prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the symbol of the Saints from the headquarters location of Ten High's manufacturer called?

The following are given passages.
Context 1: Passage 1:
Sazerac
The Sazerac is a local variation of a cognac or whiskey cocktail originally from New Orleans, named for the Sazerac de Forge et Fils brand of cognac brandy that served as its original main ingredient  The drink is most traditionally a combination of
cognac or rye whiskey, absinthe, Peychaud's Bitters, and sugar, although bourbon whiskey is sometimes substituted for the rye and Herbsaint is sometimes substituted for the absinthe  Some claim it is the oldest known American cocktail, with origins in antebellum New Orleans, although drink historian David Wondrich is among those who dispute this, and American instances of published usage of the word cocktail to describe a mixture of spirits, bitters, and sugar can be traced to the dawn of the 19th century 

Characteristics
The defining feature of the Sazerac is its method of preparation, which commonly involves two chilled old-fashioned glasses  The first glass is swirled with a wash of absinthe for its flavor and strong scent  The second glass is used to combine the remaining ingredients, which are stirred with ice, then strained into the first glass  Various anisettes such as pastis, Pernod, or Herbsaint are common substitutes when absinthe is unavailable  In New Orleans, Herbsaint is most commonly used due to the absence of absinthe in the U S  market from 1912 until 2007 

History
Around 1850, Sewell T  Taylor sold his New Orleans bar, the Merchants Exchange Coffee House, to become an importer of spirits, and he began to import a brand of cognac named Sazerac-de-Forge et Fils  Meanwhile, Aaron Bird assumed proprietorship of the Merchants Exchange and changed its name to Sazerac Coffee House  On October 2, 2019, the Sazerac House opened to the public as a museum and immersive experience that shares the history of the New Orleans cocktail culture, including the Sazerac Legend has it that Bird began serving the "Sazerac Cocktail", made with Sazerac cognac imported by Taylor, and allegedly with bitters being made by the local apothecary, Antoine Amedie Peychaud  The Sazerac Coffee House subsequently changed hands several times, until around 1870 Thomas Handy became its proprietor  It is around this time that the primary ingredient changed from cognac to rye whiskey, due to the phylloxera epidemic in Europe that devastated the vineyards of France At some point before his death in 1889, Handy recorded the recipe for the cocktail, which made its first printed appearance in William T  "Cocktail Bill" Boothby's The World's Drinks and How to Mix Them (1908), although his recipe calls for Selner Bitters, not Peychaud's  After absinthe was banned in the United States in 1912, it was replaced by various anise-flavored liqueurs, most notably the locally produced Herbsaint, which first appeared in 1934 By the early 20th century, simple cocktails like the Sazerac had become rare, which eventually rekindled their popularity The creation of the Sazerac has also been credited to Antoine Amédée Peychaud, a Creole apothecary who emigrated to New Orleans from the West Indies and set up shop in the French Quarter in the early 19th century  He was known to dispense a proprietary mix of aromatic bitters from an old family recipe  
According to popular myth, he served his drink in the large end of an egg cup that was called a coquetier in French, and the Americanized mispronunciation resulted in the name cocktail  This belief was debunked when people discovered that the term "cocktail" as a type of drink first appeared in print at least as far back as 1803—and was defined in print in 1806 as, "a mixture of spirits of any kind, water, sugar and bitters, vulgarly called a bittered sling" 

Official cocktail of New Orleans
In March 2008, Louisiana state senator Edwin R  Murray (D-New Orleans) filed Senate Bill 6 designating the Sazerac as Louisiana's official state cocktail  The bill was defeated on April 8, 2008  After further debate, on June 23, 2008, the Louisiana Legislature agreed to proclaim the Sazerac as New Orleans' official cocktail In 2011, as a writer for the HBO TV series Treme, Anthony Bourdain penned a scene in which chef Janette Desautel (played by Kim Dickens) tosses one in the face of restaurant critic and food writer Alan Richman (appearing as himself)  Richman had angered many New Orleanians in 2006 with an article in the magazine GQ, in which he criticized New Orleans' food culture post-Hurricane Katrina  Despite reservations, he agreed to participate in the scene and called Sazerac "a good choice of weaponry, because it symbolizes the city", despite a running feud with Bourdain over, among other things, the review 

Similar cocktails
A cocktail named the Zazarack was included in the 1910 version of Jack's Manual, an early bartender's reference written by Jacob "Jack" Grohusko, the head bartender at Baracca's restaurant in New York  It is essentially the same cocktail as the Sazerac, but called for bourbon (and not rye) instead of cognac Later versions of the drink were spelled Zazarac and added rum, and are thought by some to be a variant of the Sazerac, although it might have originated completely independently of the more famous drink 

Brands
Sazerac is also a brand of rye whiskey produced by the Sazerac Company 

See also
List of cocktails
Old Fashioned
Passage 2:
Ten High
Ten High is a brand of American whiskey first introduced in the 1930s by Hiram Walker & Sons, now produced by the Barton Brands division of the Sazerac Company  The name Ten High refers to a barrel storage location at least ten ricks high, as barrels in the upper part of the aging warehouse mature faster  Although the brand name evoked this storage method, the manufacturer did not actually promise that the brand was from barrels aged in such locations 

History
The brand was originally produced by Hiram Walker & Sons (a company owned by Harry C  Hatch at the time) at a distillery in Peoria, Illinois, starting shortly after the end of Prohibition in 1933  It was a major brand (and the leading brand of Illinois-made bourbon) until the late 1960s when the American whiskey market went through a particularly difficult period  The Peoria distillery stopped distilling operations in 1973 and closed completely in 1981  After the Peoria distillery closed, production moved first to Heaven Hill and later to Barton, both based in Bardstown, Kentucky  The Sazerac Company acquired Barton, including the Ten High brand, in 2009 
From the early 1980s until the late 2000s, Ten High was a straight Bourbon whiskey  Starting in 2009, the brand switched to being labelled "Bourbon – a blend", a designation for a product that is 51 percent straight Bourbon, with the remainder neutral spirits 
Passage 3:
Billiken
The Billiken is a charm doll created by an American art teacher and illustrator, Florence Pretz of Kansas City, Missouri, who is said to have seen the mysterious figure in a dream  It is believed that Pretz found the name Billiken in Bliss Carman's 1896 poem "Mr  Moon: A Song Of The Little People"   In 1908, she obtained a design patent on the ornamental design of the Billiken, which she sold to the Billiken Company of Chicago   The Billiken was monkey-like with pointed ears, a mischievous smile and a tuft of hair on his pointed head  His arms were short and he was generally sitting with his legs stretched out in front of him  Billiken is known as "The God of Things as They Ought to Be" 
To buy a Billiken was said to give the purchaser luck, but to receive one as a gift would be better luck  The image was copyrighted and a trademark was put on the name  After a few years of popularity, the Billiken faded into obscurity  Although they are similar, the Billiken and the baby-like kewpie figures that debuted in the December 1909 Ladies' Home Journal are not the same 
Today, the Billiken is the official mascot of Saint Louis University and St  Louis University High School, both Jesuit institutions located in St  Louis  The Billiken is also the official mascot of the Royal Order of Jesters, an invitation only Shriner group affiliated with Freemasonry  The Billiken also became the namesake of Billiken Shokai, the Japanese toy & model manufacturing company (established 1976) 

History
The Billiken sprang from the height of the "Mind-Cure" craze in the United States at the start of the twentieth century   It represented the "no worry" ideal, and was a huge hit   Variations appeared, such as the "Teddy-Billiken Doll" and the Billycan/Billycant pair (to drive petty problems away)   The Billiken helped touch off the doll craze of the era At least two Billiken-themed songs were recorded, including "Billiken Rag" and the "Billiken Man Song " The latter was recorded by Blanche Ring The Billiken, as a good luck charm, appears multiple times in the Vivien Leigh and Robert Taylor movie Waterloo Bridge   It is employed as a device that both prompts recollections of the male lead, Robert Taylor, and that links several scenes within the movie as the plot unfolds  Wizard of Oz author L  Frank Baum kept a Billiken doll on his piano The Billiken made its Japanese debut in 1908  A statue was installed in the uppermost level of the original Tsutenkaku Tower as it was opened to the public in 1912  When the nearby Luna Park was closed in 1925, the tower's Billiken statue disappeared  In 1980, a replacement statue made its appearance in a new Tsutenkaku Tower that was built in 1956 

Sports mascot
In its heyday, the Billiken enjoyed worldwide celebrity   In the United States he became the athletic mascot of Saint Louis University, because the figure was said to resemble coach John R  Bender   The school's athletic teams remain the Billikens to this day  A bronze statue of the Billiken stands in front of the Chaifetz Arena on the Saint Louis University Campus   A junior version of the Billiken became the mascot of nearby St  Louis University High School; a stainless steel statue of the Junior Billiken stands adjacent to the Danis Fieldhouse, on the St  Louis University High School Campus  Bud Billiken was a youth-club mascot for The Chicago Defender, and was created in 1923, and is known more contemporarily as the inspiration for the yearly parade of the same name held shortly before the start of the school year 
The Billiken was the team nickname for several minor league professional baseball teams, including the Fort Wayne Billikens of the 1908–1910 Central League, the Montgomery Billikens of the 1910 Southern Association (a Class A league that ran from 1902–1935), the Bay City Billikens of the 1911 and 1912 Southern Michigan League (a league that dwelled in several classifications between 1906 and 1912), and the McLeansboro Billikens of the 1910 Kentucky–Illinois–Tennessee League ("KITTY League"), a Class D professional baseball league that ran from 1903 until 1955  McLeansboro is located in southern Illinois, 116 miles from St  Louis 

Alaska
In 1909, the Billiken began its appearance in souvenir shops of Alaska  In Nome, Alaska, an Inuit carver by the name Angokwazhuk copied a Billiken figurine in ivory brought to him by a merchant  Since that first appearance in Alaska, some Inuit carvers began to include the billiken in the collection of figurines they created  By the 1960s the Billiken was ubiquitous in larger Alaskan cities like Anchorage, and heavily touristed areas  Billikens were often carved from Alaskan ivory and were used in jewelry and knick-knacks  Often these souvenirs were accompanied by printed, romanticized Billiken lore  In Anchorage, the name was also adopted by merchants, as in the Billiken Drive-In movie theater 

Japan
Throughout Japan representations of the Billiken were enshrined  Pre-World War II statues of the Billiken could be found in Kobe city's Chinju Inari and Matsuo Inari shrines  Both of these statues were removed from display for many years at the onset of the war when foreign deities fell out of favor 
The most famous representation of the Billiken was in an amusement park, Luna Park, in the Shinsekai district of Osaka, Japan   In 1912, he was enshrined in the park as a symbol of Americana and there was revered as "The God of Things As They Ought to Be"  Popular Billiken souvenirs in the park included dolls and manjū  When the park closed in 1923, the wooden statue of the Billiken went missing 
A replica of the statue was placed in the second-generation Tsūtenkaku Tower in 1980  The Billiken was a star in Sakamoto Junji's 1996 comedy Billiken in which the statue is restored to the Tsutenkaku in an effort to revive the popularity of the tower and save Shinsekai The statue was a permanent fixture in the tower until September 2005 when it made its first departure and was taken, as an ambassador of sorts, to Shibuya's Tokyu Hands department store in Tokyo as a part of a fair to promote Naniwa (traditional Osaka) culture   As a part of the cultural exchange, a replica of the statue of Shibuya's most famous dog, Hachikō, was sent to Osaka 
In October 2008, the Billiken of Tsutenkaku took a journey all the way from Japan to its "home" city of St  Louis, Missouri where it was visited by students of St  Louis University, whose mascot is also the Billiken 
Due to wear (particularly to the soles of the feet), the dark, worn statue replica from 1980 was replaced in May 2012 with a new one  Presently he resides on the fifth floor observation deck and has become closely associated with the tower  Each year thousands of visitors place a coin in his donation box and rub the soles of his well-worn feet to make their wishes come true 
The Billiken also became the namesake of Billiken Shokai, the Japanese toy & model manufacturing company established in 1976 

Notes
See also
Billiken, an Argentine children's magazine named after the doll
Passage 4:
Taylorville, Alberta
Taylorville is an unincorporated community in Cardston County, Alberta, Canada  It is located on Highway 501 ten miles southeast of Cardston   The first school opened May 17, 1900 and then later served as a chapel for the Church of Jesus Christ of Latter-day Saints (LDS Church) 

See also
List of provincial historic sites of Alberta
List of communities in Alberta
Passage 5:
Horton Park (Saint Paul, Minnesota)
Horton Park is a small arboretum in Saint Paul, Minnesota, United States   Known primarily for its variety of trees, Horton Park has become a symbol of the Saint Paul Midway community 

Horton Park
Founded in 1895 by James R  Horton, Horton Park was used for public hearings   It is now used as a popular location among local St Paul residents for picnics and general relaxation 
In 1952 Horton Park was voted "Park of the Year" by local newspaper the St  Paul Pioneer Press 
The original name of Horton Park was Long Park, due to its long tree branches 

External links
https://web archive org/web/20100908020937/http://www friendsoftheparks org/Parks/hortonpark htm
https://groups google com/group/hortonpark
Passage 6:
Schlage
Schlage ( SHLAYG) is an American lock manufacturer founded in 1920 by Walter Schlage  Schlage was headquartered in San Francisco from its inception until it relocated to Colorado Springs, Colorado in 1997  Schlage also produces high-security key and cylinder lines Primus, Everest, and Everest Primus XP  Schlage is one of the most popular brands of consumer and commercial locks in the United States 

History
The Schlage Manufacturing Company was founded by inventor Walter Schlage (d  1946) in 1920 with the help of three businessmen who each contributed $10 to become equal partners  Walter Schlage had already secured several patents dating back to 1909, when he patented a doorknob that would also complete an electrical circuit so that, for instance, the lights would turn on when the door was opened  However, Schlage's key invention was the bored cylindrical lock, which evolved through several iterations, including a 1917 filing for a mortise mechanism which locked when the knob was tilted; two filings in 1920 (in April for a lock requiring one hole and a surface rabbet rather than a complex mortise pocket and October for a mortise with the lock mechanism activated by a button coaxial to the knob)  This series would ultimately culminate in U S  Patent 1,674,841, filed in 1923, which was sold commercially as the Schlage "A" series lock  Schlage would later make a 1925 filing for a push button cylindrical lock fusing the two 1920 patents with the 1923 patent Schlage's first shop was at 229 Minna Street, and he moved to 461 Bush Street, where many of his key patents were developed  The first factory (in 1923) was at 49 Shotwell Street  Because the bored cylindrical lock had a decided ease of installation advantage over the contemporary mortise lock, demand for the Schlage-designed lock rose and the company would purchase land in Visitacion Valley in 1925, which would eventually become the company's Bayshore factory and administration complex  Eight buildings were eventually erected at the Bayshore complex, the first two of which (the Old Office and Plant 1) were dedicated in a ceremony on June 25, 1926 attended by dignitaries including Mayor James "Sunny Jim" Rolph Charles Kendrick took over as Chief Executive after making a sizable investment in the company, and served as Chief through his retirement in 1969  During World War II, Schlage Lock manufactured shell casings and bomb rail fuses  After the war, the company supplied lock hardware to the Pan Am Building (1964) and the Bank of America Headquarters (1969) skyscrapers  The company was also busy post-war acquiring smaller hardware manufacturers, including the California Lock Company, Peabody Company, LCN Closers, the Von Duprin Factory, and the General Lock Company (Pontiac, Michigan)  In 1974, the year the company was acquired by Ingersoll Rand, Schlage employed 1,600 and was the largest manufacturer in San Francisco  Schlage had just completed a move from the Old Office building to a three-story New Office located nearby, at the corner of Bayshore and Leland  Schlage remained an Ingersoll Rand subsidiary for nearly 40 years, until Schlage and other security hardware companies were spun off as part of Allegion, formed in December 2013 After 73 years of operation, the Schlage Lock Co  Bayshore factory was closed in 1999  To settle an environmental lawsuit, the 12 3-acre (5 0 ha) Bayshore factory site was transferred to Universal Paragon Corporation (UPC) from Ingersoll Rand in 2008  UPC owned an adjacent parcel on which it had intended to develop housing, but the groundwater had been contaminated by the Schlage Lock factory, and UPC filed suit seeking to make Ingersoll Rand responsible for cleanup  In May 2009, demolition began on the Schlage Bayshore site; though the original 1926 Spanish Colonial "Old Office", designed by local architect William Peyton Day will remain, the rest of the site is planned to become affordable, green housing 

Keyway types
Like many lock manufacturers, Schlage uses milled complex keyway shapes to mechanically prevent some non-OEM keys from entering or operating a lock  New keyway designs may be protected for a limited time by patent protection, which expires after a set number of years 
There is no law against duplicating the reverse, numbered or quad-key blanks, which are not patented and are not protected against third-party manufacturing As of 2008, Primus keys are no longer protected by patents; therefore, anyone is free to duplicate them  The Everest patents expired in 2014 

Primus/Primus XP
In addition to six cuts for standard locking mechanism, there are five side finger pins to operate the secondary sidebar lock  Primus keys will operate non-Primus locks within the same system  Primus blanks and keyways are slightly thinner to prevent the entry of non-Primus keys; however, even if a standard key is altered to allow entry, it will not operate Primus locks  This design was protected until 2007 under U S  Patent 4,756,177  The current generation Primus, called the Primus XP, is a slight modification to the original design and is protected until 2024 under U S  Patent 7,159,424  Schlage did not invent, nor do they hold the patents on, Primus or Primus XP  The design is licensed to Schlage by Bo Widen of Torshälla, Sweden, the inventor and patent holder 

Everest
This design features a patented under groove in the keyway design, and was legally protected against cloning by utility patents until 2014  Relevant patents are: U S  Patent 5,715,717 (December 2, 2016) and U S  Patent 5,809,816  Just like the classic series, Everest Primus keys can operate Everest non-Primus locks, but not the other way around  Everest Primus XP is an extension to Primus Everest and the XP design is protected until 2024 under U S  Patent 7,159,424  Schlage also offers an Everest 29 SL Cylinder, the only seven pin lock they make, along with their Everest 29 Family/Primus (6 pins)  Schlage did not invent, nor do they hold the patents on, the Everest keys, which were designed and patented by Bo Widen and licensed to Schlage 

Obverse
There are seven different keyways: C, CE, E, EF, F, FG, and G  There is also a special P keyway designed to accept any of the seven sectional keys and a special L key blank (35-101 L) designed to be accepted into all seven keyways  OEM L section blanks are made of stainless steel The older type, the common residential keyway, is known as 35-100C, which is a five-pin, C section 

Reverse (restricted)
This variation was a horizontal mirror image of obverse keyways, no longer offered in new key system, and not available with a Primus option 

Numbered or Paracentric (restricted)
This is a large family of keyways expressed as four numbers  Except for zeros, digits in the keyway designation cannot repeat; i e  3578, 1358 and 1200 are valid, but 1244 and 3300 are not  Primus cannot be implemented on this series  The digit 9 is not used  Each digit represents the presence of a notch in the keyway and a corresponding protrusion along the blade of the key  The odd digits 1, 3, 5, and 7 extend along the left side of the keyway as observed from the lock face from bottom to top  The even digits are likewise, on the right side  Generally, keyways are identified by four non-zero digits in ascending order  In a large master key system, keys with fewer than four protrusions can be used to enter more than one keyway  For example, key blank 1460 will fit lock cylinder 1246, 1346, 1467, etc 

Quad (restricted)
Expressed in four characters, such as WSTP, VTQP, etc  This is a very large family, available in Primus 

Key copying
At the 2013 DEF CON conference, MIT students David Lawrence and Eric Van Albert released a piece of code that allows anyone to create a 3D-printable software model of any Primus key  With just a flatbed scanner and their software tool, they were able to produce precise models that they uploaded to the 3D-printing services Shapeways and i Materialise, who mailed them working copies of the keys in materials ranging from nylon to titanium 

Nexia Home Intelligence
Nexia Home Intelligence is a home automation system that was launched by Schlage and Ingersoll Rand that allows users to remotely control and monitor home automation devices  A wireless network is created within the home and connects the wireless door lock to the internet  Using a smart-phone or a web-enabled computer, users can monitor and send commands to the Schlage Bridge, which communicates with Z-Wave enabled wireless locks, thermostats, lights, cameras, and other components within the home 
There is a monthly fee associated with the Nexia Home Intelligence service Nexia Home Intelligence is no longer maintained by Schlage  It remained with Ingersoll Rand during the IR-Allegion spin-off process  Ingersoll Rand solely maintains the Nexia platform 
One of its key features is "depth control" which senses if someone else is using your assigned PIN: it then enhances its security by proceeding to lock out that same PIN number  All Schlage products that were designed for the Nexia platform work with major smart home platforms  All security features such as "depth control" work under certain conditions such as "HomeKit" 
Passage 7:
Auguste Levêque
Auguste Levêque (1866 – 1921) was a Belgian painter influenced both by realism and symbolism  Levêque was also a sculptor, poet and art theoretician 
Levêque was born in Nivelles, Walloon Brabant  He studied under Jean-François Portaels at the Académie Royale des Beaux-Arts in Brussels, and received the Prix Godecharle for his painting Job in 1890 
Levêque was a member of the "Salon d'Art Idéaliste", formed by Jean Delville in Brussels in 1896, which is considered the Belgian equivalent to the Parisian Rose & Cross Salon  Other members of the group were  Léon Frédéric, Albert Ciamberlani, Constant Montald, Emile Motte, Victor Rousseau, Armand Point and Alexandre Séon  The Salon was abandoned in 1898  He died in Saint-Josse-ten-Noode 

Notable paintings
Job
Les Dentelles d'airain
Panthéra et Vipérena
Mater dolorosa
Circé
Dante
Parque
Repos
Ouvriers tragiques
Triomphe de la Mort
Moisson future
Hymne d'Amour
Repos de Diane
Combat de Centaures
Portrait d'Edmond Picard (I)
Portrait d'Edmond Picard (II)

Notable sculptures
Fin de Sodome
Triomphe de la Vigne
Combat d'amazones
Vision païenne
Passage 8:
Fort Vancouver High School
Fort Vancouver High School, known as FVHS and Fort Vancouver High School Center for International Studies, is a public high school located in Vancouver, Washington  It is named after Fort Vancouver, an early trading outpost (now restored and located near the banks of the Columbia River, a few miles from where the school is located)   The FVHS symbol is the Trapper, in reference to the fur trade in the early 19th century by such groups as Hudson's Bay Company voyageurs 

History
Originally named Vancouver High School, the institution opened in 1888  Classes were first held in the basement of Central School  During 1905–1913, classes were held in the old Franklin School building, then from 1913–1970 in its own building at West 26th street and Main Street (what is now the corner of Main Street and Fourth Plain Boulevard)  The first graduating class was in June 1891, when 12 students (9 girls and 3 boys) received their diplomas  By 1912, 276 students had received diplomas from the high school, before the permanent Vancouver High School was even opened for the 1912–1913 school year 
The Vancouver School District decided to change the name of the school in 1956 when a second high school, Hudson's Bay, was built just east of the main downtown area, near Clark College  In the fall of 1970, the campus of Fort Vancouver High School was relocated to its present location in a new building at 5700 E  18th Street  In 1972, against much public protest, the original classical three-story brick high school building was demolished  In the late 1990s, most of the original interior of the present high school building was gutted, reconfigured and rebuilt 

Sports
Fort Vancouver participates in the Greater St  Helens 3A league and is a member of the Washington Interscholastic Athletics Association (WIAA) 

State championships
Baseball: 1990
Boys Basketball: 1938
Boys Track: 1956

Current
Fort Vancouver High School has 86 teachers serving a little more than 1500 students  Students at Fort Vancouver have diverse backgrounds and economic status  16 8% of the students are in Fort Vancouver's ELL (English Language Learning) program and 11 9% are in Special Education   Approximately one-third of Fort Vancouver's students speak a language other than English when at home   Fort Vancouver High School is the only high school in Vancouver School District with an ELL (English Language Learning) program 

Magnets
Fort Vancouver High School is home to several of the Vancouver School District's "magnet" programs  The Legal, Medical, Culinary Arts, Industrial Arts, and ELL magnets draw students to FVHS for specialized education programs 
The legal magnet is no longer in function at FVHS  Although, their Mock Trial program has for the past 22 years, been the district champion, moving on to the state, and on several occasions, the national level  In the 2012 district competition, they came in first place  The FVHS Legal Magnet is also one of two public high schools in the nation to have a functioning courtroom facility on its campus  The court room is no longer used for actual judicial proceedings from the Washington State Court of Appeals and the Clark County Student Traffic Court 
The Medical Magnet, founded also in 1992, strives to give students an in-depth knowledge of the medical field  Many students who enroll in the program go on to college to pursue degrees in the medical field  The medical magnet leads the students of the FVHS Red Cross Club in organizing blood drives and humanitarian aid projects 
The Culinary Arts Program at FVHS, founded in 1972, is the oldest magnet at FVHS  Students in this program gain a comprehensive knowledge of the hospitality industry as well as the experience of cooking during their class time  Many will intern at the cafes in the VSD headquarters 
The Industrial Arts Magnet provides students with an introduction to the skills necessary for a successful career in the manual trades  Students also gain knowledge of the artistic and practical side of welding and machine technologies 
The ELL program at FVHS is the only one of its kind in the district  Students from diverse backgrounds come together here to learn a common language and culture, to become better acclimated with America  Fort Vancouver has students from all over the world speaking practically every language and it is here in the ELL Magnet that a melting pot of world cultures comes together so that students can learn from one another  Starting 2016, the school has renamed the program as Center For International Studies   The school is a member of the Asia Society's International Studies Schools Network, a consortium of schools throughout the U S  that are committed to developing global competence 

Other programs
Students at Fort Vancouver High School can also be involved in Running Start, which allows students to receive both college and high school credits while attending Clark College  Students may also take advantage of vocational programs offered through Clark College  Additionally, some classes at FVHS offer credit through the WSU-Vancouver campus 

Notable alumni
Al Fagaly - 1928, Golden Age cartoonist (There Oughta be a Law! comic strip, Archie, Super Duck)
Travis Claridge - NFL, Atlanta Falcons
Steve Dils - 1974, NFL quarterback
Brian Hunter (outfielder) - MLB, Houston Astros
Jim Moeller - 1973, Washington State House of Representatives
Craig Pridemore - 1979, Washington State Senate
Eric Michael Cole - 1994, actor
Lisa Spangler - 2015, Mixed Martial Arts Fighter
Passage 9:
Boiron
Boiron (French pronunciation: ​[bwaʁɔ̃]) is a manufacturer of homeopathic products, headquartered in France and with an operating presence in 59 countries worldwide  It is the largest manufacturer of homeopathic products in the world  In 2004, it employed a workforce of 2,779 and had a turnover of € 313 million  It is currently a member of the CAC Small stock index 
In June 2005, the firm acquired Dolisos Laboratories, then the world's second largest manufacturer of homeopathic preparations Products of Boiron include mono- (Hahnemanian) preparations and poly-, which Boiron refer to as "Proprietary drugs" Homeopathy is a pseudoscience with no evidence of effectiveness for stated claims or plausible mechanism of medicinal effect, and several class action lawsuits have been filed on behalf of consumers claiming that Boiron's homeopathic products, including Children's Coldcalm and Oscillococcinum, are useless and Boiron's marketing of these products is deceptive 

Controversies
Samuele Riva
Samuele Riva, an Italian blogger, wrote an article about the implausibility of homeopathy, including images of Boiron's products  The company sent a letter to the Internet provider of the blog, but the result was a backlash in favor of freedom of speech 

Lawsuits
The non-profit educational organizations Center for Inquiry (CFI) and the associated Committee for Skeptical Inquiry (CSI) have petitioned the U S  Food and Drug Administration (FDA), criticizing Boiron for misleading labeling and advertising of Oscillococcinum  "One petition complains that Boiron’s packaging for Oscillococcinum lists the alleged active ingredient – duck liver and heart – in Latin only  Another petition complains that Boiron’s web ad for this product implies that it has received FDA approval " Ronald Lindsay, CFI and CSI president and chief executive officer, contends, "If Boiron is going to sell snake oil, the least they can do is use English on their labels ”A class action against Boiron, filed in 2011 on behalf of "all California residents who purchased Oscillo at any time within the past four years", charged that Boiron "falsely advertises that Oscillo has the ability to cure the flu because it contains an active ingredient it claims is proven to get rid of flu symptoms in 48 hours " The lawsuit also stated that the listed active ingredient in Oscillococcinum (Oscillo) "is actually Muscovy Duck Liver and Heart     and has no known medicinal quality " A settlement was reached, with Boiron denying any wrongdoing  As part of the settlement, Boiron agreed to make specific changes to its marketing, including adding to their packaging notices like "These ‘Uses’ have not been evaluated by the Food and Drug Administration" and "C, K, CK, and X are homeopathic dilutions "While the sector is in crisis following the cessation of reimbursement of homeopathic preparations by social security decided by the Minister of Health Agnès Buzyn, the Boiron group announced that its factory at Montrichard, in Loir-et-Cher had failed to find a buyer  Consequently, the site, which employed approximately 80 people, closed on December 31, 2021 
Passage 10:
Aerotech Consumer Aerospace
Aerotech Consumer Aerospace, established in 1982, is a company that supplies motors, kits, and components for mid and high-power rocketry 
The company's headquarters are located in Cedar City, Utah and its products are sold mainly through US and international dealers   They specialize in APCP used in low-, mid-, and high-power rocket motors as well as supplying rocket kits designed around their motors 
Aerotech produces single use and reloadable motors in the mid-power range (D - G impulse)   They also produce high power rocket motor reloads, ranging from H to O impulse   High power reloads require proper certification from the National Association of Rocketry or Tripoli Rocketry Association   Until 2017, all reloads required the use of Aerotech, Rouse-Tech, or Dr  Rocket reload casings   A recent cross-use certification agreement permits the use of 98mm Aerotech reloads in CTI (Cesaroni Technology Incorporated) hardware 
Corpulent Stump is the most powerful non commercial rocket ever launched on an Aerotech motor in the United Kingdom 

External links
Official site
Passage 11:
Fleur-de-lis
The fleur-de-lis, also spelled fleur-de-lys (plural fleurs-de-lis or fleurs-de-lys), is a common heraldic charge in the shape of a lily (in French, fleur and lis mean 'flower' and 'lily' respectively)  Most notably, the fleur-de-lis is depicted on the traditional coat of arms of France that was used from the High Middle Ages until the French Revolution in 1792, and then again in brief periods in the 19th century  This design still represents France and the House of Bourbon in the form of marshalling in e g  the arms of Spain, Quebec and Canada 
Other European nations have also employed the symbol  The fleur-de-lis became "at one and the same time, religious, political, dynastic, artistic, emblematic, and symbolic," especially in French heraldry  The Virgin Mary and Saint Joseph are among saints often depicted with a lily 
The fleur-de-lis is represented in Unicode at U+269C ⚜  in the Miscellaneous Symbols block 

Origin
The fleur-de-lis is widely thought to be a stylized version of the species Iris pseudacorus, or Iris florentina  However, the lily (genus Lilium, family Liliaceae) and the iris (family Iridaceae) are two different plants, phylogenetically and taxonomically unrelated  Lily (in Italian: giglio) is the name usually associated with the stylized flower in the Florentine heraldic devices 
Decorative ornaments that resemble the fleur-de-lis have appeared in artwork from the earliest human civilizations  According to Pierre-Augustin Boissier de Sauvages, an 18th-century French naturalist and lexicographer:
The old fleurs-de-lis, especially the ones found in our first kings' sceptres, have a lot less in common with ordinary lilies than the flowers called flambas [in Occitan], or irises, from which the name of our own fleur-de-lis may derive  What gives some colour of truth to this hypothesis that we already put forth, is the fact that the French or Franks, before entering Gaul itself, lived for a long time around the river named Lys in the Flanders  Nowadays, this river is still bordered with an exceptional number of irises —as many plants grow for centuries in the same places—: these irises have yellow flowers, which is not a typical feature of lilies but fleurs-de-lis  It was thus understandable that our kings, having to choose a symbolic image for what later became a coat of arms, set their minds on the iris, a flower that was common around their homes, and is also as beautiful as it was remarkable  They called it, in short, the fleur-de-lis, instead of the flower of the river of lis  This flower, or iris, looks like our fleur-de-lis not just because of its yellow colour but also because of its shape: of the six petals, or leaves, that it has, three of them are alternatively straight and meet at their tops  The other three on the opposite, bend down so that the middle one seems to make one with the stalk and only the two ones facing out from left and right can clearly be seen, which is again similar with our fleurs-de-lis, that is to say exclusively the one from the river Luts whose white petals bend down too when the flower blooms 

The heraldist François Velde is known to have expressed the same opinion:
However, a hypothesis ventured in the 17th c  sounds very plausible to me  One species of wild iris, the Iris pseudacorus, yellow flag in English, is yellow and grows in marshes (cf  the azure field, for water)  Its name in German is Lieschblume (also gelbe Schwertlilie), but Liesch was also spelled Lies and Leys in the Middle Ages  It is easy to imagine that, in Northern France, the Lieschblume would have been called 'fleur-de-lis'  This would explain the name and the formal origin of the design, as a stylized yellow flag  There is a fanciful legend about Clovis which links the yellow flag explicitly with the French coat of arms 
Sauvages' hypothesis seems to be supported by the archaic English spelling fleur-de-luce and by the Luts's variant name Lits 

Alternative derivations
Another (debated) hypothesis is that the symbol derives from the angon or sting,  a typical Frankish throwing spear  The medieval Bec de Corban, a bladed and hooked polearm, bears similarities to the symbol as well  
A possibly derived symbol of Frankish royalty was the bee, of similar shape, as found in the burial of Childric I, whose royal see of power over the Salian Franks was based over the valley of the Lys Other imaginative explanations include the shape having been developed from the image of a dove descending, which is the symbol of the Holy Ghost 

Ancient usages
It has consistently been used as a royal emblem, though different cultures have interpreted its meaning in varying ways  Gaulish coins show the first Western designs which look similar to modern fleurs-de-lis  In the East it was found on the gold helmet of a Scythian king uncovered at the Ak-Burun kurgan and conserved in Saint Petersburg's Hermitage Museum 

Heraldic use
France
While the fleur-de-lis has appeared on countless European coats of arms and flags over the centuries, it is particularly associated with the French monarchy in a historical context and continues to appear in the arms of the king of Spain (from the French House of Bourbon), the grand duke of Luxembourg, and members of the House of Bourbon  It remains an enduring symbol of France which appears on French postage stamps, although it has never been adopted officially by any of the French republics  According to French historian Georges Duby, the three petals represent the three medieval social estates: the commoners, the nobility, and the clergy Although the origin of the fleur-de-lis is unclear, it has retained an association with French nobility  It is widely used in French city emblems as in the coat of arms of the city of Lille, Saint-Denis, Brest, Clermont-Ferrand, Boulogne-Billancourt, and Calais  Some cities that had been particularly faithful to the French Crown were awarded a heraldic augmentation of two or three fleurs-de-lis on the chief of their coat of arms; such cities include Paris, Lyon, Toulouse, Bordeaux, Reims, Le Havre, Angers, Le Mans, Aix-en-Provence, Tours, Limoges, Amiens, Orléans, Rouen, Argenteuil, Poitiers, Chartres, and Laon, among others  The fleur-de-lis was the symbol of Île-de-France, the core of the French kingdom  It has appeared on the coat-of-arms of other historical provinces of France including Burgundy, Anjou, Picardy, Berry, Orléanais, Bourbonnais, Maine, Touraine, Artois, Dauphiné, Saintonge, and the County of La Marche  Many of the current French departments use the symbol on their coats-of-arms to express this heritage 

The graphic evolution of crita to fleur-de-lis was accompanied by textual allegory  By the late 13th century, an allegorical poem by Guillaume de Nangis (d  1300), written at Joyenval Abbey in Chambourcy, relates how the golden lilies on an azure ground were miraculously substituted for the crescents on Clovis' shield, a projection into the past of contemporary images of heraldry The fleur-de-lis' symbolic origins with French monarchs may stem from the baptismal lily used in the crowning of King Clovis I  The French monarchy may have adopted the Fleur-de-lis for its royal coat of arms as a symbol of purity to commemorate the conversion of Clovis I, and a reminder of the Fleur-de-lis ampulla that held the oil used to anoint the king  So, the fleur-de-lis stood as a symbol of the king's divinely approved right to rule  The thus "anointed" kings of France later maintained that their authority was directly from God  A legend enhances the mystique of royalty by informing us that a vial of oil—the Holy Ampulla—descended from Heaven to anoint and sanctify Clovis as King, descending directly on Clovis or perhaps brought by a dove to Saint Remigius  One version explains that an angel descended with the Fleur-de-lis ampulla to anoint the king  Another story tells of Clovis putting a flower in his helmet just before his victory at the Battle of Vouillé  Through this propagandist connection to Clovis, the fleur-de-lis has been taken in retrospect to symbolize all the Christian Frankish kings, most notably Charlemagne In the 14th-century French writers asserted that the monarchy of France, which developed from the Kingdom of the West Franks, could trace its heritage back to the divine gift of royal arms received by Clovis  This story has remained popular, even though modern scholarship has established that the fleur-de-lis was a religious symbol before it was a true heraldic symbol  Along with true lilies, it was associated with the Virgin Mary, and in the 12th century Louis VI and Louis VII (House of Capet) started to use the emblem, on sceptres for example, so connecting their rulership with this symbol of saintliness and divine right  Louis VII ordered the use of fleur-de-lis clothing in his son Philip's coronation in 1179, while the first visual evidence of clearly heraldic use dates from 1211: a seal showing the future Louis VIII and his shield strewn with the "flowers"  Until the late 14th century the French royal coat of arms was Azure semé-de-lis Or (a blue shield "sown" (semé) with a scattering of small golden fleurs-de-lis), but Charles V of France changed the design from an all-over scattering to a group of three in about 1376  These two coats are known in heraldic terminology as France Ancient and France Modern, respectively 

In the reign of King Louis IX (St  Louis) the three petals of the flower were said to represent faith, wisdom and chivalry, and to be a sign of divine favour bestowed on France  During the next century, the 14th, the tradition of Trinity symbolism was established in France, and then spread elsewhere In 1328, King Edward III of England inherited a claim to the crown of France, and in about 1340 he quartered France Ancient with the arms of Plantagenet, as "arms of pretence"    After the kings of France adopted France Modern, the kings of England adopted the new design as quarterings from about 1411  The monarchs of England (and later of Great Britain) continued to quarter the French arms until 1801, when George III abandoned his formal claim to the French throne King Charles VII ennobled Joan of Arc's family on 29 December 1429 with an inheritable symbolic denomination  The Chamber of Accounts in France registered the family's designation to nobility on 20 January 1430  The grant permitted the family to change their surname to du Lys 

France Moderne
France moderne remained the French royal standard, and with a white background was the French national flag until the French Revolution, when it was replaced by the tricolor of modern-day France  The fleur-de-lis was restored to the French flag in 1814, but replaced once again after the revolution against Charles X of France in 1830  In a very strange turn of events after the end of the Second French Empire, where a flag apparently influenced the course of history, Henri, comte de Chambord, was offered the throne as King of France, but he agreed only if France gave up the tricolor and brought back the white flag with fleurs-de-lis  His condition was rejected and France became a republic 

Other contries
In Brazil, the city of Joinville has three fleurs-de-lis surmounted with a label of three points on its flag and coat of arms  Due to the city is named after François d'Orléans, Prince of Joinville, son of King Louis-Philippe I of France, who married Princess Francisca of Brazil in 1843 
The fleur-de-lis appears on the coat of Guadeloupe, an overseas département of France in the Caribbean, Saint Barthélemy, an overseas collectivity of France, and French Guiana  The overseas department of Réunion in the Indian Ocean uses the same feature  It appears on the coat of Port Louis, the capital of Mauritius which was named in honour of King Louis XV  On the coat of arms of Saint Lucia it represents the French heritage of the country 
In Ukraine, the Foreign Intelligence Service used the emblem with the coat of arms of Ukraine in conjunction with four golden fleurs-de-lis, along with the motto "Omnia, Vincit, Veritas" 

Municipal coats-of-arms
Fleurs-de-lis feature prominently in the Crown Jewels of England and Scotland  In English heraldry, they are used in many different ways, and can be the cadency mark of the sixth son  Additionally, it features in a large number of royal arms of the House of Plantagenet, from the 13th century onwards to the early Tudors (Elizabeth of York and the de la Pole family) The tressure flory–counterflory (flowered border) has been a prominent part of the design of the Scottish royal arms and Royal Standard since James I of Scotland 

In Italy, fleurs-de-lis have been used for some papal crowns and coats of arms, the Farnese Dukes of Parma, and by some doges of Venice The fleur-de-lis was also the symbol of the House of Kotromanić, a ruling house in medieval Bosnia allegedly in recognition of the Capetian House of Anjou, where the flower is thought of as a Lilium bosniacum  Today, fleur-de-lis is a national symbol of Bosniaks Other countries include Spain in recognition of rulers from the House of Bourbon  Coins minted in 14th-century Romania, from the region that was the Principality of Moldova at the time, ruled by Petru I Mușat, carry the fleur-de-lis symbol As a dynastic emblem it has also been very widely used: not only by noble families but also, for example, by the Fuggers, a medieval banking family 
Three fleurs-de-lis appeared in the personal coat of arms of Grandmaster Alof de Wignacourt who ruled the Malta between 1601 and 1622  His nephew Adrien de Wignacourt, who was Grandmaster himself from 1690 to 1697, also had a similar coat of arms with three fleurs-de-lis 
The heraldic fleur-de-lis is still widespread: among the numerous cities which use it as a symbol are some whose names echo the word 'lily', for example, Liljendal, Finland, and Lelystad, Netherlands  This is called canting arms in heraldic terminology  Other European examples of municipal coats-of-arms bearing the fleur-de-lis include Lincoln in England, Morcín in Spain, Wiesbaden and Darmstadt in Germany, Skierniewice in Poland and Jurbarkas in Lithuania  The Swiss municipality of Schlieren and the Estonian municipality of Jõelähtme also have a fleur-de-lis on their coats In Malta, the town of Santa Venera has three red fleurs-de-lis on its flag and coat of arms  These are derived from an arch which was part of the Wignacourt Aqueduct that had three sculpted fleurs-de-lis on top, as they were the heraldic symbols of Alof de Wignacourt, the Grand Master who financed its building  Another suburb which developed around the area became known as Fleur-de-Lys, and it also features a red fleur-de-lis on its flag and coat of arms 

Albania
In Albania, fleur-de-lys (alb: Lulja e Zambakut) has been always associated with the Noble House of Topia  After the Ottoman invasion of Albania, the symbol was removed by the Toptani family, a branch of the Topia Family 

Belarus
The Belarusian Scouting and Guiding organization that, while preserving the traditions of the past, uses a fleur-de-lis as a symbol 

Bosnia and Herzegovina
The golden lily is a traditional symbol of the Bosniak people  The coat of arms of the medieval Kingdom of Bosnia contained six fleurs-de-lis, understood as the native Bosnian or Golden Lily, Lilium bosniacum  This emblem was revived in 1992 as a national symbol of the Republic of Bosnia and Herzegovina and was the flag of Bosnia-Herzegovina from 1992 to 1998  The state insignia were changed in 1999  The former flag of the Federation of Bosnia and Herzegovina contains a fleur-de-lis alongside the Croatian chequy  Fleurs also appear in the flags and arms of many cantons, municipalities, cities and towns  It is still used as official insignia of the Bosniak Regiment of the Armed Forces of Bosnia and Herzegovina 

Canada
The Royal Banner of France or "Bourbon Flag"  symbolizing royal France, was the most commonly used flag in New France  The  "Bourbon Flag" has three gold fleur-de-lis on a dark blue field arranged two and one  The fleur-de-lys was also seen on New France's currency often referred to as "card money"  The white Royal Banner of France was used by the military of New France and was seen on naval vessels and forts of New France  After the fall of New France to the British Empire the fleur-de-lys remained visible on churches and remained part of French cultural symbolism  There are many French-speaking Canadians for whom the fleur-de-lis remains a symbol of their French cultural identity  Québécois, Franco-Ontarians, Franco-Ténois and Franco-Albertans, feature the fleur-de-lis prominently on their flags 
The Fleur-de-lys, as a traditional Royal symbol in Canada, has been incorporated into many national symbols, provincial symbols and
municipal symbols, The Canadian Red Ensign that served as the nautical flag and civil ensign for Canada from 1892 to 1965 and later as an informal flag of Canada before 1965 featured the traditional number of three golden fleur-de-lys on a blue background  The Arms of Canada throughout its variations has used fleur-de-lys, beginning in 1921 and subsequent various has featuring the blue "Bourbon Flag" in two locations within arms  The Canadian Royal cypher and the Arms of Canada feature St Edward's Crown that displays five cross pattée and four fleur-de-lys   The fleur-de-lis is featured on the flag of Quebec, known as the Fleurdelisé, as well as the flags of the cities of Montreal, Sherbrooke and Trois-Rivières 

Italy
In Italy, the fleur de lis - called giglio bottonato (it) - is mainly known from the crest of the city of Florence  In the Florentine fleurs-de-lis  the stamens are always posed between the petals  Originally argent (silver or white) on gules (red) background, the emblem became the standard of the imperial party in Florence (parte ghibellina), causing the town government, which maintained a staunch Guelph stance, being strongly opposed to the imperial pretensions on city states, to reverse the color pattern to the final gules lily on argent background  This heraldic charge is often known as the Florentine lily to distinguish it from the conventional (stamen-not-shown) design  As an emblem of the city, it is therefore found in icons of Zenobius, its first bishop, and associated with Florence's patron Saint John the Baptist in the Florentine fiorino  Several towns subjugated by Florence or founded within the territory of the Florentine Republic adopted a variation of the Florentine lily in their crests, often without the stamens 

Lithuania
The design of the arms of Jurbarkas is believed to originate from the arms of the Sapieha house, a Lithuanian noble family which was responsible for Jurbarkas receiving city rights and a coat of arms in 1611 The three fleurs-de-lis design on the Jurbarkas coat of arms was abolished during the final years of the Polish–Lithuanian Commonwealth, but officially restored in 1993 after the independence of present-day Lithuania was re-established  Before restoration, several variant designs, such as using one over two fleurs-de-lis, had been restored and abolished  The original two over one version was briefly readopted in 1970 during the Soviet occupation, but abolished that same year 

United Kingdom
In the United Kingdom, a fleur-de-lis has appeared in the official arms of the Norroy King of Arms for hundreds of years  A silver fleur-de-lis on a blue background is the arms of the Barons Digby In English and Canadian heraldry the fleur-de-lis is the cadence mark of a sixth son It can also be found on the arms of the Scottish clan Chiefs of both Carruthers; Gules two engrailed chevrons between three fleur-d-lis Or and the Brouns/Browns: Gules a chevron between three fleur d-lis Or 

United States
Fleurs-de-lis crossed the Atlantic along with Europeans going to the New World, especially with French settlers  Their presence on North American flags and coats of arms usually recalls the involvement of French settlers in New France of the town or region concerned, and in some cases the persisting presence there of a population descended from such settlers 

In the US, the fleur-de-lis symbols tend to be along or near the Mississippi and Missouri rivers  These are areas of strong French colonial empire settlement  Some of the places that have it in their flag or seal are the cities of Baton Rouge, Detroit, Lafayette, Louisville, Mobile, New Orleans, Ocean Springs and St  Louis  On 9 July 2008, Louisiana governor Bobby Jindal signed a bill into law making the fleur-de-lis an official symbol of the state  Following Hurricane Katrina on 29 August 2005, the fleur-de-lis has been widely used in New Orleans and throughout Louisiana, as a symbol of grassroots support for New Orleans' recovery  The coat of arms of St  Augustine, Florida has a fleur-de-lis on the first quarter, due to its connection with Huguenots  Several counties have flags and seals based on pre-1801 British royal arms also includes fleur-de-lis symbols  They are King George County, Virginia and Prince George's County, Somerset County, Kent County, and Montgomery County in Maryland 
It has also become the symbol for the identity of the Cajuns and Louisiana Creole people, and their French heritage 

Military
Fleurs-de-lis are featured in military healdry  E g , in the United States, the New Jersey Army National Guard unit 112th Field Artillery (Self Propelled)—part of the much larger 42nd Infantry Division Mechanized—which has it in the upper left side of their distinctive unit insignia; the U S  Army's 2nd Cavalry Regiment, 319th Airborne Field Artillery Regiment, 62nd Medical Brigade, 256th Infantry Brigade Combat Team; and the Corps of Cadets at Louisiana State University   The U S  Air Force's Special Operations Weather Beret Flash also used a fleurs-de-lis in its design, carried over from its Vietnam War era Commando Weatherman Beret Flash  It is also featured by the Israeli Intelligence Corps, and the First World War Canadian Expeditionary Force  In the British Army, the fleur-de-lis was the cap badge of the Manchester Regiment from 1922 until 1958, and also its successor, the King's Regiment up to its amalgamation in 2006  It commemorates the capture of French regimental colours by their predecessors, the 63rd Regiment of Foot, during the Invasion of Martinique in 1759  It is also the formation sign of the 2nd (Independent) Armored Brigade of the Indian Army, known as the 7th Indian Cavalry Brigade in First World War, which received the emblem for its actions in France 

In religion and art
In the Middle Ages, the symbols of lily and fleur-de-lis overlapped considerably in Christian religious art  The historian Michel Pastoureau says that until about 1300 they were found in depictions of Jesus, but gradually they took on Marian symbolism and were associated with the Song of Solomon's "lily among thorns" (lilium inter spinas), understood as a reference to Mary  Other scripture and religious literature in which the lily symbolizes purity and chastity also helped establish the flower as an iconographic attribute of the Virgin  It was also believed that the fleur-de-lis represented the Holy Trinity In medieval England, from the mid-12th century, a noblewoman's seal often showed the lady with a fleur-de-lis, drawing on the Marian connotations of "female virtue and spirituality"  Images of Mary holding the flower first appeared in the 11th century on coins issued by cathedrals dedicated to her, and next on the seals of cathedral chapters, starting with Notre Dame de Paris in 1146  A standard portrayal was of Mary carrying the flower in her right hand, just as she is shown in that church's Virgin of Paris statue (with lily), and in the centre of the stained glass rose window (with fleur-de-lis sceptre) above its main entrance  The flowers may be "simple fleurons, sometimes garden lilies, sometimes genuine heraldic fleurs-de-lis"  As attributes of the Madonna, they are often seen in pictures of the Annunciation, notably in those of Sandro Botticelli and Filippo Lippi  Lippi also uses both flowers in other related contexts: for instance, in his Madonna in the Forest 
The three petals of the heraldic design reflect a widespread association with the Holy Trinity, with the band on the bottom symbolizing Mary  The tradition says that without Mary you can not understand the Trinity since it was she who bore the Son  A tradition going back to 14th century France added onto the earlier belief that they also represented faith, wisdom and chivalry  Alternatively, the cord can be seen as representing the one Divine Substance (godhood) of the three Persons, which binds Them together 
"Flower of light" symbolism has sometimes been understood from the archaic variant fleur-de-luce (see Latin lux, luc- = "light"), but the Oxford English Dictionary suggests this arose from the spelling, not from the etymology 

Sports
The fleur-de-lis is used by a number of sports teams, especially when it echoes a local flag  This is true with the teams from Quebec (Nordiques (ex-NHL), Montreal Expos (ex-MLB) and CF Montréal (MLS)), the teams of New Orleans, Louisiana (Saints (NFL), Pelicans (NBA), and Zephyrs (PCL)), the Serie A team Fiorentina, the Bundesliga side SV Darmstadt 98 (also known as Die Lilien – The Lilies), the Rugby league team Wakefield Trinity Wildcats, the NPSL team Detroit City FC Marc-André Fleury, a Canadian ice hockey goaltender, has a fleur-de-lis logo on his mask  The UFC Welterweight Champion from 2006 to 2013, Georges St-Pierre, has a tattoo of the fleur-de-lis on his right calf  The IT University of Copenhagen's soccer team ITU F C  has it in their logo  France uses the symbol in the official emblem on the 2019 FIFA Women's World Cup 

Education
The emblem appears in coats of arms and logos for universities (like Washington University in St  Louis, Saint Louis University in Spain, University of Lincoln in England and University of Louisiana at Lafayette) and schools such as in Hilton College (South Africa), Adamson University and St  Paul's University in the Philippines  The Lady Knights of the University of Arkansas at Monticello have also adopted the fleur de lis as one of the symbols associated with their coat of arms  The flag of Lincolnshire, adopted in 2005, has a fleur-de-lis for the city of Lincoln  It is one of the symbols of the American sororities Kappa Kappa Gamma and Theta Phi Alpha, the American fraternities Alpha Epsilon Pi, Sigma Alpha Epsilon and Sigma Alpha Mu, as well as the international co-ed service fraternity Alpha Phi Omega  It is also used by the high school and college fraternity Scouts Royale Brotherhood of the Philippines 

Scouting
The fleur-de-lis is the main element in the logo of most Scouting organizations  The symbol was first used by Sir Robert Baden-Powell as an arm-badge for soldiers who qualified as scouts (reconnaissance specialists) in the 5th Dragoon Guards, which he commanded at the end of the 19th century; it was later used in cavalry regiments throughout the British Army until 1921  In 1907, Baden-Powell made brass fleur-de-lis badges for the boys attending his first experimental "Boy Scout" camp at Brownsea Island  In his seminal book Scouting for Boys, Baden-Powell referred to the motif as "the arrowhead which shows the North on a map or a compass" and continued; "It is the Badge of the Scout because it points in the right direction and upward    The three points remind you of the three points of the Scout Promise", being duty to God and country, helping others, and keeping the Scout Law  The World Scout Emblem of the World Organization of the Scout Movement has elements which are used by most national Scout organizations  The stars stand for truth and knowledge, the encircling rope for unity, and its reef knot or square knot, service 

Organizations
Fleurs-de-lis appear on military insignia and the logos of many organisations  During the 20th century the symbol was adopted by various Scouting organisations worldwide for their badges  Architects and designers use it alone and as a repeated motif in a wide range of contexts, from ironwork to bookbinding, especially where a French context is implied 

Healdic feature in architecture
In building and architecture, the fleur-de-lis is often placed on top of iron fence posts, as a pointed defence against intruders  It may ornament any tip, point or post with a decorative flourish, for instance, on finials, the arms of a cross, or the point of a gable  The fleur-de-lis can be incorporated in friezes or cornices, although the distinctions between fleur-de-lis, fleuron, and other stylized flowers are not always clear, or can be used as a motif in an all-over tiled pattern, perhaps on a floor 
It may appear in a building for heraldic reasons, as in some English churches where the design paid a compliment to a local lord who used the flower on his coat of arms  Elsewhere the effect seems purely visual, like the crenellations on the 14th-century Muslim Mosque-Madrassa of Sultan Hassan 
It can also be seen on the doors of the 16th-century Hindu Padmanabhaswamy Temple 

Derived non-heraldic usage
Some modern usage of the fleur-de-lis reflects "the continuing presence of heraldry in everyday life", often intentionally, but also when users are not aware that they are "prolonging the life of centuries-old insignia and emblems" 

The symbol may be used in less traditional ways  After Hurricane Katrina many New Orleanians of varying ages and backgrounds were tattooed with "one of its cultural emblems" as a "memorial" of the storm, according to a researcher at Tulane University  The US Navy Blue Angels have named a looping flight demonstration manoeuvre after the flower as well, and there are even two surgical procedures called "after the fleur "
American automobile manufacturer Chevrolet takes its name from the racing driver Louis Chevrolet, who was born in Switzerland   But, because the Chevrolet name is French, the manufacturer has used the fleur-de-lis emblems on their cars, most notably the Corvette, but also as a small detail in the badges and emblems on the front of a variety of full-size Chevys from the 1950s, and 1960s   The fleur-de-lis has also been featured more prominently in the emblems of the Caprice sedan A fleur-de-lis also appears in some of the logos of local Louisiana media, such as WGNO-TV and WVUE-TV, the local ABC-affiliated and Fox-affiliated television stations in New Orleans respectively 
The fleur-de-lis is one of the objects to drop during the New Year's Eve celebrations in New Orleans, which was broadcast for the first time during Dick Clark's New Year's Rockin' Eve '17 with Ryan Seacrest 
New Orleans sludge metal band Crowbar use it as a logo  It's appeared on every album cover since Lifesblood for the Downtrodden and is sometimes incorporated into the artwork (on The Serpent Only Lies as a snake and on Sever the Wicked Hand as a sword's hilt)  The Fleur-de-lis is also used decoratively on fire apparatus 

Compass rose
The symbol is also often used on a compass rose to mark the north direction, a tradition started by the Portuguese cartographer Jorge de Aguiar in his chart of 1492 

Slave branding
In Mauritius, slaves were branded with a fleur-de-lis, when being punished for escaping or stealing food In France, some categories of outlaws were branded with a fleur de lys iron rod as a punishment for crimes involving a banishment sentence  In 1724, the punishment evolved in a system of letters brandings relative to the crime  The fleur de lys became an exclusive punishment for slaves in the colonies 
The fleur-de-lis (or flower de Luce) could be branded on slaves as punishment for certain offenses in French Louisiana   For instance, the Louisiana Code Noir (1724) stated:

XXXII  The runaway slave, who shall continue to be so for one month from the day of his being denounced to the officers of justice, shall have his ears cut off, and shall be branded with the flower de luce on the shoulder: and on a second offence of the same nature, persisted in during one month from the day of his being denounced, he shall be hamstrung, and be marked with the flower de luce on the other shoulder  On the third offence, he shall suffer death" 
The Code Noir was an arrangement of controls received in Louisiana in 1724 from other French settlements around the globe, intended to represent the state's slave populace  Those guidelines included marking slaves with the fleur-de-lis as discipline for fleeing 

In fiction
The symbol has featured in modern fiction on historical and mystical themes, as in the bestselling novel The Da Vinci Code and other books discussing the Priory of Sion  It recurs in French literature, where examples well known in English translation include Fleur-de-Lys de Gondelaurier, a character in The Hunchback of Notre Dame by Victor Hugo, and the mention in Dumas's The Three Musketeers of the old custom of branding a criminal with the sign (fleurdeliser)  During the reign of Elizabeth I of England, known as the Elizabethan era, it was a standard name for an iris, a usage which lasted for centuries, but occasionally refers to lilies or other flowers  It also appeared in the novel A Confederacy of Dunces by John Kennedy Toole on a sign composed by the protagonist 

In John Steinbeck's East of Eden, Cathy Ames ("Kate") wears a gold watch with a fleur-de-lis pin around her neck A variation on the symbol has also been used in the Star Wars franchise to represent the planet of Naboo  The fleur de lis is also used as the heraldic emblem for the Kingdom of Temeria in Andrzej Sapkowski's fantasy novel series The Witcher 
The fleur de lis has also been used in the TV series The Originals, in which it is used to represent the Mikaelson family, the first vampires in the world  The symbol's representation of unity and its usage in New Orleans where the show is set, are used to represent the vow three of the Mikaelson siblings made to each other that they remain together, always and forever 
The fleur de lis is displayed in Champion, a cavalry unit that appears in Heroes of Might and Magic V: Tribes of the East, and is also a symbol adopted by the Sisters of Battle, a faction in Warhammer 40,000  A heavily stylized fleur de lis symbol can also be recognized as the symbol of the ICA in the Hitman series of video games The Pokémon villain Lysandre; whose debut game was Pokémon X and Y is known in Japan as フラダリ (Furadari); a romanised name for the fleur-de-lis  Relevant is that Pokémon X and Y are inspired by France  Many locations and landmarks across Kalos have real-world inspirations, including Prism Tower (Eiffel Tower), the Lumiose Art Museum (the Louvre) and the stones outside Geosenge Town (Carnac stones) This symbol is also used as the icon for the fictional street gang "Third Street Saints" in the Saints Row series 
The symbol is also seen in the video games Gangstar: New Orleans and Persona 5, on Yusuke Kitagawa's shirt 

See also
Cross fleury
Floral emblem
Armorial of France
The Golden Lily (disambiguation)
Iris florentina
Iris pseudacorus
Jessant-de-lys
Lilium
Palmette
Prince of Wales's feathers
Shamrock
Scottish thistle
Tree of LifeUse of the lily in coinage and coat-of-arms in the Land of Israel/PalestineAcre, Israel, where the Hospitaller refectory contains two early depictions of the French fleur-de-lis
Hasmonean coinage, coins minted during Hasmonean rule, sometimes depicting a lily
Yehud coinage, Achaemenid period coinage often depicting a lily

Explanatory notes
Context 2: Passage 1:
Château de Chalmazel
The Château de Chalmazel, or Château des Talaru is a castle situated in the commune of Chalmazel, in the Loire département of France  It is located in the Haut-Forez, between the  towns of Saint-Étienne and Thiers  Its name in medieval times was Saint-Jehan-des-Neiges  The castle dominates the valley of the Lignon and it was built to be an impregnable fortress on the instructions of the Count of Forez 

History
Construction of the fortress began in 1231  The work was carried out by seigneur (Lord) Arnaud de Marcilly to the order of Guy IV du Forez who financed it  The site was covered by forest and almost inaccessible  Initially, it functioned rather as a fortified house, but it was transformed into a genuine medieval fortress, intended to counteract the ambitions of the powerful neighbours of the seigneurie of Couzan, then in the hands of the Damas family, linked to the Germanic emperor 
The castle appeared gloomy and severe, with four round towers dominated by a square keep, with no openings on the sides 
When Antoine de Marcilly died aged 25 with no direct heirs in 1371, the castle passed to his sister Béatrix, last of the Marcilly line  She had married Mathieu de Talaru in 1364; thus the seigneurie of Chalmazel passed to the Talarus, an old noble family from the Lyonnais 
Following the destruction of the Château de Marcilly, the Talarus withdrew to the castle at Chamazel and, in 1400, they built the ramparts, in the form of a pentagonal enceinte and added machicolations to the keep  After the incorporation of Forez into the Kingdom of France, the Talarus served the king in his armies 
During the Renaissance, the Marquis de Talaru, returning from the Italian Wars, added Renaissance style embellishments: openwork facade, galleries to the inner court, painting in the chapel, sculptures 
But the winters were harsh, and from 1533, the Talarus preferred to live in their Château d'Écotay or in Saint-Marcel-de-Félines, acquired by marriage in 1559  Chalmazel was transformed into a summer residence and began to be neglected 
In the 18th century, the Talarus inherited by marriage the Château de Chamarande, near Arpajon, to the south of Paris, and they moved there to be closer to Versailles where Louis de Talaru held important posts in the royal court and the army  They abandoned the castle in 1650, carrying out only the most urgent work  The castle began a slow but sure deterioration 
In 1850, Louis-Justin, last Marquis of Talaru, 25th lord of Chalmazel, peer of France and ambassador, with no heirs, left the castle and the forest to the nuns of the Sœurs de Saint-Joseph, in order to establish a hospital for the canton for the care of the sick 
The nuns carried out some repair work (roof, round walk, rebuilding a tower) and decoration  Later, they transformed it into a boarding school for children from the school at Chamazel The nuns finally left the castle in 1972 and rented it to the commune, on the condition that it was maintained and opened to the public during the summer months 
The castle is now owned by new proprietors who intend to open it to visitors and to create chambres d'hôtes (bed and breakfast accommodation) 

Tourism
The castle, with its medieval aspect, has kept the elements of a fortified house from the year 1231, but with all of the later modifications and additions by the Talarus over the centuries: murder-holes, walls, keep, round walk with machicolations - but it also has Renaissance elements: the facade, the inner courtyard, galleries and chapel 
The castle is open to visitors from June to September  It is possible to rent rooms and a suite 
The Château de Chalmazel is listed as a monument historique by the French Ministry of Culture 

See also
List of castles in France
Passage 2:
Spirit If   
Spirit If    is the debut solo album by Broken Social Scene co-founder Kevin Drew  It was released on September 18, 2007  The album is the first in a series entitled Broken Social Scene Presents:, with each album in the series being a particular member's solo efforts, assisted by fellow Broken Social Scene members  Brendan Canning's album Something for All of Us, the second in the series, was released in 2008 
Spirit If    was recorded with Ohad Benchetrit and Charles Spearin of Do Make Say Think and Broken Social Scene  The track listing, album cover, as well as an mp3 download for the song "Tbtf" (an initialism for "Too Beautiful to Fuck") were released on June 19, 2007  Spirit If    reached #113 on the Billboard 200 and #1 on the Top Heatseekers chart  "Backed Out on the   " was listed at #33 on Rolling Stone's list of the 100 Best Songs of 2007 and 99th on Pitchfork Media's list 

Track listing
"Farewell to the Pressure Kids" – 5:49
"Tbtf" – 3:51
"Fucked Up Kid" – 5:09
"Safety Bricks" – 4:27
"Lucky Ones" – 6:44
"Broke Me Up" – 4:24
"Gang Bang Suicide" – 6:22
"Frightening Lives" – 6:12
"Underneath the Skin" – 0:46
"Big Love" – 3:19
"Backed Out on the   " – 4:16
"Aging Faces / Losing Places" – 4:31
"Bodhi Sappy Weekend" – 4:29
"When It Begins" – 5:01
"What You Gonna Be" (iTunes bonus track) – 4:05

Sources
http://www arts-crafts ca/releases_spotlight php?search=AC027
https://web archive org/web/20070621183237/http://www pitchforkmedia com/page/news/43720-kevin-drew-bss-series-lp-details-emerge
https://web archive org/web/20070701135609/http://www pitchforkmedia com/page/news/43494-kevin-drew-preps-lp-for-broken-social-scene-series
Passage 3:
Landesmuseum Württemberg
The Landesmuseum Württemberg (Württemberg State Museum) is the main historical museum of the Württemberg part of the German state of Baden-Württemberg  It emerged from the 16th-century “Kunstkammer” (Cabinet of art and curiosities) of the dukes, later kings, of Württemberg who resided in Stuttgart  As a museum it was founded in 1862 by King William I 

Collections in Stuttgart and Waldenbuch
The museum's main location is the Old Castle in Stuttgart  The nearby granary and the cellar of the New Castle also contain parts of the collections as well as Waldenbuch Castle outside of Stuttgart 
The collections are grouped into eight divisions:

Schausammlung LegendäreMeisterWerke (Legendary Masterpieces)
archeology: Paleolithic, Neolithic, Bronze Age, Iron Age, antiquity, Romans in Württemberg, early Middle Ages
history of art and cultural history: Württemberg crown jewels, medieval art, modern glass painting
Schausammlung Wahre Schätze (Real Treasures)
Antikensammlung - Museum of Ancient Art
Kunstkammer - Cabinet of Art and Curiosities
Kelten - Early Celtic Treasures
Glass collection of Ernesto Wolf
antique glass
modern era glass
Clocks and scientific instruments
Kindermuseum Junges Schloss - Museum for Children
Musical instruments (located in the Fruchtkasten (granary))
Roman lapidarium (located in the cellar of Neues Schloss (New Castle))
Folklore (located at the Museum of Everyday Culture in Waldenbuch Castle outside of Stuttgart): labor, belief and piety, graphic design, clothing, merchandise, culture of living Apart from these collections the museum regularly features special exhibitions 
The museum presents a whole range of archeological treasures and a notable collection of medieval art  It also includes the inventories of the former army and manufacturing museums  Some of the most valuable possessions of the museum were already acquired by the dukes for their art chamber: two of only four preserved Aztec feather shields from before 1521 and the oldest preserved card game, about 1430, richly decorated and expensive already at the time of production  Exhibits of local origin include a celestial globe of 1493 by Johannes Stöffler, an 11-digit mechanical calculator of 1774 by Philipp Matthäus Hahn (the first to build functional calculators to Gottfried Leibniz' design for all four arithmetic operations), and, probably the museum's most symbolic exhibit despite being similar to other ones: the royal Württemberg crown of 1797 

Further Collections
The museum today has a further seven branches throughout Württemberg referring to special topics:

Schlossmuseum Aulendorf (Aulendorf Castle museum): old toys and art of the classicism period
Schloss Urach (Urach Castle): sleighs of state, 25 specimens, world's biggest collection of this kind
Museum für Kutschen, Chaisen, Karren (museum for carriages, chaises, carts), Hellenstein Castle, Heidenheim
German Playing Card Museum (Deutsches Spielkartenmuseum), Leinfelden-Echterdingen: 15,000 card decks and 500,000 cards from seven centuries  The biggest public collection of playing cards in Europe
Fashion museum, Ludwigsburg Palace
Ceramics museum and Ludwigsburg porcelain, Ludwigsburg Palace
Dominican museum, Rottweil: archeological collection on arae flaviae (Rottweil), oldest town (AD 73)in Baden-Württemberg; medieval religious art collection; contemporary art collection of the Rottweil areaSeveral other former branches now belong to the separate Baden-Württemberg State Archeological Museum (Archäologisches Landesmuseum Baden-Württemberg), which has been founded in 1990 due to the ever increasing findings of archeological heritage in the state 

Selected exhibits of Landesmuseum Württemberg
External links
Official web site (Select Language menu at top)
Museum of Everyday Culture (German)
Playing Card Museum (German)
Passage 4:
When Spirits Are Calling My Name
The song "When Spirits Are Calling My Name" (original Swedish title "När vindarna viskar mitt namn", literally translated as "When the Winds Whisper My Name") was performed by Roger Pontare in the 2000 Eurovision Song Contest 2000, in representation of Sweden 

Celebration of indigenous culture
The song extols the traditions of indigenous peoples and their efforts to protect their territories and cultures  For his solo appearance in 2000, Pontare wore a Sami costume associated with the indigenous population of Lapland in  northern Sweden (and also the northern regions of Norway, Finland, and Russia)  On his performance at the Eurovision Song Contest, Pontare was accompanied by a Cree Native American dancer, a Thule Inuit and a Norwegian Sami 

Eurovision Song Contest 2000
Melodifestivalen 2000 was the 40th edition of the Swedish national selection for the Eurovision Song Contest, which was being held in the Ericsson Globe Arena in Stockholm after Charlotte Nilsson's victory the year before with "Take Me to Your Heaven"  Roger Pontare won the right to represent his country after his song "När vindarna viskar mitt namn" was chosen by the Swedish public after earning 227 points in the final voting results at the 40th edition of Melodifestivalen  The song was then performed in English as "When Spirits Are Calling My Name" at the Eurovision Song Contest 2000 
The song performed 18th, after Croatia and before Macedonia, and finished in 7th place among 24 other competitors with a total of 88 points 
At the song's climax, flames erupted from two vents at the front of the stage 

Popularity
"När vindarna viskar mitt namn" was also released as a single in 2000, which sold Swedish platina (30 000 copies)  The single peaked at #3 at the Swedish singles chart  On 22 April 2000 the song directly entered Svensktoppen, where it stayed for two rounds  On 6 May 2000 the song was down at the third place after peaking for two weeks  On 5 August 2000 the song was 9th, being at the list for 16th at last time 

Covers by other bands
Swedish bands Ultima Thule and HammerFall later covered "När vindarna viskar mitt namn" 

Track listing
När vindarna viskar mitt namn - 2:58
När vindarna viskar mitt namn (singback) - 2:58
Passage 5:
Bucu
Bucu or Buku is a hill island surrounded by the Trave and Wakenitz Rivers in Lübeck, Germany  It is also the name of a medieval Slavic castle, now ruined, on the island  Count Adolf II of Holstein founded Lübeck on the island in 1143  The Burgkloster, or fortified monastery, of Lübeck is located atop the ruins of Bucu  "Bucu" is also the name of a hill 

History
Fortifications probably existed at Bucu by the end of the 7th century or the beginning of the 8th century  When the Christian Obotrite prince Gottschalk was killed at Lenzen in 1066, the pagan Kruto took control of Wagria and made it his base of power  Kruto neglected the developing settlement of Liubice and instead developed Bucu between the Trave and the Wakenitz; Gottschalk's son Henry made Liubice the Obotrite capital after killing Kruto in 1093, however  With the death of Henry in 1127 and the Rani sack of Liubice the following year, Bucu began to assume greater  importance as merchants moved to the fortified hill  Count Adolf II of Holstein founded Lübeck in 1143 near the castle, which offered protection to the new harbour settlement 

Excavation
Bucu was excavated by archaeologists in the 1970s  Recovery excavations at the Kleine Gröpelgrube unearthed a nearby settlement, the suburbium, in 1997  The exposed findings indicate that the region east of the castle was inhabited by Slavs from the 8th or 9th century until the middle of the 12th century 
In a southern section of the current Große Burgstraße, a 3 5 m wide and 2 5 m deep trench protected the settlement  The northern border was presumably north of the current Königstraße  To the west the settlement bordered the castle directly, while to the east it reached the Wakenitz  The settlement area was probably about 6 ha  Discoveries in the interior include mines, mining houses, hearths, and a great number of ceramic objects  The remnants of a potter's workshop were found in the Kleine Gröpelgrube  A Slavic pottery tradition could have existed at the location until the arrival of Saxons in the 12th century  The Kleine Gröpelgrube was first mentioned in 1297 as parva platea lutifigulorum, or the small street of the loam potters 
Passage 6:
Apollo 1 Hills
The Apollo 1 Hills are three hills on Mars named to memorialize the crew of Apollo 1   The three hills were some of the first landmarks sighted following the January 7, 2004, landing of the Spirit rover on Mars 

Background
NASA astronauts Gus Grissom, Roger Chaffee, and Ed White perished in a flash fire which engulfed their command module on January 27, 1967, while training for the first of the crewed Apollo missions, initially designated as Apollo Saturn-204 (AS-204)   Their capsule stood atop the Saturn-1B rocket which was at the time docked to the launchpad gantry at Cape Canaveral's Launch Complex 34, while they performed an in-capsule training for what was to be a low Earth orbit shake-out mission for the United States' Apollo Space Program   The craft was set to launch three weeks later, on February 21, 1967   Following the fire, the mission was renamed Apollo 1 to honor the crew's work 

Mission Command Pilot Grissom had flown in both Mercury and Gemini programs   Chaffee, at 31, was the youngest member of the astronaut corp ever chosen and was prepping for his first flight   White had been the first American to perform a spacewalk during the Gemini program 

Location
The three vastly separated hills are located in the Gusev crater, part of the Aeolis quadrangle on Mars   They were photographed from Spirit's landing site, designated as the Columbia Memorial Station, shortly after the descent and soft landing on the Martian surface of the rover   The Columbia station and the nearby Columbia Hills are themselves named in honor of the seven crew members of the fatal Columbia spacecraft breakup The hills are named in memory of the three Apollo 1 astronauts   Grissom Hill is located 7 5 km (4 7 mi) southwest of the Columbia Memorial Station (at Martian co-ordinates 14 5718°S 175 4785°E﻿ / -14 5718; 175 4785); while 11 2 km (7 0 mi) to the northwest lies White Hill; and Chaffee Hill is located 14 3 km (8 9 mi) south-southwest of the station   As of January 2020, however, the International Astronomical Union has not officially designated the hills with the names of the astronauts 
"Through recorded history, explorers have had both the honor and responsibility of naming significant landmarks   Gus, Ed and Roger's contributions, as much as their sacrifice, helped make our giant leap for mankind possible     as America strides towards our next giant leap, NASA and the Mars Exploration Rover team created a fitting tribute to these brave explorers and their legacy " – written statement by former NASA Administrator, Sean O'Keefe

Panoramic view
See also
Geography of Mars
Passage 7:
Mother Ann (rock formation)
Mother Ann is a rock formation located near the Eastern Point Lighthouse in Gloucester, Massachusetts, United States   When viewed at the correct angle, the formation appears to be the silhouette of a reclining Puritan woman  It is also believed locally that the formation represents the royal mother of King Charles I, Anne of Denmark, after whom Cape Ann is named The formation may have been named by Captain William Thompson of Salem in 1891, and has since been compared to New Hampshire's Old Man in the Mountain  A nearby whistling buoy is known as "Mother Ann’s Cow" 
The Mother Ann formation inspired several local writers, including Providence author H P  Lovecraft and poet Clarence Manning Falt  Lovecraft may have used the Mother Ann formation as the basis for the setting of his short story "The Strange High House in the Mist" (1926) 

See also
Old Man of the Mountain
Old Man of Hoy
List of rock formations that resemble human beings
Passage 8:
Casa Loma
Casa Loma (improper Spanish for "Hill House") is a Gothic Revival castle-style mansion and garden in midtown Toronto, Ontario, Canada, that is now a historic house museum and landmark  It was constructed from 1911 to 1914 as a residence for financier Sir Henry Pellatt  The architect was E  J  Lennox, who designed several other city landmarks  Casa Loma sits at an elevation of 140 metres (460 ft) above sea level, 66 metres (217 ft) above Lake Ontario 
Due to its unique architectural character in Toronto, Casa Loma has been a popular filming location for movies and television  It is also a popular venue for wedding ceremonies, and Casa Loma can be rented in the evenings after the museum closes to the public 

History
In 1903, financier Henry Pellatt purchased 25 lots from developers Kertland and Rolf  Pellatt commissioned architect E  J  Lennox to design Casa Loma, with construction beginning in 1911, starting with the massive stables, potting shed and Hunting Lodge (a k a  coach-house) a few hundred feet north of the main building  The Hunting Lodge is a two-storey 4,380-square-foot (407 m2) house with servants' quarters  As soon as the stable complex was completed, Pellatt sold his summer house in Scarborough (burned down in the 1920s but the Lennox designed groundskeeper's home at 2 Courcelette Road remains) to his son and moved to the Hunting Lodge  The stables were used as a construction site for the mansion (and also served as the quarters for the male servants), with some of the machinery still remaining in the rooms under the stables The house cost about $3 5 million and took 299 workers three years to build  Due to the start of World War I, construction was halted  At 98 rooms covering 64,700 square feet (6,011 m2), it was the largest private residence in Canada  Notable amenities included an elevator, an oven large enough to cook an ox, two vertical passages for pipe organs, a central vacuum, two secret passages in Pellatt's ground-floor office, a pool, and three bowling lanes in the basement (the last two were never completed) 
Most of the third floor was left unfinished, and today serves as the Regimental Museum for The Queen's Own Rifles of Canada  Pellatt joined the Regiment as a Rifleman and rose through the ranks to become the Commanding Officer  He was knighted for his dedication to the Regiment  Pellatt later served as the Honorary Colonel and was promoted to Major-General upon retirement 
During the depression that followed the war, the City of Toronto increased Casa Loma's property taxes from $600 per year to $1,000 a month, and Pellatt, already experiencing financial difficulties, auctioned off $1 5 million in art and $250,000 in furnishings  Pellatt was able to enjoy life in the mansion for less than ten years, leaving in 1923 
In the late 1920s, investors operated Casa Loma for a short time as a luxury hotel  During Prohibition, it became a popular nightspot for wealthy Americans  The Orange Blossoms, later known as Glen Gray and the Casa Loma Orchestra, played there for eight months in 1927–1928  Shortly thereafter, they went on a tour of North America and became a major swing era dance band 

The city seized Casa Loma in 1924 for unpaid taxes, and for years, the building was left vacant  In the 1930s, CFRB broadcaster Claire Wallace spent a night at Casa Loma to gather material for a story about ghosts and supernatural phenomena, and she later broadcast an appeal to save the building from demolition  Her broadcast was heard by the vice-president of a local Kiwanis Club, and subsequently Casa Loma was leased in 1937 by the Kiwanis Club of West Toronto, later the Kiwanis Club of Casa Loma (KCCL), which began operating the mansion under a sole-source contract as a tourist destination During World War II, the stables were used to conceal research and production of sonar, and for construction of sonar devices (known as ASDIC) for U-boat detection, according to a book about the "castle"  The area was closed, behind an "Under Repairs" sign  The suggestion that the stables were under renovation allowed workers of the secret facility to come and go without suspicion  Casa Loma is often claimed to be the location of Station M that manufactured covert devices for agents, claiming that the book Inside Camp X provides this information  In 2015, however, author Lynn Philip Hodgson rejected this in an interview with the Toronto Star  "Nobody knows where Station M was  You won't read where it was in any book "

KCCL managed Casa Loma for 74 years, until 2011  Its tenure was not without controversy, with Pellatt's great-grandniece Trelawny Howell starting a campaign for an open-tender lease process in 2005, and the organization disputing her relationship with Pellatt in 2010  A 2006 advisory committee led by former MPP Ron Kanter, and its subsequent reports, recommended that the city turn the mansion's management over to a new "Casa Loma Trust"  However, a city manager's report in 2008 recommended extending the city's lease with KCCL for 20 years, and in July 2008, it was renewed Meanwhile, from 1997 until 2012, the mansion underwent a 15-year, $33-million exterior restoration largely funded by the city, which also created a new board of trustees in 2008, including seven KCCL members and seven city appointees  The city's renewed management agreement included a stipulation that KCCL would use the mansion's net revenues to help pay for upgrades; however, the organization used the fund to cover operating shortfalls instead, and there was only $335,000 in the account by 2011, rather than the $1 5-million originally projected  As a result, in 2011, the city temporarily resumed management of Casa Loma and began welcoming bids from the private sector in its search for a new operator In January 2014, the city entered a new long-term lease and operating agreement with Liberty Entertainment Group, led by President and CEO Nick Di Donato, which agreed to spend $7 4 million to continue the mansion's upgrades  The company's plans also included a fine dining facility  The restaurant, Blueblood Steakhouse, opened in summer 2017 Due to COVID-19, tour operations closed as of March 13, 2020 and reopened in September 2020 

Architecture
Sir Henry imported artisans from Europe to design much of the furniture and other features of the mansion  Casa Loma has five acres of gardens  A tunnel connects Casa Loma to the Hunting Lodge and to the stables (garage, potting shed, stalls, carriage room and tack rooms) 

Oak Room
The Oak Room (originally called the Napoleon Drawing Room) is the most decorated room in the house, and was used for formal occasions  It is encased in wood panels in the style of Grinling Gibbons, which took three artisans three years to carve  The highly ornamented plaster ceiling was made by Italian craftsmen, and was enhanced by the use of indirect lighting in the ceiling  Among other fixtures, the room featured a 10 feet (3 0 m) high Louis XVI style faux-gilt carved light standard with 24 bulbs 

Other rooms
Other rooms in Casa Loma include The Conservatory, a room that showcases plant life  The Conservatory also includes a fountain at one end of the room  The Round Room is designed to fit beneath the mansion's tower; this room is notable for its doors and windows, which curve to follow the shape of the room 

Main floor
Second floor
Third floor
Basement
Stables
Exterior
Gardens
Parking lots

Exhibits
Girl Guide exhibit
The Girl Guide Exhibit was opened on the second floor of Casa Loma in 1973  The relationship between the Girl Guides and Casa Loma extends back to Lady Pellatt, who frequently invited the Girl Guides to her home  Their first visit was in 1913, when 250 girls and their leaders toured the conservatories and stables, climbed the circular staircase to the top turret and then were served tea in the Palm Room  In March 1914, Lady Pellatt watched the Guides' annual fête from her bedroom window as she was too ill to leave her room  Rallies became an annual event at the house  Guides also skated on the house's curling rink in winter  Girl Guiding events have continued in recent years, including the 75th anniversary and the 100th anniversary celebrations of Guiding in Canada were held at Casa Loma 

Vintage car exhibition
As of 2014, the garage and carriage room feature an exhibition of vintage cars from the early 1900s 

Location
Casa Loma is located on Austin Terrace at Spadina Road, on an escarpment (Davenport Hill) above Davenport Road  Davenport runs along the bottom of the escarpment, which was the shoreline of Lake Iroquois, the predecessor of Lake Ontario (coordinates 43 678°N 79 4093°W﻿ / 43 678; -79 4093)  Casa Loma affords views down the escarpment and Spadina Avenue into the heart of Toronto  The stables are located at 330 Walmer Road and the Hunting Lodge at 328 Walmer Road 
Casa Loma is served by St  Clair West Station and Dupont Station on the Yonge-University line of the Toronto subway 

Film location
Casa Loma is a popular location for use in film and television  It has served as a location for movies such as X-Men, Strange Brew, Chicago, The Tuxedo, Scott Pilgrim vs  the World, Warehouse 13, Crimson Peak, Twitches, Twitches Too, The Pacifier, and Titans where it stands in for Wayne Manor  Comic books and children's novels that have used it include the Scott Pilgrim series and Eric Wilson's murder mystery The Lost Treasure of Casa Loma  It was also temporarily transformed into Hogwarts for the release of Harry Potter and the Deathly Hallows as well as The Beast's Castle for Disney's 2017 live action Beauty and The Beast remake of the 1991 animated film  In the CBC Television show Being Erica, the episode "Mi Casa, Su Casa Loma" features Casa Loma prominently as the place where main character Erica Strange works It also served in the film adaptation of R  L  Stine's Goosebumps series A Night In Terror Tower  Casa Loma also features prominently in the biography-documentary of Sir Henry Pellatt, The Pellatt Newsreel: the Man who Built Casa Loma, which was nominated for a 2009 Gemini for Best Biography Documentary  TV show Hemlock Grove was also filmed there as well as The Mortal Instruments: City of Bones and related Shadowhunters
Exterior shots of the building were used in the Gothic TV show Strange Paradise It is also the filming location of the 2016 TV film The Rocky Horror Picture Show: Let's Do the Time Warp Again, where scenes at Dr  Frank N  Furter's castle and the movie theatre where the audience participated were filmed  Ivy Levan's performance of the song "Science Fiction Double Feature" was filmed at Casa Loma (a movie theatre marquee was placed at the front entrance of the castle for filming) In 2018, Casa Loma served as a filming location for the 2019 American black comedy thriller Ready or Not In 2022, Casa Loma was the filming location of the music video for Wait for U by Future and Drake 

See also
Mary Lake Augustinian Monastery
List of museums in Toronto

Further reading
Denison, John (1982)  Casa Loma and the Man Who Built It  Boston Mills Press  ISBN 978-0919822481 
Oreskovich, Carlie (1982)  Sir Henry Pellatt, the King of Casa Loma  MaGraw-Hill Ryerson  ISBN 978-0075484561 
Passage 9:
Castle on the Hill
"Castle on the Hill" is a song by English singer-songwriter Ed Sheeran  It was released on 6 January 2017 as one of the double lead singles from his third studio album ÷ (2017), along with "Shape of You"  "Castle on the Hill" was written and produced by Ed Sheeran and Benny Blanco  The song refers to Framlingham Castle in Sheeran's home town of Framlingham in Suffolk, and reminisces tales of his upbringing in the town  The BBC states, "the song has been described as a love letter to Suffolk "Released on the same day as "Shape of You", "Castle on the Hill" reached number one in Iceland, Scotland and 
Israel  The song also reached  number two in a number of countries, including the UK, Australia and Germany, while "Shape of You" debuted at number one  It was the first time in the history of the UK, Australian and German charts that an artist has taken the top two chart positions with new songs  The song debuted at number six in the US, while "Shape of You" entered at number one; this made Sheeran the first artist ever to have two songs simultaneously debut in the US top 10  "Castle" is certified nine-times platinum in Australia, Diamond in Canada and 6-times platinum the UK, and multiplatinum in numerous other countries 

Background
The theme of the song surrounds Sheeran's home town of Framlingham, and he reminisces tales of 'smoking hand-rolled cigarettes' and getting 'drunk [with] friends' at this place, living life as a teenager  The castle mentioned in the song is Framlingham Castle, and in January 2017, Sheeran was invited to perform at the Castle The song was written and recorded in 2015  Sheeran revealed that despite a similarity to the music of U2, the direct influence of the song came from "Fallen Empires" by Snow Patrol, a band he had toured with  He said: "I grew up on Snow Patrol, I didn't grow up on U2, but I know that Snow Patrol grew up on U2, so I know [where] that influence had come [from] "  He also said he wanted to make a song like "The River" by Bruce Springsteen, a song with similar reflective element 

Critical reception
Jon Caramanica from The New York Times said, "'Castle on the Hill' has U2 influenced nervous guitar builds and wistful, largely generic lyrics about the people who shaped him " Billboard's Taylor Weatherby wrote about the song saying, "'Castle on the Hill' has a Train like vibe with a fast-paced, yet powerful melody that builds to an epic chorus that's just as Sheeran as all of his past singles  Needless to say, Sheeran is telling the world he's back in compelling fashion " Jeremy Gordon of Spin gave the song a positive review, stating that the song "sort of sounds like late period Coldplay, big, broad stroke music for arenas and Wembley performances  There's a lyric about driving down a country road while listening to Elton John's hook-free 'Tiny Dancer,' because Ed Sheeran saw Almost Famous once " Adam Starkey from news website Metro states that it "'has echoes of Mumford & Sons with the kind of climbing drums and soaring chorus sure to win over festival crowds, recalling how far he's come from 'smoking hand-rolled cigarettes' and 'running from the law in the backfields' "

Chart performance
"Castle on the Hill" debuted at number two on the UK Singles Chart on 13 January, selling 193,000 combined units in its first week  Sheeran also debuted at number one with "Shape of You", making him the only artist in UK chart history to debut in the top two positions in the same week
Context 3: Passage 1:
Pythons (album)
Pythons is the second studio album by indie rock band Surfer Blood  It was released in June 2013 under Sire Records and produced by Gil Norton  Following the release of their EP, Tarot Classics, Surfer Blood had been writing songs whilst on tour  The first song to be written for the album is technically "Prom Song", as they have had the guitar parts for this song for a few years now  The album features all the qualities that define Surfer Blood's sound, but is stripped of its reverb and given a more polished production, as opposed to the production that took place in front-man John Paul Pitts' apartment  "Pixies" guitarist Joey Santiago lent the band equipment such as amplifiers and guitars during the album's production, as Norton is a close friend of his because he produced most of the Pixies discography 

Track listing
Personnel
John Paul Pitts - vocals, guitar
Thomas Fekete - guitar, vocals
Kevin Williams- bass, keyboards, vocals
Tyler Schwarz - drums
Gil Norton - producer
Dan Austin - engineer, programming
Brian Gardner - mastering
Rob Schnapf - mixing
Chris Szczech - mixing assistant
Brendan Dekora - assistant engineer
Jeff Sosnow - A&R
Alex Black - A&R
Julia Pitts - photography
Frank Maddocks - art direction, photography
Esteban Neumann - illustrations
Passage 2:
Waterfalls (album)
Waterfalls is a live album by American saxophonist and composer John Klemmer featuring studio enhanced live performances recorded in Los Angeles for the Impulse! label 

Reception
The Allmusic review by Scott Yanow awarded the album 4 stars stating it is "Worth investigating by open-eared listeners" 

Track listing
All compositions by John Klemmer"Prelude I" – 3:33
"Waterfalls" – 4:19
"Utopia: Man's Dream, Part 1" – 8:47
"Utopia: Man's Dream, Part 2" – 3:50
"There's Some Light Ahead" – 4:29
"Centrifugal Force" – 5:59
"Prelude II" – 4:02
"Waterfall II" – 6:08Recorded in performance at the Ash Grove in Los Angeles, California on June 17, 1972 and "enchanted" at The Village Recorder in Los Angeles on June 22, 1972

Personnel
John Klemmer – tenor saxophone, soprano saxophone, echoplex
Mike Nock – electric piano
Wilton Felder – electric bass
Eddie Marshall – drums
Victor Feldman – percussion
Diana Lee – vocals (tracks 3, 4 & 6)
Passage 3:
2 Horns / 2 Rhythm
2 Horns / 2 Rhythm is an album by American jazz trumpeter Kenny Dorham, featuring performances with Ernie Henry  It was recorded in 1957 and released on Riverside Records  This was Henry's last recording session 

Reception
The AllMusic review by Scott Yanow awarded the album four stars and stated "The sparse setting (unusual for a Dorham session) works quite well" 

Track listing
Recorded in New York City on November 13 (tracks 1–3, 5–7 & 9) and December 2 (tracks 4 & 8), 1957

Personnel
Kenny Dorham – trumpet, piano (track 3)
Ernie Henry – alto saxophone
Eddie Mathias (tracks 1–3, 5–7 & 9), Wilbur Ware (tracks 4 & 8) – bass
G T  Hogan – drums
Passage 4:
Crystal (Ahmad Jamal album)
Crystal is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1987 and released on the Atlantic label 

Critical reception
In an Allmusic review by Scott Yanow states "There are some magical moments on this quartet set    Jamal's control of dynamics and inventive use of space proved to be as effective as it had been when he first made his mark in the 1950s, although his chord voicings and general style had evolved  Jamal and his group perform ten of his originals with taste, swing and subtle surprises" 

Track listing
All compositions by Ahmad Jamal

"Quest for Light" – 4:48
"Arabesque" – 4:48
"Avo" – 7:04
"Piano Solo" – 1:57
"For My Daughter" – 3:34
"Perugia" – 3:57
"The Last Day" – 6:00
"Crystal" – 4:58
"Swahililand" – 4:08
"The Canteen" – 3:08

Personnel
Ahmad Jamal – piano
James Cammack – bass
David Bowler – drums
Willie White – percussion
Passage 5:
Plenty, Plenty Soul
Plenty, Plenty Soul is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label 

Reception
The Allmusic review by Scott Yanow stated that "these all-star dates still sound fresh and enthusiastic decades later" 

Track listing
All compositions by Milt Jackson, except as indicated"Plenty, Plenty Soul" (Milt Jackson, Quincy Jones) - 9:33
"Boogity Boogity" (Jones) - 4:55
"Heartstrings" - 4:53
"Sermonette" (Cannonball Adderley) - 5:23
"The Spirit-Feel" - 4:22
"Ignunt Oil" - 5:35
"Blues at Twilight" (Jones) - 6:46Recorded in New York City on January 5 (tracks 4–7) and January 7 (tracks 1–3), 1957

Personnel
Milt Jackson – vibes
Joe Newman - trumpet
Jimmy Cleveland - trombone (tracks 1–3)
Cannonball Adderley - alto saxophone (tracks 1–3)
Frank Foster (tracks 1–3), Lucky Thompson (tracks 4–7) - tenor saxophone
Sahib Shihab - baritone saxophone (tracks 1–3)
Horace Silver - piano
Percy Heath (tracks 1–3), Oscar Pettiford (tracks 4–7) - bass
Art Blakey (tracks 1–3), Connie Kay (tracks 4––7) – drums
Quincy Jones - arranger (tracks 1–3)
Passage 6:
The Main Attraction (album)
The Main Attraction is an album by American jazz guitarist Grant Green featuring performances recorded in 1976 and released on the Kudu label 

Reception
The AllMusic review by Thom Jurek awarded the album two stars and stated "While it's true that this isn't one of Green's best records, it's not by any means his worst    Contrary to jazz critics' opinions, Green had nothing to be ashamed of on Main Attraction  If funky '70s soul-jazz is your thing, you won't go wrong with this one" 

Track listing
"The Main Attraction" (Don Grolnick, Steve Khan, Will Lee, David Matthews, Andy Newmark) - 19:35
"Future Feature" (Matthews) - 7:47
"Creature" (Grant Green) - 10:20Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey in March 1976 with additional recording at A&R Studios, NYC

Personnel
Grant Green - guitar
Burt Collins, Jon Faddis - trumpet
Sam Burtis - trombone
Hubert Laws - flute
Michael Brecker, Joe Farrell - tenor saxophone
Ronnie Cuber - baritone saxophone
Don Grolnick - electric piano, clavinet
Steve Khan - rhythm guitar
Will Lee - electric bass
Andy Newmark - drums
Carlos Charles - conga, percussion
Sue Evans - percussion
Dave Matthews - arranger, conductor
Passage 7:
It's What's Happenin'
It's What's Happenin' (subtitled The Varitone Sound of Clark Terry) is an album by American jazz trumpeter Clark Terry featuring performances recorded in 1967 for the Impulse! label   Remastered in 2012 to commemorate the 50th anniversary of Impulse! Records, it was reissued together with Terry's only other record for the label as a solo leader, The Happy Horns of Clark Terry 

Reception
The Allmusic review by Richard S  Ginell awarded the album 3 stars stating "Not many will bother to recall that Clark Terry was the first trumpeter to make a recording with Selmer's Varitone attachment -- an electronic hookup to an amplifier that allowed a horn player to play octaves  Though the instrument quickly fell out of favor after a very brief vogue, it still produced an attractively soulful sound that was a good fit with Terry's jaunty, slurry, note-bending manner    there is nothing unmusically sensational about anything that happens here " 

Track listing
All compositions by Clark Terry except where noted 

"Electric Mumbles" - 3:51
"Secret Love" (Paul Francis Webster, Sammy Fain) - 6:15
"Take Me Back to Elkhart" - 7:11
"Take the "A" Train" (Billy Strayhorn) - 5:03
"Tee Pee Time" - 6:25
"Grand Canyon Suite" (Ferde Grofé) - 7:05

Personnel
Clark Terry - Varitone trumpet
Don Friedman - piano
George Duvivier - bass
Dave Bailey - drums
Passage 8:
Foolin' Myself
Foolin' Myself is an album of trio performances by the American jazz pianist Jaki Byard recorded in 1988 and released on the Italian Soul Note label 

Reception
The Allmusic review by Ken Dryden awarded the album 2+1⁄2 stars, stating "While the pianist's technique is impressive as always, his songs are not as strong as on many of his other releases" 

Track listing
All compositions by Jaki Byard except as indicated"Suite 27: Waterfalls, Highways, Skyways, Waterways" - 5:11
"Oslo to Kristiansund to Malmo" - 3:10
"Searchlight No  2" - 9:22
"Stage I / Stage II" - 4:17
"Breath" (Ralph Hamperian) - 8:27
"Foolin' Myself" (Jack Lawrence, Peter Tinturin) - 3:50
"Land of Love" - 6:36Recorded at Sound Ideas Studios in New York City on August 25, 1988

Personnel
Jaki Byard – piano
Ralph Hamperian - bass
Richard Allen - drums
Passage 9:
Three for Shepp
Three for Shepp is an album by American saxophonist Marion Brown featuring performances recorded in 1966 for the Impulse! label



ground_truth: fleur - de-lis

Fleur-de-lis

fleur-de-lis

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the name of the castle in the city where the performers of Spirit If.. became a band?

The following are given passages.
Context 2:  The song was certified silver in the first week due to selling 200,000 units  The song remained at number two in its second week, selling 100,000 units  The song spent a further three weeks at number two, and spent fourteen weeks in the top ten altogether  As of September 2017, the song has sold 1 7 million combined units in the UK, 479,000 of these are actual sales, with 119 million streams  On the Scottish Singles Chart, "Castle on the Hill" debuted at number one, ahead of "Shape of You" The song debuted at number six on the Billboard Hot 100, selling 171,000 downloads and gaining 13 million streams in its debut week in the US  Sheeran also became the first artist to debut two songs in the top 10 in the same week in the history of the Hot 100, with "Shape of You" also debuting at number one  As of September 2017, "Castle on the Hill" has sold 821,000 downloads in the US 

Music video
"Castle on the Hill" was accompanied by a lyric video on 5 January 2017 with "Shape of You" upon its release  By March 2018, it had amassed over 300 million views on YouTube The official music video for the song was released on 23 January 2017  It was directed by George Belfield and produced by Tom Gardner, and it features a group of adolescents living their youth with parallels being made to Sheeran's own youth  The video was filmed throughout Suffolk with locations including Framlingham, Boyton marshes, Mildenhall Stadium and Felixstowe  The final shot shows Framlingham Castle  Ed Sheeran stated on The Graham Norton Show that the young man playing him in the video went to the same school as Sheeran, Thomas Mills High School 

In popular culture
The song was used in trailers and several TV spots for the 2017 animated film Ferdinand The song is also used in the first trailer and a few TV spots for the 2019 animated film How to Train Your Dragon: The Hidden World 

Formats and track listings
Digital download"Castle on the Hill" – 4:21Digital download – Acoustic"Castle on the Hill" (Acoustic) – 3:46Digital download – Live at the BRITs"Castle on the Hill" (Live at the BRITs) – 1:47German CD single"Castle on the Hill" – 4:21
"Castle on the Hill" (Acoustic) – 3:46Digital download – Seeb remix"Castle on the Hill" (Seeb remix) – 3:51Digital download – Throttle remix"Castle on the Hill" (Throttle remix) – 3:40Digital download – NWYR remix"Castle on the Hill" (NWYR remix) – 3:33

Charts
Certifications
Release history
See also
Lists of Scottish number-one singles of 2017
Passage 10:
Katzenstein Castle
Katzenstein Castle is one of the oldest remaining Hohenstaufen castles in Germany  It is located in a borough that shares its name with the castle in the Dischingen municipality of the Heidenheim district of Baden-Württemberg  The castle is open to visitors and contains several dining rooms as well as hotel rooms 

Location
This hill castle is located in the valley of a tributary of the Egau river on the Härtsfeld in Heidenheim district near an old Roman road running from Faimingen in Lauingen to Bopfingen known as the Frankensträßle (English: Frankish avenue)  Burg Katzenstein is located 538 metres (1,765 ft) above sea level 

History
In 1099, the Lords von Cassenstein were first mentioned   The family was a ministerial or unfree knightly family in the service of the Graf (or Count) von Dillingen  In 1262, Edlen von Hürnheim was listed as the owner of the castle von Katzenstein when it was sold by Hermann von Hürnheim-Katzenstein 
Ownership changed again in 1354 when the Graf von Oettingen acquired the castle   He quickly pawned the castle on the Graf von Helfenstein, who gave the castle to Berthold von Westerstetten in 1382   In 1572, the Katzenstein line wiped out the Westerstetten line   The inheritance of the Westerstetten family was sold again to the von Oettingen family 
The castle was burned to the ground by French soldiers in 1648, at the end of the Thirty Years' War  The castle was rebuilt in 1669 
Burg Katzenstein went to the Oettingen-Wallenstein line in 1798  Later, in 1810, the castle was taken over by the state of Württemberg and placed under the district of Neresheim 
Since 1939, the castle has been privately owned 

Sights
In 1973, the St Laurentius chapel was opened and cleaning began   Under the dirt and partially completed Baroque paintings, impressive Mediaeval paintings were discovered  The fresco paintings date from 1250 to 1280 and show the transition from Romanesque art to early Gothic art 

See also
List of castles in Baden-Württemberg
Passage 11:
Gowran Castle
Gowran Castle is located in the centre of Gowran, County Kilkenny, Ireland  The castle is a manor house and was fully restored between 2013 and 2014 

Early years
The first Gowran Castle was built in 1385 by James Butler, 3rd Earl of Ormond, close to the centre of the town of Gowran, Co  Kilkenny, Ireland  He made it his usual residence  James was called the Earl of Gowran  In 1391 he bought Kilkenny Castle and a large part of Co  Kilkenny  James died in Gowran Castle in 1405 and is buried in St  Mary's Collegiate Church Gowran together with his father James Butler, 2nd Earl of Ormond  His grandfather James Butler, 1st Earl of Ormond and his great-great-grandfather Edmund Butler, Earl of Carrick and 6th Chief Butler of Ireland  James the 2nd Earl was usually called The Noble Earl, being a great-grandson, through his mother, of King Edward I of England 
Gowran had been a settled place and a place of importance long before the arrival of the Normans in Ireland in 1169 A D  Kings of Ossory were often referred to as kings of Gowran  The Mac Giolla Padraig (Modern day family name Fitzpatrick), Chief Rulers of Ossory, had a residence in Gowran  O’Donnchadha (Dunphy) was the chief of Gowran and most of the area around it  Local place names like Rathvaun, Rathcash, Rathcusack, and Rathgarvan, signified the presence of raths where people lived, farmed and foraged for a livelihood  Raths were also burial places  Larger sites were called Duns  The village of Dungarvan (Co  Kilkenny) also in the parish of Gowran is another example of such a settlement  The presence of the 3rd/4th Century Christianised Ogham stone on display in the historic St  Mary’s Collegiate Church Gowran would also indicate a place of residence and worship dating back 2000 years 
There are other ancient sites close to Gowran  For example, nearby Tullaherin Church, graveyard and Round Tower dating to the 6th Century  Freestone Hill situated 4 km from Gowran was a Bronze Age and Iron Age settlement where Roman coins and other artefacts were found during archaeological surveys in 1948 and 1951 

Butler of Ormond Influence
The Butlers were in possession of the lands in the Gowran area for almost 500 years  Following the Norman Invasion of Ireland in 1169 a grant of 44,000 acres, the Manor of Gowran was made to Theobald Fitzwalter (Theobald Walter, 1st Baron Butler) 1st Chief Butler of Ireland 

Other Gowran Butler Castles
In addition to building Gowran Castle, the Butlers built other castles in the area such as Ballysean Castle (Sometimes spelt Ballyshawnmore, Ballysheanmor, Ballyshanemore) near the centre of Gowran, Neigham Castle 4 km from Gowran and Paulstown Castle situated between Gowran and Paulstown 3 km from Gowran 

Agar Family
Following the Cromwellian invasion in Ireland in 1650, Gowran was besieged by Oliver Cromwell  Gowran Castle was attacked and badly damaged  For the following 300 years, the Agar family were a major influence in the Gowran area  Several generations of the Agars occupied Gowran Castle and like the Butlers before them, many of them are buried in St  Mary’s Collegiate Church Gowran 

Time Line
489 AD - Kings of Ossory referred to as kings of Gowran had a residence in the area
754 - Battle of Bealach Gabhrán (Old name for Gowran)
938 - Gowran and the area around it was part of the ancient cantreds of Oskelan and Ogenty which formed part of the lands of Ossory  The Gowran area was occupied by the  O Dunphy clans  The Mac Giolla Padraig were the chief rulers of Ossory at the time 
1169 - After the Norman invasion the Manor of Gowran was 44 000 acres
1385 - James Butler, 3rd Earl of Ormond  builds a castle close to the town wall and makes it his usual residence 
1391 - James Butler, 3rd Earl of Ormond  bought Kilkenny Castle  and a large part of Kilkenny
1501 - Margaret FitzGerald, Countess of Ormond rebuilt Gowran Castle  She also decorated St  Mary's Collegiate Church Gowran 
1650 - Oliver Cromwell and his army attacks the Castle and badly damages it 
1710 - Lewis Chaigneau, a Dublin merchant owner of Gowran Castle has Gowran and Castle grounds surveyed  In the survey map produced, the castle and the walled town of Gowran are shown
1713 - Henry Agar builds a new castle close to the Butler Castle using materials from the former Castle 
1747 - Following the death of Henry Agar in 1746 his wife Ann offered for sale stock of Henry Agar decd, sheep, cattle horses, at Castle  Also, colts & fillies got on mares by horses from England  Henry inherited the Gowran Castle estate from his father James Agar in 1733  As a result of his marriage, he acquired an interest in the Ellis family's Dublin property on the R  Liffey between Arran Quay and Phoenix Park; this property later passed into the Agar family  He died on 18 November 1746  His widow married 2nd, 20 January 1753, George Dunbar of Co  Fermanagh, and died on 14 April 1765; she was buried in Christ Church Cathedral, Dublin, on 17 April 1765  Administration of her effects was granted by the Prerogative Court of Armagh to her second husband, on 11 September 1765 
1700s - By the end of the 1700s, many of the aristocracy had moved away from Ireland and lived in England following the 1798 rebellion 
1816–1819 - Henry Agar 2nd Viscount Clifden rebuilt the Castle (current building) to the designs of William Robertson 
1839 - The first Ordnance Survey of Ireland maps show the Gowran Castle Demesne containing 846 Acres, 2 Rood, 10 Perches of land 
1840 - Gowran Castle Cricket Club grounds were laid out sometime after 1840 by Lord Clifden  The first recorded cricket match was played there in 1842 
1876 - Henry George Agar -  Ellis, 4th Viscount Clifden, (Henry George was son of Henry Agar-Ellis, 3rd Viscount Clifden and great-grandson of Henry Wellbore Agar  - Ellis 2nd Viscount Clifden) Gowran Castle, is listed in Griffiths Valuation as owning 35,288 acres of land 
1900 - Ordnance Survey, showing the Gowran Castle and demesne lands of c 1000 acres, additional lands being added to the estate since the 1839 ordnance surveys 
1953 - On 19 February 1953 Thomas Derrig minister for lands was asked a question in Dail Eireann by Mr Crotty regarding the propriety of the Land Commission acquiring the Annaly Estate Gowran Co  Kilkenny for division  In his reply, the minister said that proceedings were in progress for the acquisition of 774 acres of the estate 
1957 - Gowran Castle and c 68 acres of land sold to James and Mary Moran by the Land Commission on 14 May 1957  The Moran family resided in the castle until it was sold in 1998 
1998 - Castle and c 65 acres offered for sale on 27 May at public auction  Tarajan Ltd , a company registered in the Isle of Man owned by a Northern Ireland developer Alastair Jackson purchased the property from Kevin Fennelly and Caitriona Fennelly (Nee Moran)  Following the sale of the property, applications were made by Tarajan to Kilkenny Co  Council to build houses on the estate 
1999 - Planning permission was refused by Kilkenny Co  Council for a housing development consisting of 156 dwellings on the site 
2004 - Planning permission was refused for a development which included the change of use of the Castle to a hotel, building 126 residential units, 23 holiday units and other developments 
2009 - The castle lay unoccupied and unprotected for the previous eleven years and was falling into dereliction  Concerns were expressed by the Gowran Development Association to the Kilkenny Co  Council and local elected representatives about the rapid deterioration of the Castle and its state of dereliction  At a public meeting in Gowran to discuss the Local Area Plan for Gowran, further concerns were expressed  Following the meeting, a Draft Local Area plan for Gowran was drawn up by Kilkenny  Co  Council 
2010 - There was a fire in the castle on 16 May 2010  Fortunately, the fire services were quickly alerted  Following their prompt arrival on the scene, the fire was brought quickly under control  Although considerable damage was caused by the fire, the castle was saved from total destruction On 20 December 2010 the Local Area Plan for Gowran, was approved by the Kilkenny  Co  Council  The plan was drawn up in consultation with local residents of Gowran  The Castle and area surrounding it was designated "Tourism and Amenity"   The area surrounding the castle is also an archaeologically sensitive area 2011 - Following the collapse of the Irish economy in 2008, the Castle portfolio was taken over by NAMA 
2012 - NAMA appointed Lisney as receivers to the  Castle Property Portfolio  The Castle Portfolio was offered for sale after the appointment of Sherry Fitzgerald auctioneers  Kilkenny partners were Mc Creery Auctioneers 
2013 - Castle sold  Restoration work begins on the castle

See also
St  Mary's Collegiate Church GowranThe History and Antiquities of the Diocese of Ossory  Vol 3  Rev  Canon William Carrigan 1905
Life Through our Viewfinder  Published by Dalton House Gowran 2009
Passage 12:
788 Hohensteina
788 Hohensteina is a main-belt asteroid discovered on 4 April 1914 by Franz Kaiser at Heidelberg-Königstuhl State Observatory  Named for castle Hohenstein located in the Taunus mountains 
Passage 13:
Let Your Spirit Fly
"Let Your Spirit Fly" is a song performed by Jan Johansen and Pernilla Wahlgren in Sweden's preselection for the Eurovision Song Contest, Melodifestivalen 2003  The song finished in second place 
The song was later covered by Ragni Malmsten and Philipp Kirkorov 

Charts
Passage 14:
Czocha Castle
Czocha Castle (pronounced Cho-ha [ˈt͡ʂɔxa], German: Tzschocha, Latin: Caychow) is a defensive castle in the village of Sucha (Gmina Lesna), Lubań County, Lower Silesian Voivodeship, in southwestern Poland  The castle is located on the Lake Leśnia, near the Kwisa river, in what is now the Polish part of Upper Lusatia  Czocha castle was built on gneiss rock, and its oldest part is the keep, to which housing structures were later added 

History
Czocha Castle began as a stronghold, on the Bohemian-Lusatian border  Its construction was ordered by Wenceslaus I of Bohemia, in the middle of the 13th century (1241–1247)  In 1253 castle was handed over to Konrad von Wallhausen, Bishop of Meissen  In 1319 the complex became part of the dukedom of Henry I of Jawor, and after his death, it was taken over by another Silesian prince, Bolko II the Small, and his wife Agnes (see Duchy of Silesia)  Origin of the stone castle dates back to 1329 
In the mid-14th century, Czocha Castle was annexed by Charles IV, Holy Roman Emperor and King of Bohemia  Then, between 1389 and 1453, it belonged to the noble families of von Dohn and von Kluks  Reinforced, the complex was besieged by the Hussites in the early 15th century, who captured it in 1427, and remained in the castle for unknown time (see Hussite Wars)  In 1453, the castle was purchased by the family of von Nostitz, who owned it for 250 years, making several changes through remodelling projects in 1525 and 1611  Czocha's walls were strengthened and reinforced, which thwarted a Swedish siege of the complex during the Thirty Years War  In 1703, the castle was purchased by Jan Hartwig von Uechtritz, influential courtier of Augustus II the Strong  On August 17, 1793, the whole complex burned in a fire  
In 1909, Czocha was bought by a cigar manufacturer from Dresden, Ernst Gutschow, who ordered major remodelling, carried out by Berlin architect Bodo Ebhardt, based on a 1703 painting of the castle  Gutschow, who was close to the Russian Imperial Court and hosted several White emigres in Czocha, lived in the castle until March 1945  Upon leaving, he packed up the most valuable possessions and moved them out 
After World War II, the castle was ransacked several times, both by soldiers of the Red Army, and Polish thieves, who came to the so-called Recovered Territories from central and eastern part of the country  Pieces of furniture and other goods were stolen, and in the late 1940s and early 1950s, the castle was home to refugees from Greece (see Greek Civil War)  In 1952, Czocha was taken over by the Polish Army  Used as a military vacation resort, it was erased from official maps  The castle has been open to the public since September 1996 as a hotel and conference centre  
The complex was featured in several movies and television series, including a popular 1963 comedy, Gdzie jest generał? (Where is the General?), Legenda, The Hexer (film), The Hexer (TV series), Beyond Sherwood Forest, Spellbinder and serial The Secret of the Cipher Fortress 
Since 2014 the castle is also used as a setting for College of Wizardry, a live action role-playing game (LARP) that takes place in their own universe and can be compared to Harry Potter  There was a hiatus in 2019 after ongoing issues within its founding organization threatened to end the series  However, a crowdfunding action saved the LARP and a new organizing team has continued organizing events at the castle 

Gallery
See also
List of castles in Poland
Passage 15:
Spirit Mountain Wilderness
Spirit Mountain Wilderness Area is a 33,518-acre (13,564 ha) wilderness area located in the Newberry Mountains in Clark County, Nevada, 10 miles (16 km) northwest of Laughlin  Spirit Mountain lies within the area   It is managed by the Bureau of Land Management and the National Park Service 
Most of the wilderness is located in the Lake Mead National Recreation Area, and all of it is within Avi Kwa Ame National Monument  The area is adjacent to both the Nellis Wash Wilderness Area and the Bridge Canyon Wilderness Area 
Ancient Native American petroglyphs abound in Grapevine Canyon, located just south of Spirit Mountain  Located within the Lake Mead National Recreation Area just west of the 67-mile-long Lake Mohave, Grapevine Canyon offers visitors the opportunity to see numerous abstract, anthropomorphic, and animal depictions pecked directly into the basalt rock near the mount of the canyon  A parking area with restrooms is provided and a about a half-mile walk through desert scrub is required to see the petroglyphs  Ranger-guided hikes are offered by National Park Service staff based at Katherine Landing, located on the east side of Lake Mohave 2 miles north of Bullhead City, Arizona, and accessed via Arizona Highway 95 and Highway 68   
The area was in the homeland of the Yuman Indians   Yuman and Mojave people believe all life began on this mountain, which is visible for miles from Bullhead City in Arizona, Needles in California, and  Laughlin, Cal-Nev-Ari, and Searchlight in Nevada  Descendants of the first Native Americans to reside in the area still live on the Fort Mojave Indian Reservation, located about 20 miles south of the Spirit Mountains Wilderness 
The United States Congress designated the Spirit Mountain Wilderness in 2002 

Notes
External links
Spirit Mountain Wilderness - NPS
Spirit Mountain Wilderness Fact Sheet - BLM
Passage 16:
Kevin Drew
Kevin Drew (born September 9, 1976) is a Canadian musician and songwriter who, together with Brendan Canning, founded the expansive Toronto baroque-pop collective Broken Social Scene  He was also part of the lesser-known KC Accidental, which consisted of Drew and Charles Spearin, another current member of Broken Social Scene 
Drew has shared in the direction of Broken Social Scene videos under the name Experimental Parachute Movement   In 2008 he wrote and directed a short film called "The Water," inspired by and starring his bandmate and former girlfriend Leslie Feist  In 2009, Drew contributed to the AIDS benefit album Dark Was the Night produced by the Red Hot Organization 
Drew grew up in west Toronto and attended the Etobicoke School of the Arts, along with Metric's Emily Haines, Stars' Amy Millan and novelist Ibi Kaslik, where he, Amy and Emily studied drama   He was married to Jo-ann Goldsmith, a social worker and an occasional trumpet player in BSS 
Drew's second solo album, Darlings, was released on March 18, 2014 On January 15, 2013, Drew announced in an interview that he had begun working on a new album with The Archies songwriter Andy Kim  The album, It's Decided, was released in 2015 Drew's third solo album, Influences, was released on July 16, 2021  He wrote the album while staying in England during 2020, using a music making smartphone app called Endlesss  The album was recorded and mixed on Drew's return to Canada 

Production
Drew and Dave Hamelin coproduced The Tragically Hip's album Man Machine Poem, and Gord Downie's subsequent solo album Secret Path 
Drew also produced Downie's final album Introduce Yerself and Reuben and the Dark's third album, un love 

Discography
Solo
Spirit If    (2007)
Darlings (2014)
Influences (2021) (as K D A P )

Broken Social Scene
Feel Good Lost (2001)
You Forgot It in People (2002)
Bee Hives (2004)
Broken Social Scene (2005)
Forgiveness Rock Record (2010)
Hug of Thunder (2017)

KC Accidental
Captured Anthems for an Empty Bathtub - (1998)
Anthems for the Could've Bin Pills - (2000)

Videography
Experimental Parachute Movement
Apostle of Hustle
Cheap Like Sebastian
Broken Social Scene
Ibi Dreams of Pavement (A Better Day)
Almost Crimes (with Chris Mills)
Cause=Time
Fire Eye'd Boy
Constantines
Our Age 2009
Stars
Your Ex-Lover is Dead
Bitches in Tokyo
Still Life Still
Pastel
The Most Serene Republic
Content Was Always My Favourite Colour
The Water (2009) Starring Cillian Murphy, David Fox & Feist
Passage 17:
Krimulda Castle
The Krimulda Castle (German: Burg Kremon) is located just outside Sigulda, Sigulda Municipality in the Vidzeme region of Latvia and is a tourist attraction  The castle dates from the 14th century and was destroyed in a war in 1601 
Prince Liven’s living house was built in the classic style  The manor complex consists of steward’s house, coach house, Swiss cottage, etc  Home wine tasting is available by prior arrangement 

History
During the 13th century, the left bank of the Gauja river was governed by the Order of the Brethren of the Sword,  (later known as the Order of Livonia), while the territories on the right bank were under the domain of the Archbishop of Riga  Krimulda castle belonged to the Riga High Council which was a group of twelve high priests who advised the archbishop 
Krimulda castle was built on the edge of a high bank on the right side of Gauja near the Vikmeste castle mound and the village of Livs  This placement made it nearly impossible to conquer  On one side it was protected by the steep valley wall of Gauja river, two additional sides were obstructed by the Vikmeste river, which had equally steep banks, and the fourth side bordered on a man-made ravine with a draw-bridge leading into the forecastle  The deep valley of the Vikmeste River also provided a natural borderline between the lands of Krimulda and Turaida 
The castle was built using large-sized boulders  The outer wall of the castle at ground level was about 2 meters/6–7 feet thick 
The castle was involved in a number of battles between the Livonian Order and the Archbishop of Riga as well as many of the later wars of Livonia  In the spring of 1601 during the Swedish-Polish war, it was conquered by the Swedish army  In the fall of that same year advancing Polish troops burned the castle down so it would not fall into the hands of the enemy  The castle was left unrepaired after the fire 
The castle regained purpose in the mid-19th century under the ownership of Prince Lieven, though not as a military fortification but as a romantic addition to a park 

Gallery
Krimulda Castle ruins in 2014 

See also
List of castles in Latvia
Sigulda Castle
Turaida Castle
Passage 18:
Edelweiss (song)
"Edelweiss" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music  It is named after the edelweiss, (Leontopodium nivale), a white flower found high in the Alps  The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp  In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II   It is a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss (Nazi annexation of their homeland)  It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria  In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children 
This was the final song of Rodgers and Hammerstein's musical collaboration as well as the last song written by Oscar Hammerstein II, who died in August 1960 

Writing
While The Sound of Music was in tryouts in Boston, Richard Rodgers felt Captain von Trapp should have a song with which he would bid farewell to the Austria he knew and loved  Rodgers and Oscar Hammerstein II decided to write an extra song that von Trapp would sing in the festival concert sequence towards the end of the show  As they were writing it, they felt this song could also use the guitar-playing and folk-singing talents of Theodore Bikel, who had been cast as the Captain  The Lindsay and Crouse script provides the metaphor of the simple edelweiss wildflower as a symbol of the Austria that Captain von Trapp, Maria, and their children knew would live on, in their hearts, despite the Nazi annexation of their homeland  The metaphor of this song builds on an earlier scene when Gretl presents a bouquet of edelweiss flowers to Baroness Elsa Schräder, during the latter's visit to the von Trapp household 
Rodgers provided a simple, yet haunting and affecting, waltz-time melody, to the simple Italian style ritornello lyric that Hammerstein wrote about the appearance of the edelweiss flower  "Edelweiss" turned out to be one of the most beloved songs in the musical, as well as one of the best-loved songs by Rodgers and Hammerstein 
"Edelweiss" is the last song Rodgers and Hammerstein wrote together; Hammerstein was suffering from stomach cancer, which took his life nine months after The Sound of Music opened on Broadway 

Film adaptation
Although the stage production uses the song only during the concert sequence, Ernest Lehman's screenplay for the film adaptation uses the song twice  Lehman created a scene that makes extra use of the song  This scene, inspired by a line in the original script by Howard Lindsay and Russel Crouse, calls for Captain von Trapp to sing "Edelweiss" with his children in their family drawing room and rediscover the love he felt for them, with Liesl accompanying him  Lehman also expanded the scope of the song when it was sung in the Salzburg Festival concert scene, so that Captain von Trapp and his family would call on the crowds to join in the song with him, in defiance of the Nazi soldiers posted around the arena 
Christopher Plummer played the part of Captain von Trapp in the film adaptation  However, his singing was overdubbed with the voice of Bill Lee despite Plummer recording the song himself  Plummer’s original vocals were discovered by a fan and first posted on YouTube  The Blu-Ray release included a small portion of Plummer’s un-dubbed performance  However, this version has yet to be released officially in its entirety 
An instrumental version of the song is also heard as the final song played during the party as Maria leaves to return to the abbey at the end of the first half of the film 

Austrian attitudes
The edelweiss is a popular flower in Austria and was featured on the old Austrian 1 schilling coin  It can also now be seen on the 2 cent Euro coin  The flower is protected in Austria and illegal to pick  An "edelweiss" is also worn as a cap emblem by certain Austrian Army and the German Gebirgsjäger (mountain troopers) units stationed in the nearby Bavarian Alps In the original run, the musical The Sound of Music was treated with disdain by Austrians, and the song "Edelweiss" has been singled out for criticism  When US President Ronald Reagan quoted the song in 1984 to toast Austrian President Rudolf Kirchschläger, Austrian newspapers complained that the song was full of clichés and called it "kitsch " When the musical premiered on the national stage in Vienna in 2005, one critic called it "boring" and another referred to "Edelweiss" as "an insult to Austrian musical creation " However, attitudes have improved as film tourism became a bigger attraction than Salzburg's attraction for being the birthplace of Wolfgang Amadeus Mozart  When the musical premiered in Salzburg in 2011, most performances were sold out 

Misconceptions
The great popularity of the song has led many of its audience to believe that it is an Austrian folk song or even the official national anthem  However, Austria's official anthem is "Land der Berge, Land am Strome", and the anthem used from 1929 until the Anschluss was "Sei gesegnet ohne Ende" 
There is similar confusion about another song co-authored by Hammerstein, "Ol' Man River" from the musical Show Boat, which is widely (though erroneously) believed to be an African-American spiritual  The similarity between the misconceptions about the two songs has been noted by two writers, both of whom see it as testament to Hammerstein's talents  Alyson McLamore, in her book Musical Theater: An Appreciation, writes, "The last song to be written for the show was 'Edelweiss,' a tender little homage to a native flower of Austria that has the effect of authentic Austrian folksong, much as 'Ol' Man River' struck listeners as a genuine African American spiritual " Hugh Fordin, in his biography of Oscar Hammerstein, writes about "the ability of the authors to simulate the quality of an authentic folk song    'Ol' Man River' had the ring of a black laborer's song    Thirty years later, 'Edelweiss' was widely believed to be an old Austrian song, though Oscar   composed it for the Sound of Music "Theodore Bikel, in his autobiography, Theo (2002), wrote that, after a performance, he was once approached by a native Austrian who said, "I love that Edelweiss" and then added, with total confidence, "Of course, I have known it for a long time, but only in German" Another misconception about the song is that it is a real-life Nazi anthem, even though "Edelweiss" is not a pro-Nazi song within the context of The Sound of Music, nor did the song even exist during the Nazi era 

Legal problems
The estates of Rodgers and Hammerstein have not authorized the use of alternative lyrics with the melody of the song, making certain commercial uses of those versions potentially infringing if they do not fall under fair use  Rodgers stated that "he would take legal action against any group" using the "Edelweiss" melody with altered words; the current rightsholders comply with his wishes, refusing to grant permission for these commercial requests, which are "inconsistent with the creators' intentions" 

Other versions
Josephine Siao (蕭芳芳) performed a Chinese (Cantonese) version in the 1967 movie Lightning Killer (閃電煞星) 
Theodore Bikel, who originated the role of Captain von Trapp on Broadway, performed "Edelweiss" (as a duet with Mary Martin) on the original cast album and included it in his album, In My Own Lifetime – 12 Musical Theater Classics 
The English singer Vince Hill reached #2 in the UK Singles Chart in 1967 with his cover version of the track 
Julie Andrews has recorded it for her Richard Rodgers tribute album Broadway: The Music of Richard Rodgers 
Andy Conaghan recorded the song for ABC Classics as part of a compilation album, I Dreamed a Dream: The Hit Songs of Broadway in 2013 
Stephen Moyer performed the song as part of his role as Captain Georg von Trapp during the December 2013 television broadcast of The Sound of Music Live! on NBC 
The song was frequently performed by The von Trapps, the real life great-grandchildren of the Captain and Maria  It appears on their A Capella album and on their 2014 album, the latter of which is also a duet with Charmian Carr (who played Liesl in the movie) 
A performance by Jeanette Olsson is used as the opening sequence music for the Amazon Original Series The Man in the High Castle 
Victor Garber, as his character Martin Stein impersonating Max Lorenz in a Nazi-run Parisian nightclub, sang a cover of this song in Legends of Tomorrow 
Context 3: 

Reception
The Allmusic review by Thom Jurek awarded the album 4½ stars, stating: "Marion Brown's Three for Shepp is the image-in-the-mirror companion to Archie Shepp's Four for Trane recorded the year before  The program is equally divided between Brown's originals, which occupy the first half of the album, and Shepp tunes that take up the latter half  What is immediately striking is how similar in tone, color, and texture the two men were when it came to composition  Brown arms himself here with crack bands for these recordings    This is a classic Impulse! recording of the period by an overlooked master "The authors of the Penguin Jazz Guide wrote: "Brown's Impulse! records are routinely overlooked    In the wake of this, his first successful record, Brown took to the road, playing tirelessly but curbing his studio activities  Impulse! had already released Shepp's Four For Trane  This was explicitly intended as a companion project and its arresting opening    establishes it as one of the most inventive in the label's distinguished catalogue    Brief as it is at just 35 minutes, Three For Shepp is so densely packed with musical information that it takes many, many listens to deconstruct: a living lesson in musical history, a passionate manifesto for the future "A reviewer at SoundOhm included the album in the "Best of 2019" playlist, and stated: "Three For Shepp balances fiery energy and delicate precision    Even this early in his career, Brown stood apart from his peers in "the new thing " His solos were as gentle as they were furious  Informed by the African American folk traditions of his native Georgia and an enthusiastic embrace of the avant-garde, his music would confront and challenge society  As Brown says in the original liner notes, 'The music is definitely a part of what's going on in the black revolution in America '  Three For Shepp still sounds crucial today (over 50 years later) and remains a vital statement of jazz's past, present and future "

Track listing
All compositions by Marion Brown except as noted

"New Blue" - 5:11
"Fortunato" - 8:54
"The Shadow Knows" - 3:04
"Spooks" (Archie Shepp) - 4:32
"West India" (Shepp) - 6:24
"Delicado" (Shepp) - 6:38

Personnel
Marion Brown - alto saxophone
Grachan Moncur III - trombone
Dave Burrell (tracks 1-3), Stanley Cowell (tracks 4-6) - piano
Norris Jones - bass
Bobby Capp (tracks 1-3), Beaver Harris (tracks 4-6) – drums
Passage 10:
Benny Golson's New York Scene
Benny Golson's New York Scene is the debut album by saxophonist Benny Golson featuring performances recorded in late 1957 and originally released on the Contemporary label 

Reception
John S  Wilson's contemporaneous review was positive, noting that both quintet and nonet bands feature "Farmer playing with broad authority no matter what the fare at hand while Golson's warm, dark lines flare and glide through all the pieces " Scott Yanow of Allmusic stated, "this underrated gem served as a strong start to Benny Golson's influential solo career" 

Track listing
All compositions by Benny Golson except as indicated "Something in B flat" (Ray Bryant) - 6:04
"Whisper Not" - 6:01
"Step Lightly" - 6:54
"Just by Myself" - 4:12
"Blues It" - 6:52
"You're Mine, You" (Johnny Green, Edward Heyman) - 4:22
"Capri" (Gigi Gryce) - 3:59
"B G 's Holiday" - 5:34 Bonus track on CD

Personnel
Benny Golson - tenor saxophone
Art Farmer - trumpet
Jimmy Cleveland - trombone  (tracks 2, 4 & 7)
Julius Watkins - French horn (tracks 2, 4 & 7)
Gigi Gryce - alto saxophone (tracks 2, 4 & 7)
Sahib Shihab - baritone saxophone (tracks 2, 4 & 7)
Wynton Kelly - piano
Paul Chambers - bass
Charlie Persip - drums
Passage 11:
Tarot Classics
Tarot Classics is an EP by Florida-based indie rock band Surfer Blood released on October 25, 2011, on Kanine Records  It is their last release for Kanine 

Reception
Tarot Classics received generally favorable reviews from music critics 

Track listing
All songs written by John Paul Pitts, Thomas Fekete, Tyler Schwarz and Kevin Williams, except as noted 

I'm Not Ready (John Paul Pitts, Thomas Fekete, Tyler Schwarz)
Miranda
Voyager Reprise
Drinking Problem
Voyager Reprise (Another Summer of Love Remix)
Drinking Problem (Speculator Remix)
Passage 12:
Soundsigns
Soundsigns is an album by the American jazz saxophonist Dewey Redman of performances recorded in 1978 for the Galaxy label 

Reception
The Allmusic review by Scott Yanow awarded the album 3 stars stating "Recorded at the same sessions that resulted in Musics, this LP (which has not yet been reissued on CD) is actually more exploratory" 

Track listing
All compositions by Redman except as indicated"Piece for Tenor and Two Basses"  - 8:23
"Half Nelson" (Miles Davis) - 10:07
"Adesso Lo Sai" - 13:59
"Come Earth" - 8:00Recorded at Fantasy Studios in Berkeley, California on October 18 & 19, 1978

Personnel
Dewey Redman - tenor saxophone (tracks 1-3), harp (track 4)
Fred Simmons - piano (tracks 2 & 3)
Charlie Haden (tracks 1 & 4), Mark Helias - bass
Eddie Moore - drums, saw, cymbal (tracks 2-4)
Passage 13:
Tijuana Jazz
Tijuana Jazz is an album by American jazz vibraphonist Gary McFarland and trumpeter Clark Terry featuring performances recorded in 1965 for the Impulse! label  The album was also released in the UK on the HMV label as CLP3541



ground_truth: Casa Loma

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What is the record label for the band which performed Pythons?

The following are given passages.
Context 3: 

Reception
The AllMusic review by Scott Yanow awarded the album 3 stars stating: "McFarland's arrangements are fine, but the solos are quite short, and the Mexican-flavored music is not particularly memorable  A blown opportunity" 

Track listing
All compositions by Gary McFarland except as indicated"South of the Border" (Jimmy Kennedy, Michael Carr) - 2:06
"Acapulco at Night" - 2:52
"Fantastic, That's You" (George Cates, George Douglas) - 2:54
"Limehouse Blues" (Philip Braham, Douglas Furber) - 3:37
"Tijuana" (Cates, Douglas) - 2:09
"Marcheta" (Victor Schertzinger) - 2:55
"Granny's Samba" - 3:30
"Soul Bird (Tin Tin Deo)" (Gil Fuller, Chano Pozo) - 4:01
"Mexicali Rose" (Jack Tenney, Helen Stone) - 2:27
"Ira Schwartz's Golden Dream" - 3:32
"Mary Jane" - 3:05
"Sweet Georgia Brown" (Ben Bernie, Kenneth Casey, Maceo Pinkard) - 2:06Recorded in New York City on December 3, 1965 (tracks 1, 2, 6 & 9), December 6, 1965 (tracks 4, 8, 11 & 12), and December 7, 1965 (tracks 3, 5, 7 & 10)

Personnel
Gary McFarland – marimba, electric piano
Joe Newman, Clark Terry - trumpet, flugelhorn
Bob Brookmeyer – valve trombone
Toots Thielemans - harmonica, guitar
Barry Galbraith - guitar
Bob Bushnell – electric bass
Mel Lewis, Grady Tate – drums
Passage 14:
More Blues and the Abstract Truth
More Blues and the Abstract Truth is an album by American jazz composer, conductor and arranger Oliver Nelson featuring performances recorded in 1964 for the Impulse! label 

Reception
The Allmusic review by Scott Yanow awarded the album 4 stars, stating: "Unlike the original classic Blues and the Abstract Truth set from three years earlier, Oliver Nelson does not play on this album  He did contribute three of the eight originals and all of the arrangements but his decision not to play is disappointing    The emphasis is on blues-based pieces and there are some strong moments even if the date falls short of its predecessor" 

Track listing
All compositions by Oliver Nelson except as noted

"Blues and the Abstract Truth" - 5:14
"Blues O'Mighty" (Hodges) - 6:48
"Theme from Mr  Broadway" (Brubeck) - 5:45
"Midnight Blue" (Neal Hefti) - 4:06
"The Critic's Choice" - 2:21
"One for Bob" - 6:07
"Blues for Mr  Broadway" (Brubeck) - 8:12
"Goin' to Chicago Blues" (Count Basie, Jimmy Rushing) - 4:37
"One for Phil" - 3:58 Bonus track on CD reissue
"Night Lights" (Arnold Shaw) - 2:46 Bonus track on CD reissueRecorded on November 10, 1964 (tracks 4 & 6–9), and November 11, 1964 (tracks 1–3, 5 & 10) 

Personnel
Oliver Nelson - arranger, conductor
Thad Jones, Danny Moore (tracks 1 & 5) - trumpet
Phil Woods - alto saxophone
Ben Webster - tenor saxophone (tracks 4 & 7)
Phil Bodner - tenor saxophone, English horn
Pepper Adams - baritone saxophone
Roger Kellaway - piano
Richard Davis – bass
Grady Tate – drums
Passage 15:
Groovin' with Golson
Groovin' with Golson is the sixth album by saxophonist Benny Golson featuring performances recorded in 1959 and originally released on the New Jazz label 

Reception
The Allmusic review by Scott Yanow states, "the hard bop music does indeed groove in its own fashion" 

Track listing
All compositions by Benny Golson except where noted 

"My Blues House" - 9:25
"Drum Boogie" (Roy Eldridge, Gene Krupa) - 3:59
"I Didn't Know What Time It Was" (Richard Rodgers, Lorenz Hart) - 5:25
"The Stroller" - 9:18
"Yesterdays" (Jerome Kern, Otto Harbach) - 5:54

Personnel
Benny Golson - tenor saxophone
Curtis Fuller - trombone
Ray Bryant - piano
Paul Chambers - bass
Art Blakey - drums
Passage 16:
At the Village Vanguard
At the Village Vanguard (subtitled You Took the Words Right Out of My Heart) is a live album by jazz drummer Paul Motian recorded at the Village Vanguard and originally released on the German JMT label  Recorded in 1995 it features performances by Motian with guitarist Bill Frisell and tenor saxophonist Joe Lovano  The album was rereleased on the Winter & Winter label in 2005 

Reception
The Allmusic review by Thom Jurek awarded the album 3½ stars, stating: "This is a prime Motian date, not to be missed this time around" 

Track listing
All compositions by Paul Motian except as indicated

"You Took the Words Right Out of My Heart" (Ralph Rainger, Leo Robin) - 7:58
"Abacus" - 9:38
"Folk Song for Rosie" - 10:19
"The Owl of Cranston" - 8:30
"5 Miles to Wrentham" - 4:46
"Yahllah" - 14:16
"The Sunflower" - 8:33
"Circle Dance" - 5:04Recorded at the Village Vanguard in New York City in June 1995

Personnel
Paul Motian - drums
Bill Frisell - electric guitar
Joe Lovano - tenor saxophone
Passage 17:
Thinking of Home
Thinking of Home is an album by jazz saxophonist Hank Mobley recorded on July 31, 1970 but not released by the Blue Note label until 1980  It features performances by Mobley with trumpeter Woody Shaw, pianist Cedar Walton, guitarist Eddie Diehl, bassist Mickey Bass, and drummer Leroy Williams  This was Mobley's 26th (and final) recording for Blue Note 

Reception
Allmusic awarded the album 4½ stars and the review by Scott Yanow stated "It is only fitting that Hank Mobley would record one of the last worthwhile Blue Note albums before its artistic collapse (it would not be revived until the 1980s) for his consistent output helped define the label's sound in the 1960s" On All About Jazz Richton Guy Thomas said "this is a fitting farewell session  It features the powerful trumpet playing of Woody Shaw and the exciting pianist Cedar Walton  Hank Mobley's playing has a fire that ought to remind you of the Jazz Messengers, as it should since he was one of the original members of the group     Thinking of Home should remind diehard jazz fans (and enlighten those newer to the genre) that Mobley was an innovative and stimulating tenor saxophonist who consistently swung" 

Track listing
All compositions by Hank Mobley except where noted

"Suite: Thinking of Home/The Flight/Home at Last" - 10:06
"Justine" - 13:04
"You Gotta Hit It" - 5:34
"Gayle's Groove" (Mickey Bass) - 5:33
"Talk About Gittin' It" - 8:38

Personnel
Hank Mobley — tenor saxophone
Woody Shaw — trumpet
Cedar Walton — piano
Eddie Diehl — guitar
Mickey Bass — bass
Leroy Williams — drums
Passage 18:
Opus de Jazz
Opus de Jazz (subtitled A Hi-Fi Recording for Flute, Vibes, Piano, Bass, Drums) is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1955 and released on the Savoy label 

Reception
The AllMusic review by Scott Yanow stated: "This is not essential, but it is enjoyable music "

Track listing
"Opus de Funk" (Horace Silver) – 13:28
"Opus Pocus" (Ozzie Cadena) – 7:25
"You Leave Me Breathless" (Ralph Freed, Frederick Hollander) – 6:27
"Opus and Interlude" (Cadena) – 6:30Recorded in New York City on October 28, 1955

Personnel
Milt Jackson – vibes
Frank Wess – tenor saxophone, track 2; flute, tracks 1, 3 and 4
Hank Jones – piano
Eddie Jones – bass
Kenny Clarke – drums
Passage 19:
The Jazz Skyline
The Jazz Skyline is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1956 and released on the Savoy label 

Reception
The Allmusic review by Bob Rusch states: "This session has interest as an example of Milt Jackson's mid-'50s work in a non-Modern Jazz Quartet context  And despite the many critical assertions that the vibist was restrained by pianist John Lewis' direction, his playing here revealed no marked change" 

Track listing
"Lover" (Lorenz Hart, Richard Rodgers) - 7:45
"Can't Help Lovin' Dat Man" (Oscar Hammerstein II, Jerome Kern) - 4:35
"The Lady Is a Tramp" (Hart, Rodgers) - 7:18
"Angel Face" (Hank Jones) - 6:38
"Sometimes I'm Happy" (Irving Caesar, Vincent Youmans) - 7:15
"What's New?" (Johnny Burke, Bob Haggart) - 3:51

Personnel
Milt Jackson – vibes
Lucky Thompson - tenor saxophone
Hank Jones - piano
Wendell Marshall - bass
Kenny Clarke – drums
Passage 20:
Jazz Contemporary
Jazz Contemporary is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1960 and released on the Time label  The album features the recording debut of pianist Steve Kuhn 

Reception
The Allmusic review by Scott Yanow awarded the album 2½ stars and stated "The results are not quite essential but everyone plays up to par    It's fine hard bop, the modern mainstream music of the period" 

Track listing
All compositions by Kenny Dorham except as indicated"A Waltz" - 5:34
"Monk's Mood" (Thelonious Monk) - 8:09
"In Your Own Sweet Way" (Dave Brubeck) - 8:01
"Horn Salute" - 8:27
"Tonica" - 2:57
"This Love of Mine" (Sol Parker, Henry W  Sanicola Jr , Frank Sinatra) - 6:49Bonus tracks on CD reissue:

"Sign Off" - 5:29
"A Waltz" [alternate take] - 5:36
"Monk's Mood" [alternate take] (Monk) - 2:53
"This Love of Mine" [alternate take] (Parker, Sanicola, Sinatra) - 7:55Recorded on February 11 (tracks 2, 3, 7, 8, 10) and February 12, 1960 (tracks 1, 4-6, 9) 

Personnel
Kenny Dorham - trumpet
Charles Davis - baritone saxophone
Steve Kuhn - piano
Jimmy Garrison (tracks 2, 3, 7, 8 & 10), Butch Warren (tracks 1, 4-6 & 9)  - bass
Buddy Enlow - drums



ground_truth: Kanine Records