prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who is a winner of the 2013 6 Hours of Silverstone a co-commentator for?

The following are given passages.
Context 1: Passage 1:
2014 6 Hours of Silverstone
The 2014 6 Hours of Silverstone was an endurance sports car racing event held at the Silverstone Circuit near Silverstone, England on 17–20 April 2014   The event served as the opening round of the 2014 World Endurance Championship, and overall race winners were awarded the annual Tourist Trophy by the Royal Automobile Club   Toyota became the first Japanese manufacturer to win Silverstone's endurance race, with Anthony Davidson, Sébastien Buemi, and Nicolas Lapierre leading the team's second TS040 Hybrid to a 1–2 finish   The race, which had run under mixed weather conditions, was stopped in the final half-hour of competition due to heavy rains and not restarted Porsche, making their return to the prototype categories with the debuting 919 Hybrid, completed the overall race podium with third place  Accidents ended the race of both Audi R18 e-tron quattro cars after the World Champions had started strongly   Rebellion Racing's Nicolas Prost, Nick Heidfeld, and Mathias Beche were the only team to reach the finish in the LMP1-L category, while G-Drive Racing's Morgan-Nissan won the LMP2 class   Lock-out 1–2 victories were also earned by Porsche in LMGTE Pro and British marque Aston Martin in LMGTE Am 

Qualifying results
Pole position winners in each class are marked in bold 

Race
Race result
Class winners in bold 

See also
2014 4 Hours of Silverstone
Passage 2:
2013 6 Hours of São Paulo
The 2013 6 Hours of São Paulo was an endurance auto race held at the Autódromo José Carlos Pace, São Paulo, Brazil on 30 August – 1 September 2013   The race was the fourth round of the 2013 FIA World Endurance Championship and the second consecutive running of the 6 Hours of São Paulo   Audi continued their streak of four overall victories following an accident for the sole Toyota in LMP1, with André Lotterer, Marcel Fässler, and Benoît Tréluyer leading the Joest Racing duo to the checkered flag   G-Drive Racing earned their first victory in the LMP2 category ahead of OAK Racing, while AF Corse Ferrari led home Aston Martin Racing in the LMGTE Pro class by a gap of less than two seconds   Aston Martin however prevailed in LMGTE Am, ahead of the 8 Star Ferrari 

Qualifying result
Pole position winners in each class are marked in bold 
^1  The No  61 AF Corse Ferrari was deemed to be below the minimum ride height in post-qualifying scrutineering   The car was penalized to the back of the starting grid 
^2  The No  57 Krohn Ferrari and No  76 IMSA Porsche both had drivers who failed to meet the minimum lap time requirements   Both cars were penalized to the back of the starting grid 
^3  Although the No  25 Delta-ADR Oreca-Nissan failed to set a qualifying time, the car was allowed to start from the back of the LMP2 field on the grid for safety reasons 

Race result
Class winners in bold   Cars failing to complete 70% of winner's distance marked as Not Classified (NC) 
Passage 3:
6 Hours of Silverstone
The 4 Hours of Silverstone (formerly the 1000 km of Silverstone and 6 Hours of Silverstone) is an endurance sports car race held at Silverstone Circuit near the Northamptonshire villages of Silverstone and Whittlebury   First run in 1976 as part of the World Sportscar Championship, the race was a part of the FIA World Endurance Championship between 2013 and 2019, but the 2020 race was cancelled due to the COVID-19 pandemic and the race didn’t return for 2021  The RAC Tourist Trophy has been awarded to the winners of the event 

History
In 1975, a round of the World Championship of Makes was not held in Britain for one of the first times since 1966  The 1000 km Brands Hatch which had been run almost consecutively during that period went under hiatus while track upgrades were carried out  Following upgrades of its own in 1975, plans were made for sportscars to return to Britain by using Silverstone instead of Brands Hatch  The event was a six-hour endurance, part of the Group 5 World Championship 
The first running consisted of a small field as some season competitors chose not to compete  British drivers John Fitzpatrick and Tom Walkinshaw managed to upset the factory teams by scoring the inaugural victory in a BMW  The following year, competition grew as the factory Porsche team, under the guise of Martini Racing, earned their first of two consecutive victories for drivers Jochen Mass and Jacky Ickx  The Porsche factory team was not able to continue their streak into 1979 when their lead car crashed, leaving the privateer Gelo Racing Porsche to a dominant win 
1980 saw the first victory by a sports-prototype  Alain de Cadenet managed to win the home event as a driver, team owner, as well as a constructor when he and Desiré Wilson won by 18 seconds in a car of his own design  A Group 5 car took its final victory in 1981 with the all-German Velga Racing Team before the class was phased out 
1982 was the first year of the Group C category in the World Championship, although the race that year was actually won by an older Group 6 Lancia  The first Group C victory came in 1983 as Porsche returned to their factory dominance of the event, going on to win the 1984 and 1985 events as well  Jacky Ickx and Jochen Mass still hold record of most wins, having won the race four times in 1977, 1978, 1984 and 1985  In 1986 British success returned as the Jaguar factory team was able to upset Porsche for the first time since the company had returned to racing  Jaguar then began to dominate in a fashion similar to Porsche, as they too won the next two years   American Eddie Cheever co-drove in each of the three victories 
No race was held in 1989 as Donington temporarily replaced Silverstone on the schedule, but sportscars returned in 1990 for a shorter 480 km event  Jaguar returned to their winning ways straight away before going on to earn a fifth straight victory in a 430 km event in 1991  Only after Jaguar officially retired from the World Championship was another manufacturer able to once again earn victory at Silverstone, this time being Peugeot  A lack of entrants however lead to the cancellation of the World Championship, temporarily ending endurance racing at the circuit  The race did make a one-year comeback in 2000 as part of the American Le Mans Series  The race served as a precursor to the European Le Mans Series that followed in 2001 
In 2004, the new Le Mans Endurance Series was created to resurrect several 1000 km endurance races in a modern era  Among these was Silverstone, running at its original distance   Once again, British success started off the return of the event as Allan McNish and the British Audi team won the event  Audi and McNish won again the following year, this time under the control of the French Oreca team, although the race was heavily hampered by rain   Silverstone took a brief hiatus in 2006 as Donington replaced the event once again, only to return once again in 2007  Peugeot earned their second victory, this time with a diesel-powered Le Mans prototype  The 2010 edition was the inaugural race of the Le Mans Intercontinental Cup, as well as the first time the race used the new 5 901 km (3 667 mi) "Arena" configuration  The race continued in 2012 as a part of the FIA World Endurance Championship 

Winners
† - Race went under a 6-hour time limit  Only 776 km of the 1000 km scheduled were covered 

External links
Le Mans Series - 2007 1000 km of Silverstone
Passage 4:
Renato Molinari
Renato Molinari (born 27 February 1946 in Nesso) is an Italian powerboat racer, and the inaugural winner of the John Player Special F1 Powerboat World Championship in 1981, and won titles again in 1983 and 1984  In addition to this success, Molinari is an 18-time World Champion (in different categories); 11-time European Champion (in different categories), 4-time winner of the Rouen 24 hours, 4-time winner of the Paris 6 hours; twice winner of the Parker Enduro and 3-time winner of the Berlin 6 hours 

Career
Molinari began his boating career in 1964, and won the Formula 1 championship in 1981, 1983 and 1984 
Passage 5:
2013 6 Hours of Bahrain
The 2013 6 Hours of Bahrain was an endurance auto race held at the Bahrain International Circuit in Sakhir, Bahrain on 30 November 2013  The race was the eighth and final showdown of the 2013 FIA World Endurance Championship season  The race was won by Sébastien Buemi, Stéphane Sarrazin and Anthony Davidson driving the No 8 Toyota TS030 Hybrid of Toyota Racing 

Qualifying
Qualifying result
Pole position winners in each class are marked in bold 

Race
Race result
Class winners in bold  Cars failing to complete 70% of winner's distance marked as Not Classified (NC) 
Passage 6:
Allan McNish
Allan McNish (born 29 December 1969) is a British former racing driver, commentator, and journalist from Scotland  He is a three-time winner of the 24 Hours of Le Mans, most recently in 2013, as well as a three-time winner of the American Le Mans Series, which he last won in 2007  He won the FIA World Endurance Championship (FIA WEC) in 2013  He has also been a co-commentator and pundit for BBC Formula One coverage on TV, radio and online and was team principal of the Audi Sport ABT Schaeffler Formula E team 

Early life
McNish was born in Dumfries, Scotland and played football while at school  He was a fan of Nottingham Forest and also supported his local club Queen of the South  It was not until McNish began in karting that he found something at which he excelled 

Early career
McNish began his career in karting like fellow Dumfries and Galloway driver David Coulthard  McNish credited the start given to both of them and Dario Franchitti as being largely down to David Leslie senior and junior McNish and Coulthard both were recognised with a McLaren/Autosport BRDC Young Driver of the Year award having moved up to car racing  In 1988 he won the Formula Vauxhall Lotus championship and in 1989 finished runner up to David Brabham in a close fought British Formula 3 Championship  During the late 1980s McNish shared a house with teammate Mika Häkkinen Tipped as a future Formula One driver, he tested with both McLaren and Benetton, whilst also competing in F3000, then the recognised second tier of European motorsport, in 1990–1992  Whilst racing his first season in F3000, McNish suffered a crash at a race in Donington Park where a bystander was fatally injured  He went on to finish fourth overall in the championship that season  Concentrating on Formula One opportunities meant he appeared in F3000 only once during 1994, at Pau 
When a Formula One drive failed to materialise, he returned to F3000 in 1995 with Paul Stewart Racing (run by the son of Sir Jackie Stewart who went on to form Stewart Grand Prix)  While he was arguably the fastest driver of the year, a series of mishaps saw him well beaten by Super Nova drivers Vincenzo Sospiri and Ricardo Rosset in the title race  McNish's career appeared to stall in early 1996 after a deal to race in Formula Nippon fell through and Mark Blundell was preferred for a drive with the PacWest CART team  He also tested for Benetton during the year 

Sports cars
Despite devoting his career to the pursuit of a Formula One chance, McNish has become one of the world's most highly rated sportscar drivers  His sportscar career began in 1996 with Porsche, at a time when their 911 GT1 model revolutionised sportscar racing  With the factory team he took this car to victory in the 1998 24 Hours of Le Mans, partnered by Laurent Aïello and Stephane Ortelli  He subsequently appeared for Toyota and Audi in the race, and after losing a likely victory in the dying stages of the 2007 event, scored a second triumph in 2008 with Tom Kristensen and Rinaldo Capello driving an Audi R10  He has also raced with great success for Audi in the American Le Mans Series, winning the title with Dindo Capello in 2006 and 2007, and taking four overall victories at the 12 Hours of Sebring (2004, 2006, 2009 and 2012)  At the 2011 Le Mans McNish destroyed the car in a spectacular crash early in the race and ended the race for Audi No  3  And again at the 2012 Le Mans, McNish made a driving error and lost a first place by crashing the Audi No  2 car a few hours before the finish  He also codrove the No  8 Starworks Motorsport Riley-Ford to a second-place finish at the 2012 24 Hours of Daytona 
In the 2000 American Le Mans Series season McNish set a track record for the full circuit configuration at Sears Point International Raceway 

Formula One
McNish finally found an opening into Formula One in 2001, when the newly formed Toyota F1 team required a development driver  Given his link with Toyota through sportscars he was an obvious choice for this role, and after impressing in testing he was hired to race for the season  He did not score any points during the season's 17 races, and he and teammate Mika Salo were replaced with a new line-up of Olivier Panis and Cristiano da Matta for 2003  Salo had scored points for the team on their debut in Melbourne and McNish had very nearly done the same in the Malaysian Grand Prix, only for a pit lane mistake by the team to cost him the result  Both drivers were told of their replacement before Da Matta was announced, and ITV's Martin Brundle commented that "replacing Salo and McNish with Panis and A N  Other" was not, in his view, a step forward McNish had a dramatic accident at the 130R corner while practising for Toyota's home race the Japanese Grand Prix at Suzuka, but escaped serious injury  This led to the corner being reprofiled the following year 

After Formula One
In 2003 he was a test driver for Renault F1, also doing a little TV work for ITV, but the next year he returned to his successful sports car racing career, winning the 12 Hours of Sebring, combining this in 2005 with a venture into the highly competitive DTM (German Touring Car Championship), where he competed against the likes of former Formula One drivers Mika Häkkinen and Jean Alesi  He also won sportscar driver of the year awards from  Autosport and Le Mans magazines and the (Jackie) Stewart Medal Award for services to Scottish motor sport  He was made the president of the Scottish Motor Racing Club at their annual prize giving and dinner in 2007, succeeding Stewart 

In 2006, he continued racing with the Audi factory team and was part of the driving line-up which won the 12 Hours of Sebring in the new Audi R10 TDI diesel, setting pole position and breaking the lap record  In 2008, McNish won the 24 Hours of Le Mans for Audi alongside Tom Kristensen and Rinaldo Capello  It was his first win at la Sarthe since 1998  McNish won the 2013 24 Hours of Le Mans as well with Tom Kristensen and Loïc Duval   In 2011 McNish suffered a catastrophic crash at the Le Mans race, one which left his car virtually disintegrated   However McNish walked away from the vehicle unharmed thanks largely due to the safety improvements that had been made in recent years In 2013, McNish became a world champion as he won the 2013 FIA World Endurance Championship alongside Kristensen and Duval 
Since Formula One has introduced the drivers' representative on the stewards panel at all Grands Prix, McNish has featured as the drivers' representative twice in the 2011 season, in Monaco and most recently in Hungary and on both occasions he has penalised the McLaren driver Lewis Hamilton for various transgressions  He has also appeared in a Scania video test driving their new R 730 V8 
On 17 December 2013, McNish announced his retirement from Audi Sport and from racing full-time  He has not ruled out racing individual events in the future  After retiring he took on a role with Audi Sport, including liaising between the team's drivers and engineers, between the team and motorsport organisers, and driver development  He is also manager of racing driver Harry Tincknell  He also works for BBC Sport as a commentator and pundit for their Formula One coverage  McNish became team principal for Audi's Formula E team, starting for the 2017–18 season, following Audi's official take over of the Abt Sportsline run entry 
McNish is two-time winner of the Segrave Trophy (2009/2014), was awarded the BRDC Gold Star in 2014, and won the BARC Gold Medal in 2015 

Other formulae
As well as those above, McNish has also raced in the following racing series:

Karting
Formula Ford
Vauxhall Lotus
British Formula 3
North American GT
FIA GT

Personal life
He lives in Monaco with his wife Kelly and their two children  Prior to his marriage, McNish's stag party in Dumfries was attended by Dario and Marino Franchitti and included watching a Queen of the South football match 
He speaks English and French 

Racing record
Complete International Formula 3000 results
(key) (Races in bold indicate pole position; races in italics indicate fastest lap )

Complete 24 Hours of Le Mans results
Complete American Le Mans Series results
Complete 12 Hours of Sebring results
Complete Formula One results
(key)

† Driver did not finish the Grand Prix, but was classified as he completed over 90% of the race distance 

Complete DTM results
(key)

Complete Le Mans Series results
Complete FIA World Endurance Championship results
Passage 7:
2013 6 Hours of Shanghai
The 2013 6 Hours of Shanghai was an endurance auto race held at the Shanghai International Circuit in Shanghai, China on 9 November 2013   The race was the seventh round of the 2013 FIA World Endurance Championship season 
The race was won by André Lotterer, Benoît Tréluyer and Marcel Fässler of Audi Sport Team Joest  Allan McNish, Tom Kristensen and Loïc Duval won the World Drivers' Championship at the event after finishing in third place 

Qualifying
Qualifying result
Pole position winners in each class are marked in bold 

Race
Race result
Class winners in bold  Cars failing to complete 70% of winner's distance marked as Not Classified (NC) 
Passage 8:
2013 6 Hours of Fuji
The 2013 6 Hours of Fuji was intended to have been an automobile endurance race held at the Fuji Speedway, Oyama, Japan on 20 October 2013   The race was the sixth round of the 2013 FIA World Endurance Championship season   Heavy rains forced race officials to start the race under safety car conditions, completing eight laps before the race was temporarily stopped due to no improvement in track conditions   Following a two-hour delay the race was restarted once more under the safety car, lapping another eight circuits before officials stopped the race again and eventually called an end to the event   The No  7 Toyota was declared the race winner, gaining the lead following a pit stop under caution from the Audi which started on pole position, while the majority of the field finished in the same position they started the race  Only half points were awarded towards the various championships being held under the WEC umbrella 
As a result of the race, which did not take the green flag, the FIA imposed a rule change effective 2014 where points are only scored if two laps are run under green flag conditions to prevent a repeat of what happened in Fuji 

Qualifying
Qualifying result
Pole position winners in each class are marked in bold 

Race
Race result
Class winners in bold   Cars failing to complete 70% of winner's distance marked as Not Classified (NC) 
Passage 9:
Trela nera
The Euripus Strait (Greek: Εύριπος [ˈevripos]) is a narrow channel of water separating the Greek island of Euboea in the Aegean Sea from Boeotia in mainland Greece  The strait's principal port is Chalcis on Euboea, located at the strait's narrowest point 
The strait is subject to strong tidal currents which reverse direction approximately four times a day  Tidal flows are very weak in the Eastern Mediterranean, but the strait is a remarkable exception   Water flow peaks at about 12 kilometres per hour (7 5 mph; 6 5 kn), either northwards or southwards, and lesser vessels are often incapable of sailing against it   When nearing flow reversal, sailing is even more precarious because of vortex formation 
The Swiss scholar François-Alphonse Forel contributed to an understanding of the enigmatic phenomenon by his study of limnology and the discovery of seiche, where layers of water of differing temperature oscillate in thickness in a confined body of water  But the problem was solved completely only by D  Eginitis, director of the Athens Observatory, who published his conclusions in 1929 

Etymology
From Ancient Greek εὔριπος (eúrīpos, "any strait or narrow sea, where the flux and reflux is violent"); from εὖ (eû, "well") + ῥιπή (rhipḗ, “swing or force with which anything is thrown”), from ῥίπτω (rhíptō, "to throw") 

Bridges
There are two road bridges across the strait, both at Chalcis  One is the Euripus Bridge or Chalcis Bridge, a two-pylon, cable-suspended bridge built south of town in 1992, and commonly called the "New" or "High" bridge, with a span of about 215 m (705 ft)  The strait is 160 m (525 ft) wide at this point   The bridge is accessible via a fork on the main road at Aulis 
The "Old" or "Low" or "Sliding" Bridge lies across midtown, and can slide away to allow shipping traffic  It is located at the narrowest point of the strait, where it is only 38 m (125 ft) wide   It accommodates two lanes of vehicular traffic   It was originally built as a retractable bridge in 1858, replaced by a rotating one in 1896   The existing, originally wooden bridge was built in 1962 and was extensively refurbished in 1998 

History
The Euripus was closed by a dike of coarse sediment until about 6000 years ago, when it was opened by an (unrecorded) earthquake  Herodotus mentions the strait during his description of the Battle of Artemisium (480 BC), with the account implying that it was navigable by large fleets of triremes  Diodorus Siculus reports that in 411 BC the Euboeans closed the strait by mostly rebuilding the dike, with the goal of making themselves part of Boeotia, therefore not an island subject to Athenian hegemony  Diodorus states that gaps had to be left in the dike to allow the Euripus tides to flow through; the narrowness of the remaining passage made the current much more intense  Only a single passage was left navigable, just wide enough for a single ship  There is no mention of the closure of the strait in either Thucydides' History of the Peloponnesian War or Xenophon's Hellenica  Strabo wrote that at an unspecified later date the strait was crossed by a bridge two plethra long (approximately 50 m (160 ft), which is probably an exaggeration)  Some vestiges of the artificial dike probably remained, so the gap spanned by the bridge could have been narrower than the channel that existed before 411 BC  Ancient historians do not record the depth of the channel; even the passage under Strabo's bridge may have been scoured by the tides to a depth sufficient for ancient shipping Procopius reports that during the reign of Emperor Justinian I (527 to 565 AD) there were two channels in the Euripus, the large original channel and a new narrower cleft to the east of it, so narrow that it could be crossed with a single plank of wood  This later stream was later widened to make the present shipping channel  At the time when Procopius wrote, the name of the fortress on the Euripus was probably "Euripus," which had become "Egripos" by 1204, and was adopted and slightly altered to "Nigriponte" by the Latins who occupied the place in 1205   (The name has nothing to do with any sort of "Black Bridge," except as a Veronese or Venetian joke, or folk-etymological corruption or re-interpretation in reference to the old bridge across the channel )

In 1395, Nicola di Martoni came to Negropont during the return from his pilgrimage to Egypt and Palestine   He is clear that the main shipping channel in the Venetian period was on the side of the Boeotian mainland, and mentions the mills on the narrower channel, which he says were sometimes broken in the speed and turbulence of the flow there 
We have further information about the shipping channel and its single wooden bridge from various documents in the archives of the Venetian Empire  In 1408, the formation of a reef under the bridge severely affected shipping (http://www archiviodistatovenezia it/divenire/collezioni htm  Senato, Deliberazioni, Misti  48,43v) and in 1439 there was concern over the tendency of the current to erode the surroundings of the pilings that supported the bridge  (http://www archiviodistatovenezia it/divenire/collezioni htm  Senato, Deliberazioni, Misti  60,140r–42r) Evliya Çelebi, in his Travel Journal (SN VIII250a27, ff ), tells us that the narrow channel was first opened out enough for a galley to pass through at some time in the late 16th century, and was still just barely wide enough at the time of his visit in 1668 for a galley to squeeze through, even though the old shipping channel had been abandoned 
By the end of the 18th century it was well on its way to being the width of the modern channel 

See also
List of Greek place names

Notes
Passage 10:
2013 6 Hours of Silverstone
The 2013 6 Hours of Silverstone was an auto racing event held at the Silverstone Circuit, near Silverstone, England on 12–14 April 2013   The event was the opening round of the 2013 FIA World Endurance Championship season, and served as the annual award for the Royal Automobile Club's Tourist Trophy   Briton Allan McNish, Dane Tom Kristensen, and Frenchman Loïc Duval won the race for Audi, just over three seconds ahead of their teammates   The British Delta-ADR team were victorious in the LMP2 category, while Aston Martin Racing secured both the LMGTE Pro and LMGTE Am classes 
The event weekend was shared with the European Le Mans Series, which ran the 3 Hours of Silverstone, and the FIA European Formula 3 Championship 

Qualifying
The 6 Hours of Silverstone was the first instance in which the WEC utilized a new qualifying procedure in which two drivers were required to set laps during the qualifying session   The grid would then be determined by averaging the total of the two best laps set by each of the drivers   Following the Silverstone qualifying session, several drivers felt the new format was too risky as all teams only had enough time to set four laps during the wet session   The FIA later announced that qualifying would be extended by ten minutes for the next round at Spa to allow teams more leeway 

Qualifying result
Pole position winners in each class are marked in bold 

Race
Race result
Class winners in bold   Cars failing to complete 70% of winner's distance marked as Not Classified (NC) 
Context 2: Passage 1:
Danity Kane discography
The discography of Danity Kane, an American R&B duo, consists of three studio album, five singles, and four music videos  Danity Kane were formed in 2005 during the third season of the reality television series Making the Band, and consisted of Aubrey O'Day, Wanita "D  Woods" Woodgett, Shannon Bex, Dawn Richard, and Aundrea Fimbres  The group disbanded in January 2009 during the fourth season of Making the Band  The group released their self titled debut album in August 2006  The album reached number one on the United States Billboard 200 and was certified platinum by the Recording Industry Association of America (RIAA)  Danity Kane's debut single, "Show Stopper", which featured rapper Yung Joc, reached number eight on the US Billboard Hot 100  "Ride for You", their second single, reached number 78 on the Billboard Hot 100  Welcome to the Dollhouse, Danity Kane's second album, was released in March 2008  It reached number one on the Billboard 200 and was certified gold by the RIAA  The album's lead single, "Damaged", reached number ten on the Billboard Hot 100 and was certified platinum by the RIAA  The group's fifth single, "Bad Girl", featured Missy Elliott and reached number 10 on the Bubbling Under Hot 100 chart 

Albums
Studio albums
Extended plays
Singles
Other charted songs
Music videos
Notes
Passage 2:
List of songs recorded by Kesha
American singer Kesha made her international debut in early 2009 featuring on the Flo Rida single "Right Round", which reached number one on the Billboard Hot 100 in the United States and topped the charts in five other countries  Kesha's debut album, Animal, released in January 2010, topped the Canadian and American charts, debuting at number one in its first week on the Billboard 200  The album's lead single, and Kesha's solo debut single, "Tik Tok", was released in August 2009 and reached number one in eleven countries and spent nine consecutive weeks on top of the Billboard Hot 100  Since its release in 2009, the song has sold 15 million copies worldwide, therefore making it the best-selling digital single of all time  The album spawned three more hit singles, "Blah Blah Blah", "Your Love Is My Drug" and "Take It Off"  She topped eight charts on the 2010 Billboard Year-End Chart, including Top New Artists, Hot 100 Songs and Hot 100 Artists The commercial and critical success of her first album led to plans of a deluxe edition of the album titled Cannibal, which was ultimately released as an extended play in November 2010  Its lead single, "We R Who We R", reached the top ten in ten countries, while peaking at number one in the United States, Australia, and United Kingdom  The EP's second and final single, "Blow", was released in February 2011 and also managed to peak inside the top ten of multiple countries 
Kesha released her second studio album, Warrior, in December 2012  The lead single, "Die Young", peaked at number two in the United States, while charting in the top ten of eleven other countries  Two more singles, "C'Mon" and "Crazy Kids", were also released from the album, but failed to match the success of the lead single  In October 2013, she was featured on Pitbull's single, "Timber", which peaked at number one in over fifteen countries, including the United Kingdom, Canada, and United States   In April 2016, she released her first single in three years, a collaboration with Zedd, "True Colors"   It is the first song since her ongoing legal battle with producer Dr Luke  2017 saw the release of Kesha's third studio album, Rainbow, which featured the single "Praying"  The single reached no  22 in the U S  "Woman" was previously a promotional single but later was released as the second single from the album  Her fourth album, High Road, was released in 2020  Four singles were released from the album: "Raising Hell", "My Own Dance", "Resentment", and "Tonight"  Her fifth studio album, Gag Order, was released on May 19, 2023  Two singles were released on the same day ahead of the album's release: "Eat the Acid" and "Fine Line" 

Released songs
Passage 3:
Far East Movement
Far East Movement (abbreviated FM) is an American hip hop and electronic music group based in Los Angeles  The group formed in 2003 and as of August 2018 consists of Kev Nish (Kevin Nishimura), Prohgress (James Roh), DJ Virman (Virman Coquia), JT Rollerson (James Rollerson), and formerly J-Splif (Jae Chong)   Their 2010 single, "Like a G6", featuring pop-rap duo The Cataracs and singer Dev hit number one on both the Billboard Hot 100 chart and on the iTunes chart in late October 2010, making them the first Asian-American group to earn a number one hit on the Billboard Hot 100 chart  Among their other chart successes are: "Rocketeer" featuring Ryan Tedder of OneRepublic, which peaked at number seven on the Billboard Hot 100; "Turn Up the Love", which peaked within the top ten of the charts in the United Kingdom, and their 2012 remix of the song "Get Up (Rattle)" by the Bingo Players, which topped the charts in the United Kingdom 
The group's latest album, Identity, is the first release under their own record label Transparent Music  Identity focuses on bridging Eastern artists with FM's Western dance music roots  The album received a positive review in Billboard magazine; the single "Freal Luv" with Marshmello featuring Tinashe and Chanyeol from the chart topping K-pop group Exo, received 40 million plays on YouTube  Far East Movement has also branched out with a number of collaborations on labels Ministry of Sound, Dim Mak, and Ultra 
In 2016, Far East Movement's company, Transparent Arts (TA), moved into artist management  TA manages seven artists of various genres, including Korean-American K-pop artist Tiffany Young, rappers Dumbfoundead and Year of the Ox, DJ producers Yultron, Autolaser, and singer Satica  The artists have garnered millions of social media plays, sold out national tours, and have released tracks through labels Owsla, Spinnin', Armada, and Universal 
FM also has a joint label, BredNButter, with Trap City, a large YouTube dance music channel with more than ten million subscribers  BredNButter's many releases have amassed millions of plays in total in a little over a year of existence 
They also founded Identity Festival, a festival celebrating Asian American Heritage with the City of Los Angeles on the steps of City Hall that gathered over 10,000 attendees in 2018 with headliners Mike Shinoda of Linkin Park and K-pop star Jay Park 
Far East Movement is in the process of recording their next full-length release 

Musical career
2003–2007: Folk Music
The three original members of Far East Movement, Kevin Nishimura (Kev Nish), James Roh (Prohgress), and Jae Choung (J-Splif), grew up in the Downtown Los Angeles area  They were close companions in high school and shared a passion for music together  The trio promoted their music online and began performing at local clubs and events in Los Angeles; soon, they began their musical career with the name "Emcees Anonymous" by 2001  However, they later changed it to Far East Movement or FM, originating from a song that they produced with the same name  In 2003, they organised an event called "Movementality" in Koreatown, Los Angeles, featuring ten different performances with all the proceeds sent to a local youth drug rehabilitation center 
In 2005, Far East Movement released a mixtape called Audio-Bio, which was one of their first CDs and contained many of their earliest songs and many songs not available anywhere else  Their first album, titled Folk Music, was released in early 2006  The single "Round Round" was featured in the film, The Fast and the Furious: Tokyo Drift, appearing both on the self-titled soundtrack and video game  This critical breakout was the catalyst that cemented their decision to pursue music as a full-time career  Their songs "Get Offa Me" and "Make Ya Self" were featured in The Fast and the Furious video game  They proceeded to perform on two world tours (including USA, South America, Canada, and Asia), and they signed distribution deals in Japan and Korea with Avex Network and JF Productions for their album 
In 2007, they were featured in the Sundance Film Festival film called Finishing the Game, making the song "Satisfaction" for the film  They also released the single "You've Got A Friend" featuring Lil Rob and Baby Bash, which became their first song on major national radio 

2008–2009: DJ Virman and Animal
LA's radio station Power 106 DJ, DJ Virman, came to the group as their official DJ  They released another single titled "Lowridin" that received heavy airplay in 2008  Soon after, they planned on showcasing a second album, releasing Animal later on in the same year  Animal featured three hit singles that frequently won national radio play: "You’ve Got A Friend", "Lowridin", and the successful "Girls On The Dance Floor"  "Girls on the Dance Floor" reached 27 on the Billboard chart for the Latin Rhythm Airplay, which marked their debut on the Billboard's charts There were several collaborations on the Animal album, including The Stereotypes, Lil Rob, Baby Bash, Bruno Mars, Wiz Khalifa, Bionik, 24/8, IZ, DB Tonik, and Jah Free  Their songs from the Animal album were featured in major film and television on multiple occasions  FM's single "Girls on the Dance Floor" has been played on MTV's America's Best Dance Crew on the Season 4 Finale during a performance with Artistry In Motion, Vogue Evolution and We Are Heroes  It was also featured on Get Him to the Greek, FOX's So You Think You Can Dance and on the 7th episode of CSI: Miami Season 8  In addition, "Dance Like Michael Jackson" was aired on ABC Family's Lincoln Heights on November 10, 2009 and on the Gossip Girl episode, "Dan de Fleurette"  "I Party" was highlighted on FOX's TV series Lie To Me and "Fetish" was on Spike TV's Guy's Choice Awards 2009  "Girls on the Dance Floor" has attained over 5 million hits on Myspace while attracting over 8 million views on YouTube 
Streetwear company Orisue teamed up with Far East Movement and helped shoot a music video for "Lowridin"  In May 2009, Far East Movement joined the Korean hip hop group Epik High on their "Map the Soul" tour throughout the U S  Then they held their first headlining concert at the Roxy Theater in Hollywood by July 2009, which resulted in a sold-out show  Together with Wong Fu Productions, FM has established another three sold-out "International Secret Agents" concerts titled as "ISA", hosted in San Francisco, Los Angeles, and New York in order to promote Asian American artists in the media with performances by Quest Crew, Poreotics, Jay Park, and others 
FM's mixtape Party Animal was released on the first date of LMFAO's Party Rock Tour  Their two singles, "Girls on the Dance Floor" and "2 is Better w/ Ya Boy", garnered successful radio airplay  They later announced that they were working on a new album with Grammy nominated producers, The Stereotypes, who had produced their hit track, "Girls on the Dance Floor" 

2010–2011: Cherrytree/Interscope Records and Free Wired
In February 2010, Far East Movement signed a major record deal with Cherrytree Records, a subsidiary of Interscope Records  They were managed at the time by Ted Chung and Russell Redeaux of Stampede Management 
Later in the same year, the group supported Robyn and Kelis on their double headlining tour along with Dan Black, in addition to being announced as the opening act of Lady Gaga's tour on the Japanese leg of The Monster Ball Tour  Furthermore, their previous hit track, "Girls on the Dancefloor" & "Fetish", was featured in Piranha 3D, yet it was not slotted into the film's soundtrack 
Their 2010 "ISA" shows in New York and LA were held on August 28 and September 5 respectively  They performed their songs alongside acts by AJ Rafael, Jay Park, Wong Fu Productions, Poreotics and Quest Crew (both winners from America's Best Dance Crew), David Choi, Jennifer Chung, David Garibaldi, Lydia Paek, and more 
From September 13 until mid-October, the group was one of the opening acts for the Up In The Air Tour with Mike Posner, across various cities in North America Free Wired, their debut album from Cherrytree/Interscope Records, was released on October 12, 2010  The album includes collaborations with Keri Hilson, Lil Jon, Snoop Dogg (their song co-written by Bruno Mars), Mohombi, Colette Carr, Natalia Kills, Koda Kumi, and Ryan Tedder from OneRepublic In the October 30, 2010 edition of Billboard Magazine, their single featuring The Cataracs and Dev titled "Like a G6" peaked at number one on the Billboard Hot 100 as well as iTunes  While gathering success for both their album and single, they were featured in a series of tour dates with their Cherrytree/Interscope Record label mate, La Roux, in November 2010 On November 20, it was confirmed that the group had reached the double Platinum status for "Like a G6", collecting two million in sales  Their second single which was released for airplay as a follow up to "Like A G6" was "Rocketeer", which featured Ryan Tedder The group was awarded Best International Artist in the 2010 M net Asian Music Awards The group toured with Rihanna and Calvin Harris from late February to early March, as part of Rihanna's Last Girl on Earth Tour 
 Right after the tour ended, the group began headlining their own tour, The Free Wired World Tour  The group visited Manila, Jakarta, Taipei, Hong Kong, Singapore, Seoul, Hamburg and Bangkok  The group were due to tour selected venues in the United Kingdom in early July but cancelled these dates due to recording commitments  However, they performed at the Barclaycard Wireless Festival on July 1 in London 
Far East Movement toured with Lil Wayne on the I Am Still Music tour  On tour, the group took out a second tour bus to work on their second album under the Cherrytree Records label 

2012–2015: Dirty Bass and KTown Riot
Their second major label album, Dirty Bass, was released on May 18, 2012  The lead single from the album was "Live My Life", featuring Justin Bieber  It was more successful than the original first single "Jello"  The single was released on February 28, 2012, with the release of the music video on March 23, 2012  The video was shot on the streets of Amsterdam, and directed by Mickey Finnegan Far East Movement also worked with producers such as David Guetta, Cherry Cherry Boom Boom (aka Cherrytree founder/president Martin Kierszenbaum), will i am and RedOne  In September 2012, the group performed in Charlotte with Perez Hilton as part of the 2012 Democratic National Convention  On October 22, 2012, they released a new single, "For All" which they then performed at then President Barack Obama's re-election inauguration 
Far East Movement also performed the official theme song for the first season of the American-Japanese animated series Monsuno, which airs in the United States on Nicktoons 
In January 2013, "Get Up (Rattle)," a song by the Bingo Players on which they were featured, topped the charts in the United Kingdom  It remained at the top of the UK Singles Chart for two weeks before being dethroned by "Thrift Shop" by Macklemore & Ryan Lewis  "Turn Up the Love", a track from "Dirty Bass", reached the top 5 on the overall singles charts in over a dozen countries 
On April 29, 2013, Far East Movement released the song "Lovetron", featuring Travis Garland  On June 2, 2013, they released the song "The Illest", featuring Riff Raff  On January 9, 2014, they released the song "Bang It To The Curb", featuring Sidney Samson  Their EP KTown Riot was released on October 28, 2014 

2016: Identity and J-Splif's Departure
On September 21, 2016, S M Entertainment, one of the largest entertainment companies in South Korea, announced that Chanyeol, from popular K-pop band EXO, would be collaborating with Far East Movement in their track "Freal Luv", which also features Tinashe and Marshmello On October 10, 2016, Starship Entertainment announced that Hyolyn, from K-pop girl-group Sistar, would be featured in a new song titled "Umbrella" 
Both songs were included in the band's fifth studio album, Identity, released on October 21  It features various Korean artists, such as Tiffany from Girls' Generation, rappers Yoon Mi-rae, Jay Park, Loco and R&B group Urban Zakapa, along with American singer-songwriter Macy Gray, rapper Soulja Boy and credits from British singer-producer MNEK  Identity debuted at #1 on the global iTunes dance charts  The music video for "Freal Luv" was viewed over  30 million times on YouTube 
On October 14, 2016, Far East Movement released "We Out Here" featuring Blackbear and Thurz 
On November 23, 2016, Far East Movement announced that J-Splif had left the group due to family reasons 

2017–present: International collaborations
On October 26, 2018, Far East Movement released a song titled "Bamboo" which features vocals from Jason Zhang and Kina Grannis 
On February 8, 2019, Far East Movement released a single titled "Blossoms" which features Troop Brand and Chinese rapper Vava 
On March 14, 2019, Far East Movement released a single titled "Lovebird" which features Lay 
On April 19, 2019, Far East Movement released a single titled "Paint the Clouds" which features vocals from Tia Ray 
On June 21, 2019, Far East Movement released a single titled "Maps", featuring Diamond, Starchild Yeezo, and Rell the Soundbender 
On July 26, 2019, Far East Movement released a single titled "Glue", featuring Heize and Shawn Wasabi 

Discography
Folk Music (2006)
Animal (2009)
Free Wired (2010)
Dirty Bass (2012)
Identity (2016)

Filmography
Members
DJ Virman joined the group in 2007  Before joining Far East Movement, he was working as a DJ for the Power 106 radio station in Los Angeles 
On  November 23 2016, the group announced that J-Splif had left the group due to family issues 

Current Members
Kev Nish (Kevin Nishimura, born January 12, 1984) (2003–present)
Prohgress (James Roh, born January 14, 1980) (2003–present)
DJ Virman (Virman Coquia, born January 24, 1982) (2007–present)

Former Members
J-Splif (Jae Choung, born February 11, 1984) (2003-2014)

See also
List of artists who reached number one in the United States
Passage 4:
B*Witched discography
The discography of B*Witched, an Irish pop girl group, consists of two studio albums, two extended plays, two compilation albums, two video albums and 13 singles (including one as part of a collective)  The group released their debut single "C'est la Vie" on 25 May 1998  Despite mixed reviews, it reached Number 1 on the UK charts, making them the youngest female group ever to do so, and also made Number 9 in the US  Subsequent singles "Rollercoaster", "To You I Belong" and "Blame It on the Weatherman" also topped the UK charts  The group's debut album, B*Witched, was released in October 1998, reaching Number 3 in the UK charts and was certified Double Platinum in the UK and Platinum in the US  B*Witched's second album, Awake and Breathe, released almost exactly a year after their debut, peaked at number 5 on the charts and was certified Platinum  Singles from the album were less successful than earlier releases ("Jesse Hold On" reached number 4, "I Shall Be There" number 13 and "Jump Down" number 16 in the UK)  The latter two appeared on their new American EP, Across America 2000, along with live tracks and the earlier cover of "Does Your Mother Know"  However, in September 2002, the group officially split when O'Carroll decided to leave the band On 18 October 2012, it was announced that B*Witched would reunite for the ITV2 reality documentary series The Big Reunion  In May 2013 B*Witched unveiled a new song called "Love and Money"  During a radio interview in October 2013, Edele Lynch confirmed that the group would release new material in September 2014  In December, they announced via PledgeMusic that they had recorded their first ever EP, entitled Champagne or Guinness  It was released on 28 September 2014 alongside the single "The Stars Are Ours" 

Albums
Studio albums
Compilations
Video albums
Extended plays
Singles
As main artist
As featured artist
Other appearances
Music videos
Passage 5:
Ain't Love a Bitch
"Ain't Love a Bitch" is a song written by Gary Grainger and Rod Stewart  Stewart released it on his 1978 album Blondes Have More Fun, and it was one of four songs on the album co-written by Stewart and Grainger  The song was released as a single in 1979, reaching #11 on the UK charts, and #22 on the Billboard Hot 100 chart in the United States  It spent 8 weeks on the UK charts and 6 weeks on the US charts  The song also reached the Top Ten in several countries, including Ireland  Billboard magazine placed Stewart #7 on its list of the Top Single Artists of 1979 on the strength of "Ain't Love a Bitch" and its predecessor, "Da Ya Think I'm Sexy?" Stewart performed the song on Dave Allen's Dave Allen at Large  A video of the song was included on the DVD included in the deluxe editions of the compilation album Some Guys Have All the Luck / The Definitive Rod Stewart 

Background
Rolling Stone critic Janet Maslin excoriated the song as being "unexpectedly sensitive, with a soft, strum-along melody and a bunch of namby-pamby characters doo-doo-doing a background chorus while Stewart croons about old girlfriends "   She further criticizes the song for taking material that could have been tough and making it sound "like the 1400th cover version of 'I Left My Heart in San Francisco '" CD Review commented on the references within "Ain't Love a Bitch" to Stewart's earlier song "Maggie May", describing the music as "bouncy"  High Fidelity objected to the lyrics blaming women for love's problems  The Albany Herald also noted that the song is autobiographical, and incorporates elements from Stewart's "musical and personal past " Stereo Review described the song as a "repellent frat-house love song"  Stephen Thomas Erlewine of Allmusic described the song as being in the same mold as "Da Ya Think I'm Sexy?"  Author Barry Alan Farber described the line "Ain't we all a little juvenile" as encapsulating the way people retain pieces of their adolescence into adulthood   Cash Box called it a "return to the   balladeering  of 'Tonight's The Night'" after the disco success of "Do Ya Think I'm Sexy" and said the song has "gentle, soothing acoustic guitar work, strings, and light drumming "  Record World said that "The rhythm is light and [Stewart's] vocals have a music hall quality "

Chart performance
Passage 6:
Pinball Wizard
"Pinball Wizard" is a song written by Pete Townshend and performed by the English rock band the Who, featured on their 1969 rock opera album Tommy  The original recording was released as a single in 1969 and reached No  4 in the UK charts and No  19 on the U S  Billboard Hot 100 
The B-side of the "Pinball Wizard" single is an instrumental credited to Keith Moon, titled "Dogs Part Two"   Despite the title, it has no musical connection to the Who's 1968 UK single "Dogs" 

Story
The lyrics are written from the perspective of a pinball champion, called "Local Lad" in the Tommy libretto book, astounded by the skills of the opera's eponymous main character, Tommy Walker: "He ain't got no distractions / Can't hear those buzzers and bells / Don't see lights a flashin' / Plays by sense of smell / Always gets a replay / Never seen him fall / That deaf dumb and blind kid / Sure plays a mean pinball ", and "I thought I was the Bally table king, but I just handed my pinball crown to him" 
Townshend once called it "the most clumsy piece of writing [he'd] ever done"  Nevertheless, the song was a commercial success and remains one of the most recognised tunes from the opera  It was a perpetual concert favourite for Who fans due to its pop sound and familiarity 

Position on the album
In late 1968 or early 1969, when the Who played a rough assembly of their new album to critic Nik Cohn, Cohn gave a lukewarm reaction to it  Following this, Townshend, as Tommy's principal composer, discussed the album with Cohn and concluded that, to lighten the load of the rock opera's heavy spiritual overtones (Townshend had recently become deeply interested in the teachings of Meher Baba), the title character, a "deaf, dumb, and blind" boy, should also be particularly good at a certain game  Knowing Cohn was an avid pinball fan, Townshend suggested that Tommy would play pinball, and Cohn immediately declared Tommy to be a masterpiece  The song "Pinball Wizard" was written and recorded almost immediately  The single version was slightly sped up and runs to 2:57, whilst the natural length album version runs to 3:04 

Reception
Cash Box said "Pinball Wizard" was "sensational", saying "Retaining the joyful exaltation of early pop rock, the Who add a proficiency and modernization that clicks with the accuracy of a Beatles-gone-heavy " Billboard described the single as "a solid beat rocker " Record World described it as an "exciting side "

Live performances
This song is one of the band's most famous live songs, being played at almost every Who concert since its debut live performance on 2 May 1969  The live performances rarely deviated from the album arrangement, save for an occasional jam at the end sometimes leading to another song  Bootleg recordings show that this song has been known to last as long as 8 minutes (at a concert at the Rainbow Theatre in London on 3 February 1981), although live versions lasting as long as that are extremely rare  Pinball Wizard was also played during the Super Bowl XLIV Halftime Show on 7 February 2010 

Personnel
Roger Daltrey – lead vocals
Pete Townshend – backing vocals, co-lead vocals, acoustic guitar, electric guitar
John Entwistle – bass guitar
Keith Moon – drums

Charts and certifications
Elton John version
The song was performed by English musician Elton John in Ken Russell's 1975 film adaptation of Tommy  This version was released in 1975 as a promotional single only in the US, and in 1976 in the UK, where it reached number 7  Because it was not released as a commercial single in the US, it was ineligible to be listed on the Billboard Hot 100 chart  It did however make the US Radio & Records airplay chart, where it reached number 9 
John's version uses a piano as the song's centerpiece in place of the acoustic guitar in the original  In the film, John's character is shown playing his pinball machine via a small piano keyboard  His adaptation also features additional lyrics specially written by Townshend for the movie version, as well as a subtle inclusion of musical phrases from the Who's 1960s hit "I Can't Explain" during the outro  Similarly, the Who's later cover of Elton John's "Saturday Night's Alright for Fighting" included parts of "Take Me to the Pilot"  Unlike most of the soundtrack's music, which featured various combinations of the Who and some of the era's best session players, Elton John used his own band and producer Gus Dudgeon for the track  John has performed the song as part of his Las Vegas Red Piano Show, as well as on various tours  To date, it is the only cover of a Who song to reach the top 10 The song has subsequently been performed by Taron Egerton who portrayed Elton John in the film Rocketman (2019) 

Personnel
Elton John – lead vocals, piano
Davey Johnstone – acoustic and electric guitars, backing vocals
Dee Murray – bass, backing vocals
Nigel Olsson – drums, backing vocals
Ray Cooper – tambourine, congas

Chart performance
In Toronto, "Pinball Wizard" spent two weeks at number one on the CHUM survey  In Chicago, "Pinball Wizard" remained on the WLS Musicradio Survey as an "extra" for five and a half months, from mid-April to late September as an album track in heavy rotation 

Other cover versions
The song was featured in a medley with another song from Tommy ("See Me, Feel Me") in a recording by the British pop group the New Seekers in 1973  This version reached No  16 on the UK charts and in Australia, and No  28 in Canada, and No  29 on the U S  Hot 100 
In 1977, Barry Williams performed the song during a "Songs from Movies" medley on an episode of The Brady Bunch Variety Hour 
McFly released their cover of the song in 2005 as the B-side to their UK number one single "I'll Be OK"  They subsequently performed a cover of "My Generation" with Roger Daltrey that was exclusively released on HMV's new HMV Digital download store in September of that year 
Tenacious D also regularly perform the song as a part of a medley of songs from Tommy
In 2012, during the third season of Glee, Alex Newell performed the song during national competition 

In popular culture
The track is featured on the video games Rock Band 2, Rock Band Unplugged and Karaoke Revolution: American Idol Encore 2, as well as on The Who's Tommy Pinball Wizard 
Bruce Springsteen makes a reference to the song in his song "4th of July, Asbury Park (Sandy)", in the album The Wild, the Innocent, & the E Street Shuffle, with the lyric "And the wizards play down on Pinball Way" 
Within the pinball community, using the phrase Pinball Wizard to describe a high quality player is common, though sometimes controversial  
In 2011, the American animated comedy television series SpongeBob SquarePants parodied "Pinball Wizard" with the song "Neat Clarinet" in the eighth season episode "Sweet and Sour Squid "
Passage 7:
Martina McBride discography
The discography of American country music artist Martina McBride consists of 14 studio albums, one live album, eight compilation albums, two video albums, three additional albums, 45 music videos, 51 singles, 16 other charting songs, and 45 album appearances  In 1991, she signed a recording contract with RCA Nashville, launching her debut studio album The Time Has Come in 1992  In September 1993, her second studio album The Way That I Am was issued  Its lead single "My Baby Loves Me" reached number 2 on the Billboard Hot Country Songs chart, becoming her breakthrough hit  The third single "Independence Day" peaked in the Top 20 and became McBride's signature song  The song's success elevated sales of The Way That I Am to platinum status from the Recording Industry Association of America  Wild Angels was released in September 1995 and reached number seventeen on the Billboard Top Country Albums chart  The album's title track became McBride's first song to top the Hot Country Songs chart  McBride's fourth studio album Evolution was released in August 1997 and is her best-selling album to date, certifying three times platinum in the United States  The album spawned six singles which all became major hits including, "A Broken Wing", "Wrong Again", and "Whatever You Say"  After releasing a holiday album, McBride's fifth studio album Emotion was issued in September 1999  The lead single "I Love You" topped the Hot Country Songs chart, while also reaching minor positions on the Adult Contemporary and Billboard Hot 100 charts In 2001, McBride released her first Greatest Hits project, becoming her first album to top the Top Country Albums chart  All four of the album's new tracks were single releases including the number one single "Blessed"  Martina (2003) certified double platinum in the United States and featured the top 5 singles "This One's for the Girls" and "In My Daughter's Eyes"  McBride's seventh studio album entitled Timeless (2005) contained a series of classic country songs, debuting atop the country albums chart and the top ten of the Billboard 200  In 2007, McBride returned with her eighth studio record entitled Waking Up Laughing, which debuted in the top five of the Billboard country albums chart and Billboard 200  The album featured original songwriting material by McBride herself, including "Anyway", the album's lead single  After recording a live album in 2008, McBride's next studio album entitled Shine (2009) was issued  The album spawned three singles that reached the Top 20 on the country songs chart  Switching to Republic Nashville, Eleven was released in October 2011  Debuting at number 4 on the country albums chart, the album's second single "I'm Gonna Love You Through It" became a major hit in 2012  Under the production of Don Was, McBride released her twelfth studio record Everlasting (2014) that featured covers of R&B songs  Since her debut, Martina McBride has sold over 14 million albums, according to the Recording Industry Association of America 

Albums
Studio albums
Live albums
Compilation albums
Other albums
Singles
As lead artist
As guest artist
Other charted songs
Videography
Video albums
Music videos
As lead artist
As guest artist
Other appearances
Notes
Passage 8:
Tommy (album)
Tommy may refer to:

People
Tommy (given name)
Tommy Atkins, or just Tommy, a slang term for a common soldier in the British Army

Arts and entertainment
Film and television
Tommy (1931 film), a Soviet drama film
Tommy (1975 film), a British operetta film based on the Who's album Tommy
Tommy (2015 film), a Telugu drama film
Tommy (TV series), a 2020 American drama series

Literature
Tommy (King poem), by Stephen King, 2010
Tommy (Kipling poem), by Rudyard Kipling, 1892

Music
Tommy (The Who album), 1969
Tommy (London Symphony Orchestra album), 1972
Tommy (soundtrack), a soundtrack to the 1975 film
The Who's Tommy, a stage production, premiered 1992
Tommy (The Wedding Present album), 1988
Tommy (Dosh album), 2010
Tommy (EP), a 2017 EP by Klein
Tommy, a 2022 EP by Kiesza
Tommy, a 1965 album by Tommy Adderley
Tommy, a 1970 EP by The Who
"Tommy", a 1991 song by Status Quo from the album Rock 'til You Drop

Other uses in arts and entertainment
Tommy, a 1927 play, the basis of the 1930 film She's My Weakness
Tommy (statue), a statue of a Great War soldier in Seaham, England

Other uses
Tommy (pigeon), who received the Dickin Medal in 1946
British Rail Class 76, an electric locomotive, the prototype of which was named "Tommy"
Thomson's gazelle, an animal known as a "tommy"
Quarry Tommy a slate quarry near Cilgerran, Wales

See also
All pages with titles beginning with Tommy
Tommie, a masculine given name
Thompson submachine gun, also known as the "tommy gun"
Apache TomEE, the Java Enterprise Edition of Apache Tomcat
Tommy's (charity), associated with St Thomas' Hospital, London
Tomm (disambiguation)
Passage 9:
Jeremih
Jeremy Phillip Felton (born July 17, 1987), known professionally as Jeremih ( JERR-əm-eye), is an American R&B singer  In 2009, he signed a record deal with Def Jam Recordings  Jeremih's commercial debut single, "Birthday Sex", peaked at number four on the US Billboard Hot 100 chart—leading his self-titled debut album released in June that year, reaching number six on the US Billboard 200 chart  Jeremih's success continued with the release of his second album, All About You, led by the single "Down on Me" (featuring 50 Cent), which also reached the top five of the Billboard Hot 100  In 2014, his single "Don't Tell 'Em" (featuring YG) became his third top-ten hit on the Billboard Hot 100  The song became the lead single for his third studio album, Late Nights released in December 2015  A collaborative album between Jeremih and California singer Ty Dolla Sign, titled MihTy, was released in 2018 

Early life
Born in Chicago, Illinois, Jeremih began playing drums at the age of three and is able to play the saxophone, several percussion instruments, and piano/keyboards  He attended Morgan Park High School, where he was part of the marching band as well as a Latin jazz band  He also learned to play percussion instruments like congas and timbales  Felton was a good student and earned academic honors at Morgan Park High School  His strong academic performance enabled him to graduate from high school a year early  He enrolled at the University of Illinois and Parkland College in Urbana-Champaign  After spending a semester at the university studying engineering, he wanted to change his education to something related to music  He transferred to Columbia College Chicago in 2007 to pursue a degree in music business  After performing a tribute to Ray Charles at one of the campus's talent shows, he received positive feedback and realized his vocal ability, saying that the "music was just taking over" 

Career
2009–2011: Jeremih and All About You
While attending Columbia College Chicago, Jeremih collaborated with record producer Mick Schultz  Together, they recorded a song, titled "My Ride"  Jeremih received guidance from his cousin, Day26 group member, Willie Taylor  In February 2009, Jeremih met with Def Jam's CEO Russell Simmons, and executive vice president of A&R Karen Kwak  After performing for the two, Jeremih signed a recording contract with Def Jam that same day  In 2009, Jeremih released his debut single, "Birthday Sex"  The song later peaked at number 4 on the US Billboard Hot 100  In June 2009, Jeremih released his eponymous self-titled debut studio album, Jeremih  The album debuted at number 6 on the US Billboard 200, selling 59,000 copies in its first week  In promotion of the album, Jeremih took part in America's Most Wanted Tour, alongside Lil Wayne, Young Jeezy, and Soulja Boy Tell 'Em  The second single, "Imma Star (Everywhere We Are)", peaked at number 51 on the Billboard Hot 100 In August 2009, Jeremih was selected by Ron Huberman and Mayor Richard M  Daley of the Chicago Public Schools (CPS) to campaign children to return to school  Community activists protested and demanded CPS to undo their decision, claiming that Jeremih's music was "not appropriate for students" and "promotes teen sex"  Huberman argued that "school officials would be naive to pretend students don't listen to Felton's music already"  Daley also argued that recording artists have the freedom of speech, noting that Jeremih was "a young man, [with a] back-to-school message, a young man who has had great success recording, producer, going to school, went to public school"  In September 2009, Jeremih performed on ABC Daytime's soap opera One Life to Live, alongside recording artist Lionel Richie  The two performed "Just Go", a song from Richie's album with the same title On June 1, 2010, Jeremih released the first single for his second studio album All About You, titled "I Like" featuring Ludacris  "Down on Me" featuring rapper 50 Cent was confirmed to be the second single from the album  "Down on Me" charted on the number-one position for eight weeks total on Rhythmic Billboard chart  All About You was released on September 28, 2010  The following year, Jeremih and Rick Ross were featured on the song, which was performed by Wale, titled "That Way" from the compilation album Self Made Vol  1 

2012–2015: Late Nights
In December 2011, Jeremih confirmed he had been working on his third studio album which was originally titled Thumpy Johnson  He announced plans from a summer 2012 release under Def Jam  However, the album was not released  Instead, Jeremih released his first mixtape titled Late Nights with Jeremih on August 7, 2012 On November 5, 2014, Jeremih and members of his crew were involved in an incident at a Fuddruckers restaurant in Billings, MT in which Jeremih's associates allegedly "hassled"[2] a young female restaurant employee and a manager for discriminating against them  Members of Jeremih's crew responded to the alleged racism by taking over the restaurant's microphone, throwing beer onto employees, and allegedly throwing a glass beer bottle into the kitchen, getting broken glass into the fryer and forcing the restaurant to close temporarily [3] The Billings Police Department sought but never issued arrest warrants in response to the incident [4] Surveillance footage of the altercation was published by TMZ, and the concert promoter for Jeremih's Billings performance offered refunds to audience members and renounced the actions taken by Jeremih and his crew  [5]
"All the Time" is a song which originally appeared on his mixtape Late Nights with Jeremih but was re-released with an additional verse by rapper Lil Wayne as a single  The song was released on April 16, 2013, as a digital download  On July 17, 2014, Jeremih formally released his collaborative EP "No More" with Shlohmo through his Twitter account The first single off Jeremih's third studio album (retitled Late Nights: The Album), "Don't Tell 'Em" featuring YG, was released on June 6, 2014  The second single, "Planez" featuring J  Cole was released on January 22, 2015  The first promotional single "Tonight Belongs to U!" featuring Flo Rida was released on April 21, 2015  The third single, "Oui" was released on October 30, 2015  The second promotional single, "Royalty" featuring Big Sean and Future, was released October 29, 2015  The third promotional single "Peace Sign" featuring Fabolous and Red Cafe was released November 18, 2015  The fourth single, "Pass Dat" was released December 1, 2015  On December 4, Jeremih finally released the album to critical acclaim  To promote the album, Jeremih embarked on his Late Nights Uncut Tour 

2016–present: MihTy
On February 7, 2016, Jeremih revealed his fourth studio album will be called, Later That Night in an interview with Billboard  In the same interview, he mentioned he had been recently writing songs for Kanye West and Nicki Minaj  In the summer of 2016, Jeremih headlined his first European concert tour  In July 2016, Jeremih released his second mixtape called Late Nights: Europe, which he recorded while on tour overseas  He stated that he was 90% done with his upcoming album Later That Night that would complete his "Late Night" series In June 2016, Jeremih announced a joint album with PartyNextDoor titled Late Night Party, which he said would be released before Later That Night  Following this announcement, the two artists headlined a joint tour called Summer's Over Tour scheduled for November and December 2016  In the last week of the tour, it was announced that Jeremih would removed from the tour  The decision came after Jeremih left the stage mid-performance in Chicago, sent a body-double to perform in Houston, and criticized PartyNextDoor on stage in Dallas  A few months later, Jeremih stated that there were arguments between the two artists' teams, but he had no ill will towards PartyNextDoor On Cinco de Mayo 2017, Jeremih released an EP, Cinco De MihYo, which he had written and recorded in 24 hours  In March 2018, Jeremih released an EP titled The Chocolate Box  Pitchfork stated, "When his projects are well-considered, or made with hyper-focused collaborators, he can be the most enchanting man in the room," but called one of the four tracks awkward and bored On June 8, 2018, Jeremih and Ty Dolla Sign released "The Light" as the lead single from their collaboration album MihTy  The 11-track album was released on October 26, 2018, and features guest appearances from Chris Brown, French Montana, and Wiz Khalifa In July 2018, Jeremih announced a joint tour with singer Teyana Taylor called Later That Night  The tour dates were from August 3 through September 8 in the United States  On August 15, Teyana tweeted that she would be leaving the tour due to mistreatment from Jeremih In 2019, Jeremih was featured in Chantel Jeffries' song and music video "Chase the Summer"  In March 2020, Jeremih was featured on the remix for "Baby Girl" by Bryce Vine  On May 3, 2021, DJ Khaled released a music video for his song "Thankful" from his album Khaled Khaled featuring Jeremih and Lil Wayne After a long hiatus from recording, Jeremih released his comeback single, "Changes", on October 21, 2022 In April 2023, he introduced his first protégé, Illinois singer Murf Dilly, to the music scene with his debut single "2 C's"  The song featured Jeremih as a guest vocalist and was released on his newly established Late Nightz Records 

Musical style
Jeremih cited Michael Jackson, Stevie Wonder, and R  Kelly as his biggest influences  He described their music as "timeless", calling them "true musician-artists"  With the release of his debut album, Andy Kellman of Allmusic compared Jeremih's vocals to Slim of 112 and Raphael Saadiq, noting that his "charmingly sly voice   is hard to not like"  In contrast, Ken Capobianco of The Boston Globe felt that Jeremih's voice was "thin", showing "little range"  Jody Rosen expressed that Jeremih "has a way with tunes and hooks"  He received comparisons to The-Dream, R  Kelly, and Stevie Wonder 

Health
In November 2020, Jeremih was hospitalized in Chicago after testing positive for COVID-19  By November 14, he was reported to be on a ventilator in the intensive care unit  He was taken off the ventilator on November 19 but remained in critical condition  His spokesman said Jeremih has no underlying conditions  Jeremih was transferred out of intensive care on November 21, into a general hospital to make a full recovery  He was released from the hospital on December 4 

Discography
Studio albumsJeremih (2009)
All About You (2010)
Late Nights (2015)

Awards and nominations
MOBO AwardsThe Music of Black Origin Awards (MOBO Awards) is an awards ceremony established in 1995 by Kanya King 

American Music AwardsThe American Music Awards is an annual awards ceremony created by Dick Clark in 1973 

Grammy AwardsNAACP AwardsAn NAACP Image Award is an accolade presented by the American National Association for the Advancement of Colored People to honor outstanding people of color in film, television, music, and literature 

Chicago Music AwardsThe Chicago Music Awards is an annual awards ceremony for music artist professionals to get recognized for their talents and hard work   Ephraim Martin, CMA President, is the founder 

Billboard Music AwardsThe Billboard Music Award is an honor given by Billboard magazine, the preeminent publication covering the music business  The Billboard Music Awards show had been held annually in December until it went dormant in 2007, but it returned in May 2011  By Billboard Music Award 

iHeartRadio Music AwardsThe iheartRadio award honors the biggest Artists and Songs of the year 
Passage 10:
Train discography
American rock band Train has released 11 studio albums, two live albums, one compilation album, one video album, four extended plays, 34 singles, six promotional singles, and 29 music videos  The band independently released their eponymous debut studio album in 1996, two years after their formation  In February 1998, the band signed to Aware Records and Columbia Records and re-released the album under the two labels  Three singles were released from Train; the album's first single, "Meet Virginia", peaked at number 20 on the US Billboard Hot 100  The album peaked at number 76 on the US Billboard 200 and was certified platinum by the Recording Industry Association of America (RIAA)  In the period following the release of Train, producer Brendan O'Brien started working with the band in a partnership that would last for three albums  The band released their second studio album Drops of Jupiter in March 2001; it was preceded by the release of its lead single, "Drops of Jupiter (Tell Me)"  The single became a commercial success, peaking at number five on the US Billboard Hot 100 and also becoming a top 10 hit in Australia, the Netherlands and the United Kingdom  "Drops of Jupiter (Tell Me)" also won an award for Best Rock Song at the 44th Grammy Awards  The album peaked at number six on the Billboard 200, earning a double platinum certification from the RIAA  "She's on Fire", the third single from Drops of Jupiter, achieved moderate success in Australia and the UK  Train's third studio album, My Private Nation, was released in June 2003  It peaked at number six on the Billboard 200 and was certified platinum by the RIAA  The album's first two singles, "Calling All Angels" and "When I Look to the Sky", peaked at numbers 19 and 74 respectively on the Billboard Hot 100  The band released their fourth studio album For Me, It's You in January 2006  The album peaked at number 10 on the Billboard 200 and spawned three singles Following a three-year hiatus, Train released the single "Hey, Soul Sister" in 2009  It became an international hit, peaking at number three on the Billboard Hot 100, topping the charts in Australia and the Netherlands and becoming a top 10 hit in multiple other countries  Save Me, San Francisco, the band's fifth studio album, was released in October 2009  For the album, the band worked with several producers, including Martin Terefe and Gregg Wattenberg  It peaked at number 17 on the Billboard 200, earning a gold certification from the RIAA  The album's second and third singles, "If It's Love" and "Marry Me", became top 40 hits on the Billboard Hot 100  In April 2012, Train released their sixth studio album California 37; it peaked at number four on the Billboard 200  The album's lead single "Drive By" peaked at number 10 on the Billboard Hot 100 and also became a top 10 hit in multiple other countries  Bulletproof Picasso followed in September 2014, peaking at number five on the Billboard 200, and was succeeded by the releases of the Christmas album Christmas in Tahoe in November 2015 and the Led Zeppelin tribute Train Does Led Zeppelin II in June 2016  A Girl, a Bottle, a Boat, the band's 10th studio album, was released in January 2017, peaking at number eight on the Billboard 200 

Albums
Studio albums
Live albums
Compilation albums
Video albums
Extended plays
Singles
Promotional singles
Other charted songs
Other appearances
Music videos
Notes



ground_truth: BBC Formula One

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: What song from the fourth studio album made by The Who reached No.4 on the UK charts and No. 19 o nthe U.S. "Billboard" Hot 100?

The following are given passages.
Context 3: Passage 1:
Vocal fry register
The vocal fry register (also known as pulse register, laryngealization, pulse phonation, creaky voice, creak, croak, popcorning, glottal fry, glottal rattle, glottal scrape) is the lowest vocal register and is produced through a loose glottal closure that permits air to bubble through slowly with a popping or rattling sound of a very low frequency  During this phonation, the arytenoid cartilages in the larynx are drawn together, which causes the vocal folds to compress rather tightly and become relatively slack and compact  This process forms a large and irregularly vibrating mass within the vocal folds that produces the characteristic low popping or rattling sound when air passes through the glottal closure  The register (if well controlled) can extend far below the modal voice register, in some cases up to 8 octaves lower, such as in the case of Tim Storms who holds the world record for lowest frequency note ever produced by a human, a G−7, which is only 0 189 Hz, inaudible to the human ear 
Vocal fry is thought to have become more common among young female speakers of American English in the early 21st century, with the style of speaking being considered informal, nonaggressive and urban-oriented 

History of register classification
The vocal fry register has been a recognized and identifiable register in American English only within the past few decades, but its characteristic sound was recognized much earlier  Discussion of the vocal fry or pulse register began first within the field of phonetics and speech therapy and did not enter the vocabulary of vocal music pedagogists until the early 1970s, when it was initially controversial  However, the controversy surrounding the term within vocal music has subsided as more research into the use of the vocal fry register within the context of singing ensued  In particular, vocal pedagogist Margaret Greene's videotaping of the physiological processes occurring in the body while singers were phonating in the vocal fry register offered solid evidence that this type of vocal phonation should be considered a vocal register from both speech pathology and vocal music perspectives  Like any other vocal register, the vocal fry register has a unique vibratory pattern of the vocal folds, a certain series of pitches, and a certain type of sound that distinguishes it from other vocal registers 

In speech
Discussion of vocal fry is much more frequent in books related to phonetics and speech therapy than it is in those dealing with singing  Some authorities consider the use of vocal fry in speech a dysphonia, but others consider it so only if it is used excessively such as Hollien, Moore, Wendahl, and Michel:

It is simply our intent to suggest that ordinarily vocal fry constitutes one of several physiologically available types of voice production on the frequency-pitch continuum and hence, of itself, is not logically classified among the laryngeal pathologies  While the excessive use of fry could result in a diagnosis of voice disorder, this quality is too often heard in normal voices (especially in descending inflections where the voice fundamentally falls below frequencies in the modal register) to be exclusively a disorder 
Many are quick to point out that although vocal fry is minimally a part of routine speaking patterns, the continued use of such a pattern makes it non-utilitarian or pathological Some evidence exists of vocal fry becoming more common in the speech of young female speakers of American English in the early 21st century, but its frequency's extent and significance are disputed  Researcher Ikuko Patricia Yuasa suggests that the tendency is a product of young women trying to infuse their speech with gravitas by means of reaching for the male register and found that "college-age Americans     perceive female creaky voice as hesitant, nonaggressive, and informal but also educated, urban-oriented, and upwardly mobile "A 2014 national study of American adults found that speech with vocal fry was perceived more negatively than a voice without vocal fry, particularly in a labor market context  In young adult women, it was perceived as sounding less trustworthy, less competent, less attractive, and less hireable  The negative evaluation was stronger when the evaluator was also a woman The national study of 800 listeners across age groups found that people making hiring decisions preferred a voice without vocal fry to one with vocal fry  A limitation of the study was that the vocal fry samples were produced by imitators rather than natural vocal fry speakers  That suggests that more research is needed, as the negative reaction could be attributable to other factors In native speakers of American English, young women use vocal fry more frequently than men  When asked to read a passage, female speakers used vocal fry at a rate four times higher than male speakers Some languages, such as Jalapa Mazatec, use vocal fry (creaky voice) as a linguistically significant marker; the presence or absence of vocal fry can then change the meaning of a word 

Social implications
Some people seek out the help of speech pathologists as they feel vocal fry makes them appear unsure and less confident  Researchers have found that young adult women who use vocal fry are perceived as less competent and less hireable (listeners have less of a negative reaction to male voices)  Others argue that these perceptions are part of a broader attack on women's speech Vocal fry is generally seen as a negative characteristic in the workplace, but a study by Duke University researchers has determined the phenomenon is becoming more common and socially acceptable 

In singing
The croaking sound produced by male singers at the start of phrases in American country music is produced by moving from this to the modal register  Within choral music, when true basses are not available, choirs often rely on singers who can "fry" the low bass notes  Singers such as Tim Storms, Mike Holcomb and various other gospel basses use this technique to sing very low tones   Some styles of folk singing showcase the vocal fry register in the female voice  Vocal fry is also used in metal music, usually in combination with air from the diaphragm, in order to create a "growl" or "scream," which sounds aggressive and harsh The chief use of the vocal fry register in singing is to obtain pitches of very low frequency, which are not available to the singer in the modal register  The physiological production of the vocal fry register may be extended up into the modal register  In some cases, vocal pedagogues have found the use of vocal fry therapeutically helpful to students who have trouble producing lower notes  Singers often lose their low notes or never learn to produce them because of the excessive tension of the laryngeal muscles and of the support mechanism that leads to too much breath pressure Some throat singing styles such as kargyra use vocal techniques similar to vocal fry 

See also
Notes
Passage 2:
Bass (voice type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types  According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i e , E2–E4)  Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef  Categories of bass voices vary according to national style and classification system 
Italians favour subdividing basses into the basso cantante (singing bass), basso buffo ("funny" bass), or the dramatic basso profondo (low bass)  The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass 
The German Fach system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass  These classification systems can overlap  Rare is the performer who embodies a single Fach without also touching repertoire from another category 

History
Cultural influence and individual variation create a wide variation in range and quality of bass singers  Parts for basses have included notes as low as the B-flat two octaves and a tone below middle C (B♭1), for example in Gustav Mahler's Symphony No  2 and the Rachmaninov's All-Night Vigil, A below that in Frederik Magle's symphonic suite Cantabile, G below that (e g  Measure 76 of Ne otverzhi mene by Pavel Chesnokov) or F below those in Kheruvimskaya pesn (Song of Cherubim) by Krzysztof Penderecki  Many basso profondos have trouble reaching those notes, and the use of them in works by Slavic composers has led to the colloquial term "Russian bass" for an exceptionally deep-ranged basso profondo who can easily sing these notes  Some traditional Russian religious music calls for A2 (110 Hz) drone singing, which is doubled by A1 (55 Hz) in the rare occasion that a choir includes exceptionally gifted singers who can produce this very low human voice pitch 
Many British composers such as Benjamin Britten have written parts for bass (such as the first movement of his choral work Rejoice in the Lamb) that center far higher than the bass tessitura as implied by the clef  The Harvard Dictionary of Music defines the range as being from the E below low C to middle C (i e  E2–C4) 

In choral music
In SATB four-part mixed chorus, the bass is the lowest vocal range, below the tenor, alto, and soprano  Voices are subdivided into first bass and second bass with no distinction being made between bass and baritone voices, in contrast to the three-fold (tenor–baritone–bass) categorization of solo voices  The exception is in arrangements for male choir (TTBB) and barbershop quartets (TLBB), which sometimes label the lowest two parts baritone and bass 

Range and Subtypes
Bass has the lowest vocal range of all voice types, with the lowest tessitura  The low extreme for basses is generally C2 (two Cs below middle C)  Some extreme bass singers, referred to as basso profondos and oktavists, are able to reach much lower than this  Within opera, the lowest note in the standard bass repertoire is D2, sung by the character Osmin in Mozart's Die Entführung aus dem Serail, but few roles fall below F2  
Although Osmin's note is the lowest 'demanded' in the operatic repertoire, lower notes are heard, both written and unwritten: for example, it is traditional for basses to interpolate a low C in the duet "Ich gehe doch rathe ich dir" in the same opera; in Richard Strauss' Der Rosenkavalier, Baron Ochs has an optional C2 ("Mein lieber Hippolyte")  The high extreme: a few bass roles in the standard repertoire call for a high F♯ or G (F♯4 and G4, the one above middle C), but few roles go over F4  In the operatic bass repertoire, the highest notes are a G♯4 (The Barber in The Nose by Shostakovich) and, in the aria "Fra l'ombre e gl'orrori" in Handel's serenata Aci, Galatea e Polifemo, Polifemo reaches an A4 
Within the bass voice type category are seven generally recognized subcategories: basso cantante (singing bass), hoher bass (high bass), jugendlicher bass (juvenile bass), basso buffo ("funny" bass), Schwerer Spielbass (dramatic bass), lyric bass, and dramatic basso profondo (low bass) 

Basso cantante/lyric high bass/lyric bass-baritone
Basso cantante means "singing bass"  Basso cantante is a higher, more lyrical voice  It is produced using a more Italianate vocal production, and possesses a faster vibrato, than its closest Germanic/Anglo-Saxon equivalent, the bass-baritone 

Hoher Bass/dramatic high bass/dramatic bass-baritone
Hoher Bass or "high bass" or often a dramatic bass-baritone 

Jugendlicher Bass
Jugendlicher Bass (juvenile bass) denotes the role of a young man sung by a bass, regardless of the age of the singer 

Masetto, Don Giovanni by Wolfgang Amadeus Mozart
Colline, La bohème by Giacomo Puccini

Basso buffo/lyric buffo
Buffo, literally "funny", basses are lyrical roles that demand from their practitioners a solid coloratura technique, a capacity for patter singing and ripe tonal qualities if they are to be brought off to maximum effect  They are usually the blustering antagonist of the hero/heroine or the comic-relief fool in bel canto operas 

Schwerer Spielbass/dramatic buffo
English equivalent: dramatic bass

Lyric basso profondo
Basso profondo (lyric low bass) is the lowest bass voice type  According to J  B  Steane in Voices, Singers & Critics, the basso profondo voice "derives from a method of tone-production that eliminates the more Italian quick vibrato  In its place is a kind of tonal solidity, a wall-like front, which may nevertheless prove susceptible to the other kind of vibrato, the slow beat or dreaded wobble "

Dramatic basso profondo
English equivalent: dramatic low bass  Dramatic basso profondo is a powerful basso profondo voice 

In Gilbert and Sullivan
All of the Gilbert and Sullivan Savoy operas, except Patience and The Yeomen of the Guard, have at least one lead bass  Notable roles include:

See also
Category of basses
Fach, the German system for classifying voices
Voice classification in non-classical music
List of basses in non-classical music
Passage 3:
Basso profondo
Basso profondo (Italian: "deep bass"), sometimes basso profundo, contrabass or oktavist, is the lowest bass voice type 

While The New Grove Dictionary of Opera defines a typical bass as having a range that is limited to the second E below middle C (E2), operatic bassi profondi can be called on to sing low C (C2), as in the role of Baron Ochs in Der Rosenkavalier  Often choral composers make use of lower notes, such as G1 or even F1; in such rare cases the choir relies on exceptionally deep-ranged bassi profondi termed oktavists or octavists, who sometimes sing an octave below the bass part 
Bass singer Tim Storms holds the Guinness World Record for the "lowest note produced by a human" 

Definition
According to Rousseau (1775): "Basse-contres – the most profound of all voices, singing lower than the bass like a double bass, and should not be confused with contrabasses, which are instruments "

Oktavist
An oktavist is an exceptionally deep-ranged basso profondo, especially typical of Russian Orthodox choral music  This voice type has a vocal range which extends down to A1 (an octave below the baritone range) and sometimes to F1 (an octave below the bass staff) with the extreme lows for oktavists, such as Mikhail Zlatopolsky or Alexander Ort, reaching C1 Slavic choral composers sometimes make use of lower notes such as B♭1 as in Rachmaninoff's All-Night Vigil, G#1 in "The Twelve Brigands" by Vladimir Pasjukov, G1 in "Ne otverzhi mene" by Pavel Chesnokov, or F1 in "Kheruvimskaya pesn" (Song of Cherubim) by Krzysztof Penderecki, although such notes sometimes also appear in repertoire by non-Slavic composers (e g  B♭1 appears in Gustav Mahler's Second and Eighth Symphonies) 
In popular culture, several a capella groups have bass singers with an oktavist range, such as Home Free's Tim Foust, VoicePlay's Geoff Castellucci, and Avi Kaplan formerly of Pentatonix, as well as Tony nominated broadway performer Patrick Page, each of these being able to reach down to a G1 or in some cases even lower, with Castellucci able to hit a B0 using subharmonic singing and Foust able to hit a G0 using growl 

See also
Bass
Fach
Vocal weight
Passage 4:
Cosmos (band)
Cosmos was a Latvian a cappella band that formed in Riga in 2002  The band comprised singers Jānis Šipkēvics, Andris Sējāns (both countertenors), Juris Lisenko (tenor), Jānis Ozols (baritone), Jānis Strazdiņš (bass) and Reinis Sējāns (rhythm) 
Cosmos gained national and international recognition after they were chosen to represent Latvia in the 2006 Eurovision Song Contest held in Athens, Greece with the song "I Hear Your Heart"  Despite winning the national Eirodziesma 2006 contest, the band finished in joint sixteenth place out of the twenty-four finalists, with thirty points 

Discography
Cosmos (2003)
Pa un par (2005)
Тетради любви (2005)
Ticu un viss (2005)
Turbulence (2008)
Pasaki man un tev (2009)

External links
Official website
Review of Pa un par Archived 2008-10-25 at the Wayback Machine at RARB org
Passage 5:
Cosmos Holidays
Cosmos (formerly Cosmos Tours) is a UK independent tour operator providing a range of package holidays to the UK market  The tour operator is connected to the international Globus Travel Group, founded in 1928, which remains family owned with headquarters in Lugano, Switzerland  Under parent company Cosmos Tours Ltd, the tour operator offers holidays through two brands: Cosmos and Avalon Waterways 
Cosmos Holidays was founded in 1961 as Cosmos Tours  It became Cosmos Holidays in 1987  After Globus Travel Group sold Monarch Travel Group to Greybull Capital in October 2014, Monarch stopped using Cosmos as a Monarch Group brand in 2015  However, in March 2017 it was announced that Cosmos Tours had regained full rights and licences to the Cosmos brand and Monarch would change its corporate name from Cosmos Holidays Limited to Monarch Holidays Limited 

Background
Origins of Cosmos (1928–1986)
In 1928, Antonio Mantegazza started a company specialising in coach touring called Globus Viaggi   The company began with a fleet of 12 coaches which operated local excursions for European tourists in Switzerland   By 1950, Globus Viaggi had grown to a fleet of 33 coaches and featured overnight excursions to Rome, Venice, the Dolomites and the French Riviera   Gradually these became regular scheduled tours and grew longer to cover more ground   Later that decade Globus pioneered the concept of Grand European Touring by offering first-class European tours to North Americans 
Cosmos Tours was founded in the UK in 1961 by Sergio Mantegazza  The company was created to provide British customers with affordable package holidays by coach and air travel to Europe



ground_truth: Tommy

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who had the lowest vocal range in Cosmos?

The following are given passages.
Context 3:   Destinations included Italy, Spain, Switzerland, and Austria by motor coach from London’s Victoria station, and by flights from Southend and Lympne airports   Although the company's main programme focused on motor coach tours, it soon increased the choice of air package holidays too   In 1968, the success of the company's air package holidays allowed Cosmos to form the airline Monarch Airlines Throughout the 1970s and 1980s, Cosmos Tours increased its UK departure airports to include Manchester, Birmingham, Glasgow, Edinburgh and East Midlands, serving new destinations including Portugal, Yugoslavia, Greece, Malta and Tunisia, and longhaul destinations such as Florida, Thailand and Mexico 
In 1986 Cosmos Tours became the first mainstream operator in the UK to launch a Christmas Lapland programme 

Expansion (1987–2009)
In 1987, the company changed its name from Cosmos Tours to Cosmos Holidays 
In September 1991, the Globus Travel Group acquired 80% of Avro Plc, a flight-only company set up by Paul Dendle  This acquisition enhanced the company’s charter seat-only presence in the market  In 1994, the Globus Group acquired the remaining 20% 
In 1994, Cosmos launched a direct-sell brand, Archers Direct (later Archers Holidays, shut down in November 2018), featuring a worldwide touring programme 
In 2002, Cosmos launched an accommodation-only brand, somewhere2stay, which supplied hotel, apartment and villa accommodation to the UK travel trade  Four years after launching somewhere2stay, sales made up £20-£40 million of an estimated £300-£350 million turnover in the accommodation-only sector  During 2006, the decision was made to run somewhere2stay separately from Cosmos Holidays In 2007, Cosmos announced they would introduce package holidays using Monarch’s full range of scheduled flights, in line with the expansion plans announced by the airline during the same year In 2009, executive chairman, Iain Rawlinson announced plans to reinvent the company as a scheduled carrier, after the company made financial losses  It was predicted at the time that the parent company of Cosmos Holidays would make a loss of around £45 million  During the same year, media coverage suggested there were problems with their approach  The Mantegazza family from Switzerland, which had owned Group Voyagers since its foundation, invested money into the group to cover the losses 

Consolidation (2014-present)
In 2014, the Mantegazza family announced plans to sell Monarch Holdings Ltd  Subsidiaries included Monarch Airlines, Monarch Aircraft Engineering, First Aviation, Cosmos Holidays, somewhere2stay and Avro  On 31 October 2014, the holiday group was sold to venture capitalists, Greybull Capital  Cosmos Tours & Cruises was retained by the Mantegazza Family In 2016, Cosmos introduced a private tour programme based on existing tour itineraries in Asia, Africa and India with a private guide/driver included 
From 1 April 2017, the tour operator regained all rights to the brand Cosmos, having reached a formal agreement with Monarch which terminated the licence covering the use of the name 

Destinations
Cosmos provides tours, cruises and rail journeys in over 40 countries, flying from up to 27 UK airports 
The tour operator with its origins in touring in Italy, offers holidays across Europe and the Mediterranean   Other destinations include North America & Canada, Central & South America, Asia and the Far East, Africa, the Persian Gulf, Indian Ocean, Australia and New Zealand 
In recent years, river and ocean cruises have been added to the product range of tours 

Awards
Cosmos has been shortlisted for travel industry and consumer awards including the TTG Travel Awards, the Globe Travel Awards, British Travel Awards as well as World of Cruising’s Wave Awards, and Cruise International’s Cruise Awards 
Passage 6:
List of basses in non-classical music
The bass singing voice has a vocal range that lies around the second E below middle C to the E above middle C (i e , E2–E4)  As with the contralto singing voice being the rarest female voice type, the bass voice is the rarest for males, and has the lowest vocal range of all voice types  However, the bass voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of a baritone voice 
The term bass was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice  For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization  In non-classical music, singers are primarily defined by their genre and their gender and not by their vocal range  When the terms soprano, mezzo-soprano, contralto, tenor, baritone, and bass are used as descriptors of non-classical voices, they are applied more loosely than they would be to those of classical singers and generally refer only to the singer's perceived vocal range 
The following is a list of singers in country, popular music, jazz, and musical theatre who have been described as basses 

List of names
Gallery
See also
Voice classification in non-classical music
List of baritones in non-classical music
List of tenors in non-classical music
List of contraltos in non-classical music
List of mezzo-sopranos in non-classical music
List of sopranos in non-classical music
Voice type

Notes
Passage 7:
Alto
The musical term alto, meaning "high" in Italian (Latin: altus), historically refers to the contrapuntal part higher than the tenor and its associated vocal range  In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices  In vocal classification these are usually called contralto and male alto or countertenor 
Such confusion of "high" and "low" persists in instrumental terminology  Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef  Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument  There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4 

Etymology
In choral music for mixed voices, "alto" describes the lowest part commonly sung by women  The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century  Before this time it was usual to write a melodic cantus or superius against a tenor (from Latin tenere, to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor  The composers of Ockeghem's generation wrote two contratenor parts and designated them as contratenor altus and contratenor bassus; they were respectively higher and lower than the tenor part  From these derive both the modern terms "alto" (and contralto) and "bass" 

Solo voices
The contralto voice is a matter of vocal timbre and tessitura as well as range, and a classically trained solo contralto would usually have a range greater than that of a normal choral alto part in both the upper and lower ranges  However, the vocal tessitura of a classically trained contralto would still make these singers more comfortable singing in the lower part of the voice  A choral non-solo contralto may also have a low range down to D3 (thus perhaps finding it easier to sing the choral tenor part), but some would have difficulty singing above E5  In a choral context mezzo-sopranos and contraltos might sing the alto part, together with countertenors, thus having three vocal timbres (and two means of vocal production) singing the same notes The use of the term "alto" to describe solo voices is mostly seen in contemporary music genres (pop, rock, etc ) to describe singers whose range is lower than that of a mezzo-soprano but higher than that of a true contralto, and is very rarely seen in classical music outside of soloists in choral works  In classical music, most women with an alto range would be grouped within mezzo-sopranos, but many terms in common usage in various languages and in different cultures exist to describe solo classical singers with this range  Examples include contralto, countertenor, haute-contre, and tenor altino, among others 

In choral music
In SATB four-part mixed chorus, the alto is the second-highest vocal range, above the tenor and bass and below the soprano  The alto range in choral music is approximately from F3 (the F below middle C) to F5 (the second F above middle C)  In common usage, alto is used to describe the voice type that typically sings this part, though this is not strictly correct  Alto, like the other three standard modern choral voice classifications (soprano, tenor and bass) was originally intended to describe a part within a homophonic or polyphonic texture, rather than an individual voice type; neither are the terms alto and contralto interchangeable or synonymous, though they are often treated as such 
Although some women who sing alto in a choir are contraltos, many would be more accurately called mezzo-sopranos (a voice of somewhat higher range and different timbre)  Men singing in this range are countertenors, although this term is a source of considerable controversy, some authorities preferring the usage of the term "male alto" for those countertenors who use a predominantly falsetto voice production (boys singing in their natural range may be termed "boy altos") 

See also
Voice classification in non-classical music
Passage 8:
List of contraltos in non-classical music
The contralto singing voice has a vocal range that lies between the F below "middle C" (F3) to two Fs above middle C (F5) and is the lowest type of female voice   In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B2) to two B♭s above middle C (B♭5) The term contralto was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice  For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization  In classical music, a "pure" contralto is considered the rarest type of female voice  In non-classical music, singers are primarily defined by their genre and their gender, not their vocal range  When the terms soprano, mezzo-soprano, contralto, tenor, baritone, and bass are used as descriptors of non-classical voices, they are applied more loosely than they would be to those of classical singers and generally refer only to the singer's perceived vocal range  Contemporarily, the informal term alto is sometimes used interchangeably with contralto The following is a list of singers in country, popular music, jazz, and musical theatre who have been described as contraltos 

List of names
See also
List of mezzo-sopranos in non-classical music
List of sopranos in non-classical music
List of basses in non-classical music
List of baritones in non-classical music
List of tenors in non-classical music
List of operatic contraltos
Voice classification in non-classical music
Voice type

Notes
Passage 9:
Georgia Brown (Brazilian singer)
Rossana Monti, better known by the stage name Georgia Brown, is a Brazilian singer noted for her extensive vocal range 

Career
At the age of fifteen, Brown toured as backup vocalist for Brazilian singer Jorge Ben, during his "W Brasil Tour" in 1995  Following the conclusion of the tour, she entered in contests "Skol Rock" and "Fest Valda"  In 1997, Brown relocated to California in the United States of America to begin recording her first album  In 2001, Brown released her debut album "Black Nature"  The album spawned the singles: "Commit A Crime" and "Hold On"  Following the release of her debut album, she headlined her first tour "Black Nature Tour"  In 2002, "Black Nature" was certified gold in Brazil with sales in excess of 120,000 copies 
In 2003, she released a single "Forgiven"  The song was remixed by DJ Patife and featured on his album "Na Estrada", released in 2005  In 2004, she released her second album Heart Beats, which became certified platinum in Brazil  She headlined first international tour "Heart Beats World Tour" in 2004  In the same year, Brown broke American singer Mariah Carey's vocal records on Guinness World Records and received a certificate for two records: "World's Greatest Vocal Range by a Female B2-F8" and "World's Highest Note "F8" In 2006, Brown began recording her third album  In 2008, she released her third studio album The Renascence of Soul  In 2010, Brown released house music single titled "Love 4 Real"  In 2012, she released an extended play entitled Me & Myself 
In July 2018, Brown released a single "#HighVibration (Sweet Sensation)" 

Discography
AlbumsBlack Nature (2001)
Heart Beats (2004)
The Renascence of Soul (2008)
Me & Myself – EP (2012)Singles"Commit A Crime" (2001)
"Hold On" (2001)
"Forgiven" (2003)
"Lost Love" (2004)
"Art A Shield for Me" (2008)
"Save My Soul" (2008)
"Loneliness" (2009)
"Love 4 Real" (2010)
"#HighVibration (Sweet Sensation)" (2018)
Passage 10:
Range (music)
In music, the range, or chromatic range, of a musical instrument is the distance from the lowest to the highest pitch it can play  For a singing voice, the equivalent is vocal range  The range of a musical part is the distance between its lowest and highest note 

Compass
Among British English speakers, and perhaps others, compass means the same thing as chromatic range—the interval between the lowest and highest note attainable by a voice or musical instrument 

Other ranges
The terms  sounding range, written range,  designated range, duration range and dynamic range have specific meanings 
The sounding range refers to the pitches produced by an instrument, while the written range refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience  A piccolo, for example, typically has a sounding range one octave higher than its written range  The designated range is the set of notes the player should or can achieve while playing  All instruments have a designated range, and all pitched instruments have a playing range  Timbre, dynamics, and duration ranges are interrelated and one may achieve registral range at the expense of timbre  The designated range is thus the range in which a player is expected to have comfortable control of all aspects 
The duration range is the difference between the shortest and longest rhythm used  Dynamic range is the difference between the quietest and loudest volume of an instrument, part or piece of music 

Range limits
Although woodwind instruments and string instruments have no theoretical upper limit to their range (subject to practical limits), they generally cannot go below their designated range   Brass instruments, on the other hand, can play beyond their designated ranges  Notes lower than the brass instrument's designated range are called pedal tones  The playing range of a brass instrument depends on both the technical limitations of the instrument and the skill of the player 
Classical arrangements seldom make woodwind or brass instruments play beyond their designed range  String musicians play the bottom of their ranges very frequently, but the top of a string instrument's range is rather fuzzy, and it is unusual for a string player to exceed the designated range  It is quite rare for wind musicians to play the extremes of their instruments  The most common exception is that in many 20th century works, pedal tones are called for in bass trombones 
This chart uses standard numberings for octaves where middle C corresponds to C4  In the MIDI language middle C is referred to as MIDI note number 60 
The lowest note that a pipe organ can sound (with a true pipe) is C−1 (or CCCC), which is 8 Hz, below the range of human hearing and not visible on this chart  However, if acoustic combination (a note and its fifth) counts, the lowest note is C−2 (or CCCCC), which is 4 Hz 
In terms of recording and reproduction, many speakers have a low limit of around 40–60 Hz 

Typical ranges
*This chart only displays down to C0, though some pipe organs, such as the Boardwalk Hall Auditorium Organ, extend down to C−1 (one octave below C0)  Also, the fundamental frequency of the subcontrabass tuba is B♭−1 

See also
Tessitura
Extension (music)
Sub-bass
Hearing range



ground_truth: Jānis Strazdiņš