prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Along with the subject of The One That Got Away, what notable pop artist started out his career on adult contemporary radio?

The following are given passages.
Context 1: Passage 1:
I Can Only Imagine (MercyMe song)
"I Can Only Imagine" is a song by Christian rock band MercyMe  Written and composed by lead singer Bart Millard, it was originally recorded for the band's 1999 independent album The Worship Project before being included on their 2001 major-label debut album Almost There  The song was the last to be written for The Worship Project; in writing it, Millard drew upon his thoughts about his father's death  Lyrically, it imagines what it would be like to be in front of God in heaven; it opens with just a piano before building to include guitar and drums 
After being released on October 12, 2001, as the second single from Almost There, "I Can Only Imagine" became a major success on Christian radio; it spent two weeks at No  1 on the Radio & Records Christian AC chart and became the most-played Christian single of 2002  It became an unexpected mainstream hit in 2003, peaking at No  71 on the Billboard Hot 100 and No  5 on the Billboard Adult Contemporary chart while also hitting top 40, adult top 40, and country radio charts  The song returned to the charts after its story was adapted into a 2018 film of the same name, peaking at No  1 on the Billboard Christian Songs chart and No  10 on the Billboard Digital Songs chart 
"I Can Only Imagine" received positive reviews from critics  Particular praise was given to its lyrics, and some critics called it the best song on Almost There  It received the Dove Awards for Song of the Year and Pop/Contemporary Recorded Song of the Year at the 33rd GMA Dove Awards, also garnering Millard the award for Songwriter of the Year; he also won the Songwriter of the Year award at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards  In 2004, CCM Magazine ranked it as the fourth-best song in Christian music, and it has since become the most-played song in the history of Christian radio as well as the best-selling Christian song of all time; it has been certified five-times platinum by the Recording Industry Association of America (RIAA), and as of April 2018, it has sold over 2 5 million copies 

Background and recording
MercyMe was formed in 1994 by vocalist Bart Millard, guitarist Mike Scheuchzer, and keyboardist Jim Bryson  The band later brought on drummer Robby Shaffer and bassist Nathan Cochran  In their early years, they independently released four Christian alternative rock albums, drawing influence from the grunge style of rock music popular at the time  However, they realized that their original songs from these albums failed to connect with their audiences while their covers of popular worship songs were much more popular  Because of this, the band decided to write and produce an album of original worship songs  This album,  The Worship Project, utilized a simple verse–chorus format designed to easily fit on a PowerPoint screen In the last phases of production, MercyMe needed one more song to include on the album  Late at night on the band's bus, Millard found an old notebook with the phrase "I can only imagine" written in it  He began to write a song, basing it on his personal feelings about his father Arthur's death  Early in Bart's life, Arthur had been physically and emotionally abusive towards his family, with Bart being beaten severely at points; Arthur and his wife Adele eventually divorced, and Bart was sent to live with his mother after an especially extreme whipping  Bart kept in contact with his father, however, who  was later diagnosed with pancreatic cancer when Bart was 15  His father began to make amends for his actions and started becoming more religiously observant, reading the Bible and going to church regularly  As Arthur progressively became more ill, his relationship with his son improved dramatically; by the time Arthur died in 1991, when Bart was 18, the two were very close  Millard said that "I got a front row seat to see this guy go from being a monster to falling desperately in love with Jesus  By the time he passed away when I was a freshman in college, not only was he my best friend, he was like the Godliest man I’d ever known"  After Arthur's death, Bart became obsessed with the phrase "I can only imagine" after hearing his grandmother say that she could only imagine what Arthur was seeing in heaven  Millard found comfort in the thought and began to write it on anything he could find Once Millard started writing the song, he estimated that it took him only about ten minutes to write the lyrics  Millard said that it was one of the few songs he had ever written where there were not any mistakes in the writing process; "it was just written the way it is and left at that"  MercyMe initially attempted to record "I Can Only Imagine" as a fast song, but after several failed attempts, Millard talked with Bryson about arranging it into a slower version  As the band was tearing down the equipment in their recording studio, Bryson began playing a piano intro  Millard immediately decided to use the intro, and the rest of the song was completed in around five minutes  Although the rest of the band did not see how it would fit on the record, as it didn't meet the basic verse-chorus format the rest of the album had, they felt it needed to be included on it because it meant so much to Millard The Worship Project was released on October 14, 1999  Sales for the album far exceeded the band's previous efforts; Millard estimated the album's overall sales at 100,000, which other sources peg the album's sales as of 2006 at 60,000 or 65,000 copies  The difficulty of meeting sales demands when selling the album directly, in addition to having to book and manage for themselves, led the band to pursue a contract with a record label; MercyMe would sign with INO Records in 2000  "I Can Only Imagine" was one of several songs from the band's independent records that were selected to be included on their debut album with INO, Almost There (2001) 

Composition
"I Can Only Imagine" is set in the key of E major and has a tempo of 80 beats per minute  Bart Millard's vocal range in the song spans from the low note of B3 to the high note of G♯5  Millard is credited with writing and composing the song  A contemporary Christian and pop song, "I Can Only Imagine" has been considered both a ballad and a power ballad  The song opens up with only a piano, building up to include guitar and drums The song has a directly Christian message; its religious lyrics weren't edited for mainstream radio  In the song, the narrator wonders what it would be like to stand before God in heaven  In the refrain, the singer ponders "Will I dance for You Jesus/or in awe of you be still/Will I stand in Your presence or to my knees will I fall/Will I sing hallelujah/will I be able to speak at all/I can only imagine/I can only imagine"  Regarding the lyrical theme of "I Can Only Imagine", Millard explained to Fox News that "I was always told that if [my father] could choose, he would rather be in Heaven than here with me  As a Christian I believed that, but as an 18-year-old it was a little hard to swallow  So the questions in the song came from me asking God what was so great about Him that my dad would rather be there "

Critical reception
Critical reception for "I Can Only Imagine" was positive  Steve Losey of AllMusic praised it as being "passionate" and "emotionally compelling"  Kevin Chamberlin of Jesus Freak Hideout said the song's lyrics were "amazing"  It was called the "definite highlight" of Almost There by New Release Tuesday's Kevin McNeese, who also praised its piano intro, saying it "instantly invokes chills", as well as the song's lyrical content  Charisma writer Margaret Feinburg lauded the song's "heart-gripping" lyrics, and it was cited as the centerpiece of the album by Megumi Nakamura of Cross Rhythms, who called it "beautiful and touching"  Writing for CCM Magazine, Adam Woodroof described the song as "heavenly" and said it was the highlight of Almost There  Although Russ Breimeier of Christianity Today called it "beautiful and inspiring", he questioned if "I Can Only Imagine" was actually a worship song At the 33rd GMA Dove Awards in 2002, I Can Only Imagine" earned the GMA Dove Awards for Pop/Contemporary Recorded Song of the Year and Song of the Year  Millard won the award for Songwriter of the Year at the same ceremony as well as at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards, held on June 2, 2003   In 2004, CCM Magazine ranked "I Can Only Imagine" as the fourth-greatest song in Christian music 

Legacy
"I Can Only Imagine" has been regarded as MercyMe's "breakthrough hit" as well as their signature song  It is the most-played song in the history of Christian radio and one of the most-played songs in the history of contemporary music  As of April 2018, it is the best-selling Christian song of all-time  It has consistently ranked among the best-selling Christian digital songs each year in the Billboard year-end charts, ranging from number 19 in 2016 to number three in 2018  It is often requested to be played at funerals  "I Can Only Imagine" was named the official inspirational song for the state of Oklahoma in 2018; the measure was passed by the Oklahoma Legislature and signed by Governor Mary Fallin The story behind "I Can Only Imagine" was adapted into a film  Directed by the Erwin Brothers and starring J  Michael Finley as Bart Millard and Dennis Quaid as Arthur Millard, the movie was released to theaters on March 16, 2018  It received mixed to positive reviews from critics, and exceeded initial expectations at the box office, grossing $17 1 million in its opening week  This was the fourth best-ever opening for a faith-based film, behind only The Passion of the Christ, Son of God, and Heaven Is for Real  The film finished its theatrical run having grossed $83 4 million in the United States and Canada and $1 8 million in other territories for a worldwide total of $85 2 million  As of August 2019, it ranks as the fifth-highest grossing music biopic of all-time in the United States (behind Bohemian Rhapsody, Straight Outta Compton, Walk the Line, and Rocketman) and was the highest-grossing independent film of 2018 

Release and promotion
Originally, "I Can Only Imagine" was set to be released by fellow Christian artist Amy Grant  Millard had initially declined a request from Grant's record label to allow her to record the song; some segments of the Christian community had reacted negatively to her divorce, and Millard wasn't sure if he wanted to be involved  After consulting with his pastor, who felt Millard should accept the opportunity, he began to reconsider, and finally agreed to let her cover it after talking with Grant over the phone  Grant had planned to release her version of the song as the lead single from her upcoming album and MercyMe would release a different song as their first single, hoping to capitalize on having written what would presumably become a major hit for Grant  The band released their first single from Almost There, "Bless Me Indeed (Jabez's Song)", which performed poorly at Christian radio, leading to poor sales of the album  Plans were made to release another single from the record, but the band's manager, Scott Brickell, decided to reach out to Grant to see if she still planned to release her version as a single  Grant gave MercyMe her blessing to release the song as a single and signed the rights back to the band; "I Can Only Imagine" was released on October 12, 2001, as the album's second single The song debuted on the Christian AC chart on November 2, 2001, reached the No  1 position on February 22, 2002, and spent two weeks at the top spot  It also peaked at No  15 on the Radio & Records Christian CHR chart  The song became the most-played song on Christian radio in 2002  As a result of its success on radio, Almost There experienced a "surge" in sales, debuting on the Billboard 200 in December 2001 and entering the top ten on the Christian Albums chart in January 2002  The song stayed on Christian radio for so long that plans to release a third single from Almost There were cancelled, with the band instead beginning work on a new album In 2003, a Dallas mainstream radio station, 100 3 Wild-FM, played the song on its morning show, The Fitz Radio Program  They had responded to a caller's repeated requests and the urgings of the program's producer, Todd Sheppard, a former seminary student  Although it had been played almost as joke, it soon became the most requested and most played song on the station  After hearing the song played on the station, Millard called-in and spoke with the crew, and MercyMe then came in and played the song live  Big Gay Steven, one of the show's hosts, described their audience's response to the song as "overwhelming"  As other mainstream stations around the country began to play the song, MercyMe's label, INO Records, partnered with Curb Records to market the single to mainstream radio  Its initial success was seen as surprising due to its overtly religious themes, although several other Christian artists had begun achieving mainstream success at the same time, including Stacie Orrico, whose singles "Stuck" and "(There's Gotta Be) More to Life" had both hit the Billboard Hot 100  Curb began to promote the song to adult contemporary and Top 40 radio, and INO and Curb released a double A-side physical single, "I Can Only Imagine/Word of God Speak", in September 2003 "I Can Only Imagine" debuted on the Adult Contemporary chart on May 23, 2003, eventually peaking at No  5 for the chart week of September 8, 2003  "I Can Only Imagine" spent 30 weeks on the chart  The song debuted on the Billboard Hot 100 for the chart week of October 11, 2003 at No  76  The song peaked at No  71 and spent 16 non-consecutive weeks on the chart  "I Can Only Imagine" also peaked at No  1 on the Billboard Hot 100 Singles Sales chart, a component chart of the Billboard Hot 100 that ranks the best-selling physical single releases, for 10 weeks  During the week of November 22, 2003, it became the first No  1 physical single to be outsold by the highest-selling digital single of the week; for that week, "I Can Only Imagine" sold 7,500 physical copies in the United States while Outkast's "Hey Ya!" sold 8,500 digital downloads  The song also charted on the Mainstream Top 40, Adult Top 40, and Country Songs charts In 2012, "I Can Only Imagine" appeared on France's Syndicat National de l'Édition Phonographique (SNEP) chart, spending two weeks and peaking at No  65  In March 2018, following the release of the film I Can Only Imagine, which was based on the song's story, it appeared on the Billboard Christian Songs chart; because the chart had been created after the song's original run on Christian radio, it was eligible to chart for the first time  It debuted at No  2 on the Billboard Christian Songs chart and also spent a third week at No  1 on the Billboard Christian Digital Songs chart; the song had spent 425 weeks on the chart at that point, the longest run of any song in the chart's history  "I Can Only Imagine" peaked at No  1 on the Christian Songs chart on March 31, 2018, and spent three weeks at the top spot  It also peaked at No  10 on the Billboard Digital Songs chart and ranked at No  8 on the 2018 year-end Christian Songs chart In April 2010, "I Can Only Imagine" was certified platinum by the RIAA, signifying sales of over 1 million digital downloads  It was the first single by any artist in the Christian music genre to go platinum  The song was certified double platinum in September 2014, triple platinum in June 2018, and quadruple platinum in September 2019  As of March 2018, it has sold 2 5 million copies, making it the best-selling Christian single of all time 

Music video
A music video was released for "I Can Only Imagine"  According to Millard, the video's inspiration came from seeing people holding empty picture frames at their concerts, symbolizing their deceased loved ones  Millard said that the "I've had so many people after a show pull out a picture of someone they've lost  These people embrace these photos and I just thought how can we tap into that"  The video features everyday people as well as several music artists including Michael Tait, Tammy Trent, Bob Herdman, and Jesse Katina, each holding an empty picture frame to signify their loss of a loved one; as the video progresses, they are holding pictures of their loved ones including Millard with his father's photograph 

Live performances
Despite including "I Can Only Imagine" on The Worship Project, MercyMe initially did not perform the song in concerts because they felt it did not fit with the rest of the record  The band's first performance of the song did not come until the summer after the release of The Worship Project at a summer camp at the request of a camp counselor  The band has played the song at every show since as of February 2009 MercyMe's 2004 concert tour (the Imagine Tour) and 2018–19 tour (the Imagine Nation Tour) both took their name from the song MercyMe performed "I Can Only Imagine" at the 33rd GMA Dove Awards, with an accompanying "inspiring video that underscored the emotional and inspirational power of song"  The band also performed the song at the 40th GMA Dove Awards, held on April 23, 2009, in a medley with "Finally Home"  At the 2017 National Prayer Breakfast, MercyMe performed the song with President Donald Trump in attendance  In March 2018, MercyMe performed "I Can Only Imagine" live on Fox & Friends to promote the film 

Other versions
Both an acoustic and live version of "I Can Only Imagine" were included in the Platinum edition of Almost There, which was released in August 2006  MercyMe released a new recording of the song on their iTunes Originals album, which was released in March 2008  On their compilation album 10, MercyMe released a new recording of the song featuring the London Session Orchestra as well as a live version  For their 2018 compilation album I Can Only Imagine: The Very Best of MercyMe, released to commemorate the release of the movie, the band recorded an updated recording titled "I Can Only Imagine (The Movie Session)", which peaked at No  19 on the Billboard Christian Songs chart "I Can Only Imagine" has been covered by several artists  In 2002, Amy Grant released her reworked version of the song, titled "Imagine" and paired with "Sing the Wondrous Love of Jesus", on her album Legacy    Hymns and Faith  Country singer Jeff Carson's 2003 cover peaked at No  50 on the Country Songs chart, and in 2014, gospel singer Tamela Mann's cover of the song spent 13 weeks atop the Billboard Gospel Songs chart  In May 2017, Aliyah Moulden, the third-place finisher on the 12th season of the reality competition show The Voice, performed the song on the show; her version debuted and peaked at No  4 on the Billboard Christian Songs chart, selling 15,000 copies in its first week and spending two weeks on the chart in total 

Track listing
CD release
"I Can Only Imagine" – 4:06 (Bart Millard)
"Word of God Speak" – 3:07 (Peter Kipley, Millard)

Personnel
(Credits from the album liner notes)MercyMe

Bart Millard – vocals
Jim Bryson – keyboards
Nathan Cochran – bass guitar, background vocals
Mike Scheuchzer – guitar, background vocals
Robby Shaffer – drumsAdditional performers

Paltrow Performance Group – stringsTechnical

Julian Kindred – engineer
Pete Kipley – producer, programming
Skye McCaskey  – engineer
Salvo – mixing
Shane Wilson – mixing

Release and radio history
Charts and certifications
Certifications
Passage 2:
WEBZ
WEBZ (99 3 FM) is a commercial urban adult contemporary radio station located in Mexico Beach, Florida (Panama City metro)  The station is owned by iHeartMedia 

External links
Official Website

WEBZ in the FCC FM station database
WEBZ on Radio-Locator
WEBZ in Nielsen Audio's FM station database
Passage 3:
Adult contemporary music
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence  Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated  It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music  Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure  The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as acoustic guitars, pianos, saxophones, and sometimes an orchestral set  The electric guitars are normally faint and high-pitched  However, recent adult contemporary music may feature synthesizers (and other electronics, such as drum machines) An AC radio station may play mainstream music, but it usually excludes hip-hop and some forms of dance-pop and teen pop, as these are less popular among adults, the target demographic  AC radio often targets the 25–44 age group, the demographic that has received the most attention from advertisers since the 1960s  A common practice in recent years of adult contemporary stations is to play less newer music and more hits of the past, even some songs that never even charted the AC charts   This de-emphasis on new songs slows the progression of the AC chart Over the years, AC has spawned subgenres including "hot AC" (also known as "modern AC"), "soft AC" (also known as "lite AC"), "urban AC" (a softer type of urban contemporary music), "rhythmic AC" (a softer type of rhythmic contemporary), and "Christian AC" (a softer type of contemporary Christian music)  Some stations play only "hot AC", "soft AC", or only one of the variety of subgenres  Therefore, it is not usually considered a specific genre of music; it is merely an assemblage of selected songs from artists of many different genres 

History
1960s: Early roots; easy listening and soft rock
Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70—80% instrumental to 20–30% vocal mix  A few offered 90% instrumentals, and a handful were entirely instrumental  The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations  Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton  The chart described itself as "not too far out in either direction" Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others  The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out  Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced  Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically  As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s  Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock  These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs 
Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient  Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased (especially as singles, although Jackie Gleason's beautiful music albums sold well in the 1950s), AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists 

1970s: Soft rock forms as a radio format
By the late 1960s hard rock had been established as one of the rock genres leading hard rock and soft rock to became distinct popular forms in the rock scene, and as major radio formats in the US  Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies  Major artists included Carole King, Cat Stevens, James Taylor and Bread In the early 1970s, softer songs by The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Barbra Streisand, began to be played more often on "Top 40" radio  Top 40 radio stations played the Top 40 hits regardless of genre   As the texture of much of the music played on Top 40 radio began to soften, the Hot 100 and Easy Listening/AC charts became more similar  Easy Listening radio began playing songs by artists who had begun in other genres, such as rock and roll or R&B  Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on AC stations than on Top 40 stations  AC stations also began playing softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel, and other rock-based artists  Soon after, the adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago and the Eagles, becoming associated with the format  In addition, several early disco songs, did well on the Adult Contemporary format 
Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, Dan Fogelberg, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade  By 1977, some radio stations, notably New York's WTFM and NBC-owned WYNY, and Boston's WEEI, had switched to an all-soft rock format  As Softrock 103, WEEI was famous for its promotional campaigns, featuring slogans such as "Joni, without the baloni " and "The Byrds, without the nyrds "  However, different forms of popular music  targeted to different demographic groups, such as disco vs  hard rock, began to emerge in the late-1970s  This led to specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres 

1980s: Adult contemporary succeeds as radio format
On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since  Adult contemporary music became one of the most popular radio formats of the 1980s  The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade 
Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists such as Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, Laura Branigan and Journey began crossing over to the AC charts with greater frequency  Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond"  However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time 
The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners  Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio 
Although dance-oriented, electronic pop and ballad-oriented rock dominated the 1980s, soft rock songs still enjoyed a mild success thanks to Sheena Easton, Amy Grant, Lionel Richie, Christopher Cross, Dan Hill, Leo Sayer, Billy Ocean, Julio Iglesias, Bertie Higgins, and Tommy Page  No song spent more than six weeks at No  1 on this chart during the 1980s, with nine songs accomplishing that feat  Two of these were by Lionel Richie, "You Are" in 1983 and "Hello" in 1984, which also reached No  1 on the Hot 100 
In 1989, Linda Ronstadt released Cry Like a Rainstorm, Howl Like the Wind, described by critics as "the first true Adult Contemporary album of the decade", featuring American soul singer Aaron Neville on several of the twelve tracks  The album was certified Triple Platinum in the United States alone and became a major success throughout the globe  The Grammy Award-winning singles, "Don't Know Much" and "All My Life", were both long-running No  1 Adult Contemporary hits  Several additional singles from the disc made the AC Top 10 as well  The album won over many critics in the need to define AC, and appeared to change the tolerance and acceptance of AC music into mainstream day to day radio play 

1990s: Subgenre formations/radio crossovers
The early 1990s marked the softening of urban R&B in the shape of new jack swing, at the same time alternative rock emerged and traditional pop saw a significant resurgence  This in part led to a widening of the market, not only allowing to cater to more niche markets, but it also became customary for artists to make AC-friendly singles  At the same time, the genre began adopting elements from hard rock as tastes were shifting towards louder music, while AC stations in general began playing more rock acts  "Softer" features such as light instrumental music (carried over from the beautiful music format—many AC stations carried the format until the early 1970s), new age songs and most pre-1964 artists were gradually phased out from AC radio throughout the early to mid-1990s 
Unlike the majority of 1980s mainstream singers, the 1990s mainstream pop/R&B singers such as All-4-One, Boyz II Men, Christina Aguilera, Backstreet Boys and Savage Garden generally crossed over to the AC charts  Latin pop artists such as Lynda Thomas, Ricky Martin, Marc Anthony, Selena, Enrique Iglesias and Luis Miguel also enjoyed success in the AC charts 
In addition to Celine Dion, who has had significant success on this chart, other artists with multiple number ones on the AC chart in the 1990s include Mariah Carey, Phil Collins, Michael Bolton, Bryan Adams, Whitney Houston and Shania Twain  Newer female Adult album alternative singer-songwriters such as Sarah McLachlan, Natalie Merchant, Jewel, Melissa Etheridge and Sheryl Crow also broke through on the AC chart during this time In 1996, Billboard created a new chart called Adult Top 40, which reflects programming on radio stations that exists somewhere between "adult contemporary" music and "pop" music  Although they are sometimes mistaken for each other, the Adult Contemporary chart and the Adult Top 40 chart are separate charts, and songs reaching one chart might not reach the other  In addition, hot AC is another subgenre of radio programming that is distinct from the Hot Adult Contemporary Tracks chart as it exists today, despite the apparent similarity in name 
In response to the pressure on Hot AC, a new kind of AC format cropped up among American radio recently  The urban adult contemporary format (a term coined by Barry Mayo) usually attracts a large number of African Americans and sometimes Caucasian listeners through playing a great deal of R&B (without any form of rapping), gospel music, classic soul and dance music (including disco) 
Another format, rhythmic AC, in addition to playing all the popular hot and soft AC music, past and present, places a heavy emphasis on disco as well as 1980s and 1990s dance hits, such as those by Amber, and Black Box, and includes dance remixes of pop songs, such as the Soul Solution mix of Toni Braxton's "Unbreak My Heart" 
In its early years of existence, the smooth jazz format was considered to be a form of AC, although it was mainly instrumental, and related a stronger resemblance to the soft AC-styled music  For many years, George Benson, Kenny G and Dave Koz had all had crossover hits that were played on both smooth jazz and soft AC stations 

2000s–present: AC music goes mainstream and mainstream music goes AC
During the 2000s, the AC market gained an increased presence in the music industry, as its radio formats were popular nationwide—Smooth jazz and "Urban AC" stations were ubiquitous in the East Coast, while Soft rock and "adult standards" stations were common in the Midwest, and pop-oriented "Hot AC" and "world music"/Hispanic AC stations were easily found in the West Coast and the "Sun Belt"  This led to the presence of numerous genres on the AC charts, often crossing to the "pop" charts, winning over many critics in the need to define AC, and increased the tolerance and acceptance of AC music into mainstream day-to-day radio play 
Josh Groban's single "You Raise Me Up" and Michael Bublé's cover of "Fever" are often cited as key examples of the high production values and ballad-heavy sound that defined 2000s-era AC, often dubbed as "jazz-pop", heavily carrying classical, jazz and traditional pop influences  Artists such as Nick Lachey, James Blunt, Jamie Cullum, John Mayer, Jason Mraz, Norah Jones, Diana Krall, Amy Winehouse and Susan Boyle also achieved great success during this period  During most of the 2000s, country music/countrypolitan musicians such as Kelly Clarkson, Clay Aiken, Billy Joel, Garth Brooks, Shania Twain, LeAnn Rimes and Carrie Underwood scored hits on soft AC, particularly in Southern states  A popular trend in the late 1990s and 2000s was remixing dance music hits into adult contemporary ballads, especially in the US, (for example, the "Candlelight Mix" versions of "Heaven" by DJ Sammy, "Listen To Your Heart" by D H T , and "Everytime We Touch" by Cascada) 
Key to the success of AC in the 2000s was the 25–34 demographic which had outgrown the pop music offerings of the time, most new rock became too alternative and harsh for AC radio and most new pop was now influenced heavily by dance-pop, hip-hop and electronic dance music  At the same time, the music industry also began to focus on older audiences and markets generally considered "niche" 
During the late 2000s, certain pop songs began entering the AC charts instead, generally after having recently fallen off the Hot 100  Adrian Moreira, senior vice president for adult music for RCA Music Group, said, "We've seen a fairly tidal shift in what AC will play"  Rather than emphasizing older songs, adult contemporary now began playing many of the same songs as top 40 and adult top 40, but only after the hits had become established  An article on MTV's website by Corey Moss describes this trend as: "In other words, AC stations are where pop songs go to die a very long death  Or, to optimists, to get a second life " As adult contemporary has long characterized itself as family-friendly, "clean" versions of pop songs began appearing on the AC chart, as were the cases of "Perfect" by P!nk, and "Forget You" by Cee Lo Green, both in 2011 AC radio's shift into more mainstream pop was a result of the changes on the broadcasting landscape following the 2005–2007 economic downturn and eventual recession, as advertisers preferred more profitable chart-based formats, which meant the demise of many AC-based formulas, primarily those aimed at older audiences, with tastes changing towards more modern music among all age groups  Diminishing physical record sales throughout the 2010s also proved a major blow to the AC genre, and there are concerns that the portable people meter, a device being used to determine radio listenership, may be incompatible with AC songs and may not accurately pick up that a person is listening to an AC station because of the pitches and frequencies used in the style Key AC artists of the early to mid-2010s included Bruno Mars, Coldplay, Adele, Arcade Fire, Meghan Trainor, Maroon 5 and Ed Sheeran, featuring a more pop-influenced, uptempo style than the typical AC fare of previous years, also featuring production values reminiscent of the Motown sound and the so-called Wall of Sound that dominated the soul-heavy pop charts of the early 1960s, when the Easy Listening chart was first introduced  The earlier years of the decade also saw alternative and indie rock acts such as Wilco, Feist, The 1975, Imagine Dragons, Mumford & Sons, Of Monsters and Men and The Lumineers quickly becoming AC mainstays, although these were eventually replaced by rhythm-based rock bands such as Panic! at the Disco, Neon Trees, X Ambassadors, Sheppard, Bastille, American Authors, Fitz and the Tantrums, Foster the People, Twenty One Pilots, Walk the Moon and Milky Chance 
During the middle of the decade, newer artists such as CeeLo Green, OneRepublic, Rachel Platten, Christina Perri, Andy Grammer, James Bay, Sara Bareilles, Shawn Mendes, Sia, Sam Smith, Gavin Degraw, Charlie Puth and Colbie Caillat as well as acts that were popular in the 1990s and early 2000s such as Britney Spears and Christina Aguilera were added to the rotation of most AC stations 
As trap music and similar styles of hip-hop began dominating top 40 stations during the last years of the 2010s, AC stations began picking up rhythmic artists like Rihanna, Lady Gaga, Ellie Goulding, Taio Cruz and Pitbull as well as EDM artists like Avicii, Daft Punk, Calvin Harris, David Guetta and Tiesto  Meanwhile, younger artists like Camila Cabello, Justin Bieber, Selena Gomez, Ariana Grande, Nick Jonas and the Jonas Brothers and Halsey began to be featured on AC stations more than on top 40 stations 

Adult contemporary formats
In radio broadcasting, adult contemporary is divided into several sub-formats, each with their own musical direction and demographic targeting  Hot adult contemporary formats generally feature an uptempo rotation of recent hits that appeal to a wide adult audience  A station formatted as "adult contemporary" with no qualifier, also referred to as "mainstream adult contemporary", generally has a similar playlist to hot AC stations, but with a broader rotation of classic hits from past decades Soft adult contemporary formats have a more conservative sound oriented primarily towards adult women, urban AC focuses on R&B and soul music that appeal to African American adults, and rhythmic AC focuses on dance music and other rhythmic genres 

Hot adult contemporary
Hot adult contemporary (hot AC) radio stations play a wide range of the present day's popular music that appeals towards the 18–54 age group; it serves as a middle ground between the youth-oriented contemporary hit radio (CHR) format, and adult contemporary formats (such as "mainstream" and soft AC) that are typically targeted towards a more mature demographic  They generally feature uptempo hit music with wide appeal, such as pop and pop rock songs, while excluding more youth-oriented music such as hip-hop  Recurrents usually reflect familiar and youthful music that adults had grown up with  Likewise, mature material from pop acts such as the Backstreet Boys, Jason Mraz, John Mayer, and Pink have also been prominent within the format The "hot AC" designation began to appear in the 1990s, to describe adult contemporary stations with a more energetic presentation and uptempo sound than their softer counterparts  An early example of the format, Houston's KHMX Mix 96 5, climbed from 14th place in the market to 3rd in the six months after its launch  The station's format and branding was widely replicated by other stations  Many hot AC outlets are among the top stations in their respective market Initially focused more on pop rock, the format has evolved to reflect changes in the composition of this audience; by the mid-2000s, the format had evolved to include more uptempo pop music, while alternative and indie rock crossovers (such as Foster the People, Imagine Dragons, Lovelytheband, and Twenty One Pilots) became more prevalent within the format during the 2010s These developments helped to expand the popularity of the format among younger listeners such as millennials; Nielsen Audio ranked hot AC as the third most-popular format among millennials, behind pop and country music  Of the format's expanding demographic reach, WOMX-FM program director Dana Taylor stated that hot AC stations "may not be the radio station that everybody agrees on, but it's a radio station that everybody goes, 'I'm okay with that' " The increasingly downtempo direction of pop hits in the mid-to-late 2010's also helped to attract additional listeners Hot AC stations typically keep a larger body of recent hits in rotation than those with rigid, chart-driven formats like CHR and urban contemporary  As these stations' playlists have become concentrated towards airing only the current hits at a given time, hot AC airplay can build and sustain a song's popularity over a long-term period  This effect has been credited in helping build an audience for early singles from new acts such as Adele, Rachel Platten ("Fight Song", which gained prominence for its use during Hillary Clinton's 2016 US presidential election campaign), and Max Schneider (whose 2016 single "Lights Down Low", over a year after its original release, became a sleeper hit on the Billboard Mainstream Top 40 and Hot 100 due in part to strong hot AC airplay) The popularity of the hot AC format prompted many mainstream AC stations to add uptempo music to their playlists, while still maintaining a deeper rotation of older hits than hot AC stations 

Modern adult contemporary
Modern adult contemporary refers to AC formats with a stronger lean towards modern rock and pop rock 
In the 1990s and early 2000s, modern AC was typically targeted towards women, with Mike Marino of KMXB in Las Vegas describing the format as reaching "an audience that has outgrown the edgier hip-hop or alternative music but hasn't gotten old and sappy enough for the soft ACs " The format typically focused on female rock acts such as Shawn Colvin, Sheryl Crow, Indigo Girls, Jewel, and Sarah McLachlan, and folk rock-influenced bands such as Counting Crows and The Wallflowers  Today, the format is fairly uncommon, with KTCZ in the Minnesota Twin Cities being one of the few modern AC stations left 

Soft adult contemporary
The Soft adult contemporary format typically targets women 25–54 and at-work listening  Soft AC playlists are generally conservative in comparison to hot AC, focusing on pop and power ballads, soft rock, and other familiar, light hits  Upon its establishment in the 1980s, the soft AC format was positioned as being a more upbeat version of easy listening that would appeal better to a younger audience, mainly by excluding instrumental beautiful music  Easy listening stations had begun shifting to the format out of concern that their existing programming would not appeal to the current generation of listeners In a 1990 article, James Warren of the Chicago Tribune characterized soft AC stations as being "as middle-of-the-road and unthreatening as modern media get", with personalities that were encouraged to be as inoffensive and "low-profile" as possible, and a more conservative music library than hot AC-leaning stations  In particular, Chicago's WLIT did not have its airstaff talk over the beginning and endings of songs (in contrast to the hot AC-leaning WFYR), and played Bob Seger's "We've Got Tonite" but not "Old Time Rock and Roll" (which was part of WTMX's playlist)  The director of a soft AC station in Connecticut, WEZN-FM, told Warren that he had barred the reading of top-of-hour news headlines, so that listeners wouldn't be tempted to tune away to an all-news station to learn more Soft AC stations tend to be more selective in their music libraries than other adult contemporary stations, preferring proven songs over current hits  Upon the onset of the format's popularity, core artists typically included singers such as Nat King Cole, Perry Como, Neil Diamond, Barry Manilow, Johnny Mathis, and Barbra Streisand  By the 1990s, to improve their appeal among changing demographics, some soft AC stations began to widen their playlist to include selections from contemporary acts with 80s, & 90s, musicians & bands such as Bon Jovi, Bryan Adams, Celine Dion, Roxette, Mariah Carey, Eric Clapton, Phil Collins, Elton John, Cher, Whitney Houston, Journey, and Queen  On the other hand, by 1996, New York's WLTW had begun to phase out its softer music in favor of a more uptempo direction In 2017, Inside Radio reported that soft AC had the third-largest decrease in US stations offering the format over the past decade (at 128), ranking behind only adult standards and oldies—a shift credited to aging demographics and a major boom in the wider-appealing classic hits format (which saw the largest overall increase over the same period)  Consultant Gary Berkowitz argued that the soft AC format had become increasingly irrelevant in comparison to mainstream and hot AC, due to PPM markets preferring uptempo music At the same time, however, soft AC began to experience a resurgence  In April 2016, iHeartMedia flipped its San Francisco classic soul station KISQ to soft AC as The Breeze; as of November 2018, it was the top station in the Bay Area  The trend continued into 2017 and 2018, with iHeartMedia extending its Breeze brand to other soft AC flips, and the brand (among others) being adopted by competitors such as Entercom  Industry analyst Sean Ross argued that older demographics were becoming more lucrative due to changes in listening habits among younger audiences, which prefer digital platforms such as music streaming services over linear terrestrial radio, and also noted how mainstream AC was dependent on the Top 40 charts to break new songs Current soft AC stations have continued to feature recurrents such as Michael Bolton, Celine Dion, Elton John, Fleetwood Mac, Hall & Oates, and Whitney Houston, while contemporary musicians such as Adele and Michael Bublé have also become modern fixtures of the format  In addition, the soft AC sound has diversified to include more songs that are "safe and universal" and not necessarily "soft", with Ross presenting Examples such as Simple Minds' "Don't You (Forget About Me)", as well as the retroactively-defined genre of yacht rock  Over time, some stations have gradually adjusted their playlists to include more recurrents from the 1980s and 1970s (although not to the same extent as other "soft oldies" formats, such as MeTV FM, which have also grown in popularity) 

Urban adult contemporary
The Urban adult contemporary format focuses primarily on current and classic R&B and soul music,  The format typically targets African-American adults: July 2018 numbers from Nielsen Audio recorded it as the top format among African-Americans 25–54 and 35–64  It also has a sizable popularity among younger listeners, ranking behind urban contemporary as the second-most popular format among African-American adults 18–34 in the same report, with an 18 9 audience share The format typically excludes youthful rhythmic music, such as commercial hip-hop and rap, that are usually associated with the urban contemporary format  The urban AC format is also associated with the "quiet storm"—mellower R&B ballads and slow jams, often in a jazz-influenced style  The syndicated evening program Keith Sweat Hotel focuses specifically on such music As urban contemporary stations prefer hit-driven hip-hop songs, labels typically service R&B songs to the urban AC format only  Some current R&B musicians have complained that this is an artificial divide that prevents them from reaching a wider, mainstream audience (citing the relatively smaller number of urban AC outlets in comparison to urban and rhythmic), even with attempts to give some singles a hip-hop-influenced sound to improve the potential for crossover appeal  Some acts have attempted to disassociate themselves from "R&B" to reduce the effect of this stigma, although streaming services have helped to expose R&B to a wider audience beyond urban AC radio 

Rhythmic adult contemporary
The Rhythmic adult contemporary format generally focuses on a variety of current and classic dance music, such as dance-pop, hip-hop, and R&B (often resembling a blend of the Classic hits and hot AC formats in practice)  The exact composition of current and recurrent content can vary between stations, depending on local cultures and the heritage of rhythmic formats in the market, ranging from late-80s/early-90s dance hits (including latin freestyle), to disco and Motown  Rhythmic hot AC has also been used as a format, popularized by stations such as New York's WKTU 

Smooth adult contemporary
The Smooth adult contemporary format is a variant of the smooth jazz format that incorporates mainstream and/or urban adult contemporary songs; they are designed to appeal to a wider range of demographics than a straight smooth jazz format  Some smooth AC stations may limit their airplay of jazz instrumentals to those by better-known performers such as Kenny G 

Christian adult contemporary
Contemporary Christian music (CCM) has several subgenres, one being "Christian AC"  Radio & Records, for instance, lists Christian AC among its format charts  There has been crossover to mainstream and hot AC formats by many of the core artists of the Christian AC genre, notably Amy Grant, Michael W  Smith, Kathy Troccoli, Steven Curtis Chapman, Plumb, and more recently Big Daddy Weave, Casting Crowns, For King & Country, Lauren Daigle, MercyMe, and Newsboys 

Adult album alternative
The Adult album alternative (triple-A or AAA) format generally features a diverse playlist of music that appeals to an adult audience, with a focus on emerging songs and artists, and often featuring songs that were not released as singles  The exact composition of a triple-A station's playlist can vary, with alternative rock, indie rock, and indie pop commonly used as core genres, and some stations featuring more uncommon genres such as alternative country, Americana, blues, folk music, and world music  NPR observed in 2018 that roughly half of all triple-A stations in the U S  were non-commercial stations  With the wide variety of music that is serviced to the format, adult album alternative charts have often served as a feeder for the Adult Top 40, and have been credited for breaking acts such as Dave Matthews Band and Lorde 

Christmas music
Since the 1990s it has become common for many AC stations, particularly soft AC stations, to play primarily or exclusively Christmas music during the Christmas season in November and December  While these tend mostly to be contemporary seasonal recordings by the same artists featured under the normal format, most stations will also air at least some vintage holiday tunes from older pop, MOR, and adult standards artists – such as  
Boney M , The Carpenters, Nat King Cole, Perry Como, Bing Crosby, Percy Faith, Mannheim Steamroller, Dean Martin, Johnny Mathis, Trans-Siberian Orchestra, and Andy Williams – many of whom would never be played on these stations during the rest of the year 
These Christmas music marathons typically start a few weeks before Thanksgiving Day and end after Christmas Day, or sometimes extending to New Year's Day  Afterwards, the stations usually resume their normal music fare  Several stations begin the holiday format much earlier, at the beginning of November especially after Halloween  The roots of this tradition can be traced back to the beautiful music and easy listening stations of the 1960s and 1970s 

Syndicated radio shows and networks carrying the adult contemporary format
Delilah – One of the US's most popular radio shows, Delilah airs primarily in the evening  Its Christmas Edition airs from mid-November to late December 
Intelligence for Your Life – Hosted by John Tesh, this show also airs evenings and also on weekends 
American Top 40 with Ryan Seacrest – One version of AT40 airs on US hot AC stations, which is a little different from its Top-40/CHR counterpart 
Rick Dees Weekly Top 40/Weekly Top 30 – Began offering Hot AC versions of the popular countdown show in June 1996  These shows feature the top 20 Hot AC songs in the US along with about 10 past hits from the 1980s, 1990s and early 2000s (decade)  A softer "AC" version was added in July 2009 to try to fill in the void left by Casey Kasem ending his AC countdown 
Radio Disney Music Top 30 Countdown, One version is for Hot AC stations, the other version is for Mainstream AC stations  Plays the USA Top 30 songs of the week according to Mediabase and a music rating service called ratethemusic com  This show, like Rick Dees' show, is distributed by Compass Media Networks 
Backtrax USA with Kid Kelly – Weekend programs focusing on the '80s and '90s, targeted for hot AC stations 
ABC and Dial Global both offer AC 24-hour networks programming soft and hot AC 
Tom Joyner and Steve Harvey have popular morning shows that air on urban AC (and sometimes Hip-Hop) stations  Both shows are often heard on competing stations in the same city, such as St  Louis, Philadelphia and Atlanta  Joyner's show is syndicated by ABC Radio, and Harvey's show by Premiere Radio Networks 
Retro Rewind with Dave Harris is a weekend-based radio show highlighting a massive playlist of songs from the 1980s and 1990s, interviews, spotlights and contests  The show is done live across the US on Saturday nights, taking audience requests  The show is targeted towards HOT AC and AC radio stations 
The EZ Rock network is a brand/network of soft AC heard in Canada 
Heart - A radio network in the UK that grew throughout 2009 as more stations were rebranded as "Heart" 
Smooth Radio – A UK-wide radio network that formed from six regional Smooth Radio stations 
Smoothfm – A network of two Australian commercial radio stations (based in Sydney and Melbourne) that are focused on providing an eclectic easy-listening playlist, usually featuring ballads 
Nova – A network of five Australian commercial radio station (based in Sydney, Melbourne, Brisbane, Adelaide and Perth) that are very similar to Smoothfm 
The Breeze – A group of New Zealand adult contemporary radio stations owned by MediaWorks Radio  There are 20 stations currently broadcasting throughout New Zealand 
The Bob and Sheri Show – American morning drive show based in Charlotte, North Carolina  Heard on more than 50 AC stations and the American Forces NetworkFormer syndicated programming includes Dick Clark's US Music Survey (1996–2005), Casey's Hot 20/Casey's Countdown/American Top 20/10 (1992–2009) and Top 30 USA 

See also
Adult Contemporary, a chart appearing in Billboard since 1961  This chart is typically (but not exclusively) closer to soft AC 
New-age music
Yacht rock
Passage 4:
The One That Got Away (Katy Perry song)
"The One That Got Away" is a song by American singer-songwriter Katy Perry from her third studio album, Teenage Dream (2010)  The song was produced by Dr  Luke and Max Martin, both of whom also co-wrote the song with Perry  The song is a mid-tempo pop ballad about a lost love  It features a reference to the rock band Radiohead, and compares the strength of the relationship to that of Johnny Cash and June Carter Cash  The song was released on September 30, 2011, by Capitol Records as the album's sixth single 
"The One That Got Away" peaked at number three on the Billboard Hot 100, with Teenage Dream becoming the seventh album in the 53-year history of the Hot 100 to generate at least six top 10s  The single reached the top of the Billboard Hot Dance Club Songs, Adult Top 40, and Mainstream Top 40 charts 
The accompanying music video for the song was directed by Floria Sigismondi and premiered in November 2011, featuring actor Diego Luna  An official remix featuring rapper B o B was released to digital retailers on December 20, 2011  An official acoustic rendition was released to digital retailers on January 16, 2012, this version was included in Teenage Dream: The Complete Confection edition  The song has been covered by several artists, including Kelly Clarkson, Olivia Rodrigo and Conan Gray, Richard Marx, Jordan Pruitt, Selena Gomez & the Scene, and Tate McRae 

Release and artwork
On September 13, 2011, at the New York City's Irving Plaza, Capitol Records confirmed to Billboard that "The One That Got Away" would be the sixth single from Teenage Dream  Perry said in a statement from the label:

"I'm so pleased to select 'The One That Got Away' as my sixth single because this song shows a very different side of me that I haven't shown with my past singles on this record, I think that everyone can relate to this song  I wrote [it] about when you promise someone forever, but you end up not being able to follow through  It's a bittersweet story  Hopefully, the listener learns from hearing it and never has to say they had 'The One' get away "
Later that month, Perry wrote the following message on her Twitter account: "The One That Got Away    It's happening!!!", along with a picture of the official single artwork  The artwork shows a pink-haired Perry looking up at the sky while wearing a disc-shaped hat  The photo gives a whimsical nod to the 1970s, with its distinctively retro appearance  On September 30, the song received radio airplay release in France  Soon it was followed by the release of the song to American mainstream and rhythmic contemporary radio stations on October 11  The single was issued to Italian radios through EMI Music Publishing on October 28  On December 2, the remix EP of "The One That Got Away" was released  The remix featuring American rapper B o B was issued by Capitol Records to American pop and rhythmic radios on December 15, followed by a digital release of the song five days later  Acoustic rendition of the song was released on January 16, 2012 Capitol Records said that they are not specifically releasing the song in hopes of it reaching number one and rewriting Hot 100 history (since Perry was the first woman to obtain five number ones on the chart from one album), rather the decision came out of "Perry's fondness for the song, its ear-catching hook and her obvious track record of success at pop radio"  EMI Music/Capitol Records EVP/marketing and promotion Greg Thompson told Billboard that, "if it goes to No  1, that would be great, If not, we still have a Katy song on the radio in fourth quarter", presumably boosting sales for Teenage Dream in the Christmas season 

Composition and writing
Originally titled "In Another Life", the song was produced by Dr  Luke and Max Martin, both of whom co-wrote it with Perry  It is a midtempo pop song positioned on the piece of E major and has a tempo of 134 beats per minute  Joanna Holcombe from Yahoo! Music noted that the song is about first loves  Leah Greenblatt from Entertainment Weekly, said that the song is "a midtempo ode to a summer-after-high-school love with whom she recalls sharing Mustang makeout sessions to Radiohead'"  Michael Wood from Spin magazine said that the song is one of the album's quieter cuts and that it recalls "Perry's singer-songwriter days at L A 's Hotel Café"  The song follows the chord progression of E–G♯m–C♯m–A, and Perry's vocal range spans from B3 to E5  Kitty Empire noticed that Perry's vocal is wistful throughout the song and that the references to June Carter Cash and Johnny Cash were unexpected  Rob Sheffield from Rolling Stone stated that when Perry sings, 'I was June, and you were my Johnny Cash,' "it's understood that she's thinking of the scrubbed-up Hollywood version of June and Johnny, from Walk the Line " After death of actor Johnny Lewis, media outlets speculated that the song was about him  In 2017, the singer revealed that "The One That Got Away" was about Josh Groban 

Critical reception
The song received mostly positive reviews from critics 
Kerri Mason from Billboard described the song as "delectable", noting that it has more texture than anything on Perry's previous album, One of the Boys  Mikael Wood from Spin magazine said that although "Perry delivers the gurl-gone-wild stuff with requisite sass", she actually "sounds more engaged on 'Not Like the Movies,' and 'The One That Got Away'  Similarly, Kitty Empire from The Guardian praised the collaboration, stating that Perry and Luke are at their most appealing in the song  In a similar note, Rob Sheffield from Rolling Stone, stated that Perry is more at home with the mall romance of "The One That Got Away"  The same opinion was echoed by Greg Kot from Chicago Tribune who felt that Perry sounds more invested in the more "serious" songs on the album, such as "The One That Got Away"  However, he added that it's as if Perry is "determined to balance the summer frothiness with a few shots of 'adult' earnestness"  Leah Greenblatt from Entertainment Weekly was not satisfied with the selection of the song as the sixth single, noting that there are better songs on the album that could have been chosen instead  Robert Copsey of the website Digital Spy awarded the song with four out of five stars and said:

"'Summer after high school, when we first met/ We make out in your Mustang, to Radiohead,' Katy Perry reminisces on the opening of her latest, potentially record-breaking single  We've always known that she had a penchant for the alt-rock, but we wonder if KP's 18-year-old self ever thought she'd be substituting the sounds of Thom Yorke and co  for the sugar-coated melodies that have made her one of the best-known artists on the planet today? 'Used to steal our parents' liquor, and climb through the roof/ Talk about our future, like we had a clue,' she continues over a toe-tapping drum beat and delicate piano riff as she agonises over the loss of her one true love  'In another life, I would be your girl/ We'd keep all our promises/ Be us against the world,' she mourns on a chorus as instantly satisfying as a mugful of Kenco  Word of advice Katy, we'd keep this one well away from Russell if you want to avoid history repeating itself "

Chart performance
On the week ending October 16, 2011, the song debuted at number 94 on the Billboard Hot 100 
In its sixth week it entered the top 10, making Teenage Dream one of only seven albums in Billboard's 53-year history to have six singles enter the top 10  On the chart dated December 24, 2011, the single entered the top five, making Teenage Dream the third album to have six or more top-five singles from one album on the chart following Rhythm Nation 1814 by Janet Jackson and Faith by George Michael  On the charts dated January 7, 2012, helped by the release of the remix with B o B , the single topped the Hot Dance Club Songs chart, the seventh song on the album to do so, setting a new record in the chart  The same week, the song peaked at number three on the Hot 100, making it Perry's only Teenage Dream single to fail to reach number one  As of January 2015, the song has sold more than 2,750,000 copies in the United States alone "The One That Got Away" debuted at number 87 in Australia on the week ending October 10, 2011  before peaking at number 27  In New Zealand, the song debuted at number 40 and later peaked at number 12  It was certified gold by the Recording Industry Association of New Zealand (RIANZ) after selling 7,500 copies there 

Music video
Background
Perry started filming for the video on September 30, 2011  Filming ended on October 2, 2011  The video was shot at the Lima Residence, a contemporary home located in Calabasas, an affluent city in Los Angeles County, California  Mexican actor Diego Luna plays Perry's boyfriend in the video  Photos from the set surfaced online, showing Perry wearing a conservative long-sleeved dress as well as sporting gray hair and prosthetic face wrinkles  The video was directed by Floria Sigismondi, who previously directed the video for "E T " The music video premiered on November 11, 2011 On November 4, 2011, a teaser for the video was released, narrated by Stevie Nicks  Nicks provides the elderly woman's voice, speaking about the past and her desire to go back for one day  The video contains scenes of Katy Perry and her past boyfriend (Luna) fighting, intertwined with scenes of them in love  She is later shown as a nostalgic, elderly woman dressed conservatively and standing by a fence looking into the distance  A seven-minute extended version of the video was shown on November 11, 2011, exclusively at select advance screenings of the motion picture My Week with Marilyn  As of March 2021, the video has more than 900 million views on YouTube 

Synopsis
Released on November 11, 2011, the video begins with an elderly woman (Perry) in a white long-sleeved dress entering her modernistic home, returning from a meeting  After she walks past her husband (played by Herman Sinitzyn), he asks her “How was it?”, and she responds by simply saying “It was fine ”, hinting that the two are in a loveless marriage  While making herself a cup of coffee, the elderly woman, unhappy with her present situation, begins to think about her colorful past when the song begins: her younger self with her artist boyfriend (Luna)  As the song plays, the happy girl and the boyfriend paint portraits of each other, dress up wildly, dance at a stranger's wedding, and give each other a makeshift tattoo 

As the elderly woman sadly reminisces while sitting on her (and the husband's) fancy bedroom alone in a silk nightgown, her younger self and the boyfriend get into an argument which culminates in her splashing red paint on one of his elaborate paintings after he did the same to one of hers and he leaves angrily then drives away  The woman's younger self appears to her older self's bedroom with each on the bed as they both sing  The younger version is also shown in her older self's closet, crying and singing while the boyfriend is seen driving in a Ford Mustang to blow off steam from the fight  At the same time in the present, the older woman is shown driving out of her garage in a similar type of car as the boyfriend is driving in the flashback 
The boyfriend opens the sun visor above him while driving and finds the veil of the dress the younger version of Perry had worn at the wedding  He stares at the veil, hinting that he decides to make up with her  But he is too distracted by the veil and does not notice the large boulders on the road from a small rock slide  He swerves to avoid the rocks and accidentally drives off a cliff, dying in the subsequent crash without getting a chance to make up, while the woman's younger self collapses at the same time (possibly representing the death of her colorful personality)  The song ends abruptly as the sounds of the car violently rolling down the cliff are heard 
While Johnny Cash's cover of "You Are My Sunshine" plays quietly in the background, the woman's older self now sports a dark conservative long-sleeved dress and is revealed to have driven to that same spot where the boyfriend had died  She walks up to the edge of the cliff and leans against a fence when the boyfriend (either a ghost or a hallucination) appears before her on the other side of the fence  The two hold hands, revealing matching tattoos on their hands  When the older woman snaps back to reality, the Johnny Cash music stops suddenly and the boyfriend vanishes  Saddened, the elderly woman turns back and silently walks away from the cliff to return home as the screen fades to black 

Reception
Jillian Mapes of Billboard commented that the video was "beautifully-shot" and praised the interesting plot  A writer of Rolling Stone wrote: "It's a cute clip for a sweet song, but the heavy-handed aging makeup is hard to get over " Erin Strecker from Entertainment Weekly compared the video with Titanic (1997) and Rihanna's video for "We Found Love"  Strecker also noted that the video was more "tragic" than he was expecting from Perry  Jocelyn Vena of MTV News said: "Katy Perry's moody, contemplative clip for 'The One That Got Away' perfectly encapsulates both the joy of falling in love and the heartbreak of letting go  It travels through time and space and recalls the story of Perry's one that got away " Consequence of Sound's Chris Coplan called the video a "little more somber" than the videos Perry made for "E T " and "Last Friday Night (T G I F )" 

Other versions
A seven-minute director's cut version was shown exclusively at select advance screenings of the motion picture My Week with Marilyn on November 11, 2011  The extended version shows a more cinematic side to the plot of the original music video and includes never-before-seen footage, as well as extended dialogue between the characters 
On January 17, 2012, Electronic Arts announced that they would be teaming up with Perry to help promote their new expansion pack for The Sims game franchise called The Sims 3: Showtime, which sees the release of a limited collector's edition that contains in-game content based on herself  An official music video for "The One That Got Away" featuring Perry as a Sim was uploaded on EA's YouTube channel  The storyline shows a female Sim and a male Sim falling in love and getting married  One day, the male Sim collapses in the bathroom floor, he is taken to the hospital and then dies  His wife is then seen mourning at his funeral  Suddenly, she is transported "to another life", Katy Perry's Candyfornia featured in her "California Gurls" music video, where her love interest is still alive and well; they eventually reunite and kiss  It also features most of the in-game content that will be included for the collector's edition of The Sims 3: Showtime and in the stuff pack The Sims 3: Katy Perry's Sweet Treats  As of 2022, the video is reach 1 million views 

Live performances and other versions
"The One That Got Away" was part of the setlist of Perry's worldwide 2011 concert tour, California Dreams Tour  On October 16, 2011, Perry performed the song on the UK version of The X Factor  Perry performed the song at the American Music Awards on November 20, 2011  Her AMA 2011 performance was followed by a lengthy standing ovation, and presentation of a special award acknowledging Perry as the only female to have five number-one singles from the same album in the United States  Perry performed the song as part of a Live Lounge special for BBC Radio 1's Fearne Cotton on March 19, 2012, along with "Part of Me", "Firework", "Thinking of You" and a censored version of "Niggas in Paris" A remix featuring American rapper B o B was released in December 2011  B o B added two new verses, one at the beginning and another replacing the bridge of the album version of the song  The decision for Capitol Records to release a remix and reduce the price of the song to give Perry a sixth number-one song has been criticized by some, noting that this is not Perry's first time adding a featured guest to her single releases  The hit single "E T ", was modified with verses from Kanye West, while "Last Friday Night (T G I F )" was given a remix featuring Missy Elliott  However, Billboard, which compiles the charts, have issued multiple columns defending Perry and Capitol, underlining that they are operating under chart rules and that numerous other acts, such as Rihanna and Britney Spears, used the same tactics for charting purposes over the years  An acoustic version of the song, produced by Jon Brion, was released to the iTunes Store on January 16, 2012, garnering more favorable reviews, with critics noting that "The One That Got Away" sounds very naturally as a ballad  Perry's label, Capitol Records, sponsored a contest in January 2012 encouraging fans to record their own acoustic version of the song for a chance to have it featured on Perry's Facebook wall  The song was also included in the setlist of The Prismatic World Tour, in which it is interpolated with Perry's 2009 song "Thinking of You" 
A violin cover of the song by music student Grace Youn, which Youn had uploaded to YouTube in 2011, was used in the opening scene of Perry's 2012 documentary, Katy Perry: Part of Me  American Idol contestant Alyssa Raghu sang the song in front of Katy Perry on the Top 10 Reveal episode of Season 17 

Formats and track listings
Credits and personnel
Credits adapted from Teenage Dream album liner notes 

Charts
Certifications
Release history
See also
List of Billboard Dance Club Songs number ones of 2012
List of Billboard Hot 100 top-ten singles in 2012
Context 2: Passage 1:
Ferruccio Ranza
Brigadier General Ferruccio Ranza (9 September 1892—25 April 1973) began his military career as a World War I flying ace credited with seventeen confirmed victories and eight unconfirmed ones  Postwar, he rose to command of several area commands of the resurgent Italian Air Force  He served through the end of World War II 

Biography
Early life
Ferruccio Ranza was born on 9 September 1892 in Fiorenzuola d'Arda, the Kingdom of Italy 

World War I service
Ranza was a Sottotenente in the engineers when World War I broke out, being assigned on 8 November 1914 as a lieutenant in 1st Engineer Regiment  He attended the flight school at Venaria  His first assignment, on 14 October 1915, was to 43a Squadriglia to fly reconnaissance missions  He won a Bronze award of the Medal for Military Valor for carrying out an artillery spotting mission under heavy fire on 1 April 1916 

However, Ranza had no success in aerial warfare until he transitioned to Nieuports and joined 77a Squadriglia on 22 June 1916  Five days later, flying a Nieuport 11, he downed a Hansa-Brandenburg C I  On 14 September 1916, he shot down a seaplane and received another Bronze award  By 25 November, he had four confirmed wins and one unconfirmed  He made another unconfirmed claim on 4 April 1917 Fulco Ruffo di Calabria was removed from command of 91a Squadriglia because of combat fatigue; Ranza was appointed to succeed him in command, on 1 May 1917, while still flying with 77a Squadriglia through June  Ranza scored again on 23 June 1917, and would continue to score through the end of the war, with his last claims being two unconfirmed victories on 29 October 1918  He would be awarded two more Silver Medals for Military Valor  Ranza ended World War I having flown 465 combat sorties and had posted 20 aerial victory claims  In the process, he was promoted to captain  During the war, he had won three Silver awards of the Medal for Military Valor, the Serbian Order of the Star of Karađorđe, four war crosses (two Italian, one French, one Belgian), and the Military Order of Savoy 

Post World War I
The Bongiovanni military intelligence commission verified 17 of Ranza's victory claims in their report of 1 February 1919 Ranza remained in the Italian Air Force postwar  In February 1924, he took command of the 13th Group  On 15 April 1927, he stepped up to command of 2nd Wing  He rose to command of Italian air assets in Tripolitania, in 1928, then returned to Italy as Chief of Staff for 1st Zone Air Place  From January to September 1935, he returned to Italian East Africa being promoted in March to Brigadier General  In May 1939, he moved to become Air Officer Commanding in Albania  The following year, he was appointed AOC Southern Italy  Ranza retired on 29 January 1945  He died in Bologna, Italy on 25 April 1973 

Notes
Passage 2:
Walter Storp
Walter Storp (2 February 1910 – 9 August 1981) was a German bomber pilot and commander of several bomber wings during World War II  He was a recipient of the Knight's Cross of the Iron Cross with Oak Leaves  Storp reached the rank of Generalmajor and ended the war as commander of the 5th Air Division in Norway 
Storp was born on 2 February 1910 in Schnecken, East Prussia, the son of a forester  After he received his Abitur (diploma) in 1928 he joined the military service and served in the navy  Holding the rank of Oberleutnant he served in the Bordfliegerstaffel 1 /106 (on board flyers squadron) until February 1936  From May to September he was a pilot aboard the heavy cruiser Admiral Scheer, participating in the ship's first cruise of the Spanish Civil War in August 1936 Storp was assigned to the Reich Ministry of Aviation on 1 October 1938 and at the same time became the chief pilot of general Hans Jeschonnek  Serving briefly with KG 30 in early 1940, Storp became temporary Gruppenkommandeur  of III gruppe, KG 4 between May and August 1940  He was then appointed group commander of II /Kampfgeschwader 76 (II /KG 76—2nd Group of the 76th Bomber Wing) on 12 September 1940  He and his crew performed a successful low-altitude attack over the English Midlands on 27 September 1940 In April 1941 Storp was appointed commander of Schnellkampfgeschwader 210, leading the unit during operations against the Soviet Union during 1941  He then was transferred to a RLM staff appointment in October 1941, before a further move in September 1942, as Geschwaderkommodore of Kampfgeschwader 6  A return to KG 76 occurred in June 1944, while in February 1945 he became Commander of the 5th Flieger-Division until the end of the war 

Awards
Iron Cross (1939) 2nd Class (2 October 1939) & 1st Class (26 April 1940)
Ehrenpokal der Luftwaffe (20 October 1940)
Knight's Cross of the Iron Cross with Oak Leaves
Knight's Cross (21 October 1940) 149th recipient in the Luftwaffe as Hauptmann and Gruppenkommandeur of the II / Kampfgeschwader 76
Oak Leaves (14 July 1941) as Major und Geschwaderkommodore of the Schnellkampfgeschwader 210
Passage 3:
Hageman Peak
Hageman Peak (71°43′S 70°48′W) is a montane landform pinnacle rising to about 940 metres (3,100 ft) at the northwest end of the Staccato Peaks in southern Alexander Island, Antarctica  The peak was photographed from the air by Lincoln Ellsworth in 1935, and was named by the Advisory Committee on Antarctic Names for Lieutenant Commander Roger H  Hageman, U S  Navy, an LC-130 aircraft commander during Operation Deep Freeze, 1969 

See also
Saint George Peak
Beagle Peak
Giovanni Peak
Passage 4:
Lessons (Star Trek: The Next Generation)
"Lessons" is the 19th episode of the sixth season of the American science fiction television series Star Trek: The Next Generation and was originally aired in the United States on April 5, 1993, in broadcast syndication 
Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D  In this episode, Captain Picard's (Patrick Stewart) shared love of music with Lt  Commander Nella Daren (Wendy Hughes) leads to romance, resulting in conflicting emotions on his part  After incorrectly believing that she has died, he realizes that he is incapable of carrying out a relationship with someone under his command 
The episode was directed by Robert Wiemer, the episode was written by Ron Wilkerson and Jean Louise Matthias, with some uncredited revisions by René Echevarria  Stand-ins were used to perform the pieces by Picard and Daren, which required the use of close-up camera angles by the director  The episode was received warmly by critics reviewing it after the end of the series, who praised the performances of Hughes and Stewart 

Plot
Picard is curious when he finds that the stellar cartography department has shut down several systems on the Enterprise, and visits the section to discover what is going on  He meets the head of the department, Lt  Commander Nella Daren, who makes an impression on him  It is a meeting memorable enough to later discuss with Dr  Beverly Crusher (Gates McFadden)  At a musical recital by Lt  Commander Data (Brent Spiner), Picard is surprised to see Daren again, playing the piano  The two discuss music, and later meet in Picard's quarters and participate in a duet  Daren plays a portable piano and Picard performs on his Ressikan flute 
The two begin to meet more often; including in a Jefferies tube, which Daren claims has the best acoustics on the ship  In this private setting, their attraction for one another is expressed in a kiss  The moment of intimacy is fleeting, however  When they enter a turbolift, and are joined by another crewmember, Picard resumes the professional demeanour of Captain  The Enterprise is diverted from its mission, when it is directed to investigate a report of firestorms at a Federation outpost  While in transit, Picard consults Counsellor Troi (Marina Sirtis) about pursuing a relationship with Daren  Picard then goes to Daren to apologize and to explain   He recounts the experience  shown in the episode "The Inner Light" in which he had a wife and family, became a grandfather, grew old, and learned to play the flute   The experience imparted to Picard a deep appreciation for music, and he is pleased to have someone to share it with 
Daren speaks to Commander Riker (Jonathan Frakes) requesting a transfer for another crew member to stellar cartography  Riker says he will consider the request  Afterwards, he speaks with Picard, explaining that Picard and Daren's relationship makes the decision complicated  After determining from Riker that Daren's request is not unusual or taking advantages, Picard assures Riker that he will support any decision he makes  Later at dinner, Picard relates to Daren his talk with Riker, saying that they need to be careful about anyone else misunderstanding their relationship 
The Enterprise arrives at the Federation outpost to find that firestorms are heading toward the facility  Daren suggests a means of deflecting the storms, but the equipment requires trained personnel on the ground to operate it  Daren is assigned to the surface team, along with a number of other crewmembers  The outpost is evacuated during the dangerous mission, leaving only the Enterprise away team on surface  The firestorms overwhelm the position that Daren's team occupies before they can be retrieved  Believing Daren to be dead, Picard sits contemplating his decision in his quarters  He then hears that survivors are being transported aboard, and heads to the transporter room  Daren is not among the initial group of survivors, but is later transported to the ship  Eight members of the team have died 
Afterwards, Picard and Daren discuss their relationship  They conclude that it cannot continue, as Picard could not bear to put her in further danger  They discuss giving up their Starfleet careers to be together  Daren knows that Picard, although still cherishing the family life he experienced as Kamin, has nonetheless chosen duty, career, and loneliness  They both know that Daren must transfer off the Enterprise  They kiss once more, and Daren makes Picard promise not to give up music 

Production
Ron Wilkerson and Jean Louise Matthias received story credits for the episodes "Imaginary Friend" and "Schisms", but for each episode the writing of the teleplay from the initial story idea had been assigned to a staff writer due to time constraints  Co-executive producer Jeri Taylor then allowed the pair to write the teleplay for "Lessons", their first for Star Trek  René Echevarria did some minor uncredited re-writes to the final version of the script as staff-writer Brannon Braga wished to avoid working on "Lessons" after recently working on another love story related script for the episode "Aquiel"  Writer and producer Michael Piller likened "Lessons" to the 1945 Noël Coward film Brief Encounter 

The production crew sought to give Picard a romantic peer and equal in Daren, and were pleased with the actors' performances  Director Robert Wiemer said that "we had really turned-on performances     if we'd had only moderate performances it would have fallen flat"  However, as neither Stewart nor Hughes could play their instruments, it required a number of camera techniques to be used in order to disguise the musicians playing just off screen  Husband and wife duo Natalie and Bryce Martin played the piano and tin whistle respectively to portray Daren and Picard's abilities  Bryce had played his instrument to represent Picard's Ressikan flute since it first appeared in "The Inner Light"  However, while Stewart did the majority of his flute fingering, he was doubled in several scenes by Noel Webb and John Mayham  Webb also doubled for Brent Spiner early in the episode when Data was playing Frédéric Chopin's trio in G minor  A variety of pieces are played throughout the episode, including Frère Jacques, Ludwig van Beethoven's Piano Sonata No  14 and Johann Sebastian Bach's Third Brandenburg Concerto  The "Flute song" by Jay Chattaway, which originally appeared in "The Inner Light", reappears in this episode The firestorm itself was created by Dan Curry and Ronald B  Moore by pouring liquid nitrogen onto black velvet and then blowing it with an air hose  The effect was then enhanced by digital effects and was digitally inserted into the background of the exterior standing set (usually referred to by cast and crew as "planet hell")  "Lessons" was the first appearance of the stellar cartography on board the Enterprise, but the set would be completely replaced for its reappearance in the movie Star Trek Generations 

Reception and home media
James Van Hise and Hal Schuster wrote in their 1995 book, The Complete Next Generation, that they thought the relationship between Picard and Daren was believable, and that the story itself was very effective  They thought that the loneliness Picard feels at the end of the episode was part of an ongoing story which would culminate in the subplot about Picard's loneliness in Star Trek Generations Several reviewers re-watched Star Trek: The Next Generation after the end of the series  Keith DeCandido watched the episode for Tor com, and described the performance of Wendy Hughes as "magnificent" and "never not wonderful"  However, he commented that whenever a double was not used to play the piano, it was obvious that Hughes wasn't playing  Overall, he appreciated the script and thought that the ending was not contrived; however, he would have preferred for the episodic structure of The Next Generation to have been changed a little to allow for the romance to be portrayed as a subplot over several episodes  He gave the episode a score of nine out of ten, saying "this is one of TNG's best romances and an absolute joy " DeCandido subsequently named "Lessons" as one of the best episodes of season six, which he said was the best season of the series Zack Handlen, who reviewed "Lessons" for The A V  Club, thought that the episode works because of Patrick Stewart and that the episode was well-handled  He gave "Lessons" a score of B+, saying that he "wasn't hugely sold on Daren, but when Picard makes a special point of explaining the flute's significance to her, it helps solidify the connection between them "In 2012, Forbes placed "Lessons" in an alternative top ten episodes from TNG The episode was first released on VHS cassette on August 4, 1998  The episode was later included on the Star Trek: The Next Generation season six DVD box set, released in the United States on December 3, 2002, and on Blu-ray on June 24, 2014 

Science education
In 2010, Wired noted this episode of Star Trek as one that could be used to teach real-world science, especially astronomy  The real-world counterpart to the Star Trek stellar cartography can be called uranography 

Notes
Passage 5:
Indianapolis News
The Indianapolis News was an evening newspaper published for 130 years, beginning December 7, 1869, and ending on October 1, 1999   The "Great Hoosier Daily," as it was known, at one time held the largest circulation in the state of Indiana   It was also the oldest Indianapolis newspaper until it closed and was housed in the Indianapolis News Building from 1910 to 1949 : 3–5  After Eugene C  Pulliam, the founder and president of Central Newspapers acquired the News in 1948, he became its publisher, while his son, Eugene S  Pulliam, served as the newspaper's managing editor  Eugene S  Pulliam succeeded his father as publisher of the News in 1975 The Indianapolis News was an evening paper, and its decline matched a growing circulation of the morning newspaper, the Indianapolis Star  Prior to the closing, there had been a partial merging of the newspaper staff with the Star 

Notable staff members
Medford Stanton Evans (1934–2015) was an award-winning journalist, educator, and author who became the head editorial writer for the News in 1959  He was promoted to editor of the News in 1960, at the age twenty-six, and became the youngest editor of a metropolitan daily newspaper at that time  Because of his editorial at the News, Evans was selected in 1960 to draft the Sharon Statement, which outlined the founding principles for the Young Americans for Freedom  The conservative writer remained as editor of the News through 1974, when he left the city and became a nationally syndicated columnist for The Los Angeles Times  Evans also taught journalism as Troy University in Troy, Alabama, for more than thirty years  Among his many other activities, Evans lead the American Conservative Union from 1971 to 1977, authored several books, and founded the National Journalism Center in 1977 in Washington, D C 
Frank McKinney "Kin" Hubbard (1868–1930) was a nationally known American cartoonist, humorist, and journalist whose most famous work was the Abe Martin cartoon series  Hubbard  introduced his Abe Martin character to Indianapolis News readers on December 17, 1904, and it appeared six days a week on the back page of the newspaper for twenty-six years  Hubbard also originated and illustrated a once-a-week humor essay for the "Short Furrows" column in the Sunday edition  The Abe Martin cartoon series went into national print syndication in 1910 and the "Short Furrows" column went into syndication the following year  For years after Hubbard's death in 1930, the News and other newspapers continued to print his Abe Martin cartoon series 
Eugene S  Pulliam (1914–1999) began working at the News as its managing editor in 1948 and rose through the managerial ranks to become assistant publisher of the Indianapolis News and the Star  in 1962  He succeeded his father, Eugene C  Pulliam, as publisher of both newspapers in 1975  Known for his advocacy for First Amendment rights and freedom of the press, Eugene S  Pulliam remained the publisher of the News and the Star  until his death in 1999  He also became president of Central Newspapers in 1979 following the death of his stepmother, Nina Mason Pulliam 
Juliet V  Strauss (1863–1918) was a well-known journalist, author, and public speaker from Rockville, Indiana, who wrote a regular weekly column for the News using the pseudonym of "The Country Contributor" from November 1903 until her death in May 1918  Strauss also was a leader in efforts to generate public and state government support to establish Turkey Run State Park in Parke County, Indiana, in 1916 as Indiana's second state park  She began her journalism career as a regular newspaper columnist at the Rockville Tribune in 1893  In addition to her regular newspaper columns, Strauss authored "The Ideas of a Plain Country Woman," a monthly column for the Ladies' Home Journal from 1905 until 1918  She was also a founder in 1913 of the Woman's Press Club of Indiana 
Passage 6:
Starship Command
Acornsoft's Starship Command is a multidirectional shooter released in 1983 for the BBC Micro and Acorn Electron  It was available on cassette as well as 5 25" disc for the BBC and ROM cartridge for the Acorn Electron Plus 1 expansion module  The game was written by Peter Irvin who, along with Jeremy Smith, went on to create the arcade adventure Exile 

Gameplay
The player assumes the role of captain of a battle starship, charged with defending the frontiers of space from hostile alien ships, which come in two sizes — large and small  Some of the larger ships have cloaking devices which make them invisible  Damage is inflicted on ships when they are shot or rammed by other ships 
The player vessel remains locked in the centre of the screen and the world rotates and moves around it  Player shots also have limited range and are subject to the same rotation as everything else, which means the player needs to predict where shots will need to go in order to hit the enemies  The ship has both long range scanners and shields but may only use one at a time  By default, the game will automatically switch between them based on the proximity of enemy vessels but the player can optionally take full control 
Using shields, thrusting, turning and firing all use up energy which is also depleted when hit by enemies  Energy will automatically replenish, most quickly if the shields are off and the starship is not moving, but this leaves the player open to attack 
Unusually, the player is never expected to return their ship from the frontiers  Each individual voyage is a separate command, and lasts either until the player's vessel is destroyed or until they use an escape capsule  If the escape capsule is successfully launched, which means firing it so that it does not collide with any enemy ships, and the player is judged by Star-Fleet to have killed enough enemies during his command then he is given a new commission and a new and visually different ship  8 points are scored for a small ship and 12 for a large ship  Starfleet's opinion of the player's performance ranges from them being "furious" to "delighted"  The number of points required to reach the next level is not fixed  Sometimes a score of 60 will suffice and sometimes a score of 80 will not be enough to guarantee automatic promotion to the next level, assuming the escape capsule was jettisoned safely  Strangely, more points were awarded when an escape capsule collided with and destroyed an enemy ship as opposed to being shot or colliding with the starship 
Later commands take place in faster environments and with greater numbers of enemy  There are 8 different starship designs, which repeat after level 8 

Reception
Although none of the Acorn magazines were in the habit of giving review scores at the time, the game received generally very favourable reviews  Peter Gray, writing in the October 1983 edition of Electron User, concluded that "The game seems to have everything  The graphics are superb, the instructions thorough and, once you get used to the way your ship stays still while the aliens move, the whole thing is enthralling"  The BBC version was reviewed in Computer and Video Games and received a score of 90% Starship Command reached number one in the BBC games charts replacing Snooker, another Acornsoft title  It spent one week at the top of the charts before being replaced by another Acornsoft game, Geoff Crammond's Super Invaders 
Passage 7:
Miracles (Jefferson Starship song)
"Miracles" is a song written by Marty Balin and originally recorded by Jefferson Starship, appearing on its 1975 album Red Octopus "Miracles" peaked at number 3 for three weeks on the Billboard Hot 100, making it the highest-charting single the band ever recorded under the name Jefferson Starship or its previous incarnation Jefferson Airplane 

Background and writing
The song was inspired in part by the Indian guru Sathya Sai Baba, whose followers believe him to have been a miracle worker  It was also inspired in part by a woman Balin was in love with at the time  According to Jeff Tamarkin's book Got a Revolution! The Turbulent Flight of Jefferson Airplane, Balin labored over the song "for some time" and "slowly but deliberately crafted" it  However, author Robert Yehling has written that Balin wrote the song in 30 minutes or wrote the lyrics in 45 minutes  According to Balin, when he presented the song to the rest of the band members, "Everybody went, 'I don't know about that  That's pretty weird, man ' I was really worried; nobody liked it  But I told myself, after about five days, 'Maybe they're wrong '"In order to secure more radio airplay for the song, the full-length album version of "Miracles" (6 minutes, 52 seconds long) was cut by more than half its length for the single, which was released at a length of 3 minutes, 25 seconds  This edit was done not only for length, but to remove the sexual reference in the line "I had a taste of the real world when I went down on you, girl "

Critical reception
Commenting on the band's recording of "Miracles", Jeff Tamarkin wrote: "[Larry] Cox nailed the production -- there isn't a wasted, out of place note  Strings glisten, the keyboard sound is contemporary and Grace [Slick] and Paul [Kantner]'s harmonies are relatively traditional  [David] Freiberg came up with the memorable signature organ riff that opens the song and Craig [Chaquico] with a fresh supply of delicious guitar sounds  Marty is at his most open, crooning his words of love like he hasn't in years -- without a hint of irony or awkwardness he uses the word 'baby' at least 25 times     "Upon the single's release, Billboard magazine listed "Miracles" among its Top Single Picks, indicating that the review panel predicted it to reach the top 30 of the Hot 100  The magazine commented, "With a top 10 LP under their belts, the rejuvenated Starship (with Marty Balin back as a full fledged member) come up with the kind of easy rocker that highlighted the early Airplane days  Vocal interchanges between Balin and Grace Slick the high point of the record "  Cash Box said it is "a fine, well-orchestrated love ballad in the Airplane tradition" and "some of their most appealing, well-produced material in years "Reviewing a Balin solo concert in 1981, New York Times critic Stephen Holden referred to "Miracles" as Balin's "little masterpiece of pop pillow talk" Dave Marsh and James Bernard listed "Miracles" among the "Best Songs to Pass the Censor" in The New Book of Rock Lists  In the same book, they also described "I had a taste of the real world / When I went down on you, girl" as the "Most Off-Color Line in the LP Version of a Number One Hit" (although "Miracles" did not, in fact, hit #1) 
In 1998, Balin received a plaque from Broadcast Music Incorporated, a performing rights organization which monitors music performances on radio and elsewhere, recognizing that "Miracles" had achieved 2 million performances William Ruhlmann, writing in All Music Guide Required Listening: Classic Rock, commented, "[T]here can be little doubt that it was Balin's irresistible ballad 'Miracles,' the biggest hit single in the Jefferson Whatever catalog, that propelled Red Octopus to the top of the charts      This must have been sweet vindication for Balin, who founded Jefferson Airplane but then drifted away from the group as it veered away from his musical vision  Now, the collective was incorporating his taste without quite integrating it -- 'Miracles,' with its strings and sax solo by nonband member Irv Cox, was hardly a characteristic Airplane/Starship track "The New Rolling Stone Album Guide, published in 2004, stated that "with Marty Balin's 'Miracles,' Octopus′s massive hit, the band began shifting toward schmaltz  Balin now sounded like a lounge singer     "Philip Dodd, in The Book of Rock: From the 1950s to Today, described "Miracles" as "magnificent" 

Soundtracks
The song has been featured in the films The Family Stone (2005), Crank (2006), and the TV series Supernatural (Season 6, Episode 19, 2011) 

Personnel
Marty Balin – lead and backing vocals
Grace Slick – backing vocals
Paul Kantner – backing vocals, rhythm guitar
Craig Chaquico – lead guitar, backing vocals
Papa John Creach – electric violin
David Freiberg – organ, backing vocals
Pete Sears – bass, electric piano, backing vocals
John Barbata – drums, percussion, backing vocalsAdditional personnel

Bobbye Hall – percussion, congas
Irv Cox – saxophone

Chart performance
Cover versions
Balin released a new version on his 1999 solo album, Marty Balin Greatest Hits 
Passage 8:
Acornsoft
Acornsoft was the software arm of Acorn Computers, and a major publisher of software for the BBC Micro and Acorn Electron  As well as games, it also produced a large number of educational titles, extra computer languages and business and utility packages – these included word processor VIEW and the spreadsheet ViewSheet supplied on ROM and cartridge for the BBC Micro/Acorn Electron and included as standard in the BBC Master and Acorn Business Computer 

History
Acornsoft was formed in late 1980 by Acorn Computers directors Hermann Hauser and Chris Curry, and David Johnson-Davies, author of the first game for a UK personal computer and of the official Acorn Atom manual "Atomic Theory and Practice"  David Johnson-Davies was managing director and in early 1981 was joined by Tim Dobson, Programmer and Chris Jordan, Publications Editor 
While some of their games were clones or remakes of popular arcade games (e g  Hopper is a clone of Sega's Frogger, Snapper is Namco's Pac-Man, Arcadians is Namco's Galaxian), they also published a number of original titles such as Aviator, Elite, and Revs  Acornsoft also published text adventures by authors such as Peter Killworth, including Philosopher's Quest (previously titled Brand X) and Countdown to Doom



ground_truth: Michael Bublé

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What year did the company that published Starship Command end?

The following are given passages.
Context 2: As a result of the publication of a method to circumvent copy protection measures employed by Acornsoft titles, a High Court injunction against Computing Publications - publisher of Personal Computer World - was granted to Acorn Computers "requiring all copies of the January 1984 issue of PCW to be withdrawn from sale", with the article concerned being regarded as inciting readers to "duplicate computer programs"  This injunction was subsequently lifted as a consequence of an out-of-court settlement between the parties involving a damages payment of £65,000 plus costs to Acorn "to meet Acorn's expenses in developing a new locking device"  The article's author, Guy Kewney, and the magazine's editor, Jane Bird, argued that printing a software routine showing how to save Acornsoft cassette software to disk was a service to the magazine's readers  The cost of printing the magazine issue concerned was estimated at £100,000 Acornsoft became a subsidiary within Acorn Computer Group, distinct from Acorn Computers who were responsible for the development of Acorn's microcomputer systems, but Acornsoft ceased to operate as a separate company upon the departure of David Johnson-Davies in January 1986  Past this date, Acorn Computers used the Acornsoft name on office software it released in the VIEW family for the BBC Master series  In 1986 Superior Software was granted a licence to publish some Acornsoft games and re-released many, individually and as compilations such as the Play It Again Sam and Acornsoft Hits series  By agreement, the Acornsoft name was also used on the packaging of some of the subsequent Superior games  Superior chose not to take on Acornsoft's text adventure games, most of which were released in updated versions by Topologika along with some sequels from the same authors 
In 1997, Acorn sought to revive the Acornsoft brand for new software releases, such as upgrades to RISC OS, programming tools, a new Web browser, multitasking movie playback (using Acorn Replay), and Java for RISC OS  A stated objective was to demonstrate that a "wide range of innovative software at competitive prices" was available for RISC OS, with support also being potentially offered to third-party software producers  Acornsoft products themselves would be supported by marketing, including advertising, and the provision of press review samples 

Branding
Acornsoft titles extended their consistent branding to the software's loading screens 

Select titles
Acheton – A text adventure
Arcadians – A Galaxian clone
Aviator – A Spitfire flight simulator  With aliens   
Black Box & Gambit - 2 board game type games which were the winning entries of a 'design a game' competition on ITV's The Saturday Show  Black Box was a licensed version of the Waddingtons game of the same name developed by Ben Finn who would go on to co-write Sibelius  Gambit was created by the Oliver Twins and their first commercially released game
Bouncer – A Q*Bert clone
Business Games – An educational package
Carousel – A Carnival clone
Castle of Riddles – A text adventure
Countdown to Doom – A text adventure; first in a trilogy (although sequels Return to Doom and Last Days of Doom were not published by Acornsoft)
Crazy Tracer – An Amidar clone
Creative Graphics – A series of graphical demonstrations of the BBC Micro's visual capabilities, with user editable code
Drogna – Strategy game based on a section of the BBC TV game show The Adventure Game
Elite – A 3D space battle and trading game
Firebug – A platform and ladders game
Free Fall – Survival game set in an out of control space station
Gateway to Karos – A text adventure
Graphs and Charts – Graphical mathematical modelling
Hopper – A Frogger clone
JCB Digger – A scrolling 2D dig-em-up
Kingdom of Hamil – A text adventure
Labyrinth – A 2D maze based shoot-em-up
Magic Mushrooms – A platform and ladders game with built-in level editor
Meteor Mission – A Lunar Rescue clone
Meteors – An Asteroids clone
Missile Base – A Missile Command clone
Monsters – A Space Panic clone
Philosopher's Quest – A text adventure
Planetoid – A Defender clone originally released as Defender
Revs – A Formula Three racing car simulation
Rocket Raid – A Scramble clone
Snapper – A Pac-Man clone
Sphinx Adventure – A text adventure
Starship Command – A 2D space battle game
Super Invaders – A Space Invaders clone
Volcano – A game in which you rescue people from the other side of an active volcano with a helicopter

Acornsoft Games range
Including all arcade, text adventure and board games  All games were compatible with the BBC Micro Model B  Games followed by Model A & B were compatible with both machines  Games followed by Electron were also released separately for the Acorn Electron  Games are listed by their catalogue numbers which are roughly the order of release of the BBC versions 

G01 Philosopher's Quest (BBC 1982, Electron 1984)
G02 Defender (BBC 1982) deleted for legal reasons and later re-released as Planetoid
G02 Aviator (BBC 1983) released with G26-G28 but re-used the deleted Defender's number
G03 Monsters (BBC 1982, Electron 1983)
G04 Snapper (BBC 1982, Electron 1983)
G05 Rocket Raid (BBC 1982)
G06 Arcade Action (BBC Model A & B 1982) 4 games: Invaders, Breakout, Dodgems and Snake
G07 Sphinx Adventure (BBC 1982, Electron 1984)
G08 Cube Master (BBC 1982)
G09 JCB Digger (BBC 1983)
G10 Chess (BBC 1982, Electron 1983)
G11 Maze (BBC 1982, Electron 1984)
G12 Sliding-Block Puzzles (BBC 1982)
G13 Meteors (BBC 1982, Electron 1983)
G14 Arcadians (BBC 1982, Electron 1984)
G15 Planetoid (BBC 1982, Electron 1984)
G16 Super Invaders (BBC 1982)
G17 Castle of Riddles (BBC 1982, Electron 1984)
G18 Missile Base (BBC 1982)
G19 Countdown to Doom (BBC 1982, Electron ROM Cartridge 1984)
G20 Draughts & Reversi (BBC Model A & B 1983, Electron 1983)
G21 Snooker (BBC 1983, Electron 1984)
G22 Starship Command (BBC 1983, Electron 1983)
G23 Hopper (BBC 1983, Electron 1984)
G24 Carousel (BBC 1983)
G25 Kingdom of Hamil (BBC 1983)
G26 Crazy Tracer (BBC 1983, Electron 1984)
G27 Drogna (BBC 1983)
G28 Free Fall (BBC 1983, Electron 1984)
G29 Meteor Mission (BBC 1984)
G30 Gateway to Karos (BBC 1983)
G31 Boxer (BBC 1984, Electron 1984)
G32 Tetrapod (BBC 1984)
G33 Volcano (BBC 1984)
G34 Black Box & Gambit (BBC 1984)
G35 Bouncer (BBC 1984)
G36 The Seventh Star (BBC 1984)
G37 Acheton (BBC 1984)
G38 Elite (BBC 1984, Electron 1984)
G39 Firebug (BBC 1984, Electron 1984)
G40 Quondam (BBC 1984)
G41 Labyrinth (BBC 1984)
G42 Go (BBC 1984, Electron 1984)
G43 Revs (BBC 1985)
G44 Revs 4 Tracks (BBC 1985) extra tracks for the main game
G45 Elite original BBC Micro 6502 Second Processor version
G46 Magic Mushrooms (BBC 1985, Electron 1985)
G47 Elite enhanced (BBC 1986) incl  6502 Second Processor and Master 128 versionsThere are also a number of completed but unreleased games that have found their way into the public domain such as Crazy Balloon, Hellforce and Bandit that date from around 1983 

Acornsoft Education range
Acornsoft produced a wide range of educational titles aimed at many different age groups 

E01 Algebraic Manipulation (BBC Model A & B 198?)
E02 Peeko-Computer (BBC Model A & B 198?, Electron 1984)
E03 Business Games (BBC Model A & B 198?, Electron 1984) 2 games: Stokmark and Telemark
E04 Tree of Knowledge (BBC 198?, Electron 1983)
E05 Word Hunt (BBC 198?, Electron 1984)
E06 Word Sequencing (BBC Model A & B 198?, Electron 1984)
E07 Sentence Sequencing (BBC 198?, Electron 1984)
E08 Number Balance (BBC 198?, Electron 1984)
E09 Missing Signs (BBC Model A & B 198?, Electron 1984)
E?? Speed and Light (BBC 198?)
E?? Density and Circuit (BBC 198?)
E12 Chemical Analysis (BBC 198?)
E13 Chemical Simulations (BBC 198?)
E14 Chemical Structures (BBC 198?)
E15 Jars (BBC 198?)
E16 Temperature Control Simulation (BBC 1983)
E17 The Examiner (BBC 198?)
E18 Spooky Manor (BBC 198?)
E19
E20
E21
E22 Talkback (BBC 1984, Electron 1984)
E23 Workshop (BBC 1984, Electron 1984)
E24 ABC (BBC 1984)Acornsoft also published and distributed a range of educational software developed by ASK (Applied Systems Knowledge) that were widely used in schools running BBC Micros  These included Podd (find out which actions a red blobby character can perform (e g  jump, smile, dance), Squeeze (a two player strategy game of squeezing shapes onto a board) and Cranky (solve maths problems to repair a living calculator)  These titles were part of the Acornsoft catalogue but used a different code (XBE?? – all other Acornsoft titles began with S so the Education range on BBC Micro cassettes would be SBE??)  They ran on both the BBC Micro Model B and Acorn Electron 
The Ivan Berg Software range was also mainly educational but had its own distinct code (XBX??)  This included the 6 Grandmaster Quizzes (Theatre, Crime & Detection, Music, History, Science Fiction and Royal), relationship aids "  I Do" Your Guide to a Happy Marriage and The Dating Game and GCE/CSE revision guides (Mathematics, Biology and English) 
Acornsoft also distributed other ranges of educational programs developed by companies such as ICL, Good Housekeeping and Bourne but they are not considered part of the official catalogue 

Acornsoft Business range
Acornsoft produced a range of office software for home and business use 

B01 Desk Diary (BBC 198?, Electron 1984)
B02 Forecast (BBC 198?)
B03 VIEW (BBC 198?, Electron ROM cartridge 1984)
B04 VIEW Printer Drivers (BBC 198?)
B05 Personal Money Management (BBC 198?, Electron 1983)
B06 Database (BBC 1983, Electron 1984)
B07 ViewSheet (BBC 1984, Electron ROM cartridge 1984)
B08 Invoicing (BBC 1984)
B09 Mailing (BBC 1984)
B10 Accounts Receivable (BBC 1984)
B11 Stock Control (BBC 1984)
B12 Order Processing (BBC 1984)
B13 Accounts Payable (BBC 1984)
B14 Purchasing (BBC 1984)
B15 Hi-View (BBC 19??)
B26 P-System (BBC with 6502 Second Processor)The series continues but mainly with add-on products for the VIEW word processor such as ViewIndex (an automatic index generator) and ViewSpell (spell-checker) as well as newer versions 
View Professional (1987) was a combined wordprocessor, spreadsheet and database similar to PipeDream on the Z88 Although primarily a programming language suite, Acornsoft released its P-System product featuring UCSD Pascal and Fortran 77 compilers as part of its business range  Developed by TDI for Acornsoft, the product required a 6502 second processor and disc system, preferably with two drives  Despite the £299 price, various tools including an assembler and linker were omitted from the product, these being made available in a separate Advanced Development Toolkit from TDI 

Acornsoft Languages range
Acorn systems came with a version of the BBC BASIC programming language as standard but Acornsoft also produced a wide range of other languages that could be loaded in by cassette or disc or in some cases, supplied in ROM form 

L01 FORTH (BBC 1982, Electron 1983)
L02 LISP (BBC 1982, Electron 1983, Electron ROM cartridge 1984)
L03 BCPL (BBC 1983)
L04 Microtext (BBC 1983)
L05 6502 Development System (BBC 1985)
L06 Logo (BBC 1983, Electron ROM cartridge 1985)
L07 Turtle Graphics (BBC 1983, Electron 1984)
L08 S-Pascal (BBC 1983, Electron 1984)
L09 LISP Demonstrations (BBC 1984)
L10 BCPL Calculations Package (BBC 198?)
L11
L12 BCPL Stand Alone Generator (BBC 1983)
L13 FORTH – ROM version (BBC 1984)
L14 LISP – ROM version (BBC 1982)
L15
L16
L17 PROLOG Micro (BBC 1985)
L18 ISO-Pascal (BBC 1984, Electron ROM cartridge 1985)
L19 COMAL (BBC 1984) 
L20
L21
L22 BASIC Editor (BBC 1985)
L23 Termulator (BBC 1987)
L24 ISO-Pascal Stand Alone Generator (BBC 198?)The relative performance of some of Acornsoft's languages was evaluated using a benchmark based on the Takeuchi function, Tak by former Acornsoft managing director, David Johnson-Davies, noting that "it is difficult to imagine a language that performs badly on Tak being much use for anything", illustrating a diversity amongst these language implementations in terms of readability, speed and generated code size  A follow-up article expanded the comparison to other language implementations such as Oxford Pascal, Z80 versions of BBC BASIC, Turbo Pascal and Small-C 

Acornsoft Graphics range and more
The graphics range was used to demonstrate the graphical power of the Acorn computers but only three titles were made available  The X?? code was then used for other types of software 

X01 Creative Graphics (BBC 198?, Electron 1983)
X02 Graphs & Charts (BBC 198?, Electron 1983)
X03 Picture Maker (BBC 1983, Electron 1984)
X04 Shirley Conran's Magic Garden (BBC 1983)
X05 Collector's Catalogue (BBC 198?)
X06 Membership Manager (BBC 198?)
X07 One To Nine (BBC 198?)
X08 Hooked on Numbers (BBC 1983)
X09
X10 Complete Cocktail Maker (BBC 198?, Electron 1984)
X11 Paul Daniels' Magic Show (BBC 198?, Electron 1984)
X12 100 Programs for the BBC Micro (BBC 198?)
X13 Linkword French (BBC 1984)
X14 Linkword Italian (BBC 1984)
X15 Linkword Spanish (BBC 1984)
X16 Linkword German (BBC 1984)
X17 Watch Your Weight (BBC 198?, Electron 1984)
X18 Me & My Micro (Electron 1984)The range took on various themes including Creative Sound (X26) 
Passage 9:
Lessons (Star Trek: The Next Generation)
"Lessons" is the 19th episode of the sixth season of the American science fiction television series Star Trek: The Next Generation and was originally aired in the United States on April 5, 1993, in broadcast syndication 
Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D  In this episode, Captain Picard's (Patrick Stewart) shared love of music with Lt  Commander Nella Daren (Wendy Hughes) leads to romance, resulting in conflicting emotions on his part  After incorrectly believing that she has died, he realizes that he is incapable of carrying out a relationship with someone under his command 
The episode was directed by Robert Wiemer, the episode was written by Ron Wilkerson and Jean Louise Matthias, with some uncredited revisions by René Echevarria  Stand-ins were used to perform the pieces by Picard and Daren, which required the use of close-up camera angles by the director  The episode was received warmly by critics reviewing it after the end of the series, who praised the performances of Hughes and Stewart 

Plot
Picard is curious when he finds that the stellar cartography department has shut down several systems on the Enterprise, and visits the section to discover what is going on  He meets the head of the department, Lt  Commander Nella Daren, who makes an impression on him  It is a meeting memorable enough to later discuss with Dr  Beverly Crusher (Gates McFadden)  At a musical recital by Lt  Commander Data (Brent Spiner), Picard is surprised to see Daren again, playing the piano  The two discuss music, and later meet in Picard's quarters and participate in a duet  Daren plays a portable piano and Picard performs on his Ressikan flute 
The two begin to meet more often; including in a Jefferies tube, which Daren claims has the best acoustics on the ship  In this private setting, their attraction for one another is expressed in a kiss  The moment of intimacy is fleeting, however  When they enter a turbolift, and are joined by another crewmember, Picard resumes the professional demeanour of Captain  The Enterprise is diverted from its mission, when it is directed to investigate a report of firestorms at a Federation outpost  While in transit, Picard consults Counsellor Troi (Marina Sirtis) about pursuing a relationship with Daren  Picard then goes to Daren to apologize and to explain   He recounts the experience  shown in the episode "The Inner Light" in which he had a wife and family, became a grandfather, grew old, and learned to play the flute   The experience imparted to Picard a deep appreciation for music, and he is pleased to have someone to share it with 
Daren speaks to Commander Riker (Jonathan Frakes) requesting a transfer for another crew member to stellar cartography  Riker says he will consider the request  Afterwards, he speaks with Picard, explaining that Picard and Daren's relationship makes the decision complicated  After determining from Riker that Daren's request is not unusual or taking advantages, Picard assures Riker that he will support any decision he makes  Later at dinner, Picard relates to Daren his talk with Riker, saying that they need to be careful about anyone else misunderstanding their relationship 
The Enterprise arrives at the Federation outpost to find that firestorms are heading toward the facility  Daren suggests a means of deflecting the storms, but the equipment requires trained personnel on the ground to operate it  Daren is assigned to the surface team, along with a number of other crewmembers  The outpost is evacuated during the dangerous mission, leaving only the Enterprise away team on surface  The firestorms overwhelm the position that Daren's team occupies before they can be retrieved  Believing Daren to be dead, Picard sits contemplating his decision in his quarters  He then hears that survivors are being transported aboard, and heads to the transporter room  Daren is not among the initial group of survivors, but is later transported to the ship  Eight members of the team have died 
Afterwards, Picard and Daren discuss their relationship  They conclude that it cannot continue, as Picard could not bear to put her in further danger  They discuss giving up their Starfleet careers to be together  Daren knows that Picard, although still cherishing the family life he experienced as Kamin, has nonetheless chosen duty, career, and loneliness  They both know that Daren must transfer off the Enterprise  They kiss once more, and Daren makes Picard promise not to give up music 

Production
Ron Wilkerson and Jean Louise Matthias received story credits for the episodes "Imaginary Friend" and "Schisms", but for each episode the writing of the teleplay from the initial story idea had been assigned to a staff writer due to time constraints  Co-executive producer Jeri Taylor then allowed the pair to write the teleplay for "Lessons", their first for Star Trek  René Echevarria did some minor uncredited re-writes to the final version of the script as staff-writer Brannon Braga wished to avoid working on "Lessons" after recently working on another love story related script for the episode "Aquiel"  Writer and producer Michael Piller likened "Lessons" to the 1945 Noël Coward film Brief Encounter 

The production crew sought to give Picard a romantic peer and equal in Daren, and were pleased with the actors' performances  Director Robert Wiemer said that "we had really turned-on performances     if we'd had only moderate performances it would have fallen flat"  However, as neither Stewart nor Hughes could play their instruments, it required a number of camera techniques to be used in order to disguise the musicians playing just off screen  Husband and wife duo Natalie and Bryce Martin played the piano and tin whistle respectively to portray Daren and Picard's abilities  Bryce had played his instrument to represent Picard's Ressikan flute since it first appeared in "The Inner Light"  However, while Stewart did the majority of his flute fingering, he was doubled in several scenes by Noel Webb and John Mayham  Webb also doubled for Brent Spiner early in the episode when Data was playing Frédéric Chopin's trio in G minor  A variety of pieces are played throughout the episode, including Frère Jacques, Ludwig van Beethoven's Piano Sonata No  14 and Johann Sebastian Bach's Third Brandenburg Concerto  The "Flute song" by Jay Chattaway, which originally appeared in "The Inner Light", reappears in this episode The firestorm itself was created by Dan Curry and Ronald B  Moore by pouring liquid nitrogen onto black velvet and then blowing it with an air hose  The effect was then enhanced by digital effects and was digitally inserted into the background of the exterior standing set (usually referred to by cast and crew as "planet hell")  "Lessons" was the first appearance of the stellar cartography on board the Enterprise, but the set would be completely replaced for its reappearance in the movie Star Trek Generations 

Reception and home media
James Van Hise and Hal Schuster wrote in their 1995 book, The Complete Next Generation, that they thought the relationship between Picard and Daren was believable, and that the story itself was very effective  They thought that the loneliness Picard feels at the end of the episode was part of an ongoing story which would culminate in the subplot about Picard's loneliness in Star Trek Generations Several reviewers re-watched Star Trek: The Next Generation after the end of the series  Keith DeCandido watched the episode for Tor com, and described the performance of Wendy Hughes as "magnificent" and "never not wonderful"  However, he commented that whenever a double was not used to play the piano, it was obvious that Hughes wasn't playing  Overall, he appreciated the script and thought that the ending was not contrived; however, he would have preferred for the episodic structure of The Next Generation to have been changed a little to allow for the romance to be portrayed as a subplot over several episodes  He gave the episode a score of nine out of ten, saying "this is one of TNG's best romances and an absolute joy " DeCandido subsequently named "Lessons" as one of the best episodes of season six, which he said was the best season of the series Zack Handlen, who reviewed "Lessons" for The A V  Club, thought that the episode works because of Patrick Stewart and that the episode was well-handled  He gave "Lessons" a score of B+, saying that he "wasn't hugely sold on Daren, but when Picard makes a special point of explaining the flute's significance to her, it helps solidify the connection between them "In 2012, Forbes placed "Lessons" in an alternative top ten episodes from TNG The episode was first released on VHS cassette on August 4, 1998  The episode was later included on the Star Trek: The Next Generation season six DVD box set, released in the United States on December 3, 2002, and on Blu-ray on June 24, 2014 

Science education
In 2010, Wired noted this episode of Star Trek as one that could be used to teach real-world science, especially astronomy  The real-world counterpart to the Star Trek stellar cartography can be called uranography 

Notes
Passage 10:
Le Mauricien
Le Mauricien is a French-language newspaper, based and distributed in Mauritius  The newspaper, founded in 1908, is released daily and is one of the most read in Mauritius  The publishers, Le Mauricien Ltd , also publish Week-End, Week-End Scope and Turf Magazine  It is an independent newspaper 

History
Le Mauricien was founded in 1908 and celebrated its hundredth anniversary in 2008  Some former editors include Raoul Rivet, André Masson, Lindsay Rivière among others  The editor and director was Raoul Rivet from 1922 to 1957 Le Mauricien adopted the offset press in 1978 and subsequently experienced changes namely by growing from four pages to the current forty-eight page daily edition  Its price has evolved as well  In 1978, the newspaper's office was set on fire which and was later deemed as a criminal act  Le Mauricien adopted a "midi" format known as the Berliner format in 2010  The pages increased to 48 and this becomes similar to leading papers elsewhere like Le Figaro (France), The Guardian (UK)  In 2012, Le Mauricien upgraded its website and aligned it with other papers where readers could send comments to published articles 
The Compact Tabloid Format
As from July 2014, Le Mauricien has adopted the compact tabloid format close to The Times of the UK   The pages have been reduced to 40 while the midi format was repealed   Compared to an older version of the same paper, the paper size is reduced by 55%   This adds to a new era in news publishing 

General information
Le Mauricien headquarters is located on 8 rue St Georges, Port Louis  The current director is Jacques Rivet and deputy director is Bernard Delaître 

See also
List of newspapers in Mauritius
Passage 11:
Someone in the Dark
Someone in the Dark is a collection of fantasy and horror short stories by author August Derleth  It was released in 1941 and was the second book published by Arkham House   1,115 copies were printed, priced at $2 00  In Thirty Years of Arkham House, Derleth implied that this title had sold out by the end of 1944 
However, more than twenty years later, in 1967, Derleth listed Someone in the Dark in an Arkham House bulletin with this announcement: "We have acquired a small stock of this title, Derleth's first collection of macabre tales, published in 1941  They will be sold at $5 00 the copy to patrons interested in acquiring the book   "
Derleth was being disingenuous in suggesting these 'unearthed' copies were the 1941 edition   The additional 300 copies were printed in offset by Hunter Publishing Co  in Winston-Salem in 1965, the reprint probably authorized by Derleth himself   (In The Arkham House Companion, Sheldon Jaffery quotes a letter that seems to indicate this)  The 1965 reprint are a quarter-inch higher than the originals, and are bound with headbands (not present in the 1941 first editions) 
The 1965 edition is scarce  While it is not generally considered an official Arkham House publication, it is considered an essential acquisition for Arkham House completists 
A paperback reprint was issued by Jove Books in 1978 

Contents
Someone in the Dark contains the following tales:

"When the Night and House "
"Glory Hand"
"Compliments of Spectro"
"A Gift for Uncle Herman"
"McGovern's Obsession"
"Three Gentlemen in Black"
"Muggridge's Aunt"
"Bramwell's Guardian"
"Joliper's Gift"
"Altimer's Amulet"
"The Shuttered House"
"The Sheraton Mirror"
"The Wind from the River"
"The Telephone in the Library"
"The Panelled Room"
"The Return of Hastur"
"The Sandwin Compact"

Reception
E  F  Bleiler noted that "the local, regionalistic American stories are best, while those in imitation of Lovecraft are weakest"  New York Times reviewer Louise Maunsell Field gave the collection a relatively favorable review, saying that "The stories are for the most part well told, and lovers of tales of the occult will find the volume entertaining and congenial, although it has little of either sensitivity or beauty " Thrilling Wonder Stories commented that "Mr  Derleth writes quietly and with restraint, in beautifully measured sentences that stick to the essentials of the story he has to tell  His very restraint sometimes plays a trick on him -- and makes his writing appear at time to lack fire" 
Passage 12:
Death Comes as the End
Death Comes as the End is a historical mystery novel by Agatha Christie, first published in the US by Dodd, Mead and Company in October 1944 and in the UK by the Collins Crime Club in March of the following year  The US Edition retailed at $2 00 and the UK edition at seven shillings and sixpence (7/6) It is the only one of Christie's novels not to be set in the 20th century, and - unusually for her - also features no European characters  Instead, the novel is set in Thebes in 2000 BC, a setting for which Christie gained an appreciation whilst working with her archaeologist husband, Sir Max Mallowan, in the Middle East  The novel is notable for its very high number of deaths and is comparable to And Then There Were None from this standpoint  It is also the first full-length novel combining historical fiction and the whodunit/detective story, a genre which would later come to be called the historical whodunit The suggestion to base the story in ancient Egypt came from noted Egyptologist and family friend Stephen Glanville  He also assisted Christie with details of daily household life in Egypt 4000 years ago  In addition he made forceful suggestions to Christie to change the ending of the book  This she did but regretted the fact afterwards, feeling that her (unpublished) ending was better  The novel is based on real letters translated by egyptologist Battiscombe Gunn, from the Egyptian Middle Kingdom period, written by a man called Heqanakhte to his family, complaining about their behaviour and treatment of his concubine It is one of only four Christie novels to have not received an adaptation of any kind, the others being Destination Unknown, Passenger to Frankfurt and Postern of Fate 
Christie uses a theme for her chapter titles, as she did for many of her novels, in this case the Egyptian agricultural calendar 

Plot introduction
The quiet lives of an Egyptian family are disturbed when the father, Imhotep, returns from the north with his new concubine, Nofret, who begins to sow discontent amongst them  Once the deaths begin, fears are aroused of a curse upon the house, but is the killer closer to home?

Plot summary
The novel is primarily written from the perspective of Renisenb, a young widow reacquainting herself with her family when her father Imhotep, a successful but pompous and short-sighted mortuary priest, brings a new "wife", Nofret, into their lives  Nofret soon disrupts and antagonises Imhotep's sons - Yahmose, Sobek and Ipy - as well as their wives  Renisenb realises the housekeeper Henet, while feigning devotion, is full of hatred  She confronts Henet near the end of the story, who in a fit of pique admits she hates Renisenb and hated Renisenb's long-deceased mother 
After Imhotep is called away, Satipy and Kait, the elder sons' wives, try to bully Nofret with tricks, but the plan backfires when Nofret appeals to Imhotep and he threatens to disown his sons and their families upon his return  Suddenly everyone has a motive to kill Nofret and when she is found dead at the foot of a cliff, an accident seems unlikely, although no one will acknowledge anything else 
Next, Satipy falls to her death in terror from the same cliff while walking with Yahmose  Renisenb, and others, wonder if it was Nofret's vengeful spirit that she was looking at over Yahmose's shoulder moments before her death  This theory gathers force when Yahmose and Sobek drink poisoned wine  Sobek dies, but Yahmose lingers on, having drunk less of the wine  A slave boy who says he saw Nofret's ghost poisoning the wine dies of poison shortly afterwards 
The handsome scribe Kameni has fallen in love with Renisenb, and eventually asks her to marry him  Unsure whether she loves him or her father's advisor Hori, whom she has known since she was a child, she leaves the choice effectively in her father's hands and becomes engaged to Kameni  She realises, however, that his relationship with Nofret was closer than she had supposed, and that jealousy may have influenced Nofret's bitter hatred towards the family  Hori and Esa, the elderly mother of Imhotep (a clever woman who although almost completely blind sees things clearer than most others - especially her son) begin to investigate the possibility of a human murderer  Ipy, himself a likely suspect, starts to boast about his new, better position with his father; he plots to get rid of housekeeper Henet and tells her so  The next morning, Ipy is found dead in the lake, drowned 
The field of suspects has been further narrowed  Esa attempts to flush out the murderer by dropping a hint about the death of Satipy, but is herself murdered by means of poisoned unguent, despite the presence of a food taster  Henet - who knows the murderer's identity and is momentarily powerful amid the chaos - is smothered by the linens used to wrap the ever-increasing number of victims 
On the same cliff path where Nofret and Satipy died, Renisenb, apparently summoned by Hori, hears footsteps behind her and turns to see Yahmose  She then sees the look of murderous hatred in her brother's eyes that Satipy saw before she was killed  As Renisenb is about to be killed, however, Hori slays Yahmose with an arrow and saves her  Hori explains to Renisenb that Satipy was not looking in fear at anything beyond Yahmose — she was looking straight at him  He had consumed a non-lethal dose of poison and pretended to recuperate while committing murders, both to make himself chief heir and to indulge his newfound love of violence  Renisenb's final choice is whom to marry: Kameni, a lively husband not unlike her first, or Hori, an older and more enigmatic figure  She makes her choice and falls into Hori's arms 

Characters in Death Comes as the End
Imhotep, a mortuary priest
Nofret, Imhotep's concubine from the north
Esa, Imhotep's mother
Yahmose, Imhotep's eldest son
Satipy, Yahmose's wife
Ipy, Imhotep's youngest son
Renisenb, Imhotep's daughter
Sobek, Imhotep's second son
Kait, Sobek's wife
Henet, obsequious family retainer, poor relation of Ashayet, Imhotep's deceased wife
Hori, the family's scribe
Kameni, a scribe from the North
Teti, Renisenb's daughter
Khay, Renisenb's late husband

Literary significance and reception
Maurice Willson Disher said in The Times Literary Supplement of 28 April 1945 that, "When a specialist acquires unerring skill there is a temptation to find tasks that are exceptionally difficult  The scenes of Death Comes as the End are laid out in Ancient Egypt  They are painted delicately  The household of the priest, who is depicted not as a sacred personage, but as a humdrum landowner, makes an instant appeal because its members are human  But while the author's skill can cause a stir over the death of an old woman some thousands of years ago, that length of time lessens curiosity concerning why or how she (and others) died "Maurice Richardson, a self-proclaimed admirer of Christie, wrote in the 8 April 1945 issue of The Observer, "One of the best weeks of the war for crime fiction  First, of course, the new Agatha Christie; Death Comes as the End  And it really is startlingly new, with its ancient Egyptian setting in the country household of a mortuary priest who overstrains his already tense family by bringing home an ultra-tough live in concubine from Memphis  Result:  a series of murders  With her special archaeological equipment, Mrs Christie makes you feel just as much at home on the Nile in 1945 B C  as if she were bombarding you with false clues in a chintz-covered drawing room in Leamington Spa  But she has not merely changed scenes; her reconstruction is vivid and she works really hard at her characters  My already insensate admiration for her leaps even higher "In 1990 the novel was included in Crime Writers' Associations' The Top 100 Crime Novels of All Time list     
Robert Barnard: "Hercule Poirot's Christmas, transported to Egypt, ca 2000 B C  Done with tact, yet the result is somehow skeletal - one realises how much the average Christie depends on trappings: clothes, furniture, the paraphernalia of bourgeois living  The culprit in this one is revealed less by detection than by a process of elimination "

Publication history
1944, US, Dodd & Mead, October 1944, hardback (First US edition), 223 pp
1945, UK, The Crime Club Collins, March 1945, hardback (First UK edition), 160 pp
1947, Pocket Books (New York), Paperback, (Pocket number 465), 179 pp
1953, Penguin Books, Paperback, (Penguin number 926), 188 pp
1960, Fontana Books (Imprint of HarperCollins), Paperback, 191 pp
1957, Pan Books, Paperback, 221 pp
1975, Ulverscroft Large-print Edition, Hardcover, 334 pp

Planned Adaptation
A BBC adaptation of the novel was announced in August 2016, as part of a sequence of Christie productions  Gwyneth Hughes was announced as the adaptation's writer in December 2018, with broadcast planned for 2019  However, no further news on the adaptation was subsequently revealed 
Passage 13:
Constantion Bădescu
Constantion Bădescu (July 16, 1892, Mihăești, Vâlcea County – September 10, 1962, Bucharest) was a Romanian brigadier-general during World War II   
Bădescu was born in Mihăești, Vâlcea County in 1892 
He served as commanding officer, 1st Dorobanți Infantry Regiment in 1941, but was called into reserve the following year   He retired in 1943, but was recalled in 1944 and served as commanding officer, 11th Brigade   In 1945, he first served as general officer commanding the 11th Division (12 January–18 February), then commanding officer 11th Brigade, and finally general officer commanding 11th Division again (13 March–12 May) 
He retired in 1947, and died in Bucharest in 1962 

Awards
Order of the Star of Romania, Officer rank (8 June 1940)
Order of Michael the Brave, 3rd class (4 August 1945)



ground_truth: 1986

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When did the majority party in the body which determines rules of the US House and US Senate gain control of the House?

The following are given passages.
Context 3: Passage 1:
Party leaders of the United States Senate
The positions of majority leader and minority leader are held by two United States senators and members of the party leadership of the United States Senate  They serve as the chief spokespersons for their respective political parties holding the majority and the minority in the United States Senate  They are each elected as majority leader and minority leader by the senators of their party caucuses: the Senate Democratic Caucus and the Senate Republican Conference 
By Senate precedent, the presiding officer gives the majority leader priority in obtaining recognition to speak on the floor of the Senate  The majority leader serves as the chief representative of their party in the Senate, and is considered the most powerful member of the Senate  They also serve as the chief representative of their party in the entire Congress if the House of Representatives, and thus the office of the speaker of the House, is controlled by the opposition party  The Senate's executive and legislative business is also managed and scheduled by the majority leader                                                        
The assistant majority leader and assistant minority leader of the United States Senate, commonly called whips, are the second-ranking members of each party's leadership  The main function of the majority and minority whips is to gather votes of their respective parties on major issues  As the second-ranking members of Senate leadership, if there is no floor leader present, the whip may become acting floor leader 

Current floor leaders
The Senate is currently composed of 49 Republicans, 48 Democrats, and 3 independents; all the independents caucus with the Democrats 
The current leaders are Senators Chuck Schumer (D) of New York and Mitch McConnell (R) of Kentucky  The current assistant leaders, or whips, are Senators Dick Durbin (D) of Illinois and John Thune (R) of South Dakota 

History
By at least 1850, parties in each chamber of Congress began naming chairs, and while conference and caucus chairs carried very little authority, the Senate party floor leader positions arose from the position of conference chair  Senate Democrats began the practice of electing their floor leaders in 1920 while they were in the minority  John W  Kern was a Democratic senator from Indiana  While the title was not official, the Senate website identifies Kern as the first Senate party leader, serving in that capacity from 1913 through 1917 (and in turn, the first Senate Democratic leader), while serving concurrently as chairman of the Senate Democratic Caucus  In 1925, the Republicans (who were in the majority at the time) also adopted this language when Charles Curtis became the first (official) majority leader, although his immediate predecessor Henry Cabot Lodge is considered the first (unofficial) Senate majority leader 
The United States Constitution designates the Vice President of the United States as president of the Senate  The Constitution also calls for a president pro tempore, to serve as the presiding officer when the president of the Senate (the vice president) is absent  In practice, neither the vice president nor the president pro tempore—customarily the most senior (longest-serving) senator in the majority party—actually presides over the Senate on a daily basis; that task is given to junior Senators of the majority party  Since the vice president may be of a different party from the majority and is not a Senate member subject to discipline, the rules of procedure of the Senate give the Vice President no power beyond the presiding role  For these reasons, it is the majority leader who, in practice, manages the Senate  This is in contrast to the House of Representatives, where the elected speaker of the House has a great deal of discretionary power and generally presides over votes on legislative bills 

List of party leaders
The Democratic Party first selected a leader in 1920  The Republican Party first formally designated a leader in 1925 

See also
Party leaders of the United States House of Representatives
President pro tempore of the United States Senate
Vice President of the United States (President of the United States Senate)
Party divisions of United States Congresses
List of political parties in the United States

Notes
Passage 2:
2014 United States Senate elections
The 2014 United States Senate elections were held on November 4, 2014  A total of 36 seats in the 100-member U S  Senate were contested  Thirty-three Class 2 seats were contested for regular six-year terms to be served from January 3, 2015, to January 3, 2021, and three Class 3 seats were contested in special elections due to Senate vacancies  The elections marked 100 years of direct elections of U S  senators  Going into the elections, 21 of the contested seats were held by the Democratic Party, while 15 were held by the Republican Party 
The Republicans regained the majority of the Senate in the 114th Congress, which started in January 2015; the Republicans had not controlled the Senate since January 2007  They needed a net gain of at least six seats to obtain a majority and were projected by polls to do so  On election night, they held all of their seats and gained nine Democratic-held seats  Republicans defeated five Democratic incumbents: Mark Begich of Alaska lost to Dan Sullivan, Mark Pryor of Arkansas lost to Tom Cotton, Mark Udall of Colorado lost to Cory Gardner, Mary Landrieu of Louisiana lost to Bill Cassidy, and Kay Hagan of North Carolina lost to Thom Tillis  Republicans also picked up another four open seats in Iowa, Montana, South Dakota, and West Virginia  Democrats did not pick up any Republican-held seats, but they did hold an open seat in Michigan 
This was the second consecutive election held in a president's sixth year where control of the Senate changed hands, the first being in 2006  This was also the first time that the Democrats lost control of the Senate in a sixth-year midterm since 1918  With a total net gain of nine seats, the Republicans made the largest Senate gain by any party since 1980  This is also the first election since 1980 in which more than two incumbent Democratic Senators were defeated by their Republican challengers  Days after the election, the United States Election Project estimated that 36 4% of eligible voters voted, 4% lower than the 2010 elections, and possibly the lowest turnout rate since the 1942 election As of 2022, this remains the last time that a Republican has won a U S  Senate election in Colorado  This is the most recent Senate elections where any Republican flipped an open Democratic-held seat  This is also the most recent election where the party winning control of the Senate won the popular vote  It also remains the last time that the president's party has suffered a net loss of Senate seats in a midterm 

Partisan composition
For a majority, Republicans needed at least 51 seats  Democrats could have retained a majority with 48 seats (assuming the two Independents continued to caucus with them) because the Democratic Vice President Joe Biden would become the tie-breaker  From 1915 to 2013, control of the U S  Senate flipped in 10 of 50 cycles, or 20% of the time  Republicans had lost ground in the 2012 elections, leading to an internal fight among the Republican leadership over the best strategies and tactics for the 2014 Senate races  By December 2013, eight of the twelve incumbent Republicans running for re-election saw Tea Party challenges  However, Republican incumbents won every primary challenge  Although Democrats saw some opportunities for pickups, the combination of Democratic retirements and numerous Democratic seats up for election in swing states and red states gave Republicans hopes of taking control of the Senate  7 of the 21 states with Democratic seats up for election in 2014 had voted for Republican Mitt Romney in the 2012 presidential election compared to just 1 state with a Republican senator that voted for Barack Obama  Democrats also faced the lower voter turnout that accompanies mid-term elections Poll aggregation website FiveThirtyEight gave the Republican Party a 60% chance of taking control of the Senate as of September 28  Another poll aggregation website, RealClearPolitics, gave the Republican Party a net gain of 7 seats  Due to the closeness of several races, it was initially believed that Senate control might not be decided on election night  Both Louisiana and Georgia were seen as competitive, and both states require a run-off election if no candidate takes a majority of the vote 
Two independent candidates (in Kansas and South Dakota) refused to commit to caucusing with either party  In the final months of the race, polls showed them with viable chances of winning, leading some analysts to speculate on the possibility of an "Independent caucus" that could also include Maine Senator Angus King and possibly Vermont Senator Bernie Sanders  However, no Independent won a Senate race in 2014, and King and Sanders continue to caucus with the Democratic Party following the 2014 election 
By midnight ET, most major networks projected that the Republicans would take control of the Senate  The party held all three competitive Republican-held seats (Kentucky, Kansas, and Georgia), and defeated incumbent Democrats in North Carolina, Colorado, and Arkansas  Combined with the pick-ups of open seats in Iowa, Montana, South Dakota, and West Virginia, the Republicans made a net gain of 7 seats before the end of the night  Republicans defeated three incumbent Democrats, a task the party had not accomplished since the 1980 election  Five of the seven confirmed pickups were in states that voted for Mitt Romney in 2012, but two of the seats that Republicans won represent states that voted for Barack Obama in 2012 (Colorado and Iowa)  Of the three races that were not called by the end of election night, Alaska and Virginia were still too close to call, while Louisiana held a December 6 run-off election  Virginia declared Democrat Mark Warner the winner of his race by a narrow margin over Republican Ed Gillespie on November 7, and Alaska declared Dan Sullivan the winner against Democratic incumbent Mark Begich a week later, on November 12  Republican Bill Cassidy defeated Democratic incumbent Mary Landrieu in the Louisiana runoff on December 6 

Election spending
Altogether, at least $3 67 billion was spent by candidates, parties, committees and outside groups in the 2014 election  Spending on the 2014 Senate elections by outside groups (i e , organizations other than a candidate's campaign, such as super PACs and "dark money" nonprofit groups) more than doubled from 2010  In the 10 competitive races for which data was available, outside groups accounted for 47% of spending, candidates accounted for 41% of spending, and parties accounted for 12% of spending  The Senate race with the most outside spending was in North Carolina, at $80 million, a new record The top outside spenders in the 11 most competitive Senate races were the following:

On the Republican side, the National Republican Senatorial Committee, Crossroads GPS, U S  Chamber of Commerce, Ending Spending Action Fund, Freedom Partners Action Fund, American Crossroads, and the NRA Political Victory Fund 
On the Democratic side, the Democratic Senatorial Campaign Committee, Senate Majority PAC, and NextGen Climate Action Committee 

Results summary
The Republican Party made a net gain of nine U S  Senate seats in the 2014 elections Going into the elections, there were 53 Democratic, 45 Republican and 2 independent senators (both of whom caucus with the Democrats)  In all, there were 36 elections: 33 senators were up for election this year as class 2 senators, and 3 faced special elections (all from Class 3)  Of all these seats, 21 were held by Democrats and 15 were held by Republicans 

Colored shading indicates party with largest share of that row 

Source: Clerk of the U S  House of Representatives

Change in composition
Before the elections
After the elections
Gains and losses
Retirements
Four Democrats and two Republicans retired instead of seeking re-election 

Resignations
One Republican resigned four years into his six-year term 

Nomination withdrawn
One Democrat was originally to seek election for a full 6-year term in office but withdrew 

Defeats
Five Democrats sought re-election but lost in the general election 

Race summaries
Special elections during the preceding Congress
In these special elections, the winners were elected during 2014 and seated before January 3, 2015 — except that one was seated on January 3, 2015, the effective date of the predecessor's resignation 

Elections leading to the next Congress
In these general elections, the winners were elected for the term beginning January 3, 2015; ordered by state 
All of the elections involved the Class 2 seats 

Closest races
In seven races the margin of victory was under 10% 

Final pre-election predictions
Predicted probability of Republican takeover
Several websites used poll aggregation and psephology to estimate the probability that the Republican Party would gain enough seats to take control of the Senate 

Predictions
Republicans needed to win at least six in order to gain a majority of 51 seats and Democrats needed to win at least seven in order to hold a majority of 50 seats (including the two independents who currently caucus with the Democrats) and the tie-breaking vote of Vice President Joe Biden 

Alabama
Three-term incumbent Republican Jeff Sessions had been re-elected with 63% of the vote in 2008  Sessions sought re-election  Democrat Victor Sanchez Williams ran against Sessions as a write-in candidate  Sessions won with 97 3 percent of the vote against assorted write-in candidates 

Alaska
One-term incumbent Democrat Mark Begich had been first elected with 48% of the vote in 2008, defeating six-term Senator Ted Stevens by 3,953 votes (a margin of 1 25%)  Begich was 52 years old in 2014 and was seeking re-election to a second term  Stevens, who would have been almost 91 years old at the time of the election, had already filed for a rematch back in 2009, but was killed in a plane crash the following year 
Republican Lieutenant Governor Mead Treadwell, 2010 nominee Joe Miller, State Natural Resources Commissioner Daniel S  Sullivan, and Air Force veteran John Jaramillo ran for the GOP nomination  In the August 19 primary, Sullivan won the Republican nomination with 40% and defeated Begich in the general election 

Arkansas
Two-term incumbent Democrat Mark Pryor had been re-elected with 80% of the vote without Republican opposition in 2008  Pryor was running for a third term Freshman Representative Tom Cotton of Arkansas's 4th congressional district was the Republican nominee  In the general election, Cotton defeated Pryor 

Colorado
One-term incumbent Democrat Mark Udall had been elected with 53% of the vote in 2008  Udall was running for re-election Congressman Cory Gardner of Colorado's 4th congressional district was the Republican nominee; his late entry into the race caused numerous Republicans to withdraw their candidacies  Gaylon Kent was the Libertarian Party nominee  Unity Party of America founder and National Chairman Bill Hammons was the Unity Party nominee 

Delaware
Democrat Chris Coons won in the 2010 United States Senate special election in Delaware caused by Joe Biden's election as Vice President, winning by a 57% to 41% margin  Coons sought re-election  His Republican opponent was engineer Kevin Wade, whom Coons went on to defeat in the general election 

Georgia
Two-term incumbent Republican Saxby Chambliss had been re-elected with 57% of the vote in 2008 in a runoff election with former state Representative Jim Martin; Georgia requires run-off elections when no Senate candidate wins over 50% of the vote  Chambliss did not seek a third term Political activist Derrick Grayson, Representatives Jack Kingston of Georgia's 1st congressional district, Paul Broun of Georgia's 10th congressional district, and Phil Gingrey of Georgia's 11th congressional district all declared their candidacy for the Republican nomination, as did former Secretary of State Karen Handel  In the May 20 primary, no candidate received a majority of votes, so the top two candidates faced each other in a runoff; Perdue narrowly won against Kingston in the runoff primary election on July 22 with 50 9% of the vote Michelle Nunn, CEO of Points of Light and the daughter of former U S  Senator Sam Nunn, won the Democratic nomination  Other declared Democratic candidates included former State Senator Steen Miles, psychiatrist Branko Radulovacki, and former US Army Ranger Todd Robinson  Amanda Swafford, a former Flowery Branch, Georgia, city councilwoman, received the Libertarian Party of Georgia nomination 

Hawaii (special)
Daniel Inouye, the second longest serving United States Senator in U S  history, died on December 17, 2012, after respiratory complications  Hawaii law allows the Governor of Hawaii, to appoint an interim Senator "who serves until the next regularly-scheduled general election, chosen from a list of three prospective appointees that the prior incumbent's political party submits"  Governor Neil Abercrombie did so, selecting Lieutenant Governor Brian Schatz to fill the Senate seat  Inouye had been re-elected in 2010 with 72% of the vote  Schatz was challenged in the Democratic primary by Congresswoman Colleen Hanabusa of Hawaii's 1st congressional district, who Inouye had hoped would be his successor  Schatz defeated Hanabusa in the primary with 48 5% to 47 8% Campbell Cavasso, former State Representative and nominee for the U S  Senate in 2004 and 2010, was the Republican nominee 

Idaho
One-term incumbent Republican Jim Risch had been elected with 58% of the vote in 2008  Risch sought a second term Boise attorney Nels Mitchell was the Democratic nominee 

Illinois
Three-term incumbent and Senate Majority Whip Democrat Dick Durbin had been re-elected with 68% of the vote in 2008  Durbin ran for a fourth term State Senator Jim Oberweis was the Republican nominee  He defeated primary challenger Doug Truax with 56% of the vote 

Iowa
Five-term incumbent Democrat Tom Harkin had been re-elected with 63% of the vote in 2008  Harkin announced on January 26, 2013, that he would not seek a sixth term  Congressman Bruce Braley was the Democratic nominee State Senator Joni Ernst was the Republican nominee Doug Butzier, who was the Libertarian Party's nominee, died in a plane crash on October 13, 2014, but still appeared on the ballot 

Kansas
Three-term incumbent Republican Pat Roberts had been re-elected with 60% of the vote in 2008  Roberts sought a fourth term  He faced a primary challenge from radiologist Milton Wolf, a conservative Tea Party supporter  Roberts defeated Wolf in the Republican primary by 48% to 41%  Shawnee County District Attorney Chad Taylor won the Democratic nomination  Randall Batson from Wichita was on the general election ballot as a Libertarian  Also, Greg Orman qualified for the ballot as an independent On September 3, Taylor announced he was dropping out of the election, leading to speculation that Democrats would support Orman's candidacy  On September 18, the Kansas Supreme Court ruled that Taylor's name had to be removed from the ballot 

Kentucky
Five-term Republican incumbent and Senate Minority Leader Mitch McConnell had been re-elected with 53% of the vote in 2008  McConnell sought re-election to a sixth term  McConnell defeated businessman Matt Bevin in the Republican primary on May 20 Kentucky Secretary of State Alison Lundergan Grimes, with support from much of Kentucky's Democratic leadership, won the Democratic primary  Actress Ashley Judd publicly claimed to be considering a run for the Democratic nomination, but ultimately decided against it Ed Marksberry pursued an independent bid after dropping out of the Democratic field in September 2013 

Louisiana
Three-term incumbent Democrat Mary Landrieu had been re-elected with 52% of the vote in 2008  Landrieu ran for a fourth term Louisiana uses a unique jungle primary system that eschews primaries in favor of run-off elections between the top two candidates; this run-off can be avoided if the winning candidate receives over 50% of the vote  Democrats Wayne Ables, Vallian Senegal, and William Waymire ran against Landrieu in the election, as did Republicans Bill Cassidy (representative of Louisiana's 6th congressional district), Thomas Clements (small business owner), and retired Air Force Colonel Rob Maness  Electrical Engineer Brannon McMorris ran as a Libertarian Because Republican candidate Maness took almost 14% of the votes in the primary, there was a runoff election on December 6, 2014, between Landrieu (42%) and Cassidy (41%)  Cassidy won the runoff with 56% of the vote 

Maine
Three-term incumbent Republican Susan Collins was seeking a fourth term  Shenna Bellows, former executive director of the American Civil Liberties Union of Maine, was the Democratic nominee 

Massachusetts
Five-term incumbent and 2004 Democratic presidential nominee John Kerry had been re-elected with 66% of the vote in 2008  Kerry resigned in early 2013 to become U S  Secretary of State  Governor Deval Patrick appointed Democrat Mo Cowan to the seat  Democratic Congressman Ed Markey beat Republican Gabriel E  Gomez in the June 25, 2013 special election by a 55% to 45% margin  Markey had served the remainder of Kerry's term before running for re-election to a first full term in 2014  Hopkinton Town Selectman Brian Herr was the Republican nominee 

Michigan
Six-term incumbent Senator and Chairman of the Armed Services Committee Democrat Carl Levin, the longest-serving senator in Michigan's history, had been re-elected with 63% of the vote in 2008  Levin announced on March 7, 2013, that he would not seek re-election 
Three term Democratic Representative Gary Peters of MI-14 was the Democratic nominee  He defeated Republican former Secretary of State Terri Lynn Land who was unopposed for the Republican nomination 

Minnesota
One-term incumbent Democrat Al Franken unseated one-term Republican Norm Coleman by 312 votes in a contested three-way race with 42% of the vote in 2008; the third candidate in the race, former Senator Dean Barkley of the Independence Party of Minnesota, won 15% of the vote  Franken sought re-election  State Representative Jim Abeler, St  Louis County Commissioner Chris Dahlberg, co-CEO of Lazard Middle Market Mike McFadden, bison farmer and former hair salon owner Monti Moreno, state Senator Julianne Ortman, and U S  Navy reservist Phillip Parrish ran for the Republican nomination  McFadden won the Republican primary and was the Republican nominee in the general election Hannah Nicollet of the Independence Party of Minnesota also ran 

Mississippi
Six-term incumbent Republican Thad Cochran, re-elected with 62% of the vote in 2008, ran for re-election  Cochran was the last incumbent Senator to declare his plans, leading to widespread speculation that he might announce his retirement Tea Party candidate Chris McDaniel, a conservative Mississippi state senator, ran against Cochran in the Republican primary  Neither McDaniel nor Cochran was able to get 50% of the vote in the first round of the primary, so a runoff election was held June 24  Cochran won the runoff election by 51% to 49%, with the help of Democratic voters eligible to vote in the state's open primaries who chose Cochran as their preferred Republican  McDaniel filed a lawsuit to challenge the results of the run-off, but the challenge was rejected on appeal by the Supreme Court of Mississippi Former Congressman Travis Childers was the Democratic nominee 

Montana
Six-term incumbent Democrat Max Baucus, the longest-serving senator in Montana's history, had been re-elected with 73% of the vote in 2008  Baucus announced on April 23, 2013, that he would retire in 2014, rather than seek re-election to a seventh term  Baucus was appointed as the United States Ambassador to China, leading him to resign from the Senate in February 2014 Following Baucus's confirmation as ambassador, Governor Steve Bullock appointed the Lieutenant Governor John Walsh to fill the vacant senate seat  Former Lieutenant Governor John Bohlinger was defeated by Walsh in the Democratic primary  Amid controversy over alleged plagiarism in a 2007 research paper, Walsh pulled out of the race  The Montana Democratic Party held a special nominating convention on August 16 to choose a replacement for Walsh  First-term State Representative Amanda Curtis won the nomination, thereby becoming the new Democratic nominee Congressman Steve Daines won the Republican nomination over state Representative Champ Edmunds of Missoula and David Leaser of Kalispell 

Nebraska
One-term incumbent Republican Mike Johanns had been elected with 58% of the vote in 2008  He did not seek a second term  Term limited Republican Governor Dave Heineman considered running for the Republican nomination, but ultimately decided not to do so  Former state Treasurer Shane Osborn, attorney Bart McLeay, banker Sid Dinsdale, and Midland University President Ben Sasse ran for the Republican nomination  In the May 13 primary, Sasse won the Republican nomination 
Trial lawyer David Domina was the Democratic nominee 

New Hampshire
One-term incumbent Democrat Jeanne Shaheen had been elected with 52% of the vote in 2008  Shaheen ran for re-election  Shaheen defeated Republican nominee Scott Brown, who had represented neighboring Massachusetts in the Senate from 2010 to 2013 

New Jersey
Incumbent Democrat Frank Lautenberg had been re-elected with 56% of the vote in 2008  After announcing he would not seek re-election, Lautenberg died in June 2013, aged 89, after a long period of ill health Newark Mayor Cory Booker, a Democrat, defeated Republican nominee Steve Lonegan by 55%-to-45% in a 2013 special election to replace interim Republican appointee Jeffrey Chiesa  Booker ran for re-election to a full term in 2014  1978 and 1982 Republican candidate and political operative Jeff Bell was the Republican nominee 

New Mexico
One-term incumbent Democrat Tom Udall had been elected with 61% of the vote in 2008  Former Doña Ana County Republican Party Chairman David Clements and former New Mexico Republican Party Chairman Allen Weh sought the Republican nomination  Weh won the June 3 primary but lost to Udall in the general election 

North Carolina
One-term incumbent Democrat Kay Hagan had been elected with 53% of the vote against incumbent Republican Elizabeth Dole in 2008  Hagan was seeking re-election State House Speaker Thom Tillis was the Republican nominee  Sean Haugh won the Libertarian nomination 

Oklahoma
There were 2 elections in Oklahoma, due to the resignation of Tom Coburn 

Oklahoma (regular)
Three-term incumbent Republican Jim Inhofe had been re-elected with 57% of the vote in 2008  Inhofe sought re-election  Matt Silverstein, an insurance agency owner, ran for the Democratic nomination 

Oklahoma (special)
Two-term incumbent Republican Tom Coburn had been re-elected with 71% of the vote in 2010, and was not scheduled to be up for election again until 2016  However, Coburn announced his intention to resign at the end of the 113th Congress  A special election to fill his seat took place in November 2014, concurrent with the other Senate elections  Congressman James Lankford was the Republican nominee  State Senator Connie Johnson was the Democratic nominee 

Oregon
One-term incumbent Democrat Jeff Merkley was narrowly elected with 49% of the vote in 2008  Merkley was running for a second term  State representative Jason Conger, attorney Tim Crawley, IT consultant Mark Callahan, neurosurgeon Dr  Monica Wehby, and former Linn County Republican Chair Jo Rae Perkins all ran for the Republican nomination, with Wehby ultimately winning the nomination in the May 20 primary 

Rhode Island
Three-term incumbent Democrat Jack Reed had been re-elected with 73% of the vote in 2008  Reed defeated Republican nominee Mark Zaccaria in the 2014 election 

South Carolina
There were 2 elections in South Carolina, due to the resignation of Jim DeMint 

South Carolina (regular)
Two-term Republican Lindsey Graham had been re-elected with 58% of the vote in 2008  Graham won the Republican nomination over a field that included state senator Lee Bright  State Senator Brad Hutto won the Democratic nomination 

South Carolina (special)
Jim DeMint had been elected to a second term in 2010, but resigned from the Senate in January 2013 to become president of The Heritage Foundation, a conservative think-tank  Governor Nikki Haley appointed Congressman Tim Scott as DeMint's replacement  Scott, an African-American, was the Republican nominee to serve out the remainder of DeMint's term  Scott is the first African-American Republican since shortly after Reconstruction to represent a Southern state  Richland County Councilwoman Joyce Dickerson won the Democratic nomination 

South Dakota
Three-term incumbent Democrat Tim Johnson had been re-elected with 63% of the vote in 2008  Johnson announced on March 26, 2013, that he would not run for re-election  Former Congressional aide Rick Weiland was the Democratic nominee Among Republicans, former two-term Governor Mike Rounds announced his candidacy for the GOP nomination on November 29, 2012  Rounds won the Republican nomination over state senator Larry Rhoden, state representative Stace Nelson, and physician Annette Bosworth Former Republican U S  Senator Larry Pressler and Republican State Senator Gordon Howie ran as independents  Pressler did not commit to caucusing with either party, while Howie said he would caucus with the Senate Republicans 

Tennessee
Two-term incumbent Republican Lamar Alexander had been re-elected with 65% of the vote in 2008  Alexander sought re-election to a third term  On August 7, 2014, Alexander won the Republican nomination over six challengers, including State Representative Joe Carr On November 4, 2014, Alexander faced Democratic nominee Gordon Ball, Libertarian Party nominee Joshua James, Constitution Party nominee Joe Wilmothm, and independent Danny Page also ran in the general election 

Texas
Two-term incumbent Republican John Cornyn, the Senate Minority Whip, had been re-elected with 55% of the vote in 2008  Cornyn sought re-election, and won the 2014 Republican primary with 59% of the vote  David Alameel, a dentist, and Kesha Rogers, a volunteer for The Lyndon LaRouche Policy Institute, faced each other in a run-off election for the Democratic nomination  Alameel won the run-off and was the Democratic nominee 

Virginia
One-term incumbent Democrat Mark Warner had been elected with 65% of the vote in 2008; he sought re-election  Ed Gillespie, former RNC Chairman and presidential adviser, ran for the Republican nomination  Robert Sarvis, the Libertarian nominee for Governor in 2013, also ran 

West Virginia
Five-term incumbent Democrat Jay Rockefeller had been re-elected with 64% of the vote in 2008  He announced on January 11, 2013, that he would not seek re-election to a sixth term  Secretary of State Natalie Tennant won the Democratic nomination On November 26, 2012, Republican Congresswoman Shelley Moore Capito announced her plans to run for the seat, in hopes of becoming the first Republican Senator elected from West Virginia since 1956  Moore Capito won the Republican nomination and the general election, the first woman to serve as United States Senator from West Virginia 

Wyoming
Three-term incumbent Republican Mike Enzi had been re-elected with 76% of the vote in 2008  Enzi sought re-election  Liz Cheney, daughter of former Vice President Dick Cheney, briefly entered the race for the Republican nomination, but dropped her bid in January 2014  On August 19, Enzi won the Republican primary election with 82% of the vote, and Democrat Charlie Hardy, a former Catholic priest, won his party's primary election with 48% of the vote 

See also
2014 United States elections
2014 United States gubernatorial elections
2014 United States House of Representatives elections
113th United States Congress
114th United States Congress

Notes
Passage 3:
Standing Rules of the United States Senate
The Standing Rules of the Senate are the parliamentary procedures adopted by the United States Senate that govern its procedure  The Senate's power to establish rules derives from Article One, Section 5 of the United States Constitution: "Each House may determine the rules of its proceedings    "
There are currently forty-five rules, with the latest revision adopted on January 24, 2013  The most recent addition of a new rule occurred in 2006, when The Legislative Transparency and Accountability Act of 2006 introduced a 44th rule on earmarks  The stricter rules are often waived by unanimous consent 

Outline of rules
Quorum
The Constitution provides that a majority of the Senate constitutes a quorum to do business  Under the rules and customs of the Senate, a quorum is always assumed to be present unless a quorum call explicitly demonstrates otherwise  Any senator may request a quorum call by "suggesting the absence of a quorum"; a clerk then calls the roll of the Senate and notes which members are present  In practice, senators almost always request quorum calls not to establish the presence of a quorum, but to temporarily delay proceedings without having to adjourn the session  Such a delay may serve one of many purposes; often, it allows Senate leaders to negotiate compromises off the floor or to allow senators time to come to the Senate floor to make speeches without having to constantly be present in the chamber while waiting for the opportunity  Once the need for a delay has ended, any senator may request unanimous consent to rescind the quorum call 

Debate
The Senate is presided over by the Presiding Officer, either the President of the Senate (the Vice President) or more often the President pro tempore (in special cases the Chief Justice presides)  During debates, senators may speak only if called upon by the Presiding Officer  The Presiding Officer is, however, required to recognize the first senator who rises to speak  Thus, the Presiding Officer has little control over the course of debate  Customarily, the majority leader and minority leader are accorded priority during debates, even if another senator rises first  All speeches must be addressed to the Presiding Officer, using the words "Mr  President" or "Madam President"  Only the Presiding Officer may be directly addressed in speeches; other members must be referred to in the third person  In most cases, senators refer to each other not by name, but by state, using forms such as "the senior senator from Virginia" or "the junior senator from California" 
There are very few restrictions on the content of speeches, and there is no requirement that speeches be germane to the matter before the Senate 
The Senate Rules provide that no senator may make more than two speeches on a motion or bill on the same legislative day (a legislative day begins when the Senate convenes and ends when it adjourns; hence, it does not necessarily coincide with the calendar day)  The length of these speeches is not limited by the rules; thus, in most cases, senators may speak for as long as they please  Often, the Senate adopts unanimous consent agreements imposing time limits  In other cases (for example, for the budget process), limits are imposed by statute  In general, however, the right to unlimited debate is preserved 

Filibuster
The filibuster is an obstructionary tactic used to defeat bills and motions by prolonging debate indefinitely  A filibuster may entail, but does not actually require, long speeches, dilatory motions, and an extensive series of proposed amendments  The longest filibuster speech in the history of the Senate was delivered by Strom Thurmond, who spoke for over twenty-four hours in an unsuccessful attempt to block the passage of the Civil Rights Act of 1957  The Senate may end a filibuster by invoking cloture  In most cases, cloture requires the support of three-fifths of the Senate  Cloture is invoked very rarely, particularly because bipartisan support is usually necessary to obtain the required supermajority  If the Senate does invoke cloture, debate does not end immediately; instead, further debate is limited to thirty additional hours unless increased by another three-fifths vote 

Closed session
On occasion, the Senate may go into what is called a secret or closed session  During a closed session, the chamber doors are closed and the galleries are completely cleared of anyone not sworn to secrecy, not instructed in the rules of the closed session, or not essential to the session  Closed sessions are rare and are usually held only under certain circumstances in which the Senate is discussing sensitive subject matter, such as information critical to national security, private communications from the president, or discussions of Senate deliberations during impeachment trials  Any Senator has the right to call a closed session as long as the motion is seconded 

Voting
When debate concludes, the motion in question is put to a vote  In many cases, the Senate votes by voice vote; the presiding officer puts the question, and Members respond either "Aye!" (in favor of the motion) or "No!" (against the motion)  The presiding officer then announces the result of the voice vote  Any senator, however, may challenge the presiding officer's assessment and request a recorded vote  The request may be granted only if it is seconded by one-fifth of the senators present  In practice, however, senators second requests for recorded votes as a matter of courtesy  When a recorded vote is held, the clerk calls the roll of the Senate in alphabetical order; each senator responds when their name is called  Senators who miss the roll call may still cast a vote as long as the recorded vote remains open  The vote is closed at the discretion of the presiding officer but must remain open for a minimum of fifteen minutes  If the vote is tied, the Vice President, if present, is entitled to a casting vote  If the Vice President is not present, however, the motion is resolved in the negative 

Committees
Tasks in the Senate are divided among sixteen standing committees, four select committees, four joint committees, and occasionally temporary committees  Senate rules establish the policy jurisdictions of each committee; for example, the Committee on Foreign Relations deals with all matters relating to foreign policy  Committees act, in effect, as "little legislatures", monitoring ongoing governmental operations, identifying issues suitable for legislative review, gathering and evaluating information, and recommending courses of action to their parent body in matters relating to their jurisdiction  Senate rules give committees significant gatekeeping authority over legislation that falls under their jurisdiction, with proposed bills submitted to the relevant committee, which can hold hearings, "mark up" bills, consolidate bills into a "clean bill", or ignore the bill altogether (there exist some workarounds for Senators to circumvent committees, but in general Senators work through the committee system) The size of each standing committee is established by Senate rules  The makeup of committees are established through inter-party negotiations before each new Congress, with the percentage of a party's representation within the Senate determining the percentage of seats it will have on each committee 

Reconciliation
Legislation affecting spending, revenues, and the federal debt limit is governed under a special rules process called "Reconciliation" that prohibits filibusters by limiting debate to twenty hours  Congress can pass up to three reconciliation bills per year, with each bill addressing one of the topics of reconciliation (revenue, spending, or the debt limit)  However, if Congress passes a reconciliation bill affecting more than one of those topics, it cannot pass another reconciliation bill later in the year affecting one of the topics addressed by the previous reconciliation bill  In practice, reconciliation bills have usually been passed once per year at most  Reconciliation cannot be used to enact or rescind discretionary spending (which is controlled through the annual appropriations process) or adjust Social Security spending, and is limited by the Byrd Rule, which allows senators to block provisions that are "extraneous" to spending, revenues, or the debt limit Reconciliation was created by the Congressional Budget Act of 1974, and significantly altered with the introduction of the Byrd Rule in 1985 (amended in 1990)  Originally infrequently used (it did not see first use until 1980) 

Nominations
Selected public positions in the United States are appointed by the president but require Senate approval  Senate rule XXXI governs the Senate process for considering the president's nominations 
For most positions the nomination is passed first to a Senate committee for review  Generally it is the Senate committee with jurisdiction over the topic or department related to the position to be filled A public hearing by the committee is possible  Historically about half of civilian appointees were approved without a hearing  After consideration, the committee can report a favorable recommendation, or an unfavorable recommendation, or it can report no recommendation  It can also fail to act  To simplify the process, and with the support of the committee, the Senate by unanimous consent might discharge a nomination from the committee without the committee having acted It is up to the leadership of the Senate to then place the nomination on the Senate calendar for a vote in executive session  Some nominations are passed by unanimous consent  The leadership may delay putting a nomination on the calendar, in which case it may not be acted upon 

Nomination Time Limit
Paragraph 6 of rule XXXI specifies that if final action has not been taken before Congress adjourns the nomination is returned to the President  By the same rule nominations are returned when the Senate goes into recess for more than 30 days  However, in modern practice some nominations may stay active over long recesses if the Senate holds pro forma sessions during recess or agrees to suspend the rule by unanimous consent  When a nomination is returned without action, the president may nominate a different person or re-nominate the same person 

Rules by number
There are currently forty-four Standing Rules of the Senate:
SR Rule I: Appointment of a Senator to the Chair
SR Rule II: Presentation of Credentials and Questions of Privilege
SR Rule III: Oaths
SR Rule IV: Commencement of Daily Sessions
SR Rule V: Suspension and Amendment of the Rules
SR Rule VI: Quorum – Absent Senators May Be Sent For
SR Rule VII: Morning Business
SR Rule VIII: Order of Business
SR Rule IX: Messages
SR Rule X: Special Orders
SR Rule XI: Papers – Withdrawal, Printing, Reading of, and Reference
SR Rule XII: Voting Procedure
SR Rule XIII: Reconsideration
SR Rule XIV: Joint Resolutions, and Preambles Thereto
SR Rule XV: Amendments and Resolutions
SR Rule XVI: Appropriations and Amendments to General Appropriation Bills
SR Rule XVII: Reference to Committees; Motions to Discharge; Reports of Committees; and Hearings Available
SR Rule XVIII: Business Continued from Session to Session
SR Rule XIX: Debate
SR Rule XX: Questions for Order
SR Rule XXI: Session with Closed Doors
SR Rule XXII: Precedence of Motions
SR Rule XXIII: Privilege of the Floor
SR Rule XXIV: Appointments of Committee
SR Rule XXV: Standing Committees
SR Rule XXVI: Committee Procedure
SR Rule XXVII: Committee Staff
SR Rule XXVIII: Conference Committees; Reports; Open Meetings
SR Rule XXIX: Executive Sessions
SR Rule XXX: Executive Session – Proceedings on Treaties
SR Rule XXXI: Executive Session – Proceedings on Nominations
SR Rule XXXII: The President Furnished with Copies of Record Executive Sessions
SR Rule XXXIII: Senate Chamber – Senate Wing of the Capitol
SR Rule XXXIV: Public Financial Disclosure
SR Rule XXXV: Gifts
SR Rule XXXVI: Outside Earned Income
SR Rule XXXVII: Conflict of Interest
SR Rule XXXVIII: Prohibition of Unofficial Office Accounts
SR Rule XXXIX: Foreign Travel
SR Rule XL: Franking Privilege and Radio and Television Studios
SR Rule XLI: Political Fund Activity; Definitions
SR Rule XLII: Employment Practices
SR Rule XLIII: Representation by Members
SR Rule XLIV: Congressionally Directed Spending and Related ItemsThe latest change was the introduction in 2006 of a 44th rule on earmarks, by the Legislative Transparency and Accountability Act 
Passage 4:
Majority leader
In U S  politics (as well as in some other countries utilizing the presidential system), the majority floor leader is a partisan position in a legislative body 

United States
In the federal Congress of the United States, the roles of the House Majority Leader and the Senate Majority Leader differ slightly  At the state level, the majority leader of a given state legislative chamber usually performs a similar role to that of their federal counterpart 

Senate
In the Senate, the Vice President of the United States is officially the President of the Senate and the President pro tempore serves as the President of the Senate in the absence of the Vice President  However, in reality, the Vice President seldom enters the Senate, let alone directly presides over the chamber, unless a tied vote is expected, and the President pro tempore has become a ceremonial role deprived of any leadership ability 
Thus, the Majority Leader is seen as the de facto leader of the Senate, especially in modern times, and thus, in accordance with Senate rules, the Presiding Officer of the day gives the Majority Leader priority in obtaining recognition to speak on the floor of the Senate and they determine which bills get voted on  The Majority Leader is seen as the chief spokesperson for their party in the Senate In the United States Senate, the current Majority Leader is Chuck Schumer, who assumed the office on January 20, 2021 

House of Representatives
In the House of Representatives the Majority Leader's presence and power often depends on the session  In some sessions, the Majority Leader takes precedence over the Speaker as House leader and legislative party leader either by force (which usually occurs when the Speaker of the House is unpopular) or because the Speaker of the House voluntarily surrenders power to the Majority Leader  In most sessions, the Speaker of the House takes precedence as house leader and party leader, with the Majority Leader being irrelevant and largely powerless outside the fact they might be Speaker of the House one day  Except, of course, for the fact that The Majority Leader (as well as the Speaker and the Minority Leader) are the only members of the House that can speak on the floor for an unlimited amount of time and cannot be interrupted by the chair 
In the United States House of Representatives, the current Majority Leader is Steve Scalise, who assumed office on January 3, 2023 

See also
Floor leader
Minority leader
Passage 5:
Party leaders of the United States Senate
The positions of majority leader and minority leader are held by two United States senators and members of the party leadership of the United States Senate  They serve as the chief spokespersons for their respective political parties holding the majority and the minority in the United States Senate  They are each elected as majority leader and minority leader by the senators of their party caucuses: the Senate Democratic Caucus and the Senate Republican Conference 
By Senate precedent, the presiding officer gives the majority leader priority in obtaining recognition to speak on the floor of the Senate  The majority leader serves as the chief representative of their party in the Senate, and is considered the most powerful member of the Senate  They also serve as the chief representative of their party in the entire Congress if the House of Representatives, and thus the office of the speaker of the House, is controlled by the opposition party  The Senate's executive and legislative business is also managed and scheduled by the majority leader                                                        
The assistant majority leader and assistant minority leader of the United States Senate, commonly called whips, are the second-ranking members of each party's leadership  The main function of the majority and minority whips is to gather votes of their respective parties on major issues  As the second-ranking members of Senate leadership, if there is no floor leader present, the whip may become acting floor leader 

Current floor leaders
The Senate is currently composed of 49 Republicans, 48 Democrats, and 3 independents; all the independents caucus with the Democrats 
The current leaders are Senators Chuck Schumer (D) of New York and Mitch McConnell (R) of Kentucky  The current assistant leaders, or whips, are Senators Dick Durbin (D) of Illinois and John Thune (R) of South Dakota 

History
By at least 1850, parties in each chamber of Congress began naming chairs, and while conference and caucus chairs carried very little authority, the Senate party floor leader positions arose from the position of conference chair  Senate Democrats began the practice of electing their floor leaders in 1920 while they were in the minority  John W  Kern was a Democratic senator from Indiana  While the title was not official, the Senate website identifies Kern as the first Senate party leader, serving in that capacity from 1913 through 1917 (and in turn, the first Senate Democratic leader), while serving concurrently as chairman of the Senate Democratic Caucus  In 1925, the Republicans (who were in the majority at the time) also adopted this language when Charles Curtis became the first (official) majority leader, although his immediate predecessor Henry Cabot Lodge is considered the first (unofficial) Senate majority leader 
The United States Constitution designates the Vice President of the United States as president of the Senate  The Constitution also calls for a president pro tempore, to serve as the presiding officer when the president of the Senate (the vice president) is absent  In practice, neither the vice president nor the president pro tempore—customarily the most senior (longest-serving) senator in the majority party—actually presides over the Senate on a daily basis; that task is given to junior Senators of the majority party  Since the vice president may be of a different party from the majority and is not a Senate member subject to discipline, the rules of procedure of the Senate give the Vice President no power beyond the presiding role  For these reasons, it is the majority leader who, in practice, manages the Senate  This is in contrast to the House of Representatives, where the elected speaker of the House has a great deal of discretionary power and generally presides over votes on legislative bills 

List of party leaders
The Democratic Party first selected a leader in 1920  The Republican Party first formally designated a leader in 1925 

See also
Party leaders of the United States House of Representatives
President pro tempore of the United States Senate
Vice President of the United States (President of the United States Senate)
Party divisions of United States Congresses
List of political parties in the United States

Notes
Passage 6:
Party leaders of the United States Senate
The positions of majority leader and minority leader are held by two United States senators and members of the party leadership of the United States Senate  They serve as the chief spokespersons for their respective political parties holding the majority and the minority in the United States Senate  They are each elected as majority leader and minority leader by the senators of their party caucuses: the Senate Democratic Caucus and the Senate Republican Conference 
By Senate precedent, the presiding officer gives the majority leader priority in obtaining recognition to speak on the floor of the Senate  The majority leader serves as the chief representative of their party in the Senate, and is considered the most powerful member of the Senate  They also serve as the chief representative of their party in the entire Congress if the House of Representatives, and thus the office of the speaker of the House, is controlled by the opposition party  The Senate's executive and legislative business is also managed and scheduled by the majority leader                                                        
The assistant majority leader and assistant minority leader of the United States Senate, commonly called whips, are the second-ranking members of each party's leadership  The main function of the majority and minority whips is to gather votes of their respective parties on major issues  As the second-ranking members of Senate leadership, if there is no floor leader present, the whip may become acting floor leader 

Current floor leaders
The Senate is currently composed of 49 Republicans, 48 Democrats, and 3 independents; all the independents caucus with the Democrats 
The current leaders are Senators Chuck Schumer (D) of New York and Mitch McConnell (R) of Kentucky  The current assistant leaders, or whips, are Senators Dick Durbin (D) of Illinois and John Thune (R) of South Dakota 

History
By at least 1850, parties in each chamber of Congress began naming chairs, and while conference and caucus chairs carried very little authority, the Senate party floor leader positions arose from the position of conference chair  Senate Democrats began the practice of electing their floor leaders in 1920 while they were in the minority  John W  Kern was a Democratic senator from Indiana  While the title was not official, the Senate website identifies Kern as the first Senate party leader, serving in that capacity from 1913 through 1917 (and in turn, the first Senate Democratic leader), while serving concurrently as chairman of the Senate Democratic Caucus  In 1925, the Republicans (who were in the majority at the time) also adopted this language when Charles Curtis became the first (official) majority leader, although his immediate predecessor Henry Cabot Lodge is considered the first (unofficial) Senate majority leader 
The United States Constitution designates the Vice President of the United States as president of the Senate  The Constitution also calls for a president pro tempore, to serve as the presiding officer when the president of the Senate (the vice president) is absent  In practice, neither the vice president nor the president pro tempore—customarily the most senior (longest-serving) senator in the majority party—actually presides over the Senate on a daily basis; that task is given to junior Senators of the majority party  Since the vice president may be of a different party from the majority and is not a Senate member subject to discipline, the rules of procedure of the Senate give the Vice President no power beyond the presiding role  For these reasons, it is the majority leader who, in practice, manages the Senate  This is in contrast to the House of Representatives, where the elected speaker of the House has a great deal of discretionary power and generally presides over votes on legislative bills 

List of party leaders
The Democratic Party first selected a leader in 1920  The Republican Party first formally designated a leader in 1925 

See also
Party leaders of the United States House of Representatives
President pro tempore of the United States Senate
Vice President of the United States (President of the United States Senate)
Party divisions of United States Congresses
List of political parties in the United States

Notes
Passage 7:
2010 United States House of Representatives elections
The 2010 United States House of Representatives elections were held on November 2, 2010, as part of the 2010 midterm elections during President Barack Obama's first term in office  Voters of the 50 U S  states chose 435 U S  Representatives to serve in the 112th United States Congress  Also, voters of the U S  territories, commonwealths and District of Columbia chose their non-voting delegates  U S  Senate elections and various state and local elections were held on the same date 
Republicans regained control of the U S  House they had lost in the 2006 midterm election, picking up a net total of 63 seats and erasing the gains Democrats made in 2006 and 2008  Although the sitting President's party usually loses seats in a midterm election, the 2010 election resulted in the highest losses by a party in a House midterm election since 1938, as well as the largest House swing since 1948  In total, 52 House Democrats were defeated, including 34 freshman and sophomore representatives 
Republicans made their largest gain in House seats since 1938  Three Democratic committee chairmen were defeated: transportation chairman Jim Oberstar of Minnesota, armed services chairman Ike Skelton of Missouri, and budget chairman John Spratt of South Carolina  Democrats made three pick-ups, winning an open seat in Delaware and defeating Republican incumbents in Hawaii and Louisiana 
The heavy Democratic Party losses in 2010 were attributed to anger at President Obama, opposition to the Affordable Care Act and American Recovery and Reinvestment Act, large budget deficits, and the weak economy As of 2023, this is the last election in which Democrats won a seat in Arkansas 

Background
Following the 2006 elections, Democrats took control of the House as well as the Senate  In the 2008 elections, which coincided with Democrat Barack Obama's victory over Republican John McCain for the presidency, Democrats increased their majorities in both chambers  Of the 435 congressional districts, 242 were carried by Obama, while 193 voted for McCain  Of the districts Obama won, 34 elected a Republican to the House, while 49 of the districts McCain won elected a Democrat 

Republican gains
The Republicans' 63-seat pickup in the House to take control of that chamber, as well as their gain of six Senate seats, signified a dramatic rollback of recent Democratic gains  In the election, Republicans won their greatest number of House seats since 1946  This has been attributed to the continued economic recession, as well as President Obama's controversial stimulus and health care reform bills  Republicans also took control of 29 of the 50 state governorships and gained 690 seats in state legislatures, to hold their greatest number since the 1928 elections Republicans also made historic gains in state legislatures, adding more than 675 state legislative seats, by far surpassing their state-legislative gains in 1994  Republicans gained control of dozens of state legislative chambers, and took control of "seven more legislatures outright than they did after 1994 and the most since 1952 " Republicans picked up control of the Alabama Legislature for the first time since Reconstruction; control of the North Carolina Senate for the first time since 1870; and control of the Minnesota Senate for the first time since the state returned to partisan elections in 1974 The Great Lakes region, which until then had recently favored the Democratic Party, went strongly Republican  In California and the Pacific Northwest, however, the Democrats retained the upper hand  The biggest change in 2010 occurred in the Southeastern United States, which had previously been roughly evenly split between Democrats and Republicans for everything except for president  Just one white Democrat from the Deep South won reelection to the US House in 2010  Prior to 2010, many white conservative southerners had voted Republican for president, but Democratic for other offices 

Results summary
Federal
Sources: House Clerk – Statistics of the Congressional Election, 2010

Voter demographics
Source: CNN exit poll

Retiring incumbents
37 incumbents retired 

Democrats
17 incumbent Democrats retired 

Alabama 7: Artur Davis: To run for Governor of Alabama 
Arkansas 1: Marion Berry: Retired due to health concerns 
Arkansas 2: Vic Snyder: Retired to spend more time with family 
California 33: Diane Watson: Retired; "It should be a seat inherited by someone who can represent everyone in this district "
Florida 17: Kendrick Meek: To run for U S  Senator 
Indiana 8: Brad Ellsworth: To run for U S  Senator 
Kansas 3: Dennis Moore: Retired; "Time for a new generation of leadership "
Louisiana 3: Charlie Melançon: To run for U S  Senator 
Massachusetts 10: Bill Delahunt: Retired; "Life is about change  I think it's healthy  It's time "
Michigan 1: Bart Stupak: Retired; "I've accomplished what I want to do "
New Hampshire 2: Paul Hodes: To run for U S  Senator 
Pennsylvania 7: Joe Sestak: To run for U S  Senator 
Rhode Island 1: Patrick J  Kennedy: Retired to "[take] a new direction "
Tennessee 6: Bart Gordon: Retired; "…it's time for a new chapter "
Tennessee 8: John S  Tanner: Retired; decided 20 years was long enough 
Washington 3: Brian Baird: Retired, to pursue other options 
Wisconsin 7: Dave Obey: Retired; "But even more frankly, I am bone tired " Media reports indicated Obey's future plans included joining a DC lobbying firm run by former Representative Dick Gephardt 

Republicans
19 incumbent Republicans retired 

Arkansas 3: John Boozman: to run for U S  Senator 
Arizona 3: John Shadegg: to pursue other interests 
California 19: George Radanovich: to put family obligations first 
Delaware at-large: Mike Castle: to run for U S  Senator 
Florida 5: Ginny Brown-Waite: due to health issues 
Florida 12: Adam Putnam: to run for Florida Commissioner of Agriculture 
Florida 21: Lincoln Díaz-Balart: to return to law practice 
Georgia 7: John Linder
Illinois 10: Mark Kirk: to run for U S  Senator 
Indiana 4: Steve Buyer: due to wife's illness
Kansas 1: Jerry Moran: to run for U S  Senator 
Kansas 4: Todd Tiahrt: to run for U S  Senator 
Michigan 2: Pete Hoekstra: to run for Governor of Michigan 
Michigan 3: Vern Ehlers
Missouri 7: Roy Blunt: to run for U S  Senator 
Oklahoma 5: Mary Fallin: to run for Governor of Oklahoma 
South Carolina 1: Henry E  Brown Jr : to spend more time with his family 
South Carolina 3: Gresham Barrett: to run for Governor of South Carolina 
Tennessee 3: Zach Wamp: to run for Governor of Tennessee 

Incumbents defeated
There were nine Democrats who survived reelection in the 1994 Republican Revolution, but were defeated this year 

Lost renomination
Democrats
Two Democrats lost renomination  One seat was held by Democrats, while the other flipped to Republicans 

Michigan 13: Carolyn Cheeks Kilpatrick lost to Hansen Clarke 
West Virginia 1: Alan Mollohan lost to Mike Oliverio, who lost the general election to David McKinley 

Republicans
Two Republicans lost renomination  Both seats were eventually held by Republicans 

Alabama 5: Parker Griffith (first elected in 2008 as a Democrat; switched parties in 2009) lost to Mo Brooks 
South Carolina 4: Bob Inglis lost to Trey Gowdy 

Lost re-election
54 incumbents lost in the general election; all but two were Democrats  Many of the Democrats who lost had been initially elected in the Democratic wave years of 2006 and 2008, and several others were longtime incumbents from the southeast 

Democrats
52 Democrats lost re-election 

Alabama 2, Bobby Bright (first elected in 2008) lost to Martha Roby
Arizona 1, Ann Kirkpatrick (first elected in 2008) lost to Paul Gosar
Arizona 5, Harry Mitchell (first elected in 2006) lost to David Schweikert
Colorado 3, John Salazar (first elected in 2004) lost to Scott Tipton
Colorado 4, Betsy Markey (first elected in 2008) lost to Cory Gardner
Florida 2, Allen Boyd (first elected in 1996) lost to Steve Southerland
Florida 8, Alan Grayson (first elected in 2008) lost to Daniel Webster
Florida 22, Ron Klein (first elected in 2006) lost to Allen West
Florida 24, Suzanne Kosmas (first elected in 2008) lost to Sandy Adams
Georgia 8, Jim Marshall (first elected in 2002) lost to Austin Scott
Idaho 1, Walt Minnick (first elected in 2008) lost to Raúl Labrador
Illinois 8, Melissa Bean (first elected in 2004) lost to Joe Walsh
Illinois 11, Debbie Halvorson (first elected in 2008) lost to Adam Kinzinger
Illinois 14, Bill Foster (first elected in 2008) lost to Randy Hultgren
Illinois 17, Phil Hare (first elected in 2006) lost to Bobby Schilling
Indiana 9, Baron Hill (originally elected in 1998) lost to Todd Young
Maryland 1, Frank Kratovil (first elected in 2008) lost to Andrew P  Harris
Michigan 7, Mark Schauer (first elected in 2008) lost to Tim Walberg
Minnesota 8, Jim Oberstar (first elected in 1974) lost to Chip Cravaack
Mississippi 1, Travis Childers (first elected in 2008) lost to Alan Nunnelee
Mississippi 4, Gene Taylor (first elected in 1989) lost to Steven Palazzo
Missouri 4, Ike Skelton (first elected in 1976) lost to Vicky Hartzler
Nevada 3, Dina Titus (first elected in 2008) lost to Joe Heck
New Hampshire 1, Carol Shea-Porter (first elected in 2006) lost to Frank Guinta
New Jersey 3, John Adler (first elected in 2008) lost to Jon Runyan
New Mexico 2, Harry Teague (first elected in 2008) lost to Steve Pearce
New York 13, Michael McMahon (first elected in 2008) lost to Michael Grimm
New York 19, John Hall (first elected in 2006) lost to Nan Hayworth
New York 20, Scott Murphy (first elected in 2009) lost to Chris Gibson
New York 24, Mike Arcuri (first elected in 2006) lost to Richard L  Hanna
New York 25, Dan Maffei (first elected in 2008) lost to Ann Marie Buerkle
North Carolina 2, Bob Etheridge (first elected in 1996) lost to Renee Ellmers
North Dakota at-large, Earl Pomeroy (first elected in 1992) lost to Rick Berg
Ohio 1, Steve Driehaus (first elected in 2008) lost to Steve Chabot
Ohio 6, Charlie Wilson (first elected in 2006) lost to Bill Johnson
Ohio 15, Mary Jo Kilroy (first elected in 2008) lost to Steve Stivers
Ohio 16, John Boccieri (first elected in 2008) lost to Jim Renacci
Ohio 18, Zack Space (first elected in 2006) lost to Bob Gibbs
Pennsylvania 3, Kathy Dahlkemper (first elected in 2008) lost to Mike Kelly
Pennsylvania 8, Patrick Murphy (first elected in 2006) lost to Mike Fitzpatrick
Pennsylvania 10, Chris Carney (first elected in 2006) lost to Tom Marino
Pennsylvania 11, Paul E  Kanjorski (first elected in 1984) lost to Lou Barletta
South Carolina 5, John Spratt (first elected in 1982) lost to Mick Mulvaney
South Dakota at-large, Stephanie Herseth Sandlin (first elected in 2004) lost to Kristi Noem
Tennessee 4, Lincoln Davis (first elected in 2002) lost to Scott DesJarlais
Texas 17, Chet Edwards (first elected in 1990) lost to Bill Flores
Texas 23, Ciro Rodriguez (originally elected in 1996) lost to Quico Canseco
Texas 27, Solomon P  Ortiz (first elected in 1982) lost to Blake Farenthold
Virginia 2, Glenn Nye (first elected in 2008) lost to Scott Rigell
Virginia 5, Tom Perriello (first elected in 2008) lost to Robert Hurt
Virginia 9, Rick Boucher (first elected in 1982) lost to Morgan Griffith
Wisconsin 8, Steve Kagen (first elected in 2006) lost to Reid Ribble

Republicans
Two Republicans lost re-election 

Hawaii 1, Charles Djou (first elected in 2010) lost to Colleen Hanabusa
Louisiana 2, Joseph Cao (first elected in 2008) lost to Cedric Richmond

Open seats that changed parties
Democratic seats won by Republicans
14 open seats, held by Democrats, were won by Republicans 

Arkansas 1: Won by Rick Crawford
Arkansas 2: Won by Tim Griffin
Indiana 8: Won by Larry Bucshon
Kansas 3: Won by Kevin Yoder
Louisiana 3: Won by Jeff Landry
Michigan 1: Won by Dan Benishek
New Hampshire 2: Won by Charles Bass
New York 29: Won by Tom Reed
Pennsylvania 7: Won by Pat Meehan
Tennessee 6: Won by Diane Black
Tennessee 8: Won by Stephen Fincher
Washington 3: Won by Jaime Herrera Beutler
West Virginia 1: Won by David McKinley
Wisconsin 7: Won by Sean Duffy

Republican seats won by Democrats
One open seat, held by a Republican, was won by a Democrat 

Delaware at-large: Won by John Carney

Closest races
Eighty-four races were decided by 10% or lower 

Election ratings
Special elections
There were six special elections in 2010 to the 111th United States Congress, listed here by date and district 

Alabama
Alaska
Arizona
Arkansas
California
Colorado
Connecticut
Delaware
Florida
Georgia
Hawaii
Idaho
Illinois
Indiana
Iowa
Kansas
Kentucky
Louisiana
Maine
Maryland
Massachusetts
Michigan
Minnesota
Mississippi
Missouri
Montana
Nebraska
Nevada
New Hampshire
New Jersey
New Mexico
New York
North Carolina
North Dakota
Ohio
Oklahoma
Oregon
Pennsylvania
Rhode Island
South Carolina
South Dakota
Tennessee
Texas
Utah
Vermont
Virginia
Washington
West Virginia
Wisconsin
Wyoming
Non-voting delegates
The House of Representatives includes five Delegates from the District of Columbia and outlying territories elected to two-year terms and one Resident Commissioner of Puerto Rico elected to a four-year term (for which the last election was held in 2008, so the seat was not up for reelection in 2010)  These delegates are not allowed to vote on the floor of the House of Representatives 

See also
2010 United States elections
2010 United States gubernatorial elections
2010 United States Senate elections
111th United States Congress
112th United States Congress

Notes



ground_truth: the 2010 election