prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which composer was wrote his music most recently, Michael Tippett or Luigi Cherubini?

The following are given passages.
Context 1: Passage 1:
Michael Tippett School
Heron Academy (formerly The Michael Tippett School) is a special needs secondary school for students with severe learning difficulties located in south London  It was previously named after the composer Michael Tippett   The building was designed by Marks Barfield Architect and completed in 2008  It can accommodate 80 students between the age of 11 and 19 It was built as part of the Building Schools for the Future programme and was the first school in London and the first special needs school in the country to be completed under the programme Previously a community school administered by Lambeth London Borough Council, In February 2023 The Michael Tippett School converted to academy status and was renamed Heron Academy  The school is now sponsored by the London South East Academies Trust 
Passage 2:
François-Benoît Hoffman
François-Benoît Hoffman (11 July 1760 – 25 April 1828) was a French playwright and critic, best known today for his operatic librettos, including those set to music by Étienne Méhul and Luigi Cherubini (most notably Cherubini's Médée, 1797) 

Career
Hoffman was born in Nancy, and studied law at the University of Strasbourg   Believing that his stammer hindered his legal career, he entered military service in Corsica  He served there for only a very short time, and, returning to Nancy, wrote some poems which brought him into notice at the little court of Lunéville over which the Marquise de Boufflers then presided  In 1784 he went to Paris where he wrote his first opera libretto, Phèdre, for the composer Jean-Baptiste Lemoyne  It was performed at Fontainebleau in October 1786  After quarrelling with Lemoyne, Hoffman offered his libretto Adrien, empereur de Rome to Cherubini, who turned it down in favour of another Hoffman drama, Médée  Adrien was accepted instead by Méhul, with whom Hoffman collaborated on several operas, including Euphrosine (1790), Stratonice (1792) and Ariodant (1799) 
Hoffman was a strong advocate of authors' rights regarding artistic control, copyright and freedom of speech  This stance often brought him into conflict with the authorities  A quarrel with the management of the Paris Opéra over Nephté led to them rejecting Médée in 1790  In 1792, the French Revolutionary government objected to Adrien on political grounds, and Hoffman ran considerable risk by refusing to make the changes proposed to him  It was seven years before Adrien finally received its premiere at the Opéra 
Hoffman's later operas were in a lighter style than his works of the 1790s  A notable example is Les rendez-vous bourgeois, with music by Isouard  In 1807 he was invited by Charles Guillaume Étienne to contribute to the Journal de l'Empire (afterwards the Journal des Débats)  Hoffman's wide reading qualified him to write on all sorts of subjects, and he turned, apparently with no difficulty, from reviewing books on medicine to violent attacks on the Jesuits  His severe criticism of Chateaubriand's Les Martyrs led the author to make some changes in a later edition  He had the reputation of being an absolutely conscientious and incorruptible critic and thus exercised wide influence Hoffman's poem Je te perds, fugitive espérance was set by Ludwig van Beethoven in 1806 in his song Als die Geliebte sich trennen wollten (WoO 132) in a translation by Stephan von Breuning 

Works
ThéâtrePhèdre, tragédie lyrique en 3 actes, music by Lemoyne, premiere 26 October 1786 au château de Fontainebleau ;
Nephté, tragédie lyrique en 3 actes, music by Lemoyne, premiere 15 December 1789 at the Opéra de Paris ;
Euphrosine, ou le Tyran corrigé, comédie en 5 actes mise en musique by Étienne Nicolas Méhul, premiere 4 October 1790 at the Comédie-Italienne (réduite à 4, puis à 3 actes) ;
Adrien, opéra en 3 actes, music by Étienne Nicolas Méhul, premiere January 1792, puis sous une forme révisée en 1802 ;
Stratonice, comédie héroïque en un acte et en vers, music by Étienne Nicolas Méhul, premiere 3 May 1792 at the Comédie-Italienne ;
Le jeune sage et le vieux fou, comédie en un acte mêlée de musique by Étienne Nicolas Méhul premiere 28 March 1793 at the Opéra-Comique ;
Adélaïde, drame en 3 actes et en vers premiere 1793 ;
Callias, drame en un acte et en vers premiere 1795 ;
Le Brigand, opéra-comique en 3 actes premiere 1795 ;
Azeline, comédie en 3 actes premiere 1797 ;
Médée, opéra en 3 actes, music by Luigi Cherubini, premiere 1797 at the Théâtre Feydeau ;
Ariodant, drame en 3 actes mêlé de musique by Étienne Nicolas Méhul, premiere 11 October 1799 at the Opéra-Comique ;
Bion, comédie en un acte mêlée de musique by Étienne Nicolas Méhul, premiere 27 December 1800 at the Opéra-Comique ;
Lisistrata, ou Les Athéniennes, Comédie en un acte et en prose, mêlée de vaudevilles imitée d'Aristophane, premiere 15 January 1802 at the Théâtre Feydeau ;
Le Trésor supposé ou le Danger d’écouter aux portes, comédie en un acte mêlée de musique by Étienne Nicolas Méhul, premiere 29 July 1802 à l'Opéra-Comique ;
Le Roman d’une heure, comédie en un acte premiere Gymnase 1803 ;
La Ruse inutile, opéra-comique en 2 actes premiere 1805 ;
Grimaldi, comédie en 3 actes, music by Rodolphe Kreutzer, premiere 1810 
La mort d'Abel, opera with music by Rodolphe Kreutzer, premiere 1810 (revised 1825)Romans, essaisMes souvenirs ou Recueil de pensées fugitives (1802) ;

Sources
L  Castel: Notice Biographique et Littéraire sur F -B  Hoffman, dans: Œuvres de F  B  Hoffman précédées d’une Notice sur sa vie  Théatre  Tome 2  S  V-LV 
P [aul?] Jacquinet: François Benoît Hoffman: sa vie, ses œuvres, Nancy 1878 
Stratonice: introduction to the edition of Hoffman and Méhul's opera by M  Elizabeth C  Bartlet (Pendragon Press, 1997)
T  G  Waidelich:    imitée d’Aristophane"  Die Lisistrata von Hoffman und Solié (1802) als Bindeglied zu den Verschwornen von Castelli und Schubert mit einem Ausblick auf die Rezeption des Sujets im Musiktheater (Teil 1)  In: Schubert:Perspektiven  9, 2010, p  216–228 

External links
François-Benoît Hoffman on Data bnf fr
Passage 3:
Luigi Cherubini
Luigi Cherubini ( KERR-uu-BEE-nee; Italian: [luˈiːdʒi keruˈbiːni]; 8 or 14 September 1760 – 15 March 1842) was an Italian Classical and Romantic composer  His most significant compositions are operas and sacred music  Beethoven regarded Cherubini as the greatest of his contemporaries  His operas were heavily praised and interpreted by Rossini 

Early years
Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760  There is uncertainty about his exact date of birth  Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct  Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin  His instruction in music began at the age of six with his father, Bartolomeo,  maestro al cembalo ("Master of the harpsichord", in other words, ensemble leader from the harpsichord)  Considered a child prodigy, Cherubini studied counterpoint and dramatic style at an early age  By the time he was thirteen, he had composed several religious works 

Adulthood and first operas
In 1780, he was awarded a scholarship by the Grand Duke of Tuscany to study music in Bologna and Milan  Cherubini's early opere serie used libretti by Apostolo Zeno, Metastasio (Pietro Trapassi), and others that adhered closely to standard dramatic conventions  His music was strongly influenced by Niccolò Jommelli, Tommaso Traetta, and Antonio Sacchini, who were the leading Italian composers of the day  The first of his two comic works, Lo sposo di tre e marito di nessuna, premiered at a Venetian theater in November 1783 Feeling constrained by Italian traditions and eager to experiment, Cherubini traveled to London in 1785 where he produced two opere serie and an opera buffa for the King's Theatre  In the same year, he made an excursion to Paris with his friend the violinist Giovanni Battista Viotti, who presented him to Marie Antoinette and Parisian society  Cherubini received an important commission to write Démophoon to a French libretto by Jean-François Marmontel that would be his first tragédie en musique  Except for a brief return trip to London and to Turin for an opera seria commissioned by King Victor Amadeus III, Cherubini spent the rest of his life in France where he was initiated into Grand Orient de France "Saint-Jean de Palestine" Masonic Lodge in 1784 

French assimilation
Cherubini adopted the French version of his name, Marie-Louis-Charles-Zénobi-Salvador Cherubini; this appears in all extant documents that show his full name after 1790, though his Italian name is favored nowadays  Performances of Démophoon were favorably received at the Académie Royale de Musique in 1788  With Viotti's help, the Théâtre de Monsieur in the Tuileries appointed Cherubini as its director in 1789  Three years later, after a move to the rue Feydeau and the fall of the monarchy, the company became known as the Théâtre Feydeau  This position gave Cherubini the opportunity to read countless libretti and choose one that best suited his temperament 
Cherubini's music began to show more originality and daring  His first major success was Lodoïska (1791), which was admired for its realistic heroism  This was followed by Elisa (1794), set in the Swiss Alps, and Médée (1797), Cherubini's best-known work  Les deux journées (1800), in which Cherubini simplified his style, was a popular success  These and other operas were premièred at the Théâtre Feydeau or the Opéra-Comique  Feeling financially secure, he married Anne Cécile Tourette in 1794 and began a family of three children 
The fallout from the French Revolution affected Cherubini until the end of his life  Politics forced him to hide his connections with the former aristocracy and seek governmental appointments  Although Napoleon found him too complex, Cherubini wrote at least one patriotic work per year for more than a decade  He was appointed Napoleon's director of music in Vienna for part of 1805 and 1806, whereupon he conducted several of his works in that city 
In 1808 Cherubini was elected an associated member of the Royal Institute of the Netherlands 

From opera to church music
After Les deux journées, Parisian audiences began to favor younger composers such as Boieldieu  Cherubini's opera-ballet Anacréon was an outright failure and most stage works after it did not achieve success  Faniska, produced in 1806, was an exception, receiving an enthusiastic response, in particular by Haydn and Beethoven  Les Abencérages (1813), an heroic drama set in Spain during the last days of the Moorish kingdom of Granada, was Cherubini's attempt to compete with Spontini's La vestale; it received critical praise but few performances 
Disappointed with his lack of acclaim in the theater, Cherubini turned increasingly to church music, writing seven masses, two requiems, and many shorter pieces  During this period (under the restored monarchy) he was appointed Surintendant de la Musique du Roi, a position he would hold until the fall of Charles X (1830)  In 1815 London's Royal Philharmonic Society commissioned him to write a symphony, an overture, and a composition for chorus and orchestra, the performances of which he went especially to London to conduct, increasing his fame 
Cherubini's Requiem in C minor (1816), commemorating the anniversary of the execution of King Louis XVI of France, was a huge success  The work was greatly admired by Beethoven, Schumann and Brahms  In 1836, Cherubini wrote a Requiem in D minor to be performed at his own funeral  It is for male choir only, as the religious authorities had criticised his use of female voices in the earlier work 

Old age and legacy
In 1822, Cherubini became director of the Conservatoire and completed his textbook, Cours de contrepoint et de fugue, in 1835  His role at the Conservatoire brought him into conflict with the young Hector Berlioz, who portrayed the old composer in his memoirs as a crotchety pedant  Some critics, such as Basil Deane, maintain that Berlioz's depiction has distorted Cherubini's image with posterity  There are many allusions to Cherubini's personal irritability among his contemporaries; Adolphe Adam wrote, "some maintain his temper was very even, because he was always angry " Nevertheless, Cherubini had many friends, including Szymanowska, Rossini, Chopin and, above all, the artist Ingres  The two had mutual interests: Cherubini was a keen amateur painter and Ingres enjoyed practising the violin  In 1841, Ingres produced the most celebrated portrait of the old composer 
Although chamber music does not make up a large portion of his output, what he did write was important  Wilhelm Altmann, writing in his Handbuch für Streichquartettspieler (Handbook for String Quartet Players) about Cherubini's six string quartets, stated that they are first rate and regarded Nos  1 and 3 as masterworks  His String Quintet for two violins, viola and two cellos is also considered a first-rate work 
During his lifetime, Cherubini received France's highest and most prestigious honors  These included the Chevalier de la Légion d'honneur (1814) and Membre de l'Académie des Beaux-Arts (1815)  In 1841, he was made Commandeur de la Légion d'honneur, the first musician to receive that title Cherubini died in Paris in 1842 at age 81 and is buried at Père Lachaise Cemetery, just four metres from his friend Chopin  His tomb was designed by the architect Achille Leclère and includes a figure by the sculptor Augustin-Alexandre Dumont representing "Music" crowning a bust of the composer with a wreath 

Works
Orchestral music
Chamber music
Masses and sections of the Mass
Motets and other choral works
Operas
See List of operas by Luigi Cherubini

Teaching manuals
A treatise on counterpoint and fugue (1841)
Passage 4:
Michael Tippett
Sir Michael Kemp Tippett  (2 January 1905 – 8 January 1998) was an English composer who rose to prominence during and immediately after the Second World War  In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century  Among his best-known works are the oratorio A Child of Our Time, the orchestral Fantasia Concertante on a Theme of Corelli, and the opera The Midsummer Marriage 
Tippett's talent developed slowly  He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published  Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style  New influences—including those of jazz and blues after his first visit to America in 1965—became increasingly evident in his compositions  While Tippett's stature with the public continued to grow, not all critics approved of these changes in style, some believing that the quality of his work suffered as a consequence  From around 1976 Tippett's late works began to reflect the works of his youth through a return to lyricism  Although he was much honoured in his lifetime, critical judgement on Tippett's legacy has been uneven, the greatest praise generally reserved for his earlier works  His centenary in 2005 was a muted affair; apart from the few best-known works, his music has not been performed frequently in the 21st century 
Having briefly embraced communism in the 1930s, Tippett avoided identifying with any political party  A pacifist after 1940, he was imprisoned in 1943 for refusing to carry out war-related duties required by his military exemption  His initial difficulties in accepting his homosexuality led him in 1939 to Jungian psychoanalysis; the Jungian dichotomy of "shadow" and "light" remained a recurring factor in his music  He was a strong advocate of music education, and was active for much of his life as a radio broadcaster and writer on music 

Life
Family background
The Tippett family originated in Cornwall  Michael Tippett's grandfather, George Tippett, left the county in 1854 to make his fortune in London through property speculation and other business schemes  A flamboyant character, he had a strong tenor voice that was a popular feature at Christian revivalist meetings  In later life his business enterprises faltered, leading to debts, prosecution for fraud, and a term of imprisonment  His son Henry, born in 1858, was Michael's father  A lawyer by training, he was successful in business and was independently wealthy by the time of his marriage in April 1903  Unusually for his background and upbringing, Henry Tippett was a progressive liberal and a religious sceptic Henry Tippett's bride was Isabel Kemp, from a large upper-middle-class family based in Kent  Among her mother's cousins was Charlotte Despard, a well-known campaigner for women's rights, suffragism, and Irish home rule  Despard was a powerful influence on the young Isabel, who was herself briefly imprisoned after participating in an illegal suffragette protest in Trafalgar Square  Though neither she nor Henry was musical, she had inherited an artistic talent from her mother, who had exhibited at the Royal Academy  After their marriage the couple settled outside London in Eastcote, where two sons were born—the second, Michael, on 2 January 1905 

Childhood and schooling
Shortly after Michael's birth, the family moved to Wetherden in Suffolk  Michael's education began in 1909 with a nursery governess and various private tutors who followed a curriculum that included piano lessons—his first formal contact with music  There was a piano in the house, on which he "took to improvising crazily      which I called 'composing', though I had only the vaguest notion of what that meant"  In September 1914 Michael became a boarder at Brookfield Preparatory School in Swanage, Dorset  He spent four years there, at one point earning notoriety by writing an essay that challenged the existence of God  In 1918 he won a scholarship to Fettes College, a boarding school in Edinburgh, where he studied the piano, sang in the choir, and began to learn to play the pipe organ  The school was not a happy place; sadistic bullying of the younger pupils was commonplace  When Michael revealed to his parents in March 1920 that he had formed a homosexual relationship with another boy, they removed him to Stamford School in Lincolnshire, where a decade previously Malcolm Sargent had been a pupil Around this time Henry Tippett decided to live in France, and the house in Wetherden was sold  The 15-year-old Michael and his brother Peter remained at school in England, travelling to France for their holidays  Michael found Stamford much more congenial than Fettes, and developed both academically and musically  He found an inspiring piano teacher in Frances Tinkler, who introduced him to the music of Bach, Beethoven, Schubert, and Chopin  Sargent had maintained his connection with the school, and was present when Tippett and another boy played Bach's C minor Concerto for Two Harpsichords on pianos with a local string orchestra  Tippett sang in the chorus when Sargent directed a local performance of Robert Planquette's operetta Les Cloches de Corneville  Despite his parents' wish that he follow an orthodox path by proceeding to Cambridge University, Tippett had firmly decided on a career as a composer, a prospect that alarmed them and was discouraged by his headmaster and by Sargent By mid-1922 Tippett had developed a rebellious streak  His overt atheism particularly troubled the school, and he was required to leave  He remained in Stamford in private lodgings, while continuing lessons with Tinkler and with the organist of St Mary's Church  He also began studying Charles Villiers Stanford's book Musical Composition which, he later wrote, "became the basis of all my compositional efforts for decades to come"  In 1923 Henry Tippett was persuaded that some form of musical career, perhaps as a concert pianist, was possible, and agreed to support his son in a course of study at the Royal College of Music (RCM)  After an interview with the college principal, Sir Hugh Allen, Tippett was accepted despite his lack of formal entry qualifications 

Royal College of Music
Tippett began at the RCM in the summer term of 1923, when he was 18 years old  At the time, his biographer Meirion Bowen records, "his aspirations were Olympian, though his knowledge rudimentary"  Life in London widened his musical awareness, especially the Proms at the Queen's Hall, opera at Covent Garden (where he saw Dame Nellie Melba's farewell performance in La bohème) and the Diaghilev Ballet  He heard Chaliapin sing, and attended concerts conducted by, among others, Stravinsky and Ravel—the last-named "a tiny man who stood bolt upright and conducted with what to me looked like a pencil"  Tippett overcame his initial ignorance of early music by attending Palestrina masses at Westminster Cathedral, following the music with the help of a borrowed score At the RCM, Tippett's first composition tutor was Charles Wood, who used the models of Bach, Mozart and Beethoven to instil a solid understanding of musical forms and syntax  When Wood died in 1926, Tippett chose to study with C H  Kitson, whose pedantic approach and lack of sympathy with Tippett's compositional aims strained the relationship between teacher and pupil  Tippett studied conducting with Sargent and Adrian Boult, finding the latter a particularly empathetic mentor—he let Tippett stand with him on the rostrum during rehearsals and follow the music from the conductor's score  By this means Tippett became familiar with the music of composers then new to him, such as Delius and Debussy, and learned much about the sounds of orchestral instruments In 1924 Tippett became the conductor of an amateur choir in the Surrey village of Oxted  Although he saw this initially as a means of advancing his knowledge of English madrigals, his association with the choir lasted many years  Under his direction it combined with a local theatrical group, the Oxted and Limpsfield Players, to give performances of Vaughan Williams's opera The Shepherds of the Delectable Mountains and of Tippett's own adaptation of an 18th-century ballad opera, The Village Opera  He passed his Bachelor of Music (BMus) exams, at his second attempt, in December 1928  Rather than continuing to study for a doctorate, Tippett decided to leave the academic environment  The RCM years had brought him intense and lasting friendships with members of both sexes, in particular with Francesca Allinson and David Ayerst 

Early career
False start
On leaving the RCM, Tippett settled in Oxted to continue his work with the choir and theatrical group and to compose  To support himself he taught French at Hazelwood, a small preparatory school in Limpsfield, which provided him with a salary of £80 a year and a cottage  Also teaching at the school was Christopher Fry, the future poet and playwright who later collaborated with Tippett on several of the composer's early works In February 1930 Tippett provided the incidental music for a performance by his theatrical group of James Elroy Flecker's Don Juan, and in October he directed them in his own adaptation of Stanford's opera The Travelling Companion  His compositional output was such that on 5 April 1930 he gave a concert in Oxted consisting entirely of his own works—a Concerto in D for flutes, oboe, horns and strings; settings for tenor of poems by Charlotte Mew; Psalm in C for chorus and orchestra, with a text by Christopher Fry; piano variations on the song "Jockey to the Fair"; and a string quartet  Professional soloists and orchestral players were engaged, and the concert was conducted by David Moule-Evans, a friend from the RCM  Despite encouraging comments from The Times and the Daily Telegraph, Tippett was deeply dissatisfied with the works, and decided that he needed further tuition  He withdrew the music, and in September 1930 re-enrolled at the RCM for a special course of study in counterpoint with R  O  Morris, an expert on 16th-century music  This second RCM period, during which he learned to write fugues in the style of Bach and received additional tuition in orchestration from Gordon Jacob, was central to Tippett's eventual discovery of what he termed his "individual voice" On 15 November 1931 Tippett conducted his Oxted choir in a performance of Handel's Messiah, using choral and orchestral forces close to Handel's original intentions  Such an approach was rare at that time, and the event attracted considerable interest 

Friendships, politics and music
In mid-1932 Tippett moved to a cottage in neighbouring Limpsfield, provided by friends as a haven in which he could concentrate on composition  His friendships with Ayerst and Allinson had opened up new cultural and political vistas  Through Ayerst he met W  H  Auden, who in due course introduced him to T  S  Eliot  Although no deep friendship developed with either poet, Tippett came to consider Eliot as his "spiritual father"  Ayerst also introduced him to a young artist, Wilfred Franks  By this time Tippett was coming to terms with his homosexuality, while not always at ease with it  Franks provided him with what he described as "the deepest, most shattering experience of falling in love"  This intense relationship ran alongside a political awakening  Tippett's natural sympathies had always been leftish, and became more consciously so from his inclusion in Allinson's circle of left-wing activists  As a result, he gave up his teaching position at Hazelwood to become the conductor of the South London Orchestra, a project financed by the London County Council and made up of unemployed musicians  Its first public concert was held on 5 March 1933 at Morley College, later to become Tippett's professional base 

In the summers of 1932 and 1934 Tippett took charge of musical activities at miners' work camps near Boosbeck in the north of England  Known as the Cleveland Work Camps, they were run by a munificent local landowner, Major Pennyman, to give unemployed miners a sense of purpose and independence  In 1932 Tippett arranged the staging of a shortened version of John Gay's The Beggar's Opera, with locals playing the main parts, and the following year he provided the music for a new folk opera, Robin Hood, with words by Ayerst, himself and Ruth Pennyman  Both works proved hugely popular with their audiences, and although most of the music has disappeared, some of Robin Hood was revived by Tippett for use in his Birthday Suite for Prince Charles of 1948  In October 1934 Tippett and the South London Orchestra performed at a centenary celebration of the Tolpuddle Martyrs, as part of a grand Pageant of Labour at the Crystal Palace Tippett was not formally a member of any political party or group until 1935, when he joined the British Communist Party at the urging of his cousin, Phyllis Kemp  This membership was brief; the influence of Trotsky's History of the Russian Revolution had led him to embrace Trotskyism, while the party maintained a strict Stalinist line  Tippett resigned after a few months when he saw no chance of converting his local party to his Trotskyist views  According to his obituarist J J  Plant, Tippett then joined the Bolshevik-Leninist Group within the Labour Party, where he continued to advocate Trotskyism until at least 1938  Although Tippett's radical instincts always remained strong, he was aware that excessive political activism would distract him from his overriding objective of becoming recognised as a composer  A significant step towards professional recognition came in December 1935, when his String Quartet No  1 was performed by the Brosa Quartet at the Mercury Theatre in Notting Hill, London  This work, which he dedicated to Franks, is the first in the recognised canon of Tippett's music  Throughout much of the 1930s Wilf Franks continued to be an important influence on Tippett both creatively and politically  Franks had a passion for the poetry of both William Blake and Wilfred Owen; Tippett claimed that Franks knew Owen's poetry 'almost word for word and draws it out for me, its meanings, its divine pity and so on   ' 

Towards maturity
Personal crisis
Before the outbreak of the Second World War in September 1939, Tippett released two further works: the Piano Sonata No  1, first performed by Phyllis Sellick at the Queen Mary Hall, London, on 11 November 1938, and the Concerto for Double String Orchestra, which was not performed until 1940  In a climate of increasing political and military tension, Tippett's compositional efforts were overwhelmed by an emotional crisis  When his relationship with Franks ended acrimoniously in August 1938 he was thrown into doubt and confusion about both his homosexuality and his worth as an artist  He was saved from despair when, at Ayerst's suggestion, he undertook a course of Jungian analysis with the psychotherapist John Layard  Through an extended course of therapy, Layard gave Tippett the means to analyse and interpret his dreams  Tippett's biographer Ian Kemp describes this experience as "the major turning point in [his] life", both emotionally and artistically  His particular discovery from dream analysis was "the Jungian 'shadow' and 'light' in the single, individual psyche     the need for the individual to accept his divided nature and profit from its conflicting demands"  This brought him to terms with his homosexuality, and he was able to pursue his creativity without being distracted by personal relationships  While still unsure of his sexuality, Tippett had considered marriage with Francesca Allinson, who had expressed the wish that they should have children together  After his psychotherapy he enjoyed several committed—and sometimes overlapping—same-sex relationships  Among the most enduring, and most tempestuous, was that with the artist Karl Hawker, whom he first met in 1941 

A Child of Our Time
While his therapy proceeded, Tippett was searching for a theme for a major work—an opera or an oratorio—that could reflect both the contemporary turmoil in the world and his own recent catharsis  Having briefly considered the theme of the Dublin Easter Rising of 1916, he based his work on a more immediate event: the murder in Paris of a German diplomat by a 17-year-old Jewish refugee, Herschel Grynszpan  This murder triggered Kristallnacht (Crystal Night), a coordinated attack on Jews and their property throughout Nazi Germany on 9–10 November 1938  Tippett hoped that Eliot would provide a libretto for the oratorio, and the poet showed interest  However, when Tippett presented him with a more detailed scenario, Eliot advised him to write his own text, suggesting that the poetic quality of the words might otherwise dominate the music  Tippett called the oratorio A Child of Our Time, taking the title from Ein Kind unserer Zeit, a contemporary protest novel by the Austro-Hungarian writer Ödön von Horváth  Within a three-part structure based on Handel's Messiah, Tippett took the novel step of using North American spirituals in place of the traditional chorales that punctuate oratorio texts  According to Kenneth Gloag's commentary, the spirituals provide "moments of focus and repose     giving shape to both the musical and literary dimensions of the work"  Tippett began composing the oratorio in September 1939, on the conclusion of his dream therapy and immediately after the outbreak of war 

Morley, war, imprisonment
With the South London Orchestra temporarily disbanded because of the war, Tippett returned to teaching at Hazelwood  In October 1940 he accepted the post of Director of Music at Morley College, just after its buildings were almost completely destroyed by a bomb  Tippett's challenge was to rebuild the musical life of the college, using temporary premises and whatever resources he could muster  He revived the Morley College Choir and orchestra, and arranged innovative concert programmes that typically mixed early music (Orlando Gibbons, Monteverdi, Dowland), with contemporary works by Stravinsky, Hindemith and Bartók 

He continued the college's established association with the music of Purcell; a performance in November 1941 of Purcell's Ode to St Cecilia, with improvised instruments and rearrangements of voice parts, attracted considerable attention  The music staff at Morley was augmented by the recruitment of refugee musicians from Europe, including Walter Bergmann, Mátyás Seiber, and Walter Goehr who took charge of the college orchestra A Child of Our Time was finished in 1941 and put aside with no immediate prospects of performance  Tippett's Fantasia on a Theme of Handel for piano and orchestra was performed at the Wigmore Hall in March 1942, with Sellick again the soloist, and the same venue saw the première of the composer's String Quartet No  2 a year later  The first recording of Tippett's music, the Piano Sonata No  1 played by Sellick, was issued in August 1941  The recording was well received by the critics, Wilfrid Mellers predicting a leading role for the composer in the future of English music  In 1942, Schott Music began to publish Tippett's works, establishing an association that continued until the end of the composer's life The question of Tippett's liability for war service remained unresolved until mid-1943  In November 1940 he had formalised his pacifism by joining the Peace Pledge Union and applying for registration as a conscientious objector  His case was heard by a tribunal in February 1942, when he was assigned to non-combatant duties  Tippett rejected such work as an unacceptable compromise with his principles and in June 1943, after several further hearings and statements on his behalf from distinguished musical figures, he was sentenced to three months' imprisonment in HM Prison Wormwood Scrubs  He served two months, and although thereafter he was technically liable to further charges for failing to comply with the terms set by his tribunal, the authorities left him alone 

Recognition and controversy
On his release, Tippett returned to his duties at Morley, where he boosted the college's Purcell tradition by persuading Alfred Deller, the countertenor, to sing several Purcell odes at a concert on 21 October 1944—the first modern use of a countertenor in Purcell's music  Tippett formed a fruitful musical friendship with Benjamin Britten and Peter Pears, for whom he wrote the cantata Boyhood's End for tenor and piano  Encouraged by Britten, Tippett made arrangements for the first performance of A Child of Our Time, at London's Adelphi Theatre on 19 March 1944  Goehr conducted the London Philharmonic Orchestra, and Morley's choral forces were augmented by the London Regional Civil Defence Choir  Pears sang the tenor solo part, and other soloists were borrowed from Sadler's Wells Opera  The work was well received by critics and the public, and eventually became one of the most frequently performed large-scale choral works of the post-Second World War period, in Britain and overseas  Tippett's immediate reward was a commission from the BBC for a motet, The Weeping Babe, which became his first broadcast work when it was aired on 24 December 1944  He also began to give regular radio talks on music In 1946 Tippett organised at Morley the first British performance of Monteverdi's Vespers, adding his own organ Preludio for the occasion  Tippett's compositions in the immediate postwar years included his First Symphony, performed under Sargent in November 1945, and the String Quartet No  3, premiered in October 1946 by the Zorian Quartet  His main creative energies were increasingly devoted to his first major opera, The Midsummer Marriage  During the six years from 1946 he composed almost no other music, apart from the Birthday Suite for Prince Charles (1948) 

The musical and philosophical ideas behind the opera had begun in Tippett's mind several years earlier  The story, which he wrote himself, charts the fortunes of two contrasting couples in a manner which has brought comparisons with Mozart's The Magic Flute  The strain of composition, combined with his continuing responsibilities at Morley and his BBC work, affected Tippett's health and slowed progress  Following the death in 1949 of Morley's principal, Eva Hubback, Tippett's personal commitment to the college waned  His now-regular BBC fees had made him less dependent on his Morley salary, and he resigned his college post in 1951  His farewell took the form of three concerts which he conducted at the new Royal Festival Hall, in which the programmes included A Child of Our Time, the British première of Carl Orff's Carmina Burana, and Thomas Tallis's rarely performed 40-part motet Spem in alium In 1951 Tippett moved from Limpsfield to a large, dilapidated house, Tidebrook Manor in Wadhurst, Sussex  As The Midsummer Marriage neared completion he wrote a song cycle for tenor and piano, The Heart's Assurance  This work, a long-delayed tribute to Francesca Allinson (who had committed suicide in 1945), was performed by Britten and Pears at the Wigmore Hall on 7 May 1951  The Midsummer Marriage was finished in 1952, after which Tippett arranged some of the music as a concert suite, the Ritual Dances, performed in Basel, Switzerland, in April 1953  The opera itself was staged at Covent Garden on 27 January 1955  The lavish production, with costumes and stage designs by Barbara Hepworth and choreography by John Cranko, perplexed the opera-going public and divided critical opinion  According to Bowen, most "were simply unprepared for a work that departed so far from the methods of Puccini and Verdi"  Tippett's libretto was variously described as "one of the worst in the 350-year history of opera" and "a complex network of verbal symbolism", and the music as "intoxicating beauty" with "passages of superbly conceived orchestral writing"  A year after the première, the critic A E F  Dickinson concluded that "in spite of notable gaps in continuity and distracting infelicities of language, [there is] strong evidence that the composer has found the right music for his ends" Much of the music Tippett composed following the opera's completion reflected its lyrical style  Among these works was the Fantasia Concertante on a Theme of Corelli (1953) for string orchestra, written to commemorate the 300th anniversary of the composer Arcangelo Corelli's birth  The Fantasia would eventually become one of Tippett's most popular works, though The Times's critic lamented the "excessive complexity of the contrapuntal writing     there was so much going on that the perplexed ear knew not where to turn or fasten itself"  Such comments helped to foster a view that Tippett was a "difficult" composer, or even that his music was amateurish and poorly prepared  These perceptions were strengthened by controversies around several of his works in the late 1950s  The Piano Concerto (1955) was declared unplayable by its scheduled soloist, Julius Katchen, who had to be replaced before the première by Louis Kentner  The Dennis Brain Wind Ensemble, for whom Tippett had written the Sonata for Four Horns (1955), complained that the work was in too high a key and required it to be transposed down  When the Second Symphony was premièred by the BBC Symphony Orchestra under Boult, in a live broadcast from the Royal Festival Hall on 5 February 1958, the work broke down after a few minutes and had to be restarted by the apologetic conductor: "Entirely my mistake, ladies and gentlemen"  The BBC's Controller of Music defended the orchestra in The Times, writing that it "is equal to all reasonable demands", a wording that implied the fault was the composer's 

International acclaim
King Priam and after
In 1960 Tippett moved to a house in the Wiltshire village of Corsham, where he lived with his long-term partner Karl Hawker  By then Tippett had begun work on his second major opera, King Priam  He chose for his theme the tragedy of Priam, mythological king of the Trojans, as recorded in Homer's Iliad, and again he prepared his own libretto  As with The Midsummer Marriage, Tippett's preoccupation with the opera meant that his compositional output was limited for several years to a few minor works, including a Magnificat and Nunc Dimittis written in 1961 for the 450th anniversary of the foundation of St John's College, Cambridge  King Priam was premièred in Coventry by the Covent Garden Opera on 29 May 1962 as part of a festival celebrating the consecration of the new Coventry Cathedral  The production was by Sam Wanamaker and the lighting by Sean Kenny  John Pritchard was the conductor  The music for the new work displayed a marked stylistic departure from what Tippett had written hitherto, heralding what a later commentator, Iain Stannard, refers to as a "great divide" between the works before and after King Priam  Although some commentators questioned the wisdom of so radical a departure from his established voice, the opera was a considerable success with critics and the public  Lewis later called it "one of the most powerful operatic experiences in the modern theatre"  This reception, combined with the fresh acclaim for The Midsummer Marriage following a well-received BBC broadcast in 1963, did much to rescue Tippett's reputation and establish him as a leading figure among British composers As earlier with The Midsummer Marriage, the compositions that followed King Priam retained the musical idiom of the opera, notably the Piano Sonata No  2 (1962) and the Concerto for Orchestra (1963), the latter written for the Edinburgh Festival and dedicated to Britten for his 50th birthday  Tippett's main work in the mid-1960s was the cantata The Vision of Saint Augustine, commissioned by the BBC, which Bowen marks as a peak of Tippett's compositional career: "Not since The Midsummer Marriage had he unleashed such a torrent of musical invention"  His status as a national figure was now being increasingly recognised  He had been appointed a Commander of the Order of the British Empire (CBE) in 1959; in 1961 he was made an honorary Fellow of the Royal College of Music (HonFRCM), and in 1964 he received from Cambridge University the first of many honorary doctorates  In 1966 he was awarded a knighthood 

Wider horizons
In 1965 Tippett made the first of several visits to the United States, to serve as composer in residence at the Aspen Music Festival in Colorado  Tippett's American experiences had a significant effect on the music he composed in the late 1960s and early 1970s, with jazz and blues elements particularly evident in his third opera, The Knot Garden (1966–69), and in the Symphony No  3 (1970–72)  At home in 1969, Tippett worked with the conductor Colin Davis to rescue the Bath International Music Festival from a financial crisis, and became the festival's artistic director for the following five seasons  In 1970, following the collapse of his relationship with Hawker, he left Corsham and moved to a secluded house on the Marlborough Downs  Among the works he wrote in this period were In Memoriam Magistri (1971), a chamber piece commissioned by Tempo magazine as a memorial to Stravinsky, who had died on 6 April 1971, and the Piano Sonata No  3 (1973) 

In February 1974 Tippett attended a "Michael Tippett Festival", arranged in his honour by Tufts University, near Boston, Massachusetts  He was also present at a performance of The Knot Garden at Northwestern University at Evanston, Illinois—the first Tippett opera to be performed in the US  Two years later he was again in the country, engaged on a lecture tour that included the Doty Lectures in Fine Art at the University of Texas  Between these American journeys, Tippett travelled to Lusaka for the first African performance of A Child of Our Time, at which the Zambian president, Kenneth Kaunda, was present In 1976 Tippett was awarded the Gold Medal of the Royal Philharmonic Society  The following few years saw journeys to Java and Bali—where he was much attracted by the sounds of gamelan ensembles—and to Australia, where he conducted a performance of his Fourth Symphony in Adelaide  In 1979, with funds available from the sale of some of his original manuscripts to the British Library, Tippett inaugurated the Michael Tippett Musical Foundation, which provided financial support to young musicians and music education initiatives Tippett maintained his pacifist beliefs, while becoming generally less public in expressing them, and from 1959 served as president of the Peace Pledge Union  In 1977 he made a rare political statement when, opening a PPU exhibition at St Martin-in-the-Fields, he attacked President Carter's plans to develop a neutron bomb 

Later life
In his seventies, Tippett continued to compose and travel, although now handicapped by health problems  His eyesight was deteriorating as a result of macular dystrophy, and he relied increasingly on his musical amanuensis and near namesake Michael Tillett, and on Meirion Bowen, who became Tippett's assistant and closest companion in the remaining years of the composer's life  The main works of the late 1970s were a new opera, The Ice Break, the Symphony No  4, the String Quartet No  4 and the Triple Concerto for violin, viola and cello  The Ice Break was a reflection of Tippett's American experiences, with a contemporary storyline incorporating race riots and drug-taking  His libretto has been criticised for its awkward attempts at American street vernacular, and the opera has not found a place in the general repertory  Mellers finds that its fusion of "art music, rock ritual and performance art fail to gel"  The Triple Concerto includes a finale inspired by the gamelan music that Tippett absorbed during his visit to Java In 1979 Tippett was made a Companion of Honour (CH)  The main composition that occupied him in the early 1980s was his oratorio The Mask of Time, loosely based on Jacob Bronowski's 1973 TV series The Ascent of Man  In Tippett's words, this is an attempt to deal "with those fundamental matters that bear upon man, his relationship with Time, his place in the world as we know it and in the mysterious universe at large"  The oratorio was commissioned by the Boston Symphony Orchestra for its centenary, and was one of several of Tippett's late compositions that were premièred in America 

In 1983 Tippett became president of the London College of Music and was appointed a Member of the Order of Merit (OM)  By the time of his 80th birthday in 1985 he was blind in his right eye, and his output had slowed  Nevertheless, in his final active years he wrote his last opera, New Year  This futuristic fable involving flying saucers, time travel and urban violence was indifferently received on its première in Houston, Texas, on 17 October 1989  Donal Henahan in The New York Times wrote that "Unlike Wagner, [Tippett] does not provide music of enough quality to allow one to overlook textual absurdities and commonplaces " The opera was introduced to Britain in the Glyndebourne Festival of 1990 In spite of his deteriorating health, Tippett toured Australia in 1989–90, and also visited Senegal  His last major works, written between 1988 and 1993, were: Byzantium, for soprano and orchestra; the String Quartet No  5; and The Rose Lake, a "song without words for orchestra" inspired by a visit to Lake Retba in Senegal during his 1990 trip  He intended The Rose Lake to be his farewell, but in 1996 he broke his retirement to write "Caliban's Song" as a contribution to the Purcell tercentenary 

Death
In 1997 he moved from Wiltshire to London to be closer to his friends and caregivers; in November of that year he made his last overseas trip, to Stockholm for a festival of his music  After suffering a stroke he was taken home, where he died on 8 January 1998, six days after his 93rd birthday  He was cremated on 15 January, at Hanworth crematorium, after a secular service 

Music
General character
Bowen has described Tippett as "a composer of our time", one who engaged with the social, political and cultural issues of his day  Arnold Whittall sees the music as embodying Tippett's philosophy of "ultimately optimistic humanism"  Rather than ignoring the barbarism of the 20th century, says Kemp, Tippett chose through his works to seek "to preserve or remake those values that have been perverted, while at the same time never losing sight of the contemporary reality"  The key early work in this respect is A Child of Our Time, of which Clarke writes: "[t]he words of the oratorio's closing ensemble, 'I would know my shadow and my light, So shall I at last be whole', have become canonical in commentary on Tippett     this [Jungian] statement crystallizes an ethic, and aesthetic, central to his world-view, and one which underlies all his text-based works" Sceptical critics such as the musicologist Derrick Puffett have argued that Tippett's craft as a composer was insufficient for him to deal adequately with the task that he had set himself of "transmut[ing] his personal and private agonies into     something universal and impersonal"  Michael Kennedy has referred to Tippett's "open‐eyed, even naive outlook on the world", while accepting the technical sophistication of his music  Others have acknowledged his creative ingenuity and his willingness to adopt whatever means or techniques were necessary to fit his intentions Tippett's music is marked by the expansive nature of his melodic line—the Daily Telegraph's Ivan Hewett refers to his "astonishingly long-breathed melodies"  According to Jones, a further element of the "individual voice" that emerged in 1935 was Tippett's handling of rhythm and counterpoint, demonstrated in the First String Quartet—Tippett's first use of the additive rhythm and cross-rhythm polyphony which became part of his musical signature  This approach to metre and rhythm is derived in part from Bartók and Stravinsky but also from the English madrigalists  Sympathy with the past, observed by Colin Mason in an early appraisal of the composer's work, was at the root of the neoclassicism that is a feature of Tippett's music, at least until the Second Symphony (1957) In terms of tonality, Tippett shifted his ground in the course of his career  His earlier works, up to The Midsummer Marriage, are key-centred, but thereafter he moved through bitonality into what the composer Charles Fussell has summarised as "the freely-organized harmonic worlds" of the Third Symphony and The Ice Break  Although Tippett flirted with the "twelve-tone" technique—he introduced a twelve-tone theme into the "storm" prelude that begins The Knot Garden—Bowen records that he generally rejected serialism as incompatible with his musical aims 

Compositional process
Tippett described himself as the receiver of inspiration rather than its originator, the creative spark coming from a particular personal experience, which might take one of many forms but was most often associated with listening to music  The process of composing was lengthy and laborious, the actual writing down of the music being preceded by several stages of gestation; as Tippett put it, "the concepts come first, and then a lot of work and imaginative processes until eventually, when you're ready, finally ready, you look for the actual notes"  Tippett elaborated: "I compose by first developing an overall sense of the length of the work, then of how it will divide itself into sections or movements, then of the kind of texture or instruments or voices that will be performing it  I prefer not to consider the actual notes of the composition until this process     has gone as far as possible"  Sometimes the time required to see a project through from conception to completion was very lengthy—seven years, Tippett says, in the case of the Third Symphony  In the earlier, contemplative stages he might be simultaneously engaged on other works, but once these stages were complete he would dedicate himself entirely to the completion of the work in hand Tippett preferred to compose in full score; once the writing began, progress was often not fluent, as evidenced by Tippett's first pencil draft manuscripts which show multiple rubbings-out and reworkings  In this, the musicologist Thomas Schuttenhelm says, his methods resembled those of Beethoven, with the difference that "whereas Beethoven's struggle is considered a virtue of his work, and almost universally admired, Tippett's was the source and subject of a debate about his competency as a composer" 

Influences
The style that emerged from Tippett's long compositional apprenticeship was the product of many diverse influences  Beethoven and Handel were initial models (Handel above Bach, who in Tippett's view lacked drama), supplemented by 16th- and 17th-century masters of counterpoint and madrigal—Thomas Weelkes, Monteverdi and Dowland  Purcell became significant later, and Tippett came to lament his ignorance of Purcell during his RCM years: "It seems to me incomprehensible now that his work was not even recommended in composition lessons as a basic study for the setting of English" Tippett recognised the importance to his compositional development of several 19th- and 20th-century composers: Berlioz for his clear melodic lines, Debussy for his inventive sound, Bartók for his colourful dissonance, Hindemith for his skills at counterpoint, and Sibelius for his originality in musical forms  He revered Stravinsky, sharing the Russian composer's deep interest in older music  Tippett had heard early ragtime as a small child before the First World War; he noted in his later writings that, in the early years of the 20th century, ragtime and jazz "attracted many serious composers thinking to find     a means to refresh serious music by the primitive"  His interest in these forms led to his fascination with blues, articulated in several of his later works  Among his contemporary composers, Tippett admired Britten and shared his desire to end the perception of English music as provincial  He also had a high regard for Alan Bush, with whom he joined forces to produce the 1934 Pageant of Labour  "I can remember the excitement I felt when he outlined to me his plan for a major string quartet" Although influences of folk music from all parts of the British Isles are evident in Tippett's early works, he was wary of the English folksong revival of the early 20th century, believing that much of the music presented as "English" by Cecil Sharp and his followers originated elsewhere  Notwithstanding his doubts, Tippett took some inspiration from these sources  The composer David Matthews writes of passages in Tippett's music which "evoke the 'sweet especial rural scene' as vividly as Elgar or Vaughan Williams     perhaps redolent of the Suffolk landscape with its gently undulating horizons, wide skies and soft lights" 

Works
After the withdrawn works written in the 1920s and early 1930s, analysts generally divide Tippett's mature compositional career into three main phases, with fairly fluid boundaries and some internal subdivision in each main period  The first phase extends from the completion of the String Quartet No  1 in 1935 to the end of the 1950s, a period in which Tippett drew on the past for his main inspiration   The 1960s marked the beginning of a new phase in which Tippett's style became more experimental, reflecting both the social and cultural changes of that era and the broadening of his own experiences  The mid-1970s produced a further stylistic change, less marked and sudden than that of the early 1960s, after which what Clarke calls the "extremes" of the experimental phase were gradually replaced by a return to the lyricism characteristic of the first period, a trend that was particularly manifested in the final works 

Withdrawn compositions
Tippett's earliest compositions cover several genres  Kemp writes that the works indicate Tippett's deep commitment to the learning of his craft, his early ability to manipulate traditional forms, and a general willingness to experiment  Clarke observes that in these youthful efforts, characteristics which would mark his mature work were already discernible  Some of the early work is of high quality—the Symphony in B flat of 1933 was, in Kemp's view, comparable to William Walton's contemporaneous First Symphony  Tippett pondered for years whether to include this work in his formal canon before deciding that its debt to Sibelius was too great  Nevertheless, it foreshadows techniques that feature in the String Quartet No  1 and in the Corelli Fantasia Other accomplished early works include the two string quartets, composed between 1928 and 1930, in which Tippett sought to combine the styles of Beethoven and Haydn respectively with folk-song, as Beethoven had in his Rasoumovsky quartets of 1806  Tippett explains the withdrawal of these and the other early works: "I realised very clearly that they were not totally consonant with myself  I didn't think they had the stamp of artistic durability  So I took the whole lot along to R O  Morris who agreed that they didn't show enough technical mastery "

First period: 1935 to late 1950s
Kemp identifies the String Quartet No  1 (1935) as marking Tippett's discovery of his individual voice  According to the composer Alan Ridout, the work stamped its character on Tippett's first period, and together with the second and third quartets of 1942 and 1946 it typifies his style up to The Midsummer Marriage  In the two works that immediately followed the first quartet, Bowen finds the Piano Sonata No  1 (1938) full of the young composer's inventiveness, while Matthews writes of the Concerto for Double String Orchestra (1939): "[I]t is the rhythmic freedom of the music, its joyful liberation from orthodox notions of stress and phrase length, that contributes so much to its vitality"  Both of these works show influence of folk music, and the finale of the Piano Sonata is marked by innovative jazz syncopations  According to Schuttenhelm, the Double Concerto marks the proper beginning of Tippett's  maturity as an orchestral composer 

In A Child of Our Time Tippett was, in Kemp's view, wholly successful in integrating the language of the spirituals with his own musical style  Tippett had obtained recordings of American singing groups, especially the Hall Johnson Choir, which provided him with a  model for determining the relationships between solo voices and chorus in the spirituals  Thus, Kemp believes, the fourth spiritual "O by and by" sounds almost as if it had been composed by Tippett   The composer's instructions in the score specify that "the spirituals should not be thought of as congregational hymns, but as integral parts of the Oratorio; nor should they be sentimentalised but sung with a strong underlying beat and slightly 'swung'" In Tippett's Symphony No  1 (1945), his only large-scale work between A Child of Our Time and The Midsummer Marriage, his "gift for launching a confident flow of sharply characterized, contrapuntally combined ideas" is acknowledged by Whittall  The same critic found the symphony's quality uneven, and the orchestral writing weaker than in the Double Concerto  Whittall offers nearly unqualified praise for The Midsummer Marriage, a view largely echoed by Mellers, who saw the perceived "difficulty" of the music as "an aspect of its truth"  He considered the opera one of the best musical-theatrical works of its era Three major works of the 1950s round off Tippett's first period: the Corelli Fantasia (1953), in which Clarke sees, in the alla pastorale section, the composer's instrumental writing at its best; the mildly controversial Piano Concerto (1955) which Whittall regards as one of the composer's most intriguing works—an attempt to "make the piano sing"; and the Symphony No  2 (1957) which Tippett acknowledges as a turning-point in his music  Until this point, says Matthews, Tippett's style had remained broadly tonal  The Second Symphony was his first essay in polytonality, paving the way to the dissonance and chromaticism of subsequent works  Milner, too, recognises the pivotal position of this symphony in Tippett's development which, he says, both sums up the style of the late 1950s and presages the changes to come 

Second period: King Priam to 1976
In his analysis of King Priam, Bowen argues that the change in Tippett's musical style arose initially from the nature of the opera, a tragedy radically different in tone from the warm optimism of The Midsummer Marriage  Clarke sees the change as something more fundamental, the increases in dissonance and atonality in Priam being representative of a trend that continued and reached a climax of astringency a few years later in Tippett's third opera, The Knot Garden  Tippett's new modernistic language, writes Clarke, was rooted in his desire to represent a wider range of human experiences, characteristic of a changing world: "War, violence, sex, homoeroticism, and social and interpersonal alienation [would now feature] much more overtly in [his] dramatic works or works with text"  Critics acknowledged Priam as a considerable achievement, but received the new musical style cautiously  While Gloag thought the change was not an absolute departure from Tippett's earlier style, Milner viewed King Priam as a complete break with Tippett's previous work, pointing out the lack of counterpoint, the considerably increased dissonances, and the move towards atonality: "very little of the music is in a definite key" 

Many of the minor works that Tippett wrote in the wake of King Priam reflect the musical style of the opera, in some cases quoting directly from it  In the first purely instrumental post-Priam work, the Piano Sonata No  2 (1962), Milner thought the new style worked better in the theatre than in the concert or recital hall, although he found the music in the Concerto for Orchestra (1963) had matured into a form that fully justified the earlier experiments  The critic Tim Souster refers to Tippett's "new, hard, sparse instrumental style" evident in The Vision of Saint Augustine (1965), written for baritone soloist, chorus and orchestra, a work which Bowen considers one of the peaks of Tippett's career During the late 1960s Tippett worked on a series of compositions that reflected the influence of his American experiences after 1965: The Shires Suite (1970), The Knot Garden (1970) and the Symphony No  3 (1972)  In The Knot Garden Mellers discerns Tippett's "wonderfully acute" ear only intermittently, otherwise: "thirty years on, the piece still sounds and looks knotty indeed, exhausting alike to participants and audience"  The Third Symphony is overtly linked by Tippett to Beethoven's Ninth Symphony through a vocal finale of four blues songs, introduced by a direct quotation from Beethoven's finale  Tippett's intention, explained by the music critic Calum MacDonald, was to explore the contemporary relevance of the grand, universal sentiments in Schiller's Ode to Joy, as set by Beethoven  Tippett's conclusion is that while the need to rejoice remains, the twentieth century has put paid to the Romantic ideals of universality and certainty After completing his Piano Sonata No  3 (1973), "a formidable piece of abstract composition" according to Bowen, Tippett returned to the modern vernacular in his fourth opera The Ice Break (1976)  Describing the music in an introduction to the published libretto, Tippett identifies "two archetypal sounds: one relating to the frightening but exhilarating sound of the ice breaking on the great northern rivers in the spring; the other related to the exciting or terrifying sound of the slogan-shouting crowds, which can lift you on your shoulders in triumph, or stamp you to death"   Although the work was generally regarded as a critical and public failure, aspects of its music have been recognised as among Tippett's best  The critic John Warrack writes that, after the violence of the opening acts, the third act's music has a lyrical warmth comparable to that of The Midsummer Marriage"  William Mann in The Times was equally enthusiastic, finding the music compelling and worthy of many a rehearing 

Third period: 1977 to 1995
In the late 1970s Tippett produced three single-movement instrumental works: the Symphony No  4 (1977), the String Quartet No  4 (1978), and the Triple Concerto for violin, viola and cello (1979)  The symphony, written in the manner of the tone poem or symphonic fantasia exemplified by Sibelius, represents what Tippett describes as a birth-to-death cycle, beginning and ending with the sounds of breathing  This effect was initially provided by a wind machine, although other means have been tried, with mixed results—according to Bowen "the sounds emitted can turn out to be redolent of a space-fiction film or a bordello"   The Fourth String Quartet, Tippett explains, is an exercise in "finding a sound" that he first encountered in the incidental music to a television programme on Rembrandt  In the Triple Concerto, which is thematically related to the Fourth Quartet and quotes from it, the three solo instruments perform individually rather than as a formal grouping  The work acknowledges Tippett's past with quotations from The Midsummer Marriage 
 
Tippett described the longest and most ambitious of his late works, the oratorio The Mask of Time (1982), as "a pageant of sorts with an ultimately lofty message"  Mellers called the work "a mind-boggling cosmic history of the universe"   Paul Driver, who had been a critic of Tippett's new style, wrote that the Mask revealed "the authentic early Tippett", with a return to the lyricism of The Midsummer Marriage and multiple acknowledgements of his early compositions Tippett had intended The Ice Break to be his final opera, but in 1985 he began work on New Year  Bowen saw this work as a summary of ideas and images that had attracted Tippett throughout his working life  Donal Henahan was dismissive of the music: "    the score generally natters along in the numbing, not-quite-atonal but antimelodic style familiar from other Tippett works " In Byzantium (1990), Tippett set the five stanzas of W  B  Yeats's poem, with added orchestral interludes  By this time he was professing little interest in his own work beyond its creation; performance and reception had become irrelevant to him  In 1996 he told an interviewer: "I'm outside the music I've made, I have no interest in it"  After the String Quartet No  5 (1991), which connects thematically with earlier works, Tippett closed his main output with The Rose Lake (1993), described in Tippett's Daily Telegraph obituary as "of luminous beauty     a worthy ending to a remarkable career" 

Reputation and legacy
In a joint study of Tippett and Britten published in 1982, Whittall designated the pair as "the two best British composers of that     generation born between 1900 and the outbreak of the First World War, and among the best of all composers born in the first two decades of the twentieth century"  After Britten's death in 1976, Tippett became widely regarded as the doyen of British music, but critical opinion of his later works was not always positive  After the first performance of the Triple Concerto in 1980, Driver wrote that "not since The Knot Garden has [he] produced anything worthy of his early masterpieces" In 1982, in his comparative study of Britten and Tippett, Whittall asserted that "it would be difficult to claim that any of the works [Tippett] has begun in his seventies are the equal of earlier compositions"  Although both Driver and Whittall later modified their opinions, such comments represented a general view among critics that Tippett's creative powers had begun to decline after the triumph of King Priam  This perception was strongly expressed by Derek Puffett, who argued that the decline followed Tippett's abandonment of myth—seen as the key to the success of The Midsummer Marriage and King Priam—and stemmed from his increasingly futile efforts to universalise his private agonies and express them musically  Despite his admiration for the early works, Puffett consigned Tippett "to the ranks of those noble but tragic composers who have lived beyond their time"  The  critic Norman Lebrecht, writing in 2005, dismissed almost all Tippett's output, labelling him "a composer to forget"  With the forthcoming centenary celebrations in mind, Lebrecht wrote: "I cannot begin to assess the damage to British music that will ensue from the coming year's purblind promotion of a composer who failed so insistently to observe the rules of his craft" Against these criticisms Kemp maintained that while the style had become less immediately accessible, Tippett's later works showed no loss of creative power   The critic Peter Wright, writing in 1999, challenged the "decline" theory with the view that the later compositions are "harder to come to terms with     because of the more challenging nature of their musical language", a theme he developed in a detailed study of the Fifth String Quartet After Tippett's death the more popular pieces from his first period continued to be played, but there was little public enthusiasm for the later works  After the relatively muted 2005 centenary celebrations, performances and recordings tailed off  In October 2012 Hewett wrote in the Daily Telegraph of a "calamitous fall" in Tippett's reputation since his death  Geraint Lewis acknowledges that "no consensus yet exists in respect of the works composed from the 1960s onwards", while forecasting that Tippett will in due course be recognised as one of the most original and powerful musical voices of twentieth-century Britain" Many of Tippett's articles and broadcast talks were issued in collections between 1959 and 1995  In 1991 he published an episodic autobiography, Those Twentieth Century Blues, notable for its frank discussions of personal issues and relationships  Collectively, Tippett's writings define his aesthetic standpoint, which Clarke summarises thus: "Tippett holds that art's role in post-Enlightenment culture is to offer a corrective to society's spiritually injurious domination by mass technology  Art, he suggests, can articulate areas of human experience, unapproachable through scientific rationality, by presenting 'images' of the inner world of the psyche "Although Tippett did not found a compositional school, composers who have acknowledged his influence include David Matthews and William Mathias  More generally, his musical and educational influence continues through the Michael Tippett Foundation  He is also commemorated in the Michael Tippett Centre, a concert venue within the Newton Park campus of Bath Spa University  In Lambeth, home of Morley College, is Heron Academy (previously named The Michael Tippett School), an educational facility for young people aged 11–19 with complex learning disabilities  Within the school's campus is the Tippett Music Centre, which offers music education for children of all ages and levels of ability 

Writings
Three collections of Tippett's articles and broadcast talks have been published:

Moving into Aquarius (1959)  London, Routledge and Kegan Paul  OCLC 3351563
Music of the Angels: essays and sketchbooks of Michael Tippett (1980)  London, Eulenburg Books  ISBN 0-903873-60-5
Tippett on Music (1995)  Oxford, Clarendon Press  ISBN 0-19-816541-2
Context 2: Passage 1:
Kody Lostroh
Kody Lostroh (born September 18, 1985) is an American former professional rodeo cowboy who specialized in bull riding  He was the 2009 Professional Bull Riders (PBR) world champion 

Background
Kody Lostroh was born on September 18, 1985 in Longmont, Colorado  Lostroh watched a video of Cheyenne Frontier Days so many times that his mother Dena Schlutz signed him up to ride at the Boulder County Fair in 1993, when he was seven years old  He won a Little Britches Rodeo National Bull Riding title in 2003 and the Colorado High School Rodeo Bull Riding Championship three consecutive years  Kody was attending the University of Wyoming, but quit after a semester to pursue the Professional Bull Riders (PBR) tour 

Career
In 2005, Lostroh won the PBR Rookie of the Year award and in 2009, he won the PBR Built Ford Tough Series World Championship  He qualified for the PBR World Finals 10 consecutive times (2005 to 2014)  Lostroh suffered multiple injuries throughout his career  For example, Lostroh injured his riding hand in January 2014 and missed most of the first half of that season  In August 2017, he was considering retirement to spend more time with his two daughters, when he began experiencing significant health problems  He was eventually diagnosed with a tumor wrapped around his carotid artery, requiring surgery  He went back to the PBR but still had some reservations On March 29, 2018, Lostroh announced his retirement from bull riding In 2022, Lostroh became the assistant coach to head coach Cord McCoy of the Oklahoma Freedom; one of eight bull riding teams of the PBR’s Team Series, which debuted that year  In September of that year, the Oklahoma Freedom won the event at Cowboy Days in Winston-Salem, North Carolina; the hometown event of rival team, the Carolina Cowboys  The very next weekend, the Freedom won their own hometown event at Freedom Fest in Oklahoma City  They were the first team to win their hometown event  The Freedom ended up finishing in fourth place at the conclusion of the inaugural PBR Team Series season 

Personal life
He raises bucking bulls in Ault, Colorado, at the Shield of Faith Cattle Company  As of 2016, Lostroh and his wife, Candace, who is a barrel racer, live in Ault, Colorado, with their two daughters 
Passage 2:
Bones (bull)
Bones #05 (born March 31, 2003) is an American former bucking bull  He competed in the Professional Bull Riders (PBR) circuit and was the PBR World Champion Bull in 2008 and 2010  Two other bulls, Dillinger and Smooth Operator, have also won the title two times  Three other bulls, Little Yellow Jacket, Bushwacker, and Bruiser won the award three times  In 2011, the year after Bones won the 2010 World Champion Bull title, when he was 7 years old, his owner, Tom Teague announced his retirement from the sport  Bones lives on Teague's ranch in his retirement  In 2014, the bull was inducted into the PBR Brand of Honor 

Background
Bones was born on March 31, 2003  Bones grew up at Teague Bucking Bulls in Graham, North Carolina  Teague was the 2006 PBR Co-Stock Contractor of the Year   Bones got his name when one of Tom Teague's workers described him as a "bag of bones " Lee Holt said, "He was the poorest little thing " He was too small to take care of himself with the other calves so they moved him to be alone in the barn  Through the years, he grew into a brawny 1,550 pounds (700 kg) pounds  He is a black bull with a white face Bones' sire was 263 Bone Collector  Bone Collector's jumping prowess while bucking was well known  Bones' paternal grandsire was 64 Psycho  His mother is a daughter of Whitewater, a well-known breeding bull  Whitewater's sire was No  34 Oscar's Velvet, the 1983 Professional Rodeo Cowboys Association (PRCA) Bucking Bull of the Year  Oscar's Velvet was the son of Oscar, a ProRodeo Hall of Fame bucking bull  Bones is also a half-brother of the retired and highly ranked bucking bull Troubadour owned by Julio Moreno Teague raised Bones and retained full ownership of the bull throughout his bucking career and into retirement  This was not the first time Teague had ownership in a World Champion Bull, as he also had part ownership in world champion bulls Little Yellow Jacket, Mossy Oak Mudslinger, and Big Bucks, including gaining full ownership of Little Yellow Jacket for most of his retirement  This was, however, the first time Teague retained full ownership in a bull that he raised himself  He intended to keep Teague Bucking Bulls continuing in that direction, but decided in April 2014 to leave the stock contractor business  However, in an interview with the PBR, Teague stated that he would continue his position on the board of directors and aid them in "taking the sport to the next level "

Career
One of the ways that Teague exercised Bones was in a circular sand pit that he had made, where he installed a type of hot walker sometimes used for horses  Once an animal was inside, there were walls that moved around in a circular direction, forcing the bull to walk in between them  Teague compared working in deep sand to walking on the beach – it took more effort than walking on hard ground Bones bucked in the PBR, mostly on the Built Ford Tough Series (BFTS), the elite series of the circuit, for four seasons, but only three were complete seasons, as he only bucked at one BFTS event in 2007  Two-time PBR World Champion bull rider Justin McBride stated that Bones is the "real deal"  He said Bones is one of only two bulls he got on more than once who bucked him off each time—he never got a qualified ride on Bones  McBride first got on the bull at an event at Columbus, Ohio, in 2008 when Bones was a fairly unknown five-year-old  Bones bucked him off 

2008 title
Bones qualified for the PBR World Finals his first time in 2008  McBride again picked him in round two and Bones bucked him off faster than in their first meeting  According to McBride, Bones had gotten better and "handed him his hat"  Bones bucked off all three riders at his first finals  Bones made what became his trademark set of bucking moves, going up high and bringing the rider over his shoulder and then down  In 4 7 seconds, McBride bucked off Bones  "It had been a long time since a bull had treated me that way," McBride said  For the other two riders, in round four Zack Brown bucked off Bones in 2 8 seconds, and in the final round 2008 World Champion Guilherme Marchi bucked off in 4 seconds  Bones finished the evening with bull scores of 47 points, 46 points, and 47 25 points  His bull score of 47 25 points was a career best  Bulls are scored from 1 to 50 points, half of the total score  The bull rider gets the other half of the score; together it totals up to 100  These bull scores were high enough to win the 2008 World Champion Bull title 

Betting events
An event between Bones and J B  Mauney on February 13, 2009, was billed as the best bull against the best bull rider  Tom Teague claimed that "no cowboy wearing spurs could stay on his star bull for the eight-second count", resulting in extensive comments from fans and stock contractors on the PBR site  The event took place that night as part of the PBR Express Classic event at the Ford Center, now known as Chesapeake Energy Arena, in Oklahoma City, Oklahoma  Teague pitted his unridden bull Bones head to head against the current world standings leader and 2013 world champion with a prize of $20,000  Bones had been 13–0 on the BFTS circuit so far  Bones had bucked off, or "dusted", both McBride and 2002 World Champion Ednei Caminhas twice  He had dusted Marchi three times, and the last time, Marchi lost the opportunity to win $20,000; Teague bet that much against Marchi  Since Mauney was the world standings leader, he felt "slighted" that he was not offered an opportunity at Bones when Marchi got two  When Marchi fell the third time, Mauney asked Teague for a turn  Mauney would earn $20,000 if he became the first to make a successful eight-second qualifying ride on Bones, while Teague bet he would hit the dust in four seconds  Mauney succeeded  He rode Bones for a qualifying time and scored 93 5 points out of a maximum of 100  Although there was a great deal of hype about the event that weekend, Mauney stated that he just did what he did with every bull, "kept my hand shut and held on"  Teague said he was happy to see Mauney prove why he is the number one bull rider in the world  That score of 93 5 points became the highest-combined score of Bones' career In February 2009, stock contractor Chad Berger made it known in an interview that he reached his fill of hearing from Teague and others how great Bones is  Berger owned a rival bull named Big Tex, who he considered better than Bones  The then-current Stock Contractor of the Year challenged Teague to a contest for $25,000  Teague countered for $50,000 and Berger accepted  The match-up pitted the two bulls in the championship round of the Enterprise Rent-a-Car Invitational  World champion cowboy Ty Murray attested that they were both great bulls, and the outcome might depend on which bull rider drew which bull  The round took place in the Scottrade Center in St  Louis, Missouri, on Sunday, March 1, 2009  NBCSN's program Versus broadcast it in prime time  It was the first time the PBR sponsored a contest like this  No other bull vs bull challenge earned an owner such a large sum of money before  Zack Brown drew Big Tex, and 2004 World Champion Mike Lee drew Bones  Both men bucked off  It was an extremely close match, with Big Tex narrowly winning with a bull score of 46 to Bones' 45 5, giving Berger some relief  Berger received more relief later that year when a bull he owned an interest in, Code Blue, won that year's World Champion Bull title 

2010 title
PBR Livestock Director Cody Lambert believed that Bones was matched up with the best riders, and he proved he was their equal or better  Due to his bull scores, athleticism, and buck off percentages, he distinguished himself from the other bulls  In the 2010 PBR World Finals, Lambert did not hesitate to praise Bones when the bull won the World Champion Bull title again, this time against the favorite, Bushwacker  According to Lambert, it was surprising Bones won, but it was not a complete upset At the finals, Bones first bucked off Mauney, who had ridden him back in 2009  Mauney only lasted four seconds  Bones was given a 45 25 bull score  Some argued his score was slightly lower due to the judges foreseeing a qualified ride from Mauney  Marchi, who was up next, tied his hand down too far, according to fellow bull rider J W  Hart  This prevented Marchi from keeping up with Bones' change of direction; Bones bucked him off easily in two seconds, and was scored 47 25 which won him the World Champion Bull title  McBride felt winning two titles under different circumstances was impressive: the first time because he was an unknown, and the second time because other he was an underdog due to other bulls like Bushwacker who were favored to win 

Summary
Bones bucked on the PBR tour a total of 45 times  He was ridden for a qualified ride only five times, giving him an 88 89% buckoff percentage at all levels  Bones bucked on the BFTS 34 times  Of those, he was ridden for a qualified ride four times, for an 88 24% buckoff percentage in the BFTS  Bones ranked 14th overall in the BFTS as of April 2017 according to Probullstats  Out of his four years on the BFTS, he qualified for the PBR World Finals three times  His average bull score was 45 56 points for all four years  Most do not take his first year on the BFTS seriously, since he only bucked one time that year, which was 2007  He had three scores over 90 points  On February 18, 2009, in Oklahoma City, Oklahoma, Mauney rode him for 93 50 points  On October 30, 2009, in Las Vegas, Nevada, at the PBR World Finals, Pete Farley rode him for 93 25 points  And, on January 8, 2010, at Madison Square Garden, in New York City, Shane Proctor rode him for 91 25 points  Scores of 90 or higher points are tracked in the PBR's 90 Point Club  Mauney's ride did not count because it was a special match staged to top off the event, and not part of the BFTS circuit Bones was active from 2006 until 2010 at all levels  He won the World Champion Bull title in 2008 and 2010  He also won the Bull of the World Finals title both those same years  He, Dillinger, and Smooth Operator are the only two-time World Champion Bull title winners; Bones was the first bull to win multiple World Champion Bull titles in non-consecutive years  Only three other bulls won the title three times: Bushwacker, Little Yellow Jacket, and Bruiser  Their performances and the number of titles won is part of the reason these bulls (except Smooth Operator and Bruiser) were each selected to receive the Professional Bull Riders Heroes and Legends Celebration: Brand of Honor  This honor was inaugurated in 2011 and first given to Little Yellow Jacket  Bones was the 2014 inductee 

Retirement and legacy
Teague retired Bones after the 2010 BFTS season when he was 7 years old  He announced it at the beginning of the 2011 BFTS season  Bones was still in the peak of his career at the time  Four years later, in 2014, the PBR announced that they were honoring Bones with the Heroes and Legends Celebration: Brand of Honor  Bones was the fourth recipient to receive the Brand of Honor  The PBR created the Brand of Honor in 2011 to honor exemplary bulls in the sport  The ceremony usually takes place during the PBR World Finals, currently held at T-Mobile Arena on the Las Vegas Strip  Lambert was not surprised Bones received the Brand of Honor  He felt that Bones was one of the finest bulls ever to compete in the PBR  Lambert also felt the honor was appropriate because otherwise it is difficult for people to recall great bulls once they are not around  He compared Bones to bulls like Bushwacker, Voodoo Child, and even famous bulls of the past such as Mr  T and 105 of Dell's Hall As far as retiring Bones if he won the 2010 title, Teague said he had made up his mind to do it  McBride and Lambert both believed Teague wanted to see Bones go out while he was still on top  Teague also didn't want to chance Bones getting injured after he had already got two titles  Teague said, "What more can you ask for out of a bull? I couldn't be happier with him " Some think Bones could have matched Little Yellow Jacket's three title record  Teague has stated that he is happy with the way things ended  Bones is retired at Teague's ranch in Graham, North Carolina Two months before the PBR World Finals in 2014, McBride said Bones was one of the most gifted bulls he had been on, and was even harder to ride than World Champion Mossy Oak Mudslinger  At the time, Little Yellow Jacket was the solo holder of three World Champion titles, but McBride believed that Bones was more difficult to ride than Little Yellow Jacket  He compared Bones to other bulls that could yank a rider down to make them lose their seat like Rampage and Hollywood  Hearing of Bones receiving the Brand of Honor was no surprise to McBride, as he considered him one of the greats  That year, Bushwacker would win his third World Champion Bull title, and Lambert compared Bones to Bushwacker at the same stage of their bucking careers, noting that Bushwacker and Bones had a similar physicality and demeanor  "[Bones] excelled in all five categories: buck, kick, direction change, intensity and degree of difficulty " He could get his front feet 3 to 4 feet (0 91 to 1 22 m) in the air and then break over  He had a sense for knowing who was on his back  He performed at his best with the toughest riders  Lambert added that Bones was perhaps the second-best bull the PBR has seen  It is widely established that the PBR regards Bushwacker as the best bull they have ever seen 

Honors
2008 PBR World Champion Bull
2008 PBR Bull of the World Finals
2010 PBR World Champion Bull
2010 PBR Bull of the World Finals
2014 PBR Brand of Honor
Passage 3:
Colin Fleming (racing driver)
Colin Fleming (born April 27, 1984) is an American former racing driver & Formula 1 test driver who competed in the World Series by Renault 3 5, Formula Renault 2 0 Eurocup, and Formula Renault 2000 Germany with Jenzer Motorsport and Carlin Motorsport after a successful go-karting career, winning 10 North American and National Championships 

Racing career
A former member from the Red Bull Junior Team, Fleming finished 3rd in the Formula Renault 2 0 Eurocup in 2004 and was rookie of the year in the Formula Renault 2000 Germany also in that year  He raced against fellow American and Californian and future Formula One driver Scott Speed  In 2005, he switched to the Formula Renault 3 5 with Swiss team Jenzer Motorsport, despite three DNS in the first 3 and missing one race of that season he finished 13th with 34 points with a best finish of 3rd in the second race in the Bugatti Circuit in LeMans, France  In 2006, he joined Carlin where he finished 6th in the first race of the season in Zolder  Later that year, he finished 4th in Circuit de Monaco and 8th in both races in Istanbul Park, but left Carlin and the Red Bull Junior team after the latter  Red Bull replaced him with fellow Red Bull Junior Team member and future Formula One Champion Sebastian Vettel After leaving Red Bull, he returned to the United States to complete in the Atlantic Championship mid-season 

Personal life
He is currently a Executive Vice President of Marketing with Salesforce 

Complete motorsports results
American Open-Wheel racing results
(key) (Races in bold indicate pole position, races in italics indicate fastest race lap)

2003 Barber Dodge Pro Series (Rookie of the Year, 5th in championship)
2004 German Formula Renault – 2nd in the Championship
2004 European Formula Renault – 3rd in the Championship
World Series by Renault 3 5
(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)
Passage 4:
Jan Bull
Jan Bull (7 January 1927 – 16 December 1985) was a Norwegian author and theater instructor  Born in Paris,  he was son of the Norwegian poet Olaf Bull and the grandson of author Jacob Breda Bull 

Bibliography
13 poetry – poetry (1957) 
Marianne – (1959)
Sommerfuglene (1960)
Den siste fuglen – poetry (1961)
Sodoma – poetry (1964)
En vanligvis godt underrettet kilde – poetry (1967)
Masker – poetry (1976)
Døden ville lese Dickens – novel (1981)

Awards
1981– Riksmål Society Literature Prize
Passage 5:
Buxtehude Bull
The Buxtehude Bull (German: Buxtehuder Bulle) is an award for youth literature, established in 1971 by Winfried Ziemann, a local book merchant from Buxtehude, a Hanseatic City located in the Hamburg Metropolitan Region  The town council took over the sponsorship of the award in 1981  The award is given annually to the best children's or young-adults' book published in German (either native language or translated) in the preceding year  The writer is presented with a small steel statue of the bull (German: Bulle)  Ferdinand, from the popular work The Story of Ferdinand by Munro Leaf, and also receives a monetary prize  of €5,000 

Awards
1971: Alexander Sutherland Neill, Die grüne Wolke
1972: Cili Wethekam, Tignasse, Kind der Revolution
1973: Tilman Röhrig, Thoms Bericht
1974: Gail Graham, Zwischen den Feuern
1975: Johanna Reiss, Und im Fenster der Himmel
1976: Jaap ter Haar, Behalt das Leben lieb
1977: Gudrun Pausewang, Die Not der Familie Caldera
1978: Leonie Ossowski, Stern ohne Himmel
1979: Michael Ende, Die unendliche Geschichte (The Neverending Story)
1980: Hermann Vinke, Das kurze Leben der Sophie Scholl
1981: Myron Levoy, Der gelbe Vogel (Alan and Naomi)
1982: Rudolf Frank, Der Junge, der seinen Geburtstag vergaß
1983: Gudrun Pausewang, Die letzten Kinder von Schewenborn (The Last Children of Schewenborn)
1984: Mildred D  Taylor, Donnergrollen hör mein Schrei'n
1985: Urs M  Fiechtner, Annas Geschichte
1986: Joan Lingard, Über die Barrikaden
1987: James Watson, Hinter vorgehaltener Hand
1988: Isolde Heyne, Sternschnuppenzeit
1989: Heidi Glade-Hassenmüller, Gute Nacht, Zuckerpüppchen
1990: Maria Seidemann, Rosalie
1991: Ursula Wölfel, Ein Haus für alle
1992: Mecka Lind, Manchmal gehört mir die ganze Welt
1993: Klaus Kordon, Der erste Frühling
1994: Katarina von Bredow, Ludvig meine Liebe
1995: Tonke Dragt, Turmhoch und meilenweit
1996: Jostein Gaarder, Durch einen Spiegel, in einem dunklen Wort (Through a Glass, Darkly)
1997: Ralf Isau, Das Museum der gestohlenen Erinnerungen
1998: Andreas Steinhöfel, Die Mitte der Welt
1999: John Marsden, Gegen jede Chance (Third Day, the Frost)
2000: Sherryl Jordan, Junipers Spiel
2001: David Grossman, Wohin du mich führst
2002: Hanna Jansen, Über tausend Hügel wandere ich mit dir
2003: Nancy Farmer, Das Skorpionenhaus (The House of the Scorpion)
2004: Rainer M  Schröder, Die Lagune der Galeeren
2005: Kevin Brooks, Lucas
2006: Stephenie Meyer, Bis(s) zum Morgengrauen (Twilight)
2007: Anne C  Voorhoeve, Liverpool Street
2008: Markus Zusak, Die Bücherdiebin (The Book Thief)
2009: Suzanne Collins, Die Tribute von Panem – Tödliche Spiele (The Hunger Games)
2010: Susan Beth Pfeffer, Die Welt, wie wir sie kannten
2011: Lauren Oliver, Delirium
2012: John Green, Das Schicksal ist ein mieser Verräter
2013: Christine Fehér, Dann mach ich eben Schluss
2014: David Safier, 28 Tage lang
2015: Victoria Aveyard, Die Farben des Blutes: Die rote Königin
2016: Tamara Ireland Stone, Mit anderen Worten: ich
2017: John Boyne, Der Junge auf dem Berg (The Boy at the Top of the Mountain)
2018: Amy Giles, Jetzt ist alles, was wir haben (Now Is Everything)
2019: Wendelin Van Draanen, Acht Wochen Wüste (Wild Bird)
2020: Alan Gratz, Vor uns das Meer  Drei Jugendliche, drei Jahrzehnte, eine Hoffnung (Refugee)
2021: Malene Sølvsten, Ansuz – Das Flüstern der Raben
Passage 6:
Balarama (elephant)
Balarama (c  1956 – 7 May 2023) was the lead elephant of the Mysore Dasara procession and carried the idol of goddess Chamundeshwari on the fabled Golden Howdah thirteen times between 1999 and 2011  Balarama was a bull born about 1958 and was accompanied in the procession by other Dasara Elephants  Of the many (about 16) elephants participating, Balarama was one of the star attractions when he carried on his back the sacred idol of goddess Chamundeshwari in the 750 kilograms (1,650 lb) golden howdah on the auspicious 10th day of Dasara celebrations 

History
Balarama was captured in 1987 in the Kattepura forest near Somwarpet, in the Kodagu region of Karnataka  Balarama has taken part in the Dasara procession since 1994, carrying the golden howdah  A very silent bull (against the norm for elephants), he was said to be an introvert, and had to have special training so he could withstand the firing of cannons that occurs during the festival He succeeded Drona as the carrier of the Golden Howdah 
Balarama was not the first choice to carry the Howdah after Drona  Elephant Arjuna, a 44-year-old bull weighing 5,600 kilograms (12,300 lb) was supposed to be the carrier of the howdah, but was sidelined for accidentally killing a Mahout  One day, Arjuna went to bathe in a river with elephant Bahadur and Bahadur's trainer Annayya  While crossing a road, the elephants were startled by a vehicle and in the chaos that ensued, the rider Annayya fell down to the ground, only to be stamped on the head by Arjuna  He was crushed to death



ground_truth: Michael Kemp Tippett

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What year was the author of Cock and Bull born? 

The following are given passages.
Context 2:  People opined that an elephant that had killed a man was unfit to carry the religious duties of Dasara  So Arjuna, while being as capable as Drona, was not given the honorable duty, though he did have the honour of carrying the Chinnada Ambari once before being replaced by Balarama  Balarama had been rested from the duty of carrying the Golden Howdah due to his reducing weight and has been succeeded by Arjuna  Balarama led the procession as the 'nishane aane' or the lead elephant 
Balarama's Mahout Sannappa once refused to mount Balarama after his family were stopped by the police from watching him ride during Dasara 
Balarama refused food given to him by anybody other than his Mahout  Balarama weighed about 4590 Kilograms and he conquered the hearts of human beings by his majestic looks and the silence that he possessed  He was looked after at the Morkal Elephant camp at Nagarahole national park and his previous mahout Sannappa has retired and his new master Thimma has taken over 
The 67-year-old elephant was critically ill and under the care of a veterinarians at the Bhimanakatte elephant camp in the Hunsur range of the Nagarhole park  Despite the efforts of the medical team, Balarama’s condition deteriorated  According to reports, Balarama had been recovering from an ulcer in his mouth but the veterinarian treating him suspected that he may have been suffering from tuberculosis  He died on 7 May 2023 

See also
List of individual elephants
Passage 7:
Justin Tranchita
Justin Chase Tranchita  (born June 22, 1981) is an American singer, songwriter, actor, and businessman  Born in Geneva, Illinois and raised in Princeton, Illinois  He achieved popularity by his recurring role on Game of Pawns and his music 

Life and career
Early life and career beginning
Justin was born to Joseph James Tranchita and Julee Ann Child in Geneva, Illinois, on June 22, 1981  His paternal grandfather was an immigrant from Marsala, Italy, while his mother was of Jewish and Irish ancestry  He has four elder siblings, Joe (born 1971), Julie (born 1974), Pam (born 1976) and Angie (born 1978) and four younger siblings, Jonathan (born 1983), Elliott (born 1990), Joshua (born 1995) and Marie (born 2000) 
He was raised in Princeton, Illinois just past the Red Covered bridge on a farm with animals surrounded by corn fields  He attended Princeton High school and played football for the school but due to his parents religious beliefs he was pulled out of attendance and home schooled after his sophomore year  Tranchita went on several humanitarian trips as a boy taking him all over America and twice to Israel  After his parents divorced his senior year in high school Tranchita had a crisis of faith and left Princeton  He later told the Bureau County Republican that "It was kind of a long road out of Princeton but it was the best place a kid could grow up  " Justin received a music scholarship to Greenville College and attended in 1999  In 2000 he dropped out of college and relocated to Branson , Missouri where he met Don Williams brother of American singer Andy Williams and Robert Vinton son of American singer Bobby Vinton  who helped Justin take the leap into a career in music and television 

Television and music
Tranchita starred on the television series Game of Pawns which airs on the Discovery Channel globally  The series was filmed in 2013 by High Noon Entertainment and is based on the goings on in a pawn shop in Branson, Missouri  Justin is joined by Scott Velvet and Brian Roman in this television game show which continues to run as re-runs in the United States and around the world on Discovery networks Recorded with producer and writer Steve Messer, the song "This is America" features lyrics about American politics  It first became noticed when the Ben Carson presidential campaign heard the song and decided to use it as their campaign song for 2016  Quickly after Ben Carson used the song it had commercial success by reaching number one on the Billboard Twitter Emerging Artist chart on November 28th, 2015 where it continued to stay on the chart for weeks  The song was controversial in nature and garnered mixed reviews, digg com said it was "one of the worste campaign songs of all time " Dan Fallon of digg com wrote "Props to Tranchita for almost getting the lyric "While governmental power tends to grow continuously" to not sound super awkward " Tranchita told The Guardian, "When I started to look into Ben Carson and what he stood for   people who have a faith – I identify with them because it does separate from people who do not ” Ben Carson personally thanked Justin for allowing him to use the song publicly in a statement to his Facebook followers, This is America returned to the number one spot again in 2016 after spending ten weeks on Billboards Emerging chart  This gave Tranchita a number one hit with the same song in two different years 

Discography
The Devil Song, (single)  (2012)
Cock of The Walk (2012)
This is America (single) (2015)
American Man 2016

Michigan State House Run
After the song "This is America" vaulted Tranchita into the political limelight he decided to run for the Michigan State House, district 32 in March of 2016  He was among Macomb County Republicans competing in state House races  Tranchita said the popularity of his song was responsible in part for his run, he told The Detroit News, "Millions of people have responded to [the song]    There's some angst, some anger, and people are feeling like their voices aren't heard  I feel that  I'm a blue-collar guy, not some elitist or crony that wants to be in the ruling class " After a very hard fought race Tranchita was narrowly defeated in his first ever political campaign by six percent in the August 2016 primary 
Passage 8:
Cock and Bull (book)
Cock and Bull is the title of a volume composed of two novellas by Will Self, which includes the stories Cock and Bull  The two stories are characterized by empty, emotionless, phatic sex; rape; cruelty; and violence  The book was originally published in 1992 by Bloomsbury 

Plot summaries
Cock
A woman grows a penis and then uses it to rape her tedious, alcoholic husband and his patronising, evangelical mentor from Alcoholics Anonymous  In the story's final twist, the woman comes into non-consensual contact with her violating member, and makes allusions to The Rime of the Ancient Mariner 

Bull
A sensitive rugby player-cum-writer for a small magazine grows a vagina behind his knee  His megalomaniacal general practitioner, having discovered the vagina during an examination, conceals it from Bull, telling him it was 'a burn and a wound', though later visits Bull at home, fixated on this popliteal yoni  The doctor, removing the bandages from the site, reveals the truth, and seduces Bull while he is traumatised and huddled beneath the sink 
Gender stereotypes are examined; much fun is made of modern literary criticism and its often clichéd takes on the gender debate 

Reviews
"In recounting such events, Mr  Self demonstrates an uncanny ability, similar to that displayed by Kafka in The Metamorphosis, to lend utterly absurd events an aura of verisimilitude by grounding the fantastic in the mundane  He possesses all those gifts a satiric writer might want: an eye for the telling detail, an ear for the pretensions of contemporary locution, an ability to write idiosyncratic prose that twinkles with cleverness and wit  Unfortunately, in this volume, these copious gifts are all too frequently put in the service of a misogynistic and ridiculously sophomoric vision  " Michiko Kakutani, The New York Times
Passage 9:
Will Self
William Woodard Self (born 26 September 1961) is an English author, journalist, political commentator and broadcaster  He has written 11 novels, five collections of shorter fiction, three novellas and nine collections of non-fiction writing  Self is currently Professor of Modern Thought at Brunel University London, where he teaches psychogeography His 2002 novel Dorian, an Imitation was longlisted for the Booker Prize, and his 2012 novel Umbrella was shortlisted  His fiction is known for being satirical, grotesque and fantastical, and is predominantly set within his home city of London  His writing often explores mental illness, drug abuse and psychiatry 
Self is a regular contributor to publications including The Guardian, Harper's Magazine, The New York Times and the London Review of Books  He currently writes a column for the New Statesman, and he has been a columnist for the Observer, The Times, and the Evening Standard  His columns for Building Design on the built environment, and for the Independent Magazine on the psychology of place brought him to prominence as a thinker concerned with the politics of urbanism 
Self is a regular contributor to British television, initially as a guest on comic panel shows such as Have I Got News for You  In 2002, Self replaced Mark Lamarr on the BBC comedy panel show Shooting Stars  for two series, but was himself replaced by comedian Jack Dee when the programme returned in 2008   He has since appeared on current affairs programmes such as Newsnight and Question Time  Self is a contributor to the BBC Radio 4 programme A Point of View, to which he contributes radio essays delivered in his familiar "lugubrious tones"  In 2013, Self took part in discussions about becoming the inaugural BBC Radio 4 Writer-in-Residence, but later withdrew 

Early life
Self was born in Charing Cross Hospital and brought up in North London, between the suburbs of East Finchley and Hampstead Garden Suburb  His parents were Peter John Otter Self, Professor of Public Administration at the London School of Economics, and Elaine Rosenbloom, from Queens, New York, who worked as a publisher's assistant  His paternal grandfather was Sir Albert Henry Self  Self spent a year living in Ithaca in upstate New York Self's parents separated when he was nine, and divorced when he was 18  Despite the intellectual encouragement given by his parents, he was an emotionally confused and self-destructive child, harming himself with cigarette ends and knives before beginning to experiment with drugs Self was a voracious reader from a young age  When he was 10, he developed an interest in works of science fiction such as Frank Herbert's Dune and the works of J  G  Ballard and Philip K  Dick  Into his teenage years, Self claimed to have been "overawed by the canon", which stifled his ability to express himself  Self's use of drugs increased in step with his prolific reading  He started smoking cannabis at the age of 12, progressing by way of amphetamines, cocaine and LSD to heroin, which he started injecting at 18  Self struggled with mental health issues during this period, and aged 20 became a hospital outpatient Self attended University College School, an independent school for boys in Hampstead  He later attended Christ's College, Finchley, from where he went to Exeter College, Oxford, reading Philosophy, Politics and Economics and graduated with a third class degree  At Oxford, he was editor of and frequent contributor to an underground left-wing student newspaper called Red Herring/Oxford Strumpet, copies of which are archived in the Bodleian Library 

Career
After graduating from Oxford, Self worked for the Greater London Council, including as a road sweeper, while residing in Brixton  He pursued a career as a cartoonist for the New Statesman and other publications and as a stand-up comedian  He moved to Gloucester Road around 1985  In 1986 he entered a treatment centre in Weston-super-Mare, where he claimed that his heroin addiction was cured  In 1989, "through a series of accidents", he "blagged" his way into running a small publishing company The publication of his short story collection The Quantity Theory of Insanity brought him to public attention in 1991  Self was hailed as an original new talent by Salman Rushdie, Doris Lessing, Beryl Bainbridge, A  S  Byatt and Bill Buford  In 1993, he was nominated by Granta magazine as one of the 20 "Best Young British Novelists"  Conversely, Self's second book, My Idea of Fun, was "mauled" by the critics Self joined the Observer as a columnist in 1995  He gained negative publicity in 1997 when he was sent to cover the election campaign of John Major and was caught by a rival journalist using heroin on the Prime Minister's jet; he was fired as a result  At the time, he argued "I'm a hack who gets hired because I do drugs"  He joined the Times as a columnist in 1997  In 1999 he left the Times to join the Independent on Sunday, which he left in 2002 for the Evening Standard He has made many appearances on British television, especially as a panellist on Have I Got News for You and as a regular on Shooting Stars  Since 2008 Self has appeared five times on Question Time  He stopped appearing in Have I Got News for You, stating the show had become a pseudo-panel show  Between 2003 and 2006, he was a regular contributor to the BBC2 television series Grumpy Old Men Since 2009, Self has written two alternating fortnightly columns for the New Statesman  The Madness of Crowds explores social phenomena and group behaviour, and in Real Meals he reviews high street food outlets  For a May 2014 article in The Guardian, he wrote: "the literary novel as an art work and a narrative art form central to our culture is indeed dying before our eyes", explaining in a July 2014 article that his royalty income had decreased "dramatically" over the previous decade  The July article followed the release of a study of the earnings of British authors that was commissioned by the Authors' Licensing and Collecting Society Self is a professor of Modern Thought at Brunel University London  He was appointed in 2012 

Literary style
According to M  Hunter Hayes, Self has given his reason for writing as follows: "I don't write fiction for people to identify with and I don't write a picture of the world they can recognise  I write to astonish people " "What excites me is to disturb the reader's fundamental assumptions  I want to make them feel that certain categories within which they are used to perceiving the world are unstable "When he was ten, he developed an interest in works of science fiction such as Frank Herbert's Dune and those of J  G  Ballard and Philip K  Dick  Self admires the work of J  G  Ballard, Alasdair Gray and Martin Amis  He has said that he previously admired William Burroughs but went off him  He has cited influences such as Jonathan Swift, Franz Kafka, Lewis Carroll and Joseph Heller as formative influences on his writing style  Other influences on his fiction include Hunter S  Thompson  Self credits Céline's book Journey to the End of the Night with inspiring him to write fiction Zack Busner is a recurring character in Self's fiction, appearing in the short story collections The Quantity Theory of Insanity, Grey Area and Dr  Mukti and Other Tales of Woe, as well as in the novels Great Apes, The Book of Dave, Umbrella and Shark  Busner is a psychiatrist and psychoanalyst practising in London, and is prone to self-promotion at the expense of his patients  He is often the antagonist of the stories he appears in, although not always with villainous intent 
Among Self's admirers was the American critic Harold Bloom  Journalist Stuart Maconie has described him as "that rarity in modern cultural life, a genuine intellectual with a bracing command of words and ideas who is also droll, likeable and culturally savvy "

Political views
In the 2015 UK general election Self voted Labour in a general election for the first time since 1997  In May 2015, he wrote in The Guardian: "No, I'm no longer a socialist if to be one is to believe that a socialist utopia is attainable by some collective feat of will – but I remain a socialist, if 'socialism' is to be understood as an antipathy to vested interests and privileges neither deserved nor earned, and a strong desire for a genuinely egalitarian society " In March 2017, he wrote in the New Statesman: "Nowadays I think in terms of compassionate pragmatism: I'll leave socialism to Žižek and the other bloviators "In July 2015 Self endorsed Jeremy Corbyn's campaign in the Labour Party leadership election  He said during a Channel 4 News interview that Corbyn represents a useful ideological divide within Labour, and could lead to the formation of a schism in the party Self is a republican 

Personal life
Self's mother died in 1988  He was married from 1989 to 1997 to Kate Chancellor  They have two children, a son, Alexis, and a daughter, Madeleine  They lived together in a terraced house just off the Portobello Road  In 1997, Self married journalist Deborah Orr, with whom he has sons Ivan and Luther  In 2017, Orr and Self separated, and Self was living in a rented flat in Stockwell  Orr died on 20 October 2019 
Self has stated that he has abstained from drugs, except for caffeine and nicotine, since 1998  He sent his younger children to private schools after they experienced bullying at state schools in Lambeth Self was diagnosed with the blood disease Polycythaemia vera in 2011 He has described himself as a psychogeographer and modern flâneur, and has written about walks he has taken  In December 2006, he walked 26 miles (42 kilometres) from his home in South London to Heathrow Airport  Upon arriving at Kennedy Airport he walked 20 miles (32 kilometres) from there to Manhattan  In August 2013, Self wrote of his anger following an incident in which he was stopped and questioned by police in Yorkshire while out walking with his 11-year-old son, on suspicion of being a paedophile  The police were alerted by a security guard at Bishop Burton College  He had asked the security guard for permission to cross the school grounds In September 2018 Self was accused of "mental cruelty" by Orr in relation to their divorce, in a series of posts on Twitter Self has discussed his Jewish heritage and its impact on his identity  In 2006, Self  'resigned' as a Jew as a protest against the Israeli invasion of Lebanon  In 2018 he stated in an interview with the BBC that he had rethought his position, due to the resurgence of anti-Semitism in Britain Self is 6 feet 5 inches (196 cm) tall, collects vintage typewriters and smokes a pipe  His brother is the author and journalist Jonathan Self Self became a vegetarian in 2019 

Legacy
In 2016, the British Library acquired Self's archive; the collection is a hybrid archive of paper and born-digital material  The Papers of Will Self are divided into two parts: family papers and personal and literary papers  The papers can be accessed through the British Library catalogue 

Awards
1991: Geoffrey Faber Memorial Prize for The Quantity Theory of Insanity
1998: Aga Khan Prize for Fiction from The Paris Review for Tough Tough Toys for Tough Tough Boys
2008: Bollinger Everyman Wodehouse Prize for Comic Fiction for The Butt

Works
Novels
Cock and Bull (1992)
My Idea of Fun (1993)
The Sweet Smell of Psychosis (illustrated novella) (1996)
Great Apes (1997)
How the Dead Live (2000)
Dorian, an Imitation (2002)
The Book of Dave (2006)
The Butt (2008)
Walking to Hollywood (2010)
Umbrella (2012)
Shark (2014)
Phone (2017)

Short story collections
The Quantity Theory of Insanity (1991)
Grey Area (1994)
Tough, Tough Toys for Tough, Tough Boys (1998)
Dr  Mukti and Other Tales of Woe (2004)
Liver: A Fictional Organ with a Surface Anatomy of Four Lobes (2008)
The Undivided Self: Selected Stories (2010)

Non-fiction
Self has also compiled several books of work from his newspaper and magazine columns which mix interviews with counter-culture figures, restaurant reviews and literary criticism 

Junk Mail (1996)
Perfidious Man (2000) photography by David M  Gamble
Sore Sites (2000)
Feeding Frenzy (2001)
Psychogeography (2007)
Psycho Too (2009)
The Unbearable Lightness of Being a Prawn Cracker (2012)
Will (2019)
Why Read: Selected Writings 2001-2021 (2022)

Television
The Minor Character – Self's short story was turned into a short film on Sky Arts which starred David Tennant as "Will" 
Passage 10:
Guilherme Marchi
Guilherme Marchi (pronounced Gih-lare-mee Mar-kee) (born July 22, 1982) is a Brazilian former professional rodeo cowboy who specialized in bull riding, and competed in the Professional Bull Riders (PBR) circuit  He was the 2008 PBR World Champion 

Background
Marchi is 6 feet 0 inches (1 83 m) tall and weighs 198 pounds (90 kg)  He is from Leme, São Paulo, and is of Italian descent on his father's side  He rode his bulls right-handed  His special interests include soccer, team roping, and surfing 

Career
Marchi competed very briefly in the Championship Bull Riding (CBR) tour in 2004 before joining the PBR full-time  He debuted late in the Built Ford Tough Series (BFTS) season that year, qualifying for his first-ever PBR World Finals and finishing 41st in the world  After finishing in the runner-up position for the PBR World Championship in three consecutive years, he won his world title in 2008  Statistically, Marchi was one of the most consistent riders on the tour  He would go on to qualify for the World Finals all 15 years of his PBR career (2004 to 2018) In 2005, Guilherme Marchi was the biggest threat to Justin McBride’s dream of being the PBR World Champion  McBride won, Marchi came in second  However, Marchi was the PBR World Finals event champion that year  
In 2006, during one of the last few regular-season BFTS events before the World Finals, Marchi won $90,000 by successfully riding Scene of the Crash in the Mossy Oak Shootout in Greensboro, North Carolina  At the World Finals, Marchi once again failed to win when fellow Brazilian Adriano Moraes came from behind to claim the PBR world championship, with Marchi placing second  
Yet again, in 2007, Marchi finished the season in the number two position behind Justin McBride at the PBR World Finals in Las Vegas In 2008, Marchi dominated the PBR circuit, riding nearly 75% of his bulls, winning five events, and earning over $1 5 million (nearly three times as much as any other PBR rider) on his way to his PBR world championship title and the $1 million bonus that went with it In March 2014, in the opening round of the BFTS event in Phoenix, Arizona, Marchi became the first bull rider to successfully complete 500 qualified rides in the PBR, riding Pandora’s Pyxis On April 8, 2017, Marchi rode Shocker for 86 25 points in Round 2 of the BFTS event in Billings, Montana  In doing so, he became the first PBR rider to reach 600 qualified rides and received a commemorative belt buckle On August 12, 2018, Marchi announced that 2018 would be his final year of bull riding, with the intention of retiring after the PBR World Finals  He finished his professional career with 635 qualified rides (the most ever in PBR history), 36 PBR event wins, and over $5 3 million in career earnings Marchi officially retired from bull riding following his victory at the 2018 PBR Brazil event in Goiânia, Goiás In 2023, Marchi became the assistant coach to head coach J W  Hart of the Kansas City Outlaws; one of eight bull riding teams of the PBR’s Team Series, which debuted the previous year and holds events in the United States from the summer through autumn  Marchi will also work on the team’s recruiting and development efforts for riders in Brazil 

Honors
On November 5, 2019, Marchi was inducted into the PBR Ring of Honor On May 14, 2022, Marchi was inducted into the Bull Riding Hall of Fame 

Personal
On April 19, 2018, Marchi married long-time girlfriend Maria in Texas  She is his second wife  They have a son  Marchi also has two other children, a daughter and son, from his first wife, Patricia  All of his children were born in the United States  While competing in the U S  PBR circuit, Marchi lived in Ferris, Texas  After retiring from bull riding, he moved back to Brazil with his family 
Context 3: Passage 1:
François Englert
François, Baron Englert (French: [ɑ̃ɡlɛʁ]; born 6 November 1932) is a Belgian theoretical physicist and 2013 Nobel Prize laureate 
Englert is professor emeritus at the Université libre de Bruxelles (ULB), where he is a member of the Service de Physique Théorique  He is also a Sackler Professor by Special Appointment in the School of Physics and Astronomy at Tel Aviv University and a member of the Institute for Quantum Studies at Chapman University in California  He was awarded the 2010 J  J  Sakurai Prize for Theoretical Particle Physics (with Gerry Guralnik, C  R  Hagen, Tom Kibble, Peter Higgs, and Robert Brout), the Wolf Prize in Physics in 2004 (with Brout and Higgs) and the High Energy and Particle Prize of the European Physical Society (with Brout and Higgs) in 1997 for the mechanism which unifies short and long range interactions by generating massive gauge vector bosons 
Englert has made contributions in statistical physics, quantum field theory, cosmology, string theory and supergravity  He is the recipient of the 2013 Prince of Asturias Award in technical and scientific research, together with Peter Higgs and the CERN 
Englert was awarded the 2013 Nobel Prize in Physics, together with Peter Higgs for the discovery of the Brout-Englert-Higgs mechanism 

Early life
François Englert is a Holocaust survivor  He was born in a Belgian Jewish family  During the German occupation of Belgium in World War II, he had to conceal his Jewish identity and live in orphanages and children's homes in the towns of Dinant, Lustin, Stoumont and, finally, Annevoie-Rouillon   These towns were eventually liberated by the US Army 

Academic career
He graduated as an electromechanical engineer in 1955 from the Free University of Brussels (ULB) where he received his PhD in physical sciences in 1959  From 1959 until 1961, he worked at Cornell University, first as a research associate of Robert Brout and then as assistant professor  He then returned to the ULB, where he became a university professor and was joined there by Robert Brout who, in 1980, with Englert coheaded the theoretical physics group  In 1998 Englert became professor emeritus  In 1984 Englert was first appointed as a Sackler Professor by Special Appointment in the School of Physics and Astronomy at Tel-Aviv University  Englert joined Chapman University's Institute for Quantum Studies in 2011, where he serves as a distinguished visiting professor 

The Brout–Englert–Higgs–Guralnik–Hagen–Kibble mechanism
Brout and Englert showed in 1964 that gauge vector fields, abelian and non-abelian, could acquire mass if empty space were endowed with a particular type of structure that one encounters in material systems  Focusing on the failure of the Goldstone theorem for gauge fields, Higgs reached essentially the same result  A third paper on the subject was written later in the same year by Gerald Guralnik, C  R  Hagen, and Tom Kibble  The three papers written on this boson discovery by Higgs, Englert and Brout, and Guralnik, Hagen, Kibble were each recognized as milestone papers for this discovery by Physical Review Letters 50th anniversary celebration  While each of these famous papers took similar approaches, the contributions and differences between the 1964 PRL symmetry breaking papers is noteworthy 
To illustrate the structure, consider a ferromagnet which is composed of atoms each equipped with a tiny magnet  When these magnets are lined up, the inside of the ferromagnet bears a strong analogy to the way empty space can be structured  Gauge vector fields that are sensitive to this structure of empty space can only propagate over a finite distance  Thus, they mediate short range interactions and acquire mass  Those fields that are not sensitive to the structure propagate unhindered  They remain massless and are responsible for the long range interactions  In this way, the mechanism accommodates within a single unified theory both short and long-range interactions 
Brout and Englert, Higgs, and Gerald Guralnik, C  R  Hagen, and Tom Kibble introduced as agent of the vacuum structure a scalar field (most often called the Higgs field) which many physicists view as the agent responsible for the masses of fundamental particles  Brout and Englert also showed that the mechanism may remain valid if the scalar field is replaced by a more structured agent such as a fermion condensate  Their approach led them to conjecture that the theory is renormalizable  The eventual proof of renormalizability, a major achievement of twentieth century physics, is due to Gerardus 't Hooft and Martinus Veltman who were awarded the 1999 Nobel Prize for this work  The Brout–Englert–Higgs–Guralnik–Hagen–Kibble mechanism is the building stone of the electroweak theory of elementary particles and laid the foundation of a unified view of the basic laws of nature 

Major awards
1978 First Prize in the International Gravity Contest (with R  Brout and E  Gunzig), awarded by the Gravity Research Foundation for the essay "The Causal Universe" 
1982 Francqui Prize, awarded by the Francqui Foundation once every four years in exact sciences "For his contribution to the theoretical understanding of spontaneous symmetry breaking in the physics of fundamental interactions, where, with Robert Brout, he was the first to show that spontaneous symmetry breaking in gauge theories gives mass to the gauge particles, for his extensive contributions in other domains, such as solid state physics, statistical mechanics, quantum field theory, general relativity and cosmology, for the originality and the fundamental importance of these achievements" 
1997 High Energy and Particle Physics Prize (with R  Brout and P W  Higgs), awarded by the European Physical Society "For formulating for the first time a self-consistent theory of charged massive vector bosons which became the foundation of the electroweak theory of elementary particles" 
2004 Wolf Prize in Physics (with R  Brout and P W  Higgs), awarded by the Wolf Foundation "For pioneering work that has led to the insight of mass generation, whenever a local gauge symmetry is realized asymmetrically in the world of sub-atomic particles" 
2010 J  J  Sakurai Prize for Theoretical Particle Physics (with Guralnik, Hagen, Kibble, Higgs, and Brout) awarded by The American Physical Society "For elucidation of the properties of spontaneous symmetry breaking in four-dimensional relativistic gauge theory and of the mechanism for the consistent generation of vector boson masses" 
By Royal Decree of 8 July 2013 François Englert was ennobled a baron by King Albert II of Belgium 
2013 Nobel Prize in Physics, shared with Peter Higgs  "for the theoretical discovery of a mechanism that contributes to our understanding of the origin of mass of subatomic particles, and which recently was confirmed through the discovery of the predicted fundamental particle, by the ATLAS and CMS experiments at CERN’s Large Hadron Collider" 
2013 Prince of Asturias Award for Technical and Scientific Research (with Peter Higgs and CERN) "for the theoretical prediction and experimental detection of the Higgs boson" 

See also
List of Jewish Nobel laureates
Passage 2:
Paul D  Boyer
Paul Delos Boyer (July 31, 1918 – June 2, 2018) was an American biochemist, analytical chemist, and a professor of chemistry at University of California Los Angeles (UCLA)  He shared the 1997 Nobel Prize in Chemistry for research on the "enzymatic mechanism underlying the biosynthesis of adenosine triphosphate (ATP)" (ATP synthase) with John E  Walker, making Boyer the first Utah-born Nobel laureate; the remainder of the Prize in that year was awarded to Danish chemist Jens Christian Skou for his discovery of the Na+/K+-ATPase 

Birth and education
Boyer was born in Provo, Utah  He grew up in a nonpracticing Mormon family  He attended Provo High School, where he was active in student government and the debating team  He was also his high schools valedictorian and played intramural basketball in high school and college  He received a B S  in chemistry from Brigham Young University in 1939 and obtained a Wisconsin Alumni Research Foundation Scholarship for graduate studies  Five days before leaving for Wisconsin, Paul married Lyda Whicker in 1939, and they remained married for nearly eighty years until his death in 2018, making him the longest-married Nobel laureate  The Boyers had three children 
Though the Boyers connected with the Mormon community in Wisconsin, they considered themselves "on the wayward fringe" and doubted the doctrinal claims of the Church of Jesus Christ of Latter-day Saints (LDS Church)   After experimenting with Unitarianism, Boyer eventually became an atheist  In 2003 he was one of 22 Nobel laureates who signed the Humanist Manifesto 

Academic career
After Boyer received his Ph D  degree in biochemistry from the University of Wisconsin–Madison in 1943, he spent years at Stanford University on a war-related research project dedicated to stabilization of serum albumin for transfusions  He began his independent research career at the University of Minnesota and introduced kinetic, isotopic, and chemical methods for investigating enzyme mechanisms  In 1955, he received a Guggenheim Fellowship and worked with Professor Hugo Theorell on the mechanism of alcohol dehydrogenase  In 1956, he accepted a Hill Foundation Professorship and moved to the medical campus of the University of Minnesota  In 1959–1960, he served as Chairman of the Biochemistry Section of the American Chemical Society (ACS) and in 1969-1970 as President of the American Society of Biological Chemists 
Since 1963, he had been a professor in the department of chemistry and biochemistry at University of California, Los Angeles  In 1965, he became the founding director of the Molecular Biology Institute and spearheaded the construction of the building and the organization of an interdepartmental Ph D  program  This institutional service did not diminish the creativity and originality of his research program, which led to three postulates for the binding mechanism for ATP synthesis—that energy input was not used primarily to form ATP but to promote the binding of phosphate and mostly the release of tightly bound ATP; that three identical catalytic sites went through compulsory, sequential binding changes; and that the binding changes of the catalytic subunits, circularly arranged on the periphery of the enzyme, were driven by the rotation of a smaller internal subunit 
Paul Boyer was editor or associate editor of the Annual Review of Biochemistry from 1963 to 1989  He was editor of the classic series, "The Enzymes"  When he worked on the series "The Enzymes", he was helped by his wife Lyda as she was a professional editor at UCLA  In 1981, he was faculty research lecturer at UCLA  In that same year, he was awarded the prestigious Tolman Medal by the Southern California Section of the American Chemical Society 

Death
Boyer died of respiratory failure on June 2, 2018, at the age of 99, less than two months shy of his 100th birthday at his Los Angeles home 

Publications
Dahms, A  S  & P  D  Boyer  "Occurrence and Characteristics of 18O-exchange Reactions Catalyzed By Sodium- and Potassium-dependent Adenosine Triphosphatases", University of California Los Angeles (UCLA), United States Department of Energy (through predecessor agency the Atomic Energy Commission), (1972) 
Kanazawa, T  & P  D  Boyer  "Occurrence and Characteristics of a Rapid Exchange of Phosphate Oxygens Catalyzed by Sarcoplasmic Reticulum Vesicles", University of California Los Angeles (UCLA), United States Department of Energy (through predecessor agency the Atomic Energy Commission), (1972) 
Boyer, P  D  "Isotopic Studies on Structure-function Relationships of Nucleic Acids and Enzymes  Three Year Progress Report, May 1972 — October 1975", University of California Los Angeles (UCLA), United States Department of Energy (through predecessor agency the Energy Research and Development Administration), (1975) 
Boyer, P  D  "Energy Capture and Use in Plants and Bacteria  Final Technical Report", University of California Los Angeles (UCLA), United States Department of Energy, (December 31, 1993) 

Awards and honors
Passage 3:
Vernon L  Smith
Vernon Lomax Smith (born January 1, 1927) is an American economist and professor of business economics and law at Chapman University  He was formerly a professor of economics at the University of Arizona, professor of economics and law at George Mason University, and a board member of the Mercatus Center  Along with Daniel Kahneman, Smith shared the 2002 Nobel Memorial Prize in Economic Sciences for his contributions to behavioral economics and his work in the field of experimental economics  He worked to establish 'laboratory experiments as a tool in empirical economic analysis, especially in the study of alternative market mechanisms' Smith is the founder and president of the International Foundation for Research in Experimental Economics, a Member of the Board of Advisors for The Independent Institute, a Senior Fellow at the Cato Institute in Washington D C  In 2004 Smith was honored with an honorary doctoral degree at Universidad Francisco Marroquín, the institution that named the Vernon Smith Center for Experimental Economics Research after him  He was also a founding board member of the Center for Growth and Opportunity at Utah State University  As of 2023, Smith also sits on the Advisory Board for Florida Atlantic University's Madden Center for Value Creation 

Early life and education
Smith was born in Wichita, Kansas, where he attended Wichita North High School and Friends University  Grover Bougher, Vernon's mother's first husband, who worked as a fireman on the Santa Fe railroad, died in a tragic accident which proved to be pivotal  The life insurance money provided by the Santa Fe railroad was invested in a farm which became the sole means of survival for Vernon's family during the tough years of the Great Depression  While the farm brought hard work and hard times for Vernon's parents, Vernon liked the adventurous experiences  His life-long interest in learning how things work was kindled by his childhood at the farm Smith received his bachelor's degree in electrical engineering from Caltech in 1949, an M A  in economics from the University of Kansas in 1952, and his Ph D  in economics from Harvard University in 1955 

Academic career
Smith's first teaching post was at the Krannert School of Management, Purdue University, which he held from 1955 until 1967, attaining the rank of full professor Smith also taught as a visiting associate professor at Stanford University (1961–1962) and there made contact with Sidney Siegel, who was also doing work in experimental economics  Smith moved with his family to Massachusetts and got a position first at Brown University (1967–1968) and then at the University of Massachusetts (1968–1972)  Smith also received appointments at the Center for Advanced Study in the Behavioral Sciences (1972–1973) and Caltech (1973–1975) Much of the research that earned Smith the Nobel Memorial Prize in Economic Sciences was conducted at the University of Arizona between 1976 and 2001  In 2001, Smith left Arizona for George Mason University  From 2003 to 2006, he held the Rasmuson Chair of Economics at the University of Alaska Anchorage  In 2008, Smith founded the Economic Science Institute at Chapman University in Orange, California Smith has served on the board of editors of the American Economic Review, the Cato Journal, Journal of Economic Behavior and Organization, Science, Economic Theory, Economic Design, and the Journal of Economic Methodology  He also served as an expert for the Copenhagen Consensus 

Academic work
It was at Purdue that Smith's work in experimental economics began  As Smith describes it:

In the Autumn semester, 1955, I taught Principles of Economics, and found it a challenge to convey basic microeconomic theory to students  Why/how could any market approximate a competitive equilibrium? I resolved that on the first day of class the following semester, I would try running a market experiment that would give the students an opportunity to experience an actual market, and me the opportunity to observe one in which I knew, but they did not know what were the alleged driving conditions of supply and demand in that market 
In framing the experiment, Smith varied certain institutional parameters seen in the first classroom economics experiments as conducted by Edward Chamberlin: in particular, he ran the experiments for several trading periods, to give the student subjects time to train At Caltech, Charles Plott encouraged Smith to formalize the methodology of experimental economics, which he did in two articles  In 1976, "Experimental Economics: Induced Value Theory" was published in the American Economic Review (AER)  It was the first articulation of the principle behind economic experiments  Six years later, these principles were expanded in "Microeconomic Systems as an Experimental Science," also in the AER  This paper adapts the principles of mechanism design, a microeconomic system developed by Leonid Hurwicz, to the development of economic experiments  In Hurwicz's formulation, a microeconomic system consists of an economic environment, an economic institution (or economic mechanism), and an economic outcome  The economic environment is simply the preferences of the people in the economy and the production capabilities of the firms in the economy  The key insight in this formulation is that the economic outcome can be affected by the economic institution  The mechanism design provides a formal means for tests of the performance of an economic institution, and experimental economics, as developed by Smith, provided a means for formal empirical assessment of the performance of economic institutions  The second main contribution of the paper is to the technique of induced values, the method used in controlled laboratory experiments in economics, political science, and psychology, which allows experimental economists to create a replica of a market in a laboratory  Subjects in an experiment are told that they can produce a "commodity" at a cost and then sell it to buyers  The seller earns the difference between the price received and its cost  Buyers are told that the commodity has a value to them when they consume it, and they earn the difference between the value of the commodity to them and its price  Using the technique, Smith and his coauthors have examined the performance of alternative trading mechanisms in resource allocation In February 2011, Smith participated in the "Visiting Scholars Series" at the Nicholas Academic Centers in Santa Ana, California, conducted in collaboration with Chapman University  Smith and his colleague Bart Wilson conducted experiments designed to expose high school students from underserved neighborhoods to market dynamics and how concepts such as altruism influence economic behavior Smith has authored or coauthored articles and books on capital theory, finance, natural resource economics and experimental economics  He was also one of the first to propose the combinatorial auction design, with Stephen J  Rassenti and Robert L  Bulfin in 1982 In January 2009, Smith signed a public petition opposing the passage of the American Recovery and Reinvestment Act  In a 2010 Econ Journal Watch study, Smith was found to be one of the most active petition-signers among US economists The Vernon Smith Prize for the Advancement of Austrian Economics is named after him and is sponsored by the European Center of Austrian Economics 

Personal life
In February 2005, Smith publicly attributed features of his personality to Asperger's syndrome after a process of self-diagnosis 

Works
Gjerstad, Steven D ; Smith, Vernon L  (2014)  Rethinking Housing Bubbles  New York: Cambridge University Press  ISBN 978-0521198097 
Gjerstad, Steven; Smith, Vernon L  (2012)  "At Home in the Great Recession"   In Miniter, Brendan (ed )  The 4% Solution: Unleashing the Economic Growth America Needs  New York: Crown Business  pp  345–377  ISBN 9780307986146 
Gjerstad, Steven D ; Smith, Vernon L  (2013)  "Balance Sheet Crises: Causes, Consequences, and Responses" (PDF)  Cato Journal  33 (3): 437–470  Retrieved 2017-10-21 
Plott, Charles R , and Vernon L  Smith, ed  (2008)  Handbook of Experimental Economics Results, v  1, Elsevier  Description and preview 
Rassenti, Stephen J ; Smith, Vernon L ; Bulfin, Robert L  (1982)  "A Combinatorial Auction Mechanism for Airport Time Slot Allocation" (PDF)  The Bell Journal of Economics  13 (2): 402–417  doi:10 2307/3003463  JSTOR 3003463 
Smith, Vernon L  (1962)  "An Experimental Study of Competitive Market Behavior"  Journal of Political Economy  70 (2): 111–137  doi:10 1086/258609  JSTOR 1861810  S2CID 54718519 
_____ (1976)  "Experimental Economics: Induced Value Theory" (PDF)  American Economic Review  66 (2): 274–279 
Smith, Vernon L  (1980)  "Relevance of Laboratory Experiments to Testing Resource Allocation Theory" (PDF)   In Kmenta, Jan; Ramsey, James B  (eds )  Evaluation of Econometric Models  Academic Press  pp  345–377  ISBN 978-0-12-416550-2 
_____ (1982)  "Microeconomic Systems as an Experimental Science" (PDF)  American Economic Review  72 (5): 923–955 
_____ (1991)  Papers in Experimental Economics [1962–88],  Cambridge  Description and chapter-preview links 
_____ (2000)  Bargaining and Market Behavior: Essays in Experimental Economics [1990–98], Cambridge  Description and chapter-preview links 
_____ (2003)  Smith, Vernon L  (2003)  "Constructivist and Ecological Rationality in Economics"  American Economic Review  93 (3): 465–508  CiteSeerX 10 1 1 501 5291  doi:10 1257/000282803322156954  S2CID 16505135 
_____ ([1987] 2008a)  "experimental methods in economics " The New Palgrave Dictionary of Economics, 2nd Edition, Abstract 
_____ (2008b)  "experimental economics," The New Palgrave Dictionary of Economics, 2nd Edition, Abstract 
Williams, Arlington W ; Ledyard, John O ; Gjerstad, Steven; Smith, Vernon L  (2000)  "Concurrent Trading in Two Experimental Markets with Demand Interdependence"  Economic Theory  16 (3): 511–528  CiteSeerX 10 1 1 22 1763  doi:10 1007/s001990050002  JSTOR 25055346  S2CID 195227181  Reprinted in Timothy N  Cason and Charles Noussair, ed  (2001), Advances in Experimental Markets, pp  15– 32 

See also
List of economists

Notes
External links
Dr  Vernon L Smith at Chapman University School of Law
Member of the Board of Advisors at The Independent Institute
Senior Fellow at Cato Institute
"Vernon L  Smith (1927– )"  The Concise Encyclopedia of Economics  Library of Economics and Liberty (2nd ed )  Liberty Fund  2008 
Roberts, Russ  "Vernon Smith Podcasts"  EconTalk  Library of Economics and Liberty 
"Vernon L  Smith Papers, 1938–2007 and undated"  Rubenstein Library, Duke University  Retrieved 2017-10-21 
Vernon L  Smith publications indexed by Google Scholar
Vernon L  Smith on Nobelprize org

Articles
"Default is not the end of the world" Interview with Vernon Smith by Luis Martin (Winter 2011)
Reflections On Human Action After 50 Years by Vernon L  Smith, Cato Journal, Fall 1999
"Using Experiments to Inform the Privatization/Deregulation Movement in Electricity," by Stephen J Rassenti, Vernon L  Smith, and Bart J Wilson, Cato Journal, Winter 2002
The Clinton Housing Bubble, Vernon L  Smith, The Wall Street Journal, December 18, 2007
From Bubble to Depression?, Steven Gjerstad and Vernon L  Smith, The Wall Street Journal, April 6, 2009
Passage 4:
Department of Chemistry, University of Cambridge
The Yusuf Hamied Department of Chemistry is the University of Cambridge's chemistry department  It was formed from a merger in the early 1980s of two separate departments that had moved into the Lensfield Road building decades earlier: the Department of Physical Chemistry (originally led by Professor Ronald Norrish FRS, Nobel Laureate; the department was previously located near the Old Cavendish in Free School Lane - see photo) and the Department of Chemistry (that included theoretical chemistry and which was led by Lord (Alexander) Todd FRS, Nobel Laureate) respectively  Research interests in the department cover a broad of chemistry ranging from molecular biology to geophysics  The department is located on the Lensfield Road, next to the Panton Arms on the South side of Cambridge  In December 2020, it was renamed for 30 years in recognition of a donation from Dr Yusuf Hamied, an alumnus of the department 

Research
The Department's research is organised around five Research Interest Groups (RIGs):
Biological Chemistry
Materials Chemistry
Physical and Atmospheric Chemistry
Synthetic Chemistry
TheoryIn addition, the Chemistry of Health Building houses the Centre for Misfolding Diseases, the Chemistry of Health Incubator and the Molecular Production and Characterisation Centre (MPACC) 
Passage 5:
Chapman University
Chapman University is a private research university in Orange, California  It encompasses eleven schools and colleges and is classified among "R2: Doctoral Universities – High research activity" 

History
Founded in Woodland, California, as Hesperian College, the school began classes on March 4, 1861  Its opening was timed to coincide with the hour of Abraham Lincoln's first inauguration  Hesperian admitted students regardless of sex or race During its first decades of existence, the school relocated and changed names several times  The school initially relocated to Berkeley, California in 1896, merging with the Pierce Christian College (a school previously established in College City, California in 1874) to form the Berkeley Bible Seminary  Soon after, the school relocated to San Francisco and took on the name California Bible College  
In 1920, the school moved again, this time to southern California, after its assets were acquired by the California Christian College,, a school that had been established by the  Southern California Convention in Long Beach, California in 1918  The two schools had been merged into a new institution called the California School of Christianity, located in Los Angeles  Three years later, in 1923, the school changed names yet again, back to the California Christian College In 1934, the school was renamed to Chapman College after the chairman of its board of trustees (and primary benefactor), C  C  Chapman  In 1954, it moved to its present campus in the city of Orange on the site formerly occupied by Orange High School, which had relocated Chapman established a Residence Education Center Program to serve military personnel in 1958  This evolved into Brandman University 
Chapman College became Chapman University in 1991  In that year, Dr  James L  Doti became president of Chapman University  Also in 1991, the Department of Education became the School of Education, now known as the Donna Ford Attallah College of Educational Studies, and the establishment of what is now known as Wilkinson College of Arts, Humanities, and Social Sciences The School of Film and Television, now Dodge College of Film and Media Arts opened in 1996  Between 2000 and 2010, Chapman University expanded to include the Rodgers Center for Holocaust Education, Leatherby Libraries, Fish Interfaith Center, Marion Knott Studios (The home of Dodge College of Film and Media Arts), the creation of the Argyros School's Economic Science Institute – led by Dr  Vernon L  Smith (2002 Nobel Prize winner in Economic Sciences, the Erin J  Anderson Athletics Complex and the Schmid College of Science and Technology  The Rinker Health Science Campus opened in Irvine, CA  in 2013, becoming the home for the School of Pharmacy  Mathematician Daniele C  Struppa became President in 2016, taking over for Dr  James L  Doti  In the same year, Musco Center for the Arts opened  The 1,110 seat concert hall draws more than 30,000 visitors per year and hosts both professional and student performances Chapman opened the Keck Center for Science and engineering in 2018 with the Dale E  and Sarah Ann Fowler School of Engineering opening shortly after  Between 2018 and 2022, Chapman University earned a Carnegie Classification of R2: Doctoral University – High Research Activity, had its first Rhodes Scholar, Vidal Arroyo '19, and became nationally ranked by U S  News & World Report 

Colleges and programs
Argyros School of Business and Economics
The George L  Argyros School of Business and Economics is located in the Arnold and Mabel Beckman Business and Technology Hall  Founded in 1977, the school is named after George L  Argyros, a Chapman alumnus and former U S  Ambassador to Spain



ground_truth: 1961

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What Nobel Laureate teaches at  Chapman University?

The following are given passages.
Context 3:  Argyros has chaired the board of trustees of Chapman University since 1976, and has donated significant resources towards establishing Chapman as a leading national business school  The business school was renamed in Argyros' honor in 1999  In 2019 the Argyros School celebrated the 20th Anniversary of the naming of the school, capped off with a special fundraiser dinner on October 9, featuring special guest President George W  Bush  The event raised approximately $15 million for the school's endowment, $10 million of which was a surprise announcement by the Argyros family  The $15 million raised is believed to be the largest 1-day fundraising event in Orange County's history The Argyros School offers undergraduate and graduate degrees in business, including the Master of Business Administration and Master of Science  In 2023 Argyros was ranked the #60 business school in the country by U S  News & World Report The Argyros School of Business and Economics was officially nationally ranked as the 60th Best Undergraduate Bloomberg BusinessWeek Business School in 2014  In 2016, the Argyros School of Business and Economics rose to 34th in the same Bloomberg rankings 
The Argyros School is home to several research centers and institutes, including the A  Gary Anderson Center for Economic Research, the C  Larry Hoag Center for Real Estate and Finance, the Ralph W  Leatherby Center for Entrepreneurship and Ethics, the Walter Schmid Center for International Business, the Economic Science Institute (founded by Nobel Prize winner Vernon L  Smith and others in 2008), the Institute for the Study of Religion, Economics and Society (founded by Dr  Laurence Iannaccone in September 2009), and the Smith Institute for Political Economy and Philosophy The Leatherby Center for Entrepreneurship and Business Ethics is a program whose scope includes original research, scholarship, and the publication of several scholarly journals 

Donna Ford Attallah College of Educational Studies
Chapman University's Donna Ford Attallah College of Educational Studies offers an undergraduate Integrated Educational Studies (IES) degree; teaching, school counseling, and school psychology credentials; and graduate degrees in teaching, special education, school counseling, school psychology, and leadership, including a Ph D  in education  The college is also home to various centers and programs for community engagement and research, including the Centro Comunitario de Educación, Paulo Freire Democratic Project (PFDP), and Thompson Policy Institute on Disability and Autism The School of Education at Chapman University became the College of Educational Studies in August 2008  In 2017, the college was named in honor of Donna Ford Attallah  The current home of the Attallah College is Chapman's Reeves Hall, which was one of the first buildings constructed for Orange Union High School on the site in 1913, added to the National Register for Historic Places in 1975, and renovated and reopened to the public in February 2018 The Attallah College or its programs are accredited by the Council Accreditation of Educator Preparation, Commission on Teacher Credentialing, National Association of School Psychologists, and International School Psychology Association 

Dodge College of Film and Media Arts
The college has been recognized as one of the top ten film schools in the world and ranked #4 by The Hollywood Reporter among American film schools 

Crean College of Health and Behavioral Sciences
Formerly part of Chapman University's Schmid College of Science and Technology, the Crean College of Health and Behavioral Sciences officially became its own independent college at Chapman University on June 1, 2014 Undergraduate programs in Crean College of Health and Behavioral Sciences include B S  Applied Human Physiology, B S  Health Sciences, and B A  Psychology  Graduate and post-baccalaureate programs include M A  Marriage and Family Therapy (MFT), M S  Communication Sciences & Disorders, a MMS Physician Assistant (set to open in 2015), a Doctor of Physical Therapy (PT) (accredited since 1928, making it one of the oldest such programs in the United States), and a Transitional Doctor of Physical Therapy 
The physical therapy, communication sciences & disorders, and physician assistant programs are housed on Chapman University's Harry and Diane Rinker Health Science Campus in Irvine, California 

Wilkinson College of Arts, Humanities, and Social Sciences
Wilkinson College of Arts, Humanities, and Social Sciences is the largest college at Chapman University and is composed of the departments of art, English, history, world languages and cultures, peace studies, philosophy, political science, religious studies, and sociology 

Dale E  Fowler School of Law
The Chapman University School of Law is located in Kennedy Hall  Law degrees offered include the Juris Doctor (J D ) and Master of Laws (LL M ) degrees in various specialties   In 2022, John Eastman retired as Dean after more than 160 faculty members signed a letter calling for the university to take action against him for concocted a baseless theory and made false claims of fraud in an attempt to overturn the 2020 election   Eastman is currently (June 2023) undergoing a hearing of disbarment in the State of California 

Dale E  and Sarah Ann Fowler School of Engineering
Since opening in fall 2019, the Chapman University school has grown to include undergraduate programs in computer science, data analytics, software engineering and game development programming  A minor in computer engineering is also available  The university launched a bachelor's degree program in computer engineering in fall 2020, electrical engineering in fall 2021, and a master's degree program in computer science in fall 2022  Further expansion targets programs in biomedical and environmental engineering 

College of Performing Arts
Chapman University's College of Performing Arts, founded in 2007, operates in divisions: the Hall-Musco Conservatory of Music, the Department of Dance, and the Department of Theatre  The Conservatory of Music offers a Bachelor of Music (B M ), the Dance Department offers a Bachelor of Fine Arts (B F A) and a Bachelor of Arts (B A ), and the Theatre Department offers the Bachelor of Arts (B A )  The Theatre Department also offer two Bachelor of Fine Arts (B F A ) programs—Theatre Performance and Screen Acting—taught in conjunction with the Dodge Film School 

Schmid College of Science and Technology
Chapman University's Schmid College of Science and Technology was founded in 2008 when science-related degree programs (then housed in the Wilkinson School of Humanities and Social Sciences) were migrated to the new college  In 2014, the Schmid College underwent a reorganization to create the Crean College of Health and Behavioral Sciences  In 2019, the undergraduate programs computer science, data analytics, software engineering, and game development programming transferred out of Schmid College to start the new Fowler School of Engineering 
In addition to its undergraduate and graduate programs, Schmid College is home to various centers for research  Among them are the Center of Excellence in Computation, Algebra and Topology (CECAT), the Center of Excellence in Complex and Hyper-complex Analysis (CECHA) and the Center of Excellence in Earth Systems Modeling and Observations (CEESMO)  Schmid College is also affiliated with the Institute for Quantum Studies, whose list of physicists, includes a 2013 Nobel Prize recipient and a 2010 Presidential Medal of Honor winner Schmid College of Science and Technology recently expanded and moved into the new 140,000 sq  ft  Keck Center for Science and engineering on Chapman's main campus in Orange, California  The research facility contains 45 research and teaching labs, 50 faculty offices, seven student-collaboration spaces, and an outdoor amphitheater  The aesthetic of the building was inspired by the work of American architect, Frank Lloyd Wright 

School of Pharmacy
The Chapman University School of Pharmacy (CUSP) is located at the Rinker Campus in Irvine  Pharmacy degrees include the Doctor of Pharmacy (Pharm D ), a Master of Science in Pharmaceutical Science (MSPS), and a Doctor of Philosophy (Ph D ) in Pharmaceutical Sciences  The Chapman School of Pharmacy also offers an accelerated five-year Doctor of Pharmacy program to qualified high school seniors 

School of Communication
The School of Communication is located on the university's main campus and housed within Doti Hall  The school currently consists of three undergraduate majors for students to choose from, including: BA in Communication Studies, BA in Strategic & Corporate Communication, and BA in Global Communication and World Languages (which allows students to study communication while also emphasizing in a particular language)  The school also offers some graduate programs, including an MS in Health and Strategic Communication as well as a PhD program 

Fowler School of Engineering
The Fowler School of Engineering is the newest school within Chapman University  Majors within the school include a BS in Computer Engineering, BS in Computer Science, BS in Data Science, BS in Electrical Engineering, and BS in Software Engineering  Several other minors, such as Game Development Programming, are also housed within the school as well as several graduate programs  The school is housed in Chapman's new Swenson Hall of Engineering, which comprises various lab and maker spaces 

Rankings and admissions
In U S  News & World Report's 2020 rankings of the best colleges in America, the university was moved from the master's-level universities in the Western region to the National Universities group, with a debut ranking of tied at 125th  The reclassification was due to Chapman's elevation to R2 status by Carnegie Classification of Institutions of Higher Education in recognition of its high research activity  U S  News uses the Carnegie Classifications for its categorization of universities 
For U S  News & World Report's 2021 rankings, Chapman University was ranked tied for 124th overall among national universities, tied for 39th among 73 national universities evaluated for "Best Undergraduate Teaching", tied for 68th out of 83 for "Most Innovative Schools", tied for 86th of 142 for "Best Colleges for Veterans", and tied at 224th of 389 schools for "Top Performers on Social Mobility"  The business school was ranked tied for 74th, and the law school tied for 111th, in the U S  for 2021For the Class of 2022 (enrolling fall 2018), Chapman received 14,198 applications, accepted 7,605 (53 6%), and enrolled 1,660  For the freshmen who enrolled, the average SAT score was 640 for reading and writing and 638 for math, while the average ACT composite score was 27 9  The average high school GPA was 3 75 (unweighted) on a 4 0 scale 

Holocaust education
The Barry and Phyllis Rodgers Center for Holocaust Education was founded by Marilyn Harran, Ph D , in February 2000  It sponsors an annual Holocaust remembrance writing competition and hosts a regular Distinguished lecture series The Sala and Aron Samueli Holocaust Memorial Library, funded by Henry Samueli, is located on the fourth floor of the university's Leatherby Libraries  On April 11, 2005, sixty years after he was liberated from the Buchenwald concentration camp, Elie Wiesel dedicated the Samueli Holocaust Memorial Library, and a large bust of Wiesel stands at the entrance to the facility 
The collection includes a first edition of The Diary of Anne Frank in Dutch 

Athletics
Chapman athletic teams are the Panthers  The university is a member of the Division III (non-scholarship) level of the National Collegiate Athletic Association (NCAA), primarily competing in the Southern California Intercollegiate Athletic Conference (SCIAC) since the 2011–12 academic year; which they were a member on a previous stint from 1950–51 to 1951–52  The Panthers previously competed in the California Collegiate Athletic Association (CCAA) of the NCAA Division II ranks from to 1978–79 to 1992–93, and as an NCAA D-III Independent from 1993–94 to 2010–11 
Chapman competes in 21 intercollegiate varsity sports (10 men's and 11 women's): Men's sports include baseball, basketball, cross country, football, golf, soccer, swimming & diving, tennis, track & field and water polo; while women's sports include basketball, cross country, golf, lacrosse, soccer, softball, swimming & diving, tennis, track & field, volleyball and water polo 
Chapman University has won seven NCAA national titles  As a member of the NCAA Division II, the Panthers won one baseball title (1968) and three men's tennis titles (1985, 1987, 1988)  After moving to NCAA Division III, the Panthers won the 1995 Division III softball championship and later the 2003 and 2019 Division III baseball championships 

Accomplishments
The Chapman softball team appeared in one Women's College World Series in 1979 In 2011, the women's lacrosse team won the WCLL National Championships in Arizona  In 2016, the men's lacrosse team won the MCLA National Championship 
In the 2014, 2017, and 2019 seasons, the Chapman University Panther football team ended their season undefeated in their conference and won the SCIAC championship The 2019 men's baseball team defeated Birmingham-Southern College to become the DIII NCAA National Champions In 2022, the men's soccer team won their first SCIAC championship  
The football and basketball teams are broadcast by the Chapman Sports Broadcast Network (CSBN) to local Channel 6 in Orange and on Chapman's athletic website  CSBN is a student-run, student-produced independent sports network created by students at Chapman University's Dodge College of Film and Media arts 

Notable people
Current and former faculty
Yakir Aharonov – Professor, James J  Farley Professorship in Natural Philosophy; Wolf Prize and National Medal of Science recipient
Brian Alters – Professor and director, Evolution Education Research Center
Richard Bausch – Professor in Department of English
Andrew Carroll – Presidential Fellow in American War Letters; Founding Director of the Center for American War Letters
Martha Coolidge – Professor, Lawrence and Kristina Dodge College of Film and Media Arts; Emmy nominated film director; elected in 2001 as the first and only female president of the Directors Guild of America
George Csicsery – 2017–2019 Presidential Fellow
Grace Fong D M A  – director of Keyboard Studies at Conservatory of Music; winner of such honors as the 2006 Leeds International Piano Competition
Carolyn Forché – Presidential Fellow in Creative Writing; American poet
Kyle Harrison – Men's lacrosse assistant coach and professional lacrosse player
Hugh Hewitt – Professor, Dale E  Fowler School of Law; He served for six years in the Reagan Administration in a variety of posts including Assistant Counsel in the White House and Special Assistant to the Attorney General of the United States
Jack Horner – Presidential Fellow; technical adviser for all Jurassic Park movies and was Michael Crichton's basis for the Alan Grant character
Laurence Iannaccone – director, Institute for the Study of Religion, Economics, and Society; Professor of Economics
Cheryl Boone Isaacs – Lecturer, Lawrence and Kristina Dodge College of Film and Media Arts; serving third term as President of the Academy of Motion Picture Arts and Sciences by the organization's Board of Governors; inducted into the NAACP Hall of Fame in 2014
Bill Kroyer – Professor, Director, Digital Arts Program; one of the first animators to make the leap to computer animation as computer image choreographer on Disney's ground-breaking 1982 feature, Tron 
Tibor Machan (1939–2016) – held the R  C  Hoiles Chair of Business Ethics and Free Enterprise, Argyros School of Business & Economics
Peter McLaren – Distinguished Professor in Critical Studies, Attallah College of Educational Studies
Prexy Nesbitt – Presidential Fellow in Peace Studies
Dimitar Ouzounov - Research professor of geophysics at Institute for Earth, Computing, Human and Observing (Institute for ECHO) 
Michael Shermer – Presidential Fellow in General Education, author of numerous books and founder of The Skeptics Society
Rebecca Skloot – Presidential Fellow in Creative Science Writing
Mark Skousen – Professor, Mark Skousen, Ph D , editor of Forecasts & Strategies, is a nationally known investment expert, economist, university professor and author of more than 25 books  In 2018, he was awarded the Triple Crown in Economics for his work in economic theory, history and education, and has been identified as one of the 20 most influential living economists
Vernon L  Smith – Nobel Laureate in Economic Science (2002); founder of Economic Science Institute and Smith Institute for Political Economy and Philosophy
Joel Stern – chairman and chief executive officer of Stern Value Management, formerly Stern Stewart & Co, and the creator and developer of Economic Value Added "EVA"
Bart Wilson – Donald P  Kennedy Endowed Chair of Economics and Law in the Argyros School of Business & Economics

Alumni
Paul Anderson – member, Nevada State Assembly
Anastasia Baranova – Russian-American actress
Gustavo Arellano ('01) – former publisher and editor of OC Weekly and author of the column ¡Ask a Mexican!
George Argyros ('59) – business executive, former U S  Ambassador to Spain, former owner of Seattle Mariners of Major League Baseball
Emmett Ashford ('41) – first African American umpire in Major League Baseball
David E  Bonior (MA '72) – U S  Congressman from Michigan (1977–2003), House Minority Whip (1995–2002), House Majority Whip (1991–95)
Stephen "tWitch" Boss – DJ and dancer
Tiquette Bramlett - first black woman to lead a winery in the United States
Sabrina Bryan - dancer, choreographer, actress and singer  Member of The Cheetah Girls
Amy Sterling Casil - science fiction writer (and later writing instructor at Chapman)
Matt and Ross Duffer ('07) – co-creators of the television series Stranger Things
Hannah Einbinder – stand-up comedian and actor, known for Hacks
Bob Einstein – film and television actor
Tim Flannery ('79) – Major League Baseball player for 11 seasons, coach for San Francisco Giants
Colin Hanks (did not graduate, left in 1997) – film and television actor
Cooper Hefner ('15) – chief creative officer of Playboy Enterprises
Jelena Jensen ('03) – adult film actress, nude model, webcam model, radio personality
Ben York Jones ('06) – screenwriter and actor, co-creator of the television series Everything Sucks!
Leslie Jones (did not graduate, left in 1986) – comedian, former Saturday Night Live cast member
Randy Jones – former professional baseball player, San Diego Padres, New York Mets; 1976 Cy Young Award Winner
Tyler Patrick Jones - actor
Harshvardhan Kapoor – Bollywood actor
Wayne W  Lambert – Brig  Gen  (USAF) (Ret ) (MBA '76), commanded Strategic Air Command forces in Europe (7th Air Division) 1983–1986
Steve Lavin – former head coach of St  John's men's basketball team (2010–2015), former head coach of UCLA men's basketball team (1996–2002)
Chris Lee (MBA '97) – U S  Congressman (January 6, 2009 – February 9, 2011)
Paul Le Mat ('63) - Movie Actor
Jeff Levering ('03) – Milwaukee Brewers play-by-play announcer
Stephen Nelson ('11) - MLB/NHL Network television personality, co-host of Intentional Talk, and play-by-play announcer for the MLB Network-produced Friday Night Baseball on Apple TV+ 
Jeff Lewis ('93) – real estate speculator, interior designer, and television personality on Flipping Out
Kevin Kwan Loucks (EMBA '17) - CEO of Chamber Music America; co-founder of Chamber Music OC; member of classical music ensemble Trio Céleste
Kellan Lutz – fashion model and actor
Joanna Rosholm ('07) – press secretary to First Lady Michelle Obama
Jim Saia – college basketball head coach
Loretta Sanchez ('82) – Congresswoman, California's 46th Congressional District
Utkarsh Sharma – Indian actor
Jim Silva (MA) – member, California State Assembly
Justin Simien ('05) – filmmaker, actor, and author; director of Dear White People
Jodie Sweetin ('05) – actress, star of television series Full House and Fuller House
Jason Thornberry, writer
Carles Torrens (BFA 2008) – film director
Laura Yeager – U S  Army general, first woman to command an Army infantry division

Notes
Passage 6:
Tom Campbell (California politician)
Thomas John Campbell (born August 14, 1952) is an American academic, educator, and politician  He is a Professor of Law at the Dale E  Fowler School of Law, and a professor of economics at the George Argyros School of Business and Economics, at Chapman University, in Orange, California 
He was Dean of Chapman University School of Law from 2011–16, Director of Finance for the State of California from 2004 to 2005, a former five-term Republican United States Congressman from California's 12th and 15th districts, a former member of the California State Senate, a former professor at Stanford Law School, former dean of the Haas School of Business, and former professor of business administration at the University of California, Berkeley 
In 2000 he retired from his House seat to run for the U S  Senate but lost decisively to incumbent Dianne Feinstein  On June 8, 2010, he lost his third bid for the United States Senate, campaigning once again for the seat held by Democrat Barbara Boxer but losing the Republican nomination to Carly Fiorina 
Campbell is a member of the ReFormers Caucus of Issue One 

Early life
Born in Chicago, Campbell was the valedictorian of Chicago's St  Ignatius College Prep, Class of 1969  He went on to obtain his B A  and M A  degrees from the University of Chicago (1973), a J D  from Harvard Law School (1976) and then a subsequent Ph D  in economics from the University of Chicago (1980)  He served as a clerk to U S  Supreme Court Justice Byron White from 1977 to 1978 and, the year before that, for U S  Court of Appeals Judge George E  MacKinnon  His mentor was Milton Friedman  Tom Campbell's father was the late Hon  William Joseph Campbell, a former  Chief Judge of the United States District Court for the Northern District of Illinois  While Tom Campbell was raised in a Democratic family, he joined the Republican Party in 1980 Campbell was admitted to the Illinois bar in 1976 and went into private practice in Chicago  He was a White House Fellow in the offices of the Chief of Staff and Counsel (1980–1981)  He then served in the Reagan Administration as Director of the Bureau of Competition in the Federal Trade Commission from 1981-1983, the youngest person ever to serve in that position 

Law professor
Campbell became a law professor at Stanford Law School in 1983, receiving tenure as a full professor in 1987 

Congressional and State Senate career
Campbell ran for the Republican nomination in California's 12th Congressional District, which included his home in Campbell and the campus of Stanford University   The 12th had traditionally been a moderate Republican bastion, but had grown increasingly friendly to Democrats over the years  Campbell soundly defeated first-term incumbent Ernie Konnyu in the Republican primary and narrowly defeated his Democratic opponent, San Mateo County Supervisor Anna Eshoo  He served two terms before making an unsuccessful bid for the Republican nomination for the Senate seat being vacated by Alan Cranston  He lost the Republican primary to a considerably more conservative Republican, Bruce Herschensohn, who in turn was defeated by Democratic Congresswoman Barbara Boxer  His political career might have been in jeopardy in any case; his district had been renumbered as the 14th District and had been made considerably more Democratic than its predecessor  Eshoo won the seat and still holds it today; no Republican running in this district (now numbered as the 18th District) has won more than 39 percent of the vote since Campbell left office 
In 1993, California State Senator Becky Morgan stepped down mid-term, and Campbell won a special election to succeed her; the state Senate district overlapped significantly with his old congressional district  In the California state Senate, Campbell was Chairman of the Housing Committee, Vice Chairman of the Education Committee, and served on the Budget Committee  California Journal rated him the Best Problem Solver in the State Senate, the Most Ethical State Senator, and the overall Best State Senator 
In 1995, 15th District Democratic Congressman Norman Mineta, later the Secretary of Commerce under President Bill Clinton and Secretary of Transportation under George W  Bush, unexpectedly resigned  Campbell's home had been re-drawn into this San Jose-based district, and he ran in the special election  Mineta had held the seat since 1975, and it was widely considered a safe Democratic district   Despite the considerable disadvantage in voter registration and Democratic attempts to tie him to Speaker Newt Gingrich, Campbell won the December special election easily  He won a full term almost as easily in 1996 and was handily re-elected in 1998 
During both of his stints in Congress, Campbell was regarded as one of the most moderate House Republicans  Though conservative on fiscal matters, he is socially liberal, being pro-choice on abortion and in favor of gay rights  This was not surprising, as Bay Area Republicans tend to be more moderate on social and environmental matters than their counterparts in the rest of California  He has a decided libertarian streak, and remains popular with libertarian-leaning Republicans  As a fiscal conservative, he was the only Republican in the House to vote against the Taxpayer Relief Act of 1997 Campbell led a group of 17 bipartisan members of Congress who filed a lawsuit against President Clinton in 1999 over his conduct of the war in Kosovo  In the filing, they accused Clinton of not reporting to Congress within 48 hours on the status of the action as required by the 1973 War Powers Resolution and not first obtaining a declaration of war from Congress as required in the Constitution  Congress had voted 427 to 2 against a declaration of war with Yugoslavia and had voted to deny support for the air campaign  A federal judge dismissed the lawsuit, ruling that since Congress had voted for funding after the U S  was actively engaged in the war with Kosovo, legislators had sent a confusing message about whether they approved of the war  Campbell said afterwards that this was a sidestepping of the law, and lawmakers who disagree with a war should not be forced to cut off funding for troops who are in the midst of it in order to get a judge to order an end to it In 2000, Campbell won the Republican nomination to take on Democratic Senator Dianne Feinstein  Although he touted his service as a moderate Republican representing a strongly Democratic district, he was considered a decided underdog  Campbell was badly defeated, losing by over 19 points  He even lost his own district by almost 15 points  Democratic State Assemblyman Mike Honda, a Mineta protege, won Campbell's House seat by 12 points over Republican State Assemblyman Jim Cunneen, a former aide to Campbell  As of 2020, Campbell is the last elected Republican to have represented a significant portion of San Jose above the county level In 2008, Campbell wrote in Reason that he would be voting no on Proposition 8, the proposed ballot measure banning same-sex marriage in the state, per his Republican beliefs that "government should be limited  Government has no business making distinctions between people based on their personal lives " Proposition 8 eventually passed by a margin of 52-48% Campbell is a supporter of the National Popular Vote Interstate Compact 

Return to legal scholarship
In 2000, Campbell returned to Stanford   He remained there until his appointment at the Haas School of Business at UC Berkeley in 2002  In the intervening years, he began to assemble the material, out of his professional political experiences, for his book The Separation of Powers in Practice  with Stanford University Press As Dean of the Haas School, Campbell stressed the study of corporate social responsibility and business ethics amid an era of corporate scandals  A full-fledged Center for Responsible Business was established  In September 2004, Campbell was named by California Governor Arnold Schwarzenegger to his newly formed Council of Economic Advisors   From 2004 to 2005, Campbell took a leave of absence from his Berkeley post to serve as director of the California Department of Finance in the Schwarzenegger administration 
On August 27, 2007, Campbell announced that he would step down from his position at Haas in the summer of 2008 
In mid-2008, Campbell joined the Palo Alto office of Los Angeles-based Gibson, Dunn & Crutcher LLP  Campbell joined the Chapman School of Law for a 2-year visiting appointment which began January 2009, serving as the Fletcher Jones Distinguished Visiting Professor at Chapman University School of Law   In February 2011, Chapman announced that Campbell would be its new Dean   Campbell replaced interim Dean Scott Howe, who replaced Dean John C  Eastman, who stepped down to seek the 2010 Republican nomination for Attorney General of California (Campbell had filed paperwork to seek the 2010 Republican nomination for Governor of California the day after stepping down as Dean of Haas before going on to seek the 2010 Republican nomination for U S  Senator from California; neither Eastman and Campbell won the Republican nomination in their respective races) 

Return to politics
In July 2008, Tom Campbell filed the necessary paperwork in order to establish a committee with the intent to raise funds for a prospective race for the Republican nomination to be Governor of California in 2010 On January 13, 2010, the Wall Street Journal reported that Campbell would run for the United States Senate, instead of for Governor of California 
Campbell's Web Site confirmed it  In the primary on June 8, Campbell finished a distant second to former Hewlett-Packard CEO Carly Fiorina, in a race that also included State Assemblyman Chuck DeVore   The primary election received national attention, in part due to a campaign ad released by Carly Fiorina, depicting Campbell as a "Demon Sheep "

2016 U S  presidential election
In August 2016, Campbell published an op-ed in The Mercury News calling on the Republican National Committee to replace Donald Trump as the nominee for President, and saying Campbell would withdraw from the Republican Party if that did not happen  Campbell wrote:

On Aug  9, Trump said, "If she gets to pick her judges, nothing you can do, folks      Although the Second Amendment people -- maybe there is, I don't know " Trump's campaign explained this meant Second Amendment supporters would defeat Clinton at the ballot box  That, however, is not a logical interpretation of the remark  The context was what can be done if Clinton becomes president; not what can be done to stop her from becoming president  As such, this is a statement of great recklessness, made all the more so by our present environment of violence used to advance extremism 
Trump's words were similar to other calls he has made to ignore the rule of law  He has proposed ordering members of the U S  military to violate American law regarding torture, assuring us that his orders, rather than the law, would be obeyed  He has encouraged physical violence by individuals against protesters at his rallies, assuring anyone doing so that he would cover their legal costs  He has threatened to use the antitrust laws against a company and an individual because the newspaper that individual owns has criticized him 
Campbell also said he could not support the Democratic nominee, Hillary Clinton, either, due to her involvement in the email controversy  Campbell officially changed his registration to independent shortly thereafter In 2016, Campbell wrote a column for the Orange County Register, which, while not endorsing Gary Johnson for president, suggested libertarian-leaning Republicans should consider him  Campbell was later one of 30 former Republican members of Congress who wrote an open letter denouncing Trump's candidacy  Campbell was also included on a list of potential Supreme Court nominees issued by Libertarian Party nominee Gary Johnson  Campbell was speculated to be a possible candidate for the Libertarian nomination in 2020, but instead he endorsed former Judge Jim Gray for the nomination  Campbell proceeded to co-found the centrist Common Sense Party due to what he perceived as a want for such a party among California residents 

Personal life
Campbell married Susanne Martin in 1978 

Awards
2016 Anti-Defamation League Orange County/Long Beach Marcus Kaufman Jurisprudence Award
1998 University of Chicago Alumni Professional Achievement Award

Books
Separation of Powers in Practice (2004) ISBN 0-8047-5027-0

See also
List of law clerks of the Supreme Court of the United States (Seat 6)
Passage 7:
Journal of Behavioral Finance
The Journal of Behavioral Finance is a quarterly peer-reviewed academic journal that covers research related to the field of behavioral finance  It was established in 2000 as The Journal of Psychology and Financial Markets  The founding Board of Editors were Brian Bruce, David Dreman, Paul Slovic, Nobel Laureate Vernon Smith and Arnold Wood  The editor-in-chief was Gunduz Caginalp (2000-2005), Brian Bruce (Hillcrest Asset Management) is the current editor  Taylor and Francis is the journal's publisher (2023) 

Abstracting and indexing
The journal is abstracted and indexed in:

According to the Journal Citation Reports, the journal  has a 2022 impact factor of 1 8  In a 2010 ranking it was 71st out of 76 journals in the category "Business, Finance", and 256th out of 305 journals in the category "Economics"  The Journal is ranked number 30 out of 80 established finance program journals, as per the Author Affiliation Index methodology, which is an affiliation based network approach to journal rankings  The rankings are published in the Journal of Corporate Finance   It has a 7% acceptance rate  The Australian Business School Deans list it as a selective A ranked journal 

See also
Prospect theory
Technical analysis
Passage 8:
Chapman University School of Law
Chapman University's Dale E  Fowler School of Law, commonly referred to as Chapman University School of Law or Fowler School of Law, is a private, non-profit law school located in Orange, California  The school offers the Juris Doctor degree (JD), combined programs offering a JD/MBA and JD/MFA in Film & Television Producing  The school also offers emphasis options in Business Law, Criminal Law, Entertainment Law, Environmental Law, Entrepreneurial Law, International Law, Trial Advocacy, and Taxation  Currently, the school has 74 full- and part-time faculty members and a law library with holdings in excess of 290,000 volumes and volume equivalents 

Accreditation history
Established in 1995 as part of Chapman University, Chapman Law gained provisional accreditation from the American Bar Association (ABA) in 1998 and received full ABA accreditation in 2002  In addition to its ABA membership, the Association of American Law Schools admitted Chapman Law as one of its members in 2006  In 2019, the ABA again fully accredited the school until 2027, the standard seven-year accreditation term 

Rankings
Chapman University School of Law is currently ranked 118th by the U S  News & World Report's annual law school rankings, and 43rd in part-time law schools 

Bar passage rate
For July, 2021, the first-time bar passage rate for Chapman School of Law was 79%  The overall first-time pass rate for ABA-accredited California law schools was 81% 

Costs and average student indebtedness
The cost of tuition for full-time JD students at Chapman for the 2021–2022 academic year was $57,873, which does not include living expenses and fees; and for part-time students was: $46,183   Accordingly, of 2022 graduates, 74% incurred debt to attend Chapman, with an average indebtedness of $150,534 

Post-graduation employment
According to Chapman's official 2021 ABA-required disclosures, 89% of the Class of 2021 obtained bar passage required employment 10 months or less after graduation, 11% were employed in JD advantage jobs where bar passage was a desired qualification, but not required, and 12% reported they were unemployed 

Scholarships
Chapman, like some other law schools, uses merit based scholarships in order to entice competitive students who might otherwise pass over the school for higher ranked competitors and to enhance its own ranking 

Dean
Paul D  Paton was named dean of Chapman University's Dale E  Fowler School of Law and the Donald P  Kennedy Chair in Law in March, 2023  He assumes the role from interim Dean Marisa Cianciarulo who served as interim-dean from December 1, 2021 through June 30, 2023  Prior deans include Matthew J  Parlow who served as dean from July 1, 2016 to December 1, 2021 who, in turn, succeeded Tom Campbell, dean of Fowler School of Law from 2011-2016   From 2007-2010, John Eastman was the dean 

Notable faculty
Tom Campbell, Member of the United States Congress, 1989–1993 and 1995–2001, member of the California State Senate 1993–1995, and director of the California Department of Finance from 2004–2005 
John C  Eastman, who represented Donald Trump in disputes over the 2020 US presidential election   On January 13, 2021, Eastman retired from the Chapman University faculty after he had created controversy by speaking at a Trump rally that preceded the violent storming of the United States Capitol 
Hugh Hewitt, radio host and co-panelist in several of the 2016 presidential debates 
Celestine McConville, Constitutional law and death penalty scholar
Vernon L  Smith, co-winner of the Nobel Prize in economics

Law journals
Chapman's Fowler School of Law publishes the Chapman Law Review, a student-run scholarly journal  In addition to publishing the scholarly journal, the Chapman Law Review hosts a symposium at the start of the spring semester each year 
Passage 9:
Center for American War Letters
The Center for American War Letters is a center established in 2013 after historian Andrew Carroll donated more than 100,000 war letters to Chapman University 

Background
The Center for American War Letters (CAWL) is housed in the Leatherby Libraries building at Chapman University in Orange, California   Every American conflict is represented in the collections at CAWL, including more than 40 linear feet of correspondence from World War II  Scholars and the public can visit the Center and browse its holdings by visiting the Center during business hours  There are also regular exhibits at CAWL featuring the letters and other war ephemera 

Collection
Notable holdings include a letter by a soldier writing on stationery discovered in Adolf Hitler's office and a Civil War letter from General William T  Sherman  The National Endowment for the Humanities (NEH) recently awarded a Foundations-level grant for the digitization of the letters held in this archive, so they may be available to researchers online   This award was made through the Standing Together Initiative sponsored by the NEH  Some parts of the holdings are already available in the Online Archive of California and in Chapman University's Digital Commons repository 

Published works based on collection
War letters: extraordinary correspondence from American wars  New York: Scribner  2001  OCLC 46402061 
Behind the lines: powerful and revealing American and foreign war letters--and one man's search to find them  New York: Scribner  2005  ISBN 0-7432-5616-6  OCLC 58648073 
Operation homecoming: Iraq, Afghanistan, and the Home Front, in the words of U S  troops and their families  New York: Random House  2006  OCLC 70114649 
My Fellow Soldiers: General John Pershing and the Americans Who Helped Win the Great War  Penguin Press  2017  ISBN 978-1594206481 



ground_truth: Vernon Smith