prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who started out his career on adult contemporary radio along with the performer of All That Echoes?

The following are given passages.
Context 1: Passage 1:
CJRL-FM
CJRL-FM is a Canadian radio station, broadcasting at 89 5 FM in Kenora, Ontario  The station broadcasts an adult contemporary format branded as 89 5 The Lake 
The station was originally launched in 1938 as CKCA 1420 kHz  In 1941, CKCA moved to 1450  In 1943, Kenora Broadcasting Co  Ltd  took ownership of CKCA and changed the frequency to 1220 with a new callsign CJRL 
CJRL went through different ownerships over the years 
In 2004, CJRL was given approval by the CRTC to convert to 89 5 FM and began broadcasting in November 2004 as 89 5 Mix FM  Following the flip to FM, the station shifted format to adult contemporary from hot adult contemporary 
Formerly owned and operated by Fawcett Broadcasting, the station was acquired in 2007 by Acadia Broadcasting Limited of Saint John, New Brunswick 
As of June 30, 2011, CJRL was rebranded 89 5 The Lake, continuing as an adult contemporary station, the station's playlist now primarily includes pop and rock hits from the 1970s to today  Following the unexpected passing of Charlie Tuna in early 2016, the 70's Show that aired on weekends was replaced with the Totally Awesome 80's show with Kent Jones 
Passage 2:
KLAG
The following is a list of full-power radio stations, HD Radio subchannels and low-power translators in the United States broadcasting K-Love programming, which can be sorted by their call signs, frequencies, city of license, state and broadcast area 

Blue background indicates a low-power FM translator 
Gray background indicates an HD Radio subchannel 

External links
Master Station List
Passage 3:
WAJI
WAJI (95 1 FM) is a commercial radio station broadcasting an adult contemporary format  Licensed to Fort Wayne, Indiana, United States, the station is owned by Bloomington–based Sarkes Tarzian, Inc WAJI broadcasts in HD, with its HD2 channel simulcasting sister station WGBJ, and its HD3 channel broadcasting a "Top 20" CHR format 

History
WAJI was known as WPTH throughout the 1960s and 1970s as a sister station to WPTA television, and in the summer of 1974 branded themselves as "Rock 95", using TM Productions' "Stereo Rock" Top 40 reel to reel automation package  The station went live in 1979, and changed calls in 1981 to WFWQ (95Q), continuing to do battle with 97 3 WMEE for the Top 40 audience in Fort Wayne  The station mellowed to Adult Contemporary, eventually changing to its current WAJI calls and imaging in 1985  "Majic 95" soon once again became one of Fort Wayne's top-rated stations, reaching #1 in the market several times during the late 1980s 
On March 20, 2014, the first day of spring WAJI changed names to BEST FM 95 1 WAJI reflecting the music they play today 
The station lineup consisted of "The BEST-FM Morning Show" with Sid Kelly, Angie Nash and James Raggi   Mandi Michaels, Program Director Dan Kennedy and Dave B  Goode (who also serves as the station's Promotions Director) 
Angie Nash spent the previous ten years of her career at cross-town WJFX Hot 107 9 before joining the morning show   Afternoons were handled by Dan Kennedy who also serves as the stations Director of Programming   Kennedy was VP/Programming for five station Grenax Broadcasting in Arizona prior to his arrival in Fort Wayne in 2012  Dave B  Goode hosts weeknights after spending several years at stations such as crosstown WBTU and WNHT  Dave also serves as the station's Promotions Director 
After changing formats, BEST-FM has brought in several new staff members  On June 23, 2014 it was announced that James Raggi would join Angie Nash for mornings after spending three years as an intern/producer in Boston on Kiss 108 
In September 2014 Mandi Michaels joined the staff as the new mid-day personality 
On October 24, 2014 Best FM announced the hiring of Sid Kelly  Sid was brought in to be the new host of the morning show, joining Angie and James  Sid Kelly came to WAJI after spending 3 and-a-half years at WVKS 92 5 Kiss FM in Toledo 
In July 2015 Program Director/afternoon personality Dan Kennedy announced he was leaving the station after 4 years to take a job outside of radio 
In September 2015 Captain Chris (Didier) Program Director of sister station WLDE, Fun 101 7 was named Program Director for WAJI and Operations Manager for the all 3 Fort Wayne, IN, Sarkes Tarzian radio stations 
On September 4, 2015, 95 1 rebranded back to "Majic 95 1"  The new Majic is being positioned as “Songs You Can Sing Along To” and comes with the exit of several staffers over the previous few weeks, with the first song being "You and Me" by Lifehouse  Program Director Dan Kennedy left in July for a non-radio industry position  Morning host Sid Kelly, producer James Raggi, and middayer Mandi Michaels were let go earlier that week leading up to the change  Later on, they changed their slogan to "Songs that make you feel good" 
The current WAJI line-up consists of Angie Nash, Andy Beckman, and Katrina Walburn live in mornings  According to WAJI, Katrina Walburn helps you through the Afternoons, and Andy and "Kat" in the morning do a live podcast from 5:30 AM to 10 AM EDT and EST 
On September 8, 2022, WAJI moved its CHR format and "The Twenty FM" branding from its HD2 subchannel to its HD3 subchannel 

Awards and charitable activities
In 2002, Majic 95 1 began an annual 2-day telethon called the "Majic Riley Radiothon" to raise funds for Riley Hospital for Children in Indianapolis, Indiana  In 2006,  this fundraising effort expanded to include local Fort Wayne recording facility Sweetwater Studios  The radio station and recording studio partnered to record live, acoustic music from nationally recognized artists and bands traveling through Fort Wayne  These recordings, along with others, have been used to produce an ongoing series of "Majic Miracle Music" charity CDs  100% of proceeds from the sale of these CDs benefits Riley Hospital for Children  Artists who recorded at Sweetwater Studios for "Majic Miracle Music" CDs include REO Speedwagon, Ingrid Michaelson, Lenka, Aimee Allen, Jars of Clay, Rick Springfield, Ben Jelen, Josh Kelley, Sara Bareilles, Jon McLaughlin, Gin Blossoms, and Collective Soul In 2005, 2006 and again in 2007, WAJI won Radio&Records Hot AC station of the year for their community support and programming excellence 
In late 2010, WAJI MidDay Host Barb Richards received the Bob Lind Supporter of the Year national award from the Children's Miracle Network for her active involvement in helping Riley Hospital for Children with the Majic Riley Radiothon, Majic Miracle Music releases, and involvement in other Riley Hospital-related activities In 2011, WAJI Program Director Dan Kennedy received the distinguished Edison 30 Under 30 Award for his programming achievements under the age of 30   He was also awarded the Copper Radio Award for his service to the communities of Arizona while programming a group of stations in that state  In 2015, WAJI Program Director Dan Kennedy was awarded the Fort Wayne 40 Under 40 award for service and excellence to the community 

Previous logo
Passage 4:
WEBZ
WEBZ (99 3 FM) is a commercial urban adult contemporary radio station located in Mexico Beach, Florida (Panama City metro)  The station is owned by iHeartMedia 

External links
Official Website

WEBZ in the FCC FM station database
WEBZ on Radio-Locator
WEBZ in Nielsen Audio's FM station database
Passage 5:
Light Sings
"Light Sings" is a song written by Will Holt and Gary William Friedman and performed by The 5th Dimension   It reached #12 on the U S  adult contemporary chart, #15 on the Canadian adult contemporary chart, #22 on the Canadian pop chart, and #44 on the Billboard Hot 100 in 1971   It was featured on their 1971 album, Love's Lines, Angles and Rhymes The song was produced by Bones Howe and arranged by Bob Alcivar 

In media
The song was featured in the 1970 musical, The Me Nobody Knows 
Passage 6:
All That Echoes
All That Echoes is the sixth studio album by American singer-songwriter Josh Groban, produced by Rob Cavallo  The album debuted at number one on the Billboard 200, selling 145,000 copies in its first week  The album has sold 532,000 copies in the United States as of April 2015 

Background
On November 18, 2012, the album was announced, revealing the cover art, title, and date of release: February 5, 2013  It was available for preorder through retailer Amazon com on November 27  Groban has recorded cover songs by Stevie Wonder and Glen Hansard for the album  The first track, "Brave", was released as a single on December 18, 2012  Groban promoted the album with the All That Echoes World Tour 

Track listing
Personnel
Josh Groban – vocals, piano, e-bow, additional drums
Curt Bisquera – drums
Chris Chaney – bass guitar
Tim Pierce – guitar
Ramon Stagnaro – acoustic guitar, charango
Carlos del Puerto – bass guitar
Arturo Sandoval – trumpet
Walter Afanasieff – piano
Paul Bushnell – bass guitar
Luis Conte – percussion
Matt Chamberlain – drums
Eleanore Choate – harp
Sean Hurley – bass guitar
Jamie Muhoberac – keyboards, piano
Abe Laboriel Jr  – drums, percussion
Rob Cavallo – acoustic guitar, piano, additional bass guitar
Dan Chase – drum programming, synthesizer
André Manga – bass guitar
Eric Rigler – bagpipes, low whistle
Lester Mendez – synthesizer, programming

Charts
Certifications
Passage 7:
WOKH
WOKH (102 7 FM) is an adult contemporary–formatted radio station licensed to serve Springfield, Kentucky, as well as Lebanon and Bardstown  The station is owned by Bardstown Radio Team, LLC as part of a duopoly with Bardstown–licensed country music station WBRT (1320 AM)  The two stations share studios on South Third Street in downtown Bardstown, while its transmitter facilities are located off Lanham Road in rural Washington County west of Springfield 

History
Choice Radio sold WOKH to current ownership Bardstown Radio Team, owner of WBRT, in 2017 The station has been assigned these call letters by the Federal Communications Commission since January 12, 2006 

Previous logos
Passage 8:
WNWZ
WNWZ (1410 AM, "Magic 104 9") is a radio station broadcasting an urban contemporary format, licensed to Grand Rapids, Michigan 
The station is simulcast on FM translator W285FO (104 9), licensed to Grand Rapids 

History
WGRD
The station first began broadcasting under the WGRD call sign in 1948  As AM 1410 was originally a daytime-only station, the WGRD calls stood for Grand Rapids Daytime  The station adopted the Top 40 music format in 1959 and was a top-rated station in the Grand Rapids market during the late 1950s and early 1960s, though the station had lost ground to WLAV 1340 and WZZM-FM 95 7 by the end of the decade  WGRD made a number of format adjustments in the mid-1960s in response to its falling ratings, shifting to an adult contemporary format in 1964 and then to a Top 40/oldies mix the following year before tweaking back to Top 40 in 1967  WGRD reclaimed its market dominance after it added an FM signal at 97 9 MHz in 1971 (formerly WXTO), though AM 1410 was relegated to being a simulcast of the FM signal mornings and afternoons  For part of that time middays were "shadowcast " Same format, different dj 

WXQT/Great Gold 14-K
In 1981, WGRD dropped its simulcast (middays were shadowcast) of the FM station and switched to a "Big Band" Music of Your Life format as WXQT  In 1984, WXQT flipped to oldies as "GREAT GOLD 14-K",  which stood for "14 Karat Gold", focusing on pop oldies from 1958-1972  Under the direction of PD Allen Jackson, "The NEW 14-K" featured Jack Stack (who had done mornings on WGRD and WLAV back in the 1960s) mornings, Rich Kennedy middays, Larry Olek afternoons and Pugs Stella evenings  The station earned a respectable 2 4 share 12+ in the Summer 1984 Arbitron  In 1986, the local lineup was dropped in favor of the ABC/Satellite Music Network "Pure Gold" satellite format  Ratings crashed to a 0 9 share in the summer of 1986 Arbitron, under the new call sign WKTH 

More changes
In 1988, the station adopted Satellite Music Network's Z-Rock format, keeping the WKTH call letters  The station reverted to the WGRD calls in 1991, moving back to a simulcast of 97 9 FM's CHR format (which changed to Modern Rock in 1994)  In 1996, WGRD changed calls to WRCV and switched to ABC Radio's syndicated "Real Country" format  The station continued to be a non-factor in the ratings  In September 1998, 1410 changed its calls to WNWZ and adopted a simulcast of CNN Headline News, which was replaced by News/Talk in October 2001 (mostly syndicated from the Michigan Talk Radio Network) 

La Maquina Musical
A Spanish pop hits format was adopted on January 1, 2003, and was somewhat successful in the ratings given its poor signal, often ranking as Grand Rapids' third most popular AM station (behind only WOOD and WBBL) (see: 1)  WNWZ was the first radio station to cater to the Spanish-speaking community in Grand Rapids 24 hours a day  In August 2010, a reunion of more than 60 former WGRD staff members was held in Grand Rapids, which included market legend Bruce Grant, the original program director from 1948, and dozens of other personalities from the AM 1410/97 9 history 

Funny 1410
On November 14, 2011, the station changed its format to comedy calling itself "Funny 1410" 

Touch 1410
On August 3, 2013, WNWZ flipped to Urban Adult Contemporary, branded as "The Touch"  The station became the West Michigan home of the Steve Harvey Morning Show and remains as such today  Outside of the morning show, the station aired Westwood One's "The Touch" full-time 

Magic 94 1
On June 10, 2016, WNWZ began simulcasting on FM translator W231DD (94 1, licensed to Grand Rapids), and rebranded as "Magic 94 1 " The station also dropped the "Touch" feed for locally originated programming 

Magic 104 9
On October 24, 2016, WNWZ rebranded as "Magic 104 9" as translator W231DD moved from 94 1 FM to 104 9 FM as W285FO and raised power from 88 watts to 250 watts In March 2020, WNWZ began adding more hip hop tracks, and shifted to urban contemporary, while retaining the "Magic" moniker 

Previous logo
(WNWZ's logo under previous 94 1 translator frequency)
 (WNWZ's logo under previous Urban Adult Contemporary format)
Passage 9:
I Can Only Imagine (MercyMe song)
"I Can Only Imagine" is a song by Christian rock band MercyMe  Written and composed by lead singer Bart Millard, it was originally recorded for the band's 1999 independent album The Worship Project before being included on their 2001 major-label debut album Almost There  The song was the last to be written for The Worship Project; in writing it, Millard drew upon his thoughts about his father's death  Lyrically, it imagines what it would be like to be in front of God in heaven; it opens with just a piano before building to include guitar and drums 
After being released on October 12, 2001, as the second single from Almost There, "I Can Only Imagine" became a major success on Christian radio; it spent two weeks at No  1 on the Radio & Records Christian AC chart and became the most-played Christian single of 2002  It became an unexpected mainstream hit in 2003, peaking at No  71 on the Billboard Hot 100 and No  5 on the Billboard Adult Contemporary chart while also hitting top 40, adult top 40, and country radio charts  The song returned to the charts after its story was adapted into a 2018 film of the same name, peaking at No  1 on the Billboard Christian Songs chart and No  10 on the Billboard Digital Songs chart 
"I Can Only Imagine" received positive reviews from critics  Particular praise was given to its lyrics, and some critics called it the best song on Almost There  It received the Dove Awards for Song of the Year and Pop/Contemporary Recorded Song of the Year at the 33rd GMA Dove Awards, also garnering Millard the award for Songwriter of the Year; he also won the Songwriter of the Year award at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards  In 2004, CCM Magazine ranked it as the fourth-best song in Christian music, and it has since become the most-played song in the history of Christian radio as well as the best-selling Christian song of all time; it has been certified five-times platinum by the Recording Industry Association of America (RIAA), and as of April 2018, it has sold over 2 5 million copies 

Background and recording
MercyMe was formed in 1994 by vocalist Bart Millard, guitarist Mike Scheuchzer, and keyboardist Jim Bryson  The band later brought on drummer Robby Shaffer and bassist Nathan Cochran  In their early years, they independently released four Christian alternative rock albums, drawing influence from the grunge style of rock music popular at the time  However, they realized that their original songs from these albums failed to connect with their audiences while their covers of popular worship songs were much more popular  Because of this, the band decided to write and produce an album of original worship songs  This album,  The Worship Project, utilized a simple verse–chorus format designed to easily fit on a PowerPoint screen In the last phases of production, MercyMe needed one more song to include on the album  Late at night on the band's bus, Millard found an old notebook with the phrase "I can only imagine" written in it  He began to write a song, basing it on his personal feelings about his father Arthur's death  Early in Bart's life, Arthur had been physically and emotionally abusive towards his family, with Bart being beaten severely at points; Arthur and his wife Adele eventually divorced, and Bart was sent to live with his mother after an especially extreme whipping  Bart kept in contact with his father, however, who  was later diagnosed with pancreatic cancer when Bart was 15  His father began to make amends for his actions and started becoming more religiously observant, reading the Bible and going to church regularly  As Arthur progressively became more ill, his relationship with his son improved dramatically; by the time Arthur died in 1991, when Bart was 18, the two were very close  Millard said that "I got a front row seat to see this guy go from being a monster to falling desperately in love with Jesus  By the time he passed away when I was a freshman in college, not only was he my best friend, he was like the Godliest man I’d ever known"  After Arthur's death, Bart became obsessed with the phrase "I can only imagine" after hearing his grandmother say that she could only imagine what Arthur was seeing in heaven  Millard found comfort in the thought and began to write it on anything he could find Once Millard started writing the song, he estimated that it took him only about ten minutes to write the lyrics  Millard said that it was one of the few songs he had ever written where there were not any mistakes in the writing process; "it was just written the way it is and left at that"  MercyMe initially attempted to record "I Can Only Imagine" as a fast song, but after several failed attempts, Millard talked with Bryson about arranging it into a slower version  As the band was tearing down the equipment in their recording studio, Bryson began playing a piano intro  Millard immediately decided to use the intro, and the rest of the song was completed in around five minutes  Although the rest of the band did not see how it would fit on the record, as it didn't meet the basic verse-chorus format the rest of the album had, they felt it needed to be included on it because it meant so much to Millard The Worship Project was released on October 14, 1999  Sales for the album far exceeded the band's previous efforts; Millard estimated the album's overall sales at 100,000, which other sources peg the album's sales as of 2006 at 60,000 or 65,000 copies  The difficulty of meeting sales demands when selling the album directly, in addition to having to book and manage for themselves, led the band to pursue a contract with a record label; MercyMe would sign with INO Records in 2000  "I Can Only Imagine" was one of several songs from the band's independent records that were selected to be included on their debut album with INO, Almost There (2001) 

Composition
"I Can Only Imagine" is set in the key of E major and has a tempo of 80 beats per minute  Bart Millard's vocal range in the song spans from the low note of B3 to the high note of G♯5  Millard is credited with writing and composing the song  A contemporary Christian and pop song, "I Can Only Imagine" has been considered both a ballad and a power ballad  The song opens up with only a piano, building up to include guitar and drums The song has a directly Christian message; its religious lyrics weren't edited for mainstream radio  In the song, the narrator wonders what it would be like to stand before God in heaven  In the refrain, the singer ponders "Will I dance for You Jesus/or in awe of you be still/Will I stand in Your presence or to my knees will I fall/Will I sing hallelujah/will I be able to speak at all/I can only imagine/I can only imagine"  Regarding the lyrical theme of "I Can Only Imagine", Millard explained to Fox News that "I was always told that if [my father] could choose, he would rather be in Heaven than here with me  As a Christian I believed that, but as an 18-year-old it was a little hard to swallow  So the questions in the song came from me asking God what was so great about Him that my dad would rather be there "

Critical reception
Critical reception for "I Can Only Imagine" was positive  Steve Losey of AllMusic praised it as being "passionate" and "emotionally compelling"  Kevin Chamberlin of Jesus Freak Hideout said the song's lyrics were "amazing"  It was called the "definite highlight" of Almost There by New Release Tuesday's Kevin McNeese, who also praised its piano intro, saying it "instantly invokes chills", as well as the song's lyrical content  Charisma writer Margaret Feinburg lauded the song's "heart-gripping" lyrics, and it was cited as the centerpiece of the album by Megumi Nakamura of Cross Rhythms, who called it "beautiful and touching"  Writing for CCM Magazine, Adam Woodroof described the song as "heavenly" and said it was the highlight of Almost There  Although Russ Breimeier of Christianity Today called it "beautiful and inspiring", he questioned if "I Can Only Imagine" was actually a worship song At the 33rd GMA Dove Awards in 2002, I Can Only Imagine" earned the GMA Dove Awards for Pop/Contemporary Recorded Song of the Year and Song of the Year  Millard won the award for Songwriter of the Year at the same ceremony as well as at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards, held on June 2, 2003   In 2004, CCM Magazine ranked "I Can Only Imagine" as the fourth-greatest song in Christian music 

Legacy
"I Can Only Imagine" has been regarded as MercyMe's "breakthrough hit" as well as their signature song  It is the most-played song in the history of Christian radio and one of the most-played songs in the history of contemporary music  As of April 2018, it is the best-selling Christian song of all-time  It has consistently ranked among the best-selling Christian digital songs each year in the Billboard year-end charts, ranging from number 19 in 2016 to number three in 2018  It is often requested to be played at funerals  "I Can Only Imagine" was named the official inspirational song for the state of Oklahoma in 2018; the measure was passed by the Oklahoma Legislature and signed by Governor Mary Fallin The story behind "I Can Only Imagine" was adapted into a film  Directed by the Erwin Brothers and starring J  Michael Finley as Bart Millard and Dennis Quaid as Arthur Millard, the movie was released to theaters on March 16, 2018  It received mixed to positive reviews from critics, and exceeded initial expectations at the box office, grossing $17 1 million in its opening week  This was the fourth best-ever opening for a faith-based film, behind only The Passion of the Christ, Son of God, and Heaven Is for Real  The film finished its theatrical run having grossed $83 4 million in the United States and Canada and $1 8 million in other territories for a worldwide total of $85 2 million  As of August 2019, it ranks as the fifth-highest grossing music biopic of all-time in the United States (behind Bohemian Rhapsody, Straight Outta Compton, Walk the Line, and Rocketman) and was the highest-grossing independent film of 2018 

Release and promotion
Originally, "I Can Only Imagine" was set to be released by fellow Christian artist Amy Grant  Millard had initially declined a request from Grant's record label to allow her to record the song; some segments of the Christian community had reacted negatively to her divorce, and Millard wasn't sure if he wanted to be involved  After consulting with his pastor, who felt Millard should accept the opportunity, he began to reconsider, and finally agreed to let her cover it after talking with Grant over the phone  Grant had planned to release her version of the song as the lead single from her upcoming album and MercyMe would release a different song as their first single, hoping to capitalize on having written what would presumably become a major hit for Grant  The band released their first single from Almost There, "Bless Me Indeed (Jabez's Song)", which performed poorly at Christian radio, leading to poor sales of the album  Plans were made to release another single from the record, but the band's manager, Scott Brickell, decided to reach out to Grant to see if she still planned to release her version as a single  Grant gave MercyMe her blessing to release the song as a single and signed the rights back to the band; "I Can Only Imagine" was released on October 12, 2001, as the album's second single The song debuted on the Christian AC chart on November 2, 2001, reached the No  1 position on February 22, 2002, and spent two weeks at the top spot  It also peaked at No  15 on the Radio & Records Christian CHR chart  The song became the most-played song on Christian radio in 2002  As a result of its success on radio, Almost There experienced a "surge" in sales, debuting on the Billboard 200 in December 2001 and entering the top ten on the Christian Albums chart in January 2002  The song stayed on Christian radio for so long that plans to release a third single from Almost There were cancelled, with the band instead beginning work on a new album In 2003, a Dallas mainstream radio station, 100 3 Wild-FM, played the song on its morning show, The Fitz Radio Program  They had responded to a caller's repeated requests and the urgings of the program's producer, Todd Sheppard, a former seminary student  Although it had been played almost as joke, it soon became the most requested and most played song on the station  After hearing the song played on the station, Millard called-in and spoke with the crew, and MercyMe then came in and played the song live  Big Gay Steven, one of the show's hosts, described their audience's response to the song as "overwhelming"  As other mainstream stations around the country began to play the song, MercyMe's label, INO Records, partnered with Curb Records to market the single to mainstream radio  Its initial success was seen as surprising due to its overtly religious themes, although several other Christian artists had begun achieving mainstream success at the same time, including Stacie Orrico, whose singles "Stuck" and "(There's Gotta Be) More to Life" had both hit the Billboard Hot 100  Curb began to promote the song to adult contemporary and Top 40 radio, and INO and Curb released a double A-side physical single, "I Can Only Imagine/Word of God Speak", in September 2003 "I Can Only Imagine" debuted on the Adult Contemporary chart on May 23, 2003, eventually peaking at No  5 for the chart week of September 8, 2003  "I Can Only Imagine" spent 30 weeks on the chart  The song debuted on the Billboard Hot 100 for the chart week of October 11, 2003 at No  76  The song peaked at No  71 and spent 16 non-consecutive weeks on the chart  "I Can Only Imagine" also peaked at No  1 on the Billboard Hot 100 Singles Sales chart, a component chart of the Billboard Hot 100 that ranks the best-selling physical single releases, for 10 weeks  During the week of November 22, 2003, it became the first No  1 physical single to be outsold by the highest-selling digital single of the week; for that week, "I Can Only Imagine" sold 7,500 physical copies in the United States while Outkast's "Hey Ya!" sold 8,500 digital downloads  The song also charted on the Mainstream Top 40, Adult Top 40, and Country Songs charts In 2012, "I Can Only Imagine" appeared on France's Syndicat National de l'Édition Phonographique (SNEP) chart, spending two weeks and peaking at No  65  In March 2018, following the release of the film I Can Only Imagine, which was based on the song's story, it appeared on the Billboard Christian Songs chart; because the chart had been created after the song's original run on Christian radio, it was eligible to chart for the first time  It debuted at No  2 on the Billboard Christian Songs chart and also spent a third week at No  1 on the Billboard Christian Digital Songs chart; the song had spent 425 weeks on the chart at that point, the longest run of any song in the chart's history  "I Can Only Imagine" peaked at No  1 on the Christian Songs chart on March 31, 2018, and spent three weeks at the top spot  It also peaked at No  10 on the Billboard Digital Songs chart and ranked at No  8 on the 2018 year-end Christian Songs chart In April 2010, "I Can Only Imagine" was certified platinum by the RIAA, signifying sales of over 1 million digital downloads  It was the first single by any artist in the Christian music genre to go platinum  The song was certified double platinum in September 2014, triple platinum in June 2018, and quadruple platinum in September 2019  As of March 2018, it has sold 2 5 million copies, making it the best-selling Christian single of all time 

Music video
A music video was released for "I Can Only Imagine"  According to Millard, the video's inspiration came from seeing people holding empty picture frames at their concerts, symbolizing their deceased loved ones  Millard said that the "I've had so many people after a show pull out a picture of someone they've lost  These people embrace these photos and I just thought how can we tap into that"  The video features everyday people as well as several music artists including Michael Tait, Tammy Trent, Bob Herdman, and Jesse Katina, each holding an empty picture frame to signify their loss of a loved one; as the video progresses, they are holding pictures of their loved ones including Millard with his father's photograph 

Live performances
Despite including "I Can Only Imagine" on The Worship Project, MercyMe initially did not perform the song in concerts because they felt it did not fit with the rest of the record  The band's first performance of the song did not come until the summer after the release of The Worship Project at a summer camp at the request of a camp counselor  The band has played the song at every show since as of February 2009 MercyMe's 2004 concert tour (the Imagine Tour) and 2018–19 tour (the Imagine Nation Tour) both took their name from the song MercyMe performed "I Can Only Imagine" at the 33rd GMA Dove Awards, with an accompanying "inspiring video that underscored the emotional and inspirational power of song"  The band also performed the song at the 40th GMA Dove Awards, held on April 23, 2009, in a medley with "Finally Home"  At the 2017 National Prayer Breakfast, MercyMe performed the song with President Donald Trump in attendance  In March 2018, MercyMe performed "I Can Only Imagine" live on Fox & Friends to promote the film 

Other versions
Both an acoustic and live version of "I Can Only Imagine" were included in the Platinum edition of Almost There, which was released in August 2006  MercyMe released a new recording of the song on their iTunes Originals album, which was released in March 2008  On their compilation album 10, MercyMe released a new recording of the song featuring the London Session Orchestra as well as a live version  For their 2018 compilation album I Can Only Imagine: The Very Best of MercyMe, released to commemorate the release of the movie, the band recorded an updated recording titled "I Can Only Imagine (The Movie Session)", which peaked at No  19 on the Billboard Christian Songs chart "I Can Only Imagine" has been covered by several artists  In 2002, Amy Grant released her reworked version of the song, titled "Imagine" and paired with "Sing the Wondrous Love of Jesus", on her album Legacy    Hymns and Faith  Country singer Jeff Carson's 2003 cover peaked at No  50 on the Country Songs chart, and in 2014, gospel singer Tamela Mann's cover of the song spent 13 weeks atop the Billboard Gospel Songs chart  In May 2017, Aliyah Moulden, the third-place finisher on the 12th season of the reality competition show The Voice, performed the song on the show; her version debuted and peaked at No  4 on the Billboard Christian Songs chart, selling 15,000 copies in its first week and spending two weeks on the chart in total 

Track listing
CD release
"I Can Only Imagine" – 4:06 (Bart Millard)
"Word of God Speak" – 3:07 (Peter Kipley, Millard)

Personnel
(Credits from the album liner notes)MercyMe

Bart Millard – vocals
Jim Bryson – keyboards
Nathan Cochran – bass guitar, background vocals
Mike Scheuchzer – guitar, background vocals
Robby Shaffer – drumsAdditional performers

Paltrow Performance Group – stringsTechnical

Julian Kindred – engineer
Pete Kipley – producer, programming
Skye McCaskey  – engineer
Salvo – mixing
Shane Wilson – mixing

Release and radio history
Charts and certifications
Certifications
Passage 10:
Minipops
Minipops is a television series broadcast in 1983 on Channel 4 in the United Kingdom  Designed primarily for younger viewers, it consisted of music performances on a brightly coloured set featuring preteen children singing then-contemporary pop music hits and older classics  The children were usually made to look like the original performers, including clothing and make-up  Controversy over children singing songs that often contained a subtext of adult content (in adult costumes and make-up) led to the show's cancellation after one series 

History
Minipops was the brainchild of Martin Wyatt, who created a new child group from London called the MiniPops and released an album in 1982 which reached the top 30 in the UK and Europe  This resulted in a French record label releasing a single from the album, "Stupid Cupid",  which was sung by Martin Wyatt's young daughter Jo  The song reached number 1 in France, knocking "Ebony and Ivory" off the top spot Head of Entertainment Cecil Korer at Channel 4 and record producer Mike Mansfield embraced the idea of producing a TV show around the MiniPops; Korer believed it would boost and broaden the group's audience appeal  On 4 July 1982, thousands of amateur child performers from across Britain descended on a London theatre for the audition in a search to find additional children to sing and star in the television show with the original five members of the group 

Criticism
The programme began attracting criticism from commentators in the British media for the portrayal of children in this manner (one caller on Channel 4's Right to Reply programme stated, "Minipops should be called MiniWhores  Are you people out of your mind?") 

Discography
Seven albums were produced and released in the UK, Europe and Canada 

Albums
Before the television show:

The Mini Pops (1982)After the television show:

We're the Mini Pops (1983)
Christmas (1984)
Let's Dance (1984)
Wanna Have Fun (1985)
Magic Juke Box (1986)
Rocket to the Stars (1989)In Canada We're the Mini Pops was successful, becoming the third-highest-selling album in Canada at the time  This prompted the Minipops to hold a three-week tour in 1983, enjoying controversy-free success A number of singles were released across Europe 

See also
Kidz Bop
Mini Pop Kids
Passage 11:
Adult contemporary music
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence  Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated  It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music  Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure  The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as acoustic guitars, pianos, saxophones, and sometimes an orchestral set  The electric guitars are normally faint and high-pitched  However, recent adult contemporary music may feature synthesizers (and other electronics, such as drum machines) An AC radio station may play mainstream music, but it usually excludes hip-hop and some forms of dance-pop and teen pop, as these are less popular among adults, the target demographic  AC radio often targets the 25–44 age group, the demographic that has received the most attention from advertisers since the 1960s  A common practice in recent years of adult contemporary stations is to play less newer music and more hits of the past, even some songs that never even charted the AC charts   This de-emphasis on new songs slows the progression of the AC chart Over the years, AC has spawned subgenres including "hot AC" (also known as "modern AC"), "soft AC" (also known as "lite AC"), "urban AC" (a softer type of urban contemporary music), "rhythmic AC" (a softer type of rhythmic contemporary), and "Christian AC" (a softer type of contemporary Christian music)  Some stations play only "hot AC", "soft AC", or only one of the variety of subgenres  Therefore, it is not usually considered a specific genre of music; it is merely an assemblage of selected songs from artists of many different genres 

History
1960s: Early roots; easy listening and soft rock
Adult contemporary traces its roots to the 1960s easy listening format, which adopted a 70—80% instrumental to 20–30% vocal mix  A few offered 90% instrumentals, and a handful were entirely instrumental  The easy listening format, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from being branded as "rock and roll" stations  Billboard first published the Easy Listening chart July 17, 1961, with 20 songs; the first number one was "Boll Weevil Song" by Brook Benton  The chart described itself as "not too far out in either direction" Initially, the vocalists consisted of artists such as Frank Sinatra, Doris Day, Johnny Mathis, Connie Francis, Nat King Cole, Perry Como, and others  The custom recordings were usually instrumental versions of current or recent rock and roll or pop hit songs, a move intended to give the stations more mass appeal without selling out  Some stations would also occasionally play earlier big band-era recordings from the 1940s and early 1950s After 1965, differences between the Hot 100 chart and the Easy Listening chart became more pronounced  Better reflecting what middle of the road stations were actually playing, the composition of the chart changed dramatically  As rock music continued to harden, there was much less crossover between the Hot 100 and Easy Listening chart than there had been in the early half of the 1960s  Roger Miller, Barbra Streisand and Bobby Vinton were among the chart's most popular performers One big impetus for the development of the AC radio format was that, when rock and roll music first became popular in the mid-1950s, many more conservative radio stations wanted to continue to play current hit songs while shying away from rock  These middle of the road (or "MOR") stations also frequently included older, pre-rock-era adult standards and big band titles to further appeal to adult listeners who had grown up with those songs 
Another big impetus for the evolution of the AC radio format was the popularity of easy listening or "beautiful music" stations, stations with music specifically designed to be purely ambient  Whereas most easy listening music was instrumental, created by relatively unknown artists, and rarely purchased (especially as singles, although Jackie Gleason's beautiful music albums sold well in the 1950s), AC was an attempt to create a similar "lite" format by choosing certain tracks (both hit singles and album cuts) of popular artists 

1970s: Soft rock forms as a radio format
By the late 1960s hard rock had been established as one of the rock genres leading hard rock and soft rock to became distinct popular forms in the rock scene, and as major radio formats in the US  Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies  Major artists included Carole King, Cat Stevens, James Taylor and Bread In the early 1970s, softer songs by The Carpenters, Anne Murray, John Denver, Barry Manilow, and even Barbra Streisand, began to be played more often on "Top 40" radio  Top 40 radio stations played the Top 40 hits regardless of genre   As the texture of much of the music played on Top 40 radio began to soften, the Hot 100 and Easy Listening/AC charts became more similar  Easy Listening radio began playing songs by artists who had begun in other genres, such as rock and roll or R&B  Much of the music recorded by singer-songwriters such as Diana Ross, James Taylor, Carly Simon, Carole King and Janis Ian got as much, if not more, airplay on AC stations than on Top 40 stations  AC stations also began playing softer songs by Elvis Presley, Linda Ronstadt, Elton John, Rod Stewart, Billy Joel, and other rock-based artists  Soon after, the adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago and the Eagles, becoming associated with the format  In addition, several early disco songs, did well on the Adult Contemporary format 
Soft rock reached its commercial peak in the mid-to-late 1970s with acts such as Toto, England Dan & John Ford Coley, Air Supply, Seals and Crofts, Dan Fogelberg, America and the reformed Fleetwood Mac, whose Rumours (1977) was the best-selling album of the decade  By 1977, some radio stations, notably New York's WTFM and NBC-owned WYNY, and Boston's WEEI, had switched to an all-soft rock format  As Softrock 103, WEEI was famous for its promotional campaigns, featuring slogans such as "Joni, without the baloni " and "The Byrds, without the nyrds "  However, different forms of popular music  targeted to different demographic groups, such as disco vs  hard rock, began to emerge in the late-1970s  This led to specialized radio stations that played specific genres of music, and generally followed the evolution of artists in those genres 

1980s: Adult contemporary succeeds as radio format
On April 7, 1979, the Easy Listening chart officially became known as Adult Contemporary, and those two words have remained consistent in the name of the chart ever since  Adult contemporary music became one of the most popular radio formats of the 1980s  The growth of AC was a natural result of the generation that first listened to the more "specialized" music of the mid-late 1970s growing older and not being interested in the heavy metal and rap/hip-hop music that a new generation helped to play a significant role in the Top 40 charts by the end of the decade 
Mainstream AC itself has evolved in a similar fashion over the years; traditional AC artists such as Barbra Streisand, the Carpenters, Dionne Warwick, Barry Manilow, John Denver, and Olivia Newton-John found it harder to have major Top 40 hits as the 1980s wore on, and due to the influence of MTV, artists who were staples of the Contemporary Hit Radio format, such as Richard Marx, Michael Jackson, Bonnie Tyler, George Michael, Phil Collins, Laura Branigan and Journey began crossing over to the AC charts with greater frequency  Collins has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond"  However, with the combination of MTV and AC radio, adult contemporary appeared harder to define as a genre, with established soft-rock artists of the past still charting pop hits and receiving airplay alongside mainstream radio fare from newer artists at the time 
The amount of crossover between the AC chart and the Hot 100 has varied based on how much the passing pop music trends of the times appealed to adult listeners  Not many disco or new wave songs were particularly successful on the AC chart during the late 1970s and early 1980s, and much of the hip-hop and harder rock music featured on CHR formats later in the decade would have been unacceptable on AC radio 
Although dance-oriented, electronic pop and ballad-oriented rock dominated the 1980s, soft rock songs still enjoyed a mild success thanks to Sheena Easton, Amy Grant, Lionel Richie, Christopher Cross, Dan Hill, Leo Sayer, Billy Ocean, Julio Iglesias, Bertie Higgins, and Tommy Page  No song spent more than six weeks at No  1 on this chart during the 1980s, with nine songs accomplishing that feat  Two of these were by Lionel Richie, "You Are" in 1983 and "Hello" in 1984, which also reached No  1 on the Hot 100 
In 1989, Linda Ronstadt released Cry Like a Rainstorm, Howl Like the Wind, described by critics as "the first true Adult Contemporary album of the decade", featuring American soul singer Aaron Neville on several of the twelve tracks  The album was certified Triple Platinum in the United States alone and became a major success throughout the globe  The Grammy Award-winning singles, "Don't Know Much" and "All My Life", were both long-running No  1 Adult Contemporary hits  Several additional singles from the disc made the AC Top 10 as well  The album won over many critics in the need to define AC, and appeared to change the tolerance and acceptance of AC music into mainstream day to day radio play 

1990s: Subgenre formations/radio crossovers
The early 1990s marked the softening of urban R&B in the shape of new jack swing, at the same time alternative rock emerged and traditional pop saw a significant resurgence  This in part led to a widening of the market, not only allowing to cater to more niche markets, but it also became customary for artists to make AC-friendly singles  At the same time, the genre began adopting elements from hard rock as tastes were shifting towards louder music, while AC stations in general began playing more rock acts  "Softer" features such as light instrumental music (carried over from the beautiful music format—many AC stations carried the format until the early 1970s), new age songs and most pre-1964 artists were gradually phased out from AC radio throughout the early to mid-1990s 
Unlike the majority of 1980s mainstream singers, the 1990s mainstream pop/R&B singers such as All-4-One, Boyz II Men, Christina Aguilera, Backstreet Boys and Savage Garden generally crossed over to the AC charts  Latin pop artists such as Lynda Thomas, Ricky Martin, Marc Anthony, Selena, Enrique Iglesias and Luis Miguel also enjoyed success in the AC charts 
In addition to Celine Dion, who has had significant success on this chart, other artists with multiple number ones on the AC chart in the 1990s include Mariah Carey, Phil Collins, Michael Bolton, Bryan Adams, Whitney Houston and Shania Twain  Newer female Adult album alternative singer-songwriters such as Sarah McLachlan, Natalie Merchant, Jewel, Melissa Etheridge and Sheryl Crow also broke through on the AC chart during this time In 1996, Billboard created a new chart called Adult Top 40, which reflects programming on radio stations that exists somewhere between "adult contemporary" music and "pop" music  Although they are sometimes mistaken for each other, the Adult Contemporary chart and the Adult Top 40 chart are separate charts, and songs reaching one chart might not reach the other  In addition, hot AC is another subgenre of radio programming that is distinct from the Hot Adult Contemporary Tracks chart as it exists today, despite the apparent similarity in name 
In response to the pressure on Hot AC, a new kind of AC format cropped up among American radio recently  The urban adult contemporary format (a term coined by Barry Mayo) usually attracts a large number of African Americans and sometimes Caucasian listeners through playing a great deal of R&B (without any form of rapping), gospel music, classic soul and dance music (including disco) 
Another format, rhythmic AC, in addition to playing all the popular hot and soft AC music, past and present, places a heavy emphasis on disco as well as 1980s and 1990s dance hits, such as those by Amber, and Black Box, and includes dance remixes of pop songs, such as the Soul Solution mix of Toni Braxton's "Unbreak My Heart" 
In its early years of existence, the smooth jazz format was considered to be a form of AC, although it was mainly instrumental, and related a stronger resemblance to the soft AC-styled music  For many years, George Benson, Kenny G and Dave Koz had all had crossover hits that were played on both smooth jazz and soft AC stations 

2000s–present: AC music goes mainstream and mainstream music goes AC
During the 2000s, the AC market gained an increased presence in the music industry, as its radio formats were popular nationwide—Smooth jazz and "Urban AC" stations were ubiquitous in the East Coast, while Soft rock and "adult standards" stations were common in the Midwest, and pop-oriented "Hot AC" and "world music"/Hispanic AC stations were easily found in the West Coast and the "Sun Belt"  This led to the presence of numerous genres on the AC charts, often crossing to the "pop" charts, winning over many critics in the need to define AC, and increased the tolerance and acceptance of AC music into mainstream day-to-day radio play 
Josh Groban's single "You Raise Me Up" and Michael Bublé's cover of "Fever" are often cited as key examples of the high production values and ballad-heavy sound that defined 2000s-era AC, often dubbed as "jazz-pop", heavily carrying classical, jazz and traditional pop influences  Artists such as Nick Lachey, James Blunt, Jamie Cullum, John Mayer, Jason Mraz, Norah Jones, Diana Krall, Amy Winehouse and Susan Boyle also achieved great success during this period  During most of the 2000s, country music/countrypolitan musicians such as Kelly Clarkson, Clay Aiken, Billy Joel, Garth Brooks, Shania Twain, LeAnn Rimes and Carrie Underwood scored hits on soft AC, particularly in Southern states  A popular trend in the late 1990s and 2000s was remixing dance music hits into adult contemporary ballads, especially in the US, (for example, the "Candlelight Mix" versions of "Heaven" by DJ Sammy, "Listen To Your Heart" by D H T , and "Everytime We Touch" by Cascada) 
Key to the success of AC in the 2000s was the 25–34 demographic which had outgrown the pop music offerings of the time, most new rock became too alternative and harsh for AC radio and most new pop was now influenced heavily by dance-pop, hip-hop and electronic dance music  At the same time, the music industry also began to focus on older audiences and markets generally considered "niche" 
During the late 2000s, certain pop songs began entering the AC charts instead, generally after having recently fallen off the Hot 100  Adrian Moreira, senior vice president for adult music for RCA Music Group, said, "We've seen a fairly tidal shift in what AC will play"  Rather than emphasizing older songs, adult contemporary now began playing many of the same songs as top 40 and adult top 40, but only after the hits had become established  An article on MTV's website by Corey Moss describes this trend as: "In other words, AC stations are where pop songs go to die a very long death  Or, to optimists, to get a second life " As adult contemporary has long characterized itself as family-friendly, "clean" versions of pop songs began appearing on the AC chart, as were the cases of "Perfect" by P!nk, and "Forget You" by Cee Lo Green, both in 2011 AC radio's shift into more mainstream pop was a result of the changes on the broadcasting landscape following the 2005–2007 economic downturn and eventual recession, as advertisers preferred more profitable chart-based formats, which meant the demise of many AC-based formulas, primarily those aimed at older audiences, with tastes changing towards more modern music among all age groups  Diminishing physical record sales throughout the 2010s also proved a major blow to the AC genre, and there are concerns that the portable people meter, a device being used to determine radio listenership, may be incompatible with AC songs and may not accurately pick up that a person is listening to an AC station because of the pitches and frequencies used in the style Key AC artists of the early to mid-2010s included Bruno Mars, Coldplay, Adele, Arcade Fire, Meghan Trainor, Maroon 5 and Ed Sheeran, featuring a more pop-influenced, uptempo style than the typical AC fare of previous years, also featuring production values reminiscent of the Motown sound and the so-called Wall of Sound that dominated the soul-heavy pop charts of the early 1960s, when the Easy Listening chart was first introduced  The earlier years of the decade also saw alternative and indie rock acts such as Wilco, Feist, The 1975, Imagine Dragons, Mumford & Sons, Of Monsters and Men and The Lumineers quickly becoming AC mainstays, although these were eventually replaced by rhythm-based rock bands such as Panic! at the Disco, Neon Trees, X Ambassadors, Sheppard, Bastille, American Authors, Fitz and the Tantrums, Foster the People, Twenty One Pilots, Walk the Moon and Milky Chance 
During the middle of the decade, newer artists such as CeeLo Green, OneRepublic, Rachel Platten, Christina Perri, Andy Grammer, James Bay, Sara Bareilles, Shawn Mendes, Sia, Sam Smith, Gavin Degraw, Charlie Puth and Colbie Caillat as well as acts that were popular in the 1990s and early 2000s such as Britney Spears and Christina Aguilera were added to the rotation of most AC stations 
As trap music and similar styles of hip-hop began dominating top 40 stations during the last years of the 2010s, AC stations began picking up rhythmic artists like Rihanna, Lady Gaga, Ellie Goulding, Taio Cruz and Pitbull as well as EDM artists like Avicii, Daft Punk, Calvin Harris, David Guetta and Tiesto  Meanwhile, younger artists like Camila Cabello, Justin Bieber, Selena Gomez, Ariana Grande, Nick Jonas and the Jonas Brothers and Halsey began to be featured on AC stations more than on top 40 stations 

Adult contemporary formats
In radio broadcasting, adult contemporary is divided into several sub-formats, each with their own musical direction and demographic targeting  Hot adult contemporary formats generally feature an uptempo rotation of recent hits that appeal to a wide adult audience  A station formatted as "adult contemporary" with no qualifier, also referred to as "mainstream adult contemporary", generally has a similar playlist to hot AC stations, but with a broader rotation of classic hits from past decades Soft adult contemporary formats have a more conservative sound oriented primarily towards adult women, urban AC focuses on R&B and soul music that appeal to African American adults, and rhythmic AC focuses on dance music and other rhythmic genres 

Hot adult contemporary
Hot adult contemporary (hot AC) radio stations play a wide range of the present day's popular music that appeals towards the 18–54 age group; it serves as a middle ground between the youth-oriented contemporary hit radio (CHR) format, and adult contemporary formats (such as "mainstream" and soft AC) that are typically targeted towards a more mature demographic  They generally feature uptempo hit music with wide appeal, such as pop and pop rock songs, while excluding more youth-oriented music such as hip-hop  Recurrents usually reflect familiar and youthful music that adults had grown up with  Likewise, mature material from pop acts such as the Backstreet Boys, Jason Mraz, John Mayer, and Pink have also been prominent within the format The "hot AC" designation began to appear in the 1990s, to describe adult contemporary stations with a more energetic presentation and uptempo sound than their softer counterparts  An early example of the format, Houston's KHMX Mix 96 5, climbed from 14th place in the market to 3rd in the six months after its launch  The station's format and branding was widely replicated by other stations  Many hot AC outlets are among the top stations in their respective market Initially focused more on pop rock, the format has evolved to reflect changes in the composition of this audience; by the mid-2000s, the format had evolved to include more uptempo pop music, while alternative and indie rock crossovers (such as Foster the People, Imagine Dragons, Lovelytheband, and Twenty One Pilots) became more prevalent within the format during the 2010s These developments helped to expand the popularity of the format among younger listeners such as millennials; Nielsen Audio ranked hot AC as the third most-popular format among millennials, behind pop and country music  Of the format's expanding demographic reach, WOMX-FM program director Dana Taylor stated that hot AC stations "may not be the radio station that everybody agrees on, but it's a radio station that everybody goes, 'I'm okay with that' " The increasingly downtempo direction of pop hits in the mid-to-late 2010's also helped to attract additional listeners Hot AC stations typically keep a larger body of recent hits in rotation than those with rigid, chart-driven formats like CHR and urban contemporary  As these stations' playlists have become concentrated towards airing only the current hits at a given time, hot AC airplay can build and sustain a song's popularity over a long-term period  This effect has been credited in helping build an audience for early singles from new acts such as Adele, Rachel Platten ("Fight Song", which gained prominence for its use during Hillary Clinton's 2016 US presidential election campaign), and Max Schneider (whose 2016 single "Lights Down Low", over a year after its original release, became a sleeper hit on the Billboard Mainstream Top 40 and Hot 100 due in part to strong hot AC airplay) The popularity of the hot AC format prompted many mainstream AC stations to add uptempo music to their playlists, while still maintaining a deeper rotation of older hits than hot AC stations 

Modern adult contemporary
Modern adult contemporary refers to AC formats with a stronger lean towards modern rock and pop rock 
In the 1990s and early 2000s, modern AC was typically targeted towards women, with Mike Marino of KMXB in Las Vegas describing the format as reaching "an audience that has outgrown the edgier hip-hop or alternative music but hasn't gotten old and sappy enough for the soft ACs " The format typically focused on female rock acts such as Shawn Colvin, Sheryl Crow, Indigo Girls, Jewel, and Sarah McLachlan, and folk rock-influenced bands such as Counting Crows and The Wallflowers  Today, the format is fairly uncommon, with KTCZ in the Minnesota Twin Cities being one of the few modern AC stations left 

Soft adult contemporary
The Soft adult contemporary format typically targets women 25–54 and at-work listening  Soft AC playlists are generally conservative in comparison to hot AC, focusing on pop and power ballads, soft rock, and other familiar, light hits  Upon its establishment in the 1980s, the soft AC format was positioned as being a more upbeat version of easy listening that would appeal better to a younger audience, mainly by excluding instrumental beautiful music  Easy listening stations had begun shifting to the format out of concern that their existing programming would not appeal to the current generation of listeners In a 1990 article, James Warren of the Chicago Tribune characterized soft AC stations as being "as middle-of-the-road and unthreatening as modern media get", with personalities that were encouraged to be as inoffensive and "low-profile" as possible, and a more conservative music library than hot AC-leaning stations  In particular, Chicago's WLIT did not have its airstaff talk over the beginning and endings of songs (in contrast to the hot AC-leaning WFYR), and played Bob Seger's "We've Got Tonite" but not "Old Time Rock and Roll" (which was part of WTMX's playlist)  The director of a soft AC station in Connecticut, WEZN-FM, told Warren that he had barred the reading of top-of-hour news headlines, so that listeners wouldn't be tempted to tune away to an all-news station to learn more Soft AC stations tend to be more selective in their music libraries than other adult contemporary stations, preferring proven songs over current hits  Upon the onset of the format's popularity, core artists typically included singers such as Nat King Cole, Perry Como, Neil Diamond, Barry Manilow, Johnny Mathis, and Barbra Streisand  By the 1990s, to improve their appeal among changing demographics, some soft AC stations began to widen their playlist to include selections from contemporary acts with 80s, & 90s, musicians & bands such as Bon Jovi, Bryan Adams, Celine Dion, Roxette, Mariah Carey, Eric Clapton, Phil Collins, Elton John, Cher, Whitney Houston, Journey, and Queen  On the other hand, by 1996, New York's WLTW had begun to phase out its softer music in favor of a more uptempo direction In 2017, Inside Radio reported that soft AC had the third-largest decrease in US stations offering the format over the past decade (at 128), ranking behind only adult standards and oldies—a shift credited to aging demographics and a major boom in the wider-appealing classic hits format (which saw the largest overall increase over the same period)  Consultant Gary Berkowitz argued that the soft AC format had become increasingly irrelevant in comparison to mainstream and hot AC, due to PPM markets preferring uptempo music At the same time, however, soft AC began to experience a resurgence  In April 2016, iHeartMedia flipped its San Francisco classic soul station KISQ to soft AC as The Breeze; as of November 2018, it was the top station in the Bay Area  The trend continued into 2017 and 2018, with iHeartMedia extending its Breeze brand to other soft AC flips, and the brand (among others) being adopted by competitors such as Entercom  Industry analyst Sean Ross argued that older demographics were becoming more lucrative due to changes in listening habits among younger audiences, which prefer digital platforms such as music streaming services over linear terrestrial radio, and also noted how mainstream AC was dependent on the Top 40 charts to break new songs Current soft AC stations have continued to feature recurrents such as Michael Bolton, Celine Dion, Elton John, Fleetwood Mac, Hall & Oates, and Whitney Houston, while contemporary musicians such as Adele and Michael Bublé have also become modern fixtures of the format  In addition, the soft AC sound has diversified to include more songs that are "safe and universal" and not necessarily "soft", with Ross presenting Examples such as Simple Minds' "Don't You (Forget About Me)", as well as the retroactively-defined genre of yacht rock  Over time, some stations have gradually adjusted their playlists to include more recurrents from the 1980s and 1970s (although not to the same extent as other "soft oldies" formats, such as MeTV FM, which have also grown in popularity) 

Urban adult contemporary
The Urban adult contemporary format focuses primarily on current and classic R&B and soul music,  The format typically targets African-American adults: July 2018 numbers from Nielsen Audio recorded it as the top format among African-Americans 25–54 and 35–64  It also has a sizable popularity among younger listeners, ranking behind urban contemporary as the second-most popular format among African-American adults 18–34 in the same report, with an 18 9 audience share The format typically excludes youthful rhythmic music, such as commercial hip-hop and rap, that are usually associated with the urban contemporary format  The urban AC format is also associated with the "quiet storm"—mellower R&B ballads and slow jams, often in a jazz-influenced style  The syndicated evening program Keith Sweat Hotel focuses specifically on such music As urban contemporary stations prefer hit-driven hip-hop songs, labels typically service R&B songs to the urban AC format only  Some current R&B musicians have complained that this is an artificial divide that prevents them from reaching a wider, mainstream audience (citing the relatively smaller number of urban AC outlets in comparison to urban and rhythmic), even with attempts to give some singles a hip-hop-influenced sound to improve the potential for crossover appeal  Some acts have attempted to disassociate themselves from "R&B" to reduce the effect of this stigma, although streaming services have helped to expose R&B to a wider audience beyond urban AC radio 

Rhythmic adult contemporary
The Rhythmic adult contemporary format generally focuses on a variety of current and classic dance music, such as dance-pop, hip-hop, and R&B (often resembling a blend of the Classic hits and hot AC formats in practice)  The exact composition of current and recurrent content can vary between stations, depending on local cultures and the heritage of rhythmic formats in the market, ranging from late-80s/early-90s dance hits (including latin freestyle), to disco and Motown  Rhythmic hot AC has also been used as a format, popularized by stations such as New York's WKTU 

Smooth adult contemporary
The Smooth adult contemporary format is a variant of the smooth jazz format that incorporates mainstream and/or urban adult contemporary songs; they are designed to appeal to a wider range of demographics than a straight smooth jazz format  Some smooth AC stations may limit their airplay of jazz instrumentals to those by better-known performers such as Kenny G 

Christian adult contemporary
Contemporary Christian music (CCM) has several subgenres, one being "Christian AC"  Radio & Records, for instance, lists Christian AC among its format charts  There has been crossover to mainstream and hot AC formats by many of the core artists of the Christian AC genre, notably Amy Grant, Michael W  Smith, Kathy Troccoli, Steven Curtis Chapman, Plumb, and more recently Big Daddy Weave, Casting Crowns, For King & Country, Lauren Daigle, MercyMe, and Newsboys 

Adult album alternative
The Adult album alternative (triple-A or AAA) format generally features a diverse playlist of music that appeals to an adult audience, with a focus on emerging songs and artists, and often featuring songs that were not released as singles  The exact composition of a triple-A station's playlist can vary, with alternative rock, indie rock, and indie pop commonly used as core genres, and some stations featuring more uncommon genres such as alternative country, Americana, blues, folk music, and world music  NPR observed in 2018 that roughly half of all triple-A stations in the U S  were non-commercial stations  With the wide variety of music that is serviced to the format, adult album alternative charts have often served as a feeder for the Adult Top 40, and have been credited for breaking acts such as Dave Matthews Band and Lorde 

Christmas music
Since the 1990s it has become common for many AC stations, particularly soft AC stations, to play primarily or exclusively Christmas music during the Christmas season in November and December  While these tend mostly to be contemporary seasonal recordings by the same artists featured under the normal format, most stations will also air at least some vintage holiday tunes from older pop, MOR, and adult standards artists – such as  
Boney M , The Carpenters, Nat King Cole, Perry Como, Bing Crosby, Percy Faith, Mannheim Steamroller, Dean Martin, Johnny Mathis, Trans-Siberian Orchestra, and Andy Williams – many of whom would never be played on these stations during the rest of the year 
These Christmas music marathons typically start a few weeks before Thanksgiving Day and end after Christmas Day, or sometimes extending to New Year's Day  Afterwards, the stations usually resume their normal music fare  Several stations begin the holiday format much earlier, at the beginning of November especially after Halloween  The roots of this tradition can be traced back to the beautiful music and easy listening stations of the 1960s and 1970s 

Syndicated radio shows and networks carrying the adult contemporary format
Delilah – One of the US's most popular radio shows, Delilah airs primarily in the evening  Its Christmas Edition airs from mid-November to late December 
Intelligence for Your Life – Hosted by John Tesh, this show also airs evenings and also on weekends 
American Top 40 with Ryan Seacrest – One version of AT40 airs on US hot AC stations, which is a little different from its Top-40/CHR counterpart 
Rick Dees Weekly Top 40/Weekly Top 30 – Began offering Hot AC versions of the popular countdown show in June 1996  These shows feature the top 20 Hot AC songs in the US along with about 10 past hits from the 1980s, 1990s and early 2000s (decade)  A softer "AC" version was added in July 2009 to try to fill in the void left by Casey Kasem ending his AC countdown 
Radio Disney Music Top 30 Countdown, One version is for Hot AC stations, the other version is for Mainstream AC stations  Plays the USA Top 30 songs of the week according to Mediabase and a music rating service called ratethemusic com  This show, like Rick Dees' show, is distributed by Compass Media Networks 
Backtrax USA with Kid Kelly – Weekend programs focusing on the '80s and '90s, targeted for hot AC stations 
ABC and Dial Global both offer AC 24-hour networks programming soft and hot AC 
Tom Joyner and Steve Harvey have popular morning shows that air on urban AC (and sometimes Hip-Hop) stations  Both shows are often heard on competing stations in the same city, such as St  Louis, Philadelphia and Atlanta  Joyner's show is syndicated by ABC Radio, and Harvey's show by Premiere Radio Networks 
Retro Rewind with Dave Harris is a weekend-based radio show highlighting a massive playlist of songs from the 1980s and 1990s, interviews, spotlights and contests  The show is done live across the US on Saturday nights, taking audience requests  The show is targeted towards HOT AC and AC radio stations 
The EZ Rock network is a brand/network of soft AC heard in Canada 
Heart - A radio network in the UK that grew throughout 2009 as more stations were rebranded as "Heart" 
Smooth Radio – A UK-wide radio network that formed from six regional Smooth Radio stations 
Smoothfm – A network of two Australian commercial radio stations (based in Sydney and Melbourne) that are focused on providing an eclectic easy-listening playlist, usually featuring ballads 
Nova – A network of five Australian commercial radio station (based in Sydney, Melbourne, Brisbane, Adelaide and Perth) that are very similar to Smoothfm 
The Breeze – A group of New Zealand adult contemporary radio stations owned by MediaWorks Radio  There are 20 stations currently broadcasting throughout New Zealand 
The Bob and Sheri Show – American morning drive show based in Charlotte, North Carolina  Heard on more than 50 AC stations and the American Forces NetworkFormer syndicated programming includes Dick Clark's US Music Survey (1996–2005), Casey's Hot 20/Casey's Countdown/American Top 20/10 (1992–2009) and Top 30 USA 

See also
Adult Contemporary, a chart appearing in Billboard since 1961  This chart is typically (but not exclusively) closer to soft AC 
New-age music
Yacht rock
Context 2: Passage 1:
Aguamarina
Aguamarina, is a 1997 American telenovela produced by Telemundo  Was led by Ruddy Rodríguez and Leonardo García with antagonistic action of Mara Croatto 

Cast
Passage 2:
Tourism in Nepal
Tourism is the largest industry in Nepal and its largest source of foreign exchange and revenue  Possessing eight of the ten highest mountains in the world, Nepal is a hot spot destination for mountaineers, rock climbers and people seeking adventure  The Hindu and Buddhist heritage of Nepal and its cool weather are also strong attractions 

Overview
Mount Everest, the highest mountain peak in the world (8848 88m above the sea level), is located in Nepal  Mountaineering and other types of adventure tourism and ecotourism are important attractions for visitors  The World Heritage Site Lumbini, birthplace of Buddha, is located in the south of the West region of Nepal (which despite the name is located in the center of the country) and there are other important religious pilgrimage sites throughout the country  The tourist industry is seen as a way to alleviate poverty and achieve greater social equity in the country  Tourism brings $471 million a year to Nepal 

According to statistics of 2019, there was a growth rate of 2 1%  According to statistics from Nepal Tourism Board (NTB), a total of 1,197,191 foreign tourists entered the country in 2019 as compared to 1,173,072 in 2018  The government of Nepal declared 2011 to be Nepal Tourism Year, and hoped to attract one million foreign tourists to the country during that year  The government of Nepal has also declared Lumbini Tourism Year 2012 to promote Lumbini  The government of Nepal has also recently declared Visit Nepal 2020 with the aim of bringing in two million tourists by 2020 
According to the statistics of 2017, most of the tourists comes to Nepal for observing the pilgrimage sites and heritages sites of the country i e  70 3%, then 34 5% visit for pleasure, 13 1% of them visit Nepal for mountaineering and trekking and remaining 18 0% of the tourists arrive for official activities, conferences, business etc 
The tourism industry of Nepal was affected after the destructive earthquake in 2015, by the series of earthquakes in 2015  In 2020, the tourism sector in Nepal collapsed due to the COVID-19 pandemic 

Religious sites
The majority religion in Nepal is Hinduism, and the Pashupatinath Temple, the world's largest temple of Shiva, located in Kathmandu, attracts many pilgrims and tourists  Other Hindu pilgrimage sites include the temple complex in Swargadwari in the Pyuthan district; Janaki Mandir in Janakpurdham in Mithila region; Lake Gosainkunda near Dhunche; the temples at Devghat; Kalinchowk Bhagwati Temple in Dolakha ;Manakamana temple in the Gorkha District; Pathibhara near Phungling; and Mahamrityunjaya Shivasan Nepal in Palpa District where the biggest metallic idol of Lord Shiva is located  
Buddhism is the largest minority religion  The World Heritage Site at Lumbini, which is traditionally considered to be the birthplace of Gautama Buddha, is an important pilgrimage site  Another prominent Buddhist site is Swayambhunath, the Monkey Temple, in Kathmandu 
Dang valley is a sacred place for Hindus as well as other religions  Kalika and Malika Devi in Chhillikot hill, Ambekeshawori temple, Krishna temple, Dharapani temple are among the sacred places in Dang district  Chillikot hill is also a good place for sightseeing and also an ancient palace of a king 
Muktinath is a sacred place for Hindus as well as Buddhists  The site is located in Muktinath Valley, Mustang district 
Badimalika temple in Bajura District, Gadhimai Temple in Bara district, Halesi Mahadeva temple in Khotang  Bhageshwori Mandir in Nepalgunj  Bhagbhati mandir in Rajbiraj are also some popular temples in Nepal 

Wilderness tourism
According to Nepal's Ministry of Tourism, major tourist activities include wilderness and adventure activities such as mountain biking, bungee jumping, rock climbing and mountain climbing, trekking, hiking, bird watching, flights, paragliding and hot air ballooning over the mountains of Himalaya, exploring the waterways by raft, kayak or canoe and jungle safaris especially in the Terai region  International elephant polo is played at  Chitwan National Park 

Statistics
In 2007, the number of international tourists visiting Nepal was 526,705, which was an increase of 37 2% compared to the previous year  In 2008, the number of tourists decreased by 5% to 500,277  In 2018, the number of international tourists arrival was 1 17 million  In 2019, the number increased to 1 19 million  In 2020, the COVID-19 pandemic had a major impact on tourism in Nepal, with tourist arrivals dropping to just 230,085 with a decrease of over 80 7% and further decrease by 30% in 2021 with an total number of 150,962  Pokhara is one of the main tourist destinations in Nepal 
In 2008, 55 9% of the foreign visitors came from Asia (18 2% from India), while Western Europeans accounted for 27 5%, 7 6% were from North America, 3 2% from Australia and the Pacific Region, 2 6% from Eastern Europe, 1 5% from Central and South America, 0 3% from Africa and 1 4% from other countries 
Foreign tourists visiting Nepal in 2008 stayed in the country for an average of 11 78 days which has now increased to 15 1 days and 15 5 days in 2020 and 2021 respectively

Arrivals
This statistic shows the number of international tourist arrivals by year, 1993–2021:

Arrivals by country
Most tourists arriving to Nepal on short-term basis were from the following countries of nationality:

See also
Visa policy of Nepal
Passage 3:
Mariett Dances Today
Mariett Dances Today (German: Heut tanzt Mariett) is a 1928 German silent romance film directed by Frederic Zelnik and starring Lya Mara, Fred Louis Lerch and Harry Halm  It was shot at the Staaken Studios in Berlin and on location in the Swiss resort of St  Moritz 
It was made by the German subsidiary of First National Pictures  The film's sets were designed by the art directors Andrej Andrejew and Erich Zander 

Cast
Lya Mara as Mariett
Fred Louis Lerch as Robert van Dammen
Harry Halm as Ein junger Maler
Ralph Arthur Roberts as Prinz Beaufort
Kurt Gerron as Der Besitzer der Bar, Brigon
Jakob Tiedtke as Der Bürgermeister
Sophie Pagay as Die Haushälterin
Karl Harbacher as Der Schuhmacher
Josefine Dora as Seine Mutter
Fritz Kampers
Ivan Koval-Samborsky
Adele Sandrock
Franz Schafheitlin

Plot summary
The story begins like a fairytale: A stork, hunting for food in a Dutch village pond, picks out a baby girl and drops her in the cradle in the mayor's house  The mayor, who is a practical man, connects his saw and the baby's cradle with a string, and with every pull of the saw he rocks little Mariett – which is the name of the tiny foundling – to her sleep 
As the years go by, Mariett grows up to be a merry young woman, albeit a bit naïve, but full of joie de vivre and very fond of dancing  When on her 16th birthday a covert admirer gives her a pair of silk shoes she hurries to the village church to pray to Saint Joseph for a fitting pair of silk stockings  Her prayer, though, is overheard by two affluent young men  The one of them is a painter, copying one of the church windows; he is accompanied by his friend Robert van Dammen  They are very much amused about the girl's simple-mindedness and they plan to hoax her  With her father's consent – who is paid 300 guilder – Mariett is drugged and in her dreams she sees herself as a princess  When she awakes in Robert's palais the men proceed with their hoax, with Robert himself acting as “princess” Mariett's driver  Three days later, however, the fun is over and Mariett is told the truth  She is deeply upset about being had in such a way  So she decides to leave the village to seek her fortune in the big wide world 
Riding a train on her journey she plays her harmonica and dances  A bar operator who watches Mariett is delighted by her unsophisticated naivety, but also her outstanding entertaining talent  So he hires her as a show act for his Paris establishment  And soon the simple Dutch girl rises to be a number one star of the Paris show scene 
Meanwhile the two jokesters have heard about Mariett's racy success  As Robert has fallen in love with her he tries to find the way into her heart, what he undertakes on the skiing slopes and toboggan runs of Saint Moritz  On New Year's Eve Mariett and Robert are reconciled at last 

Production notes
Heut' tanzt Mariett was filmed between 28 November 1927 and 4 February 1928 in Staaken Studios (Berlin) and the location shots were done at Saint Moritz (Switzerland) 
On 10 March 1928 the motion picture passed censorship and was first released five days later in Beba-Palast Atrium, Berlin 
The movie was cleared for minors  It consisted of nine acts, the length of the reel being 2783 meters 
Passage 4:
Indru Nee Nalai Naan
Indru Nee Naalai Naan (transl  Today you, tomorrow me) is a 1983 Indian Tamil-language film, directed by Major Sundarrajan  The film stars Sivakumar, Jaishankar, Lakshmi and Sulakshana  It is based on the novel Thookku Mara Nizhalil by C  A  Balan  The film was released on 12 August 1983 

Plot
Marudhachalam marries Papathi, who prefers his brother Pazhaniappan  Papathi and Valli are childhood friends like sisters  Then Pazhaniappan marries Valli and has a child  Suddenly Marudhachalam dies before she gets to be with him intimately  She becomes a widow and raises Pazhaniappan's child  Now Papathi feels differently about Pazhaniappan and when Valli is gone, to have the second child, she asks Pazhaniappan to marry her  They both are on the way to get married, while they both change their minds  She goes back to being a widow and Pazhaniappan goes to see his wife and child  When Valli finds out, she tries to kill Papathi  Pazhaniappan tries to stop it, but Valli gets upset that he defends Papathi and she runs and falls into a well, hence committing suicide  Pazhaniappan goes to jail, stating he killed Valli as he feels guilty  He gets the death penalty  Papathi comes to see Pazhaniappan in the jail and he tells Papathi to marry someone else, but she refuses and commits suicide in front of Pazhaniappan 

Cast
Sivakumar as Pazhaniappan
Jaishankar as Marudhachalam
Lakshmi as Papathi
Sulakshana as Valli
Thengai Srinivasan as Doctor
Manorama as Kamalam
Major Sundarrajan as a police officer

Production
Indru Nee Naalai Naan was based on the novel Thookku Mara Nizhalil by C  A  Balan which was inspired from true events of his life  It was directed by Major Sundarrajan, his second directorial after Kalthoon (1982) and was produced by his younger brother Sampath alongside Pala  Karuppiah  The film was launched on 12 October 1982  The song "Kaangeyam Kaalaigale" was shot at Aathur Road, Salem  The scenes were also shot at Salem Prison with special permission  L  R  Shanmugam's home at Salem was used as Sivakumar's house for the film 

Soundtrack
Music was composed by Ilaiyaraaja  The song "Ponvaanam Panneer Thoovuthu" is set in the Carnatic raga Gourimanohari, and follows a 78 time signature  Writer Suka said the song uses the "spirit of the rain" to evoke love 

Release and reception
Indru Nee Naalai Naan was released on 12 August 1983  Jayamanmadhan of Kalki praised the performances of the actors and Ilaiyaraaja's music and concluded by praising Sundarrajan for properly narrating a story but felt the end monologue could have been avoided 
Passage 5:
Mara Triangle
The Mara Triangle is the southwestern part of the Maasai Mara National Reserve, Kenya, and is managed by the not-for-profit organisation The Mara Conservancy on behalf of Trans-Mara County Council 
Divided from the rest of the Maasai Mara National Reserve by the Mara River, the Mara Triangle is less visited and less crowded, with a fairly good concentration of wildlife all year-round including the Big Five (lion, leopard, elephant, buffalo and rhino) and diverse plains 'game' such as cheetah, hyena, jackal, wildebeest, zebra, giraffe, waterbuck and many other species 
The Mara Triangle is one of the areas where herds of the Great Migration enter and exit the Maasai Mara National Reserve from the Serengeti National Park in Tanzania, making it one of the prime viewing locations for this wildlife spectacle  Crossings of the Mara River are world-renown for being particularly dramatic, featuring in many wildlife documentaries such as Wild Africa and Big Cat Diary 

Geography
The Mara Triangle is one third of the Maasai Mara National Reserve, with an area of 510 km²  It has two natural borders and one political; to the southwest is the Tanzania/Serengeti border, to the east is the Mara River, and to the northwest is the Oldoinyio Escarpment (also called Oloololo or Siria Escarpment) 
The landscapes of the Mara Triangle include riverine forest, red oat grasslands, volcanic hills and the 400-metre high Oloololo Escarpment 

Tourism
The Mara Triangle is managed by the Mara Conservancy, under contract by the Trans-Mara county council, a local non profit organisation formed by the local Maasai people, and contains a number of anti-poaching units 
There are two permanent lodges inside the Mara Triangle - Mara Serena and Little Governors   There are a few camps on the park's periphery which offer game drives inside the park: Angama Mara, Bateleur Camp, Kichwa Tembo, Kilima Camp, Mara Engai Wilderness Lodge, Mara Siria, and Mpata Safari Club 
It is also possible to take your own camping gear and stay at one of the public or private campsites and a number of seasonal mobile camps are set up to coincide with the arrival of the megaherds of the Great Migration each year 
The Mara Triangle is easy to access by plane with Angama Mara Airfield, Kichwa Tembo, Mara North, Musiara and Serena airstrips, and with daily scheduled flights connecting it with other parks and reserves in Kenya, the Kenyan coast (Mombasa, Diani, Malindi) and Nairobi (Jomo Kenyatta and Wilson airports)  The Mara Triangle is also reachable by road 
Passage 6:
Ann Mara
Ann Mara (June 18, 1929 – February 1, 2015) was an American businesswoman, socialite, philanthropist, the wife  and later widow of Wellington Mara, and the matriarch of the Mara family, which includes New York Giants CEO John Mara, and her granddaughters, actresses Rooney Mara and Kate Mara 

Personal life
Mara was born Ann Maria Teresa Mumm in Manhattan, New York City, the daughter of Olive (née DuBord) and George Mumm  She was of German, French-Canadian, and Irish ancestry  She married Wellington Mara (1916–2005) in 1954 and had eleven children Ann Mumm met Wellington Mara by chance when a woman fainted at a 7:30 a m  Mass that they both regularly attended  Both Ann and Wellington rushed to her side to help  Three of their early dates took place at Yankee Stadium, Madison Square Garden, and the Fordham gymnasium  After that Ann and Wellington were married, in 1954  They took their honeymoon in Southern California  Ann and Wellington had 11 children (7 girls and 4 boys) and 42 grandchildren  All their girls attended Convent of the Sacred Heart 
Her husband is considered  to have been one of the most influential figures in the history of the National Football League as the owner of the New York Giants  Ann Mara had been called the "First Lady of Football"  As a philanthropist, she donated money to various causes  In November 2014 she dedicated the opening of a new building for the San Miguel Academy for children at risk, which was built through the NFL Snowflake Foundation 

Media attention
Mara was an active member of the Giants community  In 2012 she gained media attention after having an argument with Terry Bradshaw 

Death
Mara was in good health until she fell on ice when she was fetching her newspaper outside of her Harrison home  Mara's housekeeper usually went to get the paper but on that day Mara went to get it herself  She died from pneumonia two weeks after her fall, on February 1, 2015  She was 85 years old  She was remembered with a moment of silence during Super Bowl XLIX; also, the Giants wore a patch on the right side of their uniforms, near the shoulders during the following season in her memory, with the letters "ATM" in black on a white circle background 
Passage 7:
The Trial of Madame X
The Trial of Madame X is a 1948 British drama film directed by Paul England and starring England and Mara Russell-Tavernan  It is based on the 1908 play Madame X by the French playwright Alexandre Bisson (1848-1912) 

Plot
A woman is thrown out of her home by her jealous husband and sinks into depravity  Twenty years later, she finds herself accused of murder for saving her son, who does not know who she is  He finds himself defending her without knowing her background 

Cast
Mara Russell-Tavernan as Jacqueline
Paul England as Perrisard
Frank Hawkins as La Roque
Eddie Leslie as Raymond
Hamilton Deane as Noel
Hamilton Keene as Louis
Jean Le Roy as Madeleine

See also
Madame X

External links
The Trial of Madame X at IMDb
Passage 8:
Serengeti District
Serengeti District is one of the seven districts of Mara Region of Tanzania  Its administrative centre is the town of Mugumu  It is home to part of the world-famous Serengeti National Park a UNESCO World Heritage Site and contains one of the western gates to the park According to the 2012 Tanzania National Census, the population of Serengeti District was 249,420 

Transport
There are no paved roads connecting Serengeti District with the rest of the country  The unpaved trunk road T17 from Musoma to Arusha passes through the district from west to east 

Administrative subdivisions
As of 2012, Serengeti District was administratively divided into 28 wards 

Wards
Passage 9:
The Girl from Capri
The Girl from Capri (German: Das Mädel von Capri) is a 1924 German silent comedy film directed by Frederic Zelnik and starring Lya Mara, Ulrich Bettac and Robert Scholz  It premiered in Berlin on 10 July 1924 

Cast
Lya Mara
Ulrich Bettac
Robert Scholz
Hermann Böttcher
Julia Serda
Passage 10:
Rhône-Alpes
Rhône-Alpes (French pronunciation: [ʁon alp] (listen)) was an administrative region of France  Since 1 January 2016, it is part of the new region Auvergne-Rhône-Alpes  It is located on the eastern border of the country, towards the south  The region was named after the river Rhône and the Alps mountain range  Its capital, Lyon, is the second-largest metropolitan area in France after Paris  Rhône-Alpes has the sixth-largest economy of any European region 

Geography
Rhône-Alpes is located in the southeast of France  The neighboring (pre-2016) regions are Bourgogne (Burgundy) and Franche-Comté to the north, Auvergne to the west, Languedoc-Roussillon to the southwest, and Provence-Alpes-Côte d'Azur to the south  The eastern part of the region is in the Alps, and borders Switzerland and Italy  The highest peak is Mont Blanc, on the French-Italian border  The central part of the region comprises the river valleys of the Rhône and the Saône  The confluence of these two rivers is at Lyon  The western part of the region contains the start of the Massif Central mountain range  The region also borders or contains major lakes such as Lake Geneva (Lac Léman) and Lake Annecy  The Ardèche flows through the southwest portion of the region, where it has carved the deepest gorge in Europe 
As with the rest of France, French is the only official language of the region  Until the mid-20th century, Arpitan was widely spoken in the whole region, while many of the inhabitants of the south spoke varieties of Occitan; both are in steep decline in this region  There are immigrant populations from Armenia, Italy, North Africa, Poland and Portugal, and elsewhere 
Rhône-Alpes is made up of the following departments:

Ain (01)  Capital: Bourg-en-Bresse
Ardèche (07)  Capital: Privas
Drôme (26)  Capital: Valence
Isère (38)  Capital: Grenoble
Loire (42)  Capital: Saint-Étienne
Rhône (69)  Capital: Lyon
Savoie (73)  Capital: Chambéry
Haute-Savoie (74)  Capital: AnnecyAnd, since 2015, Metropolis with territorial collectivity statute:

Metropolis of Lyon (69)  Capital: Lyon

Lakes
There are six main lakes in Rhône-Alpes:

Lac de Paladru
Lac d'Aiguebelette
Lac du Bourget
Lac d'Annecy
Lac de Nantua
Lac Léman

Prefectures
Prefectures listed in descending order of size:

Lyon (Rhône)
Grenoble (Isère)
Saint-Étienne (Loire)
Valence (Drôme)
Chambéry (Savoie)
Annecy (Haute-Savoie)
Bourg-en-Bresse (Ain)
Privas (Ardèche)

History
Although there have been people in Rhône-Alpes since pre-historic times, the earliest recorded settlers of the region were the Gauls (Celts)  Cities such as Lyon were founded by them and the region traded with both northern and southern Europe  Most of the area became part of Roman territory during the invasion of Celtic Gaul led by Julius Caesar and was at various times part of the regions of Lugdunensis and Gallia  Lyon itself became a major city in the Roman Empire 
The region, excepting Savoy, was part of the Merovingian and Carolingian Kingdoms before becoming a royal territory under the Capetians  As it became a royal territory early on in French history, its cultural, political and economic influences and developments paralleled those of greater France  (See History of France )

Transportation
Rhône-Alpes is a major European transit hub, linking northern France and Europe to the Mediterranean area  Millions travel along its motorways in summertime from Paris to holidays at the sea  The E15 Euroroute (Britain to Spain) runs through the region  There are international airports at Lyon, Grenoble and Saint-Étienne and many other minor airports and airfields 
The region is also a transport hub for the rail network with the TGV running through Lyon from Paris and the north, to the Mediterranean  A high-speed rail link is planned from Lyon to Turin 

Economy
Rhône-Alpes is a prosperous region which can be seen by its per capita GDP of about €31,231 ($40,000), which is higher than the French average, and an average income of €35,910 ($50,246), its economy second in size only to Île-de-France in France  This can be attributed to the diversity of the production in different sectors  The region is one of the Four Motors for Europe 

Industry, in particular:
Light engineering and high-tech
Mechanical engineering in the area of Annecy
Precision machining in the area of Cluses
Services, in particular:
High-tech industries, nanotechnology, biotechnology especially in Grenoble with 62,300 jobs in these sectors thanks to the presence of the Polygone Scientifique, Inovallée and some large companies as Schneider Electric 
Optic and design in Saint-Étienne
Tourism with the Alps (for skiing), Lyon and Grenoble (for culture) and the Ardèche (adventure sports/camping) particularly popular
Education, with major universities in Lyon, Grenoble and Saint-Étienne In the past mining, especially coal mining was an important sector, particularly around Saint-Étienne, although this has declined since the 1970s 
The area of the region that lies close to Switzerland has an economy linked to that of Geneva  This area forms a hinterland for the Geneva hub The Triangle of Lyon, Saint-Étienne and Grenoble contribute a GDP of €145 billion to the region  Add Valence to it, it is almost €150 billion  In addition, Lyon alone has a Gross Metropolitan Product of about €85 billion 
The region has been part of Alps–Mediterranean Euroregion since 10 July 2007 

Major cities
Winter Olympics
Rhône-Alpes region has hosted the Winter Olympics three times; in 1924 at Chamonix, 1968 at Grenoble, and 1992 at Albertville 

Tourism
Situated between Paris and the Côte d’Azur, on the border with both Switzerland and Italy, and offering access to two international airports (Lyon and Geneva), rail connections and a vast motorway network, the Rhône-Alpes region is at "the crossroads of Europe" 
Boasting eight natural parks and peerless sites such as Mont Blanc and the Gorges de l’Ardèche, Rhône-Alpes offers a wide range of different landscapes: mountains, vineyards and gentle valleys, fields of lavender and olive groves 
Every form of sport is readily available, set against a natural backdrop: skiing, hiking, mountain biking or even paragliding and canoeing  Besides hosting three Winter Olympics games due to its being the largest ski area in the world, Rhône-Alpes is the second most important golfing region in France with over 60 courses 

Enthusiasts of art and culture will not be disappointed by the region's Villes d’Art: Lyon, which is classified by UNESCO as a World Heritage site, Annecy, Grenoble, Chambéry, and Saint-Étienne 
And last but not least, connoisseurs of good food and wine will be spoilt for choice by the range of local specialties available to taste along with a Beaujolais or a Côtes du Rhône, and by the sheer number of famous restaurants (with Paul Bocuse at the top of the list) in the region 

Gastronomy
Lyon is noted as a gastronomic centre of France and specialities served in its traditional bouchons include Lyon sausage, sophisticated salami (known there as "rosette"), tripe and quenelles  In the east of the region the food has an Alpine flavour with dishes such as fondue, raclette common, gratin dauphinois and gratin savoyard  The region is also famous for its Bresse poultry and the many varieties of cheese including Tomme de Savoie, Bleu de Bresse, Reblochon, Saint-Marcellin and Vacherin du Haut-Doubs Wines in this region include Beaujolais, Côtes du Rhône and Savoy wine  Chartreuse liqueur is made in the region 
Lyon is the home of very typical and traditional restaurants: the bouchons  Bouchons are usually convivial restaurants serving local dishes, and local wines 
Lyon is famous for its morning snacks, the mâchons, made up of local charcuterie, especially the rosette and usually accompanied by Beaujolais red wine  Traditional local dishes include saucisson de Lyon (sausage), andouillette, coq au vin, esox (pike) quenelle, gras double (tripe cooked with onions), salade lyonnaise (lettuce with bacon, croûtons and a poached egg), marrons glacés and cardoon au gratin 

See also
List of châteaux in Rhône-Alpes
Transport in Rhône-Alpes
Passage 11:
Trans Mara District
Trans Mara District was an administrative district in the former Rift Valley Province of Kenya  Its capital town was Kilgoris  The district had a population of 170,591 (1999 census) and an area of 2,846 km² [1]  It was created in 1994, when Trans Mara District was split from Narok District 
The Mara Triangle (part of the Masai Mara reserve) is located in Trans-Mara District  The district had only one local authority, Trans Mara county council  Kilgoris Constituency was the only constituency of the district 
Under the 2010 Constitution of Kenya and the new devolved form of government, the Trans Mara area was merged into Narok County   It continues as the Kilgoris Constituency electorally and administratively 
Its name refers to the territory "across the Mara River" from the perspective of the rest of Narok County   The term "Trans Mara" is still used to refer to the geographical area 

External links
Aridland go ke
Reliefweb int
Passage 12:
A Ghost Story
A Ghost Story is a 2017 American supernatural drama film written and directed by David Lowery and starring Casey Affleck and Rooney Mara, with Will Oldham, Liz Cardenas Franke, Sonia Acevedo, and Rob Zabrecky in supporting roles  It is about a man who becomes a ghost and remains in the house he shared with his wife 
The film had its world premiere at the Sundance Film Festival on January 22, 2017, and was released by A24 in the United States on July 7, 2017  It received positive reviews from critics
Context 3: Passage 1:
ISO 3166-2:JP
ISO 3166-2:JP is the entry for Japan in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g  provinces or states) of all countries coded in ISO 3166-1 
Currently for Japan, ISO 3166-2 codes are defined for 47 prefectures 
Each code consists of two parts, separated by a hyphen  The first part is JP, the ISO 3166-1 alpha-2 code of Japan  The second part is two digits (01–47), which is the Japanese Industrial Standard JIS X 0401 code of the prefecture  The codes are assigned roughly from north to south 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 

See also
Administrative divisions of Japan
FIPS region codes of Japan

External links
ISO Online Browsing Platform: JP
Districts of Japan, Statoids com
Passage 2:
ISO 3166-2:IN
ISO 3166-2:IN is the entry for India in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for India, ISO 3166-2 codes are defined for 28 states and 8 union territories 
Each code consists of two parts, separated by a hyphen  The first part is IN, the ISO 3166-1 alpha-2 code for India  The second part is two letters, currently used in vehicle registration plates with some exceptions 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 

Notes

Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998  ISO stopped issuing newsletters in 2013 

The following changes to the entry are listed on ISO's online catalogue, the Online Browsing Platform:

See also
Subdivisions of India
FIPS region codes of India
Passage 3:
ISO 3166-2:DM
ISO 3166-2:DM is the entry for Dominica in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Dominica, ISO 3166-2 codes are defined for 10 parishes 
Each code consists of two parts, separated by a hyphen  The first part is DM, the ISO 3166-1 alpha-2 code of Dominica  The second part is two digits (02–11) 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998:

See also
Subdivisions of Dominica
FIPS region codes of Dominica

External links
ISO Online Browsing Platform: DM
Parishes of Dominica, Statoids com
Passage 4:
ISO 3166-2:BY
ISO 3166-2:BY is the entry for Belarus in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Belarus, ISO 3166-2 codes are defined for 6 oblasts and 1 city  The city Minsk is the capital of the country and has special status equal to the oblasts 
Each code consists of two parts, separated by a hyphen  The first part is BY, the ISO 3166-1 alpha-2 code of Belarus  The second part is two letters 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
ISO 639-1 codes are used to represent subdivision names in the following administrative languages:

(be): Belarusian — Romanization system: BGN/PCGN 1979, UN X/6 2012
(ru): Russian — Romanization system: BGN/PCGN 1947, GOST 1983 = UN V/18 1987Click on the button in the header to sort each column 

Notes

Changes
The following changes to the entry have been announced by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998  ISO stopped issuing newsletters in 2013 

See also
Subdivisions of Belarus
FIPS region codes of Belarus

External links
ISO Online Browsing Platform: BY
Regions of Belarus, Statoids com
Passage 5:
ISO 3166-2:JM
ISO 3166-2:JM is the entry for Jamaica in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Jamaica, ISO 3166-2 codes are defined for 14 parishes 
Each code consists of two parts, separated by a hyphen  The first part is JM, the ISO 3166-1 alpha-2 code of Jamaica  The second part is two digits (01–14)  The codes are assigned in the 
counter-clockwise direction starting from Kingston Parish 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

See also
Subdivisions of Jamaica
FIPS region codes of Jamaica

External links
ISO Online Browsing Platform: JM
Parishes of Jamaica, Statoids com
Passage 6:
ISO 3166-2:AD
ISO 3166-2:AD is the entry for Andorra in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Andorra, ISO 3166-2 codes are defined for 7 parishes 
Each code consists of two parts, separated by a hyphen  The first part is AD, the ISO 3166-1 alpha-2 code of Andorra  The second part is two digits:

02–06: parishes created before 1978 except Andorra la Vella
07–08: Andorra la Vella and Escaldes-Engordany (Escaldes-Engordany split from Andorra la Vella in 1978)

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

Changes
The following changes to the entry have been announced by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998  ISO stopped issuing newsletters in 2013 

See also
Subdivisions of Andorra
FIPS region codes of Andorra
Neighbouring countries: ES, FR 

External links
ISO Online Browsing Platform: AD
Parishes of Andorra, Statoids com
Passage 7:
ISO 3166-2:BN
ISO 3166-2:BN is the entry for Brunei in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Brunei, ISO 3166-2 codes are defined for 4 districts 
Each code consists of two parts, separated by a hyphen  The first part is BN, the ISO 3166-1 alpha-2 code of Brunei  The second part is two letters 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

Changes
The following changes to the entry are listed on ISO's online catalogue, the Online Browsing Platform:

See also
Subdivisions of Brunei
FIPS region codes of Brunei

External links
ISO Online Browsing Platform: BN
Districts of Brunei Darussalam, Statoids com
Passage 8:
ISO 3166-2:GR
ISO 3166-2:GR is the entry for Greece in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO) which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Greece, ISO 3166-2 codes are defined for two categories of subdivisions:

13 administrative regions
1 self-governed partThe departments (also called prefectures) were abolished in 2011, and were replaced approximately by regional units  The regional units were deleted from the entry in 2016 
Each code consists of two parts, separated by a hyphen  The first part is GR, the ISO 3166-1 alpha-2 code of Greece  The second part is either of the following:

one letter (A–M): administrative regions
two digits: self-governed part

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

Administrative regions
Notes

Self-governed part
Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998:

The following changes to the entry are listed on ISO's online catalogue, the Online Browsing Platform:

Codes changed in Newsletter II-1
Codes removed on 15 November 2016
See also
Subdivisions of Greece
FIPS region codes of Greece
NUTS codes of Greece

External links
ISO Online Browsing Platform: GR
Departments of Greece, Statoids com
Passage 9:
ISO 3166-2:BE
ISO 3166-2:BE is the entry for Belgium in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g  provinces or states) of all countries coded in ISO 3166-1 
Currently for Belgium, ISO 3166-2 codes are defined for two levels of subdivisions:

3 regions
10 provincesEach code consists of two parts, separated by a hyphen  The first part is BE, the ISO 3166-1 alpha-2 code of Belgium  The second part is three letters  For the provinces, the first letter indicates the region where the province is in:

V: Flemish Region (Dutch: Vlaams Gewest)
W: Walloon Region (French: Région wallonne)

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
ISO 639-1 codes are used to represent subdivision names in the following administrative languages:

(fr): French
(nl): DutchClick on the button in the header to sort each column 

Regions
Notes

Provinces
Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998  ISO stopped issuing newsletters in 2013 

The following changes to the entry are listed on ISO's online catalogue, the Online Browsing Platform:

See also
Subdivisions of Belgium
FIPS region codes of Belgium
NUTS codes of Belgium

External links
ISO Online Browsing Platform: BE
Provinces of Belgium, Statoids com
Passage 10:
ISO 3166-2:BT
ISO 3166-2:BT is the entry for Bhutan in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Bhutan, ISO 3166-2 codes are defined for 20 districts 
Each code consists of two parts, separated by a hyphen  The first part is BT, the ISO 3166-1 alpha-2 code of Bhutan  The second part is two digits, except Gasa and Trashi Yangtse, which use two letters instead  The first digit indicates the zone where the district is in:

1: Western
2: Central (Gasa is also in this zone)
3: Southern
4: Eastern (Trashi Yangtse is also in this zone)

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

Notes

Changes
The following changes to the entry are listed on ISO's online catalogue, the Online Browsing Platform:

See also
Subdivisions of Bhutan
FIPS region codes of Bhutan

External links
ISO Online Browsing Platform: BT
Districts of Bhutan, Statoids com
Passage 11:
ISO 3166-2:CH
ISO 3166-2:CH is the entry for Switzerland in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
The abbreviation is derived from Latin name for Switzerland, Confoederatio Helvetica ("Helvetic Confederation") 
Currently for Switzerland, ISO 3166-2 codes are defined for 26 cantons 
Each code consists of two parts, separated by a hyphen  The first part is CH, the ISO 3166-1 alpha-2 code of Switzerland  The second part is two letters, currently used in vehicle registration plates 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
ISO 639-1 codes are used to represent subdivision names in the following administrative languages:

(de): German
(fr): French
(it): Italian
(rm): RomanshClick on the button in the header to sort each column 

Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998:

See also
Subdivisions of Switzerland
FIPS region codes of Switzerland
NUTS codes of Switzerland
Comparison of ISO, FIPS, and NUTS codes of the cantons of Switzerland

External links
ISO Online Browsing Platform: CH
Cantons of Switzerland, Statoids com
Passage 12:
ISO 3166-2:HU
ISO 3166-2:HU is the entry for Hungary in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Hungary, ISO 3166-2 codes are defined for 1 capital city, 19 counties, and 23 cities with county rights  The capital of the country Budapest has special status equal to the counties, while the cities with county rights, often called urban counties, have extended powers but are technically not independent of the counties 
Each code consists of two parts, separated by a hyphen  The first part is HU, the ISO 3166-1 alpha-2 code of Hungary  The second part is two letters 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

Changes
The following changes to the entry have been announced by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998:

See also
Subdivisions of Hungary
FIPS region codes of Hungary
NUTS codes of Hungary

External links
ISO Online Browsing Platform: HU
Counties of Hungary, Statoids com
Passage 13:
ISO 3166-2:AI
ISO 3166-2:AI is the entry for Anguilla in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently no ISO 3166-2 codes are defined in the entry for Anguilla 
Anguilla is officially assigned the ISO 3166-1 alpha-2 code AI 

See also
Subdivisions of Anguilla

External links
ISO Online Browsing Platform: AI
Districts of Anguilla, Statoids com
Passage 14:
ISO 3166-2:GN
ISO 3166-2:GN is the entry for Guinea in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Guinea, ISO 3166-2 codes are defined for two levels of subdivisions:

7 administrative regions and 1 governorate
33 prefecturesThe governorate Conakry is the capital of the country and has special status equal to the administrative regions 
Each code consists of two parts, separated by a hyphen  The first part is GN, the ISO 3166-1 alpha-2 code of Guinea  The second part is either of the following:

one letter: administrative regions and governorate
two letters: prefectures

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

Administrative regions and governorate
Prefectures
Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998:

See also
Subdivisions of Guinea
FIPS region codes of Guinea
Passage 15:
ISO 3166-2:GA
ISO 3166-2:GA is the entry for Gabon in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Gabon, ISO 3166-2 codes are defined for 9 provinces 
Each code consists of two parts, separated by a hyphen  The first part is GA, the ISO 3166-1 alpha-2 code of Gabon  The second part is a digit (1–9) 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
Click on the button in the header to sort each column 

See also
Subdivisions of Gabon
FIPS region codes of Gabon

External links
ISO Online Browsing Platform: GA
Provinces of Gabon, Statoids com
Passage 16:
ISO 3166-2:KM
ISO 3166-2:KM is the entry for the Comoros in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for the Comoros, ISO 3166-2 codes are defined for 3 islands 
Each code consists of two parts, separated by a hyphen  The first part is KM, the ISO 3166-1 alpha-2 code of the Comoros  The second part is a letter 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
ISO 639-1 codes are used to represent subdivision names in the following administrative languages  The Shikomor language does not have a single ISO 639 code 

(ar): Arabic using two romanization systems
(fr): French
(—): ShikomorClick on the button in the header to sort each column 

Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998  ISO stopped issuing newsletters in 2013 

The following changes to the entry are listed on ISO's online catalogue, the Online Browsing Platform:

See also
Subdivisions of the Comoros
FIPS region codes of the Comoros

External links
ISO Online Browsing Platform: KM
Autonomous Islands of Comoros, Statoids com
Passage 17:
Cape Verde
Cape Verde ( (listen)) or Cabo Verde ( (listen), ; Portuguese: [ˈkaβu ˈveɾðɨ]), officially the Republic of Cabo Verde, is an archipelago and island country in the central Atlantic Ocean, consisting of ten volcanic islands with a combined land area of about 4,033 square kilometres (1,557 sq mi)  These islands lie between 600 and 850 kilometres (320 and 460 nautical miles) west of Cap-Vert, the westernmost point of continental Africa  The Cape Verde islands form part of the Macaronesia ecoregion, along with the Azores, the Canary Islands, Madeira, and the Savage Isles 
The Cape Verde archipelago was uninhabited until the 15th century, when Portuguese explorers discovered and colonized the islands, thus establishing the first European settlement in the tropics  Because the Cape Verde islands were located in a convenient location to play a role in the Atlantic slave trade, Cape Verde became economically prosperous during the 16th and 17th centuries, attracting merchants, privateers, and pirates  It declined economically in the 19th century after the suppression of the Atlantic slave trade, and many of its inhabitants emigrated during that period  However, Cape Verde gradually recovered economically by becoming an important commercial center and useful stopover point along major shipping routes  Cape Verde became independent in 1975 
Since the early 1990s, Cape Verde has been a stable representative democracy and has remained one of the most developed and democratic countries in Africa  Lacking natural resources, its developing economy is mostly service-oriented, with a growing focus on tourism and foreign investment  Its population of around 483,628 (as of the 2021 Census) is mostly of mixed African and a minor European heritage, and predominantly Roman Catholic, reflecting the legacy of Portuguese rule  A sizeable Cape Verdean diaspora community exists across the world, especially in the United States and Portugal, considerably outnumbering the inhabitants on the islands  Cape Verde is a member state of the African Union 
Cape Verde's official language is Portuguese   It is the language of instruction and government  It is also used in newspapers, television, and radio  The recognized national language is Cape Verdean Creole, which is spoken by the vast majority of the population 
As of the 2021 census the most populated islands were Santiago, where the capital Praia is located (269,370), São Vincente (74,016), Santo Antão (36,632), Fogo (33,519) and Sal (33,347)  The largest cities are Praia (137,868), Mindelo (69,013), Espargos (24,500) and Assomada (21,297) 

Etymology
The country is named after the Cap-Vert peninsula, on the Senegalese coast  The name Cap-Vert, in turn, comes from the Portuguese language Cabo Verde ('green cape'), the name that Portuguese explorers gave the cape in 1444, a few years before they came across the islands 
On 24 October 2013, the country's delegation to the United Nations informed it that other countries should no longer use Cape Verde or any other translations of Cabo Verde as part of its official name: all countries should use Republic of Cabo Verde as the country's official name  Speakers of English have used the name Cape Verde for the archipelago and, since independence in 1975, for the country  In 2013, the Cape Verdean government determined that it would thenceforth use the Portuguese name Cabo Verde for official purposes, including at the United Nations, even when speaking or writing in English 

History
The archipelago of modern-day Cape Verde was formed approximately 40–50 million years ago during the Eocene era 
Before the arrival of Europeans, the Cape Verde Islands were uninhabited  They were discovered by Genoese and Portuguese navigators around 1456  According to Portuguese official records, the first discoveries were made by Genoa-born António de Noli, who was afterwards appointed governor of Cape Verde by the Portuguese king Afonso V  Other navigators mentioned as contributing to discoveries on the Cape Verde archipelago are Diogo Dias, Diogo Afonso, Venetian Alvise Cadamosto, and Diogo Gomes (who had accompanied António de Noli on his voyage of discovery, and who claimed to have been the first to land on the Cape Verdean island of Santiago, and the first to name that island)



ground_truth: Michael Bublé

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which country has a body of water that was inspiration for the name of the Mara Region?

The following are given passages.
Context 2: 

Plot
A woman mentions to her musician husband that she moved a lot as a child and took to hiding little notes wherever she lived  The couple are in disagreement about moving away  Occasionally they hear strange noises and one night there is a loud bang, the source of which they are unable to define 
Shortly afterwards the husband is killed in a car accident a short distance from the house  At the hospital his wife views his body, covering it with a sheet before departing  The husband awakens and, still covered by the sheet, wanders through the hospital  He is invisible to the living, as he is now a ghost  A door of light opens before him but he makes no attempt to approach it and it closes 
The ghost walks home and sees Linda, his landlord, drop off a pie  When the wife gets home she sits on the floor and eats the pie until she vomits 
Unable to communicate, the ghost watches while the wife grieves and then begins to proceed with her life  In the house next door he sees a ghost covered by a flower-print sheet who communicates that it is waiting for someone, though it does not remember who 
The wife comes home with a man whom she kisses in the doorway, and the ghost makes the lights flicker and knocks books from a shelf  Later, the wife listens to one of her husband's songs and recalls when he played her the recording for the first time  She moves away but first writes a short note and hides it in a gap between some molding, which she paints over  The ghost picks at the paint but he is unable to reach the note 
A Spanish-speaking mother moves into the house with her young son and daughter  The ghost watches them eat, play the piano and celebrate Christmas  The children begin to sense his presence and become frightened  One night, the ghost knocks a framed photo of the family off the piano and smashes dishes in the kitchen  The family moves out and the ghost again scrapes at the paint 
At a party thrown by the next occupants a woman says she has stopped working on her novel and a man responds by musing about what the point is of any creative pursuit, even one as uplifting and universally known as Beethoven's 9th Symphony, given that the sun will eventually engulf Earth and the universe will eventually rip itself apart  The partygoers notice the lights flicker 
The house is abandoned and becomes derelict and the ghost's efforts to retrieve the note are interrupted by a bulldozer crashing through a wall  The house next door is also torn down and the flower-print ghost communicates that it does not think whoever it is waiting for is coming, and it disappears from beneath its sheet  A skyscraper is built where the house was and, when the work is done, the ghost looks at a futuristic cityscape from a balcony before jumping off the ledge 
The celestial sphere rotates in reverse, and the ghost finds himself in a field in the 19th century with a man who is driving stakes into the ground  The man's wife and three daughters arrive in a covered wagon, and the family prepares to build a house  The youngest daughter writes a note and hides it under a rock while humming the tune of the husband's song  Native Americans attack and kill the family, and the ghost watches the girl's corpse decay 
Back in the house, which is empty except for the piano, the ghost sees himself and his wife enter and look around, and his life in the house repeats itself  The husband's resistance to the wife's desire to move causes tension in their relationship and, the night before his death, he finally acquiesces  Hearing this, the ghost sits down heavily at the piano, causing the bang that had earlier startled himself and his wife  Later, the ghost watches his earlier ghost-self watch the wife leave the house for the last time  He retrieves the note and, upon reading it, disappears, his empty sheet collapsing to the floor 

Cast
Production
Development
David Lowery had wanted to make a film featuring a man in a rudimentary ghost costume "for a while", telling Comingsoon net: "I just loved that image  I love taking something that is understood to be funny or charming or sweet or naive and instilling it with some degree of gravity " When he and his wife got in an argument about moving back to Texas, he began to write down the argument "thinking about my own attachment to physical spaces " After he thought to combine this with the idea about the ghost costume, he came up with the basic concept for the movie fairly quickly and began to write the screenplay in the spring of 2016  Lowery also used the film to work through what he termed "An existential crisis" brought on by reading an article about the possibility of a catastrophic earthquake, saying: "I was not feeling optimistic about the future of mankind  I felt the world was on its way to ending  The film became my way of dealing with those issues " The film's atypical 1 33:1 aspect ratio was chosen by Lowery partially because he thought it was thematically appropriate: "It’s about someone basically trapped in a box for eternity, and I felt the claustrophobia of that situation could be amplified by the boxiness of the aspect ratio "The ghost costume that was ultimately designed for the film ended up being more complicated than Lowery had anticipated  At first, the filmmakers attempted to simply use a normal bed sheet, but they found that even a king-sized sheet does not fully cover an adult male  The final costume required Affleck to wear certain other garments beneath the fabric to achieve the desired look, and the filmmakers found they had to resort to some "puppeteering" to keep the eyes in place  Beyond the practical constraints of the costume, Lowery also found that it impeded Affleck's ability to act, noting: "every unique physical trait as a human being was pronounced and exaggerated by this sheet over his head " This did not give Lowery the results he wanted, and he eventually solved the problem by reducing the amount Affleck moved, so "it became a matter of patience and posture and moving very specifically, slowly and rigidly "

Filming
Principal photography began in June 2016  The majority of the film takes place within a single house, which was chosen by Lowery because it closely resembled the first house he lived in with his wife  As the house was about to be demolished, the film crew were allowed to use it for free  Some shots of the ghost, specifically those done during pickups or reshoots, do not feature Affleck, instead replacing him with the film's art director, David Pink, who was found to have a similar build As the filmmakers did not know how the final product would turn out, the film was shot in secret and not officially announced until November 2016, at which point it was confirmed that Mara and Affleck were the leads  It was later revealed that Kesha would appear in the film in a cameo role 

Music
Daniel Hart composed the score for the film, as he had for all of Lowery's previous features and one short film  A soundtrack of the score was released by Milan Records on July 7, 2017 

Release
Prior to the film's world premiere at the Sundance Film Festival on January 22, 2017, A24 acquired its worldwide distribution rights  The company released the film in the United States on July 7, 2017 

Box office
The film earned $104,030 from four theaters during its opening weekend (an average per-location gross of $26,008), finishing in 26th place at the American box office  By the end of its theatrical run, it had grossed $1,596,371 domestically and $355,312 internationally, for a worldwide total of just under $2 million 

Reception
Critical response
On review aggregator website Rotten Tomatoes, the film has an approval rating of 91% based on 285 reviews, with an average score of 8/10; the website's "critics consensus" reads: "A Ghost Story deftly manages its ambitious themes through an inventive, artful, and ultimately poignant exploration of love and loss " On Metacritic, the film has a weighted average rating of 84 out of 100 based on reviews from 46 critics, indicating "universal acclaim" Peter Debruge of Variety gave the film a positive review, writing: "While Lowery's actual method of delivery may not be scary, it's sure to haunt those who open themselves up to the experience " David Rooney of The Hollywood Reporter also gave the film a positive review, writing: "A poetic meditation on time, memory and spiritual connection that is utterly true to its title " Eric Kohn of IndieWire gave the film an "A" rating, calling it "an extraordinary mood piece that amounts to [Lowery's] best movie yet " Gary Thompson of the Philadelphia Inquirer gave the film two and a half stars out of four and wrote: "The movie is trippy and almost willfully opaque—all I can say for sure is I left A Ghost Story feeling full "Richard Brody, writing for The New Yorker, included A Ghost Story in his list of the 27 best films of the decade 

Accolades
On September 9, 2017, the film won three awards at the 43rd Deauville American Film Festival: the Revelation Prize, the Critics Prize and the Jury Prize; additionally, David Lowery was nominated for the Grand Special Prize  On October 14, the film won two awards at the Sitges Film Festival: Best Photography and the Carnet Jove Jury Award  At the Fantasia Film Festival, the film won the Camera Lucida Award 
Passage 13:
Mara Marini
Mara Marini is a Canadian actress best known for her reoccurring role as Brandi Maxxxx in the NBC comedy series Parks and Recreation  She has performed in several independent films and plays in the Los Angeles theater scene, as well as making other television appearances 

Early life
Mara Marini was born in Winnipeg, Manitoba, and had wanted to be an actress since the age of four  She was accepted to the University of Hawaii for marine biology, but ultimately attended York University in Toronto  After graduating, she auditioned for and was accepted to the American Academy of Dramatic Arts in Los Angeles, where she moved to study acting 

Career
Marini appeared in a number of independent films starting in the mid-2000s, particularly horror films, including In The Dark (2004), Slaughterhouse Phi: Death Sisters (2006), Darkworld (2006), Blood Legend (2006), Gothic Vampires from Hell (2007) and Munch (2008)  She has also experimented with stand-up comedy Marini, who had some theater experience in Canada, started performing on stage in the Los Angeles area, and became an active member of The Road Theatre Company  Among her credits with that company in 2007 was "Biblio," a Wayne Peter Liebman one-act play about a girl whose psychological issues invoke a barrage of images, including a Marilyn Monroe character portrayed by Marini  Also in 2007, she appeared in "Bitch", a dark comedy by Susan Rubin that played at the Bootleg Theater  Marini portrayed a giddy receptionist who has an affair with one of the main characters, a hedonistic public relations firm partner  In 2008, she appeared in a Road Theatre production of "The Friendly Hour" at the Road Theatre, playing one of a group of South Dakota housewives whose life stories are told over a 73-year period Marini appeared in the 2008 horror short film Deader Living Through Chemistry, a horror short film about zombies that appeared on the DVD release of George A  Romero's film Diary of the Dead  In 2009, Marini performed in a 15-week run of "Bram Stoker's Dracula" at the NoHo Theatre in Los Angeles, directed by Ken Sawyer  She portrayed Mina Harker, although on rare occasions she served as an understudy for the Lucy Westenra role  Marini received positive reviews; in a review of one of her Lucy performances, Culture Spot LA writer Julie Riggott said she "made a convincing transformation from meek innocent to voluptuous vampire"  Robert Machray of BlogCritics org wrote she "should get an award for her bloodcurdling screams" Marini had a supporting role in the 2009 film Ballistica, and played a Texan art dealer in the film The Back-Up Bride (2010)  She appeared in the film Psychosomatika (2010) after director Jeff Graham, who directed her in Blood Legend, contacted her and asked her to audition for a role  Also in 2010 she appeared in comedy sketches for the E! late night talk show Chelsea Lately, and a commercial for the website Vevo with American Idol runner-up Adam Lambert  Marini filmed a number of television pilots around this time, including ones for the Spike and the Oxygen channels Marini was cast in a guest appearance in the NBC comedy series Parks and Recreation as Brandi Maxxxx, a pornographic film actress  Marini had previously participated in a workshop with Dorian Frankel, the show's casting director, before auditioning for the Brandi Maxxxx role  Marini was concerned she didn't do her best at the audition, but was nevertheless chosen for the role  She first appeared in the third season episode "Jerry's Painting", which originally aired on April 28, 2011  In the episode, Brandi appears on a television news program along with Leslie Knope (Amy Poehler) in which Leslie is defending a painting that depicts her as a centaur with her breasts exposed  While Leslie defends the artistic merit of the painting, Brandi defends the painting while simultaneously comparing it to pornography, unwittingly undermining Leslie's arguments  Marini later reprised the role in the fourth season episode "The Debate", where Brandi Maxxxx ran for city council against Leslie and participated in a political debate against Bobby Newport (Paul Rudd) and two other candidates Marini returned to the stage in 2011, appearing in the Laurel Ollstein comedy "Esther's Moustache" at the Studio/Stage Theatre in Los Angeles  The play was about a female artist who draws magazine cartoons of beautiful goddesses, and Marini played Lilith, a sex-obsessed imaginary goddess who appears before the protagonist as her alter ego  She received positive reviews for the performance  LA Weekly writer Steven Leigh Morris called her a "scene-stealer", and the Los Angeles Times called her "an amusingly empty-headed statuesque siren"  Natalia Evdikimova of Culver City News wrote that Marini was "superbly cast" and "hard to ignore", adding: "Mara Marini is everything that a sex-loving goddess should be: bossy, sassy and provocative"  In 2011, Marini also appeared in the ABC legal drama series The Whole Truth, and that show's casting director called her for auditions in several other television roles Marini appeared in the 2012 film Sushi Girl, reuniting Marini with director Kern Saxton, who directed her in Deader Living Through Chemistry  Marini also portrayed Gloria, who she described as a "Marilyn Monroe-type scarlet-wannabe", in the 2013 film Rock and Roll: The Movie  She also has filmed performances for the upcoming films Alongside the Night and King of the Road 

Filmography
Passage 14:
Philippine television drama
Philippine television drama, also known as teledrama, Filipino telenovelas or P-drama, is a form of melodramatic, serialized, televised fiction in the Philippines  Teledrama is derived from two Filipino words: "tele", short for "telebisyón" (television) and "drama" (drama series) 
Teledramas share characteristics with and have roots similar to soap operas and telenovelas  They have evolved into a genre with unique characteristics, however, and often reflect Filipino social reality  Teledramas are aired in the afternoon and prime time, five days a week  Their audience crosses age and gender lines, and they have the highest advertising rates in the Philippine television industry  Series last from three months to a year or longer, depending on ratings 
Philippine TV dramas also include serials and anthologies, usually shown weekly  These dramas have a finite number of episodes and usually last one season, again depending on ratings 

History
1940s-1980s
Soap operas in the Philippines began with Gulong ng Palad (Wheel of Fortune) on radio in 1949, and the genre expanded into television during the early 1960s  The first Philippine TV soap opera was Hiwaga sa Bahay na Bato (Mystery at the Stone House) in 1963, produced by ABS-CBN  Larawan ng Pag-ibig (Picture of Love), Prinsipe Amante (Prince Amante), and a number of others followed Gulong ng Palad, co-written by Loida Virina, was the longest-running radio serial and ran until the mid-1980s  Its TV version starred Marianne Dela Riva and Ronald Corveau and introduced young actors, including Romnick Sarmenta  Veteran actress Caridad Sanchez enhanced the series' popularity 
The government closed several networks (including ABS-CBN) during the 1972–1986 martial-law period, leaving RPN and GMA the country's only two commercial television networks  The lack of a diverse media base aided the emergence of nationwide satellite broadcasting, and competition between the two networks spurred afternoon and prime-time sitcoms and serials  Philippine TV schedules resembled those in the U S , with networks scheduling shows in daily time blocks instead of separate weekday and weekend programming 
RPN produced María Flordeluna, starring Janice de Belén  Its cast also included Dindo Fernando and actress-director Laurice Guillen  GMA produced Anna Liza, starring Julie Vega  Before the introduction of a TV ratings system in the Philippines during the 1990s, the shows were rivals  Anna Liza, canceled in 1985 after Vega's death, had an unfinished storyline and a two-hour special in 1986 

1990s
Until the late 1980s, Philippine television dramas were broadcast during the afternoon  ABS-CBN resumed operations after the end of the Marcos dictatorship in 1986, and regained its audience lead by the end of the decade  During the early and mid-1990s, local sitcoms dominated Philippine television with the rise of ABS-CBN's Palibhasa Lalake, Home Along Da Riles, Oki Doki Doc and the political satire Abangan Ang Susunod Na Kabanata and GMA Network's Bubble Gang  International television swept the Philippines, beginning with Mexican telenovelas 
The decade is considered the golden age of Philippine television drama  Most, such as Agila, Anna Luna, Valiente and Mara Clara, were aired on ABS-CBN 
The most popular was the Las Tres Marias trilogy, produced by Televisa and starring Thalía  Marimar and Maria la del Barrio were broadcast in prime time on RPN, and Maria Mercedes was broadcast on ABS-CBN)  Major networks began to reschedule Filipino telenovelas in prime time to attract increased advertising revenue  By the mid-1990s, teledramas surpassed sitcoms in Filipino prime-time television 
One of the country's best-known TV series was Mara Clara, which aired from 1992 to 1997  The longest-running teledrama in the post-martial-law era, it had frequent time-slot changes before settling into the standard 7-8:00 pm prime-time block by late 1995  In mid-1997, Mula sa Puso (another ABS-CBN series) saw the rise of Claudine Barretto  Barretto played the heiress Via in the two-year soap; Rico Yan and Diether Ocampo were her leading men, and Princess Punzalan played Selina (the series' most influential character)  Mula Sa Puso was the country's first middle-class primetime series, differing from the telenovelas with protagonists from the lower socioeconomic classes 
GMA retained and popularized its afternoon dramas, such as 1995–1997's Villa Quintana (with Donna Cruz, Keempee de Leon and Isabel Rivas); it was followed by 1997–1998's Ikaw na Sana, with Angelu de Leon and Bobby Andrews  Both were moved to prime time 

2000s
Philippine television dramas evolved into teleserye, a portmanteau of the Filipino words telebisyon ("television") and serye ("series")  The term originated with the ABS-CBN drama Pangako Sa 'Yo, airing from 2000 to 2002 and starring Jericho Rosales and Kristine Hermosa, and the rivalry between actresses Eula Valdez and Jean Garcia  Pangako Sa'Yo, the Philippines' first teleserye, was considered a turning point in Philippine television because of its production and fast-paced, multiple-arc plotlines which distinguished it from telenovelas  Broadcast in the Americas, Africa and Asia, it remains the most successful Philippine television series worldwide  At the end of its run in 2002, Pangako Sa 'Yo had the highest-rated series-finale episode of a Philippine show  Kay Tagal Kang Hinintay, which ended in 2003, was the Philippines' first series which was a finalist in the Best Drama Series category of the 2003 International Emmy Awards 
ABS-CBN's 2004's Marina popularized the fantasy of most Filipino teleseryes  GMA Network's political drama Kung Mawawala Ka examined corruption, starring Eddie Garcia; it ran from 2001 to 2002, and received an award from the Philippine Movie Press Club (PMPC) 
Sana'y Wala Nang Wakas, aired between 2003 and 2004, was the world's first drama series to allow viewers to choose a story's ending by texting  A contemporary ABS-CBN teleserye, Basta't Kasama Kita, starred Judy Ann Santos and Robin Padilla; notable for its depiction of the National Bureau of Investigation, it was the first Filipino series to broadcast a live series-finale episode in 2004  In 2004, GMA Network overtook ABS-CBN in popularity when it introduced an all-fantaserye prime-time lineup featuring female-lead shows such as Encantadia and Mulawin  GMA gained a ratings foothold with Darna, starring Angel Locsin 
The Philippines emerged as one of the world's largest television-drama-producing nations in the middle of the decade  International hits included ABS-CBN's 2006 Gulong ng Palad, starring Kristine Hermosa and TJ Trinidad, which was carried on TFC  A 2007 remake of Maria Flordeluna, which had aired on RPN-9 during the 1970s and 1980s, starred Eliza Pineda; the 93-episode series received the 2008 PMPC Star Award for Best Television Series 
TV adaptations of films included ABS-CBN's Panday (starring Jericho Rosales and Heart Evangelista), Mga Anghel na Walang Langit and Kampanerang Kuba, starring Anne Curtis  The "sineserye" genre was introduced with Bituing Walang Ningning, starring Sarah Geronimo and Angelika de la Cruz 
2005 marked the start of domination of religious-oriented teleseryes, and trend of airing family-oriented drama series produced by ABS-CBN's Dreamscape Entertainment on series based on Fernando Poe Jr 's movies with Mga Anghel na Walang Langit which lasted for 210 episodes from May 9, 2005, to February 2006  Religious teleseryes continued to dominate on the following years and decades 
Late in the decade, GMA-7 and ABS-CBN became rivals  GMA aired its 2007 remake of the international telenovela MariMar  Three ABS-CBN series became popular: the remake of the 1977–1985 soap opera Gulong ng Palad, the teleserye Sa Piling Mo and the series Maging Sino Ka Man—the most popular teleserye internationally after Pangako Sa'Yo 
ABS-CBN produced its most expensive series, Lobo, in 2008; it starred Piolo Pascual and Angel Locsin—the first Filipino nominated for an International Emmy for a lead role  I Love Betty La Fea, a Filipino remake of the Colombian telenovela Yo soy Betty, la fea, was broadcast that same year; it was the most successful Philippine remake of a Latin telenovela since GMA Network's Marimar remake the year before 

2010s
ABS-CBN and GMA Network both claimed to be the Philippines' most popular network  GMA Network began appealing to viewers in Mega Manila during the mid-2000s; ABS-CBN's prime-time shows attracted viewers in other parts of the country, particularly Visayas and Mindanao  Philippine media experts attributed the trend to ABS-CBN's return to Filipino programming 
The 2010s featured two successful teleseryes (Dahil May Isang Ikaw and May Bukas Pa)  Dahil May Isang Ikaw began during the previous decade and ended on January 15, 2010  Religious teleseryes continued dominating television from the late 2000s since the premiere of Mga Anghel na Walang Langit on May 9, 2005  Among these religious teleseryes aired during the 2010s include May Bukas Pa, 100 Days to Heaven, Oh My G!, and Nathaniel, all of which were aired on ABS-CBN 
With the earlier success of the 2007 remake of Maria Flordeluna and the 2010 remake of Mara Clara (which introduced Julia Montes and Kathryn Bernardo), ABS-CBN popularized the revival of teen-themed telenovelas  Mara Clara's success inspired a remake of 1997's Mula sa Puso  In 2011, a number of actors moved between ABS-CBN and GMA Network  Both networks' hold on prime-time television was challenged by TV5's teleserye Babaeng Hampaslupa 
Teleseryes began to include storylines reflecting contemporary Philippine controversy  ABS-CBN's 2012 Walang Hanggan addressed adultery, while the network's 2012–2013 series Ina, Kapatid, Anak explored surrogate motherhood 
GMA Network premiered the big-budget historical drama series Amaya, starring Marian Rivera; Rivera also appeared in Temptation Of Wife, the Filipino version of a popular Korean series, with Dennis Trillo  Trillo later appeared in the 2013 teleserye My Husband's Lover, the Philippines' first gay-themed prime-time series 
ABS-CBN's 2014 series, The Legal Wife, was followed by the 2015 remake of Pangako Sa'Yo, starring Kathryn Bernardo and Daniel Padilla  The 2015 teleseryes Bridges of Love was broadcast as Puentes de Amor; the first Philippine drama aired in Latin America, it premiered on April 25, 2016, on Panamericana Televisión in Peru  The 2017–2018 series Wildflower was the first Philippine prime-time teleserye to explore nepotism, human rights abuses and mental illness 
The decade marked the renewed popularity of long-running dramas after the early 2000s  May Bukas Pa, which premiered in the previous 2000s decade on February 2, 2009 and ended in the 2010s decade on February 5, 2010, ran for 1 year and 3 days  Be Careful With My Heart aired for 2 years from 2012 to 2014  from 2014 to 2016, GMA broadcast The Half Sisters  ABS-CBN's afternoon teleserye Doble Kara ran between 2015 and 2017  Ang Probinsyano, starred by Coco Martin, attracted national attention for depicting the Philippine Drug War and the Philippine National Police despite renewed MTRCB censorship, ran for 7 years from September 28, 2015 and ended in the 2020s decade on August 12, 2022, and currently holds the title for being the country's longest-running drama series since June 26, 2020 which surpassed the five-year run 1992–1997's Mara Clara  GMA Network dominated the late afternoon between 2016 and 2018 with its teleserye Ika-6 na Utos  Kadenang Ginto, also aired on ABS-CBN, premiered on October 8, 2018, and ended in the next decade on February 7, 2020 
Live teleserye finales returned for the first time since GMA's 2007 remake of Marimar  ABS-CBN's On the Wings of Love starred James Reid and Nadine Lustre  Born for You was the first musical teleserye since ABS-CBN's 2006 TV version of Bituing Walang Ningning 
ABS-CBN's series 2019 military drama The General's Daughter was replaced by The Killer Bride, which has been praised for depicting the Duterte administration 

2020s
Teleserye production was suspended In 2020 due to the COVID-19 pandemic  Interest in boys' love series developed after the Thai series 2gether: The series aired on ABS-CBN's Kapamilya Channel and blocktime agreement with ZOE Broadcasting Network through A2Z On June 26, 2020, the action drama series Ang Probinsyano surpassed the 1992–1997 series Mara Clara upon airing its 1,166th episode, with the former now the longest-running drama series on Philippine television since the said date 
Domination of religious-oriented drama series continued throughout the 2020s decade, with teleseryes belonging to this genre that aired in the 2020s are Huwag Kang Mangamba topbilled by The Gold Squad (Andrea Brillantes, Seth Fedelin, Kyle Echarri, and Francine Diaz), Maria Clara at Ibarra, and FPJ's Batang Quiapo 
After 7 years of airing, Ang Probinsyano ended on August 12, 2022, with 1,696 episodes and was replaced with the 2022 version of Darna, marking the change in ABS-CBN's primetime slot after its news program TV Patrol that was not seen since the start of airing of the said action drama series on September 28, 2015 

Impact
Philippine TV drama became popular during the early 2000s in Asia, Africa and Filipino communities in North America  Teleseryes have evolved from the telenovelas on which they were based  Philippine teleseryes have also attracted audiences in Indonesia, Malaysia and China  Often dubbed into local languages, they are sometimes shown with English and other foreign subtitles 
ABS-CBN and GMA were among the first Asian television producers to export dramas with a universal message, reflecting the reality of Filipino and other Asian societies  Pangako Sa 'Yo is the Philippines' most successful TV series worldwide  Before leading the Chinese television ratings during the mid-2000s, the series was seen by over one billion viewers in Southeast Asia and Africa  ABS-CBN introduced its International Sales website, providing access to its shows  The network shows Sana Maulit Muli (Taiwan), Lobo (dubbed as She-Wolf: The Last Sentinel), Tayong Dalawa, Dahil May Isang Ikaw, Kahit Isang Saglit, Katorse, Mara Clara, Magkaribal, Be Careful With My Heart (Vietnam) and Walang Hanggan were exported  They were followed by Ina, Kapatid, Anak, May Bukas Pa, Forevermore, Till I Met You, Wildflower and Ang Probinsyano 
GMA Network has the highest-rated pilot episodes with Darna and Encantadia in 2005, and made fantaserye a popular genre  The network produced Boys Next Door, a teen melodrama which was the first Philippine television series aired in South Korea  The 2007 Philippine adaptation of MariMar, GMA's most successful domestic television series, was also aired in Thailand, Malaysia, China, Singapore, Indonesia, Cambodia, Vietnam, Uganda, Tanzania, Kenya and Hawaii  Other GMA shows, such as Habang Kapiling Ka, Kahit Kailan, Bakekang, Muli, Impostora, Mga Mata ni Anghelita, Dyesebel and Encantadia, are still broadcast elsewhere in Asia and Africa 
Ang Probinsyano has had a wide-ranging effect on Philippine pop culture and society  Called the Pambansang Teleserye, the series has been nominated for and received a number of awards The show is widely regarded for tackling timely issues, and has generated controversy for its negative portrayal of the government and its agencies  It was defended, with viewers saying that the government should take heed  The series has been considered a kingmaker, with a high endorsement value in the 2019 midterm elections, and is a desirable platform for actors wishing to run for public office  A party list with the show's name, endorsed by series leads Coco Martin and Yassi Pressman, finished fifth in 2019 and won a seat in the House of Representatives  The series' lead character, Cardo Dalisay, has been called "steadfast and incorruptible"  Ang Probinsyano is popular, and has been credited with reviving the action genre in film and television  Netflix streams the show under its international title, Brothers 

Adaptations
Philippine television dramas have spawned adaptations in other Asian countries:
Impostora (GMA): Impostors, Cambodia, 2012
Pangako Sa 'Yo (ABS-CBN): The Promise (សន្យាស្នេហ៍), Cambodia, 2013
Sana'y Wala Nang Wakas (ABS-CBN): Cinta Tiada Ganti, Malaysia, 2018
Kadenang Ginto (ABS-CBN): Putri Mahkota, Indonesia, 2020
Love Thy Woman (ABS-CBN): Belenggu Dua Hati, Indonesia, 2020
Sino ang Maysala?: Mea Culpa (ABS-CBN): Bukan Salah Cinta, Indonesia, 2020
Tayong Dalawa (ABS-CBN): Angkara Cinta, Malaysia, 2020
Hanggang Saan (ABS-CBN): Bir Annenin Günahı, Turkey, 2020
Forevermore (ABS-CBN): Vermem Seni Ellere, Turkey, 2023

See also
Television in the Philippines
List of Philippine drama series
List of ABS-CBN drama series
List of programs aired by TV5 (Philippine TV network)
List of GMA Network original drama series
Passage 15:
Labanoras Regional Park
Labanoras Regional Park, established in 1992, is located 80 kilometers northeast of Lithuania's capital, Vilnius  Covering 553 18 km², it is the largest regional park in the country  Its administration is in the small town of Labanoras 

Nature

The park contains about 70 lakes; about 80% of its land is forested  Its floral biodiversity is high, and it is home to the densest population of nesting white stork couples in Europe  It also contains areas with archeological, architectural, ethnographic, and historic value 
It is the largest Lithuania regional park, distinguished by a variety of landscapes, extremely rich flora and fauna  The largest part of the park is occupied by forests (80%), mostly pine forests  Labanoras forest with abundant wetlands and lakes is characterized by an abundance of protected species  Lakes occupy 14 percent  park areas  Spectacular Black Lakajai and White Lakajai, Stirniai, Siesartis and other lakes in Molėtai Lake District, 15 8 km long Aisetas lake  Lakaja, one of the most beautiful and exotic rivers, was loved not only by water birds but also by water tourists 
There are 285 lakes in Labanoras Regional Park - the largest of all Lithuanian regional parks  Largest: Stirniai, White Lakajai, Kertuojai  About 30 streams flow through the park  These are Lakaja, Peršokšna, Dumblė, Luknelė  In addition to these water bodies, the park protects swamp ecosystems, valuable calcareous marshes 
A whole complex of high marshes and lakeside low marshes is protected - Kanija raistas and many larger and smaller wetlands  In the Girutiškis Nature Reserve here, the Beržalotas upland swamp shines with the mirrors of the lakes 
Pine forests make up 81 percent  of all the forests in the park  Along with abundant lakes, swamps, hilly and undulating terrain, they are very picturesque 
The distant surroundings of Aukštaitija National Park can be seen from the observation tower of the Lithuanian Museum of Ethnocosmology 
The park is a famous breeding ground for elks,  wolves  and lynxes 
Passage 16:
Kirumi Bridge
Kirumi Bridge is a cable-stayed bridge in northern Tanzania across the Mara River on the border of Butiama and Rorya Districts of Mara Region  Its construction was financed via a loan from the African Development Fund  It was inaugurated in October 1985 by Julius Nyerere, the country's first president 
Context 3: 
In 1462, Portuguese settlers arrived at Santiago and founded a settlement they called Ribeira Grande  Today it is called Cidade Velha ("Old City"), to distinguish it from a town of the same name on a different Cape Verdean island (Ribeira Grande on the island of Santo Antão)  The original Ribeira Grande was the first permanent European settlement in the tropics 
In the 16th century, the archipelago prospered from the Atlantic slave trade  Pirates occasionally attacked the Portuguese settlements  Francis Drake, an English privateer, twice sacked the (then) capital Ribeira Grande in 1585 when it was a part of the Iberian Union  After a French attack in 1712, the town declined in importance relative to nearby Praia, which became the capital in 1770 The decline in the slave trade in the 19th century resulted in an economic crisis  Cape Verde's early prosperity slowly vanished  However, the islands' position astride mid-Atlantic shipping lanes made Cape Verde an ideal location for re-supplying ships  Because of its excellent harbour, the city of Mindelo, located on the island of São Vicente, became an important commercial centre during the 19th century  Diplomat Edmund Roberts visited Cape Verde in 1832  Cape Verde was the first stop of Charles Darwin's voyage with HMS Beagle in 1832 
With few natural resources and inadequate sustainable investment from the Portuguese, the citizens grew increasingly discontented with the colonial masters, who refused to provide the local authorities with more autonomy  In 1951, Portugal changed Cape Verde's status from a colony to an overseas province in an attempt to blunt growing nationalism In 1956, Amílcar Cabral and a group of fellow Cape Verdeans and Guineans organized (in Portuguese Guinea) the clandestine African Party for the Independence of Guinea and Cape Verde (PAIGC)  It demanded improvement in economic, social and political conditions in Cape Verde and Portuguese Guinea and formed the basis of the two nations' independence movement  Moving its headquarters to Conakry, Guinea in 1960, the PAIGC began an armed rebellion against Portugal in 1961  Acts of sabotage eventually grew into a war in Portuguese Guinea that pitted 10,000 Soviet Bloc-supported PAIGC soldiers against 35,000 Portuguese and African troops By 1972, the PAIGC controlled much of Portuguese Guinea despite the presence of the Portuguese troops, but the organization did not attempt to disrupt Portuguese control in Cape Verde  Portuguese Guinea declared independence in 1973 and was granted de jure independence in 1974  A budding independence movement – originally led by Amílcar Cabral, assassinated in 1973 – passed on to his half-brother Luís Cabral and culminated in independence for the archipelago in 1975 

Independence (1975)
Following the April 1974 revolution in Portugal, the PAIGC became an active political movement in Cape Verde  In December 1974, the PAIGC and Portugal signed an agreement providing for a transitional government composed of Portuguese and Cape Verdeans  On 30 June 1975, Cape Verdeans elected a National Assembly which received the instruments of independence from Portugal on 5 July 1975  In the late 1970s and 1980s, most African countries prohibited South African Airways from overflights but Cape Verde allowed them and became a centre of activity for the airline's flights to Europe and the United States 
Immediately following the November 1980 coup in Guinea-Bissau, relations between Cape Verde and Guinea-Bissau became strained  Cape Verde abandoned its hope for unity with Guinea-Bissau and formed the African Party for the Independence of Cape Verde (PAICV)  Problems have since been resolved and relations between the countries are good  The PAICV and its predecessor established a one-party system and ruled Cape Verde from independence until 1990 Responding to growing pressure for pluralistic democracy, the PAICV called an emergency congress in February 1990 to discuss proposed constitutional changes to end one-party rule  Opposition groups came together to form the Movement for Democracy (MpD) in Praia in April 1990  Together, they campaigned for the right to contest the presidential election scheduled for December 1990 
The one-party state was abolished on 28 September 1990, and the first multi-party elections were held in January 1991  The MpD won a majority of the seats in the National Assembly, and MpD presidential candidate António Mascarenhas Monteiro defeated the PAICV's candidate with 73 5% of the votes  Legislative elections in December 1995 increased the MpD majority in the National Assembly  The party won 50 of the National Assembly's 72 seats 
A February 1996 presidential election returned President Monteiro to office  Legislative elections in January 2001 returned power to the PAICV, with the PAICV holding 40 of the National Assembly seats, MpD 30, and Party for Democratic Convergence (PCD) and Labour and Solidarity Party (PTS) 1 each  In February 2001, the PAICV-supported presidential candidate Pedro Pires defeated former MpD leader Carlos Veiga by only 13 votes  
President Pedro Pires was narrowly re-elected in 2006 elections President Jorge Carlos Fonseca led the country since 2011 Cape Verde presidential election and he was re-elected in the 2016 election  He was supported by the Movement for Democracy Party  MpD also won in the 2016 parliamentary elections, taking back parliamentary majority after 15 year-rule of African Party for the Independence of Cape Verde (PAICV)  In April 2021, the ruling center-right Movement for Democracy (MpD) of Prime Minister Ulisses Correia e Silva won the parliamentary election On 26 August 2021, Cape Verde became the 150th country to ratify the 2005 Convention and Promotion of the Diversity of Cultural Expressions In October 2021, opposition candidate and former prime minister, Jose Maria Neves of PAICV, won Cape Verde's presidential election  On 9 November 2021, Jose Maria Neves was sworn in as the new President of Cape Verde 

Government and politics
Cape Verde is a stable semi-presidential representative democratic republic  It was 2020 the most democratic nation in Africa, ranking 2023 as 45th in the world, according to the electoral democracy score of the V-Dem Democracy indices The constitution – adopted in 1980 and revised in 1992, 1995 and 1999 – defines the basic principles of its government  The president is the head of state and is elected by popular vote for a five-year term The prime minister is the head of government and proposes other ministers and secretaries of state  The prime minister is nominated by the National Assembly and appointed by the president  Members of the National Assembly are elected by popular vote for five-year terms  In 2016, three parties held seats in the National Assembly – MpD (36), PAICV (25), and the Cape Verdean Independent Democratic Union (UCID) (3) The two main political parties are PAICV and MpD Movement for Democracy (MpD) ousted the ruling African Party for the Independence of Cape Verde (PAICV) for the first time in 15 years in the 2016 parliamentary election, at which time its leader, Ulisses Correia e Silva, became prime minister  Jorge Carlos Almeida Fonseca was elected president in August 2011 and re-elected in October 2016  He is also supported by the MpD In November 2021, Cape Verde opened its first embassy in Nigeria 

International recognition
Cape Verde is often praised as an example among African nations for its stability and developmental growth despite its lack of natural resources  In 2013 then United States President Barack Obama said Cape Verde is "a real success story"  Among other achievements, it has been recognized with the following assessments:

Foreign relations
Cape Verde follows a policy of nonalignment and seeks cooperative relations with all friendly states  Angola, Brazil, China, Libya, Cuba, France, Guinea-Bissau, Germany, Italy, Portugal, Spain, São Tomé and Príncipe, Senegal, Russia, Luxembourg, and the United States maintain embassies in Praia  Cape Verde maintains a vigorously active foreign policy, especially in Africa Cape Verde is a founding member state of the Community of Portuguese Language Countries (CPLP), also known as the Lusophone Commonwealth, an international organization and political association of Lusophone nations across four continents, where Portuguese is an official language 
Cape Verde has bilateral relations with some Lusophone nations and holds membership in a number of international organizations  It also participates in most international conferences on economic and political issues  Since 2007, Cape Verde has a special partnership status with the EU, under the Cotonou Agreement, and might apply for special membership, in particular because the Cape Verdean escudo, the country's currency, is indexed to the euro  In 2011 Cape Verde ratified the Rome Statute of the International Criminal Court  In 2017 Cape Verde signed the UN treaty on the Prohibition of Nuclear Weapons 

Judiciary
The judicial system consists of a Supreme Court of Justice – whose members are appointed by the president, the National Assembly, and the Board of the Judiciary – and regional courts  Separate courts hear civil, constitutional, and criminal cases  Appeals are to the Supreme Court 

Military
The military of Cape Verde consists of the National Guard and the Coast Guard; 0 7% of the country's GDP was spent on the military in 2005 
Having fought their only battles in the war for independence against Portugal between 1974 and 1975, the efforts of the Cape Verdean armed forces have turned to combating international drug trafficking  In 2007, together with the Cape Verdean Police, they carried out Operation Flying Launch (Operacão Lancha Voadora), a successful operation to put an end to a drug trafficking group which smuggled cocaine from Colombia to the Netherlands and Germany using the country as a reorder point  The operation took more than three years, being a secret operation during the first two years, and ended in 2010  In 2016, Cape Verdean Armed Forces were involved in the Monte Tchota massacre, a green-on-green incident that resulted in 11 deaths Although located in Africa and being black Africans, Cape Verde has always had close relations with Europe  Because of this, some scholars argue that Cape Verde may be eligible to join the Organization for Security and Co-operation in Europe (OSCE) and NATO 

Geography
The Cape Verde archipelago is in the Atlantic Ocean, approximately 570 kilometres (350 mi) off the western coast of the African continent, near Senegal, The Gambia, and Mauritania as well as part of the Macaronesia ecoregion  It lies between latitudes 14° and 18°N, and longitudes 22° and 26°W 
The country is a horseshoe-shaped cluster of ten islands (nine inhabited) and eight islets, that constitute an area of 4033 km2 (1557 sq mi) The islands are spatially divided into two groups:

The Barlavento Islands (windward islands): Santo Antão, São Vicente, Santa Luzia, São Nicolau, Sal, Boa Vista; and
The Sotavento Islands (leeward): Maio, Santiago, Fogo, Brava The largest island, both in size and population, is Santiago, which hosts the nation's capital, Praia, the principal urban agglomeration in the archipelago Three of the Cape Verde islands, Sal, Boa Vista, and Maio, are fairly flat, sandy, and dry; the others are generally rockier with more vegetation 

Physical geography and geology
Geologically, the islands, covering a combined area of slightly over 4,033 square kilometres (1,557 square miles), are principally composed of igneous rocks, with volcanic structures and pyroclastic debris comprising the majority of the archipelago's total volume  The volcanic and plutonic rocks are distinctly basic; the archipelago is a soda-alkaline petrographic province, with a petrologic succession similar to that found in other Macaronesian islands 
Magnetic anomalies identified in the vicinity of the archipelago indicate that the structures forming the islands date back 125–150 million years: the islands themselves date from 8 million (in the west) to 20 million years (in the east)  The oldest exposed rocks occurred on Maio and the northern peninsula of Santiago and are 128–131 million-year-old pillow lavas  The first stage of volcanism in the islands began in the early Miocene, and reached its peak at the end of this period when the islands reached their maximum sizes  Historical volcanism (within human settlement) has been restricted to the island of Fogo The islands lie on a bathymetric swell known as the Cape Verde Rise  The Rise is one of the largest protuberances in the world's oceans, rising 2 2 kilometres (1 4 miles) in a semi-circular region of 1200 km2 (460 sq mi), associated with a rise of the geoid Pico do Fogo, the largest active volcano in the region, erupted in 2014  It has an eight-kilometre-diameter (five-mile) caldera, the rim of which is at an elevation of 1,600 metres (5,249 feet) and an interior cone that rises to 2,829 metres (9,281 feet) above sea level  The caldera resulted from subsidence, following the partial evacuation (eruption) of the magma chamber, along a cylindrical column from within the magma chamber (at a depth of 8 kilometres (5 miles)) 
Extensive salt flats are found on Sal and Maio  On Santiago, Santo Antão, and São Nicolau, arid slopes give way in places to sugarcane fields or banana plantations spread along the base of towering mountains  Ocean cliffs have been formed by catastrophic debris landslides 

Climate
Cape Verde's climate is milder than that of the African mainland because the surrounding sea moderates temperatures on the islands and cold Atlantic currents produce an arid atmosphere around the archipelago  Conversely, the islands do not receive the upwelling (cold streams) that affect the West African coast, so the air temperature is cooler than in Senegal, but the sea is warmer  Due to the relief of some islands, such as Santiago with its steep mountains, the islands can have orographically induced precipitation, allowing rich woods and luxuriant vegetation to grow where the humid air condenses soaking the plants, rocks, soil, logs, moss, etc  On the higher islands and somewhat wetter islands, exclusively in mountainous areas, like Santo Antão island, the climate is suitable for the development of dry monsoon forests, and laurel forests  Average temperatures range from 22 °C (72 °F) in February to 27 °C (80 6 °F) in September  Cape Verde is part of the Sahelian arid belt, with nothing like the rainfall levels of nearby West Africa  It rains irregularly between August and October, with frequent brief heavy downpours  A desert is usually defined as terrain that receives less than 250 mm (9 8 in) of annual rainfall  Sal's total of 145 mm (5 7 in) confirms this classification  Most of the year's rain falls in September Sal, Boa Vista, and Maio have a flat landscape and arid climate, whilst the other islands are generally rockier and have more vegetation  Because of the infrequent occurrence of rainfall, where not mountainous, the landscape is so arid that less than two percent of it is arable  The archipelago can be divided into four broad ecological zones – arid, semiarid, subhumid and humid, according to altitude and average annual rainfall ranging from less than 100 millimetres (3 9 inches) in the arid areas of the coast as in the Deserto de Viana (67 millimetres (2 6 inches) in Sal Rei) to more than 1,000 millimetres (39 inches) in the humid mountain  Most rainfall precipitation is due to condensation of the ocean mist 

In some islands, like Santiago, the wetter climate of the interior and the eastern coast contrasts with the drier one on the south/southwest coast  Praia, on the southeast coast, is the largest city on the island and the largest city and capital of the country 
While most of Cape Verde receives little precipitation throughout the year, the northeastern slopes of high mountains see significant rainfall due to orographic lift, especially in areas far from the sea  In some such areas this precipitation is sufficient to support a rainforest habitat, albeit one significantly affected by the islands' human presence  These umbria areas are identified as cool and moist  Cape Verde lies in the Cape Verde Islands dry forests ecoregion Western Hemisphere-bound hurricanes often have their early beginnings near the Cape Verde Islands  These are referred to as Cape Verde-type hurricanes  These hurricanes can become very intense as they cross warm Atlantic waters away from Cape Verde  The average hurricane season has about two Cape Verde-type hurricanes, which are usually the largest and most intense storms of the season because they often have plenty of warm open ocean over which to develop before encountering land  The five largest Atlantic tropical cyclones on record have been Cape Verde-type hurricanes  Most of the longest-lived tropical cyclones in the Atlantic basin are Cape Verde hurricanes As of 2015, the islands themselves have only been struck by hurricanes twice in recorded history (since 1851): once in 1892, and again in 2015 by Hurricane Fred, the easternmost hurricane ever to form in the Atlantic 

Climate Change
According to the president of Nauru, in 2011 Cape Verde was ranked the eighth most endangered nation due to flooding from climate change  In 2023 UN Secretary-General António Guterres arrived in Cabo Verde to raise concerns about climate change  He said that the country is on the frontlines of the existential crisis generated by climate disruptions and that world leaders need to take action to address the climate crisis  Cabo Verde is a leader in renewable energy in sub-Saharan Africa  Currently, 20% of its energy comes from renewable sources, and the goal is to increase that to 50% by 2030  In 2023, Portugal signed an agreement to forgive €140 million of Cape Verde's debt in exchange for the country investing in environmental projects  This agreement is one of the first debt-for-nature swap in Africa 

Biodiversity
Cape Verde's isolation has resulted in the islands having several endemic species, particularly birds and reptiles, many of which are endangered by human development  Endemic birds include Alexander's swift (Apus alexandri), Bourne's heron (Ardea purpurea bournei), the Raso lark (Alauda razae), the Cape Verde warbler (Acrocephalus brevipennis), and the Iago sparrow (Passer iagoensis)  The islands are also an important breeding area for seabirds including the Cape Verde shearwater  Reptiles include the Cape Verde giant gecko (Tarentola gigas) 

Administrative divisions
Cape Verde is divided into 22 municipalities (concelhos) and subdivided into 32 parishes (freguesias), based on the religious parishes that existed during the colonial period:

Economy
Cape Verde's notable economic growth and improvement in living conditions despite a lack of natural resources have garnered international recognition, with other countries and international organizations often providing development aid  Since 2007, the UN has classified it as a developing nation rather than a least developed country 
Cape Verde has few natural resources  Only five of the ten main islands (Santiago, Santo Antão, São Nicolau, Fogo, and Brava) normally support significant agricultural production, and over 90% of all food consumed in Cape Verde is imported  Mineral resources include salt, pozzolana (a volcanic rock used in cement production), and limestone  Its small number of wineries making Portuguese-style wines have traditionally focused on the domestic market, but have recently met with some international acclaim  Several wine tours of Cape Verde's various microclimates began to be offered in spring 2010 
The economy of Cape Verde is service-oriented, with commerce, transport, and public services accounting for more than 70% of GDP  Although nearly 35% of the population lives in rural areas, agriculture and fishing contribute only about 9% of GDP  Light manufacturing accounts for most of the remainder  Fish and shellfish are plentiful, and small quantities are exported  Cape Verde has cold storage and freezing facilities and fish processing plants in Mindelo, Praia, and on Sal  Expatriate Cape Verdeans contribute an amount estimated at 20% of GDP to the domestic economy through remittances 
Despite having few natural resources and being semi-desert, the country boasts the highest living standards in the region and has attracted thousands of immigrants of different nationalities 
Since 1991, the government has pursued market-oriented economic policies, including an open welcome to foreign investors and a far-reaching privatization programme  It established as top development priorities the promotion of a market economy and the private sector; the development of tourism, light manufacturing industries, and fisheries; and the development of transport, communications, and energy facilities  From 1994 to 2000 about $407 million in foreign investments were made or planned, of which 58% were in tourism, 17% in industry, 4% in infrastructure, and 21% in fisheries and services In 2011, on four islands a wind farm was built that supplies about 30% of the electricity of the country 
As host to the ECOWAS Regional Centre for Renewable Energy and Energy Efficiency, inaugurated in 2010, Cape Verde plans to lead by example by becoming entirely reliant on renewable energy sources by 2025  This policy is consistent with the plethora of documents adopted in 2015 paving the way to more sustainable development, including Cape Verde's Transformational Agenda to 2030, its National Renewable Energy Plan and its Low Carbon and Climate-resilient Development Strategy  Two years later, these were followed by a Strategic Plan for Sustainable Development, 2017–2021 Between 2000 and 2009, real GDP increased on average by over seven percent a year, well above the average for Sub-Saharan countries and faster than most small island economies in the region  Strong economic performance was bolstered by one of the fastest growing tourism industries in the world, as well as by substantial capital inflows that allowed Cape Verde to build up national currency reserves to the current 3 5 months of imports  Unemployment has been falling rapidly, and the country is on track to achieve most of the UN Millennium Development Goals – including halving its 1990 poverty level 
In 2007, Cape Verde joined the World Trade Organization (WTO) and in 2008 the country graduated from Least Developed Country (LDC) to Middle Income Country (MIC) status 
Cape Verde has significant cooperation with Portugal at every level of the economy, which has led it to link its currency first to the Portuguese escudo and, in 1999, to the euro  On 23 June 2008 Cape Verde became the 153rd member of the WTO In early January 2018, the government announced that the minimum wage would be raised to 13,000 CVE (US$140 or EUR 130) per month, from 11,000 CVE, which was effective in mid-January 2018 

Development
The European Commission's total allocation for the period of 2008–2013 foreseen for Cape Verde to address "poverty reduction, in particular in rural and peri-urban areas where women are heading the households, as well as good governance" amounts to €54 1 million 

Tourism
Cape Verde's strategic location at the crossroads of mid-Atlantic air and sea lanes has been enhanced by significant improvements at Mindelo's harbour (Porto Grande) and at Sal's and Praia's international airports  A new international airport was opened in Boa Vista in December 2007 and on the island of São Vicente, the newest international airport (Cesária Évora Airport) in Cape Verde was opened in late 2009  Ship repair facilities at Mindelo were opened in 1983 The major ports are Mindelo and Praia, but all other islands have smaller port facilities  In addition to the international airport on Sal, airports have been built on all of the inhabited islands  All but the airports on Brava and Santo Antão enjoy scheduled air service  The archipelago has 3,050 km (1,895 mi) of roads, of which 1,010 km (628 mi) are paved, most using cobblestone The country's future economic prospects depend heavily on the maintenance of aid flows, the encouragement of tourism, remittances, outsourcing labour to neighbouring African countries, and the momentum of the government's development programme 

Demographics
The official Census recorded that Cape Verde had a population of 512,096 in 2013  A large proportion (236,000) of Cape Verdeans live on the main island, Santiago Cape Verdeans are descendants of Africans (free or slaves) and Europeans of various origins  There are also Cape Verdeans who have Jewish ancestors from North Africa, mainly on the islands of Boa Vista, Santiago and Santo Antão  A large part of Cape Verdeans emigrated abroad, mainly to the United States, Portugal and France, so that there are more Cape Verdeans residing abroad than at home 
Unlike countries on the African continent, there are no tribes in Cape Verde  On the other hand, the country's historical trajectory included, from the beginning, a process of social class formation  At this moment, the absence of a "bourgeoisie" can be seen, but the existence of several types of "petty bourgeoisie", numerically significant



ground_truth: Tanzania

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Where is the country with ISO code ISO 3166-2:CV located?

The following are given passages.
Context 3:  The majority of the population is, however, made up of the peasantry and some working class 

Languages
Cape Verde's official language is Portuguese  It is the language of instruction and government  It is also used in newspapers, television, and radio 
Cape Verdean Creole (Kriolu) is used colloquially throughout Cape Verde and is the mother tongue of virtually all Cape Verdeans  The national constitution calls for measures to give it parity with Portuguese  There is a substantial body of literature in Creole, especially in the Santiago Creole and the São Vicente Creole  Kriolu has been gaining prestige since the nation's independence from Portugal 
The differences between the forms of the language within the islands have been a major obstacle in the way of standardization of the language  Some people have advocated the development of two standards: a North (Barlavento) standard, centred on the São Vicente Creole, and a South (Sotavento) standard, centred on the Santiago Creole  Manuel Veiga, Ph D , a linguist and Minister of Culture of Cape Verde, is the premier proponent of Kriolu's officialization and standardization 

Religion
The vast majority of Cape Verdeans are Christian; reflecting centuries of Portuguese rule, Roman Catholics make up the single largest religious community, at just under 80 percent, as of 2010 (slightly down from 85 percent of the population in 2007)  Most other religious groups are Protestant, with the evangelical Church of the Nazarene forming the second largest community; other sizeable denominations are the Seventh-day Adventist Church, the Assemblies of God, the Universal Church of the Kingdom of God and the Church of Jesus Christ of Latter-day Saints  Islam is the largest minority religion  Judaism had a historical presence during the colonial era  Atheists constitute less than 1 percent of the population  Many Cape Verdeans syncretize Christianity with indigenous African beliefs and customs 

Emigration and immigration
Almost twice as many Cape Verdeans live abroad (nearly one million) than in the country itself  The islands have a long history of emigration and Cape Verdeans are highly dispersed worldwide, from Macau to Haiti and Argentina to Sweden  The diaspora may be much larger than official statistics indicate, as, until independence in 1975, Cape Verdean immigrants had Portuguese passports 
The majority of Cape Verdeans live in the United States and Western Europe, with the former hosting the largest overseas population at 500,000  Most Cape Verdeans in the U S  are concentrated in New England, particularly the cities of Providence, New Bedford, and Boston; Brockton, has the largest community of any American city (18,832) Cape Verdeans have been migrating to Massachusetts since the 1840s, but most of the current population arrived in the 1970s  They are now one of the top ten immigrant groups in Boston, and the largest hailing from Africa  The first wave of Cape Verdean immigrants came to Massachusetts to work in the whaling industry  When whaling declined, they moved into maritime jobs, seasonal agricultural work (like picking cranberries) , and factory work  The second wave of Cape Verdean immigrants arrived after Cape Verde gained independence in 1975  They also found work in factories, but as manufacturing plants closed down, they moved into the service industry in the 1990's  Cape Verdean immigrants have also developed a vibrant small business sector, including restaurants, groceries, real estate and insurance offices, and other enterprises  Cape Verdean immigrants in the U S  have a long history of enlistment in the U S  military, with a presence in every major conflict from the Revolutionary War to the Vietnam War Due to centuries of colonial ties, the second largest number of Cape Verdeans live in Portugal (150,000), with sizable communities in the former Portuguese colonies of Angola (45,000) and São Tomé and Príncipe (25,000)  Major populations exist in countries with cultural and linguistic similarities, such as Spain (65,500), France (25,000), Senegal (25,000), and Italy (20,000)  Other large communities live in the United Kingdom (35,500), the Netherlands (20,000, of which 15,000 are concentrated in Rotterdam), and Luxembourg and Scandinavia (7,000)  Outside the U S  and Europe, the biggest Cape Verdean populations are in Mexico (5,000) and Argentina (8,000) 
Over the years, Cape Verde has increasingly become a net recipient of migrants, due to its relatively high per capita income, political and social stability, and civil freedom  Chinese make up a sizeable and important segment of the foreign population, while nearby West African countries account for most immigration  In the 21st century, a few thousand Europeans and Latin Americans have settled in the country, mostly professionals, entrepreneurs, and retirees  Over 22,000 foreign-born residents are naturalized, hailing from over 90 countries 
The Cape Verdean diaspora experience is reflected in many artistic and cultural expressions, most famously the song Sodade by Cesária Évora 

Health
The infant mortality rate among Cape Verdean children between 0 and 5 years old is 15 per 1,000 live births according to the latest (2017) data from the National Statistics Bureau, while the maternal mortality rate is 42 deaths per 100,000 live births  The HIV-AIDS prevalence rate among Cape Verdeans between 15 and 49 years old is 0 8% According to the latest data (2017) from the National Statistics Bureau, life expectancy at birth in Cape Verde is 76 2 years; that is, 72 2 years for males and 80 2 years for females  There are six hospitals in the Cape Verde archipelago: two central hospitals (one in the capital city of Praia and one in Mindelo, São Vicente) and four regional hospitals (one in Santa Catarina (northern Santiago region), one on São Antão, one on Fogo, and one on Sal)  In addition, there are 28 health centers, 35 sanitation centers, and a variety of private clinics located throughout the archipelago 
Cape Verde's population is among the healthiest in Africa  Since its independence, it has greatly improved its health indicators  Besides having been promoted to the group of "medium development" countries in 2007, leaving the least developed countries category (becoming the second country to do so), as of 2020 it was the 11th best ranked country in Africa in its Human Development Index 
The total expenditure on health was 7 1% of GDP (2015) 

Education
Although the Cape Verdean educational system is similar to the Portuguese system, over the years the local universities have been increasingly adopting the American educational system; for instance, all ten existing universities in the country offer four-year bachelor's degree programs as opposed to five-year bachelor's degree programs that existed before 2010  Cape Verde has the second best educational system in Africa, after South Africa 
Primary school education in Cape Verde is mandatory and free for children between the ages of six and fourteen years In 2011, the net enrolment ratio for primary school was 85%  Approximately 90% of the total population over 15 years of age is literate, and roughly 25% of the population holds a college degree; a significant number of these college graduates hold doctorate degrees in different academic fields  Textbooks have been made available to 90 percent of school children, and 98 percent of the teachers have attended in-service teacher training  Although most children have access to education, some problems remain  For example, there is insufficient spending on school materials, lunches, and books As of October 2016, there were 69 secondary schools throughout the archipelago (including 19 private secondary schools) and at least 10 universities in the country, which are based on the two islands of Santiago and São Vicente 

In 2015, 23% of the Cape Verdean population had either attended or graduated from secondary schools 
When it came to higher education, 9% of Cape Verdean men and 8% of Cape Verdean women held a bachelor's degree or had attended universities  The overall college education rate (i e , college graduates and undergraduate students) in Cape Verde is about 24%, of the local college-age population 
The total expenditure on education was 5 6% of GDP (2010) 
The mean years of schooling of adults over 25 years is 12 
These trends were held in 2017  Cape Verde stands out in West Africa for the quality and inclusiveness of its higher education system  As of 2017, one in four young people attended university and one-third of students opted for fields of science, technology, engineering, and mathematics  Women made up one-third of students but two-thirds of graduates in 2018 

Science and technology
In 2011, Cape Verde devoted just 0 07% of its GDP to research and development, among the lowest rates in West Africa  The Ministry of Higher Education, Science and Culture plan to strengthen the research and academic sectors by emphasizing greater mobility, through exchange programmes and international cooperation agreements  As part of this strategy, Cape Verde is participating in the Ibero-American academic mobility programme that expects to mobilize 200,000 academics between 2015 and 2020  Cape Verde was ranked 89th in the Global Innovation Index in 2021 Cape Verde counted 25 researchers in 2011, a researcher density of 51 per million inhabitants  The world average was 1,083 per million in 2013  All 25 researchers were working in the government sector in 2011 and one in three were women (36%)  There was no research being conducted in either medical or agricultural sciences  Of the eight engineers involved in research and development, one was a woman  Three of the five researchers working in natural sciences were women, as were three of the six social scientists and two of the five researchers from the humanities In 2015, the government announced a project to build a technology park for business, research, and development  As of late 2020, the project, now named TechPark Cabo Verde, is slated for completion in June 2022  The project is funded by both the African Development Bank and the government of Cape Verde  The goal of the endeavour, according to Cape Verde Minister of Finance Olavo Correia, is "to attract large international companies to set up shop [in order] to help local companies and start-ups become more competitive" Cape Verde has a high rate of internet penetration and a growing mobile phone market  The government has invested in improving ICT infrastructure and has created a number of initiatives to promote the development of the digital economy  The digital economy has the potential to create jobs, boost economic growth, and improve the quality of life for people in Cape Verde 

Crime
Theft and burglary are common in Cape Verde, especially in crowded environments such as marketplaces, festivals, and celebrations  Often the perpetrators of these crimes are gangs of street children  Murders are concentrated in the major population centres of Praia and Mindelo 

Culture
The culture of Cape Verde is characterized by a mixture of African and European elements  This is not a sum of two cultures living side by side, but a new culture resulting from an exchange that began in the 15th century 
Cape Verdean social and cultural patterns are unique  Football games and church activities are typical sources of social interaction and entertainment  The traditional walk around the praça (town square) to meet friends is practised regularly in Cape Verde towns 

Media
In towns with electricity, television is available on three channels; one state-owned (RTC – TCV) and three foreign-owned: RTI Cabo Verde launched by the Portuguese-based RTI in 2005; Record Cabo Verde, launched by the Brazilian-based Rede Record on 31 March 2007; and as of 2016, TV CPLP  Premium channels available include the Cape Verdean versions of Boom TV and Zap Cabo Verde, two channels owned by Brazil's Record  Other premium channels are available in Cape Verde, especially satellite network channels which are common in hotels and villas, though availability is otherwise limited  One such channel is RDP África, the African version of the Portuguese radio station RDP 
As of early 2023, about 99% of the Cape Verdean population own an active cellular phone, 70% have access to the Internet, 11% own a landline telephone, and 2% subscribe to local cable TV  In 2003, Cape Verde had 71,700 main line telephones with an additional 53,300 cellular phones in use throughout the country 
In 2004, there were seven radio stations, six independent and one state-owned  The media is operated by the Cape-Verdean News Agency (secondarily as Inforpress)  Nationwide radio stations include RCV, RCV+, Radio Kriola, and the religious station Radio Nova  Local radio stations include Rádio Praia, the first radio station in Cape Verde; Praia FM, the first FM station in the nation; Rádio Barlavento, Rádio Clube do Mindelo and Radio Morabeza in Mindelo 

Music
The Cape Verdean people are known for their musicality, well expressed by popular manifestations such as the Carnival of Mindelo  Cape Verde music incorporates "African, Portuguese and Brazilian influences " Cape Verde's quintessential national music is the morna, a melancholy and lyrical song form typically sung in Cape Verdean Creole  The most popular music genre after morna is the coladeira, followed by funaná and batuque music  Cesária Évora was the best-known Cape Verdean singer in the world, known as the "barefoot diva," because she liked to perform barefooted on stage  She was also referred to as "The Queen of Morna" as opposed to her uncle Bana, who was referred to as "King of Morna"  The international success of Cesária Évora has made other Cape Verdean artists, or descendants of Cape Verdeans born in Portugal, gain more space in the music market  Examples of this are singers Sara Tavares, Lura and Mayra Andrade 
Another great exponent of traditional music from Cape Verde was Antonio Vicente Lopes, better known as Travadinha, and Ildo Lobo, who died in 2004  The House of Culture in the center of the city of Praia is called Ildo Lobo House of Culture, in his honour 
There are also well-known artists born to Cape Verdean parents who excelled themselves in the international music scene  Amongst these artists are jazz pianist Horace Silver, Duke Ellington's saxophonist Paul Gonsalves, Teófilo Chantre, Paul Pena, the Tavares brothers and singer Lura 

Dance
Cape Verdean traditional dance is a mix of West and Central African influences  The most popular dance style in Cape Verde is called “Funana” which originated on the island of Santiago and is danced in pairs with fast hip movements and a lively rhythm  Another popular dance style is “Coladeira” which is a slower dance style that originated on the island of Sao Vicente  “Batuque” is another traditional Cape Verdean dance style that originated on the island of Santiago and involves a lot of hip movement and percussion  “Morna” is another popular Cape Verdean dance style that originated on the island of Boa Vista and has a slow tempo with a melancholic melody  Zouk and Kizomba are newer popular dance style in Cape Verde that originated in other countries 

Literature
Cape Verdean literature is one of the richest of Lusophone Africa  Famous poets include Paulino Vieira, Manuel de Novas, Sergio Frusoni, Eugénio Tavares, and B  Léza, and famous authors include Baltasar Lopes da Silva, António Aurélio Gonçalves, Manuel Lopes, Orlanda Amarílis, Henrique Teixeira de Sousa, Arménio Vieira, Kaoberdiano Dambará, Dr  Azágua, and Germano Almeida  The first novel written by a woman from Cabo Verde was A Louca de Serrano by Dina Salústio; its translation, as The Madwoman of Serrano, was the first translation of any Cabo Verdean novel to English 

Cinema
The Carnival and the island of São Vicente are portrayed in the 2015 feature documentary Tchindas, nominated at the 12th Africa Movie Academy Awards 

Cuisine
The Cape Verde diet is mostly based on fish and staple foods like corn and rice  Vegetables available during most of the year are potatoes, onions, tomatoes, manioc, cabbage, kale, and dried beans  Fruits such as bananas and papayas are available year-round, while others like mangoes and avocados are seasonal A popular dish served in Cape Verde is cachupa, a slow-cooked stew of corn (hominy), beans, and fish or meat  A common appetizer is the pastel, a pastry shell filled with fish or meat which is then fried 

Sports
The country's most successful sports team is the Cape Verde national basketball team, which won the bronze medal at the FIBA Africa Championship 2007, after beating Egypt in its last game  The country's most well-known player is Walter Tavares, who plays for Real Madrid of Spain 
Cape Verde is famous for wave sailing (a type of windsurfing) and kiteboarding  Josh Angulo, a Hawaiian and 2009 PWA Wave World Champion, has done much to promote the archipelago as a windsurfing destination  Mitu Monteiro, a local kitesurfer, was the 2008 Kite Surfing World Champion in the wave discipline 
The Cape Verde national football team, nicknamed the Tubarões Azuis (Blue Sharks), is the national team of Cape Verde and is controlled by the Cape Verdean Football Federation  The team has played at three Africa Cup of Nations, in 2013, 2015, and 2021 The country has competed at every Summer Olympics since 1996  In 2016, Gracelino Barbosa became the first Cape Verdean to win a medal at the Paralympic Games 

Transport
Ports
There are four international ports: Mindelo, Praia, Palmeira and Sal Rei  Mindelo on São Vicente is the main port for cruise ships and the terminus for the ferry service to Santo Antão  Praia on Santiago is the main hub for local ferry services to other islands  Palmeira on Sal supplies fuel for the main airport on the island, Amílcar Cabral International Airport, and is important for the hotel construction taking place on the island  Porto Novo on Santo Antão is the only source for imports and exports of produce from the island as well as passenger traffic since the closure of the airstrip at Ponta do Sol 
There are smaller harbours, essentially single jetties at Tarrafal on São Nicolau, Sal Rei on Boa Vista, Vila do Maio (Porto Inglês) on Maio, São Filipe on Fogo and Furna on Brava  These act as terminals for the inter-island ferry services, which carry both freight and passengers  The pier at Santa Maria on Sal used by both fishing and dive boats has been rehabilitated 

Airports
There were seven operational airports as of 2014 – four international and three domestic  Two others were non-operational, one on Brava and the other on Santo Antão closed for safety reasons 
Due to its geographical location, Cape Verde is often flown over by transatlantic airliners  It is part of the conventional air traffic route from Europe to South America, which goes from southern Portugal via the Canary Islands and Cape Verde to northern Brazil 

International airports
Amílcar Cabral International Airport, Sal Island
Nelson Mandela International Airport, Santiago Island
Aristides Pereira International Airport, Boa Vista Island
Cesária Évora Airport, São Vicente Island

Aerial drones
Small unmanned flying drones able to carry up to 5kg were being used experimentally for tasks such as delivering medicines between the islands in 2021 

See also
Outline of Cape Verde
Index of Cape Verde–related articles
Islands of Macaronesia
Azores
Madeira
Passage 18:
ISO 3166-2:CV
ISO 3166-2:CV is the entry for Cabo Verde in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Cabo Verde, ISO 3166-2 codes are defined for two levels of subdivisions:

2 geographical regions (i e , the Barlavento Islands and the Sotavento Islands)
22 municipalitiesEach code consists of two parts, separated by a hyphen  The first part is CV, the ISO 3166-1 alpha-2 code of Cabo Verde  The second part is either of the following:

one letter: geographical regions
two letters: municipalities

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency (ISO 3166/MA) 
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Geographical regions
Municipalities
Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998:

See also
Subdivisions of Cape Verde
FIPS region codes of Cape Verde

External links
ISO Online Browsing Platform: CV
Counties of Cape Verde, Statoids com
Passage 19:
ISO 3166-2:AL
ISO 3166-2:AL is the entry for Albania in ISO 3166-2, part of the ISO 3166 standard published by the International Organization for Standardization (ISO), which defines codes for the names of the principal subdivisions (e g , provinces or states) of all countries coded in ISO 3166-1 
Currently for Albania, ISO 3166-2 codes are defined for 12 counties 
Each code consists of two parts, separated by a hyphen  The first part is AL, the ISO 3166-1 alpha-2 code of Albania  The second part is two digits 
The codes for the counties are assigned in Albanian alphabetical order, except Dibër, whose code is assigned based on its capital, Peshkopi 

Current codes
Subdivision names are listed as in the ISO 3166-2 standard published by the ISO 3166 Maintenance Agency  
Subdivision names are sorted in Albanian alphabetical order: a-c, ç, d, dh, e, ë, f-g, gj, h-l, ll, m-n, nj, o-r, rr, s, sh, t, th, u-x, xh, y-z, zh 
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Changes
The following changes to the entry have been announced in newsletters by the ISO 3166/MA since the first publication of ISO 3166-2 in 1998  ISO stopped issuing newsletters in 2013 

The following changes to the entry are listed on ISO's online catalogue, the Online Browsing Platform:

District codes
Before 27 November 2015, codes for the 36 districts of Albania were included   The code for Kolonjë (AL-ER) was assigned based on its capital, Ersekë 

See also
Subdivisions of Albania
FIPS region codes of Albania

External links
ISO Online Browsing Platform: AL
Counties of Albania, Statoids com



ground_truth: central Atlantic Ocean

Atlantic Ocean

Atlantic