prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Luther: The Calling is based on the BBC crime drama comprising six episodes that were run in which year?

The following are given passages.
Context 1: Passage 1:
Kiss of Death (TV drama)
Kiss of Death, previously titled Breathless and Blood Rush, is a British crime investigation television film, written by Barbara Machin, author of the British television crime drama series Waking the Dead, that aired on BBC on 26 May 2008 
The one-off drama, intended as a backdoor pilot for a possible series, was originally written as a two-part series but was re-written several times at the request of BBC executives  The original running time of 120 minutes was also shortened to 90, and the programme was finally broadcast in one instalment in May 2008  The drama was produced by BBC Northern Ireland and shot in Bristol  A DVD was released in Sweden in 2010, but as of 2016, has not been released in the UK  Viewing figures of 3 9 million did not prove strong enough for a full series to be commissioned 

Synopsis
A plot synopsis issued by the BBC in a press release read as follows: "In this drama, a killer has killed once and kidnapped another victim, challenging the investigative and forensic team to work out why  Suddenly everyone's past comes under scrutiny, everyone's version of the truth comes under suspicion  Kay Rousseau (Louise Lombard), who heads up the crime team, is back at work after the death of her child  Suspicion about her involvement in this death remains, not least in her own husband  Only Matt Costello (Danny Dyer), Kay's second-in-command and a dedicated, impassioned copper, is loyal to the core  Dr  George Austen (Lyndsey Marshal), the team's forensic scientist, worked on Kay's case and knows things Kay wished she didn't, and this isn't helped by her own fast increasing addiction to alcohol which puts her evidential work under unwelcome scrutiny 
Dr Clive Morrell (Shaun Parkes) is a profiler whose own mood swings and strange behaviour are causing concern within the team  Jude Whiley (Lenora Crichlow) is a rookie cop, who is young, fresh and has an energy and passion for the job that verges on obsession  Miles Trumeman (Ace Bhatti) plays Kay's husband Miles Trueman, who is a lawyer attached to the case  Brian McCardie plays killer Michael Bovery, a man obsessed with one of the team, and Jeffery Kissoon plays Commissioner Wilson, Rousseau's boss "

Cast
Louise Lombard as Superintendent Kay Rousseau
Danny Dyer as Detective Inspector Matt Costello
Lenora Crichlow as Detective Constable Jude Whiley
Lyndsey Marshal as Dr  George Austen, pathologist
Shaun Parkes as Dr  Clive Morrell, profiler
Ace Bhatti as Miles Trueman, lawyer
Caroline O'Hara as Jane, kidnap and rape victim
Neil McDermott as John, kidnap victim
Perry Benson as The Courier
Brian McCardie as Michael Bovery
Jeffery Kissoon as Commissioner Wilson

Notes
External links
Kiss of Death at BBC Online 
Kiss of Death at IMDb
Passage 2:
Sam &amp; Max Save the World
Sam & Max Save the World is a graphic adventure video game developed by Telltale Games  The game was originally released as Sam & Max: Season One before being renamed in early 2009  Save the World was developed in episodic fashion, comprising six episodes that were released for Microsoft Windows over the course of late 2006 and early 2007  The episodes were initially distributed online by GameTap and Telltale Games themselves, although the later retail releases of the game were published by The Adventure Company and JoWooD Productions in North America and Europe respectively  A Wii port of the game was published in late 2008, and an Xbox Live Arcade version was released in mid-2009  A remaster of the game by Skunkape Games was released in December 2020 for Nintendo Switch and Microsoft Windows, in August 2021 for Xbox One, and in September 2022 for PlayStation 4 Based on Steve Purcell's comic book series Sam & Max, the game follows the title characters Sam and Max—self-styled vigilante private investigators, the former an anthropomorphic dog and the latter a "hyperkinetic rabbity thing"—through several cases involving a hypnotism conspiracy  Each episode features one case with a contained story, with an underlying plot running through the series  The game was announced by Telltale Games in 2005 following the cancellation of Sam & Max: Freelance Police by LucasArts in the preceding year; many of the employees at Telltale Games were members of the Freelance Police development team 
The game received a positive response from critics, with praise bestowed on the game's humor, graphics and gameplay, but concerns were voiced over the low difficulty of the puzzles, repetition in design between episodes and the effectiveness of the story  Opinions dissented across the Atlantic; some British reviewers did not appreciate the writing in the way that American critics did  Nevertheless, the game has won several awards and is often cited by commentators as the first successful application of episodic distribution  The game was accompanied by a number of short machinima videos set between each episode  The game was followed by two episodic sequels: Sam & Max Beyond Time and Space in 2007 and Sam & Max: The Devil's Playhouse in 2010 

Gameplay
Sam & Max Save the World is a 3D graphic adventure game in which the player controls the character of Sam  The player has Sam explore the environments of the game and solve a series of puzzles using a simple point-and-click interface  The game's puzzles have logical solutions, although a number of them have far-fetched solutions due to the game's cartoon setting  Depending on the type of in-game entity a player selects using the cursor, the player can have Sam walk around an area, look at and comment on objects, pick up certain items or otherwise try to use them  Sam may also engage in conversation with non-player characters; when this occurs, the game presents a dialog tree with several subjects to pick from  Topics of conversation may directly involve the story or provide assistance with the game's puzzles, while others may be entirely unconnected  In some cases, the player may be able to choose dialog for Max to speak as well The game implements an inventory system to allow Sam to store any items that the player picks up during the course of the game  The player may select any of the items in the inventory and can then attempt to use them on objects in the game world or give them to other characters simply by clicking on the desired target  Unlike Save the World's predecessor, Sam & Max Hit the Road, inventory items are context specific, and cannot be used together or combined to create new items  Typically, Sam carries a gun that may be used to solve several puzzles The characters can travel between a variety of locations in the game using their black and white 1960 DeSoto Adventurer, which, when selected, will present the player with a list of available destinations  The DeSoto is also used for several driving sequences, usually involving pursuing or fleeing criminals in other vehicles  In these driving sequences, the player can use Sam's gun, the car's horn, or have Max attempt to communicate with other vehicles via a megaphone  In addition, special inventory items may be used to complete specific puzzles within these sequences  Driving sequences are also used for several minigames, such as pulling innocent drivers over for fabricated felonies  In keeping with the developer's heritage from the LucasArts adventure games, Sam & Max Save the World is designed so that the player characters cannot die or reach a complete dead-end 

Synopsis
Characters
Sam & Max Save the World is set in a universe that parodies American popular culture, and it follows the title characters of Sam and Max, the Freelance Police, a pair of vigilantes and private investigators  Sam is a level-headed but enthusiastic anthropomorphic dog who wears a blue suit and fedora  He is inquisitive, knowledgeable in obscure areas and tends to prefer the logical solution to problems, but he is not above using force  Max is described as a "hyperkinetic rabbity thing"; cunning, uninhibited and reveling in violence and mischief  His reactions to situations usually incorporate force but often with a seeming disregard for his own personal safety  Together, the Freelance Police operate out of a dilapidated office block in a dangerous neighborhood in New York City where they receive cases over the telephone from an unseen police commissioner There are several supporting characters that consistently appear throughout the episodes 
Bosco is the proprietor of the nearby convenience store and supplies the Freelance Police with a number of items across the game  Driven paranoid by repeated shoplifting, Bosco is obsessed with conspiracies, believing that nearly every US government agency, as well as many criminal outfits, are after him  As such, his store is overwhelmed with security devices and contraptions created by Bosco himself  He regularly attempts to disguise himself as a variety of foreign nationals, but to little effect Further down the neighborhood is Sybil Pandemik, who owns a small office across from Sam and Max  Sybil is unable to keep a consistent job and regularly changes her career choices  Introduced as a psychotherapist, she is noted to have worked as a tattoo artist, software tester, tabloid journalist and professional witness In a hole in Sam and Max's own office resides Jimmy Two-Teeth, a rat who works as a petty criminal, confidence trickster and fence  He profusely dislikes Sam and Max, who he sees as always interfering with his work Other characters include the Soda Poppers, a group of three former child stars from the 1970s  The three, each with their own trademark catch-phrase, first appear as victims of hypnosis in the first episode, later acting as the judges on a Pop Idol parody in the second episode  By the fourth episode, they are elected the governors of the Dakotas and plunge the region into civil war over ownership of Mount Rushmore  Also making sporadic appearances is Hugh Bliss, an eccentric magician and leader of the Prismatology cult, a parody of Scientology  He is often seen attempting to promote his self-help guides based on Prismatology  Sam finds Bliss irritating, while Max almost idolizes him  Minor characters include Agent Superball, a US Secret Service agent with a penchant for guarding doors; Chuckles, the pit manager in a mafia-run casino; Harry Moleman, a police mole who switches sides; and the Computer Obsolescence Prevention Society (COPS), a group of outdated computers attempting to find purpose in the technologically advanced world 

Plot
The game opens with Sam and Max, the Freelance Police, lounging in their office, awaiting a new case after a long hiatus  Eventually, the commissioner sends them out to investigate a group of former child stars, the Soda Poppers, who have been causing trouble in the neighborhood  The Soda Poppers are attempting to promote a self-help video called Eye-Bo, which (when watched) hypnotizes the viewer  After seeking assistance from Sybil to reverse the hypnotism on the Soda Poppers by knocking them unconscious, the Freelance Police learn that the scheme has been devised by one Brady Culture, another former child star who owes his fall from popularity to the rise of the Soda Poppers  Sam and Max and the Soda Poppers confront Culture, who hypnotizes the Soda Poppers again  However, Sam manages to fool Culture into ordering the Soda Poppers to attack himself, subduing the threat  The next case the Freelance Police get involves liberating a studio audience held hostage by a deranged TV talk show host, Myra Stump  At the TV station, Sam and Max deduce that Myra has been hypnotized and, after using other shows in the studio to become celebrities, they convince her to let them become guests on her show  Once on the show, Sam notes a strange toy bear on the host's desk, the source of the hypnotism  Using the studio sound system, Sam electrocutes both Myra and the bear, allowing the audience to leave 
The commissioner then tasks Sam and Max with infiltrating the Toy Mafia, a criminal organisation operating from a casino  The commissioner's mole in the organisation has gone quiet; he wants the Freelance Police to find out what happened to the mole  Sam and Max quickly discover that the Toy Mafia are responsible for the toy bear that hypnotised Myra  As they gain the Mafia's trust, they ascertain that the mole has switched sides and is now leading the outfit  After discovering that the casino is a front for a factory producing the hypnotizing bears for mass distribution, the Freelance Police sabotage the factory and destroy the operation  Soon after, the US President starts bringing in bizarre policies; Max is particularly concerned about the introduction of gun restrictions, while Sam believes the President has been hypnotized  At the White House, Max beheads the President, revealing him to be a mechanical puppet designed to hypnotize the nation through TV broadcasts  The President's bodyguard, none other than the now-fallen Toy Mafia's pit boss, activates a giant robot disguised as the statue at the Lincoln Memorial to run in an emergency election against Max  Sam discredits Lincoln's campaign, resulting in Max winning the presidential election  Lincoln begins a destructive rampage through Washington D C , but is neutralized when Max fires an intercontinental ballistic missile at him The next case given to Sam and Max involves dealing with a computer crisis that is causing the world economy to collapse  They discover the problem is a virtual reality program called Reality 2 0, powered by the Internet (which has gained sentience), which is hypnotizing people so they never want to leave the program  Sam and Max access the program themselves and introduce a computer virus that crashes Reality 2 0 and deletes the digital embodiment of the Internet  Prior to expiring, the Internet reveals that it was following the plans of one Roy G  Biv  Sam eventually deduces that Roy G  Biv is actually Hugh Bliss, a character seemingly in the background of all their previous cases  The Freelance Police travel to Bliss' Prismatology retreat on the Moon, where Bliss is preparing a device to hypnotize the entire planet  Bliss reveals himself as a colony of sentient bacteria that feeds off of the endorphins produced by human happiness; by hypnotizing the planet, Bliss assures himself of a permanent supply of nourishment  Bliss activates the device, but is killed when Sam tricks him into a tank of water and boils it using the rocket engine of a lunar lander  Returning to Earth, Max takes great pleasure in reversing the hypnotism by personally knocking everyone on the planet unconscious 

Episodes
Machinima
For the release of each episode, Telltale Games released three corresponding machinima shorts  These shorts are set between the episodes; fifteen were released in total  The first short, "Frank Discussion", released on November 30, 2006, has Sam and Max share a discussion regarding frankfurters and their preservative properties in Bosco's store  The short was followed on December 7 by "Trainspotting", in which Sam ponders the meaning of life while Max questions the sensibility of being outside, away from the comforts of their office  On December 12, Telltale released "A Painstaking Search": having misplaced the keys to their office, Sam and Max return to Brady Culture's hideout in an attempt to retrace their steps  The first short of 2007, "Reality Blights", was released on January 4 and sees Max volunteer the duo to appear on a reality television show, Four Freaks in a Terribly Cramped Office  "Egregious Philosophy Platter" was released seven days later on January 11 and features Sam and Max as host the hosts of television show Egregious Philosophy Platter, discussing the philosophers Socrates and Descartes  The final short relating to television shows, "Kitchen Consequential", was released on January 18 and follows Sam and Max hosting Fun in the Kitchen With Sam and Max where they showcase a few recipes of special effects "Interrogation" was released after the game's third episode on February 1, in which Sam and Max demonstrate how to properly interrogate a suspect  This was followed by "Coffee" on February 8; in the short, Sam and Max experiment with telekinesis on coffee cups  On February 15, "The Blank Blank Blank" was released, where Sam and Max discuss with Bosco a government agency so secret, the acronym is classified  Following episodes relate to Max's tenure as US president after "Abe Lincoln Must Die!"; "War Games", released on March 1, has Sam and Max engage in military activities from the White House's war room under the pretense that they are mere simulations  It was followed by "The Teapot Drone Scandal" on March 15, in which Max orders a Secret Service agent to recite "I'm a Little Teapot" over the telephone  "Saving the Economy" was released on March 22, showing a broadcast by Max outlining his plans to make the economy more efficient by irrationally extending daylight saving time  On April 5, "Artichoke" was released, in which Max holds a press conference where he is unwisely questioned about his gun control policies  The penultimate short, "Bosco", was released on April 12, and shows Max starting a negative campaign against Bosco for the presidential election, despite the fact that he is not running  "A Fireside Chat", the final episode, was released on April 19, depicting a broadcast by Max to the state of Idaho in the hopes of getting them to vote for him 

Development
Production
Sam & Max Save the World originates from Sam & Max: Freelance Police, a graphic adventure game that was developed by LucasArts from 2002 to 2004  Freelance Police was a sequel to the 1993 title Sam & Max Hit the Road  However, LucasArts ceased production on Freelance Police in March 2004  In the subsequent weeks, LucasArts underwent major restructuring; many of the developers who worked on past LucasArts adventure games were made redundant  Some of the former Freelance Police development team consequently formed Telltale Games in June 2004 to continue developing the sort of adventure games that LucasArts no longer wished to produce  Sam & Max creator Steve Purcell, who described himself as disappointed and frustrated with LucasArts' decision, took the Sam & Max franchise to Telltale after the LucasArts license expired in mid-2005  Telltale Games announced the new series of Sam & Max games in September 2005  Brendan Q  Ferguson, who worked on Freelance Police as a programmer, designer and writer; Dave Grossman, one of the project leaders on Maniac Mansion: Day of the Tentacle; and Purcell primarily led the development of the project Unlike Freelance Police, Save the World was developed in episodic form, with episodes being released in quick succession, to allow for reduced development time between titles and quicker delivery of content to consumers  Telltale launched a website for Sam & Max in November to accompany their new series  The following month, Purcell began publishing a Sam & Max webcomic entitled "The Big Sleep" on the site; the webcomic ran for twelve issues and concluded in April 2007  Purcell won an Eisner Award in 2007 for the webcomic  In March 2006, Telltale acquired US$825,000 in funding from a group of private investors, to help sustain growth until its next round of equity funding Telltale released the game's trailer for the Electronic Entertainment Expo in May 2006, showing the new voice actors for Sam and Max: David Nowlin and William Kasten respectively  However, Andrew Chaikin voiced Max in the first episode, but was unable to continue in the role due to health reasons  While at the convention, Telltale revealed that the first episode was forecast for release towards the end of 2006, via the distribution service GameTap  Telltale announced a release date of October 17 over GameTap in early September, with the note that each episode would be made available from Telltale themselves within fifteen days of release  Development on the first episode was completed on September 25, and from October 10, GameTap began hosting the Sam & Max animated series as promotional material for release  The first episode, "Culture Shock", was released on-time on October 17  The next five episodes were released over short intervals until the series finale in April 2007  The series debuted on Steam on June 15 the same year  Telltale began shipping a special collectors edition of the game in July, while the retail version of the game was published in August  January 2008 saw a significant update to the game, upgrading the game engine and ensuring compatibility with Windows Vista Three months later, Telltale announced a Wii version of the game  Telltale reported that an email campaign and Internet rumors of a port had stirred up interest within the company for producing a Wii version  They redesigned the game's point-and-click interface to accommodate the Wii Remote, the primary controller for the console  The game was initially forecast for release in North America on October 7, 2008, but was released a week later on October 14  The European version was published later in December In February 2009, Telltale Games renamed the game from its initial release title of Sam & Max: Season One to Sam & Max Save the World  Telltale's public relations spokeswoman, Emily Morganti, explained that while Season One was thought to communicate the game's episodic nature to potential consumers, the company felt that it was nondescript in relation to the game's story  The message accompanied the announcement of an Xbox Live Arcade version of the game, which had been subject to media speculation since February 2007  Both Windows and Wii versions of the game were republished using the new title 

Design
According to Dave Grossman, the objective for Telltale Games with Sam & Max Save the World was to create a game with a "lot of story and character in it"  Grossman explained that the Sam & Max franchise was therefore most ideally suited to the graphic adventure genre; while action was thought to be possible with the source material, it "would be kind of wrong"  Still, designers decided to introduce action moments such as car chase scenes, wanting players to "feel like [they] are these crazy Freelance Police officers" and "just be involved in all this sort of mayhem" presented in the original comic strips   Like in previous Sam & Max games, Sam & Max Save the World used a point-and-click gameplay system, itself a variation of the control scheme used by Telltale in their preceding adventure game series, Bone; the action sequences implemented in the game still maintained the point-and-click interface Very little of the design from Freelance Police was carried over into Save the World; LucasArts still held onto the assets created for use in Freelance Police, and Telltale was wary of using similar design patterns  While Ferguson and Purcell had both been involved with the canceled LucasArts project, Grossman had not  The team decided to just start from fresh, and pursue a different treatment of the game's subject  Purcell himself wanted to ensure that the game conveyed the "gritty" feel of the original comics—something he felt was lacking from the LucasArts renditions of the franchise  Grossman stated that "we wanted to get a little bit more of that dirt on the streets, and the paper cups and people being mean and nasty"  This "gritty" feeling also influenced artistic design  For instance, on Purcell's suggestion, the sky was changed from blue to yellow in the street outside Sam and Max's office, instantly making the environment feel "filthy and disgusting" 

Audio
Bay Area Sound, a company set up by Clint Bajakian, who had worked extensively on composition and sound production on LucasArts games since 1994, produced the soundtrack  The Save the World soundtrack was composed by Jared Emerson-Johnson, Bajakian's former protégé, whose previous work included composition and sound editing for LucasArts  Emerson-Johnson's scores used live performances as opposed to synthesized music often used elsewhere in the video games industry; a small team of five musicians, including Emerson-Johnson and a recording engineer, produced the soundtrack  The score is primarily grounded in film noir jazz, inspired by the work of Henry Mancini and Charles Mingus  However, Emerson-Johnson noted that as the Sam & Max universe is "open-ended", he had the chance to explore into other musical genres in some episodes, such as "a song-and-dance Charleston number, faux Philip Glass, an ode to Nina Rota's music from The Godfather, and even some inspired retro 8-bit game music"  Several songs were incorporated into the soundtrack, performed by Emerson-Johnson or Peter Barto, the voice actor for Agent Superball  Purcell later commented that Emerson-Johnson had seamlessly blended a "huge palette of genres and styles", while Ferguson stated that he believed that it was Emerson-Johnson's scores that created the vital atmosphere in the games, noting that prior to the implementation of the music, playing the games was an "unrelenting horror"  The soundtrack to Sam & Max Save the World was published in July 2007 

Reception
Sam & Max Save the World received positive critical reaction from reviewers  Aggregate review scores on GameRankings and Metacritic rank the fifth episode, "Reality 2 0", as the critical favorite, while the third episode, "The Mole, the Mob, and the Meatball" received the lowest scores  The entire season holds a score of 88 percent on GameRankings  In addition to receiving several editor choice awards, the game has been recipient to publisher awards for the best adventure game of 2006  As Telltale Games had managed to release a steady stream content with only small time gaps, journalists in the video game industry had considered Sam & Max Save the World to be the first successful application of episodic gaming  Previous unsuccessful implementations of the distribution model included attempts by Valve with the Half-Life series, Ritual Entertainment with SiN Episodes and Telltale themselves with Bone The debut episode, "Culture Shock", was recipient to a mostly optimistic response from critics  The episode was thought to adequately follow 1993's Sam & Max Hit the Road, with the introduction of the new 3D engine and gameplay being positively received  Criticisms of "Culture Shock" focused on the story; while the humor in the writing was praised, the plot was seen as a "thin excuse for the jokes" and the episode's primary antagonist was described by IGN's Steve Butts as "a bit of a letdown"  The second episode, "Situation: Comedy", was thought to produce a better antagonist than "Culture Shock", with the puzzles linking in well to the story  However, critics described the puzzles as too easy, and expressed disappointment at the reuse of lines from the first episode  The next episode, "The Mole, the Mob, and the Meatball", was the lowest rated episode amongst reviewers  Although the episode received compliments for its dialogue and humor, it was criticised for its easy puzzles and short length The fourth episode, "Abe Lincoln Must Die!", was held by critics to be one of the series' best episodes  The episode's story of political satire was subject to praise, whilst the increased length was also appreciated  Puzzles were felt to be more difficult and satisfying to solve  Detractors of the episode, however, felt that the episode suffered from the need to constantly move between locations and from the reuse of old characters and locations  "Reality 2 0", the fifth episode, was the critical favorite of the series  The game's puzzles were cited as stronger than in "Abe Lincoln Must Die!", with a fitting tribute to text adventure games towards the end  However, the script was thought to be inferior to the preceding episode  The season finale "Bright Side of the Moon" received a more reserved response than the two previous episodes, with criticisms directed at the length of the game and the depth of character interaction  Nevertheless, reviewers felt that the episode had reasonable puzzle design and that it was a respectable end to the series Critics gave positive reviews towards the overall gameplay mechanics, although they often presented some reservations  Several reviews praised the simplicity of the game interface  Andre Thomas of GamePlasma described the game's learning curve as "incredibly simple" and the gameplay mechanics as logical extension of those from the adventure games of the 1990s, while GamingTrend reviewer Ron Burke praised Telltale's "intuitive" point-and-click system  Mark Smith of Game Chronicles, however, stated that the streamlined mechanics eliminated "a lot of the exploration and discovery we normally associate with these types of games"  Some reviews directed criticism towards puzzle design; according to Smith, the game is "certainly accessible to kids and younger teens", but the adult audience "will find these games way too easy"  Reviewing for Adventure Gamers, Evan Dickens felt that the puzzles took "a bit of thought and consideration, but never to a point of consternation", believing that the low difficulty was intended by Telltale to allow players to "proceed through the story with minimum frustration"  Hyper's Tim Henderson commends the game for being "highly accessible [and] almost as funny as the original", but criticises it for its episodic content being a "tease" In relation to the story and writing, critics felt that the overall plot was ineffectual  Al Giovetti of JustAdventure felt the plot was lacking, while Burke considered the episodic nature to be detrimental to maintaining plot cohesion between the episodes, a point with which Dickens agreed  Despite this, several reviewers thought that the individual episode stories and the presentation and development of the characters were good  Reviewers considered the writing for each episode as one of the best features of the game; they also praised the level of humor in the game, although Dickens felt that it was not until the fourth episode that the writing properly established itself  In addition, they directed some skepticism towards the reuse of scenes and characters, with critical opinion divided on the degree of success in this regard  A point of contention rose between British and American reviewers over the story and setting, exemplified in PC Gamer; whilst positive towards the first and fourth episodes, the British edition of the magazine felt this repetition was a severe failing of Save the World, and that the writing did not work well  In contrast, the American edition rated each episode highly, stating that the quality of the series was "excellent" Critics commended Sam & Max Save the World's graphics and art direction; Dickens commented that "the cartoonish, absurdist nature of Steve Purcell's characters is captured perfectly" within an "enthusiastically colorful world that is at its best the stranger it gets", while GameZone reviewer Anise Hollingshead praised Telltale for successfully upgrading the characters' graphics "without losing any of their cartoon appeal"  Kristen Reed, writing for Eurogamer, felt that the graphics reflected a "great degree of care and attention to everything from the locations to the standard of character modelling and animation"  They also praised the game for its sound, voice acting and music  In a review for The Entertainment Depot, Tim McGowan complimented Emerson-Johnson's soundtrack as "being quite excellent and listenable on its own", and IGN's Alex Van Zelfdendate described it as a "breath of fresh air"  In contrast, PC Gamer UK's Alec Meer felt that the opening theme tune was "so busy trying to hint at [the theme for Sam & Max Hit the Road] that it forgets to have a memorable melody of its own"  Nowlin and Kasten's voicework also received a positive response The Wii version of the game garnered a more reserved view from critics than the PC version; GameRankings and Metacritic gave aggregate review scores of 75 percent and 74 percent, respectively  For better or worse, reviewers felt that the game had not changed much from the PC version in terms of gameplay, story or overall content  While Sam & Max was thought to be a "perfect, naturally cartoony fit for the Wii", the critics noted a number of technical issues with the release  Several critics cited minor issues with using the imprecise Wii Remote for puzzles requiring accuracy, while observations were made that lines of dialogue could be cut short and that the frame rate could slow significantly, especially in action sequences 

Remastered
Sam & Max Save the World Remastered was developed by Skunkape Games, a studio founded by Telltale co-founder Dan Connors and made up of original development team members Jake Rodkin, Jonathan Sgro, and Randy Tudor; the studio is named in reference to General Skun-ka'pe, a character from Sam & Max: The Devil's Playhouse  Following the closure of Telltale Games in 2018, Skunkape acquired the rights to Sam & Max and retrieved the game's original assets and source code  While the team originally planned to simply update the existing games with a software patch to improve compatibility with newer PCs, the original material's age proved difficult to work with in many regards, leading to the decision to fully remaster Save the World instead  The team consulted with Purcell on the remaster, who contributed additional artwork  Several members of the original development team outside of Skunkape also contributed to the remastering effort, including locating original assets that could not be retrieved from Telltale's archives  The Remastered release runs on the most recent version of the Telltale Tool and features updated character models and lighting, controller support, and new music by original composer Jared Emerson-Johnson  Other changes made include updated cutscene cinematography and re-recorded dialogue for Bosco, with Ogie Banks replacing previous actor Joey Camen  Save the World Remastered was released on Nintendo Switch and Windows on December 2, 2020; on Xbox One on August 10, 2021; and on PlayStation 4 on September 29, 2022  The original Save the World episodes were later released as free downloadable content for the Steam version of Remastered in February 2021  Following Save the World, Skunkape began work on remasters for the other Telltale Sam & Max games, with Beyond Time and Space released in December 2021 and The Devil's Playhouse planned for 2023 

Notes
External links
Official website at the Wayback Machine (archived June 18, 2018)
Official website (Remastered)
Passage 3:
Luther: The Calling
Luther: The Calling by Neil Cross is a tie-in novel based on the BBC crime drama Luther  Two further Luther novels were anticipated, but have not appeared 

Summary
The novel introduces the character of Detective Chief Inspector (DCI) John Luther  The novel is a prequel to the television series and focuses on the traumatic case involving a child killer named Henry Madsen  The novel expands on and explains several elements of the TV series, such as the breakup of the Luthers' marriage, and the corruption of DCI Ian Reed  The final events in the book mirror those portrayed at the start of Series 1 of the television series, which aired 15 months prior to the novel's release 

Reception
Sue Turnbull of The Age describes the book as providing "some clever but uncomfortable reading"  She concludes by comparing the novel to the television series stating "What this book offers is bleaker, more confronting and, well, terrifying  Be prepared"  John O'Connell from The Guardian summarised the novel by stating "the key murders in The Calling are so repulsive and their perpetrator so plausible that at times I had to force myself to keep reading  But I'm glad I did " Rob Farquhar of the Carins Post commended Neil Cross on the creation of DCI John Luther describing Luther as a man "possessed of brilliance and by an animal ferocity that he keeps from all but the monsters he seeks out"  He concluded by stating fans of the "TV series will love this" In 2012, Luther: The Calling won the Ngaio Marsh Award for Best Crime Novel 

See also
Luther (TV series)
List of Luther characters
List of Luther episodes
Passage 4:
Warren Brown (actor)
Warren Martin Brown (born 11 May 1978) is an English actor, best known for his roles as Donny Maguire in Shameless and Andy Holt in Hollyoaks, DS Justin Ripley in the BBC crime drama Luther and as Sergeant Thomas "Mac" McAllister in the British-American action television series Strike Back, starting with Strike Back: Retribution 

Early life
Warren Brown was born in Warrington, England  He studied at the University of Salford 

Career
After appearing in two episodes of the television series Shameless, Warren played the evil Andy Holt in Channel 4's  Hollyoaks  Despite being 27 years old at the time, it was said his youthful good looks and diminutive height helped him win the role of the student 
Brown was nominated for a number of awards for his performance in the show including Best Villain, Most Spectacular Scene and Best Exit at the 2006 British Soap Awards  Brown's character Holt met his demise in February 2006 
Brown won a role in the short-lived ITV show Jane Hall in the summer of 2006  This was followed in March 2007 by his role as Tommo in ITV's Mobile  Also in 2007 he starred as Chris in one episode of Casualty  In September 2007 he starred in the second series of BBC Three's Grownups, playing barman Alex Salade and has played the part since  In the 2009 Comic Relief Special of Two Pints of Lager and a Packet of Crisps, which was a crossover between Grownups, Two Pints and Coming of Age, he played Alex again 
In 2008, Brown performed the voiceover for the film trailer of Gomez: A True Story, based on the life of boxer Michael Gomez and starring Emmerdale's Kelvin Fletcher  In October 2008, Brown played the role of Marky in E4's zombie drama Dead Set  In November 2008, he appeared in Casualty, but not playing the same character as he did in 2007  In 2009 Brown appeared in the three part BBC Iraq war drama Occupation, alongside James Nesbitt and Stephen Graham Brown has appeared in two episodes of The Bill playing Jake Clegg, who was a part of the operation of trafficking young girls illegally  These episodes were titled "The Forgotten Child" 
From May 2010, he appeared as the regular character of DS Justin Ripley in the BBC drama Luther, a role that he reprised in June 2011 in the second series of Luther  Brown left the series in 2013 
Brown appears in the deadmau5 music video for the song "I Remember", also starring Stephen Graham, Aston Kelly (Graham's brother), Greg Walsh and ex-Coronation Street actress Emma Edmondson  In October 2010, Brown appeared as Matt in the BBC drama Single Father  In February 2012, he played one of the main characters in the BBC drama series Inside Men  He appeared as a member of Bane's Mercenary Security in The Dark Knight Rises, the third instalment of Christopher Nolan's Batman trilogy 
First broadcast in August 2012, Brown starred as PC John-Paul Rocksavage in the four-part BBC police drama Good Cop 
From 2017, he plays Sergeant Thomas "Mac" McAllister in Retribution,  the British-American action television series, in the sixth series and second revamp of Strike Back opposite Daniel MacPherson   The eighth series finished filming and aired in February 2020 
Brown has appeared in many audio dramas for the company Big Finish Productions, the most notable of which including a recurring role in their UNIT series, a spin-off based around the military organisation that regularly appeared in Doctor Who, since 2016, and playing Keith Burrow in Big Finish's original eight-part thriller Transference  In 2020, Brown would make his debut appearance in the television series, in the episode "Praxeus", albeit as a different character, former police officer Jake Willys, who was looking for his husband 
In 2023, Brown featured as a main cast member in BBC One drama Ten Pound Poms  For his portrayal of Terry Roberts, he was awarded the Best Actor trophy in the Fiction portion of the Golden Nymph Awards at the Monte-Carlo Television Festival 

Boxing
Brown has competed at world-level in Muay Thai (Thai kickboxing) and is a two-time World Champion 

Filmography
Film
Television
Video games
Passage 5:
Pramface
Pramface is a British sitcom starring Scarlett Alice Johnson and Sean Michael Verey  Written by Chris Reddy, the first series, comprising six half-hour episodes, piloted on 23 February 2012  The second series, which was commissioned by the BBC before the first series had even aired, began transmission on 8 January 2013 with an hour-long special as the first episode  The remaining six episodes of the series were of the usual half-hour length  A third series was commissioned which began airing on 25 February 2014 with the double episode series finale, which aired on 25 March 2014, bringing the third series to a total of six half-hour episodes  It was confirmed in August 2014 that a fourth series will not be commissioned 

Plot
Best friends Jamie, Mike, and Beth finish their GCSE exams and head towards a sixth form party  Meanwhile, 18-year-old Laura, encouraged by her best friend Danielle, breaks her parents' curfew and heads to the same party; both Jamie and Laura are determined to have a good time  During the party they meet and drunkenly have sex  The next morning Jamie writes Laura a note with his phone number on it and leaves  Some few weeks later, Laura discovers that she is pregnant, and that Jamie is only 16  Life is about to begin, but not in the way either of them expected Series 1 follows the life of the two teenagers and their family and friends as they try to get to grips with the impending parenthood and the struggles of pregnancy  Series 2 follows the next stage, caring for the newly born baby, Emily, while Laura faces the difficulties associated with being a new mother  Series 3 follows Jamie encountering a new woman in his life and how that affects his relationship with the mother of his child 

Production
Filming
The show was filmed in and around Edinburgh, Scotland, with specific locations including amongst others The Grange suburb and the Corstorphine parish church 

Cast
Scarlett Alice Johnson as Laura Derbyshire
Sean Michael Verey as Jamie Prince
Dylan Edwards as Mike Fenton
Yasmin Paige as Beth Mitchell
Emer Kenny as Danielle Reeves
Ben Crompton as Keith Prince
Bronagh Gallagher as Sandra Prince
Angus Deayton as Alan Derbyshire
Anna Chancellor as Janet Derbyshire

Episodes
Series overview
Series 1 (2012)
Series 2 (2013)
Series 3 (2014)
International broadcast
Australia – Season 1 premiered in Australia on 3 January 2013 on ABC2 
 Netherlands – All three seasons have been picked up by Netflix in the Netherlands 
 United States – All three seasons of the show have been picked up by Hulu in the United States 

Online
In addition to episode preview clips and character information on the BBC website, the writer and stars wrote blog posts about making the show for the BBC TV Blog and BBC Three Blog  An official Facebook page was set up for fans although this has since been closed and one of the main characters, Mike Fenton, was given his own Twitter account where he commented in-character on the events of the episodes as well as other things going on in the real world at the time 
Passage 6:
Luther (TV series)
Luther is a British psychological crime thriller television series starring Idris Elba as DCI John Luther and Ruth Wilson as Alice Morgan, written by Neil Cross  The detective Luther must make cases against criminals while the murderer Morgan has a complicated relationship with him  The first series is composed of six episodes which ran in May and June 2010  A second series of four episodes aired on BBC One in June and July 2011, and a third was commissioned in 2012 composed of four episodes which aired in July 2013  A two-episode fourth series was broadcast in December 2015, and a fifth series of four episodes premiered on 1 January 2019  BBC Studios handled distribution for the TV series A feature film continuation, Luther: The Fallen Sun, was released in select cinemas on 24 February 2023, before its streaming release on 10 March 2023, by Netflix  Starring Elba, Andy Serkis and Cynthia Erivo, the film was written by Cross 
Elba has been awarded a Critics' Choice Television Award, Golden Globe Award, and Screen Actors Guild Award for his performance as John Luther  The series has also received eleven Primetime Emmy Award nominations in various categories, including four nominations of Elba for Outstanding Lead Actor in a Miniseries or Movie 

Plot
John Luther is a Detective Chief Inspector (DCI) working for the Serious Crime Unit in series one, and the new "Serious and Serial" unit from series two  A dedicated police officer, Luther is obsessive, possessed, and sometimes violent  However, Luther has paid a heavy price for his dedication; he has never been able to prevent himself from being consumed by the darkness of the crimes with which he deals 
For Luther, the job always comes first  His dedication is a curse and a blessing, both for him and those close to him  In the very first episode of the series, he investigates brilliant psychopath and murderer Alice Morgan  Ultimately, he is unable to arrest her due to lack of evidence, but as the series progresses, she becomes both his nemesis and unlikely companion  As she pursues her infatuation with him, he gradually relents as he is able to glean insight from her about some of the cunning criminals he pursues  After Alice helps Luther avenge the death of his estranged wife Zoe, Luther aids her escape from a secure facility and she flees the country  In Alice's absence, Luther's life is dominated by his police work once again, culminating in the murder of his partner and protégé Justin Ripley in the third series  Alice reappears following Ripley's death, and finally convinces Luther to leave London with her 
When the fourth series begins, Luther is living a reclusive life on the English coast  After learning of Alice's apparent death in mysterious circumstances, he is persuaded to return to London and resume his role as a DCI  It ultimately transpires that Alice faked her own death after her life with Luther did not match their expectations  Two years later she returns to extort money from organised crime boss George Cornelius, who sabotaged her previous diamond exchange  Embroiled in her schemes again, Luther's relationship with Alice heads towards its destructive climax 

Cast and characters
Episodes
Series 1 (2010)
The first series of Luther aired in 2010 and received positive reviews from critics, getting an average of 5 9 million viewers per episode 

Series 2 (2011)
In August 2010, the BBC announced that it had commissioned a second series for 2011  Filming started in late September/early October 2010  Originally planned to be broadcast as two two-hour episodes, it was shown as four one-hour episodes  The first episode was shown on BBC One on 14 June 2011 

Series 3 (2013)
In August 2011, the BBC One controller announced that a third series had been commissioned Filming of the four-episode series started in November 2012  Sienna Guillory was cast as Luther's new love interest  Other guest stars included Lucian Msamati and Ned Dennehy  The third series began airing on 2 July 2013 and concluded on 23 July 

Series 4 (2015)
On 19 November 2014, it was announced that a two-episode special would be aired on the BBC in 2015  Filming began in March 2015 and ended April 2015  BBC Home Entertainment later confirmed that the Region 1 version of the Series 4 DVD would be released on 15 December 2015, coinciding with the air date of the fourth series  On 24 October 2015, BBC One confirmed via their Facebook page that series 4 of Luther would air in December 2015 on BBC One In November 2015, it was announced that Luther was confirmed to air in the United States on BBC America for a three-hour one-night event on 17 December 2015 The first episode of the fourth series aired on BBC One on 15 December 2015 

Series 5 (2019)
The BBC announced a fifth series composed of four episodes on 12 June 2017  Filming started in early 2018  Ruth Wilson was confirmed to be returning as Alice Morgan for series five  Series 5 directed by Jamie Payne premiered on 1 January 2019, and was broadcast over consecutive nights through to 4 January 

Film (2023)
In September 2021, Netflix announced a feature film continuation of Luther with Elba reprising his role and Cross writing  Andy Serkis and Cynthia Erivo also joined the cast  The film, Luther: The Fallen Sun, was released in select cinemas on 24 February 2023, before its streaming release on 10 March 2023, by Netflix 

Production
Creator Neil Cross has said that Luther is influenced by both Sherlock Holmes and Columbo; the nature of Luther's intellect and its application to solving crimes is comparable to Holmes's, whereas the show's use of the inverted detective format was inspired by Columbo The first series was filmed in and around London, England, and produced by BBC Drama Productions  Brian Kirk, Sam Miller and Stefan Schwartz each directed two episodes and show creator Neil Cross wrote all six of the episodes  Leila Kirkpatrick was the line producer for the entire program and Katie Swinden was the producer for a number of episodes  Tim Fleming provided cinematography for two episodes  Katie Weiland and Victoria Boydell were involved in film editing, with Weiland editing two episodes  Andy Morgan was responsible for all casting, Paul Cross provided production design and Adam A  Makin was behind the show's art direction The show is filmed in various locations around Central, North, West and East London including the Barbican Estate, Elephant and Castle, Westfield Shopping Centre (Shepherd's Bush), Renaissance Hotel (Heathrow Airport), Ealing Hospital, Cranbrook Estate (Bethnal Green), Victoria Park, Waterloo station, Holloway, Shoreditch and the Docklands 

Critical reception
Series one was met with positive reviews, according to aggregate review site Rotten Tomatoes, where it holds a 91% approval rating, based on 23 reviews  The site's consensus reads: "Gritty and ambiguous, Luther is a captivating drama bolstered by a powerhouse performance from Idris Elba in the title role " It holds a Metacritic score of 82 out of 100, based on 11 collected reviews, indicating "universal acclaim"  However, The Guardian's Stuart Heritage was initially critical of the show, and compared it to the American series FlashForward, in that both series arrived with a large amount of hype but delivered an anticlimactic end product  However, by the fifth episode, Heritage had changed his views and called it Idris Elba's best work since The Wire The show's second series was met with equally positive reviews and holds a 100% approval rating on Rotten Tomatoes, based on 13 reviews  The site's consensus reads: "Luther delves into darker territory in its second series, and Idris Elba's outstanding performance makes this a police procedural of uncommon weight and heft " It holds a Metacritic score of 78 out of 100, based on 9 collected reviews, indicating "Generally favorable reviews " Variety and The Hollywood Reporter admiringly highlighted the darker tone, Elba's performance, and the production  In the third quarter of 2011, the top-rated shows on BBC America were Doctor Who, Top Gear, and Luther, which together gained the network its highest quarterly ratings ever Series three was again met with positive reviews and holds an 88% approval rating on Rotten Tomatoes, based on 25 reviews  The site's consensus reads: "Idris Elba shines in the title role of Luther despite familiar circumstances that benefit from the shortened season " It holds a Metacritic score of 76 out of 100, based on 19 collected reviews, indicating "Generally favorable reviews" Series four received positive reviews, with a 79% approval rating on Rotten Tomatoes, based on 14 reviews  The site's consensus reads: "Idris Elba remains the best thing about Luther in an all-too-brief season which packs a lot of plot into a short time frame " It holds a Metacritic score of 68 out of 100, based on 11 reviews, indicating "Generally favorable reviews" After a four-year hiatus, the Series five broadcast in 2019 met with positive reviews, garnering an 85% approval rating on Rotten Tomatoes, based on 40 reviews  The site's consensus reads: "Luther returns in fine form from its extended exodus with a grisly mystery and the welcome reappearance of Ruth Wilson's psychotic villain, Alice Morgan "

Broadcast outside of the United Kingdom
The first series of the show premiered in Australia on ABC1 on 15 October 2010 and in the United States on BBC America two days later  The second series debuted in the United States on BBC America on 29 September 2011 and Australia on ABC1 on 24 February 2012  The third series ran in the United States on BBC America on four consecutive nights beginning 3 September 2013  The fifth series premiered in the United States on BBC America on 2 June 2019 
The deal also includes the network to show the first six seasons of another series produced by the BBC, Death in Paradise, airing on Thursdays at 7 pm and airing on Fridays at 8 am ET part of the "Morning Mysteries" morning mystery crime drama block 

Soundtrack
Paul Englishby composed Luther's soundtrack  He incorporated many pop and rock songs into the soundtrack, using these generally in the end credits  A CD titled Luther – Songs and Score From Series 1, 2 and 3 was released on 19 August 2013 and contains many of the themes and songs used in the television series  The opening theme song is a shorter version of "Paradise Circus" by Massive Attack from the album Heligoland (2010) with vocals provided by Hope Sandoval 

Awards and nominations
Adaptations
American version
In 2014, Fox started developing an American TV series version of Luther, with Cross writing and executive producing the series, and Elba, Peter Chernin (of the Chernin company), Katherine Pope, and BBC Worldwide Prods' Jane Tranter and Julie Gardner as executive producers  The project was helmed by 20th Century Fox TV, Chernin Entertainment, and BBC Worldwide Prods  The project was formally dropped in 2017 

Russian version
In 2014, Channel One Russia was developing a Russian TV series version of Luther, with Konstantin Lavronenko, starring as Klim  The series was first broadcast on 31 January 2016 

Korean version
On 5 February 2018, South Korean TV network Munhwa Broadcasting Corporation (MBC) announced that it will broadcast a Korean version of Luther  The adaptation will be broadcast in November 2018 and is produced by the MBC Drama Production Group  In August 2018, Shin Ha-kyun was cast as male lead The series title was changed later into Less Than Evil (나쁜 형사, lit  "Bad Detective")  It aired on MBC on 3 December 2018 

Indian version
Indian actor Ajay Devgan announced that he'll be starring in the Indian adaptation of Luther, titled Rudra: The Edge Of Darkness  The first season of the series premiered on 4 March 2022 on Disney+ Hotstar 

French version
The French television channel TF1 has ordered a remake of the British television series which is filmed in the city of Paris and its suburbs  The first episode of the French version gained 4 8 million viewers 

Novel
In August 2011, Cross released a tie-in prequel novel Luther: The Calling following the broadcast of the second season  Two further novels were ordered, but were never released 
Passage 7:
Fear the Walking Dead (season 1)
The first season of Fear the Walking Dead, an American horror-drama television series on AMC, premiered on August 23, 2015, and concluded on October 4, 2015, consisting of six episodes  The series is a companion series and prequel to The Walking Dead, which is based on the comic book series of the same name by Robert Kirkman, Tony Moore, and Charlie Adlard  It was executive produced by Kirkman, David Alpert, Greg Nicotero, Gale Anne Hurd, and Dave Erickson, with Erickson assuming the role of showrunner  On March 9, 2015, AMC announced it had ordered Fear the Walking Dead to series, with a two-season commitment  The second season, comprising 15 episodes, premiered on April 10, 2016 The season follows a dysfunctional, blended family composed of Madison Clark (Kim Dickens), her fiancé Travis Manawa (Cliff Curtis), her daughter Alicia (Alycia Debnam-Carey), her drug-addicted son Nick (Frank Dillane) and Travis' son Chris (Lorenzo James Henrie) from a previous marriage to Liza Ortiz (Elizabeth Rodriguez)  At the onset of the zombie apocalypse, their group is joined by Daniel Salazar (Rubén Blades), his wife Griselda (Patricia Reyes Spíndola), and their daughter Ofelia (Mercedes Mason)  The families navigate through Los Angeles in search of a safe haven 

Production
Development
In September 2013, AMC announced they were developing a companion series to The Walking Dead, which follows a different set of characters created by Robert Kirkman  In September 2014, AMC ordered a pilot, which was written by Kirkman and Dave Erickson, and directed by Adam Davidson, and is executive produced by Kirkman, Erickson, Gale Anne Hurd, and David Alpert, with Erickson serving as showrunner  The project was originally known as Cobalt 

Casting
In December 2014, the first four starring roles were cast: Kim Dickens as Madison, the female lead; Cliff Curtis as Travis Manawa, the male lead; Frank Dillane as Nick; and Alycia Debnam-Carey as Alicia  In April and May, 2015, Elizabeth Rodriguez and Mercedes Mason were announced as series regulars, both in unknown roles 

Filming
Production of the pilot episode began in early 2015 and ended on February 6, 2015  The pilot episode was filmed in Los Angeles; the remaining first-season episodes were filmed in Vancouver, British Columbia, Canada  Production on the remaining five first-season episodes began on May 11, 2015  Adam Davidson, who directed the pilot, also directed the series' second and third episodes 

Cast
Main cast
The first season features eight actors receiving main cast billing status:

Kim Dickens as Madison Clark: An intelligent and domineering high school guidance counselor, the mother of Nick and Alicia, and Travis' fiancée 
Cliff Curtis as Travis Manawa: A resolute and peacekeeping high school teacher, Madison's fiancé, Chris' father, and Liza's ex-husband 
Frank Dillane as Nick Clark: A brave and selfless recovering heroin addict, Madison's son, and Alicia's brother 
Alycia Debnam-Carey as Alicia Clark: The fiery yet compassionate daughter of Madison, and the sister of Nick 
Elizabeth Rodriguez as Liza Ortiz: A no-nonsense and caring nursing student, Travis' ex-wife, and Chris' mother 
Mercedes Mason as Ofelia Salazar: The strong-willed and very capable daughter of Daniel and his wife Griselda 
Lorenzo James Henrie as Chris Manawa: Travis and Liza's rebellious teenage son, who becomes more brutal due to the landscape of the deadly new world 
Rubén Blades as Daniel Salazar: A courageous and practical former Sombra Negra member, a barber, Griselda's husband, and Ofelia's father 

Supporting cast
Patricia Reyes Spíndola as Griselda Salazar: Ofelia's mother, who emigrated from El Salvador with her husband Daniel to escape political unrest 
Scott Lawrence as Art "Artie" Costa: The principal at the high school where Madison and Travis work 
Lincoln A  Castellanos as Tobias: A wise-beyond-his-years high school senior 
Maestro Harrell as Matt Sale: Alicia's boyfriend 
Shawn Hatosy as Cpl  Andrew Adams: A well-intentioned military man with a soulful disposition, who is out of his element 
Jamie McShane as Lt  Moyers: The leader of the National Guard contingent in charge of protecting Madison's neighborhood  He does not take the complaints of the citizens too seriously and is a loose cannon 
Sandrine Holt as Dr  Bethany Exner: A confident and skilled doctor 
Colman Domingo as Victor Strand: A smart and sophisticated businessman with a mysterious past 

Guest cast
Keith Powers as Calvin: Nick's best friend and drug dealer 
Leon Thomas III as Russell: One of Travis' students before the outbreak 

Episodes
Reception
Critical response
On Rotten Tomatoes, the season has a rating of 76%, based on 63 reviews, whose average rating is 6 75/10  The site's critical consensus reads, "Fear the Walking Dead recycles elements of its predecessor, but it's still moody and engrossing enough to compete with the original " On Metacritic, the season has a score of 66 out of 100, based on 33 critics, indicating "generally favorable reviews" Elisabeth Vincentelli of the New York Post rated the first two episodes three out of four stars, stating that "[They] are creepily suspenseful–they're great examples of how effective a slow pace and a moody atmosphere can be " Another positive review of the first episode came from Ken Tucker of Yahoo TV, who wrote, "Fear the Walking Dead is a mood piece, more artful than the original series" and that the cast is "terrific"  Tim Goodman of The Hollywood Reporter gave an average review, writing, "The 90-minute first episode and the hour-long second episode are, while not actually boring, certainly less magnetic than the original "One of the harshest negative reviews came from HitFix, on Daniel Fienberg and Alan Sepinwall's podcast, where Fienberg called the premiere episode "awful, just horrible     as bad as The Walking Dead has ever gotten at its very worst  This is that bad  I've been kind of stunned to see people being generous to it      I thought this was almost unwatchably bad " Sepinwall called his B− review "slightly generous" 

Ratings
The U S  series premiere attracted 10 1 million total viewers, with 6 3 million in the advertiser-coveted 18-to-49-year-old demographic, both cable television records for a series premiere  Numerous international debuts of the pilot also set ratings records  The first season averaged 11 2 million viewers in "live plus-3" ratings (includes VOD and DVR viewing within three days after initial telecast) to become the highest-rated first season of any series in cable history 

Home media
The first season was released on Blu-ray and DVD on December 1, 2015  A special edition version of the first season was released on Blu-ray and DVD on March 22, 2016, with new bonus features, including deleted scenes, seven featurettes, and audio commentaries by cast and crew, on all six episodes 
Passage 8:
NCS: Manhunt
NCS: Manhunt is a British television crime drama series, starring David Suchet, and based on the National Crime Squad  Created by Malcolm McKay, the series premiered with a two-part pilot episode on BBC One on 26 March 2001  A full series of six episodes debuted on 4 March 2002, and concluded on 19 March 2002  Despite the series' popularity, and strong viewing figures, a second series was never commissioned  Notably, neither the pilot nor the complete series have ever been issued on DVD, although the series was repeated in its entirety on Forces TV in 2016  The series notably starred Michael Fassbender in one of his earliest television roles, after appearing in Band of Brothers the previous year  Kenneth Cranham and Phyllis Logan also co-starred in the pilot episode David Suchet said of his role in the series, "I don't ever recollect reading a script like this and I've certainly never seen anything like it on television before  When I read it, I was mesmerised  It was quite impossible to say no  Borne is probably the most complex character in the team  He is a man who fascinates by being endlessly enigmatic  He uses language sparingly, but with him everything is going on underneath the surface  And in a sense, I'm not playing another detective at all  I'm merely playing a different, complex human being who just happens to be a detective  You may find him in a police station, but I'd like to think that the audience are aching to see him too "

Cast
Regular cast
David Suchet as Detective Inspector John Borne
Keith Barron as Detective Superintendent Bob Beausoleil
Samantha Bond as Detective Sergeant Maureen Picasso
Melanie Hill as Detective Sergeant Ruby Sparks
Jonathan Phillips as Detective Sergeant Peter Moon
Gerard Horan as Detective Constable Charlie Spanish
Sara Stewart as Detective Constable Mary D'Eye
Jenny Jules as Detective Constable Karen Bogard-Black
Ace Bhatti as Detective Constable Johnny Khan
Paul McKay as Detective Constable Chrissie Crowe
Guy Scantlebury as Detective Constable Eddie Guerin (Pilot and episodes 1 and 2)
Michael Fassbender as Detective Constable Jack Silver (Episodes 3–6)

Supporting cast
Malcolm Tierney as Superintendent Charlie Vanne (Pilot)
Phyllis Logan as Inspector Anne Warwick (Pilot)
Kenneth Cranham as Ricky Valesi (Pilot)
Steven Berkoff as George Rolf (Episodes 1 and 2)
Anita Dobson as Jean Harris (Episodes 1 and 2)
Zawe Ashton as Mia Davis (Episodes 1 and 2)
Ralph Brown as Ray Du Barriatte (Episodes 1, 2 and 6)
Daniel Mays as Danny Bird (Episodes 1 and 2)
Nicky Henson as Vincent Fairey (Episodes 3 and 4)
Michael McKell as Lee Wilde (Episodes 3 and 4)
Steve Speirs as Benny Luck (Episode 6)

Episodes
Pilot (2001)
Series (2002)
Passage 9:
The Frankenstein Chronicles
The Frankenstein Chronicles is a British television period crime drama series that first aired on ITV Encore on 11 November 2015, designed as a re-imagining of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus  Lead actor Sean Bean also acted as an associate producer on the first series  It follows Inspector John Marlott (Bean), a river police officer who uncovers a corpse made up of body parts from eight missing children and sets about to determine who is responsible 
The series co-stars Richie Campbell as Joseph Nightingale, Robbie Gee as Billy Oates, Tom Ward as Home Secretary Sir Robert Peel, Ed Stoppard as Lord Daniel Hervey, Vanessa Kirby as Lady Jemima (Lord Hervey's sister), and Anna Maxwell Martin as author Mary Shelley  Other historical characters portrayed include William Blake (first series), Ada Lovelace (second series) and Charles Dickens under his pseudonym of ‘Boz’  The first series consists of six episodes which opened to critical acclaim and drew an average 250,000 viewers per episode 
A&E subsequently acquired the series for broadcast in the United States, describing it as "thrilling and terrifying"  On 20 June 2016, ITV announced that it had renewed it for a second six-part series, with production set for January 2017  Filming commenced in March 2017, with Laurence Fox and Maeve Dermody joining the cast  The writing team for the second series consisted of Michael Robert Johnson, Paul Tomalin, Noel Farragher, Colin Carberry, and Glenn Patterson, with all six episodes directed by Alex Gabassi  In December 2017, it was announced that Netflix had struck a deal to carry the programme in the United States and other territories but was removed in February 2022 

Cast
Sean Bean – Inspector John Marlott, a Thames River Police officer, who has early secondary stage syphilis 
Tom Ward – Sir Robert Peel, the Home Secretary
Richie Campbell – Joseph Nightingale, a Bow Street Runner
Ed Stoppard – Lord Daniel Hervey, an impoverished nobleman and proprietor of a private charity hospital
Vanessa Kirby – Lady Jemima Hervey, an impoverished noblewoman, sister to Lord Hervey
Ryan Sampson – Boz, a journalist from The Morning Chronicle
Robbie Gee – Billy Oates, a hardened street-smart criminal
Anna Maxwell Martin – Mary Shelley, author of Frankenstein (series 1)
Richard Clements - Percy Bysshe Shelley, poet and husband of Mary Shelley (series 1)
Charlie Creed-Miles – Tom Pritty, a grave-robber working for the local surgeons (series 1)
Eloise Smyth – Flora, a homeless child taken by Billy Oates to work as a prostitute (series 1)
Samuel West – Sir William Chester, a renowned surgeon and pioneer of galvanism (series 1)
Mark Bazeley – Garnet Chester, Sir William's cousin, also a surgeon (series 1)
Elliot Cowan – Sir Bentley Warburton, Sir Robert Peel's political rival (series 1)
Kate Dickie – Mrs  Bishop, the matron of a gang of murderers (series 1)
Steven Berkoff – William Blake, author, artist and printmaker (series 1)
Deirdre Mullins – Agnes Marlott, John Marlott's deceased wife (series 1)
Laurence Fox – Frederick Dipple, a socialite with an interest in automata (series 2)
Maeve Dermody – Esther Rose, a Jewish seamstress contracted by Mr  Dipple to provide clothing for his mechanical creations (series 2)
Victoria Emslie – Automaton, one of Mr  Dipple's mechanical creations (series 2)
Lily Lesser – Ada Byron, a brilliant female mathematician, assisting Mr  Dipple in creating his automata (series 2)
Kerrie Hayes – Queenie Pickett, Dipple's housemaid and Nightingale's childhood friend (series 2)

Production
The Frankenstein Chronicles was filmed in Northern Ireland in 2015 

Episodes
Series 1 (2015)
Series 2 (2017)
Reception
On Rotten Tomatoes season 1 has an approval rating of 80% based on reviews from 10 critics Euan Ferguson at The Guardian concluded "It's genuinely rather good, and a beast of wholly different hide to Jekyll"  Carl Wilson at The Globe and Mail wrote: "On balance, the season ended just as brilliantly grim as it started " Ben Travers at IndieWire said: "While it's unlikely to be remembered for as long as it took to make, Frankenstein certainly earned its shot at a long life on Netflix "
Passage 10:
List of Happy Valley episodes
Happy Valley is a British crime drama television series created by Sally Wainwright and produced by Red Production Company  The first series of six episodes started airing on BBC One in the United Kingdom on 29 April 2014   It was released on Netflix in the United States and Canada on 20 August 2014  A second six-episode series began airing on BBC One on 9 February 2016 and was made available on Netflix in the US later that year 
The BBC announced Series 3 on 26 October 2021 with filming scheduled to begin in 2022  Series 3 started airing on BBC One on 1 January 2023 

Series overview
Episodes
Series 1 (2014)
Series 2 (2016)
Series 3 (2023)
Ratings
Context 2: Passage 1:
Brian Stokes Mitchell
Brian Stokes Mitchell (born October 31, 1957) is an American actor and singer  A powerful baritone, he has been one of the central leading men of the Broadway theater since the 1990s  He won the Tony Award for Best Actor in a Musical in 2000 for his performance in Kiss Me, Kate 

Early life
Mitchell was born in Seattle, Washington, the youngest of four children of George Mitchell, an electronics engineer, and his wife Lillian (née Stokes), a school administrator  Mitchell grew up at various U S  military bases overseas, where his father was a civilian engineer for the U S  Navy  As a young boy, he lived in San Diego, California, where he began acting in school musicals  He did not attend college, having begun performing professionally while a student at Patrick Henry High School, although he did have private teachers in both acting and voice in his teen years  He has said that he studied film scoring, orchestration, and conducting through UCLA  Prior to Ragtime, he was known professionally as Brian Mitchell 

Career
Stage
Mitchell first performed on Broadway in the musical Mail in 1988, with music by Michael Rupert and lyrics by Jerry Cocker, winning the Theatre World award  His Broadway credits include an all-black revival of George and Ira Gershwin's Oh, Kay! (1990), Jelly's Last Jam (1992) based on the works of jazz artist Jelly Roll Morton, and Kander and Ebb's Kiss of the Spider Woman (1993) He originated the role of Coalhouse Walker Jr, in the musical Ragtime, which opened on Broadway in January 1998  He received a 1998 Tony Award nomination for Best Actor in a Musical  He appeared in the 1999 revival of Cole Porter's Kiss Me, Kate as Fred Graham / Petruchio, winning the Tony Award for Best Actor in a Musical  He appeared on Broadway in King Hedley II in 2001 (Tony Award nomination) and Man of La Mancha in 2002 (Tony Award nomination) He appeared in the New York City Center Encores! staged concert productions of Jule Styne's Do Re Mi (1999), Bob Merrill's Carnival! (2002), Kismet (2006), and The Band Wagon in 2014 He played the title role in the 2002 Kennedy Center production of Sweeney Todd, part of the Stephen Sondheim celebration On June 9, 2005, Mitchell appeared in a concert version of the Rodgers and Hammerstein musical South Pacific at Carnegie Hall  He starred as Emile, alongside Reba McEntire as Nellie Forbush and Alec Baldwin as Luther Billis  The production was taped and telecast by PBS in 2006  Of his performance, Ben Brantley wrote in The New York Times, "As for Mr  Mitchell, his place in the pantheon of romantic musical leads is now guaranteed "
Playbill Records released his debut solo CD, Brian Stokes Mitchell on June 6, 2006  Mitchell has also performed in a Christmas concert with the Mormon Tabernacle Choir later released as a CD and DVD entitled Ring Christmas Bells   His second solo CD, Simply Broadway, was released October 30, 2012, by CD Baby Mitchell returned to Broadway to star with Patti LuPone in the musical version of the Pedro Almodóvar film Women on the Verge of a Nervous Breakdown, which opened at the Belasco Theatre in November 2010 A new musical titled Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed, based on the making of Shuffle Along opened on Broadway on March 14, 2016 in previews, officially on April 21 at the Music Box Theatre  Mitchell played "F E  Miller", with Audra McDonald as "Lottie Gee", Billy Porter, Joshua Henry and Brandon Victor Dixon 

Television and film
Mitchell has a number of television and film credits, including the role of John Dolan in Roots: The Next Generations (1979), and a seven-year stint as Dr  Justin 'Jackpot' Jackson on Trapper John, M D  from 1979 to 1986   Mitchell made several appearances as a celebrity panelist on episodes of $25,000 Pyramid and $100,000 Pyramid in the 1980s, and was considered one of the game's better celebrity players, helping a contestant win the $100,000 grand prize on the latter show in February 1986   Mitchell also participated as a celebrity panelist in four weeks' worth of episodes of The Match Game-Hollywood Squares Hour, a short-lived NBC game show that ran from 1983-1984  He played recurring roles as Hilary Banks' news anchor fiancé Trevor Newsworthy/Collins on The Fresh Prince of Bel-Air and on Frasier as Dr  Frasier Crane's upstairs neighbor and nemesis Cam Winston   He supplied the singing voice of Jethro in the animated feature The Prince of Egypt (1998)   He guest starred in March 2010 in Ugly Betty as Wilhelmina Slater's ex-boyfriend, Don He appeared on the 57th episode of Glee, titled "Heart" in 2012, and the 58th, titled "On My Way," as one of Rachel's dads (LeRoy) along with Jeff Goldblum 
He also played a recurring role on the USA Network series Mr  Robot as Scott Knowles, CTO of E Corp  The series began in June 2015 and ended in December 2019 He has also done voice-overs for animation including Animaniacs, Capitol Critters, Tiny Toon Adventures, A Pup Named Scooby-Doo, The Further Adventures of SuperTed, Kid 'n Play, New Kids on the Block, Scooby-Doo! and the Reluctant Werewolf, Gravedale High, Potsworth & Co , Captain Planet and the Planeteers, The Tom and Jerry Kids Show, Yo Yogi!, Fantastic Max, Pound Puppies, The Addams Family, California Raisins, The Angry Beavers, James Bond Jr , Batman: The Animated Series, Paddington Bear, Pinky and the Brain, Defenders of Dynatron City, The Hot Rod Dogs and Cool Car Cats, Droopy, Master Detective, Denver, the Last Dinosaur, Mighty Max, Don Coyote & Sancho Panda, Vampirina, and the two Flintstones animated movies Hollyrock-a-Bye Baby and I Yabba-Dabba Do! 
Mitchell plays Nicholas Prophet in Wolverine: The Long Night, a scripted podcast serial 

Personal life
He has been married to actress Allyson Tucker since 1994 and has a son, Ellington 

Filmography
Film
Television
Video games
Theatre
Discography
Brian Stokes Mitchell (June 6, 2006)Track listing"Something's Coming" (West Side Story)
"The Best Is Yet to Come" (Cy Coleman)
"Pretty Women" (Sweeney Todd)
"Just In Time" (Bells are Ringing)
"Lazy Afternoon" (The Golden Apple)
"Another Hundred People" (Company)/"Take the 'A' Train"
"How Long Has This Been Going On?" (Funny Face)
"Life is Sweet" (Wonderful Town)
"Losing My Mind" (Follies)
"Being Alive" (Company)
"How Glory Goes" (Floyd Collins)
"Grateful"Simply Broadway (2012)
Plays With Music (2019)

Awards and nominations
Sources: Playbill BroadwayWorld

Honors
2004 - Mitchell was elected the Chairman of the Board of the Actors Fund of America
2016 - Mitchell received the Isabelle Stevenson Award "for his commitment to supporting members of the entertainment community in crisis or transition through his work with The Actors Fund "
Passage 2:
Nigel Hawthorne
Sir Nigel Barnard Hawthorne  (5 April 1929 – 26 December 2001) was an English actor  He is known for his stage acting and his portrayal of Sir Humphrey Appleby, the permanent secretary in the 1980s sitcom Yes Minister and the Cabinet Secretary in its sequel, Yes, Prime Minister  For this role, he won four BAFTA TV Awards for Best Light Entertainment Performance 
He won the BAFTA Award for Best Actor in a Leading Role and was nominated for the Academy Award for Best Actor for portraying King George III in The Madness of King George (1994)  He later won the BAFTA TV Award for Best Actor, for the 1996 series The Fragile Heart  He was also an Olivier Award and Tony Award winner for his work in theatre 

Early life
Hawthorne was born in Coventry, Warwickshire, England, the second of four children of Agnes Rosemary (née Rice) and Charles Barnard Hawthorne, a physician When Nigel was three years old, the family moved to Cape Town, South Africa, where his father had bought a practice  Initially they lived in the Gardens and then moved to a newly built house near Camps Bay He attended St George's Grammar School, Cape Town, and, although the family was not Catholic, at a now-defunct Christian Brothers College, where he played on the rugby team  He described his time at the latter as not being a particularly happy experience He enrolled at the University of Cape Town, where he met and sometimes acted in plays with Theo Aronson (later a well-known biographer), but withdrew and returned to the United Kingdom in the 1950s to pursue a career in acting 

Career
Hawthorne made his professional stage debut in 1950, playing Archie Fellows in a Cape Town production of The Shop at Sly Corner  Unhappy in South Africa, he decided to move to London, where he performed in various small parts before becoming recognized as a great character actor 
Finding success in London, Hawthorne decided to try his luck in New York City and eventually got a part in a 1974 production of As You Like It on Broadway  Around this time, he was persuaded by Ian McKellen and Judi Dench to join the Royal Shakespeare Company  He also supplemented his income by appearing in television advertisements, including one for Mackeson Stout 
He returned to the New York stage in 1990 in Shadowlands and won the 1991 Tony Award for Best Actor in a Play Although Hawthorne had appeared in small roles in various British television series since the late 1950s, his most famous role was as Sir Humphrey Appleby, the Permanent Secretary of the fictional Department of Administrative Affairs in the television series Yes Minister (and Cabinet Secretary in its sequel, Yes, Prime Minister), for which he won four BAFTA awards during the 1980s  He became a household name throughout the United Kingdom, which finally opened the doors to film roles  In 1982, Hawthorne appeared in Richard Attenborough's Gandhi, alongside a distinguished international cast including Martin Sheen, John Mills, Candice Bergen, John Gielgud, Ian Charleson and Ben Kingsley   That same year, he starred opposite Clint Eastwood in the cold war thriller Firefox, where he played a dissident Russian scientist 
Other film roles during this time included Demolition Man, which he detested for being "brainless" and a "cheap picture"  However, it led to his most famous role: that of King George III in Alan Bennett's stage play The Madness of George III (for which he won a Best Actor Olivier Award) and then the film adaptation entitled The Madness of King George, for which he received an Academy Award nomination for Best Actor and won the BAFTA Film Award for Best Actor 
After this success, his friend Ian McKellen asked him to play his doomed brother Clarence in Richard III, and Steven Spielberg asked him to play lame duck president Martin Van Buren in Amistad  He won a sixth BAFTA for the 1996 TV mini-series The Fragile Heart  He also drew praise for his role of Georgie Pillson in the London Weekend Television series "Mapp and Lucia "
Hawthorne was also a voice actor, and lent his voice to two Disney films: Fflewddur Fflam in The Black Cauldron (1985) and Professor Porter in Tarzan (1999)  He also voiced Captain Campion in the animated film adaptation of Watership Down (1978) 

Personal life
An intensely private person, he was annoyed at having been outed as gay in 1995 in the publicity surrounding the Academy Awards, but he did attend the ceremony with his long-time partner Trevor Bentham, and afterward, he spoke openly about being gay in interviews and in his autobiography, Straight Face, which was published posthumously They met in 1968 when Bentham was stage-managing the Royal Court Theatre  From 1979 until Hawthorne's death in 2001, they lived together in Radwell and then at Thundridge, both in Hertfordshire  The two of them became fund raisers for the North Hertfordshire hospice and other local charities 

Death
Hawthorne died from a heart attack at his home on 26 December 2001, aged 72  He had recently undergone several operations for pancreatic cancer, which he was diagnosed with in mid-2000, but had been discharged from hospital for the Christmas holidays  He was survived by Bentham, and his funeral service was held at St Mary's, the Parish Church of Thundridge near Ware, Hertfordshire, following which he was cremated at Stevenage Crematorium  His funeral was attended by Derek Fowlds, Maureen Lipman, Charles Dance, Loretta Swit and Frederick Forsyth along with friends and local people  The service was led by the Right Reverend Christopher Herbert, the Bishop of St Albans  The coffin had a wreath of white lilies and orchids and Bentham was one of the pallbearers On hearing of Hawthorne's death, Alan Bennett described him in his diary: "Courteous, grand, a man of the world and superb at what he did, with his technique never so obvious as to become familiar as, say, Olivier's did or Alec Guinness's "

Honours
He was appointed a Commander of the Order of the British Empire (CBE) in the 1987 New Years Honours List, and was knighted in the 1999 New Years Honours List "for services to the Theatre, Film and Television "

Filmography
Film
Television
Video games
Stage
Theatre
Awards and nominations
Passage 3:
Gordon Dahlquist
Gordon Dahlquist is an American playwright and novelist  A native of the Pacific Northwest, Dahlquist has lived and worked in New York City since 1988  His plays, which include Messalina and Delirium Palace (both Garland Playwriting Award winners), have been performed in New York and Los Angeles  Graduate of Reed College and Columbia University’s School of the Arts  He is an alumnus of New Dramatists Dahlquist's debut novel The Glass Books of the Dream Eaters, a hybrid of fantasy and science fiction set in a period similar to the Victorian era, was published on August 1, 2006, to notable critical acclaim  Dahlquist was reportedly paid an advance of $2,000,000 for The Glass Books of the Dream Eaters, the first of a two-book deal  Its sales were disappointing and it is estimated to have lost its publisher, Bantam, approximately $851,500   The sequel to The Glass Books of the Dream Eaters, The Dark Volume, was published in the UK by Penguin on May 1, 2008, and March 24, 2009 in the United States   A third volume, The Chemickal Marriage was published in July 2012   A young adult novel, The Different Girl was published in 2013  In 2015 he received the James Tait Black Prize for his play Tomorrow Come Today 

Plays
Babylon 55 (with Mark Worthington), premiere Sumus Theatre, Portland, OR, 1984
Reticence, premiere Horace Mann Theatre NYC
Severity's Mistress, premiere Walker Space NYC, 1995
Mission Byzantium, premiere The American Globe Theater NYC, 1995
Island of Dogs, premiere 4th Street Theater NYC, 1998
Vortex du Plaisir, premiere Ohio Theater NYC, 1999
The Secret Machine, premiere Walker Space NYC, 1999
Delirium Palace, premiere Evidence Room LA CA, 2001
Messalina, premiere Evidence Room LA CA, 2003
Babylon is Everywhere: A Court Masque, premiere NYC 2004
Venice Saved: A Seminar (with David Levine), premiere PS122 NYC, 2009
Tea Party, workshop premiere Bay Area Playwrights Foundation, 2012
Tomorrow Comes Today, premiere Undermain Theatre, Dallas, 2014
Red Chariot, premiere Undermain Theatre, Dallas, 2019

Novels
The Glass Books of the Dream Eaters (2006)
The Dark Volume (2008)
The Chemickal Marriage (2012)
The Different Girl  (2013)

Bibliography, Plays
Vortex du Plaisir, Playscripts Inc 
Delirium Palace, Breaking Ground, Stage & Screen, 2002
Babylon is Everywhere, Theater Magazine, Vol 34 #2, 2004

Bibliography, Novels
The Glass Books of the Dream Eaters, Bantam 2006
The Dark Volume, Bantam 2009
The Chemickal Marriage, Penguin 2012
The Different Girl, Dutton Juvenile, 2013
Passage 4:
Special Tony Award
The Special Tony Award category includes the Lifetime Achievement Tony Award and the Special Tony Award  These are non-competitive honorary awards, and the titles have changed over the years  The Tony Award for Lifetime Achievement in the Theatre is to "honor an individual for the body of his or her work " (The Tony Award for Best Special Theatrical Event was a competitive award, given from 2001 to 2009 ) Another non-competitive Tony award is the Tony Honors for Excellence in Theatre, to "recognize the achievements of individuals and organizations that do not fit into any of the competitive categories "

Award winners
1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
2020s
See also
Regional Theatre Tony Award
Tony Honors for Excellence in Theatre
Passage 5:
Eddie Vedder
Eddie Jerome Vedder (born Edward Louis Severson III; December 23, 1964) is an American singer, musician, songwriter, and the lead vocalist and one of three guitarists for the rock band Pearl Jam  He previously was a guest vocalist for supergroup Temple of the Dog, a tribute band dedicated to the late singer Andrew Wood 
Vedder, who is known for his powerful baritone vocals, was ranked seventh on a list of "Best Lead Singers of All Time," based on a readers' poll compiled by Rolling Stone In 2007, Vedder released his first solo album as a soundtrack for the film Into the Wild (2007)  His second album, Ukulele Songs, and a live DVD titled Water on the Road were released in 2011  His third solo album Earthling was released in 2022 
In 2017, Vedder was inducted into the Rock and Roll Hall of Fame as a member of Pearl Jam 

Early life and education
Vedder was born Edward Louis Severson III on December 23, 1964 in Evanston, Illinois, to Karen Lee Vedder and Edward Louis Severson Jr  His parents divorced in 1965 when Vedder was an infant  His mother soon remarried to a man named Peter Mueller  Vedder was raised believing that Mueller was his biological father, and he went by the name Edward Mueller for a time  Vedder's ancestry includes Dutch, German, and Danish on his mother' side (Vedder) and Norwegian on his father's side (Severson) While living in Evanston, Vedder's family fostered seven younger children in a group home  In the mid-1970s, the family, including Vedder's three younger half-brothers, moved to San Diego County, California  Vedder received a guitar from his mother on his 12th birthday, and began turning to music and surfing as a source of comfort  He especially found solace in The Who's 1973 album, Quadrophenia  He said, "When I was around 15 or 16   I was all alone—except for music " His mother and Mueller divorced when Vedder was in his late teens  His mother and brothers moved back to the Chicago area, but Vedder remained with his stepfather in California so he did not have to change schools 
After the divorce, Vedder learned the truth about his parentage and that Mueller was really his stepfather, not his father  Vedder met his biological father briefly as a child, but was led to believe that Severson was merely an old friend of his parents  By the time Vedder learned the truth, Severson had died of multiple sclerosis  During his senior year at San Dieguito High School, Vedder moved out to live in an apartment, supported himself with a nightly job at a drug store in Encinitas  Because of the pressure of work and school, Vedder dropped out of high school  He joined the rest of his family in the Chicago area, and changed his last name to Vedder, his mother's maiden name 
In the early 1980s, while working as a waiter, Vedder earned his high school GED from Oakton Community College 

Career
In 1984, Vedder returned to San Diego with his girlfriend Beth Liebling and his friend Frank  While living in the San Diego area, Vedder recorded demo tapes at his home and worked various jobs, including as a contracted security guard at the La Valencia Hotel in La Jolla  Vedder had several stints in San Diego area bands, including Surf and Destroy and the Butts  One of those bands, called Indian Style, included future Rage Against the Machine and Audioslave drummer Brad Wilk In 1988, Vedder became the vocalist for Bad Radio, a San Diego-based progressive funk rock band  The band's original incarnation was influenced by Duran Duran; however, after Vedder joined, the band moved to a more alternative rock sound influenced in part by the Red Hot Chili Peppers 

Temple of the Dog
In the 1980s, Vedder worked part time as a night attendant at a local gas station  Through the Southern California music scene, Vedder met former Red Hot Chili Peppers drummer Jack Irons, who became a friend and would play basketball with him  Later in 1990, Irons gave him the demo tape of a Seattle band looking for a singer  Vedder listened to the tape shortly before going surfing, where lyrics came to him  He wrote lyrics for three of the songs in what he later described as a "mini-opera" entitled Momma-Son  The songs tell the story of a young man who, like Vedder, learns that he had been lied to about his paternity and that his real father is dead, grows up to become a serial killer, and is eventually imprisoned and sentenced to death  Vedder recorded vocals for the three songs, and mailed the demo tape back to Seattle  The three songs would later become Pearl Jam's "Alive", "Once", and "Footsteps" 
After hearing Vedder's tape, former Mother Love Bone members Stone Gossard and Jeff Ament invited Vedder to come to Seattle to audition for their new band  They were instantly impressed with his unique sound  At the time, Gossard and Ament were working on the Temple of the Dog project founded by Soundgarden's Chris Cornell as a musical tribute to Mother Love Bone's frontman Andrew Wood, who died of a heroin overdose at age 24  Soundgarden drummer Matt Cameron and newcomer Mike McCready were also a part of the project  The song "Hunger Strike" became a duet between Cornell and Vedder  Cornell later said that Vedder "sang half of that song not even knowing that I'd wanted the part to be there and he sang it exactly the way I was thinking about doing it, just instinctively "Vedder also provided background vocals on several other Temple of the Dog songs  In April 1991, Temple of the Dog was released by A&M Records  "Hunger Strike" became Temple of the Dog's breakout single; it was also Vedder's first featured vocal on a record  "I really like hearing that song  I feel like I could be real proud of it –  because one, I didn't write it, and two, it was such a nice way to be ushered onto vinyl for the first time  I'm indebted to Chris (Cornell) time eternal for being invited onto that track", Vedder said in 2009  In the 2011 documentary Pearl Jam Twenty, Vedder said, "That was the first time I heard myself on a real record  It could be one of my favorite songs that I've ever been on – or the most meaningful " Vedder and Cornell performed the song together for the last time on October 26, 2014, at a benefit for Bridge School 

Pearl Jam
Pearl Jam, initially called Mookie Blaylock after the former National Basketball Association player of the same name, was formed in 1990 by Jeff Ament, Stone Gossard, and Mike McCready, who then recruited Vedder as lead singer but hired and fired three different drummers  The band was forced to change its name when they signed to Epic Records in 1991, becoming Pearl Jam, and instead naming their debut album Ten after Blaylock's jersey number 
Ten became one of the best-selling alternative albums of the 1990s, being certified 13× Platinum  The single "Jeremy" received Grammy Award nominations for Best Rock Song and Best Hard Rock Performance in 1993  Pearl Jam received four awards at the 1993 MTV Video Music Awards for its music video for "Jeremy", including Video of the Year and Best Group Video  Ten ranks number 209 on Rolling Stone magazine's list of the 500 greatest albums of all time, and "Jeremy" was ranked number 11 on VH1's list of the 100 greatest songs of the '90s Following an intense touring schedule, the band recorded its second studio album, Vs , which was released in 1993  Upon its release, Vs  set the record at the time for most copies of an album sold in a week, and spent five weeks at number one on the Billboard 200  Vs  was nominated for a Grammy Award for Best Rock Album in 1995  From Vs , the song "Daughter" received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal and the song "Go" received a Grammy nomination for Best Hard Rock Performance Feeling the pressures of success, with much of the burden of Pearl Jam's popularity falling on Vedder, the band decided to decrease the level of promotion for its albums, including refusing to release music videos  Vedder's issue with fame came from what he stated as "what happens when a lot of these people start thinking you can change their lives or save their lives or whatever and create these impossible fuckin' expectations that in the end just start tearing you apart " In 1994, the band began a much-publicized boycott of Ticketmaster, which lasted for three years and limited the band's ability to tour in the United States  Vedder faced what he called a "pretty intense stalker problem" during the mid-1990s  Vedder would refer to the issue in the song "Lukin" from No Code Later that same year the band released its third studio album, Vitalogy, which became the band's third straight album to reach multi-platinum status  On the album, Vedder was featured more extensively on rhythm guitar, and also provided back up vocals and some drumming  The pressure of fame is a common theme of Vedder's songs on the album  The album received Grammy nominations for Album of the Year and Best Rock Album in 1996  Vitalogy was ranked 485th on Rolling Stone magazine's list of the 500 greatest albums of all time  The lead single "Spin the Black Circle" won a Grammy Award in 1996 for Best Hard Rock Performance  Although Dave Abbruzzese performed on the album Vitalogy, he was fired in August 1994, four months before the album was released  The band cited political differences between Abbruzzese and the other members; for example, he disagreed with the Ticketmaster boycott  He was replaced by Jack Irons, a close friend of Vedder and the former and original drummer of the Red Hot Chili Peppers The band subsequently released No Code in 1996 and Yield in 1998  In 1998, prior to Pearl Jam's U S  Yield Tour, Irons left the band due to dissatisfaction with touring  Pearl Jam enlisted former Soundgarden drummer Matt Cameron as Irons' replacement on an initially temporary basis, but he soon became the permanent replacement for Irons  "Do the Evolution" (from Yield) received a Grammy nomination for Best Hard Rock Performance  Vedder described Pearl Jam's approach in 1998, saying "We've had the luxury of writing our own job description   and that description has basically been cut down to just one line: make music "In 1998, Pearl Jam recorded "Last Kiss", a cover of a 1960s ballad made famous by J  Frank Wilson and the Cavaliers  It was released on the band's 1998 fan club Christmas single; however, by popular demand, the cover was released to the public as a single in 1999  "Last Kiss" peaked at number two on the Billboard charts and became the band's highest-charting single 
In 2000, the band released its sixth studio album, Binaural, and initiated a successful and ongoing series of official bootlegs  The band released seventy-two such live albums in 2000 and 2001, and set a record for most albums to debut in the Billboard 200 at the same time  "Grievance" (from Binaural) received a Grammy nomination for Best Hard Rock Performance  The band released its seventh studio album, Riot Act, in 2002  Pearl Jam's contribution to the 2003 film Big Fish, titled "Man of the Hour," was nominated for a Golden Globe Award in 2004  The band's eighth studio album, the eponymous Pearl Jam, was released in 2006  The band released its ninth studio album, Backspacer, in 2009, its tenth studio album, Lightning Bolt, in 2013, and its eleventh studio album, Gigaton, in 2020 
Vedder uses the pseudonym "Jerome Turner" on Pearl Jam records for his non-musical contributions such as design and artwork  He has also used the pseudonym "Wes C  Addle" ("West Seattle") 

Other musical projects
Soundtrack contributions
Vedder has contributed solo material to several soundtracks and compilations, including the soundtracks for the films Dead Man Walking (1995), I Am Sam (2001), A Brokedown Melody (2004), Body of War (2007), and Reign Over Me (2007)  Vedder collaborated with Pakistani musician Nusrat Fateh Ali Khan for his contributions to the Dead Man Walking soundtrack  He covered the Beatles' "You've Got to Hide Your Love Away" for the I Am Sam soundtrack  Vedder wrote "Man of the Hour" that Pearl Jam recorded for Tim Burton's Big Fish Soundtrack (2003)  Vedder wrote two songs for the 2007 feature documentary, Body of War, produced by Ellen Spiro and Phil Donahue: "No More" (a song referring to the Iraq War) and "Long Nights"  Vedder and the supergroup the Million Dollar Bashers, which includes members from Sonic Youth, Wilco, and Bob Dylan's band, covered Dylan's "All Along the Watchtower" for the biopic film, I'm Not There (2007)  Pearl Jam recorded a cover version of The Who's song "Love, Reign o'er Me" for the film Reign Over Me, which takes its title from the song  In 2010, Vedder recorded a new song, "Better Days", which appeared on the soundtrack to the 2010 film Eat Pray Love  Vedder contributed original music for the soundtrack to the 2021 film Flag Day, which also featured the musical debut of Vedder's daughter Olivia on lead vocals in the first single, "My Father’s Daughter", written by Vedder and Glen Hansard 

Into the Wild
Vedder contributed an album's worth of songs to the soundtrack for the 2007 film, Into the Wild  The soundtrack was released on September 18, 2007, through J Records  It includes covers of the Indio song "Hard Sun" and the Jerry Hannan song "Society"  Vedder said that having to write songs based on a narrative "simplified things"  He said, "There were fewer choices  The story was there and the scenes were there " Vedder's songs written for the film feature a folk sound  Thom Jurek of AllMusic called the soundtrack a "collection of folksy, rootsy tunes where rock & roll makes fleeting appearances " Vedder won a 2008 Golden Globe Award for the song "Guaranteed" from Into the Wild  He was also nominated for a Golden Globe Award for his contributions to the film's original score  At the 2008 Grammy Awards, "Guaranteed" received a nomination for Best Song Written for a Motion Picture, Television or Other Visual Media  "Guaranteed" was also nominated a 2008 World Soundtrack Award in the category of Best Original Song Written Directly for a Film  At the 2009 Grammy Awards, "Rise" received a nomination for Best Rock Vocal Performance, Solo Vedder promoted the Into the Wild soundtrack with his first solo tour, which began in April 2008  The April leg of the tour, dubbed the "April Fools Tour", began in Vancouver, British Columbia, Canada at The Centre on April 2, 2008, and was composed of ten dates focusing on the West Coast of the United States  Vedder continued the tour with a second leg in August 2008 composed of fourteen dates focusing on the East Coast and Canada  The second leg of the tour began in Boston, Massachusetts at the Boston Opera House and ended in Chicago, Illinois at the Auditorium Theatre  In June 2009, Vedder followed his 2008 solo tour with another solo tour composed of fourteen dates focusing on the Eastern United States and Hawaii, which began in Albany, New York at the Palace Theatre and continued through to Honolulu at the Hawaii Theatre 

Ukulele Songs
Vedder released his second solo album titled Ukulele Songs, a collection of original songs and covers performed on the ukulele, on May 31, 2011  The first single from the album, "Longing to Belong", was released through digital retailers on March 21  A live DVD titled Water on the Road, featuring live performances from two shows in Washington, D C  during Vedder's 2008 solo tour, was released the same day as Ukulele Songs 

Earthling
In September 2021, Vedder released the single "Long Way", taken from his third studio album Earthling  This was followed by "The Haves" on November 18, 2021, and "Brother the Cloud" on January 14, 2022  "Long Way" and "The Haves" have been released as a limited edition 7" vinyl  To tour the album, Vedder assembled a backing band dubbed "The Earthlings", which includes Glen Hansard on rhythm guitar and backing vocals, Josh Klinghoffer on guitar, keyboard and vocals, Chad Smith on drums, Chris Chaney on bass, and guitarist Andrew Watt  Watt also produced the album 

Collaborations
In addition to playing with Pearl Jam and Temple of the Dog, Vedder has performed or recorded with numerous well-known artists  He has appeared on albums by the Who, Ramones, Neil Young, R E M , Neil Finn, Bad Religion, Mark Seymour, Cat Power, Mike Watt, Fastbacks, Wellwater Conspiracy, Jack Irons, and John Doe, and has also recorded with the Strokes, Nusrat Fateh Ali Khan, Supersuckers, Susan Sarandon, and Zeke  In the months of June and July 2006, Vedder made live performances jamming with Tom Petty and the Heartbreakers, singing on many tracks, including lead vocals on "The Waiting" and backing vocals on "American Girl"  Vedder performed the songs "Break on Through (To the Other Side)", "Light My Fire" and "Roadhouse Blues" with the remaining members of the Doors at the 1993 Rock and Roll Hall of Fame induction ceremony  He also performed with R E M  at the 2007 Rock and Roll Hall of Fame induction ceremony and with the Stooges at the 2010 Rock and Roll Hall of Fame induction ceremony   Vedder made a guest appearance at the Ramones' last show on August 6, 1996, at the Palace in Hollywood 

Film
Vedder had a brief acting cameo in the 1992 movie, Singles, along with Jeff Ament and Stone Gossard of Pearl Jam  He appeared as himself, playing drums in lead actor Matt Dillon's backing band, Citizen Dick  He was also interviewed for the 1996 grunge documentary, Hype! He appears in the 2003 Ramones documentary, End of the Century: The Story of the Ramones  In 2007, he made a cameo as himself in the comedy film, Walk Hard: The Dewey Cox Story  He appears in the 2007 Tom Petty documentary, Runnin' Down a Dream, the 2008 political documentary, Slacker Uprising, and the 2009 Howard Zinn documentary, The People Speak, based upon A People's History of the United States  He was featured in the 2008 Greg Kohs documentary, Song Sung Blue, performing with Lightning and Thunder  He had a one-scene cameo in the second episode of the second season of the IFC television show Portlandia  He also appears in the 2012 documentary West of Memphis,  protesting against the case  Vedder made an appearance in the season 3 episode 16 of David Lynch's Twin Peaks Aug 2017   He was referred to by his birth name, Edward Louis Severson 
The character of Jackson Maine in the movie 'A Star is Born was partly influenced by Vedder  Bradley Cooper, who wrote the screenplay, produced, directed, and starred in the film as Jackson Maine, hung out with Vedder for four or five days to get some tips from him about the character 

Activism
Vedder has used his role as a musician to speak on several politically-oriented themes  In 2009, he said, "People on death row, the treatment of animals, women's right to choose  So much in America is based on religious fundamentalist Christianity  Grow up! This is the modern world!" In 1992, Spin printed an article by Vedder, titled "Reclamation", which detailed his views on abortion  Vedder and Pearl Jam performed at Rock for Choice in 1994  During the band's appearance on MTV Unplugged in 1992, Vedder stood up on his stool during the instrumental break of the song "Porch" and wrote "PRO-CHOICE" on his left arm with a magic marker Vedder was supportive of Green Party presidential candidate Ralph Nader in 2000 and played at Green Party super rallies in Chicago and New York City  Pearl Jam played a series of concerts on the 2004 Vote for Change tour, supporting the candidacy of John Kerry for U S  president  "I supported Ralph Nader in 2000, but it's a time of crisis  We have to get a new administration in", Vedder told Rolling Stone magazine in 2004  In 2005, during Pearl Jam's first South American tour, Vedder said, "next time we come to Brazil, the world will be a better place to live, as George Bush will no longer be the President of the United States " Vedder supported Barack Obama in the 2008 presidential election, and 2012, Bernie Sanders in the 2016 and 2020 primaries, Hillary Clinton in the 2016 presidential election, and Joe Biden in the 2020 presidential election against Donald Trump In his spare time, Vedder is a surfer and active in surf-related conservation efforts, including supporting The Surfrider Foundation  In 1993, Vedder supported fellow Surfrider Foundation member/environmentalist, Aaron Ahearn who had gone AWOL from the United States Navy in protest of the Navy's at sea dumping policies  Vedder and Pearl Jam performed a concert in San Francisco, donating over $3,000 to Ahearn's legal fees 
Vedder supports Earth First! with a tattoo on his right calf  The logo is of a pipe wrench crossed with a stone hammer Vedder was a longtime and outspoken supporter for the Free the West Memphis Three movement, a cause that advocated the release of three young men who were convicted in 1994 of the gruesome murders of three boys in West Memphis, Arkansas  In an interview with Larry King on December 19, 2007, Damien Echols, who was then on death row for the murders, said that Vedder had been the "greatest friend a person could have" and that he had collaborated with him while in prison  The song "Army Reserve" on Pearl Jam's 2006 self-titled album features a lyrical collaboration between Vedder and Echols  On August 19, 2011, Vedder and Natalie Maines attended the release hearing of the West Memphis Three Vedder is a gun control activist and has performed at benefit anti-gun violence concerts and participated on the 2019 Gun Sense Forum 

Musical style and influences
Music critic Jim DeRogatis has described Vedder's vocals as a "Jim Morrison-like vocal growl"  Greg Prato of AllMusic said, "With his hard-hitting and often confessional lyrical style and Jim Morrison-esque baritone, Vedder also became one of the most copied lead singers in all of rock " Vedder has inducted the Doors, Neil Young, the Ramones, and R E M  into the Rock and Roll Hall of Fame, and in his induction speeches he has cited them all as influences  Other influences that Vedder has cited include Pete Townshend and The Who, which the singer considers to be his favorite band of all time, The Beatles, Bruce Springsteen, Pink Floyd, Talking Heads, Fugazi, and The Clash Vedder's lyrical topics range from personal ("Alive", from Ten; "Better Man", from Vitalogy) to social and political concerns ("Even Flow", from Ten; "World Wide Suicide", from Pearl Jam)  His lyrics have often invoked the use of storytelling and have included themes of freedom, individualism, and sympathy for troubled individuals  Other recurring themes include the use of water metaphors, and the concept of leaving everything behind to start again, which is featured in "Rearviewmirror", from Vs ; "MFC", from Yield; "Evacuation", from Binaural; and "Gone", from Pearl Jam) 
Although primarily a vocalist, Vedder began playing guitar on some Pearl Jam songs with the Vs  songs "Rearviewmirror" and "Elderly Woman Behind the Counter in a Small Town"  When the band started, Gossard and McCready were clearly designated as rhythm and lead guitarists, respectively  The dynamic began to change when Vedder started to play more rhythm guitar during the Vitalogy era  McCready said in 2006, "Even though there are three guitars, I think there's maybe more room now  Stone will pull back and play a two-note line and Ed will do a power chord thing, and I fit into all that " Vedder's guitar playing helped the band's sound progress toward a more stripped-down style; the songs "Rearviewmirror" and "Corduroy" (from Vitalogy) feature Vedder's raw, punk-influenced guitar playing  As he had more influence on the band's sound, Vedder sought to make the band's musical output less catchy  He said, "I felt that with more popularity, we were going to be crushed, our heads were going to pop like grapes " He has also contributed performances on the ukulele, harmonica, accordion, and electric sitar to various Pearl Jam recordings 

Live performances
Throughout Pearl Jam's career, Vedder has interacted with the crowd during the band's concerts  Early in Pearl Jam's existence, Vedder and the band became known for their intense live performances  Vedder participated in stage diving as well as crowd surfing  During the early part of Pearl Jam's career, Vedder was known to climb the stage lighting rig and hang from the stage roof  Looking back at this time, Vedder said, "It's hard for us to watch early performances, even though that's when people think we were on fire and young  Playing music for as long as I had been playing music and then getting a shot at making a record and at having an audience and stuff, it's just like an untamed force   a different kind of energy  And I find it kind of hard to watch those early performances because it's so just fucking, semi-testosterone-fueled or whatever  But it didn't come from jock mentality  It came from just being let out of the gates "Vedder began incorporating social commentary and political criticism into his lyrics and performances early in his career with Pearl Jam  He usually comments on politics between songs, often to criticize U S  foreign policy  During Pearl Jam's 2007 Lollapalooza headlining show, Vedder and the band played a song telling the crowd in Chicago to boycott the oil company BP because they had been polluting Lake Michigan Vedder is known to use a Mike Lull-modified, vintage Fender Telecaster that features a single coil pickup in the bridge position and a P-90 pickup in the neck position, and includes various stickers that The Who  He uses three vintage Fender Tweed amplifiers, including a 1959 Deluxe and a 1957 Custom Twin  His two main acoustic guitars are a 1930s-era Martin 00-17 and a vintage Gibson Pete Townshend Signature SJ-200 

Legacy
Lamenting the constant waning of rock 'n roll from the music scene, Bono, in 2017, expounded that "Rage" is the fundamental component of rock 'n roll and said, "Some great rock’n’roll tends to have that, which is why the Who were such a great band  Or Pearl Jam  Eddie has that rage "Vedder was ranked seventh on a list of "Best Lead Singers of All Time" compiled by Rolling Stone  Loudwire put him at number 35 on their Top 66 Hard Rock + Heavy Metal Frontmen of all time  He has been ranked at number 5 on a list of "Singer with the Most Unique Voice", compiled by Rolling Stone  Other singers like Roger Daltrey of the Who, Bruce Dickinson of Iron Maiden and John Densmore of the Doors have praised him for his singing ability  Hit Parader magazine placed him at number 23 on their list of the "Top 100 Metal Vocalists of All Time"  His solo album Into the Wild was ranked at no  20 on the list of Top 20 Rock 'n' Roll Solo Albums by Consequence of Sound  In 2023, Rolling Stone ranked Vender at number 105 on its list of the 200 Greatest Singers of All Time 

Personal life
Vedder attended San Dieguito High School, now called San Dieguito Academy, and donated proceeds from a 2006 Pearl Jam concert in San Diego toward the construction of a theater for the school in the name of his former drama teacher, Clayton E  Liggett  Liggett was Vedder's mentor in high school  Vedder wrote the song "Long Road" (from Merkin Ball) upon hearing of Liggett's death in 1995 While living in the basement of Pearl Jam manager Kelly Curtis' house in Seattle in the early 1990s, Vedder was roommates with Alice in Chains guitarist and vocalist Jerry Cantrell  Vedder was also friends with Alice in Chains' lead singer Layne Staley, and wrote the song "4/20/02" (from Lost Dogs) on the night that he found out about Staley's death, on April 20, 2002 (though Staley had actually died over two weeks earlier on April 5, his body was found on April 19)  Vedder also paid tribute to Staley during a Pearl Jam show in Chicago on August 22, 2016, which would have been Staley's 49th birthday; "It's the birthday of a guy called Layne Staley tonight, and we're thinking of him tonight too  49 years old", Vedder told the crowd before dedicating the song "Man of the Hour" to his late friend In 1994, Vedder married Hovercraft bass player Beth Liebling, whom he was dating since he was a teenager, circa 1984  Vedder was Hovercraft's drummer during their opening slot for Mike Watt's U S  tour in 1995  The couple divorced in September 2000  In an interview published in the June 29, 2006 edition of Rolling Stone magazine, Vedder said that his divorce from Liebling had devastated him  The divorce happened around the same time as the biggest tragedy of Pearl Jam's career, when nine fans were crushed to death during the band's set at the Roskilde Festival in Denmark on June 30, 2000  In an interview with Chris Cornell's daughter Lily in 2020, Vedder explained that their show started on a high because they had just been told about her birth, until about 40 minutes into their performance when the tragedy happened  Vedder revealed that Pete Townshend helped him through the early stages of dealing with the tragedy On September 18, 2010, Vedder married his longtime girlfriend, model Jill McCormick, whom he had been dating since 2000  They have two daughters, Olivia, born in 2004, and Harper, born in 2008  In 2011, McCormick appeared in the music video for Vedder's solo single, "Longing to Belong"  In 2014, Vedder and McCormick co-founded the EB Research Partnership, a non-profit organization dedicated to finding a cure for the genetic skin disorder epidermolysis bullosa  They have raised over $25 million to fund research to find a cure Vedder was a close friend of the late Chris Cornell, the Soundgarden and Audioslave frontman  Aside from Vedder's Pearl Jam bandmates, Cornell was one of the first people Vedder met after moving to Seattle in 1990  The two were neighbors for a while and shared vocal duties in Temple of the Dog  In the 2009 book Grunge Is Dead: The Oral History of Seattle Rock Music, Soundgarden manager Susan Silver recalled that Cornell carried Vedder onstage on his shoulders at Pearl Jam's second show in Seattle (the band was known as Mookie Blaylock at the time): "Everyone was still reeling from [Andrew Wood]'s death    The band came on and Chris carried Eddie onto the stage – he was on his shoulders  It was one of those super powerful moments, where it was all a big healing for everybody  He came out as this guy who had all the credibility in the world – in terms of people in Seattle – and Malfunkshun and Mother Love Bone were loved bands  Andy was such an endearing personality  It was a hard thing to do – to show up after people die  And Chris bringing Eddie out, and pointing at him, as much Pearl Jam lead guitarist Mike McCready recalled that Cornell had helped welcome the "'super, super shy'" Vedder to Seattle: "He was like, 'Hey, welcome to Seattle  I love Jeff [Ament] and Stone [Gossard]  I give you my blessing"  From then on [Vedder] was more relaxed  It was one of the coolest things I saw Chris do'"  In a 2009 interview with Uncut magazine, Vedder stated that Cornell is "the best singer that we've got on the planet"  About the impact that Cornell had in his life, Vedder told a crowd in Alpine Valley before performing "Hunger Strike" with him in September 2011; "I had no idea how he would affect my life and my views on music and my views on friendship and what a big impact he would have  These guys [the other members of Pearl Jam] know him much longer than me and his impact is profound"  The friendship between Vedder and Cornell is featured in the 2011 documentary Pearl Jam Twenty  During his solo concert in London on June 6, 2017, Vedder talked for the first time about Cornell since his death on May 18, 2017, saying that "he wasn't just a friend, he was someone I looked up to like my older brother" and "I will live with those memories in my heart and I will love him forever" Vedder is a friend of The Who guitarist Pete Townshend, who discouraged Vedder from retiring in 1993  In late 2007, Vedder wrote the foreword to a new Pete Townshend biography, Who Are You: The Life of Pete Townshend  The book was published in the UK in March 2008 and in the U S  in October 2008  Vedder was a close friend of the late Ramones guitarist Johnny Ramone, with Vedder being at his side when he died  Since Ramone's death, Vedder and Pearl Jam have played the Ramones' "I Believe in Miracles" regularly at live shows  While driving home from Ramone's funeral, Vedder wrote the lyrics for the Pearl Jam song "Life Wasted" (from Pearl Jam) While surfing with Tim Finn in New Zealand on March 25, 1995, Vedder was carried 250 feet (76 m) off the coast and had to be rescued by lifeguards  He also has paddled outrigger canoes on occasion and in 2005 was nearly lost at sea trying to paddle from Moloka'i to Oahu Vedder has written songs and lyrics that question religious authority  Vedder is a Chicago Bulls and Chicago Bears fan and a long-time, die-hard fan of the Chicago Cubs  In November 1993, Vedder and White Sox pitcher Jack McDowell were involved in a barroom brawl in New Orleans, Louisiana that resulted in Vedder being arrested for public drunkenness and disturbing the peace  Vedder sang the national anthem before the third game of the 1998 NBA Finals in Chicago, and has sung "Take Me Out to the Ball Game" at six Cubs games, including Game 5 of the 2016 World Series  In 2007, a few days before performing with Pearl Jam in Chicago for Lollapalooza, he threw out the first pitch at Wrigley Field, the home of the Cubs  Vedder wrote a song at the request of former Cubs shortstop and first baseman Ernie Banks paying tribute to the Cubs called "All the Way"  The day after the Cubs won the 2016 World Series, the Cubs' official Twitter account posted a montage video backed by Vedder's song in a tribute to Cubs fans The annual series between the Seattle Mariners and San Diego Padres is often nicknamed the Vedder Cup due to both cities being hometowns of the singer The singer is also a great admirer of the late American science fiction author Kurt Vonnegut  During an interview with Uncut Magazine, he stated that the novel Cat's Cradle is his favorite book of all time 

Discography
Solo discography
Extended plays
Singles
Music videos
"Hard Sun" (2007)
"Guaranteed" (2008)
"No More" (2008)
"Better Days" (2010)
"You're True" (2011)
"Longing to Belong" (2011)
"Can't Keep" (2011)
"Sleeping by Myself" (2012)
"Matter of Time" (2020)
"Say Hi" (2020)
"Long Way" (2021)
"The Haves" (2021)
"Brother the Cloud" (2022)

Studio contributions and collaborations
Live contributions and collaborations
Guest appearances
Temple of the Dog discography
Pearl Jam discography
Filmography
Television
Performer and actor

Film
Performer and actor*denotes performance with Pearl Jam
**note: "Animal" performed with Pearl Jam and "Rockin' in the Free World" performed with Neil Young & Pearl Jam
^note: In the acceptance speech, Eddie notoriously states, "I don't know what this means, I don't think it means anything "
^^note: Vedder also performed the songs: "Mary Anne with the Shaky Hand" and "Getting in Tune" with the Who, but they were not released on the DVD 2017 Documentary, "Let's Play Two" featuring Eddie Vedder and Pearl Jam  Can be found on Amazon Prime and was directed by Danny Clinch  Concert documentary centering around Pearl Jams August 2016 shows at Wrigley Field 

Awards and nominations
Passage 6:
Paulo Szot
Paulo Szot is a Brazilian operatic baritone singer and actor  He made his opera debut in 1997 and his international career has included performances with the Metropolitan Opera, La Scala di Milano, Opera de Paris, Bayerische Staatsoper, Opera Australia, Liceo de Barcelona, among many others  In 2008, he made his Broadway debut as Emile De Becque in a revival of South Pacific, for which he won the Tony Award for Best Performance by a Leading Actor in a Musical, the Drama Desk Award, the Outer Critics Circle Award and the Theatre World Award  In 2012 he was nominated for a Laurence Olivier Award for best actor in a musical, and in 2014 was nominated for the MAC Award for best Celebrity Artist becoming the first Brazilian to receive such honors  In 2022, he originated the role of "Lance" in the hit Broadway musical & Juliet 

Biography
Szot was born in São Paulo to Polish parents who emigrated to Brazil after World War II  He began his musical training in piano at the age of five and later added violin and classical ballet  However, at age 21, a knee injury cut short any aspirations for a career in dance, causing him, with encouragement from his instructor, to pursue singing instead Szot studied at Jagiellonian University in Poland  He began singing professionally in 1990 with the National Song & Dance Ensemble "Śląsk"  Later, he made his professional opera debut in a production of Il barbiere di Siviglia at the Municipal Theatre of São Paulo in 1997  Since then, he has performed with the New York City Opera, the Palm Beach Opera, the Canadian Opera Company, Opéra de Marseille, and Vlaamse Opera, among others, in such operas as L'elisir d'amore, La bohème, Don Giovanni, Cavalleria rusticana, Pagliacci, Carmen, Così fan tutte, Le nozze di Figaro and Maria Golovin  In March 2010 he made his debut at the Metropolitan Opera as Kovalyov in Dmitri Shostakovich's The Nose  Szot returned to the Metropolitan Opera as Escamillo sharing the stage with the French tenor Roberto Alagna and as Lescaut in Manon along with Anna Netrebko  Szot returned to the Met in 2014 as the Captain of the Achille Lauro in The Death of Klinghoffer  He sang the role of Guglielmo in Mozart's Così fan tutte at the Palais Garnier, and at the Aix-en-Provence Festival in Le nozze di Figaro  In 2013 he sang in The Nose at Teatro dell'Opera di Roma and at La Scala in the role of Filip Filippovich, the protagonist of Alexander Raskatov's 2009 opera A Dog's Heart  In 2018 and 2019, Szot sang the role of the Celebrant in the Chicago Symphony Orchestra's performance of Leonard Bernstein's Mass under the direction of Marin Alsop with the Chicago Children's Choir and the Highland Park High School Marching Band 
Of his performance in South Pacific, Ben Brantley of The New York Times wrote: "When he delivers 'Some Enchanted Evening' or 'This Nearly Was Mine,' it's not as a swoon-making blockbuster (though of course it is), but as a measured and honest consideration of love "

Stage productions
Il Barbiere di Siviglia – 1996 – Teatro Paulo Eiró, São Paulo
Gianni Scchicchi – 1997 – Sesc Ipiranga, São Paulo
La Bohème – 1998 – Teatro Alfa Real, São Paulo
Le Barbier de Séville – 1997 – Teatro Municipal de Santo André
Carmen – 1998 – Teatro Municipal de São Paulo
La Bohème – 1998 – Teatro Municipal de São Paulo
L'elisir d'amore – 1998 – Festival Ópera de Manaus
Don Giovanni – 1999 – Teatro Alfa Real, São Paulo
Le Barbier de Séville – 1999 – Teatro São Pedro, São Paulo
Don Giovanni – 1999 – Municipal de São Paulo
Le Barbier de Séville – 1999 – Teatro São Pedro de Porto Alegre
O Guarani – 1999 – Teatro Amazonas
Carmen – 2000 – Teatro Municipal do Rio de Janeiro
Cavaleria Rusticana – 2000 – Teatro Alfa Real, São Paulo
I Pagliacci – 2000 – Teatro Alfa Real, São Paulo
Die Fledermaus – 2000 – Teatro Rio de Janeiro
Cavaleria Rusticana – 2000 – Teatro Municipal de São Paulo
Pagliacci – 2000 – Teatro Municipal de São Paulo
Tanhäuser – 2001 – Teatro Municipal do Rio de Janeiro
Carmen – 2001 – Teatro Alfa, São Paulo
Carmen – 2001 – Teatro Municipal de São Paulo
Don Giovanni – 2001 – Teatro Amazonas
La Bohème – 2001 – Teatro Amazonas
Hansel et Gretel – 2001 – Teatro Municipal de São Paulo
Manon – 2002 – Teatro Amazonas
Manon – 2002 – Teatro Alfa – São Paulo
Pagliacci – 2002 – Teatro Amazonas
Il Barbiere di Siviglia - 2003 - Palacio das Artes
Hansel et Gretel – 2003 – Teatro Municipal de São Paulo
Cavaleria Rusticana – 2003 – Teatro Amazonas
Don Pasquale – 2003 – Teatro São Pedro, São Paulo
Don Pasquale – 2003 – Teatro Municipal de Santo André
Lustige Witwe – 2003 – Porto Alegre
Carmen – 2003 – New York City Opera
Don Giovanni – 2003 – Michigan Opera
Le Nozze di Figaro – 2004 – New York City Opera
Carmen – 2004 – Palm Beach Opera
Eugène Onegin – 2004 – Ópera de Marseille
Orfeo – 2004 – Teatro Sérgio Cardoso
L'elisir d'amore – 2005 – New York City Opera
Rita – 2005 – Festival de Campos do Jordão
Dido et Aeneas – 2005 – Opera de Marseille
Don Giovanni – 2005 – Opera de Toulon
Don Giovanni – 2005 – Opera de Bordeaux
Così fan tutte – 2006 – Opera de Marseille
Maria Golovin – 2006 – Opera de Marseille
Don Giovanni – 2006 – Opera de Bogota - Colombia
Così fan tutte – 2007 – Opera de Nice
Le nozze di Figaro – 2007 – Boston
Maria Golovin – Spoleto Opera Festival, 2007 - Italy
Le Portrait de Manon – 2007 – Liceo de Barcelona
Le Nozze di Figaro – 2007 – Vlaamse Opera, Anvers
Le Nozze di Figaro – 2008 – Vlaamse Opera, Gand
South Pacific – 2008 – Lincoln Center Theater, New York
La Veuve Joyeuse – 2008 – Opera de Marseille
South Pacific – 2009 – Lincoln Center Theater, New York
The Nose – 2010 – Metropolitan Opera New York
South Pacific – 2010 – Lincoln Center Theater, New York
Carmen – 2011 – Metropolitan Opera New York
Così fan tutte – 2011 – Opera Garnier, Paris
South Pacific – 2011 – Barbican, London
Carmen – 2011 – San Francisco Opera
South Pacific – 2011 – Oxford
Manon – 2012 – Metropolitan Opera House New York
Le Nozze di Figaro – 2012 – Festival d'Aix-en-Provence
Don Giovanni – 2012 – Washington Opera
The Nose - Il Naso – 2013 – Opera di Roma
A Dog's Heart - Cuore di Cane  – 2013 – La Scala
The Nose – 2013 – Metropolitan Opera
Die Fledermaus - 2013/2014 – Metropolitan Opera
Eugène Onegin - 2014 - Melbourne Opera House
Candide — 2014 — Sala São Paulo - OSESP
The Death of Klinghoffer – 2014 – Metropolitan Opera
Le Nozze di Figaro – 2014 - Théâtre National de Bahreïn / Aix-en-Provence
Manon Lescaut - Teatro Municipal de Sao Paulo - Lescaut - 2015
Die Fledermaus - The Metropolitan Opera - 2015/2016 - Falke
Madama Butterfly - Opera de Marseille - 2016 - Sharpless
Romeo et Juliette - Palacio das Artes - 2016 - Mercutio
My Fair Lady - Teatro Santander - 2016 - Henry Higgins
Così fan tutte - "Don Alfonso" -  2017 - Palais Garnier Opéra National de Paris
The New Prince - 2017 - Dutch Opera - Hamilton/Clinton/Nixon - Amsterdam - Nederlands
Carmen - Bayerische Staatsoper - Munich - Escamillo - 2017 - Germany
Evita - Shakespeare Festival - Pennsylvania - Juan Peron - 2017 -  USA
Street Scene - Teatro Real - Madri - 2018 - Frank Maurant
La Traviata - Palacio das Artes - BH - 2018 - Giorgio Germont
La Traviata - Teatro Municipal de Sao Paulo - 2018 - G  Germont
Mass - Leonard Bernstein - South Bank Centre - 2018 - Celebrant - London
Mass - Leonard Bernstein - Ravinia Festival - 2018 - Celebrant - USA
Evita - A  L  Webber - Opera Australia - Sydney and Melbourne - 2018/2019 - Juan Peron
Merry Widow - Franz Lehar  - Opera di Roma - 2019 - Danilo
Mass - Leonard Bernstein - Ravinia Festival - 2019 - Celebrant - USA
Madama Butterfly - Puccini - Metropolitan Opera - New York - 2019 - Sharpless
Chicago on Broadway - Ambassador Theater - New York - 2020 and 2021 - Billy Flynn
Street Scene - Opera de Monte Carlo - 2020 - Frank
Chicago - Teatro Santander - São Paulo - 2022 - Billy Flynn
La boheme - Puerto Rico - 2022 - Marcello
& Juliet - Princess of Wales Theatre - Toronto - 2022 - Lance
& Juliet - Sondheim Theater - Broadway - 2023 - Lance
Cosi fan tutte - Opera de Paris - 2024 - Don Alfonso

Awards
Passage 7:
New Dramatists
New Dramatists is an organization of playwrights founded in 1949 and located at 424 West 44th Street between Ninth and Tenth Avenues in the Hell's Kitchen (Clinton) neighborhood of Manhattan, New York City 
The members of New Dramatists participate in seven-year residencies to build up their playwriting skills and develop their careers   In addition to housing resident playwrights, New Dramatists also holds workshops for young authors  The organization hosts an annual luncheon at which actors and producers who have made contributions to American theatre are honored  Brian Stokes Mitchell, Glenn Close, and Meryl Streep are among past honorees The New Dramatists have a library that is open to the public on weekdays 

Building
New Dramatists is located in a former church built in the 1880s in the Gothic Revival style  It was the location in turn of St  Matthew's German Lutheran Church, the Lutheran Church of the Redeemer, the Lutheran Metropolitan Inner Mission Society, and, by the mid-1960s, the All People's Church 

Alumni
New Dramatists' alumni include:

Glen Berger
Kia Corthron
Jorge Ignacio Cortiñas
Erin Courtney
Carson Kreitzer
Peter Maloney (actor)
Tarell Alvin McCraney
Suzan-Lori Parks
Harrison David Rivers
Charles Smith, playwright
Charise Castro Smith, television writer and actor
Octavio Solis
Mark St  Germain, playwright, author, and film and television writer 
Gaye Taylor Upchurch, who has directed plays at the Studio Theatre (Washington, D C ), the Summer Play Festival, and the Pacific Playwrights Festival

Awards
Nathan Lane was awarded the New Dramatists' 2019 Distinguished Achievement Award  Audra McDonald, Brian Stokes Mitchell, Daryl Roth, Paula Vogel, and Denzel Washington have received this award in prior years 

History
New Dramatists was established in 1949 as the New Dramatists Committee  Its formation was instigated by Michaela O'Harra, who became the first executive secretary of the Committee  Howard Lindsay was the first chair; other founders included Benjamin Schankman, Russel Crouse, Richard Rodgers, and Oscar Hammerstein II  The Committee was initially funded by contributions from the Playwrights Company, the Cornell-McClintic Foundation and a donation from John Golden 
Passage 8:
Steve Cosson
Steven Cosson (born August 1968) is a writer and director specializing in the creation of new theater work inspired by real life  He is the founding Artistic Director of the New York-based investigative theater company The Civilians 

Early life and education
Cosson was born in the Washington, D C  area  He received his BA from Dartmouth College and holds an MFA in directing from the University of California San Diego, where he studied under director and Joint Stock member Les Waters 

Career
Cosson led The Civilians as the first theater company in residence at the Metropolitan Museum of Art  He wrote the first major American play about climate change, The Great Immensity, which generated significant controversy from Republicans in Congress and right-wing media, and was featured as a TED Talk at the main TED conference in 2012 Cosson collaborated repeatedly with composer Michael Friedman on works with The Civilians and other companies, until Friedman's death in 2017  Other notable accomplishments include developing and directing Anne Washburn's Mr  Burns, a Post-Electric Play, named the 4th Best American Play of the past 25 Years by The New York Times Credits include:

book-writer and director of The Abominables at Children's Theatre Company (2018)
writer and director of The Undertaking at BAM Next Wave Festival (2016), US tour, Theatre de la Ville, Paris
director of José Rivera's Another Word for Beauty, world premiere at the Goodman Theatre (2016)
writer/director, Rimbaud in New York at the Brooklyn Academy of Music (2016)
director of Michael Friedman and Bess Wohl's musical Pretty Filthy (2015)
the Off-Broadway revival of The Belle of Amherst, starring Joely Richardson (2014)With The Civilians: 

writer/director of The Great Immensity (2014), music by Michael Friedman, created in residence with the Princeton Environmental Institute and the Princeton Atelier
co-writer and director of This Beautiful City, which premiered in 2009 to excellent reviews at the Humana Festival of New American Plays and then completed a critically acclaimed run at the Vineyard Theatre (Drama Desk, Drama League, Lortel nominations)
co-writer and director of Brooklyn at Eye Level, produced at Brooklyn's Lyceum Theatre in 2008
co-writer/director of Paris Commune produced in 2004 in The Public Theater's PublicLAB series
writer/director of the long-running hit Gone Missing which toured for several years throughout the U S  and the U K , culminating in 2007 in a seven-month Off-Broadway run at Barrow Street Theater (New York Times’ Top 10 of 2007 list)
writer/director (I Am) Nobody's Lunch (2006) (Fringe First award)
director of the company's first show Canard, Canard, Goose? (2002)Cosson has also directed The Civilians’ work at A R T , Actors Theatre of Louisville, La Jolla Playhouse, HBO's Aspen Comedy Festival, The Museum of Modern Art; London's Gate Theatre, and the Soho Theatre, among many others 
As a freelance director of new plays, musicals, and classics, Cosson's other directing credits include Ethel's Documerica (BAM Next Wave Festival); Dael Orlandersmith's Stoop Stories; Spring Awakening (Olney Theatre Center); Bus Stop (Kansas City Repertory Theatre); Anne Washburn’s A Devil at Noon (Humana Festival of New American Plays); Michael Friedman's Adventures in Reality (Lincoln Center Theater), and the U S  premiere of Attempts on Her Life; and new plays at theaters including Hartford Stage, Soho Rep, O’Neill Conference, New Harmony Project, and others His plays have been published by Oberon Books in the UK, Dramatists Play Service, and an anthology of his plays with The Civilians was published by Playscripts, Inc 

Plays
2018 The Abombinables, music/lyrics by Michael Friedman
2016 The Undertaking
2016 Rimbaud in New York, various composers
2015 The End and the Beginning
2014 The Great Immensity, music/lyrics by Michael Friedman
2012 Paris Commune with Michael Friedman
2010 In The Footprint, music/lyrics by Michael Friedman
2009 This Beautiful City, with Jim Lewis, interviews by the company, music/lyrics by Michael Friedman
2006 (I Am) Nobody's Lunch, interviews by company, music/lyrics by Michael Friedman
2003 Gone Missing, interviews by the company, music/lyrics by Michael Friedman
2001 Canard, Canard, Goose?  head writer, company-devised, music/lyrics by Michael Friedman
1998 Fingered
Context 3: Passage 1:
Stones into Schools
Stones into Schools: Promoting Peace with Books, Not Bombs, in Afghanistan and Pakistan is a New York Times bestselling book by Greg Mortenson published by Viking in 2009   The book is the sequel to the bestselling book Three Cups of Tea and tells the story of Mortenson's humanitarian efforts to build schools in Pakistan and Afghanistan with his non-profit charity organization, Central Asia Institute (CAI)   CAI reports that as of 2010, it has overseen the building over 171 schools in the two countries  These schools reportedly provide education to over 64,000 children, including 54,000 girls, where few education opportunities existed before in the remote regions of Pakistan and Afghanistan 

Summary
Stones into Schools picks up where Three Cups of Tea left off in late 2003   Tracing the efforts of CAI to work in the northeast corner of Afghanistan, the book describes how the book's author and Sarfraz Khan worked to establish the first schools in the area   Mortenson and Khan's efforts were thwarted for a time when a devastating earthquake hit the Azad Kashmir region of Pakistan   CAI assisted with relief efforts in the region by setting up temporary tent schools and later build several earthquake-proof schools   After CAI's relief efforts were completed, the non-profit charity organization then opens schools in areas controlled by the Taliban and Mortenson assists the US military to formulate strategic plans in the region 

Advice solicited by US Military in Afghanistan
Due to attention paid to Mortenson's books first by their wives,  US military leaders in Afghanistan have sought Mortenson's advice on how to work with the elders of local Afghan communities since 2007   Seeking his knowledge on dealing with Afghan elders, the military has also included Mortenson as an active participant in meetings between the elders and US military commanders   He has not, however, accepted any payment for his services, nor does he have any contractual or other formal relationship with the US military 

Criticism
Allegations
On the April 17, 2011 broadcast of CBS News' 60 Minutes, correspondent Steve Kroft alleged inaccuracies in Stones into Schools and its prequel, Three Cups of Tea   In particular, CBS News disputed  Mortenson's claim that he got lost near K2 and ended up in Korphe; that he was captured by the Taliban in 1996; whether the number of schools built and supported by CAI is accurate; and the propriety in the use of CAI funds for Mortenson's book tours  60 Minutes asked Mortenson for an interview prior to their broadcast, but Mortenson did not respond to their requests Jon Krakauer, a former financial supporter of CAI, has also questioned Mortenson's accounts separately and was interviewed for the 60 Minutes segment  The day after the broadcast, Krakauer released his allegations in a lengthy online article, Three Cups of Deceit - How Greg Mortenson, Humanitarian Hero, Lost His Way Mansur Khan Mahsudhe, a tribesmen Greg Mortenson describes as a kidnapper in Stones into Schools, states he is "looking into how to sue" Greg Mortenson for what he claims are lies about him 

Response to allegations
In response to the allegations made against him and his books, Mortenson wrote a statement that was published in the Bozeman Chronicle: "I stand by the information conveyed in my book, and by the value of CAI's work in empowering local communities to build and operate schools that have educated more than 60,000 students " Mortenson further stated, "The time about our final days on K2 and ongoing journey to Korphe village and Skardu is a compressed version of events that took place in the fall of 1993   "Scott Darsney, a respected mountaineer and friend of Greg Mortenson, wrote an email subsequently turned into an exclusive article for Outside magazine's online version as a response to the allegations against Mortenson  Darnsey questioned the accuracy and fairness of both the Krakauer piece and the 60 Minutes report  Darnsey had been interviewed by Krakauer, and maintained that Krakauer either misquoted or misunderstood what he said 
As a response to Krakauer's allegations, CAI produced a comprehensive list of projects completed over a period of years and projects CAI is currently working on  The list was released in December, 2011 (see external links below) 
Passage 2:
Socrates
Socrates (; Greek: Σωκράτης; c  470–399 BC) was a Greek philosopher from Athens who is credited as the founder of Western philosophy and among the first moral philosophers of the ethical tradition of thought  An enigmatic figure, Socrates authored no texts and is known mainly through the posthumous accounts of classical writers, particularly his students Plato and Xenophon  These accounts are written as dialogues, in which Socrates and his interlocutors examine a subject in the style of question and answer; they gave rise to the Socratic dialogue literary genre  Contradictory accounts of Socrates make a reconstruction of his philosophy nearly impossible, a situation known as the Socratic problem  Socrates was a polarizing figure in Athenian society  In 399 BC, he was accused of impiety and corrupting the youth  After a trial that lasted a day, he was sentenced to death  He spent his last day in prison, refusing offers to help him escape 
Plato's dialogues are among the most comprehensive accounts of Socrates to survive from antiquity  They demonstrate the Socratic approach to areas of philosophy including epistemology and ethics  The Platonic Socrates lends his name to the concept of the Socratic method, and also to Socratic irony  The Socratic method of questioning, or elenchus, takes shape in dialogue using short questions and answers, epitomized by those Platonic texts in which Socrates and his interlocutors examine various aspects of an issue or an abstract meaning, usually relating to one of the virtues, and find themselves at an impasse, completely unable to define what they thought they understood  Socrates is known for proclaiming his total ignorance; he used to say that the only thing he was aware of was his ignorance, seeking to imply that the realization of our ignorance is the first step in philosophizing 
Socrates exerted a strong influence on philosophers in later antiquity and has continued to do so in the modern era  He was studied by medieval and Islamic scholars and played an important role in the thought of the Italian Renaissance, particularly within the humanist movement  Interest in him continued unabated, as reflected in the works of Søren Kierkegaard and Friedrich Nietzsche  Depictions of Socrates in art, literature, and popular culture have made him a widely known figure in the Western philosophical tradition 

Sources and the Socratic problem
Socrates did not document his teachings  All that is known about him comes from the accounts of others: mainly the philosopher Plato and the historian Xenophon, who were both his pupils; the Athenian comic dramatist Aristophanes (Socrates's contemporary); and Plato's pupil Aristotle, who was born after Socrates's death  The often contradictory stories from these ancient accounts only serve to complicate scholars' ability to reconstruct Socrates's true thoughts reliably, a predicament known as the Socratic problem  The works of Plato, Xenophon, and other authors who use the character of Socrates as an investigative tool, are written in the form of a dialogue between Socrates and his interlocutors and provide the main source of information on Socrates's life and thought  Socratic dialogues (logos sokratikos) was a term coined by Aristotle to describe this newly formed literary genre  While the exact dates of their composition are unknown, some were probably written after Socrates's death  As Aristotle first noted, the extent to which the dialogues portray Socrates authentically is a matter of some debate 

Plato and Xenophon
An honest man, Xenophon was no trained philosopher  He could neither fully conceptualize nor articulate Socrates's arguments  He admired Socrates for his intelligence, patriotism, and courage on the battlefield  He discusses Socrates in four works: the Memorabilia, the Oeconomicus, the Symposium, and the Apology of Socrates  He also mentions a story featuring Socrates in his Anabasis  Oeconomicus recounts a discussion on practical agricultural issues  Like Plato's Apology, Xenophon's Apologia describes the trial of Socrates, but the works diverge substantially and, according to W  K  C  Guthrie, Xenophon's account portrays a Socrates of "intolerable smugness and complacency"  Symposium is a dialogue of Socrates with other prominent Athenians during an after-dinner discussion, but is quite different from Plato's Symposium: there is no overlap in the guest list  In Memorabilia, he defends Socrates from the accusations of corrupting the youth and being against the gods; essentially, it is a collection of various stories gathered together to construct a new apology for Socrates Plato's representation of Socrates is not straightforward  Plato was a pupil of Socrates and outlived him by five decades  How trustworthy Plato is in representing the attributes of Socrates is a matter of debate; the view that he did not represent views other than Socrates's own is not shared by many contemporary scholars  A driver of this doubt is the inconsistency of the character of Socrates that he presents  One common explanation of this inconsistency is that Plato initially tried to accurately represent the historical Socrates, while later in his writings he was happy to insert his own views into Socrates's words  Under this understanding, there is a distinction between the Socratic Socrates of Plato's earlier works and the Platonic Socrates of Plato's later writings, although the boundary between the two seems blurred Xenophon's and Plato's accounts differ in their presentations of Socrates as a person  Xenophon's Socrates is duller, less humorous and less ironic than Plato's  Xenophon's Socrates also lacks the philosophical features of Plato's Socrates—ignorance, the Socratic method or elenchus—and thinks enkrateia (self-control) is of pivotal importance, which is not the case with Plato's Socrates  Generally, logoi Sokratikoi cannot help us to reconstruct the historical Socrates even in cases where their narratives overlap, as authors may have influenced each other's accounts 

Aristophanes and other sources
Writers of Athenian comedy, including Aristophanes, also commented on Socrates  Aristophanes's most important comedy with respect to Socrates is The Clouds, in which Socrates is a central character  In this drama, Aristophanes presents a caricature of Socrates that leans towards sophism, ridiculing Socrates as an absurd atheist  Socrates in Clouds is interested in natural philosophy, which conforms to Plato's depiction of him in Phaedo  What is certain is that by the age of 45, Socrates had already captured the interest of Athenians as a philosopher  It is not clear whether Aristophanes's work is useful in reconstructing the historical Socrates Other ancient authors who wrote about Socrates were Aeschines of Sphettus, Antisthenes, Aristippus, Bryson, Cebes, Crito, Euclid of Megara, Phaedo and Aristotle, all of whom wrote after Socrates's death  Aristotle was not a contemporary of Socrates; he studied under Plato at the latter's Academy for twenty years  Aristotle treats Socrates without the bias of Xenophon and Plato, who had an emotional tie with Socrates, and he scrutinizes Socrates's doctrines as a philosopher  Aristotle was familiar with the various written and unwritten stories of Socrates  His role in understanding Socrates is limited  He does not write extensively on Socrates; and, when he does, he is mainly preoccupied with the early dialogues of Plato  There are also general doubts on his reliability on the history of philosophy  Still, his testimony is vital in understanding Socrates 

The Socratic problem
In a seminal work titled "The Worth of Socrates as a Philosopher" (1818), the philosopher Friedrich Schleiermacher attacked Xenophon's accounts; his attack was widely accepted and gave rise to the Socratic problem  Schleiermacher criticized Xenophon for his naïve representation of Socrates  Xenophon was a soldier, argued Schleiermacher, and was therefore not well placed to articulate Socratic ideas  Furthermore, Xenophon was biased in his depiction of his former friend and teacher: he believed Socrates was treated unfairly by Athens, and sought to prove his point of view rather than to provide an impartial account  The result, said Schleiermacher, was that Xenophon portrayed Socrates as an uninspiring philosopher  By the early 20th century, Xenophon's account was largely rejected The philosopher Karl Joel, basing his arguments on Aristotle's interpretation of logos sokratikos, suggested that the Socratic dialogues are mostly fictional: according to Joel, the dialogues' authors were just mimicking some Socratic traits of dialogue  In the mid-20th century, philosophers such as Olof Gigon and Eugène Dupréel, based on Joel's arguments, proposed that the study of Socrates should focus on the various versions of his character and beliefs rather than aiming to reconstruct a historical Socrates  Later, ancient philosophy scholar Gregory Vlastos suggested that the early Socratic dialogues of Plato were more compatible with other evidence for a historical Socrates than his later writings, an argument that is based on inconsistencies in Plato's own evolving depiction of Socrates  Vlastos totally disregarded Xenophon's account except when it agreed with Plato's  More recently, Charles H  Kahn has reinforced the skeptical stance on the unsolvable Socratic problem, suggesting that only Plato's Apology has any historical significance 

Biography
Socrates was born in 470 or 469 BC to Sophroniscus and Phaenarete, a stoneworker and a midwife, respectively, in the Athenian deme of Alopece; therefore, he was an Athenian citizen, having been born to relatively affluent Athenians  He lived close to his father's relatives and inherited, as was customary, part of his father's estate, securing a life reasonably free of financial concerns  His education followed the laws and customs of Athens  He learned the basic skills of reading and writing and, like most wealthy Athenians, received extra lessons in various other fields such as gymnastics, poetry and music  He was married twice (which came first is not clear): his marriage to Xanthippe took place when Socrates was in his fifties, and another marriage was with a daughter of Aristides, an Athenian statesman  He had three sons with Xanthippe  Socrates fulfilled his military service during the Peloponnesian War and distinguished himself in three campaigns, according to Plato Another incident that reflects Socrates's respect for the law is the arrest of Leon the Salaminian  As Plato describes in his Apology, Socrates and four others were summoned to the Tholos and told by representatives of the Thirty Tyrants (which began ruling in 404 BC) to arrest Leon for execution  Again Socrates was the sole abstainer, choosing to risk the tyrants' wrath and retribution rather than to participate in what he considered to be a crime Socrates attracted great interest from the Athenian public and especially the Athenian youth  He was notoriously ugly, having a flat turned-up nose, bulging eyes and a large belly; his friends joked about his appearance  Socrates was indifferent to material pleasures, including his own appearance and personal comfort  He neglected personal hygiene, bathed rarely, walked barefoot, and owned only one ragged coat  He moderated his eating, drinking, and sex, although he did not practice full abstention  Although Socrates was attracted to youth, as was common and accepted in ancient Greece, he resisted his passion for young men because, as Plato describes, he was more interested in educating their souls  Socrates did not seek sex from his disciples, as was often the case between older and younger men in Athens  Politically, he did not take sides in the rivalry between the democrats and the oligarchs in Athens; he criticized both  The character of Socrates as exhibited in Apology, Crito, Phaedo and Symposium concurs with other sources to an extent that gives confidence in Plato's depiction of Socrates in these works as being representative of the real Socrates Socrates died in Athens in 399 BC after a trial for impiety and the corruption of the young that lasted for only a day  He spent his last day in prison among friends and followers who offered him a route to escape, which he refused  He died the next morning, in accordance with his sentence, after drinking poison hemlock  He had never left Athens, except during the military campaigns which he had participated in 

Trial of Socrates
In 399 BC, Socrates went on trial for corrupting the minds of the youth of Athens, and for impiety  Socrates defended himself unsuccessfully  He was found guilty by a majority vote cast by a jury of hundreds of male Athenian citizens and, according to the custom, proposed his own penalty: that he should be given free food and housing by the state, for the services he rendered to the city  In the alternative, he proposed that he be fined one mina of silver (according to him, all he had)  The jurors declined his offer and ordered the death penalty  The official charges were: (1) corrupting youth; (2) worshipping false gods; and (3) not worshipping the state religion Socrates was charged in a politically tense climate  In 404 BC, the Athenians had been crushed by Spartans at the decisive naval Battle of Aegospotami, and subsequently, the Spartans laid siege to Athens  They replaced the democratic government with a new, pro-oligarchic government, named the Thirty Tyrants  Because of their tyrannical measures, some Athenians organized to overthrow the Tyrants—and, indeed, they managed to do so briefly—until a Spartan request for aid from the Thirty arrived and a compromise was sought  When the Spartans left again, however, democrats seized the opportunity to kill the oligarchs and reclaim the government of Athens The accusations against Socrates were initiated by a poet, Meletus, who asked for the death penalty in accordance with the charge of asebeia  Other accusers were Anytus and Lycon  After a month or two, in late spring or early summer, the trial started and likely went on for most of one day  There were two main sources for the religion-based accusations  First, Socrates had rejected the anthropomorphism of traditional Greek religion by denying that the gods did bad things like humans do  Second, he seemed to believe in a daimonion—an inner voice with, as his accusers suggested, divine origin Plato's Apology starts with Socrates answering the various rumours against him that have given rise to the indictment  First, Socrates defends himself against the rumour that he is an atheist naturalist philosopher, as portrayed in Aristophanes's The Clouds; or a sophist  Against the allegations of corrupting the youth, Socrates answers that he has never corrupted anyone intentionally, since corrupting someone would carry the risk of being corrupted back in return, and that would be illogical, since corruption is undesirable  On the second charge, Socrates asks for clarification  Meletus responds by repeating the accusation that Socrates is an atheist  Socrates notes the contradiction between atheism and worshipping false gods  He then claims that he is "God's gift" to the Athenians, since his activities ultimately benefit Athens; thus, in condemning him to death, Athens itself will be the greatest loser  After that, he says that even though no human can reach wisdom, seeking it is the best thing someone can do, implying money and prestige are not as precious as commonly thought 

Socrates was given the chance to offer alternative punishments for himself after being found guilty  He could have requested permission to flee Athens and live in exile, but he did not do so  Instead, according to Plato, he requested that a fine should be imposed on him and also suggested that free meals should be provided for him daily in recognition of his worth to Athens  According to Xenophon, however, Socrates made no proposals  The jurors favoured the death penalty by making him drink a cup of hemlock (a poisonous liquid)  In return, Socrates warned jurors and Athenians that criticism of them by his many disciples was inescapable, unless they became good men  After a delay caused by Athenian religious ceremonies, Socrates spent his last day in prison  His friends visited him and offered him an opportunity to escape, which he declined The question of what motivated Athenians to convict Socrates remains controversial among scholars  There are two theories  The first is that Socrates was convicted on religious grounds; the second, that he was accused and convicted for political reasons  Another, more recent, interpretation synthesizes the religious and political theories, arguing that religion and state were not separate in ancient Athens The argument for religious persecution is supported by the fact that Plato's and Xenophon's accounts of the trial mostly focus on the charges of impiety  In those accounts, Socrates is portrayed as making no effort to dispute the fact that he did not believe in the Athenian gods  Against this argument stands the fact that many skeptics and atheist philosophers during this time were not prosecuted  According to the argument for political persecution, Socrates was targeted because he was perceived as a threat to democracy  It was true that Socrates did not stand for democracy during the reign of the Thirty Tyrants and that most of his pupils were against the democrats  The case for it being a political persecution is usually challenged by the existence of an amnesty that was granted to Athenian citizens in 403 BC to prevent escalation to civil war after the fall of the Thirty  However, as the text from Socrates's trial and other texts reveal, the accusers could have fuelled their rhetoric using events prior to 403 BC 

Philosophy
Socratic method
A fundamental characteristic of Plato's Socrates is the Socratic method, or the method of refutation (elenchus)  It is most prominent in the early works of Plato, such as Apology, Crito, Gorgias, Republic I, and others  The typical elenchus proceeds as follows  Socrates initiates a discussion about a topic with a known expert on the subject, usually in the company of some young men and boys, and by dialogue proves the expert's beliefs and arguments to be contradictory  Socrates initiates the dialogue by asking his interlocutor for a definition of the subject  As he asks more questions, the interlocutor's answers eventually contradict the first definition  The conclusion is that the expert did not really know the definition in the first place  The interlocutor may come up with a different definition  That new definition, in turn, comes under the scrutiny of Socratic questioning  With each round of question and answer, Socrates and his interlocutor hope to approach the truth  More often, they continue to reveal their ignorance  Since the interlocutors' definitions most commonly represent the mainstream opinion on a matter, the discussion places doubt on the common opinion Socrates also tests his own opinions through the Socratic method  Thus Socrates does not teach a fixed philosophical doctrine  Rather, he acknowledges his own ignorance while searching for truth with his pupils and interlocutors Scholars have questioned the validity and the exact nature of the Socratic method, or indeed if there even was a Socratic method  In 1982, the scholar of ancient philosophy Gregory Vlastos claimed that the Socratic method could not be used to establish the truth or falsehood of a proposition  Rather, Vlastos argued, it was a way to show that an interlocutor's beliefs were inconsistent  There have been two main lines of thought regarding this view, depending on whether it is accepted that Socrates is seeking to prove a claim wrong  According to the first line of thought, known as the constructivist approach, Socrates indeed seeks to refute a claim by this method, and the method helps in reaching affirmative statements  The non-constructivist approach holds that Socrates merely wants to establish the inconsistency between the premises and conclusion of the initial argument 

Socratic priority of definition
Socrates starts his discussions by prioritizing the search for definitions  In most cases, Socrates initiates his discourse with an expert on a subject by seeking a definition—by asking, for example, what virtue, goodness, justice, or courage is  To establish a definition, Socrates first gathers clear examples of a virtue and then seeks to establish what they had in common  According to Guthrie, Socrates lived in an era when sophists had challenged the meaning of various virtues, questioning their substance; Socrates's quest for a definition was an attempt to clear the atmosphere from their radical skepticism Some scholars have argued that Socrates does not endorse the priority of definition as a principle, because they have identified cases where he does not do so  Some have argued that this priority of definition comes from Plato rather than Socrates  Philosopher Peter Geach, accepting that Socrates endorses the priority of definition, finds the technique fallacious  Αccording to Geach, one may know a proposition even if one cannot define the terms in which the proposition is stated 

Socratic ignorance
Plato's Socrates often claims that he is aware of his own lack of knowledge, especially when discussing ethical concepts such as arete (i e , goodness, courage) since he does not know the nature of such concepts  For example, during his trial, with his life at stake, Socrates says: "I thought Evenus a happy man, if he really possesses this art (technē), and teaches for so moderate a fee  Certainly I would pride and preen myself if I knew (epistamai) these things, but I do not know (epistamai) them, gentlemen"  In some of Plato's dialogues, Socrates appears to credit himself with some knowledge, and can even seem strongly opinionated for a man who professes his own ignorance There are varying explanations of the Socratic inconsistency (other than that Socrates is simply being inconsistent)  One explanation is that Socrates is being either ironic or modest for pedagogical purposes: he aims to let his interlocutor to think for himself rather than guide him to a prefixed answer to his philosophical questions  Another explanation is that Socrates holds different interpretations of the meaning of "knowledge"  Knowledge, for him, might mean systematic understanding of an ethical subject, on which Socrates firmly rejects any kind of mastery; or might refer to lower-level cognition, which Socrates may accept that he possesses  In any case, there is consensus that Socrates accepts that acknowledging one's lack of knowledge is the first step towards wisdom Socrates is known for disavowing knowledge, a claim encapsulated in the saying "I know that I know nothing"  This is often attributed to Socrates on the basis of a statement in Plato's Apology, though the same view is repeatedly found elsewhere in Plato's early writings on Socrates  In other statements, though, he implies or even claims that he does have knowledge  For example, in Plato's Apology Socrates says: "   but that to do injustice and disobey my superior, god or man, this I know to be evil and base   " (Apology, 29b6–7)  In his debate with Callicles, he says: "   I know well that if you will agree with me on those things which my soul believes, those things will be the very truth   "Whether Socrates genuinely thought he lacked knowledge or merely feigned a belief in his own ignorance remains a matter of debate  A common interpretation is that he was indeed feigning modesty  According to Norman Gulley, Socrates did this to entice his interlocutors to speak with him  On the other hand, Terence Irwin claims that Socrates's words should be taken literally Gregory Vlastos argues that there is enough evidence to refute both claims  On his view, for Socrates, there are two separate meanings of "knowledge": Knowledge-C and Knowledge-E (C stands for "certain", and E stands for elenchus, i e  the Socratic method)  Knowledge-C is something unquestionable whereas Knowledge-E is the knowledge derived from Socrates's elenchus  Thus, Socrates speaks the truth when he says he knows-C something, and he is also truthful when saying he knows-E, for example that it is evil for someone to disobey his superiors, as he claims in Apology  Not all scholars have agreed with this semantic dualism  James H  Lesher has argued that Socrates claimed in various dialogues that one word is linked to one meaning (i e  in Hippias Major, Meno, and Laches)  Lesher suggests that although Socrates claimed that he had no knowledge about the nature of virtues, he thought that in some cases, people can know some ethical propositions 

Socratic irony
There is a widespread assumption that Socrates was an ironist, mostly based on the depiction of Socrates by Plato and Aristotle  Socrates's irony is so subtle and slightly humorous that it often leaves the reader wondering if Socrates is making an intentional pun  Plato's Euthyphro is filled with Socratic irony  The story begins when Socrates is meeting with Euthyphro, a man who has accused his own father of murder  When Socrates first hears the details of the story, he comments, "It is not, I think, any random person who could do this [prosecute one's father] correctly, but surely one who is already far progressed in wisdom"  When Euthyphro boasts about his understanding of divinity, Socrates responds that it is "most important that I become your student"  Socrates is commonly seen as ironic when using praise to flatter or when addressing his interlocutors Scholars are divided on why Socrates uses irony  According to an opinion advanced since the Hellenistic period, Socratic irony is a playful way to get the audience's attention  Another line of thought holds that Socrates conceals his philosophical message with irony, making it accessible only to those who can separate the parts of his statements which are ironic from those which are not  Gregory Vlastos has identified a more complex pattern of irony in Socrates  On Vlastos's view, Socrates's words have a double meaning, both ironic and not  One example is when he denies having knowledge  Vlastos suggests that Socrates is being ironic when he says he has no knowledge (where "knowledge" means a lower form of cognition); while, according to another sense of "knowledge", Socrates is serious when he says he has no knowledge of ethical matters  This opinion is not shared by many other scholars 

Socratic eudaimonism and intellectualism
For Socrates, the pursuit of eudaimonia motivates all human action, directly or indirectly  Virtue and knowledge are linked, in Socrates's view, to eudaimonia, but how closely he considered them to be connected is still debated  Some argue that Socrates thought that virtue and eudaimonia are identical  According to another view, virtue serves as a means to eudaimonia (the "identical" and "sufficiency" theses, respectively)  Another point of debate is whether, according to Socrates, people desire what is in fact good—or, rather, simply what they perceive as good Moral intellectualism refers to the prominent role Socrates gave to knowledge  He believed that all virtue was based on knowledge (hence Socrates is characterized as a virtue intellectualist)  He also believed that humans were guided by the cognitive power to comprehend what they desire, while diminishing the role of impulses (a view termed motivational intellectualism)  In Plato's Protagoras (345c4–e6), Socrates implies that "no one errs willingly", which has become the hallmark of Socratic virtue intellectualism  In Socratic moral philosophy, priority is given to the intellect as being the way to live a good life; Socrates deemphasizes irrational beliefs or passions  Plato's dialogues that support Socrates's intellectual motivism—as this thesis is named—are mainly the Gorgias (467c–8e, where Socrates discusses the actions of a tyrant that do not benefit him) and Meno (77d–8b, where Socrates explains to Meno his view that no one wants bad things, unless they do not know what is good and bad in the first place)  Scholars have been puzzled by Socrates's view that akrasia (acting because of one's irrational passions, contrary to one's knowledge or beliefs) is impossible  Most believe that Socrates left no space for irrational desires, although some claim that Socrates acknowledged the existence of irrational motivations, but denied they play a primary role in decision-making 

Religion
Socrates's religious nonconformity challenged the views of his times and his critique reshaped religious discourse for the coming centuries  In Ancient Greece, organized religion was fragmented, celebrated in a number of festivals for specific gods, such as the City Dionysia, or in domestic rituals, and there were no sacred texts  Religion intermingled with the daily life of citizens, who performed their personal religious duties mainly with sacrifices to various gods  Whether Socrates was a practicing man of religion or a 'provocateur atheist' has been a point of debate since ancient times; his trial included impiety accusations, and the controversy has not yet ceased Socrates discusses divinity and the soul mostly in Alcibiades, Euthyphro, and Apology  In Alcibiades Socrates links the human soul to divinity, concluding "Then this part of her resembles God, and whoever looks at this, and comes to know all that is divine, will gain thereby the best knowledge of himself " His discussions on religion always fall under the lens of his rationalism  Socrates, in Euthyphro, reaches a conclusion which takes him far from the age's usual practice: he considers sacrifices to the gods to be useless, especially when they are driven by the hope of receiving a reward in return  Instead he calls for philosophy and the pursuit of knowledge to be the principal way of worshipping the gods  His rejection of traditional forms of piety, connecting them to self-interest, implied that Athenians should seek religious experience by self-examination Socrates argued that the gods were inherently wise and just, a perception far from traditional religion at that time  In Euthyphro, the Euthyphro dilemma arises  Socrates questions his interlocutor about the relationship between piety and the will of a powerful god: Is something good because it is the will of this god, or is it the will of this god because it is good? In other words, does piety follow the good, or the god? The trajectory of Socratic thought contrasts with traditional Greek theology, which took lex talionis (the eye for an eye principle) for granted  Socrates thought that goodness is independent from gods, and gods must themselves be pious Socrates affirms a belief in gods in Plato's Apology, where he says to the jurors that he acknowledges gods more than his accusers  For Plato's Socrates, the existence of gods is taken for granted; in none of his dialogues does he probe whether gods exist or not  In Apology, a case for Socrates being agnostic can be made, based on his discussion of the great unknown after death, and in Phaedo (the dialogue with his students in his last day) Socrates gives expression to a clear belief in the immortality of the soul  He also believed in oracles, divinations and other messages from gods  These signs did not offer him any positive belief on moral issues; rather, they were predictions of unfavorable future events In Xenophon's Memorabilia, Socrates constructs an argument close to the contemporary teleological intelligent-design argument  He claims that since there are many features in the universe that exhibit "signs of forethought" (e g , eyelids), a divine creator must have created the universe  He then deduces that the creator should be omniscient and omnipotent and also that it created the universe for the advance of humankind, since humans naturally have many abilities that other animals do not  At times, Socrates speaks of a single deity, while at other times he refers to plural "gods"  This has been interpreted to mean that he either believed that a supreme deity commanded other gods, or that various gods were parts, or manifestations, of this single deity It has been a source of puzzlement how Socrates's religious beliefs can be consistent with his strict adherence to rationalism  Philosophy professor Mark McPherran suggests that Socrates interpreted every divine sign through secular rationality for confirmation  Professor of ancient philosophy A  A  Long suggests that it is anachronistic to suppose that Socrates believed the religious and rational realms were separate 

Socratic daimonion
In several texts (e g , Plato's Euthyphro 3b5; Apology 31c–d; Xenophon's Memorabilia 1 1 2) Socrates claims he hears a daimōnic sign—an inner voice heard usually when he was about to make a mistake  Socrates gave a brief description of this daimonion at his trial (Apology 31c–d): "  



ground_truth: 2010

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What past honoree from the New Dramatists Organization is a powerful baritone who won the Tony Award for Best Actor in 2000?

The following are given passages.
Context 3: The reason for this is something you have heard me frequently mention in different places—namely, the fact that I experience something divine and daimonic, as Meletus has inscribed in his indictment, by way of mockery  It started in my childhood, the occurrence of a particular voice  Whenever it occurs, it always deters me from the course of action I was intending to engage in, but it never gives me positive advice  It is this that has opposed my practicing politics, and I think its doing so has been absolutely fine " Modern scholarship has variously interpreted this Socratic daimōnion as a rational source of knowledge, an impulse, a dream or even a paranormal experience felt by an ascetic Socrates 

Virtue and knowledge
Socrates's theory of virtue states that all virtues are essentially one, since they are a form of knowledge  For Socrates, the reason a person is not good is because they lack knowledge  Since knowledge is united, virtues are united as well  Another famous dictum—"no one errs willingly"—also derives from this theory  In Protagoras, Socrates argues for the unity of virtues using the example of courage: if someone knows what the relevant danger is, they can undertake a risk  Aristotle comments: "     Socrates the elder thought that the end of life was knowledge of virtue, and he used to seek for the definition of justice, courage, and each of the parts of virtue, and this was a reasonable approach, since he thought that all virtues were sciences, and that as soon as one knew [for example] justice, he would be just   "

Love
Some texts suggest that Socrates had love affairs with Alcibiades and other young persons; others suggest that Socrates's friendship with young boys sought only to improve them and were not sexual  In Gorgias, Socrates claims he was a dual lover of Alcibiades and philosophy, and his flirtatiousness is evident in Protagoras, Meno (76a–c) and Phaedrus (227c–d)  However, the exact nature of his relationship with Alcibiades is not clear; Socrates was known for his self-restraint, while Alcibiades admits in the Symposium that he had tried to seduce Socrates but failed The Socratic theory of love is mostly deduced from Lysis, where Socrates discusses love at a wrestling school in the company of Lysis and his friends  They start their dialogue by investigating parental love and how it manifests with respect to the freedom and boundaries that parents set for their children  Socrates concludes that if Lysis is utterly useless, nobody will love him—not even his parents  While most scholars believe this text was intended to be humorous, it has also been suggested that Lysis shows Socrates held an egoistic view of love, according to which we only love people who are useful to us in some way  Other scholars disagree with this view, arguing that Socrates's doctrine leaves room for non-egoistic love for a spouse; still others deny that Socrates suggests any egoistic motivation at all  In Symposium, Socrates argues that children offer the false impression of immortality to their parents, and this misconception yields a form of unity among them  Scholars also note that for Socrates, love is rational It is notable that Socrates, who claims to know only that he does not know, makes an exception (in Plato's Symposium), where he says he will tell the truth about Love, which he learned from a 'clever woman'  Classicist Armand D'Angour has made the case that Socrates was in his youth close to Aspasia, and that Diotima, to whom Socrates attributes his understanding of love in Symposium, is based on her; however, it is also possible that Diotima really existed 

Socratic philosophy of politics
While Socrates was involved in public political and cultural debates, it is hard to define his exact political philosophy  In Plato's Gorgias, he tells Callicles: "I believe that I'm one of a few Athenians—so as not to say I'm the only one, but the only one among our contemporaries—to take up the true political craft and practice the true politics  This is because the speeches I make on each occasion do not aim at gratification but at what's best " His claim illustrates his aversion for the established democratic assemblies and procedures such as voting—since Socrates saw politicians and rhetoricians as using tricks to mislead the public  He never ran for office or suggested any legislation  Rather, he aimed to help the city flourish by "improving" its citizens  As a citizen, he abided by the law  He obeyed the rules and carried out his military duty by fighting wars abroad  His dialogues, however, make little mention of contemporary political decisions, such as the Sicilian Expedition Socrates spent his time conversing with citizens, among them powerful members of Athenian society, scrutinizing their beliefs and bringing the contradictions of their ideas to light  Socrates believed he was doing them a favor since, for him, politics was about shaping the moral landscape of the city through philosophy rather than electoral procedures  There is a debate over where Socrates stood in the polarized Athenian political climate, which was divided between oligarchs and democrats  While there is no clear textual evidence, one widely held theory holds that Socrates leaned towards democracy: he disobeyed the one order that the oligarchic government of the Thirty Tyrants gave him; he respected the laws and political system of Athens (which were formulated by democrats); and, according to this argument, his affinity for the ideals of democratic Athens was a reason why he did not want to escape prison and the death penalty  On the other hand, there is some evidence that Socrates leaned towards oligarchy: most of his friends supported oligarchy, he was contemptuous of the opinion of the many and was critical of the democratic process, and Protagoras shows some anti-democratic elements  A less mainstream argument suggests that Socrates favoured democratic republicanism, a theory that prioritizes active participation in public life and concern for the city Yet another suggestion is that Socrates endorsed views in line with liberalism, a political ideology formed in the Age of Enlightenment  This argument is mostly based on Crito and Apology, where Socrates talks about the mutually beneficial relationship between the city and its citizens  According to Socrates, citizens are morally autonomous and free to leave the city if they wish—but, by staying within the city, they also accept the laws and the city's authority over them  On the other hand, Socrates has been seen as the first proponent of civil disobedience  Socrates's strong objection to injustice, along with his refusal to serve the Thirty Tyrants' order to arrest Leon, are suggestive of this line  As he says in Critias, "One ought never act unjustly, even to repay a wrong that has been done to oneself " Ιn the broader picture, Socrates's advice would be for citizens to follow the orders of the state, unless, after much reflection, they deem them to be unjust 

Legacy
Hellenistic era
Socrates's impact was immense in philosophy after his death  With the exception of the Epicureans and the Pyrrhonists, almost all philosophical currents after Socrates traced their roots to him: Plato's Academy, Aristotle's Lyceum, the Cynics, and the Stoics  Interest in Socrates kept increasing until the third century AD  The various schools differed in response to fundamental questions such as the purpose of life or the nature of arete (virtue), since Socrates had not handed them an answer, and therefore, philosophical schools subsequently diverged greatly in their interpretation of his thought  He was considered to have shifted the focus of philosophy from a study of the natural world, as was the case for pre-Socratic philosophers, to a study of human affairs Immediate followers of Socrates were his pupils, Euclid of Megara, Aristippus, and Antisthenes, who drew differing conclusions among themselves and followed independent trajectories  The full doctrines of Socrates's pupils are difficult to reconstruct  Antisthenes had a profound contempt of material goods  According to him, virtue was all that mattered  Diogenes and the Cynics continued this line of thought  On the opposite end, Aristippus endorsed the accumulation of wealth and lived a luxurious life  After leaving Athens and returning to his home city of Cyrene, he founded the Cyrenaic philosophical school which was based on hedonism, and endorsing living an easy life with physical pleasures  His school passed to his grandson, bearing the same name  There is a dialogue in Xenophon's work in which Aristippus claims he wants to live without wishing to rule or be ruled by others  In addition, Aristippus maintained a skeptical stance on epistemology, claiming that we can be certain only of our own feelings  This view resonates with the Socratic understanding of ignorance  Euclid was a contemporary of Socrates  After Socrates's trial and death, he left Athens for the nearby town of Megara, where he founded a school, named the Megarians  His theory was built on the pre-Socratic monism of Parmenides  Euclid continued Socrates's thought, focusing on the nature of virtue 
The Stoics relied heavily on Socrates  They applied the Socratic method as a tool to avoid inconsistencies  Their moral doctrines focused on how to live a smooth life through wisdom and virtue  The Stoics assigned virtue a crucial role in attaining happiness and also prioritized the relation between goodness and ethical excellence, all of which echoed Socratic thought  At the same time, the philosophical current of Platonism claimed Socrates as its predecessor, in ethics and in its theory of knowledge  Arcesilaus, who became the head of the Academy about 80 years after its founding by Plato, radically changed the Academy's doctrine to what is now known as Academic Skepticism, centered on the Socratic philosophy of ignorance  The Academic Skeptics competed with the Stoics over who was Socrates's true heir with regard to ethics  While the Stoics insisted on knowledge-based ethics, Arcesilaus relied on Socratic ignorance  The Stoics' reply to Arcesilaus was that Socratic ignorance was part of Socratic irony (they themselves disapproved the use of irony), an argument that ultimately became the dominant narrative of Socrates in later antiquity While Aristotle considered Socrates an important philosopher, Socrates was not a central figure in Aristotelian thought  One of Aristotle's pupils, Aristoxenus even authored a book detailing Socrates's scandals 
The Epicureans were antagonistic to Socrates  They attacked him for superstition, criticizing his belief in his daimonion and his regard for the oracle at Delphi  They also criticized Socrates for his character and various faults, and focusing mostly on his irony, which was deemed inappropriate for a philosopher and unseemly for a teacher The Pyrrhonists were also antagonistic to Socrates, accusing him of being a prater about ethics, who engaged in mock humility, and who sneered at and mocked people 

Medieval world
Socratic thought found its way to the Islamic Middle East alongside that of Aristotle and the Stoics  Plato's works on Socrates, as well as other ancient Greek literature, were translated into Arabic by early Muslim scholars such as Al-Kindi, Jabir ibn Hayyan, and the Muʿtazila  For Muslim scholars, Socrates was hailed and admired for combining his ethics with his lifestyle, perhaps because of the resemblance in this regard with Muhammad's personality  Socratic doctrines were altered to match Islamic faith: according to Muslim scholars, Socrates made arguments for monotheism and for the temporality of this world and rewards in the next life  His influence in the Arabic-speaking world continues to the present day In medieval times, little of Socrates's thought survived in the Christian world as a whole; however, works on Socrates from Christian scholars such as Lactantius, Eusebius and Augustine were maintained in the Byzantine Empire, where Socrates was studied under a Christian lens  After the fall of Constantinople, many of the texts were brought back into the world of Roman Christianity, where they were translated into Latin  Overall, ancient Socratic philosophy, like the rest of classical literature before the Renaissance, was addressed with skepticism in the Christian world at first During the early Italian Renaissance, two different narratives of Socrates developed  On the one hand, the humanist movement revived interest in classical authors  Leonardo Bruni translated many of Plato's Socratic dialogues, while his pupil Giannozzo Manetti authored a well-circulated book, a Life of Socrates  They both presented a civic version of Socrates, according to which Socrates was a humanist and a supporter of republicanism  Bruni and Manetti were interested in defending secularism as a non-sinful way of life; presenting a view of Socrates that was aligned with Christian morality assisted their cause  In doing so, they had to censor parts of his dialogues, especially those which appeared to promote homosexuality or any possibility of pederasty (with Alcibiades), or which suggested that the Socratic daimon was a god  On the other hand, a different picture of Socrates was presented by Italian Neoplatonists, led by the philosopher and priest Marsilio Ficino  Ficino was impressed by Socrates's un-hierarchical and informal way teaching, which he tried to replicate  Ficino portrayed a holy picture of Socrates, finding parallels with the life of Jesus Christ  For Ficino and his followers, Socratic ignorance signified his acknowledgement that all wisdom is God-given (through the Socratic daimon) 

Modern times
In early modern France, Socrates's image was dominated by features of his private life rather than his philosophical thought, in various novels and satirical plays  Some thinkers used Socrates to highlight and comment upon controversies of their own era, like Théophile de Viau who portrayed a Christianized Socrates accused of atheism, while for Voltaire, the figure of Socrates represented a reason-based theist  Michel de Montaigne wrote extensively on Socrates, linking him to rationalism as a counterweight to contemporary religious fanatics In the 18th century, German idealism revived philosophical interest in Socrates, mainly through Hegel's work  For Hegel, Socrates marked a turning point in the history of humankind by the introduction of the principle of free subjectivity or self-determination  While Hegel hails Socrates for his contribution, he nonetheless justifies the Athenian court, for Socrates's insistence upon self-determination would be destructive of the Sittlichkeit (a Hegelian term signifying the way of life as shaped by the institutions and laws of the State)  Also, Hegel sees the Socratic use of rationalism as a continuation of Protagoras' focus on human reasoning (as encapsulated in the motto homo mensura: "man is the measure of all things"), but modified: it is our reasoning that can help us reach objective conclusions about reality  Also, Hegel considered Socrates as a predecessor of later ancient skeptic philosophers, even though he never clearly explained why Søren Kierkegaard considered Socrates his teacher, and authored his master's thesis on him, The Concept of Irony with Continual Reference to Socrates  There he argues that Socrates is not a moral philosopher but is purely an ironist  He also focused on Socrates's avoidance of writing: for Kierkegaard, this avoidance was a sign of humility, deriving from Socrates's acceptance of his ignorance  Not only did Socrates not write anything down, according to Kierkegaard, but his contemporaries misconstrued and misunderstood him as a philosopher, leaving us with an almost impossible task in comprehending Socratic thought  Only Plato's Apology was close to the real Socrates, in Kierkegaard's view  In his writings, he revisited Socrates quite frequently; in his later work, Kierkegaard found ethical elements in Socratic thought  Socrates was not only a subject of study for Kierkegaard, he was a model as well: Kierkegaard paralleled his task as a philosopher to Socrates  He writes, "The only analogy I have before me is Socrates; my task is a Socratic task, to audit the definition of what it is to be a Christian", with his aim being to bring society closer to the Christian ideal, since he believed that Christianity had become a formality, void of any Christian essence  Kierkegaard denied being a Christian, as Socrates denied possessing any knowledge Friedrich Nietzsche resented Socrates's contributions to Western culture  In his first book, The Birth of Tragedy (1872), Nietzsche held Socrates responsible for what he saw as the deterioration of ancient Greek civilization during the 4th century BC and after  For Nietzsche, Socrates turned the scope of philosophy from pre-Socratic naturalism to rationalism and intellectualism  He writes: "I conceive of [the Presocratics] as precursors to a reformation of the Greeks: but not of Socrates"; "with Empedocles and Democritus the Greeks were well on their way towards taking the correct measure of human existence, its unreason, its suffering; they never reached this goal, thanks to Socrates"  The effect, Nietzsche proposed, was a perverse situation that had continued down to his day: our culture is a Socratic culture, he believed  In a later publication, The Twilight of the Idols (1887), Nietzsche continued his offensive against Socrates, focusing on the arbitrary linking of reason to virtue and happiness in Socratic thinking  He writes: "I try to understand from what partial and idiosyncratic states the Socratic problem is to be derived: his equation of reason = virtue = happiness  It was with this absurdity of a doctrine of identity that he fascinated: ancient philosophy never again freed itself [from this fascination]"  From the late 19th century until the early 20th, the most common explanation of Nietzsche's hostility towards Socrates was his anti-rationalism; he considered Socrates the father of European rationalism  In the mid-20th century, philosopher Walter Kaufmann published an article arguing that Nietzsche admired Socrates  Current mainstream opinion is that Nietzsche was ambivalent towards Socrates 

Continental philosophers Hannah Arendt, Leo Strauss and Karl Popper, after experiencing the horrors of World War II, amidst the rise of totalitarian regimes, saw Socrates as an icon of individual conscience  Arendt, in Eichmann in Jerusalem (1963), suggests that Socrates's constant questioning and self-reflection could prevent the banality of evil  Strauss considers Socrates's political thought as paralleling Plato's  He sees an elitist Socrates in Plato's Republic as exemplifying why the polis is not, and could not be, an ideal way of organizing life, since philosophical truths cannot be digested by the masses  Popper takes the opposite view: he argues that Socrates opposes Plato's totalitarian ideas  For Popper, Socratic individualism, along with Athenian democracy, imply Popper's concept of the "open society" as described in his Open Society and Its Enemies (1945) 

See also
Bibliography of Socrates
De genio Socratis
List of cultural depictions of Socrates
List of speakers in Plato's dialogues
Socratic fallacy
Socratic Letters

Notes
Sources
Further reading
Brun, Jean (1978)  Socrate (in French) (6th ed )  Presses universitaires de France  pp  39–40  ISBN 978-2-13-035620-2 
Benson, Hugh (1992)  Essays on the philosophy of Socrates  New York: Oxford University Press  ISBN 978-0-19-506757-6  OCLC 23179683 
Rudebusch, George (2009)  Socrates  Chichester, UK; Malden, MA: Wiley-Blackwell  ISBN 978-1-4051-5085-9  OCLC 476311710 
Taylor, C  C  W  (1998)  Socrates  Oxford University Press  ISBN 978-0-19-287601-0 
Taylor, C  C  W  (2019)  Socrates: A Very Short Introduction  Oxford University Press  ISBN 978-0-19-883598-1 
Vlastos, Gregory (1994)  Socratic Studies  Cambridge University Press  ISBN 978-0-521-44735-5 

External links

Socrates at the Indiana Philosophy Ontology Project
The Dialogues of Plato at Project Gutenberg
Passage 3:
The 50th Law
The 50th Law is a New York Times bestselling book on strategy and fearlessness written collaboratively by rapper 50 Cent and author Robert Greene  The book is a semi-autobiographical account detailing 50 Cent's rise as both a young urban hustler and as an up-and-coming musician with lessons and anecdotes from historical figures such as Abraham Lincoln, Sun Tzu, Socrates, Napoleon, Malcolm X, and James Baldwin 

Origins
The 50th Law grew out of the friendship and mutual admiration between 50 Cent and Robert Greene  Greene's book The 48 Laws of Power, which has long been a staple in the hip hop world, came to the attention of 50 Cent, who asked his manager to arrange a meeting  Greene said that he was surprised by 50 Cent's persona and was impressed by his "Zen-like calmness" and eye for strategy  The two began to work on a book project that would combine their two worlds According to Greene, 50 Cent is an example of what Machiavelli called a New Prince, a leader who emerges in a time of chaos or turmoil and rewrites the rules  According to 50 Cent, Greene's books describe the laws and strategies used by hustlers on the street, even if they might not know the "technical terms" for what they were doing 

Synopsis
Each of the 10 chapters in the book explains a factor of fearlessness and begins by telling how 50 Cent learned this Fearless Philosophy in Southside Queens  The 50th Law illustrates the laws of the book by supplementing anecdotes from 50 Cent's life with historical examples from Malcolm X, Miles Davis, Sun Tzu, François de La Rochefoucauld, Machiavelli, Richard Wright, James Baldwin, Thucydides, Dostoyevsky, Charlie Parker, and the Baron de Montesquieu 

Reception
The book debuted at #5 on The New York Times Bestseller list and was a USA Today bestseller  The book was met with positive reviews, with the New York Post calling The 50th Law "a modern day Art of War," The Guardian referring to the book as "a manual on power similar to the works of Machiavelli and Sun Tzu," and Library Journal stating that The 50th Law is written for "anyone interested in how to succeed in business and the game of life "The book was also featured in The New York Times, MSNBC, Huffington Post, The Sun, The New York Daily News, Forbes, Business Insider, Fast Company, The Telegraph, MTV, Vibe and Billboard  In promotion of the book, Greene and 50 Cent appeared on The Today Show, CNBC, ABC, BBC and MTV News  The 50th Law was also published as a 60-page comic book 
Passage 4:
Trust Me, I'm Lying
Trust Me, I'm Lying: Confessions of a Media Manipulator is a book by Ryan Holiday chronicling  his time working as a media strategist for clients including  Tucker Max, Robert Greene, and Dov Charney 

Background and description
Trust Me, I'm Lying was billed as an exposé of the  online journalism system that rose to prominence in the decade before the book's 2012 publication 
Holiday is the former Director of Marketing for American Apparel, where he created controversial campaigns that garnered widespread publicity  Holiday has also done publicity work for Tucker Max, including marketing for the film adaptation of I Hope They Serve Beer in Hell and a media stunt about Max's failed attempt to donate $500,000 to Planned Parenthood The book is split into two parts: the first explains why blogs matter, how they drive the news, and how they can be manipulated, while the second shows what happens when this is done, how it backfires, and the consequences of the current media system As an example of his argument that blogs shape the news, Holiday outlines how the political blog Politico dedicated significant coverage to the campaign of Tim Pawlenty two years before the 2012 elections in order to generate pageviews for advertisers  Although Pawlenty did not yet have an official campaign, this kickstarted the media cycle which painted Pawlenty as a serious presidential candidate  As an example of the pageview-intensive blogosphere, Holiday uses the example of Jezebel writer Irin Carmon's attack on Jon Stewart and The Daily Show with misleading claims of "The Daily Show's Woman Problem " The book is also the source of a marketing and media concept now referred to as "trading up the chain", in which news is broken on small blogs and passed to successively larger and more influential media outlets 

Release
In 2011, it was reported that Holiday received a $500,000 advance for a tell-all exposé about these clients and the modern media system from Portfolio, a subsidiary of Penguin Books  However, some outlets later accused the advance of being a strategic marketing stunt engineered by Holiday Trust Me, I'm Lying debuted on the Wall Street Journal bestseller list  Publishers Weekly stated that "Media students and bloggers would do well to heed Holiday's informative, timely, and provocative advice " Kirkus Reviews called Trust Me, I'm Lying "[a] sharp and disturbing look into the world of online reality "In anticipation of the book's release, Holiday infiltrated the public relations service Help a Reporter Out and posed as an "expert" on various issues to show that journalists will print statements without fact checking  Holiday made decoy claims to prove the point; some of those were subsequently quoted in articles about subjects ranging from boating upkeep to insomnia to vinyl records in outlets such as The New York Times, MSNBC, and ABC, and the story was profiled in Forbes and Yahoo! News In 2013, The Edmonton Journal named Trust Me, I'm Lying one of their “favourite books of the year ”
Passage 5:
Bianca Bosker
Bianca Bosker is an American journalist and bestselling author  Her nonfiction book on sommelier training,  Cork Dork, was a New York Times bestseller  Her work has appeared in publications including The Wall Street Journal, Fast Company, The Atlantic, Food & Wine, The New York Times, Far Eastern Economic Review, and  The Oregonian Bosker is the author of Original Copies: Architectural Mimicry in Contemporary China  She is an alumna of Princeton University, and co-founder of the Huffington Post Technology section 
Passage 6:
The Nasty Bits
The Nasty Bits: Collected Varietal Cuts, Usable Trim, Scraps, and Bones, is a largely nonfiction New York Times bestselling book by Anthony Bourdain, published in 2006  The book is a collection of 37 exotic, provocative, and humorous anecdotes and essays, many of them centered around food, followed by a 30-page fiction piece ("A Chef's Christmas")  The book concludes with an appendix of commentaries on the various pieces, including when and why they were written The essays range from descriptions of restaurant-kitchen life; to various rants about places, people, and things Bourdain objects to; to lively accounts of far-flung world travels and remote ethnic life and food; to accolades of the unsung Latinos who cook most fine-dining restaurant food in America; to glowing reports of cutting-edge chefs like Ferran Adrià; to details of Bourdain's obsessions and pursuits when he is not working; to opinions and anecdotes on various other subjects 
Bourdain organized the various essays and anecdotes into sections named for each of the five traditional flavors:

Salty
Sweet
Sour
Bitter
UmamiThe book is, according to Bourdain, basically a collection of the best of his magazine and newspaper writings during the previous few years  As he says in the preface:

I've done a lot of writing for magazines and newspapers in the last few years, and it's the better morsels (I hope) from that work that follow       I've been writing this stuff for much the same reason behind my frenetic traveling: Because I can  Because there's so little time  Because there's been so much to see and remember      It's an irritating reality that many places and events defy description  Angkor Wat and Machu Picchu, for instance, seem to demand silence, like a love affair you can never talk about  For a while after, you fumble for words, trying vainly to assemble a private narrative, an explanation, a comfortable way to frame where you've been and what's happened  In the end, you're just happy you were there—with your eyes open—and lived to see it 
Passage 7:
Andrew Ross Sorkin
Andrew Ross Sorkin (born February 19, 1977) is an American journalist and author   He is a financial columnist for The New York Times and a co-anchor of CNBC's Squawk Box  He is also the founder and editor of DealBook, a financial news service published by The New York Times  He wrote the bestselling book Too Big to Fail and co-produced a movie adaptation of the book for HBO Films  He is also a co-creator of the Showtime series Billions 

Early life and education
Sorkin was born in New York, the son of Joan Ross Sorkin, a playwright, and Laurence T  Sorkin, a partner at the law firm Cahill Gordon & Reindel  Sorkin graduated from Scarsdale High School in 1995 and earned a Bachelor of Science in communications from Cornell University in 1999 where he was a member of Sigma Pi fraternity  He is not related to writer Aaron Sorkin nor defense lawyer Ira Lee Sorkin  His family heritage and religion are Jewish 

Career
Journalist
Sorkin first joined The New York Times as a student intern during his senior year in high school  He also worked for the paper while he was in college, publishing 71 articles before he graduated  He began by writing media and technology articles while assisting the advertising columnist, Stuart Elliott  Sorkin spent the summer of 1996 working for Businessweek, before returning to The New York Times   He moved to London for part of 1998  While there, he wrote about European business and technology for The New York Times and then returned to Cornell to complete his studies  At Cornell, he was vice president of the Sigma Pi fraternity 

Mergers and acquisitions reporter
Sorkin joined The New York Times full-time in 1999 as the newspaper's European mergers and acquisitions reporter, and was based in London  In 2000, Sorkin became the paper's chief mergers and acquisitions reporter, based in New York, a position he still holds  In 2001, Sorkin founded "DealBook," an online daily financial report published by the Times  As Editor-at-Large of "DealBook," Sorkin writes a weekly column of the same name  Sorkin is also an assistant editor of business and finance news for the paper Sorkin has broken news of major mergers and acquisitions, including Chase's acquisition of J P  Morgan and Hewlett-Packard's acquisition of Compaq  He also led The New York Times' coverage of the largest takeover in history, Vodafone's $183 billion hostile bid for Mannesmann  Additionally, he broke the news of IBM's sale of its PC business to Lenovo, Boston Scientific's $25 billion acquisition of Guidant and Symantec's $13 billion deal for Veritas Software, and reported on News Corp 's acquisition of Dow Jones and The Wall Street Journal 
Sorkin has reported on the Wall Street financial crisis, including the collapse of Bear Stearns and Lehman Brothers, and the government bailout of other major investment banks and AIG  He has also written about the troubled American auto industry 
In 2007, Sorkin was one of the first journalists to identify and criticize a tax loophole for private equity firms and hedge funds  He first wrote about the topic in a column in March 2007, calling the tax treatment a "charade", and later wrote about it on the front page of The New York Times  He has written at least a half dozen articles critiquing the tax practice by private equity firms and advocated for the government to end the loophole In 2014, Sorkin wrote a series of columns criticizing American corporations for trying to lower their US tax bill by merging with smaller foreign companies in a transaction known as an "inversion"  He also criticized the Wall Street banks that advised US companies to pursue such deals, describing the banks as "corporate co-conspirators"  Sorkin called on the government to end the practice  On September 22, 2014, the Obama Administration changed the tax laws to make it more difficult for US companies to merge to avoid taxes On the PRISM surveillance program and Edward Snowden situation, Sorkin said, "I would arrest him and now I'd almost arrest Glenn Greenwald, the journalist who seems to be out there, he wants to help him get to Ecuador " The next day, Sorkin apologized for the comment; Greenwald accepted, tweeting "Thank you: accepted & appreciated" 

DealBook
In October 2001, while a journalist at The New York Times, Sorkin started DealBook, a newsletter about deal-making and Wall Street  DealBook was one of the first financial news aggregation services on the Internet  In March 2006, Sorkin introduced a companion website published on The New York Times, with updated news and original analysis throughout the day  In 2007, DealBook won a Webby Award for Best Business Blog and it won a SABEW award for overall excellence  In 2008, the site won an EPpy Award for Best Business Blog 

Television
In July 2011, Sorkin became a co-anchor on CNBC's Squawk Box in addition to his duties at The New York Times  Sorkin has appeared on NBC's Today show, Charlie Rose and The NewsHour with Jim Lehrer on PBS, MSNBC's Hardball and Morning Joe, ABC's Good Morning America, The Chris Matthews Show, HBO's Real Time with Bill Maher, the BBC World Service, Comedy Central's The Daily Show and The Colbert Report, and was a frequent guest host of CNBC's Squawk Box before joining the ensemble  Sorkin also hosted a weekly seven-part, half-hour PBS talk-show series called It's the Economy, NY, which focused on how the evolving economic crisis was affecting New Yorkers Along with Brian Koppelman and David Levien, Sorkin is a co-creator of the Showtime series Billions, an American television drama series starring Paul Giamatti and Damian Lewis  The series is loosely based on crusading federal prosecutor of financial crimes, Preet Bharara, the former U S  Attorney for the Southern District of New York  The show premiered in January 2016 

Too Big to Fail
Sorkin's book on the Wall Street banking crisis, Too Big to Fail: The Inside Story of How Wall Street and Washington Fought to Save the Financial System—and Themselves, was published by Viking on October 20, 2009  It won the 2010 Gerald Loeb Award for best business book of the year, was on the shortlist for the 2010 Samuel Johnson Prize, shortlisted for the 2010 Financial Times and Goldman Sachs Business Book of the Year Award, and was on The New York Times Best Seller list (non-fiction hardcover and paperback) for six months 
The book was adapted as a movie by HBO Films and premiered on HBO on May 23, 2011  The film was directed by Curtis Hanson and the screenplay was written by Peter Gould  The cast included William Hurt as Hank Paulson, the Treasury Secretary; Paul Giamatti as Ben Bernanke, the chairman of the Federal Reserve;  Billy Crudup as Timothy Geithner, the then-president of the New York Federal Reserve Bank; James Woods as Richard Fuld, the CEO of Lehman Brothers; Edward Asner as Warren Buffett, the CEO of Berkshire Hathaway; Cynthia Nixon as Michele Davis, assistant secretary for public affairs at Treasury; Bill Pullman as Jamie Dimon, CEO of JPMorgan Chase; as well as Topher Grace as Jim Wilkinson, Chief of Staff to the Treasury Secretary  Sorkin was a co-producer of the film and had a cameo appearance as a reporter 

Awards
Sorkin shared the Gerald Loeb Award in 2005 for Deadline Writing and earned another for Business Book in 2010 for his book Too Big to Fail  He also won a Society of American Business Editors and Writers Award for breaking news in 2005 and again in 2006  In 2007, the World Economic Forum named him a Young Global Leader  Also in 2007, SiliconAlleyInsider com named Sorkin one of New York's "most influential scribes " In 2008, Vanity Fair magazine named Sorkin as one of 40 new members of the "Next Establishment," and he appeared on the UJA Federation's 2013 list of 40 under 40 top "movers and shakers" in the Jewish community  He is a member of the Council on Foreign Relations  In 2022, Sorkin won an Emmy Award for his New York Times interview with WeWork founder Adam Neumann 

In popular culture
In the penultimate episode of Breaking Bad, called "Granite State," Sorkin is briefly referenced  He is said to have written an op-ed in The New York Times accusing fictional entrepreneurs Gretchen and Elliott Schwartz of making donations to drug rehabilitation centers in the hopes of cleansing their company's image after the Walter White scandal  Sorkin later wrote the entire fictional article 

Personal life
Sorkin married Pilar Jenny Queen on June 9, 2007 Sorkin has a coloboma in his left eye that sometimes makes it appear as if he has two different colored eyes 

See also
New Yorkers in journalism
Passage 8:
G-Unit Books
G-Unit Books was an American book publishing imprint started by rapper 50 Cent in partnership with MTV/Pocketbooks on January 4, 2007, following a prior relationship with the company dating back to the publication of his memoir in 2005  He launched  G-Unit Books at the Time Warner Building in New York In addition to his memoir, 50 also co-wrote The Ski Mask Way, a novel about a small-time drug dealer who attempts to rob his employers   All G-Unit books were meant to be street fiction encouraging reading at a younger age G-Unit Books released its last books in 2011 

Bibliography
From Pieces To Weight : Once Upon A Time In Southside Queens (Release Date : August 15, 2006)
Baby Brother (Release Date : January 9, 2007)
Death Before Dishonor (Release Date : January 9, 2007)
The Ski Mask Way (Release Date : January 9, 2007)
Blow (Release Date : July 12, 2007)
Derelict (Release Date : July 12, 2007)
Harlem Heat (Release Date : July 24, 2007)
Heaven's Fury (Release Date : November 20, 2007)
The Diamond District (Release Date : March 25, 2008)
Tia's Diary : Deeper Than Rap (Release Date : May 25, 2009)
The 50th Law (Released : September 8, 2009)
Playground (Released : November 1, 2011)



ground_truth: Brian Stokes Mitchell

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: The "New York Times" bestselling book "The 50th Law" contains lessons and anecdotes from this historical figure who was a classical Greek (Athenian) philosopher who is known mainly through the writings of which philosopher?

The following are given passages.
Context 4: 

Formal presentation
A record 199 nations entered the stadium, with a record 80 of them winning at least one medal  The only missing IOC member was Afghanistan, who was banned due to the extremist rule of the Taliban's oppression of women and its prohibition of sports  The ceremony featured a unified entrance by the athletes of North and South Korea, using a specially designed unification flag: a white background flag with a blue map of the Korean Peninsula  Four athletes from East Timor also marched in the parade of nations as individual Olympic athletes and marched directly before the host country  Although the country-to-be had no National Olympic Committee then, they were allowed to compete under the Olympic Flag with country code IOA  The Governor-General, Sir William Deane, opened the games 
The Olympic Flag was carried around the arena by eight former Australian Olympic champions: Bill Roycroft, Murray Rose, Liane Tooth, Gillian Rolton, Marjorie Jackson, Lorraine Crapp, Michael Wenden and Nick Green  During the raising of the Olympics Flag, the Olympic Hymn was sung by the Millennium Choir of the Greek Orthodox Archdiocese of Australia in Greek  Following this, Tina Arena sang a purpose-written pop song, The Flame The opening ceremony concluded with the lighting of the Olympic Flame, which was brought into the stadium by former Australian Olympic champion Herb Elliott  Then, celebrating 100 years of women's participation in the Olympic Games, former Australian women Olympic medalists Betty Cuthbert and Raelene Boyle, Dawn Fraser, Shirley Strickland (later Shirley Strickland de la Hunty), Shane Gould and Debbie Flintoff-King brought the torch through the stadium, handing it over to Cathy Freeman, who lit the flame in the cauldron within a circle of fire  The  choice of Freeman, an Aboriginal woman, to light the flame was notable given the history of human rights abuses against Aboriginal people in Australia  Following her lighting, Freeman was the subject of racial abuse from some Australians  The planned spectacular climax to the ceremony was delayed by the technical glitch of a computer switch which malfunctioned, causing the sequence to shut down by giving a false reading  This meant that the Olympic flame was suspended in mid-air for about four minutes rather than immediately rising up a water-covered ramp to the top of the stadium  When the cause of the problem was discovered, the program was overridden and the cauldron continued its course, and the ceremony concluded with a fireworks display 

Day 2: 16 September
The first medals of the Games were awarded in the women's 10 metre air rifle competition, which was won by Nancy Johnson of the United States 
The Triathlon made its Olympic debut with the women's race  Set in the surroundings of the Sydney Opera House, Brigitte McMahon representing Switzerland swam, cycled and ran to the first gold medal in the sport, beating the favoured home athletes such as Michelie Jones who won silver  McMahon only passed Jones in sight of the finish line 
The first star of the Games was 17-year-old Australian Ian Thorpe, who first set a new world record in the 400-metre freestyle final before competing in an exciting 4 × 100 m freestyle final  Swimming the last leg, Thorpe passed the leading American team and arrived in a new world record time, two-tenths of a second ahead of the Americans  In the same event for women, the Americans also broke the world record, finishing ahead of the Netherlands and Sweden 
Samaranch had to leave for home, as his wife was severely ill  Upon arrival, his wife had already died  Samaranch returned to Sydney four days later  The Olympic flag was flown at half-staff during the period as a sign of respect to Samaranch's wife 

Day 3: 17 September
Canadian Simon Whitfield sprinted away in the last 100 metres of the men's triathlon, becoming the inaugural winner in the event 
On the cycling track, Robert Bartko beat fellow German Jens Lehmann in the individual pursuit, setting a new Olympic Record  Leontien Zijlaard-van Moorsel set a world record in the semi-finals the same event for women 
In the swimming pool, American Tom Dolan beat the world record in the 400-metre medley, successfully defending the title he won in Atlanta four years prior  Dutchwoman Inge de Bruijn also clocked a new world record, beating her own time in the 100 m butterfly final to win by more than a second 

Day 4: 18 September
The main event for the Australians on the fourth day of the Games was the 200 m freestyle  Dutchman Pieter van den Hoogenband had broken the world record in the semi-finals, taking it from the new Australian hero Ian Thorpe, who came close to the world record in his semi-final heat  As the final race finished, Van den Hoogenband's time was exactly the same as in the semi-finals, finishing ahead of Thorpe by half a second 
China won the gold medal in the men's team all-around gymnastics competition after being the runner-up in the previous two Olympics  The other medals were taken by Ukraine and Russia, respectively 
Zijlaard-van Moorsel lived up to the expectations set by her world record in cycling in the semis by winning the gold medal 

Day 7: 21 September
During the Women's Gymnastics All-Around, female athletes suffered damning scores and injuries due to improperly installed gymnastics equipment  Gymnasts performing on the vault gave uncharacteristically poor performances and fell  Officials blamed the series of falls and low scores on performance anxiety  It wasn't until Australian gymnast Allana Slater and her coach, Peggy Liddick, voiced concerns about the equipment that officials discovered the apparatus was five centimetres, or almost two inches, lower than it should've been  While athletes were given the opportunity to perform again, for some of them, the damage to their mental or physical health caused by the vault was irreparable  Chinese gymnast Kui Yuanyuan and American gymnast Kristen Maloney both injured their legs while attempting to stick their landings, with Kui needing to be carried to an examination area and Maloney damaging a titanium rod that had recently been implanted in her shin  Romanian gymnast Andreea Răducan ultimately took gold while her teammates, Simona Amânar and Maria Olaru took silver and bronze, respectively 

Day 9: 23 September
By rowing in the winning coxless four, Steve Redgrave of Great Britain became a member of a select group who had won gold medals at five consecutive Olympics 
The swimming 4 x 100-metre medley relay of B J  Bedford, Megan Quann (Jendrick), Jenny Thompson and Dara Torres became the first women's relay under 4-minutes, swimming 3:58 and setting a world record, claiming the gold medal for the United States 

Day 10: 24 September
Rulon Gardner, never an NCAA champion or a world medalist, beat Alexander Karelin of Russia to win gold in the super heavyweight class, Greco-Roman wrestling  Karelin had won gold in Seoul, Barcelona and Atlanta  Before this fight, he had never lost in international competition, had been unbeaten in all competitions in 13 years, and had not surrendered a point in a decade 

Day 11: 25 September
Australian Cathy Freeman won the 400-metre final in front of a jubilant Sydney crowd at the Olympic Stadium, ahead of Lorraine Graham of Jamaica and Katharine Merry of Great Britain  Freeman's win made her the first competitor in Olympic Games history to light the Olympic Flame and then go on to win a Gold Medal  The attendance at the stadium was 112,524 – the largest attendance for any sport in Olympic Games history 
In a men's basketball pool match between the United States and France, the USA's Vince Carter made one of the most famous dunks in basketball history  After getting the ball off a steal, the 6'6"/1 98 m Carter drove to the basket, with 7'2"/2 18 m centre Frédéric Weis in his way  Carter jumped, spread his legs in midair, scraped Weis' head on the way up, and dunked  The French media dubbed the feat le dunk de la mort ("the dunk of death") 

Day 14: 28 September
The Canadian flag at the athletes' village was lowered to half-mast as Canadian athletes paid tribute to the former prime minister Pierre Trudeau after hearing of his death in Montreal (because of the time zone difference, it was 29 September in Sydney when Trudeau died)  The Canadian flag was flown at half-mast for the remainder of the Olympics, on orders from both IOC President Juan Antonio Samaranch and Canadian Foreign Affairs Minister Lloyd Axworthy, as the state funeral did not take place until 3 October, two days after the closing ceremony, and the Canadian athletes subsequently rushed back to attend his funeral after 1 October 

Day 16: 30 September
Cameroon won a historic gold medal over Spain in the Men's Olympic Football Final at the Olympic Stadium  The game went to a penalty shootout, which was won by Cameroon 5–3 

Day 17: 1 October
The last event of the games was the Men's Marathon, contested on a course that started in North Sydney  The event was won by Ethiopian Gezahegne Abera, with Kenyan Erick Wainaina second, and Tesfaye Tola, also of Ethiopia, third  It was the first time since the 1968 Olympics that an Ethiopian won the gold medal in this event 
The closing ceremony commenced with Christine Anu performing her version of the Warumpi Band's song "My Island Home", with several Aboriginal dancers atop the Geodome Stage in the middle of the stadium, around which several hundred umbrella and lamp box kids created an image of Aboriginal Dreamtime  The Geodome Stage was used throughout the ceremony, which was a flat stage mechanically raised into the shape of a Geode 
IOC President Juan Antonio Samaranch declared at the Closing Ceremony,
"I am proud and happy to proclaim that you have presented to the world the best Olympic Games ever "
Subsequent Summer Olympics held in Athens, Beijing and London have been described by Samaranch's successor Jacques Rogge as "unforgettable, dream Games", "truly exceptional" and "happy and glorious games" respectively – the practice of declaring games the "best ever" having been retired after the 2000 Games 

Sports
The 2000 Summer Olympic programme featured 300 events in the following 28 sports:

Although demonstration sports were abolished following the 1992 Summer Olympics, the Sydney Olympics featured wheelchair racing as exhibition events on the athletics schedule Special quarantine conditions were introduced to allow entry of horses into Australia to participate in equestrian events, avoiding the need for such events to take place elsewhere as had happened at the 1956 Summer Olympics in Melbourne 

Calendar
All dates are in AEDST (UTC+11); the other two cities, Adelaide uses ACST (UTC+9:30) and Brisbane uses AEST (UTC+10)

Medal count
These are the top ten nations that won medals in the 2000 Games 
The ranking in this table is based on information provided by the International Olympic Committee  Some other sources may be inconsistent due to not taking into account all later doping cases 

  *   Host nation (Australia)

Participating National Olympic Committees
199 National Olympic Committees (NOCs) participated in the Sydney Games, two more than in the 1996 Summer Olympics; in addition, there were four Timorese Individual Olympic Athletes at the 2000 Summer Olympics  Eritrea, the Federated States of Micronesia and Palau made their Olympic debut this year 
Democratic Republic of the Congo was once again designated under that name, after it participated as Zaire from 1984 to 1996 
Afghanistan was the only 1996 participant (and the only existing NOC) that did not participate in the 2000 Olympics, having been banned due to the Taliban's totalitarian rule in Afghanistan, their oppression of women, and its prohibition of sports 

Venues
Sydney Olympic Park
Stadium Australia: Ceremonies (opening/closing), Athletics, Football (final)
Sydney International Aquatic Centre: Diving, Modern Pentathlon (swimming) Swimming, Synchronised Swimming, Water Polo (medal events)
State Sports Centre: Table Tennis, Taekwondo
NSW Tennis Centre: Tennis
State Hockey Centre: Field Hockey
The Dome and Exhibition Complex: Badminton, Basketball, Gymnastics (rhythmic), Handball (final), Modern Pentathlon (fencing, shooting), Volleyball (indoor)
Sydney SuperDome: Gymnastics (artistic, trampoline), Basketball (final)
Sydney Baseball Stadium: Baseball, Modern Pentathlon (riding, running)
Sydney International Archery Park: Archery

Sydney
Sydney Convention & Exhibition Centre: Boxing, Fencing, Judo, Weightlifting, Wrestling
Sydney Entertainment Centre: Volleyball (indoor final)
Dunc Gray Velodrome: Cycling (track)
Sydney International Shooting Centre: Shooting
Sydney International Equestrian Centre: Equestrian
Sydney International Regatta Centre: Rowing, Canoeing (sprint)
Blacktown Olympic Centre: Baseball, Softball
Western Sydney Parklands: Cycling (mountain biking)
Ryde Aquatic Leisure Centre: Water Polo
Penrith Whitewater Stadium: Canoeing (slalom)
Bondi Beach: Volleyball (beach)
Sydney Football Stadium: Football
Olympic Sailing Shore Base: Sailing
Centennial Parklands: Cycling (road)
Marathon course: Athletics (marathon)
North Sydney: Athletics (marathon start)
Sydney Opera House: Triathlon 

Outside Sydney
Canberra Stadium, Canberra: Football
Hindmarsh Stadium, Adelaide: Football
Melbourne Cricket Ground: Football
The Gabba (Brisbane Cricket Ground), Brisbane: Football

Organization
Organisations responsible for the Olympics
A number of quasi-government bodies were responsible for the construction, organisation and execution of the Sydney Games  These included:

the Sydney Organising Committee for the Olympic Games (SOCOG) and the Sydney Paralympic Organizing Committee (SPOC), primarily responsibles for the staging of the Games
Olympic Coordination Authority (OCA), primarily responsible for construction and oversight
Olympic Roads & Transport Authority (ORTA)
Olympic Security Command Centre (OSCC)
Olympic Intelligence Centre (OIC)
JTF Gold the Australian Defence Force Joint Taskforce Gold
Sydney Olympic Broadcasting Organisation (nominally part of SOCOG)
IBM, provider of technology and the Technical Command Centre
Telstra, provider of telecommunications
Great Big Events, event management and marketingThese organisations worked closely together and with other bodies such as:

the International Olympic Committee (IOC)
the International Paralympic Committee (IPC)
the Australian Olympic Committee (AOC)
the Australian Paralympic Committee (APC)
the other 197 National Olympic Committees (NOCs)
the other 125 National Paralympic Committees (NPCs)
the 33 International Sports Federations (IFs)
all three levels of Australian government (federal, state and local)
dozens of official sponsor and hundreds of official supplier companiesThese bodies are often collectively referred to as the "Olympic Family" 

Organisation of the Paralympics
The organisation of the 2000 Summer Paralympics was the responsibility of the Sydney Paralympic Organising Committee (SPOC)  However, much of the planning and operation of the Paralympic Games was outsourced to SOCOG such that most operational programmes planned both the Olympic and Paralympic Games 

Other Olympic events
The organisation of the Games included not only the actual sporting events, but also the management (and sometimes construction) of the sporting venues and surrounding precincts, the organisation of the Sydney Olympic Arts Festival, and the Olympic torch relay, which began in Greece and travelled to Australia via numerous Oceania island nations 

Phases of the Olympic project
The staging of the Olympics were treated as a project on a vast scale, broken into several broad phases:

1993 to 1996 – positioning
1997 – going operational
1998 – procurement/venuisation
1999 – testing/refinement
2000 – implementation
2001 – post-implementation and wind-down

SOCOG organisational design
The internal organisation of SOCOG evolved over the phases of the project and changed, sometimes radically, several times 
In late 1998, the design was principally functional  The top two tiers below the CEO Sandy Hollway consisted of five groups (managed by Group General Managers and the Deputy CEO) and twenty divisions (managed by divisional General Managers), which in turn were further broken up into programmes and sub-programmes or projects 
In 1999, functional areas (FAs) broke up into geographic precinct and venue teams (managed by Precinct Managers and Venue Managers) with functional area staff reporting to both the FA manager and the venue manager  SOCOG moved to a matrix structure  The Interstate Football division extant in 1998 was the first of these geographically based venue teams 

Volunteer program
The origins of the volunteer program for Sydney 2000 dates back to the bid, as early as 1992 
On 17 December 1992, a group of Sydney citizens interested in the prospect of hosting the 2000 Olympic and Paralympic Games gathered for a meeting at Sports House at Wentworth Park in Sydney 
In the period leading up to 1999, after Sydney had won the bid, the small group of volunteers grew from approximately 42 to around 500  These volunteers became known as Pioneer Volunteers  The Pioneer Volunteer program was managed internally by SOCOG's Volunteer Services Department in consultation with prominent peak groups like The Centre for Volunteering (Volunteering and TAFE  Some of the Pioneer Volunteers still meet every four months, an unseen legacy of the games which brought together a community spirit not seen before 
During the Olympic games, tens of thousands of volunteers (the official figure placed at 46,967) helped everywhere at the Olympic venues and elsewhere in the city  They were honoured with a parade like the athletes had a few days before 

Marketing
Official logo
The bid logo was introduced in 1992 and created by architect and designer Michael Bryce  It featured a colourful, stylised image of the Sydney Opera House which is a possible reference to the motif of the rainbow serpent  
The official logo was revealed in 1996, and is also referred to as the "Millennium Man"   It incorporated similar curves to the bid logo and combined them with a stylised image of a runner to form a torchbearer in motion  The image of the runner s composed of  two small yellow boomerangs for arms and a larger red boomerang for legs  Over the runner's head is a trail of smoke that represents the arches of the Sydney Opera House The design process of the official logo, as well as all other aspects of the Olympic Games' visual design identity, was awarded to Melbourne design studio FHA Image Design  The Sydney Olympics brand identity project officially started in 1993, and lasted 7 years  It was also up to FHA Design to prepare the visual identity of the Paralympic Games and this also absorbed some elements as the identification signals and the pictograms 

Mascots
The official mascots chosen for the 2000 Summer Olympics were Syd the platypus, Millie the echidna, and Olly the kookaburra, designed by Matthew Hattan and Jozef Szekeres and named by Philip Sheldon of agency Weekes Morris Osborn in response to the original SOCOG recommendation of Murray, Margery, and Dawn after famous Australian athletes 
There was also Fatso the Fat-Arsed Wombat, an unofficial mascot popularised by comedy team Roy Slaven and HG Nelson on the TV series The Dream with Roy and HG  Roy and HG also frequently disparaged the official mascots on their television program 

Sponsors
Medals and bouquets
A total of 750 gold, 750 silver and 780 bronze medals were minted for the Games  The gold and silver medals contained 99 99 percent of pure silver  The bronze medals were 99 percent bronze with one percent silver, they were made by melting down Australian one-cent and two-cent coins, which had been removed from circulation from 1992 onward 
The bouquets handed to medal recipients incorporated foliage from the Grevillea baileyana, also known as the white oak 

Awards and commendations
The International Olympic Committee awarded Sydney and its inhabitants with the "Pierre de Coubertin Trophy" in recognition of the collaboration and happiness shown by the people of Sydney during the event to all the athletes and visitors around the world After the games' end, the New South Wales Police Force was granted use of the Olympic Rings in a new commendation and citation as the IOC consideration after having staged the "safest" games ever 

Mo Awards
The Australian Entertainment Mo Awards (commonly known informally as the Mo Awards), were annual Australian entertainment industry awards  They recognise achievements in live entertainment in Australia from 1975 to 2016 

In popular culture
In F J  Campbell's 2018 novel No Number Nine, the last part of the book is set at the Sydney 2000 Olympics In Tom Clancy's thriller Rainbow Six and its video game adaptation, the 2000 Olympic Games are the setting of a plot by eco-terrorists, who plan to use the games in order to spread a terrible new plague throughout the world In Morris Gleitzman's children's book Toad Rage, a cane toad travels to Sydney in a bid to become the Olympic mascot The Games was a mockumentary television series run on the ABC network, with two seasons that ran in 1998 and 2000  The series satirized corruption and cronyism in the Olympic movement, bureaucratic ineptness in the New South Wales public service, and unethical behaviour within politics and the media  An unusual feature of the show was that the characters shared the same name as the actors who played them 

See also
2000 Summer Paralympics
Olympic Games celebrated in Australia
1956 Summer Olympics – Melbourne
2000 Summer Olympics – Sydney
2032 Summer Olympics – BrisbaneList of IOC country codes
The Games of the XXVII Olympiad 2000: Music from the Opening Ceremony
Aussie Aussie Aussie, Oi Oi Oi
John Coates
Use of performance-enhancing drugs in the Olympic Games – Sydney 2000

Notes
Passage 7:
List of Olympic Games host cities
This is a list of host cities of the Olympic Games, both summer and winter, since the modern Olympics began in 1896  Since then, summer and winter games have usually celebrated a four-year period known as an Olympiad; summer and winter games normally held in staggered even years  There have been 29  Summer Olympic Games held in 21 cities, and 24 Winter Olympic Games held in 21 cities  In addition, three summer and two winter editions of the games were scheduled to take place but later cancelled due to war: Berlin (summer) in 1916; Sapporo–Garmisch-Partenkirchen (winter) and Tokyo–Helsinki (summer) in 1940; and Cortina d'Ampezzo (winter) and London (summer) in 1944  The 1906 Intercalated Olympics were officially sanctioned and held in Athens  However, in 1949, the International Olympic Committee (IOC) decided to unrecognize the 1906 Games  The 2020 Summer Olympics in Tokyo were postponed for the first time in the Olympics history to summer 2021 due to the COVID-19 pandemic with the 2022 Winter Olympics being held roughly six months later in Beijing Four cities have been chosen by the IOC to host upcoming Olympic Games: Paris for the 2024 Summer Olympics, Milan–Cortina d'Ampezzo for the 2026 Winter Olympics, Los Angeles for the 2028 Summer Olympics, and Brisbane for the 2032 Summer Olympics 
In 2022, Beijing became the first city that has held both the summer and the winter Olympic Games  Ten cities will have hosted the Olympic Games more than once: Athens (1896 and 2004 Summer Olympics), Paris (1900, 1924 and 2024 Summer Olympics), London (1908, 1948 and 2012 Summer Olympics), St  Moritz (1928 and 1948 Winter Olympics), Lake Placid (1932 and 1980 Winter Olympics), Los Angeles (1932, 1984 and 2028 Summer Olympics), Cortina d'Ampezzo (1956 and 2026 Winter Olympics), Innsbruck (1964 and 1976 Winter Olympics), Tokyo (1964 and 2020 Summer Olympics) and Beijing (2008 Summer Olympics and 2022 Winter Olympics)  Stockholm hosted the 1912 Summer Olympics and the equestrian portion of the 1956 Summer Olympics  London became the first city to have hosted three Games with the 2012 Summer Olympics  Paris will become the second city to do this with the 2024 Summer Olympics, followed by Los Angeles as the third in 2028 
The Games have primarily been hosted in the regions of Europe (30 editions) and the Americas (13 editions); eight Games have been hosted in Asia and two have been hosted in Oceania  Rio de Janeiro became South America's first Olympic host city with the 2016 Summer Olympics  Africa has yet to host an Olympic Games  Other major geographic regions which have never hosted the Olympics include the Middle East, Central Asia, the Indian subcontinent, Southeast Asia, the South Pacific, Central America and the Caribbean  Between the first Winter Olympics in 1924 and the last ones to be held in the same year as the Summer Olympics in 1992, the Summer and Winter games took place in the same country three times 
Host cities are selected by the IOC membership, usually seven years in advance  The selection process lasts approximately two years  In the first stage, any city in the world may submit an application to become a host city  After 10 months, the Executive Board of the IOC decides which applicant cities will become official candidates as based on the recommendation of a working group that reviews the applications  In a second stage, the candidate cities are investigated thoroughly by an Evaluation Commission, which then submits a final short list of cities to be considered for selection  The host city is then chosen by vote of the IOC session, a general meeting of IOC members 

Olympic Games host cities
Host cities for Summer and Winter Olympic Games
Key  †   Cancelled
  §   Postponed

The 1906 Intercalated Games are no longer officially recognized by the IOC as an official Olympic Games 

Host cities for multiple Summer and Winter Olympic Games
Number of Olympic Games by country
Number of Olympic Games by region
See also
List of bids for the Summer Olympics
List of bids for the Winter Olympics

Notes
Passage 8:
Jelle Nijdam
Jelle Nijdam (born 16 August 1963) is a Dutch former professional road cyclist  Nijdam turned professional after the 1984 Summer Olympics in Los Angeles  He participated in the Tour de France 10 times, winning six stages and wearing the yellow jersey for three days  Nijdam's father, Henk Nijdam, was a professional cyclist from 1962 to 1969, who won the 1962 world amateur track pursuit championship  He also competed in the individual pursuit and team pursuit events at the 1984 Summer Olympics 

Career achievements
Major results
Grand Tour general classification results timeline
See also
List of Dutch Olympic cyclists
List of Dutch cyclists who have led the Tour de France general classification
Passage 9:
Kuwait national under-23 football team
The Kuwait national under-23 football team is the youth association football team representing Kuwait in youth competitions and it is controlled by Kuwait Football Association  Kuwait under 23 Could also be called as Kuwait Olympic Team  Kuwait under 23 also represents its country in the Olympic Games  From 1900 to 1976 Kuwait did not qualify for the Olympic Games but in 1980 Kuwait qualified for the Olympic Games in China and had the best record of their country finishing in the quarter-finals of that Olympic games  Kuwait missed the 1984 and 1988 Olympic games  But in 1992 Kuwait finally qualified for the 1992 Olympic Games in Spain, however with their poor performance, Kuwait was eliminated in the first round of that tournament  After that Kuwait had missed the 1996 Olympic Games that was hosted by the United States, Kuwait then qualified for the 2000 Olympic Games in Australia and that was the last time Kuwait qualified for the Olympic Games  Kuwait has never won the GCC U-23 Championship but their best finish at that Competition was as a runner up in 2010  In the 2022 Asian U-23 qualification Cup Group D, Kuwait managed to defeat Bangladesh by 1-0 and Saudi Arabia by 2-1, this resulted in Kuwait to qualify for the 2022 Asian U-23 Cup 

Honours
Regional honours
GCC U-23 ChampionshipRunners-up (2): 2010, 2015

Minor
2018 Olympic Return Cup

History
Kuwait’s first-ever qualification to the Olympic games was in the 1980 Olympic Games which Kuwait were eliminated in the quarter-finals of that Olympic games  Kuwait missed the 1984 Olympic Games and the 1988 Olympic Games  Kuwait came back to the Olympic Games in 1992 after missing two events being eliminated in the quarter-final of that event  Kuwait did not qualify until the 2000 Olympic Games and that was the last time Kuwait qualified for the Olympic games  Kuwait did not qualify to the Olympic Games in 2004 after being eliminated in the qualifying Preliminary round 3 of the Football at the 2004 Summer Olympics – Qualifiers at the third position of the 3rd group  Kuwait was unqualified from Football at the 2008 Summer Olympics – Qualifier, with 2 being 4 goals less than Qatar due to that, Kuwait missed the 2008 Olympic Games  Kuwait also failed to participate in the 2012 Olympic Games after losing Football at the 2012 Summer Olympics – Qualifiers, within losing the first leg to Japan 3-1 but then Kuwait defeated Japan 2-1, Japan won on the aggregate 
Kuwait does not have a good record at GCC U-23 Championship after finishing 5th in the final group of the 2008 GCC U-23 Championship 
Kuwait was at the bottom of the table at that time  In 2010 Kuwait was the runner-up of their group  Kuwait was qualified for the semi-finals, Kuwait defeated Oman 5-4 on penalties  But lost to UAE  In the 2011 and 2012 GCC U-23 Championship, Kuwait was unfortunately eliminated in the first round with 0 points losing all three games 

Participation in Tournaments


=== Summer Olympics ===
Passage 10:
Sara Symington
Sara Symington (born 25 September 1969) is a female English former professional cyclist 

Cycling career
She was the first British female rider to take a medal in a World Cup race, which she achieved in Australia in 1999  She represented Great Britain at the 2000 and 2004 Summer Olympics and England at the 1998 Commonwealth Games and 2002 Commonwealth Games  She also rode at the 1998, 1999, and 2000 UCI Road World Championships and on the track at the 2001 and 2002 UCI Track Cycling World Championships 

Personal life
Symington was born in Maracaibo, Venezuela, lived in Aylestone and she now lives in Nottingham  She had competed as a javelin thrower as a junior, and she was a member of the national triathlon team prior to becoming a full-time cyclist  Symington started her elite triathlon career whilst combining studying for a master's degree with a spell serving in the police, having previously graduated from Loughborough University with a degree in sports science 

Post cycling
Symington retired from competition after the 2004 Olympics: following this she worked in business for two years, before returning to the sports world through working as a performance advisor for UK Sport  She was subsequently appointed performance director of Archery GB in February 2009  In February 2015 England Netball announced that she would join them as their performance director the following month  In that role she helped the England national netball team to its first Commonwealth gold medal at the 2018 Commonwealth Games  In August 2020 Symington was appointed by UK Athletics as their performance director  She left this role in October 2021 in order to take up an appointment as head of British Cycling's Olympic and Paralympic programmes 

Palmarès



ground_truth: Plato