prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who gave the mother of Alberic II of Spoleto the title "patricia" of Rome?

The following are given passages.
Context 1: Passage 1:
Alberic III of Dammartin
Alberic III of Dammartin (Aubry de Dammartin) (c  1138 – 19 September 1200) was a French count and son of Alberic II, Count of Dammartin, and Clémence de Bar, daughter of Reginald I, Count of Bar  
He married Mathilde, heiress to the county of Clermont and daughter of Renaud II, Count of Clermont  They had:

Renaud I, Count of Dammartin (c  1165–1227), married 1) Marie de Châtillon and 2) Ide de Lorraine with whom he had Matilda II, Countess of Boulogne, Queen of Portugal
Alix de Dammartin (1170–1237), married Jean, Châtelain de Trie
Simon of Dammartin (1180 – 21 September 1239), married Marie, Countess of Ponthieu father of Joan, Countess of Ponthieu, Queen of Castile and Leon 
Julia of Dammartin, married Hugh de Gournay
Agnes of Dammartin, married William de Fiennes

Notes
Passage 2:
Gregory I, Count of Tusculum
Gregory I was the Count of Tusculum sometime between 954 and 1012  Consul et dux 961, vir illustrissimus 980, praefectus navalis 999  He was the son of Alberic II (son of Alberic I of Spoleto and Marozia), and Alda of Vienne (daughter of Hugh, King of Italy and his second wife, Alda (or Hilda))  His half-brother was Pope John XII 
He held the cities of Galeria, Arce, and Preneste and the title count palatine, the palace referred to being that of the Lateran  He was the first to carry the title "Count of Tusculum" and he passed it to all his descendants  They also received the titles of excellentissimus vir' (most excellent man) and apostolic rector of Sant'Andrea, which Gregory received in 980  In 981, Gregory bore the title Romanorum consul, dux et senator: "Consul, duke, and senator of the Romans "
As well as being an intimate and ally of the popes, especially Sylvester II, Gregory also served as praefectus navalis of Holy Roman Emperors Otto I and Otto II  However, on 6 February 1001, he was named "Head of the Republic" by the Romans for leading the revolt against Otto III and expelling the Crescentii  In 1002, the latter returned to power and he had to renounce his title 
His death is attested before the 11 June 1012, when his successor, Theophylact, was elected Pope 

Marriage and issue
By his wife Maria (died 1013) he had three sons and a daughter:

Theophylact, who became Pope Benedict VIII 
Alberic III who succeeded him in Tusculum and in his titles 
Romanus, who became Pope John XIX
Marozia III, who married Thrasimund III of Spoleto  Together, the houses of Tusculum and Spoleto were the dominant secular powers in the central Italian peninsula, the one representative of the imperial power and the other, Gregory's, of papal 


== Sources ==
Passage 3:
Alberic II of Spoleto
Alberic II (912–954) was ruler of Rome from 932 to 954, after deposing his mother Marozia and his stepfather, King Hugh of Italy 
He was of the house of the counts of Tusculum, the son of Marozia by her first husband, Duke Alberic I of Spoleto  His half-brother was Pope John XI  At the wedding of his mother to King Hugh of Italy, Alberic and his new stepfather quarreled violently after Hugh slapped Alberic for clumsiness  Infuriated by this and perhaps motivated by rumors that Hugh intended to have him blinded, Alberic left the festivities and incited a Roman mob to revolt against Hugh  In December 932 Hugh fled the city, Marozia was cast into prison, and Alberic took control of Rome 

Marriage and issue
In 936 Alberic married his stepsister Alda, the daughter of King Hugh of Italy and had one son by her, Count Gregory I of Tusculum  According to Benedict of Soracte, he also had one illegitimate son, Octavianus, by an unknown mistress  On his deathbed Alberic had Roman nobility and clergy swear they would elect Octavianus as pope 

Sources
Williams, George L  (1998)  Papal Genealogy: The Families and Descendants of the Popes  McFarland & Company, Inc 
Lexikon des Mittelalters 
Passage 4:
Marozia
Marozia, born Maria and also known as Mariuccia or Mariozza (c  890 – 937), was a Roman noblewoman who was the alleged mistress of Pope Sergius III and was given the unprecedented titles senatrix ("senatoress") and patricia of Rome by Pope John X 
Edward Gibbon wrote of her that the "influence of two sister prostitutes, Marozia and Theodora was founded on their wealth and beauty, their political and amorous intrigues: the most strenuous of their lovers were rewarded with the Roman tiara, and their reign may have suggested to darker ages the fable of a female pope  The bastard son, two grandsons, two great grandsons, and one great great grandson of Marozia—a rare genealogy—were seated in the Chair of St  Peter " Pope John XIII was her nephew, the offspring of her younger sister Theodora  From this description, the term "pornocracy" has become associated with the effective rule in Rome of Theodora and her daughter Marozia through male surrogates 

Early life
Marozia was born about 890  She was the daughter of the Roman consul Theophylact, Count of Tusculum, and of Theodora, the real power in Rome, whom bishop Liutprand of Cremona characterized as a "shameless whore    [who] exercised power on the Roman citizenry like a man "
At the age of fifteen, Marozia became the mistress of Theophylact's cousin Pope Sergius III, whom she knew when he was bishop of Portus  The two had a son, John (the later Pope John XI)  That, at least, is the story found in two contemporary sources, the Liber Pontificalis and the Antapodosis sive Res per Europam gestae (958–62), by Liutprand of Cremona (c  920–72)  But a third contemporary source, the annalist Flodoard (c  894–966), says John XI was brother of Alberic II, the latter being the offspring of Marozia and her husband Alberic I  Hence John too may have been the son of Marozia and Alberic I 
Marozia married Alberic I, duke of Spoleto, in 909, and their son Alberic II was born in 911 or 912  By the time Alberic I was killed at Orte in 924, the Roman landowners had won complete victory over the traditional bureaucracy represented by the papal curia  Rome was virtually under secular control, the historic nadir of the papacy 

Guy of Tuscany
In order to counter the influence of Pope John X (whom the hostile chronicler Liutprand of Cremona alleges was another of her lovers), Marozia subsequently married his opponent Guy of Tuscany  Together they attacked Rome, arrested Pope John X in the Lateran, and jailed him in the Castel Sant'Angelo  Either Guy had him smothered with a pillow in 928 or he simply died, perhaps from neglect or ill treatment  Marozia seized power in Rome in a coup d'état  The following popes, Leo VI and Stephen VII, were both her puppets  In 931 she managed to impose her twenty-one years old son as pontiff, under the name of John XI 

Hugh of Arles, and death
Guy died in 929, and Marozia negotiated a marriage with his half-brother Hugh of Arles, the King of Italy  While in Rome Hugh quarreled with Marozia's son Alberic II, who organized an uprising during the wedding ceremonies in 932  Hugh escaped, but Marozia was captured 
Marozia died after spending some 5 years in prison  Her descendants remained active in papal politics, starting with Alberic II's son Octavian, who became Pope John XII in 955  Popes Benedict VIII, John XIX, and Benedict IX, and antipope Benedict X of the House of Tusculani, were also descended from Marozia  By Guy of Tuscany she had a daughter named Berta Theodora, who never married 

Family tree
Sources
Chamberlin, E  R  (1969)  The Bad Popes  New York: Dial Press  ISBN 9789030041801  OCLC 647415773 
Williams, George (1998)  Papal genealogy, the families and descendants of the popes 
di Carpegna Falconieri, Tommaso (2008), Marozia, in Dizionario biografico degli italiani, 70, pp  681–685


== Footnotes ==
Passage 5:
Renaud I, Count of Dammartin
Renaud de Dammartin (Reginald of Boulogne) (c  1165 – 1227) was Count of Boulogne from 1190, Count of Dammartin from 1200 to 1214 and Count of Aumale from 1204 to 1214  He was son of Alberic III of Dammartin and Mathilde of Clermont Brought up at the French court, he was a childhood friend of Philip Augustus  At his father's insistence he fought for the Plantagenets  Received back into Philip's favour, he married Marie de Châtillon, daughter of Guy II de Châtillon and Adèle of Dreux, a royal cousin 
In 1191, Renaud's father, Alberic, kidnapped and had Renaud marry Ida, Countess of Boulogne  The County of Boulogne thereby became vassal to the French king, rather than the count of Flanders  While this marriage made Renaud a power, it also made enemies in the Dreux family and that of the count of Guînes, who had been betrothed to Ida 
In 1203, Renaud and his wife gave a merchant's charter to Boulogne  This was probably made for financial consideration  Philip made Renaud Count of Aumale the following year, but Renaud began to detach himself  Following the acquisition of Normandy in April 1204, King Philip granted Renaud the county of Mortain and the honor of Warenne which was centered on the fortresses of Mortemer and Bellencombre   Both Mortain and Warenne had been held by William I of Boulogne and it would appear that King Philip recognized the Boulogne claim to them 
In 1211, he refused to appear before Philip in a legal matter, a suit with Philippe de Dreux, bishop of Beauvais  Philip II seized his lands and on 4 May 1212 at Lambeth, Dammartin made an agreement with King John who had also lost possessions to Philip  Renaud brought other continental nobles, including the Count of Flanders, into a coalition with John against Philip  In return he was given several fiefs in England and an annuity  Each promised not to make a separate peace with France With the Emperor Otto IV and Ferdinand of Flanders, he took part in the attack on France in 1214 culminating in the Battle of Bouvines  Commanding the Brabançons, he was on the losing side, but was one of the last to surrender, and refused submission to Philip Augustus  His lands were taken away, and given to Philip Hurepel  Renaud was kept imprisoned at Péronne for the rest of his life, which ended in suicide   His daughter Matilda II was married to Philip Hurepel 
Passage 6:
Alberic II, Count of Dammartin
Alberic II (died 1183) was the Count of Dammartin, possibly the son of Aubry de Mello, Count of Dammartin, and Adela, daughter of Hugh I, Count of Dammartin What little is known for sure about Alberic II is confounded by the preponderance of noblemen of the same name in both France and England  What is known is that he married Clémence of Bar, daughter of Reginald I "One-Eyed", Count of Bar, one of the leaders of the Second Crusade, and Gisèle de Vaudémont, daughter of Gerard I, Count of Vaudémont 
Alberic and Clémence had one son:

Alberic III, Count of Dammartin Alberic II was succeeded by his son Alberic III as Count of Dammartin upon his death 
The discussion in Aubry, Count of Dammartin, provides some insight into how Alberic III came to claim the countship  Further complicating the genealogy, Clémence, widowed, married Renaud II, Count of Clermont-en-Beauvaisis, her second husband and his second wife  Renaud and his first wife, Adelaide, Countess of Vermandois, were the parents of Mathilde, wife of Alberic III 

Sources
Mathieu, J  N , Recherches sur les premiers Comtes de Dammartin, Mémoires publiés par la Fédération des sociétés historiques et archéologiques de Paris et de l'Ile-de-France, 1996
Passage 7:
Alberik II
Alberic II was a bishop of Utrecht from 838 to 844 
Alberic was the brother of his predecessor Frederick of Utrecht  Nothing is known about his administration  He was buried in the Saint Salvatorchurch in Utrecht 
Passage 8:
Pope Agapetus II
Pope Agapetus II (died 8 November 955) was the bishop of Rome and ruler of the Papal States from 10 May 946 to his death  A nominee of the princeps of Rome, Alberic II of Spoleto, his pontificate occurred during the period known as the Saeculum obscurum 

Pontificate
Agapetus was born to a Roman father (a descendant of Consul Anicius Faustus Albinus Basilius) and a Greek mother  He was elected pope on 10 May 946 after the death of Marinus II  The existence of an independent republic of Rome, ruled by Alberic II of Spoleto, meant that Agapetus was prevented from exercising any temporal or secular power in Rome and the Papal States  The struggle between Berengar II and Otto I for the Kingdom of Italy allowed Alberic to exercise complete control over Rome and Agapetus, meaning the pope was largely limited to managing internal church affairs  Even Agapetus’ invitation to Otto to intervene in Italian affairs in 951 was done at the instigation of Alberic, who was growing concerned at Berengar's growing power  However, when Otto's envoys, the bishops of Mainz and Chur, were sent to the pope to discuss Otto's reception in Rome and other more important questions, they were turned away by Alberic Agapetus was forced to intervene in the dispute over the occupancy of the See of Reims  He ordered a synod to be held at Ingelheim in June 948 to resolve the rights of the rival claimants, Hugh of Vermandois and Artald of Reims  He sent his legate Marinus of Bomarzo to act on his behalf, while Agapetus wrote to a number of bishops, asking them to be present at the council  Through his legate the pope indicated his support for King Louis IV of France, and gave his support for reinstalling Artald as bishop of Reims  This council was followed up by another one at Trier, where Agapetus was again represented by Marinus of Bomarzo  In 949, Agapetus held a synod in Rome, which confirmed the rulings of the two councils  It condemned the former bishop Hugh and it excommunicated his father, Count Herbert II of Vermandois, for his opposition to King Louis IV After receiving requests from both Louis IV of France and Otto I of Germany, Agapetus granted privileges to monasteries and nunneries within their respective kingdoms  He also was sympathetic towards Otto's plans to restructure the bishoprics within Germany, which were eventually aborted due to pressure exerted by William of Mainz  Around 948, Agapetus, granted the Archbishop of Hamburg the right of consecrating bishops in Denmark and other northern European countries instead of the pope  The pope was also allegedly asked by a Danish king named Frode, now considered legendary, to send missionaries to his kingdom Agapetus was also asked to intervene in a dispute between Herhold, archbishop of Salzburg and Gerard, bishop of Lauriacum, who both claimed the title of metropolitan of all Pannonia  Agapetus dispatched a letter to the two claimants, in which he stated that the diocese of Lauriacum had been the metropolitan church of all Pannonia before the invasion of the Huns  However, following the ravages inflicted by them, the metropolitan had transferred his see to another city, and since that time Salzburg had been raised to an archbishopric  Consequently, both lawfully occupied their respective sees, and both were to retain their rank and diocese  Agapetus ruled that jurisdiction over western Pannonia would rest with Herhold, while the eastern part, along with the regions occupied by the Avars and the Moravians, would fall under Gerard In Italy, Agapetus wrote to the dukes of Beneventum and Capua, demanding that monasteries be returned to the monks whom they had displaced  He also deposed the bishops of Termoli and Trivento who were accused of simony  Hoping to rejuvenate the religious life of the clerics in Italy, Agapetus, with the blessing of Alberic, asked for the abbot of Gorze Abbey to send some of his monks down and join the monastic community attached to the church of Saint Paul Outside the Walls Agapetus died on 8 November 955, and was succeeded by Alberic's son, Octavian, who took the papal name of John XII  He was buried in the Lateran basilica, behind the apse, and close to the tombs of Leo V and Paschal II  Agapetus was noted for his caution and for the sanctity with which he led his life 
Passage 9:
Pope Leo VII
Pope Leo VII (Latin: Leo VII; died 13 July 939) was the bishop of Rome and nominal ruler of the Papal States from 3 January 936 to his death 

Election
Leo VII's election to the papacy in 936, after the death of Pope John XI, was secured by Alberic II of Spoleto, the ruler of Rome at the time  Alberic wanted to choose the pope so that the papacy would continue to yield to his authority  Leo was the priest of the church of San Sisto Vecchio in Rome, thought to be a Benedictine monk  He had little ambition towards the papacy, but consented under pressure 

Pontificate
As pope, Leo VII reigned for only three years  Most of his bulls were grants of privilege to monasteries, especially including the Abbey of Cluny  Leo called for Odo of Cluny to mediate between Alberic and King Hugh of Italy  Odo was successful in negotiating a truce after arranging a marriage between Hugh's daughter Alda and Alberic  Leo VII also appointed Archbishop Frederick of Mainz as a reformer in Germany  Leo allowed Frederick to drive out Jews that refused to be baptized, but he did not endorse the forced baptism of Jews Leo VII died on 13 July 939, and was interred at St  Peter's Basilica  He was succeeded by Stephen VIII 
Passage 10:
Simon, Count of Ponthieu
Simon of Dammartin (1180 – 21 September 1239) was a son of Alberic III of Dammartin (Aubry de Dammartin) and his wife Mathildis of Clermont,  heiress to the county of Clermont and daughter of Renaud II, Count of Clermont 

Biography
Simon was the brother of Renaud I, Count of Dammartin, who had abducted the heiress of Boulogne, and forced her to marry him  It is thought that in order to strengthen the alliance with the Dammartins, King Philip Augustus of France allowed Simon to marry Marie, Countess of Ponthieu, who was a niece of the king, in 1208  Renaud and Simon of Dammartin would eventually ally themselves with John, King of England  In 1214 the brothers stood against Philip Augustus in the Battle of Bouvines  The French won the battle, and Renaud was imprisoned, while Simon was exiled 
Marie's father William IV, Count of Ponthieu had remained loyal to Philip Augustus  When William died in 1221, Philip Augustus denied Marie her inheritance and gave Ponthieu in custody to his cousin Robert III, Count of Dreux  After the death of Philip Augustus, Marie was able to negotiate an agreement with his successor Louis VIII in 1225  Ponthieu was held by the king, and Simon would only be allowed to enter this or any other fief if he obtained royal permission  In 1231 Simon agreed to the terms and added that he would not enter into marriage negotiations for his daughters without consent of the king 

Family
Simon married Marie, Countess of Ponthieu, the daughter of  William IV, Count of Ponthieu and Alys, Countess of the Vexin  Marie became Countess of Ponthieu in 1225 Simon and his wife Marie had four daughters:

Joan, Countess of Ponthieu (1220–1278), married 1) Ferdinand III of Castile  Mother of Eleanor of Castile, the wife of Edward I of England  Married 2) Jean de Nesle, Seigneur de Falvy et de La Hérelle 
Mathilda of Dammartin (-1279), married John of Châtellerault
Philippe of Dammartin (-1280), married 1) Raoul II of Lusignan, 2) Raoul II, Lord of Coucy, 3) Otto II, Count of Guelders 
Maria of Dammartin, married John II, Count of Roucy 



ground_truth: Pope John X

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Name a member of a British-American supergroup who recored a version of Nobody's child in 1990

The following are given passages.
Context 2: Passage 1:
Nobody for Everybody
Nobody for Everybody is the Japanese debut EP by South Korean girl group Wonder Girls  Its title song is "Nobody" ～あなたしか見えない～ (ノーバディ, Nōbadi), first released on their third Korean mini-album, The Wonder Years: Trilogy in 2008  This is the fourth language that "Nobody" has been released in; the song was first released in Korean and was followed by English and Chinese versions 
The EP consists of the Japanese version of "Nobody" as well as 2012 re-recordings of "Nobody" (in both Korean and English), "Saying I Love You", and "You're Out"  These 2012 recordings include vocals of member Hyerim who entered the group in 2010, replacing the group's original member Sunmi 

Background
After announcing the Wonder Girls as spokesmodels for the brand "Marshpuff" in Japan, JYPE requested that their Japanese record label, DefStar Records, listen to the Wonder Girls' released albums and singles before deciding on what song would be their debut in the country  The label had strong mutual interest in "Nobody", so it was chosen as the title song for their first Japanese album In May 2012, the Wonder Girls officially announced their debut into the Japanese market with a Japanese version of "Nobody", "Nobody ～あなたしか見えない～"  JYP JYPE stated: "Wonder Girls have received numerous inquiries from Japan and [are] observing their advertisement and music business flourishing even without their official introduction "
The EP was released on July 25, 2012 in three different physical variants 

Track listing
Charts
Passage 2:
Alina Margolis-Edelman
Alina Margolis-Edelman (18 April 1922 – 23 March 2008) was a Polish physician, Holocaust survivor, and resistance fighter during the Warsaw Ghetto Uprising, who was forced to flee Poland during a revival of anti-Semitism in Poland in 1968  Joining Doctors Without Borders, she later helped found Doctors of the World, participating in medical missions in Africa and the Middle East, Latin America, and Eastern Europe  Simultaneously, she worked as a physician, practicing at Necker-Enfants Malades Hospital and the Maternal-Infant Protection Service in Seine-Saint-Denis  In 1990, she returned to Poland, and began an association, "Nobody's Children", to fight against child abuse in Poland  She was the recipient of numerous awards and honors 

Early life
Alina Margolis was born on 18 April 1922 in Łódź, Poland, to the Jewish 
physician Anna (née Markson) and her husband, Aleksander Margolis, who was also a physician  Anna was the director of the radiology department and chief of the tubercular service division of Anna Maria Hospital  Aleksander, also known by the pseudonym Paweł Gart, was an internist and head of the Municipal General Hospital of Radogoszcz, and a member of the Łódź City Council, until he was executed by the Gestapo in 1939  After his death, the family was relocated to the Warsaw Ghetto, to await transport to Treblinka  Anna managed to enroll Alina in the Jewish School of Nursing founded by Lama Blum-Bielica, and she worked in one of the hospitals in the ghetto  When transport became imminent, Anna left the ghetto with the children, all of them posing as "Aryan"  Anna placed her son in a Christian orphanage, and she went into hiding Margolis hid with a Polish family who were anti-Semitic and who believed that she was the daughter of a Polish officer who was a prisoner of war  She worked as a courier for the Resistance and continued nursing in ghetto, becoming an integral part of the rescue efforts following the Warsaw Ghetto Uprising  The insurgency lasted three weeks, and consisted mostly of Jewish youth, led by a five-person command  One of the commanders, Marek Edelman, was the sole survivor of the leadership  When German troops burned the ghetto, Edelman attempted escape by way of the sewer system  Underground members, disguising themselves as Polish Red Cross workers, carried him out of the ghetto on a stretcher  One of the stretcher-bearers was Margolis  To ensure that no one would investigate too closely, the underground posted a sign on Edelman's body declaring him to have typhus, easily passing armed checkpoints Before the war ended, Margolis and Edelman returned to Łódź, and were joined, when the war ended, by her mother and brother, John  In mid-1945, Margolis and Edelman married, moved to the house which her family had occupied before the war, and she began her medical studies 

Career
Completing her education, Margolis-Edelman became a pediatrician, working in the Łódź Pediatric Clinic  She specialized in diseases of the kidney and juvenile diabetes, establishing a clinic in Rąbka  She conducted research into these diseases and published her findings  In 1951, Margolis-Edelman had her son Alexander and five years later, gave birth to the couples' daughter, Anna  In the midst of preparing for her habilitation, the 1968 Polish political crisis unleashed a new wave of antisemitism and Margolis-Edelman was not allowed to defend her thesis  She and her children fled to France, but her husband remained in Łódź, providing humanitarian services to anyone in need  Unable to convince the French university to accept her Polish degree, she began her studies all over again and worked in a laboratory analyzing the blood of rats to earn a living After five years of study, Margolis-Edelman re-earned her ability to practice medicine and became head of the chemistry department where she worked and practicing pediatrics at the Necker-Enfants Malades Hospital  She also worked in the Maternal-Infant Protection Service in Seine-Saint-Denis, as well as serving the communes of Aubervilliers and La Courneuve  In 1978, she began working with Doctors Without Borders, on hospital ships with Vietnamese boat people, work that was later officially recognized by the Vietnamese government  When Bernard Kouchner left the organization, he and Margolis-Edelman co-founded Doctors of the World  She participated in medical missions to such places as Afghanistan, Chad, El Salvador, Guatemala, Lebanon, and Nicaragua During the 1981-1983 period of martial law in Poland, Margolis-Edelman supported the pro-democracy opposition  She organized internships abroad for Polish doctors, helped those who could not obtain treatment in Poland, and sent drugs and supplies to Polish hospitals, which were unable to obtain them at the time  She helped found the Franco-Polish association "SOS Aide aux Malades Polonais", to assist Poles in obtaining treatment in France  Around the same time, she served as president of the Literary Notebook Association (French: Les Cahiers Littéraires) and established the quarterly magazine Zeszyty Literackie in Paris  In 1990, she returned to Poland and established an organization called Nobody's Children to care for victims of child abuse and lobby for their protection  During the Bosnian War, she co-founded a rape victim support center and a center in Saint Petersburg to care for street children In 1994, Margolis-Edelman wrote a memoir about her pre-war and World War II experiences, Ala z Elementarza (later translated to English in 1998, as Ala from the Primer)  The title was a reference of an earlier work by Marian Falski  As children, Margolis and her brother inspired Falski to write a widely-read early reading primer about two children, Ala and Olek  The title of Margolis-Edelman's memoir, referred to the earlier work's characters  In 1997, Margolis-Edelman published another memoir, entitled Je ne le répéterai pas, je ne veux pas le répéter (I will not repeat it, I do not want to repeat it)  She was awarded the Cross of Valor for her humanitarian work and a knighthood by the Order of the Smile 

Death and legacy
Margolis-Edelman died on 23 March 2008 in Paris, and was buried in the Cimetière parisien de Bagneux  A symbolic gravesite was placed as a memorial to her at the Jewish Cemetery in Warsaw  In 2010, a documentary, The Girl From A Reading Primer, directed by Edyta Wróblewska and produced by Studio Filmowe Kalejdoskop, detailing Margolis-Edelman's life was released  In 2011, an award named in her honor was established to recognize those who work to protect children 
Passage 3:
Sarah Polley
Sarah Ellen Polley  (born January 8, 1979) is a Canadian filmmaker, political activist and retired actress  She first garnered attention as a child actress for her role as Ramona Quimby in the television series Ramona, based on Beverly Cleary's books  This subsequently led to her role as Sara Stanley in the Canadian television series Road to Avonlea (1990–1996)  She has starred in many feature films, including The Adventures of Baron Munchausen (1988), Exotica (1994), The Sweet Hereafter (1997), Guinevere (1999), Go (1999), The Weight of Water (2000), No Such Thing (2001), My Life Without Me (2003), Dawn of the Dead (2004), Splice (2009), and Mr  Nobody (2009) 
Polley made her feature film directorial debut with Away from Her (2006), for which she won the Canadian Screen Award for Best Director and was nominated for the Academy Award for Best Adapted Screenplay  Polley's second film, Take This Waltz (2011), premiered at the 2011 Toronto International Film Festival, followed by her first documentary film, Stories We Tell (2012)  She also wrote the miniseries Alias Grace, based on the 1996 novel of the same name by Margaret Atwood  In 2022, Polley wrote and directed the film Women Talking, based on the 2018 novel of the same name by Miriam Toews, for which she won the Academy Award for Best Adapted Screenplay 

Early life
Polley was born and raised in Toronto, Ontario, Canada, the youngest of five children born to Diane Elizabeth Polley (née MacMillan)  Her siblings are Susy and John Buchan from Diane's first marriage to George Deans-Buchan, and Mark and Joanna Polley from her second marriage to Michael Polley (1933–2018), a British-born actor who became an insurance agent after starting a family with Diane  Her uncle was the Buffalo Sabres play by play caller Ted Darling 
Her mother was an actress (best known for playing Gloria Beechham in 44 episodes of the Canadian TV series Street Legal) and a casting director  She died of cancer the week of Polley's 11th birthday Polley suffered from severe scoliosis as a child and underwent a spinal operation at 15 that required her to spend the next year in bed recovering Polley was raised by Diane and Michael  During her childhood, Polley's siblings teased her because she bore no physical resemblance to Michael  Polley discovered as an adult that her biological father was actually Harry Gulkin, with whom her mother had an affair (as chronicled in Polley's film Stories We Tell)  Gulkin, the son of Russian Jewish immigrants, was a Quebec-born film producer who produced the 1975 Canadian film Lies My Father Told Me, and had met Diane after attending a play in which she acted in Montreal in 1978  When Polley turned 18, she decided to follow up on suggestions from her mother's friends that her biological father might be Geoff Bowes—one of three castmates from her mother's play in Montreal  Meeting with Gulkin as just someone who could provide information about Diane in Montreal, he informed Polley of his affair with Diane  Gulkin's paternity was later confirmed by a DNA test Polley attended Subway Academy II, then Earl Haig Secondary School, but dropped out at age 15  By the age of 15 she was living on her own and credits the Ontario Coalition Against Poverty for housing her and developing her work with activism 

Career
Early career
Her first appearance on screen was at the age of four, as Molly in the film One Magic Christmas  She was in the pilot episode for Friday the 13th – The Series and appeared in a small role in William Fruet's sci-fi horror film Blue Monkey, both in 1987   At age of eight, she was cast as Ramona Quimby in the television series Ramona, based on Beverly Cleary's books 
That same year, she played one of the lead characters in Terry Gilliam's The Adventures of Baron Munchausen  Polley burst into the public eye in 1990 as Sara Stanley on the popular CBC television series Road to Avonlea  The series made her famous and financially independent, and she was hailed as "Canada's Sweetheart" by the popular press  The show was picked up by the Disney Channel for distribution in the United States  At the age of 12 (around 1991), Polley attended an awards ceremony while wearing a peace sign to protest the first Gulf War  Disney executives asked her to remove it, and she refused  This soured her relationship with Disney, but she continued on Road to Avonlea until 1994  The show ran until 1996; Polley did return as Sara Stanley for an episode in 1995 and for the series finale 
In 1994 Polley made her theatre debut at the Stratford Festival playing Alice in Alice Through the Looking Glass, an adaptation of Lewis Carroll's book of the same name  Polley ended her run early, claiming complications from scoliosis  In 2022 she revealed she had in fact been suffering from intense stage fright, something that continued to plague her into adulthood 

Transition into more adult roles
Polley appeared as Lily on the CBC television series Straight Up, which ran from 1996 to 1998, winning the Gemini Award for Best Performance in a Children's or Youth Program or Series for her role  Polley's subsequent role as Nicole Burnell in the 1997 film The Sweet Hereafter brought her considerable attention in the United States; she was a favourite at the Sundance Film Festival  Her character in the film was an aspiring singer, and on the film's soundtrack, she performed covers of The Tragically Hip's "Courage" and Jane Siberry's "One More Colour" and sang the film's title track, which she co-wrote with Mychael Danna In 1998, Polley appeared in the critically acclaimed film Last Night  The following year, she starred as part of the ensemble cast in the film Go  She was cast in the role of Penny Lane in the big-budget 2000 film Almost Famous, but dropped out of the project to return to Canada for the low-budget The Law of Enclosures  Her role in the 2003 film My Life Without Me garnered the Genie Award for Best Performance by an Actress in a Leading Role in 2004  In the same year, she starred in a lead role in the remake of Dawn of the Dead, which was a departure from her other indie roles 
In 2005, she starred in The Secret Life of Words, opposite Tim Robbins and Julie Christie  She was nominated as Best European Actress by the European Film Academy for her role as Hanna In 2006, Polley took a role on the acclaimed series Slings and Arrows during its third and final season  Polley's father, Michael Polley, was a regular on the show during its entire three-season run  She served as a member of the 2007 Cannes Film Festival jury 
In 2008, Polley appeared as Nabby Adams in the HBO miniseries based on the life of John Adams  Polley played Elise in Jaco Van Dormael's Mr  Nobody, which was released in 2010  Critical response has praised the film's artistry and Polley's acting   Later that year, she also appeared in a cameo role in Bruce MacDonald's film Trigger Though Polley never officially announced her retirement from acting, she has not taken an acting role since 2010, transitioning into a writing and directing career 

Directing career
In 1999, Polley made her first short film, The Best Day of My Life, for the On the Fly 4 Film Festival  She also made a second short film that year, Don't Think Twice  Polley attended the Canadian Film Centre's directing program in 2001, and won the Genie Award for Best Live Action Short Drama in 2003 for her short film I Shout Love  She made her feature-length film directing debut with Away from Her, which Polley adapted from the Alice Munro short story The Bear Came Over the Mountain  The movie, starring Julie Christie (with whom she had played in No Such Thing, 2001, and The Secret Life of Words, 2005), debuted at the Toronto International Film Festival on September 11, 2006, as part of the TIFF's Gala showcase 
Away from Her was acquired by Lionsgate for release in the US for the sum of $750,000  It drew rave reviews from Variety, The Hollywood Reporter, and the three Toronto dailies, both for the performances of Christie and her co-star, Canadian actor Gordon Pinsent, and for Polley's direction  It also earned Polley a 2007 Academy Award nomination for Best Adapted Screenplay, and won the Genie Award for Best Achievement in Direction  At the 2008 Genies, she was also awarded the Claude Jutra Award, which recognizes outstanding achievement by a first-time feature film director Polley wrote and directed her second feature, Take This Waltz starring Michelle Williams, Luke Kirby, Seth Rogen, and Sarah Silverman, which premiered at the Toronto International Film Festival in 2011 
Her documentary film Stories We Tell premiered at the 69th Venice International Film Festival in competition in the Venice Days category, and its North American premiere followed at the 2012 Toronto International Film Festival  The critically acclaimed documentary examined family secrets in Polley's own childhood  She was awarded the CAN$100,000 prize for best Canadian film of the year by the Toronto Film Critics Association  In 2017, Polley executive produced the film A Better Man (2017),In late 2012, Polley announced that she would be adapting Margaret Atwood's novel Alias Grace  Polley first wrote to Atwood asking to adapt the novel when she was 17  They held off for 20 years until she was ready to make the show  In August 2014, during a profile of her work as a director, Polley announced that Alias Grace was being adapted into a six-part miniseries  In June 2016, the series was confirmed with Polley writing and producing  The series premiered in 2017 on CBC Television in Canada; it streams on Netflix globally, outside of Canada  It received positive reviews from critics In June 2014, it was announced that she would be writing and directing an adaptation of John Green's Looking for Alaska  In March 2015, Polley was hired to write the script for a new adaptation of Little Women, as well as potentially direct; however, Polley's involvement in the project never went beyond initial discussions, despite reports  In her 2022 essay collection Run Towards the Danger, Polley revealed she had been working on a second draft of the Little Women screenplay when she had a traumatic head injury resulting in post-concussion syndrome that left her with symptoms for four years so she was temporarily unable to work  It was subsequently announced in June that, due to scheduling conflicts, Polley would no longer be directing Looking for Alaska 
In an interview, Polley stated that she takes pride in her work and enjoys both acting and directing, but is not keen on combining the two:I like the feeling of keeping them separate  I find that really gratifying  I can't imagine combining those  For me, I love the feeling of using different parts of my brain separately  In a 2015 retrospective of the movie Go, Mike D'Angelo of The A V  Club commented that Polley's decision to go into directing had "deprived the world of many potentially great performances", calling her a "superb actor"  In December 2020, it was announced Polley would direct Women Talking based upon the novel of the same name by Miriam Toews for Orion Pictures  It premiered at the 49th Telluride Film Festival on September 2, 2022, and went into wide release on December 23, 2022  It was released to widespread acclaim, with 90% of critics giving it a positive review on Rotten Tomatoes  Shirley Li of The Atlantic called it "vibrant cinema," while Anna Bogutskaya of Time Out said that it "imagines female emancipation as an honest, raging, caring experience " Polley won the Academy Award for Best Adapted Screenplay at the 95th Academy Awards, and the film was also nominated for the Academy Award for Best Picture 
In 2023, Polley was revealed to be in talks to direct Disney's live action adaptation of Bambi 

Writing career
Polley has written numerous essays over the years about her experiences as a child star  In 2022, she released her first book of essays, the autobiographical, Run Towards the Danger which contains six essays that examine aspects of Polley's career on stage, screen, and on film, detailing her roles in a Stratford Festival production of Alice Through the Looking Glass, as well as her breakout roles in The Adventures of Baron Munchausen and the TV series Road to Avonlea  The book also revealed for the first time that Polley had been a victim of Jian Ghomeshi who sexually and physically assaulted her when she was 16 and he was 28 

Political and social activism
Following the row with Disney as a twelve-year-old for wearing a peace sign to protest against the Gulf War, Polley dedicated more of her efforts to politics, becoming a prominent member of the Ontario New Democratic Party (ONDP), where Ontario legislator Peter Kormos was her political mentor  In 1996, she gave a nomination speech for Kormos at the ONDP leadership convention which she later referred to as the "proudest moment in [her] life" In 1995, she lost two back teeth after being struck by a riot police officer during a protest against the provincial Progressive Conservative government of Mike Harris in Queen's Park  She was subsequently involved with the Ontario Coalition Against Poverty  She subsequently scaled back her political activism 
She was part of a group in 2001 which opposed the proposed Free Trade Area of the Americas  The 3rd Summit of the Americas was held in Quebec City in April 2001  In 2003, she was part of former Toronto mayor David Miller's transition advisory team 
In 2009, Polley directed a two-minute short film in support of the Heart and Stroke Foundation of Canada  In advance of the film's airing in Canada during the 82nd Academy Awards, and following news reports that characterized the film as a marketing exercise for the margarine company Becel, Polley withdrew her association with the film  "In December 2009, I made a film to be aired during the Academy Awards that I believed was to promote the Heart and Stroke Foundation  When I agreed to make this film ["The Heart"], I was thrilled, as I was proud to be associated with the work of this incredible organization  However, I have since learned that my film is also being used to promote a product  Regretfully, I am forced to remove my name from the film and disassociate myself from it  I have never actively promoted any corporate brand, and cannot do so now " In response, Becel said it was a "founding sponsor" of the Heart Truth campaign and had commissioned the film "to put heart health on the radar of Canadian women" In January 2012, Polley endorsed Toronto MP Peggy Nash in the 2012 New Democratic Party leadership race to succeed Jack Layton On October 15, 2017, Polley wrote an op-ed piece in The New York Times detailing her experience with Harvey Weinstein and with Hollywood's treatment of women generally, and making a connection between Hollywood's gendered power relations and Polley's not having acted in years 

Personal life
Paternity revelations
In 2007, Polley discovered that her father, Michael Polley, who had raised her, was not her biological father  The story of her mother's affair and her biological father Harry Gulkin, producer of the film Lies My Father Told Me (1975), was chronicled in Polley's film Stories We Tell (2012) 

Marriages and children
On September 10, 2003, Polley married Canadian film editor David Wharnsby, her boyfriend of seven years  They divorced five years later, in 2008 On August 23, 2011, Polley married David Sandomierski, who at the time was working on his SJD degree (equivalent to a PhD in law) at the University of Toronto, which he would complete six years later, in 2017  They have three children together 

Sexual assault by Jian Ghomeshi
In 2022, Polley said that she had been sexually assaulted by then Moxy Früvous singer Jian Ghomeshi while on a date when she was 16 and he was 28  She was dissuaded by family and friends from coming forward with her experiences, but ultimately chose to do so in her autobiographical essay collection Run Towards the Danger 

Religious views
Polley is an atheist 

Filmography
Short film

Feature film
Acting roles

Television
Executive producer

Secret Path (2016) (TV movie)
A Better Man (2017) (Documentary)Acting roles

Awards and nominations
On October 16, 2010, it was announced that she would receive a star on Canada's Walk of Fame  In June 2013, she received the National Arts Centre Award recognizing achievement over the past performance year at the Governor General's Performing Arts Awards, where she was the subject of a short vignette by Ann Marie Fleming entitled Stories Sarah Tells  Polley was appointed an Officer of the Order of Canada on December 30, 2013 
Passage 4:
Graham Nash
Graham William Nash  (born 2 February 1942) is an English-American musician, singer and songwriter  He is known for his light tenor voice and for his contributions as a member of the Hollies and Crosby, Stills & Nash 
Nash is a photography collector and a published photographer  He was inducted into the Rock and Roll Hall of Fame as a member of Crosby, Stills & Nash in 1997 and as a member of the Hollies in 2010  He was appointed an Officer of the Order of the British Empire (OBE) in the 2010 Birthday Honours List for services to music and to charity Nash holds four honorary doctorates, including one from New York Institute of Technology, one in Music from the University of Salford in 2011 and one in Fine Arts from Lesley University in Cambridge, Massachusetts 

Early life
Graham William Nash was born on 2 February 1942 in Blackpool, to where his mother had been evacuated from her hometown of Salford when World War II began  The family subsequently returned to Salford, where Nash grew up 

Career
Songwriting
In the early 1960s, Nash co-founded the Hollies, one of the UK's most successful pop groups, with school friend Allan Clarke, and was credited as the group's leader on their first album  He was featured vocally on "Just One Look" (1964) and sang his first lead vocal on the original Hollies song "To You My Love" on the band's second album In The Hollies Style of the same year  He often sang featured bridge vocals on later Hollies recordings ("So Lonely", "I've Been Wrong", "Pay You Back With Interest") and provided lead vocals on several later singles, notably "On a Carousel" and "Carrie Anne" (both 1967) Nash encouraged the Hollies to write their own songs, initially with Clarke, then with Clarke and guitarist Tony Hicks  From 1964 to mid-1966 they wrote under the alias L  Ransford  Their own names were credited on songs from "Stop Stop Stop" from October 1966 onward  In 1965, Nash, with Allan Clarke and guitarist Tony Hicks, formed Gralto Music Ltd, a publishing company which handled their own songs and later signed the young Reg Dwight (a k a  Elton John) who played piano and organ on Hollies 1969 and 1970 recordings 
Nash was pivotal in the forging of a sound and lyrics, often writing the verses on Clarke, Hicks & Nash songs  However, Nash also composed songs by himself under the 'team banner' (like Lennon & McCartney), including "Fifi the Flea" (1966), "Clown" (1966), "Stop Right There", and "Everything Is Sunshine" (1967)  The Butterfly album included several of his songs that had less group participation and exhibited more of a singer-songwriter approach  He was disappointed when this new style did not register with their audience, especially "King Midas in Reverse" (Nash and producer Ron Richards clashed over this song because Richards believed it was 'too complex' to work as a hit single) 
Nash initially met both David Crosby and Stephen Stills in 1966 during a Hollies US tour  On a subsequent visit to the US in 1968, he was more formally introduced to Crosby by mutual friend Cass Elliott in Laurel Canyon, Los Angeles  Nash left the Hollies to form a new group with Crosby and Stills  A trio at first, Crosby, Stills & Nash later became a quartet in 1969 with Neil Young: Crosby, Stills, Nash & Young (CSNY) 
With both configurations, Nash went on to even greater worldwide success, penning many of CSN's most-commercial hit singles such as "Our House" (about the house in Laurel Canyon shared with his then-lover Joni Mitchell); "Teach Your Children" and "Marrakesh Express" (both of which had been rejected by the Hollies); "Just a Song Before I Go"; and "Wasted on the Way"  Nash, nicknamed "Willy" by his bandmates, has been described as the glue that keeps their often fragile alliances together 
Nash became politically active after moving to California, as reflected in his anti-Vietnam War songs "Military Madness" and "Chicago / We Can Change the World" (about the trial of the Chicago Eight) 
In 1972, during CSNY's first hiatus, Nash teamed with Crosby, forming a successful duo  They worked in this configuration on and off for many years, producing four studio albums and a few live and compilation albums  His song "Immigration Man", Crosby & Nash's biggest hit as a duo, arose from a tiff he had with a US Customs official while trying to enter the country 
In 1979, Nash co-founded Musicians United for Safe Energy which is against the expansion of nuclear power  MUSE put on the educational fundraising No Nukes events  In 2007 the group recorded a music video of a new version of the Buffalo Springfield song "For What It's Worth" Nash briefly rejoined the Hollies in 1983 (to mark their 20th anniversary) to record two albums, What Goes Around    and Reunion  In 1993, Nash again reunited with the Hollies to record a new version of "Peggy Sue Got Married" that featured lead vocal by Buddy Holly (taken from an alternative version of the song given to Nash by Holly's widow Maria Eleana Holly)—this Buddy Holly & the Hollies recording opened the Not Fade Away tribute album to Holly by various artists 

In 2005, Nash collaborated with Norwegian musicians A-ha on the songs "Over the Treetops" (penned by Paul Waaktaar-Savoy) and "Cosy Prisons" (penned by Magne Furuholmen) for the Analogue recording  In 2006, Nash worked with David Gilmour and David Crosby on the title track of David Gilmour's third solo album, On an Island  In March 2006, the album was released and quickly reached No  1 on the UK charts  Nash and Crosby subsequently toured the UK with Gilmour, singing backup on "On an Island", "The Blue", "Shine On You Crazy Diamond", and "Find the Cost of Freedom" 

In addition to his political songs Nash has written many songs on other themes he cares about such as of nature and ecology—beginning with the Hollies' "Signs That Will Never Change" (first recorded by the Everly Brothers in 1966)—later CSNY's "Clear Blue Skies", plus anti-nuclear-waste-dumping ("Barrel of Pain"), anti-war ("Soldiers of Peace") and social issues ("Prison Song") 
Nash appeared on the season 7 finale of American Idol singing "Teach Your Children" with Brooke White 
In 2010, Nash was inducted a second time to the Rock and Roll Hall of Fame, this time as a member of the Hollies  He received an OBE "for services to music and charitable activities", becoming an Officer of the Order of the British Empire in the Diplomatic and Overseas Division of the Queen's Birthday Honours List on 12 June 2010  Nash received the title of George Eastman Honorary Scholar at the George Eastman House on 22 January 2011, in Rochester, New York Nash contributed a cover of "Raining in My Heart" to the 2011 tribute album Rave on Buddy Holly 
On 22 January 2016, Nash announced the forthcoming release on 15 April 2016 of his new studio album entitled This Path Tonight (his first collection of new songs in fourteen years) and shared the title track from it through MOJO magazine's website  On 4 February 2016, Rolling Stone magazine unveiled a new song from the new album, the reflective "Encore," the tender tune that wraps up Nash's new album  Upon the upcoming release of his new studio album in April 2016, Nash planned a solo tour from 25 March 2016 at the Byron Bay Bluesfest in Australia, continuing United States on 22 April 2016 at Saban Theatre, Beverly Hills, California, to visit Europe starting from the UK on 21 May 2016 at the Albert Hall, Manchester and ending 14 June 2016 at the Alte Oper Hall, Frankfurt, Germany 
He was still touring in the fall of 2017, performing in New Jersey and New York in September On 29 June 2018, Rhino Records released the two-disk box set Over The Years, a 30-track collection of Nash's demos made from 1968 to 1980, featuring highlights from the CSN debut album Crosby, Stills & Nash ("Marrakesh Express"), CSNY follow-up Déjà Vu ("Our House", "Teach Your Children"), song selections from subsequent CSN albums, four tracks from Nash's 1971 solo album Songs For Beginners, with "Better Days" and "I Used To Be King" presented as unreleased mixes  The most recent recording on the compilation is "Myself at Last" from Nash's 2016 solo album This Path Tonight  The second disc in this set features 15 demo recordings, 12 of which have never been released 

Photography career
Interested in photography as a child, Nash began to collect photographs in the early 1970s  Having acquired more than a thousand prints by 1976, Nash hired Graham Howe as his photography curator  In 1978 through 1984 a touring exhibition of selections from the Graham Nash Collection toured to more than a dozen museums worldwide  Nash decided to sell his 2,000 print collection through Sotheby's auction house in 1990 where it set an auction record for the highest grossing sale of a single private collection of photography  Nash said that some of the auction profit would be given to the Los Angeles County Museum of Art for the acquisition of contemporary photographs In 2010 21st Editions published a monograph titled "Love, Graham Nash" which includes facsimiles of his lyrics paired with signed photographs by Graham Nash and printed by Nash Editions 

Early digital fine art printing
Experimenting
In the late 1980s Nash began to experiment with digital images of his photography on Macintosh computers with the assistance of R  Mac Holbert who at that time was the tour manager for Crosby, Stills and Nash as well as handling computer/technical matters for the band  Nash ran into the problem common with all personal computers running graphics software during that period: he could create very sophisticated detailed images on the computer, but there was no output device (computer printer) capable of reproducing what he saw on the computer screen  Nash and Holbert initially experimented with early commercial printers that were then becoming available and printed many images on the large format Fujix inkjet printers at UCLA's JetGraphix digital output centre  When Fuji decided to stop supporting the printers, John Bilotta, who was running JetGraphix, recommended that Nash and Holbert look into the Iris printer, a new large format continuous-tone inkjet printer built for prepress proofing by IRIS Graphics, Inc  Through IRIS Graphics national sales rep Steve Boulter, Nash also met programmer David Coons, a colour engineer for Disney, who was already using the IRIS printer there to print images from Disney's new digital animation system 
Coons worked off hours at Disney to produce large images of 16 of Nash's photographic portraits on arches watercolour paper using Disney's in-house model 3024 IRIS printer for a 24 April 1990 show at Simon Lowinsky gallery  Since most of the original negatives and prints had been lost in shipment to a book publisher, Coons had to scan contact sheets and enhance the images so they could be printed in large format  He used software he had written to output the photographic images to the IRIS printer, a machine designed to work with proprietary prepress computer systems In July 1990, Nash purchased an IRIS Graphics 3047 inkjet printer for $126,000 and set it up in a small carriage house in Manhattan Beach, California near Los Angeles  David Coons and Steve Boulter used it to print an even larger November 1990 show of Nash's work for Parco Stores in Tokyo  The show entitled Sunlight on Silver was a series of 35 celebrity portraits by Nash which were 3 feet by 4 feet in an edition of 50 prints per image, a total of 1,750 images  Subsequently, Nash exhibited his photographs at the Museum of Photographic Arts in San Diego and elsewhere 

Nash Editions
In 1991, Nash agreed to fund Mac Holbert to start a fine art digital-based printing company using the IRIS Graphics 3047 printer sitting in Nash's Manhattan Beach, California carriage house  Holbert retired as road manager for Crosby, Stills and Nash so that he could run the company  It opened its doors on 1 July 1991 with the name of Nash Editions Ltd  Early employees included David Coons, John Bilotta and a serigraphic print maker named Jack Duganne  They worked to further adapt the IRIS printer to fine art printing, experimenting with ink sets to try to overcome the fast-fading nature of IRIS prints, and even going as far as sawing off part of the print heads so they could be moved back to clear thicker printing paper stocks (voiding the $126,000 machine's warranty)  Nash and Holbert decided to call their fine art prints "digigraphs" although Jack Duganne coined the name "Giclée" for these type of prints  The company is still in operation and currently uses Epson-based large format printers 
In 2005, Nash donated the original IRIS Graphics 3047 printer and Nash Editions ephemera to the National Museum of American History, a Smithsonian Institution 

Personal life
Nash was married to his first wife, Rose Eccles, from 1964 until 1966  As part of an inside joke, her surname inspired the 1968 song "Jennifer Eccles", and a jocular verse about Jennifer Eccles was also included in the 1968 song "Lily the Pink"  Nash was married to his second wife, actress Susan Sennett, from 1978 until he left her for artist Amy Grantham in 2016  Sennett, the mother of his three now-adult children, divorced Nash in 2016 and died of cancer in September 2020  After moving to New York City, Nash married Grantham in April 2019 Nash released an autobiography in September 2013 called Wild Tales: A Rock & Roll Life, published by Crown Publishing  Photographs that he took during his career are on display as an art collection at the San Francisco Art Exchange  In interviews pertaining to both the memoir and art exhibit, he mentioned the impact of Canadian-American musician Joni Mitchell, with whom he had a relationship between 1968 and 1970 in California  He also had a brief relationship with American musician Rita Coolidge, as had his bandmate Stephen Stills Nash endorsed American politician Bernie Sanders in the 2016 Democratic Party presidential primaries  In October 2020, he revealed that he had recently started practising Transcendental Meditation after American filmmaker David Lynch paid for him and his wife to study it as a gift  He said of the practice, "Quite frankly, I'm 78 years old and I wish I'd been doing it for 50 years "

Discography
See also discographies for Crosby Stills Nash & Young, The Hollies and Crosby & Nash 

With The Hollies
Albums
Singles
EPs
Solo
Studio albums
Live
Compilations
Singles
Other appearances
Studio
Live
Passage 5:
Nobody's Child: Romanian Angel Appeal
Nobody's Child: Romanian Angel Appeal is a charity album released in July 1990 to benefit Romanian orphans, under the auspices of the Romanian Angel Appeal Foundation  It was compiled by English rock musician George Harrison in response to concerns raised by his wife Olivia Harrison, who had visited Romania and witnessed the suffering in the country's abandoned state orphanages following the fall of Communism  The release was preceded by a single, "Nobody's Child", recorded by Harrison's band the Traveling Wilburys  Other artists who donated songs to the album include Stevie Wonder, Paul Simon, Eric Clapton, Duane Eddy, Van Morrison, Guns N' Roses, Ringo Starr, Ric Ocasek and Elton John  Many of the recordings were previously unreleased The Romanian Angel Appeal marked a rare foray into the media spotlight by Olivia Harrison, who created the foundation with support from the other wives of the former Beatles – Barbara Bach, Yoko Ono and Linda McCartney  She and her husband promoted the project in the UK with appearances on the television talk show Wogan and in the one-hour Radio 1 documentary Nobody's Child  The album was released by Harrison's record company, Warner Bros  Records, on 23 July 1990  It was preceded by a launch at London's Hyde Park Hotel on 22 July, attended by the Harrisons, and Bach and Starr  The video for the "Nobody's Child" single included animated scenes and footage of the Romanian orphanages 

Song selection
George Harrison's involvement in the project reprised his role in assisting refugees of the 1971 Bangladesh Liberation War, when he staged an all-star benefit concert and oversaw the release of an associated album and documentary film  Aside from the title track, his presence on Nobody's Child was reflected in the recordings submitted by Simon, Clapton and Eddy Harrison said in compiling Nobody's Child he was conscious of not making it his album by dominating the content  He said that his request for a live track from Bruce Springsteen went unanswered, and his approach to Michael Jackson became confused in the acrimony taking place between Jackson and Paul McCartney over the ownership of the Beatles' Northern Songs catalogue  Selections by Stevie Winwood and Queen arrived too late for inclusion on the album 

Track listing
Vinyl and cassette releases
Side one

"Nobody's Child"
"Wonderful Remark"
"Medicine Man"
"This Week"
"Homeward Bound"
"How Can You Mend a Broken Heart?"
"Lovechild"
"Big Day Little Boat"Side two

"Feeding Off the Love of the Land"
"That Kind of Woman"
"Goodnight Little One"
"The Trembler"
"Ain't That Peculiar"
"Civil War"

Notes
On the included performance of "With a Little Help from My Friends", the All-Starr Band consisted of Ringo Starr, Joe Walsh, Nils Lofgren, Billy Preston, Dr  John, Levon Helm, Rick Danko, Garth Hudson, Jim Keltner, Clarence Clemons and Zak Starkey  The song is only on the CD version of the album 
Aside from his contributions with the Traveling Wilburys and Paul Simon, George Harrison plays guitar on the tracks by Eric Clapton and Duane Eddy 
Passage 6:
Shoppin' from A to Z
"Shoppin' from A to Z" is a song by US singer-songwriter Toni Basil, released in 1983 as the fourth and final single from her debut album Word of Mouth  It was released in the US only  After the poor performance of "Nobody" in the UK, "Shoppin' from A to Z" also failed to match the success of chart topper "Mickey", peaking at No  77  A music video was made for the song  The song features a shopping list consisting of various grocery items, each beginning with a different letter of the alphabet  On the album version, it is shouted out by a chorus  The single version features comical voices saying the name of each item 

Track listing
7" single"Shoppin' from A to Z" — 3:41
"Time After Time" — 4:18Promo 12" "Special Remix" single"Shoppin' from A to Z" (Special Remix) — 6:04
"Shoppin' from A to Z" — 3:41

Music video
The music video starts with Basil and her two friends at a house looking through a shopping list and a newspaper  Then, the scene quickly changes to a supermarket where Basil and everyone in the market (including the employees) start dancing while they shop  Finally, after all that shopping, Basil and her friends arrive home exhausted  The clip ends with two dollar signs coming out of the shopping bags and plastered on a CGI heart on a green background 
Passage 7:
Nobody's Child (song)
Nobody's Child may refer to:

Film and television
Nobody's Child (1919 film), a British silent film directed by George Edwardes Hall
Nobody's Child (1970 film), a Philippine film featuring Vilma Santos
Nobody's Child (1986 film), an American television film directed by Lee Grant
Nobody's Child (2004 film), a Singaporean film directed by Lin Wenhui

Literature
Nobody's Child, a 1996 romantic novel by Pat Warren
Nobody's Child, a 1997 romantic novel by Ann Major
Nobody's Child, a 2003 children's novel by Marsha Skrypuch
Nobody's Child, a 2007 autobiography by Michael Seed
Nobody's Child, a 2014 crime novel by Libby Fischer Hellmann

Music
Nobody's Child: Romanian Angel Appeal, a 1990 charity album
"Nobody's Child" (Hank Snow song), 1949; covered by Tony Sheridan and the Beatles (1964), the Traveling Wilburys (1990), and others
"Nobody's Child" (Penny McLean song), 1976
"Nobody's Child", a song  by Electric Light Orchestra from Eldorado, 1974
"Nobody's Child", a song by Mark Knopfler from Down the Road Wherever, 2018

See also
No One's Child, a 2014 Serbian film
Nobody's Children (disambiguation)
Passage 8:
Traveling Wilburys
The Traveling Wilburys were a British-American supergroup consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison and Tom Petty  Originating from an idea discussed by Harrison and Lynne during the sessions for Harrison's 1987 album Cloud Nine, the band formed in April 1988 after the five members united to record a bonus track for Harrison's next European single  When this collaboration, "Handle with Care", was deemed too good for such a limited release, the group agreed to record a full album, titled Traveling Wilburys Vol  1  Following Orbison's death in December 1988, the Wilburys continued as a quartet and released a second album, titled Traveling Wilburys Vol  3, in 1990 
The project's work received much anticipation given the diverse nature of the singer-songwriters  The band members adopted tongue-in-cheek pseudonyms as half-brothers from the fictional Wilbury family of travelling musicians  Vol  1 was a critical and commercial success, helping to revitalise Dylan's and Petty's careers  In 1990, the album won the Grammy for Best Rock Performance by a Duo or Group 
Although Harrison envisioned a series of Wilburys albums and a film about the band, produced through his company HandMade, the group became dormant after 1991 and never officially reunited, though the individual members continued to collaborate on each other's solo projects at various times  After being unavailable for several years, the two Wilburys albums were reissued by the Harrison estate in the 2007 box set The Traveling Wilburys Collection  The box set included a DVD containing their music videos and a documentary on the band's formation 

History
Background
George Harrison first mentioned the Traveling Wilburys publicly during a radio interview with Bob Coburn on the show Rockline in February 1988  When asked how he planned to follow up the success of his Cloud Nine album, Harrison replied: "What I'd really like to do next is     to do an album with me and some of my mates     It's this new group I got [in mind]: it's called the Traveling Wilburys, I'd like to do an album with them and then later we can all do our own albums again " According to Jeff Lynne, who co-produced Cloud Nine, Harrison introduced the idea of the two of them starting a band together around two months into the sessions for his album, which began in early January 1987  When discussing who the other members might be, Harrison chose Bob Dylan and Lynne opted for Roy Orbison  The term "Wilbury" also originated during the Cloud Nine sessions  Referring to recording errors created by faulty equipment, Harrison jokingly remarked to Lynne, "We'll bury 'em in the mix " Thereafter, they used the term for any small error in performance  Harrison first suggested "the Trembling Wilburys" as the group's name; at Lynne's suggestion, they amended it to "Traveling Wilburys" 
During his Rockline interview, Harrison voiced his support for Dylan, at a time when the Dylan was experiencing an artistic and commercial low point in his career  Harrison and Lynne became friends with Tom Petty in October 1987, when Petty and his band, the Heartbreakers, toured Europe as Dylan's backing group  The friendship continued in Los Angeles later that year  There, Harrison struck up a musical rapport with Petty based on their shared love of 1950s rock 'n' roll, and Lynne began collaborating with Petty on what became Petty's debut solo album, Full Moon Fever, and writing songs with Orbison, Lynne's longtime musical hero, for Orbison's comeback album, Mystery Girl  According to Petty, Harrison's dream for the Wilburys was to handpick the participants and create "the perfect little band", but the criteria for inclusion were governed most by "who you could hang out with"  The five musicians also bonded over a shared appreciation of the English comedy troupe Monty Python  Harrison, who had worked with the members of Monty Python on various productions by his company HandMade Films since the late 1970s, particularly appreciated Orbison's gift for impersonation and his ability to recite entire sketches by the troupe 

1988–1991
"Handle with Care" and band formation
The band came together in April 1988, when Harrison was in Los Angeles to oversee the filming of his HandMade production Checking Out  At that time, Warner Bros  Records asked Harrison for a new song to serve as the B-side for the European release of his third single from Cloud Nine, "This Is Love"  During a meal with Lynne and Orbison, Harrison asked Lynne to help him record the track and invited Orbison to attend the session, which he then arranged to take place at Dylan's garage studio in Malibu since no professional studios were available at such short notice  Petty's involvement came about when Harrison went to retrieve his guitar from Petty's house and invited him to attend also Working on a song that Harrison had recently started writing, the ensemble completed the track, which they titled "Handle with Care" after a label on a box in Dylan's garage  When Harrison presented the recording to Mo Ostin and Lenny Waronker of Warner Bros , the executives insisted that the song was too good to be used as a B-side  In Petty's recollection, Harrison and Lynne then decided to realise their idea of forming a Wilburys band, and first invited him to join before phoning Dylan, who also agreed to join  That night, Harrison, Lynne and Petty drove to Anaheim to see Orbison perform at the Celebrity Theatre and recruited him for the group shortly before he went on stage  In Petty's description, Orbison performed an "unbelievable show", during which "we'd punch each other and go, 'He's in our band, too '     We were all so excited "

Debut album
The band members decided to create a full album together, Traveling Wilburys Vol  1  Video footage of the creative process was later edited by Harrison into a promotional film for Warner Bros  staff, titled Whatever Wilbury Wilbury  The album was recorded primarily over a ten-day period in May 1988, to allow for Dylan's limited availability as he prepared for the start of what became known as his Never Ending Tour and for Orbison's tour schedule  These sessions were held in the house of Eurythmics member Dave Stewart, in Los Angeles The five band members sat in a circle playing acoustic guitars in Stewart's kitchen; once each song's basic track had been written and recorded there (with accompaniment from a drum machine), the group recorded their vocals in another room, usually after dinner each night  Petty recalled that, as a friend but also an avowed fan of Dylan's, Harrison felt the need to clear the air on the first day by saying to him: "We know that you're Bob Dylan and everything, but we're going to just treat you and talk to you like we would anybody else " Dylan replied: "Well, great  Believe it or not, I'm in awe of you guys, and it's the same for me " While most of the songs had a primary composer, all of the band members were creative equals  Petty later described Harrison as the Wilburys' "leader and manager", and credited him with being a bandleader and producer that had a natural instinct for bringing out the best in people and keeping a recording session productive  As the group's producers, Harrison and Lynne directed the sessions, with Harrison often auditioning each member to decide who should sing a particular lead vocal part  The two producers then flew back to England; Lynne recalls that, throughout the flight, he and Harrison enthused about how to turn the sparse, acoustic-based tracks into completed recordings  Overdubs and further recording took place at Harrison's studio, FPSHOT, with "Sideburys" Jim Keltner (drums), Jim Horn (saxophones) and Ray Cooper (percussion)  Harrison described the band's sound as "skiffle for the 1990s" The album was released on 18 October 1988  Distributed by Warner Bros , it appeared on the new Wilbury record label rather than on Harrison's Dark Horse label, in the interests of maintaining the group identity  Over the months following the end of recording in the summer, contractual issues had been successfully negotiated between Warner and the record companies representing Dylan, Petty, Lynne and Orbison  As was the case in 1971 when EMI prepared Harrison's multi-artist live album from the Concert for Bangladesh for release, Dylan's label, Columbia, presented the main stumbling block  In the album credits, the "Wilburys" joke was extended further, with the band members listed under various pseudonyms and pretending to be half-brothers – sons of a fictional Charles Truscott Wilbury, Sr  During promotion for the album, Orbison played along with the mock history, saying: "Some people say Daddy was a cad and a bounder, but I remember him as a Baptist minister "Vol  1 was a critical and commercial success, and revitalised the careers of Dylan, Orbison and Petty  As Harrison had intended, the album defied contemporary musical trends such as hip hop, acid house and synthesised pop; author Alan Clayson likens its release to "a Viking longship docking in a hovercraft terminal"  The album produced two successful singles and went on to achieve triple-platinum certification for sales in the United States  It was nominated for several awards and won the 1990 Grammy Award for Best Rock Performance by a Duo or Group  Liner notes on the album cover were written by Monty Python's Michael Palin under a pseudonym  Palin's essay was based on an idea by Derek Taylor, who wrote an extensive fictional history of the Wilburys family that otherwise went unused  Harrison planned a feature film about the band, to be produced by HandMade and directed by David Leland, but contractual problems ended the project 

Orbison's death, "Nobody's Child" and Vol  3
Roy Orbison died of a heart attack on 6 December 1988  In tribute to him, the music video for the band's second single, "End of the Line", shows a black and white framed photo of Orbison and his guitar is shown, rocking in a chair, whenever his vocals are heard  Lynne recalled that Orbison's death in the wake of Vol  1's success was "the most sickening thing to me"  He added: "I was devastated for ages     Me and Roy had had plans to do much more together, and his voice was in really good shape  It was just so sad for that to happen " Although there was speculation in the press that Del Shannon or Roger McGuinn might join the Wilburys, the remaining members never considered replacing Orbison  Lynne later said: "We'd become this unit, we were all good pals … We always knew we were going to do another one, and now it's just the four of us "Harrison was the most active in promoting the Wilburys, carrying out interviews well into 1989  He said he was "wait[ing] for all the other Wilburys to finish being solo artists" so that they could renew the collaboration  By contrast, according to author Clinton Heylin, Dylan appeared to give the band little attention as he focused on re-establishing himself as a live performer before recording his 1989 album Oh Mercy In March 1990, Harrison, Lynne, Petty and Dylan reunited to work on a second Wilburys album, which they intentionally misnumbered Traveling Wilburys Vol  3  It was preceded by a non-album single, a cover of "Nobody's Child", which the band recorded for Olivia Harrison's Romanian Angel Appeal charity project  The duration of the main album sessions was again dictated by Dylan's touring schedule and limited availability  Having asked Dylan to record a lead vocal for all the songs before his departure, Harrison was then loath to replace many of the parts, resulting in a greater prominence for Dylan as a lead singer  Although he ceded his own role as a lead vocalist to Dylan and to Petty, Harrison took over more of the production and contributed more prominently as a lead guitarist than before  Petty described the album as "a little more rough and ready, a bit more raucous" than Vol  1, while Dylan said the new songs were more developed as compositions relative to the "scraped up from jam tapes" approach to the band's debut Vol  3 was released on 29 October 1990  It was dedicated to Orbison, as "Lefty Wilbury", the pseudonym that Orbison had used in 1988 in honour of his hero Lefty Frizzell  The album met with less success than the previous one  According to Mo Ostin, the choice of album title came about through "George being George"; apparently Harrison was making a wry reference to the appearance of a bootleg that served as a sort of Volume 2  The album's liner notes were written by Eric Idle, another Python member, who again adopted a pseudonym  For the band's final single, "Wilbury Twist", they filmed a video in which Idle, John Candy and other comedic actors attempt to master the song's eponymous dance style  The clip was filmed in Los Angeles and completed on 28 February 1991 

After the Wilburys
According to Jim Keltner, the decision on the group's future after Vol  3 lay with Harrison  Keltner said that from his conversations with Lynne, Petty and Dylan, they were all keen to reunite, whereas Harrison wavered in his enthusiasm  While Harrison was against the idea of touring, Petty recalled: "I kept getting down on my knees in front of George, saying, 'Please, it's so much money!'"After his 1991 tour of Japan – his first series of concerts since 1974 – Harrison spoke of a possible Traveling Wilburys tour:

That would be something I'd like to experience  I've always played around in my own mind what a Wilburys tour could be  Would each person do a solo set and then do Wilburys at the end, or would we all go right on from beginning to end and make everything Wilburys? It's an intriguing thought  We could have a great band up there and the four of us could play acoustic if we wanted to  We could all sing "Blowin' in the Wind" and Bob could sing "Something"  Or we could just sing our individual songs and make them Wilbury tunes, as if we'd recorded them that way  Whatever it was, we could do it 
The Wilburys tour never came about  Petty said about the Wilburys touring:

I think it would work, if we wanted to do it  I don't think we ever considered it, really  There were a lot of nights when the conversation would roll around to that  But I don't think anybody ever took it seriously  I think it would ruin it in a way  Then you're obligated to be responsible and it's not in the character of that group  It would make it very formal and that would be the wrong spirit 

Legacy and influence
In the Rolling Stone Press book The New Rolling Stone Encyclopedia of Rock & Roll, the Traveling Wilburys are described as "the ultimate supergroup", with a line-up that represented four eras of rock music history and included "three indisputable gods" in Dylan, Harrison and Orbison  The editors also recognise the band as "the antithesis of a supergroup", due to the musicians' adoption of fraternal alter egos and the humour inherent in the project  AllMusic managing editor Stephen Thomas Erlewine has similarly written: "It's impossible to picture a supergroup with a stronger pedigree than that (all that's missing is a Rolling Stone), but in another sense it's hard to call the Wilburys a true supergroup, since they arrived nearly two decades after the all-star craze of the '70s peaked, and they never had the self-important air of nearly all the other supergroups  That, of course, was the key to their charm …" Speaking to music journalist Paul Zollo in 2004, Petty agreed that humour and self-effacement had been key factors in the Wilburys' success, adding: "We wanted to make something good in a world that seemed to get uglier and uglier and meaner and meaner … And I'm really proud that I was part of it  Because I do think that it brought a little sunshine into the world "Harrison said the project was an opportunity to "put a finger up to the rules" by challenging the norms associated with the music industry  Discussing the Wilburys in Peter Bogdanovich's 2007 documentary Runnin' Down a Dream, Petty said that one of the strengths behind the concept was that it was free of any intervention from record company, management or marketing concerns, and instead developed naturally from a spirit of co-operation and mutual admiration among five established artists  Author Simon Leng recognises the venture as primarily a channel through which Harrison and Dylan could escape the restrictions of their serious media images, but also, in its guise as a "phantom band", a development by Harrison of the Rutles' satirical approach to the Beatles' legacy, in this case by "de-mythologizing" rock history Inspired by the Traveling Wilburys' success and particularly its benefit to Petty and Orbison as artists, Lenny Waronker encouraged American guitarist Ry Cooder to form the band Little Village and record for Warner Bros  The group – comprising Cooder, Keltner, John Hiatt and Nick Lowe – released a self-titled album in 1992  Greg Kot of the Chicago Tribune described the Notting Hillbillies' Missing     Presumed Having a Good Time as a Traveling Wilburys-type side project for Mark Knopfler of Dire Straits  Writing in New York magazine in late 1990, Elizabeth Wurtzel cited the Notting Hillbillies' album and the self-titled debut by Hindu Love Gods – a band consisting of Warren Zevon and members of R E M  – as examples of a trend whereby, following the Wilburys' Vol  1, "more and more albums seem to be the rock-and-roll equivalents of bowling night "Writing in The Encyclopedia of Popular Music, Colin Larkin cites the Wilburys' contemporary skiffle as evidence of Lonnie Donegan's continued influence on popular music long after the early 1960s  In his book Lonnie Donegan and the Birth of British Rock & Roll, Patrick Humphries describes the Wilburys as "a makeshift quintet whose roots were firmly and joyously planted in low-key, low-tech skiffle music"  He credits the band with inspiring a brief revival of Donegan's "DIY skiffle", which included Knopfler's Notting Hillbillies  Each member of the Traveling Wilburys has been inducted into the Rock and Roll Hall of Fame, although the band itself has not been inducted  Orbison and Dylan were inducted as solo artists, Harrison was inducted as a member of the Beatles and, posthumously, as a solo artist, Petty as the leader of Tom Petty and the Heartbreakers, and Lynne as a member of the Electric Light Orchestra 

Catalogue reissue and Genesis Publications book
In the late 1990s and early 2000s, the two Traveling Wilburys albums had limited availability and were out of print in most areas  Harrison, as primary holder of the rights, did not reissue them before his death  In June 2007, the two albums were reissued as The Traveling Wilburys Collection, a box set including both albums on CD (with bonus tracks) and a DVD featuring a 25-minute documentary entitled The True History of the Traveling Wilburys and a collection of music videos  The box set was released in three editions; the standard edition, with both CDs and DVD in a double Digipak package and a 16-page booklet; a "deluxe" boxed edition with the CDs and DVD and an extensive 40-page booklet, artist postcards, and photographs; or a "deluxe" boxed edition on vinyl  This version omits the DVD, but adds a 12-inch vinyl disc with rare versions of the songs 
The release debuted at number 1 in the UK and topped the albums chart in Australia, Ireland and other countries  On the US Billboard 200 it reached number 9  The collection sold 500,000 copies worldwide during the first three weeks and remained in the UK top 5 for seven weeks after its release 
In November 2009, Genesis Publications, a company with which Harrison had been associated since the late 1970s, announced the release of a limited edition fine-bound book titled The Traveling Wilburys  Compiled by Olivia Harrison, the book includes rare photographs, recording notes, handwritten lyrics, sketches, and first-hand commentary on the band's history, together with a foreword by Lynne  Petty, Lynne, Olivia Harrison, Barbara Orbison, Keltner and Idle were among those who attended the US launch at a Beverly Hills bookshop in March 2010  In an interview to publicise the book, Lynne expressed his sadness at the deaths of Harrison and Orbison, and reflected: "The Wilburys was such a wonderful band, such a marvellous thing to be part of  They were the best people I could ever wish to work with  Every day was like, 'Wow!'     it was fun from day one "

Line-ups
Musicians
Volume 1"Nelson Wilbury" – George Harrison
"Otis Wilbury" – Jeff Lynne
"Lefty Wilbury" – Roy Orbison
"Charlie T  Wilbury, Jr " – Tom Petty
"Lucky Wilbury" – Bob DylanVolume 3"Spike Wilbury" – George Harrison
"Clayton Wilbury" – Jeff Lynne
"Muddy Wilbury" – Tom Petty
"Boo Wilbury" – Bob DylanJim Keltner, the session drummer and percussionist, was not officially listed as a Wilbury on either album, but was given the nickname "Buster Sidebury"  Overdubs on the 2007 bonus tracks "Maxine" and "Like a Ship" were credited to "Ayrton Wilbury", a pseudonym for Dhani Harrison  The name Ayrton was used in honour of F1 driver Ayrton Senna  Jim Horn and Ray Cooper played saxophones and percussion, respectively, on both albums  The lead guitar part on the Vol  3 track "She's My Baby" was played by rock guitarist Gary Moore, who received the credit "Ken Wilbury" 

Further Wilbury appellation
Harrison appeared as Nelson Wilbury on Warner Bros  Records' Christmas 1988 promotional album Winter Warnerland (which also included Paul Reubens as "Pee Wee Wilbury")  In 1992, in his capacity as producer, Harrison credited himself as "Spike and Nelson Wilbury" on his live album Live in Japan  During that Japanese tour, in December 1991, Harrison credited himself as Nakihama Wilbury  The Tom Petty and the Heartbreakers 1992 single "Christmas All Over Again" contained a greeting that read "Merry Christmas from Nelson and Pee Wee Wilbury"  Additionally, at Tom Petty Celebration in 2019, Roy Orbison Jr  was dubbed "Lefty Wilbury Jr " and Alex Orbison as "Ginger Wilbury"  The Harrison-made film promoting the Traveling Wilburys, Whatever Wilbury Wilbury, lists the following credits: "Cecil Bidet Wilbury" (directed by), "Lenny W  Wilbury" (sound), "Chopper Wilbury" (editor), "Edison Wilbury" (lighting), "Evelyn Wilbury" (wardrobe), "Clyde B  Wilbury" (special effects), "Big Mac Wilbury" (catering), "Zsa Zsa Wilbury" (make-up) and "Tell M  Wilbury" (production manager)  A squirrel is named "Eddie Wilbury" in that film as well 

Discography
Studio albums
Box sets
Singles
Other charted songs
Other collaborations between members
Notes
Context 3: Passage 1:
Band-e Amir National Park
Band-e Amir National Park (Persian: بند امیر) Afghanistan established its first national park on April 22, 2009, to promote and protect the natural beauty of a series of intensely blue lakes created by natural dams high in the Hindu Kush  Band-e-Amir is a chain of six lakes in the mountainous desert of central Afghanistan  The lakes formed from mineral-rich water that seeped out of faults and cracks in the rocky landscape  Over time, the water deposited layers of hardened mineral (travertine) that built up into walls that now contain the water  According to the Wildlife Conservation Society, who helped the Afghan government set up the park, Band-e-Amir is one of the few travertine systems in the world They were created by the carbon dioxide rich water oozing out of the faults and fractures to deposit calcium carbonate precipitate in the form of travertine walls that today store the water of these lakes  Band-e Amir is one of the few rare natural lakes in the world which are created by travertine systems  The site of Band-e Amir has been described as Afghanistan's Grand Canyon, and draws thousands of tourists a year  The river is part of the system of the Balkh River 

History
The name Band-e Amir literally means "the Ruler's Dam" which is believed by some to be a reference to Ali, the fourth Caliph of the Muslims  The area is dominated by ethnic Hazaras, who are estimated to make up about 40 percent of Afghanistan's population In her 1970 guide to Afghanistan, Nancy Dupree wrote that a full description about Band-e Amir would "rob the uninitiated of the wonder and amazement it produces on all who gaze upon it"  Parts of the 1975 Bollywood film Dharmatma, with Feroz Khan and Hema Malini, were filmed at the Band-e Amir National Park In 2004, Band-e Amir was submitted for recognition as a World Heritage site  Efforts to make Band-e Amir a national park started in the 1970s, but were then put on hold due to the wars  In April 2009, Band-e Amir was finally declared Afghanistan's first national park  As of 2013, about 6,000 local tourists visit the Band-e Amir National Park every year  The area is protected by a small number of park rangers 

Geography
Band-e Amir is situated at approximately 75 km to the north-west of the ancient city of Bamyan, close to the town of Yakawlang  Together with Bamyan Valley, they are the heart of Afghanistan's tourism, attracting thousands of tourists every year and from every corner of the world  The Band-e Amir lakes are primarily a late spring and summertime tourism destination, as the high elevation central Hazarajat region of Afghanistan is extremely cold in winter, with temperatures reaching as low as −20 °C (−4 0 °F)  The six constituent lakes of Band-e Amir are:

Band-e Gholaman (Lake of the slaves)
Band-e Qambar (Lake of Caliph Ali's slave)
Band-e Haibat (Lake of grandiose)
Band-e Panir (Lake of cheese)
Band-e Pudina (Lake of wild mint)
Band-e Zulfiqar (Lake of the sword of Ali)The white travertine dams created by fault lines, which are prevalent in the Band-e Amir Valley, form the barriers between the lakes  Band-e Haibat is the biggest and the deepest of the six, with an average depth of approximately 150 metres, as estimated by the Provincial Reconstruction Team diving team from New Zealand  Another comparable lake is Band-e Azhdahar (The Dragon), located a few kilometres southeast of the town of Bamyan, which has also been created as a result of carbon dioxide rich water oozing out of the faults underground and depositing calcium carbonate precipitate to form the travertine walls of Band-e Amir 

Climate
High in the Hindu Kush at approximately 2,900 metres (9,500 ft) above sea level, the national park has a subarctic climate (Dsc) closely bordering on a warm-summer humid continental climate (Dsb)  The climate is extremely severe and the lakes freezing over in winter 

Current status
After the formal establishment of the park in 2009, a park office with a park warden and a group of rangers was installed to manage the conservation and protection of park natural resources  Wildlife Conservation Society (WCS) is the only non-government organization with an office in the park  WCS supports park staff and works with the local community to promote conservation and sustainable use of natural resources  Ecotourism is expected to decrease local economic dependency on the park's natural resources  Tourists visit Band-e-Amir primarily in the summer months when the weather is warm  A poor local economy and limited outside investment have hampered efforts to attract winter tourism 
The local people in Band-e-Amir National Park rely heavily on the park's natural resources for their livelihood  Grazing of livestock, collection of shrubs for fuel and winter fodder and rain-fed farming is still widely practiced within the park boundary  Although the illegal hunting of birds and a few mammals living in the park is formally prohibited by the park office, there is no current data to evaluate the status of wildlife and biodiversity 

Important Bird Area
A 41,000 ha tract overlapping the national park has been designated an Important Bird Area (IBA) by BirdLife International because it supports populations of Himalayan snowcocks, Hume's larks, white-winged snowfinches, Afghan snowfinches and Eurasian crimson-winged finches 

See also
List of dams and reservoirs in Afghanistan
Natural areas of Afghanistan
Wakhan National Park
Nuristan National Park
Passage 2:
Qasim Oryakhail
Qasim Oryakhail (born 10 January 1992) is an Afghan cricketer  He made his Twenty20 debut for Band-e-Amir Dragons in the 2017 Shpageeza Cricket League on 12 September 2017  He made his first-class debut for Speen Ghar Region in the 2017–18 Ahmad Shah Abdali 4-day Tournament on 20 October 2017  He made his List A debut for Kabul Region in the 2018 Ghazi Amanullah Khan Regional One Day Tournament on 15 July 2018 
Passage 3:
Samim Sultani
Samim Sultani is an Afghan cricketer  He made his Twenty20 debut for Band-e-Amir Dragons in the 2017 Shpageeza Cricket League on 14 September 2017 
Passage 4:
Fitratullah Khawari
Fitratullah Khawari (born 29 January 1997) is an Afghan cricketer  He made his List A debut for Mis Ainak Region in the 2017 Ghazi Amanullah Khan Regional One Day Tournament on 10 August 2017  He made his Twenty20 debut for Band-e-Amir Dragons in the 2017 Shpageeza Cricket League on 18 September 2017  He made his first-class debut for Speen Ghar Region in the 2017–18 Ahmad Shah Abdali 4-day Tournament on 20 October 2017 In September 2018, he was named in Kabul's squad in the first edition of the Afghanistan Premier League tournament 
Passage 5:
Ikram Faizi
Ikram Alikhil (Pashto: اکرام فيضي عليخېل; born 29 September 2000) is an Afghan cricketer  He made his international debut for the Afghanistan cricket team in March 2019 

Domestic and U19 career
He made his Twenty20 debut for Band-e-Amir Dragons in the 2017 Shpageeza Cricket League on 14 September 2017  Prior to his T20 debut, he was part of Afghanistan's squad for the 2016 Under-19 Cricket World Cup  He also scored an unbeaten century in the final of the 2017 ACC Under-19 Asia Cup and helped Afghanistan to win their maiden ACC Under-19 Cup title In December 2017, he was named in Afghanistan's squad for the 2018 Under-19 Cricket World Cup He made his first-class debut for Speen Ghar Region in the 2018 Ahmad Shah Abdali 4-day Tournament on 1 March 2018  He made his List A debut for Speen Ghar Region in the 2018 Ghazi Amanullah Khan Regional One Day Tournament on 10 July 2018 In September 2018, he was named in Balkh's squad in the first edition of the Afghanistan Premier League tournament 

International career
In December 2018, he was named in Afghanistan's under-23 team for the 2018 ACC Emerging Teams Asia Cup In February 2019, he was named in Afghanistan's Test and One Day International (ODI) squads for their series against Ireland in India  He made his ODI debut for Afghanistan against Ireland on 2 March 2019  He made his Test debut for Afghanistan against Ireland on 15 March 2019 On 6 June 2019, he was added to Afghanistan's squad for the 2019 Cricket World Cup  He replaced Mohammad Shahzad, who was ruled out of the tournament due to a knee injury 
Passage 6:
Arif Khan (cricketer)
Arif Khan (born 5 June 2001) is an Afghan cricketer  He made his List A debut for Band-e-Amir Region in the 2017 Ghazi Amanullah Khan Regional One Day Tournament on 10 August 2017  He made his Twenty20 debut for Band-e-Amir Dragons in the 2017 Shpageeza Cricket League on 17 September 2017  He made his first-class debut for Speen Ghar Region in the 2017–18 Ahmad Shah Abdali 4-day Tournament on 7 November 2017 
Passage 7:
Muslim Musa
Muslim Musa (born 15 January 1997) is an Afghan cricketer  He made his List A debut for Amo Region in the 2017 Ghazi Amanullah Khan Regional One Day Tournament on 10 August 2017  Before his List A debut, he was part of Afghanistan's squad for the 2016 Under-19 Cricket World Cup He made his Twenty20 debut for Band-e-Amir Dragons in the 2017 Shpageeza Cricket League on 12 September 2017  He made his first-class debut for Speen Ghar Region in the 2017–18 Ahmad Shah Abdali 4-day Tournament on 20 October 2017 In September 2018, he was named in Kabul's squad in the first edition of the Afghanistan Premier League tournament 
Passage 8:
Band-e-Amir Dragons
Band-e-Amir Dragons (Pashto: بند امير ښاماران Band-e-Amīr Khāmārān / Shāmārān; Dari: بند امیر شاماران) or Band-e-Amir Region is one of eight regional first-class cricket teams in Afghanistan  In the 2017 Shpageeza team auction, the Band-e-Amir Dragons team was bought by Paragon Business Group, a Finance and investment company, and it will play as the Paragon Band-e-Amir Dragons in this competition  The Region represents the following provinces in the centre of Afghanistan: Ghazni, Bamyan, Daykundi, and Maidan Wardak  The team is named after Band-e Amir, a series of six deep blue lakes in Bamyan Province 
Band-e-Amir Region compete in the Ahmad Shah Abdali 4-day Tournament, which has had first-class status from 2017 onwards  In October 2017, they lost their opening fixture of the tournament, against Mis Ainak Region, by 262 runs They also play in the Ghazi Amanullah Khan Regional One Day Tournament, which was granted List A status from 2017  and the Afghan Shpageeza Cricket League Twenty20 competition (which has Twenty20 status from 2017) using the name Band-e-Amir Dragons 
Passage 9:
Shahidullah (cricketer)
Shahidullah (born 6 February 1999) is an Afghan cricketer  He made his List A debut for Afghanistan A against Zimbabwe A during their tour to Zimbabwe on 27 January 2017  Prior to his List A debut, he was named in Afghanistan's squad for the 2014 Under-19 Cricket World Cup  He made his international debut for the Afghanistan cricket team in March 2021 

Career
Shahidullah made his Twenty20 debut for Band-e-Amir Dragons in the 2017 Shpageeza Cricket League on 12 September 2017  He made his first-class debut for Mis Ainak Region in the 2017–18 Ahmad Shah Abdali 4-day Tournament on 19 November 2017  He was the leading run-scorer for Mis Ainak Region in the 2018 Ahmad Shah Abdali 4-day Tournament, with 663 runs in eight matches In September 2018, Shahidullah was named in Kabul's squad in the first edition of the Afghanistan Premier League tournament  In December 2018, he was named in Afghanistan's under-23 team for the 2018 ACC Emerging Teams Asia Cup In August 2019, Shahidullah was named in Afghanistan's Twenty20 International (T20I) squad for the 2019–20 Bangladesh Tri-Nation Series  In November 2019, he was named in Afghanistan's squad for the 2019 ACC Emerging Teams Asia Cup in Bangladesh  In February 2021, he was named in Afghanistan's Test squad for their series against Zimbabwe  He made his Test debut for Afghanistan, against Zimbabwe, on 10 March 2021 In July 2021, Shahidullah was named in Afghanistan's One Day International (ODI) squad for their series against Pakistan  In January 2022, he was named in Afghanistan's ODI squad for their series against the Netherlands in Qatar  He made his ODI debut on 21 January 2022, for Afghanistan against the Netherlands 
Passage 10:
Javeed Khan
Javeed Khan is an Afghan cricketer  He made his Twenty20 debut for Band-e-Amir Dragons in the 2017 Shpageeza Cricket League on 21 September 2017 



ground_truth: Bob Dylan

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Band-e-Amir Dragons is named after the lakes in which Afghan national park?

The following are given passages.
Context 4:  According to Clayton B Fraser who conducted Missouri's 1992 Historic Bridge Inventory, the Miami Bridge was eligible for the National Register of Historic Places as an "outstanding, large-scale example of steel truss construction, located on important great river crossing " Despite its historic significance, Missouri Department of Transportation decided against rehabilitating the bridge and instead has decided to demolish the bridge's superstructure and erect a new bridge using the piers and abutment of the old bridge  The project will begin with the bridge's closure, scheduled for October 5, 2009 

See also
List of crossings of the Missouri River
Passage 7:
Monocacy River bridge and viaduct
The Monocacy River Railroad Bridge and Viaduct is a 326-foot (99 m) open deck steel girder bridge with two main spans crossing the river and two viaduct sections crossing the floodplain, south of Walkersville, Maryland  Originally constructed by the Frederick and Pennsylvania Line Railroad Company (F&PL)  Construction began in late 1871, and continued until July 1872 when the railroad opened that year  It was rebuilt by the Pennsylvania Railroad prior first in 1900-1905 as an open deck riveted iron plate under girder bridge  In 1915, the bridge was surveyed as part of the Interstate Commerce Commission's ("ICC") effort to establish freight rates for the Parent railroad  In 1927, the Pennsylvania Railroad rebuilt the bridge again using deeper and thicker steel girders, but leaving the masonry piers intact  In 1972, the two 85 foot river spans were washed out by Hurricane Agnes  In 1982, the State of Maryland purchased the bridge as part of the railroad line  In 1995, the State rebuilt the river spans and Pier 3 which is located in the middle of the river crossing was completely reconstructed using concrete to replace the original masonry foundations   In 2015, the State performed minor maintenance on the structure and painted some spans   
As of 2016, the bridge is in active rail service, operated by the Walkersville Southern RR 

History
Construction
Bollman Iron Bridge
The original bridge was a "Bollman suspension truss"  The Monocacy river bridge and viaduct structures were a mixture of wrought iron tension members and cast iron compression members, including other decorative elements, such as Doric styled vertical members and end towers, all cast iron and detailed  In 1872, Bollman's firm, Patapsco Bridge and Iron Works completed the bridge and viaducts with a total length of 326 feet 

Pennsylvania Railroad Rebuilds
The ICC survey work papers  indicate two rebuilds were performed on the Monocacy bridge after the 1872 construction but prior to the 1915 inspection:

The Bollman iron truss bridge of unknown span lengths for the Monocacy crossing was replaced by the Pennsylvania railroad in 1900 as part of a major rebuild of the bridge which included the abutments In 1900, Pennsylvania replaced the river trusses with a steel under girder, open deck bridge of four spans  At that time, the abutment and pier masonry was augmented  Five years later in 1905, the Pennsylvania railroad replaced the remaining two spans that were erected by Bollman in 1872 
Later in 1927, Pennsylvania rebuilt the entire bridge using steel plate girders of half-inch thickness and measuring 85 inches in depth 
No later rebuild by PRR was made after 1927 and prior to 1982 when the bridge was conveyed to the State of Maryland  

United States Railway Administration (USRA) Rebuild
No known USRA rebuild scope has been identified for this bridge 

State Railroad Administration (SRA 1995 - )
Subsequent to the conveyance of the railroad from Conrail to the State of Maryland in 1982, State Railroad Administration or (SRA,1978-92), developed a Maryland State Rail Plan  
The SRA rebuilt the two 85 foot spans over the river that were damaged by Hurricane Agnes in 1972, as well as Pier 3 which was in the river in 1995   Currently, the Department of Transportation, Maryland Transit Administration (MTA), (2001-) owns and maintains the bridge  In 2015, MTA performed additional maintenance on the spans and painted two of the four spans as well 

Notes
Passage 8:
Port Mann Bridge
The Port Mann Bridge is a 10-lane cable-stayed bridge, 100 km/hr speed limit, in British Columbia, Canada that opened to traffic in 2012  It carries 10 lanes of traffic with space reserved for a light rail line The cable-stayed bridge replaced a steel arch bridge that spanned the Fraser River, connecting Coquitlam to Surrey in British Columbia in the Vancouver metro area  After its successor was opened to traffic, the old bridge was demolished by reverse construction, a process which took three years to complete 

History
The original Port Mann Bridge opened on June 12, 1964  It was named after the community of Port Mann, through which the south end of the bridge passed  The old bridge consisted of three spans with an orthotropic deck carrying five lanes (originally four lanes) of Trans-Canada Highway traffic, with approach spans of three steel plate girders and concrete deck  The total length of the arch bridge was 2,093 m (6,867 ft), including approach spans  The main span was 366 m (1,201 ft), plus the two 110 m (360 ft) spans on either side  Volume on the old bridge was 127,000 trips per day  Approximately 8 percent of the traffic on the Port Mann bridge was truck traffic   The old bridge was the longest arch bridge in Canada and third-longest in the world at the time of its inauguration 
At the time of construction, it was the most expensive piece of highway in Canada  The first "civilian" to drive across the bridge was CKNW reporter Marke Raines  He was not authorized to cross, so he drove quickly In 2001 an eastbound HOV lane was added by moving the centre divider and by cantilevering the bridge deck outwards in conjunction with a seismic upgrade 

Replacement
On January 31, 2006, the British Columbia Ministry of Transportation introduced the Gateway Program as a means to address growing congestion  The project originally envisioned twinning the Port Mann Bridge by building a second bridge adjacent to it, but the project was changed to building a 10-lane replacement bridge, planned to be the widest in the world, and demolishing the original bridge  While the old bridge was found to be in "excellent shape, it is a fracture-critical structure with a tension member that runs the full length of the bridge  If that fractures anywhere, the bridge’s structural safety can be compromised heavily   There is no built-in redundancy [in this type of bridge]  It only takes a little undetected fatigue crack to grow for 10 years and then a member eventually just snaps through one cold morning when the wrong size truck rolls over it” 

Opposition to twinning plan
A number of groups lobbied to improve public transit rather than build a new bridge  Burnaby city council, Vancouver city council, and directors of the GVRD (now Metro Vancouver) passed resolutions opposing the Port Mann / Highway 1 expansion  Opponents of the expansion included local environmental groups, urban planners, and Washington state's Sightline Institute Opponents argued that increasing highway capacity would increase greenhouse gas emissions and only relieve congestion for a few years before increased traffic congested the area again, and that expanding road capacity would encourage suburban sprawl  The Livable Region Coalition urged the Minister of Transportation,  Kevin Falcon, to consider rapid transit lines and improved bus routes instead of building the new bridge  The David Suzuki Foundation claimed the plan violated the goals of Metro Vancouver's Livable Region Strategic Plan 

Construction and cost
The Port Mann / Highway 1 project added another HOV lane and will provide cycling and pedestrian access  The multi-use pedestrian/bicycle path opened July 1, 2015  A bus service was reintroduced over the Port Mann Bridge for the first time in over 20 years  However, critics claimed that the new bridge only delayed the reintroduction of bus service on the bridge  The new bus rapid transit service is now operated in the HOV lanes along Highway 1 from Langley to Burnaby The estimated construction cost was $2 46 billion, including the cost of the Highway 1 upgrade, a total of 37 kilometres (23 mi)  Of this, the bridge itself comprised roughly a third ($820 million)   The total cost, including operation and maintenance, was expected to be $3 3 billion  Now that the new bridge is completed, the existing bridge, which was more than 45 years old, has been taken down The project was intended to be funded by using a public-private partnership, and Connect B C  Development Group was chosen as the preferred developer  The Connect B C  Group included the Macquarie Group, Transtoll Inc , Peter Kiewit Sons Co , and Flatiron Constructors  Although a memorandum of understanding had been signed by the province, final terms could not be agreed upon  As a consequence, the province decided to fund the entire cost of replacement On September 18, 2012, the new Port Mann Bridge opened to eastbound traffic  At 65 metres (213 ft) wide, it was the world's widest long-span bridge, according to the Guinness World Records, overtaking the world-famous Sydney Harbour Bridge, which, at 49 metres (161 ft), held the record since 1932  The Port Mann Bridge was overtaken by the San Francisco–Oakland Bay Bridge in 2013 

Dismantling of original bridge
Work to dismantle the old Port Mann Bridge began in December 2012  Crews removed sections of the bridge piece by piece in opposite order in which they were originally constructed, starting with the road deck, followed by the bridge approach's girders, and concluding with the steel arch  It was fully removed by October 21, 2015 

New bridge
The new bridge is 2 02 kilometres (1 26 mi) long, up to 65 metres (213 ft) wide, carries 10 lanes of traffic, and has a 42 metres (138 ft) clearance above the river's high water level (the same length and clearance as the old bridge)  The towers are approximately 75 metres (246 ft) tall above deck level, with the total height approximately 163 metres (535 ft) from top of footing  The main span (between the towers) is 470 metres (1,540 ft) long, the second longest cable-stayed span in the western hemisphere  The main bridge (between the end of the cables) has a length of 850 metres (2,790 ft) with two towers and 288 cables  The new bridge was built to accommodate the future installation of light rapid transit 

Issues
On February 10, 2012, during construction of the replacement bridge, an overhead gantry crane collapsed, causing a 90-tonne concrete box-girder segment to drop into the water below  While no one was injured, the accident delayed subsequent construction  WorkSafeBC inspectors evaluated the safety practices on the construction site 
On December 19, 2012, cold weather caused ice to accumulate on the supporting cables, periodically dropping to the car deck below, dubbed "ice bombs"  ICBC, the vehicle insurance entity in British Columbia, reported 60 separate claims of ice damage during the incident  In addition, one driver required an ambulance due to injuries  The RCMP closed the bridge between 1:30 p m  and 6 p m  while engineers investigated  The Government installed collars on the cables that are manually released when conditions for ice accumulation are expected  They are installed on the tops of the cables on the towers and are released, falling down the cables by gravity to remove any snow build up During December 2016, "slush bombs" affected the bridge again though the BC Government stated that these weren't as severe as the 2012 "ice bombs " During December, the bridge was closed due to the threat of falling snow off of the cables and possible icy conditions 

Tolling (2012–2017)
In order to recover construction and operating costs, the bridge was electronically tolled when originally built  The toll rates increased to $1 60 for motorcycle, $3 15 for cars, $6 30 for small trucks and $9 45 for large trucks on August 15, 2015   Through increased prices and greater traffic, Transportation Investment Corporation (TI Corp), the public Crown corporation responsible for toll operations on the Port Mann Bridge, forecast its revenue would grow by 85% between fiscal years 2014 and 2017  These fees were assessed using radio-frequency identification (RFID) decals or licence plate photos  A B C  licensed driver who owes more than $25 in tolls outstanding 90 days is penalized $20 and is unable to purchase vehicle insurance or renew drivers permits without payment of the debt  Out-of-province drivers were also contacted for payment by a US-based contractor  A licence plate processing fee of $2 30 per trip was added to the toll rate for unregistered users who did not pay their toll within seven days of their passage  Monthly passes, which allowed unlimited crossing on the bridge, were available for purchase  Users may have set up an account for online payment of tolls  Users who opted for this method received a decal with an embedded RFID to place on their vehicle's windshield or headlight and avoid paying a processing fee  Tolls were expected to be removed by the year of 2050 or after collecting $3 3 billion  As announced by B C  Premier John Horgan in August 2017, all tolls on the Port Mann Bridge were removed on September 1, 2017   Debt service was transferred to the province of British Columbia at a cost of $135 million per year 

Traffic volumes
Monthly mean weekday traffic
As of January 2019

Total monthly traffic (in millions)
As of January 2019

See also

List of crossings of the Fraser River
List of bridges in Canada
Tallest structures in Canada
Passage 9:
Columbia River Bridge (Bridgeport, Washington)
The Columbia River Bridge, also known as the Bridgeport Bridge, at Bridgeport, Washington, was built to span the Columbia River in 1950  Composed of three spans, the bridge is a steel continuous riveted deck truss carrying Washington State Route 17 on a 26-foot-wide (7 9 m) roadway and two 3-foot (0 91 m) sidewalks  The center portion of the bridge spans 300 feet (91 m), flanked by 250-foot (76 m) end spans  The 70-foot (21 m) north approach span and the 100-foot (30 m) south approach span are supported by steel plate girders  The bridge played a significant role in the construction of the Chief Joseph Dam just upstream, as no bridge crossing had previously existed in the area  Construction on the dam started in 1945 and was completed, apart from the powerplant, in 1955  The bridge was designed and built by the U S  Army Corps of Engineers as part of the Chief Joseph Dam project, and is significant for its association with the project and as a major crossing of the Columbia The bridge was placed on the National Register of Historic Places on May 31, 1995 

See also
List of bridges documented by the Historic American Engineering Record in Washington (state)
Passage 10:
Maiden Lane Bridge
The Maiden Lane Bridge was a railroad bridge across the Hudson River between the city of Albany and Rensselaer County, New York  It was designed by Kellogg, Clark & Co , and was one of the largest bridges they designed  The bridge was owned and built by the Hudson River Bridge Company, which was owned jointly by the New York Central and Hudson River Railroad Company which owned 3/4, and the Boston and Albany Railroad Company which owned 1/4  The Maiden Lane Bridge was often referred to as the "South Bridge", while the Livingston Avenue Bridge was referred to as the "North Bridge"  The Livingston Ave  Bridge was used for freight (and through-traffic passenger trains) while passenger trains used the Maiden Lane Bridge for access to Union Station, which was completed less than 10 months later  The state of New York authorized construction on May 10, 1869, construction began in May 1870, and the first train crossed on December 28, 1871  The bridge consisted of four 185 5-foot (56 5 m) long fixed spans, one 274-foot (84 m) long draw span, seven 73-foot (22 m) long spans over the Albany Basin, one 110-foot (34 m) long span over Quay Street, and one 63-foot (19 m) long span over Maiden Lane  All the spans except the one over Maiden Lane were double tracked, through, and pin connected; the span over Maiden Lane was also double tracked, but was a deck and plate girder span  A reconstruction of the bridge, except for the draw span, was done in 1899 by Pencoyd Bridge Company and finished by January 3, 1900  The bridge lasted until the 1960s, when the Albany–Rensselaer Amtrak station was built on the east side of the Hudson in the city of Rensselaer and Interstate 787 was built along the west side in Albany, thereby eliminating the need of the bridge 

See also
History of Albany, New York
Downtown Albany Historic District
List of fixed crossings of the Hudson River



ground_truth: Band-e Amir National Park