prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who play's Marty's girlfriend in back to the future?

The following are given passages.
Context 1: Passage 1:
Marty McFly
Martin Seamus "Marty" McFly is a fictional character and the protagonist of the Back to the Future franchise  Canadian actor Michael J  Fox portrays him in all three films  McFly also appears in the animated series, where David Kaufman voices him  In the video game developed and published by Telltale Games, A  J  Locascio does his voice; Fox does the lines for McFly's future counterparts at the end of the game, too  Olly Dobson played him in the original stage musical adaptation (the West End production), and Casey Likes will play in the upcoming Broadway production  In 2019, Empire magazine selected McFly as the 12th Greatest Movie Character of All Time 

Biography
Marty McFly is the Back to the Future protagonist  Born in Hill Valley, California, he is a part of the McFly family of Irish descent  Little is known about the character's life before the first Back to the Future film, except that he set fire to the living room rug when he was 8 years old (in a statement of Marty's to his future parents)  Despite never explicitly being explained in the film, Bob Zemeckis confirmed that Marty met his friend Dr  Emmett "Doc" Brown when he was around 14 after hearing that Brown was a dangerous lunatic  Marty wanted to go and see what it was all about for himself  He snuck into Doc's lab and was fascinated by all his inventions  When Doc caught him, he was glad to have someone interested in his work, and their friendship began In the first film, in 1985, Marty plays guitar with his group The Pinheads and likes listening to Huey Lewis and the News, Tom Petty and the Heartbreakers, Van Halen, and Michael Jackson  In the film, he is also a talented skateboarder and proves to be an excellent pistol shot, a skill he has honed by playing shooting games such as Wild Gunman at his local 7-Eleven In an alternate timeline shown in Back to the Future Part II, a hand injury has left Marty unable to play the guitar  This injury occurs in 1985 after Marty accepts his school nemesis Douglas J  Needles' challenge to a road race after being labeled a "chicken" and crashes into a Rolls-Royce  In 1885, Biff Tannen's great-grandfather, Buford, goads Marty into a showdown, which Marty wins despite refusing to draw a gun against Buford  Once he returns to 1985, he remembers this event and his great-great-grandfather Seamus McFly's advice and drops out of Needles' challenge, avoiding the collision that would have ruined his prospects for success as a guitarist 

Movie events and time travel
In the first film, Back to the Future, Dr  Brown shows Marty the time machine, in the form of a DeLorean, which he had invented after stealing plutonium (used as fuel for the vehicle's time circuits) from Libyan terrorists, who wanted him to build a nuclear weapon  During this exchange, the enraged terrorists shoot the doctor, and Marty escapes from them in the time machine, accidentally traveling back to 1955  There, he encounters his teenage parents and disrupts how they meet  Marty contacts the 1955 Dr  Brown and, with his help, reunites his parents and travels back to an alternate 1985, where his father, George, is a novelist, and Biff, his father's high school bully, becomes their caretaker  He also discovers that Dr  Brown is still alive because he had worn a bulletproof vest after Marty warned him about his fate in 1955 
In the second film, Back to the Future Part II, Dr  Brown brings Marty and Jennifer to 2015  They had married, and their teenage son, Marty Jr, was arrested, costing the whole McFly family  Jennifer is knocked unconscious by Brown, and Marty (from 1985) disguises himself as his son and comes into contact with the elder Biff  His son is supposed to meet Biff's grandson, Griff, who forces him to commit a crime with Griff and his gang  The disguised Marty prevents this from happening and gets into a hoverboard dash, resulting in Griff and his crew getting arrested instead of Marty Jr  Jennifer, who was left behind, is taken back to her 2015 home by the police after tracing her there using her fingerprints  Marty and Dr  Brown rescue her while, unbeknownst to them, Elder Biff steals their time machine and returns to 1955, where he gives his younger self an Almanac from the future to use for gambling  When they all return to 1985, they discover that Hill Valley is now a dystopia, with Biff becoming extraordinarily rich and corrupt  He had forcefully married Marty's mother, Lorraine, and secretly murdered Marty's father  He also legalized gambling in the process of becoming known as the 'Luckiest Man on Earth ' Marty and Dr  Brown return to 1955 again to steal the Almanac from 1955 Biff, in which they succeed  Dr  Brown, however, is sent to 1885 after lightning strikes the DeLorean  Marty receives a letter from Brown, written on September 2, 1885 
In the third film, Back to the Future Part III, Marty re-contacts 1955 Dr  Brown and informs him of everything that has happened  Together they discover that someone killed the doctor six days after he wrote the letter and that he had hidden the DeLorean in a cave  Marty goes back to 1885 and meets his great-great-grandparents, Seamus and Maggie, and their son, his great-grandfather  He searches for Dr  Brown and finds out he has become a blacksmith  Marty crosses paths with "Mad Dog" Tannen, Biff's great-grandfather, and gets into a brawl with him  While they plan their escape, Marty and Dr  Brown meet Clara Clayton, a teacher, and the doctor falls in love with her  During the festival, "Mad Dog" and Marty agree on a one-on-one showdown the next morning; however, that is the day Marty is meant to travel back to 1985  During the showdown, Marty defeats "Mad Dog" and proceeds the plan with the doctor  Finally, Dr  Brown decides to stay in 1885 with Clara while Marty travels back to 1985  The time machine is destroyed by an oncoming train, with Marty barely escaping  He reunites with Jennifer and decides not to race Needles, which would have cost him his music career 

Family
In the Back to the Future film franchise, Marty McFly is the youngest of three children of George McFly and Lorraine Baines-McFly  He has a brother, Dave McFly, and a sister, Linda McFly  In addition, he has uncles Milton, Toby, and Joey, as well as aunts Sally and Ellen (Ellen was born in 1956, so the first movie did not feature her)  Joey served a prison sentence in 1985, and the court denied his parole again  In the first movie, Lorraine is 17 (nearly 18), Milton is 12, Sally is 6, Toby is 4, and Joey is 1  Ellen was born a year later 
Marty's secondary entourage consists of his girlfriend, Jennifer Parker, and best friend, Emmett Brown, a scientist Marty and Jennifer call "Doc " There is an implication that Marty is ashamed of his family and does not spend much time at home, preferring to hang out with Doc, Jennifer, or the guys in Marty's band, The Pinheads  However, Marty's relationships with his family change after he returns from 1955, with him no longer being alienated by his parents and his father working as a local college professor and a successful novelist in the alternate timeline he inadvertently created  Marty meets his great-great paternal grandparents, Seamus and Maggie, too, when stranded in 1885  He also meets their infant son William, Marty's great-grandfather  Through his interaction with Seamus and Maggie, Marty discovers that Seamus had a brother named Martin, thus Marty's great-great-granduncle, who died after being goaded into a fight and killed in Virginia City, Nevada 
By 2015, Marty married his girlfriend Jennifer and had two children, Martin "Marty" Jr  and Marlene 

Aliases
Marty has had many aliases throughout the Back to the Future series, usually because of meeting his relatives in the past, such as Lorraine mistakenly thinking his name is "Calvin Klein" due to that being Marty's brand of underwear  In the first film, Marty uses the alias "Darth Vader, an extraterrestrial from the Planet Vulcan" while wearing a radiation suit to attempt to coerce George into asking Lorraine out to the dance  In Part III, Marty uses the name "Clint Eastwood" when asked by Maggie McFly and later by Buford Tannen  In Back to the Future: The Game, he uses one of three aliases; "Sonny Crockett," "Harry Callahan," or "Michael Corleone "

Other appearances
Stage actor Olly Dobson debuted the role of Marty in Back to the Future: The Musical  In the London production, Will Haswell, Glen Facey, and Ben Joyce have since played the character  Casey Likes will play him in the upcoming Broadway production of the musical 
David Kaufman voices Marty in Back to the Future: The Animated Series 
Marty makes a cameo in the Lego Jurassic World video game 
Fox reprises his role in the crossover toys-to-life Lego video game Lego Dimensions 
Doc Brown and Marty appeared on Jimmy Kimmel Live! on October 21, 2015, the day the characters traveled to in Part II 
A cinema scene in Season 3 of Stranger Things shows a section of Back to the Future with Marty and Doc Brown 

Influence
Morty Smith of the American animated series Rick and Morty (voiced by Justin Roiland) began as a parody of Marty McFly Japanese pro wrestler Kushida dresses as Marty McFly as part of his ring character 
Passage 2:
Giorgi Chantouria
Giorgi Chantouria (Georgian: გიორგი ჭანტურია, romanized: giorgi ch'ant'uria, pronounced [ɡiorɡi tʃʼantʼuria]; born January 23, 1989) is a former tennis player from Georgia, who played on the ITF Futures tournaments and Davis Cup  
In the 2007 Davis Cup he played against future world number one tennis player Novak Djokovic  Djokovic led 6–1, 5–0 when Chantouria retired 
Passage 3:
Back to the Future (franchise)
Back to the Future is an American science fiction comedy franchise created by Robert Zemeckis and Bob Gale  The franchise follows the adventures of a high school student, Marty McFly, and an eccentric scientist, Dr  Emmett "Doc" Brown, as they use a DeLorean time machine to time travel to different periods in the history of the fictional town of Hill Valley, California 
The first Back to the Future film was the highest-grossing film of 1985 and became an international phenomenon, leading to the second and third films, which were back-to-back film productions, released in 1989 and 1990, respectively  Though the sequels did not perform quite as well at the box office as the first film, the trilogy remains immensely popular and has yielded such spin-offs as an animated television series and a motion-simulation ride at the Universal Studios Theme Parks in Universal City, California; Orlando, Florida; and Osaka, Japan (all now closed), as well as a video game and a stage musical  The film's visual effects were done by Industrial Light and Magic  The first film won an Academy Award for Sound Editing 

Films
Back to the Future (1985)
Seventeen-year-old Marty McFly is accidentally sent back in time from October 26, 1985, to November 5, 1955, in a time machine built from a DeLorean by eccentric scientist Emmett "Doc" Brown, when they are attacked and Doc is apparently killed by Libyan terrorists from whom he stole the plutonium that gives the flux capacitor the 1 21 gigawatts it needs to time-travel  Soon after his arrival in 1955, Marty's mother, Lorraine, falls in love with him, rather than with his father George McFly, threatening to cause a paradox that would result in Marty ceasing to exist  Without plutonium to power the time machine, Marty must find the 1955 Doc Brown to help him reunite his parents and return to 1985 
The efforts of Biff Tannen, George's bully and supervisor, further complicate Marty's situation until Marty successfully causes his parents to fall in love and simultaneously convinces George to finally stand up to Biff  Returning to the future via a lightning strike that powers the machine, Marty discovers a vastly improved situation for the McFly family, as a much more confident George has become an accomplished science fiction author, Marty's two older siblings have better lives, he owns the car of his dreams, and an apparently-softened Biff is now an auto detailer, rather than George's supervisor  Despite 1955 Doc's insistence on not knowing details of the future, a note Marty leaves in his pocket on November 12, 1955, prevents him from being killed by the terrorists  In the film's final moments, Doc Brown appears in a modified version of the DeLorean and tells Marty and his girlfriend Jennifer Parker that they must travel to the future to fix a problem caused by Marty and Jennifer's kids 

Back to the Future Part II (1989)
The series continues as Doc Brown travels with Marty and Jennifer to the year 2015, where he has discovered Marty's family is in ruins  Shortly after rectifying the situation, Marty buys a sports almanac containing the outcomes of 50 years (1950–2000) worth of sporting events to make easy money  However, Doc talks him out of it and throws the almanac in the trash bin, where the 2015 Biff Tannen finds it  A sleeping Jennifer has been taken by police to her future home, needing Marty and Doc to retrieve her before returning to 1985  While Marty and Doc are at the 2015 McFly home, 2015 Biff steals the DeLorean time machine and gives the book to his 1955 self just before he goes to the dance at the end of the first film  When Doc and Marty return to 1985, they find that Biff has used the sports almanac's knowledge for financial gain, which allowed him to turn Courthouse Square into a casino with 27 floors, take over Hill Valley, get away with the murder of Marty's father, and later marry Marty's mother  Marty learns that Biff was given the book by 2015 Biff on November 12, 1955, so he and Doc go back to that date in order to steal the almanac from Biff before he can use it to destroy their lives  They accomplish this in a complex fashion, often crossing their own past selves' paths  When the duo is about to travel back to 1985, a lightning bolt strikes the DeLorean and activates the time circuits, sending Doc back to 1885 and leaving Marty stranded once again in 1955 

Back to the Future Part III (1990)
After finding out that Doc Brown was trapped in 1885, Marty and the 1955 Doc find and fix the DeLorean  Learning that Doc gets shot in 1885 by Biff's great-grandfather, the outlaw Buford "Mad Dog" Tannen, Marty travels back in time to save Doc (who has become a blacksmith) and bring him back to the future  Arriving in the middle of a chase between the United States Cavalry and American Indians, Marty is forced to flee to a cave, discovering the DeLorean's fuel line is torn  Marty convinces Doc to come back with him and find a way to get back to his time before it is too late, but Doc is smitten after saving schoolteacher Clara Clayton  After running afoul of and defeating Buford Tannen and several dramatic action scenes involving using a speeding locomotive to push the DeLorean to 88 miles per hour (142 km/h), Marty returns to 1985 without Doc Brown  When the DeLorean appears in 1985, a modern train destroys it, with Marty barely escaping  Reuniting with Jennifer, Marty avoids a street race and the two visit the scene of the wreckage of the DeLorean  Suddenly, Doc, Clara and their children appear in a time-travelling steam locomotive  Doc reminds Marty and Jennifer that "[their] future is whatever [they] make it", so they must "make it a good one"  The locomotive lifts off the tracks and departs from 1985, ending the trilogy 

Future
Co-writer and director Robert Zemeckis, who has final rights to all films in the Back to the Future franchise, has stated that he will block all attempts to remake or reboot the original film  Co-writer Bob Gale commented that he did not wish to see another film in the series without the Marty McFly character nor any other actor than Michael J  Fox playing him, while acknowledging that Fox's current health condition would make this impossible  He illustrated this at a 2008 fan convention in Florida, stating: "The idea of making another Back to the Future movie without Michael J  Fox – you know, that's like saying, 'I'm going to cook you a steak dinner and I'm going to hold the beef '" Gale also said that the Telltale video-game adaptation is the closest thing to what a fourth film could be like  In an interview on October 21, 2015, the day of Marty McFly's purported arrival in the future, Christopher Lloyd stated that he would consider making a fourth film under the condition that the original cast and creative team returned, along with a story "worth telling"  The same day, Lloyd reprised his role as Doc Brown in a brief segment in which the character returns with a special message marking the 2015 date  In 2020, actor Tom Holland claimed in an interview with BBC Radio 1 that he was approached by an unnamed producer over a possible reboot of the franchise with him starring the lead role as Marty McFly (or a similarly new character)  However, Holland stated that he was reluctant to take up this offer as he described the existing films as "perfect films", though he would be interested in re-creating scenes from the films in a deep-fake homage video or short film 

Short film
Doc Brown Saves the World (2015)
Doc Brown Saves the World is a 2015 direct-to-video short film starring Christopher Lloyd as Emmett Brown  The short debuted on the 2015 Blu-ray and DVD release of the Back to the Future trilogy commemorating the franchise's 30th anniversary  The short was released on October 20, 2015 Emmett Brown is in an undisclosed location outside Hill Valley, California  He sets a video camera to track his body in order to videotape a message for Marty McFly  He explains that it is October 21, 2015, one hour before Marty, Doc, and Jennifer Parker arrive from 1985  He explains that when he traveled to the future, he discovered that there was a nuclear holocaust that occurred on October 21, 2045  He tracked it down to four inventions: the food hydrator, self-lacing shoes, the hoverboard, and the Mr  Fusion home energy reactor 
The former three inventions led to the world becoming lazy and obese, leading to widespread waste  The invention of hoverboards led to hovercars, which led to people throwing their trash out of the windows, causing a great trash storm in 2021  All of this trash needed to be disposed of, which led to 100 million Mr  Fusion units being manufactured  All of the Mr  Fusion units had a tiny nuclear reactor inside, and all of them detonated on October 21, 2045  The chain of events that led to this happening began less than twenty-four hours after Marty caused Griff Tannen to crash his hoverboard into the Hill Valley Courthouse when Griff was sentenced  He vowed to get back at the world for laughing at him and planned to do it through a company that he would found, GriffTech 
Doc holds up a tablet computer with a digital version of the Hill Valley Telegraph  On June 13, 2032, GriffTech invented a social media network called ThingMeme, which secured funding from Douglas J  Needles  ThingMeme allowed inanimate objects to post selfies on the internet, but it was a scam, as it allowed Griff to gain access to every object on Earth  On the 30th anniversary of his arrest, on October 21, 2045, he uploaded a virus that was supposed to flash the word "butthead" on everything  However, it short-circuited the Mr  Fusion network, causing nuclear explosions in 100 million homes worldwide 
Doc Brown travels to an unknown date to ensure these inventions are never created, which will prevent the nuclear explosion  He leaves his camera on, which captures the inventions being erased from history  He arrives back in 2015, in a winter jacket and ski goggles, declaring that the mission was more complicated than he calculated, but declaring it a success  He holds up the tablet computer, where the headline on the Hill Valley Telegraph changes from "Griff Tannen Founds Grifftech" to "Griff Tannen Found Guilty" 
Doc's excitement is short-lived, however, as he reaches in his pocket  He pulls out the Quantum Mind Jar, which he thought he disposed of in 2075  He is worried that not doing so will unravel everything they accomplished  The artificial intelligence of the Quantum Mind Jar tells Brown that they need to go back to the future, which he dismisses as he does not want to risk further time travel 
Another Emmett Brown then arrives, also declaring his experiment a success  Both versions of Brown, along with the artificial intelligence of the Quantum Mind Jar, are shocked at discovering that there are two Emmett Browns present 

Television
Back to the Future (1991–1992)
An animated television series, Back to the Future: The Animated Series, lasted two seasons, each featuring 13 episodes, and ran on CBS from September 14, 1991, to December 26, 1992 
The TV series Back to the Future was an animated science-fiction comedy adventure television series for television, based on the live-action film trilogy  Although the series takes place after the films, creator Bob Gale stated that the animated series and the comic books take place in their own 'what if' and alternate timelines The show lasted two seasons, each featuring 13 episodes, and ran on CBS from September 14, 1991 to December 26, 1992 with reruns until August 14, 1993  The network chose not to renew the show for a third season (citing low ratings)  It was later rerun on Fox, as a part of the FoxBox block, from March 22 to August 30, 2003  This show marked the debut television appearance of Bill Nye on a nationally broadcast show 
The central premise of the TV series was that, after the conclusion of Back to the Future Part III, in 1991, Dr  Emmett Brown moved into a farm in Hill Valley with his wife Clara, their sons Jules and Verne, and the family dog, Einstein  As with the films, time travel was achieved through the use of a modified DeLorean, which had apparently been re-built after it was destroyed at the end of the trilogy  The DeLorean now has voice-activated "time circuits" and can also travel instantaneously to different locations in space and time, in addition to folding into a suitcase  The characters also travel through time using the steam engine time machine Doc invented at the end of the third film 
Although Marty McFly is the show's main character and Jennifer Parker makes occasional appearances, the show focused primarily on the Brown family, whereas the films focused on the McFly family  The film's villain, Biff Tannen, also appeared frequently  In addition, relatives of McFly, Brown, and Tannen families were plentiful in the past or future parallel time zones visited  Unlike the films, which took place entirely in Hill Valley and the surrounding area, the series frequently took the characters to exotic locations  At the end of every episode, Doc Brown would appear to do an experiment, often related to the episode's plot  The first season also included post-credits segments with Biff Tannen telling a joke related to the episode, alluding to Thomas F  Wilson's career as a stand-up comedian 

Cast and crew
Cast and characters
S indicates an appearance as a character's singing voice 

Reception
Box office performance
(A) indicates the adjusted totals based on current ticket prices (by Box Office Mojo) As of June 2011, the Back to the Future series is the 14th-highest-grossing trilogy of all time at the domestic market (adjusted for inflation), 17th-highest-grossing trilogy of all time at the domestic market (not adjusted for inflation), and the 13th-highest-grossing trilogy of all time, worldwide (not adjusted for inflation) The trilogy was re-released in certain countries worldwide on October 21, 2015, to commemorate the date traveled to by the protagonists in Back to the Future Part II and generated $4 8 million on its opening day  In the United States and Canada, it earned $1 65 million from ticket sales across 1,815 North American theaters on its opening day  Germany opened with $1 4 million and the United Kingdom with $345,000  Revenues from other territories such as Australia, Austria, France, Italy were moderate The first movie in the trilogy returned to certain countries once again for the 35th anniversary of the first film  In the United Kingdom, this was originally scheduled to begin on May 29, 2020, but due to the COVID-19 pandemic the opening dates of various cinemas were delayed, and on a cinema-by-cinema basis slowly reopened  Many cinemas also showed the rest of the trilogy, partially due to the coinciding 30th anniversary of Part III 

Critical and public response
Marty McFly and Doc Brown were included in Empire's 100 Greatest Movie Characters of All Time, ranking No  39 and No  76 respectively 

Cultural impact
Back to the Future Day
October 21, 2015, the date used for the setting of the future events during the first act of the second film, has been called "Back to the Future Day" by the media  The year 2015 also commemorated the 30th anniversary of the release of the original film 
Many promotions were planned to mark the passing of the date, with many playing to the depiction of the future in the film, including:

Universal Pictures created a trailer for Jaws 19, the fictional 3D film advertised in the future setting 
Universal and Mattel produced an advertisement for the hoverboard seen in the film 
Pepsi produced a limited run of the "Pepsi Perfect" soft drink, including the unique bottles, which sold out before October 21, 2015 
The Ford Motor Company allowed users configuring a Ford Focus on their website to add a Flux Capacitor as a $1 2 million option 
Nintendo released the game Wild Gunman, which Marty is seen playing in the Cafe '80s scene, on the Wii U's Virtual Console service 
The October 22, 2015 edition of USA Today used a mock-front page which was a recreation of the one seen in the film on that date  The back of the mock page contains an advertisement for Jaws 19, as well as ads for the 30th anniversary Back to the Future box set and The Michael J  Fox Foundation  On the real front page, the USA Today blue dot is replaced with a drone camera like the one seen in the film  The print edition of this edition sold out in record time, according to USA Today 
Nike revealed that they had recreated the Nike Mag shoes that Michael J  Fox wears in the film, complete with self-lacing power laces (a 2011 design was based on the same shoes, but lacked the power laces)  Although the laces operated more slowly than those seen in the film, they were nonetheless shown to work as intended in an eight-second video featuring Fox wearing the shoes  Pairs of the shoes were sold via auction in 2016 to benefit The Michael J  Fox Foundation for Parkinson's Research 
Toyota and Universal Pictures celebrated the 30th anniversary of the film series with a Toyota Tacoma Concept that was inspired by the original 1985 pickup that Toyota created for the 1985 film  The 2016 Tacoma 4WD was recreated using the same features and black color paint trim, KC HiLite driving lamps (modified with LED lighting), modified headlights and taillights (matching the 1985 version), the Toyota badging to the truck's tailgate, as well as the same D-4S fuel injection, the 1985-inspired mudflaps, and customized license plates matching the 2015 vehicles in Part II  The only difference between the 1985 original and the 2016 concept is the tires: Goodyear was featured in the 1985 film, while BF Goodrich is used on the concept  Toyota notes that this is a one-off concept as there are no plans to offer it as a package or level trim  Toyota also produced a promotional video starring Michael J  Fox and Christopher Lloyd and featuring many of the locations depicted in the film series, wherein the DeLorean's Mr  Fusion is used as a comparison for Toyota's hydrogen powered Mirai 
Universal re-released all three films on DVD and Blu-ray disc on October 20, 2015 
Telltale Games re-released their licensed Back to the Future the Game in a 30th Anniversary edition for newer consoles a week in advance of October 21  Several video games released downloadable content related to Back to the Future to coincide with October 21, 2015, including Rocket League and LittleBigPlanet 3 
Back to the Future: The Ultimate Visual History is an officially licensed book which includes 224 pages of behind-the-scenes stories, interviews, rare and never-before-seen images, concept art, storyboards, photos, and special removable replicas of paper items from the films, written by Michael Klastorin with Randal Atamaniuk  The book was released on October 16, 2015 Cast members appeared on Today and Jimmy Kimmel Live! on October 21, 2015  Nearly 2,000 theaters worldwide showed back-to-back screenings of the Back to the Future trilogy on October 21 and continuing through that weekend, which earned over $4 8M in single day ticket sales  Universal Studios offered location tours of the various filming locations around the date  The town of Reston, Virginia, temporarily changed its name to "Hill Valley" to commemorate the series during its annual film festival  Esquire Network aired the trilogy all day that day, plus all weekend 

Music
Home media box sets
2002 VHS and DVD release: "The Complete Trilogy"
In July 1997, Universal Studios announced that Back to the Future would be one of their first ten releases on the new DVD format, though it ended up being delayed for five years  The films were released as a box set on VHS and DVD on December 17, 2002 in both widescreen (1 85:1) and full screen (1 33:1) formats  The widescreen DVDs had to be reissued a year later because of framing errors in converting from open matte to widescreen 

2010 DVD and Blu-ray release: "25th Anniversary Trilogy"
In June 2008, a special screening of the trilogy was held in Celebration, Florida  Bob Gale told the crowd they were seeing the digitally remastered version that was going to be used for the Blu-ray version of the movies  The Blu-ray box set was released on October 26, 2010, and includes bonus features, such as a newly-produced six-part retrospective documentary titled Tales from the Future  There have been numerous complaints about the R1 packaging, leading to the release of an instruction sheet on how to safely remove and insert discs 

2015 DVD and Blu-ray release: "30th Anniversary Trilogy"
On October 20, 2015, one day before the date of the fictional events transpiring in the 2015 segment of Part II, the trilogy was once again released on Blu-ray and DVD  A bonus disc was included, which featured new bonus material such as Outatime which is a look into the restoration of the time machine from 2012; Doc Brown Saves the World!, a new short movie starring Christopher Lloyd; two episodes from The Animated Series; two novelty commercials about "Jaws 19" and the "2015 Hoverboard"; and other additional features 

2020 Blu-ray and Ultra HD Blu-ray release: "The Ultimate Trilogy"
A new set was released in October 2020 for The Ultimate Trilogy, to celebrate the franchise's 35th anniversary, and featured a release on Ultra HD Blu-ray for the first time  The set included a new digitally remastered 4K picture, Dolby Atmos sound, and more previously unreleased content 

Other media
Board and card games
The Back to the Future: Back in Time board game was released in 2020  It is a fully cooperative game, in which each player is a character in the film, and must collect items to help Marty McFly and Doc to return from 1955 to their own time, as depicted in the first film in the trilogy In 2010, Looney Labs introduced Back to the Future: The Card Game, a strategy game using the same mechanics as the company's game Chrononauts  In the game, a timeline of cards are laid out in a grid with each era in the movies grouped together  Randomly distributed ID cards outline goals or timeline changes necessary to make sure the future character exists  The license for this game expired in 2012 and is no longer being produced 

Comic books
A comic book series was published by Harvey Comics in 1992 detailing further adventures of the animated series  Only seven issues were produced  IDW published a mini-series which presents the first meeting of both Marty and Doc Brown and is written by co-screenwriter Bob Gale, which was released in stores on October 21, 2015, the same date that Marty travels with Doc Brown to the future depicted in the storyline for Part II  In issue #3, it was revealed that it had become an ongoing monthly comic due to popular demand 
Beginning in issue #6, the original format of one or two untold stories per issue was replaced with a multi-issue ongoing story arc  The original subtitle for the comic, "Untold Tales and Alternate Timelines", was used for the trade paperback which contained the first five comics in the series  The series has now gone on to what IDW calls "chapter 2" of the series with "Tales from the Time Train"  This is a series of stories detailing where Doc and the Brown family went after time traveling at the end of Back to the Future Part III  Other mini-series published by IDW include "Citizen Brown", which adapts the Telltale video game, and "Biff to the Future", which depicts Biff Tannen's rise to power after being given the almanac by his future self  The latter is also co-written by Gale 
Transformers/Back to the Future is a four-issue crossover comic miniseries published by IDW Publishing, to commemorate the 35th anniversaries of Back to the Future and Hasbro's Transformers franchise  It was published from October 7, 2020, to May 12, 2021 
A Japanese light novel adaptation was announced in August 2021 

Books
Each film in the trilogy also received a novelization that expanded on the movies by adding scenes, characters, and dialog, often culled from early-draft scripts In 2012, Hasslein Books released A Matter of Time: The Unauthorized Back to the Future Lexicon, written by Rich Handley  The book was released in cooperation with BTTF com, the official Back to the Future website  A second volume, Back in Time: The Unauthorized Back to the Future Chronology, by Greg Mitchell and Rich Handley, was released in 2013 Back to the Future: The Ultimate Visual History is an officially licensed book which includes 224 pages of behind-the-scenes stories, interviews, rare and never-before-seen images, concept art, storyboards, photos, and special removable replicas of paper items from the films  The book was written by Michael Klastorin, who was the production publicist on Back to the Future Part II and Part III, with Randal Atamaniuk  The book includes a foreword by Michael J  Fox, preface by Christopher Lloyd, introduction by Bob Gale and an afterword by Robert Zemeckis  It was released on October 16, 2015, to coincide with Back to the Future Day, and was published by Titan Books in the UK and Harper Design in the US  It was reissued on November 3, 2020, with added contents, to commemorate the 35th anniversary of the trilogy 

Video games
Various video games based on the Back to the Future movies have been released over the years for home video game systems, including the Atari ST, ZX Spectrum, Commodore 64, Master System, Genesis, Nintendo Entertainment System, Super Famicom, Microsoft Windows, macOS, PlayStation 3, PlayStation 4, Wii, iOS, Xbox 360 and Xbox One platforms 
Lego Dimensions (2015) features two Back to the Future-themed toy packs  The Level Pack adds a bonus level that adapts the events of the first film and includes a Marty McFly Minifigure, along with a constructible DeLorean and Hoverboard  The Fun Pack includes a Doc Brown Minifigure and a constructible Time Train from Part III  Both unlock access to an in-game open world set in Hill Valley  Michael J  Fox and Christopher Lloyd reprise their roles as Marty McFly and Emmett "Doc" Brown respectively  A downloadable content pack for Planet Coaster (2016), titled the Back to the Future Time Machine Construction Kit, includes customizable in-game replicas of the DeLorean time machine 

Episodic video game
Back to the Future: The Game (2010) was released from December 22, 2010, to June 23, 2011, developed and published by Telltale Games  The game is an episodic graphic adventure, and takes place in an alternate timeline based on the original trilogy  It was released as five episodes, with Christopher Lloyd reprising his role as Emmett "Doc" Brown, Claudia Wells reprising her role as Jennifer Parker, and Michael J  Fox making cameo appearances in the final episode  A  J  Locascio provided the voice for Marty McFly, and Bob Gale assisted with the script  Thomas Wilson reprised his role as Biff Tannen in the 2015 re-release 
The plot of the video game depicts Marty traveling back to 1931 to help Doc, who is in trouble again  The video game depicts several trips by Marty and Doc back and forth from 1931 to the present, due to multiple disruptions to the timeline  In several separate differing timelines, various altered outcomes are shown for the McFly family, and then separately for the entire Hill Valley region  At the conclusion of the game, the timeline is largely restored by Marty and Doc, although with some small differences from the "original" timeline 

Pinball
Two pinball adaptations of the film trilogy were released   The first pinball adaptation was a physical one produced by Data East, available in 1990, and titled Back to the Future: The Pinball   Over two decades later, Zen Studios developed and released a new, digital pinball adaptation in 2017, available as add-on content for Pinball FX 3 along with two other tables based on iconic classic films from Universal Pictures, Jaws and E T  The Extra-Terrestrial  The latter table behaves differently than the original Data East version and features 3-D animated figures and visual effects that are impossible to reproduce on a physical table 

Musical
Back to the Future: The Musical is a stage musical with music and lyrics by Alan Silvestri and Glen Ballard, and a book by Robert Zemeckis and Bob Gale, adapted from their original screenplay  The show features original music alongside hits from the film, including "The Power of Love" and "Johnny B  Goode" 
The musical originally was slated to make its world première in London's West End in 2015, the year to which the film trilogy's characters traveled in Part II  However, after director Jamie Lloyd left the production in August 2014, due to "creative differences" with Zemeckis, the production's release date was pushed to a 2016 opening  The show received its premiere at Manchester Opera House in February 2020 ahead of an expected West End transfer  The cast recording was initially set to be released on November 26, 2021, but was ultimately released on March 11, 2022 A Broadway production is set to commence in 2023 

Automotive commercials
In 2015, Fox and Lloyd starred alongside popular YouTube science personality Go Tech Yourself in an extended Toyota commercial for Toyota's new fuel cell vehicle, the Mirai, entitled Fueled by the Future  The commercial doubled as a tribute to the franchise and illustrated how the idea of converting trash into fuel had become reality  The commercial was released on October 21—the same date to which Marty, Doc and Jennifer traveled in Back to the Future Part II 

Theme park ride
Back to the Future the Ride was a simulator ride based on and inspired by the Back to the Future films and is a mini-sequel to the 1990s Back to the Future Part III  The original attraction opened on May 2, 1991, at Universal Studios Florida  It also opened on June 2, 1993, at Universal Studios Hollywood and on March 31, 2001, at Universal Studios Japan  The rides in the United States have since been replaced by The Simpsons Ride  The ride in Japan remained operational until May 31, 2016 

Documentaries
In the fall of 2015, after a successful Kickstarter project, the Back in Time documentary film was released  The film features interviews with the members of the cast and crew along with the cultural impact of the trilogy 30 years later  In 2016, the OUTATIME: Saving the DeLorean Time Machine documentary film was released and presents the efforts of Bob Gale, Universal Studios, and a team of fans as they work to restore one of the original screen-used DeLorean time machines  Like the Back in Time documentary, OUTATIME was also successfully funded by a Kickstarter project  A 2021 documentary, titled Expedition: Back to the Future, featured Josh Gates and Christopher Lloyd searching for and restoring an original DeLorean used in the film, with appearances from several original cast members 

Explanatory notes
Passage 4:
Claudia Wells
Claudia Grace Wells (born July 5, 1966) is an American actress and businesswoman, best known for her role as Jennifer Parker in the 1985 film Back to the Future 

Life and career
Wells was born in Kuala Lumpur, Malaysia to American parents of Ashkenazi Jewish descent (from Germany, Russia and Czechia)  Her family moved to San Francisco when she was seven weeks old  She went to Marin Country Day School and French-American Bilingual School  Her father, a parasitologist, and sister, Jennifer, still live in San Francisco, but Wells moved to Los Angeles at the age of 14, later graduating from Beverly Hills High School  Wells also has a brother She started acting with appearances in TV shows  When she was 15, she became a born-again Christian at the urging of Dean Jones on the set of Herbie, the Love Bug Wells played Jennifer Parker, Marty McFly's girlfriend, in the 1985 film Back to the Future  She almost did not end up in the first film of the successful franchise  According to Wells, she had been cast, but a pilot she had done for ABC had been picked up, and she was contractually forced to drop out of Back to the Future  During that time, Eric Stoltz had been shooting for five weeks in the role of Marty McFly  Melora Hardin was slated for the role of Jennifer though she never actually filmed any scenes  The producers halted filming and replaced Stoltz with Michael J  Fox  By then, Wells's pilot had been finished and she was recast as Jennifer, now shooting alongside Fox, having never filmed a frame with Stoltz That same year (1985), Wells co-starred in Stop the Madness, an anti-drug music video sponsored by the Reagan administration, featuring several famous musicians, actors and athletes  The following year, she appeared in the TV movie Babies Having Babies, and the short-lived series Fast Times, a TV adaptation of the 1982 film Fast Times at Ridgemont High (Wells played Linda Barrett, portrayed by Phoebe Cates in the film)  Following Fast Times, she did not appear again on-screen until the 1996 independent film, Still Waters Burn (released on DVD February 12, 2008) 

Leaving acting
After her mother was diagnosed with cancer, Wells put her career on hold for family reasons, and told the studio she would be unavailable to reprise her Back to the Future role for the two sequels  Actress Elisabeth Shue replaced her 
In the early 1990s, Wells started a clothing store, Armani Wells, which she still manages as of 2023 

Return to acting
After a lengthy absence, Wells returned to acting in 2011 with a small role in the independent science-fiction film, Alien Armageddon The same year, Wells had the opportunity to reprise her role from Back to the Future 26 years after her last appearance in the series  She provided the voice of Jennifer Parker for Back to the Future: The Game  Wells announced that her next project would be a horror film titled Room & Board 

Filmography
Film
Television
Video games
Passage 5:
Paul Koulibaly
Keba Paul Koulibaly (born 24 March 1986) is a Burkinabé footballer who plays as a defender for EFO and the Burkina Faso national team  He plays as a centre-back or a left-back 

Personal life
Paul's twin brother, Pierre Koulibaly is also a professional footballer 

Club
Paul Koulibaly began his career with EFO in Burkina Faso In January 2008, he signed a contract with Al-Ittihad Tripoli  club, but due to the maximum numbers of foreigners players playing in squad, they loaned him out to Al-Nasr Benghazi 
He went for a trial with Leeds United towards the end of July 2010, but was not kept 
In 2010–2011, he played for Asswehly and then left for R O C  de Charleroi-Marchienne 
In 2012, he moved to Dinamo București  Won the 2012 Romanian Supercup with the club  After playing in the club for six months, he went to the Iraqi club Al Shorta  He won the Iraqi Premier League with the club 
In 2014, he moved to the Guinean club Horoya AC  With him he won all the trophies in Guinea (championship, cup and super cup)  In 2017 he returned to the EFO 
Koulibaly made his debut for Burkina Faso in 2006  Together with the Burkina Faso national team, he took part in four African Cups of Nations  In 2013, together with her, he reached the final of the tournament, where his team lost to Nigeria 0–1  On January 10, 2015, Koulibaly played his last international match in a friendly against Swaziland 

Honours
Team
EFOBurkinabé Premier League: 2008
Coupe du Faso: 2006, 2008Dinamo București
Romanian Supercup: 2012Al-Shorta
Iraqi Premier League: 2012–13

Trivia
His twin brother Pan Pierre Koulibaly is also a footballer 
Passage 6:
List of Back to the Future characters
The Back to the Future film trilogy and subsequent animated series feature characters created by Robert Zemeckis and Bob Gale 
The lead character of the series is Marty McFly  During the course of the trilogy, he travels through time using a DeLorean time machine invented by his friend Emmett Brown  He also encounters the central antagonist, Biff Tannen, in several different time periods and visits his ancestors and descendants 

Main characters
Marty McFly
Martin Seamus "Marty" McFly (portrayed by Michael J  Fox in the films and voiced by him in Lego Dimensions, voiced by David Kaufman in the animated series) is the son of George McFly and Lorraine Baines McFly  Marty travels between the past and the future, encountering his ancestors and descendants  Marty and his friend Doc Brown help restore the space-time continuum while encountering Biff Tannen (or members of the Tannen clan) at various points in time 

Emmett "Doc" Brown
Doctor Emmett Lathrop "Doc" Brown (portrayed by Christopher Lloyd and voiced by him in Lego Dimensions, voiced by Dan Castellaneta in the animated series) is the inventor of the DeLorean time machine  At various points in time, Doc helps Marty restore the space-time continuum and reverse the changes that were caused by time travel 
In 2008, the character was selected by film magazine Empire as one of The 100 Greatest Movie Characters of All Time, ranking at No  20 

George McFly
George Douglas McFly (portrayed by Crispin Glover in Back to the Future, Jeffrey Weissman in Back to the Future Part II and Back to the Future Part III, voiced by Michael X  Sommers in Back to the Future: The Game) is married to Lorraine Baines McFly and is the father of Marty, Linda and Dave  Although he is one of the main characters in the first movie, George only makes cameos in Back to the Future Part II and Back to the Future Part III 
In the first film, George is portrayed as weak and the main target of Biff Tannen's bullying  The novelization of the film expounds on George's history of weakness, describing two incidents in which he is unable to stand up for himself  In 1955, in contrast with Marty, George did not have any friends for support and was targeted not only by Biff and his gang but also other kids in school  He has a penchant for science fiction, and writes some of his own but never allows himself to share them with anyone due to his fear of rejection  In 1955, with Marty's help, he gets the courage to stand up to Biff, knocking him unconscious  As a result, he and Lorraine fall in love and George becomes popular in school for defeating Biff in a fight  In the new future, they are both married with George working as a college professor and being a successful writer who orders Biff around  In the dystopian timeline in Part II, George was murdered by Biff in 1973 
George's character was greatly reduced in the sequels, and the role was recast  Weissman wore prosthetics to resemble Glover and imitated Glover's rendering of McFly, and his scenes were spliced with shots of Glover from Back to the Future  The result was so convincing that many people were fooled by it  However, Glover did not appreciate this and sued  The lawsuit resulted in the adoption of stricter rules by the Screen Actors Guild to prevent this situation from occurring again 

Lorraine Baines-McFly
Lorraine Baines-McFly (portrayed by Lea Thompson, voiced by Aimee Miles in Back to the Future: The Game) is married to George McFly and the mother of Marty, Linda and Dave  She is the oldest daughter of Sam (George DiCenzo) and Stella (Frances Lee McCain) Baines, and sister of Milton (Jason Hervey), Sally (Maia Brewton), Toby, and Joey 
In Back to the Future, Lorraine is initially portrayed in 1985 as middle-aged and unhappy  After Marty changes the timeline, she is shown to be fit and happily married to George in 1985  In Part II, Lorraine is still happily married to George in 2015 but they are constantly disappointed in Marty for giving in to peer pressures that make his life difficult  In the alternate 1985 timeline, she is widowed and married to Biff Tannen 

Clara Clayton
Clara Clayton (portrayed by Mary Steenburgen in both Back to the Future Part III and the animated series) is married to Doc Brown and is the mother of Jules and Verne Brown 
Clara moved to Hill Valley and originally died in an accident when her wagon plummeted into Shonash Ravine, which was renamed Clayton Ravine in her memory  This later changed after Doc rescued her, with Mayor Herburt naming it Eastwood Ravine in honor of Marty's alias Clint Eastwood, remembered as a town hero who saved Clara, defeated Buford Tannen, and allegedly died trying to stop two bandits who hijacked a locomotive  The animated series reveals that Clara, along with the rest of the family, moves to the early 1990s and lives in a farmhouse outside of Hill Valley  She then became a teacher at Hill Valley Elementary School 

Jennifer Parker
Jennifer Jane Parker (portrayed by Claudia Wells in the first film and voiced by her in Back to the Future: The Game, Elisabeth Shue in the second and third film, voiced by Cathy Cavadini in the animated series) is dating Marty McFly  In 2015 as seen in Back to the Future Part II, they are married 
In 1985, Jennifer attends Hill Valley High School, along with her boyfriend Marty  In the animated series, Jennifer is enrolled to Hill Valley College with Marty after graduating high school and working part-time as a tutor  She lives with her family on a ranch, the deed to which was owned by Biff Tannen, after one of his ancestors forced Jennifer's great-great-grandfather to sign it over by holding Jennifer's great-great-grandmother hostage  In the episode "A Friend in Deed", Marty travels back in time to 1875 and sabotages the deal with help from Jules and Verne In the future witnessed in Back to the Future Part II, Jennifer and Marty had two children, Marlene and Marty Jr  (both played by Michael J  Fox) 
Melora Hardin was initially cast in the role, to appear alongside Eric Stoltz' Marty McFly  After Stoltz was fired from the production and Michael J  Fox was brought in, Claudia Wells was cast to portray the character, as Hardin was deemed too tall to appear next to the much shorter Fox  However, Wells was not available to film the sequels for personal reasons, and the role was recast to Elisabeth Shue although Wells reprised her role as Jennifer in Back to the Future: The Game as a punk rock version of her character  Consequently, the opening scene of Back to the Future Part II was re-shot with Shue taking Wells' place, rather than using the ending of Back to the Future 

Biff Tannen
Biff Howard Tannen (portrayed by Thomas F  Wilson) is the main antagonist of the first two films, and a local bully who harassed George McFly and managed to alter history in the second film  He comes from a long line of bullies in Hill Valley, most of whom harassed members of the McFly family, including Buford "Mad Dog" Tannen (also portrayed by Wilson, in Part III), who is one of Hill Valley's outlaws during the 1880s 

McFly family
Dave McFly
David "Dave" McFly (portrayed by Marc McClure) is the eldest child of George and Lorraine McFly  In 1985, before Marty went to 1955, Dave works at Burger King, but in the post-time travel 1985, he wears a suit as a nondescript white-collar worker for an accounting firm  In a deleted scene from Part II, the alternate 1985 timeline shows that Dave is an alcoholic and a gambling addict following George's death and Lorraine's second marriage to Biff Tannen 

Linda McFly
Linda McFly (portrayed by Wendie Jo Sperber) is the middle child and only daughter of George and Lorraine McFly  In 1985 before Marty went to 1955, Linda is having boy trouble and it is unknown if she is in college or has a job  In 1985 after Marty went to 1955, Linda works in a boutique and has gained the attention of many boys 

Seamus and Maggie McFly
Seamus and Maggie McFly (portrayed by Michael J  Fox and Lea Thompson) are Irish immigrants and the paternal great-great-grandparents of Marty McFly  In Part III, Marty is befriended by Seamus and Maggie  While Maggie does not trust the "strange young man", Seamus has a familiar feeling about him and believes that helping him is the right thing to do  They have a son named William (Marty's great-grandfather)  Much like his descendants, Seamus is harassed by a member of the Tannen family, Buford Tannen  He also had a brother, Martin, who was fatally stabbed prior to the film's events 
Maggie McFly is played by Lea Thompson, who also plays Marty's mother Lorraine, even though Maggie is not an ancestor of Lorraine; in a DVD commentary track for Part III, Bob Gale states that the creative team considered it important to include Thompson in the film, and he imagines that McFly men are simply "genetically predisposed" to be attracted to women who look like her 

William McFly
William "Willie" McFly (voiced by Michael J  Fox in Back to the Future: The Game) is the son of Seamus and Maggie McFly as well as Marty's great-grandfather  Baby Willie was played by Lindsay Clark  She left acting shortly after this role 

Arthur McFly and Sylvia Miskin
Arthur "Artie" McFly and Sylvia Miskin (stage name "Trixie Trotter") are Marty's paternal grandparents and George's parents introduced in Back to the Future: The Game and voiced by Michael X  Sommers and Melissa Hutchison respectively 

Marty Jr  and Marlene McFly
Marty Jr  and Marlene McFly (both portrayed by Michael J  Fox) are Marty McFly and Jennifer Parker's future son and daughter in 2015 in Part II 
Originally, 17-year-old Marty Jr  was to be arrested and sentenced to fifteen years in prison for joining a robbery initiated by Griff and his gang  Marlene attempted to help Marty Jr  break out of jail but failed and was sentenced to twenty years in a woman's prison  Doc and Marty prevented the event from ever happening 

Baines family
Sam Baines
Sam Baines was the husband of Stella Baines and the father of six children, including Lorraine, Milton, Toby, Joey, Sally, and Ellen Baines  He is the father-in-law of George McFly and the maternal grandfather of Marty, David, and Linda McFly 

Stella Baines
Stella Baines (portrayed by Frances Lee McCain) was the wife of Sam Baines and the mother of six children, including Lorraine, Milton, Toby, Joey, Sally, and Ellen Baines  She is the mother-in-law of George McFly and the maternal grandmother of Marty, David, and Linda McFly 

Milton Baines
Milton Samuel Baines (portrayed by Jason Hervey) is the second child of Sam and Stella Baines, the brother of Lorraine, Sally, Toby, Joey, and Ellen Baines, the brother-in-law of George McFly, and the uncle of David, Linda, and Marty McFly  He was 12 years old in 1955  In 1955, Milton liked to wear a coonskin cap, a fad inspired by the Davy Crockett film and television show, which Stella took off his head twice while Marty was eating dinner with the family, putting it back on both times 

Sally Baines
Sally Flora Baines (portrayed by Maia Brewton) was the third child of Sam and Stella Baines, the sister of Lorraine, Milton, Toby, Joey, and Ellen Baines, the sister-in-law of George McFly, and the aunt of David, Linda, and Marty McFly  Born in 1949, she was present when Marty McFly in 1955 had dinner with her family, but did not speak 

Toby Baines
Toby Baines was the fourth child of Sam and Stella Baines, the brother of Lorraine, Milton, Sally, Joey, and Ellen Baines, the brother-in-law of George McFly, and the uncle of David, Linda, and Marty McFly  He was born in 1951  On November 5, 1955, he sat at the dinner table with his family and Marty McFly, whom his father had hit with the car earlier that day  He remained silent while the guest was present 

Joey Baines
Joey Baines was born on August 28, 1954, to Sam and Stella Baines, and was the fifth child in the Baines family  In the early 1970s, Joey was Marty McFly's favorite uncle  Joey would allow Marty to do dangerous things, but would always be there to make sure he was all right  He spent many years in Folsom Prison  On October 25, 1985, he failed to earn his release on parole for at least the second time 
By the 21st century, USA Today ran an article on Joey Baines in their October 22, 2015 issue, titled Parole denied again, which mentioned that this was Joey's twelfth consecutive parole hearing to end in denial  He was serving a twenty-year term at Folsom for racketeering and had spent two-thirds of his life behind bars 

Ellen Baines
Ellen Baines was the sixth child of Sam and Stella Baines, the sister of Lorraine, Milton, Sally Toby, and Joey Baines, the sister-in-law of George McFly, and the aunt of David, Linda, and Marty McFly  Born in 1956 (a few months after Marty's trip to 1955), she moved to Chicago at some point prior to 1986 

Brown family
Jules and Verne Brown
Jules Eratosthenes Brown and Verne Newton Brown (portrayed by Todd Cameron Brown and Dannel Evans in Back to the Future Part III, voiced by Josh Keaton and Troy Davidson in the animated series) are the two children of Doc Brown and his wife, Clara, who named them after their favorite author Jules Verne 
The characters had minor, non-speaking roles in Back to the Future Part III but were further developed in the animated series  Jules, an introvert, mostly imitates his father's interests and mannerisms while Verne appears to be more outgoing and extroverted  Several plot points of the animated series revolve around either Jules or Verne altering history and the steps necessary to correct the damage 
In the Back to the Future game when asked about his family, Doc reveals that his sons are now teenagers and their parents are discussing what time period they should attend college at 

Copernicus
Copernicus is Doc's dog from 1955  Like his other dogs, Copernicus was used in many of Doc's experiments  When Copernicus died, he was eventually replaced by Einstein 

Einstein
Einstein (portrayed by Tiger and stuntman Dick Butler in the first film and Freddie in the other two, voiced by Danny Mann in the animated series) is Doc Brown's pet Catalan sheepdog  He later becomes one of the main characters in the animated series as the Brown family's dog 
In the first film, Doc successfully tests his time machine by placing Einstein in it and sending him one minute into the future  In the animated series, Einstein becomes anthropomorphic and smarter, helping Doc with his inventions for traveling to the past and the future 

Tannen family
Irving "Kid" Tannen
Kid Tannen (voiced by Owen Thomas) is Biff's father who only appears in the Back to the Future: The Game  Kid is a gangster who runs a local speakeasy in the 1930s Hill Valley  He, like the rest of the Tannen family, bullies the McFly family forcing Marty's grandfather Arthur to do his accounting  Kid is brought down with the help of Marty, a young version of Doc, and Arthur McFly  He later marries Edna Strickland and reforms from his criminal ways with her help 

Buford "Mad Dog" Tannen
Buford Tannen (portrayed by Thomas F  Wilson in Back to the Future Part III, Liam O'Brien in Lego Dimensions) is the main antagonist of the third film  He is the great-grandfather of Biff Tannen and the local town outlaw in 1885 Hill Valley  He was nicknamed "Mad Dog" by a newspaper reporter, due to his violent temper and propensity for drooling, a nickname Tannen greatly despises  Buford is cruel, homicidal, rude, and emotionally unstable  He displays a need for control and is brought down to childlike tantrums when he is humiliated or makes mistakes, whether it be something that happens to him or something he says or does  He is often accompanied by his gang (played by Christopher Wynne, Sean Sullivan and Mike Watson), and developed a feud with Marshal James Strickland and his deputies  Like his descendant Biff, he has a dislike for manure 

Griff Tannen
Griff Tannen (portrayed by Thomas F  Wilson in both Back to the Future Part II and in the animated series) is a grandson of Biff  He is part of a gang that also consists of Rafe "Data" Unger, Leslie "Spike" O'Malley and Chester "Whitey" Noguera  Unlike his grandfather and great-great-great-grandfather whose gangs only consisted of Caucasian males, his accomplices are one Caucasian male (Data), one Caucasian female (Spike), and one Asian-American male (Whitey) 
In the animated series, Griff makes a brief cameo appearance in the episode "Solar Sailors" where his grandson, Ziff (also voiced by Wilson), is detained after he attempts to sabotage Marta McFly's space cruiser due to his hatred towards her family 
Griff's last name is never mentioned in the movie, which means he could either be the son of Biff's son Biff Jr, or the son of Biff's daughter, Tiffaney, but in the animated series, Ziff says that both he and Griff are Tannens 

Biff Tannen Jr 
In the animated series, Biff Jr  (voiced by Benji Gregory) is the son of Biff Tannen  Like his father and paternal relatives, he likes to bully and steal from children around him including Jules and Verne Brown with whom he developed a feud  In addition, Biff Jr  delights in vandalizing other people's properties  Biff Jr  lives with his father with whom he has an abusive relationship 

Strickland family
Gerald Strickland
Gerald Strickland (portrayed by James Tolkan) is the strict principal of Hill Valley High School  He is a descendant of Chief Marshal James Strickland of Hill Valley 1885  He frequently makes a great noisy show of sternly reprimanding his students for faults such as "slacking" or liquor consumption, although he himself is revealed to sneak a drink of alcohol at his desk at school 
There is a reference from Verne Brown that there is another Strickland who works at Hill Valley Elementary School as its vice principal 

James Strickland
James Strickland (portrayed by James Tolkan in Back to the Future Part III) is the chief marshal of Hill Valley in 1885 and an ancestor of Mr  Strickland  He also has an unnamed son (portrayed by Kaleb Henley) 
In a deleted scene not included in the final cut, and in the movie's novelization, Strickland is killed by Buford Tannen  In the theatrical release Strickland simply remains absent for the latter half 
In the Back to the Future game, Edna Strickland in 1986 notes that James was shot and killed by Buford  Marty remarks that's a detail he doesn't remember, possibly a reference to the differences between the film and the movie novelization 

Edna Strickland
Edna Strickland (voiced by Rebcca Sweitzer) is introduced in Back to the Future: The Game where she is the sister of Gerald Strickland  She is somewhat nicer than her brother, but still set in her ways towards upholding strong morals and abolishing crime and laziness  After Marty alters her original timeline, Edna married Kid Tannen and became the stepmother of Biff Tannen 

Other characters
Marvin Berry
Marvin Berry (portrayed by Harry Waters Jr ) is an African-American jazz musician and electric guitar player whose band was hired in Back to the Future Part I to perform at the "Enchantment Under The Sea" dance  He is also the cousin of then-rising musician Chuck Berry  After injuring his hand while helping Marty McFly out of a car's trunk, Marty takes his place as guitarist in the evening's most important dance  When Marty subsequently performs Johnny B  Goode to the audience's excitement, Marvin immediately calls Chuck to introduce him to the new music style, thereby humorously implying that Chuck stole the song to further his musical career  This creates a time paradox, since Marty was playing a song made famous by Chuck Berry, before Berry wrote it, so the song either has no actual creator or Berry was essentially stealing a song from his alternate timeline self  Another theory was that Chuck was going to write it anyway, but after hearing it maybe wrote it faster 

Otis "Old Man" Peabody
Otis Peabody (portrayed by Will Hare) is the patriarch of a 1950s farmer family in Back to the Future Part I  For some obscure reason, he decided to plant pines on his land; while his plan ultimately came to no fruition, the area was decades later converted into a shopping mall named "Twin Pines Mall" as a testimony to his efforts  The town sees Peabody odd including Doc Brown, who himself has a similar reputation  When Marty McFly makes his involuntary time trip back to 1955, he ends up crashing into Peabody's shed with the DeLorean and then flattening one of his two growing pine saplings while escaping  The farmer's family believes that the time-traveling car and its driver in an NBC suit are extraterrestrial  As results, according to a headline of the newspaper Hill Valley Telegraph with Peabody being photographed in a straitjacket, he is committed to a county asylum after claiming "'space zombie' wrecked his barn," and after Marty returns to 1985, the mall is found having been (re)named "Lone Pine Mall" 

Douglas J  Needles
Douglas J  Needles (portrayed by Flea in Back to the Future Part II and Back to the Future Part III) is the rival of Marty McFly in Hill Valley High School  Like his school's alumnus, Biff Tannen, Needles also has his own gang and develops a rivalry with Marty (although he doesn't outright bully him like Biff did to George and has no relation to the Tannens)  He often goads Marty into doing reckless things, leveraging on Marty's fear of being labeled as a "chicken" 

Goldie Wilson
Goldie Wilson (played by Donald Fullilove in the first film) is a young man working at Lou's Cafe in 1955 who goes on to become the first black Mayor of Hill Valley in the 1980s  By 1985, he creates a controversy when he plans to replace the damaged clock from the Hill Valley Courthouse's clock tower, which continues in 2015 after he left the office  A campaign poster shows the name Goldie in quotation marks, suggesting Goldie is a nickname, presumably in reference to his gold tooth 
He would also have a grandson, Goldie Wilson III (also played by Fullilove) who works as a car salesman in Back to the Future: Part II 

Match, Skinhead and 3-D
"Match" O'Malley (portrayed by Billy Zane), Joey "Skinhead" Unger (portrayed by Jeffrey Jay Cohen), and "3-D" Noguera (portrayed by Casey Siemaszko) are the three high school boys who make up Biff Tannen's gang in 1955  Their nicknames are only given in the films' novels, screenplays, and credits  Only one of their real names is mentioned in the movies – Biff refers to Skinhead as Joey in one of the 1955 scenes in Back to the Future Part II, while outside of the "Enchantment Under the Sea" dance 
In the alternate 1985, the three work in Biff's casino as his bodyguards  Each get their nickname from a distinctive character trait  Match often has a match sticking out of his mouth; Skinhead has very short, close-cropped hair; 3-D is always wearing a pair of anaglyphic 3-D glasses (a reference to the 3-D movies that were popular in the 1950s) 

Spike, Data and Whitey
Leslie "Spike" O'Malley (portrayed by Darlene Vogel), Rafe "Data" Unger (portrayed by Ricky Dean Logan) and Chester "Whitey" Noguera (portrayed by Jason Scott Lee) they are high school kids who make up Griff Tannen's gang in 2015  Each one of them is also the grandchild of Biff Tannen's original gang  Spike is Match's granddaughter, Data is Skinhead's grandson, and Whitey is 3-D's grandson 
Context 2: Passage 1:
Sodipodi
Sodipodi was an open-source vector graphics editor, discontinued in 2004  It is the predecessor to Inkscape 

Development
Sodipodi started as a fork of Gill, a vector-graphics program written by Raph Levien  The main author was Lauris Kaplinski, and several other people contributed to the project  The project is no longer under active development, having been succeeded by Inkscape, a 2003 fork of Sodipodi  Sodipodi means "mish mash" or "hodgepodge" in Estonian child-speak The primary design goal of Sodipodi was to produce a usable vector graphics editor, and a drawing tool for artists  Although it used SVG as its native file format (including some extensions to hold metadata), it was not intended to be a full implementation of the SVG standard  Sodipodi imports and exports plain SVG data, and can also export raster graphics in PNG format  The user interface of Sodipodi is a Controlled Single Document Interface (CSDI) similar to GIMP 
Sodipodi was developed for Linux and Microsoft Windows  The last version was 0 34, released on 11 February 2004  Released under the GNU General Public License, Sodipodi is free software 

Derivatives
Sodipodi started a collection of SVG clip art containing symbols and flags from around the world  This work helped inspire the Open Clip Art Library Inkscape started as a fork of Sodipodi, founded in 2003 by a group of Sodipodi developers with different goals, including redesigning the interface and closer compliance with the SVG standard 

See also
Comparison of vector graphics editors
Passage 2:
Jonas Öberg
Jonas Öberg (born 22 November 1977 in Norrköping, Sweden) is a free and open-source software activist, describing himself as an instigator in the world of free, having worked with the Free Software Foundation Europe, GNU Project, FSCONS, Creative Commons and the Shuttleworth Foundation  He started to develop software in 1991 and installed his first Linux operating system in 1993 after which he eventually joined as a webmaster for the GNU Project  In the late 1990s, he spent some time at the MIT AI Labs where he met with Richard Stallman and others from the Free Software Foundation, joining them for The Bazaar conference in New York  Since 2002, he has been on the award committee for the Free Software Foundation's Free Software Awards 
In 2001, he was a founding member of the Free Software Foundation Europe and took up a role as vice president on 22 November 2001 when former vice president Loïc Dachary took a step back to focus on GNU SavannahHaving worked with Creative Commons for several years, including running a course of fundraising at the Peer to Peer University, he became the first Regional Coordinator for Europe in 2011  His work for the organisation eventually led him to a position as a Fellow of the Shuttleworth Foundation where his work focus on creating tools and prototypes for the embedding of metadata for licensing and attribution requirements in digital works  His company Commons Machinery was featured as one of the 12 winners of Tech All Stars 2014, a competition of the European Commission's and Neelie Kroes's Digital Agenda 

Personal life
He has a 19th-century wooden house in the North of Sweden which he is continuously renovating and lives outside of Stockholm in Gnesta, Sweden  He married Julia Velkova, a media researcher and member of Internet Society Bulgaria, at the Ice hotel in Sweden on 8 March 2013 
Passage 3:
Pygame
Pygame is a cross-platform set of Python modules designed for writing video games  It includes computer graphics and sound libraries designed to be used with the Python programming language 

History
Pygame was originally written by Pete Shinners to replace PySDL after its development stalled  It has been a community project since 2000 and is released under the free software GNU Lesser General Public License (which "provides for Pygame to be distributed with open source and commercial software") 

Development of Version 2
Pygame version 2 was planned as "Pygame Reloaded" in 2009, but development and maintenance of Pygame completely stopped until the end of 2016 with version 1 9 1  After the release of version 1 9 5 in March 2019, development of a new version 2 is active on the roadmap Pygame 2 0 released on 28 October, 2020, on Pygame's 20th birthday 

Features
Pygame uses the Simple DirectMedia Layer (SDL) library, with the intention of allowing real-time computer game development without the low-level mechanics of the C programming language and its derivatives  This is based on the assumption that the most expensive functions inside games can be abstracted from the game logic, making it possible to use a high-level programming language, such as Python, to structure the game Other features that SDL does have include vector math, collision detection, 2D sprite scene graph management, MIDI support, camera, pixel-array manipulation, transformations, filtering, advanced freetype font support, and drawing Applications using Pygame can run on Android phones and tablets with the use of Pygame Subset for Android (pgs4a)  Sound, vibration, keyboard, and accelerometer are supported on Android 

Community
There is a regular competition, called PyWeek, to write games using Python (and usually but not necessarily, Pygame)  The community has created many tutorials for Pygame 

Notable games using Pygame
Frets on Fire
Dangerous High School Girls in Trouble
Save the Date, IndieCade 2013 Finalist
Drawn Down Abyss

See also
Cocos2d
Panda3D
Pyglet

Notes
Passage 4:
MeshLab
MeshLab is a 3D mesh processing software system that is oriented to the management and processing of unstructured large meshes and provides a set of tools for editing, cleaning, healing, inspecting, rendering, and converting these kinds of meshes  MeshLab is free and open-source software, subject to the requirements of the GNU General Public License (GPL), version 2 or later, and is used as both a complete package and a library powering other software  It is well known in the more technical fields of 3D development and data handling 

Overview
MeshLab is developed by the ISTI - CNR research center; initially MeshLab was created as a course assignment at the University of Pisa in late 2005  It is a general-purpose system aimed at the processing of the typical not-so-small unstructured 3D models that arise in the 3D scanning pipeline 
The automatic mesh cleaning filters includes removal of duplicated, unreferenced vertices, non-manifold edges, vertices, and null faces  Remeshing tools support high quality simplification based on quadric error measure, various kinds of subdivision surfaces, and two surface reconstruction algorithms from point clouds based on the ball-pivoting technique and on the Poisson surface reconstruction approach  For the removal of noise, usually present in acquired surfaces, MeshLab supports various kinds of smoothing filters and tools for curvature analysis and visualization 
It includes a tool for the registration of multiple range maps based on the iterative closest point algorithm  MeshLab also includes an interactive direct paint-on-mesh system that allows users to interactively change the color of a mesh, to define selections and to directly smooth out noise and small features 
MeshLab is available for most platforms, including Linux, Mac OS X, Windows and, with reduced functionality, on Android and iOS and even as a pure client-side JavaScript application called MeshLabJS  The system supports input/output in the following formats: PLY, STL, OFF, OBJ, 3DS, VRML 2 0, X3D and COLLADA  MeshLab can also import point clouds reconstructed using Photosynth 
MeshLab is used in various academic and research contexts, like microbiology, cultural heritage, surface reconstruction, paleontology, for rapid prototyping in orthopedic surgery, in orthodontics, and desktop manufacturing 

Additional images
See also
Geometry processing
3D scanner
List of free and open-source software packages
Passage 5:
BlueSpice MediaWiki
BlueSpice is free wiki software based on the MediaWiki engine and licensed with the GNU General Public License  It is especially developed for businesses as an enterprise wiki distribution for MediaWiki and used in over 150 countries 
The freely available version BlueSpice free is considered one of the most popular wiki computer programs for knowledge management in companies 

History
The German company Hallo Welt! has been working on the development of an open source wiki based on MediaWiki since 2007  The origins of the later BlueSpice software go back to an initiative by the IBM CTO Gunter Dueck, who initiated an internal company wiki for IBM Germany in 2007 under the name "bluepedia"  The model for the bluepedia project was Wikipedia and accordingly the platform was based on MediaWiki  However, in daily operation, additional requirements arose for the software used  This led to the founding of a company that would develop and provide the missing functions in the future 
In 2011, Hallo Welt! decided to publish their wiki as free and open-source software  The stable version of BlueSpice for MediaWiki was released July 4, 2011 : 28  From this point on, a free download has been available at SourceForge  A key feature of the software was the provision of a WYSIWYG editor, which at the time was based on the TinyMCE editor In Autumn 2013, Hallo Welt! released the completely reworked version BlueSpice 2  According to the BlueSpice developers this release aims for opening up BlueSpice for freelance developers in the global MediaWiki community and multiple language versions In 2014, BlueSpice for MediaWiki became a project of Translatewiki net  In January 2015 the developers announced that they will change to a subscription model 

Functionality and techology
BlueSpice is written in the PHP programming language and uses MySQL, Apache/IIS, Tomcat  BlueSpice is released in a free edition and two paid editions  The free edition adds more than 50 extensions to a MediaWiki, mainly in the areas of:

Editing: A version of the MediaWiki VisualEditor is delivered, which, unlike the original, contains additional functions, such as an easier procedure for uploading documents or inserting dynamic content  The creation of new pages is supported by page templates 
Search and navigation: An extended search (Elasticsearch) offers improved search functionalities, like faceted search  The search results can further be sorted or filtered by category, namespace, author, semantic data, data type etc  Any files attached are also searched  It also provides common features like autocomplete and search as you type 
Administration: Convenient management of users, namespaces, groups, rights and settings 

Licensing and distribution
All extensions of the BlueSpice distributions are under open source licenses  The functions written by Hallo Welt! are published under the license GPLv3 The free version is made available for download as a classic server installation in a tarball or as a Docker image, with BlueSpice free having the widest distribution via the official Docker version (with more than 1 million pulls in three years) 

Versions
See also
MediaWiki
Comparison of wiki software
Passage 6:
Free Software Directory
The Free Software Directory (FSD) is a project of the Free Software Foundation (FSF)   It catalogs free software that runs under free operating systems—particularly GNU and Linux  The cataloged projects are often able to run in several other operating systems  The project was formerly co-run by UNESCO 
Unlike some other directories that focus on free software, Free Software Directory staff verify the licenses of software listed in the directory 

Coverage growth and usages
FSD has been used as a source for assessing the share of free software, for example finding in September 2002 an amount of "1550 entries, of which 1363 (87 9%) used the GPL license, 103 (6 6%) used the LGPL license, 32 (2 0%) used a BSD or BSD-like license, 29 (1 9%) used the Artistic license, 5 (0 3%) used the MIT license"  By September 2009, the Directory listed 6,000 packages whose number grew up to 6,500 in October 2011, when the newly updated directory was launched  All listed packages are "free for any computer user to download, run and share  Each entry is individually checked and tested     so users know that any program they come across in the directory will be truly free software     with free documentation and without proprietary software requirements" Several scientific publications review or refer to the directory  It has been remarked that the Directory "only includes software that runs on free operating systems  The FSF/UNESCO Free Software Directory is also a collaborative project, offering a web interface for users to enter and update entries" 
Among the critical issues of the previous version, it has been pointed out that while "available software is described using a variety of textual metadata, including the components upon which a particular piece of software depends", "unfortunately, those dependencies are only listed by name, and locating and retrieving them is left to the user" 
On the other hand, the accuracy of the directory review on licenses is acknowledged 
The code review from the directory's editorial board is suitable for obtaining statistics on subsets of free software packages reliably clustered by license In September 2011, the Free Software Directory was re-implemented as a wiki, using MediaWiki and the Semantic MediaWiki extension, to allow users to directly add to and modify its contents 
Semantic MediaWiki provides the directory with semantic web technologies by adding "advanced search and presentation capabilities, structured to be useful for reading by both humans and data-mining programs" The new edition of the directory has been described as designed to ease and support with semantics the discovery and harvesting of information on free software programs  "An extensive and flexible category system, plus over 40,000 keywords and more than 40 different fields of information, enhance both simple and advanced searching" A recent snapshot of the taxonomy of the projects reviewed and accepted in the directory is the following:

See also
Passage 7:
GNU/Linux naming controversy
Within the free software and the open-source software communities there is controversy over whether to refer to computer operating systems that use a combination of GNU software and the Linux kernel as "GNU/Linux" or "Linux" systems Proponents of the term Linux argue that it is far more commonly used by the public and media and that it serves as a generic term for systems that combine that kernel with software from multiple other sources, while proponents of the term GNU/Linux note that GNU alone would be just as good a name for GNU variants which combine the GNU operating system software with software from other sources The term GNU/Linux is promoted by the Free Software Foundation (FSF) and its founder Richard Stallman  Their reasoning is that the GNU project was the main contributor for not only many of the operating system components used in the subsequent development of modern "Linux" systems, but also the associated free software philosophy  Several distributions of operating systems containing the Linux kernel use the name that the FSF prefers, such as Debian, Trisquel and Parabola GNU/Linux-libre  Others claim that GNU/Linux is a useful name to make a distinction between those and Linux distributions such as Android and Alpine Linux 

History
In 1983, Richard Stallman, founder of the Free Software Foundation, set forth plans of a complete Unix-like operating system, called GNU, composed entirely of free software  In September of that year, Stallman published a manifesto in Dr  Dobb's Journal detailing his new project publicly, outlining his vision of free software  Software development work began in January 1984  By 1991, the GNU mid-level portions of the operating system were almost complete, and the upper level could be supplied by the X Window System, but the lower level (kernel, device drivers, system-level utilities and daemons) was still mostly lacking 
The kernel officially developed by GNU was called GNU Hurd  The Hurd followed an ambitious microkernel design, which proved unexpectedly difficult to implement early on  However, in 1991, Linus Torvalds independently released the first version of the Linux kernel  Early Linux developers ported GNU code, including the GNU C Compiler, to run on Linux, while the free software community adopted the use of the Linux kernel as the missing kernel for the GNU operating system  This work filled the remaining gaps in providing a completely free operating system Over the next few years, several suggestions arose for naming operating systems using the Linux kernel and GNU components  In 1992, the Yggdrasil Linux distribution adopted the name "Linux/GNU/X"  In Usenet and mailing-list discussions, one can find usages of "GNU/Linux" as early as 1992, and of "GNU+Linux" as early as 1993  The Debian project, which was at one time sponsored by the Free Software Foundation, switched to calling its product "Debian GNU/Linux" in early 1994 
This change followed a request by Richard Stallman (who initially proposed "LiGNUx," but suggested "GNU/Linux" instead after hearing complaints about the awkwardness of the former term)  GNU's June 1994 Bulletin described "Linux" as a "free Unix system for 386 machines" (with "many of the utilities and libraries" from GNU), but the January 1995 Bulletin switched to the term "GNU/Linux" instead Stallman's and the FSF's efforts to include "GNU" in the name started around 1994, but were reportedly mostly via private communications (such as the above-mentioned request to Debian) until 1996  In May 1996, Stallman released Emacs 19 31 with the Autoconf system target "linux" changed to "lignux" (shortly thereafter changed to "linux-gnu" in emacs 19 32), and included an essay "Linux and the GNU system" suggesting that people use the terms "Linux-based GNU system" (or "GNU/Linux system" or "Lignux" for short)  He later used "GNU/Linux" exclusively, and the essay was superseded by Stallman's 1997 essay, "Linux and the GNU System" 

Composition of operating systems
Modern free software and open-source software operating systems are composed of software by many different authors, including the Linux kernel developers, the GNU project, and other vendors such as those behind the X Window System  Desktop- and server-based distributions use GNU components such as the GNU C Library (glibc), GNU Core Utilities (coreutils), and the Bash shell 
In a 2002 analysis of the source code for Red Hat Linux 7 1, a typical Linux distribution, the total size of the packages from the GNU project was found to be much larger than the Linux kernel  Later, a 2011 analysis of the Ubuntu distribution's "Natty" release main repository found that 8% to 13% of it consisted of GNU components (the range depending on whether GNOME is considered part of GNU), while only 6% is taken by the Linux kernel (9% when including its direct dependencies)  Determining exactly what constitutes the "operating system" per se is a matter of continuing debate On the other hand, some embedded systems, such as handheld devices and smartphones (like Google's Android), residential gateways (routers), and Voice over IP devices, are engineered with space efficiency in mind and use a Linux kernel with few or no components of GNU, due to perceived issues surrounding bloat, and impeded performance  A system running μClinux is likely to substitute uClibc for glibc, and BusyBox for coreutils  Google's Linux-based Android operating system does not use any GNU components or libraries, using Google's own BSD-based Bionic C library in place of glibc  The FSF agrees that "GNU/Linux" is not an appropriate name for these systems There are also systems that use a GNU userspace and/or C library on top of a non-Linux kernel, for example Debian GNU/Hurd (GNU userland on the GNU kernel) or Debian GNU/kFreeBSD (which uses the GNU coreutils and C library with the kernel from FreeBSD) 

Opinions
GNU/Linux
The FSF justifies the name "GNU/Linux" primarily on the grounds that the GNU project was specifically developing a complete system, of which they argue that the Linux kernel filled one of the final gaps; the large number of GNU components and GNU source code used in such systems is a secondary argument:

 So if you were going to pick a name for the system based on who wrote the programs in the system, the most appropriate single choice would be GNU  But we don't think that is the right way to consider the question  The GNU Project was not, is not, a project to develop specific software packages  [   ] Many people have made major contributions to the free software in the system, and they all deserve credit  But the reason it is an integrated system—and not just a collection of useful programs—is because the GNU Project set out to make it one  We made a list of the programs needed to make a complete free system, and we systematically wrote, or found people to write, everything on the list 

Other arguments include that the name "GNU/Linux" recognizes the role that the free-software movement played in building modern free and open source software communities, that the GNU project played a larger role in developing packages and software for GNU/Linux or Linux distributions, and that using the word "Linux" to refer to the Linux kernel, the operating system and entire distributions of software leads to confusion on the differences about the three  Because of this confusion, legal threats and public relations campaigns apparently directed against the kernel, such as those launched by the SCO Group or the Alexis de Tocqueville Institution (AdTI), have been misinterpreted by many commentators who assume that the whole operating system is being targeted  SCO and the AdTI have even been accused of deliberately exploiting this confusion Regarding suggestions that renaming efforts stem from egotism or personal pique, Stallman has responded that his interest is not in giving credit to himself but to the GNU Project: "Some people think that it's because I want my ego to be fed  Of course, I'm not asking you to call it 'Stallmanix' "  In response to another common suggestion that many people have contributed to the system and that a short name cannot credit all of them, the FSF has argued that this cannot justify calling the system "Linux", since they believe that the GNU project's contribution was ultimately greater than that of the Linux kernel in these related systems In 2010, Stallman stated that naming is not simply a matter of giving equal mention to the GNU Project, saying that because the system is more widely referred as "Linux", people tend to "think it's all Linux, that it was all started by Mr  Torvalds in 1991, and they think it all comes from his vision of life, and that's the really bad problem "Ariadne Conill, developer and security chair of Alpine Linux, has stated that in her opinion GNU/Linux is the correct name when referring to Linux distributions that are based on glibc and GNU coreutils, such as Debian and Fedora Linux  This can be contrasted to other Linux distributions which are based on bionic (Android) and musl (Alpine) 

Linux
Proponents of naming the operating systems "Linux" state that "Linux" is used far more often than "GNU/Linux" Eric S  Raymond writes (in the "Linux" entry of the Jargon File):

Some people object that the name "Linux" should be used to refer only to the kernel, not the entire operating system  This claim is a proxy for an underlying territorial dispute; people who insist on the term GNU/Linux want the FSF to get most of the credit for Linux because [Stallman] and friends wrote many of its user-level tools  Neither this theory nor the term GNU/Linux has gained more than minority acceptance 

When Linus Torvalds was asked in the documentary Revolution OS whether the name "GNU/Linux" was justified, he replied:

Well, I think it's justified, but it's justified if you actually make a GNU distribution of Linux     the same way that I think that "Red Hat Linux" is fine, or "SUSE Linux" or "Debian Linux", because if you actually make your own distribution of Linux, you get to name the thing, but calling Linux in general "GNU Linux" I think is just ridiculous 
An earlier comment by Torvalds on the naming controversy was:

 Umm, this discussion has gone on quite long enough, thank you very much  It doesn't really matter what people call Linux, as long as credit is given where credit is due (on both sides)  Personally, I'll very much continue to call it "Linux",    
The GNU people tried calling it GNU/Linux, and that's ok   It's certainly no worse a name than "Linux Pro" or "Red Hat Linux" or
"Slackware Linux"    
Lignux is just a punny name—I think Linux/GNU or GNU/Linux is a bit more "professional"    

The name "GNU/Linux," particularly when using Stallman's preferred pronunciation, has been criticized for its perceived clumsiness and verbosity, a factor that Torvalds has cited as the downfall of operating systems such as 386BSD The Linux Journal speculated that Stallman's advocacy of the combined name stems from frustration that "Linus got the glory for what [Stallman] wanted to do "Others have suggested that, regardless of the merits, Stallman's persistence in what sometimes seems a lost cause makes him and GNU look bad  For example, Larry McVoy (author of BitKeeper, once used to manage Linux kernel development) opined that "claiming credit only makes one look foolish and greedy" Many users and vendors who prefer the name "Linux," such as Jim Gettys, one of the original developers of the X Window System, point to the inclusion of non-GNU, non-kernel tools, such as KDE, LibreOffice, and Firefox, in end-user operating systems based on the Linux kernel:

 There are lots of people on this bus; I don't hear a clamor of support that GNU is more essential than many of the other components; can't take a wheel away, and end up with a functional vehicle, or an engine, or the seats  I recommend you be happy we have a bus 

See also
Alternative terms for free software
GNU variants
List of GNU packages
History of free software
Passage 8:
Metalogix Software
Metalogix Software is an independent software vendor, founded in 2001 in Vancouver, British Columbia and was acquired by Quest Software, Inc  in July 2018  Metalogix develops, sells, and provides support for content infrastructure software for Microsoft SharePoint, Microsoft Exchange and Microsoft Office 365 platforms 
Metalogix sells an array of products for managing content infrastructure  The company's primary product is Content Matrix, which migrates content between SharePoint versions 
Metalogix is part of Quest Software, Inc  having been acquired in July 2018 

See also
Axceler, a company acquired by Metalogix in 2013 
Passage 9:
XWiki
XWiki is a free wiki software platform written in Java with a design emphasis on extensibility  XWiki is an enterprise wiki  It includes WYSIWYG editing, OpenDocument based document import/export, semantic annotations and tagging, and advanced permissions management As an application wiki, XWiki allows for the storing of structured data and the execution of server side script within the wiki interface  Scripting languages including Velocity, Apache Groovy, Python, Ruby and PHP can be written directly into wiki pages using wiki macros  User created data structures can be defined in wiki documents and instances of those structures can be attached to wiki documents, stored in a database, and queried using either Hibernate query language or XWiki's own query language XWiki org's extension wiki  is home to XWiki extensions ranging from code snippets which can be pasted into wiki pages to loadable core modules  Many of XWiki's features are provided by extensions which are bundled with it The wikitext is rendered using the XWiki Rendering Engine which extends WikiModel  and Doxia systems, allowing it to parse Confluence, JSPWiki, Creole, MediaWiki, and TWiki syntaxes as well as XWiki's own syntax  XWiki pages are written by default using the WYSIWYG editor and rendered with XWiki syntax to format text, create tables, create links, display images, etc 

Development
XWiki code is licensed under the GNU Lesser General Public License and hosted on GitHub where everyone is free to fork the source code and develop changes in their own repository  The content included in the XWiki wiki is licensed under a Creative Commons attribution license so that it can be redistributed as long as it references XWiki; derivatives can be re-licensed entirely  While most of the active developers are funded by commercial support company XWiki SAS, XWiki SAS maintains a strict boundary between itself and the XWiki free software project  All decisions about the direction of the XWiki software project are made by consensus of the committers must go through the developers' mailing list 

Open source projects
XWiki relies heavily on other open source projects to work  They include:

Groovy: for advanced scripting requirements
Hibernate: relational database storage
Lucene: to index all the content of a wiki and its attachments and allow the search within their content 
Velocity: a template language

History
XWiki was originally written by Ludovic Dubost who founded XPertNet SARL later to become XWiki SAS, and it was first released in January 2004 under the GNU General Public License  The "X" in the name comes from "eXtensible Wiki" (when you pronounce it, it sounds as 'X') 
The first version of the Wiki Farm xwiki com was released in April 2004  In addition the open source project was hosted on SourceForge and the first commit there was done on the 15th of December 2003 
In 2006, the license was changed to the GNU Lesser General Public License to give the developer community greater flexibility, Apache Maven developer Vincent Massol became the lead developer and XWiki won the Lutece d'Or award for best open source software developed for the enterprise 
After 6 beta versions and 5 release candidates, XWiki 1 0 was released on May 22, 2007 bringing new features such as stand-alone installer and semantic tagging  2007 also brought the introduction of XWiki Watch for allowing teams to collaboratively follow RSS feeds 

Features
Structured content and inline scripting, which allows building  wiki applications
User rights management (by wiki / space / page, using groups, etc   )
PDF export
Full-text search
Version control
Import office documents into wiki syntax through OpenOffice
Various protocols for accessing the wiki (WebDAV, REST, XML-RPC)
Content and site design Export and Import
Plugins, API, Programming   
More features on the official website XWiki is also an application wiki that allows the creation of objects and classes within the wiki  This way, forms can be developed in a very short time span and be reused to enter data on the wiki following a specific template  This means that end users can be presented with a page on which the layout is already drawn, where they can directly fill in the fields needed 

See also
Comparison of wiki software
Passage 10:
EtherApe
EtherApe is a packet sniffer/network traffic monitoring tool, developed for Unix  EtherApe is free, open source software developed under the GNU General Public License 

Functionality
Network traffic is displayed using a graphical interface  Each node represents a specific host  Links represent connections to hosts  Nodes and links are color-coded to represent different protocols forming the various types of traffic on the network  Individual nodes and their connecting links grow and shrink in size with increases and decreases in network traffic 

History
Originally authored by Juan Toledo, the first version of EtherApe (version 0 0 1) was released on February 18, 2000  In a 2006 survey, Insecure org named EtherApe number 43 on its list of the "Top 100 Network Security Tools" 

Features
Some of the features listed about EtherApe include (the following list refers to version 0 9 20 of EtherApe):

graphical network traffic display
color-coded node and links for most used protocols
optional background image
traffic may be viewed on one's own network, end to end (IP) or port to port (TCP)
a variety of frame and packet types are supported
data view can be manipulated using a network filter
clicking a node or link provides additional information regarding including protocol and traffic information
summary protocol and node table
can read traffic from a file or an actual network
handles traffic on Ethernet, WLAN, VLAN plus several other media and encapsulation types
supports both IPv4 and IPv6
XML export of node, link and traffic statistics
"central node ring" mode 
"column" mode 
optional name resolving using c-ares library
packet capture and display run on different processes

Security
EtherApe requires root privileges to capture packets (but not to replay captured files)  Starting with release 0 9 15 capturing is delegated to a separate process, while the main interface can run with lower privileges, significantly reducing the risk associated with capturing packets from untrusted sources (e g  Internet) 

See also
Comparison of packet analyzers
tcpdump, a packet analyzer
Ngrep, a tool that can match regular expressions within the network packet payloads
netsniff-ng, a free Linux networking toolkit
Wireshark, a GUI based alternative to tcpdump
dsniff, a packet sniffer and set of traffic analysis tools
Passage 11:
Intellectual property
Intellectual property (IP) is a category of property that includes intangible creations of the human intellect  There are many types of intellectual property, and some countries recognize more than others  The best-known types are patents, copyrights, trademarks, and trade secrets  The modern concept of intellectual property developed in England in the 17th and 18th centuries  The term "intellectual property" began to be used in the 19th century, though it was not until the late 20th century that intellectual property became commonplace in most of the world's legal systems Supporters of intellectual property laws often describe their main purpose as encouraging the creation of a wide variety of intellectual goods  To achieve this, the law gives people and businesses property rights to certain information and intellectual goods they create, usually for a limited period of time  Supporters argue that because IP laws allow people to protect their original ideas and prevent unauthorized copying, creators derive greater individual economic benefit from the information and intellectual goods they create, and thus have more economic incentives to create them in the first place  Advocates of IP believe that these economic incentives and legal protections stimulate innovation and contribute to technological progress of certain kinds The intangible nature of intellectual property presents difficulties when compared with traditional property like land or goods  Unlike traditional property, intellectual property is "indivisible", since an unlimited number of people can in theory "consume" an intellectual good without its being depleted  Additionally, investments in intellectual goods suffer from appropriation problems: Landowners can surround their land with a robust fence and hire armed guards to protect it, but producers of information or literature can usually do little to stop their first buyer from replicating it and selling it at a lower price  Balancing rights so that they are strong enough to encourage the creation of intellectual goods but not so strong that they prevent the goods' wide use is the primary focus of modern intellectual property law 

History
The Statute of Monopolies (1624) and the British Statute of Anne (1710) are seen as the origins of patent law and copyright respectively, firmly establishing the concept of intellectual property 
"Literary property" was the term predominantly used in the British legal debates of the 1760s and 1770s over the extent to which authors and publishers of works also had rights deriving from the common law of property (Millar v Taylor (1769), Hinton v Donaldson (1773), Donaldson v Becket (1774))  The first known use of the term intellectual property dates to this time, when a piece published in the Monthly Review in 1769 used the phrase  The first clear example of modern usage goes back as early as 1808, when it was used as a heading title in a collection of essays The German equivalent was used with the founding of the North German Confederation whose constitution granted legislative power over the protection of intellectual property (Schutz des geistigen Eigentums) to the confederation  When the administrative secretariats established by the Paris Convention (1883) and the Berne Convention (1886) merged in 1893, they located in Berne, and also adopted the term intellectual property in their new combined title, the United International Bureaux for the Protection of Intellectual Property 
The organization subsequently relocated to Geneva in 1960 and was succeeded in 1967 with the establishment of the World Intellectual Property Organization (WIPO) by treaty as an agency of the United Nations  According to legal scholar Mark Lemley, it was only at this point that the term really began to be used in the United States (which had not been a party to the Berne Convention), and it did not enter popular usage there until passage of the Bayh–Dole Act in 1980 
The history of patents does not begin with inventions, but rather with royal grants by Queen Elizabeth I (1558–1603) for monopoly privileges  Approximately 200 years after the end of Elizabeth's reign, however, a patent represents a legal right obtained by an inventor providing for exclusive control over the production and sale of his mechanical or scientific invention  demonstrating the evolution of patents from royal prerogative to common-law doctrine 
The term can be found used in an October 1845 Massachusetts Circuit Court ruling in the patent case Davoll et al  v  Brown, in which Justice Charles L  Woodbury wrote that "only in this way can we protect intellectual property, the labors of the mind, productions and interests are as much a man's own     as the wheat he cultivates, or the flocks he rears " The statement that "discoveries are     property" goes back earlier  Section 1 of the French law of 1791 stated, "All new discoveries are the property of the author; to assure the inventor the property and temporary enjoyment of his discovery, there shall be delivered to him a patent for five, ten or fifteen years " In Europe, French author A  Nion mentioned propriété intellectuelle in his Droits civils des auteurs, artistes et inventeurs, published in 1846 
Until recently, the purpose of intellectual property law was to give as little protection as possible in order to encourage innovation  Historically, therefore, legal protection was granted only when necessary to encourage invention, and it was limited in time and scope  This is mainly as a result of knowledge being traditionally viewed as a public good, in order to allow its extensive dissemination and improvement The concept's origin can potentially be traced back further  Jewish law includes several considerations whose effects are similar to those of modern intellectual property laws, though the notion of intellectual creations as property does not seem to exist—notably the principle of Hasagat Ge'vul (unfair encroachment) was used to justify limited-term publisher (but not author) copyright in the 16th century  In 500 BCE, the government of the Greek state of Sybaris offered one year's patent "to all who should discover any new refinement in luxury" According to Jean-Frédéric Morin, "the global intellectual property regime is currently in the midst of a paradigm shift"  Indeed, up until the early 2000s the global IP regime used to be dominated by high standards of protection characteristic of IP laws from Europe or the United States, with a vision that uniform application of these standards over every country and to several fields with little consideration over social, cultural or environmental values or of the national level of economic development  Morin argues that "the emerging discourse of the global IP regime advocates for greater policy flexibility and greater access to knowledge, especially for developing countries " Indeed, with the Development Agenda adopted by WIPO in 2007, a set of 45 recommendations to adjust WIPO's activities to the specific needs of developing countries and aim to reduce distortions especially on issues such as patients’ access to medicines, Internet users’ access to information, farmers’ access to seeds, programmers’ access to source codes or students’ access to scientific articles  However, this paradigm shift has not yet manifested itself in concrete legal reforms at the international level Similarly, it is based on these background that the Trade-Related Aspects of Intellectual Property Rights (TRIPS) agreement requires members of the WTO to set minimum standards of legal protection, but its objective to have a “one-fits-all” protection law on Intellectual Property has been viewed with controversies regarding differences in the development level of countries  Despite the controversy, the agreement has extensively incorporated intellectual property rights into the global trading system for the first time in 1995, and has prevailed as the most comprehensive agreement reached by the world 

Rights
Intellectual property rights include patents, copyright, industrial design rights, trademarks, plant variety rights, trade dress, geographical indications, and in some jurisdictions trade secrets  There are also more specialized or derived varieties of sui generis exclusive rights, such as circuit design rights (called mask work rights in the US), supplementary protection certificates for pharmaceutical products (after expiry of a patent protecting them), and database rights (in European law)  The term "industrial property" is sometimes used to refer to a large subset of intellectual property rights including patents, trademarks, industrial designs, utility models, service marks, trade names, and geographical indications 

Patents
A patent is a form of right granted by the government to an inventor or their successor-in-title, giving the owner the right to exclude others from making, using, selling, offering to sell, and importing an invention for a limited period of time, in exchange for the public disclosure of the invention  An invention is a solution to a specific technological problem, which may be a product or a process, and generally has to fulfill three main requirements: it has to be new, not obvious and there needs to be an industrial applicability : 17  To enrich the body of knowledge and to stimulate innovation, it is an obligation for patent owners to disclose valuable information about their inventions to the public 

Copyright
A copyright gives the creator of an original work exclusive rights to it, usually for a limited time  Copyright may apply to a wide range of creative, intellectual, or artistic forms, or "works"  Copyright does not cover ideas and information themselves, only the form or manner in which they are expressed 

Industrial design rights
An industrial design right (sometimes called "design right" or design patent) protects the visual design of objects that are not purely utilitarian  An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three-dimensional form containing aesthetic value  An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft  Generally speaking, it is what makes a product look appealing, and as such, it increases the commercial value of goods 

Plant varieties
Plant breeders' rights or plant variety rights are the rights to commercially use a new variety of a plant  The variety must amongst others be novel and distinct and for registration the evaluation of propagating material of the variety is considered 

Trademarks
A trademark is a recognizable sign, design or expression that distinguishes a particular trader's products or services from similar products or services of other traders 

Trade dress
Trade dress is a legal term of art that generally refers to characteristics of the visual and aesthetic appearance of a product or its packaging (or even the design of a building) that signify the source of the product to consumers 

Trade secrets
A trade secret is a formula, practice, process, design, instrument, pattern, or compilation of information which is not generally known or reasonably ascertainable, by which a business can obtain an economic advantage over competitors and customers  There is no formal government protection granted; each business must take measures to guard its own trade secrets (e g , Formula of its soft drinks is a trade secret for Coca-Cola )

Motivation and justification
The main purpose of intellectual property law is to encourage the creation of a wide variety of intellectual goods for consumers  To achieve this, the law gives people and businesses property rights to the information and intellectual goods they create, usually for a limited period of time  Because they can then profit from them, this gives economic incentive for their creation  The intangible nature of intellectual property presents difficulties when compared with traditional property like land or goods  Unlike traditional property, intellectual property is indivisible – an unlimited number of people can "consume" an intellectual good without it being depleted  Additionally, investments in intellectual goods suffer from problems of appropriation – while a landowner can surround their land with a robust fence and hire armed guards to protect it, a producer of information or an intellectual good can usually do very little to stop their first buyer from replicating it and selling it at a lower price  Balancing rights so that they are strong enough to encourage the creation of information and intellectual goods but not so strong that they prevent their wide use is the primary focus of modern intellectual property law By exchanging limited exclusive rights for disclosure of inventions and creative works, society and the patentee/copyright owner mutually benefit, and an incentive is created for inventors and authors to create and disclose their work  Some commentators have noted that the objective of intellectual property legislators and those who support its implementation appears to be "absolute protection"  "If some intellectual property is desirable because it encourages innovation, they reason, more is better  The thinking is that creators will not have sufficient incentive to invent unless they are legally entitled to capture the full social value of their inventions"  This absolute protection or full value view treats intellectual property as another type of "real" property, typically adopting its law and rhetoric  Other recent developments in intellectual property law, such as the America Invents Act, stress international harmonization  Recently there has also been much debate over the desirability of using intellectual property rights to protect cultural heritage, including intangible ones, as well as over risks of commodification derived from this possibility  The issue still remains open in legal scholarship 

Financial incentive
These exclusive rights allow intellectual property owners to benefit from the property they have created, providing a financial incentive for the creation of an investment in intellectual property, and, in case of patents, pay associated research and development costs  In the United States Article I Section 8 Clause 8 of the Constitution, commonly called the Patent and Copyright Clause, reads; "The Congress shall have power 'To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries '" ”Some commentators, such as David Levine and Michele Boldrin, dispute this justification In 2013 the United States Patent & Trademark Office approximated that the worth of intellectual property to the U S  economy is more than US $5 trillion and creates employment for an estimated 18 million American people  The value of intellectual property is considered similarly high in other developed nations, such as those in the European Union  In the UK, IP has become a recognised asset class for use in pension-led funding and other types of business finance  However, in 2013, the UK Intellectual Property Office stated: "There are millions of intangible business assets whose value is either not being leveraged at all, or only being leveraged inadvertently" 

Economic growth
The WIPO treaty and several related international agreements underline that the protection of intellectual property rights is essential to maintaining economic growth  The WIPO Intellectual Property Handbook gives two reasons for intellectual property laws:

One is to give statutory expression to the moral and economic rights of creators in their creations and the rights of the public in access to those creations  The second is to promote, as a deliberate act of Government policy, creativity and the dissemination and application of its results and to encourage fair trading which would contribute to economic and social development 
The Anti-Counterfeiting Trade Agreement (ACTA) states that "effective enforcement of intellectual property rights is critical to sustaining economic growth across all industries and globally" Economists estimate that two-thirds of the value of large businesses in the United States can be traced to intangible assets  "IP-intensive industries" are estimated to generate 72% more value added (price minus material cost) per employee than "non-IP-intensive industries" A joint research project of the WIPO and the United Nations University measuring the impact of IP systems on six Asian countries found "a positive correlation between the strengthening of the IP system and subsequent economic growth "

Morality
According to Article 27 of the Universal Declaration of Human Rights, "everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author"  Although the relationship between intellectual property and human rights is complex, there are moral arguments for intellectual property 
The arguments that justify intellectual property fall into three major categories  Personality theorists believe intellectual property is an extension of an individual  Utilitarians believe that intellectual property stimulates social progress and pushes people to further innovation  Lockeans argue that intellectual property is justified based on deservedness and hard work Various moral justifications for private property can be used to argue in favor of the morality of intellectual property, such as:

Natural Rights/Justice Argument: this argument is based on Locke's idea that a person has a natural right over the labour and products which are produced by their body  Appropriating these products is viewed as unjust  Although Locke had never explicitly stated that natural right applied to products of the mind, it is possible to apply his argument to intellectual property rights, in which it would be unjust for people to misuse another's ideas  Locke's argument for intellectual property is based upon the idea that laborers have the right to control that which they create  They argue that we own our bodies which are the laborers, this right of ownership extends to what we create  Thus, intellectual property ensures this right when it comes to production 
Utilitarian-Pragmatic Argument: according to this rationale, a society that protects private property is more effective and prosperous than societies that do not  Innovation and invention in 19th century America has been attributed to the development of the patent system  By providing innovators with "durable and tangible return on their investment of time, labor, and other resources", intellectual property rights seek to maximize social utility  The presumption is that they promote public welfare by encouraging the "creation, production, and distribution of intellectual works"  Utilitarians argue that without intellectual property there would be a lack of incentive to produce new ideas  Systems of protection such as Intellectual property optimize social utility 
"Personality" Argument: this argument is based on a quote from Hegel: "Every man has the right to turn his will upon a thing or make the thing an object of his will, that is to say, to set aside the mere thing and recreate it as his own"  European intellectual property law is shaped by this notion that ideas are an "extension of oneself and of one's personality"  Personality theorists argue that by being a creator of something one is inherently at risk and vulnerable for having their ideas and designs stolen and/or altered  Intellectual property protects these moral claims that have to do with personality Lysander Spooner (1855) argues "that a man has a natural and absolute right—and if a natural and absolute, then necessarily a perpetual, right—of property, in the ideas, of which he is the discoverer or creator; that his right of property, in ideas, is intrinsically the same as, and stands on identically the same grounds with, his right of property in material things; that no distinction, of principle, exists between the two cases" Writer Ayn Rand argued in her book Capitalism: The Unknown Ideal that the protection of intellectual property is essentially a moral issue  The belief is that the human mind itself is the source of wealth and survival and that all property at its base is intellectual property  To violate intellectual property is therefore no different morally than violating other property rights which compromises the very processes of survival and therefore constitutes an immoral act 

Infringement, misappropriation, and enforcement
Violation of intellectual property rights, called "infringement" with respect to patents, copyright, and trademarks, and "misappropriation" with respect to trade secrets, may be a breach of civil law or criminal law, depending on the type of intellectual property involved, jurisdiction, and the nature of the action 
As of 2011, trade in counterfeit copyrighted and trademarked works was a $600 billion industry worldwide and accounted for 5–7% of global trade  During the 2022 Russian invasion of Ukraine, IP has been a consideration in punishment of the aggressor through trade sanctions, has been proposed as a method to prevent future wars of aggression involving nuclear weapons, and has caused concern about stifling innovation by keeping patent information secret 

Patent infringement
Patent infringement typically is caused by using or selling a patented invention without permission from the patent holder, i e  from the patent owner  The scope of the patented invention or the extent of protection is defined in the claims of the granted patent  There is safe harbor in many jurisdictions to use a patented invention for research  This safe harbor does not exist in the US unless the research is done for purely philosophical purposes, or to gather data to prepare an application for regulatory approval of a drug  In general, patent infringement cases are handled under civil law (e g , in the United States) but several jurisdictions incorporate infringement in criminal law also (for example, Argentina, China, France, Japan, Russia, South Korea) 

Copyright infringement
Copyright infringement is reproducing, distributing, displaying or performing a work, or to make derivative works, without permission from the copyright holder, which is typically a publisher or other business representing or assigned by the work's creator  It is often called "piracy"  In the United States, while copyright is created the instant a work is fixed, generally the copyright holder can only get money damages if the owner registers the copyright  Enforcement of copyright is generally the responsibility of the copyright holder  The ACTA trade agreement, signed in May 2011 by the United States, Japan, Switzerland, and the EU, and which has not entered into force, requires that its parties add criminal penalties, including incarceration and fines, for copyright and trademark infringement, and obligated the parties to actively police for infringement  There are limitations and exceptions to copyright, allowing limited use of copyrighted works, which does not constitute infringement  Examples of such doctrines are the fair use and fair dealing doctrine 

Trademark infringement
Trademark infringement occurs when one party uses a trademark that is identical or confusingly similar to a trademark owned by another party, in relation to products or services which are identical or similar to the products or services of the other party  In many countries, a trademark receives protection without registration, but registering a trademark provides legal advantages for enforcement  Infringement can be addressed by civil litigation and, in several jurisdictions, under criminal law 

Trade secret misappropriation
Trade secret misappropriation is different from violations of other intellectual property laws, since by definition trade secrets are secret, while patents and registered copyrights and trademarks are publicly available  In the United States, trade secrets are protected under state law, and states have nearly universally adopted the Uniform Trade Secrets Act  The United States also has federal law in the form of the Economic Espionage Act of 1996 (18 U S C  §§ 1831–1839), which makes the theft or misappropriation of a trade secret a federal crime  This law contains two provisions criminalizing two sorts of activity  The first, 18 U S C  § 1831(a), criminalizes the theft of trade secrets to benefit foreign powers  The second, 18 U S C  § 1832, criminalizes their theft for commercial or economic purposes  (The statutory penalties are different for the two offenses ) In Commonwealth common law jurisdictions, confidentiality and trade secrets are regarded as an equitable right rather than a property right but penalties for theft are roughly the same as in the United States 

Criticisms
The term "intellectual property"
Criticism of the term intellectual property ranges from discussing its vagueness and abstract overreach to direct contention to the semantic validity of using words like property and rights in fashions that contradict practice and law  Many detractors think this term specially serves the doctrinal agenda of parties opposing reform in the public interest or otherwise abusing related legislations, and that it disallows intelligent discussion about specific and often unrelated aspects of copyright, patents, trademarks, etc Free Software Foundation founder Richard Stallman argues that, although the term intellectual property is in wide use, it should be rejected altogether, because it "systematically distorts and confuses these issues, and its use was and is promoted by those who gain from this confusion"  He claims that the term "operates as a catch-all to lump together disparate laws [which] originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues" and that it creates a "bias" by confusing these monopolies with ownership of limited physical things, likening them to "property rights"  Stallman advocates referring to copyrights, patents and trademarks in the singular and warns against abstracting disparate laws into a collective term  He argues that, "to avoid spreading unnecessary bias and confusion, it is best to adopt a firm policy not to speak or even think in terms of 'intellectual property' "Similarly, economists Boldrin and Levine prefer to use the term "intellectual monopoly" as a more appropriate and clear definition of the concept, which, they argue, is very dissimilar from property rights  They further argued that "stronger patents do little or nothing to encourage innovation", mainly explained by its tendency to create market monopolies, thereby restricting further innovations and technology transfer On the assumption that intellectual property rights are actual rights, Stallman says that this claim does not live to the historical intentions behind these laws, which in the case of copyright served as a censorship system, and later on, a regulatory model for the printing press that may have benefited authors incidentally, but never interfered with the freedom of average readers  Still referring to copyright, he cites legal literature such as the United States Constitution and case law to demonstrate that the law is meant to be an optional and experimental bargain to temporarily trade property rights and free speech for public, not private, benefits in the form of increased artistic production and knowledge  He mentions that "if copyright were a natural right nothing could justify terminating this right after a certain period of time" Law professor, writer and political activist Lawrence Lessig, along with many other copyleft and free software activists, has criticized the implied analogy with physical property (like land or an automobile)  They argue such an analogy fails because physical property is generally rivalrous while intellectual works are non-rivalrous (that is, if one makes a copy of a work, the enjoyment of the copy does not prevent enjoyment of the original)  Other arguments along these lines claim that unlike the situation with tangible property, there is no natural scarcity of a particular idea or information: once it exists at all, it can be re-used and duplicated indefinitely without such re-use diminishing the original  Stephan Kinsella has objected to intellectual property on the grounds that the word "property" implies scarcity, which may not be applicable to ideas Entrepreneur and politician Rickard Falkvinge and hacker Alexandre Oliva have independently compared George Orwell's fictional dialect Newspeak to the terminology used by intellectual property supporters as a linguistic weapon to shape public opinion regarding copyright debate and DRM 

Alternative terms
In civil law jurisdictions, intellectual property has often been referred to as intellectual rights, traditionally a somewhat broader concept that has included moral rights and other personal protections that cannot be bought or sold  Use of the term intellectual rights has declined since the early 1980s, as use of the term intellectual property has increased 
Alternative terms monopolies on information and intellectual monopoly have emerged among those who argue against the "property" or "intellect" or "rights" assumptions, notably Richard Stallman  The backronyms intellectual protectionism and intellectual poverty, whose initials are also IP, have also found supporters, especially among those who have used the backronym digital restrictions management The argument that an intellectual property right should (in the interests of better balancing of relevant private and public interests) be termed an intellectual monopoly privilege (IMP) has been advanced by several academics including Birgitte Andersen and Thomas Alured Faunce 

Objections to overly broad intellectual property laws
Some critics of intellectual property, such as those in the free culture movement, point at intellectual monopolies as harming health (in the case of pharmaceutical patents), preventing progress, and benefiting concentrated interests to the detriment of the masses, and argue that ever-expansive monopolies in the form of copyright extensions, software patents, and business method patents harm the public interest  More recently scientists and engineers are expressing concern that patent thickets are undermining technological development even in high-tech fields like nanotechnology Petra Moser has asserted that historical analysis suggests that intellectual property laws may harm innovation:

Overall, the weight of the existing historical evidence suggests that patent policies, which grant strong intellectual property rights to early generations of inventors, may discourage innovation  On the contrary, policies that encourage the diffusion of ideas and modify patent laws to facilitate entry and encourage competition may be an effective mechanism to encourage innovation 
In support of that argument, Jörg Baten, Nicola Bianchi and Petra Moser find historical evidence that especially compulsory licensing – which allows governments to license patents without the consent of patent-owners – encouraged invention in Germany in the early 20th century by increasing the threat of competition in fields with low pre-existing levels of competition 
Peter Drahos notes, "Property rights confer authority over resources  When authority is granted to the few over resources on which the many depend, the few gain power over the goals of the many  This has consequences for both political and economic freedom within a society ": 13 The World Intellectual Property Organization (WIPO) recognizes that conflicts may exist between respecting  and implementing current intellectual property systems and other human rights  In 2001 the UN Committee on Economic, Social and Cultural Rights issued a document called "Human rights and intellectual property" that argued that intellectual property tends to be governed by economic goals when it should be viewed primarily as a social product; in order to serve human well-being, intellectual property systems must respect and conform to human rights laws  According to the Committee, when systems fail to do so, they risk infringing upon the human right to food and health, and to cultural participation and scientific benefits  In 2004 the General Assembly of WIPO adopted The Geneva Declaration on the Future of the World Intellectual Property Organization which argues that WIPO should "focus more on the needs of developing countries, and to view IP as one of many tools for development—not as an end in itself" Ethical problems are most pertinent when socially valuable goods like life-saving medicines are given IP protection  While the application of IP rights can allow companies to charge higher than the marginal cost of production in order to recoup the costs of research and development, the price may exclude from the market anyone who cannot afford the cost of the product, in this case a life-saving drug  "An IPR driven regime is therefore not a regime that is conductive to the investment of R&D of products that are socially valuable to predominately poor populations" : 1108–9 Libertarians have differing views on intellectual property  Stephan Kinsella, an anarcho-capitalist on the right-wing of libertarianism, argues against intellectual property because allowing property rights in ideas and information creates artificial scarcity and infringes on the right to own tangible property  Kinsella uses the following scenario to argue this point:

[I]magine the time when men lived in caves  One bright guy—let's call him Galt-Magnon—decides to build a log cabin on an open field, near his crops  To be sure, this is a good idea, and others notice it  They naturally imitate Galt-Magnon, and they start building their own cabins  But the first man to invent a house, according to IP advocates, would have a right to prevent others from building houses on their own land, with their own logs, or to charge them a fee if they do build houses  It is plain that the innovator in these examples becomes a partial owner of the tangible property (e g , land and logs) of others, due not to first occupation and use of that property (for it is already owned), but due to his coming up with an idea  Clearly, this rule flies in the face of the first-user homesteading rule, arbitrarily and groundlessly overriding the very homesteading rule that is at the foundation of all property rights 
Thomas Jefferson once said in a letter to Isaac McPherson on 13 August 1813:

If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of every one, and the receiver cannot dispossess himself of it  Its peculiar character, too, is that no one possesses the less, because every other possesses the whole of it  He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me 
In 2005 the Royal Society of Arts launched the Adelphi Charter, aimed at creating an international policy statement to frame how governments should make balanced intellectual property law Another aspect of current U S  Intellectual Property legislation is its focus on individual and joint works; thus, copyright protection can only be obtained in 'original' works of authorship  Critics like Philip Bennet argue that this does not provide adequate protection against cultural appropriation of indigenous knowledge, for which a collective IP regime is needed Intellectual property law has been criticized as not recognizing new forms of art such as the remix culture, whose participants often commit what technically constitutes violations of such laws, creation works such as anime music videos and others, or are otherwise subject to unnecessary burdens and limitations which prevent them from fully expressing themselves : 70

Objections to the expansion in nature and scope of intellectual property laws
Other criticism of intellectual property law concerns the expansion of intellectual property, both in duration and in scope 
As scientific knowledge has expanded and allowed new industries to arise in fields such as biotechnology and nanotechnology, originators of technology have sought IP protection for the new technologies  Patents have been granted for living organisms, and in the United States, certain living organisms have been patentable for over a century The increase in terms of protection is particularly seen in relation to copyright, which has recently been the subject of serial extensions in the United States and in Europe  With no need for registration or copyright notices, this is thought to have led to an increase in orphan works (copyrighted works for which the copyright owner cannot be contacted), a problem that has been noticed and addressed by governmental bodies around the world Also with respect to copyright, the American film industry helped to change the social construct of intellectual property via its trade organization, the Motion Picture Association of America (MPAA)  In amicus briefs in important cases, in lobbying before Congress, and in its statements to the public, the MPAA has advocated strong protection of intellectual property rights  In framing its presentations, the association has claimed that people are entitled to the property that is produced by their labor  Additionally Congress's awareness of the position of the United States as the world's largest producer of films has made it convenient to expand the conception of intellectual property  These doctrinal reforms have further strengthened the industry, lending the MPAA even more power and authority The growth of the Internet, and particularly distributed search engines like Kazaa and Gnutella, have represented a challenge for copyright policy  The Recording Industry Association of America, in particular, has been on the front lines of the fight against copyright infringement, which the industry calls "piracy"  The industry has had victories against some services, including a highly publicized case against the file-sharing company Napster, and some people have been prosecuted for sharing files in violation of copyright  The electronic age has seen an increase in the attempt to use software-based digital rights management tools to restrict the copying and use of digitally based works  Laws such as the Digital Millennium Copyright Act have been enacted that use criminal law to prevent any circumvention of software used to enforce digital rights management systems  Equivalent provisions, to prevent circumvention of copyright protection have existed in EU for some time, and are being expanded in, for example, Article 6 and 7 the Copyright Directive  Other examples are Article 7 of the Software Directive of 1991 (91/250/EEC), and the Conditional Access Directive of 1998 (98/84/EEC)  This can hinder legal uses, affecting public domain works, limitations and exceptions to copyright, or uses allowed by the copyright holder  Some copyleft licenses, like the GNU GPL 3, are designed to counter this  Laws may permit circumvention under specific conditions, such as when it is necessary to achieve interoperability with the circumventor's program, or for accessibility reasons; however, distribution of circumvention tools or instructions may be illegal 
In the context of trademarks, this expansion has been driven by international efforts to harmonise the definition of "trademark", as exemplified by the Agreement on Trade-Related Aspects of Intellectual Property Rights ratified in 1994, which formalized regulations for IP rights that had been handled by common law, or not at all, in member states  Pursuant to TRIPs, any sign which is "capable of distinguishing" the products or services of one business from the products or services of another business is capable of constituting a trademark 

Use in corporate tax avoidance
Intellectual property has become a core tool in corporate tax planning and tax avoidance  IP is a key component of the leading multinational tax avoidance base erosion and profit shifting (BEPS) tools, which the OECD estimates costs $100–240 billion in lost annual tax revenues In 2017–2018, both the U S  and the EU Commission simultaneously decided to depart from the OECD BEPS Project timetable, which was set up in 2013 to combat IP BEPS tax tools like the above, and launch their own anti-IP BEPS tax regimes:

U S  Tax Cuts and Jobs Act of 2017, which has several anti-IP BEPS abuse tax regimes, including GILTI tax and the BEAT tax regimes 
EU Commission 2018 Digital Services Tax, which is less advanced than the U S  TCJA, but does seek to override IP BEPS tools via a quasi-VAT The departure of the U S  and EU Commission from the OECD BEPS Project process, is attributed to frustrations with the rise in IP as a key BEPS tax tool, creating intangible assets, which are then turned into royalty payment BEPS schemes (double Irish), and/or capital allowance BEPS schemes (capital allowances for intangibles)   In contrast, the OECD has spent years developing and advocating intellectual property as a legal and a GAAP accounting concept 

Gender gap in intellectual property
Women have historically been underrepresented in the creation and ownership of intellectual property covered by intellectual property rights  According to the World Intellectual Property Organization, women composed only 16 5% of patent holders even as recently as 2020  This disparity is the result of several factors including systemic bias, sexism and discrimination within the intellectual property space, underrepresentation within STEM, and barriers to access of necessary finance and knowledge in order to obtain intellectual property rights, among other reasons 

See also
Copyfraud
Defensive publication
Freedom of information
Information policy
Libertarian perspectives on intellectual property
New product development
Sweat of the brow
Passage 12:
InfraRecorder
InfraRecorder is an open-source CD and DVD writing program for Microsoft Windows  First started by Christian Kindahl in the Google Summer of Code 2006, InfraRecorder uses the cdrtools software library to perform the actual burning 
Since 0 46, InfraRecorder is released under the terms of the GNU General Public License 3 and is free software  In November 2007, CNET rated InfraRecorder the best free alternative to commercial DVD burning software InfraRecorder is included on the VALO-CD, a collection of open source software for Windows 

Functionality
InfraRecorder supports disk rewriting and dual-layer DVDs  InfraRecorder can also burn a disc from an ISO image file  This program is completely portable on the Windows operating system 
As of version 0 40, InfraRecorder offers features similar to most CD- and DVD-authoring software, including the creation and burning of data and audio disc images, the ability to work with rewritable and multisession discs, and the ability to extract WAV and ISO image files from discs  One can also use the LAME MP3 encoder to save Audio CD tracks 
InfraRecorder is available in a version that will run natively on 64-bit versions of Windows; however, this version doesn't include an Ogg Vorbis decoder or libsnd library due to compilation difficulties with MinGW on the 64-bit Windows platform 

See also
List of optical disc authoring software
List of ISO image software
Passage 13:
CDex
CDex is a free software package for Digital Audio Extraction from Audio CD (a so-called CD ripper) and audio format conversion for Microsoft Windows  It converts CDDA tracks from a CD to standard computer sound files, such as WAV, MP3, or Ogg Vorbis  CDex was previously released as free software under the terms of the GNU General Public License (GPL);  however, although the website claims that this is still the case, no source code has been released since 2005  It was originally written by Albert L  Faber, and is developed and maintained by Georgy Berdyshev  Recent versions of the software may be compromised and a security threat 

Features
CDex is able to convert CD audio into several formats including WAV, Vorbis, MP3 (using the LAME encoder), VQF, Musepack, APE, and many others  As of version 1 70b2 FLAC encoding is native, but for version 1 51 FLAC and other codecs can be used by using an external encoder  It supports CD-Text to allow ripped tracks, with reduced user effort, to have the names of songs, artists and albums  It can also automatically identify (most) inserted audio CDs and look up the metadata by means of an online database (freedb) for automatic tagging, naming and sorting of ripped files  It also includes cdparanoia for robust CD reading  CDex is considered to be very configurable and relatively easy to use 

History
In 2000, at the start of the beta phase for version 1 30, CDex was turned into a free software project (cdexos: CDex Open Source) and hosted on SourceForge net 
In January 2006, the CDex homepage requested a new project manager and developer, implying that Albert L  Faber had abandoned development of CDex   On 5 June 2006, CDex 1 70 Beta 1 was released via the SourceForge net website (ascribed to Georgy Berdyshev)  It was the first official update to the program in almost three years, with CDex 1 70 Beta 2 following soon after on 23 June 2006  In 2008 Berdyshev was joined by Ariane Gomes as project developers  On 18 November 2009 CDex 1 70 Beta 4 was released  CDex 1 70 Final was released on 29 June 2014 featuring a Unicode and Multibyte version 
On 30 June 2007, just one day after the release of the GPLv3, the license of CDex was updated  However, the last version for which source code was made available is 1 70 Beta 2, and the SourceForge project appears to have been shut down in July 2015, shortly after the release of version 1 79 
From version 1 76 the installer includes the adware OpenCandy 
In November 2017 version 1 96 was released  It is not clear who is the current code maintainer, and no contact details are provided  Four further versions were released by March 2018 
The default Remote Server database in CDEx, Freedb, became inaccessible by June 2020   The gnudb org site at location gnudb gnudb org (on HTTP port 80) using proxy gnudb org works as a replacement for the inactive default Remote Server database 

Potential risk
The recent reincarnation of CDex has seen a number of sponsored programs being automatically selected during installation with little information about their nature  Scan results suggest there may be a substantial risk to any system these are installed on along with the source code no longer being publicly accessible, preventing independent code review 
This project should be considered as exploited by the new maintainer and should not be trusted  This project should not be trusted or installed on your machine  As the new maintainer has taken over new releases have been pushed out showing activity, the support links are broken, the ticketing system does not exist and is a broken link, there are no contact details or method to interact with the developer and the installer is installing adware without any notifications  The new maintainer has exploited the strong reputation and work of the project and turned it into mechanism to profit  Updates are being made to the application, including the installer with hidden software being installed 
Later versions apparently also add artifacts to ends of certain tracks that are ripped by the program   Rolling back to an earlier version of the program eliminates this issue 
Context 3: Passage 1:
Waterfalls (album)
Waterfalls is a live album by American saxophonist and composer John Klemmer featuring studio enhanced live performances recorded in Los Angeles for the Impulse! label 

Reception
The Allmusic review by Scott Yanow awarded the album 4 stars stating it is "Worth investigating by open-eared listeners" 

Track listing
All compositions by John Klemmer"Prelude I" – 3:33
"Waterfalls" – 4:19
"Utopia: Man's Dream, Part 1" – 8:47
"Utopia: Man's Dream, Part 2" – 3:50
"There's Some Light Ahead" – 4:29
"Centrifugal Force" – 5:59
"Prelude II" – 4:02
"Waterfall II" – 6:08Recorded in performance at the Ash Grove in Los Angeles, California on June 17, 1972 and "enchanted" at The Village Recorder in Los Angeles on June 22, 1972

Personnel
John Klemmer – tenor saxophone, soprano saxophone, echoplex
Mike Nock – electric piano
Wilton Felder – electric bass
Eddie Marshall – drums
Victor Feldman – percussion
Diana Lee – vocals (tracks 3, 4 & 6)
Passage 2:
The Main Attraction (album)
The Main Attraction is an album by American jazz guitarist Grant Green featuring performances recorded in 1976 and released on the Kudu label 

Reception
The AllMusic review by Thom Jurek awarded the album two stars and stated "While it's true that this isn't one of Green's best records, it's not by any means his worst    Contrary to jazz critics' opinions, Green had nothing to be ashamed of on Main Attraction  If funky '70s soul-jazz is your thing, you won't go wrong with this one" 

Track listing
"The Main Attraction" (Don Grolnick, Steve Khan, Will Lee, David Matthews, Andy Newmark) - 19:35
"Future Feature" (Matthews) - 7:47
"Creature" (Grant Green) - 10:20Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey in March 1976 with additional recording at A&R Studios, NYC

Personnel
Grant Green - guitar
Burt Collins, Jon Faddis - trumpet
Sam Burtis - trombone
Hubert Laws - flute
Michael Brecker, Joe Farrell - tenor saxophone
Ronnie Cuber - baritone saxophone
Don Grolnick - electric piano, clavinet
Steve Khan - rhythm guitar
Will Lee - electric bass
Andy Newmark - drums
Carlos Charles - conga, percussion
Sue Evans - percussion
Dave Matthews - arranger, conductor
Passage 3:
Something Personal
Something Personal is an album by American jazz pianist Jack Wilson featuring performances recorded and released on the Blue Note label in 1967 

Reception
The Allmusic review by Scott Yanow awarded the album 4½ stars and stated "this album is an excellent showcase for the often-overlooked Jack Wilson" 

Track listing
All compositions by Jack Wilson except as indicated"Most Unsoulful Woman" - 6:53
"The Sphinx" (Ornette Coleman) - 5:07
"Shosh" - (Blues in F) 8:59
"Serenata" (Leroy Anderson) - 6:58
"Harbor Freeway 5 P M " - 7:12
"C F D " - 4:58
"One and Four" [aka  "Mr  Day"] (John Coltrane) - 4:51 Bonus track on CD reissueRecorded  on August 9 (4, 6-7) and August 10 (1-3, 5), 1966 

Personnel
Jack Wilson - piano
Roy Ayers - vibes
Ray Brown - bass (#3-6), cello (#1-2)
Charles 'Buster' Williams - bass (#1-2)
Varney Barlow - drums
Passage 4:
Rain, Hail or Shine
Rain, Hail or Shine, an album by The Battlefield Band, was released in 1998 on the Temple Records label  The total running time is 45:38 

Track listing
"Bodachan a Gharaidh/General Macdonal/Craig an Fhithich" – 3:47
"Heave Ya Ho" – 4:30
"Margaret Ann/Manor Park/Trip to the Bronx" – 5:24
"Jenny O' the Braes" – 3:23
"Magheraclone/Norland Wind/Royal Scottish Pipers Soc /Gardez Loo/Donald" – 9:24
"The Beaches of St  Valery/Elizabeth Clare" – 6:27
"Wee Michael's March/Oot B'est da Vong" – 4:03
"The Lass O' Glencoe" – 4:24
"The Canongate Twitch/Steamboat to Detroit/Twenty Pounds of Gin/Break Yer Ba" – 6:54

Personnel
Battlefield Band
Alan Reid (keyboards, guitar, vocals, writing   )
Davy Steele (lead vocals, writing   )
John McCusker (fiddle, whistle   )
Mike Katz (Highland pipes, small pipes, various whistles   )

Sources and links
Rain, Hail or Shine at AllMusic
Passage 5:
The Jazz Skyline
The Jazz Skyline is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1956 and released on the Savoy label 

Reception
The Allmusic review by Bob Rusch states: "This session has interest as an example of Milt Jackson's mid-'50s work in a non-Modern Jazz Quartet context  And despite the many critical assertions that the vibist was restrained by pianist John Lewis' direction, his playing here revealed no marked change" 

Track listing
"Lover" (Lorenz Hart, Richard Rodgers) - 7:45
"Can't Help Lovin' Dat Man" (Oscar Hammerstein II, Jerome Kern) - 4:35
"The Lady Is a Tramp" (Hart, Rodgers) - 7:18
"Angel Face" (Hank Jones) - 6:38
"Sometimes I'm Happy" (Irving Caesar, Vincent Youmans) - 7:15
"What's New?" (Johnny Burke, Bob Haggart) - 3:51

Personnel
Milt Jackson – vibes
Lucky Thompson - tenor saxophone
Hank Jones - piano
Wendell Marshall - bass
Kenny Clarke – drums
Passage 6:
Rain on the Window
Rain on the Window is an album by English saxophonist John Surman with organist Howard Moody recorded in 2006 and released on the ECM label 

Reception
The Allmusic review by Michael G  Nastos awarded the album 3½ stars, stating, "If the listener enjoys a variety of folk forms turned into modern music, Rain on the Window may be appropriate, used here and there for any precipitous, or sunny day" 

Track listing
All compositions by John Surman except as indicated"Circum I" - 3:58
"Stained Glass" - 3:49
"The Old Dutch" - 3:30
"Dancing in the Loft" (Howard Moody, John Surman) - 1:53
"Step Lively!" (Moody, Surman) - 3:06
"Stone Ground" - 4:19
"Tierce" (Moody) - 2:59
"Circum II" - 2:03
"Rain on the Window" - 4:06
"Dark Reeds" (Moody, Surman) - 2:50
"O Waly Waly" (Traditional) - 2:43
"A Spring Wedding" - 3:07
"I'm Troubled in Mind" (Traditional) - 2:47
"On the Go" - 3:59
"Pax Vobiscum" - 4:12Recorded at Ullern Church in Oslo, Norway in January 2006 

Personnel
John Surman – soprano saxophone, baritone saxophone, bass clarinet
Howard Moody – church organ
Passage 7:
Plenty, Plenty Soul
Plenty, Plenty Soul is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label 

Reception
The Allmusic review by Scott Yanow stated that "these all-star dates still sound fresh and enthusiastic decades later" 

Track listing
All compositions by Milt Jackson, except as indicated"Plenty, Plenty Soul" (Milt Jackson, Quincy Jones) - 9:33
"Boogity Boogity" (Jones) - 4:55
"Heartstrings" - 4:53
"Sermonette" (Cannonball Adderley) - 5:23
"The Spirit-Feel" - 4:22
"Ignunt Oil" - 5:35
"Blues at Twilight" (Jones) - 6:46Recorded in New York City on January 5 (tracks 4–7) and January 7 (tracks 1–3), 1957

Personnel
Milt Jackson – vibes
Joe Newman - trumpet
Jimmy Cleveland - trombone (tracks 1–3)
Cannonball Adderley - alto saxophone (tracks 1–3)
Frank Foster (tracks 1–3), Lucky Thompson (tracks 4–7) - tenor saxophone
Sahib Shihab - baritone saxophone (tracks 1–3)
Horace Silver - piano
Percy Heath (tracks 1–3), Oscar Pettiford (tracks 4–7) - bass
Art Blakey (tracks 1–3), Connie Kay (tracks 4––7) – drums
Quincy Jones - arranger (tracks 1–3)
Passage 8:
Three for Shepp
Three for Shepp is an album by American saxophonist Marion Brown featuring performances recorded in 1966 for the Impulse! label 

Reception
The Allmusic review by Thom Jurek awarded the album 4½ stars, stating: "Marion Brown's Three for Shepp is the image-in-the-mirror companion to Archie Shepp's Four for Trane recorded the year before  The program is equally divided between Brown's originals, which occupy the first half of the album, and Shepp tunes that take up the latter half  What is immediately striking is how similar in tone, color, and texture the two men were when it came to composition  Brown arms himself here with crack bands for these recordings    This is a classic Impulse! recording of the period by an overlooked master "The authors of the Penguin Jazz Guide wrote: "Brown's Impulse! records are routinely overlooked    In the wake of this, his first successful record, Brown took to the road, playing tirelessly but curbing his studio activities  Impulse! had already released Shepp's Four For Trane  This was explicitly intended as a companion project and its arresting opening    establishes it as one of the most inventive in the label's distinguished catalogue



ground_truth: Claudia Wells

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who started the foundation that developed the Free Software Directory?

The following are given passages.
Context 3:    Brief as it is at just 35 minutes, Three For Shepp is so densely packed with musical information that it takes many, many listens to deconstruct: a living lesson in musical history, a passionate manifesto for the future "A reviewer at SoundOhm included the album in the "Best of 2019" playlist, and stated: "Three For Shepp balances fiery energy and delicate precision    Even this early in his career, Brown stood apart from his peers in "the new thing " His solos were as gentle as they were furious  Informed by the African American folk traditions of his native Georgia and an enthusiastic embrace of the avant-garde, his music would confront and challenge society  As Brown says in the original liner notes, 'The music is definitely a part of what's going on in the black revolution in America '  Three For Shepp still sounds crucial today (over 50 years later) and remains a vital statement of jazz's past, present and future "

Track listing
All compositions by Marion Brown except as noted

"New Blue" - 5:11
"Fortunato" - 8:54
"The Shadow Knows" - 3:04
"Spooks" (Archie Shepp) - 4:32
"West India" (Shepp) - 6:24
"Delicado" (Shepp) - 6:38

Personnel
Marion Brown - alto saxophone
Grachan Moncur III - trombone
Dave Burrell (tracks 1-3), Stanley Cowell (tracks 4-6) - piano
Norris Jones - bass
Bobby Capp (tracks 1-3), Beaver Harris (tracks 4-6) – drums
Passage 9:
2 Horns / 2 Rhythm
2 Horns / 2 Rhythm is an album by American jazz trumpeter Kenny Dorham, featuring performances with Ernie Henry  It was recorded in 1957 and released on Riverside Records  This was Henry's last recording session 

Reception
The AllMusic review by Scott Yanow awarded the album four stars and stated "The sparse setting (unusual for a Dorham session) works quite well" 

Track listing
Recorded in New York City on November 13 (tracks 1–3, 5–7 & 9) and December 2 (tracks 4 & 8), 1957

Personnel
Kenny Dorham – trumpet, piano (track 3)
Ernie Henry – alto saxophone
Eddie Mathias (tracks 1–3, 5–7 & 9), Wilbur Ware (tracks 4 & 8) – bass
G T  Hogan – drums
Passage 10:
Lee Aaron (album)
Lee Aaron is the fourth studio album by singer Lee Aaron, released on 17 February 1987 through Attic Records; a remastered edition was reissued in 2002 through Unidisc Music  It is Aaron's third-highest charting album, reaching No  39 on the Canadian albums chart and remaining on that chart for seventeen weeks, as well as reaching the top 60 in three other countries  Two singles reached the Canadian singles chart: "Only Human" at No  44 and "Goin' Off the Deep End" at No  93 

Critical reception
Glenn Miller at AllMusic gave Lee Aaron three stars out of five, describing it as "refreshing, showcasing the best songwriting and strongest music of [Aaron's] career", and that she "succeeds in this softer, commercial vein with mature subject matter "

Track listing
Personnel
Lee Aaron – lead vocals, background vocals, arrangement
John Albani – guitar, background vocals, arrangement
Jim Gelcer – keyboard, background vocals, arrangement
Randy Cooke – drums, percussion, arrangement
Chris Brockway – bass, background vocals, arrangement
David Roberts – background vocals (tracks 3, 5), arrangement
Peter Coleman – arrangement, production

Chart performance
Album
Singles
Passage 11:
Crystal (Ahmad Jamal album)
Crystal is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1987 and released on the Atlantic label 

Critical reception
In an Allmusic review by Scott Yanow states "There are some magical moments on this quartet set    Jamal's control of dynamics and inventive use of space proved to be as effective as it had been when he first made his mark in the 1950s, although his chord voicings and general style had evolved  Jamal and his group perform ten of his originals with taste, swing and subtle surprises" 

Track listing
All compositions by Ahmad Jamal

"Quest for Light" – 4:48
"Arabesque" – 4:48
"Avo" – 7:04
"Piano Solo" – 1:57
"For My Daughter" – 3:34
"Perugia" – 3:57
"The Last Day" – 6:00
"Crystal" – 4:58
"Swahililand" – 4:08
"The Canteen" – 3:08

Personnel
Ahmad Jamal – piano
James Cammack – bass
David Bowler – drums
Willie White – percussion
Passage 12:
Jazz Contemporary
Jazz Contemporary is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1960 and released on the Time label  The album features the recording debut of pianist Steve Kuhn 

Reception
The Allmusic review by Scott Yanow awarded the album 2½ stars and stated "The results are not quite essential but everyone plays up to par    It's fine hard bop, the modern mainstream music of the period" 

Track listing
All compositions by Kenny Dorham except as indicated"A Waltz" - 5:34
"Monk's Mood" (Thelonious Monk) - 8:09
"In Your Own Sweet Way" (Dave Brubeck) - 8:01
"Horn Salute" - 8:27
"Tonica" - 2:57
"This Love of Mine" (Sol Parker, Henry W  Sanicola Jr , Frank Sinatra) - 6:49Bonus tracks on CD reissue:

"Sign Off" - 5:29
"A Waltz" [alternate take] - 5:36
"Monk's Mood" [alternate take] (Monk) - 2:53
"This Love of Mine" [alternate take] (Parker, Sanicola, Sinatra) - 7:55Recorded on February 11 (tracks 2, 3, 7, 8, 10) and February 12, 1960 (tracks 1, 4-6, 9) 

Personnel
Kenny Dorham - trumpet
Charles Davis - baritone saxophone
Steve Kuhn - piano
Jimmy Garrison (tracks 2, 3, 7, 8 & 10), Butch Warren (tracks 1, 4-6 & 9)  - bass
Buddy Enlow - drums
Passage 13:
Opus de Jazz
Opus de Jazz (subtitled A Hi-Fi Recording for Flute, Vibes, Piano, Bass, Drums) is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1955 and released on the Savoy label 

Reception
The AllMusic review by Scott Yanow stated: "This is not essential, but it is enjoyable music "

Track listing
"Opus de Funk" (Horace Silver) – 13:28
"Opus Pocus" (Ozzie Cadena) – 7:25
"You Leave Me Breathless" (Ralph Freed, Frederick Hollander) – 6:27
"Opus and Interlude" (Cadena) – 6:30Recorded in New York City on October 28, 1955

Personnel
Milt Jackson – vibes
Frank Wess – tenor saxophone, track 2; flute, tracks 1, 3 and 4
Hank Jones – piano
Eddie Jones – bass
Kenny Clarke – drums
Passage 14:
Tijuana Jazz
Tijuana Jazz is an album by American jazz vibraphonist Gary McFarland and trumpeter Clark Terry featuring performances recorded in 1965 for the Impulse! label  The album was also released in the UK on the HMV label as CLP3541 

Reception
The AllMusic review by Scott Yanow awarded the album 3 stars stating: "McFarland's arrangements are fine, but the solos are quite short, and the Mexican-flavored music is not particularly memorable  A blown opportunity" 

Track listing
All compositions by Gary McFarland except as indicated"South of the Border" (Jimmy Kennedy, Michael Carr) - 2:06
"Acapulco at Night" - 2:52
"Fantastic, That's You" (George Cates, George Douglas) - 2:54
"Limehouse Blues" (Philip Braham, Douglas Furber) - 3:37
"Tijuana" (Cates, Douglas) - 2:09
"Marcheta" (Victor Schertzinger) - 2:55
"Granny's Samba" - 3:30
"Soul Bird (Tin Tin Deo)" (Gil Fuller, Chano Pozo) - 4:01
"Mexicali Rose" (Jack Tenney, Helen Stone) - 2:27
"Ira Schwartz's Golden Dream" - 3:32
"Mary Jane" - 3:05
"Sweet Georgia Brown" (Ben Bernie, Kenneth Casey, Maceo Pinkard) - 2:06Recorded in New York City on December 3, 1965 (tracks 1, 2, 6 & 9), December 6, 1965 (tracks 4, 8, 11 & 12), and December 7, 1965 (tracks 3, 5, 7 & 10)

Personnel
Gary McFarland – marimba, electric piano
Joe Newman, Clark Terry - trumpet, flugelhorn
Bob Brookmeyer – valve trombone
Toots Thielemans - harmonica, guitar
Barry Galbraith - guitar
Bob Bushnell – electric bass
Mel Lewis, Grady Tate – drums
Passage 15:
It's What's Happenin'
It's What's Happenin' (subtitled The Varitone Sound of Clark Terry) is an album by American jazz trumpeter Clark Terry featuring performances recorded in 1967 for the Impulse! label   Remastered in 2012 to commemorate the 50th anniversary of Impulse! Records, it was reissued together with Terry's only other record for the label as a solo leader, The Happy Horns of Clark Terry 

Reception
The Allmusic review by Richard S  Ginell awarded the album 3 stars stating "Not many will bother to recall that Clark Terry was the first trumpeter to make a recording with Selmer's Varitone attachment -- an electronic hookup to an amplifier that allowed a horn player to play octaves  Though the instrument quickly fell out of favor after a very brief vogue, it still produced an attractively soulful sound that was a good fit with Terry's jaunty, slurry, note-bending manner    there is nothing unmusically sensational about anything that happens here " 

Track listing
All compositions by Clark Terry except where noted 

"Electric Mumbles" - 3:51
"Secret Love" (Paul Francis Webster, Sammy Fain) - 6:15
"Take Me Back to Elkhart" - 7:11
"Take the "A" Train" (Billy Strayhorn) - 5:03
"Tee Pee Time" - 6:25
"Grand Canyon Suite" (Ferde Grofé) - 7:05

Personnel
Clark Terry - Varitone trumpet
Don Friedman - piano
George Duvivier - bass
Dave Bailey - drums
Passage 16:
Emotional Rain
Emotional Rain is the seventh studio album by singer Lee Aaron, released on August 3, 1994 through A&M Records (Canada) and in 1995 through Koch Entertainment (Europe); it was later reissued in 2004 through Solid Gold Records 

Track listing
Personnel
Lee Aaron – vocals, background vocals, mixing, executive production
John Albani – guitar (except tracks 13, 14), mixing, production
Knox Chandler – guitar (except tracks 13, 14)
Reeves Gabrels – guitar (except tracks 13, 14)
Don Harrison – guitar (tracks 13–14)
Don Short – drums
Daniel Mansilla – additional percussion
Don Binns – bass
Kim Deschamp – mandolin
Billy Newton-Davis – background vocals
Mischke – background vocals
Brad Nelson – engineering, mixing
Mark Berry – engineering, mixing
L  Stu Young – engineering
Graham Brewer – engineering
David Tedesco – engineering
Ray Gilliland – engineering
Keith Stein – engineering
Peter Wonsiak – engineering
Mark S  Berry – mixing, production
Passage 17:
Soundsigns
Soundsigns is an album by the American jazz saxophonist Dewey Redman of performances recorded in 1978 for the Galaxy label 

Reception
The Allmusic review by Scott Yanow awarded the album 3 stars stating "Recorded at the same sessions that resulted in Musics, this LP (which has not yet been reissued on CD) is actually more exploratory"



ground_truth: Richard Stallman

rms

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What record label does the performer of Emotional Rain belong to?

The following are given passages.
Context 3: 

Track listing
All compositions by Redman except as indicated"Piece for Tenor and Two Basses"  - 8:23
"Half Nelson" (Miles Davis) - 10:07
"Adesso Lo Sai" - 13:59
"Come Earth" - 8:00Recorded at Fantasy Studios in Berkeley, California on October 18 & 19, 1978

Personnel
Dewey Redman - tenor saxophone (tracks 1-3), harp (track 4)
Fred Simmons - piano (tracks 2 & 3)
Charlie Haden (tracks 1 & 4), Mark Helias - bass
Eddie Moore - drums, saw, cymbal (tracks 2-4)
Passage 18:
More Blues and the Abstract Truth
More Blues and the Abstract Truth is an album by American jazz composer, conductor and arranger Oliver Nelson featuring performances recorded in 1964 for the Impulse! label 

Reception
The Allmusic review by Scott Yanow awarded the album 4 stars, stating: "Unlike the original classic Blues and the Abstract Truth set from three years earlier, Oliver Nelson does not play on this album  He did contribute three of the eight originals and all of the arrangements but his decision not to play is disappointing    The emphasis is on blues-based pieces and there are some strong moments even if the date falls short of its predecessor" 

Track listing
All compositions by Oliver Nelson except as noted

"Blues and the Abstract Truth" - 5:14
"Blues O'Mighty" (Hodges) - 6:48
"Theme from Mr  Broadway" (Brubeck) - 5:45
"Midnight Blue" (Neal Hefti) - 4:06
"The Critic's Choice" - 2:21
"One for Bob" - 6:07
"Blues for Mr  Broadway" (Brubeck) - 8:12
"Goin' to Chicago Blues" (Count Basie, Jimmy Rushing) - 4:37
"One for Phil" - 3:58 Bonus track on CD reissue
"Night Lights" (Arnold Shaw) - 2:46 Bonus track on CD reissueRecorded on November 10, 1964 (tracks 4 & 6–9), and November 11, 1964 (tracks 1–3, 5 & 10) 

Personnel
Oliver Nelson - arranger, conductor
Thad Jones, Danny Moore (tracks 1 & 5) - trumpet
Phil Woods - alto saxophone
Ben Webster - tenor saxophone (tracks 4 & 7)
Phil Bodner - tenor saxophone, English horn
Pepper Adams - baritone saxophone
Roger Kellaway - piano
Richard Davis – bass
Grady Tate – drums
Passage 19:
Fire and Rain (song)
"Fire and Rain" is a song written and performed by American singer-songwriter James Taylor, released in August 1970 by Warner Bros  Records as the second single from Taylor's second studio album, Sweet Baby James  The song follows Taylor's reaction to the suicide of Suzanne Schnerr, a childhood friend, and his experiences with drug addiction and fame  After its release, "Fire and Rain" peaked at number two on RPM's Canada Top Singles chart and at number three on the Billboard Hot 100 

Background and composition
On the VH1 series Storytellers, Taylor said the song was about several incidents during his early recording career   The second line "Suzanne, the plans they made put an end to you" refers to Suzanne Schnerr, a childhood friend of his who died by suicide while he was in London, England, recording his first album  In that same account, Taylor said he had been in a deep depression after the failure of his new band the Flying Machine to coalesce (the lyric "Sweet dreams and Flying Machines in pieces on the ground"; the reference is to the name of the band rather than a fatal plane crash, as was long rumored)  Taylor completed writing the song while in rehab In 2005, during an interview on NPR, Taylor explained to host Scott Simon that the song was written in three parts:
The first part was about Taylor's friend Suzanne, who died while Taylor was in London working on his first album after being signed to Apple Records  Friends at home, concerned that it might distract Taylor from his big break, kept the tragic news from him, and he found out six months later 
The second part details Taylor's struggle to overcome drug addiction and depression 
The third part deals with coming to grips with fame and fortune, looking back at the road that got him there  It includes a reference to James Taylor and the Flying Machine, a band he briefly worked with before his big break with Paul McCartney, Peter Asher, and Apple Records Carole King played piano on the song  Drummer Russ Kunkel used brushes rather than sticks on his drum kit, and Bobby West played double bass in place of a bass guitar to "underscore the melancholy on the song" 

Reception
Record World said that the release of Taylor's version as a single after several cover versions had been released "was bound to come along  With so many versions out there is no reason the excellent original will not be THE one " Cash Box similarly referred to Taylor releasing it as a single saying "Now, the fourth or fifth to release his own 'Fire & Rain,' Taylor may have found his sought after single hit the hard way  The 'original' comes in the wake of R  B  Greaves' sales and Johnny Rivers' current treatment (not to mention BS&T's album track getting further notice) "  Billboard described it as a "poignant ballad "Broadcast Music, Inc  ranked "Fire and Rain" at number 82 on its "Top 100 Songs of the Century" list, while voters for the National Endowment for the Arts and Recording Industry Association of America's Songs of the Century list, which comprises 365 songs of "historical significance" recorded from 1900 to 2000, placed "Fire and Rain" at number 85  In April 2011, the song was named at number 227 on Rolling Stone's list of 500 greatest songs of all time 

Chart performance
Weekly charts
Other versions
Certifications
Cover versions
R  B  Greaves and Johnny Rivers first released singles of "Fire and Rain" in 1970  Warner Brothers released Taylor's original as a single later that year, in August 1970  Greaves' and Rivers' versions peaked at numbers 82 and 94 on the Billboard Hot 100, respectively Billboard predicted that Greaves' version would be a hit and said that "The James Taylor song is a natural and the production matches the song in merit "  Record World also predicted it to be a hit and said that Taylor and Greaves "are perfect together "Record World called Rivers' version "top quality stuff " Cash Box said of Rivers' version that "the tang of country pop and a top forty arrangement make this the most commercial single yet on 'Fire & Rain '"American singer-songwriter Tim Hardin (cited by James Taylor as a songwriting influence) included a "heartwrenchingly moving" rendition of "Fire and Rain" on his 1973 album Nine 
Marcia Hines covered "Fire and Rain" on her 1975 debut LP, Marcia Shines   Her version reached No  17 in Australia  At the 1975 Australian Record Awards, the song won Hines Female Vocal Single of the Year 

References in other works
Taylor references the song in another of his compositions, "That's Why I'm Here", title track from his 1985 album, in which he writes, "Fortune and fame's such a curious game  Perfect strangers can call you by name  Pay good money to hear 'Fire and Rain' again and again and again "
He also refers to the song in another composition, "Money Machine" (a cynical take on the financial aspects of the recording industry): "When I began the game, see me singing ‘bout Fire and Rain; Lemme just sing it again — I've seen fives and I’ve seen tens "
Carole King has stated that her song "You've Got a Friend", which Taylor recorded, was a response to the line in the refrain, "I've seen lonely times when I could not find a friend "

Parodies
Taylor performs the song on The Simpsons in the episode "Deep Space Homer"  While singing the song for a group of astronauts (including Homer Simpson and Buzz Aldrin), he changes the lyric "Sweet dreams and flying machines in pieces on the ground" to "Sweet dreams and flying machines, flying safely through the air" when he realizes the Space Shuttle may crash In 2015, Taylor appeared on The Late Show with Stephen Colbert, where he sang a version including numerous references to post-1970 popular culture 
Passage 20:
Groovin' with Golson
Groovin' with Golson is the sixth album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label 

Reception
The Allmusic review by Scott Yanow states, "the hard bop music does indeed groove in its own fashion" 

Track listing
All compositions by Benny Golson except where noted 

"My Blues House" - 9:25
"Drum Boogie" (Roy Eldridge, Gene Krupa) - 3:59
"I Didn't Know What Time It Was" (Richard Rodgers, Lorenz Hart) - 5:25
"The Stroller" - 9:18
"Yesterdays" (Jerome Kern, Otto Harbach) - 5:54

Personnel
Benny Golson - tenor saxophone
Curtis Fuller - trombone
Ray Bryant - piano
Paul Chambers - bass
Art Blakey - drums



ground_truth: Attic Records

Attic