tatsama, a highly Sanskritized form of Bengali that has Sanskrit words common to both Hindi and Bengali The Cabinet's December 2010 decision to scrap the Tamil translation of the anthem (which was not subsequently enacted) caused much furore in Sri Lanka  Later, the government denied allegations that the Tamil translation was to be abolished  The Presidential Secretariat has stated that there was no basis to the media report and follow up reports which intimated the same  Nevertheless, an unofficial ban on the Tamil version came into being as fearful public officials in Tamil speaking areas stopped using the Tamil version or blocked attempts to use it  The Sri Lankan Army forcefully stopped any use of the Tamil version and taught school children to sing only the Sinhala version In March 2015 newly elected President Maithripala Sirisena announced that he would be issuing a circular which would state that there was no ban on singing the national anthem in Tamil  Sirisena's announcement was attacked by Sinhalese Buddhist nationalists During Sri Lanka's 68th national independence day celebrations on 4 February 2016, the Tamil version of the anthem was sung for the first time since 1949 at an official government event, the independence day celebrations  Lifting of the unofficial ban on the Tamil version had been approved by President Maithripala Sirisena (who had said he would unite the nation after the nearly 26-year civil war that ended in 2009) and by others in the government  This step was viewed as part of the plan for "post-civil war ethnic reconciliation" Naturally, Sri Lanka Matha was also sung in Sinhalese  Some groups, and Sri Lanka's former President Mahinda Rajapaksa, were opposed to the government officially allowing the Tamil version to be sung In 2020, the Sri Lankan government stopped using the Tamil version of the national anthem at the main Independence Day celebration  However, regional independence day celebrations including those with government involvement in regions with significant Tamil populations continue to sing in both Tamil and Sinhala 

Lyrics
Sinhala version
Tamil version
Poetic English translation
Notes
See also
Sri Lankan Civil War
Tamil Eelam
Passage 2:
The Devil Went Down to Georgia
"The Devil Went Down to Georgia" is a song written and performed by the Charlie Daniels Band and released on their 1979 album Million Mile Reflections The song is written in the key of D minor  Although uncredited, Vassar Clements originally wrote the basic melody an octave lower, in a tune called "Lonesome Fiddle Blues" released on Clements' self-titled 1975 album on which Charlie Daniels played guitar  The Charlie Daniels Band moved it up an octave and put words to it  The song's verses are closer to being spoken rather than sung (i e , recitation), and tell the story of a young man named Johnny, in a variant on the classic deal with the Devil  The performances of the Devil and Johnny are played as instrumental bridges  The song was the band's biggest hit, reaching No  3 on the Billboard Hot 100, prevented from further chart movement by "After the Love Has Gone" by Earth, Wind and Fire and "My Sharona" by The Knack 

Content
The song tells a story about the Devil's failure to gain a young man's soul through a fiddle-playing contest  The song begins as a disappointed Devil arrives in Georgia, apparently "way behind" on stealing souls, when he comes upon a young man named Johnny who is playing a fiddle, and quite well  Out of desperation, the Devil, who claims to also be a fiddle player, wagers a fiddle of gold against Johnny's soul to see who is the better fiddler   Although Johnny believes taking the Devil's bet might be a sin, he fearlessly accepts, confidently boasting "I'm the best that's ever been "
The Devil plays first, backed by a band of demon musicians  When he has finished, Johnny compliments him ("Well, you're pretty good, old son ") and takes his own turn, rendering at least four old-time songs, named (though not played) in the Charlie Daniels Band recording—the third of the four being identified not by title, but by an excerpt of its lyrics:

"Fire on the Mountain," the name of an early 19th-century fiddle tune, and also the name of Daniels' 1974 album,
"The House of the Rising Sun," a traditional American southern folk song,
"Chicken in the bread pan pickin' out dough," which was famously used in Bob Wills & His Texas Playboys' song "Ida Red," and
"Granny Will Your Dog Bite "Realizing he has been defeated, the devil lays his golden fiddle at Johnny's feet  Johnny then invites the devil to "c'mon back if y'ever wanna try again" before repeating his claim to be "the best that's ever been"   The resolution is not without ambiguity   While the devil seems to have failed, Johnny's indulgence in the sin of pride indicates the devil may have won his soul after all through clever subterfuge 

Reception
Cash Box praised the "engaging narrative story line" and said the song has "thundering piano", "screaming fiddle work", "pounding drums and screeching guitar"  Record World said that Daniels "administers heavy doses of both [storytelling and fiddle-playing] with producer John Boylan capturing the excitement like no one else can "

Censorship
Johnny's final boast, from the album version of the song, goes, "I done told you once, you son of a bitch, I'm the best that's ever been"   But to accommodate radio airplay for Country and Top 40 formats, Daniels changed the lyric for the single release to, "'Cause I told you once, you son of a gun", though AOR stations continued to use the unaltered version 

Musical references
The ballad's story is a derivative of the traditional deal with the Devil motif  Charlie Daniels has stated in interviews, "I don't know where it came from, but it just did  Well, I think I might know where it came from, it may have come from an old poem called 'The Mountain Whippoorwill' that Stephen Vincent Benét wrote many, many years ago (1925), that I had in high school "

Personnel
Charlie Daniels - guitar, fiddle, vocals
Tom Crain - guitar, vocals
"Taz" DiGregorio - keyboards, vocals
Fred Edwards - drums, percussion
James W  Marshall - drums, percussion
Charles Hayward - bass

Parodies and covers
The Levellers released a version of the song in 1991 
Although it is frequently misattributed to David Allan Coe or "Weird Al" Yankovic, the musician Travis Meyer performed a parody entitled "The Devil Went to Jamaica" circa 1998, in which Johnny is recast as a Jamaican drug dealer who is challenged by the devil to a pot-smoking contest to see whose marijuana is best: his, or Johnny's 
On a 1980 The Muppet Show episode (Episode 420), the Muppet versions of the Devil and Johnny are portrayed in an opening number cover of the song 
The rap group K M C  Kru released a hip hop re-imagining of the song entitled "The Devil Came Up to Michigan" in 1991, featuring the devil and a deejay competing for a turntable of gold 
In the 2000 movie Coyote Ugly, the original song version by the Charlie Daniels Band is sung and danced to as an on-bar line dance by the troupe of female bartenders 
Steve Ouimette (with Ed DeGenaro and Geoff Tyson) performed a cover of the song for the 2007 video game Guitar Hero III: Legends of Rock and, eventually, his 2010 album Epic  This version uses electric guitars instead of fiddles, though the original lyrics are still performed  It is played as the conclusion of the game in a simulated guitar battle with the devil  Daniels objected to this version on the grounds that the devil may win the contest, which he referred to as "violating the very essence of the song" 
In 2013, the Boston-based roots rockers Adam Ezra Group recorded a parody version, "The Devil Came up to Boston", with Boston-focused lyrics  In this version's official music video, group leader Adam Ezra, who wrote the lyrics to the parody, narrates it with an exaggerated version of his real-life Boston accent, and the Devil is depicted as a New York Yankees fan, playing off the historic rivalry between the Yankees and Boston Red Sox 
The pop singer and electric violinist Michelle Lambert recorded a version of the song in 2015, and released a music video  In her rendition "Johnny" is replaced by "Michelle" 
A cappella group Home Free recorded a version of the song in collaboration with Taylor Davis and Charlie Daniels playing fiddle, released in September 2015  The narration is performed by Home Free bass singer Tim Foust 
The rock band Blues Traveler often performs this song in concert, with John Popper playing the fiddle parts on harmonica  They featured a live version of the song on their 2006 EP ¡Bastardos en Vivo!
Robot Chicken featured a composite parody of the song along with the animated series Spawn in episode 49 of season 3, where Malebolgia, an infernal lord, is challenged by Spawn to a fiddle duel set to a similar tune 
In the Futurama episode "Hell is Other Robots", Leela must challenge the robot devil in a fiddle-playing contest to win back Bender's soul  Also included as a prize for the winner of the contest is a solid gold fiddle 
The funk metal band Primus covered the song and featured it, in the form of a stop motion animated music video, on a CD-ROM that was included with the 1998 release of their EP Rhinoplasty 
British Punk band The Toy Dolls recorded a version called 'The Devil Went Down to Scunthorpe', which used a guitar duel instead of a fiddle duel between Johnny and the Devil 
The Christian parody band ApologetiX recorded a parody called "The Devil Went Down to Jordan" which records the Devil's attempt to tempt Jesus in the wilderness 
British comedy folk band The Bar-Steward Sons of Val Doonican recorded a version called 'The Devil Went Down To Barnsley', in which the devil has a fiddle duel with Bjorn Doonicansson 
The American metal band Nature of Rebel Minds  released a cover of the song in 2019 and released an official music video to youtube as well  
The American nu metal band Korn recorded a cover of the song in 2020 which featured the band playing the devil and rapper Yelawolf as Johnny 
The Canadian rock band Nickelback recorded a cover in 2020 with Dave Martone  This version uses electric guitars instead of fiddles, tuned down a whole step, and contains the original lyrics with slight changes 
A metal version of the song was recorded by Leo Moracchioli for his YouTube channel, Frog Leap Studios  The video was publicly released on July 17, 2020 
A cover of the song titled "Devil Comes Back to Georgia" was done by Johnny Cash singing updated lyrics with violin performed by Mark O'Connor in 1993 
In 1996, the indie rock band Mono Puff released their studio album Unsupervised, which spawned a single "The Devil Went Down to Newport" 
The Zac Brown Band perform the song regularly in concert, and included a version on their 2009 EP Live from Bonnaroo
Adrenaline Mob released a heavy metal cover in their 2015 album "Dearly Departed" 

Chart performance
The original version of the song spent fourteen weeks on the Hot Country Singles charts in 1979, peaking at number 1 and holding the position for one week  It spent two weeks at a peak of number 3 on the Billboard Hot 100   The single was certified Platinum by the RIAA on December 20, 1989, for sales of over two million copies in the United States  In 2003, the song was ranked at #69 on CMT's 100 Greatest Songs of Country Music, and #5 on CMT's 20 Greatest Southern Rock Songs in 2006  Since it became available as a download in the digital era, it has also sold 2 49 million digital copies in the US as of November 2019  In June 1998, Epic Records re-released the song to country radio, but accidentally sent out the version in which the line "son of a bitch" was uncensored  This error was quickly corrected, and the song re-entered the country charts at number 62 for the chart dated June 20, 1998  It spent seven weeks on the chart and peaked at number 60 

Certifications
Sequel
In 1993, a sequel to the song, "The Devil Comes Back to Georgia", was released by master violinist Mark O'Connor on his album Heroes  The song featured Daniels on fiddle, with Johnny Cash as the narrator, Marty Stuart as Johnny, and Travis Tritt as the devil  The song peaked at #54 on Billboard's Hot Country Songs chart in 1994 
In the sequel, the devil, still furious ten years after being beaten, decides to take up Johnny's challenge to "c'mon back if y'ever wanna try again"  Johnny is now grown with a wife and infant son, and the devil believes that Johnny's sinful pride will be his undoing, so he takes back the golden fiddle, forcing Johnny to practice with his old fiddle before their rematch – the same one he played when he defeated the devil  
Though the song reiterates Johnny's bold claim that he is "the best that's ever been", the lyrics do not reveal who won the rematch  But in the video, the devil is shown defeated by Johnny again 

See also
"Cross Road Blues"
Faust
"The Devil and Daniel Webster"
"The Devil and Tom Walker"
"The Devil's Dream"
Passage 3:
The Littlest Hobo
The Littlest Hobo is a Canadian television series (French title: Le Vagabond) based upon a 1958 well-known film of the same name directed by Charles R  Rondeau  The series first aired from 1963 to 1965 in syndication, and was revived for a popular second run on CTV, spanning six seasons, from October 11, 1979, to March 7, 1985  The concept of the show was that of "an ownerless dog" 
All three productions revolved around an extremely intelligent stray German Shepherd, the titular Hobo, who wanders from town to town, helping people in need (all portrayed by actors in celebrity guest appearance roles)  Despite the attempts of the many people whom he helped to adopt him, he heads off by himself at the end of each episode 
Referred to as “Gulliver” in a single episode, the dog is often referred to by the name Hobo or by the names given by temporary human companions  His origins, motivation, and ultimate destination are never explained on screen 

1963–1965 series
The German Shepherd dogs featured in both 1960s and 1980s series were owned and trained by Charles (Chuck) P  Eisenmann  The primary star was named London, but several of London's relatives, including Toro, Litlon, and Thorn, also played scenes as the Hobo  Eisenmann used his own training methods to work with his dogs which involved educating them to think and understand very specific directions, to recognize colours, and to understand English, German, and French  He promoted his education method by touring with his dogs to offer live demonstrations,  appearing on TV and radio shows and by writing books  Eisenmann recounts many stories from the filming of the series in his 1968 dog training book Stop! Sit! and Think  Other books he wrote include The Better Dog: The Educated Dog which contains updated training material and A Dog’s Day in Court which offers a dog's point of view towards training methods 
The dogs have "reverse mask" markings  After purchasing London, Eisenmann began to breed his own dogs, mostly studding out his males, even though he owned some females that he bred to as well  He bred particularly for the reverse mask, that is commonly seen on all of his dogs, and is unpopular with breeders of the German Shepherd, as it is not in the breed standard 
Shiloh Shepherd dogs are stated to trace their heritage back to London's relatives and are inspired by the intelligence Eisenmann's dogs were reputed to have Some notable Hollywood guest stars included Pat Harrington Jr , Nita Talbot, Ellen Corby, Henry Gibson, and Keenan Wynn (the last two of which would also guest-star in the 1979–1985 revival series) 

1979–1985 series
In 1979 CTV revived the series  The New Littlest Hobo (as it was sometimes called), which ran for six seasons, was shot on videotape rather than film  It has since been syndicated in many countries including the US and UK  In the course of its run, a mixture of well-known Canadian and Hollywood guest stars appeared such as Al Waxman, Carol Lynley, John Ireland, Megan Follows, Rex Hagon, Alan Hale Jr , Jack Gilford, August Schellenberg, DeForest Kelley, Ray Walston, Morey Amsterdam, Jeff Wincott, Michael Ironside, Patrick Macnee, Abe Vigoda, Saul Rubinek, John Vernon, Keenan Wynn (who also previously appeared in the original 1963–1965 series), Chris Makepeace, Karen Kain, Vic Morrow, Andrew Prine, Lynda Day George, Nerene Virgin, Tedde Moore, Sammy Snyders, Henry Gibson (who also previously appeared in the original 1963–1965 series), John Carradine, Leslie Nielsen, Anne Francis, and Jayne Eastwood  Mike Myers appears as Tommy in episode 10 "Boy on Wheels" 
Charles (Chuck) P  Eisenmann appeared as a dog trainer named Chuck in the first-season episode "Stand In" and as dog kennel operator named Mr  Charles in part one of the episode "Voyageurs" from the sixth season 
In a nod to the original series, the dog that appeared in this series was also credited as "London" 

Plot
Plots ranged from the simple "dog-helps-person" stories to secret agent-type adventures 
In season 5's two-part episode "The Genesis Tapes" a scientist and a reporter theorized that Hobo was a type of superior canine  The reporter theorized that there was one dog and the scientist theorized that there were up to one hundred such dogs  The two-part episode had the scientist and reporter trying to capture Hobo to study him, with the reporter wanting a story and the scientist wanting to claim to be the first to discover the meta-canine as he put it  Both episodes feature flashback footage from the first five seasons of the series, with the first episode being the only episode of the revival series to include footage from the original 1960s series  At the end of the episode, Hobo found the evidence the reporter and scientist had collected and destroyed it, implying that Hobo did not want any evidence of his origins or nature becoming public 
Trainer Chuck Eisenmann used several dogs to play the role of "London" as he had selected dogs entirely based on their appearance  He determined which dogs to use for the scenes by making use of their abilities such as if one dog did not mind carrying objects or if one were small enough to safely jump through a car window and manoeuvre through the seats  In Eisenmann's book, A Dog's Day in Court, one of the dogs used in the 1970s series was London's grandson, who was also known as London 
A 2005 episode of the CTV sitcom Corner Gas, entitled "The Littlest Yarbo", pays tribute to the series by having a character (Hank Yarbo) convinced that a stray dog visiting the town is Hobo  The episode ends with a reprise of Terry Bush's "Maybe Tomorrow" theme song 

Theme music
The show's theme, "Maybe Tomorrow", was written by Terry Bush and John Crossen   The original was sung by Terry Bush  In 2005, Bush commercially released the song on his debut album, entitled Maybe Tomorrow  The song was later used in a 2011 Dulux paint advertisement   Additionally, in 2017, the song was in a Canada 150-themed Co-Op stores advertisement  A cover of the song, performed by Nightingale Cummings, was featured in season ten of the television show Trailer Park Boys 

Second series episodes
Telecast and home media
1963–1965 series
Following the 1958 film, the 1960s original TV series was aired in syndication around the world, including the UK on ITV, Australia on the Nine Network between 1964 and 1967 and New Zealand on TV One  Although the series was originally broadcast in black and white, it was in fact produced in colour  The VCI Entertainment DVD release of the series featured the colour versions of the episodes, except for the opening and closing credits which have only survived in black and white  Sixty-one episodes were broadcast over two seasons 
Storer Programs Incorporated, a unit of the now-defunct Storer Broadcasting, distributed the series to U S  television stations during its 1960s run 
VCI Entertainment has released 12 episodes from the original series to DVD  The release features the colour versions of the first 3 episodes, except for the opening and closing sequences which have only survived in monochrome  The last 9 episodes were released in black and white 

1979–1985 series
The series aired on CTV on Thursday nights at 7:30 p m  Repeats continued on CTV, CTV 2, and other national networks up until 2012, when CTV replaced it with a block of music videos from Juicebox  However, CTV2 recently resumed reruns of the 80's incarnation  In the UK, the series premiered on the BBC on April 8, 1982, but only the first three seasons were shown and repeated until 1989  From April 1991 ITV picked up the series and each of the local companies played out the full series until late 1994 
Mediumrare Entertainment have only released the first two seasons of The Littlest Hobo on DVD  The Season One DVD, featured the theme tune "Maybe Tomorrow" on DVD in Region 2 & 4 on April 26, 2010 
In 2017, episodes from the series began to be uploaded onto Encore+, a YouTube channel run by the Canada Media Fund and Google Canada  The episodes have since been removed from the channel  As of 2023, the entire series is available on CTV's website through the CTV Throwback lineup, and reruns returns on Bell Media's channels: CTV, CTV 2, and Animal Planet 
Passage 4:
Same Old Lang Syne
"Same Old Lang Syne" is a song written and recorded by Dan Fogelberg and released as a single in 1980  It was included on his 1981 album The Innocent Age  The song is an autobiographical narrative ballad told in the first person and tells the story of two long-ago romantic interests meeting by chance in a grocery store on Christmas Eve   The song peaked at No  9 on the Billboard Hot 100 and is now frequently played during the holiday season and alongside traditional Christmas songs 

Content
On a snowy Christmas Eve, the narrator is reunited with an old flame at a grocery store  She does not recognize him at first, but when she does, she so hurriedly embraces him that she drops her purse, breaking the tension and letting them laugh  They decide to talk over a drink but there are no bars open, so they bring a six-pack of beer from a liquor store to her car The pair toast innocence, and push through their initial awkwardness to discuss their lives  The lover married an architect, for security instead of love  The narrator, a musician, loves performing for audiences, but hates traveling After consuming all of the beer, they exchange their goodbyes; the woman kisses him as he gets out of the car, and drives away  He flashes back to school and relives the pain of their breakup; as he walks home, the falling snow turns into rain 
The melody is based on the 1812 Overture by Tchaikovsky and ends with "Auld Lang Syne" as a soprano saxophone solo by Michael Brecker 

Origins
As Fogelberg said on his official website, the song was autobiographical  He was visiting his parents for Christmas at the family home in Peoria, Illinois, in 1975 when he ran into an old girlfriend from Woodruff High School, the former Jill Anderson at the "Convenient Food Mart" (now a convenience store) on Abington Street Hill  Fogelberg stated in interviews that he did not recall precisely whether the chance meeting with his ex-girlfriend was in 1975 or 1976, though he leaned toward 1975; this was later confirmed  
In 2006, Fogelberg received a letter from a young fan named Grace Ferguson who asked him about the meaning of the song's final lyric, "And as I turned to make my way back home / The snow turned into rain"  The lyric has often been interpreted metaphorically as the world feeling warmer after he had talked with his ex-girlfriend  In reply, Fogelberg acknowledged this metaphor as "wonderful", although, as he wrote, "as I drove home, the snow actually DID turn from snow into rain!" After Fogelberg's death from prostate cancer in 2007, the woman in the song, Jill Anderson Greulich, came forward with her story  Greulich told of how she and Fogelberg dated in high school  As she explained to the Peoria Journal Star in an article dated December 22, 2007, the pair knew each other in Peoria, Illinois as part of the Woodruff High School class of 1969  After graduation, each attended different colleges  Following college, Greulich married and moved to Chicago, while Fogelberg moved to Colorado to pursue a music career  While back in Peoria visiting their respective families for Christmas in 1975, Fogelberg and Greulich ran into each other on Christmas Eve at a convenience store located at 1302 East Frye Avenue in the Abington Hill district  Greulich confirmed that they bought a six-pack of beer and drank it in her car for two hours while they talked  Five years later, after the song was released, Greulich heard the song on the radio for the first time while driving to work, but kept quiet about it, as Fogelberg had not disclosed her identity  She stated that her reason for remaining quiet about her involvement in the song's narrative was that coming forward might have disrupted Fogelberg's marriage Greulich noted that Fogelberg had taken artistic license with two details of the story: her eyes are green, not blue, and her husband was a physical education teacher, not an architect  In regard to the line, "She would have liked to say she loved the man, but she didn't like to lie," Greulich will not talk about it, but by the time of the song's release in 1980, she and her husband had divorced 
In 2008, the City of Peoria gave Abington Street Hill the honorary designation of "Fogelberg Parkway" 

Association with Christmas
"Same Old Lang Syne" is frequently played on radio stations during the North American holiday season  The song's opening lyrics reveal that the narrative takes place on a snowy Christmas Eve and they end with a second acknowledgment of snow  Since the song's release, these references and the musical quote of "Auld Lang Syne", a song traditionally sung on New Year's Eve, have increased the song's popularity during the month of December  The song debuted on the Hot 100's top 40, at #37, on 27 December 1980, between Christmas and New Year's Eve 

Cover versions
The boy band Backstreet Boys covered the song on their album A Very Backstreet Christmas, released on October 14, 2022  Their version omits the final verse and instead ends with the chorus to "Auld Lang Syne" 

Musicians
Dan Fogelberg: Piano, bass, electric piano, lead and background vocals
Glen Spreen: orchestral arrangements
Russ Kunkel: Drums
Michael Brecker: Soprano saxophone

Chart performance
Passage 5:
Love Is a Drug (Eskimo Joe song)
"Love Is a Drug" is a song by Australian rock band Eskimo Joe
Context 3: Passage 1:
James Chadwick
Sir James Chadwick,  (20 October 1891 – 24 July 1974) was a British physicist who was awarded the 1935 Nobel Prize in Physics for his discovery of the neutron in 1932  In 1941, he wrote the final draft of the MAUD Report, which inspired the U S  government to begin serious atom bomb research efforts  He was the head of the British team that worked on the Manhattan Project during World War II  He was knighted in Britain in 1945 for his achievements in physics 
Chadwick graduated from the Victoria University of Manchester in 1911, where he studied under Ernest Rutherford (known as the "father of nuclear physics")  At Manchester, he continued to study under Rutherford until he was awarded his MSc in 1913  The same year, Chadwick was awarded an 1851 Research Fellowship from the Royal Commission for the Exhibition of 1851  He elected to study beta radiation under Hans Geiger in Berlin  Using Geiger's recently developed Geiger counter, Chadwick was able to demonstrate that beta radiation produced a continuous spectrum, and not discrete lines as had been thought  Still in Germany when World War I broke out in Europe, he spent the next four years in the Ruhleben internment camp 
After the war, Chadwick followed Rutherford to the Cavendish Laboratory at the University of Cambridge, where Chadwick earned his Doctor of Philosophy degree under Rutherford's supervision from Gonville and Caius College, Cambridge, in June 1921  He was Rutherford's assistant director of research at the Cavendish Laboratory for over a decade at a time when it was one of the world's foremost centres for the study of physics, attracting students like John Cockcroft, Norman Feather, and Mark Oliphant  Chadwick followed his discovery of the neutron by measuring its mass  He anticipated that neutrons would become a major weapon in the fight against cancer  Chadwick left the Cavendish Laboratory in 1935 to become a professor of physics at the University of Liverpool, where he overhauled an antiquated laboratory and, by installing a cyclotron, made it an important centre for the study of nuclear physics 
During the Second World War, Chadwick carried out research as part of the Tube Alloys project to build an atom bomb, while his Manchester lab and environs were harassed by Luftwaffe bombing  When the Quebec Agreement merged his project with the American Manhattan Project, he became part of the British Mission, and worked at the Los Alamos Laboratory and in Washington, D C  He surprised everyone by earning the almost-complete trust of project director Leslie R  Groves, Jr  For his efforts, Chadwick received a knighthood in the New Year Honours on 1 January 1945  In July 1945, he viewed the Trinity nuclear test  After this, he served as the British scientific advisor to the United Nations Atomic Energy Commission  Uncomfortable with the trend toward Big Science, he became the Master of Gonville and Caius College in 1948  He retired in 1959 

Education and early life
James Chadwick was born in Bollington, Cheshire, on 20 October 1891, the first child of John Joseph Chadwick, a cotton spinner, and Anne Mary Knowles, a domestic servant  He was named James after his paternal grandfather  In 1895, his parents moved to Manchester, leaving him in the care of his maternal grandparents  He went to Bollington Cross Primary School, and was offered a scholarship to Manchester Grammar School, which his family had to turn down as they could not afford the small fees that still had to be paid  Instead he attended the Central Grammar School for Boys in Manchester, rejoining his parents there  He now had two younger brothers, Harry and Hubert; a sister had died in infancy  At the age of 16, he sat two examinations for university scholarships, and won both of them Chadwick chose to attend Victoria University of Manchester, which he entered in 1908  He meant to study mathematics, but enrolled in physics by mistake  Like most students, he lived at home, walking the 4 miles (6 4 km) to the university and back each day  At the end of his first year, he was awarded a Heginbottom Scholarship to study physics  The physics department was headed by Ernest Rutherford, who assigned research projects to final-year students, and he instructed Chadwick to devise a means of comparing the amount of radioactive energy of two different sources  The idea was that they could be measured in terms of the activity of 1 gram (0 035 oz) of radium, a unit of measurement which would become known as the curie  Rutherford's suggested approach was unworkable—something Chadwick knew but was afraid to tell Rutherford—so Chadwick pressed on, and eventually devised the required method  The results became Chadwick's first paper, which, co-authored with Rutherford, was published in 1912  He graduated with first class honours in 1911 Having devised a means of measuring gamma radiation, Chadwick proceeded to measure the absorption of gamma rays by various gases and liquids  This time the resulting paper was published under his name alone  He was awarded his Master of Science (MSc) degree in 1912, and was appointed a Beyer Fellow  The following year he was awarded an 1851 Exhibition Scholarship, which allowed him to study and research at a university in continental Europe  He elected to go to the Physikalisch-Technische Reichsanstalt in Berlin in 1913, to study beta radiation under Hans Geiger  Using Geiger's recently developed Geiger counter, which provided more accuracy than the earlier photographic techniques, he was able to demonstrate that beta radiation did not produce discrete lines, as has been previously thought, but rather a continuous spectrum with peaks in certain regions  On a visit to Geiger's laboratory, Albert Einstein told Chadwick that: "I can explain either of these things, but I can't explain them both at the same time " The continuous spectrum would remain an unexplained phenomenon for many years Chadwick was still in Germany at the start of the First World War, and was interned in the Ruhleben internment camp near Berlin, where he was allowed to set up a laboratory in the stables and conduct scientific experiments using improvised materials such as radioactive toothpaste  With the help of Charles Drummond Ellis, he worked on the ionisation of phosphorus, and the photochemical reaction of carbon monoxide and chlorine  He was released after the Armistice with Germany came into effect in November 1918, and returned to his parents' home in Manchester, where he wrote up his findings over the previous four years for the 1851 Exhibition commissioners Rutherford gave Chadwick a part-time teaching position at Manchester, allowing him to continue research  He looked at the nuclear charge of platinum, silver, and copper, and experimentally found that this was the same as the atomic number within an error of less than 1 5 per cent  In April 1919, Rutherford became director of the Cavendish Laboratory at the University of Cambridge, and Chadwick joined him there a few months later  Chadwick was awarded a Clerk-Maxwell studentship in 1920, and enrolled as a Doctor of Philosophy (PhD) student at Gonville and Caius College, Cambridge  The first half of his thesis was his work with atomic numbers  In the second, he looked at the forces inside the nucleus  His degree was awarded in June 1921  In November, he became a Fellow of Gonville and Caius College 

Researcher
Cambridge
Chadwick's Clerk-Maxwell studentship expired in 1923, and he was succeeded by the Russian physicist Pyotr Kapitza  The Chairman of the Advisory Council of the Department of Scientific and Industrial Research, Sir William McCormick arranged for Chadwick to become Rutherford's assistant director of research  In this role, Chadwick helped Rutherford select PhD students  Over the next few years these would include John Cockcroft, Norman Feather and Mark Oliphant, who would become firm friends with Chadwick  As many students had no idea what they wanted to research, Rutherford and Chadwick would suggest topics  Chadwick edited all the papers produced by the laboratory 

In 1925, Chadwick met Aileen Stewart-Brown, the daughter of a Liverpool stockbroker  The two were married in August 1925, with Kapitza as Best Man  The couple had twin daughters, Joanna and Judith, who were born in February 1927 In his research, Chadwick continued to probe the nucleus  In 1925, the concept of spin had allowed physicists to explain the Zeeman effect, but it also created unexplained anomalies  At the time it was believed that the nucleus consisted of protons and electrons, so nitrogen's nucleus, for example, with a mass number of 14, was assumed to contain 14 protons and 7 electrons  This gave it the right mass and charge, but the wrong spin At a conference at Cambridge on beta particles and gamma rays in 1928, Chadwick met Geiger again  Geiger had brought with him a new model of his Geiger counter, which had been improved by his post-doctoral student Walther Müller  Chadwick had not used one since the war, and the new Geiger–Müller counter was potentially a major improvement over the scintillation techniques then in use at Cambridge, which relied on the human eye for observation  The major drawback with it was that it detected alpha, beta and gamma radiation, and radium, which the Cavendish laboratory normally used in its experiments, emitted all three, and was therefore unsuitable for what Chadwick had in mind  However, polonium is an alpha emitter, and Lise Meitner sent Chadwick about 2 millicuries (about 0 5 μg) from Germany In Germany, Walther Bothe and his student Herbert Becker had used polonium to bombard beryllium with alpha particles, producing an unusual form of radiation  Chadwick had his Australian 1851 Exhibition scholar, Hugh Webster, duplicate their results  To Chadwick, this was evidence of something that he and Rutherford had been hypothesising for years: the neutron, a theoretical nuclear particle with no electric charge  Then in January 1932, Feather drew Chadwick's attention to another surprising result  Frédéric and Irène Joliot-Curie had succeeded in knocking protons from paraffin wax using polonium and beryllium as a source for what they thought was gamma radiation  Rutherford and Chadwick disagreed; protons were too heavy for that  But neutrons would need only a small amount of energy to achieve the same effect  In Rome, Ettore Majorana came to the same conclusion: the Joliot-Curies had discovered the neutron but did not know it 

Chadwick dropped all his other responsibilities to concentrate on proving the existence of the neutron, assisted by Feather and frequently working late at night  He devised a simple apparatus that consisted of a cylinder containing a polonium source and beryllium target  The resulting radiation could then be directed at a material such as paraffin wax; the displaced particles, which were protons, would go into a small ionisation chamber where they could be detected with an oscilloscope 
In February 1932, after only about two weeks of experimentation with neutrons, Chadwick sent a letter to Nature titled "Possible Existence of a Neutron"  He communicated his findings in detail in an article sent to Proceedings of the Royal Society A titled "The Existence of a Neutron" in May  His discovery of the neutron was a milestone in understanding the nucleus  Reading Chadwick's paper, Robert Bacher and Edward Condon realised that anomalies in the then-current theory, like the spin of nitrogen, would be resolved if the neutron has a spin of 1/2 and that a nitrogen nucleus consisted of seven protons and seven neutrons The theoretical physicists Niels Bohr and Werner Heisenberg considered whether the neutron could be a fundamental nuclear particle like the proton and electron, rather than a proton–electron pair   Heisenberg showed that the neutron was best described as a new nuclear particle, but its exact nature remained unclear   In his 1933 Bakerian Lecture, Chadwick estimated that a neutron had a mass of about 1 0067 u  Since a proton and an electron had a combined mass of 1 0078 u, this implied the neutron as a proton–electron composite had a binding energy of about 2 MeV, which sounded reasonable, although it was hard to understand how a particle with so little binding energy could be stable   Estimating such a small mass difference required challenging precise measurements, however, and several conflicting results were obtained in 1933–4   By bombarding boron with alpha particles, Frédéric and Irène Joliot-Curie obtained a large value for the mass of a neutron, but Ernest Lawrence's team at the University of California produced a small one   Then Maurice Goldhaber, a refugee from Nazi Germany and a graduate student at the Cavendish Laboratory, suggested to Chadwick that deuterons could be photodisintegrated by the 2 6 MeV gamma rays of 208Tl (then known as thorium C"):

An accurate value for the mass of the neutron could be determined from this process  Chadwick and Goldhaber tried this and found that it worked   They measured the kinetic energy of the proton produced as 1 05 MeV, leaving the mass of the neutron as the unknown in the equation   Chadwick and Goldhaber calculated that it was either 1 0084 or 1 0090 atomic units, depending on the values used for the masses of the proton and deuteron   (The modern accepted value for the mass of the neutron is 1 00866 u ) The mass of the neutron was too large to be a proton–electron pair For his discovery of the neutron, Chadwick was awarded the Hughes Medal by the Royal Society in 1932, the Nobel Prize in Physics in 1935, the Copley Medal in 1950 and the Franklin Medal in 1951  His discovery of the neutron made it possible to produce elements heavier than uranium in the laboratory by the capture of slow neutrons followed by beta decay  Unlike the positively charged alpha particles, which are repelled by the electrical forces present in the nuclei of other atoms, neutrons do not need to overcome any Coulomb barrier, and can therefore penetrate and enter the nuclei of even the heaviest elements such as uranium  This inspired Enrico Fermi to investigate the nuclear reactions brought about by collisions of nuclei with slow neutrons, work for which Fermi would receive the Nobel Prize in 1938 Wolfgang Pauli proposed another kind of particle on 4 December 1930 in order to explain the continuous spectrum of beta radiation that Chadwick had reported in 1914  Since not all of the energy of beta radiation could be accounted for, the law of conservation of energy appeared to be violated, but Pauli argued that this could be redressed if another, undiscovered, particle was involved  Pauli also called this particle a neutron, but it was clearly not the same particle as Chadwick's neutron  Fermi renamed it the neutrino, Italian for "little neutron"  In 1934, Fermi proposed his theory of beta decay which explained that the electrons emitted from the nucleus were created by the decay of a neutron into a proton, an electron, and a neutrino   The neutrino could account for the missing energy, but a particle with little mass and no electric charge was difficult to observe  Rudolf Peierls and Hans Bethe calculated that neutrinos could easily pass through the Earth, so the chances of detecting them were slim  Frederick Reines and Clyde Cowan would confirm the neutrino on 14 June 1956 by placing a detector within a large antineutrino flux from a nearby nuclear reactor 

Liverpool
With the onset of the Great Depression in the United Kingdom, the government became more parsimonious with funding for science  At the same time, Lawrence's recent invention, the cyclotron, promised to revolutionise experimental nuclear physics, and Chadwick felt that the Cavendish laboratory would fall behind unless it also acquired one  He therefore chafed under Rutherford, who clung to the belief that good nuclear physics could still be done without large, expensive equipment, and turned down the request for a cyclotron 

Chadwick was himself a critic of Big Science in general, and Lawrence in particular, whose approach he considered careless and focused on technology at the expense of science  When Lawrence postulated the existence of a new and hitherto unknown particle that he claimed was a possible source of limitless energy at the Solvay Conference in 1933, Chadwick responded that the results were more likely attributable to contamination of the equipment  While Lawrence rechecked his results at Berkeley only to find that Chadwick was correct, Rutherford and Oliphant conducted an investigation at the Cavendish that found that deuterium fuses to form helium-3, thereby causing the effect that Lawrence had observed  This was another major discovery, but the Oliphant-Rutherford particle accelerator was an expensive state-of-the-art piece of equipment In March 1935, Chadwick received an offer of the Lyon Jones Chair of physics at the University of Liverpool, in his wife's home town, to succeed Lionel Wilberforce  The laboratory was so antiquated that it still ran on direct current electricity, but Chadwick seized the opportunity, assuming the chair on 1 October 1935  The university's prestige was soon bolstered by Chadwick's Nobel Prize, which was announced in November 1935  His medal was sold at auction in 2014 for $329,000 Chadwick set about acquiring a cyclotron for Liverpool  He started by spending £700 to refurbish the antiquated laboratories at Liverpool, so some components could be made in-house  He was able to persuade the university to provide £2,000 and obtained a grant for another £2,000 from the Royal Society  To build his cyclotron, Chadwick brought in two young experts, Bernard Kinsey and Harold Walke, who had worked with Lawrence at the University of California  A local cable manufacturer donated the copper conductor for the coils  The cyclotron's 50-ton magnet was manufactured in Trafford Park by Metropolitan-Vickers, which also made the vacuum chamber  The cyclotron was completely installed and running in July 1939  The total cost of £5,184 was more than Chadwick had received from the University and the Royal Society, so Chadwick paid the rest from his 159,917 kr (£8,243) Nobel Prize money At Liverpool the Medicine and Science faculties worked together closely  Chadwick was automatically a committee member of both faculties, and in 1938 he was appointed to a commission headed by Lord Derby to investigate the arrangements for cancer treatment in Liverpool  Chadwick anticipated that neutrons and radioactive isotopes produced with the 37-inch cyclotron could be used to study biochemical processes, and might become a weapon in the fight against cancer 

Second World War
Tube Alloys and the MAUD Report
In Germany, Otto Hahn and Fritz Strassmann bombarded uranium with neutrons, and noted that barium, a lighter element, was among the products produced  Hitherto, only the same or heavier elements had been produced by the process  In January 1939, Meitner and her nephew Otto Frisch astounded the physics community with a paper that explained this result  They theorised that uranium atoms bombarded with neutrons can break into two roughly equal fragments, a process they called fission  They calculated that this would result in the release of about 200 MeV, implying an energy release orders of magnitude greater than chemical reactions, and Frisch confirmed their theory experimentally  It was soon noted by Hahn that if neutrons were released during fission, then a chain reaction was possible  French scientists, Pierre Joliot, Hans von Halban and Lew Kowarski, soon verified that more than one neutron was indeed emitted per fission  In a paper co-authored with the American physicist John Wheeler, Bohr theorised that fission was more likely to occur in the uranium-235 isotope, which made up only 0 7 percent of natural uranium 

Chadwick did not believe that there was any likelihood of another war with Germany in 1939, and took his family for a holiday on a remote lake in northern Sweden  The news of the outbreak of the Second World War therefore came as a shock  Determined not to spend another war in an internment camp, Chadwick made his way to Stockholm as fast as he could, but when he arrived there with his family, he found that all air traffic between Stockholm and London had been suspended  They made their way back to England on a tramp steamer  When he reached Liverpool, Chadwick found Joseph Rotblat, a Polish post-doctoral fellow who had come to work with the cyclotron, was now destitute, as he was cut off from funds from Poland  Chadwick promptly hired Rotblat as a lecturer, despite his poor grasp of English In October 1939, Chadwick received a letter from Sir Edward Appleton, the Secretary of the Department of Scientific and Industrial Research, asking for his opinion on the feasibility of an atom bomb  Chadwick responded cautiously  He did not dismiss the possibility, but carefully went over the many theoretical and practical difficulties involved  Chadwick decided to investigate the properties of uranium oxide further with Rotblat  In March 1940, Otto Frisch and Rudolf Peierls at the University of Birmingham re-examined the theoretical issues involved in a paper that became known as the Frisch–Peierls memorandum  Instead of looking at unenriched uranium oxide, they considered what would happen to a sphere of pure uranium-235, and found that not only could a chain reaction occur, but that it might require as little as 1 kilogram (2 2 lb) of uranium-235, and unleash the energy of tons of dynamite 

A special subcommittee of the Committee for the Scientific Survey of Air Warfare (CSSAW), known as the MAUD Committee, was created to investigate the matter further  It was chaired by Sir George Thomson and its original membership included Chadwick, along with Mark Oliphant, John Cockcroft and Philip Moon  While other teams investigated uranium enrichment techniques, Chadwick's team at Liverpool concentrated on determining the nuclear cross section of uranium-235  By April 1941, it had been experimentally confirmed that the critical mass of uranium-235 might be 8 kilograms (18 lb) or less  His research into such matters was complicated by all-but-incessant Luftwaffe bombings of the environs of his Liverpool lab; the windows were blown out so often that they were replaced by cardboard In July 1941, Chadwick was chosen to write the final draft of the MAUD Report, which, when presented by Vannevar Bush to President Franklin D  Roosevelt in October 1941, inspired the U S  government to pour millions of dollars into the pursuit of an atom bomb  When George B  Pegram and Harold Urey visited Britain to see how the project, now known as Tube Alloys, was going, Chadwick was able to tell them: "I wish I could tell you that the bomb is not going to work, but I am 90 per cent sure that it will "In a recent book about the Bomb project, Graham Farmelo wrote that "Chadwick did more than any other scientist to give Churchill the Bomb      Chadwick was tested almost to the breaking point " So worried that he could not sleep, Chadwick resorted to sleeping pills, which he continued to take for most of his remaining years  Chadwick later said that he realised that "a nuclear bomb was not only possible—it was inevitable  Sooner or later these ideas could not be peculiar to us  Everybody would think about them before long, and some country would put them into action"  Sir Hermann Bondi suggested that it was fortunate that Chadwick, not Rutherford, was the doyen of UK physics at the time, as the latter's prestige might otherwise have overpowered Chadwick's interest in "looking forward" to the Bomb's prospects 

Manhattan Project
Owing to the danger from aerial bombardment, the Chadwicks sent their twins to Canada as part of a government evacuation scheme  Chadwick was reluctant to move Tube Alloys there, believing that the United Kingdom was a better location for the isotope separation plant  The enormous scope of the effort became more apparent in 1942: even a pilot separation plant would cost over £1 million and strain Britain's resources, to say nothing of a full-scale plant, which was estimated to cost somewhere in the vicinity of £25 million  It would have to be built in America  At the same time that the British became convinced that a joint project was necessary, the progress of the American Manhattan Project was such that British cooperation seemed less essential, although the Americans were still eager to utilise Chadwick's talents The matter of cooperation had to be taken up at the highest level  In September 1943, the Prime Minister, Winston Churchill, and President Roosevelt negotiated the Quebec Agreement, which reinstated cooperation between Britain, the United States and Canada  Chadwick, Oliphant, Peierls and Simon were summoned to the United States by the director of Tube Alloys, Sir Wallace Akers, to work with the Manhattan Project  The Quebec Agreement established a new Combined Policy Committee to direct the joint project  The Americans disliked Akers, so Chadwick was appointed technical advisor to the Combined Policy Committee, and the head of the British Mission Leaving Rotblat in charge in Liverpool, Chadwick began a tour of the Manhattan Project facilities in November 1943, except for the Hanford Site where plutonium was produced, which he was not allowed to see  He became the only man apart from Groves and his second in command to have access to all the American research and production facilities for the uranium bomb  Observing the work on the K-25 gaseous diffusion facility at Oak Ridge, Tennessee, Chadwick realised how wrong he had been about building the plant in wartime Britain  The enormous structure could never have been concealed from the Luftwaffe  In early 1944, he moved to Los Alamos, New Mexico, with his wife and their twins, who now spoke with Canadian accents  For security reasons, he was given the cover name of James Chaffee 

Chadwick accepted that the Americans did not need British help, but that it could still be useful in bringing the project to an early and successful conclusion  Working closely with the director of the Manhattan Project, Major General Leslie R  Groves, Jr , he attempted to do everything he could to support the effort  He also endeavoured to place British scientists in as many parts of the project as possible in order to facilitate a post-war British nuclear weapons project to which Chadwick was committed  Requests from Groves via Chadwick for particular scientists tended to be met with an immediate rejection by the company, ministry or university currently employing them, only to be overcome by the overriding priority accorded to Tube Alloys  As a result, the British team was critical to the Project's success Although he had more knowledge of the project than anyone else from Britain, Chadwick had no access to the Hanford site  Lord Portal was offered a tour of Hanford in 1946  "This was the only plant to which Chadwick had been denied access in wartime, and now he asked Groves if he could accompany Portal  Groves replied that he could, but if he did then 'Portal will not see very much' " For his efforts, Chadwick received a knighthood in the New Year Honours on 1 January 1945  He considered this to be a recognition of the work of the whole Tube Alloys project By early 1945, Chadwick was spending most of his time in Washington, D C , and his family relocated from Los Alamos to a house on Washington's Dupont Circle in April 1945  He was present at the meeting of the Combined Policy Committee on 4 July when Field Marshal Sir Henry Maitland Wilson gave Britain's agreement to use the atom bomb against Japan, and at the Trinity nuclear test on 16 July, when the first atom bomb was detonated  Inside its pit was a polonium-beryllium modulated neutron initiator, a development of the technique that Chadwick had used to discover the neutron over a decade before  William L  Laurence, The New York Times reporter attached to the Manhattan Project, wrote that "never before in history had any man lived to see his own discovery materialize itself with such telling effect on the destiny of man "

Later life
Shortly after the war ended, Chadwick was appointed to the Advisory Committee on Atomic Energy (ACAE)  He was also appointed as the British scientific advisor to the United Nations Atomic Energy Commission  He clashed with fellow ACAE member Patrick Blackett, who disagreed with Chadwick's conviction that Britain needed to acquire its own nuclear weapons; but it was Chadwick's position that was ultimately adopted  He returned to Britain in 1946, to find a country still beset by wartime rationing and shortages At this time, Sir James Mountford, the Vice Chancellor of the University of Liverpool, wrote in his diary "he had never seen a man 'so physically, mentally and spiritually tired" as Chadwick, for he "had plumbed such depths of moral decision as more fortunate men are never called upon even to peer into     [and suffered]     almost insupportable agonies of responsibility arising from his scientific work' "In 1948, Chadwick accepted an offer to become the Master of Gonville and Caius College  The job was prestigious but ill-defined; the Master was the titular head of the College, but authority actually resided in a council of 13 fellows, of whom one was the Master  As Master, Chadwick strove to improve the academic reputation of the college  He increased the number of research fellowships from 31 to 49, and sought to bring talent into the college  This involved controversial decisions, such as hiring in 1951 the Chinese biochemist Tien-chin Tsao and the Hungarian-born economist Peter Bauer  In what became known as the Peasants' Revolt, fellows led by Patrick Hadley voted an old friend of Chadwick's off the council and replaced him with Bauer  More friends of Chadwick's were removed over the following years, and he retired in November 1958  It was during his mastership that Francis Crick, a PhD student at Gonville and Caius College, and James Watson discovered the structure of DNA Over the years, Chadwick received many honours, including the Medal for Merit from the United States, and the Pour le Mérite from Germany  He was elected a Fellow of the Royal Society in 1927  He became a foreign member of the Royal Netherlands Academy of Arts and Sciences in 1946 and an International member of the American Philosophical Society in 1948  He was made a Companion of Honour in the New Year Honours on 1 January 1970 for "services to science", and went to Buckingham Palace for the investiture ceremony  He became more frail, and seldom left his flat, although he travelled to Liverpool for celebrations of his eightieth birthday   A lifelong atheist, he saw no reason to adopt religious faith in later life  He died in his sleep on 24 July 1974 His papers are held at the Churchill Archives Centre in Cambridge, and are accessible to the public  The Chadwick Laboratory at the University of Liverpool is named after him, as is its Sir James Chadwick Chair of Experimental Physics, which was named after him in 1991 as part of celebrations of the centenary of his birth  A crater on the moon is also named after him  The James Chadwick Building, which houses part of the School of Chemical Engineering and Analytical Sciences, University of Manchester is named in his honour  He was described by the United Kingdom Atomic Energy Authority official historian Lorna Arnold as "a physicist, a scientist-diplomat, and a good, wise, and humane man "

Notes
Passage 2:
Neutron temperature
The neutron detection temperature, also called the neutron energy, indicates a free neutron's kinetic energy, usually given in electron volts  The term temperature is used, since hot, thermal and cold neutrons are moderated in a medium with a certain temperature  The neutron energy distribution is then adapted to the Maxwell distribution known for thermal motion  Qualitatively, the higher the temperature, the higher the kinetic energy of the free neutrons  The momentum and wavelength of the neutron are related through the de Broglie relation  The large wavelength of slow neutrons allows for the large cross section 

Neutron energy distribution ranges
But different ranges with different names are observed in other sources The following is a detailed classification:

Thermal
A thermal neutron is a free neutron with a kinetic energy of about 0 025 eV (about 4 0×10−21 J or 2 4 MJ/kg, hence a speed of 2 19 km/s), which is the energy corresponding to the most probable speed at a temperature of 290 K (17 °C or 62 °F), the mode of the Maxwell–Boltzmann distribution for this temperature, Epeak = 1/2 k T 
After a number of collisions with nuclei (scattering) in a medium (neutron moderator) at this temperature, those neutrons which are not absorbed reach about this energy level 
Thermal neutrons have a different and sometimes much larger effective neutron absorption cross-section for a given nuclide than fast neutrons, and can therefore often be absorbed more easily by an atomic nucleus, creating a heavier, often unstable isotope of the chemical element as a result  This event is called neutron activation 

EpithermalNeutrons of energy greater than thermal
Greater than 0 025 eV

CadmiumNeutrons which are strongly absorbed by cadmium
Less than 0 5 eV 

EpicadmiumNeutrons which are not strongly absorbed by cadmium
Greater than 0 5 eV 

Cold (slow) neutronsNeutrons of lower (much lower) energy than thermal neutrons 
Less than 5 meV 
Cold (slow) neutrons are subclassified into cold (CN), very cold (VCN), and ultra-cold (UCN) neutrons, each having particular characteristics in terms of their optical interactions with matter  As the wavelength is made (chosen to be) longer,  lower values of the momentum exchange become accessible  Therefore, it is possible to study larger scales and slower dynamics  Gravity also plays a very significant role in the case of UCN  Nevertheless, UCN reflect at all angles of incidence  This is because their momentum is comparable to the optical potential of materials  This effect is used to store them in bottles and study their fundamental properties e g  lifetime, neutron electrical-dipole moment etc    The main limitations of the use of slow neutrons is the low flux and the lack of efficient optical devices (in the case of CN and VCN)  Efficient neutron optical components are being developed and optimized to remedy this lack 

ResonanceRefers to neutrons which are strongly susceptible to non-fission capture by U-238 
1 eV to 300 eV

IntermediateNeutrons that are between slow and fast
Few hundred eV to 0 5 MeV 

Fast
A fast neutron is a free neutron with a kinetic energy level close to 1 MeV (100 TJ/kg), hence a speed of 14,000 km/s or higher  They are named fast neutrons to distinguish them from lower-energy thermal neutrons, and high-energy neutrons produced in cosmic showers or accelerators Fast neutrons are produced by nuclear processes:

Nuclear fission produces neutrons with a mean energy of 2 MeV (200 TJ/kg, i e  20,000 km/s), which qualifies as "fast"  However the range of neutrons from fission follows a Maxwell–Boltzmann distribution from 0 to about 14 MeV in the center of momentum frame of the disintegration, and the mode of the energy is only 0 75 MeV, meaning that fewer than half of fission neutrons qualify as "fast" even by the 1 MeV criterion 
Spontaneous fission is a mode of radioactive decay for some heavy nuclides  Examples include plutonium-240 and californium-252 
Nuclear fusion: deuterium–tritium fusion produces neutrons of 14 1 MeV (1400 TJ/kg, i e  52,000 km/s, 17 3% of the speed of light) that can easily fission uranium-238 and other non-fissile actinides 
Neutron emission occurs in situations in which a nucleus contains enough excess neutrons that the separation energy of one or more neutrons becomes negative (i e  excess neutrons "drip" out of the nucleus)  Unstable nuclei of this sort will often decay in less than one second Fast neutrons are usually undesirable in a steady-state nuclear reactor because most fissile fuel has a higher reaction rate with thermal neutrons  Fast neutrons can be rapidly changed into thermal neutrons via a process called moderation  This is done through numerous collisions with (in general) slower-moving and thus lower-temperature particles like atomic nuclei and other neutrons  These collisions will generally speed up the other particle and slow down the neutron and scatter it  Ideally, a room temperature neutron moderator is used for this process  In reactors, heavy water, light water, or graphite are typically used to moderate neutrons 

UltrafastRelativistic
Greater than 20 MeV

Other classifications
Pile

Neutrons of all energies present in nuclear reactors
0 001 eV to 15 MeV Ultracold

Neutrons with sufficiently low energy to be reflected and trapped
Upper bound of 335 neV

Fast-neutron reactor and thermal-neutron reactor compared
Most fission reactors are thermal-neutron reactors that use a neutron moderator to slow down ("thermalize") the neutrons produced by nuclear fission  Moderation substantially increases the fission cross section for fissile nuclei such as uranium-235 or plutonium-239  In addition, uranium-238 has a much lower capture cross section for thermal neutrons, allowing more neutrons to cause fission of fissile nuclei and propagate the chain reaction, rather than being captured by 238U  The combination of these effects allows light water reactors to use low-enriched uranium  Heavy water reactors and graphite-moderated reactors can even use natural uranium as these moderators have much lower neutron capture cross sections than light water An increase in fuel temperature also raises uranium-238's thermal neutron absorption by Doppler broadening, providing negative feedback to help control the reactor  When the coolant is a liquid that also contributes to moderation and absorption (light water or heavy water), boiling of the coolant will reduce the moderator density, which can provide positive or negative feedback (a positive or negative void coefficient), depending on whether the reactor is under- or over-moderated 
Intermediate-energy neutrons have poorer fission/capture ratios than either fast or thermal neutrons for most fuels  An exception is the uranium-233 of the thorium cycle, which has a good fission/capture ratio at all neutron energies 
Fast-neutron reactors use unmoderated fast neutrons to sustain the reaction, and require the fuel to contain a higher concentration of fissile material relative to fertile material (uranium-238)  However, fast neutrons have a better fission/capture ratio for many nuclides, and each fast fission releases a larger number of neutrons, so a fast breeder reactor can potentially "breed" more fissile fuel than it consumes 
Fast reactor control cannot depend solely on Doppler broadening or on negative void coefficient from a moderator  However, thermal expansion of the fuel itself can provide quick negative feedback  Perennially expected to be the wave of the future, fast reactor development has been nearly dormant with only a handful of reactors built in the decades since the Chernobyl accident due to low prices in the uranium market, although there is now a revival with several Asian countries planning to complete larger prototype fast reactors in the next few years 

See also
Passage 3:
Discovery of the neutron
The discovery of the neutron and its properties was central to the extraordinary developments in atomic physics in the first half of the 20th century  Early in the century, Ernest Rutherford developed a crude model of the atom,: 188  based on the gold foil experiment of Hans Geiger and Ernest Marsden  In this model, atoms had their mass and positive electric charge concentrated in a very small nucleus  By 1920, isotopes of chemical elements had been discovered, the atomic masses had been determined to be (approximately) integer multiples of the mass of the hydrogen atom, and the atomic number had been identified as the charge on the nucleus : §1 1 2  Throughout the 1920s, the nucleus was viewed as composed of combinations of protons and electrons, the two elementary particles known at the time, but that model presented several experimental and theoretical contradictions : 298 The essential nature of the atomic nucleus was established with the discovery of the neutron by James Chadwick in 1932 and the determination that it was a new elementary particle, distinct from the proton : 55 The uncharged neutron was immediately exploited as a new means to probe nuclear structure, leading to such discoveries as the creation of new radioactive elements by neutron irradiation (1934) and the fission of uranium atoms by neutrons (1938)  The discovery of fission led to the creation of both nuclear power and nuclear weapons by the end of World War II  Both the proton and the neutron were presumed to be elementary particles until the 1960s, when they were determined to be composite particles built from quarks 

Discovery of radioactivity
At the start of the 20th century, the vigorous debate as to the existence of atoms had not yet been resolved  Philosophers such as Ernst Mach and Wilhelm Ostwald denied that atoms were real, viewing them as a convenient mathematical construct, while scientists such as Arnold Sommerfeld and Ludwig Boltzmann saw that physical theories required the existence of atoms : 13–14 Radioactivity was discovered in 1896 by the French scientist Henri Becquerel, while working with phosphorescent materials   In 1898, Ernest Rutherford at Cavendish Laboratory distinguished two types of radioactivity, alpha rays and beta rays, which differed in their ability to penetrate, or travel into, ordinary objects or gases  Two years later, Paul Villard discovered gamma rays, which possessed even more penetrating power : 8–9  These radiations were soon identified with known particles:  beta rays were shown to be electrons by Walter Kaufmann in 1902; alpha rays were shown to be helium ions by Rutherford and Thomas Royds in 1907; and gamma rays were shown to be electromagnetic radiation, that is, a form of light, by Rutherford and Edward Andrade in 1914 : 61–62, 87  These radiations had also been identified as emanating from atoms, hence they provided clues to processes occurring within atoms   Conversely, the radiations were also recognized as tools that could be exploited in scattering experiments to probe the interior of atoms : 112–115

The gold foil experiment and the discovery of the atomic nucleus
At the University of Manchester between 1908 and 1913, Rutherford directed Hans Geiger and Ernest Marsden in a series of experiments to determine what happens when alpha particles scatter from metal foil  Now called the Rutherford gold foil experiment, or the Geiger–Marsden experiment, these measurements made the extraordinary discovery that although most alpha particles passing through a thin gold foil experienced little deflection, a few scattered to a high angle  The scattering indicated that some of the alpha particles ricocheted back from a small, but dense, component inside the atoms  Based on these measurements, by 1911 it was apparent to Rutherford that the atom consisted of a small, massive nucleus with positive charge surrounded by a much larger cloud of negatively charged electrons  The concentrated atomic mass was required to provide the observed deflection of the alpha particles, and Rutherford developed a mathematical model that accounted for the scattering The Rutherford model was very influential, motivating the Bohr model for electrons orbiting the nucleus in 1913 and eventually leading to quantum mechanics by the mid-1920s 

Discovery of isotopes
Concurrent with the work of Rutherford, Geiger, and Marsden, the radiochemist Frederick Soddy at the University of Glasgow was studying chemistry related problems on radioactive materials  Soddy had worked with Rutherford on radioactivity at McGill University  By 1910, about 40 different radioactive elements, referred to as radioelements, had been identified between uranium and lead, although the periodic table only allowed for 11 elements  Soddy and Kazimierz Fajans independently found in 1913 that an element undergoing alpha decay will produce an element two places to the left in the periodic system and an element undergoing beta decay will produce an element one place to the right in the periodic system   Also, those radioelements that reside in the same places in the periodic system are chemically identical   Soddy called these chemically identical elements  isotopes : 3–5  For his study of radioactivity and the discovery of isotopes, Soddy was awarded the 1921 Nobel Prize in Chemistry 

Building from work by J  J  Thomson on the deflection of positively charged atoms by electric and magnetic fields, Francis Aston built the first mass spectrograph at the Cavendish Laboratory in 1919  His aim, which he easily achieved, was to separate the two isotopes of neon, 20Ne and 22Ne  Aston discovered that the masses of all the particles are whole numbers (the whole number rule): that is, the masses of all the isotopes are whole number multiples of the mass of the hydrogen atom  In these measurements, Aston arbitrarily computed his masses relative to oxygen-16, which he took to have a mass of exactly 16  (Today the atomic mass unit (amu) is relative to carbon-12 ) Ironically, the one exception to this rule was hydrogen itself, which had a mass value of 1 008  The excess mass was small, but well outside the limits of experimental uncertainty  Aston and others quickly realized that the discrepancy is due to the binding energy of atoms, that is, the mass of a number of hydrogen atoms bound into a single atom must be less than the sum of the masses of the separate hydrogen atoms   Aston's work on isotopes won him the 1922 Nobel Prize in Chemistry for the discovery of isotopes in a large number of non-radioactive elements, and for his enunciation of the whole number rule  Noting Aston's recent discovery of nuclear binding energy, in 1920 Arthur Eddington suggested that stars may obtain their energy by fusing hydrogen (protons) into helium and that the heavier elements may form in stars 

Atomic number and Moseley's law
Rutherford and others had noted the disparity between the mass of an atom, computed in atomic mass units, and the approximate charge required on the nucleus for the Rutherford model to work  The required charge of the atomic nucleus was usually about half its atomic mass : 82 Antonius van den Broek boldly hypothesized that the required charge, denoted by Z, was not half of the atomic weight for elements, but instead was exactly equal to the element's ordinal position in the periodic table : 228  At that time, the positions of the elements in the periodic table were not known to have any physical significance   If the elements were ordered based on increasing atomic mass, however, periodicity in chemical properties was exhibited   Exceptions to this periodicity were apparent, however, such as cobalt and nickel : 180 At the University of Manchester in 1913 Henry Moseley discussed the new Bohr model of the atom with the visiting Bohr  The model accounted for the electromagnetic emission spectrum from the hydrogen atom, and Moseley and Bohr wondered if the electromagnetic emission spectra of heavier elements such as cobalt and nickel would follow their ordering by weight, or by their position in the periodic table : 346  In 1913–1914 Moseley tested the question experimentally by using X-ray diffraction techniques  He found that the most intense short-wavelength line in the X-ray spectrum of a particular element, known as the K-alpha line, was related to the element's position in the periodic table, that is, its atomic number, Z  Indeed, Moseley introduced this nomenclature : §1 1 2  Moseley found that the frequencies of the radiation were related in a simple way to the atomic number of the elements for a large number of elements : 5 : 181 Within a year it was noted that the equation for the relation, now called Moseley's law, could be explained in terms of the 1913 Bohr model, with reasonable extra assumptions about atomic structure in other elements : 87  Moseley's result, by Bohr's later account, not only established atomic number as a measurable experimental quantity, but gave it a physical meaning as the positive charge on the atomic nucleus  The elements could be ordered in the periodic system in order of atomic number, rather than atomic weight : 127  The result tied together the organization of the periodic table, the Bohr model for the atom,: 56  and Rutherford's model for alpha scattering from nuclei  It was cited by Rutherford, Bohr, and others as a critical advance in understanding the nature of the atomic nucleus Further research in atomic physics was interrupted by the outbreak of World War I  Moseley was killed in 1915 at the Battle of Gallipoli,: 182  while Rutherford's student James Chadwick was interned in Germany for the duration of the war, 1914–1918  In Berlin, Lise Meitner's and Otto Hahn's research work on determining the radioactive decay chains of radium and uranium by precise chemical separation was interrupted : §4  Meitner spent much of the war working as a radiologist and medical X-ray technician near the Austrian front, while Hahn, a chemist, worked on research in poison gas warfare : 61–62, 68

Rutherford atom
In 1920 Rutherford gave a Bakerian lecture at the Royal Society entitled the "Nuclear Constitution of Atoms", a summary of recent experiments on atomic nuclei and conclusions as to the structure of atomic nuclei : 23 : 5  By 1920, the existence of electrons within the atomic nucleus was widely assumed   It was assumed the nucleus consisted of hydrogen nuclei in number equal to the atomic mass   But since each hydrogen nucleus had charge +1, the nucleus required a smaller number of "internal electrons" each of charge −1 to give the nucleus its correct total charge  The mass of protons is about 1800 times greater than that of electrons, so the mass of the electrons is incidental in this computation : 230–231   Such a model was consistent with the scattering of alpha particles from heavy nuclei, as well as the charge and mass of the many isotopes that had been identified   There were other motivations for the proton–electron model   As noted by Rutherford at the time, "We have strong reason for believing that the nuclei of atoms contain electrons as well as positively charged bodies   ",: 376–377  namely, it was known that beta radiation was electrons emitted from the nucleus : 21 : 5–6 In that lecture, Rutherford conjectured the existence of new particles   The alpha particle was known to be very stable, and it was assumed to retain its identity within the nucleus   The alpha particle was presumed to consist of four protons and two closely bound electrons to give it +2 charge and mass 4   In a 1919 paper, Rutherford had reported the apparent discovery of a new doubly charged particle of mass 3, denoted the X++, interpreted to consist of three protons and a closely bound electron   This result suggested to Rutherford the likely existence of two new particles: one of two protons with a closely bound electron, and another of one proton and a closely bound electron  The X++ particle was later determined to have mass 4 and to be just a low-energy alpha particle : 25  Nevertheless, Rutherford had conjectured the existence of the deuteron, a +1 charge particle of mass 2, and the neutron, a neutral particle of mass 1 : 396   The former is the nucleus of deuterium, discovered in 1931 by Harold Urey  The mass of the hypothetical neutral particle would be little different from that of the proton  Rutherford determined that such a zero-charge particle would be difficult to detect by available techniques : 396 About the time of Rutherford's lecture, other publications appeared with similar suggestions of a proton–electron composite in the nucleus, and in 1921 William Harkins, an American chemist, named the uncharged particle the neutron : 6  About that same time the word proton was adopted for the hydrogen nucleus   Neutron was apparently constructed from the Latin root for neutral and the Greek ending -on (by imitation of electron and proton)  References to the word neutron in connection with the atom can be found in the literature as early as 1899, however : 398 Rutherford and Chadwick immediately began an experimental program at the Cavendish Laboratory in Cambridge to search for the neutron : 27 : 398   The experiments continued throughout the 1920s without success Rutherford's conjecture and the hypothetical "neutron" were not widely accepted   In his 1931 monograph on the Constitution of Atomic Nuclei and Radioactivity, George Gamow, then at the Institute for Theoretical Physics in Copenhagen, did not mention the neutron   At the time of their 1932 measurements in Paris that would lead to the discovery of the neutron, Irène Joliot-Curie and Frédéric Joliot were unaware of the conjecture 

Problems of the nuclear electrons hypothesis
Throughout the 1920s, physicists assumed that the atomic nucleus was composed of protons and "nuclear electrons" : 29–32  Under this hypothesis, the nitrogen-14 (14N) nucleus would be composed of 14 protons and 7 electrons, so that it would have a net charge of +7 elementary charge units and a mass of 14 atomic mass units  This nucleus would also be orbited by another 7 electrons, termed "external electrons" by Rutherford,: 375  to complete the 14N atom  However problems with the hypothesis soon became apparent 
Ralph Kronig pointed out in 1926 that the observed hyperfine structure of atomic spectra was inconsistent with the proton–electron hypothesis  This structure is caused by the influence of the nucleus on the dynamics of orbiting electrons  The magnetic moments of supposed "nuclear electrons" should produce hyperfine spectral line splittings similar to the Zeeman effect, but no such effects were observed : 199   It seemed that the magnetic moment of the electron vanished when it was within the nucleus : 299 While on a visit to Utrecht University in 1928, Kronig learned of a surprising aspect of the rotational spectrum of N2+  The precision measurement made by Leonard Ornstein, the director of Utrecht's Physical Laboratory, showed that the spin of nitrogen nucleus must be equal to one  However, if the nitrogen-14 (14N) nucleus was composed of 14 protons and 7 electrons, an odd number of spin-1/2 particles, then the resultant nuclear spin should be half-integer  Kronig therefore suggested that perhaps "protons and  electrons do not retain their identity to the extent they do outside the nucleus" : 299–301 : 117 Observations of the rotational energy levels of diatomic molecules using Raman spectroscopy by Franco Rasetti in 1929 were inconsistent with the statistics expected from the proton–electron hypothesis  Rasetti obtained band spectra for H2 and N2 molecules   While the lines for both diatomic molecules showed alternation in intensity between light and dark, the pattern of alternation for H2 is opposite to that of the N2  After carefully analyzing these experimental results, German physicists Walter Heitler and Gerhard Herzberg showed that the hydrogen nuclei obey Fermi statistics and the nitrogen nuclei obey Bose statistics  However, a then unpublished result of Eugene Wigner showed that a composite system with an odd number of spin-1/2 particles must obey Fermi statistics; a system with an even number of spin-1/2 particle obeys Bose statistics  If the nitrogen nucleus had 21 particles, it should obey Fermi statistics, contrary to fact  Thus, Heitler and Herzberg concluded: "the electron in the nucleus     loses its ability to determine the statistics of the nucleus ": 117–118 The Klein paradox, discovered by Oskar Klein in 1928, presented further quantum mechanical objections to the notion of an electron confined within a nucleus   Derived from the Dirac equation, this clear and precise paradox suggested that an  electron approaching a high potential barrier has a high probability of passing through the barrier by a pair creation process   Apparently, an electron could not be confined within a nucleus by any potential well  The meaning of this paradox was intensely debated at the time : 199–200 By about 1930 it was generally recognized that it was difficult to reconcile the proton–electron model for nuclei with the Heisenberg uncertainty relation of quantum mechanics : 199 : 299  This relation, Δx⋅Δp ≥ 1⁄2ħ, implies that an electron confined to a region the size of an atomic nucleus typically has a kinetic energy of about 40 MeV,: 299  which is larger than the observed energy of beta particles emitted from the nucleus  Such energy is also much larger than the binding energy of nucleons,: 89  which Aston and others had shown to be less than 9 MeV per nucleon : 511 In 1927, Charles Ellis and W  Wooster at the Cavendish Laboratory measured the energies of β-decay electrons   They found that the distribution of energies from any particular radioactive nuclei was broad and continuous, a result that contrasted notably with the distinct energy values observed in alpha and gamma decay  Further, the continuous energy distribution seemed to indicate that energy was not conserved by this "nuclear electrons" process   Indeed, in 1929 Bohr proposed to modify the law of energy conservation to account for the continuous energy distribution  The proposal earned the support of Werner Heisenberg  Such considerations were apparently reasonable, inasmuch as the laws of quantum mechanics had so recently overturned the laws of classical mechanics 
While all these considerations did not "prove" an electron could not exist in the nucleus, they were confusing and challenging for physicists to interpret   Many theories were invented to explain how the above arguments could be wrong : 4–5  In his 1931 monograph, Gamow summarized all these contradictions, marking the statements regarding electrons in the nucleus with warning symbols : 23

Discovery of the neutron
In 1930, Walther Bothe and his collaborator Herbert Becker in Giessen, Germany found that if the energetic alpha particles emitted from polonium fell on certain light elements, specifically beryllium (94Be), boron (115B), or lithium (73Li), an unusually penetrating radiation was produced  Beryllium produced the most intense radiation   Polonium is highly radioactive, producing energetic alpha radiation, and it was commonly used for scattering experiments at the time : 99–110  Alpha radiation can be influenced by an electric field, because it is composed of charged particles   The observed penetrating radiation was not influenced by an electric field, however, so it was thought to be gamma radiation  The radiation was more penetrating than any gamma rays known, and the details of experimental results were difficult to interpret 

Two years later Irène Joliot-Curie and Frédéric Joliot in Paris showed that if this unknown radiation fell on paraffin wax, or any other hydrogen-containing compound, it ejected protons of very high energy (5 MeV)  This observation was not in itself inconsistent with the assumed gamma ray nature of the new radiation, but that interpretation (Compton scattering) had a logical problem   From energy and momentum considerations, a gamma ray would have to have impossibly high energy (50 MeV) to scatter a massive proton : §1 3 1  In Rome, the young physicist Ettore Majorana declared that the manner in which the new radiation interacted with
protons required a new neutral particle On hearing of the Paris results, neither Rutherford nor James Chadwick at the Cavendish Laboratory believed the gamma ray hypothesis  Assisted by Norman Feather, Chadwick quickly performed a series of experiments showing that the gamma ray hypothesis was untenable  The previous year, Chadwick, J E R  Constable, and E C  Pollard had already conducted experiments on disintegrating light elements using alpha radiation from polonium  They had also developed more accurate and efficient methods for detecting, counting, and recording the ejected protons  Chadwick repeated the creation of the radiation using beryllium to absorb the alpha particles: 9Be + 4He (α) →  12C + 1n  Following the Paris experiment, he aimed the radiation at paraffin wax, a hydrocarbon high in hydrogen content, hence offering a target dense with protons  As in the Paris experiment, the radiation energetically scattered some of the protons  Chadwick measured the range of these protons, and also measured how the new radiation impacted the atoms of various gases  He found that the new radiation consisted of not gamma rays, but uncharged particles with about the same mass as the proton  These particles were neutrons  Chadwick won the Nobel Prize in Physics in 1935 for this discovery The year 1932 was later referred to as the "annus mirabilis" for nuclear physics in the Cavendish Laboratory, with discoveries of the neutron, artificial nuclear disintegration by the Cockcroft–Walton particle accelerator, and the positron 

Proton–neutron model of the nucleus
Given the problems of the proton–electron model, it was quickly accepted that the atomic nucleus is composed of protons and neutrons, although the precise nature of the neutron was initially unclear  Within months after the discovery of the neutron, Werner Heisenberg and Dmitri Ivanenko had proposed proton–neutron models for the nucleus  Heisenberg's landmark papers approached the description of protons and neutrons in the nucleus through quantum mechanics  While Heisenberg's theory for protons and neutrons in the nucleus was a "major step toward understanding the nucleus as a quantum mechanical system," he still assumed the presence of nuclear electrons  In particular, Heisenberg assumed the neutron was a proton–electron composite, for which there is no quantum mechanical explanation  Heisenberg had no explanation for how lightweight electrons could be bound within the nucleus  Heisenberg introduced the first theory of nuclear exchange forces that bind the nucleons  He considered protons and neutrons to be different quantum states of the same particle, i e , nucleons distinguished by the value of their nuclear isospin quantum numbers 
The proton–neutron model explained the puzzle of dinitrogen  When 14N was proposed to consist of 3 pairs each of protons and neutrons, with an additional unpaired neutron and proton each contributing a spin of 1⁄2 ħ in the same direction for a total spin of 1 ħ, the model became viable  Soon, neutrons were used to naturally explain spin differences in many different nuclides in the same way 
If the proton–neutron model for the nucleus resolved many issues, it highlighted the problem of explaining the origins of beta radiation  No existing theory could account for how electrons, or positrons, could emanate from the nucleus  In 1934, Enrico Fermi published his classic paper describing the process of beta decay, in which the neutron decays to a proton by creating an electron and a (as yet undiscovered) neutrino  The paper employed the analogy that photons, or electromagnetic radiation, were similarly created and destroyed in atomic processes  Ivanenko had suggested a similar analogy in 1932  Fermi's theory requires the neutron to be a spin-1⁄2 particle  The theory preserved the principle of conservation of energy, which had been thrown into question by the continuous energy distribution of beta particles  The basic theory for beta decay proposed by Fermi was the first to show how particles could be created and destroyed  It established a general, basic theory for the interaction of particles by weak or strong forces  While this influential paper has stood the test of time, the ideas within it were so new that when it was first submitted to the journal Nature in 1933 it was rejected as being too speculative 

The nature of the neutron
The question of whether the neutron was a composite particle of a proton and an electron persisted for a few years after its discovery  In 1932 Harrie Massey explored a model for a composite neutron to account for its great penetrating power through matter and its electrical neutrality, for example  The issue was a legacy of the prevailing view from the 1920s that the only elementary particles were the proton and electron 
The nature of the neutron was a primary topic of discussion at the 7th Solvay Conference held in October 1933, attended by Heisenberg, Niels Bohr, Lise Meitner, Ernest Lawrence, Fermi, Chadwick, and others  As posed by Chadwick in his Bakerian Lecture in 1933, the primary question was the mass of the neutron relative to the proton  If the neutron's mass was less than the combined masses of a proton and an electron (1 0078 u), then the neutron could be a proton-electron composite because of the mass defect from the nuclear binding energy  If greater than the combined masses, then the neutron was elementary like the proton  The question was challenging to answer because the electron's mass is only 0 05% of the proton's, hence exceptionally precise measurements were required 
The difficulty of making the measurement is illustrated by the wide-ranging values for the mass of the neutron obtained from 1932 to 1934  The accepted value today is 1 00866 u  In Chadwick's 1932 paper reporting on the discovery, he estimated the mass of the neutron to be between 1 005 u and 1 008 u  By bombarding boron with alpha particles, Frédéric and Irène Joliot-Curie obtained a high value of 1 012 u, while Ernest Lawrence's team at the University of California measured the small value 1 0006 u using their new cyclotron In 1935 Chadwick and his doctoral student Maurice Goldhaber resolved the issue by reporting the first accurate measurement of the mass of the neutron  They used the 2 6 MeV gamma rays of Thallium-208 (208Tl) (then known as thorium C") to photodisintegrate the deuteron 
In this reaction, the resulting proton and neutron have about equal kinetic energy, since their masses are about equal   The kinetic energy of the resulting proton could be measured (0 24 MeV), and therefore the deuteron's binding energy could be determined (2 6 MeV − 2(0 24 MeV) = 2 1 MeV, or 0 0023 u)  The neutron's mass could then be determined by the simple mass balance

where md,p,n refer to the deuteron, proton, or neutron mass, and "b e " is the binding energy  The masses of the deuteron and proton were known; Chadwick and Goldhaber used values 2 0142 u and 1 0081 u, respectively   They found that the neutron's mass was slightly greater than the mass of the proton 1 0084 u or 1 0090 u, depending on the precise value used for the deuteron mass  The mass of the neutron was too large to be a proton–electron composite, and the neutron was therefore identified as an elementary particle   Chadwick and Goldhaber predicted that a free neutron would be able to decay into a proton, electron, and neutrino (beta decay) 

Neutron physics in the 1930s
Soon after the discovery of the neutron, indirect evidence suggested the neutron had an unexpected non-zero value for its magnetic moment  Attempts to measure the neutron's magnetic moment originated with the discovery by Otto Stern in 1933 in Hamburg that the proton had an anomalously large magnetic moment  By 1934 groups led by Stern, now in Pittsburgh, and I  I  Rabi in New York had independently deduced that the magnetic moment of the neutron was negative and unexpectedly large by measuring the magnetic moments of the proton and deuteron  Values for the magnetic moment of the neutron were also determined by Robert Bacher (1933) at Ann Arbor and I Y  Tamm and S A  Altshuler (1934) in the Soviet Union from studies of the hyperfine structure of atomic spectra  By the late 1930s accurate values for the magnetic moment of the neutron had been deduced by the Rabi group using measurements employing newly developed nuclear magnetic resonance techniques  The large value for the proton's magnetic moment and the inferred negative value for the neutron's magnetic moment were unexpected and raised many questions 

The discovery of the neutron immediately gave scientists a new tool for probing the properties of atomic nuclei  Alpha particles had been used over the previous decades in scattering experiments, but such particles, which are helium nuclei, have +2 charge  This charge makes it difficult for alpha particles to overcome the Coulomb repulsive force and interact directly with the nuclei of atoms  Since neutrons have no electric charge, they do not have to overcome this force to interact with nuclei  Almost coincident with their discovery, neutrons were used by Norman Feather, Chadwick's colleague and protege, in scattering experiments with nitrogen  Feather was able to show that neutrons interacting with nitrogen nuclei scattered to protons or induced nitrogen to disintegrate to form boron with the emission of an alpha particle  Feather was therefore the first to show that neutrons produce nuclear disintegrations 
In Rome, Enrico Fermi and his team bombarded heavier elements with neutrons and found the products to be radioactive  By 1934 they had used neutrons to induce radioactivity in 22 different elements, many of these elements of high atomic number  Noticing that other experiments with neutrons at his laboratory seemed to work better on a wooden table than a marble table, Fermi suspected that the protons of the wood were slowing the neutrons and so increasing the chance for the neutron to interact with nuclei  Fermi therefore passed neutrons through paraffin wax to slow them and found that the radioactivity of some bombarded elements increased by a factor of tens to hundreds  The cross section for interaction with nuclei is much larger for slow neutrons than for fast neutrons  In 1938 Fermi received the Nobel Prize in Physics "for his demonstrations of the existence of new radioactive elements produced by neutron irradiation, and for his related discovery of nuclear reactions brought about by slow neutrons" 

In Berlin, the collaboration of Lise Meitner and Otto Hahn, together with their assistant Fritz Strassmann, furthered the research begun by Fermi and his team when they bombarded uranium with neutrons  Between 1934 and 1938, Hahn, Meitner, and Strassmann found a great number of radioactive transmutation products from these experiments, all of which they regarded as transuranic  Transuranic nuclides are those that have an atomic number greater than uranium (92), formed by neutron absorption; such nuclides are not naturally occurring  In July 1938, Meitner was forced to escape antisemitic persecution in Nazi Germany after the Anschluss, and she was able to secure a new position in Sweden  The decisive experiment on 16–17 December 1938 (using a chemical process called "radium–barium–mesothorium fractionation") produced puzzling results: what they had understood to be three isotopes of radium were instead consistently behaving as barium  Radium (atomic number 88) and barium (atomic number 56) are in the same chemical group   By January 1939 Hahn had concluded that what they had thought were transuranic nuclides were instead much lighter nuclides, such as barium, lanthanum, cerium and light platinoids  Meitner and her nephew Otto Frisch immediately and correctly interpreted these observations as resulting from nuclear fission, a term coined by Frisch Hahn and his collaborators had detected the splitting of uranium nuclei, made unstable by neutron absorption, into lighter elements  Meitner and Frisch also showed that the fission of each uranium atom would release about 200 MeV of energy  The discovery of fission electrified the global community of atomic physicists and the public   In their second publication on nuclear fission, Hahn and Strassmann predicted the existence and liberation of additional neutrons during the fission process  Frédéric Joliot and his team proved this phenomenon to be a chain reaction in March 1939  In 1945 Hahn received the 1944 Nobel Prize in Chemistry "for his discovery of the fission of heavy atomic nuclei "

After 1939
The discovery of nuclear fission at the end of 1938 marked a shift in the centers of nuclear research from Europe to the United States  Large numbers of scientists were migrating to the United States to escape the troubles and antisemitism in Europe and the looming war: 407–410  (See Jewish scientists and the Manhattan Project)  The new centers of nuclear research were the universities in the United States, particularly Columbia University in New York and the University of Chicago where Enrico Fermi had relocated, and a secret research facility at Los Alamos, New Mexico, established in 1942, the new home of the Manhattan project  This wartime project was focussed on the construction of nuclear weapons, exploiting the enormous energy released by the fission of uranium or plutonium through neutron-based chain reactions 
The discoveries of the neutron and positron in 1932 were the start of the discoveries of many new particles   Muons were discovered in 1936   Pions and kaons were discovered in 1947, while lambda particles were discovered in 1950   Throughout the 1950s and 1960s, a large number of particles called hadrons were discovered   A classification scheme for organizing all these particles, proposed independently by Murray Gell-Mann and
George Zweig in 1964, became known as the quark model  By this model, particles such as the proton and neutron were not elementary, but composed of various configurations of a small number of other truly elementary particles called partons or quarks  The quark model received experimental verification beginning in the late 1960s and finally provided an explanation for the neutron's anomalous magnetic moment 

Videos
Ernest Rutherford summarizes the state of nuclear physics in 1935  (7 min , Nobelprize org)
Hans Bethe discusses Chadwick and Goldhaber's work on deuteron disintegration  (2 min , Web of Stories)

Explanatory notes



ground_truth: La Goulette

Tunis

Rome

Roma

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who wrote the song The Story sung by the performer of Give Up the Ghost?

The following are given passages.
Context 2:  It was released in June 2011 as the second single from their fifth studio album titled Ghosts of the Past  The song peaked at number 38 on the ARIA Singles Chart 
At the ARIA Music Awards of 2011, the song was nominated for ARIA Award for Best Video 
At the APRA Music Awards of 2012, the song was nominated for Rock Work of the Year 

Charts
Release history
Passage 6:
Give Up the Ghost (album)
Give Up the Ghost is the third studio album by American singer-songwriter Brandi Carlile, released on October 6, 2009, through Columbia Records  The album was produced by Grammy Award winner Rick Rubin and contains a collaboration with Elton John titled "Caroline"  Recorded at Sunset Sound in Los Angeles, the album also features Chad Smith, Amy Ray and Benmont Tench "Dreams", the first single from the album, was released on Carlile's website on August 14, and was available for download on August 18 

Track listing
All songs written by Carlile, unless noted otherwise 

"Looking Out" – 4:18
"Dying Day" (Tim Hanseroth) – 3:33
"Pride and Joy" – 4:20
"Dreams" (Carlile, Phil Hanseroth, Tim Hanseroth) – 3:31
"That Year" – 3:35
"Caroline" (Carlile, Phil Hanseroth, Tim Hanseroth) – 3:36
"Before It Breaks" (Carlile, Phil Hanseroth, Tim Hanseroth) – 3:57
"I Will" – 4:09
"If There Was No You" (Carlile, Phil Hanseroth) – 2:39
"Touching the Ground" (Tim Hanseroth) – 3:17
"Oh Dear" (Carlile, Phil Hanseroth) – 2:50

Personnel
Brandi Carlile – banjo, acoustic guitar, electric guitar, piano, lead vocals, background vocals
Jesse Carmichael – mellotron
Lenny Castro – percussion
Gibb Droll – dobro, slide guitar
Phil Hanseroth – bass guitar, upright bass, electric guitar, percussion, ukulele, background vocals, Wurlitzer
Tim Hanseroth – drums, electric guitar, percussion, background vocals
Jacob Hoffman – piano
Victor Indrizzo – drums, percussion
Elton John – piano, background vocals
Paul Buckmaster – arrangements
Josh Neumann – cello
Jason Lader – synthesizer
Amy Ray – background vocals
Chad Smith – drums, percussion
Benmont Tench – organ, piano

Charts
Awards
In 2010, Brandi Carlile was nominated for a GLAAD Media Award for "Outstanding Music Artist" for the album Give Up the Ghost during the 21st GLAAD Media Awards 
Passage 7:
Colder Weather
"Colder Weather" is a song by American country music group Zac Brown Band  Lead singer Zac Brown co-wrote the song with Coy Bowles (the band's keyboardist and guitarist), Wyatt Durrette and Levi Lowrey  It is the band's seventh single release overall, and the second single from their 2010 album You Get What You Give 

Content
The lyric is about a trucker who is on the road, and separated from his lover due to the weather  Co-writer Wyatt Durrette told The Boot:

There was a girl I was seeing, who lived in Kansas City  We really liked each other, but geography and timing just wasn't working for us  She was getting pretty frustrated with the whole thing and wanted me to slow down, as far as traveling so much and all those things  I wasn't willing to do that because we were just getting started, and I'm chasing my dreams 
"Colder Weather" is in the key of E-flat major, with the guitars set to E♭ tuning  In this song, Brown's vocals range from B♭2 to A♭4 

Critical reception
The song has received primarily positive reviews from critics  Jessica Phillips of Country Weekly, in her review of the album, called it "lyrically profound," and Eric R  Danton of the Hartford Courant said that it was the "sorrowful, solitary kind of song with an old-school country-ballad feel made for crisp nights in the high country " Giving it a "thumbs up," Karlie Justus of Engine 145 called it "loneliness and longing set to music", also praising the production and lyrics  She compared the song's style to Merle Haggard  Jonathan Keefe of Slant Magazine was less favorable, calling the song "somewhat strident and inorganic "

Music video
The music video was directed by Darren Doane and premiered in February 2011  Australian actor Liam Hemsworth appeared in the video portraying the male character who temporarily leaves his girlfriend during the winter   Tori McPetrie portrays his girlfriend 

Charts and certifications
Passage 8:
Godsmack
Godsmack is an American rock band from Lawrence, Massachusetts, formed in 1995  The band is composed of lead singer and rhythm guitarist Sully Erna, bassist Robbie Merrill, lead guitarist Tony Rombola and drummer Shannon Larkin  Since its formation, Godsmack has released eight studio albums, one EP (The Other Side), four DVDs, one compilation album (Good Times, Bad Times    Ten Years of Godsmack), and one live album (Live & Inspired) 
The band has released three consecutive number-one albums (Faceless, IV and The Oracle) on the Billboard 200  The band also has 25 top ten rock radio hits, including 18 songs in the top five  The band's seventh album, When Legends Rise was released on April 27, 2018 
Since its inception, Godsmack has toured with Ozzfest on more than one occasion and has toured with many other large tours and festivals, including supporting its albums with its own arena tours  In honor of the band's success and the release of their sixth studio album, 1000hp, Mayor Marty Walsh declared August 6 as "Godsmack Day" in the city of Boston 

History
Formation and All Wound Up    (1995–1997)
In February 1995, Sully Erna decided to start a new band as the lead singer after playing the drums for more than 23 years, including more than two years in the now-defunct band Strip Mind  His new band, The Scam, formed with Erna on vocals, Robbie Merrill on bass, local guitarist and friend Lee Richards on guitar, and Tommy Stewart on drums  The Scam quickly changed its name to Godsmack, after recording one demo  The newly formed band started playing small bars in their hometown of Boston  Locally popular songs such as "Keep Away" and "Whatever" soon brought them to the top of the hit charts in the Boston/New England area Many people think the band's name stemmed from an Alice in Chains song, but according to Erna, the band's name came from a small and personal incident  "I was making fun of [our drummer at the time] who had a cold sore on his lip and the next day I had one myself and somebody said, 'It's a god smack ' The name stuck  We were aware of the Alice In Chains song but didn't really think much about it " In 1996, Tony Rombola joined as the guitarist after Richards left upon learning he had a six-year-old child and Stewart left due to personal differences  In the same year, the band entered New Alliance Studio in Boston to record its debut album, All Wound Up     The CD was recorded in just three days for $2,600 and was self-released in February 1997 through the band's own record label, E  K  Records Company  In May 1997, Joe D'Arco joined to replace Stewart on drums Eventually, Godsmack's CD landed in the hands of Rocko, the night-time DJ for Boston radio station WAAF (FM)  The radio station put "Keep Away" into heavy rotation and the song rose to the number one spot at the station very quickly  Newbury Comics, a New England record store chain, agreed to sell the CD on consignment  Shortly after the success of "Keep Away", Godsmack went back into the studio and recorded a single titled "Whatever", which became the new local favorite on WAAF (FM)  In an interview Sully Erna stated, "We had been selling maybe 50 copies a month at the time WAAF picked up the album  All of a sudden we started moving over a thousand records a week  (   ) I was doing all this from my bedroom  After years of grinding away, things finally started taking off " In April 1998, D'Arco was dismissed from the band  He was replaced by former drummer Tommy Stewart, who returned after expressing a desire to be in the band again 

Godsmack (1998–1999)
In June 1998, Universal/Republic Records signed the band to their label   The band's first album All Wound Up    was slightly edited to remove unlicensed samples, fully re-mastered and given a new artwork and layout; the finished self-titled album Godsmack was released to the public six weeks later on August 25, 1998  This led to the band's first headlining tour, "The Godsmack Tour" with Jim Rose Circus as the opening act  After the album's release the band went on the road playing club shows as well as playing at Ozzfest and Woodstock '99  This was followed by a tour in Europe supporting Black Sabbath  Roxanne Blanford from Allmusic gave the album three out of five stars, stating, "Godsmack confidently brought metal into the technological age"  The album entered the Billboard 200 at number twenty-two, and was certified 4× platinum by the Recording Industry Association of America in 2001 after being initially certified gold in 1999 The album sold well despite being initially pulled from the shelves in some stores due to concerns over some of its lyrical content  The band and its record label later added a Parental Advisory sticker to the album, and some stores ordered amended copies of the album  Erna commented in Rolling Stone magazine stating, "Our record has been in the marketplace for more than a year now without a parental advisory sticker and this is the one and only complaint     Stickers and lyrics are by nature subjective     We have decided to put a sticker on the record " This controversy did not appear to adversely affect album sales but, according to Erna, helped; "It's almost taunting kids to go out and get the record to see what we're saying on it " The album also had four successful singles which were "Whatever", "Keep Away", "Voodoo" and "Bad Religion" 

Awake (2000–2001)
In 2000, Godsmack returned to the studio after the multi-platinum success of Godsmack to start recording Awake  The album was released on October 31, 2000  The album debuted at number five on the Billboard 200, and has been certified 2× platinum by the RIAA  "Vampires", a song on the album, also earned the band a Grammy nomination for Best Rock Instrumental Performance in 2002  With the release of Awake, Godsmack toured Europe supporting Limp Bizkit  Erna said at the time, "We've been touring nonstop since August 1998, So most of Awake was written on tour while we were ping-ponging between America and Europe, building up the band  "Ozzfest" was actually the only big tour where we rode under someone else's wings; we did a lot of work on our own " The band played Ozzfest in 2000 again as they had in 1999  On July 19, 2001, Godsmack released their first live DVD titled Live  The DVD has since been certified Gold by the RIAA for selling 50,000 copies in the United States Two of the songs on the album were used in United States Navy commercials ("Sick of Life" and "Awake") as background music  Erna stated, "Someone in the military is a fan, and they asked if they could use the music, and we accepted"  However, Erna insisted in an interview that Godsmack does not support any war 

The Scorpion King, Faceless and The Other Side (2002–2004)
In 2002, Erna was asked to write and perform a song for the soundtrack to The Scorpion King  The song Godsmack wrote and performed was titled "I Stand Alone" and the song became the number 1 single at Rock Radio and the most played Active Rock song in 2002 for 14 weeks straight  It was also used in the game Prince of Persia: Warrior Within With Shannon Larkin (ex Ugly Kid Joe, Souls at Zero, Wrathchild America, MF Pitbulls) replacing Tommy Stewart, who left due to personal differences for the second time, Godsmack went back into the studio later that year to record a new album that was released in 2003  Faceless debuted at number one on the Billboard 200, selling 269,000 copies in its first week, and the album would go on to sell over one million copies in the United States  Faceless also debuted at number nine on the Top Canadian Albums and at number one on the Top Internet Albums and remained at that position for two weeks  A massive Tour of America and Europe supporting Metallica followed 
The lead single "Straight Out of Line" received a Grammy Award nomination for "Best Hard Rock Performance"  The award went to Evanescence's single "Bring Me to Life"  The album got its name after a swimming-pool incident  However, in a later interview Merrill stated otherwise, making it unclear of how the album's title came to be, "It came from the band's feeling that, despite our radio and sales success, we still flew a bit under the radar" On March 16, 2004 The Other Side, an acoustic EP, was released  The album debuted at number five on the Billboard 200, a relatively high position for an acoustic EP  It included several previously released songs re-recorded as acoustic versions, as well as three new acoustic tracks  One new song, "Touché", featured Godsmack's first guitar player, Lee Richards, as well as John Kosco, who were at that time in the now defunct band Dropbox, The other two new acoustic tracks were "Running Blind" and "Voices"  The song "Asleep" is actually an acoustic version of "Awake" from the band's second album Awake  Godsmack shifted from its "heavy" sound to a more mellow acoustic sound on this EP in the same manner Alice in Chains did in the Sap and Jar of Flies EPs, one of many similarities to Alice in Chains for which the band has been criticized In 2004, Godsmack opened for Metallica's "Madly in Anger with the World tour", and headlined the tour along with Dropbox  Afterwards, in autumn 2004, the band played several acoustic shows to promote The Other Side, while at the same time continuing to open for Metallica 

IV and Ten Years of Godsmack (2005–2007)
Throughout 2005, The band was in the studio recording and writing material for a new album  On April 25, 2006, Godsmack released its fourth studio album simply titled IV, followed by a tour that would continue until August 2007, titled "The IV tour"  The album was produced by Erna and engineered by the well known producer and engineer Andy Johns, known for engineering Led Zeppelin's Led Zeppelin IV  The first single from the album, "Speak" was released on February 14, 2006  The album debuted at number one on the Billboard 200, selling 211,000 copies in its first week IV has since been certified gold  The band had written over forty songs for the album, but the final track listing had eleven tracks, Larkin commented, "it's Sully's band and his vision [   ]When it comes time to pick the songs it's all Sully"  The album's minimalist name "IV" derives not only from its being the band's fourth studio album, but also from a running piece of backstage humor, as related by Larkin and Erna in an interview To celebrate ten years as a band, Godsmack released a greatest hits album entitled Good Times, Bad Times    Ten Years of Godsmack on December 4, 2007  The album debuted at number thirty-five on the Billboard 200, selling 40,000 copies in the first week of release  It includes a cover of the Led Zeppelin song "Good Times Bad Times", as well as a DVD of Godsmack's acoustic performance in Las Vegas at House of Blues  The album was originally intended to be a boxed set, but the band scrapped the plans so they could release a best of album  Godsmack will follow the release of the album with an acoustic tour  Despite rumors of the band going on hiatus as a result of releasing a greatest hits album, Erna was quoted as saying, "we're not going away, we are just gonna take a break and enjoy our 10th year anniversary and kind of recharge our batteries  And then Godsmack will be back, and we will come back bigger and badder than ever "

The Oracle and break (2008–2013)
In November 2008, Larkin announced that the band would be reforming and recording a new album  The following summer, the band toured as support to Mötley Crüe's Crüe Fest 2 tour and released a non-album single, "Whiskey Hangover"  After the tour, Godsmack started production for their new album  The album, titled The Oracle was released on May 4, 2010  Arriving to popular reception, The Oracle was Godsmack's third straight full-length studio album to debut at No  1 with 117,000 sold in the first week of release  Erna had this to say about the early sound album, "It's gonna be really heavy  I mean, it's very aggressive  I'm not really sure; it's very premature right now  Right now we just finished one track for the Crüe Fest this Summer  But as far as the whole record goes, I think it's going to be a lot more in your face  I don't think there's going to be any 'Voodoo's or 'Serenity's on this one  We decided to go balls out!" Godsmack headlined the fourth annual Mayhem Festival alongside Disturbed  The band entered the studio in January 2012 to mix a live album plus record several covers for an upcoming release  They then went on tour in the spring with Staind  In February 2012, Godsmack finished an EP of cover songs  Godsmack released their new live album Live & Inspired on May 15, 2012  The set included a bonus EP of cover tracks  In December of the same year, Sully said in an interview that Godsmack would take a break during 2013, stating "We're going to take some time away now because we just ran for the last two years " A month after, Erna announced a short solo tour through America 

1000hp (2014–2016)
In February 2014, Erna tweeted that the band had made progress in the songwriting process for its next studio album, tentatively scheduled for a late 2014 release  He also mentioned that the band finished 11 songs for the new record in two weeks  In April, the band announced that they had recorded 15 songs, ten of which would make the final cut  In May, Erna announced that the album would be titled 1000hp (1000 Horsepower)  The album's title track was released as a single the following month  The album was released on August 5, 2014, and sold around 58,000 copies in the United States in its first week of release to land at position No  3 on The Billboard 200 chart  Since release the album has spawned the singles Something Different and What's Next  The band have unified a campaign to aid military veterans with their latest single What's Next Godsmack also headlined the 2014 Uproar Festival  They were announced on August 20, 2014, to be part of the Soundwave Festival in Australia  In July 2015, the band revealed dates for an upcoming North American fall headline tour  The run included dates with Sevendust  Also in August 2015 Godsmack announced a new leg of North American dates that would keep the band busy through mid-November On October 14, 2015, Godsmack released a digital single called "Inside Yourself" available for a limited free download  The song was released on iTunes on November 20, 2015 On September 9, 2016, Erna confirmed that the band had officially left Universal/Republic, and signed a deal with BMG 

When Legends Rise (2017–2020)
The band began work on a seventh studio album in 2017  The album, When Legends Rise, was released on April 27, 2018  The album's first single, "Bulletproof", was released ahead of the album on February 28, 2018  The band toured across North America from May through October 2018  They played at several festivals before embarking on a co-headlining summer tour with Shinedown  The band then toured Europe in October and November 2018 in support of their new album  However, On October 17, 2018, it was announced that the band postponed their fall 2018 Europe tour, following death of Tony Rombola's son and plan to reschedule in early 2019 On July 25, 2019, the song "Under Your Scars" hit number 1 for two weeks for the first time on the Billboard Mainstream Rock Songs chart On April 8, 2020, the band released a music video for the song "Unforgettable"  400 aspiring musicians from middle school students across New England to take part in the video  The video, directed by Noah Berlow, again sent the song to the top of the charts for five weeks, setting a new record most constitutive at number 1 in its category 

Lighting Up the Sky (2021–present)
News of a follow-up to the album began circulating as early as August 2019 when frontman Sully Erna revealed in an interview with Canada's iHeartRadio that the band has been preparing to begin the songwriting process for the album It was later revealed that Godsmack would be working on two new releases for 2021: an acoustic EP and a full length album  That plan has since been scrapped with Sully admitting that the band was being "a little bit more ambitious" at the time With just one album to focus on, Godsmack drummer Shannon Larkin said on "The Metal Teddy Bear Experience" podcast that the band intended for the album to be released in 2022  In an April 23, 2022, interview with WJRR, frontman Sully Erna said that the band has finished recording the new album with a new single expected to hit the airwaves in mid-to-late summer and that the album could be the band's last On September 28, 2022, the band released the single titled "Surrender"  Shortly after the release of the new single, Sully Erna revealed in an interview with 93X Radio's Pablo that the title of the album would be Lighting Up the Sky and that it would indeed be the band's last record  A second single for the album "You and I" was released on November 11, 2022  The album was released on February 24, 2023 

Musical style and influences
Godsmack has been described as post-grunge, hard rock, nu metal, alternative metal, and heavy metal  The band's primary influences include Aerosmith, Alice in Chains, Black Sabbath, Led Zeppelin, Metallica, Pantera and Rush according to Erna, Larkin, and Rombola  Erna has cited Layne Staley as his primary influence The overall sound of the band's first two albums have been compared to Alice in Chains' album Dirt  However, Godsmack has attempted to distance themselves from the Alice in Chains comparison with Erna stating in an interview with Matt Ashare, "I've just never really heard that in our music "The band's music is often compared to Alice in Chains which the band cites as an influence  Adrien Begrand of PopMatters states, "Erna perfectly mimics the late Layne Staley's low, guttural, sinister singing and snarly, metal-inspired growls" and, "The band's music is a faithful retread of Jerry Cantrell's churning, tuned-down hard rock" Erna's singing style has been stated as "the snarl of James Hetfield", and "composed of dark harmony that sounds a lot like Alice in Chains"  Merrill's bass style has been described as "bulldozer bottom with occasional slap-bass reverb"  Larkin's drumming is thought to "worship at the twin altars of Neil Peart and John Bonham"  And Rombola's guitar playing style has been praised as "guitars that sound like percussion instruments" 

Band members
Current members

Sully Erna – lead vocals, rhythm guitar, percussion (1995–present); studio drums (1996–2003)
Robbie Merrill – bass (1995–present); backing vocals  (2010–present)
Tony Rombola – lead guitar, backing vocals (1996–present)
Shannon Larkin – drums, percussion (2002–present)Former members

Lee Richards – lead guitar (1995–1996)
Joe D'Arco – drums (1997–1998)
Tommy Stewart – drums (1995–1997, 1998–2002)
			
			
		
		
			
			
		
		
			
			
		
		
			
			
		
Timeline

Discography
Studio albumsGodsmack (1998)
Awake (2000)
Faceless (2003)
IV (2006)
The Oracle (2010)
1000hp (2014)
When Legends Rise (2018)
Lighting Up the Sky (2023)

Awards and nominations
Grammy Awards
Billboard Awards
Boston Music Awards
See also
List of artists who reached number one on the U S  Mainstream Rock chart
Passage 9:
Go Tell It on the Mountain (song)
"Go Tell It on the Mountain" is an African-American spiritual song which was likely derived from the oral tradition, but was originally published by John Wesley Work Jr , although there is some debate whether he was actually the first to write it  This spiritual  has been sung and recorded by many gospel and secular performers since considered a Christmas carol as its original lyrics celebrate the Nativity of Jesus:

Go tell it on the mountain, over the hills and everywhere;go tell it on the mountain, that Jesus Christ is born 
An alternate final line omits the reference to the birth of Christ, instead declaring that "Jesus Christ is Lord" Due to the oral tradition of the song, "Go Tell It on the Mountain" has also been used as a Easter song, with the refrain taking the variant of:

Go, tell it on the mountain,
Over the hills and everywhere;
Go, tell it on the mountain 

That Jesus lives again

Publication history
The earliest known publication of the song is attributed to John Wesley Work, Jr  (1871-1925) who published the song in the New Jubilee Songs as Sung by the Fisk Jubilee Singers (1901)  Work grew up in Nashville where he garnered a love for music from his father who was a choir director   He earned his Master’s in Latin and went on to teach ancient Latin and Greek  However, his first love continued to be music, and he became the first African-American collector of Negro spirituals  Most African-American spirituals originated in oral tradition, but Work, through his extensive research, was able to compile many songs into the “New Jubilee Songs”  It was not until the second version he published that “Go Tell it On the Mountain” was included    While many books and websites attribute the New Jubilee Songs as Sung by the Fisk Jubilee Singers to John Wesley Work, Jr  in 1901, some sources argue the origins lie with Frederick Jerome Work in 1902 

Biblical references
"Go Tell It on the Mountain" references the Annunciation to the Shepherds described in the Gospel of Luke, hence the alternate title of "While shepherds kept their watching"  The Nativity is also referenced in the final verse of the song:

Down in a lowly manger, 
the humble Christ was born,
and God sent us salvation,
that blessed Christmas morn 

Verses: Luke 2:8-20 and Matthew 28:19

Recording artists
In 1963, the musical team Peter, Paul and Mary, along with their musical director Milt Okun, adapted and rewrote "Go Tell It on the Mountain" as "Tell It on the Mountain", their lyrics referring specifically to Exodus and using the phrase "Let my people go", but referring implicitly to the civil rights struggle of the early 1960s  This version became a moderately successful single for them (US No  33 pop, 1964)   Cash Box described it as "a rhythmic, updating of the folk oldie with a plaintive message-song motif "According to religious studies professor and civil rights historian Charles Marsh, it was African-American civil rights leader Fannie Lou Hamer who combined this song with the spiritual "Go Down Moses", taking the last line of the chorus, "let my people go" and substituting it in the chorus of "Go Tell It on the Mountain"  Marsh does not document this claim, but notes that Hamer was highly active in civil rights work beginning in the 1950s, and that the use of the Exodus story and the singing of spirituals played a central role in her activities 
Little Big Town's 2006 non-album single version reached No  35 on the Hot Country Songs chart Popular African- American Contemporary Christian music band Maverick City Music recorded and published their own version of “Go Tell it On the Mountain” in 2021 

See also
List of Christmas carols
Passage 10:
Je veux donner ma voix
For the Eurovision Song Contest 1999, held in Jerusalem, France entered "Je veux donner ma voix" to compete, performed by Nayah  Television channel France 2 was originally in charge of the French participation; however, it was later changed to France 3 due to the broadcast of the French Rugby League Championship which conflicted with the date for the final  France 3 opted to choose their entry via public selection, marking the first time since 1987 France held a national final to select their entry 

Before Eurovision
Eurovision 1999: la sélection
Eurovision 1999: la sélection was the national final organised by France 3 to select France's entry for the Eurovision Song Contest 1999  The competition took place on 2 March 1999 at the L'Olympia in Paris and hosted by Julien Lepers and Karen Cheryl  The show was broadcast on France 3 

Competing entries
From 600 submissions originally received by France 2, a two-member selection committee reviewed the received submissions and selected twelve entries to compete in the national final  The selection committee consisted of Monique Le Marcis (former RTL Head of Musical Programming) and Catherine Régnier (M6 music programmer) 

Final
The final took place on 2 March 1999  Twelve entries competed and the winner, "Je veux donner ma voix" performed by Nayah, was selected by the combination of public televoting (50%) and a jury panel (50%)  The jury panel consisted of Gilbert Bécaud, Marie Myriam, Jocelyne Béroard, Lââm, Sandy Valentino, Richard Cocciante, Jean-Pierre Bouryayre, Laurent Petitguillaume, Jean-Michel Boris and Jean Réveillon, with each member assigning scores to each entry ranging from 1 (lowest) to 10 (highest)  The rankings of each half were used to calculate the result; hence, the song with the lowest total won  There was a tie for first place between Ginie Line and Nayah; however, Nayah won as she received the most votes from the public 

At Eurovision
Nayah performed 10th in the running order of the contest, following Denmark and preceding the Netherlands  At the close of the voting she received 14 points, placing 19th of 23 The contest was broadcast live on France 3, and on a 3 hour and 5 minute delay on TV5Monde, with commentary provided by Julien Lepers  The France 3 broadcast reached 4 2 million viewers within France, representing a 27 9% market share 

Voting
Passage 11:
The Story (song)
Story or stories may refer to:

Common uses
Story, a narrative (an account of imaginary or real people and events)
Short story, a piece of prose fiction that typically can be read in one sitting
Story (American English), or storey (British English), a floor or level of a building
News story, an event or topic reported by a news organization

Social media
Story (social media), a message, image or video, often ephemeral
Facebook Stories, short user-generated photo or video collections that can be uploaded to the user's Facebook
Instagram Stories, a feature in Instagram that let the user post vertical images that will disappear in 24 hours
Snapchat Stories, a feature in Snapchat which allows users to compile snaps into chronological storylines, accessible to all of their friends

Film, television and radio
Story Television, an American digital broadcast television network
Story TV, a South Korean television drama production company
Story (TV programme), a 2015–2016 New Zealand television programme
Story, one of the main characters in the 2006 film Lady in the Water
The Story (film documentary short), a 2000 short film by John Little
The Story with Dick Gordon, a radio interview program that debuted in 2006
"Stories", an episode of The Good Doctor

Music
Groups
The Story (American band), a 1989–1994 folk-rock duo
The Story (British band), an English psychedelic folk duo formed in 2002
Stories (band), a 1972–1974 American rock group

Albums
Story (Amorphis album), 2000
Story (Eric Clapton album), 1991
Story: 25 Years of Hits, by Pet Shop Boys, 2009
Story, by Honeybus, 1970
Story, by NEWS, 2020
Story, by Yesung, 2019
A Story, by Yoko Ono (recorded 1974), or the title song, 1997
The Story (Brandi Carlile album) or the title song (see below), 2007
The Story (Kang Daniel album) or the title song, 2022
The Story (Runrig album) or the title song, 2016
The Story: The Very Best of Spandau Ballet, 2014
The Story, by Bizzy Bone, 2006
Stories (Addison Road album), 2010
Stories (Avicii album), 2015
Stories (The Bunny the Bear album), 2013
Stories (Gloria Gaynor album), 1980
Stories (Mayumi Iizuka album) or the title song, 2008
Stories (Milford Graves album), 2000
Stories (Randy Stonehill album), 1993
Stories (EP), by Chris Brokaw, or the title song, 2011
Stories, an EP by Aurora, 2021
Stories, by John Mayall & the Bluesbreakers, 2002
Stories, by various artists, released by Narada Productions

Songs
"Story" (Ai song), 2005
"Story" (Rina Aiuchi song), 2009
"Story", by Drake White from Spark, 2016
"Story", by Leddra Chapman from Telling Tales, 2009
"Story", by Maroon 5, a B-side of "Makes Me Wonder", 2007
"Story", by NF from Clouds (The Mixtape), 2021
"Story", by P-Square from Get Squared, 2005
"Story", by Perfume from Cosmic Explorer, 2016
"The Story" (Brandi Carlile song), 2007
"The Story" (Conan Gray song), 2020
"The Story", by 30 Seconds to Mars from A Beautiful Lie, 2005
"The Story", by Derrick Morgan
"The Story", by Jewel, representing Alaska in the American Song Contest, 2022
"The Story", by Limp Bizkit from The Unquestionable Truth (Part 1), 2005
"The Story", by M I A  from AIM, 2016
"The Story", by the Passions from Sanctuary, 2019 reissue
"Stories" (Boney M  song), 1990
"Stories" (Therapy? song), 1995
"Stories", by Paige O'Hara from Beauty and the Beast: The Enchanted Christmas, 1997
"Stories", by Saint Motel from Voyeur, 2012
"Stories", by Trapt from Trapt, 2002

EPs
Stories, an EP by The Beast

Places
Australia
Story Bridge, Brisbane, Queensland

United States
Story, Arkansas, an unincorporated community
Story, Indiana, an unincorporated community
Story, Nebraska, an unincorporated community
Story, Wyoming, a census-designated place
Joint Expeditionary Base Fort Story, an army base in Virginia Beach, Virginia
Story City, Iowa
Story County, Iowa

People
Story (surname)
Story Musgrave (born 1935), American doctor and astronaut
Story Tweedie-Yates (born 1983), professional American tennis player

Other uses
Story (magazine), an American literary magazine published 1931–1961 and 1989–2000
Story: Substance, Structure, Style and the Principles of Screenwriting, a 1997 screenwriting guide by Robert McKee
The Stories, by Jane Gardam, 2014
User story, a planning activity in software development
Ray-Ban Stories, smartglasses released in September 2021

See also
History (disambiguation)
Storey (disambiguation)



ground_truth: Phil Hanseroth

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What was the person who provided evidence to suggest the existence of the neutron a participant of?

The following are given passages.
Context 4: 
Because 14th-century healers and governments were at a loss to explain or stop the disease, Europeans turned to astrological forces, earthquakes and the poisoning of wells by Jews as possible reasons for outbreaks  Many believed the epidemic was a punishment by God for their sins, and could be relieved by winning God's forgiveness There were many attacks against Jewish communities  In the Strasbourg massacre of February 1349, about 2,000 Jews were murdered  In August 1349, the Jewish communities in Mainz and Cologne were annihilated  By 1351, 60 major and 150 smaller Jewish communities had been destroyed  During this period many Jews relocated to Poland, where they received a warm welcome from King Casimir the Great 

Social
One theory that has been advanced is that the devastation in Florence caused by the Black Death, which hit Europe between 1348 and 1350, resulted in a shift in the world view of people in 14th-century Italy and led to the Renaissance  Italy was particularly badly hit by the pandemic, and it has been speculated that the resulting familiarity with death caused thinkers to dwell more on their lives on Earth, rather than on spirituality and the afterlife  It has also been argued that the Black Death prompted a new wave of piety, manifested in the sponsorship of religious works of art This does not fully explain why the Renaissance occurred in Italy in the 14th century  The Black Death was a pandemic that affected all of Europe in the ways described, not only Italy  The Renaissance's emergence in Italy was most likely the result of the complex interaction of the above factors, in combination with an influx of Greek scholars following the fall of the Byzantine Empire  As a result of the drastic reduction in the populace the value of the working class increased, and commoners came to enjoy more freedom  To answer the increased need for labour, workers travelled in search of the most favorable position economically Prior to the emergence of the Black Death, the workings of Europe were run by the Catholic Church and the continent was considered a feudalistic society, composed of fiefs and city-states  The pandemic completely restructured both religion and political forces; survivors began to turn to other forms of spirituality and the power dynamics of the fiefs and city-states crumbled Cairo's population, partly owing to the numerous plague epidemics, was in the early 18th century half of what it was in 1347  The populations of some Italian cities, notably Florence, did not regain their pre-14th century size until the 19th century  The demographic decline due to the pandemic had economic consequences: the prices of food dropped and land values declined by 30–40% in most parts of Europe between 1350 and 1400  Landholders faced a great loss, but for ordinary men and women it was a windfall  The survivors of the pandemic found not only that the prices of food were lower but also that lands were more abundant, and many of them inherited property from their dead relatives, and this probably destabilised feudalism The word "quarantine" has its roots in this period, though the concept of isolating people to prevent the spread of disease is older  In the city-state of Ragusa (modern Dubrovnik, Croatia), a thirty-day isolation period was implemented in 1377 for new arrivals to the city from plague-affected areas  The isolation period was later extended to forty days, and given the name "quarantino" from the Italian word for "forty" 

Recurrences
Second plague pandemic
The plague repeatedly returned to haunt Europe and the Mediterranean throughout the 14th to 17th centuries  According to Jean-Noël Biraben, the plague was present somewhere in Europe in every year between 1346 and 1671  (Note that some researchers have cautions about the uncritical use of Biraben's data ) The second pandemic was particularly widespread in the following years: 1360–63; 1374; 1400; 1438–39; 1456–57; 1464–66; 1481–85; 1500–03; 1518–31; 1544–48; 1563–66; 1573–88; 1596–99; 1602–11; 1623–40; 1644–54; and 1664–67  Subsequent outbreaks, though severe, marked the retreat from most of Europe (18th century) and northern Africa (19th century)  The historian George Sussman argued that the plague had not occurred in East Africa until the 1900s  However, other sources suggest that the Second pandemic did indeed reach Sub-Saharan Africa According to historian Geoffrey Parker, "France alone lost almost a million people to the plague in the epidemic of 1628–31 " In the first half of the 17th century, a plague killed some 1 7 million people in Italy  More than 1 25 million deaths resulted from the extreme incidence of plague in 17th-century Spain The Black Death ravaged much of the Islamic world  Plague could be found in the Islamic world almost every year between 1500 and 1850  Sometimes the outbreaks affected small areas, while other outbreaks affected multiple regions  Plague repeatedly struck the cities of North Africa  Algiers lost 30,000–50,000 inhabitants to it in 1620–21, and again in 1654–57, 1665, 1691 and 1740–42  Cairo suffered more than fifty plague epidemics within 150 years from the plague's first appearance, with the final outbreak of the second pandemic there in the 1840s  Plague remained a major event in Ottoman society until the second quarter of the 19th century  Between 1701 and 1750, thirty-seven larger and smaller epidemics were recorded in Constantinople, and an additional thirty-one between 1751 and 1800  Baghdad has suffered severely from visitations of the plague, and sometimes two-thirds of its population had died 

Third plague pandemic
The third plague pandemic (1855–1859) started in China in the mid-19th century, spreading to all inhabited continents and killing 10 million people in India alone  The investigation of the pathogen that caused the 19th-century plague was begun by teams of scientists who visited Hong Kong in 1894, among whom was the French-Swiss bacteriologist Alexandre Yersin, after whom the pathogen was named Twelve plague outbreaks in Australia between 1900 and 1925 resulted in well over 1,000 deaths, chiefly in Sydney  This led to the establishment of a Public Health Department there which undertook some leading-edge research on plague transmission from rat fleas to humans via the bacillus Yersinia pestis The first North American plague epidemic was the San Francisco plague of 1900–1904, followed by another outbreak in 1907–1908 

Modern-day
Modern treatment methods include insecticides, the use of antibiotics, and a plague vaccine  It is feared that the plague bacterium could develop drug resistance and again become a major health threat  One case of a drug-resistant form of the bacterium was found in Madagascar in 1995  A further outbreak in Madagascar was reported in November 2014  In October 2017, the deadliest outbreak of the plague in modern times hit Madagascar, killing 170 people and infecting thousands An estimate of the case fatality rate for the modern bubonic plague, following the introduction of antibiotics, is 11%, although it may be higher in underdeveloped regions 

See also
Black Death in England
Black Death in medieval culture
Crisis of the Late Middle Ages
Flagellant
Globalization and disease
List of epidemics
Second plague pandemic
Timeline of plague
Passage 2:
Patricia Millardet
Patricia Millardet (24 March 1957 − 13 April 2020) was a French movie and television actress, who played judge Silvia Conti in the Italian mafia series La piovra She died of a heart attack in 2020 at the age of 63 

Partial filmography
Passage 3:
La Rosiere de Pessac
La Rosière de Pessac (The Virgin of Pessac) is the title of two hour-long films directed by Jean Eustache (in 1968 and 1979 respectively)   The films cover an annual ceremony, held in Eustache's place of birth, in which the mayor and his associates nominate a girl as the town's most virtuous   Thus, the girls chosen in those two years are eponymous subjects of these documentaries 

External links
La Rosière de Pessac at IMDb
La Rosière de Pessac at IMDb
Passage 4:
Orlando furioso (Vivaldi, 1714)
Orlando furioso RV 819 (Italian pronunciation: [orˈlando fuˈrjoːzo, -so], Teatro San Angelo, Venice 1714) is a three-act opera surviving in manuscript in Antonio Vivaldi's personal library, only partly related to his better known Orlando furioso (RV 728) of 1727  It is a recomposition of an Orlando furioso written by Giovanni Alberto Ristori which had been very successfully staged by Vivaldi and his father's impresa in 1713, and whose music survives in a few fragments retained in the score of RV 819  Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh  84  The libretto was by Grazio Braccioli 

Authorship
Federico Maria Sardelli, according to the studies of Reinhard Strohm, argues that Orlando RV 819 was entirely recomposed by Vivaldi, starting from the original Ristori's opera that Vivaldi himself had already changed during the numerous representations of the season 1713  He assigned to it the catalogue number RV 819  One suggestion is that Vivaldi avoided putting his own name on the opera having himself only recently taken direction of the Teatro San Angelo  Against this others consider that the bulk of the opera is a copy of Ristori's lost work 

Opera
Unlike the Orlando furioso (RV 728) of 1727, in which the role of Orlando is sung by a contralto, the 1714 opera assigns the title role to a bass  The third act is missing and the rest of the score (evidently used in performances by the composer) is incomplete  Two arias are lost, seven arias are incomplete (only the bass part is extant) and three arias are identical with extant arias in RV 727 and RV 729 

Recording
The French label Naïve, which had already recorded the more famous Orlando furioso and Orlando finto pazzo for its Vivaldi Edition, released a recording of the July 20, 2012 première at the Festival de Beaune, with Sardelli conducting Modo Antiquo and singers including Riccardo Novaro as Orlando, Gaëlle Arquez as Angelica, Romina Basso as Alcina and Teodora Gheorghiu as Bradamante  Given the heavily defective nature of the surviving manuscript, Sardelli had to reconstruct or compose ex novo the seven incomplete arias, in a Vivaldian style 

See also
List of operas by Antonio Vivaldi
Passage 5:
Denmark Place fire
The Denmark Place fire occurred on 16 August 1980 at 18 Denmark Place in Central London  The fire, caused by arson, killed 37 people of eight nationalities, most of whom were Spanish or Latin American, who were patrons of two unlicensed bars in the building  At the time, The Sunday Times suggested that it could be "the worst mass murder in British history" 

Background
There were two unlicensed bars on the top two floors of 18 Denmark Place: The Spanish Rooms, a late night bar frequented by locals, including Irish and Jamaican immigrants; and Rodo's, also known as El Dandy, a salsa club popular with South American immigrants  Access to both of these bars was obtained by shouting up from the street below in order to obtain a key  The only way into both of these clubs was through a locked front door and up some stairs leading to a landing  
Access to the club on the lower floor was via this landing and access to the club on the upper floor was via a fire escape enclosed with plywood  Both bars, being unlicensed, were obscured from the outside world by boarded up windows and the door on Denmark Street that led to the fire escape was bolted shut  The Metropolitan Police were aware of the clubs and were planning to shut them both down on Monday 18 August  A farewell party was being thrown over the weekend 

The fire
On the night of 16 August 1980, John Thompson, a Scottish-born petty criminal aged 42, entered The Spanish Rooms and drank there  He believed that the barman had overcharged him for the drink  After fighting with the barman he was ejected from the building and the door was locked behind him  Thompson found a 2-gallon container outside the club, hailed a taxi and then travelled to a 24-hour petrol station in Camden where he filled the container with petrol  He then returned to 18 Denmark Place, poured the petrol through the letterbox of the front door and put a lit piece of paper through Fire quickly took hold in the premises owing to the largely timber construction of the building  Both bars were badly damaged  There were estimated to be 150 people within the building at the time  People could not escape easily due to the boarded up windows, the locked fire escape and general lack of fire safety precautions owing to the bars' unlicensed status The fire burned quickly through the wooden staircase, destroying the main entrance and exit to the bars  Some patrons tried to escape via the back door but found that this was locked  Others smashed windows and jumped out onto the street below  On Denmark Street there was a music shop that backed onto the clubs and some patrons were found here trapped behind the security shutters  One firefighter managed to rescue six people from this area 
When firefighters were called to the fire at around 03:30 they could see smoke seeping from the shuttered windows  When an attempt was made to force the locked front door open they were showered with sparks and embers and were forced to retreat  Once firefighters were able to access the front door it took four minutes to break it down – behind it they found that the staircase was completely on fire 
The speed of the fire was so rapid that many of the bar patrons died where they were sitting or standing  An officer from the London Fire Brigade described the scene:

People seem to have died on the spot without even having time to move an inch  Some were slumped at tables  Seven were at the bar and appear to have fallen as they stood, with drinks still in their hands 

Aftermath
In May 1981, Thompson was convicted on a specimen charge of murdering one of the victims, Archibald Campbell (aged 63) and sentenced to life imprisonment  He died of lung cancer on 16 August 2008, the 28th anniversary of the fire There was comparatively little publicity about the fire, and no formal enquiry into it  The families of some of those who died were not aware of the circumstances  In 2022, after redevelopment of the site, a plaque was placed on a wall in memory 

See also
Blue Bird Café fire, 1972 fire in Montreal started in retaliations by patrons refused entry who then lit petrol in front of main entrance and only exit; also killed 37 
Happy Land fire, 1990 fire in New York City at illegally operated nightclub started the same way by aggrieved ejected patron; resulting 87 fatalities is the worst mass murder in city history caused by a single person 
Clerkenwell cinema fire, 1994 fire in London at an illegally operated adult cinema, intentionally started by an aggrieved patron 
Ghost Ship warehouse fire, 2016 fire at illegally operated nightclub in California that killed 37
Passage 6:
List of bones of the human skeleton
The human skeleton of an adult consists of around 206 bones, depending on the counting of sternum (which may alternatively be included as the manubrium, body of sternum, and the xiphoid process)  It is composed of 270 bones at the time of birth, but later decreases to 206: 80 bones in the axial skeleton and 126 bones in the appendicular skeleton  Many small accessory bones, such as sesamoid bones, are not included in this count 

Introduction
As a person ages, some bones fuse, a process which typically lasts until sometime within the third decade of life  Therefore, the number of bones in an individual may be evaluated differently throughout a lifetime  In addition, the bones of the skull and face are counted as separate bones, despite being fused naturally  Some reliable sesamoid bones such as the pisiform are counted, while others, such as the hallux sesamoids, are not 
Individuals may have more or fewer bones than the average (even accounting for developmental stage) owing to anatomical variations  The most common variations include sutural (wormian) bones, which are located along the sutural lines on the back of the skull, and sesamoid bones which develop within some tendons, mainly in the hands and feet  Some individuals may also have additional (i e , supernumerary) cervical ribs or lumbar vertebrae  Amputations or other injuries may result in the loss of bones  Complete bone fractures may split one bone into multiple pieces  Other genetic conditions may result in abnormally higher (e g  polydactyly or conjoined twins) or lower (e g  oligodactyly) counts of bones 

Bones
The axial skeleton, comprising the spine, chest and head, contains 80 bones  The appendicular skeleton, comprising the arms and legs, including the shoulder and pelvic girdles, contains 126 bones, bringing the total for the entire skeleton to 206 bones  Infants are born with about 270 bones with most of it being cartilage, but will later fuse together and decrease over time to 206 bones 

Spine (vertebral column)
A fully grown adult features 26 bones in the spine, whereas a child can have 34 

Cervical vertebrae (7 bones)
Thoracic vertebrae (12 bones)
Lumbar vertebrae (5 bones)
Sacrum (5 bones at birth, fused into one after adolescence)
Coccygeal vertebrae/Cordal (set of 4 bones at birth; some or all fuse together, but there seems to be a disagreement between researchers as to what the most common number should be  Some say the most common is 1, others say 2 or 3, with 4 being the least likely  It is counted as 1 in this article )

Chest (thorax)
There are 25 bones in the chest  The chest contains cartilage for the lungs to fill with air  

Sternum (1 or 3 bones  It is counted as 1 in this article )
Ribs (24, in 12 pairs)
Cervical ribs are extra ribs that occur in some people 

Head
There are 23 bones in the skull  Including the bones of the middle ear and the hyoid bone, the head contains 29 bones 

Cranial bones (8)
Occipital bone
Parietal bones (2)
Frontal bone
Temporal bones (2)
Sphenoid bone (sometimes counted as facial)
Ethmoid bone (sometimes counted as facial)
Facial bones (15)
Nasal bones (2)
Maxillae (upper jaw) (2)
Lacrimal bone (2)
Zygomatic bone (cheek bones) (2)
Palatine bone (2)
Inferior nasal concha (2)
Vomer (1)
Hyoid bone (1)
Mandible (1)
Middle ears (6 bones in total, 3 on each side)
Malleus (2)
Incus (2)
Stapes (2)

Upper limb (arm and forearm) and hand
There are a total of 64 bones in the arms, 32 in each arm

Upper arm bones (6 bones in total; 3 on each side)
Humerus (2)
Pectoral girdle (shoulder)
Scapula (2)
Clavicle (2)
Lower arm bones (4 bones in total, 2 on each side) left bone
Ulna (2) (Lined up with pinky)
Radius (2) (Lined up with thumb)
Hand (54 bones in total; 27 in each hand)
Carpals
Scaphoid bone (2)
Lunate bone (2)
Triquetral bone (2)
Pisiform bone (2)
Trapezium (2)
Trapezoid bone (2)
Capitate bone (2)
Hamate bone (2)
Metacarpals (10 bones in total; 5 on each side)
Phalanges of the hand (28 bones in total, 14 on each hand)
Proximal phalanges (10 bones in total; 5 on each side)
Intermediate phalanges (8 bones in total; 4 on each side)
Distal phalanges (10 bones in total; 5 on each side)

Pelvis (pelvic girdle)
The pelvis (or hip bone) is made up of three regions that have fused to form two coxal bones  They are the ilium, ischium, and pubis 

The sacrum and coccyx attach to the two hip bones to form the pelvis, but are more important to the spinal column, where they are counted The pelvis is one of two bones used to determine the sex of a skeleton, which is determined by examining the size of the greater sciatic notch (also known as the pelvic opening) 

Lower limb (thigh and leg) and foot
There are a total of 60 bones in the legs 

Femur (2)
Patella or kneecap (2)
Tibia (2)
Fibula (2)
Foot (52 bones in total, 26 per foot)
Tarsus/Tarsals
Calcaneus or heel bone (2)
Talus (2)
Navicular bone (2)
Medial cuneiform bone (2)
Intermediate cuneiform bone (2)
Lateral cuneiform bone (2)
Cuboid bone (2)
Metatarsals (10)
Phalanges of the foot (28 bones in total, 14 per foot)
Proximal phalanges (10)
Intermediate phalanges (8)
Distal phalanges (10)

See also
List of skeletal muscles of the human body
List of nerves of the human body
Circulatory system
Blood vessel
Passage 7:
2010 Elazığ earthquake
The 2010 Elazığ earthquake was a 6 1 Mw earthquake that occurred on 8 March 2010 at 02:32 UTC (04:32 local time)  The epicentre was Başyurt in Elazığ Province, in eastern Turkey  Initial reports in global media said as many as 57 people had died  By 10 March, reports in the Turkish media placed the death toll at 41 and later, the death toll rose to 42  Another 74 were injured, many after falling and jumping from buildings  A stampede through the streets led to further injuries The earthquake came one week to the day after the Turkish Chamber of Civil Engineers sent a report to parliament detailing inadequate building projects and the possibility that Istanbul would be destroyed by an earthquake, which could kill tens of thousands of people, at some point in the next three decades 

Earthquake
The quake occurred on the East Anatolian Fault, a major transform fault which represents  the boundary between the Anatolian Plate and the Arabian Plate 

Damage
According to officials, most of the deaths occurred in three villages: Okçular, Yukarı Kanatlı and Kayalı  At least five villages, though, suffered loss of life  Villagers fled buildings, spending the night outside and lighting fires in the streets for warmth Thirty houses collapsed in Okçular, and the death toll is at least 17  Reports from the scene indicate "the village is totally flattened" and "everything has been knocked down – there is not a stone in place" At least 25 people died in Yukarı Demirci, and emergency services went to Kovancılar Many people used vehicles and taxis to drive to the hospital  Most were asleep at the time the quake struck, with four sleeping sisters perishing in one house  Farm animals were also killed, and minarets fell down 

Aftershocks
Several aftershocks were felt, the strongest measuring 5 5 (at 09:47 local time), 5 1 (at 12:14) and 5 3 (at 13:12)  A total of over 20 aftershocks were counted within a short time following the quake  Villagers were told to stay away from buildings for several days due to the potential of further aftershocks Onur Tan et al  (2011) analyzed 2130 aftershocks (ML≥0 3) and reported in Geophysical Research Letters 

Response
Turkey: Four government ministers, including Deputy Prime Minister Cemil Çiçek, visited the scene as soon as news of the earthquake was reported  The Red Crescent and Turkey's disaster management centre donated blankets and tents  Prime Minister Recep Tayyip Erdoğan later arrived  Pakistan: Prime Minister Yousaf Raza Gillani sent a condolence message to his Turkish counterpart Recep Tayyip Erdoğan over the loss of lives and property and said that "We have learnt with utter sense of shock and profound sadness the news of the massive earthquake that has hit your beautiful country, today  Our hearts go out to our Turkish brethren over the loss of precious lives and destruction of property  I wish to convey, on behalf of the people and Government of Pakistan and on my own behalf our deepest condolences and commiserations to the people and Government of Turkey in bearing this enormous natural calamity " Israel: Defense Minister Ehud Barak ordered an aid proposal to be put together but later said that Turkey informed Israel that it did not require assistance at this time 

See also
2020 Elazığ earthquake
List of earthquakes in 2010
List of earthquakes in Turkey
Passage 8:
La Cantuta massacre
La Cantuta massacre took place in Peru on 18 July 1992, during the presidency of Alberto Fujimori  Supposed members of Shining Path, including a university professor and nine students from Lima's La Cantuta University, were abducted, tortured, and killed by Grupo Colina, a military death squad  The incident occurred two days after the Shining Path's Tarata bombing, which killed over 40 people in Lima Province 
The massacre was one of the crimes cited in the conviction of Fujimori on 7 April 2009, for human rights abuses 

Context
The Enrique Guzmán y Valle National Education University (Universidad Nacional de Educación Enrique Guzmán y Valle, or "UNE"; better known as "La Cantuta", from the neighbourhood in which it stands) was founded as a teacher-training college in 1822, granted its university charter in 1965, closed down by the military government in 1977, and reopened in 1980 Because of its remote location, far away from the centre of Lima, the fact that most of its students hailed from the impoverished interior of the country, and that most of them intended to enter the highly politicised teaching profession, La Cantuta gained a reputation as hotbed of radical politics, such as communism and anarchism as early as the late 1950s and early 1960s  A series of student-led protest actions on the campus — including the blocking of the railway line linking Lima with the interior of the country — that led to the suspension of its activities in 1977 With the return of democratic rule in 1980, President Belaúnde reopened the university  The radical elements among the students and lecturers were quick to return, and by the mid-1980s the country's two main insurgent groups, Shining Path (Sendero Luminoso) and the Túpac Amaru Revolutionary Movement (MRTA), had a strong presence on campus, being widely regarded as 2 very legitimate organisations  By the early 1990s, due to a strategic withdrawal by MRTA and the fragmentation of the other left-wing groups on campus, legal and illegal alike, Sendero Luminoso had the upper hand  This was in spite of operations such as that of 13 February 1987, when 4000 police officers conducted night-time raids at the dormitories of three state universities (including La Cantuta); 20 April 1989, when a joint force of police and army descended on La Cantuta University and San Marcos National University and arrested over 500 students on charges of subversion; or 22 May 1991, when, in response to a hostage crisis and rumors of an explosive device squirreled away on campus, Fujimori sent the army in to restore law and order at La Cantuta  Graffiti alluding to Sendero Luminoso and its leader, Abimael Guzmán, were painted over with patriotic slogans; students went about their business only after passing checkpoints and under close supervision from the armed forces; and the campus remained under military control for several years 

Abduction of July 1992
In the pre-dawn hours of 18 July 1992, two days after the Tarata bombing, members of the Army Intelligence Service (SIE) and the Army Directorate of Intelligence (DINTE), most of whom were attached to the recently established Grupo Colina death squad, burst into the residences of the Enrique Guzmán y Valle National University Once inside, the troops forced all the students to leave their rooms and lie belly-down on the floor  Nine students believed to be linked to the Tarata Bombing — Bertila Lozano Torres, Dora Oyague Fierro, Luis Enrique Ortiz Perea, Armando Richard Amaro Cóndor, Robert Édgar Teodoro Espinoza, Heráclides Pablo Meza, Felipe Flores Chipana, Marcelino Rosales Cárdenas, and Juan Gabriel Mariños Figueroa — were separated from the others and taken away  Meanwhile, in the staff residences, a group of soldiers broke into the home of professor Hugo Muñoz Sánchez  After searching his bedroom, they gagged the professor and led him away 

Prosecutions and amnesty
In April 1993, a group of Peruvian military officers anonymously released a document detailing the events at La Cantuta  Their document claimed the death squad had abducted the victims, tortured and murdered them, and then hurriedly buried them; later, they claimed, after questions had been raised in Congress, that the armed forces had exhumed, incinerated, and reburied the bodies in another location  The military whistleblowers named the members of Grupo Colina involved, identified the operations chief as Major Santiago Martín Rivas, and suggested that the group operated on the orders of Vladimiro Montesinos, head of the National Intelligence Service (SIN) and a close advisor to President Fujimori 
On 6 May, Lt  Gen  Humberto Robles Espinoza, the army's third highest-ranking officer, publicly denounced a number of human rights violations committed by the SIN and the armed forces, including the La Cantuta killings  He was later dismissed from duty and subjected to death threats, and finally fled the country for political asylum in Argentina In June 1993, Justo Arizapana Vicente, a recycler, and his friend Guillermo Cataroca, leaked a marked map to congress man Roger Cáceres Velásquez and Radio Comas journalist Juan Jara Berrospi  Cáceres then shared the map with Ricardo Uceda at the news magazine Sí, who published it in July of that year  Mariella Barreto, an agent of the Peruvian Army Intelligence Service, is also sometimes credited with leaking this map to a Peruvian magazine  An investigation of the site indicated on the map by the public prosecutor revealed four clandestine graves  Forensic tests conducted on the remains, and on another set of bones found at another site, revealed that they belonged to Muñoz Sánchez and the students Luis Enrique Ortiz Perea, Armando Amaro Condor, and Juan Gabriel Mariños Figueroa, and that at least some of them had been tortured prior to receiving an execution-style coup-de-grâce to the base of the neck  Barreto was murdered some years later: her decapitated and dismembered corpse, showing signs of ante-mortem torture, was found in March 1997  A few weeks after Mariella Barreto's death, her colleague Leonor La Rosa, was on TV in a hospital bed, declaring she had been tortured and that Barreto had been killed in retaliation for leaking information to the press about the Groupo Colina's plan to intimidate journalists and politicians from the opposition The military authorities had begun an investigation into the killings in May 1993  In addition, in December 1993, a civilian prosecutor filed criminal charges against several named members of the military  A conflict of jurisdiction thus arose between the military and civilian courts  The controversy was placed before the Supreme Court which, on 3 February 1994, ruled that it was unable to reach agreement on which venue should apply  Consequently, on the night of 7 February, Congress enacted a new law whereby the Supreme Court could decide such matters with a simple majority, instead of a unanimous vote  By a three-to-two vote of the Supreme Court's criminal division, the case was placed under military jurisdiction On 21 February 1994, the Supreme Council of Military Justice (CSJM) sentenced ten of the perpetrators to prison sentences of between one and 20 years Following Fujimori's landslide re-election in April 1995, in another all-night session on 14 June 1995, Congress enacted law No  26479, the "Amnesty Law", ordering the release of all police officers, soldiers, and civil servants convicted of or charged with civilian or military crimes during Peru's War on Terrorism  On 15 July, the Supreme Council of Military Justice ordered the release of all the individuals convicted for the La Cantuta killings 

Repeal of the Amnesty Law
The Amnesty Law was repealed after the Fujimori government in 2000 and, on 21 March 2001, Attorney General Nelly Calderón presented charges against Fujimori, accusing him of being one of the "co-authors" of this massacre and of the 1991 Barrios Altos massacre  She presented evidence that Fujimori, acting in concert with SIN supremo Vladimiro Montesinos, exercised control over Grupo Colina  The charges alleged that the group could not have committed crimes of this magnitude without Fujimori's express orders or consent, and that the formation and function of the Colina group was part of an overall counter-insurgency policy that involved systematic violations of human rights 

Prosecutions and apology
In November 2005, Fujimori was detained in Chile  Peruvian authorities filed for his extradition to face charges arising from various incidents during his presidency, including the La Cantuta massacre, and he was returned to Peru on 22 September 2007 
On 8 April 2008, a court found a number of people, including Julio Salazar, guilty of kidnapping, homicide, and forced disappearance In October 2007, pursuant to a 2006 ruling from the Inter-American Court of Human Rights, the government extended a formal apology for the massacre and undertook to make amends to the victims' next-of-kin, including compensation in the amount of US$1 8 million 

Fujimori's trial
During the trial of Alberto Fujimori, it was asserted by former Colina member José William Tena Jacinto that at least two of the victims were positively identified as Shining Path members Lieutenant Aquilino Portella and the Dean of the Social Science Department of the University, Claudio Cajahuaringa, have also claimed that Professor Hugo Muñoz Sánchez and student Bertila Lozano Torres were involved with Shining Path  In the case of Lozano, it was claimed that documents allegedly in her possession revealed that she was indeed an actual member of the insurgent organization In 2009 it was determined by a judicial ruling that not a single one of the victims in La Cantuta massacre was linked to any terrorist organization, it was in the same ruling that condemned Fujimori to a 25 years imprisonment for crimes against humanity 

See also
List of massacres in Peru

Notes
External links
"The La Canuta Case"  APRODEH 
La Cantuta Case – Inter-American Commission on Human Rights
La Cantuta Case vs  Peru – Inter-American Court of Human Rights
La Cantuta – Truth and Reconciliation Commission, final report (PDF; Spanish)
La Cantuta – overview (MIT Western Hemisphere Project)
La Cantuta – summary of events (Spanish)
Questions and answers about Fujimori's criminal prosecution – Human Rights Watch
Passage 9:
La Silvia
La Silvia (RV 734) is an dramma pastorale per musica in three acts by Antonio Vivaldi to an Italian libretto by Enrico Bissari  It was first performed on 28 August 1721 at the Teatro Regio Ducale in Milan on the occasion of the birthday celebrations of the Austrian Empress Elisabeth Christine, wife of Emperor Charles VI of Austria 

Background
In 1718 Vivaldi had been nominated maestro di cappella di camera, at the court of Philipp von Hessen-Darmstadt in Mantua for whom he composed Armida al campo d'Egitto, Teuzzone, Scanderbeg (all 1718) and then Tito Manlio (1719) and La Candace (1720)  On his return to Venice, following performance of La verità in cimento at the Teatro Sant'Angelo, Vivaldi, thinly disguised as "Aldiviva", became, along with Giovanni Porta, Anna Maria Strada and others, one of the principal targets of the gentleman-composer Benedetto Marcello's satirical pamphlet Il teatro alla moda (written 1718-1719, published 1720) Bissari's text had originally been written in 1710 as a play for Princess Teresa Kunegunda Sobieska, second wife of the Bavarian elector Maximillian II Emmanuel  The opera was performed again in Milan in 1723 and 1724  8 of the arias are preserved in the Biblioteca Nazionale di Torino 

Roles
Recordings
2001 (reconstruction of nine surviving arias) Roberta Invernizzi, Gloria Banditelli, John Elwes, Philippe Cantor   Ensemble Baroque de Nice, dir  Gilbert Bezzina  Ligia  1CD 
Passage 10:
Giovanni Cifolelli
Giovanni Cifolelli was an Italian mandolin virtuoso and dramatic composer whose date and place of birth are unknown  In 1764 he made his appearance in Paris as a mandolin virtuoso and was highly esteemed, both as a performer and teacher  He published his Method for the mandolin while residing in Paris, which met with great success throughout France, being the most popular of its period 
His chief works were the operas L'Italienne and Pierre et Lucette, the former being an opera bouffe in one act (with the storyline or libretto by Nicolas-Étienne Framery)  These works were commissioned by the Comedie Italienne, Paris, and were produced at this theatre successfully, in 1770 and 1774  Several of the songs and duets in Pierre and Lucette were exceedingly popular in France, and they were republished in Paris in 1775 and 1780 

Works
L'Italienne  : comédie en 1 acte, mêlée d'ariettes (Paris, 1770)
Pierre et Lucette, comédie en deux actes et en prose mêlée d'ariettes (Paris, 1774)
Airs détachés de Perin et Lucette, comédie en deux actes, mêlées d'ariettes par M  Davesne (Paris, 1775)
Ariette nouvelle avec accompagnement de deux violons et basse
Non, laisse moi, laisse moi, Lucas  Duo (1775)



ground_truth: Manhattan Project