prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Havelock Ellis and Arnold Bennett were both what?

The following are given passages.
Context 1: Passage 1:
Arnold Bennett
Enoch Arnold Bennett (27 May 1867 – 27 March 1931) was an English author, best known as a novelist who wrote prolifically  Between the 1890s and the 1930s he completed 34 novels, seven volumes of short stories, 13 plays (some in collaboration with other writers), and a daily journal totalling more than a million words  He wrote articles and stories for more than 100 newspapers and periodicals, worked in and briefly ran the Ministry of Information in the First World War, and wrote for the cinema in the 1920s  Sales of his books were substantial and he was the most financially successful British author of his day 
Born into a modest but upwardly mobile family in Hanley, in the Staffordshire Potteries, Bennett was intended by his father, a solicitor, to follow him into the legal profession  Bennett worked for his father, before moving to another law firm in London as a clerk, aged 21  He became assistant editor and then editor of a women's magazine, before becoming a full-time author in 1900  Always a devotee of French culture in general and French literature in particular, he moved to Paris in 1903; there the relaxed milieu helped him overcome his intense shyness, particularly with women  He spent ten years in France, marrying a Frenchwoman in 1907  In 1912 he moved back to England  He and his wife separated in 1921 and he spent the last years of his life with a new partner, an English actress  He died in 1931 of typhoid fever, having unwisely drunk tap-water in France 
Many of Bennett's novels and short stories are set in a fictionalised version of the Staffordshire Potteries, which he called The Five Towns  He strongly believed that literature should be accessible to ordinary people, and he deplored literary cliques and élites  His books appealed to a wide public and sold in large numbers  For this reason, and for his adherence to realism, writers and supporters of the modernist school, notably Virginia Woolf, belittled him, and his fiction became neglected after his death  During his lifetime his journalistic "self-help" books sold in substantial numbers, and he was also a playwright; he did less well in the theatre than with novels, but achieved two considerable successes with Milestones (1912) and The Great Adventure (1913) 
Studies by Margaret Drabble (1974), John Carey (1992) and others have led to a re-evaluation of Bennett's work  His finest novels, including Anna of the Five Towns (1902), The Old Wives' Tale (1908), Clayhanger (1910) and Riceyman Steps (1923), are now widely recognised as major works 

Life and career
Early years
Arnold Bennett was born on 27 May 1867 in Hanley, Staffordshire, now part of Stoke-on-Trent but then a separate town  He was the eldest child of the three sons and three daughters of Enoch Bennett (1843–1902) and his wife Sarah Ann, née Longson (1840–1914)  Enoch Bennett's early career had been one of mixed fortunes: after an unsuccessful attempt to run a business making and selling pottery, he set up as a draper and pawnbroker in 1866  Four years later Enoch's father died, leaving him some money with which he articled himself to a local law firm; in 1876 he qualified as a solicitor  The Bennetts were staunch Wesleyans, musical, cultured and sociable  Enoch Bennett had an authoritarian side, but it was a happy household, although a mobile one: as Enoch's success as a solicitor increased, the family moved, within the space of five years in the late 1870s and early 1880s, to four different houses in Hanley and the neighbouring Burslem From 1877 to 1882, Bennett's schooling was at the Wedgwood Institute, Burslem, followed by a year at a grammar school in Newcastle-under-Lyme  He was good at Latin and better at French; he had an inspirational headmaster who gave him a love for French literature and the French language that lasted all his life  He did well academically and passed Cambridge University examinations that could have led to an Oxbridge education, but his father had other plans  In 1883, aged 16, Bennett left school and began work – unpaid – in his father's office  He divided his time between uncongenial jobs, such as rent collecting, during the day, and studying for examinations in the evening  He began writing in a modest way, contributing light pieces to the local newspaper  He became adept in Pitman's shorthand, a skill much sought after in commercial offices, and on the strength of that he secured a post as a clerk at a firm of solicitors in Lincoln's Inn Fields, London  In March 1889, aged 21, he left for London and never returned to live in his native county 

First years in London
In the solicitors' office in London, Bennett became friendly with a young colleague, John Eland, who had a passion for books  Eland's friendship helped alleviate Bennett's innate shyness, which was exacerbated by a lifelong stammer  Together they explored the world of literature  Among the writers who impressed and influenced Bennett were George Moore, Émile Zola, Honoré de Balzac, Guy de Maupassant, Gustave Flaubert and Ivan Turgenev  He continued his own writing, and won a prize of twenty guineas from Tit-Bits in 1893 for his story 'The Artist's Model'; another short story, 'A Letter Home', was submitted successfully to The Yellow Book, where it featured in 1895 alongside contributions from Henry James and other well-known writers In 1894 Bennett resigned from the law firm and became assistant editor of the magazine Woman  The salary, £150 a year, was £50 less than he was earning as a clerk, but the post left him much more free time to write his first novel  For the magazine he wrote under a range of female pen-names such as "Barbara" and "Cecile"  As his biographer Margaret Drabble puts it:

The informal office life of the magazine suited Bennett, not least because it brought him into lively female company, and he began to be a little more relaxed with young women  He continued work on his novel and wrote short stories and articles  He was modest about his literary talent: he wrote to a friend, "I have no inward assurance that I could ever do anything more than mediocre viewed strictly as art – very mediocre", but he knew he could "turn out things which would be read with zest, & about which the man in the street would say to friends 'Have you read so & so in the What-is-it?'" He was happy to write for popular journals like Hearth and Home or for the highbrow The Academy His debut novel, A Man from the North, completed in 1896, was published two years later, by John Lane, whose reader, John Buchan, recommended it for publication  It elicited a letter of praise from Joseph Conrad and was well and widely reviewed, but Bennett's profits from the sale of the book were less than the cost of having it typed In 1896 Bennett was promoted to be editor of Woman; by then he had set his sights on a career as a full-time author, but he served as editor for four years  During that time he wrote two popular books, described by the critic John Lucas as "pot-boilers": Journalism for Women (1898) and Polite Farces for the Drawing Room (1899)  He also began work on a second novel, Anna of the Five Towns, the five towns being Bennett's lightly fictionalised version of the Staffordshire Potteries, where he grew up 

Freelance; Paris
In 1900 Bennett resigned his post at Woman, and left London to set up house at Trinity Hall Farm, near the village of Hockliffe in Bedfordshire, where he made a home not only for himself but for his parents and younger sister  He completed Anna of the Five Towns in 1901; it was published the following year, as was its successor, The Grand Babylon Hotel  The latter, an extravagant story of crime in high society, sold 50,000 copies in hardback and was almost immediately translated into four languages  By this stage he was confident enough in his abilities to tell a friend:

In January 1902 Enoch Bennett died, after a decline into dementia  His widow chose to move back to Burslem, and Bennett's sister married shortly afterwards  With no dependants, Bennett − always a devotee of French culture − decided to move to Paris; he took up residence there in March 1903  Biographers have speculated on his precise reasons for doing so   Drabble suggests that perhaps "he was hoping for some kind of liberation  He was thirty-five and unmarried"; Lucas writes that it was almost certainly Bennett's desire to be recognised as a serious artist that prompted his move; according to his friend and colleague Frank Swinnerton, Bennett was following in the footsteps of George Moore by going to live in "the home of modern realism"; in the view of the biographer Reginald Pound it was "to begin his career as a man of the world"  The 9th arrondissement of Paris was Bennett's home for the next five years, first in the rue de Calais, near the Place Pigalle, and then the more upmarket rue d'Aumale Life in Paris evidently helped Bennett overcome much of his remaining shyness with women  His journals for his early months in Paris mention a young woman identified as "C" or "Chichi", who was a chorus girl; the journals – or at least the cautiously selected extracts published since his death – do not record the precise nature of the relationship, but the two spent a considerable amount of time together In a restaurant where he dined frequently a trivial incident in 1903 gave Bennett the germ of an idea for the novel generally regarded as his masterpiece  A grotesque old woman came in and caused a fuss; the beautiful young waitress laughed at her, and Bennett was struck by the thought that the old woman had once been as young and lovely as the waitress  From this grew the story of two contrasting sisters in The Old Wives' Tale  He did not begin work on that novel until 1907, before which he wrote ten others, some "sadly undistinguished", in the view of his biographer Kenneth Young  Throughout his career, Bennett interspersed his best novels with some that his biographers and others have labelled pot-boilers 

Marriage; Fontainebleau and US visit
In 1905 Bennett became engaged to Eleanor Green, a member of an eccentric and capricious American family living in Paris, but at the last moment, after the wedding invitations had been sent out, she broke off the engagement and almost immediately married a fellow American  Drabble comments that Bennett was well rid of her, but it was a painful episode in his life  In early 1907 he met Marguerite Soulié (1874–1960), who soon became first a friend and then a lover  In May he was taken ill with a severe gastric complaint, and Marguerite moved into his flat to look after him  They became still closer, and in July 1907, shortly after his fortieth birthday, they were married at the Mairie of the 9th arrondissement  The marriage was childless  Early in 1908 the couple moved from the rue d'Aumale to the Villa des Néfliers in Fontainebleau-Avon, about 40 miles (64 km) south-east of Paris Lucas comments that the best of the novels written while in France – Whom God Hath Joined (1906), The Old Wives' Tale (1908), and Clayhanger (1910) – "justly established Bennett as a major exponent of realistic fiction"  In addition to these, Bennett published lighter novels such as The Card (1911)  His output of literary journalism included articles for T  P  O'Connor's T  P 's Weekly and the left-wing The New Age; his pieces for the latter, published under a pen-name, were concise literary essays aimed at "the general cultivated reader", a form taken up by a later generation of writers including J  B  Priestley and V  S  Pritchett In 1911 Bennett made a financially rewarding visit to the US, which he later recorded in his 1912 book Those United States  Crossing the Atlantic aboard the Lusitania, he visited not only New York and Boston but also Chicago, Indianapolis, Washington and Philadelphia in a tour that was described by US publisher George Doran as "one of continuous triumph": in the first three days of his stay in New York he was interviewed 26 times by journalists  While rival E P  Dutton had secured rights to such Bennett novels as Hilda Lessways and the Card (retitled Denry the Audacious), Doran, who travelled everywhere with Bennett while in America, was the publisher of Bennett’s wildly successful ‘pocket philosophies’ How to Live on Twenty-Four Hours a Day and Mental Efficiency  Of these books the influential critic Willard Huntington Wright wrote that Bennett had "turned preacher and a jolly good preacher he is"  While in the US Bennett also sold the serial rights of his forthcoming novel, The Price of Love (1913–14), to Harpers for £2,000, eight essays to Metropolitan magazine for a total of  £1,200, and the American rights of a successor to Clayhanger for £3,000 During his ten years in France he had gone from a moderately well-known writer enjoying modest sales to outstanding success  Swinnerton comments that in addition to his large sales, Bennett's critical prestige was at its zenith 

Return to England
In 1912, after an extended stay at the Hotel Californie in Cannes, during which time he wrote The Regent, a light-hearted sequel to The Card, Bennett and his wife moved from France to England  Initially they lived in Putney, but "determined to become an English country landowner", he bought Comarques, an early-18th-century country house at Thorpe-le-Soken, Essex, and moved there in February 1913  Among his early concerns, once back in England, was to succeed as a playwright  He had dabbled previously but his inexperience showed  The Times thought his 1911 comedy The Honeymoon, staged in the West End with a starry cast, had "one of the most amusing first acts we have ever seen", but fell flat in the other two acts  In the same year Bennett met the playwright Edward Knoblauch (later Knoblock) and they collaborated on Milestones, the story of the generations of a family seen in 1860, 1885 and 1912  The combination of Bennett's narrative gift and Knoblauch's practical experience proved a success  The play was strongly cast, received highly favourable notices, ran for more than 600 performances in London and over 200 in New York, and made Bennett a great deal of money  His next play, The Great Adventure (1913), a stage version of his novel Buried Alive (1908), was similarly successful Bennett's attitude to the First World War was that British politicians had been at fault in failing to prevent it, but that once it had become inevitable it was right that Britain should join its allies against the Germans  He concentrated his attention on journalism, aiming to inform and encourage the public in Britain and allied and neutral countries  He served on official and unofficial committees, and in 1915 he was invited to visit France to see conditions at the front and write about them for readers at home  The collected impressions appeared in a book called Over There (1915)  He was still writing novels, however: These Twain, the third in his Clayhanger trilogy, was published in 1916 and in 1917 he completed a sequel, The Roll Call, which ends with its hero, George Cannon, enlisting in the army  Wartime London was the setting for Bennett's The Pretty Lady (1918), about a high-class French cocotte: although well reviewed, because of its subject-matter the novel provoked "a Hades of a row" and some booksellers refused to sell it When Lord Beaverbrook became Minister of Information in February 1918 he appointed Bennett to take charge of propaganda in France  Beaverbrook fell ill in October 1918 and made Bennett director of propaganda, in charge of the whole ministry for the last weeks of the war  At the end of 1918 Bennett was offered, but declined, a knighthood in the new Order of the British Empire instituted by George V  The offer was renewed some time later, and again Bennett refused it  One of his closest associates at the time suspected that he was privately hoping for the more prestigious Order of Merit As the war was ending, Bennett returned to his theatrical interests, although not primarily as a playwright  In November 1918 he became chairman, with Nigel Playfair as managing director, of the Lyric Theatre, Hammersmith  Among their productions were Abraham Lincoln by John Drinkwater, and The Beggar's Opera, which, in Swinnerton's phrase, "caught different moods of the post-war spirit", and ran for 466 and 1,463 performances respectively 

Last years
In 1921 Bennett and his wife legally separated  They had been drifting apart for some years and Marguerite had taken up with Pierre Legros, a young French lecturer  Bennett sold Comarques and lived in London for the rest of his life, first in a flat near Bond Street in the West End, on which he had taken a lease during the war  For much of the 1920s he was widely known to be the highest-paid literary journalist in England, contributing a weekly column to Beaverbrook's Evening Standard under the title 'Books and Persons'; according to Frank Swinnerton these articles were "extraordinarily successful and influential     and made a number of new reputations"  By the end of his career, Bennett had contributed to more than 100 newspapers, magazines and other publications  He continued to write novels and plays as assiduously as before the war Swinnerton writes, "Endless social engagements; inexhaustible patronage of musicians, actors, poets, and painters; the maximum of benevolence to friends and strangers alike, marked the last ten years of his life"  Hugh Walpole, James Agate and Osbert Sitwell were among those who testified to Bennett's generosity  Sitwell recalled a letter Bennett wrote in the 1920s:

In 1922 Bennett met and fell in love with an actress, Dorothy Cheston (1891–1977)  Together they set up home in Cadogan Square, where they stayed until moving in 1930 to Chiltern Court, Baker Street  As Marguerite would not agree to a divorce, Bennett was unable to marry Dorothy, and in September 1928, having become pregnant, she changed her name by deed poll to Dorothy Cheston Bennett  The following April she gave birth to the couple's only child, Virginia Mary (1929–2003)  She continued to appear as an actress, and produced and starred in a revival of Milestones which was well reviewed, but had only a moderate run  Bennett had mixed feelings about her continuing stage career, but did not seek to stop it During a holiday in France with Dorothy in January 1931, Bennett twice drank tap-water – not, at the time, a safe thing to do there  On his return home he was taken ill; influenza was diagnosed at first, but the illness was typhoid fever; after several weeks of unsuccessful treatment he died in his flat at Chiltern Court on 27 March 1931, aged 63 Bennett was cremated at Golders Green Crematorium and his ashes were interred in Burslem Cemetery in his mother's grave  A memorial service was held on 31 March 1931 at St Clement Danes, London, attended by leading figures from journalism, literature, music, politics and theatre, and, in Pound's words, many men and women who at the end of the service "walked out into a London that for them would never be the same again" 

Works
From the outset, Bennett believed in the "democratisation of art which it is surely the duty of the minority to undertake"  He admired some of the modernist writers of his time, but strongly disapproved of their conscious appeal to a small élite and their disdain for the general reader  Bennett believed that literature should be inclusive, accessible by ordinary people From the start of his career, Bennett was aware of the appeal of regional fiction  Anthony Trollope, George Eliot and Thomas Hardy had created and sustained their own locales, and Bennett did the same with his Five Towns, drawing on his experiences as a boy and young man  As a realistic writer he followed the examples of the authors he admired – above all George Moore, but also Balzac, Flaubert and Maupassant among French writers, and Dostoevsky, Turgenev and Tolstoy among Russians  In writing about the Five Towns Bennett aimed to portray the experiences of ordinary people coping with the norms and constraints of the communities in which they lived  J  B  Priestley considered that the next influence on Bennett's fiction was his time in London in the 1890s, "engaged in journalism and ingenious pot-boiling of various kinds" 

Novels and short stories
Bennett is remembered chiefly for his novels and short stories  The best known are set in, or feature people from, the six towns of the Potteries of his youth  He presented the region as "the Five Towns", which correspond closely with their originals: the real-life Burslem, Hanley, Longton, Stoke and Tunstall become Bennett's Bursley, Hanbridge, Longshaw, Knype and Turnhill  These "Five Towns" make their first appearance in Bennett's fiction in Anna of the Five Towns (1902) and are the setting for further novels including Leonora (1903), Whom God Hath Joined (1906), The Old Wives' Tale (1908) and the Clayhanger trilogy – Clayhanger (1910), Hilda Lessways (1911) and These Twain (1916) – as well as for dozens of short stories  Bennett's fiction portrays the Five Towns with what The Oxford Companion to English Literature calls "an ironic but affectionate detachment, describing provincial life and culture in documentary detail, and creating many memorable characters"  In later life Bennett said that the writer George Moore was "the father of all my Five Towns books" as it was reading Moore's 1885 novel A Mummer's Wife, set in the Potteries, that "opened my eyes to the romantic nature of the district I had blindly inhabited for over twenty years" It was not only locations on which Bennett drew for his fiction  Many of his characters are discernibly based on real people in his life  His Lincoln's Inn friend John Eland was a source for Mr Aked in Bennett's first novel, A Man from the North (1898); A Great Man (1903) contains a character with echoes of his Parisienne friend Chichi; Darius Clayhanger's early life is based on that of a family friend and Bennett himself is seen in Edwin in Clayhanger  He has been criticised for making literary use in that novel of the distressing details of his father's decline into senility, but in Pound's view, in committing the details to paper Bennett was unburdening himself of painful memories These Twain is Bennett's "last extended study of Five Towns life"  The novels he wrote in the 1920s are largely set in London and thereabouts: Riceyman Steps (1923), for instance, generally regarded as the best of Bennett's post-war novels, was set in Clerkenwell: it was awarded the James Tait Black novel prize for 1923, "the first prize for a book I ever had," Bennett noted in his journal on 18 October 1924  His Lord Raingo (1926), described by Dudley Barker as "one of the finest of political novels in the language", benefited from Bennett's own experience in the Ministry of Information and his subsequent friendship with Beaverbrook: John Lucas states that "As a study of what goes on in the corridors of power [Lord Raingo] has few equals"  And Bennett's final – and longest – novel, Imperial Palace (1930), is set in a grand London hotel reminiscent of the Savoy, whose directors assisted him in his preliminary research Bennett usually gave his novels subtitles; the most frequent was "A fantasia on modern themes", individual books were called "A frolic" or "A melodrama", but he was sparing with the label "A novel" which he used for only a few of his books – for instance Anna of the Five Towns, Leonora, Sacred and Profane Love, The Old Wives' Tale, The Pretty Lady (1918) and Riceyman Steps  Literary critics have followed Bennett in dividing his novels into groups  The literary scholar Kurt Koenigsberger proposes three categories  In the first are the long narratives – "freestanding, monumental artefacts" – Anna of the Five Towns, The Old Wives' Tale, Clayhanger and Riceyman Steps, which "have been held in high critical regard since their publication"  Koenigsberger writes that the "Fantasias" such as The Grand Babylon Hotel (1902), Teresa of Watling Street (1904) and The City of Pleasure (1907), have "mostly passed from public attention along with the 'modern' conditions they exploit"  His third group includes "Idyllic Diversions" or "Stories of Adventure", including Helen with the High Hand (1910), The Card (1911), and The Regent (1913), which "have sustained some enduring critical and popular interest, not least for their amusing treatment of cosmopolitanism and provinciality" Bennett published 96 short stories in seven volumes between 1905 and 1931  His ambivalence about his native town is vividly seen in "The Death of Simon Fuge" in the collection The Grim Smile of the Five Towns (1907), judged by Lucas the finest of all the stories  His chosen locations ranged widely, including Paris and Venice as well as London and the Five Towns  As with his novels, he would sometimes give a story a label, calling "The Matador of the Five Towns" (1912) "a tragedy" and "Jock-at-a-Venture" from the same collection "a frolic"  The short stories, particularly those in Tales of the Five Towns (1905), The Grim Smile of the Five Towns (1907), and The Matador of the Five Towns contain some of the most striking examples of Bennett's concern for realism, with an unflinching narrative focus on what Lucas calls "the drab, the squalid, and the mundane"  In 2010 and 2011 two further volumes of Bennett's hitherto uncollected short stories were published: they range from his earliest work written in the 1890s, some under the pseudonym Sarah Volatile, to US magazine commissions from the late 1920s 

Stage and screen
In 1931 the critic Graham Sutton, looking back at Bennett's career in the theatre, contrasted his achievements as a playwright with those as a novelist, suggesting that Bennett was a complete novelist but a not-entirely-complete dramatist  His plays were clearly those of a novelist: "He tends to lengthy speeches  Sometimes he overwrites a part, as though distrusting the actor  He is more interested in what his people are than in what they visibly do  He 'thinks nowt' of mere slickness of plot "
Bennett's lack of a theatrical grounding showed in the uneven construction of some of his plays, such as his 1911 comedy The Honeymoon, which played for 125 performances from October 1911  The highly successful Milestones was seen as impeccably constructed, but the credit for that was given to his craftsmanlike collaborator, Edward Knoblauch (Bennett being credited with the inventive flair of the piece)  By far his most successful solo effort in the theatre was The Great Adventure, based on his 1908 novel Buried Alive, which ran in the West End for 674 performances, from March 1913 to November 1914  Sutton praised its "new strain of impish and sardonic fantasy" and rated it a much finer play than Milestones After the First World War Bennett wrote two plays on metaphysical questions, Sacred and Profane Love (1919, adapted from his novel) and Body and Soul (1922), which made little impression  The Saturday Review praised the "shrewd wit" of the former, but thought it "false in its essentials     superficial in its accidentals"  Of the latter, the critic Horace Shipp wondered "how the author of Clayhanger and The Old Wives' Tale could write such third-rate stuff"  Bennett had more success in a final collaboration with Edward Knoblock (as Knoblauch had become during the war) with Mr Prohack (1927), a comedy based on his 1922 novel; one critic wrote "I could have enjoyed the play had it run to double its length", but even so he judged the middle act weaker than the outer two  Sutton concludes that Bennett's forte was character, but that the competence of his technique was variable  The plays are seldom revived, although some have been adapted for television Bennett wrote two opera libretti for the composer Eugene Goossens: Judith (one act, 1929) and Don Juan (four acts, produced in 1937 after the writer's death)  There were comments that Goossens's music lacked tunes and Bennett's libretti were too wordy and literary  The critic Ernest Newman defended both works, finding Bennett's libretto for Judith "a drama told simply and straightforwardly" and Don Juan "the best thing that English opera has so far produced … the most dramatic and stageworthy", but though politely received, both operas vanished from the repertory after a few performances Bennett took a keen interest in the cinema, and in 1920 wrote The Wedding Dress, a scenario for a silent movie, at the request of Jesse Lasky of the Famous Players film company  It was never made, though Bennett wrote a full-length treatment, assumed to be lost until his daughter Virginia found it in a drawer in her Paris home in 1983; subsequently the script was sold to the Potteries Museum and Art Gallery and was finally published in 2013  In 1928 Bennett wrote the  scenario for the silent film Piccadilly, directed by E  A  Dupont and starring Anna May Wong, described by the British Film Institute as "one of  the true greats of British silent films"  In 1929, the year the film came out, Bennett was in discussion with a young Alfred Hitchcock to script a silent film, Punch and Judy, which foundered on artistic disagreements and  Bennett's refusal to see the film as a "talkie" rather than silent  His original scenario, acquired by Pennsylvania State University, was published in the UK in 2012 

Journalism and self-help books
Bennett published more than two dozen non-fiction books, among which eight could be classified as "self-help": the most enduring is How to Live on 24 Hours a Day (1908), which is still in print and has been translated into several languages  Other "self-help" volumes include How to Become an Author (1903), The Reasonable Life (1907), Literary Taste: How to Form It (1909), The Human Machine (1908), Mental Efficiency (1911), The Plain Man and his Wife (1913), Self and Self-Management (1918) and How to Make the Best of Life (1923)  They were, says Swinnerton, "written for small fees and with a real desire to assist the ignorant"  According to the Harvard academic Beth Blum, these books "advance less scientific versions of the argument for mental discipline espoused by William James"  In his biography of Bennett Patrick Donovan argues that in the US "the huge appeal to the ordinary readers" of his self-help books "made his name stand out vividly from other English writers across the massive, fragmented American market " As Bennett put it to his London-based agent J  B  Pinker, these "pocket philosophies are just the sort of book for the American public"  However, How to Live on 24 Hours was aimed initially at "the legions of clerks and typists and other meanly paid workers caught up in the explosion of British office jobs around the turn of the century … they offered a strong message of hope from somebody who so well understood their lives" Bennett never lost his journalistic instincts, and throughout his life sought and responded to newspaper and magazine commissions with varying degrees of enthusiasm: "from the start of the 1890s right up to the week of his death there would never be a period when he was not churning out copy for newspapers and magazines"  In a journal entry at the end of 1908, for instance, he noted that he had written "over sixty newspaper articles" that year; in 1910 the figure was "probably about 80 other articles"  While living in Paris he was a regular contributor to T  P 's Weekly; later he reviewed for The New Age under the pseudonym Jacob Tonson and was associated with the New Statesman as not only a writer but also a director 

Journals
Inspired by the Journal des Goncourt, Bennett kept a journal throughout his adult life  Swinnerton says that it runs to a million words; it has not been published in full  Edited extracts were issued in three volumes, in 1932 and 1933  According to Hugh Walpole, the editor, Newman Flower, "was so appalled by much of what he found in the journals that he published only brief extracts, and those the safest"  Whatever Flower censored, the extracts he selected were not always "the safest": he let some defamatory remarks through, and in 1935 he, the publishers and printers had to pay an undisclosed sum to the plaintiff in one libel suit and £2,500 in another 

Critical reputation
Novels and short stories
The literary modernists of his day deplored Bennett's books, and those of his well-known contemporaries H  G  Wells and John Galsworthy  Of the three, Bennett drew the most opprobrium from modernists such as Virginia Woolf, Ezra Pound and Wyndham Lewis who regarded him as representative of an outmoded and rival literary culture  There was a strong element of class-consciousness and snobbery in the modernists' attitude: Woolf accused Bennett of having "a shopkeeper's view of literature" and in her essay "Mr Bennett and Mrs Brown" accused Bennett, Galsworthy and Wells of ushering in an "age when character disappeared or was mysteriously engulfed" In a 1963 study of Bennett, James Hepburn summed up and dissented from the prevailing views of the novels, listing three related evaluative positions taken individually or together by almost all Bennett's critics: that his Five Towns novels are generally superior to his other work, that he and his art declined after The Old Wives' Tale or Clayhanger, and that there is a sharp and clear distinction between the good and bad novels  Hepburn countered that one of the novels most frequently praised by literary critics is Riceyman Steps (1923) set in Clerkenwell, London, and dealing with material imagined rather than observed by the author  On the third point he commented that although received wisdom was that The Old Wives' Tale and Clayhanger are good and Sacred and Profane Love and Lillian are bad, there was little consensus about which other Bennett novels were good, bad or indifferent  He instanced The Pretty Lady (1918), on which critical opinion ranged from "cheap and sensational"     "sentimental melodrama" to "a great novel"  Lucas (2004) considers it "a much underrated study of England during the war years, especially in its sensitive feeling for the destructive frenzy that underlay much apparently good-hearted patriotism" In 1974 Margaret Drabble published Arnold Bennett, a literary biography  In the foreword she demurred at the critical dismissal of Bennett:

Writing in the 1990s the literary critic John Carey called for a reappraisal of Bennett in his book The Intellectuals and the Masses (1992):

In 2006 Koenigsberger commented that one reason why Bennett's novels had been sidelined, apart from "the exponents of modernism who recoiled from his democratising aesthetic programme", was his attitude to gender  His books include the pronouncements "the average man has more intellectual power than the average woman" and "women as a sex love to be dominated"; Koenigsberger nevertheless praises Bennett's "sensitive and oft-praised portrayals of female figures in his fiction" Lucas concludes his study with the comment that Bennett's realism may be limited by his cautious assumption that things are as they are and will not change  Nevertheless, in Lucas's view, successive generations of reader have admired Bennett's best work, and future generations are certain to do so 

Crime fiction
Bennett dabbled in crime fiction, in The Grand Babylon Hotel and The Loot of Cities (1905)  In Queen's Quorum (1951), a survey of crime fiction, Ellery Queen listed the latter among the 100 most important works in the genre  This collection of stories recounts the adventures of a millionaire who commits crimes to achieve his idealistic ends  Although it was "one of his least known works," it was nevertheless "of unusual interest, both as an example of Arnold Bennett's early work and as an early example of dilettante detectivism" 

Legacy
Arnold Bennett Society
The Society was founded in 1954 "to promote the study and appreciation of the life, works and times not only of Arnold Bennett himself but also of other provincial writers, with particular relationship to North Staffordshire"  In 2021 its president was Denis Eldin, Bennett's grandson; among the vice-presidents was Margaret Drabble In 2017 the society instituted an annual Arnold Bennett Prize as part of author's 150th anniversary celebrations, to be awarded to an author who was born, lives or works in North Staffordshire and has published a book in the relevant year, or to the author of a book which features the region  In 2017 John Lancaster won the award for his poetry collection Potters: A Division of Labour  Subsequent winners have been Jan Edwards for her novel Winter Downs (2018), Charlotte Higgins for Red Thread: On Mazes and Labyrinths (2019) and Lisa Blower for her story collection It's Gone Dark Over Bill's Mother's (2020)  The prize was not awarded in 2021 because of the Covid-19 situation, but in 2022 it was won by John Pye, a former detective inspector turned crime writer, for his novel Where the Silent Screams Are Loudest  The prize in 2023 went to Philip Nanney Williams for his book Adams: Britain's Oldest Potting Dynasty 

Plaques and statuary
Bennett has been commemorated by several plaques  Hugh Walpole unveiled one at Comarques in 1931, and in the same year another was placed at Bennett's birthplace in Hanley  A plaque to and bust of Bennett were unveiled in Burslem in 1962, and there are blue plaques commemorating him at the house in Cadogan Square where he lived from 1923 to 1930 and on the house in Cobridge where he lived in his youth  The southern Baker Street entrance of Chiltern Court has a plaque to Bennett on the left and another to H  G  Wells on the right  A blue plaque has been placed on the wall of Bennett's home in Fontainebleau There is a two-metre-high bronze statue of Bennett outside The Potteries Museum & Art Gallery in Hanley, Stoke-on-Trent, unveiled on 27 May 2017 during the events marking the 150th anniversary of his birth 

Archives
There are substantial archives of Bennett's papers and artworks, including drafts, diaries, letters, photographs and watercolours, at The Potteries Museum & Art Gallery in Stoke-on-Trent and at Keele University  Other Bennett papers are held by University College London, the British Library, and, in the US, Texas and Yale universities and the Berg Collection in the New York Public Library 

Omelettes
Bennett shares with the composer Gioachino Rossini, the singer Nellie Melba and some other celebrities the distinction of having a well-known dish named in his honour  An omelette Arnold Bennett is one that incorporates smoked haddock, hard cheese (typically Cheddar), and cream  It was created at the Savoy Grill in London for Bennett, who was an habitué, by the chef Jean Baptiste Virlogeux  It remains a British classic; cooks from Marcus Wareing to Delia Smith and Gordon Ramsay have published their recipes for it, and a variant remains on the menu at the Savoy Grill 

Notes, references and sources
Notes
Passage 2:
Mermaid Series
The Mermaid Series was a major collection of reprints of texts from English Elizabethan, Jacobean and Restoration drama  It was launched in 1887 by the British publisher Henry Vizetelly and under the general editorship of Havelock Ellis  Around 1894 the series was taken over by the London firm of T  Fisher Unwin  Many well-known literary figures edited or introduced the texts  Some of the plays published had not been reprinted in recent editions, and most had dropped out of the stage repertoire 
The name alludes to the Mermaid Tavern in London  There has been a later New Mermaids Series 

The Best Plays of Beaumont and Fletcher
Notes by John Strachey, two volumes
(volume I) The Maid's Tragedy - Philaster - The Wild Goose Chase - Thierry and Theodoret - The Knight of the Burning Pestle
(volume II) A King and No King - Bonduca - The Spanish Curate - The Faithful Shepherdess - Valentinian

The Best Plays of George Chapman
Edited by William Lyon Phelps
All Fools - Bussy D'Ambois - The Revenge of Bussy D'Ambois - The Conspiracy of Charles, Duke of Byron - The Tragedy of Charles, Duke of Byron

The Complete Plays of William Congreve
Edited by Alexander Charles Ewald
The Old Bachelor - The Double-Dealer - Love for Love - The Way of the World - The Mourning Bride

The Best Plays of Thomas Dekker
Notes by Ernest Rhys
The Shoemaker's Holiday - The Honest Whore - Old Fortunatus - The Witch of Edmonton

The Best Plays of John Dryden
Edited by George Saintsbury, two volumes
(Volume I) Almanzor and Almahide, or The Conquest of Grenada, parts 1 & 2 - Marriage A La Mode - Aureng-Zebe
(Volume II) All for Love - The Spanish Friar - Albion and Albanius - Don Sebastian

The Best Plays of George Farquhar
Edited by William Archer
The Constant Couple - The Twin Rivals - The Recruiting Officer - The Beaux' Stratagem

The Best Plays of John Ford
Edited by Havelock Ellis
The Lover's Melancholy - 'Tis Pity She's a Whore - The Broken Heart - Love's Sacrifice - Perkin Warbeck

The Complete Plays of Robert Greene
Edited by Thomas H  Dickinson
Alphonsus, King of Arragon - A Looking Glass for London and England - Orlando Furioso - Friar Bacon and Friar Bungay - James the Fourth - George-A-Green, the Pinner of Wakefield

The Best Plays of Thomas Heywood
Edited by A  Wilson Verity, introduction by John Addington Symonds
A Woman Killed with Kindness - The Fair Maid of the West - The English Traveller - The Wise Woman of Hogsdon - The Rape of Lucrece

The Best Plays of Ben Jonson
Notes by Brinsley Nicholson and C  H  Herford, three volumes
(Volume I) Every Man in His Humour - Every Man out of His Humour - The Poetaster
(Volume II) Bartholomew Fair - Cynthia's Revels; or, The Fountain of Self-Love - Sejanus His Fall
(Volume III) Volpone; or, The Fox - Epicœne; or, The Silent Woman - The Alchemist

The Best Plays of Christopher Marlowe
Notes by Havelock Ellis, series introduction by John Addington Symonds
Tamburlaine the Great Part the First - Tamburlaine the Great Part the Second
- Doctor Faustus - The Jew of Malta - Edward the Second
Also includes a biography of Christopher Marlowe and appendices 

The Best Plays of Philip Massinger
Notes by Arthur Symons, two volumes
(Volume I) The Duke of Milan - A New Way to Pay Old Debts - The Great Duke of Florence - The Maid of Honour - The City Madam
(Volume II) The Roman Actor - The Fatal Dowry - The Guardian - The Virgin Martyr - Believe as You List

The Best Plays of Thomas Middleton
Introduction by Algernon Charles Swinburne, with Havelock Ellis, two volumes
(Volume I) A Trick to Catch the Old One - The Changeling - A Chaste Maid in Cheapside - Women Beware Women - The Spanish Gypsy
(Volume II) The Roaring Girl - The Witch - A Fair Quarrel - The Mayor of Queensborough - The Widow

Nero and Other Plays (1888)
Edited by H  P  Horne, A  W  Verity, Arthur Symons and Havelock Ellis
Nero (anonymous) - The Two Angry Women of Abington (Henry Porter) - The Parliament of Bees (John Day) - Humour Out of Breath (John Day) - A Woman is a Weathercock (Nathan Field)- Amends for Ladies (Nathan Field)

The Best Plays of Thomas Otway
Notes by Roden Noel
Don Carlos, Prince of Spain - The Orphan - The Soldier's Fortune - Venice Preserved

The Best Plays of Thomas Shadwell
Edited by George Saintsbury
The Sullen Lovers - A True Widow - The Squire of Alsatia - Bury Fair

The Best Plays of James Shirley
Introduction by Edmund Gosse
The Witty Fair One - The Traitor - Hyde Park - The Lady of Pleasure - The Cardinal - The Triumph of Peace

The Complete Plays of Richard Steele
Edited by G  A  Aitken
The Funeral - The Lying Lover - The Tender Husband - The Conscious Lovers - The School of Action - The Gentleman

The Select Plays of Sir John Vanbrugh
Edited by A  E  H  Swain
The Relapse - The Provok'd Wife - The Confederacy - A Journey to London

The Best Plays of Webster and Tourneur
Notes by John Addington Symonds
The White Devil (Webster) - The Duchess of Malfi (Webster) - The Atheist's Tragedy (Tourneur) - The Revenger's Tragedy (Tourneur, but now usually attributed to Thomas Middleton)

The Complete Plays of William Wycherley
Edited by W  C  Ward
Love in a Wood - The Gentleman Dancing Master - The Country Wife - The Plain Dealer

Online editions
Beaumont and Fletcher I • 
Beaumont and Fletcher II • 
George Chapman • 
William Congreve • 
Thomas Dekker • 
John Dryden I • 
John Dryden II • 
George Farquhar • 
John Ford • 
Robert Greene • 
Thomas Heywood • 
Ben Jonson I • 
Ben Jonson II • 
Ben Jonson III • 
Christopher Marlowe • 
Philip Massinger I • 
Philip Massinger II • 
Thomas Middleton I • 
Thomas Middleton II • 
Nero and Other Plays • 
Thomas Otway • 
Thomas Shadwell • 
James Shirley • 
Richard Steele • 
Sir John Vanbrugh • 
Webster and Tourneur • 
William Wycherley
Passage 3:
John Dicks (publisher)
John Thomas Dicks (1818–1881) was a publisher in London in the 19th century  He issued popular, affordably priced fiction and drama, such as "shilling Shakespeares and wonderfully cheap reprints of Scott and other standard authors " Earlier in his career he worked with Peter Perring Thoms and George W  M  Reynolds  Employees included illustrator Frederick Gilbert  Readers included Thomas Burt and Havelock Ellis  Dicks retired in the 1870s, when his sons took over the firm which continued into the 1960s 

Works issued by John Dicks
Musical Treasures (sheet music series); numbered list

Drama
The British drama: illustrated, vol  1–4, John Dicks, 1864–66
Dicks' British Drama, 1866–, 1866 (series)

Dicks' Standard Plays
Dicks' Standard Plays, 1874–1907 (series)
List of Dicks' Standard Plays and Free Acting Drama, 1883, OL 7225611M – arranged by number, title, author (Ainsworth, Dickens, Lytton, Scott, etc ), and theme (nautical, dumb hero, ghost, Irish, Scotch, military, temperance, fairy, equestrian, etc )

Fiction
George W  M  Reynolds  Mysteries of the Court of London 
Dicks' English Novels (series); numbered list
Dicks' English Library of Standard Works (series) Dicks' English Library of Standard Works, v 33 (via British Library on Flickr)
WorldCat  Dicks' English Library of Standard Works (series)
Dicks' Celebrated Works (series); numbered list

Periodicals
Bow Bells: A Weekly Magazine of General Literature and Art, 1862, pp  83 v – authors included George Manville Fenn, George Augustus SalaFashion plate, 1865
Fashion plates, 1870s
Reynolds' Miscellany
Halfpenny Gazette, 1861–1865
Every Week, 1869–1896
Penny Illustrated Weekly News
Fiction, edited by Eliza Winstanley – weekly

Catalogues
Shakespeare, William (c  1860s), List of Books Published by John Dicks
John Dicks' Catalogue, 1874, OCLC 500243028
Passage 4:
Havelock Ellis
Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality  He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology  He developed the notions of narcissism and autoeroticism, later adopted by psychoanalysis 
Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896  He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912 

Early life and career
Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London)  He had four sisters, none of whom married  His father was a sea captain and an Anglican, while his mother was the daughter of a sea captain who had many other relatives that lived on or near the sea  When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium  After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham 
In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school  After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales  He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales  The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful 
At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek  He lived at the school house on Sparkes Creek for a year  He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world  Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range "

Medicine and psychology
Ellis returned to England in April 1879  He had decided to take up the study of sex and felt his first step must be to qualify as a physician  He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice  His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama  He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw 
The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality  It describes male homosexual relations as well as adolescent rape  Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime  The work assumes that same-sex love transcended age taboos as well as gender taboo  The work also uses the term bisexual throughout The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition In 1897 a bookseller was prosecuted for stocking Ellis's book  Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it " In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny Ellis may have developed psychological concepts of autoeroticism and narcissism, both of which were later developed further by Sigmund Freud  Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published  She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness  When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called 

Eonism
Ellis studied what today are called transgender phenomena  Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality  Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon  In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon  Ellis explained:
On the psychic side, as I view it, the Eonist is embodying, in an extreme degree, the aesthetic attitude of imitation of, and identification with, the admired object  It is normal for a man to identify himself with the woman he loves  The Eonist carries that identification too far, stimulated by a sensitive and feminine element in himself which is associated with a rather defective virile sexuality on what may be a neurotic basis 
Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality"  As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance" 

Marriage
In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees  From the beginning, their marriage was unconventional, as Edith Lees was openly bisexual  At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington  She lived at Fellowship House  Their "open marriage" was the central subject in Ellis's autobiography, My Life  Ellis reportedly had an affair with Margaret Sanger According to Ellis in My Life, his friends were much amused at his being considered an expert on sex  Some knew that he reportedly suffered from impotence until the age of 60  He then discovered that he could become aroused by the sight of a woman urinating  Ellis named this "undinism"  After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte 

Eugenics
Ellis was a supporter of eugenics  He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene:

Eventually, it seems evident, a general system, whether private or public, whereby all personal facts, biological and mental, normal and morbid, are duly and systematically registered, must become inevitable if we are to have a real guide as to those persons who are most fit, or most unfit to carry on the race 
The superficially sympathetic man flings a coin to the beggar; the more deeply sympathetic man builds an almshouse for him so he need no longer beg; but perhaps the most radically sympathetic of all is the man who arranges that the beggar shall not be born 
In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races"  Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior  In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents  However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along In a debate in the Sociological Society, Ellis corresponded with the eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions  While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are " Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was  Ellis thus held much more moderate views than many contemporary eugenicists  In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions  Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden  This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad" Throughout his life, Ellis was both a member and later a council member of the Eugenics Society  Moreover, he played a role on the General Committee of the First International Eugenics Congress 

Sexual impulse in youth
Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality  In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity  He mentions that it was previously believed that, in childhood, humans had no sex impulse at all  "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds 
He continues by stating that, even in the early development and lower functional levels of the genitalia, there is a wide range of variation in terms of sexual stimulation  He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered  Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable  However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child  "They are not (as is sometimes imagined) repressed " They are, however, not usually mentioned to adults  Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience Ellis claims that sexual self-excitement is known to happen at an early age  He references authors like Marc, Fonssagrives, and Perez in France, who published their findings in the nineteenth century  These "early ages" are not strictly limited to ages close to puberty, as can be seen in their findings  These authors provide cases for children of both sexes who have masturbated from the age of three or four  Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen  For girls, this age ranges from eight to nineteen 
For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years  Ellis then references G V  Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six  This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven  However, in the next three years after, boys' percentages exceeded those of girls 
Ellis also contributed to the idea of varying levels of sexual excitation  He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations  He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection  Some of these children may fail and not be able to experience this, either pleasure or an erection, until puberty  Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude"  Ellis even considers ancestry as a contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable" 

Auto-eroticism
Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation  Auto-eroticism, according to Ellis, includes a wide range of phenomena  Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane" Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow  During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns  This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia" Ellis also raises social concern over how auto-erotic tendencies affect marriages  He goes on to tying auto-eroticism to declining marriage rates  As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women  Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them 

Smell
Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection  In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection  He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection  The contributions that smell makes in sexual attraction can even be heightened with certain climates  Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations  Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands"  Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours  Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small "

Views on women and birth control
Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound  In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men 
Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them  From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race  However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'  He observed that it was the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks  Ellis's solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most  Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit' 

Views on sterilization
Ellis was strongly opposed to the idea of castration of either sex for eugenic purposes  In 1909, regulations were introduced at the Cantonal Asylum in Bern which allowed those deemed 'unfit' or with strong sexual inclinations to be subject to mandatory sterilization  In a particular instance, several men and women, including epileptics and pedophiles, were castrated, some of whom voluntarily requested it  While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice  His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain  Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus the glands' removal could greatly injure the patient However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ  In these cases, Ellis was much more favorable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory " His opposition to such a system was not only rooted in morality  Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts 
Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction  His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them  While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool  Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene  For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit  In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied  It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?"

Psychedelics
Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896  He consumed a brew made of three Lophophora williamsii buds in the afternoon of Good Friday alone in his set of rooms in Temple, London  During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and objects such as butterflies and other insects  He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise)  The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish) 
Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W B  Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member 

Later life and death
Ellis resigned from his position as a Fellow of the Eugenics Society over its stance on sterilization in January 1931 Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939  His ashes were scattered at Golders Green Crematorium, North London, following his cremation 

Works
The Criminal (1890)
The New Spirit (1890)
The Nationalisation of Health (1892)
Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929)
Das konträre Geschlechtsgefühl (in German)  Leipzig: Wigand  1896  p  1  with J A  Symonds
Studies in the Psychology of Sex (1897–1928) six volumes (listed below)
Studies in the Psychology of Sex  Vol  1 The Evolution of Modesty, The Phenomena of Sexual Periodicity, Auto–Erotism  1897 
Affirmations (1898)
"Mescal: A New Artificial Paradise"  The Contemporary Review  LXXIII  1898 
The Nineteenth Century (1900)
Studies in the Psychology of Sex  Vol  2 Sexual Inversion  1900 
Studies in the Psychology of Sex  Vol  3 Analysis of the Sexual Impulse, Love and Pain, The Sexual Impulse in Women  1903 
A Study of British Genius (1904)
Studies in the Psychology of Sex  Vol  4 Sexual Selection in Man  1905 
Studies in the Psychology of Sex  Vol  5 Erotic Symbolism, The Mechanism of Detumescence, The Psychic State in Pregnancy  1906 
The Soul of Spain (1908)
"The sterilisation of the unfit"  The Eugenics Review  1 (3): 203–06  1909  PMC 2986668  PMID 21259474 
Studies in the Psychology of Sex  Vol  6 Sex in Relation to Society  1910 
The Problem of Race-Regeneration (1911)
The World of Dreams (1911) (new edition 1926)
The task of social hygiene  New York  1912  p  10 
"Birth control and eugenics"  The Eugenics Review  9 (1): 32–41  1917  PMC 2942166  PMID 21259632 
The Task of Social Hygiene (1912)
Essays in War-Time  February 2006 
The Philosophy of Conflict (1919)
On Life and Sex: Essays of Love and Virtue (1921)
Kanga Creek: an Australian Idyll  The Golden Cockerel press  1922 
Little Essays of Love and Virtue (1922)
The Dance of Life  1923 
Impressions and Comments  Vol  3  1924 
Sonnets, with Folk Songs from the Spanish (1925)
Eonism and Other Supplementary Studies (1928)
Studies in the Psychology of Sex Vol  7 (1928)
The Art of Life (1929) (selected and arranged by Mrs  S  Herbert)
More Essays of Love and Virtue (1931)
ed : James Hinton: Life in Nature (1931)
Views and Reviews  1932 
Psychology of Sex  1933 
ed : Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933)
Chapman (1934)
My Confessional (1934)
Questions of Our Day (1934)
From Rousseau to Proust (1935)
Selected Essays (1936)
Poems (1937) (selected by John Gawsworth; pseudonym of T  Fytton Armstrong)
Love and Marriage (1938) (with others)
My life  Houghton Mufflin  1939 
Sex Compatibility in Marriage (1939)
From Marlowe to Shaw (1950) (ed  by J  Gawsworth)
The Genius of Europe (1950)
Sex and Marriage (1951) (ed  by J  Gawsworth)
The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954)

Translations
Germinal (by Zola) (1895) (reissued 1933)
The Psychology of the Emotions by Théodule-Armand Ribot (1897)
Context 2: Passage 1:
Mimosa
Mimosa is a genus of about 590 species of herbs and shrubs, in the mimosoid clade of the legume family Fabaceae  The generic name is derived from the Greek word μῖμος (mimos), an "actor" or "mime", and the feminine suffix -osa, "resembling", suggesting its 'sensitive leaves' which seem to 'mimic conscious life' Two species in the genus are especially notable  One is Mimosa pudica, commonly known as touch-me-not, which folds its leaves when touched or exposed to heat  It is native to southern Central and South America but is widely cultivated elsewhere for its curiosity value, both as a houseplant in temperate areas, and outdoors in the tropics  Outdoor cultivation has led to weedy invasion in some areas, notably Hawaii  The other is Mimosa tenuiflora, which is best known for its use in shamanic ayahuasca brews due to the psychedelic drug dimethyltryptamine found in its root bark 

Taxonomy
The taxonomy of the genus Mimosa has gone through several periods of splitting and lumping, ultimately accumulating over 3,000 names, many of which have either been synonymized under other species or transferred to other genera  In part due to these changing circumscriptions, the name "Mimosa" has also been applied to several other related species with similar pinnate or bipinnate leaves, but are now classified in other genera  The most common examples of this are Albizia julibrissin (Persian silk tree) and Acacia dealbata (wattle) 

Description
Members of this genus are among the few plants capable of rapid movement; examples outside of Mimosa include the telegraph plant, Aldrovanda, some species of Drosera and the Venus flytrap  The leaves of the Mimosa pudica close quickly when touched  Some mimosas raise their leaves in the day and lower them at night, and experiments done by Jean-Jacques d'Ortous de Mairan on mimosas in 1729 provided the first evidence of biological clocks Mimosa can be distinguished from the large related genera, Acacia and Albizia, since its flowers have ten or fewer stamens  Botanically, what appears to be a single globular flower is actually a cluster of many individual ones  Mimosas contain some level of heptanoic acid 

Species
There are about 590 species including:
Mimosa aculeaticarpa Ortega
Mimosa andina Benth 
Mimosa arenosa (Willd ) Poir 
Mimosa asperata L 
Mimosa borealis Gray
Mimosa caesalpiniaefolia Benth 
Mimosa casta L 
Mimosa cupica Gray
Mimosa ceratonia L 
Mimosa diplotricha C Wright ex Sauvalle
Mimosa disperma Barneby
Mimosa distachya Cav 
Mimosa dysocarpa Benth 
Mimosa emoryana Benth 
Mimosa grahamii Gray
Mimosa hamata Willd 
Mimosa hystricina (Small ex Britt  et Rose) B L Turner
Mimosa invisa Martius ex Colla
Mimosa latidens (Small) B L  Turner
Mimosa laxiflora Benth 
Mimosa loxensis Barneby
Mimosa malacophylla Gray
Mimosa microphylla Dry 
Mimosa nothacacia Barneby
Mimosa nuttallii (DC ) B L  Turner
Mimosa ophthalmocentra Mart  ex Benth  1865
Mimosa pellita Kunth ex Willd 
Mimosa pigra L 
Mimosa polycarpa Kunth
Mimosa pudica L 
Mimosa quadrivalvis L 
Mimosa quadrivalvis var  hystricina (Small) Barneby
Mimosa quadrivalvis var  quadrivalvis L 
Mimosa roemeriana Scheele
Mimosa rubicaulis Lam 
Mimosa rupertiana B L  Turner
Mimosa scabrella Benth 
Mimosa schomburgkii Benth 
Mimosa somnians Humb  & Bonpl  ex Willd 
Mimosa strigillosa Torr  et Gray
Mimosa tenuiflora (Willd ) Poir  (= Mimosa hostilis)
Mimosa texana (Gray) Small
Mimosa townsendii Barneby
Mimosa turneri Barneby
Mimosa verrucosa Benth 
Passage 2:
Mimosa somnians
Mimosa somnians, commonly known as dormideira, is a species of woody shrub in the genus Mimosa and the family Fabaceae  It is native to the Caribbean, Central America and South America  It is a short, low-lying shrub with minuscule thorns lining its stem-like hairs Mimosa somnians is notable for exhibiting rapid plant movement  Its leaves are sensitive to tactile stimulus, folding quickly when touched, similar to Mimosa pudica  It can be differentiated from Mimosa pudica in that its leaves are bipinnate, there are more than four subbranchlets and these originate from more than one point on the branch Mimosa somnians's leaflets are 4–5 mm long  The flowers form pink balls  It propagates by seeds 

Forms, subspecies and varieties
Mimosa somnians f  viscida
Mimosa somnians subsp  longipes 
Mimosa somnians subsp  viscida
Mimosa somnians var  aquatica
Mimosa somnians var  deminuta
Mimosa somnians var  diminuta
Mimosa somnians var  glandulosa
Mimosa somnians var  lasiocarpa
Mimosa somnians var  leptocaulis
Mimosa somnians var  longipes
Mimosa somnians var  lupulina
Mimosa somnians var  possensis
Mimosa somnians var  somnians
Mimosa somnians var  velascoensis
Mimosa somnians var  viscida

Uses
In Guyana, it is used to calm down irritable children via washing 

Chemical constituents
Mimosa somnians contains (whole plant) about 0 029% tryptamine and about 0 029% methyltryptamine 
Passage 3:
Mimosa turneri
Mimosa turneri, the desert mimosa, is a perennial small- to medium-sized shrub native to the Southern United States and particularly abundant in Texas  It grows between 3 5 and 10 feet (1 1 and 3 0 m) tall and produces pink flowers  In many places it is considered a weed because it can grow invasively in moist soils 

Habitat and ecology
This species grows as a small to medium-sized shrub that is localized on limestone soil that can range from 2200 feet to 4000 feet above sea level in the desert  This plant is deciduous and has a very high heat tolerance, allowing it to grow in very hot deserts  This plant species was a contained species that escaped and became invasive in the Florida, Texas and Mexico regions  These plants live in soil with high alkalinity 

Morphology
The leaves of the desert mimosa resemble the fronds of a fern and consists of many leaflets that grow opposite of each other along the stem  The leaves are known as bipinnate  Leaflets can range from 9 mm to 12 mm and be 1 5 mm wide at its widest point  Each leaf has about 12- 25 leaflets  Flowers are globe like clusters of thin petals  They contain stamens that are double the number of petals or equal which are often twice the lengths of the corolla  Anthers are small and the ovary is sessile 

Usage
The desert mimosa is often used as food for cattle and livestock, as fuel, construction material as well as living fences that grow into barriers in the wild and can be used as decorative fences 
Passage 4:
Mimosa aculeaticarpa
Mimosa aculeaticarpa is a species of woody shrub in the family Fabaceae  It is commonly known as the catclaw mimosa or the wait-a-minute bush, and is endemic to upland regions of Mexico and the Southwestern United States, particularly Arizona, New Mexico and Texas 

Description
The catclaw mimosa is a straggling thicket forming shrub, usually growing to about one metre tall but occasionally double that height  The twigs are hairy and armed with backward pointing spines that easily catch in clothing  The alternate leaves are bi-pinnate with a varying number of small oblong leaflets  The flowers are white or pale pink, bunched together in globular heads  The fruits are flat pods up to four centimetres long, flattened between the seeds and splitting open when ripe  There are recurved prickles on the edges of the pods 

Distribution
This species grows in upland areas of central and southern Arizona, southern New Mexico, western and central Texas and northern Mexico 

Ecology
This species occurs as scattered individual plants in oak, oak-pine, and evergreen woodlands, pinyon-juniper woodland and mixed with other shrubs in grassland and shrub-steppe communities  It grows on mesas, rocky slopes and gravel deposits  It is commonly found growing in chaparral and is spreading into desert and semi arid areas  This may be because the seed pods are eaten by cattle and the seeds are deposited in the dung, giving them a rich environment for germination  The plant is fire tolerant and sprouts readily after bushfires  In upland areas of west Texas, the redberry juniper (Juniperus pinchotii) acts as a nurse plant for the seedlings   They benefit from the shade and leaf litter associated with the juniper which seems to provide a favourable microclimate for the establishment of the seedlings 
Passage 5:
Mimosa invisa
Mimosa invisa is a species of leguminous woody shrub or vine native to South America  Mimosa invisa includes two subspecies, each with two varieties:  The species is considered to be noxious and invasive in much of the United States 
Mimosa invisa Martius ex CollaMimosa invisa invisa BarnebyMimosa invisa invisa var  invisa Barneby - native to Brazil and Paraguay
Mimosa invisa invisa var  macrostachya (Bentham) Barneby - native to Brazil and ParaguayMimosa invisa spiciflora (Karsten) BarnebyMimosa invisa spiciflora var  spiciflora Barneby - native to northern South America
Mimosa invisa spiciflora var  tovarensis (Bentham) Barneby - native to Venezuela
Passage 6:
Mimosa rubicaulis
Mimosa rubicaulis is a shrub belonging to the family Fabaceae and subfamily Mimosoideae  It is bipinnately compound, each leaf having 8–12 pairs of pinnae, each with 16–20 pairs of pinnules, unlike Mimosa pudica which has at most two prickly pairs of leaflets  It is found across India 

Description
Mimosa rubicaulis is a large, straggling, very prickly shrub  It flowers from June to September, sporting long clusters of many pink spherical flower heads 1–1 5 cm across  The flowers fade to white, so the clusters sport both pink and white flower-heads most of the time  Leaves are double-compound, 8–15 cm long, with thorny rachis  Leaves have 3–2 pairs of side-stalks, each with 6–15 pairs of tiny oblong leaflets 4–8 mm  Pods are thin, flat, curved, 8–13 cm long, 1 cm wide, breaking into 4–10 rectangular single-seeded units, leaving the remains of the pod attached to the shoot It is considered useful for hedges  The wood is suitable for tent pegs and for making gunpowder charcoal  Roots and leaves are used medicinally  Himalayan Mimosa is found in the Himalayas, from Afghanistan to Bhutan, at altitudes of 300–1900 m  It prefers forest edges and boundaries of fields and gardens 
Passage 7:
Mimosa hamata
Mimosa hamata (Hindi:Alāy shrub (अलाय) is a species of flowering shrub in the family Fabaceae, that is native to the countries of India and Pakistan 

Uses
This plant has been used for animal feed 
Passage 8:
Cryptocoryne
Cryptocoryne is a genus of aquatic plants from the family Araceae  The genus is naturally distributed in tropical regions of India, Southeast Asia and New Guinea The typical habitats of Cryptocoryne are mostly streams and rivers with not too rapidly flowing water, in the lowland forest  They also live in seasonally inundated forest pools or on river banks submerged only at high water  Although the proper scientific name of the genus is Cryptocoryne, they are commonly referred to as crypts  The English name "water trumpet" refers to their inflorescence, a spadix enclosed by a spathe (typical for the whole family), which resembles a trumpet 
The first Cryptocoryne species was described in 1779 as Arum spirale by Retzius  The genus was described by Friedrich Ernst Ludwig von Fischer in 1828  However, the scientific classification of Cryptocoryne species is very complicated and there are different opinions about it  Lagenandra is another genus closely related to the genus Cryptocoryne  The two can be easily told apart since the leaves of Cryptocoryne species exhibit convolute vernation whereas Lagenandra species exhibit involute vernation 

The name Cryptocoryne is derived from the Greek crypto, hidden, and koryne, meaning club  The common name (water trumpet) refers to the shape of its inflorescence, which is typical of the Araceae family 

Cultivation and uses
Some Cryptocoryne are popular commercially cultivated aquarium plants  Submerged plants reproduce vegetatively, emerse plants may flower and reproduce sexually  Many species are cultivated only by dedicated experts and are very hard to grow, or are not present in a culture at all  Some species are endangered because their natural habitats are disappearing  On the other hand, some water trumpets (e g  Cryptocoryne beckettii) are very hardy aquarium plants, easy to grow to the point that they have become an invasive species after being introduced in Florida in North America Cryptocoryne is either found in peat bogs or on limestone; the latter do well in most aquaria, the former must have soft water to survive and need decomposing beech leaf litter to do well  C  striolata, while found primarily in peat bogs, has also been found growing on limestone  Borneo is home to many endemic crypts previously thought to grow only in tea-colored soft acid water emulating peat bogs but exploration of habitats from 2005 to 2010 showed about half grew on limestone as well  These hardwater Cryptocorynes are generally the easier ones to keep (in fact, some species, such as Cryptocoryne wendtii are said to be among the most versatile of aquarium plants); they tolerate low or bright light but grow faster in more intense light  This water plant's range is around 12 to 33 °C, and slightly alkaline to neutral pH 
Plants of the genus Cryptocoryne, which range from India to New Guinea are found in very diverse conditions  Some are true acid loving plants such as C  pallidnerva, found in peat bogs in Borneo, while others such as C  crispatula var  balansae and C  pontiderifolia are found in streams with limestone beds—hard alkaline water  One species, C  ciliata is even found in semi-brackish water in some areas  It is one of the few aquarium plants that tolerates salt concentrations 
Cryptocoryne plants have been in cultivation in the aquarium hobby since the late 18th century, although it was not until the 1960s that more than a handful of species was known and became more common in the hobby  New species still regularly crop up as interest in these plants widens and more collecting expeditions by private parties are carried out 

Crypt melt
A phenomenon often encountered when planting new crypts in an aquarium is commonly called Crypt melt, whereby the plant loses all its leaves  There seem to be two possible causes for this 
Rapid environmental change is thought to trigger this, as these plants do not seem to adapt well to transplantion, and may need 30 days or so to become established and for the leaves to regrow  Experienced growers report that it is better to plant crypts in aquariums that have been established for at least three months In the wild, crypts can grow fully submerged underwater, but in some plant nurseries they are often grown emersed and crypt melt could then be triggered by the change from emerse to submerse conditions 
There is lately a trend for such nurseries to send crypts as just a rootstock (i e  without the leaves) to reduce shipping costs and because the leaves will be lost anyway once planted in an aquarium 
Other reports emphasise the need to change the aquarium water regularly to prevent the buildup of nitrates which are thought to trigger this condition (often referred to as a disease) 

Species
Cryptocoryne affinis N E Br  in J D Hooker - Thailand, Malaysia
Cryptocoryne alba de Wit - Sri Lanka
Cryptocoryne albida R Parker - southern China, eastern India, Bangladesh, Indochina
Cryptocoryne annamica Serebryanyi - Vietnam
Cryptocoryne aponogetifolia Merr  - Philippines
Cryptocoryne aura  - West kalimantan
Cryptocoryne auriculata Engl  - Sarawak, Philippines
Cryptocoryne bangkaensis Bastm  - Sumatra
Cryptocoryne beckettii Thuill  ex Trim  - Sri Lanka; naturalized in Texas
Cryptocoryne bogneri Rataj - Sri Lanka
Cryptocoryne bullosa Becc  - Sarawak
Cryptocoryne ciliata (Roxb ) Schott - India, Bangladesh, Indochina, Malaysia, Indonesia, New Guinea, Philippines
Cryptocoryne cognata Schott - India
Cryptocoryne consobrina Schott - India
Cryptocoryne cordata var  cordata Griff  - Malaysia
Cryptocoryne cordata var  siamensis Griff  - Thai
Cryptocoryne cordata var  diderici Griff  - Sumatra
Cryptocoryne cordata var  grandis Ridl  - Northeast Borneo
Cryptocoryne cordata var  grabowskii Engl  - South Kalimantan
Cryptocoryne cordata var  zonata de Wit  - Sri Aman
Cryptocoryne coronata Bastm  & Wijng  - Philippines
Cryptocoryne crispatula var  crispatula Engl  - Southeast Asia
Cryptocoryne cruddasiana Prain - Myanmar
Cryptocoryne decus-silvae de Wit - Johor
Cryptocoryne dewitii N Jacobsen - Papua New Guinea
Cryptocoryne purpurea nothovar  edithiae de Wit  - South Kalimantan
Cryptocoryne elliptica N E Br  - Malaysia
Cryptocoryne ferruginea Engl  - Sarawak
Cryptocoryne fusca de Wit - Borneo
Cryptocoryne griffithii Schott - Kalimantan, Peninsular Malaysia
Cryptocoryne hudoroi Bogner & N Jacobsen - Kalimantan
Cryptocoryne ideii Budianto - Kalimantan
Cryptocoryne jacobsenii de Wit - Sumatra
Cryptocoryne joshanii Naive & Villanueva - Philippines
Cryptocoryne keei N Jacobsen - Sarawak
Cryptocoryne lingua Becc  ex Engl - Sarawak
Cryptocoryne loeiensis  Bastm , T Idei & N Jacobsen - Laos, Thailand
Cryptocoryne longicaudaBecc  ex Engl  - Borneo, Malaysia, Sumatra
Cryptocoryne mekongensis T Idei, Bastm  & N Jacobsen - Cambodia, Laos, Thailand
Cryptocoryne minima Ridl  - Malaysia, Sumatra
Cryptocoryne moehlmannii de Wit - Sumatra
Cryptocoryne nevillii Trimen - Sri Lanka
Cryptocoryne noritoi Wongso - Kalimantan
Cryptocoryne nurii var  nurii Furtado - Peninsular Malaysia
Cryptocoryne nurii var  raubensis N Jacobsen - Peninsular Malaysia
Cryptocoryne pallidinervia Engl  - Borneo
Cryptocoryne parva de Wit- Sri Lanka
Cryptocoryne pontederiifolia Schott - Sumatra
Cryptocoryne purpurea nothovar  purpurea Ridl  - Peninsular Malaysia
Cryptocoryne purpurea nothovar  sarawakensis Yosuke Kobayashi - sarawak
Cryptocoryne purpurea nothovar  borneoensis  N Jacobsen , Bastm  - Central Kalimantan
Cryptocoryne pygmaea Merr  - Philippines
Cryptocoryne retrospiralis  (Roxb ) Kunth - Bangladesh, India, Myanmar
Cryptocoryne schulzei de Wit - Johor
Cryptocoryne scurrilis de Wit - Sumatra
Cryptocoryne sivadasanii Bogner - southern India
Cryptocoryne spiralis (Retz ) Fisch  ex Wydler - Bangladesh, India
Cryptocoryne striolata Engl  - Borneo
Cryptocoryne thwaitesii Schott - Sri Lanka
Cryptocoryne timahensis Bastm  - Singapore   (C  cordata × C  nurii)
Cryptocoryne uenoi Yuji Sasaki - Sarawak
Cryptocoryne undulata Wendt - Sri Lanka
Cryptocoryne usteriana Engl   - Philippines
Cryptocoryne versteegii Engl  - New Guinea
Cryptocoryne vietnamensis I Hertel & H Mühlberg - Vietnam
Cryptocoryne villosa N Jacobsen - Sumatra
Cryptocoryne walkeri Schott - Sri Lanka
Cryptocoryne wendtii de Wit - Sri Lanka
Cryptocoryne × willisii Reitz - Sri Lanka   (C  parva × C  walkeri)
Cryptocoryne yujii Bastm  - Sarawak
Cryptocoryne zaidiana Ipor & Tawan - Sarawak
Cryptocoryne zukalii Rataj - Peninsular Malaysia
Passage 9:
Mimosa tenuiflora
Mimosa tenuiflora, syn  Mimosa hostilis, also known as jurema preta, calumbi (Brazil), tepezcohuite (México), carbonal, cabrera, jurema, black jurema, and binho de jurema, is a perennial tree or shrub native to the northeastern region of Brazil (Paraíba, Rio Grande do Norte, Ceará, Pernambuco, Bahia) and found as far north as southern Mexico (Oaxaca and coast of Chiapas), and the following countries: El Salvador, Honduras, Panama, Colombia and Venezuela   It is most often found in lower altitudes, but it can be found as high as 1,000 m (3,300 ft) 

Description
The fern-like branches have leaves that are Mimosa like, finely pinnate, growing to 5 cm (2 0 in) long   Each compound leaf contains 15–33 pairs of bright green leaflets 5–6 mm (0 20–0 24 in) long   The tree itself grows up to 8 m (26 ft) tall and it can reach 4–5 m (13–16 ft) tall in less than 5 years   The white, fragrant flowers occur in loosely cylindrical spikes 4–8 cm (1 6–3 1 in) long  In the Northern Hemisphere it blossoms and produces fruit from November to June or July   In the Southern Hemisphere it blooms primarily from September to January   The fruit is brittle and averages 2 5–5 cm (0 98–1 97 in) long   Each pod contains 4–6 seeds that are oval, flat, light brown and 3–4 mm (0 12–0 16 in) in diameter   There are about 145 seeds/1 g (0 035 oz)   In the Southern Hemisphere, the fruit ripens from February to April 

The tree's bark is dark brown to gray   It splits lengthwise and the inside is reddish brown 
The tree's wood is dark reddish brown with a yellow center   It is very dense, durable and strong, having a density of about 1 11 g/cm3 Mimosa tenuiflora does very well after a forest fire, or other major ecological disturbance   It is a prolific pioneer plant   It drops its leaves on the ground, continuously forming a thin layer of mulch and eventually humus   Along with its ability to fix nitrogen, the tree conditions the soil, making it ready for other plant species to come along 

Medicinal uses
A tea made of the leaves and stem has been used to treat tooth pain   For cases of cough and bronchitis, a water extract (decoction) of Mimosa tenuiflora is drunk   A handful of bark in one liter of water is used by itself or in a syrup   The solution is drunk until the symptoms subside One preliminary clinical study found Mimosa tenuiflora to be effective in treating venous leg ulcerations Aqueous extracts of Mimosa are widely used for wound healing and burns in Middle and South America  Consequently, the products of the plant (generally grouped under the term "Tepezcohuite") have become a popular and easily produced cosmetic ingredient in commercial skincare products, used and marketed by celebrities including Kylie Jenner and Salma Hayek 

Other uses
The tree is an acceptable source of forage or fodder for animals, providing vital protein and other nutrients   It does well in the dry season and in drought, while providing life saving food for local livestock and animals   Cows, goats and sheep eat the pods and leaves   There seems to be evidence that Mimosa tenuiflora forage or fodder cause development defects to pregnant ruminants in Brazil The tree is an important source of forage for bees, especially during the dry season and in the beginning of the wet season 
Like most plants in the family Fabaceae, Mimosa tenuiflora fertilizes the soil via nitrogen fixing bacteria   The tree is useful in fighting soil erosion and for reforestation 

Mimosa tenuiflora is a very good source of fuel wood and works very well for making posts, most likely because of its high tannin content (16%), which protects it from rot   Due to its high tannin content, the bark of the tree is widely used as a natural dye and in leather production   It is used to make bridges, buildings, fences, furniture and wheels   It is an excellent source of charcoal and at least one study has been done to see why this is the case The healing properties of the tree make it useful in treating domestic animals   A solution of the leaves or bark can also be used for washing animals in the prevention of parasites   Because the tree keeps most of its leaves during the dry season, it is an important source of shade for animals and plants during that time 

Chemistry
The bark is known to be rich in tannins, saponins, alkaloids, lipids, phytosterols, glucosides, xylose, rhamnose, arabinose, lupeol, methoxychalcones, and kukulkanins   Additionally, Mimosa hostilis contains labdane diterpenoids 

Entheogenic uses
Mimosa tenuiflora is an entheogen used by the Jurema Cult (O Culto da Jurema) in northeastern Brazil  Dried Mexican Mimosa tenuiflora root bark has been recently shown to have a dimethyltryptamine (DMT) content of about 1-1 7%   The stem bark has about 0 03% DMT The parts of the tree are traditionally used in northeastern Brazil in a psychoactive decoction also called Jurema or Yurema  Analogously, the traditional Western Amazonian sacrament Ayahuasca is brewed from indigenous ayahuasca vines 
However, to date no β-carbolines such as harmala alkaloids have been detected in Mimosa tenuiflora decoctions, yet the Jurema is used in combination with several plants This presents challenges to the pharmacological understanding of how DMT from the plant is rendered orally active as an entheogen, because the psychoactivity of ingested DMT requires the presence of a monoamine oxidase inhibitor (MAOI), such as a β-carboline  If an MAOI is neither present in the plant nor added to the mixture, the enzyme monoamine oxidase (MAO) will metabolize DMT in the human gut, preventing the active molecule from entering the blood and brain 
The plant is also used in clandestine manufacture of crystalline DMT  In this form, it is psychoactive by itself when vaporized and inhaled 
The isolation of the chemical compound yuremamine from Mimosa tenuiflora as reported in 2005 represents a new class of phytoindoles, which may explain an apparent oral activity of DMT in Jurema 

Cultivation
For outside planting, USDA Zone 9 or higher is recommended In nature, Mimosa tenuiflora "[   ] fruits and seeds are disseminated by the wind in a radius of 5–8 m (16–26 ft) from the mother plant; rain carries them from slopes to lower plains and human activities contribute to their dissemination "For cultivation, the seed pods are collected once they start to spontaneously open on the tree   The collected pods are laid out in the sun so that the pods open up and release their seeds   The seeds can then be planted in sandy soil with sun exposure 
Scarification of the seed via mechanical means or by using sulfuric acid greatly increases the germination rate of the seeds over non-treatment   The seeds can be sown directly into holes in the ground or planted in prepared areas 
The seeds can germinate in temperatures ranging from 10 to 30 °C, but the highest germination rate occurs at around 25 °C (about 96%), even after four years of storage   Germination takes about 2–4 weeks 
It is also possible to propagate Mimosa tenuiflora via cuttings Trimming adult Mimosa tenuiflorae during the rainy season is not recommended as it can kill them 

Legal status
United Nations
See also
Dimethyltryptamine
Psychedelic plants
Passage 10:
Mimosa texana
Mimosa texana is a shrub in the family Fabaceae  It is commonly known as the Texas mimosa, the Texas catclaw or the Wherry mimosa and is endemic to upland regions of Mexico and Texas  This species used to be classified as Mimosa biuncifera but it was found that phenotypic variations occurred across its range and a new taxonomy was proposed by Rupert C  Barneby in 1986, splitting the species into Mimosa aculeaticarpa var  biuncifera and Mimosa texana 

Distribution
Texas mimosa is found on alkaline soils in Mexico and Zapata and Starr counties in the state of Texas  It is uncommon and grows on caliche and gravelly hillsides 

Description
This species is a straggly, much branched, deciduous shrub of up to two metres tall  It has slender, zigzag, dark coloured twigs clad in backward pointing prickles  The alternate bi-pinnate leaves have medium-sized leaflets  The globular flowers are creamy-white and cover the bush in the spring  They are intensely fragrant and attract numerous insects  The seed pods are brick red and flattened, with prickly edges 



ground_truth: writer

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Which is a shrub, Mimosa or Cryptocoryne?

The following are given passages.
Context 4: Passage 1:
2005 Texas Tech Red Raiders football team
The 2005 Texas Tech Red Raiders football team represented Texas Tech University as a member of the Big 12 Conference during the 2005 NCAA Division I-A football season  In their sixth season under head coach Mike Leach, the Red Raiders compiled an overall record of 9–3 record with a mark of 6–2 in conference play, finished in a tie for second place in Southern Division of the Big 12, lost to Alabama in the 2006 Cotton Bowl Classic, and outscored opponents by a combined total of 473 to 226  The team played its home games at Jones SBC Stadium in Lubbock, Texas 

Previous season
The 2004 team finished the season with an overall record of 8–4, 5–3 in Big 12 play, finishing tied in third place in the Southern Division  The Red Raiders finished the regular season with a 31–15 upset victory over the no  23 ranked Oklahoma State Cowboys  The team was invited to the Holiday Bowl, defeating no  4 California 45–31  The 2004 team was ranked no  18 and no  17 in the final AP and Coaches' polls, respectively  Quarterback Sonny Cumbie finished the season leading the nation in passing yards, throwing for 4,742 yards 

NFL draftees
Schedule
Personnel
Game summaries
FIU
Sam Houston State
Indiana State
Kansas
At Nebraska
Kansas State
Quarterback Cody Hodges finished the game 44-of-65 for 643 yards with five touchdowns and two interceptions  Hodges's 643 passing yards are the fourth most by a quarterback in Division I-A (now Division I FBS) and the second time a Texas Tech quarterback threw for over 600 yards in a single game, with B  J  Symons throwing for 661 yards against Ole Miss in 2003 

At No  2 Texas
At Baylor
Texas A&M
At Oklahoma State
Oklahoma
Vs  No  13 Alabama (Cotton Bowl Classic)
Rankings
Players drafted into the NFL
Notes
Passage 2:
2009 Texas Tech Red Raiders football team
The 2009 Texas Tech Red Raiders football team represented Texas Tech University as a member of the Big 12 Conference during the 2009 NCAA Division I FBS football season  The team was led by tenth-year head coach Mike Leach during the regular season and, following Leach’s dismissal, interim head coach Ruffin McNeill for the bowl game  The Red Raiders compiled an overall record of 9–4 with a mrk of 5–3 in conference play, tying for third place in the Big 12's South Division  Texas Tech was invited to the Alamo Bowl, where they defeated Michigan State, 41–31  The Red Raiders played home games at Jones AT&T Stadium in Lubbock, Texas 
On December 28, Leach was suspended by Texas Tech pending investigation of alleged inappropriate treatment of Adam James, a redshirt sophomore wide receiver, and the son of former SMU Mustangs and New England Patriots running back Craig James  The suspension came after allegations that Leach treated James unfairly following a mild concussion  Leach was terminated by the university on December 30  Ruffin McNeill, the team's defensive coordinator, was named interim head coach and led the team during their appearance in the Alamo Bowl 

Previous season
With an 11–1 record in the regular season during 2008, the Red Raiders finished in a three-way tie with the Oklahoma Sooners and Texas Longhorns atop the Big 12 South  In order to break the tie, BCS standings were used to determine who would face Missouri in the conference championship game  The Sooners, ranked #2 in the BCS polls at the time, were chosen to represent the South Division in the game  The Red Raiders were selected to the Cotton Bowl Classic, losing 34–47 to Ole Miss  The 2008 team finished with an overall record of 11–2 and were ranked no  12 in the final AP Poll 

Personnel
Coaching staff
Mike Leach – Head coach/offensive coordinator
Ruffin McNeill – Assistant head coach/defensive coordinator
Carlos Mainord – Safeties
Clay McGuire – Running backs
Brian Mitchell – Cornerbacks
Matt Moore – Offensive line
Lincoln Riley – Inside receivers
Eric Russell – Special teams Coordinator
Charlie Sadler – Defensive ends
Dennis Simmons – Wide receivers
Sonny Cumbie – Offensive graduate assistantSource:

Roster
Schedule
Game summaries
North Dakota
This game marked the first time the North Dakota Fight Sioux faced the Red Raiders on the football field making North Dakota the 127th different opponent the Red Raiders have faced  The Red Raiders won the coin toss and elected to receive the opening kick off The opening drive ultimately ended in a touchdown and covered 64 yards in 7 plays, lasting 3:18  Barron Batch rushed three yards for the first touchdown and was followed by a successful extra point attempt by Matt Williams  The Red Raiders would go on to score one more touchdown with successful PAT in the first quarter  The Fighting Sioux scored a field goal with six seconds left in the first quarter bringing the final score for the first quarter to 14–3 The second quarter saw the longest touchdown reception of the game with a 49-yard pass by Taylor Potts to Detron Lewis, followed by a successful PAT by Matt Williams  The Fighting Sioux went on to kick a 52-yard field goal with 1:28 left in the half  The final score at the half was 21–6 The third quarter saw only one score with the Red Raider's quarterback Taylor Potts rushing 1 yard for a touchdown followed by a successful PAT  At the end of the third quarter the score was 28–6 The Fighting Sioux scored their only touchdown and successful PAT 3:09 into the final quarter  The Red Raiders scored twice in the fourth quarter with a 32-yard field goal by Matt Williams and later an 18-yard touchdown pass by Taylor Potts to Adam Jones  Matt Williams successfully kicked the last PAT of the game bringing the score to 38–13 During the game, the Red Raiders rushed for 40 yards  Taylor Potts attempted 48 passes, completing 34 for a total of 405 passing yards  Potts was also intercepted 3 times and scored 2 touchdowns  The team accrued 11 penalties for 93 yards 

Rice
This game was the first time the Rice Owls played Texas Tech Red Raiders at home since 1995  The Owls won the coin toss and elected to defer until the second half The Red Raiders shut the Owls out in the first quarter and scored two touchdowns  The first score came 6:13 into the game by way of a 5-yard touchdown pass from Taylor Potts to Edward Britton  Matt Williams successfully kicked the PAT  The next touchdown for the Red Raiders would come with only 1:18 left in the first quarter, when Taylor Potts threw a 7-yard pass to Lyle Leong  The extra point attempt was good  At the end of the quarter the score was 14–0 The second quarter saw no scores by the Red Raiders  The Owls scored a field goal 3:33 into the quarter  The score at the half was 14–3 The third quarter proved to be more fruitful for the Red Raiders, were they once again shut out the Owls  The Red Raiders scored three touchdowns with successful PATs all within the last nine minutes of the quarter  The first came with 8:51 left in quarter when Taylor Potts threw an 8-yard pass to Lyle Leong  The next touchdown came a little over two minutes later with an 11-yard touchdown reception by Austin Zouzalik from Taylor Potts  The last touchdown was scored with 2:34 left in the quarter by Taylor Potts and Lyle Leon when Potts threw a 27-yard pass to Leon  At the end of the quarter the score was 35–3 Steven Sheffield, the Red Raiders backup quarterback, made his season debut when he came in for Taylor Potts during the final quarter after two touchdowns by the Red Raiders and a field goal by the Owls  The first Red Raider touchdown came only nine seconds into the quarter with a 34-yard touchdown reception by Eric Stephens from Taylor Potts  Matt Williams failed to convert the extra point kick  The Owls scored their only touchdown with 11:02 left on the clock  Taylor Potts last touchdown of the game came by way of a 30-yard pass to Tramain Swindall with 9:10 left in the game  The extra point attempt was good  The Red Raiders final score, and Steven Sheffield's first for the season came with 4:33 left in the game when Sheffield threw a 26-yard pass to Tramain Swindall  The PAT was converted by Matt Williams  The final score for the game was 55–10 The Texas Tech Red Raiders rushed for 52 yards and passed for 508 yards  Taylor Potts attempted 57 passes, completing 36 for 456 yards  Steven Sheffield completed 4 out of 6 passes for 52 yards  Potts threw seven touchdown passes to Sheffield's one  Neither Potts nor Sheffield threw an interception The Owls rushed for 60 yards, passed for 197 yards, and scored 1 touchdown 

At Texas
The Texas Tech Red Raiders competed against the Texas Longhorns at Darrell K Royal-Texas Memorial Stadium on September 9, 2009  For the second year in a row the matchup was highlighted on ESPN's GameDay The series between Texas Tech and Texas originated in Austin in 1928 and the two teams have met annually since 1960  Before the game, Texas led the series 43–15–0  The Red Raider's victory in the 2008 season was only the second time in the last 10 meetings The Texas Tech Red Raiders received the opening kick off and returned it 28 yards  The Red Raiders opening driving ended with a 41-yard field goal by Matt Williams  On their second drive the Longhorns scored by returning a Red Raider punt 46 yards for a touchdown  The score at the end of the first quarter was 3–7 The Red Raiders did not score in the second quarter, and would hold the Longhorns to only a field goal  At the half the score was 3–10 The third quarter saw two touchdowns by both the Red Raiders and the Longhorns  The Longhorns scored a touchdown and successful PAT, on their opening drive of the second half  On the next possession the Red Raiders answered the Longhorns score with a touchdown and successful PAT of their own  The Red Raiders first touchdown of the game came by way of a 14-yard pass to Lyle Leong by Taylor Potts and the PAT was kicked by Matt Williams  After an unsuccessful on-side kick by the Red Raiders, Texas's next drive would end with a touchdown and PAT  The Red Raiders next drive proved as fruitful as their previous ending with a 10-yard touchdown pass by Potts to Leong  The final score at the end of the quarter was 17–24 The Red Raider's first two possessions of the fourth quarters ended in a turnovers  The second of which resulted in a Longhorn touchdown, their last of the game  The Red Raiders last score came on their next possession by way of a 22-yard touchdown reception by Tramain Swindall from Taylor Potts  The Longhorns would score the final points of the game with a field goal  The final score of the game was 24–34 The Longhorns rushed for 135 yards and the Longhorns' Colt McCoy attempted 34 passes completing 24 for 205 yards and was intercepted twice  The Red Raiders rushed for -6 yards and fumbled the ball once  Taylor Potts completed 46 passes out of an attempted 62 for a total of 420 yards  Potts was intercepted once 

At Houston
The Texas Tech Red Raiders faced the Houston Cougars at Robertson Stadium in Houston Texas on September 26  This non-conference game was the 28th time the two teams meet, however this was the first time the Red Raiders have played at Robertson Stadium  The Red Raiders ultimately lost the game with a final score of 28–29, dropping their record to 2–2 

New Mexico
The Red Raiders competed against the New Mexico Lobos at Jones AT&T Stadium in Lubbock, Texas, on October 3, 2009  Going into the game, the Red Raiders led the series with a record of 32–6–2  This was the first meeting of the two teams since 2004  The Red Raiders beat the Lobos with a final score of 48–28  Taylor Potts led the Raiders to a score on their first possession of the game, but he left the game with an injury in the second quarter, and Steven Sheffield came in late in the second quarter  Sheffield's 25-yard touchdown pass to Alexander Torres gave the Raiders a 14-7 halftime lead 
Sheffield threw two third-quarter touchdown passes, including a 62-yard catch and run by Harrison Jeffers, as the Raiders extended their lead to 35-7  Jeffers added two more touchdown runs in the fourth quarter to finish the scoring in Tech's 48-28 win 

Kansas State
The Red Raiders took on the Kansas State Wildcats at Jones AT&T Stadium in Lubbock, Texas, on October 10, 2009  This homecoming game was the 11th meeting of the two teams  The Red Raiders had won the previous four games against the Wildcats and had a record of 5–1 at home against the team prior to this game  The game was regionally televised on FSN  The Red Raiders beat the Wildcats with a final score of 66–14  Tech's 66 points were the most ever scored on a team coached by Bill Snyder 

At Nebraska
The Red Raiders took on the No  15 Nebraska Cornhuskers at the Memorial Stadium in Lincoln, Nebraska on October 17, 2009  Before a crowd of more than 86,000, the Raiders jumped out in front early on a touchdown pass from Sheffield to Baron Batch 
Tech's defense then made the biggest play of the game, with defensive end Daniel Howard picking up a fumbled lateral pass and returning it 82 yards for a touchdown and a 14-0 Red Raider lead  The Raiders were up 24-3 as the defense kept Nebraska's offense in check 
The Red Raider offense was stalled in the second half, but Tech's defense continued to make big plays to keep the Huskers from making a comeback  Defensive end Brandon Sharpe had four of Tech's five sacks, and Sheffield scored on a quarterback sneak to put Tech up by three touchdowns late in the game 
With the win, the Raiders improved to 5-2 and appeared in the AP top 25 for the first and only time during the 2009 regular season at No  21 in the nation 

Texas A&M
The Red Raiders competed against the Texas A&M Aggies at the Jones AT&T Stadium in Lubbock, Texas on October 24, 2009  Tech scored first on a 56-yard touchdown pass from Taylor Potts to Alexander Torres, and Potts hooked up with Edward Britton for another touchdown to give Tech a 14-7 lead late in the first quarter   The Aggies then went on to score 31 straight points in the second and third quarters to pull away 
Attendance for the game was 57,733  It was the largest crowd at football game at Jones AT&T Stadium, beating the previous record of 56,333, set on November 1, 2008 in the game against Texas 

Kansas
The Red Raiders faced the Kansas Jayhawks at the Jones AT&T Stadium in Lubbock, Texas on October 31, 2009  Redshirt freshman quarterback Seth Doege got his first NCAA start because of injuries to Taylor Potts and Steven Sheffield  The Raiders didn't get on the scoreboard until the second quarter, when Doege hit Detron Lewis on a 61-yard touchdown bomb to tie the game at 7-7  Later in the second quarter, Colby Whitlock sacked Todd Reesing and forced a fumble deep in Kansas territory, which the Raiders recovered  Baron Batch scored on a 2-yard run, and the two teams went into halftime tied 14-14 
The Jayhawks took a 21-14 lead into the fourth quarter, but the Raiders put up four touchdowns to pull away  Batch scored three touchdowns on the ground, and Laron Moore added a score on a fumble recovery 

At Oklahoma State
Oklahoma
Tech came into the home game against Oklahoma seeking revenge for the 65-21 rout that the Raiders suffered in the 2008 match-up against the Sooners  The game saw a low-scoring first quarter, with Tech going up 3-0 on their first possession  Taylor Potts put Tech in position to score with passes to Lyle Leong, Edward Britton and Baron Batch to set up Matt Williams' 33-yard field goal 
The game was tied 3-3 after the first quarter, but the Raiders' offense got on track with two second-quarter touchdowns  Batch scored on a 1-yard touchdown run, set up by a 65-yard pass from Potts to Torres  Tech's defense forced a quick OU punt, and Potts then hooked up with Zouzalik on a 21-yard touchdown pass to give the Raiders a 17-6 halftime lead 
Tech's defense shut down the Sooners on Oklahoma's opening possession of the second half, and the Raiders quickly marched 91 yards for another touchdown, with Potts hitting Torres on a 24-yard scoring pass for a 24-6 lead 
Tech cornerback Laron Moore intercepted an Oklahoma pass on the Sooners' next possession, but the Raiders could not push the ball in for a touchdown, settling for a 37-yard field goal from Williams 
On Tech's next possession, the Raiders mounted an 18-play drive that chewed up more than seven minutes before scoring on a 21-yard run by Batch  Oklahoma finally scored their only touchdown on a pass from Landry Jones to Ryan Broyles, but the Raiders added a final touchdown on a 4-yard run by Eric Stephens 

Vs  Baylor
Vs  Michigan State (Valero Alamo Bowl)
Rankings
Passage 3:
Ruffin McNeill
Ruffin Horne McNeill Jr  (born October 8, 1958) is an American football coach and former player who currently serves as the special assistant to the head coach at NC State University  He previously served as the assistant head coach and outside linebackers coach at the University of Oklahoma and the assistant head coach and defensive line coach at the University of Virginia  McNeill also served as the head coach of the East Carolina Pirates from 2010 to 2015  Before being named head coach of the Pirates, McNeill served the Texas Tech Red Raiders as an interim head coach, assistant head coach, special teams coordinator, and linebackers coach   On December 28, 2009, he was named interim head coach of the Red Raiders following the suspension and later firing of head coach Mike Leach  He served in the position until the hiring of Tommy Tuberville, who subsequently released him as defensive coordinator 

Playing career
McNeill was a defensive back for the East Carolina Pirates for four years under then head coach Pat Dye  For three of his years at ECU he was a starter, and for two he served as team captain  In his first year with the Pirates, McNeill helped East Carolina to the 1976 Southern Conference Championship and a berth to the Independence Bowl two years later 
McNeill graduated from East Carolina University in 1980  He later went on to Clemson where he earned a master's degree in counseling 

Coaching career
In addition to coaching at the high school level and spending a summer as an intern with the Miami Dolphins under Jimmy Johnson, McNeill has coached 23 seasons at the college level, including seven seasons at Appalachian State, his first job as defensive coordinator  In total, he has been on the coaching staffs at Clemson, Austin Peay State, North Alabama, Appalachian State, UNLV, Fresno State, and Texas Tech 

Texas Tech
McNeill began his tenure at Texas Tech in 2000 as a linebackers coach  In 2003, he accepted the role of assistant head coach as well as taking duties of linebackers coach  In 2007, then-defensive coordinator Lyle Setencich stepped down due to "personal reasons" after a 49–45 loss to Oklahoma State in which the Texas Tech defense allowed over 600 yards of total offense and three 100 yard rushers  Head coach Mike Leach named McNeill interim defensive coordinator shortly after with eight games remaining in the season 
On December 28, 2009, Leach was suspended, and fired two days later, by Texas Tech University over the alleged inappropriate treatment of an injured player  McNeill was named interim head coach and led the team to a 41–31 victory over the Michigan State Spartans in the 2010 Alamo Bowl before being replaced as head coach by Tommy Tuberville  On January 13, 2010, McNeill was removed from the Texas Tech coaching staff by Tuberville and replaced with James Willis 

Defensive improvements
With McNeill at the defensive helm, the Red Raiders' defense improved in every defensive category  Under Setencich, Tech ranked seventh in pass defense, ninth in total defense, and tenth in scoring defense in Big 12 Conference play  In nine games with McNeill, Tech improved to first in pass and total defense and fourth in scoring defense  The Red Raiders forced more punts and allowed fewer rushing and passing yards than they did to begin the season  These vast improvements in the defense led Leach to drop the interim tag and make McNeill the full-time defensive coordinator 

East Carolina
On January 21, 2010 it was announced that Ruffin McNeill would be named head football coach at his alma mater, East Carolina, replacing Skip Holtz, who had recently left for the head coaching job at the University of South Florida After seasons of 6-7 and 5-7, in 2012 East Carolina posted an 8-5 record which included an appearance in the New Orleans Bowl  In 2013, McNeill's Pirates posted the second-most wins in school history, going 10-3 including a win over Ohio University in the 2013 Beef 'O' Brady's Bowl  The season also included wins over in-state rivals North Carolina and North Carolina State  In 2014, however, most felt the Pirates underachieved, marking an 8-5 record and losing 4 out of their last 6 games 
On December 4, 2015, McNeill was relieved of his duties as head coach after finishing the season with a record of 5-7 

Oklahoma
McNeill was named the assistant head coach and defensive tackles coach at the University of Oklahoma on June 14, 2017  He was named interim defensive coordinator on October 8, 2018 replacing the fired Mike Stoops   With the hiring of Alex Grinch as the defensive coordinator in January 2019, McNeill was retained on the OU staff as assistant head coach and outside linebackers coach 
McNeill resigned from Oklahoma at the conclusion of the 2019 season 

NC State
McNeill was announced as the special assistant to head coach Dave Doeren at NC State on July 7, 2020 

Personal
McNeill and his wife, Erlene, have two daughters, Olivia and Renata, one grandchild Isabella and a brother Reggie 
McNeill is a member of the Omega Psi Phi fraternity 

Head coaching record
Passage 4:
2002 Texas Tech Red Raiders football team
The 2002 Texas Tech Red Raiders football team represented Texas Tech University as a member of the Big 12 Conference during the 2002 NCAA Division I-A football season  In their third season under head coach Mike Leach, the Red Raiders compiled a 9–5 record (5–3 against Big 12 opponents), finished in a tie for third place in Southern Division of the Big 12, defeated Clemson in the 2002 Tangerine Bowl, and outscored opponents by a combined total of 537 to 439  The team played its home games at Jones SBC Stadium in Lubbock, Texas 
Quarterback Kliff Kingsbury totaled 5,017 passing yards and received the Sammy Baugh Trophy  Lawrence Flugence set the NCAA single-season record for most tackles 

Schedule
Roster
Game summaries
At Ohio State
At SMU
Ole Miss
NC State
At New Mexico
At Texas A&M
At Iowa State
Missouri
At Colorado
Baylor
Oklahoma State
Texas
At Oklahoma
Vs  Clemson (Tangerine Bowl)
Team players in the NFL
Passage 5:
2004 Texas Tech Red Raiders football team
The 2004 Texas Tech Red Raiders football team represented Texas Tech University as a member of the Big 12 Conference during the 2004 NCAA Division I-A football season  In their fifth season under head coach Mike Leach, the Red Raiders compiled an overall record of 8–4 record with a mark of 5–3 in conference play, finished in a tie for third place in Southern Division of the Big 12, defeated California in the 2004 Holiday Bowl, and outscored opponents by a combined total of 434 to 314  The team played its home games at Jones SBC Stadium in Lubbock, Texas 
The team was led by senior quarterback Sonny Cumbie, who finished the season with 4,742 passing yards, 32 touchdowns, and 18 interceptions, leading the NCAA in passing yards  Cumbie would later serve as an assistant coach for the program starting in 2009, eventually being promoted to co-offensive coordinator in 2013  He would then serve as TCU's offensive coordinator from 2014 to 2020  Cumbie would return to Texas Tech following the 2020 season, being hired as offensive coordinator and quarterbacks coach under head coach Matt Wells  In 2021, Cumbie would be promoted to interim head coach after Wells was fired on October 25 

Previous season
The 2003 team finished the season 8–5, 4–4 in Big 12 play, finishing in 4th place in the Southern Division  The team was invited to the Houston Bowl, defeating Navy 38–14  Quarterback B  J  Symons won the Sammy Baugh Trophy, while wide receiver Wes Welker won the Mosi Tatupu Award 

NFL draftees
Schedule
Personnel
Game summaries
At SMU
At New Mexico
TCU
The Horned Frogs jumped out to a 21–0 lead midway through the second quarter before the Red Raiders scored 56 unanswered points 

At Kansas
Texas Tech got on the board first, with Kansas running back John Randle being tackled in his own end zone for a safety  The Jayhawks then scored 14 unanswered points, with a 36-yard pass from Adam Barmann to Randle and a 1-yard Randle run  Texas Tech would then respond with a 34-yard field goal from Alex Trlica with under a minute left in the first quarter  Kansas went on another scoring run in the second, scoring 16 unanswered points, including a pass from wide receiver Charles Gordon to Brandon Rideau  Gordon would then score on a receiving touchdown from Barmann, but the ensuing two-point pass would fail  The Red Raiders would score their first touchdown in the closing seconds of the first half, with a 32-yard pass from Sonny Cumbie to Trey Haverty  Texas Tech would attempt a two-point conversion, but the pass fell incomplete  The Red Raiders went into halftime trailing 11–30  The Jayhawks were shutout in the second half as the Red Raiders scored 20 unanswered points, with running back Taurean Henderson scoring the game-winning touchdown with 2:37 left 
Quarterback Sonny Cumbie had an uneven game, completing 28-of-52 passes (53 8%) for 356 yards with two touchdowns and four interceptions  Wide receiver Danny Amendola lost a fumble, bringing the Red Raiders' turnover total to five  The Jayhawks would capitalize on the turnovers, scoring 16 points off of turnovers  Kansas would commit three turnovers, all interceptions by quarterback Adam Barmann 

At Oklahoma
Nebraska
Texas Tech forced eight turnovers while only committing one and had 523 yards of total offense while Nebraska only had 292  The 70 points given up and the 60 point margin of defeat are both the largest in Nebraska school history  In 2020, the Omaha World-Herald ranked this game as the seventh most painful loss in the Cornhuskers' history since a 36–62 loss to Colorado in 2001 

Texas
At Kansas State
Baylor
At Texas A&M
Oklahoma State
Vs  California (Holiday Bowl)
Rankings
Players drafted into the NFL
Passage 6:
2012 Washington State Cougars football team
The 2012 Washington State Cougars football team represented Washington State University during the 2012 NCAA Division I FBS football season  The team was coached by first-year head coach Mike Leach and played their home games at Martin Stadium in Pullman, Washington  They were members of the North Division of the Pac-12 Conference  They finished the season 3–9, 1–8 in Pac-12 play to finish in last place in the North Division 

Schedule
Game summaries
BYU
On a nationally televised broadcast, Mike Leach's first game as head coach of the Washington State Cougars was a 30-6 blowout loss to BYU, the former Texas Tech coach's alma mater  Despite Leach's offenses being typically known for their high scoring shootouts, the Wazzu Cougars were unable to score a single touchdown  This marked the first time that a Leach-led offense failed to score a touchdown since 2006, when Texas Tech lost to TCU 12-3  Wazzu quarterback Jeff Tuel threw for 228 yards and two interceptions, while the offense ran for -4 yards on the ground  The only points for the Washington State Cougars came from two field goals in the second quarter  BYU now leads the series 3–1 

Eastern Washington
Of Note: Andrew Furney made a 60 yard field goal at the end of the first half, which would ultimately prove the difference 

UNLV
Colorado
Oregon
Oregon State
1st quarter scoring: ORST - Trevor Romaine 30-yard field goal 
2nd quarter scoring:	WSU - Andrew Furney 24-yard field goal; ORST - Trevor Romaine 24-yard field goal GOOD 
3rd quarter scoring:
4th quarter scoring:

California
Stanford
Utah
UCLA
The Bruins lead the series 18-39-1, which was started in 1928



ground_truth: Mimosa

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Was Atom Egoyans biggest commercial success on stage or on film?

The following are given passages.
Context 3: Passage 1:
Rasel
Rasel may refer to:

Rasel (singer), (born Rafael Abad Anselmo), Spanish singer
Rasel (actor), Bangladeshi film actor
Syed Rasel, Bangladeshi cricketer
Passage 2:
For Those Who Think Young (album)
For Those Who Think Young, appearing on the album cover as (for those who think young) and originally to be entitled for those who think jung, is the third album by Canadian new wave band Rough Trade; it was released in 1981 (True North TN-48 in Canada; Boardwalk NB-33261-1, US; Big Time, UK; CBS 85385, The Netherlands)  It climbed to #9 in Canada on the RPM Top 50 Albums Chart on November 7, 1981 (putting it at #1 on the CANCON Chart listing), and held the position for three weeks, dropping out of the Top 50 after sixteen weeks on February 6 of the following year  It was certified gold in Canada by the CRIA on November 1, 1981  The single "All Touch" gave the band its biggest commercial success, reaching #12 in Canada on the RPM Top 50 Singles Chart (#2 on the CANCON Chart) and #58 on the U S  Billboard Hot 100 Singles released from the album included "All Touch" (b/w "Baptism of Fire") [True North TN4-165], "Blood Lust" (b/w "Bodies In Collision") [True North TN4-170], "For Those Who Think Young" (b/w "Attitude") [True North TN4-171], all 1981 Canadian releases in picture sleeves, and the 1982 U S  release of "All Touch" (b/w "The Sacred And The Profane") [Boardwalk NB-11-167-7] 

Track listing
Personnel
Carole Pope – Songwriter, lead vocals
Kevan Staples – Vocals, guitar, piano, synthesiser, producer
David McMorrow – Vocals, piano, Rhodes, synthesisers
Terry Wilkins – Vocals, Fender fretless bass
Bucky Berger – Vocals, drums
Gene Martynec – Producer
Gary Gray – Engineer
Rick Starks – Assistant engineer
Jack Skinner – Mastering
Peter J  Moore – Remastering, restoration
Dusty Springfield – Backing vocals
Shawne Jackson – Backing vocals
Colina Phillips – Backing vocals
Derek Taylor – Make-up

Charts
Singles
Passage 3:
Zooey Deschanel filmography
American actress, model, musician, and singer-songwriter Zooey Deschanel made her film debut in the 1999 comedy feature Mumford  She went on to gain public attention by co-starring in the comedy-drama Almost Famous (2000), the independent drama Manic (2001) opposite Joseph Gordon-Levitt, and the comedy drama The Good Girl (2002)  She landed her first major role as an 18-year-old virgin in the romantic drama All the Real Girls (2003), for which she was nominated for an Independent Spirit Award for Best Female Lead  One of Deschanel's biggest commercial successes came with the Christmas-fantasy film Elf (2003), which grossed over $220 million worldwide In 2005, Deschanel played Tricia McMillan in Garth Jennings' The Hitchhiker's Guide to the Galaxy, an adaption of the media franchise of the same name  She followed this with a series of comedy films, including Winter Passing (2005), Failure to Launch (2006), The Go-Getter (2007), and Peyton Reed's Yes Man (2008)  Deschanel played a radiant dream girl in the independent romantic drama (500) Days of Summer (2009), also opposite Gordon-Levitt, for which she garnered a nomination for Best Actress in a Motion Picture at the 14th Satellite Awards  She voiced Bridget in the animated family comedy Trolls (2016), which earned her an Annie Award nomination for Voice Acting in a Feature Production Deschanel made her television debut in the sitcom Veronica's Closet in 1998  She later starred as DG in the miniseries Tin Man (2007), a science fiction re-imagining of The Wonderful Wizard of Oz  The miniseries averaged more than 6 3 million viewers during its first night, making it the top rated cable miniseries of 2007  She voiced Mary Spuckler in three episodes of The Simpsons, since debuting in the 2008 episode "Apocalypse Cow", and guest-starred with her sister Emily in a 2009 episode of the Fox crime procedural drama Bones  In 2011, she landed a starring role in the Fox sitcom New Girl  For her portrayal as goofy school teacher Jessica Day, she received nominations for three Golden Globe Awards and a Primetime Emmy Award, and won the Critics' Choice Television Award for Best Actress in a Comedy Series 

Film
Television
Music videos
Video games
Discography
Soundtrack performances
Guest album appearances
Notes
Passage 4:
Self Control (album)
Self Control is the third studio album by American singer Laura Branigan, released in April 1984, by Atlantic Records  The album peaked at number 23 on the US Billboard 200 and has been certified platinum by the Recording Industry Association of America (RIAA)  Internationally, it charted within the top five in several continental European countries 
Four singles were released from the album, including Branigan's cover version of Raf's "Self Control", which was a commercial success, peaking at number four on the US Billboard Hot 100 and topping the charts in Canada and several European countries  Additionally, "The Lucky One" peaked at number 20 on the Billboard Hot 100, while her cover of Umberto Tozzi's "Ti amo" reached number two in Australia and number five in Canada 
A remastered and expanded edition of Self Control was released on April 25, 2013, by Gold Legion, including remixes of "The Lucky One" and "Satisfaction", as well as the extended version of "Self Control" 

Track listing
Notes
^[a]  signifies English lyrics
^[b]  signifies original music
^[c]  signifies original words

Personnel
Credits adapted from the liner notes of Self Control 

Musicians
Technical
Jürgen Koppers – engineering, mixing
Harold Faltermeyer – additional engineering
Peter Luedemann – additional engineering
Jeremy Smith – additional engineering
Gary Skardina – additional engineering
Keith Buckley – engineering assistance
Jon Ingoldsby – engineering assistance
Matt Forger – engineering assistance
Brian Gardner – mastering
Jack White – production, executive production
Robbie Buchanan – production

Artwork
Tim Lohman – front cover photo
Paul Lohman – creative direction
Bob Defrin – art direction
Lynn Dreese Breslin – design
Daniela Scaramuzza – back cover photo

Charts
Certifications
Notes
Passage 5:
Chloe (film)
Chloe is a feminine given name 
Chloe may also refer to:

Places
Chloe, West Virginia, an unincorporated community
402 Chloë, an asteroid named after the goddess

Arts, entertainment, and media
Films
Chloé (1996 film), a French television film starring Marion Cotillard
Chloe (2009 film), an erotic thriller film
Chloe, Love Is Calling You, a 1934 American film directed by Marshall Neilan

Music
Chloe, an album by Willie Nelson
"Chloe", a song by Grouplove
"Chloe", a single from Elton John's album The Fox
"Chloe", a song by Spike Jones
"Chlo-e (Song of the Swamp)"
"Chloe (You're the One I Want)", the debut single of American pop rock trio Emblem3 from Nothing to Lose

Other arts, entertainment, and media
Chloé (artwork), an 1875 painting by Jules Lefebvre
Chloe (TV series)
Fictional characters with the name (see Chloe)
Chloe (Hollyoaks), a character from the British series Hollyoaks

People
Chloë (Australian singer)
Chloe Bailey (born 1998), American singer known mononymously as Chlöe
Chloe Lowery (born 1987), American singer known mononymously as Chloe

Weather formations
Hurricane Chloe, in the 1967 Atlantic hurricane season
Tropical Storm Chloe, in the 1971 Atlantic hurricane season

Other uses
Chloé, a French luxury fashion house established in 1952
Project CHLOE, a civilian anti-missile defence system
Ethinylestradiol/cyproterone acetate, a birth control pill
Chloe, the brand name of the oral contraceptive co-cyprindiol (cyproterone acetate/ethinylestradiol)
Chloe, an epithet for the Greek goddess Demeter, meaning the green shoot
Chloe, DOS software for handling chess problems

See also
All pages with titles beginning with Chloe
All pages with titles containing Chloe
Chole (disambiguation), a disambiguation page
Cloe, Pennsylvania, an unincorporated community
"@Chl03k", a song by Modern Baseball (band)
Passage 6:
Atom Egoyan
Atom Egoyan  (; Armenian: Աթոմ Եղոյեան, romanized: Atom Yeghoyan; born July 19, 1960) is a Canadian filmmaker  He was part of a loosely-affiliated group of filmmakers to emerge in the 1980s from Toronto known as the Toronto New Wave  Egoyan made his career breakthrough with Exotica (1994), a film set primarily in and around the fictional Exotica strip club  Egoyan's most critically acclaimed film is the drama The Sweet Hereafter (1997), for which he received two Academy Award nominations, and his biggest commercial success is the erotic thriller Chloe (2009)  He is considered by local film critic Geoff Pevere to be one of the greatest filmmakers of his generation Egoyan's work often explores themes of alienation and isolation, featuring characters whose interactions are mediated through technology, bureaucracy, or other power structures  Egoyan's films often follow non-linear plot structures, in which events are placed out of sequence in order to elicit specific emotional reactions from the audience by withholding key information In 2008, Egoyan received the Dan David Prize for "Creative Rendering of the Past " Egoyan later received the Governor General's Performing Arts Award, Canada's highest royal honour in the performing arts, in 2015 

Early life and education
Egoyan was born Atom Yeghoyan on July 19, 1960, in Cairo, then part of the United Arab Republic (now Egypt), to Armenian-Egyptian painters Shushan (née Devletian) and Joseph Yeghoyan  He was named Atom to mark the completion of Egypt's first nuclear reactor  He has a younger sister, Eve  In 1963, the family immigrated to Victoria, British Columbia due to the rise of Arab nationalism, and changed their last name to Egoyan 
As a teenager, Egoyan became interested in reading and writing plays  Influences included Samuel Beckett and Harold Pinter  He also attributes his future in the film industry to Persona (1966), which he viewed at age 14, according to an interview he had with journalist Robert K  Elder for The Film That Changed My Life:

It gave me an incredible respect for the medium and its possibilities  To me, Persona marries a pure form and a very profound vision with absolute conviction  It's very inspiring  I felt that it was able to open a door that wasn't there before 
Egoyan graduated from Trinity College at the University of Toronto  It was at Trinity College that he came into contact with Harold Nahabedian, the Armenian-Canadian Anglican Chaplain of Trinity College  In interviews, Egoyan credited Nahabedian for introducing him to the language and history of his ethnic heritage  Egoyan also wrote for the University of Toronto's independent weekly, The Newspaper, during his time at the school 

Career
Egoyan began making films in the early 1980s; his debut film Next of Kin (1984) world-premiered at the International Filmfestival Mannheim-Heidelberg and won a major prize  He directed the 1985 Twilight Zone episode "The Wall"  His commercial breakthrough came with the film Exotica (1994)  He received the Grand Prix (Belgian Film Critics Association) in Brussels, the FIPRESCI Jury Prize at the Cannes Film Festival, and Best Motion Picture at the Canadian Screen Awards (then called the Genie Awards)  However, it was Egoyan's first attempt at adapted material that resulted in his best-known work, The Sweet Hereafter (1997), which earned him three prizes at the 50th Cannes Film Festival: the Grand Prix, the FIPRESCI Jury Prize, and the Prize of the Ecumenical Jury  The film also earned Egoyan Academy Award nominations for Best Director and Best Adapted Screenplay 
The film Ararat (2002) generated much publicity for Egoyan  After Henri Verneuil's French-language film Mayrig (1991), it was the first major motion picture to deal directly with the Armenian genocide  Ararat later won the award for Best Motion Picture at the Canadian Screen Awards, marking his third win  The film was released in over 30 countries around the world  In 2004, Egoyan opened Camera Bar, a 50-seat cinema-lounge on Queen Street West in Toronto  The bar has since closed Beginning in September 2006, Egoyan taught at the University of Toronto for three years  He joined the Faculty of Arts and Science as the Dean's Distinguished Visitor in theatre, film, music, and visual studies  He subsequently taught at Ryerson University  In 2006, he received the Master of Cinema Award of the International Filmfestival Mannheim-Heidelberg 
In 2009, he directed the erotic thriller Chloe, which was theatrically released by Sony Pictures Classics on March 26, 2010  This film grossed $3 million in box office sales in the United States and became one of the higher-grossing specialty films of the year in the United States  Several months after the DVD/Blu-ray release of Chloe, Egoyan said that Chloe had made more money than any of his previous films  The success of Chloe led Egoyan to receive many scripts of erotic thrillers In 2012, he directed a production of Martin Crimp's Cruel and Tender, starring Khanjian, at Canadian Stage in Toronto After the release of the West Memphis Three from 18 years in prison, Egoyan directed a movie about the case called Devil's Knot (2013) starring Reese Witherspoon and Colin Firth, based on a book, Devil's Knot: The True Story of the West Memphis Three by Mara Leveritt  His next feature, The Captive (2014), starred Ryan Reynolds and screened in competition for the Palme d'Or at the 2014 Cannes Film Festival, where it received largely negative reviews from critics  Justin Chang from Variety described the film as "a ludicrous abduction thriller that finds a once-great filmmaker slipping into previously un-entered realms of self-parody "In 2015, Egoyan directed the thriller Remember, which starred Christopher Plummer and premiered at the Toronto International Film Festival in September, before being given a limited release in theatres  His latest film is the drama Guest of Honour, was nominated for a Golden Lion in competition in Venice in 2019, had a Special Presentation at the Toronto International Film Festival, and opening night galas in Vancouver and Montreal 
Beginning around 1996, Egoyan has directed several operas, including Salome, Così fan tutte, and The Ring Cycle, at the Canadian Opera, Vancouver Opera, Pacific Opera Victoria, and elsewhere 

Personal life
Egoyan is based in Toronto, where he lives with his wife, actress Arsinée Khanjian, who appears in many of his films, and their son, Arshile (named after the Armenian-American painter Arshile Gorky) 
In 1999, Egoyan was made an Officer of the Order of Canada; he was promoted in 2015 to Companion of the Order of Canada, the highest grade of the honour  In 2009, he won the 'Master of Cinema' award from the Mannheim Film Festival, 25 years after receiving his international festival premiere at the same event  In 2017, Egoyan was presented with the Lifetime Achievement Award at the International Film Festival of India 

Filmography
Feature films
TV films
In This Corner (1986)
Gross Misconduct (1993)
Sarabande (1997)
Krapp's Last Tape (2000)

Short films
Howard in Particular (1979)
After Grad with Dad (1980)
Peep Show (1981)
Open House (1982)
Men: A Passion Playground (1985)
Looking for Nothing (1988)
Montreal Stories (Montréal vu par   ) (1991)
segment: En passant (In Passing)
A Portrait of Arshile (1995)
The Line (2000)
Diaspora (2001)
Chacun son cinéma / To Each His Own Cinema (2007)
segment: Artaud Double Bill
Venezia 70 Future Reload (2013)
segment: Butterfly
Festival du Nouveau Cinéma (2014)
segment: L'Apparition (d'après René Magritte)

Documentary films
Citadel (2003)

Bibliography
Dear Sandra, Volumina (2007)
Passage 7:
Saif Ali Khan
Saif Ali Khan Pataudi (pronounced [ˈsæːf əˈli xaːn]; born Sajid Ali Khan Pataudi; 16 August 1970) is an Indian actor and film producer who works in Hindi films  Part of the Pataudi family, he is the son of actress Sharmila Tagore and cricketer Mansoor Ali Khan Pataudi 
Khan made his acting debut in Parampara (1993)  He failed to earn hits with solo lead films in the 90s and had rare successes only in the multi-starrers Yeh Dillagi (1994), Main Khiladi Tu Anari (1994), Kachche Dhaage (1999) and Hum Saath-Saath Hain (1999)  It was the 2000s when Khan proved his potential as an established actor starting with the sleeper hit Kya Kehna (2000) and won several accolades for the ensemble romantic comedy-dramas Dil Chahta Hai (2001) and Kal Ho Naa Ho (2003)  Further critical and commercial success came with Hum Tum (2004), Parineeta (2005), Salaam Namaste (2005) and Ta Ra Rum Pum (2007) 
Khan also earned critical acclaim for playing a manipulative businessman in Ek Hasina Thi (2004), an apprentice in the English film Being Cyrus (2006) and an antagonist in Omkara (2006)  His biggest hits as lead include Race (2008), Love Aaj Kal (2009), Cocktail (2012) and Race 2 (2013)  After another string of under-performing ventures, Khan was appreciated for headlining Netflix's first original Indian series Sacred Games (2018) and the main antagonist in the historical drama Tanhaji (2020), which ranks as his highest grossing release 
Khan has won several accolades, including a National Film Award and seven Filmfare Awards, and received the Padma Shri, the fourth highest Indian civilian award in 2010  He has been noted for his performances in a range of film genres—from crime dramas to action thrillers and comic romances  In addition to film acting, Khan is a frequent television presenter, stage show performer, and the owner of the production companies Illuminati Films and Black Knight Films 

Early life and family
Khan was born on 16 August 1970 in New Delhi, India to Mansoor Ali Khan Pataudi, a former captain of the Indian national cricket team, and his wife Sharmila Tagore, a film actress  Khan's father, who was the son of the last ruling Nawab of the princely state of Pataudi during the British Raj, received a privy purse from the Government of India under terms worked out in the Political integration of India and was allowed to use the title Nawab of Pataudi until 1971 when the title was abolished  Following Mansur Ali Khan's death in 2011, a symbolic pagri ceremony was held in the village of Pataudi, Haryana to "crown" Khan as the "tenth Nawab of Pataudi", which Khan attended to please the sentiments of the villagers, who wanted him to continue a family tradition  Khan has two younger sisters, jewelry designer Saba Ali Khan and actress Soha Ali Khan, and is the paternal grandson of Iftikhar Ali Khan Pataudi who played for the Indian cricket team in England in 1946, and Sajida Sultan, the Nawab Begum of Bhopal  Hamidullah Khan, the last ruling Nawab of Bhopal was his great-grandfather, and the cricketer Saad Bin Jung is his first cousin Speaking about his childhood, Khan said that he was exposed to a "life beyond movies", and his mother described him as someone who was "not an easy child [   ] He was impulsive [and] spontaneous " Saif grew up a Muslim, but now identifies as agnostic  As a child, he recalls fond memories of watching his father playing cricket in the garden, and has emphasised his father's education and background as having a lasting impression on how family life was conducted  Khan studied at The Lawrence School, Sanawar in Himachal Pradesh and was later sent to Lockers Park School in Hertfordshire at the age of nine  He next enrolled at Winchester College and explained that "I did not take advantage of my tenure [there]  My classmates went on to Oxford and Cambridge, but I was not academically inclined  When I applied myself, which was not often, I stood first  I should have studied harder "After graduating from the boarding school, Khan returned to India and worked for an advertising firm in Delhi for two months  He later appeared in the television commercial for Gwalior Suiting on the insistence of a family friend, and was subsequently cast by director Anand Mahindroo  The project eventually got cancelled but Khan relocated to Mumbai to pursue a career in film; he recalls, "Finally I had some direction and focus  I remember [   ] feeling so excited that I could go to Mumbai, stay in my own place and enjoy the adventure of starting my own career "

Personal life and career
First marriage, early roles and career struggles (1991–2000)
In 1991, Khan was cast as the male lead in Rahul Rawail's romantic drama Bekhudi (1992) alongside debutante Kajol, but after completing the first shooting schedule of the film, he was considered to be unprofessional by Rawail and was replaced by Kamal Sadanah  While filming Bekhudi, Khan met actress Amrita Singh whom he married in October 1991  Singh gave birth to their daughter, Sara Ali Khan (b  1995) and a son (b  2001)  The couple separated in 2004 In 1993, Khan made his acting debut with Yash Chopra's Parampara  The film, which tells the story of two estranged brothers (played by Aamir Khan and Khan), failed to find a wide audience  In 1993, he appeared opposite Mamta Kulkarni and Shilpa Shirodkar in the box office flops Aashiq Awara and Pehchaan  For his performance in the former, Khan earned the Filmfare Award for Best Male Debut at the 39th Filmfare Awards Following an appearance in the moderately successful Imtihaan (1994) with Raveena Tandon and Sunny Deol, Khan paired up with Akshay Kumar for next two releases— Yash Raj Films' hit romantic comedy-drama Yeh Dillagi and the action film Main Khiladi Tu Anari  The former was an unofficial remake of the 1954 Hollywood film Sabrina, and depicted a love triangle between a chauffeur's daughter (played by Kajol) and the two sons of her father's employers (played by Kumar and Khan)  Main Khiladi Tu Anari (the second film in the Khiladi series) featured Khan as an aspiring actor, and emerged as the fifth highest-grossing film of the year  Bollywood Hungama reported that the success of both films proved a breakthrough for Khan, and his performance in Main Khiladi Tu Anari fetched him his first nomination for the Best Supporting Actor at the Filmfare Awards  The Indian Express singled out his performances in both films, noting his comic timing in the latter as keeping the audience "in splits whenever he appears on screen"  Khan's next two releases of the year, the dramas Yaar Gaddar and Aao Pyaar Karen, were unsuccessful  His career observed a steady decline through the 1990s; all nine films he starred—Surakshaa (1995), Ek Tha Raja (1996), Bambai Ka Babu (1996), Tu Chor Main Sipahi (1996), Dil Tera Diwana (1996), Hameshaa (1997), Udaan (1997), Keemat: They Are Back (1998) and Humse Badhkar Kaun (1998)—were commercially unsuccessful  During this time, the critics perceived his career to be over 
After four consecutive years of poorly-received films, Khan's career prospects began to improve in 1999; he appeared in four films: Yeh Hai Mumbai Meri Jaan, Kachche Dhaage, Aarzoo and Hum Saath-Saath Hain  The romantic comedy Yeh Hai Mumbai Meri Jaan (alongside Twinkle Khanna) and the romance Aarzoo (alongside Madhuri Dixit and Akshay Kumar) earned little at the box office, but the action-thriller Kachche Dhaage (a story about two estranged brothers becoming the target of a terrorist conspiracy) was Khan's first commercial success since Main Khiladi Tu Anari  Directed by Milan Luthria, the film was generally well received but critics noted that Khan was overshadowed by co-actor Ajay Devgn  The film, however, earned Khan his second Best Supporting Actor nomination at Filmfare  Khan described his final release of the year, the Sooraj Barjatya-directed family drama Hum Saath-Saath Hain, as a "morale-booster"  The film featured an ensemble cast (Mohnish Behl, Tabu, Salman Khan, Sonali Bendre and Karisma Kapoor) and emerged as the highest-grossing film of the year, earning over ₹800 million (US$10 million) worldwide  During the filming of Hum Saath-Saath Hain, Khan was charged with poaching two blackbucks in Kankani along with co-stars Salman, Tabu, Bendre and Neelam Kothari  That year, he also appeared briefly in the David Dhawan-directed comedy Biwi No 1, a box office hit The drama Kya Kehna by director Kundan Shah was Khan's only release of 2000, in which he played the casanova Rahul Modi  Co-starring alongside Preity Zinta and Chandrachur Singh, Khan compared the portrayal of his character with his own evolving maturity as a father  The film addressed themes of single parenthood and teenage pregnancy and emerged a sleeper hit  The Indian Express believed that Khan "looks debauched enough to be the rogue he plays  He is the only dark aspect in a film that is sunny and bright even at its most tragic "

Rise to prominence (2001–2004)
In 2001, Khan appeared in Eeshwar Nivas' box office flop Love Ke Liye Kuch Bhi Karega, (a film loosely inspired by the 1996 black comedy Fargo) following which he featured alongside Aamir Khan and Akshaye Khanna in Farhan Akhtar's coming-of-age comedy drama Dil Chahta Hai  Depicting the contemporary routine life of Indian affluent youth, it is set in modern-day urban Mumbai and focuses on a major period of transition in the lives of three young friends  Khan played Sameer Mulchandani, a "hopeless romantic", and was particularly drawn to the qualities of his character  Dil Chahta Hai was highly popular with critics and won the National Film Award for Best Feature Film in Hindi; it performed well in the big cities, but failed in the rural areas, which was attributed by critics to the urban-oriented lifestyle it presented  The feature marked a significant turning point in Khan's career, earning him the Filmfare Award for Best Performance in a Comic Role and awards for Best Supporting Actor at the Screen, Zee Cine and International Indian Academy (IIFA) ceremonies  Rediff com wrote that Khan was able to rise above his "under-sketched character", and the critic Taran Adarsh described him as "excellent", arguing that it was his "career-best performance" 
Following an appearance in two poorly-received films: Rehnaa Hai Terre Dil Mein (2001) and Na Tum Jaano Na Hum (2002), Khan played a photographer in the second chapter ("No Smoking") of Prawaal Raman's anthology ensemble thriller Darna Mana Hai (2003)  The film failed to find a wide audience and earned little at the box office Bollywood Hungama described his next film, the Nikhil Advani-directed romantic comedy-drama Kal Ho Naa Ho (2003), as a "landmark" in his career  Set in New York City, it was written by Karan Johar and co-starred Jaya Bachchan, Shah Rukh Khan and Preity Zinta  With a worldwide revenue of over ₹860 million (US$11 million), the film was received favourably by critics, and became India's biggest hit of the year  It also did well internationally and became the highest-grossing film of the year overseas  Khan was cast in the role of Rohit Patel—a carefree young man who falls in love with Zinta's character—after Advani had seen his performance in Dil Chahta Hai  Writing for Outlook, Komal Nahta described Khan as a "natural" and "extremely endearing", and Ram Kamal Mukherjee from Stardust opined that he was successful in displaying "a gamut of emotions"  Khan garnered several awards for his performance, including his first Filmfare Award for Best Supporting Actor, and expressed gratitude to Shah Rukh for teaching "me so much—mainly the responsibility of the main lead"  He explained that the film's success led to Yash Raj Films casting him in the 2004 romantic comedy Hum Tum  At the end of the year, he appeared briefly as Cpt  Anuj Nayyar in J  P  Dutta's ensemble box office flop LOC Kargil In an attempt to avoid typecasting and broaden his range as an actor, Khan starred as Karan Singh Rathod in the thriller Ek Hasina Thi (2004), a character he described as "a Charles Sobhraj-meets-James Bond kind of a guy"  The film (which marked the debut of Sriram Raghavan) tells the story of a young woman (played by Urmila Matondkar) who meets with Khan's character, and is subsequently arrested for having links with the underworld  When Khan was initially offered the project, he was unable to do it due to his busy schedule  However, he agreed when Raghavan approached him for the second time, and in preparation for the role, exercised extensively for six months to achieve the physical requirements of his character  Upon release, the film was positively received by critics, with Khan's performing earning praise  Film critic Anupama Chopra wrote that Khan gave "an accomplished performance", whilst The Deccan Herald opined that he was successful in "break[ing] out of the cool dude stereotype" and "hold[ing] his own in a movie that is completely Matondkar's " For his performance, Khan received nominations at the Screen, Zee Cine and IIFA ceremonies 
For his next release, Khan featured in a starring role opposite Rani Mukerji in Kunal Kohli's Hum Tum, a romantic comedy about two headstrong individuals who meet at different stages of their lives  He was cast in the role of Karan Kapoor (a young cartoonist and womanizer) after Aamir Khan was unable to do the film; Kohli said, "I realised that the role needed a younger man [   ] someone who could present a more youthful picture  Saif has this unique quality, he can play a 21-year old as well as a 29-year old and was ideal for [the film] " With a worldwide revenue of ₹426 million (US$5 3 million), the film proved one of the biggest commercial successes of the year and Khan's first success in which he played the sole male lead  Rediff com wrote about his performance: "Saif reprises his urbane self from Dil Chahta Hai and Kal Ho Naa Ho, peppering it with occasional fits of introspection and angst, and marking himself as an actor whose time has come " He won the Filmfare Award for Best Performance in a Comic Role, in addition to his first nomination for the Filmfare Award for Best Actor, and was conferred the National Film Award for Best Actor at the 52nd National Film Awards amid much controversy  It marked the beginning of his work with Yash Raj Films, one of the largest production houses in Bollywood  In 2004, Khan began dating model Rosa Catalano whom he separated with three years later 

Established actor and film production (2005–2010)
In 2005, Rediff com published that Khan had established himself as a leading actor of Hindi cinema with starring roles in the romantic drama Parineeta and the comedy-drama Salaam Namaste  An adaptation of Sarat Chandra Chattopadhyay's 1914 Bengali novella by the same name, Parineeta was directed by Pradeep Sarkar, and narrated the love story of an idealist (Lalita, played by Vidya Balan) and a musician (Shekhar, played by Khan), the son of a capitalist businessman  Although the film's producer, Vidhu Vinod Chopra, considered Khan to be too inexperienced for the part, he was persuaded by Sarkar who felt that Khan was perfect for the role  The film garnered critical acclaim upon release and Khan's portrayal earned him his second nomination for the Filmfare Award for Best Actor  Derek Elley from Variety wrote, "Khan, who has gradually been developing away from light comedy, again shows smarts as a substantial actor " Siddharth Anand's Salaam Namaste became the first Indian feature to be filmed entirely in Australia and went on to become the year's highest-grossing Bollywood production outside of India with worldwide ticket sales of ₹572 million (US$7 2 million)  The film tells the story of a contemporary cohabiting Indian couple (Khan and Preity Zinta) and their subsequent struggle with an unexpected pregnancy  Khan played the role of Nikhil Arora, a single modern young man who leaves India to make his own life in Melbourne  The critic Taran Adarsh praised Khan for delivering his third successive performance and Khalid Mohamed noted that he "rescues several untidily written scenes with his neat wit and that flustered [   ] facial expression "
He next played the protagonist in the English language art film, Being Cyrus (2006), co-starring alongside Naseeruddin Shah and Dimple Kapadia  Directed by debutant Homi Adajania, the psychological drama revolves around a dysfunctional Parsi family with who Khan's character moves into  The film received predominantly positive reviews, and Khan was particularly praised  Later in the year, he portrayed the character of Iago in Omkara, the Indian adaptation of William Shakespeare's Othello  Directed by Vishal Bhardwaj, the film is a tragedy of sexual jealousy set against the backdrop of the political system in Uttar Pradesh  The film premiered at the 2006 Cannes Film Festival and was also selected for screening at the Cairo International Film Festival  Omkara was received positively by critics, and Khan went on to receive widespread critical acclaim and accolades, earning the awards for Best Performance in a Negative Role at the Filmfare, Screen, Zee Cine and IIFA ceremonies; his performance was later included in the 2010 issue of the "Top 80 Iconic Performances" by Filmfare  Variety described it as a "powerhouse performance" and wrote that "[i]t is Khan's film through and through, in a performance of rugged, contained malevolence which trades on his previous screen persona as a likable best friend as well as his stint as the manipulative outsider in Being Cyrus  It is smart casting, superbly realized "By 2007, Khan was keen on branching out into film production to "explore various genres of commercial and intellectually stimulating cinema"  The critical success of Being Cyrus led him to create Illuminati Films and partner up with producer Dinesh Vijan, someone whom he shared a "like-minded perspective and ideology [   ] with regard to cinema"  Khan next reunited with producer Vidhu Vinod Chopra in the epic drama Eklavya: The Royal Guard (2007), alongside Amitabh Bachchan, Boman Irani, Sharmila Tagore and Vidya Balan  Set in the state of Rajasthan during the early years of Indian independence, the movie revolves around a jealous and ungrateful ruler and his ailing wife  Although the film did not succeed at the box office, it was chosen as India's official entry to the Oscars  BBC Online described the film as a "cinematic experience" and praised Khan's growth as an actor, particular noting his scene with Bachchan's character  Following an appearance in the poorly-received action-comedy Nehlle Pe Dehlla (a production that had been delayed since 2001), Khan featured opposite Rani Mukerji in the family drama Ta Ra Rum Pum (2007)  Directed by Siddharth Anand, it received mixed reviews from critics, but earned over ₹690 million (US$8 6 million) in India and abroad  Writing for Hindustan Times, Khalid Mohamed praised Khan for displaying a new maturity, but Rajeev Masand thought that neither he nor Mukerji "are able to make much of an impression because their characters are so unidimensional and boring "Khan received further success in 2008, starring in the Abbas–Mustan thriller Race with an ensemble cast including Anil Kapoor, Akshaye Khanna, Bipasha Basu, Katrina Kaif and Sameera Reddy  The feature was loosely adapted from the 1998 American film Goodbye Lover, and became one of the biggest box office hits, earning ₹1 03 billion (US$13 million) worldwide  CNN-IBN's Rajeev Masand found Khan to be a standout among the ensemble, adding that he has "the least dialogue, but the one who makes the best impression"  This was followed by three projects produced by Yash Raj Films: the action-thriller Tashan, the fantasy comedy-drama Thoda Pyaar Thoda Magic, and the animated film Roadside Romeo, all of which were unsuccessful 
In 2009, Khan appeared in the romantic drama Sanam Teri Kasam, a production that had been delayed since 2000  The film garnered negative reviews and poor box office returns  Khan's role was small, and not well received  He next starred in his company's first project: Love Aaj Kal (2009), a romantic comedy-drama from the writer-director Imtiaz Ali  Featured opposite Deepika Padukone, the film documented the changing value of relationships among the youth, and Khan played dual roles—the younger part of Rishi Kapoor's character (Veer Singh) and Jai Vardhan Singh, an ambitious architect  Love Aaj Kal received highly positive reviews by critics and became one of the highest-grossing films of the year, earning over ₹1 billion (US$13 million) worldwide  Gaurav Malani of The Economic Times described his performance as "refreshing natural" and "outstanding"  At the 55th Filmfare Awards, Love Aaj Kal was nominated for Best Film and Khan received his fourth nomination for Best Actor He then starred in the terrorism thriller Kurbaan, alongside Kareena Kapoor, Vivek Oberoi and Dia Mirza  Produced by Dharma Productions, the film marked the directorial debut of Rensil D'Silva and featured Khan in the role of a terrorist  Upon release, Kurbaan was received favourably by critics and Khan's performance was critically acclaimed  A review in The Telegraph praised his "easy transition from a charming lover to a heartless man on a deadly mission "

Career fluctuations and second marriage (2011–2015)
In 2011, he appeared in Prakash Jha's multi-starrer drama Aarakshan  Set in the city of Bhopal, Madhya Pradesh, the film deals with the policy of caste-based reservations in government jobs and educational institutions  Khan portrayed the character of Deepak Kumar, a rebellious student who joins the mafia  To prepare for the role, Khan was required to take acting workshops along with the rest of the cast  Prior to its release, the film was banned from releasing in select cities across India due to its controversial subject  While the film received a mixed critical reaction, his performance was generally well received  The following year, Khan produced both of his films  For his first release, he collaborated once again with director Sriram Raghavan, as the protagonist in the action thriller Agent Vinod  Khan described it as his "most ambitious project", but the film opened to mixed reviews and eventually under-performed at the box office grossing ₹400 million (US$5 0 million) in India on a budget of ₹620 million (US$7 8 million) In his following release, Homi Adajania's romantic comedy-drama Cocktail, he featured as the software engineer Gautam Kapoor  Set in London, the film follows the story of Khan's character and his relationship with two temperamentally different women—an impulsive party girl (Veronica, played by Padukone) and a submissive girl next door (Meera, played by Diana Penty)  Khan described the project as "a love story with a modern sensibility and treatment", and agreed to produce and feature in the film after his role was declined by Imran Khan  Critics were divided in their opinion of the film, but it emerged a financial success grossing over ₹1 2 billion (US$15 million) worldwide  Gaurav Malani of The Times of India described Khan's performance as "effortless" and noted that he was in his "comfort zone"  On 16 October 2012, Khan married actress Kareena Kapoor (after a five-year courtship) in a private ceremony in Bandra, Mumbai, and a reception was later held at The Taj Mahal Palace Hotel and the Lutyens Bungalow Zone in Mumbai and Delhi respectively  The couple have two sons born in 2016 and 2021 respectively 
The following year, Khan collaborated with Padukone for the fourth time (alongside Anil Kapoor, John Abraham, Jacqueline Fernandez and Ameesha Patel) in Abbas–Mustan's Race 2 (2013), an ensemble action thriller that served as a sequel to Race (2008)  The film received predominantly negative reviews from critics, but with a total collection of ₹1 62 billion (US$20 million), it proved to be a commercial success  He was next cast as Boris, a "Russian mafia don", in Raj Nidimoru and Krishna D K 's Go Goa Gone (described as "India's first zom-com") alongside Kunal Khemu and Vir Das  Khan, who bleached his hair for the film, was particularly drawn to the project for its novel concept and its "action, comedy and violence"  The critic Rajeev Masand described the film as "a winning cocktail of laugh-out-loud dialogue and well-timed performances by the three leads", and in particular noted Khan's scene with Khemu's character  His final release of the year was Bullett Raja, a crime drama directed by Tigmanshu Dhulia, and co-starring Jimmy Shergill and Sonakshi Sinha  Khan explained that he found himself challenged playing the role of Raja Mishra (a common man who turns into a gangster) but "totally relied" on Dhulia's guidance  Bullett Raja earned little at the box office and received predominantly negative reviews  Writing for Firstpost, Mihir Fadnavis found Khan to be "miscast" and described his performance as "farcial" In an interview with The Times of India, Khan explained that he regretted starring in the 2014 Sajid Khan-directed comedy Humshakals  Co-starring alongside an ensemble cast (Ritesh Deshmukh, Ram Kapoor, Bipasha Basu, Tamannaah and Esha Gupta), Khan portrayed three different characters in an attempt to "expand my market" and step out of his comfort zone  The Hindustan Times described it as a "dim-witted comedy" and criticised Khan for being "the worst thing about [the film] " He next produced and featured in Happy Ending (2014), a romantic comedy directed by Raj Nidimoru and Krishna D K  NDTV's Saibal Chatterjee found Khan's character of a struggling writer to be "a breezy rejig of his Hum Tum and Salaam Namaste persona of a decade ago", and noted that "the many collegiate hook-ups and break-ups he pulls off in Happy Ending do not look completely at odds with the film's purpose " Humshakals proved to be a commercial disaster and Happy Ending underperformed at the box office Following a brief appearance in the comedy Dolly Ki Doli (2015), he appeared alongside Kaif in Kabir Khan's counter-terrorism drama Phantom (2015)  Based on the book Mumbai Avengers by Hussain Zaidi, the film is a retelling on the aftermath of the 26/11 Mumbai attacks  Khan was cast as Cpt  Daniyal Khan, a former soldier hired by the RAW agency  Phantom generated controversy when the Central Board of Film Censors deemed that the film represented Pakistan in a negative light and banned the film from releasing there  A review in The Hollywood Reporter noted that Khan was "well cast" and "believable" in his role, and Rachit Gupta of Filmfare described his performance as "a heady mix of bravado and restrained intensity [which] works in parts only " Although Khan was pleased with the film's performance, Phantom was generally perceived to be a box-office failure grossing ₹844 million (US$11 million) worldwide on a budget of ₹720 million (US$9 0 million) 

Commercial setbacks and professional expansion (2016–present)
During his year-long absence from the screen, Khan actively looked to play different parts, saying: "These are smarter movies, the interaction with them is deeply rewarding    I think I am finally beginning to understand my sense of style as an actor  I am developing my craft, understanding what acting and communication is " He found the role in his second collaboration with director Vishal Bhardwaj, Rangoon (2017), an epic romance set during World War II  Cast alongside Shahid Kapoor and Kangana Ranaut, Khan drew inspirations from the mannerisms of his grandfather and the character Darth Vader to portray filmmaker Rustom "Rusi" Billimoria  Rajeev Masand termed the film "overlong, indulgent to the point of exhaustion", but praised Khan for "imbu[ing] Russi with the swagger and the arrogance of an aristocrat from the forties" He next starred as the protagonist (Roshan Kalra) in the comedy-drama Chef (2017), an official adaptation of the 2014 film of the same name, from the director Raja Krishna Menon  Khan was pleased to work with Menon and identified with the film due to its "modern, slightly unorthodox take on relationships"  He borrowed several real-life experiences for his character, and in preparation, trained at the JW Marriott Hotels in Mumbai  The film received generally positive reviews with several commentators believing that it was Khan's best performance to that point  Anupama Chopra wrote: "Khan get[s] his groove back    [He] doesn't play Roshan as a hero having a bad day  He gives us a flawed, fumbling man who is trying to repair the broken chords of his life " As with his last few releases, Rangoon and Chef earned little at the box office leading trade analysts to question his commercial appeal Following an appearance in the poorly-received black comedy Kaalakaandi (2018) directed by Akshat Verma, Khan appeared as Inspector Sartaj Singh in India's first Netflix original series, the crime thriller Sacred Games, based on Vikram Chandra's novel of the same name  Cast alongside Nawazuddin Siddiqui and Radhika Apte, Khan was drawn by the opportunity to be part of a "creative zone, devoid of certain pressures and constraints that one would associate with the kind of films we normally do " The show received high critical acclaim; Ankur Pathak of HuffPost called it "a sure-shot winner" and took note of Khan's "stellar performance, one that [he] chews on slowly as he disappears into the broken persona of a tormented cop " In his next release, he starred as the businessman Skakun Kothari in Gauravv Chawla's Baazaar, a drama set against the backdrop of Mumbai's stock exchange market  Khan worked with Chawla to provide off-screen inputs, and was attracted to the idea of playing the antagonist describing it as "a devious character" from the Indian epic poetry Mahabharata  The critic Udita Jhunjhunwala of Mint commended Khan for "blending the right amount of wickedness with willfulness", but Namrata Joshi found him to be "stiff [and] stern     to communicate a rather facetious sense of menace " Baazaar was a box-office failure grossing ₹399 million (US$5 0 million) worldwide on a budget of ₹340 million (US$4 3 million) 
Khan's desire to work in films for artistic merit irrespective of commercial appeal led him to feature as the protagonist in the action-drama Laal Kaptaan (2019)  Directed by Navdeep Singh, it is set in the 18th century and tells the story of a sadhu (Khan) who goes on a killing spree with the intention of exacting revenge upon a subedar  Filming in the barren landscape of rural Rajasthan proved physically daunting for Khan, and in preparation for the role, learnt sword-fighting, horse-riding and worked with a dialect coach to speak in a Rajasthani accent  He described it as "the hardest thing I have done so far", and considered the opportunity a critical learning experience that helped him personally and professionally; it eventually failed to do well  The HuffPost praised Khan's decision to choose "morally ambiguous roles", but noted that he was "too wooden, bereft of any allure or mystery "Khan began the new decade with a starring role in Tanhaji (2020), a historical drama directed by Om Raut  Set in the 17th century, it revolves around a Maratha warrior's (played by Devgn) attempt to recapture the Kondhana fortress from a Rajput fort keeper (Khan)  He was attracted to the idea of starring in a "larger-than-life" film and was challenged by Raut's insistence on overplaying his character; he explained that the process left him "very enriched" and was pleased with the collaboration  Tanhaji was acclaimed by critics and emerged as a major commercial success grossing over ₹3 67 billion (US$46 million) worldwide  Reviewing the film for Film Companion, Anupama Chopra found Khan's performance to be the film's prime asset and credited him for playing "the exaggerated evil with a cheeky panache " The Hindustan Times opined that Khan had delivered his best performance to date noting his "moments of mirth with his sinister laugh amid killing people " Tanhaji earned Khan his second Filmfare Award for Best Supporting Actor  His next release of the year was Jawaani Jaaneman, a comedy-drama about the life of a bachelor (Khan) who discovers that he has a daughter (played by Alaya Furniturewala)  The feature was produced under his new company, Black Knight Films, and received generally positive reviews  Kunal Guha of Mumbai Mirror found that the film allowed Khan to "slip into a familiar-yet-age appropriate avatar in a refreshing coming-of-age story "In 2021, Khan firstly appeared as a politician in Amazon Prime Video's web series Tandav created and directed by Ali Abbas Zafar  He has completed work on Varun V Sharma's crime comedy Bunty Aur Babli 2 opposite Mukerji and Pavan Kripalani's horror comedy Bhoot Police alongside Arjun Kapoor, Yami Gautam and Jacqueline Fernandez and reprise his role as Boris in the sequel of Go Goa Gone, entitled Go Goa Gone 2 with Khemu  In 2022, he collaborated with Hrithik Roshan for the film Vikram Vedha  He received praise for playing an honest cop where Saibal Chatterjee wrote "Saif Ali Khan makes a far better Vikram  He inhabits the character of the tough cop with conviction and exudes the external toughness that defines the man and his mission" 

Off-screen work
Alongside his acting career, Khan has participated in several concert tours and televised award ceremonies  He performed in his first concert tour, "Temptations 2004", with actors Shah Rukh Khan, Rani Mukerji, Preity Zinta, Arjun Rampal and Priyanka Chopra  Showcased in over 22 countries across the world, it became Bollywood's most prominent international concert to that point  In December 2005, Khan performed alongside the band Parikrama at the Mittal Gardens in New Delhi, and later reunited with them and Strings for "The Royal Stag Mega Music Concert" (a four-city concert tour) two years later  The following year, he was part of the "Heat 2006" world tour, along with Akshay Kumar, Preity Zinta, Sushmita Sen and Celina Jaitley  He later performed along with several other Bollywood personalities at the closing ceremony of the 2006 Commonwealth Games Since October 2011, Khan has taken the responsibility of managing his father's eye hospital and has also made public appearances to support various other charitable causes  In February 2005, Khan and several other Bollywood actors participated in the 2005 HELP! Telethon Concert to raise money for the victims of the 2004 Indian Ocean earthquake and tsunami  He took part in a charity cricket match organised by IIFA at Headingley Cricket Ground in West Yorkshire, England in 2007, and later hosted an event organised by the award ceremony to help raise funds for various charities in 2011  In November 2008, Khan performed in a concert to raise money for the victims of the 2008 Bihar flood and in September 2013, he attended a charity dinner organised by The Venu Eye institute, donating two of his personal belongings to help raise funds for cataract operations  Later that year, he spent time with underprivileged kids during the filming of Bullett Raja  In October 2014, Khan was appointed as an ambassador for Olympic Gold Quest and donated ₹2 million (US$25,000) to help raise funds for the training of athletes 

In the media
In an interview with Rajeev Masand, Khan described himself as "a very private person"  The journalist Roshmila Bhattacharya added, "Unlike most actors, his interests are not limited to box office collections and workout routines  [He] can converse on anything, from philosophy to politics, from sports to books and music " Filmfare wrote that earlier in his career, Khan gained a reputation for being arrogant, but later matured into "one of showbiz's biggest and most respected stars " During his career, he has played roles in both high-profile mainstream productions and lesser-publicised films of independent filmmakers, and has appeared in a range of film genres, although he has found a niche playing roles in romantic comedies  The Tribune wrote that his roles in Dil Chahta Hai (2001), Kal Ho Naa Ho (2003), Hum Tum (2004), Salaam Namaste (2005), Love Aaj Kal (2009) and Cocktail (2012) were "essentially endearing pretty boys", and the success of these films established him as the "poster boy for romantic comedies"  Beth Watkins explains the typical role Khan played in romantic comedies and its appeal:

"Perhaps related is his finesse for playing petulant, arrogant, almost insufferable young men in need of reform, which, this being Bollywood, they can easily achieve through the love of a good woman  Does his real-life golden status—with literature, cinema, cricket and royalty in his lineage—make him exceptionally effective at coming across as spoiled?"
One of the highest-paid actors in Bollywood, Khan is considered among the most popular and high-profile celebrities in India  He is known to commit heavily to each role and believes in "staying on a sharp learning curve"  This commitment, combined with busy schedule and heavy smoking resulted in a health scare in 2007  Analysing his career, the journalist Shomini Sen noted that "[t]he actor was part of some major films in the early 1990s [   ] yet critics wrote him of[f] due to lack of a screen presence and poor dialogue delivery " Critics noted that Dil Chahta Hai marked a major turning point for Khan, and credited him for pioneering a movement in actors being part of "a new genre of films which was more urban"; film historian Nasreen Munni Kabir stated that the film helped him find "his own style, combining great comic timing and a natural personality " Sen further explained that "his anglicized upbringing, which initially was a hindrance to his career, became his strongest point " Following his portrayal of a variety of character types in Ek Hasina Thi (2004), Parineeta (2005), Being Cyrus and Omkara (both 2006), Khan was noted for his versatility; India Today attributed his roles in these films to the establishment of a new image for leading actors in Bollywood, and The Tribune published that Khan had successfully "matured, both as an actor of substance and as a bankable star Starting in 2007, Khan's relationship with Kareena Kapoor became one of the country's most-reported celebrity stories, and they were listed amongst the top celebrity couple endorsers for brands and products worldwide  In a blog published by The Wall Street Journal, Rupa Subramanya described their marriage as India's "wedding and social event of the year"  Kapoor gave birth to their son Taimur in December 2016  From 2012 to 2019, Khan has featured on Forbes India's "Celebrity 100", a list based on the income and popularity of India's celebrities  He peaked at the fifteenth position in 2012 and 2014 with an estimated annual earning of ₹642 million (US$8 0 million) and ₹629 million (US$7 9 million) respectively  In 2003, Khan placed fourth on Rediff's list of "Top Bollywood Male Stars"  He was later ranked second in 2005, sixth in 2006 and seventh in 2007  In March 2011, Khan placed fifth on Rediff's list of "Top 10 Actors of 2000–2010"  He was ranked among the top 30 on The Times of India's listing of the "Most Desirable Men" from 2010 to 2015, and has additionally featured in the UK magazine Eastern Eye's "World's Sexiest Asian Men" list in 2008, 2011 and 2012  In 2010 and from 2012 to 2014, Khan was featured as one of the best-dressed male celebrities by the Indian edition of GQ magazine 

Accolades
Among Khan's film awards are a National Film Award for Best Actor and seven Filmfare Awards out of twelve nominations: Best Male Debut for Aashiq Awara (1993), Best Performance in a Comic Role for Dil Chahta Hai (2001) and Hum Tum (2004), Best Supporting Actor for Kal Ho Naa Ho (2003) and Tanhaji (2020), Best Performance in a Negative Role for Omkara (2006) and the "Moto Look of the Year" for Kal Ho Naa Ho (2003) 

See also
List of Indian film actors

Footnotes
Passage 8:
John Dunning (film producer)
John Dunning (April 27, 1927 – September 19, 2011) was a pioneering Canadian film producer from Montreal who co-founded the Canadian film production company Cinépix and produced early works by notable Canadian directors David Cronenberg and Ivan Reitman  Dunning launched Cinépix with partner André Link in Montreal in the early 1960s  Their biggest commercial success—and the first Canadian box office hit—came with Reitman's Meatballs (1979) 

Early life
Dunning was born in the Greater Montreal district of Verdun, Quebec—and into the film business  Dunning's father Mickey toured Quebec screening newsreel footage and later owned several cinemas  By the age of 13, John was working the candy counter at his family's Century Theatre in adjacent Ville-Émard  Upon his father's death several years later, Dunning managed the cinema, beginning a lifelong career in film 

Career
Dunning launched Cinépix with partner André Link in Montreal in the early 1960s  Initially a distribution company, Cinépix's first production was the 1969 erotic drama Valérie, which earned $1 million at the box office  Cinépix produced early work by David Cronenberg (Shivers) and Ivan Reitman (Meatballs)  The company also distributed art-house films including the grunge rock documentary Hype, Vincent Gallo's Buffalo '66, and SICK: The Life & Death of Bob Flanagan, Supermasochist From 1989 to 1994, Cinépix was partners with Famous Players in C/FP Distribution, which was renamed Cinépix Film Properties (C/FP)  In 1994, Cinépix bought Famous Players' stake in the organization By 1997, Cinépix had a New York-based U S  distribution arm and owned 56 percent of Ciné-Groupe, an animated film production company Lions Gate Entertainment Corporation (LGEC) was formed in 1997 by Frank Giustra, a banker  LGEC purchased Cinépix and kept its leadership; Dunning, in turn, left the company  Cinépix was renamed Lions Gate Films on January 13, 1998 

Legacy
Dunning and Link were honoured for their contributions to the Canadian film industry at the 14th Genie Awards and were inducted into the Canadian Film and Television Hall of Fame in 2007 In June 2011, shortly before his death in September of that year, the Toronto Film Critics Association announced that Dunning would receive its Clyde Gilmour Award for lifetime achievement, with Cronenberg stating that "John Dunning is the unacknowledged godfather of an entire generation of Canadian filmmakers  I still consider him my movie mentor " The award was posthumously presented to Dunning's son Greg, at a ceremony in January 2012 Dunning's memoirs, You're Not Dead until You're Forgotten, were published in 2014 by McGill-Queen's University Press In 2017, the Canadian Screen Awards introduced the new John Dunning Discovery Award, presented to honour the year's best Canadian microbudget film  In 2019, it was merged with the former Claude Jutra Award, presented for the year's best debut film by a first-time director, into the contemporary John Dunning Best First Feature Award 
Passage 9:
Neethu
Neethu, also known as Neethu Shetty, is an Indian actress who predominantly appears in Kannada-language films and a few Tulu and Malayalam films  She won acclaim and praise for movies like Joke Falls (2004), Beru (2005), Photographer (2006), Koti Chennaya (2007), Gaalipata (2008), Krishna Nee Late Aagi Baaro (2009) and many others 
She has done cameos in other successful movies like Abhinetri and Fair & Lovely  She has worked with notable actors Ramesh Aravind, V  Ravichandran, Mohanlal, H  G  Dattatreya, Kishore Kumar G, Ganesh, Jaggesh, Doddanna, Anant Nag, Diganth 

Career
Neethu Shetty acted in Punya, a serial directed by Nagathihalli Chandrashekhar and made her debut through the Jaggesh and Komal-starrer Govinda Gopala and then went on to act in a horror flick Yahoo, which was an average grosser  Her first commercially successful movie was Joke Falls, where she was paired alongside Ramesh Aravind, which was positively reviewed, and was directed by Ashok Patil  She then starred in the movie Beru, directed by P  Sheshadri, which received many accolades such as National Film Award for Best Feature Film in Kannada and Karnataka State Film Award for Best Film 
She made her Malayalam debut alongside Mohanlal in the Malayalam film Photographer  She is a recipient of the Karnataka State Film Award for Best Supporting Actress for her performance in the Tulu language film Koti Chennaya  Her performance in her next movie, Poojari, opposite Aadhi Lokesh, brought her closer to the Kannada audience  She received positive reviews for her performance in the 2008 movie Gaalipata, which was a multi-starrer and a blockbuster hit  She received a Filmfare Award for Best Supporting Actress – Kannada nomination  She later starred in films which some were successful, like Krishna Nee Late Aagi Baaro, Abhinetri and a few others  She also starred in movies such as Aithalakkadi and others that received negative reviews and failed at the box office 
She was a contestant in Bigg Boss Kannada 2, where she survived 80 days, hence becoming the first contestant in the history of Bigg Boss Kannada to be kept in a "secret room"  She was a part of the comedy show Bengaluru Benne Dose alongside Arun Sagar  She later appeared as a guest in Bigg Boss Kannada 4 along with Rishika Singh, Tsunami Kitty, N  C  Ayyappa and Bigg Boss Kannada 3 winner Shruti  She also was a part of box cricket league where she was a player for the team Davangere Lions, which emerged runners up 

Early life
Neethu was born in Mangalore, in the Karnataka State of India  Her father, Manjunath Shetty, was from the Bunt community and her mother, Mohini is from a Konkani speaking family  Neethu has a younger sister  They grew up and were educated in Mangalore  Her father died in 2011 

Filmography
Awards and nominations
Television



ground_truth: erotic thriller film