prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the father of the Labo M performer?

The following are given passages.
Context 1: Passage 1:
Nico van der Laan
Nico van der Laan (25 August 1908 – 20 September 1986) was a Dutch architect, as were his father Leo van der Laan and his brothers Jan and Hans, with whom he was closely associated 

Life and work
Nico van der Laan was born in Leiden, son of the architect Leo van der Laan  He studied to 1937 at the Technische Hogeschool in Delft  His eldest brother Jan took over their father's architectural practice in Leiden 
Together with his brother Hans, who in 1927 became a Benedictine monk at Oosterhout Abbey, Nico immersed himself in the theory of the origins of architecture 
After World War II, with his brother Hans, he led a course in Church Architecture in the Kruithuis in 's-Hertogenbosch, using the early Christian basilica as an example, for training architects in the post-war reconstruction of ecclesiastical buildings  From these courses arose the Bossche School, a name given by opponents of the Van der Laan brothers and their followers 
One of his most notable buildings is St  Martin's Church in Gennep  His brother Hans was also very probably involved in the construction of this church, and drawings of it in Hans' hand are known  Nico also supported his brother in other ways, in terms of finance and morale 
From 1946 Nico van der Laan also had his own architectural practice 

Sources
Remery, Michael, 2010: Mystery and Matter: On the Relationship Between Liturgy and Architecture in the Thought of Dom Hans van der Laan OSB (1904-1991 (Studies in Religion and the Arts vol  3)  Brill ISSN 1877-3192 Online version
Passage 2:
M  Suryanarayan
Mothavarapu Suryanarayan (1930 – 2010) was an Indian first-class cricketer who was born on 1 February 1930 during Madras presidency  M  Suryanarayan is the first son of M Baliah Naidu and the Grandson of Buchi Babu Naidu who is also known as the 'Father of South Indian Cricket' the doyen of Madras Cricket  He was also a  member of the First Ranji Trophy triumph team of Tamil Nadu in 1954–1955, which the Madras team won against Holkar  He was a right-handed batsman and a right-arm medium bowler  The Hindu describing his Cricket, once said: " His batting resembles very closely that of his father -dashing and carefree -and his cover-drive, a joy to watch, has amazing impetus   "And it added that he had "enriched Madras sport as his father had"  His only younger brother M M Kumar represented in the Ranji Trophy 

Career
M  Suryanarayan was a stylish right-hand middle order batsman who played off and cover drives in particularly elegant fashion  A stalwart of Madras cricket in the forties and fifties, `Suri' as he was popularly known, played 11 matches for the state in the Ranji Trophy and earned selection for the Indian team for the fifth and final `Test' against the SJOC team at Lucknow in 1953–54  Suryanarayan proved his mettle by scoring two unbeaten half-centuries against bowlers of the class of Frank Worrell, Fazal Mahmood, Amir Elahi, Khan Mohamed, Loxton, Peter Loader, and Jim McConnel  He Captained Madras and Mysore at the highest levels, besides scoring three centuries before lunch in first-class cricket in Madras and Bangalore  He won the All-India University Tennis Doubles title, Partnering Ramanathan Krishnan, and played in the qualifying rounds of the doubles tournament at Wimbledon  He also won several titles in Table tennis and golf in South Indian Competitions 

Later life
M  Suryanarayan followed in his father's footsteps in many ways  He was a natural at all ball games  M  Suryanarayan did a University of Madras Science degree from Presidency College, then moved into the British Indian world of commerce in Madras and Bangalore before going into business on his own  He also spent some years abroad promoting Indian handlooms on behalf of the Government of India  He published a book written by Suri & Raja (ed), Buchi Babu (Father of Madras Cricket) and his sporting clan, 1993 
Passage 3:
Peter Griffin
Peter Löwenbräu Griffin Sr  (born Justin Peter McFinnigan) is a fictional character and the main protagonist of the American animated sitcom Family Guy  He is voiced by the series' creator, Seth MacFarlane, and first appeared on television, along with the rest of the Griffin family, in the 15-minute pilot pitch of Family Guy on December 20, 1998  Peter was created and designed by MacFarlane himself  MacFarlane was asked to pitch a pilot to the Fox Broadcasting Company based on Larry & Steve, a short made by MacFarlane which featured a middle-aged character named Larry and an intellectual dog, Steve  After the series pilot was given the green light, the Griffin family appeared in the episode "Death Has a Shadow" 
Peter is married to Lois and is the father of Meg, Chris, and Stewie  He also has a dog named Brian, with whom he is best friends  He has worked at a toy factory and at Quahog's Brewery  Peter's voice was inspired by the security guards that MacFarlane heard at his school  His appearance was a redesign of the protagonist Larry from MacFarlane's previous animated short films The Life of Larry and Larry & Steve  He has appeared in several pieces of Family Guy merchandise—including toys, T-shirts, and video games—and he has made crossover appearances in other shows, including The Simpsons, Drawn Together, American Dad!, and Family Guy's spin-off series The Cleveland Show 

Role in Family Guy
Peter Griffin is a middle-class Irish American in his mid‑forties, who is a bespectacled, obese blue-collar worker with a prominent Rhode Island and Eastern Massachusetts accent  Peter's age has never been officially confirmed and has fluctuated  Peter and his wife, Lois, have three children: Meg, Chris, and Stewie  He also has two deceased children: Peter Jr , who was shaken to death, and Dave, Stewie's twin who is implied to have been killed by Stewie during childbirth  He is the illegitimate son of Thelma Griffin and Mickey McFinnigan, and was raised by Thelma and his stepfather, Francis Griffin  It is uncertain whether Peter's legal parents were married before he was conceived, however, as Peter has a flashback in which Francis directly tells him, "I'm not your father!" in the episode "Peter's Two Dads", in which Peter realizes that Francis is not his true father, implying he knew that Peter is not his biological son  Peter and his family live in the fictional town of Quahog, Rhode Island, which is modeled after Providence, Rhode Island  Peter primarily worked as a safety inspector at the Happy-Go-Lucky Toy Factory until his boss, Jonathan Weed, choked to death on a dinner roll while dining with Peter and Lois; he then became a fisherman on his own boat, which was known as the "S S  More Powerful than Superman, Batman, Spider-Man, and The Incredible Hulk Put Together", with the help of two Portuguese immigrants, Santos and Pasqual, until his boat was destroyed  He now works in the shipping department of the Pawtucket Patriot brewery  Peter is also shown in various jobs for single episodes and cutaway gags  In one episode, Peter played for the NFL's New England Patriots until his behavior resulted in his being kicked off the team  In a running gag, storylines are randomly interrupted by extremely long, unexpected fights between Peter and Ernie the Giant Chicken, an anthropomorphic chicken who serves as an archenemy to Peter  These battles parody the action film genre, with explosions, high-speed chases, and immense devastation to the town of Quahog 

Character
Creation
MacFarlane initially conceived Family Guy in 1995 while studying animation at the Rhode Island School of Design (RISD)  During college, he created his thesis film entitled The Life of Larry, which was submitted by his professor at RISD to Hanna-Barbera  MacFarlane was hired by the company  Then in 1996, MacFarlane created a sequel to The Life of Larry entitled Larry & Steve, which featured a middle-aged character named Larry and an intellectual dog, Steve; the short was broadcast in 1997 as one of Cartoon Network's World Premiere Toons  Executives at Fox saw the Larry shorts and contracted MacFarlane to create a series, entitled Family Guy, based on the characters  Fox proposed MacFarlane complete a 15-minute short, and gave him a budget of $50,000  Several aspects of Family Guy were inspired by the Larry shorts  While working on the series, the characters of Larry and his dog Steve slowly evolved into Peter and Brian  MacFarlane stated that the difference between The Life of Larry and Family Guy was that "Life of Larry was shown primarily in my dorm room and Family Guy was shown after the Super Bowl "

Voice
The voice of Peter is provided by MacFarlane, who also provides the voice for Brian, Stewie, Quagmire, Tom Tucker, Carter Pewterschmidt, Dr  Hartman, and others  MacFarlane has been part of the main voice cast from the beginning of the series including the pilot, and has voiced Peter from the start  MacFarlane chose to voice Peter and several other characters himself, believing it would be easier to portray the voices he already envisioned than for someone else to attempt it  MacFarlane's speaking voice is not very close to Peter's; he uses his normal voice as the voice of Brian  MacFarlane drew inspiration for the voice of Peter from the security guards he overheard talking while he was attending the Rhode Island School of Design; according to him, "I knew a thousand Peter Griffins growing up in New England  Guys who would not think before they spoke, like [switching to Peter's voice] there was no self-editing mechanism  [Pointing to himself] Everything in here, [pointing to his front] it's coming out here, with no gateway"  MacFarlane also voices many of Peter's ancestors who share the same type of voice  He noted in an interview that he voices Peter and the rest of the characters partly because they initially had a small budget, but also that he prefers to have the freedom to do it himself  In another interview, he pointed out that Peter's voice is one of the most difficult to do There have been rare occasions where MacFarlane does not voice Peter  In the episode "No Meals on Wheels" (season 5, 2007), actor Patrick Stewart voiced Peter in a cutscene, but MacFarlane voices Peter for the rest of the episode  In the episode "Family Gay" (season 7, 2009), Seth Rogen provided a guest-voice as Peter under the effects of the "Seth Rogen gene"  In "Road to the Multiverse" (season 8, 2009), he was voiced by actor Jamison Yang, who was required for a scene where everything in the world was Japanese  In Friends of Peter G (season 9, 2011), John Viener voiced Peter in an alternate timeline where he gave up drinking 

Personality
Peter Griffin is a stereotypical blue-collar worker who frequently gets drunk with his neighbors and friends Cleveland Brown, Joe Swanson and Glenn Quagmire at "The Drunken Clam," Quahog's local tavern  In the season 4 episode "Petarded", Peter discovered his low intellect falls slightly below the level for mental retardation after taking an I Q  test, which places his I Q  at around 70  In that same episode, Peter is declared mentally retarded because of his low I Q  level  Peter also might have brain damage in Wernicke's area as he cutaways into seemingly random situations and speaks in perfect grammar but can't seem to choose how to create a sentence  Peter is known for his brash impulsiveness, which has led to several awkward situations, such as attempting to molest Meg in order to adopt a redneck lifestyle  He is easily influenced by anyone he finds interesting and will often try to replicate their lifestyle and behavior merely out of curiosity  He is incredibly jealous of other attractions Lois has in her life, an attitude which has led to extreme situations, such as when he assaulted a whale that kissed Lois at SeaWorld  In the third season episode "Stuck Together, Torn Apart", Peter and Lois split up because of Peter's jealousy, only to discover that Lois has the same character flaw and the two decide to live together with their mutually jealous nature  Peter has a very short attention span which frequently leads him to bizarre situations, as Chris points out in "Long John Peter", after Peter's parrot dies "He will get over it pretty quickly and then move on to another wacky thing", to which Peter finds a pipe organ and forgets about his parrot (Peter then destroys the pipe organ within seconds and then finds a deed to a cattle ranch)   Peter is also naïve with one example in "Airport '07" where he thinks his truck will fly by filling it with airplane fuel 
Peter has complex relationships with all three of his children  He normally makes fun of Meg and treats her badly, such as in the episode "FOX-y Lady", where he, Meg and Chris try to create a cartoon and they exclude Meg and her ideas  Though in some episodes Peter has had a good relationship with Meg, in "Hell Comes to Quahog" (season 5, 2006), Peter almost tells Meg he loves her and in "Road to Rupert" (season 5, 2007), he told Meg that he would treat her badly in front of the family, but that he would be her friend in secret  It was presumed though that in "Peter's Sister", (season 14, 2015) that Peter would stop bullying Meg  Peter has a much better relationship with Stewie  Peter and Stewie had their adventures when he took him to Walt Disney World Resort in the episode "The Courtship of Stewie's Father" (season 4, 2005)  With Chris, Peter communicates well, but at times when in need of advice or in an adventure Peter tells Chris to do the opposite of what he should do, like in "Long John Peter" (season 6, 2008), where Chris is asking for advice on dating and Peter tells him to treat women horribly Peter is best friends with his anthropomorphic dog, Brian  In earlier seasons, Brian often served as a voice of reason for Peter, helping him out with issues  Brian is extremely grateful to Peter for picking him up on the side of the road as a stray, shown during a flashback in the episode, "Brian: Portrait of a Dog"  His gratitude was affirmed in "New Kidney in Town", where Brian offers to give up both his kidneys and his life so that Peter could undergo a kidney transplant, although he did not have to do it thanks to another, more suitable donor being found  At Brian's funeral in "Life of Brian", Peter said that Brian was his "best friend in the whole world" and "like a brother to him" 

Ancestry
Before Peter was born, his mother Thelma went to Mexico City to have an abortion but gave birth during the procedure, and smuggled him home to Providence, Rhode Island, where he spent his childhood  Peter was raised by Francis and Thelma Griffin in the Roman Catholic faith  In "Peter's Two Dads", he discovers that his biological father is an Irishman named Mickey McFinnigan  Peter visits Mickey, who initially rejects him  Mickey later accepts him as his son after beating him in the "game of drink" (the game of drink referring to matching shots until one passes out)  Mickey is based on the friends of MacFarlane's father  MacFarlane said: "When I was growing up, my father had lots of friends: big, vocal, opinionated New England, Irish Catholics  They were all bursting at the seams with personality, and Family Guy came out of a lot of those archetypes that I spent years observing "

Reception
Praise
Editors of Variety put Family Guy in their contenders for the 2011 Primetime Emmy Award for Outstanding Comedy Series; they stated that, depending on your sense of humor, Peter is either "a comedy genius" or "an obnoxious idiot"  MacFarlane has been nominated for a Primetime Emmy Award in the Outstanding Voice-Over Performance category several times for voicing Peter and other characters; he won in 2016  He was also nominated in 2008 for an Annie Award in the Voice Acting in an Animated Television Production or Short Form for voicing Peter Peter has ranked in several of IGN's top 10s (generally these lists are related to the show)  Among these, Peter ranked the third spot on IGN's "Top 25 Family Guy Characters," in which it was stated that many of the show's best gags come from Peter and his shenanigans and that "Peter practically invented the "manatee joke"  Entertainment Weekly placed Peter in its "18 Bad TV Dads" list (the list also included characters like Homer Simpson and Al Bundy) 

Criticism and controversy
Peter has been criticized for being too similar to Homer Simpson  Peter has appeared in some episodes of The Simpsons; in these episodes which he has been featured, he has been depicted as Homer Simpson's clone or is accused of plagiarism  Ken Tucker of Entertainment Weekly wrote that Peter is Homer Simpson "as conceived by a singularly sophomoric mind that lacks any reference point beyond other TV shows"  Robin Pierson from The TV Critic criticized the Griffin family for being too similar to the Simpson family, and said that Peter "has Homer Simpson written all over him"  This is eventually made fun of in the episode "Ratings Guy" when, after Peter ruins television and goes to the networks to reverse the changes, Homer Simpson shows up with the same plight, with Peter going "A-ha! Looks like this is one we beat you to!" In "The Simpsons Guy", a crossover episode between Family Guy and The Simpsons, the Griffins end up in the town of Springfield after their car is stolen, where they meet the Simpsons 
Peter has created some controversy in various episodes of Family Guy  The episode "The Cleveland–Loretta Quagmire" (season 4, 2005) featured a sequence titled "You Have AIDS", in which Peter dances and sings in a barbershop quartet fashion around the bed of a man with end-stage AIDS about his diagnosis, which drew protests from several AIDS service organizations  In the episode "When You Wish Upon a Weinstein" (season 3, 2003), Peter sings a parody song of "When You Wish upon a Star", entitled "I Need a Jew"; on October 3, 2007, Bourne Co  Music Publishers filed a lawsuit accusing the show of infringing its copyright on the original song; Bourne Co , the sole United States copyright owner of the song, alleged the parody pairs a "thinly veiled" copy of their music with antisemitic lyrics  The complaint was not upheld 

Cultural influence
Appearances in the media
Peter has made several television appearances outside of Family Guy, often in the form of direct parody  Peter has appeared in two episodes of The Simpsons, poking fun at how the two shows are frequently compared to each other  In the fourteenth season episode "Treehouse of Horror XIII", Peter is depicted as one of Homer Simpson's clones, and in the seventeenth season episode, "The Italian Bob", a photo of Peter is in a book of criminals, which says he is wanted for "plagiarismo"  Peter also appeared in various episodes of the show's spin-off The Cleveland Show  In addition, Peter has appeared at the end of the American Dad! episode "Hurricane!" with guns on both Stan Smith and former neighbor Cleveland Brown  During the stand-off, Stan accidentally shoots his wife Francine, which Peter declares as "classic American Dad!" 

Merchandise
Peter is also featured on the Family Guy: Live in Vegas CD, and plays a significant part in Family Guy Video Game!, the first Family Guy video game, which was released by 2K Games in 2006  Peter was used in the game Family Guy Online as a character class for the game's character creator  MacFarlane recorded exclusive material of Peter's voice and other Family Guy characters for a 2007 pinball machine based the show, created by Stern Pinball  In 2004, the first series of Family Guy toy figurines was released by Mezco Toyz; each member of the Griffin family had their own toy, with the exception of Stewie, of whom two different figures were made  Over the course of two years, four more series of toy figures have been released, with various forms of Peter  Alongside the action figures, Peter has been included in various other Family Guy-related merchandise As of 2009, six books have been released about the Family Guy universe, all published by HarperCollins since 2005  This include Family Guy: It Takes a Village Idiot, and I Married One (ISBN 978-0-7528-7593-4), which covers the entire events of the episode "It Takes a Village Idiot, and I Married One", and Family Guy and Philosophy: A Cure for the Petarded (ISBN 978-1-4051-6316-3), a collection of 17 essays exploring the connections between the series and historical philosophers  which include Peter as a character  Peter appears in comic-book based on the Family Guy universe; by Titan Comics  The first comic book was released July 27, 2011 In 2008, the character appeared in advertisements for Subway, promoting the restaurant's massive feast sandwich  Chief marketing officer Tony Pace commented "Peter's a good representation of the people who are interested in the Feast, and Family Guy is a show "that appeals to that target audience " The Boston Globe critic Brian Steinberg praised the restaurant's use of the character for the commercials 

Notes
Passage 4:
Louis Chedid
Louis Chedid (born 1 January 1948, in Ismaïlia) is a French singer-songwriter of Lebanese and Egyptian origin 

Biography
Louis Chedid is the son of the writer Andrée Chedid and the father of Matthieu Chedid (better known as -M-) 
As a child he made his first footsteps into the singing world as a member of the "Manécanterie des Petits Chanteurs à la Croix de Bois", a famous French catholic boys choir 
Chedid was a fan of the jazz guitarist Django Reinhardt and decided that he would set forth into a career in the world of music as soon as he left school  After his first album "Balbutiements" (Mumblings – 1973) attracted little attention, his talent was first recognised after the release of titles like "La Belle" and "T'as beau pas être beau" released in 1977 
In 1981, "Ainsi soit-il" (Amen) rose to the top of the charts, followed four years later by "Anne ma sœur Anne" (My sister Anne) which criticised the increasing popularity of the extreme-right in France  His first, autobiographical novel – 40 Berges Blues – was published in 1992 
Chedid is also the composer of Pierre-Dominique Burgaud's "Le Soldat Rose" (The Pink Soldier, 2006), a fairytale musical whose songs have been interpreted by singers including -M-, Vanessa Paradis, Jeanne Cherhal, Francis Cabrel, Alain Souchon and Bénabar 

Discography
Albums
Promotional singles
"Miss Melissa" (1974)
"Je chante sous les transistors" (1977)
"La Belle" / "Chapeau de paille" (1977)
"T'as beau pas être beau" / "L'Amour S M P M" (1978)
"Papillon" / "Dans la rue de Sherbrooke" (1979)

Collaborations
Fairytale-Musical "Émilie Jolie" (Philippe Chatel, 1979) : chanson du raton-laveur-rêveur (Song of the dreaming racoon)
Duo with his son Matthieu Chedid : Tel père tel fils (like father like son) – for Solidays, a French AIDS charity appeal
Passage 5:
Joffrey Baratheon
Joffrey Baratheon  is a fictional character in the A Song of Ice and Fire series of epic fantasy novels by American author George R  R  Martin, and its HBO television adaptation Game of Thrones  Introduced in 1996's A Game of Thrones, he subsequently appears in A Clash of Kings (1998) and A Storm of Swords (2000) 
Joffrey is officially the eldest son and heir of king Robert Baratheon and Cersei Lannister, but in actuality is the eldest child of Cersei and her twin brother Jaime Lannister   Joffrey inherits the throne after Robert's death, which, along with his execution of Lord Ned Stark of Winterfell, triggers a power struggle in Westeros known as the War of Five Kings  He is characterized as a spoiled, sadistic bully and frequently torments his family as well as Sansa Stark, to whom he is betrothed in the first novel  He later marries Margaery Tyrell, but is killed by poison during his wedding reception  Joffrey's demise is referred to as The Purple Wedding 
Joffrey is portrayed by Irish actor Jack Gleeson in the television adaptation Game of Thrones, a role for which he received international recognition and critical praise 

Overview
Joffrey Baratheon is not a point of view character in the novels, so his actions are witnessed and interpreted through the eyes of other people, such as his uncle Tyrion Lannister and his one-time fiancée Sansa Stark  He inherits his mother's traditional Lannister looks, and has blond hair and green eyes, and is believed by many to be very handsome  His appearance is referred to as his one redeeming quality 

Character description
In public, Joffrey is allegedly the oldest son and heir of King Robert Baratheon and Queen Cersei Lannister, both of whom entered into a political marriage alliance after Robert took the throne by force from the "Mad King" Aerys II Targaryen   In reality, his biological father is his mother's twin brother, Jaime Lannister   He has a younger sister, Myrcella, and a younger brother, Tommen, both of whom are also products of Jaime and Cersei's incestuous relationship   Their sole biological grandparents, Tywin and Joanna Lannister, were also first cousins Joffrey is an amoral sadist who disguises his cruelty with a thin veneer of charm   This is best epitomized by his response when his (then) betrothed offends him: Joffrey pronounces that his mother had taught him never to strike a woman, and so commissions a knight of the Kingsguard to hit her instead   He enjoys forcing people to fight to the death, and enforces cruel punishments for lesser crimes   He has no sense of personal responsibility, blaming failures on others   He lacks self-control and often insults his allies and family members  He is also impulsive, which frequently leads him to make rash decisions  He appears to have virtually no interests other than sadism and extreme violence, paying no attention to actually governing his kingdom or to anything involving sex, even when he is offered exceptionally beautiful women  Though he takes pleasure in violence, Joffrey is shown to be a coward when confronted with danger to himself, and often shies away from any real fighting 
Joffrey is 12 years old at the beginning of A Game of Thrones (1996) 

Storylines
A Game of Thrones
Prince Joffrey is taken by his parents to Winterfell and is betrothed to Sansa Stark in order to create an alliance between House Baratheon and House Stark  At first, Joffrey is kind and polite to Sansa  However, he refuses to show sympathy with the family when Bran Stark falls from a tower, until physically forced to by his uncle, Tyrion Lannister  While on the Kingsroad to King's Landing, Joffrey and Sansa come across Arya Stark practicing swordplay with a commoner Mycah  Joffrey accuses Mycah of assaulting a noble girl and makes a cut on his face with a sword  This causes Arya to hit Joffrey, allowing Mycah to escape  When Joffrey then turns on Arya, her direwolf Nymeria attacks Joffrey, injuring him  Later, Joffrey lies about the attack, saying it was unprovoked and demands Nymeria to be killed; however, Sansa's direwolf Lady is killed instead  He later has his bodyguard Sandor "The Hound" Clegane hunt down and kill Mycah 
Later, Eddard Stark discovers that Joffrey is not King Robert's biological son and refuses to acknowledge Joffrey's claim to the throne when King Robert dies  He is taken into custody  On Sansa's pleas, Eddard issues a false confession of his treason  Joffrey promised Sansa that he would be merciful but then beheads Eddard anyway and later forces Sansa to look upon her father's head 

A Clash of Kings
Joffrey is briefly seen in A Clash of Kings (1998)  He rules with whim and caprice, proving difficult for even his mother to control  Sansa becomes imprisoned to his will, and he frequently has his guards beat her when she displeases him  When Stannis Baratheon attacks King's Landing, Joffrey leaves the battlefield, damaging the morale of his army  The battle is only won by his uncle Tyrion's use of wildfire and his grandfather Tywin's last-minute counterattack aided by the forces of House Tyrell 

A Storm of Swords
Joffrey sets aside his earlier betrothal to Sansa Stark in favor of Margaery Tyrell, cementing an alliance between the Lannisters and House Tyrell  At Tyrion and Sansa's wedding, he humiliates his uncle and is outraged when his uncle threatens him after he commands him to consummate their marriage  Tyrion only avoids punishment when his father Tywin assures Joffrey that his uncle was drunk and had no intention of threatening the king  Later after the events of the "Red Wedding", Joffrey gleefully plans on serving Sansa her recently deceased brother's head  His uncle Tyrion and his grandfather Tywin are outraged and the former threatens Joffrey once again  After another disagreement, Tywin sends Joffrey to his room, much to Joffrey's chagrin  During his wedding feast, he repeatedly torments Tyrion and Sansa, presenting an offensive play about "The War of the Five Kings", with each of the kings played by dwarves to humiliate his uncle, whom he also forces to act as his cupbearer  At the conclusion of the dinner, however, Joffrey dies from poisoned wine  Tyrion is falsely accused and arrested by Cersei in A Storm of Swords (2000) but it is later revealed that Lady Olenna Tyrell and Lord Petyr Baelish were the true perpetrators 

Family tree
TV adaptation
Season 1
After Robert's death, Cersei Lannister and her father Tywin Lannister) make Joffrey King, and his mother uses him as a puppet  He is also betrothed to Sansa Stark to cement an alliance between the Houses of Stark and Lannister  A cruel tyrant, Joffrey makes sadistic torture and mass murder the main features of his kingdom, and even has Sansa's father Ned executed for treason (which he declares he will never allow to go unpunished) over Sansa's pleas for mercy and Cersei's disapproval 

Season 2
Joffrey's tyranny worsens the situation with the Lannisters' war effort, as his uncle (and secretly, father) Jaime (Nikolaj Coster-Waldau) is captured by the Starks, and Joffrey's "paternal uncles" Renly (Gethin Anthony) and Stannis (Stephen Dillane) challenge his claim to the Iron Throne  Joffrey frequently orders his Kingsguard to beat Sansa  His cruelty and ignorance of the commoners' suffering makes him unpopular after he orders the City Watch to kill all of his "father"'s bastard children in King's Landing; consequently, he is almost killed during a riot  When Stannis attacks King's Landing, Joffrey serves only as a figurehead and avoids the heavy fighting  When the battle eventually turns in Stannis' favor, Cersei calls her son into the safety of the castle, damaging the morale of his army  The battle is only won by his uncle Tyrion (Peter Dinklage) and grandfather Tywin, aided by the forces of House Tyrell  To cement the alliance between those families, Joffrey's engagement to Sansa is annulled so he can marry Margaery Tyrell (Natalie Dormer) 

Season 3
The marriage is yet to take place, and rifts are growing between Joffrey, and his uncle Tyrion and grandfather Tywin, who are (in their respective ways) rebutting his cruelty  Joffrey also seems to take little interest in his betrothed, but is amazed and altered by her ways of winning the people's favor, in which he takes part  At Tyrion and Sansa's wedding, he humiliates his uncle and is outraged when his uncle threatens him after Joffrey commands him to consummate the marriage  Tyrion only avoids punishment when his father Tywin assures Joffrey that Tyrion was drunk and had no intention of threatening the king  Later, after the events of the "Red Wedding", Joffrey gleefully plans on serving Sansa her recently deceased brother Robb's (Richard Madden) head  Tyrion and Tywin are outraged, and the former threatens Joffrey once again  After another disagreement, Tywin sends Joffrey to his room, much to Joffrey's chagrin 

Season 4
Joffrey finally marries Margaery  During his wedding feast, he repeatedly torments Tyrion and Sansa, presenting an offensive play about "The War of the Five Kings", with each of the kings played by dwarves to humiliate his uncle, whom he also forces to act as his cupbearer  At the height of the festivities, Joffrey is suddenly overcome by poison and dies  His last act is an attempt to point at Tyrion, and as a result Tyrion is falsely accused and ordered arrested by Cersei, but it is later revealed that Lady Olenna Tyrell and Lord Petyr Baelish were the true perpetrators  Olenna, Margaery's grandmother, later confides to Margaery that she would never have let her marry "that beast"  Following Joffrey's funeral, his younger brother and heir, Tommen, is crowned King and proceeds to marry Margaery 

Development and reception

In January 2007, HBO secured the rights to adapt Martin's series for television  Jack Gleeson was cast as Joffrey Baratheon  Gleeson received critical acclaim for his portrayal  In 2016, Rolling Stone ranked the character #4 in their list of the "40 Greatest TV Villains of All Time"  Author Martin described Joffrey as similar to "five or six people that I went to school with     a classic bully     incredibly spoiled"  Gleason would cite Joaquin Phoenix's portrayal of Commodus in Gladiator as a big influence for his performance 
Passage 6:
Paul Chomnycky
Paul Patrick Chomnycky, OSBM, (born 19 May 1954) is a bishop of the Ukrainian Catholic Church and the current bishop of the Diocese of Stamford, Connecticut 

Education
Paul Chomnycky was born in Vancouver, Canada, the son of a Ukrainian-immigrant father and Canadian-born mother (both of whom died in 1996), and graduated from the University of British Columbia with a bachelor's degree in Commerce in 1980   After working as an accountant for two years, he entered the novitate of the Order of St  Basil the Great, working in the Basilian monastery in New York 
On 1 October 1988, he was ordained as a priest of the Order of St  Basil the Great   Then, he continued with further studies in Philosophy at the University of St  Anselm and the Gregorian University in Rome, receiving a Bachelor's in Sacred Theology in 1990 
Upon his return to Canada, he served briefly as an assistant pastor at Sts  Peter and Paul Church in Mundare, Alberta and St  Basil's, Edmonton  Eventually he would return to both parishes as their pastor in 1997 and 2000 and also served as the pastor of St  Mary's Church in Vancouver from 1994 to 1997  During his tenure as pastor at St  Basil's in Edmonton and St  Paul's in Mundare, he was also the superior of the local Basilian monastery 
Bishop Chomnycky also served as the Director of the Basilian Fathers museum in Mundare, a member of the Provincial Council of the Basilian Fathers of Canada, and a member of the college of consultors of the Edmonton Eparchy  He was appointed Exarch for Ukrainian Catholics in Great Britain on April 5, 2002 and consecrated bishop on June 11, 2002 by Cardinal Lubomyr Husar 

See also
Passage 7:
Rosalie Loveling
Rosalie Loveling (20 March 1834 – 4 May 1875) was a Flemish author of poetry, novels, and essays 

Biography
Rosalie Loveling was born in Nevele, Belgium, and was the older sister of Virginie Loveling, also an author, with whom she co-wrote part of her oeuvre  After the death of their father Herman Loveling, the family moved to Ghent where the sisters moved in circles of French-speaking, mainly anti-clerical intelligentsia before eventually returning to Nevele 
She made her literary debut influenced by Klaus Groth, whose 'Trinia' she translated into Dutch  Together with her sister, she went on to write realistic and descriptive poetry with a romantic undertone  They also published two collections of essays on life in the rural communities as well as the city bourgeoisie 
Rosalie Loveling died on 4 May 1875 in Nevele 

Bibliography
Co-authored with Virginie Loveling
Gedichten (1870)
Novellen (1874) Rosalie : Jan-oom en Belle-Trezeken, De baan der kunst, Serafine, Broeder en zuster, Meester Huyghe ; Virginie: Drie kleine schetsen, Sidon, In de Hope van Vrede, De verdwaalden, Emiliaantje
Nieuwe novellen (1876) Rosalie: Mijnheer Daman en zijn erfgenamen, Juffrouw Leocadie Stevens, Po en Paoletto ; Virginie: Octavie en Estelle, De kwellende gedachte, De vijftig franken
Polydoor en Theodoor en andere novellen en schetsen (1883) Virginie: Polydoor en Theodoor ; Rosalie: De hond, Uwe tweede vrouw, Het eenig kind, De gierigheid, Kinderverdriet, Onbehendige troostwoorden, Iets over het onderwijs der vrouw, Beloften en bedreigingen, Mijn verre neef
Onze Rensen (1950)
Niets is onbeduidend (compilation and commentary by A  Van Elslander, 1978)

Sole author
Vreest gij niet (1853)
Trinia, translated from Klaus Groth's work (1864)
Het licht op oog (1866)
De eerst opvoeding (1863)
Het meesterschap (1868)
Het geschenk

See also
Flemish literature
Passage 8:
Ahmet Zappa
Ahmet Emuukha Rodan Zappa (born May 15, 1974) is an American musician and writer, and trustee of the Zappa Family Trust 

Early life
Ahmet Zappa was born in Los Angeles, California, the third of four children born to musician Frank Zappa and businesswoman Gail Zappa (née Sloatman)  His father was of Italian (Sicilian), Greek, Arab, and French descent, and his mother was of German and Portuguese ancestry  He is said to be named after music executive Ahmet Ertegun (co-founder and president of Atlantic Records), whom his father greatly admired  This is contradicted by Neil Slaven in Electric Don Quixote: The Definitive Story Of Frank Zappa, who notes:

His first name was that of an imaginary person we always had hanging around back when we had no one on our payroll," Gail told Victoria Balfour  "We'd snap our fingers and say, 'Ahmet? Dishes  Coffee, please ' He was also named Rodan after a giant pterodactyl that would have ravaged the world if the Japanese film director Ishiro Honda hadn't destroyed it in 1957 
His older brother and sister are Dweezil Zappa and Moon Zappa, and his younger sister is Diva Zappa 

Career
Ahmet Zappa has released several albums with his brother Dweezil, and wrote the song "Frogs with Dirty Little Lips" with his father 
He has appeared in several feature films and television programs  In the late 1990s, he appeared on Channel 4 UK's The Adam and Joe Show, in a regular segment called "Vinyl Justice", in which hosts Adam Buxton and Joe Cornish, dressed as policemen, examined his vinyl collection for "criminal records"  In 2000, he appeared in the film Ready to Rumble  With his brother Dweezil, he performed a cover of Britney Spears' song "   Baby One More Time" for the film's soundtrack  Other appearances include hosting the TV shows Robotica (TV series) and But Can They Sing? 
In July 2006, Zappa saw the release of his debut novel, entitled The Monstrous Memoirs of a Mighty McFearless, aimed at younger readers  The rights to a movie were purchased by Bruckheimer Films and Disney  The movie is in production with screenwriter Tim Firth assisting, no release date has been announced On October 19, 2006, The Jim Henson Company announced it had hired Zappa to write a treatment for a feature film version of the hit 1980s television show Fraggle Rock  He is also writing a sequel to The Monstrous Memoirs of a Mighty McFearless, which had also been optioned to adapt to a screenplay  Zappa proposed to Disney's studio head Bob Iger that the company form a graphic novel-to-film division; the result was "Disney's Kingdom Comics " Zappa was also given a first-look deal at Walt Disney Studios for motion picture productions  His company is called Monsterfoot Productions  His first film, The Odd Life of Timothy Green, was released in 2012 by Walt Disney Pictures, and starred Jennifer Garner and Joel Edgerton 
Following the death of Zappa's mother, Gail, in October 2015, it was revealed that Ahmet and his sister Diva were given control of the Zappa Family Trust with shares of 30% each, while his siblings Moon and Dweezil were given smaller shares of 20% each  As beneficiaries only, Moon and Dweezil will not see any money from the trust until it is profitable—in 2016, it was "millions of dollars in debt"—and must seek permission from Ahmet, the trustee, to make money from their father's music or merchandise bearing his name  The uneven divide of the trust has resulted in several conflicts between Zappa's children, including a feud between Dweezil and Ahmet over Dweezil's use of his father's music in live performances 
Under Ahmet's direction, the trust proposed a trademark on the name Zappa, which would prevent Dweezil from using the name for commercial purposes without authorization  Since 2006, Dweezil toured with an act called Zappa Plays Zappa, playing his father's music  The trust sought to collect a fee from Dweezil for continued use of the name, as well as proceeds from merchandise sold at Zappa Plays Zappa concerts  In response to the trust's action, Dweezil renamed his performance series "50 Years of Frank: Dweezil Zappa Plays Whatever the F@%k He Wants—the Cease and Desist Tour  In more recent times, the Zappa siblings have legally reconciled their differences with Dweezil noting "It may be a bumpy road at times – we are a passionate Italian family – but we have decided to work toward privately discussing issues rather than using public forums and lawyers "

Personal life
Zappa married actress Selma Blair on January 24, 2004, at Carrie Fisher's mansion in Beverly Hills, California  Blair filed for divorce at the Los Angeles Superior Court on June 21, 2006, citing irreconcilable differences  In a statement to People, a spokesman for the couple said, "Selma and Ahmet have decided to divorce but love each other very much and will continue to be close friends" Zappa is now married to Shana Muldoon—designer, writer, and creator of Disney Star Darlings and the sister of actor Patrick Muldoon  They have a daughter, Halo Violetta Zappa, born in 2010, and a son, Arrow D'Oro Leon Zappa, born in 2016 

Discography
Confessions (1991)
Shampoohorn (1994)
Music for Pets (1996)

Filmography
Pump Up the Volume (1990) – Jaime
Anarchy TV (1998) - Officer Sweitzer
Jack Frost (1998) – Snow plow driver
Children of the Corn V: Fields of Terror (1998) – Lazlo
Ready to Rumble (2000) – Cashier
Gen¹³ (2000) – Additional Voices (voice)
The Odd Life of Timothy Green (2012) – story by and producer

Television
2 Hip 4 Tv – Host (1988)
Roseanne (1994)
webRIOT – host (1999)
Happy Hour – host (1999)
Robotica – host for three seasons (2001–2002)
But Can They Sing? – host (2005)
Head Case Ep No  105 (Parental Guidance Required) – Starz Channel Original Series – self (2008)
Passage 9:
Labo M
Labo M (2003) is the third studio album by French singer-songwriter Matthieu Chedid in his persona as -M-  It's an all-instrumental work which, considering that one of -M-'s trademarks had previously been his inventive wordplay, caused some degree of discontent amongst parts of his fan base  Remarkably successful for an instrumental work, the album entered the French charts at number 27 but proved to be a stopgap with the full studio album Qui de nous deux appearing later the same year 
The album's title meaning "M's Laboratory", is a pun on La Bohème as well as the name of Chedid's recording studio 

Track listing
Tapis Volant 1
Slide Melody
Les Saules
L'Automat
Ricken
Stan est Stone
Au Kazoo
Jam à la Mer
Tapis Volant 2
Coup d'Trash
La Nébuleuse
Passage 10:
Chen Peisi
Chen Peisi (Chinese: 陈佩斯; born 1 February 1954) is a Chinese sketch comedian, film and stage actor, and voice actor   Chen's oft-time comedy partner is Zhu Shimao 

Name
Chen Peisi is the second son of famous stage and film actor Chen Qiang  Chen Qiang's first son (Chen Peisi's brother) was born in 1951 while he was overseas in the Hungarian capital Budapest performing The White-Haired Girl, so he named his first son Chen Buda (陈布达) after Buda, the western half of Budapest, as he loved the city during the visit   When the second son was born three years later, he named the son Peisi after Pest, the eastern half of Budapest, as the Standard Chinese phonetic translation of Budapest is "Bù Dá Peì Sī"   Chen Qiang's youngest child and daughter Chen Lida (陈丽达) was also named after a part of Budapest — the Margaret Island in the Danube between Buda and Pest 

Biography
Chen was born in Changchun, Jilin on 1 February 1954  In 1966, Chen studied at The High School Affiliated to Beijing Normal University  In 1969, during the Cultural Revolution, he worked in Inner Mongolia Production and Construction Corps  In 1973, Chen worked in August First Film Studio as an actor  In 1991, Chen set up a company named Hainan Comedy Film and Television Limited Company (海南喜剧影视有限公司), then renamed it Dadao Film and Television Limited Company (大道影业有限公司)  In 2000, Chen and his partner Zhu Shimao sued the China International Television Corporation over royalties from broadcasts which they won, but they were then taken off air by the parent company, China Central Television On October 26, 2020, he returned to the CCTV stage and served as the first instructor of the variety show "Gold Medal Comedy Class" after 20 years 

Filmography
Film
Television
Variety show
Passage 11:
Jodie Rimmer
Jodie Rimmer (born 1974) is a New Zealand voice and performer actress best known for starring on Young Hercules, as Lilith  Her work includes Xena: Warrior Princess,  Channelling Baby, The Strip, and In My Father's Den 

Biography
Rimmer was educated at Glenfield College on Auckland's North Shore 

Awards
In 2005, Rimmer won in the Performance by an Actress in a Supporting Role category at the New Zealand Screen Awards for her role in the film In My Father's Den (2004) 

Filmography
Film
Television
Passage 12:
David Wm  Sims
David William Sims (born September 17, 1963) is an American musician, best known as the bass guitarist of the bands Scratch Acid (with whom he initially played guitar), Rapeman, and The Jesus Lizard  He has also recorded or performed with Sparklehorse, Rhys Chatham, Shivaree, Pigface, Flour, and others  Sims currently performs experimental solo electric bass as Unfact 
Sims was born and raised in Austin, Texas  His parents were an American-history professor and a nurse  Besides being a musician, Sims is a Certified Public Accountant and blogged on his personal website from 2008 to 2011, with only updates subsequently  In a Kreative Kontrol podcast in 2014, it was discussed that Sims "always had issues with the name" of Rapeman and that it was "the biggest musical regret" of his life  He lives in New York City 

Solo discography (as Unfact)
2010 "Dead Wasp" 7" single (Ox-Ghost Recordings)
2010 "Bleached Valentine" - split LP with Noveller (Ox-Ghost Recordings/Saffron Recordings)
Passage 13:
Lucy Walker (climber)
Lucy Walker (1836–1916) was a British mountaineer and the first woman to climb the Matterhorn 
Walker was born in 1836, in British North America, in what would later become Canada  Her mother, Jane McNeil McMurdo, moved from Scotland to North America with her husband and infant daughter in 1836  Mrs McMurdo left her husband to live with Francis (Frank) Walker; Lucy Walker and her brother Horace were born before their parents moved to England  The McMurdos divorced in 1841, and Frank Walker and Jane McMurdo married on 24 April 1841  The family then moved to Liverpool, England, where Frank Walker became a lead merchant   Walker began her climbing rather modestly in 1858 when she was advised by her doctor to take up walking as a cure for rheumatism   Accompanied by her father Frank Walker and her brother Horace Walker, both of whom were early members of the Alpine Club, and Oberland guide Melchior Anderegg, she became the first woman to regularly climb in the Alps 
Walker's achievements were, at first, largely unnoticed except by those in her immediate company   Early successes included the first ascent of the Balmhorn (1864), and the first female ascent of the Eiger (1864), Wetterhorn (1866), and Piz Bernina (1869)  In 1871 her long-standing guide, Melchior Anderegg, learned that a contemporary Meta Brevoort, an American female mountaineer, was planning an expedition to climb the Matterhorn   Walker's party hastily rearranged their plans and on 21 July, she became the first woman to stand atop the Matterhorn, and with it gained world renown  As well as the Eiger she had already been the first woman to climb the Aiguille Verte (1870), Lyskam (1868), Gross Fiescherhorn (1868), Schreckhorn (1867), Weisshorn (1866), Dom (1866), Rimpfischhorn (1864), Grand Combin (1864), Zumsteinspitze (1863), Finsteraarhorn (1862) and the Strahlhorn (1860)  In 1873 she added the Taschhorn to this enviable  list of first ascents In all Lucy Walker completed a total of 98 expeditions  In 1909 she became a member of the newly formed Ladies' Alpine Club where she was acclaimed as the pioneer of women climbers   In 1913 she was elected its second President and served in that capacity until 1915  She died at her home in Liverpool on 10 September 1916 

See also
Annie Smith Peck
Frederica Plunket

Further reading
Brown, Rebecca (2003)  Women on high : pioneers of mountaineering  [S l ]: Appalachian Mountain Club  ISBN 9781929173426  OCLC 795297761 
Passage 14:
Journey 2: The Mysterious Island
Journey 2: The Mysterious Island is a 2012 American science fantasy action-adventure film directed by Brad Peyton and produced by Beau Flynn, Tripp Vinson and Charlotte Huggins  A sequel to Journey to the Center of the Earth (2008), the film is based on Jules Verne's The Mysterious Island (1875)  It stars Dwayne Johnson, Michael Caine, Josh Hutcherson, Vanessa Hudgens, Luis Guzmán, and Kristin Davis  The storyline was written by Richard Outten, Brian Gunn and Mark Gunn, and the screenplay by Brian and Mark Gunn 
Journey 2: The Mysterious Island was released in cinemas on February 10, 2012, by Warner Bros  Pictures, New Line Cinema and Walden Media to mixed reviews, but was a box office success with a worldwide gross of $335 million, surpassing its predecessor  It was released on DVD/Blu-ray on June 5, 2012 

Plot
Four years after his adventure in the center of the earth, 17-year-old Sean Anderson is arrested by the police for breaking into a satellite control center in hopes of enhancing a coded signal that could have been sent by his long-missing grandfather, Alexander Anderson  
Wanting to bond with Sean, his new stepfather Hank Parsons helps decipher the code, which leads to three books: Treasure Island, Gulliver's Travels, and Jules Verne's Mysterious Island  Using the books' individual maps, Hank uses a backlight to make them a single island, complete with the coordinates to its location  Hoping to prove to Sean that there is no mysterious island there, Hank agrees to take him to where the coordinates point to 
In Palau, Hank reluctantly hires helicopter tourism guide Gabato and his daughter Kailani (on whom Sean develops an immediate crush) to fly to the coordinates, as they are the only ones willing to take them  The helicopter gets caught in a cyclone and they crash into the Pacific, waking up on the island 
Moving in land, they are shocked to discover miniature elephants (which belong to a prehistoric species, the Dwarf sicilian elephant) and giant butterflies, meaning the animal sizes are opposite  After coming across an egg clutch, Gabato accidentally wakes up a giant frilled lizard, which chases them throughout the jungle  
They nearly get eaten, but are saved by Alexander  He takes them to a hut he built from the wreckage of the ship that brought him to the island  He has a working radio, but due to the positioning of the satellite, it will be two weeks before they can call out 
The next morning, Alexander leads the group to the lost city of Atlantis, which rises every 70 years and sinks again after a couple of days  Although Alexander assures them the island won't sink for many years, Hank discovers sea water coming from underground, meaning they only have days before the island sinks  Their only means of salvation seems to be the legendary Nautilus, Captain Nemo's submarine  Kailani enters Nemo's crypt and finds his journal, which shows that Nautilus is in a cave at Poseidon's Cliffs 
To go there, they mount giant bees and fly over a high ridge  When giant bee-eater birds try to devour them, Sean saves Kailani's life, but dislocates his ankle  Hank and Alexander reset Sean's ankle, then the group has a bonding moment when Hank sings his rendition of "What a Wonderful World" to ease Sean's pain 
The next morning, the water rises greatly and Hank deduces that the island will sink in a matter of hours  Gabato is missing, having gone toward the island's volcano in search of gold  While Alexander and Kailani go after him, Sean and Hank head for Poseidon's Cliffs 
To reach Nautilus' underwater cave, Sean and Hank create makeshift oxygen tanks and dive down fifty feet, but are nearly killed by a giant electric moray eel  The 140-year-old batteries have run down, so they engineer a way to start the submarine with the eel's electricity 
Kailani and Alexander find Gabato and convince him to escape with them instead of trying to take some volcano gold  As they near Poseidon's Cliffs, the volcano erupts  Sean and Hank arrive in Nautilus just in time to rescue the others from the water  Gabato pilots the submarine out of harm's way while Hank and Sean fire torpedoes into the path of falling debris  As they clear the dangers, Kailani kisses Sean for his bravery 
Six months later, Kailani and Gabato are well off, as he runs the most popular tourist attraction on Palau – tours aboard the Nautilus  Kailani visits Sean on his birthday  While the family celebrates, Alexander arrives with a book for Sean's birthday present – Jules Verne's From the Earth to the Moon, Alexander's suggestion for the next new adventure with the family 
The film ends with the camera panning to the moon 

Cast
Dwayne Johnson as Hank, Sean's stepfather and a former Navy code breaker 
Josh Hutcherson as Sean, Hank's stepson who wants to find his missing grandfather on the Mysterious Island 
Michael Caine as Alexander, Sean's grandfather who is the father of Max and Trevor Anderson from the previous film 
Luis Guzmán as Gabato, Kailani's father, who is part of the father-daughter tour guide team 
Vanessa Hudgens as Kailani, part of the father-daughter tour guide company and Sean's love interest 
Kristin Davis as Liz, Sean's mother and Hank's wife  Portrayed by Jane Wheeler in the previous film 
Anna Colwell as Jessica
Stephen Caudill as Cop, a police officer who is a friend of Hank's 
Branscombe Richmond as Tour Guide
Walter Bankson as Hockey Player

Production
After the commercial success of the first film, New Line Cinema and Walden Media purchased Richard Outten's spec script, Mysterious Travels, in March 2009 to serve as the basis for the film  In the story, the characters embark on a journey to a mysterious uncharted island thought to have inspired the writing of three literary classics: Robert Louis Stevenson's Treasure Island, Jonathan Swift's Gulliver's Travels, and Jules Verne's Mysterious Island  Brian Gunn and Mark Gunn were chosen to revise Outten's script  Warner Bros  and New Line Cinema announced that Journey 2: The Mysterious Island would be released on February 10, 2012 

Casting
Josh Hutcherson was the only actor to reprise his role  Due to scheduling issues, Brendan Fraser and Anita Briem did not return  Kristin Davis replaced Jane Wheeler as Sean's mother Liz  Dwayne Johnson played Sean's stepfather, who is forced to accompany Sean on the trip to find his missing grandfather Alexander (played by Michael Caine) on a mythical and monstrous island  Vanessa Hudgens was cast as Hutcherson's love interest, Kailani 

Short film
The theatrical release of the film was preceded by a Looney Tunes short film titled Daffy's Rhapsody, featuring Daffy Duck and Elmer Fudd in the first CG or 3-D depiction of these specific Looney Tunes characters  The short film's director, Matthew O'Callaghan, noted that "Daffy Rhapsody was originally recorded in the early 1950s as part of a kids' album"  Unlike the earlier CG Looney Tunes shorts that appeared before Happy Feet Two and Yogi Bear, this short did not appear on the home video release of the film it accompanied 

Release
Theatrical release
Journey 2: The Mysterious Island was released in cinemas on February 10, 2012, by Warner Bros  Pictures, Walden Media and New Line Cinema  The film was accompanied by a 3D Looney Tunes short titled Daffy's Rhapsody  The short was originally going to play before Happy Feet Two, but was replaced with I Tawt I Taw a Puddy Tat to go along with the bird theme 

Home media
Journey 2: The Mysterious Island was released on DVD/Blu-ray on June 5, 2012 

Reception
Box office
Journey 2: The Mysterious Island grossed $103 9 million in North America and $231 4 million in other territories, for a worldwide total of $335 3 million, against a production budget of $79 million surpassing its predecessor  In North America, the film earned a $6 54 million on its debut Friday, ranking fourth at the box office  Over the weekend, it earned $27 3 million, coming in third place, much higher than the original's $21 0 million debut  Outside North America, Journey 2 began its run three weeks before its North American release  It topped the box office outside North America for two consecutive weekends and three in total  It surpassed the original's total outside North America  Its highest-grossing region after North America was China ($58 4 million), followed by Russia and the CIS ($17 6 million) and Mexico ($12 7 million) 

Critical response
On Rotten Tomatoes the film has an approval rating of 44% based on 131 reviews with an average rating of 4 92/10  The site's critical consensus reads: "Aggressively unambitious, Journey 2 might thrill teen viewers, but most others will find it too intense for young audiences and too cartoonishly dull for adults"  On Metacritic, the film has a score of 41 out of 100 based on reviews from 27 critics, indicating "mixed or average reviews"  Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale Lisa Schwarzbaum of Entertainment Weekly gave the film a B grade, stating that "the movie flies by pleasantly, and is then instantly forgettable  Perhaps Jules Verne can explain the science of that"  Randy Cordova from the Arizona Republic said: "Johnson can't save the movie, directed by Brad Peyton, from being a sloppy skip from one seemingly unrelated idea to the next"  Roger Ebert, who gave the first film two stars, gave the sequel two-and-a-half stars, stating: "It isn't a "good" movie in the usual sense (or most senses), but it is jolly and goodnatured, and Michael Caine and Dwayne Johnson are among the most likable of actors" 

Accolades
Soundtrack
Letterbomb - Performed by Green Day
Sleep Forever - Performed by Crocodiles
Aloha Oe - Performed by Dwayne Johnson
Hello Again - Performed by Meta & The Cornerstones
Three Little Birds - Performed by Bob Marley & The Wailers
What a Wonderful World - Performed by Dwayne Johnson

Future
In August 2014, Carey Hayes and Chad Hayes were announced to write the script for a third film  Brad Peyton and Dwayne Johnson were expected to direct and star in the sequel, respectively  It was later stated that there would be two sequels  By January 2018 however, Johnson stated despite the financial success of The Mysterious Island, and although a third film titled Journey from the Earth to the Moon was intended, its development had been cancelled due to a lack of immediate interest and troubles in adequately adapting the novel  Despite this, reports from Hollywood production insiders arose in August 2020, stating that a sequel was once again in development  In December 2021, Hiram Garcia confirmed that Warner Bros  Pictures wants a sequel film, though Seven Bucks Productions decided to delay development in favor of pursuing other projects 

See also
Journey to the Center of the Earth (2008 film)
Passage 15:
Matthieu Chedid
Matthieu Chedid (born 21 December 1971) is a French multi-instrumentalist and singer-songwriter 
Chedid began his career as a session musician playing both acoustic and electric guitar  In the late 1990s, he rose to fame as a singer-songwriter and musician under the alias M (often stylized as -M-), blending Nouvelle Chanson, electronic and rock music  In studio, he experiments with various instruments and electronic music, while on tour as -M- he mostly plays the guitar, and is known for his eccentric outfits and dramatic live performances, sometimes including special effects 
Chedid has also performed in the 2005 stage musical Le soldat rose and is part of French-Malian band Lamomali  Since 2018, he has been the most awarded artist at the Victoires de la Musique Awards with 13 awards, tied with Alain Bashung 

Biography
Matthieu Chedid was born in Boulogne-Billancourt, Hauts-de-Seine, France  His father Louis Chedid is a singer from a family of Lebanese extraction, of Maronite and Greek Orthodox Christian background  Louis Chedid's mother Andrée (née Saab) was an Egyptian-born French writer and poet, who has written lyrics for Matthieu Chedid's songs  Matthieu Chedid's sisters are the music video and concert director Émilie Chedid (born in 1970) and French singer Anna Chedid (born in 1987), also known by her stage name Nach  His brother Joseph "Selim" Chedid (born in 1986) is also a French singer and a guitar and drums player 
Chedid took an interest in music early on  In 1978, at the age of six, Chedid lent his voice to the chorus of his father's hit song T'as beau pas être beau alongside older sister, Émilie  During his teenage years and early twenties, Chedid was part of short-lasting groups such as Tam Tam , Les Bébés fous and Les Poissons Rouges with Mathieu Boogaerts, as well as Julien Voulzy and Pierre Souchon (respectively the sons of singers Laurent Voulzy and Alain Souchon) who went on to form the duo Les Cherche Midi 
He has collaborated with a number of artists, both on stage and in the recording studio  Early into his solo career, Chedid was the opening act for Texas concerts  He has recorded with NTM, Sinclair, Billy Ze Kick, Brigitte Fontaine, Sean Lennon, Vanessa Paradis, and Johnny Hallyday 
Until 2008, Chedid was in a relationship with French actress Audrey Tautou 

-M-
Chedid performs and records under the stage name -M-  Chedid created -M- as means of overcoming his shyness on stage and also as a way of distancing his work from that of his father and grandmother  The pseudonym comes from Chedid's first initial but also refers to the similar-sounding French word aime, meaning love  The character -M- is a superhero, noted for having a playful nature, and recognized for his flamboyant costumes (primarily monochrome suits with slim trousers and long jackets with upward pointed collars) and hair styled into the shape of an M In 1997, -M- released his first solo album Le Baptême  During this time; he played mainly solo or with the cellist Vincent Ségal  The album received overall positive critical reception, but public recognition only came a few months later, with the release of the single "Machistador" 

Je dis aime
In 1999, -M- published his second album, Je dis aime a title that puns 'aime' (like/love) with 'M'  A few months later, the album was 11th on the French Charts, with more than 500,000 albums sold, thanks to a number of successful songs ("Je dis aime", "Onde Sensuelle", "Monde Virtuel", "Le complexe du corn-flakes", "Mama Sam") 
Live, -M- played with Cyril Atef, Vincent Segal and DJ Shalom for the samples on some songs  He still works with his sister Emilie Chedid for the realisation of the clips  His live performance largely contributed to his success, playing on his character of -M- to transform every concert into a show  He won his first Victoire de la Musique awards for Male Artist of the Year and Concert of the Year 

"Belleville Rendez-vous" and Qui de nous deux
-M- gained international exposure through his recording of the song "Belleville Rendez-vous" for the soundtrack of the 2003 Sylvain Chomet animated film The Triplets of Belleville in both French and English   The song, with lyrics by Chomet and music by Benoit Charest, was nominated for a 2003 Academy Award   The music video for "Belleville Rendez-vous" uses both a live-action depiction of -M- and an animated depiction incorporated into footage from the film 
In autumn 2003, he released his 3rd album Qui de nous deux (Which one of us two) with the singles "Qui de nous deux", "La bonne étoile", "Mon ego"  Softer, this album saw the birth of his first daughter, Billie, for whom an all-pink guitar was built by instrument-maker Cyril Guérin  A pink guitar can be seen in the video for "Qui de nous deux" 
In 2007, he worked once again with Vanessa Paradis on her album Divinidylle, released in September 2007 

Mister Mystère
Rumors circulated before the release of his 2009 studio album, Mister Mystère, that Chedid had decided to drop the character -M- to record and perform under his given name  The album, however, was released under the name -M- but included photographs of the singer without the wild costumes and hair associated with the -M- character  The music video for the first single, "Le Roi des ombres", showed Chedid burning a tiny effigy of his alterego 

Louis, Matthieu, Joseph et Anna Chedid
Chedid was part of the musical group Louis, Matthieu, Joseph et Anna Chedid with several members of his family  They began with a tour in 2015, which was followed by a studio recording 

Îl, Lamomali, and Lettre infinie
In autumn 2012, he released the album, Îl, played with Lawrence Clais and Brad Thomas Ackley 
He worked with Toumani Diabaté and Sidiki Diabaté on a collective album, Lamomali, released in March 2017 The album also features Philippe Jaroussky as well as Oxmo Puccino lending a mesmeric world music flavour to it that celebrates cultural diversity and world peace 
In 2019, he released the studio album, Lettre infinie, featuring collaborations from Thomas Bangalter and Phillipe Zdar  He announced new album, R Ê V A L I T É, to be released in June of 2022 

Public image
Chedid is mostly known for his on-stage persona -M- whose signature hairstyle is reminiscent of the letter M and was initially achieved using hair wax  According to Chedid, the hairstyle was inspired by the ear tufts of certain species of owls, from a lithography of an owl given by his grandmother Andrée  The letter M also appears as a pattern in the character's clothes, in music videos and stage sets  With his energetic personality, eccentric outfits and hairstyle, the character has drawn comparisons with English musician David Bowie's stage persona Ziggy Stardust  Besides Matthieu Chedid, the character -M- has also been portrayed by actor Vincent Lindon in the music video for Chedid's song La bonne étoile  In promotional material and music videos for his 2009 album Mister Mystère, Chedid is seen with natural hair instead of the signature M-shaped hairstyle  The lyrics of some of the songs, and the music video of Le Roi des Ombres ending with Chedid burning a tiny effigy of the -M- character, led to speculation about whether he would abandon his alter ego  Chedid eventually kept performing the character, showing his natural hair or wearing M-shaped wigs or helmets 

Awards
Matthieu Chedid holds the gold place in number of Victoires de la Musique awards, with 13 awards

Discography
Albums
Studio albums

Collaborations

Live albums

Soundtracks

Rereleases

Singles
As main artist
Collaborations
Other hits
Charity
2016: "Vole" (with Nolwenn Leroy, Alain Souchon, Laurent Voulzy   )

Bibliography
Les Âmes de Mogador (2003), with Patrice Renson : tribute to Essaouira (Maroc)  A CD of ten unreleased tracks is included 
-M-, qui de nous deux (2004), with Claude Gassian : book produced during the recording of the album Qui de nous deux
-M- de A à Z (2005), by Mathias Goudeau
Le monde de -M- (2005), with Marianne Chedid, Sonia Rachline and Sophie Laurent : insight on his career, with a lot of pictures
-M- le mot dit : esthétique d'un funkistador by Marc Borbon: analysis of M's world through a fan's own experience
Le Livre Extraordinaire de -M- by Lisa Roze: package of an archival photographs, unpublished shootings, a book, postcards, a pop-up, a new song (Si Si No No), etc 
Context 2: Passage 1:
South Beach, Florida
South Beach is a census-designated place (CDP) on North Hutchinson Island in Indian River County, Florida, United States  The population was 3,501 at the 2010 census  It is ranked tenth in Florida locations by per capita income as of 2010 
South Beach is part of the Sebastian–Vero Beach Metropolitan Statistical Area 

Geography
South Beach is located in southeastern Indian River County at 27°35′45″N 80°20′17″W, on Orchid Island  It is bounded on the east by the Atlantic Ocean, on the south by the border between Indian River and St Lucie counties, on the west by the Indian River Lagoon, and on the north by the Vero Beach city limits 
According to the United States Census Bureau, the CDP has a total area of 6 8 square miles (17 7 km2), of which 2 7 square miles (7 0 km2) are land and 4 1 square miles (10 7 km2), or 60 31%, are water 

Demographics
As of the census of 2000, there were 3,457 people, 1,610 households, and 1,220 families residing in the CDP   The population density was 1,279 8 inhabitants per square mile (494 1/km2)   There were 2,066 housing units at an average density of 764 9 per square mile (295 3/km2)   The racial makeup of the CDP was 98 15% White, 0 58% African American, 0 09% Native American, 1 01% Asian, 0 06% from other races, and 0 12% from two or more races  Hispanic or Latino of any race were 1 36% of the population 
There were 1,610 households, out of which 15 1% had children under the age of 18 living with them, 72 7% were married couples living together, 2 4% had a female householder with no husband present, and 24 2% were non-families  21 5% of all households were made up of individuals, and 15 9% had someone living alone who was 65 years of age or older   The average household size was 2 14 and the average family size was 2 45 
In the CDP, the population was spread out, with 13 7% under the age of 18, 1 4% from 18 to 24, 11 3% from 25 to 44, 30 3% from 45 to 64, and 43 2% who were 65 years of age or older   The median age was 61 years  For every 100 females, there were 93 2 males   For every 100 females age 18 and over, there were 91 6 males 
The median income for a household in the CDP was $108,702, and the median income for a family was $126,755  Males had a median income of $89,395 versus $26,607 for females  The per capita income for the CDP was $90,938   About 1 4% of families and 3 4% of the population were below the poverty line, including 8 0% of those under age 18 and 3 0% of those age 65 or over 
Passage 2:
Hampton Double Square Historic District
The Hampton Double Square Historic District is a historic district located in Hampton, Iowa, United States  It has been listed on the National Register of Historic Places since 2003  At the time of its nomination it contained 43 resources, which included 28 contributing buildings, two contributing sites, 10 non-contributing buildings, one non-contributing site, one non-contributing structures, and one non-contributing object  The town of Hampton was laid out by H  P  Allen, who was the county surveyor, in June 1856  The original plat was eight blocks by eight blocks in the shape of an "L"  Near the center of the "L" was the two-block, or double, square  While many county seats in Iowa have a courthouse square, the double square is a rarity  Four double squares were platted in Iowa, but only those in Hampton and Sidney survived their early period of development  Estherville's square was platted as a four-block square, but its development created a double square instead  Hampton has the only symmetrical double square plan in the state  The double square exemplifies the two primary functions of a public square, both commercial and public development 
The district's period of significance is from 1856, when it was of platted, to 1935 when the last public building was constructed  Building usage is largely commercial with a few public/government buildings, and the Congregational Church  The buildings are largely two stories tall and constructed of brick in the styles that were popular at the time  Many of the commercial blocks are Italianate in design  The Franklin County Sheriff's Residence and Jail (1880), the Franklin County G  A  R  Soldiers' Memorial Hall (1890; Edward Carl Keifer), and the Franklin County Courthouse (1891; T  D  Allen) are individually listed on the National Register of Historic Places 
Passage 3:
Carver Ranches, West Park, Florida
Carver Ranches was a census-designated place (CDP) in Broward County, Florida, United States  The population was 4,299 at the 2000 census 
In 2005 it became one of four neighborhoods to incorporate into the new city of West Park 

Geography
Carver Ranches is located at 25°59′30″N 80°11′30″W (25 991718, -80 191716) According to the United States Census Bureau, the CDP has a total area of 1 7 km2 (0 7 mi2), all land 

Demographics
As of the census of 2000, there were 4,299 people, 1,340 households, and 1,027 families residing in the CDP   The population density was 2,477 4/km2 (6,376 5/mi2)   There were 1,428 housing units at an average density of 822 9/km2 (2,118 1/mi2)   The racial makeup of the CDP was 2 19% White (1 4% were Non-Hispanic White,) 96 42% African American, 0 16% Native American, 0 02% Asian, 0 56% from other races, and 0 65% from two or more races  Hispanic or Latino of any race were 1 65% of the population 
There were 1,340 households, out of which 33 8% had children under the age of 18 living with them, 36 0% were married couples living together, 33 7% had a female householder with no husband present, and 23 3% were non-families  18 5% of all households were made up of individuals, and 6 3% had someone living alone who was 65 years of age or older   The average household size was 3 20 and the average family size was 3 62 
In the CDP, the population was spread out, with 32 3% under the age of 18, 8 7% from 18 to 24, 28 1% from 25 to 44, 19 4% from 45 to 64, and 11 5% who were 65 years of age or older   The median age was 32 years  For every 100 females, there were 85 5 males   For every 100 females age 18 and over, there were 82 2 males 
The median income for a household in the CDP was $26,613, and the median income for a family was $27,412  Males had a median income of $22,604 versus $21,213 for females  The per capita income for the CDP was $10,090   About 25 6% of families and 25 3% of the population were below the poverty line, including 31 5% of those under age 18 and 36 4% of those age 65 or over 
As of 2000, before being annexed to West Park, English as a first language accounted for 96 90% of all residents, while Spanish accounted for 2 19%, and French Creole as a mother tongue made up 0 90% of the population 
Passage 4:
Wade Hampton, South Carolina
Wade Hampton is a census-designated place (CDP) in Greenville County, South Carolina, United States  The population was 20,622 at the 2010 census  It is named for American Civil War general and South Carolina governor Wade Hampton 
Wade Hampton is part of the Greenville–Mauldin–Easley Metropolitan Statistical Area 

Geography
Wade Hampton is located in central Greenville County at 34°52′59″N 82°20′0″W (34 883084, -82 333227)  It is bordered to the southwest by the city of Greenville and to the northeast by Taylors, an unincorporated community  U S  Route 29 (Wade Hampton Boulevard) passes through the CDP, leading southwest 5 miles (8 km) to the center of Greenville and northeast 7 miles (11 km) to Greer 
According to the United States Census Bureau, the CDP has a total area of 9 0 square miles (23 3 km2), of which 9 0 square miles (23 2 km2) are land and 0 04 square miles (0 1 km2), or 0 55%, are water 

Demographics
2020 census
As of the 2020 United States census, there were 21,482 people, 9,016 households, and 5,368 families residing in the CDP 

2000 census
As of the census of 2000, there were 20,458 people, 9,210 households, and 5,645 families residing in the CDP  The population density was 2,331 4 inhabitants per square mile (900 2/km2)  There were 9,793 housing units at an average density of 1,116 0 per square mile (430 9/km2)  The racial makeup of the CDP was 84 85% White, 8 08% African American, 0 18% Native American, 3 34% Asian, 0 06% Pacific Islander, 2 39% from other races, and 1 11% from two or more races  Hispanic or Latino of any race were 6 13% of the population 
There were 9,210 households, out of which 22 9% had children under the age of 18 living with them, 49 4% were married couples living together, 9 0% had a female householder with no husband present, and 38 7% were non-families  32 7% of all households were made up of individuals, and 10 8% had someone living alone who was 65 years of age or older  The average household size was 2 21 and the average family size was 2 81 
In the CDP, the population was spread out, with 19 0% under the age of 18, 9 6% from 18 to 24, 28 9% from 25 to 44, 24 3% from 45 to 64, and 18 2% who were 65 years of age or older  The median age was 40 years  For every 100 females, there were 93 8 males  For every 100 females age 18 and over, there were 90 9 males 
The median income for a household in the CDP was $40,487, and the median income for a family was $54,106  Males had a median income of $40,528 versus $27,613 for females  The per capita income for the CDP was $26,376  About 6 4% of families and 9 0% of the population were below the poverty line, including 10 9% of those under age 18 and 5 3% of those age 65 or over 

Education
The French Bilingual School of South Carolina is located in Wade Hampton The Greenville Saturday School (グリーンビル日本語補習授業校 Gurīnbiru Nihongo Hoshū Jugyō Kō), a Japanese Saturday supplementary school, holds its classes at the French Bilingual School  The school was scheduled to open in 1989  The school received $2,500 from the city council of Greenville 
Passage 5:
Sean Hampton
Sean Hampton (born February 1, 1981) is an American actor, director, and producer 
Born in Ocala, Florida, Hampton is the youngest of five children of a dentist father and a professional model mother  After graduating high school, Hampton enrolled at Stetson University to pursue a career in law  While in school he not only joined Sigma Nu fraternity (Delta Mu chapter), but caught onto acting   After college he married his current wife Jennifer and the two moved to Los Angeles where they currently reside Hampton's first television appearance was on the series Dr  G :  Medical Examiner (2004)  On this series Hampton played real life Orlando Detective Reggie Campbell  Because of a miscommunication, the local police temporarily issued an A P B  for Hampton, believing he was impersonating a police officer   After seeing his image on the news as "Wanted", Hampton's wife called the newsdesk to explain the mixup   A camera crew was dispatched and the retraction story aired before any serious harm was caused  Since then Hampton has appeared in several other series including: General Hospital, Eleventh Hour, The Young and the Restless, CSI, and more 
In 2009 Hampton took on a dual role as supporting actor and associate producer on the feature film Sandcastles, set to release in 2010  During the same year he worked on the feature films Getting Back to Zero starring Wayne Newton, and The Arcadian, a feature produced by The Fringe Majority LLC 
Hampton's grandmother, Effie Carrie Mitchell-Hampton, was the first licensed female physician in the state of Florida   She was also one of the founders of the Florida Medical, Dental and Pharmaceutical Association 
In 2012 Hampton co-created a sketch comedy series with producer Matt Getic named The S&M Experience 

Film
Television
Director
Writer
Producer
Passage 6:
Hampton Bluffs
The Hampton Bluffs (64°25′S 59°18′W) are a group of three rock bluffs on the east side of Larsen Inlet, Graham Land, Antarctica  They were mapped from surveys by the Falkland Islands Dependencies Survey (FIDS) (1960–61), and were named by the UK Antarctic Place-Names Committee for Ian F G  Hampton, an FIDS physiologist at Hope Bay in 1959 and 1960 
Passage 7:
Ives Estates, Florida
Ives Estates is a census-designated place (CDP) in Miami-Dade County, Florida  The population was 25,005 at the 2020 census, up from 19,525 in 2010 

Geography
Ives Estates is located in northeastern Miami-Dade County at 25°57′47″N 80°10′55″W  It is bordered to the north by Broward County  Neighboring communities are Ojus to the east and southeast, North Miami Beach to the south and Miami Gardens to the west  To the north, in Broward County, are West Park and Pembroke Park, while Miramar is to the northwest and Hallandale Beach is to the northeast 
Interstate 95 forms the border between Ives Estates and Ojus, with access from Exit 16 (Ives Dairy Road)  Downtown Miami is 16 miles (26 km) to the south, and Fort Lauderdale is 11 miles (18 km) to the north  County Road 854 (Ives Dairy Road/NE 203rd Street/NE 199th Street) is the main road through the center of Ives Estates, leading east to Aventura and west to Miami Gardens 
According to the United States Census Bureau, the CDP has a total area of 2 76 square miles (7 1 km2), of which 2 55 square miles (6 6 km2) are land and 0 21 square miles (0 54 km2), or 7 71%, are water 

Demographics
2020 census
As of the 2020 United States census, there were 25,005 people, 7,859 households, and 5,279 families residing in the CDP 

2000 census
As of the census of 2000, there were 17,586 people, 6,923 households, and 4,506 families residing in the CDP   The population density was 6,645 9 inhabitants per square mile (2,566 0/km2)   There were 7,449 housing units at an average density of 2,815 0 per square mile (1,086 9/km2)   The racial makeup of the CDP was 51 10% White (33 3% were Non-Hispanic White,) 35 11% African American, 0 17% Native American, 4 63% Asian, 0 05% Pacific Islander, 3 76% from other races, and 5 17% from two or more races  Hispanic or Latino of any race were 24 08% of the population 
There were 6,923 households, out of which 32 7% had children under the age of 18 living with them, 40 8% were married couples living together, 19 2% had a female householder with no husband present, and 34 9% were non-families  28 3% of all households were made up of individuals, and 9 1% had someone living alone who was 65 years of age or older   The average household size was 2 54 and the average family size was 3 13 
In the CDP, the population was spread out, with 24 8% under the age of 18, 8 6% from 18 to 24, 33 6% from 25 to 44, 20 6% from 45 to 64, and 12 4% who were 65 years of age or older   The median age was 35 years  For every 100 females, there were 83 8 males   For every 100 females age 18 and over, there were 79 3 males 
The median income for a household in the CDP was $40,717, and the median income for a family was $43,370  Males had a median income of $29,512 versus $27,544 for females  The per capita income for the CDP was $19,118   About 7 0% of families and 8 6% of the population were below the poverty line, including 8 4% of those under age 18 and 8 8% of those age 65 or over 
As of 2000, speakers of English as a first language accounted for 54 25% of residents, while Spanish made up 24 45%, French Creole was at 11 65%, French was at 2 35%, Urdu at 1 23%, Portuguese 1 11%, and Arabic was 1 08% of the population  Hebrew made up 0 73% of speakers, Russian made up 0 69%, and both Chinese and Tagalog was the mother tongue of 0 57% of the population 

Education
Miami-Dade County Public Schools operates public schools 
Madie Ives K-8 Preparatory Academy
Dr  Michael M  Krop High School
Passage 8:
Gladeview, Florida
Gladeview is a census-designated place (CDP) in Miami-Dade County, Florida, United States  The population was 14,927 at the 2020 census, up from 11,535 in 2010 
Gladeview was originally a neighborhood of the city of Miami when it was annexed in 1925  With the arrival of the Great Depression, Miami gave up its jurisdiction and Gladeview became an unincorporated area of Miami-Dade County 

Geography
Gladeview is located 7 miles (11 km) northwest of downtown Miami at 25°50′24″N 80°14′8″W (25 839874, -80 235645)  Gladeview is bordered by Brownsville to the south, the Miami neighborhood of Liberty City to the east, and West Little River to the north  The city of Hialeah is located to the west of Gladeview 
According to the United States Census Bureau, the CDP has a total area of 2 6 square miles (6 7 km2), of which 0 005 square miles (3 acres), or 0 19%, are water 

Demographics
2010 and 2020 census
As of the 2020 United States census, there were 14,927 people, 4,206 households, and 2,758 families residing in the CDP 

2000 Census
As of the census of 2000, there were 14,468 people, 4,359 households, and 3,199 families residing in the CDP  The population density was 5,694 2 inhabitants per square mile (2,198 5/km2)  There were 5,107 housing units at an average density of 2,010 0 per square mile (776 1/km2)  The racial makeup of the CDP was 17 59% White (1 8% were Non-Hispanic White,) 76 98% African American, 0 21% Native American, 0 17% Asian, 0 03% Pacific Islander, 2 48% from other races, and 2 54% from two or more races  Hispanic or Latino of any race were 21 32% of the population 
There were 4,359 households, out of which 39 5% had children under the age of 18 living with them, 25 3% were married couples living together, 40 3% had a female householder with no husband present, and 26 6% were non-families  21 2% of all households were made up of individuals, and 9 1% had someone living alone who was 65 years of age or older  The average household size was 3 30 and the average family size was 3 88 
In the CDP, the population was spread out, with 38 0% under the age of 18, 10 3% from 18 to 24, 25 9% from 25 to 44, 16 1% from 45 to 64, and 9 8% who were 65 years of age or older  The median age was 26 years  For every 100 females, there were 86 1 males  For every 100 females age 18 and over, there were 77 5 males 
The median income for a household in the CDP was $15,981, and the median income for a family was $17,625  Males had a median income of $20,732 versus $19,923 for females  The per capita income for the CDP was $7,941  About 48 4% of families and 52 8% of the population were below the poverty line, including 65 5% of those under age 18 and 32 7% of those age 65 or over 
As of 2000, speakers of English as a first language accounted for 74 32% of residents while Spanish made up 22 48%, and French Creole was at 2 39%, and French consisted of 0 79% of the population 

Government and infrastructure
The Miami-Dade County Corrections and Rehabilitation Department is headquartered in Gladeview The Miami-Dade Fire Rescue operates Station 2 Model Cities in Gladeview 

Education
Miami-Dade County Public Schools operates area public schools:

Elementary schools
Poinciana Park Elementary School
Lillie C Evans Elementary School
Liberty City Elementary School
Gladeview Christian School

Middle schools
Charles Drew Middle School

High schools
Miami Northwestern Senior High School

Transportation
Gladeview is served by Metrobus throughout the area, the Miami Metrorail, Tri-Rail, and Amtrak:
Metrorail:

     Northside (NW 79th Street and NW 32nd Avenue)
     Dr  Martin Luther King Jr  Plaza (NW 62nd Street and NW 27th Avenue)Tri-Rail:

     Tri-Rail/Metrorail Transfer (NW 79th Street and NW 37th Avenue)Amtrak:

     Amtrak-Miami: Silver Star and Silver Meteor service, (NW 79th Street and NW 37th Avenue)
Passage 9:
Villas, Florida
Villas, Florida  is an unincorporated community and census-designated place (CDP) in Lee County, Florida, United States  It is part of the Cape Coral-Fort Myers, Florida Metropolitan Statistical Area 

Geography
Villas is located in central Lee County at 26°33′18″N 81°52′9″W (26 555003, -81 869036)  It is an unincorporated community, bordered to the north by Page Park and Pine Manor and to the west by Whiskey Creek and Cypress Lake, all unincorporated as well  U S  Route 41 passes through Villas, leading north 6 miles (10 km) to the center of Fort Myers, the Lee county seat, and south 9 miles (14 km) to Estero 
According to the United States Census Bureau, the Villas CDP has a total area of 4 9 square miles (12 6 km2), of which 4 6 square miles (12 0 km2) are land and 0 2 square miles (0 6 km2), or 4 61%, are water 

Demographics
As of the census of 2000, there were 11,346 people, 5,682 households, and 2,909 families residing in the CDP   The population density was 2,421 0 inhabitants per square mile (934 8/km2)   There were 6,574 housing units at an average density of 1,402 8 per square mile (541 6/km2)   The racial makeup of the CDP was 94 23% White, 1 65% African American, 0 17% Native American, 1 17% Asian, 0 04% Pacific Islander, 1 33% from other races, and 1 41% from two or more races  Hispanic or Latino of any race were 5 59% of the population 
There were 5,682 households, out of which 15 7% had children under the age of 18 living with them, 40 4% were married couples living together, 8 1% had a female householder with no husband present, and 48 8% were non-families  38 7% of all households were made up of individuals, and 17 1% had someone living alone who was 65 years of age or older   The average household size was 1 94 and the average family size was 2 56 
In the CDP, the population was spread out, with 13 6% under the age of 18, 7 7% from 18 to 24, 28 2% from 25 to 44, 21 2% from 45 to 64, and 29 3% who were 65 years of age or older   The median age was 45 years  For every 100 females, there were 87 3 males   For every 100 females age 18 and over, there were 84 4 males 
The median income for a household in the CDP was $40,483, and the median income for a family was $49,975  Males had a median income of $31,517 versus $25,782 for females  The per capita income for the CDP was $25,880   About 3 5% of families and 6 5% of the population were below the poverty line, including 8 9% of those under age 18 and 7 2% of those age 65 or over 
Passage 10:
Lacoochee, Florida
Lacoochee is a census-designated place (CDP) in Pasco County, Florida, United States   The population was 1,345 at the 2000 census 

Geography
Lacoochee is located at 28°27′48″N 82°10′18″W (28 463248, -82 171774) According to the United States Census Bureau, the CDP has a total area of 2 8 square miles (7 3 km2), all land 

Demographics
As of the census of 2000, there were 1,345 people, 417 households, and 321 families residing in the CDP   The population density was 471 6 inhabitants per square mile (182 1/km2)   There were 457 housing units at an average density of 160 2 per square mile (61 9/km2)   The racial makeup of the CDP was 60 59% White, 24 24% African American, 2 23% Native American, 0 07% Asian, 0 07% Pacific Islander, 9 74% from other races, and 3 05% from two or more races  Hispanic or Latino of any race were 37 55% of the population 
There were 417 households, out of which 47 7% had children under the age of 18 living with them, 47 0% were married couples living together, 20 6% had a female householder with no husband present, and 22 8% were non-families  19 4% of all households were made up of individuals, and 6 2% had someone living alone who was 65 years of age or older   The average household size was 3 23 and the average family size was 3 66 
In the CDP, the population was spread out, with 40 1% under the age of 18, 9 8% from 18 to 24, 26 1% from 25 to 44, 15 8% from 45 to 64, and 8 3% who were 65 years of age or older   The median age was 25 years  For every 100 females, there were 103 2 males   For every 100 females age 18 and over, there were 92 8 males 
The median income for a household in the CDP was $15,197, and the median income for a family was $16,553  Males had a median income of $40,300 versus $11,250 for females  The per capita income for the CDP was $6,780   About 45 5% of families and 51 2% of the population were below the poverty line, including 57 4% of those under age 18 and 26 6% of those age 65 or over 

Notable person
Mudcat Grant, professional baseball player
Passage 11:
Ocala, Florida
Ocala ( oh-KAL-ə) is a city in and the county seat of Marion County, Florida, United States  Located in North Florida, the city's population was 63,591 as of the 2020 census, making it the 54th-most populated city in Florida  Ocala is the principal city of the Ocala metropolitan area, which had a population of 375,908 in 2020 
Home to over 400 thoroughbred farms and training centers, Ocala was officially named the Horse Capital of the World in 2007  Notable attractions include the Ocala National Forest, Silver Springs State Park, Rainbow Springs State Park, the College of Central Florida, and the World Equestrian Center 

History
Ocala is located near what is thought to have been the site of Ocale or Ocali, a major Timucua village and chiefdom recorded in the 16th century  The modern city takes its name from the historical village, the name of which is believed to mean "Big Hammock" in the Timucua language  The Spaniard Hernando de Soto's expedition recorded Ocale in 1539 during his exploration through what is today the southeastern United States  Ocale is not mentioned in later Spanish accounts; it appears to have been abandoned in the wake of de Soto's attack In the late eighteenth and early nineteenth centuries, Creek people and other Native Americans, and free and fugitive African Americans sought refuge in Florida  The Seminole people formed  After foreign colonial rule shifted between Spain and Great Britain and back again, in 1821 the United States acquired the territory of Florida  After warfare to the north, in 1827 the U S  Army built Fort King near the present site of Ocala as a buffer between the Seminole, who had long occupied the area, and white settlers moving into the region  The fort was an important base during the Second Seminole War and later served in 1844 as the first courthouse for Marion County The modern city of Ocala, which was established in 1849, developed around the fort site  Greater Ocala is known as the "Kingdom of the Sun"  Plantations and other agricultural development dependent on slave labor were prevalent in the region  Ocala was an important center of citrus production until the Great Freeze of 1894–1895 
During the Reconstruction era Ocala was represented by several African Americans in the Florida House of Representatives and on the local level 

Rail service reached Ocala in June 1881, encouraging economic development with greater access to markets for produce  Two years later, much of the Ocala downtown area was destroyed by fire on Thanksgiving Day, 1883  The city encouraged rebuilding with brick, granite and steel rather than lumber  By 1888, Ocala was known statewide as "The Brick City" In December 1890, the Farmers' Alliance and Industrial Union, a forerunner of the Populist Party, held its national convention in Ocala  At the convention, the Alliance adopted a platform that would become known as the "Ocala Demands"  This platform included abolition of national banks, promoting low-interest government loans, free and unlimited coinage of silver, reclamation of excess railroad lands by the government, a graduated income tax, and direct election of United States senators  Most of the "Ocala Demands" were to become part of the Populist Party platform 

In the last decades of the twentieth century, the greater Ocala area had one of the highest growth rates in the country for a city its size 

Ocala Historic District
Many historic homes are preserved in Ocala's large residential Historic District, designated in 1984  East Fort King Street features many excellent examples of Victorian architecture  Ocala structures listed on the National Register of Historic Places include the Coca-Cola Building, the E  C  Smith House, East Hall, the Marion Hotel, Mount Zion A M E  Church, the Ritz Historic Inn, and Union Train Station 
The original Fort King site was designated as a National Historic Landmark in 2004 

Geography
Ocala is located at 29°11′16″N 82°07′50″W According to the United States Census Bureau, the city has a total area of 47 31 square miles (122 5 km2), all land  The surrounding farms are famous for their thoroughbred horses, in terrain similar to Kentucky bluegrass  Ocala is also known for nearby Silver Springs, site of one of the largest artesian spring formations in the world and Silver Springs Nature Theme Park, one of the earliest tourist attractions in Florida 
The 110-mile (180 km) long Ocklawaha River passes 10 miles (16 km) east of Ocala, flowing north from Central Florida until it joins the St  Johns River near Palatka 
Marion County is also home to the Ocala National Forest which was established in 1908 and is now the second largest national forest in the state  The Florida Trail, also known as the Florida National Scenic Trail, cuts through Ocala National Forest  Silver Springs State Park was formed as Silver River State Park in 1987, out of land the state purchased around the Silver Springs attraction to spare it from development  The state took over Silver Springs itself in 1993 and incorporated it into the park in 2013 

Climate
Ocala has a humid subtropical climate (Cfa), with hot, humid summers and mild winters 

Demographics
Ocala first appeared in the 1850 U S  Census, with a total recorded population of 243  Ocala did not report separately in 1860 As of the 2010 through 2014 census, Ocala was 63 3% non Hispanic white, 20 4% African American, 11 7% Hispanic or Latino, 2 6% Asian, 2% all other  As of the census of 2000, there were 45,943 people, 18,646 households, and 11,280 families residing in the city  The population density was 1,189 2 inhabitants per square mile (459 2/km2)  There were 20,501 housing units at an average density of 530 7 per square mile (204 9/km2)  The racial makeup of the city was 72 9% White, 22 1% African American, 0



ground_truth: Louis Chedid

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where is Sean Hampton's birth place in the state of Florida?

The following are given passages.
Context 2: 4% Native American, 1 2% Asian, <0 1% Pacific Islander, 1 8% from other races, and 1 6% from two or more races  Hispanic or Latino of any race were 5 7% of the population 
There were 18,646 households  40 9% were married couples living together, 15 9% had a female householder with no husband present, and 39 5% were non-families  33 0% of all households were made up of individuals, and 15 0% had someone living alone who was 65 years of age or older  The average household size was 2 29 and the average family size was 2 91 
In the city the population was spread out, with 23 2% under the age of 18, 9 3% from 18 to 24, 26 2% from 25 to 44, 20 9% from 45 to 64, and 20 4% who were 65 years of age or older  The median age was 39 years  For every 100 females, there were 89 7 males  For every 100 females age 18 and over, there were 85 5 males 

Economy
The median income for a household in the city was $30,888, and the median income for a family was $38,190  Males had a median income of $29,739 versus $24,367 for females  The per capita income for the city was $18,021  About 13 2% of families and 18 1% of the population were below the poverty line, including 28 6% of those under age 18 and 9 8% of those age 65 or over 
Ocala is the headquarters of Emergency One, a worldwide designer and manufacturer of fire rescue vehicles 

Top employers
According to Ocala's 2019 Comprehensive Annual Financial Report, the top employers in the city are:

Culture
The first thoroughbred horse farm in Florida was developed in Marion County in 1943 by Carl G  Rose  Other farms were developed, making Ocala the center of a horse-breeding area  Local horses have won individual races of the Triple Crown series; in 1978, Affirmed, who was bred and trained in Marion County, won all three races, boosting interest in the industry there 
Ocala is one of only five cities (four in the US and one in France) permitted under Chamber of Commerce guidelines to use the title, "Horse Capital of the World", based on annual revenue produced by the horse industry  44,000 jobs are sustained by breeding, training, and related support of the equine industry, which generates over $2 2 billion in annual revenue  Postime Farms and Ocala serve as host to one of the largest horse shows in the country: H I T S or "Horses in the Sun", a Dressage/Jumper event lasting about two months  It generates some 6 to 7 million dollars for the local Marion County economy each year  The show features classes for over 100 different breeds, including Tennessee Walker, Paso Fino, Morgan horse, Saddlebred, Draft horse and the American Quarter Horse  Other equine events in the area include mounted shooting by the Florida Outlaws, as well as endurance rides, barrel races, extreme cowboy events, jumper shows, trick shows, parades, draft pulls, rodeo events and more 

Government and politics
Ocala is governed by a five-member board of councillors and a mayor, all of which are elected on a nonpartisan basis  It has a council-manager form of government, relying on a manager hired by the city  The mayor sets policy but has few powers other than vetoing legislation passed by the council and tending to some duties involving the police department  The current mayor is Kent Guinn  The city manager handles most administrative and financial matters A number of county offices are housed at the McPherson Governmental Complex As of 2020, Republicans outnumber Democrats in Marion County, 112,000 to 80,000  In the 2008 presidential election, John McCain carried both the city and the county, the latter by a landslide, although Florida as a whole voted for Democrat Barack Obama by a narrow margin 

Education
The public schools in Ocala are run by the Marion County School Board  There are 30 elementary, ten middle and ten public high schools in Marion County, which include the following schools in Ocala:

Elementary schools
Middle schools
High schools
Private schools
Colleges and universities
Ocala is home to the College of Central Florida, a member of the Florida College System, accredited by the Southern Association of Colleges and Schools Commission on Colleges  CF offers  bachelor's degrees in Business and Organizational Management, Early Childhood Education, and Nursing, as well as associate degrees and certificates  The college offers specialty programs in equine studies, agribusiness, and logistics and supply chain management   It also has one of 21 campuses of Rasmussen College, a Higher Learning Commission regionally accredited post secondary institution  Webster University offers on-site, regionally accredited graduate degree programs in business and counseling at their Ocala Metropolitan Campus 

Libraries
Three of the eight libraries in the Marion County Public Library System are located in Ocala  Those three libraries are:

Freedom Public Library
Marion Oaks Public Library
Ocala Public Library – Headquarters for the Marion County Public Library System 

Transportation
Several major highways pass through Ocala, including Interstate 75, U S  Highway 27, U S  Route 301, and U S  Highway 441  Ocala was on the western leg of the historic Dixie Highway 

 Interstate 75 runs north and south across the western edge of the city, with interchanges at SR 200 (exit 350), SR 40 (exit 352), and US 27 (exit 354) 
 U S  Route 27 runs north and south throughout Ocala  It is multiplexed with US 301 and 441 until it reaches SR 492(Northwest 10th Street), then makes a sharp turn onto NW 10th Street then curves northwest through Williston, Perry, Tallahassee, and beyond 
 U S  Route 301 is the main local north and south road through Ocala  It is multiplexed with US 27 until it reaches Northwest 10th Street, and with US 441 throughout the city 
 U S  Route 441 is the main local north and south road through Ocala  It is multiplexed with US 27 until it reaches Northwest 10th Street, and with US 301 throughout the city 
 State Road 492 runs east and west through the northern part of the city from the northern terminus of the US 27 multiplex with US 301–441 to SR 40 just southwest of the Silver Springs city limit 
 State Road 40 runs east and west through Ocala  It spans from Rainbow Lakes Estates through Ocala National Forest to Ormond Beach in Volusia County, although a bi-county extension exists, spanning from Yankeetown in Levy County to Dunnellon, south of the western terminus of SR 40 
 State Road 464 runs east and west from SR 200 through the southeastern part of the city  Beyond the city limits, it continues southeast towards State Road 35, and continues as County Road 464 
 State Road 200 runs northeast and southwest from Hernando in Citrus County through US 27-301-441 where it becomes a "hidden state road" along US 301 until it reaches Callahan, and is multiplexed with SR A1A into Fernandina Beach Ocala International Airport provides general aviation services to the community  Ocala Suntran provides bus service throughout select parts of the city  One of the major hubs for Suntran is the former Ocala Union Station, which served Amtrak trains until November 2004  Amtrak serves Ocala by bus connection to Jacksonville and Lakeland 
Ocala is also served by Greyhound Bus Lines   Marion Transit is the complementary ADA paratransit service for SunTran the fixed route in the City of Ocala   Marion Transit was established in 1976 and operates paratransit buses providing public transportation throughout Marion County for the Transportation Disadvantaged population 

Healthcare
On April 18, 2018, Community Health Systems sold its lease of Munroe Regional Medical Center to Adventist Health System  On August 1, 2018, Adventist Health System acquired Munroe Regional Medical Center and its subsidiary Florida Hospital took over the operations of the hospital under the name of Florida Hospital Ocala 

Notable people
Notable musical groups
Underoath, metalcore band

Sister cities
Ocala has two sister cities:

 Newbridge, County Kildare, in Ireland (2008)
 Pisa and San Rossore in Italy  (2004)

See also
Appleton Museum of Art
Emergency Medical Services Alliance
Jumbolair Airport
List of sites and peoples visited by the Hernando de Soto Expedition
Ocala National Forest
Sholom Park
Star–Banner
United Hebrews of Ocala
Passage 12:
Tamiami, Florida
Tamiami is a census-designated place (CDP) in Miami-Dade County, Florida, United States  The population was 54,212 at the 2020 census 

Name
The name Tamiami is a portmanteau of the phrase "Tampa to Miami"  The Tamiami Trail, a roadway that goes through the Everglades, connecting the two cities, was the reason for this combination 

Geography
Tamiami is located 14 miles (23 km) west of downtown Miami at 25°45′18″N 80°24′13″W (25 754945, -80 403611)  It is bordered to the east by Sweetwater and Westchester, to the southeast by Westwood Lakes, and to the south by Kendale Lakes  U S  Route 41, the Tamiami Trail, passes through the center of the community, leading east into Miami and west through the Everglades 95 miles (153 km) to Naples  Tampa is an additional 160 miles (260 km) north beyond Naples 

According to the United States Census Bureau, the Tamiami CDP has a total area of 7 4 sq mi (19 km2), of which 0 4 sq mi (1 0 km2), or 5 16%, are water 

Demographics
2020 census
As of the 2020 United States census, there were 54,212 people, 16,057 households, and 13,185 families residing in the CDP 

2010 census
As of 2010, there were 17,256 households, with 3 0% being vacant  As of 2000, 42 1% had children under the age of 18 living with them, 66 0% were married couples living together, 16 2% had a female householder with no husband present, and 12 6% were non-families  9 4% of all households were made up of individuals, and 3 5% had someone living alone who was 65 years of age or older  The average household size was 3 33 and the average family size was 3 50 

2000 census
As of 2000, the CDP population was spread out, with 24 4% under the age of 18, 8 7% from 18 to 24, 30 0% from 25 to 44, 24 1% from 45 to 64, and 12 9% who were 65 years of age or older   The median age was 37 years  For every 100 females, there were 90 4 males   For every 100 females age 18 and over, there were 85 4 males 
As of 2000, the median income for a household in the CDP was $47,503, and the median income for a family was $49,763  Males had a median income of $30,716 versus $26,426 for females  The per capita income for the CDP was $17,601   About 7 6% of families and 9 4% of the population were below the poverty line, including 12 0% of those under age 18 and 9 7% of those age 65 or over 
As of 2000, speakers of Spanish as a first language accounted for 92 39% of residents, while English was the mother tongue of 6 99% of the population  Other languages spoken were well below 1% of the population 

Education
Miami-Dade County Public Schools operates public schools Elementary schools:

Marjory Stoneman Douglas Elementary School
Greenglade Elementary School
Joe Hall Elementary School
Zora Neale Hurston Elementary School
Wesley Matthews Elementary School
Village Green Elementary SchoolMiddle schools:

Paul W  Bell Middle School
W  R  Thomas Middle SchoolThe Roman Catholic Archdiocese of Miami operates Catholic schools  St  Kevin School is in Tamiami It opened in August 1980  Belen Jesuit Preparatory School is also in Tamiami 
Passage 13:
West DeLand, Florida
West DeLand is a census-designated place (CDP) in Volusia County, Florida, United States  The population was 3,908 at the 2020 census 

Geography
West DeLand is located at 29°1′7″N 81°19′44″W (29 018654, -81 328754) According to the United States Census Bureau, the CDP has a total area of 2 4 square miles (6 1 km2), all land 

Demographics
As of the census of 2000, there were 3,424 people, 1,283 households, and 934 families residing in the CDP   The population density was 565 0/km2 (1,465 0/mi2)   There were 1,342 housing units at an average density of 221 4/km2 (574 2/mi2)   The racial makeup of the CDP was 88 70% White, 6 57% African American, 0 20% Native American, 0 55% Asian, 2 63% from other races, and 1 34% from two or more races  Hispanic or Latino of any race were 6 45% of the population 
There were 1,283 households, out of which 32 4% had children under the age of 18 living with them, 55 1% were married couples living together, 12 5% had a female householder with no husband present, and 27 2% were non-families  22 0% of all households were made up of individuals, and 10 1% had someone living alone who was 65 years of age or older   The average household size was 2 65 and the average family size was 3 05 
In the CDP, the population was spread out, with 25 3% under the age of 18, 7 4% from 18 to 24, 28 0% from 25 to 44, 24 4% from 45 to 64, and 14 9% who were 65 years of age or older   The median age was 38 years  For every 100 females, there were 97 9 males   For every 100 females age 18 and over, there were 93 0 males 
The median income for a household in the CDP was $36,832, and the median income for a family was $40,560  Males had a median income of $29,145 versus $21,902 for females  The per capita income for the CDP was $19,496   About 4 8% of families and 9 4% of the population were below the poverty line, including 13 0% of those under age 18 and 9 5% of those age 65 or over 
Passage 14:
Solana, Florida
Solana is an unincorporated community and census-designated place (CDP) in Charlotte County, Florida, United States  The population was 671 at the 2020 census  It is part of the Sarasota-Bradenton-Punta Gorda Combined Statistical Area 

Geography
Solana is located on the eastern edge of Punta Gorda at 26°56′25″N 82°1′46″W (26 940277, -82 029368)  It is bordered to the east by Interstate 75, with access from Exit 164 (U S  Route 17)  Via I-75 it is 26 miles (42 km) north of the Fort Myers area and 30 miles (48 km) southwest of the outskirts of Venice 
According to the United States Census Bureau, the Solana CDP has a total area of 1 7 square miles (4 3 km2), of which 1 5 square miles (4 0 km2) is land and 0 12 square miles (0 3 km2), or 7 13%, is water 

Demographics
As of the census of 2000, there were 1,011 people, 459 households, and 267 families residing in the CDP   The population density was 590 3 inhabitants per square mile (227 9/km2)   There were 563 housing units at an average density of 328 7 per square mile (126 9/km2)   The racial makeup of the CDP was 91 69% White, 5 44% African American, 0 20% Native American, 1 09% Asian, 0 49% from other races, and 1 09% from two or more races  Hispanic or Latino of any race were 2 37% of the population 
There were 459 households, out of which 18 5% had children under the age of 18 living with them, 40 3% were married couples living together, 12 0% had a female householder with no husband present, and 41 8% were non-families  31 8% of all households were made up of individuals, and 13 5% had someone living alone who was 65 years of age or older   The average household size was 2 20 and the average family size was 2 69 
In the CDP, the population was spread out, with 18 2% under the age of 18, 9 1% from 18 to 24, 22 4% from 25 to 44, 26 9% from 45 to 64, and 23 4% who were 65 years of age or older   The median age was 45 years  For every 100 females, there were 101 4 males   For every 100 females age 18 and over, there were 101 7 males 
The median income for a household in the CDP was $23,472, and the median income for a family was $30,855  Males had a median income of $28,594 versus $20,726 for females  The per capita income for the CDP was $17,176   About 14 2% of families and 19 7% of the population were below the poverty line, including 48 5% of those under age 18 and none of those age 65 or over 
Passage 15:
Kendall Green, Pompano Beach, Florida
Kendall Green was a census-designated place (CDP) in Broward County, Florida, United States, and is now a neighborhood of Pompano Beach, Florida  The population was 3,084 at the 2000 census 

Geography
Kendall Green is located at 26°16′2″N 80°7′13″W (26 267188, -80 120241) According to the United States Census Bureau, the CDP has a total area of 1 2 km2 (0 5 mi2), all land 

Demographics
As of the census of 2000, there were 3,084 people, 931 households, and 683 families residing in the CDP   The population density was 2,480 7/km2 (6,467 8/mi2)   There were 982 housing units at an average density of 789 9/km2 (2,059 5/mi2)   The racial makeup of the CDP was 39 40% White (28 6% were Non-Hispanic White,) 41 28% African American, 0 23% Native American, 1 04% Asian, 0 06% Pacific Islander, 4 12% from other races, and 13 88% from two or more races  Hispanic or Latino of any race were 16 02% of the population 
There were 931 households, out of which 42 0% had children under the age of 18 living with them, 47 7% were married couples living together, 17 6% had a female householder with no husband present, and 26 6% were non-families  18 0% of all households were made up of individuals, and 6 7% had someone living alone who was 65 years of age or older   The average household size was 3 31 and the average family size was 3 74 
In the CDP, the population was spread out, with 30 0% under the age of 18, 10 6% from 18 to 24, 32 5% from 25 to 44, 19 2% from 45 to 64, and 7 8% who were 65 years of age or older   The median age was 32 years  For every 100 females, there were 102 8 males   For every 100 females age 18 and over, there were 103 6 males 
The median income for a household in the CDP was $36,304, and the median income for a family was $35,260  Males had a median income of $25,239 versus $18,818 for females  The per capita income for the CDP was $12,621   About 20 4% of families and 22 7% of the population were below the poverty line, including 29 4% of those under age 18 and 6 5% of those age 65 or over 
As of 2000, English was a first language for 25 78% of all residents, while French Creole accounted for 50 22%, Spanish made up 24 26%, Portuguese was at 4 62%, and French was the mother tongue of 2 33% of the population 
Passage 16:
Zephyrhills North, Florida
Zephyrhills North is a census-designated place (CDP) in Pasco County, Florida, United States   The population was 2,544 at the 2000 census 

Geography
Zephyrhills North is located at 28°15′0″N 82°9′56″W (28 250083, -82 165528) According to the United States Census Bureau, the CDP has a total area of 1 1 square miles (2 8 km2), all land 

Demographics
As of the census of 2000, there were 2,544 people, 1,298 households, and 842 families residing in the CDP   The population density was 2,360 0 inhabitants per square mile (911 2/km2)   There were 1,889 housing units at an average density of 1,752 4 per square mile (676 6/km2)   The racial makeup of the CDP was 94 34% White, 1 14% African American, 0 67% Native American, 1 38% Asian, 0 04% Pacific Islander, 1 06% from other races, and 1 38% from two or more races  Hispanic or Latino of any race were 3 30% of the population 
There were 1,298 households, out of which 13 1% had children under the age of 18 living with them, 54 7% were married couples living together, 8 8% had a female householder with no husband present, and 35 1% were non-families  31 0% of all households were made up of individuals, and 22 0% had someone living alone who was 65 years of age or older   The average household size was 1 96 and the average family size was 2 37 
In the CDP, the population was spread out, with 12 9% under the age of 18, 4 8% from 18 to 24, 14 6% from 25 to 44, 20 3% from 45 to 64, and 47 4% who were 65 years of age or older   The median age was 64 years  For every 100 females, there were 81 5 males   For every 100 females age 18 and over, there were 79 1 males 
The median income for a household in the CDP was $29,462, and the median income for a family was $32,897  Males had a median income of $28,214 versus $20,529 for females  The per capita income for the CDP was $16,344   About 6 6% of families and 10 7% of the population were below the poverty line, including 24 2% of those under age 18 and 5 3% of those age 65 or over 
Passage 17:
Jasmine Estates, Florida
Jasmine Estates is a census-designated place (CDP) in Pasco County, Florida, United States   The population was 18,989 according to the 2010 census 

Geography
Jasmine Estates is located at 28°17′37″N 82°41′30″W According to the United States Census Bureau, the CDP has a total area of 3 6 square miles (9 3 km2), of which 3 6 square miles (9 3 km2) is land and 0 1 square miles (0 26 km2) (1 65%) is water 

Demographics
As of the census of 2000, there were 18,213 people, 8,361 households, and 5,275 families residing in the CDP   The population density was 5,096 5 inhabitants per square mile (1,967 8/km2)   There were 9,289 housing units at an average density of 2,599 3 per square mile (1,003 6/km2)   The racial makeup of the CDP was 94 46% White, 1 63% African American, 0 32% Native American, 0 88% Asian, 0 02% Pacific Islander, 1 21% from other races, and 1 49% from two or more races  Hispanic or Latino of any race were 6 07% of the population 
There were 8,361 households, out of which 21 3% had children under the age of 18 living with them, 47 4% were married couples living together, 11 4% had a female householder with no husband present, and 36 9% were non-families  31 4% of all households were made up of individuals, and 20 4% had someone living alone who was 65 years of age or older   The average household size was 2 18 and the average family size was 2 67 
In the CDP, the population was spread out, with 19 1% under the age of 18, 6 2% from 18 to 24, 23 6% from 25 to 44, 20 6% from 45 to 64, and 30 4% who were 65 years of age or older   The median age was 46 years  For every 100 females, there were 86 0 males   For every 100 females age 18 and over, there were 83 2 males 
The median income for a household in the CDP was $26,935, and the median income for a family was $31,584  Males had a median income of $26,077 versus $21,906 for females  The per capita income for the CDP was $14,867   About 12 0% of families and 14 3% of the population were below the poverty line, including 24 8% of those under age 18 and 9 0% of those age 65 or over 
Passage 18:
Ridgecrest, Florida
Ridgecrest is a census-designated place (CDP) in Pinellas County, Florida, United States  The population was 2,558 at the 2010 census 

Geography
Ridgecrest is located at 27°53′45″N 82°48′17″W (27 895767, -82 804786) According to the United States Census Bureau, the CDP has a total area of 1 5 km2 (0 6 mi2), of which 1 5 km2 (0 6 mi2) is land and 1 75% is water 

Demographics
As of the census of 2000, there were 2,453 people, 781 households, and 623 families residing in the CDP   The population density was 1,691 3/km2 (4,354 6/mi2)   There were 862 housing units at an average density of 594 3/km2 (1,530 2/mi2)   The racial makeup of the CDP was 16 23% White, 80 64% African American, 0 08% Native American, 0 16% Asian, 0 98% from other races, and 1 92% from two or more races  Hispanic or Latino of any race were 3 18% of the population 
There were 781 households, out of which 39 4% had children under the age of 18 living with them, 32 5% were married couples living together, 41 6% had a female householder with no husband present, and 20 2% were non-families  15 7% of all households were made up of individuals, and 6 9% had someone living alone who was 65 years of age or older   The average household size was 3 13 and the average family size was 3 51 
In the CDP, the population was spread out, with 36 9% under the age of 18, 8 8% from 18 to 24, 24 8% from 25 to 44, 20 3% from 45 to 64, and 9 2% who were 65 years of age or older   The median age was 29 years  For every 100 females, there were 80 9 males   For every 100 females age 18 and over, there were 69 4 males 
The median income for a household in the CDP was $32,535, and the median income for a family was $26,591  Males had a median income of $26,850 versus $20,664 for females  The per capita income for the CDP was $13,290   About 20 1% of families and 22 7% of the population were below the poverty line, including 35 4% of those under age 18 and 11 0% of those age 65 or over 
Passage 19:
East Palatka, Florida
East Palatka is a census-designated place (CDP) in Putnam County, Florida, United States  It is located on the east side of the City of Palatka at the intersection of U S  Route 17/State Road 20/State Road 100 and the southwestern terminus of State Road 207  The population was 1,654 at the 2010 census East Palatka is home to the Palatka State Farmer's Market, as well as the Putnam County Fairgrounds 

Geography
East Palatka is located at 29°39′00″N 81°35′58″W According to the United States Census Bureau, the CDP has a total area of 4 5 square miles (12 km2), of which 3 2 square miles (8 3 km2) is land and 1 3 square miles (3 4 km2) (28 89%) is water  East Palatka is drained by the St  Johns River 

Demographics
As of the census of 2000, there were 1,707 people, 521 households, and 365 families residing in the CDP   The population density was 532 3 inhabitants per square mile (205 5/km2)   There were 594 housing units at an average density of 185 2 per square mile (71 5/km2)   The racial makeup of the CDP was 59 64% White, 37 26% African American, 0 29% Native American, 1 00% Asian, 0 76% from other races, and 1 05% from two or more races  Hispanic or Latino of any race were 2 40% of the population 
There were 521 households, out of which 28 6% had children under the age of 18 living with them, 50 5% were married couples living together, 15 5% had a female householder with no husband present, and 29 9% were non-families  25 3% of all households were made up of individuals, and 12 7% had someone living alone who was 65 years of age or older   The average household size was 2 50 and the average family size was 2 98 
In the CDP, the population was spread out, with 18 5% under the age of 18, 8 7% from 18 to 24, 36 7% from 25 to 44, 21 8% from 45 to 64, and 14 3% who were 65 years of age or older   The median age was 38 years  For every 100 females, there were 158 2 males   For every 100 females age 18 and over, there were 175 6 males 
The median income for a household in the CDP was $37,857, and the median income for a family was $46,071  Males had a median income of $31,507 versus $26,250 for females  The per capita income for the CDP was $18,478   About 12 6% of families and 17 4% of the population were below the poverty line, including 41 4% of those under age 18 and 12 8% of those age 65 or over 

Residents
The noted southern economist Dr  R  Christopher Jones was born and raised in East Palatka 



ground_truth: in Northern Florida

Northern Florida

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where was the person who acted in the film Sous les pieds des femmes born?

The following are given passages.
Context 3: Passage 1:
A Summer in La Goulette
A Summer in La Goulette (French: Un été à La Goulette, Arabic: صيف حلق الوادي, romanized: ṣayf Ḥalq el-Wādī) is a 1996 film by Tunisian director Férid Boughedir  It is a narrative of how intercommunal relations deteriorated in cosmopolitan La Goulette after the end of French rule, especially Muslim-Jewish relations affected by the Six-Day War and the rising impact of Islam on Tunisian society 
The film also features La Goulette native Claudia Cardinale as herself  The film was entered into the 46th Berlin International Film Festival 

Plot
Youssef (Mustapha Adouani) is a Muslim who works on the TGM and lives in La Goulette  His best friends are Jewish Jojo the brik seller and Sicilian Catholic Giuseppe the fisherman, who are also his neighbours  Their daughters grow up together and share their prospects for life, but the landlord Hadj Beji (Gamil Ratib) has his eyes on Youssef's daughter Meriem (Sonia Mankaï) 

Cast
Gamil Ratib : Hadj Beji
Mustapha Adouani : Youssef
Guy Nataf : Jojo
Ivo Salerno : Giuseppe
Michel Boujenah : TSF
Claudia Cardinale : herself
Sonia Mankaï : Meriem
Ava Cohen-Jonathan : Tina
Sarah Pariente : Gigi
Kais Ben Messaoud : Chouchou
Mohamed Driss : Miró

See also
Le Chant des mariées
Passage 2:
Isabelle Carré
Isabelle Carré (born 28 May 1971) is a French actress  She has appeared in more than 70 films since 1989  She won a César Award for Best Actress for her role in Se souvenir des belles choses (2001), and has been nominated a further six times for Beau fixe (1992), Le Hussard sur le toit (1995), La Femme défendue (1997), Les Sentiments (2003), Entre ses mains (2005) and Anna M  (2007) 
Since 26 August 2006, she has been married to film producer Bruno Pésery, with whom she has a son, Antoine, born on 11 October 2008  Her brother, Benoît Carré, is a member of the band Lilicub 

Selected filmography
Theatre
1990: Une nuit de Casanova
1990: The Cherry Orchard
1992: L'École des Femmes
1993: On ne badine pas avec l'amour
1993: Il ne faut jurer de rien
1993: Le Mal court
1995: Dostoïevsky va à la plage
1995: Le Père humilié
1995: Arloc
1996: Slaves
1999: Mademoiselle Else
2000: Résonances
2001: The Tragedy of Othello, the Moor of Venice
2001: Léonce et Léna
2002: Hugo à deux voix
2003: La Nuit chante
2004: L'Hiver sous la table
2006: Blanc
2009: Un garçon impossible (by Petter S  Rosenlund, directed by Jean-Michel Ribes)

Awards
Prix Romy Schneider, 1998
Lumières Award for Best Actress, Se souvenir des belles choses, 2003
César Award for Best Actress, Se souvenir des belles choses, 2003

Nominations
1993: Nominated for the César Award for Most Promising Actress for Beau fixe
1996: Nominated for the César Award for Most Promising Actress for Le Hussard sur le toit
1998: Nominated for the César Award for Most Promising Actress for La Femme défendue
2004: Nominated for the César Award for Best Actress for Les Sentiments
2006: Nominated for the César Award for Best Actress for Entre ses mains (In His Hands)
2006: Nominated for the Globes de Cristal Award for Best Actress for Entre ses mains (In His Hands)
2008: Nominated for the César Award for Best Actress for Anna M 
2008: Nominated for the Globes de Cristal Award for Best Actress for Anna M 
2011: Nominated for the César Award for Best Actress for Les Émotifs anonymes

Theatre
1999: Molière Award for Best Actress, Mademoiselle Else
2004: Molière Award for Best Actress, L'Hiver sous la table

Decorations
Officer of the Order of Arts and Letters (2016)
Passage 3:
La femme enfant
La femme enfant (German: Die Stumme Liebe) is a 1980 French drama film directed by Raphaële Billetdoux and starring Klaus Kinski  It competed in the Un Certain Regard section at the 1980 Cannes Film Festival 

Cast
Klaus Kinski – Marcel
Pénélope Palmer – Élisabeth
Michel Robin – Le père
Hélène Surgère – La mère
Ary Aubergé – L'épicier
Georges Lucas – Le curé

Production
According to Raphaële Billetdoux, the shooting with Klaus Kinski was a nightmare and at one point she had the temptation to stop there, as it was no longer possible to continue  For example, during the bathing scene that Kinski is preparing for the girl, then 14-year-old Pénélope Palmer was already very anxious about shooting a nude scene, even shot in a very modest way  So Billetdoux had reduced the technical team to and set the stage so that Kinski had his back to her (and to the camera), as Palmer was about to enter the bathtub  He then freaked out: "What ?! I turn my back ?! Never ! And then, I want to see her naked     "

See also
Klaus Kinski filmography
Passage 4:
La Rosiere de Pessac
La Rosière de Pessac (The Virgin of Pessac) is the title of two hour-long films directed by Jean Eustache (in 1968 and 1979 respectively)   The films cover an annual ceremony, held in Eustache's place of birth, in which the mayor and his associates nominate a girl as the town's most virtuous   Thus, the girls chosen in those two years are eponymous subjects of these documentaries 

External links
La Rosière de Pessac at IMDb
La Rosière de Pessac at IMDb
Passage 5:
Cubism
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related artistic movements in music, literature, and architecture  In Cubist works of art, the subjects are analysed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context  Cubism has been considered the most influential art movement of the 20th century  The term cubism is broadly associated with a variety of artworks produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s 
The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger  One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne  A retrospective of Cézanne's paintings was held at the Salon d'Automne of 1904, current works were displayed at the 1905 and 1906 Salon d'Automne, followed by two commemorative retrospectives after his death in 1907 In France, offshoots of Cubism developed, including Orphism, abstract art and later Purism  The impact of Cubism was far-reaching and wide-ranging  In France and other countries Futurism, Suprematism, Dada, Constructivism, Vorticism, De Stijl and Art Deco developed in response to Cubism  Early Futurist paintings hold in common with Cubism the fusing of the past and the present, the representation of different views of the subject pictured at the same time or successively, also called multiple perspective, simultaneity or multiplicity, while Constructivism was influenced by Picasso's technique of constructing sculpture from separate elements  Other common threads between these disparate movements include the faceting or simplification of geometric forms, and the association of mechanization and modern life 

History
Historians have divided the history of Cubism into phases  In one scheme, the first phase of Cubism, known as Analytic Cubism, a phrase coined by Juan Gris a posteriori, was both radical and influential as a short but highly significant art movement between 1910 and 1912 in France  A second phase, Synthetic Cubism, remained vital until around 1919, when the Surrealist movement gained popularity  English art historian Douglas Cooper proposed another scheme, describing three phases of Cubism in his book, The Cubist Epoch  According to Cooper there was "Early Cubism", (from 1906 to 1908) when the movement was initially developed in the studios of Picasso and Braque; the second phase being called "High Cubism", (from 1909 to 1914) during which time Juan Gris emerged as an important exponent (after 1911); and finally Cooper referred to "Late Cubism" (from 1914 to 1921) as the last phase of Cubism as a radical avant-garde movement  Douglas Cooper's restrictive use of these terms to distinguish the work of Braque, Picasso, Gris (from 1911) and Léger (to a lesser extent) implied an intentional value judgement 

Proto-Cubism: 1907–1908
Cubism burgeoned between 1907 and 1911  Pablo Picasso's 1907 painting Les Demoiselles d'Avignon has often been considered a proto-Cubist work 
In 1908, in his review of Georges Braque's exhibition at Kahnweiler's gallery, the critic Louis Vauxcelles called Braque a daring man who despises form, "reducing everything, places and a figures and houses, to geometric schemas, to cubes" Vauxcelles recounted how Matisse told him at the time, "Braque has just sent in [to the 1908 Salon d'Automne] a painting made of little cubes"  The critic Charles Morice relayed Matisse's words and spoke of Braque's little cubes  The motif of the viaduct at l'Estaque had inspired Braque to produce three paintings marked by the simplification of form and deconstruction of perspective Georges Braque's 1908 Houses at L’Estaque (and related works) prompted Vauxcelles, in Gil Blas, 25 March 1909, to refer to bizarreries cubiques (cubic oddities)  Gertrude Stein referred to landscapes made by Picasso in 1909, such as Reservoir at Horta de Ebro, as the first Cubist paintings  The first organized group exhibition by Cubists took place at the Salon des Indépendants in Paris during the spring of 1911 in a room called 'Salle 41'; it included works by Jean Metzinger, Albert Gleizes, Fernand Léger, Robert Delaunay and Henri Le Fauconnier, yet no works by Picasso or Braque were exhibited By 1911 Picasso was recognized as the inventor of Cubism, while Braque's importance and precedence was argued later, with respect to his treatment of space, volume and mass in the L’Estaque landscapes  But "this view of Cubism is associated with a distinctly restrictive definition of which artists are properly to be called Cubists," wrote the art historian Christopher Green: "Marginalizing the contribution of the artists who exhibited at the Salon des Indépendants in 1911 [   ]"The assertion that the Cubist depiction of space, mass, time, and volume supports (rather than contradicts) the flatness of the canvas was made by Daniel-Henry Kahnweiler as early as 1920, but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg Contemporary views of Cubism are complex, formed to some extent in response to the "Salle 41" Cubists, whose methods were too distinct from those of Picasso and Braque to be considered merely secondary to them  Alternative interpretations of Cubism have therefore developed  Wider views of Cubism include artists who were later associated with the "Salle 41" artists, e g , Francis Picabia; the brothers Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp, who beginning in late 1911 formed the core of the Section d'Or (or the Puteaux Group); the sculptors Alexander Archipenko, Joseph Csaky and Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens; and painters such as Louis Marcoussis, Roger de La Fresnaye, František Kupka, Diego Rivera, Léopold Survage, Auguste Herbin, André Lhote, Gino Severini (after 1916), María Blanchard (after 1916) and Georges Valmier (after 1918)  More fundamentally, Christopher Green argues that Douglas Cooper's terms were "later undermined by interpretations of the work of Picasso, Braque, Gris and Léger that stress iconographic and ideological questions rather than methods of representation "John Berger identifies the essence of Cubism with the mechanical diagram  "The metaphorical model of Cubism is the diagram: The diagram being a visible symbolic representation of invisible processes, forces, structures  A diagram need not eschew certain aspects of appearance but these too will be treated as signs not as imitations or recreations "

Early Cubism: 1909–1914
There was a distinct difference between Kahnweiler's Cubists and the Salon Cubists  Prior to 1914, Picasso, Braque, Gris and Léger (to a lesser extent) gained the support of a single committed art dealer in Paris, Daniel-Henry Kahnweiler, who guaranteed them an annual income for the exclusive right to buy their works  Kahnweiler sold only to a small circle of connoisseurs  His support gave his artists the freedom to experiment in relative privacy  Picasso worked in Montmartre until 1912, while Braque and Gris remained there until after the First World War  Léger was based in Montparnasse In contrast, the Salon Cubists built their reputation primarily by exhibiting regularly at the Salon d'Automne and the Salon des Indépendants, both major non-academic Salons in Paris  They were inevitably more aware of public response and the need to communicate  Already in 1910 a group began to form which included Metzinger, Gleizes, Delaunay and Léger  They met regularly at Henri le Fauconnier's studio near the boulevard du Montparnasse  These soirées often included writers such as Guillaume Apollinaire and André Salmon  Together with other young artists, the group wanted to emphasise a research into form, in opposition to the Neo-Impressionist emphasis on color Louis Vauxcelles, in his review of the 26th Salon des Indépendants (1910), made a passing and imprecise reference to Metzinger, Gleizes, Delaunay, Léger and Le Fauconnier as "ignorant geometers, reducing the human body, the site, to pallid cubes " At the 1910 Salon d'Automne, a few months later, Metzinger exhibited his highly fractured Nu à la cheminée (Nude), which was subsequently reproduced in both Du "Cubisme" (1912) and Les Peintres Cubistes (1913) The first public controversy generated by Cubism resulted from Salon showings at the Indépendants during the spring of 1911  This showing by Metzinger, Gleizes, Delaunay, le Fauconnier and Léger brought Cubism to the attention of the general public for the first time  Amongst the Cubist works presented, Robert Delaunay exhibited his Eiffel Tower, Tour Eiffel (Solomon R  Guggenheim Museum, New York) 

At the Salon d'Automne of the same year, in addition to the Indépendants group of Salle 41, were exhibited works by André Lhote, Marcel Duchamp, Jacques Villon, Roger de La Fresnaye, André Dunoyer de Segonzac and František Kupka  The exhibition was reviewed in the October 8, 1911 issue of The New York Times  This article was published a year after Gelett Burgess' The Wild Men of Paris, and two years prior to the Armory Show, which introduced astonished Americans, accustomed to realistic art, to the experimental styles of the European avant garde, including Fauvism, Cubism, and Futurism  The 1911 New York Times article portrayed works by Picasso, Matisse, Derain, Metzinger and others dated before 1909; not exhibited at the 1911 Salon  The article was titled The "Cubists" Dominate Paris' Fall Salon and subtitled Eccentric School of Painting Increases Its Vogue in the Current Art Exhibition – What Its Followers Attempt to Do 
Among all the paintings on exhibition at the Paris Fall Salon none is attracting so much attention as the extraordinary productions of the so-called "Cubist" school  In fact, dispatches from Paris suggest that these works are easily the main feature of the exhibition  [   ]
In spite of the crazy nature of the "Cubist" theories the number of those professing them is fairly respectable  Georges Braque, André Derain, Picasso, Czobel, Othon Friesz, Herbin, Metzinger—these are a few of the names signed to canvases before which Paris has stood and now again stands in blank amazement 

What do they mean? Have those responsible for them taken leave of their senses? Is it art or madness? Who knows?

Salon des Indépendants
The subsequent 1912 Salon des Indépendants located in Paris (20 March to 16 May 1912) was marked by the presentation of Marcel Duchamp's Nude Descending a Staircase, No  2, which itself caused a scandal, even amongst the Cubists  It was in fact rejected by the hanging committee, which included his brothers and other Cubists  Although the work was shown in the Salon de la Section d'Or in October 1912 and the 1913 Armory Show in New York, Duchamp never forgave his brothers and former colleagues for censoring his work  Juan Gris, a new addition to the Salon scene, exhibited his Portrait of Picasso (Art Institute of Chicago), while Metzinger's two showings included La Femme au Cheval (Woman with a horse) 1911–1912 (National Gallery of Denmark)  Delaunay's monumental La Ville de Paris (Musée d'art moderne de la Ville de Paris) and Léger's La Noce, The Wedding (Musée National d'Art Moderne, Paris), were also exhibited 

Galeries Dalmau
In 1912, Galeries Dalmau presented the first declared group exhibition of Cubism  worldwide (Exposició d'Art Cubista), with a controversial showing by Jean Metzinger, Albert Gleizes, Juan Gris, Marie Laurencin and Marcel Duchamp (Barcelona, 20 April to 10 May 1912)  The Dalmau exhibition comprised 83 works by 26 artists  Jacques Nayral's association with Gleizes led him to write the Preface for the Cubist exhibition, which was fully translated and reproduced in the newspaper La Veu de Catalunya  Duchamp's Nude Descending a Staircase, No  2 was exhibited for the first time Extensive media coverage (in newspapers and magazines) before, during and after the exhibition launched the Galeries Dalmau as a force in the development and propagation of modernism in Europe  While press coverage was extensive, it was not always positive  Articles were published in the newspapers Esquella de La Torratxa and El Noticiero Universal attacking the Cubists with a series of caricatures laced with derogatory text  Art historian Jaime Brihuega writes of the Dalmau show: "No doubt that the exhibition produced a strong commotion in the public, who welcomed it with a lot of suspicion 

Salon d'Automne
The Cubist contribution to the 1912 Salon d'Automne created scandal regarding the use of government owned buildings, such as the Grand Palais, to exhibit such artwork  The indignation of the politician Jean Pierre Philippe Lampué made the front page of Le Journal, 5 October 1912  The controversy spread to the Municipal Council of Paris, leading to a debate in the Chambre des Députés about the use of public funds to provide the venue for such art  The Cubists were defended by the Socialist deputy, Marcel Sembat It was against this background of public anger that Jean Metzinger and Albert Gleizes wrote Du "Cubisme" (published by Eugène Figuière in 1912, translated to English and Russian in 1913)  Among the works exhibited were Le Fauconnier's vast composition Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears) now at Rhode Island School of Design Museum, Joseph Csaky's Deux Femme, Two Women (a sculpture now lost), in addition to the highly abstract paintings by Kupka, Amorpha (The National Gallery, Prague), and Picabia, La Source (The Spring) (Museum of Modern Art, New York) 

Abstraction and the ready-made
The most extreme forms of Cubism were not those practiced by Picasso and Braque, who resisted total abstraction  Other Cubists, by contrast, especially František Kupka, and those considered Orphists by Apollinaire (Delaunay, Léger, Picabia and Duchamp), accepted abstraction by removing visible subject matter entirely  Kupka's two entries at the 1912 Salon d'Automne, Amorpha-Fugue à deux couleurs and Amorpha chromatique chaude, were highly abstract (or nonrepresentational) and metaphysical in orientation  Both Duchamp in 1912 and Picabia from 1912 to 1914 developed an expressive and allusive abstraction dedicated to complex emotional and sexual themes  Beginning in 1912 Delaunay painted a series of paintings entitled Simultaneous Windows, followed by a series entitled Formes Circulaires, in which he combined planar structures with bright prismatic hues; based on the optical characteristics of juxtaposed colors his departure from reality in the depiction of imagery was quasi-complete  In 1913–14 Léger produced a series entitled Contrasts of Forms, giving a similar stress to color, line and form  His Cubism, despite its abstract qualities, was associated with themes of mechanization and modern life  Apollinaire supported these early developments of abstract Cubism in Les Peintres cubistes (1913), writing of a new "pure" painting in which the subject was vacated  But in spite of his use of the term Orphism these works were so different that they defy attempts to place them in a single category Also labeled an Orphist by Apollinaire, Marcel Duchamp was responsible for another extreme development inspired by Cubism  The ready-made arose from a joint consideration that the work itself is considered an object (just as a painting), and that it uses the material detritus of the world (as collage and papier collé in the Cubist construction and Assemblage)  The next logical step, for Duchamp, was to present an ordinary object as a self-sufficient work of art representing only itself  In 1913 he attached a bicycle wheel to a kitchen stool and in 1914 selected a bottle-drying rack as a sculpture in its own right 

Section d'Or
The Section d'Or, also known as Groupe de Puteaux, founded by some of the most conspicuous Cubists, was a collective of painters, sculptors and critics associated with Cubism and Orphism, active from 1911 through about 1914, coming to prominence in the wake of their controversial showing at the 1911 Salon des Indépendants  The Salon de la Section d'Or at the Galerie La Boétie in Paris, October 1912, was arguably the most important pre-World War I Cubist exhibition; exposing Cubism to a wide audience  Over 200 works were displayed, and the fact that many of the artists showed artworks representative of their development from 1909 to 1912 gave the exhibition the allure of a Cubist retrospective The group seems to have adopted the name Section d'Or to distinguish themselves from the narrower definition of Cubism developed in parallel by Pablo Picasso and Georges Braque in the Montmartre quarter of Paris, and to show that Cubism, rather than being an isolated art-form, represented the continuation of a grand tradition (indeed, the golden ratio had fascinated Western intellectuals of diverse interests for at least 2,400 years) The idea of the Section d'Or originated in the course of conversations between Metzinger, Gleizes and Jacques Villon  The group's title was suggested by Villon, after reading a 1910 translation of Leonardo da Vinci's Trattato della Pittura by Joséphin Péladan 
During the late 19th and early 20th centuries, Europeans were discovering African, Polynesian, Micronesian and Native American art  Artists such as Paul Gauguin, Henri Matisse, and Pablo Picasso were intrigued and inspired by the stark power and simplicity of styles of those foreign cultures  Around 1906, Picasso met Matisse through Gertrude Stein, at a time when both artists had recently acquired an interest in primitivism, Iberian sculpture, African art and African tribal masks  They became friendly rivals and competed with each other throughout their careers, perhaps leading to Picasso entering a new period in his work by 1907, marked by the influence of Greek, Iberian and African art  Picasso's paintings of 1907 have been characterized as Protocubism, as notably seen in Les Demoiselles d'Avignon, the antecedent of Cubism 

The art historian Douglas Cooper states that Paul Gauguin and Paul Cézanne "were particularly influential to the formation of Cubism and especially important to the paintings of Picasso during 1906 and 1907"  Cooper goes on to say: "The Demoiselles is generally referred to as the first Cubist picture  This is an exaggeration, for although it was a major first step towards Cubism it is not yet Cubist  The disruptive, expressionist element in it is even contrary to the spirit of Cubism, which looked at the world in a detached, realistic spirit  Nevertheless, the Demoiselles is the logical picture to take as the starting point for Cubism, because it marks the birth of a new pictorial idiom, because in it Picasso violently overturned established conventions and because all that followed grew out of it "The most serious objection to regarding the Demoiselles as the origin of Cubism, with its evident influence of primitive art, is that "such deductions are unhistorical", wrote the art historian Daniel Robbins  This familiar explanation "fails to give adequate consideration to the complexities of a flourishing art that existed just before and during the period when Picasso's new painting developed " Between 1905 and 1908, a conscious search for a new style caused rapid changes in art across France, Germany, The Netherlands, Italy, and Russia  The Impressionists had used a double point of view, and both Les Nabis and the Symbolists (who also admired Cézanne) flattened the picture plane, reducing their subjects to simple geometric forms  Neo-Impressionist structure and subject matter, most notably to be seen in the works of Georges Seurat (e g , Parade de Cirque, Le Chahut and Le Cirque), was another important influence  There were also parallels in the development of literature and social thought In addition to Seurat, the roots of cubism are to be found in the two distinct tendencies of Cézanne's later work: first his breaking of the painted surface into small multifaceted areas of paint, thereby emphasizing the plural viewpoint given by binocular vision, and second his interest in the simplification of natural forms into cylinders, spheres, and cones  However, the cubists explored this concept further than Cézanne  They represented all the surfaces of depicted objects in a single picture plane, as if the objects had all their faces visible at the same time  This new kind of depiction revolutionized the way objects could be visualized in painting and art 

The historical study of Cubism began in the late 1920s, drawing at first from sources of limited data, namely the opinions of Guillaume Apollinaire  It came to rely heavily on Daniel-Henry Kahnweiler's book Der Weg zum Kubismus (published in 1920), which centered on the developments of Picasso, Braque, Léger, and Gris  The terms "analytical" and "synthetic" which subsequently emerged have been widely accepted since the mid-1930s  Both terms are historical impositions that occurred after the facts they identify  Neither phase was designated as such at the time corresponding works were created  "If Kahnweiler considers Cubism as Picasso and Braque," wrote Daniel Robbins, "our only fault is in subjecting other Cubists' works to the rigors of that limited definition "The traditional interpretation of "Cubism", formulated post facto as a means of understanding the works of Braque and Picasso, has affected our appreciation of other twentieth-century artists  It is difficult to apply to painters such as Jean Metzinger, Albert Gleizes, Robert Delaunay and Henri Le Fauconnier, whose fundamental differences from traditional Cubism compelled Kahnweiler to question whether to call them Cubists at all  According to Daniel Robbins, "To suggest that merely because these artists developed differently or varied from the traditional pattern they deserved to be relegated to a secondary or satellite role in Cubism is a profound mistake "The history of the term "Cubism" usually stresses the fact that Matisse referred to "cubes" in connection with a painting by Braque in 1908, and that the term was published twice by the critic Louis Vauxcelles in a similar context  However, the word "cube" was used in 1906 by another critic, Louis Chassevent, with reference not to Picasso or Braque but rather to Metzinger and Delaunay:

"M  Metzinger is a mosaicist like M  Signac but he brings more precision to the cutting of his cubes of color which appear to have been made mechanically [   ]" The critical use of the word "cube" goes back at least to May 1901 when Jean Béral, reviewing the work of Henri-Edmond Cross at the Indépendants in Art et Littérature, commented that he "uses a large and square pointillism, giving the impression of mosaic  One even wonders why the artist has not used cubes of solid matter diversely colored: they would make pretty revetments " (Robert Herbert, 1968, p  221)The term Cubism did not come into general usage until 1911, mainly with reference to Metzinger, Gleizes, Delaunay, and Léger  In 1911, the poet and critic Guillaume Apollinaire accepted the term on behalf of a group of artists invited to exhibit at the Brussels Indépendants  The following year, in preparation for the Salon de la Section d'Or, Metzinger and Gleizes wrote and published Du "Cubisme" in an effort to dispel the confusion raging around the word, and as a major defence of Cubism (which had caused a public scandal following the 1911 Salon des Indépendants and the 1912 Salon d'Automne in Paris)  Clarifying their aims as artists, this work was the first theoretical treatise on Cubism and it still remains the clearest and most intelligible  The result, not solely a collaboration between its two authors, reflected discussions by the circle of artists who met in Puteaux and Courbevoie  It mirrored the attitudes of the "artists of Passy", which included Picabia and the Duchamp brothers, to whom sections of it were read prior to publication  The concept developed in Du "Cubisme" of observing a subject from different points in space and time simultaneously, i e , the act of moving around an object to seize it from several successive angles fused into a single image (multiple viewpoints, mobile perspective, simultaneity or multiplicity), is a generally recognized device used by the Cubists The 1912 manifesto Du "Cubisme" by Metzinger and Gleizes was followed in 1913 by Les Peintres Cubistes, a collection of reflections and commentaries by Guillaume Apollinaire  Apollinaire had been closely involved with Picasso beginning in 1905, and Braque beginning in 1907, but gave as much attention to artists such as Metzinger, Gleizes, Delaunay, Picabia, and Duchamp The fact that the 1912 exhibition had been curated to show the successive stages through which Cubism had transited, and that Du "Cubisme" had been published for the occasion, indicates the artists' intention of making their work comprehensible to a wide audience (art critics, art collectors, art dealers and the general public)  Undoubtedly, due to the great success of the exhibition, Cubism became avant-garde movement recognized as a genre or style in art with a specific common philosophy or goal 

Crystal Cubism: 1914–1918
A significant modification of Cubism between 1914 and 1916 was signaled by a shift towards a strong emphasis on large overlapping geometric planes and flat surface activity  This grouping of styles of painting and sculpture, especially significant between 1917 and 1920, was practiced by several artists; particularly those under contract with the art dealer and collector Léonce Rosenberg  The tightening of the compositions, the clarity and sense of order reflected in these works, led to its being referred to by the critic Maurice Raynal as 'crystal' Cubism  Considerations manifested by Cubists prior to the outset of World War I—such as the fourth dimension, dynamism of modern life, the occult, and Henri Bergson's concept of duration—had now been vacated, replaced by a purely formal frame of reference Crystal Cubism, and its associative rappel à l'ordre, has been linked with an inclination—by those who served the armed forces and by those who remained in the civilian sector—to escape the realities of the Great War, both during and directly following the conflict  The purifying of Cubism from 1914 through the mid-1920s, with its cohesive unity and voluntary constraints, has been linked to a much broader ideological transformation towards conservatism in both French society and French culture 

Cubism after 1918
The most innovative period of Cubism was before 1914  After World War I, with the support given by the dealer Léonce Rosenberg, Cubism returned as a central issue for artists, and continued as such until the mid-1920s when its avant-garde status was rendered questionable by the emergence of geometric abstraction and Surrealism in Paris  Many Cubists, including Picasso, Braque, Gris, Léger, Gleizes, and Metzinger, while developing other styles, returned periodically to Cubism, even well after 1925  Cubism reemerged during the 1920s and the 1930s in the work of the American Stuart Davis and the Englishman Ben Nicholson  In France, however, Cubism experienced a decline beginning in about 1925  Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler's exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini  In 1918 Rosenberg presented a series of Cubist exhibitions at his Galerie de l’Effort Moderne in Paris  Attempts were made by Louis Vauxcelles to argue that Cubism was dead, but these exhibitions, along with a well-organized Cubist show at the 1920 Salon des Indépendants and a revival of the Salon de la Section d’Or in the same year, demonstrated it was still alive The reemergence of Cubism coincided with the appearance from about 1917–24 of a coherent body of theoretical writing by Pierre Reverdy, Maurice Raynal and Daniel-Henry Kahnweiler and, among the artists, by Gris, Léger and Gleizes  The occasional return to classicism—figurative work either exclusively or alongside Cubist work—experienced by many artists during this period (called Neoclassicism) has been linked to the tendency to evade the realities of the war and also to the cultural dominance of a classical or Latin image of France during and immediately following the war  Cubism after 1918 can be seen as part of a wide ideological shift towards conservatism in both French society and culture  Yet, Cubism itself remained evolutionary both within the oeuvre of individual artists, such as Gris and Metzinger, and across the work of artists as different from each other as Braque, Léger and Gleizes  Cubism as a publicly debated movement became relatively unified and open to definition  Its theoretical purity made it a gauge against which such diverse tendencies as Realism or Naturalism, Dada, Surrealism and abstraction could be compared 

Influence in Asia
Japan and China were among the first countries in Asia to be influenced by Cubism  Contact first occurred via European texts translated and published in Japanese art journals in the 1910s  In the 1920s, Japanese and Chinese artists who studied in Paris, for example those enrolled at the École nationale supérieure des Beaux-Arts, brought back with them both an understanding of modern art movements, including Cubism  Notable works exhibiting Cubist qualities were Tetsugorō Yorozu's Self Portrait with Red Eyes (1912) and Fang Ganmin's Melody in Autumn (1934) 

Interpretation
Intentions and criticism
The Cubism of Picasso and Braque had more than a technical or formal significance, and the distinct attitudes and intentions of the Salon Cubists produced different kinds of Cubism, rather than a derivative of their work  "It is by no means clear, in any case," wrote Christopher Green, "to what extent these other Cubists depended on Picasso and Braque for their development of such techniques as faceting, 'passage' and multiple perspective; they could well have arrived at such practices with little knowledge of 'true' Cubism in its early stages, guided above all by their own understanding of Cézanne " The works exhibited by these Cubists at the 1911 and 1912 Salons extended beyond the conventional Cézanne-like subjects—the posed model, still-life and landscape—favored by Picasso and Braque to include large-scale modern-life subjects  Aimed at a large public, these works stressed the use of multiple perspective and complex planar faceting for expressive effect while preserving the eloquence of subjects endowed with literary and philosophical connotations In Du "Cubisme" Metzinger and Gleizes explicitly related the sense of time to multiple perspective, giving symbolic expression to the notion of ‘duration’ proposed by the philosopher Henri Bergson according to which life is subjectively experienced as a continuum, with the past flowing into the present and the present merging into the future  The Salon Cubists used the faceted treatment of solid and space and effects of multiple viewpoints to convey a physical and psychological sense of the fluidity of consciousness, blurring the distinctions between past, present and future  One of the major theoretical innovations made by the Salon Cubists, independently of Picasso and Braque, was that of simultaneity, drawing to greater or lesser extent on theories of Henri Poincaré, Ernst Mach, Charles Henry, Maurice Princet, and Henri Bergson  With simultaneity, the concept of separate spatial and temporal dimensions was comprehensively challenged  Linear perspective developed during the Renaissance was vacated  The subject matter was no longer considered from a specific point of view at a moment in time, but built following a selection of successive viewpoints, i e , as if viewed simultaneously from numerous angles (and in multiple dimensions) with the eye free to roam from one to the other This technique of representing simultaneity, multiple viewpoints (or relative motion) is pushed to a high degree of complexity in Metzinger's Nu à la cheminée, exhibited at the 1910 Salon d'Automne; Gleizes' monumental Le Dépiquage des Moissons (Harvest Threshing), exhibited at the 1912 Salon de la Section d'Or; Le Fauconnier's Abundance shown at the Indépendants of 1911; and Delaunay's City of Paris, exhibited at the Indépendants in 1912  These ambitious works are some of the largest paintings in the history of Cubism  Léger's The Wedding, also shown at the Salon des Indépendants in 1912, gave form to the notion of simultaneity by presenting different motifs as occurring within a single temporal frame, where responses to the past and present interpenetrate with collective force  The conjunction of such subject matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà; themselves made in response to early Cubism Cubism and modern European art was introduced into the United States at the now legendary 1913 Armory Show in New York City, which then traveled to Chicago and Boston  In the Armory show Pablo Picasso exhibited La Femme au pot de moutarde (1910), the sculpture Head of a Woman (Fernande) (1909–10), Les Arbres (1907) amongst other cubist works  Jacques Villon exhibited seven important and large drypoints, while his brother Marcel Duchamp shocked the American public with his painting Nude Descending a Staircase, No  2 (1912)  Francis Picabia exhibited his abstractions La Danse à la source and La Procession, Seville (both of 1912)  Albert Gleizes exhibited La Femme aux phlox (1910) and L'Homme au balcon (1912), two highly stylized and faceted cubist works  Georges Braque, Fernand Léger, Raymond Duchamp-Villon, Roger de La Fresnaye and Alexander Archipenko also contributed examples of their cubist works 

Cubist sculpture
Just as in painting, Cubist sculpture is rooted in Paul Cézanne's reduction of painted objects into component planes and geometric solids (cubes, spheres, cylinders, and cones)  And just as in painting, it became a pervasive influence and contributed fundamentally to Constructivism and Futurism 
Cubist sculpture developed in parallel to Cubist painting  During the autumn of 1909 Picasso sculpted Head of a Woman (Fernande) with positive features depicted by negative space and vice versa  According to Douglas Cooper: "The first true Cubist sculpture was Picasso's impressive Woman's Head, modeled in 1909–10, a counterpart in three dimensions to many similar analytical and faceted heads in his paintings at the time " These positive/negative reversals were ambitiously exploited by Alexander Archipenko in 1912–13, for example in Woman Walking  Joseph Csaky, after Archipenko, was the first sculptor in Paris to join the Cubists, with whom he exhibited from 1911 onwards  They were followed by Raymond Duchamp-Villon and then in 1914 by Jacques Lipchitz, Henri Laurens and Ossip Zadkine Indeed, Cubist construction was as influential as any pictorial Cubist innovation  It was the stimulus behind the proto-Constructivist work of both Naum Gabo and Vladimir Tatlin and thus the starting-point for the entire constructive tendency in 20th-century modernist sculpture 

Architecture
Cubism formed an important link between early-20th-century art and architecture  The historical, theoretical, and socio-political relationships between avant-garde practices in painting, sculpture and architecture had early ramifications in France, Germany, the Netherlands and Czechoslovakia  Though there are many points of intersection between Cubism and architecture, only a few direct links between them can be drawn  Most often the connections are made by reference to shared formal characteristics: faceting of form, spatial ambiguity, transparency, and multiplicity Architectural interest in Cubism centered on the dissolution and reconstitution of three-dimensional form, using simple geometric shapes, juxtaposed without the illusions of classical perspective  Diverse elements could be superimposed, made transparent or penetrate one another, while retaining their spatial relationships  Cubism had become an influential factor in the development of modern architecture from 1912 (La Maison Cubiste, by Raymond Duchamp-Villon and André Mare) onwards, developing in parallel with architects such as Peter Behrens and Walter Gropius, with the simplification of building design, the use of materials appropriate to industrial production, and the increased use of glass 

Cubism was relevant to an architecture seeking a style that needed not refer to the past  Thus, what had become a revolution in both painting and sculpture was applied as part of "a profound reorientation towards a changed world"  The Cubo-Futurist ideas of Filippo Tommaso Marinetti influenced attitudes in avant-garde architecture  The influential De Stijl movement embraced the aesthetic principles of Neo-plasticism developed by Piet Mondrian under the influence of Cubism in Paris  De Stijl was also linked by Gino Severini to Cubist theory through the writings of Albert Gleizes  However, the linking of basic geometric forms with inherent beauty and ease of industrial application—which had been prefigured by Marcel Duchamp from 1914—was left to the founders of Purism, Amédée Ozenfant and Charles-Édouard Jeanneret (better known as Le Corbusier,) who exhibited paintings together in Paris and published Après le cubisme in 1918  Le Corbusier's ambition had been to translate the properties of his own style of Cubism to architecture  Between 1918 and 1922, Le Corbusier concentrated his efforts on Purist theory and painting  In 1922, Le Corbusier and his cousin Jeanneret opened a studio in Paris at 35 rue de Sèvres  His theoretical studies soon advanced into many different architectural projects 

La Maison Cubiste (Cubist House)
At the 1912 Salon d'Automne an architectural installation was exhibited that quickly became known as Maison Cubiste (Cubist House), with architecture by Raymond Duchamp-Villon and interior decoration by André Mare along with a group of collaborators  Metzinger and Gleizes in Du "Cubisme", written during the assemblage of the "Maison Cubiste", wrote about the autonomous nature of art, stressing the point that decorative considerations should not govern the spirit of art  Decorative work, to them, was the "antithesis of the picture"  "The true picture" wrote Metzinger and Gleizes, "bears its raison d'être within itself  It can be moved from a church to a drawing-room, from a museum to a study  Essentially independent, necessarily complete, it need not immediately satisfy the mind: on the contrary, it should lead it, little by little, towards the fictitious depths in which the coordinative light resides  It does not harmonize with this or that ensemble; it harmonizes with things in general, with the universe: it is an organism   " La Maison Cubiste was a fully furnished model house, with a  facade, a staircase, wrought iron banisters, and two rooms:  a living room—the Salon Bourgeois, where paintings by Marcel Duchamp, Metzinger (Woman with a Fan), Gleizes, Laurencin and Léger were hung, and a bedroom  It was an example of L'art décoratif, a home within which Cubist art could be displayed in the comfort and style of modern, bourgeois life  Spectators at the Salon d'Automne passed through the plaster facade, designed by Duchamp-Villon, to the two furnished rooms  This architectural installation was subsequently exhibited at the 1913 Armory Show, New York, Chicago and Boston, listed in the catalogue of the New York exhibit as Raymond Duchamp-Villon, number 609, and entitled "Facade architectural, plaster" (Façade architecturale) 

The furnishings, wallpaper, upholstery and carpets of the interior were designed by André Mare, and were early examples of the influence of cubism on what would become Art Deco   They were composed of very brightly colored roses and other floral patterns in stylized geometric forms 
Mare called the living room in which Cubist paintings were hung the Salon Bourgeois  Léger described this name as 'perfect'  In a letter to Mare prior to the exhibition Léger wrote: "Your idea is absolutely splendid for us, really splendid  People will see Cubism in its domestic setting, which is very important "Mare's ensembles were accepted as frames for Cubist works because they allowed paintings and sculptures their independence", Christopher Green wrote, "creating a play of contrasts, hence the involvement not only of Gleizes and Metzinger themselves, but of Marie Laurencin, the Duchamp brothers (Raymond Duchamp-Villon designed the facade) and Mare's old friends Léger and Roger La Fresnaye" In 1927, Cubists Joseph Csaky, Jacques Lipchitz, Louis Marcoussis, Henri Laurens, the sculptor Gustave Miklos, and others collaborated in the decoration of a Studio House, rue Saint-James, Neuilly-sur-Seine, designed by the architect Paul Ruaud and owned by the French fashion designer Jacques Doucet, also a collector of Post-Impressionist and Cubist paintings (including Les Demoiselles d'Avignon, which he bought directly from Picasso's studio)  Laurens designed the fountain, Csaky designed Doucet's staircase, Lipchitz made the fireplace mantel, and Marcoussis made a Cubist rug 

Czech Cubist architecture
The original Cubist architecture is very rare  Cubism was applied to architecture only in Bohemia (today Czech Republic) and especially in its capital, Prague  Czech architects were the first and only ones to ever design original Cubist buildings  Cubist architecture flourished for the most part between 1910 and 1914, but the Cubist or Cubism-influenced buildings were also built after World War I  After the war, the architectural style called Rondo-Cubism was developed in Prague fusing the Cubist architecture with round shapes 

In their theoretical rules, the Cubist architects expressed the requirement of dynamism, which would surmount the matter and calm contained in it, through a creative idea, so that the result would evoke feelings of dynamism and expressive plasticity in the viewer  This should be achieved by shapes derived from pyramids, cubes and prisms, by arrangements and compositions of oblique surfaces, mainly triangular, sculpted facades in protruding crystal-like units, reminiscent of the so-called diamond cut, or even cavernous that are reminiscent of the late Gothic architecture  In this way, the entire surfaces of the facades including even the gables and dormers are sculpted  The grilles as well as other architectural ornaments attain a three-dimensional form  Thus, new forms of windows and doors were also created, e  g  hexagonal windows  Czech Cubist architects also designed Cubist furniture 
The leading Cubist architects were Pavel Janák, Josef Gočár, Vlastislav Hofman, Emil Králíček and Josef Chochol  They worked mostly in Prague but also in other Bohemian towns  The best-known Cubist building is the House of the Black Madonna in the Old Town of Prague built in 1912 by Josef Gočár with the only Cubist café in the world, Grand Café Orient  Vlastislav Hofman built the entrance pavilions of Ďáblice Cemetery in 1912–1914, Josef Chochol designed several residential houses under Vyšehrad  A Cubist streetlamp has also been preserved near the Wenceslas Square, designed by Emil Králíček in 1912, who also built the Diamond House in the New Town of Prague around 1913 

Cubism in other fields
The influence of Cubism extended to other artistic fields, outside painting and sculpture  In literature, the written works of Gertrude Stein employ repetition and repetitive phrases as building blocks in both passages and whole chapters  Most of Stein's important works utilize this technique, including the novel The Making of Americans (1906–08)  Not only were they the first important patrons of Cubism, Gertrude Stein and her brother Leo were also important influences on Cubism as well  In turn, Picasso was an important influence on Stein's writing  In the field of American fiction, William Faulkner's 1930 novel As I Lay Dying can be read as an interaction with the cubist mode  The novel features narratives of the diverse experiences of 15 characters which, when taken together, produce a single cohesive body 
The poets generally associated with Cubism are Guillaume Apollinaire, Blaise Cendrars, Jean Cocteau, Max Jacob, André Salmon and Pierre Reverdy  As American poet Kenneth Rexroth explains, Cubism in poetry "is the conscious, deliberate dissociation and recombination of elements into a new artistic entity made self-sufficient by its rigorous architecture  This is quite different from the free association of the Surrealists and the combination of unconscious utterance and political nihilism of Dada " Nonetheless, the Cubist poets' influence on both Cubism and the later movements of Dada and Surrealism was profound; Louis Aragon, founding member of Surrealism, said that for Breton, Soupault, Éluard and himself, Reverdy was "our immediate elder, the exemplary poet " Though not as well remembered as the Cubist painters, these poets continue to influence and inspire; American poets John Ashbery and Ron Padgett have recently produced new translations of Reverdy's work  Wallace Stevens' "Thirteen Ways of Looking at a Blackbird" is also said to demonstrate how cubism's multiple perspectives can be translated into poetry John Berger said: "It is almost impossible to exaggerate the importance of Cubism  It was a revolution in the visual arts as great as that which took place in the early Renaissance  Its effects on later art, on film, and on architecture are already so numerous that we hardly notice them "

Gallery
Press articles and reviews
See also
Fourth dimension in art
Precisionism
Proto-Cubism
Rayonism
Section d'Or
Vorticism
Passage 6:
Pour Un Maillot Jaune
Pour Un Maillot Jaune is a French 1965 documentary – described as a cinematic tribute – about the 1965 Tour de France  It was made by the French film director, Claude Lelouch  Lelouch is best known as the director of Un Homme et Une Femme (A Man and a Woman in English) in 1966 

The film
Pour Un Maillot Jaune (For a yellow jersey) follows the 1965 Tour de France not as a sports documentary but an atmospheric film of the events that surround it  Where riders are shown racing, it is an illustration of the hardship or the danger they face  The main events are the daily routines of the competitors, the bossing about of spectators by officials (which Lelouch emphasises by adding animal noises to the soundtrack), the monotonous days of journalists who follow the race for hours to write only a few hundred words, and the evening entertainment laid on by the Europe-1 radio station 
The film starts with a scene of riders arriving at the start by train and then of race organisers Jacques Goddet and Félix Lévitan and an anonymous man with a cigarette in his mouth supervising the cutting of a blue, white and red ribbon across the road as a band plays the Marseillaise, the French national anthem  The film then jumps – as it does throughout its 30 minutes – to an open-air mass for riders wearing their race clothes 
There are dramatic shots of riders climbing mountains, often with breathtaking views, a struggle which Lelouch emphasises by slowly fading down the heartbeat-like music to near silence, stressing each rider's lone and silent battle with himself  In more light-hearted scenes, the team manager Raphael Géminiani is shown angrily realising he has been filmed while he has been asleep, and the soigneur Louis Guerlacher is shown kneading a rider's muscles as though they were soggy baguettes 

The technique
Unlike Vive Le Tour, an earlier film by Louis Malle and with which Pour Un Maillot Jaune is inevitably associated, Claude Lelouch uses no narrator and depends on the film to tell its own story  He portrays the spirit of the moment with repeated musical themes, some of them not always perfectly edited  Only occasionally does the sound of the moment reach the screen and in one scene, when riders are descending at speed from a mountain, Lelouch has made the error of adding the sound of squealing brakes that would never have happened in real life Throughout, the film jumps from colour to black and white and back 

The race
The 1965 Tour de France was won by a young Italian called Felice Gimondi, riding only as a late inclusion  The French had hoped that the winner would be Raymond Poulidor relieved for once of riding against Jacques Anquetil who had always beaten him  By the Chartreuse, however, Gimondi was unbeatable and even attacked Poulidor and left him behind "just to show Raymond that I could go faster and that I was the better man "
The film ends as Gimondi takes his lap of honour at the Parc des Princes Paris 
The charm of the film to cycling enthusiasts is to see the Tour as it was four decades ago, when the winners stood on rickety podiums of scaffold poles, slept in shabby hotels and retrieved a spanner from their pockets to change the height of their handlebars as they rode 

External links
   pour un maillot jaune at IMDb
Passage 7:
Women's Games
Women's Games (French: Jeux de femmes) is a 1946 French comedy film directed by Maurice Cloche and starring Jacques Dumesnil, Hélène Perdrière and Saturnin Fabre The film's sets were designed by the art director Raymond Nègre 

Cast
Passage 8:
Le casseur de pierres
Le casseur de pierres is a 1989 Tunisian short drama film directed by Mohamed Zran  It was screened in the Un Certain Regard section at the 1990 Cannes Film Festival 

Cast
Abdallah Maymoun - Sabeur
Monia Tkitik - Monia
Fatha Mahdoui - Fatima
Moufida Zran - Scheherezade
Passage 9:
Les Accords de Bella
Les Accords de Bella (lit  'Bella's Accords') is a 2007 anthropological documentary film directed by David Constantin  It was selected by the African Film Festival of Cordoba - FCAT 

Synopsis
Rodrigues Island, lost in the middle of the Indian Ocean, has something particular: There are more than 500 accordions for 35,000 people  Polkas, mazurkas and waltzes are part of the history and mestization of an island forgotten by all for a very long time  Here, the accordion is not a forgotten instrument, quite the contrary; its sound mixes with African drums so that young and old can dance  With Philippe Imbert's help, a French craftsman, the Rodrigues Accordion Association has set out on a new adventure: Making their own accordion  The first one, the prototype, completely made on the island, is called Bella 
Passage 10:
Sous les pieds des femmes
Sous les pieds des femmes (also known as Under Women's Feet) is a 1997 French drama film written and  directed by Rachida Krim and starring Claudia Cardinale 

Plot
Cast
Claudia Cardinale  as  Aya   in 1996
Fejria Deliba	  as  Aya  in 1958
Nadia Farès  as Fouzia
Mohammad Bakri  as Amin
Yorgo Voyagis as  Moncef
Bernadette Lafont as Suzanne
Samy Naceri  as Mohammed
Éric Atlan as Captain Bertrand
Roland Bertin  as Le Président du tribunal
Guy Bedos as  Le Procureur
Kader Boukhanef as  Mourad
Safy Boutella as  Addellah
Olivier Brunhes as  Jacques
Arnaud Meunier as  Jeannot
Catherine Samie as  La Voisine
Passage 11:
Gai pied
Gai pied or Gai pied hebdo was a monthly, then weekly (hence the name Hebdo), French gay magazine, founded by Jean Le Bitoux  Its name, which literally means "Gay foot", is a homophone of guêpier, which means a hornet's nest or, figuratively, a trap or pitfall — a reference to the magazine's determination to torment the status-quo 

History and profile
The magazine's name was suggested by Michel Foucault, who wrote an article for the first issue and continued to contribute material to the magazine throughout its existence 
The first issue was sold at two thousand kiosks throughout France on 1 April 1979  It was published by Pink Triangle publications and printed by the Revolutionary Communist League 
Among the magazine's collaborators were Yves Navarre, Tony Duvert, Gianni De Martino, Guy Hocquenghem, Renaud Camus, Alain Pacadis, Copi, Hugo Marsan, Emmanuel Dreuilhe and others  The magazine enjoyed great success among French gays, and increased their visibility  Apart from its articles, the magazine published personal ads and erotic photographs 
In 1980, Jean-Paul Sartre agreed to an interview with the magazine, as did artists David Hockney and Barbara and politicians Pierre Bérégovoy and Gaston Defferre, showing their support for the magazine's cause 
In 1987, minister of the interior Charles Pasqua attempted to ban the publication of Gai pied  A demonstration on 19 March, along with statements of support from many public figures including minister of culture François Léotard, prevented the ban 
Between 1987 and 1990 the magazine controlled FG DJ Radio 
Despite early success, the magazine struggled to respond to the menace of AIDS, and was dealt a financial blow by the success of Minitel  After losing much of its readership, the magazine ended publication in 1991 

See also
Illico
Têtu
Passage 12:
Family Pack
Family Pack may refer to:

Family Pack (2000 film), a French-Balgian drama film directed by Chris Vander Stappen
Family Pack (2022 film), an Indian comedy film directed by Arjun Kumar S 
Passage 13:
Eriq Ebouaney
Eriq Ebouaney (born 3 October 1967) is a French actor  He is best known for his portrayal as the Congolese Prime Minister Patrice Lumumba in the 2000 film Lumumba, as "Blacktie" in Brian De Palma's Femme Fatale and as "Ice" in the 2008 action film Transporter 3 in which he starred opposite Jason Statham 

Early life
Ebouaney was born in Angers, France, the son of Cameroonian immigrants  As a child he didn't show an interest in acting and was set on becoming a businessman  However, at the age of 30, he joined a theatre company and left his job as a sales manager to become a professional actor 

Career
He made his film debut in 1996 in the Cédric Klapisch directed film Chacun cherche son chat  He landed a leading role in the 2000 film Lumumba in which he portrayed Prime Minister Patrice Lumumba  The film was shot in Beira, Mozambique 
In 2002, he starred in Brian De Palma's Femme Fatale alongside Antonio Banderas  In 2004, he played the character of Jean Claude in Mark Bamford's debut feature Cape of Good Hope  In 2005 he starred in the award-winning Ridley Scott film, Kingdom of Heaven, in which he starred alongside Michael Sheen, Liam Neeson, Orlando Bloom, David Thewlis, Martin Hancock and Nathalie Cox 
In 2006, he starred in The Front Line and La piste 
In 2008, he played a supporting role in the critically acclaimed Australian film Disgrace featuring American actor John Malkovich, a small role in the Italian film Bianco e nero and later was cast as "Ice" in Transporter 3, featuring British actor Jason Statham 

Filmography
Passage 14:
Les Sous-doués en vacances
Les Sous-doués en vacances is a 1982 French comedic film, directed by Claude Zidi  It is the sequel to Les sous-doués (1980) 

Production
The film was shot between 10 August and 3 October 1981  Roland Moreno, the real life inventor of the smart card, was cast in the film as a "mad inventor" who creates a "love computer "Florence Guérin recalls how she gave her first line to the cinema in this film: "After passing a day doing a walk-on part, I knew that the next day they needed a girl for a nude scene, but she had a line in it  I begged Claude Zidi, going in front of his boat and he gave in, telling me that maybe the scene would be cut and that they already had another actress  Finally I shot, the scene was not cut, and the end credits read: B B 1: Florence Guérin "Sandrine Bonnaire in an extra in the movie 

Release
The film was released in 1982  It was shown in Paris for 22 weeks 
Passage 15:
Vaux-sous-Aubigny
Vaux-sous-Aubigny (French pronunciation: ​[vo su z‿obiɲi]) is a former commune in the Haute-Marne department in north-eastern France  On 1 January 2016, it was merged into the new commune Le Montsaugeonnais  Its population was 710 in 2019  It is the natal village of beekeeper Charles Dadant 

See also
Communes of the Haute-Marne department
Passage 16:
La naissance d'Osiris
La naissance d'Osiris, ou La fête Pamilie (The Birth of Osiris, or The Festival of Pamylia) is a one-act opera by Jean-Philippe Rameau, first performed on 12 October 1754 at Fontainebleau to celebrate the birth of the future King Louis XVI  The libretto is by Rameau's frequent collaborator Louis de Cahusac  Cahusac styled the work a ballet allégorique ("allegorical ballet"), but it is usually categorised as an acte de ballet  Its slender plot tells of Jupiter's announcement to a group of Egyptian shepherds of the birth of the god Osiris, who symbolises the baby prince  The piece may have started life as part of a larger work, Les beaux jours de l'Amour, an opéra-ballet Rameau and Cahusac planned but never completed for reasons which are still uncertain 

Background and performance history
Musicologists now think that Rameau and Cahusac originally intended La naissance d'Osiris to be part of a multi-act opéra-ballet called Les beaux jours de l'Amour  There is some evidence this work was substantially complete by May 1751, but for unknown reasons it was never staged  The other acts were Nélée et Myrthis (never completed and unperformed until the 20th century) and Anacréon, first performed separately at Fontainebleau on 23 October 1754  The Rameau scholar Sylvie Bouissou believes that La naissance would have been the first act of Les beaux jours de l'Amour Like Anacréon, La naissance d'Osiris was salvaged for performance before the court at Fontainebleau  It thus became one of a series of operas celebrating the births of the children of the Dauphin of France and his wife Maria Josepha  On this occasion the royal baby was the Duc de Berry, the future King Louis XVI  The conductor Hugo Reyne notes the historical irony of identifying Louis XVI with Osiris, a god who was murdered, just as Louis was to be guillotined in 1793  The opera appeared on 12 October 1754 as part of a triple bill alongside revivals of Rameau's Pigmalion and Les incas de Pérou (the second act of the 1735 opéra-ballet Les Indes galantes)  Documents show it went into rehearsal on 26 August, three days after the birth of the prince  The manuscripts show it was adapted for the occasion from Les beaux jours de l'Amour; originally Pamilie was merely an unnamed "shepherdess" A lengthy account of the premiere appeared in the October 1754 edition of the journal Le Mercure de France  In the same issue, Cahusac explained the Egyptian background of the work:

As she was leaving the temple of Jupiter, a Theban woman named Pamyles heard a voice announcing the birth of a hero who would one day bring happiness to Egypt  This hero was Osiris, whom Pamyles brought up and who was subsequently one of the most illustrious benefactors of humanity  To preserve the memory of this event, the Egyptians established the Festival of Pamylia 
Osiris had already featured in the first act of Rameau's opéra-ballet Les fêtes de l'Hymen et de l'Amour (premiered 1747 and revived in July 1754)  The reviewer in Le Mercure de France described the richness of the scenery in La naissance: the pillars of the temple were carved with hieroglyphics; there were sphinxes and a palm-tree  He also gave a detailed account of the final dance in which the ballerina Mademoiselle Catinon played Cupid and Mademoiselle Puvigné a shepherdess  The reviewer praised the singing of the prima donna Marie Fel as Pamylie There is no evidence La naissance d'Osiris was ever revived in the 18th century, probably because it was too closely linked with the occasion of the premiere  However, Rameau did reuse some of the music in his later works: Anacréon, Les Paladins and Les Boréades 

Music
The work is predominantly pastoral in style, containing four musettes (numbers which employ a musette de cour, a type of bagpipe)  "La flamme des éclairs, les éclats du tonnerre" is unusually virtuosic for a bass aria  It appears that the performers found some of the music so technically challenging that it was omitted from the premiere; this virtuosic writing probably derives from Italian musical style  The overture too shows Italian influence; it is in three parts (quick-slow-quick) and the music of the last section is reprised in the final chorus of the opera 

Roles
Synopsis
Scene: The stage shows the temple of Jupiter
The shepherds rejoice at the peace their land enjoys; there is only one thing missing to make their happiness complete (chorus: "Coulez jours de paix, coulez jours heureux")  They bring their presents into the temple of Jupiter  A shepherd sings a musette celebrating the return of Spring and his love for Sylvie (musette: "Du printemps sur l'herbe fleurie")  A shepherdess vows to remain faithful to her lover (ariette: "Non, non, une flamme volage")  The sky darkens, lightning flashes and thunder rumbles; believing it is the wrath of Jupiter, the terrified shepherds start to flee (chorus: "Jupiter s'arme de la foudre"), but the High Priest reassures them that the god is pleased with their sacrifices and has good news for them (ariette: "La flamme des éclairs, les éclats du tonnerre")  The sky clears and Jupiter himself descends accompanied by Cupid and the Graces  He promises the people an era of peace and announces the birth of a hero (air: "Il est né, ce héros que vos vœux demande")  The priests pay homage to Jupiter and the shepherds rejoice (chorus: "Chants d'allégresse et de victoire", ariette for a shepherdess: "Volez, plaisirs, régnez, aimables jeux")  Jupiter returns to heaven, leaving Cupid behind to rule the earth  The opera concludes with a divertissement of dances, choruses and airs in praise of Cupid 

Recordings
La naissance d'Osiris Stéphanie Révidat (Pamilie), Céline Ricci (Une bergère), François-Nicolas Geslot (Un berger), Bertrand Chuberre(Le grand prêtre), Florian Westphal (Jupiter), La Simphonie du Marais, conducted by Hugo Reyne (Musiques à la Chabotterie, 2006)
On Rameau, Maître à Danser along with Daphnis et Eglé, Les Arts Florissants conducted by William Christie (1 DVD, Alpha, 2014)
Orchestral suite, Capella Savaria, conducted by Mary Térey-Smith (Naxos, 1997)
Passage 17:
Pauvres Diables
"Pauvres Diables" is a song by Julio Iglesias recorded in 1979  The song is also commonly known as "Vous les femmes" based on the opening lyrics  The song was also recorded in Spanish language by Iglesias as "Pobre diablo" 
The song has been recorded by many artists including Johnny Hallyday and later by Arno in the film score for 2013 film Les Garçons et Guillaume, à table! (English title Me, Myself and Mum)
In 2014, the song was reinterpreted by Nuno Resende, Julio Iglesias Jr  and Damien Sargue as "Vous les femmes (Pobre diablo)" in the covers compilation album Latin Lovers 
Passage 18:
Gaspard Manesse
Gaspard Manesse (born 25 March 1975 in Paris) is a French actor, composer and musician  He is best known for his starring role as Julien Quentin in the film Au revoir, les enfants (1987)  He acted in and composed the music for the film Comme il vient  Gaspard is a composer and musician - he tours throughout the heart of France playing the trumpet with a group called "Surnatural Orchestra" from the Ile-de-France 

Filmography
Comme il vient – 2002
Erreur de jeunesse (fr)   –  1989
Au revoir, les enfants (Goodbye, Children)  – 1987

External links
Gaspard Manesse at IMDb
http://surnaturalorchestra free fr/ (in French)



ground_truth: La Goulette