prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who sings Home Alone Tonight with the singer of "I Don't Want This Night to End"?

The following are given passages.
Context 1: Passage 1:
Rockin' You Tonight
Rockin' You Tonight is the second studio album by American country music artist Blaine Larsen  Released in 2006 on BNA Records (in association with Giantslayer Records), the album produced two singles for Larsen on the Hot Country Songs charts: "I Don't Know What She Said" and "Spoken Like a Man", which respectively reached number 24 and number 42  Also included is a cover of Mac Davis's "Baby, Don't Get Hooked on Me", as well as "I'm in Love with a Married Woman", which was previously recorded and released as a single by Mark Chesnutt from his 2002 self-titled album  "Let Alone You" was later recorded by Easton Corbin on his eponymous debut album in 2010 

Track listing
Personnel
Eddie Bayers - drums, percussion
Spady Brannan - bass guitar
Perry Coleman - background vocals
Mickey Jack Cones - background vocals
J T  Corenflos - baritone guitar, electric guitar
Stuart Duncan - fiddle, mandolin
Kevin "Swine" Grantt - bass guitar
Tommy Harden - drums, percussion
Blaine Larsen - lead vocals
Chris Leuzinger - baritone guitar, electric guitar
Bill McDermott - electric guitar
Brent Mason - electric guitar
Jimmy Nichols - accordion, Hammond organ, piano, synthesizer horns, Wurlitzer
Danny Parks - electric guitar
Biff Watson - acoustic guitar, nylon string guitar, hi-string guitar
Gretchen Wilson - duet vocals on "Lips of a Bottle"
Lonnie Wilson - drums, percussion
Glenn Worf - bass guitar

Chart performance
Album
Passage 2:
Saturday Night Footy
In Australia, Saturday Night Footy (formerly as Saturday Night Football) is the broadcasting of Australian Football League (AFL) Saturday night matches on television  Saturday Night Footy is generally considered to be one of the biggest stages and generates publicity for the clubs involved  It is for this reason that clubs involved generally want to perform at their best to avoid large-scale criticism from the media  The Seven Network has held the primary broadcast rights for the AFL since the start of the 2012 season 
The commentary team is led by Basil Zempilas, Cameron Ling, Luke Darcy and Matthew Richardson  Samantha Lane provides reports during the match and also features as a reporter during the pre-match segment, which runs for 45 minutes (or one hour for matches played in Adelaide or Perth) before the match is played  Dr  Peter Larkins provides injury updates during and after the feature match  The show begins at 6:30pm every Saturday night, immediately following Seven News in most markets 
The pre-match show, titled The Kick, is anchored by Darcy and runs for one hour in the lead-up to the feature match  This portion of the telecast includes, among others, segments such as: interviews with players and the coaches involved in the feature match, going behind the scenes of a team's training session, and featuring various celebrity guests  Rachael Finch, Lleyton Hewitt and Redfoo, among others, have featured as guests on Saturday Night Footy The post-match show, anchored by Darcy, reviews the match in detail and includes interviews with the players and coaches from both sides  The team also crosses to Sam McClure, at Footy Central, to recap the rest of the day's matches, and also to provide injury and player updates from those matches 
The original Saturday Night Footy telecast may not air into some states, as the current broadcasting contract requires the local teams to be televised into their respective states (for example, Saturday night matches involving the Brisbane Lions must be televised into Queensland)  The pre-match show may also be omitted from the schedule if a local team's match being played in the twilight timeslot (i e  4:35 pm) is televised and overlaps into the 6:30pm timeslot 
During Seven's exclusively live broadcast of the AFL Grand Final as part of the 2012-2016 Broadcast Deal, the Saturday Night Footy team host both the pre-match show and the post-match show 
In 2018, James Brayshaw will join the Saturday Night Footy team 

See also
Friday Night Football (AFL)
Passage 3:
Lopez Tonight
Lopez Tonight is an American late-night television talk show that was hosted by the comedian George Lopez  The hour-long program premiered on November 9, 2009, on cable network TBS   Lopez was the first Mexican-American to host a late-night talk show on an English-language network in the United States  The show featured audience interaction using a high-energy format  The program aired Monday through Thursday at midnight Eastern and Pacific, immediately following Conan  On August 10, 2011, TBS announced that Lopez Tonight would be canceled  The final episode aired the following night 

History
Phillip Kent, the chief executive of TBS, announced in March 2009 that George Lopez had signed a contract to host his own late-night talk show on TBS in November of that year  During interviews, Lopez said that he would bring the change to late-night television and that he wants the show to reach a diverse audience  He also stated that he would become the first Hispanic American to host a late-night talk show  The show debuted on November 9, 2009, with guests Kobe Bryant and Eva Longoria, as well as a special appearance from Ellen DeGeneres and a musical performance from Carlos Santana 

Arrival of Conan O'Brien and cancellation
The 2010 Tonight Show conflict resulted in Conan O'Brien's departure from NBC and The Tonight Show  Jay Leno returned to The Tonight Show, abandoning his prime time experiment, The Jay Leno Show  As a part of his severance deal, O'Brien was given a $32-million payout, a $12-million payout for his show's staff, and the ability to pursue options on other channels after September 1, 2010 
Hours before O'Brien's Legally Prohibited from Being Funny on Television Tour, O'Brien officially announced he had signed with TBS to create his own late-night talk show at 11:00 pm beginning in November 2010, thus pushing Lopez Tonight back to midnight  O'Brien was hesitant at first, saying he didn't want to do that to Lopez after what NBC had done to him, but Lopez himself called him and persuaded him to take the job  On the April 12 edition of Lopez Tonight, George addressed the situation by saying, "I was on Team Coco, now I'm on Team Loco!" 
However, the move caused a steep decline in ratings  On August 10, 2011, TBS canceled Lopez Tonight effective at the end of the week  O'Brien said of the announcement on his show, taping just hours after it was confirmed:

"I want to take one second right now and talk about something serious  Today, not long ago—a couple of hours ago—it was announced that TBS is not renewing George Lopez's show for a third season  I have very strong feelings about this, and I wanted to talk about it  Had it not been for George being so incredibly supportive of me a year and a half ago, I would not have come to TBS and we would not be doing this show right now  I owe that man a lot, and frankly, it makes me very sad that TBS and George could not work this out  I really like being a part of a late-night lineup with George, and I wish that this could've continued  So, tonight, all of our thoughts are with George and his entire staff and crew  We understand, believe me, how hard this is for all of you, and we wish you all the best "

Format
The show followed the established six-piece format established by the likes of Steve Allen and Johnny Carson  The first segment included a monologue by Lopez, sometimes accompanied by several one-liners, or several brief comedy sketches  Most episodes also included a second segment, immediately after the monologue, with a full comedy sketch  An interview with either one or two guests followed, as well as a musical or comedy performance 

Recurring segments
Sketches introduced on the show include Bullet Wound or Not a Bullet Wound, a stereotypical game show similar to Jay Leno's "Jaywalking" where guests must answer seemingly racist questions, Creepy Little White Girl in which a horrific little girl appears on the stage to deliver bad news, The Jersey Shore Presents, a mocking piece where cast members of Jersey Shore star in hit movies, Sweet Tweets where Lopez answers questions submitted from Twitter, WWE Superstars Karoake where many WWE Superstars performed karaoke songs, Justin Bieber's Memories a segment that mocks Justin Bieber and his childhood, and "Eric Estrada" where colored lights flash and various guests, including Benjamin Bratt and Jon Cryer come out of the double doors in a California Highway Patrol motorcycle uniform 

Timeline
November 9, 2009 — Lopez Tonight debuts with guests Eva Longoria and Kobe Bryant as well as a special appearance by Ellen DeGeneres, and a musical performance from Carlos Santana, who performed "Oye Como Va" 
November 12, 2009 — Comedian Larry David appears on the show and takes a DNA test revealing his results to be 63 percent European and 37 percent Native American 
November 25, 2009 — George officially announces that Arsenio Hall would become the permanent guest host of Lopez Tonight 
December 15, 2009 — A special reunion episode, featuring the main cast of George Lopez  Musical guests War performed "Low Rider", the theme song to the former show as well as Lopez Tonight 
January 18, 2010 — Jennifer Lopez performs the opening monologue for Lopez Tonight, addressing the 2010 Tonight Show conflict, beginning with "Welcome to Lopez Tonight, where nobody gets fired"!
April 1, 2010 — As part of an April Fool's Day joke, musician Usher corrected Lopez after incorrectly stating he had two kids, saying that he had three, and went on to say that how upset he was when people didn't get their facts straight, however Usher revealed it to be a joke and that he did indeed have two kids 
April 12, 2010 — George Lopez announces that beginning in November 2010, Conan O'Brien will officially join TBS for his own late-night talk show which will push Lopez Tonight back one hour from 11:00 pm to midnight 
June 24, 2010 – Lopez Tonight celebrates its 100th episode, with guests Kobe Bryant and Louis C K  with special appearances from Arsenio Hall, Clint Eastwood, Tom Cruise, Donald Trump, Russell Brand, and Eddie Van Halen  At the end of the show, George alongside his band performed the Van Halen song "Panama" 
August 18, 2010 – George Lopez bets Bow Wow $25,000 to charity that the Los Angeles Lakers would beat the Miami Heat on Christmas Day 
October 19, 2010 – The cast of Jackass 3D appears on the show 
November 3, 2010 – Conan O'Brien officially appears on the show promoting his new talk show, Conan, which moves Lopez Tonight to midnight 
November 4, 2010 – Lopez Tonight celebrates its last show in the 11:00PM time slot as it prepares to move to 12:00AM in order for the arrival of Conan  Guests on the show were Andy Richter, Bret Michaels, and a musical performance from Good Charlotte 
November 8, 2010 – Lopez Tonight airs its first show in the midnight time slot  The show features many changes including a new opening sequence as well as a new set  Guests on the show included Janet Jackson, Antoine Dodson, and a musical performance from Rooney 
August 10, 2011 – Lopez Tonight is canceled by TBS with the series finale airing August 12, 2011 
August 15, 2011 – Repeats of The Office filled in the former Lopez Tonight timeslot after several weeks of his show repeats 
August 18, 2011 – The official TBS Lopez Tonight website was taken down and currently redirects the site to tbs com 

Production
Studio and set design
The show was taped at Warner Bros  Studios in Burbank, California, near The Ellen DeGeneres Show studio  The stage layout followed a street-party theme  The show differed from many other late-night talk shows, most notably for not featuring a desk or background of the city in which the show is taped 

House band
Lopez Tonight's house band was Michael Bearden and the Ese Vato's, who are famous for performances with Michael Jackson and Shakira  The band consisted of leader and keyboard player Michael Bearden, guitarist Tommy Organ, bass player Alex Al, percussionist Lenny Castro, trumpeter Bill Churchville, drummer Robin DiMaggio, and saxophonist Sean Holt  As in common talk show format, Michael Bearden and the Ese Vato's would perform the show's opening and closing theme, bumpers into and out of commercial breaks  The show's opening theme was "Lowrider" by the band War, which was also the theme song for George Lopez 

Reception
The show has been critically panned  Metacritic scored the show with a 39/100 based on six reviews  
Matthew Gilbert of The Boston Globe claims "Lopez has a full-throated energy and a weakness for sophomoric guy humor that can be grating, especially since his show will air Monday through Thursday nights " The New York Times says "Mr  Lopez said he was 'bringing change to late-night TV,' but the only significant change was a coarsening of the already crass atmosphere "

See also
List of Lopez Tonight episodes
Passage 4:
I Don't Want This Night to End
"I Don't Want This Night to End" is a song co-written and recorded by American country music artist Luke Bryan  It was released in September 2011 as the second single from his album Tailgates & Tanlines  The song, written by Bryan, Rhett Akins, Dallas Davidson and Ben Hayslip, is a "guy meets girl" love story 
The song received positive reviews from critics who praised the simplistic writing and catchy chorus  "I Don't Want This Night to End" peaked at number one on the US Billboard Hot Country Songs chart, giving Bryan his third number-one country music hit in both charts and starting a streak of eighteen consecutive number one hits for him  This streak ended in 2019 when "What Makes You Country" peaked at number 7 on Hot Country Songs, and number 2 on Country Airplay  It also charted at number 22 on the Hot 100 chart, the same position as his previous single "Country Girl (Shake It for Me)"  The song was certified 4× Platinum by the Recording Industry Association of America (RIAA), and has sold 2,730,000 copies in the United States as of August 2015  The song achieved minor chart success in Canada, peaking at number 48 on the Canadian Hot 100 chart  It also garnered a Platinum certification from Music Canada, selling over 80,000 copies in that country 
The accompanying music video was directed by Shaun Silva and features actress Cameron Richardson as Bryan's love interest 

Content
Bryan told The Boot that the song is about "a guy meeting a girl, and it's the first night that they're hanging out  It's a magical night and he doesn't want it to end  It's got a big fun chorus in it " He co-wrote the song with Rhett Akins, Dallas Davidson, and Ben Hayslip, collectively known as The Peach Pickers  After Hayslip provided the title, Bryan began playing a melody on a guitar  Hayslip then said that his publisher, Randy Gaston, recommended that he write "a song that talks about putting your hands up in the chorus" The song is set in the key of A minor and has a moderate tempo of approximately 112 beats per minute  The verses use a chord pattern of Am-G-Fsus2 three times, with a C-G-F pattern twice on the chorus followed by the original pattern of Am-G-Fsus2 twice  It ends on the Fsus2 chord 

Critical reception
Billy Dukes of Taste of Country gave the song four stars out of five, calling the chorus "pretty memorable" and saying that the writers "did a nice job of not over-thinking things " Matt Bjorke of Roughstock gave the song three and a half stars of five, writing that the chorus is "infectious and sing-a-long ready" and the song is "strong, well-written" and "sounds great on the radio, just like it will in concerts "Billboard and American Songwriter ranked "I Don't Want This Night to End" at number four and number one, respectively, on their lists of the 10 greatest Luke Bryan songs 

Music video
The music video was directed by Shaun Silva and premiered on November 8, 2011  Bryan portrays a country music star who falls for a new girl (played by actress Cameron Richardson) while he is home from the road  The video is a prequel to the music video for "Drunk On You" which was later released as a single 

Commercial performance
"I Don't Want This Night to End" debuted at number 44 on the U S  Billboard Hot Country Songs chart for the week of September 17, 2011  It debuted at number 90 on the U S  Billboard Hot 100 chart for the week of October 15, 2011  The song was certified five times platinum by the RIAA on August 3, 2020  As of August 2015, the song has sold 2,730,000 copies in the US It debuted at number 80 on Canadian Hot 100 chart for the week of November 5, 2011 

Charts and certifications
Passage 5:
Home Alone Tonight
"Home Alone Tonight" is a song recorded by American country music artist Luke Bryan as a duet with Karen Fairchild of American country music group Little Big Town for his fifth studio album, Kill the Lights (2015)  Upon the release of the album, the song entered the Billboard Hot Country Songs chart at number 33 on the strength of digital downloads  It was serviced to American country radio on November 23, 2015 as the album's third official single  The song was written by Jody Stevens, Cole Taylor, Jaida Dreyer and Tommy Cecil 

Live performances
Bryan and Fairchild performed the song live at the 2015 American Music Awards 

Content
The song is a mid-tempo ballad in which a man and woman meet in a bar and plot revenge on their former lovers together 

Critical reception
An uncredited review from Taste of Country was favorable, stating that it "features more progressive production than 'Strip It Down,' but isn’t quite as edgy as 'Kick the Dust Up ' One would hardly call the arrangement organic, but that fits the mood  The two spontaneous lovers promise they won’t regret what’s to come, even though both know it’s not true  It’s an inevitability that many will relate to "

Commercial performance
The song debuted at number 33 on the Billboard Hot Country Songs chart dated of August 29, 2015, the week the album was released, selling 13,000 copies in its first week  It debuted at number 55 on the Country Airplay chart dated of November 14, 2015 in anticipation of its official release  After Bryan and Fairchild performed the song on the 2015 American Music Awards, it debuted at number 97 on the Billboard Hot 100 chart dated of December 12, 2015, selling 16,000 copies  It became Bryan's thirteenth consecutive (and fifteenth overall) number one country music single on the Country Airplay chart dated of February 13, 2016  The song has sold 441,000 copies in the US as of April 2016 

Charts
Certifications
Passage 6:
Eliza Biscaccianti
Eliza Biscaccianti (1824 – July 1896) was an American operatic soprano from Boston, Massachusetts  Born Eliza Ostinelli, she was the daughter of pianist Sophia Hewitt Ostinelli, the only woman to have ever been employed as an organist and accompanist by Boston's Handel and Haydn Society and the second musician ever to perform the work of Beethoven in Boston, and Louis Ostinelli, a native of Italy who became a second violinist with, and later a conductor of, the Handel and Haydn Society  Her uncle was composer John Hill Hewitt and her grandfather was conductor, composer and music publisher James Hewitt She was nicknamed "The American Thrush" 

Musical training, marriage and singing career
From 1842 to 1847 Biscaccianti studied singing in Italy, most notably with Giuditta Pasta  She made her professional opera debut at Teatro Lirico in Milan in May 1847 as Elvira in Ernani  While in Italy she married the Italian cellist Count Alessandro Biscaccianti  They returned to the United States in late 1847 when Biscaccianti was offered a contract at the Astor Opera House in New York City  She made her debut at the Astor opera house as Amina in La sonnambula  She was later heard that season in the title role of Lucia di Lammermoor After the Astor Place Riot in 1849, she returned to her native city of Boston where she was lauded for her opera performances  She then toured to San Francisco in 1852 where she was one of the star performers in the fledgling opera scene in that city during 
Madame Biscaccianti received from a large and highly intelligent audience, on the occasion of her re-appearance, last evening, one of the most flattering welcomes that we have ever seen bestowed upon a public favorite  It was her first concert in several weeks, and she had barely recovered from an illness which still left its enfeebling effects upon her frame; but her voice was strong, pure and exquisitely flexible, and her spirits buoyant and animated  She sang with a degree of fervor and expression that called for the most enthusiastic testimonials, in the forms of plaudits, "bravos" and bouquets, from a delighted auditory  Her execution, too, was brilliant and artistic; and we see no reason to change the opinion we expressed many months since, after one of the fair Signora's 'Benevolent Concerts'; that the strength and purity of her tones and her brilliancy of style and execution continually increase, and her increasing success is manifest at every concert given by Madam B  in this city 
According to Verdi historian, George Martin:
Because she had been born in Boston of a New England mother, Biscaccianti was known popularly as "The American Thrush," but she had studied in Europe and sung in Paris, Milan, St  Petersburg, and London, founding a claim to be the first American to sing opera in Europe  In the ten months that she remained in California she sang at least seventy recitals, thirty-five in San Francisco, thirteen in Sacramento, seven in Stockton, and the balance in smaller towns 
In 1853 Biscaccianti performed in operas in South America, including in Lima, Peru  After retiring from the stage she taught singing in Milan  In her elder years she lived in a home for artists in Paris that was supported by a foundation in memory of Rossini 

Death
By the time of her death in 1896, according to Ammer, Biscaccianti was impoverished  She died, aged 72, at the Rossini Foundation Home for Musicians in Paris 

Notes
Passage 7:
Don't Let Me Be Lonely Tonight
"Don't Let Me Be Lonely Tonight" is a song written and performed by American singer-songwriter James Taylor, from his 1972 album One Man Dog  
The song has been included on three of Taylor's greatest-hits collection albums: Greatest Hits (1976), Classic Songs (1987) and The Best of James Taylor (2003)  Taylor re-recorded the song for the 2001 Michael Brecker album Nearness of You: The Ballad Book; this rendition won Taylor the Grammy Award for Best Male Pop Vocal Performance in 2002 

Personnel
James Taylor – lead vocals, acoustic guitar
Danny Kortchmar – electric guitar
Craig Doerge – piano
Lee Sklar – bass guitar
Russ Kunkel – drums, congas
Michael Brecker – tenor saxophone

Reception
Billboard described "Don't Let Me Be Lonely Tonight" as a "ballad beauty " Record World called it a "superb lilting ballad featuring stunning Peter Asher production work and a terrific saxophone finale "  AllMusic reviewer Bill Janovitz wrote that the song is "a stunning example of the Tin Pan Alley-type of jazzy romantic ballad", and that the song's lyrics, about "a betrayed lover who allows his lonely heart to control his head", were unusual in that songs on that theme were usually performed by female artists  Berwyn Life critic Steve Sparacio said that it "is simply one of the most beautiful ballads in existence "

Chart performance
It was released as the lead single from the album, and peaked at No  14 on the U S  Billboard Hot 100, reaching its peak position on January 13, 1973   It also reached No  3 Easy Listening  In Canada, the song reached No  18 on the Pop Singles chart and No  7 AC 

Covers and samples
The song has been recorded by the following artists:

Johnny Mathis, on Me and Mrs  Jones (1973)
Liza Minnelli, on The Singer (1973), her best-selling album
The Isley Brothers, on their platinum-selling album 3 + 3 (1973)  This version was done in 12/8 time, with a rhythm and blues feel 
Nancy Wilson, on Come Get to This (1975)
Isaac Hayes, on For the Sake of Love (1978), in a 7-minute, funk-infused version with a long instrumental introduction  The instrumental portion has been sampled in songs including "You Keep Leading Me On" by Mona Lisa (1996), "Rhyme No More" by Jay-Z (1997), "It's All Mo' Thug" by Bone Thugs-n-Harmony (1997) and "Lovin You (On My Mind)" by Slim Thug featuring Z-Ro (2013) 
Mary MacGregor, on    In Your Eyes (1978)
Scottish band Wet Wet Wet on their debut album Popped in Souled Out (1987)
Brazilian jazz-bossa nova singer Kenia recorded and released her own revival in 1987 
Oleta Adams, on Evolution (1992)
Michael Brecker, on Nearness of You: The Ballad Book (2001)
Eric Clapton, on Reptile (2001)
Joe Cocker, on Heart & Soul (2005)
Euge Groove, on Livin’ Large (2004)
David Sanborn featuring Lizz Wright on Closer (2005)
Diane Schuur on Schuur Fire (2005)
Jazz saxophonist Boney James, on Send One Your Love (2009)  Vocals were by Quinn, in a style similar to the Isley Brothers' version  It was released as a single, and was nominated for the Grammy Award for Best Traditional R&B Performance in 2010, losing to Beyoncé's cover of "At Last" 
Garth Brooks, on The Melting Pot album of the compilation box set Blame It All on My Roots: Five Decades of Influences (2013)
Jazz singer and bassist Kristin Korb on the album What If (2021)

Other cover versions
"Don't Let Me Be Lonely Tonight" has also been performed live by artists including George Benson, Pat Metheny, and Earth, Wind & Fire 
Passage 8:
Silly Love Songs (Glee)
"Silly Love Songs" is the twelfth episode of the second season of the American musical television series Glee, and the thirty-fourth overall  The Valentine's Day-themed episode was written by series creator Ryan Murphy, directed by Tate Donovan, and premiered on Fox on February 8, 2011  In this episode, Director Will Schuester (Matthew Morrison) assigns the McKinley High School glee club to perform love songs in honor of Valentine's Day  Club member Finn Hudson (Cory Monteith) sets up a kissing booth for the occasion, to take advantage of his rising popularity and raise money for the club  At the Dalton Academy, Blaine Anderson (Darren Criss) and the Dalton Academy Warblers make plans to perform a musical number outside of the campus, and Kurt Hummel (Chris Colfer) confesses his love for Blaine 
"Silly Love Songs" was met with critical acclaim, with much of the praise stemming from the character development and the musical performances  Melissa Maerz of the Los Angeles Times, Emily VanDerWerff of The A V  Club, and Lisa de Moraes of The Washington Post all deemed the storyline as entertaining, while Joel Keller of the TV Squad went on to call the episode "the best episode of the season " The episode features cover versions of six songs, including a cover of "P Y T " by Michael Jackson and "My Funny Valentine" from the musical Babes in Arms  Many of the covers and performances were met with positive reception from critics and fans alike, with much of the praise going to the Glee covers of "Fat Bottomed Girls" by Queen and "Silly Love Songs" by Paul McCartney, respectively  All songs with the exception of "My Funny Valentine" were released as singles and made available for digital download 
Upon its initial airing, the episode was watched by just under 11 58 million American viewers, and it garnered a 4 6/13 Nielsen rating/share in the 18–49 demographic  Both the total viewership and ratings were significantly down from the previous episode, "The Sue Sylvester Shuffle", which aired immediately after the Super Bowl 

Plot
Glee club director Will Schuester (Matthew Morrison) gives New Directions a love song assignment  Having fallen for the group's newest member Lauren Zizes (Ashley Fink), Puck (Mark Salling) serenades her with Queen's "Fat Bottomed Girls"  Lauren finds his song choice insulting and stands him up on a pre-Valentine's date, but eventually agrees to spend Valentine's Day with him as friends 

Artie Abrams (Kevin McHale) and Mike Chang (Harry Shum Jr ) celebrate their respective relationships by performing Michael Jackson's "P Y T  (Pretty Young Thing)" for their girlfriends, Brittany Pierce (Heather Morris) and Tina Cohen-Chang (Jenna Ushkowitz)  Tina later begins to sing "My Funny Valentine" to Mike, but is too overcome with emotion, and begins to cry while continuing to sing 
Finn Hudson (Cory Monteith) sets up a kissing booth, to take advantage of his popularity in the hope of kissing his ex-girlfriend Quinn Fabray (Dianna Agron)  He also wants to donate the proceeds to the glee club  Quinn initially refuses to buy a kiss from Finn, but does so at the insistence of her boyfriend Sam Evans (Chord Overstreet), who is suspicious of their relationship  The kiss further re-ignites Finn and Quinn's feelings for one another, and they begin an affair  Santana Lopez (Naya Rivera), angry for having recently had her bad behavior highlighted by the other club members, conspires to give them mono and reveal Quinn's infidelity  Finn's most recent ex-girlfriend Rachel Berry (Lea Michele) is dismayed by his renewed feelings for Quinn, but resolves to concentrate on her career instead of romance, and leads the female New Directions members in a performance of Katy Perry's "Firework" 
At Dalton Academy, a private school attended by former New Directions member Kurt Hummel (Chris Colfer), the object of his affection Blaine Anderson (Darren Criss) announces his intention to sing a love song to his crush  Kurt believes that Blaine has feelings for him, so is disappointed when his crush turns out to be Jeremiah (Alexander Nifong), the assistant manager at a local Gap store  The Dalton Academy Warblers accompany Blaine as he serenades Jeremiah with Robin Thicke's "When I Get You Alone"  Jeremiah is subsequently fired and rebuffs Blaine  Kurt confesses his feelings to Blaine, who tells Kurt that he cares for him but is terrible at romance, and does not want to risk damaging their friendship  The episode ends with New Directions assembled at Breadstix, a local restaurant, where the Warblers perform the titular "Silly Love Songs" 

Production
"Silly Love Songs" was first announced by Glee co-creator Ryan Murphy in an interview with a German journalist  The name of the episode and its airdate were announced shortly after the announcement of the show getting a short-term hiatus due to various cast members contracting the flu  Inspiration for the episode may be partially related to a lobbying effort by Paul McCartney to have covers of songs by The Beatles incorporated into Glee  In an interview with various reporters at the 2010 Teen Choice Awards, Murphy revealed that he received a mixtape that was sent from McCartney, who is reportedly a fan of the series  Recurring characters who appear in this episode include glee club members Mike Chang (Harry Shum, Jr ), Sam Evans (Chord Overstreet), and Lauren Zizes (Ashley Fink), football coach Shannon Beiste (Dot-Marie Jones), and Blaine Anderson (Darren Criss) the lead singer of the Dalton Academy Warblers "Silly Love Songs" features cover versions of six songs: Katy Perry's "Firework", Queen's "Fat Bottomed Girls", Michael Jackson's "P Y T  (Pretty Young Thing)", "My Funny Valentine" from the musical Babes in Arms, "When I Get You Alone" by Robin Thicke, and "Silly Love Songs" by Paul McCartney and his band Wings  This was the fourth time a song by Katy Perry was used in a Glee episode, with the previous covers being "I Kissed a Girl" in the pilot, "Teenage Dream" on the episode "Never Been Kissed" and "California Gurls" on the previous episode "The Sue Sylvester Shuffle"  All songs with the exception of "My Funny Valentine" were released as singles and made available for digital download  All five singles were included on Glee soundtrack albums: "Firework", "P Y T  (Pretty Young Thing)", and "Fat Bottomed Girls" were featured in the sixth soundtrack album, Glee: The Music, Volume 5, while "Silly Love Songs" and "When I Get You Alone" were featured on the seventh, Glee: The Music Presents the Warblers 

Reception
Ratings
"Silly Love Songs" was originally broadcast in the United States on Fox on February 8, 2011  It received just under 11 58 million American viewers upon its initial airing, despite airing simultaneously with NCIS on CBS, The Biggest Loser on NBC, No Ordinary Family on ABC, and One Tree Hill on The CW  It garnered a 4 6/13 Nielsen rating/share in the 18–49 demographic, the highest rating of the night  This episode's total viewership and ratings were significantly down from the previous episode, "The Sue Sylvester Shuffle", which was watched by over 26 8 million American viewers and received an 11 1/29 rating/share in the 18–49 demographic In Canada, where it also aired on February 8, 2011, the episode was watched by over 2 08 million viewers  It ranked number ten in the most-watched television programs of the week  The total viewership slightly declined from the previous episode, which attained 2 16 million viewers, as well as being the ninth most-watched television program of the week  In Australia, where the episode aired on February 21, 2011, it was viewed by 921,000 viewers upon its initial airing  It was the eleventh most-watched program on the night  The episode's total viewership declined at a marginal rate from the previous episode, which drew 1 13 million viewers, and was the fourth most-watched program of the night and the most-watched in the 18–49 demographic  It placed tenth in the weekly viewership rankings  In the UK, the episode was watched by 2 629 million viewers (2 233 million on E4, and 396,000 on E4+1), becoming the most-watched show on E4 and E4 +1 for the week, and the most-watched show on cable for the week 

Critical response
"Silly Love Songs" was met with critical acclaim from many television critics upon its initial airing  Erica Futterman of Rolling Stone gave a very positive review of the episode, and wrote, "This was our favorite type of Glee episode  Though we enjoy over-the-top spectacles [   ], the show's real cleverness shines when they take songs from across the board and fit them into a cohesive storyline  Sue Sylvester didn't make an appearance and—dare we say it—we didn't even miss her " Bobby Hankinson of the Houston Chronicle enjoyed the episode, going on to write, "I thought it was a strong showing, if a little disjointed  Well, at least it was honest  If this show is one thing, it's disjointed  It's part of its spazzy appeal " Melissa Maerz of the Los Angeles Times gave the episode a positive review: "On Tuesday night, Glee wasn’t only back at its usual time, it was back to doing what it does best: giving us entertaining [   ] storylines involving characters we care about who sing songs that emerge organically and advance the story  It was like a perfect heart-shaped bubble of an episode reminding the show’s fans about all the things we’ve missed about the show these last couple of months "Robert Canning of IGN also gave the episode a positive review, and opined, "With the dissing of glee club temporarily put on hold, Glee the series was able to have a little fun with Tuesday night's episode  And fun it was, with the gang of New Directions taking on Valentine's Day, with flirting, kissing and, of course, singing  Without the bullying, this was a much lighter episode of Glee, and the results gave way to a lot more laughs and story development " He went on to praise Ashley Fink's performance as Lauren Zizes, and said of Puck's falling in love with Lauren, "I can't decide if I want to root for this couple, but I certainly know I'm going to be rooting for Lauren " Canning ultimately gave the episode an 8 5 out of 10  Wyndham Wyeth of Paste went on to praise the episode for its depiction of relationships in high school, as well as the backing vocals for Salling's performance of "Fat Bottomed Girls" by Queen  Emily VanDerWerff of The A V  Club gave the episode a positive review and a grade of "A−": "'Silly Love Songs' is a fine example of the show at what's very nearly its absolute best  There's nothing too heady here, but if the show has one tone that it's nailed almost completely consistently, it's the feeling of teenage romance, the sense that the person you're in love with is the only person you will ever be in love with [   ] followed almost immediately by the crippling feeling of heartbreak, of losing that person too soon  Teenage life moves fast and is filled with heightened emotions  And like most musicals, Glee has always been at its best when it embraces those two sides of its characters' lives  As such, 'Silly Love Songs', which is pretty much just an excuse to play around with the show's many romantic pairings among its glee club characters, is a lot of fun without trying all that hard " In conclusion of her review, she wrote, "The best episodes play that elation and devastation off of each other  The worst episodes flounder about for some sort of emotional foothold  But when Glee just tells small, sweet stories about these kids and the ways they're trying to cope with being in high school when they know they're meant for bigger things, it can be terrific  Tonight was one of those episodes, and tonight's episode was terrific  Here's to a good February sweeps "

Matt Richenthal of TV Fanatic gave the episode a 4 6 out of 5 stars, and went on to describe the episode as "A funny, touching, entertaining Glee episode that didn't feature a single line from Sue Sylvester? I never thought I'd see the day  But that's exactly what transpired on 'Silly Love Songs', as the show stopped feeling like a Public Service Announcement for a week and actually focused on well-paced, well-written relationship developments among its core characters " Joel Keller of TV Squad gave the episode a positive review, and wrote, "'Silly Love Songs' strikes an interesting contrast to Sunday night's post-Super Bowl episode in that tonight was more about the kids and where they are in their stories than about big production numbers and Sue's cartoon evilness  It was also the funniest episode of the season, in no small part because we got some insight into the lives of two New Directions members we rarely get to hang out with for any length of time: Santana and Lauren " James Poniewozik of Time Magazine praised the storyline and the musical performances of the episode  However, Soraya Roberts of the Daily News gave the episode a negative review: "This show sometimes sounds like it was written by a PIT, prime idiot TV writer  It's almost as bad as Tina breaking down into tears for no reason while singing 'My Funny Valentine' to Mike and Blaine attempting to channel Frank Sinatra while singing Paul McCartney's 'Silly Love Songs' in the middle of Breadsticks " Lisa de Moraes of The Washington Post praised the storyline, calling it cohesive 

Musical performances
The musical covers and performances for the episode were mostly well received by critics and fans alike  Sandra Gonzalez of Entertainment Weekly stated that her favorite was "Silly Love Songs" by Paul McCartney, performed by the Warblers  In a review of the performance, she wrote, "This is much more Warbler-esque than 'When I Get You Alone'  I had also been worried we wouldn't get our weekly dose of dorky Warbler dance moves  Plus, major points for the blink-and-you'll-miss-it moment when Blaine sang the love 'won't come at all' line to Santana  It was probably my personal biggest laugh-out-loud moment of the episode " She gave the performance an "A"  She also praised Puck's performance of "Fat Bottomed Girls", and opined, "In general, I'm in love with Mark Salling's voice  He's right up there with Artie [   ] in my book  And this song was smothered in awesome sauce  Bonus points for Puck's sort-of-feminine head bob, Brittany's background groovin', the club's reactions to him singing to Lauren, and Mr  Schu's mild eye-roll " She went on to give the performance an "A−"  Kristin Coachman of the Seattle Post-Intelligencer was a bit more critical of Puck's cover of the song: "This week Mark Salling [   ] is singing Queen's 'Fat Bottomed Girls'  I know this song fits in with Puck's storyline for the episode, but I feel like the song was in the wrong key for him  At times it sounded like he was straining to hit the higher notes  Because of this, I have to wonder if the backing vocals are purposely drowning his voice out  It seems depending on the song selection for him, Salling's vocal performances continue to be very hit or miss this season "Tina's cover of "My Funny Valentine" stirred mixed emotions in Gonzalez  She criticized the ending: "When she started sobbing, it got weird  Then weirder  Then downright uncomfortable " However, she liked the earlier part of the performance, and wrote, "It was übersweet when Tina started getting choked up during her song, because let's face it, it happens  You can love someone so much it hurts  If she would have continued the song with a mild lump in her throat, I think I might have gotten choked up with her "Rachel's cover of "Firework" by Katy Perry was reviewed negatively by Coachman  She wrote, "I'm not loving Michele’s vocals on this track  It was like they wanted to purposely make her sound like Katy Perry  As much as I really like Katy Perry, Michele has more of a tremendous voice  There are parts where I thought she sounded really great, but for the most part this song just wasn't my cup of tea  Michele has such a beautiful voice; I wish she was given songs that would allow her to showcase it to her advantage " Katie Morgan of Billboard gave a positive review of the Warblers' performance of "Silly Love Songs", writing, "Not only do they sound great [   ], but the song brings a sugary sweet end to a super-saccharine episode " The Marquee Blog at CNN gave the music numbers a positive review  A notable segment reads: "I just loved seeing The Warblers get their groove on amidst the jeans and cotton T-shirts  And Kurt was super gracious trying to be supportive of Blaine, in spite of his own feelings  I also totally loved the music [   ] and overall this was one of my favorite episodes this season  Brett Berk of Vanity Fair praised Salling's performance of "Fat Bottomed Girls", as well as the casts' performances of "P Y T " by Michael Jackson and "When I get You Alone" by Robin Thicke  Erica Futterman of Rolling Stone gave Salling's performance a positive review  She wrote, "We were thoroughly entertained by Puck's attempt to win newbie Lauren Zizes over with his tribute to her larger figure  Only in Puck's world would Queen's raucous song qualify as a serenade—and our horror-turned-amusement was mirrored on his fellow New Directions' faces  Puck is no Freddie Mercury, but he handles the melody well and makes up for lack of range with swagger "

Chart history
All five of the cover versions released as singles debuted on the Billboard Hot 100, and appeared on other musical charts  With these new Hot 100 debuts, plus the debut the same week of "She's Not There" from the prior episode "The Sue Sylvester Shuffle", which had aired two days before "Silly Love Songs", the Glee Cast passed Elvis Presley's record of 108 singles on the Hot 100, reaching 113 singles  The cast had nine songs on the Hot 100 that week, a new record for them  The show's rendition of "Firework" debuted at number thirty-four; it was at number thirty-five on the Billboard Canadian Hot 100  The other four songs from this episode on the Hot 100 were "Silly Love Songs" at number forty-five, which also made number fifty-four on the Canadian Hot 100, "When I Get You Alone" at number forty-seven, which also made number sixty-one on the Canadian Hot 100, "Fat Bottomed Girls" at number fifty-six, which also made number fifty on the Canadian Hot 100, and "P Y T  (Pretty Young Thing)" at number fifty-eight, which also made number sixty-nine on the Canadian Hot 100 
Passage 9:
Up All Night (Matt Willis song)
"Up All Night" is the debut solo single by English musician Matt Willis  It was released as a single on 22 May 2006 and appears on his debut album, Don't Let It Go to Waste  The song is about how Willis keeps thinking of a girl, and as a result cannot sleep at night  It debuted at number 52 on the UK Singles Chart on download sales alone  The following week, it peaked at number seven after the physical release  It stayed in the UK chart for a total of four weeks 
The video for "Up All Night" features Willis in a house late at night and flashes back and forth between scenes of Willis having difficulty sleeping and Willis in the midst of a party  Willis's first televised performance of "Up All Night" took place on 7 May 2006 on Top of the Pops  He then performed the song again on the same show on 28 May 2006, three weeks since his TV debut 

Track listings
CD2 contains a free beer mat, with images of a dragon on the front and Willis on the rear 

Charts
Passage 10:
I Don't Want to Go Back Alone
I Don't Want to Go Back Alone (Portuguese: Eu Não Quero Voltar Sozinho) is a 2010 Brazilian short film directed by Daniel Ribeiro  The short won the 2011 Iris Prize 
It was later expanded into Ribeiro's 2014 feature film The Way He Looks 

Plot
Leonardo "Leo" is a 15-year-old blind high school student with his one friend in class, Giovana, sitting next to him  Seated behind Leonardo is the new student Gabriel  After class Giovana invites Gabriel to walk home with herself and Leonardo; she customarily links arms with him for support even though his house is further from the school than hers  Later Giovana teases Leonardo about never confiding in her about romance and suggests he receive math tutoring from Gabriel 
Over time the three grow closer, walking home and playing games together  Leonardo becomes more self-conscious about appearance, asking questions about what he and Gabriel look like  Gabriel volunteers to take over escorting Leonardo so Giovana doesn't have to backtrack, though she possessively says that's not necessary  However, Leo happily agrees  A school project requires same-sex pairs, leading Leonardo to work with Gabriel instead of Giovana  During a more serious conversation about his blindness, Gabriel points out Giovana's attraction to Leonardo, but Leonardo says he does not reciprocate  After school one day, Leo links arms with Gabriel rather than Giovana, much to Gabriel's surprise and Giovana's chagrin 
When they arrive at his house, Leonardo changes shirts in front of Gabriel, who is stunned before removing his own sweatshirt  Gabriel asks Leonardo where the bathroom is to brush his teeth, but Gabriel is standing in the doorway and sees Leonardo smelling his sweatshirt  However he does not mention this to Leo  The next day in class, Gabriel tells Leonardo he left his sweatshirt at Leonardo's house but must leave school early for a dentist's appointment, and so will collect it the next day  After the other students have left, Leonardo admits to Giovana he is in love with Gabriel 
Doubtful about the homosexual romance - and hurt because she has feelings for Leo as Gabriel suspected - Giovana does not provide a positive response before a sudden phone call summons her to her grandmother's birthday, leaving Leonardo to walk home alone with a white cane  At home, when he hears someone come into his room, he chastises Giovana for leaving him and expresses his doubts about confessing his love for Gabriel  However, the visitor is actually Gabriel himself, who smiles to himself at this unintended confession before silently kissing him on the lips, leaving with his sweatshirt  Later, Giovana arrives while apologizing for taking so long  Leonardo is left confused and, after feeling around his room, discovers the sweatshirt is gone  He smiles at the realization that Gabriel was the one who kissed him 

Cast
Ghilherme Lobo as Leonardo
Fabio Audi as Gabriel
Tess Amorim as Giovana

Awards and accolades
Feature film
In December 2012, the film's official Twitter announced that a feature film based on the short film, titled "Todas as Coisas mais Simples", which translates to "All of the Simplest Things", was in production, after over two years of fundraising and preparation of the script  Filming began and completed in early 2013  The film premiered in 2014 In September 2013, director Daniel Ribeiro, announced the final title would be "Hoje Eu Quero Voltar Sozinho", which translates to "Today I Want to Go Back Alone"  Ribeiro reported, "Throughout the development of the movie a new plot element arose: Leonardo's independence  It's a naturally common theme in any teen's life, but specially in Leonardo's as, being blind, he's often overprotected by those around him, and he wants to do some things on his own, without depending on others  Therefore, the original title was no longer valid, after all "going back alone" became one of the main character's objectives "
The official English title of the film is "The Way He Looks" 
Passage 11:
Jim Cornelison
James Cornelison (born June 20, 1964) is an American singer who sings "The Star-Spangled Banner" and "O Canada" at the beginning of home games for the Chicago Blackhawks, accompanied by organist Frank Pellico  Cornelison started singing the anthem for the Blackhawks part-time in 1996; he has been singing the national anthem for the Blackhawks full-time since 2007  Cornelison has sung "Back Home Again in Indiana" at the Indianapolis 500 since 2017  He has also performed the anthem before Chicago Bears home games at Soldier Field during the 2010–11 NFL playoffs, as well as the 2011 season opener against the Atlanta Falcons, which fell on the tenth anniversary of the September 11 attacks  He also sang the National Anthem at the home opener of the 2019 season, the opening game of the 100th anniversary of the NFL 
Cornelison also sang at the 2015 NASCAR myAFibRisk com 400 race at Chicagoland Speedway  He performed the National Anthem at the Bears' 2016 home-opener against the Philadelphia Eagles  
He frequently sang the national anthem at the opening ceremonies for the Arlington International Festival of Racing at Arlington International Racecourse in the northwest suburbs of Chicago 
Cornelison graduated from Seattle Pacific University with degrees in music and psychology  He then went on to earn a master's degree in music from Indiana University in 1992  In 1995, he moved to Chicago and joined the Lyric Opera Center for American Artists 

Awards
Cornelison has won several awards for music, including:

The William Matheus Sullivan Foundation Award
First place in the American Opera Society of Chicago's 1997 Vocal Competition
The George London Foundation Encouragement Grant
Passage 12:
The Fox and the Hound
The Fox and the Hound is a 1981 American animated buddy drama film produced by Walt Disney Productions and loosely based on the 1967 novel of the same name by Daniel P  Mannix  The 24th Disney animated feature film, it tells the story of the unlikely friendship between a red fox named Tod and a hound dog named Copper  They struggle to preserve their friendship despite their emerging instincts and the surrounding social pressures demanding them to be adversaries, as they are enemies by nature  After Chief, Copper's mentor and guardian who is owned by the same hunter as him, is hit by a train while chasing Tod and seemingly almost dies, Copper assumes his role as a hunting dog and vows vengeance against Tod  Eventually, they fight each other, but in the end, Copper saves Tod after Tod saves him and his owner from a bear 
The film was directed by Ted Berman, Richard Rich, and Art Stevens, marking the directorial debuts of Berman and Rich  It was produced by Ron Miller, Wolfgang Reitherman, and Art Stevens  The ensemble voice cast consists of Mickey Rooney as Tod and Kurt Russell as Copper, respectively, with Pearl Bailey, Jack Albertson, Sandy Duncan, Jeanette Nolan, Pat Buttram, John Fiedler, John McIntire, Dick Bakalyan, Paul Winchell, Keith Mitchell, and Corey Feldman providing the voices of the other characters of the film  Mitchell and Feldman in particular voiced Young Tod and Young Copper  The instrumental musical score to the film was composed and conducted by Buddy Baker, with Walter Sheets performing the orchestration 
Walt Disney Productions first obtained the film rights to the novel by Daniel P  Mannix in 1967, however, actual development on the film would not occur until spring 1977  It marked the last involvement of the remaining members of Disney's Nine Old Men, which included Frank Thomas and Ollie Johnston  Though they had involvement in early development of the film, it was ultimately handed over to a new generation of animators following the retirement of the old animators  As such, it was the first film for future directors including Tim Burton, Brad Bird, and John Lasseter  During production, its release was delayed by over six months following the abrupt departure of Don Bluth and his team of animators  Further concerns were raised over the handling of the scene in which Chief is hit by a train, which was originally planned to result in him dying  After debating the handling of the scene, the filmmakers decided to change the death into a non-fatal injury by which he merely suffers a broken leg 
The film was released to theaters on July 10, 1981, by Buena Vista Distribution  It was a financial success, becoming the 14th highest-grossing film of the year and earning $39 9 million in the United States  However, it received mixed reviews from critics, who praised the animation and voice acting of it, but believed that it was not groundbreaking enough  It was nominated for three awards, of which it won one  At the time of its release, it was the most expensive animated film produced to date, costing $12 million  It was re-released to theaters on March 25, 1988  An intermediate follow-up, The Fox and the Hound 2, was released directly-to-DVD on December 12, 2006 

Plot
After a young red fox is orphaned, Big Mama the owl and her friends, Dinky the finch and Boomer the woodpecker, arrange for him to be adopted by a kindly farmer named Widow Tweed, who names him Tod  Meanwhile, her neighbor, hunter Amos Slade, brings home a young hound puppy named Copper and introduces him to his hunting dog, Chief, who is at first annoyed by him, but then learns to love him  One day, Tod and Copper meet and become best friends, pledging eternal friendship  Amos grows frustrated at Copper for constantly wandering off to play, and places him on a leash  While playing with Copper outside his barrel, Tod accidentally awakens Chief  Amos and Chief chase him until they are stopped by Tweed  After an argument, Amos threatens to kill Tod if he trespasses on his property again  Hunting season comes and Amos takes Chief and Copper into the wilderness for the interim  Meanwhile, Big Mama, Dinky, and Boomer attempt to explain to Tod that Copper will soon become his enemy  However, he naively insists that they will remain friends forever 
The following spring, Tod and Copper reach adulthood  Copper returns as an expert hunting dog, who is expected to track down foxes  Late at night, Tod sneaks over to visit him  Their conversation awakens Chief, who alerts Amos  A chase ensues and Copper catches Tod, but lets him go while diverting Amos  Chief catches Tod as he attempts an escape on a railroad track, but an oncoming train strikes him, resulting in him falling into the river below and breaking his leg  Enraged by this, Copper and Amos blame Tod for the accident and vow vengeance  Realizing Tod is no longer safe with her, Tweed leaves him at a game reserve  After a disastrous night on his own in the woods, Big Mama introduces him to Vixey, a female fox who helps him adapt to life there 
Amos and Copper trespass into the reserve and hunt Tod and Vixey  The chase climaxes when they inadvertently provoke an attack from a giant bear  Amos trips and falls into one of his own traps, dropping his rifle slightly out of reach  Copper violently fights the bear, but is almost killed by it  Tod comes to his rescue and battles it until they both fall down a waterfall  As Copper approaches Tod as he lies wounded in the lake below, Amos appears, ready to shoot him  Copper positions himself in front of him to prevent Amos from doing so, refusing to move away  Amos, understanding Tod had saved their lives, lowers his rifle and leaves with Copper  Tod and Copper reconcile their friendship and share one last smile before parting  At home, Tweed nurses Amos back to health, much to his humiliation  As he lies down to take a nap, Copper smiles as he remembers the day when he first met Tod  At the same moment, Vixey joins Tod on top of a hill as they both look down on Amos' and Tweed's homes 

Voice cast
Mickey Rooney as Tod
Keith Mitchell as Young Tod
Kurt Russell as Copper
Corey Feldman as Young Copper
Pearl Bailey as Big Mama
Jack Albertson as Amos Slade
Sandy Duncan as Vixey
Jeanette Nolan as Widow Tweed
Pat Buttram as Chief
John Fiedler as The Porcupine
John McIntire as The Badger
Dick Bakalyan as Dinky
Paul Winchell as Boomer

Production
Development
In May 1967, shortly before the novel won the Dutton Animal Book Award, it was reported that Walt Disney Productions had obtained the film rights to it  In spring 1977, development began on the project after Wolfgang Reitherman had read the original novel and decided that it would make for a good animated feature as one of his sons had once owned a pet fox years before  The title was initially reported as The Fox and the Hounds, but the filmmakers dropped the plural as the story began to focus more and more on the two leads  Reitherman was the film's original director along with Art Stevens as codirector  A power struggle between the two directors and coproducer Ron Miller broke out over key sections of the film with Miller supporting the younger Stevens  Miller instructed Reitherman to surrender reins over to the junior personnel, but Reitherman resisted due to a lack of trust in the young animators In an earlier version of the film, Chief was slated to die as he did in the novel  However, the scene was modified to have him survive with a broken leg  Animator Ron Clements, who had briefly transitioned into the story department, protested, "Chief has to die  The picture doesn't work if he just breaks his leg  Copper doesn't have motivation to hate the fox " Likewise, younger members of the story team pleaded with Stevens to have him killed  He countered, "Geez, we never killed a main character in a Disney film and we're not starting now!" The younger crew members took the problem to upper management, who would also back Stevens  Ollie Johnston's test animation of Chief stomping around the house with his leg in a cast was eventually kept, and Randy Cartwright reanimated the scene where Copper finds his body and had him animate his eyes opening and closing so the audience knew that he was not dead Another fight erupted when Reitherman, in thinking the film lacked a strong second act, decided to add a musical sequence of two swooping cranes voiced by Phil Harris and Charo  These characters would sing a silly song titled "Scoobie-Doobie Doobie Doo, Let Your Body Turn to Goo" to Tod after he was dropped in the forest  Charo had recorded the song and several voice tracks which were storyboarded, and live-action reference footage was shot of her wearing a sweaty pink leotard  However, the scene was strongly disliked by studio personnel who felt the song was a distraction from the main plot, with Stevens stating, "We can't let that sequence in the movie! It's totally out of place!" He notified studio management and after many story conferences, the scene was removed  Reitherman later walked into his office, slumped in a chair, and said, "I dunno, Art, maybe this is a young man's medium " He later moved on to undeveloped projects such as Catfish Bend 

Animation
By late 1978, Frank Thomas, Ollie Johnston, and Cliff Nordberg had completed their animation  Thomas had animated scenes of Tod and Copper using dialogue Larry Clemmons had written and recorded with the child actors  The film would mark the last one to have the involvement of Disney's Nine Old Men who had retired early during production, and animation was turned over to the next generation of directors and animators, which included John Lasseter, John Musker, Ron Clements, Glen Keane, Tim Burton, Brad Bird, Henry Selick, Chris Buck, Mike Gabriel, and Mark Dindal, all of whom would finalize the animation and complete the film's production  These animators had moved through the in-house animation training program, and would play an important role in the Disney Renaissance of the 1980s and 1990s However, the transition between the old guard and the new resulted in arguments over how to handle the film  Reitherman had his own ideas on the designs and layouts that should be used, but the newer team backed Stevens  Animator Don Bluth animated several scenes including of Widow Tweed milking her cow, Abigail, while his team worked on the rest of the sequence, and when she fires at Amos' automobile  Nevertheless, Bluth and the new animators felt that Reitherman was too stern and out of touch, and on his 42nd birthday, September 13, 1979, Bluth, along with Gary Goldman and John Pomeroy, entered Ron Miller's office, and they turned in their resignations  Soon after, 13 more animators followed suit in turning in their resignations  Though Bluth and his team had animated substantial scenes, they asked not to receive screen credit With those animators now gone, Miller ordered all of the resigning animators off the studio lot by noon of that same day and would later push the film's release from Christmas 1980 to summer 1981  New animators were hired and promoted to fill the ranks  To compensate for the lack of experience of the new animators, much of the quality control would rely upon a network of veteran assistant animators  Four years after production started, the film was finished with approximately 360,000 drawings, 110,000 painted cels, and 1,100 painted backgrounds making up the finished product  A total of 180 people, including 24 animators, worked on the film 

Casting
Early into production, the principal characters such as Young Tod, Young Copper, Big Mama, and Amos Slade had already been cast  The supporting roles were filled by Disney voice regulars including Pat Buttram as Chief, Paul Winchell as Boomer, and Mickey Rooney, who had just finished filming Pete's Dragon (1977), as Adult Tod  Jeanette Nolan was the second choice for Widow Tweed after Helen Hayes turned down the role  The last role to be cast was Adult Copper  Jackie Cooper had auditioned for the role, but left the project when he demanded more money than the studio was willing to pay  While filming the Elvis (1979) television film, former Disney young actor Kurt Russell was cast following a reading that had impressed the filmmakers, and completed his dialogue in two recording sessions  The growling vocals for the bear were provided by sound effects artist Jimmy MacDonald 

Soundtrack
The soundtrack album for the film was released in 1981 by Disneyland Records  It contains songs written by Stan Fidel, Jim Stafford, and Jeffrey Patch 

Track listing
Release
Box office
In its original release, the film grossed $39 9 million in domestic grosses, the highest for an animated film at the time from its initial release  Its distributor rentals were reported to be $14 2 million while its international rentals totaled $43 million  It was rereleased theatrically on March 25, 1988, where it grossed $23 5 million  It has had a lifetime gross of $63 5 million across its original release and reissue 

Home media
The film was first released on VHS on March 4, 1994, as the last entry in the Walt Disney Classics line  This release was placed into moratorium on April 30, 1995  On May 2, 2000, it was released on Region 1 DVD for the first time as part of the Walt Disney Gold Classic Collection line, along with a simultaneous VHS re-issue as part of the same video line on the same day  This edition went into moratorium in January 2006  Soon after, a 25th anniversary special edition DVD was released on October 10, 2006 The film was released on Blu-ray on August 9, 2011, commemorating its 30th anniversary as part of a 3-disc Blu-ray/DVD Combo pack that was bundled as a 2-movie Collection Edition featuring The Fox and the Hound 2 on the same Blu-ray Disc, as well as separate DVD versions of both films  Featuring a new digital restoration, the Blu-ray transfer presents the film for the first time in 1 66:1 widescreen and also features 5 1 DTS-HD Master Audio  The Fox and the Hound 2 is presented in 1 78:1 widescreen and features the same audio channel as the first film  A DVD-only edition of the 2-movie Collection, again featuring both films on separate discs, was also released on the same day 

Critical reception
Initial reviews
Vincent Canby of The New York Times claimed that the film "breaks no new ground whatsoever", while describing it as "a pretty, relentlessly cheery, old-fashioned sort of Disney cartoon feature, chock-full of bouncy songs of an upbeatness that is stickier than Krazy Glue and played by animals more anthropomorphic than the humans that occasionally appear " He further commented that the film "is rather overstuffed with whimsy and folksy dialogue  It also possesses a climax that could very well scare the daylights out of the smaller tykes in the audience, though all ends well  Parents who don't relish chaperoning their tykes to see the movie, but find they must anyway, can take heart in the knowledge that the running time is 83 minutes  That's about as short as you can get these days " Sheila Benson of the Los Angeles Times praised the animation, but criticized the story for playing it too safe  She acknowledged that the writers were "protecting us from important stuff: from rage, from pain, from loss  By these lies, done for our own good, of course, they also limit the growth that is possible " David Ansen of Newsweek stated, "Adults may wince at some of the sticky-sweet songs, but the movie is not intended for grownups "Richard Corliss of Time magazine praised the film for its intelligent story about prejudice  He argued that it shows that biased attitudes can poison even the deepest relationships, and its bittersweet ending delivers a powerful and important moral message to audiences  Roger Ebert of the Chicago Sun-Times also praised it, saying, "For all of its familiar qualities, this movie marks something of a departure for the Disney studio, and its movement is in an interesting direction  The Fox and the Hound is one of those relatively rare Disney animated features that contains a useful lesson for its younger audiences  It's not just cute animals and frightening adventures and a happy ending; it's also a rather thoughtful meditation on how society determines our behavior "

Retrospective reviews
TV Guide gave the film four out of five stars, saying, "The animation here is better than average (veteran Disney animators Wolfgang Reitherman and Art Stevens supervised the talents of a new crop of artists that developed during a 10-year program at the studio), though not quite up to the quality of Disney Studios in its heyday  Still, this film has a lot of 'heart' and is wonderful entertainment for both kids and their parents  Listen for a number of favorites among the voices " Michael Scheinfeld of Common Sense Media gave its quality a rating of 4 out of 5 stars, stating, "It develops into a thoughtful examination of friendship and includes some mature themes, especially loss "In The Animated Movie Guide, Jerry Beck considered the film "average", though he praises the voice work of Pearl Bailey as Big Mama, and the extreme dedication to detail shown by animator Glen Keane in crafting the fight scene between Copper, Tod, and the bear  In his book The Disney Films, Leonard Maltin also notes that that scene received great praise in the animation world  However, he felt the film relied too much on "formula cuteness, formula comedy relief, and even formula characterizations"  Overall, he considered it "charming" stating that it is "warm, and brimming with personable characters" and that it "approaches the old Disney magic at times " Craig Butler from All Movie Guide stated that it was a "warm and amusing, if slightly dull, entry in the Disney animated canon " He also called it "conventional and generally predictable" with problems in pacing  However, he praised its climax and animation, as well as the ending  His final remark is that "Two of the directors, Richard Rich and Ted Berman, would next direct The Black Cauldron, a less successful but more ambitious project "Rob Humanick of Slant Magazine gave the film 31⁄2 out of five stars, noting that it was the transition point between the remaining original animators since Snow White and the Seven Dwarfs to the new generation, saying that "the results culled the best qualities of both groups " and that "The result is a work of both learned, assured poise and triumphant freshman determination, not far away (in style or quality) from other benchmark-status works, like the aforementioned Snow White or Pixar’s Toy Story " RL Shaffer of IGN wrote a rather mixed review, claiming that it "is just not as impressive as Disney's early work, or their late '80s/early '90s pictures " James Kendrick of Q Network Film Desk stated that it "is not one of the studio's best efforts, but nonetheless it remains a fascinating product of an era of upheaval as well as a meaningful statement about the nature of prejudice " Peter Canavense of Groucho Reviews stated that it "is sweet but a bit dull", nothing that "Overall, the picture is good-hearted and colorful, with an ending that carries a nice touch of ambiguity about the tussle of nature and nurture " John J  Puccio of Movie Metropolis claimed that it "is very sweet and no doubt a delight for children, but I found it quite slow and tedious "The review aggregator website Rotten Tomatoes reported that the film received a 70% approval rating with an average rating of 6 5/10 based on 27 reviews  The website's consensus states that "The Fox and the Hound is a likeable, charming, unassuming effort that manages to transcend its thin, predictable plot " Metacritic gave it a score of 65 based on 15 reviews, indicating "generally favorable reviews" 

Accolades
The film was awarded a Golden Screen Award (German: Goldene Leinwand) in 1982  In the same year, it was also nominated for a Young Artist Award and the Saturn Award for Best Fantasy Film 

Comic adaptations
As well as adaptations of the film itself, comic strips featuring the characters also appeared in stories unconnected to it  Examples include The Lost Fawn, in which Copper uses his sense of smell to help Tod find a fawn who has gone astray;The Escape in which Tod and Vixey must save the Canada goose from the bobcat;The Chase, in which Copper must safeguard a sleepwalking Chief; and Feathered Friends, in which Dinky and Boomer must go to desperate lengths to save one of Widow Tweed's chickens from a coyote A comic adaptation of the film, drawn by Richard Moore, was published in newspapers as part of Disney's Treasury of Classic Tales  A comic-book titled The Fox and the Hound followed, with new adventures of the characters  From 1981 to 2007, a few Fox and the Hound Disney comics stories were produced in Italy, Netherlands, Brazil, France, and the United States 

Follow-up
An intermediate follow-up, The Fox and the Hound 2, was released directly-to-DVD on December 12, 2006  It takes place during Tod and Copper's youth, before the events of the later half of the first film  The story-line involves Copper being tempted to join a band of singing stray dogs called "The Singin' Strays", thus threatening his friendship with Tod  It was critically panned, with critics calling it a pale imitation of its predecessor 

See also
Foxes in popular culture, films and literature
The Belstone Fox, a 1973 British film with similar themes, based on David Rook's 1970 novel, The Ballad of the Belstone Fox

Notes
Context 2: Passage 1:
Nico van der Laan
Nico van der Laan (25 August 1908 – 20 September 1986) was a Dutch architect, as were his father Leo van der Laan and his brothers Jan and Hans, with whom he was closely associated 

Life and work
Nico van der Laan was born in Leiden, son of the architect Leo van der Laan  He studied to 1937 at the Technische Hogeschool in Delft  His eldest brother Jan took over their father's architectural practice in Leiden 
Together with his brother Hans, who in 1927 became a Benedictine monk at Oosterhout Abbey, Nico immersed himself in the theory of the origins of architecture 
After World War II, with his brother Hans, he led a course in Church Architecture in the Kruithuis in 's-Hertogenbosch, using the early Christian basilica as an example, for training architects in the post-war reconstruction of ecclesiastical buildings  From these courses arose the Bossche School, a name given by opponents of the Van der Laan brothers and their followers 
One of his most notable buildings is St  Martin's Church in Gennep  His brother Hans was also very probably involved in the construction of this church, and drawings of it in Hans' hand are known  Nico also supported his brother in other ways, in terms of finance and morale 
From 1946 Nico van der Laan also had his own architectural practice 

Sources
Remery, Michael, 2010: Mystery and Matter: On the Relationship Between Liturgy and Architecture in the Thought of Dom Hans van der Laan OSB (1904-1991 (Studies in Religion and the Arts vol  3)  Brill ISSN 1877-3192 Online version
Passage 2:
M  Suryanarayan
Mothavarapu Suryanarayan (1930 – 2010) was an Indian first-class cricketer who was born on 1 February 1930 during Madras presidency  M  Suryanarayan is the first son of M Baliah Naidu and the Grandson of Buchi Babu Naidu who is also known as the 'Father of South Indian Cricket' the doyen of Madras Cricket  He was also a  member of the First Ranji Trophy triumph team of Tamil Nadu in 1954–1955, which the Madras team won against Holkar  He was a right-handed batsman and a right-arm medium bowler  The Hindu describing his Cricket, once said: " His batting resembles very closely that of his father -dashing and carefree -and his cover-drive, a joy to watch, has amazing impetus   "And it added that he had "enriched Madras sport as his father had"  His only younger brother M M Kumar represented in the Ranji Trophy 

Career
M  Suryanarayan was a stylish right-hand middle order batsman who played off and cover drives in particularly elegant fashion  A stalwart of Madras cricket in the forties and fifties, `Suri' as he was popularly known, played 11 matches for the state in the Ranji Trophy and earned selection for the Indian team for the fifth and final `Test' against the SJOC team at Lucknow in 1953–54  Suryanarayan proved his mettle by scoring two unbeaten half-centuries against bowlers of the class of Frank Worrell, Fazal Mahmood, Amir Elahi, Khan Mohamed, Loxton, Peter Loader, and Jim McConnel  He Captained Madras and Mysore at the highest levels, besides scoring three centuries before lunch in first-class cricket in Madras and Bangalore  He won the All-India University Tennis Doubles title, Partnering Ramanathan Krishnan, and played in the qualifying rounds of the doubles tournament at Wimbledon  He also won several titles in Table tennis and golf in South Indian Competitions 

Later life
M  Suryanarayan followed in his father's footsteps in many ways  He was a natural at all ball games  M  Suryanarayan did a University of Madras Science degree from Presidency College, then moved into the British Indian world of commerce in Madras and Bangalore before going into business on his own  He also spent some years abroad promoting Indian handlooms on behalf of the Government of India  He published a book written by Suri & Raja (ed), Buchi Babu (Father of Madras Cricket) and his sporting clan, 1993 
Passage 3:
Peter Griffin
Peter Löwenbräu Griffin Sr  (born Justin Peter McFinnigan) is a fictional character and the main protagonist of the American animated sitcom Family Guy  He is voiced by the series' creator, Seth MacFarlane, and first appeared on television, along with the rest of the Griffin family, in the 15-minute pilot pitch of Family Guy on December 20, 1998  Peter was created and designed by MacFarlane himself  MacFarlane was asked to pitch a pilot to the Fox Broadcasting Company based on Larry & Steve, a short made by MacFarlane which featured a middle-aged character named Larry and an intellectual dog, Steve  After the series pilot was given the green light, the Griffin family appeared in the episode "Death Has a Shadow" 
Peter is married to Lois and is the father of Meg, Chris, and Stewie  He also has a dog named Brian, with whom he is best friends  He has worked at a toy factory and at Quahog's Brewery  Peter's voice was inspired by the security guards that MacFarlane heard at his school  His appearance was a redesign of the protagonist Larry from MacFarlane's previous animated short films The Life of Larry and Larry & Steve  He has appeared in several pieces of Family Guy merchandise—including toys, T-shirts, and video games—and he has made crossover appearances in other shows, including The Simpsons, Drawn Together, American Dad!, and Family Guy's spin-off series The Cleveland Show 

Role in Family Guy
Peter Griffin is a middle-class Irish American in his mid‑forties, who is a bespectacled, obese blue-collar worker with a prominent Rhode Island and Eastern Massachusetts accent  Peter's age has never been officially confirmed and has fluctuated  Peter and his wife, Lois, have three children: Meg, Chris, and Stewie  He also has two deceased children: Peter Jr , who was shaken to death, and Dave, Stewie's twin who is implied to have been killed by Stewie during childbirth  He is the illegitimate son of Thelma Griffin and Mickey McFinnigan, and was raised by Thelma and his stepfather, Francis Griffin  It is uncertain whether Peter's legal parents were married before he was conceived, however, as Peter has a flashback in which Francis directly tells him, "I'm not your father!" in the episode "Peter's Two Dads", in which Peter realizes that Francis is not his true father, implying he knew that Peter is not his biological son  Peter and his family live in the fictional town of Quahog, Rhode Island, which is modeled after Providence, Rhode Island  Peter primarily worked as a safety inspector at the Happy-Go-Lucky Toy Factory until his boss, Jonathan Weed, choked to death on a dinner roll while dining with Peter and Lois; he then became a fisherman on his own boat, which was known as the "S S  More Powerful than Superman, Batman, Spider-Man, and The Incredible Hulk Put Together", with the help of two Portuguese immigrants, Santos and Pasqual, until his boat was destroyed  He now works in the shipping department of the Pawtucket Patriot brewery  Peter is also shown in various jobs for single episodes and cutaway gags  In one episode, Peter played for the NFL's New England Patriots until his behavior resulted in his being kicked off the team  In a running gag, storylines are randomly interrupted by extremely long, unexpected fights between Peter and Ernie the Giant Chicken, an anthropomorphic chicken who serves as an archenemy to Peter  These battles parody the action film genre, with explosions, high-speed chases, and immense devastation to the town of Quahog 

Character
Creation
MacFarlane initially conceived Family Guy in 1995 while studying animation at the Rhode Island School of Design (RISD)  During college, he created his thesis film entitled The Life of Larry, which was submitted by his professor at RISD to Hanna-Barbera  MacFarlane was hired by the company  Then in 1996, MacFarlane created a sequel to The Life of Larry entitled Larry & Steve, which featured a middle-aged character named Larry and an intellectual dog, Steve; the short was broadcast in 1997 as one of Cartoon Network's World Premiere Toons  Executives at Fox saw the Larry shorts and contracted MacFarlane to create a series, entitled Family Guy, based on the characters  Fox proposed MacFarlane complete a 15-minute short, and gave him a budget of $50,000  Several aspects of Family Guy were inspired by the Larry shorts  While working on the series, the characters of Larry and his dog Steve slowly evolved into Peter and Brian  MacFarlane stated that the difference between The Life of Larry and Family Guy was that "Life of Larry was shown primarily in my dorm room and Family Guy was shown after the Super Bowl "

Voice
The voice of Peter is provided by MacFarlane, who also provides the voice for Brian, Stewie, Quagmire, Tom Tucker, Carter Pewterschmidt, Dr  Hartman, and others  MacFarlane has been part of the main voice cast from the beginning of the series including the pilot, and has voiced Peter from the start  MacFarlane chose to voice Peter and several other characters himself, believing it would be easier to portray the voices he already envisioned than for someone else to attempt it  MacFarlane's speaking voice is not very close to Peter's; he uses his normal voice as the voice of Brian  MacFarlane drew inspiration for the voice of Peter from the security guards he overheard talking while he was attending the Rhode Island School of Design; according to him, "I knew a thousand Peter Griffins growing up in New England  Guys who would not think before they spoke, like [switching to Peter's voice] there was no self-editing mechanism  [Pointing to himself] Everything in here, [pointing to his front] it's coming out here, with no gateway"  MacFarlane also voices many of Peter's ancestors who share the same type of voice  He noted in an interview that he voices Peter and the rest of the characters partly because they initially had a small budget, but also that he prefers to have the freedom to do it himself  In another interview, he pointed out that Peter's voice is one of the most difficult to do There have been rare occasions where MacFarlane does not voice Peter  In the episode "No Meals on Wheels" (season 5, 2007), actor Patrick Stewart voiced Peter in a cutscene, but MacFarlane voices Peter for the rest of the episode  In the episode "Family Gay" (season 7, 2009), Seth Rogen provided a guest-voice as Peter under the effects of the "Seth Rogen gene"  In "Road to the Multiverse" (season 8, 2009), he was voiced by actor Jamison Yang, who was required for a scene where everything in the world was Japanese  In Friends of Peter G (season 9, 2011), John Viener voiced Peter in an alternate timeline where he gave up drinking 

Personality
Peter Griffin is a stereotypical blue-collar worker who frequently gets drunk with his neighbors and friends Cleveland Brown, Joe Swanson and Glenn Quagmire at "The Drunken Clam," Quahog's local tavern  In the season 4 episode "Petarded", Peter discovered his low intellect falls slightly below the level for mental retardation after taking an I Q  test, which places his I Q  at around 70  In that same episode, Peter is declared mentally retarded because of his low I Q  level  Peter also might have brain damage in Wernicke's area as he cutaways into seemingly random situations and speaks in perfect grammar but can't seem to choose how to create a sentence  Peter is known for his brash impulsiveness, which has led to several awkward situations, such as attempting to molest Meg in order to adopt a redneck lifestyle  He is easily influenced by anyone he finds interesting and will often try to replicate their lifestyle and behavior merely out of curiosity  He is incredibly jealous of other attractions Lois has in her life, an attitude which has led to extreme situations, such as when he assaulted a whale that kissed Lois at SeaWorld  In the third season episode "Stuck Together, Torn Apart", Peter and Lois split up because of Peter's jealousy, only to discover that Lois has the same character flaw and the two decide to live together with their mutually jealous nature  Peter has a very short attention span which frequently leads him to bizarre situations, as Chris points out in "Long John Peter", after Peter's parrot dies "He will get over it pretty quickly and then move on to another wacky thing", to which Peter finds a pipe organ and forgets about his parrot (Peter then destroys the pipe organ within seconds and then finds a deed to a cattle ranch)   Peter is also naïve with one example in "Airport '07" where he thinks his truck will fly by filling it with airplane fuel 
Peter has complex relationships with all three of his children  He normally makes fun of Meg and treats her badly, such as in the episode "FOX-y Lady", where he, Meg and Chris try to create a cartoon and they exclude Meg and her ideas  Though in some episodes Peter has had a good relationship with Meg, in "Hell Comes to Quahog" (season 5, 2006), Peter almost tells Meg he loves her and in "Road to Rupert" (season 5, 2007), he told Meg that he would treat her badly in front of the family, but that he would be her friend in secret  It was presumed though that in "Peter's Sister", (season 14, 2015) that Peter would stop bullying Meg  Peter has a much better relationship with Stewie  Peter and Stewie had their adventures when he took him to Walt Disney World Resort in the episode "The Courtship of Stewie's Father" (season 4, 2005)  With Chris, Peter communicates well, but at times when in need of advice or in an adventure Peter tells Chris to do the opposite of what he should do, like in "Long John Peter" (season 6, 2008), where Chris is asking for advice on dating and Peter tells him to treat women horribly Peter is best friends with his anthropomorphic dog, Brian  In earlier seasons, Brian often served as a voice of reason for Peter, helping him out with issues  Brian is extremely grateful to Peter for picking him up on the side of the road as a stray, shown during a flashback in the episode, "Brian: Portrait of a Dog"  His gratitude was affirmed in "New Kidney in Town", where Brian offers to give up both his kidneys and his life so that Peter could undergo a kidney transplant, although he did not have to do it thanks to another, more suitable donor being found  At Brian's funeral in "Life of Brian", Peter said that Brian was his "best friend in the whole world" and "like a brother to him" 

Ancestry
Before Peter was born, his mother Thelma went to Mexico City to have an abortion but gave birth during the procedure, and smuggled him home to Providence, Rhode Island, where he spent his childhood  Peter was raised by Francis and Thelma Griffin in the Roman Catholic faith  In "Peter's Two Dads", he discovers that his biological father is an Irishman named Mickey McFinnigan  Peter visits Mickey, who initially rejects him  Mickey later accepts him as his son after beating him in the "game of drink" (the game of drink referring to matching shots until one passes out)  Mickey is based on the friends of MacFarlane's father  MacFarlane said: "When I was growing up, my father had lots of friends: big, vocal, opinionated New England, Irish Catholics  They were all bursting at the seams with personality, and Family Guy came out of a lot of those archetypes that I spent years observing "

Reception
Praise
Editors of Variety put Family Guy in their contenders for the 2011 Primetime Emmy Award for Outstanding Comedy Series; they stated that, depending on your sense of humor, Peter is either "a comedy genius" or "an obnoxious idiot"  MacFarlane has been nominated for a Primetime Emmy Award in the Outstanding Voice-Over Performance category several times for voicing Peter and other characters; he won in 2016  He was also nominated in 2008 for an Annie Award in the Voice Acting in an Animated Television Production or Short Form for voicing Peter Peter has ranked in several of IGN's top 10s (generally these lists are related to the show)  Among these, Peter ranked the third spot on IGN's "Top 25 Family Guy Characters," in which it was stated that many of the show's best gags come from Peter and his shenanigans and that "Peter practically invented the "manatee joke"  Entertainment Weekly placed Peter in its "18 Bad TV Dads" list (the list also included characters like Homer Simpson and Al Bundy) 

Criticism and controversy
Peter has been criticized for being too similar to Homer Simpson  Peter has appeared in some episodes of The Simpsons; in these episodes which he has been featured, he has been depicted as Homer Simpson's clone or is accused of plagiarism  Ken Tucker of Entertainment Weekly wrote that Peter is Homer Simpson "as conceived by a singularly sophomoric mind that lacks any reference point beyond other TV shows"  Robin Pierson from The TV Critic criticized the Griffin family for being too similar to the Simpson family, and said that Peter "has Homer Simpson written all over him"  This is eventually made fun of in the episode "Ratings Guy" when, after Peter ruins television and goes to the networks to reverse the changes, Homer Simpson shows up with the same plight, with Peter going "A-ha! Looks like this is one we beat you to!" In "The Simpsons Guy", a crossover episode between Family Guy and The Simpsons, the Griffins end up in the town of Springfield after their car is stolen, where they meet the Simpsons 
Peter has created some controversy in various episodes of Family Guy  The episode "The Cleveland–Loretta Quagmire" (season 4, 2005) featured a sequence titled "You Have AIDS", in which Peter dances and sings in a barbershop quartet fashion around the bed of a man with end-stage AIDS about his diagnosis, which drew protests from several AIDS service organizations  In the episode "When You Wish Upon a Weinstein" (season 3, 2003), Peter sings a parody song of "When You Wish upon a Star", entitled "I Need a Jew"; on October 3, 2007, Bourne Co  Music Publishers filed a lawsuit accusing the show of infringing its copyright on the original song; Bourne Co , the sole United States copyright owner of the song, alleged the parody pairs a "thinly veiled" copy of their music with antisemitic lyrics  The complaint was not upheld 

Cultural influence
Appearances in the media
Peter has made several television appearances outside of Family Guy, often in the form of direct parody  Peter has appeared in two episodes of The Simpsons, poking fun at how the two shows are frequently compared to each other  In the fourteenth season episode "Treehouse of Horror XIII", Peter is depicted as one of Homer Simpson's clones, and in the seventeenth season episode, "The Italian Bob", a photo of Peter is in a book of criminals, which says he is wanted for "plagiarismo"  Peter also appeared in various episodes of the show's spin-off The Cleveland Show  In addition, Peter has appeared at the end of the American Dad! episode "Hurricane!" with guns on both Stan Smith and former neighbor Cleveland Brown  During the stand-off, Stan accidentally shoots his wife Francine, which Peter declares as "classic American Dad!" 

Merchandise
Peter is also featured on the Family Guy: Live in Vegas CD, and plays a significant part in Family Guy Video Game!, the first Family Guy video game, which was released by 2K Games in 2006  Peter was used in the game Family Guy Online as a character class for the game's character creator  MacFarlane recorded exclusive material of Peter's voice and other Family Guy characters for a 2007 pinball machine based the show, created by Stern Pinball  In 2004, the first series of Family Guy toy figurines was released by Mezco Toyz; each member of the Griffin family had their own toy, with the exception of Stewie, of whom two different figures were made  Over the course of two years, four more series of toy figures have been released, with various forms of Peter  Alongside the action figures, Peter has been included in various other Family Guy-related merchandise As of 2009, six books have been released about the Family Guy universe, all published by HarperCollins since 2005  This include Family Guy: It Takes a Village Idiot, and I Married One (ISBN 978-0-7528-7593-4), which covers the entire events of the episode "It Takes a Village Idiot, and I Married One", and Family Guy and Philosophy: A Cure for the Petarded (ISBN 978-1-4051-6316-3), a collection of 17 essays exploring the connections between the series and historical philosophers  which include Peter as a character  Peter appears in comic-book based on the Family Guy universe; by Titan Comics  The first comic book was released July 27, 2011 In 2008, the character appeared in advertisements for Subway, promoting the restaurant's massive feast sandwich  Chief marketing officer Tony Pace commented "Peter's a good representation of the people who are interested in the Feast, and Family Guy is a show "that appeals to that target audience " The Boston Globe critic Brian Steinberg praised the restaurant's use of the character for the commercials 

Notes
Passage 4:
Louis Chedid
Louis Chedid (born 1 January 1948, in Ismaïlia) is a French singer-songwriter of Lebanese and Egyptian origin 

Biography
Louis Chedid is the son of the writer Andrée Chedid and the father of Matthieu Chedid (better known as -M-) 
As a child he made his first footsteps into the singing world as a member of the "Manécanterie des Petits Chanteurs à la Croix de Bois", a famous French catholic boys choir 
Chedid was a fan of the jazz guitarist Django Reinhardt and decided that he would set forth into a career in the world of music as soon as he left school  After his first album "Balbutiements" (Mumblings – 1973) attracted little attention, his talent was first recognised after the release of titles like "La Belle" and "T'as beau pas être beau" released in 1977 
In 1981, "Ainsi soit-il" (Amen) rose to the top of the charts, followed four years later by "Anne ma sœur Anne" (My sister Anne) which criticised the increasing popularity of the extreme-right in France  His first, autobiographical novel – 40 Berges Blues – was published in 1992 
Chedid is also the composer of Pierre-Dominique Burgaud's "Le Soldat Rose" (The Pink Soldier, 2006), a fairytale musical whose songs have been interpreted by singers including -M-, Vanessa Paradis, Jeanne Cherhal, Francis Cabrel, Alain Souchon and Bénabar 

Discography
Albums
Promotional singles
"Miss Melissa" (1974)
"Je chante sous les transistors" (1977)
"La Belle" / "Chapeau de paille" (1977)
"T'as beau pas être beau" / "L'Amour S M P M" (1978)
"Papillon" / "Dans la rue de Sherbrooke" (1979)

Collaborations
Fairytale-Musical "Émilie Jolie" (Philippe Chatel, 1979) : chanson du raton-laveur-rêveur (Song of the dreaming racoon)
Duo with his son Matthieu Chedid : Tel père tel fils (like father like son) – for Solidays, a French AIDS charity appeal
Passage 5:
Joffrey Baratheon
Joffrey Baratheon  is a fictional character in the A Song of Ice and Fire series of epic fantasy novels by American author George R  R  Martin, and its HBO television adaptation Game of Thrones  Introduced in 1996's A Game of Thrones, he subsequently appears in A Clash of Kings (1998) and A Storm of Swords (2000) 
Joffrey is officially the eldest son and heir of king Robert Baratheon and Cersei Lannister, but in actuality is the eldest child of Cersei and her twin brother Jaime Lannister   Joffrey inherits the throne after Robert's death, which, along with his execution of Lord Ned Stark of Winterfell, triggers a power struggle in Westeros known as the War of Five Kings  He is characterized as a spoiled, sadistic bully and frequently torments his family as well as Sansa Stark, to whom he is betrothed in the first novel  He later marries Margaery Tyrell, but is killed by poison during his wedding reception  Joffrey's demise is referred to as The Purple Wedding 
Joffrey is portrayed by Irish actor Jack Gleeson in the television adaptation Game of Thrones, a role for which he received international recognition and critical praise 

Overview
Joffrey Baratheon is not a point of view character in the novels, so his actions are witnessed and interpreted through the eyes of other people, such as his uncle Tyrion Lannister and his one-time fiancée Sansa Stark  He inherits his mother's traditional Lannister looks, and has blond hair and green eyes, and is believed by many to be very handsome  His appearance is referred to as his one redeeming quality 

Character description
In public, Joffrey is allegedly the oldest son and heir of King Robert Baratheon and Queen Cersei Lannister, both of whom entered into a political marriage alliance after Robert took the throne by force from the "Mad King" Aerys II Targaryen   In reality, his biological father is his mother's twin brother, Jaime Lannister   He has a younger sister, Myrcella, and a younger brother, Tommen, both of whom are also products of Jaime and Cersei's incestuous relationship   Their sole biological grandparents, Tywin and Joanna Lannister, were also first cousins Joffrey is an amoral sadist who disguises his cruelty with a thin veneer of charm   This is best epitomized by his response when his (then) betrothed offends him: Joffrey pronounces that his mother had taught him never to strike a woman, and so commissions a knight of the Kingsguard to hit her instead   He enjoys forcing people to fight to the death, and enforces cruel punishments for lesser crimes   He has no sense of personal responsibility, blaming failures on others   He lacks self-control and often insults his allies and family members  He is also impulsive, which frequently leads him to make rash decisions  He appears to have virtually no interests other than sadism and extreme violence, paying no attention to actually governing his kingdom or to anything involving sex, even when he is offered exceptionally beautiful women  Though he takes pleasure in violence, Joffrey is shown to be a coward when confronted with danger to himself, and often shies away from any real fighting 
Joffrey is 12 years old at the beginning of A Game of Thrones (1996) 

Storylines
A Game of Thrones
Prince Joffrey is taken by his parents to Winterfell and is betrothed to Sansa Stark in order to create an alliance between House Baratheon and House Stark  At first, Joffrey is kind and polite to Sansa  However, he refuses to show sympathy with the family when Bran Stark falls from a tower, until physically forced to by his uncle, Tyrion Lannister  While on the Kingsroad to King's Landing, Joffrey and Sansa come across Arya Stark practicing swordplay with a commoner Mycah  Joffrey accuses Mycah of assaulting a noble girl and makes a cut on his face with a sword  This causes Arya to hit Joffrey, allowing Mycah to escape  When Joffrey then turns on Arya, her direwolf Nymeria attacks Joffrey, injuring him  Later, Joffrey lies about the attack, saying it was unprovoked and demands Nymeria to be killed; however, Sansa's direwolf Lady is killed instead  He later has his bodyguard Sandor "The Hound" Clegane hunt down and kill Mycah 
Later, Eddard Stark discovers that Joffrey is not King Robert's biological son and refuses to acknowledge Joffrey's claim to the throne when King Robert dies  He is taken into custody  On Sansa's pleas, Eddard issues a false confession of his treason  Joffrey promised Sansa that he would be merciful but then beheads Eddard anyway and later forces Sansa to look upon her father's head 

A Clash of Kings
Joffrey is briefly seen in A Clash of Kings (1998)  He rules with whim and caprice, proving difficult for even his mother to control  Sansa becomes imprisoned to his will, and he frequently has his guards beat her when she displeases him  When Stannis Baratheon attacks King's Landing, Joffrey leaves the battlefield, damaging the morale of his army  The battle is only won by his uncle Tyrion's use of wildfire and his grandfather Tywin's last-minute counterattack aided by the forces of House Tyrell 

A Storm of Swords
Joffrey sets aside his earlier betrothal to Sansa Stark in favor of Margaery Tyrell, cementing an alliance between the Lannisters and House Tyrell  At Tyrion and Sansa's wedding, he humiliates his uncle and is outraged when his uncle threatens him after he commands him to consummate their marriage  Tyrion only avoids punishment when his father Tywin assures Joffrey that his uncle was drunk and had no intention of threatening the king  Later after the events of the "Red Wedding", Joffrey gleefully plans on serving Sansa her recently deceased brother's head  His uncle Tyrion and his grandfather Tywin are outraged and the former threatens Joffrey once again  After another disagreement, Tywin sends Joffrey to his room, much to Joffrey's chagrin  During his wedding feast, he repeatedly torments Tyrion and Sansa, presenting an offensive play about "The War of the Five Kings", with each of the kings played by dwarves to humiliate his uncle, whom he also forces to act as his cupbearer  At the conclusion of the dinner, however, Joffrey dies from poisoned wine  Tyrion is falsely accused and arrested by Cersei in A Storm of Swords (2000) but it is later revealed that Lady Olenna Tyrell and Lord Petyr Baelish were the true perpetrators 

Family tree
TV adaptation
Season 1
After Robert's death, Cersei Lannister and her father Tywin Lannister) make Joffrey King, and his mother uses him as a puppet  He is also betrothed to Sansa Stark to cement an alliance between the Houses of Stark and Lannister  A cruel tyrant, Joffrey makes sadistic torture and mass murder the main features of his kingdom, and even has Sansa's father Ned executed for treason (which he declares he will never allow to go unpunished) over Sansa's pleas for mercy and Cersei's disapproval 

Season 2
Joffrey's tyranny worsens the situation with the Lannisters' war effort, as his uncle (and secretly, father) Jaime (Nikolaj Coster-Waldau) is captured by the Starks, and Joffrey's "paternal uncles" Renly (Gethin Anthony) and Stannis (Stephen Dillane) challenge his claim to the Iron Throne  Joffrey frequently orders his Kingsguard to beat Sansa  His cruelty and ignorance of the commoners' suffering makes him unpopular after he orders the City Watch to kill all of his "father"'s bastard children in King's Landing; consequently, he is almost killed during a riot  When Stannis attacks King's Landing, Joffrey serves only as a figurehead and avoids the heavy fighting  When the battle eventually turns in Stannis' favor, Cersei calls her son into the safety of the castle, damaging the morale of his army  The battle is only won by his uncle Tyrion (Peter Dinklage) and grandfather Tywin, aided by the forces of House Tyrell  To cement the alliance between those families, Joffrey's engagement to Sansa is annulled so he can marry Margaery Tyrell (Natalie Dormer) 

Season 3
The marriage is yet to take place, and rifts are growing between Joffrey, and his uncle Tyrion and grandfather Tywin, who are (in their respective ways) rebutting his cruelty  Joffrey also seems to take little interest in his betrothed, but is amazed and altered by her ways of winning the people's favor, in which he takes part  At Tyrion and Sansa's wedding, he humiliates his uncle and is outraged when his uncle threatens him after Joffrey commands him to consummate the marriage  Tyrion only avoids punishment when his father Tywin assures Joffrey that Tyrion was drunk and had no intention of threatening the king  Later, after the events of the "Red Wedding", Joffrey gleefully plans on serving Sansa her recently deceased brother Robb's (Richard Madden) head  Tyrion and Tywin are outraged, and the former threatens Joffrey once again  After another disagreement, Tywin sends Joffrey to his room, much to Joffrey's chagrin 

Season 4
Joffrey finally marries Margaery  During his wedding feast, he repeatedly torments Tyrion and Sansa, presenting an offensive play about "The War of the Five Kings", with each of the kings played by dwarves to humiliate his uncle, whom he also forces to act as his cupbearer  At the height of the festivities, Joffrey is suddenly overcome by poison and dies  His last act is an attempt to point at Tyrion, and as a result Tyrion is falsely accused and ordered arrested by Cersei, but it is later revealed that Lady Olenna Tyrell and Lord Petyr Baelish were the true perpetrators  Olenna, Margaery's grandmother, later confides to Margaery that she would never have let her marry "that beast"  Following Joffrey's funeral, his younger brother and heir, Tommen, is crowned King and proceeds to marry Margaery 

Development and reception

In January 2007, HBO secured the rights to adapt Martin's series for television  Jack Gleeson was cast as Joffrey Baratheon  Gleeson received critical acclaim for his portrayal  In 2016, Rolling Stone ranked the character #4 in their list of the "40 Greatest TV Villains of All Time"  Author Martin described Joffrey as similar to "five or six people that I went to school with     a classic bully     incredibly spoiled"  Gleason would cite Joaquin Phoenix's portrayal of Commodus in Gladiator as a big influence for his performance 
Passage 6:
Paul Chomnycky
Paul Patrick Chomnycky, OSBM, (born 19 May 1954) is a bishop of the Ukrainian Catholic Church and the current bishop of the Diocese of Stamford, Connecticut 

Education
Paul Chomnycky was born in Vancouver, Canada, the son of a Ukrainian-immigrant father and Canadian-born mother (both of whom died in 1996), and graduated from the University of British Columbia with a bachelor's degree in Commerce in 1980   After working as an accountant for two years, he entered the novitate of the Order of St  Basil the Great, working in the Basilian monastery in New York 
On 1 October 1988, he was ordained as a priest of the Order of St  Basil the Great   Then, he continued with further studies in Philosophy at the University of St  Anselm and the Gregorian University in Rome, receiving a Bachelor's in Sacred Theology in 1990 
Upon his return to Canada, he served briefly as an assistant pastor at Sts  Peter and Paul Church in Mundare, Alberta and St  Basil's, Edmonton  Eventually he would return to both parishes as their pastor in 1997 and 2000 and also served as the pastor of St  Mary's Church in Vancouver from 1994 to 1997  During his tenure as pastor at St  Basil's in Edmonton and St  Paul's in Mundare, he was also the superior of the local Basilian monastery 
Bishop Chomnycky also served as the Director of the Basilian Fathers museum in Mundare, a member of the Provincial Council of the Basilian Fathers of Canada, and a member of the college of consultors of the Edmonton Eparchy  He was appointed Exarch for Ukrainian Catholics in Great Britain on April 5, 2002 and consecrated bishop on June 11, 2002 by Cardinal Lubomyr Husar 

See also
Passage 7:
Rosalie Loveling
Rosalie Loveling (20 March 1834 – 4 May 1875) was a Flemish author of poetry, novels, and essays 

Biography
Rosalie Loveling was born in Nevele, Belgium, and was the older sister of Virginie Loveling, also an author, with whom she co-wrote part of her oeuvre  After the death of their father Herman Loveling, the family moved to Ghent where the sisters moved in circles of French-speaking, mainly anti-clerical intelligentsia before eventually returning to Nevele 
She made her literary debut influenced by Klaus Groth, whose 'Trinia' she translated into Dutch  Together with her sister, she went on to write realistic and descriptive poetry with a romantic undertone  They also published two collections of essays on life in the rural communities as well as the city bourgeoisie 
Rosalie Loveling died on 4 May 1875 in Nevele 

Bibliography
Co-authored with Virginie Loveling
Gedichten (1870)
Novellen (1874) Rosalie : Jan-oom en Belle-Trezeken, De baan der kunst, Serafine, Broeder en zuster, Meester Huyghe ; Virginie: Drie kleine schetsen, Sidon, In de Hope van Vrede, De verdwaalden, Emiliaantje
Nieuwe novellen (1876) Rosalie: Mijnheer Daman en zijn erfgenamen, Juffrouw Leocadie Stevens, Po en Paoletto ; Virginie: Octavie en Estelle, De kwellende gedachte, De vijftig franken
Polydoor en Theodoor en andere novellen en schetsen (1883) Virginie: Polydoor en Theodoor ; Rosalie: De hond, Uwe tweede vrouw, Het eenig kind, De gierigheid, Kinderverdriet, Onbehendige troostwoorden, Iets over het onderwijs der vrouw, Beloften en bedreigingen, Mijn verre neef
Onze Rensen (1950)
Niets is onbeduidend (compilation and commentary by A  Van Elslander, 1978)

Sole author
Vreest gij niet (1853)
Trinia, translated from Klaus Groth's work (1864)
Het licht op oog (1866)
De eerst opvoeding (1863)
Het meesterschap (1868)
Het geschenk

See also
Flemish literature
Passage 8:
Ahmet Zappa
Ahmet Emuukha Rodan Zappa (born May 15, 1974) is an American musician and writer, and trustee of the Zappa Family Trust 

Early life
Ahmet Zappa was born in Los Angeles, California, the third of four children born to musician Frank Zappa and businesswoman Gail Zappa (née Sloatman)  His father was of Italian (Sicilian), Greek, Arab, and French descent, and his mother was of German and Portuguese ancestry  He is said to be named after music executive Ahmet Ertegun (co-founder and president of Atlantic Records), whom his father greatly admired  This is contradicted by Neil Slaven in Electric Don Quixote: The Definitive Story Of Frank Zappa, who notes:

His first name was that of an imaginary person we always had hanging around back when we had no one on our payroll," Gail told Victoria Balfour  "We'd snap our fingers and say, 'Ahmet? Dishes  Coffee, please ' He was also named Rodan after a giant pterodactyl that would have ravaged the world if the Japanese film director Ishiro Honda hadn't destroyed it in 1957 
His older brother and sister are Dweezil Zappa and Moon Zappa, and his younger sister is Diva Zappa 

Career
Ahmet Zappa has released several albums with his brother Dweezil, and wrote the song "Frogs with Dirty Little Lips" with his father 
He has appeared in several feature films and television programs  In the late 1990s, he appeared on Channel 4 UK's The Adam and Joe Show, in a regular segment called "Vinyl Justice", in which hosts Adam Buxton and Joe Cornish, dressed as policemen, examined his vinyl collection for "criminal records"  In 2000, he appeared in the film Ready to Rumble  With his brother Dweezil, he performed a cover of Britney Spears' song "   Baby One More Time" for the film's soundtrack  Other appearances include hosting the TV shows Robotica (TV series) and But Can They Sing? 
In July 2006, Zappa saw the release of his debut novel, entitled The Monstrous Memoirs of a Mighty McFearless, aimed at younger readers  The rights to a movie were purchased by Bruckheimer Films and Disney  The movie is in production with screenwriter Tim Firth assisting, no release date has been announced On October 19, 2006, The Jim Henson Company announced it had hired Zappa to write a treatment for a feature film version of the hit 1980s television show Fraggle Rock  He is also writing a sequel to The Monstrous Memoirs of a Mighty McFearless, which had also been optioned to adapt to a screenplay  Zappa proposed to Disney's studio head Bob Iger that the company form a graphic novel-to-film division; the result was "Disney's Kingdom Comics " Zappa was also given a first-look deal at Walt Disney Studios for motion picture productions  His company is called Monsterfoot Productions  His first film, The Odd Life of Timothy Green, was released in 2012 by Walt Disney Pictures, and starred Jennifer Garner and Joel Edgerton 
Following the death of Zappa's mother, Gail, in October 2015, it was revealed that Ahmet and his sister Diva were given control of the Zappa Family Trust with shares of 30% each, while his siblings Moon and Dweezil were given smaller shares of 20% each  As beneficiaries only, Moon and Dweezil will not see any money from the trust until it is profitable—in 2016, it was "millions of dollars in debt"—and must seek permission from Ahmet, the trustee, to make money from their father's music or merchandise bearing his name  The uneven divide of the trust has resulted in several conflicts between Zappa's children, including a feud between Dweezil and Ahmet over Dweezil's use of his father's music in live performances 
Under Ahmet's direction, the trust proposed a trademark on the name Zappa, which would prevent Dweezil from using the name for commercial purposes without authorization  Since 2006, Dweezil toured with an act called Zappa Plays Zappa, playing his father's music  The trust sought to collect a fee from Dweezil for continued use of the name, as well as proceeds from merchandise sold at Zappa Plays Zappa concerts  In response to the trust's action, Dweezil renamed his performance series "50 Years of Frank: Dweezil Zappa Plays Whatever the F@%k He Wants—the Cease and Desist Tour  In more recent times, the Zappa siblings have legally reconciled their differences with Dweezil noting "It may be a bumpy road at times – we are a passionate Italian family – but we have decided to work toward privately discussing issues rather than using public forums and lawyers "

Personal life
Zappa married actress Selma Blair on January 24, 2004, at Carrie Fisher's mansion in Beverly Hills, California  Blair filed for divorce at the Los Angeles Superior Court on June 21, 2006, citing irreconcilable differences  In a statement to People, a spokesman for the couple said, "Selma and Ahmet have decided to divorce but love each other very much and will continue to be close friends" Zappa is now married to Shana Muldoon—designer, writer, and creator of Disney Star Darlings and the sister of actor Patrick Muldoon  They have a daughter, Halo Violetta Zappa, born in 2010, and a son, Arrow D'Oro Leon Zappa, born in 2016 

Discography
Confessions (1991)
Shampoohorn (1994)
Music for Pets (1996)

Filmography
Pump Up the Volume (1990) – Jaime
Anarchy TV (1998) - Officer Sweitzer
Jack Frost (1998) – Snow plow driver
Children of the Corn V: Fields of Terror (1998) – Lazlo
Ready to Rumble (2000) – Cashier
Gen¹³ (2000) – Additional Voices (voice)
The Odd Life of Timothy Green (2012) – story by and producer

Television
2 Hip 4 Tv – Host (1988)
Roseanne (1994)
webRIOT – host (1999)
Happy Hour – host (1999)
Robotica – host for three seasons (2001–2002)
But Can They Sing? – host (2005)
Head Case Ep No  105 (Parental Guidance Required) – Starz Channel Original Series – self (2008)
Passage 9:
Labo M
Labo M (2003) is the third studio album by French singer-songwriter Matthieu Chedid in his persona as -M-  It's an all-instrumental work which, considering that one of -M-'s trademarks had previously been his inventive wordplay, caused some degree of discontent amongst parts of his fan base  Remarkably successful for an instrumental work, the album entered the French charts at number 27 but proved to be a stopgap with the full studio album Qui de nous deux appearing later the same year 
The album's title meaning "M's Laboratory", is a pun on La Bohème as well as the name of Chedid's recording studio 

Track listing
Tapis Volant 1
Slide Melody
Les Saules
L'Automat
Ricken
Stan est Stone
Au Kazoo
Jam à la Mer
Tapis Volant 2
Coup d'Trash
La Nébuleuse
Passage 10:
Chen Peisi
Chen Peisi (Chinese: 陈佩斯; born 1 February 1954) is a Chinese sketch comedian, film and stage actor, and voice actor   Chen's oft-time comedy partner is Zhu Shimao 

Name
Chen Peisi is the second son of famous stage and film actor Chen Qiang  Chen Qiang's first son (Chen Peisi's brother) was born in 1951 while he was overseas in the Hungarian capital Budapest performing The White-Haired Girl, so he named his first son Chen Buda (陈布达) after Buda, the western half of Budapest, as he loved the city during the visit   When the second son was born three years later, he named the son Peisi after Pest, the eastern half of Budapest, as the Standard Chinese phonetic translation of Budapest is "Bù Dá Peì Sī"   Chen Qiang's youngest child and daughter Chen Lida (陈丽达) was also named after a part of Budapest — the Margaret Island in the Danube between Buda and Pest 

Biography
Chen was born in Changchun, Jilin on 1 February 1954  In 1966, Chen studied at The High School Affiliated to Beijing Normal University  In 1969, during the Cultural Revolution, he worked in Inner Mongolia Production and Construction Corps  In 1973, Chen worked in August First Film Studio as an actor  In 1991, Chen set up a company named Hainan Comedy Film and Television Limited Company (海南喜剧影视有限公司), then renamed it Dadao Film and Television Limited Company (大道影业有限公司)  In 2000, Chen and his partner Zhu Shimao sued the China International Television Corporation over royalties from broadcasts which they won, but they were then taken off air by the parent company, China Central Television On October 26, 2020, he returned to the CCTV stage and served as the first instructor of the variety show "Gold Medal Comedy Class" after 20 years 

Filmography
Film
Television
Variety show
Passage 11:
Jodie Rimmer
Jodie Rimmer (born 1974) is a New Zealand voice and performer actress best known for starring on Young Hercules, as Lilith  Her work includes Xena: Warrior Princess,  Channelling Baby, The Strip, and In My Father's Den 

Biography
Rimmer was educated at Glenfield College on Auckland's North Shore 

Awards
In 2005, Rimmer won in the Performance by an Actress in a Supporting Role category at the New Zealand Screen Awards for her role in the film In My Father's Den (2004) 

Filmography
Film
Television
Passage 12:
David Wm  Sims
David William Sims (born September 17, 1963) is an American musician, best known as the bass guitarist of the bands Scratch Acid (with whom he initially played guitar), Rapeman, and The Jesus Lizard  He has also recorded or performed with Sparklehorse, Rhys Chatham, Shivaree, Pigface, Flour, and others  Sims currently performs experimental solo electric bass as Unfact 
Sims was born and raised in Austin, Texas  His parents were an American-history professor and a nurse  Besides being a musician, Sims is a Certified Public Accountant and blogged on his personal website from 2008 to 2011, with only updates subsequently  In a Kreative Kontrol podcast in 2014, it was discussed that Sims "always had issues with the name" of Rapeman and that it was "the biggest musical regret" of his life  He lives in New York City 

Solo discography (as Unfact)
2010 "Dead Wasp" 7" single (Ox-Ghost Recordings)
2010 "Bleached Valentine" - split LP with Noveller (Ox-Ghost Recordings/Saffron Recordings)
Passage 13:
Lucy Walker (climber)
Lucy Walker (1836–1916) was a British mountaineer and the first woman to climb the Matterhorn 
Walker was born in 1836, in British North America, in what would later become Canada  Her mother, Jane McNeil McMurdo, moved from Scotland to North America with her husband and infant daughter in 1836  Mrs McMurdo left her husband to live with Francis (Frank) Walker; Lucy Walker and her brother Horace were born before their parents moved to England  The McMurdos divorced in 1841, and Frank Walker and Jane McMurdo married on 24 April 1841  The family then moved to Liverpool, England, where Frank Walker became a lead merchant   Walker began her climbing rather modestly in 1858 when she was advised by her doctor to take up walking as a cure for rheumatism   Accompanied by her father Frank Walker and her brother Horace Walker, both of whom were early members of the Alpine Club, and Oberland guide Melchior Anderegg, she became the first woman to regularly climb in the Alps 
Walker's achievements were, at first, largely unnoticed except by those in her immediate company   Early successes included the first ascent of the Balmhorn (1864), and the first female ascent of the Eiger (1864), Wetterhorn (1866), and Piz Bernina (1869)  In 1871 her long-standing guide, Melchior Anderegg, learned that a contemporary Meta Brevoort, an American female mountaineer, was planning an expedition to climb the Matterhorn   Walker's party hastily rearranged their plans and on 21 July, she became the first woman to stand atop the Matterhorn, and with it gained world renown  As well as the Eiger she had already been the first woman to climb the Aiguille Verte (1870), Lyskam (1868), Gross Fiescherhorn (1868), Schreckhorn (1867), Weisshorn (1866), Dom (1866), Rimpfischhorn (1864), Grand Combin (1864), Zumsteinspitze (1863), Finsteraarhorn (1862) and the Strahlhorn (1860)  In 1873 she added the Taschhorn to this enviable  list of first ascents In all Lucy Walker completed a total of 98 expeditions  In 1909 she became a member of the newly formed Ladies' Alpine Club where she was acclaimed as the pioneer of women climbers   In 1913 she was elected its second President and served in that capacity until 1915  She died at her home in Liverpool on 10 September 1916 

See also
Annie Smith Peck
Frederica Plunket

Further reading
Brown, Rebecca (2003)  Women on high : pioneers of mountaineering  [S l ]: Appalachian Mountain Club  ISBN 9781929173426  OCLC 795297761 
Passage 14:
Journey 2: The Mysterious Island
Journey 2: The Mysterious Island is a 2012 American science fantasy action-adventure film directed by Brad Peyton and produced by Beau Flynn, Tripp Vinson and Charlotte Huggins  A sequel to Journey to the Center of the Earth (2008), the film is based on Jules Verne's The Mysterious Island (1875)  It stars Dwayne Johnson, Michael Caine, Josh Hutcherson, Vanessa Hudgens, Luis Guzmán, and Kristin Davis  The storyline was written by Richard Outten, Brian Gunn and Mark Gunn, and the screenplay by Brian and Mark Gunn 
Journey 2: The Mysterious Island was released in cinemas on February 10, 2012, by Warner Bros  Pictures, New Line Cinema and Walden Media to mixed reviews, but was a box office success with a worldwide gross of $335 million, surpassing its predecessor  It was released on DVD/Blu-ray on June 5, 2012 

Plot
Four years after his adventure in the center of the earth, 17-year-old Sean Anderson is arrested by the police for breaking into a satellite control center in hopes of enhancing a coded signal that could have been sent by his long-missing grandfather, Alexander Anderson  
Wanting to bond with Sean, his new stepfather Hank Parsons helps decipher the code, which leads to three books: Treasure Island, Gulliver's Travels, and Jules Verne's Mysterious Island  Using the books' individual maps, Hank uses a backlight to make them a single island, complete with the coordinates to its location  Hoping to prove to Sean that there is no mysterious island there, Hank agrees to take him to where the coordinates point to 
In Palau, Hank reluctantly hires helicopter tourism guide Gabato and his daughter Kailani (on whom Sean develops an immediate crush) to fly to the coordinates, as they are the only ones willing to take them  The helicopter gets caught in a cyclone and they crash into the Pacific, waking up on the island 
Moving in land, they are shocked to discover miniature elephants (which belong to a prehistoric species, the Dwarf sicilian elephant) and giant butterflies, meaning the animal sizes are opposite  After coming across an egg clutch, Gabato accidentally wakes up a giant frilled lizard, which chases them throughout the jungle  
They nearly get eaten, but are saved by Alexander  He takes them to a hut he built from the wreckage of the ship that brought him to the island  He has a working radio, but due to the positioning of the satellite, it will be two weeks before they can call out 
The next morning, Alexander leads the group to the lost city of Atlantis, which rises every 70 years and sinks again after a couple of days  Although Alexander assures them the island won't sink for many years, Hank discovers sea water coming from underground, meaning they only have days before the island sinks  Their only means of salvation seems to be the legendary Nautilus, Captain Nemo's submarine  Kailani enters Nemo's crypt and finds his journal, which shows that Nautilus is in a cave at Poseidon's Cliffs 
To go there, they mount giant bees and fly over a high ridge  When giant bee-eater birds try to devour them, Sean saves Kailani's life, but dislocates his ankle  Hank and Alexander reset Sean's ankle, then the group has a bonding moment when Hank sings his rendition of "What a Wonderful World" to ease Sean's pain 
The next morning, the water rises greatly and Hank deduces that the island will sink in a matter of hours  Gabato is missing, having gone toward the island's volcano in search of gold  While Alexander and Kailani go after him, Sean and Hank head for Poseidon's Cliffs 
To reach Nautilus' underwater cave, Sean and Hank create makeshift oxygen tanks and dive down fifty feet, but are nearly killed by a giant electric moray eel  The 140-year-old batteries have run down, so they engineer a way to start the submarine with the eel's electricity 
Kailani and Alexander find Gabato and convince him to escape with them instead of trying to take some volcano gold  As they near Poseidon's Cliffs, the volcano erupts  Sean and Hank arrive in Nautilus just in time to rescue the others from the water  Gabato pilots the submarine out of harm's way while Hank and Sean fire torpedoes into the path of falling debris  As they clear the dangers, Kailani kisses Sean for his bravery 
Six months later, Kailani and Gabato are well off, as he runs the most popular tourist attraction on Palau – tours aboard the Nautilus  Kailani visits Sean on his birthday  While the family celebrates, Alexander arrives with a book for Sean's birthday present – Jules Verne's From the Earth to the Moon, Alexander's suggestion for the next new adventure with the family 
The film ends with the camera panning to the moon 

Cast
Dwayne Johnson as Hank, Sean's stepfather and a former Navy code breaker 
Josh Hutcherson as Sean, Hank's stepson who wants to find his missing grandfather on the Mysterious Island 
Michael Caine as Alexander, Sean's grandfather who is the father of Max and Trevor Anderson from the previous film 
Luis Guzmán as Gabato, Kailani's father, who is part of the father-daughter tour guide team 
Vanessa Hudgens as Kailani, part of the father-daughter tour guide company and Sean's love interest 
Kristin Davis as Liz, Sean's mother and Hank's wife  Portrayed by Jane Wheeler in the previous film 
Anna Colwell as Jessica
Stephen Caudill as Cop, a police officer who is a friend of Hank's 
Branscombe Richmond as Tour Guide
Walter Bankson as Hockey Player

Production
After the commercial success of the first film, New Line Cinema and Walden Media purchased Richard Outten's spec script, Mysterious Travels, in March 2009 to serve as the basis for the film  In the story, the characters embark on a journey to a mysterious uncharted island thought to have inspired the writing of three literary classics: Robert Louis Stevenson's Treasure Island, Jonathan Swift's Gulliver's Travels, and Jules Verne's Mysterious Island  Brian Gunn and Mark Gunn were chosen to revise Outten's script  Warner Bros  and New Line Cinema announced that Journey 2: The Mysterious Island would be released on February 10, 2012 

Casting
Josh Hutcherson was the only actor to reprise his role  Due to scheduling issues, Brendan Fraser and Anita Briem did not return  Kristin Davis replaced Jane Wheeler as Sean's mother Liz  Dwayne Johnson played Sean's stepfather, who is forced to accompany Sean on the trip to find his missing grandfather Alexander (played by Michael Caine) on a mythical and monstrous island  Vanessa Hudgens was cast as Hutcherson's love interest, Kailani 

Short film
The theatrical release of the film was preceded by a Looney Tunes short film titled Daffy's Rhapsody, featuring Daffy Duck and Elmer Fudd in the first CG or 3-D depiction of these specific Looney Tunes characters  The short film's director, Matthew O'Callaghan, noted that "Daffy Rhapsody was originally recorded in the early 1950s as part of a kids' album"  Unlike the earlier CG Looney Tunes shorts that appeared before Happy Feet Two and Yogi Bear, this short did not appear on the home video release of the film it accompanied 

Release
Theatrical release
Journey 2: The Mysterious Island was released in cinemas on February 10, 2012, by Warner Bros  Pictures, Walden Media and New Line Cinema  The film was accompanied by a 3D Looney Tunes short titled Daffy's Rhapsody  The short was originally going to play before Happy Feet Two, but was replaced with I Tawt I Taw a Puddy Tat to go along with the bird theme 

Home media
Journey 2: The Mysterious Island was released on DVD/Blu-ray on June 5, 2012 

Reception
Box office
Journey 2: The Mysterious Island grossed $103 9 million in North America and $231 4 million in other territories, for a worldwide total of $335 3 million, against a production budget of $79 million surpassing its predecessor  In North America, the film earned a $6 54 million on its debut Friday, ranking fourth at the box office  Over the weekend, it earned $27 3 million, coming in third place, much higher than the original's $21 0 million debut  Outside North America, Journey 2 began its run three weeks before its North American release  It topped the box office outside North America for two consecutive weekends and three in total  It surpassed the original's total outside North America  Its highest-grossing region after North America was China ($58 4 million), followed by Russia and the CIS ($17 6 million) and Mexico ($12 7 million) 

Critical response
On Rotten Tomatoes the film has an approval rating of 44% based on 131 reviews with an average rating of 4 92/10  The site's critical consensus reads: "Aggressively unambitious, Journey 2 might thrill teen viewers, but most others will find it too intense for young audiences and too cartoonishly dull for adults"  On Metacritic, the film has a score of 41 out of 100 based on reviews from 27 critics, indicating "mixed or average reviews"  Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale Lisa Schwarzbaum of Entertainment Weekly gave the film a B grade, stating that "the movie flies by pleasantly, and is then instantly forgettable  Perhaps Jules Verne can explain the science of that"  Randy Cordova from the Arizona Republic said: "Johnson can't save the movie, directed by Brad Peyton, from being a sloppy skip from one seemingly unrelated idea to the next"  Roger Ebert, who gave the first film two stars, gave the sequel two-and-a-half stars, stating: "It isn't a "good" movie in the usual sense (or most senses), but it is jolly and goodnatured, and Michael Caine and Dwayne Johnson are among the most likable of actors" 

Accolades
Soundtrack
Letterbomb - Performed by Green Day
Sleep Forever - Performed by Crocodiles
Aloha Oe - Performed by Dwayne Johnson
Hello Again - Performed by Meta & The Cornerstones
Three Little Birds - Performed by Bob Marley & The Wailers
What a Wonderful World - Performed by Dwayne Johnson

Future
In August 2014, Carey Hayes and Chad Hayes were announced to write the script for a third film  Brad Peyton and Dwayne Johnson were expected to direct and star in the sequel, respectively  It was later stated that there would be two sequels  By January 2018 however, Johnson stated despite the financial success of The Mysterious Island, and although a third film titled Journey from the Earth to the Moon was intended, its development had been cancelled due to a lack of immediate interest and troubles in adequately adapting the novel  Despite this, reports from Hollywood production insiders arose in August 2020, stating that a sequel was once again in development  In December 2021, Hiram Garcia confirmed that Warner Bros  Pictures wants a sequel film, though Seven Bucks Productions decided to delay development in favor of pursuing other projects 

See also
Journey to the Center of the Earth (2008 film)
Passage 15:
Matthieu Chedid
Matthieu Chedid (born 21 December 1971) is a French multi-instrumentalist and singer-songwriter 
Chedid began his career as a session musician playing both acoustic and electric guitar  In the late 1990s, he rose to fame as a singer-songwriter and musician under the alias M (often stylized as -M-), blending Nouvelle Chanson, electronic and rock music  In studio, he experiments with various instruments and electronic music, while on tour as -M- he mostly plays the guitar, and is known for his eccentric outfits and dramatic live performances, sometimes including special effects 
Chedid has also performed in the 2005 stage musical Le soldat rose and is part of French-Malian band Lamomali  Since 2018, he has been the most awarded artist at the Victoires de la Musique Awards with 13 awards, tied with Alain Bashung 

Biography
Matthieu Chedid was born in Boulogne-Billancourt, Hauts-de-Seine, France  His father Louis Chedid is a singer from a family of Lebanese extraction, of Maronite and Greek Orthodox Christian background  Louis Chedid's mother Andrée (née Saab) was an Egyptian-born French writer and poet, who has written lyrics for Matthieu Chedid's songs  Matthieu Chedid's sisters are the music video and concert director Émilie Chedid (born in 1970) and French singer Anna Chedid (born in 1987), also known by her stage name Nach  His brother Joseph "Selim" Chedid (born in 1986) is also a French singer and a guitar and drums player 
Chedid took an interest in music early on  In 1978, at the age of six, Chedid lent his voice to the chorus of his father's hit song T'as beau pas être beau alongside older sister, Émilie  During his teenage years and early twenties, Chedid was part of short-lasting groups such as Tam Tam , Les Bébés fous and Les Poissons Rouges with Mathieu Boogaerts, as well as Julien Voulzy and Pierre Souchon (respectively the sons of singers Laurent Voulzy and Alain Souchon) who went on to form the duo Les Cherche Midi 
He has collaborated with a number of artists, both on stage and in the recording studio  Early into his solo career, Chedid was the opening act for Texas concerts  He has recorded with NTM, Sinclair, Billy Ze Kick, Brigitte Fontaine, Sean Lennon, Vanessa Paradis, and Johnny Hallyday 
Until 2008, Chedid was in a relationship with French actress Audrey Tautou 

-M-
Chedid performs and records under the stage name -M-  Chedid created -M- as means of overcoming his shyness on stage and also as a way of distancing his work from that of his father and grandmother  The pseudonym comes from Chedid's first initial but also refers to the similar-sounding French word aime, meaning love  The character -M- is a superhero, noted for having a playful nature, and recognized for his flamboyant costumes (primarily monochrome suits with slim trousers and long jackets with upward pointed collars) and hair styled into the shape of an M In 1997, -M- released his first solo album Le Baptême  During this time; he played mainly solo or with the cellist Vincent Ségal  The album received overall positive critical reception, but public recognition only came a few months later, with the release of the single "Machistador" 

Je dis aime
In 1999, -M- published his second album, Je dis aime a title that puns 'aime' (like/love) with 'M'  A few months later, the album was 11th on the French Charts, with more than 500,000 albums sold, thanks to a number of successful songs ("Je dis aime", "Onde Sensuelle", "Monde Virtuel", "Le complexe du corn-flakes", "Mama Sam") 
Live, -M- played with Cyril Atef, Vincent Segal and DJ Shalom for the samples on some songs  He still works with his sister Emilie Chedid for the realisation of the clips  His live performance largely contributed to his success, playing on his character of -M- to transform every concert into a show  He won his first Victoire de la Musique awards for Male Artist of the Year and Concert of the Year 

"Belleville Rendez-vous" and Qui de nous deux
-M- gained international exposure through his recording of the song "Belleville Rendez-vous" for the soundtrack of the 2003 Sylvain Chomet animated film The Triplets of Belleville in both French and English   The song, with lyrics by Chomet and music by Benoit Charest, was nominated for a 2003 Academy Award   The music video for "Belleville Rendez-vous" uses both a live-action depiction of -M- and an animated depiction incorporated into footage from the film 
In autumn 2003, he released his 3rd album Qui de nous deux (Which one of us two) with the singles "Qui de nous deux", "La bonne étoile", "Mon ego"  Softer, this album saw the birth of his first daughter, Billie, for whom an all-pink guitar was built by instrument-maker Cyril Guérin  A pink guitar can be seen in the video for "Qui de nous deux" 
In 2007, he worked once again with Vanessa Paradis on her album Divinidylle, released in September 2007 

Mister Mystère
Rumors circulated before the release of his 2009 studio album, Mister Mystère, that Chedid had decided to drop the character -M- to record and perform under his given name  The album, however, was released under the name -M- but included photographs of the singer without the wild costumes and hair associated with the -M- character  The music video for the first single, "Le Roi des ombres", showed Chedid burning a tiny effigy of his alterego 

Louis, Matthieu, Joseph et Anna Chedid
Chedid was part of the musical group Louis, Matthieu, Joseph et Anna Chedid with several members of his family  They began with a tour in 2015, which was followed by a studio recording 

Îl, Lamomali, and Lettre infinie
In autumn 2012, he released the album, Îl, played with Lawrence Clais and Brad Thomas Ackley 
He worked with Toumani Diabaté and Sidiki Diabaté on a collective album, Lamomali, released in March 2017 The album also features Philippe Jaroussky as well as Oxmo Puccino lending a mesmeric world music flavour to it that celebrates cultural diversity and world peace 
In 2019, he released the studio album, Lettre infinie, featuring collaborations from Thomas Bangalter and Phillipe Zdar  He announced new album, R Ê V A L I T É, to be released in June of 2022 

Public image
Chedid is mostly known for his on-stage persona -M- whose signature hairstyle is reminiscent of the letter M and was initially achieved using hair wax  According to Chedid, the hairstyle was inspired by the ear tufts of certain species of owls, from a lithography of an owl given by his grandmother Andrée  The letter M also appears as a pattern in the character's clothes, in music videos and stage sets  With his energetic personality, eccentric outfits and hairstyle, the character has drawn comparisons with English musician David Bowie's stage persona Ziggy Stardust  Besides Matthieu Chedid, the character -M- has also been portrayed by actor Vincent Lindon in the music video for Chedid's song La bonne étoile  In promotional material and music videos for his 2009 album Mister Mystère, Chedid is seen with natural hair instead of the signature M-shaped hairstyle  The lyrics of some of the songs, and the music video of Le Roi des Ombres ending with Chedid burning a tiny effigy of the -M- character, led to speculation about whether he would abandon his alter ego  Chedid eventually kept performing the character, showing his natural hair or wearing M-shaped wigs or helmets 

Awards
Matthieu Chedid holds the gold place in number of Victoires de la Musique awards, with 13 awards

Discography
Albums
Studio albums

Collaborations

Live albums

Soundtracks

Rereleases

Singles
As main artist
Collaborations
Other hits
Charity
2016: "Vole" (with Nolwenn Leroy, Alain Souchon, Laurent Voulzy   )

Bibliography
Les Âmes de Mogador (2003), with Patrice Renson : tribute to Essaouira (Maroc)  A CD of ten unreleased tracks is included 
-M-, qui de nous deux (2004), with Claude Gassian : book produced during the recording of the album Qui de nous deux
-M- de A à Z (2005), by Mathias Goudeau
Le monde de -M- (2005), with Marianne Chedid, Sonia Rachline and Sophie Laurent : insight on his career, with a lot of pictures
-M- le mot dit : esthétique d'un funkistador by Marc Borbon: analysis of M's world through a fan's own experience
Le Livre Extraordinaire de -M- by Lisa Roze: package of an archival photographs, unpublished shootings, a book, postcards, a pop-up, a new song (Si Si No No), etc 
Context 3: Passage 1:
The Jazz Skyline
The Jazz Skyline is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1956 and released on the Savoy label 

Reception
The Allmusic review by Bob Rusch states: "This session has interest as an example of Milt Jackson's mid-'50s work in a non-Modern Jazz Quartet context  And despite the many critical assertions that the vibist was restrained by pianist John Lewis' direction, his playing here revealed no marked change" 

Track listing
"Lover" (Lorenz Hart, Richard Rodgers) - 7:45
"Can't Help Lovin' Dat Man" (Oscar Hammerstein II, Jerome Kern) - 4:35
"The Lady Is a Tramp" (Hart, Rodgers) - 7:18
"Angel Face" (Hank Jones) - 6:38
"Sometimes I'm Happy" (Irving Caesar, Vincent Youmans) - 7:15
"What's New?" (Johnny Burke, Bob Haggart) - 3:51

Personnel
Milt Jackson – vibes
Lucky Thompson - tenor saxophone
Hank Jones - piano
Wendell Marshall - bass
Kenny Clarke – drums
Passage 2:
It's What's Happenin'
It's What's Happenin' (subtitled The Varitone Sound of Clark Terry) is an album by American jazz trumpeter Clark Terry featuring performances recorded in 1967 for the Impulse! label   Remastered in 2012 to commemorate the 50th anniversary of Impulse! Records, it was reissued together with Terry's only other record for the label as a solo leader, The Happy Horns of Clark Terry 

Reception
The Allmusic review by Richard S  Ginell awarded the album 3 stars stating "Not many will bother to recall that Clark Terry was the first trumpeter to make a recording with Selmer's Varitone attachment -- an electronic hookup to an amplifier that allowed a horn player to play octaves  Though the instrument quickly fell out of favor after a very brief vogue, it still produced an attractively soulful sound that was a good fit with Terry's jaunty, slurry, note-bending manner    there is nothing unmusically sensational about anything that happens here " 

Track listing
All compositions by Clark Terry except where noted 

"Electric Mumbles" - 3:51
"Secret Love" (Paul Francis Webster, Sammy Fain) - 6:15
"Take Me Back to Elkhart" - 7:11
"Take the "A" Train" (Billy Strayhorn) - 5:03
"Tee Pee Time" - 6:25
"Grand Canyon Suite" (Ferde Grofé) - 7:05

Personnel
Clark Terry - Varitone trumpet
Don Friedman - piano
George Duvivier - bass
Dave Bailey - drums
Passage 3:
All Things in Time
All Things in Time is an album by American R&B singer Lou Rawls, released in June 1976 on the Philadelphia International Records label  The album includes Rawls's most famous hit song, "You'll Never Find Another Love Like Mine" 

Background
Coming after a career lull in the years immediately preceding, All Things in Time was Rawls's first album for PIR  At the time, he was the first artist to sign with PIR, after having already enjoyed a substantial recording career and chart success with other record labels  Recorded at Sigma Sound Studios and produced by Gamble & Huff, Bunny Sigler and Dexter Wansel, All Things in Time became an immediate success on the back of its lead single, "You'll Never Find Another Love Like Mine" 

Reception
Commercial
The album was Rawls' third R&B chart-topper (the first since 1966), and reached No  7 on the Billboard 200   "You'll Never Find Another Love Like Mine" gave Rawls the biggest hit of his career, topping Billboard's R&B Songs chart and Adult Contemporary chart, and making No  2 on the Billboard Hot 100 

Critical
All Things in Time was highly rated by critics upon release, due to the quality and variety of its material, production standards and Rawls' vocal performances  It is often cited as the best album of Rawls' tenure with PIR  In a retrospective review for Allmusic, Jason Elias described it as "   not only one of Rawls' best albums, it's also one of the finest from Philadelphia International" 

Track listing
In 2005, All Things in Time was reissued on CD by Edsel Records in the UK in a double package with Rawls' 1977 album, Unmistakably Lou 

Personnel
Kenneth Gamble – co-producer (tracks 1–2, 4, 8)
Leon Huff – co-producer (tracks 1–2, 4, 8)
Jack Faith – producer, musical arranger (track 3)
Bunny Sigler – producer (tracks 5–6)
Bobby Martin – producer (track 9), musical arranger (tracks 1–2, 4–5, 8–9)
Richard Rome – musical arranger (track 6)
Dexter Wansel – producer, musical arranger (track 7)
Joe Tarsia – engineer
Jim Gallagher – engineer
Carl Paroulo – engineer
Jay Mark – engineer
Frank Laffitte – photos
Ed Lee – design

Charts
Certifications
See also
List of number-one R&B albums of 1976 (U S )
Passage 4:
Plenty, Plenty Soul
Plenty, Plenty Soul is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label 

Reception
The Allmusic review by Scott Yanow stated that "these all-star dates still sound fresh and enthusiastic decades later" 

Track listing
All compositions by Milt Jackson, except as indicated"Plenty, Plenty Soul" (Milt Jackson, Quincy Jones) - 9:33
"Boogity Boogity" (Jones) - 4:55
"Heartstrings" - 4:53
"Sermonette" (Cannonball Adderley) - 5:23
"The Spirit-Feel" - 4:22
"Ignunt Oil" - 5:35
"Blues at Twilight" (Jones) - 6:46Recorded in New York City on January 5 (tracks 4–7) and January 7 (tracks 1–3), 1957

Personnel
Milt Jackson – vibes
Joe Newman - trumpet
Jimmy Cleveland - trombone (tracks 1–3)
Cannonball Adderley - alto saxophone (tracks 1–3)
Frank Foster (tracks 1–3), Lucky Thompson (tracks 4–7) - tenor saxophone
Sahib Shihab - baritone saxophone (tracks 1–3)
Horace Silver - piano
Percy Heath (tracks 1–3), Oscar Pettiford (tracks 4–7) - bass
Art Blakey (tracks 1–3), Connie Kay (tracks 4––7) – drums
Quincy Jones - arranger (tracks 1–3)
Passage 5:
Three for Shepp
Three for Shepp is an album by American saxophonist Marion Brown featuring performances recorded in 1966 for the Impulse! label 

Reception
The Allmusic review by Thom Jurek awarded the album 4½ stars, stating: "Marion Brown's Three for Shepp is the image-in-the-mirror companion to Archie Shepp's Four for Trane recorded the year before  The program is equally divided between Brown's originals, which occupy the first half of the album, and Shepp tunes that take up the latter half  What is immediately striking is how similar in tone, color, and texture the two men were when it came to composition  Brown arms himself here with crack bands for these recordings    This is a classic Impulse! recording of the period by an overlooked master "The authors of the Penguin Jazz Guide wrote: "Brown's Impulse! records are routinely overlooked    In the wake of this, his first successful record, Brown took to the road, playing tirelessly but curbing his studio activities  Impulse! had already released Shepp's Four For Trane  This was explicitly intended as a companion project and its arresting opening    establishes it as one of the most inventive in the label's distinguished catalogue    Brief as it is at just 35 minutes, Three For Shepp is so densely packed with musical information that it takes many, many listens to deconstruct: a living lesson in musical history, a passionate manifesto for the future "A reviewer at SoundOhm included the album in the "Best of 2019" playlist, and stated: "Three For Shepp balances fiery energy and delicate precision    Even this early in his career, Brown stood apart from his peers in "the new thing " His solos were as gentle as they were furious  Informed by the African American folk traditions of his native Georgia and an enthusiastic embrace of the avant-garde, his music would confront and challenge society  As Brown says in the original liner notes, 'The music is definitely a part of what's going on in the black revolution in America '  Three For Shepp still sounds crucial today (over 50 years later) and remains a vital statement of jazz's past, present and future "

Track listing
All compositions by Marion Brown except as noted

"New Blue" - 5:11
"Fortunato" - 8:54
"The Shadow Knows" - 3:04
"Spooks" (Archie Shepp) - 4:32
"West India" (Shepp) - 6:24
"Delicado" (Shepp) - 6:38

Personnel
Marion Brown - alto saxophone
Grachan Moncur III - trombone
Dave Burrell (tracks 1-3), Stanley Cowell (tracks 4-6) - piano
Norris Jones - bass
Bobby Capp (tracks 1-3), Beaver Harris (tracks 4-6) – drums
Passage 6:
2 Horns / 2 Rhythm
2 Horns / 2 Rhythm is an album by American jazz trumpeter Kenny Dorham, featuring performances with Ernie Henry  It was recorded in 1957 and released on Riverside Records  This was Henry's last recording session 

Reception
The AllMusic review by Scott Yanow awarded the album four stars and stated "The sparse setting (unusual for a Dorham session) works quite well" 

Track listing
Recorded in New York City on November 13 (tracks 1–3, 5–7 & 9) and December 2 (tracks 4 & 8), 1957

Personnel
Kenny Dorham – trumpet, piano (track 3)
Ernie Henry – alto saxophone
Eddie Mathias (tracks 1–3, 5–7 & 9), Wilbur Ware (tracks 4 & 8) – bass
G



ground_truth: Karen Fairchild

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is the father of the Labo M performer?

The following are given passages.
Context 3: T  Hogan – drums
Passage 7:
The Main Attraction (album)
The Main Attraction is an album by American jazz guitarist Grant Green featuring performances recorded in 1976 and released on the Kudu label 

Reception
The AllMusic review by Thom Jurek awarded the album two stars and stated "While it's true that this isn't one of Green's best records, it's not by any means his worst    Contrary to jazz critics' opinions, Green had nothing to be ashamed of on Main Attraction  If funky '70s soul-jazz is your thing, you won't go wrong with this one" 

Track listing
"The Main Attraction" (Don Grolnick, Steve Khan, Will Lee, David Matthews, Andy Newmark) - 19:35
"Future Feature" (Matthews) - 7:47
"Creature" (Grant Green) - 10:20Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey in March 1976 with additional recording at A&R Studios, NYC

Personnel
Grant Green - guitar
Burt Collins, Jon Faddis - trumpet
Sam Burtis - trombone
Hubert Laws - flute
Michael Brecker, Joe Farrell - tenor saxophone
Ronnie Cuber - baritone saxophone
Don Grolnick - electric piano, clavinet
Steve Khan - rhythm guitar
Will Lee - electric bass
Andy Newmark - drums
Carlos Charles - conga, percussion
Sue Evans - percussion
Dave Matthews - arranger, conductor
Passage 8:
Groovin' with Golson
Groovin' with Golson is the sixth album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label 

Reception
The Allmusic review by Scott Yanow states, "the hard bop music does indeed groove in its own fashion" 

Track listing
All compositions by Benny Golson except where noted 

"My Blues House" - 9:25
"Drum Boogie" (Roy Eldridge, Gene Krupa) - 3:59
"I Didn't Know What Time It Was" (Richard Rodgers, Lorenz Hart) - 5:25
"The Stroller" - 9:18
"Yesterdays" (Jerome Kern, Otto Harbach) - 5:54

Personnel
Benny Golson - tenor saxophone
Curtis Fuller - trombone
Ray Bryant - piano
Paul Chambers - bass
Art Blakey - drums
Passage 9:
Soundsigns
Soundsigns is an album by the American jazz saxophonist Dewey Redman of performances recorded in 1978 for the Galaxy label 

Reception
The Allmusic review by Scott Yanow awarded the album 3 stars stating "Recorded at the same sessions that resulted in Musics, this LP (which has not yet been reissued on CD) is actually more exploratory" 

Track listing
All compositions by Redman except as indicated"Piece for Tenor and Two Basses"  - 8:23
"Half Nelson" (Miles Davis) - 10:07
"Adesso Lo Sai" - 13:59
"Come Earth" - 8:00Recorded at Fantasy Studios in Berkeley, California on October 18 & 19, 1978

Personnel
Dewey Redman - tenor saxophone (tracks 1-3), harp (track 4)
Fred Simmons - piano (tracks 2 & 3)
Charlie Haden (tracks 1 & 4), Mark Helias - bass
Eddie Moore - drums, saw, cymbal (tracks 2-4)
Passage 10:
Waterfalls (album)
Waterfalls is a live album by American saxophonist and composer John Klemmer featuring studio enhanced live performances recorded in Los Angeles for the Impulse! label 

Reception
The Allmusic review by Scott Yanow awarded the album 4 stars stating it is "Worth investigating by open-eared listeners" 

Track listing
All compositions by John Klemmer"Prelude I" – 3:33
"Waterfalls" – 4:19
"Utopia: Man's Dream, Part 1" – 8:47
"Utopia: Man's Dream, Part 2" – 3:50
"There's Some Light Ahead" – 4:29
"Centrifugal Force" – 5:59
"Prelude II" – 4:02
"Waterfall II" – 6:08Recorded in performance at the Ash Grove in Los Angeles, California on June 17, 1972 and "enchanted" at The Village Recorder in Los Angeles on June 22, 1972

Personnel
John Klemmer – tenor saxophone, soprano saxophone, echoplex
Mike Nock – electric piano
Wilton Felder – electric bass
Eddie Marshall – drums
Victor Feldman – percussion
Diana Lee – vocals (tracks 3, 4 & 6)
Passage 11:
More Blues and the Abstract Truth
More Blues and the Abstract Truth is an album by American jazz composer, conductor and arranger Oliver Nelson featuring performances recorded in 1964 for the Impulse! label 

Reception
The Allmusic review by Scott Yanow awarded the album 4 stars, stating: "Unlike the original classic Blues and the Abstract Truth set from three years earlier, Oliver Nelson does not play on this album  He did contribute three of the eight originals and all of the arrangements but his decision not to play is disappointing    The emphasis is on blues-based pieces and there are some strong moments even if the date falls short of its predecessor" 

Track listing
All compositions by Oliver Nelson except as noted

"Blues and the Abstract Truth" - 5:14
"Blues O'Mighty" (Hodges) - 6:48
"Theme from Mr  Broadway" (Brubeck) - 5:45
"Midnight Blue" (Neal Hefti) - 4:06
"The Critic's Choice" - 2:21
"One for Bob" - 6:07
"Blues for Mr  Broadway" (Brubeck) - 8:12
"Goin' to Chicago Blues" (Count Basie, Jimmy Rushing) - 4:37
"One for Phil" - 3:58 Bonus track on CD reissue
"Night Lights" (Arnold Shaw) - 2:46 Bonus track on CD reissueRecorded on November 10, 1964 (tracks 4 & 6–9), and November 11, 1964 (tracks 1–3, 5 & 10) 

Personnel
Oliver Nelson - arranger, conductor
Thad Jones, Danny Moore (tracks 1 & 5) - trumpet
Phil Woods - alto saxophone
Ben Webster - tenor saxophone (tracks 4 & 7)
Phil Bodner - tenor saxophone, English horn
Pepper Adams - baritone saxophone
Roger Kellaway - piano
Richard Davis – bass
Grady Tate – drums
Passage 12:
Wild Thing (Tone Lōc song)
"Wild Thing" is a single by American rapper Tone Lōc from his 1989 album Lōc-ed After Dark   The title is a reference to the phrase "doin' the wild thing," a euphemism for sex  According to producer Mario Caldato Jr , who engineered and mixed the song, producer Michael Ross was inspired by an utterance of Fab 5 Freddy “Come on baby let’s do the wild thing" in Spike Lee's She's Gotta Have It, and asked Young MC to write the lyrics Tone Lōc's song peaked at number two on the Billboard Hot 100 in February 1989, only behind Paula Abdul's breakthrough hit  "Straight Up" It inspired at least two parodies (the Gilligan's Island-themed "Isle Thing" by "Weird Al" Yankovic, which was Yankovic's first rap parody; and "Child King" by Christian band ApologetiX)  It eventually sold over two million copies  It also peaked at number 21 on the UK Singles Chart  In 2008, "Wild Thing" was ranked number 39 on Vh1's 100 Greatest Songs of Hip Hop 

Sampling controversy
The song uses an uncredited sample of Van Halen's "Jamie's Cryin'"  Van Halen's management at the time asked for a flat fee (credited in some reports to be US$5,000) as payment to have the song sampled by Tone Lōc  Apparently, the sampling decision was made without consulting the band's original members (credited as co-authors of the song)  They had no idea "Wild Thing" would become a major hit  A subsequent civil lawsuit was settled out of court, with Van Halen receiving US$180,000 as settlement payment  Alex Van Halen has said that he had heard partially "Wild Thing" over the radio and didn't realize his song had been sampled until he recognized his (by now famous) tom-tom break at least a few times  Concerning the settlement, he said: "Well, at least we got something  Tone Lōc and his people made millions out of it   "

Music video
A music video directed by Tamra Davis was made for the song at a reported cost of  $500, copying the style of Robert Palmer's "Addicted to Love " Mini-skirted women play guitars next to Tone Lōc; the video was frequently shown on MTV  The leading lady in the video is played by actress Tracy Camilla Johns 

Peaches remix
"Wild Thing (Peaches Remix)" is a version of Tone Lōc's "Wild Thing"  The song features vocals by Tone Lōc and Peaches herself  This remix was made to celebrate Delicious Vinyl's 20th anniversary  It peaked at No  4 on the U S  Billboard Hot Dance Singles Sales 

Music video
The music video for "Wild Thing Remix" shows Peaches and Tone Lōc performing live at Avalon during the celebration of the 20th anniversary of Delicious Vinyl 

Uses in popular culture
"Wild Thing" was used in the 1989 film Uncle Buck (starring John Candy) during the scene when the titular character goes to the school of his nephew and niece to talk to the principal 
In 1991, figure skater Tonya Harding used the track of "Wild Thing" in the last third of her free skate to win the U S  Figure Skating Championships 
In the 2000 film Bedazzled, the song is used when Brendan Fraser's character, Elliot, first meets the Devil, played by Liz Hurley 
In Charlie's Angels: Full Throttle (2003), the song is used to soundtrack the scene in which Cameron Diaz's character, Natalie, rides a mechanical bull 
In Taxi (2004), Gisele Bunchen's character Vanessa is introduced by the song walking out of a building with her female henchmen as they prepare for another bank robbery 
The song is also heard, in much-edited form, in the 2016 film The Angry Birds Movie 
In 1989, the song was used in the Season One episode of the TV series Midnight Caller entitled "The Fall"  Also in 1989, the song was used in the pilot episode of Doogie Howser, M D   
In 2012, Bob Sinclar and Snoop Dogg made an electro house cover



ground_truth: Louis Chedid

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What record label is the performer who released All Your Faded Things on?

The following are given passages.
Context 3: 

Charts
Weekly charts
Year-end charts
Certifications
Passage 13:
Foolin' Myself
Foolin' Myself is an album of trio performances by the American jazz pianist Jaki Byard recorded in 1988 and released on the Italian Soul Note label 

Reception
The Allmusic review by Ken Dryden awarded the album 2+1⁄2 stars, stating "While the pianist's technique is impressive as always, his songs are not as strong as on many of his other releases" 

Track listing
All compositions by Jaki Byard except as indicated"Suite 27: Waterfalls, Highways, Skyways, Waterways" - 5:11
"Oslo to Kristiansund to Malmo" - 3:10
"Searchlight No  2" - 9:22
"Stage I / Stage II" - 4:17
"Breath" (Ralph Hamperian) - 8:27
"Foolin' Myself" (Jack Lawrence, Peter Tinturin) - 3:50
"Land of Love" - 6:36Recorded at Sound Ideas Studios in New York City on August 25, 1988

Personnel
Jaki Byard – piano
Ralph Hamperian - bass
Richard Allen - drums
Passage 14:
All Your Faded Things
All Your Faded Things is an album released by Anna Oxygen on July 22, 2003 under the Cold Crush Records label  It was produced by Justin Trosper 

Critical reception
Wrote MacKenzie Wilson of Allmusic in a review for the album, Oxygen is "enjoyably cheeky in delivering her own dance-pop formula " Calling the album synthpop, the review also praised the "minimalist approach" of the production, which led to a "fluid, full sound well-suited for both dance and indie rock fans " Also, "she adds a bit of sauce to the new-millennium electroclash stage and celebrates the delicious design of classic new wave "

Track listing
"Baby Blue" – 2:49
"Red Horse Cafe" – 2:56
"Psychedelic Dance Party" – 1:49
"Aviva" – 2:01
"Scientist" – 2:22
"Mine All Mine" – 1:32
"Loose to the Tight" – 2:15
"Spectacle" – 2:50
"Nerve Angels Two" – 2:15
"Primary Colors" – 1:32
"Painted Yellow Crown" – 2:19
"Man on the Screen" – 2:10
"Nerve Angels Three" – 1:49
"Ponytails" – 3:17
Passage 15:
The Real Thing (Dizzy Gillespie album)
The Real Thing is an album by American jazz trumpeter Dizzy Gillespie featuring James Moody recorded in 1969 and originally released on the Perception label 

Track listing
All compositions by Mike Longo except as indicated

"N'Bani" (Dizzy Gillespie) - 4:05
"Matrix" - 4:04
"Alligator" - 5:06
"Closer" [vocal] / "Closer" [instrumental] (George Davis) - 3:17
"Soul Kiss" - 4:07
"High on a Cloud" (Fred Norman, Cliff Owens) - 3:20
"Summertime" (George Gershwin) - 3:46
"Let Me Outta Here" - 5:13
"Ding-A-Ling" - 5:03

Personnel
Dizzy Gillespie - trumpet
James Moody - tenor saxophone (tracks 1, 5-8 & 10)
Eric Gale (tracks 1, 6, 7 & 10), George Davis (tracks 2-5, 8 & 9) - guitar
Mike Longo - piano
Nate Edmonds - organ (track 6)
Chuck Rainey (track 6), Phil Upchurch (tracks 2-4, 7 & 8) - electric bass
Paul West - bass (tracks 1, 5, 7 & 10)
Otis "Candy" Finch (track 1, 7 & 10), David Lee (tracks 2-5, 8 & 9), Bernard Purdie (track 6) - drums
Passage 16:
Something Personal
Something Personal is an album by American jazz pianist Jack Wilson featuring performances recorded and released on the Blue Note label in 1967 

Reception
The Allmusic review by Scott Yanow awarded the album 4½ stars and stated "this album is an excellent showcase for the often-overlooked Jack Wilson" 

Track listing
All compositions by Jack Wilson except as indicated"Most Unsoulful Woman" - 6:53
"The Sphinx" (Ornette Coleman) - 5:07
"Shosh" - (Blues in F) 8:59
"Serenata" (Leroy Anderson) - 6:58
"Harbor Freeway 5 P M " - 7:12
"C F D " - 4:58
"One and Four" [aka  "Mr  Day"] (John Coltrane) - 4:51 Bonus track on CD reissueRecorded  on August 9 (4, 6-7) and August 10 (1-3, 5), 1966 

Personnel
Jack Wilson - piano
Roy Ayers - vibes
Ray Brown - bass (#3-6), cello (#1-2)
Charles 'Buster' Williams - bass (#1-2)
Varney Barlow - drums
Passage 17:
This Is an Exercise
This Is an Exercise is an album by experimental electropop artist Anna Oxygen, released in 2006 on Kill Rock Stars  Allmusic described the album as "just as fascinating as it is chilly and alienating  In her songs, Oxygen explores some of the same issues of authenticity, creation, and consumption that Tracy + the Plastics do, but with a sci-fi/fantasy bent "

Production and release
Oxygen composed the album herself, also handling piano, primary vocals, and sequencing  It also featured Melissa Collins on cello, Andy Gertz on accordion, and guest vocalists Kitty Jenson, Mirah Yom Tov Zeitlyn & Ginger Takahashi  Portland artist Jona Bechtolt helped Oxygen with the cover art  It was released on February 21, 2006 on Kill Rock Stars 

Critical reception
The album met with a mixed reception, with a number of reviewers writing about the album with acclaim  In a positive review for the Phoenix New Times, Ray Cummings called the album "dancey " About Oxygen's vocals, Cummings wrote that "Huff's voice recalls Linda Perry's    at its lightest, it's diva-in-training delightful  In either mode, her pipes are a perfect contrast to the rhythmically ebullient programmed synths and beats supporting them - backdrops coursing, playful, robotic, and pop basic "In a positive review for Allmusic, Heather Phares called the album "a darker, more dramatic, and more polished affair than All Your Faded Things," also describing it as "just as fascinating as it is chilly and alienating  In her songs, Oxygen explores some of the same issues of authenticity, creation, and consumption that Tracy + the Plastics do, but with a sci-fi/fantasy bent " Phares gave the album 3 5/5 stars, also stating that "on This Is an Exercise, Anna Oxygen excels at creating a unique, sometimes disturbing sonic world with an almost-palpable sense of atmosphere "

Track listing
"Fairy Quest" – 2:59
"Fake Pajamas" – 2:41
"Dream  Dream  Dreams " – 2:26
"March of Human" – 1:40
"Hypertension" – 3:25
"R R N " – 2:23
"Mechanical Fish" – 2:51
"Walk" – 2:53
"Psychic Rainbow" – 2:13
"Willow Song" – 4:08
"This Is   " – 2:27
"Hold You" – 2:17

Personnel
Anna Oxygen - Composer, Cover Art, Layout Design, Piano, Primary Artist, Sequencing
Melissa Collins - Cello
Andy Gertz - Accordion
Kitty Jenson - Vocals
Mirah Yom Tov Zeitlyn & Ginger Takahashi - vocals
Jona Bechtolt - Cover Art, Layout Design
Passage 18:
Crystal (Ahmad Jamal album)
Crystal is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1987 and released on the Atlantic label 

Critical reception
In an Allmusic review by Scott Yanow states "There are some magical moments on this quartet set    Jamal's control of dynamics and inventive use of space proved to be as effective as it had been when he first made his mark in the 1950s, although his chord voicings and general style had evolved  Jamal and his group perform ten of his originals with taste, swing and subtle surprises" 

Track listing
All compositions by Ahmad Jamal

"Quest for Light" – 4:48
"Arabesque" – 4:48
"Avo" – 7:04
"Piano Solo" – 1:57
"For My Daughter" – 3:34
"Perugia" – 3:57
"The Last Day" – 6:00
"Crystal" – 4:58
"Swahililand" – 4:08
"The Canteen" – 3:08

Personnel
Ahmad Jamal – piano
James Cammack – bass
David Bowler – drums
Willie White – percussion
Passage 19:
Jazz Contemporary
Jazz Contemporary is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1960 and released on the Time label  The album features the recording debut of pianist Steve Kuhn 

Reception
The Allmusic review by Scott Yanow awarded the album 2½ stars and stated "The results are not quite essential but everyone plays up to par    It's fine hard bop, the modern mainstream music of the period" 

Track listing
All compositions by Kenny Dorham except as indicated"A Waltz" - 5:34
"Monk's Mood" (Thelonious Monk) - 8:09
"In Your Own Sweet Way" (Dave Brubeck) - 8:01
"Horn Salute" - 8:27
"Tonica" - 2:57
"This Love of Mine" (Sol Parker, Henry W  Sanicola Jr , Frank Sinatra) - 6:49Bonus tracks on CD reissue:

"Sign Off" - 5:29
"A Waltz" [alternate take] - 5:36
"Monk's Mood" [alternate take] (Monk) - 2:53
"This Love of Mine" [alternate take] (Parker, Sanicola, Sinatra) - 7:55Recorded on February 11 (tracks 2, 3, 7, 8, 10) and February 12, 1960 (tracks 1, 4-6, 9) 

Personnel
Kenny Dorham - trumpet
Charles Davis - baritone saxophone
Steve Kuhn - piano
Jimmy Garrison (tracks 2, 3, 7, 8 & 10), Butch Warren (tracks 1, 4-6 & 9)  - bass
Buddy Enlow - drums
Passage 20:
Tijuana Jazz
Tijuana Jazz is an album by American jazz vibraphonist Gary McFarland and trumpeter Clark Terry featuring performances recorded in 1965 for the Impulse! label  The album was also released in the UK on the HMV label as CLP3541 

Reception
The AllMusic review by Scott Yanow awarded the album 3 stars stating: "McFarland's arrangements are fine, but the solos are quite short, and the Mexican-flavored music is not particularly memorable  A blown opportunity" 

Track listing
All compositions by Gary McFarland except as indicated"South of the Border" (Jimmy Kennedy, Michael Carr) - 2:06
"Acapulco at Night" - 2:52
"Fantastic, That's You" (George Cates, George Douglas) - 2:54
"Limehouse Blues" (Philip Braham, Douglas Furber) - 3:37
"Tijuana" (Cates, Douglas) - 2:09
"Marcheta" (Victor Schertzinger) - 2:55
"Granny's Samba" - 3:30
"Soul Bird (Tin Tin Deo)" (Gil Fuller, Chano Pozo) - 4:01
"Mexicali Rose" (Jack Tenney, Helen Stone) - 2:27
"Ira Schwartz's Golden Dream" - 3:32
"Mary Jane" - 3:05
"Sweet Georgia Brown" (Ben Bernie, Kenneth Casey, Maceo Pinkard) - 2:06Recorded in New York City on December 3, 1965 (tracks 1, 2, 6 & 9), December 6, 1965 (tracks 4, 8, 11 & 12), and December 7, 1965 (tracks 3, 5, 7 & 10)

Personnel
Gary McFarland – marimba, electric piano
Joe Newman, Clark Terry - trumpet, flugelhorn
Bob Brookmeyer – valve trombone
Toots Thielemans - harmonica, guitar
Barry Galbraith - guitar
Bob Bushnell – electric bass
Mel Lewis, Grady Tate – drums



ground_truth: Kill Rock Stars