prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What year did the publisher of Labyrinth end?

The following are given passages.
Context 1: Passage 1:
Labyrinth (1984 video game)
Labyrinth is an action-adventure game published in 1984 by Acornsoft for the BBC Micro  Its author, Michael Mathison, describes it as: 

an amalgam of what I'd seen and liked visually and I wanted to make something like an 'arcade' version of an adventure game - with lots of creatures and lots of running around shooting at things but also with some simple puzzle elements 

Gameplay
Labyrinth consists of a complex labyrinth made up of multiple levels  Each level is made up of a number of rooms, with the player only able to see a single room at any one time  Doorways are provided allowing the player to move between rooms 
Each level contains two special rooms: the "Gate Room," and the "Key Room"  The Gate Room contains the doorway to the next level which is barred by a deadly forcefield  The Key Room contains a magical crystal which will remove the forcefield, and is generally the most well-guarded and dangerous room in the level 
Rooms are populated with a variety of monsters which become more dangerous as the player progresses through the game as they move more quickly, shoot at the player, or lay poisonous mushrooms  The player can choose to avoid the various monsters (though they may well follow the player through the labyrinth), or try to kill them by shooting at them (though some monsters are invulnerable in this way and reflect the shots back), or squash them with a "boulder" that the player is able to push around with them as they travel (trickier and more risky than shooting and therefore scores more points)   Colliding with a monster will kill it but causes the player to lose health, often leading to the player's death 
Different types of fruit are scattered throughout the labyrinth, which will increase the player's health when eaten  The player slowly loses health at all times while in the Labyrinth, and will eventually die if they don't progress through the game 

Legacy
In 1987 the game was reissued on Superior Software's Acornsoft Hits compilation 
Passage 2:
The Sense of an Ending
The Sense of an Ending is a 2011 novel written by British author Julian Barnes  The book is Barnes's eleventh novel written under his own name (he has also written crime fiction under the pseudonym Dan Kavanagh) and was released on 4 August 2011 in the United Kingdom  The Sense of an Ending is narrated by a retired man named Tony Webster, who recalls how he and his clique met Adrian Finn at school and vowed to remain friends for life  When the past catches up with Tony, he reflects on the paths he and his friends have taken  In October 2011, The Sense of an Ending was awarded the Booker Prize  The following month it was nominated in the novels category at the Costa Book Awards 

Publication and marketing
The Sense of an Ending is Barnes's eleventh novel and was released in hardback on 4 August 2011   The Sense of an Ending is published by Random House (as a Jonathan Cape publication) in the United Kingdom  The book was released in October 2011 in the United States, after its previously scheduled publication date for the United States was brought forward by three months by Random House's Knopf publishing group to capitalise on the shortlisting of the book as a candidate for the Booker prize  Suzanne Dean designed the cover for The Sense of an Ending  The cover shows floating dandelion seeds, with its edge and the edges of all the pages blackened 

Title
The title is shared by a book of the same name by Frank Kermode first published in 1967, subtitled Studies in the Theory of Fiction, the stated aim of which is "making sense of the ways we try to make sense of our lives"  Kermode's book is a well-received piece of literary criticism  Critic Colin Burrow called it one of "the three most inspiring works of literary criticism written in the twentieth century", comparing Kermode's work with Erich Auerbach's Mimesis and E  R  Curtius's European Literature and the Latin Middle Ages Barnes has stated his choice of title was coincidental with that of Kermode, of whose book he had not previously heard, and which he has never read  He came up with the title before one of his friends pointed out that it had been used already, but decided "there's no copyright in titles"   Notwithstanding which, several reviewers described the novel as being "in conversation" with Kermode    For example, the critic Boyd Tonkin adds the additional interpretation that Barnes's "show-off" characters could be typical readers of Kermode's work 

Reception
The Sense of an Ending has received mostly positive reviews from critics  Michael Prodger of The Financial Times said the novel's inclusion on the Man Booker Prize longlist was "absolutely merited" and he praised the intricate mechanism of the novel and said Barnes's writing is "founded on precision as well as on the nuances of language "
Prodger added "Its brevity, however, in no way compromises its intensity – every word has its part to play; with great but invisible skill Barnes squeezes into it not just a sense of the infinite complexity of the human heart but the damage the wrong permutations can cause when combined  It is perhaps his greatest achievement that, in his hands, the unknowable does not mean the implausible " The Guardian's Justine Jordan said "With its patterns and repetitions, scrutinising its own workings from every possible angle, the novella becomes a highly wrought meditation on ageing, memory and regret " Boyd Tonkin from The Independent said The Sense of an Ending is "A slow burn, measured but suspenseful, this compact novel makes every slyly crafted sentence count " Anita Brookner, writing for The Daily Telegraph, said the novel is not a thriller, but a tragedy, which resembles Henry James's The Turn of the Screw  She opined that Barnes's reputation would be enhanced by the novel and added, "Do not be misled by its brevity  Its mystery is as deeply embedded as the most archaic of memories "Entertainment Weekly's Stephen Lee gave The Sense of an Ending a B+ and said "Barnes's latest—a meditation on memory and aging—occasionally feels more like a series of wise, underline-worthy insights than a novel  But the many truths he highlights make it worthy of a careful read " Robert McCrum writing for The Observer thought the novel would win the Man Booker Prize because it is "a work of art, in a minor key " During a feature on the 2011 Man Booker Prize nominees, the Channel 4 newsroom team gave The Sense of an Ending a nine out of ten for readability and said "It's beautifully written, very readable, and raises questions which linger in the mind long after the covers are closed " Geordie Williamson from The Australian said the novel is a pleasure to read and explained there is "a fierce and unforgiving lucidity about The Sense of an Ending, a mature reckoning with ageing that makes its competitors seem petulant and shrill " Geoff Dyer in The New York Times said the novel is average at best  "It is averagely compelling     involves an average amount of concentration and, if such a thing makes sense, is averagely well written: excellent in its averageness!" David Sexton in The Spectator drew a comparison between the narrator of the novel and the "unreliable narrator" of Ford Madox Ford's The Good Soldier, for which – he noted – Barnes wrote an introduction to the Folio Society edition  Although Sexton praised Barnes's skill, "Yet this novella does not move or satisfy     It is a story repelled by the responsibility of having children, and its final disclosure is offputting     where's the heart?"

Awards and nominations
In September 2011, The Sense of an Ending was shortlisted for the Booker Prize  Barnes had been shortlisted for the prize on three previous occasions for Flaubert's Parrot (1984), England, England (1998) and Arthur & George (2005)  On choosing The Sense of an Ending for the shortlist, judge Gaby Wood said: "It seems to be the most obvious book on this list  It's a quiet book, but the shock that comes doesn't break stride with the tone of the rest of the book  In purely technical terms it is one of the most masterful things I've ever read " On 18 October 2011, The Sense of an Ending was awarded the Booker Prize  Head judge Stella Rimington described the novel as "exquisitely written, subtly plotted and reveals new depths with each reading " She added: "We thought it was a book that spoke to the humankind in the 21st Century "On 15 November 2011, it was announced The Sense of an Ending had been nominated in the Best Novel category at the 2011 Costa Book Awards, though the book lost out to Andrew Miller's novel, Pure 

Film adaptation

A film adaptation of the same name made its world premiere as the opening film at the Palm Springs International Film Festival in Palm Springs, California, on 5 January 2017  The limited US release began on 10 March 2017  It was directed by Ritesh Batra from a screenplay adaptation by Nick Payne with a cast including Michelle Dockery, Emily Mortimer, Jim Broadbent, Charlotte Rampling, and Harriet Walter 
Passage 3:
Indianapolis News
The Indianapolis News was an evening newspaper published for 130 years, beginning December 7, 1869, and ending on October 1, 1999   The "Great Hoosier Daily," as it was known, at one time held the largest circulation in the state of Indiana   It was also the oldest Indianapolis newspaper until it closed and was housed in the Indianapolis News Building from 1910 to 1949 : 3–5  After Eugene C  Pulliam, the founder and president of Central Newspapers acquired the News in 1948, he became its publisher, while his son, Eugene S  Pulliam, served as the newspaper's managing editor  Eugene S  Pulliam succeeded his father as publisher of the News in 1975 The Indianapolis News was an evening paper, and its decline matched a growing circulation of the morning newspaper, the Indianapolis Star  Prior to the closing, there had been a partial merging of the newspaper staff with the Star 

Notable staff members
Medford Stanton Evans (1934–2015) was an award-winning journalist, educator, and author who became the head editorial writer for the News in 1959  He was promoted to editor of the News in 1960, at the age twenty-six, and became the youngest editor of a metropolitan daily newspaper at that time  Because of his editorial at the News, Evans was selected in 1960 to draft the Sharon Statement, which outlined the founding principles for the Young Americans for Freedom  The conservative writer remained as editor of the News through 1974, when he left the city and became a nationally syndicated columnist for The Los Angeles Times  Evans also taught journalism as Troy University in Troy, Alabama, for more than thirty years  Among his many other activities, Evans lead the American Conservative Union from 1971 to 1977, authored several books, and founded the National Journalism Center in 1977 in Washington, D C 
Frank McKinney "Kin" Hubbard (1868–1930) was a nationally known American cartoonist, humorist, and journalist whose most famous work was the Abe Martin cartoon series  Hubbard  introduced his Abe Martin character to Indianapolis News readers on December 17, 1904, and it appeared six days a week on the back page of the newspaper for twenty-six years  Hubbard also originated and illustrated a once-a-week humor essay for the "Short Furrows" column in the Sunday edition  The Abe Martin cartoon series went into national print syndication in 1910 and the "Short Furrows" column went into syndication the following year  For years after Hubbard's death in 1930, the News and other newspapers continued to print his Abe Martin cartoon series 
Eugene S  Pulliam (1914–1999) began working at the News as its managing editor in 1948 and rose through the managerial ranks to become assistant publisher of the Indianapolis News and the Star  in 1962  He succeeded his father, Eugene C  Pulliam, as publisher of both newspapers in 1975  Known for his advocacy for First Amendment rights and freedom of the press, Eugene S  Pulliam remained the publisher of the News and the Star  until his death in 1999  He also became president of Central Newspapers in 1979 following the death of his stepmother, Nina Mason Pulliam 
Juliet V  Strauss (1863–1918) was a well-known journalist, author, and public speaker from Rockville, Indiana, who wrote a regular weekly column for the News using the pseudonym of "The Country Contributor" from November 1903 until her death in May 1918  Strauss also was a leader in efforts to generate public and state government support to establish Turkey Run State Park in Parke County, Indiana, in 1916 as Indiana's second state park  She began her journalism career as a regular newspaper columnist at the Rockville Tribune in 1893  In addition to her regular newspaper columns, Strauss authored "The Ideas of a Plain Country Woman," a monthly column for the Ladies' Home Journal from 1905 until 1918  She was also a founder in 1913 of the Woman's Press Club of Indiana 
Passage 4:
Someone in the Dark
Someone in the Dark is a collection of fantasy and horror short stories by author August Derleth  It was released in 1941 and was the second book published by Arkham House   1,115 copies were printed, priced at $2 00  In Thirty Years of Arkham House, Derleth implied that this title had sold out by the end of 1944 
However, more than twenty years later, in 1967, Derleth listed Someone in the Dark in an Arkham House bulletin with this announcement: "We have acquired a small stock of this title, Derleth's first collection of macabre tales, published in 1941  They will be sold at $5 00 the copy to patrons interested in acquiring the book   "
Derleth was being disingenuous in suggesting these 'unearthed' copies were the 1941 edition   The additional 300 copies were printed in offset by Hunter Publishing Co  in Winston-Salem in 1965, the reprint probably authorized by Derleth himself   (In The Arkham House Companion, Sheldon Jaffery quotes a letter that seems to indicate this)  The 1965 reprint are a quarter-inch higher than the originals, and are bound with headbands (not present in the 1941 first editions) 
The 1965 edition is scarce  While it is not generally considered an official Arkham House publication, it is considered an essential acquisition for Arkham House completists 
A paperback reprint was issued by Jove Books in 1978 

Contents
Someone in the Dark contains the following tales:

"When the Night and House "
"Glory Hand"
"Compliments of Spectro"
"A Gift for Uncle Herman"
"McGovern's Obsession"
"Three Gentlemen in Black"
"Muggridge's Aunt"
"Bramwell's Guardian"
"Joliper's Gift"
"Altimer's Amulet"
"The Shuttered House"
"The Sheraton Mirror"
"The Wind from the River"
"The Telephone in the Library"
"The Panelled Room"
"The Return of Hastur"
"The Sandwin Compact"

Reception
E  F  Bleiler noted that "the local, regionalistic American stories are best, while those in imitation of Lovecraft are weakest"  New York Times reviewer Louise Maunsell Field gave the collection a relatively favorable review, saying that "The stories are for the most part well told, and lovers of tales of the occult will find the volume entertaining and congenial, although it has little of either sensitivity or beauty " Thrilling Wonder Stories commented that "Mr  Derleth writes quietly and with restraint, in beautifully measured sentences that stick to the essentials of the story he has to tell  His very restraint sometimes plays a trick on him -- and makes his writing appear at time to lack fire" 
Passage 5:
Minotaur: The Labyrinths of Crete
Minotaur: The Labyrinths of Crete is a 1992 role-playing adventure video game for Macintosh by Bungie; produced by Jason Jones and Alex Seropian  The game distinguished itself from other games of its time by including a multiplayer mode that functioned over the AppleTalk protocol or Point-to-Point Protocol  A single-player exploration mode was also available, but this mode had no end goal and was useful to discover how the various items found in the maze operated  The game originated in 1988 as an Apple game played over a modem between two opponents, but was never officially released on that platform 
The game's tagline was "Kill your enemies  Kill your friends' enemies  Kill your friends"  This tagline has reappeared as a description in the multiplayer menu screens for some of Bungie's other games, such as Myth: The Fallen Lords and Halo 3 
Bungie later licensed Minotaur's game engine to the studio Paranoid Productions (Richard Rouse) who used it to create Odyssey: The Legend of Nemesis, released in 1996 

Reception
Computer Gaming World favorably reviewed Minotaur although criticizing its not using the mouse and lack of a single-player option, and concluded that "a group of dedicated opponents [that] enjoy fast-thinking and ad-lib strategizing will find long-lasting enjoyment from this game"  The game was reviewed in 1992 in Dragon #188 by Hartley, Patricia, and Kirk Lesser in "The Role of Computers" column  The reviewers gave the game 4 out of 5 stars  The game sold 2,500 copies 

See also
Pathways into Darkness, originally to be a sequel to this game
Passage 6:
Crónicas
Crónicas ("chronicles") is a 2004 Ecuadorian thriller film, written and directed by Sebastián Cordero  The film was produced by, among others, Guillermo del Toro, director of Pan's Labyrinth, and Alfonso Cuarón, director of Children of Men  It was screened in the Un Certain Regard section at the 2004 Cannes Film Festival 

Overview
Set in rural Ecuador, the movie follows a television journalist named Manolo Bonilla (played by John Leguizamo) as he investigates the rape and murder of children in the area  The film also stars Leonor Watling and José María Yazpik as Manolo's producer and cameraman, respectively  The film was the official Oscar selection from Ecuador in the Best Foreign Language category 

Plot summary
After traveling to a small village in Ecuador, Miami tabloid news reporter Manolo Bonilla (Leguizamo) witnesses the death of a local boy after Vinicio Cepeda, a traveling salesman, hits the boy with his pickup truck  When Cepeda attempts to back his truck away from the boy, a mob, led by the boy's father, Don Lucho, pulls him from his car, severely beats him, and sets him on fire before the local authorities intervene  After both men are arrested, Cepeda is examined at the jail infirmary and taken to his cell where, later that night, he is attacked by Don Lucho and severely injured 
The next morning Manolo Bonilla comes to the prison to interview the men involved  After agreeing to an interview alongside Cepeda, Lucho attacks Cepeda a second time and is taken away  The interview with Cepeda is cancelled due to concerns about Manolo's safety; however, before the reporter leaves, Cepeda notifies him that he has information on the Monster of Babahoyo, a notorious murderer and rapist in the area, and tells him the location where one of the murderer's victims, a nine-year-old girl, is buried  Manolo agrees to interview Cepeda and attempts to free him from prison in exchange for information about the murders  Later that evening Manolo and his cameraman Ivan drive to the location Cepeda mentioned and dig up a shallow grave, indeed containing the body of a small girl 
Over the following days Manolo begins interviewing Cepeda, as well as Cepeda’s wife, son, and babysitter  While interviewing Cepeda, Manolo begins to suspect that Cepeda is, in fact, the Monster of Babahoyo and using him to exonerate himself  After Manolo attempts to get Cepeda to incriminate himself, Cepeda tells him to leave and never come back  Manolo then informs Cepeda that the interview which would free him will not be aired 
Manolo calls the authorities and tells them that he had been receiving anonymous calls about the location of the girl's grave   He discovers circumstantial evidence placing Cepeda at the locations of the murders on the dates they occurred; however, despite Manolo's request, the news agency airs Cepeda's interviews which help set Cepeda free  After being interviewed by authorities, Manolo and his crew return to Cepeda's home in search of him only to find that he left his pregnant wife alone at their house and took their son to school before leaving the area  Manolo is offered his own show on the news network and, after deciding against turning over the evidence to the police, the team arrives at the airport and parts ways 

Cast
John Leguizamo as Manolo Bonilla
Leonor Watling as Marisa Iturralde
Damián Alcázar as Vinicio Cepeda
José María Yazpik as Iván Suárez
Alfred Molina as Victor Hugo Puentes
Henry Layana as Don Lucho
Tamara Navas as Doña Etelvina
Washington Garzón as Joseph Juan
Rosa Alina Ortiz as Amiga Don Lucho
Raymundo Zambrano as Cura
Camilo Luzuriaga as Capitán Bolivar Rojas
Peki Andino as Sargento Saltos (as Peky Andino)
Luiggi Pulla as Robert

Awards
Crónicas was Ecuador's submission to the 77th Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee 

See also
List of submissions to the 77th Academy Awards for Best Foreign Language Film
Passage 7:
Fiscal year
A fiscal year (or financial year, or sometimes budget year) is used in government accounting, which varies between countries, and for budget purposes  It is also used for financial reporting by businesses and other organizations  Laws in many jurisdictions require company financial reports to be prepared and published on an annual basis but generally with the reporting period not aligning with the calendar year (1 January to 31 December)  Taxation laws generally require accounting records to be maintained and taxes calculated on an annual basis, which usually corresponds to the fiscal year used for government purposes  The calculation of tax on an annual basis is especially relevant for direct taxes, such as income tax  Many annual government fees—such as council tax and license fees, are also levied on a fiscal year basis, but others are charged on an anniversary basis 
Some companies, such as Cisco Systems, end their fiscal year on the same day of the week each year: the day that is closest to a particular date (for example, the Friday closest to 31 December)  Under such a system, some fiscal years have 52 weeks and others 53 weeks The calendar year is used as the fiscal year by about 65% of publicly-traded companies in the United States and for most large corporations in the United Kingdom  That is the case in many countries around the world with a few exceptions such as Australia, New Zealand, and Japan Many universities have a fiscal year which ends during the summer to align the fiscal year with the academic year (and, in some cases involving public universities, with the state government's fiscal year) and also because the university is normally less busy during the summer months  In the Northern Hemisphere, that is July to the next June  In the Southern Hemisphere, that is the calendar year, January to December  In a similar fashion, many nonprofit performing arts organizations will have a fiscal year which ends during the summer, so that their performance season that begins in the fall and ends in the spring will be within one fiscal year 
Some media/communication-based organizations use a broadcast calendar as the basis for their fiscal year 

Chart of various fiscal years
Tax year
The fiscal year for individuals and entities to report and pay income taxes is often known as the taxpayer's tax year or taxable year   Taxpayers in many jurisdictions may choose their tax year  Some federal countries, such as Canada and Switzerland, require the provincial or cantonal tax year to align with the federal year  In the United States, most states retained a 30 June fiscal year-end date when the federal government switched to 30 September in 1976  Nearly all jurisdictions require that the tax year be 12 months or 52/53 weeks  However, short years are permitted as the first year or when changing tax years Most countries require all individuals to pay income tax based on the calendar year   Significant exceptions include:

Australia: individuals pay income tax based on the financial year of 1 July until 30 June 
United Kingdom: the tax year for individuals begins on 6 April  This is due to Britain historically having a calendar year starting on Lady Day (25 March) in the Julian calendar but a fiscal year ending on that day  When the UK adopted the Gregorian calendar in 1752, 25 March translated to 5 April and 26 March to 6 April  (See History of taxation in the United Kingdom#Why the United Kingdom income tax year begins on 6 April for more detailed explanation )
United States: individuals may (but rarely do) elect any tax year, subject to IRS approval Many jurisdictions require that the tax year conform to the taxpayer's fiscal year for financial reporting  The United States is a notable exception: taxpayers may choose any tax year, but must keep books and records for such year 

Operation in various countries/region
In some jurisdictions, particularly those that permit tax consolidation, companies that are part of a group of businesses must use nearly the same fiscal year (differences of up to three months are permitted in some jurisdictions, such as the U S  and Japan), with consolidating entries to adjust for transactions between units with different fiscal years, so the same resources will not be counted more than once or not at all 

Afghanistan
In Afghanistan, from 2011 to 2021, the fiscal year began on 1 Hamal (20th or 21 March)  The fiscal year aligned with the Persian or Solar Hijri calendar used in Afghanistan at the time 
Following transfer of power to the Taliban administration in September 2021, Afghanistan abandoned the Solar Hijri calendar in favour of the Lunar Hijri calendar  The fiscal cycle was restarted with effect from 1 Muharram 1444 AH (30 July 2022)

Australia
In Australia, a fiscal year is commonly called a "financial year" (FY) and starts on 1 July and ends on the next 30 June  Financial years are designated by the calendar year of the second half of the period  For example, financial year 2024 is the 12-month period ending on 30 June 2024 and can be referred to as FY2023/24  It is used for official purposes, by individual taxpayers and by the overwhelming majority of business enterprises  Business enterprises may opt to use a financial year that ends at the end of a week (e g , 52 or 53 weeks in length, and therefore is not exactly one calendar year in length), or opt for its financial year to end on a date that matches the reporting cycle of its foreign parent  All entities within the one group must use the same financial year 
For government accounting and budget purposes, pre-Federation colonies changed the financial year from the calendar year to a year ending 30 June on the following dates: Victoria changed in 1870, South Australia in 1874, Queensland in 1875, Western Australia in 1892, New South Wales in 1895 and Tasmania in 1904  The Commonwealth adopted the near-ubiquitous financial year standard since its inception in 1901  The reason given for the change was for convenience, as Parliament typically sits during May and June, while it was difficult for it to meet in November and December to pass a budget The Financial year is split into the following four-quarters

Austria
In Austria, the fiscal year is the calendar year, 1 January to 31 December 

Bangladesh
In Bangladesh, the fiscal year is 1 July to the next 30 June 

Belarus
In Belarus, the fiscal year is the calendar year, 1 January to 31 December 

Brazil
In Brazil, the fiscal year is the calendar year, 1 January to 31 December 

Bulgaria
In Bulgaria, the fiscal year is the calendar year, 1 January to 31 December, both for personal income tax and for corporate taxes 

Canada
In Canada, the government's financial year is 1 April to 31 March (Q1 1 April - 30 June, Q2 1 July - 30 Sept, Q3 1 Oct - 31 Dec and Q4 1 Jan - 31 Mar)
For individual taxpayers, the fiscal year is the calendar year, 1 January to 31 December 

China
In China, the fiscal year for all entities is the calendar year, 1 January to 31 December, and applies to the tax year, statutory year, and planning year 

Colombia
In Colombia, the fiscal year is the calendar year, 1 January to 31 December 

Costa Rica
In Costa Rica, the fiscal year is 1 October to 30 September 

Egypt
In Egypt, the fiscal year is 1 July to 30 June 

France
In France, the fiscal year is the calendar year, 1 January to 31 December, and has been since at least 1911 

Germany
In Germany, the fiscal year runs from 1st January until 31st December 

Greece
In Greece, the fiscal year is the calendar year, 1 January to 31 December 

Hong Kong
In Hong Kong, the government's financial year runs from 1 April to 31 March However, a company incorporated in Hong Kong can determine its own financial year-end, which may be different from the government fiscal year 

India
In India, the government's financial year runs from 1 April to 31 March the following year  The financial year from 1 April 2020 to 31 March 2021 would generally be abbreviated as FY 2020-21, but it may also be called FY 2021 on the basis of the ending year  Companies following the Indian Depositary Receipt (IDR) are given freedom to choose their financial year  For example, Standard Chartered's IDR follows the UK calendar despite being listed in India  Companies following Indian fiscal year get to know their economic health on 31 March of every Indian financial or fiscal year 
The current fiscal year was adopted by the colonial British government in 1867 to align India's financial year with that of the British Empire  Prior to 1867, India followed a fiscal year that ran from 1 May to 30 April In 1984, the LK Jha committee recommended adopting a fiscal year that ran from 1 January to 31 December  However, this proposal was not adopted by the government fearing possible issues during the transition period  A panel set up by the NITI Aayog in July 2016, recommended starting the next fiscal year from 1 January to 31 December after the end of the current five-year plan On 4 May 2017, Madhya Pradesh announced that it would move to a January–December financial year, becoming the first Indian state to do so  But later it dropped the idea 

Indonesia
In Indonesia, the fiscal year is the calendar year, 1 January to 31 December 

Iran
In Iran, the fiscal year usually starts on 21st or 22 March (1st of Farvardin in the Solar Hejri calendar) and concludes on next year's 20th or 21 March (29th or 30th of Esfand in the Solar Hijri calendar) 

Ireland
In Ireland, the fiscal year is the calendar year, 1 January to 31 December  Until 2001, it was the year ending 5 April, as in the United Kingdom, but was changed with the introduction of the euro  The 2001 tax year was nine months, from April to December 

Israel
In Israel, the fiscal year is the calendar year, 1 January to 31 December 

Italy
In Italy, the fiscal year is the calendar year, 1 January to 31 December  It was changed in 1965, before which it was 1 July to 30 June 

Japan
In Japan, the government's financial year is from 1 April to 31 March Japan's income tax year is 1 January to 31 December, but corporate tax is charged according to the corporation's own annual period 

Lithuania
In Lithuania, the fiscal year is the calendar year, 1 January to 31 December 

Macau
In Macau, the government's financial year is 1 January to 31 December 

Mexico
In Mexico, the fiscal year is the calendar year, 1 January to 31 December 

Moldova
In Moldova, the fiscal year is the calendar year, 1 January to 31 December 

Myanmar/Burma
In Myanmar, the fiscal year is 1 October to 30 September 

Nepal
In Nepal, the fiscal year is July 16 (1 Shrawan in Bikram calendar) to July 15 (31 Ashad in Bikram calendar) 

New Zealand
In New Zealand, the government's fiscal and financial reporting year is 1 July to the next 30 June and applies also to the budget  The company and personal financial year is 1 April to 31 March and applies to company and personal income tax 

Pakistan
In Pakistan, the government's fiscal year is 1 July of the previous calendar year and concludes on 30 June  Private companies are free to observe their own accounting year, which may not be the same as government's fiscal year 

Philippines
In the Philippines, the government's fiscal year is the calendar year, from 1 January to 31 December The accounting period for the private sector must follow a 12-month fiscal period which can or can not be synchronized with the calendar year  Most Philippine companies end their fiscal years in December or March 

Poland
In Poland, the fiscal year is the calendar year, from 1 January to 31 December 

Portugal
In Portugal, the fiscal year is the calendar year, 1 January to 31 December 

Qatar
In Qatar, the fiscal year is from 1 January to 31 December 

Romania
In Romania, the fiscal year is the calendar year, 1 January to 31 December 

Russia
In Russia, the fiscal year is the calendar year, 1 January to 31 December 

Singapore
In Singapore, the fiscal year for the calculation of personal income taxes is 1 January to 31 December The fiscal year for the Government of Singapore and many government-linked corporations is 1 April to 31 March Corporations and organisations are permitted to select any date as the end of each fiscal year, as long as this date remains constant  However, new companies should consciously choose their financial year end to stretch as much as a duration of 12 months as possible 

South Africa
In South Africa, the financial year for the Government of South Africa is 1 April to 31 March The year of assessment for individuals covers twelve months, 1 March to the final day of February the following year  The Act also provides for certain classes of taxpayers to have a year of assessment ending on a day other than the last day of February  Companies are permitted to have a tax year ending on a date that coincides with their financial year  Many older companies still use a tax year that runs from 1 July to 30 June, inherited from the British system  A common practice for newer companies is to run their tax year from 1 March to the final day of February following, to synchronize with the tax year for individuals 

South Korea
In South Korea, the fiscal year is the calendar year, 1 January to 31 December 

Spain
In Spain, the fiscal year is the calendar year, 1 January to 31 December 

Sweden
In Sweden, the fiscal year for individuals is the calendar year, 1 January to 31 December The fiscal year for an organisation is typically one of the following:

1 January to 31 December
1 May to 30 April
1 July to 30 June
1 September to 31 AugustHowever, all calendar months are allowed  If an organisation wishes to change into a non-calendar year, permission from the Tax Authority is required 

Switzerland
In Switzerland, the fiscal year is the calendar year, 1 January to 31 December 

Taiwan
In Taiwan, the fiscal year is the calendar year, 1 January to 31 December  However, an enterprise may elect to adopt a special fiscal year at the time it is established and can request approval from the tax authorities to change its fiscal year 

Thailand
In Thailand, the government's fiscal year (FY) is 1 October to 30 September of the following year  For individual taxpayers it is the calendar year, 1 January to 31 December 

Turkey
In Turkey, the fiscal year is the calendar year, 1 January to 31 December 

Ukraine
In Ukraine, the fiscal year is the calendar year, 1 January to 31 December 

United Arab Emirates
In the United Arab Emirates, the fiscal year is the calendar year, 1 January to 31 December 

United Kingdom
In the United Kingdom, the financial year runs from 1 April to 31 March for the purposes of government financial statements  For personal tax purposes the fiscal year starts on 6 April and ends on 5 April of the next calendar year Although United Kingdom corporation tax is charged by reference to the government's financial year, companies can adopt any year as their accounting year: if there is a change in tax rate, the taxable profit is apportioned to financial years on a time basis A number of major corporations that were once government-owned, such as BT Group and the National Grid, continue to use the government's financial year, which ends on the last day of March, as they have found no reason to change since privatisation The 5 April year end for income tax reflects the old civil and ecclesiastical calendar under which New Year began on 25 March (Lady Day)  The difference between the two dates is accounted for by the eleven days omitted in September 1752 due to the Calendar (New Style) Act 1750 by which Great Britain also converted from the Julian Calendar to the Gregorian Calendar  However, although the calendar year finished on 24 March, the tax year finished a day later, on 25 March, the Quarter Day 
For a fuller explanation about the history of the United Kingdom income tax year and its start date, see History of taxation in the United Kingdom#Why the United Kingdom income tax year begins on 6 April 

United States
Federal government
In the United States, the federal government's fiscal year is the 12-month period beginning 1 October and ending 30 September the following year  The identification of a fiscal year is the calendar year in which it ends; thus, the current fiscal year is 2023, often written as "FY2023" or "FY23", which began on 1 October 2022 and will end on 30 September 2023 
Until 1976, the fiscal year began on 1 July and ended on 30 June  The Congressional Budget and Impoundment Control Act of 1974 made the change to allow Congress more time to arrive at a budget each year, and provided for what is known as the "transitional quarter" from 1 July 1976 to 30 September 1976  An earlier shift in the federal government's fiscal year was made in 1843, shifting the fiscal year from a calendar year to one starting on 1 July For example, the United States government Fiscal Year 2023 is:

1st quarter: 1 October 2022 – 31 December 2022
2nd quarter: 1 January 2023 – 31 March 2023
3rd quarter: 1 April 2023 – 30 June 2023
4th quarter: 1 July 2023 – 30 September 2023

State governments
State governments set their own fiscal year  Forty-six of the fifty states set their fiscal year to end on 30 June  Four states have fiscal years that end on a different date:

Alabama, ends 30 September
Michigan, ends 30 September
New York, ends 31 March
Texas, ends 31 AugustThe fiscal year for the Washington, D C , government ends on 30 September Among the inhabited territories of the United States, most align with the federal fiscal year, ending on 30 September  These include American Samoa, Guam, the Northern Mariana Islands and the U S  Virgin Islands  Puerto Rico is the exception, with its fiscal year ending on 30 June 

Vietnam
In Vietnam, the fiscal year is the calendar year, 1 January to 31 December 

Businesses and organizations
The tax year for a business is governed by the fiscal year it chooses   A business may choose any consistent fiscal year that it wants; however, for seasonal businesses such as farming and retail, a good account practice is to end the fiscal year shortly after the highest revenue time of year   Consequently, most large agriculture companies end their fiscal years after the harvest season, and most retailers end their fiscal years shortly after the Christmas shopping season 

See also
4–4–5 calendar
Passage 8:
Headwall Pond
Headwall Pond (77°34′4″S 160°47′2″E) is a very small ice-covered pond in the Labyrinth of Wright Valley, in the McMurdo Dry Valleys of Antarctica  The pond lies along a rock headwall close northeast of Craig Pond  The descriptive name was suggested by the United States Antarctic Program field party that sampled the pond in 2003–04 
Passage 9:
Acornsoft
Acornsoft was the software arm of Acorn Computers, and a major publisher of software for the BBC Micro and Acorn Electron  As well as games, it also produced a large number of educational titles, extra computer languages and business and utility packages – these included word processor VIEW and the spreadsheet ViewSheet supplied on ROM and cartridge for the BBC Micro/Acorn Electron and included as standard in the BBC Master and Acorn Business Computer 

History
Acornsoft was formed in late 1980 by Acorn Computers directors Hermann Hauser and Chris Curry, and David Johnson-Davies, author of the first game for a UK personal computer and of the official Acorn Atom manual "Atomic Theory and Practice"  David Johnson-Davies was managing director and in early 1981 was joined by Tim Dobson, Programmer and Chris Jordan, Publications Editor 
While some of their games were clones or remakes of popular arcade games (e g  Hopper is a clone of Sega's Frogger, Snapper is Namco's Pac-Man, Arcadians is Namco's Galaxian), they also published a number of original titles such as Aviator, Elite, and Revs  Acornsoft also published text adventures by authors such as Peter Killworth, including Philosopher's Quest (previously titled Brand X) and Countdown to Doom As a result of the publication of a method to circumvent copy protection measures employed by Acornsoft titles, a High Court injunction against Computing Publications - publisher of Personal Computer World - was granted to Acorn Computers "requiring all copies of the January 1984 issue of PCW to be withdrawn from sale", with the article concerned being regarded as inciting readers to "duplicate computer programs"  This injunction was subsequently lifted as a consequence of an out-of-court settlement between the parties involving a damages payment of £65,000 plus costs to Acorn "to meet Acorn's expenses in developing a new locking device"  The article's author, Guy Kewney, and the magazine's editor, Jane Bird, argued that printing a software routine showing how to save Acornsoft cassette software to disk was a service to the magazine's readers  The cost of printing the magazine issue concerned was estimated at £100,000 Acornsoft became a subsidiary within Acorn Computer Group, distinct from Acorn Computers who were responsible for the development of Acorn's microcomputer systems, but Acornsoft ceased to operate as a separate company upon the departure of David Johnson-Davies in January 1986  Past this date, Acorn Computers used the Acornsoft name on office software it released in the VIEW family for the BBC Master series  In 1986 Superior Software was granted a licence to publish some Acornsoft games and re-released many, individually and as compilations such as the Play It Again Sam and Acornsoft Hits series  By agreement, the Acornsoft name was also used on the packaging of some of the subsequent Superior games  Superior chose not to take on Acornsoft's text adventure games, most of which were released in updated versions by Topologika along with some sequels from the same authors 
In 1997, Acorn sought to revive the Acornsoft brand for new software releases, such as upgrades to RISC OS, programming tools, a new Web browser, multitasking movie playback (using Acorn Replay), and Java for RISC OS  A stated objective was to demonstrate that a "wide range of innovative software at competitive prices" was available for RISC OS, with support also being potentially offered to third-party software producers  Acornsoft products themselves would be supported by marketing, including advertising, and the provision of press review samples 

Branding
Acornsoft titles extended their consistent branding to the software's loading screens 

Select titles
Acheton – A text adventure
Arcadians – A Galaxian clone
Aviator – A Spitfire flight simulator  With aliens   
Black Box & Gambit - 2 board game type games which were the winning entries of a 'design a game' competition on ITV's The Saturday Show  Black Box was a licensed version of the Waddingtons game of the same name developed by Ben Finn who would go on to co-write Sibelius  Gambit was created by the Oliver Twins and their first commercially released game
Bouncer – A Q*Bert clone
Business Games – An educational package
Carousel – A Carnival clone
Castle of Riddles – A text adventure
Countdown to Doom – A text adventure; first in a trilogy (although sequels Return to Doom and Last Days of Doom were not published by Acornsoft)
Crazy Tracer – An Amidar clone
Creative Graphics – A series of graphical demonstrations of the BBC Micro's visual capabilities, with user editable code
Drogna – Strategy game based on a section of the BBC TV game show The Adventure Game
Elite – A 3D space battle and trading game
Firebug – A platform and ladders game
Free Fall – Survival game set in an out of control space station
Gateway to Karos – A text adventure
Graphs and Charts – Graphical mathematical modelling
Hopper – A Frogger clone
JCB Digger – A scrolling 2D dig-em-up
Kingdom of Hamil – A text adventure
Labyrinth – A 2D maze based shoot-em-up
Magic Mushrooms – A platform and ladders game with built-in level editor
Meteor Mission – A Lunar Rescue clone
Meteors – An Asteroids clone
Missile Base – A Missile Command clone
Monsters – A Space Panic clone
Philosopher's Quest – A text adventure
Planetoid – A Defender clone originally released as Defender
Revs – A Formula Three racing car simulation
Rocket Raid – A Scramble clone
Snapper – A Pac-Man clone
Sphinx Adventure – A text adventure
Starship Command – A 2D space battle game
Super Invaders – A Space Invaders clone
Volcano – A game in which you rescue people from the other side of an active volcano with a helicopter

Acornsoft Games range
Including all arcade, text adventure and board games  All games were compatible with the BBC Micro Model B  Games followed by Model A & B were compatible with both machines  Games followed by Electron were also released separately for the Acorn Electron  Games are listed by their catalogue numbers which are roughly the order of release of the BBC versions 

G01 Philosopher's Quest (BBC 1982, Electron 1984)
G02 Defender (BBC 1982) deleted for legal reasons and later re-released as Planetoid
G02 Aviator (BBC 1983) released with G26-G28 but re-used the deleted Defender's number
G03 Monsters (BBC 1982, Electron 1983)
G04 Snapper (BBC 1982, Electron 1983)
G05 Rocket Raid (BBC 1982)
G06 Arcade Action (BBC Model A & B 1982) 4 games: Invaders, Breakout, Dodgems and Snake
G07 Sphinx Adventure (BBC 1982, Electron 1984)
G08 Cube Master (BBC 1982)
G09 JCB Digger (BBC 1983)
G10 Chess (BBC 1982, Electron 1983)
G11 Maze (BBC 1982, Electron 1984)
G12 Sliding-Block Puzzles (BBC 1982)
G13 Meteors (BBC 1982, Electron 1983)
G14 Arcadians (BBC 1982, Electron 1984)
G15 Planetoid (BBC 1982, Electron 1984)
G16 Super Invaders (BBC 1982)
G17 Castle of Riddles (BBC 1982, Electron 1984)
G18 Missile Base (BBC 1982)
G19 Countdown to Doom (BBC 1982, Electron ROM Cartridge 1984)
G20 Draughts & Reversi (BBC Model A & B 1983, Electron 1983)
G21 Snooker (BBC 1983, Electron 1984)
G22 Starship Command (BBC 1983, Electron 1983)
G23 Hopper (BBC 1983, Electron 1984)
G24 Carousel (BBC 1983)
G25 Kingdom of Hamil (BBC 1983)
G26 Crazy Tracer (BBC 1983, Electron 1984)
G27 Drogna (BBC 1983)
G28 Free Fall (BBC 1983, Electron 1984)
G29 Meteor Mission (BBC 1984)
G30 Gateway to Karos (BBC 1983)
G31 Boxer (BBC 1984, Electron 1984)
G32 Tetrapod (BBC 1984)
G33 Volcano (BBC 1984)
G34 Black Box & Gambit (BBC 1984)
G35 Bouncer (BBC 1984)
G36 The Seventh Star (BBC 1984)
G37 Acheton (BBC 1984)
G38 Elite (BBC 1984, Electron 1984)
G39 Firebug (BBC 1984, Electron 1984)
G40 Quondam (BBC 1984)
G41 Labyrinth (BBC 1984)
G42 Go (BBC 1984, Electron 1984)
G43 Revs (BBC 1985)
G44 Revs 4 Tracks (BBC 1985) extra tracks for the main game
G45 Elite original BBC Micro 6502 Second Processor version
G46 Magic Mushrooms (BBC 1985, Electron 1985)
G47 Elite enhanced (BBC 1986) incl  6502 Second Processor and Master 128 versionsThere are also a number of completed but unreleased games that have found their way into the public domain such as Crazy Balloon, Hellforce and Bandit that date from around 1983 

Acornsoft Education range
Acornsoft produced a wide range of educational titles aimed at many different age groups 

E01 Algebraic Manipulation (BBC Model A & B 198?)
E02 Peeko-Computer (BBC Model A & B 198?, Electron 1984)
E03 Business Games (BBC Model A & B 198?, Electron 1984) 2 games: Stokmark and Telemark
E04 Tree of Knowledge (BBC 198?, Electron 1983)
E05 Word Hunt (BBC 198?, Electron 1984)
E06 Word Sequencing (BBC Model A & B 198?, Electron 1984)
E07 Sentence Sequencing (BBC 198?, Electron 1984)
E08 Number Balance (BBC 198?, Electron 1984)
E09 Missing Signs (BBC Model A & B 198?, Electron 1984)
E?? Speed and Light (BBC 198?)
E?? Density and Circuit (BBC 198?)
E12 Chemical Analysis (BBC 198?)
E13 Chemical Simulations (BBC 198?)
E14 Chemical Structures (BBC 198?)
E15 Jars (BBC 198?)
E16 Temperature Control Simulation (BBC 1983)
E17 The Examiner (BBC 198?)
E18 Spooky Manor (BBC 198?)
E19
E20
E21
E22 Talkback (BBC 1984, Electron 1984)
E23 Workshop (BBC 1984, Electron 1984)
E24 ABC (BBC 1984)Acornsoft also published and distributed a range of educational software developed by ASK (Applied Systems Knowledge) that were widely used in schools running BBC Micros  These included Podd (find out which actions a red blobby character can perform (e g  jump, smile, dance), Squeeze (a two player strategy game of squeezing shapes onto a board) and Cranky (solve maths problems to repair a living calculator)  These titles were part of the Acornsoft catalogue but used a different code (XBE?? – all other Acornsoft titles began with S so the Education range on BBC Micro cassettes would be SBE??)  They ran on both the BBC Micro Model B and Acorn Electron 
The Ivan Berg Software range was also mainly educational but had its own distinct code (XBX??)  This included the 6 Grandmaster Quizzes (Theatre, Crime & Detection, Music, History, Science Fiction and Royal), relationship aids "  I Do" Your Guide to a Happy Marriage and The Dating Game and GCE/CSE revision guides (Mathematics, Biology and English) 
Acornsoft also distributed other ranges of educational programs developed by companies such as ICL, Good Housekeeping and Bourne but they are not considered part of the official catalogue 

Acornsoft Business range
Acornsoft produced a range of office software for home and business use 

B01 Desk Diary (BBC 198?, Electron 1984)
B02 Forecast (BBC 198?)
B03 VIEW (BBC 198?, Electron ROM cartridge 1984)
B04 VIEW Printer Drivers (BBC 198?)
B05 Personal Money Management (BBC 198?, Electron 1983)
B06 Database (BBC 1983, Electron 1984)
B07 ViewSheet (BBC 1984, Electron ROM cartridge 1984)
B08 Invoicing (BBC 1984)
B09 Mailing (BBC 1984)
B10 Accounts Receivable (BBC 1984)
B11 Stock Control (BBC 1984)
B12 Order Processing (BBC 1984)
B13 Accounts Payable (BBC 1984)
B14 Purchasing (BBC 1984)
B15 Hi-View (BBC 19??)
B26 P-System (BBC with 6502 Second Processor)The series continues but mainly with add-on products for the VIEW word processor such as ViewIndex (an automatic index generator) and ViewSpell (spell-checker) as well as newer versions 
View Professional (1987) was a combined wordprocessor, spreadsheet and database similar to PipeDream on the Z88 Although primarily a programming language suite, Acornsoft released its P-System product featuring UCSD Pascal and Fortran 77 compilers as part of its business range  Developed by TDI for Acornsoft, the product required a 6502 second processor and disc system, preferably with two drives  Despite the £299 price, various tools including an assembler and linker were omitted from the product, these being made available in a separate Advanced Development Toolkit from TDI 

Acornsoft Languages range
Acorn systems came with a version of the BBC BASIC programming language as standard but Acornsoft also produced a wide range of other languages that could be loaded in by cassette or disc or in some cases, supplied in ROM form 

L01 FORTH (BBC 1982, Electron 1983)
L02 LISP (BBC 1982, Electron 1983, Electron ROM cartridge 1984)
L03 BCPL (BBC 1983)
L04 Microtext (BBC 1983)
L05 6502 Development System (BBC 1985)
L06 Logo (BBC 1983, Electron ROM cartridge 1985)
L07 Turtle Graphics (BBC 1983, Electron 1984)
L08 S-Pascal (BBC 1983, Electron 1984)
L09 LISP Demonstrations (BBC 1984)
L10 BCPL Calculations Package (BBC 198?)
L11
L12 BCPL Stand Alone Generator (BBC 1983)
L13 FORTH – ROM version (BBC 1984)
L14 LISP – ROM version (BBC 1982)
L15
L16
L17 PROLOG Micro (BBC 1985)
L18 ISO-Pascal (BBC 1984, Electron ROM cartridge 1985)
L19 COMAL (BBC 1984) 
L20
L21
L22 BASIC Editor (BBC 1985)
L23 Termulator (BBC 1987)
L24 ISO-Pascal Stand Alone Generator (BBC 198?)The relative performance of some of Acornsoft's languages was evaluated using a benchmark based on the Takeuchi function, Tak by former Acornsoft managing director, David Johnson-Davies, noting that "it is difficult to imagine a language that performs badly on Tak being much use for anything", illustrating a diversity amongst these language implementations in terms of readability, speed and generated code size  A follow-up article expanded the comparison to other language implementations such as Oxford Pascal, Z80 versions of BBC BASIC, Turbo Pascal and Small-C 

Acornsoft Graphics range and more
The graphics range was used to demonstrate the graphical power of the Acorn computers but only three titles were made available  The X?? code was then used for other types of software 

X01 Creative Graphics (BBC 198?, Electron 1983)
X02 Graphs & Charts (BBC 198?, Electron 1983)
X03 Picture Maker (BBC 1983, Electron 1984)
X04 Shirley Conran's Magic Garden (BBC 1983)
X05 Collector's Catalogue (BBC 198?)
X06 Membership Manager (BBC 198?)
X07 One To Nine (BBC 198?)
X08 Hooked on Numbers (BBC 1983)
X09
X10 Complete Cocktail Maker (BBC 198?, Electron 1984)
X11 Paul Daniels' Magic Show (BBC 198?, Electron 1984)
X12 100 Programs for the BBC Micro (BBC 198?)
X13 Linkword French (BBC 1984)
X14 Linkword Italian (BBC 1984)
X15 Linkword Spanish (BBC 1984)
X16 Linkword German (BBC 1984)
X17 Watch Your Weight (BBC 198?, Electron 1984)
X18 Me & My Micro (Electron 1984)The range took on various themes including Creative Sound (X26) 
Passage 10:
Blast Corps
Blast Corps is an action game developed by Rare and published by Nintendo for the Nintendo 64  In the game, the player uses vehicles to destroy buildings in the path of a runaway nuclear missile carrier  In the game's 57 levels, the player solves puzzles by transferring between vehicles to move objects and bridge gaps  It was released in March 1997 in Japan and North America  A wider release followed at the end of that year 
The game was Rare's first game for the Nintendo 64  Its development team ranged between four and seven members, many of whom were recent graduates  The team sought to find gameplay to fit Rare co-founder Chris Stamper's idea for a building destruction game  The puzzle game mechanics were inspired by those of Donkey Kong (1994) 
Blast Corps was released to critical acclaim and received Metacritic's second highest Nintendo 64 game ratings of 1997  The game sold one million copies—lower than the team's expectations—and received several editor's choice awards  Reviewers praised its originality, variety, and graphics, but some criticized its controls and repetition  Reviewers of Rare's 2015 Rare Replay retrospective compilation noted Blast Corps as a standout title 

Gameplay
Blast Corps is a single-player action video game  The player controls vehicles to destroy buildings, farms, and other structures in the path of a runaway nuclear missile carrier  The player fails if the carrier collides with an object  The eight demolition vehicles vary in the way they clear structures: the bulldozer rams, the dump truck drifts, the lightweight buggy crashes from higher ground, the tricycle shoots missiles, another truck presses outwards from its sides, and robot mechs tumble and stomp from the land and the air  The player must transfer between vehicles and other machinery to solve puzzles  Objectives include transporting timed explosive crates and bridging gaps  The game's puzzles increase in difficulty as the player progresses through its 57 levels The world is portrayed from a three-quarters overhead view  The player can adjust the game's viewable perspective with zoom and horizontal panning functions  Pop-up hints will guide the player in the early stages of the game, and other characters audibly encourage the player as each level wears on  The cheery soundtrack increases in tempo as the level's timer runs low  After completing a level, the player can return to explore without a time limit  By finding secrets and activating lights throughout the level, the player raises their score and final medal ranking  There are also secret levels hidden throughout the game, where the player completes objectives against the clock  The player can compete against a ghost copy of their previous path through a level  There are no settings to change the game's difficulty, and the game saves to both the game cartridge itself and external storage 

Plot
The game's story takes place on a parallel Earth, in which mankind lives in relative peace, until an event occurs that threatens the lives of the whole planet  The national government of an unnamed country discovers that the transportation of two defective nuclear missiles has gone wrong, after they begin leaking radiation  The automated carrier transporting them becomes damaged as a result and automatically sets itself on a direct course towards the site for a controlled detonation, effectively placing it in danger where the slightest jolt from hitting buildings or falling into pits would trigger the missiles, causing a catastrophic explosion 
To prevent this, the government hires the demolition company known as Blast Corps - founded by several former military soldiers who were stationed in the base the missiles came from, until an accident involving one of their members led the others to desert their post  Using a variety of different machines to assist them, Blast Corps assigns a new recruit to help clear the carrier's path, ensuring it can get past areas safely, while at the same time seeking out a group of missing scientists needed to conduct the safe detonation of the missiles  Dealing with an array of difficult situations, Blast Corps manages to prevent catastrophe, finding the scientists and putting an end to the threat from the missiles 
After Blast Corps successfully complete their mission, the company finds themselves contracted to help clear several buildings in a city in order to create an emergency runway for a space shuttle returning to Earth  The company successfully completes the mission, later earning a contract to clear debris on the moon, before its employees take a well-earned break after establishing a reputation for being the best demolition company in the business 

Development
Blast Corps was among Rare's first games for the Nintendo 64 and led a run of seven critically acclaimed Rare titles for the console  The game's production began in early 1996  The development team consisted of four recent graduates, though it expanded at times to seven concurrent staff  Martin Wakeley became the game's lead designer  He credited the team's small size for their easy progression from planning to market  Rare founder Chris Stamper was the impetus for the project  He had wanted to make a game about destroying buildings for years prior to Blast Corps's development  The team worked to fit his idea to a gameplay concept and devised a "Constantly Moving Object" conceit that would give the levels a time limit  This idea became the nuclear missile carrier 

Retro Gamer credited Wakeley for Blast Corps's idiosyncratic ideas and humor in light of the game's serious premise  For instance, the Mario Kart 64 "power slide" drift mechanics inspired that of Blast Corps's dump truck  Wakeley championed the drift controls against the rest of the team, who found them aggravating  The game's lead artist, Ricky Berwick, had developed the vehicle concepts without consideration for their in-game function, and the vehicles were only later retrofitted to the gameplay  One of the robot vehicles was designed without an arm because the developers had run out of computer memory to store the data and liked the look anyway  Wakeley determined the game's high score "goal medal" objectives, in which players would attempt to better a set completion time on each level  Blast Corps's Japanese and American quality assurance teams later competed to push the levels to their limits, which resulted in the game's platinum level objectives  Wakeley described these platinum challenges as "just insane" and said he could only finish four himself Wakeley saw Blast Corps as a puzzle game at its core  He was influenced by the 1994 Donkey Kong, in which the player begins each level with all the tools they need to finish but must learn how to use them  Wakeley said this was Blast Corp's core game mechanic  He was also inspired by the Super Mario 64 demo at Nintendo's annual trade show in 1995, which introduced him to the 3D analog stick and spurred him to achieve something similar  The team's technical accomplishments included character and environment models composed completely of polygons and the absence of distance fog to obscure the draw distance Nintendo published Blast Corps for their Nintendo 64  In its 1995 trade show preview, it was originally titled Blast Dozer, a name it retained for its Japanese release  (The team had considered other titles, including "Heavy Duty Heroes", "Blast Radius", and "Power Dozer" ) Blast Corps was first released in Japan on March 21, 1997, and in North America three days later  Its European and Australian release followed on December 22  The game had been in production for just over a year 

Reception
The game received "universal acclaim", according to review aggregator Metacritic, and "unanimous critical success", according to Retro Gamer  Reviewers highly praised the novelty and variety of Blast Corps's gameplay  Peer Schneider of IGN, in particular, lauded the game's originality  Trent Ward commented in GameSpot that the premise taps into childhood fantasies, while "the unique relationship between the terrain and the vehicles you pilot ensures that Blast Corps will exercise your mind as well as your reflexes" Reviewers struggled to master the game's controls  GamePro's Slo Mo praised this aspect of the game, saying that even mastering the extreme precision of the steering is fun, and rewards the player with both better gameplay technique and an appreciation for the strong distinction between the game's many vehicles  Schneider likewise overcame his initial concerns to appreciate the complexity of the controls and the differences between the vehicles  He considered the locked camera view restrictive when compared to the unrestricted 3D camera in the game's contemporaries  Schneider thought the game should have been longer, with fewer bonus levels and more main missions, though he did appreciate the pacing, design, and difficulty of the included levels  Slo Mo instead asserted that "Over 60 levels and hidden areas within hidden areas give you your money's worth"  A Next Generation critic agreed, asserting that the vast size of the levels and numerous secrets and bonus areas make Blast Corps "one of the few Nintendo 64 games that justifies its exorbitant price tag"  Shawn Smith and Sushi-X of Electronic Gaming Monthly (EGM) thought the game was repetitive, as did Computer and Video Games  The latter, though, praised Blast Corps's level design and difficulty progression  Ward had fewer reservations, writing that "basically what you have here is a game with great graphics, great sound, and a great premise  What's even more impressive is that the game doesn't really have any substantial flaws to speak of – unless you want to count lack of a two-player mode, which really isn't fair " Crispin Boyer of EGM wrote that the game's best feature was its "palpable sense of suspense" as the carrier advanced on resistant buildings Critics praised the game's graphics and sound  Schneider found the game unpretentious in comparison to video game trends of photorealistic rendering and cartoonish art  He likened the slick vehicle animations and metallic elements to Micro Machines and Rare's R C  Pro-Am  Schneider praised the game's texture maps, which made the night scenes and houses look realistic, and the canyons breathtaking  He wrote that the game's 3D programming was errorless, and was particularly pleased about the game's lack of fog, usually used to cover developer limitations  EGM echoed Schneider's praise of the deep landscapes, which Boyer called "incredible"  Scott McCall (AllGame) praised the game's realistic polygonal models and technical prowess, and Steve Polak (The Weekend Australian) wrote that Blast Corps showcased the console's graphics capabilities  Schneider described the soundtrack as between "70s pop, disaster movie score, and Country Bear Jamboree"  He praised the range of engine, tire screeching, and crashing sound effects  Reviewers disliked the country music tracks with jaw harp IGN wrote that Blast Corps exemplified qualities of enjoyable Nintendo Entertainment System and arcade games, while EGM considered the game unlike all others  Retro Gamer wrote that the game's combination of puzzles and continuous destruction made the game so unique as to defy genre classification  The magazine described the gameplay concept of returning to explore without a time limit as "a stroke of genius"  Retro Gamer thought of Blast Corps as a 3D successor to "nail-biting reaction games" such as Loco-Motion  Computer and Video Games agreed with a reader that Blast Corps was part of a "Destroy" subgenre including games like Desert Strike, Return Fire, and Body Harvest, and Matt Fox of The Video Games Guide put the game in a lineage with Highway Encounter and Lunar Jetman  Slo Mo said it was "like Pilotwings with a kamikaze twist  It's a multifaceted game that melds a slick vehicle sim and a mind-thumping action/strategy challenge with massive destructive force " Schneider said Blast Corps was on par with the quality of Shigeru Miyamoto games and an excellent display of Rare's potential  Next Generation described it as "effectively every Tonka fantasy brought vividly and explosively to life" EGM named it a runner-up for "Most Original Game of the Year" (behind PaRappa the Rapper) at their 1997 Editors' Choice Awards Blast Corps sold close to a million copies  The game sold reasonably well in Japan  Metacritic ranked the title among the top ten games released in 1997  It remained Metacritic's highest ranked 1997 Nintendo 64 game after GoldenEye 007  Blast Corps was selected as Electronic Gaming Monthly's May 1997 Game of the Month and an IGN Editors' Choice  Later the same year, Electronic Gaming Monthly ranked it number 93 on their 100 best console video games of all time, remarking, "C'mon, not only are you driving all the vehicles you thought were mega cool as a kid – you're using 'em to plow through buildings " Four of six Nintendo Power reviewers recommended the game 

Legacy
Wakeley, the game's designer, considered making a sequel as an action combat game, but thought the concepts behind Blast Corps had been fully exhausted  After praising the game in a 2010 Rare retrospective feature, Retro Gamer's writers craved a sequel  The magazine said the title was proof of the company's inventiveness  Steve Ellis, who was a programmer at Rare, thought Blast Corps to be among the company's most underrated games, and though its physics were now dated, he continued to find the game fun enough to revisit regularly  Blast Corps is included in Rare Replay, a compilation of 30 Rare titles, released on the Xbox One on August 4, 2015  The release's bonus features included behind-the-scenes interviews with Blast Corps's developers  Blast Corps was a standout favorite among Rare Replay reviewers Rare's Blast Corps began a run of highly praised Nintendo 64 games, including GoldenEye 007, Banjo-Kazooie, Perfect Dark, and Jet Force Gemini  Retro Gamer wrote that Rare had doubled the number of classic Nintendo 64 games and was an important alliance for Nintendo  Microsoft acquired Rare in 2002 for a record price of $377 million  After the industry had changed, Blast Corps designer Martin Wakeley reflected a decade after the game's 1997 release  In 2009, Wakeley said, a studio would rarely entrust the scope of a project like Blast Corps to a team of four recent graduates The staff of Nintendo Power (1997) and IGN (2014) both listed Blast Corps in the bottom halves of their top 100 Nintendo games of all time  Official Nintendo Magazine ranked the game 84th on a list of the greatest Nintendo games 
Passage 11:
The Long Week-End
The Long Week-End is a social history of interwar Britain, written by Robert Graves and Alan Hodge  It was first published in 1940, just after the end of the period it treats 
Their story covers a wide range of popular and social themes, including politics, business, science, religion, art, literature, fashion, education, popular amusements, domestic life, sexual relations, and much else The Long Week-End has gone through several reprints, the latest in 2009 by the Folio Society 
Historian Adrian Tinniswood named his 2016 book, The Long Weekend: Life in the English Country House, 1918–1939, after it 

Reception
In a contemporary book review in the peer-reviewed Journal of Modern History, William D  Clark wrote, "To write a social history of England from the newspapers of the last twenty years… demands extraordinary powers of selection and interpretation  Mr  Graves has given us proof that he possesses such powers, but unfortunately in this book he resolutely refuses to use them, misled perhaps by the ideals of the Mass-Observation school  The result is a strange unfocused photograph of the times, in which, although the 'camera-eye' has not lied, it has failed entirely to introduce any perspective or integration " A 1941 review by Kirkus Reviews summarized the book with; "a graphic panorama of fads, fancies, facts, foibles and fingerposts along the way from war to war    Thoroughly good reading of the background of those years, if one wants to look back "
Passage 12:
Linguistics (journal)
Linguistics: An Interdisciplinary Journal of the Language Sciences is a peer-reviewed academic journal of general linguistics published by De Gruyter Mouton  The journal publishes both articles and book reviews  It  publishes two special issues a year  The current Editor-in-Chief is Johan van der Auwera  Since 2010, it publishes 1400 pages per year 

History
Linguistics was started in 1963 by Mouton Publishers in The Hague, apparently on the initiative of Mouton's Peter de Ridder as well as linguist C H  van Schooneveld  In 1979, after Mouton had been bought by Walter de Gruyter, a new editorial board was established, consisting of Brian Butterworth, Bernard Comrie, Östen Dahl, Norbert Dittmar, Flip Droste, Jaap van Marle, and Jürgen Weissenborn  De facto, Brian Butterworth was editor-in-chief between 1979 and 1982  From 1982 through 2005, the editor was Wolfgang Klein, who was succeeded by Johan van der Auwera 

Abstracting and indexing
The journal is abstracted and indexed in:

The journal has a Thomson Reuters 2015 impact factor of 0 763 and a 5-year impact factor of 0 872 
Context 2: Passage 1:
Kabompo River
The Kabompo River is one of the main tributaries of the upper Zambezi River  It flows entirely in Zambia, rising to the east of the source of the Zambezi, in North-Western Province along the watershed between the Zambezi and Congo river basins which also forms the border between Zambia and DR Congo  It is the second deepest river in Africa and one of the top five in the world 

Geography
The Kabompo River flows south-west through miombo woodland, then a remote Cryptosepalum dry forest ecoregion, with the West Lunga National Park on its west bank  After flowing past the town of Kabompo, it develops a swampy floodplain up to 5 km wide  The Kabompo Ferry on its lower course carries the main north–south gravel highway on the eastern side of the Zambezi  The river enters the Zambezi north of the town of Lukulu, at the north end of the Barotse Floodplain  Its main tributaries are the Western Lunga River which flows from the north, and the Dongwe River from the east 

See also
List of rivers of Africa
Passage 2:
Chapare River
The Chapare River is a river in Bolivia, which is a tributary of the Mamoré River in the Amazon Basin  The river has its source at the confluence of Espíritu Santo River and San Mateo River in the Cochabamba Department at Villa Tunari  It is the main waterway of Chapare Province 

See also
Tunari National Park

External links
 Media related to Río Chapare at Wikimedia Commons

Chapare River Floods
Passage 3:
Rhonelle
The Rhonelle is a river of northern France  It is 32 km (20 mi) long  It is a right tributary of the Scheldt  Its source is near Locquignol  It flows generally northwest along Le Quesnoy, Villers-Pol and Famars  It flows into the Scheldt in Valenciennes 
Passage 4:
Utva River (Perm Krai)
The Utva (Russian: Утьва) is a river in Perm Krai, Russia, a right tributary of the Veslyana, which in turn is a tributary of the Kama  The river is 76 kilometres (47 mi) long, and its drainage basin covers 697 square kilometres (269 sq mi)  The source of the river is in the extreme southwest of the Gaynsky District of Perm Krai, near the border with Kirov Oblast and the Komi Republic  The main tributaries are the Chugrum (right) and the Yuzhnaya Anva (left) 
Passage 5:
Hushe River
The Hushe River is a tributary river to the Shyok River which itself is tributary to the Indus River  The main source of the Hushe River is the Gondogoro Glacier  Some streams also flow from other glaciers of the Hushe valley  The Hushe river joins with Saltoro River at Haldi village before joining the Shyok River  Both the Hushe and Saltoro rivers join the Shyok river at the Tsa thang Ghursa village 
Passage 6:
Loimijoki
The river Loimijoki is a river in Finland and the longest tributary of the river Kokemäenjoki  The river originates at the lake Pyhäjärvi in Tammela and joins the river Kokemäenjoki in Huittinen  There is a 54-metre (177 ft) difference in elevation between the source and the mouth of the river, which is 114 kilometres (71 mi) long  The river drains a catchment area of 3,140 square kilometres (1,210 sq mi)  The river has several dams at Forssa, Jokioinen and Loimaa The Loimijoki river runs through the most fertile lands of Finland making its water  relatively muddy  The river was badly polluted by sewage of industry and population centers along the river, but since the 1980s the river has been starting to recover and currently the river sees also recreational use like fishing and water sports 
Passage 7:
Kraai River
The Kraai River (literally "Crow River") is a tributary of the Orange River (also called Gariep River by locals) that flows near Barkly East in the Eastern Cape, South Africa 

The Kraai River originates in the mountains south of Lesotho and flows westward from the confluence of the Bell River and the Sterk Spruit at Moshesh's Ford at 30°51′09″S 27°46′40″E all the way to Aliwal North, where it joins the Orange River at 30°40′02″S 26°45′06″E The river flows almost entirely over sandstone rocks of the Clarens Formation 
The Kraai is fishable, containing rainbow trout, brown trout and smallmouth yellowfish 

In 1881
a sandstone arch bridge called the J W Sauer bridge was completed over the river   The bridge linked communities in the Kraai River basin with Aliwal North  The Sauer bridge and the Loch Bridge on the farm
Tyger Krantz, are now Provincial Heritage sites 

Major tributaries
Bell River and a tributary of the Bell, the Kloppershoek Spruit
Sterk Spruit, its tributaries are the Bok Spruit and Rifle Spruit
Joggem Spruit
Langkloof Spruit
Diep Spruit and its tributary, the Three Drifts Stream
Carlisleshoek Spruit and the Maartenshoek Spruit
Klein Wildebeest Spruit
Saalboom Spruit and its tributary, the Vaalhoek Spruit
Karnmelk Spruit

See also

List of rivers of South Africa
List of reservoirs and dams in South Africa
Passage 8:
Shaksgam River
The Shaksgam River (Chinese: 沙克思干河; pinyin: Shakesigan He, Hindi: शक्सगाम नदी, romanized: Shaksgām Nadi, Urdu: دریائے شکسگام, romanized: Daryá-e-Shaksgám) is a left tributary of the Yarkand River  The river is also known as the Kelechin River (Chinese: 克勒青河) and Muztagh River (Chinese: 穆斯塔格河)  It rises in the Gasherbrum, Urdok, Staghar, Singhi and Kyagar Glaciers in the Karakoram  It then flows in a general northwestern direction parallel to the Karakoram ridge line in  the Shaksgam Valley  It receives the waters of the Shimshal Braldu river and the Oprang river from the Pakistan-administered Hunza District before turning east and joining the Yarkand River  The stretch of the river's course between Shimshal Braldu and Oprang is used as the Pakistan–China border Administratively, the Chinese part of the valley is within the southernmost portions of Yarkand County (the source) and the Tashkurgan Tajik Autonomous County (lower course)  India claims the entire valley as part of its Jammu and Kashmir state, now part of Ladakh 

History
The river valley was explored in 1889 by Francis Younghusband (who referred to the Shaksgam as the Oprang) , and again in 1926 by Kenneth Mason, who confirmed the sources of the river 

Geography
The upper river valley is used by climbers approaching the north face of K2   The approach requires a crossing of the river, which is hazardous   Between its confluence with the Shimshal Braldu River and its confluence with the Oprang River the river forms the border between China and Pakistan administered Kashmir   The area is used as winter pastures by yak herdsmen from the village of Shimshal  Historically, the bed of the Yarkand river where Shaksgam joins it, was used for cultivation by farmers from the state of Hunza  The rulers of Hunza are said to have obtained these "territorial rights to Shaksgam" in the distant past The average annual temperature in the region can fall below freezing 

See also
Trans-Karakoram Tract
Dafdar
Yinsugaiti Glacier
Sarpo Laggo Glacier
Passage 9:
Neste (river)
The Neste (French pronunciation: ​[nɛst]; Occitan: Nestés) is a river in southern France, a left tributary of the Garonne  It is 73 1 km (45 4 mi) long  It rises from several sources around Saint-Lary-Soulan, central Pyrenees and flows through
the following departments and towns:

Hautes-Pyrénées: Saint-Lary-Soulan, Arreau, La Barthe-de-Neste
Haute-Garonne: MontréjeauTwo rivers, the Neste d'Aure and the Neste du Louron, join to form the Neste at Arreau  The Neste flows into the Garonne in Montréjeau 
Passage 10:
Bolshaya Lyampa
The Bolshaya Lyampa (Russian: Большая Лямпа) is a river in Perm Krai, Russia, a right tributary of the Uls which in turn is a tributary of the Vishera  The river is 34 kilometres (21 mi) long  Its source is near the border with Sverdlovsk Oblast  It flows into the Uls 55 kilometres (34 mi) from the larger river's mouth  The Bolshaya Lyampa's main tributary is the Malaya Lyampa 
Passage 11:
Raba (river)
The Raba is a river in the south of Poland (Lesser Poland Voivodeship), right tributary to the river Vistula  Its source is in the Beskids, between the towns of Rabka-Zdrój and Nowy Targ  It flows to the north and then to the northeast  Towns along the river Raba include Rabka-Zdrój, Mszana Dolna, Myślenice, Dobczyce and Bochnia 
For centuries, the Raba was an important artery, along which several towns and villages were established  Its name probably comes from Celtic languages, and the Raba is divided into three parts: the Upper Raba (60 kilometres [37 mi] long located in the Beskids), the Middle Raba (in the Carpathian Foothills), and the Lower Raba (in the Sandomierz Basin) 
The Raba has its source at the Sieniawa mountain pass, at the height of 750 metres (2,460 ft) above sea level  It flows into the Vistula near Uscie Solne, after 134 7 kilometres (83 7 mi), while the area of its drainage basin is  1,537 1 square kilometres (593 5 sq mi)  From its source downstream to the town of Myślenice, the Raba is a typical mountain river, with narrow valley, rock-covered bed, fast currents and big drops  Below Lake Dobczyce it retains its mountain features for several kilometers  The river has no tributaries for its last 19 kilometres (12 mi) 
The Raba marks the boundary between the Makow Beskids and the Island Beskids, as well as the boundary between the Wieliczka Foothills, and the Wisnicz Foothills  Its tributaries are mainly mountain streams, such as Poniczanka, Slonka, Krzyworzeka, Mszanka, Kasinianka, Kaczanka, Krzczonówka, Trzemesnianka, Stradomka, Babica 

See also
Rivers of Poland
1934 flood in Poland

Sources
Description of the Raba

External links
Fishing on the Raba
Kayaking on the Raba
Passage 12:
Congo River
The Congo River (Kongo: Nzâdi Kôngo, French: Fleuve Congo, Portuguese: Rio Congo), formerly also known as the Zaire River, is the second-longest river in Africa, shorter only than the Nile, as well as the third largest river in the world by discharge volume, following the Amazon and the Ganges rivers  It is also the world's deepest recorded river, with measured depths of around 220 m (720 ft)  The Congo-Lualaba-Chambeshi River system has an overall length of 4,700 km (2,900 mi), which makes it the world's ninth-longest river  The Chambeshi is a tributary of the Lualaba River, and Lualaba is the name of the Congo River upstream of Boyoma Falls, extending for 1,800 km (1,100 mi) 
Measured along with the Lualaba, the main tributary, the Congo River has a total length of 4,370 km (2,720 mi)  It is the only major river to cross the Equator twice  The Congo Basin has a total area of about 4,000,000 km2 (1,500,000 sq mi), or 13% of the entire African landmass 

Name
The name Congo/Kongo originates from the Kingdom of Kongo once located on the southern bank of the river  The kingdom in turn was named for the indigenous Bantu Kongo people, known in the 17th century as "Esikongo"  South of the Kingdom of Kongo proper lay the similarly named Kakongo kingdom, mentioned in 1535  Abraham Ortelius labeled "Manicongo" as the city at the mouth of the river in his world map of 1564  The tribal names in Kongo possibly derive from a word for a public gathering or tribal assembly  The modern name of the Kongo people or Bakongo was introduced in the early 20th century The name Zaire is from a Portuguese adaptation of a Kikongo word, nzere ("river"), a truncation of nzadi o nzere ("river swallowing rivers")  The river was known as Zaire during the 16th and 17th centuries; Congo seems to have replaced Zaire gradually in English usage during the 18th century, and Congo is the preferred English name in 19th-century literature, although references to Zahir or Zaire as the name used by the inhabitants remained common  The Democratic Republic of the Congo and the Republic of the Congo are named after it, as was the previous Republic of the Congo which had gained independence in 1960 from the Belgian Congo  The Republic of Zaire during 1971–1997 was also named after the river's name in French and Portuguese 

Basin and course
The Congo's drainage basin covers 4,014,500 km2 (1,550,000 sq mi), an area nearly equal to that of the European Union  The Congo's discharge at its mouth ranges from 23,000 to 75,000 m3/s (810,000 to 2,650,000 cu ft/s), with an average of 41,000 m3/s (1,400,000 cu ft/s)  The river transports annually 86 million tonnes of suspended sediment to the Atlantic Ocean and an additional 6% of bedload The river and its tributaries flow through the Congo rainforest, the second largest rainforest area in the world, after the Amazon rainforest in South America  The river also has the second-largest flow in the world, behind the Amazon; the second-largest drainage basin of any river, behind the Amazon; and is one of the deepest rivers in the world, at depths greater than 220 m (720 ft)  Because its drainage basin includes areas both north and south of the Equator, its flow is stable, as there is always at least one part of the river experiencing a rainy season The sources of the Congo are in the highlands and mountains of the East African Rift, as well as Lake Tanganyika and Lake Mweru, which feed the Lualaba River, which then becomes the Congo below Boyoma Falls  The Chambeshi River in Zambia is generally taken as the source of the Congo in line with the accepted practice worldwide of using the longest tributary, as with the Nile River 
The Congo flows generally toward the northwest from Kisangani just below the Boyoma Falls, then gradually bends southwestward, passing by Mbandaka, joining with the Ubangi River and running into the Pool Malebo (Stanley Pool)  Kinshasa (formerly Léopoldville) and Brazzaville are on opposite sides of the river at the Pool, where the river narrows and falls through a number of cataracts in deep canyons (collectively known as the Livingstone Falls), running by Matadi and Boma, and into the sea at Muanda 
Lower Congo constitutes the 'lower' parts of the great river; that is the section of the river from the river mouth at the Atlantic coast to the twin capitals of Brazzaville and Kinshasa  In this section of the river, there are two significant tributaries, both on the left or south side  The Kwilu River originates in the hills near the Angolan border and enters the Congo some 100 km upstream from Matadi  The other being the Inkisi River, that flows in a northerly direction from the Uíge Province in Angola to the confluence with the Congo at Zongo some 80 km downstream from the twin capitals  Because of the vast number of rapids, in particular the Livingstone Falls, this section of the river is not operated continuously by riverboats 

Drainage basin
The Congo basin covers ten countries and accounts for about 13% of Africa  The highest point in the Congo basin is in the Ruwenzori Mountains, at an altitude of around 4,340 m (14,240 ft) above sea level 

Distribution of the Congo basin area between countries:
The most important hydrological stations along the Congo river are:

Discharge
The Congo River discharge at Kinshasa/Brazzaville stations since the start of measurements (1902 to 2021):

Tributaries
The main river and tributaries are (sorted in order from the mouth heading upstream):

Lower Congo (river mouth to Kinshasa)
Downstream of Kinshasa, from the river mouth at Banana, there are a few major tributaries 

M'pozo (left)
Kwilu (left)
Inkisi (left)
Djoué (right)Middle Congo (Kinshasa to the Boyoma Falls)

Kwa-Kassai (left)
Fimi
Lukenie
Kwango
Kwilu
Sankuru
Alima (right)
Likouala-Mossaka (right)
Sangha (right)
Kadéï (570 km, 41,000 km², 466 m³/s)
Ubangi (right)
Mbomou
Uele
Tshuapa or Ruki (left)
Lulonga (left)
Lopori
Maringa
Mongala (right)
Itimbiri (right)
Aruwimi (right)
Lomami (left)
Lindi (right)Upper Congo (Lualaba; upstream from the Boyoma Falls)

Lowa (right)
Ulindi (right)
Elila (right)
Luama (right)
Lukuga (right)
Luvua (right)
Luapula (740 km, 173,386 km², 741 m³/s)
Chambeshi (500 km, 44,427 km², 185 m³/s)

Economic importance
Although the Livingstone Falls prevent access from the sea, nearly the entire Congo above them is readily navigable in sections, especially between Kinshasa and Kisangani  Large river steamers worked the river until quite recently  The Congo River still is a lifeline in a land with few roads or railways  Railways now bypass the three major falls, and much of the trade of Central Africa passes along the river, including copper, palm oil (as kernels), sugar, coffee, and cotton 

Hydroelectric power
The Congo River is the most powerful river in Africa  During the rainy season over 50,000 cubic metres (1,800,000 cu ft) of water per second flows into the Atlantic Ocean  Opportunities for the Congo River and its tributaries to generate hydropower are therefore enormous  Scientists have calculated that the entire Congo Basin accounts for 13 percent of global hydropower potential  This would provide sufficient power for all of Sub-Saharan Africa's electricity needs Currently, there are about 40 hydropower plants in the Congo Basin  The largest are the Inga dams, about 200 kilometres (120 mi) southwest of Kinshasa  The project was launched in the early 1970s, when the first dam was completed  The plan (as originally conceived) called for the construction of five dams that would have had a total generating capacity of 34,500 megawatts (MW)  To date only the Inga I and Inga II dams have been built, generating 1,776 MW In February 2005, South Africa's state-owned power company, Eskom, announced a proposal to expand generation through improvements and the construction of a new hydroelectric dam  The project would bring the maximum output of the facility to 40,000 megawatt (GW)  It is feared that these new hydroelectric dams could lead to the extinction of many of the fish species that are native to the river 

Natural history
The current course of the Congo River formed between 1 5 and 2 million years BP, during the Pleistocene  It is likely that during this period many upper tributaries of the Congo were captured from adjacent river basins, including the Uele and upper Ubangi from the Chari system and the Chambeshi River alongside a number of upper Kasai River tributaries from the Zambezi system The Congo's formation may have led to the allopatric speciation of the bonobo and the common chimpanzee from their most recent common ancestor  The bonobo is endemic to the humid forests in the region, as are other iconic species like the Allen's swamp monkey, dryas monkey, aquatic genet, okapi, and Congo peafowl In terms of aquatic life, the Congo River Basin has a very high species richness and among the highest known densities of endemics  As of 2009, almost 800 fish species have been recorded from the Congo River Basin (not counting Lake Tanganyika, which is connected but ecologically very different), and large sections remain virtually unstudied  For example, the section in Salonga National Park, which is about the size of Belgium, had still not been sampled at all in 2006  New fish species are scientifically described with some regularity from the Congo River Basin, and many undescribed species are known The Congo has by far the highest diversity of any African river system; in comparison, the next richest are the Niger, Volta and Nile with about 240, 140 and 130 fish species, respectively  Because of the great ecological differences between the regions in the Congo basin —including habitats such as river rapids, deep rivers, swamps, and lakes— it is often divided into multiple ecoregions (instead of treating it as a single ecoregion)  Among these ecoregions, the Livingstone Falls cataracts has more than 300 fish species, including approximately 80 endemics while the southwestern part (Kasai River basin) has more than 200 fish species, of which about a quarter are endemic The dominant fish families – at least in parts of the river – are Cyprinidae (carp/cyprinids, such as Labeo simpsoni), Mormyridae (elephant fishes), Alestidae (African tetras), Mochokidae (squeaker catfishes), and Cichlidae (cichlids)  Among the natives in the river is the huge, highly carnivorous giant tigerfish  Three of the more unusual endemics are the whitish (non-pigmented) and blind Lamprologus lethops, which is believed to live as deep as 160 metres (520 ft) below the surface, Heterochromis multidens, which is more closely related to cichlids of the Americas than other African cichlids, and Caecobarbus geertsii, the only known cavefish in Central Africa  There are also numerous endemic frogs and snails  Several hydroelectric dams are planned on the river, and these may lead to the extinction of many of the endemics Several species of turtles and the slender-snouted, Nile and dwarf crocodile are native to the Congo River Basin  African manatees inhabit the lower parts of the river 

History
Pre-colonial history
The entire Congo basin is populated by Bantu peoples, divided into several hundred ethnic groups  Bantu expansion is estimated to have reached the middle Congo by about 500 BC and the upper Congo by the first century AD  Remnants of the aboriginal population displaced by the Bantu migration, Pygmies/Abatwa of the Ubangian phylum, remain in the remote forest areas of the Congo Basin 
The Kingdom of Kongo was formed in the late 14th century from a merging of the kingdoms of Mpemba Kasi and Mbata Kingdom on the left banks of the lower Congo River  Its territorial control along the river remained limited to what corresponds to the modern Kongo Central province  European exploration of the Congo began in 1482 when Portuguese explorer Diogo Cão discovered the river estuary (likely in August 1482), which he marked by a Padrão, or stone pillar (still existing, but only in fragments) erected on Shark Point  Cão sailed up the river for a short distance, establishing contact with the Kingdom of Kongo  The full course of the river remained unknown throughout the early modern period The upper Congo basin runs west of the Albertine Rift  Its connection to the Congo was unknown until 1877  The extreme northeast of the Congo basin was reached by the Nilotic expansion at some point between the 15th and 18th centuries, by the ancestors of the Southern Luo speaking Alur people  Francisco de Lacerda followed the Zambezi and reached the uppermost part of the Congo basin (the Kazembe in the upper Luapula basin) in 1796 
The upper Congo River was first reached by the Arab slave trade by the 19th century  Nyangwe was founded as a slavers' outpost around 1860  David Livingstone was the first European to reach Nyangwe in March 1871  Livingstone proposed to prove that the Lualaba connected to the Nile, but on 15 July, he witnessed a massacre of about 400 Africans by Arab slavers in Nyangwe, which experience left him too horrified and shattered to continue his mission to find the sources of the Nile, so he turned back to Lake Tanganyika 

Early European colonization
The Europeans had not reached the central regions of the Congo basin from either the east or west, until Henry Morton Stanley's expedition of 1876–77, supported by the Committee for Studies of the Upper Congo
Context 3: Passage 1:
Neal Asbury
Neal Asbury (born May 2, 1957) is Chief Executive of The Legacy Companies  An advocate of entrepreneurship and free enterprise,  he hosts the nationally syndicated talk radio show Neal Asbury's Truth for America (now Neal Asbury's Made in America) 

Early life
Neal Asbury attended Jefferson Township High School in Jefferson Township, New Jersey  After graduation he enrolled in Rowan University in New Jersey graduating in 1979 with a Bachelor of Arts degree in music 

Career
After graduating from Rowan University Neal began working in the mail room of a Fifth Avenue as a food service exporter  A year later, Asbury moved on to Manila, working as a director of sales for a large trading company and traveling to capitals in the Far East  Seven years later, he founded Asbury Worldwide  By 1987, the firm had grown to include twelve distribution facilities around the globe   In 1989, he started began FAB Asia, Inc  in Manila, Philippines, an  Asian fabricator of commercial kitchens for McDonald's as well as other American restaurant chains 
After selling his group of companies in July 1999, Asbury established Greenfield World Trade, a global trading company selling and servicing American manufactured products in over 130 countries to both  retail and commercial markets  He acquired J  Cobo (a distribution company with operations throughout Latin America), General (a manufacturer of food preparation equipment), Zeroll (a manufacturer of kitchen gadgets), and Omega (a manufacturer of electrical kitchen appliances) 

Awards and distinctions
Asbury has received the E-Star Export Award and the Export Achievement Award from the U S  Department of Commerce  Asbury's company was recognized as National Champion Exporter of The Year(2008) after they were first recognized in February as Exporter of the Year for Florida, which was preceded by being selected as the Region IV Exporter of the Year, covering the Southeast United States   Greenfield World Trade's Neal Asbury Named SBA's National Champion Exporter of the Year 

Radio show and blog
Each week Asbury hosts a talk radio show, Neal Asbury's Made In America, (formerly Truth For America), produced by Atlantic Radio Network   It is broadcast around the US by Radio America and deals with topics related to America's entrepreneurial spirit and the American Dream Asbury also writes the Conscientious Equity blog, which focuses on his interest for small business, entrepreneurship and the benefits of expanding the U S  role in global commerce  Topics discussed on the blog range from the health care crisis to job creation and international trade  Asbury's blog entries have been syndicated online, appearing on Moneynews com 

Personal life
On December 29 in 1984 Neal married Elizabeth Trixia Gomez Carpio, an actress from the Philippines  They have two daughters 
Passage 2:
Steve Somers
Steve Somers (born April 17, 1947), nicknamed the Schmoozer, is an American talk radio host best known for his work on the New York City sports radio station WFAN (660 AM)  He has been with the station since its inception in 1987 

Personal life
Somers is a native of San Francisco, California, and became a fan of the San Francisco Giants upon the team's arrival to the city in 1958  He graduated from the University of California at Berkeley in 1969  He currently resides in Manhattan  
His nickname is  "The Schmoozer " He roots for the New York Mets (or Metropolitans as he refers to them), the New York Knicks (or Knickerbockers) the New York Rangers and New York Jets (sometimes he even calls them the Jetropolitans) 

Career
Somers began his career in the Bay Area  Before graduating high school, he worked at KYA radio in San Francisco delivering on air high school sports reports   After college, Somers began hosting a news talk show on KNEW radio in Oakland  To that effect, Time Magazine ran a story naming him the youngest talk show host in the country at that period of time  Somers also worked a public address announcer for the NBA's San Francisco Warriors 
In 1970, Somers joined KPIX in San Francisco  as a weekend sports anchor and won a San Francisco Press Club Award  Over the next decade and a half he held other television sportscasting positions at KOVR in Sacramento, WXIA-TV in Atlanta and KNBC in Los Angeles  While in Los Angeles, he also launched a sports talk program at KMPC radio 
Somers joined WFAN at the station's inception in July 1987  He spent his first few years with the station as the overnight host  While he was on the overnight program he dubbed himself "Captain Midnight"  During this time he conducted one of the last ever interviews with Mark Koenig, who was the last living member of the 1927 New York Yankees  He later spent a few years co-hosting the 10am-1pm slot with WWOR-TV sports anchor Russ Salzberg  The program was titled "The Sweater and the Schmoozer " At that time, Somers developed some of the quirks that have been hallmarks of his WFAN tenure, dropping catchphrases such as "schmoooooozing S-P-O-R-T-S" (spelling out the word "sports"), giving time checks in minutes and seconds, uniquely reading the end of the station's phone number as "six-six-six-six" rather than the standard "sixty six-sixty six", joking at the expense of engineer Eddie Scozzare ("THE Eddie Scozzare?" "No, Eddie Maple, who do you think we're talking?"), and reading the catalogue numbers of live commercials ("LV-242, for those of you scoring at home, and I know you are   ") 
He is also known to refer to the New York Mets, by their official name "The New York Metropolitans" drawing out the parts as Metro-Politans, and referring to the Islanders as the Ice-landers 
Currently, Somers usually works during the evening on weekdays  His program can be heard anywhere from 6:30pm to 2am, depending on whether WFAN airs a sporting event that night  He is also sometimes heard on weekends  He is colloquially known as "The Schmoozer " Somers has said of the infrequent scheduling, "Sometimes, just sometimes, I forget what time zone I live in "
In October 2021, Somers stated that WFAN's owner Audacy had requested to move his show back into the overnight hours, a request Somers declined as he was no longer willing to work a graveyard slot  He stated that, because of the request, he was planning on retiring from his regular shift at WFAN "sooner rather than later," with the intention of remaining at WFAN on a reduced schedule as a fill-in host if Audacy allows 

Film
Somers appeared in the 1979 film The Visitor 
Passage 3:
Andy Warhol's Fifteen Minutes
Andy Warhol's Fifteen Minutes is an American talk show hosted by artist Andy Warhol, that aired on MTV from 1985 to 1987  One of the network's earliest series, it featured interviews with up-and-coming musicians such as Courtney Love  Other such talk show guests include Debbie Harry and Chris Stein of Blondie, Nick Rhodes of Duran Duran, Ric Ocasek of the Cars, the Ramones, Grace Jones, Yoko Ono, Judd Nelson, Kevin Dillon, John C  McGinley, and William S  Burroughs 

See also
15 minutes of fame
Passage 4:
Treat Her Like a Lady (Diana King song)
"Treat Her Like a Lady" is a song by Jamaican-American singer Diana King from the 1995 album, Tougher Than Love  It was written by King, Andy Marvel and Billy Mann, and produced by Marvel  In 1997, it was covered by Canadian singer Celine Dion for her album, Let's Talk About Love 

Celine Dion version
Canadian singer Celine Dion recorded a cover version of "Treat Her Like a Lady" for her 1997 album, Let's Talk About Love  It was produced by Ric Wake  Dion changed some lyrics, gaining a co-writing credit  Diana King and Brownstone recorded guest vocals for the track  "Treat Her Like a Lady" was released as the final single in Europe between March and June 1999, to coincide with the Let's Talk About Love World Tour  It peaked inside top 40 in the United Kingdom, Scotland, Ireland, Austria and Iceland 

Critical reception
Entertainment Weekly editor David Browne called Dion's cover an "overarranged stab at reggae dancehall" and "unintentionally amusing"  The New York Observer editor Jonathan Bernstein wrote, "She's fallen on her face before when attempting to be as one with the rhythm, but Celine Dion has never humiliated herself as comprehensively as she does when mashing it up in a dance-hall style on "Treat Her Like a Lady"  As Seinfeld' s George Costanza remarked in a similar situation, "Sweet fancy Moses!"" Steven Wells from NME commented, "Celine raps hardcore radical feminism! Yes she does! She says that we've got to treat women like "ladies"  Otherwise they might go "crazy"  This is possibly the most profound statement on the subject of women's oppression since Germaine Greer's The Female Eunuch" 

Commercial performance
After the success of "My Heart Will Go On", radio stations in Quebec started playing "Treat Her Like a Lady" in May 1998  Because of that, it entered the airplay chart on 30 May 1998 and peaked at number nine  The commercial single was released in selected European countries between March and June 1999, to coincide with the Let's Talk About Love World Tour  It was issued almost a year after the previous single from Let's Talk About Love, "Immortality" 
In April 1999, "Treat Her Like a Lady" entered the charts in Austria and Germany, peaking at numbers 16 and 64, respectively  In May 1999, it debuted on the charts in the Netherlands and Belgium, reaching numbers 62 in the Netherlands, 70 in Wallonia and 78 in Flanders  In July 1999, "Treat Her Like a Lady" entered the charts in few other countries, peaking at numbers 29 in the United Kingdom, 33 in Scotland, 40 in Ireland, 54 in Sweden, and as a result number 91 on the European Hot 100 Singles  The song also reached numbers 13 in Iceland and 38 on the airplay chart in Spain 

Music video
The live music video was recorded on 18 December 1998, during the Let's Talk About Love World Tour in Montreal, Canada  It was directed by Gérard Pullicino  The video was included on the UK enhanced CD single in June 1999  In November 2022, it was uploaded into Dion's official YouTube channel 

Track listing and formats
Charts
Release history
Passage 5:
Roamin' Holiday
Roamin' Holiday is a 1937 Our Gang short comedy film directed by Gordon Douglas  It was the 155th Our Gang short released (156th episode, 67th talking short, and 68th talking episode) 

Plot
Upset at being forced to do the household chores all weekend long (and the threat of taking dancing lessons), Spanky, Alfalfa, Buckwheat, and Porky decide to run away from home  Taking a breather in the tiny village of Jenksville, the boys manage to cadge a meal from kindly storekeeper Mrs  Jenks  But when she finds out that the kids are runaways, she passes this information along to her husband, Constable Hi Jenks, who jovially decides to teach the boys a lesson  Pretending to arrest the four youngsters, Constable Jenks dresses them in convict stripes and forces them to work on the rock pile, figuring that after an hour or so they will be glad to return home  But an unanticipated swarm of bees brings this little morality play to a sudden and painful conclusion for the four roamin' rascals 

Cast
The Gang
Eugene Lee as Porky
George McFarland as Spanky
Carl Switzer as Alfalfa
Billie Thomas as Buckwheat
Darla Hood as Darla
Pete the Pup as himself

Additional cast
Joe White as One of Alfalfa's twin brothers
Tom White as One of Alfalfa's twin brothers
Otis Harlan as Hiram Jenks
May Wallace as 'Ma' Jenks

See also
Our Gang filmography
Passage 6:
Bangkok Love Story
Bangkok Love Story (Thai: เพื่อน   กูรักมึงว่ะ; RTGS: Phuean   Ku Rak Mueng Wa; literally "Friend     I love you") is a 2007 Thai film written and directed by Poj Arnon  A gay romantic crime action drama, it is the story of a man who falls in love with a gunman assigned to kill him 

Plot
A loner gunman named Maek is assigned to kidnap a police informant named Iht, but Maek has a change of heart when he takes Iht to the 'hit house'  Maek is ordered to kill Iht, but because he only kills scum and has discovered that Iht isn't bad, he refuses, turning the gun on the enforcers who had hired him to murder Iht  A gun battle ensues during which Maek is wounded, but Iht grabs Maek's gun and shoots their way out of the mobsters' headquarters  The two men then escape on Maek's motorcycle  Maek tells Iht to leave at gun point but he won't and takes Maek back to his rooftop hide-out  There, over a period of time, Iht tends to Maek's wound and finds himself attracted to him 
In fact, Maek is also attracted to Iht, but keeps it hidden, while Iht cares for his former would-be killer with great tenderness 
While giving Maek a bath one day, Iht kisses him on the mouth   Maek reciprocates and the two men engage in a passionate sexual experience  The next day, however, a conflicted Maek demands that Iht go away and leave him alone  Iht returns home to his fiancée, Sai, but is no longer interested in continuing a relationship with her  Iht spends his days pining over Maek, and tracks down Maek's brother, Mhok, and their mother  Mhok is HIV positive, as the result of sexual abuse by his and Maek's stepfather, and their mother is dying of AIDS 
Maek remains elusive, hiding from Iht when he visits the hideout, but leaving signs that he's there so Iht will return 
Though Maek avoids making contact with Iht, eventually he goes to visit his mother and brother, and Iht corners him at the entrance to the building, declaring his love for Maek and stressing how much he misses him   They kiss passionately  They are unfortunately covertly observed by Sai, Iht's live-in fiancée 
Maek's dream is to take his mother and brother away from Bangkok to the mountains of Mae Hong Son Province  But after Maek's mother overhears that Mhok has prostituted himself to survive after contracting AIDS from his stepfather, she commits suicide by hanging herself  The brothers take her down, and as they are rushing her from the apartment, she is killed by a gunshot fired by an unseen sniper  The bullet is presumably intended for Maek 
Maek's former mobster employers are gunning for him and Iht  Maek decides to hunt them down first, and he succeeds in killing them  After Mohk informs Iht what Maek is doing, Iht goes to the capo's house to try to stop Maek, but he is too late and misses Maek by a second  Iht is injured when the capo's wife shoots at a clock that shatters in Iht's face 
Maek, meanwhile meets his brother at the railway station to leave Bangkok for good  But before he can board the train, he is apprehended by the police and taken away  Mhok breaks down  He's the sole witness to his brother being apprehended 
Years pass by  Iht visits Maek in prison and reveals that he was left blind in the final gunbattle with Maek's ex-boss  Mhok commits suicide while at a Hospice of Watphrabahtnamphu in Lopburi because he no longer has the energy to fight his disease  Eventually, Maek is released from prison, and Iht meets him  But before the two men can leave to start their life together, Maek is shot dead by a single bullet fired by an unseen assassin  A bewildered, blind Iht collapses over his lover's corpse, swearing his love for him again and again 
Iht eventually regains his sight, and is finally able to view on his mobile phone a video recorded by Maek himself many years before, admitting that all along, he had loved Iht and that he would love him to his last breath 

Cast
Rattanaballang Tohssawat as Maek (Cloud)
Chaiwat Thongsaeng as Iht (Stone)
Weeradit Srimalai as Mhok (Fog)
Chatcha Rujinanon as Sai (Sand)
Suchao Pongwilai
Chonprakhan Janthareuang
Uthumporn Silaphan
Rachanu Boonchuduang

Production
When Bangkok Love Story was in pre-production in 2006, the Royal Thai Police raised objections to the script, which originally depicted a policeman (Iht) falling in love with the assassin Maek  The character Iht's exact connection to the police department was then made ambiguous so that the film would be passed by the Board of Censors, which includes members of the Royal Thai Police Both lead actors, Chaiwat Thongsang (Iht) and Ratanabanrang Tosawat (Maek), are heterosexual, according to a profile of the two actors in BK Magazine  Chaiwat said he took the role because he wanted the "challenge" and to "become famous"  Ratanabanrang simply stated playing a gay man "is an honor" Chaiwat said he had hoped camera angles could be used so he could avoid having to kiss his co-star, but director Poj Arnon insisted the kisses must be real  "It was totally disgusting at first, but we kind of got used to it after a while", Chaiwat said  Ratanabanrang said he had to imagine he was kissing his girlfriend  "Actually, we acted so well, that my girlfriend got paranoid" Both actors acknowledged that the film would be compared to Brokeback Mountain, but Ratanabanrang noted that Poj Arnon had the idea for Bangkok Love Story long before Brokeback had been adapted into a film 

Release and reception
Bangkok Love Story was released in Thailand cinemas on August 13, 2007  The film proved popular, with the Bangkok Post stating it was "the movie everybody has been talking about"  The film earned US$325,000 in its Thailand theatrical run Critical reception was mixed  The weekly BK Magazine stated that the film suffered from being overly melodramatic, but praised the cinematography by Tiwa Moeithaisong, which "turns Bangkok into a character in its own right "Reviews from the Bangkok English-language daily The Nation were characterised as "dismissive" 
LGBT-related website Fridae praised Bangkok Love Story as "the boldest Thai gay movie to date " It additionally praised the film for being a departure from the Thai LGBT genre, which generally features coarsely stereotyped kathoey transvestite caricatures Gay Thai independent film producer Vitaya Saeng-aroon similarly praised the film, saying director Poj Arnon was "brave enough to shake society up" Bangkok Love Story was screened at the 34th Brussels International Independent Film Festival, where it won the top prize, the Grand Award in all Categories  It was also the Opening Night selection for the 2007 Hong Kong Lesbian and Gay Film Festival, and played at the 2008 London Lesbian and Gay Film Festival 
TLA Releasing acquired theatrical, home video, television and video on demand rights for North America and the United Kingdom  The company plans to release the film in those territories in summer 2008 

Soundtrack
The film also produced a popular theme song "Yahk-Roo   Tae-Mai-Yahk-Taam" (in Thai: "อยากรู้   แต่ไม่อยากถาม meaning "I want to know, but I don't want to ask") by Calories Blah Blah (in Thai: แคลอรี่ส์ บลาห์ บลาห์) 
Passage 7:
Glove Taps
Glove Taps is a 1937 Our Gang short comedy film directed by Gordon Douglas  It was the 151st Our Gang short (152nd episode, 63rd talking short, and 64th talking episode) that was released 

Plot
Butch explains that he clobbers every kid in school to prove that he is in charge  By a fluke, weak-kneed Alfalfa is chosen to face Butch in the barnyard boxing ring—and he has only one day to train for the big bout 
Spanky volunteers to be Alfalfa's trainer, which consists mostly of Alfalfa pulling him around in a little red wagon 
Porky and Buckwheat have had "this will not end well" expressions on their faces the whole time  They take matters into their own hands once the bout starts; knocking Butch out from behind a curtain and allowing Alfalfa to take the credit 

Notes
After appearing as a peripheral player in several earlier Our Gang shorts, Tommy Bond made a spectacular return to the series in Glove Taps  Here and in all future appearances, Bond is cast as neighborhood bully Butch, the bane of the existence of Spanky McFarland, Carl "Alfalfa" Switzer and the rest of the Gang 
Another Our Ganger debuts as Glove Taps Marks the first appearance of Darwood Kaye 
The background music in this one-reel comedy came from Marvin Hatley's Oscar-nominated score for the Laurel and Hardy feature Way Out West 

Cast
The Gang
Eugene Lee as Porky
George McFarland as Spanky
Carl Switzer as Alfalfa
Billie Thomas as Buckwheat

Additional cast
Tommy Bond as Butch
Sidney Kibrick as Woim
Darla Hood as Darla
Darwood Kaye as Waldo

Extra kids
Hugh Chapman, John Collum, Rex Downing, Larry Harris, Joe Levine, Jackie Lindquist, Donald Proffitt, Hugh Sheridan, Harold Switzer, Jerry Tucker, Bobs Watson, Robert Winkler

See also
Our Gang filmography
Passage 8:
Full House (season 2)
The second season of the family sitcom Full House originally aired on ABC between October 14, 1988 and May 5, 1989  From this season onward, Mary-Kate and Ashley Olsen are credited in the opening credits 

Plot
In season two, Danny is fired from his job as a sportscaster and instead is promoted to a higher position as the host of a morning talk show titled Wake Up San Francisco, earning him a co-host named Rebecca Donaldson (Lori Loughlin) and Jesse's potential love interest  Meanwhile, Jesse and Joey become best friends (much to Danny's jealousy) and start doing advertising jingles together  D  J  begins sixth grade and Stephanie enters first grade 

Main cast
John Stamos as Jesse Katsopolis
Bob Saget as Danny Tanner
Dave Coulier as Joey Gladstone
Candace Cameron as D



ground_truth: 1986

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the source of the river of which Kraai River is a tributary?

The following are given passages.
Context 2:  At the time one of the last open questions of the European exploration of Africa was whether the Lualaba River fed the Nile (Livingstone's theory), the Congo, or even the Niger River  Financed in 1874, Stanley's first trans-Africa exploration started in Zanzibar and reached the Lualaba on October 17, 1876  Overland he reached Nyangwe, the center of a lawless area containing cannibal tribes at which Tippu Tip based his trade in slaves  Stanley managed to hire a force from Tippu Tip to guard him for the next 150 kilometres (90 mi) or so, for 90 days  
The party left Nyangwe overland through the dense Matimba forest  On November 19 they reached the Lualaba again  Since the going through the forest was so heavy, Tippu Tip turned around with his party on December 28, leaving Stanley on his own, with 143 people, including eight children and 16 women  They had 23 canoes  His first encounter with a local tribe was with the cannibal Wenya  In total Stanley reports 32 unfriendly meetings on the river, some violent, even though he attempted to negotiate a peaceful thoroughfare  But the tribes were wary as their only experience of outsiders was with slave traders 
On January 6, 1877, after 640 kilometres (400 mi), they reached Boyoma Falls (called Stanley Falls for some time after), consisting of seven cataracts spanning 100 kilometres (60 mi) which they had to bypass overland  It took them to February 7 to reach the end of the falls  Here Stanley learned that the river was called Ikuta Yacongo, proving to him that he had reached the Congo and that the Lualaba did not feed the Nile 
From this point, the tribes were no longer cannibals but possessed firearms, apparently as a result of Portuguese influence  Some four weeks and 1,900 kilometres (1,200 mi) later he reached Stanley Pool (now Pool Malebo), the site of the present day cities Kinshasa and Brazzaville  Further downstream were the Livingstone Falls, misnamed as Livingstone had never been on the Congo: a series of 32 falls and rapids with an elevation change of 270 metres (900 ft) over 350 kilometres (220 mi)  On 15 March they started the descent of the falls, which took five months and cost numerous lives  From the Isangile Falls, five falls from the foot, they beached the canoes and Lady Alice and left the river, aiming for the Portuguese outpost of Boma via land  
On August 3 they reached the hamlet Nsada  From there Stanley sent four men with letters forward to Boma, asking for food for his starving people  On August 7 relief came, being sent by representatives from the Liverpool trading firm Hatton & Cookson  On August 9 they reached Boma, 1,001 days since leaving Zanzibar on November 12, 1874  The party then consisted of 108 people, including three children born during the trip  Most probably (Stanley's own publications give inconsistent figures), he lost 132 people through disease, hunger, drowning, killing and desertion Kinshasa was founded as a trading post by Stanley in 1881 and named Léopoldville in honor of Leopold II of Belgium  The Congo Basin was privately claimed by Leopold II as Congo Free State in 1885 where the many Atrocities in the Congo Free State were committed until the region was called the Belgian Congo 

See also
List of crossings of the Congo River
2021 Congo River disaster

Notes
Passage 13:
Rufiji River
The Rufiji River lies entirely within Tanzania  It is also the largest and longest river in the country  The river is formed by the confluence of the Kilombero and Luwegu rivers  It is approximately 600 kilometres (370 mi) long, with its source in southwestern Tanzania and its mouth on the Indian Ocean opposite Mafia Island across the Mafia Channel, in Pwani Region  Its principal tributary is the Great Ruaha River  It is navigable for approximately 100 kilometres (62 mi) 
The Rufiji river is approximately 200 kilometres (120 mi) south of Dar es Salaam  The river's delta contains the largest mangrove forest in eastern Africa 

History
A branch of ancient sea routes led down the East African coast called "Azania" by the Greeks and Romans in the 1st century CE as described in the Periplus of the Erythraean Sea (and, very probably, Chinese: 澤散 in the 3rd century by the Chinese), at least as far as the port known to the Romans as Rhapta, which was probably located in the delta of the Rufiji River in modern Tanzania During the First World War, from October 1914 to July 1915, the river delta was the scene of a protracted naval operation  These were the attempts, and later achievement, by the Royal Navy to neutralize and destroy the German cruiser Konigsberg 

Basin
The catchment basin for the Rufiji River complex is 177,429 square kilometres (68,506 sq mi) 

Hydroelectric Project
Tanzania president John Magufuli has approved the construction of a controversial new dam and power station on the river at Stiegler's Gorge  The power station is expected to provide 2,100 megawatts of electricity, more than triple Tanzania's existing installed hydropower capacity which is only 562 megawatts  Construction of the dam started on July 26, 2019, and it is expected be ready by 2022 
Passage 14:
Mangalam River
Mangalam River is the main tributary of the river Gayathripuzha, which in turn is a tributary of Bharathapuzha, the second longest river in Kerala, India   It is around 30 km long in length, with its source from Nelliyampathi forests, and passing through Vadakkencherry, Kannambra, Puthucode, Padur, etc  and joining Gayathripuzha at Plazhi in the border of Thrissur and Palakkad districts 
Cherukunnapuzha is a tributary of Mangalam River and Mangalam Dam is constructed across this river  A canal system for irrigation purpose was completed and opened in 1966, in Alathur taluk, Palakkad district 

Tributaries of the river Mangalam river
Cherukunnapuzha

See also
Bharathapuzha - Main river
Gayathripuzha - One of the main  tributaries of the river Bharathapuzha

Other tributaries of the river Gayathripuzha
Ayalurpuzha
Vandazhippuzha
Meenkarappuzha
Chulliyar
Passage 15:
Cagne
The Cagne is a river that flows through the Alpes-Maritimes department of southeastern France  Its source is near Coursegoules, and it flows into the Mediterranean Sea in Cagnes-sur-Mer  It is 27 5 km (17 1 mi) long  The Malvan is one of its tributaries 
Passage 16:
Thoré
The Thoré (French pronunciation: ​[tɔʁe]) is a 61 6-kilometre-long (38 3 mi) river in the Hérault and Tarn departments in southern France  Its source is in the northern part of Rieussec  It flows generally northwest  It is a left tributary of the Agout, into which it flows between Navès and Castres 

Departments and communes along its course
This list is ordered from source to mouth: 

Hérault: Rieussec, Verreries-de-Moussans,
Tarn: Labastide-Rouairoux, Anglès, Lacabarède, Rouairoux, Sauveterre, Albine, Saint-Amans-Valtoret, Saint-Amans-Soult, Bout-du-Pont-de-Larn, Mazamet, Pont-de-Larn, Aussillon, Payrin-Augmontel, Aiguefonde, Caucalières, Labruguière, Castres, Navès,
Passage 17:
Klehini River
The Klehini River is a large, glacially fed stream in the vicinity of Haines in the U S  state of Alaska 
The Klehini River is about 42 miles (68 km) long from its source in British Columbia to its mouth at the Chilkat River, of which it is the largest tributary   The Klehini River is renowned for its salmon runs, its biannual congregation of bald eagles—the second largest in the Haines area after the Chilkat River's Council Grounds—and for the Klehini Falls  The Klehini also delineates the northern boundary of the Chilkat Range 
The name Klehini appears to be derived from the Tlingit phrase l’éiw héeni, which translates to river with sand or gravel in it    The Klehini River contains abundances of both sand and gravel 
The lower Klehini is located within the Alaska Chilkat Bald Eagle Preserve 
Walt Disney's 1991 rendition of White Fang was filmed along the Klehini River 

Klehini Falls
The Klehini Falls are a series of four cataracts in far northwestern British Columbia occurring in a narrow gorge near the headwaters of the Klehini River  The falls are separated from one another by a distance of approximately 300 feet (91 m), with an average plunge of 30 to 40 feet (9 1 to 12 2 m)  The individual cataracts are currently unnamed 

See also
List of rivers of Alaska
List of British Columbia rivers
Passage 18:
Orange River
The Orange River (from Afrikaans/Dutch: Oranjerivier) is a river in Southern Africa  It is the longest river in South Africa  With a total length of 2,432 km (1,511 mi), the Orange River Basin extends from Lesotho into South Africa and Namibia to the north  It rises in the Drakensberg mountains in Lesotho, flowing westwards through South Africa to the Atlantic Ocean  The river forms part of the international borders between South Africa and Lesotho and between South Africa and Namibia, as well as several provincial borders within South Africa  Except for Upington, it does not pass through any major cities  The Orange River plays an important role in the South African economy by providing water for irrigation and hydroelectric power  The river was named the Orange River in honour of the Dutch ruling family, the House of Orange, by the Dutch explorer Robert Jacob Gordon  Other names include simply the word for river, in Khoekhoegowab orthography written as !Garib, which is rendered in Afrikaans as Gariep River with the intrusion of a velar fricative in place of the alveolar click, Groote River (derived from Kai !Garib) or Senqu River (used in Lesotho), derived from ǂNū "Black"  It is known in isiZulu as isAngqu 

Course
The Orange rises in the Drakensberg mountains along the border between South Africa and Lesotho, about 193 km (120 mi) west of the Indian Ocean and at an altitude of over 3,000 m (9,800 ft)  The extremity of the Orange River inside Lesotho is known as the Senqu  Parts of the Senqu River freeze in winter because of the high altitude  This creates droughts downstream, which mainly affect goat and cattle production 

The Orange River then runs westward through South Africa, forming the south-western boundary of the Free State province  In this section, the river flows first into the Gariep Dam and later into the Vanderkloof Dam  From the border of Lesotho to below the Vanderkloof Dam, the river bed is deeply incised  Further downstream, the land is flatter, and the river is used extensively for irrigation 
At the western point of the Free State, southwest of Kimberley, the Orange meets with its main tributary, the Vaal River, which forms much of the northern border of the province  From here, the river flows further westward through the arid wilderness of the southern Kalahari region and Namaqualand in the Northern Cape province to meet with Namibia at 20°E longitude  From here, it flows westward for 550 km (340 mi), forming the international border between the province and Namibia's ǁKaras Region  On the border, the river passes the town of Vioolsdrif, the main border post between South Africa and Namibia 

In the last 800 km (500 mi) of its course, the Orange receives many intermittent streams, and several large wadis lead into it  In this section, the Namib Desert terminates on the north bank of the river, so under normal circumstances, the volume of water added by these tributaries is negligible  Here, the bed of the river is once again deeply incised  The Augrabies Falls are located on this section of the Orange, where the river descends 122 m (400 ft) in a course of 26 km (16 mi) 
The Orange empties into the Atlantic Ocean between the small towns of Oranjemund (meaning "Orange mouth") in Namibia and Alexander Bay in South Africa, about equidistant between Walvis Bay and Cape Town  Some 33 km (21 mi) from its mouth, it is obstructed by rapids and sand bars and is generally not navigable for long stretches 
The river has a total length of 2,432 km (1,511 mi) 

Catchment and rainfall
In the dry season, the volume of the water in the river is considerably reduced because of the rapid run-off and evaporation  At the source of the Orange, the rainfall is about 2,000 mm (79 in) per annum, but precipitation decreases as the river flows westward; at its mouth, the rainfall is less than 50 mm (2 0 in) per year  The factors that support evaporation, though, tend to increase in a westerly direction  In the wet season (summer), the Orange river becomes a brown colored torrent  The huge mass of sediment carried constitutes a long-term threat to engineering projects on the river The total catchment of the Orange River (including the Vaal) extends over 973,000 km2 (376,000 sq mi), i e  equivalent to about 77% of the land area of South Africa (1,221,037 km2 (471,445 sq mi))  Around 366,000 km2 (141,000 sq mi) (38%), however, are situated outside the country in Lesotho, Botswana, and Namibia 

Tributaries
Vaal River - 1,458 km (906 mi)
Caledon River - 642 km (399 mi)
Khubelu River - 144 km (89 mi)

Dams
Armenia Dam
Egmont Dam
Gariep Dam
Newberry Dam
Vanderkloof Dam
Welbedacht Dam

History
Etymology
Some of the earliest precolonial inhabitants called the river ǂNūǃarib, referring to its black colour, or sometimes just Kai !Arib ("Great River"), from which is derived the Afrikaans version Gariep, and translation "Groote Rivier"  The early Dutch name for the river was just that translation, Groote Rivier, meaning "Great River"  The river was named the Orange River by Colonel Robert Gordon, commander of the United East India Company (VOC) garrison at Cape Town, on a trip to the interior in 1779  Gordon named the river in honor of William V of Orange  A popular but incorrect belief is that the river was named after the supposedly orange color of its water, as opposed to the color of its tributary, the Vaal River, which name is derived from the name ǀHaiǃarib "pale river" (vaal being Afrikaans for pale or grey)  Since the end of apartheid, the name "Gariep" has had greater favour in official correspondence in South Africa, although the name "Orange" has greater international recognition  In Lesotho, where the river rises, it is known as the Senqu River, derived from the original Khoemana name 

The Eastern Cape Geographical Names Committee has advertised its intention to consider a name change from the colonial name, for that portion of the river that forms the border between the Eastern Cape and the Free State, with suggestions being IGqili or Senqu  The advertisement placed in the Aliwal Weekblad newspaper states that the "present name is perceived to have a strong association with the history of colonial subjugation and has therefore no place under the current democratic dispensation "

The Grootslang
In South African folklore, the Orange River is often associated with the Grootslang, a mythical being resembling a giant serpent, which is often connected to the river's alluvial diamonds  The Grootslang is described as living in a gem-filled cave connected to the Orange River by a natural pipe through which the diamonds gradually enter the river  Other sites said to be lairs of the creature include the pool beneath the King George Cataract at Aughrabies Falls, which is also said to be a source of diamonds, and a large rock in the middle of the river itself  In this version of the legend, the Grootslang is also said to prey on cattle from the river's banks 

Economy
As the collection point for the majority of South Africa's water, the Orange River plays a major role in supporting agriculture, industry, and mining  To assist in this, two large water schemes have been created, the Orange River Project and the Lesotho Highlands Water Project  Historically, the river played an important role in the South African diamond rush, with the first diamonds in the country being discovered in alluvial deposits on the Orange  Today, several commercial diamond mines operate along the final stretch of the Orange River and around its mouth 
Because of the lack of dangerous animals and high water levels during summer, the river is used for recreational canoeing and rafting  Orange River rafting has become very popular with many companies using their camps along the river from which to operate  The most popular trips are four-day and six-day river trips that take place either along the gorge below the Augrabies Falls or along the Richtersveld area 

Orange River Project
The Orange River Project (ORP) was one of the largest and most imaginative projects of its kind in South Africa  It was constructed by Hendrik Verwoerd's government at the height of the apartheid era  The ORP was built to exploit the waters of the Orange River—which, without the Vaal River, represents some 14 1% of the total runoff in South Africa—and in the process, to satisfy an increasing demand for water  The main objectives of the project were:

to stabilise river flow,
the generation and transmission of hydroelectric power,
to provide a reliable water supply for users in the Orange River basin, and
to give a new lease on life to water-deficient areas in the Eastern Cape, such as the Great Fish and Sundays River valleys The Gariep Dam near Colesberg is the main storage structure within the Orange River  From here, the water is supplied in two directions, westward along the Orange River (via hydroelectric power generators) to the Vanderkloof Dam and southward through the Orange-Fish Tunnel to the Eastern Cape 

Hydroelectricity
Eskom operates hydroelectric power stations at both the Gariep Dam and the Vanderkloof Dam  The hydroelectric power station at the Vanderkloof Dam was the first power-generation station in South Africa situated entirely underground  The towns Oviston and Oranjekrag were established to facilitate the construction and operation of the new infrastructure 

Irrigation
Irrigation in the vast area downstream of the Vanderkloof Dam, which has turned thousands of hectares of arid veld into highly productive agricultural land, was made possible by the construction of the Gariep and Vanderkloof Dams  Old established irrigation schemes such as those at Buchuberg, Upington, Kakamas, and Vioolsdrif have also benefitted because regulation of the flow is now possible  On the Namibian side of the river, Aussenkehr produces grapes with the help of water from the Orange 
In recent years, the wine-producing areas along the Orange River have grown in importance  Irrigation in the Eastern Cape has also received a tremendous boost, not only from the additional water being made available, but also owing to improvement in water quality  Without this improvement, the citrus farmers along the Lower Sundays River would almost certainly have continued to suffer losses of productivity 

Lesotho Highlands Water Project
The Lesotho Highlands Water Project was conceived to supplement the water supply in the Vaal River System  Water is delivered to South Africa by means of the delivery tunnel which passes under the Lesotho South Africa border at the Caledon River, and then under the Little Caledon River south of Clarens in the Free State, and discharges into the Ash River about 30 kilometres (19 mi) further to the north  The scheme became viable when water demands in Gauteng reached levels that could no longer be supported economically by alternative schemes such as the Tugela River-Vaal River pumped storage scheme, which used the Sterkfontein Dam, located near Harrismith in the Free State 

Alluvial diamonds
In 1867, the first diamond discovered in South Africa, the Eureka Diamond, was found near Hopetown on the Orange River  Two years later, a much larger diamond known as the Star of South Africa was found in the same area, causing a diamond rush  This was soon eclipsed by the diamond rush to mine diamonds directly from kimberlite at Kimberley in 1871, although alluvial diamonds continued to be found in the Orange  Today, several commercial diamond mines operate on the last stretch of the river, as well as the beaches around its mouth  Diamond mines also operate on the middle stretch of the river 

Rafting and canoeing
During the temperate months of March and April, given good rains and the sluices of the dams being open, a canoeist (or rafter) can easily travel 30 kilometres (19 mi) per day  The lower reaches of the river are most popular, because of the spectacular topography  Commercial tours are available, and these expeditions depart from the border town of Vioolsdrif 

Wildlife
The Orange River has no large animals  It lies outside the range of the Nile crocodile, and although hippopotami were once abundant, they were hunted to extermination in the 19th century  The Orange River has a relative paucity of species diversity  A 2011 survey of 13,762 fish found only 16 species of fish present   Three of these, the common carp, the Mozambique tilapia, and the western mosquitofish are not indigenous   Another exotic species, rainbow trout, is found in the river headwaters in Lesotho 
Seven species are endemic to the Vaal-Orange River system:
Rock-catfish (Austroglanis sclateri)
Maluti redfin or Maloti minnow (Pseudobarbus quathlambae)
Namaquab barb (Barbus hospes)
River sardine (Mesobola brevianalis)
Smallmouth yellowfish (Labeobarbus aeneus)
Largemouth yellowfish (Labeobarbus kimberlyensis)
Orange River Mudfish (Labeo capensis)

See also
List of rivers in South Africa
List of international border rivers
List of crossings of the Orange River
Passage 19:
Bhilangna River
Bhilangna River is a Himalayan river in Uttarakhand, India, which is the major tributary of the Bhagirathi river, the source stream of the Ganges River of India  Bhilangana is a combination of Bhil and Ganga The mainstem, Bhilangna, rises at the foot of the Khatling Glacier (elevation 3,717 m (12,195 ft)) approximately 50 km (31 mi) south of the ice cave at Gaumukh, traditionally considered the source of both the Bhagirathi and the Ganges and flows into the Bhagirathi at Old Tehri, the site of the Tehri dam   It meets its major tributary the Bal Ganga at Ghansali (elevation 976 m (3,202 ft)) 
The Bal Ganga, whose headwaters are formed at the foot of Mount Kukhli Dhar (elevation 4,600 m (15,100 ft)), itself has a minor tributary, the Dharam Ganga, which meets it at Thati Kathur (also Budha Kedar) at elevation 1,524 m (5,000 ft)
The Khatling trek route passes alongside the Bhilangna, starting from the last point accessible by road, Ghuttu, until the glacier, which stands at 3700 metres  If one were to go further on the trail past the glacier, one could reach Kedarnath 

See also
Bhagirathi River
Ganges
Alaknanda River
Context 3:  J  Tanner
Jodie Sweetin as Stephanie Tanner
Mary-Kate and Ashley Olsen as Michelle Tanner

Episodes
See also
List of Full House episodes
Passage 9:
What We Talk About When We Talk About Love
What We Talk About When We Talk About Love is a 1981 collection of short stories by American writer Raymond Carver, as well as the title of one of the stories in the collection  Considered by many one of American literature's most ambitious short-story collections, it was this collection that turned Raymond Carver into a household name in the publishing industry 

Content
"Why Don't You Dance?"
In 1977, Carver submitted a story with this title to Esquire, which Gordon Lish subsequently edited and retitled "I Am Going to Sit Down", but no version ever appeared in Esquire  The story was first published in Quarterly West in Autumn 1978 and later in The Paris Review in Spring 1981  The Quarterly West version incorporated many of Lish's suggested changes, while the final version was 9% shorter  It tells the story of a drinking man overseeing his yard sale  The reader gets the feeling that he may be selling all his possessions, looking to start life anew  A young couple stops by to select furniture for their new apartment  They haggle a little over prices and buy a TV and a bed  The drinking man tells the young woman to put a record on  When the music begins the man asks the couple to dance  Uncomfortably, they comply  Then the drinking man dances with the girl, and she says to him: "You must be desperate or something " Several weeks later, the woman is telling her friends about the man at his yard sale  She mocks the record player and records he gave them, saying: "Will you look at this shit?" The story ends with her trying to make sense of the man's situation before quitting her wondering altogether 
The story was adapted in the 2010 film Everything Must Go starring Will Ferrell and written and directed by Dan Rush 

"Viewfinder"
A hook-handed man takes a photograph of the narrator's house from the street, then sells it to him  The narrator asks the photographer in for coffee  The manuscript version of the same title appears in Beginners (2009) 

"Mr  Coffee and Mr  Fixit"
A man reflects "about three years back" on his struggle to come to grips with a couple of troublesome relationships  He was surprised to see his elderly single mother kissing a man on the sofa upstairs  He says his kids were crazy and so was his wife, Myrna, who eventually fell for another man named Ross whom she met at Alcoholics Anonymous  He remembers how his father died and suggests to Myrna that they "hug awhile" and have a "real nice supper," and she responds somewhat lukewarmly  The manuscript version titled "Where Is Everyone?" appears in Beginners (2009) 

"Gazebo"
Set in a roomy upstairs suite, motel managers Holly & Duane discuss the disintegration of their marriage  Duane has been having an affair with a cleaning lady, Juanita  Duane tries to convince Holly that their love can be rekindled and reconciled but Holly does not agree  Duane is left hopelessly bemoaning the future he had envisioned with Holly  The manuscript version of the same title appears in Beginners (2009) 

"I Could See the Smallest Things"
Nancy wakes up in the middle of the night because of a noise outside  She realizes it's the open gate, and hesitantly she goes to the kitchen to smoke for a while before going out to investigate, leaving her alcoholic husband Cliff "passed out" and snoring loudly in bed  At the fence, Nancy meets her neighbor Sam, a widower, who is spreading insecticide to kill slugs which are ruining his garden  Nancy & Sam talk and it becomes clear Sam and Cliff, once good friends, have had a falling-out  Lonely and wishing to patch up their relationship, Sam asks Nancy to tell Cliff he said hello  Nancy says she will and goes back to bed, realizing she forgot to latch the gate shut  The manuscript version titled "Want to See Something?" appears in Beginners (2009) 

"Sacks"
Les, a textbook salesman, reflects back a year ago on an incident where he met up with his father in a Sacramento airport  It's been two years since his father's divorce from his mother  While the wife was away, the father had been having an extramarital affair with a Stanley Products saleswoman  The father asks Les if everything is okay, and Les lies, saying everything is fine  A fissure seems to grow between the father and son during the uncomfortable, transient, confusing meeting  Fairly sure that his father will play a negligent to nonexistent role in his future, Les boards his flight  The manuscript version titled "The Fling" appears in Beginners (2009) 

"The Bath"
On his birthday, young Scotty is walking to school when he is hit by a car and knocked unconscious  "The Bath" is a predecessor of "A Small, Good Thing," one of Carver's most famous stories, which was published in Cathedral  It is much shorter than "A Small, Good Thing" and ends on an ambiguous note as Scotty's mother goes home from the hospital to take a bath, which is where this version of the story gets its name 

"Tell the Women We're Going"
Two close childhood friends, identified by the author as Bill Jamison & Jerry Roberts, are out of school and have married  After Jerry married, Bill sensed a change in his friend, something that he'd never once shown  One afternoon, the two men leave both their wives and Jerry's kids to go out for a drive, for old-time's sake  They play pool and drink beer at the Rec Center, while reminiscing about the olden days  On their way out, they see two women biking down the road  Jerry proposes turning back and chatting them up, juvenile and excited  They pull up to the women and Bill introduces himself and Jerry, but the girls, named Barbara and Shannon, seem completely uninterested  They drive ahead and wait for the women to pass  The women, when they arrive, drop their bikes and cut down a path away from the men, which doesn't really bother Bill but does angers Jerry, who devises a plan to cut them off  The story ends in a surprise twist, with Jerry bashing Shannon and Barbara over their heads with a rock, ostensibly killing them both and proving Jerry's deep unhappiness with life  The manuscript version of the same title appears in Beginners (2009) 

"After the Denim"
James and Edith Packer, an elderly couple, go out for the night to play bingo at the local community center  While there, James is perturbed by a young hippy-like couple dressed in denim who go on to ruin his fun and evening: they take the Packers' parking spot; James sees the young man cheating and confronts him but the man denies the allegation  Later, when the young girl gets bingo, everybody but James claps  James is certain the couple will use the victory money on drugs  That night as the Packers are getting ready for bed, Edith reveals to James that she's been "bleeding" and "spotting," and she'll require medical attention  Restless and upset over his wife's sickness, James wonders why it isn't the young couple who has all the problems  The manuscript version titled "If It Please You" appears in Beginners (2009) 

"So Much Water So Close to Home"
As she was having breakfast, Claire, is shocked to learn that her husband, Stuart, and his three buddies, found the body of a girl washed up on the rivershore upon arriving in the afternoon for their yearly camping trip, as reported by the morning newspaper that day  Instead of reporting the body to the police immediately, the four rather enjoy their vacation, spending some time fishing, getting to eating, and drinking whisky as they sit by the fire, all the while the body of the dead girl lays there  As the quartet packs up the next morning, Stuart uses a payphone to alert the police about the corpse found by the riverbed  Claire feels deeply distanced from her husband, who she thought she knew, and cannot stop wondering about the dead girl, to whom she feels oddly connected  Inevitably, she starts believing Stuart and his friends could be behind the girl's murder  Claire wonders why they didn't go fishing locally, why didn't they report the body quickly, as she'd have  Later, after the body is identified and Stuart is at work, Claire reads the funeral plans in the newspaper and decides to attend  On her way to the funeral, a man in a pickup truck pulls her over and asks to talk to her, wants to make sure she's safe  Claustrophobic and frightened, Claire clicks her car locks shut and says she's fine  After the funeral Claire overhears a woman saying they caught the killer, but Claire is not so certain they have the right man  The story ends with Stuart making a sexual advance on Claire in the kitchen  As he reaches for her breasts, she hears water running in the sink and is reminded of the girl floating in the river  The manuscript version of the same title appears in Beginners (2009) 

"The Third Thing That Killed My Father Off"
The character of Jack Fraser, in classical Carver style, tells the story of a local outsider named Dummy who worked in the same sawmill as Jack's father Del  Del gets Dummy to fill a pond on his land with bass, but Dummy eventually builds an electric fence around it so people stop coming by  Dummy drifts further into isolation and his wife starts going around with another man, much to his discontent  The story ends with Dummy murdering his wife and committing suicide by drowning in his beloved pond  Del impresses upon Jack what a wrong woman can turn a man into  Later, Jack understands Dummy's plight more clearly  The manuscript version titled "Dummy" appears in Beginners (2009) 

"A Serious Talk"
Burt finds himself incapable of leaving his wife Vera alone  On Boxing Day, Burt comes back to his wife's house to try and explain away his poor behavior from the night before  On Christmas Day, Burt put too many logs in the fire which could've burned the place down, reckless as he always was  On his way out to make room for Vera's boyfriend Charlie, Burt finds it appropriate to steal six pies from the kitchen counter left unattended  On the 26th, Vera does not want to talk to Burt; she doesn't have the time, it's obvious she has plans already  Burt tries again and again to apologize but Vera does not think it's sincere  Burt notices cigarette butts that are not Vera's regular brand collected in the ashtray, "their ashtray," and feels out of place  While Vera is the bathroom the phone rings and she shouts at Burt to answer it  It's a call for Charlie and Burt responds curtly, saying he's "not here" before leaving the phone off the hook  Vera comes back into the kitchen, and it's clear she cannot tolerate Burt sticking around  The phone rings again and Vera says she'll answer it from the bedroom  Instead of hanging up when Vera commands, Burt takes a knife from the cabinet and cuts the cord in two  Vera realizes what's happened and yells for Burt to leave, saying she'll get a restraining order  Burt leaves calmly and, as he drives away in his car holding their ashtray, he is deludedly convinced that in a few weeks they'll have a "serious talk" and get back together  The manuscript version titled "Pie" appears in Beginners (2009) 

"The Calm"
A man sitting in a barber's chair getting a haircut listens as three men waiting their turn argue about a hunting story one of the men is telling  The manuscript version of the same title appears in Beginners (2004) 

"Little Things" (aka “Popular Mechanics”)
The protagonist is seen first packing a suitcase, all the while a woman swears at him and yells loudly, glad that he's finally leaving her  Their baby won't stop crying  The protagonist decides he wants to bring the baby with him but the woman won't let him even get near their baby  The two get into a tussle and a tug-of-war over the baby  The story ends with the man and the woman pulling tremendously on the baby, with somewhat ambiguously grim and dark possibilities  Titled "Little Things" in Where I'm Calling From (1988); the manuscript version titled "Mine" appears in Beginners (2009) 

"Everything Stuck to Him"
A father tells his young adult daughter what life was like for their family when she was a young child, all while on vacation in Milan  The manuscript version titled "Distance" appears in Beginners (2009) 

"One More Thing"
At the kitchen table, L D  argues with his daughter Rae, age 15, about her beliefs  Maxine, the wife, comes home and notices L D  is drunk  Maxine sides with Rae, saying she can like what she likes  In a moment of fury, L D  throws a pickle jar through the window, shattering the glass  Maxine gives L D  an ultimatum: he must pack his things and go or she'll call the police  L D  starts packing, stuffing not only his belongings into his suitcase but also vindictively taking womanly toiletries he could make no use of  Taking one last look around, about to leave for good, L D  says he has one more thing to tell his wife and daughter but, suddenly inarticulate, he is unable to put what he feels into words  The manuscript version of the same title appears in Beginners (2009) 

"What We Talk About When We Talk About Love"
Mel McGinnis is a 45-year-old cardiologist married to Teresa, also known as Terri  They live together in Albuquerque  The narrator, Nick, describes Mel as tall and rangy with curly soft hair and Teresa (who is Mel's second wife) as bone-thin with a pretty face, dark eyes, and brown hair  Nick is 38 years old, and married to Laura, 35, who works as a legal secretary  The four sit around a table at Mel and Terri's, drinking gin in the afternoon 
They soon start to talk about love  Terri has had an abusive relationship; the abuse, she says, derives from love  Ed, Terri's former abusive boyfriend, "loved her so much he tried to kill her " Ed would beat Terri; he dragged her around the living room by her ankles knocking her into things along the way  Terri believes that Ed loved her and his abuse was his way of showing it  No matter what Terri says, Mel refuses to believe that was "love"  Ed also stalked Mel and Terri and called Mel at work with threatening messages  At one point, Mel was so scared he bought a gun and made out a will  Mel even wrote to his brother in California, saying that "if something happened to him" to look for Ed 
Terri's abusive boyfriend eventually committed suicide after two attempts (as Terri sees it, another act of love)  Ed's first attempt at suicide was when Terri had left him  Ed had drunk rat poison, but was rushed to the hospital where he was saved  In Ed's second, successful attempt he shot himself in the mouth  Terri and Mel argued about whether she could be in the hospital bedroom with him when he died  Terri won and was with Ed as he died; as Terri puts it, "He never came up out of it "
Soon afterward, Mel begins a story about an elderly couple struck by a drunk driver, a teenager who was pronounced dead at the scene  Mel was called into the hospital and saw how badly the elderly couple had been injured  He says that they had "multiple fractures, internal injuries, hemorrhaging, contusions, and lacerations " The couple were in casts and bandages from head to toe  Mel's point in telling the story is the husband's consternation when the couple was moved into the intensive care unit  Mel would visit the couple daily, and when he put his ear to the husband's mouth-hole, the latter told Mel he was upset because he could not see his wife through his eye-holes 
Mel strays from the topic with more talk about Ed, his personal thoughts about love, hatred toward his ex-wife, and life as a knight  Mel feels even though one loves a person, if something were to happen to them, the survivor would grieve but love again 
After finishing the second bottle of gin, the couples discuss going to dinner, but no one makes any moves to proceed with their plans 

Earlier version
Carver's original draft of the story "Beginners" was heavily edited by Gordon Lish, who cut out nearly half of Carver's story, adding in details of his own  Carver's original draft, released by his widow Tess Gallagher and published in a December 2007 issue of the New Yorker, reveals the extensive edits  For instance, the character Mel was originally named Herb, and the abusive boyfriend, renamed Ed by Lish, was originally named Carl  Additionally, Herb's story about the old couple was cut nearly in half, with Lish removing the story of the old couple's home life, love, and reunion in the hospital   In Carver's original version, the two had separate rooms, which caused them to pine for each other and eventually led to a scene when they met again   Lish removed all of this, rewrote the couple into the same room, but in body casts that prevented them from seeing each other, and then explained the old man's distress thus:

     "I mean, the accident was one thing, but it wasn't everything  I'd get up to his mouth-hole, you know, and he'd say no, it wasn't the accident exactly but it was because he couldn't see her through the eye-holes  He said that that was making him feel so bad  Can you imagine? I'm telling you, the man's heart was breaking because he couldn't turn his goddamn head and 'see' his goddamn wife "
      Mel looked around the table and shook his head at what he was going to say 
      "I mean, it was killing the old fart just because he couldn't 'look' at the fucking woman "

Lish also cut out eight paragraphs at the end, in which Terri communicates her worry over Herb's depression to Laura and Nick, and another aspect of love is shown as Laura comforts Terri, tying together all the types of love discussed in the story 

Editing
There was some contention between Raymond Carver and his editor Gordon Lish over several stories in the collection; the author complained about the "surgical amputation and transplant that might make them someway fit into the carton so the lid will close " Eventually, the book was published with Lish's extensive alterations, and received critical acclaim 
Shortly before his death, Carver arranged the publication of his own selection of 37 of his stories, Where I'm Calling From: Selected Tales   He included some stories as edited by Lish, some restored  from his original manuscripts, and some unpublished stories  
Carver's widow, Tess Gallagher, fought with Knopf for permission to republish the 17 stories in What We Talk About When We Talk About Love as they were originally written by Carver  These original versions eventually appeared in Beginners, published by Jonathan Cape in 2009, and in the Library of America volume Collected Stories 

In popular culture
The stories "So Much Water So Close to Home" and "Tell the Women We're Going" were adapted for Robert Altman's 1993 feature film Short Cuts  The former was the inspiration for the Paul Kelly song "Everything's Turning to White" on the album So Much Water So Close to Home and was also later adapted for the 2006 film Jindabyne 
The story "Why Don't You Dance?" serves as the basis for the award-winning 2004 short film Everything Goes as well as for the 2010 feature film Everything Must Go 
The 2012 film Stuck in Love uses the quote, "I could hear my heart beating  I could hear everyone's heart  I could hear the human noise we sat there making, not one of us moving, not even when the room went dark" from "What We Talk About When We Talk About Love" as the main character's, author Bill Borgens's, favorite quote  They are the last words spoken in the film 
Alejandro González Iñárritu's 2014 film Birdman or: The Unexpected Virtue of Ignorance depicts an eclipsed Hollywood star, Riggan Thomson, who mounts a Broadway production of "What We Talk About When We Talk About Love" as its central storyline  The Broadway production includes several aspects of the Carver story—such as the four friends telling stories over a bottle of gin, and Mel's story about the couple in the car crash—but also includes other, more melodramatic storylines that are not part of the Carver story  Thomson attributes his choice of acting as a profession to a complimentary note he once received from Carver written on a cocktail napkin 
Passage 10:
Love Is on the Way
Love Is On the Way may refer to:

Love Is On the Way (album), a 1998 compilation album by American R&B/soul singer Luther Vandross
"Love Is On the Way" (song), a 1992 song by American rock band Saigon Kick
"Love Is On the Way", a song by Billy Porter, released on The First Wives Club soundtrack, later covered by Celine Dion
"Love Is On the Way", a song by R  Kelly from the 1995 album R  Kelly
"Love is On the Way", a song by Natalie Cole from the 1985 album Dangerous
"Love is On the Way", a song by Dave Koz from the 1999 album The Dance
"Love is On the Way", a 2004 single by Little Louie Vega and Blaze
"Love Is On the Way", a song by Austins Bridge from the 2010 album Times Like These
"Love Is On The Way", a song by Viktor Lazlo from the 1996 album Back to Front

See also
"Good Love is On the Way", a song by the John Mayer Trio from the 2005 album Try!
"My Love Is On the Way", a song from the 1954 musical The Golden Apple
Passage 11:
WMMW
WBOM (1470 AM) is a commercial radio station licensed to Meriden, Connecticut, and covering Central Connecticut  The station broadcasts an R&B format, aimed at the Hartford area  The station is owned by Full Power Radio, through Red Wolf Broadcasting Corporation  WBOM's programming is also heard on FM translator W273DS (102 5); the station's branding emphasizes the FM frequency 

History
The station's original construction permit was granted by the Federal Communications Commission on January 2, 1947; it was initially assigned the call sign WMMB, but changed to WMMW on March 4



ground_truth: Thaba Putsoa

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What city was the author of What We Talk About When We Talk About love born in?

The following are given passages.
Context 3:  It began broadcasting June 8, 1947, on 1470 kHz with 1,000 watts of power  The station was licensed to Silver City Crystal Company  An FM sister station, WMMW-FM (95 7), would be added by that December On March 5, 2014, Buckley Broadcasting announced that it would sell its Connecticut radio stations, including WMMW, to Connoisseur Media  The sale was completed on July 7, 2014, at a price of $7,922,035  Connoisseur sold WMMW, along with the other Talk of Connecticut stations (except for WWCO in Waterbury), WDRC-FM in Hartford, and W272DO in New Haven, to Red Wolf Broadcasting for $8 million in January 2018; the sale was completed on March 29, 2018 The call sign was changed to WBOM on April 28, 2020  The station went silent in March 2022, and returned as "The New 102 5" on March 11, 2022 
Passage 12:
Morals for Women
Morals for Women (known in the UK as Farewell Party and in re-release as Big City Interlude) is a 1931 American pre-Code film produced and released by Tiffany Pictures, often considered a low budget studio  The film stars Bessie Love and Conway Tearle  It is preserved at the Library of Congress, has been released on DVD, and is in the public domain 
This film is a follow-up to Tiffany's 1925 silent Morals for Men, which also starred Conway Tearle and is also preserved at the Library of Congress 

Plot
Stenographer and gold digger Helen Huston (Love) has a personal relationship with her employer Van Dyne (Tearle), who has set her up in an apartment on Park Avenue  Her childhood beau visits New York and proposes to her, which prompts her to return to her hometown and seek advice from her family  News of her living situation is the talk of her hometown  In defending Helen's honor, her younger brother injures the town bully and must pay his large hospital bill  Helen returns to her New York boss to get the money  Her hometown sweetheart interrupts one of her parties to see her, and even upon learning about Helen's relationship with her boss, he wants to marry her 

Cast
Reception
The film received lukewarm reviews, and the morality of the story was questioned 
Passage 13:
The Pigskin Palooka
The Pigskin Palooka is a 1937 Our Gang short comedy film directed by Gordon Douglas   It was the 159th Our Gang short (160th episode, 70th talking short, and 71st talking episode) that was released 

Plot
Having written of his football heroics in military school, Alfalfa returns home to a hero's welcome  But the fact is that Alfalfa never played a game in his life and borrowed Rex's, a classmate and football player's uniform to take a picture, angering him as well  No sooner has he stepped off the train than his old pal Spanky, manager of the gang's football team, informs Alfalfa that he's been slated to be star player in an upcoming gridiron battle—which is to be staged within the next few hours  Alfalfa winds up winning the game in a total fluke, which Buckwheat and Porky helped cause 

Cast
The Gang
Carl Switzer as Alfalfa
Darla Hood as Darla
Eugene Lee as Porky
George McFarland as Spanky
Billie Thomas as Buckwheat
Pete The Pup as himself

Additional cast
Rex Downing as Cadet (photographer)
Gary Jasgur as Junior (timekeeper)
Cullen Johnson as Scorekeeper
Dickie Jones as Spike
Sidney Kibrick as Spike's sidekick
Delmar Watson as Captain of the military academy's football team

Members of Spanky's team
Daniel Boone, John Collum, Charles Flickinger, Larry Harris, Paul Hilton, Darwood Kaye, Tommy McFarland, Donald Proffitt, Drew Roddy, Harold Switzer

Members of Spike's team
Hugh Chapman, Dix Davis, Barry Downing, Roger McGee, Fred Walburn, Robert Winkler

Game spectators and band players
Barry Downing, Bobby Callahan, Dix Davis, Floyd Fisher, Vincent Graeff, Payne B  Johnson, Henry Lee, Joe Levine, Priscilla Lyon, Drew Roddy, Norman Salling, Joe Straunch, Jr , Fred Walburn, Robert Winckler

See also
Our Gang filmography
Passage 14:
Raymond Carver
Raymond Clevie Carver Jr  (May 25, 1938 – August 2, 1988) was an American short story writer and poet  He contributed to the revitalization of the American short story during the 1980s 

Early life
Carver was born in Clatskanie, Oregon, a mill town on the Columbia River, and grew up in Yakima, Washington, the son of Ella Beatrice Carter (née Casey) and Clevie Raymond Carver  His father, a sawmill worker from Arkansas, was a fisherman and a heavy drinker  Carver's mother worked on and off as a waitress and a retail clerk  His brother, James Franklin Carver, was born in 1943 
Carver was educated at local schools in Yakima  In his spare time, he read mostly novels by Mickey Spillane or publications such as Sports Afield and Outdoor Life, and hunted and fished with friends and family 
After graduating from Yakima High School in 1956, Carver worked with his father at a sawmill in California  In June 1957, at age 19, he married 16-year-old Maryann Burk, who had just graduated from a private Episcopal school for girls  Their daughter, Christine La Rae, was born in December 1957  Their second child, a boy named Vance Lindsay, was born a year later  Carver worked as a delivery man, janitor, library assistant, and sawmill laborer, while Maryann worked as an administrative assistant, high school English teacher, salesperson, and waitress 

Writing career
Carver moved to Paradise, California, with his family in 1958 to be close to his mother-in-law  He became interested in writing while attending Chico State College and enrolled in a creative writing course taught by the novelist John Gardner, then a recent doctoral graduate of the Iowa Writers' Workshop, who became a mentor and had a major influence on Carver's life and career  In 1961, Carver's first published story, "The Furious Seasons", appeared  More florid than his later work, the story strongly bore the influence of William Faulkner  "Furious Seasons" was later used as a title for a collection of stories published by Capra Press, and is part of the collection, No Heroics, Please and Call If You Need Me Carver continued his studies under the short story writer Richard Cortez Day (like Gardner, a recent PhD alumnus of the Iowa program) beginning in autumn 1960 at Humboldt State College in Arcata, California  He chose not to take the foreign language courses required by the English program and received a B A  in general studies in 1963  During this period he was first published and served as editor for Toyon, the college's literary magazine, in which he published several of his own pieces under his own name as well as the pseudonym John Vale With his B-minus average, exacerbated by his penchant to forsake coursework for literary endeavors, ballasted by a sterling recommendation from Day, Carver was accepted into the Iowa Writers' Workshop on a $1,000 fellowship for the 1963–1964 academic year  Homesick for California and unable to fully adjust to the program's upper middle class milieu, he only completed 12 credits out of the 30 required for a M A  degree or 60 for the M F A  degree  Although program director Paul Engle awarded him a fellowship for a second year of study after Maryann Carver personally interceded and compared her husband's plight to Tennessee Williams' deleterious experience in the program three decades earlier, Carver decided to leave the University of Iowa at the end of the semester  According to biographer Carol Sklenicka, Carver falsely claimed to have received an M F A  from Iowa in 1966 on later curricula vitae  Maryann, who postponed completing her education to support her husband's educational and literary endeavors, eventually graduated from San Jose State College in 1970 and taught English at Los Altos High School until 1977  After completing graduate work at Stanford, she briefly enrolled in the University of California, Santa Barbara's English doctoral program when Carver taught at the institution as a visiting lecturer in 1974 In the mid-1960s, Carver and his family resided in Sacramento, California, where he briefly worked at a bookstore before taking a position as a night custodian at Mercy Hospital  He did all of the janitorial work in the first hour and then wrote through the rest of his shift  He audited classes at what was then Sacramento State College, including workshops with poet Dennis Schmitz  Carver and Schmitz soon became friends, and Carver wrote and published his first book of poems, Near Klamath, under Schmitz's guidance 1967 was a landmark year for Carver with the appearance of "Will You Please Be Quiet, Please?" in Martha Foley's annual Best American Short Stories anthology and the impending publication of Near Klamath by the English Club of Sacramento State College  He briefly enrolled in the library science graduate program at the University of Iowa that summer but returned to California following the death of his father  Shortly thereafter, the Carvers relocated to Palo Alto, California, so he could take his first white-collar job, at Science Research Associates, a subsidiary of IBM in nearby Menlo Park, California, where he worked intermittently as a textbook editor and public relations director through 1970 Following a 1968 sojourn to Israel, the Carvers relocated to San Jose, California; as Maryann finished her undergraduate degree, he continued his graduate studies in library science at San Jose State through the end of 1969 before failing once again to take a degree  During this period, he established vital literary connections with Gordon Lish, who worked across the street from Carver as director of linguistic research at Behavioral Research Laboratories, and the poet/publisher George Hitchcock After the publication of "Neighbors" in the June 1971 issue of Esquire at the instigation of Lish (by now ensconced as the magazine's fiction editor), Carver began to teach at the University of California, Santa Cruz at the behest of provost James B  Hall, an Iowa alumnus and early mentor to Ken Kesey at the University of Oregon, commuting from his new home in Sunnyvale, California 
Having endured a succession of failed applications to the Stegner Fellowship, Carver was admitted to the prestigious non-degree Stanford University graduate creative writing program for the 1972–1973 term, where he cultivated friendships with Kesey-era luminaries Ed McClanahan and Gurney Norman in addition to contemporaneous fellows Chuck Kinder, Max Crawford, and William Kittredge  The $4,000 stipend enabled the Carvers to buy a house in Cupertino, California  He also took on another teaching job at the University of California, Berkeley that year and briefly rented a pied-à-terre in the city; this development was precipitated by his initiation of an extramarital affair with Diane Cecily, a University of Montana administrator and mutual friend of Kittredge who would subsequently marry Kinder During his years of working at miscellaneous jobs, rearing children, and trying to write, Carver started abusing alcohol  By his own admission, he gave up writing and took to full-time drinking  In the fall semester of 1973, Carver was a visiting lecturer in the Iowa Writers' Workshop with John Cheever, but Carver stated that they did less teaching than drinking and almost no writing  With the assistance of Kinder and Kittredge, he attempted to simultaneously commute to Berkeley and maintain his lectureship at Santa Cruz; after missing all but a handful of classes due to the inherent logistical hurdles of this arrangement and various alcohol-related illnesses, Hall gently enjoined Carver to resign his position  The next year, after leaving Iowa City, Carver went to a treatment center to attempt to overcome his alcoholism, but continued drinking for another three years His first short story collection, Will You Please Be Quiet, Please?, was published in 1976  The collection itself was shortlisted for the National Book Award, though it sold fewer than 5,000 copies that year 

Personal life and death
Decline of first marriage
The following excerpt from Scott Driscoll's review of Maryann Burk Carver's 2006 memoir describes the decline of her and Raymond's marriage 

The fall began with Ray's trip to Missoula, Mont , in '72 to fish with friend and literary helpmate Bill Kittredge  That summer Ray fell in love with Diane Cecily, an editor at the University of Montana, whom he met at Kittredge's birthday party  "That's when the serious drinking began  It broke my heart and hurt the children  It changed everything "
"By fall of '74", writes Carver, "he was more dead than alive  I had to drop out of the PhD program so I could get him cleaned up and drive him to his classes"  Over the next several years, Maryann's husband physically abused her  Friends urged her to leave Raymond 
"But I couldn't  I really wanted to hang in there for the long haul  I thought I could outlast the drinking  I'd do anything it took  I loved Ray, first, last and always "
Carver describes, without a trace of rancor, what finally put her over the edge  In the fall of '78, with a new teaching position at the University of Texas at El Paso, Ray started seeing Tess Gallagher, a writer from Port Angeles, who would become his muse and wife near the end of his life  "It was like a contretemps  He tried to call me to talk about where we were  I missed the calls  He knew he was about to invite Tess to Thanksgiving " So he wrote a letter instead 

"I thought, I've gone through all those years fighting to keep it all balanced  Here it was, coming at me again, the same thing  I had to get on with my own life  But I never fell out of love with him "
After being hospitalized three times between June 1976 and February or March 1977, Carver began his "second life" and stopped drinking on June 2, 1977, with the help of Alcoholics Anonymous  While he continued to regularly smoke marijuana and later experimented with cocaine at the behest of Jay McInerney during a 1980 visit to New York City, Carver believed he would have died of alcoholism at the age of 40 had he not overcome his drinking 

Second marriage
In November 1977, Carver met the poet Tess Gallagher at a writers' conference in Dallas, Texas  Gallagher later remembered feeling "as if my life until then had simply been a rehearsal for meeting him " Beginning in January 1979, Carver and Gallagher lived together in El Paso, Texas, in a borrowed cabin near Port Angeles, Washington, and in Tucson, Arizona  
In 1980, the two moved to Syracuse, New York, where Gallagher had been appointed the coordinator of the creative writing program at Syracuse University; Carver taught as a professor in the English department  He and Gallagher jointly purchased a house in Syracuse, at 832 Maryland Avenue  In ensuing years, the house became so popular that the couple had to hang a sign outside that read "Writers At Work" in order to be left alone  
In 1982, he and his first wife, Maryann, were divorced In 1988, six weeks prior to his death, Carver and Gallagher married in Reno, Nevada 

Death
On August 2, 1988, Carver died in Port Angeles, Washington, from lung cancer at the age of 50  In the same year, he was inducted into the American Academy of Arts and Letters  He is buried at Ocean View Cemetery in Port Angeles, Washington  The inscription on his tombstone reads:

His poem "Gravy" is also inscribed 
As Carver's will directed, Tess Gallagher assumed the management of his literary estate 

Awards and memorials
Carver was nominated for the National Book Award for his first major-press collection, "Will You Please Be Quiet, Please" in 1977 and the Pulitzer Prize for Fiction for his third major-press collection, Cathedral (1984), the volume generally perceived as his best  Included in the latter collection are the award-winning stories "A Small, Good Thing", and "Where I'm Calling From"  John Updike selected the latter for inclusion in The Best American Short Stories of the Century  For his part, Carver perceived Cathedral as a watershed in his career for its shift toward a more optimistic and confidently poetic style amid the diminution of Lish's literary influence 
Carver won five O  Henry Awards with "Are These Actual Miles" (originally titled "What Is It?") (1972), "Put Yourself in My Shoes" (1974), "Are You A Doctor?" (1975), "A Small, Good Thing" (1983), and "Errand" (1988) In Carver's birth town of Clatskanie, Oregon, a memorial park and statue are at the corner of Lillich and Nehalem Streets, across from the library  A block away is the building where Carver was born 

Legacy and posthumous publications
In December 2006, Gallagher published an essay in The Sun magazine, titled "Instead of Dying", about alcoholism and Carver's having maintained his sobriety  The essay is an adaptation of a talk she initially delivered at the Welsh Academy's Academi Intoxication Conference in 2006  The first lines read: "Instead of dying from alcohol, Raymond Carver chose to live  I would meet him five months after this choice, so I never knew the Ray who drank, except by report and through the characters and actions of his stories and poems "Chuck Kinder's Honeymooners: A Cautionary Tale (2001) is a roman à clef about his friendship with Carver in the 1970s  Carver's high school sweetheart and first wife, Maryann Burk Carver, wrote a memoir of her years with Carver, What it Used to be Like: A Portrait of My Marriage to Raymond Carver (2006) 
In 2009, The New York Times Book Review and San Francisco Chronicle named Carol Sklenicka's unauthorized biography, Raymond Carver: A Writer's Life (2009), published by Scribner, one of the Best Ten Books of that year; and the San Francisco Chronicle deemed it: "exhaustively researched and definitive biography"  Carver's widow, Tess Gallagher, refused to engage with Sklenicka His final (incomplete) collection of seven stories, titled Elephant in Britain (included in "Where I'm Calling From") was composed in the five years before his death  The nature of these stories, especially "Errand", have led to some speculation that Carver was preparing to write a novel  Only one piece of this work has survived – the fragment "The Augustine Notebooks", first printed in No Heroics, Please Tess Gallagher fought with Knopf for permission to republish the stories in What We Talk About When We Talk About Love as they were originally written by Carver, as opposed to the heavily edited and altered versions that appeared in 1981 under the editorship of Gordon Lish  On October 1, 2009, the book, entitled Beginners, was released in hardback in Great Britain, followed by its publication in the Library of America edition which collected all of Carver's short fiction in a single volume The Raymond Carver Reading Series at Syracuse University is a reading series program which annually brings 12 to 14 prominent writers to the campus  It is presented by the Creative Writing Program in SU's College of Arts and Sciences 

Literary characteristics
Carver's career emphasized short stories and poetry  He described himself as "inclined toward brevity and intensity" and "hooked on writing short stories" (in the foreword of Where I'm Calling From, a collection published in 1988 and a recipient of an honorable mention in the 2006 New York Times article citing the best works of fiction of the previous 25 years)  Another stated reason for his brevity was "that the story [or poem] can be written and read in one sitting " This was not simply a preference but, particularly at the beginning of his career, a practical consideration as he juggled writing with work  His subject matter was often focused on blue-collar experience, and was clearly reflective of his own life Characteristics of minimalism are generally seen as one of the hallmarks of Carver's work, although, as reviewer David Wiegand notes:
Carver never thought of himself as a minimalist or in any category, for that matter 
"He rejected categories generally," Sklenicka says  "I don't think he had an abstract mind at all  He just wasn't built that way, which is why he's so good at picking the right details that will stand for many things "
Carver's editor at Esquire, Gordon Lish, was instrumental in shaping his prose in this direction – where his earlier tutor John Gardner had advised Carver to use fifteen words instead of twenty-five, Lish instructed Carver to use five in place of fifteen  Objecting to the "surgical amputation and transplantation" of Lish's heavy editing, Carver eventually broke with him  During this time, Carver also submitted poetry to James Dickey, then poetry editor of Esquire 
Carver's style has also been described as dirty realism, which connected him with a group of writers in the 1970s and 1980s that included Richard Ford and Tobias Wolff with both of whom Carver was closely acquainted, as well as others such as Ann Beattie, Frederick Barthelme, and Jayne Anne Phillips  With the exception of Beattie, who wrote about upper-middle-class people, these were writers who focused on sadness and loss in the everyday lives of ordinary people—often lower-middle class or isolated and marginalized people In his essay "On Influence", Carver states that, while he was an admirer of Ernest Hemingway's fiction, he never saw him as an influence, citing instead the work of Lawrence Durrell 

Works
Fiction
Collections
Will You Please Be Quiet, Please? (first published 1976)
Furious Seasons and other stories (1977)
What We Talk About When We Talk About Love (1981)
Cathedral (1983)
Elephant (1988) – this title only published in Great Britain; included as a section of Where I'm Calling From: New & Selected Stories in the U S 
Beginners (2009)

Compilations
Where I'm Calling From: New & Selected Stories (1988)
Short Cuts: Selected Stories (1993) – published to accompany the Robert Altman film Short Cuts
Collected Stories (2009) – complete short fiction including Beginners (see section above for wiki-link)

Poetry
Collections
Near Klamath (1968)
Winter Insomnia (1970)
At Night The Salmon Move (1976)
Fires (1983)
Where Water Comes Together With Other Water (1985)
Ultramarine (1986)
A New Path To The Waterfall (1989)
Gravy (Unknown year)

Compilations
In a Marine Light: Selected Poems (1988)
All of Us: The Collected Poems (1996)

Screenplays
Dostoevsky (1982, with Tess Gallagher) (published in 1985)
Purple Lake (1983, with Michael Cimino) (unpublished)

Films and theatre adaptations
Short Cuts directed by Robert Altman (1993), based on nine Carver short stories and a poem
Everything Goes directed by Andrew Kotatko (2004), starring Hugo Weaving, Abbie Cornish and Sullivan Stapleton based on Carver's short story "Why Don't You Dance?"
Whoever Was Using This Bed, also directed by Andrew Kotatko (2016), starring Jean-Marc Barr, Radha Mitchell and Jane Birkin, based on Carver's short story of the same name
Jindabyne directed by Ray Lawrence (2006), based on Carver's short story "So Much Water So Close to Home"
Everything Must Go directed by Dan Rush (2010), and starring Will Ferrell, based on Carver's short story "Why Don't You Dance?"
Birdman or (The Unexpected Virtue of Ignorance), directed by Alejandro G  Iñárritu, depicts the mounting of a Broadway production of "What We Talk About When We Talk About Love" as its central storyline  The film's main character, Riggan Thomson, attributes his choice of acting as a profession to a complimentary note he once received from Raymond Carver written on a cocktail napkin  The film also preludes with Carver's poem "Late Fragment " In February 2015, Birdman won four Oscars, including the Academy Award for Best Picture 
Passage 15:
Night 'n' Gales
Night 'n' Gales is a 1937 Our Gang short comedy film directed by Gordon Douglas   It was the 156th Our Gang short (157th episode, 68th talking short, and 69th talking episode that was released 

Plot
Though he would rather spend his evening in peace and quiet, Mr  Hood (Johnny Arthur) is forced to endure the offkey harmonizing of The Four Nightengales, a junior singing aggregation composed of Spanky, Alfalfa, Buckwheat and Porky 
After interminable choruses of "Home! Sweet Home!", the four boys are finally ready to leave, but are forced to stay in the Hood home due to a sudden thunderstorm  Both Darla and her mother are delighted, but Mr  Hood is dismayed, especially when he is told that he must share his bed with the Four Nightengales  Driven crazy by the boys' unintentionally disruptive shenanigans, Mr  Hood escapes to the living room and tries to sleep on the couch, covering himself with a bear rug to keep warm  Naturally, the gang mistake him for a real bear, and comic chaos ensues 

Notes
Comedian Johnny Arthur, who played Spanky McFarland's absent-minded father in Anniversary Trouble, returns as Darla's father in Night 'n' Gales  He was so popular with audiences that he played Darla's father once again in Feed 'em and Weep 

Cast
The Gang
Darla Hood as Darla
Eugene Lee as Porky
George McFarland as Spanky
Carl Switzer as Alfalfa
Billie Thomas as Buckwheat
Gary Jasgur as Junior

Additional cast
Johnny Arthur as Arthur Hood, Darla's father
Elaine Shepard as Darla's mother

See also
Our Gang filmography
Passage 16:
Freak Talks About Sex
Freak Talks About Sex, released for home video as Blowin' Smoke (its working title was Syracuse Muse), is a 1999 film starring Steve Zahn and Josh Hamilton  The movie was shot in Auburn and Syracuse, New York  It deals with issues such as love, sex, life after college, and living in a medium-sized city, in this case Syracuse 

Plot
Dave Keenan (Josh Hamilton) left Syracuse for a new life in Arizona  When that didn't work out, he moved back to Syracuse  He works a dead-end job at a department store in a mall, his car has broken down (and the mechanic is taking forever to fix it) and his ex-girlfriend (Arabella Field) wants him to join her in New York City  To make matters more complicated, one of his co-workers, a high school girl named Nichole (Heather McComb) seems to be getting romantically interested in him  His best friend Freak (Steve Zahn) is around for him to hang out with and offer such choice philosophical observations, like "I can't think of a single movie that couldn't be improved by a lesbian sex scene " Dave is stuck in a rut and has to decide what to do with his life 

Soundtrack
Tugboat Annie - "Stay Inside"
The Wrench - "Girl"
Scary Chicken - "Favorite Channel"
Chic - "Le Freak"
The Tortillas You Wanted - "Girls and Cars"
Blondie - "Heart of Glass"

External links
A trailer for the movie
Freak Talks About Sex at IMDb
Freak Talks About Sex at Rotten Tomatoes



ground_truth: Clatskanie

Clatskanie, Oregon