prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: Who starred in her final film role in the 1964 film directed by the man who also did Vera Cruz and Kiss Me Deadly?

The following are given passages.
Context 1: Passage 1:
Robert Aldrich
Robert Burgess Aldrich (August 9, 1918 – December 5, 1983) was an American film director, producer, and screenwriter  An iconoclastic and maverick auteur working in many genres during the Golden Age of Hollywood, he directed mainly films noir, war movies, westerns and dark melodramas with Gothic overtones  His most notable credits include Vera Cruz (1954), Kiss Me Deadly (1955), The Big Knife (1955), Autumn Leaves (1956), Attack (1956), What Ever Happened to Baby Jane? (1962), Hush   Hush, Sweet Charlotte (1964), The Flight of the Phoenix (1965), The Dirty Dozen (1967), and The Longest Yard (1974) 
Aldrich's directorial style combined "macho mise-en-scene and resonant reworkings of classic action genres," and were known for pushing the boundaries of violence in mainstream cinema, and for their psychologically-complex interpretations of genre film tropes  The British Film Institute wrote that Aldrich's films "subversive sensibility in thrall to the complexities of human behaviour " Several of his films later proved influential to members of the French New Wave Aside from his directorial work, Aldrich was also noted for his advocacy as a member of the Directors Guild of America, serving as its President for two terms, and becoming the namesake for its Robert B  Aldrich Achievement Award 

Early life
Family
Robert Burgess Aldrich was born in Cranston, Rhode Island, into a family of wealth and social prominence – "The Aldriches of Rhode Island"  His father, Edward Burgess Aldrich (1871–1957) was the publisher of The Times of Pawtucket and an influential operative in state Republican politics  His mother, Lora Elsie (née Lawson) of New Hampshire (1874–1931), died when Aldrich was 13 and was remembered with fondness by her son  Ruth Aldrich Kaufinger (1912–1987) was his elder sister and only sibling Among his notable ancestors were the American Revolutionary War general Nathanael Greene and the theologian Roger Williams, founder of Rhode Island Colony His grandfather, Nelson Wilmarth Aldrich, was a self-made millionaire and art investor  A Republican member of the U S  Senate for thirty years (1881–1911), he was dubbed "General Manager of the Nation" by the press for his dominant role in framing federal monetary policy A number of Aldrich's paternal uncles had impressive careers, among them a successful investment banker, an architect and Harvard instructor, a member of the U S  House of Representatives, and a chairman of the Chase Manhattan Bank who also served as U S  Ambassador to Great Britain   An aunt, Abigail Greene "Abby" Aldrich married John D  Rockefeller Jr , scion of the Standard Oil fortune, and was a leading figure in the establishment of the Museum of Modern Art in New York City  Nelson Rockefeller, a four-term governor of New York State and U S  vice-president under Gerald Ford, and Rockefeller's four brothers were the director's first cousins 

Education
As the only male heir to the Lawson-Aldrich family line, Aldrich was under considerable pressure to compete successfully with his numerous cousins in a family of high achievers Following family tradition and expectations, Aldrich was educated at Moses Brown School in Providence from 1933 to 1937  There he served as captain of the track and football teams and was elected president of his senior class 
Failing to matriculate to Yale due to mediocre grades, Aldrich attended the University of Virginia from 1937 to 1941, majoring in economics  He continued to excel in sports and played a leading role in campus clubs and fraternities During the Great Depression, the adolescent Aldrich began to question the justice of his family's "politics and power" which clashed with his growing sympathies with left-wing social and political movements of the 1930s  Aldrich's disaffection from the Aldrich-Rockefeller right-wing social and political orientation contributed to a growing tension between father and son Having satisfactorily demonstrated his aptitude for a career in finance, Aldrich defied his father by dropping out of college in his senior year without taking a degree Aldrich approached his uncle Winthrop W  Aldrich, who got his 23-year-old nephew a job at RKO Studios as a production clerk at $25 a week  For this act of defiance, Aldrich was promptly disinherited  Aldrich reciprocated by expunging public records of his connection with the Aldrich-Rockefeller clan, while stoically accepting the breach  He rarely mentioned or invoked his family thereafter  It has been said that "No American film director was born as wealthy as Aldrich — and then so thoroughly cut off from family money "

RKO Pictures: 1941–1943
At the age of 23, Aldrich began work at RKO Pictures as a production clerk, an entry-level position, after declining an offer through his Rockefeller connections to enter the studio as an associate producer He married his first wife, Harriet Foster, a childhood sweetheart, shortly before he departed for Hollywood in May 1941 Though the smallest of Hollywood's top studios, RKO could boast an impressive roster of directors (George Cukor, John Ford and Howard Hawks) as well as movie stars (Fred Astaire and Ginger Rogers, Cary Grant, Katharine Hepburn and the Marx Brothers)  The 23-year-old Aldrich assumed his duties shortly after Orson Welles, at 26, signed a six-movie contract with RKO after the release of the widely acclaimed Citizen Kane (1941) When the United States entered the Second World War in December 1941, Aldrich was inducted into the Air Force Motion Picture Unit, but was quickly discharged when an old football injury disqualified him for military service  The film studios' manpower shortage allowed Aldrich to win assignments as third- or second-tier director's assistant to learn the basics of filmmaking 

Second assistant director
In just two years he participated on two dozen movies with well-known directors  He was second assistant director on Joan of Paris (1942, directed by Robert Stevenson), The Falcon Takes Over (1942, directed by Irving Reis), The Big Street (1942), directed by Reis, Bombardier (1943, directed by Richard Wallace), Behind the Rising Sun (1943, directed by Edward Dmytryk),  A Lady Takes a Chance (1943, directed by William A  Seiter), The Adventures of a Rookie (1943, directed by Leslie Goodwins), Gangway for Tomorrow (1943, directed by John H  Auer), and Rookies in Burma (1943, directed by Goodwins) 

First assistant director
Towards the end of the war, Aldrich had risen to first assistant director making comedy shorts with director Leslie Goodwins 
In 1944, Aldrich departed RKO to begin free-lancing on feature films at other major studios, including Columbia, United Artists, and Paramount 

Assistant director: 1944–1952
Aldrich was fortunate to serve as an assistant director to many notable and talented Hollywood filmmakers  During these assignments, which spanned nine years, Aldrich gained both practical and aesthetic fundamentals of filmmaking: "set location and atmosphere" (Jean Renoir, The Southerner, 1945), the "techniques of pre-planning a shot" (Lewis Milestone's The Strange Love of Martha Ivers, 1946), "action scenes" (William A  Wellman's The Story of G I  Joe, 1946), the "importance of communication with actors" (Joseph Losey's The Prowler, 1951), and "establishing visual empathy between camera and audience" (Charlie Chaplin's Limelight, 1952) He also worked on Pardon My Past (1945, directed by Leslie Fenton) and The Private Affairs of Bel Ami (1947, directed by Albert Lewin) 
Aldrich approached these projects and directors with a fine discrimination, enabling him to learn from both their strengths and weaknesses During these years Aldrich forged lasting professional relationships with talented artists who would serve him throughout his filmmaking career, namely, cinematographer Joseph Biroc, film editor Michael Luciano, music director Frank De Vol, art director William Glasgow and screenwriter Lukas Heller  A troupe of loyal, mostly male, players were enlisted for his film leads and supporting roles: Burt Lancaster, Jack Palance, Lee Marvin, Eddie Albert, Richard Jaeckel, Wesley Addy, Ernest Borgnine and Charles Bronson 

The Enterprise Studios: 1946–1948
Aldrich's association with The Enterprise Studios marks the most formative period of his apprenticeship  The production company offered a unique venue of independent filmmakers welcoming socially conscious themes critical of authoritarian aspects of American society While at Enterprise, Aldrich established both a professional and a personal affiliation with screenwriter and director Abraham Polonsky, a major figure in the Popular Front movement of the 1930s  Their respective films addressed the issue of an individual's often desperate struggle to resist destruction by an oppressive society Enterprise's Body and Soul (1947), written by Polonsky, directed by Robert Rossen, and starring John Garfield, made a deep and lasting impression on the 29-year-old assistant director from both structural and thematic standpoints  Garfield plays a corrupt prizefighter who seeks to redeem himself by defying mobsters who insist he throw a fight or forfeit his life  While the protagonist's personal failings contribute to his own oppression, the film censures capitalism as an unredeemable system  Aldrich would revisit Body and Soul throughout his career when seeking guidance on how to convey the progressive ideals of the 1930s while working in the reactionary political atmosphere of the Cold War era 

In 1948 Aldrich joined Polonsky and Garfield on the early noir film Force of Evil  The story concerns a Wall Street attorney turned mob lawyer (Garfield) who informs on his employers when they murder his brother  Force of Evil's cinematically excessive visuals and striking sound would later appear in Aldrich's films Kiss Me Deadly and Twilight's Last Gleaming A number of Aldrich's associates at Enterprise came under scrutiny by the HUAC in the late 1940s after Enterprise had closed its doors  Among them were Rossen, Polonsky, Garfield, directors John Berry, and Joseph Losey, producer Carl Foreman, and screenwriter Dalton Trumbo, some of whom suffered blacklisting and imprisonment  Aldrich was never targeted by the authorities, despite his collaborations with these artists  This was largely due to his post-1930s entry into the film industry when recruitment by Communist and leftist organizations was declining  Nonetheless, Aldrich remained a champion for the victims of the Red Scare At Enterprise, Aldrich also worked as an assistant director on Arch of Triumph (1948) and No Minor Vices (1948) for Lewis Milestone, So This Is New York (1948) for director Richard Fleischer and producer Stanley Kramer, and Caught (1949) for Max Ophüls 
During his apprenticeship Aldrich developed a keen appreciation for the nexus between autonomous control over every element of picture production and achievement of his creative vision  He would forever strive for full control over his films 

Freelance assistant director: 1948–1952
After the demise of The Enterprise Studios, Aldrich continued to be in much demand as an assistant director  He worked again for Lewis Milestone on The Red Pony (1949) at Republic and did Red Light (1949) for Roy Del Ruth, A Kiss for Corliss (1949) for Richard Wallace,  The White Tower (1950) for Ted Tetzlaff, M (1951) and The Prowler (1951) for Joseph Losey, and New Mexico (1951) for Reis 
Aldrich was assistant to producer Harold Hecht on Ten Tall Men (1951), a French Foreign Legion action film starring Burt Lancaster  He worked as production manager on When I Grow Up (1951) for Sam Spiegel and as production manager on The Steel Trap (1952) for Andrew L  Stone 
Hecht had enjoyed working with Aldrich on Ten Tall Men and used him on The First Time (1952), the feature directorial debut of Frank Tashlin 
Aldrich's most notable credit to date came on Limelight (1952), for which he was assistant director to Charlie Chaplin  He was assistant on Abbott and Costello Meet Captain Kidd (1952) 

Television: 1952–1954
By 1952, the 34-year old assistant director, fully prepared to make his directorial debut, had no offers materializing in Hollywood  Eager to perform at a journeyman level, he moved to New York City to join its television startups 
The infant industries' golden age of live broadcasts was in a primitive stage of organization, and producers were pleased to enlist talent from the Hollywood film industry  More than merely a career move, television offered Aldrich an opportunity to apply the cinematic skills and concepts he had garnered during his eclectic education in movie-making to an entirely new medium "All they were paying directors was scale", recalled Aldrich of this time  "Who the hell wanted to go live in New York and work for scale? Only guys that had never directed or couldn't get a shot    Walter Blake    convinced these people who were doing the Camay soap shows that I was a genius waiting behind a rock out here  I had been assistant director on a Chaplin picture, so he told them that I had directed Chaplin  Nobody directs Chaplin except Chaplin, but these guys didn't know the difference  So I went back to New York and did, I don't know, thirty or forty shows "Procter & Gamble hired Aldrich in 1952 to direct episodes of the anthology series The Doctor (later retitled The Guest in syndication), an early soap opera starring Warner Anderson  Shooting schedules were notoriously tight  Despite this, Aldrich routinely dedicated half or more of the allotted time to rehearsals, an immensely reassuring practice for the players that contributed to the efficient execution of the final live shoot Following The Doctor, Aldrich resettled in Hollywood to complete twenty episodes of television's China Smith starring Dan Duryea, filmed on an even tighter timetable 
He also filled in as director on TV's Four Star Playhouse and the Schlitz Playhouse of Stars ("The Pussyfootin' Rocks") Aldrich described the early TV industry as a "director's crash course" where, unlike feature film production, the overall quality of the series outweighed the success or failure of an individual episode   In his two-year stint in television, Aldrich was free to experiment with technique and narrative schemes that would appear later in his film treatments  As such, he used cinematic framing and composition to reveal character motivation and close ups serving to highlight dialog, all of which endowed his episodes with a polished Hollywood studio-like appearance  Aldrich avoided disparaging television as an art form, only regretting its "rushed schedules and lack of preparation time "

Feature film director
Early feature films
In December 1951 Irving Allen announced he had formed Warwick Productions with Albert Broccoli  He intended to make The Gamma People with Robert Aldrich  In August 1952 Allen announced that Aldrich would make his feature debut as director with The Gamma People, to be shot in Europe in the winter from Aldrich's own script  Dick Powell was slated to star  However, the film would not be made for several years, with Aldrich's involvement limited to working on the story 
Aldrich broke into feature films as a director when Herbert Baker, who had worked with Aldrich on So This is New York, recommended the director to MGM, which was looking for someone with a background in sports for a low-budget baseball film, Big Leaguer (1953) The film was not particularly successful, so Aldrich returned to television, doing episodes of Four Star Playhouse, several of which were written by Blake Edwards  He directed "The Witness", which starred Dick Powell, Strother Martin, and Charles Bronson, and "The Bad Streak" with Charles Boyer Aldrich remained ambitious to work in features and raised money for a low-budget action film using many of the same sets and cast members of China Smith, including star Dan Duryea, called World for Ransom (1954)  It was made for Plaza Productions and financed by Allied Artists; Aldrich produced and directed  The cinematographer was Joseph F  Biroc, who would shoot many of Aldrich's later features 

Burt Lancaster: Apache and Vera Cruz
World for Ransom was seen by Harold Hecht and Burt Lancaster, who hired Aldrich to direct his first color film, Apache (1954), a western starring Lancaster as an Apache fighter  It was made for Hecht-Lancaster Productions and released through United Artists  This film was a big hit, earning $6 million Hecht and Lancaster used Aldrich again on Vera Cruz (1954), a western starring Gary Cooper and Lancaster   It was even more successful at the box office than Apache, making $9 million, and firmly established Aldrich as a director 

Turning producer: Kiss Me Deadly, The Big Knife and Attack
The success of these movies enabled Aldrich to set up his own company, The Associates and Aldrich, and sign a deal with United Artists  Its first movie was to be The Way We Are by Jack Jevne, about a woman who has an affair with a younger man  It was not immediately made 
Instead Aldrich produced and directed Kiss Me Deadly (1955), a film noir adapted by A  I  Bezzerides from a novel by Mickey Spillane starring Ralph Meeker as Mike Hammer   It was made for Parklane Productions, the independent company of Victor Saville, who owned the rights, and released through United Artists Aldrich and his company then made The Big Knife (1955), based on a play by Clifford Odets  Aldrich directed and produced this film about a movie star played by Jack Palance 
The Associates and Aldrich Company made a second film, also based on a play and released through United Artists, Attack (1956), starring Palance and Lee Marvin None of the three films was particularly successful at the box office, although they received some excellent reviews  In particular, Kiss Me Deadly became a major cult favorite in France  "I worked almost for nothing, economically, on those movies", he said  "They got caught up in the system and were not profitable pictures " Aldrich said his experiences made him "more cynical in terms of what preference to give survival and what preference to give material that might make a fine film which nobody or very few would go to see  That was the break  I realized that if you're careful in choosing projects and setting costs your taste and knowledge will, out of every six or seven pictures, produce one that makes a good deal of profitable return for everybody "The Associates announced numerous projects around this time, including Tryanny, Kinderspiel, Potluck for Pomeroy, Candidate for President (by Don Weis) and Machine for Chuparosa The Associates and Aldrich Company expanded to offer financing and distribution for other films  The only one that resulted was The Ride Back (1957) for UA  They wanted to make The Build Up Boys with Dana Andrews but the film did not eventuate 

Columbia: Autumn Leaves and The Garment Jungle
In between making Big Knife and Attack, Aldrich directed the Joan Crawford melodrama Autumn Leaves (1956) (originally The Way We Are), which was a minor hit Aldrich worked on the original story for the thriller The Gamma People (1956), made for Columbia and Warwick Productions in England 
In July 1956 Robert Aldrich signed a two-picture deal with Columbia to make films through his own company  The first was to be The Garment Jungle (1957)  The second was to be Until Proven Guilty  He also acquired the John O'Hara story Now We Know Aldrich started directing Garment but was fired towards the end of filming and replaced by Vincent Sherman In March 1957 Aldrich sued Columbia for reneging on a promise to make a film of the play Storm in the Sun, which he wanted to do with Crawford  The case was settled the following month Aldrich announced a range of projects – Kinderspiel, Pommeroy, The Snipe Hunt, Until Proven Guilty, Now We Know – but he found it difficult to get financing The Associates and Aldrich had the rights to the script for 3:10 to Yuma but ended up selling the project outright to Columbia 

Europe
Aldrich was unable to get a job until he had an offer from Hammer Films and Seven Arts to write and direct Ten Seconds to Hell (1959), starring Palance and Jeff Chandler, in Germany  While there, he was head of the jury at the 9th Berlin International Film Festival Aldrich stayed in Europe to make The Angry Hills (1959), based on the novel by Leon Uris and starring Robert Mitchum, for MGM in Greece for producer Raymond Stross  Aldrich had the film rewritten by Bezzerides, but then his cut of the film was re-edited by Stross  It was an unhappy experience for Aldrich and the film lost money Adlrich was going to make Taras Bulba in Yugoslavia with Anthony Quinn and a budget of $3 million, but the film did not proceed  Neither did another proposed subject, The Catalyst, based on a play by Ronald Duncan about male bisexuality  Aldrich would attempt to make Taras Bulba several times but ended up having to sell his script to Harold Hecht, who produced a film without Aldrich in 1962  Other projects he developed around this time include Angry Odyssey, The Left Bank, and Too Late the Hero Aldrich returned to Hollywood to direct episodes of Hotel de Paree ("Sundance Returns"), and Adventures in Paradise 
He directed a western, The Last Sunset (1961), starring Kirk Douglas and Rock Hudson, made for Douglas's company at Universal 
Aldrich tried to make Cross of Iron with John Mills but could not get financing Aldrich then went back to Italy, where he directed the Biblical spectacular Sodom and Gomorrah (1962)  for Joseph E  Levine  Aldrich disparaged the final film, which ended up costing $6 million 

Warner Bros: What Ever Happened to Baby Jane? and 4 For Texas
Aldrich rejuvenated his career by optioning the novel What Ever Happened to Baby Jane? (1962) for the Associates and Aldrich Company  He signed Bette Davis and Joan Crawford as stars, got Lukas Heller to write the script, and raised financing through Warner Bros  The film was a massive hit at the box office and earned five Academy Award nominations (including a win for black-and-white costume design), restoring Aldrich's commercial and critical reputation  It also revived the popularity of Davis and Crawford as box office draws and led to a subgenre of horror movies starring elder actresses nicknamed "Psycho-biddy"  It also started a run of films (continued in Hush Hush Sweet Charlotte and others) with a gothic, camp sensibility that became an immediate hit with queer audiences Still at Warners, Aldrich wrote, produced and directed a comic western with Frank Sinatra and Dean Martin, 4 for Texas (1963)  Made for Sam Productions, it had Charles Bronson, Victor Buono, Ursula Andress and Anita Ekberg in supporting roles  The film was reasonably popular at the box office, but Aldrich disliked working with Sinatra and the resulting film 

20th Century Fox: Hush Hush Sweet Charlotte and Flight of the Phoenix
Emboldened by his recent commercial successes, Aldrich announced a $14 million production program of eight films, including Cross of Iron, Whatever Happened to Cousin Charlotte, The Tsar's Bride, Brouhaha, The Legend of Lylah Clare, Paper Eagle, Genghis Khan's Bicycle, and There Really Was a Gold Mine a sequel to Vera Cruz  He had prepared scripts on  Now We Know, Vengeance Is Mine, Potluck for Pomeroy and Too Late the Hero  Other projects were The Strong Are Lonely, Pursuit of Happiness and the TV series The Man He started with a follow up to Baby Jane, Hush   Hush, Sweet Charlotte (1964), made for the Associates and Aldrich at 20th Century Fox  Bette Davis starred as a Southern woman who lives in a mansion and thinks she is going insane  Davis was to be reunited with Joan Crawford, but Crawford left the film and was replaced by Olivia de Havilland  The movie was popular, though not as successful as Baby Jane 
Aldrich stayed at Fox for his next film, the all-male action story The Flight of the Phoenix (1965), with James Stewart, Richard Attenborough and Peter Finch  The film was a commercial disappointment but eventually proved profitable 

MGM: The Dirty Dozen and The Legend of Lylah Clare
Aldrich had his biggest hit to date with The Dirty Dozen (1967), produced by Kenneth Hyman's Seven Arts Productions and released through MGM  Starring Lee Marvin, Charles Bronson, Ernest Borgnine and John Cassavetes, the film was a massive success at the box office Aldrich stayed at MGM for The Legend of Lylah Clare (1968) starring Finch and Kim Novak, made for Aldrich's own company  It was a critical and commercial disappointment 

Aldrich Studios
Aldrich sold his profit participation in Dirty Dozen to MGM for $1,350,000 and used the money to achieve a long-time dream – to buy his own studios, which he called the Aldrich Studios  He picked a facility at 201 North Occidental Boulevard, which had been in existence as a film studio since 1913, making Mary Pickford movies, and had recently been the basis of Sutherland Productions  Aldrich had made The Big Knife there "My dream has always been to own my own studio", he said  "With the possible exception of the old Enterprise Studio back in '45 I've never seen a studio run the way it should  That's because everybody at Enterprise felt they could make a contribution
and that's the feeling I hope we can have here "The studios were opened in August 1968  Along with Goldwyn, The Associates and Aldrich was the only major independent company with a studio in Hollywood  For the next few years he would make his movies there 

ABC Pictures
Aldrich's success with The Dirty Dozen led to the newly formed ABC Pictures offer the Associates and Aldrich Company a four-film contract  Aldrich announced they would be The Killing of Sister George, The Greatest Mother of Them All, Whatever Happened to Aunt Alice and Too Late the Hero Aldrich's first film for ABC was The Killing of Sister George (1968), adapted from by Lukas Heller from the play by Frank Marcus  It starred Beryl Reid and Susannah York and was notable for its frank depiction of a lesbian relationship  The movie was popular but because of its high cost lost money Aldrich produced but did not direct What Ever Happened to Aunt Alice? (1969), a psycho-biddy thriller in the vein of Baby Jane directed by Lee H  Katzin and starring Geraldine Page and Ruth Gordon  It also lost money  (Aldrich  announced he would make a third "Whatever Happened to" film, Whatever Happened to Dear Elva? based on the novel Goodbye, Dear Elva by Elizabeth Fenwick  However no film was made )
Aldrich made a 20-minute demo film, "The Greatest Mother of Them All" (1969), in an attempt to raise money for a feature-length version, but was unable to attract interest from ABC  Peter Finch starred ABC wanted Aldrich to make a war film in the vein of The Dirty Dozen so he produced and directed Too Late the Hero (1970), a "patrol" film, which he had been developing since 1959  Despite starring Michael Caine and Cliff Robertson and location work in the Philippines, the film made an overall loss of $6,765,000, making it one of the biggest money losers in the history of ABC Films Aldrich's next film for ABC was The Grissom Gang (1971), an adaptation of No Orchids for Miss Blandish set in the 1930s, with Scott Wilson and Kim Darby  It was another flop, losing ABC $3,670,000 Films Aldrich announced but did not make around this time included Rebellion, a western about Victoriano Huerta with Ernest Borgnine and George Kennedy;, The Movement, about student protest;  He also developed scripts for books which were turned into films by others: Coffee, Tea or Me? and Monte Walsh By now Aldrich's relationship with ABC had become fraught and devolved into lawsuits, in part caused by ABC refusing to finance other Aldrich projects  Aldrich parted company with ABC and in January 1972 put his studios up for sale In a 1972 interview Aldrich said that:

Lasting power is the most important power  Especially in this business, staying at the plate or staying at the table, staying in the game, is the essential  You can't allow yourself to get passed over or pushed aside  Very, very talented people got pushed aside and remained unused    If you must make a choice between luck and talent, you have to opt for luck  It's nice to have some of both, or a lot of both; but if you can't, luck is the answer  Nowhere else more so than in this business  The right place, the right time, the right script, all the right auspices—they made the difference to directors, writers, actors 

Ulzana's Raid and Emperor of the North Pole
Aldrich returned to westerns with Ulzana's Raid (1972), made at Universal for the Associates and Aldrich with producer Carter De Haven  It reteamed Aldrich with Lancaster for the first time since Vera Cruz  The film was a commercial disappointment but has subsequently come to be regarded as one of his finest films Aldrich followed it with Emperor of the North Pole (1973), a story of railway hobos in the 1930s starring Lee Marvin and Ernest Borgnine  Produced by Hyman at 20th Century Fox, it was another box office failure, though it too has seen its reputation soar in recent years (Leonard Maltin gave it 3 1/2 stars, calling it "unusual, exciting" and a "unique entertainment") 

Two with Burt Reynolds: The Longest Yard and Hustle
Aldrich's commercial fortunes were revived with a prison comedy starring Burt Reynolds,The Longest Yard (1974)  Made for producer Albert S  Ruddy at Paramount, it was Aldrich's biggest hit since The Dirty Dozen Aldrich and Reynolds promptly reteamed on Hustle (1975), made for their own production company RoBurt and released through Paramount  A tough police drama co-starring Catherine Deneuve, it was another box office success  However, tension between Aldrich and Reynolds during filming meant they made no more movies together  In 1975 Aldrich was elected president of the Directors Guild of America and served two two-year terms 

Lorimar: Twilight's Last Gleaming and The Choirboys
Aldrich signed a two-picture deal with Lorimar Productions, a TV company which wanted to move into features 
The first was Twilight's Last Gleaming (1977), an action thriller starring Lancaster  The second was a comedy, The Choirboys (1977), based on the best selling novel by Joseph Wambaugh, which Wambaugh disliked so much he sued to get his name taken off the film 

Final films: The Frisco Kid and All the Marbles
Aldrich's last movies were comedies: The Frisco Kid (1979), set in the West with Gene Wilder and Harrison Ford, and    All the Marbles (1981), set in the world of female wrestling with Peter Falk  Neither was particularly popular 
When the latter film came out, Aldrich said, "I'm 63 and I've had hits every ten years and I just hope I can function long enough to have one in the 90s "

Personal life
From his marriage to Harriet Foster (1941–1965), Aldrich had four children, all of whom work in the film business—Adell, William, Alida and Kelly  In 1966, after divorcing Foster, he married fashion model Sibylle Siegfried 

Death and legacy
Aldrich died of kidney failure on December 5, 1983, in a Los Angeles hospital  He is buried in Lot 5153 of the Whispering Trees Section of Forest Lawn Cemetery in Hollywood Hills Film critic John Patterson summarized his career in 2012: "He was a punchy, caustic, macho and pessimistic director, who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career  His aggressive and pugnacious film-making style, often crass and crude, but never less than utterly vital and alive, warrants — and will richly reward — your immediate attention "In 2012, John Patterson of The Guardian commented that Aldrich is "a wonderful director nearly 30 years dead now, whose body of work is in danger of slipping over the horizon " Japanese film director Kiyoshi Kurosawa noted Aldrich's influence on him In the FX miniseries Feud: Bette and Joan, Aldrich is portrayed by English actor Alfred Molina  The series follows the productions of Baby Jane and Sweet Charlotte 

Filmography
Films
Other film work
The Southerner (1945) (assistant director)
The Story of G I  Joe (1945) (assistant director)
Force of Evil (1948) (assistant director)
Caught (1949) (uncredited director of reshoots)
When I Grow Up (1950) (assistant director)
Limelight (1952) (assistant director)
The Gamma People (1956) (story)
The Garment Jungle (1957) (uncredited original director)
What Ever Happened to Aunt Alice? (1969) (producer)

Television
Unmade projects
Rebellion (late 1960s) — a western
The Crowded Bed (early 1970s)
The Greatest Mother of 'em All (1969) — the full-length feature was never shot
Rage of Honor (1970s) — western set in 1929 about an aging cowboy
Coffee, Tea or Me?  (early 1970s) — comedy about virginal air stewardess

Footnotes
Sources
Arnold, Edward T  and Miller, Eugene, L  1986  The Films and Career of Robert Aldrich  University of Tennessee Press  Knoxville, Tennessee  ISBN 0-87049-504-6
Sarris, Andrew 1981  What Ever Happened to Bobby Aldrich? CineFiles  University of California, Berkeley Art Museum and Pacific Film Archive  Retrieved 18 October, 2018 
Sauvage, Pierre  1976  Aldrich Interview in Edward Arnold's and Eugene Miller's Robert Aldrich: Interviews, 2004  University of Mississippi Press  ISBN 1-57806-602-6
Silver, Alain and Ursini, James  1995  What Ever Happened to Robert Aldrich?: His Life and His Films Limelight Editions  ISBN 0-87910-185-7
Walsh, David  2018  100 years since the birth of American filmmaker Robert Aldrich: Including an interview with film historian Tony Williams Retrieved 10 October 2018 
Williams, Tony  2003  Body and Soul: the cinematic vision of Robert Aldrich  The Scarecrow Press, Inc  Lanham, Maryland  ISBN 978-0-8108-4993-8

Further reading
Robert Aldrich biography and credits at the BFI's Screenonline Entry written by Robert Shail 
"Aldrich & Associates special section"  Screening the Past (10)  2000  A special issue of a film journal that emerged from a symposium devoted to Aldrich & Associates on August 2, 1998, in Melbourne 
Silver, Alain (May 2002)  "Robert Aldrich"  Senses of Cinema (20)  Silver's contribution to the journal's "Great Directors" series 

External links

Robert Aldrich at IMDb
Robert Aldrich at the TCM Movie Database 
Robert Aldrich at AllMovie
Robert Aldrich at Find a Grave
Literature on Robert Aldrich
Passage 2:
Hush… Hush, Sweet Charlotte
Hush   Hush, Sweet Charlotte is a 1964 American psychological thriller film directed and produced by Robert Aldrich, and starring Bette Davis, Olivia de Havilland, Joseph Cotten, Agnes Moorehead and Mary Astor in her final film role  It follows a middle-aged Southern woman, suspected in the unsolved murder of her lover from decades before, who is plagued by bizarre occurrences after summoning her cousin to help challenge the local government's impending demolition of her home  The screenplay was adapted by Henry Farrell and Lukas Heller, from Farrell's unpublished short story "What Ever Happened to Cousin Charlotte?"
Following his previous success adapting Farrell's novel What Ever Happened to Baby Jane?, Aldrich originally cast the film to reunite Davis with Joan Crawford, despite their notorious turbulence on set  Principal photography began with Davis in the title role and Crawford as Miriam, but shooting was postponed while Crawford dropped out and the role was recast with de Havilland  The film was a critical success, earning seven Academy Award nominations 

Plot
In 1927, young Southern belle Charlotte Hollis and her married lover John Mayhew plan to elope during a party at the Hollis family's antebellum mansion in Ascension Parish, Louisiana  Charlotte's father, Sam, confronts John over the affair and intimidates him with the news that John's wife Jewel visited the day before and revealed the affair  John pretends to Charlotte he can no longer love her and that they must part  Shortly after, John is ambushed and decapitated in the summerhouse by an assailant with a cleaver  Charlotte returns to the house in a bloodstained dress, which all of the guests witness 
Thirty-seven years later, Charlotte, a spinster, having inherited the estate after her father died, is tended to by her loyal housekeeper, Velma  In the intervening years, John's death has remained an unsolved murder, though it is commonly held that Charlotte was responsible  Despite notice from the Louisiana Highway Commission that she has been evicted from the property to make way for the impending construction of a new interstate, Charlotte is defiant, and threatens the demolition crew with a rifle  Seeking help in her fight against the Highway Commission, Charlotte summons Miriam, a poor cousin who lived with the family as a girl, but has since moved to New York City  Miriam returns and soon renews her relationship with Drew Bayliss, a local doctor who jilted her  Charlotte's sanity soon deteriorates following Miriam's arrival, her nights haunted by a mysterious harpsichord playing the song John wrote for her and by the appearance of his disembodied hand and head  Suspecting that Miriam and Drew are after Charlotte's money, Velma seeks help from Mr  Willis, an insurance investigator from England who is still fascinated by the case and who has visited Mayhew's ailing widow, Jewel; she gave him an envelope only to be opened after her death 
Miriam fires Velma, who later returns to discover Charlotte has been drugged  Velma plans to expose Miriam's exploitation of Charlotte, but Miriam hits Velma with a chair and she falls down the stairs to her death  Drew covers up the murder by declaring it an accident  One night, a drugged Charlotte runs downstairs in the grip of a hallucination, believing that John has returned to her  After Miriam tricks the intoxicated Charlotte into shooting Drew with a gun loaded with blanks, the two dispose of his body in a swamp  Charlotte returns to the house and witnesses the revived Drew walking downstairs after he returned, reducing her to insanity  Believing she has shattered Charlotte's mental state, Miriam celebrates with Drew in the garden, where they discuss the plan to have Charlotte committed to a psychiatric hospital and usurp her fortune  Charlotte overhears the entire conversation from the balcony, except for Miriam's admission that she had witnessed Jewel kill John, and has been using the knowledge to blackmail Jewel throughout the years  Charlotte kills Miriam and Drew, by pushing a large stone urn off the  balcony 
The next day, the authorities escort Charlotte from home, as a crowd gathers around to observe the spectacle  Charlotte receives an envelope from Mr Willis, which he received from Jewel (who died of a stroke after hearing of the incident which occurred on the previous night), ostensibly confessing to the murder of her husband John   As the authorities leave with Charlotte, she looks back at the house 

Cast
Production
Development and casting
Following the unexpected box office success of What Ever Happened to Baby Jane? (1962), Aldrich wanted to make a film with similar themes for Joan Crawford and Bette Davis  Their feud was infamous and legendary, and they were not initially eager to repeat themselves  
Writer Henry Farrell, on whose novel the film had been based, had written an unpublished short story called "What Ever Happened to Cousin Charlotte?" that Aldrich envisioned as a suitable follow-up  It told a similar story of a woman who manipulates a relative for personal gain, but for this film, Aldrich's idea was that the two actresses would switch the roles from the previous one, with Crawford playing the devious cousin trying to manipulate the innocent Davis into giving up her estate  Aldrich's frequent collaborator, Lukas Heller, wrote a draft of the screenplay, but was replaced by Farrell in late 1963 Three other cast members from What Ever Happened to Baby Jane? were cast in Hush   Hush, Sweet Charlotte: Wesley Addy, Dave Willock and Victor Buono 

The cast included Mary Astor, a friend of Davis' since their days at Warner Bros  Astor retired from acting and died in 1987  She said: My agent called: 'There's this cameo in a movie with Bette Davis  It's a hell of a part; it could put you right up there again ' I read the script  The opening shot described a severed head rolling down the stairs, and each page contained more blood and gore and hysterics and cracked mirrors and everybody being awful to everybody else  I skipped to my few pages–a little old lady sitting on her veranda waiting to die  There was a small kicker to it inasmuch as it was she who was the murderess in her youth and had started all the trouble  And then in the story, she died  Good! Now, I'd really be dead! And it was with Bette–which seemed sentimentally fitting 

Filming
Principal photography of the film began in mid-1964, with the on-location shooting commencing in Baton Rouge, Louisiana  However, the shoot was temporarily suspended on several occasions early on  Initially, it was halted after a third-party lawsuit was brought against Davis by Paramount Pictures over a commitment to complete additional filming on Where Love Has Gone (1964)  When this was resolved, filming recommenced 
The production was postponed again to allow Crawford to recover after she was admitted into the hospital due to an upper respiratory ailment, though Aldrich hired a private investigator to track her and determine whether or not she was actually ill  By August 4, 1964, the production had been suspended indefinitely, and the studio's insurance company insisted that Crawford be replaced, or else the film would have to be cancelled entirely Aldrich sought several actresses to replace Crawford, including Loretta Young, and Vivien Leigh, but they were each either unable or unwilling to take the role  Aldrich ultimately sought Olivia de Havilland for the part, and flew to her home in Switzerland to attempt to convince her to take the role  de Havilland agreed and she subsequently flew to Los Angeles to begin filming  In later interviews, de Havilland expressed displeasure with the film: "I wasn't thrilled with the script, and I definitely didn't like my part  I was reverse-typecast, being asked to be an unsympathetic villain  It wasn't what people expected of me  It wasn't really what I wanted to do  Bette wanted it so much, so I did it  I can't say I regretted it, because working with her was special, but I can't say it was a picture I am proud to put on my resume  Given the choice, I wouldn't have deprived Joan Crawford of the honor " According to Crawford, she only learned of her firing from a news radio broadcast  However, despite  being replaced (and because a planned reshoot with de Havilland in Louisiana was cancelled), brief footage of Crawford made it into the film, when she is seen sitting in the taxi in the wide shot for Miriam's arrival at the house (Crawford can be seen peering out of the window wearing dark sunglasses/clothing) 
Scenes outside the Hollis mansion were shot on location at Houmas House plantation in Louisiana  Scenes of the interior were shot on a soundstage in Hollywood 

Musical score
The title song by Frank de Vol became a hit for Patti Page, who recorded a version which reached no  8 on the Billboard Hot 100 

Release
Box office
According to Fox records, the film needed to earn $3,900,000 in rentals to break even and made $4,950,000, meaning it made a profit of $1,050,000  In France, the film sold 79,168 tickets 

Critical reception
Hush   Hush, Sweet Charlotte was another hit for Aldrich, opening to positive reviews  A pan, however, came from The New York Times  Bosley Crowther observed, "So calculated and coldly carpentered is the tale of murder, mayhem and deceit that Mr  Aldrich stages in this mansion that it soon appears grossly contrived, purposely sadistic and brutally sickening  So, instead of coming out funny, as did Whatever Happened to Baby Jane?, it comes out grisly, pretentious, disgusting and profoundly annoying "Variety's reviewer wrote: "Davis' portrayal is reminiscent of Jane in its emotional overtones, in her style of characterization of the near-crazed former Southern belle, aided by haggard makeup and outlandish attire  It is an outgoing performance, and she plays it to the limit  De Havilland, on the other hand, is far more restrained but nonetheless effective dramatically in her offbeat role " Judith Crist wrote about the film, "The guignol is about as grand as it gets " Kenneth Tynan asserted that "(Davis) has done nothing better since The Little Foxes " A later review for Time Out (London) observed: "Over the top, of course, and not a lot to it, but it's efficiently directed, beautifully shot, and contains enough scary sequences amid the brooding, tense atmosphere  Splendid performances from Davis and Moorehead, too "On the review aggregator website Rotten Tomatoes, 82% of 28 reviews are positive, with an average rating of 7 3/10 

Accolades
Moorehead won the Golden Globe for Best Supporting Actress  The film also received seven nominations (two more than Baby Jane: one less in the acting category, namely for Davis) for the 37th Academy Awards, breaking the record as the most for a horror film up to that time 

Home media
The film was first released on DVD on August 9, 2005  It was re-released on April 8, 2008, as part of The Bette Davis Centenary Celebration Collection 5-DVD box-set  On October 17, 2016, It was released onto high-definition Blu-ray in the US by Twilight Time as a 3,000-print limited edition  Another Blu-ray edition was released in the UK by Eureka Entertainment as a part of their "Masters of Cinema" collection on January 21, 2019 

See also
List of American films of 1964
Psycho-biddy
Passage 3:
A Kiss for Corliss
A Kiss for Corliss (retitled Almost a Bride before its release) is a 1949 American comedy film directed by Richard Wallace, written by Howard Dimsdale, and starring David Niven and Shirley Temple  The film, which was the last for both Wallace and Temple, was released on November 25, 1949, by United Artists  It is a sequel to the 1945 film Kiss and Tell, also directed by Wallace and starring Temple 

Plot
Playboy Kenneth Marquis is divorcing his third wife, who is represented by her attorney, Harry Archer  Corliss, Archer's teenaged daughter, is smitten with the charismatic Marquis and his free-wheeling lifestyle  Marquis sends a box of candy to Corliss, infuriating Archer, who interprets the gift as a jab at his settlement demand  Archer also prohibits Corliss' boyfriend Dexter from dating her after he sees Dexter at the Penguin Club, a restaurant that doubles as a gambling joint  Corliss manipulates Dexter into taking her to the club, but just after they arrive, the club is raided by police  Corliss and Dexter hide in the basement, but are temporarily trapped, causing Corliss to arrive home late, so she feigns amnesia to her parents to cover the truth  To refresh Corliss' memory, Archer reads her diary, which contains her imaginary romantic trysts with Marquis  The contents of the diary, along with Marquis' gift of candy, cause Corliss' parents to assume the worst 
Corliss' friend Raymond Pringle, who publishes a neighborhood paper, shows Marquis some of the diary entries, threatening to publish them unless Marquis buys advertising  Marquis visits the Archers and says that every word in the diary is true, that he is in love with Corliss, and that he wants to make her his fourth wife  When Archer explodes in anger, Corliss admits that the diary is not true and was written to make Dexter jealous  Marquis insists that the diary is true, though Corliss reveals why she was out late  Dexter arrives and eventually agrees with Corliss' version of events, but the Archers remain unconvinced  Marquis announces his engagement to Corliss in the newspaper to sue the Archers for breach of promise when the engagement is cancelled  The Archers delay rescinding the engagement to avoid the appearance of an immediate breach 
Marquis has gifts for Corliss delivered, and Archer is hounded by the media  Corliss continues to insist that the diary is false to her parents' continuing disbelief  Glimpse, a national magazine, runs photos of Marquis and Corliss  Archer's brother Uncle George, a Navy chaplain, visits and offers to perform the wedding  At the wedding rehearsal, held in the Archers' home, Dexter tells Mr  Archer that he has a witness who can attest to Corliss and his version of the events from the night when she was out late  Marquis' lie is revealed and the men escort him outside, where an offscreen fight ensues, and Archer and Dexter both return bloodied  Archer had overcome Marquis in the fight, but Dexter had accidentally hit  Archer  Marquis passes by an open window, his eye blackened, and mocks Archer and Dexter as he departs 

Cast
Shirley Temple as Corliss Archer
David Niven as Kenneth Marquis
Tom Tully as Harry P  Archer
Virginia Welles as Mildred Pringle
Darryl Hickman as Dexter Franklin
Gloria Holden as Mrs  Janet Archer
Robert Ellis as Raymond Pringle
Kathryn Card as Louise
Richard Gaines as Taylor
Roy Roberts as Uncle George
Passage 4:
The Ambulance
The Ambulance is a 1990 American comedy thriller film written and directed by Larry Cohen  It stars Eric Roberts, Megan Gallagher, James Earl Jones, Janine Turner, Red Buttons, and Eric Braeden as the Doctor  Kevin Hagen plays a cop   In his first film role, Stan Lee of Marvel Comics has a small role as himself 

Plot
Aspiring comic book artist Josh Baker meets a young woman named Cheryl on the streets of New York City, who proceeds to collapse and is rushed to a hospital by an ambulance   When Josh arrives at the hospital, he is shocked to find that there is no record of Cheryl ever being admitted and he soon learns another startling discovery, Cheryl's roommate also vanished after being picked up by the same ambulance 
Convinced that there is some sort of conspiracy going on, Josh proceeds to investigate the disappearances, despite the overt disdain and discouragement from Lt  Spencer 

Cast
Eric Roberts as Josh Baker
James Earl Jones as Lieutenant Frank Spencer
Megan Gallagher as Officer Sandra Malloy
Red Buttons as Elias Zacharai
Janine Turner as Cheryl Turner
Eric Braeden as The Doctor
Richard Bright as Detective Jerry McClosky
James Dixon as Detective John "Jughead" Ryan
Jill Gatsby as Jerilyn O'Brien
Martin Barter as Street Gang Leader
Laurene Landon as Patty
Nick Chinlund as Hugo (as Nicholas Chinlund)
Beatrice Winde as Head Nurse
Kevin Hagen as Cop At Stables
Matt Norklun as Ambulance Driver
Rudy Jones as Ambulance Driver
Stan Lee as Marvel Comics Editor
Deborah Hedwall as Nurse Barbera Feinstein
Susan Blommaert as Hospital Receptionist
Jordan Derwin as Hospital Official
Alexandra Jones as The Waitress
Michael O'Hare as Hal

Production
Cohen later said he was inspired by "the concept of taking something that is thought of as being benign or benevolent    or anything else that has a safe and wholesome image, and turning it into an object of terror " He had done this for It's Alive (babies) and The Stuff (junk food) and wanted to do it with ambulances  "When you hear or see an ambulance on the street, it’s usually considered to be something that is going to rescue you and take care of you, a vehicle of mercy," said Cohen  "In this story, it’s actually a vehicle of murder  The whole idea of an ambulance that suddenly arrives from nowhere, picks people up, and takes them away to some dark place where they are never seen or heard of again was completely original and creepy "Cohen says at one stage the financiers wanted a "classier" title than The Ambulance so he retitled it In Thin Air  They changed their mind and the film went back to being called The Ambulance  In the May, 1990 edition of his column Stan's Soapbox, Stan Lee mentions playing himself in a scene in "an adventure mystery called Into Thin Air and refers to the name change in a later column Cohen wanted to cast John Travolta or Jim Carrey in the lead but his producers refused Donald Trump made a small cameo in a deleted scene 
Jamie Lee Curtis was originally considered to play Officer Sandra Malloy
The role of the villain was originally played by Wesley Addy  However Cohen was unhappy with his performance and recast the role with Eric Braeden  Braeden's casting came at the suggestion of Cohen's mother who was a fan of The Young and the Restless 

Home media
The film was released on Blu-ray on March 13, 2018 by Scream Factory 

See also
List of films featuring diabetes
Passage 5:
Vera Cruz (film)
Vera Cruz is a 1954 American Western film directed by Robert Aldrich and starring Gary Cooper and Burt Lancaster, featuring Denise Darcel, Sara Montiel, Cesar Romero, Ernest Borgnine, Charles Bronson and Jack Elam  Set during the Franco-Mexican War, the film centers on a group of American mercenaries tasked with transporting a large shipment of Imperial gold to the port of Veracruz, but begin to have second thoughts about their allegiances  It was produced by Hecht-Lancaster Productions and released by United Artists on 25 December 1954 
The picture's amoral characters and cynical attitude towards violence (including a scene where Lancaster's character threatens to murder child hostages) were considered shocking at the time and influenced future Westerns such as The Magnificent Seven (1960), The Professionals (1966), Sam Peckinpah's The Wild Bunch (1969), and the Spaghetti Western films of Sergio Leone, which often featured supporting cast members from Vera Cruz in similar roles  Its influence on the latter led some critics to label it "the first Spaghetti Western "

Plot
During the Franco-Mexican War, ex-Confederate soldier Ben Trane travels to Mexico seeking a job as a mercenary  He falls in with Joe Erin, a younger gunslinger who heads a gang of cutthroats  They are recruited by Marquis Henri de Labordere for service with Emperor Maximilian  Maximilian offers them $25,000 to escort the Countess Duvarre to the city of Veracruz  Trane gets the emperor to double the offer 
During a river crossing, Trane notices that the stagecoach in which the countess is traveling is extremely heavy  Erin and Trane later discover that hidden inside are six cases of gold coins  The countess informs them that it is worth $3 million which is intended to pay for reinforcements from Europe  They form an uneasy alliance to steal and split the gold  Unbeknownst to them, the marquis is listening from the shadows 
The Juaristas, led by General Ramírez, attack the column several times  Pickpocket and Juarista undercover agent Nina joins the convoy  When Trane, Erin and their men are surrounded by the Juaristas, Trane persuades Ramirez to join forces and agree to pay them $100,000  The marquis succeeds in getting the gold to Veracruz  In the Juarista attack, the French are defeated, but most of Erin's men are killed  Erin attempts to steal the gold for himself by getting the countess to reveal the location of the ship she had hired to transport it  He even kills one of his own men  However, Trane arrives in time to confront him  They face off in a showdown that ends in Erin's death  Trane and Nina leave, while women search the dead for their loved ones 

Cast
Production
Burt Lancaster and Harold Hecht had just signed a contract with United Artists to make two films, starting with Apache, also directed by Robert Aldrich  Just before filming on that movie began in October 1953, Lancaster announced their second film would be Vera Cruz with himself and Gary Cooper, based on a story by Borden Chase In December 1953, after Apache finished filming, Lancaster announced Aldrich would direct Vera Cruz United Artists were so happy with Apache they changed the two-picture deal with Hecht and Lancaster into a two-year deal covering seven films 

Casting
Before taking the role of Ben Trane, Gary Cooper was advised by Clark Gable not to work with Burt Lancaster, fearing the younger actor would upstage him Mari Blanchard was meant to play the female lead and Hecht signed to borrow her from Universal  However, there was a clause forbidding her to appear on television which Hecht disagreed with  Instead they cast Denise Darcel  Mamie Van Doren claimed in her autobiography Playing the Field that Lancaster interviewed her for the role of the Countess, but she lost the part after refusing to sleep with him Charles Bronson was billed under his real name, 'Charles Buchinsky', in the film  This would mark the last time he would be credited that way, before he adopted his more well-known stage name 

Shooting
Filming started in February 1954  Vera Cruz was the first American film production to be shot entirely in Mexico  Though set in the city of Veracruz, the majority of the film was actually shot in and around Cuernavaca  Exterior shots were filmed at Chapultepec Castle in Mexico City, the ruins of Teotihuacan, and the climax was shot at Molino de Flores Nezahualcóyotl National Park in Texcoco de Mora  The interiors were filmed at Estudios Churubusco Vera Cruz was also the first production to use the SuperScope widescreen process, which was designed to achieve anamorphic prints from standard flat 35mm negatives  Shot at a conventional 1 37:1 aspect ratio, the film was cropped to 2:1 in post-production, given a CinemaScope-compatible (2x) squeeze, and blown up to normal frame height  
Aldrich and Lancaster got along well on Apache but as to Vera Cruz, the director said "we probably had a less amicable relationship than we anticipated  This was because Burt, until he directed The Kentuckian, thought he was going to be a director and when you're directing your first great big picture you don't welcome somebody else on hand with directorial notions  There were a few differences of opinion about concepts and about action " Lancaster recalled that Cooper demanded rewrites to his character to make him less morally-gray and more conventionally heroic 
According to Eli Wallach, the Mexican authorities were appalled at the unflattering depiction of their country, so any subsequent Hollywood productions (including The Magnificent Seven) were thoroughly overseen by state censors 

Reception
The film earned an estimated $5 million at the North American box office during its first run and $9 million overall In 1963, Aldrich announced he was working on a sequel There Really Was a Gold Mine but it was never made 

Legacy
Critic and historian Dave Kehr would later cite Vera Cruz as one of the most influential films of the 1950s, inspiring later Westerns by such directors as Sam Peckinpah and especially Sergio Leone  Kehr also praised Cooper and Lancaster's performances in the film, writing that "the generational transition from an aging star to his up-and-coming replacement has seldom been handled with better humor or more biting wit "

Home media
Vera Cruz was released to DVD by MGM Home Video on March 20, 2001, and to Blu-Ray on June 7, 2011  Kino Lorber re-released the film on Blu-ray on October 12, 2021 

See also
You Can't Win 'Em All, a 1970 film with a similar plot set in the Greco-Turkish War 
Passage 6:
Ten Tall Men
Ten Tall Men is a 1951 American adventure film starring Burt Lancaster about the French Foreign Legion during the Rif War in Morocco  Though co-written and directed by Willis Goldbeck, Goldbeck walked off the film due to disputes with Lancaster (whose own company, Norma Productions, produced the film) with the movie being completed by Robert Parrish   Credited as an associate producer, Robert Aldrich was a production manager on the film where he met Lancaster, which led him to direct Vera Cruz for him  Robert Clary made his debut in the film as an Arab batman  Portions of the film were filmed in Palm Springs, California  The story was released as a Fawcett Movie Comic #16 in April 1951 

Plot
After capturing an important Rif prisoner in an undercover operation, Sergeant Mike Kincaid (Lancaster) is imprisoned himself for striking a lieutenant (Stephen Bekassy) who beats a French woman (Mari Blanchard) with his riding crop for preferring Kincaid to him  Kincaid has a longstanding rivalry with the lieutenant, but the lieutenant is now in command of the company holding the city of Tarfa while the regiment is away  As the ranking officer, the lieutenant uses Kincaid's striking of him to get his revenge 
Kincaid is imprisoned alongside seven military prisoners and the captured Rif who has refused to talk, with the lieutenant refusing food and water to both Kincaid and the Rif   When his two comrades-in-arms who accompanied him on the mission, Corporals Luis Delgado (Gilbert Roland) and Pierre Molier (Kieron Moore), sneak food and water to Kincaid, he shares them with the Rif   To repay Kincaid's kindness and assuage his own guilt for telling the lieutenant about Kincaid's assignation with the Frenchwoman, the tells of an impending attack on Tarfa while the garrison is weak  The Rif believes Kincaid will escape to save himself, but he instead warns the lieutenant 
The experienced Kincaid tells the lieutenant that their only chance is to release him to lead a series of guerrilla hit-and-run attacks to delay the enemy for five days until the regiment returns   The lieutenant agrees, but only if Kincaid will testify that the idea was his  Kincaid agrees to his terms  The only men available for the mission are the seven prisoners, who receive full pardons for their crimes   His two corporals join them, raising their number to ten 
When scouting an enemy camp, the Legionnaires discover two rival tribes have joined forces, making them strong enough to take the city  Using his expertise in disguise and language, Kincaid finds out that the Rif leader, Khalid Hussein (Gerald Mohr), is marrying Mahla (Jody Lawrance) in order to cement an alliance with the other tribe  Kincaid kidnaps her to force the enemy to chase him for the five days 
Mahla begins to fall in love with her handsome captor, as Hussein pursues the Legionnaires across the desert  In the midst of the dangers, the patrol finds a destroyed Legion truck containing a safe that one of the men opens, revealing a large Legion payroll  When Jardine (John Dehner) tries to get away with the payroll, he is shot, but that tells the Rifs where they are 
Kincaid is eventually captured and Mahla freed  She demands that Kincaid be released unharmed, or she will not marry Hussein  Hussein reluctantly does so  Kincaid and his men infiltrate the wedding ceremony, and fighting breaks out  Mahla's tribe switches sides, and Hussein is killed 

Cast
Production
The film was the first of a two-picture deal Columbia Pictures signed with Norma Productions, the company of Burt Lancaster and Harold Hecht  (The second was to be Small Wonder, a film in which Lancaster would not appear )It was originally a Western story by James Warner Bellah and Willis Goldbeck which concerned conflict between the US cavalry and Apaches  Producer Harold Hecht and star Burt Lancaster then decided that "John Ford and other Hollywood operators have so effectively decimated the Apache population" that they hired writer A I  Bezzerides to reimagine the story with a Foreign Legion setting which wound up involving the Rif War (1911-1927)  Roland Kibbee and Frank Davis were hired to rewrite the script to make it more comedic The film was shot in February 1950 at the Columbia Ranch in the San Fernando Valley and on location in Yuma, Arizona 

Notes
External links
Ten Tall Men at the American Film Institute Catalog
Ten Tall Men at IMDb
Ten Tall Men at the TCM Movie Database
Passage 7:
Enteng the Dragon
Enteng the Dragon is a 1988 Philippine comedy film directed by Romy Villaflor and written by Tony S  Mortel  It is a parody of the film Enter the Dragon 

Plot
The story revolves around \ Enteng (Dolphy) a vendor of a mobile food house in China Town  Enteng is known for his humor, and a journalist and star reporter named Rowena (Dang Cecilio) was interested to cover his story after her Editor-in-Chief saw him as worthy of human interest  Kuto (Vandolph), a young boy that he found sleeping in his food wagon, led him to the shrine of the monks, that sealed his destiny as a vigilante and hero 

Cast
Dolphy as Enteng
Vandolph as Kuto
Dang Cecilio as Rowena
Eddie Garcia as the Evil Leader
Monica Herrera as Christina
Monsour del Rosario
Rommel Valdez
Tsing Tong Tsai
Panchito
Babalu
Don Pepot
Che-Che Sta  Ana
Roy Aoyama
Ros Olgado
Ernie Ortega
Estrella Querubin

Production
The film was produced by the RVQ Productions, a production owned by Dolphy himself 

Release
The film was released on July 14, 1988 

Accolades
Passage 8:
O Cangaceiro
O Cangaceiro (lit  "The Cangaceiro"; also known as The Bandit and The Bandits) is a 1953 Brazilian adventure western film directed by Lima Barreto  After some reluctance by its studio Vera Cruz, Barreto shot it in 1952  After its release it was national and international success, and won several awards, including the Adventure Film Award at the 1953 Cannes Film Festival  It was poorly received in retrospect despite being praised by the time of its release and started a subgenre in Brazilian cinema 

Cast
Alberto Ruschel as Teodoro
Marisa Prado as Olívia
Milton Ribeiro as Galdino
Vanja Orico as Maria Clódia
Adoniran Barbosa as Mané Mole

Production
In 1950, Lima Barreto joined the film studio Companhia Cinematográfica Vera Cruz invited by its then president Alberto Cavalcanti  After releasing two documentaries successfully for the studio, Painel and Santuário, Barreto get the chance to direct a feature film  With the idea to shoot a film about Lampião since the early 1940s, he only commenced to shoot it in 1952 after some reluctance by Franco Zampari, Vera Cruz's founder  Although he went to Bahia and did some research there, it was shot in Vargem Grande do Sul, São Paulo, with a production that lasted nine months due to internal conflicts 

Reception
O Cangaceiro was released on January 20, 1953, and was  a public success; it grossed ₢$30 million (about US$1 5 million) in the 24 Brazilian theaters in which it spent six weeks  After its national success, it was distributed to over 80 countries, becoming one of the most internationally successful Brazilian films—a feat uncommon in that time  It led it to be considered Vera Cruz's "high point" and its "most important production" by Georges Sadoul, author of Dictionary of Films, and by O Estado de S  Paulo's Luiz Zanin, respectively After winning several Brazilian awards, the film was entered into the 1953 Cannes Film Festival, where it was "much liked for its original and truly national flavour " O Cangaceiro won the Best Adventure Film Award, making it the first Brazilian film to win a prize at Cannes, and received a special mention to Gabriel Migliori's musical composition  At the Edinburgh International Film Festival it was awarded the Best Film It received mixed commentaries since its release  It was once voted the best Brazilian film in 1968 by National Film Institute's magazine Revista Film Cultura  Sadoul declared, "Lima Barreto well conveys a sense of poetry of the open desert space of the Sertão and makes this story lively and suspenseful"  After praising its cast performances and its "thrilling" musical score, Bosley Crowther of The New York Times said, "This [O] Cangaceiro is a picture that will cause the Western fans to rub their eyes " However, Cinema Novo representants—mainly Glauber Rocha—would criticize it for borrowing too much the style of American films  Critics also went on to comment on its "sociological inaccuracies "

Legacy
It is the first film to mix cangaço with Western, starting a genre called "Nordestern" —an amalgam of the words "Nordeste" (Northeast) and "Western"  It would be followed by successful films such as Carlos Coimbra's A Morte Comanda o Cangaço (1960), Lampião, o Rei do Cangaço (1964) and Corisco, o Diabo Louro (1969), and Aurélio Teixeira's Os Três Cabras de Lampião  It also established cangaço as a subgenre in Brazilian cinema; subsequently, cangaço would be featured as a theme from comedy—such as Os Três Cangaceiro and O Lamparina—to pornochanchada films—As Cangaceiras Eróticas and A Ilha das Cangaceiras Virgens  Also, Ruschel and Ribeiro would reprise the role of "good cangaceiro" and "bad cangaceiro" in other films 
Context 2: Passage 1:
1961 Night Series Cup
The 1961 VFL Night Premiership Cup was the Victorian Football League end of season cup competition played in August and September of the 1961 VFL Premiership Season  This was the sixth season of the VFL Night Series  Run as a knock-out tournament, it was contested by the eight VFL teams that failed to make the 1961 VFL finals series  Games were played at the Lake Oval, Albert Park, then the home ground of South Melbourne, as it was the only ground equipped to host night games  Geelong won its first night series cup defeating North Melbourne in the final by 12 points 

Games
Round 1
Semifinals
Final
See also
List of Australian Football League night premiers
1961 VFL season

External links
1961 VFL Night Premiership - detailed review including quarter-by-quarter scores, best players and goalkickers for each match
Passage 2:
1971 Heinz Cup
The 1971 VFL H J  Heinz Night Premiership was the Victorian Football League end of season cup competition played in September of the 1971 VFL Premiership Season  Run as a knock-out tournament, it was contested by the eight VFL teams that failed to make the 1971 VFL finals series  Games were played at the Lake Oval, Albert Park, then the home ground of South Melbourne, as it was the only ground equipped to host night games  It was the 16th and last VFL Night Series competition, with the series disbanded the following year due to waning interest and the introduction of the final five in the premiership competition  Melbourne won its first night series cup defeating Fitzroy in the final by 16 points 

Games
Round 1
Semi-finals
Final
See also
List of Australian Football League night premiers
1971 VFL season
Passage 3:
1965 Golden Fleece Cup
The 1965 VFL Golden Fleece Night Premiership was the Victorian Football League end of season cup competition played in September of the 1965 VFL Premiership Season  Run as a knock-out tournament, it was contested by the eight VFL teams that failed to make the 1965 VFL finals series  It was the tenth VFL Night Series competition  Games were played at the Lake Oval, Albert Park, then the home ground of South Melbourne, as it was the only ground equipped to host night games  This was the first time the Night Series cup had a naming rights sponsor in Golden Fleece petroleum products  North Melbourne won its first night series cup defeating Carlton in the final by 40 points 

Games
Round 1
Semi-finals
Final
See also
List of Australian Football League night premiers
1965 VFL season

External links
1965 VFL Night Premiership - detailed review including quarter-by-quarter scores, best players and goalkickers for each match
Passage 4:
1956 Night Series Cup
The 1956 VFL Night Premiership Cup was the Victorian Football League end of season cup competition played between the eight teams that didn't make the finals of that season  It was held between 23 August to 17 September 1956 with games being played at the Lake Oval, home ground of South Melbourne as it was the only ground equipped to host night games 
Eight teams played in the first competition with the final seeing an attendance of 32,450 as South Melbourne defeated Carlton in the final by 6 points (13 16 94 to 13 10 88) 

Games
Quarterfinals
The opening match of the 1956 edition saw South Melbourne record the first victory of the new competition by 20 points over St Kilda  But the match was remembered for the brawl that happened in the third quarter which featured all of the players, umpires and some spectators in scenes not since the 1945 VFL Grand Final between Carlton and South Melbourne  The following match which was played five days later saw a surprise victory by North Melbourne who defeated Essendon by two points with North Melbourne leading at every change to get the win  Richmond and Carlton also recorded narrow wins over Hawthorn and Fitzroy in the remaining two quarter-finals which was played on 30 August and the 4 September 

Semifinals
The semi-finals began on the 6 September with South Melbourne taking on North Melbourne  In another tight tussle between the teams, it was not until late on in the final quarter with the usage of the wind that South Melbourne would take the win with a goal from Monks sealing the five point victory  In the second semi-final, an attendance of 25,500 saw Carlton win the match by 12 points in what The Age called fast, rugged and exciting football with Carlton leading at each break to record the victory 

Final
The final of the 1956 edition was played on the 17 September 1956 between South Melbourne and Carlton  With an attendance of 32,450 watching the match, South Melbourne's win was credited in the second quarter when they outscored Carlton 4 2 to 0 3 to open up a thirty-one point lead  Carlton tried to come back into the match throughout the final quarter and had a chance to take the lead but a dropped pass from Hands would give South Melbourne the win by six points and become the first winners of the Night Series Cup 

See also
List of Australian Football League night premiers
1956 VFL season
Passage 5:
1958 Night Series Cup
The 1958 VFL Night Premiership Cup was the Victorian Football League end of season cup competition played in August and September of the 1958 VFL Premiership Season  This was the third year the VFL Night Series had existed  In last years competition, each of the day finalists were duly defeated upon entry and their addition to the competition resulted in a drawn-out and complicated fixture of matches  The VFL thus elected to return to the original format for this year's competition as previously used in the 1956 Night Series Cup  Run as a knock-out tournament, it was contested by the eight VFL teams that failed to make the 1958 VFL finals series  Games were played at the Lake Oval, Albert Park, then the home ground of South Melbourne, as it was the only ground equipped to host night games  St Kilda went on to win the night series cup, defeating Carlton in the final by 8 points 

Games
Round 1
Semifinals
Final
See also
List of Australian Football League night premiers
1958 VFL season

External links
1958 VFL Night Premiership - detailed review including quarter-by-quarter scores, best players and goalkickers for each match
Passage 6:
1960 Night Series Cup
The 1960 VFL Night Premiership Cup was the Victorian Football League end of season cup competition played in September of the 1960 VFL Premiership Season  This was the fifth season of the VFL Night Series  Run as a knock-out tournament, it was contested by the eight VFL teams that failed to make the 1960 VFL finals series  Games were played at the Lake Oval, Albert Park, then the home ground of South Melbourne, as it was the only ground equipped to host night games  South Melbourne went on to win the night series cup for the third time, defeating Hawthorn in the final by 13 points 

Games
Round 1
Semifinals
Final
See also
List of Australian Football League night premiers
1960 VFL season

External links
1960 VFL Night Premiership - detailed review including quarter-by-quarter scores, best players and goalkickers for each match
Passage 7:
Albert Park, Victoria
Albert Park is an inner suburb of Melbourne, Victoria, Australia, 4 km (2 5 mi) south of Melbourne's Central Business District  The suburb is named after Albert Park, a large lakeside urban park located within the City of Port Phillip local government area  Albert Park recorded a population of 6,044 at the 2021 census The suburb of Albert Park extends from the St Vincent Gardens to Beaconsfield Parade and Mills Street  It was settled residentially as an extension of Emerald Hill (South Melbourne)  It is characterised by wide streets, heritage buildings, terraced houses, open air cafes, parks and significant stands of mature exotic trees, including Canary Island Date Palm and London Planes 
The Albert Park Circuit has been home to the Australian Grand Prix since 1996, with the exception of 2020–2021 due to the COVID-19 lockdowns 

History
Indigenous Australians first inhabited the area that is now Albert Park around 40,000 years ago  The area was a series of swamps and lagoons  The main park after which the suburb was named was declared a public park and named in 1864 to honour Queen Victoria's consort, Prince Albert Albert Park was used as a garbage dump, a military camp and for recreation before the artificial lake was built  In 1854 a land-subdivision survey was done from Park Street, South Melbourne, to the northern edge of the parkland (Albert Road)  St Vincent Gardens were laid out and the surrounding streets home to the city's most successful citizens  Street names commemorated Trafalgar and Crimean War personalities 

Heritage Victoria notes that Albert Park's St Vincent Gardens "is historically important as the premier 'square' development in Victoria based on similar models in London  It is significant as the largest development of its type in Victoria and for its unusual development as gardens rather than the more usual small park" and "was first laid out in 1854 or 55, probably by Andrew Clarke, the Surveyor-General of Victoria  The current layout is the work of Clement Hodgkinson, the noted surveyor, engineer and topographer, who adapted the design in 1857 to allow for its intersection by the St Kilda railway line  The precinct, which in its original configuration extended from Park Street in the north to Bridport Street in the south and from Howe Crescent in the east to Nelson Road and Cardigan Street in the west, was designed to emulate similar 'square' developments in London, although on a grander scale  The main streets were named after British naval heroes  The development of the special character of St Vincent Place has been characterised, since the first land sales in the 1860s, by a variety of housing stock, which has included quality row and detached houses and by the gardens which, although they have been continuously developed, remain faithful to the initial landscape concept "
St Vincent's is a garden of significant mature tree specimens  It is registered with the National Trust and is locally significant for the social focus the gardens provide to the neighbourhood  Activities in the park range from relaxing walks, siestas to organised sports competition  The Albert Park Lawn Bowls Club was established in 1873 and the Tennis Club established 1883, on the site of an earlier croquet ground 

Geography
Albert Park features part of the massive Albert Park and Lake (formerly South Park in the 19th century until it was also renamed after Prince Albert) and is located nearby  It is a significant state park managed by Parks Victoria  It is also known as the site of the Albert Park Circuit 

Commercial centres
Commercial centres include Bridport Street, with its cafes and shops and Victoria Avenue, known for its cafes, delicatessens and boutiques 

Beach areas
Albert Park has a long beach frontage, with several distinctive features, including many grand buildings (such as the Victoria Hotel, a grand hotel and former coffee palace, now café bar, built in 1887) and Victorian terrace homes; Kerferd Kiosk, an iconic Edwardian bathing pavilion and Kerferd Pier, which terminates Kerferd Road and is a jetty onto Port Phillip, used for fishing by many and sharks have occasionally been found around it 

Albert Park and Lake
The lake is popular with strollers, runners and cyclists  Dozens of small yachts sail around the lake on sunny days  Only the north eastern part of the park and lake is actually in the suburb, the rest is in the neighbouring suburbs of South Melbourne, Melbourne, Middle Park and St Kilda 

Demographics
At the 2016 census, Albert Park had a population of 6,215  66 2% of people were born in Australia  The next most common countries of birth were England 5 4%, Greece 4 0% and New Zealand 2 5%  74 2% of people only spoke English at home  Other languages spoken at home included Greek at 8 0%  The most common responses for religion were No Religion 39 3% and Catholic 18 4% 

Housing
Albert Park is composed mainly of Victorian terrace and semi-detached housing  Many residential areas are in heritage overlays to protect their character  Boyd Street, a leafy backstreet near Middle Park, is a fine example of this 

Transport
Beaconsfield Parade is the main beachside thoroughfare, between St Kilda and Port Melbourne, which runs along the Port Phillip foreshore  Richardson Street and Canterbury Road follows a similar inland route south to St Kilda  The main road arterial is Kerferd Road, a wide boulevard lined with elm trees and a central reservation, which connects from South Melbourne's Albert Road  Pickles Street, Victoria Avenue and Mills Street are the main roads running west and east toward South Melbourne 
Several tram routes service Albert Park; Route 1 along Victoria Avenue, Route 12 along Mills Street and Route 96 on a reservation parallel to Canterbury Road 
Until 1987, Albert Park was serviced by the St Kilda railway line, with Albert Park railway station being located at Bridport Street  The line has since been converted to serve trams, and forms a large part of the Route 96 tram line 
CDC Melbourne's Route 606 runs through the suburb  There are segregated cycle facilities along the beach and Canterbury Roads, with marked bicycle lanes elsewhere 

Sport
The suburb has been home to the Formula One Australian Grand Prix since 1996  The Albert Park Circuit runs on public roads  The choice of Albert Park as a Grand Prix venue was controversial, with protests by the Save Albert Park group  In preparing the Reserve for the race existing trees were cut down and replaced during landscaping, roads were upgraded, and facilities were replaced  Both major political parties support the event  The Melbourne Supercars Championship is also held on the same circuit 
Albert Park is the home of soccer club South Melbourne FC who play out of Lakeside Stadium; aptly named due to its positioning next to Albert Park Lake  Lakeside Stadium (known then as Bob Jane Stadium) was redeveloped in 2010 to include an international standard athletics track, as well as new grandstands and administrative facilities, and is also the home of the Victorian Institute of Sport  The stadium was built on the site of the old Lake Oval, which was an historic Australian rules football venue for the South Melbourne Football Club 
The Melbourne Sports & Aquatic Centre (MSAC) is a large swimming centre, which hosted squash, swimming, diving events and table tennis during the 2006 Commonwealth Games  The MSAC is also the home of the Melbourne Tigers that play in the South East Australian Basketball League 
In December 2006 polo returned to Albert Park Reserve after an absence of 100 years 
Albert Park is home to a parkrun event  The event at Albert Park is held at 8am every Saturday and starts in the Coot Picnic area, opposite the MSAC 

Notable residents
Hilda and Laurel Armstrong – 'The Vegemite Girls', sisters who coined the name of the iconic Australian food spread in 1923
Mae Busch (1891–1946) – actress, co-star in the films of famous Hollywood comedy duo Laurel and Hardy
Roy Cazaly (1893–1963) – Australian rules football legend [birthplace]
Noel Jack Counihan (1913–1986) – artist and revolutionary, made social realist art in response to the political and social issues of his times
John Danks (1828–1902) – businessman, manufacturer, councillor, benefactor; Danks Street named after him
Private Edward "Eddie" Leonski [US Army] (1917–1942) – infamous serial killer; during World War II was stationed in Melbourne and murdered three women  Was hanged for the crimes on 9 November 1942  His first victim, Ivy McLeod, was found beaten and strangled in a doorway in Albert Park, killed by Leonski after he drank whisky all morning and afternoon at the Bleak House Hotel (aka Beach House Hotel)
Walter Lindrum (1898–1960) – world-famous billiards player, regarded as the greatest ever to play the game
Likely Herman "Like" McBrien (1892–1956) – leading Australian Rules football administrator and politician
Ernest McIntyre (1921–2003) – Australian rules footballer [birthplace]
Allan McLean (1840–1911) – pastoralist, station agent, politician; 19th Premier of Victoria in 1899; elected to the first Commonwealth Parliament in 1901
Albert Monk (1900–1975) – union and labour leader; during World War Two was concurrent president of the ACTU & Trades Hall Council & ALP Victorian branch; seminally influenced the growth of the ACTU as Australia's peak trade union organization  His house was in Kerferd Road
King O'Malley (1858–1953) – politician, influential in the establishment of the Commonwealth Bank and the selection of Canberra as the national capital
Alex Lahey, singer-songwriter and multi-instrumentalist who was born and raised in Albert Park

See also
City of South Melbourne – Albert Park was previously within this former local government area 
Passage 8:
1957 Night Series Cup
The 1957 VFL Night Premiership Cup was the Victorian Football League end of season cup competition played in August, September and October of the 1957 VFL Premiership Season  This was the second edition that the VFL Night Series had existed with the competition expanding to feature all twelve teams  The games were being played at the Lake Oval, Albert Park, then the home ground of South Melbourne, as it was the only ground equipped to host night games 
In the final, South Melbourne took out their second night series cup, defeating Geelong by 51 points (15 13 103 to 8 4 52)  This would later be the only edition until 1977 to feature all twelve teams at the time 

Games
Round 1
Round 2
Semifinals
Final
See also
List of Australian Football League night premiers
1957 VFL season
Passage 9:
1966 Golden Fleece Cup
The 1966 VFL Golden Fleece Night Premiership was the Victorian Football League end of season cup competition played in September of the 1966 VFL Premiership Season  Run as a knock-out tournament, it was contested by the eight VFL teams that failed to make the 1966 VFL finals series  It was the eleventh VFL Night Series competition  Games were played at the Lake Oval, Albert Park, then the home ground of South Melbourne, as it was the only ground equipped to host night games  North Melbourne won its second night series cup in a row defeating Hawthorn in the final by 53 points 
Three rule changes, all of which were eventually permanently adopted in the VFL, were trialled during this series:,
A free kick was awarded against a player if the ball was kicked out of bounds on the full  Adopted in 1969 
A 50yd square was drawn in the centre of the ground, and no more than four players from each team were allowed within the square during a centre bounce; this was to reduce congestion at centre bounces  Adopted in a modified form in 1973 
The number of boundary umpires was increased from two to four  Adopted in 2008 

Games
Round 1
Semi-finals
Final
See also
List of Australian Football League night premiers
1966 VFL season
Passage 10:
1967 Golden Fleece Cup
The 1967 VFL Golden Fleece Night Premiership was the Victorian Football League end of season cup competition played in August and September of the 1967 VFL Premiership Season  Run as a knock-out tournament, it was contested by the eight VFL teams that failed to make the 1967 VFL finals series  It was the twelfth VFL Night Series competition  Games were played at the Lake Oval, Albert Park, then the home ground of South Melbourne, as it was the only ground equipped to host night games  Footscray won its third night series cup defeating South Melbourne in the final by 45 points 

Games
Round 1
Semi-finals
Final
See also
List of Australian Football League night premiers
1967 VFL season

External links
1967 VFL Night Premiership - detailed review including quarter-by-quarter scores, best players and goalkickers for each match
Context 3: Passage 1:
Arab Kingdom of Syria
The Arab Kingdom of Syria (Arabic: المملكة العربية السورية, al-Mamlakah al-‘Arabīyah as-Sūrīyah) was a self-proclaimed, unrecognized constitutional monarchy existing briefly in the territory of historical Syria  It was announced on 5 October 1918 as a fully and independent Arab constitutional government with the permission of the British military  It gained de facto independence as an Emirate after the withdrawal of the British forces from OETA East on 26 November 1919, and was proclaimed as a Kingdom on 8 March 1920 
As a Kingdom it existed only a little over four months, from 8 March to 25 July 1920  During its brief existence, the kingdom was led by Sharif Hussein bin Ali's son Faisal bin Hussein  Despite its claims to the territory of Greater Syria, Faisal's government controlled a limited area and was dependent on Britain which, along with France, generally opposed the idea of a Greater Syria and refused to recognize the kingdom  The kingdom surrendered to French forces on 25 July 1920 

History
Foundations
The Arab Revolt and the McMahon–Hussein Correspondence were crucial factors in the foundation of the Arab Kingdom of Syria  In the McMahon–Hussein Correspondence promises of an Arab Kingdom were made by the British in return for an Arab uprising against the Ottomans : 209–215  As the British were promising independence, The French made the Sykes–Picot Agreement  Ultimately, the implementation of the Sykes–Picot Agreement would lead to the undermining and end of the Arab Kingdom of Syria  Despite the significance of the Arab Revolt to modern Arab countries formed in its wake, at the time there was significant distrust and even opposition to the idea of an Arab Kingdom or series of Arab Kingdoms 
This opposition was due in part to the heavy influence of the French and the British in facilitating the revolt and the establishment of what would be considered, by modern standards, puppet states : 185–191  The involvement of foreign powers in distributing large sums of money and military support to establish an empire that would be led by imperial aspirants, rather than legitimate Arab nationalists, was instrumental in the disintegration of the majority of the early Hashemite Kingdoms (Kingdom of Hejaz and Kingdom of Iraq)  Additionally, at the time, many Arabs expressed grave concerns that the family of the Sharif of Mecca, the Hashemites, could wrest control from the Ottoman Sultan, with whom their loyalty had rested for centuries : 187

Arab constitutional government
Near the end of World War I, the British Egyptian Expeditionary Force, under command of Edmund Allenby, captured Damascus on 30 September 1918  Shortly thereafter, on 3 October, Faisal entered the city : 30  The jubilation would be short lived, as Faisal would soon be made aware of the Sykes–Picot agreement  Faisal had come to expect an independent Arab kingdom in the name of his father but was soon told of the division of territory and how Syria fell under French protective power  Faisal saw this admission as a betrayal by the British, but believed the actual settlement would be worked out at a later date when the war had ended  There was some likelihood that by then the British would have changed their support for French pretensions in Syria 
On 5 October, with the permission of General Allenby, Faisal announced the establishment of a fully and absolutely independent Arab constitutional government : 34  Faisal announced it would be an Arab government based on justice and equality for all Arabs regardless of religion  The French Prime Minister Georges Clemenceau found disconcerting the establishment of a semi-independent Arab state without international recognition and under the auspices of the British  Even reassurances by Allenby that all actions taken were provisional did not ease the looming tensions between the British, the French, and the Arabs  For Arab nationalists, and many of the Arabs who fought in the Arab Revolt, this independent state would be the realization of a long hard-fought goal 

Determining the status
After the war, at the Paris Peace Conference of 1919, Faisal pushed for Arab independence  At the Conference, the victorious Allies decided what was to become of the defeated nations of the Central Powers, especially who was to control their territories, such as the Ottoman Empire's Middle East possessions  The status of the Arab lands in the Middle East was the subject of intense negotiations between the French and British  In May 1919, the French and British prime ministers met in Quai d’Orsay to decide between them their respective claims to territories or spheres of influence in the Middle East  The meeting determined that in return for a British guarantee of French control in Syria, the British would be given a mandate over Mosul and Palestine 
At about the same time, an American compromise resulted in an agreement to set up a commission to determine the wishes of the inhabitants  Though they initially supported the idea, Britain and France eventually backed out, leaving the King–Crane Commission of 1919 solely American : 268  The findings of the commission, not published until 1922 after the vote on the mandates in the League of Nations, indicated strong Arab support for an independent Arab state and opposition to a French presence 

Creation
These events in Europe led Syrian nationalist societies like al-Fatat (the Young Arab Society) to make preparations for a national congress  These Syrian nationalist societies advocated complete independence for an Arab Kingdom that united Arabs under Faisal  The King–Crane Commission encouraged efforts to unify, and hasty elections were called including representatives from all over the Arab lands, including Palestine and Lebanon, although French officials prevented many of their representatives from arriving  The first official session of the Syrian Congress was held on 3 June 1919 and al-Fatat member Hashim al-Atassi was elected its president : 17 When the King–Crane Commission arrived in Damascus on 25 June 1919, it was met with a flurry of leaflets saying "Independence or Death" 
On 2 July the Syrian National Congress in Damascus passed the Damascus Program, a series of resolutions calling for a completely independent constitutional monarchy with Faisal as king, asking for assistance from the United States, and rejecting any rights claimed by the French : 19  The resolutions defined the borders as 

on the north, the Taurus Range; on the south, a line running from Rafah to Al-Jauf and following the Syria-Hejaz border below 'Aqaba; on the east, the boundary formed by the Euphrates and Khabur rivers and a line stretching from some distance east of Abu-Kamal to some distance east of al-Jauf; on the west, the Mediterranean Sea 
Any hope that Faisal may have had that either the British or Americans would come to his aid and counter French moves quickly faded, especially after the Anglo-French Agreement for the withdrawal of British troops from Syria and the end of the British military government in Syria  The British withdrew from the region on 26 November 1919 In January 1920, Faisal was forced into an agreement with France which stipulated that France would uphold the existence of the Syrian state and would not station troops in Syria as long as the French government remained the only government supplying advisers, counselors and technical experts : 167  News of this compromise did not bode well with Faisal's vehemently anti-French and independence-minded supporters who immediately pressured Faisal to reverse his commitment, which he did  In the aftermath of this reversal, violent attacks against French forces took place and the Syrian Congress assembled in March 1920 to declare Faisal the king of Syria as well as to officially set up the Arab Kingdom of Syria with Hashim al-Atassi as Prime Minister and Yusuf al-'Azma as Minister of War and Chief of Staff 
This unilateral action was immediately repudiated by the British and French and the San Remo Conference was called by the Allied Powers in April 1920 to finalise the allocation of League of Nations mandates in the Middle East  This was in turn repudiated by Faisal and his supporters  After months of instability and failure to make good on the promises to the French, the commander of French forces General Henri Gouraud gave an ultimatum to King Faisal on 14 July 1920 declaring he surrender or fight : 215

Dissolution
Worried about the results of a long bloody fight with the French, King Faisal surrendered  However, Yusuf al-'Azma, the defense minister, ignored the King's order, and led a small army to confront the French advance into Syria  This army depended mainly on individual weapons and were no match to the French artillery  At the Battle of Maysalun, the Syrian army was easily defeated by the French, with General al-'Azma being killed during the battle  The loss led to the siege and capture of Damascus on 24 July 1920 and the French Mandate for Syria and the Lebanon was put into effect thereafter 

Legacy
After surrendering to French forces, Faisal was expelled from Syria and went to live in the United Kingdom in August 1920  In August 1921 he was offered the crown of Iraq under the British Mandate of Iraq 
A pro-French government under the leadership of 'Alaa al-Din al-Darubi was installed one day after the fall of Damascus, on 25 July 1920 : 37  On 1 September 1920, General Gouraud divided the French mandate territory of Syria into several smaller states as part of a French scheme to make Syria easier to control 
The Kingdom, through its short and tumultuous existence, would become a subject of great inspiration to later Arab liberation movements  It would be the often-repeated story of an Arab people breaking out from their colonial bonds only to be castigated for their revolutionary fervor and for their resistance to the imperial powers  The symbolism of the fall of the Kingdom of Syria also imparted deep mistrust of European powers, who were seen as liars and oppressors 

Politics of Syria (1918–1920)
Heads of Government
King
Prime Ministers
Gallery
Passage 2:
Gouding
Gouding (Chinese: 句町) was a monarchical state that lasted approximately 400 years, from 111 BC to 316 AD, and was centered on Guangnan County in modern-day Wenshan Zhuang and Miao Autonomous Prefecture, Yunnan province, China 

In December 2015, artifacts unearthed from Gouding were on display at the Guangnan Minorities Museum 

See also
Đông Sơn drums
Neighbouring kingdoms of Dian and Yelang 
Southward expansion of the Han dynasty
Zomia (geography)
Passage 3:
Modern history of Syria
The modern history of Syria begins with the termination of Ottoman control of Syria by French forces and the establishment of the Occupied Enemy Territory Administration during World War I  The short-lived Arab Kingdom of Syria emerged in 1920, which was however soon committed under the French Mandate, which produced the short-lived autonomous State of Aleppo, State of Damascus (later State of Syria), Alawite State and Jabal al-Druze (state); the autonomies were transformed into the Mandatory Syrian Republic in 1930  Syrian Republic gained independence in April 1946  The Republic took part in the Arab-Israeli War and remained in a state of political instability during the 1950s and 1960s 
The 8 March 1963 coup resulted in the installation of the National Council for the Revolutionary Command (NCRC), a group of military and civilian officials who assumed control of all executive and legislative authority  The takeover was engineered by members of the Ba'ath Party led by Michel Aflaq and Salah al-Din al-Bitar  He was overthrown in early 1966 by Marxist-Leninist military dissidents of the party led by General Salah Jadid  Since the Arab Spring of 2011, Bashar al-Assad's government has been involved in the ongoing Syrian civil war 

Syria under the Mandate
OETA
The Occupied Enemy Territory Administration (OETA) was a joint British and French military administration over Levantine and Mesopotamian provinces of the former Ottoman Empire between 1918 and 1920, set up following the Sinai and Palestine Campaign of World War I  The administration ended following the assignment of the Mandate for Syria and the Lebanon and British Mandate for Palestine at the 19–26 April 1920 San Remo conference 

Initial civil administration
Following the San Remo conference in April 1920 and the defeat of King Faisal's short-lived monarchy in Syria at the Battle of Maysalun on 24 July 1920, the French general Henri Gouraud established civil administration in the territory  The mandate region was subdivided into six states  They were the states of Damascus (1920), Aleppo (1920), Alawites (1920), Jabal Druze (1921), the autonomous Sanjak of Alexandretta (1921) (modern-day Hatay), and the State of Greater Lebanon (1920), which later became the modern country of Lebanon 
The drawing of those states was based in part on the sectarian make-up on the ground in Syria  However, nearly all the Syrian sects were hostile to the French mandate and to the division it created  This was best demonstrated by the numerous revolts that the French encountered in all of the Syrian states  Maronite Christians of Mount Lebanon, on the other hand, were a community with a dream of independence that was being realized under the French; therefore, Greater Lebanon was the exception to the newly formed states 

Syrian Federation (1922-24)
In July 1922, France established a loose federation between three of the states: Damascus, Aleppo, and the Alawite state under the name of the Syrian Federation (Fédération syrienne)  Jabal Druze, Sanjak of Alexandretta, and Greater Lebanon were not parts of this federation, which adopted a new federal flag (green-white-green with French canton)  On 1 December 1924, the Alawite state seceded from the federation when the states of Aleppo and Damascus were united into the State of Syria 

The Great Syrian Revolt
In 1925, a revolt in Jabal Druze led by Sultan Pasha el Atrash spread to other Syrian states and became a general rebellion in Syria  France tried to retaliate by having the parliament of Aleppo declare secession from the union with Damascus, but the voting was foiled by Syrian patriots 

First Syrian Republic
The red stars that represented the three districts of the republic (Damascus, Aleppo, and Deir ez Zor) 

1936 Independence treaty
In 1936, the Franco-Syrian Treaty of Independence was signed, a treaty that would not be ratified by the French legislature  However, the treaty allowed Jabal Druze, the Alawite (now called Latakia), and Alexandretta to be incorporated into the Syrian republic within the following two years  Greater Lebanon (now the Lebanese Republic) was the only state that did not join the Syrian Republic  Hashim al-Atassi, who was Prime Minister under King Faisal's brief reign (1918–1920), was the first president to be elected under a new constitution adopted after the independence treaty 

Separation of Hatay
In September 1938, France again separated the Syrian district of Alexandretta and transformed it into the Republic of Hatay  The Republic of Hatay joined Turkey in the following year, in June 1939  Syria did not recognize the incorporation of Hatay into Turkey and the issue is still disputed until the present time 

World War II and the founding of the UN
With the fall of France in 1940 during World War II, Syria came under the control of the Vichy Government until the British and Free French invaded and occupied the country in July 1941  Syria proclaimed its independence again in 1941 but it was not until 1 January 1944 that it was recognized as an independent republic 
On 27 September 1941, France proclaimed, by virtue of, and within the framework of the Mandate, the independence and sovereignty of the Syrian State  The proclamation said "the independence and sovereignty of Syria and Lebanon will not affect the juridical situation as it results from the Mandate Act  Indeed, this situation could be changed only with the agreement of the Council of the League of Nations, with the consent of the Government of the United States, a signatory of the Franco-American Convention of 4 April 1924, and only after the conclusion between the French Government and the Syrian and Lebanese Governments of treaties duly ratified in accordance with the laws of the French Republic Benqt Broms said that it was important to note that there were several founding members of the United Nations whose statehood was doubtful at the time of the San Francisco Conference and that the Government of France still considered Syria and Lebanon to be mandates Duncan Hall said "Thus, the Syrian mandate may be said to have been terminated without any formal action on the part of the League or its successor  The mandate was terminated by the declaration of the mandatory power, and of the new states themselves, of their independence, followed by a process of piecemeal unconditional recognition by other powers, culminating in formal admission to the United Nations  Article 78 of the Charter ended the status of tutelage for any member state: 'The trusteeship system shall not apply to territories which have become Members of the United Nations, relationship among which shall be based on respect for the principle of sovereign equality '"On 29 May 1945, France bombed Damascus and tried to arrest its democratically elected leaders  While French planes were bombing Damascus, Prime Minister Faris al-Khoury was at the founding conference of the United Nations in San Francisco, presenting Syria's claim for independence from the French Mandate 
Continuing pressure from Syrian nationalist groups and British pressure forced the French to evacuate their last troops on 17 April 1946 

Republic of Syria 1946-1963
Syrian independence was acquired in 1946  Although rapid economic development followed the declaration of independence, Syrian politics from independence through the late 1960s was marked by upheaval  The early years of independence were marked by political instability 
In 1948, Syria was involved in the Arab-Israeli War with the newly created State of Israel  The Syrian army was pressed out of the Israeli areas, but fortified their strongholds on the Golan and managed to keep their old borders and occupy some additional territory  In July 1949, Syria was the last Arab country to sign an armistice agreement with Israel 
In March 1949, Syria's national government was overthrown by a military coup d'état led by Husni al-Zaim in a coup  Some authors claim involvement by the United States CIA Later that year Zaim was overthrown by his colleague Sami al-Hinnawi and Adib al-Shishakli  The latter undermined civilian rule and led to Shishakli's complete seizure of power in 1951  Shishakli continued to rule the country until 1955, when growing public opposition forced him to resign and leave the country  The national government was restored, but again to face instability, this time from abroad  After the overthrow of President Shishakli in a 1954 coup, continued political maneuvering supported by competing factions in the military eventually brought Arab nationalist and socialist elements to power  Between 1946 and 1956, Syria had 20 different cabinets and drafted four separate constitutions 
During the Suez Crisis of 1956, after the invasion of the Sinai Peninsula by Israeli troops, and the intervention of British and French troops, martial law was declared in Syria  Later Syrian and Iraqi troops were brought into Jordan to prevent a possible Israeli invasion  The November 1956 attacks on Iraqi pipelines were in retaliation for Iraq's acceptance into the Baghdad Pact  In early 1957 Iraq advised Egypt and Syria against a conceivable takeover of Jordan 
In November 1956 Syria signed a pact with the Soviet Union, providing a foothold for communist influence within the government in exchange for planes, tanks, and other military equipment being sent to Syria  This increase in the strength of Syrian military technology worried Turkey, as it seemed feasible that Syria might attempt to retake Iskenderon, a formerly Syrian city now in Turkey  On the other hand, Syria and the USSR accused Turkey of amassing its troops at the Syrian border  During this standoff, communists gained more control over the Syrian government and military  Only heated debates in the United Nations (of which Syria was an original member) lessened the threat of war 
Syria's political instability during the years after the 1954 coup, the parallelism of Syrian and Egyptian policies, and the appeal of Egyptian President Gamal Abdal Nasser's leadership in the wake of the Suez crisis created support in Syria for union with Egypt  On 1 February 1958, Syrian president Shukri al-Kuwatli and Nasser announced the merging of the two countries, creating the United Arab Republic, and all Syrian political parties, as well as the Communists therein, ceased overt activities 
The union was not a success, however  Following a military coup on 28 September 1961, Syria seceded, reestablishing itself as the Syrian Arab Republic  Instability characterised the next 18 months, with various coups culminating on 8 March 1963, in the installation by leftist Syrian Army officers of the National Council of the Revolutionary Command (NCRC), a group of military and civilian officials who assumed control of all executive and legislative authority  The takeover was engineered by members of the Arab Socialist Resurrection Party (Ba'ath Party), which had been active in Syria and other Arab countries since the late 1940s  The new cabinet was dominated by Ba'ath members 

Ba'athist Arab Republic of Syria 1963-today
First Ba'ath government
The Ba'ath takeover in Syria followed a Ba'ath coup in Iraq, the previous month  The new Syrian Government explored the possibility of federation with Egypt and with Ba'ath-controlled Iraq  An agreement was concluded in Cairo on 17 April 1963, for a referendum on unity to be held in September 1963  However, serious disagreements among the parties soon developed, and the tripartite federation failed to materialize  Thereafter, the Ba'ath governments in Syria and Iraq began to work for bilateral unity  These plans foundered in November 1963, when the Ba'ath government in Iraq was overthrown 
In May 1964, President Amin al-Hafiz of the NCRC promulgated a provisional constitution providing for a National Council of the Revolution (NCR), an appointed legislature composed of representatives of mass organisations—labour, peasant, and professional unions—a presidential council, in which executive power was vested, and a cabinet 

Second Ba'ath government
On 23 February 1966, a group of army officers carried out a successful, intra-party coup, imprisoned President Hafiz, dissolved the cabinet and the NCR, abrogated the provisional constitution, and designated a regionalist, civilian Ba'ath government on 1 March



ground_truth: Mary Astor

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: 1956 Night Series Cup games were played at what inner suburb of Melbourne that is 3km south of Melbourne's central business district?

The following are given passages.
Context 3:  The coup leaders described it as a "rectification" of Ba'ath Party principles  In June 1967 Israel captured and occupied the Golan Heights  The Six Day War had significantly weakened the radical socialist government established by the 1966 coup 
On 18 September 1970, during the events of Black September in Jordan, Syria tried to intervene on behalf of the Palestinian guerrillas  Hafez al-Assad sent in armored forces equivalent to a brigade, with tanks, some of them allegedly hastily rebranded from the regular Syrian army for the purpose  Other Syrian units were the 5th Infantry Division and Commandos  On 21 September, the Syrian 5th Division broke through the defenses of the Jordanian 40th Armoured Brigade, and pushed it back off the ar-Ramtha crossroads  On 22 September, the Royal Jordanian Air Force began attacking Syrian forces, which were badly battered as a result  The constant airstrikes broke the Syrian force, and on the late afternoon of 22 September the 5th Division began to retreat  The swift Syrian withdrawal was a severe blow to Palestinian guerillas  Jordanian armored forces steadily pounded their headquarters in Amman, and threatened to break them in other regions of the Kingdom as well  Eventually, the Palestinian factions agreed to a cease-fire  King Hussein and Yasser Arafat attended the meeting of the Arab League in Cairo, where the hostilities briefly ended  The Jordanian-Palestinian Civil War shortly resumed, but without Syrian intervention 
By 1970 a conflict had developed between an extremist military wing and a more moderate civilian wing of the Ba'ath Party  The 1970 retreat of Syrian forces sent to aid the PLO during the "Black September" hostilities with Jordan reflected this political disagreement within the ruling Ba'ath leadership 

Ba'ath Party under Hafez al-Assad, 1970–2000
Power takeover
On 13 November 1970, Minister of Defense Hafez al-Assad effected a bloodless military coup, ousting the civilian party leadership and assuming the role of President 
Upon assuming power, Hafez al-Assad moved quickly to create an organizational infrastructure for his government and to consolidate control  The Provisional Regional Command of Assad's Arab Socialist Ba'ath Party nominated a 173-member legislature, the People's Council, in which the Ba'ath Party took 87 seats  The remaining seats were divided among "popular organizations" and other minor parties 
In March 1971, the party held its regional congress and elected a new 21-member Regional Command headed by Assad  In the same month, a national referendum was held to confirm Assad as president for a 7-year term  In March 1972, to broaden the base of his government, Assad formed the National Progressive Front, a coalition of parties led by the Ba'ath Party, and elections were held to establish local councils in each of Syria's 14 governorates  In March 1973, a new Syrian constitution went into effect followed shortly thereafter by parliamentary elections for the People's Council, the first such elections since 1962 

October War
On 6 October 1973, Syria and Egypt began the Yom Kippur War (also called the "Ramadan War" or "October War" because Syria and Egypt attacked during Muslim Ramadan holiday) by staging a surprise attack against Israel  Despite the element of surprise, Egypt and Syria lost their initial gains in a three-week-long warfare, and Israel continued to occupy the Golan Heights and the Sinai peninsula 

Intervention in Lebanon
In early 1976, the Lebanese Civil War was going poorly for the Maronite Christians, so the Lebanese President Elias Sarkis officially requested Syria intervene militarily  After receiving their first mandate from the Lebanese President, Syria was given a second mandate by the Arab League to intervene militarily in Lebanon  Syria sent 40,000 troops into the country to prevent the Christians from being overrun, but soon became embroiled in this war, beginning the 30 year Syrian presence in Lebanon  Over the following 15 years of civil war, Syria fought both for control over Lebanon, and as an attempt to undermine Israel in southern Lebanon, through extensive use of Lebanese allies as proxy fighters  Many saw the Syrian Army's presence in Lebanon as an occupation, especially following the end of the civil war in 1990, after the Syrian-sponsored Taif Agreement  Syria then remained in Lebanon until 2005, exerting a heavy-handed influence over Lebanese politics, that was deeply resented by many 
About one million Syrian workers came into Lebanon after the war ended to find jobs in the reconstruction of the country  Syrian workers were preferred over Palestinian Arabs and Lebanese workers because they could be paid lower wages, but some have argued that the Syrian government's encouragement of citizens entering its small and militarily dominated neighbor in search of work, was in fact an attempt at Syrian colonization of Lebanon  In 1994, under pressure from Damascus, the Lebanese government controversially granted citizenship to over 200,000 Syrians resident in the country 

Muslim Brotherhood uprising and Hama Massacre
On 31 January 1973, Assad implemented the new Constitution which led to a national crisis  Unlike previous constitutions, this one did not require that the  president of Syria must be a Muslim, leading to fierce demonstrations in Hama, Homs and Aleppo organized by the Muslim Brotherhood and the ulama  They labeled Assad as the "enemy of Allah" and called for a jihad against his rule  Robert D  Kaplan has compared Assad's coming to power to "an untouchable becoming maharajah in India or a Jew becoming tsar in Russia—an unprecedented development shocking to the Sunni majority population which had monopolized power for so many centuries " The authoritarian government was not without its critics, a serious challenge arose in the late 1970s from fundamentalist Sunni Muslims, who reject the basic values of the secular Ba'ath program and object to rule by the Alawis whom they consider heretical  From 1976 until its suppression in 1982, the arch-conservative Muslim Brotherhood led an armed insurgency against the government  In response to an attempted uprising by the brotherhood in February 1982, the government crushed the fundamentalist opposition centered in the city of Hama, leveling parts of the city with artillery fire and causing many thousands of dead and wounded  During the rest of Hafez al-Assad's reign, public manifestations of anti-government activity were very limited 

During Gulf War
Syria's 1990 participation in the U S -led multinational coalition aligned against Saddam Hussein marked a dramatic watershed in Syria's relations both with other Arab states and with the Western world  Syria participated in the multilateral Middle East Peace Conference in Madrid in October 1991, and during the 1990s engaged in direct, face-to-face negotiations with Israel  These negotiations failed, and there have been no further Syrian-Israeli talks since President Hafiz al-Assad's meeting with President Bill Clinton in Geneva in March 2000 

Internal power struggle
In what has become known as the 1999 Latakia incident, violent protests and armed clashes erupted following the 1998 People's Assembly's Elections  The violent events were an explosion of a long-running feud between Hafez al-Assad and his younger brother Rifaat, who previously attempted to initiate a coup against Hafez in 1984, but was eventually expelled from Syria  Two people were killed in fire exchanges of Syrian police and Rifaat's supporters during police crack-down on Rifaat's port compound in Latakia  According to opposition sources, denied by the government, the clashes in Latakia resulted in hundreds of dead and injured 

Drought in Syria
From 2006 to 2010, Syria experienced its worst drought in modern history  The drought resulted in a mass migration from the Syrian countryside into urban centers, which notably strained existing infrastructure already burdened by the influx of some 1 5 million refugees from Iraq  The drought itself has been linked to human caused global climate change  It has also been directly linked as a contributing factor to the socieoeconomic conditions that led to initial protests and uprising  Adequate water supply continues to be an issue in the ongoing civil war and the supply is frequently the target of military action 

Under Bashar al-Assad, 2000–present
The Damascus Autumn
Hafiz al-Assad died on 10 June 2000, after 30 years in power  Immediately following al-Assad's death, the Parliament amended the constitution, reducing the mandatory minimum age of the President from 40 to 34, which allowed his son, Bashar al-Assad, to become legally eligible for nomination by the ruling Ba'ath party  On 10 July 2000, Bashar al-Assad was elected president by referendum in which he ran unopposed, garnering 97 29% of the vote, according to Syrian government statistics Bashar, who speaks French and English and has a British-born wife, was said to have "inspired hopes" for reform, and a "Damascus Spring" of intense political and social debate took place from July 2000 to August 2001  The period was characterized by the emergence of numerous political forums or salons where groups of like minded people met in private houses to debate political and social issues  The phenomenon of salons spread rapidly in Damascus and to a lesser extent in other cities  Political activists, such as, Riad Seif, Haitham al-Maleh, Kamal al-Labwani, Riyad al-Turk, and Aref Dalila were important in mobilizing the movement  The most famous of the forums were the Riad Seif Forum and the Jamal al-Atassi Forum  The Damascus Spring ended in August 2001 with the arrest and imprisonment of ten leading activists who had called for democratic elections and a campaign of civil disobedience 

International and internal tensions
On 5 October 2003, Israel bombed a site near Damascus, claiming it was a terrorist training facility for members of Islamic Jihad  Islamic Jihad said the camp was not in use; Syria said the attack was on a civilian area  The Israeli action was condemned by European governments  The German Chancellor said it "cannot be accepted" and the French Foreign Ministry said "The Israeli operation… constituted an unacceptable violation of international law and sovereignty rules " The Spanish UN Ambassador Inocencio Arias called it an attack of "extreme gravity" and "a clear violation of international law "The United States Congress passed the Syria Accountability Act in December 2003, with the goal of ending what the U S  sees as Syrian involvement in Lebanon, Iraq, terrorism, and weapons of mass destruction through international sanctions 
Ethnic tensions increased in Syria, following an incident in a football stadium in Al Qamishli, 30 people were killed and more than 160 were injured in days of clashes starting from 12 March  Kurdish sources indicated that Syrian security forces used live ammunition against civilians after clashes broke out at a football match between Kurdish fans of the local team and Arab supporters of a visiting team from the city of Deir al-Zor  The international press reported that nine people were killed on 12 March  According to Amnesty International hundreds of people, mostly Kurds, were arrested after the riots  Kurdish detainees were reportedly tortured and ill-treated  Some Kurdish students were expelled from their universities, reportedly for participating in peaceful protests In June 2005, thousands of Kurds demonstrated in Qamishli to protest the assassination of Sheikh Khaznawi, a Kurdish cleric in Syria, resulting in the death of one policeman and injury to four Kurds Renewed opposition activity occurred in October 2005 when activist Michel Kilo launched with leading opposition figures the Damascus Declaration, which criticized the Syrian government as "authoritarian, totalitarian and cliquish" and called for democratic reform On 6 September 2007 a Syrian facility was bombed in the Deir ez-Zor region  While no one claimed responsibility for this act, Syria accused Israel, which in turn declared that the indicated site was a nuclear facility with a military purpose  Syria denied the claim 
On 26 October 2008 helicopter-borne CIA paramilitary officers and United States Special Operations Forces carried out a raid to the Syrian territory from Iraq The Syrian government called the event a "criminal and terrorist" attack on its sovereignty, alleging all of the reported eight fatalities were civilians  An unnamed U S  military source, however, alleged that the target was a network of foreign fighters who travel through Syria to join the Iraqi insurgency against the United States-led Coalition in Iraq and the Iraqi government 

Syrian civil war
The Syrian civil war is an ongoing internal violent conflict in Syria  It is a part of the wider Arab Spring, a wave of upheaval throughout the Arab World  Public demonstrations across Syria began on 26 January 2011 and developed into a nationwide uprising  Protesters demanded the resignation of President Bashar al-Assad, the overthrow of his government, and an end to nearly five decades of Ba’ath Party rule 
Since spring 2011, the Syrian government deployed the Syrian Army to quell the uprising, and several cities were besieged, though the unrest continued  According to some witnesses, soldiers, who refused to open fire on civilians, were summarily executed by the Syrian Army  The Syrian government denied reports of defections, and blamed armed gangs for causing trouble  Since early autumn 2011, civilians and army defectors began forming fighting units, which began an insurgency campaign against the Syrian Army  The insurgents unified under the banner of the Free Syrian Army and fought in an increasingly organized fashion; however, the civilian component of the armed opposition lacked an organized leadership 
The uprising has sectarian undertones, though neither faction in the conflict has described sectarianism as playing a major role  The opposition is dominated by Sunni Muslims, whereas the leading government figures are Alawites, affiliated with the Shia Islam  As a result, the opposition is winning support from the Sunni Muslim states, whereas the government is publicly supported by the Shia dominated Iran and the Lebanese Hizbullah 
According to various sources, including the United Nations, up to 13,470–19,220 people have been killed, of which about half were civilians, but also including 6,035–6,570 armed combatants from both sides and up to 1,400 opposition protesters  Many more have been injured, and tens of thousands of protesters have been imprisoned  According to the Syrian government, 9,815–10,146 people, including 3,430 members of the security forces, 2,805–3,140 insurgents and up to 3,600 civilians, have been killed in fighting with what they characterize as "armed terrorist groups " To escape the violence, tens of thousands of Syrian refugees have fled the country to neighboring Jordan, Iraq and  Lebanon, as well to Turkey  The total official UN numbers of Syrian refugees reached 42,000 at the time, while unofficial number stood at as many as 130,000 
UNICEF reported that over 500 children have been killed, Another 400 children have been reportedly arrested and tortured in Syrian prisons  Both claims have been contested by the Syrian government  Additionally, over 600 detainees and political prisoners have died under torture  Human Rights Watch accused the government and Shabiha of using civilians as human shields when they advanced on opposition held-areas  Anti-government rebels have been accused of human rights abuses as well, including torture, kidnapping, unlawful detention and execution of civilians, Shabiha and soldiers  HRW also expressed concern at the kidnapping of Iranian nationals  The UN Commission of Inquiry has also documented abuses of this nature in its February 2012 report, which also includes documentation that indicates rebel forces have been responsible for displacement of civilians The Arab League, US, EU states, GCC states, and other countries have condemned the use of violence against the protesters  China and Russia have avoided condemning the government or applying sanctions, saying that such methods could escalate into foreign intervention  However, military intervention has been ruled out by most countries  The Arab League suspended Syria's membership over the government's response to the crisis, but sent an observer mission in December 2011, as part of its proposal for peaceful resolution of the crisis  The latest attempts to resolve the crisis has been made through the appointment of Kofi Annan, as a special envoy to resolve the Syrian crisis in the Middle East  Some analysts however have posited the partitioning the region into a Sunnite east, Kurdish north and Shiite/Alawite west 

See also
Politics of Syria
Foreign relations of Syria
Passage 4:
Ganzhou Uyghur Kingdom
The Ganzhou Uyghur Kingdom (traditional Chinese: 甘州回鶻; simplified Chinese: 甘州回鹘; pinyin: Gānzhōu Huíhú), also referred to as the Hexi Uyghurs, was established in 894 around Ganzhou in modern Zhangye  The kingdom lasted from 894 to 1036; during that time, many of Ganzhou's residents converted to Buddhism The Hexi Corridor, located within modern Gansu, was traditionally a Chinese inroad into Central Asia  From the 9th to 11th centuries this area was shared between the Ganzhou Uyghurs and the Guiyi Circuit  By the early 11th century both the Uyghurs and Guiyi Circuit were conquered by the Tangut people of the Western Xia dynasty The Ganzhou Uyghur rulers were descended from the House of Yaglakar 

History
There was a pre-existing community of Uyghurs at Ganzhou by 840 at the very latest In 874, remnant forces of the Tibetan Empire known as the Wenmo, Han Chinese slave soldiers under the Tibetan Empire, in Ganzhou drove out the Uyghurs Around the years 881 and 882, Ganzhou slipped from the control of the Guiyi Circuit 
In 894 the Uyghurs led by Pangteqin (Huaijian Khagan) established the Ganzhou Uyghur Kingdom in Ganzhou In 902 the Ganzhou Uyghurs sent military aid to Emperor Zhaozong of Tang In 910 the Ganzhou Uyghurs attacked the Kingdom of Jinshan (Guiyi) 
In 911 the Ganzhou Uyghurs attacked the Kingdom of Jinshan and forced them into an alliance as a lesser partner In 916 a Ganzhou Uyghur princess was married to Cao Yijin, governor of the Guiyi Circuit 
In 920 Huaijian Khagan became sickly 
In 924 Huaijian Khagan died and his sons Diyin and Renmei fought over the throne with Diyin coming out on top  They received a royal appointment from the Later Tang dynasty  The Khitans of the Liao dynasty offered to let the Ganzhou Uyghurs return to their former homeland on the Orkhon but they refused the offer In 925 Cao Yijin led an attack on the Ganzhou Uyghurs and defeated them 
In 926 Diyin died and Aduoyu succeeded him as Shunhua Khagan  Shunhua Khagan married Cao Yijin's daughter 
In 930 Cao Yijin visited the Ganzhou Uyghur court in Ganzhou



ground_truth: Albert Park

prompt_front: Answer the question based on the given passages. Only give me the answer and do not output any other words.

Question: In modern history of Syria this kingdom lasted for only four months, this kingdom surrendered to who?

The following are given passages.
Context 3: 
In 933 Shunhua Khagan died and Jingqiong succeeded him 
In 961 the Ganzhou Uyghurs accepted the Song dynasty as suzerains In 975 Jingqiong died and Yeluohe Mili'e succeeded him 
In 983 Jingqiong died and Lusheng succeeded him 
In 1003 Lusheng died and Zhongshun Baode Khagan succeeded him  The Tanguts attacked the Ganzhou Uyghurs but were defeated In 1008 the Ganzhou Uyghurs and Tanguts engaged in combat and the Uyghurs emerged victorious  The Liao dynasty attacked the Ganzhou Uyghurs and defeated them In 1009 the Ganzhou Uyghurs captured Liangzhou 
In 1010 the Liao dynasty attacked the Ganzhou Uyghurs and defeated them In 1016 Zhongshun Baode Khagan died and Huaining Shunhua Khagan succeeded him 
In 1023 Huaining Shunhua Khagan died and Guizhong Baoshun Khagan succeeded him 
In 1026 the Ganzhou Uyghurs were defeated in battle by the Liao dynasty In 1028 the Ganhzhou Uyghurs were defeated by the Tanguts  Guizhong Baoshun Khagan died and Baoguo Khagan succeeded him 
In 1036 the Ganzhou Uyghur Kingdom was annexed by the Tanguts  After the destruction of their realm, the Ganzhou Uyghurs migrated and settled in Dunhuang (Shazhou) and Guazhou  The Guazhou Uyghurs surrendered to the Tanguts in 1030 and Shazhou surrendered in 1036  A record of a Huolasan Khan ruling in Shazhou in 1127 shows that the Uyghurs there retained some amount of autonomy in Western Xia  Another group that settled between Dunhuang and the Qaidam Basin came to be known as the Yellow Head Uyghurs  They practiced Buddhism and lived as pastoral nomads  In the 13th century they were called the Sali Uyghurs  Their descendants are today known as the Yugurs 

Religion
The Uyghurs of Ganzhou originally practiced Manichaeanism as their state religion but abandoned it for Buddhism at the end of the 10th century due to pressure from the Tanguts  Like the Tanguts, they sent Buddhist pilgrimages to Mount Wutai, but the real reason for the expeditions may have been to spy on the Liao dynasty  According to Hong Hao, a Song dynasty diplomat on his way to the Jurchen Jin dynasty, the Uyghurs of the Hexi Corridor still practiced Buddhism:

The Uighur believe mostly in Buddhism  They place the (Buddhist) sculptures in the hall  At each sacrifice, they must slaughter a lamb  Some drink alcohol merrily  Then they dip their finger into the blood of the lamb and dye the mouth of the Buddha with blood  Some hold the foot of the Buddha screaming, which was meant to show intimacy and respect for the Buddha  When chanting the Scripture, they wore Kasaya (the monk’s robe) and used the Indian language 

Modern era
The modern day descendants of the Ganzhou Uyghurs are known as the Yugur 

See also
Yugur
Turkic peoples
Timeline of the Turkic peoples (500–1300) 
Uyghur Khaganate
Qocho
Passage 5:
Omukama of Toro
The Omukama of Tooro is the name given to the king of Tooro, one of the East African kingdom of Tooro  The kingdom was founded in 1830 by Omukama Kaboyo Olimi l who was the son of Kyebambe lll Nyamutukura, the king of Bunyoro  Since that time, Tooro existed as an independent kingdom until 1967 when President Apollo Milton Obote banned all kingdoms in Uganda  The kingdoms were reinstated as cultural institutions in 1993 
The Omukama of Tooro and the other kings play a vital role in Ugandan politics as cultural leaders and agents of peace and stability in their respective kingdoms  Tooro and Bunyoro kingdoms enjoy a close relationship 

List of Abakama (Kings) of Tooro
The following is a list of the Abakama of Tooro, starting around 1800 AD:
Kaboyo Olimi I, (Kasunsu Nkwanzi) c  1830 - 1861
Kazaana Ruhaga l, c 1861- 1862
Nyaika Kasunga Kyebambe I, c  1862-1863 and c  1864 - 1874
Kato Rukidi I, 1863-64
Mukabirere Olimi II, c  1874 -1876
Mukarusa Kyebambe II, c  1876 - 1877
Isingoma Rukidi ll, c  1877
Rubuubi Kyebambe lll c  1878 and 1879
Kakende Nyamuyonjo c  1878 and 1881 - 1882
Katera Rujwenge, c 1878–1879 a period of Interregnum, 1880–1891; reverted to Bunyoro
Daudi Kasagama Kyebambe IV, 1891–1928
George David Kamurasi Rukidi III, 1929–1965
Patrick David Matthew Kaboyo Olimi III, 1966–1995 interrupted by the discontinuation by the Ugandan government, 1967–1993
Oyo Nyimba Kabamba Iguru Rukidi IV, 1995–present

See also
Omukama of Bunyoro
Kabaka of Buganda
Toro Kingdom
Passage 6:
Omukama of Bunyoro
Omukama wa Bunyoro  Translates to The King of Bunyoro is the title given to rulers of the East African kingdom of Bunyoro-Kitara   The kingdom lasted as an independent state from the 16th to the 19th century  The Omukama of Bunyoro remains an important figure in Ugandan politics, especially among the Banyoro people of whom he is the titular head  He is closely related to the Omukama of Toro Kingdom 
The Royal Palace, called Ekikaali Karuziika, (Karuziika Palace) is located in Hoima  The current Omukama is Rukirabasaija Solomon Iguru I Gafabusa Amooti and his wife is Omugo (the Queen) Margaret Karunga Adyeri  As a cultural head, the King is assisted by his Principal Private Secretary, a Cabinet of 21 Ministers and  Orukurato (a Parliament) 

Constitutional recognition
In 1962, the United Kingdom granted independence to Uganda  In February 1966, Prime Minister Milton Obote suspended the constitution and seized power, abolishing all of the traditional kingdoms—including Bunyoro—in 1967  The Omukama (King) of Bunyoro-Kitara Kingdom was reinstated by Statute No  8 of 1993, enacted by the Parliament of Uganda after the monarchy had been abolished for many years  Unlike the pre-1967 Omukama, who was both titular head and a political figure of the government of Bunyoro, the Omukama today is a cultural leader above partisan politics, although the king remains the titular head of the Bunyoro regional government Article 246 of the 1995 Ugandan constitution provides:

Etymology of Omukama
Omukama means ‘the milker’, as the leader of the kingdom provides his citizens with food and wealth  The word comes from Runyoro-Rutooro omu- (singular human-being class prefix) and -kama ‘to milk’, which ultimately comes from Proto-Bantu kám ‘squeeze, wring’ 
In modern Runyoro-Rutooro, however, dropping the initial vowel of this word (mukama ‘boss, sir’) changes its meaning considerably 

History of the Omukama of Bunyoro-Kitara dynasties
Babiito dynasty
The Bachwezi dynasty was followed by the Babiito dynasty of the current Omukama of Bunyoro-Kitara  Any attempt to pinpoint the dates of this, or any other dynasty before it, is pure conjecture; as there were no written records at the time  Modern day historians place the beginning of the Babiito dynasty at around the time of the invasion of Bunyoro by the Luo from the North  The first mubiito (singular) king was Isingoma Mpuga Rukidi I, whose reign is placed around the 14th century  To date, there have been a total of 27 Babiito kings of Bunyoro-Kitara 
Source: The official Bunyoro-Kitara Kingdom website

List of Omukamas of the Babiito dynasty
Rukidi of Bunyoro, late fifteenth century
Ocaki of Bunyoro, late fifteenth/early sixteenth century
Oyo Nyiba of Bunyoro, early sixteenth century
Winyi I of Bunyoro, early sixteenth century
Olimi I of Bunyoro, mid sixteenth century
Nyabongo of Bunyoro, mid sixteenth century
Winyi II of Bunyoro, late sixteenth century/early seventeenth century
Olimi II of Bunyoro, mid seventeenth century
Nyarwa of Bunyoro, mid seventeenth century
Cwamali of Bunyoro, mid seventeenth century
Masamba of Bunyoro, late seventeenth century
Anabwani I of Bunyoro, late seventeenth century
Kyebambe I of Bunyoro, late seventeenth century
Winyi III of Bunyoro, early eighteenth century
Nyaika of Bunyoro, early eighteenth century
Kyebambe II of Bunyoro, early eighteenth century
Olimi III of Bunyoro, c  1710–1731
Duhaga of Bunyoro, 1731–c  1782
Olimi IV of Bunyoro, c  1782–1786
Nyamutukura Kyebambe III of Bunyoro, 1786–1835
Nyabongo II of Bunyoro, 1835–1848
Olimi V of Bunyoro, 1848–1852
Kyebambe IV of Bunyoro, 1852–1869
Kabalega of Bunyoro, 1869–1898
Kitahimbwa of Bunyoro, 1898–1902
Duhaga II of Bunyoro, 1902–1924
Winyi IV of Bunyoro, 1925–1967
Monarchy discontinued by the Ugandan government, 1967–1994
Solomon Iguru I, 1994–present
Passage 7:
Syrian National Congress
The Syrian National Congress, also called the Pan-Syrian Congress and General Syrian Congress (GSC), was convened in May 1919 in Damascus, Syria, after the expulsion of the Ottomans from Syria  The mission of the Congress was to consider the future of "Syria", by which was meant Greater Syria: present-day Syria, Lebanon, Israel, Palestine, and Jordan  The Congress also intended to present Arab views to the American King-Crane Commission of inquiry  The Congress was considered the first national parliament in the modern history of Syria 
The Congress was attended by representatives from all parts of Greater Syria, including Lebanon and Palestine, and was headed by Hashim al-Atassi  Some participants showed support for King Faisal's demands, while others were beginning to question his willingness to make concessions to pro-Zionist groups  In its final report it pleaded that "there be no separation of the southern part of Syria, known as Palestine, nor of the littoral western zone, which includes Lebanon, from the Syrian country " The King-Crane Commission recommended "the unity of Syria be preserved" in response The  Congress declared an independent Arab Kingdom of Syria on March 8, 1920, proclaiming:
The full and absolute independence of our country Syria, including Palestine, within her natural boundaries, based on a civil, representative form of government, protection of the rights of minorities, and rejection of the claims of the Zionists to Palestine as a national homeland or place of immigration for the Jews 
The new state intended to included Syria, Palestine, Lebanon and portions of northern Mesopotamia  King Faisal was declared the head of state  At the same time Prince Zeid, Faisal's brother, was declared regent of Mesopotamia  Hashim al-Atassi was named Prime Minister and Yusuf al-'Azma became Minister of War and Chief of Staff 
The Congress continued during the short-lived life of the Kingdom until July 17, 1920, when the French gave Faisal an ultimatum to surrender or fight, and Faisal surrendered, bringing to an end the Kingdom and dissolving its institutions 

Gallery
See also
Elizabeth F  Thompson (2020)  How the west stole democracy from the Arabs: The Syrian Arab Congress of 1920 and the Destruction of its Historic Liberal-Islamic Alliance  Grove Atlantic  ISBN 978-0-8021-4820-9  OL 29824859M  Wikidata Q108862853 
Passage 8:
Herodian dynasty
The Herodian dynasty was a royal dynasty of Idumaean (Edomite) descent, ruling the Herodian Kingdom of Judea and later the Herodian Tetrarchy as a vassal state of the Roman Empire  The Herodian dynasty began with Herod the Great, who assumed the throne of Judea, with Roman support, bringing down the century-old Hasmonean Kingdom  His kingdom lasted until his death in 4 BCE, when it was divided among his sons as a tetrarchy, which lasted for about 10 years  Most of those tetrarchies, including Judea proper, were incorporated into Judaea Province from 6 CE, though limited Herodian de facto kingship continued until Agrippa I's death in 44 CE and nominal title of kingship continued until 92 CE, when the last Herodian monarch, Agrippa II, died and Rome assumed full power over his de jure domain 

History
Origin
During the time of the Hasmonean ruler John Hyrcanus (134–104 BCE), Judea conquered Edom (Idumea) and forced the Edomites to convert to Judaism The Edomites were gradually integrated into the Judean nation, and some of them reached high-ranking positions  In the days of Alexander Jannaeus, the Edomite Antipas was appointed governor of Edom  His son Antipater, father of Herod the Great, was the chief adviser to Hasmonean Hyrcanus II and managed to establish a good relationship with the Roman Republic, who at that time (63 BCE) extended their influence over the region, following conquest of Syria and intervention in a civil war in Judea 
There are differing genealogies for the dynasty, depending on the source  According to Sextus Julius Africanus, Antipater's father was named Herod, and Epiphanius of Salamis writes that this Herod's father was named Antipas  It is Josephus who states that Antipas fathered Antipater, without further delineating his ancestry  This model is usually accepted by scholars 
Julius Caesar appointed Antipater to be procurator of Judea in 47 BCE and he appointed his sons Phasael and Herod to be governors of Jerusalem and Galilee respectively  Antipater was murdered in 43 BCE; however, his sons managed to hold the reins of power and were elevated to the rank of tetrarchs in 41 BCE by Mark Antony 

Rise to power
In 40 BCE, the Parthians invaded the eastern Roman provinces and managed to drive the Romans out of many areas  In Judea, the Hasmonean dynasty was restored under king Antigonus II Mattathias as a pro-Parthian monarch  Herod the Great, the son of Antipater the Idumaean and Cypros (possibly of Nabataean descent), managed to escape to Rome  After convincing the Roman Senate of his sincere intentions in favor of Romans he eventually was announced as king of the Jews by the Roman Senate Despite his announcement as king of the whole of Judea, Herod did not fully conquer it until 37 BCE  He subsequently ruled the Herodian kingdom as a vassal king for 34 years, crushing the opposition while also initiating huge building projects, including the harbor at Caesarea Maritima, the plaza surrounded by retaining walls at the Temple Mount, the Masada and the Herodium, among other fortresses and public works  Herod ruled Judea until 4 BCE; at his death, his kingdom was divided among his three sons as a tetrarchy 

Tetrarchies
Herod Archelaus, son of Herod and Malthace the Samaritan, was given the title of ethnarch and ruled over the main part of the kingdom: Judea proper, Idumea, and Samaria  He ruled for ten years until 6 CE, when he was "banished to Vienna in Gaul, where according to Cassius Dio, "Hist  Roma," lv  27—he lived for the remainder of his days " See also Census of Quirinius 
Philip, sometimes erroneously called Herod Philip II, was the son of Herod and his fifth wife Cleopatra of Jerusalem  He was given the title of tetrarch with jurisdiction over the northeast part of his father's kingdom: Iturea, Trachonitis, Batanaea, Gaulanitis, Auranitis, and Paneas  He ruled until his death in 34 CE 
Herod Antipas, another son of Herod and Malthace, was made a tetrarch of Galilee and Perea; he ruled there until he was exiled to Spain by emperor Caligula in 39 CE, according to Josephus  Herod Antipas is the person referenced in the Christian New Testament Gospels, playing a role in the death of John the Baptist and the trial of Jesus  The Gospel of Luke states that Jesus was first brought before Pontius Pilate for trial, since Pilate was the governor of Roman Judea, which encompassed Jerusalem where Jesus was arrested  Pilate initially handed him over to Antipas, in whose territory Jesus had been most active, but Antipas sent him back to Pilate's court 

Last rulers
Herod Agrippa was the grandson of Herod  Thanks to his friendship with Caligula, the emperor appointed him ruler with the title of king over the territories of Philip in 37 CE, which were after Philip's death in 34 CE shortly part of the Roman province of Syria, and in 40 CE he was given the territories of Herod Antipas  In 41 CE, Emperor Claudius added to his territory the parts of Judea province that previously belonged to Herod Archelaus  Thus Agrippa I practically re-united his grandfather's kingdom under his rule  Agrippa died in 44 CE 
Agrippa's son Herod Agrippa II was appointed a tetrarch of Chalcis and later king of the territories previously ruled by Philip  He actively participated in the quelling of the Great Revolt of Judea on the Roman side  Agrippa II was the last of the Herodians; with his death in c  92 or 100 CE the dynasty was extinct, and the kingdom became fully incorporated into the Roman province of Judaea 
In addition, Herod of Chalcis ruled as king of Chalcis, and his son, Aristobulus of Chalcis, was tetrarch of Chalcis and king of Armenia Minor 

List of Herodian rulers (47 BCE – 100 CE)
Antipater the Idumaean (Procurator of Judaea) 47–44 BCE
Herod the Great
Governor of Galilee 47–44 BCE
Tetrarch of Galilee 44–40 BCE
Elected king of all Judaea by the Roman Senate 40 BCE, reigned 37–4 BCE
Phasael (Governor of Jerusalem) 47–40 BCE
Pheroras (Governor of Perea) 20–5 BCE
Herod Archelaus (Ethnarch of Judaea) 4 BCE – 6 CE
Herod Antipas (Tetrarch of Galilee) 4 BCE – 39 CE
Philip the Tetrarch (Tetrarch of Batanaea) 4 BCE – 34 CE
Salome I (Tetrach of Jabneh) 4 BCE – 10 CE
Tigranes V of Armenia (King of Armenia) 6–12 CE
Herod Agrippa
King of Batanaea 37–41 CE
King of Galilee 40–41 CE
King of all Judaea 41–44 CE, previously Judaea (Roman province), given to him by Claudius, and reinstated as a province after his death 
Herod of Chalcis (King of Chalcis) 41–48 CE
Herod Agrippa II
Tetrarch of Chalcis 48–53 CE
King of Batanaea 53–100 CE
Aristobulus of Chalcis
King of Armenia Minor 55–72 CE
Tetrarch of Chalcis 57–92 CE
Tigranes VI of Armenia (King of Armenia) 58–61 CE
Gaius Julius Alexander (King of Cetis) 58–72 CE

Herodian dynasty in later culture
Literature
Novels
Hordos u-Miryam (1935), a Hebrew novel by Aaron Orinowsky
Mariamne (1967), a Swedish novel by Pär Lagerkvist
Claudius the God (1934), an English novel by Robert Graves, features Herod Agrippa I as an important character

Plays
Herod appears in some cycles of the Mystery Plays, played as an over the top villain   Such portrayals were still in folk memory in William Shakespeare's time, for Hamlet instructs the players not to "out-Herod Herod" (Act 3, Scene 2) 
Marianna (1565), an Italian drama by Lodovico Dolce
Mariam, the Faire Queene of Jewry (1613) an English drama by Elizabeth Tanfield Cary
Herod and Antipater, with the Death of Faire Mariam (1622), an English drama by Gervase Markham and William Sampson
Mariamne (1636), a French drama by François Tristan l'Hermite
La mort des enfants d’Hérode; ou, Suite de Mariamne (1639), a French drama by Gathier de Costes de la Calprenède
Herod and Mariamne (1673), an English drama by Samuel Pordage
La Mariamne (1696), an Italian opera by Giovanni Maria Ruggeri (mus ) and Lorenzo Burlini (libr )
Mariamne (1723), a French drama by Elijah Fenton
Herod features in two 18th century French plays on Mariamne, by Nadal and Voltaire 
Herodes und Mariamne (1850), a German drama by Christian Friedrich Hebbel
Myriam ha-Hashmonayith (1891), a Yiddish drama by Moses Seiffert
Tsar Irod I tsaritsa Mariamna (1893), a Russian drama by Dmitri Alexandrov
Herod and Mariamne (1938), an English drama by Clemence Dane

Poetry
Herod and Mariamne (1888), an English poem by Amelie Rives
Mariamne (1911), an English poem by Thomas Sturge Moore

Movies
The King of Kings (1927) by Cecil B  DeMille
Salome (1953) by William Dieterie
King of Kings (1961) by Nicholas Ray
The Greatest Story Ever Told (1965) by George Stevens, David Lean, Jean Nugelesco
Herod the Great (1959) (Italy) by Victor Tourjansky

Figurative arts
Painting
Mariamne Leaving the Judgment Seat of Herod (1887), a painting by John William Waterhouse

Performing arts
Music
Herod’s Lament for Mariamne (1815), an English song by Isaac Nathan (mus ) and George Byron (libr )
Herodes und Mariamne (1922), incidental music by Karol Rathaus
Lied der Mariamne (ohne Worte) (1927), incidental music by Mikhail Gnesin

Ballet
La Marianna (1785), an Italian ballet by Giuseppe Banti (chor )

Opera
Marianne (1796), opera in French with music by Nicolas Dalayrac and a libretto of Benoît-Joseph Marsollier
Hérodiade (1881), opera in French by Jules Massenet after Gustave Flaubert's play Hérodias (1877)
Salome (1905), opera in German by Richard Strauss after Oscar Wilde's play's Salome

Family tree of the Herodian dynasty
See also
Hasmonean dynasty
History of ancient Israel and Judah#Roman occupation
Herod's Temple
Herodian coinage
Herodian kingdom
Kings of Israel and Judah
Kings of Judah
List of High Priests of Israel
Promagistrate
Siege of Jerusalem (37 BC)



ground_truth: French