prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: When was the American singer, songwriter, record producer, dancer and actress born who's second studio album is Chapter II?

The following are given passages.
Context 1: Passage 1:
Like a Virgin (album)
Like a Virgin is the second studio album by American singer and songwriter Madonna, released on November 12, 1984, by Sire Records  Following the success of her self-titled debut album, Madonna wanted to become the record producer of her next album  However, her label was not ready to give her the artistic freedom and she chose Nile Rodgers instead to produce the album due to his work with David Bowie  Madonna wrote six songs on the record, five of which feature Steve Bray as a co-writer  The album was recorded at Power Station Studio in New York at a quick pace  Rodgers enlisted the help of his former Chic bandmates Bernard Edwards, who was the bassist, and Tony Thompson, who played drums  Jason Corsaro, the record's audio engineer, persuaded Rodgers to use digital recording, a new technique introduced at that time 
The album's photographs were shot by Steven Meisel  Madonna wanted the album title and the cover image to make a provocative link between her own religious name Madonna, as the Catholic title for Jesus' mother Mary, and the Christian concept of the virgin birth  While not a substantial musical departure from Madonna's first album, she felt that the material from Like a Virgin was stronger  After its release, Like a Virgin received mixed reviews from music critics; however, retrospective reviews of the album have been much more positive  Like a Virgin was a commercial success and became Madonna's first number one album on the Billboard 200 and set the record as the first female album in history  to sell over five million copies in the United States  The Recording Industry Association of America (RIAA) later certified it diamond for shipment of ten million units  It also reached number one in Germany, the Netherlands, New Zealand, Spain, Italy and the United Kingdom, and remains one of the best-selling albums of all time with sales of over 21 million copies worldwide Five singles were released from the album, including Madonna's first US number-one "Like a Virgin" and her first UK number-one "Into the Groove", the latter of which was introduced on the 1985 international reissue of the album  To promote the album, she embarked on The Virgin Tour, touring North America only  Like a Virgin has attained significance as a cultural artifact of the 1980s  Madonna proved that she was not a one-hit wonder and was able to provide herself with a permanent footing in the music world  Her songs became a lightning rod for both criticism by conservatives and imitation by the younger female population, especially "Material Girl" and "Like a Virgin"  According to author J  Randy Taraborrelli, "Every important artist has at least one album in his or her career whose critical and commercial success becomes the artist's magic moment; for Madonna, Like a Virgin was just such a defining moment " In 2023, the Library of Congress added the album to the National Recording Registry for preservation in the United States, for being a "culturally, historically, or aesthetically significant" recording 

Background
A former dancer and fixture on the New York club scene, Madonna Ciccone became known to the world simply as Madonna, with the release of her 1983 self-titled debut album Madonna  Fueled by hit songs like "Holiday", "Borderline" and "Lucky Star", the album was one of the best selling of the year and helped Madonna become one of the most exciting new artists of the 1980s  When she started work on her second album, Madonna felt that her first album had succeeded in introducing her "street-smart dance queen" persona, and she wanted to solidify and build upon that concept  According to her, "My work, my dedication—the stubbornness for getting Madonna released—had paid off  Now it was time to solidify my future "For Like a Virgin, Madonna attempted to become one of the primary record producers, feeling the need to control the various aspects of her music  She believed that depending on a particular producer for her album was not something that suited her  Madonna said "I learnt my lesson while creating my debut album, and the way [Reggie, the producer of her debut project] Lucas left me in the water with the project, you can't trust men"—referring to the incident, when due to a certain difference of opinion between producer Reggie Lucas and Madonna, Lucas had left the project half-way  However, Warner Bros  Records was not ready to give her the artistic freedom that she wanted  In J  Randy Taraborrelli's biography of Madonna, she commented,

Warner Bros  Records is a hierarchy of old men and it's a chauvinist environment to be working in because I'm treated like this sexy little girl  I had to prove them wrong, which meant not only proving myself to my fans but to my record company as well  That is something that happens when you're a girl  It wouldn't happen to Prince or Michael Jackson  I had to do everything on my own and it was hard trying to convince people that I was worth a record deal  After that, I had the same problem trying to convince the record company that I had more to offer than a one-shot singer  I had to win this fight 
Ultimately, Nile Rodgers was chosen by Madonna as the producer of the album, with the approval of the Warner Brothers executives  Madonna chose Rodgers mostly because of his work as a member of the 1970s band Chic, and his most recent production work with David Bowie on his 1983 album Let's Dance  She commented, "When I was making the record, I was just so thrilled and happy to be working with Nile Rodgers  I idolized Nile because of the whole Chic thing  I couldn't believe that the record company gave me the money so that I could work with him "For his part, Rodgers recalled that he had first seen Madonna perform at a small club in New York in 1983  In an interview with Time magazine, Rodgers explained: "I went to the club to see another woman sing, but when I got there Madonna was onstage  I loved her stage presence and then we met right after that  I kept thinking to myself, 'Damn, is she a star', but she wasn't at that time  I always wanted to work with her and Like a Virgin seemed like a perfect opportunity "

Recording
The album was recorded at Power Station Studio in New York at a quick pace  Rodgers enlisted the help of his former Chic bandmates Bernard Edwards, who was the bassist, and Tony Thompson, who played the drums; they appeared on several tracks of the album  Rodgers decided to be the guitarist, when Edwards requested him to do so, in exchange for their help  The recording sessions did not start until the afternoon as Rodgers, who attended late-night parties, was not accustomed to work in early mornings  The schedule was also difficult for Madonna, who recalled that she used to "go to the swim club on the Upper West Side and go swimming and walk from there to the recording studio  It was impossible for me to reach there at morning " Rodgers recalled that Madonna was a hard worker and incredibly tenacious  He commented: "I am always amazed by Madonna's incredible judgement when it comes to making pop records  I've never seen anyone do it better, and that's the truth  When we did that album, it was the perfect union, and I knew it from the first day in the studio  The thing between us, man, it was sexual, it was passionate, it was creativity     it was pop "Jason Corsaro, the record's audio engineer, persuaded Rodgers to use digital recording, a new technique at the time which Corsaro believed was going to be the future of recording  To ensure this, Corsaro used a Sony 3324 24-track digital tape recorder and a Sony F1 two-track during the mixing of the tracks  Madonna recorded the lead parts of the songs in a small, wooden, high-ceilinged piano room at the back of Studio C, also known as Power Station's "R&B room"  Corsaro then placed gobos around her while using the top capsule of a stereo AKG C24 tube microphone, with a Schoeps microphone preamplifier and a Pultec equalizer  Once the tracks met with everybody's approval, Robert Sabino added the keyboard parts, playing mostly a Sequential Circuits Prophet-5, as well as some Rhodes piano and acoustic piano, while Rodgers also played a Synclavier  Madonna, although not required, was present every minute of the recording sessions and the mixing process, Corsaro commented: "Nile was there most of the time, but she was there all of the time  She never left" 

Packaging and title
The cover sleeve and images were shot by Steven Meisel, who would become a regular collaborator with Madonna, in a suite at the St  Regis New York  Madonna wanted the album title to make provocative link between her own religious name—Madonna as the Catholic title for Jesus' mother Mary—and the Christian concept of the virgin birth  With the title song alluding to this concept, Madonna wanted the album cover to have mixed messages as well  Author Graham Thompson described that "reclining on a satin sheet, with a bouquet on her lap and wearing a wedding dress, a closer inspection reveals Madonna's image as highly fetishized and sexualized " He added that the heavy make-up, pouting lips, and despoiled hair, along with the tight-fitting bustier and full-length gloves, turned Madonna's image into a figure not of virtue, but of desire  This point, according to Thompson, is further emphasized by the belt she is wearing, the wording on which is just visible as "Boy Toy"  He added: "The image was ambiguous and was based upon the fact that Madonna's appeal at that point of her career was not presenting herself just as an object of desire, but also as a desiring female subject" Stephen Thomas Erlewine from AllMusic commented that the "Steven Meisel-shot cover     was as key to her reinvention as the music of the album itself " William McKeen, author of Rock and roll is here to stay: an anthology, felt that the image was another trigger and testament to the fact that Madonna was the last word on fashion for women and young girls of that era, the epitome of cool  Costume designer Arianne Phillips commented of the Like a Virgin look: "This was one of the most shocking, liberating and influential moments in pop culture/fashion history     Fashion has never been the same " Madonna herself declared: "I have always loved to play cat and mouse with the conventional stereotypes  My Like a Virgin album cover is a classic example  People were thinking who was I pretending to be—the Virgin Mary or the whore? These were the two extreme images of women I had known vividly, and remembered from childhood, and I wanted to play with them  I wanted to see if I can merge them together, Virgin Mary and the whore as one and all  The photo was a statement of independence, if you wanna be a virgin, you are welcome  But if you wanna be a whore, it's your fucking right to be so "

Composition
According to Taraborrelli, "Madonna and Rodgers' collective energy—she wanting to score with a smash second album and he wanting to be the producer to give it to her—drove the production of Like a Virgin with great precision " Madonna also collaborated with her former boyfriend Steve Bray, who co-wrote many of the album's songs  Reflecting on the music composition for the album, Bray noted: "I've always kind of made the rib cage and the skeleton of the songs already—she's there for the last things like the eyebrows and the haircut " The opening track "Material Girl" was written by Peter Brown and Robert Rans  Madonna explained that the concept of the song was similar to her life's situation at that time  According to her, the song was provocative, hence she was attracted to it  "Material Girl" incorporated new wave music and consists of synth arrangements with a robotic voice repeating the hook  The lyrics identify with materialism, with Madonna asking for a rich and affluent life, rather than romance and relationships  Written by Madonna and Steve Bray, "Angel" is the second track on the album  It was one of the first songs developed for the project and, according to Madonna, was inspired by a girl who is saved by, and subsequently falls in love with an angel  "Angel" consists of a three-chord ascending hook, which serves as the verse and chorus  It has vocal harmonies beneath the main chorus and the lyrics repeat the angel-like image of Madonna's savior  The title track "Like a Virgin" was written by Billy Steinberg and Tom Kelly  Steinberg said that the song was inspired by his personal experiences of romance  It was chosen for Madonna by Michael Ostin of Warner Bros  Records, after listening to a demo sung by Kelly  However, Rodgers initially felt that the song did not have a good enough hook and was not suitable for Madonna, but subsequently changed his opinion after the hook was stuck in his mind  He credits Madonna with recognizing the song's potential: "I handed my apology to Madonna and said, 'you know     if it's so catchy that it stayed in my head for four days, it must be something  So let's do it '" "Like a Virgin" is a dance-oriented song, composed of two hooks  Madonna's voice is heard in a high register while a continuous arrangement of drums are heard along the bassline  According to author Rikky Rooksby, the lyrics of the song are ambiguous and consist of hidden innuendo  In sexual terms, the lyrics can be interpreted in different ways for different people In "Over and Over", Madonna sings about determination despite disappointments  The song consists of instrumentation from drums, synths and has a three-chord progression  An emotional moment occurred in the recording studio when Madonna covered the 1978 Rose Royce song "Love Don't Live Here Anymore"  Rodgers recalled: "Madonna had never performed with a live orchestra before  I was very much into doing everything live, so I just said, 'Madonna, you go out there and sing and we will follow you ' At first Madonna was hesitant, but the live setting ended up producing memorable results  She sang and she was overcome with emotions and she started crying, but I left it on the record " The song features Madonna's vocals supported by acoustic guitars and synth strings, with Thompson playing the drum in the second verse  Towards the end, Madonna emotes in the voice of a soul singer "Dress You Up" was the last track to be added to the album as it was submitted late by songwriters Andrea LaRusso and Peggy Stanziale  Although Rodgers rejected it as he felt there was no time to compose a melody and record it for the album, Madonna pushed for the song's inclusion on Like a Virgin, as she particularly liked its lyrics  The song is a drum beat-driven dance track featuring instrumentation of guitars and vocals from a choir  The lyrics are an extended metaphor for fashion and sex, comparing dressing up with passion  "Shoo-Bee-Doo" contains homage to Motown music  Beginning with a slow introduction, the song is in the doo-wop genre and resembles the songs of early Sixties girl groups like The Shirelles or The Crystals  The saxophone breakdown is played by Lenny Pickett  The lyrics discuss relationship problems, and are phrased as clichés in the coda  "Pretender" starts with the chorus and then moves to the verse  It talks about seduction and the insecurity felt by a woman who feels that things are moving too quickly for her with her man  "Stay" is the final track on the album  Using triple-rhythms and double-tracked vocals, the song includes a noise resembling someone slapping a microphone and a spoken sequence which fades away in the end 
"Into the Groove" was added as a bonus track in the 1985 international reissue of Like a Virgin  Madonna's inspiration behind the song was the dance floor, and she wrote it while watching a handsome Puerto Rican man across her balcony  Initially written for her friend Mark Kamins, Madonna later decided to use it in the soundtrack of her 1985 film Desperately Seeking Susan  Unlike the other songs on Like a Virgin, "Into the Groove" was recorded at Sigma Sound Studios, and produced by Madonna and Stephen Bray  Madonna's friend Erika Belle was present during the recording and watched the whole process  In Andrew Morton's Madonna biography, she noted that at one point of the recording, Bray was facing difficulties with the bridge of the song, as the melody thought by him was not syncing with the rest of the composition  Undeterred by his obvious difficulties, Madonna stepped up to the microphone and sang the words "Live out your fantasy here with me"  Bray's problem was solved; Belle remembered the experience as: "[The song] seemed to come out of her, I was awestruck " The song consists of instrumentation from drums, percussion, congas and whistles  Madonna's voice is double-tracked in the chorus  The lyrics are simple, and written as an invitation to dance with the singer, with sexual innuendos and undertones in the meaning 

Promotion
Live performances
Madonna debuted the first single "Like a Virgin" at the first MTV Video Music Awards on September 14, 1984, where she appeared on stage atop a giant wedding cake dressed in a wedding dress, adorned with the infamous "Boy Toy" belt buckle, and veil  The climax of her risqué performance found her masturbating and rolling around on the stage  The performance is noted as one of the iconic performance in MTV's history  On December 13, 1984, Madonna performed "Like a Virgin" on BBC One's program Top of the Pops, wearing punky torn tights, a vivid pink wig, religious accessories and layered mesh tops  It was later voted as the second best Top of the Pops performance of all time  She also appeared at the 1985 Live Aid charity concert, where she performed "Into the Groove" The album was further promoted on her first headlining tour, The Virgin Tour, which only visited cities in the United States and Canada  Early on there were plans to schedule dates in England and Japan due to Madonna's large fan base in both countries  However, the final schedule did not reflect the idea  In the end several more US dates were added and moved to larger concert venues due to overwhelmingly strong ticket sales  Madonna's performance on the tour was described by Taraborrelli as "full of excitement", singing songs from her debut album as well as Like a Virgin, and asking the audience "Will you marry me?" The costumes included colorful new wave jackets for "Holiday" and white wedding gowns similar to the one worn in her "Like a Virgin" music video  Referring to her Detroit roots and contemporary artist Michael Jackson, Madonna sang a verse of "Billie Jean" during "Like a Virgin" The Virgin Tour was a success and collected a total of more than US$5 million  During a 2009 interview with Rolling Stone, interviewer Austin Scaggs asked Madonna regarding her feelings and emotions during the tour, since it was the first time she was playing in arenas  Madonna replied saying,

That whole tour was crazy, because I went from playing CBGB and the Mudd Club to playing sporting arenas  I played a small theater in Seattle, and the girls had flap skirts on and the tights cut off below their knees and lace gloves and rosaries and bows in their hair and big hoop earrings  I was like, 'This is insane!' After Seattle, all of the shows were moved to arenas  I've never done a bus tour  Everyone says they are really fun 

Singles
"Like a Virgin" was released as the lead single from the album in late 1984  It received positive reviews from contemporary critics, who frequently called it one of Madonna's defining songs  It became her first number-one single on the Billboard Hot 100, while reaching the top of the charts in Australia, Canada and Japan and the top-ten of other countries  The song was certified gold by the Recording Industry Association of America (RIAA) on January 10, 1985, for shipping a million copies across United States – the requirement for a gold single prior to 1989  The music video portrayed Madonna sailing down the riverways of Venice in a gondola, as well as roaming around a palace wearing a white wedding dress  With the video, scholars noted Madonna's portrayal of a sexually independent woman, the symbolism of the appearance of a man with lion's mask to that of Saint Mark, and compared the eroticism of the video to the vitality of the city of Venice "Material Girl" was the second single from the album, released in November 1984  Critics have frequently noted "Material Girl" and "Like a Virgin" as the songs that made Madonna an icon  The song was a commercial success, reaching the top-five in Australia, Belgium, Canada, Ireland, Japan and United Kingdom  It reached position two on the Billboard Hot 100 in the United States  The music video was a mimicry of Marilyn Monroe's performance of the song "Diamonds Are a Girl's Best Friend" from the 1953 film Gentlemen Prefer Blondes  The mimicked scenes are interspersed with scenes of a Hollywood producer trying to win the heart of an actress, played by Madonna herself  Discovering that, contrary to her song, the young woman was not impressed by money and expensive gifts, he pretended to be penniless and succeeded in taking her out on a date "Angel" was the third released single from the album, in April 1985  Critics gave mixed review of the song, with one group denoting it as a classic while the others felt it was sub-par compared to the other Madonna singles  "Angel" became Madonna's fifth consecutive top-five single on the Billboard Hot 100 and reached the top of its dance chart "Into the Groove"  was released as a single in Europe, Asia and South America in July 1985  The song was appreciated by contemporary critics as well as authors, who have frequently called it "Madonna's first great single"  "Into the Groove" reached the top of the charts in Australia, Belgium, Ireland, Japan, Netherlands, New Zealand, and the United Kingdom, where it was Madonna's first number-one single  In the United States, the song was only available as the B-side of the 12-inch single of "Angel", therefore it was ineligible to chart on the Billboard Hot 100 at the time  It reached number one on the US Hot Dance Club Play chart where it was listed as a double-sided single with "Angel"  In Australia and Canada, the song also was released as a double-sided single with, "Angel" 
"Dress You Up" was the last single from the album  Critics reacted positively to the dance-pop nature of the track  "Dress You Up" became Madonna's sixth consecutive top-five single in the United States  It also reached the top-ten in Australia, Belgium, Canada, Ireland, New Zealand and the United Kingdom  The music video for the single is taken from the live performance from The Virgin Tour, filmed in Detroit Two further singles were released internationally from the album  "Over and Over" was released in late 1985 exclusively in Italy 
"Love Don't Live Here Anymore" was released in early 1986 exclusively in Japan 

Critical reception
According to Q magazine, Like a Virgin was the album that "propelled [Madonna] into the stratosphere – and rightly so  The songs are smart, funny, sexy and irresistible " Taraborrelli said, "It was Like a Virgin which reflected Madonna as a more versatile and artistic performer and vocals on this album being reflectively sharper in contrast to her early works in the music industry " Michael Paoletta from Billboard commented that the songs on the album sustain a "fevered dance-rock momentum"  In his review for AllMusic, Stephen Thomas Erlewine commented, "Overall, the album adds up to less than the sum of its parts—partially because the singles are so good, but also because on the first album, she stunned with style and a certain joy  Here, the calculation is apparent, and while that's part of Madonna's essence—even something that makes her fun—it throws the record's balance off a little too much for it to be consistent, even if it justifiably made her a star " Debby Miller from Rolling Stone preferred Madonna's debut album over Like a Virgin  In The Village Voice, Robert Christgau was also lukewarm towards the record, writing "[Madonna's] so sure of herself she's asking men and women both to get the hots for the calculating bitch who sells the fantasy even while she bids for the sincerity market where long-term superstars ply their trade  And to make the music less mechanical, she's hired Nile Rodgers, who I won't blame for making it less catchy "Jim Farber from Entertainment Weekly said that "In addition to raising the Madonna/whore ante with songs like the title cut, Virgin cradled the kind of '80s hits ("Dress You Up") built to transcend the Dynasty era " Alfred Soto from Stylus Magazine remembered the first time that he heard the songs from the album and commented, "Lots of critics think something similar occurred when Madonna followed her eponymous debut with Like a Virgin, helmed by Nile Rodgers with all the fixin's—too calculated next to the 'raw passion' of the debut  This is nonsense; it misses how Madonna conflated notions of spontaneity and calculation  Rodgers is the ideal collaborator " Stephen Holden from The New York Times said: "With a tough-cookie voice that's both coy and streetwise, Madonna's singing harks back to the rock-and-roll girl-group tradition that preceded the Beatles  But where girl groups, from the Shirelles to the Ronettes, worshipfully extolled their boyfriends' cars, haircuts and rebel poses, Madonna's point of view is decidedly more self-interested  In matters of love, she is a comparison shopper with a shrewd sense of her own market value  The words 'shiny and new' describe not only the way the love-smitten singer feels in the title song but the sound of the album "Matt Damsker from the Los Angeles Times commented: "Madonna's beating vibrato sometimes makes her sound so robotic in the album " Lou Papineau, while writing for The Providence Journal, said that "In Like a Virgin, Madonna proves she's shallow, but spunky " Sal Cinquemani from Slant Magazine gave a positive review, saying "Though not as innovative as her debut, Like a Virgin stands as one of the most definitive pop artifacts from the indulgent Reagan Era  The mid-tempo ballad 'Shoo-Bee-Doo' and a soulful cover of Rose Royce's 'Love Don't Live Here Anymore' proved Madonna could churn out more than just novelty hits, while the sugary 'Angel' and the irresistible 'Dress You Up' contributed to the singer's record-breaking list of consecutive Top 5 hits (16 in all)  The retro-infused 'Stay' and the percussive 'Over and Over' are the album's hidden gems " Ed Stevenson from People felt that "Madonna does have a sense of humor, though she is buried under so many layers of self-parody it's hard to tell sometimes     She is backed on this by the reliable rhythmic touch of veteran Nile Rodgers, whose contributions have helped her create a tolerable bit of fluff  Hugo Mistry from the Chicago Tribune felt that "Like a Virgin was Madonna's breakthrough, playing off her self-conscious campiness with a series of hot dance tracks, attention-grabbing lyrics and steamy videos "

Commercial performance
Like a Virgin was recorded and finished by September 1984, but the release of the album was held up, much to Madonna's frustration, by the continuing sales of her debut album, which was approaching two million sales in the United States  Like a Virgin debuted at number 70 on the Billboard 200 issued for December 1, 1984  The album reached the top ten of the Billboard 200 on December 8, 1984, and after one month reached the top of the chart on February 9, 1985, where it stayed for three weeks  It also reached a peak of ten on the Top R&B/Hip-Hop Albums chart  After 14 weeks, the album sold 3 5 million copies  By July 1985, Like a Virgin became the first album by a female artist to be certified for sales of five million units in the United States  It was eventually certified ten times platinum (diamond) by the Recording Industry Association of America (RIAA), for shipment of ten million copies of the album  It placed at three on the year-end chart for 1985, with Madonna becoming the top pop artist for the year  After the advent of the Nielsen SoundScan era in 1991, the album sold a further 574,000 copies  It sold additional 882,000 units at the BMG Music Club, which are not counted by the Nielsen SoundScan  In Canada, the album debuted at number 78 on the RPM Albums Chart, on November 10, 1984  It reached a peak of number three, on February 16, 1985  The album was present for a total of 74 weeks on the chart, and was certified diamond by the Canadian Recording Industry Association (CRIA), for shipment of one million copies of the album  Like a Virgin ranked sixth on the RPM Top 100 Albums for 1985  As of June 1986, the album sold more than 750,000 units in Latin America In the United Kingdom, Like a Virgin debuted at number 74 on the UK Albums Chart, on January 12, 1985  However, the album fluctuated on the chart for the next eight months and it was only in September that it finally reached the top of the chart  It spent two alternative weeks at the top (21st Sept and 12th Oct 1985), and a total of 152 weeks on the chart  The album was certified three times platinum by the British Phonographic Industry (BPI) and has sold over a million copies there  In France, the album debuted at number five on the French Albums Chart on October 6, 1985, staying there for eight weeks, then descending down the chart  It was certified two times platinum by the Syndicat National de l'Édition Phonographique (SNEP) for shipment of 600,000 copies  In Australia, the album debuted and peaked at two on the Kent Music Report albums chart, and was certified seven times platinum by the Australian Recording Industry Association (ARIA) for shipment of 490,000 copies of the album  It reached the top of the New Zealand Albums Chart for three consecutive weeks and was certified five times platinum by the Recording Industry Association of New Zealand (RIANZ) for shipment of 75,000 copies  Elsewhere, Like a Virgin reached number one in Germany, the Netherlands and Spain, while peaking within the top five in many other countries, including Austria, Japan, Sweden and Switzerland  It also became Madonna's first number-one album on the European Top 100 Albums, reaching the summit on November 23, 1985, for two weeks, and sold over 2 million copies across Europe at the end of the 1985 year  Like a Virgin has sold more than 21 million copies worldwide and became one of the best-selling albums of all time 

Legacy
After the release of Like a Virgin, Stephen Holden commented in The New York Times: "No phenomenon illustrates more pointedly how pop music history seems to run in cycles than the overnight success of the 24-year-old pop siren known as Madonna  The month before Christmas, Madonna's second album, Like a Virgin sold more than two million copies  Teen-agers were lining up in stores to purchase the album the way their parents had lined up to buy Beatles records in the late 60's " Madonna proved she was not a one-hit wonder with the release of the album which sold 12 million copies worldwide at the time of its release  In 2016, Billboard ranked at number nine in the list of Certified Diamond Albums From Worst to Best  Like a Virgin was ranked fifth in a Billboard poll of albums of the decade—the highest peak by a female performer  In 2023, the Library of Congress added the album to the National Recording Registry for preservation in the United States, for being an "culturally, historically, or aesthetically significant" recording 
Taraborrelli felt that "Like a Virgin is really a portrait of Madonna's uncanny pop instincts empowered by her impatient zeal for creative growth and her innate knack for crafting a good record " He added that the success of the album made it clear what was Madonna's real persona  "She was a street-smart dance queen with the sexy allure of Marilyn Monroe, the coy iciness of Marlene Dietrich and the cutting and protective glibness of a modern Mae West"  Although the album received mixed reviews, Taraborrelli believed that the "mere fact that at the time of its release so many couldn't resist commenting on the record was a testament to the continuous, growing fascination with Madonna     Every important artist has at least one album in his or her career whose critical and commercial success becomes the artist's magic moment; for Madonna, Like a Virgin was just such a defining moment "Chris Smith, author of 101 Albums That Changed Popular Music, believed that it was with Like a Virgin that Madonna was able to steal the spotlight towards herself  She asserted her sexuality as only male rock stars had done before, moving well beyond the limited confines of being a pop artist, to becoming a focal point for nationwide discussions of power relationships in the areas of sex, race, gender, religion, and other divisive social topics  Her songs became a lightning rod for both criticism by conservatives and imitation by the younger female population  Consequence of Sound ranked the album at number two on "The 10 Greatest Sophomore Albums of All Time," calling it the album that "carved out the throne   that would be Madonna's forever: the Queen of Pop "

Track listing
All tracks produced by Nile Rodgers, except "Into the Groove" produced by Madonna and Stephen Bray 

Personnel
Credits adapted from the album's liner notes 

Charts
Certifications and sales
See also
Notes
Passage 2:
Chapter II (Ashanti album)
Chapter II is the second studio album by American singer and songwriter Ashanti  It was released by Murder Inc  and Island Def Jam on July 1, 2003 in the United States  Ashanti reteamed with Murder Inc  head Irv Gotti and producer Chink Santana to work on the album  Chapter II features a guest appearance by rapper Ja Rule, Chink Santana, and Gunnz  Critical reception towards the album was generally mixed, with critics commending the album's autobiographical lyrics, and its fun yet light nature, while other critics felt Chapter II lacked creativity and personality and relied too heavily on the formula of her debut album (2002) 
Upon its release, the album debut at number one on the US Billboard 200 chart with first-week sales of 326,000 units  It also reached the top ten in Canada, Switzerland, and the United Kingdom  Chapter II was eventually certified platinum by the Recording Industry Association of America in August 2003 and gained gold status in Japan and the United Kingdom  At the 46th Annual Grammy Awards, it earned Ashanti three nominations for Best Contemporary R&B Album, Best Female R&B Vocal Performance, and Best R&B Song  Chapter II spawned three singles, including the Billboard Hot 100 number two song "Rock wit U (Awww Baby)", the R&B ballad "Rain on Me" and "Breakup 2 Makeup (Remix)" 

Promotion
Murder Inc  selected "Rock wit U (Awww Baby)," which they considered a continuation from her debut single "Foolish" (2002), to be released as the album's first single from Chapter 2  Issued on May 19, 2003, the song became a commercial success stateside and Ashanti's third solo top ten hit  It peaked at number two on the US Billboard Hot 100, while reaching number four on the Billboard Hot R&B/Hip-Hop Songs chart  Internationally, it was a moderate success, reaching the top five in Canada and Japan, the top ten in the United Kingdom, top twenty in Australia, and the top forty in Ireland, New Zealand, and Switzerland The album's second single "Rain on Me", was released on August 11, 2003  It peaked at number seven on the Billboard Hot 100 and number two on the Hot R&B/Hip-Hop Songs chart  Elsewhere, it reached the top twenty in Belgium and the United Kingdom  In 2004, "Rain on Me" earned Ashanti a Grammy Award nomination for Best Female R&B Vocal Performance  In 2004, a remix version of "Breakup 2 Makeup" featuring labelmate Black Child was released as a single  It served as the lead single from Ashanti's remix compilation album Collectables by Ashanti, released in 2005, reaching number 76 on the Hot R&B/Hip-Hop Songs 

Critical reception
Chapter II received mixed reviews from music critics  At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 51, based on 11 reviews, indicating "mixed or average" reviews  The New York Times writer Kelefa Sanneh remarked that Chapter II "isn't perfect, but once you edit out the skits (which are, without exception, excruciating), you're left with an album that's graceful, beguiling and above all, light, in the best sense of the word " People magazine noted that "the singer's sophomore CD, though, proves wrong those who thought she would be a one-hit-album wonder  Chapter II, which continues the same hip-hop soul theme as her self-titled debut, is the equivalent of a good beach read: It's easy, breezy listening that doesn't require much brainpower "Billboard wrote that Chapter II "doesn't stray too far from its predecessor" and complimented the autobiographical songs on the album  Ernest Hardy from Rolling Stone found that the "album is filled with the same beat-driven, slickly produced midtempo tracks and ballads that made up her debut [and] the disc's best moments have a decidedly old-school feel to them [   ] Still, dullard schoolgirl insights into love and heartache dominate the album; add some boring between-song skits about 'haters,' and Chapter II wears thin long before its halfway mark " While he complimented Ashanti for her writing credits on the album, Entertainment Weekly journalist Tom Sinclair felt that "Chapter II is too mired in tired R&B conventions to achieve true magnificence "Allmusic editor Stephen Thomas Erlewine found that "the songs have about as much personality as Ashanti's voice, but that actually is a point in its favor, since it keeps everything on an even keel and makes Gotti and Santana's stylish production the star  They are the secret ingredients that make Chapter II good romantic mood music for the summer " Alexa Camp from Slant Magazine wrote that "the album's got some great tunes, but they'd be better suited for someone like Mary J  Blige, whom Shany & Co  bite off " Robert Christgau gave Chapter II a "C" rating in his review for The Village Voice, calling it a "pathologically modest follow-up " PopMatters from Maurice Bottomley assured that "Chapter 2 is not going to feature as any scribe's R&B album of the year "

Commercial performance
In the United States, Chapter II debuted at number one on the Billboard 200 with first-week sales of 326,000 units sold  While it became Ashanti's second chart topper, it was a considerable decline from her previous effort Ashanti, which had opened to sales of 502,500 units in April 2002  In total, it remained on the Billboard 200 chart for 30 consecutive weeks  In addition, it reached the top position on Billboard's Top R&B/Hip Hop Albums chart, where it stayed at the top spot for two consecutive weeks  On August 14, 2003, The album was certified platinum by the Recording Industry Association of America (RIAA)  Towards the end of 2003, Billboard ranked the album at number 54 and 27 respectively on its Billboard 200 and Top R&B/Hip-Hop Albums year end chart lists  By January 2005, Chapter II had sold 1 5 million copies, according to Nielsen SoundScan Elsewhere, Chapter II reached the top five on the Canadian and UK Singles Chart  It was certified gold by the British Phonographic Industry (BPI), indicating sales in excess of 100,000 copies, and also went gold in Japan  In Switzerland, it reached the top ten, debuting and peaking at number nine on the Swiss Albums Chart, making it Ashanti's highest-charting album to date  Chapter II also entered the top 20 in Australia and Germany  To date, the album has sold 3 million copies worldwide 

Track listing
Samples
"Intro (Medley)" contains samples of Ashanti tracks "Foolish", "Happy", "Down 4 U" (with Ja Rule, Charli Baltimore & Vita), "Baby" and "Mesmerize" (with Ja Rule) 
"Breakup 2 Makeup" contains a sample of "I'm Gonna Love You Just a Little More Baby" by Barry White 
"Rain on Me" contains a sample of "Look of Love" by Isaac Hayes 
"Then Ya Gone" contains samples of "Ain't I Been Good to You" by The Isley Brothers, and "One Day" by UGK 
"Feel So Good" contains a sample of "Playing Your Game, Baby" by Barry White 
"The Story of 2" contains a sample of "Dream Maker" by Rick James 
"Sweet Baby" contains a sample of "I'm Glad You're Mine" by Al Green 
"U Say I Say" contains a sample of "Never Enough" by Groove Theory 
"I Found Lovin'" is a cover of the same-titled song by Fatback Band 

Personnel
Charts
Certifications
See also
List of Billboard 200 number-one albums of 2003
List of Billboard number-one R&B albums of 2003
Passage 3:
Chapter II (Benga album)
Chapter II is the third studio album by British record producer Benga  The album was released on 6 May 2013 through Sony Music  It entered the UK Albums Chart at number 93 

Background and development
The album was produced from late 2011 to 2013  On 30 November 2011, Benga and Youngman performed at 1Xtra Live  They premiered "Running" live from Bristol  The first official single from the album was "I Will Never Change", released in March 2012  In June 2012, Benga and P Money performed a live version of "High Speed" on BBC Radio 1Xtra in Maida Vale Studios  Benga himself provided vocoded vocals  Several singles released throughout 2012 were omitted from the album: "Icon", "Pour Your Love", "We're Coming Out" and "Open Your Eyes"  However, "Pour Your Love" (released on 24 August 2012) is the only song so far to chart in the United Kingdom, charting at number 189 in the UK Singles Chart 
A series of three heavier songs advertised as "club singles" were released throughout December 2012: "We're Coming Out", "Open Your Eyes" and "To Hell and Back"  The latter is the only one to feature on the album  The album's initial release date was set to be 22 April 2013, but it was delayed by two weeks  Benga supported Example on his 2013 arena tour around the United Kingdom, with Youngman providing vocals for his "Benga Live" sets  Several songs from the album were performed on tour, including "Choose 1"; "Smile"; "Getting 42"; "To Hell and Back"; "I Will Never Change"; and "Forefather", which got its live debut at the Manchester Arena on March 1 with a live PA from Kano  "Smile" features uncredited vocals from Charli XCX 

Singles
"I Will Never Change" is the album's lead single  It was released on 16 March 2012  The track was the first to be written on the album, and its upload on UKF has over one and a half million YouTube views  The official video premiered on Benga's Vevo on 5 April 2013 at a total length of two minutes and one second  The video features the song's waveform being created in stop motion out of 960 differently sized vinyls 
"To Hell and Back" is the second single from the album  It was released on 17 December 2012  On Example's 2013 arena tour, P Money performed a live PA which doesn't feature on the studio version of the track 
"Forefather" with Kano is the third single from the album  It was released on 7 March 2013 and entered the UK Singles Chart at number 123  The official video premiered on Benga's Vevo on 10 March 2013 at a total length of three minutes and thirty-eight seconds  The video compares Benga and Kano's lifestyles in 2003, 2008 and 2013: showing that although their success has changed their surroundings, their music is still "sounding like some old-school KA"  It is the only explicit track on the album 

Track listing
Personnel
Credits adapted from Chapter II album liner notes 
Adegbenga "Benga" Adejumo – mixing, engineering, producer (all tracks), vocals (11)
Autumn Rowe - vocals (8)
Ayo Simpson - engineering (14)
Charlotte Emma "Charli XCX" Aitchison - vocals (2)
Daniel "Danny C" Caim - vocal recording (11)
Daniel Ledinsky - backing vocals (14)
Jack Tarrant - mixing, engineering (8, 14)
Kane "Kano" Robinson - vocals (4)
Michael "Mikey J" Asante - vocal recording, vocal mixing (4)
Paris "P Money" Moore-Williams - vocals (11)
Rowan "Route 94" Jones - co-producer (2)
Rudie Edwards - vocals (14)
Sam Frank - vocals, saxophone (10)
Simon "Youngman" Smith - vocals (6, 13)
Stuart Hawkes - mastering (all tracks)

Chart performance
Weekly charts
Release history
Passage 4:
Rock wit U (Awww Baby)
"Rock wit U (Awww Baby)" is a song by American R&B singer Ashanti  Written by her along with Irv Gotti and Chink Santana for her second studio album, Chapter II (2003), and produced by Gotti and Santana, the song was released by Murder Inc  on May 19, 2003, as the lead single from Chapter II, peaked at number two on the US Billboard Hot 100 for one week and became her first international hit from her second album, reaching number 7 in the UK and number 19 in Australia 

Music video
Directed by Paul Hunter and filmed in Miami in early May 2003, the music video for "Rock wit U (Awww Baby)" features Ashanti at a beach with her boyfriend while they flirt in bed together and driving down the road in a Jeep  In some scenes, the boyfriend watches Ashanti dance for him in the house and behind some trees at night  There is also a scene where she rides on an elephant in the water  The video was nominated at the 2003 MTV Video Music Awards for Best R&B Video 

Samples
The song was sampled for British rapper Aitch's single "Baby"  The single was released on 10 March 2022  It debuted on the UK Official Singles Top 100 on 18 March 2022, placing at number 2 

Track listings
Notes

^[a]  denotes additional producer

Credits and personnel
Credits lifted from the liner notes of Chapter II 

Charts
Certifications
Release history
Passage 5:
Guillotine IV (The Final Chapter)
"Guillotine IV (The Final Chapter)" is the second single from Falling in Reverse's third album Just Like You  It is the fourth and final installment of the Guillotine series that was started by Ronnie Radke when he was the frontman of Escape the Fate  Ronnie Radke sang the first song, "The Guillotine", from Escape the Fate's Dying Is Your Latest Fashion; and Craig Mabbit sang "This War Is Ours (The Guillotine II)" and "The Aftermath (The Guillotine III)" from Escape the Fate's This War Is Ours and their self-titled album, respectively 

Personnel
Falling in ReverseRonnie Radke – lead vocals
Jacky Vincent – lead guitar, backing vocals
Derek Jones – rhythm guitar, backing vocals
Ryan Seaman – drums, percussion, backing vocalsAdditionalCharles Kallaghan Massabo – bass
Passage 6:
Capítulo II: Brinca
Capítulo II: Brinca (English: Chapter II: Jump) is the second studio album by Mexican-American recording artist DJ Kane  It was released on September 13, 2005 by EMI Latin 

Track listing
Passage 7:
Ashanti (singer)
Ashanti Shequoiya Douglas (born October 13, 1980) is an American singer, songwriter and actress  She was first discovered as a teenager and later signed to Murder Inc  Records in 2002  That year, she was featured on Fat Joe's "What's Luv?" and Ja Rule's "Always on Time", both of which became two of the biggest hit songs of 2002  She became the first female artist to occupy the top two positions on the U S  Billboard Hot 100 chart simultaneously with "Foolish" and "What's Luv?" at numbers one and two, respectively 
In 2002, Ashanti released her eponymous debut album, which sold over 505,000 copies throughout the U S  in its first week of release  The album earned her many awards, including eight Billboard Music Awards, two American Music Awards, and a Grammy Award in 2003 for Best Contemporary R&B Album  The album has since been certified triple platinum in the United States and sold six million copies worldwide by the end of 2003  The lead single for the album, "Foolish", was a critical and commercial success; it reached number one on the Billboard Hot 100  With "Foolish", she became the second artist (after The Beatles) to have their first three chart entries in the top ten of the Billboard Hot 100 simultaneously  Ashanti wrote and provided background vocals for Jennifer Lopez's "Ain't It Funny (Murder Remix)", which also reached number one on the Billboard Hot 100 In 2003, Ashanti released her second album, Chapter II, which debuted at number one on the Billboard 200, with first-week sales of 326,000 copies in the U S  The album went platinum, selling over 1 5 million copies in the U S  since its release  The album's singles, "Rock wit U (Awww Baby)" and "Rain on Me", were both commercial successes, peaking at number two and number seven on the Billboard Hot 100 chart, respectively  Chapter II was nominated for a Grammy Award for Best Contemporary R&B Album, and "Rock wit U (Awww Baby)" and "Rain on Me" were each nominated in the categories of Best R&B Song and Best Female R&B Vocal Performance  In November 2003, Ashanti released a Christmas album titled Ashanti's Christmas, which was a modest commercial success 
In 2004, Ashanti released her third studio album, Concrete Rose, the title of which took on Tupac Shakur's pseudonym "The Rose That Grew from Concrete"  The album debuted at number seven in the U S , with first-week sales of 254,000 copies, and became her third platinum-certified album  The first single, "Only U", reached number thirteen on the Billboard Hot 100 and became her biggest hit in the United Kingdom, peaking at number two  A second single, the ballad "Don't Let Them", garnered little chart success after Def Jam refused to fund a music video due to Irv Gotti's legal troubles during his money laundering trial  Her subsequent albums include The Declaration (2008) and Braveheart (2014), the latter of which was released independently, on Ashanti's record label, Written Entertainment 
Aside from music, Ashanti has also acted in various productions  In 2005, she made her feature film debut in Coach Carter alongside Samuel L  Jackson  She also starred as Dorothy Gale in the made-for-television film The Muppets' Wizard of Oz, which attracted nearly 8 million viewers when it premiered  She has since appeared in the films John Tucker Must Die (2006) and Resident Evil: Extinction (2007)  Throughout her career, Ashanti has sold nearly 15 million records worldwide 

Early life
Ashanti Douglas was born on October 13, 1980 in Glen Cove, New York  Her mother, Tina Douglas, is African-American and a former dance teacher, her father, Ken-Kaide Thomas Douglas, is also African-American and a former singer  She is the oldest of her parents' children, with a younger sister named Kenashia "Shia" Douglas  Ashanti's mother named her after the Ashanti Empire in Ghana; in this nation, women had power and influence, and Tina wanted Ashanti to follow that model  Her grandfather, James, was a civil rights activist who was associated with Martin Luther King Jr  in the 1960s Ashanti's mother discovered her full singing potential when she overheard Ashanti singing Mary J  Blige's "Reminisce" at age 12 (after the song was released on Ashanti's birthday)  While attending high school, she began to write songs  As a teenager, she performed in a local talent show and at several small festivals  She got her first taste of acting as a child extra in Spike Lee's Malcolm X (1992) and in Ted Demme's Who's the Man?  She also had a couple of minor appearances in music videos, such as KRS-One's "MC's Act Like They Don't Know" as well as 8-Off's "Ghetto Girl" Ashanti struggled to find success as a singer after being courted by several record labels, including Bad Boy and Jive  Despite this, she continued to perform in and around New York and began hanging out at the Murder Inc  recording studio, hoping for a big break 

Career
2001–2003: Ashanti, Chapter II and Ashanti's Christmas
Ashanti was first noticed by Irv Gotti because of her vocal skills  He asked her to pen hooks for his rap artists and to perform with them in duets  Ashanti provided the melodic response to their call  Ashanti was first featured as a background vocalist on rapper Big Pun's song "How We Roll"  In the same year, Ashanti was featured on fellow labelmate Cadillac Tah's singles "Pov City Anthem" and "Just Like a Thug"  She also appeared on the 2001 The Fast and the Furious soundtrack as a featured artist on Vita's 2001 hip hop remake of Madonna's "Justify My Love" and on the solo track "When a Man Does Wrong"  She was then featured on Fat Joe's "What's Luv?" and Ja Rule's "Always on Time"  "What's Luv?" and "Always on Time" were released simultaneously and became two of the biggest hit songs of 2002  Ashanti became the first female to occupy the top two positions on the U S  Billboard Hot 100 chart simultaneously when "Always on Time" and "What's Luv?" were at numbers one and two, respectively 
Following the success of her collaborations with Ja Rule and Fat Joe, Ashanti released her debut single, "Foolish", which contains a sample of the 1983 song "Stay with Me" by DeBarge (also used by The Notorious B I G  in his 1995 single "One More Chance", and by Big L in "MVP")  This is her biggest success to date, spending ten weeks atop the Billboard Hot 100  She became the second artist (after The Beatles) to have their first three chart entries in the top ten of the Hot 100 simultaneously  Ashanti's self-titled debut album, Ashanti, was released on Irv Gotti's Murder Inc  record label in April 2002  It debuted at number one on the U S  Billboard 200 albums chart  The album has been certified triple platinum in the United States and sold six million copies worldwide  Ashanti wrote the album's twelve tracks, most of which were written on the spot in the studio  Ashanti's follow-up singles, "Happy" and "Baby", were not as successful as her debut single but peaked inside the top ten and top twenty in the U S , respectively  Ashanti's debut album earned her many awards, including eight Billboard Music Awards, two American Music Awards, and a Grammy Award in 2003 for Best Contemporary R&B Album  Ashanti was the first artist to win Best Contemporary R&B Album before the category was last awarded in 2011  She was nominated as Best New Artist and "Foolish" was nominated in the Best Female R&B Vocal Performance category  She also received a Comet Award and two Soul Train Music Awards that same year 
Ashanti became the subject of controversy when it was announced that she would receive the Soul Train Aretha Franklin Award for "Entertainer of the Year", a high school student took offense and started an online petition against her, explaining to The Seattle Times that she was too new to deserve the award  Nearly 30,000 people agreed with him, signing the petition  Many said that established artists such as Mary J  Blige and Missy "Misdemeanor" Elliott or critically acclaimed singers like Alicia Keys and India Arie were more deserving of an award that carries the name of a musical legend  Despite the petition, the Soul Train committee and Don Cornelius stuck by their decision  Ashanti was applauded by her musical peers as she entered the Pasadena Civic Auditorium to accept her award and she was supported onstage by Patti LaBelle, who stated "she's a baby and we have to support our babies "Just before the release of her second album, Ashanti headlined VH1 Divas Duets alongside Whitney Houston, Chaka Khan, Beyoncé and Lisa Marie Presley  During the concert, she performed duets with the Isley Brothers and Stevie Wonder, and participated in the all-star finale performance of Wonder's "Higher Ground "In July 2003, Ashanti released her second album, Chapter II, which debuted at number one on the Billboard 200, with first-week sales of 326,000 copies in the U S  The album went platinum, selling over 1 5  a million copies in the U S  Chapter II's first single, "Rock wit U (Awww Baby)", became a hit, peaking at number two on the Billboard Hot 100  Its video, which showed Ashanti in a bikini frolicking on a beach and riding an elephant, was nominated for two 2003 MTV Video Music Awards  A remix of the song contains interpolations of Michael Jackson's "Rock with You"  The second single, "Rain on Me", reached the number seven spot on the Hot 100 and number two on the Hot 100 R&B Songs chart  Chapter II was nominated for a 2004 Grammy Award for Best Contemporary R&B Album, and "Rock wit U (Awww Baby)" and "Rain on Me" were nominated in the categories of Best R&B Song and Best Female R&B Vocal Performance, respectively  In the "Rain on Me," mini-movie music video—directed by Hype Williams and co-starring Larenz Tate—Ashanti portrays a troubled young woman in an abusive relationship  She received a Lifetime Channel Achievement Award for her message speaking out against domestic violence  That same year, she began dating rapper Nelly In November 2003, Ashanti released a Christmas album titled Ashanti's Christmas  It contained 10 Christmas songs and was a modest commercial success and sold just around 100,000 units in the U S  The album peaked at No  160 in the Billboard charts 

2004–2007: Concrete Rose, Collectibles by Ashanti and acting
Before Concrete Rose was released, Ashanti did some major promotion for her single "Only U", when she premiered it at the 2004 Vibe Music Awards  She featured on "Wonderful"—with Ja Rule and R  Kelly—that year, which peaked at number five in the U S  and at number one in the UK  In December 2004, Ashanti released her third studio album, Concrete Rose, the title of which took on Tupac Shakur's pseudonym "The Rose That Grew from Concrete"  The album debuted at number seven in the U S , with first-week sales of 254,000 copies, and eventually became her third platinum-certified album  The first single, "Only U", reached number thirteen on the Billboard Hot 100 and became her biggest hit in the United Kingdom, peaking at number two  A second single, the ballad "Don't Let Them", garnered little chart success after Def Jam refused to fund a music video due to Irv Gotti's legal troubles during his money laundering trial  The single was released only in the U S , where it failed to chart, and the UK, where it reached the lower end of the top forty  After the release of Concrete Rose, Ashanti released the DVD Ashanti: The Making of a Star, which was available only for a limited time  The deluxe DVD includes an exclusive photo and video shoot footage, music from the albums Ashanti, Chapter II and Concrete Rose, special concert footage, unreleased childhood school performances, and behind-the-scenes interviews with family, friends, and fans 
In 2005, Ashanti focused more on her acting career, making her feature film acting debut in the film Coach Carter alongside Samuel L  Jackson, as well as starring as Dorothy Gale in the made-for-television film The Muppets' Wizard of Oz, which pulled in nearly 8 million viewers when it premiered  She sang "When I'm with You" for the film which was nominated for a Primetime Emmy in the Outstanding Music and Lyrics category  In Coach Carter, she played a pregnant teenager named Kyra who has to decide whether or not to abort her unborn child  The movie opened at number-one at the U S  box office, eventually grossing $67  million domestically  Later in 2005, Ashanti was invited to Oprah Winfrey's Legends Ball, which honored some of the most influential and legendary African American women of the twentieth century in the fields of art, entertainment, and civil rights  In December 2005, Ashanti released a remix album of Concrete Rose titled Collectables by Ashanti  The album was an opportunity for her to fulfill her contract with Def Jam (and have the option of working with another label)  It did not fare well on the charts 
In 2006, she starred in the teen comedy John Tucker Must Die, which opened and peaked at number three at the U S  box office (competing with Pirates of the Caribbean: Dead Man's Chest and Miami Vice) and grossed $68,818,076 worldwide  In 2007, she played a supporting role in the action film Resident Evil: Extinction (2007) 

2008–2010: The Declaration, departure from The Inc  and The Wiz
Her fourth studio album, The Declaration, was released on June 3, 2008,  and sold 86,000 units its first week of release, which were the lowest first-week sales for any of Ashanti's studio albums  In mid-2007, MTV News reported that the first single from The Declaration was "Switch", which was produced by Shy Carter and released digitally in the United States on July 24, 2007  It was later reported that "Switch" may not be included on the album's track listing, and that the first single would be "Hey Baby (After the Club)" it was released to radio and digital outlets on October 16  The song, which does not appear on the U S  editions of the album, peaked at number eighty-seven on the Billboard Hot R&B/Hip-Hop Songs chart  "The Way That I Love You", was released to radio and digital outlets in January 2008, and was referred to as the "first single" in press material and media reports  It reached number two on the Hot R&B/Hip-Hop Songs chart and number thirty-seven on the Billboard Hot 100, becoming Ashanti's first song to reach the top forty since "Only U" in 2004  "Body On Me" was recorded not only for Ashanti's The Declaration, but also for Nelly's fifth studio album Brass Knuckles  The track is produced by Akon and Giorgio Tuinfort  It went to number one on Billboard's Hot Videoclip Tracks chart in its first week, becoming the first number-one single from Nelly's album "Good Good" was released to urban radio stations on July 16, 2008  The song contains elements of Elton John's 1974 single "Bennie and the Jets", and has the same melody arrangement as Michael Jackson's "The Girl Is Mine"  In July 2008, Ashanti was named an ambassador of tourism for Nassau County, Long Island 
In May 2009, Irv Gotti announced that he was officially releasing Ashanti from The Inc  Records, stating that "The relationship has run its course  The chemistry of what's needed — we're in two totally different places  You're talking to somebody that took her and shaped and molded her and put her out there for the world, and it blew up  We [hold the record] for the [fastest] selling debut by a female R&B artist — 503 [thousand]  We did it! My views and philosophies and her views and philosophies are not meeting up " Gotti also admitted that he and Ashanti have not spoken to each other in a long time  A representative for Ashanti did not respond  On September 24, 2009, Ashanti announced her fifth studio album would be released from her new label, Written Entertainment 
Ashanti headlined the cast of The Wiz in the New York City Center Encores! Summer Stars staging from June 12 to July 5, 2009  Ashanti's role as Dorothy has since received mixed reviews from critics as most praised her vocals but was less pleased with her acting ability  BET and Entertainment Weekly both praised the singer's performance as The New York Post and New York Times gave lukewarm reviews  Though the first night was sold out, some of the other shows were unable to follow its success  On October 27, 2008, Ashanti took part in The Yellow Brick Road Not Taken, a one night only concert to celebrate the fifth anniversary of Wicked, featuring songs written by Stephen Schwartz, that were cut from the show 

2011–2014: Hiatus and Braveheart
After a four-year hiatus, Ashanti released the song "Never Too Far Away", which was featured in Morgan Creek's film Dream House starring Daniel Craig, Rachel Weisz with Naomi Watts  The lead single from her fifth studio album, "The Woman You Love" featuring American rapper Busta Rhymes, was released online on December 15, 2011  Ashanti teamed up with Meek Mill and French Montana for the second single "No One Greater", which was produced by 7 Aurelius, Irv Gotti and Chink Santana  In April 2013, she released another single called "Never Should Have", which later won "Best Independent R&B/Soul Performance" at the 2013 Soul Train Awards  A music video for the track was also released In November 2012, it was reported that she had landed her first series regular role in the seventh season of Army Wives, playing Latasha Montclair  The series was canceled on September 24, 2013  In the fall of 2013, she appeared in a guest spot on Law & Order: Special Victims Unit alongside Clay Aiken and Taylor Hicks  She also starred in the Lifetime film Christmas in the City which premiered on December 7, 2013 In August 2013, Ashanti announced her plans to once again work with Ja Rule, who'd been released from prison in July of that year following a six-year sentence stemming from a gun charge  On January 8, 2014, she revealed the official cover art and release date for Braveheart, her fifth album, which was released on March 4, 2014  In January 2014, Ashanti shot the video for the official first single from Braveheart titled "I Got It" featuring Rick Ross  The video was shot in Miami, Florida, and was directed by Eif Rivera  In July, Ashanti announced that the second official single from BraveHeart would be "Early in the Morning" featuring French Montana  Upon release, the album garnered favorable reviews, with music critics describing Braveheart's sound as an "evolution of R&B" and praising the themes of empowerment but criticizing the romantic clichés and lack of interesting moments on the album  On the charts, Braveheart opened at number ten in the U S  Billboard 200, becoming Ashanti's fifth consecutive top-ten album, as well as her first Independent Albums chart-topper  It also debuted in the top thirty of the UK R&B Albums Chart and top-forty of the UK Indie Albums Chart 

2015–present: Current activities and upcoming seventh studio album
In 2015, she announced that she had worked on new music for her seventh album, with an unknown release date  Ashanti collaborated with Michelle Obama for her #Let'sMove campaign to spread awareness of drinking water with her new video and song "Let's Go" released in 2015  In 2016, she collaborated on the song "Seven Day Love" included in the album "Inzombia" by Canadian singer Belly  She has also worked with numerous artists, including Sia, Alicia Keys, John Legend, Queen Latifah, Usher and Kelly Clarkson to interpret the songs of the Broadway musical "Hamilton" for the compilation "The Hamilton Mixtape" In 2017, Ashanti announced her seventh studio album, revealing it would be released in 2018  She denied this in June 2018, confirming the future release of an album in collaboration with rapper Ja Rule  Between 2017 and 2018 she returned to the music scene with several collaborations including the single "Say Less" with Ty Dolla Sign, the track "The Road" by Machel Montano, and the song "Start This Shit Off Right" with Mack Maine, from the album "Tha Carter V" by Lil Wayne Ashanti released the collaboration "Pretty Little Thing" with Afro B in August 2019  She also featured on the soundtrack of the film Stuck, which she produced  In November, Ashanti guest-starred as herself in two episodes of the third season of The CW's Dynasty reboot: "Mother, I'm At La Mirage" and "Something Desperate" In January 2021, Ashanti released her single "2:35 (I Want You)" On March 10, 2022, Ashanti's single "Rock wit U (Awww Baby)" was heavily sampled for British rapper Aitch's single "Baby" In October 2022, Ashanti was featured on Diddy’s “Gotta Move On” remix which also features Bryson Tiller and Yung Miami 

Artistry
Ashanti has a lyric soprano voice type  Critics have referred to her voice as "pretty" and her soprano as "sultry" and "sweet but slight"  Jason Birchmeier of AllMusic noted her reputation for using her "swooning voice" in duets with Big Pun, Fat Joe, and Ja Rule  As a young girl, Ashanti was influenced by Ella Fitzgerald, Whitney Houston, Michael Jackson, Prince, and Tupac Shakur, but she cites Mary J  Blige as the main reason she wanted to pursue a singing career  Further musical influences include Janet Jackson, Mariah Carey, Madonna, Smokey Robinson, Donna Summer, and Blue Magic 

Philanthropy
In 2003, Ashanti partnered with LidRock and the San Francisco-based Family Violence Prevention Fund (FVPF) to raise awareness about the issue of domestic violence during National Domestic Violence Awareness Month and to distribute the "Rain on Me" mini-movie using LidRock's unique platform  Proceeds from the $5 mini-disc went towards helping to stop domestic violence  Ashanti also recorded a public service announcement that appeared in more than 4,000 film screens and reached millions of people  Ashanti also gives back by raising money for sickle cell research and she is active in helping the Make-A-Wish Foundation stating, "I'll go and do just about anything for them " In 2005, Ashanti helped by recording public service announcement and raising money for the Southeast Asia tsunami disaster  Later that year, she helped raise money for the Hurricane Katrina victims and storm evacuees In 2008, Ashanti, along with others celebrities, taped a PSA to help stop violence and discrimination towards the LGBT community in response to the death of Lawrence King, an eighth-grader at E O  Green Junior High School, who was shot because of his sexual orientation and gender expression  That same year, she launched a special on-line campaign called "I Declare Me   " with Wal-Mart  The campaign's core is a very personal focus on the self-definition and empowerment of women across the United States, with its home base at Ashanti's official website  The campaign creates a safe and inclusive on-line space to for women to share testimonies on the site  Participants are able to openly declare their own breakthroughs, revelations, struggles and victories in every life area they choose: career, birth, death, relationships, and personal situations  "I Declare Me   " also invites women to a virtual discussion with Ashanti on such issues as voter registration, teen obesity, and other concerns facing women today 
In September 2009, Ashanti, along with other artists such as Mariah Carey, Beyoncé, Mary J  Blige, Rihanna, Fergie, Sheryl Crow, Miley Cyrus, Melissa Etheridge, Natasha Bedingfield, Keyshia Cole, Ciara, Leona Lewis, LeAnn Rimes and Carrie Underwood, teamed up for the song "Just Stand Up!"  The charity tune for cancer was conceived by Antonio "L A " Reid, who produced it with longtime creative colleague Babyface  All 15 singers (along with Nicole Scherzinger) shared the stage to perform the song live on September 5, 2008, during the "Stand Up to Cancer" television special, which aired simultaneously on ABC, NBC and CBS, and helped raise $100 million for cancer research  As a result of SU2C fund raising endeavors, the SU2C scientific advisory committee, overseen by the American Association for Cancer Research, was able to award 73 6 million dollars towards novel, groundbreaking cancer research in 2009 In November 2009, Ashanti joined the crew of ABC's Extreme Makeover: Home Edition  In the episode, which aired on January 24, 2010, the singer assisted in the rebuilding of the Powell Family home in Buffalo, New York   The efforts from the show expanded significantly to include not just the family home but the entire neighborhood surrounding it  In 2013, Ashanti featured on the 19-track compilation album Songs for a Healthier America, a collaborative project by the Partnership for a Healthier America, whose honorary chair is Michelle Obama, and Hip Hop Public Health  Her song "Just Believe" also featured Artie Green, Gerry Gunn, Robbie Nova and Chauncey Hawkins  Additionally, she is affiliated with the Jumpstart reading program, the Tupperware Brand and the Boys and Girls Club of America 

Personal life
On January 1, 2003, Ashanti met rapper Nelly at a press conference for the 2003 Grammy Awards, and the two later began dating  They ended their relationship after a decade together  In 2023, they reunited and got back together 

Discography
Studio albumsAshanti (2002)
Chapter II (2003)
Ashanti's Christmas (2003)
Concrete Rose (2004)
The Declaration (2008)
Braveheart (2014)

Filmography
Film
Television
Theater
See also
List of awards and nominations received by Ashanti
Context 2: Passage 1:
The Red Queen's Race
The Red Queen's Race is a science fiction short story by American writer Isaac Asimov; it uses the Red Queen's race from Lewis Carroll's Through the Looking-Glass as a metaphor for the final plot twist   The story also makes reference to Asimov's psychohistory   "The Red Queen's Race" was first published in the January 1949 issue of Astounding Science Fiction and reprinted in the 1972 collection The Early Asimov 
"The Red Queen's Race" was written in July 1948, a month after Asimov received a PhD from Columbia University and became a postdoc studying anti-malarial drugs 

Plot summary
The story is told by an unnamed narrator, an agent of an unnamed U S  intelligence bureau  The agent is tasked with an investigation into an atomic power plant which has been completely drained of power  A Professor of Nuclear Physics, Elmer Tywood, is found dead 
As the investigation progresses, bringing in Tywood's research students and his university colleagues, it is revealed that Tywood had developed a means to send objects back in time via "micro-temporal translation " His plan was to "improve" the world by giving Hellenic Greece advanced knowledge in the form of chemistry 
The investigating agents and their superior, The Boss, gradually realize that the changes introduced into history might, through the butterfly effect, cause the deletion from existence of every human being alive 
The trail eventually leads to the doorstep of Mycroft James Boulder, Assistant Professor of Philosophy, who had been hired by Tywood to translate a textbook of chemistry into Attic Greek  He states that he had figured out Tywood's plan and translated only enough to coincide with historical accounts 
With no clear solution, the investigation is shelved and filed under the heading of "?" 
Passage 2:
Through the Looking-Glass
Through the Looking-Glass, and What Alice Found There (also known as Alice Through the Looking-Glass or simply Through the Looking-Glass) is a novel published on 27 December 1871 (though indicated as 1872) by Lewis Carroll, a mathematics professor at the University of Oxford, and the sequel to Alice's Adventures in Wonderland (1865)  Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it  There she finds that, just like a reflection, everything is reversed, including logic (for example, running helps one remain stationary, walking away from something brings one towards it, chessmen are alive, nursery rhyme characters exist, and so on) 
Through the Looking-Glass includes such verses as "Jabberwocky" and "The Walrus and the Carpenter", and the episode involving Tweedledum and Tweedledee  The mirror above the fireplace that is displayed at Hetton Lawn in Charlton Kings, Gloucestershire (a house that was owned by Alice Liddell's grandparents, and was regularly visited by Alice and Lewis Carroll) resembles the one drawn by John Tenniel and is cited as a possible inspiration for Carroll   It prompted a newfound appreciation for its predecessor when it was published 

Plot summary
Chapter One – Looking-Glass House: Alice is playing with a white kitten (whom she calls "Snowdrop") and a black kitten (whom she calls "Kitty") when she ponders what the world is like on the other side of a mirror's reflection  Climbing up onto the fireplace mantel, she pokes at the wall-hung mirror behind the fireplace and discovers, to her surprise, that she is able to step through it to an alternative world  In this reflected version of her own house, she finds a book with looking-glass poetry, "Jabberwocky", whose reversed printing she can read only by holding it up to the mirror  She also observes that the chess pieces have come to life, though they remain small enough for her to pick up 

Chapter Two – The Garden of Live Flowers: Upon leaving the house (where it had been a cold, snowy night), she enters a sunny spring garden where the flowers can speak; they perceive Alice as being a "flower that can move about"  Elsewhere in the garden, Alice meets the Red Queen, who is now human-sized, and who impresses Alice with her ability to run at breathtaking speeds 
Chapter Three – Looking-Glass Insects: The Red Queen reveals to Alice that the entire countryside is laid out in squares, like a gigantic chessboard, and offers to make Alice a queen if she can move all the way to the eighth rank/row in a chess match  Alice is placed in the second rank as one of the White Queen's pawns, and begins her journey across the chessboard by boarding a train that jumps over the third row and directly into the fourth rank, thus acting on the rule that pawns can advance two spaces on their first move  She arrives in a forest where a depressed gnat teaches her about the looking glass insects, strange creatures part bug part object (e g , bread and butterfly, rocking horse fly), before flying away sadly  Alice continues her journey and along the way, crosses the "wood where things have no names"  There she forgets all nouns, including her own name  With the help of a fawn who has also forgotten his identity, she makes it to the other side, where they both remember everything  Realizing that he is a fawn, she is a human, and that fawns are afraid of humans, it runs off (to Alice's frustration) 

Chapter Four – Tweedledum and Tweedledee: She then meets the fat twin brothers Tweedledum and Tweedledee, whom she knows from the nursery rhyme  After reciting the long poem "The Walrus and the Carpenter", they draw Alice's attention to the Red King—loudly snoring away under a nearby tree—and maliciously provoke her with idle philosophical banter that she exists only as an imaginary figure in the Red King's dreams  Finally, the brothers begin suiting up for battle, only to be frightened away by an enormous crow, as the nursery rhyme about them predicts 
Chapter Five – Wool and Water: Alice next meets the White Queen, who is very absent-minded but boasts of (and demonstrates) her ability to remember future events before they have happened  Alice and the White Queen advance into the chessboard's fifth rank by crossing over a brook together, but at the very moment of the crossing, the Queen transforms into a talking Sheep in a small shop  Alice soon finds herself struggling to handle the oars of a small rowboat, where the Sheep annoys her with (seemingly) nonsensical shouting about "crabs" and "feathers" 
Chapter Six – Humpty Dumpty: After crossing yet another brook into the sixth rank, Alice immediately encounters Humpty Dumpty, who, besides celebrating his unbirthday, provides his own translation of the strange terms in "Jabberwocky"  In the process, he introduces Alice to the concept of portmanteau words, before his inevitable fall 

Chapter Seven – The Lion and the Unicorn: "All the king's horses and all the king's men" come to Humpty Dumpty's assistance, and are accompanied by the White King, along with the Lion and the Unicorn, who again proceed to act out a nursery rhyme by fighting with each other  In this chapter, the March Hare and Hatter of the first book make a brief re-appearance in the guise of "Anglo-Saxon messengers" called "Haigha" and "Hatta" 
Chapter Eight – "It's my own Invention": Upon leaving the Lion and Unicorn to their fight, Alice reaches the seventh rank by crossing another brook into the forested territory of the Red Knight, who is intent on capturing the "white pawn"—Alice—until the White Knight comes to her rescue  Escorting her through the forest towards the final brook-crossing, the Knight recites a long poem of his own composition called Haddocks' Eyes, and repeatedly falls off his horse 
Chapter Nine – Queen Alice: Bidding farewell to the White Knight, Alice steps across the last brook, and is automatically crowned a queen, with the crown materialising abruptly on her head (a reference to pawn promotion)  She soon finds herself in the company of both the White and Red Queens, who relentlessly confound Alice by using word play to thwart her attempts at logical discussion  They then invite one another to a party that will be hosted by the newly crowned Alice—of which Alice herself had no prior knowledge 
Chapter Ten – Shaking: Alice arrives and seats herself at her own party, which quickly turns into chaos  Alice finally grabs the Red Queen, believing her to be responsible for all the day's nonsense, and begins shaking her 
Chapter Eleven – Waking: Alice awakes in her armchair to find herself holding the black kitten, who she deduces to have been the Red Queen all along, with the white kitten having been the White Queen 
Chapter Twelve – Which dreamed it?: The story ends with Alice recalling the speculation of the Tweedle brothers, that everything may have been a dream of the Red King, and that Alice might herself be no more than a figment of his imagination  The book ends with the line "Life, what is it but a dream?"

Characters
Main characters
Minor characters
Symbolism
Mirrors
One of the key motifs of Through the Looking-Glass is that of mirrors, including the use of opposites, time running backwards, and so on, not to mention the title of the book itself  In fact, the themes and settings of the book make it somewhat of a mirror image to its predecessor, Alice's Adventures in Wonderland (1865)  The first book begins in the warm outdoors, on 4 May; uses frequent changes in size as a plot device; and draws on the imagery of playing cards  The second book, however, opens indoors on a snowy, wintry night exactly six months later, on 4 November (the day before Guy Fawkes Night); uses frequent changes in time and spatial directions as a plot device; and draws on the imagery of chess 

Chess
While the first Alice novel took playing cards as a theme, Through the Looking-Glass instead used chess; most of the main characters are represented by chess pieces, with Alice being a pawn   The looking-glass world consists of square fields divided by brooks or streams, and the crossing of each brook typically signifies a change in scene, with Alice advancing one square   At the book's beginning, Carroll provided and explained a chess composition with descriptive notation, corresponding to the events of the story   Although the piece movements follow the rules of chess, other basic rules are ignored: one player (White) makes several consecutive moves while the (Red/Black) opponent's moves are skipped, and a late check (12    Qe8+) is left undealt with   Carroll also explained that certain items listed in the composition do not have corresponding piece moves but simply refer to the story, e g  the "castling of the three Queens, which is merely a way of saying that they entered the palace"   Despite these liberties, the final position is an authentic checkmate 
The most extensive treatment of the chess motif in Carroll's novel was made by Glen Downey in his master's thesis, later expanded and incorporated into his dissertation on the use of chess as a device in Victorian fiction   In the former piece, Downey gave the composition's moves in algebraic notation: 1    Qh5 2  d4 3  Qc4 4  Qc5 5  d5 6  Qf8 7  d6 8  Qc8 9  d7 Ne7+ 10  Nxe7 11  Nf5 12  d8=Q Qe8+ 13  Qa6 14  Qxe8#   In the latter piece, Downey treated the 21 items in the composition sequentially, identifying the above 16 coherent chess moves, and another five items as "non-moves" or pure story descriptors, per Carroll's qualification The mating position nearly satisfies the conditions of a pure mate, a special type of checkmate where the mated king is prevented from moving to any of the adjacent squares in its field by exactly one enemy attack, among other conditions   The position is also nearly an ideal mate, a stronger form of pure mate in which every piece on the board of either color contributes to the checkmate   The one feature of the position which prevents it from being either a pure or an ideal mate is that the Red (Black) King is unable to move to e3 for two reasons: the knight's attack, and the (sustained) attack of the newly promoted, mating queen   Although pure and ideal mates are "incidental" in real games, they are objects of aesthetic interest to composers of chess problems 

Language
The White Queen offers to hire Alice as her lady's maid and to pay her "twopence a week, and jam every other day"  Alice says that she does not want any jam today, to which the Queen replies, "you couldn't have it if you did want it  The rule is, jam tomorrow and jam yesterday—but never jam to-day " This is a reference to the rule in Latin that the word iam or jam—which means now, in the sense of already or at that time—cannot be used to describe now in the present, which is nunc in Latin  Therefore, "jam" is never available today  This exchange is also a demonstration of the logical fallacy of equivocation 

Poems and songs
Most poems and songs of the book do not include a title 
"Introduction" (prelude; "Child of the pure unclouded brow…")
"Jabberwocky": 31–34, chap I 
"Tweedledum and Tweedledee": 74, chap IV 
"The Walrus and the Carpenter": 77–82, chap IV 
"Humpty Dumpty": 115, chap VI 
Humpty Dumpty's poem ("In Winter when the fields are white…"): 128–30, chap VI 
"The Lion and the Unicorn": 141, chap VII 
"Haddocks' Eyes" (i e , "A-sitting on a Gate"): 171–3, chap IX 
Red Queen's lullaby ("Hush-a-by lady, in Alice's lap…"): 187, chap X 
"To the Looking-Glass world it was Alice that said…": 192, chap X 
White Queen's riddle ("'First, the fish must be caught'…"): 197, chap X 
"A boat beneath a sunny sky"(postlude; acrostic poem in which putting the beginning letters of each line spell Alice Pleasance Liddell, the girl after whom the book's Alice is named) : 210–11

The Wasp in a Wig
Lewis Carroll decided to suppress a scene involving what was described as "a wasp in a wig" (possibly a play on the commonplace expression "bee in the bonnet")  A biography of Carroll, written by Carroll's nephew, Stuart Dodgson Collingwood, suggests that one of the reasons for this suppression was a suggestion from his illustrator, John Tenniel, who wrote in a letter to Carroll dated 1 June 1870:
I am bound to say that the  'wasp'  chapter doesn't interest me in the least, and I can't see my way to a picture  If you want to shorten the book, I can't help thinking—with all submission—that there is your opportunity 
For many years, no one had any idea what this missing section was or whether it had survived  In 1974, a document purporting to be the galley proofs of the missing section was auctioned at Sotheby's; the catalogue description, in part, read, "the proofs were bought at the sale of the author's…personal effects…Oxford, 1898"  The document would be won by John Fleming, a Manhattan book dealer, for a bid of about US$832 (equivalent to $4,937 in 2022)  The contents were subsequently published in Martin Gardner's More Annotated Alice (1990), and are also available as a hardback book 
The rediscovered section describes Alice's encounter with a wasp wearing a yellow wig, and includes a full previously unpublished poem  If included in the book, it would have followed, or been included at the end of, Chapter 8—the chapter featuring the encounter with the White Knight  The discovery is generally accepted as genuine, but the proofs have yet to receive any physical examination to establish age and authenticity The missing episode was included in the 1998 TV film adaptation Alice through the Looking Glass, with the character being portrayed by Ian Richardson  It was also included in the 2010 graphic novel "The Complete Alice in Wonderland" 

Dramatic adaptations
The book has been adapted several times, both in combination with Alice's Adventures in Wonderland and as a stand-alone feature 

Stand-alone adaptations
Alice Through a Looking Glass (1928), a silent movie directed by Walter Lang, would be one of the earliest stand-alone adaptations of the book 
A dramatised audio-recorded version, directed by Douglas Cleverdon, was released in 1959 by Argo Records  The book is narrated by Margaretta Scott, starring Jane Asher as Alice, along with actors Frank Duncan (Humpty Dumpty, Red King, Frog), Tony Church, Norman Shelley, and Carleton Hobbs 
Alice Through the Looking Glass (1966) was an NBC TV musical special, first airing on 6 November  The special includes music by Moose Charlap, and stars Ricardo Montalban, Agnes Moorehead, Jack Palance, Jimmy Durante, and the Smothers Brothers, along with Judi Rolin in the role of Alice 
Alice Through the Looking Glass (1973) is a BBC TV movie, directed by James MacTaggart and starring Sarah Sutton as Alice 
Alice in the Land in the Other Side of the Mirror (1982) is a 38-minute Soviet cutout-animated TV film produced by Kievnauchfilm studio and directed by Yefrem Pruzhanskiy 
Alice Through the Looking Glass (1987) is an animated TV movie starring Janet Waldo as the voice of Alice and The Red Queen, as well as the voices of Mr  T as the Jabberwock, Jonathan Winters, and Phyllis Diller 
Alice through the Looking Glass (1998) is a Channel 4 TV movie, starring Kate Beckinsale as the role of Alice, which restored the lost "Wasp in a Wig" episode 
A 2-hour multimedia stage production (2007), conceived by Andy Burden, was produced by the Tobacco Factory  The show would be directed by Burden and written by Hattie Naylor, with music and lyrics by Paul Dodgson 
Through the Looking Glass (2008) was a chamber opera composed by Alan John to a libretto by Andrew Upton 
Alice Through the Looking Glass (2016), directed by James Bobin, is a sequel to the Tim-Burton-directed Disney reboot Alice in Wonderland (2010)  It does not follow the plot of the book 
The BBC Radio 4 show Saturday Drama broadcast an adaptation by Stephen Wyatt on 22 December 2011  The broadcast featured Lewis Carroll, voiced by Julian Rhind-Tutt, as both the narrator and an active character in the story  Other actors include Lauren Mote (Alice), Carole Boyd (Red Queen), Sally Phillips (White Queen), Nicholas Parsons (Humpty-Dumpty), Alistair McGowan (Tweedledum & Tweedledee), and John Rowe (White Knight) 

Adaptations with Alice's Adventures in Wonderland
Film and TV
Alice in Wonderland (1933) is a pre-code live-action film directed by Norman Z  McLeod, with Charlotte Henry in the role of Alice, along with Cary Grant, Gary Cooper, and others  Despite the title, the film features most elements from Through the Looking Glass as well, including Humpty Dumpty (played by W  C  Fields) and a Harman-Ising animated version of "The Walrus and the Carpenter" 
The animated Alice in Wonderland (1951) is the 13th animated feature film of Walt Disney and the most famous among all direct adaptions of Carroll's work  The film features several elements from Through the Looking-Glass, including the talking flowers, Tweedledee & Tweedledum, and "The Walrus and the Carpenter" 
Alice's Adventures in Wonderland (1972), a musical film starring Fiona Fullerton as Alice, includes the twins Fred and Frank Cox as Tweedledum & Tweedledee 
Nel Mondo Di Alice ("In the World of Alice") is a 1974 Italian TV series that covers both novels, particularly Through the Looking-Glass in episodes 3 and 4 
Alice in Wonderland (1985) is a two-part TV musical produced by Irwin Allen that covers both books, and stars Natalie Gregory as Alice  In this adaptation, the Jabberwock materialises into reality after Alice reads "Jabberwocky", pursuing her throughout the second half of the musical 
Fushigi no Kuni no Arisu (1985; Japanese: ふしぎの国のアリス) is an anime adaptation of the two novels in which later episodes adhere more closely with Through the Looking Glass 
Alice in Wonderland (1999), a made-for-TV Hallmark/NBC film with Tina Majorino as Alice, uses elements from Through the Looking Glass, such as the talking flowers, Tweedledee & Tweedledum, and "The Walrus and the Carpenter", as well as the chess theme, including the snoring Red King and White Knight 
Alice (2009) is a Syfy TV miniseries that contains elements from both novels 
Alice in Wonderland (2010), directed by Tim Burton, is a live-action Disney reboot that follows Alice at an adult age, containing elements from both books 

Stage productions
Alice in Concert (1980), also known as Alice at the Palace, was a production written and produced by Elizabeth Swados  Performed on a bare stage, the production starred Meryl Streep in the role of Alice, with additional supporting cast by Mark Linn-Baker and Betty Aberlin 
Lookingglass Alice (2007) was an acrobatic interpretation of both novels, produced by the Lookingglass Theater Company, that performed in New York City, Philadelphia, and Chicago, with a version of the show touring the rest of the United States 
A 2-part production by Iris Theatre in London was staged in the summer of 2013, in which the second part consisted of Through the Looking-Glass  Both parts included Laura Wickham in the role of Alice 
Alice (2010), written by Laura Wade, was a modern adaptation of both books that premiered at the Crucible Theatre in Sheffield in 2010 
Wonder land (2015), a live musical by Moira Buffini and Damon Albarn, takes some characters from the second novel, notably Dum and Dee and Humpty Dumpty, while the Queen of Hearts and the Red Queen are merged into one character 
Alice in Wonderland and Through the Looking-Glass (2001) was a stage adaption by Adrian Mitchell for the Royal Shakespeare Company, in which the second act consists of Through the Looking-Glass 
Alice's Adventures Under Ground (2020), a one-act opera written in 2016 by Gerald Barry and first staged at the Royal Opera House, is a conflation of the two novels 
Looking-Glass, a 1982 Off-Broadway play based on Charles Dodgson, the real-life name of author Lewis Carroll

Other
Jabberwocky (1977) is a film that expands the story of the poem "Jabberwocky" 
Thru the Mirror (1936) is a Mickey Mouse short film in which Mickey travels through his mirror and into a bizarre world 
Donald in Mathmagic Land (1959) is a film that includes a segment with Donald Duck dressed as Alice meeting the Red Queen on a chessboard 
American McGee's Alice (2000) is a computer game in which the player takes the role of a teenage Alice fighting to reclaim her sanity  It was followed by a sequel, Alice: Madness Returns, in 2011 
Through the Looking-Glass (2011) was a ballet by American composer John Craton 
Through the Zombie Glass (2013) is a book by Gena Showalter 

See also
Passage 3:
Red Queen (novel)
Red Queen is a young adult fantasy novel written by American writer Victoria Aveyard  Published in February 2015, it was her first novel and first series  Aveyard followed up with three sequels: Glass Sword, King's Cage and War Storm  Red Queen won the 2015 Goodreads Choice Award for Debut Goodreads Author and was nominated for the 2015 Goodreads Choice Award for Young Adult Fantasy & Science Fiction 

Summary
Mare Barrow is a Red 17-year-old living with her parents and a younger sister, Gisa  Her three older brothers, Bree, Tramy, and Shade, serve in the front line of a war fought between the northern Kingdom the Lakelands and the Barrows' homeland, the Kingdom of Norta  Norta is currently ruled by King Tiberias Calore VI, one of many "Silver" citizens, whose silver blood and supernatural powers allow them to rule over the more numerous yet powerless red blooded population  Mare is jealous of Gisa because her skills in sewing earned her a job working for Silvers, and Reds who have jobs don't have to conscript in the war  When Mare learns that Kilorn Warren, her best friend, will be conscripted, she plans an escape and meets with a colleague who directs her to Farley, a captain of the Scarlet Guard, insurgents composed of Reds who want to bring equality between their people and the Silvers  Farley demands an exorbitant sum of money in exchange for Kilorn's escape 
Mare's plan to steal from a Silver with Gisa goes horribly wrong when live news reports that the Scarlet Guard bombed Silver buildings, inciting Silvers around them to grow violent  Gisa's hand is broken in the chaos, forcing her to quit her job and stop supporting Mare's family, whilst diminishing Gisa's dreams of becoming a seamstress  Unable to bear the guilt she feels towards Gisa and her family, Mare goes to a tavern and began stealing from random people to occupy her thoughts  While there, she gets sloppy and is caught while attempting to steal from a boy  Surprisingly, instead of turning her in he gives her money  He informs her that his name is Cal and he works as a servant at the palace  He walks her home and listens as she informs him of her tragic life  He gives her another coin out of pity and leaves  The next day, Mare is taken to the king's local residence and given a job as a servant  She discovers that Cal is Tiberias Calore VI's son, Prince Tiberias Calore VII, who granted her her work in the palace in order to protect her from conscription  During the Queenstrial, where Silver nobility compete for Cal's hand in marriage, Mare accidentally displays electrokinetic powers against Cal's eventual bride, Evangeline Samos  She is captured, but because the king fears of an uprising should a Red be discovered to have supernatural powers, Mare is made a bride of Tiberias' second son, the shy Maven, given the name Mareena Titanos, and a cover story: the daughter of a Silver general who died on the battle field and was adopted by the Reds in the war zone  Mare feels torn as she realizes she is in love with Cal, her betrothed's brother and the future Silver king  However, she soon grows to develop feelings for Maven instead 
Suddenly having to live as a noble within the king's ranks, Mare slowly acquaints herself with Maven and Cal while also befriending Julian Jacos, Cal's uncle and a librarian who teaches her how to control her powers  Mare is permitted to say goodbye to her family by Cal and learns the return of her brothers Bree and Tramy, but not Shade, who was beheaded by Silver officers for reported desertion  Furious that her favorite brother was killed, Mare joins the Scarlet Guard  While meeting with Farley to discuss plans, Mare is infuriated when she learns that Kilorn joined, and surprised when she sees that Maven joined as well  This new revelation brings Mare and Maven closer together and they become lovers  The plan involves disrupting a royal ball and killing several important Silvers  However, an unexpected and mysterious bomb goes off, killing many innocents in the process, and also resulting in the capture of Kilorn, Farley, and other members of the Scarlet Guard  Though the rebels are able to be freed thanks to Julian's help, Mare is alarmed when she learns that Farley was not responsible for the bomb dropped at the palace  The bomb gave Silvers the ability to paint the Scarlet Guard as dangerous murderers to the public 
Due to the attack of the Scarlet Guard, the Reds are punished by the Silvers with the lowering of the age of conscription from 18 to 15  Mare herself is ordered to broadcast the new law  Julian confesses that his research concludes that Mare's blood has a genetic mutation, allowing for a person with red blood to have Silver-like powers, and be stronger than both; furthermore, she is not the only one with the mutation  Shade also had the mutation, which was why he was executed; the only reason Mare was spared was because her powers manifested while she was viewed by many Silver onlookers, thus preventing a cover-up  Julian also mentions that he needs to go into hiding so he leaves Mare a list of names of people like her  After another meeting with Farley in a free zone that the Silvers have been avoiding, Mare, at Maven's suggestion, infiltrates the king's residence in the capital, Archeon  There, through the underground-roaming Undertrains, the rebels stake an invasion  Mare attempts to convince Cal to allow the Scarlet Guard overtake the castle, and admits to helping them  Cal, stung by her betrayal, refuses and arrests both Mare and Maven, leading them to the castle  However, once in the presence of Queen Elara and King Tiberius, Queen Elara reveals that she and Maven have been manipulating Mare the whole time in a plot to grant Maven the title of King and murder Cal  Maven hints that he and his mother caused the explosion to paint the Scarlet Guard in a bad light  Elara then uses her power of mind control to force Cal to kill his father on live television, thus branding him and Mare traitors and allowing Maven to become king  It is also revealed that Elara murdered the King's first wife many years ago in order to become Queen and gain more power 
Mare and Cal are sentenced to death and put in an arena with their powers stifled  Mare and Cal battle their former sparring partners, including Evangeline, and manage to kill a few Silvers before they retreat  They are rescued by the Scarlet Guard and they escape by the Undertrain before Maven can stop them  Inside it, Mare meets with Farley, Kilorn, and, to her shock, Shade, who faked his death and is also a part of the Scarlet Guard  Mare vows to take revenge against Maven, and use the list she acquired from Julian to seek out others like her 

Characters
Mare Barrow: The 17-year-old Mare is a Red who steals for a living, but the discovery that she holds supernatural powers causes many to try to vie for her allegiance  She holds tremendous electrokinetic powers, which she uses to either absorb or release lightning  Thus explaining her nickname "The Little Lightning Girl" 
Tiberias "Cal" Calore VII: The elder son and heir of King Tiberias Calore VI through his first wife, Coriane Jacos  Though he is engaged to Evangeline, he is in love with Mare, a fact that she uses to further her goals in the Scarlet Guard  He is a Burner, which means his Silver powers allow him to manipulate fire  He doesn't get along with Mare's best friend Kilorn 
Maven Calore: King Tiberias VI' second son through his second wife, Elara Merandus, and thus Cal's half-brother  He is shy, but Mare's sudden engagement with him makes him open up  Like Cal and his father, Maven has the ability to control flames  Maven is deeply jealous of Cal, partly because he thought his brother had won Mare's heart, the way he had won their father's  In contrast, Mare had preferred Maven over Cal 
Diana Farley: A captain of the Scarlet Guard who leads them in the campaigns against the Silvers  She is strongly dedicated to the cause 
Tiberias Calore VI: The current king of Norta who has married twice, producing two sons: Cal and Maven  He holds the ability to manipulate fire, which he passed to both of his sons 
Elara Merandus: The mysterious and sadistic current queen of Norta and the mother of Maven  Mare dislikes her since the very start of their meeting  She is able to read and manipulate people with the ability known as Whispering 
Julian Jacos: A royal librarian and the brother of Cal's deceased mother, Coriane, making him his uncle  He is the last known person to hold the power of a Singer: being able to control people through his voice 
Evangeline Samos: A haughty girl who is made Cal's fiancée after being declared the best of the aspiring princesses  She holds a grudge against Mare, particularly after the latter humiliates her by expending her electrokinesis and repelling her magnetic manipulation, a trait of the House Samos 
Kilorn Warren: Mare's best friend and an apprentice of fishing  Mare seems content to eventually become his wife, until her engagement with Maven makes them drift apart  The attempt to spare him of conscription is the catalyst of much of the novel's plot  He doesn't get along with Cal 
Lucas Samos: Evangeline's cousin who, like her, holds the power of magnetic manipulation  He is one of the few Silvers whom Mare befriends and trusts with certainty 
Rane Arven: The instructor for the Silver Elites who has the ability to negate the powers of other people, known as Silencing 
Ptolemus Samos: Evangeline's older brother  Like her, he is a Magnetron, able to manipulate metal 
Sara Skonos: A friend of Julian who works as a nurse with her ability to heal people, known as Skin Healing  She seems to know the truth behind the death of Cal's mother, Queen Coriane, and Elara thus punished her by mutilating her tongue, making her mute 
Tristan: Farley's loyal right-hand man in the Scarlet Guard  He is killed by Ptolemus Samos when caught in the attack on the Hall 
Ann Walsh: A member of the Scarlet Guard who is about the same age as Mare  She works as a servant in Mare's room in the Hall and tells Mare the time of the midnight meeting with the Scarlet Guard  On the attack of the Hall, she is captured but escapes with Farley and Kilorn  While making sure the way is clear for Mare and the others to come back to the Whitefire Palace, she is captured and commits suicide with a pill before the queen is able to interrogate her  Her last words were "For Tristan" 
Gisa Barrow: Mare's 14-year-old sister who works as an apprentice for a seamstress, until her broken hand terminates her from the job 
Mare's other family members consist of a war-weary father, a homemaker mother, and three older brothers: the hunky but unperceptive Bree, the sycophantic Tramy, and the lean but smart Shade  Out of the three, Mare is the closest to Shade, who is 19 years old 
Coriane Jacos: The late wife of Tiberias Calore VI and sister to Julian Jacos  Coriane was known as the "Singer Queen" because the Jacos house were Singers  Queen Elara did not like Coraine becoming queen so Elara murdered Coriane and took the crown, killing Tiberias at the end of the book 

Reception
Red Queen has been generally well received  The Guardian gave the novel four stars  Vilma Gonzalez of USA Today described the novel positively, revealing that "Aveyard’s compelling debut is richly imagined, addictive, chilling and suspenseful  She breathes new life into her own unique Game of Thrones story enlivened by exciting, character-driven plot twists that have me clamoring for more  This scintillating tale of betrayals and blood-spattered crowns is not to be missed "However, Grand Forks Herald's Cassidy Anderson stated "Ultimately, this book was over-hyped  It's still a fun read as long as you are not looking for anything with a lot of depth or meaning to it " The Christian Science Monitor described the book as a dystopian novel Kirkus Reviews saw "An inventive, character-driven twist breathes new life into tired fantasy trends "Publishers Weekly found "There’s an unmistakable feeling of deja vu to this first installment in the Red Queen trilogy, which shares several plot points and similarities with the Hunger Games series,     Fortunately, Aveyard’s conclusion leaves the story poised to depart from this derivative setup "Common Sense Media wrote "With its courageous protagonist, action-packed plot, and romantic possibilities, Red Queen is a winning series start for fantasy and dystopia lovers "

Adaptations
Gennifer Hutchison, a writer and producer on Better Call Saul and Breaking Bad, was hired in 2015 by Universal Pictures to adapt the novel into a feature film  Pitch Perfect 2 director Elizabeth Banks was in talks with the studio to direct and produce the project In May 2021, it was reported that Peacock is in developing a television series adaptation of novel  Banks is set to direct and also set to star in a supporting role 
Passage 4:
Alice in Wonderland (2010 film)
Alice in Wonderland is a 2010 American period adventure fantasy film directed by Tim Burton from a screenplay written by Linda Woolverton and produced by Walt Disney Pictures  The film stars Mia Wasikowska in the title role, with Johnny Depp, Anne Hathaway, Helena Bonham Carter, Matt Lucas and Crispin Glover, while featuring the voices of Alan Rickman, Stephen Fry, Michael Sheen, and Timothy Spall  A live-action adaptation and re-imagining of Lewis Carroll's works and Walt Disney's 1951 animated film of the same name, the film follows Alice Kingsleigh, a nineteen-year-old who accidentally falls down a rabbit hole, returns to Wonderland and alongside the Mad Hatter, helps restore the White Queen to her throne by fighting against the Red Queen and her Jabberwocky, a dragon that terrorizes Wonderland’s inhabitants 
Alice in Wonderland came under development in December 2007, when Burton was asked to direct two 3D films for Disney, including the remake of Frankenweenie  Production began in September 2008 and concluded within three months, and was shot in the United Kingdom and the United States  It was followed by an extensive post-production and visual effects process where filming included live-action and motion capture sequences  The film premiered in London at the Odeon Leicester Square on February 25, 2010, and was released in the United Kingdom and the United States through the Disney Digital 3D, RealD 3D, and IMAX 3D formats as well as in conventional theaters on March 5, 2010 
Alice in Wonderland received "mixed or average" reviews on Metacritic   Rotten Tomatoes, which classified it as "rotten", summarized the critical consensus as criticizing the film's "narrative coherence" but praising its visuals  The film generated over $1 025 billion in ticket sales and became the fifth highest-grossing film during its theatrical run, and it is also the second-highest-grossing film of 2010  Amongst Disney's live-action remakes, the film is the tied for third-most-expensive, alongside Mulan, and fourth-highest-grossing readaptation to date  It received three nominations at the 68th Golden Globe Awards, including Best Motion Picture – Musical or Comedy  At the 83rd Academy Awards, it won Best Art Direction and Best Costume Design, and was also nominated for Best Visual Effects 
While not the first such film in its genre, Alice in Wonderland is credited with starting a trend of live-action fairy tale and fantasy films being green-lit, particularly from Walt Disney Studios  A sequel, titled Alice Through the Looking Glass, was released on May 27, 2016 

Plot
In 1868, 19-year-old Alice Kingsleigh is troubled by strange recurring dreams, mourning the death of her father, and fighting the stifling expectations of the society in which she lives  She receives an unwanted marriage proposal from Hamish Ascot at his father's garden party, where she spots a familiar white rabbit wearing a waistcoat and carrying a pocket watch  She follows it down a rabbit hole and she eats a cake labeled 'Eat Me' (called Upelkuchen), she grows taller until she is a giantess  She shrinks after drinking from a bottle labeled 'Drink Me' (called Pishsalver), allowing her to enter the forest of a fantastical place called Underland  There she is greeted by the White Rabbit, a Dormouse, a Dodo, Talking Flowers, and identical twins Tweedledum and Tweedledee, who all apparently know her 
Alice asserts that she is dreaming, but learns from Absolem the Caterpillar that she is destined to slay the Jabberwocky and end the tyranny of the Red Queen  The group is ambushed by the ravenous Bandersnatch and the Red Queen's knights, led by the Knave of Hearts  All are captured except Alice, who escapes, and the Dormouse, who takes one of the Bandersnatch's eyes  The Knave informs the Red Queen of Alice's return and he is ordered to find her immediately 
The Cheshire Cat guides Alice to the Mad Hatter, the March Hare, and the Dormouse's tea party  The Hatter explains that the Red Queen took over Underland, usurping her sister the White Queen, and that he joined the resistance after she destroyed his village and killed his family  The red knights seize the party and the Hatter saves Alice from capture by allowing himself to be seized  Alice is found by the Knave's Bloodhound who is allied with the resistance, who takes Alice to the Red Queen's castle, where she grows enormous and outgrows her clothes after eating a cake labeled 'Eat Me' (called Upelkuchen), infiltrating the castle as a courtier named "Um" 
Alice learns that the vorpal sword, the only weapon capable of killing the Jabberwocky, is locked inside the Bandersnatch's den  She rebuffs advances from the Knave, leading the jealous Red Queen to demand her beheading  Alice obtains the sword and returns the Bandersnatch's eye, who gratefully helps her escape the castle and delivers her to the White Queen, who gives Alice a potion that returns her normal size  The Cheshire Cat uses his shapeshifting powers to save the Mad Hatter, who incites rebellion amongst the Queen's subjects before escaping  Absolem finally gets Alice to realize Underland is real, evoking memories of her visit when she was a little girl and called it "Wonderland", and advises her to fight the Jabberwocky just before completing his transformation into a pupa 
The Queens gather their armies on a chessboard-like battlefield and send Alice and the Jabberwocky to decide the battle in single combat  As the two armies battle, Alice beheads the Jabberwocky with the vorpal sword  The red knights turn against their ruler and the White Queen banishes her sister and the Knave into exile together  The White Queen gives Alice a vial of the Jabberwocky's purple blood, which can fulfill one wish, and she decides to return to her world after saying farewell to her friends  
Alice awakes and gets out of the rabbit hole, dirty and scratched from her fall  When she returns to the gazebo at the garden party, she refuses Hamish's proposal and impresses Lord Ascot with her idea of establishing trade routes to Hong Kong, inspiring him to take her as his apprentice  Alice prepares to set off on a trading ship, where a blue butterfly lands on her shoulder, which she recognizes as Absolem 

Cast
Mia Wasikowska as Alice Kingsleigh, a reserved yet headstrong young woman who struggles to conform to society's expectations  As the film progresses, she becomes more strong-willed and confident in her decisions and choosing her path  Wasikowska was announced to have been cast on July 23, 2008  Lindsay Lohan, Amanda Seyfried, and Dakota Blue Richards expressed interest in playing the role, while Jennifer Lawrence, Cara Delevingne, and Jessica Brown Findlay went through an audition, with Brown Findlay being down to the last three  Wasikowska sent an audition tape in February 2008 and ended up coming over to the United Kingdom and doing four more auditions with Burton before she was cast  Wasikowska read Carroll's books as a child and re-read them to prepare for her role  She also watched Jan Švankmajer's Alice  She said, "When we were kids, my mum would pop it in the VCR player  We would be disturbed, and wouldn't really understand it, but we couldn't look away because it was too intriguing  So I had kept that feeling about Alice, a kind of haunting feeling "Mairi Ella Challen as six-year-old Alice 
Johnny Depp as Tarrant Hightopp, the Mad Hatter, a hammy yet bitter resident of Underland who becomes Alice's closest friend  Depp was announced to have been cast on September 24, 2008, while reports of his involvement in the project surfaced two months earlier  Wasikowska said that the characters "both feel like outsiders and feel alone in their separate worlds, and have a special bond and friendship with Alice " Burton explained that Depp "tried to find a grounding to the character … as opposed to just being mad " Burton also said that "[i]n a lot of versions it's a very one-note kind of character and you know [Depp's] goal was to try and bring out a human side to the strangeness of the character " The orange hair is an allusion to the mercury poisoning suffered by hatters who used mercury to cure felt; Depp believes that the character "was poisoned … and it was coming out through his hair, through his fingernails and eyes"  Depp and Burton decided that the Hatter's clothes, skin, hair, personality and accent would change throughout the film to reflect his emotions  In an interview with Depp, the character was paralleled to "a mood ring, [as] his emotions are very close to the surface"  The Hatter is "made up of different people and their extreme sides", with a gentle voice much like the character's creator Lewis Carroll reflecting the lighter personality and with a Scottish Glaswegian accent (which Depp modeled after Gregor Fisher's Rab C  Nesbitt character) reflecting a darker, more dangerous personality Illusionary dancer David "Elsewhere" Bernal doubled for Depp during the "Futterwacken" sequence near the end of the film 
Helena Bonham Carter as Iracebeth of Crims, the Red Queen, Mirana's short-tempered and murderous sister, and the self-proclaimed leader of Underland  She is an amalgamation of two Carroll characters—the Red Queen and the Queen of Hearts  Her first name is a play on the word irascible because she is easily irritated, obstreperous, impatient, and quick to anger  Bonham Carter was announced to have been cast on October 7, 2008  Bonham Carter's head was digitally increased to three times its original size on screen  The character hates animals, and chooses to use them as servants and furniture  It is implied that the Red Queen beheaded her late husband, the King  The actress took inspiration from her young daughter Nell, a toddler, stating, "The Red Queen is just like a toddler, because she's got a big head and she's a tyrant " Her appearance is based on England's Queen Elizabeth I 
Anne Hathaway as Mirana of Marmoreal, the White Queen, Iracebeth's calm and caring sister, and the rightful ruler of Underland  She is one of the few characters that did not require digital manipulation  Hathaway was announced to have been cast on October 7, 2008  In the early stages of the film's development, before Burton was attached to the project, Hathaway was offered the part of Alice, but she turned it down as she was more interested in playing the White Queen  After Burton came on board, another actress was cast in the role, but she left the project due to scheduling conflicts, and Disney suggested Hathaway instead  According to Burton, the character's image was influenced by Nigella Lawson, while Hathaway also cited David Bowie, Debbie Harry, Greta Garbo, and the artwork of Dan Flavin as inspiration for her performance  Hathaway described the White Queen as a "punk-rock vegan pacifist… She comes from the same gene pool as the Red Queen  She really likes the dark side, but she's so scared of going too far into it that she's made everything appear very light and happy  But she's living in that place out of fear that she won't be able to control herself " She also summed up her character with a caption on a magnet of Happy Bunny holding a knife, which a friend gave her, "Cute but psycho, it evens out "
Crispin Glover as Ilosovic Stayne, the Knave of Hearts, Iracebeth's arrogant and vile sidekick, whom she believes to be her lover, but this proves to be false  While he follows the Red Queen's every order, he is the only one capable of calming her dramatic mood swings  Glover was announced to have been cast on October 24, 2008  Glover said, "The Red Queen has a fair amount of short-tempered reactions to things that people do, and so [the Knave] has to be quite diplomatic "
Matt Lucas as Tweedledee and Tweedledum, two identical men and Tarrant's lieutenants at the resistance against the Red Queen who are the Red Queen's "fat boys" during their capture  Burton commented on the mixture of animation and Lucas, saying that "It's a weird mixture of things which gives his characters the disturbing quality that they so richly deserve " The characters are portrayed through a combination of CGI and live-action, with Lucas's face digitally composited to a full animated body  While performing the character, Lucas had to wear a teardrop-shaped motion capture suit and walk on stilts  In order to play both characters, Lucas was doubled by Ethan Cohn 
Frances de la Tour as Imogene, Alice's aunt  She is experiencing severe delusions and is constantly awaiting her fictional fiancé whom she believes to be a prince 
Leo Bill as Hamish Ascot, Alice's rival and ex-fiancé Marton Csokas makes a cameo appearance as Alice's deceased father in the film's opening scene and Alice's mother is played by Lindsay Duncan  Lord and Lady Ascot are played by Tim Pigott-Smith and Geraldine James, respectively  Eleanor Tomlinson and Eleanor Gecks play the Chattaway sisters  Jemma Powell appears briefly as Alice's sister, Margaret, while Margaret's unfaithful husband Lowell is played by John Hopkins 

Voice cast
Michael Sheen as Nivens McTwisp, the White Rabbit, Mirana's grand vizier and Tarrant's chief officer of the resistance  Sheen said the character "is such an iconic character that [he] didn't feel like [he] should break the mold too much " Burton said the quality he wanted most in his clock-watching bunny was a twitchiness, also commenting that "[in] any incarnation of the [White Rabbit] through the years, there's that sort of nervousness of a rabbit "
Alan Rickman as Absolem, the Caterpillar, the head of the resistance  Rickman was originally going to have his face composited onto the animated Caterpillar  He was filmed recording his voice in the studio, but the idea was eventually scrapped  The animators did, however, try to give Absolem's face characteristics similar to Rickman's 
Stephen Fry as Cheshire: Tarrant's bodyguard and the general of the resistance  Burton stated that the character had a creepy quality in addition to tapping into his own hatred of cats  The role was intended to be played by Sheen but he changed his role to the White Rabbit due to scheduling conflicts 
Barbara Windsor as Mallymkun, the Dormouse: Tarrant's assistant and the sergeant of the resistance  Burton said that he sought after Windsor for the role because he was a fan of her character in the TV series EastEnders  Her voice sealed the deal for her role as the character 
Timothy Spall as Bayard Hamar: Stayne's former pet dog and messenger of the resistance  Although Bayard does not appear in the book, a similar character named The Puppy is likely the inspiration for the character 
Paul Whitehouse as Thackery Earwicket, the March Hare: Tarrant's partner and the admiral of the resistance  Burton stated that because Whitehouse is a great comedic actor, a lot of his lines came from improvisation 
Michael Gough as Uilleam, the Dodo: The navigator of the resistance  Burton said that Gough was the first person he thought of for the role of Uilleam because he has "a full life quality to his voice"  The character only speaks three lines, that Gough recorded in a day  This would be Gough's final acting role; he died a year after its release, aged 94  Gough had previously portrayed the March Hare in the 1966 TV play of the book 
Christopher Lee as The Jabberwocky (sic): Iracebeth's pet dragon and assassin  While it only had two lines, Burton said that he felt Lee to be a good match for the iconic character because he is "an iconic guy"  For the character, Lee had originally tried to make his voice "burble" (as described in the poem "Jabberwocky")  However, Burton persuaded him to use his actual voice, as he found it more intimidating and aggressive 
Imelda Staunton as The Talking Flowers: Though there are many flowers that appear around Underland, only one of them speaks and one of them is clearly a caricature of Staunton  Staunton only speaks three lines that are heard very briefly at the beginning of the film 
Jim Carter as The Executioner: The Executioner only speaks one line and appears extremely briefly, though Carter also voiced several other servants to the Red Queen Frank Welker provided additional voices and vocal effects; including roars of the Jabberwocky and Bandersnatch, squawks for the Jubjub bird, and Bayard's barking  Rickman, Windsor, Fry, Gough, Lee, Staunton and Carter each took only a day to record their dialogue 

Production
Development and writing
In 2006, while searching for ideas for a large fantasy movie, Joe Roth, Jennifer and Suzanne Todd approached Linda Woolverton, who proposed a concept of grown-up Alice, from Lewis Carroll's novels Alice's Adventures in Wonderland and Through the Looking-Glass, returning to Wonderland, which she had in her head for a while  Roth pitched the idea to Walt Disney Studios, who greenlit the project, and Woolverton was commissioned to write the script  The first draft, titled Alice, was finished on February 23, 2007, after which it was submitted to Tim Burton, who agreed to helm the project  In April 2007, it was revealed that the film would be a blend of live-action and motion capture, and in November of the same year, Burton was officially confirmed to direct both Alice in Wonderland and a feature-length remake of his 1984 short film Frankenweenie in Disney Digital 3D  Burton developed the story because he never felt an emotional tie to the original book 
He explained "the goal is to try to make it an engaging movie where you get some of the psychology and kind of bring a freshness but also keep the classic nature of Alice " On prior versions, Burton said "It was always a girl wandering around from one crazy character to another, and I never really felt any real emotional connection " His goal with the new film is to give the story "some framework of emotional grounding" and "to try and make Alice feel more like a story as opposed to a series of events " Burton focused on the poem "Jabberwocky" as part of his structure, and refers to the described creature by the name of the poem rather than by the name "Jabberwock" used in the poem  Burton also stated that he does not see his version as either a sequel to any existing Alice film nor as a "re-imagining"  However, the idea of the climax of the story being Alice's battle with the Queen's champion, the Jabberwocky, was first added in the video game American McGee's Alice, and the landscape, tower, weapons and appearance of Alice in those scenes of the film are very reminiscent of the same scenes in the game 

Filming
This film was originally set to be released on March 19, 2010 but was moved up to March 5, 2010  Principal photography was scheduled for May 2008, but did not begin until September and concluded in three months  Scenes set in the Victorian era were shot at Torpoint and Plymouth from September 1 to October 14  Two hundred and fifty local extras were chosen in early August  Locations included Antony House in Torpoint, Charlestown, Cornwall and the Barbican, however, no footage from the Barbican was used  Motion capture filming began in early October at Sony Pictures Studios in Culver City, California, though the footage was later discarded  Filming also took place at Culver Studios  Burton said that he used a combination of live action and animation, without motion capture  He also noted that this was the first time he had filmed on a green screen  Filming of the green screen portions, comprising 90% of the film, was completed after only 40 days  Many of the cast and crew felt nauseated as a result of the long hours surrounded by green, and Burton had lavender lenses fitted into his glasses to counteract the effect  Due to the constant need for digital effects to distort the actors' physical appearances, such as the size of the Red Queen's head or Alice's height, visual effects supervisor Ken Ralston cited the film as being exhausting, saying it was "The biggest show I've ever done, [and] the most creatively involved I've ever been "Sony Pictures Imageworks designed the visual effects sequences  Burton felt 3D was appropriate to the story's environment  Burton and Zanuck chose to film with conventional cameras, and convert the footage into 3D during post-production; Zanuck explained 3D cameras were too expensive and "clumsy" to use, and they felt that there was no difference between converted footage and those shot in the format  James Cameron, who released his 3D film Avatar in December 2009, criticized the choice, stating, "It doesn't make any sense to shoot in 2D and convert to 3D" 

Music
Danny Elfman composed the musical score for Alice in Wonderland, after regularly scoring for Burton's films  Elfman did not want to use period music and instead blended orchestral, classical and pop music, to highlight the internal score, and had used symphony orchestration for the visual style of Burton, incorporating the same methods by Erich Wolfgang Korngold, Max Steiner, Franz Waxman and Bernard Hermann  The score album was released by Walt Disney Records on March 2, 2010, and debuted at number 89 on the Billboard Top 200 albums chart A concept album titled Almost Alice is a collection of various artists' music inspired by the film  It was released by Walt Disney under the Buena Vista Records imprint, the same day as the score album's release  The lead single, "Alice" by Avril Lavigne, premiered on January 27, 2010, on Ryan Seacrest's radio program  Other singles include "Follow Me Down" by 3OH!3, "Her Name Is Alice" by Shinedown, and "Tea Party" by Kerli 

Marketing
Promotions
On June 22, 2009, the first pictures of the film were released, showing Depp as the Mad Hatter, Hathaway as the White Queen, Bonham Carter as the Red Queen and Lucas as Tweedledee and Tweedledum  A new image of Alice was also released  In July, new photos emerged of Alice holding a white rabbit, the Mad Hatter with a hare, the Red Queen holding a pig, and the White Queen with a mouse On July 22, 2009, a teaser trailer from the Mad Hatter's point of view was released on IGN but was shortly taken down because Disney claimed that the trailer was not supposed to be out yet  The teaser was also planned to premiere along with a trailer of Robert Zemeckis' film adaptation of A Christmas Carol on July 24, 2009, for G-Force  The following day, the teaser trailer premiered at Comic-Con but the trailer shown was different from the one that leaked  The Comic-Con version didn't have the Mad Hatter's dialogue  Instead, it featured "Time to Pretend" by MGMT, and the clips shown were in a different order than in the leaked version  The leaked version was originally to be shown to one of the three Facebook groups used to promote the film that had the most members  The groups used to promote the film are "The Loyal Subjects of the Red Queen", "The Loyal Subjects of the White Queen" and "The Disloyal Subjects of the Mad Hatter" Also at Comic-Con, props from the film were displayed in an "Alice in Wonderland" exhibit  Costumes featured in the exhibit included the Red Queen's dress, chair, wig, glasses, and scepter; the White Queen's dress, wig and a small model of her castle; the Mad Hatter's suit, hat, wig, chair and table; Alice's dress and battle armor (to slay the Jabberwocky)  Other props included the "DRINK ME" bottles, the keys, an "EAT ME" pastry and stand-in models of the White Rabbit and March Hare A nighttime party area at the Disney California Adventure theme park was created, called "Mad T Party" 

Video games
On July 23, 2009, Disney Interactive Studios announced that an Alice in Wonderland video game, developed by French game studio Étranges Libellules, would be released in the same week as the film for the Wii, Nintendo DS, and Microsoft Windows  The soundtrack was composed by video games music composer Richard Jacques  The Wii, DS, and PC versions were released on March 2, 2010 
Disney Interactive released in 2013 the game Alice in Wonderland: A New Champion for iOS 

Release
Theatrical
Alice in Wonderland was theatrically released in United Kingdom and United States, in both Disney Digital 3D and IMAX 3D, as well as regular theaters on March 5, 2010  Prior to the release, the film was premiered at the Odeon Leicester Square in London on February 25, 2010, for the fundraiser The Prince's Foundation for Children and The Arts where the Prince of Wales and the Duchess of Cornwall attended On February 12, 2010, major UK theater chains, Odeon, Vue, and Cineworld, had planned to boycott the film because of a reduction of the interval between cinema and DVD release from the usual seventeen-week period to twelve  Disney's pretext for cutting short Alice's theatrical run, is possibly to avoid the release of the DVD clashing with the 2010 FIFA World Cup  However, exhibitors protested that Alice would be less threatened by the World Cup than other titles  A week after the announcement, Cineworld, who has a 24% share of UK box office, chose to play the film on more than 150 screens  Cineworld's chief executive Steve Wiener stated, "As leaders in 3D, we did not want the public to miss out on such a visual spectacle  As the success of Avatar has shown, there is currently a huge appetite for the 3D experience"  Shortly after, the Vue cinema chain also reached an agreement with Disney, but Odeon had still chosen to boycott in Britain, Ireland, and Italy  On February 25, 2010, Odeon had reached an agreement and decided to show the film on March 5  It also did not affect their plans to show the film in Spain, Germany, Portugal, and Austria 

Home media
Walt Disney Studios Home Entertainment released a three-disc Blu-ray combo pack (which includes the Blu-ray, DVD and a digital copy), single-disc Blu-ray and single-disc DVD on June 1, 2010, in North America and July 1, 2010, in Australia  The DVD release includes three short features about the making of the film, focusing on Burton's vision for Wonderland and the characters of Alice and the Mad Hatter  The Blu-ray version has nine additional featurettes centered on additional characters, special effects and other aspects of the film's production  In some confusion, a small number of copies were put on shelves a week before schedule in smaller stores, but were quickly removed, although a handful of copies were confirmed purchased ahead of schedule 
In its first week of release (June 1–6, 2010), it sold 2,095,878 DVD units (equivalent to $35,441,297) and topped the DVD sales chart for two continuous weeks  By May 22, 2011, it had sold 4,313,680 units ($76,413,043)  It failed to crack the 2010 top ten DVDs list in terms of units sold, but reached 10th place on that chart in terms of sales revenue 

Reception
Box office
Alice in Wonderland has grossed $334,191,110 in North America and $691,276,000 in other territories for a worldwide total of $1,025,467,110 against a budget of $200 million  Worldwide, it is the second-highest-grossing film of 2010  It is the third-highest-grossing film starring Johnny Depp, the highest-grossing film directed by Tim Burton, and the second-highest-grossing film of Anne Hathaway  Additionally, it is the second-highest-grossing children's book adaptation (worldwide, as well as in North America and outside North America separately) On its first weekend, the film made $220 1 million worldwide, marking the second-largest opening ever for a movie not released during the summer or the holiday period (behind The Hunger Games), the fourth-largest for a Disney-distributed film and the fourth-largest among 2010 films  It dominated for three consecutive weekends at the worldwide box office  On May 26, 2010, its 85th day of release, it became the sixth film ever to surpass the $1 billion mark and the second film that had been released by Walt Disney Studios that did so In North America, Alice in Wonderland is the forty-fourth-highest-grossing film but out of the top 100 when adjusted for inflation  It is also the second-highest-grossing film of 2010, behind Toy Story 3, the second-highest-grossing film starring Johnny Depp and the highest-grossing film directed by Tim Burton  The film opened on March 5, 2010, on approximately 7,400 screens at 3,728 theaters with $40,804,962 during its first day, $3 9 million of which came from midnight showings, ranking number one and setting a new March opening-day record  Alice earned $116 1 million on its opening weekend, breaking the record for the largest opening weekend in March (previously held by 300), the record for the largest opening weekend during springtime (previously held by Fast & Furious), the largest opening weekend for a non-sequel (previously held by Spider-Man) and the highest one for the non-holiday, non-summer period  However, all of these records were broken by The Hunger Games ($152 5 million) in March 2012  Alice made the seventeenth-highest-grossing opening weekend ever and the fifth-largest among 3D films  Opening-weekend grosses originating from 3D showings were $81 3 million (70% of total weekend gross)  This broke the record for the largest opening-weekend 3D grosses but it was later topped by The Avengers ($108 million)  It had the largest weekend per-theater average of 2010 ($31,143 per theater) and the largest for a PG-rated film  It broke the IMAX opening-weekend record by earning $12 2 million on 188 IMAX screens, with an average of $64,197 per site  The record was first overtaken by Deathly Hallows – Part 2 ($15 2 million)  Additionally, it had the biggest opening weekend for a film starring Tim Burton, smashing the previous record held by Planet of the Apes  Alice remained in first place for three consecutive weekends at the North American box office  Alice closed in theaters on July 8, 2010, with $334 2 million 
Outside North America, Alice is the thirteenth-highest-grossing film, the highest-grossing 2010 film, the fourth-highest-grossing Disney film, the second-highest-grossing film starring Johnny Depp and the highest-grossing film directed by Tim Burton  It began with an estimated $94 million, on top of the weekend box office, and remained at the summit for four consecutive weekends and five in total  Japan was the film's highest-grossing country after North America, with $133 7 million, followed by the UK, Ireland and Malta ($64 4 million), and France and the Maghreb region ($45 9 million) 

Critical response
On the review aggregator Rotten Tomatoes, 51% of 278 critics have given the film a positive review, with an average rating of 5 8/10  The website's consensus is: "Tim Burton's Alice sacrifices the book's minimal narrative coherence—and much of its heart—but it's an undeniable visual treat"  According to Metacritic, which calculated a weighted average score of 53 out of 100 based on 38 reviews, the film received "mixed or average reviews"  Audiences polled by CinemaScore gave the film an average rating of "A−" on an A+ to F scale Todd McCarthy of Variety praised it for its "moments of delight, humor and bedazzlement", but went on to say, "But it also becomes more ordinary as it goes along, building to a generic battle climax similar to any number of others in CGI-heavy movies of the past few years"  Michael Rechtshaffen of The Hollywood Reporter said "Burton has delivered a subversively witty, brilliantly cast, whimsically appointed dazzler that also manages to hit all the emotionally satisfying marks", while as well praising its computer-generated imagery (CGI), saying "Ultimately, it's the visual landscape that makes Alice's newest adventure so wondrous, as technology has finally been able to catch up with Burton's endlessly fertile imagination " Owen Gleiberman of Entertainment Weekly said, "But Burton's Disneyfied 3-D Alice in Wonderland, written by the girl-power specialist Linda Woolverton, is a strange brew indeed: murky, diffuse, and meandering, set not in a Wonderland that pops with demented life but in a world called Underland that's like a joyless, bombed-out version of Wonderland  It looks like a CGI head trip gone post apocalyptic  In the film's rather humdrum 3-D, the place doesn't dazzle—it droops " Roger Ebert of the Chicago Sun-Times awarded the film three out of four stars and wrote in his review that, "Alice plays better as an adult hallucination, which is how Burton rather brilliantly interprets it until a pointless third act flies off the rails "Several reviews criticized the decision to turn Alice into a "colonialist entrepreneur" at the end of the film setting sail for China  Given Britain's role in the First and Second Opium Wars during the Victorian era and the foreign domination of China through "unequal treaties", China expert Kevin Slaten writes, "Not only is it troubling imagery, for a female role model in a Disney movie, but it's also a celebration of the exploitation that China suffered for a century "Game developer American McGee, best known for creating Alice and Alice: Madness Returns, was asked in a 2011 interview about Tim Burton's interpretation of the title character since both versions share a similar dark and twisted tone of Wonderland  McGee praised the film's visuals and audio but criticized the lack of screen time Alice had compared to the other characters  He felt Alice did not have any purpose in the story and that she was merely used as a "tool" 

Accolades
At the 83rd Academy Awards, the film received three nominations: Best Art Direction, Best Costume Design and Best Visual Effects and won the former two  At the 64th British Academy Film Awards, the film received five nominations and won two awards for Best Costume Design and Best Makeup and Hair  The film received three nominations at the 68th Golden Globe Awards, including Best Motion Picture – Musical or Comedy and Best Actor – Motion Picture Musical or Comedy for Johnny Depp, but did not win any  It further received nominations for five Satellite Awards and Saturn Awards each (winning two of them), four Critics' Choice Movie Awards (winning two), and a Grammy Award nomination 

Legacy
Following its release, the film drove about $1 6 billion in retail sales for Disney, including home video and merchandise sales After the release and success of the movie, Walt Disney Pictures has announced the development of several live-action adaptations of their Animated Classics series  With the exception of Dumbo, Lady and the Tramp, Mulan,Pinocchio, and Peter Pan & Wendy; The Lion King, Maleficent, Aladdin, Cinderella, The Jungle Book, Beauty and the Beast, and Christopher Robin have all followed to similar box-office results with the latter four also earning critical praise  Disney has also announced the development of live-action adaptations of Fantasia, The Sword in the Stone, The Black Cauldron, Snow White and the Seven Dwarfs, Lilo & Stitch, The Hunchback of Notre Dame, Bambi, Robin Hood, Hercules, The Aristocats, and Moana  The company also released Cruella, a live-action spin-off of One Hundred and One Dalmatians, and has plans for live-action spin-offs of Snow White and the Seven Dwarfs and Peter Pan along with a live-action prequel to Aladdin Walt Disney Theatrical was in early talks with Burton and screenwriter Linda Woolverton, who had previously written stage adaptions of The Lion King, Beauty and the Beast, Aida, and Lestat, to develop the property as a Broadway musical set to premiere in London  Rob Ashford was attached to direct and choreograph  As of 2013, no further developments had been made 

Sequel
On December 7, 2012, Variety announced the development of a sequel to Alice in Wonderland  Linda Woolverton returned to write a screenplay  On May 31, 2013, James Bobin began talks to direct the sequel under the working title Alice in Wonderland: Into the Looking Glass  Johnny Depp returned as The Hatter, Mia Wasikowska reprised the role of Alice, and Helena Bonham Carter returned as the Red Queen  Several other cast members from the 2010 film also reprised their roles in the sequel  On November 22, 2013, it was announced that the sequel will be released on May 27, 2016, and that Bobin would direct the film  Rhys Ifans and Sacha Baron Cohen are featured in the film  On January 21, 2014, the film was again retitled to Alice in Wonderland: Through the Looking Glass  The title was later reworked once again to Alice Through the Looking Glass 

See also
2010 in film
List of American films of 2010
Films and television programmes based on Alice in Wonderland
List of Walt Disney Pictures films
List of Walt Disney Studios films (2010–2019)
List of films featuring miniature people
Context 3: Passage 1:
Mika Häkkinen
Mika Pauli Häkkinen (Finnish: [ˈmikɑ ˈhækːinen] (listen); born 28 September 1968), nicknamed "The Flying Finn", is a Finnish former racing driver  He won the Formula One World Drivers' Championship in 1998 and 1999, both times driving for McLaren  Häkkinen is one of three Formula One drivers from Finland that have won the World Drivers' Championship, and the only one to have done so more than once  He currently works in driver management and is a brand ambassador for various companies 
Häkkinen began his career in karting at the age of five and achieved success by winning regional and national kart championships  He progressed to car racing when he entered the Formula Ford and Formula Three series in Italy and the United Kingdom  After success in the series, Häkkinen entered Formula One in 1991 with the Team Lotus where he remained until 1992  The following year, he moved to McLaren as test driver before he was promoted to the race team following the departure of Michael Andretti 
After four years which yielded minor success, Häkkinen scored his first Formula One victory in 1997  He went on to win eight races of the 1998 season, securing the World Drivers' Championship at the season-ending Japanese Grand Prix; his success also helped McLaren secure the World Constructors' Championship  He repeated his World Championship success in 1999, taking five victories  He finished as runner-up in the Drivers' Championship in 2000, behind Michael Schumacher and secured two more victories in 2001 before announcing a sabbatical from the sport, which became full-time retirement in mid-2002 
For 2005, Häkkinen moved to the Deutsche Tourenwagen Masters (DTM) series, where he secured his first victory that year  His form faded during 2006 although he secured two more victories in 2007  He retired from top-level active motorsport at the end of 2007, and subsequently moved into driver management along with becoming a brand ambassador for Johnnie Walker and Mercedes-Benz AMG 

Early life and career
Häkkinen was born in Helsingin maalaiskunta, Finland, on 28 September 1968 to Harri, a shortwave radio operator and a part-time taxi driver, and Aila Häkkinen, who worked as a secretary  He has one sister, Nina, who ran a fan site for him until its closure in 1998  Häkkinen lived in the same street as Mika Salo with the two later becoming friends  As a child, Häkkinen played ice hockey and football When Häkkinen was five years old, his parents rented a go-kart for him to take to a track near their home  Despite an early crash, Häkkinen wished to continue racing, and his father bought him his first go-kart, one that Henri Toivonen had previously competed with  He later won his first karting race in 1975 at the Keimola Motor Stadium where he raced in the regional karting championships in 1978 and 1979, winning the Keimola Club Championship in both years  Häkkinen found further success in 1980 when he won the Swedish Lapland Cup and finished fourth in the 85cc class of the Lapland Karting Championship  Around this time, Häkkinen also drove a Volkswagen Beetle on the frozen lakes of Finland with friend Mika Sohlberg In 1981, Häkkinen won his first major karting title, the 85cc class of the Finnish Karting Championship  The following year, he finished runner-up in the 85cc class of the Formula Mini series and later won the Ronnie Peterson Memorial event and the Salpauselka Cup in Lahti  Häkkinen moved to the Formula Nordic 100cc class for 1983, where he became the champion on his first attempt and also participated in the A Junior Team Races for Finland alongside Taru Rinne, Jaana Nyman and Marko Mankonen, with the line-up taking the championship In 1984, Häkkinen won the 100cc Formula Nordic title and later participated in the World Kart Championship race held in Liedolsheim  He took his second consecutive 100cc Formula Nordic Championship in 1985 ahead of Jukka Savolainen  He took part in the Nordic Championship A-Class in the same year, finishing runner-up to Tom Kristensen  Häkkinen went to Parma to participate in the World Kart Championship where he retired before the event's final heat due to a mechanical problem  In 1986, he reached his third consecutive Formula Nordic 100cc title and also took part in karting events across Europe  To further fund his career, Häkkinen got a job with a friend repairing bicycles In 1987, Häkkinen made the transition from karting to car racing when he purchased a 1986 Reynard Formula Ford 1600 from fellow Finn JJ Lehto  In that year, he entered the Finnish, Swedish and Nordic Formula Ford Championships, winning each title on his first attempt and won nine races combined  Häkkinen also entered two races of the EDFA 1600 Championship and raced in the Formula Ford Festival held at Brands Hatch, where he finished in seventh position  In 1988, Häkkinen entered the EFDA Formula GM Lotus Euroseries with the Dragon team, where he secured four victories and finished the runner-up in the championship, behind Allan McNish  He later entered the Opel-Lotus EDFA Euroseries, taking four victories and became Champion with 126 points, ahead of nearest rival Henrik Larsen Going into 1989, Häkkinen moved from the Euroseries into the British Formula 3 Championship driving a Reynard 893 chassis for Dragon  He finished seventh position in the championship, scoring 18 points  He was later invited to participate in the Cellnet Formula Three SuperPrix for West Surrey Racing as a guest driver where he secured pole position and the victory  He also raced in the tenth round of the French Formula 3 championship at Le Mans-Bugatti on 24 September and finished third behind Éric Hélary and Laurent Daumet 
In 1990, Häkkinen applied to become a member of the "Marlboro World Championship Team" through what was akin to a fully sponsored racing driver academy  Its members were short-listed for testing by a judging panel including McLaren Formula One team boss Ron Dennis (whose team was sponsored by Marlboro), Formula One World Champion James Hunt, and Formula 3000 team bosses, Mike Earle and Hugues de Chaunac  In an April 2015 interview, Earle recounted that Häkkinen's application was the last one that he reviewed at the end of a long day, despite protests by Hunt who had already made plans to head to a pub for a beer  Häkkinen performed strongly in his test and went on to secure Marlboro's sponsorship  That same year, therefore, Häkkinen left Dragon and moved to the West Surrey Racing team and won the British Formula 3 series, by taking nine victories en route to the Championship, with 121 points, ahead of fellow Finn Salo  In November, Häkkinen entered the Macau Grand Prix where he drove to pole position and won the first heat of the event  He retired from the second heat due to a last-lap collision with German Formula Three driver and future Formula One rival Michael Schumacher, who was classified as the overall winner 

Formula One career
Team Lotus (1991–1992)
1991
Häkkinen made his first test in a Formula One car with the Benetton team driving 90 laps around the Silverstone Circuit and set quicker lap times than regular driver Alessandro Nannini  He found it difficult to fit into the Benetton but liked the steering and throttle response  Häkkinen expected not to be offered a seat at Benetton and he decided to sign with the Lotus team for the 1991 season  Making his debut in the United States Grand Prix alongside teammate Julian Bailey, Häkkinen qualified thirteenth on the grid and suffered an engine failure on the sixtieth lap and was classified thirteenth  The next race in Brazil saw him finish ninth, and scored his first Formula One points by reaching fifth place in San Marino  Häkkinen suffered from a dip in race form as he encountered consecutive retirements in the next two races—his car suffered from an oil leak in Monaco and spun out in Canada  Before Canada, Bailey lost his seat at Lotus due to a lack of funding, so Häkkinen was partnered by Johnny Herbert and Michael Bartels throughout the remainder of the season Although Häkkinen secured a ninth-place finish in Mexico, he did not qualify for the French Grand Prix  Over the remainder of the season, he did not finish four of the nine races he entered  Häkkinen finished his debut season sixteenth in the Drivers' Championship, scoring two points 

1992
Häkkinen remained at Lotus for 1992 and was partnered by Herbert  At the opening round of the season in South Africa, Häkkinen finished in ninth position, which he followed up with his first points of the season in Mexico  He took a further finish in Brazil, although he did not qualify for the San Marino Grand Prix and suffered consecutive retirements in the following two races  At Monaco, Lotus introduced their new car, the Lotus 107  Häkkinen later gathered further consecutive points in the following two races, before he was forced into retirement at the German Grand Prix due to an engine failure  A similar pattern followed in the next three races, which was broken when he finished fifth in Portugal and suffered a retirement at the penultimate round of the year in Japan  Häkkinen concluded the season with a seventh-place finish in Australia During the season, Häkkinen became embroiled in a contract dispute  Häkkinen, who was under contract to Lotus, opted to join Williams  However, Williams had not submitted their entry for the 1993 season, and Häkkinen was unable to join the team when he learnt that Lotus team principal Peter Collins would veto the Williams team entry if they had signed Häkkinen  Häkkinen later approached Ligier although his contract contained a clause of which his manager Keke Rosberg disagreed  He later approached McLaren team principal Ron Dennis for a contract with the team, which was drafted at Courchevel Airport  The dispute eventually went to the Formula One Contract Recognition Board, who ruled in favour of McLaren after two days of deliberation 

McLaren (1993–2001)
1993
For 1993, Häkkinen joined McLaren, originally as a race driver, although he became the team's official test driver when CART driver Michael Andretti was hired by the team  Apart from regular testing duties, Häkkinen entered two Porsche Supercup races, held as a support race for the Monaco Grand Prix, where he started at pole position and took victory in both races  He was promoted to a Formula One race seat after the Italian Grand Prix, when Andretti left Formula One  Häkkinen entered the Portuguese Grand Prix where he out-qualified regular driver Ayrton Senna  During the race, he retired due to collision with a concrete wall  At the next race held in Japan, Häkkinen claimed the first podium of his career with a third-place finish, and ended the season when his McLaren car suffered a brake pipe failure in Australia  Häkkinen concluded the season with 15th in the Drivers' Championship, scoring 4 points  In December, McLaren confirmed that Häkkinen would remain with the team on a three-year contract from the 1994 season onwards During 1993, Häkkinen, along with Senna, tested the Lamborghini V12 engine in a modified version of the McLaren MP4/8 race car dubbed the "MP4/8B" at both Estoril and Silverstone  Both drivers were impressed with the engine, with Häkkinen reportedly lapping Silverstone some 1 4 seconds faster in the MP4/8B with its V12 engine than he had with the team's race car fitted with the Ford V8 

1994
Häkkinen stayed at McLaren for 1994 and was partnered by experienced driver Martin Brundle  He endured a torrid start: at the first two races of the season, Häkkinen retired as his car developed engine problems in the Brazilian Grand Prix and gearbox issues in the Pacific Grand Prix which included a collision with Senna on the first lap  He later reached his first podium finish of the season at the San Marino Grand Prix, although he suffered a dip in form as he was forced into consecutive retirements in the next four races Häkkinen raced to  a further podium finish at the British Grand Prix, despite a last-lap collision with Jordan driver Rubens Barrichello for which he received a one-race ban, suspended for three races  The ban was enforced after the German Grand Prix, where Häkkinen collided with Williams driver David Coulthard with the Finn's car sliding into another group of cars  He was replaced by Philippe Alliot for the next race in Hungary Häkkinen returned for the Belgian Grand Prix, initially coming third but was later promoted to second after the disqualification of Benetton driver Michael Schumacher  He got consecutive 3rd-place podium finishes in the next three races, before rounding off the season by finishing the final two races in Japan and Australia, albeit outside of the points scoring positions  Häkkinen managed a fourth place in the Drivers' Championship, scoring 26 points 

1995
Häkkinen remained at McLaren for 1995, and was partnered by Nigel Mansell  During pre-season testing, Häkkinen and teammate Mansell complained the car, the McLaren MP4/10, was not wide enough to fit in, resulting in their hands and elbows striking the sides of the cockpit  Mansell was forced to miss the opening two rounds, so Häkkinen was partnered with Mark Blundell Häkkinen started off the season by finishing fourth in Brazil, and later retired in Argentina due to a collision which punctured his left rear tyre that followed a spin  He took a further points finish with a 5th place at San Marino, before suffering from consecutive retirements in the next three races  For the French Grand Prix, McLaren introduced a revised version of their car, the McLaren MP4/10B  This did not revive Häkkinen's fortunes as he did not finish in the points scoring positions, and later suffered consecutive retirements in the next four races, but got second place at the Italian Grand Prix  He was forced to miss the Pacific Grand Prix due to an operation for appendicitis and was replaced by Jan Magnussen  He returned for the Japanese Grand Prix, with a second-place finish At the season finale held in Australia, Häkkinen's car suffered a tyre failure during the event's first qualifying session on Friday, which resulted in his car becoming airborne and crashing sideways into the crash barrier on the outside of Brewery corner, the fastest corner of the Adelaide Street Circuit, at an estimated speed of 120 mph  The session was suspended with Häkkinen being critically injured due to sustaining a skull fracture, internal bleeding and a blockage of his airway  His life was saved by the efforts of the trackside medical team including the President of the FIA Institute for Motor Sport Safety, Sid Watkins and volunteer doctors Jerome Cockings and Steve Lewis from the Royal Adelaide Hospital  Cockings performed an emergency tracheotomy on the track, delivering oxygen to enable Häkkinen to breathe  Watkins later arrived in the medical car, allowing the doctors to continue, restarting Häkkinen's heart twice  Häkkinen was immediately transported by ambulance to the nearby Royal Adelaide Hospital which was luckily located only about half a kilometre from the circuit  There he remained in a critical condition under care of the Trauma Service, the Neurosurgical Unit, and the Intensive Care Unit and remained in the hospital for approximately two months  He eventually made a remarkable recovery  As an expression of thanks for the elite class medical attention he received, Häkkinen donated a substantial undisclosed sum of money to help build a much-needed helipad for The Royal Adelaide Hospital, and made a special trip to Australia for the official opening ceremony in March 1997 Häkkinen finished the 1995 season seventh in the Drivers' Championship, with 17 points 

1996
The 1996 season was the first in which Häkkinen was the more experienced driver in his team and was partnered by David Coulthard  Häkkinen was confident going into the season and set himself a target of winning races  To ensure his fitness, Häkkinen spent time training in Bali and in February, McLaren conducted a secret test at the Paul Ricard Circuit  In the event that Häkkinen was not prepared, McLaren had Magnussen to replace him should the need arise  The season started well for Häkkinen: He earned consecutive points-scoring positions in the opening two rounds, before he suffered his first retirement of the season in Argentina as his car developed a throttle problem  He later finished the next two races, albeit outside of the points scoring positions, before returning consecutive finishes inside of the points in the following four races In the following race held in Britain where McLaren brought a revised version of the car, their McLaren MP4/11B, Häkkinen reached his first podium finish of the season with third place  However, he retired from the next race held in Germany due to a gearbox failure  This marked a turning point in Häkkinen's season as he finished the next three races, including consecutive third-place finishes in Belgium and Italy  In September, it was announced that Häkkinen would remain at McLaren for 1997, having previously been linked to Williams and Benetton  He retired from the penultimate round in Portugal resulting a collision with teammate Coulthard, damaging Häkkinen's front wing and eventually led to his retirement on the 52nd lap of the race  He rounded off the season with a third-place finish in season finale held in Japan  Häkkinen finished the season fifth in the Drivers' Championship, scoring 31 points 

1997
Häkkinen again remained at McLaren for 1997 and Coulthard remained his teammate  Häkkinen's season got off to a good start: In the season-opening race in Australia, he drove up to the third position and later scored further consecutive finishes inside of the points scoring positions in the next three races  He suffered his first retirement of the season at the Monaco Grand Prix when he was involved in a collision with Benetton driver Jean Alesi  Häkkinen later took ninth position at the Spanish Grand Prix, but later suffered three consecutive retirements in the next three races—a collision with Ferrari driver Eddie Irvine in Canada and engine failures in France and Britain  At the latter race, he had seemed set for his first win, but his engine blew while he was holding off eventual winner Jacques Villeneuve Häkkinen secured another podium finish with second place in Germany and later retired from an hydraulic problem in Hungary  He later secured third place in the Belgian Grand Prix but was later disqualified when it was discovered that his car used an illegal type of fuel during the event  He secured a ninth-place finish in Italy and later suffered from consecutive retirements in the next two races—engine failures in the Austrian Grand Prix and the Luxembourg Grand Prix while leading both races  Häkkinen ended the season with a fourth position in the penultimate round in Japan and raced to his first Formula One victory at the season closing European Grand Prix  Häkkinen ended the season sixth in the Drivers' Championship, with 27 points 

1998
Häkkinen remained at McLaren for 1998, partnered by Coulthard  Häkkinen was confident going about the challenge for the World Championship into the season, citing the involvement of technical director Adrian Newey  The season started off with controversy in Australia when teammate Coulthard let Häkkinen past to win the race  Häkkinen had earlier been called into the pit lane by an engineer by mistake  Coulthard later revealed a pre-race agreement by the team that whoever led into the first corner on the first lap would be allowed to win the race  Despite this, Häkkinen took back-to-back victories by winning the next race in Brazil  He maintained his good form at the Argentine Grand Prix where he finished second, although he retired from the San Marino Grand Prix when his car's gearbox failed  However, Häkkinen managed consecutive victories in the next two rounds, which was followed by a retirement from the race in Canada as his car suffered another gearbox failure Häkkinen followed this up by taking consecutive podiums in the next two rounds—third in France and second in Britain  He managed further consecutive victories in the next two rounds, and followed this up with a sixth-place finish in Hungary  In August, it was announced that Häkkinen and Coulthard would be retained for 1999  Häkkinen retired from the following race held in Belgium when Ferrari driver Michael Schumacher collided with the Finn and was also hit by Sauber driver Johnny Herbert  He later managed a fourth position in Italy despite suffering from brake problems resulting from a spin  Häkkinen finished the season by taking victory in the final two rounds at the Luxembourg Grand Prix and the Japanese Grand Prix, which ensured he took enough points to clinch the 1998 World Championship, with 100 points, ahead of nearest rival Schumacher  Häkkinen was awarded the Autosport International Racing Driver Award for 1998  He was also named the Finnish Sports Personality of the Year by journalists  The Finnish Post Office issued stamps to commemorate Häkkinen's World Championship in January 1999 

1999
Häkkinen remained at McLaren for 1999, with Coulthard partnering him for the upcoming season  The team suffered problems with their car, the McLaren MP4/14, during pre-season testing, resulting in a lack of preparation  Despite these setbacks, Häkkinen was confident going into the season, saying: "I've gained confidence and experience and am more relaxed  With this title I no longer have to tell myself every morning I can win, to put pressure on myself "At the opening round in Australia, Häkkinen was forced into retiring as his car developed a throttle issue  However, he managed his first victory of the season in Brazil, despite his car developing a gearbox problem early in the race  Häkkinen retired from the race in San Marino when he collided with a barrier while leading  At the Monaco Grand Prix, Häkkinen finished in third place, having slid on oil left on the track surface in the race  He followed up the results by having consecutive victories in the races held in Spain and Canada  Häkkinen took a second-place finish in France, and was forced into another retirement in Britain, as a result of a wheel failure  During the Austrian Grand Prix, Häkkinen who started from pole position, was hit by Coulthard from behind and rejoined at the back of the field  Häkkinen eventually finished in 3rd place During the German Grand Prix, it was announced that Häkkinen would remain at McLaren for 2000  Häkkinen encountered further bad fortunes in the race when his car's right rear tyre exploded at high speed, forcing his car into a 360° spin before resting on a tyre wall  He managed his fourth victory of the year at Hungary, and followed up the result with a second place in Belgium  Häkkinen retired from the following race held in Italy, due to a spin while leading the race  He finished further with fifth place at the European Grand Prix, and achieved a podium finish with third place in Malaysia  At the season finale held in Japan, Häkkinen took victory, which ensured he took enough points to win the 1999 World Championship, with 76 points, ahead of nearest rival Eddie Irvine  In November, Häkkinen was ranked seventh in the Reuters Sports Personality of the Year Poll scoring 46 out of a possible 260 points  He was also awarded his second consecutive Autosport International Racing Driver Award for 1999  In November, Häkkinen was announced as one of the seven men shortlisted for the Finnish Sports Personality of the Year  At the awards ceremony on 28 December, Häkkinen was awarded second place behind skier Mika Myllylä 

2000
For 2000, Häkkinen set himself new limits along with physical and psychological preparations for the upcoming season  He also believed that he along with Schumacher and Coulthard would be the key drivers of 2000  He endured a bad start: at the opening round in Australia, both McLaren cars retired with engine failure after completing less than half of the race distance; and in the following race in Brazil, Häkkinen was forced into retirement when his car's oil pressure became problematic  However, this marked a turning point as Häkkinen took consecutive second-place finishes in the next two rounds, and later reached his first victory of the season in Spain Häkkinen finished in second position at the European Grand Prix, having traded the lead position with Schumacher throughout the race  He followed up the result by taking sixth place at Monaco, fourth in Canada and a podium finish with second position in France  The day after the French Grand Prix, it was announced that Häkkinen would remain at McLaren for 2001  Häkkinen won the following race held in Austria, although his team were stripped of constructors' points due to a missing seal on the electronic control unit in Häkkinen's car  He took another podium finish with a second place in Germany, and later had another victory at the Hungarian Grand Prix where he took the lead of the World Drivers' Championship from Schumacher  Häkkinen raced to his second consecutive victory in Belgium, which included a simultaneous pass on Schumacher and Ricardo Zonta in the Kemmel straight  Häkkinen later took second place in Italy, and retired with an engine failure in the United States  He rounded off the year with a second place in Japan where he conceded the World Championship to Schumacher, and held fourth position in the season closing race held in Malaysia 

2001
For 2001, Häkkinen pledged to make a challenge for the World Championship, citing inspiration from the birth of his son Hugo  He also added that he was under less pressure to compete, saying that results over the previous year increased his desire to win  The season started badly for Häkkinen, as he was forced into retirement in the opening round held in Australia due to a failure with his car's suspension resulting in his car spinning violently into a tyre barrier  The McLaren cars were off the pace in Malaysia, with Häkkinen managing to end at the 6th place  He retired from the following race in Brazil when his car stalled on the starting grid, Further points came at the San Marino Grand Prix  At the Spanish Grand Prix, Häkkinen looked on course to win his first victory of the season, until the final lap of the race, when his car was hampered with a clutch failure and was classified ninth He suffered further consecutive retirements in Austria where he stalled his car on the starting grid, and Monaco where his car's steering failed after fifteen laps of the race  At the following race held in Canada, Häkkinen took his first podium of the season with a third-place finish  He finished sixth at the European Grand Prix, and was unable to start the French Grand Prix as his car developed a gearbox problem  However, this marked a brief turning point for Häkkinen as he gained a victory in the British Grand Prix  He was forced into another retirement in Germany when his engine failed, later managing fifth position in Hungary and fourth place in Belgium Before the Italian Grand Prix, Häkkinen announced that he would be on a sabbatical for the 2002 season, citing the reason to spend more time with his family  His seat was taken by fellow countryman Kimi Räikkönen in 2002  Häkkinen later stated that fear after crashes during practice for the 1995 Australian Grand Prix and the 2001 Australian Grand Prix as well as a loss of a desire to compete for race victories were factors  He was forced into another retirement during the race due to a gearbox issue  He raced to his final victory of his career in the United States despite incurring a grid penalty, and ended the season with a fourth-place finish in Japan  Häkkinen finished the season fifth in the Drivers' Championship, with 37 points 

Post-Formula One (2002–2004)
In July 2002, nine months into his sabbatical, Häkkinen announced that he would be retiring from Formula One  It was later revealed that Häkkinen approached McLaren team principal Ron Dennis during the 2001 Monaco Grand Prix and agreed a sabbatical, then returned to Monaco the following year to discuss and agree full-time retirement with Dennis  In October, Häkkinen made his first appearance as a commentator for pay-for-view channel Canal Digital at the United States Grand Prix In December 2002, it was announced that Häkkinen would be participating in the Finnish Rally Championship driving a Mitsubishi Lancer Evolution WRC2 with his co-driver Arto Kapanen  He also stated that he would not move full-time into rallying and learn about driver control, although he later stated he would enter more rally events if he finished within the top two  Making his debut in the Arctic Rally, Häkkinen was delayed by four minutes as his team changed a tyre and eventually finished 30th  He once again entered the event in 2004 driving a Toyota Corolla with co-driver Risto Pietiläinen and finished seventh During 2004, rumors circulated that Häkkinen was making a possible return to Formula One to fill in the vacant Williams seat left by Juan Pablo Montoya  In May, McLaren team principal Ron Dennis dismissed the rumors, stating that Häkkinen was not prepared for a comeback  Häkkinen held talks with BAR and Williams and later decided against returning to Formula One saying in 2005: "It's impossible to think that I would race a Formula One car again because as time passes my reactions become slower and my eyesight gets worse – that's life" 

Deutsche Tourenwagen Masters
2005
On 6 November 2004, it was announced that Häkkinen would make his debut in the Deutsche Tourenwagen Masters (DTM) series for the HWA Team in the 2005 season  He was partnered by Gary Paffett, Jean Alesi and Bernd Schneider  Häkkinen had previous experience of driving touring cars in July 2001 at the Brno Circuit alongside Schneider  In January, Häkkinen once again participated in the Arctic Rally driving a Toyota Corolla with co-driver Risto Pietiläinen  Häkkinen retired when he slid off the road on the eleventh stage His debut season started well: He secured eighth position in his first race at the Hockenheimring; and in the following race at the EuroSpeedway Lausitz, held his first podium in his DTM career  Two weeks later at Spa-Francorchamps, Häkkinen qualified on pole position and later took his first DTM win after only three starts  Despite the early success, he did not score points in the next three races which included consecutive retirements at Oschersleben and the Norisring  He later scored a further points position at the race held at the Nürburgring, before further consecutive 12th-place finishes in the next two races  Häkkinen ended the 2005 season by taking a second-place finish at Istanbul Park and finished outside of the points scoring positions with 15th place at Hockenheim  Häkkinen finished the season fifth in the Drivers' Championship, with 30 points 

2006
On 15 November 2005, it was announced that Häkkinen would remain with HWA for the 2006 season, and was partnered by Alesi, Spengler and Jamie Green  For the upcoming season, Häkkinen set his target of winning the championship, although he believed the competition from Audi would make the title challenge difficult  Outside of DTM, Häkkinen participated in his fourth Arctic Rally, driving a Mitsubishi Lancer Evolution VII with co-driver Risto Pietiläinen  He finished 36th overall His season got off well: At the opening race held at Hockenheim, he finished in fourth position; and in the following race held at the EuroSpeedway Lausitz, he drove to his first podium of the season with third place  Häkkinen did not score points in the next two consecutive races, although he later held another podium position with third place at the Norisring  In the next three races, he was unable to score more points, although he had another podium position at the Bugatti Circuit  Häkkinen concluded his season with a retirement at the Hockenheimring when his car's diffuser became damaged  Häkkinen ended the year sixth in the Drivers' Championship, scoring 25 points In November, Häkkinen tested a McLaren MP4-21 for one day at the Circuit de Catalunya where he completed 79 laps  To prepare himself, Häkkinen spent time at the McLaren Technology Centre to acquaint himself with Formula One's revised regulations  In a 2017 retrospective interview Häkkinen revealed that he had been in advanced talks with McLaren for a return in the 2007 season  He had however been frustrated by problems with McLaren's car in the test, which had reminded him of the reasons why he had taken the sabbatical in the first place, so the plans had collapsed 

2007
On 28 January 2007, it was announced that Häkkinen would remain in DTM for the 2007 season for HWA, and was partnered by Spengler, Green and Schneidler  Häkkinen stated that during 2006, his team's potential was not realised and aimed during 2007 to improve on his results  He started the season by earning consecutive finishes in the first two races, albeit outside of the points scoring positions  At the third race of the season held at EuroSpeedway Lausitz, Häkkinen won his first race of the season although only half points were awarded due to errors made by race organisers, resulting in the official race result remaining provisional  He held pole for the following race at Brands Hatch where he finished in fourth position, and followed the result with a ninth-place finish at the Norisring Häkkinen had his second victory of the season at Mugello, after starting from 15th position  He later managed 7th place at Zandvoort and later finished with a 10th-place finish at the Nürburgring  At the race held at the Circuit de Catalunya, Häkkinen was involved in a collision with Audi driver Martin Tomczyk  Häkkinen was penalised with a €20,000 fine, received a ten-place grid penalty for the next round and was disqualified from the race  He finished the season with a 17th-place finish at the Hockenheimring  Häkkinen finished the season 7th place in the Championship, with 22 points 

Retirement (2008–present)
Häkkinen announced his retirement from competitive motorsport in November 2007  He was quoted as saying that the decision "was not an easy one", but added that "racing is still in my blood and this decision does not mean that this will prevent me from racing for pleasure" In November 2008, it was announced that Häkkinen would start a new career in driver management and would work alongside Didier Coton in his firm Aces Associate Group  Häkkinen contested his fifth Arctic Rally event in January 2009 driving a Mitsubishi Lancer Evolution IX alongside co-driver Ilkka Kivimaki and finished 19th overall  Häkkinen made his debut in sports cars when Team AMG China entered a Mercedes-Benz SLS AMG in November 2011 to participate in the Intercontinental Le Mans Cup at the 6 Hours of Zhuhai race alongside Lance David Arnold and Cheng Congfu  During the event, the team retired after completing two hours  In October 2013, Häkkinen participated in the GT Asia series for the two races held at the Zhuhai International Circuit, driving a Mercedes-Benz SLS AMG 300 alongside co-driver Matthew Solomon  Häkkinen drove to victory in the first race after starting from sixth position  The victory resulted in a 15-second handicap during his mandatory pitstop for his second race and finished in fourth position On 16 March 2017, McLaren announced that Häkkinen has rejoined the team as partner ambassador  In November 2021, Häkkinen helped McLaren IndyCar driver Pato O'Ward prepare for his test of the McLaren MCL35M by familiarizing O'Ward on his championship winning MP4/13 around Laguna Seca In August 2019, Häkkinen raced in the Suzuka 10 Hours, the fourth round of the 2019 Intercontinental GT Challenge driving a McLaren 720S GT3 alongside two-time Super Formula champion Hiroaki Ishiura and Japanese Formula 3 racer Katsuaki Kubota, with Planex Smacam Racing Häkkinen and Emma Kimiläinen competed together for Team Finland at the Race of Champions on 5–6 February 2022  He is set to again compete in the race in 2023 alongside Formula One driver Valtteri Bottas, who was originally going to be his partner at the 2022 edition before backing out In December 2021, Häkkinen was announced as a Formula One analyst for the sports broadcaster Viaplay  From 2022 onwards, Häkkinen became part of a permanent team of analysts on-site at the Grands Prix  In the team of analysts, Häkkinen is accompanied by David Coulthard and Jos Verstappen 

Driving style and personality
Häkkinen is known for his unique driving style; journalist Peter Windsor analysed in F1 Racing magazine that Häkkinen was an "oversteering" driver, resulting in driving faster on slippery surfaces and the preference of using "tail-happy" cars  This allowed him to perform better at circuits that have medium-speed corners  During his karting career, Häkkinen developed the skill of using the brake pedal with his left foot  He reverted to using his right foot when he participated in DTM, later discovering he became uncomfortable with this style and reverted to left-foot braking in mid-2006  He became known as a "late season driver"; the second half of a season suited Häkkinen due to experience on these tracks and allowed time for his car to be altered towards his preference Häkkinen was criticized for being a poor car developer, though this may have been exaggerated due to his initial struggles with the English language early in his career  Adrian Newey, the designer of Häkkinen's championship-winning McLarens, described an instance of Häkkinen's approach to input on car development when Häkkinen kept telling him during the initial testing of the McLaren MP4/13 that the car was understeering  Newey subsequently adjusted the car to correct for understeer, but this only made it slower  After digging deeper into the test data and listening closely to what Häkkinen was describing Newey realized the car was not understeering but had rear end biased instability on corner entry that Mika was compensating for with understeer  This experience proved crucial for Newey's relationship with Häkkinen during their run together at McLaren, as after that Newey no longer had issues understanding Häkkinen's inputs on car development  Newey also said Mika's countryman, protege, and future McLaren driver Kimi Räikkönen also had a similar approach to input on car development During his Formula One career, Häkkinen became known as a "taciturn" character—an individual who took lengthy pauses before answering questions placed before him and would give virtually nothing away to the media  This allowed him to prevent problems and potential scandals from within his team becoming public knowledge  Since his retirement, Häkkinen has often been voted among the greatest Formula One drivers  Michael Schumacher has stated that Häkkinen was the driver whom he gained the most satisfaction of racing against 

Personal life
Häkkinen has resided in Monaco since 1991  He also owns properties in France and Finland  On 18 May 2008, his newly completed mansion in France was burned down after a light in one of his trophy cabinets short circuited  No injuries were reported, although Häkkinen's collection of Formula One trophies was destroyed  Outside motorsport, Häkkinen enjoys skiing, swimming, tennis, scuba diving and jet ski  His favourite music acts are Phil Collins, Michael Jackson, Frank Sinatra and J  Karjalainen Häkkinen married Erja Honkanen, a former TV journalist, in 1998  The couple have one son and one daughter  The couple applied for divorce in 2008  Häkkinen also has two daughters and a son by his Czech second wife Markéta Remešová Häkkinen joined Johnnie Walker as Global Responsible Drinking Ambassador for Diageo in September 2006, campaigning for the message of responsible drinking  He also led the organisation's Join the Pact campaign to spread consumer commitments for the prevention of drunk driving  He is also brand ambassador for Mercedes-Benz and UBS  In 2016, he became an official brand ambassador for Nokian Tyres 

Car collection
Häkkinen maintains a collection of McLaren hypercars, all of which he keeps in Monaco  His collection is valued at an estimated €6 million 
The collection includes:

a McLaren P1, chassis VP3, painted in Dark Grey 
a McLaren Senna, painted in Mariana Blue, with a special plaque with Häkkinen's "Flying Finn" signature 
a McLaren Speedtail, painted in Volcano Red 

Karting record
Karting career summary
Racing record
Career summary
Complete British Formula 3 results
(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)

Complete Formula One results
(key) (Races in bold indicate pole position, races in italics indicate fastest lap)

† Did not finish, but was classified as he had completed more than 90% of the race distance 

Complete DTM results
(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)

‡ Half points were awarded in the race due to several errors made by the race officials 
Passage 2:
McLaren MP4/13
The McLaren MP4/13 was the car with which the McLaren team competed in the 1998 Formula One World Championship  The chassis was designed by Adrian Newey, Steve Nichols, Neil Oatley and Henri Durand, with Mario Illien designing the bespoke Ilmor engine  Driven by Mika Häkkinen and David Coulthard, the MP4/13 proved to be the dominant car of the season, with Häkkinen winning eight races en route to his first Drivers' Championship, while McLaren won their first Constructors' Championship since 1991 and, as of January 2023, their last 
The team's main sponsor was West, whose logos were not featured on the cars at the French, British and German Grands Prix due to the tobacco sponsorship bans in these countries 

History
Designer Adrian Newey had joined McLaren from Williams in 1997, but was unable to influence the design of the McLaren MP4/12 other than adjustment during the season  His work was rewarded when drivers Mika Häkkinen and David Coulthard finished first and second at the season-ending European Grand Prix 
When the 1998 season got underway four months later, it became clear that Newey had adapted to the rule changes for 1998 best  With the cars now narrower and running on grooved tyres, the all-new design of the MP4/13 made it the car to beat 
The dominance of the MP4/13 was displayed in the opening race of 1998 in Australia, as Häkkinen and Coulthard finished a lap ahead of the rest of the field  Newey's aerodynamic design was by far the most efficient one and Mercedes produced the most powerful engine of the season  The team was aided by a unique brake-steer system which allowed the driver to use any one of the car's brakes independently to aid cornering, a system first used in 1997  The Ferrari team protested, stating that the brake-steer system was a violation of the technical rules, which banned four-wheel steering  The FIA eventually sided with Ferrari and the system was banned, although the team was allowed to keep their results up to that point McLaren's dominance continued in the second race of the season in Brazil, before Ferrari started to close the gap from the Argentine Grand Prix onwards  The MP4/13 retained its superiority on high-speed tracks like Hockenheim and Silverstone, while Ferrari's F300 was closer to the McLaren on more technical circuits  Speaking of the MP4/13 some years later, Coulthard said that the car was fast but understeered through slow corners; this was due to Newey's design that maximized the car's aerodynamic grip over its mechanical grip  Häkkinen initially found the car to be nervous in testing due to a rearward biased instability, but this was corrected before the season started During 1998, Coulthard's MP4/13 speed-trapped the highest of all F1 cars that year when he was clocked at 353 km/h (219 mph) at the old Hockenheim circuit 
Although Ferrari's Michael Schumacher took the Drivers' Championship battle to the final race in Japan, Häkkinen took the title with his eighth race win of the season  Coulthard won one race, in San Marino, en route to third place overall, while McLaren won the Constructors' Championship  This was McLaren's first championship victory since 1991 with Ayrton Senna and, in terms of race wins, the team's most successful year since 1989 During 1998 both Nick Heidfeld and Ricardo Zonta acted as test drivers for McLaren and drove the MP4/13 at test sessions  The record time for the Goodwood Festival of Speed hillclimb was set in 1999 when Heidfeld drove an MP4/13 up the hill in 41 6 seconds  Twenty four years later the MP4/13 set the second outright fastest lap time around  Laguna Seca in the hands of Mexican IndyCar driver Pato O'Ward, when O'Ward lapped the circuit at 1 minute 10 3 seconds, nearly a second faster than a McLaren IndyCar around the same circuit 

Other
In July 2017, video game developer Codemasters announced that the MP4/13 would appear in the video game F1 2017 as a classic car  It also appears in F1 2018 and F1 2019 

Technical specifications
Car: McLaren MP4/13
Chassis: carbon fibre, aluminium
Gearbox: 6 gears
Cooling system: two McLaren/Calsonic water radiators, two McLaren/Marston oil radiators 
Length of the whole car: 4,550 mm (179 1 in)
Weight with water, oil and driver: 600 kg (1,322 8 lb)

Engine: Mercedes-Benz FO-110G
Cylinders: 10, in a 72° angle
Valves: 4 per cylinder
Length: 590 mm (23 2 in)
Breadth: 546 4 mm (21 5 in)
Height: 476 mm (18 7 in)
Weight: 107 kilograms (236 lb)
Power: 780–800 bhp (582–597 kW)

Supplies
Tyres: Bridgestone
Wheels: Enkei 13-in
Brakes: AP Racing discs and claws
Oil and Petrol: Mobil
Ignition: TAG 2000
Spark plugs: NGK

Complete Formula One results
(key) (results in bold indicate pole position; results in italics indicate fastest lap)
Passage 3:
McLaren MP4/1
The McLaren MP4/1 (initially known as the MP4) was a Formula One racing car produced by the McLaren team  It was used during the 1981, 1982 and 1983 seasons  It was the second Formula One car to use a monocoque chassis wholly manufactured from carbon fibre composite, after the Lotus 88 (which never raced), a concept which is now ubiquitous  The MP4/1 was first entered in a Formula One race at the third grand prix of the season in Argentina 
The chassis was designed by John Barnard, Steve Nichols and Alan Jenkins, with the car being powered by a Cosworth DFV engine 
The MP4 was the first car to be built following the merger of the McLaren team and Ron Dennis' Project 4 Formula 2 team; its designation was short for "Marlboro Project 4" 

Design and construction
The main engineer for the MP4 was John Barnard, who began drawing the car in late 1979  After a visit to the Rolls-Royce factory where he saw engineers working with carbon fibre technology on the Rolls-Royce RB211 jet engine, Barnard saw the potential of this technology and convinced Ron Dennis to fund the design and build of a whole new car out of this new bodywork material  The chassis itself was built by McLaren using carbon supplied by American firm Hercules Aerospace in Salt Lake City on the advice of McLaren engineer and former Hercules apprentice Steve Nichols, and quickly revolutionised car design in Formula One with new levels of rigidity and driver protection and its Carbon-Fibre-Composite (CFC) construction  Dennis and Barnard took Nichols' advice after being rejected by multiple British firms due to the ambitiousness of this method of chassis construction  Within months and subsequent years carbon fibre started being used by all of McLaren's rivals  The car was far more advanced than any of McLaren's previous cars- including its predecessor, the M29 and M30, and its design and construction was of a far more precise nature than before- just about at the level of fighter aircraft 
From 1981 until late 1983 the MP4/1 was powered by the 3 0 litre Ford-Cosworth DFV V8 engine, but in late 1983 the team switched to turbocharging, using a 1 5 litre TAG V6 engine built by Porsche 
In both 1981 and 1982 McLaren International benefited from the exclusive use of a development Nicholson-McLaren Cosworth DFV which powered the MP4  Developed and re-built in John Nicholson's Colnbrook workshops (an agreement with McLaren going back to the mid-1970s) the Nicholson DFV featured bigger pistons and valves that a conventional factory DFV, and thus could rev to around 11,500 RPM, producing around 510 BHP, enabling John Watson and Niki Lauda to all but match the factory Ferrari and Renault V6 twin-turbos in straight line speed during the 1982 season  The Nicholson DFV also used different castings to reduce frictional losses, as well as using MAHLE pistons rather than Cosworth's in house piston/con rods 
Hercules Aerospace keeps John Watson's car which was destroyed in the 1981 Italian Grand Prix and shows it off to visitors after allowing them to view footage of the accident, highlighting how it was possible for him to survive in a carbon fibre car 

Racing
John Watson and Andrea de Cesaris drove the MP4/1 for most of the 1981 season with Niki Lauda replacing de Cesaris for the 1982 and 1983 seasons  In 1982, the updated MP4B nearly brought Watson to the World Championship, but he finished third behind Keke Rosberg and Didier Pironi, with 39 points  In the same year, however, it did take second in the Constructors' Championship, collecting 69 points 

For the 1983 season, the car was then updated into the MP4/1C, and the season started with a 1–2 finish for the MP4/1C at Round 2 in Long Beach, in which Watson won from 22nd on the grid – the farthest back on the grid a driver has won from in Formula One – and Lauda finished second from 23rd despite suffering from a worsening leg cramp  This car was used throughout most of the season but against the more powerful turbos of Renault, Ferrari and BMW, results with the outdated Cosworth V8 were becoming harder to come by, though Watson did finish third at the Detroit Grand Prix and the final race for the Cosworth car in Holland 

With Porsche: the MP4/1E
During the 1983 season, McLaren worked with Techniques d'Avant Garde and Porsche to develop a turbocharged V6 engine built to John Barnard's specifications and the MP4/1D was the test mule  Later in the season at the Dutch Grand Prix at Zandvoort the Cosworth-powered MP4/1C was replaced by the TAG-powered MP4/1E, which was essentially also a test mule that competed in only 4 races; according to Watson in an interview given in 2009 this was a car that was forced into appearing at the Dutch Grand Prix after political maneuvering by Lauda  He went to Marlboro executive Aleardo Buzzi (the man responsible for giving McLaren their primary sponsorship money), behind the back of the McLaren team and complained extensively to Buzzi about the uncompetitiveness of the team without a turbo engine  Buzzi then withheld money that had been committed to McLaren to develop the TAG/Porsche turbo engine  This infuriated Dennis and designer John Barnard, who had designed the MP4/2 specifically for the new turbo-charged engine, but now had to re-design his MP4/1 to "E" spec for the TAG engine The MP4/1E was first driven by Watson, not Lauda, at the Porsche proving ground  It was competitive but the new engine was, thanks to Lauda's political maneuvering, underdeveloped and had teething troubles  This made the car very unreliable, and it did not win any races  However, this car was not really expected to win or even finish races  In total, the MP4/1 brought McLaren 6 wins, 11 other podium finishes and a total of 131 points 
BBC commentator Murray Walker drove the MP4/1C at Silverstone in 1983 The MP4B (listed as the MP4/1B) is available as a classic car in the video game F1 2019 

Complete Formula One World Championship results
(key) (results in bold indicate pole position; results in italics indicate fastest lap)
Passage 4:
McLaren MP4/10
The McLaren MP4/10 was the Formula One car with which the McLaren team competed in the 1995 Formula One World Championship  The chassis was designed by Neil Oatley, Steve Nichols, Matthew Jeffreys, David North, David Neilson, Paddy Lowe  and Henri Durand with Mario Illien designing the bespoke Ilmor engine  It was driven mainly by Mark Blundell, who started the year without a drive, and Mika Häkkinen, who was in his second full season with the team  The car was also driven by 1992 champion Nigel Mansell, and Jan Magnussen 

Early season
1995 was a season of great expectation for McLaren  The disappointing 1994 alliance with Peugeot had been annulled, and Mercedes-Benz switched to the team from Sauber including third-party engine builder partnership with Ilmor Engineering Ltd  after Ilmor decided to reposition its Formula One program by becoming a third-party engine builder and assembler, and thus earned full-factory works support from Mercedes-Benz  In addition, Mansell had been tempted out of retirement from his two prior years spent in the Indy Car series to partner the youthful Häkkinen  The MP4/10 was a radical design, incorporating a high "needle"-nose design and a wing mounted atop the airbox, among other innovations 
However, it became apparent that Mansell was unable to fit properly in the narrow cockpit, which affected his elbows and hips, that meant he was forced to miss the first two races of the season whilst a wider monocoque was built  His racing return lasted just two further Grands Prix, in San Marino and Spain, before leaving the team altogether, disgusted with the car's poor performance  Blundell, who had replaced Mansell for both the Brazil and Argentina, became a permanent race driver 
Despite handling problems due to a lack of front-end grip, and an often unreliable engine, the package proved competitive enough for the team to usually be "best of the rest", behind Benetton, Williams and Ferrari, and Häkkinen was able to score two podium finishes  Team-mate Blundell also took several points finishes 

Upgrades
The McLaren MP4/10B update made its debut at San Marino and was retained for most of the season  A further modification, the MP4/10C, appeared at the Portuguese and European Grands Prix, but was not used further 
McLaren endured a mixed end to the season  Häkkinen missed the Pacific Grand Prix with a case of appendicitis and was replaced by the rookie Jan Magnussen, but returned to finish a fine second in Japan  This was tempered by the fact that Blundell wrote off a chassis in practice, but this setback paled in comparison to Häkkinen's accident during qualifying for the final race of the season in Australia  A sudden left-rear puncture saw his car fly out of control and hit a concrete wall at high speed  Häkkinen was pulled out of his car unconscious with blood pouring from his mouth and nose  However, he made a full recovery for the first Grand Prix of 1996, which was also in Australia 
The team eventually finished fourth in the Constructors' Championship, with 30 points  The McLaren MP4/10 was the first McLaren car to run Mobil fuel before rebranding to Esso in 2015, beginning with the McLaren MP4-30 

Complete Formula One results
(key)
Passage 5:
McLaren MP4/6
The McLaren MP4/6 is a successful Formula One racing car designed by McLaren's Neil Oatley, Matthew Jeffreys, David North, David Neilson, Bob Bell and Mike Gascoyne; powered by the Honda RA121E V12 engine for use in the 1991 Formula One season, with the engine's design and development led by Osamu Goto  It was driven by reigning World Champion, Brazilian Ayrton Senna, and Austria's Gerhard Berger  Ayrton Senna would win his third World Championship in the MP4/6  The MP4/6 was notable for being the last F1 car to win the championship with a manual gearbox and the only F1 car powered by a V12 engine to do so 

Design and pre-season testing
The MP4/6 was the first McLaren to be powered by a Honda V12 engine, which Honda quote at 735 PS (725 bhp; 541 kW) at 13,500rpm  The car was tested by Berger in the off-season, but he was unimpressed with the initial version of the new engine, feeling it was underpowered compared to the 690 bhp (515 kW; 700 PS) V10 engine used in the 1990 car, the MP4/5B  When Senna returned for pre-season testing he and Berger, along with Honda, knuckled down to try to solve the engine's problems  McLaren's domination in the early part of the year was mainly due to the lack of reliability of the 700 bhp (522 kW; 710 PS) Renault V10-powered Williams FW14 By the latter half of the season, Honda (at Senna's urging) had managed to improve the engine to 780 hp (581 6 kW) @ 14,800 rpm 
The MP4/6 raced throughout 1991 with a manual "H" pattern gearbox  A semi-automatic transmission was tested during the season (and shown at the Hungarian Grand Prix; the car equipped with it ran 4 laps on track in practice before Senna spun off; the car was then converted back to a manual) but was never regarded as good enough to be used in a race; Ferrari and Williams were the only teams to use semi-automatic gearboxes during 1991  The MP4/6 would go down as the last Formula One car to win a World Championship using a manual transmission and the only F1 car to win the World Championship with a V12 engine 

Season summary
Senna won the first four races of the season, in the United States, Brazil, San Marino and Monaco, before Williams and Nigel Mansell found their feet with the FW14, which dominated in mid-season  Consistent podium finishes on Senna's part throughout the year helped McLaren, but Senna insisted that Honda step up their engine development programme and demanded further improvements to the car before it was too late  Honda responded with updated versions of the V12 engine, while Oatley redesigned various features of the car, particularly the sidepods and wings  Senna won in Hungary and Belgium before clinching his third and final Drivers' Championship in Japan with second place behind Berger; he then won the final race in Australia to secure the team's fourth consecutive Constructors' Championship McLaren continued with the MP4/6, upgraded to 'B' specification, for the first two races of 1992, Senna finishing third in South Africa  The car was then replaced with the official 1992 car, the MP4/7A, though three MP4/6Bs were brought to the 1992 Brazilian Grand Prix as spares 
The MP4/6 was considered by some to be the most competitive car in the Formula One field until Williams sorted the FW14, which was aerodynamically and technically more advanced  In all, the MP4/6 took eight Grand Prix wins and ten pole positions and scored 148 points  The car brought a close to McLaren's and Honda's domination of the sport, stretching back to the mid-1980s 

In popular culture
The McLaren MP4/6 is included as included as a classic car in Codemasters F1 2017, F1 2018, F1 2019 and F1 2020 video games 

Complete Formula One results
(key) (results in bold indicate pole position, results in italics indicate fastest lap)

* Only 9 points scored with the MP4/6B  Remaining points scored with MP4/7A 
Passage 6:
McLaren MP4/9
The McLaren MP4/9 was a Formula One car designed by Neil Oatley and used by the McLaren team in the 1994 Formula One World Championship  The number 7 car was driven by Finn Mika Häkkinen, in his first full season with the team, while the number 8 car was driven by Briton Martin Brundle, who had signed from Ligier  Frenchman Philippe Alliot deputised in the number 7 car at the Hungarian Grand Prix when Häkkinen was banned from driving in this race  For the 21st consecutive year, Marlboro was the team's title sponsor, with additional sponsorship from Hugo Boss, Shell and Goodyear  The MP4/9 was the first and only McLaren F1 car to utilise Peugeot engines 

Background and design
Due to changes in Formula One regulations intended to return emphasis on driver skills, many technologies designed to aid the driver, such as active suspension, power-assisted brakes, ABS and traction control, which had featured on the previous season's car, were no longer permitted  Visually the car was otherwise very similar to the preceding MP4/8 
The MP4/9 was initially powered by the Peugeot A4 V10 engine which produced around 700 bhp (522 kW; 710 PS)  The engine proved unreliable and both Häkkinen and Brundle retired from the first two races with each suffering one engine failure  The 760 bhp (567 kW; 771 PS) A6 V10 was then introduced, and while it gave Häkkinen third place at San Marino and Brundle second at Monaco, the engine was generally regarded as a "hand grenade" due to frequent failures in testing, qualifying and races  It was not until Italy that Peugeot started to get reliability from the engine 

Second driver disputes
At the behest of Peugeot, the team's test driver was Frenchman Philippe Alliot  The French company preferred Alliot, who had been a lead driver with their World Sportscar team, over Brundle for the role of the second driver—something which infuriated McLaren team boss Ron Dennis, as he did not think much of Alliot's driving and clearly preferred Brundle; Alliot had been in F1 since 1984 and had a reputation for being fast but accident-prone  Brundle had also been racing Grands Prix since 1984 and, while fast, was also a much more steady driver  Alliot, whose only role in the team was as a test and reserve driver, only raced for the team as a one-off replacement for Häkkinen in Hungary, as the Finn was serving a one-race ban after being held responsible for a large accident on the first lap at the preceding German Grand Prix 

1994 season summary
By the standards of McLaren's recent cars the MP4/9 was a disappointment, failing to win any races (the first time McLaren had failed to win a race since 1980) and hampered by poor reliability and performance from its Peugeot engine (taken from the Peugeot 905 sports car that won Le Mans twice)  Early in the season, Ron Dennis had believed rivalry between the French manufacturer and compatriots Renault would lead to rapid development and performance  As the season progressed the engines suffered regular and frequently spectacular failures (including at the British Grand Prix where Brundle's engine erupted into flames within a second of the green flag), and causing the team to doubt Peugeot's commitment to the project  By late 1994 the team announced it had parted company with the engine supplier in favour of a long-term deal with Mercedes 
The MP4/9 was replaced in 1995 by the McLaren MP4/10 

Complete Formula One results
(key)
Passage 7:
McLaren MP4/11
The McLaren MP4/11 was the car with which the McLaren team competed in the 1996 Formula One World Championship  The chassis was designed by Neil Oatley, Steve Nichols, Matthew Jeffreys, David North, David Neilson, Paddy Lowe and Henri Durand, with Mario Illien designing the bespoke Ilmor engine  It was driven by Finn Mika Häkkinen, who was in his third full season with the team, and Briton David Coulthard, who moved from Williams 

Overview
Background
McLaren had endured a mostly disappointing season in 1995, with the MP4/10 beset by handling and reliability problems in the team's first year in partnership with Mercedes-Benz, although it did score two podiums and regular points  The second year of the arrangement was to be far more productive with both performance and reliability improved, but the team had yet to make the serious breakthrough necessary to challenge the "big three" of Williams, Ferrari and Benetton 

Pre-season testing
In pre-season testing, which took place at Estoril in February 1996 and Silverstone in March, four-times world champion Alain Prost was brought in as a technical advisor to test-drive the MP4/11 in Häkkinen's absence, who was still recovering from his near-fatal crash during qualifying for the 1995 Australian Grand Prix 

Racing history
The car's best result came in Monaco, with Coulthard finishing a close second to Olivier Panis' Ligier at the end of a chaotic race  However, Coulthard was outscored and generally outpaced by his teammate 
The car was developed throughout the season, with improvements initiated to eradicate an initial handling imbalance in time for Coulthard to lead the first 19 laps in San Marino   On the MP4/10, a small additional wing was mounted on the engine cover, but this was removed in mid-1995   The wing was brought back for the MP4/11 in Monaco, and was also used at Hungary   A "B" version of the chassis was developed for Silverstone, and Häkkinen responded with four podium finishes from then until the end of the season 
1996 was also notable for McLaren losing its long-term Marlboro sponsorship at the end of the season, but the team responded by recruiting rival German tobacco brand West, who had previously (1985–89) been the major sponsor of the small German Zakspeed team 
The team eventually finished fourth in the Constructors' Championship, with 49 points 

Complete Formula One results
(key) (results in bold indicate pole position)
Passage 8:
McLaren MP4/3
The McLaren MP4/3 was the car with which the McLaren team competed in the 1987 Formula One World Championship  The car was designed under the leadership of long-time McLaren engineer Steve Nichols, in collaboration with Neil Oatley, Gordon Kimball, Tim Wright and Bob Bell  It was also the last McLaren car to be powered by the TAG-Porsche turbo engine that had been introduced in 1983  The car was driven by double World Champion Alain Prost, in his fourth season with the team, and Stefan Johansson, who moved from Ferrari 

Design
The MP4/3's aerodynamics were completely different from the MP4/2, and the car appeared much more low-slung, to take advantage of the maximum fuel capacity limit of 195 litres, rather than the 220 litre limit in effect from 1984 to 1985  With addition of side-ducted radiators, the car's basic exterior shape was all-new and sleeker than its bulbous looking predecessor with the only visual reminder of the car being its nose section, though this too had been re-designed and was in fact lower and approximately 10% smaller  The suspension set up of the new car was virtually identical to the MP4/2C
To many, the MP4/3 seemed to have been designed along the lines of the lowline Brabham BT55 used by the Brabham team in 1986  Brabham's long time designer Gordon Murray had joined McLaren in 1987 as its new Technical Director taking over from Barnard and this led to the popular belief that he had played a major role in the design of the new look McLaren  However, team manager Jo Ramírez downplayed Murray's involvement in the design of the MP4/3, saying that the BT55's design had no bearing on the car and that Murray had primarily been in charge of quality control  However, Murray himself has since said that this car, and its successor the McLaren MP4/4, were designed using his original Brabham BT55 drawings as a base (as they were legally his, Murray had brought the BT55's drawings with him to McLaren)  The claim has since been disputed by engineering director Steve Nichols 

Engine
The engine was the same 1 5 litre, Porsche built, TAG funded and badged twin-turbo V6 engine that had so successfully powered the MP4/2, but with slight changes in compression and engine balancing, to cope with not only the new reduced fuel limit, but also with the FIA's mandated pop-off valve which restricted turbo boost to 4 0 bar after turbo charging was unrestricted prior to 1987 

Success
There were three wins in 1987 with the MP4/3 by Alain Prost at Grand Prix of Brazil, Belgium, and Portugal  Stefan Johansson managed a few podium places, but he would be replaced in 1988 by Ayrton Senna  McLaren still managed to finish 2nd overall, with 76 points, in the Constructor's Championship  The MP4/3 represented the pinnacle of the development of the McLaren TAG-Porsche partnership  The Porsche-TAG engine featured an updated Motronic 1 7 engine management system, and now produced 790 bhp (590 kW) in race trim and up to 850 bhp (630 kW) in qualifying 
Although a number of teams, notably Benetton with their Ford V6 turbo and Arrows with their 4 cyl Megatron turbo (formerly the BMW turbo), encountered problems with the pop-off valve during 1987 when it would often come in lower than the 4 0 bar limit thus giving less horsepower, McLaren got around this by generally setting their TAG's turbo limit at 3 6 bar in 1987  This also allowed McLaren the advantage of better fuel economy 
Even today the MP4/3 is still considered to be one of the most powerful F1 cars ever made, since turbo boost pressure would be further reduced to 2 5 bar in 1988, reducing the power output of the turbo engines to around 650 bhp (480 kW) in a bid to make the naturally aspirated cars more competitive  Turbocharged engines were then banned completely in 1989, so the turbo era in Formula One may remain possibly the high-water mark for horsepower levels in Formula 1 
The MP4/3 was also the car with which Prost won the 1987 Portuguese Grand Prix to become the driver with the most wins in Formula One history beating Jackie Stewart's record of 27 wins which had stood since Stewart retired at the end of 1973 
The MP4/3 was the last McLaren Grand Prix car to use the TAG-Porsche engine  Its successor, the highly successful MP4/4, would be powered by the Honda V6 turbo 

Chassis log history
Five new MP4/3 cars were moulded from carbon fibre with assistance from Hercules Aerospace, as since the creation of the all-new MP4/1 in 1981  The chassis numbers, 1 through 5, were used throughout the year, with three new cars ready for the first race in Brazil Two MP4/3s were destroyed during 1987, but three complete MP4/3s still exist: Chassis #4 is on display at the Donington Museum, chassis #5 is still owned by McLaren, and chassis #1, the only one in private hands, belongs to a Porsche collector in the United States and was auctioned on 9 March 2012 at Amelia Island, FL by Gooding & Company 
#1: Used as a spare car for every race except Österreichring  Stefan Johansson raced this chassis only once, at the aborted start (1st) at Österreichring 
#2: Raced by Johansson at Rio, Imola, Spa, Monaco, Detroit, Paul Ricard, Silverstone, Hockenheim, and Hungaroring  The car was written off in practice at Österreichring by Johansson, after a deer struck the car, and crashed 
#3: Raced by Alain Prost at Rio, Imola, Spa, Monaco, Detroit, and Paul Ricard  Car modified for Johansson for race use at Österreichring  It was originally a spare car at Mexico City, but then raced by Johansson, but written off in 1st-lap accident 
#4: New car for Prost to race at Silverstone, Hockenheim, Hungaroring, Österreichring, Monza, Estoril, Jerez, Mexico City, Suzuka, and Adelaide 
#5: New car for Johansson at Monza, Estoril, Jerez, Suzuka, and Adelaide 
The sixth car, known as the MP4/3B, was a test mule for the Honda turbo engine that would power McLaren's hopes for 1988  The MP4/3B never raced, but was tested by Prost, and later his 1988 teammate Ayrton Senna, until the all-new MP4/4 made its track debut at Imola a week before the start of the 1988 season (Prost lapped Imola over 2 seconds faster in the MP4/4 than he had in the MP4/3B  The MP4/4 would go on to be the most dominant single season car in F1 history, winning 15 of 1988's 16 races, as well as claiming pole in 15)  After finishing the role, the sixth car went to Argentina and is on display at the Juan Manuel Fangio Museum in Balcarce 

Complete Formula One results
(key) (results in italics indicate fastest lap)



ground_truth: October 13, 1980

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: The Red Queen's Race is a science fiction short story that uses the Red Queen's race from a novel by Lewis Carroll that is the sequel to what?

The following are given passages.
Context 4: Passage 1:
Carolina Moraes
Carolina Moraes (born 5 April 1980) is a former synchronized swimmer from Brazil  She competed in the women's duet competition with her twin sister, Isabela Moraes, at both the 2000 and 2004 Summer Olympics  Both also competed for Ohio State University, winning 11 national championships, including the team routine title in 2000, and four straight titles in duet and trio routines between 1999 and 2002  Following the Olympics, Carolina and Isabela retired and joined Cirque du Soleil, with their first performance being as part of the 2005 World Aquatics Championships opening ceremony  Both have been  part of the cast of Le Rêve, a show presented in Las Vegas since 2007, though Carolina is less frequent as she travels with her husband, part of Cirque du Soleil's technical team 
Passage 2:
Isabela Moraes
Isabela Moraes (born 5 April 1980) is a former synchronized swimmer from Brazil  She competed in the women's duet competition with her twin sister, Carolina Moraes, at both the 2000 and 2004 Summer Olympics   Both also competed for Ohio State University, winning 11 national championships, including the team routine title in 2000, and four straight titles in duet and trio routines between 1999 and 2002  Following the Olympics, Carolina and Isabela retired and joined Cirque du Soleil, with their first performance being as part of the 2005 World Aquatics Championships opening ceremony  Isabela has been since 2007 part of Le Rêve, a show presented in Las Vegas 
Passage 3:
Zumanity
Zumanity (zoo-manity)  was a resident cabaret-style show by Cirque du Soleil at the New York-New York Hotel & Casino on the Las Vegas Strip, placed into the theatre previously occupied by Michael Flatley's Lord of the Dance (musical)  The production was unveiled on September 20, 2003 (previews started on August 14, 2003) and had its last performance on March 14, 2020  It was announced on November 16, 2020 that the show would be closing permanently  It is the first "adult-themed" Cirque du Soleil show, billed as "the sensual side of Cirque du Soleil" or "another side of Cirque du Soleil"  Created by René Richard Cyr and Dominic Champagne, Zumanity is a departure from the standard Cirque format  Intended to be for mature adult audiences only, this show is centered on erotic song, dance, acrobatics, and comedy The inspiration to create Zumanity  came from multiple sources  Cirque du Soleil founder Guy Laliberté had been offered the chance to create two new shows in Las Vegas, and wanted something completely new and original rather than multiple similar shows that would cannibalize off of each other's sales and audiences  Another reason was that the New York-New York Hotel and Casino wanted to make their entertainment appear more "trendy " The hotel liked the concept of a more adult Cirque du Soleil performance Laliberté admits that the biggest reason to produce this show was the chance to create something with riskier subject matter  He was interested in the idea of creating a show that explored human sexuality, something that was at complete odds with the other, more family-oriented Cirque du Soleil shows  "Our previous shows have all been family-oriented and politically correct, which is great," Laliberté said, "but we're human beings, we won't hide it  We're a bunch of happy campers  We like to live new experiences  Zumanity deals with some of those experiences "On February 22, 2022, Cirque du Soleil announced that a new show, "Mad Apple," would replace the Zumanity show at New York-New York Hotel and Casino, which opened on May 26, 2022 

Costumes
Thierry Mugler designed the costumes for Zumanity; he created the costumes to enhance the sensual atmosphere and heightened sexuality of the production   Many of the costumes are highly colorful, yet some are minimal to an exaggerated extreme  Fur, feathers, leather, lace, fishnet stockings, velvet dresses, tiny corsets, cone bras, and plastic accessories were primary materials utilized to create the costumes' provocative appeal  Jonel's costume, for example, is made of stretch vinyl and is airbrushed to create a semi-nude effect; her bright red wig is made of expanded foam  Faun has fur on his pants which is made from toothbrush bristles, human hair, and yak fur  Molinier's long velvet dress was created by using a stencil and net onto which black silicone was applied  Though some characters are made to look entirely nude, the sex organs are fake pieces  Zumanity had Cirque's most expensive and elaborate costumes, the Rose Boy's g-string alone costing $75,000 
For a great selection of character costumes and concept art, see Le Grand Chapiteau - Zumanity - Personages

The Human Zoo
The lobby was created in European style, with an emphasis on curves  A long lighting fixture on the ceiling looked to be made of many strips of golden silk  One of the walls was lined with what looked to be a burgundy, padded headboard  Along the headboard, there were peepholes that originally were conceived to show clips of erotic, vintage films, but eventually showed promotional posters of the show  There was a large window filled with blue swirls, and a glowing, golden fixture in the wall that seemed to resemble a labia  Another window with a frame that looked like branches or vines showcased the "Amsterdam Room," which had one of the performers in it, dancing and teasing the guests in the lobby  You could talk to the performer through a phone built into the wall  The lamps were elegant and attached to the wall by arms that looked porous  There was a small nook with a couch you could lay on, usually with one of the performers  The grand staircase leading to the balconies also looked to be made of vines, or even nerves possibly symbolizing the sense of touch 
The theatre had 3 bars, the Eroticafés: two on the ground floor and one upstairs  They served sushi and various drinks, the highlight being the Zumanitini  The Zumanitini was 1 oz  Vodka Citron, 1/2 oz  Cherry Pucker, and a splash of Triple Sec, Sweet and Sour, and cranberry  Next to one of the bars was a small stage that looked like someone's bedroom  You would always find one of the cast members beckoning to the guests from the bed  The restrooms were unique in that you would hear whispering and teasing at each station  Different from the other shows, Zumanity had multiple performers roaming the lobby, always ready to playfully flirt and take photos 
Entering the theatre itself, you'd find yourself in a cabaret, smaller and more intimate than the other resident Cirque du Soleil Las Vegas shows  The stage looked to be a marble parquet, with elegant, red curtains and two spiral staircases on either side  Above the stage was a bridge that the band played from, which could move up and down  Many chandeliers hung around the stage  The walls were lined with very dimly lit lamps  The carpet featured naked women in a style that looked similar to a Renaissance or Baroque painting  Around the back sides of the stage were barstools, and around the front circle of the stage were loveseats - special options on top of the normal theatre seating 
When the curtains opened, a giant structure called "The Wave" was exposed  These were two massive, wavey screens that images could be projected on  The screens could be moved into different positions 
The shop contained all sorts of novelties, from Zumanitini glasses to chocolate soap bars  Naturally, one could also find various adult-themed items 

The Show: 2003 - 2005
Animation
"Through a series of scene transitions, this comedic quartet supplies the counterpoint to all that is erotic and provocative about ZUMANITY  In a show filled with serious sexual tension, Spymonkey is a reminder of the importance of having a laugh at ourselves and having fun in the bedroom!"Spymonkey was composed of Toby Park, Petra Massey, Aitor Basauri Barruetabena, and Stephan Kreiss
Eliot Douglass plays a jazzy cabaret tune on the piano as the Molinier stands by with a cigarette  Zumans descend the spiral staircases to walk among the audience, with some stripping on stage  Luciene and Licemar Medeiros, twin sisters in showy French maid outfits, brush up against audience members in the aisles as they feed them strawberries  Antonio Drija, Zumanity's resident Gigolo, flirts with audience members, passes out calling cards, and takes polaroids  The Puritans, Spymonkey dressed up as Quakers, take to the stage protesting the show's obscenities, while ironically being a bit sexual themselves Welcome, "Hello boys, hello girls"
"Half-lit cigarette, empty martini glass, all these chicks lined up in a row on a street with no name in a city that never sleeps "
The Puritans are booted off stage  Joey Arias, our "Mistress of Seduction" madame, emcee and drag artist, sings a jazzy tune in her sensuous, smokey voice reminiscent of Billie Holiday  She then welcomes and warms the audience up for the coming show with laughs and very personal questions for the guests Warnings, "Rules of the House"
Lonnie Gordon, acclaimed dance, pop, and R&B singer, takes the stage, singing a song that highlights some things about the effects of the show that may surprise audiences, and what is prohibited  Eventually, Corinne Zarzour, Zumanity's rock diva, would join her Extravaganza
“Blaring horns and hammering drums announce the beginning of the fanfare  One by one the cast makes its fashionable entrance, parading down the catwalk in costumes every bit as vibrant, bold, and diverse as their spectrum of talents and personalities  It’s an incandescent introduction to the colorful cast of performers who will guide the audience on their journey into the world of ZUMANITY ”Wind and Wassa
"We summon the spirits of passion and hope "
"All at once a storm sweeps over the stage as Marcela [de la Vega Luna], Queen of the Wind, summons the spirits in a fevered flamenco dance  With smoldering intensity, her hypnotic trance stirs the soul, arouses the imagination and prepares the senses for an uninhibited transformation "
"Marcela awakens the unbridled passion in Wassa [Coulibaly]  Exploding into a vigorous African dance, her arms, legs and torso take on a primal energy of their own, flying erratically and erotically in rhythm to the intoxicating tribal pulse "Water Bowl
"Do you remember that first hint of something delicious and strange? Of water on parched lips? Or that very first glass of champagne? Do you remember how, in one magical moment, everything changed?"
"Abandoning their innocence, contortionists Gyula [Gyulnara Karaeva] and Bolormaa [Zorigtkhuyag] bathe in inhibition and taste love for the first time  Fluidly they glide through the water striking a sensual array of inconceivable poses to explore the limits of physicality, sexuality and creativity all at once "
Cirque's Amaluna would also showcase a water bowl act years later in 2012 Hoops
"Oh, innocence: so fleeting, so fragile  One day the sweet young thing, the next thing you know, you're soaking wet and lying naked in a hotel room in Vegas  Story of my life: 'what goes around, comes around '"
"Julia [Kolosova] brings to life the school girl fantasy  She gyrates and swivels as she guides her hoops up and down her lithe frame, ultimately engulfing her body  Then, without warning, the dream takes flight as she soars through the air performing daring feats of aerial choreography "
Julia hula hooped in midair while swinging around the theatre The Rose Boy
"I've been looking at all these beautiful, sexy, wonderful women up on stage tonight, and I know some of you are wondering, 'Where's the beef?' Does anybody want some roses?"
"Alex [Castro] peels away the tough exterior to expose his weakness    for the ladies  He tantalizes and teases the audience by revealing his chiseled body bit by bit in a sinfully seductive striptease "Pom Poms
Spymonkey comes out entirely nude (the privates were prosthetics) and teases the audience by covering themselves only by pom poms, which they remove to give quick flashes of their bodies  At one point, one of the members crawls over the audience's seats with his privates getting entangled in guests' hair Body2Body
"These days I live for the elicit tingle of skin on skin, the taste of sweat, and the pungent scent of passion  How about you? Are there parts of your lover's body you've left unexplored, untouched, untasted? Well, my only question is, "What are you waiting for?'"
"Sara [Joel] and Stéphan [Choinière] entwine in a tantric, hand-balancing duet that underscores the beauty of sex  Featuring a breath-taking array of Kama Sutra-inspired maneuvers, their act portrays the discovery of a lover’s body with dramatic strength, flexibility and trust "
The artists maneuver their bodies into various shapes, making living, human sculptures  Body2Body can be related to hand-2-hand, although it is done quite differently  The performers use their entire bodies to lift each other, and the act has high emphasis on choreography Expressions and Dislocation
Expressions: Interlude into Dislocation where the Fauna [Jesse Villa] breakdances on the stage 
Dislocation: "Limber Lothario, Moukhtar [Gusengadzhiev], performs on command for his sadomasochistic sirens, who derive pleasure from watching him squirm  Redefining flexibility, his elastic body bends, twists, and contorts into nature-defying positions that inspire both 'awes' and 'ows '"Dance on TV
"Gorgeous good girl, Elena [Gatilova], breaks out of her shell to grab her lover’s attention  Turning up the heat on love gone flat, she ignites the scene with her feminine wiles, sultry gymnastics and dance to rekindle the flame and make her lover see her again as if for the very first time "
This act features a television set in the middle of the stage, with multiple men watching the sports game playing on the set  Elena dances on the TV, trying to get their attention  Eventually she succeeds and the sports game turns to static  Zumanity's other female dances take the stage, and they all remove their tops and dance on chairs for the men 2Men
"Tumultuous lovers Patrick [King] and Johan [King Silverhult] tango in the throes of passion  Through their fierce choreography unfolds a love story between two deities, Love and War  Again and again they attract and repel in intense conflict until the magnetic energy between them becomes more than they can bear "
Patrick and Johan perform a violent dance in a cage, symbolizing fighting  They are sparring over Marcela, who dances in the background in a flamenco dress, egging them on  As the fight goes on, it becomes softer and more sensual, and the brilliant red light behind Marcela starts to grow smaller  The fighters eventually lose all focus on Marcela, give one big, passionate kiss, and walk off the stage together, to Marcela's great dismay Revenge of the Doll
Spymonkey reappears to shed their sexual inhibitions  One of them carries a sex doll onto the stage, preparing to have fun with it  He is chased by a few of the others dressed as policemen  When he comes back out, the doll comes to life to hump the audience members and the cast  Originally, there was also a segment where Spymonkey used gags to mock some of the previous acts, much like in Cirque's Dralion Savage Love, Market, Fire, and Aerial Straps
"Are you still hiding from monsters under your bed? Skeletons in your closet? Follow me to a place where rules are broken and pleasure dances with pain  Just be careful what you ask for    you might just get exactly what you deserve "
Market, part 1: First, arabesque music plays as the Boteros juggle dildos, Zumans flail in chains, and Jonel Earl dances with a whip  The interlude resembles a sadomasochistic circus  This act originally contained 2 pythons, Adam and Yves, some of Cirque's only animals ever used in its shows  This interlude would remain in the show until its closing 
Fire: Fire was only in the show for a few weeks, but it featured Heidi Good and Jila Alaghamandan in very showy S&M leather outfits as they performed a fire dance  Androgynous Cape ["Almukatab" Jacobo Espina] also danced with one of the snakes  This act was removed from the show because Guy Laliberté, Cirque's founder, did not want a fire act in the show  The smoke left in the air after the act also made it difficult for the Straps artist to perform 
Savage Love: It is unknown when exactly this act was in the show, but it is believed to be either the replacement for Fire or a back-up act  This act featured Vanessa Convery and Ugo Mazin violently dancing in the 2Men cage  See reference for a video of the act 
Market, part 2 (also called Inferno in press releases): "Pleasure dances with pain as ZUMANITY’s resident gigolo, Antonio [Drija], feels the wrath of the women [Jonel Earl, Laetitia Ray, Vanessa Convery, Sophie Ayache, and Agnès Roux] he has scorned  Captured by a militia of vixens in a barred prison cell he finds himself caught in the middle of rough-and-tumble romantic revenge "This act replaced either Fire or Savage Love, and was in the show until around 2005  There was also a version of it that used 7 men and 1 woman 
Straps: "Laurence [Jardin], alone on stage in fragile silence, is bound by her straps  An exercise in self-inflicted pleasure and pain, she uses the leather contraption to tease and torture herself  All the while she watches her bonds ease into auto-erotic aerial maneuvers  Scored by heavy breathing, gentle moans of ecstasy and the friction of her straps, Laurence’s self-satisfying bondage flight draws to a climactic finale "From 2005 and onwards, Market, referred to above as "part 1," would lead directly into straps S&M Hoedown
Spymonkey comes onstage dressed in S&M leather with various pain-inducing items  They do a hoedown dance while inflicting pain on themselves as a sexual stimulant Sheets and Tissus
Sheets: An opening interlude to Tissus," this is a short ballet where the dancers had silken, white sheets on their hands that they danced with 
Tissus: "Though he desperately tries to catch her attention, Alan [Jones Silva] passes unnoticed by the glamorous goddess Olga [Vershinina]  Finally, the once unattainable object of his affection is within arms reach as their two worlds entwine mid-flight in mesmerizing aerial dance "Midnight Bath
"Let your imagination have free reign  Let your fantasies take you to unexpected places "
"With the suggestion that you can’t keep love locked up in a bedroom, Vanessa [Convery] and Ugo [Mazin] give imagination free reign and let fantasy take them to unexpected places  Using milk as their medium they caress each other’s flesh in this luscious lactic sexual experiment "As the name suggests, this act was performed in a bathtub in the middle of the stage  The act was opened by another jazz number from Joey Arias: "Touch me, hold me, never let me go "Orgy, has been referred to in the show as Lazy Susan of Sex, Sex Station 69, Garden of Delights, and Zumanitarium
"The cast emerges from every orifice of the theatre in search of hedonistic prey  In duos, trios (and some flying solo), they assume a smörgåsbord of sexual positions on the Lazy Susan of Sex, where they touch, stroke, moan and embrace until the tension builds to an orgasmic conclusion "This is an audience participation segment  Antonio would lead two members of the audience onto the stage, usually one male and one female  Each would be given to a few of the cast members that would try to arouse them based on their sexual orientation  Antonio usually caressed and rubbed up against the female as the emcee would ask personal questions and make sexual innuendos  The emcee would then move on to the male and try to arouse him  If he was okay with it, his shirt and pants would be removed by the time the emcee got to him  Joey Arias would stick her microphone into his underwear and speak into it Pacemakers and Finale
"Bringing the show full circle, senior-most members of the cast, Birgit and Fleming [Thomsen], surprise the audience with an astonishing hand balancing adagio  Together they defy time and gravity with physical feats of strength, flexibility and control  This real life couple, married for over 48 years, is a testament to the enduring, everlasting nature of true love "
Birgit and Fleming were sitting in the audience and brought on stage as "guests," when in reality they were cast members and would break into acrobatics 

The Show: 2005 - 2015
There were various changes throughout 2005, from acts to costumes  The Body2Body artists left the show and the act was replaced by Hand-to-Hand  Spymonkey also left and the "Sexperts," Dick and Izzy, replaced them for the remainder of Zumanity's run  While Pom Poms stayed in the show through 2014 (and would feature Dick, Izzy, and the Boteros), all of the other clown acts were new  Pacemakers and Extravaganza would also be changed around 2006, when Extravaganza was moved to the end of the show and Pacemakers left permanently 

Dick and Izzy: "Zumanity’s resident sex therapists, Dick [Nicky Dewhurst] and Izzy [Shannan Calcutt] aim to please with their sexy and silly methods engaging the audience in a hilarious round of not-so-innocent repartee  The sexual tension runs high as Dick, a French sex merchant, peddles his wares, while Izzy, his wife!, searches the audience night after night for a boyfriend "Animation: Instead of the Puritans, Dick and Izzy come out dressed in 1950s-esque prom outfits  Both hit on various members of the audience and try to swing with the couples  They make sexual innuendos with bananas and fence with dildos 
Scotch Baggies!: Izzy pitches her new business - little plastic sandwich baggies that she fills with scotch (in reality, tea) to use instead of breast implants  She removes her top and has one of the male members from the audience hold the baggies to her breasts as she tapes them to herself  "You are not going to see this at the Celine Dion show "
Knives (possibly called Sex Toys): Volunteers from the audience is strapped to a board and blindfolded while tricked into thinking knives are being thrown at them 
Vegas Hook-Up (also referred to as Express Dating): Audience members are once again brought on stage  Dick and Izzy explain that it's better to forget all of the normal wooing on a first date and go straight for the bedroom  They teach the audience members how to turn each other on  Then, they make them get onto a bed and ride each other as they sink into the stage and silly string shoots up Hand-2-Hand
"In an aggressive but intimate hand-balancing duet, [Joanie Leroux-Côté] and [Nicolas Alain Michel Besnard] entwine in a powerful act with breathtaking acrobatic-inspired manoeuvres  Their flawless movements thrust the two kindred spirits into a provocative tale of lust "I Like It
Back-up act where Joey Arias would sing another jazz song 
"Oh, What a Feelin" may have also been sung more than during Joey's final performance Mistress of Sensuality, Edie
"Part showgirl, part cabaret queen, Mistress of Sensuality Edie [Christopher Kenney] plays hostess to your every fantasy  As the sun sets and desires come alive, Edie uses her signature blend of sass and sensuality to guide the audience through the erotic escapades that make up the world of Zumanity "
Joey Arias left the show at the end of 2007, and Edie became Zumanity's main emcee for the rest of the run Roue Cyr (Cyr Wheel)
"Jonas [Woolverton] is brought to the stage on his knees   A slave to love and forced to perform for his Mistress, he spins and turns inside his wheel while she cracks her whip  He is eager to please, even donning a blindfold for some of his tricks  One can only hope the pleasure is worth the pain he receives   "Handbalancing
"Dima ["Shine" Bulkin] is alone, going in circles around his pole  He has just about given up on love when he meets a lovely contortionist who seems to fit into his world  She brings him back to earth in this beautiful act "Chains
"Brandon [Pereyda] brings fantasies to life  He flies and defies gravity on his chains  Dreams take flight as he soars through the air, performing daring feats of aerial athleticism choreography and strength "
Though this act is associated with the refresh in 2015, Zumanity's 2012 b-roll shows this act being used  It was most likely a back-up or rotational act until it was made a main act in 2015 

The Refresh: 2015 - 2020
On January 20, 2015, a refresh of the show was introduced to the public in which roughly 30% of the show was changed from its original concept  Certain acts, including Hoops, Dance on TV, Pom Poms and  Tissus (in its original form) were retired  Entirely new acts included chains, Aerial Dream, and Perfect Jam  Tissus was changed into a solo act and the Rose Boy evolved into Magnum, mostly the same routine but the dancer became a secret agent  Yanis Marshall choreographed new dance segments throughout the show, and there are multiple acts in which men dance in high heels (including Wind, Perfect Jam and for a short amount of time, the 2Men act)  The show also features new and updated music, costumes, comedic acts, characters and artists 

Come Together
"All at once, a storm sweeps over the stage as three characters, Spirits of the Wind [Marie Ndutiye, Tiffany de Alba, Arnaud Boursain], summon passion, desire and lust in a fevered dance  With smouldering intensity, their hypnotic dance stirs the soul, arouses the imagination and prepares the senses for an uninhibited transformation "Magnum
"Look out, ladies, 'cuz here comes Magnum  He's an undercover agent, and it's no secret he's on a mission  Who's gonna share that special bond? Is it you? Catch him if you can "
"Magnum [Willie Hulett], our very special secret agent, peels away his tough exterior in a sensual mission for the ladies  He tantalizes and teases the audience by revealing his chiseled body bit by bit before showing off his secret weapon "Perfect Jam
"Let me entice you to unlock and unleash your inner diva "
"Gorgeous, and powerful, the dancers [Tiffany de Alba, Anouck Margueritte, Briana McKee, Marie Ndutiye, Kaitlyn Reese Davin, Leah Sykes-Hodgson, Monteece Taylor, Arnaud Boursain, Pepe Muñoz Martinez] invade the space to express and celebrate their female and male energy and unleash their inner diva  Turning up the heat, they ignite the stage performing a sultry and dynamic dance that will entice the imagination "Aerial Dream (also called M&M)
"Is there someone in your life that you lust for, long for, but the only safe place to rendezvous is in your dreams? You fall asleep and hope he's there again tonight  The best part? Nobody needs to know, not even the person right next to you, shhh   "
"One woman and one man [Marina Tomanova and Michael McNamara]  One bed  One airborne fantasy  She dreams about him, the intense secret object of her desires  They will meet and experience a magnificent, sensual and passionate performance  Dream or reality?"2Men
"2 men in a cage [Arnaud Boursain, Pepe Muñoz Martinez]  Through their fierce choreography, a passionate story of impossible love and anger unfolds  Again and again, they attract and repel in intense conflict until the magnetic energy between them becomes more than they can bear "As previously stated, the big thing that changed about this act was that the men danced in bright red heels and in an entirely new form of dance 
This was eventually changed into a wushu (sport) act with ninjas [Philip Sahagun and Wes Scarpias] Tissus 2 0
"Though he desperately tries to catch her attention, Alan [Jones Silva] remains unnoticed by Mariko [Muranaka], the musical muse whose beauty propels him to soar to new heights  Finally, the once-unattainable object of his affection is within arms’ reach, and their two worlds come together at the finale of this mesmerizing aerial dance "Body2Body 2 0
Used as a back-up for hand-2-hand, Stéphan Choinière returned to the show in 2017 and performed a new version of Body2Body with Tsvetelina Tabakova Solo Strap
A solo strap back-up act that was performed by Tsvetelina Tabakova from 2019 onwards Light
A comedic act with Dick and Izzy as they rave on the stage with one of the audience members Trapeze
Halfway around the world, his loved one is away  It's raining, and descending in his thoughts are the warmth of her love, the softness of her lips, the caress of her touch    It’s late, he’s restless and alone again tonight, and not knowing when they’ll be together again sends his emotions flying "
Arthur Morel van Hyfte's act in 2017  This used the bed and music from Aerial Dream and replaced the act for awhile 

Emcees
Main emcees
Mistress of Seduction, Joey Arias: August 14, 2003 to December 31, 2007
Raven O: August 14, 2003 to December 31, 2006
Mistress of Sensuality, Edie [Christopher Kenney]: Jan 1, 2008 to March 14, 2020Understudy emcees
Queen of Québec, Vanessa Convery: back-up for an unknown time, but she was in the show from August 14, 2003 to January 3, 2014
Señorita Extravaganza, Antonio Drija: back-up for an unknown time, but he was in the show from August 14, 2003 to January 3, 2014
AXLE Beaurouge [Brandon Pereyda]: May 1, 2017 to March 14, 2020
Pepe Muñoz Martinez: roughly 2014 to 2016
Pulga, Alan Jones Silva: July 18, 2016 to March 14, 2020Guest emcee
NeNe Leakes: June 27, 2014 to July 01, 2014

Characters
Mistress of Seduction/Mitzi la Bouche/Mitzi la Gaine/Mistress of Ceremonies - Joey Arias
Mistress of Sensuality, Edie - Christopher Kenney
Pulga - Alan Jones Silva as emcee
AXLE Beaurouge - Brandon Pereyda as emcee
Queen of Québec - Vanessa Convery as emcee
Señorita Extravaganza - Antonio Drija as emcee
Wind/La Muerte - Marcela de la Vega Luna
Dick and Izzy/The Sexperts - Nicky Dewhurst and Shannan Calcutt
Afrique/African Queen - Wassa Coulibaly
Ginger - Shereen Hickman as clown understudy to Izzy
Jane - clown understudy to Izzy
Jessica - Laetitia Dewhurst as clown understudy to Izzy
Rose Boy - Alex Castro
Spider Shadow - Dima "Shine" Bulkin
Magnum - Willie Hulett
Blue Robotica - Mariko Muranaka
Biker - Brandon Pereyda
Fauna - Jesus Villa
Athon and Arno Extravaganza/The Gods of Love and War - Patrick King (Athon) and Johan King-Silverhult (Arno)
Molinier (see Pierre Molinier) - Jonel Earl
Botero Sisters - Licemar and Luciene Medeiros
Casanova/Gigolo/El Siete - Antonio Drija
Miss Salsa - Agnès Roux
Mec Branché - Ugo Mazin
Mademoiselle Loup/Blue Blade - Laurence Jardin
Dominatrix - Jonel Earl
Ballerine - Sophie Ayache
Comet - Stéphan Choinière (originally called Ultraman during creation, after the Japanese super hero)
Romantique/Vixen Vanessa/Diamond Girl - Vanessa Convery
Scottish Fantasy - Alex Stabler
Tissu Star - Olga Vershinina
Airman - Nicolas Alain Michel Besnard
Androgynous Cape - "Almukatab" Jacobo Espina
Carol/La Catin - Elena Gatilova
Valentino
Bunny Girl
Lothario - Moukhtar Gusengadzhiev
Roadrunner - Jerónimo Garcia-Cabral Medina
Illusia and Illaria
Queen of Barbare - seems to be Jila Alaghamandan

Music
The studio album for Zumanity was released on March 22, 2005, under Cirque du Soleil's music label  This is an "inspired by" album containing music that was not actually used in the show and was very loosely based on the live music  This is similar to the songs If I Could Reach Your Heart, We've Been Waiting So Long, and Reach for Me Now on the KÀ album  The CD does not feature Zumanity's musicians, although it does contain the voice of Joey Arias and that of Anna Liani, who worked with Zumanity's composer, Simon Carpentier, on the show's music and wrote the lyrics to Mio Bello, Bello Amore



ground_truth: Alice's Adventures in Wonderland

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: McLaren MP4/11 was driven by what Finnish former professional racing driver

The following are given passages.
Context 4:  She also sings Mio Bello, Bello Amore on Cirque's Midnight Sun DVD  The music on the album is mainly a collaboration between Simon Carpentier, Robbi Finkel, and Robbie Dillon 
A promotional album entitled Foreplay was included with the original program  It was released on July 31, 2003, and contains select work-in-progress songs from the show's creation period  The program was last sold around 2005, and this album is now considered a collector's item  Four other work-in-progress songs were released on Zumanity's website in 2003, all completely different from anything used in the show, although one of them was quite clearly an early version of Wind 

Names for live music:

Zumanity Tango (2Men, 2003-2020)
Sex Is Beautiful (Body2Body, 2003-2005; Body2Body 2 0, 2017-2020; Hand-2-Hand, 2005-2020)
Love Myself (possible name for Straps, 2003-2020)
Girl Attitude (Cyr Wheel, ?-2018)
Libera me (Hoops, 2003-2015; Aerial Dream, 2015-2020; Trapeze, 2017)
The tune to this song was changed from 2015 onwards 
I Like It (Rotational act sung by Joey Arias and possibly Raven O, 2005(?)-2007)
What a Feelin’ (Act sung by Joey Arias during her final performance on December 31, 2007)
The Rose Boy (Rose Boy, 2003-2015; Magnum, 2015-2020)
My Erotic Lounge (Scotch Baggies!, 2005-2020)
Major-Minor (Welcome, 2003-2007)
Wind (Wind, 2003-2015; Come Together, 2015-2020)
Mio Bello, Bello Amore (Pacemakers, 2003-2006(?); Handbalancing, 2010-2018; Solo Strap, 2019-2020)
Disco Alan (Tissus 2 0, 2015-2020)
The opening of this song contains an instrumental medley of Wind and Mio Bello, Bello Amore 
Into Me (Chains, 2012(?)-2020)
Water Bowl (Water Bowl, 2003-2020)
Perfect Jam (Perfect Jam, 2015-2020)
First Taste (Water Bowl opening, 2003-2020)

Vocalists
Emcee
See the Emcee section above for a list of the hosts of the show  The emcee sang Major-Minor for Welcome, Midnight Bath, Sex Is Beautiful, the Rose Boy, and I Like It from August 14, 2003 to December 31, 2007  From 2008 onwards, the emcee only sang during the Rose Boy and Sex Is Beautiful  The songs sung by the emcee are mainly in the jazz/cabaret genre Hip Hop Singer
Kinnie Starr: August 14, 2003 to September 2003
Little is known about this period in Zumanity's history, but Kinnie may have sung some of the rock singer's songs for acts like Dance on TV and Water Bowl R&B/Soul Singer
Lonnie Gordon: August 13, 2003 to December 31, 2006
Debbie "Divine" Davis: January 2007 to December 31, 2007
Paris Red: January 1, 2008 to March 14, 2020
Cassiopée: August 2017 to December 2017
Cassiopée also sang as a back-up for both the R&B and rock roles, depending on which one was needed, during 2016 to 2020 Rock Singer
Corinne Zarzour: October 3, 2003 to January 2004; September 2004 to March 14, 2020
Nathalie Noël: January 2004 to September 2004
Laur Fugère: 2004; 2006Backing Singer
Geneviève Dubé: August 14, 2003 to March 14, 2020
Melle Vasquez: August 14, 2003 to March 14, 2020
Anne Charbonneau: August 14, 2003 to December 2008

Original Musicians
Anne Charbonneau (bandleader/accordion/keyboards/keyboard programming) - August 14, 2003 to December 2008
Jean-François "Djeff" Houle (assistant bandleader/bass/programming/laptop fx) - August 14, 2003 to 2006(?)
Jean-François Blais (clarinet/flute/soprano and tenor saxophone/percussion) - August 14, 2003 to March 14, 2020
Jean-François Thibeault (trombone/percussion) - August 14, 2003 to June 2009
Larry Aberman (drums/percussion/programming) - August 14, 2003 to October 31, 2019
Melle Vasquez (guitar/percussion/banjo) - August 14, 2003 to March 14, 2020
Geneviève Dubé (vibraphone/violin) - August 14, 2003 to March 14, 2020
Eliot Douglass (piano) - August 14, 2003 to October 31, 2019
Lonnie Gordon (percussion) - August 14, 2003 to December 31, 2006
Sébastien Jean (flügelhorn/trumpet) - August 14, 2003 to October 31, 2019
Passage 4:
Mystère (Cirque du Soleil)
Mystère (French: [mis tɛʁ], mee-STAIR, "mystery") is one of six resident Cirque du Soleil shows in Las Vegas, Nevada  Held in a custom theatre at the Treasure Island Hotel and Casino, the show was first performed on 25 December 1993, making it the company's longest running show  As with many Cirque du Soleil productions, Mystère features a mixture of circus skills, dance, elaborate sets, opera, worldbeat music, and street theatre-style comedy  Featuring a musical score composed by René Dupéré and Benoît Jutras, the show was created under the direction of Franco Dragone 

History
The idea for Mystère started around 1990  It was originally planned for Caesars Palace with a theme based on Greek and Roman mythology  The plan, however, was scrapped by the casino executives, who thought the project would be too financially risky  Mystère was very different from the typical material they were used to in a Las Vegas show  According to Mystère set designer Michel Crête, "Vegas    was still very influenced by Folies Bergère, with the scarves, feather boas, etc  There was a European culture already in place, oddly enough, not an American one  The people who opened the door for something new were Siegfried and Roy  They were the first to move away from the Folies Bergère thing "
Treasure Island picked up the show three years later  Mystère was their first show that would have its own theater, rather than touring with a circus tent   Mystère would have a permanent base in Las Vegas  They worked with Mirage Casino-Hotel to produce a show 
Recent milestones Mystère has achieved include:

Mystère celebrated their 20th anniversary on 25 December 2013  
Mystère celebrated their 10,000th show on 27 December 2014 
Mystère celebrated their 11,111th show on 17 May 2017 

Set and technical information
The theater is a unique theater built in the Treasure Island Hotel and Casino specifically for the show  The design of the theater was created by Michel Crête and that of Montreal-based team of Scéno Plus  This theater seats 1,541 audience members  The stage measures 120 feet by 70 feet deep and covers approximately 10,032 square feet  The stage floor is made of a layer of Base Mat, which is rubber made from recycled old tires and sneakers  This helps give the stage some bounce for tumbling  This is held together by polyurethane adhesive and covered with thousands of gallons of liquid that dries onto the surface  The Downstage D Lift is 36 feet in diameter and includes a 28-foot revolving stage  The revolving stage rotates up to 10 revolutions per minute  Props, equipment, and performers are elevated to stage level from the basement or trap by four moving lifts  These moving lifts were constructed in Montreal and then assembled in Las Vegas, NV The snail seen growing larger throughout the show is called Alice  By the end of the show, she is a giant inflatable puppet controlled by four puppeteers from the inside  The puppeteers move her around by following markings on the floor, since they can not see outside the puppet  They also control her eyes, torso, and tail The taiko drums in Mystère are created by the Japanese company Asano Taiko, located in Mattō, Ishikawa Prefecture  The largest drum in Mystère is the ōdaiko, which is 6 feet (1 8 m) in diameter and 15 feet (4 6 m) in length, and weighs half a ton  Due to the large size of the drum, it had to be brought into the theatre during construction  Since the completion of the theatre the drum can not be removed, as no door is large enough to accommodate it 

Characters
The cast of Mystère comprises a myriad of fantastic and mysterious characters  All this information was confirmed by Mystère's artistic director from 1995 to 2001: Pavel Brun 
Inti X & Y (Spermatos/Spermatites): A comic chorus representing the seeds of life 
Red Bird: Convinced he can fly  According to Pavel Brun, he is the main character in the entire narrative of Mystère's universe 
Les Laquais: The "lackeys" of Mystère who serve and support others  They perform in the Korean plank act 
Brian Le Petit: A troublemaker who steals people's popcorn and causes chaos both onstage and off  (2000–present)
Chanteuses Plumes: A duo of muses who sing the emotion of all humans 
The Firebirds: Along with the Double Faces, they perform the Chinese pole act 
Les Bébés: Two enormous babies on a quest for nourishment  There's Big Baby (also known as Bébé François) and the Baby Girl  There was a third baby for a short period, similar to Francois, who was a part of the original 1993 cast, until his eventual removal in Mid-1994 
Egon Egli: A strange, lanky, bespectacled youth who rides across the stage on his bicycle  No longer in the show 
La Vache à lait: Protector of youth and a symbol of fertility  When he sounds his horn, it heralds a new beginning 
Moha-Samedi: A man in pink, named after the first day of the new millennium  He is the narrator no one listens to, he was originally portrayed by Canadian actor Paul Ahmarani and later by Lorenzo Pisoni 
La Belle: Afraid of ugliness, she seeks to avoid pain at all costs 
Black Widow: The antithesis of La Belle  She represents a praying mantis who destroys the illusions and dreams of her victims  Originally portrayed by Katie Renauld
Birds of Prey: These unpredictable birds soar and fly throughout the world of Mystère  They are graceful, yet aggressive when hungry  Originally portrayed by Lejdka Zievert and Mark Ward
The Frog: Creepy characters witness to the strength of birth and time 
The Green Lizards: Mischievous and skittish chameleons  There is the Male Chameleon and the Female Chameleon (who are not present in the show anymore)  The Male Chameleon was originally portrayed by Karl Baumann
Double Faces: These two-faced creatures perform in the Chinese pole act 
Les Palmiers: Out of a purple-blue mist, these tropical ladies float by 
Deus ex machina: The machine that regulates the existence of everything 
The Tribe (Les Pagnes): The primitive, tragic ghosts of modern humanity  They descend from the skies to provide the earthly beat of our journey  They welcome us, and they bid us farewell  They perform in Taïko
Monarch Bird: A male bird introduced in 2022 as backup dancing character 
The Prince of the Darkness: The prince of the dark side of Mystère, performed by Miguel Godreau from 1993 to 1994; he left the show for health reasons and is no longer in the show  Left before the premiere due to complications from HIV  He was originally part of the group of dancers containing La Belle, Birds Of Prey, Green Lizard and Black Widow 
La Banane: A yellow creature with a large, bulbous head that performed with some artists from 1993 to 1995; no longer in the show  originally appeared on the Net-Up set, before Flying Trapeze 
The Shaman: A mysterious man who creates the sounds of the world; no longer in the show  Originally portrayed by Luis Perez
Bungee Warrior: A duo of muscle men able to fly in the air 
The Jugglers: A trio of jugglers that performed the Manipulation act from 1993 to 1995; no longer in the show 
The Cube Man: Exhibiting great strength and courage, he captures the attention of young souls in search of wonder ; no longer in the show  Originally played by Mikhail "Misha" Matorin, and later Paul Bowler
The Mountain Man: An archangel who is ready to sacrifice everything  Originally known as Gabriel reffereing his archangel statut 
Mephisto and Vénus: Part of the Giants race, they are thwarted, twisted creatures  Their presence wreaks havoc in any domain  Together they want to create chaos and destroy the balance that exists within the world of Mystère 
The Giants: A gentle race with feathers and long legs  There's the happy-go-lucky Pumpkin Giant, the grumpy Fly Giant, the magnificent Giraffe Giant, the rare Plume Giant (no longer in the show) and the Egg Giant, a delicate interior inside a protective shell 
Stas Greyner: a kind of playful dwarf  Performs handbalancing since 1998 
The Medusa: A long-appendaged creature that was part of the original cast between 1993 and 1995; no longer in the show  Appeared among the smoke and disappeared among the shadows, performed during the Net-Set Up 
The Wheel Rider: A slightly tattered man who performed the German Wheel act from 1995 to 1997; no longer in the show  Originally played by Wolfgang Bientzle
The Green Man: A curly-horned creature similar to a Satyr that was part of the cast from a short period in 1997, no longer in the show  Originally portrayed by Guennadi Tchijov 
Tony: A living doll that was part of the original cast between 1993 and 1995, Originally portrayed by Tony Manducas; no longer in the show 
 The Zucchinis: Two inflatable marionettes only used in the Net Set-up for the original trapeze act; no longer in the show 
The Egg: An egg-like creature who appeared sometimes during the Overture and Bungee acts from 1993 to 1995; no longer in the show 
Alice the Escargot: An enormous snail  Born from a spring rain, carrier of the souls of the ancestors and herald of the future 
The Bungees: Like majestic birds in flight, the Bungees dive fearlessly through the air, creating images of unison and separation 
Benny Le Grand: Mystère's original clown, a mad professor-esque character who was more dark and bitter  He would often cause mischief either by whacking one of the Spermatos with a drumstick, throwing a loaf of bread at the red bird, drenching people with bottled water, interrupting the show as an impromptu tour guide, throwing around silver dollars, popcorn, and women's purses, harassing ticket holders, discouraging guests from seeing the show, or kidnapping an audience member and driving them around in a golf cart  (1993 - 1995, 1996 - 2000)
Alex El Sobrino: Benny Le Grand's Spanish nephew, who was slightly more refined in personality  (1998 - 2000)
Alfredo et Adrenaline: A comedic duo of clowns who had previously appeared in Le Cirque Reinventé's European tour, and the special Zirkus Knie show  They often bickered with each other while trying to entertain the audience, from Alfredo trying to perform as a mime, to the two of them throwing paint at each other while trying to perform a song, but they soon literally kissed and made up  (1995 - 1996)

Acts
Mystère features several acrobatic acts, supplemented by clown acts and transitional scenes that advance the storyline 
Aerial Straps Duo (2017 – present): A pair of aerialists performs twists and turns as they fly over the stage 
Chinese Poles and Hand Balancing (2012–present): A group of acrobats climb up, jump between, and slide down four adjacent metal poles while an acrobat contorts into poses on two balancing canes on a platform above the Chinese poles 
Hand-to-Hand (1993 – present): Two artists perform an exhibition of strength and stamina on a rotating dome 
Bungee (1993 – present): A group of artists bounce and swing from the ceiling to the ground and back on bungees 
Teeterboard and Power Track (2017–present): Artists perform a combination of these two skills 
Taiko (1993 – present): A group of artists perform powerful rhythms on Japanese taiko drums 
Flying trapeze (2012 – present): Unlike the original version where two separate trapeze towers were surrounded by a platform on one side and an aerial cradle on the other, the current version has a platform on either side  Each trapeze tower now has two trapeze bars swinging beside each other  The act and music were originally from Zed (a resident show at Tokyo Disney Resort) which closed in 2011 

Reserve acts
Aerial Straps (1994, 2002 – present)On reserve for the aerial straps duo; features a single artist on straps with the Black Widow or La Belle performing choreography on stage 

Retired acts
Manipulation (1993 - 1995)
Flying Trapeze (1993 - 1995)
German Wheel (1995 - 1997)
Dual High Bar (1996 - 2012)
Flying Man in Silk (1997)
Aerial Cube (1996, 1998 – 2015)
Chinese Poles (1993 - 2011)
Trampoline, Fast Track, and Korean plank/Teeterboard (1993 - 2017)
Aerial Straps and Cube (2016 – 2017)
Aerial Silk (2012 – 2017)

Acts used in the film Cirque du Soleil: Journey of Man (2000)
Taiko
Aerial cube
Aerial straps

Acts used in the film Cirque du Soleil: Worlds Away (2012)
Aerial cube

Costumes
Dominique Lemieux took inspiration from nature to create the colorful costumes of Mystère  One such costume is the Firebird, which has red feathers and accents that give the impression of embers flying through the air  The odd-looking Spermatos and Spermatites are dressed in elongated costumes which bulge in the center and have a tendril-like feature on the head  To give the characters an organic nature, spandex/lycra was used in conjunction with fringes and borders 

Music
The original score of Mystère was composed by René Dupéré, who had composed all of Cirque du Soleil's earlier shows, including Nouvelle Expérience and Saltimbanco  In 1994 the show's music was released as a studio album featuring the vocals of Canadian singers Élise Gouin (now known as Élise Velle) and Nathalie Gauvin 
In 1995 the show underwent an artistic overhaul, including changes in the lineup of acts  The "Manipulation" act was replaced by the "Aerial Cube", the Flying Trapeze act by the Aerial High Bars (the Flying Trapeze returned in 2012), and the Acro Net setup dance act was excluded from the show  At the same time the musical score was renovated with assistance from Benoît Jutras, a longtime music director and arranger for Cirque who later went on to compose for Quidam and other Cirque shows  The result, captured in the album Mystère: Live in Las Vegas, was a score that reflects the diverse compositional styles of both composers   Mystère: Live in Las Vegas is a live, in-house recording of the new score, featuring Nathalie Gauvin and Wendy Talley on vocals; the album was released on November 12, 1996  After the release of the live album, the music was rearranged and altered once again  While the album resembles the current live music closely, it is not identical  For the celebration of the 25th anniversary of the show in 2018, a vinyl album specifically dedicated to the employees was created in limited quantities, just as it was done for the show Alegria in 1994 and Saltimbanco in 1997 
Below are the track lists for the 1994, 1996 and 2018 Mystère soundtrack albums  Acts are listed next to the songs they have accompanied in the show 

Songs not appearing on either album:

Alice (Ending, 1993 - 1995  Updated version of song right after "Finale," 1995 - present)
Benny (Clown act, 1996 – present)
Mime (Clown act, 1995 - 1996)
Bolero (Clown act, 1995 - 1996)
Benny Le Grand (Clown act, 1993 - 1995)
Cercles (German Wheel, 1995 - 1997)
High Bar II (Dual high bar, 2010 - 2012)
Avos (Bungee, 2022 - Present)
Hell/Angel (Dei ex machina, 1993 – present)
Rampant (Chineses poles Exit)
Nouvel Envol (Aerial cube, 2015 - 2017) (Solo Aerial Straps, 2015–present) (Duo Aerial Straps, 2017 - 2018)
Love Over (Duo Aerial Straps, 2018 - present)Vocalists
Singer 1

Nathalie Gauvin: Dec 1993 - Dec 2005
Jeannette D' Armand: 2000 (temporarily replaced Nathalie Gauvin)
Mirjana Milovanovic: Jan 2006 - Jul 2007
Sarah Boucher: Jul 2007 - Sep 2009
Silje Marie Norderhaugh: Sep 2009 - Jan 2013
Anna Bille: Jan 2013 - Dec 2014, Oct 2017
Kailee Ann: Dec 2014 - Aug 2017
Mackenzie Thomas: April 2018 - PresentSinger 2

Elise "Gouin" Velle: Dec 1993 - Sep 1994
Wendy Talley: Sep 1994 - Dec 1997, 1998 (temporarily replaced Chantal Hamel)
Chantal Hamel: Dec 1997 - Jul 1999
Stacey Beth Sanford: Jul 1999 - Dec 2000
Dina Emerson: Jan 2001 - Jan 2002, Apr 2007 - Jun 2017
Rochelle Collins: Jan 2002 - Jul 2003, Oct 2003 - May 2007
Briana Rossi: Jun 2017 - July 2021
Brittany Mae: July 2021 - PresentSinger 3

Luis Perez: Dec 1993 - Jul 1996

In popular culture
Mystère was a featured guest performance on Lopez Tonight, airing December 20, 2010  The featured acts included the hand-to-hand and aerial cube acts 
In the film Knocked Up, the main characters watched Mystère 
In the webseries Dorm Life, the character Courtney Cloverlock, a huge Cirque du Soleil fan, has posters of both Mystère and Love by her bed 
Yuji Naka, creator of the video game Nights into Dreams…, has cited Mystère as an inspiration for the game 
Mystère did a performance collaboration with alternative rock band Imagine Dragons for the Life is Beautiful Festival 
Passage 5:
O (Cirque du Soleil)
O is a water-themed stage production by Cirque du Soleil, a Canadian circus and entertainment company  The show has been in permanent residence at the Bellagio in Las Vegas, Nevada, United States, since October 1998  O, whose name is pronounced the same way as eau, the French word for "water", takes place around and above a 1 5-million-US-gallon (5,700 m3) pool of water  It features water acts such as synchronized swimming as well as aerial and ground acts   The O theatre, which is designed to resemble a 14th-century European opera house, has 1,800 seats, thus allowing the performance to be watched by 3,600 people a night since the performance usually plays twice in a given day, also designed to meet the special demands of the show O was inspired by the "infinity and elegance of water's pure form," which pays tribute to the beauty of the theatre  A group of 150 stage technicians assist in the production of the show, the cast of which is 85 performers: international acrobats, synchronized swimmers, and divers  Some of them are former Olympic athletes 

History
Since late October 2010, Cirque du Soleil has offered backstage tours of the O theatre  The experience allows visitors to see the backstage wings, training rooms, costume workshop, break area, underwater lighting area, and go up to a catwalk into the sound and lighting booths   Not every experience 
will be the same as the tour is conducted around a "regular day", so performers may or may not be training, rehearsing, or even working out As of early 2011, O has grossed over a billion dollars since the show opened in 1998 O has received many awards, including the following:

Entertainment Design Award, best production show, 1998
Las Vegas Review-Journal, best production show, 1999–2006
THEA, live show category, 1999
Prix Italia, creativity in high definition, 2009, for the documentary FlowO had its 10,000th performance on 1 September 2019 

Set and technical information
The show has a cast of 85 acrobats, synchronized swimmers and divers performing in and above a 1 5 million-gallon pool  When maintenance needs to be performed, the pool is drained in about 12 hours to the Bellagio Lake, causing the lake's water level to rise 1 inch (25 mm)  The pool is kept at 88 °F (31 °C) and has an underwater speaker system and regulators that allow performers to breathe underwater  Every member of the cast is scuba-certified 
The underwater stage lift was produced by Handling Specialty   In order for the platform stage to rise and fall in the water without a wake, the rubber surface of the stage is perforated Cold air vents under each seat help control the theatre temperature for the audience  The goal is to maintain two temperature zones in the theatre: the stage is kept at a higher temperature of 84 °F (29 °C), while the audience area is kept at a lower temperature of 72 °F (22 °C)  A mesh false ceiling allows warm moist air to escape out of the top of the theatre To minimize damage to the musical instruments, the musicians play from glass enclosures in the theatre  Some of the musical instruments used in the show are more than 100 years old  The unique string instrument heard in the soundtrack of O is an erhu, a traditional Chinese bowed string instrument 
To maintain a fresh look on the performers, some performers have multiple sets of costumes so they may reappear dry despite having been in the water   Some of the costumes only have a lifespan of approximately 20 shows due to the bromide and chlorine in the water Additional facts about the show:

Some of the props function as boats, like the umbrella that Le Vieux rides on the water 
There are 15 technicians underwater during the show, performing various tasks such as artist handling and props manipulation 
The horses that the Comets ride in the show weigh 900 pounds (410 kg) 
The clown house weighs over 7,000 pounds (3,200 kg) 
Hanging 49 feet above the stage, the carousel and téléphérique (a conveyor system) carry tons of equipment as well as performers during the show 
Most of the props that are used during the show are actually driven by the Performers who ride them   For instance, the carousel horses have a small propeller underneath their tails; they are controlled by a joystick located on the back of the horse 

Costumes
Costumes for O drew inspiration from many sources: commedia dell'arte, the Baroque, India, the Arabian Nights, as well as Venetian courtly fashions   The costumes' silhouettes are defined by the design and are accentuated by the transparency of the selected materials and fabrics   Many costumes' base design are leotards which are then expounded upon: this includes the Zebras and Flayed Ones, among others   The Flayed Ones' leotards, for example, originally had hand-painted muscles on them, as digital screen-printing was inaccessible at the time of creation   Another special attribute critical to costumes in O is their treatment to help withstand the water and chemicals in it   To achieve this feat, roughly 40% of the costumes have been applied with a specific type of silicon sizing   In addition, the materials chosen are more durable and had to be able to both mould to the performer's body and dry quickly  Over the years the best fabric found for the costumes has been nylon mesh, which performs well either wet or dry Additional facts regarding the costumes:
A separate room was built with timed heaters and fans to air-dry many of the costumes which cannot be tumble-dried 
Sixty loads of laundry are done nightly to wash the costumes which can be machine washed 
The swimmers' costumes are replaced every 3 months 
The Comets' costumes last for a full year 
All wigs and headpieces had to have chinstraps added 

Music
The music of O was composed by Benoit Jutras and features a mix of classical Western and world instrumentation, including Chinese violin (erhu), bagpipes, African guitar and harp (kora), Colombian guitar, cello, ancient woodwinds and a wide variety of percussion instruments  During the show, the score is performed by a live band situated behind glass walls above and to the side of the stage  The glass protects the musicians' equipment from moisture damage 
O's music was recorded at the Bellagio and released on November 24, 1998  (ASIN B00000FDJZ) The album was re-released on September 6, 2005  (ASIN B000A2H9WU) The songs are listed below with their corresponding act in parentheses Album track list (and acts in the show accompanied by each song):

Jeux d'Eau (Solo and duo trapeze)
Mer Noire (Barge)
Tzelma (Interlude from bateau)
Africa (Interlude from clown act 1)
Remous (Bateau)
Svecounia (Interlude from contortion, cerceaux)
Nostalgie (Intro to russian swings)
Simcha (Character parade, Russian swings)
Gamelan (Contortion)
Ephra (Flying man and cadre)
Désert (Opening, nage, solo and duo trapeze)
Terre Aride (Fire)
O (Finale)Additional songs in the show not included on the album:

Danse (Clown act 2) (2001-present)
Debbie (Journey of Man) (Washington/solo trapeze)
Festival (Interlude from Fire)
Sur Terre (Clown act 2) (1998-2000)
Plouf (High dive)
La Glace (Clown act 1) (1998-2000)
Reda Ver 1 (Opening) (1998-2000)
Reda Ver 2 (Opening) (2001-present)
Confluence (Interlude from Cerceaux)
Merou (Washington trapeze) (1998 only)
Nenuphar (Intro to contortion)
Robinet (Clown act 1) (2001–present)
Humoresque No  7 Opus 101 (Opening Interlude) (1998-2000)
Aurora (Opening Interlude) (2001–present)

Filmography
In 2007, Cirque du Soleil released the film Flow (A Tribute to the Artists of "O")   The documentary was filmed in the O theatre and by the Colorado River   The film shows certain artists performing out around the river as well as on stage and provides information on the necessary technical equipment used to produce the performance   Bonus features of Flow include: performance clips, Russian swing act, technical information and film below the surface of the O pool, and information about the creation of O itself In 2009, Flow won the Prix Italia award for the category of Creativity in High Definition The following acts were used in Cirque du Soleil: Worlds Away:

Synchronised swimming
Bateau
Fire
Duo trapeze
Contortion
Aerial hoops
Passage 6:
Le Rêve (show)
Le Rêve ("The Dream") was a stage production in residence at the Wynn Las Vegas casino resort  It was the only Las Vegas show set in an aquatic theater-in-the-round stage (>1 million US gallon (water capacity)  The show featured diving and feats of strength with special effects, including fire effects  No seat is more than 40 feet (12 m) from the stage   The production was originally created by Franco Dragone but has been substantially revised over time  The show featured more than 90 performers and 250 cast and crew members Each member of the cast must become SCUBA-certified before performing in the theater  In January 2018, Le Rêve completed a two-year reimagination of the production  The show now features all-new costumes designed by Suzy Benzinger, choreography by Marguerite Derricks, music by Benoit Jutras and lighting design by Jules Fisher and Peggy Eisenhauer  In April 2019, the show was voted “Best Production Show” by the Southern Nevada Hotel Concierge Association for the ninth consecutive year 

Show
While the show is continually revised over time, the central theme includes a female lead who see-saws back and forth between her dueling desires for love and passion, mind or body, as she finds herself attracted to two men  Put into a dream world to help her decide between the two suitors, she embarks on a mystical journey  The show concludes with what the production calls "a graceful and inspirational scene "The show includes dancing, swimming, gymnastics, diving and stunt performances, aerial performance and trained dove flights  During the production run, two of the athletes playing romantic leads fell in love themselves  Olympic athletes and notable gymnasts have joined the cast over the years 

History
The show had its world premiere on May 6, 2005 All rights to the show are owned by Wynn Las Vegas, so the resort is able to adapt the show at will  Le Rêve celebrated its 3,000th performance in January 2012   The show celebrated its 12th anniversary in the summer of 2017 and has performed approximately 5,700 shows  Le Rêve celebrated its 6,000th performance in May 2018 
The House of Dancing Water, has some similarities to Le Rêve and O by Cirque du Soleil The cast and crew of “Le Reve,” the signature production at Wynn Las Vegas since the hotel opened in 2005, were placed on furlough May 28, 2020  The first large-scale Las Vegas production show to permanently close due to the coronavirus pandemic is one of the most acclaimed performances to ever hit the Strip  Wynn Las Vegas confirmed “Le Rêve” has shuttered for good after more than 6,000 shows over the last 15 years 

Honors and awards
Media history
Six performers from Le Rêve were the models for the season finale of Face Off, aired on SyFy on March 26, 2013   They also performed an act in the make-up, complete with full immersion and dives into the water 
Le Rêve was featured on an episode of the Fine Living series What Makes it Tick, produced by NorthSouth Productions 
Cast members from the show performed on a results episode of NBC's summer hit America's Got Talent in 2010 
Cast members were also featured in the music video for the single "Only the Young", by Brandon Flowers 
32 performers from Le Rêve staged a "surreal, elaborate montage of scenes" from the show as part of the 2010 Latin Grammys at the Mandalay Bay Events Center in Las Vegas  The event was broadcast live on Univision 
Cast members and the show were featured on the first episode of Somebody's Gotta Do It with Mike Rowe on CNN 

Theater and Facilities
The show take places in a unique aquatic theater-in-the-round  The swimming pool has a capacity of more than 1 million US gallons with its deepest point at 27 feet  Performers climb to heights of more than 80 feet above the water before diving straight down  Public estimates of the cost of the theater itself were up to $75 million for the original construction, not including later renovations such as 180-speaker surround sound Two significant curtain effects have been used, including a 24-panel canopy that takes more than an hour to reset for the next show In 2008, a VIP seating area was added to the theater   In 2015, an additional 172 fountains, 120 LED lighting fixtures, and 16 fire-shooting devices were added by WET Design   Current capacity is 1,600 per show, not including an underwater SCUBA viewing area that is sometimes available for VIP guests 



ground_truth: Mika Häkkinen