prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When did the Battle at Choo Hoey's birthplace end?

The following are given passages.
Context 1: Passage 1:
Battle of Puebla
The Battle of Puebla (Spanish: Batalla de Puebla; French: Bataille de Puebla), also known as the Battle of May 5th (Spanish: Batalla del 5 de Mayo) took place on 5 May, Cinco de Mayo, 1862, near Puebla de los Ángeles, during the Second French intervention in Mexico  French troops under the command of Charles de Lorencez repeatedly failed to storm the forts of Loreto and Guadalupe situated on top of the hills overlooking the city of Puebla, and eventually retreated to Orizaba in order to await reinforcements  Lorencez was dismissed from his command, and French troops under Élie Frédéric Forey would eventually take the city, but the Mexican victory at Puebla against a better equipped force provided patriotic inspiration to the Mexicans 
The anniversary of the victory is primarily celebrated in the Mexican state of Puebla, where the holiday is celebrated as El Día de la Batalla de Puebla (English: The Day of the Battle of Puebla)  There is some limited recognition of the holiday in other parts of the country  In the United States, Cinco de Mayo has evolved into a holiday celebration of Mexican heritage 

Background
The Tripartite Expedition
The French intervention in Mexico, initially supported by the United Kingdom and Spain, was a consequence of Mexican President Benito Juárez's imposition of a two-year moratorium of loan-interest payments from July 1861 to French, British, and Spanish creditors 
On December 14, 1861, a Spanish fleet sailed into and took possession of the port of Veracruz  The city was occupied on the 17th  French and English forces arrived on January 7, 1862  On January 10 a manifesto was issued by Spanish General Juan Prim disavowing rumors that the allies had come to conquer or to impose a new government  It was emphasized that the three powers merely wanted to open negotiations regarding their claims of damages On January 14, 1862, a bill of claims was presented to the government in Mexico City  Foreign Minister Manuel Doblado invited the commissioners to travel to Orizaba with two thousand of their own troops for a conference while requesting that the rest of the tripartite forces disembark from Veracruz  The proposal to disembark most of the troops was rejected, but negotiations then resulted in an agreement, ratified on January 23, to move the forces inland and hold a conference at Orizaba  The agreement also officially recognized the government of Juarez along with Mexican sovereignty 

The French invasion begins
On April 9, 1862, agreements at Orizaba between the allies broke down, as France made it increasingly clear that it intended to invade Mexico and interfere in its government in violation of previous treaties  The British informed the Mexican government that they now intended to exit the country, and an arrangement was made with the British government to settle its claims  Minister Doblado on April 11 made it known to the French government that its intentions would lead to war 
Certain Mexican officers had been sympathetic to the French since the beginning of the intervention  On April 16, 1862, the French issued a proclamation inviting Mexicans to join them in establishing a new government  On April 17, 1862, Mexican general Juan Almonte, who had been a foreign minister of the conservative government during the Reform War, and who was brought back to Mexico by the French, released his own manifesto, assuring the Mexican people of benevolent French intentions The French defeated a small Mexican force at Escamela, and then captured Orizaba  Mexican Generals Porfirio Diaz and Ignacio Zaragoza retreated to El Ingenio, and then headed towards Puebla General Charles de Lorencez led 6,000 French troops to attack Puebla de Los Angeles in May 1862, certain that the French would win the war in Mexico quickly  Juarez assembled a ragged group of faithful soldiers at his new base of operations in the north and dispatched them to Puebla  Britain and Spain bargained with Mexico before withdrawing, but Napoleon III's France opted to take advantage of the available space to create an empire based on Mexico  A well-armed French warship invaded Veracruz late in 1861, landing a sizable French army and forcing President Juarez and his administration into exile 
Almonte now attempted to consolidate the Mexican pro-French movement  The town of Orizaba joined him and so did the port of Veracruz and Isla del Carmen  Colonel Gonzales, Manuel Castellanos, Desiderio Samaniego, Padre Miranda, and Haro Tamariz, and General Antonio Taboada arrived in Orizaba to support Almonte  On April 28, 1862, French forces headed towards Puebla 

Prelude
On May 2 the French army and the Mexican troops under Antonio Taboada reached Amozoc, and on the 4th pitched their camp within the sight of Puebla  Lorencez intended on immediately taking the forts of Loreto and Guadalupe, whose possession would assure him control of the city  Juan Almonte and Antonio de Haro y Tamariz had advised Lorencez to attack an orchard of the Convento del Carmen opposite the fortified heights of Guadalupe and Loreto, which was not done  They had also previously advised Lorencez to simply bypass Puebla and march on to the capital  Mexican historian Francisco Bulnes remarked that Lorencez lacked the men to starve out the city, lacked the artillery to take it by intimidation, lacked the men and artillery to take it by gradual assaults, and could only attempt to storm it in a risky manner that could have scarcely hoped to succeed The Mexican Republican army arrived in Puebla on May 3  On the 4th Arteaga's division now under the command of General Miguel Negrete, occupied the Guadalupe and Loreto Forts  The remainder of the forces took up quarters in the city 

Battle
At half past eleven Lorencez arranged an attack column made up of two battalions of zouaves, one battery commanded by Captain Bernard, and four pieces of Captain Mallat's marine artillery 
  The regiment of marine infantry and marine riflemen formed the reserve along with a mountain gun  They were meant to protect the rear of the attack columns, which was threatened by the Mexican cavalry on the right  To contain a Mexican force which was threatening the left, he charged L’Heriller to protect with four battalions of marine infantry the convoy which he placed at a convenient location  Cavalry was assigned to place itself between the convoy and the attack columns, which now awaited orders to attack The two battalions of zouaves now set their backpacks on the foot of the hill and began their ascent marching in columns by division and between them carrying ten pieces of horse artillery  They headed to their right towards the Fort of Guadalupe  According to a report telegraphed by General Zaragoza to the central government, the fighting broke out at noon  The strategy of attacking the most difficult, fortified, and heavily armed point caught the attention of General Zaragoza, as it now seemed that the French had tossed aside the military maxim of achieving a victory with the least amount of losses possible in favor of bravado  Zaragoza upon noticing that the attack was going to come via a direct assault on the forts, and who had a large body of this troops on standby for attack now changed his strategy  He gave orders for the forts of Loreto and Guadalupe to be reinforced  The French division advanced and when opposite the Guadalupe fort, halted and planted its artillery to fire upon the Guadalupe and the Loreto forts  After shelling them for two hours, a strong column preceded by sharpshooters advanced upon Fort Guadalupe by the northern side  Felipe Berriozábal was then ordered to reinforce the two hills  A portion of the cavalry was divided into two bodies, one of which was placed under Colonel Alvarez and the other under Colonel Trujano  The rest were to be commanded by Colonel Felix Diaz France's army was extremely advanced compared to Mexico's during the time of the battle  French soldiers were equipped with long rifles that could easily outgun the Mexicans' antiquated muskets when they arrived at Puebla on May 4  At the onset of battle, French soldiers underestimated the defensive capacity of the Mexican positions, to the point that many didn't bother to properly assemble their weaponry  The French attempted to intimidate the civilian population on the morning of May 5 with loud bugle cries and complex bayonet drills  They were forced to retire, however, as a result of significant casualties, following a full day of warfare that included three miserably failed uphill attacks 
The French in their ascent towards Fort Guadalupe experienced little opposition and only a few casualties from the fort's guns  They had completed half of the ascent when they were met by two battalions of Mexican infantry, which after exchanging shots with French sharpshooters, returned to their position  The French troops continued their ascent while Mexican cavalry under the cover of a maguey field remained still  The Mexican infantry also under the same cover kept firing upon the French  The ascending column now turned diagonally towards the right, as if going between the two forts, and the two forts now took advantage of the opportunity to fire upon the French troops  Finding themselves assailed from all quarters by infantry and cavalry, the French retreated and were pursued by Mexican forces, but the pursuit was given up when another French column came to the support of the retreating troops The two French columns now pushed on together towards the Guadalupe and Resurrection chapel  The two columns combined and split into three  This second attack on the east and the north of the city was much more vigorous  The two columns which attempted an assault on the hill from the north again were completely routed  General Diaz with portions of his brigade and other troops and two pieces of artillery checked and drove away the French columns which were marching against the Mexican positions  The third French column which reached the east side just as the others were repulsed was also defeated  The Mexican cavalry then charged upon the remaining French and prevented their reorganization for further assaults The French and the Mexicans continue to face each other until seven in the evening when the French returned to their camp at Los Alamos and then to Orizaba on the 8th to await reinforcements which were on their way from France 

Aftermath
The Battle of Puebla was an inspirational event for Mexico during the war, and it proved a stunning revelation to the rest of the world which had largely expected a rapid victory for French arms  The victory filled the government of Benito Juarez with high hopes  Zaragoza received the thanks of congress, and was awarded a sword  The city name of Puebla de los Ángeles was changed to Puebla de Zaragoza  Honors and rewards were decreed to the officers and men who took part in the action  Zaragoza sent the government the medals and decorations taken on the battlefield as well of those from prisoners, but President Juarez returned them along with the French prisoners of war  General Zaragoza would not live long after the victory as he died four months later due to typhoid fever   By a decree issued by Benito Juárez and the holiday "5 de mayo" (cinco de mayo) is a major annual event here 
Only two days after the battle the Mexican General Taboada who had collaborated with the French during the battle wrote to his liberal friend, Tomás O'Horán, inviting him to join the French, arguing that they wished to establish a stable government and would bring order to the country 
O'Horan would reject the offer, even fighting against the ultimately triumphant Siege of Puebla that the French carried out the following year, but O'Horan eventually would defect to join the forces of the Second Mexican Empire 
Slowed by their loss at Puebla, the French forces retreated and regrouped, and the invasion continued after Napoleon III determinedly sent additional troops to Mexico and dismissed General Lorencez  The French were eventually victorious, winning the Second Battle of Puebla on 17 May 1863 and pushing on to Mexico City  When the capital fell, Juárez's government was forced into exile in the remote northern parts of Mexico 
With the backing of France, the Second Empire of Mexico was established, with the Habsburg Archduke Maximilian as Emperor of Mexico 
General Porfirio Diaz who had played a notable role during the battle would continue to distinguish himself as one of the most important liberal commanders throughout the Second French intervention, and even escaped after being captured by the French  After the end of the Intervention and the fall of the Empire, he would attempt to overthrow the government of Benito Juarez before eventually becoming the President of Mexico in 1876 
The political decision taken by President Franklin D  Roosevelt to implement the "Good Neighbor Policy," which was intended to promote links with Latin American nations and people, was one of the key factors in the popularization of "Cinco de Mayo" in the United States  As a result of the Roosevelt administration's promotion of the holiday, Cinco de Mayo gained popularity in the 1950s and 1960s and eventually became a recognized national holiday  While the original celebrations in the United States were localized among Mexican immigrants from the state of Puebla commemorating the battle, over time, the origins of the holiday have become less emphasized and the date has evolved into a general celebration of Mexican culture by immigrants and their descendants from all parts of Mexico  A comparable phenomenon can be found in the evolution of St  Patrick's Day from an ecclesiastical holiday marking the arrival of Christianity in Ireland to a largely secularized celebration of Irish-American culture 

Celebration
On 9 May 1862, President Juárez declared that the anniversary of the Battle of Puebla would be a national holiday, regarded as "Battle of Puebla Day" or "Battle of Cinco de Mayo" Cinco de Mayo is not the national day of Mexico, as is sometimes misunderstood  The most important national patriotic holiday in Mexico is Independence Day, on 16 September, commemorating the 1810 "Cry of Dolores" call-to-arms, that began the War of Independence  Mexico also observes the culmination of the war of Independence, which lasted 11 years, on 27 September 
Cinco de Mayo is day of celebration for the Hispanics is a tradition that takes place on May 5 to mark the date that Mexico defeated the Second French Empire in the Battle of Puebla in 1862, under the command of General Ignacio Zaragoza, a Texas native  The Mexicans' morale was boosted by their win over the bigger and better armed French army with a smaller, less well-equipped Mexican force, which included 500 other Tejanos  Since the 1930s, a re-enactment of the Battle of Puebla has been held each year at Peñón de los Baños, a rocky outcrop close to Mexico City International Airport What most do not realize is that the “Battle of Puebla” is celebrated just as much if not more in America than it is in Mexico, some say it is a way that Mexican Americans can show patriotism towards their roots and traditions, but it has also always been overshadowed by occasions like September 16 Independence Day, which marks the beginning of hostilities against Spanish control in 1810  Contrarily, Cinco de Mayo became popular in the United States in the 1960s when Chicano activists started seeking for a means to celebrate their heritage  The largest Cinco de Mayo festivities currently take place in American cities with sizable Hispanic populations, such Los Angeles, Houston, and San Antonio  It is a common misconception among non-Mexicans that Cinco de Mayo commemorates the declaration of Mexican independence, which occurred around 50 years before the Battle of Puebla  On Cinco de Mayo there are multiple different ways that they celebrate this event, some of these being parades, speeches, and recreations of the 1862 fight  In the middle of the 20th century, Mexican immigrants in the United States began to take pride in their Mexican ancestry by celebrating Cinco de Mayo  The main cause for rejoicing in Mexico is a win in war 
The American celebration of Cinco de Mayo is more about honoring Mexican culture in general  In 1863, Americans started celebrating as a show of support for Mexico against the French  Critics noted that many American celebrations tended to both perpetuate negative stereotypes of Mexicans and promote excessive drinking, and that enthusiasm for the holiday celebration did not catch on with a wider demographic until it was associated with the promotion of Mexican alcoholic beverages  Commercial interests from both Mexico and the United States have contributed to the promotion of the event with goods and services that highlight Mexican cruises, drinks, and celebrations, with music taking on a more prominent role  Since parades and concerts are held in many American towns the week before May 5, Cinco de Mayo has grown in popularity both north and south of the border and is now included in the calendars of more and more people 

See also
List of battles of the French intervention in Mexico
Monument for the 150th Anniversary of the Battle of Puebla
Passage 2:
Battle of Palembang
The Battle of Palembang was a battle of the Pacific theatre of World War II  It occurred near Palembang, on Sumatra, on 13–15 February 1942  The Royal Dutch Shell oil refineries at nearby Plaju (then Pladjoe) were the major objectives for the Empire of Japan in the Pacific War, because of an oil embargo imposed on Japan by the United States, the Netherlands, and the United Kingdom after the Japanese invaded China and committed massive atrocities such as the rape of Nanking  With the area's abundant fuel supply and airfield, Palembang offered significant potential as a military base to both the Allies and the Japanese 

Prelude
In January, the American-British-Dutch-Australian Command (ABDACOM) decided to concentrate Allied air forces in Sumatra at two airfields near Palembang: Pangkalan Benteng, also known as "P1" and a secret air base at Prabumulih (then Praboemoelih), or "P2" 
The British Royal Air Force created No  225 (Bomber) Group at Palembang  It included two Royal Australian Air Force squadrons and a large number of Australians serving with British squadrons  The group could only muster 40 Bristol Blenheim light bombers and 35 Lockheed Hudson light bombers  The Blenheims had flown from the Middle East and Egypt, where they were considered too old to cope with newer German and Italian fighters  A handful of United States Far East Air Force B-17 Flying Fortress heavy bombers also operated out of Palembang briefly in January, but these were withdrawn to Java and Australia before the battle commenced 
No  226 (Fighter) Group  RAF also arrived at Palembang in early February: two squadrons of Hawker Hurricanes transported to Sumatra by the aircraft carrier HMS Indomitable  They were joined by the remnants of British, Australian and Royal New Zealand Air Force Hurricane and Brewster Buffalo squadrons, which had both inflicted and suffered heavy losses in intense air battles over the Malayan and Singapore campaigns 
The Royal Netherlands East Indies Army (KNIL) South Sumatra Island Territorial Command, its command in the Palembang area, consisted of about 2,000 troops under Lieutenant Colonel L  N  W  Vogelesang: the South Sumatra Garrison Battalion and a Stadswacht/Landstorm ("home guard/reserve") infantry company in Palembang, a Stadswacht/Landstorm infantry company in Jambi (Djambi), as well as various artillery and machine gun units  (KNIL units in other parts of Sumatra lacked mobility and played no part in the fighting ) The Royal Netherlands Navy was represented by the minelayer Pro Patria and the patrol boats P-38 and P-40 on the Musi river 

Battle
Airborne attack
While the Allied planes attacked the Japanese ships on 13 February, Kawasaki Ki-56 transport planes of the 1st, 2nd and 3rd Chutai, Imperial Japanese Army Air Force (IJAAF), dropped Teishin Shudan (Raiding Group) paratroopers over Pangkalan Benteng airfield  At the same time Mitsubishi Ki-21 bombers from the 98th Sentai dropped supplies for paratroopers  The formation was escorted by a large force of Nakajima Ki-43 fighters from the 59th and 64th Sentai 
As many as 180 men from the Japanese Army 2nd Parachute Regiment, under Colonel Seiichi Kume, dropped between Palembang and Pangkalan Benteng, and more than 90 men came down west of the refineries at Pladjoe  Although the Japanese paratroopers failed to capture the Pangkalan Benteng airfield, they did manage to gain possession of the entire Pladjoe oil refinery complex undamaged  A makeshift counter-attack by Landstorm troops and anti-aircraft gunners from Praboemoelih managed to retake the complex but took heavy losses, due to Japanese soldiers entrenched in the refinery's air raid shelters  The planned demolition failed to do any serious damage to the refinery, but the oil stores were set ablaze  Two hours after the first drop, another 60 Japanese paratroopers were dropped near Pangkalan Benteng airfield 
On 14 February, the surviving Japanese paratroopers advanced to the Musi, Salang and Telang rivers, near Palembang 

Amphibious assault
The main Japanese invasion force, an amphibious assault fleet under Vice-Admiral Jisaburo Ozawa of the Imperial Japanese Navy (IJN), was on its way from Cam Ranh Bay in French Indochina  It was made up of the Imperial Japanese Army's 229th Infantry Regiment and one battalion from the 230th Infantry Regiment  A small advance party set out eight transports escorted by the light cruiser Sendai and four destroyers  The main force followed in 14 transports, escorted by the heavy cruiser Chokai and four destroyers  The covering force included the aircraft carrier Ryujo, four heavy cruisers, one light cruiser and three destroyers  Additional air cover was provided by land-based IJN planes and the IJAAF 3rd Air Division 
On the morning of 13 February, a river boat commandeered by the British Royal Navy, HMS Li Wo — under Lieutenant Thomas Wilkinson — ferrying personnel and equipment between Singapore and the Dutch East Indies, ran into the Japanese fleet  Although Li Wo was armed only with a 4-inch (100 mm) gun and two machineguns, its crew fired at the Japanese troop transport ships, setting one on fire and damaging several others, while under fire from the Japanese cruisers  This action continued for 90 minutes until the Li Wo ran out of ammunition  Wilkinson then ordered the ramming of the nearest transport, before his ship was destroyed by Japanese fire  Wilkinson received a posthumous Victoria Cross (VC), the highest award for gallantry in the British Commonwealth, and the only VC awarded in the Dutch East Indies campaign 
On 15 February, an ABDA naval force of five cruisers, HNLMS De Ruyter, HNLMS Java and HNLMS Tromp, HMS Exeter, HMAS Hobart and 10 destroyers, under Admiral Karel Doorman, made an abortive attempt to intercept the Japanese force  Planes from Ryujo and land-based aircraft made a series of attacks on the Allied ships, forcing them to withdraw to the south of Sumatra 
As the Japanese landing force approached Sumatra, the remaining Allied aircraft attacked it, and the Japanese transport ship Otawa Maru was sunk  Hurricanes flew up the rivers, machine-gunning Japanese landing craft 

However, on the afternoon of 15 February, all Allied aircraft were ordered to Java, where a major Japanese attack was anticipated, and the Allied air units had withdrawn from southern Sumatra by the evening of 16 February 1942  Other personnel were evacuated via Oosthaven (now Bandar Lampung) by ships to Java or India 
Passage 3:
Giovanni Cifolelli
Giovanni Cifolelli was an Italian mandolin virtuoso and dramatic composer whose date and place of birth are unknown  In 1764 he made his appearance in Paris as a mandolin virtuoso and was highly esteemed, both as a performer and teacher  He published his Method for the mandolin while residing in Paris, which met with great success throughout France, being the most popular of its period 
His chief works were the operas L'Italienne and Pierre et Lucette, the former being an opera bouffe in one act (with the storyline or libretto by Nicolas-Étienne Framery)  These works were commissioned by the Comedie Italienne, Paris, and were produced at this theatre successfully, in 1770 and 1774  Several of the songs and duets in Pierre and Lucette were exceedingly popular in France, and they were republished in Paris in 1775 and 1780 

Works
L'Italienne  : comédie en 1 acte, mêlée d'ariettes (Paris, 1770)
Pierre et Lucette, comédie en deux actes et en prose mêlée d'ariettes (Paris, 1774)
Airs détachés de Perin et Lucette, comédie en deux actes, mêlées d'ariettes par M  Davesne (Paris, 1775)
Ariette nouvelle avec accompagnement de deux violons et basse
Non, laisse moi, laisse moi, Lucas  Duo (1775)
Passage 4:
Tex Beneke
Gordon Lee "Tex" Beneke ( BEN-ə-kee; February 12, 1914 – May 30, 2000) was an American saxophonist, singer, and bandleader  His career is a history of associations with bandleader Glenn Miller and former musicians and singers who worked with Miller  His band is also associated with the careers of Eydie Gormé, Henry Mancini and Ronnie Deauville  Beneke also solos on the recording the Glenn Miller Orchestra made of their popular song "In The Mood" and sings on another popular Glenn Miller recording, "Chattanooga Choo Choo"  Jazz critic Will Friedwald considers Beneke to be one of the major blues singers who sang with the big bands of the early 1940s 

Early life
Beneke was born in Fort Worth, Texas  He started playing saxophone when he was nine, going from soprano to alto to tenor saxophones and staying with the latter  His first professional work was with bandleader Ben Young in 1935, but it was when he joined the Glenn Miller Orchestra three years later that his career hit its stride  Beneke said: "It seems that Gene Krupa had left the Goodman band and was forming his own first band  He was flying all over the country looking for new talent and he stopped at our ballroom one night [to listen to the Ben Young band]  [   ] Gene wound up taking two or three of our boys with him back to New York  [Krupa] wanted to take [Beneke] but his sax section was already filled " Krupa knew that Glenn Miller was forming a band and recommended Beneke to Miller Whatever concerns Miller might have had about Beneke's playing were quickly dismissed; Miller immediately made Beneke his primary tenor sax soloist and Beneke played all but a few of the tenor solos on all of the records and personal appearances made by the Miller band until it disbanded in 1942  On the August 1, 1939, recording made of the Joe Garland composition "In The Mood", Beneke trades two-measure tenor solo exchanges with his fellow section-mate Al Klink  Miller's 1941 recording of "A String of Pearls" (composed by the band's arranger, Jerry Gray) also has Beneke and Klink trading two-measure tenor solo phrases  Beneke appears with Miller and his band in the films Sun Valley Serenade (1941) and Orchestra Wives (1942), both of which helped propel the singer/saxophonist to the top of the Metronome polls  Tex Beneke is listed in the personnel of the 1941 Metronome All-Star Band led by Benny Goodman  In 1942, Glenn Miller's orchestra won the first Gold Record ever awarded for "Chattanooga Choo Choo"; the song was written by Harry Warren and Mack Gordon as part of the score for the 1941 Twentieth Century Fox movie Sun Valley Serenade which was primarily made for the purpose of putting the Miller band in a motion picture  Tex Beneke was the featured singer in the movie and on the Victor/Bluebird recording that also featured band vocalist Paula Kelly and the Modernaires, a vocal group of four male singers, who were also regular members of the Miller entourage  "Chattanooga Choo Choo", catalogue number Bluebird 11230-B, was recorded by the Miller band at the Victor recording studios in Hollywood, May 7, 1941  Hoping to repeat the success of "Chattanooga" the following year, songwriters Warren and Gordon composed "I've Got a Gal in Kalamazoo" for the "Orchestra Wives" score  That arrangement also featured Beneke, the Modernaires and band vocalist Marion Hutton in a not-too-dissimilar fashion  Not surprisingly, "Kalamazoo" became another hit record for Miller, Beneke and the band though not to the extent that "Chattanooga" had been the year before  By then, the U S  was involved in World War II and "Kalamazoo's" success was also short-lived partially because Miller disbanded his group only three months after the record was made and four months following the filming of "Orchestra Wives" 
When Miller broke up the band in August 1942 to join the Army Air Force, Beneke played very briefly with Horace Heidt before joining the Navy himself, leading a Navy band in Oklahoma  While employed with Miller, Beneke was offered his own band, as Miller had done with colleagues and employees like Hal McIntyre, Claude Thornhill and Charlie Spivak  Beneke wanted to come back to Miller after the war and learn more about leading a band before being given his own band  Beneke led two bands in the navy and kept in touch with Glenn Miller while they were both serving in the military  By 1945, Beneke felt ready to lead his own orchestra 

Working with the Miller estate
Glenn Miller went missing on December 15, 1944, while flying to France from England  After World War II, the United States Army Air Force decommissioned the Glenn Miller-led Army Air Force band  The Miller estate authorized an official Glenn Miller "ghost band" in 1946  This band was led by Tex Beneke who as time went on had more prominence in the band's identity  It had a make up similar to Glenn Miller's Army Air Force Band, having a large string section  The orchestra's official public début was at the Capitol Theatre on Broadway where it opened for a three-week engagement on January 24, 1946  Henry Mancini was the band's pianist and one of the arrangers  Another arranger was Norman Leyden, who also previously arranged for the Glenn Miller Army Air Force Band  This ghost band played to very large audiences all across the United States, including a few dates at the Hollywood Palladium in 1947, where the original Miller band played in 1941  The movie short Tex Beneke and the Glenn Miller Band was released by RKO pictures in 1947 with Lillian Lane, Artie Malvin and The Crew Chiefs vocal group performing  In a slightly sarcastic article in Time magazine from June 2, 1947, the magazine notes that the Beneke-led Miller orchestra was playing at the same venue the original Miller band played in 1939, the Glen Island Casino  Beneke's quote about the big band business at the time closes the article, "I don't know whether Glenn figured that times would be as tough"  By 1949, economics dictated that the string section be dropped This band recorded for RCA Victor, just as the original Miller band did  Beneke believed that Miller had promised him his own band in the early 1940s, and this was his chance to have that promise fulfilled  Beneke wanted a band with Beneke's musical identity  Larry Bruff, an announcer for the earlier Glenn Miller radio shows says, "Beneke would even set wrong tempos so as not to sound too much like Glenn " The Miller estate wanted a band that was primarily associated with Glenn Miller, playing the Glenn Miller songs in the Glenn Miller style  By 1950, Beneke and the Miller estate parted ways 

After Miller
Beneke continued to perform under his own name with no official connection to Miller  He enjoyed less success in the early 1950s, partly because he was limited to smaller recording labels such as Coral Records and partly because of competition from other Miller alumni and imitators such as Jerry Gray, Ray Anthony and Ralph Flanagan  Eydie Gormé sang with the Beneke band in 1950  Beneke appeared on Cavalcade of Bands, a television show in 1950 on the DuMont Television Network In the latter part of that decade there was some revived interest in music of the swing era  Beneke joined a number of other leaders such as Larry Clinton and Glen Gray in making new high fidelity recordings of their earlier hits, often featuring many of the original musicians  Beneke and former Miller singers Ray Eberle, Paula Kelly, and The Modernaires first recorded the LP Reunion in Hi-Fi, a 1958 Coral Records album which contained recreations of original Miller material  This was followed by others featuring newer songs, some performed in the Miller style and others done in a more contemporary mode  Among the best-known is Christmas Serenade in the Glenn Miller Style (1965) on Columbia Records, which has been excerpted on a number of holiday compilations 
The singer/saxophonist continued working in the coming decades, appearing periodically at Disneyland  He also made the rounds of various talk shows that had musical connections, including those hosted by Merv Griffin and Johnny Carson  His appearances on The Tonight Show sometimes included duos with fellow Miller veteran Al Klink who was by then a key member of The Tonight Show Band  Ray Eberle recovered from his earlier illness and resumed performing with Beneke and the Modernaires for a period in the early 1970s  In 1972, Beneke agreed to re-record some of his Miller vocals for Time-Life Records' set of big band recreations, The Swing Era, produced and conducted by yet another Miller alumnus, Billy May 
During the 1970s and 1980s, Beneke had a new band playing a style that resembled the classic Miller sound but with as much newer material as older  In the late 1970s, he played at Knott's Berry Farms Cloud 9 Ballroom  At one point he also toured with former Jimmy Dorsey vocalists Helen O'Connell and Bob Eberly  Beneke suffered a stroke in the mid-1990s and was forced to give up the saxophone but continued to conduct and sing  In 1991, Tex Beneke received a star on the Hollywood Walk of Fame with funds collected by co-leader Gary Tole  He settled in Costa Mesa, California and remained active toward the end of that decade, mostly touring the U S  West Coast and still playing in something resembling the Miller style  In 1998 he launched yet another tour paying tribute to The Army Air Force Band 

Death
In 2000 Beneke died from respiratory failure at a nursing home in Costa Mesa, California, aged 86 and was buried in Greenwood Memorial Park in Fort Worth, Texas  He was survived by his wife, Sandra, of Santa Ana, California  His saxophone is currently used by the Arizona Opry 

See also
Kalamazoo, Michigan
Passage 5:
Choo Hoey
Choo Hoey (朱暉, born 20 October 1934, Palembang, Sumatra) is a Singaporean musician and conductor  Choo founded the Singapore Symphony Orchestra and was also its first resident conductor and music director  Choo was awarded Singapore's inaugural Cultural Medallion for music in 1979 

Early life and education
Choo was born on 20 October 1934 in Palembang, Sumatra, Indonesia to father, Choo Seng, a Chinese migrant from Chaojhou, Guangdong, China and his mother from Nanking, Jiangsu, China Choo's first encounter with classical music started from listening to his father's collection of records and was drawn to the violin  His father noticed his attraction and started his lessons in violin with a Teach Yourself book  After Choo Hoey's primary education in 1945, his family migrated to Singapore in 1946 and he continued his secondary education at The Chinese High School 
In 1947, Choo Hoey started his violin training under Goh Soon Tioe  Using only two years of study in Singapore, he obtained his Grade 8 with distinction from the Associated Board of the Royal Schools of Music in London, England  Upon completing his secondary education in 1951, Choo Hoey went to the Royal Academy of Music in London to study the violin under David Martin, the French horn under Aubrey Brain, and conducting under Maurice Miles 
In 1954, Choo Hoey studied conducting under Igor Markevitch and the violin under André Gertler  In 1955, he graduated from the Royal Academy of Music, awarded with the Mann's Memorial Prize and the Earnest Read Prize for conducting  In 1957, he continued his violin training at the Royal Conservatory of Brussels in Belgium where he would later start his career in the Belgian National Orchestra 

Career
In 1958, Choo Hoey began his career in the Belgian National Orchestra where his debut performances with Stravinsky's The Soldier's Tale met critical acclaim and prompted a series of guest performances and a later career as visiting conductor across Europe and South America  Choo Hoey had guest performed with over sixty orchestras throughout the world including the London Symphony Orchestra, the London Philharmonic Orchestra, the Orchestre de la Société des Concerts du Conservatoire, Tonhalle Orchester Zürich, Oslo Philharmonic and the Orchestre de la Suisse Romande  From 1968 till 1977, he was named principal conductor of the Greek National Opera and became a frequent guest conductor in the four major symphony orchestras of Greece holding numerous world premieres of contemporary Greek works, many of which were recorded with the Hellenic Radio and Television Symphony Orchestra 
In 1978, Choo Hoey was invited by the Singapore government to set up the Singapore Symphony Orchestra and become its first Music Director and Conductor from 1979 to 1996  Choo Hoey also proposed the creation of the Singapore Symphony Chorus and along with the Singapore Symphony Orchestra, led them to their 1980 international debut in Scandinavia  Upon his retirement as Music Director and Conductor in the Singapore Symphony Orchestra, Choo Hoey was appointed Conductor Emeritus in honour of his contributions and service 

Honors
For his contribution to music in Singapore, Choo Hoey was awarded the Republic's inaugural Cultural Medallion (1979)  He was also conferred the Public Service Star in 1982, and was made an Honorary Doctor of Letters of the National University of Singapore in 1989  In 1997, Choo Hoey was knighted with the status of Chevalier des Arts et des Lettres by the Government of France 

Personal life
Choo Hoey is married to Alexandra, a Greek archaeologist, and had two sons  He resides in Athens and London, where his sons live 
Passage 6:
Rue d'Austerlitz
The Rue d'Austerlitz is a street in the 4th arrondissement of Lyon, in La Croix-Rousse quarter  It begins on the rue du Mail, at the corner of Place de la Croix-Rousse, crosses the rue du Pavilion, the rue de Belfort and the rue Aimé Boussange, and ends on Place Bellevue  Its name refers to the Battle of Austerlitz, one of the greatest victories of Napoleon  There are metro and velo'v stations 

History
Nearby rue Dumenge, the rue d'Austerlitz was originally named rue des Fossés because it ran along the ditches dug at the base of the old wall  It was formed in 1812 during the creation of the "clos Dumenge" composed of buildings or workshops specially-designed for weavers (the canuts)  The Voraces had their headquarters in the cafe of the Mère Marshal in 1848, at the corner of the rue du Mail  The street was eventually named rue d'Austrelitz after deliberation of the Municipal Council on 4 August 1854, during the Second Empire  The upper part of the street was part of the town which was developed in front of the door of La Croix-Rousse from the 15th century  The No  4 was offered to the Hospices of Lyon on 7 March 1900 In the past, there were a military gymnasium, and a greenspace that still exists today in the street  In fact, there were five streets which were named after the victories of the battles of Napoleon Bonaparte: Marengo, Lodi, Jena, Eylau and Austerlitz  However, among them, only the rue Austerlitz has retained its name until today 

Architecture and events
The street starts with old one-floor houses, then with higher facades  After the rue de Belfast, there were buildings only on the eastern side : simple facades of 19th century canuts houses  The apartments are typical of the canuts architecture : particularly high, in the goal of installing the looms, and bright  The bottom of these buildings consisted of small shops, often businesses selling main foods  The rue d'Austerlitz, far more than its neighbor the rue Dumenge, has retained its commercial vocation  In front, there is the garden Deswarte  At Nos  21 and 23, two plaques pay tribute to painters E  Brouillard and G  N'Guyen who lived in the street The association of merchants on the street regularly organizes events, including a giant Advent calendar, some windows on the street are numbered and each day one of them opens, revealing a person who distributes sweets to passersby  Within the scoop of the 2008 Fête des Lumières, there were also a Tic Tac Toe using the windows of inhabitants and a Giant Tetris to which passersby played with a carpet underfoot 
Passage 7:
Battle of Aspromonte
The Battle of Aspromonte, also known as the Day of Aspromonte (Italian: Giornata dell'Aspromonte), was a minor engagement that took place on 29 August 1862, and was an inconclusive episode of the Italian unification process  It is named after the nearby mountain of Aspromonte in southern Italy  Giuseppe Garibaldi's army of volunteers was attacked by the Royal Italian Army while marching from Sicily towards Rome, capital of the Papal States, which it intended to annex into the newly created Kingdom of Italy  In the fighting, which took place a few kilometers from Gambarie, Garibaldi was wounded and taken prisoner 

Background
When Victor Emmanuel II became the King of Italy on 17 March 1861, the newly created Kingdom of Italy did not include Veneto and Rome  These "unredeemed" cities, as they would be called a few decades later, were a constant cause of friction in Italian politics  The dispute concerning Rome, specifically known as the "Roman Question", had arisen after the Italian Parliament had declared Rome capital of the kingdom on 27 March 1861  This conflicted with Pope Pius IX's intent to maintain his temporal control of the city 
Members of the government of the Kingdom of Italy had different perspectives on this issue, and the internal tensions that followed caused Prime Minister Bettino Ricasoli to resign in 1862  While his successor, Urbano Rattazzi, was known for his disrespectful attitude towards the Holy See, the Kingdom of Italy maintained a low profile on the Roman Question after Rattazzi's election 
Meanwhile, General Giuseppe Garibaldi reached Sicily and began to form an army, with the intent of marching on Rome  The intransigent reaction of France (which was, at the time, the most influential ally of Italy) and the Pope caused the Italian government to intervene  On 3 August, Victor Emmanuel II officially condemned Garibaldi's "guilty impatience", and Rattazzi sent the Royal Army, at the orders of general Enrico Cialdini, to stop Garibaldi 

The battle
Garibaldi was known and respected as a hero by most Italians, including most soldiers in the Royal Army and Navy  Several actions that occurred reveal that neither Garibaldi nor his opponents were willing to enter open combat, or cause too much damage to their opponent 
Although Garibaldi's ships had likely been detected by the Royal Navy while they were crossing the Strait of Messina to reach land in Calabria, the Royal Army only attacked when Garibaldi's army had actually reached land, possibly to keep losses to a minimum  Garibaldi himself did not immediately counter-attack the Royal Army, instead trying to circumvent it by crossing the Aspromonte mountains 
Garibaldi's army marched for three days; on 28 August 1862, the leading regiment, led by Garibaldi, camped near Gambarie, where the rest of his army was expected to arrive in a few days  On 29 August, before Garibaldi's army was reunited, Bersaglieri from the Royal Army reached Garibaldi's camp and attacked 
Garibaldi ordered his army not to open fire "on our brothers", and some Bersaglieri changed sides during the battle, joining Garibaldi's volunteers  However, despite Garibaldi's order, one wing of his regiment mounted a counter-attack against the Bersaglieri  During the altercation, two bullets hit Garibaldi's hip and malleolus  A cease-fire was declared shortly thereafter, and Garibaldi surrendered 

Aftermath
The battle lasted for about ten minutes and resulted in around 15 casualties  Garibaldi, now wounded, was immediately assisted by surgeons and taken prisoner; he was later sent to the jail at Varignano, near Porto Venere  Garibaldi and his volunteers received amnesty on 5 October 1862; Garibaldi officially retired to Caprera, where he remained for two years 
The Day of Aspromonte caused both national and international criticism towards the Italian government, and caused the debate in Italy to become even harsher  Giuseppe Mazzini's party declared that, after the events of Aspromonte, any silent agreement between the Monarchy and the Republicans had been factually broken; supporters of the Monarchy maintained that the Republicans' support for such rash initiatives as Garibaldi's expedition proved that they were too irresponsible to lead the nation  Commentators accused the government of betraying the Italian revolution and being more supportive of the Pope than of Italy itself 
In 1863, Rattazzi was replaced by Marco Minghetti, who leveraged on the facts of Aspromonte to negotiate a treaty with France (the September Convention), in which Italy would protect the frontiers of the Papal States against attacks, and France would withdraw its troops from Rome within two years 
Despite the September Convention, annexing Rome remained an implicit objective of Italy  Garibaldi tried to march on Rome again in 1867, but was stopped by French troops at the Battle of Mentana  Eventually, the Questione Romana was solved under Italian Prime Minister Giovanni Lanza, when Rome was finally captured in 1870 

In popular culture
A popular Italian nursery rhyme, Garibaldi fu ferito ("Garibaldi was wounded"), set to the melody of Bersaglieri's anthem, refers to the Battle of Aspromonte  The battle is also sometimes mentioned in political debate, when someone accuses the Italian government of betraying the expectations of the Italian people, or acting against national interests 
Passage 8:
Battle of Savenay
The Battle of Savenay took place on 23 December 1793, and marks the end of the Virée de Galerne operational phase of the first war in the Vendée after the French Revolution   A Republican force of approximately 18,000 decisively defeated the Armée Catholique et Royale force of 6,000 at Savenay 

Prelude
After a crushing defeat at the battle of Le Mans on 12 December 1793, a few thousand Vendéens fled to Laval and then to Ancenis, hoping to cross the Loire back into Vendée   Without boats, crossing the river was impossible   Hence the Vendéens built small boats and approximately 4,000 people, including Henri de La Rochejaquelein and Jean-Nicolas Stofflet, managed to cross before the arrival of Republican ships  The Vendéen rear guard was stranded to the north of the Loire and tried another way around  They went to Blain, 35 km north of Nantes, but had to go back towards Savenay, 30 km west of Nantes 

The eve of the battle
Savenay was taken by the Vendéens early morning of 22 December, with practically no fighting  The 150 republican soldiers quickly pulled back after a small skirmish with the Vendéen first line and the town's population was evacuated  At 09:00, the royalists prepared the defenses of the town  The republicans under François-Joseph Westermann were the first to arrive, at 11:00   They attacked but were pushed back after a small skirmish  At noon, Jean-Baptiste Kléber and François-Séverin Marceau arrived with the greater part of the Republican army  Another skirmish was fought for control of the Touchelais woods, to the northeast of Savenay, which the Republicans won Those were the last skirmishes of the day because a fog rose during the afternoon; the Republicans kept their positions  At nightfall some représentants en mission, Pierre-Louis Prieur, Louis Marie Turreau, and Pierre Bourbotte, arrived at the Republican camp   Surprised at the troops' inaction, they ordered military engagement so as to not allow the enemy to rest; Westermann agreed  A war council was held at which Kléber insisted they had to wait for sunrise before attacking; Marceau sided with Kléber and managed to convince Pierre-Louis Prieur  The Republicans took advantage of the night to deploy  At 02:00, Tilly's division, which came from Vannes, arrived and deployed in time  Simon Canuel commanded the left flank, Kléber the middle-left, Marceau the middle-right, and Tilly the right  Apart from a few passages to the south of the town, the Vendéens were surrounded 

Battle
At sunrise, the battle started, but it was the Vendéens and Chouans who unexpectedly launched it, in order to take the Touchelais woods and not be surrounded  The attack was commanded by Lyrot de la Patouillère and saw success:  two cannons were captured along with 40 prisoners  Soon after, Kléber launched a counter-attack with his Gendarmes regiment, charging with bayonets and forcing the Vendéens to pull back to the gates of Savenay  In the center, Marceau, commanding the légion des Francs and Chasseurs de Kastel, encountered difficulties and was for a moment restrained by the Vendéen artillery On their respective fronts, Simon Canuel, Jacques Louis François Delaistre Tilly and Westermann also launched attacks, putting pressure on the Royalists on all sides  Soon, the Republicans entered the town despite the resistance of Gaspard de Bernard de Marigny's artillery  Street combat took place amid great confusion, house by house; numerous Vendéen families participated in the fighting  The Vendéen artillery deployed in front of the church and managed to hold their ground for a while  Jacques Nicolas Fleuriot de La Fleuriais tried an ultimate counter-attack, he picked 200 to 300 cavalrymen, commanded by Georges Cadoudal, with Pierre-Mathurin Mercier and a few infantrymen  They attacked and pierced Tilly's lines and tried to attack Republican lines along their flank, but the Republican reserves arrived and forced the cavalrymen to retreat During that time, on the church square, the Republicans took control of the cannon and turned it against the Vendéens  They fled, pursued by the Republicans, retreating out of Savenay and regrouping to the west of the town (the battle's commemorative cross marks that place)  The Vendéens took their last two remaining cannons, which Marigny had kept in reserve, and tried to cover the retreat of the wounded and non-combatants  During this engagement, Lyrot was killed  Marigny retreated again, west to the Blanche-Couronne woods, with his two cannons and what was left of his men  He held his position for an hour, then cheered with his men in the marsh, for he had managed to escape   To the northwest, a group of 600 Vendéens managed to hold at the Butte des Vignes and retreated later to the Blanche-Couronnes woods but they were encircled mid-way by a corps of the Armagnac regiment and were massacred Inside Savenay, the town was searched and hundreds of elders, women, and children were taken out of their houses and locked in the church before their trials  The wounded of both sides were brought to the Saint-Armel hospital and taken care of   By 14:00, the battle was over 

The flight and massacres
After the battle, Kléber marched in Nantes to celebrate the victory with most of the troops  Yet the republican cavalry under Marceau and Westermann chased the Vendéens, searching the neighboring villages and the countryside, killing or capturing those left behind During the search, the brigadier general Alexis Antoine Charlery attacked a position held by 500 Vendéens but failed to defeat them  He proposed that they surrender in exchange for the right to go home unimpeded, a proposition that they accepted and signed  The prisoners were sent to Nantes for ratification of the arrangement by a Représentant en mission, but he refused and had the prisoners shot and general Charlery arrested  He was later freed and reassigned 

The Bignon Commission which arrived during the day was given the task of judging the prisoners  The commission worked for 3 days and ordered the execution of all the Vendéen combatants caught bearing arms  The executions started that same evening and lasted eight days, but the number executed is unknown  According to official statistics, they numbered 662, but there are doubts as to whether or not this number only reflects those executed during the 3 first days  The représentant en mission Benaban wrote that more than 2,000 were shot  Similarly, General François Carpantier boasted that he had 1,500 people executed   The 1,679 women and children were sent to prisons in Nantes  Some officers, such as Kléber and Savary, asked Carrier to spare them, but Carrier refused to listen and had them all shot or drowned Other massacres took place in the countryside  Westermann and his hussards shot 500 to 700 prisoners, men, women, and children, at the Sem forest near Prinquiau   Westermann, nicknamed the "butcher of the Vendéens" supposedly wrote to the Committee of Public Safety:

There is no more Vendée, Republican citizens  It died beneath our free sword, with its women and its children  I have just buried it in the swamps and the woods of Savenay  Following the orders that you gave to me, I crushed the children beneath the horses' hooves, massacred the women who, those at least, will bear no more brigands  I do not have a single prisoner to reproach myself with  I have exterminated them all   Nonetheless, some Vendéens were lucky enough to manage to escape, helped by the local population  Jean Legland, a ferryman on the Loire, declared in 1834 that he helped 1,258 escapees pass in the days following the battle of Savenay  This was confirmed by written testimonies by the Abbé Bernier  In total, 2,500 people might have survived the battle 

Consequences
The battle marked the end of the Virée de Galerne, and definitively ended the threat of Vendée to the republic  Yet fighting continued in Vendée  General Marceau, outraged by his soldiers' behavior, asked to be transferred  Marceau was soon replaced by Kléber as general of the Army of the West, and thereafter by Louis Marie Turreau  Guerrilla fighting continued for some time between the Vendéens and the Republican infernal columns 

In popular culture
Jules Verne described the battle at the beginning of his historical novel Le Comte de Chanteleine (1862) 
Passage 9:
Battle of Manila Bay
The Battle of Manila Bay (Filipino: Labanan sa Look ng Maynila; Spanish: Batalla de Bahía de Manila), also known as the Battle of Cavite, took place on 1 May 1898, during the Spanish–American War  The American Asiatic Squadron under Commodore George Dewey engaged and destroyed the Spanish Pacific Squadron under Contraalmirante (Rear admiral) Patricio Montojo  The battle took place in Manila Bay in the Philippines, and was the first major engagement of the Spanish–American War  The battle was one of the most decisive naval battles in history and marked the end of the Spanish colonial period in Philippine history Tensions between Spain and the United States worsened over the Spanish conduct during their efforts to quell the Cuban War of Independence, with many Americans being agitated by largely falsified reports of Spanish atrocities against the Cuban population  In January 1898, fearing the fate of American interests in Cuba due to the war, the cruiser USS Maine was dispatched to protect them  Less than a month later, the cruiser exploded while lying at anchor in Havana harbor, killing 261 sailors onboard and inflaming American opinion 
Upon the outbreak of war, the Americans realized that defeating a significant Spanish squadron then stationed in the Philippines was important to ensuring victory in the war  The U S  Asiatic Squadron commanded by Dewey, a veteran of the American Civil War, was dispatched to ensure success  On 1 May, the American squadron steamed into Manila Bay to engage with the Spanish  The Spanish, aware that they were hopelessly outgunned, made a desperate defense against the Americans  The battle was not much of contest, with superior American naval gunnery and seamanship ensuring the entire Spanish fleet would be sunk with minimal casualties for the Americans, who suffered only ten casualties in all  Upon realising that the battle was hopeless, Montojo ordered his two protected cruisers to be scuttled to ensure that they did not fall into the hands of the Americans  The battle remains one of the most significant naval battles in American maritime history 

Prelude
Americans living on the West Coast of the United States feared a Spanish attack at the outbreak of the Spanish–American War  Only a few U S  Navy warships, led by the cruiser USS Olympia, stood between them and a powerful Spanish fleet  In practice however  Olympia was far superior to the Spanish colonial fleet, as the battle would show 
Admiral Montojo, a career Spanish naval officer who had been dispatched rapidly to the Philippines, was equipped with a variety of obsolete vessels  Efforts to strengthen his position amounted to little  The strategy adopted by the Spanish bureaucracy suggested they could not win a war and saw resistance as little more than a face-saving exercise : 59  Administration actions worked against the effort, sending explosives meant for naval mines to civilian construction companies while the Spanish fleet in Manila was seriously undermanned by inexperienced sailors who had not received any training for over a year  Reinforcements promised from Madrid resulted in only two poorly-armored scout cruisers being sent while at the same time the authorities transferred a squadron from the Manila fleet under Admiral Pascual Cervera to reinforce the Caribbean  Admiral Montojo had originally wanted to confront the Americans at Subic Bay, northwest of Manila Bay, but abandoned that idea when he learned the planned mines and coastal defensives were lacking and the cruiser Castilla started to leak : 69   Montojo compounded his difficulties by placing his ships outside the range of Spanish coastal artillery (which might have evened the odds) and choosing a relatively shallow anchorage  His intent seems to have been to spare Manila from bombardment and to allow any survivors of his fleet to swim to safety  The harbor was protected by six shore batteries and three forts whose fire during the battle proved to be ineffective  Only Fort San Antonio Abad had guns with enough range to reach the American fleet, but Dewey never came within their range during the battle The Spanish squadron consisted of seven ships: the cruisers Reina Cristina (flagship), Castilla, Don Juan de Austria, Don Antonio de Ulloa, Isla de Luzon, Isla de Cuba, and the gunboat Marques del Duero  The Spanish ships were of inferior quality to the American ships; the Castilla was unpowered and had to be towed by the transport ship Manila  On 25 April, the squadron left Manila Bay for the port of Subic, intending to mount a defense there  The squadron was relying on a shore battery which was to be installed on Isla Grande  On 28 April, before that installation could be completed, a cablegram from the Spanish Consul in Hong Kong arrived with the information that the American squadron had left Hong Kong bound for Subic for the purpose of destroying the Spanish squadron and intending to proceed from there to Manila  The Spanish Council of Commanders, with the exception of the Commander of Subic, felt that no defense of Subic was possible with the state of things, and that the squadron should transfer back to Manila, positioning in shallow water so that the ships could be run aground to save the lives of the crews as a final resort  The squadron departed Subic at 10:30 a m  on 29 April  Manila, towing Castilla, was last to arrive in Manila Bay, at midnight 

Battle
At 7 p m  on 30 April, Montojo was informed that Dewey's ships had been seen in Subic Bay that afternoon  As Manila Bay was considered unnavigable at night by foreigners, Montojo expected an attack the following morning  However, Oscar F  Williams, the United States Consul in Manila, had provided Dewey with detailed information on the state of the Spanish defenses and the lack of preparedness of the Spanish fleet  Based in part upon this intelligence, Dewey—embarked aboard Olympia—led his squadron into Manila Bay at midnight on 30 April Passing the entrance, two Spanish mines exploded but were ineffective as they were well below the draft of any of the ships due to the depth of the water  Inside the bay, ships normally used the north channel between Corregidor Island and the northern coast, and this was the only channel mined  Dewey instead used the unmined south channel between El Fraile and Caballo Islands  The El Fraile battery fired a few rounds but the range was too great  The McCulloch, Nanshan and Zafiro were then detached from the line and took no further part in the fighting  At 5:15 a m  on 1 May, the squadron was off Manila and the Cavite battery fired ranging shots  The shore batteries and Spanish fleet then opened fire but all the shells fell short as the fleet was still out of range  At 5:41 with the now famous phrase, "You may fire when ready, Gridley", the Olympia's captain was instructed to begin the destruction of the Spanish flotilla The U S  squadron swung in front of the Spanish ships and forts in line ahead, firing their port guns  They then turned and passed back, firing their starboard guns  This process was repeated five times, each time closing the range from 5,000 yards to 2,000 yards  The Spanish forces had been alerted, and most were ready for action, but they were heavily outgunned  Eight Spanish ships, the land batteries, and the forts returned fire for two and a half hours although the range was too great for the guns on shore  Five other small Spanish ships were not engaged 
Montojo accepted that his cause was hopeless and ordered his ships to ram the enemy if possible  He then slipped the Cristina's cables and charged  Much of the American fleet's fire was then directed at her and she was shot to pieces  Of the crew of 400, more than 200, including Montojo, were casualties and only two men remained who were able to man her guns  The ship managed to return to shore and Montojo ordered it to be scuttled  The Castilla, which only had guns on the port side, had her forward cable shot away, causing her to swing about, presenting her weaponless starboard side  The captain then ordered her sunk and abandoned  The Ulloa was hit by a shell at the waterline that killed her captain and disabled half the crew  The Luzon had three guns out of action but was otherwise unharmed  The Duero lost an engine and had only one gun left able to fire At 7:45 a m , after Captain Gridley messaged Dewey that only 15 rounds of 5" ammunition remained per gun, Dewey ordered an immediate withdrawal  To preserve morale, he informed the crews that the halt in the battle was to allow the crews to have breakfast  According to an observer on the Olympia, "At least three of his (Spanish) ships had broken into flames but so had one of ours  These fires had all been put out without apparent injury to the ships  Generally speaking, nothing of great importance had occurred to show that we had seriously injured any Spanish vessel " Montojo took the opportunity to now move his remaining ships into Bacoor Bay where they were ordered to resist for as long as possible A captains' conference on the Olympia revealed little damage and no men killed  It was discovered that the original ammunition message had been garbled—instead of only 15 rounds of ammunition per gun remaining, the message had meant to say only 15 rounds of ammunition per gun had been expended  Reports arrived during the conference that sounds of exploding ammunition had been heard and fires sighted on the Cristina and Castilla  At 10:40 a m  action was resumed but the Spanish offered little resistance, and Montojo issued orders for the remaining ships to be scuttled and the breechblocks of their guns taken ashore  The Olympia, Baltimore and Boston then fired on the Sangley Point battery putting it out of action and followed up by sinking the Ulloa  The Concord fired on the transport Mindanao, whose crew immediately abandoned ship  The Petrel fired on the government offices next to the arsenal and a white flag was raised over the building after which all firing ceased  The Spanish colors were struck at 12:40 p m 
Dewey won the battle with seven men slightly wounded, a total of nine injured, and only a single fatality among his crew: Francis B  Randall, Chief Engineer on the McCulloch, from a heart attack  On the other hand, the Spanish naval historian Agustín Ramón Rodríguez González suggests that Dewey suffered heavier losses, though still much lower than those of the Spanish squadron  Rodríguez notes that Spanish officials estimated the American casualties at 13 crewmen killed and more than 30 wounded based on reliable information collected by the Spanish consulate in Hong Kong  According to Rodríguez, Dewey may have concealed the deaths and injuries by including the numbers among the 155 men who reportedly deserted during the campaign 

Subsequent action
A Spanish attempt to attack Dewey with the naval task force known as Camara's Flying Relief Column came to naught, and the naval war in the Philippines devolved into a series of torpedo boat hit-and-run attacks for the rest of the campaign  While the Spanish scored several hits, there were no American fatalities directly attributable to Spanish gunfire 
On 2 May, Dewey landed a force of Marines at Cavite  They completed the destruction of the Spanish fleet and batteries and established a guard for the protection of the Spanish hospitals  The resistance of the forts was weak  The Olympia turned a few guns on the Cavite arsenal, detonating its magazine, and ending the fire from the Spanish batteries 
Dewey cabled Washington, stating that although he controlled Manila Bay, he needed 5,000 additional men to seize Manila itself 

Aftermath
In recognition of George Dewey's leadership during the Battle of Manila Bay, a special medal known as the Dewey Medal was presented to the officers and sailors under Admiral Dewey's command   Dewey was later honored with promotion to the special rank of Admiral of the Navy  Building on his popularity, Dewey briefly ran for president in 1900, but withdrew and endorsed William McKinley, the incumbent, who won  The same year Dewey was appointed President of the General Board of the United States Navy, where he would play a key role in the growth of the U S  Navy until his death in January 1917 
Dewey Square in Boston is named after Admiral Dewey, as is Dewey Beach, Delaware  Union Square, San Francisco features a 97 ft (30 m) tall monument to Admiral Dewey's victory at the Battle of Manila Bay 

Order of battle
Vessels engaged in actual combat during the Battle of Manila Bay ranged in size from 5,870 tons (Olympia) to 492 tons (Marques del Duero) 

United States
Engaged Vessels:

USS Olympia, flagship, protected cruiser of 5,870 tons, with four 8-inch guns mounted in pairs on two turrets, plus ten 5-inch guns and six torpedo tubes  Top speed 20 knots   She is now a museum ship at the Independence Seaport Museum, in Philadelphia, Pennsylvania 
USS Baltimore, protected cruiser of 4,600 tons, with four 8-inch guns on single mounts, plus six 6-inch guns  Top speed 20 knots 
USS Raleigh, protected cruiser of 3,200 tons, with one 6-inch and ten 5-inch guns  Top speed 19 knots 
USS Boston, protected cruiser of 3,200 tons, with two 8-inch and six 6-inch guns  Top speed 13 knots 
USS Concord, gunboat of 1,710 tons with six 6-inch guns  Top speed 17 knots 
USS Petrel, gunboat of 867 tons with four 6-inch guns  Top speed 12 knots Despite the superiority of the American artillery, the success rate of their guns was minimal, a total of 5,859 shells were expended during the battle  Excluding shells fired at land targets and the unengaged vessels, only 145 hit the seven Spanish engaged vessels  The Reina Cristina and Castilla suffered 81 hits between them, the Don Antonio de Ulloa was hit 33 times, the Don Juan de Austria 13, the Marques del Duero 10, the Isla de Cuba five and the Isla de Luzón was hit three times Unengaged vessels:

The Revenue Cutter McCulloch, the collier Nanshan and the steamer Zafiro (a supply vessel) were directed to keep out of the main action because of their light armament and lack of armor  The McCulloch's chief engineer, Francis B  Randall, died of a heart attack 

Spain
Engaged Vessels:

Reina Cristina, flagship, unprotected cruiser of 3,042 tons, with six 6 4-inch guns  The fastest Spanish vessel with a top speed of 16 knots 
Castilla, unprotected cruiser of 3,289 tons, with four 5 9-inch and two 4 7-inch guns  The vessel's 8-inch guns had been removed to equip the shore batteries  The ship was used as a floating battery as the temporary repair of the leaks had immobilized her propeller shaft 
Don Antonio de Ulloa, unprotected cruiser of 1,152 tons, with two 4 7-inch guns on the starboard side   Under repair with her engines ashore  Her entire port side armament had been removed to equip the shore batteries 
Don Juan de Austria, unprotected cruiser of 1,152 tons, with four 4 7-inch guns  Top speed 13 knots 
Isla de Cuba, protected cruiser of 1,030 tons, with six 4 7-inch guns  Top speed 14 knots 
Isla de Luzon, protected cruiser of 1,030 tons, with six 4 7-inch guns  Top speed 14 knots 
Marques del Duero, gunboat of 492 tons, with one 6 4-inch and two 4 7-inch guns  Top speed 10 knots Unengaged Vessels:

Mindanao, transport ship of 1,900 tons, with 2 secondary rapid fire guns  77 men 
Velasco, unprotected cruiser of 1,152 tons   Her boilers were ashore being repaired  All her guns were apparently removed to the Caballo Island Battery  145 men 
El Coreo, gunboat of 560 tons, with three 4 7-inch guns, three secondary rapid-fire guns, and 1 torpedo tube  115 men 
General Lezo, gunboat of 520 tons, with two 4 7-inch guns which were apparently removed to El Fraile Island, 2 secondary rapid-fire guns, and 1 torpedo tube  115 men 
Argos, gunboat of 508 tons, with one 3 5-inch gun   87 men The Spanish vessels had 19 torpedo tubes between them but no serviceable torpedoes 
Shore Defenses

Fort San Antonio Abad:  Built 1584  Located in Manila  Various guns with only the 9 4-inch having enough range to reach Dewey's ships at their closest approach 
Fort San Felipe:  Built 1609  A small castle built on a sandbar protected by a breakwater and separated from Cavite City by a moat 
Cavite Fort:  Fortified naval base and shipyard in Cavite City located adjacent to Fort San Felipe 
Corregidor battery:  Entrance to Manila Bay  Did not fire 
Caballo battery: Entrance to Manila Bay  Did not fire 
El Fraile battery: Entrance to Manila Bay  Fired three rounds before Raleigh silenced it after hitting the battery with a single shell 
Cañacao battery: Located in the town of Cañacao  Armed with a single 4 7-inch gun  Did not fire 
Sangley Point battery: Located at the Sangley Point Naval Base  Armed with three 64-lb muzzleloading cannon and two 5 9-inch guns (which were the only ones to fire )
Malate battery: Located in the Manila district of Malate  Did not fire The batteries were supplemented with the guns removed from Montojo's fleet  The Corregidor, Caballo and El Fraile batteries had a combined total of 17 guns 

Gallery
The United States Navy ships:

		
		
		
		
		
The destroyed Spanish ships after the battle:

See also
Battle of Manila (disambiguation)
Battles of the Spanish–American War
Philippine–American War
List of naval battles

Notes
Context 2: Passage 1:
Jamieson Price
Jamieson K  Price is an American actor, best known for his deep and booming voice in numerous anime and video games  He is known as the voice of the Count of Monte Cristo in Gankutsuou, Sojiro Sakura in Persona 5, Ovan in  hack//G U , and Galbalan, and Milton Grimm from Ever After High  Price also had a part in the 2000 movie The Patriot 

Biography
Price became interested in acting as a young child, starting from when he was in the fourth grade and later did theatre performances even during his adolescent and young adult years  In high school, Price got involved with dramatic interpretations-(focusing on poetry and prose reading) as well as voice competitions in his teens and became Virginia State Champion in his senior year of high school which later lead him to get into acting and voice acting by a close friend of his during the late 90s after graduate school  He eventually got a job in the voice acting business by Dorothy Fahn who is a friend of his wife Bethany who was very interested in his deep voice; aside from acting/voice acting, he has also done work for fight choreography as well as a theatrical technician 

Personal life
Price has been married to his wife Bethany Price since December 31, 1993, who works as a director, audition/stage coach, and an acting instructor  He has three children-(2 daughters and 1 son); Dane-(an actor and musician), Cynthia-(an actress and dancer), and Meghan-(a chiropractor)  Jamieson Price is also involved with a few podcasts, one of them being Crypto-Z 

Filmography
Anime
Animation
Films
Video games
Live action
Passage 2:
The Cleveland Show
The Cleveland Show is an American animated sitcom created by Seth MacFarlane, Richard Appel, and Mike Henry for the Fox Broadcasting Company  A spin-off of Family Guy, and the second television series in the franchise, the series centers on Cleveland Brown, his new wife Donna Tubbs-Brown, and their children Cleveland Brown Jr , Roberta Tubbs, and Rallo Tubbs  Similar to Family Guy, it exhibited much of its humor in the form of cutaway gags that often lampoon American culture, though it uses significantly fewer than Family Guy  Fox cancelled the series after 4 seasons  The animation was produced by Fox Television Animation 
The series was conceived by MacFarlane in 2007 after developing Family Guy and American Dad! for the Fox network  MacFarlane centered the show on Family Guy character Cleveland Brown and created new characters for Cleveland's family members  One preexisting character, Cleveland's son Cleveland Jr  (Junior), was redesigned as an obese, soft-spoken teen, as opposed to his depiction as a younger, hyperactive child with average body weight on Family Guy 
The series premiered on September 27, 2009, and ended on May 19, 2013, with a total of 88 episodes over the course of 4 seasons  The Cleveland Show was nominated for one Annie Award, one Primetime Emmy Award, and two Teen Choice Awards, but received mixed reviews from media critics  Nearly a year after the series' cancelation, Cleveland returned to Family Guy, accompanied by the rest of the Brown-Tubbs family, in the season 12 episode "He's Bla-ack!" during which his show was mercilessly mocked by his friends 

Production
Development
Seth MacFarlane initially conceived The Cleveland Show in 2007 while working on his other two animated series, Family Guy and American Dad! 

The Cleveland Show first appeared on the development slate at Fox in early 2008, under no official name for the pilot, after a report that Fox had purchased the series from creators  The pilot was named The Cleveland Show in May 2008, when it appeared on the primetime slate for the 2008–09 television season, although it wasn't officially on the network schedule  Shortly after a report that King of the Hill just ended, leaving air time for The Cleveland Show, the show was picked up for a full season after an additional nine episodes of the show were ordered  In May 2009, The Cleveland Show appeared on the primetime slate for the 2009–10 television season, for airing on Sunday nights at 8:30 pm On June 15, 2009, it was announced that The Cleveland Show would premiere on September 27, 2009 MacFarlane and Henry pitched a 22-minute to Fox which aired on September 27, 2009 but had been leaked on the internet in June 2009  Even before the pilot episode premiered, the show had already been renewed for a 22-episode second season  After the first season of the show aired, it was given the green light to start production  On June 10, 2010, less than three weeks into the first season's summer hiatus, it was announced that Fox was ordering a third season  A fourth season was announced on May 9, 2011, just a few days before the second season concluded 

Executive producers
Seth MacFarlane, Mike Henry and Richard Appel have served as executive producers on the series since the first season 

Voice cast
Mike Henry voices two of the show's main characters: Cleveland Brown and Rallo Tubbs  The voice of Cleveland was developed originally for Family Guy by Henry after being influenced by one of his best friends who had a very distinct regional accent  For the voice of Rallo, Henry stated that he created the voice over twenty years before; he had used it while making prank phone calls 
Sanaa Lathan voices Donna Tubbs, the wife of Cleveland, stepmother of Cleveland Brown Jr , and mother of Roberta and Rallo Tubbs  In developing the character, Lathan said that the producers "wanted her to be educated, but to have some edge " Prior to voicing Donna, Lathan had only one other voice credit in a relatively low-budget film entitled The Golden Blaze  In addition to the show, she also primarily worked as an actress in such films as Alien vs  Predator, Blade, Love & Basketball and The Family That Preys 
Reagan Gomez-Preston plays Roberta Tubbs, the stepdaughter of Cleveland  Gomez has stated that she uses her own voice to portray Roberta and that she herself gets mistaken for a fifteen-year-old over the phone "all the time " Before Gomez was cast as Roberta, Nia Long (who co-starred with Lathan in The Best Man franchise) provided the character's voice during the first thirteen episodes  According to Long, she was replaced because producers decided they wanted an actress with a younger-sounding voice, given that the character is a teenager Kevin Michael Richardson, a recurring guest voice on Family Guy and American Dad!, portrays Cleveland, Jr , as well as Cleveland's next-door neighbor Lester Krinklesac  In portraying Cleveland, Jr , Richardson drew inspiration from a character named Patrick that he had played on the NBC drama series ER who was mentally impaired and wore a football helmet  For Lester, Richardson stated in an interview that, being African American, he had "run into a few rednecks in [his] time", and decided to simply perform a stereotypical redneck impression for the voice of Lester Jason Sudeikis plays Holt Richter, one of Cleveland's drinking buddies with short stature, and Terry Kimple, one of Cleveland's longtime friends who now works with him at Waterman Cable  Sudeikis originally began as a recurring cast member, but starting with the episode "Harder, Better, Faster, Browner", he was promoted to a series regular 
Seth MacFarlane played Tim the Bear up until season 3 episode 10, which MacFarlane admits is a "Steve Martin impression [   ] a Wild and Crazy Guy impression"  Jess Harnell voices the character for the rest of the series from the next episode onward, as MacFarlane grew tired of voicing the character 
Other voices include that of Arianna Huffington as Tim's wife Arianna the Bear, Nat Faxon as Tim and Arianna's son Raymond the Bear, Jamie Kennedy as Roberta's boyfriend Gabriel Friedman, a k a  " Federline Jones", Will Forte as Principal Wally, Frances Callier as Evelyn "Cookie" Brown, Craig Robinson as LeVar "Freight Train" Brown and David Lynch as Gus the bartender 

Characters
Cleveland's newly introduced family includes his new wife, Donna Tubbs-Brown (voiced by Sanaa Lathan); Donna's daughter Roberta (originally voiced by Nia Long, but later voiced by Reagan Gomez-Preston); and Donna's son Rallo (voiced by Mike Henry)  Cleveland, Jr  underwent a complete redesign for the show, becoming sensitive and soft-spoken 

Episodes
Crossovers with other animated sitcoms
The Cleveland Show characters have appeared on other animated sitcoms and vice versa  The Cleveland Show crossovers have all involved two other animated programs  Both the other two animated programs were also created by Seth MacFarlane—Family Guy and American Dad!  There are also many brief cameos of characters from three other Fox animated shows, The Simpsons, Futurama, and King of the Hill 

Syndication and streaming
In July 2010, the Turner Broadcasting System picked up syndication rights, for their networks TBS and later, Adult Swim  The series first aired on Adult Swim in the United States on September 29, 2012  On July 14, 2018, Viacom later picked up the rights to the series and the series left Adult Swim and TBS on September 9, 2018  The series began airing on Comedy Central in the United States on October 8, 2018 until April 29, 2022 with ViacomCBS sister networks BET and VH1 airing the series starting on August 31, 2020 and September 14, 2020, respectively  The series is available for streaming on Hulu 
The series began airing on FXX on September 20, 2021 Internationally, The Cleveland Show is available to stream on Star on Disney+ 

Cancellation
On April 17, 2013, Fox dismissed increasing rumors that The Cleveland Show had been canceled, reporting rather that renewal of the series was undetermined as of that time  However, on May 13, 2013, in the New York Daily News, Fox Chairman of Entertainment Kevin Reilly confirmed the show's cancellation  Following the series cancellation, it was confirmed that Cleveland would be moving back to Quahog with the rest of the Brown-Tubbs family to rejoin the Family Guy cast 

Reception
Critical reception
The Cleveland Show initially received mixed reviews from critics  Review aggregator Metacritic gave the show a score of 57 out of 100  Tom Shales of The Washington Post spoke very negatively about both the show and MacFarlane himself, describing him as "no better than the dirty old man hanging around playgrounds with naughty pictures or risque jokes as lures"  Roberto Bianco of USA Today wrote a similarly negative review, suggesting that the easiest fix for its problem was "cancellation"  John McWhorter of The New Republic called it "a patronizing mess" and "basically Family Guy in blackface"  He added: "What isn't black in it is so shamelessly ripped off from Family Guy that it's hard to believe it's the product of creators who are usually so studiously 'post-' obvious stunts of the sort "Matt Rouse of TV Guide wrote, "The lamest, most unnecessary spin-off since Private Practice, Cleveland rests on the shoulders of the hopelessly bland title character"  However, Rob Owen of the Pittsburgh Post-Gazette was more positive about the program, writing that although The Cleveland Show was "just as rude-crude" as Family Guy, it also had "more warmth" due to Cleveland being a more likable character than Peter Griffin  Owen also praised the character of Tim the Bear, stating that "Tim is by far the most amusing creation " Jonathan Storm of the Philadelphia Inquirer, also spoke positively, stating that "[Cleveland] sounds funnier, and he shows way more personality than we've seen in his many years on Family Guy  [   ] While it seems to be missing some of the over-the-top offensive bites we're used to on Family Guy, and Cleveland's new drinking buddies aren't quite as amusing as the Quagmire, Joe, and Peter combination - there's a lot to like here "

Nielsen ratings
Awards and nominations
Home media
Internationally The Cleveland Show is available to stream on Star on Disney + with all four seasons 
Passage 3:
Silly Sally
"Silly Sally" is a song by Iron Butterfly that was released as a single in 1971 after the departure of Doug Ingle  Mike Pinera and M  Jones wrote "Silly Sally" in an attempt to keep the band together  Though the usual B-side is "Stone Believer", it has also been issued with "Butterfly Bleu" (voice box solo) on the B-side  The single did not chart and in 1971 Iron Butterfly disbanded 

Track listing
Side one

"Silly Sally" (M  Pinera, M  Jones) – 2:12Side two

 "Stone Believer" (Doug Ingle, Ron Bushy, Lee Dorman) – 4:25

Personnel
Doug Ingle – organ and lead vocals on "Stone Believer"
Mike Pinera – guitar, lead vocals
Larry "Rhino" Reinhardt – guitar
Lee Dorman – bass, backing vocals
Ron Bushy – drums
Diane Adams – background vocals on "Silly Sally"
Passage 4:
Paul Bettany
Paul Bettany (born 27 May 1971) is a British actor  He is best known for his roles as J A R V I S  and Vision in the Marvel Cinematic Universe, and for starring in the Disney+ miniseries WandaVision (2021), for which he was nominated for a Primetime Emmy Award for Outstanding Lead Actor in a Limited or Anthology Series or Movie 
Bettany first gained popularity for appearing in the films Gangster No  1 (2000), A Knight's Tale (2001) and A Beautiful Mind (2001)  He was nominated for a BAFTA Award for Best Actor in a Supporting Role for playing Stephen Maturin in the film Master and Commander: The Far Side of the World (2003)  Other films in which Bettany has appeared include Dogville (2003), Wimbledon (2004), The Da Vinci Code (2006), The Tourist (2010), Margin Call (2011), Legend (2015) and Solo: A Star Wars Story (2018)  He made his directorial debut with the film Shelter (2014), which he also wrote and co-produced 
In television and theatre, Bettany has portrayed Ian Campbell, 11th Duke of Argyll in the series A Very British Scandal and Andy Warhol in the play The Collaboration in the West End, which is set to transfer to Broadway 

Early life
Bettany was born on 27 May 1971 in London, to Anne (née Kettle), a stage singer, theatre teacher, and stage manager, and Thane Bettany, a dancer, actor, drama teacher and godfather to Sophie, Duchess of Edinburgh  Bettany was raised Roman Catholic, although his church attendance drifted after his confirmation  Bettany then experimented with other Christian denominations among which were Methodist and Church of England congregations with his father  Bettany is now an atheist  While his father taught at the all-girls boarding school Queenswood School, near Hatfield, Hertfordshire, the family lived on the school grounds When Bettany was 16, his brother Matthew died at age 8 after falling onto concrete from a tennis pavilion roof at Queenswood  Soon after, Bettany dropped out of school, left home, and became a street performer in London  He lived in a small flat and earned money by playing his guitar in the streets as a busker  His parents later divorced  After two years, he found a new job in a home for the elderly  After working there for a year, Bettany enrolled at the Drama Centre London  He had dyslexia prior to it being recognised as a learning difficulty 

Career
In 1990, at the age of 19, Bettany began a three-year course at the Drama Centre London in Chalk Farm  He made his stage debut in Stephen Daldry's acclaimed West End revival of An Inspector Calls at the Aldwych Theatre, playing the part of Eric Birling  He also appeared in the Royal Shakespeare Company's productions of Richard III, Romeo and Juliet, and Julius Caesar (for which he received a Charleson Award nomination)  When Bettany was 21, he appeared in a BBC production of Oliver Twist, playing Bill Sikes 
After appearing in the finale of Sean Bean's series Sharpe as William II of the Netherlands at the Battle of Waterloo, he made his film debut with a small part in Bent, a Holocaust drama which also featured Clive Owen, Jude Law, and Ian McKellen  He continued doing work in stage and television: these included Joe Penhall's Love and Understanding, which played at London's Bush Theatre and then ran in Connecticut  He had roles in the television productions Killer Net and Coming Home, during which he met and dated Emily Mortimer  His last stage work was in One More Wasted Year and Stranger's House at the Royal Court Theatre  He filmed several more movies, including his first leading role in Gangster No  1  The British Independent Film Awards nominated him for Best Actor, and the London Film Critics' Circle nominated him for British Newcomer of the Year Back in Hollywood, writer/director Brian Helgeland (L A  Confidential) was planning a new film called The Sin Eater (also known as The Order)  He was impressed by Bettany's audition tape, though Helgeland eventually decided to film A Knight's Tale instead  The studio executives were not impressed, but Helgeland was determined to cast him, even writing the part of Chaucer for him  A Knight's Tale would be Bettany's first big Hollywood production  He received critical acclaim for A Knight's Tale, including winning the London Film Critics Circle Award for Best British Supporting Actor  After the movie wrapped, Helgeland, determined that Hollywood should recognize Bettany's talent, showed the audition tape to many of his peers, including Ron Howard, who promptly cast Bettany in A Beautiful Mind alongside Russell Crowe and Jennifer Connelly  After A Beautiful Mind, Bettany was offered the role of serial killer Francis Dolarhyde in Red Dragon, opposite Edward Norton and Anthony Hopkins  He turned down the role due to his commitment to a role in Lars von Trier's Dogville Bettany's next major project saw him starring again alongside A Beautiful Mind costar Russell Crowe in Peter Weir's Master and Commander: The Far Side of the World  His portrayal of surgeon and naturalist Stephen Maturin brought him a BAFTA nomination, and he was named British Actor of the Year (London Film Critics' Circle), and Best Actor (Evening Standard) 
On 28 June 2004, Bettany and 13 other actors were included in the 2004 invitation to join the Academy of Motion Picture Arts and Sciences  Dogville and The Reckoning were released in limited cinemas in 2004  In September of that year, Bettany made his leading-man debut in Wimbledon, a romantic comedy with Kirsten Dunst  The film's cast would also introduce him to Jon Favreau, playing his manager, a relationship that would return when Favreau cast him as the voice of J A R V I S  in Iron Man  In mid-2005, Bettany filmed Firewall in Vancouver, Canada, a thriller also starring Harrison Ford and Virginia Madsen, which reunited him with Wimbledon director Richard Loncraine  He spent the autumn of 2005 filming The Da Vinci Code, based on Dan Brown's best-selling novel and starring Tom Hanks, Audrey Tautou and Ian McKellen  In the film, he played an Opus Dei monk named Silas 
In 2007, Bettany went to London to star in There For Me, written by his friends Dan Fredenburgh and Doraly Rosen  In 2008, he appeared in the New Line Cinema family fantasy Inkheart, playing the part of a fire-eater named Dustfinger  In 2009, he appeared as Charles Darwin in Creation, starring opposite his own wife Jennifer Connelly  In 2010, Bettany appeared alongside Johnny Depp and Angelina Jolie in The Tourist and portrayed the archangel Michael in Legion, a film depicting divine vengeance upon humanity  He starred in the films Priest and Margin Call, both released in 2011 
Bettany reprised his voice role as J A R V I S  in 2010's Iron Man 2, 2012's The Avengers, 2013's Iron Man 3, and Disneyland's Innoventions attraction  In 2014, Bettany starred alongside Johnny Depp and fellow British actor Rebecca Hall in the feature film Transcendence  He was once again paired with Depp in Mortdecai, a 2015 motion picture also starring Gwyneth Paltrow and Ewan McGregor  After voicing J A R V I S  for five years, Bettany made his first onscreen appearance in a Marvel Cinematic Universe film in the 2015 film Avengers: Age of Ultron, playing Vision  He reprised the role in the sequels Captain America: Civil War (2016) and Avengers: Infinity War (2018) Bettany portrayed Ted Kaczynski in the Discovery Channel television show, Manhunt: Unabomber  Bettany replaced Michael K  Williams in Solo: A Star Wars Story, after Williams was removed from the final film, as he was unable to return to set during the film's reshoots  Bettany was cast in his place, with the character being reworked from a motion-capture alien to a human  On 20 January 2018, it was reported that Bettany was nearing a deal to play Prince Philip, Duke of Edinburgh on the Netflix series The Crown, succeeding Matt Smith  Days later, on 25 January, it was reported by TVLine that Bettany was ultimately unable to sign on due to scheduling conflicts Bettany starred alongside Elizabeth Olsen in the Marvel television miniseries WandaVision, portraying a new version of his Marvel Cinematic Universe character, Vision, with Olsen portraying the titular Wanda  It premiered on Disney+ in January 2021, garnering praise from critics  Reviewing the series, Matt Purslow of IGN wrote Bettany "effortlessly takes to the comedic skits" and that he and Olsen "provide a fantastic amount of life, wit, and emotion"  For his performance, Bettany received nominations for the Primetime Emmy Award for Outstanding Lead Actor in a Limited or Anthology Series or Movie and Golden Globe Award for Best Actor – Miniseries or Television Film Bettany starred in the 2021 miniseries A Very British Scandal  He played artist Andy Warhol in a production of the play The Collaboration by Anthony McCarten at the Young Vic in London from February to April 2022  He is slated to reprise the role in a film adaptation of the play  Bettany is attached to portray businessman Alexander Nix in a film about the Facebook–Cambridge Analytica data scandal as well as co-write and star in the dramedy film Harvest Moon Bettany will reprise his role as Vision in the television series Vision Quest 

Personal life
On 1 January 2003, Bettany married American actress Jennifer Connelly in Scotland; they met when they starred together in the 2001 film A Beautiful Mind  They did not become a couple until some time after filming, as both were in other relationships at the time  As a teenager, he had developed a crush on her after seeing her in the 1986 film Labyrinth  The September 11 attacks motivated him to act on his feelings for her, and after two days of attempting to contact her, he proposed, despite the fact that they were not yet in a relationship  Soon after their marriage, they moved to Brooklyn Heights after living in Tribeca  The couple have two children together  Bettany is stepfather to Connelly's son from a previous relationship Bettany is close friends with actor Johnny Depp  Text messages between Bettany and Depp from 2013 were used as evidence in 2020 during Depp's defamation trial against The Sun and in 2022 as part of Depp's defamation trial against his ex-wife, actress Amber Heard 

Acting credits
Film
Television
Theatre
Awards and nominations
Notes
Passage 5:
Puppy Dog Pals
Puppy Dog Pals  is an American computer-animated children's television series created by Harland Williams  The series debuted on Disney Junior in the United States on April 14, 2017 

Plot
Puppy Dog Pals is about Bingo and Rolly, two pug puppy brothers who have fun traveling around their neighborhood and the world when their owner Bob leaves home  They also have a kitty sister named Hissy and a robot dog named A R F  (Auto-Doggy Robotic Friend) 

Characters
Main
Bingo (voiced by Issac Ryan Brown in seasons 1–3; Elisha "EJ" Williams in season 4–5) — A blackish grayish pug with a blue lightning collar who is more mature than his twin brother Rolly  He is the leader of Rolly and himself  Bingo is always ready to go on missions with his brother to help someone in need  Issac Ryan Brown left the series after season 3 due to puberty  Starting with season 4, Elisha Williams took on the role 
Rolly (voiced by Sam Lavagnino in seasons 1–3; Gracen Newton in season 4–5) — A fawn pug with a red collar with a gold bone on it  While he isn't as smart as Bingo, he is still very silly  He is Bingo's twin birthday brother but Bingo is older than Rolly, as clarified in season 1  Rolly loves to chew on everything he can find and it's a bad habit  Sam Lavagnino left the series after season 3 due to puberty  Starting with season 4, Gracen Newton took on the role 
Bob (voiced by Harland Williams) — The owner of Bingo, Rolly, Hissy, Olivia and A R F  He works as an industrial designer/product designer a k a  an "inventor " In the season 2 premiere "A New Pup in Town," Bob modified the fence between his and Chloe's house, so that Keia can play with Bingo, Rolly and Hissy and they can all visit each other's homes without having to dig under the fence and made a new collar for Keia (since her old one fell off), which she wears during missions with Bingo and Rolly  He and Ana get married in the season 4 finale "Bob and Ana's Wedding" 
Hissy (voiced by Jessica DiCicco) — A cynical purple tabby cat wearing a bow, who cares for Bingo and Rolly like a big sister  In some episodes, she ends up going along with Bingo and Rolly on their missions  She, along with Cupcake, is the only one with unnatural fur color 
A R F  (fully known as Auto-Doggy Robotic Friend; voiced by Tom Kenny) — A robotic dog that Bob invented  He first appears in the episode "A R F " and was updated by Bob in "Go Dog Go " He always refers to himself in the third person in every episode with the exception of "Go Dog Go" and "How ARF Got His Voice Back "
Keia (voiced by Shiloh Nelson) — A new shiba inu puppy owned by Bob's next door neighbors, Chloe and her mother  Keia also becomes close friends with Bingo, Rolly and Hissy ever since she met them  She is also known for wearing a turquoise colored long-sleeved sweater and wearing a pink collar with a gold star on it  She first appeared in "A New Pup in Town " Her best friend is Lollie 
Lollie (voiced by Giselle Eisenberg) — A black and white cavalier king charles spaniel female puppy wearing a aquamarine collar whose back legs are paralyzed  She first appeared in “Adopt-A-Palooza”  Her best friend is Keia  She becomes Bingo and Rolly sister at the end of season 4 
Ana (voiced by Cree Summer) — Lollie's owner and Bob's love interest, later his wife  She runs Puppy Playcare and first appeared in "Adopt-a-Palooza "
Leo (voiced by Jack Stanton) – An orange tabby kitten wearing a lime green collar, who is Buster's brother and Darius pet kitten  He and Buster are Bingo and Rolly’s cousins, the latter being one of the mission students  He first appeared in "New Pals on the Block"
Buster (voiced by Bentley Lee Conger) – A brown boxer puppy wearing a fuchsia bandana, who is Leo's brother and Darius pet pup  He and Leo are Bingo and Rolly’s cousins, the former being one of the mission students  He first appeared in "New Pals on the Block" 
Roxy (voiced by Somali Rose) – A sussex spaniel pup, who is Nougat's sister and Grace's pet pup  She is also one of the mission students  She wears a purple collar with flower ponytails on her ears  She first appeared in "New Pals on the Block" 
Nougat (voiced by Amari McCoy) – A piglet, who is Roxy's sister and Grace's pet pig  She is also one of the mission students  She wears a yellow daffodil neck scarf and sometimes put on heart shape shades  She first appeared in "New Pals on the Block" 
Darius (voiced by Jayden Theophile) – Ana's nephew and owner of Buster and Leo, who loves science  His first appearance is in "New Pals on the Block", in which he is living with Bob and Ana while his parents are on a work trip 
Olivia — A blue fish who is the sister of Bingo, Rolly, Hissy, Lolly and A R F  She first appeared in "Fetch that Fish" 
Strawberry (communicates with squeaking noises) — A ladybug who, like Bingo, Rolly and Hissy, is a close friend of Keia's, so much so that Strawberry hangs around with Keia most of the time  Like Keia, she also made her debut in "A New Pup in Town " Keia has given the ladybug the name "Strawberry" because, as stated by Keia, she looks like a strawberry due to her red body with black spots 

Recurring
Cupcake (voiced by Jill Talley) — A bitter pink Maltese dog who likes to bully other animals, especially Bingo and Rolly  She becomes more of a friend after "The Fang Fairy "
Rufus (voiced by Leslie David Baker) — An oafish bulldog who is Cupcake's brother and minion  He has been known to chase Bingo and Rolly multiple times, but in "Haunted Howl-O-Ween," after Rolly removed Chloe's costume off him, he helped them return it 
Captain Dog (voiced by Patrick Warburton) — The star of the pup's favorite television show 
Frank Exposition (voiced by Leslie David Baker) — A man who is usually seen vacationing with his wife, Esther, during Bingo and Rolly's missions  In "A Pyramid Scheme," he gets tangled in ribbons, which leads to Bingo and Rolly mistaking him for a mummy 
Esther Exposition (voiced by Cheri Oteri) — Frank's wife  In episode "Hissy's Big Day", she is shown to have a pet iguana named Iggy 
Bulworth (voiced by Huey Lewis) — The junkyard dog 
Dallie (voiced by Tom Kenny) — A dalmatian who lives in the city's firehouse 
Tad (voiced by Sean Coyle) — A gopher who lives underground in his tunnels and hangs out with Bingo and Rolly  He speaks in gopher noises that Rolly can understand 
Jonathan (voiced by Jeff Bennett impersonating Don Knotts) — Bingo and Rolly's wisecracking seagull friend 
Whaley (voiced by Jessica DiCicco) — An Orca whale that Bingo and Rolly helped jump over the other side of the wall and later encountered her in ocean based missions 
Chloe (voiced by Emma Shannon) — A young girl who is Bob's neighbor  As of Season 2, Chloe and her mother are the owners of Keia, a new puppy who also becomes best friends with Bob's pets 
Chloe's Mom (voiced by Tara Strong) — Chloe's mom whose daughter is Bob's neighbor  As of Season 2, she and Chloe are the owners of Keia, a new puppy who also becomes best friends with Bob's pets 
Cagey (voiced by Jeff Bennett) — A guinea pig who is Bingo and Rolly’s friend; he initially appeared on the pet store window when they pass by and is later Chloe’s pet and Keia’s brother 
Jackie (voiced by Jill Talley) — An orange collie 
Bizzy (voiced by Kevin Michael Richardson) — A beaver who lives in the woods and likes to rap 
Rosetta (voiced by Tress MacNeille) — Bob and Bonnie's mom 
Strider the Sheepdog (voiced by Mo Collins) — A fast-talking sheep herding sheepdog who appears in the episodes "Counting Sheep" and "Rhapsody in Pug "
Santa Clause (voiced by Henry Winkler) — The one who gets help from Bingo and Rolly during the holidays and other missions 
Bonnie (voiced by Grey DeLisle) — Bob's sister, who is an archeologist 
Hedgie (voiced by Jack McBrayer) — A brown hedgehog who is the pups’ best friend and gives great advice 
Gilroy Pupkins (voiced by Gary Anthony Williams) – An Alaskan husky who Bingo and Rolly encounter in the park and play care 
Boss (voiced by Brandon James Cienfuegos) — A young guard dog 
Sydney (voiced by Kitana Turnbull) — Bulworth's niece 
Biscotti (voiced by Mo Collins) — A Christmas elf who asks Bingo and Rolly for help from the North Pole 
Cody (voiced by Duncan Joiner) — A pet beagle who is Bingo and Rolly's cousin from Chicago 
Auggie (voiced by Spencer Moss) — One of the young pups, who was introduced in the episode "The New Crew"  She is also Mo's sister 
Mo (voiced by Julian Edwards) — Another one of the young pups, who was introduced in the episode "The New Crew"  He is also Auggie's brother 
Cassie (voiced by Cree Summer) — Ana's mom and Darius grandma 
Grace (voiced by Rylee Alazraqui) — The new kid in town and the owner of Roxy and Nougat, who befriends Darius and lives right behind Bob and Ana’s house 
Willie (voiced by David Koechner, credited as Dave Koechner) — A interface robot, who takes care of the Doggy Jojo at Puppy Playcare 

Guest
Bob Uecker as Baseball Announcer
Yvette Nicole Brown as Daisy
Wendy McLendon-Covey as Mrs  Clause (Season 2–3)
Ernie Hudson as Buddy
Dennis Haysbert as Crash
Anna Camp as Donna
Stephen Tobolowsky as Chip
Jaime Camil as Heactor

Episodes
Broadcast
The series premiered on Disney Junior and Disney Channel in the United States on April 14, 2017, and on Disney Junior in Canada on April 23  Playtime with Puppy Dog Pals aired to advertise season 2 with the new puppy, Keia  On August 24, 2017, Disney Junior renewed the series for a second season, which premiered on October 12, 2018  On September 7, 2018, a third season was commissioned; it began airing on November 8, 2019  On October 30, 2019, a fourth season was commissioned after it was previously announced in June that the series was being cancelled after three seasons; it began airing on October 23, 2020, with new voice actors for Bingo (Elisha “EJ” Williams, replacing Issac Ryan Brown) and Rolly (Gracen Newton, replacing Sam Lavagnino)  On October 9, 2020, a fifth season was commissioned; it began airing on January 14, 2022 

Home media
Home media is distributed by Walt Disney Studios Home Entertainment 

Awards and nominations
Passage 6:
A Beautiful Mind (soundtrack)
A Beautiful Mind is the original soundtrack album, on the Decca Records label, of the 2001 film A Beautiful Mind starring Russell Crowe, Jennifer Connelly (who won the Academy Award for Best Supporting Actress for her role as "Alicia Nash"), Christopher Plummer and Paul Bettany
Context 3: Passage 1:
Group Portrait with a Lady
Group Portrait with a Lady (German: Gruppenbild mit Dame) is a 1977 German-French drama film directed by Aleksandar Petrović  It was entered into the 1977 Cannes Film Festival  It is based on the novel of the same name  by German Nobel-Prize winning novelist Heinrich Böll 

Cast
Passage 2:
List of territorial entities where German is an official language
The following is a list of the countries and territories where German is an official language (also known as the Germanosphere)  It includes countries that have German as (one of) their nationwide official language(s), as well as dependent territories with German as a co-official language 

German as an official language
German is the official language of six countries, all of which lie in central and western Europe  These countries (with the addition of South Tyrol of Italy) also form the Council for German Orthography and are referred to as the German Sprachraum (German language area)  Since 2004, Meetings of German-speaking countries have been held annually with six participants: Germany, Austria, Belgium, Liechtenstein, Luxembourg, and Switzerland:

Subdivisions of countries
While not official at the national level, German is a co-official language in subdivisions of the countries listed below  In each of these regions, German is an official language on the administrative level 

Other legal statuses
There are other political entities (countries as well as dependent entities) which acknowledge other legal statuses for the German language or one of its dialects  While these may cover minority rights, support of certain language facilities (schools, media, etc ), and the promotion of cultural protection/heritage, they do not encompass the establishment of German as an "official" language, i e , being required in public offices or administrative texts 
These countries include:

Brazil (German is a statewide cultural language in Espírito Santo and Rio Grande do Sul; Standard German official in 2 municipalities and non-standard German dialects official in 16 others)
Czech Republic (national minority language)
Denmark (minority language in Syddanmark, established with the Bonn-Copenhagen declarations, 1955)
Hungary (national minority language)
Namibia (national language; co-official language 1884–1990)
Poland (national minority language; also auxiliary language in 31 communes)
Romania (national minority language)
Russia (minority language in the Azovo German National District)
Slovakia (regional minority language)Although in France, the High German varieties of Alsatian and Moselle Franconian are identified as "regional languages" according to the European Charter for Regional or Minority Languages of 1998, the French government has not yet ratified the treaty, and therefore those varieties have no official legal status Due to the German diaspora, other countries with sizable populations of (mostly bilingual) German L1 speakers include Argentina, Australia, Bolivia, Canada, Chile, Paraguay, as well as the United States  However, in none of these countries does German or a German variety have any legal status 

International institutions
German is an official language of the following international institutions:

International sports associations:
European Handball Federation (EHF)
Fédération Internationale de Bobsleigh et de Tobogganing (FIBT)
Fédération Internationale de Football Association (FIFA)
Fédération Internationale de Luge de Course (FIL)
Fédération Internationale de Ski (FIS)
International Biathlon Union (IBU)
Union of European Football Associations (UEFA)

Notes
See also
German language in the Basic Law
Passage 3:
Aleksandar Petrović (film director)
Aleksandar "Saša" Petrović (14 January 1929 – 20 August 1994) was a Serbian film director  He was one of the major figures of the Yugoslav Black Wave  Two of his films were nominated for the Academy Award for Best Foreign Language Film: Three in 1966 and I Even Met Happy Gypsies (Feather Gatherers) in 1967  The latter (original title "Skupljaci perja") was the first movie that presented the existence of Gypsies in society and everyday life; it was also the first full-feature film where Gypsies spoke their own language, Roma  Most roles were interpreted by real Gypsies; this was their movie  "As a child, I observed them and saw in these people faith and irrationality," said Petrović I Even Met Happy Gypsies won the FIPRESCI Prize and the Grand Prize of the Jury at the Cannes Film Festival; it also received a nomination for a Golden Globe  In 1967 Petrović was a member of the jury at the 17th Berlin International Film Festival One of his most famous films is It Rains in My Village  Petrović found inspiration for this film in Fyodor Dostoyevsky's novel The Possessed  The film was nominated for a Palme d'Or (Golden Palm) at the 1969 Cannes Film FestivalIn 1973, Petrović was forced to leave his post at the Belgrade Film Academy after being accused of holding anti-communist views by the communist government of Yugoslavia  In late December 1989, he joined the founding committee of the Democratic Party in Serbia, the first opposition anti-communist party in Serbia  He died at age 65 in Paris, France 
Petrović published several hundreds of articles and several books, including Novi film I: 1960-1965 and Novi film II: Crni film (1965-1970) 

Filmography
Passage 4:
Yugoslavia at the Olympics
Teams from Yugoslavia first participated at the Olympic Games in 1920  Previously, several athletes from Croatia, Slovenia and northern Serbian province Vojvodina had competed for Austria or Hungary when those countries were part of the Empire of Austria-Hungary  A small team of two athletes had competed distinctly for Serbia at the 1912 Summer Olympics 
Yugoslavia has been the designation for Olympic teams from three distinct national entities:

Kingdom of Yugoslavia (officially called the Kingdom of Serbs, Croats and Slovenes until 1929) from 1920 to 1936
Socialist Federal Republic of Yugoslavia from 1948 to the 1992 Winter Olympics
Federal Republic of Yugoslavia, formed as a joint state by only Montenegro and Serbia after the breakup of Yugoslavia, from 1992 to 2002 (due to UN ban allowed to compete as Independent Olympic Participants at the 1992 Summer Olympics and was not allowed to compete at 1994 Winter Olympics)Two of the successor nations (Croatia and Slovenia) began to compete as independent teams at the Olympics starting at the 1992 Winter Games and Bosnia and Herzegovina at the 1992 Summer Games and as of the 2008 Summer Olympics, all six successor nations, former socialist republics, have participated independently  Kosovo, a former autonomous province, made its Olympic debut as an independent national team at the 2016 Summer Olympics 

Timeline of participation
The Yugoslav Olympic Committee was established in Zagreb in 1919 (recognized by the IOC in 1920), before moving to Belgrade in 1927, and it took the place of the Serbian Olympic Committee in the Association of National Olympic Committees  During the dissolution of Yugoslavia, several new committees were formed in the break-away countries  The Federal Republic of Yugoslavia, consisting of the Republic of Serbia and the Republic of Montenegro, participated at the Games since 1996  At the 1996 and 2000 Games, the nation was designated with the same code, Yugoslavia (YUG), as the defunct SFRY  It was rechartered as the State Union of Serbia and Montenegro in 2003 with there being no territorial changes  The Serbia and Montenegro (SCG) designation and code were used at the 2004 Games 

Hosted Games
Yugoslavia has hosted the Games on one occasion 

Medal tables
*Red border colour indicates the games were held on home soil 
*Yugoslavia hosted the 1984 Winter Olympics in Sarajevo, now part of Bosnia and Herzegovina 

List of medalists
Summer Olympics
As Federal Republic of YugoslaviaAs Independent Olympic Participants

Winter Olympics
See also
List of flag bearers for Yugoslavia at the Olympics
Category:Olympic competitors for Yugoslavia
Yugoslavia at the Paralympics
List of Yugoslav Olympic medalists
Passage 5:
Catalan language
Catalan (; autonym: català, Eastern Catalan: [kətəˈla]), known in the Valencian Community and Carche as Valencian (autonym: valencià), is a Western Romance language  It is the official language of Andorra, and an official language of two autonomous communities in eastern Spain: Catalonia and the Balearic Islands  It is also an official language in Valencia, where it is called Valencian  It has semi-official status in the Italian comune of Alghero, and it is spoken in the Pyrénées-Orientales department of France and in two further areas in eastern Spain: the eastern strip of Aragon and the Carche area in the Region of Murcia  The Catalan-speaking territories are often called the Països Catalans or "Catalan Countries" 
The language evolved from Vulgar Latin in the Middle Ages around the eastern Pyrenees  Nineteenth-century Spain saw a Catalan literary revival, culminating in the early 1900s 

Etymology and pronunciation
The word Catalan is derived from the territorial name of Catalonia, itself of disputed etymology  The main theory suggests that Catalunya (Latin Gathia Launia) derives from the name Gothia or Gauthia ("Land of the Goths"), since the origins of the Catalan counts, lords and people were found in the March of Gothia, whence Gothland > Gothlandia > Gothalania > Catalonia theoretically derived In English, the term referring to a person first appears in the mid 14th century as Catelaner, followed in the 15th century as Catellain (from French)  It is attested a language name since at least 1652  The word Catalan can be pronounced in English as ,  or  The endonym is pronounced [kətəˈla] in the Eastern Catalan dialects, and [kataˈla] in the Western dialects  In the Valencian Community and Carche, the term valencià [valensiˈa, ba-] is frequently used instead  Thus, the name "Valencian", although often employed for referring to the varieties specific to the Valencian Community and Carche, is also used by Valencians as a name for the language as a whole, synonymous with "Catalan"  Both uses of the term have their respective entries in the dictionaries by the Acadèmia Valenciana de la Llengua and the Institut d'Estudis Catalans  See also status of Valencian below 

History
Middle Ages
By the 9th century, Catalan had evolved from Vulgar Latin on both sides of the eastern end of the Pyrenees, as well as the territories of the Roman province of Hispania Tarraconensis to the south  From the 8th century onwards the Catalan counts extended their territory southwards and westwards at the expense of the Muslims, bringing their language with them  This process was given definitive impetus with the separation of the County of Barcelona from the Carolingian Empire in 988 In the 11th century, documents written in macaronic Latin begin to show Catalan elements, with texts written almost completely in Romance appearing by 1080  Old Catalan shared many features with Gallo-Romance, diverging from Old Occitan between the 11th and 14th centuries During the 11th and 12th centuries the Catalan rulers expanded southward to the Ebro river, and in the 13th century they conquered the Land of Valencia and the Balearic Islands  The city of Alghero in Sardinia was repopulated with Catalan speakers in the 14th century  The language also reached Murcia, which became Spanish-speaking in the 15th century In the Low Middle Ages, Catalan went through a golden age, reaching a peak of maturity and cultural richness  Examples include the work of Majorcan polymath Ramon Llull (1232–1315), the Four Great Chronicles (13th–14th centuries), and the Valencian school of poetry culminating in Ausiàs March (1397–1459)  By the 15th century, the city of Valencia had become the sociocultural center of the Crown of Aragon, and Catalan was present all over the Mediterranean world  During this period, the Royal Chancery propagated a highly standardized language  Catalan was widely used as an official language in Sicily until the 15th century, and in Sardinia until the 17th  During this period, the language was what Costa Carreras terms "one of the 'great languages' of medieval Europe" Martorell's outstanding novel of chivalry Tirant lo Blanc (1490) shows a transition from Medieval to Renaissance values, something that can also be seen in Metge's work  The first book produced with movable type in the Iberian Peninsula was printed in Catalan 

Start of the modern era
Spain
With the union of the crowns of Castille and Aragon in 1479, the Spanish kings ruled over different kingdoms, each with its own cultural, linguistic and political particularities, and they had to swear by the Laws of each territory before the respective Parliaments  But after the War of the Spanish Succession, Spain became an Absolute monarchy under Philip V, which led to the assimilation of the Crown of Aragon by the Crown of Castile through the Nueva Planta decrees, as a first step in the creation of the Spanish nation-state; as in other contemporary European states, this meant the imposition of the political and cultural characteristics of the dominant groups  Since the political unification of 1714, Spanish assimilation policies towards national minorities have been a constant 

The process of assimilation began with secret instructions to the corregidores of the Catalan territory: they "will take the utmost care to introduce the Castilian language, for which purpose he will give the most temperate and disguised measures so that the effect is achieved, without the care being noticed " From there, actions in the service of assimilation, discreet or aggressive, were continued, and reached to the last detail, such as, in 1799, the Royal Certificate forbidding anyone to "represent, sing and dance pieces that were not in Spanish " Anyway, the use of Spanish gradually became more prestigious and marked the start of the decline of Catalan  Starting in the 16th century, Catalan literature came under the influence of Spanish, and the nobles, part of the urban and literary classes became bilingual 

France
With the Treaty of the Pyrenees (1659), Spain ceded the northern part of Catalonia to France, and soon thereafter the local Catalan varieties came under the influence of French, which in 1700 became the sole official language of the region Shortly after the French Revolution (1789), the French First Republic prohibited official use of, and enacted discriminating policies against, the regional languages of France, such as Catalan, Alsatian, Breton, Occitan, Flemish, and Basque 

France: 19th to 20th century
Following the French establishment of the colony of Algeria from 1830 onward, it received several waves of Catalan-speaking settlers  People from the Spanish Alicante province settled around Oran, whereas Algiers received immigration from Northern Catalonia and Menorca 
Their speech was known as patuet  By 1911, the number of Catalan speakers was around 100,000  After the declaration of independence of Algeria in 1962, almost all the Catalan speakers fled to Northern Catalonia (as Pieds-Noirs) or Alacant The government of France formally recognizes only French as an official language  Nevertheless, on 10 December 2007, the General Council of the Pyrénées-Orientales officially recognized Catalan as one of the languages of the department and seeks to further promote it in public life and education 

Spain: 18th to 20th century
In 1807, the Statistics Office of the French Ministry of the Interior asked the prefects for an official survey on the limits of the French language  The survey found that in Roussillon, almost only Catalan was spoken, and since Napoleon wanted to incorporate Catalonia into France, as happened in 1812, the consul in Barcelona was also asked  He declared that Catalan "is taught in schools, it is printed and spoken, not only among the lower class, but also among people of first quality, also in social gatherings, as in visits and congresses", indicating that it was spoken everywhere "with the exception of the royal courts"  He also indicated that Catalan was spoken "in the Kingdom of Valencia, in the islands of Mallorca, Menorca, Ibiza, Sardinia, Corsica and much of Sicily, in the Vall d "Aran and Cerdaña" The defeat of the pro-Habsburg coalition in the War of Spanish Succession (1714) initiated a series of laws which, among other centralizing measures, imposed the use of Spanish in legal documentation all over Spain  Because of this, use of the Catalan language declined into the 18th century 
However, the 19th century saw a Catalan literary revival (Renaixença), which has continued up to the present day  This period starts with Aribau's Ode to the Homeland (1833); followed in the second half of the 19th century, and the early 20th by the work of Verdaguer (poetry), Oller (realist novel), and Guimerà (drama)  In the 19th century, the region of Carche, in the province of Murcia was repopulated with Valencian speakers  Catalan spelling was standardized in 1913 and the language became official during the Second Spanish Republic (1931–1939)  The Second Spanish Republic saw a brief period of tolerance, with most restrictions against Catalan lifted The Catalan language and culture were frowned upon during the Spanish Civil War (1936–1939) and the subsequent decades in Francoist Catalonia  The Francoist dictatorship (1939–1975) imposed the use of Spanish in schools and in public administration in all of Spain  However, in 1944, it became mandatory by law for universities with Romance Philology to include the subject of Catalan Philology  Numerous and prestigious cultural contests were created to reward works produced in Catalan  In January 1944, the "Eugenio Nadal" award was created  In 1945, with the sponsorship and subsidy of the Government, the centenary of Mossèn Cinto Verdaguer was celebrated  In 1947 the Joan Martorell prize for novels in Catalan was awarded  In 1949, the Víctor Català award for short novels in Catalan and the Aedos awards for biographies, the Josep Ysart award for essays, and the Ossa Menor award, later renamed Carles Riba, were created  In 1951, a national prize was awarded to poetry in Catalan with the same financial amount as Spanish poetry  That same year, Selecta Editions was founded for works written in Catalan  And the Joanot Martorell is awarded to Josep Pla for his work El carrer estret  In subsequent years (50s, 60s and 70s) countless awards were born, such as the Lletra d'Or, Amadeu Oller for poetry, the Sant Jordi for novels (endowed with 150,000 pesetas), the Honor Award of Catalan Letters, the Verdaguer, the Josep Pla Prize, the Mercè Rodoreda Prize for short stories and narratives  The first Catalan-language TV show was broadcast during the Franco period, in 1964  The Francoist dictatorship (1939–1975) banned the use of Catalan in schools and in public administration  At the same time, oppression of the Catalan language and identity was carried out in schools, through governmental bodies, and in religious centers  Franco's desire for a homogenous Spanish population resonated with some Catalans in favor of his regime, primarily members of the upper class, who began to reject the use of Catalan  Despite all of these hardships, Catalan continued to be used privately within households, and it was able to survive Francisco Franco's dictatorship  Several prominent Catalan authors resisted the suppression through literature In addition to the loss of prestige for Catalan and its prohibition in schools, migration during the 1950s into Catalonia from other parts of Spain also contributed to the diminished use of the language  These migrants were often unaware of the existence of Catalan, and thus felt no need to learn or use it  Catalonia was the economic powerhouse of Spain, so these migrations continued to occur from all corners of the country  Employment opportunities were reduced for those who were not bilingual 

Present day
Since the Spanish transition to democracy (1975–1982), Catalan has been institutionalized as an official language, language of education, and language of mass media; all of which have contributed to its increased prestige  In Catalonia, there is an unparalleled large bilingual European non-state linguistic community  The teaching of Catalan is mandatory in all schools, but it is possible to use Spanish for studying in the public education system of Catalonia in two situations – if the teacher assigned to a class chooses to use Spanish, or during the learning process of one or more recently arrived immigrant students  There is also some intergenerational shift towards Catalan More recently, several Spanish political forces have tried to increase the use of Spanish in the Catalan educational system  As a result, in May 2022 the Spanish Supreme Court urged the Catalan regional government to enforce a measure by which 25% of all lessons must be taught in Spanish According to the Statistical Institute of Catalonia, in 2013 the Catalan language is the second most commonly used in Catalonia, after Spanish, as a native or self-defining language: 7% of the population self-identifies with both Catalan and Spanish equally, 36 4% with Catalan and 47 5% only Spanish  In 2003 the same studies concluded no language preference for self-identification within the population above 15 years old: 5% self-identified with both languages, 44 3% with Catalan and 47 5% with Spanish  To promote use of Catalan, the Generalitat de Catalunya (Catalonia's official Autonomous government) spends part of its annual budget on the promotion of the use of Catalan in Catalonia and in other territories, with entities such as Consorci per a la Normalització Lingüística (Consortium for Linguistic Normalization)In Andorra, Catalan has always been the sole official language  Since the promulgation of the 1993 constitution, several policies favoring Catalan have been enforced, like Catalan medium education On the other hand, there are several language shift processes currently taking place  In the Northern Catalonia area of France, Catalan has followed the same trend as the other minority languages of France, with most of its native speakers being 60 or older (as of 2004)  Catalan is studied as a foreign language by 30% of the primary education students, and by 15% of the secondary  The cultural association La Bressola promotes a network of community-run schools engaged in Catalan language immersion programs 
In Alicante province, Catalan is being replaced by Spanish and in Alghero by Italian  There is also well ingrained diglossia in the Valencian Community, Ibiza, and to a lesser extent, in the rest of the Balearic islands During the 20th century many Catalans emigrated or went into exile to Venezuela, Mexico, Cuba, Argentina and other South American countries  They formed a large number of Catalan colonies that today continue to maintain the Catalan language  They also founded many Catalan casals (associations) 

Classification and relationship with other Romance languages
One classification of Catalan is given by Pèire Bèc:

Romance languages
Italo-Western languages
Western Romance languages
Gallo-Iberian languages
Gallo-Romance languages
Occitano-Romance languages
Catalan languageHowever, the ascription of Catalan to the Occitano-Romance branch of Gallo-Romance languages is not shared by all linguists and philologists, particularly among Spanish ones, such as Ramón Menéndez Pidal 
Catalan bears varying degrees of similarity to the linguistic varieties subsumed under the cover term Occitan language (see also differences between Occitan and Catalan and Gallo-Romance languages)  Thus, as it should be expected from closely related languages, Catalan today shares many traits with other Romance languages 

Relationship with other Romance languages
Some include Catalan in Occitan, as the linguistic distance between this language and some Occitan dialects (such as the Gascon language) is similar to the distance among different Occitan dialects  Catalan was considered a dialect of Occitan until the end of the 19th century and still today remains its closest relative Catalan shares many traits with the other neighboring Romance languages (Occitan, French, Italian, Sardinian as well as Spanish and Portuguese among others)  However, despite being spoken mostly on the Iberian Peninsula, Catalan has marked differences with the Iberian Romance group (Spanish and Portuguese) in terms of pronunciation, grammar, and especially vocabulary; it shows instead its closest affinity with languages native to France and northern Italy, particularly Occitan and to a lesser extent Gallo-Romance (Franco-Provençal, French, Gallo-Italian) According to Ethnologue, the lexical similarity between Catalan and other Romance languages is: 87% with Italian; 85% with Portuguese and Spanish; 76% with Ladin and Romansh; 75% with Sardinian; and 73% with Romanian 
During much of its history, and especially during the Francoist dictatorship (1939–1975), the Catalan language was ridiculed as a mere dialect of Spanish  This view, based on political and ideological considerations, has no linguistic validity  Spanish and Catalan have important differences in their sound systems, lexicon, and grammatical features, placing the language in features closer to Occitan (and French) There is evidence that, at least from the 2nd century a d , the vocabulary and phonology of Roman Tarraconensis was different from the rest of Roman Hispania  Differentiation arose generally because Spanish, Asturian, and Galician-Portuguese share certain peripheral archaisms (Spanish hervir, Asturian and Portuguese ferver vs  Catalan bullir, Occitan bolir "to boil") and innovatory regionalisms (Sp novillo, Ast nuviellu vs  Cat torell, Oc taurèl "bullock"), while Catalan has a shared history with the Western Romance innovative core, especially Occitan Like all Romance languages, Catalan has a handful of native words which are unique to it, or rare elsewhere  These include:

verbs: cōnfīgere 'to fasten; transfix' > confegir 'to compose, write up', congemināre > conjuminar 'to combine, conjugate', de-ex-somnitare > deixondar/-ir 'to wake; awaken', dēnsāre 'to thicken; crowd together' > desar 'to save, keep', īgnōrāre > enyorar 'to miss, yearn, pine for', indāgāre 'to investigate, track' > Old Catalan enagar 'to incite, induce', odiāre > OCat ujar 'to exhaust, fatigue', pācificāre > apaivagar 'to appease, mollify', repudiāre > rebutjar 'to reject, refuse';
nouns: brīsa > brisa 'pomace', buda > boga 'reedmace', catarrhu > cadarn 'catarrh', congesta > congesta 'snowdrift', dēlīrium > deler 'ardor, passion', fretu > freu 'brake', lābem > (a)llau 'avalanche', ōra > vora 'edge, border', pistrīce 'sawfish' > pestriu > pestiu 'thresher shark, smooth hound; ray', prūna 'live coal' > espurna 'spark', tardātiōnem > tardaó > tardor 'autumn' The Gothic superstrate produced different outcomes in Spanish and Catalan  For example, Catalan fang "mud" and rostir "to roast", of Germanic origin, contrast with Spanish lodo and asar, of Latin origin; whereas Catalan filosa "spinning wheel" and templa "temple", of Latin origin, contrast with Spanish rueca and sien, of Germanic origin The same happens with Arabic loanwords  Thus, Catalan alfàbia "large earthenware jar" and rajola "tile", of Arabic origin, contrast with Spanish tinaja and teja, of Latin origin; whereas Catalan oli "oil" and oliva "olive", of Latin origin, contrast with Spanish aceite and aceituna  However, the Arabic element in Spanish is generally much more prevalent Situated between two large linguistic blocks (Iberian Romance and Gallo-Romance), Catalan has many unique lexical choices, such as enyorar "to miss somebody", apaivagar "to calm somebody down", and rebutjar "reject" 

Geographic distribution
Catalan-speaking territories
Traditionally Catalan-speaking territories are sometimes called the Països Catalans (Catalan Countries), a denomination based on cultural affinity and common heritage, that has also had a subsequent political interpretation but no official status  Various interpretations of the term may include some or all of these regions 

Number of speakers
The number of people known to be fluent in Catalan varies depending on the sources used  A 2004 study did not count the total number of speakers, but estimated a total of 9–9 5 million by matching the percentage of speakers to the population of each area where Catalan is spoken  The web site of the Generalitat de Catalunya estimated that as of 2004 there were 9,118,882 speakers of Catalan  These figures only reflect potential speakers; today it is the native language of only 35 6% of the Catalan population  According to Ethnologue, Catalan had 4 1 million native speakers and 5 1 million second-language speakers in 2021 

According to a 2011 study the total number of Catalan speakers is over 9 8 million, with 5 9 million residing in Catalonia  More than half of them speak Catalan as a second language, with native speakers being about 4 4 million of those (more than 2 8 in Catalonia)  Very few Catalan monoglots exist; basically, virtually all of the Catalan speakers in Spain are bilingual speakers of Catalan and Spanish, with a sizable population of Spanish-only speakers of immigrant origin (typically born outside Catalonia or whose parents were both born outside Catalonia) existing in the major Catalan urban areas as well 
In Roussillon, only a minority of French Catalans speak Catalan nowadays, with French being the majority language for the inhabitants after a continued process of language shift  According to a 2019 survey by the Catalan government, 31 5% of the inhabitants of Catalonia have Catalan as first language at home whereas 52 7% have Spanish, 2 8% both Catalan and Spanish and 10 8% other languages Spanish is the most spoken language in Barcelona (according to the linguistic census held by the Government of Catalonia in 2013) and it is understood almost universally  According to this census of 2013 Catalan is also very commonly spoken in the city of 1,501,262: it is understood by 95% of the population, while 72 3% over the age of 2 can speak it (1,137,816), 79% can read it (1,246 555), and 53% can write it (835,080)  The proportion in Barcelona who can speak it, 72 3%, is lower than that of the overall Catalan population, of whom 81 2% over the age of 15 speak the language  Knowledge of Catalan has increased significantly in recent decades thanks to a language immersion educational system  An important social characteristic of the Catalan language is that all the areas where it is spoken are bilingual in practice: together with the French language in Roussillon, with Italian in Alghero, with Spanish and French in Andorra and with Spanish in the rest of the territories 

1 ^  The number of people who understand Catalan includes those who can speak it 
2 ^  Figures relate to all self-declared capable speakers, not just native speakers 

Level of knowledge
(% of the population 15 years old and older) 

Social use
(% of the population 15 years old and older) 

Native language
Phonology
Catalan phonology varies by dialect  Notable features include:
Marked contrast of the vowel pairs /ɛ e/ and /ɔ o/, as in other Western Romance languages, other than Spanish 
Lack of diphthongization of Latin short ĕ, ŏ, as in Galician and Portuguese, but unlike French, Spanish, or Italian 
Abundance of diphthongs containing /w/, as in Galician and Portuguese In contrast to other Romance languages, Catalan has many monosyllabic words, and these may end in a wide variety of consonants, including some consonant clusters  Additionally, Catalan has final obstruent devoicing, which gives rise to an abundance of such couplets as amic ("male friend") vs  amiga ("female friend") Central Catalan pronunciation is considered to be standard for the language  The descriptions below are mostly representative of this variety  For the differences in pronunciation between the different dialects, see the section on pronunciation of dialects in this article 

Vowels
Catalan has inherited the typical vowel system of Vulgar Latin, with seven stressed phonemes: /a ɛ e i ɔ o u/, a common feature in Western Romance, with the exception of Spanish  Balearic also has instances of stressed /ə/  Dialects differ in the different degrees of vowel reduction, and the incidence of the pair /ɛ e/ In Central Catalan, unstressed vowels reduce to three: /a e ɛ/ > [ə]; /o ɔ u/ > [u]; /i/ remains distinct  The other dialects have different vowel reduction processes (see the section pronunciation of dialects in this article) 

Consonants
The consonant system of Catalan is rather conservative 

/l/ has a velarized allophone in syllable coda position in most dialects  However, /l/ is velarized irrespective of position in Eastern dialects like Majorcan and standard Eastern Catalan 
/v/ occurs in Balearic, Algherese, standard Valencian and some areas in southern Catalonia  It has merged with /b/ elsewhere 
Voiced obstruents undergo final-obstruent devoicing: /b/ > [p], /d/ > [t], /ɡ/ > [k] 
Voiced stops become lenited to approximants in syllable onsets, after continuants: /b/ > [β], /d/ > [ð], /ɡ/ > [ɣ]  Exceptions include /d/ after lateral consonants, and /b/ after /f/  In coda position, these sounds are realized as stops, except in some Valencian dialects where they are lenited 
There is some confusion in the literature about the precise phonetic characteristics of /ʃ/, /ʒ/, /tʃ/, /dʒ/  Some sources describe them as "postalveolar"  Others as "back alveolo-palatal", implying that the characters ⟨ɕ ʑ tɕ dʑ⟩ would be more accurate  However, in all literature only the characters for palato-alveolar affricates and fricatives are used, even when the same sources use ⟨ɕ ʑ⟩ for other languages like Polish and Chinese 
The distribution of the two rhotics /r/ and /ɾ/ closely parallels that of Spanish  Between vowels, the two contrast, but they are otherwise in complementary distribution: in the onset of the first syllable in a word, [r] appears unless preceded by a consonant  Dialects vary in regards to rhotics in the coda with Western Catalan generally featuring [ɾ] and Central Catalan dialects featuring a weakly trilled [r] unless it precedes a vowel-initial word in the same prosodic unit, in which case [ɾ] appears 
In careful speech, /n/, /m/, /l/ may be geminated  Geminated /ʎ/ may also occur  Some analyze intervocalic [r] as the result of gemination of a single rhotic phoneme  This is similar to the common analysis of Spanish and Portuguese rhotics 

Phonological evolution
Sociolinguistics
Catalan sociolinguistics studies the situation of Catalan in the world and the different varieties that this language presents  It is a subdiscipline of Catalan philology and other affine studies and has as an objective to analyze the relation between the Catalan language, the speakers and the close reality (including the one of other languages in contact) 

Preferential subjects of study
Dialects of Catalan
Variations of Catalan by class, gender, profession, age and level of studies
Process of linguistic normalization
Relations between Catalan and Spanish or French
Perception on the language of Catalan speakers and non-speakers
Presence of Catalan in several fields: tagging, public function, media, professional sectors

Dialects
Overview
The dialects of the Catalan language feature a relative uniformity, especially when compared to other Romance languages; both in terms of vocabulary, semantics, syntax, morphology, and phonology  Mutual intelligibility between dialects is very high, estimates ranging from 90% to 95%  The only exception is the isolated idiosyncratic Algherese dialect Catalan is split in two major dialectal blocks: Eastern and Western  The main difference lies in the treatment of unstressed a and e; which have merged to /ə/ in Eastern dialects, but which remain distinct as /a/ and /e/ in Western dialects  There are a few other differences in pronunciation, verbal morphology, and vocabulary Western Catalan comprises the two dialects of Northwestern Catalan and Valencian; the Eastern block comprises four dialects: Central Catalan, Balearic, Rossellonese, and Algherese  Each dialect can be further subdivided in several subdialects  The terms "Catalan" and "Valencian" (respectively used in Catalonia and the Valencian Community) refer to two varieties of the same language  There are two institutions regulating the two standard varieties, the Institute of Catalan Studies in Catalonia and the Valencian Academy of the Language in the Valencian Community 
Central Catalan is considered the standard pronunciation of the language and has the largest number of speakers



ground_truth: 15 February 1942

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the spouse of the person who voices Jarvis in Iron Man?

The following are given passages.
Context 2:  The original score and songs were composed and conducted by James Horner 
The album garnered nominations for the Golden Globe Award for Best Original Score and the Academy Award for Best Original Score  Music critics felt that the musical score fit the film well, but believed it to be similar to several of Horner's previous films 

Development
Composer James Horner was a frequent collaborator with Ron Howard, the director of A Beautiful Mind  Horner desired to feature vocals reminiscent of being midway between a girl and woman, and wrote the score specifically for 15-year-old Welsh singer Charlotte Church  To convey "the beauty of mathematics", Horner decided to use the idea of a kaleidoscope, as its "patterns are always changing, and things move very quickly, but in moving so quickly, they create other patterns that move very slowly underneath"  He added that these changing patterns were conveyed with the piano and Church's voice 

Release and reception
Writing for Empire magazine, Danny Graydon gave the soundtrack four out of five stars  He thought the score contained elements of Horner's previous films Sneakers (1992) and Bicentennial Man (1999), but said "if you can forgive that, this is a clever, masterful and romantic score that captures a brilliant mind in conflict"  In the tracks "Creating Government Dynamics" and "Cracking The Russian Codes", Graydon opined that Church's "poignant vocals mix well with the frenetic piano and strings to represent Nash’s brilliance" and wished that her voice had been used more in the film Dan Goldwasser of Soundtrack net also found similarities to the score in Bicentennial Man, but thought Horner's work fit the film regardless, explaining "it effectively underscores the drama and romance, and even provides a few bits of tension for the action scene"  Goldwasser concluded that "while it all works well in the film, there is enough about this score that just seemed to  [sic] 'familiar' to make it stand out"  Contributing to National Public Radio, Andy Trudeau believed Church's particular voice adds a "human element  It's the sound that, I think, gives a sense of--the center of this character, if you will  I think it's the soul  And it's trying to be normal in a way, and underneath it it's trying to be crazy" Horner's score garnered nominations for the Golden Globe Award for Best Original Score and the Academy Award for Best Original Score  It lost the Golden Globe to the film Moulin Rouge! and the Oscar to The Lord of the Rings: The Fellowship of the Ring 

Track listing
Adapted from:
Passage 7:
Barry Wesson
Barry Jarvis Wesson (born April 6, 1977) is an American former right-handed outfielder in Major League Baseball who played for the Houston Astros and Anaheim Angels 

Career
Barry Wesson was drafted by the Houston Astros in the 14th round of the amateur draft  Wesson signed on to play in the Astros organization  He spent 1995 mostly at the Rookie level, the lowest level in the minors  He then spent the following five years playing at the A level  It was not until 2001 that Wesson played most of the season in AA  On October 15, 2001, Wesson was granted free agency, only to be re-signed by the Astros less than a month later  In 2002, Wesson hit  293 in AAA, and it was decided he would be called up  In 20 at bats for the Astros, Wesson hit  200  That year Wesson was selected off waivers by the Anaheim Angels  In 2003, Wesson was again a call up, hitting  182 in 11 at-bats  After the 2004 season, he was granted free agency, and once again signed with the Astros  He spent the 2005 season in the minors  After the season, Wesson was granted free agency and retired 
At the time of his retirement, Wesson had a career batting average of  194 with one home runs in 31 at-bats  He had four runs batted in during this time  His lifetime fielding percentage was 1 000
In 2011 Barry played 33 games for the Rockland Boulders of the independent Can-Am League 
Passage 8:
Samuel L  Jackson
Samuel Leroy Jackson (born December 21, 1948) is an American actor and producer  One of the most widely recognized actors of his generation, the films in which he has appeared have collectively grossed over $27 billion worldwide, making him the second highest-grossing actor of all time  According to a more recent rating, he is the highest-grossing actor of all time  In 2022, he received the Academy Honorary Award as "a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide" Jackson made his professional theatre debut in Mother Courage and her Children in 1980 at The Public Theatre  From 1981 to 1983 he originated the role of Private Louis Henderson in A Soldier's Play off-Broadway  He also originated the role of Boy Willie in August Wilson's The Piano Lesson in 1987 at the Yale Repertory Theatre  He portrayed Martin Luther King Jr  in the Broadway play The Mountaintop (2011)  He returned to Broadway in the 2022 revival of The Piano Lesson playing Doaker Charles, for which he received a Tony Award for Best Featured Actor in a Play nomination Jackson's early film roles include Coming to America (1988), Juice (1992), True Romance (1993), Menace II Society (1993), and Fresh (1994)  His collaborations with Spike Lee led to greater prominence with films such as School Daze (1988), Do the Right Thing (1989), Mo' Better Blues (1990), Jungle Fever (1991), Oldboy (2013), and Chi-Raq (2015)  Jackson's breakout performance was as Jules Winnfield	in Quentin Tarantino's crime drama Pulp Fiction (1994) which earned him a BAFTA Award win and a nomination for the Academy Award for Best Supporting Actor  He further collaborated with Tarantino, acting in Jackie Brown (1997), Django Unchained (2012), and The Hateful Eight (2015) 
He also gained widespread recognition as the Jedi Mace Windu in the Star Wars prequel trilogy (1999–2005), and Nick Fury in 11 Marvel Cinematic Universe films, beginning with Iron Man (2008), as well as guest-starring in the ABC series Agents of S H I E L D   Jackson has provided his voice for Lucius Best / Frozone in the Pixar films The Incredibles (2004) and Incredibles 2 (2018)  He has also acted in a number of big-budget films, including Die Hard with a Vengeance (1995), A Time to Kill (1996), Unbreakable (2000), Shaft (2000) and its reboot (2019), XXX (2002), Coach Carter (2005), Snakes on a Plane (2006), Kingsman: The Secret Service (2014), Kong: Skull Island (2017), and Glass (2019) 

Early life
Samuel Leroy Jackson was born in Washington, D C , on December 21, 1948, the only child of Elizabeth Harriett (née Montgomery) and Roy Henry Jackson  He grew up in Chattanooga, Tennessee  His father lived away from the family in Kansas City, Missouri, and later died of alcoholism  Jackson met him only twice during his life  He was raised by his mother, a factory worker and later a supplies buyer for a mental institution; he was also raised by his maternal grandparents, Edgar and Pearl Montgomery, as well as extended family  According to DNA tests, Jackson partially descends from the Benga people of Gabon, and he became a naturalized citizen of Gabon in 2019  He attended several segregated schools and graduated from Riverside High School in Chattanooga  He played the French horn, piccolo, trumpet, and flute in the school orchestra  He developed a stutter during childhood and learned to "pretend to be other people who didn't stutter"  He still uses the word "motherfucker" to get through a speech block  He still has days where he stutters  Initially intent on pursuing a degree in marine biology, he attended Morehouse College in Atlanta, Georgia  After joining a local acting group to earn extra points in a class, he found an interest in acting and switched his major  Before graduating in 1972, he co-founded the Just Us Theatre After Martin Luther King Jr 's assassination in 1968, Jackson attended King's funeral in Atlanta as one of the ushers  He then travelled to Memphis, Tennessee, to join an equal rights protest march  In a 2005 Parade interview, he said, "I was angry about the assassination, but I wasn't shocked by it  I knew that change was going to take something different—not sit-ins, not peaceful coexistence " In 1969, Jackson and several other students held members of the Morehouse College board of trustees (including Martin Luther King Sr ) hostage on the campus, demanding reform in the school's curriculum and governance  The college eventually agreed to change its policy, but Jackson was charged with and eventually convicted of unlawful confinement, a second-degree felony  He was suspended for two years for his criminal record and his actions  He would later return to the college to earn a BA in drama in 1972  While he was suspended, he took a job as a social worker in Los Angeles  He decided to return to Atlanta, where he met with Stokely Carmichael, H  Rap Brown, and others active in the Black Power movement  He began to feel empowered with his involvement in the movement, especially when the group began buying guns  However, before he could become involved with any significant armed confrontations, his mother sent him to Los Angeles after the FBI warned her that he would die within a year if he remained with the group  In a 2018 interview with Vogue, he denied having been a member of the Black Panther Party 

Career
1972-1987: Early roles and theatre work
Jackson initially majored in marine biology at Morehouse College before switching to architecture  He later settled on drama after taking a public speaking class and appearing in a version of The Threepenny Opera  Jackson began acting on the stage, including Home and A Soldier's Play, which was the inspiration for the 1984 film, A Soldier's Story  He appeared in several television films, and made his feature film debut in the blaxploitation independent film Together for Days (1972)  After these initial roles, Jackson moved from Atlanta to New York City in 1976, and spent the next decade appearing in stage plays, including the premiers of The Piano Lesson and Two Trains Running at the Yale Repertory Theater  To supplement his income while auditioning, he worked at the Manhattan Plaza apartment complex as an overnight security guard   Jackson developed addictions to alcohol and cocaine, which prevented him from proceeding with the two plays to Broadway (actors Charles S  Dutton and Anthony Chisholm took his place) 

1988-1993: Rise to prominence
After a 1981 performance in the play A Soldier's Play, Jackson was introduced to director Spike Lee, who cast him for small roles in School Daze (1988) and Do the Right Thing (1989)  He also worked for three years as a stand-in for Bill Cosby on The Cosby Show  Throughout his early film career, mainly in minimal roles in films such as Coming to America (1988) and various television films, Jackson was mentored by Morgan Freeman Jackson played a minor role in the 1990 Martin Scorsese film Goodfellas, as real-life Mafia associate Stacks Edwards  Having overdosed on heroin several times, he switched to cocaine  His family entered him into a New York rehabilitation clinic  After he completed rehabilitation, he appeared in Jungle Fever as a crack cocaine addict  Jackson said that the role was cathartic, commenting, "It was a funny kind of thing  By the time I was out of rehab, about a week or so later I was on set and we were ready to start shooting " His performance was so acclaimed that the jury of 1991 Cannes Film Festival added a special "Supporting Actor" award just for him  Following this role, Jackson became involved with the comedy Strictly Business and dramas Juice and Patriot Games  He then moved on to two other comedies: National Lampoon's Loaded Weapon 1 (his first starring role) and Amos & Andrew  Jackson worked with the director Steven Spielberg in 1993's Jurassic Park 

1994-1998: Career breakthrough
After a turn as the criminal Big Don in 1993's True Romance—written by Quentin Tarantino and directed by Tony Scott—Tarantino asked Jackson to play Jules Winnfield in Pulp Fiction (1994)  Jackson was surprised to learn that the part had been specifically written for him: "To know that somebody had written something like Jules for me  I was overwhelmed, thankful, arrogant—this whole combination of things that you could be, knowing that somebody's going to give you an opportunity like that " Pulp Fiction, Jackson's thirtieth film, made him internationally recognized and he received praise from critics  Entertainment Weekly wrote: "As superb as Travolta, Willis, and Keitel are, the actor who reigns over Pulp Fiction is Samuel L  Jackson  He just about lights fires with his gremlin eyes and he transforms his speeches into hypnotic bebop soliloquies " For the Academy Awards, Miramax Films pushed for, and received, the Best Supporting Actor nomination for Jackson  He also received a Golden Globe nomination and won the BAFTA Award for Best Supporting Role After Pulp Fiction, Jackson received multiple scripts to review: "I could easily have made a career out of playing Jules over the years  Everybody's always sending me the script they think is the new Pulp Fiction " With a succession of poor-performing films such as Kiss of Death, The Great White Hype, and Losing Isaiah, Jackson began to receive poor reviews from critics who had praised his performance in Pulp Fiction  This ended with his involvement in the two box-office successes, Die Hard with a Vengeance, starring alongside Bruce Willis in the third installment of the Die Hard series; and A Time to Kill, where he played a father put on trial for killing two men who raped his daughter  For A Time to Kill, Jackson earned an NAACP Image for Best Supporting Actor in a Motion Picture and a Golden Globe nomination for a Best Supporting Actor Quickly becoming a box office star, Jackson continued with three starring roles in 1997  In 187 he played a dedicated teacher striving to leave an impact on his students  He received an Independent Spirit award for Best First Feature alongside first-time writer/director Kasi Lemmons in the drama Eve's Bayou, for which he also served as executive producer  He worked again with Tarantino on Jackie Brown and received the Silver Bear for Best Actor at the Berlin Film Festival and a fourth Golden Globe nomination for his portrayal of the arms merchant Ordell Robbie  In 1998, he worked with established actors: Sharon Stone and Dustin Hoffman in Sphere; and Kevin Spacey in The Negotiator, playing a hostage negotiator who resorts to taking hostages himself when he is falsely accused of murder and embezzlement  In 1999, Jackson starred in the horror film Deep Blue Sea, and as Jedi Master Mace Windu in George Lucas' Star Wars: Episode I – The Phantom Menace  In an interview, Jackson claimed that he did not have a chance to read the script for the film and did not learn he was playing the character Mace Windu until he was fitted for his costume (though he later said that he was eager to accept any role, just for the chance to be a part of the Star Wars saga) 

1999-2007: Established actor
On June 13, 2000, Jackson was honored with a star on the Hollywood Walk of Fame at 7018 Hollywood Blvd  He began the next decade of his film career playing a Marine colonel put on trial in Rules of Engagement, co-starred with Bruce Willis for a third time in the supernatural thriller Unbreakable, and starred in the 2000 remake of the 1971 film Shaft  He reprised both of the latter roles in 2019, his Unbreakable character Mr  Glass in Glass and Shaft in another film titled Shaft  Jackson's sole film in 2001 was The Caveman's Valentine, a murder thriller directed by Lemmons in which he played a homeless musician  In 2002, he played a recovering alcoholic, attempting to keep custody of his kids while fighting a battle of wits (in Changing Lanes) with Ben Affleck's character  He returned for Star Wars: Episode II – Attack of the Clones, seeing his minor supporting role develop into a major character  Mace Windu's purple lightsaber in the film was the result of Jackson's suggestion; he wanted to be sure that his character would stand out in a crowded battle scene  Jackson then acted as an NSA agent, alongside Vin Diesel in XXX, and as a kilt-wearing drug dealer in The 51st State  In 2003, Jackson again worked with John Travolta in Basic and then as a police sergeant alongside Colin Farrell in the television show remake SWAT A song within the soundtrack was named after him, entitled Sammy L  Jackson by Hot Action Cop  Jackson also appeared in HBO's documentary Unchained Memories, as a narrator along many other stars like Angela Bassett and Whoopi Goldberg 
Based on reviews gathered by Rotten Tomatoes, in 2004 Jackson starred in both his lowest and highest ranked films in his career  In the thriller Twisted, Jackson played a mentor to Ashley Judd  The film garnered a 2% approval rating on the website, with reviewers calling his performance "lackluster" and "wasted"  He then lent his voice to the computer-animated film The Incredibles as the superhero Frozone  The film received a 97% approval rating, and Jackson's performance earned him an Annie Award nomination for Best Voice Acting  He made a cameo in another Quentin Tarantino film, Kill Bill: Volume 2 In 2005, he starred in the sports drama Coach Carter, where he played a coach (based on the actual coach Ken Carter) dedicated to teaching his players that education is more important than basketball  Although the film received mixed reviews, Jackson's performance was praised despite the film's storyline  Bob Townsend of the Atlanta Journal-Constitution commended Jackson's performance, "He takes what could have been a cardboard cliché role and puts flesh on it with his flamboyant intelligence " Jackson also returned for two sequels: XXX: State of the Union, this time commanding Ice Cube, and the final Star Wars prequel film, Star Wars: Episode III – Revenge of the Sith  His last film for 2005 was The Man alongside comedian Eugene Levy  On November 4, 2005, he was presented with the Hawaii International Film Festival Achievement in Acting Award On January 30, 2006, Jackson was honored with a hand and footprint ceremony at Grauman's Chinese Theatre; he is the seventh African American and 191st actor to be recognized in this manner  In an interview that year, he said that he chooses roles that are "exciting to watch" and have an "interesting character inside of a story", and that in his roles he wanted to "do things [he hasn't] done, things [he] saw as a kid and wanted to do and now [has] an opportunity to do"  He next starred opposite actress Julianne Moore in the box office bomb Freedomland, where he depicted a police detective attempting to help a mother find her abducted child while quelling a citywide race riot  Jackson's second film of the year, Snakes on a Plane, gained cult film status months before it was released based on its title and cast  Jackson's decision to star in the film was solely based on the title  To build anticipation for the film, he also cameoed in the 2006 music video "Snakes on a Plane (Bring It)" by Cobra Starship  On December 2, 2006, Jackson won the German Bambi Award for International Film, based on his many film contributions  In December 2006, Jackson starred in Home of the Brave, as a doctor returning home from the Iraq War 

On January 30, 2007, Jackson was featured as narrator in Bob Saget's direct-to-DVD Farce of the Penguins  The film was a spoof of the box office success March of the Penguins (which was narrated by Morgan Freeman)  Also in 2007, he portrayed a blues player who imprisons a young woman (Christina Ricci) addicted to sex in Black Snake Moan, and the horror film 1408, an adaptation of the Stephen King short story  Later the same year, Jackson portrayed an athlete who impersonates former boxing heavyweight Bob Satterfield in director Rod Lurie's drama, Resurrecting the Champ  In 2008, Jackson reprised his role of Mace Windu in the CGI film, Star Wars: The Clone Wars, followed by Lakeview Terrace where he played a racist cop who terrorizes an interracial couple  In November of the same year, he starred along with Bernie Mac and Isaac Hayes (who both died before the film's release) in Soul Men 

2008-2019: Career expansion
In 2008, he portrayed the villain in The Spirit, which was poorly received by critics and the box office  In 2009, he again worked with Quentin Tarantino when he narrated several scenes in the World War II film Inglourious Basterds In 2010, he starred in the drama Mother and Child and portrayed an interrogator who attempts to locate several nuclear weapons in the direct-to-video film Unthinkable  Alongside Dwayne Johnson, Jackson again portrayed a police officer in the opening scenes of the comedy The Other Guys  He also co-starred with Tommy Lee Jones for a film adaptation of The Sunset Limited 
Throughout Jackson's career, he has appeared in many films alongside mainstream rappers  These include Tupac Shakur (Juice), Queen Latifah (Juice/Sphere/Jungle Fever), Method Man (One Eight Seven), LL Cool J (Deep Blue Sea/S W A T ), Busta Rhymes (Shaft), Eve (xXx), Ice Cube (xXx: State of the Union), Xzibit (xXx: State of the Union), David Banner (Black Snake Moan), and 50 Cent (Home of the Brave)  Additionally, Jackson has appeared in five films with actor Bruce Willis (National Lampoon's Loaded Weapon 1, Pulp Fiction, Die Hard with a Vengeance, Unbreakable, and Glass) and the actors were slated to work together in Black Water Transit before both dropped out 

In 2002, Jackson gave his consent for Marvel Comics to design their "Ultimate" version of the character Nick Fury after his likeness  In the 2008 film Iron Man, he made a cameo as the character in a post-credit scene  In February 2009, Jackson signed on to a nine-picture deal with Marvel Studios which would see him appear as the character in Iron Man 2, Thor, Captain America: The First Avenger, and The Avengers, as well as any other subsequent film they would produce  He reprised the role in Captain America: The Winter Soldier (2014) and Avengers: Age of Ultron (2015)  In February 2015, Jackson stated that he only has two movies left on his Marvel contract following Age of Ultron  In 2018 and 2019, Jackson made cameo appearances as Fury in the Avengers sequels Infinity War and Endgame, and starred as a younger, de-aged Fury in Captain Marvel alongside Brie Larson 
Among his more recent film roles, Jackson appeared in Quentin Tarantino's Django Unchained, which was released December 25, 2012, Tarantino's The Hateful Eight, which was released in 70mm on December 25, 2015, and Jordan Vogt-Roberts' Kong: Skull Island, which was released on March 10, 2017  In 2019, Jackson reprised his Unbreakable role as Mr  Glass in the film Glass, and his Shaft role in Shaft, both sequels to his 2000 films  Also in 2019, he appeared in the Brie Larson film Unicorn Store, and had a prominent role as Fury in the Marvel film Spider-Man: Far From Home  Additionally, he reprised his role as Fury in a cameo appearance on the ABC television series Agents of S H I E L D  in 2013 and the season finale in 2014 

2020-present: Return to theatre
In 2020, he appeared in the television documentary series Enslaved  He also appeared in the 2021 movie Spiral: From the Book of Saw alongside Chris Rock  After an eleven-year absence from the stage Jackson returned to Broadway as Doaker Charles in a revival of August Wilson's The Piano Lesson opposite John David Washington and Danielle Brooks  The 2022 production was directed by Jackson's wife LaTanya Richardson Jackson  For his performance he received a Tony Award for Best Featured Actor in a Play nomination 

Upcoming projects
He is set to produce a live-action film adaptation of Afro Samurai, and will play the role of Sho'nuff in a remake of The Last Dragon  He is set to reprise his MCU role as Nick Fury in the upcoming Disney+ series Secret Invasion, and in The Marvels, the sequel to Captain Marvel 

Other appearances
He's known for his extensive voice roles including Whiplash in Turbo (2013), the title character of the anime series Afro Samurai (2007), and Frank Tenpenny in the video game Grand Theft Auto: San Andreas (2004)  He also narrated the acclaimed documentary I Am Not Your Negro (2016) 
In addition to films, Jackson also appeared in several television shows, a video game, music videos, as well as audiobooks  Jackson had a small part in the Public Enemy music video for "911 Is a Joke"  Jackson voiced several television show characters, including the lead role in the anime series, Afro Samurai, in addition to a recurring part as the voice of Gin Rummy in several episodes of the animated series The Boondocks  He was in the Pilot for Ghostwriter  He guest-starred as himself in an episode of the BBC/HBO sitcom Extras  He voiced the main antagonist, Officer Frank Tenpenny, in the video game Grand Theft Auto: San Andreas  Jackson also hosted a variety of awards shows  He has hosted the MTV Movie Awards (1998), the ESPYs (1999, 2001, 2002, and 2009), and the Spike TV Video Game Awards (2005, 2006, 2007, and 2012)  In November 2006, he provided the voice of God for The Bible Experience, the New Testament audiobook version of the Bible  He was given the lead role because producers believed his deep, authoritative voice would best fit the role  He also recorded the Audible com audiobook of Go the Fuck to Sleep  For the Atlanta Falcons' 2010 season, Jackson portrayed Rev  Sultan in the Falcons "Rise Up" commercial 
He also appeared in the Capital One cash-back credit card commercials  Jackson too appeared in a Sky Broadband Shield commercial, Sky UK's broadband service as Nick Fury to promote Captain America: The Winter Soldier  He also played Nick Fury in an ad for the video game Marvel Snap  Jackson released a song about social justice with KRS-One, Sticky Fingaz, Mad Lion & Talib Kweli about violence in America called "I Can't Breathe" which were the last words said by Eric Garner 

Box-office performance
Throughout the 1990s, A C  Neilson E C I , a box office–tracking company, determined that Jackson appeared in more films than any other actor who grossed $1 7 billion domestically  By 2011, the films that featured Jackson as a leading actor or supporting co-star had grossed a total of $2 81 to $4 91 billion at the North American box office  This placed him as the seventh-highest-grossing lead actor and the second-highest-grossing actor, behind only voice actor Frank Welker  The 2009 edition of The Guinness World Records, which uses a different calculation to determine film grosses, stated that Jackson is the world's highest-grossing actor, with $7 42 billion generated across 68 films  Subsequently, as of 2022, according to data crunched by the Golden Globes, this total has ballooned out to more than $27 billion grossed across 152 movies, locking him in as the highest-grossing actor, and second-highest grossing person in film in general behind Stan Lee, who was primarily known for his cameo work 

Audiobooks
2011: Adam Mansbach: Go the Fuck to Sleep, publisher: BRILLIANCE CORP, ISBN 978-1-4558-4165-3
2014: Chester Himes: A Rage in Harlem, publisher: BRILLIANCE CORP, ISBN 978-1-4915-1908-0

Personal life
In 1980, Jackson married actress and producer LaTanya Richardson, whom he met while attending Morehouse College  The couple have a daughter named Zoe (born 1982)  In 2009, they started their own charity to help support education  Jackson has said that he watches his own films in cinemas: "Even during my theater years, I wished I could watch the plays I was in—while I was in them! I dig watching myself work " He also enjoys collecting the action figures of the characters he portrays in his films, including Jules Winnfield, Shaft, Mace Windu, and Frozone Jackson is bald but enjoys wearing wigs in his films  He said about his decision to shave his head, "I keep ending up on those 'bald is beautiful' lists  It's cool  You know, when I started losing my hair, it was during the era when everybody had lots of hair  All of a sudden, I felt this big hole in the middle of my afro  I couldn't face having a comb over so I had to quickly figure what the haircut for me was " His first bald role was in The Great White Hype  He usually gets to pick his own hairstyles for each character he portrays  He poked fun at his baldness the first time he appeared bald on The Tonight Show, explaining that he had to shave his head for one role, but then kept receiving more and more bald roles and had to keep shaving his head so that wigs could be made for him  He joked that "the only way [he's] gonna have time to grow [his] hair back is if [he's] not working"  He is noted for often wearing a Kangol hat in public Jackson has a clause in his contracts that allows him to play golf during film shoots  He has played in the Gary Player Invitational charity golf tournament to assist Gary Player in raising funds for children in South Africa  He is a keen basketball fan, supporting the Toronto Raptors and the Harlem Globetrotters  He has supported English football team Liverpool FC since appearing in The 51st State, which was shot in Liverpool, and also supports Irish football team Bohemian FC 

Jackson campaigned during the 2008 Democratic Primary for Barack Obama in Texarkana, Texas  He said, "Barack Obama represents everything I was told I could be growing up  I am a child of segregation  When I grew up and people told me I could be president, I knew it was a lie  But now we have a representative    the American Dream is a reality  Anyone can grow up to be a president " He also said, "I voted for Barack because he was black  That's why other folks vote for other people—because they look like them " In December 2012, he compared his Django Unchained character, a villainous house slave who sides with his white oppressors, to black conservative Justice Clarence Thomas and said that the character had "the same moral compass as Clarence Thomas does"  Following the Supreme Court's decision to overturn Roe v  Wade in June 2022, he again criticized Thomas, referring to him as "Uncle Clarence" and asking how Clarence—who is married to white attorney Ginni Thomas—feels about overturning Loving v Virginia, a Supreme Court ruling which allowed interracial marriages In June 2013, Jackson launched a joint campaign with Prizeo in an effort to raise money to fight Alzheimer's disease  As part of the campaign, he recited various fan-written monologues and a popular scene from the AMC series Breaking Bad  In August 2013, he started following a vegan diet for health reasons, explaining that he is "just trying to live forever"  He attributed his 40 lb (18 kg) weight loss to the diet  He had largely abandoned the diet by March 2017, but still praised and recommended it  He launched a campaign called "One for the Boys", which teaches men about testicular cancer and urges them to "get themselves checked out" He was granted Gabonese citizenship in 2019 after the results of a DNA test claimed to link him to the country's Benga ethnic group  In 2020, during the COVID-19 pandemic, Jackson encouraged people to wear face masks as part of California's "Your Actions Save Lives" campaign  Along with Dwayne Johnson, he also encouraged those who had recovered from COVID-19 to donate their blood to help others fighting the virus  He additionally appeared on Jimmy Kimmel Live! to read a satirical book, Stay the Fuck at Home, which spread awareness of social distancing 

Filmography
Awards and honors
Over his career, Jackson has received various awards for his performances on film  At the 44th Cannes Film Festival he received the Cannes Film Festival Award for Best Actor for his performance in Spike Lee's Jungle Fever (1991)  He received the BAFTA Award for Best Actor in a Supporting Role and the Independent Spirit Award for Best Male Lead for his performance in Quentin Tarantino's Pulp Fiction (1994)  He also received Academy Award, Golden Globe Award, and Screen Actors Guild Award nominations for the performance as well  At the 48th Berlin International Film Festival, he received Silver Bear for Best Actor for his leading performance in Tarantino's Jackie Brown (1997)  In 2021, the Academy of Motion Picture Arts and Sciences named Jackson as one of its Academy Honorary Award recipients as "A cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide " At the 12th Annual Governors Awards, friend and actor Denzel Washington presented Jackson with his Oscar 

Notes
Passage 9:
Zach McGowan
Zach McGowan (born May 5, 1980) is an American film, television and voice actor  He is known for his roles in television series Agents of S H I E L D  as Anton Ivanov/The Superior, Shameless,
Black Sails, and The 100  Other highlights include parts in the films Terminator Salvation, The Hunt for Eagle One, and the sequel The Hunt for Eagle One: Crash Point  He guest-starred in the television series Numbers, CSI: Miami, and Cold Case, with voice-over work for the Scream Awards, Animal Planet and the video games Tom Clancy's Ghost Recon: Future Soldier, Resident Evil: Operation Raccoon City, and Iron Man 

Early life
McGowan was raised in New York  He attended Ethical Culture Fieldston School from kindergarten through senior year in high school, where he was the captain of the football and ice hockey teams and a member of the drama and theater societies  He graduated in 2002 from Carleton College  He is a 2nd-generation Irish-American Jew 

Career
In mid-2011, McGowan joined the cast of the Showtime dramedy Shameless, as Jody, first as a guest star (Season 2) and then as a series regular (Season 3)  Season two premiered January 8, 2012  He said that modeling for art students helped him for the role and now "nudity is just part of the job" In July 2013, McGowan joined the cast of the Universal Pictures feature film Dracula Untold, playing Shkelgim, a mysterious Romani In January 2014, McGowan joined the cast of the Starz dramatic adventure TV series Black Sails, playing a fictionalized version of the real-life 18th-century English pirate Charles Vane  The role called for an English actor, so McGowan, an American, affected an accent  Casting directors found out later that McGowan was faking but were impressed with his performance and chose him for the role In July 2016, McGowan joined the cast of The CW science fiction TV series The 100, playing King Roan of the Ice Nation, after having previously played the role as a guest star In January 2017, McGowan joined the cast of the ABC TV series Agents of S H I E L D , playing villain The Superior In March 2018, McGowan joined the cast of L A 's Finest, a TV series based on the Bad Boys franchise, alongside Jessica Alba and Gabrielle Union 

Personal life
McGowan is not related to Rose McGowan He married Emily Johnson on September 27, 2008, in the Santa Barbara mountains 

Filmography
Film
Television
Video games



ground_truth: Jennifer Connelly

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When did the country, whose co-official language was used by the director of Group Portrait with a Lady, first attend the Olympics as an independent team?

The following are given passages.
Context 3:  It is spoken in the densely populated regions of the Barcelona province, the eastern half of the province of Tarragona, and most of the province of Girona Catalan has an inflectional grammar  Nouns have two genders (masculine, feminine), and two numbers (singular, plural)  Pronouns additionally can have a neuter gender, and some are also inflected for case and politeness, and can be combined in very complex ways  Verbs are split in several paradigms and are inflected for person, number, tense, aspect, mood, and gender  In terms of pronunciation, Catalan has many words ending in a wide variety of consonants and some consonant clusters, in contrast with many other Romance languages 

Pronunciation
Vowels
Catalan has inherited the typical vowel system of Vulgar Latin, with seven stressed phonemes: /a ɛ e i ɔ o u/, a common feature in Western Romance, except Spanish  Balearic has also instances of stressed /ə/  Dialects differ in the different degrees of vowel reduction, and the incidence of the pair /ɛ e/ In Eastern Catalan (except Majorcan), unstressed vowels reduce to three: /a e ɛ/ > [ə]; /o ɔ u/ > [u]; /i/ remains distinct  There are a few instances of unreduced [e], [o] in some words  Algherese has lowered [ə] to [a] 
In Majorcan, unstressed vowels reduce to four: /a e ɛ/ follow the Eastern Catalan reduction pattern; however /o ɔ/ reduce to [o], with /u/ remaining distinct, as in Western Catalan In Western Catalan, unstressed vowels reduce to five: /e ɛ/ > [e]; /o ɔ/ > [o]; /a u i/ remain distinct  This reduction pattern, inherited from Proto-Romance, is also found in Italian and Portuguese  Some Western dialects present further reduction or vowel harmony in some cases Central, Western, and Balearic differ in the lexical incidence of stressed /e/ and /ɛ/  Usually, words with /ɛ/ in Central Catalan correspond to /ə/ in Balearic and /e/ in Western Catalan  Words with /e/ in Balearic almost always have /e/ in Central and Western Catalan as well  As a result, Central Catalan has a much higher incidence of /ɛ/ 

Consonants
Morphology
Western Catalan: In verbs, the ending for 1st-person present indicative is -e in verbs of the 1st conjugation and -∅ in verbs of the 2nd and 3rd conjugations in most of the Valencian Community, or -o in all verb conjugations in the Northern Valencian Community and Western Catalonia E g  parle, tem, sent (Valencian); parlo, temo, sento (Northwestern Catalan) 
Eastern Catalan: In verbs, the ending for 1st-person present indicative is -o, -i, or -∅ in all conjugations  E g  parlo (Central), parl (Balearic), and parli (Northern), all meaning ('I speak') 

Western Catalan: In verbs, the inchoative endings are -isc/-esc, -ix, -ixen, -isca/-esca 
Eastern Catalan: In verbs, the inchoative endings are -eixo, -eix, -eixen, -eixi 
Western Catalan: In nouns and adjectives, maintenance of /n/ of medieval plurals in proparoxytone words E g  hòmens 'men', jóvens 'youth' 
Eastern Catalan: In nouns and adjectives, loss of /n/ of medieval plurals in proparoxytone words E g  homes 'men', joves 'youth' (Ibicencan, however, follows the model of Western Catalan in this case) 

Vocabulary
Despite its relative lexical unity, the two dialectal blocks of Catalan (Eastern and Western) show some differences in word choices  Any lexical divergence within any of the two groups can be explained as an archaism  Also, usually Central Catalan acts as an innovative element 

Standards
Standard Catalan, virtually accepted by all speakers, is mostly based on Eastern Catalan, which is the most widely used dialect  Nevertheless, the standards of the Valencian Community and the Balearics admit alternative forms, mostly traditional ones, which are not current in eastern Catalonia The most notable difference between both standards is some tonic ⟨e⟩ accentuation, for instance: francès, anglès (IEC) – francés, anglés (AVL)  Nevertheless, AVL's standard keeps the grave accent ⟨è⟩, while pronouncing it as /e/ rather than /ɛ/, in some words like: què ('what'), or València  Other divergences include the use of ⟨tl⟩ (AVL) in some words instead of ⟨tll⟩ like in ametla/ametlla ('almond'), espatla/espatlla ('back'), the use of elided demonstratives (este 'this', eixe 'that') in the same level as reinforced ones (aquest, aqueix) or the use of many verbal forms common in Valencian, and some of these common in the rest of Western Catalan too, like subjunctive mood or inchoative conjugation in -ix- at the same level as -eix- or the priority use of -e morpheme in 1st person singular in present indicative (-ar verbs): jo compre instead of jo compro ('I buy') 
In the Balearic Islands, IEC's standard is used but adapted for the Balearic dialect by the University of the Balearic Islands's philological section  In this way, for instance, IEC says it is correct writing cantam as much as cantem ('we sing'), but the university says that the priority form in the Balearic Islands must be cantam in all fields  Another feature of the Balearic standard is the non-ending in the 1st person singular present indicative: jo compr ('I buy'), jo tem ('I fear'), jo dorm ('I sleep') 
In Alghero, the IEC has adapted its standard to the Algherese dialect  In this standard one can find, among other features: the definite article lo instead of el, special possessive pronouns and determinants la mia ('mine'), lo sou/la sua ('his/her'), lo tou/la tua ('yours'), and so on, the use of -v- /v/ in the imperfect tense in all conjugations: cantava, creixiva, llegiva; the use of many archaic words, usual words in Algherese: manco instead of menys ('less'), calqui u instead of algú ('someone'), qual/quala instead of quin/quina ('which'), and so on; and the adaptation of weak pronouns 
In 2011, the Aragonese government passed a decree approving the statutes of a new language regulator of Catalan in La Franja (the so-called Catalan-speaking areas of Aragon) as originally provided for by Law 10/2009  The new entity, designated as Acadèmia Aragonesa del Català, shall allow a facultative education in Catalan and a standardization of the Catalan language in La Franja 

Status of Valencian
Valencian is classified as a Western dialect, along with the northwestern varieties spoken in Western Catalonia (provinces of Lleida and the western half of Tarragona)  Central Catalan has 90% to 95% inherent intelligibility for speakers of Valencian Linguists, including Valencian scholars, deal with Catalan and Valencian as the same language  The official regulating body of the language of the Valencian Community, the Valencian Academy of Language (Acadèmia Valenciana de la Llengua, AVL) declares the linguistic unity between Valencian and Catalan varieties 

The AVL, created by the Valencian parliament, is in charge of dictating the official rules governing the use of Valencian, and its standard is based on the Norms of Castelló (Normes de Castelló)  Currently, everyone who writes in Valencian uses this standard, except the Royal Academy of Valencian Culture (Acadèmia de Cultura Valenciana, RACV), which uses for Valencian an independent standard 
Despite the position of the official organizations, an opinion poll carried out between 2001 and 2004 showed that the majority of the Valencian people consider Valencian different from Catalan  This position is promoted by people who do not use Valencian regularly  Furthermore, the data indicates that younger generations educated in Valencian are much less likely to hold these views  A minority of Valencian scholars active in fields other than linguistics defends the position of the Royal Academy of Valencian Culture (Acadèmia de Cultura Valenciana, RACV), which uses for Valencian a standard independent from Catalan This clash of opinions has sparked much controversy  For example, during the drafting of the European Constitution in 2004, the Spanish government supplied the EU with translations of the text into Basque, Galician, Catalan, and Valencian, but the latter two were identical 

Vocabulary
Word choices
Despite its relative lexical unity, the two dialectal blocks of Catalan (Eastern and Western) show some differences in word choices  Any lexical divergence within any of the two groups can be explained as an archaism  Also, usually Central Catalan acts as an innovative element Literary Catalan allows the use of words from different dialects, except those of very restricted use  However, from the 19th century onwards, there has been a tendency towards favoring words of Northern dialects to the detriment of others, even though nowadays there is a greater freedom of choice 

Latin and Greek loanwords
Like other languages, Catalan has a large list of loanwords from Greek and Latin  This process started very early, and one can find such examples in Ramon Llull's work  In the 14th and 15th centuries Catalan had a far greater number of Greco-Latin loanwords than other Romance languages, as is attested for example in Roís de Corella's writings  The incorporation of learned, or "bookish" words from its own ancestor language, Latin, into Catalan is arguably another form of lexical borrowing through the influence of written language and the liturgical language of the Church  Throughout the Middle Ages and into the early modern period, most literate Catalan speakers were also literate in Latin; and thus they easily adopted Latin words into their writing—and eventually speech—in Catalan 

Word formation
The process of morphological derivation in Catalan follows the same principles as the other Romance languages, where agglutination is common  Many times, several affixes are appended to a preexisting lexeme, and some sound alternations can occur, for example elèctric [əˈlɛktrik] ("electrical") vs  electricitat [ələktrisiˈtat]  Prefixes are usually appended to verbs, as in preveure ("foresee") There is greater regularity in the process of word-compounding, where one can find compounded words formed much like those in English 

Writing system
Catalan uses the Latin script, with some added symbols and digraphs  The Catalan orthography is systematic and largely phonologically based  Standardization of Catalan was among the topics discussed during the First International Congress of the Catalan Language, held in Barcelona October 1906  Subsequently, the Philological Section of the Institut d'Estudis Catalans (IEC, founded in 1911) published the Normes ortogràfiques in 1913 under the direction of Antoni Maria Alcover and Pompeu Fabra  In 1932, Valencian writers and intellectuals gathered in Castelló de la Plana to make a formal adoption of the so-called Normes de Castelló, a set of guidelines following Pompeu Fabra's Catalan language norms 

Grammar
The grammar of Catalan is similar to other Romance languages  Features include:
Use of definite and indefinite articles 
Nouns, adjectives, pronouns, and articles are inflected for gender (masculine and feminine), and number (singular and plural)  There is no case inflexion, except in pronouns 
Verbs are highly inflected for person, number, tense, aspect, and mood (including a subjunctive) 
There are no modal auxiliaries 
Word order is freer than in English 

Gender and number inflection
In gender inflection, the most notable feature is (compared to Portuguese, Spanish or Italian), the loss of the typical masculine suffix -o  Thus, the alternance of -o/-a, has been replaced by ø/-a  There are only a few exceptions, like minso/minsa ("scarce")  Many not completely predictable morphological alternations may occur, such as:
Affrication: boig/boja ("insane") vs  lleig/lletja ("ugly")
Loss of n: pla/plana ("flat") vs  segon/segona ("second")
Final obstruent devoicing: sentit/sentida ("felt") vs  dit/dita ("said")Catalan has few suppletive couplets, like Italian and Spanish, and unlike French  Thus, Catalan has noi/noia ("boy"/"girl") and gall/gallina ("cock"/"hen"), whereas French has garçon/fille and coq/poule There is a tendency to abandon traditionally gender-invariable adjectives in favor of marked ones, something prevalent in Occitan and French  Thus, one can find bullent/bullenta ("boiling") in contrast with traditional bullent/bullent As in the other Western Romance languages, the main plural expression is the suffix -s, which may create morphological alternations similar to the ones found in gender inflection, albeit more rarely  The most important one is the addition of -o- before certain consonant groups, a phonetic phenomenon that does not affect feminine forms: el pols/els polsos ("the pulse"/"the pulses") vs  la pols/les pols ("the dust"/"the dusts") 

Determiners
The inflection of determinatives is complex, specially because of the high number of elisions, but is similar to the neighboring languages  Catalan has more contractions of preposition + article than Spanish, like dels ("of + the [plural]"), but not as many as Italian (which has sul, col, nel, etc ) Central Catalan has abandoned almost completely unstressed possessives (mon, etc ) in favor of constructions of article + stressed forms (el meu, etc ), a feature shared with Italian 

Personal pronouns
The morphology of Catalan personal pronouns is complex, especially in unstressed forms, which are numerous (13 distinct forms, compared to 11 in Spanish or 9 in Italian)  Features include the gender-neutral ho and the great degree of freedom when combining different unstressed pronouns (65 combinations) Catalan pronouns exhibit T–V distinction, like all other Romance languages (and most European languages, but not Modern English)  This feature implies the use of a different set of second person pronouns for formality 
This flexibility allows Catalan to use extraposition extensively, much more than French or Spanish  Thus, Catalan can have m'hi recomanaren ("they recommended me to him"), whereas in French one must say ils m'ont recommandé à lui, and Spanish me recomendaron a él  This allows the placement of almost any nominal term as a sentence topic, without having to use so often the passive voice (as in French or English), or identifying the direct object with a preposition (as in Spanish) 

Verbs
Like all the Romance languages, Catalan verbal inflection is more complex than the nominal  Suffixation is omnipresent, whereas morphological alternations play a secondary role  Vowel alternances are active, as well as infixation and suppletion  However, these are not as productive as in Spanish, and are mostly restricted to irregular verbs The Catalan verbal system is basically common to all Western Romance, except that most dialects have replaced the synthetic indicative perfect with a periphrastic form of anar ("to go") + infinitive Catalan verbs are traditionally divided into three conjugations, with vowel themes -a-, -e-, -i-, the last two being split into two subtypes  However, this division is mostly theoretical  Only the first conjugation is nowadays productive (with about 3500 common verbs), whereas the third (the subtype of servir, with about 700 common verbs) is semiproductive  The verbs of the second conjugation are fewer than 100, and it is not possible to create new ones, except by compounding 

Syntax
The grammar of Catalan follows the general pattern of Western Romance languages  The primary word order is subject–verb–object  However, word order is very flexible  Commonly, verb-subject constructions are used to achieve a semantic effect  The sentence "The train has arrived" could be translated as Ha arribat el tren or El tren ha arribat  Both sentences mean "the train has arrived", but the former puts a focus on the train, while the latter puts a focus on the arrival  This subtle distinction is described as "what you might say while waiting in the station" versus "what you might say on the train "

Catalan names
In Spain, every person officially has two surnames, one of which is the father's first surname and the other is the mother's first surname  The law contemplates the possibility of joining both surnames with the Catalan conjunction i ("and") 

Sample text
Selected text from Manuel de Pedrolo's 1970 novel Un amor fora ciutat ("A love affair outside the city") 

See also
Notes
Passage 6:
Serbian language
Serbian (српски / srpski, pronounced [sr̩̂pskiː]) is the standardized variety of the Serbo-Croatian language mainly used by Serbs  It is the official and national language of Serbia, one of the three official languages of Bosnia and Herzegovina and co-official in Montenegro and Kosovo  It is a recognized minority language in Croatia, North Macedonia, Romania, Hungary, Slovakia, and the Czech Republic 
Standard Serbian is based on the most widespread dialect of Serbo-Croatian, Shtokavian (more specifically on the dialects of Šumadija-Vojvodina and Eastern Herzegovina), which is also the basis of standard Croatian, Bosnian, and Montenegrin varieties and therefore the Declaration on the Common Language of Croats, Bosniaks, Serbs, and Montenegrins was issued in 2017  The other dialect spoken by Serbs is Torlakian in southeastern Serbia, which is transitional to Macedonian and Bulgarian 
Serbian is practically the only European standard language whose speakers are fully functionally digraphic, using both Cyrillic and Latin alphabets  The Serbian Cyrillic alphabet was devised in 1814 by Serbian linguist Vuk Karadžić, who created it based on phonemic principles  The Latin alphabet used for Serbian (latinica) was designed by the Croatian linguist Ljudevit Gaj in the 1830s based on the Czech system with a one-to-one grapheme-phoneme correlation between the Cyrillic and Latin orthographies, resulting in a parallel system 

Classification
Serbian is a standardized variety of Serbo-Croatian, a Slavic language (Indo-European), of the South Slavic subgroup  Other standardized forms of Serbo-Croatian are Bosnian, Croatian, and Montenegrin  "An examination of all the major 'levels' of language shows that BCS is clearly a single language with a single grammatical system " It has lower intelligibility with the Eastern South Slavic languages Bulgarian and Macedonian, than with Slovene (Slovene is part of the Western South Slavic subgroup, but there are still significant differences in vocabulary, grammar and pronunciation to the standardized forms of Serbo-Croatian, although it is closer to the Kajkavian and Chakavian dialects of Serbo-Croatian) 

Geographic distribution
Figures of speakers according to countries:

Serbia: 6,540,699 (official language)
Bosnia and Herzegovina: 1,086,027 (co-official language)
Germany: 568,240
Austria: 350,000
Montenegro: 265,890 (language in official use)
Switzerland: 186,000
United States: 172,874
Sweden: 120,000
Italy: 106,498
Kosovo: est  70 000–100 000 (co-official language)
Canada: 72,690
Australia: 55,114
Croatia: 52,879 (recognized minority language)
Slovenia: 38,964
North Macedonia: 24,773 (recognized minority language)
Romania: 22,518 (recognized minority language)

Status in Montenegro
Serbian was the official language of Montenegro until October 2007 when the new Constitution of Montenegro replaced the Constitution of 1992  Amid opposition from pro-Serbian parties, Montenegrin was made the sole official language of the country, and Serbian was given the status of a language in official use along with Bosnian, Albanian, and Croatian In the 2011 Montenegrin census, 42 88% declared Serbian to be their native language, while Montenegrin was declared by 36 97% of the population 

Differences between standard Serbian and standard Croatian and Bosnian
Writing system
Standard Serbian language uses both Cyrillic (ћирилица, ćirilica) and Latin script (latinica, латиница)  Serbian is a rare example of synchronic digraphia, a situation where all literate members of a society have two interchangeable writing systems available to them  Media and publishers typically select one alphabet or the other  In general, the alphabets are used interchangeably; except in the legal sphere, where Cyrillic is required, there is no context where one alphabet or another predominates 
Although Serbian language authorities have recognized the official status of both scripts in contemporary Standard Serbian for more than half of a century now, due to historical reasons, the Cyrillic script was made the official script of Serbia's administration by the 2006 Constitution The Latin script continues to be used in official contexts, although the government has indicated its desire to phase out this practice due to national sentiment  The Ministry of Culture believes that Cyrillic is the "identity script" of the Serbian nation However, the law does not regulate scripts in standard language, or standard language itself by any means, leaving the choice of script as a matter of personal preference and to the free will in all aspects of life (publishing, media, trade and commerce, etc ), except in government paperwork production and in official written communication with state officials, which have to be in Cyrillic 

Usage
To most Serbians, the Latin script tends to imply a cosmopolitan or neutral attitude, while Cyrillic appeals to a more traditional or vintage sensibility In media, the public broadcaster, Radio Television of Serbia, predominantly uses the Cyrillic script whereas the privately run broadcasters, like RTV Pink, predominantly use the Latin script  Newspapers can be found in both scripts 
In the public sphere, with logos, outdoor signage and retail packaging, the Latin script predominates, although both scripts are commonly seen  The Serbian government has encouraged increasing the use of Cyrillic in these contexts  Larger signs, especially those put up by the government, will often feature both alphabets; if the sign has English on it, then usually only Cyrillic is used for the Serbian text 
A survey from 2014 showed that 47% of the Serbian population favors the Latin alphabet whereas 36% favors the Cyrillic one Latin script has become more and more popular in Serbia, as it is easier to input on phones and computers 

Alphabetic order
The sort order of the ćirilica (ћирилица) alphabet:

Cyrillic order called Azbuka (азбука): А Б В Г Д Ђ Е Ж З И Ј К Л Љ М Н Њ О П Р С Т Ћ У Ф Х Ц Ч Џ ШThe sort order of the latinica (латиница) alphabet:

Latin order called Abeceda (абецеда): A B C Č Ć D Dž Đ E F G H I J K L Lj M N Nj O P R S Š T U V Z Ž

Grammar
Serbian is a highly inflected language, with grammatical morphology for nouns, pronouns and adjectives as well as verbs 

Nouns
Serbian nouns are classified into three declensional types, denoted largely by their nominative case endings as "-a" type, "-i" and "-e" type  Into each of these declensional types may fall nouns of any of three genders: masculine, feminine or neuter  Each noun may be inflected to represent the noun's grammatical case, of which Serbian has seven:

Nominative
Genitive
Dative
Accusative
Vocative
Instrumental
LocativeNouns are further inflected to represent the noun's number, singular or plural 

Pronouns
Pronouns, when used, are inflected along the same case and number morphology as nouns  Serbian is a pro-drop language, meaning that pronouns may be omitted from a sentence when their meaning is easily inferred from the text  In cases where pronouns may be dropped, they may also be used to add emphasis  For example:

Adjectives
Adjectives in Serbian may be placed before or after the noun they modify, but must agree in number, gender and case with the modified noun 

Verbs
Serbian verbs are conjugated in four past forms—perfect, aorist, imperfect, and pluperfect—of which the last two have a very limited use (imperfect is still used in some dialects, but the majority of native Serbian speakers consider it archaic), one future tense (also known as the first future tense, as opposed to the second future tense or the future exact, which is considered a tense of the conditional mood by some contemporary linguists), and one present tense  These are the tenses of the indicative mood  Apart from the indicative mood, there is also the imperative mood  The conditional mood has two more tenses: the first conditional (commonly used in conditional clauses, both for possible and impossible conditional clauses) and the second conditional (without use in the spoken language—it should be used for impossible conditional clauses)  Serbian has active and passive voice 
As for the non-finite verb forms, Serbian has one infinitive, two adjectival participles (the active and the passive), and two adverbial participles (the present and the past) 

Vocabulary
Most Serbian words are of native Slavic lexical stock, tracing back to the Proto-Slavic language  There are many loanwords from different languages, reflecting cultural interaction throughout history  Notable loanwords were borrowed from Greek, Latin, Italian, Turkish, Hungarian, English, Russian, German, Czech and French 

Serbian literature
Serbian literature emerged in the Middle Ages, and included such works as Miroslavljevo jevanđelje (Miroslav's Gospel) in 1186 and Dušanov zakonik (Dušan's Code) in 1349  Little secular medieval literature has been preserved, but what there is shows that it was in accord with its time; for example, the Serbian Alexandride, a book about Alexander the Great, and a translation of Tristan and Iseult into Serbian  Although not belonging to the literature proper, the corpus of Serbian literacy in the 14th and 15th centuries contains numerous legal, commercial and administrative texts with marked presence of Serbian vernacular juxtaposed on the matrix of Serbian Church Slavonic 
By the beginning of the 14th century the Serbo-Croatian language, which was so rigorously proscribed by earlier local laws, becomes the dominant language of the Republic of Ragusa  However, despite her wealthy citizens speaking the Serbo-Croatian dialect of Dubrovnik in their family circles, they sent their children to Florentine schools to become perfectly fluent in Italian  Since the beginning of the 13th century, the entire official correspondence of Dubrovnik with states in the hinterland was conducted in Serbian In the mid-15th century, Serbia was conquered by the Ottoman Empire and for the next 400 years there was no opportunity for the creation of secular written literature  However, some of the greatest literary works in Serbian come from this time, in the form of oral literature, the most notable form being epic poetry  The epic poems were mainly written down in the 19th century, and preserved in oral tradition up to the 1950s, a few centuries or even a millennium longer than by most other "epic folks"  Goethe and Jacob Grimm learned Serbian in order to read Serbian epic poetry in the original  By the end of the 18th century, the written literature had become estranged from the spoken language  In the second half of the 18th century, the new language appeared, called Slavonic-Serbian  This artificial idiom superseded the works of poets and historians like Gavrilo Stefanović Venclović, who wrote in essentially modern Serbian in the 1720s  These vernacular compositions have remained cloistered from the general public and received due attention only with the advent of modern literary historians and writers like Milorad Pavić  In the early 19th century, Vuk Stefanović Karadžić promoted the spoken language of the people as a literary norm 

Dialects
The dialects of Serbo-Croatian, regarded Serbian (traditionally spoken in Serbia), include:

Šumadija–Vojvodina (Ekavian, Neo-Shtokavian): central and northern Serbia
Eastern Herzegovinian (Ijekavian, Neo-Shtokavian): southwestern Serbia, western half of Montenegro, Bosnia and Herzegovina, Croatia
Kosovo–Resava (Ekavian, Old-Shtokavian): eastern central Serbia, central Kosovo
Smederevo–Vršac (Ekavian, Old-Shtokavian): east-central Serbia
Prizren–Timok (transitional Torlakian): southeastern Serbia, southern Kosovo
Zeta–Raška (Ijekavian, Old-Shtokavian): eastern half of Montenegro, southwestern Serbia

Dictionaries
Vuk Karadžić's Srpski rječnik, first published in 1818, is the earliest dictionary of modern literary Serbian  The Rječnik hrvatskoga ili srpskoga jezika (I–XXIII), published by the Yugoslav Academy of Sciences and Arts from 1880 to 1976, is the only general historical dictionary of Serbo-Croatian  Its first editor was Đuro Daničić, followed by Pero Budmani and the famous Vukovian Tomislav Maretić  The sources of this dictionary are, especially in the first volumes, mainly Štokavian  There are older, pre-standard dictionaries, such as the 1791 German–Serbian dictionary or 15th century Arabic-Persian-Greek-Serbian Conversation Textbook 

Standard dictionaries
Dictionary of Serbo-Croatian Literary and Vernacular Language (Rečnik srpskohrvatskog književnog i narodnog jezika) is the biggest dictionary of Serbian (and Serbo-Croatian as a whole) and still unfinished  Starting in 1959, 21 volumes were published as of 2020 and about 40 are expected by the time it is finished 
Dictionary of Serbo-Croatian Literary Language (Rečnik srpskohrvatskoga književnog jezika) in six volumes in 1967–1976, started as a common project of Matica srpska (published in Cyrillic) and Matica hrvatska (published in Latin)  Only the first three volumes were published by Matica hrvatska due to negative feedback from Croatian linguists 
Dictionary of the Serbian language (Rečnik srpskoga jezika; ISBN 978-86-7946-004-2) in one volume, published in 2007 by Matica srpska, which on more than 1500 pages in A4 format explains more than 85,000 entries 

Etymological dictionaries
The standard and the only completed etymological dictionary of Serbian is the "Skok", written by the Croatian linguist Petar Skok: Etimologijski rječnik hrvatskoga ili srpskoga jezika ("Etymological Dictionary of Croatian or Serbian")  I-IV  Zagreb 1971–1974 
There is also a new monumental Etimološki rečnik srpskog jezika (Etymological Dictionary of Serbian)  So far, two volumes have been published: I (with words on A-), and II (Ba-Bd) 
There are specialized etymological dictionaries for German, Italian, Croatian, Turkish, Greek, Hungarian, Russian, English and other loanwords (cf  chapter word origin) 

Dialectal dictionaries
Kosovsko-resavski dialect dictionaries:
Gliša Elezović, Rečnik kosovsko-metohiskog dijalekta I-II  1932/1935 
Prizren-Timok (Torlakian) dialect dictionaries:
Brana Mitrović, Rečnik leskovačkog govora  Leskovac 1984 
Nikola Živković, Rečnik pirotskog govora  Pirot, 1987 
Miodrag Marković, Rečnik crnorečkog govora I-II  1986/1993 
Jakša Dinić, Rečnik timočkog govora I-III 1988–1992 
Jakša Dinić, Timocki dijalekatski recnik, (Institut za srpski jezik, Monografije 4; ISBN 978-86-82873-17-4) Beograd 2008,
Momčilo Zlatanović, Rečnik govora južne Srbije  Vranje, 1998, 1–491 
East-Herzegovinian dialect dictionaries:
Milija Stanić, Uskočki rečnik I–II  Beograd 1990/1991 
Miloš Vujičić, Rečnik govora Prošćenja kod Mojkovca  Podgorica, 1995 
Srđan Musić, Romanizmi u severozapadnoj Boki Kotorskoj  1972 
Svetozar Gagović, Iz leksike Pive  Beograd 2004 
Zeta-Pešter dialect:
Rada Stijović, Iz leksike Vasojevića  1990 
Drago Ćupić – Željko Ćupić, Rečnik govora Zagarača  1997 
Vesna Lipovac-Radulović, Romanizmi u Crnoj Gori – jugoistočni dio Boke Kotorske  Cetinje – Titograd, 1981 
Vesna Lipovac-Radulović, Romanizmi u Budvi i Paštrovićima  Novi Sad 1997 
Others:
Rečnik srpskih govora Vojvodine  Novi Sad 
Mile Tomić, Rečnik radimskog govora – dijaspora, Rumunija  1989 

Sample text
Article 1 of the Universal Declaration of Human Rights in Serbian, written in the Cyrillic script:
Сва људска бића рађају се слободна и једнака у достојанству и правима  Она су обдарена разумом и свешћу и треба једни према другима да поступају у духу братства 
Article 1 of the Universal Declaration of Human Rights in Serbian, written in the Latin alphabet:
Sva ljudska bića rađaju se slobodna i jednaka u dostojanstvu i pravima  Ona su obdarena razumom i svešću i treba jedni prema drugima da postupaju u duhu bratstva 
Article 1 of the Universal Declaration of Human Rights in English:
All human beings are born free and equal in dignity and rights  They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood 

See also



ground_truth: 2016